diff --git "a/1744bcb4-6bb8-48eb-a120-c8e6f5745e4f.json" "b/1744bcb4-6bb8-48eb-a120-c8e6f5745e4f.json" new file mode 100644--- /dev/null +++ "b/1744bcb4-6bb8-48eb-a120-c8e6f5745e4f.json" @@ -0,0 +1,40 @@ +{ + "interaction_id": "1744bcb4-6bb8-48eb-a120-c8e6f5745e4f", + "search_results": [ + { + "page_name": "Bonnie Raitt discography - Wikipedia", + "page_url": "https://en.wikipedia.org/wiki/Bonnie_Raitt_discography", + "page_snippet": "This article lists the discography of American blues and rock singer and songwriter Bonnie Raitt. ^ Ultrasonic Studios 1972 did not enter the Billboard 200, but it peaked at number 4 on the Billboard Blues Albums chart. ^ "Don't It Make You Wanna Dance" peaked at number 42 on the Hot Country Songs ...This article lists the discography of American blues and rock singer and songwriter Bonnie Raitt. ^ Ultrasonic Studios 1972 did not enter the Billboard 200, but it peaked at number 4 on the Billboard Blues Albums chart. ^ \"Don't It Make You Wanna Dance\" peaked at number 42 on the Hot Country Songs chart. ^ \"Angel from Montgomery\" did not enter the Hot Rock & Alternative Songs chart, but peaked at number 8 on the Rock Digital Song Sales chart.", + "page_result": "\n\n\n\nBonnie Raitt discography - Wikipedia\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJump to content\n
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Bonnie Raitt discography

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From Wikipedia, the free encyclopedia
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Bonnie Raitt discography
Raitt in 1977
Studio albums18
Live albums3
Compilation albums3
Singles42
\n

This article lists the discography of American blues and rock singer and songwriter Bonnie Raitt.\n

\n\n

Albums[edit]

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Studio albums[edit]

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Title\nYear\nPeak chart positions\nCertifications\n
US
[1]\n		AUS
[2][3]\n		BEL
(FL)
[4]\n		CAN
[5]\n		GER
[6]\n		NL
[7]\n		NZ
[8]\n		SWE
[9]\n		SWI
[10]\n		UK
[11]\n
Bonnie Raitt\n1971\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\n
Give It Up\n1972\n138\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\n\n
Takin' My Time\n1973\n87\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\n
Streetlights\n1974\n80\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\n
Home Plate\n1975\n43\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\n
Sweet Forgiveness\n1977\n25\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\n\n
The Glow\n1979\n30\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\n
Green Light\n1982\n38\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\n
Nine Lives\n1986\n115\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\n
Nick of Time\n1989\n1\n58\n\u2014\n\u2014\n68\n65\n\u2014\n\u2014\n\u2014\n51\n\n
  • RIAA: 5\u00d7 Platinum[12]
    • \n
  • MC: 3\u00d7 Platinum[13]
\n
Luck of the Draw\n1991\n2\n16\n\u2014\n\u2014\n55\n26\n6\n37\n16\n38\n\n
  • RIAA: 7\u00d7 Platinum[12]
    • \n
  • MC: 4\u00d7 Platinum[13]
\n
Longing in Their Hearts\n1994\n1\n27\n\u2014\n\u2014\n70\n34\n7\n36\n40\n26\n\n
  • MC: Platinum[13]
    • \n
  • RIAA: 2\u00d7 Platinum[12]
\n
Fundamental\n1998\n17\n149\n\u2014\n\u2014\n\u2014\n89\n\u2014\n\u2014\n43\n52\n\n\n
Silver Lining\n2002\n13\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\n\n
Souls Alike\n2005\n19\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\n
Slipstream\n2012\n6\n\u2014\n51\n14\n\u2014\n24\n34\n49\n\u2014\n64\n\n
Dig In Deep\n2016\n11\n\u2014\n29\n37\n76\n23\n38\n50\n80\n35\n\n
Just Like That...[14]\n2022\n44\n\u2014\n194\n\u2014\n54\n\u2014\n\u2014\n\u2014\n28\n\u2014\n\n
\"\u2014\" denotes a release that did not chart or was not released in that territory.\n
\n

Live albums[edit]

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Title\nYear\nPeak chart positions\nCertifications\n
US
[1]\n		AUS
[3]\n		NL
[7]\n		SWI
[10]\n		UK
[11]\n
Road Tested\n1995\n44\n142\n62\n40\n69\n\n\n
Decades Rock Live: Bonnie Raitt and Friends\n2006\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\n
  • RIAA: Gold (Video)[12]
\n
Ultrasonic Studios 1972 (with Lowell George)\n2014\n\u2014[a]\n\u2014\n\u2014\n\u2014\n\u2014\n\n
\"\u2014\" denotes a release that did not chart or was not released in that territory.\n
\n

Compilation albums[edit]

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Title\nYear\nPeak chart positions\nCertifications\n
US
[1]\n		AUS
[3]\n		NL
[7]\n		NZ
[8]\n		UK
[11]\n
The Bonnie Raitt Collection\n1990\n61\n138\n78\n\u2014\n\u2014\n\n\n
The Best of Bonnie Raitt\n2003\n47\n\u2014\n\u2014\n36\n37\n\n\n
Opus Collection: Something to Talk About\n2011\n82\n\u2014\n\u2014\n\u2014\n\u2014\n\n
\"\u2014\" denotes a release that did not chart or was not released in that territory.\n
\n

Singles[edit]

