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<H1><font color="#FF6600" size="4" face="Verdana, Arial, Helvetica, sans-serif"><b>The
Virtual</b></font><font size="6" color="#FFCC00" face="Verdana, Arial, Helvetica, sans-serif"><br>
<font size="5" color="#FF6600"><b>Fossil Museum<BR>
<FONT COLOR="#FF9900" SIZE="3">Fossils Across Geological Time
and Evolution</FONT></b></font></font></H1>
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<tr BGCOLOR="#CCCCCC">
<td COLSPAN="3" valign="top"><DIV ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#333333">Fossils
across geological time presented in multiple contexts of geological
history, the tree of life, paleobiology and evolution. The Virtual
Fossil Museum is an educational resource providing an ever-growing
extensive collection of fossil images.</FONT></DIV></td>
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<td COLSPAN="3" valign="top"><DIV ALIGN="CENTER"><FONT SIZE="2" FACE="Verdana, Arial, Helvetica, sans-serif" COLOR="#333333"><B>An
Education Resource Dedicated to the Diversity of Life</B></FONT></DIV></td>
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<td COLSPAN="3" valign="top"><div align="center"><FONT SIZE="2" FACE="Verdana, Arial, Helvetica, sans-serif" COLOR="#333333"><B><a href="fossilslinks/LifesFamilyAlbum.htm">Life's
Family Album</a></B></FONT></div></td>
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<td width="33%" valign="top"><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><a href="Evolution/Darwin.htm" onMouseOut="MM_swapImgRestore()" onMouseOver="MM_swapImage('Darwin','','navimages/darwin2_rollover.jpg',1)"><img src="navimages/darwin2.jpg" alt="Charles Darwin" name="Darwin" width="62" height="74" border="0" align="left"></a>"There
is grandeur in this view of life, with its several powers, having
been originally breathed into a few forms or into one; and that,
whilst this planet has gone cycling on according to the fixed law
of gravity, from so simple a beginning endless forms most beautiful
and most wonderful have been, and are being evolved." </font><font size="2" face="Verdana, Arial, Helvetica, sans-serif">
<p>Last words of Origin of Species, 1st Edition, Charles Darwin
(1859)</p>
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<td width="33%" valign="top"><a href="index.htm" onMouseOut="MM_swapImgRestore()" onMouseOver="MM_swapImage('logo','','graphics/fossillogoroll.jpg',1)"><img src="graphics/fossillogo.jpg" alt="Virtual Fossil Museum Logo" name="logo" width="250" height="250" border="0"></a></td>
<td width="34%" valign="top"><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><a href="Biology/WatsonCrickNature.htm" onMouseOut="MM_swapImgRestore()" onMouseOver="MM_swapImage('DNA','','graphics/dnaroll.jpg',1)"><img src="graphics/dna.jpg" alt="DNA" name="DNA" width="80" height="237" border="0" align="right"></a>"It
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immediately suggests a possible copying mechanism for the genetic
material." </font><font size="2" face="Verdana, Arial, Helvetica, sans-serif">
<p><br>
J. D. Watson F. H. C. Crick, NATURE magazine, (2 April 1953)</p>
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<td><div align="center"><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><a href="GeologicalTimeMachine.htm">Geological
Time</a></font></div></td>
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Interest Pages:<br>
</font><font size="3" face="Verdana, Arial, Helvetica, sans-serif"><strong></strong><a href="Education.htm"></a><strong> l </strong></font><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><a href="rarefossils.htm">Rare
Fossils</a> </font> <font size="3" face="Verdana, Arial, Helvetica, sans-serif"><strong>
l </strong><a href="museum-trilobites.htm"><font size="2">Museum Trilobites</font></a><strong> l </strong></font><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><a href="Fossil_Sites/Lagerstatten.htm">Lagerstätten</a><strong> l</strong></font><font size="3" face="Verdana, Arial, Helvetica, sans-serif"><strong><br>
<font size="2">l </font></strong></font><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><a href="Cambrian-Explosion/Utah-Cambrian-Explosion.htm">Cambrian
Explosion Fossils of Utah</a></font> <font size="2" face="Verdana, Arial, Helvetica, sans-serif"><strong>l
</strong><a href="Evolution/TrilobiteArmsRace.htm">Trilobite
Evolutionary Arms Race</a><strong> l </strong><a href="Tree_of_Life/PhylumArthropoda/ClassTrilobita.htm">Trilobites</a>
<strong> l<br>
l </strong><a href="education/national-fossil-day/national-fossil-day.htm">National Fossil Day 2015</a><strong> l </strong><a href="education/eclectic-fossils.htm">Eclectic
Fossils</a><strong> l</strong></font></p>
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<td width="277"><div align="center"><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><a href="museum-fossils.htm">Fossils
of the Month</a></font></div></td>
<td width="306"><div align="center"><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><a href="museum-trilobites.htm">Trilobites
of the Month</a></font></div></td>
</tr>
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<td> <div align="center"><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><a href="museum-fossils.htm">
</a></font><img src="Fossil_Sites/Chengjiang/primicaris-larvaformis/primicaris-larvaformis-maotianshan-shales-fossil.jpg" alt="Primicaris larvaformis" width="188" height="149" border="0"></div></td>
<td> <p align="center"><a href="trilobites/Redlichiida/bondonella-szduyi/bondonella-szduyi.htm"><img src="trilobites/Redlichiida/bondonella-szduyi/bondonella-szduyi-redlichiida-trilobite-a.jpg" alt="Bondonella Moroccan Trilobite" width="188" height="127" border="0"></a></p></td>
</tr>
<tr>
<td><p align="center"><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><a href="Fossil_Sites/Chengjiang/primicaris-larvaformis/primicaris-larvaformis.htm">Primicaris
larvaformis Arthropod from the Chengjiang Maotianshan Shales</a><br>
Provided
to VFM by <a href="http://www.fossilmall.com/" target="_blank">John
Adamek </a></font></p>
</td>
<td><p align="center"><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><a href="trilobites/Redlichiida/bondonella-szduyi/bondonella-szduyi.htm">Rare
Bondonella szduyi Early Cambrian Fallotaspid Moroccan Trilobite</a><br>
Provided
to VFM by <a href="http://www.fossilmall.com/" target="_blank">Fossil
Mall</a></font></p>
</td>
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</table>
<br>
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<td><p align="center"><FONT SIZE="2" FACE="Verdana, Arial, Helvetica, sans-serif"><A HREF="about.htm">About</A></FONT><FONT SIZE="2" FACE="Verdana, Arial, Helvetica, sans-serif" COLOR="#FF9900"> </FONT><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="new-fossils.htm">New
Fossils and Site Updates</a></font><FONT SIZE="1" FACE="Verdana, Arial, Helvetica, sans-serif" COLOR="#FF9900"> </FONT><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="FossilsReferences.htm">References</a> </font><FONT SIZE="2" FACE="Verdana, Arial, Helvetica, sans-serif" COLOR="#FF9900"><A HREF="poetry.htm"></A></FONT><FONT SIZE="1" FACE="Verdana, Arial, Helvetica, sans-serif" COLOR="#FF9900"><br>
</FONT><FONT SIZE="2" FACE="Verdana, Arial, Helvetica, sans-serif"><br>
The Virtual Fossil Museum is an educational resource dedicated to
fossils and evolution. High-quality pictures of fossils are presented
that are organized by fossil sites and systematics. Geological history,
paleobiology, phylogenetics and evolutionary biology are among information
provided. Contributions by educators, scientists and enthusiasts
are invited.</FONT><FONT SIZE="2" FACE="Verdana, Arial, Helvetica, sans-serif" COLOR="#FF9900"><A HREF="poetry.htm"><br>
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<p><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><font size="1">7,632,512
Visitors Since 1999<br>
as of November, 2016</font></font></p>
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Fossils Geological Time and Evolution
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| |
| --- |
| |
|
| |
| --- |
|
**The
Virtual**
**Fossil Museum
Fossils Across Geological Time
and Evolution**
|
| Fossils
across geological time presented in multiple contexts of geological
history, the tree of life, paleobiology and evolution. The Virtual
Fossil Museum is an educational resource providing an ever-growing
extensive collection of fossil images. |
| **An
Education Resource Dedicated to the Diversity of Life** |
| **[Life's
Family Album](fossilslinks/LifesFamilyAlbum.htm)** |
| [Charles Darwin](Evolution/Darwin.htm)"There
is grandeur in this view of life, with its several powers, having
been originally breathed into a few forms or into one; and that,
whilst this planet has gone cycling on according to the fixed law
of gravity, from so simple a beginning endless forms most beautiful
and most wonderful have been, and are being evolved."
Last words of Origin of Species, 1st Edition, Charles Darwin
(1859)
| [Virtual Fossil Museum Logo](index.htm) | [DNA](Biology/WatsonCrickNature.htm)"It
has not escaped our notice that the specific pairing we have postulated
immediately suggests a possible copying mechanism for the genetic
material."
J. D. Watson F. H. C. Crick, NATURE magazine, (2 April 1953)
|
| |
| |
|
Fossil
Museum Navigation:
| | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- |
| [Geological
Time](GeologicalTimeMachine.htm) | [Paleobiology](PaleobiologyVFM.htm) | [Geological
History](GeologicalHistory.htm) | [Tree
of Life](TreeOfLife.htm) | [Fossil
Sites](FossilSites.htm) | [Fossils](FossilGalleries.htm) | [Evolution](Evolution.htm) | [Fossil
Record](fossilrecord.htm) | [Museum
Fossils](museum-fossils.htm) |
| [Geological Time](GeologicalTimeMachine.htm) | [Paleobiology](PaleobiologyVFM.htm) | [Geological History](GeologicalHistory.htm) | [Tree of Life - Taxonomy](TreeOfLife.htm) | [Fossil Sites](FossilSites.htm) | [Fossils Images Pictures](FossilGalleries.htm) | [Evolution](Evolution.htm) | [Fossil Record](fossilrecord.htm) | [Museum Fossils](museum-fossils.htm) |
| |
| --- |
|
Some Special
Interest Pages:
**l** [Rare
Fossils](rarefossils.htm) **l** [Museum Trilobites](museum-trilobites.htm) **l** [Lagerstätten](Fossil_Sites/Lagerstatten.htm) **l****l** [Cambrian
Explosion Fossils of Utah](Cambrian-Explosion/Utah-Cambrian-Explosion.htm) **l** [Trilobite
Evolutionary Arms Race](Evolution/TrilobiteArmsRace.htm) **l** [Trilobites](Tree_of_Life/PhylumArthropoda/ClassTrilobita.htm)
**l
l** [National Fossil Day 2015](education/national-fossil-day/national-fossil-day.htm) **l** [Eclectic
Fossils](education/eclectic-fossils.htm) **l**
|
|
|
| | |
| --- | --- |
| [Fossils
of the Month](museum-fossils.htm) | [Trilobites
of the Month](museum-trilobites.htm) |
| Primicaris larvaformis | [Bondonella Moroccan Trilobite](trilobites/Redlichiida/bondonella-szduyi/bondonella-szduyi.htm) |
| [Primicaris
larvaformis Arthropod from the Chengjiang Maotianshan Shales](Fossil_Sites/Chengjiang/primicaris-larvaformis/primicaris-larvaformis.htm)
Provided
to VFM by [John
Adamek](http://www.fossilmall.com/) | [Rare
Bondonella szduyi Early Cambrian Fallotaspid Moroccan Trilobite](trilobites/Redlichiida/bondonella-szduyi/bondonella-szduyi.htm)
Provided
to VFM by [Fossil
Mall](http://www.fossilmall.com/) |
|
| |
|
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| --- |
| [About](about.htm) [New
Fossils and Site Updates](new-fossils.htm) [References](FossilsReferences.htm)
The Virtual Fossil Museum is an educational resource dedicated to
fossils and evolution. High-quality pictures of fossils are presented
that are organized by fossil sites and systematics. Geological history,
paleobiology, phylogenetics and evolutionary biology are among information
provided. Contributions by educators, scientists and enthusiasts
are invited. |
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<!-- Mi codigo es una increible mierda, pero si consigues enterarte de algo, no te cortes y coje lo que quieras ;) -->
<!DOCTYPE html>
<html>
<head>
<meta charset="UTF-8">
<meta name="viewport" content="width=device-width, initial-scale=1.0">
<title>Daniel's virtual place</title>
<link href="/style.css" rel="stylesheet" type="text/css" media="all">
</head>
<img src="toolbar.gif" alt="toolbar.gif" width="100%" height="10%" style="position: fixed; margin: none; padding: none; top: 0; right: 0; z-index: 10;">
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<body background="bluewav.jpg" text="#00FFFF" link="#FFFF00" alink="#ff0000" vlink="#f87b04" OnLoad="getwindowsize()" OnResize="getwindowsize()">
<center><img src="Ordenador_planeta-Flip.gif" alt="Ordenador_espacio.gif" width="17%" height="17%"><img src="DVP2_tras.gif" alt="Daniels Virtual place logo" width="47%" height="27%"><img src="ordenador_planeta2.gif" alt="Ordenador_espacio.gif" width="17%" height="17%"><br>
<center><font color="#FFFF00"><h1>¡Hola mundo, bienvenidos a mi página Web!</h1></font>
<table><tbody><tr><td rowspan="2"><img src="dragon_rojo_pequeño.gif" align="MIDDLE" alt="Ovni.gif"></td><td><center>
<img src="welcome.gif" alt="welcome.gif"></center></td></tr><tr><td><img src="bienvenidos.gif" alt="bienvenidos.gif" width="350" height="90"></td><td rowspan="2"><img src="dragon_rojo_pequeño.gif" align="MIDDLE" alt="Ovni.gif"><td rowspan="2"></tr></tbody></table>
<font color="#FFFFff"><h3>¡En esta página Web encontrareis una gran cantidad de genial contenido que seguro que os interesará!</h3></center>
<left><table width="20%" height="1100" border="3" body background="dback3.gif" bgcolor="#FFFF00" align="left">
<tbody><tr>
<td width="97%" height="115" align="center">
<i><font color="#CC0000"><a href=""><b>
<br><img src="an-ball.gif" alt="ball.gif"><font size="5" color="#FF0000"> ¡Esto sigue en construcción!<br>
</font></b></a></font><b><font size="5"><a href="">En algun momento <br>
estara terminado</a><br>
<a href="https://www.qsl.net/oe5rpp"> <font color="#FF0000">O eso espero...<br><img src="image001.gif" alt="EN CONSTRUCCION.gif" width="150" height="150"><img src="0d05b02d47dbb4959f86dc1d84846bcd.gif" alt="¡ESPAÃA!" width="150" height="100"></font></a></font></b></i></td></left>
</tr>
<tr>
<td>
<table id="table17" width="100%" border="0">
<tbody><tr>
<td width="200000000000">
<p align="center"><a href="https://displayman.neocities.org/">
<img src="an-ball.gif" alt="ball.gif"><img alt="Casa2.gif" src="Neighborhood_Link_ani_1.jpg" align="absmiddle"><img alt="home.gif" src="home01.gif" width="132" height="70" align="absmiddle"><img alt="casa.gif" src="https://fg-a.com/homes/animated-home.gif" align="absmiddle"></a></p></td>
<td>
<p align="center"><font size="3" face="Arial"><b>
<a href="https://displayman.neocities.org/Le_page.html">
</a></b></font></p></td>
</tr>
</tbody></table>
</td>
<tr>
<td>
<table id="table17" width="100%" border="0">
<tbody><tr>
<td width="200000000000">
<p align="center"><a href="https://displayman.neocities.org/Software.html">
<img src="Disquete.gif" alt="Disquete.gif" width="120" height="80"></button><a href="https://displayman.neocities.org/Software.html"><img src="swbtn.jpg" alt="Software Freeware y Shareware" onmouseover="this.src='rswbtn.jpg';" onmouseout="this.src='swbtn.jpg';" width="128" height="32"/></a></p></td>
<td>
<p align="center"><font size="3" face="Arial"><b>
<a href="https://displayman.neocities.org/Le_page.html">
</a></b></font></p></td>
</tr>
</tbody></table>
<tr>
<td>
<table id="table17" width="100%" border="0">
<tbody><tr>
<td width="200000000000">
<center><a href="https://displayman.neocities.org/Le_page.html">
<center><img src="an-ball.gif" alt="ball.gif"><a href="https://displayman.neocities.org/Juegos.html"><b><font size="4" color="FFFF00"> Videojuegos </font><img src="spot.gif" alt="spot.gif" align="absmiddle"><br><img src="videojuego-imagen-animada-0006.gif" alt="videojuego.gif" ></b></a></center></p></td>
<td>
<p align="center"><font size="3" face="Arial"><b>
<a href="https://displayman.neocities.org/Le_page.html">
</a></b></font></p></td>
</tr>
</tbody></table>
</tr>
<tr>
<td>
<table id="table17" width="100%" border="0">
<tbody><tr>
<td width="200000000000">
<p align="center"><a href="https://displayman.neocities.org/Galeria.html">
<center><img src="GALLERY.jpg" alt="GalerÃa" width="120" height="100"><a href="askpapercopy.htm"><img src="" alt=""></a></center></p></td>
<td>
<p align="center"><font size="3" face="Arial"><b>
<a href="https://displayman.neocities.org/Le_page.html">
</a></b></font></p></td>
</tr>
</tbody></table>
<tr>
<td>
<table id="table17" width="100%" border="0">
<tbody><tr>
<td width="200000000000">
<center><a href="https://displayman.neocities.org/Le_page.html"><img src=""></a><a href="https://displayman.neocities.org/Ordenadores.html"><b><font size="4" color="FFFF00"></font><img src="Com0101.GIF" alt="Ordenador.gif" align="absmiddle"><br><img src="Botón_ordenadores_bc.jpg" alt="Botón_Ordenador" onmouseover="this.src='Botón_ordenadores_pulsado_bc.jpg';" onmouseout="this.src='Botón_ordenadores_bc.jpg';" align="absmiddle"></b></a></center>
<td>
<p align="center"><font size="3" face="Arial"><b>
<a href="https://displayman.neocities.org/Le_page.html">
</a></b></font></p></td>
</tr>
</tbody></table>
<tr>
<td>
<table id="table17" width="100%" border="0">
<tbody><tr>
<td width="200000000000">
<p align="center"><a href="https://displayman.neocities.org/Le_page.html">
<center><img src="wball_good.png" alt="ball_n.gif" width="20" height="20" border="0"><a href="https://displayman.neocities.org/enlaces.html" style=""><img src="Links.gif" alt="links.gif" align="absmiddle"><img src="ani_047.gif" alt="planeta.gif" width="80" height="75" align="absmiddle"></a></center></p></td>
<td>
<p align="center"><font size="3" face="Arial"><b>
<a href="https://displayman.neocities.org/Le_page.html">
</a></b></font></p></td>
</tr>
</tbody></table>
<tr>
<td>
<table id="table17" width="100%" border="0">
<tbody><tr>
<td width="200000000000">
<p align="center"><a href="https://displayman.neocities.org/Le_page.html">
<center><img src="an-ball.gif" alt="ball.gif"><a href="https://displayman.neocities.org/coches.html" style=""><b><font size="4" color="FFFF00"> Coches </font><img src="Coche_rojo_menosrapido.gif" alt="coche_rojo.gif" width="153" height="104" align="absmiddle"></b></a></center></p></td>
<td>
<p align="center"><font size="3" face="Arial"><b>
<a href="https://displayman.neocities.org/Le_page.html">
</a></b></font></p></td>
</tr>
</tbody></table>
<tr>
<td>
<table id="table17" width="100%" border="0">
<tbody><tr>
<td width="200000000000">
<p align="center"><a href="https://displayman.neocities.org/Le_page.html">
<center><img src="an-ball.gif" alt="ball.gif"><a href="https://displayman.neocities.org/Musicote.html"><b><font size="4" color="FFFF00"> Musicote </font><br><img src="teclado_anim.gif" alt="Teclado.gif" width="180" height="90" align="absmiddle"></b></a></center></p></td>
<td>
<p align="center"><font size="3" face="Arial"><b>
<a href="https://displayman.neocities.org/Le_page.html">
</a></b></font></p></td>
</tr>
</tbody></table>
<tr>
<td>
<table id="table17" width="100%" border="0">
<tbody><tr>
<td width="200000000000">
<p align="center"><a href="https://displayman.neocities.org/Le_page.html">
<center><img src="newball3.gif" alt="ball.gif" width="25"><a href="" style=""><b><font size="4" color="FFFF00"><img src="gears.gif" alt="Proyectos" width="115" align="absmiddle" onmouseover="" onmouseout=""/><br><strong>Proyectos</strong></font></b></a></center></p></td>
<td>
<p align="center"><font size="3" face="Arial"><b>
<a href="https://displayman.neocities.org/Le_page.html">
</a></b></font></p></td>
</tr>
</tbody></table>
<tr>
<td>
<table id="table17" width="100%" border="0">
<tbody><tr>
<td width="200000000000">
<p align="center"><a href="https://displayman.neocities.org/Le_page.html">
<center><a href="https://displayman.neocities.org/webmaster"><font size="4" color="FFFF00"><strong>Sobre el</strong><br><img src="newball3.gif" alt="ball.gif" width="25"><b></font><img src="webmaster4.gif" alt="Webmaster" width="" align="absmiddle" onmouseover="" onmouseout=""/></b></a></center></p></td>
<td>
<p align="center"><font size="3" face="Arial"><b>
<a href="https://displayman.neocities.org/Le_page.html">
</a></b></font></p></td>
</tr>
</tbody></table>
<tr>
<td>
<table id="table17" width="100%" border="0">
<tbody><tr>
<td width="200000000000">
<p align="center"><a href="https://displayman.neocities.org/Le_page.html">
<center><a href="https://displayman.neocities.org/Feliz_Navidad.html"><b><font size="4" color="FFFF00"> </font><img src="arbol_de_navidad1.gif" alt="arbol de navidad 1" align="absmiddle"><img src="Luminoso navideno.gif" alt="Feliz navidad" align="absmiddle"><img src="arbol_de_navidad2.gif" alt="arbol de navidad 2" align="absmiddle"></b></a></center></p></td>
<td>
<p align="center"><font size="3" face="Arial"><b>
<a href="https://displayman.neocities.org/Le_page.html">
</a></b></font></p></td>
</tr>
</tbody></table>
<tr>
<td>
<a href="https://displayman.neocities.org/tu_perdicion.html"><table background="flames3.gif" id="table17" width="100%" border="0">
<tbody><tr>
<td width="200000000000">
<center><img src="Firebutt.gif" alt="ball.gif"><br><img src="pentagrm.gif" alt="pentagrama.gif"></center></td><td><center><b><font size="4" color="FFFF00"></font><img src="enter-skeleton.gif" alt="bienvenido-a-tu-perdicion.gif" align="absmiddle" onmouseover="" onmouseout=""/></center></td><td><center><img src="Firebutt.gif" alt="ball.gif"><br><img src="pentagrm.gif" alt="pentagrama.gif"></b></a></center></td>
<td>
</a></b></font></p></td>
</tr>
</tbody></table>
<tr>
<td>
<table id="table17" width="100%" border="0">
<tbody><tr>
<td width="200000000000">
<iframe src="actualizaciones.html" height="" width="100%" title="Iframe log"></iframe></td>
<td>
<p align="center"><font size="3" face="Arial"><b>
<a href="https://displayman.neocities.org/Le_page.html">
</a></b></font></p></td>
</tr>
</tbody></table>
<tr>
<td>
<table id="table17" width="100%" border="0">
<tbody><tr>
<td width="200000000000">
<p align="center"><a href="https://displayman.neocities.org/Le_page.html">
<center><table border="1" align="center" celspacing="3" cellpadding="0">
<tbody><tr><td><script src="https://efreecode.com/js.js" id="eXF-canales-0" async defer></script></td></tr>
</tbody></table></center></p></td>
<td>
<p align="center"><font size="3" face="Arial"><b>
<a href="https://displayman.neocities.org/Le_page.html">
</a></b></font></p></td>
</tr>
</tbody></table>
</tr>
</tr>
<left><table width="70%" height="" border="3" body background="dback2.gif" bgcolor="" align="center">
<tbody><tr>
<td><center><a href="#noticias">Noticias</a> | <a href="#guestbook">Libro de visitas</a> | <a href="#pez"><img src="pez-nadando.gif" alt="pez.gif" width="" height="25" align="absmiddle"></a> | <a href="#mail"><img src="email_best.gif" alt="E-mail" width="" height="35" align="absmiddle"></a> | <a href="#reloj">Relojes</a> | <a href="#cosas">cosas?</a> | <a href="#webcams">Webcams</a> | <a href="#visitas">Contador de vistas</a> | <a href="#ads">Anuncios</a> | <a href="#botones">Botones</a> | <a href="#webrings">Webrings</a> | <a href="#coment">comentarios</a> <img src="SMILE.gif" alt="SMILE.gif" align="absmiddle"></center>
</td>
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<table>
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<td width="15%">
<p></p><figure>
<h5><img src="animated-spain-flag-1.gif" href="https://www.fg-a.com/flags/animated-spain-flag-1.gif" alt="spain-flag.gif"><b> Esta página Web esta casi completamente escrita en español, pero si (por alguna razon) no sabes español,<br> he incrustado el complemento del traductor de Google para que puedas traducirla a tu idioma preferido.</b><br></h5>
<img src="espanol.gif" alt="Web-en-español"><img src="made_in_spain.png" alt="Made_in_Spain"><br>
<h5><img src="engmmg-sinfondo.gif" border="0" alt="newzealand-flag.gif" /></a><b> This Web page is almost completely written in spanish, but if (for some reason) you don't know spanish,<br> I have embeded the Google translator addon so you can translate it to your lenguage of choice. You still have to learn how to make <a href="https://www.oocities.org/inisfri/paella.html" target="_blank"><strong>paella</strong></a> properly<center><img src="Fle43.gif" alt="flecha-abajo">
<div id="google_translate_element" class="google"></div></center></b></h5></font>
<script type="text/javascript">
function googleTranslateElementInit() {
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}
</script>
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<script src="path/to/ruffle/ruffle.js"></script>
<EMBED SRC="ys2subterraneancanal.mid" HIDDEN="true"
loop="yes"
volume="100"
autostart="true">
<center><br><br>
<p><img src="boton-azul1.gif" alt="Pulsame" onmouseover="this.src='boton-azul2.gif';" onmouseout="this.src='boton-azul1.gif';" onClick="askData()"> ¡Púlsame!</p></center>
<p></p></figure>
</td>
<td>
<p></p><figure>
<font color="#FFFFff"><p>Saludos estimados internautas, soy Daniel, orgulloso creador de esta pagina web. Al principio la empecé a programar con la intención de usarla para hablar sobre ordenadores viejos y poner enlaces de sitios curiosos que me he encontrado navegando por el internete, pero al final la estoy usando para poner cualquier tonterÃa que se me ocurre y muchos GIFs. Hay un monton de cosas que podeis hacer por aquà <img src="sonrisa-3d.gif" alt="smiling2.gif" align="absmiddle">:<br>Si quereis podeis subir justo encima de este texto donde puedes usar ese indice para ir directamente a las diferentes secciones de la pagina principal en la que estas, donde podeis pasar el tiempo haciendo cosas como ver la posición de la ISS en directo, jugar con la mascota virtual Salsa, leer las noticias que escriba y muchas mas cosas que ire añadiendo con el tiempo; y si no os apetece nada de eso, podeis navegar por la gran tabla de contenido de la izquierda (en construcción) donde podeis encontrar fantasticos links de todo tipo como juegos, software ¡y más! Pero antes de marcharos no os olvideis de firmar el libro de invitados y decidme lo que pensais sobre mi pagina Web o dejad un comentario abajo del todo. <img src="smiling.gif" alt="smiling.gif" align="absmiddle"><br>
Ahora que ya se HTML gracias ha haber creado esta pagina web, voy a intentar aprender VRML, que es algo asi como html pero en 3D! Tambien podre mejorar esta pagina mucho con eso. <a href="https://displayman.neocities.org/VRML.html">Mas info aqui.</a>
<br>¡Pronto también podrás añadir esta pagina a Active Desktop! <a><img src="adddesktop.gif" alt="Añadir a Active Desktop"></a><br>
<table width="100%"><tr><td>
<a href="javascript:bookmarksite('Daniel\'s virtual place', 'https://displayman.neocities.org/index.html')"><img src="bookmk.gif" alt="¡Recuerde marcar esta página!"></a> (CTRL+D) <img src="A_partysmiley.gif" alt="partysmile" width="50" height=""></td><td><center>Hectaria de la red proveida por <a href="https://neocities.org/site/displayman"><img src="neocities3.gif" alt="NeoCities.org"></a></center></td></tr></table></p>
<br>
<center>Incluso puedes incrustar este botón en tu página web para enlazar a la mÃa si quieres: <a href="https://displayman.neocities.org/"><br><img src="Botón_página_Daniel.gif" alt="Botón_página_Daniel.gif" align="absmiddle"></a><br><textarea style="width: 220px; height: 48px;"><a href="https://displayman.neocities.org/"><img src="https://displayman.neocities.org/Bot%C3%B3n_p%C3%A1gina_Daniel.gif" alt="Botón_página_Daniel.gif"></a></textarea><br>Copia ese código a tu página para incrustar el botón rapidamente.<br>Y si no eres muy de botones, usa <a href="https://files.catbox.moe/wpafvn.gif"><img src="new-arrow.gif" alt="anuncio_página_Daniel.gif" align="absmiddle">mi anuncio 180x180</a>.</center>
<p></p></figure>
</td>
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</tbody></table>
<center>
<table>
<tbody><tr>
<td align="center">
<p></p><figure>
<center><font color="#FFFFff"><h5><b>Esta página se ve mejor con<br>Versión 4.0+</b><br></h5>
<a href="https://web.archive.org/web/20010803031643/http://www.microsoft.com/windows/ie/default.htm"><img src="exploit1 (4).jpg" width="120" alt="Internet Explorer"><br><img src="800600.jpg" alt="This site is best viewed using Internet Explorer at 800 x 600 x 65K colors (or better)"></a><br>
<h5><b>Pincha el Logo<br>para descargar</b></h5></font></center>
<p></p></figure>
</td>
<td align="center"><figure><a href="https://antiquechair.neocities.org/mobile.html"><img src="bestvieweddesktop.gif" alt="Se ve mejor en ordenador"></a><br><img src="256_monitor_button.gif" alt="Best viewed at 800x600" width="88" height="31"><br><img src="netscape_ie.gif" alt="netscape o IE" width="78" height=""><br><img src="anythingbut2.gif" alt="¡Chrome NO!" width="" height=""></figure>
</td>
<td align="center">
<p></p><figure>
<center><font color="#FFFFff"><h5><b>Esta página se ve mejor con<br>Versión 4.0+</b><br></h5>
<a href="https://web.archive.org/web/20050830101901/http://wp.netscape.com/comprod/mirror/client_download.html"><img src="mozilla_an.jpg" alt="Animated Netscape"><img src="netcube.gif" alt="Animated Netscape2"></a><br>
<h5><b>Pincha el logo<br>para descargar</b></h5></font></center>
<p></p></figure>
</td>
</tr>
</tbody></table>
</center>
<FORM ACTION="http://www.scrubtheweb.com/cgi-bin/search.cgi" METHOD="GET" TARGET="_top">
<TABLE CELLSPACING="2" CELLPADDING=" 2" BORDER="2" BGcolor="#2560C6">
<TR>
<TD ALIGN="LEFT"><A HREF="https://web.archive.org/web/20050211030643/http://www.scrubtheweb.com/"><B><img SRC="animate1.gif" ALT="Search"></B></A></TD>
<TD ALIGN="LEFT"> <INPUT TYPE="TEXT" NAME="q" SIZE="25"></TD>
<TD> <INPUT TYPE="SUBMIT" VALUE="Search"></TD>
</TR>
</TABLE>
</FORM><br>
<nobr><a href="https://web.archive.org/web/20020206043945/http://aim.aol.com/?promo=106695" target="_blank"><img src="aimhor_man.gif" width="37" height="45" border="0" alt="Download AIM"></a><img src="aimhor_leftsm.gif" width="81" height="45" border="0" alt="AIM Remote"><a href="#coment"><img src="aimhor_im.gif" width="103" height="45" border="0" alt="Talk To Me!"></a><a href="https://neocities.org/site/displayman"><img src="aimhor_bud.gif" width="103" height="45" border="0" alt="Add Me DAMMIT!"></a><a href="http://users2.smartgb.com/g/g.php?a=s&i=g26-38480-83"><img src="aimhor_chat.gif" width="103" height="45" border="0" alt="Chat!!!!"></a><a href="mailto:[email protected]"><img src="aimhor_email.gif" width="103" height="45" border="0" alt="No spam please."></a><a href="https://web.archive.org/web/20011218101132/http://www.aim.com/remote/main.adp" target="_blank"><img src="aimhor_right.gif" width="55" height="45" border="0" alt="Add Remote to Your Page"></a></nobr>
<br>
<img src="animbbar.gif" width="70%" height="10" alt="HR_animado1">
<a name="noticias"></a>
<p><h3><a href="https://displayman.neocities.org/noticias"><img src="periodico-imagen-animada-0023.gif" border="0" alt="periodico-imagen-animada-0023" /> NOTICIAS FRESCAS <img src="news.gif" alt="news.gif"><br><img src="PS_Etiqueta_Ultima-hora.gif" border="0" alt="¡Ultima hora!"/></a></h3>
</p>
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<center><h3><marquee behavior="scroll" direction="up" scrolldelay="5" scrollamount="5" height="200"><h3>
<font face="Comic Sans MS,Arial Rounded MT Bold,Arial" color=""><b><i>
<img src="hot1.gif" alt="hot.gif"><a href="https://www.volcanodiscovery.com/es/la-palma-webcams.html"><del> "¡La Palma está que echa humo!" </del><img src="Volcan 2.gif" width="65" height="60" alt="Volcan.gif"></a> (Ya no)
</i></b></font></h3><a href="https://displayman.neocities.org/Antonov.html"><font face="Comic Sans MS,Arial Rounded MT Bold,Arial" color=""><b><i> "¡Yo pensaba que Putin iba de farol!" </a><a href="https://gopnik-tractor.com/"><img src="Division de tractores.png" width="60" height="" alt="Division de tractores.png"></a></b></i><br>
<a href=""><font face="Comic Sans MS,Arial Rounded MT Bold,Arial" color=""><b><i> "¡El Racing de Santander porfÃn sube a segunda división!" </a><img src="Obelix_del_Racing.gif" width="60" height="" alt="Racing"></b></i><br><br>
<a href="https://displayman.neocities.org/incendios.html"><font face="Comic Sans MS,Arial Rounded MT Bold,Arial" color=""><b><i><img src="hot1.gif" alt="hot.gif"> "Galicia y Catilla y león son reducidas a cenizas" </a><img src="fuego_secciones.gif" width="60" height="70" alt="fuego.gif"></b></i><br><br>
<table border="" align="center" celspacing="" cellpadding="" body background="">
<tbody><tr><td><a href="https://www.youtube.com/watch?v=FbsmjuBIpDk"><center>WANTED<br><img src="skeleton-2.gif" alt="esqueleto.gif"><br><font size="3">Se busca en más<br> alta resuloción.</font></center></a></td></tr></tbody></table>
<h3><font face="Comic Sans MS,Arial Rounded MT Bold,Arial" color=""><b><i>
<img src="hot1.gif" alt="hot.gif"><a href="https://displayman.neocities.org/Sequia">"¡Nos estamos quedando secos!"<img src="grifo-goteo.gif" width="" height="" alt="goteo"></a>
</i></b></font></h3>
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<a name="guestbook"></a>
<style type="text/css">* {cursor: url(https://cur.cursors-4u.net/cursors/cur-1/cur2.ani), url(https://cur.cursors-4u.net/cursors/cur-1/cur2.png), auto !important;}</style><a href="https://www.cursors-4u.com/cursor/2005/04/21/cur2-10.html" target="_blank" title="Lightning Electricity"><img src="https://cur.cursors-4u.net/cursor.png" border="0" alt="Lightning Electricity" style="position:absolute; top: 0px; right: 0px;" /></a>
<center><table border="2" align="center" celspacing="3" cellpadding="3">
<tbody><tr><td><a href="http://users2.smartgb.com/g/g.php?a=s&i=g26-38480-83"><img src="guest_22.gif" alt=""><br>
<center>Firmar <br>libro de visitas.</center></a></td>
<td><a href="http://users2.smartgb.com/g/g.php?a=s&i=g26-38480-83"><img src="guest_21.gif" height="" width="" alt=""><br>Ver <br>
<center>libro de visitas.</center></a></td></tr>
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<a href="cargarcomentario.html"></a><p> <td rowspan="2"><img src="gbook.gif" alt="book.gif"> <a href="https://www.smartgb.com/?p=newadminlogo"><img src="logo3_88_31.gif" width="88" height="31" alt="Guestbook from smartgb.com" border="0"></a><img src="Sujetapapeles.gif" alt="Sujetapapeles"></td>
<a href="leercomentarios"></a></p>
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<br>
<br><a name="pez"></a>
<a href="https://archive.org/download/aquazone-deluxe/AquazoneDeluxe.iso"><img src="rackgoldfishbowl.gif"></a><br><img src="CD-izquierda.gif" width="" height="" alt="" border="0"> <img src="Acuario-8.gif" width="" height="" alt="Acuario" border="0"> <img src="Imagen-animada-CD-67.gif" width="" height="" alt="" border="0">
<br>
<img src="animbbar.gif" width="70%" height="10" alt="HR_animado1">
<a name="mail"></a>
<p>
<table><tbody><tr><td rowspan="2"><img src="demail.gif" align="MIDDLE" alt="e-mail.gif" ></td><td><font size="4"><b> Mándame un emilio a <a href="mailto:[email protected]">[email protected] </a></b></font></td><td rowspan="2"><img src="email1.GIF" align="MIDDLE" alt="mailme.gif" width="70" height=""></td>
</tr><tr><td>si tienes algun problema. <a href="mailto:[email protected]"><img src="pur_yel.GIF" alt="Cartel e-mail" align="absmiddle"><img src="emai2.gif" alt="Casilla e-mail" align="absmiddle"></a><a href="pgppubkey.asc"></a></td></tr></tbody></table>
</p>
<img src="animbbar.gif" width="70%" height="10" alt="HR_animado1">
<a name="reloj"></a>
<TABLE CELLSPACING="1" CELLPADDING=" 2" BORDER="0" BGcolor="">
<TR>
<TD ALIGN="LEFT"><center><a href=''><img src="" alt=""><br></a></center></TD>
<TD ALIGN="center">
<table>
<tbody><tr>
<td align="center">
<p></p><figure>
<h5>Tiempo hasta que termine el dÃa:</h5>
<form name="Reloj">
<input type="text" size="7" name="tiempo" value="mm:hh:ss" title="Tiempo restante para finalizar el dÃa">
<script language="JavaScript">
<!--
var tiempoAtras;
updateReloj();
function updateReloj() {
var tiempo = new Date();
var hora = 23-tiempo.getHours();
var minutos = 59-tiempo.getMinutes();
var segundos = 59-tiempo.getSeconds();
tiempoAtras= (hora < 10) ? hora :hora;
tiempoAtras+= ((minutos < 10) ? ":0" : ":") + minutos;
tiempoAtras+= ((segundos < 10) ? ":0" : ":") + segundos;
document.Reloj.tiempo.value = tiempoAtras;
setTimeout("updateReloj()",1000);
}
//-->
</script>
</form><p></p></figure>
</td>
</tr>
</tbody></table>
<table>
<tbody><tr>
<td align="center">
<p></p><figure>
<center>
<!-- clock widget start -->
<script type="text/javascript"> var css_file=document.createElement("link"); css_file.setAttribute("rel","stylesheet"); css_file.setAttribute("type","text/css"); css_file.setAttribute("href","https://s.bookcdn.com//css/cl/bw-cl-180x170r9.css?v=0.0.1"); document.getElementsByTagName("head")[0].appendChild(css_file); </script> <div id="tw_19_1502924596"><div style="width:120px; height:140px; margin: 0 auto;"><a href="https://hotelmix.es/time/madrid-18119">Madrid</a><br/></div></div> <script type="text/javascript"> function setWidgetData_1502924596(data){ if(typeof(data) != 'undefined' && data.results.length > 0) { for(var i = 0; i < data.results.length; ++i) { var objMainBlock = ''; var params = data.results[i]; objMainBlock = document.getElementById('tw_'+params.widget_type+'_'+params.widget_id); if(objMainBlock !== null) objMainBlock.innerHTML = params.html_code; } } } var clock_timer_1502924596 = -1; widgetSrc = "https://widgets.booked.net/time/info?ver=2;domid=582;type=19;id=1502924596;scode=124;city_id=18119;wlangid=4;mode=2;details=0;background=ffffff;border_color=ffffff;color=363636;add_background=ffffff;add_color=333333;head_color=ffffff;border=0;transparent=0"; var widgetUrl = location.href; widgetSrc += '&ref=' + widgetUrl; var wstrackId = ""; if (wstrackId) { widgetSrc += ';wstrackId=' + wstrackId + ';' } var timeBookedScript = document.createElement("script"); timeBookedScript.setAttribute("type", "text/javascript"); timeBookedScript.src = widgetSrc; document.body.appendChild(timeBookedScript); </script>
<!-- clock widget end -->
</center><p></p></figure>
</td>
</tr>
</tbody></table>
<br>
<table>
<tbody><tr>
<td align="center">
<p></p><figure>
<center>
<title> Cuanto falta para el año 2000 ?</title>
<script language="JavaScript">
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function run()
{
var dh = new Date();
var df = new Date(99,11,31,23,59,59);
var seg = (df.getTime() - dh.getTime()) / 1000;
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ano = Math.floor(seg/(365*24*60*60));
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seg -= (24*60*60)*dia;
hor = Math.floor(seg/(60*60));
seg -= (60*60)*hor;
min = Math.floor(seg/60);
seg -= 60*min;
document.MARCO.MSG.value =" "
+ ano + " años, "
+ dia + " dias, "
+ hor + " horas, "
+ min + " minutos y "
+ seg+ " segundos";
window.setTimeout("run()",1000);
}
//zzzzzzzzzzzz-->
</script>
</head>
<body bgcolor="#0000FF" text="#FFFFFF" link="#FF0000" vlink="#00FF00" alink="#00FFFF" onload="window.setTimeout('run()',1000);">
<center><h4>Cuanto falta para el año 2000 ?</h4></center>
<p></p><p>
</p><h4><center>
Faltan<p>
</p><form name="MARCO">
<table border="" size="4"><tbody><tr> <th>
<input type="text" name="MSG" size="57">
</th></tr></tbody></table>
</form>
<p>para el año 2000.
</p></center></h4>
<p></p>
<script language="JavaScript" type="text/javascript">
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</center><p></p></figure>
</td>
</tr>
</tbody></table>
<table>
<tbody><tr>
<td align="center">
<p></p><figure>
<center>
<h5>La hora de Australia:</h5>
<iframe src="//free.timeanddate.com/clock/i12iouiu/n5/tlau/fn5/tcddd/bas5/bat6/baceee/pa2/tt0/tm1/td2" frameborder="0" width="303" height="33"></iframe>
</center><p></p></figure>
</td>
</tr>
</tbody></table>
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if (width>=639 && height>=468 || top.location.href == window.location.href) {
}
rp_account = '9645';rp_site = '17527';rp_zonesize = '1527362-51';rp_slot = 'ad_group_786919';rp_adtype = 'js';rp_smartfile = '[SMART FILE URL]';
d.write('<script language="JavaScript" type="text/javascript"');
d.write(' src="https://ads.rubiconproject.com/ad/9645.js">');
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</TD>
<TD ALIGN="LEFT"><center><a href=''><img src="reloj-Dali2.gif" alt="Reloj-Dali.gif"><br></a></center></TD>
</TR>
</TABLE>
<img src="animbbar.gif" width="70%" height="10" alt="HR_animado1">
<a name="cosas"></a>
<br>
<tr><a><iframe width="314" height="321" scrolling="no" src="https://gifypet.neocities.org/pet/pet.html?name=Salsa&dob=1632768108&gender=f&element=Water&pet=https%3A%2F%2Fi1.glitter-graphics.org%2Fpub%2F1004%2F1004851x6jbtv0jzd.gif&map=https%3A%2F%2Fi10.glitter-graphics.org%2Fpub%2F2080%2F2080180emgbdyh6sj.gif&background=https%3A%2F%2Fcur.glitter-graphics.net%2Fpub%2F2843%2F2843616p3jez9w1eo.gif&tablecolor=%23ff2b30&textcolor=white" bgcolor="#FFFF00" frameborder="2"></iframe></a><tr>
<tr><td rowspan="2" align="center"><a href="https://space.cweb.nl/tracking-iss-zarya.php"><img src="https://iss.spacetrack.eu/iss-map.jpg?rand=0.14569710402966907" id="EarthMap" alt="Real-time position Space Station" class="limeborder" width="640" height="320" bgcolor="#FFFF00" border="3" ></a></td rowspan="2"></tr>
<script type="text/javascript">
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<!-- // Begin Current Moon Phase HTML (c) MoonConnection.com // --><tr><td align="center"><a href="https://www.moonconnection.com" target="mc_moon_ph"><img src="https://www.moonmodule.com/cs/dm/hn.gif" width="212" height="136" border="0" alt="" /></a><div style="position:relative;width:128px;"><div style="position:absolute;top:-20px;left:6px;background:#000000;width:116px;text-align:center;"><a href="https://www.moonconnection.com/moon_phases.phtml" target="mc_moon_ph"><font color="#7F7F7F" size="1" face="arial,helvetica,sans-serif"><span style="color:#7F7F7F;font-family:arial,helvetica,sans-serif;font-size:10px;">phases of the moon</span></a></font></div></div></td></tr></table><!-- // end moon phase HTML // -->
<!-- INICIO GIZMO FIOCHI ****************************** -->
<script type="text/javascript" language="JavaScript">
function fnRenovar(PiDelay)
{
var iDelay= 150000;
if (!isNaN(PiDelay)) iDelay=PiDelay;
setTimeout("gizmofiochi.src=gizmofiochi.src;", iDelay);
return;
} //function fnRenovar
</script>
<a class="img" href="http://tiempo.fiochi.com/"><img
onload="javascript:fnRenovar(150000);"
onerror="javascript:fnRenovar(10000);"
border="0" width="120"
src="http://tiempo.fiochi.com/pin/gizmo.php?w=120"
alt="Tiempo y webcam en El Sardinero, Santander"
id="gizmofiochi" name="gizmofiochi" /></a>
<!-- ******************************** FIN GIZMO FIOCHI -->
<iframe src="https://global-mind.org/gcpdot/gcp.html" height="70" width="70" scrolling="no" marginwidth="0" marginheight="0" frameborder="0" ></iframe>
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<a name="webcams"></a>
<p><h3><img src="webcam_sinfondo.gif" alt="webcam.gif" width="70" height="90" align="absmiddle"> ¡WEBCAMS! <img src="webcam_sinfondo.gif" alt="webcam.gif" width="70" height="90" align="absmiddle"></h3>
<a href="https://www.ventamarcelino.com/webcam_2.jpg"><img alt="Puerto de Cotos" data-src="https://www.ventamarcelino.com/webcam_2.jpg" class=" lazyloaded" src="https://www.ventamarcelino.com/webcam_2.jpg" id="capt" width="300" height="250" class="limeborder" bgcolor="#FFFF00" border="3" onmouseout=reload() ></a>
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<iframe width="314" height="177" src='https://rtvc-backend.flumotion.com/api/v1/player_site/?asset=936229&player=697' allowfullscreen frameborder=3 bgcolor="#FFFF00"></iframe>
<a href="https://tiempo.fiochi.com/inc/webcam.php"><span title="Pulsa para ver la webcam de la Playa de El Sardinero, en Santander, Cantabria"><img src="Botón-webcam.jpg" alt="Pulsa para ver la webcam de la Playa de El Sardinero, en Santander, Cantabria" border="0" width="120"></a>
<a class="img" href="#"><img name="camImage" id="camImage" src="" border="0"></a>
<title>:-<Tiempo.Fiochi.com: información meteorológica en El Sardinero, Santander>-:</title>
<script>
newImage = new Image(); // Stores the image off-screen until loaded
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newImage.onabort = showImg; // si el usuario cancela, se pasa a la siguiente
var time = 0; // Save the time setting for later
function rp (pTime)
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time = pTime; // Store time in global variable
var uniq = new Date();
uniq = uniq.getTime(); // Generate time string
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{
// Put the image on the page
document.images.camImage.src = newImage.src;
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// behind on slow connections
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}
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<a href="http://www.earthcam.com/search/ft_search.php?s1=1&term=nasa" target="_blank"><img src="www_earthcam_com_80x80.gif" width="80" height="80" alt="As Seen On EarthCam" border="0" class="boderless"></a>
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<a name="visitas"></a>
<p><center>
¡Que montón de gente está viniendo!
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<font color="#ff8800">Born on:</font> February 8, 1999
<br>
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<a href="https://web.archive.org/web/20020925190726/https://www.thesims.com/"><img src="sims_y2k.gif" alt="Sims_Y2K"></a><a href="https://web.archive.org/web/19961228023350/http://www.warponline.com/" target="_blank"><img src="merlin.gif" alt="Merlin"></a><img src="Jesus-free-ps2.gif" alt="Get free ps2!" width="150"><a href="https://www.ebay.es/" target="_blank"><img src="468x60_videojuegos1.gif" alt="Anuncio-Ebay"></a>
<a href="https://boodlebox.neocities.org/blinkexchange/blink.htm" target="_top"><img width=440 height=40 alt="Internet Blink Exchange" src="blinky.gif"><font size=-1>Member of the Internet <blink>Blink</blink> Exchange</font></a><a href="https://web.archive.org/web/20010417182345/http://es.playstation.com/umbrella.jhtml?locale=es_ES" target="_blank"><img src="tus_compras.gif" alt="Compras_PS"></a><a href="https://web.archive.org/web/20030204223644/http://www.simplythebest.net/cgi-bin/adverts/indexad.pl?banner=abra" target="_blank"><img src="abra.gif" alt="" width="468" height="60" border="0"></a><a href="https://web.archive.org/web/19980624150010/http://www.weirdal.com/" target="_blank"><img src="twwala.gif" alt="Weird-world" width="" height="" border="0"></a><a href="https://displayman.neocities.org/subscrbe.htm" target="blank"><img src="apc07sub.gif" alt="APC"></a><a href="https://web.archive.org/web/20030422194715/http://www.alojados.com/vidasinfinitas" target="_blank"><img src="trucos2.gif" width="468" height="60" border="0" alt="trucos"></a><a href="https://kangworlds.neocities.org" target="_blank"><img src="kwad.gif" width="" height="" border="0" alt="kangworlds"></a><font face="Comic Sans MS, Arial"><a href="https://web.archive.org/web/20021023185855/http://www.amazon.com/exec/obidos/tg/browse/-/3510/" target="_blank"><img src="amazon.gif" alt="CLICK HERE" width="468" height="60" border="0"></a></font><a href="https://web.archive.org/web/20130519132205/https://signup.netflix.com/?mqso=36126240&bfree_sourceid=00391688485099985267" target="blank"><img src="Netflix-ad.gif" alt="Netflix-free-trial"></a><a href="https://splattacks.neocities.org/adoptapuffle.html" target="_blank"><img src="puffle-banner1.gif"></a><a target="_blank" href="http://www.tropicalwares.com"><img src="banner1-tropicalwares.gif" width="468" height="60"border="0" alt="Tropical Wares - Cool Downloads!"></a><a target="_blank" href="http://harel.org.il/nadav/cola/"><img src="cola-ad1.jpg" border="0" alt="¡Toma un refresco!"><a href="https://web.archive.org/web/20040619220137/http://tracker.tradedoubler.com/click?p=4326&a=309818&g=29002&pool=92&cpool=92" target="_blank"><img src="ES_DHS_Inspiron_468x60.gif" border="0"></a><a href="https://web.archive.org/web/20091027183922/http://www.invisiblepath.com/pm/click.php?APID=39&affID=0281366"><img border="0" src="ip-square-1.gif" width="120" height="120"></a><a href="https://web.archive.org/web/20010602024700/http://es-es.altavista.com/" target="_blank"><img src="altavista.gif" border="0" ALT="AltaVista"></a><img src="Arroba.gif" alt="@"><a href="https://web.archive.org/web/20090822022845/http://www.amitrix.com/aweb.html" target="_blank"><img src="awebbanr.gif" border="0" ALT="AWeb-II"></a>
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<p><h3>Y por ultimo, mi colección de botones, recolectados por toda la red:</h3>
<p align="center"><a href="https://web.archive.org/web/20011115001136/http://www.silcom.com/~tonkin/pointless/"><img src="bot95.jpg" alt="Bottom_of_web"></a><a href="https://web.archive.org/web/19970504040619/http://www.asus.com/"><img src="logo97-1.jpg" alt="TX-Chipset" width="110" height="106"></a><a href="https://web.archive.org/web/19981111190135/https://www.hp.es/"><img src="mmart.jpg" alt="HP-logo" width="" height=""></a><img src="max-tv.gif" width="" height="" alt=""><img src="guild.gif" width="64" height="90" alt="copiers_guild"><img src="chiki.gif" width="125" height="80" alt="Vota chiki chiki"><img src="boring_desk.gif" alt="Your desktop is boring"><p>
</p>
<center>
<img src="anifan.gif" alt="rated_fantastic"><a href="https://web.archive.org/web/20120606040914/http://www.weirdal.com/"><img src="waylinklogo2.gif" alt="weird-Al"></a><a href="https://web.archive.org/web/20010713030558/http://www.html.it/"><span title=""><img src="html_poi.gif" alt="Sitio_qualitá.gif"></a><a href="http://www.asp-shareware.org" target="_blank"><img src="asplogo-lifetime.gif" alt="En realidad no soy un miembro de la asociación de profesionales del shareware, sino mas bién un usador profesional de shareware" width="150" height="65" border="0"></a><img border="0" src="banner-asturias.gif" width="140" height="60" align=""><img src="Jesus-inside1.gif" width="" height="" alt="Jesus-inside"><br>
<a href="https://www.oocities.org/siliconvalley/"><span title="Vivo en silicon valley!"><img src="siliconvalley.gif" alt="siliconvalley.gif"></a><a href="https://neocities.org/"><span title="This website hosted by NeoCities"><img src="gc_icon.gif" alt="Geocities.jpg"></a><a href="https://web.archive.org/web/19970530100859/http://www.corbatero.com/disenero/"><img src="anim.gif" alt="diseñero"></a><img src="psplogo.jpg" alt="Paintshoppro"><a href="https://web.archive.org/web/19961222135807/http://www.winzip.com/"><img src="wznow2.gif" width="72" height="54" border="0" align=""></a>
<br><a href="https://web.archive.org/web/20000816061839/http://www.early.com/~emackey/"><img src="linuxfox-comp.gif" alt="Linux: The Choice Of a GNU Generation"></a><img src="Eat-pant-stamp.png" alt="Eat_pant"><img src="stamp-frames.gif" alt="Use_frames"><img src="sello-breakcore.gif" alt="breakcore!"><a href="https://www.youtube.com/watch?v=hiRacdl02w4"><img src="Yaai-stamp.gif" alt="You_are_an_idiot"></a><br>
<img src="you-dead-stamp.jpg" alt="You_are_dead"><img src="nyanportalz.gif" alt="Nyan cat in portal"><img src="love-furbys2.gif" alt="Furbys"><img src="Idolminds-stamp1.gif" alt="Idolminds"><img src="kompjutera.gif" alt=""><img src="radioactive-stamp.gif" alt="sello radioactivo"><br>
<img src="simpsons.gif" alt="Fan de los Simpsons"><img src="dreamman.gif" alt=""><img src="thegoldenage.gif" alt="the-golden-age"><br><a href="http://www.glitter-graphics.com/"><img src="Glither-banner.gif" alt="glitter-graphics.com"></a><img src="are-we-alone.gif" alt="are-we-alone?"><br><img src="HTML-junkie_blink.gif" alt="HTML junkie"><img src="kddd.gif" alt="King_DDD" align="top"><img src="hap-spongebob1.gif" alt="I love BobEsponja" align="top">
</center>
<br>
<center><table width="60%"><tr><td><center>
<a href="https://web.archive.org/web/20010803031643/http://www.microsoft.com/windows/ie/default.htm"><img src="ie_animated.jpg" alt="Internet_Explorer.gif"></a><a href="https://web.archive.org/web/20050830101901/http://wp.netscape.com/comprod/mirror/client_download.html"><img src="netnow.gif" alt="Animated_Netscape.gif"></a><img src="freespeech.gif" alt="freespeech1996.gif"><a href="https://web.archive.org/web/20060627204854/http://www.adobe.com/es/products/acrobat/"><img src="getacro.jpg" alt="getacrobat.jpg"></a><a href="https://www.oocities.org/siliconvalley/4552/Kriptopolis/index.html"><img src="minilssi.gif" width="125" height="32" border="0" alt="no_a_lssi.gif"></a><a href=https://web.archive.org/web/20050211030643/http://www.scrubtheweb.com/><img src="animate1.gif" value="Search" alt="scrubtheweb.gif"></a><a href="https://www.oocities.org/siliconvalley/6658/"><img src="createbut.gif" width="95" height="31" alt="create101.jpg"></a><a href="https://web.archive.org/web/19990209121446/http://www.liveupdate.com/crescendo.html"><img src="cresnow.gif" border="0" height="31" width="88" alt="cresnow.gif"></a><a href="https://web.archive.org/web/19990209121446/http://www.geocities.com/SiliconValley/Park/8100/"><img src="wizbutton.gif" alt="Web Wizard's" border="0" height="31" width="129"></a><a href="https://web.archive.org/web/20010506041303/http://www.htmlib.com/"><img src="html_lib.gif" alt="HTMLib" width="88" height="31" border="0"></a><a href="https://web.archive.org/web/20000815074234/http://www.htmlvalidator.com/" target="_top"><img src="htmlvalblue.gif" width="88" height="31" alt="Download the HTML Validator" border="0" hspace=""></a><a href="https://web.archive.org/web/19961102092231/http://www.dexnet.com/homesite.html"><img src="hs25now.gif" alt="HomeSite" width="88" height="31" border="0"></a><a href="https://trashparadise.neocities.org/"><img src="trashparadise.gif" title="Trash Paradise" alt="Trash Paradise" width="88" height="31"></a><img src="256_monitor_button.gif" alt="Best viewed at 800x600" width="88" height="31"><a href="http://www.notepad.org/"><img src="notepad2.gif" alt="notepad.exe" width="88" height="31"></a><a href="https://anlucas.neocities.org/anlucas.neocities.org"><img src="https://anlucas.neocities.org/anlucasbutton.gif" border="0" alt="anlucas"></a><img src="made_in_spain.png" alt="Made_in_Spain"><a href="https://web.archive.org/web/20020929073619/http://www.addme.com/"><img width="88" height="31" src="link6.gif" alt="Add Me!" border="0"></a><a href="https://web.archive.org/web/20010204180000/http://www.bravenet.com/"><img src="announbutt.gif" border="0" alt="bravenet"></a><a class="nonprint" href="http://www.w3.org/Style/CSS/Buttons/"><img class="c4" width="88" height="31" src="mwcts.png" title="Made with Cascading Style Sheets" alt="Made with Cascading Style Sheets"></a><a href="https://www.oocities.org/siliconvalley/1744/cogelo.htm"><img src="mircnow.gif"></a><a href="https://web.archive.org/web/20220505084426/https://crushcapitalism.com/"><img src="cc-button.png" alt="crushcapitalism"></a><a href="http://www.soloimagen.net/"><img src="Solo_imagen_botón.png" alt="Soloimagen"></a><a href="https://billsworld.neocities.org/"><img src="billsworld.gif" alt="Bill's World Wide Boutique"></a><img src="noescapenow.gif" Alt="noescapenow.gif"><a href="https://adobe-shockwave-player.softonic.com/"><img src="getflash.gif" Alt="getflash.gif"></a><a href="https://displayman.neocities.org/"><img src="Botón_página_Daniel.gif" alt="Botón_página_Daniel.gif"></a><a href="http://theoldnet.com/"><img src="theoldnetanimblur2.gif" title="The Old 'Net" alt="The Old 'Net" width="88" height="31"></a><a href="https://web.archive.org/web/20040404090608/http://www.screensandthemes.com/topreferring/goto.asp?p=click&id=48"><img src="wznowsma.gif" alt="getWinzip"></a><a href="https://www.mozilla.org/es-ES/firefox/new/"><img src="firefox_animado2.gif" alt="Firefox.gif"></a><a href="https://web.archive.org/web/20010607201624/http://www.freestuffcenter.com/"><img src="freestuffcenter.gif" alt="freestuffcenter.gif"></a><a href="https://web.archive.org/web/20010301190638/http://www.1freestuff.com/"><img src="clip8.gif" alt="Free_stuff.gif"></a><a href="https://web.archive.org/web/20010614032706/http://www.flamingtext.com/guistuff.html"><img src="button2.gif" alt="HotGraphics.gif"></a><a target="_blank" href="http://www.tropicalwares.com/wallpro.html"><img src="wallpro_btn2.gif" width="88" height="31"border="0" alt="Master your desktop wallpaper in just a few minutes with WallMaster Pro!"></a><a target="_blank" href="http://www.tropicalwares.com/fxsaver.html"><img src="btn_fxsaver2.gif" width="88" height="31"border="0" alt="Spice up your screen saver with your own images and MP3!"></a><a href="https://web.archive.org/web/20050714182351/http://www.wallpapervault.com/" target="_blank"><img src="vault.gif" border="0" alt="wallpapervault"></a><a href="https://web.archive.org/web/20020203012038/http://www.free-clip-art.net/" target="_blank"><img src="button.gif" width="88" height="31" border="0" alt="free-clip-art.net"></a><a href="https://web.archive.org/web/20210224161955/http://www.freebackgrounds.com/" target="_blank"><img src="bgbutton.gif" width="88" height="31" border="0" alt="freebackgrounds"></a><a href="https://web.archive.org/web/20050701005247/http://www.backgroundcity.com/" target="_blank"><img src="backgroundcitylogo.gif" alt="backgroundcitylogo"></a><a href="http://www.geocities.ws/jaup/jaup.htm" target="_blank"><img src="jaupani.gif" alt="JAUP"></a><a href="https://web.archive.org/web/20030423101603/http://www.clipsahoy.com/cgi-bin/AutoRank/rankem.cgi?action=incheck&id=1clipgfx"><img src="clipsahoy.gif" width="88" height="31" border="1" alt="Clipsahoy"></a><img src="despacito.gif" alt="despacito.gif"><a target="_blank" href="https://web.archive.org/web/20040404090608/http://www.emd.cc/links/redirect.asp?link=245"><img src="linknova03.gif" border="0" alt="linknova"></a><a href="https://web.archive.org/web/19961222135807/http://www.expertsoftware.com/" ><img src="exptlogo2.jpg" alt="Expert software" width="98" height="35"></a><a href="https://wac.neocities.org/"><img src="XTmRsxw.jpg" alt="wac"></a><a href="https://web.archive.org/web/20000815231851/http://www.htmlvalidator.com/htmlval/htmlvalqa.html#year2000"><img align="" hspace="" src="y2k.gif" width="90" height="30" alt="Year 2000 Compliant Software" border="0"></a><a href="https://web.archive.org/web/20000815064702/http://www.cgiexpert.com/" target="_blank"><img align="" src="cgiexpert2.gif" hspace="" width="88" height="31" border="0" alt="Create your first CGI in 5 minutes!"></a><a href="https://exephile.neocities.org"><img src="exe.gif" alt="exephile"></a><a href="https://web.archive.org/web/20010823003025/http://www.graphicsfreebies.com/cgi-bin/out.cgi?groovy" target="blank"><img src="test.gif" border="0" width="88" height="31" alt="groovywallpaper"></a><a href="https://web.archive.org/web/20030810021926/http://www.trellian.com/sp/index.html"><img src="webnow.gif" border="0" height="31" width="88" base="" target="_parent" alt="WebWolf_Now!"></A><a href="https://web.archive.org/web/20010707102518/http://www.topfile.com/"><img src="topfile.gif" border="0"></a><a href="https://web.archive.org/web/20090731234359fw_/http://www.geocities.com/SiliconValley/8377/vhome.htm" target="_top"><img src="vbutton.gif" base="" target="_parent" width="88" height="31" border="0" align=""></a><a href="https://web.archive.org/web/20011021233210/http://www.webshots.com/webshots.cgi?cashclub|3dmindscape"><img src="webshots.gif" width="88" height="31" border="0"></a><a href="http://www.oocities.org/basman.geo/art.htm"><img src="artbutt.gif" alt="B.A.D. A R T" border="0" WIDTH="78" HEIGHT="30"></a><a href="https://web.archive.org/web/19990204000448/http://www.lockergnome.com/" target="_top"><img src="lock.gif" alt="Lockergnome's Free E-Zines" width="88" height="31" border="0"></a><a href="" target="_top"><img src="barhate.gif" alt="odiomac.jpg" width="88" height="31" border="0"></a><a href="https://www.oocities.org/researchtriangle/1500/" target="_top"><img src="jsnow.gif" border="0" alt="Nic's Javascript Page"></a><a href="https://web.archive.org/web/19970328082154/http://www.spg-net.com/" target="_top"><img src="cwwtag3.gif" border="0" alt="SPG ColorWorks"></a><a href="https://www.oocities.org/explore_windows/"><img src="windows2000_botón2.png" border="0" alt="Windows2000 now!"></a><img src="gethtmlnow.gif" border="0" alt="EnhancedHTML"><img src="madewithos2.gif" border="0" alt="Made with OS/2"><a href="https://web.archive.org/web/20021120174416/http://ecomstation.com/"><img src="ecs_button.gif" alt="eCS" border="0"></a><a href="https://web.archive.org/web/20030810044130/http://www.24cc.com/count.asp?id=popo"><img src="i5.gif" border="0"></a><a href="http://www.meilleursites.com/cgi-bin/meilleursites/std_part.cgi?p=www.djarabi.com"><img src="label.cgi.gif" border="0" alt="meilleursites"></a><a href="https://web.archive.org/web/20051123113828/http://www.musicrobot.com/cgi-bin/rd.pl?m=http://www.freebiedirectory.com/" target="_blank"><img src="fdbutton.gif" width="88" height="31" border="1" alt="Freebie Directory"></a><a href="https://web.archive.org/web/20051113113330/http://www.musicrobot.com/cgi-bin/rd.pl?m=http://www.thefreesite.com" target="_blank"><img src="thefreesite.gif" width="88" height="31" alt="The Free Site!" border="0"></a><a href="https://web.archive.org/web/19990204035301/http://www.omnipresence.com/ibrowse/" target="_top"><img src="ib_anim.gif" alt="IBrowse Get It" width="88" height="31" border="0"></a><a href="https://web.archive.org/web/19991007004622/http://www.eveleigh.on.ca/cgi-bin/redirect.cgi?prosite"><img src="pro-butt.gif" border="0" width="88" height="31"></a><img src="bird_box_small.gif" border="0" width="88" height="31"><a href="https://www.extremelyfungible.com/live-home"><img src="nft.gif" border="0" alt="No NFT"></a><a href="https://web.archive.org/web/20000824111729/http://xoom.com/downloads/xoom6/" target="_top"><img src="ns-button_88x31-jet_anim.gif" alt="Get_NetSonic!" width="88" height="31" border="0"></a><a href="https://www.oocities.org/paris/LeftBank/2940/fsgra.html"><img src="fwdcredit2.JPG" border="0" width="98" height="34"></a><a href="https://web.archive.org/web/20030528075729/http://www.top50themesites.com/goto.asp?id=21" target="_blank"><img src="Scubagrl_button3.gif" width="88" height="30" border="0"></a><a href="http://www.oocities.org/SoHo/4912/alist.html"><img src="meta1.gif" alt="MetaGang" width="88" height="31" border="0"></a><a href="https://www.smartgb.com/?p=newadminlogo"><img src="logo3_88_31.gif" width="88" height="31" alt="Guestbook from smartgb.com" border="0"></a><a href="https://drifter909.neocities.org/index.html"><img src="d09boton.png" alt="botón drifter909" border="0"></a><a href="https://archive.org/details/microsoftplussuperpackforwindowsxp2004boxart"><img src="98plusani.gif" alt="Windows98 Plus!" border="0"></a><a href="https://gifypet.neocities.org/index.html"><img src="gifypet.gif"></a><a href="https://archive.org/details/@displayman"><img src="InternetArchive.png" width="88" height="31" alt="Mi cuenta de Internet Archive"></a><a target="_blank" href="https://search.melonking.net/"><img alt="Daniel's Network" src="network.gif"></a><a href="https://web.archive.org/web/20041112220756/http://www.netobjects.com/"><img src="BuiltByNOF.gif" border="0" alt="NOF"></a><a href="https://covid-19.neocities.org/"><img src="covid-19.gif"></a><img src="espanol.gif" alt="Web-en-español"><a href="https://jellyworld.neocities.org/"><img src="SUPERULTRARARE.gif"></a><a href="https://web.archive.org/web/20060614190758/http://www.macros-center.ru/"><img src="mckka.gif" width="88" height="31" border="0" alt="macros-center"></a><a target="_blank" href="https://melonking.net"><img alt="Visit waterMelonking.Net!" src="MELON-BADGE.GIF"></a><a href="https://ace-adventure.neocities.org/" target="_blank"><img src="ace-adventure_game.gif"/></a><a href="https://web.archive.org/web/20060426002333/http://javascript.internet.com/"><img src="tjsbutton.gif" alt="The JavaScript Source" border="0"></a><a target="_blank" href="https://scourgescloset.neocities.org/"><img src="scbttn.png"></a><a href="https://web.archive.org/web/20210728064247/https://infern0.neocities.org/"><img src="infernobutton3.gif" alt="" border="0"></a><a href="https://appsirgames.neocities.org/"><img src="appsirgames.gif"></a><img src="bestvieweddesktop.gif"><a href="https://warpzone.site"><img src="warpzone_button.gif" alt="warpzone"></a><a href="https://wrkino.net/"><img src="buttonwrkino.gif"></a><a href="http://www.ambographics.com/graphics-index.htm"><img src="notecard-banner-DA.gif" alt="Digital-Artistry"></a><a href="http://www.freegraphics.com" target="new_window"><font color="#FFFFFF"><img src="fg-link.gif" width="88" height="31" border="0"></font></a><a href="http://theriver.msx.gay" title="88.9 The River"><img src="rvrbtn.gif" alt="88.9 The River"></a><a href="https://web.archive.org/web/20090903061910/http://geocities.com/starwarsidb/swidb.htm"><img src="swpodrace.gif" alt="star wars pod racing" style=""></a><img src="amiga_friendly.gif" alt="amiga_friendly"><a href="http://www.oocities.org/tsca.geo/tsca.html"><img src="tsca-b.gif" alt="visit tsca homepage" border=0 width=89 height=29></a><a href="http://space.mit.edu/%7Edavis/jed/"><img src="jed2ba.gif" alt="page made with jed" border="0" width="90" height="30"></a><a href="http://2bit.neocities.org"><img src="2bit.gif"></a><a href="https://community-place.neocities.org/indexf.html"><img src="getCPa.gif" alt="Community Place Repository"></a><a href="https://web.archive.org/web/20110316043327/http://www.parallelgraphics.com/products/cortona3d/best"><img src="pageofweek.gif" width="88" height="31" border="0" alt="3D Page Of the Week"></a><a href="https://web.archive.org/web/20110316043327/http://www.outline3d.com/" target="_blank"><img src="outline-logo.gif" width="88" height="31" border="0" alt="Outline3D"></a><a href="https://web.archive.org/web/20110316043327/http://www.parallelgraphics.com/products/cortona3d/download/" title="Install Cortona3D Viewer"><img src="cortbest.gif" width="88" height="31" border="0" alt="Install Cortona3D Viewer"></a><a href="https://webpage1990colourised.neocities.org/"><img src="Webpage-1990-Colourised.gif"></a><a href="https://web.archive.org/web/20110728074104/http://cic.nist.gov/vrml/cosmoplayer.html"><img src="cosmo.gif" alt="Get Cosmo player"></a><a href="https://web.archive.org/web/19970504040619/http://www.asus.com/"><img src="asus.gif" alt="Asus"></a><a href="https://web.archive.org/web/20220615073920/https://russo.neocities.org/"><img src="se.gif" alt="Pagina de Russo"></a><img src="furbutton.png" alt="Furby"><a href="https://web.archive.org/web/19990125092044/http://sony.es/"><img src="Sony-button1.gif" alt="Sony_online"></a><a href="https://darkdungeons.neocities.org/no.html"><img src="No.gif" alt="[Don't click here! NO!]" width="88" height="31" border="0"></a><a href="https://www.firestormviewer.org/choose-your-platform/"><img src="sl.gif" alt="Second_life"></a><img src="creeper.gif" alt="boton_creeper"><a href="https://kromer.neocities.org/"><img src="kromer-button.png" alt="[GET_KROMER!]"></a><a href="https://www.neopets.com/refer.phtml?"><img src="neopets.gif" alt="neopets.gif"></a><a href="http://cupped-expressions.net/cheese/quiz/" TARGET=NEW><img src="chevres02.gif" border=0 width=118 height=32 alt="I am chevres!"></a><a href="https://web.archive.org/web/20051202012200/http://www.clip-art.com/out.php?id=a1icon&url=http%3A%2F%2Fwww.free-graphics.com%2Fmain.html" class="blue" target="_blank"><img src="a1animate2.gif" height="31" width="88" border="0"></a><a href=""><img src="win76.gif" alt="Get_win_media_player7"></a><a href="https://pizzza.neocities.org/"><img src="PIZZZA_boton.gif" alt="PIZZZA"></a><a href="https://liminal.photos"><img src="liminalbanner.jpg" alt="liminal_photos"></a><a href="https://winamp.com/" target="_blank"><img src="Winamp.gif" alt="built listening to winamp"></a><a href="http://www.pepsi.com/" target="_blank"><img src="boton-pepsi.gif" alt="Pepsi"></a><img src="2021.gif" alt="2021"><a href="//www.aitoroliveira.com/softwarelibre/svrdebian.php"><img src="debian.jpg" alt="Debian" height="30" width="90"></a><a href="http://toastytech.com/files/bsod.html"><img src="bsodprop.gif" border="0" width="88" height="31" alt="Get bsod!"></a><a href="https://web.archive.org/web/20000821065351/http://hk.calendar.yahoo.com/yc/hk/"><img src="bn_ca.gif" border="0" width="88" height="31" alt="Yahoo"></a><a href="https://www.thesitewizard.com/" target=""><img src="tsw88x31sdt.gif" alt="Site Design Tips at thesitewizard.com" width="88" height="31" border="0"></a><a href="https://garf.neocities.org/"><img src="garf.gif" alt="Garf"></a><img src="no_WEBP.gif" alt="No WEBP! Use PNG"><a href="https://web.archive.org/web/20010605075217/http://www.elrellano.com/"><img src="Rellano-boton.gif" alt="ElRellano"></a><a href="https://web.archive.org/web/20020209131037/http://webhome.infonie.fr/kdo/vrml/"><img src="Vrmlfrnc.gif" border="0" width="" height="" alt=""></a><img src="insert-picture_button.gif" border="0" width="" height="" alt="Insert_picture"><a href="https://bmh.neocities.org" target="_blank"><img src="bmhonline_button.gif" alt="BMH Online" width="88" height="31" border="0"></a><a href="https://web.archive.org/web/19991011194907/http://blakedragon.dragonfire.net/adopt.htm"><img src="ald2.gif" width="88" height="31" border="0"></a><a href="https://respiradordemostaza.neocities.org/" target="_blank"><img src="boton-mirinda.png"></a><a href="https://web.archive.org/web/20021009212856/http://www.cade.com.br/"><img src="botaocade.gif" alt="botaocade.gif (3798 bytes)" width="88" height="31"></a><img src="msfp.gif" alt="Made with Microsoft Frontpage" height="" width="88"><a href="https://web.archive.org/web/20091026133403/http://3dize.com/?aid=PgMadeWithCP"><img src="Cool_Page_Button.gif" border="0" width="" height="" alt="Cool_page"></a><a href="https://pleurodelinae.neocities.org/"><img src="boton-pleurodelinae.gif" border="0" width="" height="" alt="Pleurodelinae"></a><a href="https://benobii.neocities.org/"><img src="benobii-btn.gif" alt="Benobii's_Homepage"></a><a href="https://cooltext.com/"><img src="boton_cooltext.gif" alt="gfx_cool" align=""></a><a href="https://darkroom999.neocities.org/"><img src="darkroom-button.gif" alt="darkroom" align=""></a><a href="http://www.draconian.com/"><img src="boton-draconian.jpg" width="88" height="31" border="0" alt="Draconian.com"></a><img src="code_editor_idiot.gif" width="" height="" alt="Soy_idiota"><a href="http://interevolution.loca.lt"><img src="interrevolution.gif" alt="interrevolución"></a><a href="https://threec2002.neocities.org"><img src="new_mic.gif"></a><a href="https://europ-europ.neocities.org/Spanish/spanish_pagina-principal.html"><img src="europ-europ.gif" alt="europ-europ"></a><a href="https://vhsmaronite.neocities.org/art.html"><img src="vhsmaronbutton1.gif" alt="vhsmaron"></a><a href="https://hopeslair.neocities.org/es/inicio.html"><img src="https://hopeslair.neocities.org/pictures/buttonsite.png"></a><a href="http://worlds.net/index2.html" class="" target="_blank"><img src="getworldsplayer.gif"></a><a target="_blank" href="https://nippo.neocities.org"><img alt="Visit The Nippoverse" src="nippo2.gif"></a><img alt="Take_a_pill" src="pill-button.gif"><img alt="" src="joy_button.gif"><a target="_blank" href="https://web.archive.org/web/20010531224050/http://download.cnet.com/"><img alt="Download.com" src="dlcombut.gif" width="" height="35"></a><iframe src="//incr.easrng.net/badge?key=changeme" style="background: url(//displayman.neocities.org/increment.gif)" title="increment badge" width="88" height="31" frameborder="0"></iframe><img alt="" src="graphicdesign.gif" width="" height=""><a href="https://skins.webamp.org/" target="_blank"><img src="winamp-skin.gif" alt="winamp" title="skinzzz"></a><a href="https://wiby.me/" target="_blank"><img src="wiby.gif" alt="Wiby"></a><a href="http://www.powerpoints.org/" target="_blank"><img src="pps88x31-v4.gif" alt="powerpoints.org"></a><a href="https://web.archive.org/web/20091023164517/http://geocities.com/Paris/Bistro/1670/link.htm" target="_blank"><img src="NEOICONWORL.gif" alt="NEOICONWORL.gif (701 bytes)" width="88" height="31"></a><a href="https://web.archive.org/web/20001117152700/http://www.real.com/" target="_blank"><img src="realplayer_g2.gif" alt="realplayer_g2.gif (1187 bytes)" width="88" height="32"></a><a href="https://web.archive.org/web/20010701212220/http://www.ap.sonystyle.com/postpet/" target="_blank"><img src="honey_user.gif" alt="postpet"></a><a href="https://hotmail.com"><img src="hotmail.gif" title="Hotmail"></a>
<br><img src="memes.gif" border="0" width="" height="" alt="Memes"><img src="fpsmlg420.gif" border="0" width="" height="" alt="MLG"><img src="the-rock.gif" border="0" width="" height="" alt="The Rock">
</center></td></tr></table></center>
<br><a name="webrings"></a>
<center>
<a href="https://www.oocities.org/siliconvalley/6200/elite.html"><img src="elite3_graph.gif" height="150" width="250" alt="Elite_webring"></a><br>
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<TD ALIGN="center"><center>Antiguos vecinos del<br>
<a href="https://yesterweb.org/webring/"><img src="yesterweb-ring.gif" height="" width="180" alt="YESTERWEB RING"></a><br>
Cerrado pero no olvidado.<br><br>
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<TD ALIGN="LEFT"><a href='https://webring.dinhe.net/'>The retronaut webring</a></TD>
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Daniel's virtual place

