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a unique and irreverent look at new york 's cubicle filled sweatshops .
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and lastly there 's dinka , a fellow barber who is madly in love with terri but does n't get the time of day .
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through it all , carlos comes to understand that if he is to make it as a comic artist , he must engage with the community he comes from , take that experience back out into the world , and put it in his work .
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it 's difficult to imagine that a more confused , less interesting and more sloppily made film could possibly come down the road in 2002 .
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the result reverberates on the screen with a deadly force and fury more intense than anything mr . scorsese has yet achieved on the meanest and most beloved streets he could imagine or recall .
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uses sharp humor and insight into human nature to examine class conflict , adolescent yearning , the roots of friendship and sexual identity .
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in doing so , he learns that the conventional answers of easy availability of guns , violent national history , violent entertainment and even poverty are inadequate to explain this violence when other cultures share those same factors without the equivalent carnage .
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nine queens is exactly the sort of film hollywood is always re-making and utterly ruining in the process . see it in this incarnation .
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by turns gripping , amusing , tender and heart-wrenching , laissez-passer has all the earmarks of french cinema at its best .
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it 's a shame the marvelous first 101 minutes have to be combined with the misconceived final 5 .
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when a movie is as down-and-out funny as austin powers in goldmember , it 's easy to overlook the missed opportunities and fizzled jokes littering the barrage of hilarity .
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with the help of his roommate , joe and his roommate 's girlfriend , bess , peter begins to explore more about himself and his values only to be crushed by those who love him .
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the story , touching though it is , does not quite have enough emotional resonance or variety of incident to sustain a feature , and even at 85 minutes it feels a bit long .
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luckily , this would n't be sabina 's final contribution to psychoanalysis .
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when in their thirties , they lose their father and inherit his second-hand bookshop .
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when rebecca went away to college john thought webcams would help them keep in touch .
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they literally bump heads one night , and become best friends .
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painted with broad strokes but with a palette of rich , colorful details .
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while playing , young t & # 252 ; rlich falls unconscious onto a duck nest and is carried away forever by the small river .
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in the meantime , she has had a little love affair with a young man from the village , found a girlfriend from her childhood days , swum in the sea , and found a way to live in peace with her melancholic memories .
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however he 's cauught by the mexican secret police and is forced to infiltrate a gruop political activist in the movement of 68 .
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mr . deeds is sure to give you a lot of laughs in this simple , sweet and romantic comedy .
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truth to tell , if you 've seen more than half-a-dozen horror films , there 's nothing here you have n't seen before .
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without the dark spookiness of crystal lake camp , the horror concept completely loses its creepy menace .
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cruise 's character has the tables turned on him when he is accused of a future crime and must find out what brought it about and stop it before it can happen in the year 2054 , a so-called `` pre-crime division `` is working around washington , dc .
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ricky is an ex-con with two strikes against him and is desperately trying to stay straight .
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worthless , from its pseudo-rock-video opening to the idiocy of its last frames .
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unfortunatly fate was not on his side because problems on location caused the film to go bankrupt within 12 days of shooting .
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so she writes it using info from people who talk about him and writes an unflattering piece , which does n't make him happy .
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nothing short of wonderful with its ten-year-old female protagonist and its steadfast refusal to set up a dualistic battle between good and evil .
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guru gulab leaves india for america and comes to stay in the neighbourhood of dr . anmol acharya ( aftab shivdasani ) .
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shaky close-ups of turkey-on-rolls , stubbly chins , liver spots , red noses and the filmmakers new bobbed do draw easy chuckles but lead nowhere .
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now the job is n't the payoff , it 's about payback .
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a sparkling cosmopolitan comedy that plays fast and loose with sacred cows of family values .
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national lampoon 's van wilder was better than we expected ; a 'not a total waste of money ' kind of dateflick for those just hitting pre-collegiate years .
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mitch is left for dead in the desert -- or so they think -- rescued and nursed back to health by a gorgeous women named , angela rose ( nicole austin ) .
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a feature documentary offering a gripping portrait of the esgenoopetitj mi'gmaq first nation during the summer of 2000 as the canadian government appears to wage war on the community for exercising their inherent and court-affirmed fishing rights .
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even if the ride 's a little bumpy , with a final lap that 's all too suspiciously smooth , you got ta give director roger michell , best known for the superfluous notting hill , credit for trying .
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when images of nicholas 's absent father start to appear to him , the boy is understandably frightened .
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so , shaun goes to great lengths with a little help from his girlfriend ashley and his drugged-out loser brother lance to get into stanford any way they see fit .
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told just proficiently enough to trounce its overly comfortable trappings .
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though intrepid in exploring an attraction that crosses sexual identity , ozpetek falls short in showing us antonia 's true emotions . . . but at the very least , his secret life will leave you thinking .
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the two leads are almost good enough to camouflage the dopey plot , but so much naturalistic small talk , delivered in almost muffled exchanges , eventually has a lulling effect .
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raunchy though [ cho 's ] material is , it embraces all comers , regardless of gender , sexuality , race or ethnicity . and it 's never been sharper -- or funnier -- than it is here .
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sincere energy gives this soul-searcher something magic to find - if even along the beaten path .
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a friendly vacation for four old friends - two couples from college - turns ugly . . . then
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. . . a pretentious and ultimately empty examination of a sick and evil woman .