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Title\nYear\nPeak chart positions\nAlbum\n
US
[17]\n		US
AAA
[18]\n		US
AC
[19]\n		US
Main
[20]\n		AUS
[2][3]\n		CAN
[21]\n		GER
[6]\n		NL
[7]\n		NZ
[8]\n		UK
[11]\n
\"Too Long at the Fair\"[22]\n1972\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\nGive It Up\n
\"You've Been in Love Too Long\"[23]\n1973\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\nTakin' My Time\n
\"Good Enough\"[24]\n1975\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\nHome Plate\n
\"Run Like a Thief\"[25]\n1976\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n
\"Runaway\"\n1977\n57\n\u2014\n\u2014\n\u2014\n\u2014\n79\n\u2014\n\u2014\n\u2014\n\u2014\nSweet Forgiveness\n
\"Two Lives\"[26]\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n
\"Gamblin' Man\"[27]\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n
\"You're Gonna Get What's Coming\"\n1979\n73\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\nThe Glow\n
\"Don't It Make You Wanna Dance\"[b]\n1980\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\nUrban Cowboy soundtrack\n
\"Keep This Heart in Mind\"\n1982\n\u2014[c]\n\u2014\n\u2014\n39\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\nGreen Light\n
\"Me and the Boys\"\n\u2014[d]\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n
\"No Way to Treat a Lady\"\n1986\n\u2014\n\u2014\n\u2014\n15\n\u2014\n95\n\u2014\n\u2014\n\u2014\n\u2014\nNine Lives\n
\"Crimes of Passion\"[30]\n1987\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n
\"Thing Called Love\"\n1989\n\u2014\n\u2014\n\u2014\n11\n153\n\u2014\n\u2014\n66\n\u2014\n86\nNick of Time\n
\"Have a Heart\"\n1990\n49\n\u2014\n3\n\u2014\n149\n16\n\u2014\n19\n\u2014\n\u2014\n
\"Nick of Time\"\n92\n\u2014\n10\n\u2014\n142\n\u2014\n73\n67\n\u2014\n82\n
\"Love Letter\"\n\u2014\n\u2014\n35\n49\n\u2014\n73\n\u2014\n\u2014\n\u2014\n\u2014\n
\"Something to Talk About\"\n1991\n5\n\u2014\n5\n12\n57\n3\n57\n59\n33\n\u2014\nLuck of the Draw\n
\"I Can't Make You Love Me\"\n18\n\u2014\n6\n\u2014\n77\n40\n\u2014\n43\n22\n50\n
\"Slow Ride\"\n\u2014\n\u2014\n\u2014\n28\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n
\"Not the Only One\"\n1992\n34\n\u2014\n2\n\u2014\n\u2014\n13\n\u2014\n\u2014\n\u2014\n\u2014\n
\"Come to Me\"\n\u2014\n\u2014\n10\n\u2014\n\u2014\n36\n\u2014\n\u2014\n\u2014\n\u2014\n
\"All at Once\"\n\u2014\n\u2014\n17\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n
\"Love Sneakin' Up On You\"\n1994\n19\n\u2014\n2\n25\n118\n1\n71\n\u2014\n\u2014\n69\nLonging in Their Hearts\n
\"You\"\n92\n\u2014\n15\n\u2014\n\u2014\n16\n\u2014\n\u2014\n\u2014\n31\n
\"Storm Warning\"\n\u2014\n\u2014\n38\n\u2014\n\u2014\n36\n\u2014\n\u2014\n\u2014\n\u2014\n
\"You Got It\"\n1995\n33\n\u2014\n6\n\u2014\n120\n11\n80\n\u2014\n\u2014\n\u2014\nBoys on the Side soundtrack\n
\"Rock Steady\" (with Bryan Adams)\n73\n\u2014\n30\n\u2014\n117\n17\n\u2014\n\u2014\n\u2014\n50\nRoad Tested\n
\"One Belief Away\"\n1998\n\u2014\n1\n15\n\u2014\n\u2014\n24\n\u2014\n\u2014\n\u2014\n\u2014\nFundamental\n
\"Spit of Love\"\n\u2014\n20\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n
\"Lover's Will\"\n1999\n\u2014\n\u2014\n23\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n
\"It's All Over Now, Baby Blue\"\n2000\n\u2014\n23\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\nSteal This Movie! soundtrack\n
\"I Can't Help You Now\"\n2002\n\u2014\n4\n15\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\nSilver Lining\n
\"Silver Lining\"\n\u2014\n10\n21\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n
\"Time of Our Lives\"\n2003\n\u2014\n\u2014\n27\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n
\"Poor Poor Pitiful Me\" (with Jackson Browne)\n2004\n\u2014\n16\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\nEnjoy Every Sandwich:
The Songs of Warren Zevon\n
\"I Will Not Be Broken\"\n2005\n\u2014\n2\n27\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\nSouls Alike\n
\"I Don't Want Anything to Change\"\n2006\n\u2014\n\u2014\n38\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n
\"Right Down the Line\"\n2012\n\u2014\n17\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\nSlipstream\n
\"Used to Rule the World\"\n\u2014\n22\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n
\"Gypsy in Me\"\n2016\n\u2014\n21\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\nDig in Deep\n
\"Made Up Mind\"[14]\n2022\n\u2014\n17\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\n\u2014\nJust Like That...\n
\"\u2014\" denotes a release that did not chart or was not released in that territory.\n
\n

Other charted songs[edit]

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Title\nYear\nPeak chart positions\nAlbum\n
US
Digital
[31]\n		US
Rock
[32]\n		CAN
Digital
[33]\n
\"Angel from Montgomery\"\n2020\n\u2014\n\u2014[e]\n\u2014\nStreetlights\n
\"Angel from Montgomery\" (with John Prine)\n30\n20\n\u2014\nTribute to Steve Goodman\n
\"Just Like That\"\n2023\n6\n26\n11\nJust Like That...\n
\"\u2014\" denotes a release that did not chart or was not released in that territory.\n
\n

Other appearances[edit]

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Song\nYear\nAlbum\n
\"Darlin'\"\n1980\nUrban Cowboy Original Soundtrack\n
\"Don't It Make You Want to Dance\"\n
Various songs (backing vocals)\n1988\nRoy Orbison and Friends: A Black and White Night\n
\"Love Ain't No Triple Play\" (with Dr. John)\nBull Durham soundtrack\n
\"Right Place, Wrong Time\" (with B.B. King)\n1990\nAir America soundtrack\n
\"Thing Called Love\" (live version)\n1994\nGrammy's Greatest Moments Volume I[35]\n
\"I Can't Make You Love Me\" (live version)\nGrammy's Greatest Moments Volume III[36]\n
\"You Got It\"\n1995\nBoys on the Side soundtrack\n
\"Pride and Joy\" (with Double Trouble)\n1996\nTribute to Stevie Ray Vaughan\n
\"Feels Like Home\"\nMichael soundtrack\n
\"The Road Is My Middle Name\"\n1997\nThe Bridge School Concerts Volume 1\n
\"Cold, Cold, Cold\" (with Little Feat)\nRock and Roll Doctor: A Tribute to Lowell George\n
\"Me And The Boys\"\n2004\nThe Q People: A Tribute to NRBQ\n
\"Will the Sun Ever Shine Again\"\nHome on the Range: An Original Walt Disney Records Soundtrack\n
\"I'm in Love Again/All by Myself\" (with Jon Cleary)\n2007\nGoin' Home: A Tribute to Fats Domino\n
\"Love Has No Pride\" (with Crosby, Stills & Nash)\n2010\nThe 25th Anniversary Rock & Roll Hall of Fame Concerts[37]\n
\"Everywhere I Go\" (with David Lindley)\n2014\nLooking Into You: A Tribute to Jackson Browne\n
\n