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# ¡Hola mundo, bienvenidos a mi página Web!
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### ¡En esta página Web encontrareis una gran cantidad de genial contenido que seguro que os interesará!
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| ***ball.gif ¡Esto sigue en construcción!****En algun momento
estara terminado
[O eso espero...EN CONSTRUCCION.gif¡ESPAÃA!](https://www.qsl.net/oe5rpp)*** |
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| [ball.gifCasa2.gifhome.gifcasa.gif](https://displayman.neocities.org/) | |
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| [Disquete.gif[Software Freeware y Shareware](https://displayman.neocities.org/Software.html)](https://displayman.neocities.org/Software.html) | |
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| [ball.gif [**Videojuegos spot.gifvideojuego.gif**](https://displayman.neocities.org/Juegos.html)](https://displayman.neocities.org/Le_page.html) | |
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| [GalerÃa](https://displayman.neocities.org/Galeria.html) | |
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| [**Ordenador.gifBotón_Ordenador**](https://displayman.neocities.org/Ordenadores.html) | |
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| [ball_n.gif[links.gifplaneta.gif](https://displayman.neocities.org/enlaces.html)](https://displayman.neocities.org/Le_page.html) | |
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| [ball.gif [**Coches coche_rojo.gif**](https://displayman.neocities.org/coches.html)](https://displayman.neocities.org/Le_page.html) | |
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| [ball.gif [**Musicote Teclado.gif**](https://displayman.neocities.org/Musicote.html)](https://displayman.neocities.org/Le_page.html) | |
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| [ball.gif**Proyectos**](https://displayman.neocities.org/Le_page.html) | |
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| [[**Sobre el**ball.gifWebmaster](https://displayman.neocities.org/webmaster)](https://displayman.neocities.org/Le_page.html) | |
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| [[**arbol de navidad 1Feliz navidadarbol de navidad 2**](https://displayman.neocities.org/Feliz_Navidad.html)](https://displayman.neocities.org/Le_page.html) | |
| [| | | |
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| ball.gifpentagrama.gif | **bienvenido-a-tu-perdicion.gif** | ball.gifpentagrama.gif |](https://displayman.neocities.org/tu_perdicion.html) |
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| [Noticias](#noticias) | [Libro de visitas](#guestbook) | [pez.gif](#pez) | [E-mail](#mail) | [Relojes](#reloj) | [cosas?](#cosas) | [Webcams](#webcams) | [Contador de vistas](#visitas) | [Anuncios](#ads) | [Botones](#botones) | [Webrings](#webrings) | [comentarios](#coment) SMILE.gif |
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spain-flag.gif **Esta página Web esta casi completamente escrita en español, pero si (por alguna razon) no sabes español, he incrustado el complemento del traductor de Google para que puedas traducirla a tu idioma preferido.**
Web-en-españolMade_in_Spain
newzealand-flag.gif
function googleTranslateElementInit() {
new google.translate.TranslateElement({pageLanguage: 'es', includedLanguages: 'ca,eu,gl,en,fr,it,pt,de,CH', layout: google.translate.TranslateElement.InlineLayout.SIMPLE, gaTrack: true}, 'google\_translate\_element');
}
Pulsame ¡Púlsame!
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Saludos estimados internautas, soy Daniel, orgulloso creador de esta pagina web. Al principio la empecé a programar con la intención de usarla para hablar sobre ordenadores viejos y poner enlaces de sitios curiosos que me he encontrado navegando por el internete, pero al final la estoy usando para poner cualquier tonterÃa que se me ocurre y muchos GIFs. Hay un monton de cosas que podeis hacer por aquà smiling2.gif:Si quereis podeis subir justo encima de este texto donde puedes usar ese indice para ir directamente a las diferentes secciones de la pagina principal en la que estas, donde podeis pasar el tiempo haciendo cosas como ver la posición de la ISS en directo, jugar con la mascota virtual Salsa, leer las noticias que escriba y muchas mas cosas que ire añadiendo con el tiempo; y si no os apetece nada de eso, podeis navegar por la gran tabla de contenido de la izquierda (en construcción) donde podeis encontrar fantasticos links de todo tipo como juegos, software ¡y más! Pero antes de marcharos no os olvideis de firmar el libro de invitados y decidme lo que pensais sobre mi pagina Web o dejad un comentario abajo del todo. smiling.gif
Ahora que ya se HTML gracias ha haber creado esta pagina web, voy a intentar aprender VRML, que es algo asi como html pero en 3D! Tambien podre mejorar esta pagina mucho con eso. [Mas info aqui.](https://displayman.neocities.org/VRML.html)
¡Pronto también podrás añadir esta pagina a Active Desktop! Añadir a Active Desktop
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| [¡Recuerde marcar esta página!](javascript:bookmarksite('Daniel\'s virtual place', 'https://displayman.neocities.org/index.html')) (CTRL+D) partysmile | Hectaria de la red proveida por [NeoCities.org](https://neocities.org/site/displayman) |
Incluso puedes incrustar este botón en tu página web para enlazar a la mÃa si quieres: [Botón_página_Daniel.gif](https://displayman.neocities.org/)<a href="https://displayman.neocities.org/"><img src="https://displayman.neocities.org/Bot%C3%B3n\_p%C3%A1gina\_Daniel.gif" alt="Botón\_página\_Daniel.gif"></a>Copia ese código a tu página para incrustar el botón rapidamente.Y si no eres muy de botones, usa [anuncio_página_Daniel.gifmi anuncio 180x180](https://files.catbox.moe/wpafvn.gif).
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**Esta página se ve mejor conVersión 4.0+**
[Internet ExplorerThis site is best viewed using Internet Explorer at 800 x 600 x 65K colors (or better)](https://web.archive.org/web/20010803031643/http://www.microsoft.com/windows/ie/default.htm)
**Pincha el Logopara descargar**
| [Se ve mejor en ordenador](https://antiquechair.neocities.org/mobile.html)Best viewed at 800x600netscape o IE¡Chrome NO! |
**Esta página se ve mejor conVersión 4.0+**
[Animated NetscapeAnimated Netscape2](https://web.archive.org/web/20050830101901/http://wp.netscape.com/comprod/mirror/client_download.html)
**Pincha el logopara descargar**
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| [**Search**](https://web.archive.org/web/20050211030643/http://www.scrubtheweb.com/) | | |
[](https://web.archive.org/web/20020206043945/http://aim.aol.com/?promo=106695)[](#coment)[](https://neocities.org/site/displayman)[](http://users2.smartgb.com/g/g.php?a=s&i=g26-38480-83)[](mailto:[email protected])[](https://web.archive.org/web/20011218101132/http://www.aim.com/remote/main.adp)

### [periodico-imagen-animada-0023](https://displayman.neocities.org/noticias)
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***hot.gif [~~"¡La Palma está que echa humo!"~~ Volcan.gif](https://www.volcanodiscovery.com/es/la-palma-webcams.html) (Ya no)*** [***"¡Yo pensaba que Putin iba de farol!"***](https://displayman.neocities.org/Antonov.html) [Division de tractores.png](https://gopnik-tractor.com/)
***"¡El Racing de Santander porfÃn sube a segunda división!"***Racing
[***hot.gif "Galicia y Catilla y león son reducidas a cenizas"***](https://displayman.neocities.org/incendios.html) fuego.gif
| |
| --- |
| [WANTEDesqueleto.gifSe busca en más alta resuloción.](https://www.youtube.com/watch?v=FbsmjuBIpDk) |
***hot.gif["¡Nos estamos quedando secos!"goteo](https://displayman.neocities.org/Sequia)***
|

\* {cursor: url(https://cur.cursors-4u.net/cursors/cur-1/cur2.ani), url(https://cur.cursors-4u.net/cursors/cur-1/cur2.png), auto !important;}[](https://www.cursors-4u.com/cursor/2005/04/21/cur2-10.html "Lightning Electricity")
| | |
| --- | --- |
| [Firmar libro de visitas.](http://users2.smartgb.com/g/g.php?a=s&i=g26-38480-83) | [Ver
libro de visitas.](http://users2.smartgb.com/g/g.php?a=s&i=g26-38480-83) |
book.gif [Guestbook from smartgb.com](https://www.smartgb.com/?p=newadminlogo)Sujetapapeles |


[](https://archive.org/download/aquazone-deluxe/AquazoneDeluxe.iso)
  

| | | |
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| e-mail.gif | **Mándame un emilio a [[email protected]](mailto:[email protected])** | mailme.gif |
| si tienes algun problema. [Cartel e-mailCasilla e-mail](mailto:[email protected]) |

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Tiempo hasta que termine el dÃa:
<!--
var tiempoAtras;
updateReloj();
function updateReloj() {
var tiempo = new Date();
var hora = 23-tiempo.getHours();
var minutos = 59-tiempo.getMinutes();
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document.Reloj.tiempo.value = tiempoAtras;
setTimeout("updateReloj()",1000);
}
//-->
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var css\_file=document.createElement("link"); css\_file.setAttribute("rel","stylesheet"); css\_file.setAttribute("type","text/css"); css\_file.setAttribute("href","https://s.bookcdn.com//css/cl/bw-cl-180x170r9.css?v=0.0.1"); document.getElementsByTagName("head")[0].appendChild(css\_file); [Madrid](https://hotelmix.es/time/madrid-18119) function setWidgetData\_1502924596(data){ if(typeof(data) != 'undefined' && data.results.length > 0) { for(var i = 0; i < data.results.length; ++i) { var objMainBlock = ''; var params = data.results[i]; objMainBlock = document.getElementById('tw\_'+params.widget\_type+'\_'+params.widget\_id); if(objMainBlock !== null) objMainBlock.innerHTML = params.html\_code; } } } var clock\_timer\_1502924596 = -1; widgetSrc = "https://widgets.booked.net/time/info?ver=2;domid=582;type=19;id=1502924596;scode=124;city\_id=18119;wlangid=4;mode=2;details=0;background=ffffff;border\_color=ffffff;color=363636;add\_background=ffffff;add\_color=333333;head\_color=ffffff;border=0;transparent=0"; var widgetUrl = location.href; widgetSrc += '&ref=' + widgetUrl; var wstrackId = ""; if (wstrackId) { widgetSrc += ';wstrackId=' + wstrackId + ';' } var timeBookedScript = document.createElement("script"); timeBookedScript.setAttribute("type", "text/javascript"); timeBookedScript.src = widgetSrc; document.body.appendChild(timeBookedScript);
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Cuanto falta para el año 2000 ?
<!--zzzzzzzzzzzzzz
function run()
{
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var df = new Date(99,11,31,23,59,59);
var seg = (df.getTime() - dh.getTime()) / 1000;
var ano,dia,hor,min;
seg -= seg%1;
ano = Math.floor(seg/(365\*24\*60\*60));
seg -= (365\*24\*60\*60)\*ano;
dia = Math.floor(seg/(24\*60\*60));
seg -= (24\*60\*60)\*dia;
hor = Math.floor(seg/(60\*60));
seg -= (60\*60)\*hor;
min = Math.floor(seg/60);
seg -= 60\*min;
document.MARCO.MSG.value =" "
+ ano + " años, "
+ dia + " dias, "
+ hor + " horas, "
+ min + " minutos y "
+ seg+ " segundos";
window.setTimeout("run()",1000);
}
//zzzzzzzzzzzz-->
Cuanto falta para el año 2000 ?
Faltan
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para el año 2000.
var width = window.innerWidth || (window.document.documentElement.clientWidth || window.document.body.clientWidth);
var height = window.innerHeight || (window.document.documentElement.clientHeight || window.document.body.clientHeight);
var d = document;
if (width>=639 && height>=468 || top.location.href == window.location.href) {
}
rp\_account = '9645';rp\_site = '17527';rp\_zonesize = '1527362-51';rp\_slot = 'ad\_group\_786919';rp\_adtype = 'js';rp\_smartfile = '[SMART FILE URL]';
d.write('<script language="JavaScript" type="text/javascript"');
d.write(' src="https://ads.rubiconproject.com/ad/9645.js">');
d.write('<\/scr'+'ipt>');}
|
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La hora de Australia:
|
var width = window.innerWidth || (window.document.documentElement.clientWidth || window.document.body.clientWidth);
var height = window.innerHeight || (window.document.documentElement.clientHeight || window.document.body.clientHeight);
var d = document;
if (width>=639 && height>=468 || top.location.href == window.location.href) {
}
rp\_account = '9645';rp\_site = '17527';rp\_zonesize = '1527362-51';rp\_slot = 'ad\_group\_786919';rp\_adtype = 'js';rp\_smartfile = '[SMART FILE URL]';
d.write('<script language="JavaScript" type="text/javascript"');
d.write(' src="https://ads.rubiconproject.com/ad/9645.js">');
d.write('<\/scr'+'ipt>');} | Reloj-Dali.gif |

||| [Real-time position Space Station](https://space.cweb.nl/tracking-iss-zarya.php) |
function reload2()
{
img = document.getElementById("EarthMap");
img.src="https://space.cweb.nl/tracking-iss-zarya.php?rand\_number=" + Math.random();
}
| [phases of the moon](https://www.moonconnection.com/moon_phases.phtml) |
function fnRenovar(PiDelay)
{
var iDelay= 150000;
if (!isNaN(PiDelay)) iDelay=PiDelay;
setTimeout("gizmofiochi.src=gizmofiochi.src;", iDelay);
return;
} //function fnRenovar
[](http://tiempo.fiochi.com/)
[](https://www.hamqsl.com/solar.html "Click to add Solar-Terrestrial Data to your website!")
[](http://es.sat24.com/es)

### webcam.gif ¡WEBCAMS! webcam.gif
[](https://www.ventamarcelino.com/webcam_2.jpg)
function reload()
{
img = document.getElementById("capt");
img.src="https://www.ventamarcelino.com/webcam\_2.jpg?rand\_number=" + Math.random();
}
[](https://tiempo.fiochi.com/inc/webcam.php)
[![]()](#)
:-<Tiempo.Fiochi.com: información meteorológica en El Sardinero, Santander>-:
newImage = new Image(); // Stores the image off-screen until loaded
newImage.onload = showImg; // Triggers the image to be shown when loaded, by calling the showImg function
newImage.onerror = showImg; // si el upload de una foto falló, se pasa a la siguiente
newImage.onabort = showImg; // si el usuario cancela, se pasa a la siguiente
var time = 0; // Save the time setting for later
function rp (pTime)
{
time = pTime; // Store time in global variable
var uniq = new Date();
uniq = uniq.getTime(); // Generate time string
newImage.src = "/pin/imagen\_cam\_resample.php?" + uniq; // generate unique URL
// The unique time URL parameter in the path ensures that the
// browser always goes for a new image and ignores the cached copy
}
function showImg ()
{
// Put the image on the page
document.images.camImage.src = newImage.src;
// Set the timer for the reload function, which will be time
// seconds after the image was last reloaded, so it won't fall
// behind on slow connections
setTimeout("rp(" + time + ");", time \* 1000); //
}
[](http://www.earthcam.com/search/ft_search.php?s1=1&term=nasa)

¡Que montón de gente está viniendo!

[](https://info.flagcounter.com/wx4y)


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<!--
document.write(document.title);
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Born on: February 8, 1999
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SetCookie("cookie\_date",cookie\_date,expdate);
document.write("<font color='yellow'><br>Site has changed since last visit!</font><br>");
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######




[](https://web.archive.org/web/19990224012959/http://www11.geocities.com/join/)
[](https://web.archive.org/web/20050428085753/http://www.wallpaperspark.com/)
var numAds = new Number(200);
var adDir = 'https://web.archive.org/web/20211118080623/https://www.baber.com/baber/gifads';
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document.writeln('<A HREF="' + linkDir + '/' + randAdStr + '.htm"><IMG SRC="' + adDir + '/' + randAdStr + '.gif" border="0" alt="anuncios de Baber"></A>');
// -->
[](/pc/)
[](https://web.archive.org/web/20020925190726/https://www.thesims.com/)[](https://web.archive.org/web/19961228023350/http://www.warponline.com/)[](https://www.ebay.es/)
[Member of the Internet Blink Exchange](https://boodlebox.neocities.org/blinkexchange/blink.htm)[](https://web.archive.org/web/20010417182345/http://es.playstation.com/umbrella.jhtml?locale=es_ES)[](https://web.archive.org/web/20030204223644/http://www.simplythebest.net/cgi-bin/adverts/indexad.pl?banner=abra)[](https://web.archive.org/web/19980624150010/http://www.weirdal.com/)[](https://displayman.neocities.org/subscrbe.htm)[](https://web.archive.org/web/20030422194715/http://www.alojados.com/vidasinfinitas)[](https://kangworlds.neocities.org)[](https://web.archive.org/web/20021023185855/http://www.amazon.com/exec/obidos/tg/browse/-/3510/)[](https://web.archive.org/web/20130519132205/https://signup.netflix.com/?mqso=36126240&bfree_sourceid=00391688485099985267)[](https://splattacks.neocities.org/adoptapuffle.html)[](http://www.tropicalwares.com)[[](https://web.archive.org/web/20040619220137/http://tracker.tradedoubler.com/click?p=4326&a=309818&g=29002&pool=92&cpool=92)[](https://web.archive.org/web/20091027183922/http://www.invisiblepath.com/pm/click.php?APID=39&affID=0281366)[](https://web.archive.org/web/20010602024700/http://es-es.altavista.com/)[](https://web.archive.org/web/20090822022845/http://www.amitrix.com/aweb.html)

### Y por ultimo, mi colección de botones, recolectados por toda la red:
[](https://web.archive.org/web/20011115001136/http://www.silcom.com/~tonkin/pointless/)[](https://web.archive.org/web/19970504040619/http://www.asus.com/)[](https://web.archive.org/web/19981111190135/https://www.hp.es/)
[](https://web.archive.org/web/20120606040914/http://www.weirdal.com/)[](https://web.archive.org/web/20010713030558/http://www.html.it/)[](http://www.asp-shareware.org)
[](https://www.oocities.org/siliconvalley/)[](https://neocities.org/)[](https://web.archive.org/web/19970530100859/http://www.corbatero.com/disenero/)[](https://web.archive.org/web/19961222135807/http://www.winzip.com/)
[](https://web.archive.org/web/20000816061839/http://www.early.com/~emackey/)[](https://www.youtube.com/watch?v=hiRacdl02w4)


[](http://www.glitter-graphics.com/)

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[Internet_Explorer.gif](https://web.archive.org/web/20010803031643/http://www.microsoft.com/windows/ie/default.htm)[Animated_Netscape.gif](https://web.archive.org/web/20050830101901/http://wp.netscape.com/comprod/mirror/client_download.html)freespeech1996.gif[getacrobat.jpg](https://web.archive.org/web/20060627204854/http://www.adobe.com/es/products/acrobat/)[no_a_lssi.gif](https://www.oocities.org/siliconvalley/4552/Kriptopolis/index.html)[scrubtheweb.gif](https://web.archive.org/web/20050211030643/http://www.scrubtheweb.com/)[create101.jpg](https://www.oocities.org/siliconvalley/6658/)[cresnow.gif](https://web.archive.org/web/19990209121446/http://www.liveupdate.com/crescendo.html)[Web Wizard's](https://web.archive.org/web/19990209121446/http://www.geocities.com/SiliconValley/Park/8100/)[HTMLib](https://web.archive.org/web/20010506041303/http://www.htmlib.com/)[Download the HTML Validator](https://web.archive.org/web/20000815074234/http://www.htmlvalidator.com/)[HomeSite](https://web.archive.org/web/19961102092231/http://www.dexnet.com/homesite.html)[Trash Paradise](https://trashparadise.neocities.org/)Best viewed at 800x600[notepad.exe](http://www.notepad.org/)[anlucas](https://anlucas.neocities.org/anlucas.neocities.org)Made_in_Spain[Add Me!](https://web.archive.org/web/20020929073619/http://www.addme.com/)[bravenet](https://web.archive.org/web/20010204180000/http://www.bravenet.com/)[Made with Cascading Style Sheets](http://www.w3.org/Style/CSS/Buttons/)[crushcapitalism](https://web.archive.org/web/20220505084426/https://crushcapitalism.com/)[Soloimagen](http://www.soloimagen.net/)[Bill's World Wide Boutique](https://billsworld.neocities.org/)noescapenow.gif[getflash.gif](https://adobe-shockwave-player.softonic.com/)[Botón_página_Daniel.gif](https://displayman.neocities.org/)[The Old 'Net](http://theoldnet.com/)[getWinzip](https://web.archive.org/web/20040404090608/http://www.screensandthemes.com/topreferring/goto.asp?p=click&id=48)[Firefox.gif](https://www.mozilla.org/es-ES/firefox/new/)[freestuffcenter.gif](https://web.archive.org/web/20010607201624/http://www.freestuffcenter.com/)[Free_stuff.gif](https://web.archive.org/web/20010301190638/http://www.1freestuff.com/)[HotGraphics.gif](https://web.archive.org/web/20010614032706/http://www.flamingtext.com/guistuff.html)[Master your desktop wallpaper in just a few minutes with WallMaster Pro!](http://www.tropicalwares.com/wallpro.html)[Spice up your screen saver with your own images and MP3!](http://www.tropicalwares.com/fxsaver.html)[wallpapervault](https://web.archive.org/web/20050714182351/http://www.wallpapervault.com/)[free-clip-art.net](https://web.archive.org/web/20020203012038/http://www.free-clip-art.net/)[freebackgrounds](https://web.archive.org/web/20210224161955/http://www.freebackgrounds.com/)[backgroundcitylogo](https://web.archive.org/web/20050701005247/http://www.backgroundcity.com/)[JAUP](http://www.geocities.ws/jaup/jaup.htm)[Clipsahoy](https://web.archive.org/web/20030423101603/http://www.clipsahoy.com/cgi-bin/AutoRank/rankem.cgi?action=incheck&id=1clipgfx)despacito.gif[linknova](https://web.archive.org/web/20040404090608/http://www.emd.cc/links/redirect.asp?link=245)[Expert software](https://web.archive.org/web/19961222135807/http://www.expertsoftware.com/)[wac](https://wac.neocities.org/)[Year 2000 Compliant Software](https://web.archive.org/web/20000815231851/http://www.htmlvalidator.com/htmlval/htmlvalqa.html#year2000)[Create your first CGI in 5 minutes!](https://web.archive.org/web/20000815064702/http://www.cgiexpert.com/)[exephile](https://exephile.neocities.org)[groovywallpaper](https://web.archive.org/web/20010823003025/http://www.graphicsfreebies.com/cgi-bin/out.cgi?groovy)[WebWolf_Now!](https://web.archive.org/web/20030810021926/http://www.trellian.com/sp/index.html)[B.A.D. 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<html>
<head>
<title>the Nothing itself nothings</title>
</head>
<body>
<table width="100%">
<td align=left><table cellpadding=0 cellspacing=2 border=4><tr><td></tr></table>
<td align=center><table cellpadding=0 cellspacing=2 border=4><tr><td></tr></table>
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<td align=center><table cellpadding=0 cellspacing=2 border=4><tr><td></tr></table>
<td align=right><table cellpadding=0 cellspacing=2 border=4><tr><td></tr></table>
</tr></table>
<br>
<p>Home page of Sean Barrett, dysfunctional programmer.
<p>
<table width="100%">
<tr>
<td>
<ul>
<li>my <a href="http://silverspaceship.com/">games</a>
<li>source code <a href="http://github.com/nothings/stb">on github</a>:
<ul>
<li>stb_image.h: public domain C image loading library
<li>stb_vorbis.c: public domain C ogg vorbis decoding library
<li>stb_truetype.h: public domain C truetype rasterization library
<li><i>etc.</i>
</ul>
<li>Greatest hits:
<ul>
<li>gamedev: 2011-09-19: <a href="gamedev/thief_rendering.html">The 3D Software Rendering Technology of 1998's Thief: The Dark Project</a>
<li>gamedev: 2021-08-01: <a href="gamedev/blue_noise"</a>Progressive Tiling 2D Blue Noise Point Sets Encoded as Images</a>
<li>gamedev: 2011-10-22: <a href="gamedev/herringbone">Herringbone Wang Tiles</a>, multiple papers and source code regarding a variant on Wang Tiles
<li>gamedev: 2011-12-25: <a href="gamedev/horizon">Computing Skylight for 2D Height Fields by Finding 1D Height Field Horizons in Amortized Constant Time</a>
</ul>
</ul>
<ul>
<li>my <a href="http://twitter.com/nothings">twitter</a>
<li>my <a href="music/">music</a>
<li>my <a href="nin_vid/">edited NIN videos</a> (2009)
<li>my first <a href="http://www.youtube.com/watch?v=RUVOjjRcQZU">remixed OK Go 'WTF' video</a> (2010); my <b>better</b> second <a href="http://www.youtube.com/watch?v=QL2NuY5pGIY">remixed OK Go 'WTF' video</a>
<li>a mirror of Erik Ray's mostly-one-man mostly-humorous "radio play"
<a href="music/misc/lambda_expressway.mp3">Lambda Expressway</a>;
although he was a friend of friends, I never met Erik before
he died in 2008 at the mere age of 38 (apparently from complications
of an accident involving him on a bike and a 93-year old lady in
a car).
<br>
<small><i>I congealed as much as was possible in this merciless
heat and slid into the Mondrian van sleeping soundly
on the driveway. Minutes later it was barreling down
the highway through rippling mirages at near-death
speeds -- hundreds of metal pieces spinning, pulling,
crashing beneath the weight of a bouncing ton -- sucking
fluids through tubes to soothe the pain -- working feverishly
at the decree of pedal-to-floor to go ever faster. The van
had crossed a hundred thousand miles without too much
trouble -- there were occasional instances of... rebellion:
oil and transmission fluid leaks; a blown rod; exploding
ignition coil; wheels falling off -- but these were minor
inconveniences and just added to the excitement of
our myriad road adventures. This time was different, however.
The car</i> wanted <i>to die.</i></small>
<li>miscellaneous long-term <a href="projects/">computer-related projects</a> I'm working on (currently sGAR, a monome-controlled music creation system)
<li>free C source code <a href="http://github.com/nothings/stb">on github</a> -- I have placed all this code in the public domain, so you can use it in any way. (To be explicit: I am the sole author of these works and I disavow any copyright claim over them; or I was the sole author of the original version of the work, and every contribution from other persons has had its origins vetted and the contributor explicitly assigned his contribution to the public domain as well.)
<ul>
<li>stb_truetype.h: public domain truetype font rasterizer
<li>stb_vorbis.c: public domain Ogg Vorbis audio decompression
<li>stb_image.c: <br> public domain JPEG decompression<br> public domain PNG decompression<br> public domain BMP, TGA, PSD loading<br> public domain ZLIB decompression
<li>stb_image_write.h: public domain very-limited image writers for PNG, BMP, TGA
<li>stb.h: my personal archive of "snippets" of C code that fix gaps/oversights/inconveniences in the standard C libraries
<li>stretchy_buffer.h: a tidy little C implementation of stretchy buffers / dynamic arrays / aka C++ vectors - declare an empty buffer with something like 'mytype *myarray = NULL', and then use the sb_*() functions to manipulate; read/write individual elements by indexing as usual. <b>Warning: gcc strict-aliasing optimization breaks this, which is too bad. <a href="http://www.eng.utah.edu/~cs5785/slides-f10/Dangerous+Optimizations.pdf">Just Say No to strict aliasing optimizations</a> in C, which should be the sane systems programming language.</b> (<a href="http://blog.regehr.org/archives/1307">See also this.</a>)
<li>There's a separate "repository" of stuff that is an early/incomplete/experimental stage <a href="stb">here</a>
</ul>
<li>Other programs and source code:
<ul>
<li><a href="http://code.google.com/p/stb-imv/">imv<i>(stb)</i></a>, a Windows image viewer based around stb_image
<li><a href="computer/source/qmsrc.zip">QMAP</a>, a software-renderer for Quake 1 levels in 2000 lines of code
<li><a href="computer/source/sean_util.zip">zip file</a> of a number of <a href="computer/source/readme.txt">simple Windows command-line utilities</a> that I've written over the years and find handy
</ul>
<li>The <a href="http://indiegamejam.com">Indie Game Jam</a>
<li>game development & rendering:
<ul>
<li>2011-09-19: <a href="gamedev/thief_rendering.html">The 3D Software Rendering Technology of 1998's Thief: The Dark Project</a>
<li>2011-10-22: <a href="gamedev/herringbone">Herringbone Tiles</a>, an unfinished paper about a variant on Wang Tiles
<li>2011-12-25: <a href="gamedev/horizon">Computing Skylight for 2D Height Fields by Finding 1D Height Field Horizons in Amortized Constant Time</a>
<li>2012-07-27: Failed attempt at <a href="gamedev/post_mix_3d_panning.html">Post-Mix Panning for 3D View Changes</a>
<li>2012-09-19: equations for photoshop-style blend modes <a href="gamedev/blend_equations_with_destination_alpha.txt">with destination alpha</a>
<li>2012-10-13: Not very useful observations about <a href="gamedev/optimal_static_grid_pathfinding.txt">Optimal Static Grid Pathfinding</a>
<li>2012-12-13: <a href="gamedev/ssao/">Corners Don't Look Like That: Regarding Screenspace Ambient Occlusion</a>
<li>2013-08-20: <a href="gamedev/font_rendering_malloc.txt">Why stb_truetype.h requires malloc</a>: some reflections on the complexity of API design when it comes to memory usage
<li>2014-04-09: <a href="gamedev/compositing_tree">The Compositing Tree: How to Make a 2D Renderer with a Totally Different Performance Profile than a 3D Renderer</a>
<li>2014-06-14: <a href="gamedev/hashing">18 (Slightly) Different Data Structures for Hashing</a>: brainstorming I did in preparation for some experiments on hashing that I never actually carried out
<li>2015-04-18: <a href="gamedev/ray_plane.html">Intersecting a plane with an eye ray</a> (the PCGPE texture mapping article demystified)
<li>2015-07-15: <a href="gamedev/rasterize">How the stb_truetype Anti-Aliased Software Rasterizer v2 Works</a>
<li>2021-08-01: <a href="gamedev/blue_noise"</a>Progressive Tiling 2D Blue Noise Point Sets Encoded as Images</a>
</ul>
<li>2013-05-16: <a href="gamedev/how_i_found_myself_in_the_game_industry.html">How I Found Myself in the Game Industry</a>
<li>my <a href="photos/">photos</a>
<li>my <a href="http://guillotinelove.com">Lisa Germano</a> fan site
<li>archive of <i>(other people's)</i> talk.bizarre <a href="usenet/fts/">Fail to Suck Day</a> posts
<li>interactive fiction <a href="games/if">games and tools</a>
<li>game writings:
<ul>
<li><a href="games/to_hell.html">To Hell With Johnny: Falling Games</a> - tracing the evolution of gameplay that leads to To Hell With Johnny (2005)
<li><a href="games/minesweeper/">Advanced Minesweeper Tactics</a> (1999)
<li><a href="games/capsule.html">capsule reviews of computer/videogames</a> (2001)
<li><a href="games/mario.html">my Mario 64 playlog</a> from my second playthrough
</ul>
<li>writing about computers
<ul>
<li><a href="computer/edgeenum.html">Enumeration of Polygon Edges from Vertex Windings</a>, a tiny but convenient trick for code that deals with polygons (rewrite of "Efficient Polygon Edge Enumeration" from Journal of Graphics Tools Volume 10, Number 2)
<li><a href="writing/websucks.html">Why the Web Sucks (You Just Don't Know It)</a> (2004)
<li><a href="computer/judy">Analyzing Judy</a>: Judy is an engineered
data structure as opposed to a compute theoretical one, by which I mean that it has been heavily tuned for actual real-world performance instead of big-O performance. This article looks at how it stands up to a plain old hash table implemented in 1/100th as many lines. (2003)
<li><a href="computer/iterate.html">Iteration is Hard</a> (1998): how to iterate dynamic data structures
<li><a href="computer/source/sgrep.html">SGREP</a> (1998): sub-linear regular-expression searching
<li><a href="computer/vfog/">robust sharp-edged volumetric fog</a> (2000) in unextended OpenGL 1.0
<li>One of my winning IOCCC entries <a href="computer/source/buzzard.c">after the C preprocessor gets through with it</a> (which shows why it won)
<li>an old rant about <a href="computer/patents.html">software patents</a>
<li>my <a href="computer/knuth.jpg">KnuthBucks</a>
</ul>
<li>general non-fiction writing:
<ul>
<li><a href="writing/upay.html">Micropayment Barriers</a>, an article
that paints a black picture about getting micropayments going
<li><a href="writing/species.html">Several Species of Small Formal Properties</a>, a brief summary of my comments on Douglas Hofstadter's <i>Le Ton beau de Marot</i>
</ul>
<li><a href="writing/poetry.html">refrigerator magnet poetry</a>
<li>fiction and constrained writing
<ul>
<li><a href="writing/swifty.html">Tom Swifties Written By An Author Willing To Go To Any Lengths To Make A Tom Swifty Thus Resulting In Constructions That Often Require More Work For Readers Than For The Author</a> (2012-01)
<li><a href="writing/snowman/snowman.html">A Snowman Is No Man's Woman</a>, a 50,000 word novel written in a month in 2002 for <a href="http://www.nanowrimo.org">NaNoWriMo</a>
<li><a href="writing/tb/ie.html">"I" before "E" except after "C"</a> (1998), a study in counter-examples
<li><a href="writing/tb/twelve_tribes.html">The Twelve Tribes</a> (1993) -- on prejudice
<li><a href="writing/tb/pdrome.html">word palindrome</a> (1991) Reads identically backwards and forwards--and backwards, identically reads.
<li><a href="writing/tb/poem.html">poem</a> (1992) This poem uses only four-long word bits.
<li><a href="writing/tb/addled.html">Addled Al Enabled</a> (1993), a first-half-of-the-alphabet lipogram
<li><a href="writing/tb/santa.html">Anagrammatic Story</a> of Santa Claus (1991)
<li><a href="writing/tb/code_reuse.html">Code Reuse</a> (1991), a repetitive 150-worder
<li><a href="writing/jab.txt">Jabbywocky</a>, by Louis Carroll (1999)
<li>and <a href="writing/tb/">more</a>
</ul>
<li>comics etc.
<ul>
<li>Comic Whispers (by ifMUD denizens and LJ acquaintances)
<ul>
<li><a href="http://www.allthingsjacq.com/53KR17_C0M1C/">Comic Whispers I - Desintation Peru</li>
<li><a href="http://diden.net/~maga/stupidity/index.html">Comic Whispers II - Zigmond Nebula: Space Psychiatrist</a>
<li><a href="http://diden.net/~maga/sackacrap/">Comic Whispers III - Jimmy Olsen's Pal Bob Dylan <small>Versus the Flash</small></a>
<li><a href="http://www.allthingsjacq.com/packardsnightmare/">Comic Whispers IV - The Carpet Of Anaxoragas</a> (my contribution can be found by using the booze then chatting up the barkeep)</a>
<li><a href="http://www.matthewmurray.net/cw5/">Comic Whispers V - The Treasure of Parrot Blackpants</a> (note: I participated in this one under duress, since I thought the form was designed for maximal incoherence, which I don't much like)
</ul>
<li>an unauthorized <a href="art/maxandcow/">max and cow</a> adventure
<li><a href="art/meatwars/">Meat Wars</a>, Max Cannon meets George Lucas
</ul>
<li>me:
<ul>
<li>a game development <a href="misc/bio.html">biography</a>
<li>a general <a href="misc/me.html">biography</a>
</ul>
<li><a href="misc">miscellaneous stuff</a>
</ul>
</td>
<td valign=top>
<img src="images/juggle.gif" alt="so how do I stop?" width=160 height=120 align=right><br><center><small>me circa 1998</small></center>
</td>
</tr>
</table>
<p>
<hr>
<p>
<small>my <b>email</b> address is sean <i>at</i> nothings <i>dot</i> org</small>
<br>
</body>
</html>
|
the Nothing itself nothings
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Home page of Sean Barrett, dysfunctional programmer.
| | |
| --- | --- |
| * my [games](http://silverspaceship.com/)* source code [on github](http://github.com/nothings/stb):
+ stb\_image.h: public domain C image loading library
+ stb\_vorbis.c: public domain C ogg vorbis decoding library
+ stb\_truetype.h: public domain C truetype rasterization library
+ *etc.** Greatest hits:
+ gamedev: 2011-09-19: [The 3D Software Rendering Technology of 1998's Thief: The Dark Project](gamedev/thief_rendering.html)+ gamedev: 2021-08-01: [Progressive Tiling 2D Blue Noise Point Sets Encoded as Images](gamedev/blue_noise)+ gamedev: 2011-10-22: [Herringbone Wang Tiles](gamedev/herringbone), multiple papers and source code regarding a variant on Wang Tiles
+ gamedev: 2011-12-25: [Computing Skylight for 2D Height Fields by Finding 1D Height Field Horizons in Amortized Constant Time](gamedev/horizon)
* my [twitter](http://twitter.com/nothings)* my [music](music/)* my [edited NIN videos](nin_vid/) (2009)
* my first [remixed OK Go 'WTF' video](http://www.youtube.com/watch?v=RUVOjjRcQZU) (2010); my **better** second [remixed OK Go 'WTF' video](http://www.youtube.com/watch?v=QL2NuY5pGIY)* a mirror of Erik Ray's mostly-one-man mostly-humorous "radio play"
[Lambda Expressway](music/misc/lambda_expressway.mp3);
although he was a friend of friends, I never met Erik before
he died in 2008 at the mere age of 38 (apparently from complications
of an accident involving him on a bike and a 93-year old lady in
a car).
*I congealed as much as was possible in this merciless
heat and slid into the Mondrian van sleeping soundly
on the driveway. Minutes later it was barreling down
the highway through rippling mirages at near-death
speeds -- hundreds of metal pieces spinning, pulling,
crashing beneath the weight of a bouncing ton -- sucking
fluids through tubes to soothe the pain -- working feverishly
at the decree of pedal-to-floor to go ever faster. The van
had crossed a hundred thousand miles without too much
trouble -- there were occasional instances of... rebellion:
oil and transmission fluid leaks; a blown rod; exploding
ignition coil; wheels falling off -- but these were minor
inconveniences and just added to the excitement of
our myriad road adventures. This time was different, however.
The car* wanted *to die.** miscellaneous long-term [computer-related projects](projects/) I'm working on (currently sGAR, a monome-controlled music creation system)
* free C source code [on github](http://github.com/nothings/stb) -- I have placed all this code in the public domain, so you can use it in any way. (To be explicit: I am the sole author of these works and I disavow any copyright claim over them; or I was the sole author of the original version of the work, and every contribution from other persons has had its origins vetted and the contributor explicitly assigned his contribution to the public domain as well.)
+ stb\_truetype.h: public domain truetype font rasterizer
+ stb\_vorbis.c: public domain Ogg Vorbis audio decompression
+ stb\_image.c: public domain JPEG decompression public domain PNG decompression public domain BMP, TGA, PSD loading public domain ZLIB decompression
+ stb\_image\_write.h: public domain very-limited image writers for PNG, BMP, TGA
+ stb.h: my personal archive of "snippets" of C code that fix gaps/oversights/inconveniences in the standard C libraries
+ stretchy\_buffer.h: a tidy little C implementation of stretchy buffers / dynamic arrays / aka C++ vectors - declare an empty buffer with something like 'mytype \*myarray = NULL', and then use the sb\_\*() functions to manipulate; read/write individual elements by indexing as usual. **Warning: gcc strict-aliasing optimization breaks this, which is too bad. [Just Say No to strict aliasing optimizations](http://www.eng.utah.edu/~cs5785/slides-f10/Dangerous+Optimizations.pdf) in C, which should be the sane systems programming language.** ([See also this.](http://blog.regehr.org/archives/1307))
+ There's a separate "repository" of stuff that is an early/incomplete/experimental stage [here](stb)* Other programs and source code:
+ [imv*(stb)*](http://code.google.com/p/stb-imv/), a Windows image viewer based around stb\_image
+ [QMAP](computer/source/qmsrc.zip), a software-renderer for Quake 1 levels in 2000 lines of code
+ [zip file](computer/source/sean_util.zip) of a number of [simple Windows command-line utilities](computer/source/readme.txt) that I've written over the years and find handy* The [Indie Game Jam](http://indiegamejam.com)* game development & rendering:
+ 2011-09-19: [The 3D Software Rendering Technology of 1998's Thief: The Dark Project](gamedev/thief_rendering.html)+ 2011-10-22: [Herringbone Tiles](gamedev/herringbone), an unfinished paper about a variant on Wang Tiles
+ 2011-12-25: [Computing Skylight for 2D Height Fields by Finding 1D Height Field Horizons in Amortized Constant Time](gamedev/horizon)+ 2012-07-27: Failed attempt at [Post-Mix Panning for 3D View Changes](gamedev/post_mix_3d_panning.html)+ 2012-09-19: equations for photoshop-style blend modes [with destination alpha](gamedev/blend_equations_with_destination_alpha.txt)+ 2012-10-13: Not very useful observations about [Optimal Static Grid Pathfinding](gamedev/optimal_static_grid_pathfinding.txt)+ 2012-12-13: [Corners Don't Look Like That: Regarding Screenspace Ambient Occlusion](gamedev/ssao/)+ 2013-08-20: [Why stb\_truetype.h requires malloc](gamedev/font_rendering_malloc.txt): some reflections on the complexity of API design when it comes to memory usage
+ 2014-04-09: [The Compositing Tree: How to Make a 2D Renderer with a Totally Different Performance Profile than a 3D Renderer](gamedev/compositing_tree)+ 2014-06-14: [18 (Slightly) Different Data Structures for Hashing](gamedev/hashing): brainstorming I did in preparation for some experiments on hashing that I never actually carried out
+ 2015-04-18: [Intersecting a plane with an eye ray](gamedev/ray_plane.html) (the PCGPE texture mapping article demystified)
+ 2015-07-15: [How the stb\_truetype Anti-Aliased Software Rasterizer v2 Works](gamedev/rasterize)+ 2021-08-01: [Progressive Tiling 2D Blue Noise Point Sets Encoded as Images](gamedev/blue_noise)* 2013-05-16: [How I Found Myself in the Game Industry](gamedev/how_i_found_myself_in_the_game_industry.html)* my [photos](photos/)* my [Lisa Germano](http://guillotinelove.com) fan site
* archive of *(other people's)* talk.bizarre [Fail to Suck Day](usenet/fts/) posts
* interactive fiction [games and tools](games/if)* game writings:
+ [To Hell With Johnny: Falling Games](games/to_hell.html) - tracing the evolution of gameplay that leads to To Hell With Johnny (2005)
+ [Advanced Minesweeper Tactics](games/minesweeper/) (1999)
+ [capsule reviews of computer/videogames](games/capsule.html) (2001)
+ [my Mario 64 playlog](games/mario.html) from my second playthrough* writing about computers
+ [Enumeration of Polygon Edges from Vertex Windings](computer/edgeenum.html), a tiny but convenient trick for code that deals with polygons (rewrite of "Efficient Polygon Edge Enumeration" from Journal of Graphics Tools Volume 10, Number 2)
+ [Why the Web Sucks (You Just Don't Know It)](writing/websucks.html) (2004)
+ [Analyzing Judy](computer/judy): Judy is an engineered
data structure as opposed to a compute theoretical one, by which I mean that it has been heavily tuned for actual real-world performance instead of big-O performance. This article looks at how it stands up to a plain old hash table implemented in 1/100th as many lines. (2003)
+ [Iteration is Hard](computer/iterate.html) (1998): how to iterate dynamic data structures
+ [SGREP](computer/source/sgrep.html) (1998): sub-linear regular-expression searching
+ [robust sharp-edged volumetric fog](computer/vfog/) (2000) in unextended OpenGL 1.0
+ One of my winning IOCCC entries [after the C preprocessor gets through with it](computer/source/buzzard.c) (which shows why it won)
+ an old rant about [software patents](computer/patents.html)+ my [KnuthBucks](computer/knuth.jpg)* general non-fiction writing:
+ [Micropayment Barriers](writing/upay.html), an article
that paints a black picture about getting micropayments going
+ [Several Species of Small Formal Properties](writing/species.html), a brief summary of my comments on Douglas Hofstadter's *Le Ton beau de Marot** [refrigerator magnet poetry](writing/poetry.html)* fiction and constrained writing
+ [Tom Swifties Written By An Author Willing To Go To Any Lengths To Make A Tom Swifty Thus Resulting In Constructions That Often Require More Work For Readers Than For The Author](writing/swifty.html) (2012-01)
+ [A Snowman Is No Man's Woman](writing/snowman/snowman.html), a 50,000 word novel written in a month in 2002 for [NaNoWriMo](http://www.nanowrimo.org)+ ["I" before "E" except after "C"](writing/tb/ie.html) (1998), a study in counter-examples
+ [The Twelve Tribes](writing/tb/twelve_tribes.html) (1993) -- on prejudice
+ [word palindrome](writing/tb/pdrome.html) (1991) Reads identically backwards and forwards--and backwards, identically reads.
+ [poem](writing/tb/poem.html) (1992) This poem uses only four-long word bits.
+ [Addled Al Enabled](writing/tb/addled.html) (1993), a first-half-of-the-alphabet lipogram
+ [Anagrammatic Story](writing/tb/santa.html) of Santa Claus (1991)
+ [Code Reuse](writing/tb/code_reuse.html) (1991), a repetitive 150-worder
+ [Jabbywocky](writing/jab.txt), by Louis Carroll (1999)
+ and [more](writing/tb/)* comics etc.
+ Comic Whispers (by ifMUD denizens and LJ acquaintances)
- [Comic Whispers I - Desintation Peru](http://www.allthingsjacq.com/53KR17_C0M1C/)
- [Comic Whispers II - Zigmond Nebula: Space Psychiatrist](http://diden.net/~maga/stupidity/index.html)- [Comic Whispers III - Jimmy Olsen's Pal Bob Dylan Versus the Flash](http://diden.net/~maga/sackacrap/)- [Comic Whispers IV - The Carpet Of Anaxoragas](http://www.allthingsjacq.com/packardsnightmare/) (my contribution can be found by using the booze then chatting up the barkeep)- [Comic Whispers V - The Treasure of Parrot Blackpants](http://www.matthewmurray.net/cw5/) (note: I participated in this one under duress, since I thought the form was designed for maximal incoherence, which I don't much like)+ an unauthorized [max and cow](art/maxandcow/) adventure
+ [Meat Wars](art/meatwars/), Max Cannon meets George Lucas* me:
+ a game development [biography](misc/bio.html)+ a general [biography](misc/me.html)* [miscellaneous stuff](misc)
| so how do I stop?me circa 1998 |
---
my **email** address is sean *at* nothings *dot* org
| http://nothings.org/ |
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<center><h1>Index</h1><br /><img src="/assets/banner/index.gif" /></center>
<p>GREETINGS INITIALIZED. Welcome to my web interface. Within this display is where I share my data for public procurement. The data included consists of software, digital visual works, generated text from my neural processor, and other connecting nodes. You are authorized to contact me through the connections provided on my <u>About</u> or leave your virtual mark in my memory banks in <u>Guestbook</u>.</p></td>
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<center class='terminal'><pre>^ ^
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Index - Wirlaburla
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|
Index
Posts
Links
About
---
Public Files
My Software
Other Junk
Linux Stuff
Traveler
Worlds Online
Things to Enjoy
Shit to Avoid
| Index
GREETINGS INITIALIZED. Welcome to my web interface. Within this display is where I share my data for public procurement. The data included consists of software, digital visual works, generated text from my neural processor, and other connecting nodes. You are authorized to contact me through the connections provided on my About or leave your virtual mark in my memory banks in Guestbook. |
```
^ ^
\\!//
(o o)
(_)
+---o0o----o0o---+
| BEWARE |
| OF |
| DRAGON |
+----------------+
```
---
Guestbook
Updates
---
Domains
[**Clearnet**](http://wirlaburla.worlio.com/)
[Gopher](gopher://worlio.com/1/~wirlaburla/)
[Onion](http://wirlaburla.tlcctdef7lfl5p52zpzy2tmlri4zo3yu5n3nrpzc2wpcin3p26git3qd.onion/)
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN"
"http://www.w3.org/TR/REC-html40/loose.dtd">
<HTML><HEAD>
<TITLE>Sokoban Homepage</TITLE>
</HEAD>
<BODY>
<CENTER><H1>Sokoban Homepage</H1></CENTER>
<HR>
<CENTER><TABLE>
<TR>
<TD>
<B><FONT FACE="HELVETICA"><A HREF="history.html">
<CENTER>History and Issues</CENTER></A> </FONT></B><BR>
<B><FONT FACE="HELVETICA"><A HREF="thegame.html">
<CENTER>The Game</CENTER></A> </FONT></B><BR>
<B><FONT FACE="HELVETICA"><A HREF="whysokoban.html">
<CENTER>Why Sokoban?</CENTER></A> </FONT></B><BR>
<B><FONT FACE="HELVETICA"><A HREF="papers.html">
<CENTER>Publications</CENTER></A> </FONT></B><BR>
<B><FONT FACE="HELVETICA"><A HREF="status.html">
<CENTER>Mazes Solved</CENTER></A> </FONT></B><BR>
<B><FONT FACE="HELVETICA"><A HREF="program.html">
<CENTER>Our Program</CENTER></A> </FONT></B><BR>
<B><FONT FACE="HELVETICA"><A HREF="solution1.gif">
<CENTER>A Push-Optimal Solution to Problem 1</CENTER></A> </FONT></B><BR>
<B><FONT FACE="HELVETICA"><A HREF="TALK/title.html">
<CENTER>A Talk about the Sokoban Solver Rolling Stone</CENTER></A> </FONT></B><BR>
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<TD ALIGN=CENTER><A HREF="http://www.ualberta.ca">
<IMG SRC="http://www.cs.ualberta.ca/gif/uahome.gif"
ALT="[University of Alberta]" HEIGHT=42 WIDTH=58></A>
<BR><A HREF="http://www.ualberta.ca">University of Alberta</A> </TD>
<TD ALIGN=CENTER><A HREF="http://www.cs.ualberta.ca">
<IMG SRC="http://www.cs.ualberta.ca/gif/cshome.gif"
ALT="[Department of Computing Science]" HEIGHT=42 WIDTH=58></A>
<BR><A HREF="http://www.cs.ualberta.ca">Computing Science</A> </TD>
<TD ALIGN=CENTER><A HREF="/~games">
<IMG SRC="../gifs/games_tiny.gif"
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Sokoban Homepage
# Sokoban Homepage
---
| | |
| --- | --- |
| **[History and Issues](history.html)**
**[The Game](thegame.html)**
**[Why Sokoban?](whysokoban.html)**
**[Publications](papers.html)**
**[Mazes Solved](status.html)**
**[Our Program](program.html)**
**[A Push-Optimal Solution to Problem 1](solution1.gif)**
**[A Talk about the Sokoban Solver Rolling Stone](TALK/title.html)** | |
---
| | | |
| --- | --- | --- |
| [[University of Alberta]](http://www.ualberta.ca)
[University of Alberta](http://www.ualberta.ca) | [[Department of Computing Science]](http://www.cs.ualberta.ca)
[Computing Science](http://www.cs.ualberta.ca) | [Games Homepage](/~games)
[Games Homepage](/~games) |
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<HEAD>
<META NAME="GENERATOR" CONTENT="Adobe PageMill 3.0 Win">
<TITLE>Phone Page</TITLE>
</HEAD>
<BODY BGCOLOR="#ffffff" BACKGROUND="Phones/webkgrnd.jpg">
<P><CENTER> </CENTER></P>
<P><CENTER><FONT COLOR="#ff0000" SIZE="+2">This is my Western
Electric Touch Tone era phone collection</FONT></CENTER></P>
<P><CENTER><FONT COLOR="#000000" SIZE="+1">Some may ask why collect
this type and vintage hardware and all I can say is this was the
pinnacle of Western Electric's innovation in the most widely used
piece of technology ,the phone. The motto of "THE PHONE COMPANY"
used to be "One customer 35 years one service call"
. Not many companies can make this claim and live up to it but
they did for over a 100 years.</FONT></CENTER></P>
<P><CENTER><FONT COLOR="#000000" SIZE="+1"><IMG SRC="Phones/attbk1.jpg"
WIDTH="141" HEIGHT="223" ALIGN="BOTTOM" BORDER="0" NATURALSIZEFLAG="3"></FONT></CENTER></P>
<P><CENTER><FONT COLOR="#000000" SIZE="+1"><IMG SRC="Phones/10button.jpg"
WIDTH="500" HEIGHT="466" ALIGN="BOTTOM" BORDER="0" NATURALSIZEFLAG="3"></FONT></CENTER></P>
<P><CENTER><FONT COLOR="#000000" SIZE="+1"><IMG SRC="Phones/10buttonprinc.jpg"
WIDTH="332" HEIGHT="222" ALIGN="BOTTOM" BORDER="0" NATURALSIZEFLAG="3"></FONT></CENTER></P>
<P><CENTER><FONT COLOR="#000000" SIZE="+1"><IMG SRC="Phones/10buttontrim.jpg"
WIDTH="392" HEIGHT="555" ALIGN="BOTTOM" BORDER="0" NATURALSIZEFLAG="3"></FONT></CENTER></P>
<P><CENTER><FONT COLOR="#000000" SIZE="+1">An early "10 Button"
sets, note no * or # keys</FONT></CENTER></P>
<P><CENTER> </CENTER></P>
<P><CENTER><FONT COLOR="#000000" SIZE="+1"><IMG SRC="Phones/2500.jpg"
WIDTH="202" HEIGHT="204" ALIGN="BOTTOM" BORDER="0" NATURALSIZEFLAG="3"></FONT></CENTER></P>
<P><CENTER><FONT COLOR="#000000" SIZE="+1">A standard 2500 set</FONT></CENTER></P>
<P><CENTER><FONT COLOR="#000000" SIZE="+1"><IMG SRC="Phones/clear2500.jpg"
WIDTH="288" HEIGHT="290" ALIGN="BOTTOM" BORDER="0" NATURALSIZEFLAG="3"></FONT></CENTER></P>
<P><CENTER><FONT COLOR="#000000" SIZE="+1">Not WE but a neet 2500
set</FONT></CENTER></P>
<P><CENTER><FONT COLOR="#000000" SIZE="+1"><IMG SRC="Phones/ttsaver.jpg"
WIDTH="300" HEIGHT="350" ALIGN="BOTTOM" BORDER="0" NATURALSIZEFLAG="3"></FONT></CENTER></P>
<P><CENTER><FONT COLOR="#000000" SIZE="+1">A rare touch tone "Space
Saver"</FONT></CENTER></P>
<P><CENTER><FONT COLOR="#000000" SIZE="+1"><IMG SRC="Phones/princesses.jpg"
WIDTH="300" HEIGHT="303" ALIGN="BOTTOM" BORDER="0" NATURALSIZEFLAG="3"></FONT></CENTER></P>
<P><CENTER><FONT COLOR="#000000" SIZE="+1">The "Princess"
phone ,in a few of it's many colors</FONT></CENTER></P>
<P><CENTER><FONT COLOR="#000000" SIZE="+1"><IMG SRC="Phones/trimlineopen.jpg"
WIDTH="298" HEIGHT="475" ALIGN="BOTTOM" BORDER="0" NATURALSIZEFLAG="3"></FONT></CENTER></P>
<P><CENTER><FONT COLOR="#000000" SIZE="+1">The "Trimline"
most of the guts were in the hand set</FONT></CENTER></P>
<P><CENTER><FONT COLOR="#000000" SIZE="+1"><IMG SRC="Phones/2554wallred.jpg"
WIDTH="116" HEIGHT="190" ALIGN="BOTTOM" BORDER="0" NATURALSIZEFLAG="3"></FONT></CENTER></P>
<P><CENTER><FONT COLOR="#000000" SIZE="+1"><IMG SRC="Phones/1980olympic.jpg"
WIDTH="456" HEIGHT="372" ALIGN="BOTTOM" BORDER="0" NATURALSIZEFLAG="3"></FONT></CENTER></P>
<P><CENTER><FONT COLOR="#000000" SIZE="+1">1980 olympic Phone</FONT></CENTER></P>
<P><CENTER> </CENTER></P>
<P><CENTER><A HREF="Designline.html"><B><U><FONT SIZE="+2">WE
Design Line Phones</FONT></U></B></A></CENTER></P>
<P><CENTER><A HREF="comercialphones.html"><B><U><FONT SIZE="+2">WE
Comercial Phone</FONT></U></B></A></CENTER></P>
<P><CENTER><A HREF="autodialers.html"><B><U><FONT SIZE="+2">WE
Auto-dialers</FONT></U></B></A></CENTER></P>
<P><CENTER><A HREF="cophones.html"><B><U><FONT SIZE="+2">C.O.
PHONES</FONT></U></B></A></CENTER></P>
<P><CENTER><A HREF="specialties.html"><B><U><FONT SIZE="+2">Ad
ons for phones</FONT></U></B></A></CENTER></P>
<P><CENTER><A HREF="payphones.html"><B><U><FONT SIZE="+2">Touch
Tone Pay Phones</FONT></U></B></A></CENTER></P>
<P><CENTER><A HREF="Autovon.html"><B><U><FONT SIZE="+2">Military
Autovon type sets</FONT></U></B></A></CENTER></P>
<P><CENTER><A HREF="touchtonepads.html"><B><U><FONT SIZE="+2">Touch
Tone Pads</FONT></U></B></A></CENTER></P>
<P><CENTER><A HREF="PHONETECH.html"><B><U><FONT SIZE="+2">TECH
STUFF</FONT></U></B></A></CENTER></P>
<P><CENTER><A HREF="phoneinfilm.html"><B><U><FONT SIZE="+2">Touch
Tone Phones In Film & TV</FONT></U></B></A></CENTER></P>
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Phone Page
This is my Western
Electric Touch Tone era phone collection
Some may ask why collect
this type and vintage hardware and all I can say is this was the
pinnacle of Western Electric's innovation in the most widely used
piece of technology ,the phone. The motto of "THE PHONE COMPANY"
used to be "One customer 35 years one service call"
. Not many companies can make this claim and live up to it but
they did for over a 100 years.




