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E-text prepared by Al Haines Transcriber's Note: The Greek words in this e-book have been transliterated according to Project Gutenberg's Greek How-To. Such words are indicated with surrounding underscores. There are a couple of instances of author-transliterated Greek words. Those words are bracketed and not italicized. Underscores are also used to indicate italicization of words, but in this e-book such words are always English words. THE GOSPEL OF THE HEREAFTER by J. PATERSON-SMYTH, B.D., LL.D., LITT. D., D.C.L, _Rector of St. Georges, Montreal, Late Professor of Pastoral Theology, University of Dublin_ _Author of "How We Got Our Bible," "The Old Documents and the New Bible," etc., etc., etc._ New York ---- Chicago ---- Toronto Fleming H. Revell Company London And Edinburgh Copyright, 1910, by Fleming H. Revell Company New York: 158 Fifth Avenue Chicago: 17 North Wabash Ave. London: 21 Paternoster Square Edinburgh: 75 Princes Street _To My Wife_ Contents PART I THE NEAR HEREAFTER I. "I" II. THE THREE STAGES OF EXISTENCE III. WHAT THE BIBLE SAYS ABOUT THE NEAR HEREAFTER IV. WHAT THE BIBLE AND THE CHURCH SAY ABOUT THE NEAR HEREAFTER V. THE CRISIS OF DEATH VI. "I" "MYSELF" AFTER DEATH VII. RECOGNITION VIII. THE COMMUNION OF SAINTS IX. GROWTH AND PURIFICATION X. PROBATION IN THIS LIFE XI. MINISTRY IN THE UNSEEN LIFE XII. CONCLUSION PART II THE FAR HEREAFTER I. THE JUDGMENT II. HELL III. HEAVEN Publishers' Note This tenth American (and sixteenth British) edition has been carefully revised and where necessary rewritten by the author. We call special attention to an interesting note on page 108. This year a Norwegian edition has been published, translated by Judge Hambro of the Supreme Court of Norway assisted by the Bishops of Christiania and Trondheim. Also request has been received for permission to translate the book for readers in Holland. But more interesting is a letter from a Brahmin gentleman in India asking permission to produce at his own cost an edition for his people and dedicated on the front page, "TO MY SON, SEREM ALI, WHO IS NOW IN THE NEAR HEREAFTER." Foreword The Lord is risen, but the people do not know it. There is no death, but the people do not believe it. Human life is the most exciting romantic adventure in the Universe, going on stage after stage till we are older than Methuselah and then on again through the infinite eternities--and yet men pass into the Unseen as stupidly as the caterpillar on the cabbage-leaf, without curiosity or joy or wonder or excitement at the boundless career ahead. Instead of the thrill of coming adventure we have the dull grey monotony of aged lives drawing near the close, and the horror of this war is doubled and the torture of wife or mother as the beloved one crosses the barrier. What is the matter with us, Christian people? Do we not know? Or have we lost our beliefs? or has imagination grown dulled by too frequent repetition of God's good news? * * * * * It was so different in early days when the world was younger, when Christ's revelation was fresh. Look at St. John, four-score years and ten, like an eager boy looking into the Great Adventure: "Beloved, now are we the sons of God, and IT DOTH NOT YET APPEAR WHAT WE SHALL BE."[1] What we shall be! What we shall be! Is not that the chief delight of being young? Guessing and hoping and wondering what we shall be. The dreariest thing in life is dulness--monotony. The brightest thing in life is outlook--vision. And God has given us that. Like St. John we too can stand on the rim of the world and look out over the wall. * * * * * Life is full of latent possibilities--of outlook, of romance, of exciting futures. God has made it so, if we would only see it. God's world
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Produced by John Bickers and Dagny LETTERS OF TWO BRIDES By Honore de Balzac Translated by R. S. Scott DEDICATION To George Sand Your name, dear George, while casting a reflected radiance on my book, can gain no new glory from this page. And yet it is neither self-interest nor diffidence which has led me to place it there, but only the wish that it should bear witness to the solid friendship between us, which has survived our wanderings and separations, and triumphed over the busy malice of the world. This feeling is hardly likely now to change. The goodly company of friendly names, which will remain attached to my works, forms an element of pleasure in the midst of the vexation caused by their increasing number. Each fresh book, in fact, gives rise to fresh annoyance, were it only in the reproaches aimed at my too prolific pen, as though it could rival in fertility the world from which I draw my models! Would it not be a fine thing, George, if the future antiquarian of dead literatures were to find in this company none but great names and generous hearts, friends bound by pure and holy ties, the illustrious figures of the century? May I not justly pride myself on this assured possession, rather than on a popularity necessarily unstable? For him who knows you well, it is happiness to be able to sign himself, as I do here, Your friend, DE BALZAC. PARIS, June 1840. LETTERS OF TWO BRIDES FIRST PART I. LOUISE DE CHAULIEU TO RENEE DE MAUCOMBE. PARIS, September. Sweetheart, I too am free! And I am the first too, unless you have written to Blois, at our sweet tryst of letter-writing. Raise those great black eyes of yours, fixed on my opening sentence, and keep this excitement for the letter which shall tell you of my first love. By the way, why always "first?" Is there, I wonder, a second love? Don't go running on like this, you will say, but tell me rather how you made your escape from the convent where you were to take your vows. Well, dear, I don't know about the Carmelites, but the miracle of my own deliverance was, I can assure you, most humdrum. The cries of an alarmed conscience triumphed over the dictates of a stern policy--there's the whole mystery. The sombre melancholy which seized me after you left hastened the happy climax, my aunt did not want to see me die of a decline, and my mother, whose one unfailing cure for my malady was a novitiate, gave way before her. So I am in Paris, thanks to you, my love! Dear Renee, could you have seen me the day I found myself parted from you, well might you have gloried in the deep impression you had made on so youthful a bosom. We had lived so constantly together, sharing our dreams and letting our fancy roam together, that I verily believe our souls had become welded together, like those two Hungarian girls, whose death we heard about from M. Beauvisage--poor misnamed being! Never surely was man better cut out by nature for the post of convent physician! Tell me, did you not droop and sicken with your darling? In my gloomy depression, I could do nothing but count over the ties which bind us. But it seemed as though distance had loosened them; I wearied of life, like a turtle-dove widowed of her mate. Death smiled sweetly on me, and I was proceeding quietly to die. To be at Blois, at the Carmelites, consumed by dread of having to take my vows there, a Mlle. de la Valliere, but without her prelude, and without my Renee! How could I not be sick--sick unto death? How different it used to be! That monotonous existence, where every hour brings its duty, its prayer, its task, with such desperate regularity that you can tell what a Carmelite sister is doing in any place, at any hour of the night or day; that deadly dull routine, which crushes out all interest in one's surroundings, had become for us two a world of life and movement. Imagination had thrown open her fairy realms, and in these our spirits ranged at will, each in turn serving as magic steed to the other, the more alert quickening the drowsy; the world from which our bodies were shut out became the playground of our fancy, which reveled there in frolicsome adventure. The very _Lives of the Saints_ helped us to understand what was so carefully left unsaid! But the day when I was reft of your sweet company, I became a true Carmelite, such as they appeared to us, a modern Danaid, who, instead of trying to fill a bottomless barrel, draws every day, from Heaven knows what deep, an empty pitcher, thinking to find it full. My aunt knew nothing of this inner life. How could she, who has made a paradise for herself within the two acres of her convent, understand my revolt against life? A religious life, if embraced by girls of our age, demands either an extreme simplicity of soul, such as we, sweetheart, do not possess, or else an ardor for self-sacrifice like that which makes my aunt so noble a character. But she sacrificed herself for a brother to whom she was devoted; to do the same for an unknown person or an idea is surely more than can be asked of mortals. For the last fortnight I have been gulping down so many reckless words, burying so many reflections in my bosom, and accumulating such a store of things to tell, fit for your ear alone, that I should certainly have been suffocated but for the resource of letter-writing as a sorry substitute for our beloved talks. How hungry one's heart gets! I am beginning my journal this morning, and I picture to myself that yours is already started, and that, in a few days, I shall be at home in your beautiful Gemenos valley, which I know only through your descriptions, just as you will live that Paris life, revealed to you hitherto only in our dreams. Well, then, sweet child, know that on a certain morning--a red-letter day in my life--there arrived from Paris a lady companion and Philippe, the last remaining of my grandmother's valets, charged to carry me off. When my aunt summoned me to her room and told me the news, I could not speak for joy, and only gazed at her stupidly. "My child," she said, in her guttural voice, "I can see that you leave me without regret, but this farewell is not the last; we shall meet again. God has placed on your forehead the sign of the elect. You have the pride which leads to heaven or to hell, but your nature is too noble to choose the downward path. I know you better than you know yourself; with you, passion, I can see, will be very different from what it is with most women." She drew me gently to her and kissed my forehead. The kiss made my flesh creep, for it burned with that consuming fire which eats away her life, which has turned to black the azure of her eyes, and softened the lines about them, has furrowed the warm ivory of her temples, and cast a sallow tinge over the beautiful face. Before replying, I kissed her hands. "Dear aunt," I said, "I shall never forget your kindness; and if it has not made your nunnery all that it ought to be for my health of body and soul, you may be sure nothing short of a broken heart will bring me back again--and that you would not wish for me. You will not see me here again till my royal lover has deserted me, and I warn you that if I catch him, death alone shall tear him from me. I fear no Montespan." She smiled and said: "Go, madcap, and take your idle fancies with you. There is certainly more of the bold Montespan in you than of the gentle la Valliere." I threw my arms round her. The poor lady could not refrain from escorting me to the carriage. There her tender gaze was divided between me and the armorial bearings. At Beaugency night overtook me, still sunk in a stupor of the mind produced by these strange parting words. What can be awaiting me in this world for which I have so hungered? To begin with, I found no one to receive me; my heart had been schooled in vain. My mother was at the Bois de Boulogne, my father at the Council; my brother, the Duc de Rhetore, never comes in, I am told, till it is time to dress for dinner. Miss Griffith (she is not unlike a griffin) and Philippe took me to my rooms. The suite is the one which belonged to my beloved grandmother, the Princess de Vaure
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CHIPS FROM A GERMAN WORKSHOP BY F. MAX MUeLLER, M. A., FOREIGN MEMBER OF THE FRENCH INSTITUTE, ETC. VOLUME V. MISCELLANEOUS LATER ESSAYS. NEW YORK: CHARLES SCRIBNER'S SONS. 1881. CONTENTS I. On Freedom II. On The Philosophy Of Mythology. III. On False Analogies In Comparative Theology. IV. On Spelling. V. On Sanskrit Texts Discovered In Japan. Index. Footnotes I. ON FREEDOM. Presidential Address Delivered Before The Birmingham Midland Institute, October 20, 1879. Not more than twenty years have passed since John Stuart Mill sent forth his plea for Liberty.(1) If there is one among the leaders of thought in England who, by the elevation of his character and the calm composure of his mind, deserved the so often misplaced title of Serene Highness, it was, I think, John Stuart Mill. But in his Essay "On Liberty," Mill for once becomes passionate. In presenting his Bill of Rights, in stepping forward as the champion of individual liberty, he seems to be possessed by a new spirit. He speaks like a martyr, or the defender of martyrs. The individual human soul, with its unfathomable endowments, and its capacity of growing to something undreamt of in our philosophy, becomes in his eyes a sacred thing, and every encroachment on its world-wide domain is treated as sacrilege. Society, the arch-enemy of the rights of individuality, is represented like an evil spirit, whom it behooves every true man to resist with might and main, and whose demands, as they cannot be altogether ignored, must be reduced at all hazards to the lowest level. I doubt whether any of the principles for which Mill pleaded so warmly and strenuously in his Essay "On Liberty" would at the present day be challenged or resisted, even by the most illiberal of philosophers, or the most conservative of politicians. Mill's demands sound very humble to _our_ ears. They amount to no more than this, "that the individual is not accountable to society for his actions so far as they concern the interests of no person but himself, and that he may be subjected to social or legal punishments for such actions only as are prejudicial to the interests of others." Is there any one here present who doubts the justice of that principle, or who would wish to reduce the freedom of the individual to a smaller measure? Whatever social tyranny may have existed twenty years ago, when it wrung that fiery protest from the lips of John Stuart Mill, can we imagine a state of society, not totally Utopian, in which the individual man need be less ashamed of his social fetters, in which he could more freely utter all his honest convictions, more boldly propound all his theories, more fearlessly agitate for their speedy realization; in which, in fact, each man can be so entirely himself as the society of England, such as it now is, such as generations of hard-thinking and hard-working Englishmen have made it, and left it as the most sacred inheritance to their sons and daughters? Look through the whole of history, not excepting the brightest days of republican freedom at Athens and Rome, and you will not find one single period in which the measure of liberty accorded to each individual was larger than it is at present, at least in England. And if you wish to realize the full blessings of the time in which we live, compare Mill's plea for Liberty with another written not much more than two hundred years ago, and by a thinker not inferior either in power or boldness to Mill himself. According to Hobbes, the only freedom which an individual in his ideal state has a right to claim is what he calls "freedom of thought," and that freedom of thought consists in our being able to think what we like--so long as we keep it to ourselves. Surely, such freedom of thought existed even in the days of the Inquisition, and we should never call thought free, if it had to be kept a prisoner in solitary and silent confinement. By freedom of thought we mean freedom of speech, freedom of the press, freedom of action, whether individual or associated, and of that freedom the present generation, as compared with all former generations, the English nation, as compared with all other nations, enjoys, there can be no doubt, a good measure, pressed down, and shaken together, and sometimes running over. It may be said that some dogmas still remain in politics, in religion, and in morality; but those who defend them claim no longer any infallibility, and those who attack them, however small their minority, need fear no violence, nay, may reckon on an impartial and even sympathetic hearing, as soon as people discover in their pleadings the true ring of honest conviction and the warmth inspired by an unselfish love of truth. It has seemed strange, therefore, to many readers of Mill, particularly on the Continent, that this plea for liberty, this demand for freedom for every individual to be what he is, and to develop all the germs of his nature, should have come from what is known as the freest of all countries, England. We might well understand such a cry of indignation if it had reached us from Russia; but why should English philosophers, of all others, have to protest against the tyranny of society? It is true, nevertheless, that in countries governed despotically, the individual, unless he is obnoxious to the Government, enjoys far greater freedom, or rather license, than in a country like England, which governs itself. Russian society, for instance, is extremely indulgent. It tolerates in its rulers and statesmen a haughty defiance of the simplest rules of social propriety, and it seems amused rather than astonished or indignant at the vagaries, the frenzies, and outrages of those who in brilliant drawing-rooms or lecture-rooms preach the doctrines of what is called Nihilism or Individualism,(2)--viz., "that society must be regenerated by a struggle for existence and the survival of the strongest, processes which Nature has sanctioned, and which have proved successful among wild animals." If there is danger in these doctrines the Government is expected to see to it. It may place watchmen at the doors of every house and at the corner of every street, but it must not count on the better classes coming forward to enrol themselves as special constables, or even on the cooeperation of public opinion which in England would annihilate that kind of Nihilism with one glance of scorn and pity. In a self-governed country like England, the resistance which society, if it likes, can oppose to the individual in the assertion of his rights, is far more compact and powerful than in Russia, or even in Germany. Even where it does not employ the arm of the law, society knows how to use that quieter, but more crushing pressure, that calm, Gorgon-like look which only the bravest and stoutest hearts know how to resist. It is against that indirect repression which a well-organized society exercises, both through its male and female representatives, that Mill's demand for liberty seems directed. He does not stand up for unlimited individualism; on the contrary, he would have been the most strenuous defender of that balance of power between the weak and the strong on which all social life depends. But he resents those smaller penalties which society will always inflict on those who disturb its dignified peace and comfort:--avoidance, exclusion, a cold look, a stinging remark. Had Mill any right to complain of these social penalties? Would it not rather amount to an interference with individual liberty to deprive any individual or any number of individuals of those weapons of self-defence? Those who themselves think and speak freely, have hardly a right to complain, if others claim the same privilege. Mill himself called the Conservative party the stupid party _par excellence_, and he took great pains to explain that it was so not by accident, but by necessity. Need he wonder if those whom he whipped and scourged used their own whips and scourges against so merciless a critic? Freethinkers--and I use that name as a title of honor for all who, like Mill, claim for every individual the fullest freedom in thought, word, or deed, compatible with the freedom of others--are apt to make one mistake. Conscious of their own honest intentions, they cannot bear to be misjudged or slighted. They expect society to submit to their often very painful operations as a patient submits to the knife of the surgeon. This is not in human nature. The enemy of abuses is always abused by his enemies. Society will never yield one inch without resistance, and few reformers live long enough to receive the thanks of those whom they have reformed. Mill's unsolicited election to Parliament was a triumph not often shared by social reformers; it was as exceptional as Bright's admission to a seat in the Cabinet, or Stanley's appointment as Dean of Westminster. Such anomalies will happen in a country fortunately so full of anomalies as England; but, as a rule, a political reformer must not be angry if he passes through life without the title of Right Honorable; nor should a man, if he will always speak the truth, the whole truth, and nothing but the truth, be disappointed if he dies a martyr rather than a Bishop. But even granting that in Mill's time there existed some traces of social tyranny, where are they now? Look at the newspapers and the journals. Is there any theory too wild, any reform too violent, to be openly defended? Look at the drawing-rooms or the meetings of learned societies. Are not the most eccentric talkers the spoiled children of the fashionable world? When young lords begin to discuss the propriety of limiting the rights of inheritance, and young tutors are not afraid to propose curtailing the long vacation, surely we need not complain of the intolerance of English society. Whenever I state these facts to my German and French and Italian friends, who from reading Mill's Essay "On Liberty" have derived the impression that, however large an amount of political liberty England may enjoy, it enjoys but little of intellectual freedom, they are generally willing to be converted so far as London, or other great cities are concerned. But look at your Universities, they say, the nurseries of English thought! Compare their mediaeval spirit, their monastic institutions, their scholastic philosophy, with the freshness and freedom of the Continental Universities! Strong as these prejudices about Oxford and Cambridge have long been, they have become still more intense since Professor Helmholtz, in an inaugural address which he delivered at his installation as Rector of the University of Berlin, lent to them the authority of his great name. "The tutors," he says,(3) "in the English Universities cannot deviate by a hair's-breadth from the dogmatic system of the English Church, without exposing themselves to the censure of their Archbishops and losing their pupils." In German Universities, on the contrary, we are told that the extreme conclusions of materialistic metaphysics, the boldest speculations within the sphere of Darwin's theory of evolution, may be propounded without let or hindrance, quite as much as the highest apotheosis of Papal infallibility. Here the facts on which Professor Helmholtz relies are entirely wrong, and the writings of some of our most eminent tutors supply a more than sufficient refutation of his statements. Archbishops have no official position whatsoever in English Universities, and their censure of an Oxford tutor would be resented as impertinent by the whole University. Nor does the University, as such, exercise any very strict control over the tutors, even when they lecture not to their own College only. Each Master of Arts at Oxford claims now the right to lecture (_venia docendi_), and I doubt whether they would submit to those restrictions which, in Germany, the Faculty imposes on every _Privat-docent_. _Privat-docents_ in German Universities have been rejected by the Faculty for incompetence, and silenced for insubordination. I know of no such cases at Oxford during my residence of more than thirty years, nor can I think it likely that they should ever occur. As to the extreme conclusions of materialistic metaphysics, there are Oxford tutors who have grappled with the systems of such giants as Hobbes, Locke, or Hume, and who are not likely to be frightened by Buechner and Vogt. I know comparisons are odious, and I should be the last man to draw comparisons between English and German Universities unfavorable to the latter. But with regard to freedom of thought, of speech, and action, Professor Helmholtz, if he would spend but a few weeks at Oxford, would find that we enjoy it in fuller measure here than the Professors and _Privat-docents_ in any Continental University. The publications of some of our professors and tutors ought at least to have convinced him that if there is less of brave words and turbulent talk in their writings, they display throughout a determination to speak the truth, which may be matched, but could not easily be excelled, by the leaders of thought in France, Germany, or Italy. The real difference between English and Continental Universities is that the former govern themselves, the latter are governed. Self-government entails responsibilities, sometimes restraints and reticences. I may here be allowed to quote the words of another eminent Professor of the University of Berlin, Du Bois Reymond, who, in addressing his colleagues, ventured to tell them,(4) "We have still to learn from the English how the greatest independence of the individual is compatible with willing submission to salutary, though irksome, statutes." That is particularly true when the statutes are self-imposed. In Germany, as Professor Helmholtz tells us himself, the last decision in almost all the more important affairs of the Universities rests with the Government, and he does not deny that in times of political and ecclesiastical tension, a most ill-advised use has been made of that power. There are, besides, the less important matters, such as raising of salaries, leave of absence, scientific missions, even titles and decorations, all of which enable a clever Minister of Instruction to assert his personal influence among the less independent members of the University. In Oxford the University does not know the Ministry, nor the Ministry the University. The acts of the Government, be it Liberal or Conservative, are freely discussed, and often powerfully resisted by the academic constituencies, and the personal dislike of a Minister or Ministerial Councillor could as little injure a professor or tutor as his favor could add one penny to his salary. But these are minor matters. What gives their own peculiar character to the English Universities is a sense of power and responsibility: power, because they are the most respected among the numerous corporations in the country; responsibility, because the higher education of the whole country has been committed to their charge. Their only master is public opinion as represented in Parliament, their only incentive their own sense of duty. There is no country in Europe where Universities hold so exalted a position, and where those who have the honour to belong to them may say with greater truth _Noblesse oblige_. I know the dangers of self-government, particularly where higher and more ideal interests are concerned, and there are probably few who wish for a real reform in schools and Universities who have not occasionally yielded to the desire for a Dictator, of a Bismarck or a Falk. But such a desire springs only from a momentary weakness and despondency; and no one who knows the difference between being governed and governing one's self, would ever wish to descend from that higher though dangerous position to a lower one, however safe and comfortable it might seem. No one who has tasted the old wine of freedom would ever really wish to exchange it for the new wine of external rule. Public opinion is sometimes a hard master, and majorities can be great tyrants to those who want to be honest to their own convictions. But in the struggle of all against all, each individual feels that he has his rightful place, and that he may exercise his rightful influence. If he is beaten, he is beaten in fair fight; if he conquers, he has no one else to thank. No doubt, despotic Governments have often exercised the most beneficial patronage in encouraging and rewarding poets, artists, and men of science. But men of genius who have conquered the love and admiration of a whole nation are greater than those who have gained the favor of the most brilliant Courts; and we know how some of the fairest reputations have been wrecked on the patronage which they had to accept at the hands of powerful Ministers or ambitious Sovereigns. But to return to Mill and his plea for Liberty. Though I can hardly believe that, were he still among us, he would claim a larger measure of freedom for the individual than is now accorded to every one of us in the society in which we move, yet the chief cause on which he founded his plea for Liberty, the chief evil which he thought could be remedied only if society would allow more elbow-room to individual genius, exists in the same degree as in his time--aye, even in a higher degree. The principle of individuality has suffered more at present than perhaps at any former period of history. The world is becoming more and more gregarious, and what the French call our _nature moutonniere_, our tendency to leap where the sheep in front of us has leapt, becomes more and more prevalent in politics, in religion, in art, and even in science. M. de Tocqueville expressed his surprise how much more Frenchmen of the present day resemble one another than did those of the last generation. The same remark, adds John Stuart Mill, might be made of England in a greater degree. "The modern _regime_ of public opinion," he writes, "is in an unorganized form what the Chinese educational and political systems are in an organized; and unless individuality shall be able successfully to assert itself against this yoke, Europe,
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Produced by Chris Curnow, Joseph Cooper, Michael Zeug, Lisa Reigel, and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's Notes: Variations in spelling and hyphenation have been left as in the original. No typographical corrections have been made. Words in italics in the original are surrounded by _underscores_. Words in bold in the original are surrounded by =equal signs=. The words "manoeuvres," "phoebe", and "phoebes" use an oe ligature in the original. +--------------------------------------------------------------+ | Books by Mr. Torrey. | | | | | | BIRDS IN THE BUSH. 16mo, $1.25. | | A RAMBLER'S LEASE. 16mo, $1.25. | | | | | | HOUGHTON, MIFFLIN & CO. | | BOSTON AND NEW YORK. | | | +--------------------------------------------------------------+ A RAMBLER'S LEASE BY BRADFORD TORREY I have known many laboring men that have got good estates in this valley.--BUNYAN Sunbeams, shadows, butterflies, and birds.--WORDSWORTH BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY The Riverside Press, Cambridge
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Produced by Al Haines. *[Frontispiece: "You locked me out!" she said, hysterically. (missing from book)]* _*HER LORD AND MASTER*_ _By MARTHA MORTON_ _Illustrated by_ _HOWARD CHANDLER CHRISTY and ESTHER MAC NAMARA_ _R. F. FENNO & COMPANY 18 East Seventeenth Street, NEW YORK_ Copyright, 1902 By ANTHONY J. DREXEL BIDDLE Entered at Stationers' Hall, London All Rights Reserved *Contents* CHAPTER I.--A Reunion II.--Birds of Passage III.--On a Model Farm IV.--Springtime V.--Camp Indiana VI.--Guests VII.--The Weaver VIII.--The World's Rest IX.--In an Orchard of the Memory X.--The Might of the Falls XI.--A Moonlight Picnic XII.--Leading to the Altar XIII.--England XIV.--Transplantation XV.--"I Shall Keep My Promise" XVI.--An Escapade XVII.--Late Visitors XVIII.--Awakening XIX.--"And as He Wove, He Heard Singing" *Illustrations* "You locked me out!" she said, hysterically. _Frontispiece_ "I'd call the picture, 'Indiana.'" Catching Pollywogs "I--I--what have I said? I didn't mean it." "I will have love to help me." *Foreword* "Her Lord and Master," by Martha Morton, was first produced in New York, during the Spring of 1902. The play met with great success, and ran for over one hundred nights at the Manhattan Theatre. Miss Victoria Morton, the sister of the playwright, now presents "Her Lord and Master" as a novel. The play is being produced in the principal cities during this season. *CHAPTER I.* *A Reunion.* "Did the ladies arrive, Mr. Stillwater?" inquired the clerk at the Waldorf Hotel, New York, as a tall, broad-shouldered man, unmistakably Western in appearance, walked smilingly up to the desk. "Bag and baggage, bless their hearts!" A dark, distinguished looking man, who was looking over the register, glanced at the speaker, then moved slightly to one side as the latter took up the pen. Stillwater registered in a quick, bold hand, and walked away. The dark gentleman turned again to the register and read: "Horatio Stillwater, Stillwater, Indiana." "Horatio Stillwater, Stillwater!" he remarked to the clerk with a cultured English accent. "A coincidence, I presume?" "Not at all," answered the clerk laughing. "That often happens out West. You see, Stillwater founded the town. He owned most of the land, besides the largest interests in wheat and oil. It's a great wheat and oil centre. Naturally the town is named after him." "Naturally," acquiesced the Englishman, staring blankly at the clerk. He lit a cigar and puffed it thoughtfully for about five minutes, then he exclaimed, "Extraordinary!" "Beg pardon?" said the clerk. "I find it most extraordinary." "What are you referring to, Lord Canning?" "I was referring to what you were telling me about this gentleman, of course!" Lord Canning pointed to Stillwater on the register. "Oh!" laughed the clerk, amused that the facts he had given were still a matter for reflection. "Yes, he's one of our biggest capitalists out West. The family are generally here at this time of the year. The ladies have just arrived from Palm Beach." "Palm Beach?" "That's south, you know." "Oh, a winter resort?" "Exactly." Lord Canning recommenced his study of the register. "Mrs. Horatio Stillwater," he read. "Stillwater, Indiana. Miss Indiana Stillwater." He reflected a moment. "Miss Indiana Stillwater, Stillwater, Indiana. Here too, is a similarity of names. Probably a coincidence and probably not." He read on, "Mrs. Chazy Bunker, Stillwater, Indiana. Bunker, Bunker!" He pressed his hand to his forehead. "Oh, Bunker Hill," he thought, with sudden inspiration. "Miss Indiana Stillwater, Stillwater, Indiana. If the town was named after the father, why should not the State--no, that could not be. But the reverse might be possible." He addressed the clerk. "Would you mind telling me--oh, I beg your pardon," seeing that the clerk was very much occupied at that moment--"It doesn't matter--some other time." He turned and lounged easily against the desk, surveying the people walking about, with the intentness of a person new to his surroundings, and still pondering the question. * * * * * "Now," said Stillwater, after his family had been duly installed, "let me look at you. I'm mighty glad to see you all again." He swung his daughter Indiana up in his arms and kissed her, then set her on his knee and looked at her with open admiration. Mr. Horatio Stillwater had never seen any reason why he should be ashamed of his great pride in his only child. Indiana herself had often been heard to remark, "Pa has never really recovered from the shock of my birth. It was a case of too much joy. He thinks I'm the greatest thing on record." "Well, folks," he said, "I expect you're all dead tired." "Not I," said Mrs. Bunker, his mother-in-law. She was a well-formed woman, with dark, vivacious eyes and a crown of white hair dressed in
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Produced by Richard Tonsing, readbueno and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) SQUIB AND HIS FRIENDS. [Illustration: “_Squib flung himself upon the dog, and threw his arms about his neck._” Page 17. ] SQUIB AND HIS FRIENDS ❧ BY E. EVERETT-GREEN LONDON, EDINBURGH, AND NEW YORK THOMAS NELSON AND SONS ------------------------------------------------------------------------ CONTENTS. I. “THE ODD ONE,” 9 II. GOING AWAY, 28 III. THE CHALET IN THE HILLS, 47 IV. THE LITTLE GOAT-HERD, 65 V. COMRADES, 84 VI. HERR ADLER, 102 VII. HAPPY HOURS, 124 VIII. A WONDERFUL WALK, 148 IX. A STORY AND A FAREWELL, 175 X. A MOUNTAIN STORM, 204 XI. PLANS AND PROJECTS, 221 XII. FAREWELLS, 238 XIII. GOING HOME, 256 XIV. CONCLUSION, 272 LIST OF ILLUSTRATIONS. “SQUIB FLUNG HIMSELF UPON THE DOG, AND THREW HIS ARMS _Frontispiece_. ABOUT HIS NECK,” “SQUIB LISTENED WITH A STRANGE SENSE OF FASCINATION,” 68 “BREATHLESSLY ONE BOY WORKED AND THE OTHER WATCHED,” 94 “DOWN, DOWN, DOWN—WITH A CRASH, AND A BANG, AND A 169 ROAR!” “SEPPI DREW SQUIB’S HAND DOWN UPON THE HEAD OF MOOR,” 254 “SQUIB’S BROTHERS AND SISTERS REJOICED OVER THE PRETTY 283 GIFTS HE HAD BROUGHT THEM,” SQUIB AND HIS FRIENDS. CHAPTER I. “THE ODD ONE.” That was the name Squib went by in the nursery and in the household—“the odd one.” Not exactly because of any personal peculiarities—although he had a few of these—but because he had no especial brother or sister belonging to him, and seemed to stand alone, whilst all the others could be paired off together. Norman and Frank were big boys, away at school most of the year, near to each other in age, and always together in the holidays. Philippa and Molly came next, and were girls, devoted to each other and to their family of dolls, and even more devoted to the live dolls in the nursery—the little twin sisters, Hilda and Hulda, whom nobody knew apart save themselves and the nurse. But Squib had no brother or sister to be bracketed with him. The baby who came next in age to him had died in infancy, and was only a dim memory to the brother just above him in age. So he had always been, as it were, “the odd one” of the family, although his sisters were very fond of him, and never refused him a share in their games when he wanted to join in them. But Squib did not care for dolls, and his tastes lay amongst things beyond the walls of nursery or schoolroom. He wanted always to be out of doors when not busy with his lessons for Mademoiselle (for so far he had not gone to school, but had been taught with his sisters in the schoolroom); and his pursuits were not of a kind to be attractive to the dainty little ladies, Philippa and Molly, or to find favour in the eyes of nurse, who reigned supreme over Hilda and Hulda. So Squib got into the way of amusing himself in his own fashion, and took his name of “the odd one” with great equanimity. Squib was not his real name, as I suppose I need hardly say; it was a nickname given him by his father some years before my story begins, and it had stuck to him ever since. His real name was Sydenham, and he had been called Syd for a time, till Colonel Rutland had hit upon this other appellation. And the reason for this was a habit of Squib’s which amused his father a good deal. The child had a way of sitting perfectly still and silent for a very long time in the room, not speaking, even when spoken to, until some exhaustive mental process had taken place, after which he would suddenly “go off,” as his father expressed it, and talk rapidly and eagerly for several minutes straight on end; then having thus relieved his mind and delivered himself of his thoughts, he would relapse into dead silence until ready for the next explosion. And so his father called him “Squib;” and Squib he became in time to the whole household. It was commonly whispered about the place that Squib was the Colonel’s favourite amongst his children. Colonel Rutland was not a man who had taken a great deal of notice of his sons and daughters as they appeared upon the scene. He was a busy man, having a large estate to order, being a magistrate, churchwarden, and guardian of the poor-law, and having social duties to attend to as well. He was a most devoted husband; and people used to say that never was there a happier couple than he and Lady Mary, his beautiful wife. He was proud of his fine young family in the aggregate, but did not notice the children very much individually, until one or two small incidents brought Squib before his eyes. The first of these was a severe altercation which he chanced to overhear between the child and his nurse when Squib was five years old. He was walking through the shrubberies one morning when the sound of raised voices attracted his attention, the first being that of a child lifted in indignant protest. “It’s not a lie. I never tell lies! I _did_ hear father sing it his own self!” “Master Syd, that’s not true. Your father never would sing such a wicked song. It only makes it worse, telling stories about it!” “It isn’t a story!—it isn’t, I tell you! I heard him my own self, and lots of other people heard him, too. It’s you who are wicked, saying I tell lies and father sings wicked songs!” and the crunch of the gravel betrayed the fact that Squib had brought his small foot heavily down upon it in a stamp of passionate wrath. Colonel Rutland turned a corner and came full upon the combatants. The nurse—a most excellent and trustworthy woman, who had been for twelve years with them—was looking very grieved and disturbed as she held Squib by the hand, as if with the intention of taking him at once before some domestic tribunal; whilst the child’s square, determined face was flushed a deep crimson, his dark-grey eyes looked almost black, as they had a way of doing in moments of passion and excitement, and his whole frame was quivering with anger and protest as he reiterated his assertion that he was speaking nothing but the truth. “What is all this?” asked Colonel Rutland in a deep voice. “Squib, what do you mean by resisting your nurse like that? I will have no insubordination to authority in my house—you know that as well as I do.” For Colonel Rutland, with his military training, was a martinet in his house about discipline, and his children knew perfectly that he would be more severe over an act of disobedience than over any other kind of transgression. Squib and the nurse both started at the sound of the Colonel’s voice, and nurse dropped the hand she was holding and made a respectful courtesy to her master. Squib stood perfectly silent, after his fashion, for a full minute, and then burst into rapid speech,— “I wasn’t resisting her, father. She told me I was telling lies—and I’m not. You did sing it. I heard you; and it isn’t wicked—and she didn’t ought to say it was. I don’t tell lies. I never did. It isn’t lies—it’s only about them!” The Colonel held up his hand to command silence. “What does all this mean?” he asked, turning to nurse. “If you please, sir, I heard Master Syd singing something that didn’t sound right for a young gentleman, and when I told him I wouldn’t have wicked words sung, he turned and said that he’d heard you sing them, which I was quite sure was not true, and I told him so. And then he went off into one of his tantrums—which I hoped he was learning to get better of—and that’s all I know about it. But I am quite sure he is not speaking the truth.” “Leave him to me and I will get at the rights of the matter,” said the Colonel; and nurse, who had an ailing baby indoors (Squib’s little brother who shortly afterwards died), was glad to go in to see after him, leaving Squib and his father to settle things together about the song. “Now, Squib,” said Colonel Rutland, with grave severity of manner, “let me hear the whole truth of this from you. What is it you were singing? Don’t be afraid to speak the truth.” “I’m not afraid a bit!” cried Squib, after his habitual pause. “I’ll sing it to you now. _You’ll_ know it—it’s your own song,” and taking a deep breath and swelling himself out in unconscious imitation of a singer about to commence his song, the child broke out with the following words, sung in a deep voice as like that of a man as he could achieve— “Fi-ive del dies— The father of lies!” And then suddenly breaking off he looked up at his father and cried,— “You know you did sing it yourself, father—so it can’t be wicked!” The Colonel was puzzled. There was something in the
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Produced by StevenGibbs and the Online Distributed Proofreading Team at http://www.pgdp.net THE BRONTE FAMILY WITH SPECIAL REFERENCE TO PATRICK BRANWELL BRONTE VOL. I. BY FRANCIS A. LEYLAND. IN TWO VOLUMES. VOL. I. LONDON: HURST AND BLACKETT, PUBLISHERS, 13, GREAT MARLBOROUGH STREET. 1886. _All rights reserved._ PREFACE. It has long seemed to me that the history of the Bronte family is incomplete, and, in some senses, not well understood. Those who have written upon it--as I shall have occasion to point out in these pages--have had certain objects in view, which have, perhaps necessarily, led them to give undue weight to special points and to overlook others. Thus it happens that, though there are in the hands of the public several able works on the Brontes, there are many circumstances relating to them that are yet in comparative obscurity. Especially has injustice been done to one member of the family--Patrick Branwell Bronte--whose life has several times been treated by those who have had some other object in view; and, through a misunderstanding of the character of the brother, the sisters, Anne in particular, have been put, in some respects, in a false light also. This circumstance, coupled with the fact that I am in possession of much new information, and am able to print here a considerable quantity of unknown poetry from Branwell's hand, has induced me to write this work. Those of his poems which are included in these volumes are placed in dealing with the periods of his life in which they were written, for I felt that, however great might be the advantages of putting them together in a complete form, much more would be lost both to the interest of the poems and the life of their author in doing so. Branwell's poems, more, perhaps, than those of any other writer, are so clearly expressive of his feelings at the time of their writing, that a correct view of his character is only to be obtained by looking upon them as parts of his life-history, which indeed they are. And, moreover, when we consider the circumstances under which any of these were written, our understanding and appreciation of the subject must necessarily be much fuller and truer. It has not escaped the attention of writers on the Bronte story that Branwell had an important influence on his sisters; and, though I maintain it to have been essentially different from what others allege, it would not be possible to do justice either to him or to them without saying a good deal about his character. I have felt it right, in these pages, to some extent also, to re-consider the character of the Rev. Patrick Bronte, which has, along with that of his son, suffered unfair treatment in the biographies of his daughters. I have likewise entered upon some account of the local circumstances of art and literature which surrounded the Brontes, an element in their history which has hitherto been unknown, but is especially necessary to a right understanding of the life and work of Branwell Bronte and his sisters. These circumstances, and the altered view I have taken of the tone of the lives of Mr. Bronte and his son, have obliged me to deal more fully than would otherwise have been necessary with the early years of the Brontes, but I venture to hope that this may be atoned for by the new light I have thus been enabled to throw on some important points. There are published here, for the first time, a series of letters which Branwell Bronte addressed to an intimate friend, J. B. Leyland, sculptor, who died in 1851, and it is with these that a fresh insight is obtained into an interesting period of Branwell's life. I am largely indebted in some parts of my work, especially those which deal with the lives of the sisters, to Mrs. Gaskell's fascinating 'Life of Charlotte Bronte'; and it is a source of sincere regret to me that I am compelled to differ from that writer on many points. I am likewise indebted in parts to Mr. T. Wemyss Reid's admirable 'Charlotte Bronte: a Monograph,' a work which has corrected several errors and misconceptions into which Mrs. Gaskell had fallen. The reader will perceive that I am obliged in several places to combat the theories and question the statements of Miss A. Mary F. Robinson in her 'Emily Bronte,' a book which, nevertheless, so far as its special subject is concerned, is a worthy contribution to the history of the Brontes. I have also found of much use, in writing this work, an article entitled 'Branwell Bronte,' which Mr. George Searle Phillips--'January Searle'--published in the 'Mirror' in 1872. The chapter in Mr. Francis H. Grundy's 'Pictures of the Past' on Branwell Bronte, has likewise been of the greatest service to me.
