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Produced by Darleen Dove, Mary Meehan, and the Online Distributed Proofreading Team at http://www.pgdp.net. This file was produced from images generously made available by The Internet Archive/American Libraries. THE GIRL AT CENTRAL BY GERALDINE BONNER Author of "The Emigrant Trail," "The Book of Evelyn," etc. ILLUSTRATED BY ARTHUR WILLIAM BROWN NEW YORK AND LONDON D. APPLETON AND COMPANY 1915 Copyright, 1915, by _D. Appleton and Company_ _Copyright, 1914, 1915, by The Curtis Publishing Company_ _Printed in the United States of America_ [Illustration: _'Mark my words, there's going to be trouble at Mapleshade'"_] CONTENTS - LIST OF ILLUSTRATIONS - I - II - III - IV - V - VI - VII - VIII - IX - X - XI - XII - XIII - XIV - XV - XVI - XVII LIST OF ILLUSTRATIONS 'Mark my words, there's going to be trouble at Mapleshade' Sylvia was in her riding dress, looking a picture A day later he was arrested at Firehill and taken to Bloomington jail I came down to the parlor where Babbitts was waiting I Poor Sylvia Hesketh! Even now, after this long time, I can't think of it without a shudder, without a comeback of the horror of those days after the murder. You remember it--the Hesketh mystery? And mystery it surely was, baffling, as it did, the police and the populace of the whole state. For who could guess why a girl like that, rich, beautiful, without a care or an enemy, should be done to death as she was. Think of it--at five o'clock sitting with her mother taking tea in the library at Mapleshade and that same night found dead--murdered--by the side of a lonesome country road, a hundred and eighteen miles away. It's the story of this that I'm going to tell here, and as you'll get a good deal of me before I'm through, I'd better, right now at the start, introduce myself. I'm Molly Morganthau, day operator in the telephone exchange at Longwood, New Jersey, twenty-three years old, dark, slim, and as for my looks--well, put them down as "medium" and let it go at that. My name's Morganthau because my father was a Polish Jew--a piece worker on pants--but my two front names, Mary McKenna, are after my mother, who was from County Galway, Ireland. I was raised in an East Side tenement, but I went steady to the Grammar school and through the High and I'm not throwing bouquets at myself when I say I made a good record. That's how I come to be nervy enough to write this story--but you'll see for yourself. Only just keep in mind that I'm more at home in front of a switchboard than at a desk. I've supported myself since I was sixteen, my father dying then, and my mother--God rest her blessed memory!--two years later. First I was in a department store and then in the Telephone Company. I haven't a relation in the country and if I had I wouldn't have asked a nickel off them. I'm that kind, independent and--but that's enough about me. Now for you to rightly get what I'm going to tell I'll have to begin with a description of Longwood village and the country round about. I've made a sort of diagram--it isn't drawn to scale but it gives the general effect, all right--and with that and what I'll describe you can get an idea of the lay of the land, which you have to have to understand things. Longwood's in New Jersey, a real picturesque village of a thousand inhabitants. It's a little over an hour from New York by the main line and here and there round it are country places, mostly fine ones owned by rich people. There are some farms too, and along the railway and the turnpike are other villages. My exchange is the central office for a good radius of country, taking in Azalea, twenty-five miles above us on the main line, and running its wires out in a big circle to the scattered houses and the crossroad settlements. It's on Main Street, opposite the station, and from my chair at the switchboard I can see the platform and the trains as they come down from Cherry Junction or up from New York. It's sixty miles from Longwood to the Junction where you get the branch line that goes off to the North, stopping at other stations, mostly for the farm people, and where, when you get to Hazelmere, you can connect with an express for Philadelphia. Also you can keep right on from the Junction and get to Philadelphia that way, which is easier, having no changes and better trains. When I was first transferred from New York--it's over two years now--I thought I'd die of the lonesomeness of it. At night, looking out of my window--I lived over Galway's Elite Millinery Parlors on Lincoln Street--across those miles and miles of country with a few lights dotted here and there, I felt like I was cast on a desert island. After a while I got used to it and that first spring when the woods began to get a faint greenish look and I'd wake up and hear birds twittering in the elms along the street--hold on! I'm getting sidetracked. It's going to be hard at first to keep myself out, but just be patient, I'll do it better as I go along. The county turnpike goes through Longwood, and then sweeps away over the open country between the estates and the farms and now and then a village--Huntley, Latourette, Corona--strung out along it like beads on a string. A hundred and fifty miles off it reaches Bloomington, a big town with hotels and factories and a jail. About twenty miles before it gets to Bloomington it crosses the branch line near Cresset's Farm. There's a little sort of station there--just an open shed--called Cresset's Crossing, built for the Cresset Farm people, who own a good deal of land in that vicinity. Not far from Cresset's Crossing, about a half mile apart, the Riven Rock Road from the Junction and the Firehill Road from Jack Reddy's estate run into the turnpike. This is the place, I guess, where I'd better tell about Jack Reddy, who was such an important figure in the Hesketh mystery and who--I get red now when I write it--was such an important figure to me. A good ways back--about the time of the Revolution--the Reddy family owned most of the country round here. Bit by bit they sold it off till in old Mr. Reddy's time--Jack's father--all they had left was the Firehill property and Hochalaga Lake, a big body of water, back in the hills beyond Huntley. Firehill is an old-fashioned, stone house, built by Mr. Reddy's grandfather. It got its name from a grove of maples on the top of a mound that in the autumn used to turn red and orange and look like the hillock was in a blaze. The name, they say, came from the Indian days and so did Hochalaga, though what that stands for I don't know. The Reddys had had lots of offers for the lake but never would sell it. They had a sort of little shack there and before Jack's time, when there were no automobiles, used to make horseback excursions to Hochalaga and stay for a few days. After the old people died and Jack came into the property everybody thought he'd sell the lake--several parties were after it for a summer resort--but he refused them all, had the shack built over into an up-to-date bungalow, and through the summer would have guests down from town, spending week-ends out there. Now I'm telling everything truthful, for that's what I set out to do, and if you think I'm a fool you're welcome to and no back talk from me--but I was crazy about Jack Reddy. Not that he ever gave me cause; he's not that kind and neither am I. And let me say right here that there's not a soul ever knew it, he least of all. I guess no one would have been more surprised than the owner of Firehill if he'd known that the Longwood telephone girl most had heart failure every time he passed the window of the Exchange. I will say, to excuse myself, that there's few girls who wouldn't have put their hats straight and walked their prettiest when they saw him coming. Gee--he was a good looker! Like those advertisements for collars and shirts you see in the back of the magazines--you know the ones. But it wasn't that that got me. It was his ways, always polite, never fresh. If he'd meet me in the street he'd raise his hat as if I was the Queen of Sheba. And there wasn't any hanging round my switchboard and asking me to make dates for dinner in town. He was always jolly, but--a girl in a telephone exchange gets to know a lot--he was always a gentleman. He lived at Firehill--forty miles from Longwood--with two old servants, David Gilsey and his wife, who'd been with his mother and just doted on him. But everybody liked him. There wasn't but one criticism I ever heard passed on him and that was that he had a violent temper. Casey, his chauffeur, told a story in the village of how one day, when they were passing a farm, they saw an Italian laborer <DW8> a horse with a pitchfork. Before he knew, Mr. Reddy was out of the car and over the fence and mashing the life out of that <DW55>. It took Casey and the farmer to pull him off and they thought the <DW55>'d be killed before they could. There was talk in Longwood that he hadn't much money--much, the way the Reddys had always had it--and was going to study law for a living. But he must have had some, for he kept up the house, and had two motors, one just a common roadster and the other a long gray racing car that he'd let out on the turnpike till he was twice arrested and once ran over a dog. My, how well I got to know that car! When I first came I only saw it at long intervals. Then--just as if luck was on my side--I began to see it oftener and oftener, slowing down as it came along Main Street, swinging round the corner, jouncing across the tracks, and dropping out of sight behind the houses at the head of Maple Lane. "What's bringing Jack Reddy in this long way so often?" people would say at first. Then, after a while, when they'd see the gray car, they'd look sly at each other and wink. There's one good thing about having a crush on a party that's never thought any more about you than if you were the peg he hangs his hat on--it doesn't hurt so bad when he falls in love with his own kind of girl. And that brings me--as if I was in the gray car speeding down Maple Lane--to Mapleshade and the Fowlers and Sylvia Hesketh. II About a mile from Longwood, standing among ancient, beautiful trees, is Mapleshade, Dr. Dan Fowler's place. It was once a farmhouse, over a century old, but two and a half years ago when Dr. Fowler bought it he fixed it all up, raised the roof, built on a servants' wing and a piazza with columns and turned the farm buildings into a garage. Artists and such people say it's the prettiest place in this part of the State, and it certainly is a picture, especially in summer, with the lawns mown close as velvet and the flower-beds like bits of carpet laid out to air. The Doctor bought a big bit of land with it--I don't know how many hundred acres--so the house, though it's not far from the village, is kind of secluded and shut away. You get to it by Maple Lane, a little winding road that runs between trees caught together with wild grape and Virginia creeper. In summer they're like green walls all draped over with the vines and in winter they turn into a rustling gray hedge, woven so close it's hard to see through. About ten minutes' walk from the gate of Mapleshade there's a pine that was struck by lightning and stands up black and bare. When the house was finished the Doctor, who was a bachelor, married Mrs. Hesketh, a widow lady accounted rich, and he and she came there as bride and groom with her daughter, Sylvia Hesketh. I hadn't come yet, but from what I've heard, there was gossip about them from the start. What I can say from my own experience is that I'd hardly got my grip unpacked when I began to hear of the folks at Mapleshade. They lived in great style with a housekeeper, a butler and a French maid for the ladies. In the garage were three automobiles, Mrs. Fowler's limousine, the Doctor's car and a dandy little roadster that belonged to Miss Sylvia. Neither she nor the Doctor bothered much with the chauffeur. They left him to take Mrs. Fowler round and drove themselves, the joke going that if Miss Sylvia ever went broke she could qualify for a chauffeur's job. After a while the story came out that it wasn't Mrs. Fowler who was so rich but Miss Hesketh. The late Mr. Hesketh had only left his wife a small fortune, willing the rest--millions, it was said--to his daughter. She was a minor--nineteen--and the trustees of the estate allowed her a lot of money for her maintenance, thirty thousand a year they had it in Longwood. In spite of the grand way they lived there wasn't much company at Mapleshade. Anne Hennessey, the housekeeper, told me Mrs. Fowler was so dead in love with her husband she didn't want the bother of entertaining people. And the Doctor liked a quiet life. He'd been a celebrated surgeon in New York but had retired only for consultations and special cases now and again. He was very good to the people round about, and would come in and help when our little Dr. Pease, or Dr. Graham, at the Junction, were up against something serious. I'll never forget when Mick Donahue, the station agent's boy, got run over by Freight No. 22. But I'm sidetracked again. Anyhow, the Doctor amputated the leg and little Mick's stumping round on a wooden pin almost as good as ever. But even so they weren't liked much. They held their heads very high, Mrs. Fowler driving through the village like it was Fifth Avenue, sending the chauffeur into the shops and not at all affable to the tradespeople. The Doctor wouldn't trouble to give you so much as a nod, just stride along looking straight ahead. When the story got about that he'd lost most of the money he'd made doctoring I didn't bear any resentment, seeing it was worry that made him that way. But Miss Sylvia was made on a different measure. My, but she was a winner! Even after I knew what brought Jack Reddy in from Firehill so often I couldn't be set against her. Jealous I might be of a girl like myself, but not of one who was the queen bee of the hive. She was a beauty from the ground up--a blonde with hair like corn silk that she wore in a loose, fluffy knot with little curly ends hanging on her neck. Her face was pure pink and white, the only dark thing in it her big brown eyes, that were as clear and soft as a baby's. And she was a great dresser, always the latest novelty, and looking prettier in each one. Mrs. Galway'd say to me, with her nose caught up, scornful, "To my mind it's not refined to advertise your wealth on your back." But I didn't worry, knowing Mrs. Galway'd have advertised hers if she'd had the wealth or a decent shaped back to advertise it on, which she hadn't, being round-shouldered. There was none of the haughty ways of her parents about Miss Sylvia. When she'd come into the exchange to send a call (a thing that puzzled me first but I soon caught on) she'd always stop and have a pleasant word with me. On bright afternoons I'd see her pass on horseback, straight as an arrow, with a man's hat on her golden hair. She'd always have a smile for everyone, touching her hat brim real sporty with the end of her whip. Even when she was in her motor, speeding down Main Street, she'd give you a hail as jolly as if she was your college chum. Sometimes she'd be alone but generally there was a man along. There were a lot of them hanging round her, which was natural, seeing she had everything to draw them like a candle drawing moths. They'd come and go from town and now and then stay over Sunday at the Longwood Inn--it's a swell little place done up in the Colonial style--and you'd see them riding and walking with her, very devoted. At first everybody thought her parents were agreeable to all the attention she was getting. It wasn't till the Mapleshade servants began to talk too much that we heard the Fowlers, especially the Doctor, didn't like it. I hadn't known her long before I began to notice something that interested me. A telephone girl sees so many people and hears such a lot of confidential things on the wire, that she
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Produced by deaurider, Les Galloway and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE ÆSCULAPIAN LABYRINTH EXPLORED; OR, MEDICAL MYSTERY ILLUSTRATED. IN A SERIES OF INSTRUCTIONS TO YOUNG PHYSICIANS, SURGEONS, ACCOUCHERS, APOTHECARIES, DRUGGISTS, AND PRACTITIONERS OF EVERY DENOMINATION, IN TOWN AND COUNTRY. INTERSPERSED WITH A VARIETY OF RISIBLE ANECDOTES AFFECTING THE FACULTY. INSCRIBED TO THE COLLEGE OF WIGS, BY GREGORY GLYSTER, AN OLD PRACTITIONER. “TWENTY MORE! KILL THEM TOO.”——BOBADIL. LONDON: PRINTED FOR G. KEARSLEY, NO. 46, FLEET-STREET. MDCCLXXXIX. [PRICE THREE SHILLINGS AND SIX-PENCE.] TO THE COLLEGE OF WIGS. “Most potent, grave, and reverend signiors, “My very noble and approved good” Doctors. The solemnity of your somniferous aspects, no less than the professional gravity of your external ornaments, lay claim to a bow of obedient recollection in passing through W—— k-lane to public inspection. As one of the most _popular_ descendants from your great progenitor, permit me to acknowledge, I revere the _vast extent_ of your _medical abilities_; that I
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Produced by Nick Hodson of London, England The Thorogood Family, by R.M. Ballantyne. ________________________________________________________________________ Although the book is written with Ballantyne's usual great skill in descriptive passages, the actual plan of the book is most unusual for him. In Chapter 1 he describes a young family, then describes the exploits of some of the boys of the family, now grown-up, in Chapters 2, 3, 4 and 5. But in Chapter 5 there is introduced a story about a schoolboy who is nothing to do with the Thorogoods, though it is quite a good story, parts of it reminding one of "Martin Rattler," and his days at school. In Chapter 6 we are back to one of the Thorogood boys, who is a missionary in London, working among the poor. The final chapter also contains a long story about a third party, and ends with most of the family emigrating to the Rockies in North America. Here again the enwrapped short story is a good read. We must remember that in Ballantyne's usual style there are often two stories in some way running parallel with each other. In this case there are no less than six, and two of those enwrap a further story. It is really quite unusual for Ballantyne to write in such a convoluted manner. But be not afraid. The stories are very short. Ballantyne normally writes with each of his chapters nearly of the same length, but here we have 7, 6, 7, 8, 23, 9, 36 pages in the seven chapters, and it consists of at least ten exciting episodes. It is worth a read. ________________________________________________________________________ THE THOROGOOD FAMILY, R.M. BALLANTYNE. CHAPTER ONE. This family was not only Thorogood but thorough-going. The father was a blacksmith, with five sons and one daughter, and he used to hammer truth into his children's heads with as much vigour as he was wont to hammer the tough iron on his anvil; but he did it kindly. He was not a growly-wowly, cross-grained man, like some fathers we know of--not he. His broad, hairy face was like a sun, and his eyes darted sunbeams wherever they turned. The faces of his five sons were just like his own, except in regard to roughness and hair. Tom, and Dick, and Harry, and Bob, and Jim, were their names. Jim was the baby. Their ages were equally separated. If you began with Jim, who was three, you had only to say--four, five, six, seven--Tom being seven. These five boys were broad, and sturdy, like their father. Like him, also, they were fond of noise and hammering. They hammered the furniture of their father's cottage, until all of it that was weak was smashed, and all that was strong became dreadfully dinted. They also hammered each other's noses with their little fat fists, at times, but they soon grew too old and wise for that; they soon, also, left off hammering the heads of their sister's dolls, which was a favourite amusement in their earlier days. The mention of dolls brings us to the sister. She was like her mother-- little, soft, fair, and sweet-voiced; just as unlike her brothers in appearance as possible--except that she had their bright blue, blazing eyes. Her age was eight years. It was, truly, a sight to behold this family sit down to supper of an evening. The blacksmith would come in and seize little Jim in his brawny arms, and toss him up to the very beams of the ceiling, after which he would take little Molly on his knee, and fondle her, while "Old Moll," as he sometimes called his wife, spread the cloth and loaded the table with good things. A cat, a kitten, and a terrier, lived together in that smith's cottage on friendly terms. They romped with each other, and with the five boys, so that the noise used sometimes to be tremendous; but it was not an unpleasant noise, because there were no sounds of discontent or quarrelling in it. You see, the blacksmith and his wife trained that family well. It is wonderful what an amount of noise one can stand when it is good-humoured noise. Well, this blacksmith had a favourite maxim, which he was fond of impressing on his children. It was this--"Whatever your hand finds to do, do it with all your might, doing it as if to the Lord, and not to men." We need hardly say that he found something like this maxim in the Bible--a grand channel through which wisdom flows to man. Of course he had some trouble in teaching his little ones, just as other fathers have. One evening, when speaking
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Produced by an anonymous Project Gutenberg volunteer. KWAIDAN: Stories and Studies of Strange Things By Lafcadio Hearn A Note from the Digitizer On Japanese Pronunciation Although simplified, the following general rules will help the reader unfamiliar with Japanese to come close enough to Japanese pronunciation. There are five vowels: a (as in fAther), i (as in machIne), u (as in fOOl), e (as in fEllow), and o (as in mOle). Although certain vowels become nearly "silent" in some environments, this phenomenon can be safely ignored for the purpose at hand. Consonants roughly approximate their corresponding sounds in English, except for r, which is actually somewhere between r and l (this is why the Japanese have trouble distinguishing between English r and l), and f, which is much closer to h. The spelling "KWAIDAN" is based on premodern Japanese pronunciation; when Hearn came to Japan, the orthography reflecting this pronunciation was still in use. In modern Japanese the word is pronounced KAIDAN. There are many ellipses in the text. Hearn often used them in this book; they do not represent omissions by the digitizer. Author's original notes are in brackets, those by the digitizer are in parentheses. Diacritical marks in the original are absent from this digitized version. KWAIDAN: Stories and Studies of Strange Things By Lafcadio Hearn TABLE OF CONTENTS THE STORY OF MIMI-NASHI-HOICHI OSHIDORI THE STORY OF O-TEI UBAZAKURA DIPLOMACY OF A MIRROR AND A BELL JIKININKI MUJINA ROKURO-KUBI A DEAD SECRET YUKI-ONNA THE STORY OF AOYAGI JIU-ROKU-ZAKURA THE DREAM OF AKINOSUKE RIKI-BAKA HI-MAWARI HORAI INSECT STUDIES BUTTERFLIES MOSQUITOES ANTS INTRODUCTION The publication of a new volume of Lafcadio Hearn's exquisite studies of Japan happens, by a delicate irony, to fall in the very month when the world is waiting with tense expectation for news of the latest exploits of Japanese battleships. Whatever the outcome of the present struggle between Russia and Japan, its significance lies in the fact that a nation of the East, equipped with Western weapons and girding itself with Western energy of will, is deliberately measuring strength against one of the great powers of the Occident. No one is wise enough to forecast the results of such a conflict upon the civilization of the world. The best one can do is to estimate, as intelligently as possible, the national characteristics of the peoples engaged, basing one's hopes and fears upon the psychology of the two races rather than upon purely political and statistical studies of the complicated questions involved in the present war. The Russian people have had literary spokesmen who for more than a generation have fascinated the European audience. The Japanese, on the other hand, have possessed no such national and universally recognized figures as Turgenieff or Tolstoy. They need an interpreter. It may be doubted whether any oriental race has ever had an interpreter gifted with more perfect insight and sympathy than Lafcadio Hearn has brought to the translation of Japan into our occidental speech. His long residence in that country, his flexibility of mind, poetic imagination, and wonderfully pellucid style have fitted him for the most delicate of literary tasks. He has seen marvels, and he has told of them in a marvelous way. There is scarcely an aspect of contemporary Japanese life, scarcely an element in the social, political, and military questions involved in the present conflict with Russia which is not made clear in one or another of the books with which he has charmed American readers. He characterizes Kwaidan as "stories and studies of strange things." A hundred thoughts suggested by the book might be written down, but most of them would begin and end with this fact of strangeness. To read the very names in the table
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Produced by Neil McLachlan and David Widger THE CLOISTER AND THE HEARTH by Charles Reade Etext Notes: 1. Greek passages are enclosed in angled brackets, e.g. {methua}, and have been transliterated according to:alpha A, a beta B, b gamma G, g delta D, d epsilon E, e zeta Z, z eta Y, y theta Th, th iota I, i kappa K, k lamda L, l mu M, m nu N, n omicron O, o pi P, p rho R, r sigma S, s tau T, t phi Ph, ph chi Ch, ch psi Ps, ps xi X, x upsilon U, u omega W, w 2. All diacritics have been removed from this version 3. References for the Author's footnotes are enclosed in square brackets(e.g. (1)) and collected at the end of the chapter they occur in. 4. There are 100 chapters in the book, each starting with CHAPTER R, where R is the chapter number expressed as a Roman numeral. AUTHOR'S PREFACE A small portion of this tale appeared in Once a Week, July-September, 1859, under the title of "A Good Fight." After writing it, I took wider views of the subject, and also felt uneasy at having deviated unnecessarily from the historical outline of a true story. These two sentiments have cost me more than a year's very hard labour, which I venture to think has not been wasted. After this plain statement I trust all who comment on this work will see that to describe it as a reprint would be unfair to the public and to me
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Produced by Charles Franks and the Online Distributed Proofreading Team AT SUVLA BAY Being The Notes And Sketches Of Scenes, Characters And Adventures Of The Dardanelles Campaign By John Hargrave ("White Fox" of "The Scout ") While Serving With The 32nd Field Ambulance, X Division, Mediterranean Expeditionary Force, During The Great War To MINOBI We played at Ali Baba, On a green linoleum floor; Now we camp near Lala Baba, By the blue Aegean shore. We sailed the good ship Argus, Behind the studio door; Now we try to play at "Heroes" By the blue Aegean shore. We played at lonely Crusoe, In a pink print pinafore; Now we live like lonely Crusoe, By the blue Aegean shore. We used to call for "Mummy," In nursery days of yore; And still we dream of Mother, By the blue Aegean shore. While you are having holidays, With hikes and camps galore; We are patching sick and wounded, By the blue Aegean shore. J. H. Salt Lake Dug-out, September 12th, 1915. (Under shell-fire.) TURKISH WORDS Sirt--summit. Dargh--mountain. Bair or bahir--spur. Burnu--cape. Dere--valley or stream. Tepe--hill. Geul--lake. Chesheme--spring. Kuyu--well. Kuchuk--small. Tekke--Moslem shrine. Ova--plain. Liman--bay or harbour. Skala--landing-place. Biyuk--great. CONTENTS CHAPTER I. IN WHICH MY KING AND COUNTRY NEED ME II. A LONG WAY TO TIPPERARY III. SNARED IV. CHARACTERS V. I HEAR OF HAWK VI. ON THE MOVE VII. MEDITERRANEAN NIGHTS VIII. THE CITY OF WONDERFUL COLOUR IX. MAROONED ON LEMNOS ISLAND X. THE NEW LANDING XI. THE KAPANJA SIRT XII. THE SNIPER-HUNT XIII. THE ADVENTURE OF THE WHITE PACK-MULE XIV. THE SNIPER OF PEAR-TREE GULLY XV. KANGAROO BEACH XVI. THE ADVENTURE OF THE LOST SQUADS XVII. "OH, TO BE IN ENGLAND!" XVIII. TWO MEN RETURN XIX. THE RETREAT XX. "JHILL-O! JOHNNIE!" XXI. SILVER BAY XXII. DUG-OUT YARNS XXIII. THE WISDOM OF FATHER S---- XXIV. THE SHARP-SHOOTERS XXV. A SCOUT AT SULVA BAY XXVI. THE BUSH-FIRES XXVII. THE DEPARTUR XXVIII. LOOKING BACK AT SUVLA BAY CHAPTER I. IN WHICH MY KING AND COUNTRY NEED ME I left the office of The Scout, 28 Maiden Lane, W.C., on September 8th, 1914, took leave of the editor and the staff, said farewell to my little camp in the beech-woods of Buckinghamshire and to my woodcraft scouts, bade good-bye to my father, and went off to enlist in the Royal Army Medical Corps. I made my way to the Marylebone recruiting office, and after waiting about for hours, I went at last upstairs and "stripped out" with a lot of other men for the medical examination. The smell of human sweat was overpowering in the little ante-room. Some of the men had hearts and anchors and ships and dancing-girls tattooed in blue on their chests and arms. Some were skinny and others too fat. Very few looked fit. I remarked upon the shyness they suffered in walking about naked. "Did yer pass?" "No, 'e spotted it," said the dejected rejected. "Wot?" "Rupture." "Got
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Produced by Audrey Longhurst, Irma Spehar and the Online Distributed Proofreading Team at http://www.pgdp.net MY AUTOBIOGRAPHY [Illustration: _F. Max Mueller Aged 4._] MY AUTOBIOGRAPHY A FRAGMENT BY THE RT. HON. PROFESSOR F. MAX MUeLLER, K.M. _WITH PORTRAITS_ New York CHARLES SCRIBNER'S SONS 1901 COPYRIGHT, 1901, BY CHARLES SCRIBNER'S SONS TROW DIRECTORY PRINTING AND BOOKBINDING COMPANY NEW YORK PREFACE For some years past my father had, in the intervals of more serious work, occupied his leisure moments in jotting down reminiscences of his early life. In 1898 and 1899 he issued the two volumes of _Auld Lang Syne_, which contained recollections of his friends, but very little about his own life and career. In the Introductory Chapter to the Autobiography he explains fully the reasons which led him, at his advanced age, to undertake the task of writing his own Life, and he began, but alas! too late, to gather together the fragments that he had written at different times. But even during the last two years of his life, and after the first attack of the illness which finally proved fatal, he would not devote himself entirely to what he considered mere recreation, as can be seen from such a work as his _Six Systems of Indian Philosophy_ published in May, 1889, and from the numerous articles which continued to appear up to the very time of his death. During the last weeks of his life, when we all knew that the end could not be far off, the Autobiography was constantly in his thoughts,
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Produced by David Widger MOTLEY'S HISTORY OF THE NETHERLANDS, PG EDITION, 1566-1574, Complete THE RISE OF THE DUTCH REPUBLIC By JOHN LOTHROP MOTLEY 1855 VOLUME 2, Book 1., 1566 1566 [CHAPTER VIII.] Secret policy of the government--Berghen and Montigny in Spain-- Debates at Segovia--Correspondence of the Duchess with Philip-- Procrastination and dissimulation of the King--Secret communication to the Pope--Effect in the provinces of the King's letters to the government--Secret instructions to the Duchess--Desponding statements of Margaret--Her misrepresentations concerning Orange, Egmont, and others--Wrath and duplicity of Philip--Egmont's exertions in Flanders--Orange returns to Antwerp--His tolerant spirit--Agreement of 2d September--Horn at Tournay--Excavations in the Cathedral--Almost universal attendance at the preaching-- Building of temples commenced--Difficult position of Horn--Preaching in the Clothiers' Hall--Horn recalled--Noircarmes at Tournay-- Friendly correspondence of Margaret with Orange, Egmont, Horn, and Hoogstraaten--Her secret defamation of these persons. Egmont in Flanders, Orange at Antwerp, Horn at Tournay; Hoogstraaten at Mechlin, were exerting themselves to suppress insurrection and to avert ruin. What, meanwhile, was the policy of the government? The secret course pursued both at Brussels and at Madrid may be condensed into the usual formula--dissimulation, procrastination, and again dissimulation. It is at this point necessary to take a rapid survey of the open and the secret proceedings of the King and his representatives from the moment at which Berghen and Montigny arrived in Madrid. Those ill-fated gentlemen had been received with apparent cordiality, and admitted to frequent, but unmeaning, interviews with his Majesty. The current upon which they were embarked was deep and treacherous, but it was smooth and very slow. They assured the King that his letters, ordering the rigorous execution of the inquisition and edicts, had engendered all the evils under which the provinces were laboring. They told him that Spaniards and tools of Spaniards had attempted to govern the country, to the exclusion of native citizens and nobles, but that it would soon be found that Netherlanders were not to be trodden upon like the abject inhabitants of Milan, Naples, and Sicily. Such words as these struck with an unaccustomed sound upon the royal ear, but the envoys, who were both Catholic and loyal, had no idea, in thus expressing their opinions, according to their sense of duty, and in obedience to the King's desire, upon the causes of the discontent, that they were committing an act of high treason. When the news of the public preaching reached Spain, there were almost daily consultations at the grove of Segovia. The eminent personages who composed the royal council were the Duke of Alva, the Count de Feria, Don Antonio de Toledo, Don Juan Manrique de Lara, Ruy Gomez, Quixada, Councillor Tisnacq, recently appointed President of the State Council, and Councillor Hopper. Six Spaniards and two Netherlanders, one of whom, too, a man of dull intellect and thoroughly subservient character, to deal with the local affairs of the Netherlands in a time of intense excitement! The instructions of the envoys had been to represent the necessity of according three great points--abolition of the inquisition, moderation of the edicts, according to the draft prepared in Brussels, and an ample pardon for past transactions. There was much debate upon all these propositions. Philip said little, but he listened attentively to the long discourses in council, and he took an incredible quantity of notes. It was the general opinion that this last demand on the part of the Netherlanders was the fourth link in the chain of treason. The first had been the cabal by which Granvelle had been expelled; the second, the mission of Egmont, the main object of which had been to procure a modification of the state council, in order to bring that body under the control of a few haughty and rebellious nobles; the third had been the presentation of the insolent and seditious Request; and now, to crown the whole, came a proposition embodying the three points--abolition of the inquisition, revocation of the edicts, and a pardon to criminals, for whom death was the only sufficient punishment. With regard to these three points, it was, after much wrangling, decided to grant them under certain restrictions. To abolish the inquisition would be to remove the only instrument by which the Church had been accustomed to regulate the consciences and the doctrines of its subjects. It would be equivalent to a concession of religious freedom, at least to individuals within their own domiciles, than which no concession could be more pernicious. Nevertheless, it might be advisable to permit the temporary cessation of the papal inquisition, now that the episcopal inquisition had been so much enlarged and strengthened in the Netherlands, on the condition that this branch of the institution should be maintained in energetic condition. With regard to the Moderation, it was thought better to defer that matter till, the proposed visit of his Majesty to the provinces. If, however, the Regent should think it absolutely necessary to make a change, she must cause a new draft to be made, as that which had been sent was not found admissible. Touching the pardon general, it would be necessary to make many conditions and restrictions before it could be granted. Provided these were sufficiently minute to exclude all persons whom it might be found desirable to chastise, the amnesty was possible. Otherwise it was quite out of the question. Meantime, Margaret of Parma had been urging her brother to come to a decision, painting the distracted condition of the country in the liveliest colors, and insisting, although perfectly aware of Philip's private sentiments, upon a favorable decision as to the three points demanded by the envoys. Especially she urged her incapacity to resist any rebellion, and demanded succor of men and money in case the "Moderation" were not accepted by his Majesty. It was the last day of July before the King wrote at all, to communicate his decisions upon the crisis which had occurred in the first week of April. The disorder for which he had finally prepared a prescription had, before his letter arrived, already passed through its subsequent stages of the field-preaching and the image-breaking. Of course these fresh symptoms would require much consultation, pondering, and note-taking before they could be dealt with. In the mean time they would be considered as not yet having happened. This was the masterly procrastination of the sovereign, when his provinces were in a blaze. His masterly dissimulation was employed in the direction suggested by his councillors. Philip never originated a thought, nor laid down a plan, but he was ever true to the falsehood of his nature, and was indefatigable in following out the suggestions of others. No greater mistake can be made than to ascribe talent to this plodding and pedantic monarch. The man's intellect was contemptible, but malignity and duplicity, almost superhuman; have effectually lifted his character out of the regions of the common-place. He wrote accordingly to say that the pardon, under certain conditions, might be granted, and that the papal inquisition might cease--the bishops now being present in such numbers, "to take care of their flocks," and the episcopal inquisition being, therefore established upon so secure a basis. He added, that if a moderation of the edicts were still desired, a new project might be sent to Madrid, as the one brought by Berghen and Montigny was not satisfactory. In arranging this wonderful scheme for composing the tumults of the country, which had grown out of a determined rebellion to the inquisition in any form, he followed not only the advice, but adopted the exact language of his councillors. Certainly, here was not much encouragement for patriotic hearts in the Netherlands. A pardon, so restricted that none were likely to be forgiven save those who had done no wrong; an episcopal inquisition stimulated to renewed exertions, on the ground that the papal functionaries were to be discharged; and a promise that, although the proposed Moderation of the edicts seemed too mild for the monarch's acceptance, yet at some future period another project would be matured for settling the matter to universal satisfaction--such were the propositions of the Crown. Nevertheless, Philip thought he had gone too far, even in administering this meagre amount of mercy, and that he had been too frank in employing so slender a deception, as in the scheme thus sketched. He therefore summoned a notary, before whom, in presence of the Duke of Alva, the Licentiate Menchaca and Dr. Velasco, he declared that, although he had just authorized Margaret of Parma, by force of circumstances, to grant pardon to all those who had been compromised in the late disturbances of the Netherlands, yet as he had not done this spontaneously nor freely, he did not consider himself bound by the authorization, but that, on the contrary, he reserved his right to punish all the guilty, and particularly those who had been the authors and encouragers of the sedition. So much for the pardon promised in his official correspondence. With regard to the concessions, which he supposed himself to have made in the matter of the inquisition and the edicts, he saved his conscience by another process. Revoking with his right hand all which his left had been doing, he had no sooner despatched his letters to the Duchess Regent than he sent off another to his envoy at Rome. In this despatch he instructed Requesens to inform the Pope as to the recent royal decisions upon the three points, and to state that there had not been time to consult his Holiness beforehand. Nevertheless, continued Philip "the prudent," it was perhaps better thus, since the abolition could have no force, unless the Pope, by whom the institution had been established, consented to its suspension. This matter, however, was to be kept a profound secret. So much for the inquisition matter. The papal institution, notwithstanding the official letters, was to exist, unless the Pope chose to destroy it; and his Holiness, as we have seen, had sent the Archbishop of Sorrento, a few weeks before, to Brussels, for the purpose of concerting secret measures for strengthening the "Holy Office" in the provinces. With regard to the proposed moderation of the edicts, Philip informed
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Produced by Richard Tonsing, readbueno and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) SQUIB AND HIS FRIENDS. [Illustration: “_Squib flung himself upon the dog, and threw his arms about his neck._” Page 17. ] SQUIB AND HIS FRIENDS ❧ BY E. EVERETT-GREEN LONDON, EDINBURGH, AND NEW YORK THOMAS NELSON AND SONS ------------------------------------------------------------------------ CONTENTS. I. “THE ODD ONE,” 9 II. GOING AWAY, 28 III. THE CHALET IN THE HILLS, 47 IV. THE LITTLE GOAT-HERD, 65 V. COMRADES, 84 VI. HERR ADLER, 102 VII. HAPPY HOURS, 124 VIII. A WONDERFUL WALK, 148 IX. A STORY AND A FAREWELL, 175 X. A MOUNTAIN STORM, 204 XI. PLANS AND PROJECTS, 221 XII. FAREWELLS, 238 XIII. GOING HOME, 256 XIV. CONCLUSION, 272 LIST OF ILLUSTRATIONS. “SQUIB FLUNG HIMSELF UPON THE DOG, AND THREW HIS ARMS _Frontispiece_. ABOUT HIS NECK,” “SQUIB LISTENED WITH A STRANGE SENSE OF FASCINATION,” 68 “BREATHLESSLY ONE BOY WORKED AND THE OTHER WATCHED,” 94 “DOWN, DOWN, DOWN—WITH A CRASH, AND A BANG, AND A 169 ROAR!” “SEPPI DREW SQUIB’S HAND DOWN UPON THE HEAD OF MOOR,” 254 “SQUIB’S BROTHERS AND SISTERS REJOICED OVER THE PRETTY 283 GIFTS HE HAD BROUGHT THEM,” SQUIB AND HIS FRIENDS. CHAPTER I. “THE ODD ONE.” That was the name Squib went by in the nursery and in the household—“the odd one.” Not exactly because of any personal peculiarities—although he had a few of these—but because he had no especial brother or sister belonging to him, and seemed to stand alone, whilst all the others could be paired off together. Norman and Frank were big boys, away at school most of the year, near to each other in age, and always together in the holidays. Philippa and Molly came next, and were girls, devoted to each other and to their family of dolls, and even more devoted to the live dolls in the nursery—the little twin sisters, Hilda and Hulda, whom nobody knew apart save themselves and the nurse. But Squib had no brother or sister to be bracketed with him. The baby who came next in age to him had died in infancy, and was only a dim memory to the brother just above him in age. So he had always been, as it were, “the odd one” of the family, although his sisters were very fond of him, and never refused him a share in their games when he wanted to join in them. But Squib did not care for dolls, and his tastes lay amongst things beyond the walls of nursery or schoolroom. He wanted always to be out of doors when not busy with his lessons for Mademoiselle (for so far he had not gone to school, but had been taught with his sisters in the schoolroom); and his pursuits were not of a kind to be attractive to the dainty little ladies, Philippa and Molly, or to find favour in the eyes of nurse, who reigned supreme over Hilda and Hulda. So Squib got into the way of amusing himself in his own fashion, and took his name of “the odd one” with great equanimity. Squib was not his real name, as I suppose I need hardly say; it was a nickname given him by his father some years before my story begins, and it had stuck to him ever since. His real name was Sydenham, and he had been called Syd for a time, till Colonel Rutland had hit upon this other appellation. And the reason for this was a habit of Squib’s which amused his father a good deal. The child had a way of sitting perfectly still and silent for a very long time in the room, not speaking, even when spoken to, until some exhaustive mental process had taken place, after which he would suddenly “go off,” as his father expressed it, and talk rapidly and eagerly for several minutes straight on end; then having thus relieved his mind and delivered himself of his thoughts, he would relapse into dead silence until ready for the next explosion. And so his father called him “Squib;” and Squib he became in time to the whole household. It was commonly whispered about the place that Squib was the Colonel’s favourite amongst his children. Colonel Rutland was not a man who had taken a great deal of notice of his sons and daughters as they appeared upon the scene. He was a busy man, having a large estate to order, being a magistrate, churchwarden, and guardian of the poor-law, and having social duties to attend to as well. He was a most devoted husband; and people used to say that never was there a happier couple than he and Lady Mary, his beautiful wife. He was proud of his fine young family in the aggregate, but did not notice the children very much individually, until one or two small incidents brought Squib before his eyes. The first of these was a severe altercation which he chanced to overhear between the child and his nurse when Squib was five years old. He was walking through the shrubberies one morning when the sound of raised voices attracted his attention, the first being that of a child lifted in indignant protest. “It’s not a lie. I never tell lies! I _did_ hear father sing it his own self!” “Master Syd, that’s not true. Your father never would sing such a wicked song. It only makes it worse, telling stories about it!” “It isn’t a story!—it isn’t, I tell you! I heard him my own self, and lots of other people heard him, too. It’s you who are wicked, saying I tell lies and father sings wicked songs!” and the crunch of the gravel betrayed the fact that Squib had brought his small foot heavily down upon it in a stamp of passionate wrath. Colonel Rutland turned a corner and came full upon the combatants. The nurse—a most excellent and trustworthy woman, who had been for twelve years with them—was looking very grieved and disturbed as she held Squib by the hand, as if with the intention of taking him at once before some domestic tribunal; whilst the child’s square, determined face was flushed a deep crimson, his dark-grey eyes looked almost black, as they had a way of doing in moments of passion and excitement, and his whole frame was quivering with anger and protest as he reiterated his assertion that he was speaking nothing but the truth. “What is all this?” asked Colonel Rutland in a deep voice. “Squib, what do you mean by resisting your nurse like that? I will have no insubordination to authority in my house—you know that as well as I do.” For Colonel Rutland, with his military training, was a martinet in his house about discipline, and his children knew perfectly that he would be more severe over an act of disobedience than over any other kind of transgression. Squib and the nurse both started at the sound of the Colonel’s voice, and nurse dropped the hand she was holding and made a respectful courtesy to her master. Squib stood perfectly silent, after his fashion, for a full minute, and then burst into rapid speech,— “I wasn’t resisting her, father. She told me I was telling lies—and I’m not. You did sing it. I heard you; and it isn’t wicked—and she didn’t ought to say it was. I don’t tell lies. I never did. It isn’t lies—it’s only about them!” The Colonel held up his hand to command silence. “What does all this mean?” he asked, turning to nurse. “If you please, sir, I heard Master Syd singing something that didn’t sound right for a young gentleman, and when I told him I wouldn’t have wicked words sung, he turned and said that he’d heard you sing them, which I was quite sure was not true, and I told him so. And then he went off into one of his tantrums—which I hoped he was learning to get better of—and that’s all I know about it. But I am quite sure he is not speaking the truth.” “Leave him to me and I will get at the rights of the matter,” said the Colonel; and nurse, who had an ailing baby indoors (Squib’s little brother who shortly afterwards died), was glad to go in to see after him, leaving Squib and his father to settle things together about the song. “Now, Squib,” said Colonel Rutland, with grave severity of manner, “let me hear the whole truth of this from you. What is it you were singing? Don’t be afraid to speak the truth.” “I’m not afraid a bit!” cried Squib, after his habitual pause. “I’ll sing it to you now. _You’ll_ know it—it’s your own song,” and taking a deep breath and swelling himself out in unconscious imitation of a singer about to commence his song, the child broke out with the following words, sung in a deep voice as like that of a man as he could achieve— “Fi-ive del dies— The father of lies!” And then suddenly breaking off he looked up at his father and cried,— “You know you did sing it yourself, father—so it can’t be wicked!” The Colonel was puzzled. There was something in the rhythm of the notes that was familiar to him; but what could the child mean? How had he got hold of those absurd words, and what was in his head? “When did you hear me sing it, Squib?” he asked, still not permitting his face to relax. “Why, father—you know—when all those people came, and you read such a lot of funny things in turn in the drawing-room and sang songs. There was another song about ‘Ban, ban, Ca-Caliban’—you _must_ remember; but it was you who sang about the father of lies, and it can’t be wicked if you did it, though nurse does say so!” Colonel Rutland broke into a sudden laugh. The whole thing flashed across him now. From time to time in that neighbourhood there were gatherings generally known by the name of “Shakespeare readings”—friends meeting together at one another’s houses to read a play of the great dramatist’s, the parts being allotted by previous arrangement. Not very long since “The Tempest” had been read in this way at Rutland Chase, and the children had been allowed to come into the room for part of it. It was just the kind of thing to fascinate Squib, and perhaps he had succeeded in hiding away and being up longer than was known. At any rate, he had evidently heard his father sing the well-known song— “Full fathom five, Thy father lies;” and, with the capricious alchemy of a child’s mind over anything not understood, had transformed it to the version which had aroused the ire of his nurse. Something in this little incident tickled the fancy of the Colonel and attracted his attention towards Squib, who had always amused him when he had had time to notice his children; and the bond was more closely drawn between them by two little incidents which occurred, one after the other, during the ensuing year. The first of these had reference to a very fine Russian wolf-hound, which had been presented to Colonel Rutland a short time before. It was an animal almost as big as a calf, of a slate colour merging almost in black, with a head very broad across the brows, and a voice like a church bell. He was a very magnificent animal, but he had a fierce temper, and made few friends. Colonel Rutland was one of these few, but even he did not feel that he had the dog very well under control, and always took him out with a certain sense of misgiving. One of the chief difficulties with regard to the creature was that he was so fierce when chained up that it was hardly safe to approach him, either to give him his food or to let him loose when the time for his daily run had arrived. Colonel Rutland was having a place made for him where he could be shut up without being chained, which he hoped would tend to the humanizing and taming of him; but, meantime, he had to be fastened up in the yard when not at large, and Colonel Rutland made a point of both chaining and loosing him himself—although it was not without misgiving that he approached the great brute straining on his chain, and glaring out at the world with red, defiant eyes. One day, as he was approaching the kennel, liking the looks of the dog rather less even than usual, he stood meditating at a short distance as to whether it were really safe to keep such a fierce animal on the premises, and whether he might not be running a foolish risk in going near him. He was startled by the sound of a small voice proceeding from an invisible questioner quite near at hand. “Father,” said the little voice, “shall I let Czar out for you?” Colonel Rutland looked up, and looked down, and looked round about him, and again came the sound of the small voice, saying,— “I’m in Czar’s kennel, father.” The Colonel had certainly never thought of looking in such a place for the speaker. Now, turning his startled glance in that direction, he saw Squib sitting curled up on the clean straw in the huge kennel, looking out from his nest with a friendly smile. For a moment the fathers heart stood still. Suppose the great brute should turn and see him! It was with difficulty he commanded his voice to say quietly, whilst himself striving to attract the notice of the dog, “Come out, Squib; come very quietly.” But the child never heard the last words; he jumped up at once and made an outward bound, flinging himself upon the dog as he did so, and throwing his arms about his neck. “Oh, father, if you would only let me have Czar to go out with me sometimes! We should have such fun together!” At the touch of those small childish hands the aspect of the dog changed at once. The lifted crest along his back smoothed down, the red light in his eyes changed altogether, the fierce bay ceased, for the creature was engaged in licking the child’s hands and face, and in fondling him with evident delight. The father looked on in amaze, and when Squib repeated his question, “Shall I let him out now?” he gave his assent rather by sign than by word, so great was his surprise at what he saw. “Oh, father, _may_ I go with you?” pleaded Squib, with great, wistful eyes. “I’ve never been out with Czar yet—and I should so like to!” His father held out a ready hand. “Come along, my little man. We will go together. How came you and Czar to be such friends? I did not know he had made real friends with anybody yet.” Squib did not immediately answer; he was watching the gambols of the great dog careering round and round them in wide circles—a thing he had never done before when out with Colonel Rutland, always making a rush ahead, and only coming reluctantly to his side when called with authority. Whenever Squib held out his hand, Czar made a dash at him and licked it; and once the child jumped upon the great creature’s back, and Czar took him for a breathless scamper across the park—Squib holding on like a little monkey; and only when he had come back and was holding his father’s hand again did he “go off,” and enter into explanations of this strange friendship. “You see, father, it was like this—Czar had nobody to love him. They were all afraid of him. I saw coachman give him his supper one day—he had the stable broom, and he pushed the pan to Czar with it, and never even gave him a pat, or said a kind word to him. And it _did_ seem so hard! So when he was gone I just went up and patted him as he was eating his great bones, and then I sat just inside his kennel and talked to him all the time, and made it sociable for him; and he brought me the biggest bone of all, and I pretended I liked it very much, and then I gave it him back and he lay down and ate it, and I stroked him and talked to him all the time. He is such an interesting dog to talk to when you know him. And after that I went every day, and—when I can—I give him his food, and we always have a great deal of conversation, and it isn’t nearly so dull for him as it was at first. But I’ve never been able to go out with him, because coachman says I mustn’t loose him. But we’ve always longed to take walks together, and if you say we may, it _will_ be so nice.” Colonel Rutland listened to all this with something of a shiver. He had not lived all this while without having known many instances of the wonderful understanding between children and animals, or of the forbearance shown often by the fiercest creatures to confiding little children; but, nevertheless, he could not picture the first approach of his small son to that great fierce dog in the midst of his bones without a trem