Music videos[edit]

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Year\nVideo\n
1982\n\"Keep This Heart in Mind\"\n
1989\n\"Thing Called Love\"\n
1990\n\"Have a Heart\"\n
\"Nick of Time\"\n
\"Love Letter\"\n
1991\n\"Something to Talk About\"\n
\"I Can't Make You Love Me\"\n
1992\n\"Not the Only One\"\n
1994\n\"Love Sneakin' Up On You\"\n
1994\n\"You\"\n
1994\n\"Storm Warning\"\n
1995\n\"You Got It\"\n
1998\n\"One Belief Away\"\n
1998\n\"Lover's Will\"\n
2012\n\"Right Down The Line\"\n
2016\n\"Gypsy in Me\"\n
2022\n\"Made Up Mind\"\n
\n

Notes[edit]

\n
\n
    \n
  1. ^ Ultrasonic Studios 1972 did not enter the Billboard 200, but it peaked at number 4 on the Billboard Blues Albums chart.[15]\n
    2. \n
  2. ^ \"Don't It Make You Wanna Dance\" peaked at number 42 on the Hot Country Songs chart.[28]\n
    3. \n
  3. ^ \"Keep This Heart in Mind\" did not enter the Billboard Hot 100, but peaked at number 4 on the Bubbling Under Hot 100 Singles chart.[29]\n
    4. \n
  4. ^ \"Me and the Boys\" did not enter the Billboard Hot 100, but peaked at number 9 on the Bubbling Under Hot 100 Singles chart.[29]\n
    5. \n
  5. ^ \"Angel from Montgomery\" did not enter the Hot Rock & Alternative Songs chart, but peaked at number 8 on the Rock Digital Song Sales chart.[34]\n
    6. \n
\n

References[edit]

\n
\n
    \n
  1. ^ a b c \"Bonnie Raitt Chart History - The Billboard 200\". Billboard. Archived from the original on November 17, 2021. Retrieved November 21, 2021.\n
    2. \n
  2. ^ a b Peaks in Australia:\n\n
    3. \n
  3. ^ a b c d \"ARIA chart history 1988 to 2022, received from ARIA in 2022\". ARIA. Retrieved December 2, 2023 – via Imgur.com. N.B. The High Point number in the NAT column represents the release's peak on the national chart.\n
    4. \n
  4. ^ \"Discografie Bonnie Raitt\". Ultratop Flanders (in Dutch). Retrieved November 21, 2021.\n
    5. \n
  5. ^ \"Bonnie Raitt Chart History - Billboard Canadian Albums\". Billboard. Retrieved November 21, 2021.\n
    6. \n
  6. ^ a b \"Discographie von Bonnie Raitt\". Offizielle Deutsche Charts (in German). GfK Entertainment. Retrieved November 21, 2021.\n
    7. \n
  7. ^ a b c d \"Discografie Bonnie Raitt\". Dutch Charts (in Dutch). Retrieved November 21, 2021.\n
    8. \n
  8. ^ a b c \"Discography Bonnie Raitt\". Charts NZ. Hung Medien. Retrieved November 21, 2021.\n
    9. \n
  9. ^ \"Discography Bonnie Raitt\". Swedish Charts. Hung Medien. Retrieved November 21, 2021.\n
    10. \n
  10. ^ a b \"Discographie Bonnie Raitt\". Swiss Hitparade (in German). Hung Medien. Retrieved November 21, 2021.\n
    11. \n
  11. ^ a b c d \"Bonnie Raitt full Official Chart History\". Official Charts. Official Charts Company. Retrieved November 21, 2021.\n
    12. \n
  12. ^ a b c d e f g h i j \"Gold & Platinum (Search for \"Bonnie Raitt\")\". RIAA. Retrieved November 22, 2021.\n
    13. \n
  13. ^ a b c d e \"Gold/Platinum (Search for \"Bonnie Raitt\")\". Music Canada. Retrieved November 22, 2021.\n
    14. \n
  14. ^ a b Strauss, Matthew (February 25, 2022). \"Bonnie Raitt Announces New Album Just Like That..., Shares New Song: Listen\". Pitchfork. Retrieved February 25, 2022.\n
    15. \n
  15. ^ \"Bonnie Raitt Chart History - Blues Albums\". Billboard. Retrieved November 21, 2021.\n
    16. \n
  16. ^ \"British certifications \u2013 Bonnie Raitt\". British Phonographic Industry. Retrieved March 26, 2023. Type Bonnie Raitt in the \"Search BPI Awards\" field and then press Enter.\n
    17. \n
  17. ^ \"Bonnie Raitt Chart History - The Hot 100\". Billboard. Retrieved February 10, 2022.\n
    18. \n
  18. ^ \"Bonnie Raitt Chart History - Adult Alternative Airplay\". Billboard. Retrieved February 10, 2022.\n
    19. \n
  19. ^ \"Bonnie Raitt Chart History - Adult Contemporary\". Billboard. Retrieved February 10, 2022.\n
    20. \n
  20. ^ \"Bonnie Raitt Chart History - Mainstream Rock Airplay\". Billboard. Retrieved February 10, 2022.\n
    21. \n
  21. ^ \"Bonnie Raitt - Top Singles\". RPM. Retrieved February 10, 2022.\n
    22. \n
  22. ^ \"Happy 45th: Bonnie Raitt, Give It Up\". Rhino Entertainment. September 25, 2017. Retrieved February 11, 2022.\n
    23. \n
  23. ^ \"Top Single Picks\" (PDF). Billboard. December 8, 1973.\n
    24. \n
  24. ^ \"Top Single Picks\" (PDF). Billboard. November 29, 1975.\n
    25. \n
  25. ^ \"Top Single Picks\" (PDF). Billboard. May 1, 1976.\n
    26. \n
  26. ^ \"Top Single Picks\" (PDF). Billboard. August 6, 1977.\n
    27. \n
  27. ^ \"Top Single Picks\" (PDF). Billboard. November 19, 1977.\n
    28. \n
  28. ^ \"Bonnie Raitt Chart History - Hot Country Songs\". Billboard. Retrieved February 10, 2022.\n
    29. \n
  29. ^ a b Whitburn, Joel (2011). Top Pop Singles 1955\u20132010. Record Research, Inc. ISBN 978-0-89820-188-8.\n
    30. \n
  30. ^ \"Single Reviews\" (PDF). Billboard. January 24, 1987.\n
    31. \n
  31. ^ \"Bonnie Raitt Chart History - Digital Song Sales\". Billboard. Retrieved March 5, 2023.\n
    32. \n
  32. ^ \"Bonnie Raitt Chart History - Hot Rock & Alternative Songs\". Billboard. Retrieved March 5, 2023.\n
    33. \n
  33. ^ \"Bonnie Raitt Chart History - Canadian Digital Song Sales\". Billboard. Retrieved March 5, 2023.\n
    34. \n
  34. ^ \"Bonnie Raitt Chart History - Rock Digital Song Sales\". Billboard. Retrieved March 5, 2023.\n
    35. \n
  35. ^ \"Grammy's Greatest Moments, Volume 1: Various Artists\". Amazon.com. Retrieved 2011-11-21.\n
    36. \n
  36. ^ \"Grammy's Greatest Moments, Volume III: Various Artists\". Amazon. Retrieved 2011-11-23.\n
    37. \n
  37. ^ \"The 25th Anniversary Rock & Roll Hall Of Fame Concerts (4CD)\". Amazon. Retrieved 2011-11-25.\n
    38. \n
\n
Studio albums
\n\n
Compilation albums
Live albums
Singles
Other songs
Related articles
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Retrieved from \"https://en.wikipedia.org/w/index.php?title=Bonnie_Raitt_discography&oldid=1187876694\"
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\n\n\n\n", + "page_last_modified": " Thu, 21 Mar 2024 14:00:29 GMT" + }, + { + "page_name": "Bonnie Raitt Heads to the Grammys, Recognized as a Songwriter at ...", + "page_url": "https://www.nytimes.com/2023/01/31/arts/music/bonnie-raitt-grammys-just-like-that.html", + "page_snippet": "Long renowned as an interpreter, she has quietly built a catalog of her own. Up for song of the year on Sunday, she talked about her nominated track, \u201cJust Like That,\u201d and a lifetime onstage.Bonnie Raitt has won 10 Grammys since 1979. She\u2019s up for four awards on Sunday, including song of the year.Credit...Peter Fisher for The New York Times ... Long renowned as an interpreter, she has quietly built a catalog of her own. Up for song of the year on Sunday, she talked about her nominated track, \u201cJust Like That,\u201d and a lifetime onstage. Bonnie Raitt has won 10 Grammys since 1979. Bonnie Raitt has won 10 Grammys since 1979. She\u2019s up for four awards on Sunday, including song of the year.Credit...Peter Fisher for The New York Times ... Published Jan. 31, 2023Updated Feb. 6, 2023 \u00b7 Bonnie Raitt is no stranger to the Grammys, which will be awarded Sunday in Los Angeles. Up for song of the year on Sunday, she talked about her nominated track, \u201cJust Like That,\u201d and a lifetime onstage. Bonnie Raitt has won 10 Grammys since 1979. She\u2019s up for four awards on Sunday, including song of the year.Credit...Peter Fisher for The New York Times \u201cJust Like That\u201d and \u201cDown the Hall,\u201d a song narrated by a prisoner serving a life sentence and working in the prison hospice, show the influence of John Prine, a master of folky, laconic character studies, who died of Covid in 2020. He wrote \u201cAngel From Montgomery,\u201d a song Raitt always sings in concert.", + "page_result": "\n\n \n \n Bonnie Raitt Heads to the Grammys, Recognized as a Songwriter at Last - The New York Times\n \n \n \n\n\n\n\n \n \n \n \n \n \n \n\n \n \n \n \n \n \n \n\n \n \n \n \n \n \n \n\n \n \n \n \n
Music|Bonnie Raitt Heads to the Grammys, Recognized as a Songwriter at Last
https://www.nytimes.com/2023/01/31/arts/music/bonnie-raitt-grammys-just-like-that.html
\"Bonnie
Bonnie Raitt has won 10 Grammys since 1979. She’s up for four awards on Sunday, including song of the year.Credit...Peter Fisher for The New York Times
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Bonnie Raitt Heads to the Grammys, Recognized as a Songwriter at Last