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Produced by Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from scans of public domain works at The National Library of Australia.) +-------------------------------------------------+ |Transcriber's note: | | | |Superscript characters are prefixed with | |the 'carat' sign ^. | | | +-------------------------------------------------+ CAPTAIN COOK IN NEW SOUTH WALES OR THE MYSTERY OF NAMING BOTANY BAY BY JAMES BONWICK, F.R.G.S. AUTHOR OF "GEOGRAPHY OF AUSTRALIA," "LAST OF THE TASMANIANS," ETC., ETC. SAMPSON LOW, MARSTON AND CO., LTD. ST. DUNSTAN'S HOUSE, FETTER LANE 1901 RICHARD CLAY AND SONS, LIMITED, LONDON AND BUNGAY. CAPTAIN COOK IN NEW SOUTH WALES This being the age of criticism, and not the time of taking for granted as a fact whatever one had heard from book or speech, an investigation of the story of Cook's Discovery of New South Wales may neither be unwelcome nor unexpected. The story must have been deemed of consequence, when the Admiralty was willing to pay Dr. Hawkesworth six thousand guineas, or pounds, as reported, to write the account of that voyage in H.M.S. _Endeavour_. Though even after its appearance some doubts were expressed as to its propriety, or even veracity, yet some allowance was made for professional jealousies, as well as for the paucity of information upon Australian matters, and the want of means either to substantiate or reject the assertions of the writer. Objection was taken to the literary mode adopted. The author chose to
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Produced by KarenD, Joshua Hutchinson and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by Cornell University Digital Collections) VOL. XXXII. No. 11. THE AMERICAN MISSIONARY. * * * * * “To the Poor the Gospel is Preached.” * * * * * NOVEMBER, 1878. _CONTENTS_: EDITORIAL. THE ANNUAL MEETING 321 PARAGRAPHS 321, 322 MR. STANLEY’S INTEREST IN CHRISTIAN MISSIONS 322 THE INDIAN AGENTS WE NEED 325 “HAMPTON TRACTS.”—CONGREGATIONALISM IN THE SOUTH 327 SUNDRIES.—GENERAL NOTES 328 THE FREEDMEN. ALABAMA—Florence: Rev. L. C. Anderson.—A Memphis Letter.—A New Orleans Letter.—Scholarship Letters 331–334 AFRICA. THE MENDI MISSION: Rev. A. P. Miller 334 THE INDIANS. FORT BERTHOLD, D. T.: Rev. C. L. HALL 337 LAKE SUPERIOR AGENCY: I. L. Mahan 339 RED LAKE AGENCY, MINN: C. P. Allen, M. D. 341 THE CHINESE. CHINAPHOBIA: Dr. M. C. Briggs 342 THE CHILDREN’S PAGE 343 RECEIPTS 344 *
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Produced by Larry B. Harrison, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Books project.) THE MAGIC HOUSE THE MAGIC HOUSE AND OTHER POEMS BY DUNCAN CAMPBELL SCOTT [Illustration: colophon] METHUEN AND CO. 18 BURY STREET, W.C. LONDON 1893 Edinburgh: T. and A. CONSTABLE, Printers to Her Majesty TO MY MOTHER CONTENTS PAGE A LITTLE SONG The sunset in the rosy west, 1 THE HILL PATH
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SCHOOL *** Produced by Al Haines. BOBBY BLAKE at Rockledge School _By_ FRANK A. WARNER _Author of_ "BOBBY BLAKE AT BASS COVE" "BOBBY BLAKE ON A CRUISE," Etc. WHITMAN PUBLISHING CO. RACINE, WISCONSIN Copyright, MCMXV, by BARSE & CO. Printed in the United States of America CONTENTS CHAPTER I. "The Overland Limited" II. Apples and Applethwaite Plunkit III. Fred in Trouble IV. An Eventful Afternoon V. The Tale of a Scarecrow VI. A Fish Fry and a Startling Announcement VII. Financial Affairs VIII. The Peep-Show IX. Off for Rockledge X. New Surroundings XI. Getting Acquainted XII. In the Dormitory XIII. The Poguey Fight XIV. The Honor Medal XV. Getting Into Step XVI. Hot Potatoes XVII. Lost at Sea XVIII. The Bloody Corner XIX. The Result XX. On the Brink of War XXI. Give and Take XXII. What Bobby Said XXIII. Good News Travels Slowly XXIV. Red Hair Stands for More Than Temper XXV. The Winner BOBBY BLAKE AT ROCKLEDGE SCHOOL CHAPTER I "THE OVERLAND LIMITED" A boy of about ten, with a freckled face and fiery red hair cropped close to his head, came doubtfully up the side porch steps of the Blake house in Clinton and peered through the screen door at Meena, the Swedish girl. Meena was tall and rawboned, with very red elbows usually well displayed, and her straw- hair was bound in a tight "pug" on top of her long, narrow head. Meena had sharp blue eyes and she could see boys a great way off. "Mis' Blake--she ban gone out," said Meena, before the red-haired boy could speak. "You vant somet'ing? No?" "I--I was looking for Bobby," said the visitor, stammeringly. He and Mrs. Blake's Swedish girl were not on good terms. "I guess he ban gone out, too," said Meena, who did not want to be "bothered mit boys." The boy looked as though he thought she was a bad guesser! Somewhere inside the house he heard a muffled voice. It shouted: "Whoo! whoo! whoo-whoo-who-o-o-o!" The imitation of a steam whistle grew rapidly nearer. It seemed to be descending from the roof of the house--and descending very swiftly. Finally there came a decided bang--the landing of a pair of well-shod feet on the rug--and the voice rang out: "All out! All out for last stop! All out!" "_That's_ Bobby," suggested the boy with the red hair, looking wistfully into Meena's kitchen. "Vell!" ejaculated the girl. "You go in by the dining-room door, I guess. You not go to trapse through my clean kitchen. Vipe your feet, boy!" The boy did as he was bade, and opened the dining-room door. A steady footstep was thumping overhead, rising into the upper regions of the three-story house. The red-haired youngster knew his way about this house just as well as he knew his own. Only he tripped over a corner of the dining-room rug and bumped into two chairs in the darkened living-room before he reached the front hall. This was wide and was lighted above by ground-glass oval windows on all three flights of stairs. The mahogany balustrade was in a single smooth spiral, broken by no ornament. It offered a tempting course from garret to ground floor to any venturesome small boy. "All aboard!" shouted the voice overhead. "The Overland Limited," said the red-haired boy, grinning, and squinting up the well. "Ding-dong! ding-dong! All aboard for the Overland Limited! This way! No stop between Denver and Chicago! All aboard!" There was a scramble above and then the exhaust of the locomotive was imitated in a thin, boyish treble: "Sh-h! sh-h! sh-h! Choo! choo! choo! Ding-dong-ding! We're off--" A figure
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Produced by Bruce Albrecht and the Online Distributed Proofreading Team at http://www.pgdp.net THE WAY OF INITIATION BY THE SAME AUTHOR INITIATION AND ITS RESULTS a sequel to the "WAY OF INITIATION" By RUDOLF STEINER, Ph.D. Translated from the German by Clifford Bax CONTENTS A FOREWORD I. THE ASTRAL CENTERS (CHAKRAS) II. THE CONSTITUTION OF THE ETHERIC BODY III. DREAM LIFE IV. THE THREE STATES OF CONSCIOUSNESS V. THE DISSOCIATION OF HUMAN PERSONALITY DURING INITIATION VI. THE FIRST GUARDIAN OF THE THRESHOLD VII. THE SECOND GUARDIAN OF THE THRESHOLD SELECTED LIST OF OCCULT WORKS In same clear print and rich binding as this book PRICE $1.00 PREPAID THE WAY OF INITIATION OR HOW TO ATTAIN KNOWLEDGE OF THE HIGHER WORLDS BY RUDOLF STEINER, Ph.D. FROM THE GERMAN BY ~MAX GYSI~ WITH SOME BIOGRAPHICAL NOTES OF THE AUTHOR BY ~EDOUARD SCHURE~ FIRST AMERICANIZED EDITION MACOY PUBLISHING AND MASONIC SUPPLY CO. NEW YORK, U.S.A. Copyright 1910 BY MACOY PUBLISHING AND MASONIC SUPPLY CO. 45-47-49 JOHN ST. New York, U.S.A. CONTENTS. PAGE The Personality of Rudolf Steiner and His Development 7 I. The Superphysical World and Its Gnosis 33 II. How to Attain Knowledge of the Higher Worlds 50 III. The Path of Discipleship 65 IV. Probation 81 V. Enlightenment 93 VI. Initiation 117 VII. The Higher Education of the Soul 135 VIII. The Conditions of Discipleship 149 List of Occult and Kindred Books 165 Transcriber's Note: Words printed in bold are noted with tildes; ~bold~. There is no corresponding anchor for footnote number 5. TRANSLATOR'S NOTE. (FOR THE ENGLISH EDITION.) Being deeply interested in Dr. Steiner's work and teachings, and desirous of sharing with my English-speaking friends the many invaluable glimpses of Truth which are to be found therein, I decided upon the translation of the present volume. It is due to the kind co-operation of several friends who prefer to be anonymous that this task has been accomplished, and I wish to express my hearty thanks for the literary assistance rendered by them--also to thank Dr. Peipers of Munich for permission to reproduce his excellent photograph of the author. The special value of this volume consists, I think, in the fact that no advice is given and no statement made which is not based on the personal experience of the author, who is, in the truest sense, both a mystic and an occultist. If the present volume should meet with a reception justifying a further venture, we propose translating and issuing during the coming year a further series of articles by Dr. Steiner in continuation of the same subject, and a third volume will consist of the articles now appearing in the pages of The Theosophist, entitled "The Education of Children." MAX GYSI. PUBLISHER'S NOTE. While the pleasant German vernacular is still discernable in the text of this work, we wish to state that it has been Americanized in spelling, phraseology, and definition, to make plainer to the Western mind the wonderful truths experienced by its distinguished author. The readers, especially Occult, Theosophic, Masonic, and New Thought students, we believe, will appreciate the clearness with which his teachings lead to the simple rich Harmony of Life. MACOY PUB. & MASONIC SUP. CO. THE PERSONALITY OF RUDOLF STEINER AND HIS DEVELOPMENT BY EDOUARD SCHURE[1] Many of even the most cultivated men of our time have a very mistaken idea of what is a true mystic and a true occultist. They know these two forms of human mentality only by their imperfect or degenerate types, of which recent times have afforded but too many examples. To the intellectual man of the day, the mystic is a kind of fool and visionary who takes his fancies for facts; the occultist is a dreamer or a charlatan who abuses public credulity in order to boast of an imaginary science and of pretended powers. Be it remarked, to begin with, that this definition of mysticism, though deserved by some, would be as unjust as erroneous if one sought to apply it to such personalities as Joachim del Fiore of the thir
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Produced by Brian Coe, Harry Lamé and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber’ Notes: Text printed as blackletter, italics, underlined, or boldface have been transcribed as ^text^, _text_, ~text~, and =text=, respectively. Small capitals have been replaced by all capitals; ^{txt} represents superscript text. More Transcriber’s Notes and a list of changes made may be found at the end of this document. ^The Daily Telegraph^ WAR BOOKS THE FLEETS AT WAR ^The Daily Telegraph^ WAR BOOKS CLOTH 1/- NET. ~VOL. I. (3rd Enormous Edition.)~ _HOW THE WAR BEGAN_ _By W. L. COURTNEY, LL.D., and J. M. KENNEDY_ Is Britain’s justification before the Bar of History. ~VOL. II.~ _THE FLEETS AT WAR_ _By ARCHIBALD HURD_, The key book to the understanding of the NAVAL situation ~VOL. III.~ _THE CAMPAIGN OF SEDAN_ _By GEORGE HOOPER_ The key book to the MILITARY situation. ~VOL. IV.~ _THE CAMPAIGN ROUND LIEGE_ ¶ Describes in wonderful detail the heroic defence of Liege, and shows how the gallant army of Belgium has upset and altered the whole plan of advance as devised by the Kaiser and his War Council. [Illustration: _Photo: Speaight, Ltd._ =ADMIRAL SIR JOHN JELLICOE.= Supreme Admiral, British Home Fleet.] THE FLEETS AT WAR BY ARCHIBALD HURD Author of “Command of the Sea,” “Naval Efficiency,” “German Sea Power: Its Rise, Progress, and Economic Basis” (part author), etc. HODDER AND STOUGHTON LONDON NEW YORK TORONTO MCMXIV PREFACE It is hoped that this volume will prove of permanent value as presenting a conspectus of the great navies engaged in war when hostilities opened, and in particular of the events of singular significance in the naval contest between Great Britain and Germany which occurred in the years immediately preceding the war. Grateful acknowledgment is made to Mr. H. C. Bywater for valuable assistance in preparing this volume. A. H. CONTENTS CHAPTER PAGE INTRODUCTION--THE OPENING PHASE 9 I. THE RELATIVE STANDING OF THE BRITISH AND GERMAN FLEETS 49 II. THE BRITISH NAVY 54 III. THE GERMAN NAVY 101 IV. ADMIRAL JELLICOE 131 V. OFFICERS AND MEN OF THE BRITISH NAVY 137 VI. THE COMMANDER-IN-CHIEF OF THE GERMAN FLEET 141 VII. OFFICERS AND MEN OF THE FOREIGN NAVIES 147 VIII. GERMAN NAVAL BASES 151 IX. THE KIEL CANAL 161 X. THE GREAT FLEETS ENGAGED: TABULAR STATEMENT 168 [Illustration: Map of North Sea.] INTRODUCTION THE OPENING PHASE PEACEFUL VICTORIES OF BRITISH SEA POWER The declaration of war against Germany, followed as it was by similar action against Austria-Hungary, was preceded by a sequence of events so remarkable in their character that if any British writer had made any such forecast in times of peace he would have been written down as a romantic optimist. Owing to a series of fortunate circumstances, the British Fleet--our main line of defence and offence--was fully mobilised for war on the morning before the day--August 4th at 11 p.m.--when war was declared by this country, and we were enabled to enter upon the supreme contest in our history with a sense of confidence which was communicated to all the peoples of the British Empire. This feeling of assurance and courage furnished the best possible augury for the future. Within a fortnight of diplomatic relations being broken off with Germany, and less than a week after Austria-Hungary by her acts had declared her community of interest with her ally, the British Navy, without firing a gun or sending a single torpedo hissing through the
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Produced by Julia Miller and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's Note A number of typographical errors have been maintained in this version of this book. They have been marked with a [TN-#], which refers to a description in the complete list found at the end of the text. Inconsistent spelling, hyphenation, and capitalization have been maintained. A list of inconsistently spelled words is found at the end of the text. THE BATTLE AND THE RUINS OF CINTLA BY DANIEL G. BRINTON, M. D., LL. D., D. Sc. PROFESSOR OF AMERICAN ARCHAEOLOGY AND LINGUISTICS IN THE UNIVERSITY OF PENNSYLVANIA [REPRINTED FROM THE _AMERICAN ANTIQUARIAN_, SEPTEMBER, 1896] CHICAGO 1896 THE BATTLE AND THE RUINS OF CINTLA. BY DANIEL G. BRINTON, M. D. The first battle on the American continent in which horses were used was that of Cintla in Tabasco, March, 1519, the European troops being under the leadership of Hernando Cortes. This fact attaches something more than an ordinary historic interest to the engagement, at least enough to make it desirable to ascertain its precise locality and its proper name. Both of these are in doubt, as well as the ethnic stock to which the native tribe belonged which opposed the Spanish soldiery on the occasion. I propose to submit these questions to a re-examination, and also to describe from unpublished material the ruins which,--as I believe--, mark the spot of this first important encounter of the two races on American soil. The engagement itself has been described by all the historians of Cortes' famous conquest of Mexico, as it was the first brilliant incident of that adventure. We have at least four accounts of it from participants. One prepared under the eye of Cortes himself, one by the anonymous historian of his expedition, a third by Cortes' companion-in-arms, the redoubtable Bernal Diaz del Castillo, and a fourth by Andres de Tapia.[3-1] The most satisfactory narrative, however, is given by the chaplain of Cortes, Francisco de Gomara, and I shall briefly rehearse his story, adding a few points from other contemporary writers.[3-2] Cortes with his armada cast anchor at the mouth of the River Grijalva in March, 1519. The current being strong and the bar shallow, he with about eighty men proceeded in boats up the river for about two miles, when they descried on the bank a large Indian village. It was surrounded with a wooden palisade, having turrets and loopholes from which to hurl stones and darts. The houses within were built of tiles laid in mortar, or of sun-dried brick (adobes), and were roofed with straw or split trees. The chief temple had spacious rooms, and its dependences surrounded a court yard. The interpreter Aguilar, a Spaniard who had lived with the Mayas in Yucatan, could readily speak the tongue of the village, which was therefore a Mayan dialect. The natives told him that the town was named Potonchan, which Aguilar translated "the place that smells or stinks," an etymology probably correct in a general way. The natives were distrustful, and opposed the landing of the Europeans rather with words and gestures than with blows. Their warriors approached Cortes in large boats, called in their tongue _tahucup_, and refused him permission to land. After some parleying, Cortes withdrew to an island in the river near by, and as night drew on, he sent to the ships for reinforcements, and despatched some of the troops to look for a ford from the island to the mainland; which they easily found. The next morning he landed some of his men by the boats, and attacked the village on the water side, while another detachment crossed the ford and making a circuit assaulted it in the rear. The Indians were prepared, having sent their women and children away. They were in number about four hundred, and made at first a brisk resistance, but being surprised by the rear assault, soon fled in dismay. No Spaniard was killed, though many were wounded. Cortes established himself in the village and landed most of his troops and ten out of his thirteen horses. When his men were rested and the injured had had their wounds dressed with fat taken from dead Indians[4-1] (!) he sent out three detachments on foot to reconnoitre. After marching a distance which is not stated, but which could not have been many miles, they came to an extensive plain covered with maize fields, temples and houses. This was Cintla. There were many warriors gathered there, and after a sharp skirmish the Spaniards fell back. Having thus learned the ground, Cortes prepared for a decisive battle, as also did the natives. The latter gathered at Cintla in five divisions of eight thousand men each, as the chroniclers aver. Cortes had about five hundred
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Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Note: Minor typographical errors have been corrected without note. Irregularities and inconsistencies in the text have been retained as printed. Words printed in italics are noted with underscores: _italics_. The Story of a Confederate Boy in the Civil War By David E. Johnston _of the 7th Virginia Infantry Regiment_ Author of "Middle New River Settlements" With Introduction by Rev. C. E. Cline, D.D. A Methodist Minister and Chaplain of the Military Order of the Loyal Legion, U.S.A. COPYRIGHT, 1914 BY DAVID E. JOHNSTON PUBLISHED BY GLASS & PRUDHOMME COMPANY PORTLAND, OREGON Preface Some twenty-eight years ago I wrote and published a small book recounting my personal experiences in the Civil War, but this book is long out of print, and the publication exhausted. At the urgent request of some of my old comrades who still survive, and of friends and my own family, I have undertaken the task of rewriting and publishing this story. As stated in the preface to the former volume, the principal object of this work is to record, largely from memory, and after the lapse of many years (now nearly half a century) since the termination of the war between the states of the Federal Union, the history, conduct, character and deeds of the men who composed Company D, Seventh regiment of Virginia infantry, and the part they bore in that memorable conflict. The chief motive which inspires this undertaking is to give some meager idea of the Confederate soldier in the ranks, and of his individual deeds of heroism, particularly of that patriotic, self-sacrificing, brave company of men with whose fortunes and destiny my own were linked for four long years of blood and carnage, and to whom during that period I was bound by ties stronger than hooks of steel; whose confidence and friendship I fully shared, and as fully reciprocated. To the surviving members of that company, to the widows and children, broken-hearted mothers, and to gray-haired, disconsolate fathers (if such still live) of those who fell amidst the battle and beneath its thunders, or perished from wounds or disease, this work is dedicated. The character of the men who composed that company, and their deeds of valor and heroism, will ever live, and in the hearts of our people will be enshrined the names of the gallant dead as well as of the living, as the champions of constitutional liberty. They will be held in grateful remembrance by their own countrymen, appreciated and recognized by all people of all lands, who admire brave deeds, true courage, and devotion of American soldiers to cause and country. For some of the dates and material I am indebted to comrades. I also found considerable information from letters written by myself during the war to a friend, not in the army, and not subject to military duty, on account of sex; who, as I write, sits by me, having now (February, 1914), for a period of more than forty-six years been the sharer of my joys, burdens and sorrows; whose only brother, George Daniel Pearis, a boy of seventeen years, and a member of Bryan's Virginia battery, fell mortally wounded in the battle of Cloyd's Farm, May 9, 1864. DAVID E. JOHNSTON. Portland, Oregon, May, 1914. Introduction The author of this book is my neighbor. He was a Confederate, and I a Union soldier. Virginia born, he worked hard in youth. A country lawyer, a member of the Senate of West Virginia, Representative in Congress, and Circuit Judge, his life has been one of activity and achievement. Blessed with a face and manner which disarm suspicion, inspire confidence and good will, he makes new friends, and retains old ones. Judge Johnston (having through life practiced the virtues of a good Baptist), is, therefore, morally sound to the core. He has succeeded, not by luck or chance, but because of what he is. Withal, he has cultivated the faculty for hard work; in fact, through life he has liked nothing so well as hard work. A vast good nature, running easily into jocular talk, with interesting stories, in which he excels, he is able to meet every kind of man in every rank of society, catching with unerring instinct the temper of every individual and company where he is. He is thoroughly American, and though having traveled extensively in Europe and the East, he is not spoiled with aping foreigners, nor "rattled" by their frivolous accomplishments. He is likewise an experienced writer, being
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SERIES)*** E-text prepared by Charles Aldarondo, Tam, Tom Allen, and the Project Gutenberg Online Distributed Proofreading Team THE FAITH OF THE MILLIONS A SELECTION OF PAST ESSAYS SECOND SERIES BY GEORGE TYRRELL, S.J. 1901 "AND SEEING THE MULTITUDES HE WAS MOVED WITH COMPASSION ON THEM, FOR THEY WERE HARASSED AND SCATTERED AS SHEEP HAVING NO SHEPHERD." (Matthew ix. 36.) _Nil Obstat:_ J. GERARD, S.J. CENS. THEOL. DEPUTATUS. _Imprimatur:_ HERBERTUS CARD. VAUGHAN, ARCHIEP. WESTMON. CONTENTS XIII.--Juliana of Norwich XIV.--Poet and Mystic XV.--Two Estimates of Catholic Life XVI.--A Life of De Lamenn
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Produced by Barbara Tozier and the Online Distributed Proofreading Team at http://www.pgdp.net +------------------------------------------------------------+ | Transcriber's Note: | | | | Obvious typographical errors have been corrected in | | this text. For a complete list, please see the bottom of | | this document. | +------------------------------------------------------------+ [Illustration: THOMAS W. LAWSON AFTER TWELVE MONTHS OF "FRENZIED FINANCE"] FRENZIED FINANCE BY THOMAS W. LAWSON OF BOSTON VOLUME I THE CRIME OF AMALGAMATED NEW YORK THE RIDGWAY-THAYER COMPANY 1905 _Copyright, 1905, by_ THE RIDGWAY-THAYER COMPANY _These articles are reprinted from "Everybody's Magazine"_ COPYRIGHT, 1904, BY THE RIDGWAY-THAYER COMPANY COPYRIGHT, 1905, BY THE RIDGWAY-THAYER COMPANY _All rights reserved_ TROW DIRECTORY PRINTING AND BOOKBINDING COMPANY NEW YORK TO PENITENCE AND PUNISHMENT THIS BOOK IS DEDICATED TO PENITENCE: that those whose deviltry is exposed within its pages may see in a true light the wrongs they have wrought--and repent. TO PUNISHMENT: that the unpenalized crimes of which it is the chronicle may appear in such hideousness to the world as forever to disgrace their perpetrators. TO PENITENCE: that the transgressors, learning the error of their ways, may reform. TO PUNISHMENT: that the sins of the century crying to heaven for vengeance may on earth be visited with condemnation stern enough to halt greed at the kill. TO PUNISHMENT: that public indignation may be so aroused against the practices of high finance that it shall come to be as culpable to graft and cozen within the law as it is lawless to-day to counterfeit and steal. TO PENITENCE: that in the minds of all who read this eventful history there may grow up a knowledge and a conviction that the gaining of vast wealth is not worth the sacrifice of manhood, and that poverty and abstinence with honor are better worth having than millions and luxury at the cost of candor and rectitude. TO MY AUDIENCE SAINTS, SINNERS, AND IN-BETWEENS Before you enter the confines of "Frenzied Finance," here spread out--for your inspection, at least; enlightenment, perhaps--halt one brief moment. If the men and things to be encountered within are real--did live or live now--you must deal with them one way. If these embodiments are but figments of my mind and pen, you must regard them from a different view-point. Therefore, before turning the page, it behooves you to find for yourself an answer to the grave question: Is it the truth that is dealt with here? In weighing the evidence remember: My profession is business. My writing is an incident. "Frenzied Finance" was set down during the twenty-fifth and twenty-sixth hours of busy days. I pass it up as the history of affairs of which I was a part. The men who move within the book's pages are still on the turf. A period of twelve years is covered. So far, eighteen instalments, in all some 400,000 words, have been published. The spigot is still running. I have written from memory, necessarily. While it is true that fiction is expressed in the same forms and phrases as truth, no man ever lived who could shape 400,000 words into the kinds of pictures I have painted and pass them off for aught but what they were. The character of my palette made it mechanically impossible to shade or temper the pigments, for the story was written in instalments, and circumstances were such that often one month's issue was out to the public before the next instalment was on paper. Considering all this, the consistency of the chronicle as it stands is the best evidence of its truth. In submitting it to my readers I desire to reiterate: It _is_ truth--of the kind that carries its own bell and candle. Within the narrative itself are the reagents required to test and prove its genuineness. Were man endowed with the propensity of a Muenchhausen, the cunning of a Machiavelli, the imagination of Scheherezade, the ability of a Shakespeare, and the hellishness of his Satanic Majesty, he could not play upon 400,000 words, or one-quarter that number, and make the play peal truth for a single hour to the audience who will read this book, or to one-thousand
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Produced by D Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Last Edit of Project Info The Old Willow-tree and other stories by CARL EWALD Translated by A. Teixeira de Mattos Drawings by Helen M. Jacobs & G. E. Lee [Illustration] Thornton Butterworth Limited 15 Bedford St Strand London. W. C. 2 _First published October, 1921._ _Copyright U.S.A.,
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Produced by D Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net _SPECIAL EDITION_ WITH THE WORLD'S GREAT TRAVELLERS EDITED BY CHARLES MORRIS AND OLIVER H. G. LEIGH Vol. I CHICAGO UNION BOOK COMPANY 1901 COPYRIGHT 1896 AND 1897 BY J. B. LIPPINCOTT COMPANY COPYRIGHT 1901 E. R. DUMONT [Illustration: THE PRODIGAL'S RETURN PAINTING BY SPADA] CONTENTS. SUBJECT. AUTHOR. PAGE New Dependencies of the United States OLIVER H. G. LEIGH 9 Winter and Summer in New England HARRIET MARTINEAU 22 Niagara Falls and the Thousand Islands CHARLES MORRIS 31 From New York to Washington in 1866 HENRY LATHAM 39 The Natural Bridge and Tunnel of EDWARD A. POLLARD 49 Virginia Plantation Life in War Times WILLIAM HOWARD RUSSELL 62 Among Florida Alligators S. C. CLARKE 74 In the Mammoth Cave THERESE YELVERTON 83 Down the Ohio and Mississippi THOMAS L. NICHOLS 94 From New Orleans to Red River FREDERICK LAW OLMSTED 104 Winter on the Prairies G. W. FEATHERSTONHAUGH 114 A Hunter's Christmas Dinner J. S. CAMPION 124 A Colorado "Round-Up" ALFRED TERRY BACON 133 Among the Cow-boys LOUIS C. BRADFORD 141 Hunting the Buffalo WASHINGTON IRVING 147 In the Country of the Sioux MERIWETHER LEWIS 157 The Great Falls of the Missouri WILLIAM CLARKE 168 Hunting Scenes in Canadian Woods B. A. WATSON 178 The Grand Falls of Labrador HENRY G. BRYANT 189 Life Among the Esquimaux WILLIAM EDWARD PARRY 200 Fugitives from the Arctic Seas ELISHA KENT KANE 210 Rescued from Death W. S. SCHLEY 220 The Muir Glacier SEPTIMA M. COLLIS 230 A Summer Trip to Alaska JAMES A. HARRISON 239 The Fort William Henry Massacre JONATHAN CARVER 249 The Gaucho and His Horse THOMAS J. HUTCHINSON 257 Valparaiso and Its Vicinity CHARLES DARWIN 265 An Escape from Captivity BENJAMIN F. BOURNE 274 List of Illustrations VOLUME I THE PRODIGAL'S RETURN _Frontispiece_ MORRO CASTLE, HAVANA 14 WASHINGTON ELM, CAMBRIDGE 28 NEW YORK AND THE BROOKLYN BRIDGE 42 ON THE COAST OF FLORIDA 78 SUNRISE FROM THE SUMMIT OF PIKE'S PEAK 134 A KANSAS CYCLONE 144 THE CATSKILLS--SUNRISE FROM SOUTH MOUNTAIN 180 PARLIAMENT HOUSES, OTTAWA 198 WINTER IN THE FAR NORTH 214 MUIR GLACIER, ALASKA 236 PREFACE. Next to actual travel, the reading of first-class travel stories by men and women of genius is the finest aid to the broadening of views and enlargement of useful knowledge of men and the world's ways. It is the highest form of intellectual recreation, with the advantage over fiction-reading of satisfying the wholesome desire for facts. With all our modern enthusiasm for long journeys and foreign travel, now so easy of accomplishment, we see but very little of the great world. The fact that ocean voyages are now called mere "trips" has not made us over-familiar with even our own kinsfolk in our new dependencies. Foreign peoples and lands are still strange to us. Tropic and Arctic lands are as far apart in condition as ever; Europe differs from Asia, America from Africa, as markedly as ever. Man still presents every grade of development, from the lowest savagery to the highest civilization, and our interest in the marvels of nature and art, the variety of plant and animal life, and the widely varied habits and conditions, modes of thought and action, of mankind, is in no danger of losing its zest. These considerations have guided us in our endeavor to tell the story of the world, alike of its familiar and unfamiliar localities, as displayed in the narratives of those who have seen its every part. Special interest attaches to the stories of those travellers who first gazed upon the wonders and observed the inhabitants of previously unknown lands, and whose descriptions are therefore those of discoverers. One indisputable advantage belongs to this work over the average record of travel: the reader is not tied down to the perusal of a one-man book. He has the privilege of calling at pleasure upon any one of these eminent travellers to recount his or her exploit, with the certainty of finding they are all in their happiest vein and tell their best stories. The adventures and discoveries here described are gathered from the four quarters of the globe, and include the famous stories of men no longer living, as well as those of present activity. Many of the articles were formerly published in the exhaustive work entitled, "The World's Library of Literature, History and Travel" [The J. B. Lippincott Co., Philadelphia]. For the rich variety and quality of our material we are indebted to many travellers of note, and to the courtesy of numerous publishers and authors. Among these it is desired to acknowledge particularly indebtedness to the following publishers and works: To Harper and Brothers, for selections from Stanley's "Through the Dark Continent," Du Chaillu's "Equatorial Africa," Prime's "Tent-Life in the Holy Land," Orton's "The Andes and the Amazon," and Browne's "An American Family in Germany." To Charles Scribner's Sons: Stanley's "In Darkest Africa," Field's "The Greek Islands," and Schley's "The Rescue of Greely." To G. P. Putnam's Sons: De Amicis's "Holland and its People," Taylor's "Lands of the Saracens," and Brace's "The New West." To Houghton, Mifflin and Co.: Melville's "In the Lena Delta," and Hawthorne's "Our Old Home." To Roberts Brothers: Hunt's "Bits of Travel at Home." To H. C. Coates and Co.: Leonowen's "Life and Travel in India." Equal tribute is offered to the authors who have courteously permitted the use of their material, and in these acknowledgments we include Charles Morris, editor of the above work, and Oliver H. G. Leigh, whose pen has won honors in various fields, for their special contributions to this edition. WITH THE WORLD'S GREAT TRAVELLERS. NEW DEPENDENCIES OF THE UNITED STATES. OLIVER H. G LEIGH. [The trend of events makes it certain that our geographical knowledge is going to be enlarged by personal investigation. The boom of Dewey's big guns sent us to our school-books with mixed feelings as to the practical value of much of our alleged learning. The world suddenly broadened as we gazed in surprise. Hawaii invited itself into the circle of new relations. The near West Indies and the remote Philippines craved peculiar attentions. Whether moved by commercial zeal, official duty or the profitable curiosity of pleasure or scientific investigation, he is in the highest sense a patriotic benefactor of his own country and the land he visits, who devotes his energies to making Americans more intimately acquainted with the communities now linked with the most powerful of nations.] The scope of holiday travel, or tours of profitable investigation, has been widely extended by the new relationship between the United States and Hawaii, now included in its possessions, and the former Spanish islands over which it exercises a kindly protectorate. Through the usual channels public sentiment is being formed upon the resources and responsibilities of the new dependencies. Many will be attracted to Cuba, Porto Rico, Hawaii, and even to the remote Philippines, by considerations of a practical kind. No truer patriotic motive can inspire the American traveller than the desire to develop the natural resources, and, by consequence, the social welfare of a dependent community Whether bent on business, pleasure, or official duty in the service of the United States the prospective voyager, and the friends he leaves behind him, will profit by these gatherings from the impressions and experiences of former travellers. The approach to Havana at daybreak overwhelms the senses with the gorgeous beauties of the sky and landscape. Foul as the harbor may be with city drainage it seems a silvery lake encircled with the charms of Paradise and over-arched with indescribable glories of celestial forms and hues and ever-changing witcheries wrought by the frolicsome sun in his ecstasy of morning release. Strange that where nature most lavishes her wealth of charms and favors, the listlessness of perverse man responds in ungrateful contrasts rather than in harmonies. Havana has the interest of age, with the drawbacks incident to hereditary indifference to progressive change. As in all important cities there are sharp contrasts in its quarters. With long avenues of stately mansions, marble-like and colonnaded, and exquisitely designed courtyards, there are unpaved thoroughfares with an open sewer in the mid-roadway, flanked by tenement houses with a family in each room. Most of Havana's two hundred thousand citizens live in one-story buildings, lacking conveniences which the poorest American considers necessities. The older streets are mere alleys, about twenty feet wide, of which the sidewalks take up seven. Light and ample ventilation are obtained by grated window-openings without frames or glass. The dwellings and public buildings throughout Cuba are planned to give free passage to every zephyr that wafts relief from the oppressive heat. This is not because the thermometer mounts much higher than it does in the United States, for it never touches the records of our great cities, where a hundred in the shade is not unknown. From 80 to 50 degrees is the year's average, and it is this steady continuance of warmth that tries strength and temper. In the better districts of Havana the driveways are twenty-three feet and the sidewalks about ten feet wide. Politeness keeps native and foreign men hopping up and down the foot deep curb to allow ladies a fair share of elbow-room on the pavements. Your guest-chamber in a well-to-do family residence has probably a window twenty by eight feet, sashless, but with several lace curtains and shutters to suit the weather. The walls are tinted with the Spaniard's eye for rich color display, the massive furniture is solid carved old mahogany, and the graceful mosquito curtains suggest experiences better left untold. House-rent is high, owing to the heavy taxation, which will doubtless be modified after American administration has put the city in a sanitary condition. Flour used to cost the poorer classes from two to three times its price in the United States. Before we leave the capital for the interior we must note two or three of the time-mellowed edifices, which give the flavor of old-world mediaevalism to the island. The gloomy Morro Castle is familiar in the chronicles of the war. It stands guard at the water-gate of the city, a grim-visaged dungeon that echoes with the despairing groans of more victims of cruel oppression than can ever be counted. A more cheerful landmark is the old Cathedral, looking as if it dates further back than 1724, cooped up in its crowded quarter. Here rest the ashes of Columbus, say the faithful, and they are probably right. He died in Spain May 20, 1506. In 1856, his bones were brought to San Domingo and from there were transferred in January, 1796, to this Cathedral, where they rest in the wall behind the bust and tablet to his memory. The elaborate monument under the dome is a splendid work of art. Four life-size sculptured ecclesiastics bear a sarcophagus on their shoulders. There is also a supposed portrait bust on a mural tablet. The Spanish element in the city is popularly said to be an exaggeration of the old country quality. The Tacon theatre holds three thousand people. Cafes and restaurants abound, and never lack customers. Some day Havana may be transformed into a nearer Paris, with a larger American colony than haunts the dearer city across the sea. Cuba has nearly the same area as England. The Province of Havana has a population of 452,000, of whom 107,500 are black. Large tracts of the island have not yet been explored. The long years of intermittent battling between the Cubans and Spaniards have grievously hindered progress in all directions. Nature is bountiful beyond belief, yet her overtures have been scorned, partly because of native inertia, but mainly through dread of loss. Both sides have been guilty of laying waste vast areas of cultivated land, ruining its husbandmen, capitalists and laborers alike. The millennium bids fair to come before long. Peace is restoring confidence. The reign of justice will bring capital and labor back to the soil and tempt American migration to the cities and towns, where life can be lived so enjoyably by those who bring modern methods and ideas to bear in the task of converting a man-made wilderness into an alluring paradise. Not long ago an American bought seventy acres of ground in Trinidad valley, which he cleared and planted at a cost of $3,070 for the first year. The second year's cultivation cost $1,120. He made it a banana orchard. At the end of the second year he had realized $30,680 net profit by the sale of his crop of 54,000 bunches. Havana has the cosmopolitan air. Clubs, cafes, and entertainments abound and flourish. Its suburbs and nearby towns afford all the allurements the modern city-man seeks in country life. The rural charms of Marianao are unsurpassed in any land. Ornately simple architecture marks the columned houses of its best street. Around it are the cosy cottages in their luxuriant gardens, and beyond these the open country, a veritable Eden of foliage, flowers and fruit. In one spot a famous old banyan tree has thrown out its limbs, thrusting them deep into the soil till they have sprouted and spread over a five-acre field. As we traverse the garden landscape in any settled part of the island, and in Porto Rico, we note the habits of the rustic native in his interesting simplicity. Poor enough in all conscience, but wonderfully contented with his crust of bread, his cigarette, the family pig, bananas for the pickaninnies' staple fare, and the frequent sips of rum which are to the West Indian laborer what beefsteak is to the American toiler. He is by no means a drunkard, and if he lacks book-learning he excels in some civic virtues of the homelier kind, and is not extravagant in his tailor-bills. The children's costume is usually that of Eve before the fall, and the apparel of a goodly family might be bought for the price of a dude's red vest. Cock-fighting is the favorite native sport. It is encountered at any hour, anywhere. There are other sports, such as boar hunts, spearing fish, not to mention that of killing tarantulas, sand-flies, land-crabs, and the gentle crocodile. The thousand miles of steam railway in Cuba are unevenly distributed. From Havana the trip through Pinar del Rio gives an astounding revelation of the wealth of forest and soil and mines. Devastated as so much of this country was during the long years of dragging war, its charms of scenery and possibilities of development will work its speedy salvation. A single acre of choice land has produced $3,000 worth of tobacco. Two crops of corn and two of strawberries grow each year, vegetables and many fruits are superabundant, yet wheat and flour are imported, and cotton, besides other important staples, can be successfully cultivated. Journeying to the charming Isle of Pines, and then south and east through Matanzas, Santa Clara, and Puerto Principe to Santiago, there is the same invitation of Nature to come and enjoy all that makes earth lovely. The island is dotted with towns large and small having much the same characteristics as Havana. Her virgin forests have some of the richest woods known to commerce. Her hills hold stores of iron, copper, coal and other minerals. Her soil is ready to yield many-fold to the courageous cultivator. When the swords have been turned into plough-shares and the spears to pruning-hooks, there will come a new day for the native Cuban. He will feel himself liberated from the hindering rancors and jealousies, inevitable in the light of recent history, which alone now stand between his beautiful island and the prosperity that hovers, waiting his encouragement to alight. Then the traveller will return with reports of Havana rejuvenated, her harbor dredged and purified, her highways paved, homes made healthy and the whole island lifted to the higher and happier plane that will give the Pearl of the Antilles its rightful setting among the other gems of God's earth. [Illustration: MORRO CASTLE, HAVANA] Porto Rico, the "rich port," so named by Columbus, came gladly under the American flag. Its population of about 900,000 has had a sorry time for three hundred years. They have been steeped in spiritless poverty from first to last, so used to the oppressor's yoke that ambition seems to have been crushed. Yet their island is an earthly paradise, save for its rain-storms and occasional droughts. It is rich in undeveloped mineral deposits and splendid forests. Nature has helped to discourage native effort by providing the means of sust
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Produced by Irma Spehar and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) WALT WHITMAN _Yesterday & Today_ BY HENRY EDUARD LEGLER CHICAGO BROTHERS OF THE BOOK 1916 COPYRIGHT 1916 BY THE BROTHERS OF THE BOOK The edition of this book consists of six hundred copies on this Fabriano hand-made paper, and the type distributed. This copy is Number 2 TO DR. MAX HENIUS CONSISTENT HATER OF SHAMS ARDENT LOVER OF ALL OUTDOORS AND GENEROUS GIVER OF SELF IN GENUINE FELLOWSHIP THIS BOOK IS DEDICATED _Walt Whitman: Yesterday & Today_ I On a day about mid-year in 1855, the conventional literary world was startled into indecorous behavior by the unannounced appearance of a thin quarto sheaf of poems, in form and in tone unlike anything of precedent issue. It was called Leaves of Grass, and there were but twelve poems in the volume. No author's name appeared upon the title page, the separate poems bore no captions, there was no imprint of publisher. A steel engraving of a man presumably between thirty and forty years of age, coatless, shirt flaringly open at the neck, and a copyright notice identifying Walter Whitman with the publication, furnished the only clues. Uncouth in size, atrociously printed, and shockingly frank in the language employed, the volume evoked such a tirade of rancorous condemnation as perhaps bears no parallel in the history of letters. From contemporary criticisms might be compiled an Anthology of Anathema comparable to Wagner's Schimpf-Lexicon, or the Dictionary of Abuse suggested by William Archer for Henrik Ibsen. Some of the striking adjectives and phrases employed in print would include the following, as applied either to the verses or their author: The slop-bucket of Walt Whitman. A belief in the preciousness of filth. Entirely bestial. Nastiness and animal insensibility to shame. Noxious weeds. Impious and obscene. Disgusting burlesque. Broken out of Bedlam. Libidinousness and swell of self-applause. Defilement. Crazy outbreak of conceit and vulgarity. Ithyphallic audacity. Gross indecency. Sunken sensualist. Rotten garbage of licentious thoughts. Roots like a pig. Rowdy Knight Errant. A poet whose indecencies stink in the nostrils. Its liberty is the wildest license; its love the essence of the lowest lust! Priapus--worshipping obscenity. Rant and rubbish. Linguistic silliness. Inhumanly insolent. Apotheosis of Sweat. Mouthings of a mountebank. Venomously malignant. Pretentious twaddle. Degraded helot of literature. His work, like a maniac's robe, bedizened with fluttering tags of a thousand colors. Roaming, like a drunken satyr, with inflamed blood, through every field of lascivious thought. Muck of abomination. A few quotations from the press of this period will serve to indicate the general tenor of comment: "The book might pass for merely hectoring and ludicrous, if it were not something a great deal more offensive," observed the Christian Examiner (Boston, 1856). "It openly deifies the bodily organs, senses, and appetites in terms that admit of no double sense. The author is 'one of the roughs, a Kosmos, disorderly, fleshly, sensual, divine inside and out. The scent of these armpits an aroma finer than prayer.' He leaves 'washes and razors for foofoos,' thinks the talk about virtue and vice only 'blurt,' he being above and indifferent to both of them. These quotations are made with cautious delicacy. We pick our way as cleanly as we can between other passages which are more detestable." In columns of bantering comment, after parodying his style of all-inclusiveness, the United States Review (1855) characterizes Walt Whitman thus: "No skulker or tea-drinking poet is Walt Whitman. He will bring poems to fill the days and nights--fit for men and women with the attributes of throbbing blood and
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Produced by S Goodman, David Starner and the Online Distributed Proofreading Team SONGS OF LABOR AND OTHER POEMS BY MORRIS ROSENFELD _Translated from the Yiddish by Rose Pastor Stokes and Helena Frank_ Contents In the Factory My Boy The Nightingale to the Workman What is the World? Despair Whither? From Dawn to Dawn The Candle Seller The Pale Operator The Beggar Family A Millionaire September Melodies Depression The Canary Want and I The Phantom Vessel To my Misery O Long the Way To the Fortune Seeker My Youth In the Wilderness I've Often Laughed Again I Sing my Songs Liberty A Tree in the Ghetto The Cemetery Nightingale The Creation of Man Journalism Pen and Shears For Hire A Fellow Slave The Jewish May The Feast of Lights Chanukah Thoughts Sfere Measuring the Graves The First Bath of Ablution Atonement Evening Prayer Exit Holiday SONGS OF LABOR AND OTHER POEMS In the Factory Oh, here in the shop the machines roar so wildly, That oft, unaware that I am, or have been, I sink and am lost in the terrible tumult; And void is my soul... I am but a machine. I work and I work and I work, never ceasing; Create and create things from morning till e'en; For what?--and for whom--Oh, I know not! Oh, ask not! Who ever has heard of a conscious machine? No, here is no feeling, no thought and no reason; This life-crushing labor has ever supprest The noblest and finest, the truest and richest, The deepest, the highest and humanly best. The seconds, the minutes, they pass out forever, They vanish, swift fleeting like straws in a gale. I drive the wheel madly as tho' to o'ertake them,-- Give chase without wisdom, or wit, or avail. The clock in the workshop,--it rests not a moment; It points on, and ticks on: Eternity--Time; And once someone told me the clock had a meaning,-- Its pointing and ticking had reason and rhyme. And this too he told me,--or had I been dreaming,-- The clock wakened life in one, forces unseen, And something besides;... I forget what; Oh, ask not! I know not, I know not, I am a machine. At times, when I listen, I hear the clock plainly;-- The reason of old--the old meaning--is gone! The maddening pendulum urges me forward To labor and labor and still labor on. The tick of the clock is the Boss in his anger! The face of the clock has the eyes of a foe; The clock--Oh, I shudder--dost hear how it drives me? It calls me "Machine!" and it cries to me "Sew!" At noon, when about me the wild tumult ceases, And gone is the master, and I sit apart, And dawn in my brain is beginning to glimmer, The wound comes agape at the core of my heart; And tears, bitter tears flow; ay, tears that are scalding; They moisten my dinner--my dry crust of bread; They choke me,--I cannot eat;--no, no, I cannot! Oh, horrible toil I born of Need and of Dread. The sweatshop at mid-day--I'll draw you the picture: A battlefield bloody; the conflict at rest; Around and about me the corpses are lying; The blood cries aloud from the earth's gory breast. A moment... and hark! The loud signal is sounded, The dead rise again and renewed is the fight... They struggle, these corpses; for strangers, for strangers! They struggle, they fall, and they sink into night. I gaze on the battle in bitterest anger, And pain, hellish pain wakes the rebel in me! The
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Produced by Greg Bergquist, JoAnn Greenwood, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) [Illustration: HERCULES AND THE GOLDEN APPLES] HALF A HUNDRED HERO TALES OF ULYSSES AND THE MEN OF OLD EDITED BY FRANCIS STORR EDITOR OF "THE JOURNAL OF EDUCATION," LONDON WITH ILLUSTRATIONS BY FRANK C. PAPE [Illustration] NEW YORK HENRY HOLT AND COMPANY 1913 COPYRIGHT, 1911, BY HENRY HOLT AND COMPANY _Published January, 1911_ THE QUINN & BODEN CO. PRESS RAHWAY, N. J. PREFACE The apology offered for adding yet another book of Classical Stories to the endless existing versions, ancient and modern, in verse and in prose, is the plea that Vivien offers to Merlin for her "tender rhyme": "It lives dispersedly in many hands, And every minstrel sings it differently." "You Greeks," said the Egyptian priest to Herodotus, "are always children," and Greece will never lose the secret of eternal youth. The tale of Troy divine, of Thebes and Pelops' line, the song of sweet Colonus, the most cruel death of Pyramus and Thisby, Dido with a willow in her hand--these old stories of Homer and Sophocles, of Virgil and Ovid, have not lost their