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Produced by sp1nd, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration: Decoration] THE CONQUEST OF ROME _By_ MATILDE SERAO AUTHOR OF "THE LAND OF COCKAYNE" "THE BALLET DANCER" ETC. [Illustration: Logo] HARPER & BROTHERS NEW YORK AND LONDON PUBLISHERS.. 1902 [Illustration: Decoration] Published October, 1902 PART I CHAPTER I The train stopped. 'Capua! Capua!' three or four voices cried monotonously into the night. A clanking of swords dragged on the ground was heard, and some lively muttering that passed between a Lombard and a Piedmontese. It came from a group of subaltern officers, who were ending their evening's amusement in coming to see the night train from Naples to Rome pass through. While the conductor chatted respectfully with the station-master, who gave him a commission for Caianello, and while the postman handed up a mail-sack full of letters to the clerk in the postal van, the officers, talking to each other and making their spurs ring (from habit), looked to see if anyone got in or out of the train, peeping through the doors which were open for the sight of a fair feminine face or that of a friend. But many of the doors were closed. Blue blinds were stretched over the panes, through which glimmered a faint lamplight, as if coming from a place where lay travellers overpowered by sleep. Bodies curled up in a dark tangle of coats, shawls,
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Produced by Marilynda Fraser-Cunliffe, Jana Srna and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was made using scans of public domain works in the International Children's Digital Library.) [Illustration: NETTIE COMFORTS HER MOTHER.] THE CARPENTER'S DAUGHTER. "Blessed are the peacemakers: for they shall be called the children of God." BY THE AUTHORS OF "THE WIDE, WIDE WORLD," ETC. ETC. WITH FRONTISPIECE. LONDON: GEORGE ROUTLEDGE AND SONS, THE BROADWAY, LUDGATE. BY THE AUTHORS OF "THE WIDE, WIDE WORLD." Price ONE SHILLING each, with Frontispiece THE TWO SCHOOLGIRLS. THE CARPENTER'S DAUGHTER. THE PRINCE IN DISGUISE. GERTRUDE AND HER BIBLE. MARTHA AND RACHEL. THE WIDOW AND HER DAUGHTER. THE LITTLE BLACK HEN. THE ROSE IN THE DESERT. GEORGE ROUTLEDGE AND SONS. London: Savill, Edwards & Co., Printers, Chandos Street. CONTENTS. CHAP. PAGE I. SATURDAY EVENING'S WORK 1 II. SUNDAY'S REST 20 III. NETTIE'S GARRET 55 IV. THE BROWN CLOAK IN NOVEMBER 69 V. THE NEW BLANKET 82 VI. THE HOUSE-RAISING 97 VII. THE WAFFLES 112 VIII. THE GOLDEN CITY 135 THE CARPENTER'S DAUGHTER. CHAPTER I. SATURDAY EVENING'S WORK. Down in a little hollow, with the sides grown full of wild thorn, alder bushes, and stunted cedars, ran the stream of a clear spring. It ran over a bed of pebbly stones, showing every one as if there had been no water there, so clear it was; and it ran with a sweet soft murmur or gurgle over the stones, as if singing to itself and the bushes as it ran. On one side of the little stream a worn foot path took its course among the bushes; and down this path one summer's afternoon came a woman and a girl. They had pails to fill at the spring; the woman had a large wooden one, and the girl a light tin pail; and they drew the water with a little tin dipper, for it was not deep enough to let a pail be used for that. The pails were filled in silence, only the spring always was singing; and the woman and the girl turned and went up the path again. After getting up the bank, which was only a few feet, the path still went gently rising through a wild bit of ground, full of trees and low bushes; and not far off, through the trees, there came a gleam of bright light from the window of a house, on which the setting sun was shining. Half way to the house the girl and the woman stopped to rest; for water is heavy, and the tin pail which was so light before it was filled, had made the little girl's figure bend over to one side like a willow branch all the way from the spring. They stopped to rest, and even the woman had a very weary, jaded look. "I feel as if I shall give up, some of these days," she exclaimed. "O no, mother!" the little girl answered, cheerfully. She was panting, with her hand on her side, and her face had a quiet, very sober look; only at those words a little pleasant smile broke over it. "I shall," said the woman. "One can't stand everything,--for ever." The little girl had not got over panting yet, but standing there she struck up the sweet air and words,-- "'There is rest for the weary, There is rest for the weary, There is rest for the weary, There is rest for you.'" "Yes, in the grave!" said the woman, bitterly. "There's no rest short of that,--for mind or body." "O yes, mother dear. 'For we which have believed do enter into rest.' Jesus don't make us wait." "I believe you eat the Bible and sleep on the Bible," said the woman, with a faint smile, taking at the same time a corner of her apron to wipe away a stray tear which had gathered in her eye. "I am glad it rests you, Nettie." "And you, mother." "Sometimes," Mrs. Mathieson answered, with a sigh. "But there's your father going to bring home a boarder, Nettie." "A boarder, mother!--What for?" "Heaven knows!--if it isn't to break my back, and my heart together. I thought I had enough to manage before, but here's this man coming, and I've got to get everything ready for him by to-morrow night." "Who is it, mother?" "It's one of your father's friends; so it's no good," said Mrs. Mathieson. "But where can he sleep?" Nettie asked, after a moment of thinking. Her mother paused. "There's no room but yours he can have. Barry wont be moved." "Where shall I sleep
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Produced by Michael Gray, Diocese of San Jose [Illustration: "Moses strikes the rock."] MOSES STRIKES THE ROCK ALTEMUS' CHILDREN OF THE BIBLE SERIES THE ADOPTED SON BY J. H. WILLARD ILLUSTRATED PHILADELPHIA HENRY ALTEMUS COMPANY Altemus' Illustrated Children of the Bible Series The Boy who Obeyed The Story of Isaac The Farmer Boy The Story of Jacob The Favorite Son The Story of Joseph The Adopted Son The Story of Moses The Boy General The Story of Joshua The Boy at School The Story of Samuel The Shepherd Boy The Story of David The Boy who would be King The Story of Absalom The Captive Boy The Story of Daniel The Boy Jesus Fifty Cents Each Copyright, 1905 By Henry Altemus [Illustration: Moses brings the Ten Commandments down from Mount Sinai.] THE ADOPTED SON THE STORY OF MOSES ABRAHAM, a descendant of Shem, one of the sons of Noah, was the father and founder of the great Israelitish, or Hebrew, nation. God chose him from all the people living on the earth at that time, for this purpose, promising that He would make his name great and that his descendants should have for their own the land of Canaan, a country in Palestine lying west of the river Jordan and the Dead Sea. Abraham had a son named Isaac, who became the father of Jacob, and Jacob was the father of twelve sons, among whom was Joseph, who was sold into slavery by his brothers when but a boy. Joseph was taken to Egypt and in time rose from a slave to be the governor of that country under Pharaoh, its king. Jacob, with his eleven sons and their families, settled in Egypt at the invitation of Pharaoh, and after the death of their father his sons continued to live there, and became prosperous. After the death of Joseph they increased rapidly in numbers, and from shepherds and herders of flocks became masters of various crafts and occupations. At this time they began to be called "The Children of Israel." They lived in towns and villages in the land of Goshen, on the eastern border of Egypt, industrious and contented. The king who had been so friendly to Joseph was now dead, and another Pharaoh ruled the land. He watched with much distrust the growing wealth and greatness of the children of Israel and determined to prevent any possible harm they might do him by making them work for him instead of for themselves. So Pharaoh began to treat the Israelites like slaves. Under the direction of his officers he set them at work making bricks and then had them build two cities to hold his treasures. From a prosperous people they were now reduced to the condition of common laborers, working without pay day after day in the burning heat of that country. [Illustration: "Working without pay day after day."] "WORKING WITHOUT PAY DAY AFTER DAY." But in spite of their hardships the Israelites increased in numbers, and, to further crush them, Pharaoh ordered that all their boys should be destroyed as soon as they were born. But the people would not obey this order, and then Pharaoh commanded that all boys should be flung into the Nile, the sacred river of Egypt, immediately after their birth. At this time a child was born among the Israelites whose life was to be one of the most remarkable that history has recorded for us. His father's name was Amram and his mother's Jochebed, and they belonged to the tribe of Levi, the third son of Jacob. They had two older children, a son named Aaron and a daughter named Miriam. The mother of this little boy managed to keep him out of sight for three months, and then she made a little boat of the water-reeds called papyrus, fastening them together with clay and pitch. It was not much more than a basket, but she put the baby into it and placed it among the rushes at the edge of the river Nile, leaving her daughter Miriam to see what became of her baby brother. The Egyptians had many beliefs which appear very strange to us now. One of them was that anything surrounded by papyrus would be safe from the crocodiles which infested the river. Possibly Jochebed had some faith in this superstition, for during the time when the Israelites were living contentedly in the land of Goshen, many of them had fallen into the customs of the Egyptians, worshipping Ra, the sun-god, Apis, the sacred calf, and others of their national deities. While Miriam was watching the little boat and its precious burden, the daughter of Pharaoh, with her attendants, came to the river to bathe. She saw the little boat floating among the rushes and ordered it to be brought to her. As she looked down at the baby it cried, and, while she must have known that it was the child of Israelitish parents, her heart went out to it in pity, and she declared that she would bring it up as if it had been her own child. [Illustration: "It was not much more than a basket."] "IT WAS NOT MUCH MORE THAN A BASKET." Miriam then came forward and asked if she might find a nurse for the child. The princess sent her on this errand and the little girl hastened to bring her mother. Then the princess gave the baby into the charge of its own mother, and promised her that she should be paid for taking good care of the child. When the baby had grown to be quite a boy the princess took him to her palace and treated him as if he had been a son of her own. She named him Moses, which means "drawn out," because she had taken him from the water. Then the princess had him trained and taught as though he were really to be a prince. He was instructed in all the wisdom of the Egyptians and became learned and powerful. All the pleasures and honors of Pharaoh's court were open to him, and from them he could have selected what pleased him most. But the misery and degradation of his own people appealed to him
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Produced by deaurider, Dianne Nolan and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) TRANSCRIBER'S NOTES: Italics are indicated by _underscores_. Hyphenation inconsistencies: both Bald-headed and Baldheaded are used. The Theatrical Primer BY HAROLD ACTON VIVIAN _Illustrations by FRANCIS P. SAGERSON_ G. W. DILLINGHAM COMPANY PUBLISHERS NEW YORK COPYRIGHT, 1903, BY H. A. VIVIAN COPYRIGHT, 1904, BY G. W. DILLINGHAM COMPANY _The Theatrical Primer_ The Theatrical Primer 1 Here, children, is a Theatre. A Theatre is a big Playhouse where actors Act--sometimes
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E-text prepared by Al Haines HOW WOMEN LOVE (Soul Analysis.) Translated from the German of MAX NORDAU, Author of "Degeneration," "The Malady of the Century," "The Comedy of Sentiment," Etc., Etc Copyright, 1898, by F. T. Neely. Copyright, 1901, by Hurst & Co. New York Hurst & Company Publishers CONTENTS Justice or Revenge Prince and Peasant The Art of Growing Old How Women Love A Midsummer Night's Dream JUSTICE OR REVENGE. CHAPTER I. A more unequally matched couple than the cartwright Molnar and his wife can seldom be seen. When, on Sunday, the pair went to church through the main street of Kisfalu, an insignificant village in the Pesth county, every one looked after them, though every child, nay, every cur in the hamlet, knew them and, during the five years since their marriage, might have become accustomed to the spectacle. But it seemed as though it produced an ever new and surprising effect upon the by no means sensitive inhabitants of Kisfalu, who imposed no constraint upon themselves to conceal the emotions awakened by the sight of the Molnar pair. They never called the husband by any other name than "Csunya Pista," ugly Stephen. And he well merited the epithet. He was one-eyed, had a broken, shapeless nose, and an ugly scar, on which no hair grew, upon his upper lip, so that his moustache looked as if it had been shaven off there; to complete the picture, one of his upper eye-teeth and incisors were missing, and he had the unpleasant habit of putting his tongue into these gaps in his upper row of teeth, which rendered his countenance still more repulsive. The wife, on the contrary, was a very beautiful woman, a magnificent type of the Magyar race. She was tall, powerful, only perhaps a trifle too broad-shouldered. Her intensely dark hair and sparkling black eyes suited the warm bronze hue of her plump face, which, with its little mouth filled with magnificent teeth, its fresh full lips, the transparent, enamel like crimson of the firm, round cheeks, and the somewhat low, but beautifully formed brow, suggested a newly-ripe peach. This unusually healthy countenance, overspread with a light down, involuntarily produced in the spectator the impression that it must exhale a warm, intoxicating, spicy fragrance; it looked so tempting that one would fain have bitten it. This had been much the feeling of the Uhlan officers who, with part of a company of men, were stationed in Kisfalu. From the first day that the three gentlemen had entered their village garrison the beautiful woman had attracted their attention, and they had seen in the husband's ugliness a pleasant encouragement to make gallant advances. The captain, a Bohemian gentleman, was the first to introduce himself to the fair wife. The morning of the second day after his arrival in the hamlet, taking advantage of the absence of the master of the house, he stole into the miserable clay hut tenanted by the ill-assorted pair, but remained inside only a few minutes, after which he came out with a deeply-flushed face and somewhat hasty steps, cast stealthy glances around him to the right and left, and then hurried away. In the afternoon of the same day, the young lieutenant tried his luck, but he too left the cartwright's hut more quickly than he had entered, and not exactly with the air of a conqueror. In the evening the three gentlemen met in the spare room of the tavern where they took their meals, and were remarkably taciturn and ill-tempered. On the third day the slender, handsome first lieutenant called on the cartwright's wife. He was a far-famed conqueror of women's hearts, which he was accustomed to win with as little trouble as a child gathers strawberries in the woods, and was envied by the whole regiment for his numberless successes, which he did not treat with too much reticence. This time the adventure lasted somewhat longer; those who were passing heard loud outcries and uproar for a short time, as if a wrestling match were going on in the hut, and the letter-carrier, an old woman, who was just going by, even stood still in surprise and curiosity. The curiosity was satisfied, for she soon saw the handsome Uhlan officer rush out, pressing his hand to his cheek as if he had a violent toothache. He looked very much dishevelled and made off with noticeable haste. He did not appear in the tavern at noon, so in the afternoon his two comrades sent their orderlies to him to enquire about his health; in the evening he joined them at table and showed his astonished friends a broad strip of black court-plaster on his right cheek. "What does that mean?" asked the captain. "It seems to be a bad cut," observed the lieutenant. "Razor? sword-stroke? cat's claw?" continued the captain, pursuing his enquiries. "Woman's nails!" burst forth the Don Juan of the regiment, and now the game of hide-and-seek between the trio ended, and they bewailed to one another, with comic despair, the ill-luck they had all encountered. She had courteously asked the captain to what she owed the honour of his visit, and when, instead of answering, he pinched her plump cheek and put his arm around her waist, she flew into a passion and pointed to the door with the voice and gesture of an insulted queen. The lieutenant had found her far more ungracious; she did not ask what he desired, but angrily thundered, almost before he crossed the threshold, an order to march which permitted neither remonstrance nor refusal; finally, at the appearance of the first lieutenant, she had passed from the position of defence to that of assault, shrieked at him with a crimson face and flashing eyes to be off at once, if he valued the smooth skin of his cheeks; and when, somewhat bewildered, yet not wholly intimidated, he had ventured, notwithstanding this by no means encouraging reception, to attempt to seize and embrace her, as he was accustomed to do with the colonel's wife's maid, when, making eyes at him in the ante-room, she whispered under her breath: "Let me go, or I'll scream!" she rushed upon him literally like a wild-cat, and, in an instant, so mauled him that he could neither hear nor see, and considered himself fortunate to find his way out quickly. And when all three heroes had finished their tragi-comic general confession, they unanimously exclaimed: "The woman has the very devil in her!" They would have learned this truth without being obliged to pass through all sorts of experiences, if, instead of indulging in self-complacent speculations concerning the possible combination of circumstances which had united the beautiful woman to so ugly a man, they had enquired about the cause of this remarkable phenomenon. They would then have heard a strange tale which might have deterred them from finding in Molnar's hideousness encouragement to pursue his wife with gallantries. CHAPTER II. Yes, Molnar's wife had the devil in her, and it was her family heritage. Her father, a poor cottager and day labourer, had been in his youth one of the most notorious and boldest brawlers in the neighborhood; even now, when prematurely aged and half-broken down by want and hard work, people willingly avoided him and did not sit at the same table in the tavern if it could be helped. In former years he had been a frequent inmate of the county prison, where the bruises and cuts received in the brawl on whose account he was incarcerated had time to heal; two years before he had been in jail three months because he had used a manure-fork to prevent a tax-collector from seizing his bed, and the beautiful Panna had then gone to the capital once or twice a week to carry him cheese, wine, bread, and underclothing, and otherwise make his situation easier, so far as she could. The family vice of sudden fits of passion had increased to a tragedy in the destiny of the only son. He was a handsome fellow, slender as a pine-tree, the image of his sister, whom he loved with a tenderness very unusual among peasants; he early became the supporter and companion of his father in his Sunday brawls, and the village was not at all displeased when he was drafted into the army. It would have been an easy matter, as he was an only son, to release him from military service, but he was obliged to go because two fathers of soldiers could not be found in the village to give the testimony necessary for his liberation. He became a conscript in 1865, and, a year after, the double war between Prussia and Italy broke out. The young fellow's regiment was stationed in the Venetian provinces. One night he was assigned to outpost duty in the field; the enemy was not near, it was mid-summer, a sultry night, and the poor wretch fell asleep. Unfortunately, the commander of the guard, a young lieutenant full of over-zeal for the service, was inspecting the outposts and discovered the sleeper, to whom he angrily gave a kick to recall him to consciousness of his duty. The lad started up, and without hesitation or reflection, dealt his assailant a furious blow in the face. There was a great uproar, soldiers rushed forward, and had the utmost difficulty in mastering the enraged young fellow; he was taken to headquarters in irons, and, after a short trial by court-martial, shot on the same day. The family did not learn the terrible news until weeks later, from a dry official letter of the regimental commander. How terrible was the grief of the father and sister! The man aged ten years in a week, and the girl, at that time a child twelve years old, became so pale and thin from sorrow that the neighbors thought she would not survive it. Not survive it? What do we not outlive! She conquered the anguish and developed into the most beautiful maiden in the village. There was an austere charm, an unintentional, unconscious attraction in her, which won every one. Her notorious origin was not visited upon her, and even the rich girls in the village gladly made her their friend. While at work in the fields she sang in a ringing voice; in the spinning-room, in winter, she was full of jests and merry tales, as gay and gracious as beseemed her age. Probably on account of her vivacious temperament and the feeling of vigour which robust health bestows, she was extremely fond of dancing, and never failed on Sundays to appear in the large courtyard of the tavern when, in the afternoon, the whirling and stamping began. Her beauty would doubtless have made her the most popular partner among the girls, had not the lads felt a certain fear of her. A purring kitten among her girl companions, ready to give and take practical jokes, she was all claws and teeth against men, and many a bold youth who, after the dance, attempted to take the usual liberties, met with so severe a rebuff that he bore for a week a memento in the shape of a scratch across his whole face. Therefore she did not have a superabundance of partners, and thus escaped the jealousy which, otherwise, her charms would certainly have roused in the other girls. A dispensation of Providence rendered her irritability the means of deciding the whole course of her life. One Sunday, late in the summer, soon after the reaping and threshing were over--she was then twenty--she again stood in the bright warm afternoon sunshine in the spacious courtyard of the village tavern, among a gay group of giggling lasses, waiting with joyful impatience for the dancing to begin. The two village gipsies who made bricks during the week and played on Sundays, were already there, leaning against one of the wooden pillars of the porch in front of the house, and tuning their fiddles. The lads crowded together, shouting jesting remarks to the group of girls, who answered them promptly and to the point. One after another the young men left their companions and took from the laughing bevy of maidens a partner, who, as village custom required, at first resisted, but finally yielded to the gentle force--not without some pleasantly exciting struggling and pulling--and was soon whirling around with her cavalier amid shouting and stamping, till the dust rose in clouds. The beautiful Panna, for reasons already known to us, was not the first person invited to dance. But at last her turn came also, and she could jump with a neighbour's son, till she was out of breath, to her heart's content. After spending more than fifteen minutes in vigourous, rapid motion, she finally sank, in happy exhaustion, upon a pile of bricks near a coach-house which was being built, and with flaming cheeks and panting bosom struggled for breath. Pista, the cartwright, profited by the moment to approach, and with gay cries and gestures invite her to dance again. Pista was a handsome fellow, but had the unfortunate propensity of drinking on Sundays, and this time was evidently intoxicated. The vinous suitor was not to Panna's taste, besides, she was already tired, and she did not answer his first speech. But as he did not desist, but seized her arm to drag her up and away by force, she tartly answered that she would not dance now. This only made him still more persistent. "Why, why, you fierce little darling, do you suppose you can't be mastered?" he cried, trying with both hands to seize her beautiful black head to press a smack upon her lips. She thrust him back once, twice, with a more and more violent shove, but he returned to the attack, becoming ruder and more vehement. Then she lost her self-control, and the choleric family blood suddenly seethed in her veins. Bending down to the heap of bricks on which she had just sat, she grasped a fragment and, with the speed of lightning, dealt her persecutor a furious blow. Misfortune guided her hand, and she struck him full in the face. Pista shrieked and staggered to the neighbouring wall, against which he leaned half-fainting, while between the fingers of the hands which he had raised to the wounded spot, the red blood gushed in a horribly abundant stream. All this had been the work of a moment, and the young people who filled the courtyard did not notice the outrageous act until the mischief was done. Shrieks, running hither and thither, and confusion followed. The fiddlers stopped and stretched their necks, but prudently kept aloof, as they had learned to do during frequent brawls; the girls screamed and wrung their hands, the youths shouted hasty questions, crowding around their bleeding companion. Water was quickly procured, cold bandages were applied to the swollen, shapeless face, and other efforts were made to relieve him, while at the same time he was besieged with questions about the event. After dealing the fatal blow Panna had stood for a moment deadly pale, as if paralyzed, and then darted off as though pursued by fiends. Perhaps this was fortunate, for she would have fared badly if the enraged lads had had her in their power, when all, amid the confused medley of outcries, had learned the truth. There was no time to pursue her, for Pista seemed to be constantly growing worse; the cold water and fomentations did not stop the bleeding; he soon lost consciousness and lay on the ground amid the terrified, helpless group, an inert mass, until some one made the sensible proposal to carry him home to his mother, a poor widow, which, with their united strength, was instantly done. Meanwhile, Panna had rushed to her own home, locked herself in, and sat on the bench by the stove, an image of grief and despair. She was incapable of coherent thought, nothing but the spectacle of the bleeding Pista staggering against the wall, stood distinctly before her mind. But she could not give herself up to her desolate brooding long: at the end of fifteen minutes the bolted door shook violently. She started up and listened; it was her father, and she reluctantly went to the door and opened it. The old man entered, shot the bolt behind him, and asked in a trembling voice: "For God's sake, child, what have you done?'" Panna burst into a flood of tears; they were the first she had shed since the incident described. "He pressed upon me too boldly. And I didn't mean to do it. I only wanted to keep him off." "You were possessed. The devil is in us. To kill a man by a blow!" The girl shrieked aloud. "Kill, do you say?" "Sol was just told. They say he is dead." "That is impossible, it's a lie," Panna murmured in a hollow tone, while her face looked corpse-like. She seemed to cower into herself and to grow smaller, as if the earth was swallowing her by inches. But this condition lasted only a few minutes, then she roused herself and hurried out, ere her father could detain her. She entered a narrow path which ran behind the houses and was usually deserted, and raced as fast as her feet would carry her to the hut occupied by Frau Molnar, which was close at hand. Springing across the narrow ditch which bordered the back of the yard, she hurried through the kitchen-garden behind the house and in an instant was in the only room it contained except the kitchen. On the bed lay a human form from which came a groan, and beside it sat old Frau Molnar
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The Project Gutenberg Etext Adventures of Harry Richmond, by Meredith, v3 #52 in our series by George Meredith Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before distributing this or any other Project Gutenberg file. We encourage you to keep this file, exactly as it is, on your own disk, thereby keeping an electronic path open for future readers. Please do not remove this. This header should be the first thing seen when anyone starts to view the etext. Do not change or edit it without written permission. The words are carefully chosen to provide users with the information they need to understand what they may and may not do with the etext. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *****These Etexts Are Prepared By Thousands of Volunteers!***** Information on contacting Project Gutenberg to get etexts, and further information, is included below. We need your donations. The Project Gutenberg Literary Archive Foundation is a 501(c)(3) organization with EIN [Employee Identification Number] 64-6221541 Title: The Adventures of Harry Richmond, v3 Author: George Meredith Release Date: September, 2003 [Etext #4446] [Yes, we are more than one year ahead of schedule] [This file was first posted on January 31, 2002] Edition: 10 Language: English Character set encoding: ASCII The Project Gutenberg Etext Adventures Harry Richmond, by Meredith, v3 *********This file should be named 4446.txt or 4446.zip********* This etext was produced by David Widger <[email protected]> Project Gutenberg Etexts are often created from several printed editions,
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Produced by MFR, ellinora and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber Notes Obvious typos and punctuation errors corrected. Inconsistencies in spelling and hyphenation left as in original. In the original Table of Contents, the Humorous and Birthday Verses chapters were listed with the correct page number, but out of order. They have been put in the correct order. The book advertisement at the end uses a right pointing hand character. If the device font does not support this character, ☞, it may not appear correctly. Use of small capitals at the beginning of verses made consistent. Small capitals have been converted to ALL CAPS. Italic text is represented by underscores surrounding the _italic text_. Chapter headings in the original have a fancy font and decorative characters. The decorative touches have been preserved in the text. A decorative bar at the end of the Dedication Verses chapter is noted in the text as [Decorative bar]. ------------------------------------------------------------------------ THE ALBUM WRITER’S FRIEND. COMPRISING MORE THAN THREE HUNDRED CHOICE SELECTIONS OF POETRY AND PROSE, SUITABLE FOR WRITING IN AUTOGRAPH ALBUMS, VALENTINES, BIRTHDAY, CHRISTMAS AND NEW YEAR CARDS. ORIGINAL AND SELECTED. Our lives are albums, written through With good or ill, with false or true, And as the blessed angels turn the pages of our years, God grant that they may read the good with smiles, And blot the ill with tears. COMPILED BY J.
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*Friedrich Nietzsche* *I: The Case Of Wagner* *II:
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Produced by Dagny and John Bickers PHYLLIS OF PHILISTIA By Frank Frankfort Moore CHAPTER I. AN ASTRONOMER WITHOUT A TELESCOPE. "After all," said Mr. Ayrton, "what is marriage?" "Ah!" sighed Phyllis. She knew that her father had become possessed of a phrase, and that he was anxious to flutter it before her to see how it went. He was a connoisseur in the bric-a-brac of phrases. "Marriage means all your eggs in one basket," said he. "Ah!" sighed Phyllis once more. She wondered if her father really thought that she would be comforted in her great grief by a phrase. She did not want to know how marriage might be defined. She knew that all definitions are indefinite. She knew that in the case of marriage everything depends upon the definer and the occasion. "So you see there is no immediate cause to grieve, my dear," resumed her father. She did not quite see that this was the logical conclusion of the whole matter; but that was possibly because she was born a woman, and felt that marriage is to a woman what a keel is to a ship. "I think there is a very good cause to grieve when we find a man like George Holland turning deliberately round from truth to falsehood," said Phyllis sternly. "And what's worse, running a very good chance of losing his living," remarked the father. "Of course it will have to be proved that Moses and Abraham and David and the rest of them were not what he says they were; and it strikes me that all the bench of bishops, and a royal commissioner or two thrown in, would have considerable difficulty in doing that nowadays." "What! You take his part, papa?" she cried, starting up. "You take his part? You think I was wrong to tell him--what I did tell him?" "I don't take his part, my dear," said Mr. Ayrton. "I think that he's a bit of a fool to run his head into a hornet's nest because he has come to the conclusion that Abraham's code of morality was a trifle shaky, and that Samson was a shameless libertine. Great Heavens! has the man got no notion of the perspective of history?" "Perspective? History? It's the Bible, papa!" Indignation was in Phyllis' eyes, but there was a reverential tone in her voice. Her father looked at her--listened to her. In the pause he thought: "Good Heavens! What sort of a man is George Holland, who is ready to relinquish the love and loveliness of that girl, simply because he thinks poorly of the patriarchs?" "He attacks the Bible, papa," resumed Phyllis gravely. "What horrible things he said about Ruth!" "Ah, yes, Ruth--the heroine of the harvest festival," said her father. "Ah, he might have left us our Ruth. Besides, she was a woman. Heavens above! is there no chivalry remaining among men?" "Ah, if it was only chivalry! But--the Bible!" "Quite so--the--yes, to be sure. But don't you think you may take the Bible too seriously, Phyllis?" "Oh, papa! too seriously?" "Why not? That's George Holland's mistake, I fear. Why should he work himself to a fury over the peccadillos of the patriarchs? The principle of the statute of limitations should be applied to such cases. If the world, and the colleges of theology, have dealt lightly with Samson and David and Abraham and Jacob and the rest of them for some thousands of years, why should George Holland rake up things against them, and that, too, on very doubtful evidence? But I should be the last person in the world to complain of the course which he has seen fit to adopt, since it has left you with me a little longer, my dearest child. I did not, of course, oppose your engagement, but I have often asked myself what I should do without you? How should I ever work up my facts, or, what is more important, my quotations, in your absence, Phyllis? On some questions, my dear, you are a veritable Blue-book--yes, an _edition de luxe_ of a Blue-book." "And I meant to be so useful to him as well," said Phyllis, taking her father's praises more demurely than she had taken his phrases. "I meant to help him in his work." "Ah, what a fool the man is! How could any man in his senses give up a thing of flesh and blood like you, for the sake of proving or trying to prove, that some people who lived five or six thousand years ago--if they ever lived at all--would have rendered themselves liable to imprisonment, without the option of a fine, if they lived in England since the passing of certain laws--recent laws, too, we must remember!" "Papa!" "Anyhow, you have done with him, my dear. A man who can't see that crime is really a question of temperament, and sin invariably a question of geography--well, we'll say no more about it. At what hour did you say he was coming?" "Four. I don't think I shall break down." "Break down? Why on earth should you break down? You have a mind to know, and you know your own mind. That's everything. But of course you've had no experience of matters of this sort. He was your first real lover?"
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Produced by Bryan Ness and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries.) FETICHISM IN WEST AFRICA [Illustration: FETICH MAGICIAN. (With horns, wooden mask, spear, and sword; dress of leaves of palm and plantain.)] FETICHISM IN WEST AFRICA _Forty Years' Observation of Native Customs and Superstitions_ BY THE REV. ROBERT HAMILL NASSAU, M.D., S.T.D. FOR FORTY YEARS A MISSIONARY IN THE GABUN DISTRICT OF KONGO-FRANCAISE AUTHOR OF "CROWNED IN PALM LAND," "MAWEDO" WITH TWELVE ILLUSTRATIONS YOUNG PEOPLE'S MISSIONARY MOVEMENT 156 FIFTH AVENUE NEW YORK _Copyright, 1904_ BY CHARLES SCRIBNER'S SONS Published October, 1904 PREFACE On the 2d of July, 1861, I sailed from New York City on a little brig, the "Ocean Eagle," with destination to the island of Corisco, near the equator, on the West Coast of Africa. My first introduction to the natives of Africa was a month later, when the vessel stopped at Monrovia, the capital of the Liberian Republic, to land a portion of its trade goods, and at other ports of Liberia, Sinoe, and Cape Palmas; thence to Corisco on September 12. Corisco is a microcosm, only five miles long by three miles wide; its surface diversified with every variety of landscape, proportioned to its size, of hill, prairie, stream, and lake. It is located in the eye of the elephant-head shaped Bay of Corisco, and from twelve to twenty miles distant from the mainland. Into the bay flow two large rivers,--the Muni (the Rio D'Angra of commerce) and the Munda (this latter representing the elephant's proboscis). The island, with adjacent mainland, was inhabited by the Benga tribe. It was the headquarters of the American Presbyterian Mission. On the voyage I had studied the Benga dialect with my fellow-passenger, the senior member of the Mission, Rev. James L. Mackey; and was able, on my landing, to converse so well with the natives that they at once enthusiastically accepted me as an interested friend. This has ever since been my status among all other tribes. I lived four years on the island, as preacher, teacher, and itinerant to the adjacent mainland, south to the Gabun River and its Mpongwe tribe, east up the Muni and Munda rivers, and north to the Benito River. In my study of the natives' language my attention was drawn closely to their customs; and in my inquiry into their religion I at once saw how it was bound up in these customs. I met with other white men--traders, government officials, and even some missionaries--whose interest in Africa, however deep, was circumscribed by their special work for, respectively, wealth, power, and Gospel proclamation. They could see in those customs only "folly," and in the religion only "superstition." I read many books on other parts of Africa, in which the same customs and religion prevailed. I did not think it reasonable to dismiss curtly as absurd the cherished sentiments of so large a portion of the human race. I asked myself: Is there no logical ground for the existence of these sentiments, no philosophy behind all these beliefs? I began to search; and thenceforward for thirty years, wherever I travelled, wherever I was guest to native chief, wherever I lived, I was always leading the conversation, in hut or camp, back to a study of the native thought. I soon found that I gained nothing if I put my questions suddenly or without mask. The natives generally were aware that white men despised them and their beliefs, and they were slow to admit me to their thought if I made a direct advance. But, by chatting as a friend, telling them the strange and great things of my own country, and first eliciting their trust in me and interest in my stories, they forgot their reticence, and responded by telling me of their country. I listened, not critically, but apparently as a believer; and then they vied with each other in telling me all they knew and thought. That has been the history of a thousand social chats,--in canoes by day, in camp and hut by night, and at all hours in my own house, whose public room was open at any hour of day or evening for any visitor, petitioner, or lounger, my attention to whose wants or wishes was rewarded by some confidence about their habits or doings. In 1865 I was transferred to Benito, where I remained until the close of 1871. Those years were full of travels afoot or by boat, south the hundred miles to Gabun, north toward the Batanga region, and east up the Benito for a hundred miles as a pioneer, to the Balengi and Boheba tribes,--a distance at that time unprecedented, considering the almost fierce opposition of the coast people to any white man's going to the local sources of their trade. After more than ten uninterrupted years in Africa, I took a furlough of more than two years in the United States, and returned to my work in 1874. I responded to a strong demand on the part of the supporters of Foreign Missions in Africa, that mission operations should no longer be confined to the coast. Unsuccessful efforts had been made to enter by the Gabun, by the Muni, and by the Benito. On the 10th of September, 1874, I entered the Og
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Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) HOMER MARTIN A REMINISCENCE [Illustration: HOMER MARTIN From a photograph taken in England in 1892] HOMER MARTIN A REMINISCENCE [Illustration] OCTOBER 28, 1836—FEBRUARY 12, 1897 NEW YORK WILLIAM MACBETH 1904 Copyright, 1904, by WILLIAM MACBETH [Illustration] ILLUSTRATIONS PORTRAIT OF HOMER MARTIN _Frontispiece_ FACING PAGE NORMANDY TREES 6 THE DUNES 12 ON THE HUDSON 18
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Produced by Henry Flower, Jonathan Ingram, Suzanne Lybarger, the booksmiths at eBookForge and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's Note Italics are indicated by _underscores_, and bold text by =equals= signs. [Illustration: HENRY MAYHEW. [_From a Daguerreotype by_ BEARD.]] LONDON LABOUR AND THE LONDON POOR A Cyclopædia of the Condition and Earnings OF THOSE THAT _WILL_ WORK THOSE THAT _CANNOT_ WORK, AND THOSE THAT _WILL NOT_ WORK BY HENRY MAYHEW THE LONDON STREET-FOLK COMPRISING STREET SELLERS · STREET BUYERS · STREET FINDERS STREET PERFORMERS · STREET ARTIZANS · STREET LABOURERS WITH NUMEROUS ILLUSTRATIONS FROM PHOTOGRAPHS VOLUME ONE First edition 1851 (_Volume One only and parts of Volumes Two and Three_) Enlarged edition (Four volumes) 1861-62 New impression 1865 CONTENTS OF VOLUME I. THE STREET-FOLK. PAGE WANDERING TRIBES IN GENERAL 1 WANDERING TRIBES IN THE COUNTRY 2 THE LONDON STREET-FOLK 3 COSTERMONGERS 4 STREET SELLERS OF FISH 61 STREET SELLERS OF FRUIT AND VEGETABLES 79 STATIONARY STREET SELLERS OF FISH, FRUIT, AND VEGETABLES 97 THE STREET IRISH 104 STREET SELLERS OF GAME, POULTRY, RABBITS, BUTTER, CHEESE, AND EGGS 120 STREET SELLERS OF TREES, SHRUBS, FLOWERS, ROOTS, SEEDS, AND BRANCHES 131 STREET SELLERS OF GREEN STUFF 145 STREET SELLERS OF EATABLES AND DRINKABLES 158 STREET SELLERS OF STATIONERY, LITERATURE, AND THE FINE ARTS 213 STREET SELLERS OF MANUFACTURED ARTICLES 323 THE WOMEN STREET SELLERS 457 THE CHILDREN STREET SELLERS 468 LIST OF ILLUSTRATIONS. LONDON COSTERMONGER Page 13 THE COSTER GIRL „ 37 THE OYSTER STALL „ 49 THE ORANGE MART (DUKE’S PLACE) „ 73 THE IRISH STREET-SELLER „ 97 THE WALL-FLOWER GIRL „ 127 THE GROUNDSELL MAN „ 147 THE BAKED POTATO MAN „ 167 THE COFFEE STALL To face page 184 COSTER BOY AND GIRL “TOSSING THE PIEMAN” „ 196 DOCTOR BOKANKY, THE STREET-HERBALIST „ 206 THE LONG SONG SELLER „ 222 ILLUSTRATIONS OF STREET ART, NO. I. „ 224 „ „ NO. II. „ 238 THE HINDOO TRACT SELLER „ 242 THE “KITCHEN,” FOX COURT „ 251 ILLUSTRATIONS OF STREET ART, NO. III. „ 278 THE BOOK AUCTIONEER „ 296 THE STREET-SELLER OF NUTMEG-GRATERS „ 330 THE STREET-SELLER OF DOG-COLLARS „ 360 THE STREET-SELLER OF CROCKERYWARE „ 366 THE BLIND BOOT-LACE SELLER „ 406 THE STREET-SELLER OF GREASE-REMOVING COMPOSITION „ 428 THE LUCIFER-MATCH GIRL „ 432 THE STREET-SELLER OF WALKING-STICKS „ 438 THE STREET-SELLER OF RHUBARB AND SPICE „ 452 THE STREET-SELLER OF COMBS „ 458 PORTRAIT OF MR. MAYHEW To face the Title Page PREFACE. The present volume is the first of an intended series, which it is hoped will form, when complete, a cyclopædia of the industry, the want, and the vice of the great Metropolis. It is believed that the book is curious for many reasons: It surely may be considered curious as being the first attempt to publish the history of a people, from the lips of the people themselves--giving a literal description of their labour, their earnings, their trials, and their suffer
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Produced by Brownfox and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by JSTOR www.jstor.org) THE IRISH PENNY JOURNAL. NUMBER 15. SATURDAY, OCTOBER 10, 1840. VOLUME I. [Illustration: THE TOWN AND CASTLE OF LEIXLIP, COUNTY OF KILDARE.] Localities are no less subject to the capricious mutations of fashion in taste, than dress, music, or any other of the various objects on which it displays its extravagant vagaries. The place which on account of its beauties is at one period the chosen resort of pleased and admiring crowds, at another becomes abandoned and unthought of, as if it were an unsightly desert, unfit for the enjoyment or happiness of civilized man. Some other locality, perhaps of less natural or acquired beauty, becomes the fashion of the day, and after a time gets out of favour in turn, and is neglected for some other novel scene before unthought of or disregarded. Yet the principles of true taste are immutable, and that which is really beautiful is not the less so because it has ceased to attract the multitude, who are generally governed to a far greater extent by accidental associations of ideas than by any abstract feelings of the mind. Perhaps it is less attributable to any characteristic volatility in the character of the inhabitants of our metropolis, than to the singular variety and number of the beautiful localities which surround our city, and in emulous rivalry attract our attention, that this inconstancy of attachment to any one locality is more strikingly instanced among ourselves, than among the citizens of any other great town with which we are acquainted. But, however this may be, the fact is unquestionable, that there is scarcely a spot of any natural or improved beauty, within a few miles of us, which has not in turn had its day of fashion, and its subsequent period of unmerited neglect. Clontarf, with its sequestered green lanes, and its glorious views of the bay--Glasnevin, the classical abode of Addison, Parnell, Tickell, Sheridan, and Delany--Finglas, with its rural sports--Chapelizod, the residence of the younger Cromwell--Lucan, Leixlip, with their once celebrated spas, and all the delightful epic scenery of the Liffey--Dundrum, with its healthy mountain walks and atmosphere, and many others unnecessary to mention, all experiencing the effects of this inconstancy of fashion, have found their once admired beauties totally disregarded, and the admiration of the multitude almost wholly transferred to a wild and unadorned beauty on the rocky shores of Kingstown and Bullock, which our forefathers deemed unworthy of notice. But let that beauty take warning from the fate of her predecessors, and not hold her head too high in her day of triumph, for she too will assuredly be cast off in turn, and find herself neglected for some rival as yet unnoticed. Of such unmerited inconstancy and neglect there are no localities in the neighbourhood of Dublin which have greater reason to complain than the village of Lucan and that which forms the subject of our prefixed embellishment. As the establishment of peace in Ireland led to an increase of civilization, which exhibited itself in improved roads and vehicles of conveyance, and the citizens, emerging from their embattled strongholds, ventured to enjoy the pleasures of nature and rural life, Lucan and Leixlip, with the beautiful scenery in which they are situated, became the favourite places of resort; and their various natural attractions becoming heightened by art, were described by travellers, and chaunted in song. About “sixty years since” they had reached their greatest glory, and Leixlip was the favourite of the day. It is thus described at this period by the celebrated Doctor Campbell:--“All the outlets of Dublin are pleasant, but this is superlatively so which leads through Leixlip, a neat little village about seven miles from Dublin, up the Liffey; whose banks being prettily tufted with wood, and enlivened by gentlemen’s seats, afford a variety of landscapes, beautiful beyond description.” It was at this period also that O’Keefe, in his popular opera of “The Poor Soldier,” makes Patrick sing-- “Though Leixlip is proud of its close shady bowers, Its clear falling waters and murmuring
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Produced by Bryan Ness and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) THE GNOSTIC CRUCIFIXION WORKS BY THE SAME AUTHOR _Net._ THRICE GREATEST HERMES (3 vols.) 30/- FRAGMENTS OF A FAITH FORGOTTEN 10/6 DID JESUS LIVE 100 B.C.? 9/- THE WORLD-MYSTERY 5/- THE GOSPEL AND THE GOSPELS 4/6 APOLLONIUS OF TYANA 3/6 THE UPANISHADS (2 vols.) 3/- PLOTINUS 1/- ECHOES FROM THE GNOSIS BY G. R. S. MEAD VOL. VII. THE GNOSTIC CRUCIFIXION THE THEOSOPHICAL PUBLISHING SOCIETY LONDON AND BENARES 1907 PRINTED IN GREAT BRITAIN ECHOES FROM THE GNOSIS. Under this general title is now being published a series of small volumes, drawn from, or based upon, the mystic, theosophic and gnostic writings of the ancients, so as to make more easily audible for the ever-widening circle of those who love such things, some echoes of the mystic experiences and initiatory lore of their spiritual ancestry. There are many who love the life of the spirit, and who long for the light of gnostic illumination, but who are not sufficiently equipped to study the writings of the ancients at first hand, or to follow unaided the labours of scholars. These little volumes are therefore intended to serve as introduction to the study of the more difficult literature of the subject; and it is hoped that at the same time they may become for some, who have, as yet, not even heard of the Gnosis, stepping-stones to higher things. G. R. S. M. THE GNOSTIC CRUCIFIXION CONTENTS PAGE PREFACE 9 THE VISION OF THE CROSS 12 COMMENTS 20 POSTCRIPT 69 TEXTS Bonnet (M.), _Acta Apostolorum Apocrypha_ (Leipzig, 1898). James (M. R.), _Apocrypha Anecdota, T. & S._, v. i. (Cambridge, 1897). _F._ = _Fragments of a Faith Forgotten_, 2nd. ed. (London, 1906). _H._ = _Thrice Greatest Hermes_ (London, 1906). ECHOES FROM THE GNOSIS VOL. I. THE GNOSIS OF THE MIND. VOL. II. THE HYMNS OF HERMES. VOL. III. THE VISION OF ARIDAEUS. VOL. IV. THE HYMN OF JESUS. VOL. V. THE MYSTERIES OF MITHRA. VOL. VI. A MITHRIAC RITUAL. VOL. VII. THE GNOSTIC CRUCIFIXION. SOME PROPOSED SUBJECTS FOR FORTHCOMING VOLUMES THE CHALDAEAN ORACLES. THE HYMN OF THE PRODIGAL. SOME ORPHIC FRAGMENTS. THE GNOSTIC CRUCIFIXION. PREFACE. The Gnostic Mystery of the Crucifixion is most clearly set forth in the new-found fragments of _The Acts of John_, and follows immediately on the Sacred Dance and Ritual of Initiation which we endeavoured to elucidate in Vol. IV. of these little books, in treating of _The Hymn of Jesus_. The reader is, therefore, referred to the "Preamble" of that volume for a short introduction concerning the nature of the Gnostic Acts in general and of the Leucian _Acts of John_ in particular. I would, however, add a point of interest bearing on the date which was forgotten, though I have frequently remarked upon it when lecturing on the subject. The strongest proof that we have in our fragment very early material is found in the text itself, when it relates the following simple form of the miracle of the loaves. "Now if at any time He were invited by one of the Pharisees and went to the bidding, we used to go with Him. And before each was set a single loaf by the host; and of them He Himself also received one. Then He would give thanks and divide His loaf among us; and from this little each had enough, and our own loaves were saved whole, so that those who bade Him were amazed." If the marvellous narratives of the feeding of the five thousand had been already in circulation, it is incredible that this simple story, which we may so easily believe, should have been invented. Of what use, when the minds of the hearers had been strung to the pitch of faith which had already accepted the feeding of the five thousand as an actual physical occurrence, would it have been to invent comparatively so small a wonder? On the other hand, it is easy to believe that from similar simple stories of the power of the Master, which were first of all circulated in the inner circles, the popular narratives of the multitude-feeding miracles could be developed. We, therefore, conclude, with every probability, that we have here an indication of material of very early date. Nevertheless when we come