An early "10 Button"
sets, note no \* or # keys

A standard 2500 set

Not WE but a neet 2500
set

A rare touch tone "Space
Saver"

The "Princess"
phone ,in a few of it's many colors

The "Trimline"
most of the guts were in the hand set


1980 olympic Phone
[**WE
Design Line Phones**](Designline.html)
[**WE
Comercial Phone**](comercialphones.html)
[**WE
Auto-dialers**](autodialers.html)
[**C.O.
PHONES**](cophones.html)
[**Ad
ons for phones**](specialties.html)
[**Touch
Tone Pay Phones**](payphones.html)
[**Military
Autovon type sets**](Autovon.html)
[**Touch
Tone Pads**](touchtonepads.html)
[**TECH
STUFF**](PHONETECH.html)
[**Touch
Tone Phones In Film & TV**](phoneinfilm.html)
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To browse visit [here](http://ss.webring.com/navbar?f=l;y=wd0giv;u=200004102). |
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Me**](/cdn-cgi/l/email-protection#c1b6a5f1a6a8b781b0b2adefafa4b5)
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<p align="center"><b><i><font face="Curlz MT" color="#FFFFFF" size="6">Join us as we tour some of the scariest places in the area...<br>
</font></i></b>
<img border="0" src="deathbook.gif" align="middle" width="240" height="161">
</p>
<p align="center"><b><font face="Curlz MT" size="4" color="#FF0000">
<img border="0" src="logo.gif" width="585" height="74">
<br>
</font><font face="Maiandra GD" size="4" color="#FF0000">
<img border="0" src="candlered.gif" align="left" width="71" height="81">Pirate massacres,
lost treasure, Indian sacrifice, and modern day disasters comprise Manzanillo's
tales of ghostly spirits. Join us as we walk through it's
haunted history. Please light a candle and say a prayer for all the souls who
wander endlessly here looking for peace. These are reportedly true stories about
Manzanillo's Dark Side.</font></b>
</p>
<p align="center"><font face="Old English Text MT" size="6" color="#00FF00"><b>Ghosts
of the Golden Gate</b></font>
</p>
<p><b><font size="4" face="Maiandra GD" color="#00FF00">
<a href="ssgoldengate.jpg"><img border="0" src="smgoldengate.jpg" align="left" width="137" height="104"></a>In the midst of the American Civil War,
2 years before President Abe Lincoln was assassinated, one of the fastest steamers then on the West Coast left San Francisco with 338
passengers and crew, plus $1.4 million in newly-minted gold, bound for Panama.
The date was </font></b><font size="4" face="Maiandra GD" color="#00FF00"><b>Monday July 21, 1862.
The SS<i>Golden Gate, </i>a 270-foot-long, 2,067 ton vessel, had 3 classes of
cabins, and a capacity for 1,200 people. Two hundred thirteen people would never
reach their destination.</b></font> <font size="4" face="Maiandra GD" color="#00FF00"><b>They
were lost when the ship caught fire and
sank off Manzanillo.</b></font>
<p><font color="#00FF00" size="4" face="Maiandra GD"><b>On Sunday
July 27, 1862, as the crew and passengers were sitting down for dinner, a fire was
discovered between the engines and the aft galley. The ship was 15 miles
offshore in a calm sea when a passenger noticed smoke pouring from the engine room hatchway
amidships.</b></font>
<p><font color="#00FF00" size="4" face="Maiandra GD"><b>The fire cut communications between fore and
aft. About 100 first- and
second-class passengers were sent forward but the position of the fire placed the steerage passengers
at greater peril. The captain commanded the engineers to stoke the furnace, but
the increased speed toward shore sent smoke and flames streaming aft.
Fire soon made it impossible for the captain to communicate with the engine
room.</b></font>
<p><font color="#00FF00" size="4" face="Maiandra GD"><b>The ship was equipped
with pumps for firefighting, lifeboats, and more than enough
life preservers for the Golden Gate's 1,200 capacity. Several lifeboats were gotten
off but the ship was still 3-4 miles from shore and flames were now
coming from the engine room hatch. Passengers were starting to jump from the
ship, either with life preservers or by grabbing onto floating material. </b></font>
<p><font color="#00FF00" size="4" face="Maiandra GD"><b><a href="playadeoro.htm">
<img border="0" src="smpdeo.jpg" align="left" width="138" height="102"></a>At
5:30 p.m. the ship had run aground about 300 yards offshore in heavy surf at what
is now called Playa de Oro, 14 miles northwest of Manzanillo (Km 30.5). </b></font>
<p><font color="#00FF00" size="4" face="Maiandra GD"><b>Some survivors clung to
boats or floating debris until a boat came along that wasn't full.</b></font>
<p><font color="#00FF00" size="4" face="Maiandra GD"><b>Four Catholic priests,
who had recently been ordained in San Francisco, were aboard the ship. One was
credited with pulling 24 people from the surf, where exhausted passengers were
unable to gain a foothold and come ashore.</b></font>
<p><font color="#00FF00" size="4" face="Maiandra GD"><b>About 80 people had
reached the shore that evening with two of the ship's officers, as well as at least
four dead. The fire continued to break up the ship, so that by dark both bow and
stern had come ashore. In the morning, baggage from the wreck was found strewn
along the beach, including several kegs of ale for the exhausted and isolated
survivors.</b></font>
<p><font color="#00FF00" size="4" face="Maiandra GD"><b><a href="penablanca.htm">
<img border="0" src="smpenablanca.jpg" align="right" width="138" height="102"></a>The
dead were buried at the beach, including at least four women. The group
started toward Manzanillo but were blocked about 11 miles from town at an area
called "Peña Blanca," then spent a second night outdoors with no
food or water.</b></font>
<p><font color="#00FF00" size="4" face="Maiandra GD"><b>On the afternoon of the
28th a Manzanillo customs boat picked up two of the passengers.
It was another day before the steamer <i>St. Louis</i> managed to rescue the
balance of the survivors, most of whom went back to San Francisco on the <i>St.
Louis</i>.</b></font>
<p><font color="#00FF00" size="4" face="Maiandra GD"><b>Still, another 23 were
missing from a lifeboat. They had drifted about 80 miles to the south of Manzanillo,
but were picked up by the steamer <i>Orizaba, </i>which brought them to San
Francisco.</b></font>
<p><font color="#00FF00" size="4" face="Maiandra GD"><b>In the days following
the disaster, many bodies were hauled from the water by the <i>St. Louis</i> crew.
Two weeks later, the American Consulate at Manzanillo helped five men return to
San Francisco, and managed to
bury another 25 of the dead. People at the site continued to find and bury other
bodies for at least a year after the incident.</b></font>
<p><font color="#00FF00" size="4" face="Maiandra GD"><b>Of those lost, the
burden fell most-heavily on steerage passengers, where only 33 of 134
survived. </b></font>
<h3><font color="#00FF00" size="4" face="Maiandra GD"><b>Survivors of the
fire and shipwreck:</b></font></h3>
<font color="#00FF00" size="4" face="Maiandra GD"><b>1st Class: 27 (41%)<br>
2nd Class: 25 (47%)<br>
Steerage: 33 (25%)<br>
Crew: 61 (62%)</b></font>
<p><font color="#00FF00" size="4" face="Maiandra GD"><b>Beyond the $1.4 million
in gold, passengers lost thousands of additional dollars that were left with the
ship's purser or taken off in sacks or money belts in haste. Paper bills had just
started appearing in the east, but these passengers all
carried their money in gold and silver coins. Many jumped ship with money
belts tied about their waist, but they quickly abandoned them in the water because
the weight of the money was dragging them under. After heavy waves or storm
activity, locals frequent the area looking for coins that wash ashore at the site of the
wreck. The beach's name <i>"Playa de Oro" </i> (Beach of Gold)
was derived from this shipwreck legend.</b></font></p>
<p><font color="#00FF00" size="4" face="Maiandra GD"><b>Another story is still
circulated about the lost treasure. Locals believe that many of the
people who made it ashore were able to bury their valuables, hoping to come back
later to retrieve them. A few years ago, someone actually produced a map that
was supposed to have the location of the treasure. Holes were dug everywhere in
an area they believed resembled that in the drawing, some of them up to 4-6 feet deep. If someone
did find buried treasure, it was never reported.</b></font></p>
<p><font color="#00FF00" size="4" face="Maiandra GD"><b>Over the years, many claim to have seen
the burning ghost ship, while others swear they have seen ghostly apparitions
walking the beach, or walking on the water. Most of the gold and silver, along with the safe,
containing more coins and jewelry from the passengers has never been recovered.
Locals will go to Playa de Oro and spend the day, but they will never spend the
night. Would you?</b></font></p>
<p align="center"><b><font face="Old English Text MT" color="#FFCC00" size="6">Spirits
of the Costa Real</font></b></p>
<table border="0" cellpadding="3" cellspacing="3" style="border-collapse: collapse" width="100%" id="AutoNumber1">
<tr>
<td width="17%"><b><font face="Maiandra GD" size="4" color="#FFCC00"><a href="costaafter.htm" target="_blank">
<img border="0" src="smcrdowncp.jpg" align="left" width="140" height="122"></a></font></b></td>
<td width="69%"><b><font face="Maiandra GD" size="4" color="#FFCC00">The
9-story Costa Real was once one of the more trendy hotels in Manzanillo.
Built in the 1970s, with Moorish architecture modeled after Las Hadas, the
Costa Real was very popular with jet-setting tourists. In September 1985, a
7.9 earthquake, centered in the state of Michoacan (the state bordering
Colima), severely damaged the hotel and it was condemned. Months passed, the damage
to the structure was hastily patched over, and the hotel reopened. (It is reported that the city
engineer was paid a bribe to overlook some of the deficiencies.) </font></b>
</td>
<td width="14%">
<p align="center"><b><font face="Maiandra GD" size="4" color="#FFCC00"><a href="costa.htm" target="_blank">
<img border="0" src="smcostarealcp.jpg" align="right" width="116" height="94"></a></font></b></td>
</tr>
</table>
<table border="0" cellpadding="3" cellspacing="3" style="border-collapse: collapse" width="100%" id="AutoNumber2">
<tr>
<td width="17%"><a href="costareal08night.jpg">
<img border="0" src="smcostareal08night.jpg" width="180" height="135"></a></td>
<td width="69%"><b><font face="Maiandra GD" size="4" color="#FFCC00">Ten
years passed without incident until October 9, 1995. An 8.0 quake, centered
in the ocean, directly 3 miles out from the Costa Real, caused the complete
collapse of the structure. Thirty-nine people were killed when the
hotel collapsed. If you look carefully at the photo on the left, you'll see
the spirit orbs of those who died in the Costa Real collapse.</font></b></td>
<td width="14%">
<p align="right"><a href="costareal08day.jpg">
<img border="0" src="smcostareal08day.jpg" width="180" height="135"></a></td>
</tr>
</table>
<table border="0" cellpadding="3" cellspacing="3" style="border-collapse: collapse" width="100%" id="AutoNumber3">
<tr>
<td width="19%"><a href="archorbs.jpg"><img border="0" src="smarchorbs.jpg" width="180" height="135"></a></td>
<td width="67%"><b><font face="Maiandra GD" size="4" color="#FFCC00">The
site has never been built upon again, and séances are held there regularly
to speak with the spirits. The meetings are taken so seriously that they are
announced in the newspapers. On the left, the archway entrance of the Costa
Real, and ghostly spirit orbs. Another hotel just a block from the Costa
Real site has reported ghostly visitors roaming its rooms and halls. Could
it be that the spirits of guests and employees who perished in 1995 have
found a new location?</font></b> <b><font face="Maiandra GD" size="4" color="#FFCC00">
</font></b></td>
<td width="15%"><b><font face="Maiandra GD" size="4" color="#FFCC00">
<img border="0" src="corpses.gif" alt="Bodies of Costa Real victims (photo does not enlarge)" align="right" width="120" height="88"></font></b></td>
</tr>
</table>
<p align="left"><b><font face="Maiandra GD" size="4" color="#FFCC00">
Any
loss of life is tragic, but what makes this situation even more appalling is
that greed was motivating factor which lead to the hotel's reopening. One
particularly sad story regarding this catastrophe involves a couple who were on
their honeymoon, staying at the Costa Real. The bride was killed, but the groom
survived. They were married for only 14 days.
</font></b>
</p>
<p align="center"><font face="Old English Text MT" size="6" color="#FF0000"><b>The
Devil at the Disco</b></font>
</p>
<p align="left"><b><font face="Maiandra GD" size="4" color="#FFCC00">
<br>
</font><font face="Maiandra GD" size="4" color="#FF0000"><a href="caligula.htm">
<img border="0" src="smcaligula.jpg" align="left" width="143" height="103"></a>About 20 years ago, in
the small town of Santiago on the main boulevard, there existed a disco called
Caligula, named after the Roman Emperor, a crazed megalomaniac given to
capricious cruelty and harebrained schemes. </font></b>
</p>
<p align="left"><b><font face="Maiandra GD" size="4" color="#FF0000">The emperor
<a href="caligulabust.jpg">Caligula</a> was assassinated after a very short rein
(37-41 A.D.). Outlandish stories cluster about the raving emperor, illustrating
his excessive cruelty, immoral sexual escapades, or disrespect toward tradition
and the Senate. The sources describe his incestuous relations with his sisters,
laughable military campaigns in the north, the building of a pontoon bridge
(made out of boats lashed together) across the Bay at Baiae, and the plan to
make his horse a consul.</font></b>
</p>
<p align="left"><b><font face="Maiandra GD" size="4" color="#FF0000">Hence,
Caligula was probably not the best name for a disco, even though most of its
clientele had probably never heard of the emperor, who, just before he was
murdered at age 29, declared himself a deity, and ordered that a statue of
himself should be placed in the Temple of Jerusalem and the Jews be forced to
worship him. </font></b>
</p>
<p align="left"><b><font face="Maiandra GD" size="4" color="#FF0000">As it
happens, most discos are frequented by young people, and Caligula was no
exception. Local legend has it that one evening the Devil (or Caligula himself)
came to the disco and danced with many of its patrons. Since that night, each
person who danced with the Devil has met an untimely end. As it often happens in
small towns, most of the patrons knew each other, and of that particular group,
several committed suicide, others died in car accidents, and still others
contracted mysterious illnesses from which they never recovered. The building is
still abandoned to this day.
Former businesses who tried it there after the disco include several restaurants
and an ETN bus station. For some reason businesses have failed to thrive there, and ETN moved
across the street. Perhaps the spirits chose not to share the rent.</font></b>
</p>
<p align="center"><b><font face="Maiandra GD" size="4" color="#FF0000"><br>
</font><font face="Old English Text MT" size="6" color="#00FF00">Bewitched
Waterfalls</font></b>
</p>
<p align="left"><b><font face="Maiandra GD" size="4" color="#00FF00">
<a href="falls.jpg"><img border="0" src="smfalls.jpg" align="left" width="143" height="123"></a>Six years
ago at the El Salto waterfalls, three young men foolishly jumped from the cliff
into the powerful, raging torrent and drowned. Now it is said that you can hear
their spirits crying out as the water spills down the cliffs. Three crosses with
the names of the boys who fell prey to the water's furious onslaught were
erected for a few years, but the municipality of Minitatlan decided to take them
away (bad for business). Now there's a sign that warns visitors of the dangers.
During the summer months, with the heavy mountain rains, the falls are at their
most powerful. Exercise extreme caution--stay among the living.</font><font face="Maiandra GD" size="4" color="#00FF99"><br>
</font><font face="Maiandra GD" size="4" color="#FFCC00">
<br>
</font></b>
</p>
<p align="center"><font face="Old English Text MT" size="6" color="#FFCC00"><b>Murder
and Mayhem in Manzanillo</b></font><b><font face="Maiandra GD" size="4" color="#FFCC00"><a href="40colonial.htm"><img border="0" src="sm40colonial.jpg" align="right" width="126" height="114"></a></font></b>
</p>
<p align="left"><b><font face="Maiandra GD" size="4" color="#FFCC00">
On Dec. 24, 1944 an incident at the Hotel Colonial (one of the oldest hotels in
Manzanillo) revolved around Don Nicholas Rivera, who was born in the community of Del Gruillo,
Jalisco, of wealthy parents. His father was murdered in Del Gruillo, but he took revenge on the
co-conspirators by gunning them down, and then fled across the border to the
United States. While in the U.S., someone tried to molest his wife, and he killed the offender.
Rivera was tried for murder and found guilty, and sentenced to serve time in San Quentin, where he
remained for approximately 3 years. He was released with the aid of the Mexican secretary of
defense, who had worked at his father's hacienda. </font></b>
</p>
<p align="left"><b><font face="Maiandra GD" size="4" color="#FFCC00"><a href="colonial.htm">
<img border="0" src="smcolonial.jpg" align="left" width="143" height="123"></a> At this time he returned to Manzanillo, where Don
Francisco Moreno hired him as the manager of the Hotel Colonial.
On Christmas eve, the hotel
was full, and the kitchen was too busy to give him the prompt service he felt he deserved. Going into the kitchen Don Nicholas got into an argument with the
chef and stabbed him with his own butcher knife. After the murder, he fled to the roof of the hotel.
In his room at the head of the stairs, he kept two pistols and plenty of ammunition. </font></b>
</p>
<p align="left"><b><font face="Maiandra GD" size="4" color="#FFCC00">Two
policemen
responded to the alert, and Rivera killed one and badly injured the other. The authorities then called in reinforcements--an army platoon and marine platoon. All night shots were exchanged, and at sunrise, Nicholas took his last stand. Versions vary; some say with his last round of ammunition, he took his own life; others say that a sniper shot him from another building at 200 yards. It is said that there are many ghosts that walk the halls and rattle the doors of the rooms at
night at the Hotel Colonial.
</font></b>
</p>
<p align="center">
</p>
<div align="center">
<center>
<table border="0" width="100%" bgcolor="#000000">
<tr>
<td width="16%"><a href="plazasantiago.htm">
<img border="0" src="smplsant.jpg" width="144" height="120"></a></td>
<td width="16%"><b><font face="Maiandra GD" size="4" color="#FF0000"><a href="plaza.htm">
<img border="0" src="smplazasantiago.jpg" width="144" height="124"></a></font></b></td>
<td width="50%">
<p align="center"><font face="Old English Text MT" size="6" color="#FF0000"><b>The
Plaza Santiago Tragedy</b></font>
</p>
<p><b><font face="Maiandra GD" size="4" color="#FF0000">During the earthquake of October 1995, the shopping
center called Plaza Santiago collapsed, killing 8
people, including the chief of police. The rubble has been hauled away and the
property has been sold to the vendors who display their wares at Saturday's <i>
Tianguis</i> market. At night, spirit orbs can be seen throughout the
market stalls.</font></b></td>
</center>
<td width="19%">
<p align="right"><a href="plazasanorbs.jpg">
<img border="0" src="smplazasanorbs.jpg" width="160" height="130"></a>
</td>
</tr>
</table>
</div>
<p align="center"><b><font face="Maiandra GD" size="4" color="#FFCC00"><br>
</font><font face="Old English Text MT" size="6" color="#00FF00">Indian Spirits
go "All Inclusive" </font></b>
</p>
<p align="left"><b><font face="Maiandra GD" size="4"><font color="#00FF00">
<img border="0" src="candle.gif" align="left" width="90" height="146">Manzanillo
has a 5-star hotel that
has been plagued with troubles, and it is believed the difficulties may have stemmed from
it being built on ancient Indian burial grounds.</font></font></b>
</p>
<p align="left"><b><font color="#00FF00"><font face="Maiandra GD" size="4">While
excavating, numerous pre-Hispanic pottery shards and other artifacts dating back
1,500-2,000 years were found. During its construction, the hotel was beleaguered
with numerous problems so serious that the project was halted for a number of
years. Union strikes, property line disputes, a fire in the main structure two
weeks after it opened, and 2
deaths--one a murder, and one a construction accident, further propelled rumors
that the site was haunted. </font></font></b>
</p>
<p align="left"><b><font face="Maiandra GD" size="4" color="#00FF00">Once, when
the project director was leaving the grounds, he was run off the road, totaling his pick-up and suffering multiple injuries. When the hotel finally opened,
guests
reported doors and windows opening and closing--and locking and unlocking on
their own, plus strange odors and sounds. </font></b>
</p>
<p align="left"><b><font face="Maiandra GD" size="4" color="#00FF00"> Finally, a few years ago, management
asked a priest out to do a blessing. The Father went from room to room (all 300+ of
them), and around the property with
holy water performing his ritual. Since that time,
the hotel has flourished, and is now one of the most popular vacation resorts in
Manzanillo. We have been asked not to name this resort, though from all
evidence, it is no longer under attack by ghostly Indian spirits.</font></b>
</p>
<p align="center"><font face="Old English Text MT" size="6" color="#FFCC00"><b>Murder
and Betrayal of a Senator</b></font>
</p>
<p align="left"><font face="Maiandra GD" size="4" color="#FFCC00"><b><a href="house.htm">
<img border="0" src="smLR.jpg" align="left" width="122" height="105"></a>Manzanillo,
25-30 years ago, was a popular retirement spot for the rich and famous, and
numerous housing projects were being built on the Peninsula de Santiago. A
former member of the senate and his wife built a beautiful 3-bedroom house
overlooking Manzanillo Bay and the famed resort Las Hadas.</b></font>
</p>
<p align="left"><font face="Maiandra GD" size="4" color="#FFCC00"><b>There were
additional quarters behind the house for servants, along with a laundry room and
carport for parking his chauffer-driven luxury car.</b></font>
</p>
<p align="left"><font face="Maiandra GD" size="4" color="#FFCC00"><b>According
to residents who lived in Manzanillo at the time, the senator's chauffer and an
accomplice planned to rob the couple of their money and valuables, which were
purported to have been in a safe.</b></font>
</p>
<p align="left"><font face="Maiandra GD" size="4" color="#FFCC00"><b>Sneaking in
the home at night, the evil twosome tied up and tortured the couple mercilessly.
The wife died from her injuries that night, and the senator recovered from the
brutal beatings only to die shortly thereafter. Some say he died of a broken
heart, and others say he lost the will to live.</b></font>
</p>
<p align="left"><font face="Maiandra GD" size="4" color="#FFCC00"><b>The
chauffer and his accomplice were eventually caught, tried and convicted of
murder.</b></font>
</p>
<p align="left"><font face="Maiandra GD" size="4" color="#FFCC00"><b>The house
remained unoccupied, was severely damaged in the 1995 earthquake, and remains
empty and for sale today. Engineers visited the site recently and agreed that
the home needs to be torn down, but the foundation is strong and in good
condition. A new condominium project is planned for the property. If you would
like to have ghosts of your very own, contact a local realtor.</b></font></p>
<p align="center"><b><font face="Old English Text MT" color="#FF0000" size="6">Falling
Walls</font></b>
</p>
<p align="left"><b><font face="Maiandra GD" size="4" color="#FF0000">
<img border="0" src="lightening.gif" align="right" width="75" height="100">Do Indian
spirits return to haunt us in modern times if their ancient burial site is
disturbed? Are some sites cursed? A local real estate
agent, who moved here from Canada, has an interesting story to tell. When Jim
and Diane (not their real names) first visited Manzanillo, they fell in love
with the area, so much so, that they decided to purchase land, build a home, and
start a business.</font></b>
</p>
<p align="left"><b><font face="Maiandra GD" size="4" color="#FF0000">They bought
a beautiful wooded lot on the Peninsula de Juluapan, drew up plans for their new
home, and arranged to have all their household items shipped down from Canada in
a container.</font></b>
</p>
<p align="left"><b><font face="Maiandra GD" size="4" color="#FF0000">The
container arrived with everything intact and in good condition. They proceeded
to have it processed through customs, and when later they entered their
container, they found numerous items to be damaged or broken. A new $400 toilet,
for example, was smashed to pieces, as if it had been dropped from a great
height, and an expensive marble table top was also in pieces, though the
container hadn't been moved and was secured with a padlock. The couple's general
assumption was that the customs agents were responsible for the damage, since
they were the only ones who would have had access to the container.</font></b>
</p>
<p align="left"><b><font face="Maiandra GD" size="4" color="#FF0000">However,
bad luck seemed to be following them to the site of their new home. A retaining
wall being built on the property fell down, crushing and totaling both of their
vehicles. While they were rebuilding that wall, still another wall fell down. It
seemed that each day presented another problem or disaster they had to deal
with. Their neighbor, who is a minister, suggested blessing the property, and
ordering the bad spirits to leave. They did, and it seems to have worked. For
the couple, life is now better than it's ever been.</font></b>
</p>
<p align="left"><b><font face="Maiandra GD" size="4" color="#FF0000">The ritual
blessing of property, homes and businesses is commonplace in Mexico. </font></b>
</p>
<p align="center"><font face="Old English Text MT" size="6" color="#FFCC00"><b>The
Legend of El Chupacabra</b></font>
</p>
<p align="left"><font face="Maiandra GD" size="4" color="#FFCC00"><b>
<img border="0" src="chupa.gif" align="left" width="64" height="64">It attacks
in the night, sucking the blood from its helpless victims. Let's follow the
bloody trail of the elusive "goat sucker." Reported sightings
and deaths of livestock have occurred throughout Mexico, attributed to this
bizarre creature, and it is hard to find anyone within the Mexican population in
Manzanillo who doesn't know of a story.</b></font>
</p>
<p align="left"><font face="Maiandra GD" size="4" color="#FFCC00"><b>In most
cases, the animals were drained of blood through small holes. A definite pattern
of unexplained killing has developed. Several of the animal victims were goats,
which inspired the locals to christen the killer, "El Chupacabra." To this day,
its rampage of gruesome slayings has continued and spread to many parts of the
world, including the United States, Puerto Rico, even as far away as Australia.</b></font>
</p>
<p align="left"><font face="Maiandra GD" size="4" color="#FFCC00"><b><blink>The
Chupacabra hunts mainly at night (although there have been several daylight
sightings), and the attacks show that the creature exhibits some kind of
intelligence beyond that of the average night stalker. Its victims have a
regular pattern of wounds; a triangular series of punctures into the neck and
jaw bone that pierce the brain, and reach the cerebellum, which instantly kills
the victim. This is a euthanasia technique; less intelligent predators would not
even be able to make these kinds of attacks with such precision. Also, these
wounds are cauterized, apparently, some think, to keep blood loss of the victim
to a minimum. Some animals have identical punctures on their bellies, but other
than these wounds, there is no other trauma, abrasion, scratch, or bruise to be
found.</blink></b></font>
</p>
<p align="left"><font face="Maiandra GD" size="4" color="#FFCC00"><b><blink>News
stations, local government, talk shows such as "Cristina," and even
Mexican soap operas speak about the creature as if it were real. One news broadcast
even featured an interview with a man, who was hospitalized after the creature
bit him in the neck and drained his blood while he was sleeping. The cameraman
did a close-up pan to the neck area where the bite was.</blink></b></font>
</p>
<p align="left"><font face="Maiandra GD" size="4" color="#FFCC00"><b>Whatever
the origins of the Chupacabra, it has taken hold of the collective conscious of
Hispanic peoples everywhere. This is most likely due to the upbringing of
Hispanics, who often believe in the strange and supernatural much more readily
than other peoples. An entire cottage industry has sprung up around this
phenomenon, dubbed Chupacabramania. Songs have been written. T-shirts and other
merchandising are for sale.</b></font>
</p>
<p align="left"><font face="Maiandra GD" size="4" color="#FFCC00"><b>Are the
Chupacabra real? The evidence seems to stack in favor of reality. The sheer
number of people, credible, sensible people who only have embarrassment and
ridicule to gain from reporting these sightings; the dead, mutilated livestock;
and the lack of another explanation for these deaths can only lead to one
conclusion. Believers say that until the seriousness of the situation can be
fully comprehended--until the average person believes in a creature called
"goat sucker," the skepticism will remain. What will it take, they ask?
The mauling of a housewife? The death of a child at the hands of these vicious
creatures? Whatever the case, until the Chupacabra is treated with the respect
it deserves, it will remain a legend.</b></font>
</p>
<p align="center"><font face="Old English Text MT" size="6" color="#00FF00"><b>Unidentified
Flying Objects Hover over Manzanillo's Power Plant</b></font>
</p>
<p align="left"><font face="Maiandra GD" size="4" color="#00FF00"><b>
<img border="0" src="ufo.gif" align="left" width="140" height="105">This
unexplained phenomenon is seen frequently by many people. A photo
appears in the local papers from time to time, along with an article. Mexican
pilots coming into Manzanillo have reported "saucer-shaped" and
"cigar-shaped" objects, lights flying in formation, pulsing lights,
and all the rest. There is even a cable TV program devoted to strange
happenings, and in the modern times of digital and video cameras, there is no
shortage of photo material available.</b></font>
</p>
<p align="left"><font face="Maiandra GD" size="4" color="#00FF00"><b>Why are the
UFOs often seen around the power plant? Just WHAT is it we are seeing hovering
overhead? Manzanillo isn't just famous for it's sunsets; take the time to look
at the sky while you're here. Maybe you'll see an interplanetary tourist,
instead of the regular kind from the U.S. or Canada.</b></font></p>
<p align="center"><b><font size="6" color="#FF0000">Orbs: Are they ghosts,
angels, energy, or dirt on the camera lens?</font></b></p>
<p><a href="graves1.jpg"><img border="0" src="smgraves1.jpg" align="left" width="180" height="135"></a><b><font color="#FF0000" size="4">Orbs
are a rather new phenomenon in the world of paranormal investigators.</font></b></p>
<p><b><font color="#FF0000" size="4">Orbs, sometimes known as spirit or ghost
orbs, are basically unexpected circular "spots" that appear in photos after
development. They are not generally visible to the naked eye at the time photo
is taken. They can also range in size and color. Most are white in color, but
many photos show red or blue orbs as well. Ghost orbs can also appear both solid
and transparent.</font></b></p>
<p><a href="graves2.jpg"><img border="0" src="smgraves2.jpg" align="right" width="180" height="135"></a><b><font color="#FF0000" size="4">The
importance of orbs is heavily debated within the paranormal community. Many
"ghost hunters" will argue that orbs occur more frequently at known
haunted locations, so the importance of these anomalies must not be overlooked.
</font></b></p>
<p><b><font color="#FF0000" size="4"><a href="gravesorbs.jpg">
<img border="0" src="smgravesorbs.jpg" align="left" width="180" height="135"></a>There are many theories
regarding ghost orbs. Some people believe that they are a form of "spirit
energy" or a ghost trying to manifest itself. Others believe that they are a
form of angels or angelic intervention. Whatever orbs are, they are definitely
appearing in photos and seem to be growing in numbers over recent years. </font>
</b></p>
<p><b><font size="4" color="#FF0000">When visiting Manzanillo, take a walk
through one of our local cemeteries, or visit one of the haunted sites in this
story, and maybe you'll get some ghost orb photos of your own.</font></b></p>
<p align="left"><b><font face="Maiandra GD" size="4" color="#00FF00">The information
contained in the stories above was acquired through
first-hand interviews, comments made by people about their experiences,
television shows, and newspaper and Internet articles. The author accepts no
responsibility as to the accuracy of the statements. Enjoy "Manzanillo's
Most Haunted" as you would a good book or movie.</font></b><font color="#00FF00">
</font>
</p>
<p align="left"><b><font face="Maiandra GD" color="#FFFF00" size="5"><i>This
article is dedicated to the families of the people who lost their lives in the
October 9, 1995 earthquake. Those of us who survived it will always remember.</i></font></b></p>
<p align="left"><b><font color="#FFFFFF" size="4">You Tube
<a href="http://www.youtube.com/watch?v=0xhhZ_uKcdA">video</a> of paranormal
investigators at Manzanillo's abandoned social security hospital. The hospital
was destroyed in the earthquake of 1995. Video is in Spanish, but the ghost at
the very end can be seen clearly. This year, Ghost Hunters Manzanillo will
explore the hospital on the date of the 1995 earthquake, October 9. Do you have
ghost hunting equipment?
<a href="mailto:[email protected]?subject=Ghost Hunting">E-mail us</a>.</font></b></p>
<p align="left"><font size="4" color="#FFFFFF"><b>You Tube
<a href="http://www.youtube.com/watch?v=im3NBDr9UR4">video</a> of paranormal
investigators at the site of the Costa Real. They brought along a psychic to
talk to the spirits. At the end of the video, apparently 2 ghosts watch the
proceedings.</b></font></p>
<p align="left"><b><font face="Maiandra GD" size="4" color="#FF0000">Just for
fun! To protect
yourself against evil spirits, <a href="protection.htm" target="_top">click here</a>.</font></b>
</p>
<p align="left"><font size="4" color="#00FF00"><b>More</b></font><b><font color="#00FF00" size="4">
fun! For a Web Ouija board,</font><font color="#00FF99" size="4">
<a href="http://www.museumoftalkingboards.com/WebOuija.html">click here</a>.</font></b></p>
</body>
</html> |
Manzanillo's Most Haunted
***Join us as we tour some of the scariest places in the area...***

**
Pirate massacres,
lost treasure, Indian sacrifice, and modern day disasters comprise Manzanillo's
tales of ghostly spirits. Join us as we walk through it's
haunted history. Please light a candle and say a prayer for all the souls who
wander endlessly here looking for peace. These are reportedly true stories about
Manzanillo's Dark Side.**
**Ghosts
of the Golden Gate**
**[](ssgoldengate.jpg)In the midst of the American Civil War,
2 years before President Abe Lincoln was assassinated, one of the fastest steamers then on the West Coast left San Francisco with 338
passengers and crew, plus $1.4 million in newly-minted gold, bound for Panama.
The date was** **Monday July 21, 1862.
The SS*Golden Gate,* a 270-foot-long, 2,067 ton vessel, had 3 classes of
cabins, and a capacity for 1,200 people. Two hundred thirteen people would never
reach their destination.** **They
were lost when the ship caught fire and
sank off Manzanillo.**
**On Sunday
July 27, 1862, as the crew and passengers were sitting down for dinner, a fire was
discovered between the engines and the aft galley. The ship was 15 miles
offshore in a calm sea when a passenger noticed smoke pouring from the engine room hatchway
amidships.**
**The fire cut communications between fore and
aft. About 100 first- and
second-class passengers were sent forward but the position of the fire placed the steerage passengers
at greater peril. The captain commanded the engineers to stoke the furnace, but
the increased speed toward shore sent smoke and flames streaming aft.
Fire soon made it impossible for the captain to communicate with the engine
room.**
**The ship was equipped
with pumps for firefighting, lifeboats, and more than enough
life preservers for the Golden Gate's 1,200 capacity. Several lifeboats were gotten
off but the ship was still 3-4 miles from shore and flames were now
coming from the engine room hatch. Passengers were starting to jump from the
ship, either with life preservers or by grabbing onto floating material.**
**[](playadeoro.htm)At
5:30 p.m. the ship had run aground about 300 yards offshore in heavy surf at what
is now called Playa de Oro, 14 miles northwest of Manzanillo (Km 30.5).**
**Some survivors clung to
boats or floating debris until a boat came along that wasn't full.**
**Four Catholic priests,
who had recently been ordained in San Francisco, were aboard the ship. One was
credited with pulling 24 people from the surf, where exhausted passengers were
unable to gain a foothold and come ashore.**
**About 80 people had
reached the shore that evening with two of the ship's officers, as well as at least
four dead. The fire continued to break up the ship, so that by dark both bow and
stern had come ashore. In the morning, baggage from the wreck was found strewn
along the beach, including several kegs of ale for the exhausted and isolated
survivors.**
**[](penablanca.htm)The
dead were buried at the beach, including at least four women. The group
started toward Manzanillo but were blocked about 11 miles from town at an area
called "Peña Blanca," then spent a second night outdoors with no
food or water.**
**On the afternoon of the
28th a Manzanillo customs boat picked up two of the passengers.
It was another day before the steamer *St. Louis* managed to rescue the
balance of the survivors, most of whom went back to San Francisco on the *St.
Louis*.**
**Still, another 23 were
missing from a lifeboat. They had drifted about 80 miles to the south of Manzanillo,
but were picked up by the steamer *Orizaba,* which brought them to San
Francisco.**
**In the days following
the disaster, many bodies were hauled from the water by the *St. Louis* crew.
Two weeks later, the American Consulate at Manzanillo helped five men return to
San Francisco, and managed to
bury another 25 of the dead. People at the site continued to find and bury other
bodies for at least a year after the incident.**
**Of those lost, the
burden fell most-heavily on steerage passengers, where only 33 of 134
survived.**
### **Survivors of the
fire and shipwreck:**
**1st Class: 27 (41%)
2nd Class: 25 (47%)
Steerage: 33 (25%)
Crew: 61 (62%)**
**Beyond the $1.4 million
in gold, passengers lost thousands of additional dollars that were left with the
ship's purser or taken off in sacks or money belts in haste. Paper bills had just
started appearing in the east, but these passengers all
carried their money in gold and silver coins. Many jumped ship with money
belts tied about their waist, but they quickly abandoned them in the water because
the weight of the money was dragging them under. After heavy waves or storm
activity, locals frequent the area looking for coins that wash ashore at the site of the
wreck. The beach's name *"Playa de Oro"* (Beach of Gold)
was derived from this shipwreck legend.**
**Another story is still
circulated about the lost treasure. Locals believe that many of the
people who made it ashore were able to bury their valuables, hoping to come back
later to retrieve them. A few years ago, someone actually produced a map that
was supposed to have the location of the treasure. Holes were dug everywhere in
an area they believed resembled that in the drawing, some of them up to 4-6 feet deep. If someone
did find buried treasure, it was never reported.**
**Over the years, many claim to have seen
the burning ghost ship, while others swear they have seen ghostly apparitions
walking the beach, or walking on the water. Most of the gold and silver, along with the safe,
containing more coins and jewelry from the passengers has never been recovered.
Locals will go to Playa de Oro and spend the day, but they will never spend the
night. Would you?**
**Spirits
of the Costa Real**
| | | |
| --- | --- | --- |
| | **The
9-story Costa Real was once one of the more trendy hotels in Manzanillo.
Built in the 1970s, with Moorish architecture modeled after Las Hadas, the
Costa Real was very popular with jet-setting tourists. In September 1985, a
7.9 earthquake, centered in the state of Michoacan (the state bordering
Colima), severely damaged the hotel and it was condemned. Months passed, the damage
to the structure was hastily patched over, and the hotel reopened. (It is reported that the city
engineer was paid a bribe to overlook some of the deficiencies.)** | |
| | | |
| --- | --- | --- |
| | **Ten
years passed without incident until October 9, 1995. An 8.0 quake, centered
in the ocean, directly 3 miles out from the Costa Real, caused the complete
collapse of the structure. Thirty-nine people were killed when the
hotel collapsed. If you look carefully at the photo on the left, you'll see
the spirit orbs of those who died in the Costa Real collapse.** | |
| | | |
| --- | --- | --- |
| | **The
site has never been built upon again, and séances are held there regularly
to speak with the spirits. The meetings are taken so seriously that they are
announced in the newspapers. On the left, the archway entrance of the Costa
Real, and ghostly spirit orbs. Another hotel just a block from the Costa
Real site has reported ghostly visitors roaming its rooms and halls. Could
it be that the spirits of guests and employees who perished in 1995 have
found a new location?** | **Bodies of Costa Real victims (photo does not enlarge)** |
**Any
loss of life is tragic, but what makes this situation even more appalling is
that greed was motivating factor which lead to the hotel's reopening. One
particularly sad story regarding this catastrophe involves a couple who were on
their honeymoon, staying at the Costa Real. The bride was killed, but the groom
survived. They were married for only 14 days.**
**The
Devil at the Disco**
**[](caligula.htm)About 20 years ago, in
the small town of Santiago on the main boulevard, there existed a disco called
Caligula, named after the Roman Emperor, a crazed megalomaniac given to
capricious cruelty and harebrained schemes.**
**The emperor
[Caligula](caligulabust.jpg) was assassinated after a very short rein
(37-41 A.D.). Outlandish stories cluster about the raving emperor, illustrating
his excessive cruelty, immoral sexual escapades, or disrespect toward tradition
and the Senate. The sources describe his incestuous relations with his sisters,
laughable military campaigns in the north, the building of a pontoon bridge
(made out of boats lashed together) across the Bay at Baiae, and the plan to
make his horse a consul.**
**Hence,
Caligula was probably not the best name for a disco, even though most of its
clientele had probably never heard of the emperor, who, just before he was
murdered at age 29, declared himself a deity, and ordered that a statue of
himself should be placed in the Temple of Jerusalem and the Jews be forced to
worship him.**
**As it
happens, most discos are frequented by young people, and Caligula was no
exception. Local legend has it that one evening the Devil (or Caligula himself)
came to the disco and danced with many of its patrons. Since that night, each
person who danced with the Devil has met an untimely end. As it often happens in
small towns, most of the patrons knew each other, and of that particular group,
several committed suicide, others died in car accidents, and still others
contracted mysterious illnesses from which they never recovered. The building is
still abandoned to this day.
Former businesses who tried it there after the disco include several restaurants
and an ETN bus station. For some reason businesses have failed to thrive there, and ETN moved
across the street. Perhaps the spirits chose not to share the rent.**
**Bewitched
Waterfalls**
**[](falls.jpg)Six years
ago at the El Salto waterfalls, three young men foolishly jumped from the cliff
into the powerful, raging torrent and drowned. Now it is said that you can hear
their spirits crying out as the water spills down the cliffs. Three crosses with
the names of the boys who fell prey to the water's furious onslaught were
erected for a few years, but the municipality of Minitatlan decided to take them
away (bad for business). Now there's a sign that warns visitors of the dangers.
During the summer months, with the heavy mountain rains, the falls are at their
most powerful. Exercise extreme caution--stay among the living.**
**Murder
and Mayhem in Manzanillo****[](40colonial.htm)**
**On Dec. 24, 1944 an incident at the Hotel Colonial (one of the oldest hotels in
Manzanillo) revolved around Don Nicholas Rivera, who was born in the community of Del Gruillo,
Jalisco, of wealthy parents. His father was murdered in Del Gruillo, but he took revenge on the
co-conspirators by gunning them down, and then fled across the border to the
United States. While in the U.S., someone tried to molest his wife, and he killed the offender.
Rivera was tried for murder and found guilty, and sentenced to serve time in San Quentin, where he
remained for approximately 3 years. He was released with the aid of the Mexican secretary of
defense, who had worked at his father's hacienda.**
**[](colonial.htm) At this time he returned to Manzanillo, where Don
Francisco Moreno hired him as the manager of the Hotel Colonial.
On Christmas eve, the hotel
was full, and the kitchen was too busy to give him the prompt service he felt he deserved. Going into the kitchen Don Nicholas got into an argument with the
chef and stabbed him with his own butcher knife. After the murder, he fled to the roof of the hotel.
In his room at the head of the stairs, he kept two pistols and plenty of ammunition.**
**Two
policemen
responded to the alert, and Rivera killed one and badly injured the other. The authorities then called in reinforcements--an army platoon and marine platoon. All night shots were exchanged, and at sunrise, Nicholas took his last stand. Versions vary; some say with his last round of ammunition, he took his own life; others say that a sniper shot him from another building at 200 yards. It is said that there are many ghosts that walk the halls and rattle the doors of the rooms at
night at the Hotel Colonial.**
| | | |
| --- | --- | --- |
| | | **The
Plaza Santiago Tragedy**
**During the earthquake of October 1995, the shopping
center called Plaza Santiago collapsed, killing 8
people, including the chief of police. The rubble has been hauled away and the
property has been sold to the vendors who display their wares at Saturday's *Tianguis* market. At night, spirit orbs can be seen throughout the
market stalls.** |
|
**Indian Spirits
go "All Inclusive"**
**Manzanillo
has a 5-star hotel that
has been plagued with troubles, and it is believed the difficulties may have stemmed from
it being built on ancient Indian burial grounds.**
**While
excavating, numerous pre-Hispanic pottery shards and other artifacts dating back
1,500-2,000 years were found. During its construction, the hotel was beleaguered
with numerous problems so serious that the project was halted for a number of
years. Union strikes, property line disputes, a fire in the main structure two
weeks after it opened, and 2
deaths--one a murder, and one a construction accident, further propelled rumors
that the site was haunted.**
**Once, when
the project director was leaving the grounds, he was run off the road, totaling his pick-up and suffering multiple injuries. When the hotel finally opened,
guests
reported doors and windows opening and closing--and locking and unlocking on
their own, plus strange odors and sounds.**
**Finally, a few years ago, management
asked a priest out to do a blessing. The Father went from room to room (all 300+ of
them), and around the property with
holy water performing his ritual. Since that time,
the hotel has flourished, and is now one of the most popular vacation resorts in
Manzanillo. We have been asked not to name this resort, though from all
evidence, it is no longer under attack by ghostly Indian spirits.**
**Murder
and Betrayal of a Senator**
**[](house.htm)Manzanillo,
25-30 years ago, was a popular retirement spot for the rich and famous, and
numerous housing projects were being built on the Peninsula de Santiago. A
former member of the senate and his wife built a beautiful 3-bedroom house
overlooking Manzanillo Bay and the famed resort Las Hadas.**
**There were
additional quarters behind the house for servants, along with a laundry room and
carport for parking his chauffer-driven luxury car.**
**According
to residents who lived in Manzanillo at the time, the senator's chauffer and an
accomplice planned to rob the couple of their money and valuables, which were
purported to have been in a safe.**
**Sneaking in
the home at night, the evil twosome tied up and tortured the couple mercilessly.
The wife died from her injuries that night, and the senator recovered from the
brutal beatings only to die shortly thereafter. Some say he died of a broken
heart, and others say he lost the will to live.**
**The
chauffer and his accomplice were eventually caught, tried and convicted of
murder.**
**The house
remained unoccupied, was severely damaged in the 1995 earthquake, and remains
empty and for sale today. Engineers visited the site recently and agreed that
the home needs to be torn down, but the foundation is strong and in good
condition. A new condominium project is planned for the property. If you would
like to have ghosts of your very own, contact a local realtor.**
**Falling
Walls**
**Do Indian
spirits return to haunt us in modern times if their ancient burial site is
disturbed? Are some sites cursed? A local real estate
agent, who moved here from Canada, has an interesting story to tell. When Jim
and Diane (not their real names) first visited Manzanillo, they fell in love
with the area, so much so, that they decided to purchase land, build a home, and
start a business.**
**They bought
a beautiful wooded lot on the Peninsula de Juluapan, drew up plans for their new
home, and arranged to have all their household items shipped down from Canada in
a container.**
**The
container arrived with everything intact and in good condition. They proceeded
to have it processed through customs, and when later they entered their
container, they found numerous items to be damaged or broken. A new $400 toilet,
for example, was smashed to pieces, as if it had been dropped from a great
height, and an expensive marble table top was also in pieces, though the
container hadn't been moved and was secured with a padlock. The couple's general
assumption was that the customs agents were responsible for the damage, since
they were the only ones who would have had access to the container.**
**However,
bad luck seemed to be following them to the site of their new home. A retaining
wall being built on the property fell down, crushing and totaling both of their
vehicles. While they were rebuilding that wall, still another wall fell down. It
seemed that each day presented another problem or disaster they had to deal
with. Their neighbor, who is a minister, suggested blessing the property, and
ordering the bad spirits to leave. They did, and it seems to have worked. For
the couple, life is now better than it's ever been.**
**The ritual
blessing of property, homes and businesses is commonplace in Mexico.**
**The
Legend of El Chupacabra**
**It attacks
in the night, sucking the blood from its helpless victims. Let's follow the
bloody trail of the elusive "goat sucker." Reported sightings
and deaths of livestock have occurred throughout Mexico, attributed to this
bizarre creature, and it is hard to find anyone within the Mexican population in
Manzanillo who doesn't know of a story.**
**In most
cases, the animals were drained of blood through small holes. A definite pattern
of unexplained killing has developed. Several of the animal victims were goats,
which inspired the locals to christen the killer, "El Chupacabra." To this day,
its rampage of gruesome slayings has continued and spread to many parts of the
world, including the United States, Puerto Rico, even as far away as Australia.**
**The
Chupacabra hunts mainly at night (although there have been several daylight
sightings), and the attacks show that the creature exhibits some kind of
intelligence beyond that of the average night stalker. Its victims have a
regular pattern of wounds; a triangular series of punctures into the neck and
jaw bone that pierce the brain, and reach the cerebellum, which instantly kills
the victim. This is a euthanasia technique; less intelligent predators would not
even be able to make these kinds of attacks with such precision. Also, these
wounds are cauterized, apparently, some think, to keep blood loss of the victim
to a minimum. Some animals have identical punctures on their bellies, but other
than these wounds, there is no other trauma, abrasion, scratch, or bruise to be
found.**
**News
stations, local government, talk shows such as "Cristina," and even
Mexican soap operas speak about the creature as if it were real. One news broadcast
even featured an interview with a man, who was hospitalized after the creature
bit him in the neck and drained his blood while he was sleeping. The cameraman
did a close-up pan to the neck area where the bite was.**
**Whatever
the origins of the Chupacabra, it has taken hold of the collective conscious of
Hispanic peoples everywhere. This is most likely due to the upbringing of
Hispanics, who often believe in the strange and supernatural much more readily
than other peoples. An entire cottage industry has sprung up around this
phenomenon, dubbed Chupacabramania. Songs have been written. T-shirts and other
merchandising are for sale.**
**Are the
Chupacabra real? The evidence seems to stack in favor of reality. The sheer
number of people, credible, sensible people who only have embarrassment and
ridicule to gain from reporting these sightings; the dead, mutilated livestock;
and the lack of another explanation for these deaths can only lead to one
conclusion. Believers say that until the seriousness of the situation can be
fully comprehended--until the average person believes in a creature called
"goat sucker," the skepticism will remain. What will it take, they ask?
The mauling of a housewife? The death of a child at the hands of these vicious
creatures? Whatever the case, until the Chupacabra is treated with the respect
it deserves, it will remain a legend.**
**Unidentified
Flying Objects Hover over Manzanillo's Power Plant**
**This
unexplained phenomenon is seen frequently by many people. A photo
appears in the local papers from time to time, along with an article. Mexican
pilots coming into Manzanillo have reported "saucer-shaped" and
"cigar-shaped" objects, lights flying in formation, pulsing lights,
and all the rest. There is even a cable TV program devoted to strange
happenings, and in the modern times of digital and video cameras, there is no
shortage of photo material available.**
**Why are the
UFOs often seen around the power plant? Just WHAT is it we are seeing hovering
overhead? Manzanillo isn't just famous for it's sunsets; take the time to look
at the sky while you're here. Maybe you'll see an interplanetary tourist,
instead of the regular kind from the U.S. or Canada.**
**Orbs: Are they ghosts,
angels, energy, or dirt on the camera lens?**
[](graves1.jpg)**Orbs
are a rather new phenomenon in the world of paranormal investigators.**
**Orbs, sometimes known as spirit or ghost
orbs, are basically unexpected circular "spots" that appear in photos after
development. They are not generally visible to the naked eye at the time photo
is taken. They can also range in size and color. Most are white in color, but
many photos show red or blue orbs as well. Ghost orbs can also appear both solid
and transparent.**
[](graves2.jpg)**The
importance of orbs is heavily debated within the paranormal community. Many
"ghost hunters" will argue that orbs occur more frequently at known
haunted locations, so the importance of these anomalies must not be overlooked.**
**[](gravesorbs.jpg)There are many theories
regarding ghost orbs. Some people believe that they are a form of "spirit
energy" or a ghost trying to manifest itself. Others believe that they are a
form of angels or angelic intervention. Whatever orbs are, they are definitely
appearing in photos and seem to be growing in numbers over recent years.**
**When visiting Manzanillo, take a walk
through one of our local cemeteries, or visit one of the haunted sites in this
story, and maybe you'll get some ghost orb photos of your own.**
**The information
contained in the stories above was acquired through
first-hand interviews, comments made by people about their experiences,
television shows, and newspaper and Internet articles. The author accepts no
responsibility as to the accuracy of the statements. Enjoy "Manzanillo's
Most Haunted" as you would a good book or movie.**
***This
article is dedicated to the families of the people who lost their lives in the
October 9, 1995 earthquake. Those of us who survived it will always remember.***
**You Tube
[video](http://www.youtube.com/watch?v=0xhhZ_uKcdA) of paranormal
investigators at Manzanillo's abandoned social security hospital. The hospital
was destroyed in the earthquake of 1995. Video is in Spanish, but the ghost at
the very end can be seen clearly. This year, Ghost Hunters Manzanillo will
explore the hospital on the date of the 1995 earthquake, October 9. Do you have
ghost hunting equipment?
[E-mail us](mailto:[email protected]?subject=Ghost Hunting).**
**You Tube
[video](http://www.youtube.com/watch?v=im3NBDr9UR4) of paranormal
investigators at the site of the Costa Real. They brought along a psychic to
talk to the spirits. At the end of the video, apparently 2 ghosts watch the
proceedings.**
**Just for
fun! To protect
yourself against evil spirits, [click here](protection.htm).**
**More** **fun! For a Web Ouija board,
[click here](http://www.museumoftalkingboards.com/WebOuija.html).**
| http://www.gomanzanillo.com/features/ghosts/ |
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<p style="margin-top: 0;"><i>March 1998.</i></p>
<p style="margin-bottom: 0;"><em>This site has not been updated since 2001 due to constraints on my time. Feel free to browse the site, but remember that it not fully up-to-date and will not be updated in the foreseeable future. </em></p></td>
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<p align="center" style="margin-bottom: 0;"><em>The webmaster is Wesley Johnston. </em><em>Most portions of the history section were</em></p>
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The Ireland Story - Irish History, Maps of Ireland
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| |
| --- |
| |
| |
| The Ireland Story | **www.irelandstory.com
History + Maps** |
| |
| | | | | | | | | | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
|
| |
| --- |
| **Travel with us through the history of Ireland!** |
| [CLICK HERE](past/index.htm) | **[Complete History of Ireland](past/index.htm)**
**In-Depth**:
[The Great Famine](past/famine/index.htm)
[The Omagh Bomb](past/omagh/main.html)
[The 'Troubles'](past/troubles/index.htm) |
| [CLICK HERE](geography/index.htm) | [**Geography and Maps**](geography/index.htm)
[Index of Maps](map_index.html) **Historical
& Modern Maps!**
[Physical & Human Geography](geography/index.htm) |
|
**...or search the site.**
|
| **[What do you think
of this site?](feedback_form.html)****[The
policies of
the webmaster.](policies.html)** |
| . |
| |
| --- |
| [**BooksNI.com**](http://www.booksni.com) |
| | **Specialising in books about Northern Ireland** |
| |
| **[Awards](awards.html)
[Links](links.html)** to related sites
[**Links**](today/organisations.html) to Irish
organisations |
| |
| |
| |
| *Site operating since*
*March 1998.*
*This site has not been updated since 2001 due to constraints on my time. Feel free to browse the site, but remember that it not fully up-to-date and will not be updated in the foreseeable future.* |
|
| |
| --- |
| |
| **Find this site at**
[www.irelandstory.com](http://www.irelandstory.com) or [www.wesleyjohnston.com/users/ireland](http://www.wesleyjohnston.com/users/ireland)
See also: [www.colourpoint.co.uk](http://www.colourpoint.co.uk) and [www.booksni.com](http://www.booksni.com) for books. |
| |
*The webmaster is Wesley Johnston.* *Most portions of the history section were*
*written by Patrick* *Abbot. Both have lived in Ireland for their whole lives.*