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going to the website may be just as fun ( and scary ) as going to the film .
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the movie stays afloat thanks to its hallucinatory production design .
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so , alexi starts to bribe members of the different teams to cause more trouble than necessary on the field , and the viewers love it .
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has all the right elements but completely fails to gel together .
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he has been with his girlfriend for 9 months too long .
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in a town of good intentions , memorbale characters and nothing much to do , the truth has a way of catching up with you .
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. . . [ the film ] works , due mostly to the tongue-in-cheek attitude of the screenplay .
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spielrein was a young russian-jewish woman of 18 when she arrived in august 1904 at the burgh & # 246 ; lzli clinic in zurich where carl gustav jung had set up shop .
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tackles the difficult subject of grief and loss with such life-embracing spirit that the theme does n't drag an audience down .
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this may be the first cartoon ever to look as if it were being shown on the projection television screen of a sports bar .
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missing since 1962 and floating adrift , the antonia graza is not uninhabited .
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to the film 's credit , the acting is fresh and unselfconscious , and munch is a marvel of reality versus sappy sentiment .
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rajput then gets together a team of three blind men vishwas prajapati ( akshay kumar ) , arjun verma ( arjun rampal ) and ilias ( paresh rawal ) who will help him obtain his vengeance and make a heap of money at the same time .
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. . . turns so unforgivably trite in its last 10 minutes that anyone without a fortified sweet tooth will likely go into sugar shock .
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a chained to a rock finnish sniper-kamikadze wille managed to set himself free .
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it has the ability to offend and put off everyone , but it holds you with its outrageousness .
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this holds particularly true for blacky , a white teen who is more interested in books than sport , and his best friend , dumby , the aboriginal star of the team .
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one of those exceedingly rare films in which the talk alone is enough to keep us involved .
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this is a very good film , and it heralds an emerging directorial talent .
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fans of behan 's work and of irish movies in general will be rewarded by borstal boy .
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boon hock comes from a low-income family and needs to balance school and helping out at the food stall .
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ultimately . . . the movie is too heady for children , and too preachy for adults .
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the pace of the film is very slow ( for obvious reasons ) and that too becomes off-putting .
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by turns whimsical and absurdist , babek payami 's secret ballot is a slight but likable iranian film with the flavor of a shaggy-dog story conceived by samuel beckett and directed by jim jarmusch .
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reminds viewers of how beautiful and sexy a pregnant woman can be .
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veteran actor serrault and rising newcomer seigner . . . pitch their performances perfectly , skilfully underplaying to match carion 's understated direction .
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meanwhile , una makes herself being fired in the supermarket .
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if you saw benigni 's pinocchio at a public park , you 'd grab your kids and run and then probably call the police .
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a lean , surprisingly artful programmer , closer in spirit to something like don siegel 's riot in cell block 11 than to typical boxing fare .
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but seemingly coming to her rescue is isabelle ( tina krause ) , a mysterious and voluptuous woman who offers her food and shelter .
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captivates and shows how a skillful filmmaker can impart a message without bludgeoning the audience over the head .
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this documentary captures the life story of legendary hollywood producer and studio chief robert evans .
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those who do n't entirely 'get ' godard 's distinctive discourse will still come away with a sense of his reserved but existential poignancy .
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one of those joyous films that leaps over national boundaries and celebrates universal human nature .
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[ reynolds ] takes a classic story , casts attractive and talented actors and uses a magnificent landscape to create a feature film that is wickedly fun to watch .
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daphne , a free-spirited american 19-year-old ( amanda bynes ) raised by her equally free-spirited mother goes to england to establish a relationship with her father ( colin firth ) , who turns out to be a prominent political figure heavily involved in social customs .
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the santa clause 2 `` goes down as easy as an eggnog on christmas eve .
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much like robin williams , death to smoochy has already reached its expiration date .
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as elegantly crafted as it often is , anderson 's movie is essentially a one-trick pony that , hampered by an undeveloped script , ultimately pulls up lame .
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a little girl steals from the jar , containing her poor family 's meager savings .
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as they struggle to get out of the country and fight to stay alive , they find a special love and compassion from which emerges their ultimate moral and spiritual redemption .
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greg puts up with martha 's harsh criticism in exchange for a place to lay-low until he can evade the police and repair his delicate relationship with his young daughter , chelsea .
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but will 's drive for the brass ring hits a last-minute obstacle when his mistress suddenly vanishes - with the capital for his latest plans for expansion .
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it is too bad that this likable movie is n't more accomplished . the actors try hard but come off too amateurish and awkward .
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handsome , charming and undeniably self-absorbed , he treats her more like a nanny than a harvard law grad and can barely choose a tie without her help .
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slowly , patricia regains her joy of life although living in complete isolation .
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like the best of godard 's movies . . . it is visually ravishing , penetrating , impenetrable .
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on a purely pictorial level , this is one of the best-looking imax movies ever .
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now she ca n't perform the song , and aksel realizes he must take action !
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when you resurrect a dead man , hard copy should come a-knocking , no ?
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a pathetic exploitation film that tries to seem sincere , and just seems worse for the effort .
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the result puts a human face on derrida , and makes one of the great minds of our times interesting and accessible to people who normally could n't care less .
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the making of the dragon is a comedic satire ( not a spoof ) of the kung-fu film genre .
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