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Produced by Bill Tozier, Julia Neufeld and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's note: Text enclosed by underscores is in italics (_italics_). Small capital text has been replaced with all capitals. Minor typographical errors and inconsistencies have been silently normalized. Inconsistent capitalizations of christian and christianity have been left as in the original. A SERMON DELIVERED BEFORE HIS EXCELLENCY EDWARD EVERETT, GOVERNOR, HIS HONOR GEORGE HULL, LIEUTENANT GOVERNOR, THE HONORABLE COUNCIL, AND THE LEGISLATURE OF MASSACHUSETTS, ON THE ANNIVERSARY ELECTION, JANUARY 2, 1839. BY MARK HOPKINS, D. D. President of Williams College. Boston: DUTTON AND WENTWORTH, PRINTERS TO THE STATE. 1839. Commonwealth of Massachusetts. SENATE, JANUARY 3, 1839. _Ordered_, That Messrs. Filley, Quincy, and Kimball, be a Committee to present the thanks of the Senate to the Rev. MARK HOPKINS, D. D. for the discourse yesterday delivered by him, before the Government of the Commonwealth, and to request a copy thereof for publication. Attest, CHARLES CALHOUN, _Clerk_. SERMON. Acts v. 29. WE OUGHT TO OBEY GOD RATHER THAN MAN. Man was made for something higher and better, than either to make, or to obey, merely human laws. He is the creature of God, is subject to his laws, and can find his perfection, and consequent happiness, only in obeying those laws. As his moral perfection, the life of his life, is involved in this obedience, it is impossible that any power should lay him under obligation to disobey. The known will of God, if not the foundation of right, is its paramount rule, and it is because human governments are ordained by him, that we owe them obedience. We are bound to them, not by compact, but only as God's institutions for the good of the race. This is what the Bible, though sometimes referred to as supporting arbitrary power, really teaches. It does not support arbitrary power. Rightly understood, it is a perfect rule of duty, and as in every thing else, so in the relations of subjects and rulers. It lays down the true principles, it gives us the guiding light. When the general question is whether human governments are to be obeyed, the answer is, "He that resisteth the power, resisteth the ordinance of God." "The powers that be are ordained of God." But when these powers overstep their appointed limits, and would lord it over the conscience, and come between man and his maker, then do we hear it uttered in the very face of power, and by the voice of inspiration, no less than of indignant humanity, "We ought to obey God rather than men." It has been in connexion with the maintenance of this principle, first proclaimed by an Apostle of Christ eighteen hundred years ago, that all the civil liberty now in the world has sprung up. It is to the fearless assertion of this principle by our forefathers, that we owe it that the representatives of a free people are assembled here this day to worship God according to the dictates of their own consciences, to seek to Him for wisdom in their deliberations, and to acknowledge the subordination of all human governments to that which is divine. Permit me then, as appropriate to the present occasion, to call the attention of this audience, 1st. To the grounds on which all men are bound to adhere to the principle stated in the text; and 2d. To the consequences of such adherence, on the part, both of subjects, and of rulers. * * * * * I observe, then, that we ought to obey God rather than men, because human governments are comparatively so limited and negative in their bearing upon the great purposes, first, of individual, and second, of social existence. The purposes for which man was made, must evidently involve in their accomplishment, both his duty and his happiness; and nothing can be his duty which would contravene those purposes. Among them, as already intimated, the highest is the moral perfection of the individual; for as it is by his moral nature that man is distinguished from the inferior animals, so it is only in the perfection of that nature, that his perfection, as man, can consist. As absolute perfection can belong only to God, that of man must be relative, that is, it must consist in the proper adjustment of relations, and especially in the relation of his voluntary actions to the end for which God designed him. This is our idea of perfection, when we affirm
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Produced by Ron Burkey LIFE OF JOHN STERLING By Thomas Carlyle Transcriber's Note: Italics in the text are indicated by the use of an underscore as delimiter, _thusly_. All footnotes have been collected at the end of the text, and numbered sequentially in brackets, [thusly]. One illustration has been omitted. The "pound" symbol has been replaced by the word "pounds". Otherwise, all spelling, punctuation, etc., have been left as in the printed text. Taken from volume 2 of Carlyle's Complete Works, which additionally contains the Latter-Day Pamphlets, to be provided as a separate etext. PART I. CHAPTER I. INTRODUCTORY. Near seven years ago, a short while before his death in 1844, John Sterling committed the care of his literary Character and printed Writings to two friends, Archdeacon Hare and myself. His estimate of the bequest was far from overweening; to
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Project Gutenberg's The Principles of Philosophy, by Rene Descartes #2 in our series by Rene Descartes Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before distributing this or any other Project Gutenberg file. We encourage you to keep this file, exactly as it is, on your own disk, thereby keeping an electronic path open for future readers. Please do not remove this. This header should be the first thing seen when anyone starts to view the etext. Do not change or edit it without written permission. The words are carefully chosen to provide users with the information they need to understand what they may and may not do with the etext. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *****These Etexts Are Prepared By Thousands of Volunteers!***** Information on contacting Project Gutenberg to get etexts, and further information, is included below. We need your donations. The Project Gutenberg Literary Archive Foundation is a 501(c)(3) organization with EIN [Employee Identification Number] 64-6221541 Title: The Principles of Philosophy Author: Rene Descartes Release Date: August, 2003 [Etext# 4391] [Yes, we are more than one year ahead of schedule] [This file was first posted on January 22, 2002] Edition: 10 Language: English Character set encoding: ASCII Project Gutenberg's The Principles of Philosophy, by Rene Descartes *******This file should be named 4391.txt or 4391.zip******* Produced by Steve Harris, Charles Franks and the Online Distributed Proofreading Team. Project Gutenberg Etexts are often created from several printed editions,
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The Project Gutenberg Etext of NEVER AGAIN! by Edward Carpenter Copyright laws are changing all over the world, be sure to check the laws for your country before redistributing these files!!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Please do not remove this. This should be the first thing seen when anyone opens the book. Do not change or edit it without written permission. The words are carefully chosen to provide users with the information they need about what they can legally do with the texts. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. Presently, contributions are only being solicited from people in: Texas, Nevada, Idaho, Montana, Wyoming, Colorado, South Dakota, Iowa, Indiana, and Vermont. As the requirements for other states are met, additions to this list will be made and fund raising will begin in the additional states. These donations should be made to: Project Gutenberg Literary Archive Foundation PMB 113 1739 University Ave. Oxford, MS 38655 Title: NEVER AGAIN Author: Edward Carpenter Release Date: December, 2001 [Etext #2990] [Yes, we are about one year ahead of schedule] Edition: 10 The Project Gutenberg Etext of NEVER AGAIN! by Edward Carpenter *****This file should be named 2990.txt or 2990.zip****** Scanned by Edward.W.Badger e-mail [email protected] OR e-mail [email protected] Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United States, unless a copyright notice is included. Therefore, we usually do NOT keep any of these books in compliance with any particular paper edition. We are now trying to release all our books one year in advance of the official release dates, leaving time for better editing. Please be encouraged to send us error messages even years after the official publication date. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. Most people start at our sites at: http://gutenberg.net http://promo.net/pg Those of you who want to download any Etext before announcement can surf to them as follows, and just download by date; this is also a good way to get them instantly upon announcement, as the indexes our cataloguers produce obviously take a while after an announcement goes out in the Project Gutenberg Newsletter. http://metalab.unc.edu/pub/docs/books/gutenberg/etext01 or ftp://metalab.unc.edu/pub/docs/books/gutenberg/etext01 Or /etext00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 Just search by the first five letters of the filename you want, as it appears in our Newsletters. Information about Project Gutenberg (one page) We produce about two million dollars for each hour we work. The time it takes us, a rather conservative estimate, is fifty hours to get any etext selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. This projected audience is one hundred million readers. If our value per text is nominally estimated at one dollar then we produce $2 million dollars per hour this year as we release fifty new Etext files per month, or 500 more Etexts in 2000 for a total of 3000+ If they reach just 1-2% of the world's population then the total should reach over 300 billion Etexts given away by year's end. The Goal of Project Gutenberg is to Give Away One Trillion Etext Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion] This is ten thousand titles each to one hundred million readers, which is only about 4% of the present number of computer users. At our revised rates of production
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THE GERMAN OCEAN ALONG THE NORFOLK COAST*** Transcribed from the 1844 Matchett, Stevenson, and Matchett edition by David Price, email [email protected] [Picture: Public domain book cover] [Picture: Eccles Church, the present state of the Beach at Happisburgh, Norfolk. C. Graf. Lith. to Her Majesty. D. Hodgson, delt.] AN ESSAY ON THE ENCROACHMENTS OF THE GERMAN OCEAN ALONG THE NORFOLK COAST, WITH A DESIGN TO ARREST ITS FURTHER DEPREDATIONS; DEDICATED TO THE RIGHT HONOURABLE THE LORDS COMMISSIONERS OF THE ADMIRALTY. * * * * * * * * * * By W. HEWITT, SURGEON. * * * * * * * * * * NORWICH: PRINTED FOR THE AUTHOR, BY MATCHETT, STEVENSON, AND MATCHETT, MARKET-PLACE. SOLD ALSO BY EDWARDS AND HUGHES, 12, AVE-MARIA-LANE, LONDON. 1844. DEDICATION. _To the Right Honourable the Lords Commissioners of the Admiralty_. MY LORDS AND GENTLEMEN, A communication with your Lordships in 1843, led me to infer that an Essay upon the interesting subject connected with the present inquiry, would be received with a degree of attention according to its merits, and the importance of the object connected with it. But should you, in your superior wisdom, perceive sufficient evidence has not been advanced to render it deserving
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Produced by Gardner Buchanan. HTML version by Al Haines. CHRONICLES OF CANADA Edited by George M. Wrong and H. H. Langton In thirty-two volumes Volume 2 THE MARINER OF ST MALO A Chronicle of the Voyages of Jacques Cartier By STEPHEN LEACOCK TORONTO, 1915 CONTENTS I EARLY LIFE II THE FIRST VOYAGE--NEWFOUNDLAND AND LABRADOR III THE FIRST VOYAGE--THE GULF OF ST LAWRENCE IV THE SECOND VOYAGE--THE ST LAWRENCE V THE SECOND VOYAGE--STADACONA VI THE SECOND VOYAGE--HOCHELAGA VII THE SECOND VOYAGE--WINTER AT STADACONA VIII THE THIRD VOYAGE IX THE CLOSE OF CARTIER'S CAREER ITINERARY OF CARTIER'S VOYAGES BIBLIOGRAPHIC NOTE CHAPTER I EARLY LIFE In the town hall of the seaport of St Malo there hangs a portrait of Jacques Cartier, the great sea-captain of that place, whose name is associated for all time with the proud title of 'Discoverer of Canada.' The picture is that of a bearded man in the prime of life, standing on the deck of a ship, his bent elbow resting upon the gunwale, his chin supported by his hand, while his eyes gaze outward upon the western ocean as if seeking to penetrate its mysteries. The face is firm and strong, with tight-set jaw, prominent brow, and the full, inquiring eye of the man accustomed both to think and to act. The costume marks the sea-captain of four centuries ago. A thick cloak, gathered by a belt at the waist, enwraps the stalwart figure. On his head is the tufted Breton cap familiar in the pictures of the days of the great navigators. At the waist, on the left side, hangs a sword, and, on the right, close to the belt, the dirk or poniard of the period. How like or unlike the features of Cartier this picture in the town hall may be, we have no means of telling. Painted probably in 1839, it has hung there for more than seventy years, and the record of the earlier prints or drawings from which its artist drew his inspiration no longer survives. We know, indeed, that an ancient map of the eastern coast of America, made some ten years after the first of Cartier's voyages, has pictured upon it a group of figures that represent the landing of the navigator and his followers among the Indians of Gaspe. It was the fashion of the time to attempt by such decorations to make maps vivid. Demons, deities, mythological figures and naked savages disported themselves along the borders of the maps and helped to decorate unexplored spaces of earth and ocean. Of this sort is the illustration on the map in question. But it is generally agreed that we have no right to identify Cartier with any of the figures in the scene, although the group as a whole undoubtedly typifies his landing upon the seacoast of Canada. There is rumour, also, that the National Library at Paris contains an old print of Cartier, who appears therein as a bearded man passing from the prime of life to its decline. The head is slightly bowed with the weight of years, and the face is wanting in that suggestion of unconquerable will which is the dominating feature of the portrait of St Malo. This is the picture that appears in the form of a medallion, or ring-shaped illustration, in more than one of the modern works upon the great adventurer. But here again we have no proofs of identity, for we know nothing of the origin of the portrait. Curiously enough an accidental discovery of recent years seems to confirm in some degree the genuineness of the St Malo portrait. There stood until the autumn of 1908, in the French-Canadian fishing village of Cap-des-Rosiers, near the mouth of the St Lawrence, a house of very ancient date. Precisely how old it was no one could say, but it was said to be the oldest existing habitation of the settlement. Ravaged by perhaps two centuries of wind and weather, the old house afforded but little shelter against the boisterous gales and the bitter cold of the rude climate of the Gulf. Its owner decided to tear it down, and in doing so he stumbled upon a startling discovery. He found a dummy window that, generations before, had evidently been built over and concealed. From the cavity thus disclosed he drew forth a large wooden medallion, about twenty inches across, with the portrait of a man carved in relief. Here again are the tufted hat, the bearded face, and
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Produced by Susan Skinner and the Online Distributed Proofreading Team at http://www.pgdp.net LONDON BY WALTER BESANT AUTHOR OF "ALL SORTS AND CONDITIONS OF MEN" "FIFTY YEARS AGO" ETC. _WITH ILLUSTRATIONS_ [Illustration] NEW YORK HARPER & BROTHERS, FRANKLIN SQUARE Copyright, 1892, by HARPER & BROTHERS. _All rights reserved._ PREFACE In the following chapters it has been my endeavor to present pictures of the City of London--instantaneous photographs, showing the streets, the buildings, and the citizens at work and at play. Above all, the citizens: with their daily life in the streets, in the shops, in the churches, and in the houses; the merchant in the quays and on 'Change; the shopkeeper of Cheapside; the priests and the monks and the friars; the shouting of those who sell; the laughter and singing of those who feast and drink; the ringing of the bells; the dragging of the criminal to the pillory; the Riding of the Lord Mayor and Aldermen; the river with its boats and barges; the cheerful sound of pipe and tabor; the stage with its tumblers and its rope-dancers; the 'prentices with their clubs; the evening dance in the streets. I want my pictures to show all these things. The history of London has been undertaken by many writers; the presentment of the city and the people from age to age has never yet, I believe, been attempted. The sources whence one derives the materials for such an attempt are, in the earlier stages, perfectly well known and accessible to all. Chaucer, Froissart, Lydgate, certain volumes of the "Early English Text Society," occur to everybody. But the richest mine, for him who digs after the daily life of the London citizen during the fourteenth and fifteenth centuries, is certainly Riley's great book of _Extracts from the City Records_. If there is any life or any reality in the three chapters of this book which treat of the Plantagenet period, it is certainly due to Riley. As regards the Tudor period, the wealth of illustration is astonishing. One might as well be writing of the city life of this day, so copious are the materials. But it is not to Shakespeare and the dramatists that we must look for the details so much as to the minor writers, the moralists and satirists, of whom the ordinary world knows nothing. The reign of Charles II. directs one to the Plague and to the Fire. I was fortunate in finding two tracts, one dealing with the plague of 1603, and the other with that of 1625. These, though they are earlier than Charles II., were invaluable, as illustrating the effect of the pestilence in causing an exodus of all who could get away, which took place as much in these earlier years as in 1666. Contemporary tracts on the state of London after the Fire, also happily discovered, proved useful. And when the Plague and the Fire had been dismissed, another extraordinary piece of good fortune put me in possession of certain household accounts which enabled me to present a bourgeois family of the period at home. Where there is so much to speak about, one must exercise care in selection. I have endeavored to avoid as much as possible those points which have already been presented. For instance, the growth of the municipality, the rise of the Guilds and the Companies, the laws of London, the relations of the City to the Sovereign and the State--these things belong to the continuous historian, not to him who draws a picture of a given time. In the latter case it is the effect of law, not its growth, which is important. Thus I have spoken of the pilgrimizing in the time of Henry II.; of the Mysteries of that time; things that belonged to the daily life; rather than to matters of policy, the stubborn tenacity of the City, or the changes that were coming over the conditions of existence and of trade. Again, in Plantagenet London one might have dwelt at length upon the action taken by London in successive civil wars. That, again, belongs to the historian. I have contented myself with sketching the churches and the monasteries, the palaces and the men-at-arms, the merchants and the workmen. Again, in the time of George II., the increase of trade, which then advanced by leaps and bounds, the widening of the world to London enterprise, the part which London took in the conquest of India and the ejection of France from North America belong to history. For my own part I have preferred to show the position, the influence, and the work of the Church at a time generally believed to be the deadest period in the whole history of the Church of England. This done, I have gone on to illustrate the day-by-day life of the citizens, with the prices of things, the management, and the appearance of the City. One thing remains to be said. Mr. Loftie, in his _History of London_ (Stadford), first gave the world a reconstruction of the ground--the _terrain_--of London and its environs before ever a house was erected or an acre cleared. The first chapter of this book--that on Roman London and After--is chiefly due to a study of this map, and to realizing what that map means when applied to the scanty records of Augusta. This map enabled me to recover the years which followed the retreat of the Romans. I cannot allow this chapter to be called a Theory
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Produced by Julia Miller, Sam W. and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) Transcriber's Note Words in {curly brackets} were abbreviated in the original text, and have been expanded for this etext. Greek is indicated with plus symbols, +like this+. THE ART OF NEEDLE-WORK, FROM THE EARLIEST AGES; INCLUDING SOME NOTICES OF THE ANCIENT HISTORICAL TAPESTRIES EDITED BY THE RIGHT HONOURABLE THE COUNTESS OF WILTON. "I WRITE THE NEEDLE'S PRAYSE." _THIRD EDITION._ LONDON: HENRY COLBURN, PUBLISHER, GREAT MARLBOROUGH STREET. 1841. TO HER MOST GRACIOUS MAJESTY THE QUEEN DOWAGER THIS LITTLE WORK, INTENDED TO ILLUSTRATE THE HISTORY AND PROGRESS OF AN ART ENNOBLED BY HER MAJESTY'S PRACTICE, AND BY HER EXAMPLE RECOMMENDED TO THE WOMEN OF ENGLAND, IS, BY HER MAJESTY'S MOST GRACIOUS PERMISSION, INSCRIBED, WITH THE UTMOST RESPECT, BY HER MAJESTY'S MOST GRATEFUL AND MOST OBEDIENT SERVANT, THE AUTHORESS. PREFACE. If there be one mechanical art of more universal application than all others, and therefore of more universal interest, it is that which is practised with the NEEDLE. From the stateliest denizen of the proudest palace, to the humblest dweller in the poorest cottage, all more or less ply the busy needle; from the crying infant of a span long and an hour's life, to the silent tenant of "the narrow house," all need its practical services. Yet have the NEEDLE and its beautiful and useful creations hitherto remained without their due meed of praise and record, either in sober prose or sounding rhyme,--while their glittering antithesis, the scathing and destroying sword, has been the theme of admiring and exulting record, without limit and without end! The progress of real civilization is rapidly putting an end to this false _prestige_ in favour of the "Destructive" weapon, and as rapidly raising the "Conservative" one in public estimation; and the time seems at length arrived when that triumph of female ingenuity and industry, "THE ART OF NEEDLEWORK" may be treated as a fitting subject of historical and social record--fitting at least for a female hand. The chief aim of this volume is that of affording a comprehensive record of the most noticeable facts, and an entertaining and instructive gathering together of the most curious and pleasing associations, connected with "THE ART OF NEEDLEWORK," from the earliest ages to the present day; avoiding entirely the dry technicalities of the art, yet furnishing an acceptable accessory to every work-table--a fitting tenant of every boudoir. The Authoress thinks thus much necessary in explanation of the objects of a work on what may be called a maiden topic, and she trusts that that leniency in criticism which is usually accorded to the adventurer on an unexplored track will not be withheld from her. CONTENTS. CHAPTER I. Page Introductory 1 CHAPTER II. Early Needlework 11 CHAPTER III. Needlework of the Tabernacle 23 CHAPTER IV. Needlework of the Egyptians 32 CHAPTER V. Needlework of the Greeks and Romans 41 CHAPTER VI. The Dark Ages.--"Shee-Schools" 56 CHAPTER VII. Needlework of the Dark Ages 64 CHAPTER VIII. The Bayeux Tapestry.--Part I. 84 CHAPTER IX. The Bayeux Tapestry.--Part II. 103 CHAPTER X. Needlework of the Times of Romance and Chivalry 117 CHAPTER XI. Tapestry 148 CHAPTER XII. Romances worked in Tapestry 165 CHAPTER XIII. Needlework in Costume.--Part I. 186 CHAPTER XIV. Needlework in Costume.--Part II. 209 CHAPTER XV. "The Field of the Cloth of Gold" 231 CHAPTER XVI. The Needle 252 CHAPTER XVII. Tapestry from the Cartoons 273 CHAPTER XVIII. The Days of "Good Queen Bess" 282 CHAPTER XIX. The Tapestry of the Spanish Armada; better known as the Tapestry of the House of Lords 301 CHAPTER XX. On Stitchery 312 CHAPTER XXI. "Les Anciennes Tapisseries." Tapestry of St. Mary Hall, Coventry. Tapestry of Hampton Court 329 CHAPTER XXII. Embroidery 342 CHAPTER XXIII. Needlework on Books 355 CHAPTER XXIV. Needlework of Royal Ladies 374 CHAPTER XXV. Modern Needlework 395 THE ART OF NEEDLEWORK. INTRODUCTION. CHAPTER I. "Le donne son venute in eccellenza Di ciascun'arte, ove hanno posto cura; E qualunque all'istorie abbia avvertenza, Ne sente ancor la fama non oscura. * * * * * E forse ascosi han lor debiti onori L'invidia, o il non saper degli scrittori." Ariosto. In all ages woman may lament the ungallant silence of the historian. His pen is the record of sterner actions than are usually the vocation of the gentler sex, and it is only when fair individuals have been by extraneous circumstances thrown out, as it were, on the canvas of human affairs--when they have been forced into a publicity little consistent with their natural sphere--that they have become his theme. Consequently those domestic virtues which are woman's greatest pride, those retiring characteristics which are her most becoming ornament, those gentle occupations which are her best employment, find no record on pages whose chief aim and end is the blazoning of manly heroism, of royal disputations
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Produced by David Edwards, Cathy Maxam, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) COMPARATIVE STUDIES IN NURSERY RHYMES COMPARATIVE STUDIES IN NURSERY RHYMES BY LINA ECKENSTEIN AUTHOR OF "WOMAN UNDER MONASTICISM" _There were more things in Mrs. Gurton's eye, Mayhap, than are dreamed of in our philosophy_ C. S. CALVERLEY [Illustration] LONDON DUCKWORTH & CO. 3 HENRIETTA STREET, COVENT GARDEN 1906 TO THE GENTLE READER The walls of the temple of King Sety at Abydos in Upper Egypt are decorated with sculptured scenes which represent the cult of the gods and the offerings brought to them. In a side chapel there is depicted the following curious scene. A dead figure lies extended on a bier; sorrowing hawks surround him; a flying hawk reaches down a seal amulet from above. Had I succeeded in procuring a picture of the scene, it would stand reproduced here; for the figure and his mourners recalled the quaint little woodcut of a toy-book which told the tale of the Death and Burial of Cock Robin. The sculptures of Sety date from the fourteenth century before Christ; the knell of the robin can be traced back no further than the middle of the eighteenth century A.D. Can the space that lies between be bridged over, and the conception of the dead robin be linked on to that of the dead hawk? However that may be, the sight of the sculptured scene strengthened my resolve to place some of the coincidences of comparative nursery lore before the gentle reader. It lies with him to decide whether the wares are such as to make a further instalment desirable. _23 September, 1906._ CONTENTS CHAPTER PAGE I. FIRST APPEARANCE OF RHYMES IN PRINT 1 II. EARLY REFERENCES 13 III. RHYMES AND POPULAR SONGS 23 IV. RHYMES IN TOY-BOOKS 36 V. RHYMES AND BALLADS 45 VI. RHYMES AND COUNTRY DANCES 57 VII. THE GAME OF "SALLY WATERS" 67 VIII. "THE LADY OF THE LAND" 78 IX. CUSTOM RHYMES 89 X. RIDDLE-RHYMES 104 XI. CUMULATIVE PIECES 115 XII. CHANTS OF NUMBERS 134 XIII. CHANTS OF THE CREED 143 XIV. HEATHEN CHANTS OF THE CREED 152 XV. SACRIFICIAL HUNTING 171 XVI. BIRD SACRIFICE 185 XVII. THE ROBIN AND THE WREN 200 XVIII. CONCLUDING REMARKS 215 LIST OF FOREIGN COLLECTIONS 221 ALPHABETICAL INDEX 223 _... To my gaze the phantoms of the Past, The cherished fictions of my boyhood, rise:_ * * * * * _The House that Jack built--and the Malt that lay Within the House--the Rat that ate the Malt-- The Cat, that in that sanguinary way Punished the poor thing for its venial fault-- The Worrier-Dog--the Cow with crumpled horn-- And then--ah yes! and then--the Maiden all forlorn!_ _O Mrs. Gurton--(may I call thee Gammer?) Thou more than mother to my infant mind! I loved thee better than I loved my grammar-- I used to wonder why the Mice were blind, And who was gardener to Mistress Mary, And what--I don't know still--was meant by "quite contrary."_ C. S. C. The dates that stand after the separate rhymes refer to the list of English collections on p. 11; the capital letters in brackets refer to the list of books on p. 221. COMPARATIVE STUDIES IN NURSERY RHYMES CHAPTER I FIRST APPEARANCE OF RHYMES IN PRINT The study of folk-lore has given a new interest to much that seemed insignificant and trivial. Among the unheeded possessions of the past that have gained a fresh value are nursery rhymes. A nursery rhyme I take to be a rhyme that was passed on by word of mouth and taught to children before it was set down in writing and put into print. The use of the term in this application goes back to the early part of the nineteenth century. In 1834 John Gawler,
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Produced by Annie R. McGuire [Illustration: HARPER'S YOUNG PEOPLE AN ILLUSTRATED WEEKLY.] * * * * * VOL. II.--NO. 70. PUBLISHED BY HARPER & BROTHERS, NEW YORK. PRICE FOUR CENTS. Tuesday, March 1, 1881. Copyright, 1881, by HARPER & BROTHERS. $1.50 per Year, in Advance. * * * * * [Illustration: THE BOY TIMOTHY.--[SEE NEXT PAGE.]] TIMOTHY. BY BISHOP T. U. DUDLEY. In a little town called Lystra, in Asia Minor, a multitude is gathered in the market-place. Two strangers are the attraction, who have strange tidings to tell. Their story is of one Jesus, a King, who, they say, was born in Judea some fifty years before. They tell of marvellous deeds of mercy which He wrought, and of words as marvellous and as merciful that He spake. They tell that He died on a cross, but that, King of Death, He came back from the grave at His own appointed time. They declare that He did visibly ascend into heaven, and now sitteth there to pardon and to bless all who will believe on Him. And even while the crowd is listening to the words of the chief speaker, whose name is Paul, he looks fixedly upon a poor lame man, a <DW36> from his birth, who is among his auditors, and cries with a loud voice, "Stand upright on thy feet." Instantly the command is obeyed, and the life-time <DW36> leaps and walks. Respectful attention straightway became enthusiasm. The market-place resounds with the shout, "The gods are come down to us in the likeness of men," and the priest who serves in Jupiter's Temple hastens with oxen and garlands to do sacrifice to the miracle-workers, despite their earnest remonstrance that they are but sinful men, come to tell them of the one living God. But quickly there is interruption as effective as sudden from other strangers of the same distant nation, whose words persuade the fickle populace, and in a little while Paul is being dragged out of the city to all appearance dead. They have stoned the man to whom just now they would do sacrifice! Among the listeners to the gospel Paul had preached, among the wondering spectators of the lame man's healing, among the on-lookers at the deed of violence, stands a boy, generous and warm-hearted, weeping manly tears over that which is done. His name is Timothy, and of him, as he sits there that day in his native town, his heart all aglow with the new hopes whereof he has heard, and his spirit all aflame with admiration for undaunted courage, and with pity for the innocent sufferer, our artist has given us the portrait. The Sacred Scriptures, which he has known from a child, have gained new meaning. He is reading the ancient writings with the new light which Paul has thrown upon them--the light from the open grave of Jesus. He is the child from a mixed marriage, his mother a Jewess, but his father a Greek, and therefore he is but ill esteemed by the Hebrews who dwell in his town. The records of his life make no mention of his father, and from this fact it has been inferred that he died while Timothy was yet an infant. And we are plainly told that his education was all given by his mother, Eunice, and his grandmother, Lois, and that "from a child he knew the Holy Scriptures." The face which the artist has drawn will represent to us what we should expect to be the appearance of a boy thus brought up, and the character which we judge him to have possessed, from the warnings and the advice given to him by his master and teacher, Paul. His piety, while sincere and intense, is yet of a feminine cast; his constitution is far from robust; he shrinks from opposition and responsibility; his tears lie close to their outlet, and are ready to flow and hide the suffering object; he will subject his body to denial greater than its strength will bear, and as the natural counterpart of these characteristics, he is in danger of being carried away by "youthful lusts." Such is Timothy when, after seven years have passed away, and the boy is grown to be a man, Paul, returning to Lystra to confirm and comfort the Christians there, will have him to be the companion of his journeyings and the best-loved friend of his heart. There is not space in this article to recite the events of the career that followed. Let each of our boy readers
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Produced by Larry B. Harrison, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) IN INDIAN TENTS IN INDIAN TENTS Stories TOLD BY PENOBSCOT, PASSAMAQUODDY AND MICMAC INDIANS TO ABBY L. ALGER [Illustration: colophon] BOSTON ROBERTS BROTHERS 1897 _Copyright, 1897_, BY ROBERTS BROTHERS. University Press: JOHN WILSON AND SON, CAMBRIDGE, U.S.A. This Book IS AFFECTIONATELY INSCRIBED TO CHARLES GODFREY LELAND, TO WHOSE INSPIRATION IT OWES ITS ORIGIN. PREFACE In the summer of 1882 and 1883, I was associated with Charles G. Leland in the collection of the material for his book “The Algonquin Legends of New England,” published by Houghton and Mifflin in 1884. I found the work so delightful, that I have gone on with it since, whenever I found myself in the neighborhood of Indians. The supply of legends and tales seems to be endless, one supplementing and completing another, so that there may be a dozen versions of one tale, each containing something new. I have tried, in this little book, in every case, to bring these various versions into a single whole; though I scarcely hope to give my readers the pleasure which I found in hearing them from the Indian story-tellers. Only the very old men and women remember these stories now; and though they know that their legends will soon be buried with them, and forgotten, it is no easy task to induce them to repeat them. One may make half-a-dozen visits, tell his own best stories, and exert all his arts of persuasion in vain, then stroll hopelessly by some day, to be called in to hear some marvellous bit of folk-lore. These old people have firm faith in the witches, fairies, and giants of whom they tell; and any trace of amusement or incredulity would meet with quick indignation and reserve. Two of these stories have been printed in Appleton’s “Popular Science Monthly,” and are in the English Magazine “Folk-Lore.” I am under the deepest obligation to my friend, Mrs. Wallace Brown, of Calais, Maine, who has generously contributed a number of stories from her own collection. The woman whose likeness appears on the cover of this book was a famous story-teller, one of the few nearly pure-blooded Indians in the Passamaquoddy tribe. She was over eighty-seven when this picture was taken. CONTENTS PAGE THE CREATION 11 GRANDFATHER THUNDER 15 THE FIGHT OF THE WITCHES 19 ŪLISKE 30 STORY OF WĀLŪT 34 OLD SNOWBALL 44 ĀL-WŪS-KI-NI-GESS, THE SPIRIT OF THE WOODS 51 M’TĒŪLIN, THE GREAT WITCH 53 SUMMER 57 THE BUILDING OF THE BOATS 61 THE MERMAN 66 STORY OF STURGEON 72 GRANDFATHER KIAWĀKQ’ 77 OLD GOVERNOR JOHN 81 K’CHĪ GESS’N, THE NORTHWEST WIND 84 BIG BELLY 95 CHĪBALOCH, THE SPIRIT OF THE AIR 99 STORY OF TEAM, THE MOOSE 101 THE SNAKE AND THE PORCUPINE 106 WHY THE RABBIT’S NOSE IS SPLIT 108 STORY OF THE SQUIRREL 111 WAWBĀBAN, THE NORTHERN LIGHTS 130 THE WOOD WORM’S STORY, SHOWING WHY THE RAVEN’S FEATHERS ARE BLACK 134 IN INDIAN TENTS THE CREATION In the beginning God made Adam out of the earth, but he did not make Glūs-kābé (the Indian God). Glūs-kābé made himself out of the dirt that was kicked up in the creation of Adam. He rose and walked about, but he could not speak until the Lord opened his lips. God made the earth and the sea, and then he took counsel with Glūs-kābé concerning them. He asked
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Produced by Dagny, and David Widger. HTML version by Al Haines. THE THREE CITIES PARIS BY EMILE ZOLA TRANSLATED BY ERNEST A. VIZETELLY BOOK V I THE GUILLOTINE FOR some reason of his own Guillaume was bent upon witnessing the execution of Salvat. Pierre tried to dissuade him from doing so; and finding his efforts vain, became somewhat anxious. He accordingly resolved to spend the night at Montmartre, accompany his brother and watch over him. In former times, when engaged with Abbe Rose in charitable work in the Charonne district, he had learnt that the guillotine could be seen from the house where Mege, the Socialist deputy, resided at the corner of the Rue Merlin. He therefore offered himself as a guide. As the execution was to take place as soon as it should legally be daybreak, that is, about half-past four o'clock, the brothers did not go to bed but sat up in the workroom, feeling somewhat drowsy, and exchanging few words. Then as soon as two o'clock struck, they started off. The night was beautifully serene and clear. The full moon, shining like a silver lamp in the cloudless, far-stretching heavens, threw a calm, dreamy light over the vague immensity of Paris, which was like some spell-bound city of sleep, so overcome by fatigue that not a murmur arose from it. It was as if beneath the soft radiance which spread over its roofs, its panting labour and its cries of suffering were lulled to repose until the dawn. Yet, in a far, out of the way district, dark work was even now progressing, a knife was being raised on high in order that
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Produced by David Clarke, Meredith Bach and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE PANCHRONICON THE PANCHRONICON BY HAROLD STEELE MACKAYE NEW YORK CHARLES SCRIBNER'S SONS 1904 COPYRIGHT, 1904, BY CHARLES SCRIBNER'S SONS Published, April, 1904 CONTENTS CHAPTER PAGE I. THE THEORY OF COPERNICUS DROOP 1 II. A VISIT TO THE PANCHRONICON 23 III. A NOCTURNAL EVASION 38 IV. A CHANGE OF PLAN 58 V. DROOP'S THEORY IN PRACTICE 86 VI. SHIP
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THOMPSON*** E-text prepared by Matt Whittaker, Suzanne Shell, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) ********************************************************************** * Transcriber's Note: * * * * Obvious typographical errors were corrected and the use of hyphens * * was made consistent throughout. All other spelling and punctuation * * was retained as it appeared in the original text. * ********************************************************************** MY LIFE: Or The Adventures of Geo. Thompson. Being the Auto-Biography of an Author. Written by Himself. Why rove in _Fiction's_ shadowy land, And seek for treasures there, When _Truth's_ domain, so near at hand, Is filled with things most rare-- When every day brings something new, Some great, stupendous change, Something exciting, wild and _true_, Most wonderful and strange! [ORIGINAL.] {First published 1854} [Illustration: Yellow Cover of Thompson's _My Life_. Original size 6 x 9-1/8". Courtesy, American Antiquarian Society.] INTRODUCTION _In which the author defineth his position._ It having become the fashion of distinguished novelists to write their own lives--or, in other words, to blow their own trumpets,--the author of these pages is induced, at the solicitation of numerous friends, whose bumps of inquisitiveness are strongly developed, to present his auto-biography to the public--in so doing which, he but follows the example of Alexandre Dumas, the brilliant French novelist, and of the world-renowned Dickens, both of whom are understood to be preparing their personal histories for the press. Now, in comparing myself with the above great worthies, who are so deservedly distinguished in the world of literature, I shall be accused of unpardonable presumption and ridiculous egotism--but I care not what may be said of me, inasmuch as a total independence of the opinions, feelings and prejudices of the world, has always been a prominent characteristic of mine--and that portion of the world and the "rest of mankind" which does not like me, has my full permission to go to the devil as soon as it can make all the necessary arrangements for the journey. I shall be true and candid, in these pages. I shall not seek to conceal one of my numerous faults which I acknowledge and deplore; and, if I imagine that I possess one solitary merit, I shall not be backward in making that merit known. Those who know me personally, will never accuse me of entertaining one single atom of that despicable quality, self-conceit; those who do not know me, are at liberty to think what they please.--Heaven knows that had I possessed a higher estimation of myself, a more complete reliance upon my own powers, and some of that universal commodity known as "cheek," I should at this present moment have been far better off in fame and fortune. But I have been unobtrusive, unambitious, retiring--and my friends have blamed me for this a thousand times. I have seen writers of no talent at all--petty scribblers, wasters of ink and spoilers of paper, who could not write six consecutive lines of English grammar, and whose short paragraphs for the newspapers invariably had to undergo revision and correction--I have seen such fellows causing themselves to be invited to public banquets and other festivals, and forcing their unwelcome presence into the society of the most distinguished men of the day. I have spoken of my friends--now a word or two in regard to my enemies. Like most men who have figured before the public, in whatever capacity, I have secured the hatred of many persons, who, jealous of my humble fame, have lost no opportunity of spitting out their malice and opposing my progress. The friendship of such persons is a misfortune--their enmity is a blessing. I assure them that their hatred will never cause me to lose a fraction of my appetite, or my nightly rest. They may consider themselves very fortunate, if, in the following pages, they do not find themselves immortalized by my notice, although they are certainly unworthy of so great a distinction. I enjoy the friendship of men of letters, and am therefore not to be put down by the opposition of a parcel of senseless blockheads, without brain, or heart, or soul. I shall doubtless find it necessary to make allusions to local places, persons, incidents, &c. Those will add greatly to the interest of the narrative. Many portraits will be readily recognized, especially those whose originals reside in Boston, where the greater portion of my literary career has been passed. _
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Produced by Donald Cummings and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: THE CAR POISED FOR AN INSTANT, THE FRONT WHEELS ON THE VERY BRINK.] THE MOTOR BOYS ON ROAD AND RIVER Or Racing To Save a Life BY CLARENCE YOUNG AUTHOR OF “THE MOTOR BOYS,” “THE MOTOR BOYS UNDER THE SEA,” “THE RACER BOYS SERIES,” “THE JACK RANGER SERIES,” ETC. ILLUSTRATED NEW YORK CUPPLES & LEON COMPANY BOOKS BY CLARENCE YOUNG =THE MOTOR BOYS SERIES= 12mo. Illustrated. THE MOTOR BOYS THE MOTOR BOYS OVERLAND THE MOTOR BOYS IN MEXICO THE MOTOR BOYS ACROSS THE PL
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Produced by the Online Distributed Proofreading Team at http://www.pgdp.net. This file was produced from images generously made available by The Internet Archive (http://archive.org). SOME ZULU CUSTOMS AND FOLK-LORE BY L. H. SAMUELSON (NOMLETI) LONDON THE CHURCH PRINTING COMPANY BURLEIGH STREET, STRAND, W.C. PREFACE It is hoped that the following short stories, which the writer has endeavoured to tell in the simplest language, will give some idea of the inner feelings and belief of a people whose individuality is, despite the number of years we have been in contact with them, little known to the large majority of us. Even among those well versed in the language and the practical or legal customs of the natives, there are few who are acquainted with the undercurrents of thought, and the many traditions and superstitions, which are accepted without question by the Zulus, and which form an essential part of the mental life of all among them who have not had their ideas modified to some extent by European teaching, and which continue to have a strong hold upon the larger number even of those who have had the advantages of some kind of education at the hands of the missionaries and other teachers. The common estimate of the African native is that he is a being with no ideas above his cattle and his physical wants; but a more intimate acquaintance with their life, such as the writer had from being amongst them for many years at her father's mission station in Zululand, will reveal that the native has an ideal life of his own. This, it is true, is in many instances of a crude and savage character; yet it rises a little, if only a little, above what is "of the earth, earthly," and, though it may possibly provoke a smile on account of its crudeness or simplicity, it will at times strike a chord of sympathy as a touch of nature--as an aspiration, however feeble, to penetrate beyond the veil which hides the unseen world from human eyes. Those who have made the folklore of savage or half-civilized peoples their study cannot fail to be struck with the strange analogy between some of the superstitions of the Zulus and those of many other nations. Vague and undefined as some of their native ideas are, there is still a belief in the existence of a spirit world around them by which their lives are affected, and a groping after a knowledge of influences beyond human power, which direct the destinies of mortal man, and of mysterious forces which can be brought into play by men peculiarly gifted. In their custom of sacrificing to the spirits, to induce them to restore the health of a patient, and their belief in the powers of wizards, we find them under the thraldom of the same superstitions which have become familiar to us in so many and such diverse directions--from the ancient Greeks to the modern spiritualists--and which have at times played so great a part in the history of the world. Their belief in the "spirits of their fathers" watching over them is similar to the idea underlying Chinese ancestral worship, and the wizard's powers of killing or injuring do not differ in essentials from the so-called spirit healing of enlightened America or the working of the "evil eye" still believed in by the ignorant among the peasantry of Italy. If, therefore, in reading of the Zulu superstitions we are provoked at times to smile, it must be rather at the form than at the substance. The superstitions are the same that have ever existed, and that, despite all our advancement, still find adherents among civilized communities, though among these they are expressed in more delicate language and acted upon in less savage ways. With the large mass of Europeans such superstitions, thanks to modern enlightenment, are taken at their true value; but so long as there are among ourselves people who believe in planchettes, we cannot quite afford to look with supercilious contempt upon the African who believes in wizards. And there is one point of view in which a knowledge of what he believes is of material importance. To him, these superstitions are realities. He
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Produced by Avinash Kothare, Tom Allen, Charles Franks and the Online Distributed Proofreading Team. THE WINDS OF THE WORLD By TALBOT MUNDY THE WINDS OF THE WORLD Ever the Winds of the World fare forth (Oh, listen ye! Ah, listen ye!), East and West, and South and North, Shuttles weaving back and forth Amid the warp! (Oh, listen ye!) Can sightless touch--can vision keen Hunt where the Winds of the World have been And searching, learn what rumors mean? (Nay, ye who are wise! Nay, listen ye!) When tracks are crossed and scent is stale, 'Tis fools who shout--the fast who fail! But wise men harken-Listen ye! YASMINI'S SONG. CHAPTER I A watery July sun was hurrying toward a Punjab sky-line, as if weary of squandering his strength on men who did not mind, and resentful of the unexplainable--a rainy-weather field-day. The cold steel and khaki of native Indian cavalry at attention gleamed motionless between British infantry and two batteries of horse artillery. The only noticeable sound was the voice of a general officer, that rose and fell explaining and asserting pride in his command, but saying nothing as to the why of exercises in the mud. Nor did he mention why the censorship was in full force. He did not say a word of Germany, or Belgium. In front of the third squadron from the right, Risaldar-Major Ranjoor Singh sat his charger like a big bronze statue. He would have stooped to see his right spur better, that shone in spite of mud, for though he has been a man these five-and-twenty years, Ranjoor Singh has neither lost his boyhood love of such things, nor intends to; he has been accused of wearing solid silver spurs in bed. But it hurt him to bend much, after a day's hard exercise on a horse such as he rode. Once--in a rock-strewn gully where the whistling Himalayan wind was Acting Antiseptic-of-the-Day--a young surgeon had taken hurried stitches over Ranjoor Singh's ribs without probing deep enough for an Afghan bullet; that bullet burned after a long day in the saddle. And Bagh was--as the big brute's name implied--a tiger of a horse, unweakened even by monsoon weather, and his habit was to spring with terrific suddenness when his rider moved on him. So Ranjoor Singh sat still. He was willing to eat agony at any time for the squadron's sake--for a squadron of Outram's Own is a unity to marvel at, or envy; and its leader a man to be forgiven spurs a half-inch longer than the regulation. As a soldier, however, he was careful of himself when occasion offered. Sikh-soldier-wise, he preferred Bagh to all other horses in the world, because it had needed persuasion, much stroking of a black beard--to hide anxiety--and many a secret night-ride--to sweat the brute's savagery--before the colonel-sahib could be made to see his virtues as a charger and accept him into the regiment. Sikh-wise, he loved all things that expressed in any way his own unconquerable fire. Most of all, however, he loved the squadron; there was no woman, nor anything between him and D Squadron; but Bagh came next. Spurs were not needed when the general ceased speaking, and the British colonel of Outram's Own shouted an order. Bagh, brute energy beneath hand-polished hair and plastered dirt, sprang like a loosed Hell-tantrum, and his rider's lips drew tight over clenched teeth as he mastered self, agony and horse in one man's effort. Fight how he would, heel, tooth and eye all flashing, Bagh was forced to hold his rightful place in front of the squadron, precisely the right distance behind the last supernumerary of the squadron next in front. Line after rippling line, all Sikhs of the true Sikh baptism except for the eight of their officers who were European, Outram's Own swept down a living avenue of British troops; and neither gunners nor infantry could see one flaw in them, although picking flaws in native regiments is almost part of the British army officer's religion. To the blare of military music, through a bog of their own mixing, the Sikhs trotted for a mile, then drew into a walk, to bring the horses into barracks cool enough for watering. They reached stables as the sun dipped under the near-by acacia trees, and while the black-bearded troopers scraped and rubbed the mud from weary horses, Ban
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Produced by Credits line so far: Punch, or the London Charivari, Lisa Tang, Malcolm Farmer and the Online Distributed Proofreading Team at http://www.pgdp.net PUNCH, OR THE LONDON CHARIVARI Volume 93, October 8th 1887 _edited by Sir Francis Burnand_ [Illustration: OUR AMERICAN COUSIN AGAIN TO THE FRONT.] * * * * * THE BATTLE OF THE WAY. _A Lay of Lake-land._ "Now, Lake-men, claim your right of way, and see the business done, Come with your crowbar, spade, and pick;--and sure the battle's won, For bolts and bars show SPEDDING'S race that you don't care a fig, And prove that right's no match for might when rallied round Latrigg." So shouted ROUTH-FITZPATRICK, and Lake-men with a cheer, To Fawe Park Gates from Keswick's peaceful <DW72>s were drawing near, When high upon the topmost wall as if to break the spell, There uprose the Solicitor of Mrs. SPENCER BELL. He spoke and as his voice he raised his arms he waved around, "Beware," he cried, "what you're about, for this is private ground. With sundry pains and penalties you'll surely be repaid, Who dare to-day set hand to move this lawful barricade!" But ROUTH-FITZPATRICK heeded not his protest, nor replied; So Mrs. BELL'S Solicitor, he promptly stood aside, And watched the next proceedings with a disapproving frown, For up went crow-bar, pick, and axe, and gate and bar went down. Yes, 'neath the sturdy Lake-men's blows the barriers gave way, And lo! in rushed the joyous thronging crowd without delay; And some on foot, and some in drags, and some in waggons stowed, Held on their way triumphantly down the disputed road. So onward towards Silver Hill advanced the active host, And cleared each wire fence away, and levelled every post; And when with crowbar, pick, and axe, they'd made their purpose plain, To Nichol Ending they returned in triumph once again. Then Secretary JENKINSON uprose and spoke a word, And said how by the sights that day his manly breast was stirred, And how that, if on Saturday as they had now begun They held their own, they might regard the fight already won. And then a telegram from Mr. PLIMSOLL he read out, The which the Lake-men greeted with a hearty answering shout; And Mrs. BELL'S Solicitor retired from the field, But with an ugly look that seemed to say, "We'll never yield!" And so commenced the fray that day, and though we know, of course, As everybody tells us, there's no remedy in force, Still, if the Lake-men's pick and axe this matter sets at rest, We must admit how ills to cure at Keswick they know best. But which side wins or loses in the still impending fight, Whether force of public freedom, or trick of legal right, The eager world on-looking may have watched a deadlier fray, But none more keen in contest than the Battle of the Way! * * * * * PARNELLITE PROVERB (_applied to the Baleful Balfour_).--Give him an inch (of law) and he'll take a (National) League. * * * * * THE MORNING'S REFLECTIONS. SCENE--_Breakfast-table of an Illustrious Statesman of stalwart proportions and "Gladstonian" politics. Illustrious Statesman discovered, admiringly perusing three closely-printed columns of leading Morning Paper._ [Illustration] _I. S._ (_soliloquising_). Hah! Really reads very well, _very_ well indeed. Points neatly put, hits smartly delivered! They shan't call me the "Champion Slugger" for nothing. American pugilist, named SULLIVAN, original bearer of that honorific title, I believe. Should like to see SULLIVAN. A fellow-feeling makes us wondrous--curious. _Not_ kind, always, or JOSEPH and WILLIAM--but no matter. Hm--m--m! Hm--m--m--m! Excellent! Sparklers calculated to illuminate Lewes, startle Sussex, electrify the country. Slugging and sparkling my specialities. One or two decent speakers about; "our distinguished leader" can--distinguish, at great length and with considerable verbosi--I mean eloquence. RANDOLPH can rattle, and MORLEY can pound, and ROSEBERY twitter pleasantly. But they can't coruscate _and_ crush. The power of the bolt, which at once shines and smashes, is Jovian--not Rhodian, as DIZZY once nastily suggested. "My thunder," and I'm proud of it. By the way, wonder what the _other_ "Thunderer" thinks of it. Touches a tender chord, the chord of memory. Lost chord now, indeed. But no matter, let's see. [_Turns paper._ Hm--m--m! Hm--m--m--m! Hah! _Too_ bad! "His bludgeon, or