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LADDIE A TRUE BLUE STORY by GENE STRATTON PORTER To LEANDER ELLIOT STRATTON "The Way to Be Happy Is to Be Good" Contents CHAPTER I. Little Sister II. Our Angel Boy III. Mr. Pryor's Door IV. The Last Day in Eden V. The First Day of School VI. The Wedding Gown VII. When Sally Married Peter VIII. The Shropshire and the Crusader IX. "Even So" X. Laddie Takes the Plunge XI. Keeping Christmas Our Way XII. The Horn of the Hunter XIII. The Garden of the Lord XIV. The Crest of Eastbrooke XV. Laddie, the Princess, and the Pie XVI. The Homing Pigeon XVII. In Faith Believing XVIII. The Pryor Mystery LADDIE CHARACTERS LADDIE, Who Loved and Asked No Questions. THE PRINCESS, From the House of Mystery. LEON, Our Angel Child. LITTLE SISTER, Who Tells What Happened. MR. and MRS. STANTON, Who Faced Life Shoulder to Shoulder. SALLY and PETER, Who Married Each Other. ELIZABETH, SHELLEY, MAY and Other Stanton Children. MR. and MRS. PRYOR, Father and Mother of the Princess. ROBERT PAGET, a Chicago Lawyer. MRS. FRESHETT, Who Offered Her Life for Her Friend. CANDACE, the Cook. MISS AMELIA
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Produced by Neville Allen, Malcolm Farmer and the Online Distributed Proofreading Team at http://www.pgdp.net PUNCH, OR THE LONDON CHARIVARI. VOLUME 93. SEPTEMBER 10, 1887. * * * * * STRANGE ADVENTURES OF ASCENA LUKINGLASSE. (_By_ PHIL UPPES, _Author of "An Out-of-Luck Young Man," "Jack and Jill went up the Hill," "The Bishop and his Grandmother," &c._) ASCENA'S NARRATIVE. THE story which I have to tell is more than strange. It is so terrible, so incredible, so entirely contrary to all that any ordinary reader of the
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Produced by David Widger from page images generously provided by the Internet Archive OLIVER TWIST, Or, The Parish Boy's Progress By Charles Dickens CONTENTS I TREATS OF THE PLACE WHERE OLIVER TWIST WAS BORN AND OF THE CIRCUMSTANCES ATTENDING HIS BIRTH II TREATS OF OLIVER TWIST'S GROWTH, EDUCATION, AND BOARD III RELATES HOW OLIVER TWIST WAS VERY NEAR GETTING A PLACE WHICH WOULD NOT HAVE BEEN A SINECURE IV OLIVER, BEING OFFERED ANOTHER PLACE, MAKES HIS FIRST ENTRY INTO PUBLIC LIFE V OLIVER MINGLES WITH NEW ASSOCIATES. GOING TO A FUNERAL FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER'S BUSINESS VI OLIVER, BEING GOADED BY THE TAUNTS OF NOAH, ROUSES INTO ACTION, AND RATHER ASTONISHES HIM VII OLIVER CONTINUES REFRACTORY VIII OLIVER WALKS TO LONDON. HE ENCOUNTERS ON THE ROAD A STRANGE SORT OF YOUNG GENTLEMAN IX CONTAINING FURTHER PARTICULARS CONCERNING THE PLEASANT OLD GENTLEMAN, AND HIS HOPEFUL PUPILS X OLIVER BECOMES BETTER ACQUAINTED WITH THE CHARACTERS OF HIS NEW ASSOCIATES; AND PURCHASES EXPERIENCE AT A HIGH PRICE. BEING A SHORT, BUT VERY IMPORTANT CHAPTER, IN THIS HISTORY XI TREATS OF MR. FANG THE POLICE MAGISTRATE; AND FURNISHES A SLIGHT SPECIMEN OF HIS MODE OF ADMINISTERING JUST
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Produced by Donald Cummings and the Online Distributed Proofreading Team at http://www.pgdp.net BART KEENE'S HUNTING DAYS Or The Darewell Chums in a Winter Camp BY ALLEN CHAPMAN AUTHOR OF "BART STIRLING'S ROAD TO SUCCESS," "WORKING HARD TO WIN," "BOUND TO SUCCEED," "THE YOUNG STOREKEEPER," "NAT BORDEN'S FIND," ETC. [Illustration: _The_ GOLDSMITH _Publishing Co._ CLEVELAND OHIO MADE IN U.S.A.] COPYRIGHT, 1911, BY CUPPLES & LEON COMPANY CONTENTS CHAPTER PAGE I. A MIDNIGHT EXPEDITION 1 II. THE MISSING DIAMOND BRACELET 8 III. A FRUITLESS SEARCH 24 IV. IN THE SHOOTING GALLERY 35 V. AN INITIATION 49 VI. AN UNEXPECTED MEETING 57 VII. GETTING READY FOR CAMP 67 VIII. AN ODD LETTER 77 IX. OFF TO CAMP 84 X. A RAILROAD ACCIDENT 91 XI. PUTTING UP THE TENTS 97 XII. THE PLACE OF THE TURTLES 106 XIII. THE MUD VOLCANO 111 XIV. BART'S FIRST SHOT 119 XV. FENN FALLS IN 125 XVI. FRANK MAKES PANCAKES 132 XVII. TREED BY A WILDCAT 141 XVIII. THE MYSTERIOUS MAN AGAIN 153 XIX. LOST IN THE WOODS 160 XX. A NIGHT OF MISERY 167 XXI. UNEXPECTED HELP 173 XXII. CHRISTMAS IN CAMP 179 XXIII. FOOTPRINTS IN THE SNOW 187 XXIV. A SHOT IN TIME 193 XXV. NED'S RABBIT TRAP 200 XXVI. A VISIT TO TOWN 206 XXVII. THE MAN WITH THE TURTLE 212 XXVIII. THE PURSUIT 217 XXIX. BART'S BEST SHOT 227 XXX. THE DIAMOND BRACELET--CONCLUSION 232 BART KEENE'S HUNTING DAYS CHAPTER I A MIDNIGHT EXPEDITION "Hold on there! Go easy, now, fellows," cautioned Bart Keene to his two chums, as they stole softly along in the darkness. "What are you making all that racket for, Ned?" "It wasn't me; it was Frank." "I couldn't help it," came from Frank Roscoe in a whisper. "I stumbled on a stone." "Well, don't do it again," retorted Bart. "First thing you know some one will hear us, and the jig will be up." "And then we can't play the joke on Stumpy," added Ned Wilding. "Of course not," went on Bart. "Easy now. Come on. Keep behind me in a line, and walk in the shadows as much as possible. We're almost there." The three lads bent upon playing a peculiar trick on their chum, Fenn, or "Stumpy" Masterson, kept on toward the Darewell High School, at which they were students. The building set well back from the street, and the campus in front was now flooded with brilliant moonlight. It was close to midnight, and to approach the institution unobserved, to take from it certain objects, and to steal away without having been noticed, was the object of the three conspirators. "Are you coming?" asked Bart, as he turned
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Produced by Mark C. Orton, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) "If this country cannot be saved without giving up the principle of Liberty, I was about to say I would rather be assassinated on this spot than surrender it." _From Mr. Lincoln's Speech at Independence Hall, Philadelphia, February 21, 1861._ "I believe this Government cannot endure permanently half slave and half free." _Springfield, Illinois, June, 1858._ "I am exceedingly anxious that this Union, the Constitution, and the liberties of the people shall be perpetuated in accordance with the original idea for which the Revolution was made." _Trenton, New Jersey, February 21, 1861._ "Having thus chosen our course, without guile and with pure purpose, let us renew our trust in God, and go forward without fear and with manly hearts." _Message, July 5, 1861._ "In giving freedom to the slaves, we assure freedom to the free; honorable alike in what we give and what we preserve." _Message, December 1, 1862._ "I hope peace will come soon, and come to stay; and so come as to be worth the keeping in all future time." _Springfield Letter, August 26, 1863._ "The world will little note, nor long remember, what we say here; but it can never forget what the brave men, living and dead, did here." _Speech at Gettysburg, November 19, 1863._ "I shall not attempt to retract or modify the Emancipation Proclamation, nor shall I return to slavery any person who is free by the terms of that proclamation, or by any of the Acts of Congress." _Amnesty Proclamation, December 8, 1863._ "I claim not to have controlled events, but confess plainly that events have controlled me." _Letter to A. G. Hodges, April 4, 1864._ "With malice towards none, with charity for all, with firmness in the right, as God gives us to see the right, let us strive on to finish the work we are in." _Last Inaugural, March 4, 1865._ [Illustration] LIFE OF ABRAHAM LINCOLN, SIXTEENTH PRESIDENT OF THE UNITED STATES. CONTAINING HIS EARLY HISTORY AND POLITICAL CAREER; TOGETHER WITH THE SPEECHES, MESSAGES, PROCLAMATIONS AND OTHER OFFICIAL DOCUMENTS ILLUSTRATIVE OF HIS EVENTFUL ADMINISTRATION. BY FRANK CROSBY, MEMBER OF THE PHILADELPHIA BAR. "LET ALL THE ENDS THOU AIM'ST AT BE THY COUNTRY'S, THY GOD'S AND TRUTH'S; THEN IF THOU FALL'ST THOU FALL'ST A BLESSED MARTYR." NEW YORK INTERNATIONAL BOOK COMPANY 310-318 SIXTH AVENUE DEDICATED TO THE GOOD AND TRUE OF THE NATION REDEEMED--REGENERATED--DISENTHRALLED. PREFACE. An attempt has been made in the following pages to portray Abraham Lincoln, mainly in his relations to the country at large during his eventful administration. With this view, it has not been deemed necessary to cumber the work with the minute details of his life prior to that time. This period has, therefore, been but glanced at, with a care to present enough to make a connected whole. His Congressional career and his campaign with Senator Douglas are presented in outline, yet so, it is believed, that a clear idea of these incidents in his life can be obtained. After the time of his election as President, however, a different course of treatment has been pursued. Thenceforward, to the close of his life, especial pains have been taken to present everything which should show him as he was--the Statesman persistent, resolute, free from boasting or ostentation, destitute of hate, never exultant, guarded in his prophecies, threatening none at home or abroad, indulging in no utopian dreams of a blissful future, moving quietly, calmly, conscientiously, irresistibly on to the end he saw with clearest vision. Yet, even in what is presented as a complete record of his administration, too much must not be expected. It is impossible, for example, to thoroughly dissect the events of the great Rebellion in a work like the present. Nothing of the kind has been attempted. The prominent features only have been sketched; and that solely for the purpose of bringing into the distinct foreground him whose life is under consideration. Various Speeches, Proclamations, and Letters, not vitally essential to the unity of the main body of the work, yet valuable as affording illustrations of the man--have been collected in the Appendix. Imperfect as this portraiture must necessarily be, there is one conciliatory thought. The subject needs no embellishment. It furnishes its own setting. The acts of the man speak for themselves. Only such an arrangement is needed as shall show the bearing of each upon the other, the development of each, the processes of growth. Those words of the lamented dead which nestle in our hearts so tenderly--they call for no explanation. Potent, searching, taking hold of our consciences, they will remain with us while reason lasts. Nor will the people's interest be but for the moment. The baptism of blood to which the Nation has been called, cannot be forgotten for generations. And while memories of him abide, there will inevitably be associated with them the placid, quiet face, not devoid of mirth--its patient, anxious, yet withal hopeful expression--the sure, elastic step--the clearly cut, sharply defined speech of him, who, under Providence, was to lead us through the trial and anguish of those bitter days to the rest and refreshing of a peace, whose dawn only, alas! he was to see. Though this work may not rise to the height required, it is hoped that it is not utterly unworthy of the subject. Such as it is--a labor of love--it is offered to those who loved and labored with the patriot and hero, with the earnest desire that it may not be regarded an unwarrantable intrusion upon ground on which any might hesitate to venture. F. C. _Philadelphia, June, 1865._ CONTENTS CHAPTER I. BOYHOOD AND EARLY MANHOOD. Preliminary--Birth of Abraham Lincoln--Removal from Kentucky--At Work--Self Education--Personal Characteristics--Another Removal --Trip to New Orleans--Becomes Clerk--Black Hawk War--Engages in Politics--Successive Elections to the Legislature--Anti-Slavery Protest--Commences Practice as a Lawyer--Traits of Character-- Marriage--Return to Politics--Election to Congress 13 CHAPTER II. IN CONGRESS AND ON THE STUMP. The Mexican War--Internal Improvements--Slavery in the District of Columbia--Public Lands--Retires to Private Life-- Kansas-Nebraska Bill--Withdraws in Favor of Senator Trumbull-- Formation of Republican Party--Nominated for U. S. Senator-- Opening Speech of Mr. Lincoln--Douglas Campaign--The Canvass-- Tribute to the Declaration of Independence--Result of the Contest 19 CHAPTER III. BEFORE THE NATION. Speeches in Ohio--Extract from the Cincinnati Speech--Visits the East--Celebrated Speech at the Cooper Institute, New York--Interesting Incident 34 CHAPTER IV. NOMINATED AND ELECTED PRESIDENT. The Republican National Convention--Democratic Convention-- Constitutional Union Convention--Ballotings at Chicago-- The Result--Enthusiastic Reception--Visit to Springfield-- Address and Letter of Acceptance--The Campaign--Result of the Election--South Carolina's Movements--Buchanan's Pusillanimity--Secession of States--Confederate Constitution-- Peace Convention--Constitutional Amendments--Terms of the Rebels 60 CHAPTER V. TO WASHINGTON. The Departure--Farewell Remarks--Speech at Toledo--At Indianapolis--At Cincinnati--At Columbus--At Steubenville-- At Pittsburgh--At Cleveland--At Buffalo--At Albany--At Poughkeepsie--At New York--At Trenton--At Philadelphia--At "Independence Hall"--Flag Raising--Speech at Harrisburg-- Secret Departure for Washington--Comments 67 CHAPTER VI. THE NEW ADMINISTRATION. Speeches at Washington--The Inaugural Address--Its Effect-- The Cabinet--Commissioners from Montgomery--Extracts from A. H. Stephens' Speech--Virginia Commissioners--Fall of Fort Sumter 90 CHAPTER VII. PREPARING FOR WAR. Effects of Sumter's Fall--President's Call for Troops-- Response in the Loyal States--In the Border States--Baltimore Riots--Maryland's Position--President's Letter to Maryland Authorities--Blockade Proclamation--Additional Proclamation-- Comments Abroad--Second Call for Troops--Special Order for Florida--Military Movements 108 CHAPTER VIII. THE FIRST SESSION OF CONGRESS. Opening of Congress--President's First Message--Its Nature-- Action of Congress--Resolution Declaring the Object of the War--Bull Run--Its Effect 117 CHAPTER IX. CLOSE OF 1861. Election of the Rebels--Davis' Boast--McClellan appointed Commander of Potomac Army--Proclamation of a National Fast-- Intercourse with Rebels Forbidden--Fugitive Slaves--Gen. Butler's Views--Gen. McClellan's Letter from Secretary Cameron--Act of August 6th, 1861--Gen. Fremont's Order-- Letter of the President Modifying the Same--Instructions to Gen. Sherman--Ball's Bluff--Gen. Scott's Retirement--Army of the Potomac 137 CHAPTER X. THE CONGRESS OF 1861-62. The Military Situation--Seizure of Mason and Slidell-- Opposition to the Administration--President's Message-- Financial Legislation--Committee on the Conduct of the War-- Confiscation Bill 148 CHAPTER XI. THE SLAVERY QUESTION. Situation of the President--His Policy--Gradual Emancipation-- Message--Abolition of Slavery in the District of Columbia-- Repudiation of Gen. Hunter's Emancipation Order--Conference with Congressmen from the Border Slave States--Address to the Same-- Military Order--Proclamation under the Conscription Act 171 CHAPTER XII. THE PENINSULAR CAMPAIGN. President's War Order--Reason for the Same--Results in West and South-west--Army of the Potomac--Presidential Orders-- Letter to McClellan--Order for Army Corps--The Issue of the Campaign--Unfortunate Circumstances--President's Speech at Union Meeting--Comments--Operations in Virginia and Maryland--In the West and South-west 181 CHAPTER XIII. FREEDOM TO MILLIONS. Tribune Editorial--Letter to Mr. Greeley--Announcement of the Emancipation Proclamation--Suspension of the _Habeas Corpus_ in certain Cases--Order for Observance of the Sabbath--The Emancipation Proclamation 190 CHAPTER XIV. LAST SESSION OF THE THIRTY-SEVENTH CONGRESS. Situation of the Country--Opposition to the Administration-- President's Message 199 CHAPTER XV. THE TIDE TURNED. Military Successes--Favorable Elections--Emancipation Policy-- Letter to Manchester (Eng.) Workingmen--Proclamation for a National Fast--Letter to Erastus Corning--Letter to a Committee on Recalling Vallandigham 226 CHAPTER XVI. LETTERS AND SPEECHES. Speech at Washington--Letter to Gen. Grant--Thanksgiving Proclamation--Letter Concerning the Emancipation Proclamation-- Proclamation for Annual Thanksgiving--Dedicatory Speech at Gettysburg 242 CHAPTER XVII. THE THIRTY-EIGHTH CONGRESS. Organization of the House--Different Opinions as to Reconstruction--Provisions for Pardon of Rebels--President's Proclamation of Pardon--Annual Message--Explanatory Proclamation 263 CHAPTER XVIII. PROGRESS. President's Speech at Washington--Speech to a New York Committee--Speech in Baltimore--Letter to a Kentuckian-- Employment of <DW52> Troops--Davis' Threat--General Order-- President's Order on the Subject 275 CHAPTER XIX. RENOMINATED. Lieut. Gen. Grant--His Military Record--Continued Movements-- Correspondence with the President--Across the Rapidan-- Richmond Invested--President's Letter to a Grant Meeting-- Meeting of Republican National Convention--The Platform-- The Nomination--Mr. Lincoln's Reply to the Committee of Notification--Remarks to Union League Committee--Speech at a Serenade--Speech to Ohio Troops 285 CHAPTER XX. RECONSTRUCTION. President's Speech at Philadelphia--Philadelphia Fair-- Correspondence with Committee of National Convention-- Proclamation of Martial Law in Kentucky--Question of Reconstruction--President's Proclamation on the Subject-- Congressional Plan 298 CHAPTER XXI. PRESIDENTIAL CAMPAIGN OF 1864. Proclamation for a Fast--Speech to Soldiers--Another Speech-- "To Whom it may Concern"--Chicago Convention--Opposition Embarrassed--Resolution No. 2--McClellan's Acceptance-- Capture of the Mobile Forts and Atlanta--Proclamation for Thanksgiving--Remarks on Employment of <DW64> Soldiers-- Address to Loyal Marylanders 314 CHAPTER XXII. RE-ELECTED Presidential Campaign of 1864--Fremont's Withdrawal--Wade and Davis--Peace and War Democrats--Rebel Sympathizers-- October Election--Result of Presidential Election--Speech to Pennsylvanians--Speech at a Serenade--Letter to a Soldier's Mother--Opening of Congress--Last Annual Message 325 CHAPTER XXIII. TIGHTENING THE LINES. Speech at a Serenade--Reply to a Presentation Address--Peace Rumors--Rebel Commissioners--Instructions to Secretary Seward--The Conference in Hampton Roads--Result--Extra Session of the Senate--Military Situation--Sherman-- Charleston--Columbia--Wilmington--Fort Fisher--Sheridan-- Grant--Rebel Congress--Second Inauguration--Inaugural-- English Comment--Proclamation to Deserters 350 CHAPTER XXIV. IN RICHMOND. President Visits City Point--Lee's Failure--Grant's Movement-- Abraham Lincoln in Richmond--Lee's Surrender--President's Impromptu Speech--Speech on Reconstruction--Proclamation Closing Certain Ports--Proclamation Relative to Maritime Rights-- Supplementary Proclamation--Orders from the War Department-- The Traitor President 362 CHAPTER XXV. THE LAST ACT. Interview with Mr. Colfax--Cabinet Meeting--Incident-- Evening Conversation--Possibility of Assassination--Leaves for the Theatre--In the Theatre--Precautions for the Murder--The Pistol Shot--Escape of the Assassin--Death of the President--Pledges Redeemed--Situation of the Country-- Effect of the Murder--Obsequies at Washington--Borne Home-- Grief of the People--At Rest 374 CHAPTER XXVI. THE MAN. Reasons for His Re-election--What was Accomplished--Leaning on the People--State Papers--His Tenacity of Purpose--Washington and Lincoln--As a Man--Favorite Poem--Autobiography--His Modesty --A Christian--Conclusion 382 APPENDIX. Mr. Lincoln's Speeches in Congress and Elsewhere, Proclamations, Letters, etc., not included in the Body of the Work. Speech on the Mexican War, (In Congress, Jan. 12, 1848) 391 Speech on Internal Improvements, (In Congress, June 20, 1848) 403 Speech on the Presidency and General Politics, (In Congress, July 27, 1848) 417 Speech in Reply to Mr. Douglas, on Kansas, the Dred Scott Decision, and the Utah Question, (At Springfield, June 26, 1857) 431 Speech in Reply to Senator Douglas, (At Chicago, July 10, 1858) 442 Opening Passages of his Speech at Freeport 459 Letter to Gen. McClellan 464 Letter to Gen. Schofield Relative to the Removal of Gen. Curtis 466 Three Hundred Thousand Men Called For 466 Rev. Dr. McPheeters--President's Reply to an Appeal for Interference 468 An Election Ordered in the State of Arkansas 470 Letter to William Fishback on the Election in Arkansas 471 Call for Five Hundred Thousand Men 471 Letter to Mrs. Gurney 473 The Tennessee Test Oath 474 LIFE OF ABRAHAM LINCOLN. CHAPTER I. BOYHOOD AND EARLY MANHOOD. Preliminary--Birth of Abraham Lincoln--Removal from Kentucky-- At Work--Self Education--Personal Characteristics--Another Removal--Trip to New Orleans--Becomes Clerk--Black Hawk War-- Engages in Politics--Successive Elections to the Legislature-- Anti-Slavery Protest--Commences Practice as a Lawyer
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Produced by sp1nd, Matthew Wheaton and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE BROKEN FONT A STORY OF THE CIVIL WAR. BY THE AUTHOR OF "TALES OF THE WARS OF OUR TIMES," "RECOLLECTIONS OF THE PENINSULA," &c. &c. &c. IN TWO VOLUMES. VOL. II. LONDON: PRINTED FOR LONGMAN, REES, ORME, BROWN, GREEN, & LONGMAN, PATERNOSTER-ROW. 1836. THE BROKEN FONT. CHAPTER I. And now, good morrow to our waking soules, Which watch not one another out of feare. DONNE. The noble spirit of Katharine Heywood was severely exercised by those disclosures of Jane Lambert which have been related in a former chapter. She regretted, too late, that she had ever asked that true-hearted girl to perform an office so difficult in itself, and which had proved, in its consequences, so hazardous to her reputation and her peace. The chance of such a misfortune as that which had befallen Jane never remotely presented itself to her mind at the moment when she made the request, yet she could not but feel compunction as she reflected on the trouble to which the generous constancy of a delicate mind had subjected her affectionate friend. One slight reparation was in her power. It became her plain duty to undeceive the mind of Juxon on the subject; and the thought that she should be thus instrumental in bringing together two fine characters, formed for each other, made all selfish considerations about her own sorrow, and every pang which her maidenly pride must suffer, vanish before that proper resolution. No opportunity of speaking in private with Juxon occurred on the evening of Jane's disclosure to Katharine, nor did any offer itself until the arrival of her young cousin Arthur from Oxford. It was a mournful trial to Katharine to observe the high and joyous spirits of the ardent youth, as he embraced and thanked Sir Oliver for acceding to his request. The silent house became suddenly full of cheerful echoes as the brave boy passed to and fro on its oaken staircase and along the pleasant gallery, singing snatches of loyal songs, or making his spurs jingle as he ran. All his preparations for the solemn work of war were made with a light heart, and with little or no consideration that fellow-countrymen were to be his enemies. Such little sympathy as the boy once felt for the tortured Prynne existed no longer for any one of that party, which he had learned to look upon as traitors. One would have thought that he was volunteering in a foreign expedition, by his gay-hearted alacrity in getting ready. "Cousin Kate," said he, turning towards her as they sat at breakfast in the hall, "you must make us a couple of King's rosettes,--and I hope you have both of you," he added, looking at Jane Lambert, "nearly finished embroidering the small standard for our troop:--you have laughed at me, and called me boy, Jane; but when I bring you back your own embroidery, stained with the blood of traitors, you shall reward me as a man." "I am not so very blood-thirsty, Arthur," said Jane Lambert, "as to wish it shed to do honour to my embroidery; and if I see you come safe back with your sword bright and a peace branch in your hand, I will tell a fib for you, and call you a man before your beard comes. Now don't frown--it does not become your smooth face:--when all is over, you shall play the part of a lady in the first court masque, and shall wear my rose- gown." "Why, Jane," said Sir Oliver, "what is come to you, girl? It was but five minutes ago that I saw you with your kerchief at your eyes, looking as sad as though you were sitting at a funeral; and now thou mockest poor Arthur, as if he were a vain boaster, instead of a gallant boy, as thou well knowest.--Never mind her, Arthur: she is a true woman, and teazes those most whom she loves the best. She will
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) OXFORD THE ILLUSTRATIONS IN THIS VOLUME WERE ENGRAVED AND PRINTED BY THE CARL HENTSCHEL COLOURTYPE, LTD. [Illustration: THE CLARENDON BUILDING, BROAD STREET It is the Roman Doric portico of the “Building” we see rising in the centre of the picture, surmounted by a huge leaden figure, forming one of the _acroteria_ of the pediment. This noble piece of architecture was erected from the proceeds of the sale of copies of Lord Clarendon’s _History of the Rebellion_, completed in 1713. Looking west, on the right are some old houses, beyond which lie Trinity and Balliol Colleges.] OXFORD · PAINTED BY JOHN FULLEYLOVE R.I. DESCRIBED BY EDWARD THOMAS · PUBLISHED BY A. & C. BLACK · LONDON · W _Published November 1903_ Prefatory Note Most of these chapters have been filled by a brief search into my recollections of Oxford. They aim, therefore, at recording my own impressions as faithfully as the resultant stir of fancy would allow. But I am also deeply and obviously indebted to several books, and in particular to the histories of Oxford by Parker, Maxwell Lyte, and Boase; to Mr. F. E. Robinson’s series of College Histories; to _Reminiscences of Oxford_ and its companion volumes
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Produced by Sam W. and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE WRECK ON THE ANDAMANS: BEING A NARRATIVE OF THE VERY REMARKABLE PRESERVATION, AND ULTIMATE DELIVERANCE, OF THE SOLDIERS AND SEAMEN, WHO FORMED THE SHIPS' COMPANIES OF THE RUNNYMEDE AND BRITON TROOP-SHIPS, BOTH WRECKED ON THE MORNING OF THE 12TH OF NOVEMBER, 1844, UPON ONE OF THE ANDAMAN ISLANDS, IN THE BAY OF BENGAL. _TAKEN FROM AUTHENTIC DOCUMENTS_ BY JOSEPH DARVALL, Esq. _At the request of_ CAPT. CHARLES INGRAM, AND CAPT. HENRY JOHN HALL, _Owners of the Runnymede._ "The dangers of the sea, All the cares and all the fears, When the stormy winds do blow." (_Song._) LONDON: PELHAM RICHARDSON, 23, CORNHILL. 1845. PELHAM RICHARDSON, PRINTER, 23, CORNHILL. PREFACE. The Author, owing to circumstances, has had access to authentic documents and facts, relating to one of the most remarkable shipwrecks which have ever happened, that of the troop-ships Runnymede and Briton, on the morning of the 12th
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The Project Gutenberg Etext of Wolfville Days, by Alfred Henry Lewis Copyright laws are changing all over the world, be sure to check the laws for your country before redistributing these files!!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Please do not remove this. This should be the first thing seen when anyone opens the book. Do not change or edit it without written permission. The words are carefully chosen to provide users with the information they need about what they can legally do with the texts. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *****These Etexts Are Prepared By Thousands of Volunteers!***** Information on contacting Project Gutenberg to get Etexts, and further information is included below, including for donations. The Project Gutenberg Literary Archive Foundation is a 501(c)(3) organization with EIN [Employee Identification Number] 64-6221541 Title: Wolfville Days Author: Alfred Henry Lewis Release Date: January, 2003 [Etext #3667] [Yes, we are about one year ahead of schedule] [The actual date this file first posted = 07/10/01] Edition: 10 Language: English The Project Gutenberg Etext of Wolfville Days, by Alfred Henry Lewis *******This file should be named 3667.txt or 3667.zip****** This etext was produced by Charles Franks and the Online Distributed Proofreading Team. Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United States, unless a copyright notice is included. Therefore, we usually do NOT keep any of these books in compliance with any particular paper edition. We are now trying to release all our books one year in advance of the official release dates, leaving time for better editing. Please be encouraged to send us error messages even years after the official publication date. Please note neither this listing nor its contents are final til midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. Most people start at our sites at: http://gutenberg.net http://promo.net/pg Those of you who want to download any Etext before announcement can surf to them as follows, and just download by date; this is also a good way to get them instantly upon announcement, as the indexes our cataloguers produce obviously take a while after an announcement goes out in the Project Gutenberg Newsletter. http://www.ibiblio.org/gutenberg/etext03 or ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03 Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 Just search by the first five letters of the filename you want, as it appears in our Newsletters. Information about Project Gutenberg (one page) We produce about two million dollars for each hour we work. The time it takes us, a rather conservative estimate, is fifty hours to get any etext selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. This projected audience is one hundred million readers. If our value per text is nominally estimated at one dollar then we produce $2 million dollars per hour this year as we release fifty new Etext files per month, or 500 more Etexts in 2000 for a total of 3000+ If they reach just 1-2% of the world's population then the total should reach over 300 billion Etexts given away by year's end. The Goal of Project Gutenberg is to Give Away One Trillion Etext Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion] This is ten thousand titles each to one hundred million readers, which is only about 4% of the present number of computer users. At our revised rates of production, we will reach only one-third of that goal by the end of 2001, or about 4,000 Etexts unless we manage to get some real funding. The Project Gutenberg Literary Archive Foundation has been created to secure a future for Project Gutenberg into the next millennium. We need your donations more than ever! As of June 1, 2001 contributions are only being solicited from people in: Arkansas, Colorado, Connecticut, Delaware, Hawaii, Idaho, Indiana, Iowa, Kansas, Louisiana, Maine, Massachusetts, Minnesota, Missouri, Montana, Nebraska, Nevada, New Jersey, New York, Ohio, Oklahoma, Oregon, Rhode Island, South Carolina, South Dakota, Tennessee, Texas, Vermont, Virginia, Washington, West Virginia, and Wyoming. We have filed in about 45 states now, but these are the only ones that have responded. As the requirements for other states are met, additions to this list will be made and fund raising will begin in the additional states. Please feel free to ask to check the status of your state
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Produced by Brian Coe, Graeme Mackreth and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.) INSTRUCTIONS FOR OFFICERS AND NON-COMMISSIONED OFFICERS OF CAVALRY, ON OUTPOST DUTY; BY LIEUT.-COLONEL VON ARENTSCHILDT, First Hussars King's German Legion: WITH AN ABRIDGMENT OF THEM BY LIEUT.-COLONEL THE HON. F. PONSONBY, Twelfth Light Dragoons. J.W. RANDOLPH: 121 MAIN STREET, RICHMOND, VA. 1861. THIS VALUABLE DIGEST OF INSTRUCTIONS FOR OFFICERS AND NON-COMMISSIONED OFFICERS OF CAVALRY ON OUTPOST DUTY, IS REPRINTED FROM THE LONDON EDITION BY ORDER OF BRIG'R GENERAL PHILIP ST. GEO. COCKE, WHILST COMMANDING POTOMAC MILITARY DEPARTMENT OF VIRGINIA, AND DEDICATED BY HIM TO CAPTAIN LAY AND HIS "POWHATAN TROOP" OF CAVALRY. * * * * * THIS DIGEST IS EARNESTLY COMMENDED TO THE ATTENTION OF THE OFFICERS AND NON-COMMISSIONED OFFICERS OF CAVALRY OF VIRGINIA, AND OF THE CONFEDERATE STATES. OUTPOST DUTY. I. INSTRUCTIONS FOR OFFICERS AND NON-COMMISSIONED OFFICERS: BY LIEUT.-COLONEL VON ARENTSCHILDT. II. AN ABRIDGMENT OF THE SAME: BY LIEUTENANT-COLONEL THE HON. F. PONSONBY. LIEUTENANT-COLONEL VON ARENTSCHILDT'S INSTRUCTIONS ON OUTPOST DUTY. INSTRUCTIONS FOR OFFICERS AND NON-COMMISSIONED OFFICERS ON OUTPOST DUTY. I. ON THE CONDUCT TO BE HELD BY AN OFFICER, OR NON-COMMISSIONED OFFICER, ON PICQUET. SECTION I. PARADING THE PICQUET. The Commanding Officer of a Picquet, as soon as the same has been given up to him, should take care to have the names of his men written down, as well as the Regiment and Troop they belong to; inspect their ammunition and fire arms; and order them to load. He likewise should inquire if the men are provided with provisions and forage, and in case they are not, it must be reported to the Regiment, in order that supplies may be sent after them. Inquiries are likewise to be made where the reports are to be sent to. SECTION II. MARCHING FOR HIS DESTINATION. On the march to the spot where the Picquet is to be placed, the Officer must pay great attention in examining the country, and particularly observe the places where he would make a stand in case the Picquet should be attacked by the Enemy: for instance, behind a bridge, a ravine, between bogs, &c., in order to keep off the enemy as long as possible. This is of the utmost importance to give the Corps time to turn out. The Commander of a Picquet who retires with his men at full speed, and the Enemy at his heels, deserves the severest punishment; he must retire as slow as possible, and constantly skirmish. SECTION III. IF NO PICQUET WAS ON THE SPOT BEFORE. _By Day._ Being arrived at the spot chosen by himself, or pointed out to him, he forms his Picquet, and takes out as many men as he thinks he has occasion for as Videttes. To fix upon the number of Videttes, is much facilitated by riding on the top of a hill, and observing the number of roads and hills in front. With these Videttes he goes on, and places them in such a manner that every one of them is able to see individually what is coming towards the Picquet, as well as the neighbouring Videttes. The remainder of the Picquet dismounts in the mean time, with the exception of one Sentry, who is to be placed a little in advance. The bridles are not to be taken off. In placing the Videttes the Officer will have acquired a sufficient knowledge of the country to be able to judge whether any of them are superfluous, (which is much to be avoided, as men and horses are unnecessarily fatigued by it,) or whether there ought to be more. Two-thirds of the Picquet now unbridle: it is to be recollected that the whole of a Picquet should never unbridle. The Officer then reconnoitres the country. Every one ambitious to do his duty well will make a little sketch, in which the following are to be marked; 1. Roads; 2. Rivers; 3. Bridges and Fords; 4. Morasses, cavities, hollow roads, and mountains; 5. Wood; 6. Towns, Villages and their distances. If the Officer does not acquire such an exact knowledge of the country, he cannot be responsible for the security of his Picquet, and of the corps to which he belongs. By this time he will have had opportunity to fix upon the spot where his Picquet and Videttes ought to be placed at night. _By Night._ It is
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Credit Transcribed from the 1914 Burns & Oates edition by David Price, email [email protected] SHELLEY: AN ESSAY The Church, which was once the mother of poets no less than of saints, during the last two centuries has relinquished to aliens the chief glories of poetry, if the chief glories of holiness she has preserved for her own. The palm and the laurel, Dominic and Dante, sanctity and song, grew together in her soil: she has retained the palm, but forgone the laurel. Poetry in its widest sense, {1} and when not professedly irreligious, has been too much and too long among many Catholics either misprised or distrusted; too much and too generally the feeling has been that it is at best superfluous, at worst pernicious, most often dangerous. Once poetry was, as she should be, the lesser sister and helpmate of the Church; the minister to the mind, as the Church to the soul. But poetry sinned, poetry fell; and, in place of lovingly reclaiming her, Catholicism cast her from the door to follow the feet of her pagan seducer. The separation has been ill for poetry; it has not been well for religion. Fathers of the Church (we would say), pastors of the Church, pious laics of the Church: you are taking from its walls the panoply of Aquinas--take also from its walls the psaltery of Alighieri. Unroll the precedents of the Church's past; recall to your minds that Francis of Assisi was among the precursors of Dante; that sworn to Poverty he forswore not Beauty, but discerned through the lamp Beauty the Light God; that he was even more a poet in his miracles than in his melody; that poetry clung round the cowls of his Order. Follow his footsteps; you who have blessings for men, have you no blessing for the birds? Recall to your memory that, in their minor kind, the love poems of Dante shed no less honour on Catholicism than did the great religious poem which is itself pivoted on love; that in singing of heaven he sang of Beatrice--this supporting angel was still carven on his harp even when he stirred its strings in Paradise. What you theoretically know, vividly realise: that with many the religion of beauty must always be a passion and a power, that it is only evil when divorced from the worship of the Primal Beauty. Poetry is the preacher to men of the earthly as you of the Heavenly Fairness; of that earthly fairness which God has fashioned to His own image and likeness. You proclaim the day which the Lord has made, and Poetry exults and rejoices in it. You praise the Creator for His works, and she shows you that they are very good. Beware how you misprise this potent ally, for hers is the art of Giotto and Dante: beware how you misprise this insidious foe, for hers is the art of modern France and of Byron. Her value, if you know it not, God knows, and know the enemies of God. If you have no room for her beneath the wings of the Holy One, there is place for her beneath the webs of the Evil One: whom you discard, he embraces; whom you cast down from an honourable seat, he will advance to a haughty throne; the brows you dislaurel of a just respect, he will bind with baleful splendours; the stone which you builders reject, he will make his head of the corner. May she not prophesy in the temple? then there is ready for her the tripod of Delphi. Eye her not askance if she seldom sing directly of religion: the bird gives glory to God though it sings only of its innocent loves. Suspicion creates its own cause; distrust begets reason for distrust. This beautiful, wild, feline Poetry, wild because left to range the wilds, restore to the hearth of your charity, shelter under the rafter of your Faith; discipline her to the sweet restraints of your household, feed her with the meat from your table, soften her with the amity of your children; tame her, fondle her, cherish her--you will no longer then need to flee her. Suffer her to wanton, suffer her to play, so she play round the foot of the Cross! There is a change of late years: the Wanderer is being called to her Father's house, but we would have the call yet louder, we would have the proffered welcome more unstinted. There are still stray remnants of the old intolerant distrust. It is still possible for even a French historian of the Church to enumerate among the articles cast upon Savonarola's famous pile, _poesies erotiques, tant des anciens que des modernes, livres impies ou corrupteurs, Ovide, Tibulle, Properce, pour ne nommer que les plus connus, Dante, Petrarque, Boccace, tous ces auteurs Italiens qui deja souillaient les ames et ruinaient les moeurs, en creant ou perfectionnant la langue_. {2} Blameworthy carelessness at the least, which can class the _Vita Nuova_ with the _Ars A
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Produced by Juliet Sutherland, David Widger and PG Distributed Proofreaders A DOCTOR OF THE OLD SCHOOL by Ian Maclaren Book III. A FIGHT WITH DEATH PREFACE It is with great good will that I write this short preface to the edition of "A Doctor of the Old School" (which has been illustrated by Mr. Gordon after an admirable and understanding fashion) because there are two things that I should like to say to my readers, being also my friends. One, is to answer a question that has been often and fairly asked. Was there ever any doctor so self-forgetful and so utterly Christian as William MacLure? To which I am proud to reply, on my conscience: Not one man, but many in Scotland and in the South country. I will dare prophecy also across the sea. It has been one man's good fortune to know four country doctors, not one of whom was without his faults--Weelum was not perfect--but who, each one, might have sat for my hero. Three
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This eBook was produced by Andrew Sly. THE BRITISH NORTH AMERICA ACT, 1867. 30 VICTORIA, CHAPTER 3. An Act for the Union of Canada, Nova Scotia, and New Brunswick, and the Government thereof; and for Purposes connected therewith. [29th March, 1867.] Whereas the Provinces of Canada, Nova Scotia, and New Brunswick have expressed their
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Produced by Simon Gardner, Sankar Viswanathan, Adrian Mastronardi, The Philatelic Digital Library Project at http://www.tpdlp.net, and the Online Distributed Proofreading Team at http://www.pgdp.net GAMBIA BY FRED J. MELVILLE, PRESIDENT OF THE JUNIOR PHILATELIC SOCIETY. MDCCCCIX--PUBLISHED--BY--THE MELVILLE--STAMP--BOOKS, 47,--STRAND,--LONDON,--W.C. * * * * * [page 7] INTRODUCTORY NOTE. In collecting the stamps of Gambia one cannot too strongly emphasise the necessity for guarding the stamps of the "Cameo" series against deterioration by the pressure of the leaves in an ordinary unprotected album. In their pristine state with clear and bold embossing these stamps are of exceptional grace and beauty. Sunk mounts or other similar contrivances, and a liberal use of tissue paper, should be utilised by the collector who desires to retain his specimens in their original state. A neat strip of card affixed to each side of the page in an ordinary album will have the effect of keeping the pages above from flattening out the embossing, but tissue paper should be used as an additional safeguard. We have to express thanks to Mr. Douglas Ellis, Vice-President of the Junior Philatelic Society, for his notes on the postmarks--of which he has made a special study--and also for the loan of his entire collection of the stamps of Gambia for reference and illustration; to Mr. H. H. Harland for a similar courtesy in the loan of his collection; to Mr. W. H. Peckitt for the loan of stamps for illustration; to Mr. D. B. Armstrong for interesting notes on the postal affairs of the Colony; and to Mr. S. R. Turner for his diagrams. To the first two gentlemen we are also indebted for their kindness in undertaking the revision of the proofs of this handbook. [page 8] TABLE OF CONTENTS. INTRODUCTORY NOTE, 7 CHAPTER I. THE COLONY AND ITS POSTS, 11 CHAPTER II. CAMEO ISSUE OF 1869, 16 CHAPTER III. ISSUE OF 1874, 20 CHAPTER IV. ISSUE OF 1880, 25 CHAPTER V. ISSUE OF 1886-87, 37 CHAPTER VI. QUEEN'S HEAD SERIES, 1898, 45 CHAPTER VII. KING'S HEAD SERIES, 1902-1906, 50 CHAPTER VIII. PROVISIONAL ISSUE, 1906, 53 CHAPTER IX. BIBLIOGRAPHY, 56 CHAPTER X. CHECK LIST, 58 APPENDIX. NOTES ON THE POSTMARKS, by Douglas Ellis, 66 [page 11] GAMBIA. CHAPTER I. The Colony and Its Posts. The British West African possession known as the Colony and Protectorate of the Gambia occupies a narrow strip of territory (averaging 12 miles in width) on both sides of the Gambia river. The territory comprises the settlement of St. Mary, where the capital--Bathurst--is situated, British Cambo, Albreda, M'Carthy's Island and the Ceded Mile, a protectorate over a narrow band of land extending from Cape St. Mary for over 250 miles along both banks of the river. The Gambia river was discovered by a Portuguese navigator in 1447; under a charter of Queen Elizabeth a company was formed to trade with the Gambia in 1588. In the reign of James II. a fort was erected by British traders at the mouth of the river (1686), and for many years their only traffic was in slaves. The territory became recognised as a British possession under the Treaty of Versailles, and on the enforced liquidation of the chartered company it [page 12] was incorporated with the Crown as one of the West African settlements. Until 1843, when it was granted separate government, it was administered by the Governor of Sierra Leone. In 1868 it was again annexed to Sierra Leone, and not until twenty years later was it created a separate Crown Colony with a Governor and responsible government of its own. At present the staple trade of the Colony is ground nuts, but efforts are being made to induce the natives to take up other products. Postally there is little to record prior to 1866, which is the date ascribed by Mr. F. Bisset Archer, Treasurer and Postmaster-General, to an alteration in the scale of postage, the half ounce weight for letters being introduced. The rate to Great Britain was, we believe, from that date 6d. per half ounce. Mr. Archer also gives this year (1866) as the date when the first postage stamps of the Colony were issued. This date was for a time accepted in the stamp catalogues, but it is now generally believed to be an error, the earliest records in the stamp journals of the period shewing the date to be 1869. The postal notices we have been able to trace are of but little interest, the following being all that
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Produced by Camille Bernard & Marc D'Hooghe at http://www.freeliterature.org (Images generously made available by the Hathi Trust.) THE TREASURE OF PEARLS A Romance of Adventures in California BY GUSTAVE AIMARD AUTHOR OF "RED TRACK," "ADVENTURERS," "PEARL OF THE ANDES" "TRAIL HUNTER," "PIRATES OF THE PRAIRIE," &C, &C. LONDON: J. and R. MAXWELL MILTON HOUSE, 4, SHOE LANE E. C. GEORGE VICKERS, ANGEL COURT, STRAND AND ALL BOOKSELLERS (From the Collected Works 1863-1885) CONTENTS. I. THE PIECES AND THE BOARD II. ENVY NO MAN HIS GRAVE III. THE PIRATE'S BEQUEST IV. A DESERT MYSTERY V. THE GODSEND VI. ANY PORT IN A STORM VII. A WAKING NIGHTMARE VIII. "THE LITTLE JOKER" IX. THE WAY LAYERS X. THE PEARL DIVER'S PRICE XI. THE TWO CAPTAINS OF THE "GOLETA" XII. THE ROUT COMPLETE XIII. INTERVENTION XIV. THE HAUL OF MILLIONS XV. THE PATHFINDER'S HONOUR XVI. A HAVEN WORSE THAN THE STORM XVII. THE PUREST OF PEARLS XVIII. OUT AND AWAY XIX. THE OLD, OLD FRIENDS XX. THE ANGELITO XXI. THE LANCERS' CHARGE XXII. THE PACT OF BLOOD XXIII. CANNON IS BROUGHT TO BEAR XXIV. THE UNWILLING VOLUNTEER XXV. THE LOYALTY OF THE APACHE XXVI. THE HARVEST OF THE KNIFE XXVII. THE TRUE CABALLERO XXVIII. THE BEST BAIT TO CATCH APACHES THE TREASURE OF PEARLS CHAPTER I. THE PIECES AND THE BOARD. We stand on Mexican soil. We are on the seaward skirt of its westernmost State of Sonora, in the wild lands almost washed by the Californian Gulf, which will be the formidable last ditch of the unconquerable red men flying before the Star of the Empire. Before us, the immensity of land; behind us, that of the Pacific Ocean. O immeasurable stretches of verdure which form the ever-unknown territory, the poetically entitled Far West, grand and attractive, sweet and terrible, the natural trellis of so rich, beautiful, mighty, and unkempt flora, that India has none of more vigour of production! To an aeronaut's glance, these green and yellow plains would offer only a vast carpet embroidered with dazzling flowers and foliage, almost as gay and multicoloured, irregularly blocked out like the pieces of glass in ancient church windows with the lead, by rivers torrential in the wet season, rugged hollows of glistening quicksands and neck-deep mud in summer, all of which blend with an unexampled brilliant azure on the clear horizon. It is only gradually, after the view has become inured to the fascinating landscape, that it can make out the details: hills not to be scorned for altitude, steep banks of rivers, and a thousand other unforeseen impediments for the wretch fleeing from hostile animals or fellow beings, which agreeably spoil the somewhat saddening sameness, and are hidden completely from the general glance by the rank grass, rich canes, and gigantic flower stalks. Oh, for the time--the reader would find the patience--to enumerate the charming products of this primitive nature, which shoots up and athwart, hangs, swings, juts out, crosses, interlaces, binds, twines, catches, encircles, and strays at random to the end of the naturalist's investigation, describing majestic parabolas, forming grandiose arcades, and finally completes the most splendid, aye, and sublime spectacle that is given to any man on the footstool to admire for superabundant contrasts, and enthralling harmonies. The man in the balloon whom we imagine to be hovering over this mighty picture, even higher up than the eagle of the Sierra Madre itself, who sails in long circles above the bald-headed vulture about to descend on a prey, which the king of the air disdains--this lofty viewer, we say, would spy, on the afternoon when we guide the reader to these wilds apparently unpeopled, more than one human creature wriggling like worms in the labyrinth. At one point some twenty men, white and yet swarthy, unlike in dress but similarly armed to the teeth, were separately "worming" their tortuous
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Produced by Chris Curnow, Joseph Cooper, Christian Boissonnas and the Online Distributed Proofreading Team at http://www.pgdp.net BIRDS AND ALL NATURE. ILLUSTRATED BY COLOR PHOTOGRAPHY. VOL. V. FEBRUARY, 1899. NO. 2 CONTENTS. Page GINGER. 49 SAP ACTION. 54 EMERSON AND THE WOODPECKER STORY. 56 THE CRAB-EATING OPOSSUM. 59 WASHINGTON AND LINCOLN. 60 THE GEOGRAPHIC TURTLE. 62 NOSES. 65 THE WHITE IBIS. 71 THE HELPLESS. 72 FEBRUARY. 73 THE IRIS. 74 THE LANGUAGE OF FLOWERS. 74 THE PEACOCK. 77 OWLS. 78 THE DUCK MOLE. 80 THE HIBERNATION OF ANIMALS. 84 THE CAPE MAY WARBLER. 86 SNOWFLAKES. 89 A TIMELY WARNING. 89 A WINDOW STUDY. 90 FIVE LITTLE WOODMEN. 91 THE COCOA-NUT. 95 THE BLACK WALNUT AND BUTTERNUT. 96 THE EDIBLE PINE. 96 GINGER. _Zingiber officinale Roscoe._ DR. ALBERT SCHNEIDER, Northwestern University School of Pharmacy. "And ginger shall be hot i' the mouth, too." --_Shakespeare, Twelfth Night, II., 3._ The well-known spice ginger is the underground stem (_rhizome_) of an herbaceous reed-like plant known as _Zingiber officinale_. The rhizome is perennial, but the leaf and flower-bearing stems are annual. The stems are from three to six feet high. The leaves of the upper part of the stem are sword-shaped; the lower leaves are rudimentary and sheath-like. The flowers occur in the form of conical spikes borne upon the apex of stems which bear only sheath-like leaves. The ginger plant is said to be a native of southern Asia, although it is now rarely found growing wild. It is very extensively cultivated in the tropical countries of both hemispheres, particularly in southern China, India, Africa, and Jamaica. The word ginger is said to have been derived from the Greek "Zingiber," which again was derived from the Arabian "Zindschabil," which means the "root from India." It is further stated that the word was derived from Gingi, a country west of Pondecheri where the plant is said to grow wild. True ginger must not be confounded with "wild ginger," which is a small herbaceous plant (_Asarum canadense_) of the United States. The long, slender rhizomes of _Asarum_ have a pungent, aromatic taste similar to ginger. According to popular belief this plant has a peculiar charm. Friends provided with the leaves are enabled to converse with each other, though many miles apart and speaking in the faintest whisper. The early Greeks and Romans made extensive use of ginger as a spice and as a medicine. During the third century it was apparently a very costly spice, but during the eleventh century it became cheaper, owing to extensive cultivation, and was quite generally used in Europe. Dioscrides and Plinius maintained that this spice was derived chiefly from Arabia. The noted traveler and historian, Marco Polo (1280-1290) is said to have been the first European who saw the wild-growing plant in its home in India. As early as the thirteenth century a considerable number of varieties of ginger were under cultivation, which received distinctive names as Beledi, Colombino, Gebeli, Deli, etc., usually named after the country or locality from which it was obtained. At the present time Jamaica supplies the United States with nearly all of the ginger, and this island is, therefore, known as "the land of ginger." Cochin-China and Africa also yield much ginger. In Jamaica the process of cultivation is somewhat as follows: During March and April portions of rhizomes, each bearing an "eye" (bud), are placed in furrows about one foot apart and covered with a few inches of soil. The lazy planter leaves portions of the rhizomes in the soil from year to year so as to avoid the necessity of planting, such ginger being known as "ratoon ginger" in contradistinction to the "plant ginger." The planted ginger soon sprouts, sending up shoots which require much sunlight and rain, both of which are plentiful in Jamaica. The field should be kept free from weeds which is not generally done for several reasons.