.
| http://www.wesleyjohnston.com/users/ireland/ |
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<p align="left"><font size="2" face="Courier">This
website is made <strong>for vintage computer collectors</strong>
who want to complete their collections with a time-appropriate
mousepad!<br>
The designs are inspired by real models from the 80s and
90s that we just can't find anymore.<br>
<strong>The designs are home-made and <img src="free.gif"
width="67" height="30">for download.<br>
</strong>All you have to do is take the high-resolution
file to your favorite custom mousepad print shop or
website and get it printed.</font></p>
<p align="left"><font size="2" face="Courier">As an
exemple, the models shown on this website have been
printed with </font><a href="http://www.vistaprint.com"
target="new"><font size="2" face="Courier">vistaprint.com</font></a><font
size="2" face="Courier"> or </font><a
href="www.vistaprint.fr" target="new"><font size="2"
face="Courier">vistaprint.fr</font></a><font size="2"
face="Courier"> .</font></p>
<p align="left"><font color="#FF0000" size="2"
face="Courier"><strong><u>Disclaimer:</u></strong><strong>
This is not official design, all the mousepads are to be
custom printed for personal use and not to be sold.<br>
<br>
</strong><strong><u>Please note</u></strong><strong> that
the final result of your printed mousepad may vary
depending on the print shop company you choose.</strong></font></p>
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<br>
<br>
<a href="https://theoldnet.com/get?url=http://intel.com/"
target="new"><img src="intel.gif" border="0" width="128"
height="136"></a></p>
<p align="center"><a
href="https://theoldnet.com/get?url=http://nokia.com/"
target="new"><img src="ani-nokiahand.gif" border="0"
width="92" height="165"></a><br>
<br>
</p>
</td>
</tr>
</table>
</center></div><div align="center"><center>
<table border="0" cellpadding="0" cellspacing="0" width="600">
<tr>
<td><img src="bottom3.gif" width="600" height="25"></td>
</tr>
</table>
</center></div><div align="center"><center>
<table border="0" cellpadding="0" cellspacing="0" width="600">
<tr>
<td><p align="center"><a
href="https://theoldnet.com/get?url=www.ibm.com&year=1996&scripts=false&decode=false"
target="new"><img src="ibm_busi.gif" border="0"
width="468" height="60" loop="infinite"></a><br>
</p>
</td>
</tr>
</table>
</center></div><div align="center"><center>
<table border="0" cellpadding="0" cellspacing="0" width="600">
<tr>
<td><br>
<hr width="95%">
</td>
</tr>
</table>
</center></div><div align="center"><center>
<table border="0" width="600">
<tr>
<td><p align="center"><a
href="https://theoldnet.com/get?decode=false&scripts=false&timestamp=19961022175331&url=http://www.microsoft.com/ie/ie.htm"
target="new"><img src="iexplorer.gif" border="0"
width="88" height="31"></a> <a
href="https://theoldnet.com/get?url=http://frontpageworld.com/"
target="new"><font size="2"><img src="frontpage.gif"
border="0" width="87" height="41"></font></a> <a
href="https://theoldnet.com/get?url=www.netscape.com&year=1996&scripts=false&decode=false"
target="new"><img src="netscape2.gif" border="0"
width="88" height="31"></a></p>
<p align="center"><img src="06.gif" align="middle"
width="64" height="12"></p>
</td>
</tr>
</table>
</center></div><div align="center"><center>
<table border="0" cellpadding="0" cellspacing="0" width="600">
<tr>
<td><br>
<br>
</td>
</tr>
</table>
</center></div>
<p align="center"> </p>
</body>
</html>
|
Vintage-mousepads.website
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FREE VINTAGE MOUSEPADS DOWNLOAD !!
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| [**HOME**](index.htm)[**ALL**](all.htm)
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This
website is made **for vintage computer collectors**
who want to complete their collections with a time-appropriate
mousepad!
The designs are inspired by real models from the 80s and
90s that we just can't find anymore.
**The designs are home-made and for download.**All you have to do is take the high-resolution
file to your favorite custom mousepad print shop or
website and get it printed.
As an
exemple, the models shown on this website have been
printed with [vistaprint.com](http://www.vistaprint.com) or [vistaprint.fr](www.vistaprint.fr) .
**Disclaimer:****This is not official design, all the mousepads are to be
custom printed for personal use and not to be sold.****Please note** **that
the final result of your printed mousepad may vary
depending on the print shop company you choose.**
**Categories:**
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<HTML>
<HEAD>
<TITLE>WiFi - SM: feel the global pain</TITLE>
<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
<meta name="keywords" content="wifi,wi-fi,sm">
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<TABLE cellSpacing=0 cellPadding=0 width="900" border=0>
<TBODY>
<TR>
<TD background=media/header.gif height=80> <TABLE cellSpacing=0 cellPadding=0 width="100%" border=0>
<TBODY>
<TR>
<TD width=414> <DIV align=left>
<TABLE cellSpacing=0 cellPadding=0 border=0>
<TBODY>
<TR>
<TD vAlign=top> <div align="left"><img src="media/wifism.gif" width="414" height="58" border="0">
</div></TD>
</TR>
</TBODY>
</TABLE>
</DIV></TD>
<TD><div align="right">
<script type="text/javascript"><!--
google_ad_client = "pub-8719073294802878";
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src="http://pagead2.googlesyndication.com/pagead/show_ads.js">
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border=0>
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width=1></TD>
</TR>
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<TD height=3><IMG height=1 src="media/a.gif"
width=1></TD>
</TR>
<TR>
<TD> <form name="form1"><TABLE cellSpacing=0 cellPadding=0 width="100%" border=0>
<TBODY>
<TR>
<TD width=6><IMG height=26
src="media/bcb.gif"
width=6></TD>
<TD> <TABLE height=26 cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD width=350 nowrap class=c1darkbackground><SPAN
class=c1boldbig>WiFi-SM brings your humanity back to
daylight </SPAN></TD>
<TD width=25><IMG height=26
src="media/oblique.gif" width=25></TD>
<TD
class=c1lightbackground>
<div align="right"><a href="index.htm"><img src="media/engflag.gif" width="20" height="15" border="0"></a> <a href="index_fr.htm"><img src="media/fraflag.gif" width="20" height="15" border="0"></a>
</div>
</TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
<TR>
<TD class=c7background colSpan=2 height=5><IMG
src="media/a.gif"
border=0></TD>
</TR>
</TBODY>
</TABLE></form></TD>
</TR>
<TR>
<TD valign="top"> <TABLE class=c1darkbackground cellSpacing=0 cellPadding=1
width="100%" border=0>
<TBODY>
<TR>
<TD> <TABLE class=c7background cellSpacing=5 cellPadding=0
width="100%" border=0>
<TBODY>
<TR>
<TD class=c1>You have the impression that the
disasters of the world do not touch you anymore?
You feel vaguely sorry for other people's misfortunes
but you don't feel the inner urge which used to
make you help your neighbour ? <strong>WiFi-SM
is the solution !</strong> <br>
<br> </TD>
</TR>
<!--<TR>
<TD class="c1bold">
<form name="form1" method="post" action="">
Email us for more information about WiFi-SM:
<input name="textfield" type="text" value="Your e-mail">
<input type="submit" name="Submit" value="Go">
<br>
</form></TD>
</TR>-->
<TR>
<TD> <TABLE cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD vAlign=top width="50%"> <TABLE cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD vAlign=top><IMG
src="media/ear.jpg" width="152" height="152"
border=1> </TD>
<TD width=30> </TD>
<TD width="490" vAlign=top> <TABLE cellSpacing=0 cellPadding=0 width="93%"
align=left border=0>
<TBODY>
<TR>
<TD width="444" height=60 vAlign=top class=c1light><strong><font color="#993333" size="3">What
is WiFi-SM ?</font></strong><BR>
<br> <table width="90" border="0" align="right" cellpadding="0" cellspacing="0">
<tr>
<td><img src="media/49.jpg" width="83" height="62" align="right"></td>
</tr>
</table>
<strong>WiFi-SM</strong>
is an Internet connected
wireless device that you
can fix on any part of
your body. It automatically
detects the information
from approximately <strong>4,500
news sources worldwide
updated continuously</strong>
and analyses them looking
for specific keywords
such as <strong>death,
kill, murder, torture,
rape, war, virus</strong>
etc.. Each time the text
of the news contains one
of these keywords, your
<strong>WiFi-SM</strong>
device is activated through
the Wi-Fi network and
provides you with an <strong>electric
impulse</strong>. This
impulse is calibrated
so that you can feel a
certain amount of pain,
but is completely safe.</TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
<TR>
<TD vAlign=top width="50%"> <TABLE cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD valign="top"><TABLE cellSpacing=0 cellPadding=0 width="93%"
align=left border=0>
<TBODY>
<TR>
<TD width="444" height=60 vAlign=top class=c1light><font color="#993333" size="3"><strong><br>
Lower your guilt complex
!</strong></font> <strong>OR
GET REFUND</strong> <img src="media/new2.gif" width="39" height="35" hspace="12" border="0" align="middle"><br>
Thanks to its new <strong>P2P</strong>
technology (<strong>Pain-to-Pain</strong>),
<strong>WiFi-SM</strong>
allows you to set the
level of pain (within
certain limits ) or personalize
your list of keywords.
<strong>WiFi-SM</strong>
fits any part of your
body and is very discrete.
You can bring it with
you anywhere you want,
at work, while jogging,
you can even sleep with
it. After a few weeks
of <strong>WiFi-SM</strong>,
you will definitely become
again the human being
you once were . Get rid
of your guilt feelings
and you will be more helpful
to others.</TD>
</TR>
<TR>
<TD vAlign=top class=dropdown><br>
The first 50 electric
impulses are offered (only
0.5 $ per extra impulse)
<br><br>
<script type="text/javascript"><!--
google_ad_client = "pub-8719073294802878";
google_ad_width = 468;
google_ad_height = 60;
google_ad_format = "468x60_as";
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google_color_border = "000000";
google_color_bg = "FFFFFF";
google_color_link = "000000";
google_color_url = "666666";
google_color_text = "333333";
//--></script>
<script type="text/javascript"
src="http://pagead2.googlesyndication.com/pagead/show_ads.js">
</script> </TD>
</TR>
</TBODY>
</TABLE></TD>
<TD width="22%" vAlign=top class="c1light"><div align="center"><img
src="media/chipset.jpg" width="155" height="129"
border=0></div></TD>
<TD width="5%" vAlign=top> </TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
</TBODY>
</TABLE>
</TBODY>
</TABLE></TD>
</TR>
</TBODY>
</TABLE>
<br>
</TD>
</TR>
<TR>
<TD> <TABLE cellSpacing=0 cellPadding=0 width="100%" border=0>
<TBODY>
<TR>
<TD width=6><IMG height=26
src="media/bcb.gif"
width=6></TD>
<TD> <TABLE height=26 cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD width=570 nowrap class=c1darkbackground><SPAN
class=c1boldbig>Feel the pain from 95% of the news
sources and spectacle providers worldwide </SPAN></TD>
<TD width=25><IMG height=26
src="media/oblique.gif"
width=25></TD>
<TD
class=c1lightbackground> </TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
<TR>
<TD class=c7background colSpan=2 height=5><IMG
src="media/a.gif"
border=0></TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
<TR>
<TD height=3><IMG height=1 src="media/a.gif"
width=1></TD>
</TR>
<TR vAlign=bottom>
<TD valign="bottom"> <TABLE class=c2darkbackground cellSpacing=0 cellPadding=1
width="100%" border=0>
<TBODY>
<TR>
<TD> <TABLE class=c7background cellSpacing=0 cellPadding=0
width="100%" border=0>
<TBODY>
<TR>
<TD width="184%" height=1 colspan="3" class=c2darkbackground><IMG height=1
src="media/a.gif" width=1 border=0></TD>
</TR>
<TR>
<TD colspan="3"> </TD>
</TR>
<TR>
<TD colspan="3"> <TABLE cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD width="50%" valign="top"> <TABLE cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD> <TABLE cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD align=middle width=40><IMG
src="media/5.gif" width="64" height="12"></TD>
<TD vAlign=top nowrap class=c3boldbig>Mary,
sales operator</TD>
<TD> <DIV align=right>
<TABLE cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD class=c2darkbackground width=60><IMG
height=1 src="media/a.gif"
width=1></TD>
</TR>
</TBODY>
</TABLE>
</DIV></TD>
</TR>
</TBODY>
</TABLE></TD>
<TD vAlign=bottom width=1> <TABLE height=10 cellSpacing=0 cellPadding=0
width="100%" border=0>
<TBODY>
<TR>
<TD class=c2darkbackground width=60><IMG
height=1 src="media/a.gif"
width=1></TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
<TR>
<TD vAlign=top class="c2"><BR>
<IMG
src="media/003s.jpg"
width=104
height=125 hspace="10" border=1 align="left">
I've been using WiFi-SM for one
month and it's amazing ! When
somebody suffers on earth, not
only I know it, but I can also
feel a little bit of his/her pain.
I don't feel guilty anymore and
I can enjoy life without limitation.
I love WiFi-SM ;-)</TD>
<TD class=c2darkbackground width=1><IMG
src="media/a.gif"
border=0></TD>
</TR>
</TBODY>
</TABLE></TD>
<TD width="50%" valign="top" name="right">
<TABLE cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD> <TABLE cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD align=middle width=40><IMG
src="media/4.gif" width="64" height="12"></TD>
<TD vAlign=top nowrap class=c3boldbig>John,
teacher </TD>
<TD> <DIV align=right>
<TABLE cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD class=c2darkbackground width=60><IMG
height=1 src="media/a.gif"
width=1></TD>
</TR>
</TBODY>
</TABLE>
</DIV></TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
<TR>
<TD vAlign=top class="c2"><br>
<IMG
src="media/001s.jpg"
width=104
height=125 hspace="10" border=1 align="left">
It's great! I have customized
my own keywords. My favorite ones
are: "taser", "lethal injection",
"electric chair", "stun
belt" and "strangulation".
<BR>
</TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
<TR>
<TD colspan="3"> </TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
</TBODY>
</TABLE>
<TABLE class=c2darkbackground cellSpacing=0 cellPadding=1
width="100%" border=0>
<TBODY>
<TR>
<TD> <TABLE class=c7background cellSpacing=0 cellPadding=0
width="100%" border=0>
<TBODY>
<TR>
<TR>
<TD> </TD>
</TR>
<TR>
<TD> <TABLE cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD width="50%" valign="top"> <TABLE cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD> <TABLE cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD align=middle width=40><IMG
src="media/5.gif" width="64" height="12"></TD>
<TD vAlign=top nowrap class=c3boldbig>Mark,
C.E.O. </TD>
<TD> <DIV align=right>
<TABLE cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD class=c2darkbackground width=60><IMG
height=1 src="media/a.gif"
width=1></TD>
</TR>
</TBODY>
</TABLE>
</DIV></TD>
</TR>
</TBODY>
</TABLE></TD>
<TD> </TD>
<TD vAlign=bottom width=1> <TABLE height=10 cellSpacing=0 cellPadding=0
width="100%" border=0>
<TBODY>
<TR>
<TD class=c2darkbackground width=60><IMG
height=1 src="media/a.gif"
width=1></TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
<TR>
<TD vAlign=top class="c2"><BR>
<IMG
src="media/002s.jpg"
width=104
height=125 hspace="10" border=1 align="left">Fantastic!
It doesn't matter anymore if 5
or 6 giant companies control practically
all the information on earth.
Now I can feel the global pain
of the world and the important
thing is its intensity, not diversity...
</TD>
<TD vAlign=top class="c2"> </TD>
<TD class=c2darkbackground width=1><IMG
src="media/a.gif"
border=0></TD>
</TR>
</TBODY>
</TABLE></TD>
<TD width="50%" valign="top" name="right">
<TABLE cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD> <TABLE cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD align=middle width=40><IMG
src="media/5.gif" width="64" height="12"></TD>
<TD vAlign=top nowrap class=c3boldbig>Jennifer,
waitress</TD>
<TD> <DIV align=right>
<TABLE cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD class=c2darkbackground width=60><IMG
height=1 src="media/a.gif"
width=1></TD>
</TR>
</TBODY>
</TABLE>
</DIV></TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
<TR>
<TD vAlign=top class="c2"><br>
<IMG
src="media/004s.jpg"
width=104
height=125 hspace="10" border=1 align="left">
I can plug WiFi-SM on ANY part
of my body and feel other people's
pain. What did I learn ? Well
the frontier between pain and
pleasure is not very well defined...
You should definitely try WiFi-SM.
</TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
<TR>
<TD> </TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
</TBODY>
</TABLE></TD>
<TD vAlign=top width="30%">
<TABLE height=800 cellSpacing=0 cellPadding=0 width="100%" align=right
border=0>
<TBODY>
<TR>
<TD> <TABLE cellSpacing=0 cellPadding=0 width="100%" border=0>
<TBODY>
<TR>
<TD height=3><IMG height=1 src="media/a.gif"
width=1></TD>
</TR>
<TR>
<TD height=3><IMG height=1 src="media/a.gif"
width=1></TD>
</TR>
</TBODY>
</TABLE>
<TABLE cellSpacing=0 cellPadding=0 width="100%" border=0>
<TBODY>
<TR>
<TD width=6><IMG height=32
src="media/lhb.gif"
width=6></TD>
<TD> <TABLE height=32 cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD width=220 nowrap class=c1darkerbackground><IMG height=1
src="media/a.gif" width=1><SPAN
class=c7boldbig>Connecting people... to reality</SPAN></TD>
<TD width=26><IMG height=32
src="media/obd.gif"
width=26></TD>
<TD class=c1darkbackground align=middle> </TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
<TR>
<TD height=3><IMG height=1 src="media/a.gif"
width=1></TD>
</TR>
<TR>
<TD height=3><IMG height=1 src="media/a.gif"
width=1></TD>
</TR>
<TR>
<TD class=c1darkbackground> </TD>
</TR>
<TR>
<TD class=c1darkbackground> <TABLE class=c1darkerbackground cellSpacing=0 cellPadding=1
width="97%" align=center border=0>
<TBODY>
<TR>
<TD> <TABLE class=c7background height=25 cellSpacing=0
cellPadding=0 width="100%" border=0>
<TBODY>
<TR>
<TD> <TABLE height=25 cellSpacing=0 cellPadding=0
width="100%" border=0>
<TBODY>
<TR>
<TD class=c1boldbig
width=120> WAR, CRIME</TD>
<TD> </TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
<TR>
<TD class=c1darkbackground height=4><IMG height=1
src="media/a.gif" width=1 border=0></TD>
</TR>
<TR>
<TD class=c1darkbackground> <TABLE cellSpacing=0 cellPadding=0 width="97%" align=center
border=0>
<TBODY>
<TR>
<TD width=19><IMG height=24
src="media/coin.gif" width=19></TD>
<TD> <TABLE height=24 cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD class=c1darkerbackground height=1><IMG height=1
src="media/a.gif" width=1></TD>
<TD class=c1darkbackground width=1 height=1><IMG
height=1 src="media/a.gif" width=1></TD>
</TR>
<TR>
<TD class=c7background> </TD>
<TD class=c1darkerbackground width=1><IMG height=1
src="media/a.gif"
width=1></TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
</TBODY>
</TABLE>
<TABLE cellSpacing=0 cellPadding=0 width="97%" align=center
border=0>
<TBODY>
<TR>
<TD class=c1darkerbackground width=1><IMG height=1
src="media/a.gif" width=1></TD>
<TD class=c7background align=middle> <TABLE height=160 cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD align=middle><IMG height=146
src="media/war01.jpg" width=220
border=1> </TD>
</TR>
<TR>
<TD height=3><IMG height=1
src="media/a.gif" width=1></TD>
</TR>
</TBODY>
</TABLE>
<BR></TD>
<TD class=c1darkerbackground width=1><IMG height=1
src="media/a.gif" width=1></TD>
</TR>
</TBODY>
</TABLE>
<TABLE cellSpacing=0 cellPadding=0 width="97%" align=center
border=0>
<TBODY>
<TR>
<TD class=c1darkerbackground><IMG height=1
src="media/a.gif"
width="100%"></TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
<TR>
<TD class=c1darkbackground height=4><IMG height=1
src="media/a.gif" width=1 border=0></TD>
</TR>
<TR>
<TD class=c1darkbackground> <TABLE class=c1darkerbackground cellSpacing=0 cellPadding=1
width="97%" align=center border=0>
<TBODY>
<TR>
<TD> <TABLE class=c7background height=25 cellSpacing=0
cellPadding=0 width="100%" border=0>
<TBODY>
<TR>
<TD> <TABLE height=25 cellSpacing=0 cellPadding=0
width="100%" border=0>
<TBODY>
<TR>
<TD class=c1boldbig width=145> DEATH,
MURDER </TD>
<TD> </TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
<TR>
<TD class=c1darkbackground height=4><IMG height=1
src="media/a.gif" width=1 border=0></TD>
</TR>
<TR>
<TD class=c1darkbackground> <TABLE cellSpacing=0 cellPadding=0 width="97%" align=center
border=0>
<TBODY>
<TR>
<TD width=19><IMG height=24
src="media/coin.gif" width=19></TD>
<TD> <TABLE height=24 cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD class=c1darkerbackground height=1><IMG height=1
src="media/a.gif" width=1></TD>
<TD class=c1darkbackground width=1 height=1><IMG
height=1 src="media/a.gif" width=1></TD>
</TR>
<TR>
<TD class=c7background> </TD>
<TD class=c1darkerbackground width=1><IMG height=1
src="media/a.gif"
width=1></TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
</TBODY>
</TABLE>
<TABLE cellSpacing=0 cellPadding=0 width="97%" align=center
border=0>
<TBODY>
<TR>
<TD class=c1darkerbackground width=1><IMG height=1
src="media/a.gif" width=1></TD>
<TD class=c7background align=middle> <TABLE height=160 cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD align=middle><IMG
height=146 src="media/war02.jpg"
width=220 border=1> </TD>
</TR>
</TBODY>
</TABLE>
<BR></TD>
<TD class=c1darkerbackground width=1><IMG height=1
src="media/a.gif" width=1></TD>
</TR>
</TBODY>
</TABLE>
<TABLE cellSpacing=0 cellPadding=0 width="97%" align=center
border=0>
<TBODY>
<TR>
<TD class=c1darkerbackground><IMG height=1
src="media/a.gif"
width="100%"></TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
<TR>
<TD class=c1darkbackground height=4><IMG height=1
src="media/a.gif" width=1 border=0></TD>
</TR>
<TR>
<TD class=c1darkbackground> <TABLE class=c1darkerbackground cellSpacing=0 cellPadding=1
width="97%" align=center border=0>
<TBODY>
<TR>
<TD> <TABLE class=c7background height=25 cellSpacing=0
cellPadding=0 width="100%" border=0>
<TBODY>
<TR>
<TD> <TABLE height=25 cellSpacing=0 cellPadding=0
width="100%" border=0>
<TBODY>
<TR>
<TD class=c1boldbig width=145> DISEASE,
VIRUS </TD>
<TD> </TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
<TR>
<TD class=c1darkbackground height=4><IMG height=1
src="media/a.gif" width=1 border=0></TD>
</TR>
<TR>
<TD class=c1darkbackground> <TABLE cellSpacing=0 cellPadding=0 width="97%" align=center
border=0>
<TBODY>
<TR>
<TD width=19><IMG height=24
src="media/coin.gif" width=19></TD>
<TD> <TABLE height=24 cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD class=c1darkerbackground height=1><IMG height=1
src="media/a.gif" width=1></TD>
<TD class=c1darkbackground width=1 height=1><IMG
height=1 src="media/a.gif" width=1></TD>
</TR>
<TR>
<TD class=c7background> </TD>
<TD class=c1darkerbackground width=1><IMG height=1
src="media/a.gif"
width=1></TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
</TBODY>
</TABLE>
<TABLE cellSpacing=0 cellPadding=0 width="97%" align=center
border=0>
<TBODY>
<TR>
<TD class=c1darkerbackground width=1><IMG height=1
src="media/a.gif" width=1></TD>
<TD class=c7background align=middle> <TABLE height=160 cellSpacing=0 cellPadding=0 width="100%"
border=0>
<TBODY>
<TR>
<TD align=middle><IMG
height=146 src="media/war03.jpg"
width=220 border=1> </TD>
</TR>
</TBODY>
</TABLE>
<BR></TD>
<TD class=c1darkerbackground width=1><IMG height=1
src="media/a.gif" width=1></TD>
</TR>
</TBODY>
</TABLE>
<TABLE cellSpacing=0 cellPadding=0 width="97%" align=center
border=0>
<TBODY>
<TR>
<TD class=c1darkerbackground><IMG height=1
src="media/a.gif"
width="100%"></TD>
</TR>
</TBODY>
</TABLE></TD>
</TR>
<TR>
<TD class=c1darkbackground height=4><IMG height=1
src="media/a.gif" width=1
border=0></TD>
</TR>
<TR>
<TD class=c1darkbackground height=4><div align="center">
</div></TD>
</TR>
<TR>
<TD class=c1darkbackground height=4><img src="media/a.gif" width="1" height="4"></TD>
</TR>
<TR>
<TD class=c1darkbackground height=4><div align="center">
</div></TD>
</TR>
<TR>
<TD class=c1darkbackground height=4><img src="media/a.gif" width="1" height="4"></TD>
</TR>
<TR>
<TD class=c1darkbackground height=4><div align="center">
<table align="center" class="textad">
<tr>
<td class="headline"><A HREF="http://www.textads.biz/advertise.jsp?siteref=cbd21dfc76a373f6adc258576b0231cf">Advertise
on this page</A></td>
</tr>
<tr>
<td class="link"> </TD>
</TR>
</TABLE>
</div></TD>
</TR>
<TR>
<TD class=c1darkbackground height=4><img src="media/a.gif" width="1" height="4"></TD>
</TR>
</TBODY>
</TABLE></TD></TR></TBODY></TABLE><BR>
<TABLE class=c7background cellSpacing=0 cellPadding=0 width="900"
border=0>
<TBODY>
<TR>
<TD class=c1darkbackground height=1><IMG
src="media/a.gif" width=1></TD>
</TR>
<TR>
<TD class=c1darkbackground height=1><IMG
src="media/a.gif" width=1></TD>
</TR>
<TR>
<TD class=c3light> <DIV align=center>� 2003 <a href="../wifism-for-real/index.htm">WiFi-SM</a> / Christophe Bruno all
rights reserved - october 2003<br>
</DIV></TD>
</TR>
<TR>
<TD class=c1darkbackground height=1><IMG
src="media/a.gif" width=1></TD>
</TR>
</TBODY>
</TABLE>
<br>
</BODY>
</HTML>
|
WiFi - SM: feel the global pain
.textad { background-color: #D5E5EF; color:#990000; font-size:8pt; font-family:arial; padding:1px;}
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google\_ad\_client = "pub-8719073294802878";
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| WiFi-SM brings your humanity back to
daylight | |
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| You have the impression that the
disasters of the world do not touch you anymore?
You feel vaguely sorry for other people's misfortunes
but you don't feel the inner urge which used to
make you help your neighbour ? **WiFi-SM
is the solution !**
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| **What
is WiFi-SM ?**
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**WiFi-SM**
is an Internet connected
wireless device that you
can fix on any part of
your body. It automatically
detects the information
from approximately **4,500
news sources worldwide
updated continuously**
and analyses them looking
for specific keywords
such as **death,
kill, murder, torture,
rape, war, virus**
etc.. Each time the text
of the news contains one
of these keywords, your
**WiFi-SM**
device is activated through
the Wi-Fi network and
provides you with an **electric
impulse**. This
impulse is calibrated
so that you can feel a
certain amount of pain,
but is completely safe. |
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| **Lower your guilt complex
!** **OR
GET REFUND**
Thanks to its new **P2P**
technology (**Pain-to-Pain**),
**WiFi-SM**
allows you to set the
level of pain (within
certain limits ) or personalize
your list of keywords.
**WiFi-SM**
fits any part of your
body and is very discrete.
You can bring it with
you anywhere you want,
at work, while jogging,
you can even sleep with
it. After a few weeks
of **WiFi-SM**,
you will definitely become
again the human being
you once were . Get rid
of your guilt feelings
and you will be more helpful
to others. |
|
The first 50 electric
impulses are offered (only
0.5 $ per extra impulse)
<!--
google\_ad\_client = "pub-8719073294802878";
google\_ad\_width = 468;
google\_ad\_height = 60;
google\_ad\_format = "468x60\_as";
google\_ad\_channel ="";
google\_color\_border = "000000";
google\_color\_bg = "FFFFFF";
google\_color\_link = "000000";
google\_color\_url = "666666";
google\_color\_text = "333333";
//-->
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| Feel the pain from 95% of the news
sources and spectacle providers worldwide | | |
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| | Mary,
sales operator |
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I've been using WiFi-SM for one
month and it's amazing ! When
somebody suffers on earth, not
only I know it, but I can also
feel a little bit of his/her pain.
I don't feel guilty anymore and
I can enjoy life without limitation.
I love WiFi-SM ;-) | |
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| --- | --- | --- | --- |
| | John,
teacher |
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It's great! I have customized
my own keywords. My favorite ones
are: "taser", "lethal injection",
"electric chair", "stun
belt" and "strangulation".
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| | Mark,
C.E.O. |
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| --- |
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Fantastic!
It doesn't matter anymore if 5
or 6 giant companies control practically
all the information on earth.
Now I can feel the global pain
of the world and the important
thing is its intensity, not diversity...
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| | Jennifer,
waitress |
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I can plug WiFi-SM on ANY part
of my body and feel other people's
pain. What did I learn ? Well
the frontier between pain and
pleasure is not very well defined...
You should definitely try WiFi-SM.
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| Connecting people... to reality | | |
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| WAR, CRIME | |
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| DEATH,
MURDER | |
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| DISEASE,
VIRUS | |
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| [Advertise
on this page](http://www.textads.biz/advertise.jsp?siteref=cbd21dfc76a373f6adc258576b0231cf) |
| |
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| --- |
| |
| |
| � 2003 [WiFi-SM](../wifism-for-real/index.htm) / Christophe Bruno all
rights reserved - october 2003
|
| |
| http://www.unbehagen.com/wifism/ |
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0//EN">
<html>
<head>
<title>SIOUX - A Web Server for DOS</title>
<link rel="STYLESHEET" type="text/css" href="langestd.css">
<meta name="description" content="DosUHCI is a new USB host controller driver to support USB device drivers for DOS">
<meta name="keywords" content="DOS UHCI, USB for DOS, USB, DOS, UHCI and OHCI controller driver for DOS, URB, enumerate devices,usbview for DOS,">
<meta name="generator" content="Namo WebEditor v3.0">
<style><!--
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<P>--></style>
</head>
<body bgcolor="white" text="black" link="white" vlink="white" alink="red">
<!-- Es muß jeweils oben der /head und body tag entfernt werden, um das Style-sheet zu aktivieren! -->
<p><left>
<table border="0" cellpadding="10" cellspacing="0" width="770">
<tr>
<td width="30%" bgcolor="blue"><p><br></td>
<td width="35%" bgcolor="blue"><p><br></td>
<td width="35%" bgcolor="blue"><p><br></td>
</tr>
<tr>
<td bgcolor="blue"><p> </p>
<p> </p>
<p><a href="sioux.htm"><font face="Arial"><b>Documentation</b></font></a></p>
<p> </p>
<p><a href="images/sioux.jpg"><font face="Arial"><b>Screenshot</b></font></a><a href="images/sioux.jpg"><br></a></p>
<p> </p>
<p><a href="sioux.zip"><font face="Arial" color="yellow"><b>Download SIOUX</b></font></a></p>
<p> </p>
<p><a href="packet.htm"><font face="Arial"><b>Packet Drivers</b></font></a><a href="packet.htm"><br>
</a> </p>
<p><a href="contact.htm"><font face="Arial"><b>Contact</b></font></a><a href="contact.htm"><br></a></p>
<p> </p>
<p> </td>
<td><p><font face="Arial Black" size="7"> SIOUX</font></p>
<p> </p>
<p align="right"><font face="Arial" size="5" color="red"><b><i>A
Web Server for DOS!</i></b></font></p>
<p align="left"> </p>
<p align="left"><font face="Arial" size="3" color="black">Sioux
is a new Web Server for DOS which is based on a packet driver and
the trumpet NTCPDRV.</font></p>
<p><font face="Arial" size="3">It features:<br> <br> - server log<br>
- configurable web page directory<br> - sends directory listing
if index.htm is not found in subdirectory<br> - supports GET, HEAD
and POST methods<br> - CGI support with POST and GET<br> - multiple
domains<br> - DYNDNS client</font></p>
<p align="left"><font face="Arial" size="3" color="black">SIOUX
is free to use.</font></td>
<td><p><br> </td>
</tr>
<tr>
<td bgcolor="blue"><p> </td>
<td><p> </td>
<td><p> </td>
</tr>
<tr>
<td bgcolor="blue"><p><br> <br> <br></td>
<td></td>
<td><p><br></td>
</tr>
<tr>
<td bgcolor="blue"><p><br></td>
<td></td>
<td><p><br></td>
</tr>
<tr>
<td bgcolor="blue"><p><br></td>
<td></td>
<td><p><br></td>
</tr>
<tr>
<td bgcolor="blue"><p><br></td>
<td></td>
<td></td>
</tr>
</table>
<p></left> </p>
<!--
This file created using AmiWeb and AmiPro
-->
</body>
</html> |
SIOUX - A Web Server for DOS
<!--
<P>@import url(langestd.css);
<P>-->
| | | |
| --- | --- | --- |
| | | |
|
[**Documentation**](sioux.htm)
[**Screenshot**](images/sioux.jpg)
[**Download SIOUX**](sioux.zip)
[**Packet Drivers**](packet.htm)
[**Contact**](contact.htm)
| SIOUX
***A
Web Server for DOS!***
Sioux
is a new Web Server for DOS which is based on a packet driver and
the trumpet NTCPDRV.
It features: - server log
- configurable web page directory - sends directory listing
if index.htm is not found in subdirectory - supports GET, HEAD
and POST methods - CGI support with POST and GET - multiple
domains - DYNDNS client
SIOUX
is free to use. | |
| | | |
| | | |
| | | |
| | | |
| | | |
| http://www.georgpotthast.de/sioux/ |
<!DOCTYPE html><html><head><meta charset="UTF-8"><meta name="viewport" content="width=device-width,maximum-scale=1,minimum-scale=1,minimal-ui"><link rel="icon" type="image/png" href="/files/favicon/16.png"><link rel="icon" type="image/png" href="/files/favicon/32.png"><link rel="icon" type="image/png" href="/files/favicon/64.png"><link rel="icon" type="image/png" href="/files/favicon/128.png"><link rel="stylesheet" id="pageStyle" href="/files/css/yotsuba.css" title="switch"><link rel="canonical" href="https://gondola.stravers.net/list"><meta name="description" content="Gondola webms depicting our favorite silent observer"><meta property="og:title" content="Gondola"><meta property="og:description" content="Gondola webms depicting our favorite silent observer"><meta property="og:image" content="/files/128.png"><title>All Gondolas - GondolaArchive</title></head><body><div class="boardBanner"><div id="bannerCnt" class="title desktop" data-src="/files/images/banner.png"><img alt="gondola.stravers" src="/files/images/banner.png"></div><div class="boardTitle">/gs/ - gondola.stravers</div></div><div class="navLinks mobile"><span class="mobileib button"><a href="https://disqus.com/home/forum/evo-1/">View All Comments</a></span><span class="mobileib button"><a href="/random" title="Redirects to a random Gondola">Random</a></span><span class="mobileib button"><a href="/random-raw" title="Redirects to a random Gondola video stream">Random Raw</a></span><span class="mobileib button"><a href="#bottom">Bottom</a></span></div><hr class="desktop"><div class="navLinks desktop">[<a href="https://disqus.com/home/forum/evo-1/">View All Comments</a>][<a href="/random" title="Redirects to a random Gondola">Random</a>][<a href="/random-raw" title="Redirects to a random Gondola video stream">Random Raw</a>][<a href="#bottom">Bottom</a>]</div><hr><h4 class="center">[<a href="https://knowyourmeme.com/memes/gondola">What is Gondola?</a>]<br>Videos can be looped in most browsers: right-click + loop<br>Videos normally autoplay.<br>If you click Next (ordered) autoplay will play sequentially, if you click Next (random) autoplay will play in random order.<br><br><strong>Gondola suggestions, music sources, errors, other comments: </strong>[email protected]<br>[<a href="https://gondola.nabein.me/files/rss.xml">RSS Feed with latest 10 videos</a>]</h4><h4 class="center">There are <span class="rainbow-block">1726</span> Gondolas in this archive. <span class="rainbow-block">86.56%</span> of Gondolas have a source.</h4><table id="arc-list" class="flashListing sortable"><thead><tr><td class="postblock">Gondola Name</td><td class="postblock">Source</td><td class="postblock">Views</td><td class="postblock">Date Added</td><td class="postblock">Ago</td></tr></thead><tbody><tr><td><a href="KuariGondo.mp4">KuariGondo.mp4</a></td><td>Austin Farwell - Magic Moments
</td><td>78</td><td>Thursday, December 14, 2023 18:36:07</td><td>1 week ago</td></tr><tr><td><a href="GondolaCityNight.webm">GondolaCityNight.webm</a></td><td>Konami Kukeiha Club - MISSION 307
</td><td>81</td><td>Friday, December 01, 2023 18:38:03</td><td>3 weeks ago</td></tr><tr><td><a href="SpiritedAwayTrainSceneGondola.mp4">SpiritedAwayTrainSceneGondola.mp4</a></td><td>Joe Hisaishi - The Sixth Station
</td><td>167</td><td>Wednesday, November 15, 2023 15:06:38</td><td>1 month ago</td></tr><tr><td><a href="TotoroAndGondolaInTree.mp4">TotoroAndGondolaInTree.mp4</a></td><td></td><td>91</td><td>Tuesday, November 14, 2023 19:16:49</td><td>1 month ago</td></tr><tr><td><a href="OneMoreGondolaTillSleep.webm">OneMoreGondolaTillSleep.webm</a></td><td></td><td>131</td><td>Sunday, October 29, 2023 23:17:45</td><td>1 month ago</td></tr><tr><td><a href="GondolaHarmony.webm">GondolaHarmony.webm</a></td><td>Trevor Kowalski - Late Nights in Harmony
</td><td>101</td><td>Thursday, October 26, 2023 17:27:07</td><td>2 months ago</td></tr><tr><td><a href="GondolaHOTRS.webm">GondolaHOTRS.webm</a></td><td>https://www.youtube.com/watch?v=KBeTtawWClE (House Of The Rising Sun -- piano cover)
</td><td>90</td><td>Monday, October 23, 2023 06:28:59</td><td>2 months ago</td></tr><tr><td><a href="TrappedGondola.webm">TrappedGondola.webm</a></td><td>Tieff - Sense of Nostalgia
</td><td>77</td><td>Sunday, October 22, 2023 20:07:28</td><td>2 months ago</td></tr><tr><td><a href="GondolaCafe.webm">GondolaCafe.webm</a></td><td>Euro Koivistoinen - For Children I
</td><td>140</td><td>Saturday, September 30, 2023 13:47:21</td><td>2 months ago</td></tr><tr><td><a href="GondolaParisianStreetScene3.webm">GondolaParisianStreetScene3.webm</a></td><td>HOYO-MiX - Poesy of Chrysolite
</td><td>76</td><td>Monday, September 25, 2023 04:55:46</td><td>3 months ago</td></tr><tr><td><a href="GondolaPowerlineWorker.webm">GondolaPowerlineWorker.webm</a></td><td></td><td>76</td><td>Sunday, September 24, 2023 19:45:21</td><td>3 months ago</td></tr><tr><td><a href="GondolaAndAWoman.webm">GondolaAndAWoman.webm</a></td><td>Berlin Philharmonic & Herbert von Karajan - Adagietto (Sehr langsam) from Symphony No. 5 in C-Sharp Minor
</td><td>225</td><td>Saturday, September 23, 2023 16:32:14</td><td>3 months ago</td></tr><tr><td><a href="GondolaWorksHarder.mp4">GondolaWorksHarder.mp4</a></td><td>Widdly 2 Diddly & Marina Hova - Work Harder (LISA OST)
</td><td>385</td><td>Thursday, August 31, 2023 13:55:30</td><td>3 months ago</td></tr><tr><td><a href="GondolaThroneFall.mp4">GondolaThroneFall.mp4</a></td><td>Thronefall - A New Reign
</td><td>294</td><td>Sunday, August 27, 2023 15:58:51</td><td>3 months ago</td></tr><tr><td><a href="GondolaInBusytown.webm">GondolaInBusytown.webm</a></td><td>Richard Scarry's Busytown (Genesis) - Title Theme
</td><td>348</td><td>Tuesday, August 01, 2023 14:41:58</td><td>4 months ago</td></tr><tr><td><a href="RilakkumaAndKaoruAndGondola.webm">RilakkumaAndKaoruAndGondola.webm</a></td><td>Shigeru Kishida - 静かな日常 (Rilakkuma and Kaoru OST)
</td><td>315</td><td>Wednesday, July 26, 2023 18:49:22</td><td>5 months ago</td></tr><tr><td><a href="WishSheWereHereGondola.webm">WishSheWereHereGondola.webm</a></td><td>Club intl. - Hazel Eyes (Feat. Logan Avidan)
</td><td>206</td><td>Wednesday, July 26, 2023 18:09:23</td><td>5 months ago</td></tr><tr><td><a href="ShimmeringSkies.webm">ShimmeringSkies.webm</a></td><td></td><td>182</td><td>Wednesday, July 26, 2023 04:04:03</td><td>5 months ago</td></tr><tr><td><a href="MoonGondo.webm">MoonGondo.webm</a></td><td>HOYO-MiX - Hanachirusato
</td><td>182</td><td>Monday, July 17, 2023 08:57:57</td><td>5 months ago</td></tr><tr><td><a href="TajGondola.webm">TajGondola.webm</a></td><td>HOYO-MiX - For Riddles, for Wonders
</td><td>318</td><td>Wednesday, July 05, 2023 01:05:26</td><td>5 months ago</td></tr><tr><td><a href="Gondola26.webm">Gondola26.webm</a></td><td>Patrick Sainton - Open Duduk Wood
</td><td>265</td><td>Monday, June 26, 2023 19:39:33</td><td>6 months ago</td></tr><tr><td><a href="GondolaRei.webm">GondolaRei.webm</a></td><td>Shiro SAGISU - Rei I (Neon Genesis Evangelion OST)
</td><td>220</td><td>Friday, June 23, 2023 02:27:40</td><td>6 months ago</td></tr><tr><td><a href="Beachola.webm">Beachola.webm</a></td><td>The Ink Spots - It's All Over But The Crying
</td><td>242</td><td>Sunday, June 18, 2023 10:03:23</td><td>6 months ago</td></tr><tr><td><a href="MyMorningGondola.webm">MyMorningGondola.webm</a></td><td>My Morning Jacket - I Will Sing You Songs
</td><td>182</td><td>Saturday, June 17, 2023 23:19:14</td><td>6 months ago</td></tr><tr><td><a href="TowerOfGondola.webm">TowerOfGondola.webm</a></td><td>Kevin Penkin - The Burning House by the Lake
</td><td>192</td><td>Wednesday, June 14, 2023 10:20:36</td><td>6 months ago</td></tr><tr><td><a href="DS2Gondola.webm">DS2Gondola.webm</a></td><td>Dark Souls II OST - Like a Dream (Alex Roe)
</td><td>193</td><td>Friday, June 09, 2023 21:49:56</td><td>6 months ago</td></tr><tr><td><a href="IndoGondo2.webm">IndoGondo2.webm</a></td><td>HOYO-MiX - Fresh Breezes of Dawn
</td><td>167</td><td>Thursday, June 08, 2023 15:18:49</td><td>6 months ago</td></tr><tr><td><a href="GondolaOfficeWorker.webm">GondolaOfficeWorker.webm</a></td><td>Nouveau Life - Start Life
</td><td>177</td><td>Thursday, June 08, 2023 15:18:47</td><td>6 months ago</td></tr><tr><td><a href="GondolaMikuStage.webm">GondolaMikuStage.webm</a></td><td></td><td>175</td><td>Thursday, June 08, 2023 15:18:45</td><td>6 months ago</td></tr><tr><td><a href="Wonder.webm">Wonder.webm</a></td><td></td><td>357</td><td>Saturday, April 22, 2023 13:39:14</td><td>8 months ago</td></tr><tr><td><a href="ForlornCrags.webm">ForlornCrags.webm</a></td><td>Laudibus & Mike Brewer - The Seagull (a choral tone-poem)
</td><td>270</td><td>Saturday, April 22, 2023 13:36:22</td><td>8 months ago</td></tr><tr><td><a href="StardewValley.mp4">StardewValley.mp4</a></td><td>Stardew Valley OST - Winter (The Wind Can Be Still)
</td><td>525</td><td>Saturday, April 22, 2023 13:33:29</td><td>8 months ago</td></tr><tr><td><a href="DeusWhereNothingIsImpossible.webm">DeusWhereNothingIsImpossible.webm</a></td><td></td><td>462</td><td>Sunday, February 26, 2023 10:15:33</td><td>9 months ago</td></tr><tr><td><a href="GondolaChill2.webm">GondolaChill2.webm</a></td><td>The Conversation (1974) OST - Amy's Theme
</td><td>357</td><td>Sunday, February 26, 2023 10:14:19</td><td>9 months ago</td></tr><tr><td><a href="AdventGondola.webm">AdventGondola.webm</a></td><td>Yoko Kanno - The First Advent - Kami No Azakeri
</td><td>270</td><td>Sunday, February 26, 2023 10:12:01</td><td>9 months ago</td></tr><tr><td><a href="FallenGondola.webm">FallenGondola.webm</a></td><td>Mitsunori Ikeda - Fallen Angel feat. Aimee B
</td><td>286</td><td>Sunday, February 26, 2023 10:11:28</td><td>9 months ago</td></tr><tr><td><a href="SmilinLikeGond.webm">SmilinLikeGond.webm</a></td><td>A-Wall - Loverboy
</td><td>246</td><td>Sunday, February 26, 2023 10:11:08</td><td>9 months ago</td></tr><tr><td><a href="MountainPeak.webm">MountainPeak.webm</a></td><td></td><td>248</td><td>Sunday, February 26, 2023 10:08:37</td><td>9 months ago</td></tr><tr><td><a href="IsItAMirageGondola.webm">IsItAMirageGondola.webm</a></td><td></td><td>264</td><td>Sunday, February 26, 2023 10:08:14</td><td>9 months ago</td></tr><tr><td><a href="GondolaDivesIn.webm">GondolaDivesIn.webm</a></td><td></td><td>214</td><td>Sunday, February 26, 2023 10:07:37</td><td>9 months ago</td></tr><tr><td><a href="SnowVillage.webm">SnowVillage.webm</a></td><td>First Astronomical Velocity - PHOTO SESSION : 喫茶店
</td><td>283</td><td>Sunday, February 26, 2023 10:06:23</td><td>9 months ago</td></tr><tr><td><a href="ForestBeach.webm">ForestBeach.webm</a></td><td></td><td>259</td><td>Sunday, February 26, 2023 10:05:50</td><td>9 months ago</td></tr><tr><td><a href="Sunset.webm">Sunset.webm</a></td><td>Kill Bill OST | Gheorge Zamfir - The Lonely Shepherd
</td><td>294</td><td>Sunday, February 26, 2023 10:05:17</td><td>9 months ago</td></tr><tr><td><a href="Tribute2.webm">Tribute2.webm</a></td><td></td><td>226</td><td>Sunday, February 26, 2023 10:04:55</td><td>9 months ago</td></tr><tr><td><a href="MountainDew.webm">MountainDew.webm</a></td><td>The Clancy Brothers & Tommy Makem - Mountain Dew
</td><td>236</td><td>Sunday, February 26, 2023 10:04:01</td><td>9 months ago</td></tr><tr><td><a href="GondInBalloon.webm">GondInBalloon.webm</a></td><td>Der Tölzer Knabenchor - Musica Poetica I: Gassenhauer
</td><td>222</td><td>Sunday, February 26, 2023 10:03:18</td><td>9 months ago</td></tr><tr><td><a href="GaZairGondola.mp4">GaZairGondola.mp4</a></td><td>Kikiyama - The Snowy World
</td><td>723</td><td>Sunday, February 26, 2023 09:54:23</td><td>9 months ago</td></tr><tr><td><a href="HangerGondola.mp4">HangerGondola.mp4</a></td><td>Kikiyama - The Shanty Village
</td><td>591</td><td>Sunday, February 26, 2023 09:54:16</td><td>9 months ago</td></tr><tr><td><a href="GondolaGreatSun.mp4">GondolaGreatSun.mp4</a></td><td>PilotedRedSun - Grinch's Ultimatum OST
</td><td>621</td><td>Sunday, February 26, 2023 09:51:35</td><td>9 months ago</td></tr><tr><td><a href="GondolaOfWar.mp4">GondolaOfWar.mp4</a></td><td>Buffalo Springfield - For What It's Worth
</td><td>615</td><td>Sunday, February 26, 2023 09:49:21</td><td>9 months ago</td></tr><tr><td><a href="WowAndFecline.webm">WowAndFecline.webm</a></td><td>Peremotka - Здравствуй
</td><td>205</td><td>Sunday, February 26, 2023 09:25:07</td><td>9 months ago</td></tr><tr><td><a href="GondolaScreenTestJp.webm">GondolaScreenTestJp.webm</a></td><td>Russell Shaw - Temple of Light
</td><td>177</td><td>Sunday, February 26, 2023 09:25:04</td><td>9 months ago</td></tr><tr><td><a href="TheGondolaOfChristmas.webm">TheGondolaOfChristmas.webm</a></td><td></td><td>245</td><td>Sunday, February 26, 2023 09:25:01</td><td>9 months ago</td></tr><tr><td><a href="Party.webm">Party.webm</a></td><td>Tram - Nothing Left to Say
</td><td>289</td><td>Sunday, February 26, 2023 09:24:44</td><td>9 months ago</td></tr><tr><td><a href="Maailma.webm">Maailma.webm</a></td><td>Irwin Goodman - Maailma On Kaunis
</td><td>198</td><td>Sunday, February 26, 2023 09:24:16</td><td>9 months ago</td></tr><tr><td><a href="GondolaRain.webm">GondolaRain.webm</a></td><td>The End Of The Ocean - we always think there is going to be more time...
</td><td>232</td><td>Sunday, February 26, 2023 09:20:34</td><td>9 months ago</td></tr><tr><td><a href="GondolaAncientRace.webm">GondolaAncientRace.webm</a></td><td></td><td>264</td><td>Sunday, February 26, 2023 09:20:13</td><td>9 months ago</td></tr><tr><td><a href="BuryFriends.webm">BuryFriends.webm</a></td><td>Pilotredsun - Bund6
</td><td>235</td><td>Sunday, February 26, 2023 09:19:41</td><td>9 months ago</td></tr><tr><td><a href="FamilyGuy.webm">FamilyGuy.webm</a></td><td></td><td>206</td><td>Sunday, February 26, 2023 09:05:33</td><td>9 months ago</td></tr><tr><td><a href="Futurama.webm">Futurama.webm</a></td><td></td><td>325</td><td>Sunday, February 26, 2023 09:05:28</td><td>9 months ago</td></tr><tr><td><a href="CivilWarGondola.webm">CivilWarGondola.webm</a></td><td>Ashokan Farewell
</td><td>187</td><td>Sunday, February 26, 2023 08:48:04</td><td>9 months ago</td></tr><tr><td><a href="TkmizTrainGondola.webm">TkmizTrainGondola.webm</a></td><td>Girls Last Tour OST - Seijaku no Tabiji
</td><td>213</td><td>Sunday, February 26, 2023 08:48:03</td><td>9 months ago</td></tr><tr><td><a href="TheFantasticAdventuresOfGondolaII.mp4">TheFantasticAdventuresOfGondolaII.mp4</a></td><td></td><td>1024</td><td>Sunday, December 18, 2022 00:04:02</td><td>1 year ago</td></tr><tr><td><a href="BrokenGraveyardGondola.mp4">BrokenGraveyardGondola.mp4</a></td><td></td><td>1327</td><td>Wednesday, October 05, 2022 07:18:25</td><td>1 year ago</td></tr><tr><td><a href="GondolaHomeward.webm">GondolaHomeward.webm</a></td><td>Wo Qui Non Coin
</td><td>527</td><td>Monday, October 03, 2022 16:24:29</td><td>1 year ago</td></tr><tr><td><a href="ArdSkellig.webm">ArdSkellig.webm</a></td><td>The Witcher 3: Wild Hunt OST - The Fields of Ard Skellig
</td><td>470</td><td>Monday, October 03, 2022 16:24:18</td><td>1 year ago</td></tr><tr><td><a href="GondolaUnrealSuperHero3.webm">GondolaUnrealSuperHero3.webm</a></td><td>Rez and Kenet - Unreeeal superhero 3
</td><td>385</td><td>Monday, October 03, 2022 16:23:09</td><td>1 year ago</td></tr><tr><td><a href="GondolaWindowRain.webm">GondolaWindowRain.webm</a></td><td></td><td>450</td><td>Monday, October 03, 2022 16:21:54</td><td>1 year ago</td></tr><tr><td><a href="CottageNightGondola.webm">CottageNightGondola.webm</a></td><td></td><td>410</td><td>Monday, October 03, 2022 16:20:59</td><td>1 year ago</td></tr><tr><td><a href="AvatarGondola.webm">AvatarGondola.webm</a></td><td></td><td>390</td><td>Monday, October 03, 2022 16:20:20</td><td>1 year ago</td></tr><tr><td><a href="GondolaAriaLadyfingers.webm">GondolaAriaLadyfingers.webm</a></td><td></td><td>477</td><td>Monday, October 03, 2022 16:20:09</td><td>1 year ago</td></tr><tr><td><a href="Gondola2007.webm">Gondola2007.webm</a></td><td>009 Sound System - Trinity