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Produced by Charles Bowen, from page scans provided by Google Books (the University of California) Transcriber's Notes: 1. Page scan source: http://books.google.com/books?id=OmcpAQAAIAAJ (the University of California) 2. The letter "a" with a macron above is represented by [=a]. IN THE PERMANENT WAY In the Permanent Way BY FLORA ANNIE STEEL AUTHOR OF "ON THE FACE OF THE WATERS," ETC. New York THE MACMILLAN COMPANY LONDON: MACMILLAN & CO., Ltd. 1897 _All rights reserved_ Copyright, 1897, By THE MACMILLAN COMPANY. * * * Set up and electrotyped, October, 1897. Reprinted November, 1897. Norwood Press J. S. Cushing & Co.--Berwick & Smith Norwood Mass. U.S.A. CONTENTS Shub'rat. In the Permanent Way. On the Second Story. Glory-of-Woman. At the Great Durbar. The Blue-throated God. A Tourist Ticket. The King's Well. Uma Himavutee. Young Lochinvar. A Bit of Land. The Sorrowful Hour. A Danger Signal. Amor Vincit Omnia. The Wings of a Dove. The Swimmers. The Fakeer's Drum. At Her Beck and Call. Music Hath Charms. SHUB'RAT I The church
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Produced by Jonathan Ingram, Tony Towers and PG Distributed Proofreaders THE EUROPEAN ANARCHY By G. Lowes Dickinson 1916 CONTENTS 1. INTRODUCTION Europe since the Fifteenth Century--Machiavellianism--Empire and the Balance of Power 2. THE TRIPLE ALLIANCE AND THE ENTENTE Belgian Dispatches of 1905-14. 3. GREAT BRITAIN The Policy of Great Britain--Essentially an Overseas Power 4. FRANCE The Policy of France since 1870--Peace and Imperialism--Conflicting Elements 5. RUSSIA The Policy of Russia--Especially towards Austria 6. AUSTRIA-HUNGARY The Policy of Austria-Hungary--Especially towards the Balkans 7. GERMANY The Policy of Germany--From 1866 to the Decade 1890-1900--A Change 8. OPINION IN GERMANY German "Romanticism"--New Ambitions. 9. OPINION ABOUT GERMANY Bourdon--Beyens--Cambon--Summary 10. GERMAN POLICY FROM THE DECADE 1890-1900 Relation to Great Britain--The Navy. 11. VAIN ATTEMPTS AT HARMONY Great Britain's Efforts for Arbitration--Mutual Suspicion 12. EUROPE SINCE THE DECADE 1890-1900 13. GERMANY AND TURKEY The Bagdad Railway 14. AUSTRIA AND THE BALKANS 15. MOROCCO 16. THE LAST YEARS Before the War--The Outbreak of War 17. THE RESPONSIBILITY AND THE MORAL The Pursuit of Power and Wealth 18. THE SETTLEMENT 19. THE CHANGE NEEDED Change of Outlook and Change of System--An International League--International Law and Control THE EUROPEAN ANARCHY 1. _Introduction_. In the great and tragic history of Europe there is a turning-point that marks the defeat of the ideal of a world-order and the definite acceptance of international anarchy. That turning-point is the emergence of the sovereign State at the end of the fifteenth century. And it is symbolical of all that was to follow that at that point stands, looking down the vista of the centuries, the brilliant and sinister figure of Machiavelli. From that date onwards international policy has meant Machiavellianism. Sometimes the masters of the craft, like Catherine de Medici or Napoleon, have avowed it; sometimes, like Frederick the Great, they have disclaimed it. But always they have practised it. They could not, indeed, practise anything else. For it is as true of an aggregation of States as of an aggregation of individuals that, whatever moral sentiments may prevail, if there is no common law and no common force the best intentions will be defeated by lack of confidence and security. Mutual fear and mutual suspicion, aggression masquerading as defence and defence masquerading as aggression, will be the protagonists in the bloody drama; and there will be, what Hobbes truly asserted to be the essence of such a situation, a chronic state of war, open or veiled. For peace itself will be a latent war; and the more the States arm to prevent a conflict the more certainly will it be provoked, since to one or another it will always seem a better chance to have it now than to have it on worse conditions later. Some one State at any moment may be the immediate offender; but the main and permanent offence is common to all States. It is the anarchy which they are all responsible for perpetuating. While this anarchy continues the struggle between States will tend to assume a certain stereotyped form. One will endeavour to acquire supremacy over the others for motives at once of security and of domination, the others will combine to defeat it, and history will turn upon the two poles of empire and the balance of power. So it has been in Europe, and so it will continue to be, until either empire is achieved, as once it was achieved by Rome, or a common law and a common authority is established by agreement. In the past empire over Europe has been sought by Spain, by Austria, and by France; and soldiers, politicians, and professors in Germany have sought, and seek, to secure it now for Germany. On the other hand, Great Britain has long stood, as
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Produced by Stephen Hutcheson, Dave Morgan and the Online Distributed Proofreading Team at http://www.pgdp.net THE BOY SCOUTS AT THE CANADIAN BORDER By LIEUT. HOWARD PAYSON Author of “The Boy Scouts of the Eagle Patrol,” “The Boy Scouts on the Range,” “The Boy Scouts’ Mountain Camp,” “The Boy Scouts for Uncle Sam,” “The Boy Scouts at the Panama Canal,” “The Boy Scouts and the Army Airship,” “The Boy Scouts with the Allies in France,” “The Boy Scouts on Belgian Battlefields,” “The Boy Scouts Under Fire in Mexico,” “The Boy Scouts at the Panama-Pacific Exposition,” “The Boy Scouts’ Campaign for Preparedness,” “The Boy Scouts Under Sealed Orders,” “The Boy Scouts’ Badge of Courage,” etc. A. L. BURT COMPANY Publishers New York Printed in U. S. A. Copyright, 1918, by Hurst & Co., Inc. Printed in U. S. A. CONTENTS CHAPTER PAGE I. A Glimpse over into Canada 5 II. Rumblings of Coming Trouble 19 III. By Aeroplane Across the Border 30 IV. An Invasion of the Camp 42 V. Comforting Tubby 54 VI. The Logging Camp 66 VII. An Unwelcome Intruder 78 VIII. Tubby Has an Adventure 91 IX. The Man Outside 104 X. Neatly Done 114 XI. Zeb Makes Good 129 XII. A Scout’s First Duty 142 XIII. A Thrilling Discovery 154 XIV. Rob Makes Up His Mind 166 XV. On Duty Bent 178 XVI. The Stone Cairn on the Border 190 XVII. Lynx Law 202 XVIII. The Trail to the Trestle 214 XIX. The Hunt for the Wire 226 XX. The Munition Train’s Approach 238 XXI. Cutting the Battery Connections 250 XXII. Like Old Times for the Scouts 260 XXIII. In Swift Pursuit 272 XXIV. Those Who Sat by the Fire 284 XXV. Bad Luck, and Good 296 XXVI. Everybody Satisfied 308 The Boy Scouts at the Canadian Border CHAPTER I A GLIMPSE OVER INTO CANADA “Suppose we hold up here, and rest a bit, fellows!” “We’ll have to accommodate you, Tubby. It really pains me to hear you puffing and blowing so hard.” “Now, that’s just six words for me and half a dozen for yourself, Andy Bowles. Haven’t I seen you look longingly at every log we passed, as if you wished Rob would give the order to sit down and recuperate? Honest to goodness, I do own up that I’m a trifle winded. This pack seems to keep on getting heavier and heavier.” “You only imagine it does, Tubby, that’s all. If a fellow is shaped like a wash-tub, what else could you expect of him when it comes to toting a load of duffle and grub over a Maine carry?” “And when another angular chap I know is said to resemble a broom-handle, so far as symmetry and plumpness goes, you’ve got to expect that his greatest feats are accomplished when grub is served. That’s a time, Andy Bowles, bugler of the Hampton Troop of Boy Scouts, when you make competition throw up its hands in despair and retire from the field; your capacity in that line is without a peer.” “That’s right, Tubby, take a swig of water from your battered old canteen after such a spread-eagle speech. I’m sure your throat must be parched, and as dry as a bone.” “Here, fellows, suppose you let up badgering each other; and after we drop down on this log in the little open glade, what’s to hinder us from figuring out our next move in the search for Tubby’s Uncle George?” The energetic speaker was Rob Blake. Those fortunate boys who have read any or all of the preceding volumes in this Series, do not need to be introduced to so prominent a character of the stories; but, of course, there will be many who are making the acquaintance of these wearers of khaki for the first time, and in justice to them it is only fair that we offer a few explanations while the trio stretch themselves upon that friendly pine log. They all belonged to the famous Eagle Patrol of the Hampton Troop of Boy Scouts, Hampton being a Long Island town on the south shore. In times gone by many were the interesting happenings that came the way of some of the fellows belonging to that patrol. To even enumerate them here would take too long a time, and hence he who is desirous of knowing more about Rob Blake and his chums is referred to earlier
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Produced by Chris Curnow, Joseph Cooper, Moti Ben-Ari and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: Cover] THE AUGUSTAN REPRINT SOCIETY JOHN EVELYN THE HISTORY OF SABATAI SEVI, _The Suppos'd Messiah_ OF THE JEWS. (1669) _Introduction by_ CHRISTOPHER W. GROSE PUBLICATION NUMBER 131 WILLIAM ANDREWS CLARK MEMORIAL LIBRARY UNIVERSITY OF CALIFORNIA, LOS ANGELES 1968 GENERAL EDITORS George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ ADVISORY EDITORS Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California, Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ CORRESPONDING SECRETARY Edna C. Davis, _William Andrews Clark Memorial Library_ INTRODUCTION _And you should if you please refuse Till the conversion of the Jews._ The reader of John Evelyn's _History of Sabatai Sevi, The Pretended Messiah of the Jewes_ or of the _History of the Three Late Famous Impostors_ (1669) in which it is the most significant part, discovers a fascinating, if unoriginal, addition to the work of the great diarist and dilettante, the amateur student of engraving and trees--and smoke. Evelyn's work was almost totally derived from the account of Sir Paul Rycaut, who was from 1661 secretary (and later consul) for the Levant mercantile company in Smyrna. Rycaut was in fact responsible for what first-hand reporting there is in the _History_, and Evelyn's book preceded by only eleven years Rycaut's _History of the Turkish Empire 1623-1677_, where the story first appeared under the author's own name. What gives Evelyn's _Pretended Messiah_ its own interest is partly the immediacy of the news of Sabatai Sevi, and partly the context in which Evelyn places the story, a context to some extent indicated in the title, _History of the Three Late Famous Impostors_. When the work was published in 1669, Sevi was neither the amusing curiosity he is likely to be for the modern reader, nor the impertinent confidence man suggested by Evelyn's "impostor." Evelyn was reviewing for an English audience one of the great crises in Jewish history, the career of the man who has been called Judaism's "most notorious messianic claimant."[1] That career was not entirely past history in 1669. Sevi lived until 1675, and even after his humiliation and final banishment in 1673 he could write to his father-in-law in Salonica that men would see in his lifetime the day of redemption and the return of the Jews to Zion; "For God hath appointed me Lord of all Mizrayim."[2] Indeed, a remnant of Judaeo-Turkish Shabbethaians called Doenmehs apparently exists in Salonica to the present day. Whatever the appeal of Sevi's story may be for modern readers--as a mode of fiction, perhaps, or an instance of mass hysteria--Evelyn's discovery of an exemplum for religious and political enthusiasts may seem forced or reductive. In 1669, however, the interest of Englishmen in Jewish affairs was by no means merely academic--or narrowly commercial. There were, it is true, English sportsmen in 1666 who were actually betting on the Sevi career--ten to one that the "Messiah of Ismir" would be crowned King of Jerusalem within two years. And what was most disturbing about Sevi to the English nation as a whole was perhaps the disruption of trade, in which Sevi's father was intimately involved, as the agent of an English mercantile house. At the height of the fur
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Produced by Martin Adamson. HTML version by Al Haines. AN ENEMY OF THE PEOPLE by Henrik Ibsen Translated by R. Farquharson Sharp AN ENEMY OF THE PEOPLE A play in five acts DRAMATIS PERSONAE Dr. Thomas Stockmann, Medical Officer of the Municipal Baths. Mrs. Stockmann, his wife. Petra (their daughter) a teacher. Ejlif & Morten (their sons, aged 13 and 10 respectively). Peter Stockmann (the Doctor's elder brother), Mayor of the Town and Chief Constable, Chairman of the Baths' Committee, etc. Morten Kiil, a tanner (Mrs. Stockmann's adoptive father). Hovstad, editor of the "People's Messenger." Billing, sub-editor. Captain Horster. Aslaksen, a printer. Men of various conditions and occupations, a few women, and a troop of schoolboys--the audience at a public meeting. The action takes place in a coastal town in southern Norway, AN ENEMY OF THE PEOPLE ACT I (SCENE.--DR. STOCKMANN'S sitting-room. It is evening. The room is plainly but neatly appointed and furnished. In the right-hand wall are two doors; the farther leads out to the hall, the nearer to the doctor's study. In the left-hand wall, opposite the door leading to the hall, is a door leading to the other rooms occupied by the family. In the middle of the same wall stands the stove, and, further forward, a couch with a looking-glass hanging over it and an oval table in front of it. On the table, a lighted lamp, with a lampshade. At the back of the room, an open door leads to the dining-room. BILLING is seen sitting at the dining table, on which a lamp is burning. He has a napkin tucked under his chin, and MRS. STOCKMANN is standing by the table handing him a large plate-full of roast beef. The other places at the table are empty, and the table somewhat in disorder, evidently a meal having recently been finished.) Mrs. Stockmann. You see, if you come an hour late, Mr. Billing, you have to put up with cold meat. Billing (as he eats). It is uncommonly good, thank you--remarkably good. Mrs. Stockmann. My husband makes such a point of having his meals punctually, you know. Billing. That doesn't affect me a bit. Indeed, I almost think I enjoy a meal all the better when I can sit down and eat all by myself, and undisturbed. Mrs. Stockmann. Oh well, as long as you are enjoying it--. (Turns to the hall door, listening.) I expect that is Mr. Hovstad coming too. Billing. Very likely. (PETER STOCKMANN comes in. He wears an overcoat and his official hat, and carries a stick.) Peter Stockmann. Good evening, Katherine. Mrs. Stockmann (coming forward into the sitting-room). Ah, good evening--is it you? How good of you to come up and see us! Peter Stockmann. I happened to be passing, and so--(looks into the dining-room). But you have company with you, I see. Mrs. Stockmann (a little embarrassed). Oh, no--it was quite by chance he came in. (Hurriedly.) Won't you come in and have something, too? Peter Stockmann. I! No, thank you. Good gracious--hot meat at night! Not with my digestion. Mrs. Stockmann. Oh, but just once in a way-- Peter Stockmann. No, no, my dear lady; I stick to my tea and bread and butter. It is much more wholesome in the long run--and a little more economical, too. Mrs. Stockmann (smiling). Now you mustn't think that Thomas and I are spendthrifts. Peter Stockmann. Not you, my dear; I would never think that of you. (Points to the Doctor's study.) Is he not at home? Mrs. Stockmann. No, he went out for a little turn after supper--he and the boys. Peter Stockmann. I doubt if that is a wise thing to do. (Listens.) I fancy I hear him coming now. Mrs. Stockmann. No, I don't think it is he. (A knock is heard at the door.) Come in! (HOVSTAD comes in from the hall.) Oh, it is you, Mr. Hovstad! Hovstad. Yes, I hope you will forgive me, but I was delayed at the printers. Good evening, Mr. Mayor. Peter Stockmann (bowing a little distantly). Good evening. You have come on business, no doubt. Hovstad. Partly. It's about an article for the paper. Peter Stockmann. So I imagined. I hear my brother has become a prolific contributor to the "People's Messenger." Hovstad. Yes, he is good enough to write in the "People's Messenger" when he
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Transcribed from the 1899 Grant Richards edition by David Price, email [email protected] [Picture: Book cover] A DUET WITH AN OCCASIONAL CHORUS BY A. CONAN DOYLE [Picture: Decorative graphic] * * * * * LONDON GRANT RICHARDS 9 HENRIETTA STREET 1899 * * * * * Edinburgh: T. and A CONSTABLE, Printers to Her Majesty * * * * * TO MRS. MAUDE CROSSE DEAR MAUDE,—All the little two-oared boats which put out into the great ocean have need of some chart which will show them how to lay their course. Each starts full of happiness and confidence, and yet we know how many founder, for it is no easy voyage, and there are rocks and sandbanks upon the way. So I give a few pages of your own private log, which tell of days of peace, and days of storm—such storms as seem very petty from the deck of a high ship, but are serious for the two-oared boats. If your peace should help another to peace, or your storm console another who is storm-tossed, then I know that you will feel repaid for this intrusion upon your privacy. May all your voyage be like the outset, and when at last the oars fall from your hands, and those of Frank, may other loving ones be ready to take their turn of toil—and so, _bon voyage_! Ever your friend, THE AUTHOR. _Jan._ 20, 1899. CONTENTS PAGE THE OVERTURE 1 THE OVERTURE CONTINUED 9 THE OVERTURE CONCLUDED 24 THE TWO SOLOS 34 IN BRITAIN’S VALHALLA 48 TWO SOLOS AND A DUET 71 KEEPING UP APPEARANCES 88 THE HOME-COMING 100 LAYING A COURSE 112 CONFESSIONS 128 CONCERNING MRS. BEETON 146 MR. SAMUEL PEPYS 158 A VISIT TO MR. SAMUEL PEPYS 170 TROUBLE 185 A RESCUE 204 THE BROWNING SOCIETY 218 AN INVESTMENT 236 A THUNDERCLOUD 251 DANGER 269 NO. 5 CHEYNE ROW 290 THE LAST NOTE OF THE DUET 311 THE TRIO 326 THE OVERTURE I ABOUT THAT DATE THESE are the beginnings of some of the letters which they wrote about that time. _Woking_, _May_ 20_th_. MY DEAREST MAUDE,—You know that your mother suggested, and we agreed, that we should be married about the beginning of September. Don’t you think that we might say the 3rd of August? It is a Wednesday, and in every sense suitable. Do try to change the date, for it would in many ways be preferable to the other. I shall be eager to hear from you about it. And now, dearest Maude... (The rest is irrelevant.) _St. Albans_, _May_ 22_nd_. My Dearest Frank,—Mother sees no objection to the 3rd of August, and I am ready to do anything which will please you and her. Of course there are the guests to be considered, and the dressmakers and other arrangements, but I have no doubt that we shall be able to change the date all right. O Frank... (What follows is beside the point.) _Woking_, _May_ 25_th_. MY DEAREST MAUDE,—I have been thinking over that change of date, and I see one objection which had not occurred to me when I suggested it. August the 1st is Bank holiday, and travelling is not very pleasant about that time. My idea now is that we should bring it off before that date. Fancy, for example, how unpleasant it would be for your Uncle Joseph if he had to travel all the way from Edinburgh with a Bank-holiday crowd. It would be selfish of us if we did not fit in our plans so as to save our relatives from inconvenience. I think therefore, taking everything into consideration, that the 20th of July
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Produced by Punch, or the London Charivari, Malcolm Farmer and the Online Distributed Proofreading Team at http://www.pgdp.net PUNCH, OR THE LONDON CHARIVARI. VOL. 109. SEPTEMBER 7, 1895. THAT POOR PENNY DREADFUL! ["Is the 'Penny Dreadful' and its influence so very dreadful, I wonder?"--JAMES PAYN.] Alas! for the poor "Penny Dreadful"! They say if a boy gets his head-full Of terrors and crimes, _He_ turns pirate--sometimes; Or of horrors, at least, goes to bed full. Now _is_ this according to Cocker? Of Beaks one would not be a mocker, But _do_ many lads Turn thieves or foot-pads, Through reading the cheap weekly Shocker? Such literature is _not_ healthy; But _does_ it make urchins turn stealthy Depleters of tills, Destroyers of wills, Or robbers of relatives wealthy? I have gloated o'er many a duel, I've heard of DON PEDRO the Cruel: Heart pulsing at high rate, I've read how my Pirate Gave innocent parties their gruel. Yet I have ne'er felt a yearning For stabbing, or robbing, or burning. No highwayman clever And handsome, has ever Induced _me_ to take the wrong turning! A lad who's a natural "villing," When reading of robbing and killing _May_ feel wish to do so; But SHEPPARD--like CRUSOE-- To your average boy's only "thrilling." Ah! thousands on Shockers have fed full, And yet _not_ of crimes got a head-full. Let us put down the vile, Yet endeavour the while, To be _just_ to the poor "Penny Dreadful"! * * * * * [Illustration: EVIDENT. _George._ "EH--HE'S A BIG 'UN; AIN'T HE, JACK?" _Minister_ (_overhearing_). "YES, MY LAD; BUT IT'S NOT WITH EATING AND DRINKING!" _Jack._ "I'LL LAY IT'S NOT ALL WI' FASTIN' AN' PRAYIN'!"] * * * * * FOR WHEEL OR WOE. The Rural District Council at Chester resolved recently to station men on the main roads leading into the city to count the number of cyclists, with a view to estimating what revenue would accrue from a cycle tax. Extremely high and public-spirited of the Chester authorities to take the matter up. These dwellers by the Dee ought to adopt as their motto, "The wheel has come full cycle." * * * * * "WHO IS SYLVIA?"--An opera, from the pen of Dr. JOSEPH PARRY, the famous Welsh composer, entitled _Sylvia_, has been successfully produced at the Cardiff Theatre Royal. The _libretto_ is by Mr. FLETCHER and Mr. MENDELSSOHN PARRY, the _maestro's_ son, so that the entire production is quite _parry-mutuel_. * * * * * THE RAILWAY RACE. [Illustration] A new British sport has arisen, or rather has, after a seven years' interval, been revived within the last week or so, and the British sporting reporter, so well-known for his ready supply of vivid and picturesque metaphor, has, as usual, risen to the occasion. That large and growing class of sedentary "sportsmen," whose athletic proclivities are confined to the perusal of betting news, have now a fresh item of interest to discuss in the performances of favourite and rival locomotives. More power has been added to the elbows of the charming and vociferous youths, who push their way through the London streets with the too familiar cry of "Win-nerr!" (which, by the way, has quite superseded that of "Evening Piper!"). And the laborious persons who assiduously compile "records" have enough work to do to keep pace with their daily growing collection. Even the mere "Man in the Street" knows the amount of rise in the Shap Fell and Potter's Bar gradients, though possibly, if you cross-question him, he could not tell you where they are. However, the great daily and evening papers are fully alive to the occasion, and the various sporting "Majors" and "Prophets" are well to the fore with such "pars" as the following:-- Flying Buster, that smart and rakish yearling from the Crewe stud, was out at exercise last evening with a light load of eighty tons, and did some very satisfactory trials. * * * * * Invicta, the remarkably speedy East Coast seven-year-old, made a very good show in her run from Grantham to York yesterday. She covered the 80-1/2 miles in 78 minutes with Driver TOMKINS up, and a weight of some 120 tons, without turning a hair. She looked extremely well-trained, and I compliment her owners on her appearance. * * * * * Really something ought to be done with certain of the Southern starters. I will name no names, but I noticed one the other day whose pace was more like thirty hours a mile than thirty miles an hour. I have heard of donkey-engines, and this one would certainly win a donkey race. * * * * * These long-distance races are, no doubt, excellent tests for the strength and stamina of our leading cross-country "flyers," but I must enter a protest against the
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Project Gutenberg Etext of Evolution and Ethics and Other Essays #30 in our series by Thomas H. Huxley Copyright laws are changing all over the world, be sure to check the laws for your country before redistributing these files!!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Please do not remove this. This should be the first thing seen when anyone opens the book. Do not change or edit it without written permission. The words are carefully chosen to provide users with the information they need about what they can legally do with the texts. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. Presently, contributions are only being solicited from people in: Texas, Nevada, Idaho, Montana, Wyoming, Colorado, South Dakota, Iowa, Indiana, and Vermont. As the requirements for other states are met, additions to this list will be made and fund raising will begin in the additional states. These donations should be made to: Project Gutenberg Literary Archive Foundation PMB 113 1739 University Ave. Oxford, MS 38655 Title: Evolution and Ethics and Other Essays EVOLUTION AND ETHICS. PROLEGOMENA EVOLUTION AND ETHICS SCIENCE AND MORALS CAPITAL--THE MOTHER OF LABOUR SOCIAL DISEASES AND WORSE REMEDIES The Struggle for Existence in Human Society Letters to the Times Legal Opinions The Articles of War of the Salvation Army Author: Thomas H. Huxley Release Date: November, 2001 [Etext #2940] [Most recently updated November 3, 2002] Edition: 10 Project Gutenberg Etext of Evolution and Ethics and Other Essays ******This file should be named 2940.txt or 2940.zip****** Scanned and edited by T. Dave Gowan for Project Gutenberg Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United States, unless a copyright notice is included. Therefore, we usually do NOT keep any of these books in compliance with any particular paper edition. We are now trying to release all our books one year in advance of the official release dates, leaving time for better editing. Please be encouraged to send us error messages even years after the official publication date. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. Most people start at our sites at: http://gutenberg.net http://promo.net/pg Those of you who want to download any Etext before announcement can surf to them as follows, and just download by date; this is also a good way to get them instantly upon announcement, as the indexes our cataloguers produce obviously take a while after an announcement goes out in the Project Gutenberg Newsletter. http://metalab.unc.edu/pub/docs/books/gutenberg/etext01 or ftp://metalab.unc.edu/pub/docs/books/gutenberg/etext01 Or /etext00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 Just search by the first five letters of the filename you want, as it appears in our Newsletters. Information about Project Gutenberg (one page) We produce about two million dollars for each hour we work. The time it takes us, a rather conservative estimate, is fifty hours to get any etext selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. This projected audience is one hundred million readers. If our value per text is nomin
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Produced by Charles Franks, Christopher Lund and the Online Distributed Proofreading Team JACK OF THE PONY EXPRESS Or The Young Rider of the Mountain Trails By FRANK V. WEBSTER CONTENTS CHAPTER I. JACK IN THE SADDLE II. POSTMISTRESS JENNIE III. A NARROW ESCAPE IV. IMPORTANT LETTERS V. JUST IN TIME VI. THE SECRET MINE VII. THE STRANGERS AGAIN VIII. A NIGHT ATTACK IX. IN BONDS X. A QUEER DISCOVERY XI. DUMMY LETTERS XII. A RIDE FOR LIFE XIII. THE INSPECTOR XIV. THE CHASE XV. A CAUTION XVI. SUNGER GOES LAME XVII. AN INVITATION DECLINED XVIII. A QUEER FEELING XIX A DESPERATE RIDE XX. AT GOLDEN CROSSING XXI. THE ARGENT LETTERS XXII. THE MASKED MAN XXIII. THE ESCAPE XXIV. JACK'S IDEA XXV. JACK'S TRICK--CONCLUSION CHAPTER I JACK IN THE SADDLE "Your father is a little late to-night, isn't he Jack?" "Yes, Mrs. Watson, he should have been here a half-hour ago, and he would, too, if he had ridden Sunger instead of his own horse." "You think a lot of that pony of yours, don't you, Jack?" and a motherly-looking woman came to the doorway of a small cottage and peered up the mountain trail, which ran in front of the building. Out on the trail itself stood a tall, bronzed lad, who was, in fact, about seventeen years of age, but whose robust frame and athletic build made him appear several years older. "Yes, Mrs. Watson," the boy answered with a smile, "I do think a lot of Sunger, and he's worth it, too." "Yes, I guess he is. And he can travel swiftly, too. My goodness! The way you sometimes clatter past my house makes me think you'll sure have an accident. Sometimes I'm so nervous I can't look at you." "Sunger is pretty sure-footed, even on worse mountain trails than the one from Rainbow Ridge to Golden Crossing," answered Jack with a laugh, that showed his white, even teeth, which formed a strange contrast to his tanned face. "Sunger," repeated Mrs. Watson, musingly. "What an odd name. I often wonder how you came to call him that." "It isn't his real name," explained Jack, as he gave another look up the trail over which the rays of the declining sun were shining, and then walked up to the porch, where he sat down. "The pony was once owned by a Mexican miner, and he named him something in Spanish which meant that the little horse could go so fast that he dodged the sun. Sundodger was what the name would be in English, I suppose, and after I bought him that's what I called him. "But Sundodger is too much of a mouthful when one's in a hurry," and Jack laughed at his idea, "so," he went on, "I shortened it to Sunger, which does just as well." "Yes, as long as he knows it," agreed Mrs. Watson. "But I guess, Jack, I had better be going, I did think I'd wait until your father came, and put the supper on for you both, but he's so late now--" "Yes, Mrs. Watson, don't wait," interrupted Jack. "I don't know what to make of dad's being so late. But we're used to getting our own meals, so you needn't worry. We'll get along all right." "Oh, I know you will. For two men--for you are getting so big I shall have to call you a man," and she smiled at him. "For two men you really get along very well indeed." "Yes, I'm getting to be something of a cook myself," admitted the lad. "But I can't quite equal your biscuits yet, and there's no use saying I can. However, you baked a pretty good batch this afternoon, and dad sure will be pleased when he sees 'em. I wish he'd come while they're hot though," and once more Jack Bailey arose and went out to peer up the trail. He listened intently, but his sharp senses caught no sound of clattering hoofs, nor sight of a horseman coming down the <DW72>, a good view of which could be had from in front of the house that stood on a bend in the road. "Well, then, I'll be getting along," Mrs. Watson resumed, as she threw a shawl over her shoulders, for, though the day had been warm, there was a coolness in the mountain air with the coming of night. "Everything is all ready to dish-up" went on the motherly-looking woman, as she went out of the front gate, "The chicken is hot on the back of the stove." "Oh, we'll make out all right, thank you," called Jack after her, as she started down the trail. Mrs. Watson lived about a quarter of a mile away. Her husband was a miner, and she had a grown daughter, so it was quite convenient for Mrs. Watson to come over twice a week, or oftener on occasions, and do the housework in the cottage where Mr. Peter Bailey and his son Jack lived. Mrs. Watson would do the sweeping, dusting and as much cooking as she had time for, and then go back to her own home. Jack's mother was dead, and he and his father had managed for some years without the services of a housekeeper. Mr. Bailey was a pony express rider, carrying the mail and small express packages between the settlements of Rainbow Ridge and Golden Crossing. Mr. Bailey and Jack lived on the outskirts of Rainbow Ridge. This was in the Rocky Mountain country of one of our western states, and the trails were so wild and winding, and, for that matter, so unsafe, that it was out of the question to use a mail or stage coach between the two places. From Rainbow Ridge, however, there was a stage route going east, which took the mail and express matter as it was brought in by Mr. Bailey. And from Golden Crossing going west the same arrangement was made. Golden Crossing was a settlement on the banks of the Ponto River, a small enough stream in ordinary times, but which was wild and dangerous during heavy rains or freshets. So the pony express, as run by Mr. Bailey, was the only regular means of communication between Golden Crossing and Rainbow Ridge. It was of importance, too, for often valuable mail and packages went through, the route being shorter and quicker than by a roundabout stage line. When Mrs. Watson was out of sight around a bend in the trail, Jack went into the cottage. It really was a cottage, though when Mr. Bailey first brought his family to the West it had been but a cabin, or shack. But Mr. Bailey and his wife had labored hard to make it more of a "home," and they had succeeded very well. Then came the sad occasion of Mrs. Bailey's illness and death, and for a time life had seemed very hard to Jack and his father. The latter had been interested in mines, but found the work too difficult with his failing health, so he had secured the pony express contract, which he had carried on now for several years. "It certainly is a shame to have this fine supper spoil," mused Jack, as he lifted the cover from a pot of chicken, and glanced at the pile of browned biscuit in the warming oven. "I can't understand what makes dad so late," he went on. "Of course, the mail from the Golden Crossing office might not have been ready for him to take. It's been pretty heavy of late, and is almost more than Aunt Matilda can handle. Though I suppose Jennie gives her a hand now and then," and as he said that Jack looked at the photograph on the mantel of an attractive girl, who seemed to smile at him. Jack looked cautiously around the room, and then raised a hand to his lips and threw a kiss from the tips of his fingers at the picture. This done he blushed--but you would not have known it, he was so bronzed by the sun and the wind. Mrs. Matilda Blake was a distant relative of Mr. Bailey's, and Jack called her "Aunt Matilda," though she really did not bear that relationship to him. She was a widow, and she and her only daughter, Jennie, a girl of about sixteen, lived in Golden Crossing, where Mrs. Blake was postmistress. Jack and Jennie were the best of friends. "Well, if dad doesn't come pretty soon, I'm going to eat," decided Jack. "He won't mind, I'm sure. But I would like to know what's keeping him. I hope he hasn't had any accident. His pony is sure-footed, I know, but I'd feel better if he had Sunger." Jack was plainly nervous--that is as nervous as a young, healthy lad can be. He went outside again, and walked a little way back along the trail over which his father would come. But the trail seemed deserted. The Bailey cottage was in a rather lonely location, there being no other habitation in sight. There were other houses not far away, and a number in the town, but because of the winding nature of the trail, and the ruggedness of the mountains, they could not be seen from where Jack stood. As the lad was about to turn back and again enter the cottage with the determination to eat his supper, he heard something which caused him to start. "Here he comes!" he exclaimed. "But he's walking his horse! That's queer! Something must have happened!" Speed was one of the prime requisites of the pony express. The men who rode the routes over plains and mountain trails secured the speediest horses or ponies possible. Their life, when in the saddle, was a continual rush, for the mail and express matter must go through as quickly as possible, and where no steam and railroads were available recourse was had to horseflesh. And knowing the value of speed Jack wondered when he heard the approach of a horse at a walking pace. Mr. Bailey was supposed to arrive at Rainbow Ridge in time to deliver his express and mail matter to the night stage coach going east, and the hour for its leaving had passed some time since. Of course, the stage would wait for the pony express, but this meant a delay all along the rest of the route. "Something sure must have happened!" said Jack to himself. "I'll go to meet dad." He set off on foot, but came running back. "I'll get Sunger," he told himself, speaking aloud, a habit engendered by the loneliness of the mountains. "He's quite a way off yet, but Sunger will make short work of the distance." Though the sound of the approaching footsteps of the horse of the pony express rider could be plainly heard by Jack, so clear and resonant was the mountain air, he realized that his father had yet nearly half a mile to travel. Leaping to the saddle of his pony, and patting the animal lovingly on the neck, Jack set off once more. He went quickly, for Sunger was fresh and eager. In a few minutes Jack turned at a place where the trail followed a great rocky ledge, and in front of him, almost collapsed in the saddle was a man. He seemed to sit on his horse only by a great effort, and on his face was a drawn look of pain. "Why, Dad!" cried Jack. "What's the matter? Has anything happened? Did they hold up the mail?" "No, the mail and other stuff is all right," was the answer, broken by an exclamation of pain. "But I'm all in, Jack. I'm afraid I'm going to be quite ill. It was all I could do to ride the last few miles, but I wouldn't give in." Jack was at his father's side in an instant. "Get on Sunger," he urged. "He's easier for you to ride. Let me help you. What is the trouble? How did it happen?" "I don't know, Jack, my boy. But I won't change horses. I can keep on until I get to the cabin. Here, you take the mail and express and ride on with it to the stage. I'll keep on toward home. Come back as soon as you can, and you--you'd better bring the doctor with you!" he faltered. CHAPTER II POSTMISTRESS JENNIE For a moment Jack Bailey did not know what to do. He looked at his father, who was evidently quite ill and suffering much pain. Then the lad glanced at the bags of mail and small express matter which lay over the saddle in front of Mr. Bailey. "Take the mail, Jack, my boy!" the pony express rider exclaimed, with an effort. "Take the mail, so the stage can get off. I'm late now, but I couldn't make the trail any faster. Get the mail through, and then stop and bring a doctor back with you if he'll come." "But I can't go away and leave you like this, Dad!" "You must, Jack!" "But you're too ill!" "That can't be helped. The mail and express must go through on time if I'm to keep the contract. And I certainly don't want to lose it. I'll manage to get to the cottage. Once there, I can sit down, and if I get a cup of hot tea I may feel better. It seems to be acute indigestion, though I don't remember eating anything that didn't agree with me. But ride on, Jack. And don't worry. I'll get to the cottage all right and be there when you come back." "All right, Dad! I'll do it. But I sure do hate to leave you like this!" "It's better than having the mail delayed. Ride on. Explain to Jed Monty how it is. I think Jed takes the stage out to-night." "Yes, he does. I'll tell him." Jack quickly transferred to his own saddle the bags of mail and express matter. Mr. Bailey seemed easier now, though there was still that look of pain on his face. "Come on, Sunger," called the lad to his pony. "We've got to make time!" The intelligent and beautiful animal whinnied as if he understood. Then, with a fond and anxious look at his father, Jack wheeled about and set off down the trail at a gallop, Mr. Bailey going on more slowly, for every motion of his horse gave him pain. Jack was soon out of sight around a bend of the trail. He flashed past his cottage, and thought with satisfaction that there was hot water on the range, so his father could make himself a cup of tea. Jack paused long enough at Mrs. Watson's cabin to tell her what was the matter, and to inform her that he was taking the mail over the last mile of the route into town. "Your father ill!" exclaimed Mrs. Watson. "I'll go right over there, Jack, and look after him." "I wish you would. It will be awful good of you." "Of course I'll go. Mary can look after things here," and she hurried into the house to get ready for her second trip that day to the Bailey cottage. Jack galloped on, trusting to the sure-footedness of his pony to avoid the dangers of the rough mountain trail. And Sunger justified the confidence reposed in him. "Hello! We've been wondering what kept you! Why, it's Jack!" exclaimed Jed Monty, the grizzled stage driver, as the lad galloped up to the Mansion Hotel, whence the start for the east was made. "Sorry to be late, but dad's taken sick!" cried Jack, as he flung the bags to the driver. "Sick, eh? That's too bad. Well, I guess I can make up the lost time. Haven't much of a load on to-night." The stage was all ready to start, the few passengers having been impatiently waiting. "Pile in!" cried Jed, and with a crack of his long whip he sent the four horses off at a gallop. Jack did not linger, but, wheeling his pony, set off for the doctor's office, hoping he would find the physician in. He was fortunate in this respect, and Dr. Brown promised to come at once. Jack did not wait for him, however, but hastened back to the cottage. There he found that Mrs. Watson had made his father some hot tea, which had relieved him somewhat. The look of pain was not so apparent now. "The doctor will be here right away," Jack reported. "Now tell me how it happened, Dad. We were quite worried about you." "Indeed we were, when you didn't come in on time, as you nearly always do," said Mrs. Watson. "I can't tell just how it did happen," said the pony express rider, "but I was taken with a sharp and sudden pain soon after leaving Golden Crossing. I'd have turned back then, and gotten some one else to ride the route for me, but I knew there were important letters in the mail, and it had to come through. So I kept on, hoping I would get better. But I grew worse, and I had to slow up. I thought I'd never get here! But I did." And he shut his lips grimly. Pony express riders have to be made of stern stuff and they have to keep on their routes in rain or shine, calm or storm; and often when it is torture to sit in the saddle on a galloping horse. "You'd better get your supper, Jack," advised Mrs. Watson. "No, I don't feel like eating," the lad objected. "Yes, you'd better, son," said his father. "There's no telling what you may have to do tonight, and it is possible you will have to ride for me to-morrow, though I hope I'll be able. But eat, and keep up your strength." This was good advice, and Jack realized it. So he sat down to the meal which Mrs. Watson had prepared as a finish to
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Produced by Cline St. Charleskindt, Nick Wall and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE GREAT K. & A. TRAIN-ROBBERY [Illustration: Frontispiece] The Great K. & A. Robbery [Illustration: Trains] By Paul Leicester Ford Author of The Honorable Peter Stirling New York Dodd, Mead and Company 1897 _Copyright, 1896,_ BY J. B. LIPPINCOTT COMPANY. _Copyright, 1897,_ BY DODD, MEAD AND COMPANY. University Press: JOHN WILSON AND SON, CAMBRIDGE, U. S. A. TO MY TRAVELLING COMPANIONS ON SPECIALS 218 AND 97 THIS ENDEAVOR TO WEAVE INTO A STORY SOME OF OUR OVERLAND HAPPENINGS AND ADVENTURES IS GRATEFULLY AND AFFECTIONATELY DEDICATED. * * * * * _TO MISS GEORGE BARKER GIBBS._ _My dear George_: _At your request I originally inscribed this skit to our whole party. In its republication, however, I can but feel that the dedication should be more particular. Written because you asked it, first read aloud to beguile our ride across the great American desert, and finally printed because you wished a copy as a souvenir of our journeyings, no one can so naturally be called upon to stand sponsor to the little tale. Should the story but give its readers a fraction of the pleasure I owe to your kindness, its success is assured._ _Faithfully yours,_ _PAUL LEICESTER FORD._ Contents CHAPTER PAGE I THE PARTY ON SPECIAL NO. 218 1 II THE HOLDING-UP OF OVERLAND NO. 3 17 III A NIGHT'S WORK ON THE ALKALI PLAINS 30 IV SOME RATHER QUEER ROAD AGENTS 43 V A TRIP TO THE GRAND CANYON 55 VI THE HAPPENINGS DOWN HANCE'S TRAIL 69 VII A CHANGE OF BASE 82 VIII HOW DID THE SECRET LEAK OUT? 93 IX A TALK BEFORE BREAKFAST 107 X WAITING FOR HELP 118 XI THE LETTERS CHANGE HANDS AGAIN 130 XII AN EVENING IN JAIL 140 XIII A LESSON IN POLITENESS 153 XIV "LISTENERS NEVER HEAR ANYTHING GOOD" 165 XV THE SURRENDER OF THE LETTERS 175 XVI A GLOOMY GOOD-BY 186 THE Great K. & A. Train-Robbery CHAPTER I THE PARTY ON SPECIAL NO. 218 Any one who hopes to find in what is here written a work of literature had better lay it aside unread. At Yale I should have got the sack in rhetoric and English composition, let alone other studies, had it not been for the fact that I played half-back on the team, and so the professors marked me away up above where I ought to have ranked. That was twelve years ago, but my life since I received my parchment has hardly been of a kind to improve me in either style or grammar. It is true that one woman tells me I write well, and my directors never find fault with my compositions; but I know that she likes my letters because, whatever else they may say to her, they always say in some form, "I love you," while my board approve my annual reports because thus far I have been able to end each with "I recommend the declaration of a dividend of -- per cent from the earnings of the current year." I should therefore prefer to reserve my writings for such friendly critics, if it did not seem necessary to make public a plain statement concerning an affair over which there appears to be much confusion. I have heard in the last five years not less than twenty renderings of what is commonly called "the great K. & A. train-robbery,"--some so twisted and distorted that but for the intermediate versions I should never have recognized them as attempts to narrate the series of events in which I played a somewhat prominent part. I have read or been told that, unassisted, the pseudo-hero captured a dozen desperadoes; that he was one of the road agents himself; that he was saved from lynching only by the timely arrival of cavalry; that the action of the United States government in rescuing him from the civil authorities was a most high-handed interference with State rights; that he received his reward from a grateful railroad by being promoted; that a lovely woman as recompense for his villany--but bother! it's my business to tell what really occurred, and not what the world chooses to invent. And if any man thinks he would have done otherwise in my position, I can only say that he is a
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Produced by Charles Aldarondo, Charles Franks and the Online Distributed Proofreading Team [Illustration Caption: Martha told him that he had always been her ideal and that she worshipped him.] HER WEIGHT IN GOLD By GEORGE BARR McCUTCHEON NEW YORK 1914 Nearly all of the stories presented in this volume appeared separately in various magazines. The author desires to acknowledge his thanks to the publications for courtesies extended by their editors: The National Magazine, Short Stories, the Saturday Evening Post, The Reader, The Woman's World, Good Housekeeping and The Illustrated Sunday Magazine. CONTENTS HER WEIGHT IN GOLD THE MAID AND THE BLADE MR. HAMSHAW'S LOVE AFFAIR THE GREEN RUBY THE GLOAMING GHOSTS WHEN GIRL MEETS GIRL QUIDDLERS THREE THE LATE MR. TAYLOR THE TEN DOLLAR BILL HER WEIGHT IN GOLD "Well the question is: how much does she weigh?" asked Eddie Ten Eyck with satirical good humour. His somewhat flippant inquiry followed the heated remark of General Horatio Gamble, who, in desperation, had declared that his step-daughter, Martha, was worth her weight in gold. The General was quite a figure in the town of Essex. He was the president of the Town and Country Club and, besides owning a splendid stud, was also the possessor of a genuine Gainsborough, picked up at the shop of an obscure dealer in antiques in New York City for a ridiculously low price (two hundred dollars, it has been said), and which, according to a rumour started by himself, was worth a hundred thousand if it was worth a dollar, although he contrived to keep the secret from the ears of the county tax collector. He had married late in life, after accumulating a fortune that no woman could despise, and of late years had taken to frequenting the Club with a far greater assiduity than is customary in most presidents. Young Mr. Ten Eyck's sarcasm was inspired by a mind's-eye picture of Miss Martha Gamble. To quote Jo Grigsby, she was "so plain that all comparison began and ended with her." Without desiring to appear ungallant, I may say that there were many homely young women in Essex; but each of them had the delicate satisfaction of knowing that Martha was incomparably her superior in that respect. "I am not jesting, sir," said the General with asperity. "Martha may not be as good-looking as--er--some girls that I've seen, but she is a jewel, just the same. The man who gets her for a wife will be a blamed sight luckier than the fellows who marry the brainless little fools we see trotting around like butterflies." (It was the first time that Eddie had heard of trotting butterflies.) "She's a fine girl," was his conciliatory remark. "She is pure gold," said the General with conviction. "Pure gold, sir." "A nugget," agreed Eddie expansively. "A hundred and eighty pound nugget, General. Why don't you send her to a refinery?" The General merely glared at him and subsided into thoughtful silence. He was in the habit of falling into deep spells of abstraction at such times as this. For the life of him, he couldn't understand how Martha came by her excessive plainness. Her mother was looked upon as a beautiful woman and her father (the General's predecessor) had been a man worth looking at, even from a successor's point of view. That Martha should have grown up to such appalling ugliness was a source of wonder, not only to the General, but to Mrs. Gamble herself. Young Mr. Ten Eyck was the most impecunious spendthrift in Essex. He lived by his wits, with which he was more generously endowed than anything in the shape of gold or precious jewels. His raiment was accumulative. His spending-money came to him through an allowance that his grandmother considerately delivered to him at regular periods, but as is the custom with such young men he was penniless before the quarter was half over. At all times he was precariously close to being submerged by his obligations. Yet trouble sat lightly upon his head, if one were to judge by outward appearances. Beneath a bland, care-free exterior, however, there lurked in Edward's bosom a perpetual pang of distress over the financial situation. What worried him most was the conviction that all signs pointed toward the suspension of credit in places where he owed money, and, Young Mr. Ten Eyck's sarcasm was inspired by a mind's-eye picture of Miss Martha Gamble. To quote Jo Grigsby, she was "so plain that all comparison began and ended with her." Without desiring to appear ungallant, I may say that there were many hom