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Produced by Graeme Mackreth and The Online Distributed Proofreading Team at http://www.pgdp.net MUD AND KHAKI MUD AND KHAKI SKETCHES FROM FLANDERS AND FRANCE BY VERNON BARTLETT SIMPKIN, MARSHALL, HAMILTON, KENT & CO. LTD., 4 STATIONERS' HALL COURT : : LONDON, E.C. _Copyright_ _First published April 1917_ TO R.V.K.C. AND MY OTHER FRIENDS IN THE REGIMENT APOLOGIA There has been so much written about the trenches, there are so many war photographs, so many cinema films, that one might well hesitate before even mentioning the war--to try to write a book about it is, I fear, to incur the censure of the many who are tired of hearing about bombs and bullets, and who prefer to read of peace, and games, and flirtations. But, for that very reason, I venture to think that even so indifferent a war book as mine will not come entirely amiss. When the Lean Years are over, when the rifle becomes rusty, and the khaki is pushed away in some remote cupboard, there is great danger that the hardships of the men in the trenches will too soon be forgotten. If, to a minute extent, anything in these pages should help to bring home to people what war really is, and to remind them of their debt of gratitude, then these little sketches will have justified their existence. Besides, I am not entirely responsible for this little book. Not long ago, I met a man--fit, single, and young--who began to grumble to me of the hardships of his "funkhole" in England, and, incidentally, to belittle the hardships of the man at the front. After I had told him exactly what I
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Produced by Jeroen Hellingman and the Online Distributed Proofreading Team at http://www.pgdp.net/ for Project Gutenberg (This file was produced from images generously made available by The Internet Archive/American Libraries.) ROBINSON CRUSOE'S MONEY; Or, the Remarkable Financial Fortunes and Misfortunes of a Remote Island Community. By DAVID A. WELLS, Late U. S. Special Commissioner of Revenue. "It requires a great deal of philosophy to observe once what may be seen every day." --Rousseau. New York: Harper & Brothers, Publishers, Franklin Square. 1876. PREFACE. The origin of this little book is as follows: Some months ago, the expediency was suggested to the author, by certain prominent friends of hard money in this country, of preparing for popular reading--and possibly for political campaign purposes--a little tract, or essay, in which the elementary principles underlying the important subjects of money and currency should be presented and illustrated from the simplest A B C stand-point. That such a work was desirable, and that none of the very great number of speeches and essays already published on these topics in all respects answered the existing requirement, was admitted; but how to invest subjects, so often discussed, and so commonly regarded as dry and abstract, with sufficient new interest to render them at once attractive and intelligible to those whose tastes disincline them to close reasoning and investigation, was a matter not easy to determine. At last the old idea--recognized in fables, allegories, and parables--of making a story the medium for communicating instruction, suggested itself; and, in accordance with the suggestion, a remote island community
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Produced by Matthew Wheaton and The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) SERVANTS OF THE GUNS BY JEFFERY E. JEFFERY _By the ears and the eyes and the brain, By the limbs and the hands and the wings, We are slaves to our masters the guns, But their slaves are the masters of kings!_ GILBERT FRANKAU. LONDON SMITH, ELDER & CO., 15 WATERLOO PLACE 1917 [_All rights reserved_] PRINTED BY WILLIAM CLOWES AND SONS, LIMITED LONDON AND BECCLES, ENGLAND _TO ONE WHO KNOWS NOTHING OF GUNS BUT MUCH OF LIFE MY MOTHER_ CONTENTS PART I THE NEW "UBIQUE" BEGINNING AGAIN A BATTERY IN BEING "IN THE LINE" SPIT AND POLISH A BATTLE PART II AND THE OLD BILFRED "THE PROGRESS OF PICKERSDYKE" SNATTY FIVE-FOUR-EIGHT PART III IN ENEMY HANDS SOME EXPERIENCES OF A PRISONER OF WAR HENRY PART I THE NEW "UBIQUE" BEGINNING AGAIN As the long troop train rumbled slowly over the water-logged wastes of Flanders, I sat in the corner of a carriage which was littered with all the _debris_ of a twenty-four hours' journey and watched the fiery winter's sun set gorgeously. It
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E-text prepared by Suzanne Shell, David Wilson, and Project Gutenberg Distributed Proofreaders THE WOLF'S LONG HOWL by Stanley Waterloo 1899 CONTENTS THE WOLF'S LONG HOWL AN ULM THE HAIR OF THE DOG THAT BIT HIM THE MAN WHO FELL IN LOVE A TRAGEDY OF THE FOREST THE PARASANGS LOVE AND A TRIANGLE AN EASTER ADMISSION PROFESSOR MORGAN'S MOON RED DOG'S SHOW WINDOW MARKHAM'S EXPERIENCE THE RED REVENGER A MURDERER'S ACCOMPLICE A MID-PACIFIC FOURTH LOVE AND A LATCH-KEY CHRISTMAS 200,000 B.C. THE CHILD THE BABY AND THE BEAR AT THE GREEN TREE CLUB THE RAIN-MAKER WITHIN ONE LIFE'S SPAN THE WOLF'S LONG HOWL George Henry Harrison, though without living near kinfolk, had never considered himself alone in the world. Up to the time when he became thirty years of age he had always thought himself, when he thought of the matter at all, as fortunate in the extent of his friendships. He was acquainted with a great many people; he had a recognized social standing, was somewhat cleverer than the average man, and his instincts, while refined by education and experience, were decidedly gregarious and toward hearty companionship. He should have been a happy man, and had been one, in fact, up to the time when this trustworthy account begins; but just now, despite his natural buoyancy of spirit, he did not count himself among the blessed. George Henry wanted to be at peace with all the world, and now there were obstacles in the way. He did not delight in aggressiveness, yet certain people were aggressive. In his club--which he felt he must soon abandon--he received from all save a minority of the members a hearty reception, and in his club he rather enjoyed himself for the hour, forgetting that conditions were different outside. On the streets he met men who bowed to him somewhat stiffly, and met others who recognized him plainly enough, but who did not bow. The postman brought daily a bunch of letters, addressed in various forms of stern commercial handwriting to George Henry Harrison, but these often lay unopened and neglected on his desk. To tell the plain and unpleasant truth, George Henry Harrison had just become a poor man, a desperately poor man, and already realized that it was worse for a young man than an old one to rank among those who have "seen better days." Even after his money had disappeared in what had promised to be a good investment, he had for a time maintained his place, because, unfortunately for all concerned, he had been enabled to get credit; but there is an end to that sort of thing, and now, with his credit gone after his money, he felt his particular world slipping from him. He felt a change in himself, a certain on-creeping paralysis of his social backbone. When practicable he avoided certain of his old friends, for he could see too plainly written on their faces the fear that he was about to request a trifling loan, though already his sense of honor, when he considered his prospects, had forced him to cease asking favors of the sort. There were faces which he had loved well which he could not bear to see with the look of mingled commiseration and annoyance he inspired. And so it came that at this time George Henry Harrison was acquainted chiefly with grief--with the wolf at his door. His mail, once blossoming with messages of good-will and friendliness, became a desert of duns. "Why is it," George Henry would occasionally ask himself--there was no one else for him to talk to--"why is it that when a man is sure of his meals every day he has endless invitations to dine out, but that when those events are matters of uncertainty he gets not a bidding to the feast?" This question, not a new one, baffling in its mystery and chilling to the marrow, George Henry classed with another he had heard somewhere: "Who is more happy: the hungry man who can get nothing to eat, or the rich man with an overladen table who can eat nothing?" The two problems ran together in his mind, like a couple of hounds in leash, during many a long night when he could not shut out from his ears the howling of the wolf. He often wondered, jeering the while at his own grotesque fancy, how his neighbors could sleep with those mournful yet sinister howlings burdening the air, but he became convinced at last that no one heard the melancholy solo but himself. "'The wolf's long howl on Oonalaska's shore' is not in it with that of mine," said George Henry--for since his coat had become threadbare his language had deteriorated,
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Produced by Dianna Adair, Marc-Andre Seekamp and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's note: Text enclosed by underscores is in italics (_italics_). [Illustration: THE ADOPTED CHILD. _It was now Anna's turn to support her father. page 139_] THE ADOPTED DAUGHTER, A TALE FOR YOUNG PERSONS. BY MISS SANDHAM, _Author of "The Twin Sisters," "William Selwyn," and many other Approved Works._ "You took me up a tender flower." _SECOND EDITION._ LONDON: PRINTED FOR J. HARRIS AND SON, ST. PAUL'S CHURCH YARD. 1822. LONDON PRINTED BY COX AND BAYLIS, GREAT QUEEN STREET, LINCOLN'S-INN-FIELDS. PREFACE. The following tale is intended to shew what people ought to be, rather than what they are; as there are few, possessing Mrs. Meridith's fortune, who have an inclination to dispose of it in the manner she is represented to have done. Indeed, the characters here introduced are too near perfection to be met with in real life, yet the Author hopes that her young readers will receive instruction, as well as amusement, in perusing it. Some of the incidents may have been before introduced in works of the same kind; though she is not aware of plagiarism, or borrowing from other authors, and as she has endeavoured to pourtray those smaller delineations of character which often escape a general observer, she hopes many of the ideas will be found to be new; and that the present work will not lesson the favour which her former publications has so abundantly met with; and which she holds in grateful estimation. THE ADOPTED DAUGHTER. CHAPTER I. "You took me up a tender flower." Mrs. Meridith was the heiress of two considerable estates, one of which was in Sussex, on which she was born, and where, at the commencement of this history, she came to reside: her earliest and happiest days of childhood had been spent in the village adjoining, where she was nursed by a respectable farmer's wife, having had the misfortune to lose her mother, who died in bringing her into the world. Various sorrows, and the loss of an affectionate husband very early in life, made Mrs. Meridith prefer the quiet scenes of the country to the glitter of dissipation, or the more uniform amusements of a provincial town; and on entering Rosewood, the name of her estate, she hoped to lose the remembrance of her distresses, which had hitherto heavily oppressed her, in endeavouring to alleviate those of her tenants and the neighbouring poor. Her father, Mr. Woodville, was a great fox-hunter, and on the death of his wife, which he did not feel so keenly as might be expected from the amiable character she possessed, earnestly entreated Mrs. Campbell, who was the wife of his favourite tenant, to take charge of the helpless infant. He could have wished she had been a boy, as she was his only child; "yet," said he, "she must be taken care of, though a female, and I will not injure the fortune to which she will be entitled; and by and by, when she is old enough, I shall be glad to see her at the head of my table;" but while she was a baby, he thought if he entrusted her to a careful nurse, such as he was sure Mrs. Campbell would be, it was all that could be required of him. Nor was he desirous of having her in his own house, but perfectly satisfied that she should be removed to the farm, where he could see her as often as he wished. He frequently called on his return from the chace, and repeated his thanks to Mrs. Campbell for her kind attention to his child, earnestly requesting her not to want any thing which his house afforded; but Mr. and Mrs. Campbell were above want, and possessed every comfort which their moderate wishes required, so that, except the allotted stipend which Mr. Woodville engaged to pay, she sought no other recompence, and seldom went to Rosewood, but when its owner was confined by accident or ill
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Produced by Maria Notarangelo and Marc D'Hooghe at http://www.freeliterature.org (Images generously made available by the Internet Archive.) THE RED AND THE BLACK A Chronicle of 1830 BY STENDHAL TRANSLATED BY HORACE B. SAMUEL, M.A., Late Scholar Corpus Christi College, Oxford LONDON KEGAN PAUL, TRENCH, TRUBNER & Co., LTD NEW YORK: E.P. DUTTON AND CO. 1916 INTRODUCTION Some slight sketch of the life and character of Stendhal is particularly necessary to an understanding of _Le Rouge et Le Noir_ (_The Red and the Black_) not so much as being the formal stuffing of which introductions are made, but because the book as a book stands in the most intimate relation to the author's life and character. The hero, Julien, is no doubt, viewed superficially, a cad, a scoundrel, an assassin, albeit a person who will alternate the moist eye of the sentimentalist with the ferocious grin of the beast of prey. But Stendhal so far from putting forward any excuses makes a specific point of wallowing defiantly in his own alleged wickedness. "Even assuming that Julien is a villain and that it is my portrait," he wrote shortly after the publication of the book, "why quarrel with me. In the time of the Emperor, Julien would have passed for a very honest man. I lived in the time of the Emperor. So--but what does it matter?" Henri Beyle was born in 1783 in Grenoble in Dauphiny, the son of a royalist lawyer, situated on the borderland between the gentry and that bourgeoisie which our author was subsequently to chastise with that malice peculiar to those who spring themselves from the class which they despise. The boy's character was a compound of sensibility and hard rebelliousness, virility and introspection. Orphaned of his mother at the age of seven, hated by his father and unpopular with his schoolmates, he spent the orthodox unhappy childhood of the artistic temperament. Winning a scholarship at the Ecole Polytechnique at the age of sixteen he proceeded to Paris, where with characteristic independence he refused to attend the college classes and set himself to study privately in his solitary rooms. In 1800 the influence of his relative M. Daru procured him a commission in the French Army, and the Marengo campaign gave him an opportunity of practising that Napoleonic worship to which throughout his life he remained consistently faithful, for the operation of the philosophical materialism of the French sceptics on an essentially logical and mathematical mind soon swept away all competing claimants for his religious adoration. Almost from his childhood, moreover, he had abominated the Jesuits, and "Papism is the source of all crimes," was throughout his life one of his favourite maxims. After the army's triumphant entry into Milan, Beyle returned to Grenoble on furlough, whence he dashed off to Paris in pursuit of a young woman to whom he was paying some attention, resigned his commission in the army and set himself to study "with the view of becoming a great man." It is in this period that we find the most marked development in Beyle's enthusiasm of psychology. This tendency sprang primarily no doubt from his own introspection. For throughout his life Beyle enjoyed the indisputable and at times dubious luxury of a double consciousness. He invariably carried inside his brain a psychological mirror which reflected every phrase of his emotion with scientific accuracy. And simultaneously, the critical spirit, half-genie, half-demon inside his brain, would survey in the semi-detached mood of a keenly interested spectator, the actual emotion itself, applaud or condemn it as the case might be, and ticket the verdict with ample commentations in the psychological register of its own analysis. But this trend to psychology, while as we have seen, to some extent, the natural development of mere self-analysis was also tinged with the spirit of self-preservation. With a mind, which in spite of its natural physical courage was morbidly susceptible to ridicule and was only too frequently the dupe of the fear of being duped, Stendhal would scent an enemy in every friend, and as a mere matter of self-protection set himself to penetrate the secret of every character with which he came into contact. One is also justified
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Produced by Distributed Proofreaders Precaution. A Novel. By J. Fenimore Cooper. "Be wise to-day. It is madness to defer; To-morrow's caution may arrive too late." W. C. Bryant's Discourse on the Life, Genius, and Writings of James Fenimore Cooper, Delivered at Metropolitan Hall, N.Y., February 25, 1852. It is now somewhat more than a year, since the friends of James Fenimore Cooper, in this city; were planning to give a public dinner to his honor. It was intended as an expression both of the regard they bore him personally, and of the pride they took in the glory his writings had reflected on the American name. We thought of what we should say in his hearing; in what terms, worthy of him and of us, we should speak of the esteem in which we held him, and of the
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Produced by Dave Morgan, Charlie Kirschner and the Online Distributed Proofreading Team. [Illustration: _Photo, W. Shawncross, Guildford_.] [_Frontispiece_. J. ARTHUR GIBBS.] A COTSWOLD VILLAGE OR COUNTRY LIFE AND PURSUITS IN GLOUCESTERSHIRE BY J. ARTHUR GIBBS "Go, little booke; God send thee good passage, And specially let this be thy prayere Unto them all that thee will read or hear, Where thou art wrong after their help to call, Thee to correct in any part or all." GEOFFREY CHAUCER. WITH ILLUSTRATIONS 1918 PREFACE TO THE THIRD EDITION Before the third edition of this work had been published the author passed away, from sudden failure of the heart, at the early age of thirty-one. Two or three biographical notices, written by those who highly appreciated him and who deeply mourn his loss, have already appeared in the newspapers; and I therefore wish to add only a few words about one whose kind smile of welcome will greet us no more in this life. Joseph Arthur Gibbs was one of those rare natures who combine a love of outdoor life, cricket and sport of every kind, with a refined and scholarly taste for literature. He had, like his father, a keen observation for every detail in nature; and from a habit of patient watchfulness he acquired great knowledge of natural history. From his grandfather, the late Sir Arthur Hallam Elton, he inherited his taste for literary work and the deep poetical feeling which are revealed so clearly in his book. On leaving Eton, he wrote a _Vale_, of which his tutor, Mr. Luxmoore, expressed his high appreciation; and later on, when, after leaving Oxford, he was living a quiet country life, he devoted himself to literary pursuits. He was not, however, so engrossed in his work as to ignore other duties; and he was especially interested in the villagers round his home, and ever ready to give what is of greater value than money, personal trouble and time in finding out their wants and in relieving them. His unvarying kindness and sympathy will never be forgotten at Ablington; for, as one of the villagers wrote in a letter of condolence on hearing of his death, "he went in and out as a friend among them." With all his tenderness of heart, he had a strict sense of justice and a clear judgment, and weighed carefully both sides of any question before he gave his verdict. Arthur Gibbs went abroad at the end of March 1899 for a month's trip to Italy, and in his Journal he wrote many good descriptions of scenery and of the old towns; and the way in which he describes his last glimpse of Florence during a glorious sunset shows how greatly he appreciated its beauty. In his Journal in April he dwells on the shortness of life, and in the following solemn words he sounds a warning note:-- "Do not neglect the creeping hours of time: 'the night cometh when no man can work.' All time is wasted unless spent in work for God. The best secular way of spending the precious thing that men call time is by making always for some grand end--a great book, to show forth the wonders of creation and the infinite goodness of the Creator. You must influence for _good_ if you write, and write nothing that you will regret some day or think trivial." These words, written a month before the end came, tell their own tale. The writer of them had a deep love for all things that are "lovely, pure, and of good report"; and in his book one sees clearly the adoration he felt for that God whom he so faithfully served. There are many different kinds of work in this world, and diversities of gifts; to him was given the spirit to discern the work of God in Nature's glory, and the power to win others to see it also. He had a remarkable influence for good at Oxford, and the letters from his numerous friends and from his former tutor at Christ Church show that this influence has never been forgotten, but has left its mark not only on his college, but on the university. Like his namesake and relative, Arthur Hallam, of immortal memory, Arthur Gibbs had attained to a purity of soul and a wisdom which were not of this world, at an earlier age than is given to many men; and so in love and faith and hope-- "I would the great world grew like thee, Who grewest not alone in power And knowledge; but by year and hour In reverence and charity." LAURA BEATRICE GIBBS. PREFACE TO THE FIRST EDITION. To those of my readers who have ever lived beside a stream, or in an ancient house or time-honoured college, there will always be a peculiar charm in silvery waters sparkling beneath the summer sun. To you the Gothic building, with its carved pinnacles, its warped gables, its mullioned casements and dormer windows, the old oak within, the very inglenook by the great fireplace where the old folks used to sit at home, the ivy trailing round the grey walls, the jessamine, roses, and clematis that in their proper seasons clustered round the porch,--to you all these things will have their charm as long as you live. Therefore, if these pages appeal not to some such, it will not be the subject that is wanting, but the ability of the writer. It is not claimed for my Cotswold village that it is one whit prettier or pleasanter or better in any way than hundreds of other villages in England; I seek only to record the simple annals of a quiet, old-fashioned Gloucestershire hamlet and the country within walking distance of it. Nor do I doubt that there are manor houses far more beautiful and far richer in history even within a twenty-mile radius of my own home. For instance, the ancient house of Chavenage by Tetbury, or in the opposite direction, where the northern escarpments of the Cotswolds rise out of the beautiful Evesham Vale, those historic mediaeval houses of Southam and Postlip. It is often said that in books like these we paint arcadias that never did and never could exist on earth. To this I would answer that there are many such abodes in country places, if only our minds are such as to realise them. And, above all, let us be optimists in literature even though we may be pessimists in life. Let us have all that is joyous and bright in our books, and leave the trials and failures for the realities of life. Let us in our literature avoid as much as possible the painful side of human nature and the pains and penalties of human weakness; let us endeavour to depict a state of existence as far as possible approaching the Utopian ideal, though not necessarily the Nirvana of the Buddhists nor the paradise of fools; let us look not downwards into the depths of black despair, but upwards into the starry heavens; let us gaze at the golden evening brightening in the west. Richard Jefferies has taught us that such a literature is possible; and if we read his best books, we may some day be granted that fuller soul he prayed for and at length obtained. Would that we could all hear, as he heard, the still small voice that whispers in the woods and among the wild flowers and the spreading foliage by the brook! To any one who might be thinking of becoming for the time being "a tourist," and in that capacity visiting the Cotswolds, my advice is, "Don't." There is really nothing to see. There is nothing, that is to say, which may not be seen much nearer London. And I freely confess that most of the subjects included in this book are usually deemed unworthy of consideration even in the district itself. Still, there are a few who realise that every county in England is more or less a mine of interest, and for such I have written. Realising my limitations, I have not gone deeply into any single subject; my endeavour has been to touch on every branch of country life with as light a hand as possible--to amuse rather than to instruct. For, as Washington Irving delightfully sums up the matter: "It is so much pleasanter to please than to instruct, to play the companion rather than the preceptor. What, after all, is the mite of wisdom that I could throw into the mass of knowledge? or how am I sure that my sagest deductions may be safe guides for the opinions of others? But in writing to amuse, if I fail, the only evil is in my own disappointment. If, however, I can by any lucky chance rub out one wrinkle from the brow of care, or beguile the heavy heart of one moment of sorrow; if I can now and then penetrate through the gathering film of misanthropy, prompt a benevolent view of human nature, and make my reader more in good humour with his fellow beings and himself, surely, surely, I shall not then have written in vain." The first half of Chapter II. originally appeared in the _Pall Mall Magazine_. Portions of Chapters VII. and VIII., and "The Thruster's Song," have also been published in _Baily's Magazine_. My thanks are due to the editors for permission to reproduce them. Chapter XII. owes its inspiration to Mr. Madden's excellent work on Shakespeare's connection with sport and the Cotswolds, the "Diary of Master William Silence." We have no local tradition of any kind about Shakespeare. I am indebted to Miss E.F. Brickdale for the pen-and-ink sketches, and to Colonel Mordaunt for his beautiful photographs. Three of the photographs, however, are by H. Taunt, of Oxford, and a similar number are by Mr. Gardner, of Fairford. _September 1898_. CONTENTS PREFACE TO THE THIRD EDITION. PREFACE TO THE FIRST EDITION. CHAPTER I. FLYING WESTWARDS The Thames Valley--The Old White Horse--Entering the Cotswolds. CHAPTER II. A COTSWOLD VILLAGE Far from the Madding Crowd--An Old Farmhouse and Its Occupants--The Manor House--Inscription on Porch--Interior of the House--The Garden--A Fairy Spring--The Village Club--Labouring Folk--Village Politics--The Trout Stream--Flowing Seawards--Village Architecture--The Charm of Antiquity--The Spirit of Sacrifice--Wayside Crosses--Tithe Barns. CHAPTER III. VILLAGE CHARACTERS Quaint Hamlet Folk--The Village Impostor--Rural Economy--Stories of the People--A Curious Analogy--Tom Peregrine, the Keeper--A Standing Dish--A Great Character--Peregrine's Accomplishments and Proclivities--Farmers and Foxes--Concerning Churchwardens--The Village Quack--An Excellent Prescription--His Lecture--How the Old Fox was Found--A Good Sort--Heroes of the Hamlet--Political Meetings--Humours of the Poll--Gloucestershire Farmers. CHAPTER IV. THE LANGUAGE OF THE COTSWOLDS, WITH SOME ANCIENT SONGS AND LEGENDS Strange Travellers--Smoking Concerts--The Carter's Song--Village Choirs--The Chedworth Band--Sense of Humour of the Natives--Their Geography "a Bit Mixed"--A Large Family--_Noblesse Oblige_--Rustic Legends--Names of Fields--The Cotswold Dialect--How to Talk It--An Ancient Ballad--Tom Peregrine Recites--Roger Plowman's Excursion--An Expensive Luncheon--Oxtail Soup--"The Turmut Hower." CHAPTER V. ON THE WOLDS Varied Amusements--Nature on the Hills--The Mysteries of Scent--Partridge-Shooting--A Mixed Bag--Plover--Pigeon-Shooting with Decoys--Bird Life--Sunset on the Downs--A Wild, Deserted Country--An Old Dog Fox. CHAPTER VI. A GALLOP OVER THE WALLS An October Meet--Cub-Hunting--The Old Fox Again! A Fast Gallop over the Walls--The Charm of Uncertainty--Fliers of the Hunt--A Narrow Escape--A Check--A Reliable Hound--Failure of Scent--An Excellent Tonic. CHAPTER VII. A COTSWOLD TROUT STREAM Loch Leven Trout--Curious Capture of an Eel--The Author Catches a Red-Herring--Macomber Falls--A Sad Episode--South Country Streams--Course of the Coln--Charles Kingsley on Fishing--A May-Fly Stream--Evening Fishing--Dry-Fly Dogmas--Flies for the Coln--Scarcity of Poachers--An Evening Walk by the River--Spring's Delights. CHAPTER VIII. WHEN THE MAY-FLY IS UP Derby Day on the Coln--A Good Sportsman--The Right Fly--Pleasures of the Country--Peregrine's Quaint Expressions--Sport with the Olive Dun--A Fine Trout--Effects of Sheep-Washing--A Good Basket--Life by the Brook--A Summer's Night--In the Heart of England. CHAPTER IX. BURFORD, A COTSWOLD TOWN Curious Names--The Windrush--Burford Priory--An Empty Shell--The Kingmaker--Lord Falkland--Speaker Lenthall--Bibury Races--An Old Tradition--Valued Relics--Burford Church--Mr. Oman's Discovery--Burford during the Civil Wars. CHAPTER X. STROLL THROUGH THE COTSWOLDS The Old Coaching Days--Fairford--Anglo-Saxon Relics--Hatherop--Coln-St.-Aldwyns--The "Knights Templar" of Quenington--A Haunt of Ancient Peace--Bibury Village--Ancient Barrows--The Prehistoric Age--Deserted Villages--The Philosopher's Stone--True Nobleness--On Battues--Roman Remains--Chedworth Woods--An Old Manor House. CHAPTER XI. COTSWOLD PASTIMES Whitsun Ale--Sports of Various Kinds--The Peregrine Family at Cricket--_Prehistoric_ Cricket--A Bad Ground--A "Pretty" Ball--Charles Dickens on Cricket--Dumkins and Podder, Limited--How Dumkins Hit a "Sixer"--Downfall of "Podder"--Bourton-on-the-Water C.C.--A Plague of Wasps--The Treatment of Cricket Grounds--The Author's Recipe--Reflections on Modern Cricket. CHAPTER XII. THE COTSWOLDS THREE HUNDRED YEARS AGO. The Centre of Elizabethan Sport--A Digression on South Africa--The Halo of Association--A Day's Stag-Hunting in 1592--A Benighted Sportsman--"A Goodly Dwelling and a Rich"--An Old English Gentleman--Shakespeare on Hounds--He Describes the Run--The Death of the Stag--The Ancestral Peregrine--Bacon not Wanted--A "Black Ousel"--The Charm of Music--Shakespeare's Dream--A Hawking Expedition--Peregrine, the Parson, and the Poet--Methods and Language of Falconry--A Flight at a Heron--Peregrine Views a Fox. CHAPTER XIII. CIRENCESTER Roman Remains--The Corinium Museum--The Church--Cirencester House--The Park--The Abbey--The "Mop" or Hiring Fair--A Great Hunting Centre--A Varied Country--The Badminton Hounds--Lord Bathurst's Hounds--The Cotswold Hounds--Charles Travess--A Born Genius--The Cricklade Hounds--The Right Sort of Horse--The Oaksey District--The Heythrop Hounds--A Defence of Hard Riding--A Day in the Vale--A Hunting Poem. CHAPTER XIV. SPRING IN THE COTSWOLDS Habits of Moorhens--Mallard and Swan--Nuthatches--Woodpeckers--Humane Traps--Badgers--Fox-terriers--Scotch Deerhounds--Retrievers--Cray-fish--The Rookery--Jackdaws--Foxes--Artificial Earths--Fox among Sheep--Foxes and Fowls--Poultry Claims--Observations on Scent--The Hygrometer--How Trout are Netted--Scarcity of Otters--Water-Voles. CHAPTER
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Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Note: Minor typographical errors have been corrected without note. Irregularities and inconsistencies in the text have been retained as printed. Words printed in italics are noted with underscores: _italics_. The cover of this ebook was created by the transcriber and is hereby placed in the public domain. NARRATIVE OF THE LIFE AND ADVENTURES OF PAUL CUFFE, A PEQUOT INDIAN: DURING THIRTY YEARS SPENT AT SEA, AND IN TRAVELLING IN FOREIGN LANDS. VERNON: PRINTED BY HORACE N. BILL, 1839. NARRATIVE OF THE LIFE OF PAUL CUFFE, A descendant of an Indian family, which formerly resided in the eastern part of Connecticut and constituted a part of
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Produced by Frank van Drogen, Chris Logan and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Bibliotheque nationale de France (BnF/Gallica) at http://gallica.bnf.fr) THE DIPLOMATIC CORRESPONDENCE OF THE AMERICAN REVOLUTION. VOL. XI. THE DIPLOMATIC CORRESPONDENCE OF THE AMERICAN REVOLUTION; BEING THE LETTERS OF BENJAMIN FRANKLIN, SILAS DEANE, JOHN ADAMS, JOHN JAY, ARTHUR LEE, WILLIAM LEE, RALPH IZARD, FRANCIS DANA, WILLIAM CARMICHAEL, HENRY LAURENS, JOHN LAURENS, M. DE LAFAYETTE, M. DUMAS, AND OTHERS, CONCERNING THE FOREIGN RELATIONS OF THE UNITED STATES DURING THE WHOLE REVOLUTION; TOGETHER WITH THE LETTERS IN REPLY FROM THE SECRET COMMITTEE OF CONGRESS, AND THE SECRETARY OF FOREIGN AFFAIRS. ALSO, THE ENTIRE CORRESPONDENCE OF THE FRENCH MINISTERS, GERARD AND LUZERNE, WITH CONGRESS. Published under the Direction of the President of the United States, from the original Manuscripts in the Department of State, conformably to a Resolution of Congress, of March 27th, 1818. EDITED BY JARED SPARKS. VOL. XI. BOSTON: NATHAN HALE AND GRAY & BOWEN; G. & C. & H. CARVILL, NEW YORK; P. THOMPSON, WASHINGTON. 1830. Steam Power Press--W. L. Lewis' Print. No. 6, Congress Street, Boston. CONTENTS OF THE ELEVENTH VOLUME. LUZERNE'S CORRESPONDENCE, CONTINUED. Page. To the President of Congress. Philadelphia, September 10th, 1781, 3 Communicating the commission of M. Holker, as Consul General of France. To the President of Congress. Philadelphia, September 18th, 1781, 4 Desires the appointment of a committee, to whom he may communicate his despatches. Communications of the French Minister to Congress. In Congress, September 21st, 1781, 4 Proposed mediation of the Imperial Courts.--The French Court requires the establishing of some preliminaries, as to the admission of an American Minister to the proposed Congress, and the character in which England will treat the United States.--The British Court requires the submission of its revolted subjects in America.--Necessity of vigorous operations in America.--Mr Dana's mission to St Petersburg.--The accession of Maryland to the confederacy should be followed by vigorous measures.--Mr Adams in Holland.--Aids to America.--No further pecuniary assistance can be furnished by the French Court. To the President of Congress. Philadelphia, September 24th, 1781, 17 Transmitting the memorial of a Spanish subject. Memorial of Don Francisco Rendon to the Minister of France, 17 Requesting the release of certain prisoners taken at Pensacola by the Spanish forces, and afterwards captured by an American vessel. Congress to the Minister of France. Philadelphia, September 25th, 1781, 19 Relative to the preceding memorial. From Congress to the King of France, 20 Returning thanks for aid. The King of France to Congress, 21 Birth of the Dauphin. Robert R. Livingston to M. de la Luzerne. Philadelphia, October 24th, 1781, 21 Announces his appointment to the Department of Foreign Affairs. To Robert R. Livingston, Secretary of Foreign Affairs. Philadelphia, October 25th, 1781
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Produced by Sue Asscher PARMENIDES By Plato Translated by Benjamin Jowett INTRODUCTION AND ANALYSIS. The awe with which Plato regarded the character of 'the great' Parmenides has extended to the dialogue which he calls by his name. None of the writings of Plato have been more copiously illustrated, both in ancient and modern times, and in none of them have the interpreters been more at variance with one another. Nor is this surprising. For the Parmenides is more fragmentary and isolated than any other dialogue, and the design of the writer is not expressly stated. The date is uncertain; the relation to the other writings of Plato is also uncertain; the connexion between the two parts is at first sight extremely obscure; and in the latter of the two we are left in doubt as to whether Plato is speaking his own sentiments by the lips of Parmenides, and overthrowing him out of his own mouth, or whether he is propounding consequences which would have been admitted by Zeno and Parmenides themselves. The contradictions which follow from the hypotheses of the one and many have been regarded by some as transcendental mysteries; by others as a mere illustration, taken at random, of a new method. They seem to have been inspired by a sort of dialectical frenzy, such as may be supposed to have prevailed in the Megarian School (compare Cratylus, etc.). The criticism on his own doctrine of Ideas has also been considered, not as a real criticism, but as an exuberance of the metaphysical imagination which enabled Plato to go beyond himself. To the latter part of the dialogue we may certainly apply the words in which he himself describes the earlier philosophers in the Sophist: 'They went on their way rather regardless of whether we understood them or not.' The Parmenides
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Produced by Shaun Pinder, Sam W. and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Old-World Japan Legends of the Land of the Gods + + Re-told by Frank Rinder + With Illustrations by T. H. Robinson "The spirit of Japan is as the fragrance of the wild cherry-blossom in the dawn of the rising sun" London: George Allen 156 Charing Cross Road 1895 Old-World Japan [Illustration: Publisher's device] Printed by Ballantyne, Hanson & Co. At the Ballantyne Press Preface History and mythology, fact and fable, are closely interwoven in the texture of Japanese life and thought; indeed, it is within relatively recent years only that exact comparative criticism has been able, with some degree of accuracy, to divide the one from the other. The accounts of the God-period contained in the Kojiki and the Nihongi--"Records of Ancient Matters" compiled in the eighth century of the Christian era--profess to outline the events of the vast cycles of years from the time of Ame-no-mi-naka-nushi-no-kami's birth in the Plain of High Heaven, "when the earth, young and like unto floating oil, drifted about medusa-like," to the death of the Empress Suiko, A.D. 628. The first six tales in this little volume are founded on some of the most significant and picturesque incidents of this God-period. The opening legend gives a brief relation of the birth of several of the great Shinto deities, of the creation of Japan and of the world, of the Orpheus-like descent of Izanagi to Hades, and of his subsequent fight with the demons. That Chinese civilisation has exercised a profound influence on that of Japan, cannot be doubted. A scholar of repute has indicated that evidence of this is to be found even in writings so early as the Kojiki and the Nihongi. To give a single instance only: the curved jewels, of which the remarkable necklace of Ama-terasu was made, have never been found in Japan, whereas the stones are not uncommon in China. This is not the place critically to consider the wealth of myth, legend, fable, and folk-tale to be found scattered throughout Japanese literature, and represented in Japanese art: suffice it to say, that to the student and the lover of primitive romance, there are here vast fields practically unexplored. The tales contained in this volume have been selected with a view rather to their beauty and charm of incident and colour, than with the aim to represent adequately the many-sided subject of Japanese lore. Moreover, those only have been chosen which are not familiar to the English-reading public. Several of the classic names of Japan have been interpolated in the text. It remains to say that, in order not to weary the reader, it has been found necessary to abbreviate the many-syllabled Japanese names. The sources from which I have drawn are too numerous to particularise. To Professor Basil Hall Chamberlain, whose intimate and scholarly knowledge of all matters Japanese is well known, my thanks are especially due, as also the expression of my indebtedness to other writers in English, from Mr. A. B. Mitford to Mr. Lafcadio Hearn, whose volumes on "Unfamiliar Japan" appeared last year. The careful text of Dr. David Brauns, and the studies of F. A. Junker von Langegg, have also been of great service. The works of numerous French writers on Japanese art have likewise been consulted with advantage. FRANK RINDER. Contents PAGE THE BIRTH-TIME OF THE GODS 1 THE SUN-GODDESS 15 THE HEAVENLY MESSENGERS 25 PRINCE RUDDY-PLENTY 35 THE PALACE OF THE OCEAN-BED 45 AUTUMN AND SPRING 57 THE STAR-LOVERS 67 THE ISLAND OF ETERNAL YOUTH 77 RAI-TARO, THE SON OF THE THUNDER-GOD 87 THE SOULS OF THE CHILDREN 97 THE MOON-MAIDEN 103 THE GREAT FIR TREE OF TAKASAGO 113 THE WILLOW OF MUKOCHIMA 121 THE CHILD OF THE FOREST 129 THE VISION OF TSUNU 141 PRINCESS FIRE-FLY 151 THE SPARROW'S WEDDING 161 THE LOVE OF THE SNOW-WHITE FOX 171 NEDZUMI 181 KOMA AND GON 189 List of Illustrations PAGE Heading to "The Birth-Time of the Gods" 3 _When he had so said, he plunged his jewelled spear into the seething mass below_ 5 Heading to "The Sun-Goddess" 17 _Ama-terasu gazed into the mirror, and wondered greatly when she saw therein a goddess of exceeding beauty_ 21 Heading to "The Heavenly Messengers" 27 _As the Young Prince alighted on the sea-shore, a beautiful earth-spirit, Princess Under-Shining, stood before him_ 29 Heading to "Prince Ruddy-Plenty" 37 _But the fair Uzume went fearlessly up to the giant, and said: "Who is it that thus impedes our
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Produced by sp1nd and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) MASTERPIECES IN COLOUR EDITED BY T. LEMAN HARE RUBENS IN THE SAME SERIES ARTIST. AUTHOR. VELAZQUEZ. S. L. BENSUSAN. REYNOLDS. S. L. BENSUSAN. TURNER. C. LEWIS HIND. ROMNEY. C. LEWIS HIND. GREUZE. ALYS EYRE MACKLIN. BOTTICELLI. HENRY B. BINNS. ROSSETTI. LUCIEN PISSARRO. BELLINI. GEORGE HAY. FRA ANGELICO. JAMES MASON. REMBRANDT. JOSEF ISRAELS. LEIGHTON. A. LYS BALDRY. RAPHAEL. PAUL G. KONODY. HOLMAN HUNT. MARY E. COLERIDGE. TITIAN. S. L. BENSUSAN. MILLAIS. A. LYS BALDRY. CARLO DOLCI. GEORGE HAY. GAINSBOROUGH. MAX ROTHSCHILD. TINTORETTO. S. L. BENSUSAN. LUINI. JAMES MASON. FRANZ HALS. EDGCUMBE STALEY. VAN DYCK. PERCY M. TURNER. LEONARDO DA VINCI. M. W. BROCKWELL. R
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Produced by Demian Katz and the Online Distributed Proofreading Team at http://www.pgdp.net (Images courtesy of the Digital Library@Villanova University (http://digital.library.villanova.edu/)) LITTLE NOBODY BY MRS. ALEX. MCVEIGH MILLER HART SERIES No. 53 COPYRIGHT 1886 BY GEORGE MUNRO. PUBLISHED BY THE ARTHUR WESTBROOK COMPANY CLEVELAND, O., U. S. A. LITTLE NOBODY. CONTENTS CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER VII. CHAPTER VIII. CHAPTER IX. CHAPTER X. CHAPTER XI. CHAPTER XII. CHAPTER XIII. CHAPTER XIV. CHAPTER XV. CHAPTER XVI. CHAPTER XVII. CHAPTER XVIII. CHAPTER XIX. CHAPTER XX. CHAPTER XXI. CHAPTER XXII. CHAPTER XXIII. CHAPTER XXIV. CHAPTER XXV. CHAPTER XXVI. CHAPTER XXVII. CHAPTER XXVIII. CHAPTER XXIX. CHAPTER XXX. CHAPTER XXXI. CHAPTER XXXII. CHAPTER XXXIII. CHAPTER XXXIV. CHAPTER XXXV. CHAPTER XXXVI. CHAPTER XXXVII. CHAPTER XXXVIII. CHAPTER XXXIX. CHAPTER XL. CHAPTER XLI. CHAPTER XLII. CHAPTER XLIII. CHAPTER XLIV. CHAPTER XLV. CHAPTER XLVI. CHAPTER XLVII. CHAPTER XLVIII. CHAPTER I. He was a Northern journalist, and it was in the interest of his paper that he found himself, one bright March morning, in New Orleans, almost dazed by the rapidity with which he had been whirled from the ice and snow of the frozen North to the sunshine and flowers of the sunny South. He was charmed with the quaint and unique Crescent City. It was a totally different world from that in which he had been reared--a summer land, warm, indolent, luxurious, where one plucked the golden oranges from the dark-green boughs, laden at once with flowers and fruit, and where the senses were taken captive by the sensuous perfume of rare flowers that, in his Northern land, grew only within the confines of the close conservatory. Then, too, the dark, handsome faces of the people, and their mixture of foreign tongues, had their own peculiar charm. Nothing amused him so much as a stroll through the antique French Market, with its lavish abundance of tropic vegetables, fruits, and flowers, vended by hucksters of different nationalities in the Babel of languages that charmed his ear with the languorous softness of the Southern accent. He had a letter of introduction to a member of the Jockey Club, and this famous organization at once adopted him, and, as he phrased it, "put him through." The theaters, the carnival, the races, all whirled past in a blaze of splendor never to be forgotten; for it was at the famous Metairie Race-course that he first met Mme. Lorraine. But you must not think, reader, because I forgot to tell you his name at first, that he is the Little Nobody of my story. He was not little at all, but tall and exceedingly well-favored, and signed his name Eliot Van Zandt. Mme. Lorraine was a retired actress--ballet-dancer, some said. She was a French woman, airy and charming, like the majority of her race. The Jockey Club petted her, although they freely owned that she was a trifle fast, and did not have the _entree_ of some of the best houses in the city. However, there were some nice, fashionable people not so strait-laced who sent her cards to their fetes, and now and then accepted return invitations, so that it could not be said that she was outside the pale of society. Mme. Lorraine took a fancy to the good-looking Yankee, as she dubbed him, and gave him _carte blanche_ to call at her _bijou_ house in Esplanade Street. He accepted with outward eagerness and inward indifference. He was too familiar with women of her type at the North--fast, frivolous, and avaricious--to be flattered by her notice or her invitation. "She may do for the rich Jockey Club, but her acquaintance is too expensive a luxury for a poor devil of a newspaper correspondent," he told the Club. "She has card-parties, of course, and I
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Produced by David Widger from page images generously provided by the Internet Archive JOURNAL OF A WEST INDIA PROPRIETOR, Kept During A Residence In The Island Of Jamaica. By Matthew Gregory Lewis Author of “The Monk,” “The Castle Spectre,” “Tales Of Wonder,” &c. London: John Murray, Albemarle Street. MDCCCXXXIV “I WOULD GIVE MANY A SUGAR CANE, MAT. LEWIS WERE ALIVE AGAIN!” BYRON. [Illustration: 0001] [Illustration: 0007] ADVERTISEMENT. The following Journals of two residences in Jamaica, in 1815-16, and in 1817, are now printed from the MS. of Mr. Lewis; who died at sea, on the voyage homewards from the West Indies, in the year 1818. JOURNAL OF A WEST INDIA PROPRIETOR Expect our sailing in a few hours. But although the vessel left the Docks on Saturday, she did not reach this place till three o’clock on Thursday, the 9th. The captain now tells me, that we may expect to sail certainly in the afternoon of to-morrow, the 10th. I expect the ship’s cabin to gain greatly by my two days’ residence at the “--------------,” which nothing can exceed for noise, dirt, and dulness. Eloisa would never have established “black melancholy” at the Paraclete as its favourite residence, if she had happened to pass three days at an inn at Gravesend: nowhere else did I ever see the sky look so dingy, and the river “_Nunc alio patriam quaero sub sole jacentem_.”--Virgil. 1815. NOVEMBER 8. (WEDNESDAY) I left London, and reached Gravesend at nine in the morning, having
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The Christian Foundation, Or, Scientific and Religious Journal Vol. 1. No 3. March, 1880. CONTENTS The Influence Of The Bible Upon Moral And Social Institutions. The Influence Of The Bible Upon Social Life And Social Institutions. Law, Cause, And Agent. The Inconsistency Of Modern Unbelievers Or Materialists. Materialism In Its Bearings Upon Person And Personality. Was It Right? It Only Needs To Be Seen, And Its Ugliness At Once Appears. Did The Race Ascend From A Low State Of Barbarism? The Flood Viewed From A Scientific And Biblical Standpoint. The Mosaic Law In Greece, In Rome, And In The Common Law Of England. Did Adam Fall Or Rise? Did They Dream It, Or Was It So
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DESERT*** E-text prepared by Juliet Sutherland, Jeff Wigley, and Project Gutenberg Distributed Proofreaders The Turquoise Cup, and, The Desert By Arthur Cosslett Smith 1903 "KHADIJA BELIEVES IN ME" CONTENTS I The Turquoise Cup II The Desert THE TURQUOISE CUP The Cardinal Archbishop sat on his shaded balcony, his well-kept hands clasped upon his breast, his feet stretched out so straight before him that the pigeon, perched on the rail of the balcony, might have seen fully six inches of scarlet silk stocking. The cardinal was a small man, but very neatly made. His hair was as white as spun glass. Perhaps he was sixty; perhaps he was seventy; perhaps he was fifty. His red biretta lay upon a near-by chair. His head bore no tonsure. The razor of the barber and the scythe of Time had passed him by. There was that faint tinge upon his cheeks that comes to those who, having once had black beards, shave twice daily. His features were clearly cut. His skin would have been pallid had it not been olive. A rebellious lock of hair curved upon his forehead. He resembled the first Napoleon, before the latter became famous and fat. The pigeon's mate came floating through the blue sky that silhouetted the trees in the garden. She made a pretence of alighting upon the balcony railing, sheered off, coquetted among the treetops, came back again, retreated so far that she was merely a white speck against the blue vault, and then, true to her sex, having proved her liberty only to tire of it, with a flight so swift that the eye could scarcely follow her, she came back again and rested upon the farther end of the balcony, where she immediately began to preen herself and to affect an air of nonchalance and virtue. Her mate lazily opened one eye, which regarded her for a moment, and then closed with a wink. "Ah, my friends," said the cardinal, "there are days when you make me regret that I am not of the world, but this is not one of them. You have quarrelled, I perceive. When you build your nest down yonder in the cote, I envy you. When you are giving up your lives to feeding your children, I envy you. I watch your flights for food for them. I say to myself, 'I, too, would struggle to keep a child, if I had one. Commerce, invention, speculation--why could I not succeed in one of these? I have arrived in the most intricate profession of all. I am a cardinal archbishop. Could I not have been a stockbroker?' Ah, signore and signora," and he bowed to the pigeons, "you get nearer heaven than we poor mortals. Have you learned nothing--have you heard no whisper--have you no message for me?" "Your eminence," said a servant who came upon the balcony, a silver tray in his hand, "a visitor." The cardinal took the card and read it aloud--"The Earl of Vauxhall." He sat silent a moment, thinking. "I do not know him," he said at length; "but show him up." He put on his biretta, assumed a more erect attitude, and then turned to the pigeons. "Adieu," he said; "commercialism approaches in the person of an Englishman. He comes either to buy or to sell. You have nothing in common with him. Fly away to the Piazza, but come back tomorrow. If you do not, I shall miss you sorely." The curtains parted, and the servant announced, "The Earl of Vauxhall." The cardinal rose from his chair. A young man stepped upon the balcony. He was tall and lithe and blond, and six-and-twenty. "Your grace," he said, "I have come because I am in deep trouble." "In that event," said the cardinal, "you do me much honor. My vocation is to seek out those who are in trouble. When _they_ seek _me_ it argues that I am not unknown. You are an Englishman. You may speak your own language. It is not the most flexible, but it is an excellent vehicle for the truth." "Thank you," said the young man; "that gives me a better chance, since my Italian is of the gondolier type. I speak it mostly with my arms," and he began to gesticulate. "I understand," said the cardinal, smiling, "and I fear that my English is open to some criticism. I picked it up in the University of Oxford. My friends in the Vatican tell me that it is a patois." "I dare say," said the young man. "I was at Cambridge." "Ah," said the cardinal, "how unfortunate. Still, we may be able to understand one another. Will you have some tea? It is a habit I contracted in England, and I find it to be a good one. I sit here at five o'clock, drink my cup of tea, feed the pigeons that light upon the railing, and have a half-hour in which to remember how great is England, and"--with a bow--"how much the rest of the world owes to her." "A decent sort of chap, for an Italian," thought the earl. The cardinal busied himself with the tea-pot. "Your grace," said the earl, finally, "I came here in trouble." "It cannot be of long standing," said the cardinal. "You do not look like one who has passed through the fire." "No," said the earl, "but I scarcely know what to say to you. I am embarrassed." "My son," said the cardinal, "when an Englishman is embarrassed he is truly penitent. You may begin as abruptly as you choose. Are you a Catholic?" "No," replied the earl, "I am of the Church of England." The cardinal shrugged his shoulders the least bit. "I never cease to admire your countrymen," he said, "On Sundays they say, 'I believe in the Holy Catholic Church,' and, on work-days, they say, 'I believe in the Holy Anglican Church.' You are admirably trained. You adapt yourselves to circumstances." "Yes," said the earl, a trifle nettled, "I believe we do, but at present I find myself as maladroit as though I had been born on the Continent--in Italy, for example." "Good," laughed the cardinal; "I am getting to be a garrulous old man. I love to air my English speech, and, in my effort to speak it freely, I sometimes speak it beyond license. Can you forgive me, my lord, and will you tell me how I can serve you?" "I came," said the Earl of Vauxhall, "to ask you if there is any way in which I can buy the turquoise cup." "I do not understand," said the cardinal. "The turquoise cup," repeated the earl. "The one in the treasury of St. Mark's." The cardinal began to laugh--then he suddenly ceased, looked hard at the earl and asked, "Are you serious, my lord?" "Very," replied the earl. "Are you quite well?" asked the cardinal. "Yes," said the earl, "but I am very uncomfortable." The cardinal began to pace up and down the balcony. "My lord," he asked, finally, "have you ever negotiated for the Holy Coat at Treves; for the breastplate of Charlemagne in the Louvre; for the Crown Jewels in the Tower?" "No," said the earl; "I have no use for them, but I very much need the turquoise cup." "Are you a professional or an amateur?" asked the cardinal, his eyes flashing, his lips twitching. "As I understand it," said the earl, slowly, a faint blush stealing into his cheeks, "an 'amateur' is a lover. If that is right, perhaps you had better put me down as an 'amateur.'" The cardinal saw the blush and his anger vanished. "Ah," he said, softly, "there is a woman, is there?" "Yes," replied the earl, "there is a woman." "Well," said the cardinal, "I am listening." "It won't bore you?" asked the earl. "If I begin about her I sha'n't know when to stop." "My lord," said the cardinal, "if there were no women there would be no priests. Our occupation would be gone. There was a time when _men_ built churches, beautified them, and went to them. How is it now; even here in Venice, where art still exists, and where there is no bourse? I was speaking with a man only to-day--a man of affairs, one who buys and sells, who has agents in foreign lands and ships on the seas; a man who, in the old religious days, would have given a tenth of all his goods to the Church and would have found honor and contentment in the remainder; but he is bitten with this new-fangled belief of disbelief. He has a sneaking fear that Christianity has been supplanted by electricity and he worships Huxley rather than Christ crucified--Huxley!" and the cardinal threw up his hands. "Did ever a man die the easier because he had grovelled at the knees of Huxley? What did Huxley preach? The doctrine of despair. He was the Pope of protoplasm. He beat his wings against the bars of the unknowable. He set his finite mind the task of solving the infinite. A mere creature, he sought to fathom the mind of his creator. Read the lines upon his tomb, written by his wife--what do they teach? Nothing but 'let us eat and drink, for to-morrow we die.' If a man follows Huxley, then is he a fool if he does not give to this poor squeezed-lemon of a world another twist. If I believed there was nothing after this life, do you think I should be sitting here, feeding the pigeons? Do you think--but there, I have aired my English speech and have had my fling at Huxley. Let me fill your cup and then tell me of this woman whom I have kept waiting all this time by my vanity and my ill manners. Is she English, French, Spanish, or American? There are many Americans nowadays." "No," said the earl, "she is Irish." "The most dangerous of all," remarked the cardinal. "It is plain that you know women," said the earl. "I?" exclaimed the cardinal. "No; nor any living man." "Her father." resumed the earl, "was a great brewer in Dublin. He made ripping stout. Perhaps you use it. It has a green label, with a bull's head. He kept straight all through the home-rule troubles, and he chipped in a lot for the Jubilee fund, and they made him Lord Vatsmore. He died two years ago and left one child. She is Lady Nora Daly. She is waiting for me now in the Piazza." "Perhaps I am detaining you?" said the cardinal. "By no means," replied the earl. "I don't dare to go back just yet. I met her first at home, last season. I've followed her about like a spaniel ever since. I started in for a lark, and now I'm in for keeps. She has a peculiar way with her," continued the earl, smoothing his hat;
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Produced by Ron Swanson (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) CELEBRATED TRAVELS AND TRAVELLERS. THE EXPLORATION OF THE WORLD. [Frontispiece: TRANSLATED BY DORA LEIGH] CELEBRATED TRAVELS AND TRAVELLERS. THE EXPLORATION OF THE WORLD. BY JULES VERNE WITH 59 ILLUSTRATIONS BY L. BENETT AND P. PHILIPPOTEAUX, AND 50 FAC-SIMILES OF ANCIENT DRAWINGS. [Illustration: _TRANSLATED FROM THE FRENCH._] London: SAMPSON LOW, MARSTON, SEARLE, & RIVINGTON, CROWN BUILDINGS, 188, FLEET STREET. 1882. [_All rights reserved._] Celebrated Travels and Travellers, BY JULES VERNE. _In Three Vols., demy 8vo, each containing 400 pages and upwards of 100 Illustrations, price 12s. 6d. each; cloth extra, gilt edges, 14s._ Part I. The Exploration of the World. Part II. The Great Navigators of the Eighteenth Century. Part III. The Great Navigators of the Nineteenth Century. EXPLORATION OF THE WORLD. LIST OF MAPS AND ILLUSTRATIONS REPRODUCED IN FAC-SIMILE FROM THE ORIGINAL DOCUMENTS, GIVING THE SOURCES WHENCE THEY ARE DERIVED. FIRST PART. Map of the World as known to the Ancients. Approach to Constantinople. Anselmi Banduri Imperium orientale, tome II., p. 448. 2 vols. folio. Parisiis, 1711. Map of the World according to Marco Polo's ideas. Vol. I., p. 134 of the edition of Marco Polo published in London by Colonel Yule, 2 vols. 8vo. Plan of Pekin in 1290. Yule's edition. Vol. I., p. 332. Portrait of Jean de Bethencourt. "The discovery and conquest of the Canaries." Page 1, 12mo. Paris, 1630. Plan of Jerusalem. "Narrative of the journey beyond seas to the Holy Sepulchre of Jerusalem," by Antoine Regnant, p. 229, 4to. Lyons, 1573. Prince Henry the Navigator. From a miniature engraved in "The Discoveries of Prince Henry the Navigator," by H. Major. 8vo. London, 1877. Christopher Columbus. Taken from "Vitae illustrium virorum," by Paul Jove. Folio. Basileae, Perna. Imaginary view of Seville. Th. de Bry. Grands Voyages, pl. I., part IV. Building of a caravel. Th. de Bry. Grands Voyages, Americae, part IV., plate XIX. Christopher Columbus on board his caravel. Th. de Bry. Grands Voyages, Americae, part IV., plate VI. Embarkation of Christopher Columbus. Th. de Bry. Grands Voyages, Americae, part IV., plate VIII. Map of the Antilles and the Gulf of Mexico. Th. de Bry. Grands Voyages, Americae, part V. Fishing for Pearl oysters. Th. de Bry. Grands Voyages, Americae, part IV., plate XII. Gold-mines in Cuba. Th. de Bry. Grands Voyages, Americae, part V., plate I. Vasco da Gama. From an engraving in the Cabinet des Estampes of the Bibl. Nat. La Mina. "Histoire generale des Voyages," by the Abbe Prevost. Vol. III., p. 461, 4to. 20 vols. An X. 1746. Map of the East Coast of Africa, from the Cape of Good Hope to the Cape del Gado. From the French map of the Eastern Ocean, published in 1740 by order of the Comte de Maurepas.