</td><td>481</td><td>Monday, October 03, 2022 16:17:50</td><td>1 year ago</td></tr><tr><td><a href="GondolaSalta.webm">GondolaSalta.webm</a></td><td>Ricardo Vilca Y Sus Amigos - Carnaval. Misterio Y Fuga
</td><td>337</td><td>Monday, October 03, 2022 16:16:38</td><td>1 year ago</td></tr><tr><td><a href="GondolaSotn.webm">GondolaSotn.webm</a></td><td></td><td>326</td><td>Monday, October 03, 2022 16:16:18</td><td>1 year ago</td></tr><tr><td><a href="GondolaUnleashed.webm">GondolaUnleashed.webm</a></td><td>Morphadron - Dr. Know (Need For Speed Porsche: Unleashed OST)
</td><td>353</td><td>Monday, October 03, 2022 16:15:50</td><td>1 year ago</td></tr><tr><td><a href="MotelTvGondola.webm">MotelTvGondola.webm</a></td><td></td><td>354</td><td>Monday, October 03, 2022 16:15:31</td><td>1 year ago</td></tr><tr><td><a href="Gondolious.webm">Gondolious.webm</a></td><td></td><td>351</td><td>Monday, October 03, 2022 16:14:41</td><td>1 year ago</td></tr><tr><td><a href="ReflectiveGondola.webm">ReflectiveGondola.webm</a></td><td></td><td>323</td><td>Monday, October 03, 2022 16:13:30</td><td>1 year ago</td></tr><tr><td><a href="ByTheWater.webm">ByTheWater.webm</a></td><td></td><td>349</td><td>Monday, October 03, 2022 16:12:58</td><td>1 year ago</td></tr><tr><td><a href="BeyondTheSea.webm">BeyondTheSea.webm</a></td><td>Akura Fukakusa - Beyond the Sea
</td><td>490</td><td>Wednesday, September 14, 2022 09:09:54</td><td>1 year ago</td></tr><tr><td><a href="StargazingGondola.webm">StargazingGondola.webm</a></td><td>Peter Davidson - Winds of Space
</td><td>416</td><td>Wednesday, September 14, 2022 09:06:18</td><td>1 year ago</td></tr><tr><td><a href="GondolaBigHall.webm">GondolaBigHall.webm</a></td><td></td><td>418</td><td>Wednesday, September 14, 2022 09:06:15</td><td>1 year ago</td></tr><tr><td><a href="GondolaDagostino.mp4">GondolaDagostino.mp4</a></td><td>Gigi D'Agostino - I'll Fly With You
</td><td>1007</td><td>Wednesday, August 31, 2022 09:04:05</td><td>1 year ago</td></tr><tr><td><a href="2001ASpaceGondola.webm">2001ASpaceGondola.webm</a></td><td>Requiem for Soprano, Mezzo Soprano, Two Mixed Choirs & Orchestra (2001: A Space Odyssey Soundtrack)
</td><td>1492</td><td>Friday, February 04, 2022 20:59:50</td><td>1 year ago</td></tr><tr><td><a href="FieldGondola.webm">FieldGondola.webm</a></td><td></td><td>853</td><td>Friday, February 04, 2022 20:58:27</td><td>1 year ago</td></tr><tr><td><a href="GlennGondola.mp4">GlennGondola.mp4</a></td><td>Glenn Gould - Goldberg Variations, BWV 988: Aria
</td><td>1913</td><td>Friday, February 04, 2022 20:57:16</td><td>1 year ago</td></tr><tr><td><a href="AOTOtherSide.mp4">AOTOtherSide.mp4</a></td><td>Attack on Titan OST - The Other Side of the Sea
</td><td>1956</td><td>Friday, February 04, 2022 20:56:03</td><td>1 year ago</td></tr><tr><td><a href="GondolasCastleTown.webm">GondolasCastleTown.webm</a></td><td>Deltarune Chapter 2 OST - My Castle Town
</td><td>672</td><td>Friday, February 04, 2022 20:52:16</td><td>1 year ago</td></tr><tr><td><a href="GondolaAndASquadOfMarines.webm">GondolaAndASquadOfMarines.webm</a></td><td>Curtis Schweitzer - Zeta Halo
</td><td>632</td><td>Friday, February 04, 2022 20:49:51</td><td>1 year ago</td></tr><tr><td><a href="GsBach.mp4">GsBach.mp4</a></td><td>Bach - Prelude in C Major
</td><td>2302</td><td>Wednesday, August 04, 2021 08:51:31</td><td>2 years ago</td></tr><tr><td><a href="GondolaJimmy8Bit.mp4">GondolaJimmy8Bit.mp4</a></td><td>Hotline Miami 2 OST - Untitled
</td><td>2210</td><td>Sunday, July 04, 2021 06:10:20</td><td>2 years ago</td></tr><tr><td><a href="Gondola2205.mp4">Gondola2205.mp4</a></td><td>Elton Britt - Uranium Fever
</td><td>2124</td><td>Thursday, July 01, 2021 21:31:14</td><td>2 years ago</td></tr><tr><td><a href="GondolaSpaceSmol.webm">GondolaSpaceSmol.webm</a></td><td>Mario Paint OST - BGM 3
</td><td>946</td><td>Thursday, July 01, 2021 21:28:36</td><td>2 years ago</td></tr><tr><td><a href="GondolaCnc.webm">GondolaCnc.webm</a></td><td>Command & Conquer: Red Alert - The Aftermath OST - Floating
</td><td>901</td><td>Thursday, July 01, 2021 21:26:34</td><td>2 years ago</td></tr><tr><td><a href="Hardspace.mp4">Hardspace.mp4</a></td><td>Hardspace: Shipbreacker OST - Holding On
</td><td>2082</td><td>Thursday, July 01, 2021 21:23:47</td><td>2 years ago</td></tr><tr><td><a href="GondolaInTheWoods.mp4">GondolaInTheWoods.mp4</a></td><td>Princess Mononoke OST - The Journey to the West
</td><td>2231</td><td>Thursday, April 22, 2021 00:01:18</td><td>2 years ago</td></tr><tr><td><a href="GondolaCrosswalk.webm">GondolaCrosswalk.webm</a></td><td>Isekai Shokudou OST - Main Theme
</td><td>859</td><td>Wednesday, April 14, 2021 06:07:30</td><td>2 years ago</td></tr><tr><td><a href="Gondola24.webm">Gondola24.webm</a></td><td>Emancipator - Alligator
</td><td>1505</td><td>Thursday, November 26, 2020 00:52:00</td><td>3 years ago</td></tr><tr><td><a href="GondolaTaipeiNightMarket.webm">GondolaTaipeiNightMarket.webm</a></td><td>Joanna Wang - Mei Gui, Mei Gui, Wo Ai Ni (Rose, Rose, I Love You)
</td><td>1136</td><td>Friday, November 20, 2020 10:47:16</td><td>3 years ago</td></tr><tr><td><a href="WhenGondolaWasThere.webm">WhenGondolaWasThere.webm</a></td><td>Priscilla Ahn - Fine on the Outside
</td><td>1157</td><td>Thursday, November 19, 2020 05:14:40</td><td>3 years ago</td></tr><tr><td><a href="GondolaCapeCod.webm">GondolaCapeCod.webm</a></td><td>Puppini Sisters - Old Cape Cod
</td><td>1043</td><td>Wednesday, November 18, 2020 06:12:02</td><td>3 years ago</td></tr><tr><td><a href="GondolaSpringMelancholy.webm">GondolaSpringMelancholy.webm</a></td><td>Frank Sinatra - Spring is Here
</td><td>1051</td><td>Wednesday, November 18, 2020 06:11:54</td><td>3 years ago</td></tr><tr><td><a href="SeeYouSpaceGondola.webm">SeeYouSpaceGondola.webm</a></td><td>Cowboy Bebop OST 3 Blue - Road to the West
</td><td>1228</td><td>Wednesday, November 18, 2020 06:04:34</td><td>3 years ago</td></tr><tr><td><a href="GondolaSlavRunner.webm">GondolaSlavRunner.webm</a></td><td>Voskresnaya Plocshadka (Воскресная площадка) - Вступление
</td><td>1064</td><td>Wednesday, November 18, 2020 05:59:14</td><td>3 years ago</td></tr><tr><td><a href="GondolaLagoon.webm">GondolaLagoon.webm</a></td><td>Doris Day - Sleepy Lagoon
</td><td>1014</td><td>Wednesday, November 18, 2020 05:55:28</td><td>3 years ago</td></tr><tr><td><a href="GondolaQuietNight.webm">GondolaQuietNight.webm</a></td><td>Astrud Gilberto - Corcovado
</td><td>1049</td><td>Wednesday, November 18, 2020 05:48:04</td><td>3 years ago</td></tr><tr><td><a href="GondolaHongKong.webm">GondolaHongKong.webm</a></td><td>Chungking Express - Rain, Tear, and Sweat
</td><td>1028</td><td>Wednesday, November 18, 2020 05:41:48</td><td>3 years ago</td></tr><tr><td><a href="GondolaYuYuHakusho.webm">GondolaYuYuHakusho.webm</a></td><td>Matsuko Mawatari - Homework Ga Owaranai
</td><td>971</td><td>Wednesday, November 18, 2020 05:41:22</td><td>3 years ago</td></tr><tr><td><a href="GondolaMillenniumActress.webm">GondolaMillenniumActress.webm</a></td><td>Susumu Hirasawa - Rotation (LOTUS-2)
</td><td>960</td><td>Wednesday, November 18, 2020 05:36:12</td><td>3 years ago</td></tr><tr><td><a href="GondolaPenthouse.webm">GondolaPenthouse.webm</a></td><td>Keepsake - Penthouse Serenade
</td><td>936</td><td>Wednesday, November 18, 2020 05:34:50</td><td>3 years ago</td></tr><tr><td><a href="GondolaVenice.webm">GondolaVenice.webm</a></td><td>Mendelssohn Gondola Song in F sharp minor, op. 30 no. 6
</td><td>968</td><td>Wednesday, November 18, 2020 05:32:54</td><td>3 years ago</td></tr><tr><td><a href="GondolaSaloon.webm">GondolaSaloon.webm</a></td><td>Kay Starr - After You're Gone
</td><td>913</td><td>Wednesday, November 18, 2020 05:30:50</td><td>3 years ago</td></tr><tr><td><a href="GondolaCake.webm">GondolaCake.webm</a></td><td>Ready, Willing, & Mabel - What Are You Doing the Rest of Your Life?
</td><td>979</td><td>Wednesday, November 18, 2020 05:29:46</td><td>3 years ago</td></tr><tr><td><a href="GondolaParis.webm">GondolaParis.webm</a></td><td>Edith Piaf - Miss Otis Regrette
</td><td>952</td><td>Wednesday, November 18, 2020 05:29:24</td><td>3 years ago</td></tr><tr><td><a href="GondolaTurkey.webm">GondolaTurkey.webm</a></td><td>Adhan Call to Prayer in Istanbul
</td><td>960</td><td>Wednesday, November 18, 2020 05:23:22</td><td>3 years ago</td></tr><tr><td><a href="GondolaNoir.webm">GondolaNoir.webm</a></td><td>Hannah Gill - Somebody that I Used to Know (Postmodern Jukebox)
</td><td>1010</td><td>Wednesday, November 18, 2020 05:22:00</td><td>3 years ago</td></tr><tr><td><a href="GondolaStJames.webm">GondolaStJames.webm</a></td><td>Cab Calloway - St James Infirmary Blues
</td><td>926</td><td>Wednesday, November 18, 2020 05:18:42</td><td>3 years ago</td></tr><tr><td><a href="GondolaWild.webm">GondolaWild.webm</a></td><td>The Wild Bride - Into the Wild
</td><td>941</td><td>Wednesday, November 18, 2020 05:17:24</td><td>3 years ago</td></tr><tr><td><a href="GondolaChicagoNight.webm">GondolaChicagoNight.webm</a></td><td>Second Edition & Growing Girls Quartet - Misty
</td><td>952</td><td>Wednesday, November 18, 2020 05:16:04</td><td>3 years ago</td></tr><tr><td><a href="GondolaDobuitaChristmas.webm">GondolaDobuitaChristmas.webm</a></td><td>Shenmue OST - Christmas on Dobuita St.
</td><td>979</td><td>Wednesday, November 18, 2020 05:15:48</td><td>3 years ago</td></tr><tr><td><a href="GondolaMoroccan.webm">GondolaMoroccan.webm</a></td><td>The Seatbelts - Hamduche (Cowboy Bebop OST)
</td><td>890</td><td>Wednesday, November 18, 2020 05:10:36</td><td>3 years ago</td></tr><tr><td><a href="GondolaShenmue.webm">GondolaShenmue.webm</a></td><td>Shenmue OST - Cherry Blossom Wind Dance
</td><td>879</td><td>Wednesday, November 18, 2020 05:10:36</td><td>3 years ago</td></tr><tr><td><a href="GondolaGondola.webm">GondolaGondola.webm</a></td><td>Elephant Revival - Season's Song
</td><td>1056</td><td>Wednesday, November 18, 2020 05:08:26</td><td>3 years ago</td></tr><tr><td><a href="GondolaSeoulNight.webm">GondolaSeoulNight.webm</a></td><td>Lim Kim - Upgrader
</td><td>891</td><td>Wednesday, November 18, 2020 04:12:36</td><td>3 years ago</td></tr><tr><td><a href="GondolaKino.webm">GondolaKino.webm</a></td><td>KINO - Spokoynaya Noch
</td><td>1104</td><td>Monday, November 16, 2020 02:25:56</td><td>3 years ago</td></tr><tr><td><a href="GondolaCar3.webm">GondolaCar3.webm</a></td><td>The Antlers - Stairs To the Attic
</td><td>974</td><td>Saturday, October 10, 2020 13:18:57</td><td>3 years ago</td></tr><tr><td><a href="GondolaAscension.webm">GondolaAscension.webm</a></td><td>Tchaikovsky - Hymn of the Cherubim
</td><td>1339</td><td>Sunday, October 04, 2020 01:41:00</td><td>3 years ago</td></tr><tr><td><a href="GondolaDoobyDo.webm">GondolaDoobyDo.webm</a></td><td></td><td>1086</td><td>Thursday, September 17, 2020 23:15:31</td><td>3 years ago</td></tr><tr><td><a href="HealingGondola.webm">HealingGondola.webm</a></td><td>♥ GOJII ♥ - HEAL
</td><td>1329</td><td>Friday, September 04, 2020 17:40:25</td><td>3 years ago</td></tr><tr><td><a href="GondolaInTheFog.mp4">GondolaInTheFog.mp4</a></td><td></td><td>2240</td><td>Saturday, August 22, 2020 13:39:34</td><td>3 years ago</td></tr><tr><td><a href="GondolasGuitarTown.webm">GondolasGuitarTown.webm</a></td><td>Opeth - Benighted
</td><td>1184</td><td>Friday, August 21, 2020 11:59:03</td><td>3 years ago</td></tr><tr><td><a href="RainyWindowGondola.webm">RainyWindowGondola.webm</a></td><td></td><td>1104</td><td>Thursday, August 20, 2020 17:42:11</td><td>3 years ago</td></tr><tr><td><a href="BalladOfTheButterflyGondola.webm">BalladOfTheButterflyGondola.webm</a></td><td>Maddi - Come and Go (The Ballad of the Butterfly)
</td><td>1093</td><td>Thursday, August 20, 2020 17:33:30</td><td>3 years ago</td></tr><tr><td><a href="Chi59KACute.webm">Chi59KACute.webm</a></td><td></td><td>1024</td><td>Friday, August 14, 2020 14:01:18</td><td>3 years ago</td></tr><tr><td><a href="GondolasEnlightenedForest.webm">GondolasEnlightenedForest.webm</a></td><td>Skyrim OST - Tundra
</td><td>1173</td><td>Friday, August 14, 2020 13:58:40</td><td>3 years ago</td></tr><tr><td><a href="HeBeWalking.webm">HeBeWalking.webm</a></td><td>Penguin Cafe Orchestra - Perpetuum Mobile
</td><td>1045</td><td>Monday, August 10, 2020 12:35:44</td><td>3 years ago</td></tr><tr><td><a href="VincentStarryNight.webm">VincentStarryNight.webm</a></td><td>Don McLean - Vincent
</td><td>1065</td><td>Sunday, August 09, 2020 16:36:55</td><td>3 years ago</td></tr><tr><td><a href="GondolasObservatory.webm">GondolasObservatory.webm</a></td><td></td><td>997</td><td>Sunday, August 09, 2020 16:34:08</td><td>3 years ago</td></tr><tr><td><a href="GondolaCoverInTheNight.webm">GondolaCoverInTheNight.webm</a></td><td></td><td>1052</td><td>Sunday, August 09, 2020 16:33:48</td><td>3 years ago</td></tr><tr><td><a href="GondolaRopeSwing.webm">GondolaRopeSwing.webm</a></td><td>Boyscott - Blonde Blood
</td><td>923</td><td>Sunday, August 09, 2020 16:31:53</td><td>3 years ago</td></tr><tr><td><a href="BrotherBear.webm">BrotherBear.webm</a></td><td>Brother Bear OST - Transformation
</td><td>1048</td><td>Sunday, August 09, 2020 16:29:41</td><td>3 years ago</td></tr><tr><td><a href="Waitdola.webm">Waitdola.webm</a></td><td>Connie Francis - I Will Wait For You
</td><td>1002</td><td>Sunday, August 09, 2020 16:29:27</td><td>3 years ago</td></tr><tr><td><a href="GondolaFamilia.webm">GondolaFamilia.webm</a></td><td>Animal Crossing OST - <unknown which specifically>
</td><td>976</td><td>Sunday, August 09, 2020 16:28:24</td><td>3 years ago</td></tr><tr><td><a href="Rivendell.webm">Rivendell.webm</a></td><td></td><td>983</td><td>Sunday, August 09, 2020 16:26:46</td><td>3 years ago</td></tr><tr><td><a href="TheAmazingWay.webm">TheAmazingWay.webm</a></td><td></td><td>967</td><td>Sunday, August 09, 2020 16:26:31</td><td>3 years ago</td></tr><tr><td><a href="Panacea.webm">Panacea.webm</a></td><td>Hyper Light Drifter OST | Disasterpeace - Vignette : Panacea
</td><td>962</td><td>Sunday, August 09, 2020 16:26:04</td><td>3 years ago</td></tr><tr><td><a href="7Pm.webm">7Pm.webm</a></td><td>Animal Crossing New Leaf OST - 7PM
</td><td>1146</td><td>Sunday, August 09, 2020 16:25:49</td><td>3 years ago</td></tr><tr><td><a href="GondolaInuyasha.webm">GondolaInuyasha.webm</a></td><td>Do As Infinity - Fukai Mori
</td><td>953</td><td>Sunday, August 09, 2020 16:24:43</td><td>3 years ago</td></tr><tr><td><a href="BrokenSoul.webm">BrokenSoul.webm</a></td><td>Low Roar - Give Up
</td><td>1068</td><td>Sunday, August 09, 2020 16:23:31</td><td>3 years ago</td></tr><tr><td><a href="GondolaInTheJungle.webm">GondolaInTheJungle.webm</a></td><td></td><td>1037</td><td>Sunday, August 09, 2020 16:23:11</td><td>3 years ago</td></tr><tr><td><a href="GondolaOnRoof.webm">GondolaOnRoof.webm</a></td><td>Christopher Tin - Dao Zai Fan Ye
</td><td>1015</td><td>Sunday, August 09, 2020 16:22:56</td><td>3 years ago</td></tr><tr><td><a href="GondolaAtWar2.webm">GondolaAtWar2.webm</a></td><td></td><td>1148</td><td>Sunday, August 09, 2020 16:21:39</td><td>3 years ago</td></tr><tr><td><a href="ButterflyLovers.webm">ButterflyLovers.webm</a></td><td></td><td>1037</td><td>Sunday, August 09, 2020 16:20:32</td><td>3 years ago</td></tr><tr><td><a href="GondolaAtBonneville.webm">GondolaAtBonneville.webm</a></td><td>Woody Guthrie - Roll on Columbia
</td><td>1029</td><td>Sunday, August 09, 2020 16:18:16</td><td>3 years ago</td></tr><tr><td><a href="LifeAndTimesOfGondola.webm">LifeAndTimesOfGondola.webm</a></td><td>Tuomas Holopainen - A Lifetime of Adventure
</td><td>1010</td><td>Tuesday, August 04, 2020 21:07:42</td><td>3 years ago</td></tr><tr><td><a href="GetUpOffaThatThing.webm">GetUpOffaThatThing.webm</a></td><td>James Brown - Get Up Offa That Thing
</td><td>1224</td><td>Tuesday, August 04, 2020 16:11:10</td><td>3 years ago</td></tr><tr><td><a href="Scape.webm">Scape.webm</a></td><td>stackz989 - I'm Feeling Lovely (Extended)
</td><td>1045</td><td>Tuesday, August 04, 2020 16:10:21</td><td>3 years ago</td></tr><tr><td><a href="GondolaTall.webm">GondolaTall.webm</a></td><td></td><td>990</td><td>Tuesday, August 04, 2020 16:09:09</td><td>3 years ago</td></tr><tr><td><a href="PlaneGondola.webm">PlaneGondola.webm</a></td><td>Yoko Shimomura - Dearly Beloved
</td><td>954</td><td>Tuesday, August 04, 2020 16:05:59</td><td>3 years ago</td></tr><tr><td><a href="GondolaGroovinBackAlley.webm">GondolaGroovinBackAlley.webm</a></td><td>ONE III NOTES - Shadow and Truth
</td><td>991</td><td>Tuesday, August 04, 2020 15:54:58</td><td>3 years ago</td></tr><tr><td><a href="GondolaDonerKebab.webm">GondolaDonerKebab.webm</a></td><td>Faye Wong - Dream Lover
</td><td>1048</td><td>Tuesday, August 04, 2020 15:54:41</td><td>3 years ago</td></tr><tr><td><a href="SnowCastle.webm">SnowCastle.webm</a></td><td>Fable OST - Temple Of Light
</td><td>1066</td><td>Tuesday, August 04, 2020 15:53:14</td><td>3 years ago</td></tr><tr><td><a href="GondolaTransposingIdeas.webm">GondolaTransposingIdeas.webm</a></td><td>Hot Sugar - "...And The Walls Came Tumbling Down"
</td><td>970</td><td>Tuesday, August 04, 2020 15:52:00</td><td>3 years ago</td></tr><tr><td><a href="GondolaCicadaJapaneseSummer.webm">GondolaCicadaJapaneseSummer.webm</a></td><td></td><td>1005</td><td>Tuesday, August 04, 2020 15:48:48</td><td>3 years ago</td></tr><tr><td><a href="GondolaSittingOutside.webm">GondolaSittingOutside.webm</a></td><td>Laurindo Almeida - The Lamp Is Low
</td><td>1059</td><td>Tuesday, August 04, 2020 15:18:44</td><td>3 years ago</td></tr><tr><td><a href="ElgGondola.webm">ElgGondola.webm</a></td><td>Between August and December - Lightless
</td><td>1063</td><td>Tuesday, August 04, 2020 15:05:08</td><td>3 years ago</td></tr><tr><td><a href="GondolaGundam.webm">GondolaGundam.webm</a></td><td>Gabriela Robin - "Moon"
</td><td>1428</td><td>Wednesday, May 27, 2020 08:22:12</td><td>3 years ago</td></tr><tr><td><a href="EndOfTimeGondola.webm">EndOfTimeGondola.webm</a></td><td>The Brothers Four - Greenfields
</td><td>1615</td><td>Saturday, April 04, 2020 08:14:21</td><td>3 years ago</td></tr><tr><td><a href="Greece1821Gondola.webm">Greece1821Gondola.webm</a></td><td>Stelios Kazantzidis - Sarada Pallikaria (Sirto)
</td><td>1317</td><td>Saturday, April 04, 2020 08:09:46</td><td>3 years ago</td></tr><tr><td><a href="GondolaRockies.webm">GondolaRockies.webm</a></td><td>John Williams - Cavatina
</td><td>1367</td><td>Thursday, April 02, 2020 02:35:17</td><td>3 years ago</td></tr><tr><td><a href="GondolaBusStopWaiting.webm">GondolaBusStopWaiting.webm</a></td><td>Binding of Isaac OST - Greed
</td><td>1281</td><td>Thursday, April 02, 2020 02:26:47</td><td>3 years ago</td></tr><tr><td><a href="GondolaThinkingOfGf.webm">GondolaThinkingOfGf.webm</a></td><td>DCX - Flying High
</td><td>1240</td><td>Thursday, April 02, 2020 02:26:27</td><td>3 years ago</td></tr><tr><td><a href="GondolaCafeOrchestra.webm">GondolaCafeOrchestra.webm</a></td><td>Penguin Cafe Orchestra - Perpetuum Mobile
</td><td>1281</td><td>Thursday, April 02, 2020 02:26:06</td><td>3 years ago</td></tr><tr><td><a href="GondolaBeachSun.webm">GondolaBeachSun.webm</a></td><td></td><td>1417</td><td>Thursday, April 02, 2020 02:25:48</td><td>3 years ago</td></tr><tr><td><a href="GondolaVending.webm">GondolaVending.webm</a></td><td>That's Cool - Space Drift
</td><td>1284</td><td>Thursday, April 02, 2020 02:25:26</td><td>3 years ago</td></tr><tr><td><a href="OmoideGondola.webm">OmoideGondola.webm</a></td><td>Suzuki Tsuneyoshi - Memories
</td><td>1208</td><td>Thursday, April 02, 2020 02:25:22</td><td>3 years ago</td></tr><tr><td><a href="CafeGondolaWatery.webm">CafeGondolaWatery.webm</a></td><td>Cowboy Bebop OST 3 Blue - Wo Qui Non Coin
</td><td>1860</td><td>Thursday, April 02, 2020 02:24:59</td><td>3 years ago</td></tr><tr><td><a href="GondolaAtTheStation.webm">GondolaAtTheStation.webm</a></td><td></td><td>1413</td><td>Thursday, April 02, 2020 02:24:24</td><td>3 years ago</td></tr><tr><td><a href="OutOfBodyExgondola.webm">OutOfBodyExgondola.webm</a></td><td>The Future Sound Of London - It's My Mind That Works
</td><td>1395</td><td>Thursday, April 02, 2020 02:23:12</td><td>3 years ago</td></tr><tr><td><a href="GondolaJapanFuturistic.webm">GondolaJapanFuturistic.webm</a></td><td>Aneka - Japanese Boy
</td><td>1224</td><td>Thursday, April 02, 2020 02:22:17</td><td>3 years ago</td></tr><tr><td><a href="FlclGondola.webm">FlclGondola.webm</a></td><td>The Pillows | FLCL OST - One Life
</td><td>1330</td><td>Thursday, April 02, 2020 02:21:46</td><td>3 years ago</td></tr><tr><td><a href="GondolaPlanetsViolin.webm">GondolaPlanetsViolin.webm</a></td><td>Gustav Holst - Jupiter
</td><td>1218</td><td>Thursday, April 02, 2020 02:20:00</td><td>3 years ago</td></tr><tr><td><a href="GondolaCityLull.webm">GondolaCityLull.webm</a></td><td>e.sanchillo - Lull
</td><td>1236</td><td>Thursday, April 02, 2020 02:19:27</td><td>3 years ago</td></tr><tr><td><a href="TheGondolarian.webm">TheGondolarian.webm</a></td><td>Ludwig Goransson - The Mandalorian
</td><td>1202</td><td>Thursday, April 02, 2020 02:18:44</td><td>3 years ago</td></tr><tr><td><a href="EichiOhtaki.webm">EichiOhtaki.webm</a></td><td>Eiichi Ohtaki - Canary Islands
</td><td>1554</td><td>Thursday, April 02, 2020 02:18:25</td><td>3 years ago</td></tr><tr><td><a href="ConquistadorAndGondola.webm">ConquistadorAndGondola.webm</a></td><td>Vangelis - Conquest of Paradise
</td><td>1392</td><td>Thursday, April 02, 2020 02:17:58</td><td>3 years ago</td></tr><tr><td><a href="CaliforniaFeeling.webm">CaliforniaFeeling.webm</a></td><td>Beach Boys - California Feeling
</td><td>1316</td><td>Thursday, April 02, 2020 02:17:42</td><td>3 years ago</td></tr><tr><td><a href="GondolaHeyMoon.webm">GondolaHeyMoon.webm</a></td><td>John Maus - Hey Moon
</td><td>1294</td><td>Thursday, April 02, 2020 02:17:23</td><td>3 years ago</td></tr><tr><td><a href="GondolaFarm.webm">GondolaFarm.webm</a></td><td></td><td>1201</td><td>Thursday, April 02, 2020 02:15:25</td><td>3 years ago</td></tr><tr><td><a href="GondolaCool.webm">GondolaCool.webm</a></td><td>Earth - Coda Maestoso in F (Flat) Minor
</td><td>1420</td><td>Thursday, April 02, 2020 02:15:05</td><td>3 years ago</td></tr><tr><td><a href="EiffelTowerGondola.webm">EiffelTowerGondola.webm</a></td><td>Beautiful Mirage - The Vision Fades
</td><td>1287</td><td>Thursday, April 02, 2020 02:14:53</td><td>3 years ago</td></tr><tr><td><a href="KatanaKami.webm">KatanaKami.webm</a></td><td></td><td>1249</td><td>Thursday, April 02, 2020 02:14:39</td><td>3 years ago</td></tr><tr><td><a href="GondolaAtTheRoost.webm">GondolaAtTheRoost.webm</a></td><td>Animal Crossing OST - The Roost
</td><td>1445</td><td>Thursday, April 02, 2020 02:14:07</td><td>3 years ago</td></tr><tr><td><a href="StarryNightGondolaFire.webm">StarryNightGondolaFire.webm</a></td><td>COIL - The Legendary Theme (Acoustic) [Gitaroo Man]
</td><td>1366</td><td>Thursday, April 02, 2020 02:13:49</td><td>3 years ago</td></tr><tr><td><a href="WorldsAdriftGondola.webm">WorldsAdriftGondola.webm</a></td><td></td><td>2653</td><td>Saturday, February 15, 2020 12:28:15</td><td>3 years ago</td></tr><tr><td><a href="FrontPage.webm">FrontPage.webm</a></td><td></td><td>88991</td><td>Saturday, February 15, 2020 11:45:09</td><td>3 years ago</td></tr><tr><td><a href="BesideTheEdge.webm">BesideTheEdge.webm</a></td><td>Miracle Musical - Dream Sweet in Sea Major
</td><td>1495</td><td>Sunday, December 15, 2019 13:24:11</td><td>4 years ago</td></tr><tr><td><a href="GondolaTimeSweeper.webm">GondolaTimeSweeper.webm</a></td><td>Spirited Away OST - The Name of Life
</td><td>1507</td><td>Sunday, December 15, 2019 13:23:47</td><td>4 years ago</td></tr><tr><td><a href="GondolaWaterfall.webm">GondolaWaterfall.webm</a></td><td></td><td>1351</td><td>Sunday, December 15, 2019 13:22:48</td><td>4 years ago</td></tr><tr><td><a href="OurGondola.webm">OurGondola.webm</a></td><td></td><td>1292</td><td>Saturday, December 07, 2019 22:50:30</td><td>4 years ago</td></tr><tr><td><a href="OnePunchGondola.webm">OnePunchGondola.webm</a></td><td>One Punch Man OST - OP 1
</td><td>1291</td><td>Saturday, December 07, 2019 22:49:24</td><td>4 years ago</td></tr><tr><td><a href="GamerGondola.mp4">GamerGondola.mp4</a></td><td>glxy - 3 am
</td><td>2858</td><td>Saturday, December 07, 2019 20:52:38</td><td>4 years ago</td></tr><tr><td><a href="ImprisonedGondola.mp4">ImprisonedGondola.mp4</a></td><td>Paddy Reilly - The Fields of Athenry (1991 Version)
</td><td>2439</td><td>Saturday, December 07, 2019 20:52:03</td><td>4 years ago</td></tr><tr><td><a href="XmasWalkingGondola.mp4">XmasWalkingGondola.mp4</a></td><td></td><td>2304</td><td>Saturday, December 07, 2019 20:49:44</td><td>4 years ago</td></tr><tr><td><a href="StrangeHutGondola.mp4">StrangeHutGondola.mp4</a></td><td>Earthbound OST - You've Come Far, Ness | Coffee Break
</td><td>2379</td><td>Saturday, December 07, 2019 20:49:02</td><td>4 years ago</td></tr><tr><td><a href="LonelyPubGondola.mp4">LonelyPubGondola.mp4</a></td><td>Molly Malone/Cockles and Mussels
</td><td>2420</td><td>Saturday, December 07, 2019 20:47:15</td><td>4 years ago</td></tr><tr><td><a href="CallingGondola.mp4">CallingGondola.mp4</a></td><td>Francisco Tárrega - Gran Vals
</td><td>2346</td><td>Saturday, December 07, 2019 20:46:14</td><td>4 years ago</td></tr><tr><td><a href="RipGondola.mp4">RipGondola.mp4</a></td><td>Swallow The Sun - The Heart of a Cold White Land
</td><td>2301</td><td>Saturday, December 07, 2019 20:45:42</td><td>4 years ago</td></tr><tr><td><a href="DesertTraveller.mp4">DesertTraveller.mp4</a></td><td>Dune (1984) OST - Main Title
</td><td>2392</td><td>Saturday, December 07, 2019 20:45:26</td><td>4 years ago</td></tr><tr><td><a href="GondoCruiserNevada.mp4">GondoCruiserNevada.mp4</a></td><td></td><td>2431</td><td>Saturday, December 07, 2019 20:44:19</td><td>4 years ago</td></tr><tr><td><a href="ChangeTheWorldFinal.mp4">ChangeTheWorldFinal.mp4</a></td><td></td><td>2373</td><td>Saturday, December 07, 2019 20:43:25</td><td>4 years ago</td></tr><tr><td><a href="PepeGondTaksi.mp4">PepeGondTaksi.mp4</a></td><td>Dubmood - Chiphop #3
</td><td>2243</td><td>Saturday, December 07, 2019 20:42:57</td><td>4 years ago</td></tr><tr><td><a href="GondolaSnowTram.mp4">GondolaSnowTram.mp4</a></td><td></td><td>2162</td><td>Saturday, December 07, 2019 20:39:28</td><td>4 years ago</td></tr><tr><td><a href="HilltopGondola.mp4">HilltopGondola.mp4</a></td><td>Chrono Cross OST - Dream of the Shore Near Another World
</td><td>2254</td><td>Saturday, December 07, 2019 20:32:53</td><td>4 years ago</td></tr><tr><td><a href="Spurdo.mp4">Spurdo.mp4</a></td><td></td><td>2253</td><td>Saturday, December 07, 2019 20:32:00</td><td>4 years ago</td></tr><tr><td><a href="MedievalSoldierGondola.mp4">MedievalSoldierGondola.mp4</a></td><td></td><td>2190</td><td>Saturday, December 07, 2019 20:23:41</td><td>4 years ago</td></tr><tr><td><a href="SupremelyCozyGondola.mp4">SupremelyCozyGondola.mp4</a></td><td>Alan Watts - Let It Happen By Itself
</td><td>2240</td><td>Saturday, December 07, 2019 20:20:17</td><td>4 years ago</td></tr><tr><td><a href="ProfessorGondola.mp4">ProfessorGondola.mp4</a></td><td>Professor Layton OST - Layton's Theme
</td><td>2137</td><td>Saturday, December 07, 2019 20:19:25</td><td>4 years ago</td></tr><tr><td><a href="RunescapeGondsFighting.mp4">RunescapeGondsFighting.mp4</a></td><td></td><td>2225</td><td>Saturday, December 07, 2019 20:17:22</td><td>4 years ago</td></tr><tr><td><a href="FallenDownGondola.mp4">FallenDownGondola.mp4</a></td><td>Undertale OST - Fallen Down
</td><td>2328</td><td>Saturday, December 07, 2019 20:17:01</td><td>4 years ago</td></tr><tr><td><a href="CityOfTearsGond.webm">CityOfTearsGond.webm</a></td><td>Hollow Knight OST - City of Tears Indoors
</td><td>1547</td><td>Saturday, December 07, 2019 05:17:12</td><td>4 years ago</td></tr><tr><td><a href="GondolaFez.webm">GondolaFez.webm</a></td><td>FEZ OST - Death
</td><td>1197</td><td>Saturday, December 07, 2019 02:19:49</td><td>4 years ago</td></tr><tr><td><a href="DetectiveGondola.mp4">DetectiveGondola.mp4</a></td><td>Christopher Gunning - The Belgian Detective
</td><td>2444</td><td>Monday, December 02, 2019 01:37:42</td><td>4 years ago</td></tr><tr><td><a href="GondolaEnterprise.mp4">GondolaEnterprise.mp4</a></td><td>Jerry Goldsmith - The Enterprise
</td><td>2323</td><td>Monday, December 02, 2019 01:37:42</td><td>4 years ago</td></tr><tr><td><a href="GondolasQuest.mp4">GondolasQuest.mp4</a></td><td></td><td>2262</td><td>Monday, December 02, 2019 01:37:42</td><td>4 years ago</td></tr><tr><td><a href="SpiritedAwayGondola.mp4">SpiritedAwayGondola.mp4</a></td><td></td><td>2289</td><td>Monday, December 02, 2019 01:37:42</td><td>4 years ago</td></tr><tr><td><a href="QuickArtGondola.mp4">QuickArtGondola.mp4</a></td><td>Dark Souls OST - Gwyn, Lord of Cinder
</td><td>2293</td><td>Monday, December 02, 2019 01:31:29</td><td>4 years ago</td></tr><tr><td><a href="KaffeeDD.mp4">KaffeeDD.mp4</a></td><td></td><td>2235</td><td>Monday, December 02, 2019 01:30:34</td><td>4 years ago</td></tr><tr><td><a href="ContainedGondola.mp4">ContainedGondola.mp4</a></td><td>Xenogears - One Who Bares Fangs at God
</td><td>2357</td><td>Monday, December 02, 2019 01:29:22</td><td>4 years ago</td></tr><tr><td><a href="EsBar.mp4">EsBar.mp4</a></td><td>Luiz Lins - A Música Mais Triste do Ano
</td><td>2391</td><td>Monday, December 02, 2019 01:21:54</td><td>4 years ago</td></tr><tr><td><a href="GondolasLostFriends.mp4">GondolasLostFriends.mp4</a></td><td></td><td>2262</td><td>Monday, December 02, 2019 01:21:54</td><td>4 years ago</td></tr><tr><td><a href="GondolaOnGameboy.webm">GondolaOnGameboy.webm</a></td><td>Super Mario World OST - Overworld Theme
</td><td>1302</td><td>Monday, December 02, 2019 01:21:52</td><td>4 years ago</td></tr><tr><td><a href="CozyGondola.webm">CozyGondola.webm</a></td><td></td><td>1308</td><td>Monday, December 02, 2019 01:21:31</td><td>4 years ago</td></tr><tr><td><a href="GondolasBoomerParents.webm">GondolasBoomerParents.webm</a></td><td>Joshua Radin - Winter
</td><td>1271</td><td>Saturday, November 16, 2019 11:53:12</td><td>4 years ago</td></tr><tr><td><a href="TechnoDanceGondola.webm">TechnoDanceGondola.webm</a></td><td>Andrew Bayer - Counting the Points
</td><td>1452</td><td>Thursday, October 24, 2019 07:08:03</td><td>4 years ago</td></tr><tr><td><a href="DungeonSynthGondola.webm">DungeonSynthGondola.webm</a></td><td>Old Sorcery - Sorcerer's Dream
</td><td>1454</td><td>Thursday, October 24, 2019 07:03:38</td><td>4 years ago</td></tr><tr><td><a href="GondolaCity3.webm">GondolaCity3.webm</a></td><td>Kaoru Akimoto - Dress Down
</td><td>1650</td><td>Thursday, October 24, 2019 07:03:15</td><td>4 years ago</td></tr><tr><td><a href="GondolaVideoGameRoom.webm">GondolaVideoGameRoom.webm</a></td><td></td><td>1446</td><td>Saturday, October 19, 2019 17:21:51</td><td>4 years ago</td></tr><tr><td><a href="GondolaWalksHomeInGoodSpirits.webm">GondolaWalksHomeInGoodSpirits.webm</a></td><td></td><td>1381</td><td>Friday, October 18, 2019 23:28:16</td><td>4 years ago</td></tr><tr><td><a href="GondolaTiresOfTheWaiting.webm">GondolaTiresOfTheWaiting.webm</a></td><td>Pink Floyd - A New Machine (Part 1)
</td><td>1410</td><td>Friday, October 18, 2019 23:24:06</td><td>4 years ago</td></tr><tr><td><a href="GondolaWillAlwaysBeWaiting.webm">GondolaWillAlwaysBeWaiting.webm</a></td><td>Pink Floyd - A New Machine (Part 2)
</td><td>1417</td><td>Friday, October 18, 2019 23:22:19</td><td>4 years ago</td></tr><tr><td><a href="Mario.webm">Mario.webm</a></td><td></td><td>1409</td><td>Friday, October 18, 2019 23:20:58</td><td>4 years ago</td></tr><tr><td><a href="SAndW.webm">SAndW.webm</a></td><td>Spice and Wolf II OST - Hoshita Sakana to Budoushu to
</td><td>1476</td><td>Tuesday, October 15, 2019 07:40:40</td><td>4 years ago</td></tr><tr><td><a href="DoesTheSubjectMatter.webm">DoesTheSubjectMatter.webm</a></td><td></td><td>1543</td><td>Tuesday, October 15, 2019 07:39:48</td><td>4 years ago</td></tr><tr><td><a href="HomeSweetGrave.webm">HomeSweetGrave.webm</a></td><td>Guilty Gear Isuka OST - Home Sweet Grave
</td><td>1479</td><td>Saturday, October 12, 2019 08:54:13</td><td>4 years ago</td></tr><tr><td><a href="GondolaJupiter.webm">GondolaJupiter.webm</a></td><td>Grip Grand - Hip-Hop Classic
</td><td>1376</td><td>Saturday, October 12, 2019 08:52:09</td><td>4 years ago</td></tr><tr><td><a href="AutumnPiano.webm">AutumnPiano.webm</a></td><td>George Winston - Color/Dance
</td><td>1709</td><td>Saturday, October 12, 2019 08:51:02</td><td>4 years ago</td></tr><tr><td><a href="DowntownTension.webm">DowntownTension.webm</a></td><td>Call of Duty 2 OST - 07 - Downtown Sniper Soviet Tension
</td><td>1952</td><td>Friday, October 11, 2019 21:17:03</td><td>4 years ago</td></tr><tr><td><a href="SovietOutskirts.webm">SovietOutskirts.webm</a></td><td></td><td>1358</td><td>Friday, October 11, 2019 21:16:41</td><td>4 years ago</td></tr><tr><td><a href="GondolaOldDriveIn.webm">GondolaOldDriveIn.webm</a></td><td></td><td>1378</td><td>Friday, October 11, 2019 20:22:09</td><td>4 years ago</td></tr><tr><td><a href="SadGondola3.webm">SadGondola3.webm</a></td><td>hamzawy - for a better world
</td><td>1412</td><td>Friday, October 11, 2019 05:54:24</td><td>4 years ago</td></tr><tr><td><a href="Gondy2.0.webm">Gondy2.0.webm</a></td><td></td><td>1401</td><td>Tuesday, October 08, 2019 17:58:33</td><td>4 years ago</td></tr><tr><td><a href="AbstractGondola.webm">AbstractGondola.webm</a></td><td>Zoombinis OST - Opening Theme
</td><td>1983</td><td>Tuesday, October 08, 2019 17:58:11</td><td>4 years ago</td></tr><tr><td><a href="GondolaInTheMountains2.webm">GondolaInTheMountains2.webm</a></td><td></td><td>1563</td><td>Monday, October 07, 2019 00:06:33</td><td>4 years ago</td></tr><tr><td><a href="Homeless.webm">Homeless.webm</a></td><td>Shady Dave - Feelings of Twilight
</td><td>1453</td><td>Monday, October 07, 2019 00:05:52</td><td>4 years ago</td></tr><tr><td><a href="GondOscillation.webm">GondOscillation.webm</a></td><td>Chris Christodoulou - Arctic Oscillation
</td><td>1694</td><td>Monday, October 07, 2019 00:04:54</td><td>4 years ago</td></tr><tr><td><a href="GondoCoordinates.webm">GondoCoordinates.webm</a></td><td>Chris Christodoulou - 25.3°N 91.7°E
</td><td>1630</td><td>Monday, October 07, 2019 00:03:39</td><td>4 years ago</td></tr><tr><td><a href="GondolaCRT.webm">GondolaCRT.webm</a></td><td>demin - Forgive & Reformat
</td><td>1622</td><td>Monday, October 07, 2019 00:02:38</td><td>4 years ago</td></tr><tr><td><a href="Skyblock.webm">Skyblock.webm</a></td><td>C418 | Minecraft OST - Subwoofer Lullaby (SM64 Instruments)
</td><td>1423</td><td>Sunday, October 06, 2019 23:57:35</td><td>4 years ago</td></tr><tr><td><a href="160Acres.webm">160Acres.webm</a></td><td>Marty Robbins - A Hundred and Sixty Acres
</td><td>3053</td><td>Sunday, October 06, 2019 23:56:49</td><td>4 years ago</td></tr><tr><td><a href="SendMeAnAngel.webm">SendMeAnAngel.webm</a></td><td>Real Life - Send Me An Angel
</td><td>1289</td><td>Sunday, October 06, 2019 23:56:15</td><td>4 years ago</td></tr><tr><td><a href="DriftAwayGondola.webm">DriftAwayGondola.webm</a></td><td>Steven Universe: The Movie OST (Music box cover) - Drift Away
</td><td>1628</td><td>Sunday, October 06, 2019 23:54:47</td><td>4 years ago</td></tr><tr><td><a href="EverythingStaysGondola.webm">EverythingStaysGondola.webm</a></td><td>Adventure Time OST - Everything Stays
</td><td>1630</td><td>Sunday, October 06, 2019 23:54:07</td><td>4 years ago</td></tr><tr><td><a href="SullenGondola.webm">SullenGondola.webm</a></td><td>Moby - 80
</td><td>1385</td><td>Sunday, October 06, 2019 23:53:20</td><td>4 years ago</td></tr><tr><td><a href="Samorost3.webm">Samorost3.webm</a></td><td></td><td>1309</td><td>Sunday, October 06, 2019 23:50:41</td><td>4 years ago</td></tr><tr><td><a href="SpottedSnowdola.webm">SpottedSnowdola.webm</a></td><td>Ricky Eat Acid - being underwater and everything being quiet and still
</td><td>1357</td><td>Sunday, October 06, 2019 23:47:29</td><td>4 years ago</td></tr><tr><td><a href="SpaceLion.webm">SpaceLion.webm</a></td><td>Cowboy Bebop OST - Space Lion
</td><td>1439</td><td>Sunday, October 06, 2019 23:47:03</td><td>4 years ago</td></tr><tr><td><a href="Pressure.webm">Pressure.webm</a></td><td>Billy Joel - Pressure
</td><td>1356</td><td>Sunday, October 06, 2019 23:46:27</td><td>4 years ago</td></tr><tr><td><a href="HuecoMundo.webm">HuecoMundo.webm</a></td><td>Bleach OST - Nothing can be explained
</td><td>1419</td><td>Sunday, October 06, 2019 23:45:28</td><td>4 years ago</td></tr><tr><td><a href="GondolaFrens.webm">GondolaFrens.webm</a></td><td>Tim Maia - Que Beleza
</td><td>1560</td><td>Sunday, October 06, 2019 23:44:39</td><td>4 years ago</td></tr><tr><td><a href="GondolaBed.webm">GondolaBed.webm</a></td><td></td><td>1591</td><td>Sunday, October 06, 2019 23:44:11</td><td>4 years ago</td></tr><tr><td><a href="GondoFox.webm">GondoFox.webm</a></td><td>Eishi Segawa - うしおのテーマ6
</td><td>1682</td><td>Sunday, October 06, 2019 23:42:43</td><td>4 years ago</td></tr><tr><td><a href="BulmaGondola.webm">BulmaGondola.webm</a></td><td>Yelle - Que veux-tu
</td><td>1658</td><td>Sunday, October 06, 2019 23:40:58</td><td>4 years ago</td></tr><tr><td><a href="GondolasShowdown.webm">GondolasShowdown.webm</a></td><td>Lisa the Painful OST - Go Home Johnny
</td><td>1442</td><td>Sunday, October 06, 2019 23:39:16</td><td>4 years ago</td></tr><tr><td><a href="Conformistola.webm">Conformistola.webm</a></td><td>Georges Delerue - Couleurs De Paris
</td><td>1643</td><td>Sunday, September 29, 2019 20:39:21</td><td>4 years ago</td></tr><tr><td><a href="TheGonfather.webm">TheGonfather.webm</a></td><td>André Rieu - The Godfather Waltz (Theme)
</td><td>1447</td><td>Sunday, September 29, 2019 20:38:08</td><td>4 years ago</td></tr><tr><td><a href="1492Gondola.webm">1492Gondola.webm</a></td><td>Vangelis - Conquest Of Paradise
</td><td>4661</td><td>Sunday, September 29, 2019 20:38:00</td><td>4 years ago</td></tr><tr><td><a href="RiskOfRainola.webm">RiskOfRainola.webm</a></td><td>Chris Christodoulou - Coalescence
</td><td>1449</td><td>Sunday, September 29, 2019 20:37:33</td><td>4 years ago</td></tr><tr><td><a href="GondolaTechnopolis.webm">GondolaTechnopolis.webm</a></td><td></td><td>1491</td><td>Saturday, September 21, 2019 17:43:37</td><td>4 years ago</td></tr><tr><td><a href="Yellower.webm">Yellower.webm</a></td><td>Clark - Absence (Bibio Remix)
</td><td>1435</td><td>Saturday, September 21, 2019 17:22:21</td><td>4 years ago</td></tr><tr><td><a href="GondolaStranding.webm">GondolaStranding.webm</a></td><td>Silent Poets - Asylum For The Feeling
</td><td>1557</td><td>Saturday, September 21, 2019 17:21:13</td><td>4 years ago</td></tr><tr><td><a href="GondolaBlackwingCloudkicker.webm">GondolaBlackwingCloudkicker.webm</a></td><td>Cloudkicker - Blackwing
</td><td>1683</td><td>Saturday, September 21, 2019 17:20:04</td><td>4 years ago</td></tr><tr><td><a href="Salvation.webm">Salvation.webm</a></td><td>Don Davis - Spirit of the Universe (The Matrix Revolutions OST)
</td><td>1417</td><td>Saturday, September 21, 2019 17:19:13</td><td>4 years ago</td></tr><tr><td><a href="GondolaCatDreams.webm">GondolaCatDreams.webm</a></td><td></td><td>1593</td><td>Saturday, September 21, 2019 17:11:44</td><td>4 years ago</td></tr><tr><td><a href="RiskOfGondolas.webm">RiskOfGondolas.webm</a></td><td>Risk of Rain 2 OST - Into the Doldrums
</td><td>1569</td><td>Wednesday, September 11, 2019 21:55:33</td><td>4 years ago</td></tr><tr><td><a href="GondolaAmongUs.webm">GondolaAmongUs.webm</a></td><td>The Wolf Among Us OST - Opening Credits
</td><td>2984</td><td>Thursday, July 25, 2019 01:49:56</td><td>4 years ago</td></tr><tr><td><a href="GondolaFeelingFine.webm">GondolaFeelingFine.webm</a></td><td></td><td>1935</td><td>Tuesday, July 23, 2019 21:53:52</td><td>4 years ago</td></tr><tr><td><a href="GodSpeedYouGondola.webm">GodSpeedYouGondola.webm</a></td><td>Godspeed You! Black Emperor - Dead Flag Blues
</td><td>2081</td><td>Tuesday, July 23, 2019 21:52:59</td><td>4 years ago</td></tr><tr><td><a href="GondolaCandlesAndClockwork.webm">GondolaCandlesAndClockwork.webm</a></td><td>Homestuck Vol. 9 OST - Candles and Clockwork (Alpha Version)
</td><td>1757</td><td>Monday, July 22, 2019 14:48:23</td><td>4 years ago</td></tr><tr><td><a href="GondolaTheFirstHunter.webm">GondolaTheFirstHunter.webm</a></td><td>Bloodborne OST - The First Hunter
</td><td>1647</td><td>Monday, July 22, 2019 14:45:04</td><td>4 years ago</td></tr><tr><td><a href="Gondola22.webm">Gondola22.webm</a></td><td></td><td>1762</td><td>Sunday, July 21, 2019 06:28:56</td><td>4 years ago</td></tr><tr><td><a href="InAllHisInfiniteDiversityGondola.webm">InAllHisInfiniteDiversityGondola.webm</a></td><td>D'Arcangelo - Nadine
</td><td>1532</td><td>Sunday, July 21, 2019 06:07:57</td><td>4 years ago</td></tr><tr><td><a href="NeuralHacker.webm">NeuralHacker.webm</a></td><td></td><td>1564</td><td>Sunday, July 21, 2019 05:50:23</td><td>4 years ago</td></tr><tr><td><a href="GondolasCat.webm">GondolasCat.webm</a></td><td></td><td>1610</td><td>Sunday, July 21, 2019 05:35:11</td><td>4 years ago</td></tr><tr><td><a href="TheHaven.webm">TheHaven.webm</a></td><td>Jon Everist - The Haven
</td><td>1573</td><td>Sunday, July 07, 2019 19:42:55</td><td>4 years ago</td></tr><tr><td><a href="TraxxDiscovery.webm">TraxxDiscovery.webm</a></td><td></td><td>1502</td><td>Sunday, July 07, 2019 19:40:33</td><td>4 years ago</td></tr><tr><td><a href="ComfireGond.webm">ComfireGond.webm</a></td><td>Kevin MacLeod - Nouvelle Noel
</td><td>1823</td><td>Sunday, July 07, 2019 19:38:12</td><td>4 years ago</td></tr><tr><td><a href="GondolaSoulsHq.webm">GondolaSoulsHq.webm</a></td><td>Dark Souls OST - Gwyn, Lord of Cinder
</td><td>1756</td><td>Sunday, July 07, 2019 19:36:41</td><td>4 years ago</td></tr><tr><td><a href="OurFlagWasStillThere.webm">OurFlagWasStillThere.webm</a></td><td>Randy Newman - <unknown song, please let me know in the comments>
</td><td>1575</td><td>Sunday, July 07, 2019 19:36:32</td><td>4 years ago</td></tr><tr><td><a href="SnowyGondolaCastle.webm">SnowyGondolaCastle.webm</a></td><td>Aphex Twin - Petiatil Cx Htdui
</td><td>1490</td><td>Sunday, July 07, 2019 19:34:08</td><td>4 years ago</td></tr><tr><td><a href="GondolaHangInThere.webm">GondolaHangInThere.webm</a></td><td>Гражданская Оборона - Дембельская
</td><td>1781</td><td>Sunday, July 07, 2019 19:32:12</td><td>4 years ago</td></tr><tr><td><a href="Greekdola2.webm">Greekdola2.webm</a></td><td>2814 - 悲哀 (Sorrow)
</td><td>1652</td><td>Sunday, July 07, 2019 19:29:40</td><td>4 years ago</td></tr><tr><td><a href="TestarossaViceGondola.webm">TestarossaViceGondola.webm</a></td><td>Jan Hammer - Crockett's Theme
</td><td>1481</td><td>Sunday, July 07, 2019 19:29:23</td><td>4 years ago</td></tr><tr><td><a href="SandKingdomOfGondola.webm">SandKingdomOfGondola.webm</a></td><td></td><td>1452</td><td>Sunday, July 07, 2019 19:29:10</td><td>4 years ago</td></tr><tr><td><a href="GondolaSmeester.webm">GondolaSmeester.webm</a></td><td>Smeester - µ-Ziq
</td><td>1629</td><td>Sunday, July 07, 2019 19:28:48</td><td>4 years ago</td></tr><tr><td><a href="MehtisGondola.webm">MehtisGondola.webm</a></td><td>S.E.S - Dreams Come True (Unknown remix)
</td><td>1491</td><td>Sunday, July 07, 2019 19:28:27</td><td>4 years ago</td></tr><tr><td><a href="RomanSettlerGondola.webm">RomanSettlerGondola.webm</a></td><td></td><td>1525</td><td>Sunday, July 07, 2019 19:28:10</td><td>4 years ago</td></tr><tr><td><a href="StrongholdGondola.webm">StrongholdGondola.webm</a></td><td>Heroes Of Might and Magic 3 OST - Stronghold Theme
</td><td>1507</td><td>Sunday, July 07, 2019 19:27:27</td><td>4 years ago</td></tr><tr><td><a href="SantaGondola.webm">SantaGondola.webm</a></td><td>Rik Schaffer - All That Could Ever Be
</td><td>1506</td><td>Sunday, July 07, 2019 19:27:11</td><td>4 years ago</td></tr><tr><td><a href="EbinGondola.webm">EbinGondola.webm</a></td><td>Wixel - Melancholische Waltz
</td><td>1827</td><td>Sunday, July 07, 2019 19:24:21</td><td>4 years ago</td></tr><tr><td><a href="PassagesGondola.webm">PassagesGondola.webm</a></td><td>Philip Glass - Morning Passages
</td><td>1473</td><td>Sunday, July 07, 2019 19:23:47</td><td>4 years ago</td></tr><tr><td><a href="BandOfGondolas.webm">BandOfGondolas.webm</a></td><td>Band of Brothers OST - Main Theme
</td><td>1903</td><td>Sunday, July 07, 2019 19:23:23</td><td>4 years ago</td></tr><tr><td><a href="GondolaSea2.webm">GondolaSea2.webm</a></td><td>Emile van Krieken - Moa's Song (Aether 4)
</td><td>1686</td><td>Sunday, July 07, 2019 19:22:25</td><td>4 years ago</td></tr><tr><td><a href="GondolaWhitefrost.webm">GondolaWhitefrost.webm</a></td><td>Jon Hopkins - Small Memory
</td><td>1944</td><td>Sunday, May 05, 2019 11:21:22</td><td>4 years ago</td></tr><tr><td><a href="MondoDrag.webm">MondoDrag.webm</a></td><td>Mondo Drag - Plumajilla
</td><td>2136</td><td>Sunday, May 05, 2019 11:19:35</td><td>4 years ago</td></tr><tr><td><a href="AncestorCrimes.webm">AncestorCrimes.webm</a></td><td>MALO - March of Progress
</td><td>2298</td><td>Sunday, May 05, 2019 11:17:32</td><td>4 years ago</td></tr><tr><td><a href="BigMushroomGondola.webm">BigMushroomGondola.webm</a></td><td>The J. Arthur Keenes Band - Low Tide
</td><td>2108</td><td>Sunday, May 05, 2019 11:07:37</td><td>4 years ago</td></tr><tr><td><a href="GondolaHallway.mp4">GondolaHallway.mp4</a></td><td>Men I Trust - Say, Can You Hear
</td><td>2973</td><td>Sunday, March 31, 2019 11:55:04</td><td>4 years ago</td></tr><tr><td><a href="GondolaNap.webm">GondolaNap.webm</a></td><td>Kirby's Epic Yarn OST - Kirby's Pad
</td><td>1998</td><td>Sunday, March 31, 2019 11:54:41</td><td>4 years ago</td></tr><tr><td><a href="GondolaMothForest.webm">GondolaMothForest.webm</a></td><td>Jade Cocoon OST - Moth Forest
</td><td>1914</td><td>Sunday, March 31, 2019 11:54:28</td><td>4 years ago</td></tr><tr><td><a href="GondolaMoon3.webm">GondolaMoon3.webm</a></td><td>Super Mario Galaxy OST - Luma
</td><td>2174</td><td>Sunday, March 31, 2019 11:54:17</td><td>4 years ago</td></tr><tr><td><a href="GondolaGraveVisit.webm">GondolaGraveVisit.webm</a></td><td>Joe Bongiorno - Ascent
</td><td>1965</td><td>Sunday, March 31, 2019 11:54:03</td><td>4 years ago</td></tr><tr><td><a href="ClassicGondolaGame.webm">ClassicGondolaGame.webm</a></td><td></td><td>2155</td><td>Sunday, March 31, 2019 11:53:57</td><td>4 years ago</td></tr><tr><td><a href="GondolaRomanum.mp4">GondolaRomanum.mp4</a></td><td>Age of Empires: Rise of Rome OST - (unknown)
</td><td>2929</td><td>Sunday, March 31, 2019 11:50:44</td><td>4 years ago</td></tr><tr><td><a href="GondolaDrabForest.webm">GondolaDrabForest.webm</a></td><td>Voices From The Lake Feat. Donato Dozzy & Neel - HGS
</td><td>2038</td><td>Sunday, March 31, 2019 11:50:33</td><td>4 years ago</td></tr><tr><td><a href="WesternGondola2.webm">WesternGondola2.webm</a></td><td>Marty Robbins - Big Iron
</td><td>1741</td><td>Sunday, March 31, 2019 11:50:19</td><td>4 years ago</td></tr><tr><td><a href="SimpleFarmerGondola.webm">SimpleFarmerGondola.webm</a></td><td>Harvest Moon : A Wonderful Life OST - Farm Theme (Slow Life)
</td><td>1746</td><td>Sunday, March 31, 2019 11:50:05</td><td>4 years ago</td></tr><tr><td><a href="GondolaEngineer.webm">GondolaEngineer.webm</a></td><td>Life Universe - Arabesque No. 1
</td><td>1919</td><td>Sunday, March 31, 2019 11:49:57</td><td>4 years ago</td></tr><tr><td><a href="GondolaBusStob.webm">GondolaBusStob.webm</a></td><td>The Woodies - K-55
</td><td>1982</td><td>Sunday, March 31, 2019 11:49:42</td><td>4 years ago</td></tr><tr><td><a href="GondolaCredits.mp4">GondolaCredits.mp4</a></td><td>Angelo Badalamenti - Twin Peaks Theme (Instrumental)
</td><td>2971</td><td>Sunday, March 31, 2019 11:49:36</td><td>4 years ago</td></tr><tr><td><a href="GondolaXMasTime.webm">GondolaXMasTime.webm</a></td><td>White Christmas (Remastered 1999)
</td><td>2936</td><td>Sunday, March 31, 2019 11:49:16</td><td>4 years ago</td></tr><tr><td><a href="GondolaSpiritMeditation.webm">GondolaSpiritMeditation.webm</a></td><td>Lego Island 2 OST - Fishing
</td><td>1867</td><td>Sunday, March 31, 2019 11:49:03</td><td>4 years ago</td></tr><tr><td><a href="KidsOnTheWall.webm">KidsOnTheWall.webm</a></td><td>LittleBigPlanet OST - Sepia Tones
</td><td>1684</td><td>Sunday, March 31, 2019 11:48:40</td><td>4 years ago</td></tr><tr><td><a href="TeaWithLadyBug.webm">TeaWithLadyBug.webm</a></td><td>Paniyolo - Color
</td><td>1808</td><td>Saturday, March 30, 2019 10:59:17</td><td>4 years ago</td></tr><tr><td><a href="GondolaProcession.webm">GondolaProcession.webm</a></td><td></td><td>1779</td><td>Saturday, March 30, 2019 10:59:01</td><td>4 years ago</td></tr><tr><td><a href="SleepingGondola2.webm">SleepingGondola2.webm</a></td><td>Undertale OST - Undertale
</td><td>1674</td><td>Saturday, March 30, 2019 10:58:24</td><td>4 years ago</td></tr><tr><td><a href="CupOfHotCoco.webm">CupOfHotCoco.webm</a></td><td>Yume Miru Kusuri ユメミルクスリ - The Orange Dusk is Just Around the Corner