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Produced by Ron Burkey FANNY'S FIRST PLAY BY BERNARD SHAW 1911 This text was taken from a printed volume containing the plays "Misalliance", "The Dark Lady of the Sonnets", "Fanny's First Play", and the essay "A Treatise on Parents and Children". Notes on the editing: Italicized text is delimited with underlines ("_ _"). Punctuation and spelling retained as in the printed text. Shaw intentionally spelled many words according to a non-standard system. For example, "don't" is given as "dont" (without apostrophe), "Dr." is given as "Dr" (without a period at the end), and "Shakespeare" is given as "Shakespear" (no "e" at the end). Where several characters in the play are speaking at once, I have indicated it with vertical bars ("|"). The pound (currency) symbol has been replaced by the word "pounds". PREFACE TO FANNY'S FIRST PLAY Fanny's First Play, being but a potboiler, needs no preface. But its lesson is not, I am sorry to say, unneeded. Mere morality, or the substitution of custom for conscience was once accounted a shameful and cynical thing: people talked of right and wrong, of honor and dishonor, of sin and grace, of salvation and damnation, not of morality and immorality. The word morality, if we met it in the Bible, would surprise us as much as the word telephone or motor car. Nowadays we do not seem to know that there is any other test of conduct except morality; and the result is that the young had better have their souls awakened by disgrace, capture by the police, and a month's hard labor, than drift along from their cradles to their graves doing what other people do for no other reason than that other people do it, and knowing nothing of good and evil, of courage and cowardice, or indeed anything but how to keep hunger and concupiscence and fashionable dressing within the bounds of good taste except when their excesses can be concealed. Is it any wonder that I am driven to offer to young people in our suburbs the desperate advice: Do something that will get you into trouble? But please do not suppose that I defend a state of things which makes such advice the best that can be given under the circumstances, or that I do not know how difficult it is to find out a way of getting into trouble that will combine loss of respectability with integrity of self-respect and reasonable consideration for other peoples' feelings and interests on every point except their dread of losing their own respectability. But when there's a will there's a way. I hate to see dead people walking about: it is unnatural. And our respectable middle class people are all as dead as mutton. Out of the mouth of Mrs Knox I have delivered on them the judgment of her God. The critics whom I have lampooned in the induction to this play under the names of Trotter, Vaughan, and Gunn will forgive me: in fact Mr Trotter forgave me beforehand, and assisted the make-up by which Mr Claude King so successfully simulated his personal appearance. The critics whom I did not introduce were somewhat hurt, as I should have been myself under the same circumstances; but I had not room for them all; so I can only apologize and assure them that I meant no disrespect. The concealment of the authorship, if a _secret de Polichinelle_ can be said to involve concealment, was a necessary part of the play. In so far as it was effectual, it operated as a measure of relief to those critics and playgoers who are so obsessed by my strained legendary reputation that they approach my plays in a condition which is really one of derangement, and are quite unable to conceive a play of mine as anything but a trap baited with paradoxes, and designed to compass their ethical perversion and intellectual confusion. If it were possible, I should put forward all my plays anonymously, or hire some less disturbing person, as Bacon is said to have hired Shakespear, to father my plays for me. Fanny's First Play was performed for the first time at the Little Theatre in the Adelphi, London, on the afternoon of Wednesday, April 19th 1911. FANNY'S FIRST PLAY INDUCTION _The end of a saloon in an old-fashioned country house (Florence Towers, the property of Count O'Dowda) has been curtained off to form a stage for a private theatrical performance. A footman in grandiose Spanish livery enters before the curtain
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Produced by Chris Curnow, Joseph Cooper, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net HESTER'S COUNTERPART [Illustration: THE WATER CREPT UP.--_Page 284._] THE HESTER BOOKS HESTER'S COUNTERPART A STORY OF BOARDING SCHOOL LIFE BY JEAN K. BAIRD Author of "The Coming of Hester" _ILLUSTRATED BY ADELE W. JONES_ [Illustration] BOSTON LOTHROP, LEE & SHEPARD CO. Published, August, 1910 COPYRIGHT, 1910, BY LOTHROP, LEE & SHEPARD CO. _All Rights Reserved_ HESTER'S COUNTERPART NORWOOD PRESS BERWICK & SMITH CO. NORWOOD, MASS. U. S. A. ILLUSTRATIONS The water crept up (Page 284) _Frontispiece_ FACING PAGE "I am Helen Loraine" 68 Again Hester deftly returned it 92 "Oh, girls, do you happen to have any cold cream?" 122 "You remember me, I see, Miss Alden" 150 They held their breath 290 HESTER'S COUNTERPART CHAPTER I Debby Alden, to use her own adjective in regard to herself, was not "slack." To this her friends added another term. Debby was "set." There could be no doubt of that. When Hester was but twelve years old, Debby had decided that the girl should have at least one year at the best boarding-school. Four years had passed, during which time, Debby's purpose had remained firm, although not yet ripe for perfecting. After the experience with Mary Bowerman's taunts and Abner Stout's guile, Debby decided that the time had come for Hester to have a change of environment. Miss Richards's advice was again sought. But that old friend no longer held the full power in her hands. Debby had grown alive and alert. She knew the standing of the schools throughout the State, and in what particular line of study or discipline each one excelled. For months, she studied catalogues and estimated expenses. She had never made a study of psychology; but she understood that Hester had reached the most impressionable age of her life. Each thought and word would leave its marks upon her. Debby, who believed firmly that tendencies are inherited, had always with her the fear that Hester would show the tendencies of an alien race. Her one consolation was that much may be overcome by training, and too, perhaps, there was in Hester's veins only a drop of darker blood. No one understood the position in which Debby Alden was placed. She always held herself responsible for the death of Hester's mother. Duty had compelled her to take care of the child, until love had come to her as a reward for the fulfillment of duty. There was no one to whom she could speak concerning Hester and her fears in regard to her. One thing she had done and would do; she would keep the child far removed from any influence which would tend to the strengthening of those traits which are supposed rightfully to belong to the race of slaves. Debby consulted principals and teachers and read and re-read catalogues. At length, she decided upon Dickinson Seminary as the school which came nearest to fulfilling her desires for Hester. Hester had always been sweet and submissive to Debby Alden. The girl had more than love for the woman who was mother and father both to her. Mingled with Hester's love for Debby was an inexpressible gratitude. Hester realized how much Debby had done and was doing for her. But it was not the dainty dresses and good home that touched her most. Debby Alden had given the waif her mother's name, and Hester never wrote in her big angular hand, Hester Palmer Alden, without feeling a glow of pride. She had a name of which to be proud, a name which Debby Alden had always held dear. "It was the very kindest thing Aunt Debby could do," was a thought which came often to Hester. "She must have loved me even from the first, or she would have never given me her own name. She's so proud of being an Alden. Their name has never had a bit of shame or disgrace touch it." Then she added an afterthought, "and it never will through
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Produced by David Widger PERSONAL MEMOIRES OF P. H. SHERIDAN VOLUME 2. Part 4 By Philip Henry Sheridan CHAPTER I. ORGANIZING SCOUTS--MISS REBECCA WRIGHT--IMPORTANT INFORMATION--DECIDE TO MOVE ON NEWTOWN--MEETING GENERAL GRANT--ORGANIZATION OF THE UNION ARMY--OPENING OF THE BATTLE OF THE OPEQUON--DEATH OF GENERAL RUSSELL --A TURNING MOVEMENT--A SUCCESSFUL CAVALRY CHARGE--VICTORY--THREE LOYAL GIRLS--APPOINTED A BRIGADIER-GENERAL IN THE REGULAR ARMY --REMARKS ON THE BATTLE. While occupying the ground between Clifton and Berryville, referred to in the last chapter of the preceding volume, I felt the need of an efficient body of scouts to collect information regarding the enemy, for the defective intelligence-establishment with which I started out from Harper's Ferry early in August had not proved satisfactory. I therefore began to organize my scouts on a system which I hoped would give better results than bad the method hitherto pursued in the department, which was to employ on this service doubtful citizens and Confederate deserters. If these should turn out untrustworthy, the mischief they might do us gave me grave apprehension, and I finally concluded that those of our own soldiers who should volunteer for the delicate and hazardous duty would be the most valuable material, and decided that they should have a battalion organization and be commanded by an officer, Major H. K. Young, of the First Rhode Island Infantry. These men were disguised in Confederate uniforms whenever necessary, were paid from the Secret-Service Fund in proportion to the value of the intelligence they furnished, which often stood us in good stead in checking the forays of Gilmore, Mosby, and other irregulars. Beneficial results came from the plan in many other ways too, and particularly so when in a few days two of my scouts put me in the way of getting news conveyed from Winchester. They had learned that just outside of my lines, near Millwood, there was living an old <DW52> man, who had a permit from the Confederate commander to go into Winchester and return three times a week, for the purpose of selling vegetables to the inhabitants. The scouts had sounded this man, and, finding him both loyal and shrewd, suggested that he might be made useful to us within the enemy's lines; and the proposal struck me as feasible, provided there could be found in Winchester some reliable person who would be willing to co-operate and correspond with me. I asked General Crook, who was acquainted with many of the Union people of Winchester, if he knew of such a person, and he recommended a Miss Rebecca Wright, a young lady whom he had met there before the battle of Kernstown, who, he said, was a member of the Society of Friends and the teacher of a small private school. He knew she was faithful and loyal to the Government, and thought she might be willing to render us assistance, but he could not be certain of this, for on account of her well known loyalty she was under constant surveillance. I hesitated at first, but finally deciding to try it, despatched the two scouts to the old <DW64>'s cabin, and they brought him to my headquarters late that night. I was soon convinced of the <DW64>'s fidelity, and asking him if he was acquainted with Miss Rebecca Wright, of Winchester, he replied that he knew her well. There upon I told him what I wished to do, and after a little persuasion he agreed to carry a letter to her on his next marketing trip. My message was prepared by writing it on tissue paper, which was then compressed into a small pellet, and protected by wrapping it in tin-foil so that it could be safely carried in the man's mouth. The probability, of his being searched when he came to the Confederate picketline was not remote, and in such event he was to swallow the pellet. The letter appealed to Miss Wright's loyalty and patriotism, and requested her to furnish me with information regarding the strength and condition of Early's army. The night before the <DW64> started one of the scouts placed the odd-looking communication in his hands, with renewed injunctions as to secrecy and promptitude. Early the next morning it was delivered to Miss Wright, with an intimation that a letter of importance was enclosed in the tin-foil, the <DW64> telling her at the same time that she might expect him to call for a message in reply before his return home. At first Miss Wright began to open the pellet nervously, but when told to be careful, and to preserve the foil as a wrapping for her answer, she proceeded slowly and carefully, and when the note appeared intact the messenger retired, remarking again that in the evening he would come for an answer. On reading my communication Miss Wright was much startled by the perils it involved, and hesitatingly consulted her mother, but her devoted loyalty soon silenced every other consideration, and the brave girl resolved to comply with my request, notwithstanding it might jeopardize her life. The evening before a convalescent Confederate officer had visited her mother's house, and in conversation about the war had disclosed the fact that Kershaw's division of infantry and Cutshaw's battalion of artillery had started to rejoin General Lee. At the time Miss Wright heard this she attached little if any importance to it, but now she perceived the value of the intelligence, and, as her first venture, determined to send it to me at once, which she did with a promise that in the future she would with great pleasure continue to transmit information by the <DW64> messenger. "SEPTEMBER 15, 1864. "I learn from Major-General Crook that you are a loyal lady, and still love the old flag. Can you inform me of the position of Early's forces, the number of divisions in his army, and the strength of any or all of them, and his probable or reported intentions? Have any more troops arrived from Richmond, or are any more coming, or reported to be coming? "You can trust the bearer." "I am, very respectfully, your most obedient servant, "P. H. SHERIDAN, Major-General Commanding." "SEPTEMBER 16, 1864. "I have no communication whatever with the rebels, but will tell you what I know. The division of General Kershaw, and Cutshaw's artillery, twelve guns and men, General Anderson commanding, have been sent away, and no more are expected, as they cannot be spared from Richmond. I do not know how the troops are situated, but the force is much smaller than represented. I will take pleasure hereafter in learning all I can of their strength and position, and the bearer may call again. "Very respectfully yours," ............ Miss Wright's answer proved of more value to me than she anticipated, for it not only quieted the conflicting reports concerning Anderson's corps, but was most important in showing positively that Kershaw was gone, and this circumstance led, three days later, to the battle of the Opequon, or Winchester as it has been unofficially called. Word to the effect that some of Early's troops were under orders to return to Petersburg, and would start back at the first favorable opportunity, had been communicated to me already from many sources, but we had not been able to ascertain the date for their departure. Now that they had actually started, I decided to wait before offering battle until Kershaw had gone so far as to preclude his return, feeling confident that my prudence would be justified by the improved chances of victory; and then, besides, Mr. Stanton kept reminding me that positive success was necessary to counteract the political dissatisfaction existing in some of the Northern States. This course was advised and approved by General Grant, but even with his powerful backing it was difficult to resist the persistent pressure of those whose judgment, warped by their interests in the Baltimore and Ohio railroad, was often confused and misled by stories of scouts (sent out from Washington), averring that Kershaw and Fitzhugh Lee had returned to Petersburg, Breckenridge to southwestern Virginia, and at one time even maintaining that Early's whole army was east of the Blue Ridge, and its commander himself at Gordonsville. During the inactivity prevailing in my army for the ten days preceding Miss Wright's communication the infantry was quiet, with the exception of Getty's division, which made a reconnoissance to the Opequon, and developed a heavy force of the enemy at Edwards's Corners. The cavalry, however, was employed a good deal in this interval skirmishing heavily at times to maintain a space about six miles in width between the hostile lines, for I wished to control this ground so that when I was released from the instructions of August 12, I could move my men into position for attack without the knowledge of Early. The most noteworthy of these mounted encounters was that of McIntosh's brigade, which captured the Eighth South Carolina at Abraham's Creek September 13. It was the evening of the 16th of September that I received from Miss Wright the positive information that Kershaw was in march toward Front Royal on his way by Chester Gap to Richmond. Concluding that this was my opportunity, I at once resolved to throw my whole force into Newtown the next day, but a despatch from General Grant directing me to meet him at Charlestown, whither he was coming to consult with me, caused me to defer action until after I should see him. In our resulting interview at Charlestown, I went over the situation very thoroughly, and pointed out with so much confidence the chances of a complete victory should I throw my army across the Valley pike near Newtown that he fell in with the plan at once, authorized me to resume the offensive, and to attack Early as soon as I deemed it most propitious to do so; and although before leaving City Point he had outlined certain operations for my army, yet he neither discussed nor disclosed his plans, my knowledge of the situation striking him as being so much more accurate than his own. [Extract from "Grant's Memoirs," page 328.] "....Before starting I had drawn up a plan of campaign for Sheridan, which I had brought with me; but seeing that he was so clear and so positive in his views, and so confident of success, I said nothing about this, and did not take it out of my pocket...." The interview over, I returned to my army to arrange for its movement toward Newtown, but while busy with these preparations, a report came to me from General Averell which showed that Early was moving with two divisions of infantry toward Martinsburg. This considerably altered the state of affairs, and I now decided to change my plan and attack at once the two divisions remaining about Winchester and Stephenson's depot, and later, the two sent to Martinsburg; the disjointed state of the enemy giving me an opportunity to take him in detail, unless the Martinsburg column should be returned by forced marches. While General Early was in the telegraph office at Martinsburg on the morning of the 18th, he learned of Grant's visit to me; and anticipating activity by reason of this circumstance, he promptly proceeded to withdraw so as to get the two divisions within supporting distance of Ramseur's, which lay across the Berryville pike about two miles east of Winchester, between Abraham's Creek and Red Bud Run, so by the night of the 18th Wharton's division, under Breckenridge, was at Stephenson's depot, Rodes near there, and Gordon's at Bunker Hill. At daylight of the 19th these positions of the Confederate infantry still obtained, with the cavalry of Lomax, Jackson, and Johnson on the right of Ramseur, while to the left and rear of the enemy's general line was Fitzhugh Lee, covering from Stephenson's depot west across the Valley pike to Applepie Ridge. My army moved at 3 o'clock that morning. The plan was for Torbert to advance with Merritt's division of cavalry from Summit Point, carry the crossings of the Opequon at Stevens's and Lock's fords, and form a junction near Stephenson's depot, with Averell, who was to move south from Darksville by the Valley pike. Meanwhile, Wilson was to strike up the Berryville pike, carry the Berryville crossing of the Opequon, charge through the gorge or canyon on the road west of the stream, and occupy the open ground at the head of this defile. Wilson's attack was to be supported by the Sixth and Nineteenth corps, which were ordered to the Berryville crossing, and as the cavalry gained the open ground beyond the gorge, the two infantry corps, under command of General Wright, were expected to press on after and occupy Wilson's ground, who was then to shift to the south bank of Abraham's Creek and cover my left; Crook's two divisions, having to march from Summit Point, were to follow the Sixth and Nineteenth corps to the Opcquon, and should they arrive before the action began, they were to be held in reserve till the proper moment came, and then, as a turning-column, be thrown over toward the Valley pike, south of Winchester. McIntosh's brigade of Wilson's division drove the enemy's pickets away from the Berryville crossing at dawn, and Wilson following rapidly through the gorge with the rest of the division, debouched from its western extremity with such suddenness as to capture a small earthwork in front of General Ramseur's main line; and not-withstanding the Confederate infantry, on recovering from its astonishment, tried hard to dislodge them, Wilson's troopers obstinately held the work till the Sixth Corps came up. I followed Wilson to select the ground on which to form the infantry. The Sixth Corps began to arrive about 8 o'clock, and taking up the line Wilson had been holding, just beyond the head of the narrow ravine, the cavalry was transferred to the south side of Abraham's Creek. The Confederate line lay along some elevated ground about two miles east of Winchester, and extended from Abraham's Creek north across the Berryville pike, the left being hidden in the heavy timber on Red Bud Run. Between this line and mine, especially on my right, clumps of woods and patches of underbrush occurred here and there, but the undulating ground consisted mainly of open fields, many of which were covered with standing corn that had already ripened. Much time was lost in getting all of the Sixth and Nineteenth corps through the narrow defile, Grover's division being greatly delayed there by a train of ammunition wagons, and it was not until late in the forenoon that the troops intended for the attack could be got into line ready to advance. General Early was not slow to avail himself of the advantages thus offered him, and my chances of striking him in detail were growing less every moment, for Gordon and Rodes were hurrying their divisions from Stephenson's depot --across-country on a line that would place Gordon in the woods south of Red Bud Run, and bring Rodes into the interval between Gordon and Ramseur. When the two corps had all got through the canyon they were formed with Getty's division of the Sixth to the left of the Berryville pike, Rickett's division to the right of the pike, and Russell's division in reserve in rear of the other two. Grover's division of the Nineteenth Corps came next on the right of Rickett's, with Dwight to its rear in reserve, while Crook was to begin massing near the Opequon crossing about the time Wright and Emory were ready to attack. Just before noon the line of Getty, Ricketts, and Grover moved forward, and as we advanced, the Confederates, covered by some heavy woods on their right, slight underbrush and corn-fields along their Centre, and a large body of timber on their left along the Red Bud, opened fire from their whole front. We gained considerable ground at first, especially on our left but the desperate resistance which the right met with demonstrated that the time we had unavoidably lost in the morning had been of incalculable value to Early, for it was evident that he had been enabled already to so far concentrate his troops as to have the different divisions of his army in a connected line of battle, in good shape to resist. Getty and Ricketts made some progress toward Winchester in connection with Wilson's cavalry, which was beyond the Senseny road on Getty's left, and as they were pressing back Ramseur's infantry and Lomax's cavalry Grover attacked from the right with decided effect. Grover in a few minutes broke up Evans's brigade of Gordon's division, but his pursuit of Evans destroyed the continuity of my general line, and increased an interval that had already been made by the deflection of Ricketts to the left, in obedience to instructions that had been given him to guide his division on the Berryville pike. As the line pressed forward, Ricketts observed this widening interval and endeavored to fill it with the small brigade of Colonel Keifer, but at this juncture both Gordon and Rodes struck the weak spot where the right of the Sixth Corps and the left of the Nineteenth should have been in conjunction, and succeeded in checking my advance by driving back a part of Ricketts's division, and the most of Grover's. As these troops were retiring I ordered Russell's reserve division to be put into action, and just as the flank of the enemy's troops in pursuit of Grover was presented, Upton's brigade, led in person by both Russell and Upton, struck it in a charge so vigorous as to drive the Confederates back in turn to their original ground. The success of Russell enabled me to re-establish the right of my line some little distance in advance of the
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Produced by Greg Bergquist, Matthew Wheaton and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) ANOTHER SUMMER THE YELLOWSTONE PARK and ALASKA BY CHARLES J. GILLIS Printed for Private Distribution COPYRIGHT, 1893, BY CHARLES J. GILLIS. Press of J. J. Little & Co. Astor Place, New York The more I think of it, the more I find this conclusion impressed upon me, that the greatest thing a human soul ever does in this world is to _see_ something and tell what it saw in a plain way.--RUSKIN. With the Compliments of the Author. PREFACE. In the spring of 1892, a party was made up for a trip to Alaska. The different members thereof were to cross the continent by such routes as they pleased, and meet at Portland, Oregon, on the second of July. This plan was followed, and all the party boarded the steamer _Queen_ at Tacoma, prepared for the journey of a thousand miles up the coast of Alaska. Some account of this, and also of an excursion to the Yellowstone Park, made on the way westward, is given in the following pages. CONTENTS. CHAPTER I.--THE START FOR ALASKA, II.--ON THE WAY TO THE YELLOWSTONE, III.--YELLOWSTONE PARK, IV.--THE GEYSERS AND PAINT POT, V.--THE UPPER GEYSER BASIN, VI.--THE GRAND CANYON, AND THE FALLS OF THE YELLOWSTONE, VII.--DOWN THE COLUMBIA RIVER TO PORTLAND, VIII.--TACOMA AND SEATTLE, IX.--ON BOARD THE "QUEEN" FROM TACOMA TO VICTORIA, X.--ALASKA, XI.--THE MUIR GLACIER, XII.--SITKA, XIII.--AN ACCIDENT TO THE "QUEEN," XIV.--ICY BAY
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Produced by David Widger THE RIGHT OF WAY, Volume 6 (of 6) By Gilbert Parker CONTENTS: L. THE PASSION PLAY AT CHAUDIERE LI. FACE TO FACE LII. THE COMING OF BILLY LIII. THE SEIGNEUR AND THE CURE HAVE A SUSPICION LIV. M. ROSSIGNOL SLIPS THE LEASH LV. ROSALIE PLAYS A PART LVI. MRS. FLYNN SPEAKS LVII. A BURNING FIERY FURNACE LVIII. WITH HIS BACK TO THE WALL LIX. IN WHICH CHARLEY MEETS A STRANGER LX. THE HAND AT THE DOOR LXI. THE CURE SPEAKS EPILOGUE CHAPTER L. THE PASSION PLAY AT CHAUDIERE For the first time in its history Chaudiere was becoming notable in the eyes of the outside world. "We'll have more girth after this," said Filion Lacasse the saddler to the wife of the Notary, as, in front of the post-office, they stood watching a little cavalcade of habitants going up the road towards Four Mountains to rehearse the Passion Play. "If Dauphin's advice had been taken long ago, we'd have had a hotel at Four Mountains, and the city folk would be coming here for the summer," said Madame Dauphin, with a superior air. "Pish!" said a voice behind them. It was the Seigneur's groom, with a straw in his mouth. He had a gloomy mind. "There isn't a house but has two or three boarders. I've got three," said Filion Lacasse. "They come tomorrow." "We'll have ten at the Manor. But no good will come of it," said the groom. "No good! Look at the infidel tailor!" said Madame Dauphin. "He translated all the writing. He drew all the dresses, and made a hundred pictures--there they are at the Cure's house." "He should have played Judas," said the groom malevolently. "That'd be right for him." "Perhaps you don't like the Passion Play," said Madame Dauphin disdainfully. "We ain't through with it yet," said the death's-head groom. "It is a pious and holy mission," said Madame Dauphin. "Even that Jo Portugais worked night and day till he went away to Montreal, and he always goes to Mass now. He's to take Pontius Pilate when he comes back. Then look at Virginie Morrissette, that put her brother's eyes out quarrelling--she's to play Mary Magdalene." "I could fit the parts better," said the groom. "Of course. You'd have played St. John," said the saddler--"or, maybe, Christus himself!" "I'd have Paulette Dubois play Mary the sinner." "Magdalene repented, and knelt at the foot of the cross. She was sorry and sinned no more," said the Notary's wife in querulous reprimand. "Well, Paulette does all that," said the stolid, dark-visaged groom. Filion Lacasse's ears pricked up. "How do you know--she hasn't come back?" "Hasn't she, though! And with her child too--last night." "Her child!" Madame Dauphin was scandalised and amazed. The groom nodded. "And doesn't care who knows it. Seven years old, and as fine a child as ever was!" "Narcisse--Narcisse!" called Madame Dauphin to her husband, who was coming up the street. She hastily repeated the groom's news to him. The Notary stuck his hand between the buttons of his waistcoat. "Well, well, my dear Madame," he said consequentially, "it is quite true." "What do you know about it--whose child is it?" she asked, with curdling scorn. "'Sh-'sh!" said the Notary. Then, with an oratorical wave of his free hand: "The Church opens her arms to all--even to her who sinned much because she loved much, who, through woful years, searched the world for her child and found it not--hidden away, as it was, by the duplicity of sinful man"--and so on through tangled sentences, setting forth in broken terms Paulette Dubois's life. "How do you know all about it?" asked the saddler. "I've known it for years," said the Notary grandly--stoutly too, for he would freely risk his wife's anger that the vain-glory of the moment might be enlarged. "And you keep it even from madame!" said the saddler, with a smile too broad to be sarcastic. "Tiens! if I did that, my wife'd pick my eyes out with a bradawl." "It was a professional secret," said the Notary, with a desperate resolve to hold his position. "I'm going home, Dauphin--are you coming?" questioned his wife, with an air. "You will remain, and hear what I've got to say. This Paulette Dubois--she should play Mary Magdalene, for--" "Look--look, what's that?" said the saddler. He pointed to a wagon coming slowly up the road. In front of it a team of dogs drew a cart. It carried some thing covered with black. "It's a funeral! There's the coffin. It's on Jo Portugais' little cart," added Filion Lacasse. "Ah, God be merciful, it's Rosalie Evanturel and Mrs. Flynn! And M'sieu' Evanturel in the coffin!" said Madame Dauphin, running to the door of the postoffice to call the Cure's sister. "There'll be use enough for the baker's Dead March now," remarked M. Dauphin sadly, buttoning up his coat, taking off his hat, and going forward to greet Rosalie. As he did so, Charley appeared in the doorway of his shop. "Look, Monsieur," said the Notary. "This is the way Rosalie Evanturel comes home with her father." "I will go for the Cure" Charley answered, turning white. He leaned against the doorway for a moment to steady himself, then hurried up the street. He did not dare meet Rosalie, or go near her yet. For her sake it was better not. "That tailor infidel has a heart. His eyes were leaking," said the Notary to Filion Lacasse, and went on to meet the mournful cavalcade. CHAPTER LI. FACE TO FACE "If I could only understand!"--this was Rosalie's constant cry in these weeks wherein she lay ill and prostrate after her father's burial. Once and once only had she met Charley alone, though she knew that he was keeping watch over her. She had first seen him the day her father was buried, standing apart from the people, his face sorrowful, his eyes heavy, his figure bowed. The occasion of their meeting alone was the first night of her return, when the Notary and Charley had kept watch beside her father's body. She had gone into the little hallway, and had looked into the room of death. The Notary was sound asleep in his arm-chair, but Charley sat silent and moveless, his eyes gazing straight before him. She murmured his name, and though it was only to herself, not even a whisper, he got up quickly and came to the hall, where she stood grief-stricken, yet with a smile of welcome, of forgiveness, of confidence. As she put out her hand to him, and his swallowed it, she could not but say to him--so contrary is the heart of woman, so does she demand a Yes by asserting a No, and hunger for the eternal assurance--she could not but say: "You do not love me--now." It was but a whisper, so faint and breathless that only the heart of love could hear it. There was no answer in words, for some one was stirring beyond Rosalie in the dark, and a great figure heaved through the kitchen doorway, but his hand crushed hers in his own; his heart said to her, "My love is an undying light; it will not change for time or tears"--the words they had read together in a little snuff-coloured book on the counter in the shop one summer day a year ago. The words flashed into his mind, and they were carried to hers. Her fingers pressed his, and then Charley said, over her shoulder, to the approaching Mrs. Flynn: "Do not let her come again, Madame. She should get some sleep," and he put her hand in Mrs. Flynn's. "Be good to her, as you know how, Mrs. Flynn," he added gently. He had won the heart of Mrs. Flynn that moment, and it may be she had a conviction or an inspiration, for she said, in a softer voice than she was wont to use to any one save Rosalie: "I'll do by her as you'd do by your own, sir," and tenderly drew Rosalie to her own room. Such had been their first meeting after her return. Afterwards she was taken ill, and the torture of his heart drove him out into the night, to walk the road and creep round her house like a sentinel, Mrs. Flynn's words ringing in his ears to reproach him--"I'll do by her as you would do by your own, sir." Night after night it was the same, and Rosalie heard his footsteps and listened and was less sorrowful, because she knew that she was ever in his thoughts. But one day Mrs. Flynn came to him in his shop. "She's wantin' a word with ye on business," she said, and gestured towards the little house across the way. "'Tis few words ye do be shpakin' to annybody, but if y' have kind words to shpake and good things to say, y' naidn't be bitin' yer tongue," she added in response to his nod, and left him. Charley looked after her with a troubled face. On the instant it seemed to him that Mrs. Flynn knew all. But his second thought told him that it was only an instinct on her part that there was something between them--the beginning of love, maybe. In another half-hour he was beside Rosalie's chair. "Perhaps you are angry," she said, as he came towards her where she sat in the great arm-chair. She did not give him time to answer, but hurried on. "I wanted to tell you that I have heard you every night outside, and that I have been glad, and sorry too--so sorry for us both." "Rosalie! Rosalie" he said hoarsely, and dropped on a knee beside her chair, and took her hand and kissed it. He did not dare do more. "I wanted to say to you," she said, dropping a hand on his shoulder, "that I do not blame you for anything--not for anything. Yet I want you to be sorry too. I want you to feel as sorry for me as I feel sorry for you." "I am the worst man and you the best woman in the world." She leaned over him with tears in her eyes. "Hush!" she said. "I want to help you--Charles. You are wise. You know ten thousand things more than I; but I know one thing you do not understand." "You know and do whatever is good," he said brokenly. "Oh, no, no, no! But I know one thing, because I have been taught, and because it was born with me. Perhaps much was habit with me in the past, but now I know that one thing is true. It is God." She paused. "I have learned so much since--since then." He looked up with a groan, and put a finger on her lips. "You are feeling bitterly sorry for me," she said. "But you must let me speak--that is all I ask. It is all love asks. I cannot bear that you should not share my thoughts. That is the thing that has hurt--hurt so all these months, these long hard months, when I could not see you, and did not know why I could not. Don't shake so, please! Hear me to the end, and we shall both be the better after. I felt it all so cruelly, because I did not--and I do not--understand. I rebelled, but not against you. I rebelled against myself, against what you called Fate. Fate is one's self, what one brings on one's self. But I had faith in you--always--always, even when I thought I hated you." "Ah, hate me! Hate me! It is your loving that cuts me to the quick," he said. "You have the magnanimity of God." Her eyes leapt up. "'Of God'--you believe in God!" she said eagerly. "God is God to you? He is the one thing that has come out of all this to me." She reached out her hand and took her Bible from a table. "Read that to yourself," she said, and, opening the Book, pointed to a passage. He read it: And they heard the voice of the Lord God walking in the garden in the cool of the day: and Adam and his wife hid themselves from the presence of the Lord God amongst the trees of the garden. And the Lord God called unto Adam, and said unto him, Where art thou? And he said, I heard Thy voice in the garden, and I was afraid, because I was naked; and I hid myself. And He said, Who told thee that thou wart naked? Hast thou eaten of the tree whereof I commanded thee that thou shouldest not eat? Closing the Book, Charley said: "I understand--I see." "Will you say a prayer with me?" she urged. "It is all I ask. It is the only--the only thing I want to hurt you, because it may make you happier in the end. What keeps us apart, I do not know. But if you will say one prayer with me, I will keep on trusting, I will never complain, and I will wait--wait." He kissed both her hands, but the look in his eyes was that of a man being broken on the wheel. She slipped to the floor, her rosary in her fingers. "Let us pray," she said simply, and in a voice as clear as a child's, but with the anguish of a woman's struggling heart behind. He did not move. She looked at him, caught his hands in both of hers, and cried: "But you will not deny me this! Haven't I the right to ask it? Haven't I a right to ask of you a thousand times as much?" "You have the right to ask all that is mine to give life, honour, my body in pieces inch by inch, the last that I can call my own. But, Rosalie, this is not mine to give! How can I pray, unless I believe!" "You do--oh, you do believe in God," she cried passionately. "Rosalie--my life," he urged, hoarse misery in his voice, "the only thing I have to give you is the bare soul of a truthful man--I am that now at least. You have made me so. If I deceived the whole world, if I was as the thief upon the cross, I should still be truthful to you. You open your heart to me--let me open mine to you, to see it as it is. Once my soul was like a watch, cased and carried in the pocket of life, uncertain, untrue, because it was a soul made, not born. I must look at the hands to know the time, and because it varied, because the working did not answer to the absolute, I said: 'The soul is a lie.' You--you have changed all that, Rosalie. My soul now is like a dial to the sun. But the clouds are there above, and I do not know what time it is in life. When the clouds break--if they ever break--and the sun shines, the dial will speak the truth, the whole truth, and nothing but the truth--" He paused, confused, for he had repeated the words of a witness taking the oath in court. "'So help me God!"' she finished the oath for him. Then, with a sudden change of manner, she came to her feet with a spring. She did not quite understand. She was, however, dimly conscious of the power she had over his chivalrous mind: the power of the weak over the strong--the tyranny of the defended over the defender. She was a woman tortured beyond bearing; and she was fighting for her very life, mad with anguish as she struggled. "I do not understand you," she cried, with flashing eyes. "One minute you say you do not believe in anything, and the next you say, 'So help me God!'" "Ah, no, you said that, Rosalie," he interposed gently. "You said I was as magnanimous as God. You were laughing at me then, mocking me, whose only fault is that I loved and trusted you. In the wickedness of your heart you robbed me of happiness, you--" "Don't--don't! Rosalie! Rosalie!" he exclaimed in shrinking protest. That she had spoken to him as her deepest heart abhorred only increased her agitated denunciation. "Yes, yes, in your mad selfishness, you did not care for the poor girl who forgot all, lost all, and now--" She stopped short at the sight of his white, awe stricken face. His eye-glass seemed like a frost of death over an eye that looked upon some shocking scene of woe. Yet he appeared not to see, for his fingers fumbled on his waistcoat for the monocle--fumbled--vaguely, helplessly. It was the realisation of a soul cast into the outer darkness. Her abrupt silence came upon him like the last engulfing wave to a drowning
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E-text prepared by Giovanni Fini, Melissa McDaniel, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 51738-h.htm or 51738-h.zip: (http://www.gutenberg.org/files/51738/51738-h/51738-h.htm) or (http://www.gutenberg.org/files/51738/51738-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/julianmortimerbr00cast [Illustration: “Julian!” exclaimed the man, in a low but excited tone of voice. “I am here!” replied the prisoner, so overjoyed that he could scarcely speak.—Page 118. _Julian Mortimer._] JULIAN MORTIMER; A Brave Boy’s Struggle for Home and Fortune by HARRY CASTLEMON, Author of The “Gunboat Series,” “The Boy Trapper,” “Sportsman’s Club Series,” etc., etc. Illustrated. [Illustration] A. L. Burt Company, Publishers New York Copyright, 1873, by Street & Smith. Copyright, 1887, by A. L. Burt. Copyright, 1901, by Charles S. Fosdick. JULIAN MORTIMER. CONTENTS CHAPTER PAGE JULIAN MORTIMER I. THE WAGON TRAIN 5 II. JULIAN HEARS SOMETHING 11 III. A RIDE IN THE DARK 18 IV. JULIAN FINDS A RELATIVE 30
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Produced by MWS, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) [Illustration (cover)] THE SAYINGS OF MRS. SOLOMON [Illustration] THE SAYINGS OF MRS. SOLOMON BEING THE CONFESSIONS OF THE SEVEN HUNDREDTH WIFE AS REVEALED TO HELEN ROWLAND AUTHOR OF “THE WIDOW” “REFLECTIONS OF A BACHELOR GIRL,” ETC. [Illustration] PUBLISHED IN NEW YORK BY DODGE PUBLISHING COMPANY COPYRIGHT, 1913, BY DODGE PUBLISHING COMPANY; NEW YORK MRS. SOLOMON CONTENTS I. GREETING 11 II. BOOK OF HUSBANDS 15 III. BOOK OF FLIRTS 31 IV. BOOK OF DAMSELS 49 V. BOOK OF BACHELORS 67 VI. BOOK OF SIRENS 79 VII. BOOK OF ADMONITIONS 93 VIII. BOOK OF SONGS 109 AND VERILY, A WOMAN NEED KNOW BUT ONE MAN WELL, IN ORDER TO UNDERSTAND _ALL_ MEN; WHEREAS A MAN MAY KNOW ALL WOMEN AND UNDERSTAND NOT ONE OF THEM [Illustration] GREETING Hearken, my Daughter, and give ear unto my wisdom, that thou mayest understand _man_--his goings and his comings, his stayings out and his return in the morning, his words of honey and his ways of guile. Beloved, question me not, whence I have learned of man, his secrets. Have I not known _one_ man well? And verily, a woman need know but one man, in order to understand _all_ men; whereas a man may know all women and understand not one of them. For men are of but one pattern, whereof thou needest but to discover the secret combination; but women are as the _Yale lock_--no two of them are alike. Lo! What a paradox is man--even a puzzle which worketh backward! He mistaketh a sweet scent for a sweet disposition, and a subtile sachet for a subtile mind. He voweth, “I admire a discreet woman!”--and inviteth the froward blonde of the chorus to supper. He muttereth unto his wife, “Lo! I will go unto the corner for a cigar”--and behold, he wandereth unto many corners and returneth by a circular route. He kisseth the woman whom he loveth _not_, and avoideth her whom he loveth, lest his heart become entangled. Yea, he seeketh always the wrong woman that he may forget his heart’s desire. Yet, whichever he weddeth, he regretteth it all the days of his life. SELAH. FOR A LONE WOMAN IN A GREAT RESTAURANT LOOKETH PITIFUL; BUT AN HUSBAND LOOKETH LIKE A REAL _TIP_ [Illustration] BOOK OF HUSBANDS CHAPTER ONE Verily, my Daughter, an husband is a Good Thing. He giveth the house a “finished” look, even as a rubber plant and a door-plate. He suggesteth ready-money, and is an _adornment_ like unto a potted palm upon the piazza. When he sitteth beside thee in the tabernacle, he is as a certificate of respectability; yea in the eyes of society, he is better than a written recommendation. Verily, he is as necessary unto thy dinner table as a centerpiece, and more impressive than cut flowers and a butler in livery. When he taketh thee abroad to dine, the waiter shall not lead thee into dim and draughty corners, but shall run nimbly and place thee in a choice spot within _hearing_ of the music. For a lone woman in a great restaurant looketh pitiful; but an husband looketh like a real _tip_. When thou goest unto an hotel in his company, the clerk shall not offer thee a room upon the air-shaft; and the bell-boys shall answer thy ring with flying feet and a glad smile. For an husband is as good as much credit. Yea, when thou goest forth
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Produced by Brian Coe, Graeme Mackreth and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) CAVALRY FRIEDRICH von BERNHARDI CAVALRY A POPULAR EDITION OF "CAVALRY IN WAR AND PEACE" BY GENERAL FRIEDRICH von BERNHARDI _Author of "How Germany Makes War"_ WITH A PREFACE BY FIELD-MARSHAL SIR J.D.P. FRENCH G.C.B., G.C.V.O., K.C.M.G. THIS EDITION EDITED BY A. HILLIARD ATTERIDGE FROM THE TRANSLATION BY MAJOR G.T.M. BRIDGES, D.S.O. 4TH ROYAL (IRISH) DRAGOON GUARDS NEW YORK GEORGE H. DORAN COMPANY Copyright, 1914, by GEORGE H. DORAN COMPANY EDITOR'S NOTE General von Bernhardi is best known in England as a writer of the "Jingo" School which has done so much to produce the war, but this is only one side of his literary activity. He is also a writer of recognised ability on the theory and practice of modern war. Sir John French's introduction to the present work is sufficient testimony to the value which is set upon his purely professional writings. General von Bernhardi is a distinguished cavalry officer, and he writes with remarkable independence on the special work of his own arm, never hesitating to criticise the regulations of the German Army, when he considers that they do not correspond to the actual conditions of war. The book, though written in the first instance for cavalry officers, will be found of interest to all who wish to understand what cavalry is called upon to do and how it does it in the war of to-day. It will be found to be full of useful instruction for not only officers of the regular cavalry and the yeomanry, but also for officers and non-commissioned officers of our cyclist battalions, whose work brings them into such close relation with our cavalry in war and manoeuvres, and who have to perform much the same work as that of the cavalry in reconnaissance, screening, and outpost duties. General von Bernhardi's work deals with cavalry in war and peace, but much of the second part, dealing with peace duties and training, is made up of a mass of detail on parade and riding-school work, as carried out in the German Army. This has been omitted, but his remarks on cavalry training at manoeuvres are included in an appendix. Sir John French's introduction gives us the views of the greatest of our own cavalry leaders, who is now commanding our Army in France. PREFACE All British soldiers will welcome this excellent translation by Major Bridges of a new work by General von Bernhardi, whose intimate knowledge of cavalry and brilliant writings have won for him such a great European reputation. Some prominence has lately been given in England to erroneous views concerning the armament and tactics of cavalry. General von Bernhardi's book contains sound doctrine on this subject, and will show to every one who has an open mind and is capable of conviction by reasoned argument how great is the future rôle of cavalry, and how determined are the efforts of the great cavalry leaders of Europe to keep abreast with the times, and to absorb, for the profit of the arm, every lesson taught by experience, both in peace and war. In all theories, whether expounded by so eminent an authority as General von Bernhardi or by others who have not his claims to our attention, there is, of course, a good deal that must remain a matter of opinion, and a question open for free and frank discussion. But I am convinced that some of the reactionary views recently aired in England concerning cavalry will, if accepted and adopted, lead first to the deterioration and then to the collapse of cavalry when next it is called upon to fulfil its mission in war. I therefore recommend not only cavalry officers, but officers of all arms and services, to read and ponder this book, which provides a strengthening tonic for weak minds which may have allowed themselves to be impressed by the dangerous heresies to which I have alluded. * * * * * Is there such a thing as the cavalry spirit, and should it be our object to develop this spirit, if it exists, to the utmost, or to suppress it? General von Bernhardt thinks that this spirit exists and should be encouraged, and I agree with him. It is not only possible but necessary to preach the Army spirit, or, in other words, the close comradeship of all arms in battle, and at the same time to develop the highest qualities and the special attributes of each branch. The particular spirit which we seek to encourage is different for each arm. Were we to seek to endow cavalry with the tenacity and stiffness of infantry, or to take from the mounted arm the mobility and the cult of the offensive which are the breath of its life, we should ruin not only the cavalry, but the Army besides. Those who scoff at the spirit, whether of cavalry, of artillery, or of infantry, are people who have had no practical experience of the actual training of troops in peace, or of the personal leadership in war. Such men are blind guides indeed. Another reason why I welcome this book is because it supplies a timely answer to schoolmen who see in our South African experiences, some of which they distort and many of
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) THE FLAG AND OTHER POEMS 1918 BY AMY REDPATH RODDICK (_All rights reserved_) Montreal JOHN DOUGALL & SON CONTENTS. PAGE THE BRITISH LANDS 5 THE FLAG 7 ENGLAND’S OLDEST COLONY 9 IN FORT-BOUND METZ 11 THE CALM THAT COMES WITH YEARS 13 GOING WEST 15 PERFECT IN THY PROMISE 18
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Produced by Malcolm Farmer, William Flis, and the Online Distributed Proofreading Team. PUNCH, OR THE
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Produced by Chris Curnow, Joseph Cooper, Christian Boissonnas, The Internet Archive for some images and the Online Distributed Proofreading Team at http://www.pgdp.net BIRDS AND ALL NATURE. ILLUSTRATED BY COLOR PHOTOGRAPHY. VOL. VI. NOVEMBER, 1899. NO. 4 CONTENTS Page A RARE HUMMING BIRD. 145 THE LADY'S SLIPPER. 146 JIM AND I. 149 WHY AND WHEREFORE OF THE COLORS OF BIRDS' EGGS. 152 TEA. 155 THE TOWHEE; CHEWINK. 158 WEE BABIES. 161 WISH-TON-WISH. 162 THE BEE AND THE FLOWER. 164 THE CANARY. 167 THE PAROQUET. 169 THE CAROLINA PAROQUET. 170 WHAT THE WOOD FIRE SAID TO A LITTLE BOY. 173 THE MISSISSIPPI. 174 INDIAN SUMMER. 176 THE CHIPMUNK. 179 TED'S WEATHER PROPHET. 180 THREATENED EXTERMINATION OF THE FUR SEAL. 181 THE PEACH. 182 THE TRANSFORMATION OF THE VICEROY. 185 BIRD LORE OF THE ANCIENT FINNS. 186 BIRD NOTES. 187 STORY OF A NEST. 188 COMMON MINERALS AND VALUABLE ORES. 191 WHEN ANIMALS ARE SEASICK. 192 A RARE HUMMING BIRD. HOW ONE OF THESE LITTLE FAIRY CREATURES WAS TAMED. P. W. H. Instances are very rare where birds are familiar with human beings, and the humming birds especially are considered unapproachable, yet a naturalist tells how he succeeded in catching one in his hand. Several cases are on record of attempts to tame humming birds, but when placed in a cage they do not thrive, and soon die. The orange groves of southern California abound in these attractive creatures, and several can often be seen about the flowering bushes, seeking food or chasing each other in play. "Once, when living on the <DW72>s of the Sierra Madre mountains, where they were very plentiful, I accomplished the feat of taking one in my hand," says the naturalist. "I first noticed it in the garden, resting on a mustard stalk, and, thinking to see how near I could approach, I gradually moved toward it by pretending to be otherwise engaged, until I was within five feet of it. The bird looked at me calmly and I moved slowly nearer, whistling gently to attract its attention, as I began to think something was the matter with it. It bent its head upon one side, eyed me sharply, then flew to another stalk a few feet away, contemplating me as before. Again I approached, taking care not to alarm it, and this time I was almost within reaching distance before it flew away. The bird seemed to have a growing confidence in me, and I became more and more deliberate in my movements until I finally stood beside it, the little creature gazing at me with its head tipped upon one side as if questioning what I was about. I then withdrew and approached again, repeating this several times before I stretched out my hand to take it, at which it flew to another bush. But the next time it allowed me to grasp it, and I had caught a wild bird open-handed without even the use of salt!" One of the curious features of humming birds is that they are never found in Europe, being exclusively American, ranging in this country from the extreme north to the tropics, adding to the beauty of field and grove, being veritable living gems. Nothing can approach the humming bird in its gorgeousness of decoration. It is especially rich in the metallic tints, seemingly splashed with red, blue, green, and other bronzes. Some appear to be decked in a coat of mail, others blazing in the sunlight with head-dresses and breast-plates that are dazzling to behold and defy description. The smallest of birds, they are one of the most beautiful of the many ornaments of our fields and gardens. In some islands of the south Pacific birds have been found that had never seen a man before, and allowed themselves to be picked up, and even had to be pushed out of peoples' way, it is said, yet they must have been very unlike the birds that are generally known, or they would have been more timid, even if they had not learned the fear of man. THE LADY'S SLIPPER. WILLIAM KERR HIGLEY, Secretary of The Chicago Academy of Sciences.