Long renowned as an interpreter, she has quietly built a catalog of her own. Up for song of the year on Sunday, she talked about her nominated track, \u201cJust Like That,\u201d and a lifetime onstage.

Bonnie Raitt has won 10 Grammys since 1979. She’s up for four awards on Sunday, including song of the year.Credit...Peter Fisher for The New York Times

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\"Jon

By Jon Pareles

Bonnie Raitt is no stranger to the Grammys, which will be awarded Sunday in Los Angeles. She has won 10 of them since 1979, and she has also been a frequent presenter and performer on the show, befitting a musician who has long been the model of a sustainable, self-guided rock career.

Raitt has never depended on hit singles or spectacle; instead, she relies on the quiet power of a voice that draws on blues, country, soul and rock to speak plainly about complicated emotions. Modestly but tenaciously, Raitt has cycled through decades of recording albums and touring, selling out 3,000-seat theaters and playing regularly at festivals. Musicians like Adele and Bon Iver have drawn on her repertoire, and younger musicians, particularly women, have cited her example as a bandleader and producer.

Raitt, 73, has long been renowned as a finder and interpreter of songs, but most of her albums have also included a few of her own. Her four Grammy nominations this year include her first ones for her songwriting. The title track of her 2022 album, \u201cJust Like That\u2026,\u201d has been nominated as song of the year and best American roots song. It\u2019s a quiet, folky track about a heart transplant; a mother whose son was killed in an accident meets the recipient, and she gets to hear her child\u2019s heart beating again.

\u201cJust Like That\u201d and \u201cDown the Hall,\u201d a song narrated by a prisoner serving a life sentence and working in the prison hospice, show the influence of John Prine, a master of folky, laconic character studies, who died of Covid in 2020. He wrote \u201cAngel From Montgomery,\u201d a song Raitt always sings in concert.

In a video interview from her living room in Marin County, Calif., Raitt wore a rainbow-hued outfit and spoke about songwriting, autonomy and awards-show serendipity. The following are edited excerpts from the conversation.

Image\"A
\u201cI don\u2019t write all the time,\u201d Raitt said. \u201cSo it\u2019s almost like having a whole body, spiritual, emotional, physical feeling when you get shaken like that.\u201dCredit...Peter Fisher for The New York Times

You have a lot of Grammy Awards already, but \u201cJust Like That\u201d is your first nomination as a songwriter. It seems a little belated for someone who has written dozens of songs.