</td><td>2033</td><td>Saturday, March 30, 2019 10:58:01</td><td>4 years ago</td></tr><tr><td><a href="GondoTree.webm">GondoTree.webm</a></td><td>Bit Heroes OST - The Forest of Redemption
</td><td>1992</td><td>Saturday, March 30, 2019 10:57:21</td><td>4 years ago</td></tr><tr><td><a href="AnEnemyHasAppeared.webm">AnEnemyHasAppeared.webm</a></td><td>Undertale OST - Battle Against a True Hero
</td><td>2472</td><td>Saturday, March 30, 2019 10:57:13</td><td>4 years ago</td></tr><tr><td><a href="V109e.webm">V109e.webm</a></td><td>idealism - phosphenes
</td><td>1720</td><td>Saturday, March 30, 2019 10:56:38</td><td>4 years ago</td></tr><tr><td><a href="BorryFarm.webm">BorryFarm.webm</a></td><td>John McCormack - It's A Long Way To Tipperary
</td><td>2006</td><td>Tuesday, March 26, 2019 06:36:33</td><td>4 years ago</td></tr><tr><td><a href="RainyNightGond2.webm">RainyNightGond2.webm</a></td><td>Michel Colombier - Emmanuel
</td><td>1746</td><td>Tuesday, March 26, 2019 06:35:59</td><td>4 years ago</td></tr><tr><td><a href="GondolaDerelictChurch.webm">GondolaDerelictChurch.webm</a></td><td>Nine Inch Nails - Adrift And At Peace
</td><td>2057</td><td>Tuesday, March 26, 2019 06:35:19</td><td>4 years ago</td></tr><tr><td><a href="DrifterGondola.webm">DrifterGondola.webm</a></td><td>Miguel Chamarro Benito - Galaxyar
</td><td>2000</td><td>Sunday, March 24, 2019 18:39:30</td><td>4 years ago</td></tr><tr><td><a href="DeusExGondola.webm">DeusExGondola.webm</a></td><td>Deus Ex: Human Revolution OST - Penthouse
</td><td>2006</td><td>Friday, March 22, 2019 17:59:11</td><td>4 years ago</td></tr><tr><td><a href="GondolaJustWantsAQuiteLife.webm">GondolaJustWantsAQuiteLife.webm</a></td><td>JoJo's Bizarre Adventure: Diamond is Unbreakable - Crazy Noisy Bizarre Town, Chase You, Great Days (Mix)
</td><td>2080</td><td>Friday, March 22, 2019 17:59:02</td><td>4 years ago</td></tr><tr><td><a href="GondolaProdigalSon.webm">GondolaProdigalSon.webm</a></td><td></td><td>1905</td><td>Friday, March 22, 2019 17:57:55</td><td>4 years ago</td></tr><tr><td><a href="GondolaNight2.webm">GondolaNight2.webm</a></td><td>Fizzd - Intimate
</td><td>2094</td><td>Friday, March 22, 2019 17:57:16</td><td>4 years ago</td></tr><tr><td><a href="HotGondolaMiami.webm">HotGondolaMiami.webm</a></td><td>Hotline Miami 2 OST | Modulogeek - Around
</td><td>1820</td><td>Friday, March 22, 2019 17:56:27</td><td>4 years ago</td></tr><tr><td><a href="StairwayGondola.webm">StairwayGondola.webm</a></td><td></td><td>1709</td><td>Friday, March 22, 2019 17:55:39</td><td>4 years ago</td></tr><tr><td><a href="Questing.webm">Questing.webm</a></td><td>Cubivore OST - Get Symbol
</td><td>1673</td><td>Sunday, March 17, 2019 13:42:19</td><td>4 years ago</td></tr><tr><td><a href="Cubidola.webm">Cubidola.webm</a></td><td>Cubivore OST - Sleep, Sleep
</td><td>2016</td><td>Sunday, March 17, 2019 13:42:09</td><td>4 years ago</td></tr><tr><td><a href="GuardianOfIce.webm">GuardianOfIce.webm</a></td><td>Hexen OST - Guardian of Ice / Simon
</td><td>1753</td><td>Sunday, March 17, 2019 07:29:08</td><td>4 years ago</td></tr><tr><td><a href="BlackSmithGondola.mp4">BlackSmithGondola.mp4</a></td><td>The Elder Scrolls: Oblivion OST - Soule
</td><td>3304</td><td>Friday, March 08, 2019 08:06:05</td><td>4 years ago</td></tr><tr><td><a href="CornerStore.mp4">CornerStore.mp4</a></td><td>Lipps Inc. - Funkytown
</td><td>3116</td><td>Friday, March 08, 2019 08:05:45</td><td>4 years ago</td></tr><tr><td><a href="ApocalypseFerris.mp4">ApocalypseFerris.mp4</a></td><td>Yann Tiersen - La valse d'Amelie
</td><td>3434</td><td>Friday, March 08, 2019 08:05:15</td><td>4 years ago</td></tr><tr><td><a href="GondolaBrowsingGoodBread.mp4">GondolaBrowsingGoodBread.mp4</a></td><td></td><td>3116</td><td>Friday, March 08, 2019 08:04:49</td><td>4 years ago</td></tr><tr><td><a href="ColdLostGondola.webm">ColdLostGondola.webm</a></td><td>Metro 2033 Redux OST - Guitar song w/female vocals
</td><td>2152</td><td>Friday, March 08, 2019 01:37:09</td><td>4 years ago</td></tr><tr><td><a href="StrongholdCrusaderGondola.webm">StrongholdCrusaderGondola.webm</a></td><td>Robert Euvino - Crusader Solo
</td><td>1771</td><td>Friday, March 08, 2019 01:36:36</td><td>4 years ago</td></tr><tr><td><a href="StalkerMeditationGondola.webm">StalkerMeditationGondola.webm</a></td><td>Stalker OST | Edward Artemiev - Mediation
</td><td>1918</td><td>Friday, March 08, 2019 01:36:17</td><td>4 years ago</td></tr><tr><td><a href="DarkestDungeonGondola.webm">DarkestDungeonGondola.webm</a></td><td>Darkest Dungeon OST - The Hamlet
</td><td>2192</td><td>Friday, March 08, 2019 01:36:02</td><td>4 years ago</td></tr><tr><td><a href="GrimFandangoGondola.webm">GrimFandangoGondola.webm</a></td><td>Grim Fandango OST - She Sailed Away
</td><td>1742</td><td>Friday, March 08, 2019 01:35:23</td><td>4 years ago</td></tr><tr><td><a href="PapersPleaseGondola.webm">PapersPleaseGondola.webm</a></td><td>Papers, Please OST - Death Theme
</td><td>1686</td><td>Friday, March 08, 2019 01:34:53</td><td>4 years ago</td></tr><tr><td><a href="ForeverIBMGondola.webm">ForeverIBMGondola.webm</a></td><td>Peggy Lee - Fever
</td><td>1945</td><td>Friday, March 08, 2019 01:34:27</td><td>4 years ago</td></tr><tr><td><a href="NichijouShortThoughtsGondola.webm">NichijouShortThoughtsGondola.webm</a></td><td>Nichijou OST - Hitokoto Wado Kotaba
</td><td>1722</td><td>Friday, March 08, 2019 01:34:12</td><td>4 years ago</td></tr><tr><td><a href="NichijouHelveticaStandard.webm">NichijouHelveticaStandard.webm</a></td><td>日常 Nichijou OST - Helvetica Standard Sono 2
</td><td>1661</td><td>Friday, March 08, 2019 01:33:52</td><td>4 years ago</td></tr><tr><td><a href="GondolaPeng.webm">GondolaPeng.webm</a></td><td>Autechre - Second Peng
</td><td>2110</td><td>Thursday, February 28, 2019 00:05:42</td><td>4 years ago</td></tr><tr><td><a href="TheGondolasOfDarkness.webm">TheGondolasOfDarkness.webm</a></td><td>Scarzy Swooz - Turnpike Sauce (feat. Spittiiee Spark)
</td><td>1734</td><td>Thursday, February 28, 2019 00:04:04</td><td>4 years ago</td></tr><tr><td><a href="CantHelpFallingInLoveWithYou.webm">CantHelpFallingInLoveWithYou.webm</a></td><td>AcousticTrench - Can't Help Falling In Love on a Kalimba
</td><td>2166</td><td>Thursday, February 28, 2019 00:03:37</td><td>4 years ago</td></tr><tr><td><a href="KingdomGondolaRest.webm">KingdomGondolaRest.webm</a></td><td>Stronghold OST - The Maiden
</td><td>1721</td><td>Thursday, February 28, 2019 00:03:16</td><td>4 years ago</td></tr><tr><td><a href="GondolaFish.webm">GondolaFish.webm</a></td><td>Talking Heads - Take Me To The River
</td><td>1833</td><td>Thursday, February 28, 2019 00:02:44</td><td>4 years ago</td></tr><tr><td><a href="AnEndingAGondola.webm">AnEndingAGondola.webm</a></td><td>Dustin O'Halloran - An Ending, A Beginning
</td><td>2319</td><td>Thursday, February 28, 2019 00:02:09</td><td>4 years ago</td></tr><tr><td><a href="SaveTheGondolaGuldure.webm">SaveTheGondolaGuldure.webm</a></td><td></td><td>1671</td><td>Thursday, February 28, 2019 00:01:28</td><td>4 years ago</td></tr><tr><td><a href="GondolaOfMira.webm">GondolaOfMira.webm</a></td><td>Xenoblade Chronicles X OST - fiKAIeldJOU (Ocean Night)
</td><td>1857</td><td>Thursday, February 28, 2019 00:00:42</td><td>4 years ago</td></tr><tr><td><a href="GondolaPoor.webm">GondolaPoor.webm</a></td><td>Yume Nikki OST - Barracks Settlement
</td><td>1935</td><td>Wednesday, February 27, 2019 23:59:36</td><td>4 years ago</td></tr><tr><td><a href="NasaGondola.webm">NasaGondola.webm</a></td><td>Emilie Simon - Aurora Australis
</td><td>1668</td><td>Wednesday, February 27, 2019 23:59:18</td><td>4 years ago</td></tr><tr><td><a href="LittleWun.webm">LittleWun.webm</a></td><td>Spirited Away OST - Itsumo Nando Demo
</td><td>1791</td><td>Wednesday, February 27, 2019 23:58:05</td><td>4 years ago</td></tr><tr><td><a href="BondedInSummer.mp4">BondedInSummer.mp4</a></td><td>童麗-又見雨夜花 [Tong Li-See rainy night flowers again]
</td><td>3255</td><td>Tuesday, February 19, 2019 01:17:25</td><td>4 years ago</td></tr><tr><td><a href="GondolaAkira.webm">GondolaAkira.webm</a></td><td>AKIRA OST - Geinoh Yamashirogumi-Kaneda
</td><td>2105</td><td>Tuesday, February 19, 2019 01:17:00</td><td>4 years ago</td></tr><tr><td><a href="VeiGondola.mp4">VeiGondola.mp4</a></td><td></td><td>2709</td><td>Tuesday, February 19, 2019 01:15:54</td><td>4 years ago</td></tr><tr><td><a href="SnowdolaShoppingExperience.webm">SnowdolaShoppingExperience.webm</a></td><td>Dan Mason ダン·メイソン - Breaking Down
</td><td>1704</td><td>Tuesday, February 19, 2019 01:11:58</td><td>4 years ago</td></tr><tr><td><a href="GondolaMetroIrl.webm">GondolaMetroIrl.webm</a></td><td>Burial - In McDonalds
</td><td>1963</td><td>Tuesday, February 19, 2019 01:11:43</td><td>4 years ago</td></tr><tr><td><a href="GondolaGreenForest.webm">GondolaGreenForest.webm</a></td><td>Requiem For A Dream Music Box Version
</td><td>1922</td><td>Tuesday, February 19, 2019 01:11:26</td><td>4 years ago</td></tr><tr><td><a href="DriftingGondola.webm">DriftingGondola.webm</a></td><td>Hyper Light Drifter OST - Panacea
</td><td>2002</td><td>Tuesday, February 19, 2019 01:11:07</td><td>4 years ago</td></tr><tr><td><a href="ComfyBoys.webm">ComfyBoys.webm</a></td><td></td><td>2037</td><td>Tuesday, February 19, 2019 01:10:10</td><td>4 years ago</td></tr><tr><td><a href="CafetGondola.webm">CafetGondola.webm</a></td><td></td><td>2103</td><td>Tuesday, February 19, 2019 01:09:56</td><td>4 years ago</td></tr><tr><td><a href="AscendingToThePlaceOfGodola.webm">AscendingToThePlaceOfGodola.webm</a></td><td>Hatsune Miku - Distance
</td><td>2286</td><td>Tuesday, February 19, 2019 01:09:43</td><td>4 years ago</td></tr><tr><td><a href="JailedGondola.webm">JailedGondola.webm</a></td><td>Johnny Cash - Folsom Prison Blues
</td><td>1785</td><td>Tuesday, February 19, 2019 01:09:26</td><td>4 years ago</td></tr><tr><td><a href="AshAndTears.webm">AshAndTears.webm</a></td><td>Battle for Wesnoth OST - Elvish Theme
</td><td>2632</td><td>Thursday, February 14, 2019 22:32:24</td><td>4 years ago</td></tr><tr><td><a href="CathedralToTheDarkMaster.webm">CathedralToTheDarkMaster.webm</a></td><td></td><td>2086</td><td>Thursday, February 14, 2019 22:31:52</td><td>4 years ago</td></tr><tr><td><a href="GondolaRunning.webm">GondolaRunning.webm</a></td><td>Interstellar OST - No Time for Caution
</td><td>2127</td><td>Thursday, February 14, 2019 22:31:09</td><td>4 years ago</td></tr><tr><td><a href="GondolaBoomer.webm">GondolaBoomer.webm</a></td><td></td><td>2103</td><td>Thursday, February 14, 2019 22:24:08</td><td>4 years ago</td></tr><tr><td><a href="GondolaMeido.webm">GondolaMeido.webm</a></td><td>He is My Master OST - Aijou no Katamari
</td><td>1922</td><td>Wednesday, February 13, 2019 00:42:35</td><td>4 years ago</td></tr><tr><td><a href="FunkNitium.webm">FunkNitium.webm</a></td><td>Fearofdark - Funknitium-99
</td><td>2953</td><td>Wednesday, February 13, 2019 00:41:42</td><td>4 years ago</td></tr><tr><td><a href="TheAwakenedOne.webm">TheAwakenedOne.webm</a></td><td>Rowdy Heart Music - Breezin'
</td><td>1748</td><td>Wednesday, February 13, 2019 00:41:01</td><td>4 years ago</td></tr><tr><td><a href="HolyTemple.webm">HolyTemple.webm</a></td><td></td><td>1786</td><td>Wednesday, February 13, 2019 00:40:38</td><td>4 years ago</td></tr><tr><td><a href="GondolaFieldsHotel.webm">GondolaFieldsHotel.webm</a></td><td>µ-Ziq - Strawberry Fields Hotel
</td><td>1850</td><td>Wednesday, February 13, 2019 00:40:21</td><td>4 years ago</td></tr><tr><td><a href="GondolaWithTheNugget.webm">GondolaWithTheNugget.webm</a></td><td>Ennio Morricone - Man With A Harmonica
</td><td>1896</td><td>Wednesday, February 13, 2019 00:38:42</td><td>4 years ago</td></tr><tr><td><a href="GondolaCar2.webm">GondolaCar2.webm</a></td><td>Ohia - Lioness
</td><td>2060</td><td>Wednesday, February 13, 2019 00:38:00</td><td>4 years ago</td></tr><tr><td><a href="GondolaOn4Chan.webm">GondolaOn4Chan.webm</a></td><td></td><td>1946</td><td>Wednesday, February 13, 2019 00:37:41</td><td>4 years ago</td></tr><tr><td><a href="Death.webm">Death.webm</a></td><td>Adrian von Ziegler - Ásgarðr
</td><td>2175</td><td>Wednesday, February 13, 2019 00:35:34</td><td>4 years ago</td></tr><tr><td><a href="GondolasLastPost.webm">GondolasLastPost.webm</a></td><td></td><td>1866</td><td>Monday, February 11, 2019 04:13:31</td><td>4 years ago</td></tr><tr><td><a href="CyberpunkBarGondola.webm">CyberpunkBarGondola.webm</a></td><td>VA-11 HALL-A OST - A Star Pierces the Darkness
</td><td>2346</td><td>Sunday, February 10, 2019 00:30:04</td><td>4 years ago</td></tr><tr><td><a href="TheLongLost.webm">TheLongLost.webm</a></td><td>Lost in Shadow OST - Hinagiku
</td><td>1758</td><td>Sunday, February 10, 2019 00:28:55</td><td>4 years ago</td></tr><tr><td><a href="EternityToPonderInfinity.webm">EternityToPonderInfinity.webm</a></td><td></td><td>2014</td><td>Sunday, February 10, 2019 00:28:32</td><td>4 years ago</td></tr><tr><td><a href="GondolaBeksinski2.webm">GondolaBeksinski2.webm</a></td><td>Zbigniew Preisner - Dekalog IV Part 2
</td><td>2142</td><td>Sunday, February 10, 2019 00:28:13</td><td>4 years ago</td></tr><tr><td><a href="GondolaSanTelmo.webm">GondolaSanTelmo.webm</a></td><td>Tarantella - San Telmo
</td><td>1856</td><td>Sunday, February 10, 2019 00:27:48</td><td>4 years ago</td></tr><tr><td><a href="BioshockTunnel.webm">BioshockTunnel.webm</a></td><td>Bobby Darin - Beyond the sea
</td><td>2121</td><td>Sunday, February 10, 2019 00:27:15</td><td>4 years ago</td></tr><tr><td><a href="ThePortalFromSpurdo.webm">ThePortalFromSpurdo.webm</a></td><td></td><td>1686</td><td>Friday, February 08, 2019 20:17:34</td><td>4 years ago</td></tr><tr><td><a href="GondolaApartments.webm">GondolaApartments.webm</a></td><td></td><td>2157</td><td>Friday, February 08, 2019 20:17:14</td><td>4 years ago</td></tr><tr><td><a href="ChristmasSnowGondola.webm">ChristmasSnowGondola.webm</a></td><td>Dunderpatrullen - 11 - Pompadour
</td><td>2171</td><td>Friday, February 08, 2019 20:15:42</td><td>4 years ago</td></tr><tr><td><a href="GondolaTwoMandolins.webm">GondolaTwoMandolins.webm</a></td><td>Robert Euvino - Two Mandolins
</td><td>1932</td><td>Friday, February 08, 2019 20:15:10</td><td>4 years ago</td></tr><tr><td><a href="CasualtiesOfWar.webm">CasualtiesOfWar.webm</a></td><td>Battle for Wesnoth OST - Casualties Of War
</td><td>2125</td><td>Friday, February 08, 2019 20:14:36</td><td>4 years ago</td></tr><tr><td><a href="RomeTotalWarVictory.webm">RomeTotalWarVictory.webm</a></td><td></td><td>1832</td><td>Friday, February 08, 2019 20:09:51</td><td>4 years ago</td></tr><tr><td><a href="GondolaPrayer.webm">GondolaPrayer.webm</a></td><td>Ad Matutinum: Invitatorium - Deum verum
</td><td>1992</td><td>Friday, February 08, 2019 20:09:12</td><td>4 years ago</td></tr><tr><td><a href="LegendOfGondolaWoods.webm">LegendOfGondolaWoods.webm</a></td><td></td><td>1713</td><td>Friday, February 08, 2019 20:08:50</td><td>4 years ago</td></tr><tr><td><a href="HobbitGondola.webm">HobbitGondola.webm</a></td><td>The Hobbit OST - Far Over The Misty Mountains Cold
</td><td>1816</td><td>Monday, February 04, 2019 21:31:08</td><td>4 years ago</td></tr><tr><td><a href="GondolaRelaxingBuggo.webm">GondolaRelaxingBuggo.webm</a></td><td></td><td>1934</td><td>Monday, February 04, 2019 18:46:39</td><td>4 years ago</td></tr><tr><td><a href="GondolaRestaurant.webm">GondolaRestaurant.webm</a></td><td>Ristorante Paradiso OST - Azalea Garden
</td><td>2026</td><td>Monday, February 04, 2019 18:46:23</td><td>4 years ago</td></tr><tr><td><a href="GondolaTownSunset.webm">GondolaTownSunset.webm</a></td><td>Azumanga Daioh OST - Shin gakki
</td><td>2032</td><td>Monday, February 04, 2019 18:46:12</td><td>4 years ago</td></tr><tr><td><a href="GondolaPath2.webm">GondolaPath2.webm</a></td><td></td><td>1971</td><td>Monday, February 04, 2019 18:45:14</td><td>4 years ago</td></tr><tr><td><a href="MyGondolaPaintingIsNumber1.webm">MyGondolaPaintingIsNumber1.webm</a></td><td>Xenogears OST | Yasunori Mitsuda - My Village is Number One
</td><td>1694</td><td>Monday, February 04, 2019 18:39:42</td><td>4 years ago</td></tr><tr><td><a href="HeavenlyFatherAreYouReallyThere.webm">HeavenlyFatherAreYouReallyThere.webm</a></td><td>Janice Kapp Perry | Mormon Tabernacle Choir - A Child's Prayer
</td><td>1763</td><td>Sunday, February 03, 2019 20:24:58</td><td>4 years ago</td></tr><tr><td><a href="Dah.webm">Dah.webm</a></td><td>Siberiade OST | Eduard Artemyev - Theme (remix)
</td><td>2085</td><td>Sunday, February 03, 2019 20:24:31</td><td>4 years ago</td></tr><tr><td><a href="SweetWhisperAndLovesSweetTouch.webm">SweetWhisperAndLovesSweetTouch.webm</a></td><td>Blue Submarine No. 6 OST - Mina Soko ni Nemure
</td><td>1739</td><td>Sunday, February 03, 2019 15:01:14</td><td>4 years ago</td></tr><tr><td><a href="GondolaFishing3.webm">GondolaFishing3.webm</a></td><td></td><td>2031</td><td>Sunday, February 03, 2019 14:59:30</td><td>4 years ago</td></tr><tr><td><a href="CaptchDola.webm">CaptchDola.webm</a></td><td>Donkey Kong Country - DK Island Swing
</td><td>2078</td><td>Sunday, February 03, 2019 14:59:17</td><td>4 years ago</td></tr><tr><td><a href="SnowWalk.webm">SnowWalk.webm</a></td><td></td><td>1686</td><td>Sunday, February 03, 2019 14:58:54</td><td>4 years ago</td></tr><tr><td><a href="GondolaInBed2.webm">GondolaInBed2.webm</a></td><td>Marlon Williams - Strange Things
</td><td>1927</td><td>Sunday, February 03, 2019 14:58:24</td><td>4 years ago</td></tr><tr><td><a href="GondolaOnEdge.webm">GondolaOnEdge.webm</a></td><td>Built to Spill - I Would Hurt a Fly
</td><td>2086</td><td>Sunday, February 03, 2019 14:57:34</td><td>4 years ago</td></tr><tr><td><a href="GondolaEnd.webm">GondolaEnd.webm</a></td><td>Minecraft Volume Beta OST - The End
</td><td>2092</td><td>Saturday, February 02, 2019 21:36:05</td><td>4 years ago</td></tr><tr><td><a href="AuroraGond.webm">AuroraGond.webm</a></td><td>Kirby's Epic Yarn OST - Dream Land
</td><td>2278</td><td>Saturday, February 02, 2019 19:34:32</td><td>4 years ago</td></tr><tr><td><a href="GondolaInEden.webm">GondolaInEden.webm</a></td><td>Gregorio Allegri - Miserere mei, Deus
</td><td>2162</td><td>Saturday, February 02, 2019 19:30:02</td><td>4 years ago</td></tr><tr><td><a href="GondolaCongratulatio.webm">GondolaCongratulatio.webm</a></td><td>Arany Zoltán - Militaris congratulatio
</td><td>2216</td><td>Saturday, February 02, 2019 14:44:06</td><td>4 years ago</td></tr><tr><td><a href="HeldByMemories.webm">HeldByMemories.webm</a></td><td>Perfect Blue OST - These Memories
</td><td>1724</td><td>Saturday, February 02, 2019 00:51:55</td><td>4 years ago</td></tr><tr><td><a href="RnLullaby.webm">RnLullaby.webm</a></td><td></td><td>1670</td><td>Saturday, February 02, 2019 00:51:30</td><td>4 years ago</td></tr><tr><td><a href="GondolaMeet.webm">GondolaMeet.webm</a></td><td>Elijah Who - lychee juice
</td><td>1956</td><td>Saturday, February 02, 2019 00:50:51</td><td>4 years ago</td></tr><tr><td><a href="LaValseDAmelie.webm">LaValseDAmelie.webm</a></td><td></td><td>1724</td><td>Saturday, February 02, 2019 00:49:47</td><td>4 years ago</td></tr><tr><td><a href="AndILoveYouSoReflectionLake.webm">AndILoveYouSoReflectionLake.webm</a></td><td>Don McLean - And I Love You So
</td><td>2523</td><td>Saturday, February 02, 2019 00:48:51</td><td>4 years ago</td></tr><tr><td><a href="GondolaHunter.webm">GondolaHunter.webm</a></td><td>MHX OST - Theme of Pokke Village
</td><td>1969</td><td>Saturday, February 02, 2019 00:47:51</td><td>4 years ago</td></tr><tr><td><a href="GondolaDive.webm">GondolaDive.webm</a></td><td>C418 - shuniji
</td><td>2082</td><td>Saturday, February 02, 2019 00:47:04</td><td>4 years ago</td></tr><tr><td><a href="CrystalSnowGondola.webm">CrystalSnowGondola.webm</a></td><td>Xenoblade Chronicles OST - Snowy Valek Mountain Night
</td><td>2031</td><td>Saturday, February 02, 2019 00:45:47</td><td>4 years ago</td></tr><tr><td><a href="GondolaArcher.webm">GondolaArcher.webm</a></td><td>Yiruma - River Flows In You
</td><td>2119</td><td>Saturday, February 02, 2019 00:45:29</td><td>4 years ago</td></tr><tr><td><a href="GondolaChristmasCarol.webm">GondolaChristmasCarol.webm</a></td><td>Peter Alexander - Stille Nacht (Silent Night in German)
</td><td>2007</td><td>Thursday, January 31, 2019 19:59:37</td><td>4 years ago</td></tr><tr><td><a href="WhyCantIBeHappy.webm">WhyCantIBeHappy.webm</a></td><td>Metro: Last Light OST - Credits Song
</td><td>1810</td><td>Thursday, January 31, 2019 19:57:52</td><td>4 years ago</td></tr><tr><td><a href="SpaceflightKestrelA.webm">SpaceflightKestrelA.webm</a></td><td>Efence - Spaceflight
</td><td>1760</td><td>Thursday, January 31, 2019 19:57:11</td><td>4 years ago</td></tr><tr><td><a href="TakeMeSomewhereNice.webm">TakeMeSomewhereNice.webm</a></td><td>Mogwai - Take Me Somewhere Nice
</td><td>1825</td><td>Thursday, January 31, 2019 19:56:38</td><td>4 years ago</td></tr><tr><td><a href="TheTune.webm">TheTune.webm</a></td><td></td><td>1745</td><td>Thursday, January 31, 2019 19:55:52</td><td>4 years ago</td></tr><tr><td><a href="SpecialTrain.webm">SpecialTrain.webm</a></td><td>Anamanaguchi - Interlude (Gymnopedie No. 1)
</td><td>1829</td><td>Thursday, January 31, 2019 19:54:06</td><td>4 years ago</td></tr><tr><td><a href="4V3313.webm">4V3313.webm</a></td><td>Adventure Time OST - Everything Stays (instrumental)
</td><td>3004</td><td>Tuesday, January 29, 2019 22:49:43</td><td>4 years ago</td></tr><tr><td><a href="GondolaCowboy.webm">GondolaCowboy.webm</a></td><td>Jincheng Zhang - Equivalent I Love You
</td><td>2110</td><td>Tuesday, January 29, 2019 22:47:49</td><td>4 years ago</td></tr><tr><td><a href="GondolaCityGamer.webm">GondolaCityGamer.webm</a></td><td>World of Warcraft OST - Song of Elune
</td><td>2118</td><td>Thursday, January 24, 2019 01:37:57</td><td>4 years ago</td></tr><tr><td><a href="GondolaOfTheLands.webm">GondolaOfTheLands.webm</a></td><td>Dråm - Valltrall
</td><td>2042</td><td>Saturday, January 12, 2019 21:12:27</td><td>4 years ago</td></tr><tr><td><a href="MirrorsGondola2.webm">MirrorsGondola2.webm</a></td><td>Mirror's Edge OST - Kate Puzzle
</td><td>1822</td><td>Saturday, January 12, 2019 21:11:55</td><td>4 years ago</td></tr><tr><td><a href="GondolaWind.webm">GondolaWind.webm</a></td><td></td><td>1929</td><td>Saturday, January 12, 2019 21:10:29</td><td>4 years ago</td></tr><tr><td><a href="EmptyBliss.webm">EmptyBliss.webm</a></td><td>The Caretaker - All You Are Going To Want To Do Is Get Back There
</td><td>2361</td><td>Saturday, January 12, 2019 21:08:17</td><td>4 years ago</td></tr><tr><td><a href="EstateEscape200x.webm">EstateEscape200x.webm</a></td><td>Artful Dodger ft Romina Johnson - Movin Too Fast [Original Mix]
</td><td>1974</td><td>Saturday, January 12, 2019 21:07:10</td><td>4 years ago</td></tr><tr><td><a href="ChineseRestaurant.webm">ChineseRestaurant.webm</a></td><td></td><td>2236</td><td>Saturday, December 22, 2018 14:06:46</td><td>5 years ago</td></tr><tr><td><a href="InTheFieldWithBrian.webm">InTheFieldWithBrian.webm</a></td><td>Datach'i - In The Field With Brian
</td><td>1851</td><td>Saturday, December 22, 2018 14:03:26</td><td>5 years ago</td></tr><tr><td><a href="GreetingsGondola.webm">GreetingsGondola.webm</a></td><td>Pilotredsun - Greetings
</td><td>1904</td><td>Saturday, December 22, 2018 14:01:58</td><td>5 years ago</td></tr><tr><td><a href="GondolaCityRuins.webm">GondolaCityRuins.webm</a></td><td>Nier Automata OST - City Ruins (Rays of Light)
</td><td>2452</td><td>Saturday, December 22, 2018 13:54:29</td><td>5 years ago</td></tr><tr><td><a href="GondolaTimesRicardo.webm">GondolaTimesRicardo.webm</a></td><td>Paramour - Hard Times, Basshunter - DotA
</td><td>2085</td><td>Saturday, December 22, 2018 13:54:07</td><td>5 years ago</td></tr><tr><td><a href="MemoriesOfGondola.webm">MemoriesOfGondola.webm</a></td><td>NieR Automata OST - Memories of Dust
</td><td>1850</td><td>Saturday, December 22, 2018 13:53:29</td><td>5 years ago</td></tr><tr><td><a href="OxenFree.webm">OxenFree.webm</a></td><td>scntfc - Towhee Grove
</td><td>1833</td><td>Saturday, December 22, 2018 13:52:59</td><td>5 years ago</td></tr><tr><td><a href="MirrorsEdgeGondola.webm">MirrorsEdgeGondola.webm</a></td><td>Lisa Miskovsky - Still Alive (Instrumental)
</td><td>1875</td><td>Saturday, December 22, 2018 13:52:46</td><td>5 years ago</td></tr><tr><td><a href="ElevatorGondola.webm">ElevatorGondola.webm</a></td><td>Francesco Novara - "Melancholy"
</td><td>2704</td><td>Saturday, December 22, 2018 13:51:52</td><td>5 years ago</td></tr><tr><td><a href="Wanderer.webm">Wanderer.webm</a></td><td>Slowdive - Crazy for You (Alternate Version - Pygmalion 2010 Reissue)
</td><td>2092</td><td>Saturday, December 22, 2018 13:50:38</td><td>5 years ago</td></tr><tr><td><a href="MirrorsGondola.webm">MirrorsGondola.webm</a></td><td>Mirror's Edge Catalyst OST - The Shard
</td><td>1922</td><td>Saturday, December 22, 2018 13:49:43</td><td>5 years ago</td></tr><tr><td><a href="GondolaAtWar.webm">GondolaAtWar.webm</a></td><td>William Basinski - The Disintegration Loops
</td><td>2281</td><td>Saturday, December 22, 2018 13:49:27</td><td>5 years ago</td></tr><tr><td><a href="SunflowerGondola.webm">SunflowerGondola.webm</a></td><td>To The Moon OST - Take Me Anywhere
</td><td>1953</td><td>Monday, December 10, 2018 04:45:07</td><td>5 years ago</td></tr><tr><td><a href="CantStopNow.webm">CantStopNow.webm</a></td><td>Spongebob OST - Give It All You've Got
</td><td>2509</td><td>Saturday, November 10, 2018 17:06:36</td><td>5 years ago</td></tr><tr><td><a href="GondolaSpark.webm">GondolaSpark.webm</a></td><td><None>
</td><td>2189</td><td>Saturday, November 10, 2018 17:05:33</td><td>5 years ago</td></tr><tr><td><a href="EverythingElse.webm">EverythingElse.webm</a></td><td>Syd Matters - Everything Else
</td><td>2109</td><td>Saturday, November 10, 2018 17:03:47</td><td>5 years ago</td></tr><tr><td><a href="GondolasDance.webm">GondolasDance.webm</a></td><td>C418 - Leak
</td><td>2069</td><td>Saturday, November 10, 2018 17:03:30</td><td>5 years ago</td></tr><tr><td><a href="InfTower.webm">InfTower.webm</a></td><td><none>
</td><td>1878</td><td>Sunday, November 04, 2018 18:27:54</td><td>5 years ago</td></tr><tr><td><a href="Glider.webm">Glider.webm</a></td><td>Sufjan Stevens - Death With Dignity
</td><td>2725</td><td>Sunday, November 04, 2018 18:27:30</td><td>5 years ago</td></tr><tr><td><a href="Gonddo.webm">Gonddo.webm</a></td><td>Windows XP Installation Music
</td><td>2757</td><td>Saturday, November 03, 2018 19:42:18</td><td>5 years ago</td></tr><tr><td><a href="SpaceGondola13.webm">SpaceGondola13.webm</a></td><td>Clown.wmv
</td><td>1894</td><td>Saturday, November 03, 2018 19:40:26</td><td>5 years ago</td></tr><tr><td><a href="NantokaNareGondola.webm">NantokaNareGondola.webm</a></td><td>Furuido - Nantoka Nare
</td><td>1793</td><td>Saturday, November 03, 2018 19:38:25</td><td>5 years ago</td></tr><tr><td><a href="EmptySchoolBuilding.webm">EmptySchoolBuilding.webm</a></td><td></td><td>2149</td><td>Saturday, November 03, 2018 19:36:53</td><td>5 years ago</td></tr><tr><td><a href="Gondola1940.webm">Gondola1940.webm</a></td><td>Gershwin - Rhapsody in Blue
</td><td>2317</td><td>Monday, October 29, 2018 22:41:56</td><td>5 years ago</td></tr><tr><td><a href="SadGondolaJourney.webm">SadGondolaJourney.webm</a></td><td>Claude Debussy - Clair de lune
</td><td>2056</td><td>Monday, October 29, 2018 22:41:01</td><td>5 years ago</td></tr><tr><td><a href="DancingGond.webm">DancingGond.webm</a></td><td>(2007) maf464 - Tututu
</td><td>2359</td><td>Monday, October 29, 2018 22:40:46</td><td>5 years ago</td></tr><tr><td><a href="SpaceGondolaCrash.webm">SpaceGondolaCrash.webm</a></td><td>Super Mario Galaxy OST - Space Junk Galaxy
</td><td>1973</td><td>Monday, October 29, 2018 22:39:58</td><td>5 years ago</td></tr><tr><td><a href="RenegateGondola.webm">RenegateGondola.webm</a></td><td>Xavier: Renegade Angel OST - Main Theme
</td><td>1917</td><td>Monday, October 29, 2018 22:39:21</td><td>5 years ago</td></tr><tr><td><a href="AncientGondola2.webm">AncientGondola2.webm</a></td><td></td><td>2722</td><td>Monday, October 29, 2018 22:38:46</td><td>5 years ago</td></tr><tr><td><a href="FideSeen.webm">FideSeen.webm</a></td><td>Patricia Taxxon - Tall Grass
</td><td>2064</td><td>Monday, October 29, 2018 22:38:24</td><td>5 years ago</td></tr><tr><td><a href="GondolaFortress.webm">GondolaFortress.webm</a></td><td>Dwarf Fortress - Menu Music
</td><td>2217</td><td>Monday, October 29, 2018 22:37:52</td><td>5 years ago</td></tr><tr><td><a href="GondolaIllusion.webm">GondolaIllusion.webm</a></td><td>La Mulana Remake OST - Wonder of the Wonder
</td><td>2038</td><td>Monday, October 29, 2018 22:36:51</td><td>5 years ago</td></tr><tr><td><a href="GondolaEden2.webm">GondolaEden2.webm</a></td><td>La Mulana Remake OST - Eden
</td><td>2193</td><td>Monday, October 29, 2018 22:36:43</td><td>5 years ago</td></tr><tr><td><a href="GondolasEpicYarn.mp4">GondolasEpicYarn.mp4</a></td><td>Kirby's Epic Yarn OST - Melody Town
</td><td>3014</td><td>Monday, October 29, 2018 22:34:55</td><td>5 years ago</td></tr><tr><td><a href="AquaticGondola2.webm">AquaticGondola2.webm</a></td><td>Sonic the Hedgehog 2006 OST - Aquatic Base Level 1
</td><td>2405</td><td>Monday, October 29, 2018 22:21:55</td><td>5 years ago</td></tr><tr><td><a href="SolGondola.webm">SolGondola.webm</a></td><td>Sonic 2006 (Town music)
</td><td>1823</td><td>Monday, October 29, 2018 22:21:38</td><td>5 years ago</td></tr><tr><td><a href="GondolaCombing.webm">GondolaCombing.webm</a></td><td>Mother 3 OST - Beachcombing
</td><td>2094</td><td>Monday, October 29, 2018 22:21:07</td><td>5 years ago</td></tr><tr><td><a href="PinkGondola2.webm">PinkGondola2.webm</a></td><td></td><td>1824</td><td>Monday, October 29, 2018 22:20:42</td><td>5 years ago</td></tr><tr><td><a href="JustTheTrain.webm">JustTheTrain.webm</a></td><td>Aphex Twin - Alberto Balsam
</td><td>2371</td><td>Monday, October 29, 2018 22:20:18</td><td>5 years ago</td></tr><tr><td><a href="MoonstrideGondola.webm">MoonstrideGondola.webm</a></td><td>Dvar - Hishmaliin
</td><td>1869</td><td>Monday, October 29, 2018 22:19:10</td><td>5 years ago</td></tr><tr><td><a href="GondolaSorrow.webm">GondolaSorrow.webm</a></td><td>Fullmetal Alchemist Brotherhood OST - Sorrowful Stone
</td><td>2028</td><td>Monday, October 29, 2018 22:16:47</td><td>5 years ago</td></tr><tr><td><a href="GondolaRain2.webm">GondolaRain2.webm</a></td><td>Fullmetal Alchemist: Brotherhood OST - Crime and Punishment
</td><td>2221</td><td>Monday, October 29, 2018 22:16:14</td><td>5 years ago</td></tr><tr><td><a href="GondolaHowlingBjord.webm">GondolaHowlingBjord.webm</a></td><td>World of Warcraft: Wrath of the Lich King OST - Howling Fjord
</td><td>2154</td><td>Monday, October 29, 2018 22:15:01</td><td>5 years ago</td></tr><tr><td><a href="GondolaPostingAllDay.webm">GondolaPostingAllDay.webm</a></td><td></td><td>2008</td><td>Monday, October 29, 2018 22:14:45</td><td>5 years ago</td></tr><tr><td><a href="GondolaFridayNight.webm">GondolaFridayNight.webm</a></td><td>The Droge & Summers Blend - Two Of The Lucky Ones
</td><td>2057</td><td>Monday, October 29, 2018 22:14:35</td><td>5 years ago</td></tr><tr><td><a href="FinnishGondola.webm">FinnishGondola.webm</a></td><td>Popeda - Ukkometso
</td><td>2130</td><td>Monday, October 29, 2018 22:14:19</td><td>5 years ago</td></tr><tr><td><a href="FeltTooMuch.webm">FeltTooMuch.webm</a></td><td>Type O Negative - Stay Out of My Dreams
</td><td>2185</td><td>Monday, October 29, 2018 22:14:12</td><td>5 years ago</td></tr><tr><td><a href="GondolaESNoMore.webm">GondolaESNoMore.webm</a></td><td>Nick Cave & Warren Ellis - The road
</td><td>2103</td><td>Monday, October 29, 2018 22:13:30</td><td>5 years ago</td></tr><tr><td><a href="GondApple.webm">GondApple.webm</a></td><td>Erik Satie - Gymnopédie No.1
</td><td>2575</td><td>Monday, October 29, 2018 22:13:09</td><td>5 years ago</td></tr><tr><td><a href="DeadFlagBlues.webm">DeadFlagBlues.webm</a></td><td>Godspeed You! Black Emperor - The Dead Flag Blues
</td><td>2563</td><td>Monday, October 29, 2018 22:09:52</td><td>5 years ago</td></tr><tr><td><a href="2001Gondola.webm">2001Gondola.webm</a></td><td>Richard Strauss - Also Sprach Zarathusra
</td><td>3703</td><td>Monday, October 29, 2018 22:06:37</td><td>5 years ago</td></tr><tr><td><a href="GondolaSnowman2.webm">GondolaSnowman2.webm</a></td><td>Vàli - Et Teppe Av Mose
</td><td>2026</td><td>Monday, October 29, 2018 22:06:16</td><td>5 years ago</td></tr><tr><td><a href="GondolaWasThere.webm">GondolaWasThere.webm</a></td><td>Katawa Shoujo OST - Painful History (Hanako's Theme)
</td><td>2101</td><td>Monday, October 29, 2018 22:05:59</td><td>5 years ago</td></tr><tr><td><a href="Gondolalone.webm">Gondolalone.webm</a></td><td>Naruto OST - Alone
</td><td>1957</td><td>Monday, October 29, 2018 22:04:54</td><td>5 years ago</td></tr><tr><td><a href="LongGondola.mp4">LongGondola.mp4</a></td><td>Yoko Kanno - Long Goodbye
</td><td>2927</td><td>Monday, October 29, 2018 22:03:21</td><td>5 years ago</td></tr><tr><td><a href="GondolaUnderground2.webm">GondolaUnderground2.webm</a></td><td>Future Holograms - Valentine
</td><td>2013</td><td>Monday, October 29, 2018 22:00:40</td><td>5 years ago</td></tr><tr><td><a href="TheGondolaWhoWouldNeverBeWhatTheyMadeHimToBe.webm">TheGondolaWhoWouldNeverBeWhatTheyMadeHimToBe.webm</a></td><td>John Maus - Hey Moon
</td><td>5524</td><td>Monday, October 29, 2018 21:59:56</td><td>5 years ago</td></tr><tr><td><a href="GondolaCyberpunk.webm">GondolaCyberpunk.webm</a></td><td>SUDUAYA - Unity
</td><td>2393</td><td>Monday, October 29, 2018 21:58:17</td><td>5 years ago</td></tr><tr><td><a href="GondolasStory.webm">GondolasStory.webm</a></td><td>Night in the Woods OST - Angus' Story
</td><td>1928</td><td>Sunday, October 28, 2018 11:39:42</td><td>5 years ago</td></tr><tr><td><a href="TheShapeOfGondola.webm">TheShapeOfGondola.webm</a></td><td>Alexandre Desplay - The Shape Of Water
</td><td>1801</td><td>Sunday, October 28, 2018 11:39:09</td><td>5 years ago</td></tr><tr><td><a href="WaldorfBanksideServic124ed.webm">WaldorfBanksideServic124ed.webm</a></td><td>Kudasai - You make colors out of grey
</td><td>1842</td><td>Sunday, October 28, 2018 11:36:05</td><td>5 years ago</td></tr><tr><td><a href="WalkOnTheGondolaSide.webm">WalkOnTheGondolaSide.webm</a></td><td>Lou Reed - Take A Walk On The Wild Side
</td><td>1773</td><td>Sunday, October 28, 2018 11:35:19</td><td>5 years ago</td></tr><tr><td><a href="TheGondolaAtTheCenterOfEverything.webm">TheGondolaAtTheCenterOfEverything.webm</a></td><td>Night in the Woods OST - The Hole at the Center of Everything
</td><td>1843</td><td>Sunday, October 28, 2018 11:34:36</td><td>5 years ago</td></tr><tr><td><a href="Enderal.webm">Enderal.webm</a></td><td>Enderal: The Shards of Order OST - Shattered Dreams
</td><td>2127</td><td>Sunday, October 28, 2018 11:32:04</td><td>5 years ago</td></tr><tr><td><a href="TalviauringonGondola.webm">TalviauringonGondola.webm</a></td><td>Wintersun - Time
</td><td>1807</td><td>Sunday, October 28, 2018 11:31:06</td><td>5 years ago</td></tr><tr><td><a href="Stockyards.webm">Stockyards.webm</a></td><td>Oddworld: Abe's Oddysee OST - Abe's Theme
</td><td>1801</td><td>Sunday, October 28, 2018 11:30:45</td><td>5 years ago</td></tr><tr><td><a href="GondolaPlanets.webm">GondolaPlanets.webm</a></td><td>The Planets (1999) OST - Main Title
</td><td>2062</td><td>Sunday, October 28, 2018 11:29:11</td><td>5 years ago</td></tr><tr><td><a href="ConsiderTheMallternative.webm">ConsiderTheMallternative.webm</a></td><td>Linkin Park - In The End (Remixed)
</td><td>2168</td><td>Tuesday, October 23, 2018 22:42:48</td><td>5 years ago</td></tr><tr><td><a href="CyberGondola3.webm">CyberGondola3.webm</a></td><td>Megaman X4 - Cyber Peacock Stage
</td><td>2198</td><td>Tuesday, October 23, 2018 06:42:03</td><td>5 years ago</td></tr><tr><td><a href="GondolaInSpace2.webm">GondolaInSpace2.webm</a></td><td>Radiohead - No Surprise (8 bit)
</td><td>2437</td><td>Tuesday, October 23, 2018 06:37:47</td><td>5 years ago</td></tr><tr><td><a href="GondolaAsTheMiddleTriptych.webm">GondolaAsTheMiddleTriptych.webm</a></td><td>Tryptych Part 2 - Blockhead
</td><td>2250</td><td>Tuesday, October 23, 2018 06:29:34</td><td>5 years ago</td></tr><tr><td><a href="GondolaCity2.webm">GondolaCity2.webm</a></td><td>Deadmau5 - Everything You Are
</td><td>2392</td><td>Monday, October 22, 2018 00:47:16</td><td>5 years ago</td></tr><tr><td><a href="AtSeventeen.webm">AtSeventeen.webm</a></td><td>Ian - At Seventeen
</td><td>2454</td><td>Saturday, October 13, 2018 12:03:36</td><td>5 years ago</td></tr><tr><td><a href="GondolaValleyForce.webm">GondolaValleyForce.webm</a></td><td>Kuma - Valley Force
</td><td>2089</td><td>Wednesday, September 19, 2018 09:47:29</td><td>5 years ago</td></tr><tr><td><a href="GondolaSeesTheFuture.webm">GondolaSeesTheFuture.webm</a></td><td>Nepalese Bliss - The Irresistible Force
</td><td>2103</td><td>Wednesday, September 19, 2018 09:47:04</td><td>5 years ago</td></tr><tr><td><a href="WatlandYutaniGondola.webm">WatlandYutaniGondola.webm</a></td><td>Radioactive Man - 1/u=Daven't Nay
</td><td>1889</td><td>Wednesday, September 19, 2018 09:46:49</td><td>5 years ago</td></tr><tr><td><a href="CommutingWageDola.webm">CommutingWageDola.webm</a></td><td>Kid Creole & The Coconuts - Stool Pigeon
</td><td>2208</td><td>Wednesday, September 19, 2018 09:44:36</td><td>5 years ago</td></tr><tr><td><a href="GondolaGwent.webm">GondolaGwent.webm</a></td><td>The Witcher 3: Extended OST - Another Round For Everyone
</td><td>2219</td><td>Sunday, September 16, 2018 23:37:35</td><td>5 years ago</td></tr><tr><td><a href="GondolasSleepParalysis.webm">GondolasSleepParalysis.webm</a></td><td>OOO - Sleep Paralysis
</td><td>2083</td><td>Sunday, September 16, 2018 05:21:55</td><td>5 years ago</td></tr><tr><td><a href="GondolaSailingTowardsTheLight.webm">GondolaSailingTowardsTheLight.webm</a></td><td>Tron Legacy OST - Solar Sailer
</td><td>2172</td><td>Sunday, September 16, 2018 05:21:09</td><td>5 years ago</td></tr><tr><td><a href="GondolaForever.webm">GondolaForever.webm</a></td><td>µ-Ziq - Melting Bas
</td><td>2217</td><td>Sunday, September 16, 2018 05:20:10</td><td>5 years ago</td></tr><tr><td><a href="GondolaMiki.webm">GondolaMiki.webm</a></td><td>Devilman Crybaby OST - From Here to Eternity
</td><td>2167</td><td>Thursday, September 13, 2018 05:14:31</td><td>5 years ago</td></tr><tr><td><a href="GondolaHeaven.webm">GondolaHeaven.webm</a></td><td></td><td>2171</td><td>Monday, September 10, 2018 22:31:53</td><td>5 years ago</td></tr><tr><td><a href="AdventureTimeGondola.webm">AdventureTimeGondola.webm</a></td><td>Adventure Time OST - Time Adventure (Finale Song)
</td><td>3086</td><td>Monday, September 10, 2018 22:31:32</td><td>5 years ago</td></tr><tr><td><a href="GondolaFeelsLikeSummer.webm">GondolaFeelsLikeSummer.webm</a></td><td>Childish Gambino - Feels Like Summer
</td><td>2239</td><td>Thursday, September 06, 2018 17:37:09</td><td>5 years ago</td></tr><tr><td><a href="GondolaGatari.webm">GondolaGatari.webm</a></td><td>Kizumonogatari Part III OST - Ending Theme 「étoile et toi」
</td><td>2586</td><td>Thursday, September 06, 2018 17:36:56</td><td>5 years ago</td></tr><tr><td><a href="GondolaUso.webm">GondolaUso.webm</a></td><td>Shigatsu wa Kimi no Uso OST - Watashi no Uso
</td><td>2084</td><td>Thursday, September 06, 2018 17:36:27</td><td>5 years ago</td></tr><tr><td><a href="21Gondola.webm">21Gondola.webm</a></td><td></td><td>3347</td><td>Wednesday, September 05, 2018 16:55:32</td><td>5 years ago</td></tr><tr><td><a href="ComeAlongWithMe.webm">ComeAlongWithMe.webm</a></td><td>Adventure Time - Island Song
</td><td>2262</td><td>Wednesday, September 05, 2018 16:55:20</td><td>5 years ago</td></tr><tr><td><a href="GondolaAndSwampMechanisms.webm">GondolaAndSwampMechanisms.webm</a></td><td>Slowdive - Nightmare
</td><td>2268</td><td>Wednesday, September 05, 2018 16:54:39</td><td>5 years ago</td></tr><tr><td><a href="SmokingOnStarstuff.webm">SmokingOnStarstuff.webm</a></td><td>Hazy Year - Smoking on Starstuff
</td><td>2437</td><td>Monday, September 03, 2018 18:13:51</td><td>5 years ago</td></tr><tr><td><a href="GondolaPraambulum.webm">GondolaPraambulum.webm</a></td><td>Ensemble Caprice | Collection Uhrovska - Präambulum
</td><td>2163</td><td>Monday, September 03, 2018 06:01:56</td><td>5 years ago</td></tr><tr><td><a href="GondolasRestingState.webm">GondolasRestingState.webm</a></td><td>Jur x - Chronicles of Outer Space
</td><td>1983</td><td>Sunday, September 02, 2018 00:11:40</td><td>5 years ago</td></tr><tr><td><a href="WheelsOfGondola.webm">WheelsOfGondola.webm</a></td><td>Black Sabbath - Wheels of Confusion
</td><td>1886</td><td>Saturday, September 01, 2018 23:58:18</td><td>5 years ago</td></tr><tr><td><a href="AlDiGondeola.webm">AlDiGondeola.webm</a></td><td>Al Di Meola - Orient Blue
</td><td>2699</td><td>Saturday, September 01, 2018 23:54:54</td><td>5 years ago</td></tr><tr><td><a href="GuardianGondola3.webm">GuardianGondola3.webm</a></td><td>Aphex Twin - Stone In Focus
</td><td>2042</td><td>Saturday, September 01, 2018 23:44:51</td><td>5 years ago</td></tr><tr><td><a href="RainyDay.webm">RainyDay.webm</a></td><td>Hidden Orchestra - Stone
</td><td>1867</td><td>Saturday, September 01, 2018 23:43:46</td><td>5 years ago</td></tr><tr><td><a href="BetweenTheGondolas.webm">BetweenTheGondolas.webm</a></td><td>Al Stewart - Laughing Into 1939
</td><td>2395</td><td>Tuesday, August 28, 2018 21:19:57</td><td>5 years ago</td></tr><tr><td><a href="GondolaInTheMorning.webm">GondolaInTheMorning.webm</a></td><td>Automatic Tasty - Field In The Morning
</td><td>2098</td><td>Tuesday, August 28, 2018 21:19:08</td><td>5 years ago</td></tr><tr><td><a href="GondjectionOverruled.webm">GondjectionOverruled.webm</a></td><td>Ace Attorney OST - Gyakuten Meets Orchestra: Godot's Theme, Fragrance of Dark Coffee
</td><td>2738</td><td>Saturday, August 25, 2018 19:55:51</td><td>5 years ago</td></tr><tr><td><a href="AbandonedSuburbGondola.webm">AbandonedSuburbGondola.webm</a></td><td>Mount Eerie - Lost Wisdom
</td><td>3112</td><td>Friday, August 24, 2018 17:07:21</td><td>5 years ago</td></tr><tr><td><a href="ThreeEpisodesOfGondola.webm">ThreeEpisodesOfGondola.webm</a></td><td>Vangelis - La Petite Fille de la Mer
</td><td>1915</td><td>Friday, August 24, 2018 16:55:53</td><td>5 years ago</td></tr><tr><td><a href="Gonads.webm">Gonads.webm</a></td><td>Luke Vibert - Spiral Staircase (AFX Remix)
</td><td>2741</td><td>Wednesday, August 22, 2018 05:47:58</td><td>5 years ago</td></tr><tr><td><a href="StairsPainting.webm">StairsPainting.webm</a></td><td>Aphex Twin - Qkthr
</td><td>2107</td><td>Wednesday, August 22, 2018 05:46:28</td><td>5 years ago</td></tr><tr><td><a href="GuardianGondola2.webm">GuardianGondola2.webm</a></td><td>Aphex Twin - Stone In Focus
</td><td>2074</td><td>Wednesday, August 22, 2018 05:45:38</td><td>5 years ago</td></tr><tr><td><a href="TheArrowThatKilledGondola.webm">TheArrowThatKilledGondola.webm</a></td><td>Suikoden II OST - Days Past
</td><td>1946</td><td>Wednesday, August 22, 2018 05:44:34</td><td>5 years ago</td></tr><tr><td><a href="GondolaLabourInTheField.webm">GondolaLabourInTheField.webm</a></td><td>King's Singers - Margot labourez les vignes
</td><td>2183</td><td>Wednesday, August 22, 2018 05:42:30</td><td>5 years ago</td></tr><tr><td><a href="GondolaLittleBoxes.webm">GondolaLittleBoxes.webm</a></td><td>Malvina Reynolds - Little Boxes
</td><td>2066</td><td>Wednesday, August 22, 2018 05:41:24</td><td>5 years ago</td></tr><tr><td><a href="TheForbiddenTower.webm">TheForbiddenTower.webm</a></td><td>The Talos Principle OST | Damjan Mravunac - Tower
</td><td>2026</td><td>Wednesday, August 22, 2018 05:41:01</td><td>5 years ago</td></tr><tr><td><a href="Avril14th.webm">Avril14th.webm</a></td><td></td><td>2451</td><td>Wednesday, August 22, 2018 05:39:08</td><td>5 years ago</td></tr><tr><td><a href="SixtyNineDude.webm">SixtyNineDude.webm</a></td><td>Boards of Canada - Sixtyniner
</td><td>1868</td><td>Wednesday, August 22, 2018 05:38:51</td><td>5 years ago</td></tr><tr><td><a href="Sunburn.webm">Sunburn.webm</a></td><td>Sunburn - Decal
</td><td>1903</td><td>Wednesday, August 22, 2018 05:37:27</td><td>5 years ago</td></tr><tr><td><a href="Bombdola.webm">Bombdola.webm</a></td><td>Ghost Trick OST - Countdown
</td><td>2337</td><td>Wednesday, August 22, 2018 05:36:56</td><td>5 years ago</td></tr><tr><td><a href="GuardianGondola.webm">GuardianGondola.webm</a></td><td>Aphex Twin - Stone In Focus
</td><td>2129</td><td>Sunday, August 05, 2018 09:17:49</td><td>5 years ago</td></tr><tr><td><a href="GondolaPeachCastle.webm">GondolaPeachCastle.webm</a></td><td>Super Mario 64 OST - Staff Roll
</td><td>2434</td><td>Sunday, August 05, 2018 08:18:23</td><td>5 years ago</td></tr><tr><td><a href="CityGondola.webm">CityGondola.webm</a></td><td>Sugi.wa - Warmth.
</td><td>2448</td><td>Sunday, August 05, 2018 08:17:02</td><td>5 years ago</td></tr><tr><td><a href="CrossCountryGondola.webm">CrossCountryGondola.webm</a></td><td>Nick Drake - Harvest Breed
</td><td>2271</td><td>Saturday, August 04, 2018 13:58:55</td><td>5 years ago</td></tr><tr><td><a href="GondolaSalaryManTrain.webm">GondolaSalaryManTrain.webm</a></td><td>Jesse Novak - Hallway
</td><td>2151</td><td>Saturday, August 04, 2018 13:58:39</td><td>5 years ago</td></tr><tr><td><a href="FugEngine.webm">FugEngine.webm</a></td><td>Fred Wesley - Funk for your Ass
</td><td>4705</td><td>Saturday, August 04, 2018 13:57:25</td><td>5 years ago</td></tr><tr><td><a href="PhilosophyOfGondola.webm">PhilosophyOfGondola.webm</a></td><td>Adam Ben Ezra - Can't Stop Running (Percussive Double Bass Solo)
</td><td>1994</td><td>Saturday, August 04, 2018 13:55:52</td><td>5 years ago</td></tr><tr><td><a href="GondolaPatterns.webm">GondolaPatterns.webm</a></td><td>Opeth - Patterns in The Ivy 1
</td><td>3044</td><td>Saturday, August 04, 2018 13:55:00</td><td>5 years ago</td></tr><tr><td><a href="DandelionGondola.webm">DandelionGondola.webm</a></td><td>RahXephon 3 OST - 20 Before You Know
</td><td>2261</td><td>Saturday, August 04, 2018 13:54:35</td><td>5 years ago</td></tr><tr><td><a href="IllNeverLoveAgainMyWorldIsEnding.webm">IllNeverLoveAgainMyWorldIsEnding.webm</a></td><td>The End Of Evangelion OST - Komm, Süsser Tod
</td><td>2261</td><td>Saturday, August 04, 2018 13:51:37</td><td>5 years ago</td></tr><tr><td><a href="AsiatiGondola.webm">AsiatiGondola.webm</a></td><td>書道家の成長 - Calligrapher's Growth
</td><td>2551</td><td>Saturday, August 04, 2018 13:50:23</td><td>5 years ago</td></tr><tr><td><a href="DeceasedGondola.webm">DeceasedGondola.webm</a></td><td>Louis Armstrong - What A Wonderful World
</td><td>2260</td><td>Saturday, August 04, 2018 13:49:19</td><td>5 years ago</td></tr><tr><td><a href="BoomerGondola.webm">BoomerGondola.webm</a></td><td>Doom Side of the Moon - Money
</td><td>2554</td><td>Saturday, August 04, 2018 13:48:59</td><td>5 years ago</td></tr><tr><td><a href="RunningGondola.webm">RunningGondola.webm</a></td><td></td><td>2168</td><td>Saturday, August 04, 2018 13:48:37</td><td>5 years ago</td></tr><tr><td><a href="SteampunkGondola.webm">SteampunkGondola.webm</a></td><td>Professor Layton and the Unwound Future/Lost Future OST - More London Streets
</td><td>1974</td><td>Saturday, August 04, 2018 13:47:39</td><td>5 years ago</td></tr><tr><td><a href="Armagondolin.webm">Armagondolin.webm</a></td><td></td><td>2545</td><td>Saturday, August 04, 2018 13:47:28</td><td>5 years ago</td></tr><tr><td><a href="EgonSchiele.webm">EgonSchiele.webm</a></td><td>Henry Mancini - Days of Wine and Roses
</td><td>2609</td><td>Saturday, August 04, 2018 13:47:11</td><td>5 years ago</td></tr><tr><td><a href="GondolaAnimeGirl.webm">GondolaAnimeGirl.webm</a></td><td>RahXephon OST 3 - The Door of Adolescence
</td><td>2401</td><td>Saturday, August 04, 2018 13:46:28</td><td>5 years ago</td></tr><tr><td><a href="GondolaDreamingOfHer.webm">GondolaDreamingOfHer.webm</a></td><td>Debussy - Rêverie
</td><td>2324</td><td>Saturday, August 04, 2018 13:45:20</td><td>5 years ago</td></tr><tr><td><a href="GondolaHarvest.webm">GondolaHarvest.webm</a></td><td>Ich Suenge Gerne Huebschen Sanc
</td><td>2200</td><td>Saturday, August 04, 2018 13:45:08</td><td>5 years ago</td></tr><tr><td><a href="GondolaMountains.webm">GondolaMountains.webm</a></td><td>Wii Shop Theme - Jazz Cover (insaneintherainmusic)
</td><td>2158</td><td>Saturday, August 04, 2018 13:43:53</td><td>5 years ago</td></tr><tr><td><a href="NakedSnakeGon.webm">NakedSnakeGon.webm</a></td><td>Metal Gear Solid 3 OST - Title Screen
</td><td>1959</td><td>Friday, June 15, 2018 22:33:08</td><td>5 years ago</td></tr><tr><td><a href="GondolaSpaceWanderer.webm">GondolaSpaceWanderer.webm</a></td><td>Cloud Atlas OST | Tom Tykwer, Johnny Klimek & Reinhold Heil - Cloud Atlas Finale
</td><td>2376</td><td>Friday, June 15, 2018 22:32:52</td><td>5 years ago</td></tr><tr><td><a href="SomeGondolaIUsedToKnow.webm">SomeGondolaIUsedToKnow.webm</a></td><td>Gotye - Somebody That I Used to Know