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Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive.) THE MEDIAEVAL MIND MACMILLAN AND CO., LIMITED LONDON. BOMBAY. CALCUTTA MELBOURNE THE MACMILLAN COMPANY NEW YORK. BOSTON. CHICAGO ATLANTA. SAN FRANCISCO THE MACMILLAN CO. OF CANADA, LTD. TORONTO THE MEDIAEVAL MIND A HISTORY OF THE DEVELOPMENT OF THOUGHT AND EMOTION IN THE MIDDLE AGES BY HENRY OSBORN TAYLOR IN TWO VOLUMES VOL. I MACMILLAN AND CO., LIMITED ST. MARTIN'S STREET, LONDON 1911 TO J. I. T. PREFACE The Middle Ages! They seem so far away; intellectually so preposterous, spiritually so strange. Bits of them may touch our sympathy, please our taste; their window-glass, their sculpture, certain of their stories, their romances,--as if those straitened ages really were the time of romance, which they were not, God knows, in the sense commonly taken. Yet perhaps they were such intellectually, or at least spiritually. Their _terra_--not for them _incognita_, though full of mystery and pall and vaguer glory--was not the earth. It was the land of metaphysical construction and the land of spiritual passion. There lay their romance, thither pointed their veriest thinking, thither drew their utter
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Produced by Curtis Weyant, Barbara Kosker and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE SOUTH-WEST. BY A YANKEE. Where on my way I went; ------------A pilgrim from the North-- Now more and more attracted, as I drew Nearer and nearer. ROGERS' ITALY. IN TWO VOLUMES. VOL. I. NEW-YORK: HARPER & BROTHERS, CLIFF-ST. 1835. [Entered, according to Act of Congress, in the year 1835, by HARPER & BROTHERS, in the Clerk's Office of the Southern District of New-York.] TO THE HON. JOHN A. QUITMAN, EX-CHANCELLOR OF MISSISSIPPI, THESE VOLUMES ARE RESPECTFULLY DEDICATED BY THE AUTHOR. INTRODUCTION. The succeeding pages grew out of a private correspondence, which the author, at the solicitation of his friends, has been led to throw into the present form, modifying in a great measure the epistolary vein, and excluding, so far as possible, such portions of the original papers as were of too personal a nature to be intruded upon the majesty of the public;--while he has embodied, so far as was compatible with the new arrangement, every thing likely to interest the general reader. The author has not written exclusively as a traveller or journalist. His aim has been to present the result of his experience and observations during a residence of several years in the South-West. This extensive and important section of the United States is but little known. Perhaps there is no region between the Mississippi river and the Atlantic shores, of which so little accurate information is before the public; a flying tourist only, having occasionally added a note to his diary, as he skirted its forest-lined borders. New-York, Sept. 1835. CONTENTS. I. A state of bliss--Cabin passenger--Honey-hunting--Sea-life--Its effects--Green horns--Reading--Tempicide--Monotony--Wish for excitement--Superlative misery--Log--Combustible materials--Cook and bucket--Contrary winds--All ready, good Sirs--Impatient passengers--Signal for sailing--Leave-takings--Sheet home--Under weigh. Page 13 II. A tar's headway on land--A gentleman's at sea--An agreeable trio --Musical sounds--Helmsman--Supper Steward--A truism--Helmsman's cry--Effect--Cases for bipeds--Lullaby--Sleep. 20 III. Shakspeare--Suicide or a 'foul' deed--A conscientious table-- Fishing smacks--A pretty boy--Old Skipper, Skipper junior, and little Skipper--A young Caliban--An alliterate Man--Fisherman-- Nurseries--Navy--The Way to train up a Child--Gulf Stream-- Humboldt--Crossing the Gulf--Ice ships--Yellow fields--Flying fish--A game at bowls--Bermuda--A post of observation--Men, dwellings, and women of Bermuda--St. George--English society-- Washing decks--Mornings at sea--Evenings at sea--A Moonlight scene--The ocean on fire--Its phosphorescence--Hypotheses 25 IV. Land--Abaco--Fleet--Hole in the Wall--A wrecker's hut--Bahama vampyres--Light houses--Conspiracy--Wall of Abaco--Natural Bridge--Cause--Night scene--Speak a packet ship--A floating city--Wrecker's lugger--Signal of distress--A Yankee lumber brig--Portuguese Man of War. 42 V. A calm--A breeze on the water--The land of flowers--Juan Ponce de Leon--The fountain of perpetual youth--An irremediable loss to single gentlemen--Gulf Stream--New-Providence--Cuba--Pan of Matanzas--Blue hills of Cuba--An armed cruiser--Cape St. Antonio --Pirates--Enter the Mexican Gulf--Mobile--A southern winter--A farewell to the North and a welcome to the South--The close of the voyage--Balize--Fleet--West Indiaman--Portuguese polacre--Land ho! --The land--Its formation--Pilot or "little brief authority"-- Light house--Revenue cutter--Newspapers--"The meeting of the waters"--A singular appearance--A morning off the Balize--The tow-boat 55 VI. The Mississippi--The Whale--Description of tow-boats--
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Produced by Giovanni Fini and The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) FOLK–LORE AND LEGENDS _ENGLISH_ FOLK–LORE AND LEGENDS ENGLISH [Illustration: DECORATION] W. W. GIBBINGS 18 BURY ST., LONDON, W.C. 1890 INTRODUCTORY NOTE. The old English Folklore Tales are fast dying out. The simplicity of character necessary for the retaining of old memories and beliefs is being lost, more rapidly in England, perhaps, than in any other part of the world. Our folk are giving up the old myths for new ones. Before remorseless “progress,” and the struggle for existence, the poetry of life is being quickly blotted out. In editing this volume I have endeavoured to select some of the best specimens of our Folklore. With regard to the nursery tales, I have taken pains to give them as they are in the earliest editions I could find. I must say, however, that, while I have taken every care to alter only as much as was absolutely necessary in these tales, some excision and slight alteration has at times been required. C. J. T. CONTENTS. PAGE A Dissertation on Fairies, 1 Nelly the Knocker, 39 The Three Fools, 42 Some Merry Tales of the Wise Men of Gotham, 46 The Tulip Fairies, 54 The History of Jack and the Giants, 57 The Fairies’ Cup, 84 The White Lady, 86 A Pleasant and Delightful History of Thomas Hickathrift, 89 The Spectre Coach, 117 The Baker’s Daughter, 123 The Fairy Children, 126 The History of Jack and the Beanstalk, 129 Johnny Reed’s Cat, 150 Lame Molly, 156 The Brown man of the Moors, 159 How the Cobbler cheated the Devil, 161 The Tavistock Witch, 165 The Worm of Lambton, 168 The Old Woman and the Crooked Sixpence, 174 The Yorkshire Boggart, 177 The Duergar, 181 The Barn Elves, 185 Legends of King Arthur, 187 Silky, 192 A DISSERTATION ON FAIRIES. BY JOSEPH RITSON, ESQ. The earliest mention of Fairies is made by Homer, if, that is, his English translator has, in this instance, done him justice:— “Where round the bed, whence Achelöus springs, The wat’ry Fairies dance in mazy rings.” (_Iliad_, B. xxiv. 617.) These Nymphs he supposes to frequent or reside in woods, hills, the sea, fountains, grottos etc., whence they are peculiarly called Naiads, Dryads and Nereids: “What sounds are those that gather from the shores, The voice of nymphs that haunt the sylvan bowers, The fair–hair’d dryads of the shady wood, Or azure daughters of the silver flood?” (_Odyss._ B. vi. 122.) The original word, indeed, is _nymphs_, which, it must be confessed, furnishes an accurate idea of the _fays_ (_fées_ or _fates_) of the ancient French and Italian romances; wherein they are represented as females of inexpressible beauty, elegance, and every kind of personal accomplishment, united with magic or supernatural power; such, for instance, as the Calypso of Homer, or the Alcina of Ariosto. Agreeably to this idea it is that Shakespeare makes Antony say in allusion to Cleopatra— “To this great fairy I’ll commend thy acts,” meaning this grand assemblage of power and beauty. Such, also, is the character of the ancient nymphs, spoken of by the Roman poets, as Virgil, for instance: “Fortunatus et ille, deos qui novit agrestes, P
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Produced by Close@Hand, Chris Pinfield and The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive). Transcriber's Note. Apparent typographical errors have been corrected. The use of hyphens has been rationalised. Notices of other books in the series have been moved to the end of the text. Small capitals have been replaced by full capitals, italics are indicated by _underscores_, and bold font is indicated by +plus signs+. Superscripts have been removed. BELL'S ENGLISH HISTORY SOURCE BOOKS _General Editors_: S. E. WINBOLT, M.A., and KENNETH BELL, M.A. THE GROWTH OF PARLIAMENT AND THE WAR WITH SCOTLAND (1216-1307) BY W. D. ROBIESON, M.A. ASSISTANT TO THE PROFESSOR OF HISTORY IN THE UNIVERSITY OF GLASGOW [Illustration] LONDON G. BELL AND SONS, LTD. 1914 INTRODUCTION This series of English History Source Books is intended for use with any ordinary textbook of English History. Experience has conclusively shown that such apparatus is a valuable--nay, an indispensable--adjunct to the history lesson. It is capable of two main uses: either by way of lively illustration at the close of a lesson, or by way of inference-drawing, before the textbook is read, at the beginning of the lesson. The kind of problems and exercises that may be based on the documents are legion, and are admirably illustrated in a _History of England for Schools_, Part I., by Keatinge and Frazer, pp. 377-381. However, we have no wish to prescribe for the teacher the manner in which he shall exercise his craft, but simply to provide him and his pupils with materials hitherto not readily accessible for school purposes. The very moderate price of the books in this series should bring them within the reach of every secondary school. Source books enable the pupil to take a more active part than hitherto in the history lesson. Here is the apparatus, the raw material: its use we leave to teacher and taught. Our belief is that the books may profitably be used by all grades of historical students between the standards of fourth-form boys in secondary schools and undergraduates at Universities. What differentiates students at one extreme from those at the other is not so much the kind of subject-matter dealt with, as the amount they can read into or extract from it. In regard to choice of subject-matter, while trying to satisfy the natural demand for certain "stock" documents of vital importance, we hope to introduce much fresh and novel matter. It is our intention that the majority of the extracts should be lively in style--that is, personal, or descriptive, or rhetorical, or even strongly partisan--and should not so much profess to give the truth as supply data for inference. We aim at the greatest possible variety, and lay under contribution letters, biographies, ballads and poems, diaries, debates, and newspaper accounts. Economics, London, municipal, and social life generally, and local history, are represented in these pages. The order of the extracts is strictly chronological, each being numbered, titled, and dated, and its authority given. The text is modernised, where necessary, to the extent of leaving no difficulties in reading. We shall be most grateful to teachers and students who may send us suggestions for improvement. S. E. WINBOLT. KENNETH BELL. NOTE TO THIS VOLUME I am indebted to Messrs. MacLehose and Co. for permission to reprint two passages from Sir Herbert Maxwell's translation of the "Chronicle of Lanercost," which appeared in the _Scottish Historical Review_. W. D. R. GLASGOW, _January, 1914_ TABLE OF CONTENTS PAGE INTRODUCTION v DATE 1216. CORONATION OF HENRY III. _Roger of Wendover_ 1 1217. THE FAIR OF LINCOLN _Annals of Dunstable_ 2 1217. THE BATTLE OF SANDWICH _Histoire des Ducs_ 4 1217. WHY LOUIS WAS UNSUCCESSFUL IN ENGLAND _Canon of Barnwell_ 5 1217. CHARTER OF THE FOREST _Statutes of the Realm_ 5 1223. A WRESTLING-MATCH AND DISTURBANCES IN LONDON _Annals of Dunstable_ 9 1224. THE COMING OF THE FRIARS _Monumenta Franc
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Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net. [Illustration: _LEO'S FIRST APPEARANCE_] LEO THE CIRCUS BOY; or LIFE UNDER THE GREAT WHITE CANVAS BY CAPTAIN RALPH BONEHILL, Author of "The Young Oarsmen of Lakeview," "The Rival Bicyclists," "Gun and Sled," etc., etc. CHICAGO: _M. A. Donohue_ & Co. _Copyright_, 1897. _BY_ _W. L. Allison_ Co. CONTENTS - CHAPTER I.--A ROW AND ITS RESULT. - CHAPTER II.--CAPTURING A RUNAWAY LION. - CHAPTER III.--LEO LEAVES THE FARM. - CHAPTER IV.--LEO JOINS THE GREATEST SHOW ON EARTH. - CHAPTER V.--A LEAP OF GREAT PERIL. - CHAPTER VI.--LEO ASSERTS HIS RIGHTS. - CHAPTER VII.--LEO GAINS HIS LIBERTY. - CHAPTER VIII.--AMONG THE CLOUDS IN A THUNDERSTORM. - CHAPTER IX.--THE MAD ELEPHANT. - CHAPTER X.--CAPTURING THE ELEPHANT. - CHAPTER XI.--A CRIMINAL COMPACT. - CHAPTER XII.--THE STOLEN CIRCUS TICKETS. - CHAPTER XIII.--LEO MAKES A CHANGE. - CHAPTER XIV.--LEO MAKES A NEW FRIEND. - CHAPTER XV.--AN ACT NOT ON THE BILLS. - CHAPTER XVI.--AN UNPLEASANT POSITION. - CHAPTER XVII.--CARL SHOWS HIS BRAVERY. - CHAPTER XVIII.--A WONDERFUL TRICK EXPLAINED. - CHAPTER XIX.--WAMPOLE'S NEW SCHEME. - CHAPTER XX.--ANOTHER STOP ON THE ROAD. - CHAPTER XXI.--AN UNEXPECTED BATH. - CHAPTER XXII.--WAMPOLE SHOWS HIS HAND. - CHAPTER XXIII.--THE GREATEST SHOW ON EARTH ONCE MORE. - CHAPTER XXIV.--IN THE CIRCUS RING AGAIN. - CHAPTER XXV.--ANOTHER BALLOON TRIP. - CHAPTER XXVI.--ADVENTURES AMID THE FLAMES. - CHAPTER XXVII.--ESCAPE FROM THE BURNING FOREST. - CHAPTER XXVIII.--THE RIVAL BALLOONISTS. - CHAPTER XXIX.--PORLER'S MOVE. - CHAPTER XXX.--MART KEENE'S STORY. - CHAPTER XXXI.--A FALL FROM THE CLOUDS. - CHAPTER XXXII.--MART A PRISONER. - CHAPTER XXXIII.--LEO TO THE RESCUE. - CHAPTER XXXIV.--THE END OF PORLER. - CHAPTER XXXV.--A COWARDLY ATTACK. - CHAPTER XXXVI.--ON THE ELEVATED TRACKS. - CHAPTER XXXVII.--THE CAPTURE OF GRISWOLD. - CHAPTER XXXVIII.--GOOD-BY TO THE CIRCUS BOY. Leo the Circus Boy CHAPTER I.--A ROW AND ITS RESULT. "Land sakes alive, Daniel, look at that boy!" "Where is he, Marthy?" "Up there on the old apple tree a-hangin' down by his toes! My gracious, does he wanter kill himself?" "Thet's wot he does, Marthy," grumbled old Daniel Hawkins. "He'll do it, jest so ez we kin pay his funeral expenses. Never seen sech a boy before in my born days!" "Go after him with the horsewhip, Daniel. Oh! goodness gracious, look at thet now!" And the woman, or, rather, Tartar, Mrs. Martha Hawkins, held up her hands in terror as the boy on the apple tree suddenly gave a swing, released his feet, and, with a graceful turn forward, landed on his feet on the ground. "Wot do yer mean by sech actions, yer young good-fer-nothin'?" cried Daniel Hawkins, rushing forward, his face full of sudden rage. "Do yer want ter break yer wuthless neck?" "Not much, I don't," replied the boy, with a little smile creeping over his sunburned, handsome face. "I'm afraid if I did that I would never get over it, Mr. Hawkins." "Don't try ter joke me, Leo Dunbar, or I'll break every bone in your worthless body!" "I'm not joking
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Produced by Judith Boss. HTML version by Al Haines. THE AMATEUR CRACKSMAN BY E. W. HORNUNG TO A. C. D. THIS FORM OF FLATTERY THE AMATEUR CRACKSMAN CONTENTS THE IDES OF MARCH A COSTUME PIECE GENTLEMEN AND PLAYERS LE PREMIER PAS WILFUL MURDER NINE POINTS OF THE LAW THE RETURN MATCH THE GIFT OF THE EMPEROR THE IDES OF MARCH I It was half-past twelve when I returned to the Albany as a last desperate resort. The scene of my disaster was much as I had left it. The baccarat-counters still strewed the table, with the empty glasses and the loaded ash-trays. A window had been opened to let the smoke out, and was letting in the fog instead. Raffles himself had merely discarded his dining jacket for one of his innumerable blazers. Yet he arched his eyebrows as though I had dragged him from his bed. "Forgotten something?" said he, when he saw me on his mat. "No," said I, pushing past him without ceremony. And I led the way into his room with an impudence amazing to myself. "Not come back for your revenge, have you? Because I'm afraid I can't give it to you single-handed. I was sorry myself that the others--" We were face to face by his fireside, and I cut him short. "Raffles," said I, "you may well be surprised at my coming back in this way and at this hour. I hardly know you. I was never in your rooms before to-night. But I fagged for you at school, and you said you remembered me. Of course that's no excuse; but will you listen to me--for two minutes?" In my emotion I had at first to struggle for every word; but his face reassured me as I went on, and I was not mistaken in its expression. "Certainly, my dear man," said he; "as many minutes as you like. Have a Sullivan and sit down." And he handed me his silver cigarette-case. "No," said I, finding a full voice as I shook my head; "no, I won't smoke, and I won't sit down, thank you. Nor will you ask me to do either when you've heard what I have to say." "Really?" said he, lighting his own cigarette with one clear blue eye upon me. "How do you know?" "Because you'll probably show me the door," I cried bitterly; "and you will be justified in doing it! But it's no use beating about the bush. You know I dropped over two hundred just now?" He nodded. "I hadn't the money in my pocket." "I remember." "But I had my check-book, and I wrote each of you a check at that desk." "Well?" "Not one of them was worth the paper it was written on, Raffles. I am overdrawn already at my bank!" "Surely only for the moment?" "No. I have spent everything." "But somebody told me you were so well off. I heard you had come in for money?" "So I did. Three years ago. It has been my curse; now it's all gone--every penny! Yes, I've been a fool; there never was nor will be such a fool as I've been.... Isn't this enough for you? Why don't you turn me out?" He was walking up and down with a very long face instead. "Couldn't your people do anything?" he asked at length. "Thank God," I cried, "I have no people! I was an only child. I came in for everything there was. My one comfort is that they're gone, and will never know." I cast myself into a chair and hid my face. Raffles continued to pace the rich carpet that was of a piece with everything else in his rooms. There was no variation in his soft and even footfalls. "You used to be a literary little cuss," he said at length; "didn't you edit the mag. before you left? Anyway I recollect fagging you to do my verses; and literature of all sorts is the very thing nowadays; any fool can make a living at it." I shook my head. "Any fool couldn't write off my debts," said I. "Then you have a flat somewhere?" he went on. "Yes, in Mount Street." "Well, what about the furniture?" I laughed aloud in my misery. "There's been a bill of sale on every stick for months!" And at that Raffles stood still, with raised eyebrows and stern eyes that I could meet the better now that he knew the worst; then, with a shrug, he resumed his walk, and
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Produced by Charlie Howard and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE DISASTER WHICH ECLIPSED HISTORY THE JOHNSTOWN FLOOD ILLUSTRATED PUBLISHED BY RICHARD K. FOX, FRANKLIN SQ., NEW YORK. PRICE, 10 CENTS. Copyrighted 1889, by Richard K. Fox. PARIS UNVEILED --OR-- An Expose of Vice AND Crime --IN THE-- GAY FRENCH CAPITAL. Depicting in a truly graphic manner the doings and sayings of the liveliest people on the face of the earth in the liveliest capital in the world. Handsomely and profusely illustrated with innumerable Engravings. Translated from the French Expressly for Richard K. Fox PRICE BY MAIL, 25 CENTS. RICHARD K. FOX, Publisher, Franklin Square, New York HORROR! THE JOHNSTOWN DISASTER WHICH ECLIPSED HISTORY. A DEATH-DEALING DAM. Hundreds upon Hundreds of People Swept Away by the Flood. There is not one chance in a million that the Conemaugh river would ever have been heard of in history had it not been for its action on Friday evening, May 31. The Conemaugh river is, or rather was, a simple little stream that meandered through Northwestern Pennsylvania and made glad by its peaceful murmurings those who dwelt by its bankside, or bore tokens of affection in the way of pleasure-seeking picnickers, moonlight parties or across-stream excursionists upon its placid bosom. It was one of those
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E-text prepared by Roger Frank and the Project Gutenberg Online Distributed Proofreading Canada Team (http://www.pgdpcanada.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 27115-h.htm or 27115-h.zip: (http://www.gutenberg.net/dirs/2/7/1/1/27115/27115-h/27115-h.htm) or (http://www.gutenberg.net/dirs/2/7/1/1/27115/27115-h.zip) THE CATTLE-BARON'S DAUGHTER by HAROLD BINDLOSS Author of "Alton of Somasco," etc. [Illustration: A FIERCE WHITE FROTHING ABOUT HIM.--Page 335.] New York Frederick A. Stokes Company Publishers Copyright, 1906, by Frederick A. Stokes Company This Edition published in September, 1906 All rights reserved CONTENTS CHAPTER PAGE I The Portent 1 II Hetty Takes Heed 12 III The Cattle-Barons 26 IV Muller Stands Fast 39 V Hetty Comes Home 50 VI The Incendiary 62 VII Larry Proves Intractable 72 VIII The Sheriff 85 IX The Prisoner 96 X On the Trail 110 XI Larry's Acquittal 122 XII The Sprouting of the Seed 134 XIII Under Fire 144 XIV Torrance's Warning 155 XV Hetty's Bounty 165 XVI Larry Solves the Difficulty 177 XVII Larry's Peril 189 XVIII A Futile Pursuit 201 XIX Torrance Asks a Question 212 XX Hetty's Obstinacy 224 XXI Clavering Appears Ridiculous 238 XXII The Cavalry Officer 250 XXIII Hetty's Avowal 262 XXIV The Stock Train 272 XXV Cheyne Relieves His Feelings 286 XXVI Larry's Reward 296 XXVII Clavering's Last Card 309 XXVIII Larry Rides to Cedar 321 XXIX Hetty Decides 331 XXX Larry's Wedding Day 343 XXXI Torrance Rides Away 355 LIST OF ILLUSTRATIONS "Come Down!" _Facing page_ 48 "She'll shoot me before she means to." 66 A white face and shadowy head, from which the fur cap had fallen. 114 "Aren't you a trifle late?" 160 There was a note in her voice that set the man's heart beating furiously. 268 A fierce white frothing about him. _Frontispiece_ THE CATTLE-BARON'S DAUGHTER I THE PORTENT The hot weather had come suddenly, at least a month earlier than usual, and New York lay baking under a scorching sun when Miss Hetty Torrance sat in the coolest corner of the Grand Central Depot she could find. It was by her own wish she had spent the afternoon in the city unattended, for Miss Torrance was a self-reliant young woman; but it was fate and the irregularity of the little gold watch, which had been her dead mother's gift, that brought her to the depot at least a quarter of an hour too soon. But she was not wholly sorry, for she had desired more solitude and time for reflection than she found in the noisy city, where a visit to an eminent modiste had occupied most of her leisure. There was, she had reasons for surmising, a decision of some moment to be made that night, and as yet she was no nearer arriving at it than she had been when the little note then in her pocket had been handed her. Still, it was not the note she took out when she found a seat apart from the hurrying crowd, but a letter from her father, Torrance, the Cattle-Baron, of Cedar Range. It was terse and to the point, as usual, and a little smile crept into the girl's face as she read. "Your letter to hand, and so long as you have a good time don't worry about the bills. You'll find another five hundred dollars at the bank when you want them. Thank God, I can give my daughter what her mother should have had. Two years since I've seen my little girl, and now it seems that somebody else is wanting her! Well, we were made men and women, and if you had been meant to live alone dabbling in music you wouldn't have been given your mother's face. Now, I don't often express myself this way, but I've had
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E-text prepared by Roger Frank and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustration. See 57918-h.htm or 57918-h.zip: (http://www.gutenberg.org/files/57918/57918-h/57918-h.htm) or (http://www.gutenberg.org/files/57918/57918-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/pirateofjasperpe00meig THE PIRATE OF JASPER PEAK ------------------------------------------------------------------------ THE MACMILLAN COMPANY NEW YORK · BOSTON · CHICAGO · DALLAS ATLANTA · SAN FRANCISCO MACMILLAN & CO., Limited LONDON · BOMBAY · CALCUTTA MELBOURNE THE MACMILLAN CO. OF CANADA, Ltd. TORONTO ------------------------------------------------------------------------ [Illustration: Close to the hearth a big chair had been drawn and in this some one was sitting.] ------------------------------------------------------------------------ THE PIRATE OF JASPER PEAK by ADAIR ALDON Author of “The Island of Appledore,” etc. With Frontispiece New York
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HAWTHORNE, VOLUME I (OF 2)*** E-text prepared by Melissa McDaniel and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (http://archive.org) Note: Images of the original pages are available through Internet Archive. See http://archive.org/details/lovelettersofnath01hawtrich Transcriber's note: Text enclosed by underscores is in italics (_italics_). LOVE LETTERS OF NATHANIEL HAWTHORNE Privately Printed The Society of the Dofobs Chicago 1907 Copyright, 1907, by William K. Bixby INTRODUCTORY In "Hawthorne and His Wife" and "Memories of Hawthorne" both Julian Hawthorne and his sister, Rose Hawthorne Lathrop, have given citations from the letters written by Nathaniel Hawthorne to Miss Sophia Peabody during their years of courtship. These excerpts were free and irregular, often, and evidently with specific intent, taken out of order and run together as if for the purpose of illustrating a point or emphasizing a particular phase of character. While the extracts were sufficiently numerous for the object desired, and while they gave an agreeable glimpse of an interesting period of Hawthorne's life, they were necessarily too fragmentary, too lacking in continuity, to convey any adequate idea of the simplicity, beauty, humor and tenderness of the letters, even considered in the matter of a literary style. The original letters were acquired by Mr. William K. Bixby of St. Louis, and, at the urgent request of the Society of the Dofobs, of which he is a highly esteemed and honored member, turned over to the society with the understanding that they should be published for presentation to members only. It was specified also that great care should be exercised in going over the letters, that no apparent confidences should be violated and that all private and personal references, which might wound the feelings of the living or seem to speak ill of the dead, should be eliminated. It is indeed remarkable that in the large number of letters presented there was practically nothing which called for elision, nothing in the lighter mood which breathed a spirit beyond the innocent limits of good-natured banter. The work of the editors was consequently easy and grateful, and the task one of delight. It is not claimed that these love letters, so-called, comprise the entire correspondence on Hawthorne's part between Miss Peabody and himself during the three-and-one-half years of courtship. Naturally a series of letters begun sixty-eight years ago, with all the vicissitudes of a shifting life, would not be preserved intact. But while some letters have been lost or destroyed, and others may not have been permitted for one reason or another to leave the possession of the family, the continuity here preserved is practically as complete as could be desired and fully illustrative of the qualities which make them so worthy of publication. In giving these letters to its members the society has conformed strictly to the exactions of the manuscript save in a few cases perhaps where haste on the part of the writer omitted a word, slightly obscuring the sense. It has been deemed advisible also to omit all notes or paragraphs of explanation. Happily the letters are sufficiently intelligible without such notes, and the conclusion has been reached that no needed purpose can be served by minor explanatory details relating to individuals mentioned or incidents suggested. It has been thought best as well to add a few letters extending beyond the period of courtship. No defence is necessary, for to the last they are "love letters" in the purest and truest sense of the words. This will be vindicated in the perusal. In selecting two letters for facsimile reproduction the choice has fallen upon the letter from Brook Farm under date of April 13, 1841, and that from Salem written in the following year. Both illustrate the quiet, quaint humor of Hawthorne. In the Brook Farm letter he sketches drily his thinly veiled impressions of the community, and herein will be found the famous reference to "Miss Fuller's transcendental heifer" which has fallen little short of immortality. Writing from the old home in Salem he makes his letter conspicuous by the fact that he prophesies banteringly--doubtless he little knew how truly--his own coming fame and the public craze to inspect his belongings. This humorous tribute to himself, in its mock, self-satisfied strain, suggests not so much the mental state of Horace predicting his
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Produced by RichardW, Greg Bergquist and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) TRANSCRIBER NOTE: Original spelling and grammar has been mostly retained, with some exceptions. The use of hyphenation and quotation marks marks in the book is a bit haphazard. Some corrections have been made. More details about corrections and changes are provided in the TRANSCRIBER ENDNOTE. * * * * * [Illustration: _R. Pitcher Woodward at his journey's end._] * * * * * ON A DONKEY'S HURRICANE DECK A Tempestuous Voyage of Four Thousand and Ninety-Six Miles Across the American Continent on a Burro, in 340 Days and 2 Hours STARTING WITHOUT A DOLLAR AND EARNING MY WAY BY R. PITCHER WOODWARD (PYTHAGORAS POD) AUTHOR OF "TRAINS THAT MET IN THE BLIZZARD" Containing Thirty-nine Pictures from Photographs Taken "en Voyage". 1902 I. H. BLANCHARD CO., PUBLISHERS NEW YORK COPYRIGHT, 1902, BY R. PITCHER WOODWARD [Illustration] * * * * * CONTENTS. PART I. I. Madison Square to Yonkers 11 II. Donkey's many ailments 19 III. Polishing shoes at Vassar 27 IV. An even trade no robbery 35 V. The donkey on skates 42 VI. Mac held for ransom 51 VII. I mop the hotel floor 60 VIII. Footpads fire upon us 68 IX. In a haymow below zero 74 X. An asinine snowball 83 XI. One bore is enough 90 XII. At a country dance 98 XIII. A peculiar, cold day 105 XIV. I bargain for eggs 111 XV. Gypsy girl tells fortune 116 XVI. All the devils are here 123 XVII. Darkest hour before dawn 132 XVIII. Champagne avenue, Chicago 142 PART II. BY PYE POD AND MAC A'RONY. XIX. Donk causes a sensation 153 XX. A donkey for Alderman 158 XXI. A donkey without a father 169 XXII. Rat trap and donkey's tail 173 XXIII. Mac crosses the Mississippi 178 XXIV. Pod hires a valet 183 XXV. Done by a horsetrader 190 XXVI. Pod under arrest 197 XXVII. Adventure in a sleeping bag 208 XXVIII. Mayor rides Mac A'Rony 213 XXIX. Across the Missouri in wheelbarrow 219 XXX. Pod in insane asylum 224 XXXI. Narrow escape in quicksand 237 XXXII. At Buffalo Bill's ranch 243 XXXIII. Fourth of July in the desert 250 XXXIV. Bitten by a rattler 253 XXXV. Havoc in a cyclone 260 XXXVI. Two pretty dairy maids 265 XXXVII. Donks climb Pike's Peak 273 XXXVIII. Sights in <DW36> Creek 280 XXXIX. Baby girl named for Pod 287 XL. Treed by a silvertip bear 293 XLI. Nearly drowned in the Rockies 304 XLII. Donkey shoots the chutes 309 XLIII. Paint sign with donk's tail 319 XLIV. Swim two rivers in Utah 326 XLV. Initiated to Mormon faith 339 XLVI. Typewriting on a donkey 343 XL
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Produced by David Widger MEMOIRS OF LOUIS XV. AND XVI. Being Secret Memoirs of Madame du Hausset, Lady's Maid to Madame de Pompadour, and of an unknown English Girl and the Princess Lamballe BOOK 7. SECTION XIII. Editor in continuation: I am again, for this and the following chapter, compelled to resume the pen in my own person, and quit the more agreeable office of a transcriber for my illustrious patroness. I have already mentioned that the Princesse de Lamballe, on first returning from England to France, anticipated great advantages from the recall of the emigrants. The desertion of France by so many of the powerful could not but be a death
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Produced by Julia Miller, KD Weeks and the Online Distributed Proofreading Team at http://www.pgdp.net TRANSCRIBER'S NOTE: A number of printer's errors have been corrected. However, most spelling variants are left as printed, except where the likelihood of an error seems strong; (e.g. emcamped/encamped, ryhme/rhyme). Consult the Notes at the end of this text for specific corrections. Schoolcraft renders Indian language in English characters using his own conventions. Therefore, the printed spelling of these words has been observed as printed, with only several exceptions, where it seems very clear from adjacent spellings that there have been printer's errors. The figure 8 is set horizontally to represent a phonetic sound. In this text these characters are simulated by [oo] and [OO] for lower- and upper-case. The 'oe' ligature is rendered as [oe] in transliteration but simply 'oe' elsewhere ('aesofoedita', 'manoeuvre'). The text of pages 286 and 287 are printed in reverse order. Although pagination is continuous, there is at least one page of text missing before the text beginning on p. 288. At p. 300, the text again ends abruptly, with a new section beginning on p. 301. THE INDIAN IN HIS WIGWAM, OR CHARACTERISTICS OF THE RED RACE OF AMERICA FROM ORIGINAL NOTES AND MANUSCRIPTS. BY HENRY R. SCHOOLCRAFT, Memb. Royal Geographical Society of London, and of the Royal Society of Northern Antiquaries, Copenhagen; Hon. Memb. of the Natural History Society of Montreal, Canada East; Memb. of the American Philosophical Society, Philadelphia; of the American Antiquarian Society, Worcester; of the American Geological Society, New Haven; Vice-President of the American Ethnological Society, New York; Hon. Memb. of the New York Historical Society; Hon. Memb. of the Historical Society of Georgia; President of the Michigan Historical Society; and Hon. Memb. of the Ohio Historical and Philosophical Society; Cor. Memb. of the New York Lyceum of Natural History, and of the Lyceums of Natural History of Troy and Hudson, N. Y.; Memb of the Academy of Natural Sciences of Philadelphia; of the Albany Institute at the State Capitol, Albany, and a Res. Memb. of the National Institute at Washington; President of the Algic Society for meliorating the condition of the Native Race in the United States, instituted in 1831; Hon. Memb. of the Goethean and of the Philo L. Collegiate Societies of Pennsylvania, &c. &c. BUFFALO: DERBY & HEWSON, PUBLISHERS. AUBURN--DERBY, MILLER & CO. 1848. PERSONAL REMINISCENCES. It is now twenty-six years since I first entered the area of the Mississippi valley, with the view of exploring its then but imperfectly known features, geographical and geological. Twenty-two years of this period have elapsed since I entered on the duties of an Executive Agent for the United States Government in its higher northern latitudes among the Indian tribes in the west. Having devoted so large a portion of my life in an active sphere, in which the intervals of travel left me favourable opportunities of pursuing the languages and history of this branch of the race, it appears to be a just expectation, that, in sitting down to give some account of this people, there should be some preliminary remarks, to apprise the reader how and why it is, that his attention is recalled to a topic which he may have supposed to be well nigh exhausted. This it is proposed to do by some brief personal reminiscences, beginning at the time above alluded to. The year 1814 constituted a crisis, not only in our political history, but also in our commercial, manufacturing, and industrial interests. The treaty of Ghent, which put a period to the war with England, was a blessing to many individuals and classes in America: but, in its consequences, it had no small share of the effects of a curse upon that class of citizens who were engaged in certain branches of manufactures. It was a peculiarity of the crisis, that these persons had been stimulated by double motives, to invest their capital and skill in the perfecting and establishment of the manufactories referred to, by the actual wants of the country and the high prices of the foreign articles. No pains and no cost had been spared, by many of them, to supply this demand; and it was another result of the times, that no sooner had they got well established, and were in the high road of prosperity than the peace came and plunged them headlong from the pinnacle of success. This blow fell heavier upon some branches than others. It was most fatal to those manufacturers who had undertaken to produce fabrics of the highest order, or which belong to an advanced state of the manufacturing prosperity of a nation. Be this as it may, however, it fell with crushing force upon that branch in which I was engaged. As soon as the American ports were opened to these fabrics, the foreign makers who could undersell us, poured in cargo on cargo; and when the first demands had been met, these cargoes were ordered to be sold at auction; the prices immediately fell to the lowest point, and the men who had staked in one enterprise their zeal, skill and money, were ruined at a blow. Every man in such a crisis, must mentally recoil upon himself. Habits of application, reading, and an early desire to be useful, had sustained me at a prior period of life, through the dangers and fascinations of jovial company. There was in this habit or temper of room-seclusion, a pleasing resource of a conservative character, which had filled up the intervals of my busiest hours; and when business itself came to a stand, it had the effect to aid me in balancing and poising my mind, while I prepared to enter a wider field, and indeed, to change my whole plan of life. If it did not foster a spirit of right thought and self-dependence, it, at least, gave a degree of tranquillity to the intervals of a marked pause, and, perhaps, flattered the ability to act. Luckily I was still young, and with good animal spirits, and a sound constitution I resolved I would not go down so. The result of seven years of strenuous exertions, applied with persevering diligence and success, was cast to the winds, but it was seven years of a young man's life, and I thought it could be repaired by time and industry. What the east withheld, I hoped might be supplied by another quarter. I turned my thoughts to the west, and diligently read all I could find on the subject. The result of the war of 1812, (if this contest had brought no golden showers on American manufacturers, as I could honestly testify in my own case,) had opened to emigration and enterprise the great area west of the Alleghanies. The armies sent out to battle with Indian, and other foes, on the banks of the Wabash, the Illinois, the Detroit, the Raisin and the Miami of the Lakes, had opened to observation attractive scenes for settlement; and the sword was no sooner cast aside, than emigrants seized hold of the axe and the plough. This result was worth the cost of the whole contest, honour and glory included. The total prostration of the moneyed system of the country, the effects of city-lot and other land speculations, while the system was at its full flow, and the very backward seasons of 1816 and 1817, attended with late and early frosts, which extensively destroyed the corn crop in the Atlantic states, all lent their aid in turning attention towards the west and south-west, where seven new states have been peopled and organized, within the brief period to which these reminiscences apply: namely, Indiana, Illinois, Mississippi, Missouri, Alabama, Arkansas and Michigan, besides the flourishing territories of Wisconsin and Iowa, and the more slowly advancing territory of Florida. It appeared to me, that information, geographical and other, of such a wide and varied region, whose boundaries were but ill defined, must be interesting at such a period; and I was not without the hope that the means of my future advancement would be found in connexion with the share I might take in the exploration of it. With such views I resolved to go west. This feeling I find to be expressed on the back of an old slip of an account of the period: "I will go by western fountain, I will wander far and wide; Till some sunny spot invite me, Till some guardian bid me bide. "Snow or tempest--plain the drearest Shall oppose a feeble bar, Since I go from friends the dearest, 'Tis no matter then how far. "On!--'tis useless here to dally; On!--I can but make or mar; Since my fortune leads to sally, 'Tis no matter then how far." Of the "seven years" to which allusion has been made I had spent four in New England a land, which is endeared to me at this distance of time, by recollections of hospitality, virtue, and manly intelligence. While engaged in the direction of the business above named, I had prepared the notes and materials for my first publication, in which I aimed to demonstrate the importance of an acquaintance with Chemistry and Mineralogy in the preparation and fusion of numerous substances in the mineral kingdom, which result in the different conditions of the various glasses, enamels, &c. I had, from early youth, cultivated a taste for mineralogy, long indeed it may be said, before I knew that mineralogy was a science; and, as opportunities increased, had been led by my inquiries, (which I followed with ardour but with very slight helps,) to add to this some knowledge of elementary chemistry and experimental philosophy, and to supply myself, from Boston and New York, with books, apparatus, and tests. I do not know that there were any public lectures on mineralogy, &c. at this time, say from 1810 to '16; certainly, there were none within my reach. I gleaned from the best sources I could, and believe that the late Professor Frederick Hall was the only person to whom I was indebted even for occasional instructions in these departments. He was a man strongly devoted to some of the natural sciences, particularly mineralogy; and was erudite in the old authors on the subject, whom he liked to quote; and I may say that I continued to enjoy his confidence and friendship to the time of his death, which happened in 1843. From such sources, from the diligent reading of books, and from experiments, conducted with the advantage of having under my charge extensive works, at various times, in the states of New York, Vermont and New Hampshire, I drew the principles which formed the basis of my treatise on Vitreology. With this work in hand, I left Keene, in New Hampshire, early in the winter of 1817; and, crossing the Connecticut river at Brattleboro', proceeded over the Green Mountains, by the route of Bennington, to Albany, and thence returned to my father's house in western New York. No time was lost in issuing proposals for the work; and I had the satisfaction to find that the portions published, and the entire plan and merits of it were warmly approved by the pen of the late Mr. Maynard of Utica, and by several liberal minded and intelligent persons. Before quitting New England, I had determined to go to the Mississippi valley, and had begun to study its geography; and I now resolved to proceed, without unnecessary delay. Means constitute the first object of solicitude in all such undertakings. The ebbing tide of manufacturing prosperity to which I have referred, had left me very poor. From the fragments of former acquisitions, for which, however, I was exclusively indebted to my own industry, I raised a small sum of money--much smaller I think than most men would be willing to start with, who had resolved to go so far. I had, in truth, but sixty dollars in the world; but I possessed a very good wardrobe, and some other personal means, such as it may be supposed will adhere to a man who has lived in abundance for many years. I put up a miniature collection of mineralogical specimens, to serve as a standard of comparison in the west, a few implements for analysis, some books which I thought it would be difficult to meet with in that region, and some drawing materials. I had connected these things in some way with my future success. In other respects, I had the means, as above hinted, of making a respectable appearance. Thus prepared, I bade adieu to my father and mother, and also to three sisters and a brother, all younger than myself, and set forward. The winter of 1818 had opened before I reached my brother's house at Geneva, in western New York. From this point I determined to leave the main track, through the Genessee county west, and to strike the head waters of the Alleghany river, so as to descend that stream with the spring flood. My brother drove me in his own sleigh, as far as Angelica. By the time we reached that place, being no traveller and much fatigued with the intricacies and roughness of the road, he was fain to give over his undertaking, and I parted from him, sending back the sleigh from Olean, to take him home. The Alleghany river was locked with ice when I reached it. I had an opportunity to cross it on foot, and to examine in the vicinity those evidences of the coal formation which are found in masses of bituminous shale, slaty coal and petroleum. The river began to open about the middle of March. I left Olean in the first ark for the season, borne onwards down the sweeping Alleghany at the top of the flood, often through winding channels, and once in danger of being precipitated over a mill dam, by taking the wrong channel. On another occasion, just as we were coming to the division of the channel, at the head of a group of islands, a tall Seneca Indian, standing in the bow of a very long pine canoe, cried out, in a tone of peculiar emphasis, "Keep to the right--I speak it." This direction we followed, and were saved from another mishap. We tied the ark to the shore at night, built a fire on the bank and cooked a supper. On passing the Conowonga, it was at the height of its flood, and appeared to bring in as much water as the Alleghany. We stopped at the noted chief Cornplanter's village, and also to gratify a reminiscent curiosity, at the mouth of French Creek, connected with Washington's perilous adventure in visiting Fort de Boef, now Erie. At Kittaning, a great scow ferry boat was rowed and managed by two women or girls with a degree of muscular exertion, or rather ease, which would put to the blush many a man east or west of the Alleghanies. The tone, air, and masculine strength of these girl-boatmen, reminded me of nothing this side of Rollin's description of the Amazons--save that the same provision was not apparent for drawing the bow. Bold hills line both banks of the river along its upper parts, and continue, indeed, at farther intervals apart, to very near the junction of the Monongahela; but long before this point, the stream is one of noble dimensions, clear, broad, and strong. After a voyage of exciting and vivid interest, I reached and landed at Pittsburgh. NO. II. It is Dr. Johnson, I think, who says, that we take slight occasions to be pleased. At least, I found it so, on the present occasion; the day of my arrival was my birth day, and it required but little stretch of imagination to convert the scene upon which I had now entered, into a new world. It was new to me.--I was now fairly in the great geological valley of the west, the object of so many anticipations. The ark, in which I had descended the Allegany, put ashore near the point of land, which is formed by the junction of the Monongahela with this fine clear stream. The dark and slowly moving waters of the one, contrasted strongly with the sparkling velocity of the other. I felt a buoyancy of spirits as I leapt ashore, and picked up some of its clean pebbles to see what kind of geological testimony they bore to the actual character of their parent beds in the Apalachian range. "What shall I pay you, for my passage, from Olean," said I, to the gentleman with whom I had descended, and at whose ark-table I had found a ready seat with his family. "Nothing, my dear sir," he replied with a prompt and friendly air,--"Your cheerful aid in the way, taking the oars whenever the case required it, has more than compensated for any claims on that score, and I only regret that you are not going further with us." Committing my baggage to a carman, I ascended the bank of diluvial earth and pebbles with all eagerness, and walked to the point of land where Fort Pitt (old Fort Du Quesne) had stood. It is near this point that the Alleghany and Monongahela unite, and give birth to the noble Ohio. It is something to stand at the head of such a stream. The charm of novelty is beyond all others. I could realize, in thought, as I stood here, gazing on the magnificent prospect of mingling waters, and their prominent and varied shores, the idea, which is said to be embodied in the old Mingo substantive-exclamation of O-he-o! a term, be it remembered, which the early French interpreters at