I was never expecting this song of the year nomination. But I was very proud of the song, especially since it was so inspired by John Prine, and we lost him. I put my heart and soul into every record, and I never know which ones are going to resonate. But I can tell people are really moved, looking out there in the audience.

Tell me about writing the song. You\u2019ve said that it began with fingerpicking guitar.

I usually write my ballads on the keyboard. Probably because I took lessons, it just seems to be freer, more flexible. The guitar style that I have is really homegrown, primitive folk guitar chords and those old blues licks.

This particular time, I wanted to write, but not about my personal life, because I really had covered that. I didn\u2019t have anything else to say. So I was looking for a story.

And completely out of the blue, I saw this news program. They followed this woman with a film crew to the guy\u2019s house who received her son\u2019s heart. There was a lump in my throat \u2014 it was very emotional. And then when he asked her to sit down next to him and asked if she\u2019d like to put her head on his chest and listen to his heart \u2014 I can\u2019t even tell the story to this day without choking up, because it was so moving to me.

I wrote it for awhile without the music. I worked on the lyrics for both \u201cDown the Hall\u201d and this one. It was like there was a higher purpose for both of those songs. It was a really different process for me to have those lines that are crucial in each song just appear in my head.

I don\u2019t write all the time. So it\u2019s almost like having a whole body, spiritual, emotional, physical feeling when you get shaken like that. And the music \u2014 after the vaccines were available, I decided to make the record six months early, in the summer, and tour again. That put the pressure on to actually finish the song. So I just sat and played my acoustic guitar. And at that point, we had just lost John, and I just had him in my heart. I just started fingerpicking, and I had the lyrics in front of me, and the song poured through me without any thinking about it.

You\u2019ve been an example for a lot of younger performers as a woman who is indisputably the bandleader.

Maria Muldaur told me that years ago. She decided that she could actually be a solo act after watching me with my band in the studio in Woodstock, making \u201cGive It Up.\u201d And in the last 10 years of Americana events, I meet all these other women like Brandi Carlile, and they\u2019ll tell me that they were growing up on my music and what an influence I\u2019ve been.

But it\u2019s hard for me to think about that because I know my foibles and my failings. I still hold myself up to a standard I probably can\u2019t live up to. But I\u2019m really grateful when people say those kind things about me.

It\u2019s a very challenging position to be in when you\u2019re very young. But I\u2019ve been my own boss since I was 20. I walked into Warner Bros. and said, \u201cYou can\u2019t tell me what to wear, when to put my work out, who to work with and what to record. But I\u2019ll work my ass off if you put out my records.\u201d And they went for it. Now, I can\u2019t even imagine somebody telling me what to do.

And I could not live with somebody overriding my musical taste. I always picked someone that was not going to produce me and decide the arrangements, but work with me as a partner in the studio. So sometimes, when I needed to tell somebody that they just weren\u2019t cutting it, I would use my producer partner to go in and say something instead of me. As a live bandleader, I have sometimes been on thin ice, when I\u2019ve tried to find the words to explain something that I wanted when I couldn\u2019t play it myself.

The tricky part is that I know what I want. I know what doesn\u2019t work. I know what direction I like. I can say, \u201cPlay something more like this.\u201d But it\u2019s how to say that in a way that doesn\u2019t deflate someone\u2019s joy or their ability to feel.

At your concerts, it seems that you\u2019re totally relaxed and casual, but you\u2019re onstage in front of thousands of people. Do you think about pacing, timing, theatricality?

Somehow I just learned to put a show together. There\u2019s nothing like performing live. It\u2019s just something I was born to do. And when I put together a show, I leave room for some wild cards. It\u2019s a joy every night \u2014 to know that you have the aces on each of those instruments, and that we\u2019ve rehearsed enough where we can have some fun with it. And I think the audiences are not there to see a jukebox show. They\u2019re going with me wherever I want to go. I\u2019m more comfortable onstage than any other place in my life. I wish I was as comfortable offstage as I am onstage.

Image
\u201cI\u2019ve been my own boss since I was 20,\u201d Raitt said.Credit...Peter Fisher for The New York Times

It seems awards shows and festivals are rare chances for a lot of performers to meet.

I think all of us are like a kid in a candy store backstage. My favorite story about the Grammys was going through the metal detector at the Staples Center, at the afternoon ceremony. I was in the line between two guys in Slipknot, and the guy behind me is like in a Hannibal Lecter kind of a mask, and he goes, \u201cI really dig your music!\u201d I wouldn\u2019t have expected Slipknot guys to know me. You know, maybe a \u201cMy mom loves you\u201d kind of thing, but he was clearly a fan.

And I just never expected the number of people that come up and tell each other that. I got to tell Dave Grohl what a fan I am of the Foo Fighters, and he was so surprised on the red carpet. Pharrell Williams, when he was in N.E.R.D., he grabbed me as I was walking back to my seat at the Grammys, and he said, \u201cAny time you want to do something together \u2026\u201d

\u201cNick of Time,\u201d which was your title song for the 1989 LP that won album of the year, was about the fact of mortality, and now so are \u201cDown the Hall\u201d and \u201cJust Like That.\u201d

Yeah, and I dedicated this record to friends that I lost in just two years. It\u2019s just been an unbearable amount of loss. Suicides, drug overdoses, cancer, Covid. It\u2019s unbelievable, what\u2019s going on with the climate and with Ukraine and the Somali famine, which isn\u2019t even getting any coverage, and the migrant situation on the border, and Syrian refugees. I mean, I\u2019ve never been as discouraged and heartbroken as I have been. I soldier on.

People say, \u201cWell, how come you don\u2019t do political music?\u201d Most of it is just so insufferable. And I try to be really careful about not preaching my politics onstage because I know there\u2019s a lot of people out there that may not agree with me, and they\u2019re there to hear the music. So we have a table out there in the hall, and we tithe a dollar of every ticket.

I do have a couple of songs that are political, like \u201cHell to Pay\u201d and \u201cThe Comin\u2019 Round Is Going Through\u201d \u2014 I couldn\u2019t wait anymore. But the politics between people, and love relationships, are just as thorny and important to lift up and write from interesting points of view.