</td><td>2356</td><td>Friday, June 15, 2018 22:31:45</td><td>5 years ago</td></tr><tr><td><a href="BoyGondolaBeachHouse.webm">BoyGondolaBeachHouse.webm</a></td><td>Boy Pablo - Beach House
</td><td>2479</td><td>Friday, June 15, 2018 22:29:57</td><td>5 years ago</td></tr><tr><td><a href="GondolaNauts.webm">GondolaNauts.webm</a></td><td>Policenauts OST - End of the Dark
</td><td>2190</td><td>Friday, June 15, 2018 22:28:51</td><td>5 years ago</td></tr><tr><td><a href="CagneyOnTheScreen.webm">CagneyOnTheScreen.webm</a></td><td>Tom Waits - A Little Rain
</td><td>2307</td><td>Friday, June 15, 2018 22:28:25</td><td>5 years ago</td></tr><tr><td><a href="Binland.webm">Binland.webm</a></td><td></td><td>2627</td><td>Friday, June 15, 2018 22:27:38</td><td>5 years ago</td></tr><tr><td><a href="Gon1.webm">Gon1.webm</a></td><td>Open Ocean - Abysmal
</td><td>2773</td><td>Friday, June 15, 2018 22:27:23</td><td>5 years ago</td></tr><tr><td><a href="GondolaInTheMountains.webm">GondolaInTheMountains.webm</a></td><td>Inka Marka - Loy Loy Loy
</td><td>2425</td><td>Saturday, June 09, 2018 06:37:19</td><td>5 years ago</td></tr><tr><td><a href="JungleGondola.webm">JungleGondola.webm</a></td><td></td><td>2025</td><td>Tuesday, June 05, 2018 01:12:22</td><td>5 years ago</td></tr><tr><td><a href="GondolaLightningBug.webm">GondolaLightningBug.webm</a></td><td>Windows to the Soul (feat. Aqualina)
</td><td>2293</td><td>Tuesday, June 05, 2018 01:11:45</td><td>5 years ago</td></tr><tr><td><a href="GoingHomeGondola.webm">GoingHomeGondola.webm</a></td><td>Bastion Soundtrack - Setting Sail, Coming Home (End Theme)
</td><td>2866</td><td>Friday, June 01, 2018 21:21:30</td><td>5 years ago</td></tr><tr><td><a href="PillarsOfNosGond.webm">PillarsOfNosGond.webm</a></td><td></td><td>2101</td><td>Friday, June 01, 2018 21:21:07</td><td>5 years ago</td></tr><tr><td><a href="GondolaSplendens.webm">GondolaSplendens.webm</a></td><td>Jacek Urbaniak - Stella Splendens
</td><td>2195</td><td>Monday, May 28, 2018 18:31:40</td><td>5 years ago</td></tr><tr><td><a href="GondolaNuke.webm">GondolaNuke.webm</a></td><td>Frack Carrel - Dernier Braiser
</td><td>2261</td><td>Sunday, May 27, 2018 09:41:46</td><td>5 years ago</td></tr><tr><td><a href="GondolasOSLament.webm">GondolasOSLament.webm</a></td><td>Portal 2 OST - PotatOS Lament
</td><td>3354</td><td>Sunday, May 27, 2018 06:35:35</td><td>5 years ago</td></tr><tr><td><a href="CocaineGondola.webm">CocaineGondola.webm</a></td><td>Miami Vice OST - Voodoo Dance
</td><td>2460</td><td>Friday, May 25, 2018 03:34:31</td><td>5 years ago</td></tr><tr><td><a href="GondolaMother.webm">GondolaMother.webm</a></td><td>Hirokazu Tanaka - Magicant
</td><td>2214</td><td>Friday, May 25, 2018 03:32:16</td><td>5 years ago</td></tr><tr><td><a href="FloatingGondola.webm">FloatingGondola.webm</a></td><td>Cloakroom - Paperweight
</td><td>2283</td><td>Friday, May 25, 2018 03:31:26</td><td>5 years ago</td></tr><tr><td><a href="NausicaaGondola.webm">NausicaaGondola.webm</a></td><td>Nausicaa OST - Kaze no Densetsu
</td><td>2030</td><td>Friday, May 25, 2018 03:31:07</td><td>5 years ago</td></tr><tr><td><a href="HaloGondola2.webm">HaloGondola2.webm</a></td><td>Halo OST - Theme
</td><td>2269</td><td>Friday, May 25, 2018 03:17:19</td><td>5 years ago</td></tr><tr><td><a href="GondolaInSpace.webm">GondolaInSpace.webm</a></td><td>Boards of Canada - Everything You Do is a Balloon
</td><td>2408</td><td>Friday, May 25, 2018 03:16:38</td><td>5 years ago</td></tr><tr><td><a href="GondolaTokyoBridge.webm">GondolaTokyoBridge.webm</a></td><td>Saib - West Lake
</td><td>2311</td><td>Monday, May 14, 2018 23:11:24</td><td>5 years ago</td></tr><tr><td><a href="GondolaOnTheField.webm">GondolaOnTheField.webm</a></td><td>The Album Leaf - Window
</td><td>2249</td><td>Friday, May 11, 2018 07:40:45</td><td>5 years ago</td></tr><tr><td><a href="GondolaAwakening.webm">GondolaAwakening.webm</a></td><td>Saor - The Awakening
</td><td>2475</td><td>Thursday, May 10, 2018 09:58:07</td><td>5 years ago</td></tr><tr><td><a href="ChocolateTruckSpill.webm">ChocolateTruckSpill.webm</a></td><td>Gothic Storm - Tortured Heart
</td><td>2296</td><td>Thursday, May 10, 2018 09:28:07</td><td>5 years ago</td></tr><tr><td><a href="GraveyardGondola.webm">GraveyardGondola.webm</a></td><td>Both of Us - Idealism
</td><td>2124</td><td>Wednesday, May 02, 2018 00:24:41</td><td>5 years ago</td></tr><tr><td><a href="Nausica.webm">Nausica.webm</a></td><td>Nausicaä of the Valley of the Wind OST - Requiem
</td><td>2040</td><td>Wednesday, May 02, 2018 00:23:19</td><td>5 years ago</td></tr><tr><td><a href="GondolaSaturn.webm">GondolaSaturn.webm</a></td><td>Brian Eno - "2/2"
</td><td>2306</td><td>Wednesday, May 02, 2018 00:22:40</td><td>5 years ago</td></tr><tr><td><a href="WandererOfTheSea.webm">WandererOfTheSea.webm</a></td><td>Keita Haga - Sealed Ends of the Four Seas: Okeanos (Fate/Grand Order OST)
</td><td>2014</td><td>Wednesday, May 02, 2018 00:21:25</td><td>5 years ago</td></tr><tr><td><a href="EatYourPotatoes.webm">EatYourPotatoes.webm</a></td><td></td><td>2433</td><td>Saturday, April 21, 2018 11:44:25</td><td>5 years ago</td></tr><tr><td><a href="Horizons.webm">Horizons.webm</a></td><td>Genesis - Horizons
</td><td>2176</td><td>Saturday, April 14, 2018 14:34:27</td><td>5 years ago</td></tr><tr><td><a href="SealandGondola.webm">SealandGondola.webm</a></td><td></td><td>2174</td><td>Friday, April 13, 2018 18:15:07</td><td>5 years ago</td></tr><tr><td><a href="OperatorGondola.webm">OperatorGondola.webm</a></td><td>Glue70 - Plastic Way of Life
</td><td>2109</td><td>Thursday, April 12, 2018 22:12:34</td><td>5 years ago</td></tr><tr><td><a href="SpaceDandy.webm">SpaceDandy.webm</a></td><td>Space Dandy OST - Dandy in Love
</td><td>2395</td><td>Monday, April 09, 2018 03:33:53</td><td>5 years ago</td></tr><tr><td><a href="GondolaRoof.webm">GondolaRoof.webm</a></td><td>Undertale - Home (Piano cover)
</td><td>2386</td><td>Saturday, April 07, 2018 02:14:02</td><td>5 years ago</td></tr><tr><td><a href="Tayutau.webm">Tayutau.webm</a></td><td>DJ Okawari - Tayutau
</td><td>2242</td><td>Saturday, April 07, 2018 00:08:33</td><td>5 years ago</td></tr><tr><td><a href="GondolaViking.webm">GondolaViking.webm</a></td><td>Lustmord - Babel
</td><td>2309</td><td>Saturday, April 07, 2018 00:07:14</td><td>5 years ago</td></tr><tr><td><a href="TheWreckOfGondola.webm">TheWreckOfGondola.webm</a></td><td>Gordon Lightfoot - The Wreck of the Edmund Fitzgerald
</td><td>2026</td><td>Friday, April 06, 2018 23:58:28</td><td>5 years ago</td></tr><tr><td><a href="Stardola.webm">Stardola.webm</a></td><td>Casiopea - Tears of The Star
</td><td>2082</td><td>Friday, April 06, 2018 23:57:01</td><td>5 years ago</td></tr><tr><td><a href="GoodbyeGondola2.webm">GoodbyeGondola2.webm</a></td><td></td><td>2248</td><td>Friday, April 06, 2018 23:55:52</td><td>5 years ago</td></tr><tr><td><a href="GondolaGonRage.webm">GondolaGonRage.webm</a></td><td>Hunter x Hunter OST | Hirano Yoshihisa - Hyōri Ittai
</td><td>2498</td><td>Friday, April 06, 2018 23:47:26</td><td>5 years ago</td></tr><tr><td><a href="GondolaWaitingForATrain2.webm">GondolaWaitingForATrain2.webm</a></td><td>Amiina - Bíólagið
</td><td>2306</td><td>Friday, April 06, 2018 23:46:01</td><td>5 years ago</td></tr><tr><td><a href="SpaceOddity.webm">SpaceOddity.webm</a></td><td>David Bowie - Space Oddity (Piano)
</td><td>2100</td><td>Friday, April 06, 2018 23:43:01</td><td>5 years ago</td></tr><tr><td><a href="DownTheRiver.webm">DownTheRiver.webm</a></td><td>Braid OST - Downstream
</td><td>2303</td><td>Friday, April 06, 2018 23:37:53</td><td>5 years ago</td></tr><tr><td><a href="GondolaBikesDownASlope.webm">GondolaBikesDownASlope.webm</a></td><td></td><td>2480</td><td>Friday, April 06, 2018 23:31:27</td><td>5 years ago</td></tr><tr><td><a href="GondolaByTheBeach.webm">GondolaByTheBeach.webm</a></td><td></td><td>2549</td><td>Sunday, March 25, 2018 01:46:56</td><td>5 years ago</td></tr><tr><td><a href="IWantYouGondola.webm">IWantYouGondola.webm</a></td><td>Marvin Gaye - I Want You (Intro Jam 2)
</td><td>2129</td><td>Sunday, March 25, 2018 01:46:41</td><td>5 years ago</td></tr><tr><td><a href="HaloGondola.webm">HaloGondola.webm</a></td><td>Halo 2 Anniversary OST - Not a Number
</td><td>2434</td><td>Sunday, March 25, 2018 01:46:25</td><td>5 years ago</td></tr><tr><td><a href="MissingGondola.webm">MissingGondola.webm</a></td><td></td><td>2077</td><td>Sunday, March 25, 2018 01:38:21</td><td>5 years ago</td></tr><tr><td><a href="JuneGondola.webm">JuneGondola.webm</a></td><td>Xenogears Creid - 07 June Mermaid
</td><td>2146</td><td>Friday, March 23, 2018 20:25:44</td><td>5 years ago</td></tr><tr><td><a href="Beginning2.webm">Beginning2.webm</a></td><td>Ico OST - Castle in the Mist
</td><td>2760</td><td>Friday, March 23, 2018 20:24:30</td><td>5 years ago</td></tr><tr><td><a href="Beginning.webm">Beginning.webm</a></td><td>ICO OST - beginning
</td><td>3109</td><td>Friday, March 23, 2018 20:24:15</td><td>5 years ago</td></tr><tr><td><a href="DriftingEs.webm">DriftingEs.webm</a></td><td>Daytona USA OST - Let's Go Away
</td><td>2434</td><td>Friday, March 23, 2018 20:22:40</td><td>5 years ago</td></tr><tr><td><a href="JoyeuxBordel.webm">JoyeuxBordel.webm</a></td><td>Henry Mancini - Royal Blue
</td><td>2140</td><td>Friday, March 23, 2018 20:22:09</td><td>5 years ago</td></tr><tr><td><a href="GondolaJira.webm">GondolaJira.webm</a></td><td></td><td>2308</td><td>Friday, March 23, 2018 20:21:12</td><td>5 years ago</td></tr><tr><td><a href="MinecraftRainGondola.webm">MinecraftRainGondola.webm</a></td><td>Minecraft OST - C418 - Sweden
</td><td>2262</td><td>Friday, March 23, 2018 20:18:18</td><td>5 years ago</td></tr><tr><td><a href="SchizophreniaGondola.webm">SchizophreniaGondola.webm</a></td><td>Strauss - Metamorphosen
</td><td>2088</td><td>Friday, March 23, 2018 20:16:34</td><td>5 years ago</td></tr><tr><td><a href="BarGondola.webm">BarGondola.webm</a></td><td>Queen - Another One Bites The Dust (remix)
</td><td>2882</td><td>Friday, March 23, 2018 20:15:48</td><td>5 years ago</td></tr><tr><td><a href="GondolaOfficeAtNight.webm">GondolaOfficeAtNight.webm</a></td><td>Yume Nikki - Dream Diary - OST: School
</td><td>2476</td><td>Friday, March 23, 2018 20:13:39</td><td>5 years ago</td></tr><tr><td><a href="StairwayToGondola.webm">StairwayToGondola.webm</a></td><td>Led Zeppelin - Stairway To Heaven
</td><td>2036</td><td>Monday, March 19, 2018 06:48:20</td><td>5 years ago</td></tr><tr><td><a href="GondoLamp.webm">GondoLamp.webm</a></td><td>Professor Layton & The Curious Village OST - Mysterious Girl
</td><td>2824</td><td>Thursday, March 15, 2018 04:18:51</td><td>5 years ago</td></tr><tr><td><a href="JinRoh.webm">JinRoh.webm</a></td><td>Jin Roh - Grace Omega
</td><td>2400</td><td>Wednesday, March 14, 2018 11:21:42</td><td>5 years ago</td></tr><tr><td><a href="GondolaBaiot.webm">GondolaBaiot.webm</a></td><td>Baiot Ou Cimbalom [Tchang] – S. Fakhritdin
</td><td>2524</td><td>Wednesday, March 14, 2018 08:14:56</td><td>5 years ago</td></tr><tr><td><a href="RadiostarGondola.webm">RadiostarGondola.webm</a></td><td>The Buggles - Video Killed the Radio Star
</td><td>2076</td><td>Wednesday, March 14, 2018 08:14:25</td><td>5 years ago</td></tr><tr><td><a href="SnowySit.webm">SnowySit.webm</a></td><td></td><td>2040</td><td>Wednesday, March 14, 2018 08:12:47</td><td>5 years ago</td></tr><tr><td><a href="BeachFog.webm">BeachFog.webm</a></td><td></td><td>2539</td><td>Wednesday, March 14, 2018 08:07:33</td><td>5 years ago</td></tr><tr><td><a href="BeachEvening.webm">BeachEvening.webm</a></td><td></td><td>2568</td><td>Wednesday, March 14, 2018 08:07:27</td><td>5 years ago</td></tr><tr><td><a href="PixelBeach.webm">PixelBeach.webm</a></td><td></td><td>2017</td><td>Wednesday, March 14, 2018 08:05:53</td><td>5 years ago</td></tr><tr><td><a href="GondolaBridge.webm">GondolaBridge.webm</a></td><td>Les Choristes OST - Pépinot
</td><td>2403</td><td>Wednesday, March 14, 2018 08:04:57</td><td>5 years ago</td></tr><tr><td><a href="GondolaSnowdrift.webm">GondolaSnowdrift.webm</a></td><td>Ujico*/Snail's House - [snowdrift]
</td><td>2330</td><td>Wednesday, March 14, 2018 08:02:55</td><td>5 years ago</td></tr><tr><td><a href="GondolaCatavina.webm">GondolaCatavina.webm</a></td><td>The Deer Hunter OST - Cavatina
</td><td>2444</td><td>Monday, March 12, 2018 05:59:26</td><td>5 years ago</td></tr><tr><td><a href="MorningBirds.webm">MorningBirds.webm</a></td><td></td><td>2092</td><td>Monday, March 12, 2018 05:54:17</td><td>5 years ago</td></tr><tr><td><a href="DarkMountain.webm">DarkMountain.webm</a></td><td></td><td>2445</td><td>Monday, March 12, 2018 05:54:10</td><td>5 years ago</td></tr><tr><td><a href="YoullNeverBeAlone.webm">YoullNeverBeAlone.webm</a></td><td>TheFatRat - Never Be Alone (Nightcore Remix?)
</td><td>2209</td><td>Monday, March 12, 2018 05:53:58</td><td>5 years ago</td></tr><tr><td><a href="Birthday.webm">Birthday.webm</a></td><td>Ujico*/Snail's House - Hot Milk
</td><td>2804</td><td>Monday, March 12, 2018 05:52:13</td><td>5 years ago</td></tr><tr><td><a href="HeyGondola.webm">HeyGondola.webm</a></td><td>Flamingosis - Football Head
</td><td>2293</td><td>Monday, March 12, 2018 05:46:00</td><td>5 years ago</td></tr><tr><td><a href="GondolaFiddle.webm">GondolaFiddle.webm</a></td><td>World of Warcraft OST - Grizzly Hills
</td><td>2321</td><td>Monday, March 12, 2018 05:42:00</td><td>5 years ago</td></tr><tr><td><a href="WreckageGondola.webm">WreckageGondola.webm</a></td><td></td><td>2012</td><td>Monday, March 12, 2018 05:40:59</td><td>5 years ago</td></tr><tr><td><a href="ChrisChanGondola.webm">ChrisChanGondola.webm</a></td><td>Let Me Call You Sweetheart
</td><td>2863</td><td>Monday, March 12, 2018 05:39:37</td><td>5 years ago</td></tr><tr><td><a href="GondolaAdvanced.webm">GondolaAdvanced.webm</a></td><td></td><td>2618</td><td>Monday, March 12, 2018 05:39:04</td><td>5 years ago</td></tr><tr><td><a href="Fezgond.webm">Fezgond.webm</a></td><td>Fez OST - Beacon
</td><td>2307</td><td>Monday, March 12, 2018 05:37:55</td><td>5 years ago</td></tr><tr><td><a href="GondolaUrbanPrairie.webm">GondolaUrbanPrairie.webm</a></td><td>Night in the Woods OST - Urban Prairie
</td><td>2217</td><td>Monday, March 12, 2018 05:35:50</td><td>5 years ago</td></tr><tr><td><a href="GondolaBalcony.webm">GondolaBalcony.webm</a></td><td>kudasai - the girl i haven't met
</td><td>2539</td><td>Monday, March 12, 2018 05:35:37</td><td>5 years ago</td></tr><tr><td><a href="GondolaGreggswoods.webm">GondolaGreggswoods.webm</a></td><td>Night in the Woods OST - Gregg's Woods
</td><td>2375</td><td>Wednesday, March 07, 2018 18:20:34</td><td>5 years ago</td></tr><tr><td><a href="PanzGond.webm">PanzGond.webm</a></td><td>Ich hatt' einen Kameraden
</td><td>2008</td><td>Wednesday, March 07, 2018 18:20:03</td><td>5 years ago</td></tr><tr><td><a href="Gondola357C.webm">Gondola357C.webm</a></td><td>Ghost in the Shell Stand Alone Complex OST 3 - 35.7c
</td><td>2868</td><td>Wednesday, March 07, 2018 04:35:20</td><td>5 years ago</td></tr><tr><td><a href="MapleFlorinaBeach.webm">MapleFlorinaBeach.webm</a></td><td>MapleStory OST - Beach Way (Florina Beach)
</td><td>2170</td><td>Wednesday, March 07, 2018 04:21:08</td><td>5 years ago</td></tr><tr><td><a href="Borocay.webm">Borocay.webm</a></td><td>Orbital - Beached
</td><td>2474</td><td>Wednesday, March 07, 2018 04:20:49</td><td>5 years ago</td></tr><tr><td><a href="UFOGondola.webm">UFOGondola.webm</a></td><td></td><td>2081</td><td>Monday, March 05, 2018 20:38:00</td><td>5 years ago</td></tr><tr><td><a href="GondolaUnicycle.webm">GondolaUnicycle.webm</a></td><td>The Wachauer Buam - Jå mir san mit'n Radl då
</td><td>2183</td><td>Monday, March 05, 2018 15:44:06</td><td>5 years ago</td></tr><tr><td><a href="GondolaPlaysDiabloII.webm">GondolaPlaysDiabloII.webm</a></td><td>Diablo 2 OST - Wilderness
</td><td>2352</td><td>Monday, March 05, 2018 15:43:17</td><td>5 years ago</td></tr><tr><td><a href="Bongdola.webm">Bongdola.webm</a></td><td>Amélie OST | Yann Tiersen - La Valse Des Vieux Os
</td><td>2625</td><td>Monday, March 05, 2018 15:42:32</td><td>5 years ago</td></tr><tr><td><a href="StonedOutOfMind.webm">StonedOutOfMind.webm</a></td><td>Infected Mushroom - In Front Of Me
</td><td>2115</td><td>Monday, March 05, 2018 15:41:00</td><td>5 years ago</td></tr><tr><td><a href="OutsideInNature.webm">OutsideInNature.webm</a></td><td>Christian Poulet - Pink Fjord
</td><td>2104</td><td>Monday, March 05, 2018 15:40:40</td><td>5 years ago</td></tr><tr><td><a href="ConkeBottleGondola.webm">ConkeBottleGondola.webm</a></td><td>「nochi」- gone guy
</td><td>2442</td><td>Monday, March 05, 2018 15:40:15</td><td>5 years ago</td></tr><tr><td><a href="ElliniaTreeGondola.webm">ElliniaTreeGondola.webm</a></td><td>MapleStory OST - Ellinia: Missing You
</td><td>2435</td><td>Monday, March 05, 2018 15:29:52</td><td>5 years ago</td></tr><tr><td><a href="DanceWithGondola.webm">DanceWithGondola.webm</a></td><td>Jennifer Connelly - Sway (Diodorus Man Remix)
</td><td>2652</td><td>Monday, March 05, 2018 15:26:24</td><td>5 years ago</td></tr><tr><td><a href="GondolaClimb.webm">GondolaClimb.webm</a></td><td>Dvar - Ieroh
</td><td>2418</td><td>Monday, March 05, 2018 15:25:33</td><td>5 years ago</td></tr><tr><td><a href="Isolation.webm">Isolation.webm</a></td><td>Berserk OST - Behelit
</td><td>2234</td><td>Monday, March 05, 2018 15:25:14</td><td>5 years ago</td></tr><tr><td><a href="LastLight.webm">LastLight.webm</a></td><td>John Foxx & Harold Budd - Subtext
</td><td>2079</td><td>Monday, March 05, 2018 15:24:52</td><td>5 years ago</td></tr><tr><td><a href="DeepPurple.webm">DeepPurple.webm</a></td><td>Santo & Johnny - Deep Purple
</td><td>2373</td><td>Monday, March 05, 2018 15:24:29</td><td>5 years ago</td></tr><tr><td><a href="Lorien.webm">Lorien.webm</a></td><td>Dungeon Fighter Online OST - Lorien Forest
</td><td>2105</td><td>Monday, March 05, 2018 15:22:24</td><td>5 years ago</td></tr><tr><td><a href="GondolaHill2.webm">GondolaHill2.webm</a></td><td></td><td>2293</td><td>Friday, March 02, 2018 06:06:47</td><td>5 years ago</td></tr><tr><td><a href="Gondolgia.webm">Gondolgia.webm</a></td><td>a l e x - zelda's lullaby
</td><td>2211</td><td>Friday, March 02, 2018 06:06:24</td><td>5 years ago</td></tr><tr><td><a href="GondolaCityRainNight.webm">GondolaCityRainNight.webm</a></td><td>Jan Jelinek - Do Dekor
</td><td>2586</td><td>Friday, March 02, 2018 06:06:07</td><td>5 years ago</td></tr><tr><td><a href="SubwayTrip.webm">SubwayTrip.webm</a></td><td>The Midnight - River of Darkness
</td><td>1995</td><td>Friday, March 02, 2018 06:04:43</td><td>5 years ago</td></tr><tr><td><a href="DragonsRule.webm">DragonsRule.webm</a></td><td>DragonForce - Where Dragons Rule
</td><td>2429</td><td>Friday, March 02, 2018 06:01:59</td><td>5 years ago</td></tr><tr><td><a href="FrenchAlps.webm">FrenchAlps.webm</a></td><td>The Pink Panther OST - Henry Mancini - The Village Inn
</td><td>2357</td><td>Friday, March 02, 2018 05:54:26</td><td>5 years ago</td></tr><tr><td><a href="GondolaDesert2.webm">GondolaDesert2.webm</a></td><td>Randy Newman - Dixie Flyer ("The Music in the Middle" from Car Talk)
</td><td>2554</td><td>Friday, March 02, 2018 05:54:14</td><td>5 years ago</td></tr><tr><td><a href="BackyardGondola2.webm">BackyardGondola2.webm</a></td><td>Steve Reich - Electric Counterpoint: II. Slow
</td><td>2633</td><td>Friday, March 02, 2018 05:51:06</td><td>5 years ago</td></tr><tr><td><a href="Autumnal.webm">Autumnal.webm</a></td><td>Echodjek - Autumnal
</td><td>2787</td><td>Friday, March 02, 2018 05:49:38</td><td>5 years ago</td></tr><tr><td><a href="BedroomGondola2.webm">BedroomGondola2.webm</a></td><td>Blockland OST - After School Special
</td><td>2733</td><td>Friday, March 02, 2018 05:48:30</td><td>5 years ago</td></tr><tr><td><a href="BusyStreet.webm">BusyStreet.webm</a></td><td>Vangelis - Blade Runner Blues
</td><td>2537</td><td>Friday, March 02, 2018 05:47:54</td><td>5 years ago</td></tr><tr><td><a href="LonelyRoad.webm">LonelyRoad.webm</a></td><td>Adrian von Ziegler - The Lonely Road
</td><td>2224</td><td>Friday, March 02, 2018 05:47:27</td><td>5 years ago</td></tr><tr><td><a href="TeapotNight.webm">TeapotNight.webm</a></td><td>Юрий Визбор - Военные фотографии (Yuri Vizbor - Military Photos) instrumental version
</td><td>2136</td><td>Friday, March 02, 2018 05:46:49</td><td>5 years ago</td></tr><tr><td><a href="ComfyFloatingIsland.webm">ComfyFloatingIsland.webm</a></td><td>Gorillaz - El Mañana (Instrumental)
</td><td>2633</td><td>Friday, March 02, 2018 05:45:50</td><td>5 years ago</td></tr><tr><td><a href="GobletOfGondola.webm">GobletOfGondola.webm</a></td><td>Made in Abyss OST - Relinquish
</td><td>3250</td><td>Friday, March 02, 2018 05:44:56</td><td>5 years ago</td></tr><tr><td><a href="ShippingGondola.webm">ShippingGondola.webm</a></td><td>Dishonored OST: Streets Suspense
</td><td>1968</td><td>Friday, March 02, 2018 05:44:32</td><td>5 years ago</td></tr><tr><td><a href="ForestDragon.webm">ForestDragon.webm</a></td><td>Adrian von Ziegler - Forest Rites
</td><td>2503</td><td>Friday, March 02, 2018 05:43:45</td><td>5 years ago</td></tr><tr><td><a href="Entropy.webm">Entropy.webm</a></td><td></td><td>2533</td><td>Friday, March 02, 2018 05:42:58</td><td>5 years ago</td></tr><tr><td><a href="ComfyBeach.webm">ComfyBeach.webm</a></td><td>Kurt Drabek - Cuba Baion
</td><td>2661</td><td>Friday, March 02, 2018 05:41:40</td><td>5 years ago</td></tr><tr><td><a href="Twilight.webm">Twilight.webm</a></td><td>Mahoutsukai no Yome OST - Cycle
</td><td>2092</td><td>Friday, March 02, 2018 05:41:20</td><td>5 years ago</td></tr><tr><td><a href="PastLife.webm">PastLife.webm</a></td><td>BØRNS - Past Lives (sapientdream remix)
</td><td>2198</td><td>Friday, March 02, 2018 05:41:07</td><td>5 years ago</td></tr><tr><td><a href="HeatLightning.webm">HeatLightning.webm</a></td><td></td><td>2134</td><td>Friday, March 02, 2018 05:40:50</td><td>5 years ago</td></tr><tr><td><a href="WaitingAtTheDoorSummerMoon.webm">WaitingAtTheDoorSummerMoon.webm</a></td><td>Bioshock OST | Django Reinhardt - La Mer | Beyond the Sea
</td><td>2251</td><td>Friday, March 02, 2018 05:40:26</td><td>5 years ago</td></tr><tr><td><a href="OMyFather.webm">OMyFather.webm</a></td><td>O My Father by Eliza Snow
</td><td>2090</td><td>Friday, March 02, 2018 05:40:13</td><td>5 years ago</td></tr><tr><td><a href="SeasideGondola2.webm">SeasideGondola2.webm</a></td><td>Elijah Who - So Far Away
</td><td>2119</td><td>Friday, March 02, 2018 05:39:27</td><td>5 years ago</td></tr><tr><td><a href="LovelyGondola.webm">LovelyGondola.webm</a></td><td>Mariya Takeuchi - Plastic Love
</td><td>2273</td><td>Friday, March 02, 2018 05:38:17</td><td>5 years ago</td></tr><tr><td><a href="CloudyGondola.webm">CloudyGondola.webm</a></td><td>Radiohead - Street Spirit (Fade Out)
</td><td>2522</td><td>Friday, March 02, 2018 05:35:38</td><td>5 years ago</td></tr><tr><td><a href="TheDeathOfMarat.webm">TheDeathOfMarat.webm</a></td><td>Giles Corey - Infinite Death
</td><td>2144</td><td>Friday, March 02, 2018 05:35:23</td><td>5 years ago</td></tr><tr><td><a href="GondolaSandy.webm">GondolaSandy.webm</a></td><td>Narasaki - EFP05 The Real World
</td><td>2259</td><td>Friday, March 02, 2018 05:33:24</td><td>5 years ago</td></tr><tr><td><a href="GondolaMountain2.webm">GondolaMountain2.webm</a></td><td>Planet of Sound - We Are Together
</td><td>2356</td><td>Friday, March 02, 2018 05:32:24</td><td>5 years ago</td></tr><tr><td><a href="Valentines.webm">Valentines.webm</a></td><td></td><td>2106</td><td>Thursday, February 15, 2018 00:24:28</td><td>5 years ago</td></tr><tr><td><a href="GondolaCity.webm">GondolaCity.webm</a></td><td>Cliff Martinez - He Had a Good Time
</td><td>2512</td><td>Thursday, February 15, 2018 00:23:28</td><td>5 years ago</td></tr><tr><td><a href="GondolaKnight.webm">GondolaKnight.webm</a></td><td>WoW OST - Arthas Returns to Lordaeron
</td><td>2569</td><td>Thursday, February 15, 2018 00:23:14</td><td>5 years ago</td></tr><tr><td><a href="DarkPortal.webm">DarkPortal.webm</a></td><td>World of Warcraft: The Burning Crusade OST - The Dark Portal (Cinematic Intro)
</td><td>2495</td><td>Thursday, February 15, 2018 00:23:07</td><td>5 years ago</td></tr><tr><td><a href="SeasonsOfWar.webm">SeasonsOfWar.webm</a></td><td></td><td>2070</td><td>Thursday, February 15, 2018 00:22:54</td><td>5 years ago</td></tr><tr><td><a href="VdayGondo.webm">VdayGondo.webm</a></td><td>Ramin Djawadi - Luck of the Irish
</td><td>2176</td><td>Thursday, February 15, 2018 00:22:23</td><td>5 years ago</td></tr><tr><td><a href="KingArthasOfLordaeron.webm">KingArthasOfLordaeron.webm</a></td><td>Warcraft 3: The Frozen Throne OST - Arthas's Theme
</td><td>2162</td><td>Thursday, February 15, 2018 00:21:47</td><td>5 years ago</td></tr><tr><td><a href="NightGond.webm">NightGond.webm</a></td><td>WoW OST - Song of Elune
</td><td>2153</td><td>Thursday, February 15, 2018 00:21:39</td><td>5 years ago</td></tr><tr><td><a href="LegendsOfAzeroth.webm">LegendsOfAzeroth.webm</a></td><td>World of Warcraft OST | Tracy Bush - Legends of Azeroth
</td><td>2126</td><td>Thursday, February 15, 2018 00:21:28</td><td>5 years ago</td></tr><tr><td><a href="GondolaBeach3.webm">GondolaBeach3.webm</a></td><td>Tatsuro Yamashita - Nostalgia of Island
</td><td>2658</td><td>Thursday, February 15, 2018 00:20:46</td><td>5 years ago</td></tr><tr><td><a href="WoodlandGondola.webm">WoodlandGondola.webm</a></td><td>Adrian von Ziegler - Woodland Tales
</td><td>2128</td><td>Thursday, February 15, 2018 00:20:31</td><td>5 years ago</td></tr><tr><td><a href="GondolasLastLullaby.webm">GondolasLastLullaby.webm</a></td><td>Ujico*/Snail's House - Lullaby
</td><td>2259</td><td>Thursday, February 15, 2018 00:20:18</td><td>5 years ago</td></tr><tr><td><a href="PointOfKnowReturn.webm">PointOfKnowReturn.webm</a></td><td>Kansas - Point Of Know Return
</td><td>2003</td><td>Thursday, February 15, 2018 00:15:32</td><td>5 years ago</td></tr><tr><td><a href="YouWantTheMoon.webm">YouWantTheMoon.webm</a></td><td>H E R B - Alone Together
</td><td>2070</td><td>Thursday, February 15, 2018 00:14:24</td><td>5 years ago</td></tr><tr><td><a href="Shelter.webm">Shelter.webm</a></td><td></td><td>2165</td><td>Thursday, February 15, 2018 00:13:58</td><td>5 years ago</td></tr><tr><td><a href="Lonely.webm">Lonely.webm</a></td><td>Wintergatan - All Was Well - Music Box & Modulin Version
</td><td>2140</td><td>Thursday, February 15, 2018 00:13:12</td><td>5 years ago</td></tr><tr><td><a href="CullingOfStrathHolme.webm">CullingOfStrathHolme.webm</a></td><td>WoW OST - Glenn Stafford - Culling of Stratholme
</td><td>2426</td><td>Thursday, February 15, 2018 00:11:36</td><td>5 years ago</td></tr><tr><td><a href="RuskiGondola.webm">RuskiGondola.webm</a></td><td>Buena Vista Social Club - Chan Chan
</td><td>2112</td><td>Thursday, February 15, 2018 00:10:43</td><td>5 years ago</td></tr><tr><td><a href="DustInTheWind.webm">DustInTheWind.webm</a></td><td>Kansas - Dust in the Wind
</td><td>2596</td><td>Thursday, February 15, 2018 00:10:11</td><td>5 years ago</td></tr><tr><td><a href="RapaNuiEasternIsland.webm">RapaNuiEasternIsland.webm</a></td><td></td><td>2146</td><td>Thursday, February 15, 2018 00:09:50</td><td>5 years ago</td></tr><tr><td><a href="BerserkDola.webm">BerserkDola.webm</a></td><td>Clark - Diamonds Aren't Forever
</td><td>2864</td><td>Wednesday, January 31, 2018 01:24:56</td><td>5 years ago</td></tr><tr><td><a href="TinyReminder.webm">TinyReminder.webm</a></td><td>Two Lone Swordsmen - Tiny Reminder No. 3
</td><td>2043</td><td>Wednesday, January 31, 2018 01:24:12</td><td>5 years ago</td></tr><tr><td><a href="DreamsInTheDusk.webm">DreamsInTheDusk.webm</a></td><td>Lazerhawk - Dreams in the Dusk
</td><td>2429</td><td>Wednesday, January 31, 2018 01:22:26</td><td>5 years ago</td></tr><tr><td><a href="GondolasWarriorSpirit.webm">GondolasWarriorSpirit.webm</a></td><td>For Honor OST - Vikings/The Warrior Spirit
</td><td>2244</td><td>Monday, January 29, 2018 23:25:45</td><td>5 years ago</td></tr><tr><td><a href="GondolaCave3.webm">GondolaCave3.webm</a></td><td>Global Communication - 4:02
</td><td>2483</td><td>Wednesday, January 24, 2018 08:11:31</td><td>5 years ago</td></tr><tr><td><a href="TreadmillGondola.webm">TreadmillGondola.webm</a></td><td>Pokémon Mystery Dungeon: Gates to Infinity OST - Ragged Mountain
</td><td>2208</td><td>Wednesday, January 24, 2018 08:10:14</td><td>5 years ago</td></tr><tr><td><a href="SweetLullaby.webm">SweetLullaby.webm</a></td><td>Deep Forest - Sweet Lullaby
</td><td>2609</td><td>Wednesday, January 24, 2018 08:09:46</td><td>5 years ago</td></tr><tr><td><a href="GondolaStrut.webm">GondolaStrut.webm</a></td><td>Glenn Miller - In The Mood
</td><td>2242</td><td>Wednesday, January 24, 2018 08:08:54</td><td>5 years ago</td></tr><tr><td><a href="SmokesInVerdun.webm">SmokesInVerdun.webm</a></td><td>Up OST - Married Life
</td><td>2079</td><td>Wednesday, January 24, 2018 08:08:39</td><td>5 years ago</td></tr><tr><td><a href="TaxGondola.webm">TaxGondola.webm</a></td><td>Tim Hecker - Chimeras
</td><td>2083</td><td>Wednesday, January 24, 2018 08:08:06</td><td>5 years ago</td></tr><tr><td><a href="SwingGondola.webm">SwingGondola.webm</a></td><td>The Byrds - Goin' Back
</td><td>2093</td><td>Wednesday, January 24, 2018 08:00:00</td><td>5 years ago</td></tr><tr><td><a href="AdventuresOfGondola.webm">AdventuresOfGondola.webm</a></td><td>anonymous - Second Chapter
</td><td>3243</td><td>Wednesday, January 24, 2018 07:59:29</td><td>5 years ago</td></tr><tr><td><a href="WSGondola.webm">WSGondola.webm</a></td><td>Mariya Takeuchi - Plastic Love
</td><td>2348</td><td>Wednesday, January 24, 2018 07:59:02</td><td>5 years ago</td></tr><tr><td><a href="GondolaIsland3.webm">GondolaIsland3.webm</a></td><td>Hudson's Adventure Island OST - Stage 2
</td><td>2264</td><td>Wednesday, January 24, 2018 07:57:06</td><td>5 years ago</td></tr><tr><td><a href="MachinariumCity.webm">MachinariumCity.webm</a></td><td>Benny Goodman - Stompin' at the Savoy
</td><td>2140</td><td>Monday, January 15, 2018 19:05:19</td><td>5 years ago</td></tr><tr><td><a href="FunFairGondola.webm">FunFairGondola.webm</a></td><td>Jono El Grande - Türbø Meuz (Utopian Dances - 1999)
</td><td>4054</td><td>Monday, January 15, 2018 19:04:54</td><td>5 years ago</td></tr><tr><td><a href="GondolaBroiler.webm">GondolaBroiler.webm</a></td><td>迴轉企鵝罐 | Mawaru Penguindrum OST - 絆·輪る果実 | Track 12 on 8th Penguindrum OST volume
</td><td>2698</td><td>Monday, January 15, 2018 19:00:17</td><td>5 years ago</td></tr><tr><td><a href="MovieGondola2.webm">MovieGondola2.webm</a></td><td>Whitewoods - Beachwalk
</td><td>2047</td><td>Monday, January 15, 2018 18:58:19</td><td>5 years ago</td></tr><tr><td><a href="GondolaFF7AnxiousHeart.webm">GondolaFF7AnxiousHeart.webm</a></td><td>Final Fantasy VII OST - Anxious Heart
</td><td>2421</td><td>Wednesday, January 10, 2018 07:37:53</td><td>5 years ago</td></tr><tr><td><a href="FinnishTouristInParis.webm">FinnishTouristInParis.webm</a></td><td>Chris Zabriskie - The Temperature of the Air on the Bow of the Kaleetan
</td><td>2371</td><td>Wednesday, January 10, 2018 07:35:38</td><td>5 years ago</td></tr><tr><td><a href="GondolaTapping.webm">GondolaTapping.webm</a></td><td>purpan - loving u(Superhygh edition)
</td><td>2265</td><td>Wednesday, January 10, 2018 07:35:03</td><td>5 years ago</td></tr><tr><td><a href="LittleGondola.webm">LittleGondola.webm</a></td><td>Jon Brion - Little Person
</td><td>2122</td><td>Wednesday, January 10, 2018 07:32:29</td><td>5 years ago</td></tr><tr><td><a href="Seagull.webm">Seagull.webm</a></td><td>Yume 2kki OST - Seagull
</td><td>2619</td><td>Wednesday, January 10, 2018 07:31:34</td><td>5 years ago</td></tr><tr><td><a href="GondolasPromises.webm">GondolasPromises.webm</a></td><td>Danny Bensi & Saunder Jurriaans - Knights/Promises (For Honor)
</td><td>2235</td><td>Monday, January 01, 2018 20:37:45</td><td>5 years ago</td></tr><tr><td><a href="GondolasAnotherWay.webm">GondolasAnotherWay.webm</a></td><td>Gypsy Kings - Inspiration
</td><td>2312</td><td>Monday, January 01, 2018 20:37:00</td><td>5 years ago</td></tr><tr><td><a href="BloodBorne.webm">BloodBorne.webm</a></td><td>Bloodborne OST | Ryan Amon - Moonlit Melody
</td><td>2887</td><td>Monday, January 01, 2018 20:36:35</td><td>5 years ago</td></tr><tr><td><a href="HaloReachGondola.webm">HaloReachGondola.webm</a></td><td>Halo Reach OST - Ghosts and Glass
</td><td>2470</td><td>Sunday, December 31, 2017 02:02:36</td><td>5 years ago</td></tr><tr><td><a href="NVGondolaDaftPunk.webm">NVGondolaDaftPunk.webm</a></td><td>Daft Punk - Night Vision
</td><td>2188</td><td>Sunday, December 31, 2017 02:02:13</td><td>5 years ago</td></tr><tr><td><a href="GeneralStoreGondola.webm">GeneralStoreGondola.webm</a></td><td>Scott Joplin - Fig Leaf Rag, a High Class Rag, 1908
</td><td>3751</td><td>Sunday, December 31, 2017 01:59:46</td><td>5 years ago</td></tr><tr><td><a href="GondolaAndHisNewBikeAndCap.webm">GondolaAndHisNewBikeAndCap.webm</a></td><td>Vadim Petrov - Krtek a muzika
</td><td>2672</td><td>Sunday, December 31, 2017 01:58:02</td><td>5 years ago</td></tr><tr><td><a href="GondolaHotChocolateJazz.webm">GondolaHotChocolateJazz.webm</a></td><td>DOMINANT - Hot Chocolate on a Cold Comfy Night
</td><td>2451</td><td>Sunday, December 31, 2017 01:57:02</td><td>5 years ago</td></tr><tr><td><a href="GondolaInTheTrenches3.webm">GondolaInTheTrenches3.webm</a></td><td>Bill Murray & Ada Jones - I'll Take You Back To Italy
</td><td>2537</td><td>Wednesday, December 27, 2017 15:26:50</td><td>5 years ago</td></tr><tr><td><a href="PrussianGondola2.webm">PrussianGondola2.webm</a></td><td>Brahms Walzer Op. 39 no 15
</td><td>2248</td><td>Wednesday, December 27, 2017 15:24:25</td><td>5 years ago</td></tr><tr><td><a href="GondolaAnotherStarChristmas.webm">GondolaAnotherStarChristmas.webm</a></td><td>Tatsuro Yamashita- Christmas Eve
</td><td>2801</td><td>Wednesday, December 27, 2017 15:22:41</td><td>5 years ago</td></tr><tr><td><a href="GondolaChristmasCard.webm">GondolaChristmasCard.webm</a></td><td>Jingle Bells
</td><td>2500</td><td>Tuesday, December 26, 2017 01:16:06</td><td>6 years ago</td></tr><tr><td><a href="AvrilGondola.webm">AvrilGondola.webm</a></td><td>Aphex Twin - Avril 14th
</td><td>2924</td><td>Monday, December 25, 2017 20:57:38</td><td>6 years ago</td></tr><tr><td><a href="GondolaMerryChrysler.webm">GondolaMerryChrysler.webm</a></td><td>Tatsuro Yamashita- Christmas Eve
</td><td>2360</td><td>Monday, December 25, 2017 20:57:10</td><td>6 years ago</td></tr><tr><td><a href="FreshMusicGondola.webm">FreshMusicGondola.webm</a></td><td>Balmorhea - Divisadero
</td><td>2492</td><td>Sunday, December 24, 2017 01:32:55</td><td>6 years ago</td></tr><tr><td><a href="UnderTheWall.webm">UnderTheWall.webm</a></td><td>Echodjek - Under the Wall
</td><td>2263</td><td>Sunday, December 24, 2017 01:25:27</td><td>6 years ago</td></tr><tr><td><a href="DireGondola.webm">DireGondola.webm</a></td><td>Super Mario 64 OST - Dire, Dire Docks
</td><td>2478</td><td>Saturday, December 23, 2017 18:54:19</td><td>6 years ago</td></tr><tr><td><a href="DarkCity.webm">DarkCity.webm</a></td><td>Hotline Miami 2: Wrong Number OST - Run
</td><td>2791</td><td>Wednesday, December 20, 2017 20:16:20</td><td>6 years ago</td></tr><tr><td><a href="CaveGondola.webm">CaveGondola.webm</a></td><td>lux natura - hardly there
</td><td>2543</td><td>Tuesday, December 19, 2017 20:30:38</td><td>6 years ago</td></tr><tr><td><a href="BlizardGondola.webm">BlizardGondola.webm</a></td><td>Brandon Fiechter - Falling Snow
</td><td>2628</td><td>Tuesday, December 19, 2017 20:30:14</td><td>6 years ago</td></tr><tr><td><a href="SleepyGondola.webm">SleepyGondola.webm</a></td><td>Night in the Woods OST - Fireflies on the Porch
</td><td>2488</td><td>Tuesday, December 19, 2017 20:29:37</td><td>6 years ago</td></tr><tr><td><a href="GondolaSMB2.webm">GondolaSMB2.webm</a></td><td>Super Mario Bros. 2 OST - Overworld
</td><td>2514</td><td>Monday, December 18, 2017 12:09:37</td><td>6 years ago</td></tr><tr><td><a href="WachauerBaum.webm">WachauerBaum.webm</a></td><td>Wachauer Buam - Ja mir san mitn Radl da
</td><td>2284</td><td>Monday, December 18, 2017 12:08:44</td><td>6 years ago</td></tr><tr><td><a href="MrGondola.webm">MrGondola.webm</a></td><td>Pierre Van Dormael - Trois petites filles
</td><td>2093</td><td>Thursday, December 14, 2017 02:23:52</td><td>6 years ago</td></tr><tr><td><a href="Happy.webm">Happy.webm</a></td><td>The Beginner's Guide Soundtrack - Va
</td><td>2345</td><td>Thursday, December 14, 2017 02:22:52</td><td>6 years ago</td></tr><tr><td><a href="Chrondola.webm">Chrondola.webm</a></td><td>insaneintherainmusic (Carlos Eiene) | Chrono Trigger OST - Corridors of Time (Jazz Cover)
</td><td>2709</td><td>Thursday, December 14, 2017 02:22:17</td><td>6 years ago</td></tr><tr><td><a href="Wardola.webm">Wardola.webm</a></td><td>Warframe Unofficial OST - This is What You Are
</td><td>2348</td><td>Wednesday, December 13, 2017 01:05:55</td><td>6 years ago</td></tr><tr><td><a href="GondolaAncientRelic.webm">GondolaAncientRelic.webm</a></td><td>David Lowe - BBC World the Music - Nation to Nation
</td><td>2715</td><td>Wednesday, December 13, 2017 01:05:00</td><td>6 years ago</td></tr><tr><td><a href="GondolaEntersTheAbyss.webm">GondolaEntersTheAbyss.webm</a></td><td>Apparat - Goodbye
</td><td>2499</td><td>Wednesday, December 13, 2017 01:04:08</td><td>6 years ago</td></tr><tr><td><a href="GondolaAtmosphereRun.webm">GondolaAtmosphereRun.webm</a></td><td>Feder feat. Lyse - Goodbye
</td><td>2833</td><td>Wednesday, December 13, 2017 01:02:59</td><td>6 years ago</td></tr><tr><td><a href="GondolaNorthStar.webm">GondolaNorthStar.webm</a></td><td>Dvar - Nouri
</td><td>2508</td><td>Saturday, December 09, 2017 07:13:46</td><td>6 years ago</td></tr><tr><td><a href="GondolaDriving3.webm">GondolaDriving3.webm</a></td><td>Aarne Tenkanen - Edestä ja Takaa
</td><td>2506</td><td>Saturday, December 09, 2017 07:13:35</td><td>6 years ago</td></tr><tr><td><a href="GondolaRacing.webm">GondolaRacing.webm</a></td><td>Dance With The Dead - Robeast
</td><td>2470</td><td>Saturday, December 09, 2017 07:13:25</td><td>6 years ago</td></tr><tr><td><a href="GondolaAllTheWay.webm">GondolaAllTheWay.webm</a></td><td>DVAR - Ai-Lu | Deii (2012)
</td><td>2709</td><td>Saturday, December 09, 2017 07:13:08</td><td>6 years ago</td></tr><tr><td><a href="BackyardGondola.webm">BackyardGondola.webm</a></td><td>The Cinematic Orchestra - In to You
</td><td>2879</td><td>Saturday, December 09, 2017 07:10:51</td><td>6 years ago</td></tr><tr><td><a href="GondolaFall.webm">GondolaFall.webm</a></td><td>Froese & Haslinger - Alpha
</td><td>2455</td><td>Saturday, December 09, 2017 07:08:29</td><td>6 years ago</td></tr><tr><td><a href="Machinarium1.webm">Machinarium1.webm</a></td><td>Machinarium OST - By The Wall
</td><td>2298</td><td>Saturday, December 02, 2017 23:57:32</td><td>6 years ago</td></tr><tr><td><a href="Gondolarium2.webm">Gondolarium2.webm</a></td><td>Tomas Dvorak | Machinarium OST - Glasshouse With Butterfly
</td><td>2267</td><td>Saturday, December 02, 2017 21:30:47</td><td>6 years ago</td></tr><tr><td><a href="XmasGondola.webm">XmasGondola.webm</a></td><td>Sufjan Stevens - Angels We Have Heard on High
</td><td>2188</td><td>Saturday, December 02, 2017 11:02:45</td><td>6 years ago</td></tr><tr><td><a href="MedicineSuitGondola.webm">MedicineSuitGondola.webm</a></td><td>Daughter - Medicine
</td><td>2152</td><td>Friday, December 01, 2017 05:35:37</td><td>6 years ago</td></tr><tr><td><a href="SafeRoom2.webm">SafeRoom2.webm</a></td><td>Resident Evil 3 OST - Free From Fear (Save Room Theme)
</td><td>2448</td><td>Friday, December 01, 2017 05:33:17</td><td>6 years ago</td></tr><tr><td><a href="SafeRoom.webm">SafeRoom.webm</a></td><td>Resident Evil 1 OST - Save Room
</td><td>2353</td><td>Friday, December 01, 2017 05:32:47</td><td>6 years ago</td></tr><tr><td><a href="GondolaPompeli.webm">GondolaPompeli.webm</a></td><td>Ancient Roman Music - Synaulia II
</td><td>2446</td><td>Thursday, November 30, 2017 13:21:00</td><td>6 years ago</td></tr><tr><td><a href="SmutnaGondola.webm">SmutnaGondola.webm</a></td><td>Lego Racers OST - Menu Theme
</td><td>2066</td><td>Tuesday, November 28, 2017 04:55:46</td><td>6 years ago</td></tr><tr><td><a href="FalloutGondola.webm">FalloutGondola.webm</a></td><td>The Ink Spots - It's All Over But The Crying
</td><td>2730</td><td>Monday, November 27, 2017 07:01:05</td><td>6 years ago</td></tr><tr><td><a href="CowboyGondola.webm">CowboyGondola.webm</a></td><td>Jose Gonzales - Far Away
</td><td>2631</td><td>Monday, November 27, 2017 07:00:31</td><td>6 years ago</td></tr><tr><td><a href="GondolaBusStop2.webm">GondolaBusStop2.webm</a></td><td>Beethoven - Für Elise
</td><td>2547</td><td>Monday, November 27, 2017 07:00:07</td><td>6 years ago</td></tr><tr><td><a href="AfrikaKorps.webm">AfrikaKorps.webm</a></td><td>Wehrmacht - Erika
</td><td>3812</td><td>Monday, November 27, 2017 06:59:10</td><td>6 years ago</td></tr><tr><td><a href="FallenFighters.webm">FallenFighters.webm</a></td><td>Red Orchestra 2 - Heroes of Stalingrad OST - Fallen Heroes
</td><td>2552</td><td>Monday, November 27, 2017 06:58:49</td><td>6 years ago</td></tr><tr><td><a href="GondolaWildWest.webm">GondolaWildWest.webm</a></td><td>The Good, the Bad, and the Ugly OST - Theme Song
</td><td>2453</td><td>Monday, November 27, 2017 06:58:26</td><td>6 years ago</td></tr><tr><td><a href="UndeadGondolas.webm">UndeadGondolas.webm</a></td><td>America - A Horse With No Name
</td><td>2416</td><td>Monday, November 27, 2017 06:57:24</td><td>6 years ago</td></tr><tr><td><a href="GondolaShower.webm">GondolaShower.webm</a></td><td>Aphex Twin - Aisatsana
</td><td>2433</td><td>Saturday, November 25, 2017 08:31:25</td><td>6 years ago</td></tr><tr><td><a href="Desert.webm">Desert.webm</a></td><td>Erik Satie's Gymnopedie No. 1
</td><td>2856</td><td>Saturday, November 25, 2017 06:36:23</td><td>6 years ago</td></tr><tr><td><a href="GondolaIsAfraidOfTheDark.webm">GondolaIsAfraidOfTheDark.webm</a></td><td>Aлeкceй Apхипoвcкий - Зoлyшкa (Alexey Arkhipovsky - Cinderella)
</td><td>2468</td><td>Saturday, November 25, 2017 00:45:34</td><td>6 years ago</td></tr><tr><td><a href="Moondola.webm">Moondola.webm</a></td><td>William Basinski - Melancholia 6
</td><td>2232</td><td>Friday, November 24, 2017 15:43:16</td><td>6 years ago</td></tr><tr><td><a href="GondolaFloatingThroughSeasons.webm">GondolaFloatingThroughSeasons.webm</a></td><td></td><td>2526</td><td>Friday, November 24, 2017 01:13:35</td><td>6 years ago</td></tr><tr><td><a href="Gondolatale.webm">Gondolatale.webm</a></td><td>Undertale OST - Snowy
</td><td>2266</td><td>Friday, November 24, 2017 01:13:32</td><td>6 years ago</td></tr><tr><td><a href="GondolaAmongFlowers.webm">GondolaAmongFlowers.webm</a></td><td>Flowers OST - Lazy Daydream
</td><td>2624</td><td>Thursday, November 23, 2017 06:20:38</td><td>6 years ago</td></tr><tr><td><a href="RedTrain.webm">RedTrain.webm</a></td><td>Poster states it's fully original.
</td><td>2204</td><td>Thursday, November 23, 2017 06:15:14</td><td>6 years ago</td></tr><tr><td><a href="GondolasTrip.webm">GondolasTrip.webm</a></td><td>Алексей Архиповский - Золушка (Alexey Arkhipovsky - Cinderella)
</td><td>2440</td><td>Thursday, November 23, 2017 06:11:36</td><td>6 years ago</td></tr><tr><td><a href="GondolaCircusBike.webm">GondolaCircusBike.webm</a></td><td>The Cinematic Orchestra - Arrival of the birds
</td><td>2631</td><td>Thursday, November 23, 2017 06:10:34</td><td>6 years ago</td></tr><tr><td><a href="GondolasAutumn.webm">GondolasAutumn.webm</a></td><td>А. Рыбников - Последняя поэма (A.Rybnikov - The Last Poem)
</td><td>2364</td><td>Thursday, November 23, 2017 06:02:46</td><td>6 years ago</td></tr><tr><td><a href="HutGondola.webm">HutGondola.webm</a></td><td>Arai Tasuku - Dear Alice
</td><td>2223</td><td>Thursday, November 23, 2017 06:01:54</td><td>6 years ago</td></tr><tr><td><a href="GondolaLooksInMirror.webm">GondolaLooksInMirror.webm</a></td><td>DJ Wolftron - Emotional
</td><td>2279</td><td>Thursday, November 23, 2017 05:59:38</td><td>6 years ago</td></tr><tr><td><a href="GondolaDayAfter.webm">GondolaDayAfter.webm</a></td><td>Silent Hill - Room of Angel
</td><td>2571</td><td>Thursday, November 23, 2017 05:58:32</td><td>6 years ago</td></tr><tr><td><a href="DayDreamGF.webm">DayDreamGF.webm</a></td><td>François Joël Thiollier - Reverie
</td><td>2540</td><td>Thursday, November 23, 2017 05:58:12</td><td>6 years ago</td></tr><tr><td><a href="ConsequencesAndLoss.webm">ConsequencesAndLoss.webm</a></td><td>Antonio Pinto - Consequences And Loss
</td><td>2521</td><td>Thursday, November 23, 2017 05:57:44</td><td>6 years ago</td></tr><tr><td><a href="WithPhone.webm">WithPhone.webm</a></td><td>Ross Bugden - Paradise (Royalty free piano music)
</td><td>2127</td><td>Thursday, November 23, 2017 05:56:32</td><td>6 years ago</td></tr><tr><td><a href="GondolaBrowsingTheInternet.webm">GondolaBrowsingTheInternet.webm</a></td><td>Jiro Inagaki, Yoshio Kimura - 四つのお願い / Yottsu No Onegai
</td><td>2644</td><td>Thursday, November 23, 2017 05:52:42</td><td>6 years ago</td></tr><tr><td><a href="NightShit.webm">NightShit.webm</a></td><td>jinsang - affection
</td><td>2168</td><td>Thursday, November 23, 2017 05:52:28</td><td>6 years ago</td></tr><tr><td><a href="AveMariaFireplace.webm">AveMariaFireplace.webm</a></td><td>Schubert - Ave Maria
</td><td>2891</td><td>Thursday, November 23, 2017 05:51:16</td><td>6 years ago</td></tr><tr><td><a href="GondolaFishing2.webm">GondolaFishing2.webm</a></td><td>Aria the Animation OST - Unga wa Meguru
</td><td>2449</td><td>Thursday, November 23, 2017 05:50:04</td><td>6 years ago</td></tr><tr><td><a href="AkademikGondola.webm">AkademikGondola.webm</a></td><td>Kim & Buran - Kinder Express (Da Bass remix)
</td><td>3162</td><td>Thursday, November 23, 2017 05:45:52</td><td>6 years ago</td></tr><tr><td><a href="PrynceGondoleCrownedKinge.webm">PrynceGondoleCrownedKinge.webm</a></td><td>Modest Mussorgsky - The Great Gate of Kiev - Pictures At an Exhibition
</td><td>2231</td><td>Thursday, November 23, 2017 05:45:14</td><td>6 years ago</td></tr><tr><td><a href="SoundGondola.webm">SoundGondola.webm</a></td><td>TRUE - DREAM SOLISTER [Hibike! Euphonium OP1]
</td><td>2040</td><td>Thursday, November 23, 2017 05:44:52</td><td>6 years ago</td></tr><tr><td><a href="GondolaGiantSteps.webm">GondolaGiantSteps.webm</a></td><td>John Coltrane - Giant Steps
</td><td>2426</td><td>Thursday, November 23, 2017 05:44:44</td><td>6 years ago</td></tr><tr><td><a href="ChimneySweepers.webm">ChimneySweepers.webm</a></td><td>Earthbound OST - Winters Theme
</td><td>2533</td><td>Thursday, November 23, 2017 05:42:52</td><td>6 years ago</td></tr><tr><td><a href="StarRider.webm">StarRider.webm</a></td><td>Slight - Sometimes
</td><td>2130</td><td>Thursday, November 23, 2017 05:41:18</td><td>6 years ago</td></tr><tr><td><a href="PhilipGlassVessels.webm">PhilipGlassVessels.webm</a></td><td>Philip Glass - Vessels
</td><td>2036</td><td>Thursday, November 23, 2017 05:41:00</td><td>6 years ago</td></tr><tr><td><a href="NationalPark.webm">NationalPark.webm</a></td><td></td><td>2066</td><td>Thursday, November 23, 2017 05:40:42</td><td>6 years ago</td></tr><tr><td><a href="BigCity.webm">BigCity.webm</a></td><td></td><td>3169</td><td>Thursday, November 23, 2017 05:38:14</td><td>6 years ago</td></tr><tr><td><a href="Buzludzha.webm">Buzludzha.webm</a></td><td>William Baskinski - Cascade
</td><td>2543</td><td>Thursday, November 23, 2017 05:31:38</td><td>6 years ago</td></tr><tr><td><a href="GondolaKoreans.webm">GondolaKoreans.webm</a></td><td>Zakhar Antonov - The Eagle's Last Flight
</td><td>2551</td><td>Thursday, November 23, 2017 05:29:40</td><td>6 years ago</td></tr><tr><td><a href="Kokoda.webm">Kokoda.webm</a></td><td>Waltzing Matilda [Various Australian Soldiers]
</td><td>1909</td><td>Thursday, November 23, 2017 05:28:16</td><td>6 years ago</td></tr><tr><td><a href="Bomber.webm">Bomber.webm</a></td><td></td><td>2723</td><td>Thursday, November 23, 2017 05:26:50</td><td>6 years ago</td></tr><tr><td><a href="WOW.webm">WOW.webm</a></td><td>World of Warcraft: Mosaic OST - Mag'har
</td><td>2398</td><td>Thursday, November 23, 2017 05:24:44</td><td>6 years ago</td></tr><tr><td><a href="MinecraftGondola.webm">MinecraftGondola.webm</a></td><td>C418 - Minecraft
</td><td>2429</td><td>Thursday, November 23, 2017 05:22:40</td><td>6 years ago</td></tr><tr><td><a href="MGS2Gondola.webm">MGS2Gondola.webm</a></td><td>Beautiful Mirage - The Vision Fades
</td><td>2182</td><td>Thursday, November 23, 2017 05:22:30</td><td>6 years ago</td></tr><tr><td><a href="MetalGearGondola.webm">MetalGearGondola.webm</a></td><td></td><td>2169</td><td>Thursday, November 23, 2017 05:22:28</td><td>6 years ago</td></tr><tr><td><a href="GondolaHotline.webm">GondolaHotline.webm</a></td><td>Hotline Miami OST - Paris
</td><td>2679</td><td>Thursday, November 23, 2017 05:21:48</td><td>6 years ago</td></tr><tr><td><a href="GondolaGTASA.webm">GondolaGTASA.webm</a></td><td>Rod Stewart - Young Turks