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Produced by Chris Curnow, Turgut Dincer and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) CAMBRIDGE BIOLOGICAL SERIES. GENERAL EDITOR:--ARTHUR E. SHIPLEY, M.A., F.R.S. FELLOW AND TUTOR OF CHRIST’s COLLEGE, CAMBRIDGE. GRASSES. CAMBRIDGE UNIVERSITY PRESS WAREHOUSE, C. F. CLAY, MANAGER. London: FETTER LANE, E.C. Edinburgh: 100, PRINCES STREET. [Illustration] ALSO London: H. K. LEWIS, 136, GOWER STREET, W.C. Leipzig: F. A. BROCKHAUS. New York: G. P. PUTNAM’S SONS. Bombay and Calcutta: MACMILLAN & CO. LTD. [_All Rights reserved._] GRASSES A HANDBOOK FOR USE IN THE FIELD AND LABORATORY. BY H. MARSHALL WARD, SC.D., F.R.S. LATE PROFESSOR OF BOTANY IN THE UNIVERSITY OF CAMBRIDGE. CAMBRIDGE: AT THE UNIVERSITY PRESS. 1908 _First Edition 1901 Reprinted 1908_ PREFACE. The following pages have been written in the hope that they may be used in the field and in the laboratory with specimens of our ordinary grasses in the hand. Most of the exercises involved demand exact study by means of a good hand-lens, a mode of investigation far too much neglected in modern teaching. The book is not intended to be a complete manual of grasses, but to be an account of our common native species, so arranged that the student may learn how to closely observe and deal with the distinctive characters of these remarkable
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Produced by eagkw, Suzanne Shell and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) GRAY YOUTH OLIVER ONIONS NOVELS BY OLIVER ONIONS IN ACCORDANCE WITH THE EVIDENCE THE DEBIT ACCOUNT THE STORY OF LOUIE GRAY YOUTH GEORGE H. DORAN COMPANY NEW YORK GRAY YOUTH THE STORY OF A VERY MODERN COURTSHIP AND A VERY MODERN MARRIAGE BY OLIVER ONIONS Author of "In Accordance with the Evidence," "The Debit Account." GEORGE H. DORAN COMPANY NEW YORK _Publishers in America for Hodder & Stoughton_ Copyright, 1913, BY GEORGE H. DORAN COMPANY Copyright, 1914, BY GEORGE H. DORAN COMPANY TO MARY STEWART PUBLISHER'S NOTE Gray Youth is published in England in two volumes under the titles: The Two Kisses and A Crooked Mile. CONTENTS BOOK ONE: A VERY MODERN COURTSHIP--THE TWO KISSES PART I CHAPTER PAGE ARGUMENT 11 I CHEYNE WALK 18 II THE SURPRISE PARTY 33 III THE FASHION STUDIO 52 IV THE MCGRATH 67 V POUNDS AND SHILLINGS 83 VI WOMAN'S WHOLE EXISTENCE 99 VII THE VOICE THAT BREATHED O'ER EDEN 120 PART II I PENCE 142 II A DAMSEL ERRANT 160 III "BUSINESS AS USUAL" 176 IV "IL FAUT QU' UNE PORTE--" 191 V BOND AND FREE 215 PART III I THE LEAGUE 243 II "BARRAGE" 263 III EPITHALAMIUM 287 ENTR' ACTE 314 BOOK TWO: A VERY MODERN MARRIAGE--A CROOKED MILE PART I CHAPTER PAGE I THE WITAN 321 II THE POND-ROOM 337 III THE "NOVUM" 352 IV THE STONE WALL 369 V THREE SHIPS 393 VI POLICY 414 PART II I THE PIGEON PAIR 435 II THE 'VERT 447 III THE IMPERIALISTS 463 IV THE OUTSIDERS 485 V "HOUSE FULL" 503 VI THE SOUL STORM 524 PART III I LITMUS 553 II BY THE WAY 568 III DE TROP 588 IV GRAY YOUTH 598 V TAILPIECE 620 BOOK ONE A VERY MODERN COURTSHIP PART I ARGUMENT A girl of seventeen, with a knitted tam-o'-shanter cap and a thick cable of red-bronze hair hanging down her back, walked along a gallery of the Louvre, looking for her aunt. The eyes that turned whenever she heard a footfall or, passing a statue or case, saw a fresh vista before her, were of a light brown, with just such a hint of gold in their irises as you see when some opals are turned and catch a different light; and they were confused and overfilled with the treasures on which they had rested. She was an art-student, and must return to London on the morrow in order to resume her studies at the McGrath. It was her first visit to Paris, and she had spent the whole of her three weeks at the Cluny and the Luxembourg, at the Louvre and Versailles. Now, drenched and sated with beauty, she still could not bear to leave it all. A few minutes before, passing through the Salon Carre, where an elderly lady had been copying the Entombment, she had wished that she too might be old and white-haired if only age might so enlarge her capacity for loveliness, that even youth would be well lost for it. Already she loved the highest when she saw it, and, being an artist, she needs must attempt it too. The girl found her aunt near the spot where the Antinoeus stands on its pedestal, and walked along by her side, neither speaking nor listening to the elder lady's remarks on the objects they passed. They did not seem to her to be worth listening to. She knew that for her aunt art had reached its _comble_ on the day when the late Sir Noel Paton had affixed his signature to "The Man with the Muckrake," and she had got out of the way of trying to explain that much water had flowed under London Bridge and many students flowed through the McGrath since that time. Besides, she did not want to talk. She wanted this last high hour in the Louvre as much as might be to herself. She wanted to taste the full emotion of it, not even analysing it, if only for once analysis would cry a truce. At the end of the gallery they turned and walked back again. It was as they passed the Antinoeus for the second time that the girl felt her young bosom rise almost painfully. She could not have told why, without premeditation, she suddenly lingered, so that her aunt passed a little ahead. She watched her disappear behind some plinth or pedestal or other, and then stopped opposite the marble bust. There was no knowing when she might find herself in this wonderful place again, and it seemed to her that her farewell of it now required some symbol. She gave a furtive glance round. Neither visitor nor _g
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Produced by Marlo Dianne THE HOMESTEADERS A NOVEL OF THE CANADIAN WEST by Robert J. C. Stead Author of "Kitchener and Other Poems," "Songs of the Prairie," "The Cow Puncher," ETC The Musson Book Company Limited Publishers Toronto FIRST PUBLISHED IN 1916. CONTENTS PRELUDE I. THE BECK OF FORTUNE II. INTO THE WILDERNESS III. PRAIRIE LAND IV. ROUGHING IT V. THE
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) AN ARCHITECT'S NOTE-BOOK IN SPAIN _PRINCIPALLY ILLUSTRATING THE_ DOMESTIC ARCHITECTURE OF THAT COUNTRY. BY M. DIGBY WYATT, M.A. SLADE PROFESSOR OF FINE ART IN THE UNIVERSITY OF CAMBRIDGE, &C. WITH ONE HUNDRED OF THE AUTHOR'S SKETCHES, REPRODUCED BY THE AUTOTYPE MECHANICAL PROCESS. LONDON: AUTOTYPE FINE ART COMPANY (LIMITED), _36, RATHBONE PLACE._ TO OWEN JONES, ESQ. KNIGHT OF THE ORDERS OF SAINTS MAURICE AND LAZARUS OF ITALY, AND OF LEOPOLD OF BELGIUM
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Produced by Charles Aldarondo and the Online Distributed Proofreading Team SYLVIA'S MARRIAGE A NOVEL By Upton Sinclair Author Of "The Jungle," Etc., Etc. London SOME PRESS NOTICES "The importance of the theme cannot be doubted, and no one hitherto ignorant of the ravages of the evil and therefore, by implication, in need of being convinced can refuse general agreement with Mr. Sinclair upon the question as he argues it. The character that matters most is very much alive and most entertaining."--
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Produced by Paul Haxo from page images generously made available by Google and the Bodleian Library. THE CORSICAN BROTHERS A NOVEL BY ALEXANDRE DUMAS TRANSLATED BY HENRY FRITH LONDON GEORGE ROUTLEDGE AND SONS BROADWAY, LUDGATE HILL NEW YORK: 416, BROOME STREET 1880 LONDON: PRINTED BY WOODFALL AND KINDER, MILFORD LANE, STRAND, W.C. TO HENRY IRVING THE LATEST REPRESENTATIVE OF THE TWIN BROTHERS THIS BOOK IS DEDICATED BY THE TRANSLATOR THE CORSICAN BROTHERS. CHAPTER I. IN the beginning of March, 1841, I was travelling in Corsica. Nothing is more picturesque and more easy to accomplish than a journey in Corsica. You can embark at Toulon, in twenty hours you will be in Ajaccio, and then in twenty-four hours more you are at Bastia. Once there you can hire or purchase a horse. If you wish to hire a horse you can do so for five francs a-day; if you purchase one you can have a good animal for one hundred and fifty francs. And don't sneer at the moderate price, for the horse hired or purchased will perform as great feats as the famous Gascon horse which leaped over the Pont Neuf, which neither Prospero nor Nautilus, the heroes of Chantilly and the Champ de Mars could do. He will traverse roads which Balmat himself could not cross without _crampons,_ and will go over bridges upon which Auriol would need a balancing pole. As for the traveller, all he has to do is to give the horse his head and let him go as he pleases; he does not mind the danger. We may add that with this horse, which can go anywhere, the traveller can accomplish his fifteen leagues a day without stopping to bait. From time to time, while the tourist may be halting to examine some ancient castle, built by some old baron or legendary hero, or to sketch a tower built ages ago by the Genoese, the horse will be contented to graze by the road side, or to pluck the mosses from the rocks in the vicinity. As to lodging for the night, it is still more simple in Corsica. The traveller having arrived at a village, passes down through the principal street, and making his own choice of the house wherein he will rest, he knocks at the door. An instant after, the master or mistress will appear upon the threshold, invite the traveller to dismount; offer him a share of the family supper and the whole of his own bed, and next morning, when seeing him safely resume his journey, will thank him for the preference he has accorded to his house. As for remuneration, such a thing is never hinted at. The master would regard it as an insult if the subject were broached. If, however, the servant happen to be a young girl, one may fitly offer her a handkerchief, with which she can make up a picturesque coiffure for a fete day. If the domestic be a male he will gladly accept a poignard, with which he can kill his enemy, should he meet him. There is one thing more to remark, and that is, as sometimes happens, the servants of the house are relatives of the owner, and the former being in reduced circumstances, offer their services to the latter in consideration of board and lodging and a few piastres per month. And it must not be supposed that the masters are not well served by their cousins to the fifteenth and sixteenth degree, because the contrary is the case, and the custom is not thought anything of. Corsica is a French Department certainly, but Corsica is very far from being France. As for robbers, one never hears of them, yet there are bandits in abundance; but these gentlemen must in no wise be confounded one with another. So go without fear to Ajaccio, to Bastia, with a purse full of money hanging to your saddle-bow, and you may traverse the whole island without a shadow of danger, but do not go from Oceana to Levaco, if you happen to have an enemy who has declared the Vendetta against you, for I would not answer for your safety during that short journey of six miles. Well, then, I was in Corsica, as I have said, at the beginning of the month of March, and I was alone; Jadin having remained at Rome. I had come across from Elba, had disembarked at Bastia, and there had purchased a horse at the above-mentioned price. I had visited Corte and Ajaccio, and just
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Produced by Suzanne Shell, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net PEGGY _Books by Laura E. Richards._ "Mrs. Richards has made for herself a little niche apart in the literary world, from her delicate treatment of New England village life."--_Boston Post._ THE CAPTAIN JANUARY SERIES. =CAPTAIN JANUARY.= 16mo, cloth, 50 cents. A charming idyl of New England coast life, whose success has been very remarkable. One reads it, is thoroughly charmed by it, tells others, and so its fame has been heralded by its readers, until to-day it is selling by the thousands, constantly enlarging the circle of its delighted admirers. =SAME.= _Illustrated Holiday Edition._ With thirty half-tone pictures from drawings by Frank T. Merrill. 4to, cloth, $1.25. =MELODY.= The Story of a Child. 16mo, 50 cents. "Had there never been a 'Captain January,' 'Melody' would easily take first place."--_Boston Times._ =SAME.= _Illustrated Holiday Edition._ With thirty half-tone pictures from drawings by Frank T. Merrill. 4to, cloth, $1.25. =MARIE.= 16mo, 50 cents. "Seldom has Mrs. Richards drawn a more irresistible picture, or framed one with more artistic literary adjustment."--_Boston Herald._ "A perfect literary gem."--_Boston Transcript._ =NARCISSA=, and a companion story, =IN VERONA=. 16mo, cloth, 50 cents. "Each is a simple, touching, sweet little story of rustic New England life, full of vivid pictures of interesting character, and refreshing for its unaffected genuineness and human feeling."
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Produced by Charles Bowen from page scans provided by Google Books (Oxford University) Transcriber's Notes: 1. Page scan source: Google Books http://books.google.com/books?id=GyAGAAAAQAAJ (Oxford University) THE LAST CALL. THE LAST CALL. A Romance. BY RICHARD DOWLING, AUTHOR OF "THE MYSTERY OF KILLARD," "THE WEIRD SISTERS," "SWEET INISFAIL," ETC. _IN THREE VOLUMES_. VOL. I. LONDON: TINSLEY BROTHERS, 8, CATHERINE ST., STRAND. 1884. [_All rights reserved_.] CHARLES DICKENS AND EVANS CRYSTAL PALACE PRESS. THE LAST CALL. * * * * * Part I. THE LAST CALL. CHAPTER I. The sun was low behind a bank of leaden cloud which stood like a wall upon the western horizon. In front of a horse-shoe cove lay a placid bay, and to the westward, but invisible from the cove, the plains of the Atlantic. It was low water, and summer. The air of the cove was soft with exhalations from the weed-clad rocks stretching in green and brown furrows from the ridge of blue shingle in the cove to the violet levels of the sea. On the ridge of shingle lay a young man, whose eyes rested on the sea. He was of the middle height and figure. Twenty-seven or twenty-eight seemed to be his age. He had a neat, compact forehead, dark gray eyes, ruddy, full cheeks, a prominent nose, full lips, and a square chin. The face looked honest, good-humoured, manly. The moustaches were brown; the brown hair curled under the hat. The young man wore a gray tweed suit and a straw hat. He lay resting on his elbow. In the line of his sight far out in the bay a small dot moved almost imperceptibly. The lounger knew this dot was a boat: distance prevented his seeing it contained a man and a woman. Dominique Lavirotte, the man in the boat, was of the middle height and figure, twenty-four years of age, looking like a Greek, but French by descent and birth. The eyes and skin were dark, the beard and moustaches black. The men of Rathclare, a town ten miles off, declared he was the handsomest man they had ever seen, and yet felt their candour ill-requited when their sweethearts and wives concurred. With Dominique Lavirotte in the boat was Ellen Creagh. She was not a native of Rathclare, but of Glengowra, the small seaside and fishing town situate on Glengowra Bay, over which the boat was now lazily gliding in the cool blue light of the afternoon. Ellen Creagh was tall and slender, above the average height of women, and very fair. She had light golden-brown hair, bright lustrous blue eyes, and lips of delicate red. The upper lip was short. Even in repose her face always suggested a smile. One of the great charms of the head was the fluent ease with which it moved. The greatest charm of the face was the sweet susceptibility it had to smile. It seemed, when unmoved, to wait in placid faith, the advent of pleasant things. During its moments of quiet there was no suggestion of doubt or anxiety in it. To it the world was fair and pleasant--and the face was pleasant and wonderfully fair. Pleasant people are less degraded by affectation than solemn people. Your solemn man is generally a swindler of some kind, and nearly always selfish and insincere. Ellen Creagh looked the embodiment of good-humoured candour, and the ideal of health and beauty. She was as blithe and wholesome as the end of May; she was a northern Hebe, a goddess of youth and joy. The name of the young man lying on the shingles was Eugene O'Donnell. He lived in the important seaport of Rathclare, where his father was the richest and most respected merchant and shipowner. There had James O'Donnell been established in business for many years, and they now said he was not worth less than a quarter of a million sterling. Mrs. O'Donnell was a hale, brisk, bright-minded woman of fifty-seven, being three years her husband's junior. The pair had but one child, Eugene, and to him in due time all the old man's money was to go. The O'Donnells were wealthy and popular. The father had a slow, methodical way, which did not win upon strangers, but among those who knew him no one was more highly respected. Without any trace of extravagance, James O'Donnell was liberal with his money. He was a good husband, a good father, and a good employer. He had only one source of permanent uneasiness--his son Eugene was not married, and showed no inclination towards marriage. The old man held that every young man who could support a wife should take one. He himself had married young, had prospered amazingly, and never for a moment regretted his marriage. He was prepared to give his son a share in his business, and a thousand a year out of the interest of his savings, if the young man would only settle. But although Eugene O'Donnell was as good-humoured and good-hearted a young fellow as the town of Rathclare, or the next town to it, could show, and although there was not in the whole town one girl who would be likely to refuse him, and although there were plenty of handsome girls in Rathclare, Eugene O'Donnell remained obdurate. It was lamentable, but what could anyone do? The young man would not make love, the father would not insist upon his marrying whether he loved or no, and there being at Rathclare little faith in leap-year, no widow or maiden of the town was bold enough to ask him to wed her. While the young man lying on the shingle was idly watching the boat, the young man in the boat was by no means idle. The sculls he was pulling occupied none of his attention. He swung himself mechanically backward and forward. His whole mind was fixed on the face and form of the girl sitting in the stern. "And so, you really must go back to Dublin?" he said ruefully. "Yes," she answered with a smile. "I must really go back to Dublin within a fortnight." "And leave all here behind," he said tenderly. "All!" she exclaimed, looking around sadly. "There is not much to leave besides the sea, which I always loved, and my mother, whom I always loved also." "There is nothing else in the place, I suppose, Miss Creagh, you love, but the sea and your mother?" "No," she answered, "nothing. I have no relative living but my mother, and she and the sea are my oldest friends." "But have you no new friend or friends?" She shook her head, and leaning over the side of the boat, drew her fingers slowly through the water. "The Vernons," she said, "are good to me, and I like the girls very much. But I am only their servant--a mere governess." "A mere queen!" he said. "I have known you but a short time. That has been the happiest time of my life. _I_ at least can never forget it. May you?" Suddenly a slight change came over her. She lost a little of her gaiety, and gathered herself together with a shadow of reserve. "I do not think, Mr.. Lavirotte, I shall soon forget the many pleasant hours we have spent together and the great kindness you have shown to me." "And you do not think you will forget _me?_" "How can I remember your kindness and forget you?" she asked gravely. "Yes, yes," he said eagerly, "but you know what I mean, and are avoiding my meaning. Perhaps I have been too hasty. Shall I sing you a song?" "Yes, please, if you will row towards home." Then he sang: "The bright stars fade, the morn is breaking, The dew-drops pearl each flower and leaf, When I of thee my leave am taking, With bliss too brief. How sinks my heart with fond alarms, The tear is hiding in mine eye, For time doth chase me from thine arms: Good-bye, sweetheart, good-bye." The boat was now well inshore. "Lavirotte! Lavirotte's voice, by all the gods!" cried Eugene O'Donnell, raising himself into a sitting posture. "Doing the polite--doing the lover, for all I know. Why has he stopped there? He will begin again in a moment." "When you go, Ellen, will you give me leave to bid you adieu in these words?" "Mr. Lavirotte," she said, in doubt and pain, "I am exceedingly sorry that----" "It is enough," he said. "Say no more. I am a ruined man." "He will not finish it," said O'Donnell. "He is ungallant. I will finish it for him. "The sun is up, the lark is soaring, Loud swells the song of chanticleer; The leveret bounds o'er earth's soft flooring: Yet I am here. For since night's gems from heaven did fade, And morn to floral lips must hie, I could not leave thee though I said, Good-bye, sweetheart, good-bye." The girl raised her head and listened for a moment, and then bent her head in some confusion. There was to her a sense of surprise in feeling that this song had, bearing its present associations, been completed by an unknown voice. Lavirotte noticed the look of disquietude on the girl's face, and said lightly and bitterly: "You need not be uneasy, Miss Creagh. I know the man who finished my song for me, when there was no use in my going on with it. He and I are rival tenors. I will introduce you to him when we get ashore. We are the closest friends. He is the best of good fellows, and reputed--ah, I envy him--to be a woman-hater." At length the boat glided slowly through the green channel that led from the plain of the violet bay to the ridge of blue shingle. Lavirotte handed the girl out as soon as they reached the beach, and, as he did so, said: "You have no objection to know my friend?" She was anxious to conciliate him in any way she might. "No," she whispered. "What a lovely voice he has." "Better than mine?" he asked abruptly and harshly. "I--I," she hesitated, "am but a poor judge." "Which means," he said bitterly, "that you are a good judge, and decide against me." By this time they were close to where O'Donnell was. He was standing, and looking out to sea. "Comrade," said Lavirotte, touching him on the shoulder, "I am delighted to see you. I am in sore need of a _friend_. Miss Creagh has admired your singing very much. Mr. O'Donnell--Miss Creagh." "Am I dreaming," thought O'Donnell, "or is this beauty real?" CHAPTER II. There was around Dominique Lavirotte an air of mystery which kept the good simple folk of Glengowra at bay. Although, theoretically, Frenchmen have always been popular in Ireland, this applies rather to the mass than to the individual. There was nothing repulsive about Dominique Lavirotte. On the contrary, he had attractive manners, and although he spoke English with a broken accent, he spoke it fluently and faultlessly. He was agreeable in company, well-read, and possessed a shallow encyclop[ae]dic knowledge, by means of which he was enabled to give great brilliancy and point to his conversation. Yet at certain moments he was taciturn, and if one attempted to break in upon his reserve he turned swiftly and snarled even at his best friend. According to his own account, he was descended from Louis Anne Lavirotte, medical doctor, born at Nolay, in the diocese of Autun, somewhere about a hundred years ago, who was a most skilful physician, and one well versed in the English language. This dead doctor of a hundred years ago had devoted much of his attention while on earth to more or less obscure forms of mental disease, and had written a treatise on hydrophobia. Dominique was very proud of this learned ancestor, and paid his relative of the last century the compliment of devoting some of his own time to the consideration of abnormal mental developments. Indeed, some of those who knew him best said that there was a twist in his own mind, and that under extreme provocation, mental or physical, the brain would give way. Lavirotte and O'Donnell were as close friends as it is possible for men to be; and, notwithstanding the ten miles which separated their homes, they saw much of one another. Each was young and enthusiastic, each sang tenor, and sang uncommonly well. In the town of Rathclare, no young man was more popular than Eugene O'Donnell, and the people there thought it a thousand pities that he should select as his favourite friend a man who was not only not a resident of Rathclare, but a foreigner, with mysterious ways and an uncertain temper. O'Donnell laughed off all their expostulations and warnings, and said that in so far as his friend was a stranger and afflicted with a bad temper, there was all the more reason why someone should do him any little kindness he could. But the people of Rathclare shook their heads gravely at the young man's temerity, and prophesied that no good would come to O'Donnell of this connection. They did not like this foreigner, with his strange ways and mysterious retirements into himself. They were free and open-hearted themselves, and they liked free and open-hearted souls like O'Donnell. They did not like swarthy skins; and now and then in the newspapers they read that men with swarthy skins drew knives and struck their dearest friends; that foreigners were treacherous, and not to be trusted with the lives, into the homes, or with the honour of law-abiding folk. They knew, it being a seaport, that foreigners spoke a gibberish which they affected to understand, and which was in reality no better than the language of Satan. Once a Greek, an infamous Greek, had been hanged in their town for an intolerable crime of cruelty committed on board ship; and somehow, ever since then, all foreigners, particularly swarthy foreigners, seemed in their eyes peculiarly prone to atrocious cruelties. What a luxury it must have been for this swarthy man of uncertain temper to meet and speak with Ellen Creagh, who was the very embodiment of all that is fair in the rich, warm sense of fairness in the North; and free in the sense of all that is open and joyous, and full of abounding confidence, in the North! During the fortnight in which he had been admitted to what he considered the infinite privilege of her society, he had fallen helplessly, hopelessly, madly in love. He had drunk in the subtle poison of her beauty with an avidity almost intolerable to himself. All the poetry and passion of his nature had gone forth ceaselessly towards that girl, as only the poetry and passion of southern blood can go forth. The violence of his feelings had astonished even himself. These feelings had grown all the more intense by the fierce repression in which he had kept them. For until that day in the boat he had never seemed to take more than a passing, polite interest in Ellen. Even then, in his dark and self-restrained nature, he had given no indication of the struggle within. The frenzy of his worship found no expression, and he took his dismissal with as much apparent indifference as though he had put the question to her merely out of regard to the wishes of others. Yet when he said the words, "I am a ruined man," he meant the words, or rather he meant that he was determined to take an active part in his own destruction. "If I die," he thought, "what is death to me? The sun is dead, the moon is dead, the stars are dead, earth is dead, and perdition will be a release from this valley of phantoms. When life is not worth living, why should one live? I will not live. I have no cause against her, but I have cause against myself, for I am a failure." He had determined to make away with himself; he had made up his mind that he would not survive this terrible disappointment; he would go home that night and take some painless and swift poison, and so pass out of this vain world to the unknown beyond; he would not declare his intention to anyone, least of all to O'Donnell, whose voice he recognised in the second stanza of the song; he knew where he could get the poison--from a friendly apothecary. They would hold an inquest on him, no doubt, and discover that he had done himself to death. Her name might even get mixed up in the affair, but he could not help that. He meant to do her no harm; he simply could not and would not endure. When that meeting took place on the beach, whereat he introduced Ellen to O'Donnell, he had noticed the latter's start of amazed admiration. "What," thought Lavirotte, "is he hit too; he, the invincible! he, the adamantine man, who has hitherto withstood all the charms of her lovely sex? It would be curious to watch this. Will he too make love, and fail--succeed? Ah." When this thought first occurred to Lavirotte he paused in a dim, dazed way. Of all men
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Produced by Karin Spence and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) COMPLIMENTS OF THE AUTHOR TO [Illustration: Anson Mills] [Illustration: Hannah Cassel Mills] MY STORY BY ANSON MILLS BRIGADIER GENERAL, U. S. A. EDITED BY C. H. CLAUDY PUBLISHED BY THE AUTHOR 1918 PRESS OF BYRON S. ADAMS WASHINGTON, D. C. COPYRIGHT 1918 BY ANSON MILLS, BRIG.-GEN. U. S. A. CONTENTS FIRST PERIOD PAGE My Ancestors 25 Privations of the Early Pioneers 31 Charlotteville Academy 37 West Point Military Academy 41 Early Days in Texas 48 El Paso Experiences 51 In Washington 64 My Brothers in Texas 69 SECOND PERIOD Four Years of Civil War 78 After the War 102 Marriage 114 THIRD PERIOD Travels West and East 123 Nannie's Impressions of the West 135 Western Experiences 152 Detail to Paris Exposition 177 Out West Again 186 Brevet Commissions in the Army 209 In Washington Again 213 Consolidation of the El Paso and Juarez Street Railways 251 The Reformation of El Paso
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Produced by Josep Cols Canals, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) [Illustration: The Mihrab of the Mosque of Roustem Pasha, Showing Persian Tiles.] CONSTANTINOPLE. BY EDMONDO DE AMICIS, AUTHOR OF “HOLLAND,” “SPAIN AND THE SPANIARDS,” ETC. TRANSLATED FROM THE FIFTEENTH ITALIAN EDITION BY MARIA HORNOR LANSDALE. ILLUSTRATED. IN TWO VOLUMES. VOL. I. PHILADELPHIA: HENRY T. COATES & CO. 1896. COPYRIGHT, 1896, BY HENRY T. COATES & CO. CONTENTS. PAGE THE ARRIVAL 7 FIVE HOURS LATER 33 THE BRIDGE 43 STAMBUL 59 ALONG THE GOLDEN HORN 85 THE GREAT BAZÂR 121 LIFE IN CONSTANTINOPLE 159 ST. SOPHIA 247 DOLMABÂGHCHEH 279 LIST OF ILLUSTRATIONS. VOLUME I. Photogravures by W. H. GILBO. PAGE THE MIHRAB OF THE MOSQUE OF ROUSTEM PASHA, SHOWING PERSIAN TILES _Frontispiece._ MOSQUES OF SULTAN AHMED AND ST. SOPHIA 21 VIEW OF PERA AND GALATA 29 ANCIENT FOUNTAIN 39 BRIDGE OF GALATA 45 FOUNTAIN OF
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Produced by Charles Franks and the Online Distributed Proofreading Team THE SECRET ROSE: By W.B. Yeats THE SECRET ROSE: DEDICATION TO A.E. TO THE SECRET ROSE THE CRUCIFIXION OF THE OUTCAST OUT OF THE ROSE THE WISDOM OF THE KING THE HEART OF THE SPRING THE CURSE OF THE FIRES AND OF THE SHADOWS THE OLD MEN OF THE TWILIGHT WHERE THERE IS NOTHING, THERE IS GOD OF COSTELLO THE PROUD, OF OONA THE DAUGHTER OF DERMOTT, AND OF THE BITTER TONGUE As for living, our servants will do that for us.--_Villiers de L'Isle Adam._ Helen, when she looked in her mirror, seeing the withered wrinkles made in her face by old age, wept, and wondered why she had twice been carried away.--_Leonardo da Vinci_. _My dear A.E.--I dedicate this book to you because, whether you think it well or ill written, you will sympathize with the sorrows and the ecstasies of its personages, perhaps even more than I do myself. Although I wrote these stories at different times and in different manners, and without any definite plan, they have but one subject, the war of spiritual with natural order; and how can I dedicate such a book to anyone but to you, the one poet of modern Ireland who has moulded a spiritual ecstasy into verse? My friends in Ireland sometimes ask me when I am going to write a really national poem or romance, and by a national poem or romance I understand them to mean a poem or romance founded upon some famous moment of Irish history, and built up out of the thoughts and feelings which move the greater number of patriotic Irishmen. I on the other hand believe that poetry and romance cannot be made by the most conscientious study of famous moments and of the thoughts and feelings of others, but only by looking into that little, infinite, faltering, eternal flame that we call ourselves. If a writer wishes to interest a certain people among whom he has grown up, or fancies he has a duty towards them, he may choose for the symbols of his art their legends, their history, their beliefs, their opinions, because he has a right to choose among things less than himself, but he cannot choose among the substances of art. So far, however, as this book is visionary it is Irish for Ireland, which is still predominantly Celtic, has preserved with some less excellent things a gift of vision, which has died out among more hurried and more successful nations: no shining candelabra have prevented us from looking into the darkness, and when one looks into the darkness there is always something there. W.B. YEATS._ TO THE SECRET ROSE Far off, most secret, and inviolate Rose, Enfold me in my hour of hours; where those Who sought thee at the Holy Sepulchre, Or in the wine-vat, dwell beyond the stir And tumult of defeated dreams; and deep Among pale eyelids heavy with the sleep Men have named beauty. Your great leaves enfold The ancient beards, the helms of ruby and gold Of the crowned Magi; and the king whose eyes Saw the Pierced Hands and Rood of Elder rise In druid vapour and make the torches dim; Till vain frenzy awoke and he died; and him Who met Fand walking among flaming dew, By a grey shore where the wind never blew, And lost the world and Emir for a kiss; And him who drove the gods out of their liss And till a hundred morns had flowered red Feasted, and wept the barrows of his dead; And the proud dreaming king who flung the crown And sorrow away, and calling bard and clown Dwelt among wine-stained wanderers in deep woods; And him who sold tillage and house and goods, And sought through lands and islands numberless years Until he found with laughter and with tears A woman of so shining loveliness That men threshed corn at midnight by a tress, A little stolen tress. I too await The hour of thy great wind of love and hate. When shall the stars be blown about the sky, Like the sparks blown out of a smithy, and die? Surely thine hour has come, thy great wind blows, Far off, most secret, and inviolate Rose? THE CRUCIFIXION OF THE OUTCAST. A man, with thin brown hair and a pale face, half ran, half walked, along the road that wound from the south to the town of Sligo. Many called him
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Produced by David Widger THE DIARY OF SAMUEL PEPYS M.A. F.R.S. CLERK OF THE ACTS AND SECRETARY TO THE ADMIRALTY TRANSCRIBED FROM THE SHORTHAND MANUSCRIPT IN THE PEPYSIAN LIBRARY MAGDALENE COLLEGE CAMBRIDGE BY THE REV. MYNORS BRIGHT M.A. LATE FELLOW AND PRESIDENT OF THE COLLEGE (Unabridged) WITH LORD BRAYBROOKE'S NOTES EDITED WITH ADDITIONS BY HENRY B. WHEATLEY F.S.A. DIARY OF SAMUEL PEPYS. NOVEMBER & DECEMBER 1665 November 1st. Lay very long in bed discoursing with Mr. Hill of most things of a man's life, and how little merit do prevail in the world, but only favour; and that, for myself, chance without merit brought me in; and that diligence only keeps me so, and will, living as I do among so many lazy people that the diligent man becomes necessary, that they cannot do anything without him, and so told him of my late business of the victualling, and what cares I am in to keepe myself having to do with people of so different factions at Court, and yet must be fair with them all, which was very pleasant discourse for me to tell, as well as he seemed to take it, for him to hear. At last up, and it being a very foule day for raine and a hideous wind, yet having promised I would go by water to Erith, and bearing sayle was in
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Produced by Shaun Pinder, Sam W. and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Old-World Japan Legends of the Land of the Gods + + Re-told by Frank Rinder + With Illustrations by T. H. Robinson "The spirit of Japan is as the fragrance of the wild cherry-blossom in the dawn of the rising sun" London: George Allen 156 Charing Cross Road 1895 Old-World Japan [Illustration: Publisher's device] Printed by Ballantyne, Hanson & Co. At the Ballantyne Press Preface History and mythology, fact and fable, are closely interwoven in the texture of Japanese life and thought; indeed, it is within relatively recent years only that exact comparative criticism has been able, with some degree of accuracy, to divide the one from the other. The accounts of the God-period contained in the Kojiki and the Nihongi--"Records of Ancient Matters" compiled in the eighth century of the Christian era--profess to outline the events of the vast cycles of years from the time of Ame-no-mi-naka-nushi-no-kami's birth in the Plain of High Heaven, "when the earth, young and like unto floating oil, drifted about medusa-like," to the death of the Empress Suiko, A.D. 628. The first six tales in this little volume are founded on some of the most significant and picturesque incidents of this God-period. The opening legend gives a brief relation of the birth of several of the great Shinto deities, of the creation of Japan and of the world, of the Orpheus-like descent of Izanagi to Hades, and of his subsequent fight with the demons. That Chinese civilisation has exercised a profound influence on that of Japan, cannot be doubted. A scholar of repute has indicated that evidence of this is to be found even in writings so early as the Kojiki and the Nihongi. To give a single instance only: the curved jewels, of which the remarkable necklace of Ama-terasu was made, have never been found in Japan, whereas the stones are not uncommon in China. This is not the place critically to consider the wealth of myth, legend, fable, and folk-tale to be found scattered throughout Japanese literature, and represented in Japanese art: suffice it to say, that to the student and the lover of primitive romance, there are here vast fields practically unexplored. The tales contained in this volume have been selected with a view rather to their beauty and charm of incident and colour, than with the aim to represent adequately the many-sided subject of Japanese lore. Moreover, those only have been chosen which are not familiar to the English-reading public. Several of the classic names of Japan have been interpolated in the text. It remains to say that, in order not to weary the reader, it has been found necessary to abbreviate the many-syllabled Japanese names. The sources from which I have drawn are too numerous to particularise. To Professor Basil Hall Chamberlain, whose intimate and scholarly knowledge of all matters Japanese is well known, my thanks are especially due, as also the expression of my indebtedness to other writers in English, from Mr. A. B. Mitford to Mr. Lafcadio Hearn, whose volumes on "Unfamiliar Japan" appeared last year. The careful text of Dr. David Brauns, and the studies of F. A. Junker von Langegg, have also been of great service. The works of numerous French writers on Japanese art have likewise been consulted with advantage. FRANK RINDER. Contents PAGE THE BIRTH-TIME OF THE GODS 1 THE SUN-GODDESS 15 THE HEAVENLY MESSENGERS 25 PRINCE RUDDY-PLENTY 35 THE PALACE OF THE OCEAN-BED 45 AUTUMN AND SPRING 57 THE STAR-LOVERS 67 THE ISLAND OF ETERNAL YOUTH 77 RAI-TARO, THE SON OF THE THUNDER-GOD 87 THE SOULS OF THE CHILDREN 97 THE MOON-MAIDEN 103 THE GREAT FIR TREE OF TAKASAGO 113 THE WILLOW OF MUKOCHIMA 121 THE CHILD OF THE FOREST 129 THE VISION OF TSUNU 141 PRINCESS FIRE-FLY 151 THE SPARROW'S WEDDING 161 THE LOVE OF THE SNOW-WHITE FOX 171 NEDZUMI 181 KOMA AND GON 189 List of Illustrations PAGE Heading to "The Birth-Time of the Gods" 3 _When he had so said, he plunged his jewelled spear into the seething mass below_ 5 Heading to
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Produced by Richard J. Shiffer and the Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) [Transcriber's Note: Every effort has been made to replicate this text as faithfully as possible, including obsolete and variant spellings and other inconsistencies. Text that has been changed to correct an obvious error is noted at the end of this ebook.] CROSSING THE PLAINS DAYS OF '57 A NARRATIVE OF EARLY EMIGRANT TRAVEL TO CALIFORNIA BY THE OX-TEAM METHOD BY WM. AUDLEY MAXWELL COPYRIGHT, 1915, BY WM AUDLEY MAXWELL SUNSET PUBLISHING HOUSE SAN FRANCISCO MCMXV [Illustration:
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Produced by Charlene Taylor, Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Library of Early Journals.) [Transcriber's note: Original spelling variations have not been standardized. Characters with macrons have been marked in brackets with an equal sign, as [=e] for a letter e with a macron on top; the paragraph sign is shown by [p]. Underscores have been used to indicate _italic_ fonts. A list of volumes and pages in "Notes and Queries" has been added at the end.] NOTES AND QUERIES: A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC. "When found, make a note of."--Captain Cuttle. VOL. V.--No. 120. SATURDAY, FEBRUARY 14. 1852. Price Fourpence. Stamped Edition, 5_d._ CONTENTS. Page NOTES:-- The Old Countess of Desmond 145 The Imperial Eagle of France 147 Folk Lore:--Valentine's Day--Nottingham Hornblowing--Bee Superstitions; Blessing Apple-trees; "A Neck! a Neck!"--Hooping Cough 148 Note on the Coins of Vabalathus 148 The Agnomen of "Brother Jonathan," of Masonic Origin 149 Minor Notes:--Hippopotamus, Behemoth--Curious Inscription--Coins of Edward III. struck at Antwerp in 1337 149 QUERIES:-- Is the Walrus found in the Baltic? 150 English Free Towns, by J. H. Parker 150 Minor Queries:--Bishop Hall's Resolutions--Mother Huff and Mother Damnable--Sir Samuel Garth--German's Lips--Richard Leveridge--Thomas Durfey--Audley Family--Ink--Mistletoe excluded from Churches--Blind taught to read--Hyrne, Meaning of--The fairest Attendant of the Scottish Queen--"Soud, soud, soud, soud!"--Key Experiments--Shield of Hercules--"Sum Liber, et non sum," &c. 150 MINOR QUERIES ANSWERED:--Whipping a Husband; Hudibras--Aldus--"The last links are broken"--Under Weigh or Way--The Pope's Eye--"History is Philosophy" 152 REPLIES:-- Coverdale's Bible, by George Offor 153 "As Stars with Trains of Fire," &c., by Samuel Hickson 154 Dials, Dial Mottoes, &c. 155 Can Bishops vacate their Sees? 156 Character of a True Churchman 156 Wearing Gloves in Presence of Royalty 157 Gospel Oaks 157 The Pendulum Demonstration 158 Expurgated Quaker Bible, by Archdeacon Cotton 158 Junius Rumours 159 Wady Mokatteb not mentioned in Num. xi. 26., by Rev. Dr. Todd 159 Replies to Minor Queries:--Rotten Row--"Preached from a Pulpit rather than a Tub"--Olivarius--Slavery in Scotland --Cibber's Lives of the Poets--Theoloneum--John of Padua--Stoke--Eliza Fenning--Ghost Stories--Autographs of Weever and Fuller--Lines on the Bible--Hell-rake--Family Likenesses--Grimsdyke--Portraits of Wolfe, &c. 160 MISCELLANEOUS:-- Notes on Books, &c. 166 Books and Odd Volumes wanted 166 Notices to Correspondents 167 Advertisements 167 Notes. THE OLD COUNTESS OF DESMOND. (_Continued from_ Vol. iv., p. 426.) I feel much obliged to J. H. M., who writes from Bath, and has directed my attention to Horace Walpole's "minute inquiry" respecting the "Old Countess of Desmond," as also to "Pennant's Tours," all which I have had opportunity of examining since I wrote to you last. The references do not incline me to alter one word of the opinion I have ventured as to the identity of this lady; on the contrary, with the utmost respect for his name and services to the cause of antiquarian research, I propose to show that Horace Walpole (whose interest in the question was, by his own confession, but incidental, and ancillary to his historic inquiries into the case of Richard III., and who had no direct data to go on) knew nothing of the matter, and was quite mistaken as to the individual. Before I proceed on this daring undertaking, I beg to say, that an inspection of Pennant's print, called "The Old Countess of Desmond," _satisfies_ me that it is _not_ taken from a duplicate picture of that in possession of the Knight of Kerry: though there certainly is a resemblance in the faces of the two portraits, yet the differences are many and decisive. Pennant says that there are "four other pictures in Great Britain in the same dress, and without any difference of feature," besides that at Dupplin Castle, from which his print was copied; but that of the Knight of Kerry must be reckoned as a sixth portrait, taken at a _much more advanced period_ of life: in it the wrinkles and features denote _extreme_ old age. The head-dresses are markedly different, that of Pennant being a _cloth_ hood lying back from the face in folds; in the Knight of Kerry's, the head-dress is more like a beaver bonnet standing forward from the head, and throwing the face somewhat into shade. In Pennant's, the cloak is plainly fastened by leathern strap, somewhat after the manner of a laced shoe; in the other, the fastening is a single button: but the difference most marked is this, that the persons originally sitting for these pictures, looked opposite ways, and, of course, presented different sides to the painter. So that, in Pennant's plate, the _right side-face_ is forward; and in the other, the left: therefore, these pictures are markedly and manifestly neither the same, nor copies either of the other. It does not concern us, in order to maintain the authority of our _Irish_ picture, to follow up the question at issue between Pennant and Walpole but I may here observe, that either must be wrong in an important matter of fact. Walpole, in a note to his "Fugitive Pieces" (Lord Orford's _Works_, vol. i. p. 210-17.), writes thus: "_Having by permission of the Lord Chamberlain obtained a copy of the picture at Windsor Castle, called The Countess of Desmond, I discovered that it is not her portrait; on the back is written in an old hand, 'The Mother of Rembrandt.'_" He then proceeds to prove the identity of this picture with one given to King Charles I. by Sir Robert Car, "My Lord Ankrom" (after Duke of Roxburg), and set down in the Windsor Catalogue as "_Portrait of an old woman, with a great scarf on her head, by Rembrandt_." Pennant's note differs from this in an essential particular; he mentions this picture at Windsor Castle thus: "_This was a present from Sir Robert Car, Earl of Roxburg, as is signified on the back; above it is written with a pen,_ 'REMBRANDT' (not a word of his _mother_), _which must be a mistake, for Rembrandt was not fourteen years of age in 1614_, at a time when _it is certain (?) that the Countess was not living, and... it does not appear that he ever visited England_." The discrepancy of these two accounts is obvious--if it "_be written in an old hand, 'The Mother of Rembrandt,'_" on the back of the picture, it seems strange that Pennant should _omit_ the first three words; if they be not so written, it seems equally strange that Walpole should venture to _add_ them. I presume the picture at Windsor is still extant; and probably some reader of "N. & Q." having access to it, will be so good as to settle the question of accuracy and veracity between two gentlemen, of whom one must be guilty of _suppressio veri_, or the other of _suggestio falsi_. Horace Walpole, or his editor, must have corrected his "Fugitive Pieces" since the "Strawberry Hill edition," to which J. H. M. refers, was printed; for in the edition I have consulted, instead of saying "I can make no sense of the word _noie_," the meaning is correctly given in a foot-note to the inscription; and the passage given by J. H. M. is altogether omitted from the text. I must now proceed in my bold attempt to show that Horace Walpole knew nothing of a matter, into which he made a "minute inquiry." This may seem presumptuous in a tyro towards one of the old masters of antiquarian lore and research; but I plead in apology the great advance of the science since Horace Walpole's days, and the greater plenty of materials for forming or correcting a judgement. It has been well said, that a single chapter of Mr. Charles Knight's _Old England_ would full furnish and set up an antiquarian of the last century; and this is true, such and so many are the advantages for obtaining information, which we modern antiquaries possess over those who are gone before us; and lastly, to quote old Fuller's quaintness, I would say that "a dwarf on a giant's shoulders can see farther than he who carries him:" thus do I explain and excuse my attempt to impugn the conclusion of Horace Walpole. Walpole's first conjectures applied to a Countess of Desmond, whose tomb is at Sligo in Ireland, and who was widow to that _Gerald_, the sixteenth earl, _ingens rebellibus exemplar_, who was outlawed, and killed in the wood of _Glanagynty_, in the county of Kerry, A.D. 1583. Walpole applied to an Irish correspondent for copies of the inscriptions on her tomb; but we need not follow or discuss the supposition of her identity with
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Produced by Punch, or the London Charivari, Malcolm Farmer, Ernest Schaal and the Online Distributed Proofreading Team at http://www.pgdp.net PUNCH, OR THE LONDON CHARIVARI. VOL. 107. JUNE 21, 1894. * * * * * A RIVERSIDE LAMENT. In my garden, where the rose By the hundred gaily blows, And the river freshly flows Close to me, I can spend the summer day In a quite idyllic way; Simply charming, you would say, Could you see. I am far from stuffy town, Where the soots meander down, And the air seems--being brown-- Close to me. I am far from rushing train; _Bradshaw_ does not bore my brain, Nor, comparatively plain, _A B C_. To my punt I can repair, If the weather's fairly fair, But one grievance I have there; Close to me, As I sit and idly dream, Clammy corpses ever seem Floating down the placid stream To the sea. Though the boats that crowd the lock-- Such an animated block!-- Bring gay damsels, quite a flock, Close to me, Yet I heed not tasty togs, When, as motionless as logs, Float defunct and dismal dogs There _aussi_. As in Egypt at a feast, With each party comes at least One sad corpse, departed beast, Close to me; Till a Canon might go off, Till a Dean might swear or