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E-text prepared by deaurider, Barry Abrahamsen, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 57428-h.htm or 57428-h.zip: (http://www.gutenberg.org/files/57428/57428-h/57428-h.htm) or (http://www.gutenberg.org/files/57428/57428-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/petervischer00head Transcriber’s note: Text that was in italics is enclosed by underscores (_italics_). The reader will encounter "[TN1]" once. [TN1] identifies an error in the original book: “ETSAXA” should have been “ET SAXA”. The reader will encounter [TN2] three times. [TN2] identifies a place where a character could not be reproduced and was replaced by an apostrophe (example: "PETR’[TN2]). HANDBOOKS OF THE GREAT CRAFTSMEN. EDITED BY G. C. WILLIAMSON, LITT.D. PETER VISCHER ------------------------------------------------------------------------ Handbooks of the Great Craftsmen. -------------- Illustrated Monographs, Biographical and Critical, on the Great Craftsmen and Workers of Ancient and Modern Times. Edited by G. C. WILLIAMSON, Litt.D. Imperial 16mo, with numerous Illustrations, 5s. net each. First Volumes of the Series THE PAVEMENT MASTERS OF SIENA. Workers in Graffito. By R. H. HOBART CUST, M.A. PETER VISCHER. Bronze Founder. By CECIL HEADLAM, B.A. THE IVORY WORKERS OF THE MIDDLE AGES. By A. M. CUST. Others to follow. -------------- LONDON: GEORGE BELL AND SONS NEW YORK: THE MACMILLAN CO. ------------------------------------------------------------------------ [Illustration: STEIN PHOTO.] [FROM A DRAWING IN POSSESSION OF T. A. STEIN, NÜRNBERG 1. PORTRAIT OF PETER VISCHER] PETER VISCHER by CECIL HEADLAM, B.A. Formerly Demy of Magdalen College, Oxford; Author of “The Story of Nuremberg,” etc. [Illustration: Publisher’s Logo] London George Bell and Sons 1901 Chiswick Press: Charles Whittingham and Co. Tooks Court, Chancery Lane, London. ------------------------------------------------------------------------ PREFACE THE Germans have by nature the gift of working in metal, and, among them, in the realms of bronze, Peter Vischer stands easily first. His position as a craftsman may, in fact, be compared with that held by his contemporary and fellow citizen, Albert Dürer, as an artist. The history of his works and of those of his house, have a peculiar interest to the student of art, inasmuch as they illustrate the gradual but easily traceable passage of the German craftsmen from the style of late Gothic to that of complete neo-paganism, and, from the school of the Northern painters and sculptors to that of the great Italian masters successively. I speak of the works of Peter Vischer “and his house,” because, in tracing this development, we have to take into consideration not only his works but also those of his father Hermann and of his sons, Hermann and Peter and Hans. The pendulum of criticism has indeed swung more than once since the Emperor Maximilian used to visit Peter Vischer’s foundry in Nuremberg, and the questions as to what are actually the works of the Master and what position is to be assigned to him in the world of art, have been answered in more ways than one. For many years, owing partly to the ignorance of most people, and partly no doubt to the greed of the few, the tendency was to attribute to this one famous craftsman the works of many. At one time almost any work of art in bronze to be found throughout the length and breadth of Germany was attributed to Peter Vischer, just as a Talleyrand or a Sydney Smith has had witticisms of every date and every quality fathered upon him. From unreasoning praise, again, men passed to equally undiscriminating disparagement. Heidel
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Produced by Anne Folland, Charles Franks and the Online Distributed Proofreading Team EXPOSITIONS OF HOLY SCRIPTURE ALEXANDER MACLAREN, D. D., Litt. D. GENESIS, EXODUS, LEVITICUS AND NUMBERS EXPOSITIONS OF HOLY SCRIPTURE ALEXANDER MACLAREN, D. D., Litt. D. GENESIS CONTENTS THE VISION OF CREATION (Genesis i. 26--ii. 3) HOW SIN CAME IN (Genesis iii. 1-15) EDEN LOST AND RESTORED (Genesis iii. 24; Revelation xxii. 14) THE GROWTH AND POWER OF SIN (Genesis iv. 3-16) WHAT CROUCHES AT THE DOOR (Genesis iv. 7, R.V.) WITH, BEFORE, AFTER (Genesis v. 22; Genesis xvii. 1; Deuteronomy xiii. 4) THE COURSE AND CROWN OF A DEVOUT LIFE (Genesis v. 24) THE SAINT AMONG SINNERS (Genesis vi. 9-22) 'CLEAR SHINING AFTER RAIN' (Genesis viii. 1-22) THE SIGN FOR MAN AND THE REMEMBRANCER FOR GOD (Genesis ix. 8-17) AN EXAMPLE OF FAITH (Genesis xii. 1-9) ABRAM AND THE LIFE OF FAITH GOING FORTH (Genesis xii. 5) COMING IN THE MAN OF FAITH (Genesis xii. 6, 7) LIFE IN CANAAN (Genesis xii. 8) THE IMPORTANCE OF A CHOICE (Genesis xiii. 1-13) ABBAM THE HEBREW (Genesis xiv. 13) GOD'S COVENANT WITH ABRAM (Genesis xv. 5-18) THE WORD THAT SCATTERS FEAR (Genesis xv. 1) FAITH AND RIGHTEOUSNESS (Genesis xv. 6) WAITING FAITH REWARDED AND STRENGTHENED BY NEW REVELATIONS (Genesis xvii. 1-9) A PETULANT WISH (Genesis xvii. 18) 'BECAUSE OF HIS IMPORTUNITY' (Genesis xviii. l6-33) THE INTERCOURSE OF GOD AND HIS FRIEND THE SWIFT DESTROYER (Genesis xix. 15-26) FAITH TESTED AND CROWNED (Genesis xxii. 1-14) THE CROWNING TEST AND TRIUMPH OF FAITH JEHOVAH-JIREH (Genesis xxii. 14) GUIDANCE IN THE WAY (Genesis xxiv. 27) THE DEATH OF ABRAHAM (Genesis xxv. 8) A BAD BARGAIN (Genesis xxv. 27-34) POTTAGE _versus_ BIRTHRIGHT (Genesis xxv. 34) THE FIRST APOSTLE OF PEACE AT ANY PRICE (Genesis xxvi. 12-25) THE HEAVENLY PATHWAY AND THE EARTHLY HEART (Genesis xxviii. 10-22) MAHANAIM: THE TWO CAMPS (Genesis xxxii. 1, 2) THE TWOFOLD WRESTLE--GOD'S WITH JACOB AND JACOB'S WITH GOD (Genesis xxxii. 9-12) A FORGOTTEN VOW (Genesis xxxv. 1) THE TRIALS AND VISIONS OF DEVOUT YOUTH (Genesis xxxvii. 1-11) MAN'S PASSIONS AND GOD'S PURPOSE (Genesis xxxvii. 23-36) GOODNESS IN A DUNGEON (Genesis xl. 1-15) JOSEPH, THE PRIME MINISTER (Genesis xli. 38-48) RECOGNITION AND RECONCILIATION (Genesis xlv. 1-15) JOSEPH, THE PARDONER AND PRESERVER GROWTH BY TRANSPLANTING (Genesis xlvii. 1-12) TWO RETROSPECTS OF ONE LIFE (Genesis xlvii. 9; Genesis xlviii. 15, 16) 'THE HANDS OF THE MIGHTY GOD OF JACOB' (Genesis xlix. 23, 24) THE SHEPHERD, THE STONE OF ISRAEL (Genesis xlix. 24) A CALM EVENING, PROMISING A BRIGHT MORNING (Genesis l. 14-26) JOSEPH'S FAITH (Genesis l. 25) A COFFIN IN EGYPT (Genesis l. 26) THE VISION OF CREATION 'And God said, Let us make man in our image, after our likeness; and let them have dominion over the fish of the sea
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Produced by Marcia Brooks, Cindy Beyer, Ross Cooling and the online Distributed Proofreaders Canada team at http://www.pgdpcanada.net with images provided by The Internet Archives-US AMERICAN SCENERY; OR, LAND, LAKE, AND RIVER ILLUSTRATIONS OF TRANSATLANTIC NATURE. FROM DRAWINGS BY W. H. BARTLETT, ENGRAVED IN THE FIRST STYLE OF THE ART, BY R. WALLIS, J. COUSEN, WILLMORE, BRANDARD, ADLARD, RICHARDSON, &c. THE LITERARY DEPARTMENT BY N. P. WILLIS, ESQ. AUTHOR OF “PENCILLINGS BY THE WAY”, “INKLINGS OF ADVENTURE” ETC. VOL. II. LONDON: G E O R G E V I R T U E, 26, I V Y L A N E. MDCCCXL. LONDON:—RICHARD CLAY, PRINTER, BREAD STREET HILL. CONTENTS AND LIST OF ENGRAVINGS TO VOLUME II. * * * * * _Ch._ _Page_ 1 The Catterskill Falls, from below 1 2 The Catterskill Falls, from above the Ravine 2 3 Winter Scene on the Catterskills 4 4 Rogers’ Slide, Lake George 7 5 The Gothic Church, Newhaven 9 6 Niagara Falls from the top of the Ladder on the American side 11 7 Saw-Mill at Centre Harbour, Lake Winnipiseogee 12 8 Little Falls, on the Mohawk
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Transcribed from the 1896 “Lizzie Leigh and Other Tales” Macmillan and Co. edition by David Price, email [email protected]. Proofed by Audrey Emmitt and Eugenia Corbo. THE POOR CLARE CHAPTER I. DECEMBER 12th, 1747.—My life has been strangely bound up with extraordinary incidents, some of which occurred before I had any connection with the principal actors in them, or indeed, before I even knew of their existence. I suppose, most old men are, like me, more given to looking back upon their own career with a kind of fond interest and affectionate remembrance, than to watching the events—though these may have far more interest for the multitude—immediately passing before their eyes. If this should be the case with the generality of old people, how much more so with me!... If I am to enter upon that strange story connected with poor Lucy, I must begin a long way back. I myself only came to the knowledge of her family history after I knew her; but, to make the tale clear to any one else, I must arrange events in the order in which they occurred—not that in which I became acquainted with them. There is a great old hall in the north-east of Lancashire, in a part they called the Trough of Bolland, adjoining that other district named Craven. Starkey Manor-house is rather like a number of rooms clustered round a gray, massive, old keep than a regularly-built hall. Indeed, I suppose that the house only consisted of a great tower in the centre, in the days when the Scots made their raids terrible as far south as this; and that after the Stuarts came in, and there was a little more security of property in those parts, the Starkeys of that time added the lower building, which runs, two stories high, all round the base of the keep. There has been a grand garden laid out in my days, on the southern <DW72> near the house; but when I first knew the place, the kitchen-garden at the farm was the only piece of cultivated ground belonging to it. The deer used to come within sight of the drawing-room windows, and might have browsed quite close up to the house if they had not been too wild and shy. Starkey Manor-house itself stood on a projection or peninsula of high land, jutting out from the abrupt hills that form the sides of the Trough of Bolland. These hills were rocky and bleak enough towards their summit; lower down they were clothed with tangled copsewood and green depths of fern, out of which a gray giant of an ancient forest-tree would tower here and there, throwing up its ghastly white branches, as if in imprecation, to the sky. These trees, they told me, were the remnants of that forest which existed in the days of the Heptarchy, and were even then noted as landmarks. No wonder that their upper and more exposed branches were leafless, and that the dead bark had peeled away, from sapless old age. Not far from the house there were a few cottages, apparently, of the same date as the keep; probably built for some retainers of the family, who sought shelter—they and their families and their small flocks and herds—at the hands of their feudal lord. Some of them had pretty much fallen to decay. They were built in a strange fashion. Strong beams had been sunk firm in the ground at the requisite distance, and their other ends had been fastened together, two and two, so as to form the shape of one of those rounded waggon-headed gipsy-tents, only very much larger. The spaces between were filled with mud, stones, osiers, rubbish, mortar—anything to keep out the weather. The fires were made in the centre of these rude dwellings, a hole in the roof forming the only chimney. No Highland hut or Irish cabin could be of rougher construction. The owner of this property, at the beginning of the present century, was a Mr. Patrick Byrne Starkey. His family had kept to the old faith, and were stanch Roman Catholics, esteeming it even a sin to marry any one of Protestant descent, however willing he or she might have been to embrace the Romish religion. Mr. Patrick Starkey’s father had been a follower of James the Second; and, during the disastrous Irish campaign of that monarch he had fallen in love with an Irish beauty, a Miss Byrne, as zealous for her religion and for the Stuarts as himself. He had
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Produced by Joshua Hutchinson, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. (This file was produced from images generously made available by Cornell University Digital Collections.) THE ATLANTIC MONTHLY. _A Magazine of Literature, Art, and Politics._ VOL. XV.--JUNE, 1865.--NO. XCII. Entered according to Act of Congress, in the year 1865, by TICKNOR AND FIELDS, in the Clerk's Office of the District Court of the District of Massachusetts. A LETTER ABOUT ENGLAND. Dear Mr. Editor,--The name of your magazine shall not deter me from sending you my slight reflections But you have been across, and will agree with me that it is the great misfortune of this earth that so much salt-water is still lying around between its various countries. The steam-condenser is supposed to diminish its bulk by shortening the transit from one point to another; but a delicate conscience must aver that there is a good deal left. The ocean is chiefly remarkable as the element out of which the dry land came. It is only when the land and sea combine to frame the mighty coast-line of a continent, and to fringe it with weed which the tide uncovers twice a day, that the mind is saluted with health and beauty. The fine instinct of Mr. Thoreau furnished him with a truth, without the trouble of a single game at pitch and toss with the mysterious element; for he says,-- "The middle sea contains no crimson dulse, Its deeper waves cast up no pearls to view, Along the shore my hand is on its pulse, And I converse with many a shipwrecked crew." On the broad Atlantic there is no smell of the sea. That comes from the brown rocks whence iodine is exhaled to brace the nerves and the fancy, while summer woods chasten all the air. At best, the ocean is austere and unsympathetic; and a sensible, that is, a sensitive, stomach understands it to be demoralized by the monstrous krakens which are viciously brooding in its depths. (If the pronoun "it," in the last sentence, should refer to stomach, the sense will still be clear.) In fact, this water has been left over from the making of the earth: like the Dodo and the Moa, it should have evaporated. How pleasant it is to be assured by Sir Charles Lyell that the land is still rising in so many quarters of the globe! for we may anticipate that millennial epoch when there shall be "no more sea." However, the old impression which great spaces used to make upon the imagination gives way to the new sensation of annihilating spaces. It would be more correct now to speak of differences than of distances. The difference between one country and another is all that now makes the distance between them. For man is now overcoming space faster than he is obliterating national peculiarities. And when one goes abroad, the universal humanity in whose interest all material and political triumphs are gained is not felt by him so soon as the specific divergence which makes the character of lands and people. Oaks and elms, hawthorn and beeches, are on either side the ocean; but you measure the voyage by their unlikeness to each other, and wonder how soon you have got so far. The strawberry ripens with a different flavor and texture. The sun is less racy in all the common garden-stuff whose names we know. Pears and peaches we are disappointed in recognizing; they seem as if ripened by the sun's proxy, the moon; and our boys would hardly pick up the apples in the fields. But England undulates with grass that seems to fix the fluent color of the greenest waves on either hand. And our eagle-eyed blue sky droops its lid over the island, as the moisture gathers, with a more equable compassion than we know for all shrubs and blades and grazing cattle. Both the pain and the tonic in being absent from your home and country are administered by difference. In gulping that three thousand miles the taste is austere, but the stimulus is wholesome. We learn to appreciate, but also to correct, the fare we have at home. The difference is twofold between England and America. England differs, first, in the inveterate way in which the people hold on to all that they have inherited; second, in the gradual, but equally inveterate, way in which they labor to improve their inheritance. The future is gained by the same temper in which the past is held; so that, if the past is secure, the future is also: none the less because the past seems so irrevocably built, but rather in consequence of that, because it betrays the method of the builders. These two characteristics, apparently irreconcilable, are really organic, and come of position, climate, diet, and slowly amalgamated
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Produced by David Widger THE LITTLE MANX NATION By Hall Caine Published by William Heinemann - 1891 To the REVEREND T. S. BROWN, M.A. You see what I send you--my lectures at the Royal Institution in the Spring. In making a little book of them I have thought it best to leave them as they were delivered, with all the colloquialisms that are natural to spoken words frankly exposed to cold print. This does not help them to any particular distinction as literature, but perhaps it lends them an ease and familiarity which may partly atone to you and to all good souls for their plentiful lack of dignity. I have said so often that I am not an historian, that I ought to add that whatever history lies hidden here belongs to Train, our only accredited chronicler, and, even at the risk of bowing too low, I must needs protest, in our north-country homespun, that he shall have the pudding if he will also take the pudding-bag. You know what I mean. At some points our history--especially our early history--is still so vague, so dubious, so full of mystery. It is all the fault of little Mannanan, our ancient Manx magician, who enshrouded our island in mist. Or should I say it is to his credit, for has he not left us through all time some shadowy figures to fight about, like "rael, thrue, reg'lar" Manxmen. As for the stories, the "yarns" that lie like flies--like blue-bottles, like bees, I trust not like wasps--in the amber of the history, you will see that they are mainly my own. On second thought it occurs to me that maybe they are mainly yours. Let us say that they are both yours and mine
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Produced by Chris Curnow, Les Galloway and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber’s Notes Obvious typographical errors have been silently corrected. Variations in hyphenation have been standardised but all other spelling and punctuation remains unchanged. Footnotes are placed at the end of chapter. Italics are represented thus _italic_, and superscripts thus ^. The periods of the satellites of Uranus have been added to the table as specified in a subsequent note. The layout of several tables has been modified to maintain clarity within wdth restrictions. [Illustration: LONDON STEREOSCOPIC CO. PHOTOMEZZOTYPE. STANMORE OBSERVATORY. INSIDE VIEW.] TELESCOPIC WORK FOR STARLIGHT EVENINGS. BY WILLIAM F. DENNING, F.R.A.S. (FORMERLY PRESIDENT OF THE LIVERPOOL ASTRONOMICAL SOCIETY). “To ask or search I blame thee not, for heaven Is as the book of God before thee set, Wherein to read his wondrous works.” MILTON. LONDON: TAYLOR AND FRANCIS, RED LION COURT, FLEET STREET. 1891. [_All rights reserved._] [Illustration: ALERE FLAMMAM.] PRINTED BY TAYLOR AND FRANCIS, RED LION COURT, FLEET STREET. PREFACE. It having been suggested by some kind friends that a series of articles on “Telescopes and Telescopic Work,” which I wrote for the ‘Journal of the Liverpool Astronomical Society’ in 1887-8, should be reprinted, I have undertaken the revision and rearrangement of the papers alluded to. Certain other contributions on “Large and Small Telescopes,” “Planetary Observations,” and kindred subjects, which I furnished to ‘The Observatory’ and other scientific serials from time to time, have also been included, and the material so much altered and extended that it may be regarded as virtually new matter. The work has outgrown my original intention, but it proved so engrossing that it was found difficult to ensure greater brevity. The combination of different papers has possibly had the effect of rendering the book more popular in some parts than in others. This is not altogether unintentional, for the aim has been to make the work intelligible to general readers, while also containing facts and figures useful to amateur astronomers. It is merely intended as a contribution to popular astronomy, and asserts no rivalry with existing works, many of which are essentially different in plan. If any excuse were, however, needed for the issue of this volume it might be found in the rapid progress of astronomy, which requires that new or revised works should be published at short intervals in order to represent existing knowledge. The methods explained are approximate, and technical points have been avoided with the view to engage the interest of beginners who may find it the stepping-stone to more advanced works and to more precise methods. The object will be realized if observers derive any encouragement from its descriptions or value from its references, and the author sincerely hopes that not a few of his readers will experience the same degree of pleasure in observation as he has done during many years. No matter how humble the observer, or how paltry the telescope, astronomy is capable of furnishing an endless store of delight to its adherents. Its influences are elevating, and many of its features possess the charms of novelty as well as mystery. Whoever contemplates the heavens with the right spirit reaps both pleasure and profit, and many amateurs find a welcome relaxation to the cares of business in the companionship of their telescopes on “starlight evenings.” The title chosen is not, perhaps, a comprehensive one, but it covers most of the ground, and no apology need be offered for dealing with one or two important objects not strictly within its scope. For many of the illustrations I must express my indebtedness to the Editors of the ‘Observatory’ to the Council of the R.A.S., to the proprietors of ‘Nature,’ to Messrs. Browning, Calver, Cooke & Sons, Elger, Gore, Horne Thornthwaite and Wood, Klein, and other friends. The markings on Venus and Jupiter as represented on pages 150 and 180 have come out much darker than was intended, but these illustrations may have some value as showing the position and form of the features delineated. It is difficult to reproduce delicate planetary markings in precisely the same characters as they are displayed in a good telescope. The apparent orbits of the satellites of the planets, delineated in figs. 41, 44, &c., are liable to changes depending on their variable position relatively to the Earth, and the diagrams are merely intended to give a good idea of these satellite systems. W. F. D. Bishopston, Bristol, 1891. Plates I. and II. are views of the Observatory and Instruments recently erected by Mr. Klein at Stanmore, Middlesex, lat. 51° 36′ 57″ N., long. 0° 18′ 22″ W. The height above sea-level is 262 feet. The telescope is a 20-inch reflector by Calver, of 92 inches focus; the tube is, however, 152 inches long so as to cut off all extraneous rays. It is mounted equatoreally, and is provided with a finder of 6 inches aperture—one of Tulley’s famous instruments a century ago. The large telescope is fixed on a pillar of masonry 37 feet high, and weighing 115 tons. Mr. Klein proposes to devote the resources of his establishment to astronomical photography, and it has been provided with all the best appliances for this purpose. The observatory is connected by telephone with Mr. Klein’s private residence, and the timepieces and recording instruments are all electrically connected with a centre of observation in his study. CONTENTS. CHAPTER I. Page THE TELESCOPE, ITS INTENTION AND THE DEVELOPMENT OF ITS POWERS 1 CHAPTER II. RELATIVE MERITS OF LARGE AND SMALL TELESCOPES 20 CHAPTER III. NOTES ON TELESCOPES AND THEIR ACCESSORIES 38 CHAPTER IV. NOTES ON TELESCOPIC WORK 66 CHAPTER V. THE SUN 87 CHAPTER VI. THE MOON 113 CHAPTER VII. MERCURY 137 CHAPTER VIII. VENUS 145 CHAPTER IX. MARS 155 CHAPTER X. THE PLANETOIDS 167 CHAPTER XI. JUPITER 170 CHAPTER XII. SATURN 195 CHAPTER XIII. URANUS AND NEPTUNE 215 CHAPTER XIV. COMETS AND COMET-SEEKING 227 CHAPTER XV. METEORS AND METEORIC OBSERVATIONS 260 CHAPTER XVI. THE STARS 286 CHAPTER XVII. NEBULÆ AND CLUSTERS OF STARS 324 NOTES AND ADDITIONS 347 INDEX 353 ILLUSTRATIONS. PLATE I. Interior of Mr. Klein’s Observatory _Frontispiece_ II. View of Mr. Klein’s Grounds and Observatory _To face_ p. 82 FIG. PAGE 1. The Galilean Telescope 7 2. Royal Observatory, Greenwich, in Flamsteed’s time 8 3. Sir Isaac Newton 10 4. Gregorian Telescope 10 5. Cassegrainian Telescope 11 6. Newtonian Telescope 11 7. Common Refracting-Telescope 12 8. Le Mairean or Herschelian Telescope 13 9. 10-inch Reflecting-Telescope on a German Equatoreal, by Calver 17 10. Lord Rosse’s 6-foot Reflecting-Telescope 22 11. Refracting-Telescope, by Browning 32 12. “The Popular Reflector,” by Calver 40 13. 3-inch Refracting-Telescope, by Newton & Co. 41 14. Huygens’s Negative Eyepiece 46 15. Ramsden’s Positive Eyepiece 47 16. Berthon’s Dynamometer 50 17. Cooke and Sons’ Educational Telescope 52 18. Refracting-Telescope on a German Equatoreal 67 19. The Author’s Telescope: a 10-inch With-Browning Reflector 77 20. Sun-spot of June 19, 1889 95 21. Solar Eclipses visible in England, 1891 to 1922 98 22. Total Solar Eclipse of August 19, 1887 98 23. Belts of Sun-spots, visible Oct. 29, 1868 104 24. Shadows cast by Faculæ 109 25. Light-spots and streaks on Plato, 1879-82. (A. Stanley Williams.) 126 26. Petavius and Wrottesley at Sunset. (T. Gwyn Elger.) 129 27. Birt, Birt A, and the Straight Wall. (T. Gwyn Elger.) 130 28. Aristarchus and Herodotus at Sunrise. (T. Gwyn Elger.) 132 29. Mercury as a Morning Star 143 30. Venus as an Evening Star 150 31. Mars, 1886, April 13, 9^h 50^m 157 32. Orbits of the Satellites of Mars 159 33. Jupiter, as drawn by Dawes and others 178 34. Jupiter, 1886, April 9, 10^h 12^m 180 35. Occultation of Jupiter, Aug. 7, 1889 186 36. Jupiter and Satellites seen in a small glass 187 37. Shadows of Jupiter’s Satellites II. and III. 192 38. Saturn as observed by Cassini in August 1676 198 39. Saturn, 1885, Dec. 23, 7^h 54^m 201 40. Saturn as observed by F. Terby, February 1887 203 41. Apparent orbits of the Five Inner Satellites of Saturn 212 42. Transit of the Shadow of Titan 213 43. Uranus and his belts 218 44. Apparent orbits of the Satellites of Uranus 221 45. Apparent orbit of the Satellite of Neptune 224 46. Mars, Saturn, and Regulus in same field, Sept. 20, 1889 226 47. Comet 1862 III. (Aug. 19, 1862) 237 48. Sawerthal’s Comet, 1888 I. (March 25, Brooks) 237 49. Brooks’s Double Comet, Sept. 17, 1889 239 50. Pons’s Comet (1812). Telescopic view, 1884, Jan. 6 242 51. Ditto. Ditto, 1884, Jan. 21 242 52. Radiation of Meteors. (Shower of early Perseids, 1878) 263 53. Double Meteor. Curved Meteor. Fireball 265 54. Meteorite found in Chili in 1866 265 55. Meteorite which fell at Orgueil in 1864 265 56. Fireball of Nov. 23, 1877, 8^h 24^m (J. Plant.) 269 57. Flight of Telescopic Meteors seen by W. R. Brooks 272 58. Meteor of Dec. 28, 1888, 6^h 17^m 277 59. Large Meteor and streak seen at Jask 278 60. The Constellation Orion 289 61. Diagram illustrating the Measurement of Angles of Position 291 62. Double Stars 301 63. Trapezium in Orion as seen with the 36-inch refractor 319 64. Nebulæ and a Star-cluster 336 65. Nebula within a semicircle of stars 342 TELESCOPIC WORK FOR STARLIGHT EVENINGS. CHAPTER I. _THE TELESCOPE, ITS INVENTION AND THE DEVELOPMENT OF ITS POWERS._ The instrument which has so vastly extended our knowledge of the Universe, which has enabled us to acquire observations of remarkable precision, and supplied the materials for many sublime speculations in Astronomy, was invented early in the seventeenth century. Apart from its special application as a means of exploring the heavens with a capacity that is truly marvellous, it is a construction which has also been utilized in certain other departments with signal success. It provided mankind with a medium through which to penetrate far beyond the reach of natural vision, and to grasp objects and phenomena which had either eluded detection altogether or had only been seen in dim and uncertain characters. It has also proved a very efficient instrument for various minor purposes of instruction and recreation. The invention of the telescope formed a new era in astronomy; and though, with a few exceptions, men were slow at first in availing themselves of its far-seeing resources, scepticism was soon swept aside and its value became widely acknowledged. But though the telescope was destined to effect work of the utmost import, and to reach a very high degree of excellence in after times, the result was achieved gradually. Step by step its powers were enlarged and its qualities perfected, and thus the stream of astronomical discovery has been enabled to flow on, stimulated by every increase in its capacity. There is some question as to whom may be justly credited with the discovery of its principles of construction. Huygens, in his ‘Dioptrics,’ remarks:—“I should have no hesitation in placing above all the rest of mankind the individual who, solely by his own reflections, without the aid of any fortuitous circumstances, should have achieved the invention of the telescope.” There is reason to conclude, however, that its discovery resulted from accident rather than from theory. It is commonly supposed that Galileo Galilei is entitled to precedence; but there is strong evidence to show that he had been anticipated. In any case it must be admitted that Galilei[1] had priority in successfully utilizing its resources as a means of observational discovery; for he it was who, first of all men, saw Jupiter’s satellites, the crescent form of Venus, the mountains and craters on the Moon, and announced them to an incredible world. It has been supposed, and not without some basis of probability, that a similar instrument to the telescope had been employed by the ancients; for certain statements contained in old historical records would suggest that the Greek philosophers had some means of extending their knowledge further than that permitted by the naked eye. Democritus remarked that the Galaxy or “Milky Way” was nothing but an assemblage of minute stars; and it has been asked, How could he have derived this information but by instrumental aid? It is very probable he gained the knowledge by inferences having their source in close observation; for anyone who attentively studies the face of the sky must be naturally led to conclude that the appearance of the “Milky Way” is induced by immense and irregular clusterings of small stars. In certain regions of the heavens there are clear indications of this: the eye is enabled to glimpse some of the individual star-points, and to observe how they blend and associate with the denser aggregations which give rise to the milky whiteness of the Galaxy. Refracting lenses, or “burning-glasses,” were known at a very early period. A lens, roughly figured into a convex shape and obviously intended for magnifying objects, has been recovered from the ruins of Herculaneum, buried in the ejections from Vesuvius in the year 79 A.D. Pliny and others refer to lenses that burnt by refraction, and describe globules of glass or crystal which, when exposed in the sun, transmit sufficient heat to ignite combustible material. The ancients undoubtedly used tubes in the conduct of their observations, but no lenses seem to have been employed with them, and their only utility consisted in the fact of their shutting out the extraneous rays of light. But spectacles were certainly known at an early period. Concave emeralds are said to have been employed by Nero in witnessing the combats of the gladiators, and they appear to have been the same in effect as the spectacles worn by short-sighted people in our own times. But the ancients supposed that the emerald possessed inherent qualities specially helpful to vision, rather than that its utility resulted simply from its concavity of figure. In the 13th century spectacles were more generally worn, and the theory of their construction understood. It is remarkable that the telescope did not come into use until so long afterwards. Vague references were made to such an instrument, or rather suggestions as to the possibilities of its construction, which show that, although the principle had perhaps been conceived, the idea was not successfully put into practice. Roger Bacon, who flourished in the 13th century, wrote in his
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Posner Memorial Collection (http://posner.library.cmu.edu/Posner/)) [Illustration: Henry M. Stanley Signature 1890] COPYRIGHT 1890 BY CHARLES SCRIBNER'S SONS IN DARKEST AFRICA OR THE QUEST, RESCUE, AND RETREAT OF EMIN GOVERNOR OF EQUATORIA BY HENRY M. STANLEY WITH TWO STEEL ENGRAVINGS, AND ONE HUNDRED AND FIFTY ILLUSTRATIONS AND MAPS IN TWO VOLUMES VOL. II "I will not cease to go forward until I come to the place where the two seas meet, though I travel ninety years."--KORAN, chap. xviii., v. 62. NEW YORK CHARLES SCRIBNER'S SONS 1890 [_All rights reserved_] COPYRIGHT, 1890, BY CHARLES SCRIBNER'S SONS Press of J. J. Little & Co., Astor Place, New York. CONTENTS OF VOLUME II. CHAPTER XXI. WE START OUR THIRD JOURNEY TO THE NYANZA. PAGE Mr. Bonny and the Zanzibaris--The Zanzibaris' complaints--Poison of the Manioc--Conversations with Ferajji and Salim--We tell the rear column of the rich plenty of the Nyanza--We wait for Tippu-Tib at Bungangeta Island--Muster of our second journey to the Albert--Mr. Jameson's letter from Stanley Falls dated August 12th--The flotilla of canoes starts--The Mariri Rapids--Ugarrowwa and Salim bin Mohammed visit me--Tippu-Tib, Major Barttelot and the carriers--Salim bin Mohammed--My answer to Tippu-Tib--Salim and the Manyuema--The settlement of the Batundu--Small-pox among the Madi carriers and the Manyuema--Two insane women--Two more Zanzibari raiders slain--Breach of promises in the Expedition--The Ababua tribe--Wasp Rapids--Ten of our men killed and eaten by natives--Canoe accident at Manginni--Lakki's raiding party at Mambanga--Feruzi and the bush antelope--Our cook, Jabu, shot dead by a poisoned arrow--Panga Falls--Further casualties by the natives--Nejambi Rapids--The poisoned arrows--Mabengu Rapids--Child-birth on the road--Our sick list--Native affection--A tornado at Little Rapids--Mr. Bonny discovers the village of Bavikai--Remarks about Malaria--Emin Pasha and mosquito curtain--Encounter with the Bavikai natives--A cloud of moths at Hippo Broads--Death of the boy Soudi--Incident at Avaiyabu--Result of vaccinating the Zanzibaris--Zanzibari stung by wasps--Misfortunes at Amiri Rapids--Our casualities--Collecting food prior to march to Avatiko 1 CHAPTER XXII. ARRIVAL AT FORT BODO. Ugarrowwa's old station once more--March to Bunda--We cross the Ituri River--Note written by me opposite the mouth of the Lenda River--We reach the Avatiko plantations--Mr. Bonny measures a pigmy--History and dress of the pigmies--A conversation by gesture--The pigmy's wife--Monkeys and other animals in the forest--The clearing of Andaki--Our tattered clothes--The Ihuru River--Scarcity of food; Amani's meals--Uledi searches for food--Missing provisions--We reach Kilonga-Longa's village again--More deaths--The forest improves for travelling--Skirmish near Andikumu--Story of the pigmies and the box of ammunition--We pass Kakwa Hill--Defeat of a caravan--The last of the Somalis--A heavy shower of rain--Welcome food discovery at Indemau--We bridge the Dui River--A rough muster of the people--A stray goat at our Ngwetza camp--Further capture of dwarfs--We send back to Ngwetza for plantains--Loss of my boy Saburi in the forest--We wonder what has become of the Ngwetza party--My boy Saburi turns up--Starvation Camp--We go in search of the absentees, and meet them in the forest--The Ihuru River--And subsequent arrival at Fort Bodo 37 CHAPTER XXIII. THE GREAT CENTRAL AFRICAN FOREST. Professor Drummond's statements respecting Africa--Dimensions of the great forest--Vegetation--Insect life--Description of the trees, &c.--Tribes and their food--The primaeval forest--The bush proper--The clearings: wonders of vegetable life--The queer feeling of loneliness--A forest tempest--Tropical vegetation along the banks of the Aruwimi--Wasps' nests--The forest typical of human life--A few secrets of the woods--Game in the forest--Reasons why we did not hunt the animals--Birds--The Simian tribe--Reptiles and insects--The small bees and the beetles--The "jigger"--Night disturbances by falling trees, &c.--The Chimpanzee--The rainiest zone
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Produced by David Widger. HTML version by Al Haines THE SNOW-IMAGE AND OTHER TWICE-TOLD TALES LITTLE DAFFYDOWNDILLY By Nathaniel Hawthorne Daffydowndilly was so called because in his nature he resembled a flower, and loved to do only what was beautiful and agreeable, and took no delight in labor of any kind. But, while Daffydowndilly was yet a little boy, his mother sent him away from his pleasant home, and put him under the care of a very strict schoolmaster, who went by the name of Mr. Toil. Those who knew him best affirmed that this Mr. Toil was a very worthy character; and that he had done more good, both to children and grown people, than anybody else in the world. Certainly he had lived long enough to do a great deal of good; for, if all stories be true, he had dwelt upon earth ever since Adam was driven from the garden of Eden. Nevertheless, Mr. Toil had a severe and ugly countenance, especially for such little boys or big men as were inclined to be idle; his voice, too, was harsh; and all his ways and customs seemed very disagreeable to our friend Daffydowndilly. The whole day long, this terrible old schoolmaster sat at his desk overlooking the scholars, or stalked about the school-room with a certain awful birch rod in his hand. Now came a rap over the shoulders of a boy whom Mr. Toil had caught at play; now he punished a whole class who were behindhand with their lessons; and, in short, unless a lad chose to attend quietly and constantly to his book, he had no chance of enjoying a quiet moment in the school-room of Mr. Toil. "This will never do for me," thought Daffydowndilly. Now, the whole of Daffydowndilly's life had hitherto been passed with his dear mother, who had a much sweeter face than old Mr. Toil, and who had always been very indulgent to her little boy. No wonder, therefore, that poor Daffydowndilly found it a woful change, to be sent away from the good lady's side, and put under the care of this ugly-visaged schoolmaster, who never gave him any apples or cakes, and seemed to think that little boys were created only to get lessons. "I can't bear it any longer," said Daffydowndilly to himself, when he had been at school about a week. "I'll run away, and try to find my dear mother; and, at any rate, I shall never find anybody half so disagreeable as this old Mr. Toil!" So, the very next morning, off started poor Daffydowndilly, and began his rambles about the world, with only some bread and cheese for his breakfast, and very little pocket-money to pay his expenses. But he had gone only a short distance, when he overtook a man of grave and sedate appearance, who was trudging at a moderate pace along the road. "Good morning, my fine lad," said the stranger; and his voice seemed hard and severe, but yet had a sort of kindness in it; "whence do you come so early, and whither are you going?" Little Daffydowndilly was a boy of very ingenuous disposition, and had never been known to tell a lie in all his life. Nor
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Produced by Juliet Sutherland, Chris Logan and the Online Distributed Proofreading Team at http://www.pgdp.net The Home Medical Library By KENELM WINSLOW, B.A.S., M.D. _Formerly Assistant Professor Comparative Therapeutics, Harvard University; Late Surgeon to the Newton Hospital; Fellow of the Massachusetts Medical Society, etc._ With the Cooeperation of Many Medical Advising Editors and Special Contributors IN SIX VOLUMES _First Aid :: Family Medicines :: Nose, Throat, Lungs, Eye, and Ear :: Stomach and Bowels :: Tumors and Skin Diseases :: Rheumatism :: Germ Diseases Nervous Diseases :: Insanity :: Sexual Hygiene Woman and Child :: Heart, Blood, and Digestion Personal Hygiene :: Indoor Exercise Diet and Conduct for Long Life :: Practical Kitchen Science :: Nervousness and Outdoor Life :: Nurse and Patient Camping Comfort :: Sanitation of the Household :: Pure Water Supply :: Pure Food Stable and Kennel_ NEW YORK The Review of Reviews Company 1907 Medical Advising Editors Managing Editor ALBERT WARREN FERRIS, A.M., M.D. _Former Assistant in Neurology, Columbia University; Former Chairman, Section on Neurology and Psychiatry, New York Academy of Medicine; Assistant in Medicine, University and Bellevue Hospital Medical College; Medical Editor, New International Encyclopedia._ Nervous Diseases CHARLES E. ATWOOD, M.D. _Assistant in Neurology, Columbia University; Former Physician, Utica State Hospital and Bloomingdale Hospital for Insane Patients; Former Clinical Assistant to Sir William Gowers, National Hospital, London._ Pregnancy RUSSELL BELLAMY, M.D. _Assistant in Obstetrics and Gynecology, Cornell University Medical College Dispensary; Captain and Assistant Surgeon (in charge), Squadron A, New York Cavalry; Assistant in Surgery, New York Polyclinic._ Germ Diseases HERMANN MICHAEL BIGGS, M.D. _General Medical Officer and Director of Bacteriological Laboratories, New York City Department of Health; Professor of Clinical Medicine in University and Bellevue Hospital Medical College; Visiting Physician to Bellevue, St. Vincent's, Willard Parker, and Riverside Hospitals._ The Eye and Ear J. HERBERT CLAIBORNE, M.D. _Clinical Instructor in Ophthalmology, Cornell University Medical College; Former Adjunct Professor of Ophthalmology, New York Polyclinic; Former Instructor in Ophthalmology in Columbia University; Surgeon, New Amsterdam Eye and Ear Hospital._ Sanitation THOMAS DARLINGTON, M.D. _Health Commissioner of New York City; Former President Medical Board, New York Foundling Hospital; Consulting Physician, French Hospital; Attending Physician, St. John's Riverside Hospital, Yonkers; Surgeon to New Croton Aqueduct and other Public Works, to Copper Queen Consolidated Mining Company of Arizona, and Arizona and Southeastern Railroad Hospital; Author of Medical and Climatological Works._ Menstruation AUSTIN FLINT, JR., M.D. _Professor of Obstetrics and Clinical Gynecology, New York University and Bellevue Hospital Medical College; Visiting Physician, Bellevue Hospital; Consulting Obstetrician, New York Maternity Hospital; Attending Physician, Hospital for Ruptured and Crippled, Manhattan Maternity and Emergency Hospitals._ Heart and Blood JOHN BESSNER HUBER, A.M., M.D. _Assistant in Medicine, University and Bellevue Hospital Medical College; Visiting Physician to St. Joseph's Home for Consumptives; Author of "Consumption: Its Relation to Man and His Civilization; Its Prevention and Cure."_ Skin Diseases JAMES C. JOHNSTON, A.B., M.D. _Instructor in Pathology and Chief of Clinic, Department of Dermatology, Cornell University Medical College._ Diseases of Children CHARLES GILMORE KERLEY, M.D. _Professor of Pediatrics, New York Polyclinic Medical School and