Jon Pareles has been The Times\u2019s chief pop music critic since 1988. A musician, he has played in rock bands, jazz groups and classical ensembles. He majored in music at Yale University. More about Jon Pareles

A version of this article appears in print on \u00a0, Section C, Page 1 of the New York edition with the headline: Out of Loss, a Song Sprang Forth. Order Reprints | Today\u2019s Paper | Subscribe

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\n \n \n \n \n \n \n \n \n\n\n\n \n \n \n \n \n \n\n\n \n \n \n \n", + "page_last_modified": " Fri, 22 Mar 2024 06:49:25 GMT" + }, + { + "page_name": "Bonnie Raitt Songs: A list of 15 of the Best | Holler", + "page_url": "https://holler.country/lists/guide/a-guide-to-bonnie-raitt", + "page_snippet": "An eloquent advocate for artists' rights, Bonnie Raitt spends far more time championing her fellow travellers than amplifying her own achievements.It gives us all the more reason to do the latter, as we invite you to leaf through Bonnie's back pages: ... Warner Records Inc. | 1971 \u00b7 From the get-go, Raitt's instincts were to infuse her unimpeachable credentials as a new blues ambassador with ingredients from the worlds of pop, soul, rock and the new singer-songwriter era. It served notice of Raitt's foolproof radar for the right type of song for her, with Kaz joining the original circle of composers (which also included Jackson Browne and Chris Smither) whose work she especially admired. Elsewhere, she also interpreted Kaz's \u2018Angel\u2019, \u2018Cry Like A Rainstorm\u2019, \u2018River of Tears\u2019 and another gem that we'll come to in a short while. This closing track from Bonnie's second album displayed her uncanny ear for a lyric, as she explores the almost heroic desolation of romantic defeat (\u201cLove has no pride when there's no one left to blame / I'd give anything to see you again\u201d). It's little remembered that it was first covered by John Denver, but when Bonnie got to the song, she took up permanent residence. I remember her playing it at a London show in the early 1990s when, as she does at every show for almost every writer she covers, she gave generous thanks to its creator. Everyone has done it since, from Tanya Tucker to Carly Simon to Old Crow Medicine Show, yet it goes without saying that Raitt's is the unassailable interpretation. Was, superb at divining the very core of an artist's talent, took the production back to basics, and outstanding song choices (John Hiatt, Bonnie Hayes, David & Julia Lasley and others) were complemented by his confidence in her own songwriting. Hence a wonderful title track in which an older, wiser Bonnie reflects with autobiographical humility on the passing years, ending up with a prize she never dreamed of. ... Capitol Records Inc. | 1991 \u00b7 Far from being a flash in the pan comeback, Nick Of Time completely redrew the map of Raitt's national and international appeal.", + "page_result": "Bonnie Raitt Songs: A list of 15 of the Best | Holler\n\n
\"Bonnie
lists

The Best Bonnie Raitt Songs

By Paul Sexton

\"Content

In the glow of Bonnie Raitt's lifetime as a universally adored stateswoman of blues-rock, it's a little strange to think that her records were once on a downward slide from critical acclaim to the bargain baskets.

After her exciting emergence half-a-century ago as an embodiment of blues-roots authenticity and maturity beyond her years, her records from the mid-1970s through most of the 80s were sadly ruled by the law of diminishing returns.

But to anyone who ever recognised her as a cool blues rocker and one of the greatest slide guitarists known, she saved both herself and her career in one nimble move.

It gives us all the more reason to do the latter, as we invite you to leaf through Bonnie's back pages:

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\n Warner Records Inc. | 1971\n

Thank You

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From the get-go, Raitt's instincts were to infuse her unimpeachable credentials as a new blues ambassador with ingredients from the worlds of pop, soul, rock and the new singer-songwriter era. That's why her self-titled 1971 debut included Stephen Stills' \u2018Bluebird\u2019, a tune recorded by Motown's Marvelettes, Robert Johnson's \u2018Walking Blues\u2019 and two covers of 1920's \u201cTexas Nightingale\u201d by Sippie Wallace.

On a spontaneous LP recorded partly live when she was just 21, she also contributed her first two self-penned songs, of which \u2018Finest Lovin' Man\u2019 is bona fide raunchy blues. Our choice, \u2018Thank You\u2019, is cut from more contemporary cloth; its graceful changes and soulful vocals hinting at glories to come.

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Love Has No Pride

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This sumptuously sad ballad was written by the undeservedly lesser-known Eric Kaz and Libby Titus. It served notice of Raitt's foolproof radar for the right type of song for her, with Kaz joining the original circle of composers (which also included Jackson Browne and Chris Smither) whose work she especially admired.

Elsewhere, she also interpreted Kaz's \u2018Angel\u2019, \u2018Cry Like A Rainstorm\u2019, \u2018River of Tears\u2019 and another gem that we'll come to in a short while. This closing track from Bonnie's second album displayed her uncanny ear for a lyric, as she explores the almost heroic desolation of romantic defeat (\u201cLove has no pride when there's no one left to blame / I'd give anything to see you again\u201d).

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\n Warner Records Inc. | 1973\n

Write Me A Few Of Your Lines/ Kokomo Blues

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The album-a-year schedule of the 1970s brought a splendid third LP that covered the waterfront, from soul (Martha & the Vandellas' \u2018You've Been In Love Too Long\u2019) via calypso (\u2018Wah She Go Do\u2019) to singer-songwriter, with songs contributed by Browne and Randy Newman.

Bonnie's beloved blues lineage was also admirably represented, both with Mose Allison's \u2018Everybody's Cryin' Mercy\u2019 and this skilfully segued tribute to another of her guiding lights, Mississippi Fred McDowell. A-list album contributors also included Van Dyke Parks, Taj Mahal and most of Little Feat. The bottleneck, electric and acoustic guitars were all the artist's own.

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Angel From Montgomery

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John Prine's immortal composition from his debut album, one of his first vignettes to make poetry out of real life, has become an endlessly remade Americana staple. It's little remembered that it was first covered by John Denver, but when Bonnie got to the song, she took up permanent residence.

I remember her playing it at a London show in the early 1990s when, as she does at every show for almost every writer she covers, she gave generous thanks to its creator. Everyone has done it since, from Tanya Tucker to Carly Simon to Old Crow Medicine Show, yet it goes without saying that Raitt's is the unassailable interpretation.

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I'm Blowin' Away

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More exquisite melancholy from the pen of Eric Kaz. One could easily fill an entire Raitt playlist with such superior, soul-baring heartbreakers, on which she seems to bare her very soul.