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Produced by Sue Asscher ION By Plato Translated by Benjamin Jowett INTRODUCTION. The Ion is the shortest, or nearly the shortest, of all the writings which bear the name of Plato, and is not authenticated by any early external testimony. The grace and beauty of this little work supply the only, and perhaps a sufficient, proof of its genuineness. The plan is simple; the dramatic interest consists entirely in the contrast between the irony of Socrates and the transparent vanity and childlike enthusiasm of the rhapsode Ion. The theme of the Dialogue may possibly have been suggested by the passage of Xenophon's Memorabilia in which the rhapsodists are described by Euthydemus as'very precise about the exact words of Homer, but very idiotic themselves.' (Compare Aristotle, Met.) Ion the rhapsode has just come to Athens; he has been exhibiting in Epidaurus at the festival of Asclepius, and is intending to exhibit at the festival of the Panathenaea. Socrates admires and envies the rhapsode's art; for he is always well dressed and in good company--in the company of good poets and of Homer, who is the prince of them. In the course of conversation the admission is elicited from Ion that his skill is restricted to Homer, and that he knows nothing of inferior poets, such as Hesiod and Archilochus;--he brightens up and is wide awake when Homer is being recited, but is apt to go to sleep at the recitations of any other poet. 'And yet, surely, he who knows the superior ought to know the inferior also;--he who can judge of the good speaker is able to judge of the bad. And poetry is a whole; and he who judges of poetry by rules of art ought to be able to judge of all poetry.' This is confirmed by the analogy of sculpture, painting, flute-playing, and the other arts. The argument is at last brought home to the mind of Ion, who asks how this contradiction is to be solved. The solution given by Socrates is as follows:-- The rhapsode is not guided by rules of art, but is an inspired person who derives a mysterious power from the poet; and the poet, in like manner, is inspired by the God. The poets and their interpreters may be compared to a chain of magnetic rings suspended from one another, and from a magnet. The magnet is the Muse, and the ring which immediately follows is the poet himself; from him are suspended other poets; there is also a chain of rhapsodes and actors, who also hang from the Muses, but are let down at the side; and the last ring of all is the spectator. The poet is the inspired interpreter of the God, and this is the reason why some poets, like Homer, are restricted to a single theme, or, like Tynnichus, are famous for a single poem; and the rhapsode is the inspired interpreter of the poet, and for a similar reason some rhapsodes, like Ion, are the interpreters of single poets. Ion is delighted at the notion of being inspired, and acknowledges that he is beside himself when he is performing;--his eyes rain tears and his hair stands on end. Socrates is of opinion that a man must be mad who behaves in this way at a festival when he is surrounded by his friends and there is nothing to trouble him. Ion is confident that Socrates would never think him mad if he could only hear his embellishments of Homer. Socrates asks whether he can speak well about everything in Homer. 'Yes, indeed he can.' 'What about things of which he has no knowledge?' Ion answers that he can interpret anything in Homer. But, rejoins Socrates, when Homer speaks of the arts, as for example, of chariot-driving, or of medicine, or of prophecy, or of navigation--will he, or will the charioteer or physician or prophet or pilot be the better judge? Ion is compelled to admit that every man will judge of his own particular art better than the rhapsode. He still maintains, however, that he understands the art of the general as well as any one. 'Then why in this city of Athens, in which men of merit are always being sought after, is he not at once appointed a general?' Ion replies that he is a foreigner, and the Athenians and Spartans will not appoint a foreigner to be their general. 'No, that is not the real reason; there are many examples to the contrary. But Ion has long been playing tricks with the argument; like Proteus, he transforms himself into a variety of shapes, and is at last about to run away in the disguise of a general. Would he rather be regarded as inspired or dishonest?' Ion, who has no suspicion of the irony of Socrates, eagerly embraces the alternative of inspiration. The Ion, like the other earlier Platonic Dialogues, is a
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SCHOOL *** Produced by Al Haines. BOBBY BLAKE at Rockledge School _By_ FRANK A. WARNER _Author of_ "BOBBY BLAKE AT BASS COVE" "BOBBY BLAKE ON A CRUISE," Etc. WHITMAN PUBLISHING CO. RACINE, WISCONSIN Copyright, MCMXV, by BARSE & CO. Printed in the United States of America CONTENTS CHAPTER I. "The Overland Limited" II. Apples and Applethwaite Plunkit III. Fred in Trouble IV. An Eventful Afternoon V. The Tale of a Scarecrow VI. A Fish Fry and a Startling Announcement VII. Financial Affairs VIII. The Peep-Show IX. Off for Rockledge X. New Surroundings XI. Getting Acquainted XII. In the Dormitory XIII. The Poguey Fight XIV. The Honor Medal XV. Getting Into Step XVI. Hot Potatoes XVII. Lost at Sea XVIII. The Bloody Corner XIX. The Result XX. On the Brink of War XXI. Give and Take XXII. What Bobby Said XXIII. Good News Travels Slowly XXIV. Red Hair Stands for More Than Temper XXV. The Winner BOBBY BLAKE AT ROCKLEDGE SCHOOL CHAPTER I "THE OVERLAND LIMITED" A boy of about ten, with a freckled face and fiery red hair cropped close to his head, came doubtfully up the side porch steps of the Blake house in Clinton and peered through the
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Produced by Bryan Ness and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) TRANSCRIBER'S NOTES 1. Quotes, parentheses and other punctuation are sometimes missing or missplaced in the original. These have been made consistent with modern convention. 2. Apostrophes, where missing in the original, have been added. 3. Footnotes have been numbered sequentially and moved to the end the book. 4. Misspelled words have been corrected and such changes noted at the end of the book. THE PENNYLES PILGRIMAGE, OR The Money-lesse perambulation, of JOHN TAYLOR, _Alias_ the Kings Majesties _Water-Po
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Produced by David Widger. HTML version by Al Haines. MOSSES FROM AN OLD MANSE By Nathaniel Hawthorne A VIRTUOSO'S COLLECTION The other day, having a leisure hour at my disposal, I stepped into a new museum, to which my notice was casually drawn by a small and unobtrusive sign: "TO BE SEEN HERE, A VIRTUOSO'S COLLECTION." Such was the simple yet not altogether unpromising announcement that turned my steps aside for a little while from the sunny sidewalk of our principal thoroughfare. Mounting a sombre staircase, I pushed open a door at its summit, and found myself in the presence of a person, who mentioned the moderate sum that would entitle me to admittance. "Three shillings, Massachusetts tenor," said he. "No, I mean half a dollar, as you reckon in these days." While searching my pocket for the coin I glanced at the doorkeeper, the marked character and individuality of whose aspect encouraged me to expect something not quite in the ordinary way. He wore an old-fashioned great-coat, much faded, within which his meagre person was so completely enveloped that the rest of his attire was undistinguishable. But his visage was remarkably wind-flushed, sunburnt, and weather-worn, and had a most, unquiet, nervous, and apprehensive expression. It seemed as if this man had some all-important object in view, some point of deepest interest to be decided, some momentous question to ask, might he but hope for a reply. As it was evident, however, that I could have nothing to do with his private affairs, I passed through an open doorway, which admitted me into the extensive hall of the museum. Directly in front of the portal was the bronze statue of a youth with winged feet. He was represented in the act of flitting away from earth, yet wore such a look of earnest invitation that it impressed me like a summons to enter the hall. "It is the original statue of Opportunity, by the ancient sculptor Lysippus," said a gentleman who now approached me. "I place it at the entrance of my museum, because it is not at all times that one can gain admittance to such a collection." The speaker was a middle-aged person, of whom it was not easy to determine whether he had spent his life as a scholar or as a man of action; in truth, all outward and obvious peculiarities had been worn away by an extensive and promiscuous intercourse with the world. There was no mark about him of profession, individual habits, or scarcely of country; although his dark complexion and high features made me conjecture that he was a native of some southern clime of Europe. At all events, he was evidently the virtuoso in person. "With your permission," said he, "as we have no descriptive catalogue, I will accompany you through the museum and point out whatever may be most worthy of attention. In the first place, here is a choice collection of stuffed animals." Nearest the door stood the outward semblance of a wolf, exquisitely prepared, it is true, and showing a very wolfish fierceness in the large glass eyes which were inserted into its wild and crafty head. Still it was merely the skin of a wolf, with nothing to distinguish it from other individuals of that unlovely breed. "How does this animal deserve a place in your collection?" inquired I. "It is the wolf that devoured Little Red Riding Hood," answered the virtuoso; "and by his side--with a milder and more matronly look, as you perceive--stands the she-wolf that suckled Romulus and Remus." "Ah, indeed!" exclaimed I. "And what lovely lamb is this with the snow-white fleece, which seems to be of as delicate a texture as innocence itself?" "Methinks you have but carelessly read Spenser," replied my guide, "or you would at once recognize the'milk-white
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Produced by Marius Masi, Don Kretz and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's notes: (1) Numbers following letters (without space) like C2 were originally printed in subscript. Letter subscripts are preceded by an underscore, like C_n. (2) Characters following a carat (^) were printed in superscript. (3) Side-notes were relocated to function as titles of their respective paragraphs. (4) Macrons and breves above letters and dots below letters were not inserted. (5) [root] stands for the root symbol; [alpha], [beta], etc. for greek letters. (6) The following typographical errors have been corrected: ARTICLE LABYRINTHULIDEA: "From each cyst ultimately emerges a single amoeba, or more rarely four (figs. 6, 7)." 'amoeba' amended from 'amoebae'. ARTICLE LACE: "... upon the lace-making industry in Buckinghamshire, Bedfordshire and Northamptonshire contains many illustrations of laces made in these counties from the 17th century to the present time." 'Bedfordshire' amended from 'Bedforshire'. ARTICLE LACONIA: "The coast, especially on the east, is rugged and dangerous." 'especially' amended from 'expecially'. ARTICLE LA FARGE, JOHN: "Hokusai: A Talk about Hokusai (New York, 1897), and An Artist's Letters from Japan (New York, 1897)." 'Hokusai' amended from 'Hoksuai'. ARTICLE LAMELLIBRANCHIA: "The series of oval holes on the back of the lamella are the water-pores which open between the filaments in irregular rows separated horizontally by the transverse inter-filamentar junctions." 'filamentar' amended from 'filmentar'. THE ENCYCLOPAEDIA BRITANNICA ELEVENTH EDITION FIRST edition, published in three volumes, 1768-1771. SECOND " " ten " 1777-1784. THIRD " " eighteen " 1788-1797. FOURTH " " twenty " 1801-1810. FIFTH " " twenty " 1815-1817. SIXTH " " twenty " 1823-1824. SEVENTH " " twenty-one " 1830-1842. EIGHTH " " twenty-two " 1853-1860. NINTH " " twenty-five " 1875-1889. TENTH " ninth edition and eleven supplementary volumes, 1902-1903. ELEVENTH " published in twenty-nine volumes, 1910-1911. COPYRIGHT in all countries subscribing to the Bern Convention by THE CHANCELLOR, MASTERS AND SCHOLARS of the UNIVERSITY OF CAMBRIDGE _All rights reserved_ THE ENCYCLOPAEDIA BRITANNICA A DICTIONARY OF ARTS, SCIENCES, LITERATURE AND GENERAL INFORMATION ELEVENTH EDITION VOLUME XVI L to LORD ADVOCATE New York Encyclopaedia Britannica, Inc. 342 Madison Avenue Copyright, in the United States of America, 1910, by The Encyclopaedia Britannica Company. VOLUME XVI, SLICE I L to Lamellibranchia ARTICLES IN THIS SLICE: L LA FARINA, GIUSEPPE LAACHER SEE LA FAYETTE, GILBERT MOTIER DE LAAGER LA FAYETTE, LOUISE DE LAAS, ERNST LA FAYETTE, ROCH GILBERT DU MOTIER LA BADIE, JEAN DE LA FAYETTE, PIOCHE DE LA VERGNE LABEL LAFAYETTE LABEO, MARCUS ANTISTIUS LA FERTE LABERIUS, DECIMUS LA FERTE-BERNARD LABIATAE LA FERTE-MILON LABICANA, VIA LAFFITTE, JACQUES LABICHE, EUGENE MARIN LAFFITTE, PIERRE LABICI LA FLECHE LABID LAFONT, PIERRE CHERI LABIENUS LA FONTAINE, JEAN DE LABLACHE, LUIGI LAFONTAINE, SIR LOUIS HIPPOLYTE LABOR DAY LAFOSSE, CHARLES DE LA BOURBOULE LAGARDE, PAUL ANTON DE LABOUR CHURCH, THE LAGASH LA BOURDONNAIS, FRANCOIS LAGHMAN LABOUR EXCHANGE LAGOON LABOUR LEGISLATION LAGOS (province of Nigeria) LABOUR PARTY LAGOS (seaport of Nigeria) LABRADOR LAGOS (seaport of Portugal) LABRADORITE LA GRACE LABRADOR TEA LA GRAND' COMBE LABRUM LAGRANGE, JOSEPH LOUIS LA BRUYERE, JEAN DE LAGRANGE-CHANCEL, FRANCOIS JOSEPH LABUAN LA GRANJA LABURNUM LAGRENEE, LOUIS JEAN FRANCOIS LABYRINTH LA GUAIRA LABYRINTHULIDEA LA GUERONNIERE, DUBREUIL HELION LAC LAGUERRE, JEAN HENRI GEORGES LACAILLE, NICOLAS LOUIS DE LAGUNA LACAITA, SIR JAMES LA HARPE, JEAN FRANCOIS DE LA CALLE LAHIRE, LAURENT DE LA CALPRENEDE, COSTES LAHN LA CARLOTA LAHNDA LACCADIVE ISLANDS LA HOGUE, BATTLE OF LACCOLITE LAHORE LACE LA HOZ Y MOTA, JUAN CLAUDIO DE LACE-BARK TREE LAHR LACEDAEMON LAIBACH LACEPEDE, BERNARD DE LA VILLE LAIDLAW, WILLIAM LACEWING-FLY LAING, ALEXANDER GORDON LA CHAISE, FRANCOIS DE LAING, DAVID LA CHAISE-DIEU LAING, MALCOLM LA CHALOTAIS, DE CARADEUC DE LAING, SAMUEL LA CHARITE LAING'S NEK LA CHAUSSEE, NIVELLE DE LAIRD, MACGREGOR LACHES LAIS LACHINE LAISANT, CHARLES ANNE LACHISH LAI-YANG LACHMANN, FRIEDRICH WILHELM LAKANAL, JOSEPH LACINIUM, PROMUNTURIUM LAKE, GERARD LAKE LA CIOTAT LAKE LA CLOCHE, JAMES DE LAKE CHARLES LA CONDAMINE, CHARLES MARIE DE LAKE CITY LACONIA (Peloponnese district) LAKE DISTRICT LACONIA (New Hampshire, U.S.A.) LAKE DWELLINGS LACONICUM LAKE GENEVA LACORDAIRE, JEAN BAPTISTE HENRI LAKE OF THE WOODS LACQUER LAKE PLACID LACRETELLE, PIERRE LOUIS DE LAKEWOOD LACROIX, ANTOINE FRANCOIS ALFRED LAKH LACROIX, PAUL LAKHIMPUR LACROMA LAKSHMI LA CROSSE LALAING, JACQUES DE LACROSSE LALANDE, JOSEPH JEROME LEFRANCAIS DE LA CRUZ, RAMON DE LALIN LACRYMATORY LA LINEA LACTANTIUS FIRMIANUS LALITPUR LACTIC ACID LALLY, THOMAS ARTHUR LACTONES LALLY-TOLLENDAL, TROPHIME GERARD LA CUEVA, JUAN DE LALO, EDOUARD LACUNAR LA MADDALENA LACUZON LAMAISM LACY, FRANZ MORITZ LAMALOU-LES-BAINS LACY, HARRIETTE DEBORAH LAMA-MIAO LACY, MICHAEL ROPHINO LAMAR, LUCIUS QUINTUS CINCINNATUS LACYDES OF CYRENE LAMARCK, ANTOINE DE MONET LADAKH AND BALTISTAN LA MARGHERITA, CLEMENTE SOLARO LADD, GEORGE TRUMBULL LA MARMORA, ALFONSO FERRERO LADDER LAMARTINE, LOUIS DE PRAT DE LADING LAMB, CHARLES LADISLAUS I LAMB LADISLAUS IV. LAMBALLE, LOUISE OF SAVOY-CARIGNANO LADISLAUS V. LAMBALLE LA DIXMERIE, NICOLAS BRICAIRE DE LAMBAYEQUE LADO ENCLAVE LAMBEAUX, JEF LADOGA LAMBERMONT, AUGUSTE LADY LAMBERT, DANIEL LADYBANK LAMBERT, FRANCIS LADYBRAND LAMBERT, JOHANN HEINRICH LADY-CHAPEL LAMBERT, JOHN (English martyr) LADY DAY LAMBERT, JOHN (English general) LADYSMITH LAMBERT OF HERSFELD LAELIUS LAMBESSA LAENAS LAMBETH LAER, PIETER VAN LAMBETH CONFERENCES LAESTRYGONES LAMBINUS, DIONYSIUS LAETUS, JULIUS POMPONIUS LAMBOURN LAEVIUS LAMECH LAEVULINIC ACID LAMEGO LA FARGE, JOHN LAMELLIBRANCHIA INITIALS USED IN VOLUME XVI. TO IDENTIFY INDIVIDUAL CONTRIBUTORS,[1] WITH THE HEADINGS OF THE ARTICLES IN THIS VOLUME SO SIGNED. A. B. Ch. A. B. CHATWOOD, B.SC., A.M.INST.C.E., M.INST.ELEC.E. Lock. A. B. R. ALFRED BARTON RENDLE, M.A., D.SC, F.R.S., F.L.S. Keeper, Department of Botany, British Museum. Author of _Text Book on Classification of Flowering Plants, &c._ Leaf. A. C. F. ALEXANDER CAMPBELL FRASER, LL.D. See the biographical article: FRASER, A. C. Locke, John. A. C. S. ALGERNON CHARLES SWINBURNE. See the biographical article: SWINBURNE, A. C. Landor. A. D. HENRY AUSTIN DOBSON, LL.D. See the biographical article: Dobson, HENRY AUSTIN. Locker-Lampson. A. Fi. PIERRE MARIE AUGUSTE FILON. See the biographical article: FILON, P. M. A. Labiche. A. F. P. ALBERT FREDERICK POLLARD, M.A., F.R.HIST.SOC. Professor of English History in the University of London. Fellow of All Souls' College, Oxford. Assistant editor of the Dictionary of National Biography, 1893-1901. Lothian Prizeman, Oxford, 1892; Arnold Prizeman, 1898. Author of _England under the Protector Somerset_; _Henry VIII._; _Life of Thomas Cranmer_; &c. Lambert, Francis; Lambert, Nicholson. A. Gl. ARNOLD GLOVER, M.A., LL.B. (d. 1905) Trinity College, Cambridge; Joint-editor of _Beaumont and Fletcher_ for the Cambridge University Press. Layard. A. Go.* REV. ALEXANDER GORDON, M.A. Lecturer in Church History in the University of Manchester. Laurentius, Paul; Libertines. A. G. D. ARTHUR GEORGE DOUGHTY, C.M.G., M.A., LITT.D., F.R.HIST.S., F.R.S.(Canada). Dominion Archivist of Canada. Member of the Geographical Board of Canada. Author of _The Cradle of New France_; &c. Joint editor of _Documents relating to the Constitutional History of Canada_. Lafontaine. A. H. S. REV. ARCHIBALD HENRY SAYCE, LITT.D., LL.D. See the biographical article: SAYCE, A. H. Laodicea. A. J. G. REV. ALEXANDER JAMES GRIEVE, M.A., B.D. Professor of New Testament and Church History, Yorkshire United Independent College, Bradford. Sometime Registrar of Madras University, and Member of Mysore Educational Service. Logos (_in part_). A. J. L. ANDREW JACKSON LAMOUREUX. Librarian, College of Agriculture, Cornell University. Editor of the _Rio News_ (Rio de Janeiro), 1879-1901. Lima (_Peru_). A. L. ANDREW LANG. See the biographical article: LANG, ANDREW. La Cloche. A. M. An. ADELAIDE MARY ANDERSON, M.A. H.M. Principal Lady Inspector of Factories, Home Office. Clerk to the Royal Commission on Labour, 1892-1894. Gamble Gold Medallist, Girton College, Cambridge, 1893. Author of various articles on Industrial Life and Legislation, &c. Labour Legislation. A. M. C. AGNES MARY CLERKE. See the biographical article: CLERKE, A. M. Lagrange; Laplace; Leverrier. A. N. ALFRED NEWTON, F.R.S. See the biographical article: NEWTON, ALFRED. Lammergeyer; Lapwing; Lark; Linnet; Loom. A. P. C. ARTHUR PHILEMON COLEMAN, M.A., PH.D., F.R.S. Professor of Geology in the University of Toronto. Geologist, Bureau of Mines, Toronto, 1893-1910. Author of _Reports of the Bureau of Mines of Ontario_. Labrador (_in part_). A. P. Lo. ALBERT PETER LOW. Deputy Minister of Department of Mines, Canada. Member of Geological Survey of Canada. Author of _Report on the Exploration in the Labrador Peninsula_; &c. Labrador (_in part_). A. Se.* ADAM SEDGWICK, M.A., F.R.S. Professor of Zoology at the Imperial College of Science and Technology, London. Fellow, and formerly Tutor, of Trinity College, Cambridge. Professor of Zoology in the University of Cambridge, 1907-1909. Larval Forms. A. Sl. ARTHUR SHADWELL, M.A., M.D., LL.D., F.R.C.P. Member of Council of Epidemiological Society. Author of _The London Water-Supply_; _Industrial Efficiency_; _Drink, Temperance and Legislation_. Liquor Laws. A. So. ALBRECHT SOCIN, PH.D. (1844-1899). Formerly Professor of Semitic Philology in the Universities of Leipzig and Tubingen. Author of _Arabische Grammatik_; &c. Lebanon (_in part_). A. S. C. ALAN SUMMERLY COLE, C.B. Assistant Secretary for Art, Board of Education, 1900-1908. Author of _Ancient Needle Point and Pillow Lace_; _Embroidery and Lace_; _Ornament in European Silks_; &c. Lace. A. St H. G. ALFRED ST HILL GIBBONS. Major, East Yorkshire Regiment. Explorer in South Central Africa. Author of _Africa from South to North through Marotseland._ Lewanika. A. S. M. ALEXANDER STUART MURRAY, LL.D. See the biographical article: MURRAY, ALEXANDER STUART. Lamp. A. S. W. AUGUSTUS SAMUEL WILKINS, M.A., LL.D., LITT.D. (1843-1905). Professor of Latin, Owens College, Manchester, 1869-1905. Author of _Roman Literature_; &c. Latin Language (_in part_). A. T. T. A. T. THORSON. Official in Life Saving Service, U.S.A. Life
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Produced by Marius Masi, Don Kretz and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's notes: (1) Numbers following letters (without space) like C2 were originally printed in subscript. Letter subscripts are preceded by an underscore, like C_n. (2) Characters following a carat (^) were printed in superscript. (3) Side-notes were relocated to function as titles of their respective paragraphs. (4) Macrons and breves above letters and dots below letters were not inserted. (5) [root] stands for the root symbol; [alpha], [beta], etc. for greek letters. (6) The following typographical errors have been corrected: ARTICLE HARMONY: "So strong is the identity of the tonic in major and minor mode that Haydn and Mozart had no scruple in annexing, with certain reservations, the key-relationships of either as an addition to those of the other." 'identity' amended from 'indentity'. ARTICLE HARMOTOME: "... Andreasberg in the Harz. Morvenite (from Morven in Argyllshire) is the name given to small transparent crystals formerly referred to as phillipsite." 'as' added. ARTICLE HART, ERNEST ABRAHAM: "The record of his public work covers nearly the whole field of sanitary legislation during the last thirty years of his life." 'thirty' amended from 'thrity'. ARTICLE HART, SIR ROBERT: "In the following year he received an appointment as student-interpreter in the China consular service, ..." 'appointment' amended from 'appointemnt'. ARTICLE HARVEY, WILLIAM: "'I found him,' he says, 'with a cheerful and sprightly countenance investigating, like Democritus, the nature of things. Asking if all were well with him..." 'cheerful' amended from 'cheeerful'. ARTICLE HATHRAS: "Hathras is connected by a light railway with Muttra, and by a branch with Hathras junction, on the East Indian main line." 'Indian' amended from 'Indain'. ARTICLE HATTON, JOHN LIPTROT: "He seems to have kept this appointment for about five years. In 1856 a cantata,..." 'appointment' amended from 'apppointment'. ARTICLE HATTON, JOHN LIPTROT: "In 1875 he went to Stuttgart, and wrote an oratorio, Hezekiah, given at the Crystal Palace in 1877; like all his larger works it met with very moderate success." 'Crystal' amended from 'Cyrstal'. ARTICLE HAUREAU, (JEAN) BARTHELEMY: "... whose works, being often anonymous, raise many problems of attribution, and, though deficient in originality of thought and style,..." 'originality' amended from 'orginality'. ARTICLE HAUSER, KASPAR: "... and Earl Stanhope also took part in the discussion by publishing Materialien zur Geschichte K. Hausers (Heidelberg, 1836)." 'Materialien' amended from 'Materialen'. ARTICLE HAVANA: "English squadrons threatened the city several times in the first half of the 18th century, but it was not until 1762 that an investment,..." 'that' amended from 'than'. ARTICLE HAVELOCK, SIR HENRY: "In 1854 he became quartermaster-general, then full colonel, and lastly adjutant-general of the troops in India." 'adjutant' amended from 'ajdutant'. ARTICLE HAWAII: "He made John Young (c. 1775-1835) and Isaac Davis, Americans from one of the ships of Captain Metcalf which visited the island in 1789,..." 'Davis' amended from 'Dayis'. ARTICLE HAWKE, EDWARD HAWKE: "There is a story that he was dismissed from the service for having left the line to engage the 'Poder,' and was restored by the king's order." added 'from'. ARTICLE HAWKSHAW, SIR JOHN: "... but many years previously he had investigated for himself the question of a tunnel under the Strait of Dover from an engineering point of view, and had come to a belief in
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Produced by Jason Isbell, Janet Blenkinship and the Online Distributed Proofreading Team at http://www.pgdp.net (This file made using scans of public domain works at the University of Georgia.) THE BOTANICAL MAGAZINE; OR, Flower-Garden Displayed: IN WHICH The most Ornamental FOREIGN PLANTS, cultivated in the Open Ground, the Green-House, and the Stove, are accurately represented in their natural Colours. TO WHICH ARE ADDED, Their Names, Class, Order, Generic and Specific Characters, according to the celebrated LINNAEUS; their Places of Growth, and Times of Flowering: TOGETHER WITH THE MOST APPROVED METHODS OF CULTURE. A WORK Intended for the Use of such LADIES, GENTLEMEN, and GARDENERS, as wish to become scientifically acquainted with the Plants they cultivate. By _WILLIAM CURTIS_, Author of the FLORA LONDINENSIS. VOL. VIII. "Much I love To see the fair one bind the straggling pink, Cheer the sweet rose, the lupin, and the stock, And lend a staff to the still gadding pea. Ye fair, it well becomes you. Better thus Cheat time away, than at the crowded rout, Rustling in silk, in a small room, close-pent, And heated e'en to fusion; made to breathe A rank contagious air, and fret at whist, Or sit aside to sneer and whisper scandal." VILLAGE CURATE, p. 74. _LONDON:_ PRINTED BY STEPHEN COUCHMAN, For W. CURTIS, No 3, _St. George's-Crescent_, Black-Friars-Road; And Sold by the principal Booksellers in Great-Britain and Ireland, M DCC XCIV. */ [253] LATHYRUS ARTICULATUS. JOINTED-PODDED LATHYRUS. _Class and Order._ DIADELPHIA DECANDRIA. _Generic Character._ _Stylus_ planus, supra villosus, superne latior. _Cal._ laciniae superiores 2-breviores. _Specific Character and Synonyms._ LATHYRUS _articulatus_ pedunculis subunifloris, cirrhis polyphyllis; foliolis alternis. _Linn. Syst. Veg. ed. 14._ _Murr. p. 662._ _Ait. Kew. v. 2. p. 41._ CLYMENUM hispanicum, flore vario, siliqua articulata. _Tourn. Inst. 396._ LATHYRUS hispanicus, pedunculis bifloris, cirrhis polyphyllis foliolis alternis. _Mill. Dict. ed. 6. 4to._ The seed-vessels are of the first importance in ascertaining the several species of Lathyrus, some being naked, others hairy, some long, others short, some having a smooth and perfectly even surface, others, as in the present instance, assuming an uneven or jointed appearance. Of this genus we have already figured three annual species, common in flower-gardens, viz. _odoratus_, _tingitanus_, and _sativus_; to these we now add the _articulatus_, not altogether so frequently met with, but meriting a place on the flower-border, as the lively red and delicate white so conspicuous in its blossoms, causes it to be much admired. It is a native of Italy, and was cultivated at the Chelsea Garden, in the time of Mr. RAND, anno 1739. It is a hardy annual, requiring support, and rarely exceeding the height of two feet, flowering in July and August, and is readily raised from seeds, which should be sown in the open border at the beginning of April. [Illustration: No 253] [Illustration: No 254] [254] LOPEZIA RACEMOSA. MEXICAN LOPEZIA. _Class and Order._ MONANDRIA MONOGYNIA. _Generic Character._ _Cal._ 4-phyllus. _Cor._ irregularis, pentapetala, duo superiora geniculata, quintum inferne declinatum, plicatum, ungue arcuata. _Specific Character and Synonyms._ LOPEZIA _racemosa_ caule herbaceo ramoso; foliis alternis ovato-lanceolatis, serratis; floribus racemosis. _Cavanilles Ic. et descr. Pl._ Some plants have a claim on our attention for their utility, some for their beauty, and some for the singularity of their structure, and the wonderful nature of their oeconomy; in the last class we must place the present plant, the flowers of which we recommend to the examination of such of our readers as may have an opportunity of seeing them; to the philosophic mind, not captivated with mere shew, they will afford a most delicious treat. We first saw this novelty in flower, towards the close of the year 1792, at the Apothecaries Garden,
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Produced by Stan Goodman, Meredith Bach, and the Online Distributed Proofreading Team at http://www.pgdp.net [Transcriber's Note: This version of the text contains a number of UTF-8 characters. These characters may not appear if you don't have Unicode selected as your encoding (usually found under the View/Page menu) or the right fonts installed. A good number of printer's errors have been corrected, including all those in the Errata. All other spelling and grammar inconsistencies have been retained. As a final note, the I section of the index contains both I and J entries.] [Illustration: _Hickey del^t T. Medland sculp^t_ _Portrait of Van-ta-gin_ _Pub. May 2, 1804, by Mess^rs. Cadell, & Davies, Strand, London._] TRAVELS IN _CHINA_, CONTAINING DESCRIPTIONS, OBSERVATIONS, AND COMPARISONS, MADE AND COLLECTED IN THE COURSE OF A SHORT RESIDENCE AT THE IMPERIAL PALACE OF YUEN-MIN-YUEN, AND ON A SUBSEQUENT JOURNEY THROUGH THE COUNTRY FROM PEKIN TO CANTON. _IN WHICH IT IS ATTEMPTED TO APPRECIATE THE RANK THAT THIS EXTRAORDINARY EMPIRE MAY BE CONSIDERED TO HOLD IN THE SCALE OF CIVILIZED NATIONS._ "NON CUIVIS HOMINI CONTINGIT ADIRE _CORINTHUM_." _It is the lot of few to go to_ PEKIN. By JOHN BARROW, Esq. LATE PRIVATE SECRETARY TO THE EARL OF MACARTNEY, AND ONE OF HIS SUITE AS AMBASSADOR FROM THE KING OF GREAT BRITAIN TO THE EMPEROR OF CHINA. _ILLUSTRATED WITH SEVERAL ENGRAVINGS._ _LONDON_: Printed by A. Strahan, Printers-Street, FOR T. CADELL AND W. DAVIES, IN THE STRAND. 1804. TO _THE EARL OF MACARTNEY, K. B._ ONE OF HIS MAJESTY'S MOST HONOURABLE PRIVY COUNCIL, _&c. &c. &c._ THIS VOLUME OF TRAVELS IN CHINA, _&c._ IS RESPECTFULLY INSCRIBED, BY HIS MOST FAITHFUL AND OBLIGED HUMBLE SERVANT, JOHN BARROW. CONTENTS. CHAP. I. PRELIMINARY MATTER. _Introduction.--General View of what Travellers are likely to meet with in China.--Mistaken Notions entertained with regard to the British Embassy--corrected by the Reception and Treatment of the subsequent Dutch Embassy.--Supposed Points of Failure in the former, as stated by a French Missionary from Pekin, refuted._--Kien Long's _Letter to the_ King _of Holland.--Difference of Treatment experienced by the two Embassies explained.--Intrigues of Missionaries in foreign Countries.--Pride and Self-Importance of the Chinese Court.--List of European Embassies, and the Time of their Abode in Pekin.--Conclusion of Preliminary Subject._ Page 1 CHAP. II. Occurrences and Observations in the Navigation of the Yellow Sea, and the Passage up the Pei-ho, or White River. _Different Testimonies that have been given of the Chinese Character.--Comparison of China with Europe in the sixteenth Century.--Motives of the Missionaries in their Writings.--British Embassy passes the Streights of Formosa.--Appearance of a_ Ta-fung.--_Chu-san Islands.--Instance of Chinese Amplification.--Various Chinese Vessels.--System of their Navigation--their Compass, probably of Scythian Origin--foreign Voyages of.--Traces of Chinese in America--in an Island of the Tartarian Sea--in the Persian Gulph--traded probably as far as Madagascar.--Commerce of the Tyrians.--Reasons for conjecturing that the Hottentots may have derived their Origin from China.--Portrait of a Chinese compared with that of a Hottentot.--Malays of the same descent as the Chinese.--Curious coincidences in the Customs of these and the Sumatrans.--Cingalese of Chinese Origin.--One of the Brigs dispatched to_ Chu-san _for Pilots.--Rapid Currents among the Islands.--Visit to the Governor.--Difficulties in procuring Pilots.--Arbitrary Proceeding of the Governor.--Pilots puzzled with our Compass--Ignorance of--Arrive in the Gulph of_ Pe-tche-lee.--_Visit of two Officers from Court, and their Present--enter the_ Pei-ho, _and embark in convenient Yachts.--Accommodating Conduct of the two Officers.--Profusion of Provisions.--Appearance of the Country--of the People.--Dress of the Women.--Remarks on their small Feet.--Chinese an uncleanly and frowzy People.--Immense Crowds of People and River Craft at_ Tien-sing.--_Decent and prepossessing Conduct of the Multitude.--Musical Air sung by the Rowers of the Yachts.--Favourable in the Chinese Character.--Face and Products of the Country.--Multitudes of People Inhabitants of the Water.--Another Instance of arbitrary Power.--Disembark at_ Tong Tchoo, _and are lodged in a Temple._ 25 CHAP. III. Journey through the Capital to a Country Villa of the Emperor. Return to Pekin. The Imperial Palace and Gardens of Yuen-min-yuen, and the Parks of Gehol. _Order of Procession from_ Tong-choo _to the Capital.--Crowd assembled on the Occasion.--Appearance of Pekin without and within the Walls.--Some Account of this City.--Proceed to a Country Villa of the Emperor.--Inconveniences of.--Return to Pekin.--Embassador proceeds to Tartary.--Author sent to the Palace of_ Yuen-min-yuen.--_Miserable Lodgings of.--Visit of the President and Members of the Mathematical Tribunal.--Of the Bishop of Pekin, and others.--Gill's Sword-blades.--Hatchett's Carriages.--Scorpion found in a Cask packed at Birmingham.--Portraits of English Nobility.--Effects of Accounts from Tartary on the Officers of State in Pekin.--Emperor's return to the Capital.--Inspects the Presents.--Application of the Embassador for Leave to depart.--Short Account of the Palace and Gardens of_ Yuen-min-yuen.--_Lord Macartney's Description of the Eastern and Western Parks of Gehol.--And his general Remarks on Chinese Landscape Gardening._ 87 CHAP. IV. Sketch of the State of Society in China.--Manners, Customs, Sentiments, and Moral Character of the People. _Condition of Women, a Criterion of the State of Society.--Degraded State of in China.--Domestic Manners unfavourable to Filial Affection.--Parental Authority.--Ill Effects of separating the Sexes.--Social Intercourse unknown, except for gaming. Their Worship solitary.--Feasts of New Year.--Propensity to gaming. Influence of the Laws seem to have destroyed the natural Character of the People.--Made them indifferent, or cruel.--Various Instances of this Remark in public and in private Life.--Remarks on Infanticide.--Perhaps less general than usually thought.--Character of Chinese in Foreign Countries.--Temper and Disposition of the Chinese. Merchants. Cuckoo-Clocks.--Conduct of a Prince of the Blood. Of the Prime Minister. Comparison of the Physical and Moral Characters of the Chinese and_ Mantchoo _Tartars. General Character of the Nation illustrated._ 138 CHAP. V. Manners and Amusements of the Court--Reception of Embassadors.--Character and private Life of the Emperor--His Eunuchs and Women. _General Character of the Court--Of the buildings about the Palace_--Lord Macartney's _Account of his Introduction--Of the Celebration of the Emperor's Anniversary Festival--Of a Puppet-Shew--Comedy and Pantomime--Wrestling--Conjuring and Fire-Works--Reception and Entertainment of the Dutch Embassadors from a Manuscript Journal--Observations on the State of the Chinese Stage--Extraordinary Scene in one of their Dramas--Gross and indelicate Exhibitions--Sketch of_ Kien-Long's _Life and Character--Kills his Son by an unlucky Blow--conceives himself immortal--Influence of the Eunuchs at the Tartar Conquest--their present State and Offices--Emperor's Wife, Queens, and Concubines--How disposed of at his Death._ 191 CHAP. VI. Language.--Literature, and the fine Arts.--Sciences.--Mechanics, and Medicine. _Opinion of the Chinese Language being hieroglyphical erroneous.--Doctor Hager's mistakes.--Etymological Comparisons fallacious.--Examples of.--Nature of the Chinese written Character.--Difficulty and Ambiguity of.--Curious Mistake of an eminent Antiquarian.--Mode of acquiring the Character.--Oral Language.--Mantchoo Tartar Alphabet.--Chinese Literature.--Astronomy.--Chronology.--Cycle of sixty Years.--Geography.--Arithmetic.--Chemical Arts.--Cannon and Gunpowder.--Distillation.--Potteries.--Silk Manufactures.--Ivory.--Bamboo.--Paper.--Ink.--Printing.--Mechanics. --Music.--Painting.--Sculpture.--Architecture.--Hotel of the English Embassador in Pekin.--The Great Wall.--The Grand Canal.--Bridges.--Cemeteries.--Natural Philosophy.--Medicine.--Chinese Pharmacopoeia.--Quacks.--Contagious Fevers.--Small-pox.--Opthalmia. --Venereal Disease.--Midwifery.--Surgery.--Doctor Gregory's Opinion of their Medical Knowledge.--Sir William Jones's Opinion of their general Character._ 236 CHAP. VII. Government--Laws--Tenures of Land and Taxes--Revenues--Civil and Military Ranks, and Establishments. _Opinions on which the Executive Authority is grounded.--Principle on which an Emperor of China seldom appears in public.--The Censorate.--Public Departments.--Laws.--Scale of Crimes and Punishments.--Laws regarding Homicide.--Curious Law Case.--No Appeal from Civil Suits.--Defects in the Executive Government.--Duty of Obedience and Power of personal Correction.--Russia and China compared.--Fate of the Prime Minister_ Ho-chang-tong.--_Yearly Calendar and Pekin Gazette, engines of Government.--Freedom of the Press.--Duration of the Government attempted to be explained.--Precautions of Government to prevent Insurrections.--Taxes and Revenues.--Civil and Military Establishments.--Chinese Army, its Numbers and Appointments.--Conduct of the Tartar Government at the Conquest.--Impolitic Change of late Years, and the probable Consequences of it._ 357 CHAP. VIII. Conjectures on the Origin of the Chinese.--Their Religious Sects,--Tenets,--and Ceremonies. _Embassy departs from Pekin, and is lodged in a Temple.--Colony from Egypt not necessary to be supposed, in order to account for Egyptian Mythology in China.--Opinions concerning Chinese Origin.--Observations on the Heights of Tartary.--Probably the Resting-place of the Ark of Noah.--Ancients ignorant of the Chinese.--Seres.--First known Intercourse of Foreigners with China.--Jews.--Budhists.--Nestorians.--Mahomedans.--Roman Catholics.--Quarrels of the Jesuits and Dominicans.--Religion of Confucius.--Attached to the Prediction of future Events.--Notions entertained by him of a future State.--Of the Deity.--Doctrine not unlike that of the Stoics.--Ceremonies in Honour of his Memory led to Idolatry.--Misrepresentations of the Missionaries with regard to the Religion of the Chinese.--The_ Tao-tze _or_ Sons of Immortals.--_Their Beverage of Life.--The Disciples of_ Fo _or Budhists.--Comparison of some of the Hindu, Greek, Egyptian, and Chinese Deities.--The_ Lotos _or_ Nelumbium.--_Story of_ Osiris _and_ Isis, _and the_ Isia _compared with the Imperial Ceremony of Ploughing.--Women visit the Temples.--Practical Part of Chinese Religion.--Funeral Obsequies.--Feast of Lanterns.--Obeisance to the Emperor performed in Temples leads to Idolatry.--Primitive Religion lost or corrupted.--Summary of Chinese Religion._ 418 CHAP. IX. Journey from Tong-choo-foo to the Province of Canton.--Face of the Country, and its Productions.--Buildings and other Public Works.--Condition of the People.--State of Agriculture.--Population. _Attentions paid to the Embassy.--Observations on the Climate and Plains of_ Pe-tche-lee.--_Plants of.--Diet and Condition of the People.--Burying-place.--Observation on Chinese Cities.--Trackers of the Yachts.--Entrance of the Grand Canal. The Fishing Corvorant.--Approach to the_ Yellow River.--_Ceremony of crossing this River.--Observations on Canals and Roads.--Improvements of the Country in advancing to the Southward.--Beauty of, near_ Sau-choo-foo.--_Bridge of ninety-one Arches.--Country near_ Hang-choo-foo.--_City of.--Appearance of the Country near the_ Po-yang _Lake.--Observations in Proceeding through_ Kiang-see.--_The_ Camellia Sesanqua.--_Retrospective View of the Climate and Produce, Diet and Condition of the People, of_ Pe-tche-lee.--_Some Observations on the Capital of China.--Province of_ Shan-tung.--_Of_ Kiang-nan.--_Observations on the State of Agriculture in China.--Rice Mills.--Province of_ Tche-kiang.--_Of_ Kiang-see.--_Population of China compared with that of England.--Erroneous Opinions entertained on this Subject.--Comparative Population of a City in China and in England.--Famines accounted for.--Means of Prevention.--Causes of the Populousness of China._ 488 CHAP. X. Journey through the Province of Canton.--Situation of Foreigners trading to this Port.--Conclusion. _Visible Change in the Character of the People.--Rugged Mountains.--Collieries.--Temple in a Cavern.--Stone Quarries.--Various Plants for Use and Ornament.--Arrive at Canton.--Expence of the Embassy to the Chinese Government.--To the British Nation.--Nature and Inconveniences of the Trade to Canton.--The Armenian and his Pearl.--Impositions of the Officers of Government instanced.--Principal Cause of them is the Ignorance of the Language.--Case of Chinese trading to London.--A Chinese killed by a Seaman of His Majesty's Ship Madras.--Delinquent saved from an ignominious Death, by a proper Mode of Communication with the Government._--Conclusion. 591 LIST OF PLATES. _Portrait of Van-ta-gin_--the Frontispiece. (_v. p. 184_) _Trading Vessel_ and _Rice Mill_ to face page 37. _Portraits_ of a _Chinese_ and a _Hottentot_ to face page 50. _View_ in the _Imperial Park_ at _Gehol_ to face page 128. _Artillery_, between pages 302 and 303 with a _guard_. _Musical Instruments_ between pages 314 and 315 with a guard. _Arch_ of a _Bridge_ to face page 338. _Chinese Village_, and Mandarin's Dwelling, to face page 545. ERRATA. Page 20 line 12. _add_ a between of and crime 23. -- 2. _for_ twice _read_ thrice 39. line last, _for_ Mario _r._ Marco 44. -- 26. _for_ Toftanague _r._ Tootanague 46. -- 18. _for_ Geraffe _r._ Giraffe 81. -- 1. _add_ to between master and which 103. -- 17. _for_ monuments _r._ Monument 122. -- 7. _add_ the between of and palaces 127. -- 3. _for_ ther _r._ their 142. -- 1. _for_ whit _r._ with 183. -- 13. _for_ the _r._ a 186. -- 4. _for_ loose _r._ lose 224. in the note. _for_ A. Calpurnius _r._ T. Calpurnius 239. -- 13. _after_ cross place X 295. -- 20. _for_ numercial _r._ numerical 394. -- 15. _for_ an _r._ in ---- -- 16. _for_ in _r._ on 416. -- 1. _for_ blook _r._ stock 568. -- 12. _for_ from _