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CRASHAW, VOLUME II (OF 2)*** E-text prepared by Taavi Kalju, Rory OConor, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/Canadian Libraries (http://www.archive.org/details/toronto) Note: Images of the original pages are available through Internet Archive/Canadian Libraries. See http://www.archive.org/details/completeworksfor02crasuoft Transcriber' note: A character following a carat is supercripted (example: y^e). When two or more characters are superscripted they are enclosed in curly brackets (example: D^{ris}). The Fuller Worthies' Library. THE COMPLETE WORKS OF RICHARD CRASHAW. In Two Volumes. VOL. II. ESSAY ON LIFE AND WRITINGS. EPIGRAMMATA ET POEMATA LATINA
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Produced by Brendan OConnor, Neville Allen, Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Library of Early Journals.) Transcriber's Note: Minor typographical errors have been corrected and footnotes moved to the end of the relevant article. Greek transliterations are surrounded by ~tildes~. BLACKWOOD'S EDINBURGH MAGAZINE. No. CCCLVIII. AUGUST, 1845. VOL. LVIII. CONTENTS. ON PUNISHMENT. 129 PUSHKIN, THE RUSSIAN POET. CONCLUDED. 140 MARSTON; OR, THE MEMOIRS OF A STATESMAN. PART XVIII. 157 A LETTER FROM LONDON. BY A RAILWAY WITNESS, 173 PRIESTS, WOMEN, AND FAMILIES, 185 MY COLLEGE FRIENDS. NO. II.--HORACE LEICESTER, 197 ZUMALACARREGUI, 210 NORTH'S SPECIMENS OF THE BRITISH CRITICS. NO. VII.--MAC-FLECNOE AND THE DUNCIAD, 229 EDINBURGH: WILLIAM BLACKWOOD AND SONS, 45, GEORGE STREET; AND 37, PATERNOSTER ROW, LONDON. _To whom all Communications (post paid) must be addressed._ SOLD BY ALL THE BOOKSELLERS IN THE UNITED KINGDOM. PRINTED BY BALLANTYNE AND HUGHES, EDINBURGH. BLACKWOOD'S EDINBURGH MAGAZINE. No. CCCLVIII. AUGUST, 1845. VOL. LVIII. ON PUNISHMENT. How to punish crime, and in so doing reform the criminal; how to uphold the man as a terror to evil-doers, and yet at the same time be implanting in him the seeds of a future more happy and prosperous life--this is perhaps the most difficult problem of legislation. We are far from despairing of some approximation to a solution, which is the utmost that can be looked for; but we are also convinced that even this approximation will not be presented to us by those who seem willing to blind themselves to the difficulties they have to contend with. Without, therefore, assuming the air of opposition to the schemes of philanthropic legislators, we would correct, so far as lies in our power, some of those misconceptions and oversights which energetic reformers are liable to fall into, whilst zealously bent on viewing punishment in its reformatory aspect. We have selected for our comments the pamphlets of Captain Maconochie, not only because they illustrate the hasty and illogical reasonings, the utter forgetfulness of elementary principles, into which such reformers are apt to lapse; but also for the still better reason, that they contain a suggestion of real value; a contribution towards an efficient prison-discipline, which merits examination and an extensive trial. We have added to these pamphlets a brief work of Zschokke's, the venerable historian of Switzerland, on death-punishment, in order that we might extend our observations over this topic also. It is evident that the question of capital punishment, and the various questions relating to prison discipline, embrace all that is either very interesting or very important in the prevailing discussions on penal legislation. Transportation forms no essentially distinct class of punishment, as the transported convict differs from others in this only, that he has to endure his sentence of personal restraint and compulsory labour in a foreign climate. Reformatory punishment! Alas, there is an incurable contradiction in the very terms! Punishment is pain, is deprivation, despondency, affliction. But, would you reform, you must apply kindness, and a measure of prosperity, and a greater measure still of hope. There is no genial influence in castigation. It may deter from the recommission of the identical offence it visits, but no conversion, no renewal of the heart, waits on its hostile presence; the disposition will remain the same, with the addition of those angry sentiments which pain endured is sure to generate. No philosopher or divine of these days would invent a purgatory for the purifying of corrupted souls. No--he would say--your purgatory may be a place of preparation if you will, but _not_ for heaven. You may make devils there--nothing better; he must be already twice a saint whom the smoke of your torments would not blacken to a demon. We may rest assured of this, that the actual infliction of the punishment must always be an evil, as well to mind as body--as well to society at large as to the culprit. If the threat alone could be constantly efficacious--if the headlong obstinacy, the passion, and the obtuseness of men would not oblige, from time to time, the execution of the penalty, for the very purpose of sustaining the efficacy of the threat--all would be well, and penal laws might be in full harmony with the best educational institutions, and the highest interests of humanity. But the moment the law from a threat becomes an act, and the sentence goes forth, and the torture begins, a new but unavoidable train of evils encounters us. There is war implanted in the very bosom of society--hatred, and the giving and the sufferance of pain. And here, we presume, is to be found the reason of the proverbially severe laws of Draco, which, being instituted by a man of virtue and humanity, were yet said to have been written in blood: he desired that the threat should be effective, and that thus the evils of punishment, as well as of crime, should be avoided. Whatever is to be effected towards the genuine reformation of the culprit, must be the result, not of the punishment itself, but of some added ingredient, not of the essence of the punishment; as when hopes are held out of reward, or part remission of the penalty, on the practice of industry and a continuance of good behaviour. And yet--some one may here object--we correct a child, we punish it, and we reform. The very word correction has the double meaning of penalty and amendment. If the plan succeeds so well with the infant, that he who spares the rod is supposed to spoil the child, why should it utterly fail with the adult? But mark the difference. You punish a child, and a short while after you receive the little penitent back into your love; nay, you caress it into penitence; and the reconcilement is so sweet, that the infant culprit never, perhaps, has his affections so keenly awakened as in these tearful moments of sorrow and forgiveness. The heart is softer than ever, and the sense of shame at having offended is kept sensitively alive. But if you withdrew your love--if, after punishment inflicted, you still kept an averted countenance--if no reconcilement were sought and fostered, there would be no reformation in your chastisement. Between society and the adult culprit, this is exactly the case. Here the hostile parent strikes, but makes no after overture of kindness. The blow, and the bitterness of the blow, are left unhealed. Nothing is done to take away the sting of anger, to keep the heart tender to reproof, to prevent the growing callousness to shame, and the rising rebellion of the spirit. And here reveals itself, in all its force, another notorious difficulty with which the reformer of penal codes has to contend. In drawing the picture of the helpless condition of the convicted and punished criminal, how often and how justly does he allude to the circumstance, that the reputation of the man is so damaged that honest people are loath to employ him--that his return to an untainted life is almost impossible--and that out of self-defence he is compelled to resort again to the same criminal enterprises for which he has already suffered. Struck with this view, the reformer would institute a penitentiary of so effective a description, that the having passed through it would be even a testimonial of good character. But who sees not that the infamy is of the very essence of the punishment? A good character is the appropriate reward of the good citizen; if the criminal does not pay the forfeit of his character--if only a certain amount of temporary inconvenience is to be sustained, the terror of punishment is at an end. Here, on the arena of public life, between society and the culprit, are they not manifestly incompatible--the tenderness that would reclaim, and the vigour that must chastise? There is no question here, we must observe, of that delicate sense of shame which is the best preservative against every departure from rectitude. This has been worn out, and almost ceased to operate on the majority of persons who expose themselves to the penal laws of their country. It is the value of character as a commercial commodity, as a requisite for well-being, that alone has weight with them. Benevolent projectors of reform, more benevolent than logical, are fond of comparing a prison to an hospital; they contend that the inmates of either place are sent there to be cured, and that they should not be restored to society until they are restored, the one to health of body, the other to health of mind. Would they carry out the analogy to its fair completeness, and maintain that the patient from either hospital should be remitted to society with a character equally free from stain? Is the man to be received by the community with the same compassionate welcome who has gone into prison to be cured of a propensity to theft, as one who has entered an hospital to be relieved of a disease? An hospital is a word of no inviting sound--and physic, no doubt, is sufficiently nauseous to be not inaptly compared to flogging, or any other punitive discipline: but nauseous drugs are not the only means of cure; good nursing, vigilant attendance, sometimes generous diet, have a large share in the curative process. And in the hospital of the mind, the lenitive and fostering measures have a still larger share in the work of a moral restoration. Were this principle of cure, of perfect restoration, to be adopted as the first principle of penal legislation, it would come to this, that a poor man would have no better way of recommending himself to the fatherly care of the state than by the commission of a crime, and that none, in the lower classes of society, would be so well trained and disciplined for advancing their fortunes in the world, as those who commenced their career by violating the laws of their country. Imprisonment, with its various accompaniments and modifications, is the great reformatory punishment. Indeed, with the exception of death--confined almost entirely to the case of murder--it is the only punishment bestowed on serious offences. Imprisonment of some kind, either at home or in the colonies, is the penal safeguard of society; and we must be cautious that we do not so far diminish its terrors, that it should cease to hold out any threat to a needy malefactor. But before we allude to the discipline of the prison, we must take a glance at this great exception of death, which it is the object of many of our zealous reformers entirely to erase from the penal code. That this extreme punishment should be reserved for the extreme crime of murder, seems generally admitted; and the practice, if not the letter, of our law has conformed to this opinion. It would be useless, therefore, to argue on the propriety of inflicting this penalty on other and less enormous offences. The question is narrowed to this--shall death continue to be the punishment of the murderer? Those who contend for the entire abolition of this punishment, are in the habit of enlarging much on the inadequate effect produced upon the multitude who witness the spectacle of an execution. This is their favourite and most frequent theme. They seem to overlook the much more powerful effect produced on the imagination of that far greater multitude who never behold, or are likely to behold, an execution. It is curious to observe how pertinaciously a certain class of reasoners will dwell on the picture which a crowd presents at a public execution;--much like a crowd, we may be sure, at any other public spectacle. Whatever the object which gathers together a mob of the lowest class, they will soon begin to relieve the tedium of expectation by coarse jests, drunkenness, and brawling. Yet these descriptive logicians are never weary of painting to us the grotesque and disgusting scenes which the mass of spectators exhibit on these occasions, as if this were quite decisive of the question. That ragged children, who have never thought of death at all, play their usual pranks at the foot of the gallows--that pickpockets ply their trade in this as in every other gaping crowd--what has all this to do with the impression produced on the mind of every man and woman throughout the kingdom, by the knowledge that if he, through sudden passion, or the instigations of cupidity, take the life of a fellow-creature, he shall be--not a spectator at such an exhibition--but that solitary crawling wretch who, after having spent his days and nights in agony and fear, is thrust forward, bound and pinioned, to be hanged up there like a dog before the scoffing or yelling multitude? We willingly concede that a public execution is not an edifying spectacle. The coarse minds who can endure, and who court it, are the last to whom such a spectacle should be presented. And, although the punishment might lose some portion of its terrors, we should prefer that the execution should take place in a more private manner; in the court-yard, for instance, of the prison, and before a selected number of witnesses, partly consisting of official persons, as the sheriffs and magistrates, and partly of a certain number of persons who might be taken from the several jury lists--the option being given to them either to accept or decline this melancholy office. This would be a sufficient publicity to ensure an impartial administration of the laws. The only doubt that remains is, whether it would be sufficient to prevent the spread of false rumours, and absurd suspicions, amongst the people. It is a prevailing tendency with the mob, whenever any one at all above their own condition is executed, to believe that he has been favoured and allowed to escape. Even in the face of the most public execution, such rumours are circulated. We understand that Mr Tawell is confidently reported to be living at this moment in America. Such suspicions, however ridiculous and absurd, must be cautiously guarded against. After all, the mode of execution is but of secondary importance; arrange it how you will, it is a lamentable business. Like all other punishments, and still more than all other punishments, the actual infliction of it is an evil to society. When the law passes from the threat to the execution, it is a social disaster. The main point is, that we present to the imagination of every man a great threat--that of almost immediate extermination--if he lift his hand against his neighbour's life. That which renders the punishment of death peculiarly appropriate, in our estimation, in the crime of murder, is not by any means its retaliative character; the sentiment, that "blood must have blood," is one which we have no desire to foster; and if some less grievous penalty would have the same effect in deterring from the crime, we should, of course, willingly adopt it. Our ground of approval is this, that it presents to the mind an antagonist idea most fit to encounter the temptation to the crime. As this temptation must generally be great, and often sudden, that antagonist idea should be something capable of seizing upon the apprehension at once--of exercising at once all its restraining efficacy. Imprisonment for length of years--the mind must calculate and sum up the long list of pains and penalties included in this threat, before its full import is perceived. But death! And then the after-death! For what makes the punishment of death so singularly applicable to the case of murder is this, that it awakens whatever may exist of religious terror in the mind of him who contemplates the crime. On the one hand, he is about to commit a deed on which there are not two opinions; it is not a crime made such by the laws; it is not even a robbery, for which he may frame excuses out of his destitution, and the harsh distinctions of society; it is murder, which heaven and earth, rich and poor, equally denounce. On the other hand, his guilt will bring him almost immediately before the tribunal of God, as well as the judgment-seat of man. No long interval weakens the impression, no long space holds out the vague prospect of repentance and amendment, and compensatory acts of goodness; but if he will lift the knife, if he will mingle the poison, there is the earthly executioner at hand to transfer him to the still more dreadful sentence of the after-world! The same opinion which condemns the crime of murder here on earth, as the most atrocious that can be committed, follows him to that other tribunal; and all that his imagination has been accustomed to depict of the horrors of internal and eternal punishment, rushes at once upon him. When the temptation comes in the shape of sudden anger and impetuous passion, there is a threat as sudden to encounter it. When the crime is revolved in the secret and guilty recesses of the mind--as when some individual stands between the tempted man and the possession of a fortune, or some other great object of desire--there is religious terror as stealthy, as secret, as unconquerable, as the strongest desire that takes possession of the human heart, to assist always at his deliberations. M. Zschokke's little treatise, to which we have alluded, contains the usual, together with some unusual, arguments against
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Produced by David Widger THE MERRIE TALES OF JACQUES TOURNEBROCHE AND CHILD LIFE IN TOWN AND COUNTRY By Anatole France John Lane Company, MCMXIX Copyright 1909 John Lane Company THE MERRIE TALES OF JACQUES TOURNEBROCHE OLIVIER'S BRAG [Illustration: 016] The Emperor Charlemagne and his twelve peers, having taken the palmer's staff at Saint-Denis, made a pilgrimage to Jerusalem. They prostrated themselves before the tomb of Our Lord, and sat in the thirteen chairs of the great hall wherein Jesus Christ and his Apostles met together to celebrate the blessed sacrifice of the Mass. Then they fared to Constantinople, being fain to see King Hugo, who was renowned for his magnificence. The King welcomed them in his Palace, where, beneath a golden dome, birds of ruby, wrought with a wondrous art, sat and sang in bushes of emerald. He seated the Emperor of France and the twelve Counts about a table loaded with stags, boars, cranes, wild geese, and peacocks, served in pepper. And he offered his guests, in ox-horns, the wines of Greece and Asia to drink. Charlemagne and his companions quaffed all these wines in honour of the King and his daughter, the Princess Helen. After supper Hugo led them to the chamber where they were to sleep. Now this chamber was circular, and a column, springing in the midst thereof, carried the vaulted roof. Nothing could be finer to look upon. Against the walls, which were hung with gold and purple, twelve beds were ranged, while another greater than the rest stood beside the pillar. Charlemagne lay in this, and the Counts stretched themselves round about him on the others. The wine they had drunk ran hot in their veins, and their brains were afire. They could not sleep, and fell to making brags instead, and laying of wagers, as is the way of the knights of France, each striving to outdo the other in warranting himself to do some doughty deed for to manifest his prowess. The Emperor opened the game. He said: "Let them fetch me, a-horseback and fully armed, the best knight King Hugo hath. I will lift my sword and bring it down upon him in such wise it shall cleave helm and hauberk, saddle and steed, and the blade shall delve a foot deep underground." Guillaume d'Orange spake up after the Emperor and made the second brag. "I will take," said he, "a ball of iron sixty men can scarce lift, and hurl it so mightily against the Palace wall that it shall beat down sixty fathoms' length thereof." Ogier, the Dane, spake next. "Ye see yon proud pillar which bears up the vault. To-morrow will I tear it down and break it like a straw." After which Renaud de Montauban cried with an oath: "'Od's life! Count Ogier, whiles you overset the pillar, I will clap the dome on my shoulders and hale it down to the seashore." Gerard de Rousillon it was made the fifth brag. He boasted he would uproot single-handed, in one hour, all the trees in the Royal pleasaunce. Aimer took up his parable when Gerard was done. "I have a magic hat," said he, "made of a sea-calf's skin, which renders me invisible. I will set it on my head, and to-morrow, whenas King Hugo is seated at meat, I will eat up his fish and drink down his wine, I will tweak his nose and buffet his ears. Not knowing whom or what to blame, he will clap all his serving-men in gaol and scourge them sore,--and we shall laugh." "For me," declared Huon de Bordeaux, whose turn it was, "for me, I am so nimble I will trip up to the King and cut off his beard and eyebrows without his knowing aught about the matter. 'T is a piece of sport I will show you to-morrow. And I shall have no need of a sea-calf hat either!" Doolin de Mayence made his brag too. He promised to eat up in one hour all the figs and all the oranges and all the lemons in the King's orchards. Next the Due Naisme said in this wise: "By my faith! _I_ will go into the banquet hall, I will catch up flagons and cups of gold and fling them so high they will never light down again save to tumble into the moon." Bernard de Brabant then lifted his great voice: "I will do better yet," he roared. "Ye know
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) _PENELOPE_ _THE PLAYS OF WILLIAM SOMERSET MAUGHAM_ Uniformly bound cloth, 2s 6d; paper covers, 1s 6d each _LADY FREDERICK_ _JACK STRAW_ _A MAN OF HONOUR_ _MRS. DOT_ _THE EXPLORER_ _NOVELS BY THE SAME AUTHOR_ Price 6s each _THE EXPLORER_ _THE MAGICIAN_ _THE MERRY-GO-ROUND_ _MRS. CRADDOCK_ _LONDON: WILLIAM HEINEMANN_ _PENELOPE_ _A COMEDY_ _In Three Acts_ _BY W. S. MAUGHAM_ _LONDON: WILLIAM HEINEMANN_ _MCMXII_ _Copyright 1912_ This play, originally called _Man and Wife_, was produced at the Comedy Theatre on Saturday, January 9, 1909, with the following cast: DR. O’FARRELL W. GRAHAM BROWNE PROFESSOR GOLIGHTLY ALFRED BISHOP DAVENPORT BARLOW ERIC LEWIS MR. BEADSWORTH HERBERT ROSS MR. ANDERSON J. H. BREWER MRS. FERGUSSON NORMA WHALLEY MRS. GOLIGHTLY KATE BISHOP MRS. WATSON MRS. CHARLES CALVERT PEYTON E. ARTHUR JONES PENELOPE MARIE TEMPEST _CHARACTERS_ PENELOPE DR. O’FARRELL PROFESSOR GOLIGHTLY MRS. GOLIGHTLY MR. DAVENPORT BARLOW MRS. FERGUSSON MR. BEADSWORTH MRS. WATSON A PATIENT PEYTON SCENE: _Dr. O’Farrell’s house in John Street, Mayfair_ TIME: _The Present Day_ _The Performing Rights of this play are fully protected, and permission to perform it, whether by Amateurs or Professionals, must be obtained in advance from the author’s Sole Agent, R. Golding Bright, 20 Green Street, Leicester Square, London, W.C., from whom all particulars can be obtained._ PENELOPE THE FIRST ACT SCENE: _A drawing-room in_ O’FARRELL’S _house in John Street. It is very prettily but not extravagantly furnished. The_ O’FARRELLS _are a young married couple of modest income_. _It is between six and seven in the evening._ PEYTON, _a neat parlour-maid, opens the door and shows in_ MR. DAVENPORT BARLOW. BARLOW _is a short, self-important person of middle age. He is very bald, red in the face, and wears a small, neatly curled moustache; he is dressed in the height of fashion. His manner is fussy and pompous. He comes forward as though he expected to find some one in the room. Seeing that it is empty, he stops and looks at_ PEYTON. _He cannot make out why there is no one to receive him._ BARLOW. [_In a tone of surprise._] Is Mrs. O’Farrell not here? PEYTON. No, sir. BARLOW. H’m.... Will you let her know I’ve come? PEYTON. Mrs. O’Farrell is not at home, sir. BARLOW. Not at home?... But.... PEYTON. Mrs. O’Farrell said, would you kindly sit down and make yourself comfortable? And I was to give you the _Morning Post_. BARLOW. [_Pompously._] I can’t imagine why Mrs. O’Farrell should think I haven’t read the _Morning Post_ at six o’clock in the evening. PEYTON. [_Imperturbably._] And Mrs. O’Farrell said, will you have a whisky and soda, sir? BARLOW. But when is Mrs. O’Farrell coming in? PEYTON. I don’t know at all,
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Produced by Jeannie Howse and Friend, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE LAST CRUISE OF THE SAGINAW [Illustration: LIEUTENANT-COMMANDER MONTGOMERY SICARD] THE LAST CRUISE OF THE SAGINAW BY GEORGE H. READ PAY INSPECTOR, U.S.N. (RETIRED) _With Illustrations from Sketches by Lieutenant Commander (afterwards Rear-Admiral) Sicard and from Contemporary Photographs_ [Illustration] BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY The Riverside Press Cambridge 1912 COPYRIGHT, 1912, BY GEORGE H. READ ALL RIGHTS RESERVED _Published February 1912_ ONE HUNDRED AND FIFTY COPIES OF THIS FIRST EDITION PRINTED AND BOUND UNCUT WITH PAPER LABEL THIS BOOK IS DEDICATED TO THE MEMORY OF THE NOBLE MEN WHO LOST THEIR LIVES IN THE EFFORT TO OBTAIN RELIEF FOR THEIR SHIPWRECKED COMRADES PREFACE Dear Mr. Read:-- I am greatly obliged to you for letting me read your deeply interesting account of the wreck of the poor Saginaw and the loss of Lieutenant Talbot. With General Cutter's approval I shall take the manuscript with me to Boston, but I will return it carefully. I leave the two photographs, but I have the curious drawing and newspaper scraps, which I will safely return. Very truly yours, EDWARD E. HALE. Dec
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Produced by The Online Distributed Proofreaders at http://www.fadedpage.net [Illustration: With eye and ear alert the man paddles silently on. (_See page 105._)] _THE STORY OF THE WEST SERIES_ _EDITED BY RIPLEY HITCHCOCK_ THE STORY OF THE TRAPPER * * * * * The Story of the West Series. EDITED BY RIPLEY HITCHCOCK. Each Illustrated, 12mo, Cloth. +The Story of the Railroad.+ By CY WARMAN, Author of "The Express Messenger." $1.50. +The Story of the Cowboy.+ By E. HOUGH. Illustrated by William L. Wells and C. M. Russell. $1.50. +The Story of the Mine.+ Illustrated by the Great Comstock Lode of Nevada. By CHARLES HOWARD SHINN. $1.50. +The Story of the Indian.+ By GEORGE BIRD GRINNELL, Author of "Pawnee Hero Stories," "Blackfoot Lodge Tales," etc. $1.50. +The Story of the Soldier.+ By Brevet Brigadier-General GEORGE A. FORSYTH, U. S. A. (retired). Illustrated by R. F. Zogbaum. $1.50. +The Story of the Trapper.+ By A. C. LAUT, Author of "Heralds of Empire." Illustrated by Hemment. $1.25 net; postage, 12 cents additional. D. APPLETON AND COMPANY, NEW YORK. * * * * * THE STORY OF THE TRAPPER BY A. C. LAUT AUTHOR OF HERALDS OF EMPIRE AND LORDS OF THE NORTH _ILLUSTRATED BY ARTHUR H
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Produced by Joshua Hutchinson, KarenD and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by Cornell University Digital Collections) Vol. XXXV. No. 12. THE AMERICAN MISSIONARY. * * * * * “To the Poor the Gospel is Preached.” * * * * * DECEMBER, 1881. _CONTENTS_: EDITORIAL. PARAGRAPHS 353 FINANCIAL—APPEALING FACTS 354 ABSTRACT OF PROCEEDINGS AT THE ANNUAL MEETING 355 GENERAL SURVEY 357 SUMMARY OF TREASURER’S REPORT 367 ADDRESS OF SENATOR GEO. F. HOAR 369 EXTRACTS OF ADDRESSES RELATING TO GENERAL WORK 373 THE FREEDMEN. REPORT OF COMMITTEE ON EDUCATIONAL WORK 382 ADDRESS OF REV. C. T. COLLINS 383 ADDRESS OF REV. J. R. THURSTON 386 CHRISTIAN EDUCATION: PROF. CYRUS NORTHROP 388 HIGHER EDUCATION: PRES. E. A. WARE 390 REPORT OF COMMITTEE ON CHURCH WORK 392 ADDRESS OF PRES. CYRUS HAMLIN 393 AFRICA. REPORT ON FOREIGN WORK 395 ADDRESS OF REV. J. W. HARDING 397 ADDRESS OF REV. GEO. S. DICKERMAN 398 THE UPPER NILE BASIN: COL. H. G. PROUT 398 THE INDIANS. REPORT OF THE COMMITTEE 403 ADDRESS OF GEN. S. C. ARMSTRONG 403 ADDRESS OF CAPT. R. H. PRATT 405 THE CHINESE. REPORT OF THE COMMITTEE 406 THE CHINESE TO EVANGELIZE CHINA: REV. C. H. POPE 408 REPORT OF COMMITTEE ON FINANCE 408 ADDRESS OF REV. GEO. F. STANTON 409 VOTE OF THANKS AND REPLY 410 ECHOES OF THE ANNUAL MEETING 411 RECEIPTS 412 CONSTITUTION 416 * * * * * NEW YORK: Published by the American Missionary Association, ROOMS, 56 READE STREET. * * * * * Price, 50 Cents a Year, in advance. Entered at the Post Office at New York, N.Y., as second-class matter. * * * * * American Missionary Association, 56 READE STREET, N.Y. * * * * * PRESIDENT. HON. WM. B. WASHBURN, Mass. VICE-PRESIDENTS. Hon. E. S. TOBEY, Mass. Hon. F. D. PARISH, Ohio. Hon. E. D. HOLTON, Wis. Hon. WILLIAM CLAFLIN, Mass. Rev. STEPHEN THURSTON, D.D., Me. Rev. SAMUEL HARRIS, D.D., Ct. WM. C. CHAPIN, Esq., R.I. Rev. W. T. EUSTIS, D.D., Mass. Hon. A. C. BARSTOW, R.I. Rev. THATCHER THAYER, D.D., R.I. Rev. RAY PALMER, D.D., N.J. Rev. EDWARD BEECHER, D.D., N.Y. Rev. J. M. STURTEVANT, D.D., Ill. Rev. W. W. PATTON, D.D., D.C. Hon. SEYMOUR STRAIGHT, La. Rev. CYRUS W. WALLACE, D.D., N.H. Rev. EDWARD HAWES, D.D., Ct. DOUGLAS PUTNAM, Esq., Ohio. Hon. THADDEUS FAIRBANKS, Vt. Rev. M. M. G. DANA, D.D., Minn. Rev. H. W. BEECHER, N.Y. Gen.
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Produced by Tor Martin Kristiansen, Matthew Wheaton, Michael and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: "The hunt became a mad break-neck scramble across the rocky plain." [PAGE 143]] WHITE OTTER BY ELMER RUSSELL GREGOR AUTHOR OF "CAMPING ON WESTERN TRAILS," "THE RED ARROW," ETC. FRONTISPIECE BY D. C. HUTCHISON D. APPLETON AND COMPANY NEW YORK LONDON 1924 By ELMER R. GREGOR JIM MASON, BACKWOODSMAN JIM MASON, SCOUT _Western Indian Series...._ WHITE OTTER THE WAR TRAIL THREE SIOUX SCOUTS _Eastern Indian Series_ SPOTTED DEER RUNNING FOX THE WHITE WOLF COPYRIGHT, 1917, BY D. APPLETON AND COMPANY Printed in the United States of America CONTENTS CHAPTER PAGE I. RIDERS OF THE NIGHT 1 II. THE WAR PARTY 14 III. TRAILING THE ENEMY 31 IV. A PERILOUS ADVENTURE 50 V. A SURPRISE 66 VI. A FIGHT IN THE DARK 85 VII. THE MINNECONJOUX CAMP 97 VIII. VISITORS FROM THE NORTH 114 IX. THE GREAT BUFFALO DRIVE 137 X. AN ADVENTURE AMONG THE PEAKS 156 XI. A CALL TO WAR 177 XII. A NIGHT OF UNCERTAINTY 189 XIII. RACING TO THE RESCUE 212 XIV. THE PLIGHT OF THE OGALALAS 222 XV. WHITE OTTER'S BOLD RESOLVE 241 XVI. A BAFFLING TRAIL 253 XVII. A PEEP INTO THE PAWNEE CAMP 267 XVIII. A DARING ATTEMPT 278 XIX. A SPLENDID VICTORY 292 XX. THE CROWN OF EAGLE PLUMES 305 WHITE OTTER CHAPTER I RIDERS OF THE NIGHT It was the time of the new-grass moon. The long cold winter had finally passed, and the season of abundance was at hand. The Sioux gave thanks to the Great Mystery with song and dance. They knew that vast herds of buffaloes would soon appear from the south, and then every want would be supplied. The hunters were already making plans for the great buffalo drive which would provide the camp with meat for many days. It was at this season that White Otter, the grandson of Wolf Robe, the famous Ogalala war chief, had planned to visit the Minneconjoux camp to see his friends, Sun Bird and his brother Little Raven. The three young warriors had shared many perilous adventures the previous year, when White Otter won fame by recovering the Red Arrow, a Sioux medicine trophy which had been stolen by the Pawnees, and Sun Bird rescued his brother from captivity. At that time the lads pledged themselves to an undying friendship, and Sun Bird and Little Raven accompanied White Otter to the Ogalala village. When they departed White Otter gave each two splendid ponies, and promised to visit them the following spring. Now the time was at hand and he was eager to go. When Wolf Robe learned White Otter's intention he said: "It is good; the Minneconjoux are our brothers. Curly Horse, their chief, is a great man. You will see many brave warriors in that camp. Sun Bird and Little Raven are your friends. They will tell their people about you. Go and tell the Minneconjoux that Wolf Robe is thinking about them." Two days later White Otter set out upon his journey. As he was anxious to
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Project Gutenberg Etext of The Power of Concentration, by Dumont Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. Project Gutenberg surfs with a modem donated by Supra. The Power of Concentration by Theron Q. Dumont December, 1998 [Etext #1570] Project Gutenberg Etext of The Power of Concentration, by Dumont ******This file should be named 1570.txt or 1570.zip****** Scanned by Charles Keller with OmniPage Professional OCR software Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United States, unless a copyright notice is included. Therefore, we do NOT keep these books in compliance with any particular paper edition, usually otherwise. We are now trying to release all our books one month in advance of the official release dates, for time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. To be sure you have an up to date first edition [xxxxx10x.xxx] please check file sizes in the first week of the next month. Since our ftp program has a bug in it that scrambles the date [tried to fix and failed] a look at the file size will have to do, but we will try to see a new copy has at least one byte more or less. Information about Project Gutenberg (one page) We produce about two million dollars for each hour we work. The fifty hours is one conservative estimate for how long it we take to get any etext selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. This projected audience is one hundred million readers. If our value per text is nominally estimated at one dollar then we produce $2 million dollars per hour this year as we release thirty-two text files per month, or 384 more Etexts in 1998 for a total of 1500+ If these reach just 10% of the computerized population, then the total should reach over 150 billion Etexts given away. The Goal of Project Gutenberg is to Give Away One Trillion Etext Files by the December 31, 2001. [10,000 x 100,000,000=Trillion] This is ten thousand titles each to one hundred million readers, which is only 10% of the present number of computer users. 2001 should have at least twice as many computer users as that, so it will require us reaching less than 5% of the users in 2001. We need your donations more than ever! All donations should be made to "Project Gutenberg/CMU": and are tax deductible to the extent allowable by law. (CMU = Carnegie- Mellon University). For these and other matters, please mail to: Project Gutenberg P. O. Box 2782 Champaign, IL 61825 When all other email fails try our Executive Director: Michael S. Hart <[email protected]> We would prefer to send you this information by email (Internet, Bitnet, Compuserve, ATTMAIL or MCImail). ****** If you have an FTP program (or emulator), please FTP directly to the Project Gutenberg archives: [Mac users, do NOT point and click...type] ftp uiarchive.cso.uiuc.edu login: anonymous password: your@login cd etext/etext90 through /etext96 or cd etext/articles [get suggest gut for more information] dir [to see files] get or mget [to get files...set bin for zip files] GET INDEX?00.G
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The Project Gutenberg Etext of Conscience by Hector Malot, v2 #74 in our series The French Immortals Crowned by the French Academy #2 in our series by Hector Malot Copyright laws are changing all over the world, be sure to check the laws for your country before redistributing these files!!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Please do not remove this. This should be the first thing seen when anyone opens the book. Do not change or edit it without written permission. 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Money should be paid to the: "Project Gutenberg Literary Archive Foundation." If you are interested in contributing scanning equipment or software or other items, please contact Michael Hart at: [email protected] [Portions of this header are copyright (C) 2001 by Michael S. Hart and may be reprinted only when these Etexts are free of all fees.] [Project Gutenberg is a TradeMark and may not be used in any sales of Project Gutenberg Etexts or other materials be they hardware or software or any other related product without express permission.] *END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.07/27/01*END* This etext was produced by David Widger <[email protected]> [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them. D.W.] CONSCIENCE By HECTOR MALOT BOOK 2. CHAPTER XI THE INSTRUMENT OF DEATH When, after two hours' sleep, Saniel woke, he did not at first think of this knife; he was tired and dull. Mechanically he walked about his room without paying attention to what he was doing, as if he were in a state of somnambulism, and it astonished him, because he never felt weariness of mind any more than of body, no matter how little he had slept, nor how hard he had worked. But suddenly, catching a glimpse of the knife that he had placed on the mantel, he received a shock that annihilated his torpor and his fatigue. It dazzled him like a flash of lightning. He took it, and, going to the window, he examined it by the pale light of early morning. It was a strong instrument that, in a firm hand, would be a terrible arm; newly sharpened, it had the edge of a razor. Then the idea, the vision that had come to him two hours before, came back to him, clear and complete at nightfall, that is, at the moment when the concierge was in the second wing of the building, he mounted to Caffie's apartment without being seen, and with this knife he cut his throat. It was as simple as it was easy, and this knife left beside the corpse, and the nature of the wound, would lead the police to look for a butcher, or at least a man who was in thehabit of using a knife of this kind. The evening before, when he had discussed Caffie's death, the how and the when still remained vague and uncertain. But now the day and the means were definitely settled: it should be with this knife, and this evening. This shook him out of his torpor and made him shudder. He was angry with himself for this weakness. Did he know or did he not know what he wished? Was he irresolute or cowardly? Then, going from one idea to another, he thought of an observation that he had made, which appeared to prove that with many subjects there is less firmness in the morning than in the evening. Was this the result of dualism of the nervous centres, and was the human personality double like the brain? Were there hours when the right hemisphere is master of our will, and were there other hours when the left is master? Did one of these hemispheres possess what the other lacked, and is it according to the activity of this or that one, that one has such a character or such a temperament? This
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Produced by Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) A Girl of Virginia [Illustration: "He had stepped from his own room far up the corridor."] A Girl of Virginia BY LUCY M. THRUSTON Author of "Mistress Brent" _With a Frontispiece by Ch. Grunwald_ Boston Little, Brown, and Company _Copyright, 1902_, BY LITTLE, BROWN, AND COMPANY. _All rights reserved_ Printers S. J. PARKHILL & CO., BOSTON, U. S. A. _To_ GOVERNOR MONTAGUE, OF VIRGINIA _A former Student of the University_ A Girl of Virginia I "Good morning!" The voice was cheery, insistent. It brought the young girl on the porch above to the white wooden rail about its edge. "Good morning!" she called back lightly. "Beautiful day!" persisted the young man saying inanely the first words he could think of for the sole purpose of keeping her there in sight. "Lovely!" cried the girl enthusiastically, leaning a little further over the rail. A vine, which had climbed the round pillar and twined its tendrils about the porch's edge, set waving by the slight motion, sent a shower of scarlet leaves about the young man below; one fluttered upon his breast, he caught it and held it over his heart as if it were a message from her to him; and then he fastened it in his button-hole. The young woman laughed carelessly as he did so; she was too used to students to exaggerate the meaning of their words or deeds, and there was no answering flash in her gray eyes as she looked down on him. "Don't you think it too fine to stay indoors?" "I'm not in," answered the girl turning her head to look up at the blue arch of the sky overhead. "Oh, well"--the young fellow bit his lip, and flushed hotly,--"you know it's--Come, take a walk across the quadrangle," he added boldly. "There's no one around." Frances leaned further for a survey of campus and corridor. "All right!" she cried, and he could hear her footsteps as she ran down the polished stair in the big old house. When she opened the great hall door she was charmingly demure. "Glad to see you Mr. Lawson!" she exclaimed mischievously to the young man, who stood hat in hand by the wide step. "Delighted, I'm sure!" he flashed back, holding the hand she extended as long as he dared,--so long that the young woman had drawn herself up quite straight and was looking gravely along the corridor when he released it. "You haven't mailed your letter!" she said looking at the missive he still held. "Oh! and I came--" "There's the box, don't forget it!" "Which way are you going?" "Up to the Rotunda, of course." "See how it commands everything else," said Frances, pausing at the sunken, well-worn steps in the terraced corridor to look about her. The morning shadows of the maples on the quadrangle stretched to the brick pavement at their feet, scarlet and yellow leaves, blown across the green grass, rustled about them; the picturesque buildings on the other side the campus loomed in deep shadowings, for the sun was yet behind them. A late student slammed his door and went hurrying down the corridor, his footsteps echoing along the way. "It is beautiful!" said Frances softly, as she went up the few steps. "Beautiful, yes, and you don't appreciate it half as much--" "Appreciate it!" "Don't you hear the men raving over it everywhere? Those from a good long distance especially--Oregon, for instance, that's my state you know; but you Virginians--" "Are not given to boasting!" said the girl proudly. "There you are! You are"--"a queer lot," he was about to say, but remembered himself in time. "You are--" he blundered; "one scarce knows how to take you." "Don't take us!" said the girl quietly. "Now, Miss Holloway," deprecated the young man, "you see, the things other people think you would be proudest of, you don't care for at all, and the things other people don't care for--" "Perhaps there are some people who don't talk about the things they care for most. Perhaps," she went on, her flushing cheek and darkening eye belying her light tone, "that's a secret you haven't found out, and it may be the reason you don't know how to take us," she repeated. "I'm not going to quarrel about it a morning like this," declared the young man as they went up the wide steps to the Rotunda and along the marble floor of the east wing which roofed
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Produced by Nick Hodson of London, England Volume 1, Chapter I. DUPLEX STREET. "Some people are such fools!" said Richard Pellet; and, if public judgment was right, he knew what a fool was as well as any man in the great city of London. He was a big man was Richard Pellet, Esq., C.C., shipper, of Austin Friars, and known among city men as "the six-hundred-pounder;" and he knew a fool when he saw one. But whether at his office in the city, or down at his place at Norwood,--"his little place at Norwood," where he had "a morsel of garden" and "a bit of glass," and grew pine and melon, peach and grape, and had a fat butler in black, and a staff of servants in drab, trimmed with yellow coach-lace,--
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Produced by Jane Robins, Malcolm Farmer and the Online Distributed Proofreading Team at http://www.pgdp.net PUNCH, OR THE LONDON CHARIVARI. VOLUME 93, OCTOBER 15, 1887. _edited by Sir Francis Burnand._ 'ARRY ON OCHRE. [Illustration] DEAR CHARLIE, Hoctober, my 'arty, and 'ARRY, wus luck!'s back in town, Where it's all gitting messy and misty; the boollyvard trees is all brown, Them as ain't gone as yaller as mustard. I _do_ 'ate the Autumn, dear boy, When a feller 'as spent his last quid, and there's nothink to do or enjoy. Cut it spicy, old man, by the briny, I did, and no error. That Loo Was a rattler to keep up the pace whilst a bloke 'ad a brown left to blue. Cleared me out a rare bat, I can tell yer; no Savings Bank lay about _her_. Yah!--Women is precious like cats, ony jest while you strokes 'em they purr. Lor', to think wot a butterfly beauty I was when I started, old pal! Natty cane, and a weed like a hoop-stick, and now!--oh, well, jigger that gal! Cut me slap in the Strand ony yesterday, CHARLIE, so 'elp me, she did. Well, of sech a false baggage as Loo is, yours truly is jolly well rid. Wot a thing this yer Ochre is, CHARLIE! The yaller god rules us all round. Parsons patter of poverty's pleasures! I tell yer they ain't to be found. If you 'aven't the ha'pence you're nothink; bang
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