Listen for the magnificent string and horn arrangement by Nick De Caro, and the dream-team harmonies of Emmylou Harris, Jackson Browne and J.D. Souther. It's Raitt's supremely supple and evocative lead vocals that make this a focal point of her fifth studio release.

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Home

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Two years after, an album arrived that first made me aware of such a singular talent, especially when I bought the single from it - a slinky remake of Del Shannon's pop classic \u2018Runaway\u2019. Even the label, the famous old artwork announcing \u201cBurbank, Home Of Warner Bros. Records,\u201d was alluring.

Flipping the 45, you found a bonus feature, in the shape of this beguiling love letter to the joys of home. It was written by yet another underrated singer-songwriter of the day, Californian soft-rock songbird Karla Bonoff, who was also much favoured by Linda Ronstadt.

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The Glow

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Our heroine moved out of the 1970s and into the era of digital recording with her seventh album. It was full of sexy soul, starting with two Isaac Hayes & David Porter tunes - Sam & Dave's \u2018I Thank You\u2019 and Mabel John's \u2018Your Good Thing (Is About To End)\u2019.

The single was a rocking version of Robert Palmer's \u2018You're Gonna Get What's Coming\u2019, but we make no apology for choosing another stunning slow number. \u2018The Glow\u2019, written by Veyler Hildebrand, is one of the countless precious stones embedded deep in Raitt's awesome inventory, featuring a superb vocal performance of a sophisticated, late-night jazz delicacy.

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Keep This Heart In Mind

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Disappointed by the lukewarm response to The Glow, Raitt changed gear for Green Light, her first album of the 1980s. Here, she teamed with rock producer Rob Fraboni, on a record she remembers with more fondness than many of her other studio endeavours.

Still working largely from outside material, she tried Bob Dylan's \u2018Let's Keep This Between Us\u2019 and even Eddy Grant's \u2018Baby Come Back\u2019. Fred Marrone and Steve Holsapple's spirited \u2018Keep This Heart in Mind\u2019 again had Jackson Browne hands across it, alongside the featured saxophone of David Woodford.

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Nick Of Time

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Rarely has an album been so aptly titled. Masterfully overseen by Don Was, Nick of Time reset Raitt's creative compass just as she was disappearing into the long grass, having been dropped by Warner Brothers and mired in personal problems.

Admirer Prince had set up what became an ill-starred dalliance with Paisley Park Records, but that uncertain road eventually led to Capitol Records, three Grammys and five million sales. Was, superb at divining the very core of an artist's talent, took the production back to basics, and outstanding song choices (John Hiatt, Bonnie Hayes, David & Julia Lasley and others) were complemented by his confidence in her own songwriting.

Hence a wonderful title track in which an older, wiser Bonnie reflects with autobiographical humility on the passing years, ending up with a prize she never dreamed of.

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Something To Talk About

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Far from being a flash in the pan comeback, Nick Of Time completely redrew the map of Raitt's national and international appeal. When the follow-up album emerged two years later, this time listing her as co-producer with Was, it was even more successful, and was seven-times platinum in America alone before the end of the 1990s.

Reborn as a writer, she contributed four songs of her own to sit with Paul Brady's title-track, Hiatt's \u2018No Business\u2019, Womack & Womack's \u2018Good Man, Good Woman\u2019 (featuring Delbert McClinton) and others. Canadian Shirley Eikhard's whip-smart \u2018Something To Talk About\u2019 was a worthy first single; a fabulous showcase for Bonnie's peerless slide guitar, it was the biggest US hit she ever had, reaching No. 5.

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I Can't Make You Love Me

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Also on Luck Of The Draw was this stunning ballad and second single, an adult song of love and loss that cuts to the centre of a broken romance like open-heart surgery.

It was composed by country songwriters Mike Reid and Allen Shamblin and cast Raitt's aching vocals against the piano and additional keyboards of Bruce Hornsby. Anyone who doesn't shiver at lines like \u201cYou can't make your heart feel something it won't\u201d needs to check their pulse.

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Longing In Their Hearts

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Raitt\u2019s next album came striding into view with another US pop hit in the \u2019Something To Talk About\u2019 vein - Tom Snow and Jimmy Scott's \u2018Love Sneakin' Up On You\u2019. At this time, Bonnie was favouring British and Irish writers such as Richard Thompson, Terry Britten and Paul Brady, but crucially her own pen was now in full flow.

One of her four credits was this co-write with her husband of the time, actor Michael O'Keefe, an everyday story of yearning that combined the best elements of rock and folk, heightened by George Marinelli's Stonesy guitar and his supporting mandolin. Throw in a we-are-not-worthy harmony vocal by Levon Helm, and you're in business.

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I Can't Help You Now

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Her multi-platinum status may have ebbed away by the turn of the century, but by now Raitt's place among the recording and performing elite was inviolable. For the second album in a row, after 1998's Fundamental, Tchad Blake and Mitchell Froom joined her on the production couch, and there was another smart nod to the big writer-artists of the day, in her cover of David Gray's title track.

Billboard marvelled at how she \u201cdeftly remains relevant in today's youth-centric contemporary pop scene.\u201d This pleasing lead single was penned by Tommy Sims, Gordon Kennedy and Wayne Kirkpatrick, the team behind Eric Clapton's \u2018Change the World\u2019, and you can hear the echoes.

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Used To Rule The World

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Slipstream had Raitt co-producing with Joe Henry on a complete album of interpretations, on which she turned to favoured writers Dylan and Brady. Hailed as one of her best releases in many years, it went on to win a Grammy as Best Americana Album, acknowledging a latter-day genre name for a sound that she fundamentally helped to invent.

This supremely funky opening track was an inspired choice, written by the seemingly effortless style of Randall Bramblett and perfectly suited to a sixty-something kindred spirit. It has her cutting electric and slide shapes for fun alongside road band guitarists Johnny Lee Schell and George Marinelli, with extra glide stemming from Mike Finnigan's Hammond B3 stride.

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\n Redwing Records | 2016\n

All Alone With Something To Say

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Bonnie's most recent, 17th studio set welcomed her back as a contributing writer, on no fewer than five of its 12 titles. The album and its ensuing tour, including a triumphant night at London's Hammersmith Apollo, saw her at the pinnacle of her form, in fantastic voice and having the time of her life. Intelligent writers of grown-up material are drawn to her like bees to pollen, as on Steven Dale Jones and Gordon Kennedy's wondrous and wistful \u2018All Alone with Something To Say\u2019.