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Produced by Sam Whitehead, Suzanne Shell and the Online Distributed Proofreading Team at http://www.pgdp.net THE PRICE BY FRANCIS LYNDE AUTHOR OF THE TAMING OF RED BUTTE WESTERN, ETC. [Illustration] NEW YORK GROSSET & DUNLAP PUBLISHERS Published by Arrangement with Charles Scribner's Sons COPYRIGHT, 1911, BY CHARLES SCRIBNER'S SONS Published May, 1911 [Illustration] To MR. LATHROP BROCKWAY BULLENE SOLE FRIEND OF MY BOYHOOD, WHO WILL RECALL BETTER THAN ANY THE YOUTHFUL MORAL AND SOCIAL SEED-TIME WHICH HAS LED TO THIS LATER HARVESTING OF CONCLUSION, THIS BOOK IS AFFECTIONATELY INSCRIBED. CONTENTS CHAPTER PAGE I. AT CHAUDIERE'S 1 II. SPINDRIFT 9 III. THE RIGHT OF MIGHT 16 IV. _IO TRIUMPHE!_ 26 V. THE _BELLE JULIE_ 34 VI. THE DECK-HAND 44 VII. GOLD OF TOLOSA 53 VIII. THE CHAIN-GANG 59 IX. THE MIDDLE WATCH 68 X. QUICKSANDS 75 XI. THE ANARCHIST 84 XII. MOSES ICHTHYOPHAGUS 94 XIII. GRISWOLD EMERGENT 110 XIV. PHILISTIA 116 XV. THE GOTHS AND VANDALS 126 XVI. GOOD SAMARITANS 143 XVII. GROPINGS 154 XVIII. THE ZWEIBUND 165 XIX. LOSS AND GAIN 175 XX. THE CONVALESCENT 187 XXI. BROFFIN'S EQUATION 201 XXII. IN THE BURGLAR-PROOF 218 XXIII. CONVERGING ROADS 234 XXIV. THE FORWARD LIGHT 248 XXV. THE BRIDGE OF JEHENNAM 260 XXVI. PITFALLS 274 XXVII. IN THE SHADOWS 286 XXVIII. BROKEN LINKS 295 XXIX. ALL THAT A MAN HATH 312 XXX. THE VALLEY OF DRY BONES 332 XXXI. NARROWING WALLS 347 XXXII. THE LION'S SHARE 354 XXXIII. GATES OF BRASS 368 XXXIV. THE ABYSS 375 XXXV. MARGERY'S ANSWER 384 XXXVI. THE GRAY WOLF 396 XXXVII. THE QUALITY OF MERCY 408 XXXVIII. THE PENDULUM-SWING 416 XXXIX. DUST AND ASHES 428 XL. APPLES OF ISTAKHAR 438 XLI. THE DESERT AND THE SOWN 448 THE PRICE I AT CHAUDIERE'S In the days when New Orleans still claimed distinction as the only American city without trolleys, sky-scrapers, or fast trains--was it yesterday? or the day before?--there was a dingy, cobwebbed cafe in an arcade off Camp Street which was well-beloved of newspaperdom; particularly of that wing of the force whose activities begin late and end in the small hours. "Chaudiere's," it was called, though I know not if that were the name of the round-faced, round-bodied little Marseillais who took toll at the desk. But all men knew the fame of its gumbo and its stuffed crabs, and that its claret was neither very bad nor very dear. And if the walls were dingy and the odors from the grille pungent and penetrating at times, there went with the white-sanded floor, and the marble-topped tables for two, an Old-World air of recreative comfort which is rarer now, even in New Orleans, than it was yesterday or the day before. It was at Chaudiere's that Griswold had eaten his first breakfast in the Crescent City; and it was at Chaudiere's again that he was sharing a farewell supper with Bainbridge, of the _Louisianian_. Six weeks lay between that and this; forty-odd days of discouragement and failure superadded upon other similar days and weeks and months. The breakfast, he remembered, had been garnished with certain green sprigs of hope; but at the supper-table he ate like a barbarian in arrears to his appetite and the garnishings were the bitter herbs of humiliation and defeat. Without meaning to, Bainbridge had been strewing the path with fresh thorns for the defeated one. He had just been billeted for a run down the Central American coast to write up the banana trade for his paper, and he was boyishly jubilant over the assignment, which promised to be a zestful pleasure trip. Chancing upon Griswold in the first flush of his elation, he had dragged the New Yorker around to Chaudiere's to play second knife and fork at a small parting feast. Not that it had required much persuasion. Griswold had fasted for twenty-four hours, and he would have broken bread thankfully with an enemy. And if Bainbridge were not a friend in a purist's definition of the term, he was at least a friendly acquaintance. Until the twenty-four-hour fast was in some measure atoned for, the burden of the table-talk fell upon Bainbridge, who lifted and carried it generously on the strength of his windfall. But no topic can be immortal; and when the vacation under pay had been threshed out in all its anticipatory details it occurred to the host that his guest was less than usually responsive; a fault not to be lightly condoned under the joyous circumstances. Wherefore he protested. "What's the matter with you to-night, Kenneth, old man? You're more than commonly grumpy, it seems to me; and that's needless." Griswold took the last roll from the joint bread-plate and buttered it methodically. "Am I?" he said. "Perhaps it is because I am more than commonly hungry. But go on with your joy-talk: I'm listening." "That's comforting, as far as it goes; but I should think you might say something a little less carefully polarized. You don't have a chance to congratulate lucky people every day." Griswold looked up with a smile that was almost ill-natured, and quoted cynically: "'Unto everyone that hath shall be given, and he shall have abundance; but from him that hath not, shall be taken away even that which he hath.'" Bainbridge's laugh was tolerant enough to take the edge from his retort. "That's a pretty thing to fling at a man who never knifed you or pistoled you or tried to poison you! An innocent by-stander might say you envied me." "I do," rejoined Griswold gravely. "I envy any man who can earn enough money to pay for three meals a day and a place to sleep in." "Oh, cat's foot!--anybody can do that," asserted Bainbridge, with the air of one to whom the struggle for existence has been a mere athlete's practice run. "I know; that is your theory. But the facts disprove it. I can't, for one." "Oh, yes, you could, if you'd side-track some of your own theories and come down to sawing wood like the rest of us. But you won't do that." Griswold was a fair man, with reddish hair and beard and the quick and sensitive skin of the type. A red flush of anger crept up under the closely cropped beard, and his eyes were bright. "That is not true, and you know it, Bainbridge," he contradicted, speaking slowly lest his temper should break bounds. "Is it my fault, or only my misfortune, that I can do nothing but write books for which I can't find a publisher? Or that the work of a hack-writer is quite as impossible for me as mine is for him?" Bainbridge scoffed openly; but he was good-natured enough to make amends when he saw that Griswold was moved. "I take it all back," he said. "I suppose the book-chicken has come home again to roost, and a returned manuscript accounts for anything. But seriously, Kenneth, you ought to get down to bed-rock facts. Nobody but a crazy phenomenon can find a publisher for his first book, nowadays, unless he has had some sort of an introduction in the magazines or the newspapers. You haven't had that; so far as I know, you haven't tried for it." "Oh, yes, I have--tried and failed. It isn't in me to do the salable thing, and there isn't a magazine editor in the country who doesn't know it by this time. They've been decent about it. Horton was kind enough. He covered two pages of a letter telling me why the stuff I sent from here might fit one of the reviews and why it wouldn't fit his magazine. But that is beside the mark. I tell you, Bainbridge, the conditions are all wrong when a man with a vital message to his kind can't get to deliver it to the people who want to hear it." Bainbridge ordered the small coffees and found his cigar case. "That is about what I suspected," he commented impatiently. "You couldn't keep your peculiar views muzzled even when you were writing a bit of a pot-boiler on sugar-planting. Which brings us back to the old contention: you drop your fool socialistic fad and write a book that a reputable publisher can bring out without committing commercial suicide, and you'll stand some show. Light up and fumigate that idea awhile." Griswold took the proffered cigar half-absently, as he had taken the last piece of bread. "It doesn't need fumigating; if I could consider it seriously it ought rather to be burnt with fire. You march in the ranks of the well-fed, Bainbridge, and it is your _metier_ to be conservative. I don't, and it's mine to be radical." "What would you have?" demanded the man on the conservative side of the table. "The world is as it is, and you can't remodel it." "There is where you make the mistake common to those who cry Peace, when there is no peace," was the quick retort. "I, and my kind, can remodel it, and some day, when the burden has grown too heavy to be borne, we will. The aristocracy of rank, birth, feudal tyranny went down in fire and blood in France a century ago: the aristocracy of money will go down here, when the time is ripe." "That is good anarchy, but mighty bad ethics. I didn't know you had reached that stage of the disease, Kenneth." "Call it what you please; names don't change facts. Listen"--Griswold leaned upon the table; his eyes grew hard and the blue in them became metallic--"For more than a month I have tramped the streets of this cursed city begging--yes, that is the word--begging for work of any kind that would suffice to keep body and soul together; and for more than half of that time I have lived on one meal a day. That is what we have come to; we of the submerged majority. And that isn't all. The wage-worker himself, when he is fortunate enough to find a chance to earn his crust, is but a serf; a chattel among the other possessions of some fellow man who has acquired him in the plutocratic redistribution of the earth and the fulness thereof." Bainbridge applauded in dumb show. "Turn it loose and ease the soul-sickness, old man," he said indulgently. "I know things haven't been coming your way, lately. What is your remedy?" Griswold was fairly started now, and ridicule was as fuel to the flame. "The money-gatherers have set us the example. They have made us understand that might is right; that he who has may hold--if he can. The answer is simple: there is enough and to spare for all, and it belongs to all; to him who sows the seed and waters it, as well as to him who reaps the harvest. That is a violent remedy, you will say. So be it: it is the only one that will cure the epidemic of greed. There is an alternative, but it is only theoretical." "And that?" "It may be summed up in seven words: 'Thou shalt love thy neighbor as thyself.' When the man who employs--and rules--uses the power that money gives him to succor his fellow man, the revolution will be indefinitely postponed. But as I say, it's only a theory." Bainbridge glanced at his watch. "I must be going," he said. "The _Adelantado_ drops down the river at eleven. But in passing I'll venture a little prophecy. You're down on your luck now, and a bit hot-hearted in consequence; but some day you will strike it right and come out on top. When you do, you'll be a hard master; tattoo that on your arm somewhere so you'll be reminded of it." Griswold had risen with his entertainer, and he put his hands on the table. "God do so to me, and more, if I am, Bainbridge," he said soberly. "That's all right: when the time comes, you just remember my little fortune-telling stunt. But before we shake hands, let's get back to concrete things for a minute or two. How are you fixed for the present, and what are you going to do for the future?" Griswold's smile was not pleasant to look at. "I am 'fixed' to run twenty-four hours longer, thanks to your hospitality. For that length of time I presume I shall continue to conform to what we have been taught to believe is the immutable order of things. After that----" He paused, and Bainbridge put the question. "Well, after that; what then?" "Then, if the chance to earn it is still denied me, and I am sufficiently hungry, I shall stretch forth my hand and take what I need." Bainbridge fished in his pocket and took out a ten-dollar bank-note. "Do that first," he said, offering Griswold the money. The proletary smiled and shook his head. "No; not to keep from going hungry--not even to oblige you, Bainbridge. It is quite possible that I shall end by becoming a robber, as you paraphrasers would put it, but I sha'n't begin on my friends. Good-night, and a safe voyage to you." II SPINDRIFT The fruit steamer _Adelantado_, outward bound, was shuddering to the first slow revolutions of her propeller when Bainbridge turned the key in the door of the stuffy little state-room to which he had been directed, and went on deck. The lines had been cast off and the ship was falling by imperceptible inches away from her broadside berth at the fruit wharf. Bainbridge heard the distance-softened clang of a gong; the tremulous murmur of the screw became more pronounced, and the vessel forged ahead until the current caught the outward-swinging prow. Five minutes later the _Adelantado_ had circled majestically in mid-stream and was passing the lights of the city in review as she steamed at half-speed down the river. Bainbridge had no mind to go back to the stuffy state-room, late as it was. Instead, he lighted a fresh cigar and found a chair on the port side aft where he could sit and watch the lights wheel past in orderly procession as the fruit steamer swept around the great crescent which gives New Orleans its unofficial name. While the comfortable feeling of elation, born of his unexpected bit of good fortune, was still uppermost to lend complacency to his reflections, he yet found room for a compassionate underthought having for its object the man from whom he had lately parted. He was honestly sorry for Griswold; sorry, but not actually apprehensive. He had known the defeated one in New York, and was not unused to his rebellious outbursts against the accepted order of things. Granting that his theories were incendiary and crudely subversive of all the civilized conventions, Griswold the man was nothing worse than an impressionable enthusiast; a victim of the auto-suggestion which seizes upon those who dwell too persistently upon the wrongs of the wronged. So ran Bainbridge's epitomizing of the proletary's case; and he knew that his opinion was shared with complete unanimity by all who had known Griswold in Printing House Square. To a man they agreed in calling him Utopian, altruistic, visionary. What milder epithets should be applied to one who, with sufficient literary talent--not to say genius--to make himself a working name in the ordinary way, must needs run amuck among the theories and write a novel with a purpose? a novel, moreover, in which the purpose so overshadowed the story as to make the book a mere preachment. As a matter of course, the publishers would have nothing to do with the book. Bainbridge remembered, with considerable satisfaction, that he had confidently predicted its failure, and had given Griswold plentiful good advice while it was in process of writing. But Griswold, being quite as obstinate as he was impressionable, had refused to profit by the advice, and now the consequences of
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Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) INTERNATIONAL INCIDENTS CAMBRIDGE UNIVERSITY PRESS London: FETTER LANE, E.C. C. F. CLAY, MANAGER _Edinburgh_: 100, PRINCES STREET _London_: STEVENS AND SONS, LTD., 119 AND 120, CHANCERY LANE _Berlin_: A. ASHER AND CO. _Leipzig_: F. A. BROCKHAUS _New York_: G. P. PUTNAM'S SONS _Bombay and Calcutta_: MACMILLAN AND Co., LTD. [_All Rights reserved_] INTERNATIONAL INCIDENTS FOR DISCUSSION IN CONVERSATION CLASSES BY L. OPPENHEIM, M.A., LL.D. WHEWELL PROFESSOR OF INTERNATIONAL LAW IN THE UNIVERSITY OF CAMBRIDGE ASSOCIATE OF THE INSTITUTE OF INTERNATIONAL LAW Cambridge: at the University Press 1909 _Cambridge:_ PRINTED BY JOHN CLAY, M.A. AT THE UNIVERSITY PRESS. Transcribers' Note: Inconsistent punctuation printed in the original text has been retained. PREFACE For many years I have pursued the practice of holding conversation classes following my lectures on international law. The chief characteristic of these classes is the discussion of international incidents as they occur in everyday life. I did not formerly possess any collection, but brought before the class such incidents as had occurred during the preceding week. Of late I have found it more useful to preserve a record of some of these incidents and to add to this nucleus a small number of typical cases from the past as well as some problem cases, which were invented for the purpose of drawing the attention of the class to certain salient points of international law. As I was often asked by my students and others to bring out a collection of incidents suitable for discussion, and as the printing of such a little book frees me from the necessity of dictating the cases to my students, I have, although somewhat reluctantly, made up my mind to publish the present collection. I need hardly emphasise the fact that this collection is not intended to compete either with Scott's _Cases on International Law, selected from decisions of English and American Courts_, or with Pitt Cobbett's _Leading Cases and Opinions on International Law_, both of which are collections of standard value, but intended for quite other purposes than my own. I have spent much thought in the endeavour to class my incidents into a number of groups, but having found all such efforts at grouping futile, I therefore present them in twenty-five sections, each containing four cases of a different character. Experience has shewn me that in a class lasting two hours I am able to discuss the four cases contained in these sections. I have taken special care not to have two similar cases within the same section, for although there are no two cases exactly alike in the collection, there are several possessing certain characteristics in common. It is one of the tasks of the teacher and the students themselves to group together such of my cases as they may think are related to each other by one or more of these traits. It has been suggested that notes and hints should be appended to each case, but the purpose for which the collection is published is better served by giving the incidents devoid of any explanatory matter. Should this book induce other teachers of international law to adopt my method of seminar work, it must be left to them to stimulate their classes in such a way as to enable the students to discover on their own initiative the solution of the problems. I gladly accepted the suggestion of the publishers that the cases should be printed on writing paper and on one side of the page only, so that notes may be taken and additional cases added. I am greatly indebted to Mr Dudley Ward, of St John's College, Cambridge, my assistant, who has prepared the cases for the press and read the proofs. In deciding upon the final form of each case so many of his suggestions have been adopted that in many instances I do not know what is my own and what is his work. L. O. WHEWELL HOUSE, CAMBRIDGE, _June 12th, 1909_. TABLE OF CONTENTS PAGE SECTION I. 1. A Councillor of Legation in Difficulties 1 2. Neutral Goods on Enemy Merchantman 1 3. American Coasting Trade 3 4. A German Balloon in Antwerp 3 SECTION II. 5. Use of the White Flag 5 6. A South American "Pseudo-Republic" 5 7. A Tavern Brawl 9 8. A Threatened Diplomatic Rupture 11 SECTION III. 9. Death Sentence on Russian Terrorists 11 10. The Case of De Jager 13 11. A Kidnapped Chinaman 15 12. A Case of Bigamy 15 SECTION IV. 13. A Shot across the Frontier 17 14. A Revolted Prize 17 15. Investments Abroad 19 16. Russian Coasting Trade 19 SECTION V. 17. Exceeding the Speed Limit 21 18. A New-born Island 21 19. An Irate Queen 23 20. An Incident in the Black Sea 23 SECTION VI. 21. The Case of the _Trent_ 25 22. A Double Murderer 25 23. A Masterful Customs Official 27 24. Russian Refugees and Foreign Asylum 27 SECTION VII. 25. A Conversion at Sea 29 26. A Frontier Affray 31 27. General Vukotitch 31 28. An Anglo-French Burglar 33 SECTION VIII. 29. Signals of Distress 35 30. A Change of Parts 35 31. Violation of a Foreign Flag 37 32. A Pickpocket at Sea 37 SECTION IX. 33. Gypsies in Straits 39 34. A Question of Annexation 41 35. Disputed Fisheries 41 36. Imperial Coasting Trade 43 SECTION X. 37. A Russian Crime tried in Austria 43 38. Stratagem or Perfidy 45 39. Murder of a German Consul in Mexico 47 40. Cossacks at Large 49 SECTION XI. 41. Islanders in Revolt 49 42. Seizure of Ambassadors 51 43. An Envoy in Debt 51 44. Treaty Bargaining 53 SECTION XII. 45. A Fallen President 53 46. A Murder in Monaco 55 47. A Question of Interpretation 57 48. The Island of Santa Lucia 57 SECTION XIII. 49. An Attache's Chauffeur 59 50. In Quest of Balata 61 51. A "Sujet Mixte" 63 52. Koreans at the Hague Peace Conference 63 SECTION XIV. 53. The Adventures of a South American Physician 65 54. Extradition of a British Subject 65 55. The Case of the _Oldhamia_ 69 56. An Ambassador's Estate 73 SECTION XV. 57. Dangers of Ballooning 75 58. Family Honour 75 59. An Ocean Chase 77 60. The _Maori King_ 77 SECTION XVI. 61. The Island of Rakahanga 79 62. A Complaint against the Police 79 63. A Man with two Wives 81 64. A Murder on a Mail Boat 81 SECTION XVII. 65. Persian Disorders 83 66. The Expulsion of Monsieur de Reus 85 67. The Case of McLeod 87 68. A Thwarted Suicide 87 SECTION XVIII. 69. An Insult to an Ambassador 89 70. A Question of Legitimacy 89 71. The Coachman of an Envoy 91 72. The Case of Schnaebele 91 SECTION XIX. 73. Amelia Island 93 74. Representation to China 93 75. Exemption from Rates 95 76. Errant Balloons 97 SECTION XX. 77. Sully in England 97 78. Homicide by an Attache 99 79. A Disputed Capture 99 80. The Punishment for Murder 101 SECTION XXI. 81. A Traitor's Fate 101 82. An Interrupted Armistice 103 83. Shooting Affray in a Legation 103 84. The Surrender of Port Arthur 105 SECTION XXII. 85. An Ambassador's Brother 105 86. A Detained Steamer 107 87. Prussia and the Poles 107 88. A Charmed Life 109 SECTION XXIII. 89. A Daring Robbery 111 90. The Fall of Abdul Hamid 113 91. A President Abroad 113 92. A Rejected Ambassador 117 SECTION XXIV. 93. Revictualling of a Fortress 119 94. Dutch Reprisals 119 95. Birth on the High Seas 121 96. A High-handed Action 121 SECTION XXV. 97. The _Southern Queen_ 123 98. A Three-cornered Dispute 123 99. Russian Revolutionary Outrage in Paris 125 100. The Detention of Napoleon I. 127 SECTION I 1. _A Councillor of Legation in difficulties._ In 1868 the French journalist Leonce Dupont, the owner of the Parisian newspaper _La Nation_, became bankrupt. It was discovered that this paper was really founded by the councillor of the Russian legation in Paris, Tchitcherine, who had supplied the funds necessary to start it, for the purpose of influencing public opinion in Russian interests. The creditors claimed that Tchitcherine was liable for the debts of Dupont, and brought an action against him. 2. _Neutral Goods on Enemy Merchantman._ A belligerent man-of-war sinks his prize, an enemy merchantman, on account of the impossibility of sparing a prize crew. Part of the cargo belongs to neutral owners, who claim compensation for the loss of their goods. 3. _American Coasting Trade._ In 1898, after having acquired the Philippines and the island of Puerto Rico from Spain by the peace treaty of Paris, and in 1899, after having acquired the Hawaiian Islands, the United States declared trade between any of her ports and these islands to be coasting trade, and reserved it exclusively for American vessels. 4. _A German Balloon in Antwerp._ The following telegram appeared in the _Morning Post_ of April 7th, 1909, dated Brussels, April 6th: "An incident which is regarded with some seriousness by Belgians has occurred at Antwerp. A balloon which for a time was observed to be more or less stationary over the forts finally came to earth in close proximity to them. It proved to be a German balloon, the _Dusseldorf No. 3_, controlled by two men, who, on being interrogated by the Commander of the fortifications, declared themselves to be merely a banker and a farmer interested in ballooning in an amateur fashion, who had been obliged to descend. The General commanding the Territorial Division adjoining Antwerp was informed of the incident. On an inquiry being opened it was found that the aeronauts were none other than two German officers, and that the balloon forms part of the German Army _materiel_. The Minister for War was immediately informed, and he has communicated the facts of the case to his colleagues. The inquiry is being continued. In the balloon was found a quantity of photographic apparatus." SECTION II 5. _The Use of the White Flag._ During war between states A and B, an outlying fort of a harbour of state A is being bombarded by the fleet of state B, and is in danger of capture. Suddenly the white flag is hoisted on the fort, and a boat flying a white flag and carrying an officer and some men leaves the fort and makes for the flagship of the bombarding fleet. Thereupon the fleet receives the order to cease firing. Shortly after this has been carried out, the boat flying the white flag, instead of continuing its course, returns to the fort. Under cover of this manoeuvre the bombarded garrison succeeds in abandoning the fort and withdrawing in safety. 6. _A South American "Pseudo-republic."_ The following appeared in the _Times_ of April 26th, 1904: "The utility for the practical politician of the study of that branch of sociology to which M. Lebon has given the non-classical name of the psychology of crowds is amusingly demonstrated in the fact of the efforts of the still nebulous State of Counany to materialize and to attain a separate and independent existence among the South American Republics. What is taking place would seem to be a simple phenomenon of suggestion, induced by the example of Panama. The fate of the vague territory known as Counany had been settled, as every one supposed, by the arbitral sentence of the Swiss Tribunal by which this region, with which France and Brazil had played diplomatic battledore and shuttlecock for more than 175 years, was finally handed over to the latter Power. "Brazil has never, it appears, taken effective possession of Counany, and the population, whose flag, if ethnographic differences were to be symbolized in it, ought to be a sort of Joseph's coat of many colours, are now apparently once more appealing to the civilized world to aid them to secure a separate existence. What recently occurred on the Isthmus of Panama, when a new State sprang full fledged into being, would seem to have been an object lesson acting automatically on the nerves of these Indians, whites, <DW64>s, and half-castes, welding them into a compact whole and giving them a self-consciousness craving European sanction. Hypnotized by Panama, and, it may be, counting upon the eventual support of one of the Continental Powers which has already shown the world that Brazilian affairs are not beyond the range of its diplomatic vigilance, Counany steps once more to the fore. "A Paris morning paper, the _Journal_, plays the _role_ of introducer of the new Counany Ambassador. This Ambassador is a certain M. Brezet, who comes to France, in spite of the sentence of the arbitral tribunal, as President of a State which is described by all competent authorities as a _pseudo_-republic, summarily wiped off the map as an independent State. M. Brezet, moreover, is a Parisian who has served, it is said, in the French forces in Guiana. He is now for the second time enjoying the confidence of the Counanians, strong in the prestige won by his success in having repulsed the Brazilians who sought dutifully to carry out the terms of the clauses of the Berne Decree. 'After having prepared the military and administrative reorganization of Counany, he has come on a mission to Europe to defend the interests entrusted to him.' Such is the story reported by the _Journal_. "Counany, now described as the vast territory between the Amazon and the two Guianas, is not merely a relatively accessible stretch of coast-line and _Hinterland_ for a certain enterprising European colonial Power, which has already prospected in Brazil, Venezuela, and the unknown world between the Amazon and the Orinoco. Counany is likewise on the high road of sea communication between the south of South America and the eventual link between the Atlantic and the Pacific, known as the Panama Canal. The Counany coast-line is a covetable strip of the South American coast which at more favourable moments might even distract our attention from Morocco." 7. _A Tavern Brawl._ In 1902, in an inn on the German side of the German-French frontier, an altercation arises between Franz Heller, an Austrian subject, and a Frenchman. They leave the inn together, still quarrelling. The Frenchman hits Heller with his stick and runs away across the frontier. Heller, however, draws a revolver and shoots the Frenchman dead. The French government demands his extradition for murder. 8. _A Threatened Diplomatic Rupture._ The following appeared in the _Times_ of Feb. 22nd, 1908, dated Sofia, Feb. 21st: "A diplomatic rupture between Servia and Montenegro is threatened. The Servian Minister has been instructed to leave Cettigne should satisfaction not be accorded for certain injurious observations made by M. Tomanovich, the Montenegrin Premier, in the course of a recent speech. Relations between the two dynasties and countries have long been strained, and the quarrel has become acute since the refusal of the Servian Government to take the measures demanded by Montenegro against refugees and others accused of participation in the recent plot against the life of Prince Nicholas." SECTION III 9. _Death Sentence on Russian Terrorists._ The following appeared in the _Times_ of Feb.
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Produced by Joe Longo and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) PATENT LAWS OF THE REPUBLIC OF HAWAII, AND RULES OF PRACTICE IN THE PATENT OFFICE. _FIFTH EDITION, 1897._ HONOLULU: HAWAIIAN GAZETTE COMPANY. 1897. PATENT LAWS OF THE REPUBLIC OF HAWAII. ACTS NOW IN FORCE. AN ACT TO REGULATE THE ISSUING OF PATENTS. _Be it Enacted by the King and the Legislative Assembly of the Hawaiian Islands, in the Legislature of the Kingdom Assembled_: SECTION 1. All patents shall be issued in the name of His Majesty the King, under the Seal of the Interior Department, and shall be signed by the Minister of Interior and countersigned by the Commissioner of Patents, and they shall be recorded together with the specifications in the office of the Interior Department in books kept for the purpose. SECTION 2. Every patent shall contain a short title or description of the invention or discovery, correctly indicating its nature and design, and a grant to the patentee, his heirs or assigns for the term of ten[A] years, of the exclusive right to make, use and vend the invention or discovery throughout the Hawaiian Islands, referring to the specification for the particulars thereof. A copy of the specifications and drawings shall be annexed to the patent and be a part thereof. SECTION 3. Any person who has invented or discovered any new and useful art, machine, manufacture, process or composition of matter, or any new and useful improvement thereof not known or used by others in this country, and not patented (
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Produced by Jonathan Ingram, Joris Van Dael and PG Distributed Proofreaders A TALE OF ONE CITY: THE NEW BIRMINGHAM. _Papers Reprinted from the "Midland Counties Herald"_, BY THOMAS ANDERTON. Birmingham: "MIDLAND COUNTIES HERALD" OFFICE. TO BE HAD FROM CORNISH BROTHERS, NEW STREET; MIDLAND EDUCATIONAL CO., CORPORATION STREET. 1900 I. PROLOGUE. The present century has seen the rise and development of many towns in various parts of the country, and among them Birmingham is entitled to take a front place. If Thomas Attwood or George Frederick Muntz could now revisit the town they once represented in Parliament they would probably stare with amazement at the changes that have taken place in Birmingham, and would require a guide to show them their way about the town--now a city--they once knew so well. The material history of Birmingham was for a series of years a story of steady progress and prosperity, but of late years the city has in a political, social, and municipal sense advanced by leaps and bounds. It is no longer "Brummagem" or the "Hardware Village," it is now recognised as the centre of activity and influence in Mid-England; it is the Mecca of surrounding populous districts, that attracts an increasing number of pilgrims who love life, pleasure, and shopping. Birmingham, indeed, has recently been styled "the best governed city in the world"--a title that is, perhaps, a trifle too full and panegyrical to find ready and general acceptance. If, however, by this very lofty and eulogistic description is meant a city that has been exceptionally prosperous, is well looked after,
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E-text prepared by MWS and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 53010-h.htm or 53010-h.zip: (http://www.gutenberg.org/files/53010/53010-h/53010-h.htm) or (http://www.gutenberg.org/files/53010/53010-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/lastabbotofglast00crakrich [Illustration: “WHAT HAVE WE HERE? S. JOSEPH HELP US!” _Page 3._] THE LAST ABBOT OF GLASTONBURY. A Tale of the Dissolution of the Monasteries. by the REV. A. D. CRAKE, B.A., Fellow of the Royal Historical Society; Vicar of Havenstreet, I.W.; Author of Fairleigh Hall, The Chronicles of Æscendune, The Camp on the Severn, etc., etc. Oxford and London: A. R. Mowbray & Co. HISTORICAL PREFACE. The Author humbly ventures to offer the ninth of his series of original tales, illustrating Church History, to the public; encouraged by the favourable reception the previous volumes have found. In the tales, “Æmilius,” “Evanus,” and “The Camp on the Severn,” he has endeavoured to describe the epoch of the Pagan persecutions, under the Roman Empire; in the “Three Chronicles of Æscendune,” successive epochs of Early English history; in the “Andredsweald,” the Norman Conquest; in “Fairleigh Hall,” the Great Rebellion; and in the _present_ volume, one of the earliest of the series of events ordinarily grouped under the general phrase “The Reformation,” the destruction of the Monasteries. It is many years since the writer was first attracted and yet saddened by the tragical story of the fate of the last Abbot of Glastonbury, and amongst the tales by which he was wont to enliven the Sunday evenings in a large School, this narrative found a foremost place, and excited very general interest. A generation ago, few English Churchmen cared to say a good word for the unhappy monks, who suffered so cruel a persecution at the hands of Henry the Eighth and his vicar-general, Thomas Cromwell. Many, indeed, confessed a sentimental regret when they visited the ruins of such glorious fanes as Tintern, Reading, or Furness, and reflected that but for the vandalism of the period, such buildings might yet vie with the cathedrals, with which they were coeval, and if not retained for their original uses, might yet be devoted to the service of religion and humanity, in various ways; but the fear of being supposed to betray a leaning to the doctrines once taught within these ruined walls, has prevented many a writer from doing justice to the sufferers under atrocious tyranny. Yet did an act of parliament now pass the legislature giving the various episcopal palaces, deaneries, rectories, and vicarages in England, with all their furniture, to the Crown, and were the present occupants ruthlessly ejected, and hung, drawn, and quartered in case of resistance, active or passive, the injustice would not be greater, the outrage on the rights of property more flagrant, than in the case of the monasteries. The late Rev. W. Gresley, in his tale, “The Forest of Arden,” was (so far as the writer remembers) the first writer of historical fiction, amongst modern Churchmen, who attempted to render justice to our forefathers, who, born and bred under the papal supremacy, could not disguise their convictions, or transfer their allegiance to a lustful tyrant. But even he spake with “bated breath” when compared with Dean Hook, who, later on, thus writes in his lives of the Archbishops of Canterbury:-- “To an Englishman, taught to regard his house as his castle, these acts of invasion on property appear to be monstrous; our blood boils within us when we learn that by blending the Acts of Supremacy with the Treason Acts the Protestant enthusiasts under Cromwell condemned to death not fewer than 59 persons, who, however mistaken they were in their opinions, were as honest as Latimer, and more firm than Cranmer. “Of the murders of Bishop Fisher and Sir Thomas Moore, the former the greatest patron of learning, the latter ranking with the most learned men the age produced, both of them men of undoubted piety, the reader must not expect in these pages a justification or even an attempt at palliation; we should be as ready to accord the crown of martyrdom to the Abbots of Reading and _Glastonbury_ and to the Prior of S. John’s, Colchester, when rather than betray their trust they died, as we are to place it on the heads of Cranmer, Ridley, and Latimer. Although the latter had the better cause, yet we must all admit that atrocious as were the proceedings under Mary and Bonner, the persecutions under Henry and Cromwell fill the mind with greater horror.” But it may be asked, were not the atrocious crimes laid to the charge of the monks in the celebrated “Black Book,” the “Compendium compertorum,” a sufficient justification? Did not the very parliament at the recital cry “Down with them.” The opinion of such parliaments as those which passed the absurd and bloody treason acts dictated by Henry, or which condemned so many innocent victims by Acts of Attainder, or passed those most atrocious acts, “the Vagrant Acts,” by which a cruel form of slavery was established in England, only England would not put it in practice,--the professed opinion of such parliaments will weigh little with modern Englishmen. But it appears that the very accusers themselves, or at least the Government who employed them, could not have believed in the accusations; for no less than eleven of the Abbots were made Bishops to save the Government their pensions, and some of them men against whom the worst charges had been made; others became deans, and others were put into positions of trust, as parochial priests, under Cranmer himself. And who were the witnesses? Their leader, Dr. London, was put to penance for the most grievous incontinency, and afterwards thrown into prison _for perjury_, where he died miserably. Another, Layton, who figures in the tale, becoming dean of York, pawned the cathedral plate. Upon the testimony of such witnesses one would not hang a dog. But this is not the place for an investigation of the subject, nor is it one to be commended to the pure-minded reader, such garbage did these venal and foul-mouthed spies invent to justify the rapacity of their employers. Not that we would maintain the absolute purity of the monasteries, or that there was no foundation whatsoever upon which such a superstructure was reared: many of the brotherhoods had fallen far below the high ideal of their profession, or even the spiritual attainments of their brethren in earlier and better days; but there is absolute proof that in many instances the reports of the visitors were pure inventions. No just Lots were they, “vexed with the filthy conversation of the wicked,” but men of evil imaginations, who were paid to invent scandal if they could not find it.[1] I have not, therefore, hesitated to make the sufferings of the last Abbot of Glastonbury the theme of a story, but while I have adhered to the main facts of the tragedy, I have availed myself somewhat of the usual license accorded to all writers of historical fiction, justified by the example of the great and revered founder of the school, Sir Walter Scott. In particular, the words put into the mouth of the Abbot, both in his last sermon at Glastonbury and in the trial at Wells, were actually used by his fellow-sufferer, the Prior of the Charterhouse, John Houghton, under precisely similar circumstances: the reader will find the whole of the touching story in the second volume of Froude’s “History of England;” it is well worth perusal. It may be objected that one so young as the hero of the latter portion of the story, “Cuthbert the foundling,” could scarcely have been exposed to the operation of the Treason Acts, or required to take the oath of supremacy, in his twenty-first year; but there are examples of sufferers under this _régime_ at a more tender age: a month or two, more or less, made small difference in the Tudor period, especially when the interests of the Crown were concerned, or the will of the despot expressed. The concealment of the Abbey treasure, and the sympathy of the Abbot with the Pilgrimage of Grace (how could he be otherwise disposed) are matters of history. An attempt has been made, within our memory, by a modern historian, to whitewash the memory of the royal “Blue Beard,” under whom such fearful atrocities were committed; we are asked to believe that the Carthusians, dying dismembered and mutilated in so horrible a manner, or in the filth of the fetid dungeons in which they were thrown, that the aged Countess of Salisbury flying about the scaffold with her gray hairs dabbled in blood, that the Protestants who were burnt, and Catholics who were drawn and quartered, sometimes on the same day and at the same place, that such victims as Fisher, More, and Surrey, were all unwilling sacrifices to a high sense of duty on the part of the king who slew them, who also was a right honourable husband, plagued by unworthy wives, and hence deserving of the pity of married men. But to the writer, the following paragraph from a deservedly popular history, appears more nearly to represent the truth:-- “The temper of such a legislator as Henry the Eighth, and the thorough subservience, the otherwise _incredible_ cowardice and baseness of his parliaments, can only be fully exhibited by an enumeration of their penal laws, which for number, variety, severity, and inconsistency are perhaps unequalled in the annals of jurisprudence. “Instead of the calmness, the foresight, and the wisdom which are looked for in a legislator, we find the wild fantasies and ever-changing, though ever selfish caprices of a spoiled child, joined to the blind fierce malignant passions of a brutal and cruel savage. It would seem as if the disembodied demon of a Caligula or a Nero, the evil spirit that once bore their human form, had again become incarnate upon earth, let loose for some wise (though to dull mortal eyes, dimly discerned) end, to repeat in a distant age, and another clime that same strange, wild, extravagant medley of buffoonery and horror, which is fitted to move at once the laughter and execration of mankind.” (_Knight’s Pictorial History_). This is strong language, but when one rises from a perusal of the deeds committed during this reign of terror, it seems justified. The destruction also of the monastic libraries, and the decay of solid learning (Latimer being witness), must ever be regretted by the scholar. Fuller tells us that “the English monks were bookish of themselves, and much inclined to hoard up monuments of learning.” But all these treasures were ruthlessly destroyed or scattered, including books and valuable MS., which would now be worth their weight in gold. John Ball, by no means a _laudator temporis acti_, wrote to Edward VI.:-- “A number of them which purchased these superstitious mansions (the monasteries) reserved of their library books, some to serve their jakes, some to scour their candlesticks, and some to rub their boots, some they sold to the grocers and soap sellers; and some they sent over sea to the bookbinders--not in small number, but at times whole ships full.... I know a merchant man, which shall at this time be nameless, that bought the contents of two noble libraries for forty shillings a piece. A shame it is to be spoken. This stuff hath he occupied instead of grey paper by the space of more than these ten years, and yet he hath store enough for as many years to come.” It is true the monks were accused of leading idle lives; but to the unlearned, especially those who get their bread by physical labour, the student poring over his books is always “a drone.” It may be most true that the monastic system, so serviceable in the middle ages, the only shelter for peaceful men in the midst of bloodshed and strife, the only refuge for learning amongst the densely ignorant, had had its day; that the hospitals, the almshouses, the workhouses, the schools and colleges, do all the work they once did, and do it better, that in the ages, then to come, they could have filled no useful purpose had they survived. Well! supposing this granted, does it in any way justify the cruelty of the suppression? The judicious Hallam well observes, that “it is impossible to feel too much indignation at the spirit in which these proceedings were conducted.” Had vested and life interests been respected, had the admission of further novices been prohibited, and the buildings themselves, when no longer needed, utilized as hospitals and colleges, and the like; whatever men might think of the change, they would at least admit the moderation of the government; but what consideration can justify the intolerable barbarity of the persecutions. Two questions may be asked, first, what became of the monks, nearly a hundred thousand, in a population of some three millions, who were thus, with the most meagre of pensions, cruelly turned out of house and home. It must be replied that a large number, in fact all who could by any contrivance be brought under the scope of either of the numerous laws involving capital punishment, perished by the hand of the executioner. For example, begging in the first instance was punished by whipping, in the second by mutilation, and in the third the beggar was doomed “to suffer pains and execution of death as a felon, and enemy of the commonwealth.”[2] This cruel law, which was probably drawn up by Henry himself, was doubtless aimed especially at the unfortunate monks, who unfitted for labour by their sedentary lives, and unable to obtain work, would often be forced to the dreadful alternative of starvation or hanging. How many starving monks must have fallen into this dreadful trap, for their pensions even if regularly paid were miserably insufficient, and preferred to hang than to starve; doubtless they formed a large proportion of the eighty thousand criminals, who are said to have perished, by the hands of the executioner, in this dreadful reign. Secondly: what became of the monastic property amounting, it has been said, to a sum equivalent to fifty millions sterling of our present money, which was to have almost superseded taxation, and accomplished other wonderful ends? It disappeared under Henry’s incomprehensible extravagance, and at the hands of his greedy courtiers; and not only was he forced in his latter days to debase the currency, but moreover in the last November of his life, his venal parliament conferred upon him the absolute disposal of all colleges, charities, and hospitals in the kingdom, with all their manors, lands, and hereditaments, receiving only in return his gracious promise that they should all be applied for the public good. Had God not summoned the tyrant to give an account of his stewardship, within two months of the act, we might not have had a college, school, almshouse, or hospital left in England, any more than a monastery; “had he survived a little while longer,” says the impartial writer I have before quoted, “he would not have left an hospital for the care of the sick, or a school for the instruction of youth.” But I have already taxed the patience of my readers; I have promised them a tale and instead I am writing an essay. A. D. C. _December, 1883._ FOOTNOTES [1] The reader will find this subject fully and fairly treated in the sixth chapter of the Rev. J. H. Blunt’s “History of the Reformation” and the first introductory chapter of the first volume of the new series of Dean Hook’s “Lives of the Archbishops of Canterbury,” from which I have already quoted. [2] 22 Henry VIII. Cap. 12, and 27 Henry VIII. Cap. 25. INDEX. CHAP. PAGE. PART I.--The Last Abbot. PROLOGUE 1 1.--ALL HALLOW EVEN 7 2.--RETROSPECT 16 3.--THE SECRET CHAMBER 27 4.--THE ARREST 33 5.--THE ROAD-SIDE INN 44 6.--THE TRIAL 55 7.--GLASTONBURY TOR 65 8.--ON THE TRACK 74 9.--IN THE RUINS OF THE ABBEY 91 PART II.--Cuthbert the Foundling. 1.--THE OLD MANOR HOUSE 101 2.--AN EVENTFUL RAMBLE 111 3.--AN ACT OF GRATITUDE 122 4.--EXETER GAOL 135 5.--PUT TO THE QUESTION 145 6.--AN UNEXPECTED DISCLOSURE 154 7.--CASTLE REDFYRNE 164 8.--LED FORTH TO DIE 177 9.--BREATHING TIME 187 10.--THE SHADOWS DARKEN
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Produced by Alan Light. HTML version by Al Haines. Renascence and Other Poems by Edna St. Vincent Millay Contents: Renascence All I could see from where I stood Interim The room is full of you!--As I came in The Suicide "Curse thee, Life, I will live with thee no more! God's World O world, I cannot hold thee close enough! Afternoon on a Hill I will be the gladdest thing Sorrow Sorrow like a ceaseless rain Tavern I'll keep a little tavern Ashes of Life Love has gone and left me and the days are all alike; The Little Ghost I knew her for a little ghost Kin to Sorrow Am I kin to Sorrow, Three Songs of Shattering I The first rose on my rose-tree II Let the little birds sing; III All the dog-wood blossoms are underneath the tree! The Shroud Death, I say, my heart is bowed The Dream Love, if I weep it will not matter, Indifference I said,--for Love was laggard, O, Love was slow to come,-- Witch-Wife She is neither pink nor pale, Blight Hard seeds of hate I planted When the Year Grows Old I cannot but remember Sonnets I Thou art not lovelier than lilacs,--no, II Time does not bring relief; you all have lied III Mindful of you the sodden earth in spring, IV Not in this chamber only at my birth-- V If I should learn, in some quite casual way, VI Bluebeard This door you might not open, and you did; Renascence and Other Poems Renascence All I could see from where I stood Was three long mountains and a wood; I turned and looked another way, And saw three islands in a bay. So with my eyes I traced the line Of the horizon, thin and fine, Straight around till I was come Back to where I'd started from; And all I saw from where I stood Was three long mountains and a wood. Over these things I could not see; These were the things that bounded me; And I could touch them with my hand, Almost, I thought, from where I stand. And all at once things seemed so small My breath came short, and scarce at all. But, sure, the sky is big, I said; Miles and miles above my head; So here upon my back I'll lie And look my fill into the sky. And so I looked, and, after all, The sky was not so very tall. The sky, I said, must somewhere stop, And--sure enough!--I see the top! The sky, I thought, is not so grand; I'most could touch it with my hand! And reaching up my hand to try, I screamed to feel it touch the sky. I screamed, and--lo!--Infinity Came down and settled over me; Forced back my scream into my chest, Bent back my arm upon my breast, And, pressing of the Undefined The definition on my mind, Held up before my eyes a glass Through which my shrinking sight did pass Until it seemed I must behold Immensity made manifold; Whispered to me a word whose sound Deafened the air for worlds around, And brought unmuffled to my ears The gossiping of friendly spheres, The creaking of the tented sky, The ticking of Eternity. I saw and heard, and knew at last The How and Why of all things, past, And present, and forevermore. The Universe, cleft to the core, Lay open to my probing sense That, sick'ning, I would fain pluck thence But could not,--nay! But needs must suck At the great wound, and could not pluck My lips away till I had drawn All venom out.--Ah, fearful pawn! For my omniscience paid I toll In infinite remorse of soul. All sin was of my sinning, all Atoning
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Transcribed from the 1897 Archibald Constable and Company edition by David Price, email [email protected] AN ESSAY ON COMEDY AND THE USES OF THE COMIC SPIRIT by George Meredith _This Essay was first published in 'The New Quarterly Magazine' for April 1877_. ON THE IDEA OF COMEDY AND OF THE USES OF THE COMIC SPIRIT {1} Good Comedies are such rare productions, that notwithstanding the wealth of our literature in the Comic element, it would not occupy us long to run over the English list. If they are brought to the test I shall propose, very reputable Comedies will be found unworthy of their station, like the ladies of Arthur's Court when they were reduced to the ordeal of the mantle. There are plain reasons why the Comic poet is not a frequent apparition; and why the great Comic poet remains without a fellow. A society of cultivated men and women is required, wherein ideas are current and the perceptions quick, that he may be supplied with matter and an audience. The semi-barbarism of merely giddy communities, and feverish emotional periods, repel him; and also a state of marked social inequality of the sexes; nor can he whose business is to address the mind be understood where there is not a moderate degree of intellectual activity. Moreover, to touch and kindle the mind through laughter, demands more than sprightliness, a most subtle delicacy. That must be a natal gift in the Comic poet. The substance he deals with will show him a startling exhibition of the dyer's hand, if he is without it. People are ready to surrender themselves to witty thumps on the back, breast, and sides; all except the head: and it is there that he aims. He must be subtle to penetrate. A corresponding acuteness must exist to welcome him. The necessity for the two conditions will explain how it is that we count him during centuries in the singular number. 'C'est une etrange entreprise que celle de faire rire les honnetes gens,' Moliere says; and the difficulty of the undertaking cannot be over-estimated. Then again, he is beset with foes to right and left, of a character unknown to the tragic and the lyric poet, or even to philosophers. We have in this world men whom Rabelais would call agelasts; that is to say, non-laughers; men who are in that respect as dead bodies, which if you prick them do not bleed. The old grey boulder-stone that has finished its peregrination from the rock to the valley, is as easily to be set rolling up again as these men laughing. No collision of circumstances in our mortal career strikes a light for them. It is but one step from being agelastic to misogelastic, and the [Greek text], the laughter-hating, soon learns to dignify his dislike as an objection in morality. We have another class of men, who are pleased to consider themselves antagonists of the foregoing, and whom we may term hypergelasts; the excessive laughers, ever-laughing, who are as clappers of a bell, that may be rung by a breeze, a grimace; who are so loosely put together that a wink will shake them. '... C'est n'estimer rien qu'estioner tout le monde,' and to laugh at everything is to have no appreciation of the Comic of Comedy. Neither of these distinct divisions of non-laughers and over-laughers would be entertained by reading The Rape of the Lock, or seeing a performance of Le Tartuffe. In relation to the stage, they have taken in our land the form and title of Puritan and Bacchanalian. For though the stage is no longer a public offender, and Shakespeare has been revived on it, to give it nobility, we have not yet entirely raised it above the contention of these two parties. Our speaking on the theme of Comedy will appear almost a libertine proceeding to one, while the other will think that the speaking of it seriously brings us into violent contrast with the subject. Comedy, we have to admit, was never one of the most honoured of the Muses. She was in her origin, short of slaughter, the loudest expression of the little civilization of men. The light of Athene over the head of Achilles illuminates the birth of Greek Traged