It sees life through the prism of experience with all its ups and downs, by an artist who has never been anything but true to her inspiring spirit. As she told me back in that 1994 interview: \u201cThere are people that love you for life and they\u2019re going to get you. So, I\u2019m never going to have to do something else for a living so long as, God willing, my voice and my guitar playing holds up\u201d.

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Subscribe and listen to Holler's Guide To: Bonnie Raitt playlist below:

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For more on Bonnie Raitt, see below:

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Written by Paul Sexton
\"Content
\"Author
Bonnie Raitt
Artist
\"Artist
lists

ESSENTIALS\u2022Dylan Gossett's Songs Ranked

\"Album
lists

ESSENTIALS\u2022The Most Controversial Country Songs

\"Artist
lists

ESSENTIALS\u2022Lauren Watkins' Songs Ranked

\"Artist
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ESSENTIALS\u2022Every No. 1 Country Song on the Billboard Hot 100

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Upcoming Tour Dates

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    Tour Updates & Information

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    Check out Bonnie\u2019s tour dates, purchase tickets to upcoming shows and view the Tour Dates Archive that starts in the 1970\u2019s! Stay tuned for updates and join the email list to be notified of upcoming concert details and more!

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    Stay up to date with media appearances and articles, catch up on what you missed and take a deep dive into the Bonnie-curated Press Archive spanning her 50+ year career.

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    Take a spin through Bonnie\u2019s Music Catalog starting with her self-titled debut album released in 1971 and enjoy the progression of her craft through 18 studio albums, 3 live concert releases and 3 collections! Here you will find an extensive Guest Discography detailing every guest appearance Bonnie has made on other artists\u2019 releases over the years.

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    So many incredible moments during an extraordinary life and career! Sharing these images with great appreciation for the photographers who captured them.

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    Bonnie\u2019s Quaker roots and family ties to the American Friends Service Committee inspire her commitment to social justice, equality, compassion for the suffering and protection of the air we breathe and the water we drink. She has participated in hundreds of benefit concerts and continues to use her voice to raise awareness and support for a myriad of causes she holds dear.

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    Biography

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    With the release of her twenty-first album, \"Just Like That\u2026\", Rock and Roll Hall of Famer Bonnie Raitt continues to draw on the range of influences that have shaped her legendary career, while creating something that speaks to the circumstances and challenges of these unprecedented times.

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    Browse recent appearances and enjoy archival performance videos and interviews in our gallery of hand-selected, time-capsule moments!

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    \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\t\n\t\n\n\n\n\n\n\n\n\n\n\n\n\r\n\r\n", + "page_last_modified": "" + }, + { + "page_name": "List of songs by Bonnie Raitt", + "page_url": "https://www.songfacts.com/songs/bonnie-raitt", + "page_snippet": "List of songs with Songfacts entries for Bonnie RaittA key line in \"Africa\" is \"I seek to cure what's deep inside, frightened of this thing that I've become,\" which is about drifting away from what you really want in life. Toto keyboard player David Paich, who wrote the song, felt his work was consuming him. Ariana Grande's hit \"Problem\" started off as a track written by One Direction songwriter Savan Kotecha. He gave it the working title of \"The Whisper Song,\" after a 2005 Ying Yang Twins hit. The \"Ms. Jackson\" in the OutKast song is Erykah Badu's mother. Andre 3000 had a child with Badu, and felt she was portraying him as a lousy dad. In the summer of 1990, you could get arrested for selling a 2 Live Crew album or performing their songs in Southern Florida. And that's exactly what happened.", + "page_result": "\n\n\nList of songs by Bonnie Raitt\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
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    Bonnie Raitt

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    Bonnie Raitt Song list

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    More Songfacts:

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    \n \"Billy

    My LifeBilly Joel

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    Billy Joel's \"My Life\" was used as the theme song to the 1980 TV show Bosom Buddies, which starred a young Tom Hanks as a guy who lives in a hotel for women by dressing up as a girl.

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    \n \"Ozzy

    Crazy TrainOzzy Osbourne

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    \"Crazy Train\" by Ozzy Osbourne is about the Cold War concept of Mutually Assured Destruction (M.A.D.) should any nuclear missile be fired.

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    \n \"Seals

    Summer BreezeSeals & Crofts

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    On the surface, \"Summer Breeze\" by Seals & Crofts is just a song about a guy coming home from work, but the duo claimed it had a deeper meaning about finding direction in one's personal life.

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    \n \"Robert

    Addicted To LoveRobert Palmer

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    The models in Robert Palmer's iconic \"Addicted To Love\" video were chosen in part because they couldn't play music, so they're all playing and moving to different rhythms.

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    \n \"Michael

    Wanna Be Startin' Somethin'Michael Jackson

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    \"Wanna Be Startin' Somethin'\" was Michael Jaskson's attack on the tabloid press: \"They eat off of you, you're a vegetable.\"

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    \n \"David

    ChangesDavid Bowie

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    The movie The Breakfast Club opens with a passage from David Bowie's \"Changes\" (\"And these children that you spit on...\")

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    Editor's Picks

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    \n \"Best\n

    Best Band LogosSong Writing

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    Queen, Phish and The Stones are among our picks for the best band logos. Here are their histories and a design analysis from an expert.

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    \n \"Bob\n

    Bob DaisleySongwriter Interviews

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    Bob was the bass player and lyricist for the first two Ozzy Osbourne albums. Here's how he wrote songs like \"Crazy Train\" and \"Mr. Crowley\" with Ozzy and Randy Rhoads.

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    \n \"Maria\n

    Maria MuldaurSongwriter Interviews

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    The \"Midnight At The Oasis\" singer is an Old Time gal. She talks about her jug band beginnings and shares a Dylan story.

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    \n \"TV\n

    TV Theme SongsFact or Fiction

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    Was a Beatles song a TV theme? And who came up with those Fresh Prince and Sopranos songs?

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    \n \"Chris\n

    Chris ReaSongwriter Interviews

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    It took him seven years to recover from his American hit \"Fool (If You Think It's Over),\" but Chris Rea became one of the top singer-songwriters in his native UK.

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    \n \"Sub\n

    Sub Pop Founder Bruce Pavitt On How To Create A Music SceneSong Writing

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    With $50 and a glue stick, Bruce Pavitt created Sub Pop, a fanzine-turned-label that gave the world Nirvana and grunge. He explains how motivated individuals can shift culture.

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    Songfacts\u00ae Newsletter

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    A monthly update on our latest interviews, stories and added songs

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    Follow Us

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    \u00a92024 Songfacts, LLC

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