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Produced by Heather Clark and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration: _Frontispiece_ COLLIE CHASED HIM AWAY _Page 138_] AMONG THE NIGHT PEOPLE BY CLARA DILLINGHAM PIERSON Author of "Among the Meadow People," "Pond People," etc. Illustrated by F. C. GORDON [Illustration] NEW YORK E. P. DUTTON AND COMPANY 31 WEST TWENTY-THIRD STREET COPYRIGHT, 1902 by E. P. DUTTON & CO. The Knickerbocker Press, New York TO RACHEL W. PIERSON THIS BOOK IS AFFECTIONATELY DEDICATED [Illustration] CONTENTS PAGE THE BLACK SPANISH CHICKENS 1 THE WIGGLERS BECOME MOSQUITOES 15 THE NAUGHTY RACCOON CHILDREN 30 THE TIMID LITTLE GROUND HOG 43 THE YOUNG RACCOONS GO TO A PARTY 55 THE SKUNKS AND THE OVEN-BIRD'S NEST 68 THE LAZY CUT-WORMS 82 THE NIGHT-MOTH'S PARTY 94 THE LONELY OLD BACHELOR MUSKRAT 110 THE GREEDY RED FOX 131 THE UNFORTUNATE FIREFLIES 148 THE KITTENS COME TO THE FOREST 160 THE INQUISITIVE WEASELS 176 THE THRIFTY DEER-MOUSE 190 THE HUMMING-BIRD AND THE HAWK-MOTH 208 [Illustration] ILLUSTRATIONS PAGE THEY WERE FREE TO GO WHERE THEY CHOSE 6 KNOCKED HIS BROTHER DOWN 40 HE STARTED OFF FOR A NIGHT'S RAMBLE 72 THEY LIVED IN THE FOREST AFTER THAT 109 THE MARSH SEEMED SO EMPTY AND LONELY 127 COLLIE CHASED HIM AWAY _Frontispiece_ 138 TWINKLING WITH HUNDREDS OF TINY LIGHTS 157 IN WINTER THEY TURNED WHITE 178 THE MICE MAKE WINTER THEIR PLAYTIME 195 THE HUMMING-BIRD AND THE HAWK-MOTH 218 [Illustration] MY DEAR LITTLE FRIENDS:--You can never guess how much I have enjoyed writing these stories of the night-time, and I must tell you how I first came to think of doing so. I once knew a girl--and she was not a very little girl, either,--who was afraid of the dark. And I have known three boys who were as brave as could be by daylight, but who would not run on an errand alone after the lamps were lighted. They never seemed to think what a beautiful, restful, growing time the night is for plants and animals, and even for themselves. I thought that if they knew more of what happens between sunset and sunrise they would love the night as well as I. It may be that you will never see Bats flying freely, or find the Owls flapping silently among the trees without touching even a twig. Perhaps while these things are happening you must be snugly tucked in bed. But that is no reason why you should not be told what they do while you are dreaming. Before this, you know, I have told you more of what is done by daylight in meadow, forest, farmyard, and pond. It would be a very queer world if we could not know about things without seeing them for ourselves, and you may like to think, when you are going to sleep, that hundreds and thousands of tiny out-of-door people are turning, and stretching, and going to find their food. In the morning, when you are dressing in your sunshiny rooms, they are cuddling down for a good day's rest. I think I ought to tell you that I have not been alone when writing these stories. I have often been in the meadow and the forest at night, and have seen and heard many interesting things, but my good Cat, Silvertip, has known far more than I of the night-doings of the out-of-door people. He has been beside me at my desk, and although at times he has shut his eyes and taken Cat-naps while I wrote, there have been many other times when he has taken the pen right out of my hand. He has even tried running the typewriter with his dainty white paws, and he has gone over every story I have written. I do not say that he has written any himself, but you can
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Produced by Giovanni Fini, StevenGibbs and the Online Distributed Proofreading Team at http://www.pgdp.net THE JOURNALS OF MAJOR-GEN. C. G. GORDON, C.B., _AT KARTOUM_. [Illustration: MAJOR-GEN. C. G. GORDON, C.B.] THE JOURNALS OF MAJOR-GEN. C. G. GORDON, C.B., AT KARTOUM. _PRINTED FROM THE ORIGINAL MSS._ INTRODUCTION AND NOTES BY A. EGMONT HAKE, AUTHOR OF “THE STORY OF CHINESE GORDON,” ETC. WITH PORTRAIT, TWO MAPS, AND THIRTY ILLUSTRATIONS AFTER SKETCHES BY GENERAL GORDON. [Illustration: LOGO] LONDON: KEGAN PAUL, TRENCH, & CO., 1 PATERNOSTER SQUARE. 1885. LONDON: PRINTED BY WILLIAM CLOWES AND SONS, LIMITED. STAMFORD STREET AND CHARING CROSS. _The rights of translation and of reproduction are reserved._ PREFACE. THE work of editing these Journals is at an end; it only remains now for me to thank one of my oldest and most valued friends, whose assistance in every way I wish most thoroughly to acknowledge: this is Mr. Godfrey Thrupp. When it became obvious that the public demand for the work made its completion in so short a time impossible—as the conscientious achievement of one man—he generously came forward. His knowledge of the East and his deep interest in the subject made him an
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Produced by Nick Hodson of London, England The Lady in the Car By William Le Queux Published by J.B. Lippincott Company, Philadelphia. This edition dated 1908. The Lady in the Car, by William Le Queux. ________________________________________________________________________ ________________________________________________________________________ THE LADY IN THE CAR, BY WILLIAM LE QUEUX. PREFACE. AN APOLOGY. I hereby tender an apology to the reader for being compelled, in these curious chronicles of an adventurous motorist and his actions towards certain of his female acquaintances, to omit real names, and to substitute assumed ones. With the law of libel looming darkly, the reason is obvious. Since the days when, as lads, we played cricket together at Cheltenham "the Prince," always a sportsman and always generous to the poor, has ever been my friend. In the course of my own wandering life of the past dozen years or so, I have come across him in all sorts of unexpected places up and down Europe, and more especially in those countries beyond the Danube which we term the Balkans. For certain of his actions, and for the ingenuity of his somewhat questionable friends, I make no apology. While the game of "mug-hunting" remains so easy and so profitable, there will be always both hunters and hunted. As my friend's escapades were related to me, so have I set them down in the following pages, in the belief that my readers may perhaps care to make more intimate acquaintance with the clever, fearless, and altogether remarkable man whose exploits have already, from time to time, been referred to in guarded and mysterious terms by the daily press. William Le Queux. CHAPTER ONE. HIS HIGHNESS'S LOVE AFFAIR. The Prince broke open a big box of choice "Petroffs," selected one, lit it slowly, and walked pensively to the window. He was in a good mood that morning, for he had just got rid of a troublesome visitor. The big _salon_ was elegantly furnished with long mirrors, gilt chairs covered with sky-blue silk upholstery, a piano, and a pretty writing-table set close to the long window, which led out to a balcony shaded by a red-and-white sun-blind--the _salon_ of the best suite in the Majestic, that huge hotel facing the sea in King's Road, Brighton. He was a tall, well-set-up man of about thirty-three; dark-haired, good-looking, easy-going, and refined, who, for the exception of the slightest trace of foreign accent in his speech, might easily have been mistaken for an Englishman. In his well-cut dark brown flannels and brown shoes he went to the balcony, and, leaning over, gazed down upon the sun-lit promenade, full of life and movement below. His arrival a few days before had caused quite a flutter in the big hotel. He had not noticed it, of course, being too used to it. He travelled a great deal--indeed, he was always travelling nowadays--and had learned to treat the constant endeavours of unknown persons to scrape acquaintance with him with the utter disregard they deserved. Not often did the Majestic, so freely patronised by the stockbroker and the newly-rich, hold as guest any person equalling the Prince in social distinction, yet at the same time so modest and retiring. The blatant persons overcrowding the hotel that August Sunday, those pompous, red-faced men in summer clothes and white boots, and those over-dressed women in cream silk blouses and golden chatelaines, mostly denizens of Kensington or Regent's Park, had been surprised when an hour ago he had walked along the hall and gone outside to speak with his chauffeur. He was so very good-looking, such a sportsman, and so very English they whispered. And half of those City men's wives were instantly dying for an opportunity of speaking with him, so that they could return to their suburban friends and tell of their acquaintance with the cousin of his Imperial Majesty the Kaiser. But Prince Albert of Hesse-Holstein was thinking of other things. He had no use for that over-fed Sunday crowd, with their slang chatter, their motor-cars and their gossip of "bithneth," through which he had just passed. He drew half a dozen times at his yellow Russian cigarette, tossed it away, and lit another. He was thinking of his visitor who had just left, and--well, there remained a nasty taste in his mouth. The man had told him something-- something that was not exactly pleasant. Anyhow, he had got rid of him. So Prince Albert Ernst Karl Wilhelm, head of the great house of Hesse-Holstein, grand-cross of the Orders of the Black Eagle, Saint Sava and the Elephant, and Commander of St Hubert and of the Crown of Italy, returned again to the balcony, smoked on, and watched. In the meantime, in the big hall below, sat a well-dressed elderly lady with her daughter, a pretty, fair-haired, blue-eyed girl of twenty, a dainty figure in white, who wore a jade bangle upon her left wrist. They were Americans on a tour with "poppa" through Europe. Mr Robert K. Jesup, of Goldfields, Nevada, had gone to pay a pilgrimage to Stratford-on-Avon, while his wife and daughter were awaiting him in Brighton. With the inquisitiveness of the American girl Mary Jesup had obtained the "Almanach de Gotha" from the reading-room, and both mother and daughter were, with difficulty, translating into English the following notice of the Prince's family which they found within the little red-covered book: "Evangeliques--Souche: Widukind III, comte de Schwalenberg (principaute de Holstein), 1116-1137; bailli a Arolsen et acquisition du chateau de Hesse vers, 1150; Comte du Saint Empire de Hesse, 1349, dignite confirme, 22 juin, 1548; bailli de Wildungen, 1475; acquisition d'Eisenberg (chateau fort, aujourd'hui en ruines, situe sur la montagne du meme nom) vers, 1485; acquisition par heritage du comte de Pyrmont, 1631; coll. du titre de `Hoch et Wohlgeboren,' Vienne, 25 fevr., 1627; pretention a l'heritage du comte de Rappolstein (Ribeaupierre Haute-Alsace) et des seigneuries de Hohenack et de Geroldseck (ibidem) par suite du mariage (2 juill, 1658) du cte Chretien-Louis, ne 29 juill, 1635, + 12 dec. 1706, avec Elisabeth de Rappolstein, nee 7 Mars, 1644, + 6 dec. 1676, apres la mort de son oncle Jean-Jacques dernier comte de Rappolstein, 28 juill, 1673; les lignes ci-dessus descendent de deux fils (freres consaiguins) du susdit Chretien-Louis comte de Hesse-Eisenberg, de Pyrmont et Rappolstein, etc.--V. L'edition de 1832 (Page 84)." "There, mother!" exclaimed the pretty girl. "Why, they were an ancient family even before America was discovered! Isn't he real nice? Say! I only wish we knew him." "Ah, my dear," replied the elder woman with a sigh. "Those kind of people never know us. He's a royalty." "But he looks such a nice man. What a lovely car he's got--real fine! I've been out to see it. How I wish he'd take us for a ride." "You'd better ask him, my dear," laughed her mother. "Guess I shouldn't be backward. I believe he would in a moment, if I asked him very nicely," she exclaimed, laughing in chorus. Truth to tell, she had admired him when she had first encountered him two days ago. She had been seated in one of those wicker chairs outside the door in King's Road, when he had come out and taken the chair next to hers, awaiting his car--a big sixty "Mercedes" painted cream, with the princely arms and crown upon its panels. He was talking in English to his man, who had carried out his motor-coat. He was a prince--one of the wealthiest of all the German princes, a keen automobilist, a sportsman who had hunted big game in German East Africa, a landlord who owned a principality with half a dozen mediaeval castles and some of the finest estates in the German Empire, and one of the Kaiser's most intimate relatives. And yet he was travelling with only his man and his motor-car. Though Mary Jesup was heiress to the two millions sterling which her father had made during the past three years--as half the people in the hotel knew--yet she was aware that even her father's wealth could not purchase for her the title of Princess of Hesse-Holstein. She was a very charming girl, bright, athletic and go-ahead--a typical American girl of to-day--and as she strolled out along the pier with her mother, her thoughts constantly reverted to the young man in brown who had given her more than one glance when he had passed. Meanwhile, there had entered to the Prince his faithful valet Charles, a tall, thin, clean-shaven Englishman, some four years his senior. "Well?" asked his Highness sharply casting himself into an easy-chair, and taking another "Petroff." "Got rid of him--eh?" "Yes--but it was difficult. I gave him a couple of sovereigns, and made an appointment to meet him in the bar of the Cecil, in London, next Thursday at four." "Good. That gives us time," remarked the Prince with a sigh of relief. "And about the girl? What have you found out?" "She and her mother dined in the _table-d'hote_ room last night, and took coffee afterwards in the Palm Court. The father is the man who owns the gold-mines in Nevada--worth ten million dollars. Last year he gave half a million dollars to charity, and bought the Bourbon pearls for his wife. Gave eighty thousand pounds for them. She's got them here, a long string twice round her neck and reaches to her waist. She's wearing them to-day, and everybody, of course, thinks they're false." "How foolish these American women are! Fancy wearing pearls of that price in the open street! Why, she might easily be robbed," his master remarked. "But who'd believe they're genuine? They're too big to take a thiefs fancy," replied the faithful Charles. "The Jesups seem fond of jewellery. Miss Mary has a lovely diamond necklet--" "And wore it last night, I suppose?" "Of course. They are newly-rich people, and crowd it all on. Yet, what does it matter? Men like Jesup can easily buy more if they lose it. Why, to have her jewels stolen is only a big advertisement for the American woman. Haven't you seen cases in the paper--mostly at Newport they seem to occur." "The girl is pretty--distinctly pretty, Charles," remarked the Prince slowly, with a philosophic air. "Yes, your Highness. And she'd esteem it a great honour if you spoke to her, I'm sure." Prince Albert pursed his lips. "I think not. These American girls have a good deal of spirit. She'd most probably snub me." "I think not. I passed through the hall five minutes ago, and she was looking you up in the `Almanach de Gotha.'" His Highness started. "Was she?" he cried with quick interest. "Then she evidently knows all about me by this time! I wonder--" and he paused without concluding his sentence. Charles saw that his master was thinking deeply, so he busied himself by putting some papers in order. "She's uncommonly pretty," his Highness declared presently. "But dare I speak to her, Charles? You know what these Americans are." "By all means speak to her. The mother and daughter would be company for you for a few days. You could invite them to go motoring, and they'd no doubt accept," the man suggested. "I don't want the same experience that we had in Vichy, you know." "Oh, never fear. These people are quite possible. Their wealth hasn't spoilt them--as far as I can hear." "Very well, Charles." The Prince laughed, tossing his cigarette-end into the grate, and rising. "I'll make some excuse to speak with them." And Charles, on his part, entertained shrewd suspicions that his master, confirmed bachelor that he was, had, at last, been attracted by a girl's fresh, fair beauty, and that girl an American. Time hung heavily upon the Prince's hands. That afternoon he ran over in his car to Worthing, where he dined at Warne's, and the evening he spent in lonely state in a box at the Brighton Alhambra. Truth to tell, he found himself thinking always of the sweet-faced, rather saucy American girl, whose waist was so neat, whose tiny shoes were so pointed, and whose fair hair was always drawn straight back from her intelligent brow. Yes. He felt he must know her. The morrow came, and with it an opportunity occurred to speak with her mother. They were sitting, as it is usual to sit, at the door of the hotel, when a mishap to a dog-cart driven by a well-known actress gave him the desired opportunity, and ten minutes later he had the satisfaction of bowing before Mary Jesup herself. He strolled with them on to the Pier, chatting so very affably that both mother and daughter could hardly believe that he was the cousin of an Emperor. Then, at his request to be allowed to join them at their table at luncheon, they had their midday meal together. The girl in white was altogether charming, and so unlike the milk-and-water misses of Germany, or the shy, dark-eyed minxes of France or Italy, so many of whom had designed to become Princess of Hesse-Holstein. Her frank open manner, her slight American twang, and her Americanisms he found all delightful. Mrs Jesup, too, was a sensible woman, although this being the first occasion that either mother or daughter had even met a prince, they used "Your Highness" a trifle too frequently. Nevertheless, he found this companionship of both women most charming. "What a splendid motor-car you have!" Mary remarked when, after luncheon, they were taking their coffee in the Palm Court at the back of the hotel. "I'm very fond of motoring, Miss Jesup. Are you?" was his Highness's reply. "I love it. Poppa's got a car. We brought it over with us and ran around France in it. We left it in Paris till we get back to the Continent in the fall. Then we do Italy," she said. "Perhaps you would like to have a run with me and your mother to-morrow," the Prince suggested. "It's quite pretty about the neighbourhood." "I'm sure you're very kind, Prince," responded the elder woman. "We should be charmed. And further, I guess my husband'll be most delighted to meet you when he gets down here. He's been in Germany a lot." "I shall be very pleased to meet Mr Jesup," the young patrician responded. "Till he comes, there's no reason why we should not have a few runs--that is, if you're agreeable." "Oh! it'll be real lovely!" declared Mary, her pretty face brightening in anticipation of the pleasure of motoring with the man she so admired. "Then what about running over to Eastbourne to tea to-day?" he suggested. Mother and daughter exchanged glances. "Well," replied Mrs Jesup, "we don't wish to put you out in the least, Prince. I'm sure--" "Good! You'll both come. I'll order the car for three o'clock." The Prince ascended the stairs much gratified. He had made a very creditable commencement. The hundred or so of other girls of various nations who had been presented to him with matrimonial intent could not compare with her, either for beauty, for charm, or for intelligence. It was a pity, he reflected, that she was not of royal, or even noble birth. Charles helped him on with a light motor-coat, and, as he did so, asked: "If the Parson calls, what am I to say?" "Say what you like, only send him back to London. Tell him he is better off in Bayswater than in Brighton. He'll understand." "He may want some money. He wrote to you yesterday, remember." "Then give him fifty pounds, and tell him that when I want to see him I'll wire. I want to be alone just now, Charles," he added a trifle impatiently. "You've got the key of my despatch-box, eh?" "Yes, your Highness." Below, he found the big cream- car in waiting. Some of the guests were admiring it, for it had an extra long wheelbase and a big touring body and hood--a car that was the last word in all that was comfort in automobilism. The English chauffeur, Garrett, in drab livery faced with scarlet, and with the princely cipher and crown upon his buttons, raised his hat on the appearance of his master. And again when a moment later the two ladies, in smart motor-coats, white caps, and champagne- veils, emerged and entered the car, being covered carefully
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Produced by Ted Garvin, Andre Lapierre and PG Distributed Proofreaders The Golden Canyon by G.A. Henty New York Hurst & Company Publishers. 1899 Contents The Golden Canyon. Chapter I. A Run Ashore II. Dick's Escape III. The Gold-Seekers IV. More Plans V. The Search For The Canyon VI. The Map Again VII. The Scarcity Of Water VIII. The Golden Valley IX. The Tree On The Peak X. Watched XI. Hard At Work XII. Retreat XIII. The Redskin XIV. In The Ravine XV. Rifle-Shots XVI. On The Return XVII. Conclusion Contents The Stone Chest. Chapter I. A Mystery Of The Storm II. Off For Zaruth III. Among The Icebergs IV. The Escape From The Icebergs V. The Arctic Island VI. The Madman VII. A Fearful Fall VIII. A Remarkable Story IX. The Volcano Of Ice X. The Escape Of The "Dart" XI. Among A Strange Foe XII. Bob's Discovery XIII. The Big Polar Bear XIV. The Finding Of The Stone Chest XV. Bob Rescues His Father--Conclusion Publishers' Introduction George Alfred Henty has been called "The Prince of Story-Tellers." To call him "The Boy's Own Historian" would perhaps be a more appropriate title, for time has proved that he is more than a story-teller; he is a preserver and propagator of history amongst boys. How Mr. Henty has risen to be worthy of these enviable titles is a story which will doubtless possess some amount of interest for all his readers. Henty may be said to have begun his preliminary training for his life-work when a boy attending school at Westminster. Even then the germ of his story-telling propensity seems to have evinced itself, for he was always awarded the highest marks in English composition. From Westminster he went to Cambridge, where he was enrolled as a student at Caius College. It is a decided change of scenery and circumstances from Cambridge to the Crimea, but such was the change which took place in Mr. Henty's career at the age of twenty-one. An appointment in connection with the commissariat department of the British army, took him from the scenes of student life into the excitement of the Muscovite war. Previous to this, however, he had written his first novel, which he has characterized as "Very bad, no doubt, and was, of course, never published, but the plot was certainly a good one." Whilst engaged with his duties at the Crimea he sent home several descriptive letters of the places, people, and circumstances passing under his notice. His father, thinking some of those letters were of more than private interest, took a selection of them to the editor of the _Morning Advertiser_, who, after perusal of them, was so well pleased with their contents that he at once appointed young Henty as war correspondent to the paper in the Crimea. The ability with which he discharged his duties in the commissariat department at that time soon found for him another sphere of similar work in connection with the hospital of the Italian forces. After a short time this was relinquished for engagement in mining work, which he first entered into at Wales, and then in Italy. Ten years after his Crimean correspondence to the _Morning Advertiser_ he again took to writing, and at this time obtained the position of special correspondent to the _Standard_. While holding this post, he contributed letters and articles on the wars in Italy and Abyssinia, and on the expedition to Khiva. Two novels came from his pen during this time, but his attention was mostly devoted to miscellaneous letters and articles. It is a specially interesting incident in the career of Mr. Henty how he came to turn his attention to writing for boys. When at home, after dinner, it was his habit to spend an hour or so with his children in telling them stories, and generally amusing them. A story begun one day would be so framed as "to be continued in the next," and so the same story would run on for a few days, each day's portion forming a sort of chapter, until the whole was completed. Some of the stories continued for weeks. Mr. Henty, seeing the fascination and interest which these stories had for his own children, bethought himself that others might receive from them the same delight and interest if they were put into book form. He at once acted upon the suggestion and wrote out a chapter of his story for each day, and instead of telling it to his children in an extempore fashion, read what he had written. When the story was completed, the various chapters were placed together and dispatched to a publisher, who at once accepted and published it. It was in this way the long series of historical stories which has come from his powerful pen was inaugurated, and G.A. Henty was awarded the title of "The Prince of Story-Tellers." There is in this incident a glimpse of the character of our author which endears him to us all. The story of his kindly interest in his own children surely creates a liking for him in the hearts of the children of others. The man who can spend an hour in telling stories to his little ones, and retain their attention and interest, has an evident sympathy with, and power over, the youthful nature. Time has proved such is the case with G.A. Henty, for up to the present he has written close on fifty stories for boys, which have been received with unbounded joy and satisfaction by all. As an indication of the reception which his books have met with, the following may be quoted from an English paper: "G.A. Henty, the English writer of juveniles, is the most popular writer in England to-day in point of sales. Over 150,000 copies of his books are sold in a year, and in America he sells from 25,000 to 50,000 during a year." "All the world" is the sphere from which Mr. Henty draws his pictures and characters for the pleasure of the young. Almost every country in the world has been studied to do service in this way, with the result that within the series of books which Mr. Henty has produced for the young we find such places dealt with as Carthage, Egypt, Jerusalem, Scotland, Spain, England, Afghanistan, Ashanti, Ireland, France, India, Gibraltar, Waterloo, Alexandria, Venice, Mexico, Canada, Virginia, and California. Doubtless what other countries remain untouched as yet are but so many fields to be attacked, and which every lad hopes to see conquered in the same masterly way in which the previous ones have been handled. As a rule much of what boys learn at school is left behind them when classes are given up for the sterner work of the world. Unless there is a special demand for a certain subject, that subject is apt to become a thing of the past, both in theory and practice. This, however, is not likely to be the case with history, so long as G.A. Henty writes books for boys, and boys read them. History is his especial forte, and that he is able to invest the dry facts of history with life, and make them attractive to the modern schoolboy, says not a little for his power as a story-teller for boys. It is questionable if history has any better means of fixing itself in the minds of youthful readers than as it is read in the pages of G.A. Henty's works. There is about it an attraction which cannot be resisted; a most unusual circumstance in connection with such a subject. All this of course means for Mr. Henty a vast amount of research and study to substantiate his facts and make his situations, characters, places, and points of time authentic. To the reader it means a benefit which is incalculable, not only as a means of passing a pleasant hour, but in reviving or imparting a general knowledge of the history and geography, the manners and customs of our own and other lands. There is a noticeable element of "Freedom" which runs through Mr. Henty's books, and in this may be said to lie their influence. From them lads get an elevating sense of independence, and a stimulus to patriotic and manly endeavor. His pages provide the purest form of intellectual excitement which it is possible to put into the hands of lads. They are always vigorous and healthy, and a power for the strengthening of the moral as well as the intellectual life. In the present work, "The Golden Canyon," a tale of the gold mines, Mr. Henty has fully sustained his reputation, and we feel certain all boys will read the book with keen interest. The Golden Canyon Chapter I.--A Run Ashore. In the month of August, 1856, the bark _Northampton_ was lying in the harbor of San Diego. In spite of the awning spread over her deck the heat was almost unbearable. Not a breath of wind was stirring in the land-locked harbor, and the bare and arid country round the town afforded no relief to the eye. The town itself looked mean and poverty-stricken, for it was of comparatively modern growth, and contained but a few buildings of importance. Long low warehouses fringed the shore, for here came for shipping vast quantities of hides; as San Diego, which is situated within a few miles of the frontier between the United States and Mexico, is the sole sheltered port available for shipping between San Francisco and the mouth of the Gulf of California. Two or three other ships which were, like the _Northampton_, engaged in shipping hides, lay near her. A sickening odor rose from the half-cured skins as they were swung up from boats alongside and lowered into the hold, and in spite of the sharp orders of the mates, the crew worked slowly and listlessly. "This is awful, Tom," a lad of about sixteen, in the uniform of a midshipman, said to another of about the same age as, after the last boat had left the ship's sides, they leaned against the bulwarks; "what with the heat, and what with the stench, and what with the captain and the first mate, life is not worth living. However, only another two or three days and we shall be full up, and once off we shall get rid of a good deal of the heat and most of the smell." "Yes, we shall be better off in those respects, Dick, but unfortunately we shan't leave the captain and mate behind." "No, I don't know which I like worst of them. It is a contrast to our last sip, Tom. What a good time we had of it on board the _Zebra_! The captain was a brick, and the mates were all good fellows. In fact, we have always been fortunate since the day we first came on board together up to now. I can't think how the owners ever appointed Collet to the command; he is not one of their own officers. But when Halford was taken suddenly ill I suppose they had no others at home to put in his place, so had to go outside. My father said that Mr. Thompson had told him that they heard that he was a capital sailor, and I have no doubt he is. He certainly handled her splendidly in that big storm we had rounding the Cape. I suppose they did not inquire much farther, as we took no passengers out to San Francisco, and were coming out to pick up a cargo of hides here for the return journey; but he is a tyrant on board, and when I get back I will tell my father, and he will let Thompson know the sort of fellow Collet is. It doesn't do one any good making complaints of a captain, but my father is such friends with Thompson that I know he will tell the other partners that he hears that Collet isn't the sort of man they care about having commanding their ships, without my name coming into it. If he does I can't help it. I know Thompson will see that I don't sail with Collet again, anyhow, and will get you with me, as he has often met you at my father's, and knows what chums we are. Collet brought Williams with him, and they were a nice pair. I believe the second and third are just as disgusted as we are, and as Allen is a nephew of one of the partners he will put a spoke in their wheel too, when he comes back." "Well, we might be worse off in some respects, Dick. We have two good officers out of the four, and we have a very fair crew, and we have good grub; and the company always victual their ships well, and don't put the officers' messing into the hands of the captain, as they do in some ships." Presently Mr. Allen, the second officer, came up with the two lads. "I am going ashore in an hour, Preston," he said to Dick; "if you like, you can come with me." "Thank you, sir; I should like it very much." "I wish you were coming too, Tom," he went on when the officer moved away. "That is one of the nuisances, Collet never letting us go ashore together." "It is a nuisance," the other said, heartily. "Of course, Allen is a very good fellow, but one can't have any larks as one could have if we were together." "Well, there are not many larks to be had here, at any rate, Tom. It is about the dullest place I ever landed at. It is a regular Mexican town, and except that they do have, I suppose, sometimes, dances and that sort of thing, there is really nothing to be done when one does go ashore, and the whole place stinks of hides. Even if one could get away for a day there is no temptation to ride about that desert-looking country, with the sun burning down on one; no one but a salamander could stand it. They are about the roughest-looking lot I ever saw in the town. Everyone has got something to do with hides one way or the other. They have either come in with them from the country, or they pack them in the warehouses, or they ship them. That and mining seem the only two things going on, and the miners, with their red shirts and pistols and knives, look even a rougher lot than the others. I took my pistol when last I went ashore; I will lend it you this evening." "Oh, I don't want a pistol, Tom; there is no chance of my getting into a row." "Oh, it is just as well to carry one, Dick, when you know that everyone else has got one about him somewhere, and a considerable number of them are drunk; it is just as well to take one. You know, it is small, and goes in my breast pocket." "I will take my stick, the one I bought at San Francisco; it has got an ounce of lead in the knob. I would rather have that than a pistol any day." However, as Dick was standing with the second officer at the top of the gangway, Tom Haldane, as he passed by, slipped the pistol into his hand and then walked on. Dick thrust it into his pocket, and then descended the ladder. It was almost dark now. "I have two or three places to go to, Preston, and do not know how long I shall be detained. It is just nine o'clock now. Suppose you meet me here at the boat at half-past ten. It will be pleasanter for you to stroll about by yourself than to be waiting about outside houses for me." "Very well, sir. I don't think there is much to see in the town, but I will take a bit of a stroll outside. It is cool and pleasant after the heat of the day." They walked together to the first house that Mr. Allen had to visit; then Dick strolled on by himself. The place abounded with wine-shops. Through the open doors the sound of the strumming of mandolins, snatches of Spanish song, and occasionally voices raised in dispute or anger, came out. Dick felt no inclination to enter any of them. Had his chum been with him he might have looked in for a few minutes for the fun of the thing, but alone he would be the object of remark, and might perhaps get involved in a quarrel. Besides the freshness of the air was so pleasant that he felt disposed for a walk, for the moon was shining brightly, the stars seemed to hang from the skies, and after having been pent up in the ship for the last four days it was pleasant to stretch the limbs in a brisk walk. In ten minutes he was outside the town, and followed the road for half an hour. "It is a comfort," he said to himself, "to have got rid of the smell of hides. If ever cholera comes this way I should think it would make a clean sweep of San Diego." Turning, he walked leisurely back; he entered the town, and had gone but a hundred yards or two when he heard a shout, followed by a pistol shot, and then, in English, a cry for help. He dashed down the street toward a group of people who, he could see in the moonlight, were engaged in a sharp struggle. One man was defending himself against four, and the oaths and exclamations of these showed that they were Mexicans. Just as he reached them the man they were attacking was struck down, and two of his assailants threw themselves upon him. Dick rushed upon the men, and felled one with a sweeping blow of his stick. The other man who was standing up sprang at him, knife in hand, with a savage oath. So quick was the action that he was upon Dick before he had time to strike a blow with his stick. He threw up his left arm to guard his head, but received a severe gash on the shoulders. At the same moment he struck out with his right, full into the face of the Mexican, who, as he staggered back, fell across the three men on the ground. Dick seized the opportunity to draw his pistol, dropping his stick as he
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Produced by John Bickers, and Dagny TWO POETS (Lost Illusions Part I) By Honore De Balzac Translated By Ellen Marriage PREPARER'S NOTE Two Poets is part one of a trilogy and begins the story of Lucien, his sister Eve, and his friend David in the provincial town of Angouleme. Part two, A Distinguished Provincial at Paris is centered on Lucien's Parisian life. Part three, Eve and David, reverts to the setting of Angouleme. In many references parts one and three are combined under the title Lost Illusions and A Distinguished Provincial at Paris is given its individual title. Following this trilogy Lucien's story is continued in another book, Scenes from a Courtesan's Life. DEDICATION To Monsieur Victor Hugo, It was your birthright to be, like a Rafael or a Pitt, a great poet at an age when other men are children; it was your fate, the fate of Chateaubriand and of every man of genius, to struggle against jealousy skulking behind the columns of a newspaper, or crouching in the subterranean places of journalism. For this reason I desired that your victorious name should help to win a victory for this work that I inscribe to you, a work which, if some persons are to be believed, is an act of courage as well as a veracious history. If there had been journalists in the time of Moliere, who can doubt but that they, like marquises, financiers, doctors, and lawyers, would have been within
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Produced by Judith Boss. HTML version by Al Haines. The Beasts of Tarzan By Edgar Rice Burroughs To Joan Burroughs CONTENTS CHAPTER 1 Kidnapped 2 Marooned 3 Beasts at Bay 4 Sheeta 5 Mugambi 6 A Hideous Crew 7 Betrayed 8 The Dance of Death 9 Chivalry or Villainy 10 The Swede 11 Tambudza 12 A Black Scoundrel 13 Escape 14 Alone in the Jungle 15 Down the Ugambi 16 In the Darkness of the Night 17 On the Deck of the "Kincaid" 18 Paulvitch Plots Revenge 19 The Last of the "Kincaid" 20 Jungle Island Again 21 The Law of the Jungle Chapter 1 Kidnapped "The entire affair is shrouded in mystery," said D'Arnot. "I have it on the best of authority that neither the police nor the special agents of the general staff have the faintest conception of how it was accomplished. All they know, all that anyone knows, is that Nikolas Rokoff has escaped." John Clayton, Lord Greystoke--he who had been "Tarzan of the Apes"--sat in silence in the apartments of his friend, Lieutenant Paul D'Arnot, in Paris, gazing meditatively at the toe of his immaculate boot. His mind revolved many memories, recalled by the escape of his arch-enemy from the French military prison to which he had been sentenced
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Produced by John Bickers; Dagny; Emma Dudding THE MAHATMA AND THE HARE A DREAM STORY by H. Rider Haggard "Ultimately a good hare was found which took the field at... There the hounds pressed her, and on the hunt arriving at the edge of the cliff the hare could be seen crossing the beach and going right out to sea. A boat was procured, and the master and some others rowed out to her just as she drowned, and, bringing the body in, gave it to the hounds. A hare swimming out to sea is a sight not often witnessed."--_Local paper, January_ 1911. "... A long check occurred in the latter part of this hunt, the hare having laid up in a hedgerow, from which she was at last evicted by a crack of the whip. Her next place of refuge was a horse-pond, which she tried to swim, but got stuck in the ice midway, and was sinking, when the huntsman went in after her. It was a novel sight to see huntsman and hare being lifted over a wall out of the pond, the eager pack waiting for their prey behind the wall."--_Local paper, February_ 1911. ***** The author supposes that the first of the above extracts must have impressed him. At any rate, on the night after the reading of it, just as he went to sleep, or on the following morning just as he awoke, he cannot tell which, there came to him the title and the outlines of this fantasy, including the command with which it ends. With a particular clearness did he seem to see the picture of the Great White Road, "straight as the way of the Spirit, and broad as the breast of Death," and of the little Hare travelling towards the awful Gates. Like the Mahatma of this fable, he expresses no opinion as to the merits of the controversy between the Red-faced Man and the Hare that, without search on his own part, presented itself to his mind in so odd a fashion. It is one on which anybody interested in such matters can form an individual judgment. THE MAHATMA[*] [*] Mahatma, "great-souled." "One of a class of persons with preter-natural powers, imagined to exist in India and Thibet."--_New English Dictionary_. Everyone has seen a hare, either crouched or running in the fields, or hanging dead in a poulterer's shop, or lastly pathetic, even dreadful-looking and in this form almost indistinguishable from a skinned cat, on the domestic table. But not many people have met a Mahatma, at least to their knowledge. Not many people know even who or what a Mahatma is. The majority of those who chance to have heard the title are apt to confuse it with another, that of Mad Hatter. This is even done of malice prepense (especially, for obvious reasons, if a hare is in any way concerned) in scorn, not in ignorance, by persons who are well acquainted with the real meaning of the word and even with its Sanscrit origin. The truth is that an incredulous Western world puts no faith in Mahatmas. To it a Mahatma is a kind of spiritual Mrs. Harris, giving an address in Thibet at which no letters are delivered. Either, it says, there is no such person, or he is a fraudulent scamp with no greater occult powers--well, than a hare. I confess that this view of Mahatmas is one that does not surprise me in the least. I never met, and I scarcely expect to meet, an individual entitled to set "Mahatma" after his name. Certainly _I_ have no right to do so, who only took that title on the spur of the moment when the Hare asked me how I was called, and now make use of it as a _nom-de-plume_. It is true there is Jorsen, by whose order, for it amounts to that, I publish this history. For aught I know Jorsen may be a Mahatma, but he does not in the least look the part. Imagine a bluff person with a strong, hard face, piercing grey eyes, and very prominent, bushy eyebrows, of about fifty or sixty years of age. Add a Scotch accent and a meerschaum pipe, which he smokes even when he is wearing a frock coat and a tall hat, and you have Jorsen. I believe that he lives somewhere in the country, is well off, and practises gardening. If so he has never asked me to his place, and I only meet him when he comes to Town, as I understand, to visit flower-shows. Then I always meet him because he orders me to do so, not by letter or by word of mouth but in quite a different way. Suddenly I receive an impression in my mind that I am to go to a certain place at a certain hour, and that there I shall find Jorsen. I do go, sometimes to an hotel, sometimes to a lodging, sometimes to a railway station or to the corner of a particular street and there I do find Jorsen smoking his big meerschaum pipe. We shake hands and he explains why he has sent for me, after which we talk of various things. Never mind what they are, for that would be telling Jorsen's secrets as well as my own, which I must not do. It may be asked how I came to know Jorsen. Well, in a strange way. Nearly thirty years ago a dreadful thing happened to me. I was married and, although still young, a person of some mark in literature. Indeed even now one or two of the books which I wrote are read and remembered, although it is supposed
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Produced by An Anonymous Volunteer and David Widger A LEGEND OF MONTROSE by Sir Walter Scott CONTENTS. I. Introduction to A LEGEND OF MONTROSE. II. Introduction (Supplement). Sergeant More M'Alpin. III. Main text of A LEGEND OF MONTROSE. IV. Appendix No. I Clan Alpin's Vow. No. II The Children of the Mist. V. Notes Note I Fides et Fiducia sunt relativa. Note II Wraiths. Note: Footnotes in the printed book have been inserted in the etext in square brackets ("[]") close to the place where they were referenced by a suffix in the original text. I. INTRODUCTION TO A LEGEND OF MONTROSE. The Legend of Montrose was written chiefly with a view to place before the reader the melancholy fate of John Lord Kilpont, eldest son of William Earl of Airth and Menteith, and the singular circumstances attending the birth and history of James Stewart of Ardvoirlich, by whose hand the unfortunate nobleman fell. Our subject leads us to talk of deadly feuds, and we must begin with one still more ancient than that to which our story relates. During the reign of James IV., a great feud between the powerful families of Drummond and Murray divided Perthshire. The former, being the most numerous and powerful, cooped up eight score of the Murrays in the kirk of Monivaird, and set fire to it. The wives and the children of the ill-fated men, who had also found shelter
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The Project Gutenberg Etext of Serge Panine, by Georges Ohnet, v1 #1 in our series The French Immortals Crowned by the French Academy #1 in our series by Georges Ohnet Copyright laws are changing all over the world, be sure to check the laws for your country before redistributing these files!!!!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Please do not remove this. This should be the first thing seen when anyone opens the book. Do not change or edit it without written permission. The words are carefully chosen to provide users with the information they need about what they can legally do with the texts. **Welcome To The
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Produced by Nick Hodson of London, England The Three Commanders, by W.H.G. Kingston. ________________________________________________________________________ This is the third in the tetralogy commencing "The Three Midshipmen" and ending with "The Three Admirals," so the three principal characters will have been familiar to Kingston's youthful readers. As with the other books it is a very good introduction to Naval life in the middle of the nineteenth century, but there are other things we can learn from this book, as well. The action soon after the start moves to East Africa, where we see how the anti-slave trade was pursued. The British were against slavery, but the Portuguese, the Americans, the Arabs, and some of the East African states were getting on with it whenever the British backs were turned. Then we move to the Crimea, where we get a very good view of the naval participation in that war. If you want to know more about the Crimea, you should definitely read this book. Finally we move to the Pacific, to Sydney and to Hawaii. Here again it is interesting, particularly with regard to the volcanoes of the Hawaii group of islands. ________________________________________________________________________ THE THREE COMMANDERS, BY W.H.G. KINGSTON. CHAPTER ONE. MURRAY'S HIGHLAND HOME--A VISIT FROM ADMIRAL TRITON--ADAIR AND HIS NEPHEW APPEAR--MURRAY APPOINTED TO THE OPAL, ADAIR FIRST LIEUTENANT-- PREPARATIONS FOR DEPARTURE--ADMIRAL TRITON AND MRS DEBORAH INVITE MRS MURRAY TO STAY AT SOUTHSEA--THE OPAL AND HER CREW--A POETICAL LIEUTENANT--PARTING BETWEEN MISS ROGERS AND ADAIR--THE OPAL SAILS FOR THE EAST COAST OF A
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Produced by Richard Tonsing and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration] THE SHIPWRECKED ORPHANS: A TRUE NARRATIVE OF THE SHIPWRECK AND SUFFERINGS OF JOHN IRELAND AND WILLIAM DOYLEY, WHO WERE WRECKED IN THE SHIP CHARLES EATON, ON AN ISLAND IN THE SOUTH SEAS. WRITTEN BY JOHN IRELAND. NEW HAVEN. PUBLISHED BY S. BABCOCK. _TO MY YOUNG READERS._ [Illustration] _My dear little Friends_: For this volume of TELLER’S TALES, I have selected the “SHIPWRECKED ORPHANS, a True Narrative of the Sufferings of John Ireland” and a little child, named William Doyley, who were unfortunately wrecked in the ship Charles Eaton, of London, and lived for several years with the natives of the South Sea Islands. The remainder of the passengers and crew of this ill-fated ship, were most inhumanly murdered by the savages soon after they landed from the wreck. The Narrative was written by one of the Orphans, John Ireland, and I give it to you in nearly his own words, having made but few alterations in the style in which he tells the story of their sufferings. The people of some of the South Sea Islands, are of a very cruel disposition; some of them are cannibals; that is, they eat the flesh of those unfortunate persons who may happen to be shipwrecked on their Islands, or whom they may
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Produced by Juliet Sutherland, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net [Transcriber's Note: Bold text is surrounded by =equal signs= and italic text by _underscores_.] THOUGHTS FOR THE QUIET HOUR Edited By D. L. Moody [Illustration] Fleming H. Revell Company CHICAGO : NEW YORK : TORONTO _Publishers of Evangelical Literature_ Copyrighted 1900 by Fleming H. Revell Company TO THE READER One of the brightest signs of the times is that many Christians in our Young People's Societies and churches are observing a "Quiet Hour" daily. In this age of rush and activity we need some special call to go apart and be alone with God for a part of each day. Any man or woman who does this faithfully and earnestly cannot be more than twenty-four hours away from God. The selections given in this volume were first published in the monthly issues of the "_Record of Christian Work_," and were found very helpful for devotional purposes. They are also a mine of thoughts, to light up the verses quoted. Being of permanent value, it has been thought desirable to transfer them from the pages of the magazine to this permanent volume. May they have a helpful ministry, leading many into closer communion with God!
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