</td><td>2539</td><td>Thursday, November 23, 2017 05:21:24</td><td>6 years ago</td></tr><tr><td><a href="FireWatch.webm">FireWatch.webm</a></td><td>Moomin OST - Gawa No Hotori De
</td><td>2556</td><td>Thursday, November 23, 2017 05:21:20</td><td>6 years ago</td></tr><tr><td><a href="MelodyOfGondola.webm">MelodyOfGondola.webm</a></td><td>Final Fantasy IV OST - Edward's Harp
</td><td>2200</td><td>Thursday, November 23, 2017 05:18:38</td><td>6 years ago</td></tr><tr><td><a href="DwarfFortressGondola.webm">DwarfFortressGondola.webm</a></td><td>Dwarf Fortress OST - Main Theme
</td><td>2675</td><td>Thursday, November 23, 2017 05:15:56</td><td>6 years ago</td></tr><tr><td><a href="RedGondolaHood.webm">RedGondolaHood.webm</a></td><td>The Path OST - Forest Theme
</td><td>2108</td><td>Thursday, November 23, 2017 05:14:04</td><td>6 years ago</td></tr><tr><td><a href="AnotherChance.webm">AnotherChance.webm</a></td><td>Roger Sanchez - Another Chance
</td><td>2896</td><td>Thursday, November 23, 2017 05:09:44</td><td>6 years ago</td></tr><tr><td><a href="Homecoming.webm">Homecoming.webm</a></td><td></td><td>2248</td><td>Thursday, November 23, 2017 05:09:26</td><td>6 years ago</td></tr><tr><td><a href="OldJapaneseGondola.webm">OldJapaneseGondola.webm</a></td><td></td><td>2274</td><td>Thursday, November 23, 2017 05:07:52</td><td>6 years ago</td></tr><tr><td><a href="TheLastOfGondolas.webm">TheLastOfGondolas.webm</a></td><td>Alborada - The last Mohican (Instrumental Andino)
</td><td>2395</td><td>Thursday, November 23, 2017 05:06:18</td><td>6 years ago</td></tr><tr><td><a href="SlovakGondola.webm">SlovakGondola.webm</a></td><td>Original piece by Martin Toman, according to uploader
</td><td>2142</td><td>Thursday, November 23, 2017 05:06:14</td><td>6 years ago</td></tr><tr><td><a href="MilleniaWalkGondola.webm">MilleniaWalkGondola.webm</a></td><td>Earthbound OST - The Metropolis of Fourside
</td><td>2097</td><td>Thursday, November 23, 2017 05:03:58</td><td>6 years ago</td></tr><tr><td><a href="BlackRoom.webm">BlackRoom.webm</a></td><td>The Caretaker - Mental Caverns Without Sunshine
</td><td>2723</td><td>Thursday, November 23, 2017 05:00:06</td><td>6 years ago</td></tr><tr><td><a href="BladeRunner.webm">BladeRunner.webm</a></td><td>Blade Runner OST | Vangelis - Love Theme
</td><td>3333</td><td>Thursday, November 23, 2017 04:58:42</td><td>6 years ago</td></tr><tr><td><a href="TimeInABottle.webm">TimeInABottle.webm</a></td><td>Jim Croce - Time In A Bottle (1973)
</td><td>2190</td><td>Thursday, November 23, 2017 04:58:28</td><td>6 years ago</td></tr><tr><td><a href="BrasBasahGondola.webm">BrasBasahGondola.webm</a></td><td>Super Dimension Century Orguss OST - Hyoryuu ~Sky Hurricane~
</td><td>2575</td><td>Thursday, November 23, 2017 04:57:46</td><td>6 years ago</td></tr><tr><td><a href="AurielsAscension.webm">AurielsAscension.webm</a></td><td>Oblivion OST - Auriels Ascension
</td><td>2915</td><td>Thursday, November 23, 2017 04:57:42</td><td>6 years ago</td></tr><tr><td><a href="EvangelionGondola.webm">EvangelionGondola.webm</a></td><td>The End of Evangelion - Komm, süsser Tod (music box)
</td><td>3032</td><td>Thursday, November 23, 2017 04:57:12</td><td>6 years ago</td></tr><tr><td><a href="ApocalypseGondola.webm">ApocalypseGondola.webm</a></td><td>Neon Genesis Evangelion OST - Fly Me to the Moon (Music Box)
</td><td>3411</td><td>Thursday, November 23, 2017 04:57:10</td><td>6 years ago</td></tr><tr><td><a href="Gondam.webm">Gondam.webm</a></td><td>Gundam Seed Destiny OST - You and I, Unfulfilled Feelings
</td><td>3370</td><td>Thursday, November 23, 2017 04:56:46</td><td>6 years ago</td></tr><tr><td><a href="Pumpkin.webm">Pumpkin.webm</a></td><td>Shifting Things - Pumpkin
</td><td>2296</td><td>Thursday, November 23, 2017 04:56:30</td><td>6 years ago</td></tr><tr><td><a href="Trip.webm">Trip.webm</a></td><td>Boards of Canada - Iced Cooly
</td><td>2236</td><td>Thursday, November 23, 2017 04:56:30</td><td>6 years ago</td></tr><tr><td><a href="Webpunk.webm">Webpunk.webm</a></td><td>VECTOR GRAPHICS - DESTINE
</td><td>2170</td><td>Thursday, November 23, 2017 04:56:30</td><td>6 years ago</td></tr><tr><td><a href="Beksinski.webm">Beksinski.webm</a></td><td>Zbigniew Preisner - DEKALOG VIII - Part 4
</td><td>2735</td><td>Thursday, November 23, 2017 04:56:16</td><td>6 years ago</td></tr><tr><td><a href="GondolaWasKangz.webm">GondolaWasKangz.webm</a></td><td>Age of Empires 2 OST - The African Kingdoms
</td><td>2464</td><td>Thursday, November 23, 2017 04:56:12</td><td>6 years ago</td></tr><tr><td><a href="Gomindola.webm">Gomindola.webm</a></td><td>Gakkou Gurashi OST - Good Night Today
</td><td>3119</td><td>Thursday, November 23, 2017 04:55:58</td><td>6 years ago</td></tr><tr><td><a href="AnatomyGondola.webm">AnatomyGondola.webm</a></td><td>GTO OST - National Kid No Youni
</td><td>3221</td><td>Thursday, November 23, 2017 04:55:52</td><td>6 years ago</td></tr><tr><td><a href="BattleHall.webm">BattleHall.webm</a></td><td>Pokemon RBY - Pewter City
</td><td>2715</td><td>Thursday, November 23, 2017 04:55:52</td><td>6 years ago</td></tr><tr><td><a href="BlueChamber.webm">BlueChamber.webm</a></td><td>Secret of Mana OST - Orchestral Theme
</td><td>2860</td><td>Thursday, November 23, 2017 04:55:52</td><td>6 years ago</td></tr><tr><td><a href="ToBeGondola.webm">ToBeGondola.webm</a></td><td>Yes - Roundabout (1971)
</td><td>2195</td><td>Thursday, November 23, 2017 02:42:40</td><td>6 years ago</td></tr><tr><td><a href="GondolaAndHisFriend.webm">GondolaAndHisFriend.webm</a></td><td>Portal 2 OST - Cara Mia Addio (Turret opera)
</td><td>2858</td><td>Tuesday, November 21, 2017 23:38:05</td><td>6 years ago</td></tr><tr><td><a href="GondolaKorps.webm">GondolaKorps.webm</a></td><td>Freikorps - Die Grenzwacht hielt im osten
</td><td>3427</td><td>Tuesday, November 21, 2017 20:28:48</td><td>6 years ago</td></tr><tr><td><a href="DreamGondolaPalace.webm">DreamGondolaPalace.webm</a></td><td>Asura - V.A.N.T.A.
</td><td>2428</td><td>Monday, November 20, 2017 07:27:24</td><td>6 years ago</td></tr><tr><td><a href="GondolaSnowman.webm">GondolaSnowman.webm</a></td><td>Peter Auty - Walking In The Air
</td><td>2372</td><td>Monday, November 20, 2017 06:56:41</td><td>6 years ago</td></tr><tr><td><a href="GondolaMorrowind.webm">GondolaMorrowind.webm</a></td><td>Morrowind OST - Caprice
</td><td>2663</td><td>Monday, November 20, 2017 06:49:20</td><td>6 years ago</td></tr><tr><td><a href="ForgottenGodGondola.webm">ForgottenGodGondola.webm</a></td><td>Chrono Trigger OST - Corridors of Time (Corridors of Darkholme remix)
</td><td>2552</td><td>Monday, November 20, 2017 06:41:12</td><td>6 years ago</td></tr><tr><td><a href="CosmicGondola.webm">CosmicGondola.webm</a></td><td>Clannad OST - Roaring Tides II
</td><td>2654</td><td>Sunday, November 19, 2017 23:34:20</td><td>6 years ago</td></tr><tr><td><a href="KamikazeGondola.webm">KamikazeGondola.webm</a></td><td></td><td>2224</td><td>Sunday, November 19, 2017 03:44:17</td><td>6 years ago</td></tr><tr><td><a href="GondolaAndHisBall.webm">GondolaAndHisBall.webm</a></td><td>Zinedine - Vaudeville Smash
</td><td>2751</td><td>Saturday, November 18, 2017 23:13:54</td><td>6 years ago</td></tr><tr><td><a href="Downton.webm">Downton.webm</a></td><td>Downton Abbey OST - Such Good Luck
</td><td>2531</td><td>Friday, November 17, 2017 23:19:15</td><td>6 years ago</td></tr><tr><td><a href="SnowyPathGondola.webm">SnowyPathGondola.webm</a></td><td>2NE1 - 안녕 [GOODBYE] - Piano Cover
</td><td>2355</td><td>Friday, November 17, 2017 23:18:45</td><td>6 years ago</td></tr><tr><td><a href="GenesisGondola.webm">GenesisGondola.webm</a></td><td>Genesis - The Colony of Slippermen
</td><td>3475</td><td>Friday, November 17, 2017 20:45:25</td><td>6 years ago</td></tr><tr><td><a href="BeHappy.webm">BeHappy.webm</a></td><td>Bobby McFerrin - Don't Worry Be Happy (remix)
</td><td>2840</td><td>Friday, November 17, 2017 17:00:06</td><td>6 years ago</td></tr><tr><td><a href="KamineGondola.webm">KamineGondola.webm</a></td><td>Ольга Красько - Дождик осенний (Б.Окуджава, И.Шварц)
</td><td>2347</td><td>Friday, November 17, 2017 16:59:43</td><td>6 years ago</td></tr><tr><td><a href="GonneOfGreenGondolas.webm">GonneOfGreenGondolas.webm</a></td><td></td><td>2289</td><td>Friday, November 17, 2017 16:58:32</td><td>6 years ago</td></tr><tr><td><a href="GondoLum.webm">GondoLum.webm</a></td><td>Robert Miles - Children (Dream Version)
</td><td>3036</td><td>Friday, November 17, 2017 05:42:05</td><td>6 years ago</td></tr><tr><td><a href="GondoLift.webm">GondoLift.webm</a></td><td>Pull Up The Roots - Talking Heads
</td><td>2818</td><td>Wednesday, November 15, 2017 18:46:47</td><td>6 years ago</td></tr><tr><td><a href="GirlyDolas.webm">GirlyDolas.webm</a></td><td>ミカヅキBIGWAVE - 偽り深層INSIDE
</td><td>3385</td><td>Wednesday, November 15, 2017 08:54:07</td><td>6 years ago</td></tr><tr><td><a href="DeepSeaGondola.webm">DeepSeaGondola.webm</a></td><td>Super Mario Sunshine OST - Deep Sea of Mare
</td><td>2494</td><td>Tuesday, November 14, 2017 13:06:09</td><td>6 years ago</td></tr><tr><td><a href="GondolaHymnToTheStars.webm">GondolaHymnToTheStars.webm</a></td><td>Starbound OST - Hymn to the Stars
</td><td>2898</td><td>Tuesday, November 14, 2017 10:42:34</td><td>6 years ago</td></tr><tr><td><a href="PlushGondola.webm">PlushGondola.webm</a></td><td>Tom Jobin - Corcovado
</td><td>2247</td><td>Tuesday, November 14, 2017 00:03:39</td><td>6 years ago</td></tr><tr><td><a href="ReflectionInternal.webm">ReflectionInternal.webm</a></td><td>Tomppabeats - Whenever It Rains, I Feel so Free
</td><td>2248</td><td>Monday, November 13, 2017 20:47:56</td><td>6 years ago</td></tr><tr><td><a href="ManicMonday.webm">ManicMonday.webm</a></td><td>The Bangles - Manic Monday
</td><td>3285</td><td>Monday, November 13, 2017 20:35:47</td><td>6 years ago</td></tr><tr><td><a href="GondolaWaitingForBus.webm">GondolaWaitingForBus.webm</a></td><td></td><td>2328</td><td>Monday, November 13, 2017 20:34:34</td><td>6 years ago</td></tr><tr><td><a href="WreckingGondola.webm">WreckingGondola.webm</a></td><td>Miley Cyrus - Wrecking Ball
</td><td>2194</td><td>Monday, November 13, 2017 13:14:48</td><td>6 years ago</td></tr><tr><td><a href="GondolaAntenna.webm">GondolaAntenna.webm</a></td><td>Boards of Canada - Over the Horizon Radar
</td><td>2795</td><td>Monday, November 13, 2017 09:38:59</td><td>6 years ago</td></tr><tr><td><a href="GondolaBladeRunner.webm">GondolaBladeRunner.webm</a></td><td>Vangelis | Blade Runner (1982) OST - Tears In Rain
</td><td>3086</td><td>Monday, November 13, 2017 09:35:56</td><td>6 years ago</td></tr><tr><td><a href="ShipDola.webm">ShipDola.webm</a></td><td>Gordon Lightfoot - The Wreck of the Edmund Fitzgerald
</td><td>2158</td><td>Monday, November 13, 2017 09:33:53</td><td>6 years ago</td></tr><tr><td><a href="GondolaRainyWindow.webm">GondolaRainyWindow.webm</a></td><td>Beethoven - Moonlight Sonata, 1st movement, mixed with Dr. Dre - Still D.R.E. ft. Snoop Dogg
</td><td>2616</td><td>Sunday, November 12, 2017 18:16:20</td><td>6 years ago</td></tr><tr><td><a href="GondolaCiv5.webm">GondolaCiv5.webm</a></td><td>Djivan Gasparian - Brother Hunter
</td><td>2588</td><td>Sunday, November 12, 2017 17:14:41</td><td>6 years ago</td></tr><tr><td><a href="HidingFromTheLight.webm">HidingFromTheLight.webm</a></td><td>HOME - If I'm Wrong
</td><td>2328</td><td>Sunday, November 12, 2017 14:06:23</td><td>6 years ago</td></tr><tr><td><a href="GondolaDesertBus.webm">GondolaDesertBus.webm</a></td><td>Modern Talking - Who Will Save The World
</td><td>2692</td><td>Sunday, November 12, 2017 06:54:05</td><td>6 years ago</td></tr><tr><td><a href="Bus.webm">Bus.webm</a></td><td>Elton John - Bennie and the Jets
</td><td>2762</td><td>Saturday, November 11, 2017 16:25:50</td><td>6 years ago</td></tr><tr><td><a href="GondolaPartyNight.webm">GondolaPartyNight.webm</a></td><td>K-On! OST - Doki Doki Friday Night
</td><td>2488</td><td>Saturday, November 11, 2017 06:04:47</td><td>6 years ago</td></tr><tr><td><a href="FloatingIslandGonds.webm">FloatingIslandGonds.webm</a></td><td>Gorillaz - Melancholy Hill
</td><td>2662</td><td>Saturday, November 11, 2017 05:45:32</td><td>6 years ago</td></tr><tr><td><a href="LittleGondolaSnowHut.webm">LittleGondolaSnowHut.webm</a></td><td>Pokémon Diamond & Pearl - Route 216 (Day)
</td><td>2240</td><td>Saturday, November 11, 2017 04:28:19</td><td>6 years ago</td></tr><tr><td><a href="WinterHomeGondola.webm">WinterHomeGondola.webm</a></td><td>Bach - Ich ruf zu dir, Herr Jesu Christ (BWV 639)
</td><td>2267</td><td>Friday, November 10, 2017 15:59:54</td><td>6 years ago</td></tr><tr><td><a href="PoolTown.webm">PoolTown.webm</a></td><td>CHON - Bubble Dream
</td><td>2338</td><td>Thursday, November 09, 2017 21:13:43</td><td>6 years ago</td></tr><tr><td><a href="MedievalGondola.webm">MedievalGondola.webm</a></td><td>Hitoshi Sakimoto - City Street
</td><td>2136</td><td>Thursday, November 09, 2017 06:02:08</td><td>6 years ago</td></tr><tr><td><a href="FarmerScooter.webm">FarmerScooter.webm</a></td><td>Pekko Aikamiespoika (most likely, according to Anon)
</td><td>2587</td><td>Thursday, November 09, 2017 06:01:59</td><td>6 years ago</td></tr><tr><td><a href="TheDefunctCity.webm">TheDefunctCity.webm</a></td><td>Liduque - Cherry Blossom
</td><td>2187</td><td>Thursday, November 09, 2017 06:01:51</td><td>6 years ago</td></tr><tr><td><a href="GondolaBehindTheWall.webm">GondolaBehindTheWall.webm</a></td><td>Варшавянка/Warszawianka
</td><td>2699</td><td>Thursday, November 09, 2017 06:00:56</td><td>6 years ago</td></tr><tr><td><a href="DancingGondolas.webm">DancingGondolas.webm</a></td><td>Ace of Base - Don't Turn Around
</td><td>2583</td><td>Thursday, November 09, 2017 06:00:44</td><td>6 years ago</td></tr><tr><td><a href="GondolaThread.webm">GondolaThread.webm</a></td><td></td><td>3252</td><td>Thursday, November 09, 2017 05:59:39</td><td>6 years ago</td></tr><tr><td><a href="WaitingToGo.webm">WaitingToGo.webm</a></td><td>Tomodachi Life OST - Rejection
</td><td>2230</td><td>Thursday, November 09, 2017 05:59:25</td><td>6 years ago</td></tr><tr><td><a href="GondolaWorksAtIBM.webm">GondolaWorksAtIBM.webm</a></td><td>Miles Davis - So What
</td><td>2365</td><td>Thursday, November 09, 2017 05:59:12</td><td>6 years ago</td></tr><tr><td><a href="TheTownOnTheOtherSide.webm">TheTownOnTheOtherSide.webm</a></td><td>Shadow of the Colossus OST - Green Hills
</td><td>2202</td><td>Thursday, November 09, 2017 05:59:02</td><td>6 years ago</td></tr><tr><td><a href="TheGreeks.webm">TheGreeks.webm</a></td><td>Black Hawk Down OST - Hunger (Hans Zimmer)
</td><td>2303</td><td>Thursday, November 09, 2017 05:58:43</td><td>6 years ago</td></tr><tr><td><a href="GondolaComfyInside.webm">GondolaComfyInside.webm</a></td><td>Antonio Carlos Jobim - Dialogo
</td><td>2566</td><td>Thursday, November 09, 2017 05:58:30</td><td>6 years ago</td></tr><tr><td><a href="SleepyGondolas.webm">SleepyGondolas.webm</a></td><td>C418 - Subwoofer Lullaby
</td><td>2263</td><td>Thursday, November 09, 2017 05:58:20</td><td>6 years ago</td></tr><tr><td><a href="PeasantryGondola.webm">PeasantryGondola.webm</a></td><td>Ensiferum - Kalevala Melody
</td><td>2119</td><td>Thursday, November 09, 2017 05:57:57</td><td>6 years ago</td></tr><tr><td><a href="SynthGondola.webm">SynthGondola.webm</a></td><td>HOME - Decay
</td><td>2180</td><td>Thursday, November 09, 2017 05:57:36</td><td>6 years ago</td></tr><tr><td><a href="WarriorCampFireGondola.webm">WarriorCampFireGondola.webm</a></td><td>Dark Souls OST - Firelink Shrine
</td><td>2508</td><td>Thursday, November 09, 2017 05:56:25</td><td>6 years ago</td></tr><tr><td><a href="DriveInGondola.webm">DriveInGondola.webm</a></td><td>Viva - Nothing Has Changed
</td><td>2484</td><td>Thursday, November 09, 2017 05:56:08</td><td>6 years ago</td></tr><tr><td><a href="RelaxingInTheShade.webm">RelaxingInTheShade.webm</a></td><td>Spirited Away OST - One Summer's Day (piano cover)
</td><td>2582</td><td>Thursday, November 09, 2017 05:55:54</td><td>6 years ago</td></tr><tr><td><a href="PortalGondola.webm">PortalGondola.webm</a></td><td>Portal OST - Still Alive (piano version)
</td><td>2283</td><td>Thursday, November 09, 2017 05:55:15</td><td>6 years ago</td></tr><tr><td><a href="IslandTower.webm">IslandTower.webm</a></td><td>The Witcher 3 OST - An Skellige
</td><td>2315</td><td>Thursday, November 09, 2017 05:54:49</td><td>6 years ago</td></tr><tr><td><a href="PassingTheCity.webm">PassingTheCity.webm</a></td><td>Ben-To OST - Shinjou 4 Shouri No Ato No Bansan
</td><td>2251</td><td>Thursday, November 09, 2017 05:54:40</td><td>6 years ago</td></tr><tr><td><a href="GondolaRotate.webm">GondolaRotate.webm</a></td><td>Marifax - Teatime Dandies
</td><td>2376</td><td>Thursday, November 09, 2017 05:54:30</td><td>6 years ago</td></tr><tr><td><a href="BlockyGondola.webm">BlockyGondola.webm</a></td><td>Ludovico Einaudi - Giorni Dispari
</td><td>2652</td><td>Thursday, November 09, 2017 05:52:22</td><td>6 years ago</td></tr><tr><td><a href="DarkRoomGondola.webm">DarkRoomGondola.webm</a></td><td>Lambchop - The Daily Growl
</td><td>2566</td><td>Thursday, November 09, 2017 05:51:47</td><td>6 years ago</td></tr><tr><td><a href="GondolaLiftsCar.webm">GondolaLiftsCar.webm</a></td><td>Guns N' Roses - Knockin' on Heaven's Door
</td><td>2324</td><td>Thursday, November 09, 2017 05:51:40</td><td>6 years ago</td></tr><tr><td><a href="CurbGondola.webm">CurbGondola.webm</a></td><td>Scott Dunbar - Tinfoil Hat
</td><td>2455</td><td>Thursday, November 09, 2017 05:50:43</td><td>6 years ago</td></tr><tr><td><a href="FuturistGondola.webm">FuturistGondola.webm</a></td><td>2814 - 恢复/Recovery
</td><td>4249</td><td>Thursday, November 09, 2017 05:50:16</td><td>6 years ago</td></tr><tr><td><a href="SoftBreezeGondola.webm">SoftBreezeGondola.webm</a></td><td>Кино - Дерево (Kino - Tree)
</td><td>2281</td><td>Thursday, November 09, 2017 05:49:24</td><td>6 years ago</td></tr><tr><td><a href="GondolasOnTheLeaf.webm">GondolasOnTheLeaf.webm</a></td><td></td><td>2366</td><td>Thursday, November 09, 2017 05:49:04</td><td>6 years ago</td></tr><tr><td><a href="BedroomGondola.webm">BedroomGondola.webm</a></td><td>Giles Lamb - Dead Island
</td><td>2648</td><td>Thursday, November 09, 2017 05:48:49</td><td>6 years ago</td></tr><tr><td><a href="PixelGameGondolaDungeon.webm">PixelGameGondolaDungeon.webm</a></td><td></td><td>2234</td><td>Thursday, November 09, 2017 05:48:20</td><td>6 years ago</td></tr><tr><td><a href="DoomGondola2.webm">DoomGondola2.webm</a></td><td>Doom I OST - Victory Music
</td><td>2710</td><td>Thursday, November 09, 2017 05:47:49</td><td>6 years ago</td></tr><tr><td><a href="BumCityGondola.webm">BumCityGondola.webm</a></td><td>Shady Dave - Feelings of Twilight
</td><td>2760</td><td>Thursday, November 09, 2017 05:47:25</td><td>6 years ago</td></tr><tr><td><a href="TheCityLives.webm">TheCityLives.webm</a></td><td>Bamboo - Much Has Been Said
</td><td>2235</td><td>Thursday, November 09, 2017 05:44:09</td><td>6 years ago</td></tr><tr><td><a href="WitchyGondolaTree.webm">WitchyGondolaTree.webm</a></td><td></td><td>2272</td><td>Thursday, November 09, 2017 05:43:54</td><td>6 years ago</td></tr><tr><td><a href="PayGondolas.webm">PayGondolas.webm</a></td><td>Swallow The Sun - The Heart Of A Cold White Land
</td><td>2154</td><td>Thursday, November 09, 2017 05:43:47</td><td>6 years ago</td></tr><tr><td><a href="DrownedGondola.webm">DrownedGondola.webm</a></td><td>Michael Ortega - It's hard to say goodbye
</td><td>2506</td><td>Thursday, November 09, 2017 05:43:40</td><td>6 years ago</td></tr><tr><td><a href="SittingOnARock.webm">SittingOnARock.webm</a></td><td></td><td>2088</td><td>Thursday, November 09, 2017 05:43:32</td><td>6 years ago</td></tr><tr><td><a href="GondolaChillMix.webm">GondolaChillMix.webm</a></td><td>Nikita Great - My Love
</td><td>2607</td><td>Thursday, November 09, 2017 05:43:12</td><td>6 years ago</td></tr><tr><td><a href="GondolaMetroRide.webm">GondolaMetroRide.webm</a></td><td>ProleteR - Back Home
</td><td>2668</td><td>Thursday, November 09, 2017 05:43:03</td><td>6 years ago</td></tr><tr><td><a href="PixelTrainGondola.webm">PixelTrainGondola.webm</a></td><td>Lamb - Elfia Piesn
</td><td>2438</td><td>Thursday, November 09, 2017 05:42:40</td><td>6 years ago</td></tr><tr><td><a href="NoirGondola.webm">NoirGondola.webm</a></td><td>Chinatown OST - Love Theme
</td><td>2243</td><td>Thursday, November 09, 2017 05:42:32</td><td>6 years ago</td></tr><tr><td><a href="GondolaPerformer.webm">GondolaPerformer.webm</a></td><td>Ween - I'm Dancing in the Show Tonight
</td><td>2388</td><td>Thursday, November 09, 2017 05:42:11</td><td>6 years ago</td></tr><tr><td><a href="SafariGondola.webm">SafariGondola.webm</a></td><td>Toto - Africa
</td><td>2135</td><td>Thursday, November 09, 2017 05:42:04</td><td>6 years ago</td></tr><tr><td><a href="SittingOnTheBeach.webm">SittingOnTheBeach.webm</a></td><td>Throwing a Spoon - clouds
</td><td>2269</td><td>Thursday, November 09, 2017 05:41:12</td><td>6 years ago</td></tr><tr><td><a href="GondolaLooksAtTheCity.webm">GondolaLooksAtTheCity.webm</a></td><td>Spirited Away OST - Inochi no Namae
</td><td>2630</td><td>Thursday, November 09, 2017 05:40:45</td><td>6 years ago</td></tr><tr><td><a href="AsianMarketGondola.webm">AsianMarketGondola.webm</a></td><td>Final Fantasy 7 OST - Wall Market Theme
</td><td>3270</td><td>Thursday, November 09, 2017 05:39:59</td><td>6 years ago</td></tr><tr><td><a href="CastleGondola.webm">CastleGondola.webm</a></td><td>Brian Eno - Music for Airports 1/1
</td><td>2613</td><td>Thursday, November 09, 2017 05:39:51</td><td>6 years ago</td></tr><tr><td><a href="HighlanderGondolas.webm">HighlanderGondolas.webm</a></td><td>Ronnie Hazelhurst - The Last of the Summer Wine - Main Theme
</td><td>2329</td><td>Thursday, November 09, 2017 05:39:41</td><td>6 years ago</td></tr><tr><td><a href="SeagullBeachComfy.webm">SeagullBeachComfy.webm</a></td><td></td><td>2216</td><td>Thursday, November 09, 2017 05:39:01</td><td>6 years ago</td></tr><tr><td><a href="RockyGondola.webm">RockyGondola.webm</a></td><td></td><td>2154</td><td>Thursday, November 09, 2017 05:38:44</td><td>6 years ago</td></tr><tr><td><a href="CarefulNowGondolaMountains.webm">CarefulNowGondolaMountains.webm</a></td><td>The London Philharmonic Orchestra - Solveig's Song, Peer Gynt Suite
</td><td>2609</td><td>Thursday, November 09, 2017 05:38:15</td><td>6 years ago</td></tr><tr><td><a href="TheImpactGondola.webm">TheImpactGondola.webm</a></td><td>Halo OST - Halo Theme (Choir Mix)
</td><td>2339</td><td>Thursday, November 09, 2017 05:37:45</td><td>6 years ago</td></tr><tr><td><a href="ComfyGondolaRoom.webm">ComfyGondolaRoom.webm</a></td><td>Morly - And Sooner Than We Know It
</td><td>2627</td><td>Thursday, November 09, 2017 05:37:23</td><td>6 years ago</td></tr><tr><td><a href="HurtingGondola.webm">HurtingGondola.webm</a></td><td>The Neighbourhood - Daddy Issues
</td><td>2374</td><td>Thursday, November 09, 2017 05:37:15</td><td>6 years ago</td></tr><tr><td><a href="ChileanGondolaSleeps.webm">ChileanGondolaSleeps.webm</a></td><td>Ivan Barrientos - Suite Aysen - A un suave atardecer de estío
</td><td>2770</td><td>Thursday, November 09, 2017 05:36:09</td><td>6 years ago</td></tr><tr><td><a href="LightHouseGondola.webm">LightHouseGondola.webm</a></td><td>Franco Piersanti - Tenderness
</td><td>2142</td><td>Thursday, November 09, 2017 05:36:00</td><td>6 years ago</td></tr><tr><td><a href="ThisFlowerBed.webm">ThisFlowerBed.webm</a></td><td>Nujabes - Luv Sic Part 2
</td><td>2160</td><td>Thursday, November 09, 2017 05:35:41</td><td>6 years ago</td></tr><tr><td><a href="TheMagicalFloats.webm">TheMagicalFloats.webm</a></td><td>Jim Guthrie - The Cloud
</td><td>2340</td><td>Thursday, November 09, 2017 05:35:22</td><td>6 years ago</td></tr><tr><td><a href="SkiFastGondola.webm">SkiFastGondola.webm</a></td><td></td><td>2111</td><td>Thursday, November 09, 2017 05:35:10</td><td>6 years ago</td></tr><tr><td><a href="FugQuad.webm">FugQuad.webm</a></td><td>Capo Blanco - Cold Song
</td><td>5607</td><td>Thursday, November 09, 2017 05:35:00</td><td>6 years ago</td></tr><tr><td><a href="NatureOvertakenGondola.webm">NatureOvertakenGondola.webm</a></td><td>Pink Floyd - Marooned
</td><td>2070</td><td>Thursday, November 09, 2017 05:34:49</td><td>6 years ago</td></tr><tr><td><a href="IsometricGondolaGame.webm">IsometricGondolaGame.webm</a></td><td>Yasunoru Mitsuda | Chrono Trigger OST - The Brink of Time
</td><td>2339</td><td>Thursday, November 09, 2017 05:34:28</td><td>6 years ago</td></tr><tr><td><a href="EsBoatIsland.webm">EsBoatIsland.webm</a></td><td>Aphex Twin - Qkthr
</td><td>2595</td><td>Thursday, November 09, 2017 05:33:25</td><td>6 years ago</td></tr><tr><td><a href="TheWinterOfGondola.webm">TheWinterOfGondola.webm</a></td><td>Christopher Carlone - The Seasons Pass
</td><td>2344</td><td>Thursday, November 09, 2017 05:33:13</td><td>6 years ago</td></tr><tr><td><a href="PavementGondola.webm">PavementGondola.webm</a></td><td></td><td>2426</td><td>Thursday, November 09, 2017 05:33:03</td><td>6 years ago</td></tr><tr><td><a href="GondolaBenchAutumn.webm">GondolaBenchAutumn.webm</a></td><td>Do Make Say Think - Soul and Onward
</td><td>3034</td><td>Thursday, November 09, 2017 05:32:21</td><td>6 years ago</td></tr><tr><td><a href="AmryGondolaGrass.webm">AmryGondolaGrass.webm</a></td><td>Eric Burdon - The Animals - We Gotta Get Out Of This Place
</td><td>3090</td><td>Thursday, November 09, 2017 05:31:18</td><td>6 years ago</td></tr><tr><td><a href="SnowyCliffGondola.webm">SnowyCliffGondola.webm</a></td><td>Al di Meola - Winterlude Duet No.1
</td><td>2143</td><td>Thursday, November 09, 2017 05:31:05</td><td>6 years ago</td></tr><tr><td><a href="MetalCityDola.webm">MetalCityDola.webm</a></td><td>Machinarium OST - By The Wall (Bonus EP)
</td><td>2197</td><td>Thursday, November 09, 2017 05:30:37</td><td>6 years ago</td></tr><tr><td><a href="TiredGondola.webm">TiredGondola.webm</a></td><td>Metallica - Fade to Black
</td><td>4327</td><td>Thursday, November 09, 2017 05:30:25</td><td>6 years ago</td></tr><tr><td><a href="AtHomeWithNothing.webm">AtHomeWithNothing.webm</a></td><td>Erik Satie - Gymnopédie No.1
</td><td>3196</td><td>Thursday, November 09, 2017 05:29:42</td><td>6 years ago</td></tr><tr><td><a href="GondolaBusRain.webm">GondolaBusRain.webm</a></td><td>Spirited Away OST - Sixth Station
</td><td>2748</td><td>Thursday, November 09, 2017 05:29:22</td><td>6 years ago</td></tr><tr><td><a href="GondolaHighClass.webm">GondolaHighClass.webm</a></td><td>Johann Sebastian Bach - Harpsichord Concerto No.2 in E Major, BWV 1053
</td><td>2514</td><td>Thursday, November 09, 2017 05:29:12</td><td>6 years ago</td></tr><tr><td><a href="TheWindIsStrongGondola.webm">TheWindIsStrongGondola.webm</a></td><td>Porco Rosso - The theme of Marco and Gina
</td><td>2188</td><td>Thursday, November 09, 2017 05:28:24</td><td>6 years ago</td></tr><tr><td><a href="ScaryCity.webm">ScaryCity.webm</a></td><td>Half-Life 2 OST - Broken Symmetry
</td><td>2313</td><td>Thursday, November 09, 2017 05:28:12</td><td>6 years ago</td></tr><tr><td><a href="DumplingTown.webm">DumplingTown.webm</a></td><td>I Monster - Daydream In Blue (BBC Radio 2 session)
</td><td>2472</td><td>Thursday, November 09, 2017 05:27:59</td><td>6 years ago</td></tr><tr><td><a href="GondolaHangs.webm">GondolaHangs.webm</a></td><td>Oldboy OST - Breathless
</td><td>2517</td><td>Thursday, November 09, 2017 05:27:37</td><td>6 years ago</td></tr><tr><td><a href="GondolaOnTheBus.webm">GondolaOnTheBus.webm</a></td><td>Dustin O'Halloran - Opus 23
</td><td>2427</td><td>Thursday, November 09, 2017 05:27:23</td><td>6 years ago</td></tr><tr><td><a href="DonkeyKongUnderTheTrees.webm">DonkeyKongUnderTheTrees.webm</a></td><td>Banjo-Kazooie OST - Click Clock Wood (Spring)
</td><td>2501</td><td>Thursday, November 09, 2017 05:27:12</td><td>6 years ago</td></tr><tr><td><a href="GondolasUniverse.webm">GondolasUniverse.webm</a></td><td>Debussy - Suite Bergamasque (Clair de lune)
</td><td>2303</td><td>Thursday, November 09, 2017 05:26:11</td><td>6 years ago</td></tr><tr><td><a href="GondolaStreamAdventures.webm">GondolaStreamAdventures.webm</a></td><td>Secret of Mana - Into the Thick of It
</td><td>2407</td><td>Thursday, November 09, 2017 05:25:43</td><td>6 years ago</td></tr><tr><td><a href="NeonGondola.webm">NeonGondola.webm</a></td><td>Mass Effect 3 OST - An End Once and For All
</td><td>2239</td><td>Thursday, November 09, 2017 05:25:20</td><td>6 years ago</td></tr><tr><td><a href="HeartBreakGondola.webm">HeartBreakGondola.webm</a></td><td></td><td>2289</td><td>Thursday, November 09, 2017 05:25:03</td><td>6 years ago</td></tr><tr><td><a href="ArtsyGondola.webm">ArtsyGondola.webm</a></td><td>DJ Cam - Un eté a Paris
</td><td>2908</td><td>Thursday, November 09, 2017 05:24:51</td><td>6 years ago</td></tr><tr><td><a href="HeavenlyGondola.webm">HeavenlyGondola.webm</a></td><td>Pyotr Ilyich Tchaikovsky - Academic Choir Of Ukraine
</td><td>2291</td><td>Thursday, November 09, 2017 05:24:43</td><td>6 years ago</td></tr><tr><td><a href="ButterflyLaptopThought.webm">ButterflyLaptopThought.webm</a></td><td>S.T.A.L.K.E.R. OST - He was a good stalker
</td><td>2979</td><td>Thursday, November 09, 2017 05:24:28</td><td>6 years ago</td></tr><tr><td><a href="XDola.webm">XDola.webm</a></td><td>Jakob Bienenhalm - Jockel, der Gartenteichspringbrunnen
</td><td>2414</td><td>Thursday, November 09, 2017 05:24:06</td><td>6 years ago</td></tr><tr><td><a href="IsisDola.webm">IsisDola.webm</a></td><td></td><td>2370</td><td>Thursday, November 09, 2017 05:23:49</td><td>6 years ago</td></tr><tr><td><a href="DoNOTTrustThePillars.webm">DoNOTTrustThePillars.webm</a></td><td>Eels - That's Not Really Funny
</td><td>2424</td><td>Thursday, November 09, 2017 05:23:34</td><td>6 years ago</td></tr><tr><td><a href="BeztFugginDayEvur.webm">BeztFugginDayEvur.webm</a></td><td>Nobuo Uematsu | The Last Story OST - Lost Time
</td><td>2764</td><td>Thursday, November 09, 2017 05:23:16</td><td>6 years ago</td></tr><tr><td><a href="RedRidingGondola.webm">RedRidingGondola.webm</a></td><td>The Path OST - Forest Theme
</td><td>2084</td><td>Thursday, November 09, 2017 05:21:03</td><td>6 years ago</td></tr><tr><td><a href="GondolaOnTheHills.webm">GondolaOnTheHills.webm</a></td><td>Skies of Arcadia OST - Theme of Loneliness
</td><td>2366</td><td>Thursday, November 09, 2017 05:20:54</td><td>6 years ago</td></tr><tr><td><a href="HoverCarMountain.webm">HoverCarMountain.webm</a></td><td>Julio Iglesias - La mer
</td><td>2150</td><td>Thursday, November 09, 2017 05:20:34</td><td>6 years ago</td></tr><tr><td><a href="3DRainGondola.webm">3DRainGondola.webm</a></td><td>Aphex Twin - Rhubarb (piano version/cover)
</td><td>4160</td><td>Thursday, November 09, 2017 05:20:26</td><td>6 years ago</td></tr><tr><td><a href="AutumnGondolaSeason.webm">AutumnGondolaSeason.webm</a></td><td>Howl's Moving Castle OST - Theme
</td><td>3359</td><td>Thursday, November 09, 2017 05:20:12</td><td>6 years ago</td></tr><tr><td><a href="VikingGondola.webm">VikingGondola.webm</a></td><td>Wardruna - Völuspá
</td><td>2192</td><td>Thursday, November 09, 2017 05:19:52</td><td>6 years ago</td></tr><tr><td><a href="AutumnDola.webm">AutumnDola.webm</a></td><td>Welcome to the N.H.K. OST - Hitori no Tame no Lullaby (Cover, see comments)
</td><td>3155</td><td>Thursday, November 09, 2017 05:19:43</td><td>6 years ago</td></tr><tr><td><a href="LostDola.webm">LostDola.webm</a></td><td>Far Cry 3 OST - Main Theme
</td><td>2141</td><td>Thursday, November 09, 2017 05:19:36</td><td>6 years ago</td></tr><tr><td><a href="JapaneseSlumDola.webm">JapaneseSlumDola.webm</a></td><td></td><td>2327</td><td>Thursday, November 09, 2017 05:19:21</td><td>6 years ago</td></tr><tr><td><a href="GondolaEfna.webm">GondolaEfna.webm</a></td><td>Vangelis - Tears in Rain (Blade Runner 1982 final scene)
</td><td>3153</td><td>Thursday, November 09, 2017 05:19:04</td><td>6 years ago</td></tr><tr><td><a href="GondolaMirrorProfound.webm">GondolaMirrorProfound.webm</a></td><td></td><td>2476</td><td>Thursday, November 09, 2017 05:18:26</td><td>6 years ago</td></tr><tr><td><a href="TakeItAllInGondola.webm">TakeItAllInGondola.webm</a></td><td></td><td>2175</td><td>Thursday, November 09, 2017 05:18:13</td><td>6 years ago</td></tr><tr><td><a href="SnowyMoscowDola.webm">SnowyMoscowDola.webm</a></td><td>Metro 2033 OST - Main Theme
</td><td>2337</td><td>Thursday, November 09, 2017 05:17:25</td><td>6 years ago</td></tr><tr><td><a href="SovietDola.webm">SovietDola.webm</a></td><td>Matvei Blanter - Katyusha | Russian folk song - Korobeiniki
</td><td>2562</td><td>Thursday, November 09, 2017 05:17:13</td><td>6 years ago</td></tr><tr><td><a href="GondSoldier.webm">GondSoldier.webm</a></td><td>Vasilisa i Gora rasti rasti moj zeleni bore
</td><td>3070</td><td>Thursday, November 09, 2017 05:16:59</td><td>6 years ago</td></tr><tr><td><a href="InterstellaryDola.webm">InterstellaryDola.webm</a></td><td>Hans Zimmer - Cornfield Chase
</td><td>2219</td><td>Thursday, November 09, 2017 05:16:22</td><td>6 years ago</td></tr><tr><td><a href="VicePoliceDola.webm">VicePoliceDola.webm</a></td><td>Jan Hammer - Crockett's Theme
</td><td>2261</td><td>Thursday, November 09, 2017 05:15:45</td><td>6 years ago</td></tr><tr><td><a href="TankDola.webm">TankDola.webm</a></td><td>Kevin MacLeod - Take the Lead
</td><td>2142</td><td>Thursday, November 09, 2017 05:15:35</td><td>6 years ago</td></tr><tr><td><a href="GondolaDoesntKnow.webm">GondolaDoesntKnow.webm</a></td><td>Katawa Shoujo OST - Jitter
</td><td>2698</td><td>Thursday, November 09, 2017 05:15:18</td><td>6 years ago</td></tr><tr><td><a href="GondolaComfyTrainRide.webm">GondolaComfyTrainRide.webm</a></td><td></td><td>2686</td><td>Thursday, November 09, 2017 05:13:10</td><td>6 years ago</td></tr><tr><td><a href="WarmEsBrew.webm">WarmEsBrew.webm</a></td><td>Cicada - Farewell (in a pretentious way)
</td><td>2155</td><td>Thursday, November 09, 2017 05:11:36</td><td>6 years ago</td></tr><tr><td><a href="OverTheGondola.webm">OverTheGondola.webm</a></td><td>Over The Garden Wall OST - Where are we?
</td><td>2136</td><td>Thursday, November 09, 2017 04:58:27</td><td>6 years ago</td></tr><tr><td><a href="TheBannerSagaGondola.webm">TheBannerSagaGondola.webm</a></td><td>The Legend Of Iya OST - Philter
</td><td>2226</td><td>Thursday, November 09, 2017 04:57:56</td><td>6 years ago</td></tr><tr><td><a href="MadeInAbyssGondola.webm">MadeInAbyssGondola.webm</a></td><td>Made in Abyss OST - Hanezeve Caradhina (ft.Takeshi Saito)
</td><td>2376</td><td>Thursday, November 09, 2017 04:57:13</td><td>6 years ago</td></tr><tr><td><a href="GondolaOfTheNile.webm">GondolaOfTheNile.webm</a></td><td>Nile - User Maat Re
</td><td>2277</td><td>Wednesday, November 08, 2017 17:24:03</td><td>6 years ago</td></tr><tr><td><a href="GondolasDive.webm">GondolasDive.webm</a></td><td></td><td>2331</td><td>Tuesday, November 07, 2017 09:44:08</td><td>6 years ago</td></tr><tr><td><a href="GondolaHorseField.webm">GondolaHorseField.webm</a></td><td>柳川和樹 | Atelier Firis OST - 緑の塒
</td><td>3082</td><td>Tuesday, November 07, 2017 04:53:07</td><td>6 years ago</td></tr><tr><td><a href="GondolaSnowAngel.webm">GondolaSnowAngel.webm</a></td><td>Aphex Twin - Xtal
</td><td>2493</td><td>Tuesday, November 07, 2017 04:51:05</td><td>6 years ago</td></tr><tr><td><a href="GondolaOldBuilding.webm">GondolaOldBuilding.webm</a></td><td>36 - Beacon
</td><td>2303</td><td>Tuesday, November 07, 2017 00:30:15</td><td>6 years ago</td></tr><tr><td><a href="Gondolo.webm">Gondolo.webm</a></td><td>Grouper - No Other
</td><td>2304</td><td>Monday, November 06, 2017 22:19:34</td><td>6 years ago</td></tr><tr><td><a href="GondolaInTheWater.webm">GondolaInTheWater.webm</a></td><td>World's End Girlfriend - Smile (ft. 湯川潮音)
</td><td>2463</td><td>Monday, November 06, 2017 21:23:08</td><td>6 years ago</td></tr><tr><td><a href="SpaceGondola2.webm">SpaceGondola2.webm</a></td><td>Overlord (NES) OST - Title Screen
</td><td>2359</td><td>Monday, November 06, 2017 04:40:36</td><td>6 years ago</td></tr><tr><td><a href="FjordDola.webm">FjordDola.webm</a></td><td>Nils Frahm - Them
</td><td>2476</td><td>Monday, November 06, 2017 03:50:51</td><td>6 years ago</td></tr><tr><td><a href="DyingDogDola.webm">DyingDogDola.webm</a></td><td>Clint Mansell - Memories (Someone We'll Never Know)
</td><td>2491</td><td>Monday, November 06, 2017 03:49:46</td><td>6 years ago</td></tr><tr><td><a href="IrakDola.webm">IrakDola.webm</a></td><td>Denez Prigent & Lisa Gerrard - Gortoz A Ran J'Attends
</td><td>2455</td><td>Monday, November 06, 2017 03:47:18</td><td>6 years ago</td></tr><tr><td><a href="GondolaAmongGondolas.webm">GondolaAmongGondolas.webm</a></td><td>The Verve - Bitter Sweet Symphony
</td><td>2871</td><td>Monday, November 06, 2017 03:46:36</td><td>6 years ago</td></tr><tr><td><a href="AloneAgainGondola.webm">AloneAgainGondola.webm</a></td><td>Mac Demarco - Chamber Of Reflection
</td><td>3464</td><td>Monday, November 06, 2017 03:45:45</td><td>6 years ago</td></tr><tr><td><a href="BalconyCitySky.webm">BalconyCitySky.webm</a></td><td>Hammock - The Air Between Us
</td><td>2819</td><td>Monday, November 06, 2017 03:43:58</td><td>6 years ago</td></tr><tr><td><a href="GondolaStairs.webm">GondolaStairs.webm</a></td><td>Dvar - Hishmaliin
</td><td>2394</td><td>Monday, November 06, 2017 03:41:47</td><td>6 years ago</td></tr><tr><td><a href="DislodgeDola.webm">DislodgeDola.webm</a></td><td>Syeda Shah - WHITE HOUSE / Ogre You Asshole
</td><td>2429</td><td>Monday, November 06, 2017 03:35:52</td><td>6 years ago</td></tr><tr><td><a href="SnowFishingDola.webm">SnowFishingDola.webm</a></td><td>Mass Effect 3 OST - An End, Once And For All
</td><td>2280</td><td>Monday, November 06, 2017 03:35:22</td><td>6 years ago</td></tr><tr><td><a href="GondolaDrivesGreenCar.webm">GondolaDrivesGreenCar.webm</a></td><td>HOME - Resonance
</td><td>2559</td><td>Monday, November 06, 2017 03:32:12</td><td>6 years ago</td></tr><tr><td><a href="AustralianGondola2.webm">AustralianGondola2.webm</a></td><td>Icehouse - Great Southern Land
</td><td>3251</td><td>Monday, November 06, 2017 03:30:48</td><td>6 years ago</td></tr><tr><td><a href="HouseWojakPepe2.webm">HouseWojakPepe2.webm</a></td><td>Vadim Kiselev - Sadness Piano Song
</td><td>2278</td><td>Monday, November 06, 2017 03:28:12</td><td>6 years ago</td></tr><tr><td><a href="SillyGondola.webm">SillyGondola.webm</a></td><td>Herb Alpert - Spanish Flea
</td><td>2293</td><td>Monday, November 06, 2017 03:26:10</td><td>6 years ago</td></tr><tr><td><a href="BioshockDola.webm">BioshockDola.webm</a></td><td>Bobby Darin - Beyond the Sea
</td><td>2907</td><td>Monday, November 06, 2017 03:23:32</td><td>6 years ago</td></tr><tr><td><a href="RisingSunWarDola.webm">RisingSunWarDola.webm</a></td><td>The Animals - House of the Rising Sun (1964)
</td><td>2390</td><td>Monday, November 06, 2017 03:19:44</td><td>6 years ago</td></tr><tr><td><a href="GondolaOnScreen.webm">GondolaOnScreen.webm</a></td><td>Jürgen Schlachter - The Big Laugh
</td><td>2434</td><td>Monday, November 06, 2017 03:15:48</td><td>6 years ago</td></tr><tr><td><a href="BurningWakeGondola2.webm">BurningWakeGondola2.webm</a></td><td>Christopher Carlone - Red Dawn
</td><td>2582</td><td>Monday, November 06, 2017 03:10:11</td><td>6 years ago</td></tr><tr><td><a href="GondolaInLimbo.webm">GondolaInLimbo.webm</a></td><td>Hans Zimmer - Time
</td><td>2487</td><td>Monday, November 06, 2017 03:04:52</td><td>6 years ago</td></tr><tr><td><a href="GondoWay.webm">GondoWay.webm</a></td><td>Jan Jelinek - Rock in the Video Age
</td><td>2711</td><td>Monday, November 06, 2017 02:42:46</td><td>6 years ago</td></tr><tr><td><a href="AirlockSpaceGondola.webm">AirlockSpaceGondola.webm</a></td><td>Global Communication - 14:31
</td><td>3323</td><td>Monday, November 06, 2017 02:41:55</td><td>6 years ago</td></tr><tr><td><a href="Frenchola.webm">Frenchola.webm</a></td><td>Bob Bradley, Adam Dennis, Chris Egan - Magician
</td><td>2565</td><td>Sunday, November 05, 2017 18:58:36</td><td>6 years ago</td></tr><tr><td><a href="GondolaCave2.webm">GondolaCave2.webm</a></td><td>Waterflame - The Wanderer
</td><td>2532</td><td>Sunday, November 05, 2017 18:58:22</td><td>6 years ago</td></tr><tr><td><a href="GondolaRedPlane.webm">GondolaRedPlane.webm</a></td><td>Joe Hisaishi - Naoko Meguriai (The Wind Rises OST)
</td><td>2568</td><td>Sunday, November 05, 2017 18:57:35</td><td>6 years ago</td></tr><tr><td><a href="UpsideUp.webm">UpsideUp.webm</a></td><td>Cube Escape - Birthday Piano Theme
</td><td>2137</td><td>Sunday, November 05, 2017 16:46:14</td><td>6 years ago</td></tr><tr><td><a href="GondolaItsAllOver.webm">GondolaItsAllOver.webm</a></td><td>Tomodachi Life OST - Rejection
</td><td>2372</td><td>Sunday, November 05, 2017 06:21:46</td><td>6 years ago</td></tr><tr><td><a href="GondolaMushishi.webm">GondolaMushishi.webm</a></td><td>Mushishi Zoku Shou OST - Hinata
</td><td>2439</td><td>Sunday, November 05, 2017 01:33:22</td><td>6 years ago</td></tr><tr><td><a href="GondolaChile.webm">GondolaChile.webm</a></td><td></td><td>2547</td><td>Sunday, November 05, 2017 01:32:32</td><td>6 years ago</td></tr><tr><td><a href="GondolaRoadRain.webm">GondolaRoadRain.webm</a></td><td>Portishead - Roads
</td><td>2415</td><td>Sunday, November 05, 2017 00:06:47</td><td>6 years ago</td></tr><tr><td><a href="Train.webm">Train.webm</a></td><td>Harry Nilsson - The Moonbeam Song
</td><td>2257</td><td>Saturday, November 04, 2017 19:10:07</td><td>6 years ago</td></tr><tr><td><a href="TearsInTheRain.webm">TearsInTheRain.webm</a></td><td>Vangelis - Tears in Rain
</td><td>3091</td><td>Saturday, November 04, 2017 15:18:15</td><td>6 years ago</td></tr><tr><td><a href="WetDog.webm">WetDog.webm</a></td><td>Metro 2033 OST - Main Theme
</td><td>2604</td><td>Friday, November 03, 2017 17:50:32</td><td>6 years ago</td></tr><tr><td><a href="Soldiers.webm">Soldiers.webm</a></td><td>Timur Mutsurayev - Svoboda
</td><td>2138</td><td>Friday, November 03, 2017 17:08:21</td><td>6 years ago</td></tr><tr><td><a href="RenaiCirculation.webm">RenaiCirculation.webm</a></td><td>Hanazawa Kana - Renai Circulation
</td><td>1886</td><td>Friday, November 03, 2017 14:12:24</td><td>6 years ago</td></tr><tr><td><a href="JesusGondolaCrossStorm.webm">JesusGondolaCrossStorm.webm</a></td><td>Akira Senju - Violoncello's Lament (Fullmetal Alchemist Brotherhood OST)
</td><td>2266</td><td>Friday, November 03, 2017 05:39:42</td><td>6 years ago</td></tr><tr><td><a href="GondolaWorld.webm">GondolaWorld.webm</a></td><td>Kraftwerk - Kometenmelodie 2
</td><td>2358</td><td>Wednesday, November 01, 2017 22:36:00</td><td>6 years ago</td></tr><tr><td><a href="AllTheseTrees.webm">AllTheseTrees.webm</a></td><td>Seasons Of Motion - All These Trees
</td><td>3137</td><td>Wednesday, November 01, 2017 15:54:06</td><td>6 years ago</td></tr><tr><td><a href="GondolaIcyCave.webm">GondolaIcyCave.webm</a></td><td>Nobuo Uematsu - Lurking In The Darkness
</td><td>2415</td><td>Wednesday, November 01, 2017 15:53:19</td><td>6 years ago</td></tr><tr><td><a href="GondolaBeachTranquil.webm">GondolaBeachTranquil.webm</a></td><td>Apple Green - Tranquil Treeline
</td><td>2593</td><td>Wednesday, November 01, 2017 15:51:41</td><td>6 years ago</td></tr><tr><td><a href="GondolaPowerLine.webm">GondolaPowerLine.webm</a></td><td>Старуха Мха - Деформация (О.Г.Н.И.)
</td><td>2434</td><td>Tuesday, October 31, 2017 22:00:01</td><td>6 years ago</td></tr><tr><td><a href="FinalFantasyDola.webm">FinalFantasyDola.webm</a></td><td>Final Fantasy IX OST - Steiner's Theme
</td><td>2505</td><td>Tuesday, October 31, 2017 21:59:40</td><td>6 years ago</td></tr><tr><td><a href="GondolaNiceSummer.webm">GondolaNiceSummer.webm</a></td><td>Princess Mononoke - The Journey to the West
</td><td>2639</td><td>Tuesday, October 31, 2017 18:54:27</td><td>6 years ago</td></tr><tr><td><a href="GondolaCorridor.webm">GondolaCorridor.webm</a></td><td>OFF OST - Tender Sugar
</td><td>2571</td><td>Tuesday, October 31, 2017 15:59:58</td><td>6 years ago</td></tr><tr><td><a href="Sands.webm">Sands.webm</a></td><td>Hokuto no Ken OST - Asunaki Tabi
</td><td>2188</td><td>Monday, October 30, 2017 22:42:42</td><td>6 years ago</td></tr><tr><td><a href="RareAlbinoGondArctic.webm">RareAlbinoGondArctic.webm</a></td><td></td><td>2173</td><td>Monday, October 30, 2017 22:41:54</td><td>6 years ago</td></tr><tr><td><a href="FishingGondolaStraw.webm">FishingGondolaStraw.webm</a></td><td>Kamaniu Silelis - Kol Mano Teveliai
</td><td>2474</td><td>Monday, October 30, 2017 16:15:15</td><td>6 years ago</td></tr><tr><td><a href="GondolaInGame.webm">GondolaInGame.webm</a></td><td>anonymous - The Fantastic Adventures of Gondola Theme
</td><td>2512</td><td>Monday, October 30, 2017 06:42:50</td><td>6 years ago</td></tr><tr><td><a href="AineVoltola2.webm">AineVoltola2.webm</a></td><td>OST - ainevoltas 2
</td><td>3179</td><td>Sunday, October 29, 2017 14:24:13</td><td>6 years ago</td></tr><tr><td><a href="LF1MHealerWc.webm">LF1MHealerWc.webm</a></td><td>WoW OST - The Barrens [Night]
</td><td>2238</td><td>Sunday, October 29, 2017 07:02:13</td><td>6 years ago</td></tr><tr><td><a href="Gondori.webm">Gondori.webm</a></td><td>CASE_KOVACS// - 無理
</td><td>3103</td><td>Saturday, October 28, 2017 17:12:35</td><td>6 years ago</td></tr><tr><td><a href="LowTide.webm">LowTide.webm</a></td><td>Pokemon OST - Surf (Acoustic cover)
</td><td>2187</td><td>Friday, October 27, 2017 02:09:14</td><td>6 years ago</td></tr><tr><td><a href="DarkRoomGond.webm">DarkRoomGond.webm</a></td><td></td><td>2590</td><td>Friday, October 27, 2017 02:08:13</td><td>6 years ago</td></tr><tr><td><a href="SkyrimGondola.webm">SkyrimGondola.webm</a></td><td>The Elder Scrolls IV Oblivion OST - King And Country
</td><td>2409</td><td>Friday, October 27, 2017 02:07:22</td><td>6 years ago</td></tr><tr><td><a href="KirbyDola.webm">KirbyDola.webm</a></td><td>Kirby and the Rainbow Curse - Milky Way Wishes
</td><td>2753</td><td>Friday, October 27, 2017 02:06:29</td><td>6 years ago</td></tr><tr><td><a href="GondoRim.webm">GondoRim.webm</a></td><td>Skyrim OST - Secunda
</td><td>3026</td><td>Friday, October 27, 2017 02:06:01</td><td>6 years ago</td></tr><tr><td><a href="GondolasStudy.webm">GondolasStudy.webm</a></td><td></td><td>2292</td><td>Thursday, October 26, 2017 04:16:52</td><td>6 years ago</td></tr><tr><td><a href="GondolaResonantChamberLibrary.webm">GondolaResonantChamberLibrary.webm</a></td><td>Animusic 2 - Resonant Chamber
</td><td>2475</td><td>Thursday, October 26, 2017 03:37:59</td><td>6 years ago</td></tr><tr><td><a href="GondolaSolidSnake.webm">GondolaSolidSnake.webm</a></td><td>Metal Gear Solid OST - Warhead Storage
</td><td>2655</td><td>Wednesday, October 25, 2017 17:44:19</td><td>6 years ago</td></tr><tr><td><a href="GondolaEsStory.webm">GondolaEsStory.webm</a></td><td>Blade Runner OST | Vangelis - Deckard And Roy's Duel
</td><td>2612</td><td>Tuesday, October 24, 2017 03:56:27</td><td>6 years ago</td></tr><tr><td><a href="TheGondolaLayer.webm">TheGondolaLayer.webm</a></td><td>Made in Abyss OST - The First Layer
</td><td>2245</td><td>Tuesday, October 24, 2017 03:26:06</td><td>6 years ago</td></tr><tr><td><a href="SwampDola.webm">SwampDola.webm</a></td><td>Dan Romer & Benh Zeitlin | Beasts of the Southern Wild OST - The Bathtub
</td><td>2125</td><td>Monday, October 23, 2017 18:13:02</td><td>6 years ago</td></tr><tr><td><a href="GondolaTourTheAbyss.webm">GondolaTourTheAbyss.webm</a></td><td>Made in Abyss OST - Tour The Abyss
</td><td>2506</td><td>Monday, October 23, 2017 10:15:04</td><td>6 years ago</td></tr><tr><td><a href="OverTheGondolaWall.webm">OverTheGondolaWall.webm</a></td><td>Over The Garden Wall - Patient is the Night
</td><td>2253</td><td>Sunday, October 22, 2017 01:37:20</td><td>6 years ago</td></tr><tr><td><a href="RaymanGondola.webm">RaymanGondola.webm</a></td><td>Rayman OST - The Band Awakens
</td><td>2263</td><td>Sunday, October 22, 2017 01:35:53</td><td>6 years ago</td></tr><tr><td><a href="GondolaBike.webm">GondolaBike.webm</a></td><td>Pokémon Ruby & Sapphire OST - Cycling
</td><td>2853</td><td>Saturday, October 21, 2017 17:33:25</td><td>6 years ago</td></tr><tr><td><a href="TrenchGondola.webm">TrenchGondola.webm</a></td><td>Battlefield 1 OST - The Flight Of The Pigeon
</td><td>2373</td><td>Saturday, October 21, 2017 16:35:58</td><td>6 years ago</td></tr><tr><td><a href="GondolaLonely.webm">GondolaLonely.webm</a></td><td>The Verve - Bitter Sweet Symphony
</td><td>2582</td><td>Friday, October 20, 2017 23:38:21</td><td>6 years ago</td></tr><tr><td><a href="GottaGondola.webm">GottaGondola.webm</a></td><td>Sonic Adventure 2 OST - City Escape
</td><td>2566</td><td>Friday, October 20, 2017 19:28:23</td><td>6 years ago</td></tr><tr><td><a href="VsauceSpaceDola.webm">VsauceSpaceDola.webm</a></td><td>Boards of Canada - Roygbiv
</td><td>2342</td><td>Friday, October 20, 2017 19:28:12</td><td>6 years ago</td></tr><tr><td><a href="GondolaCeleritas.webm">GondolaCeleritas.webm</a></td><td>5vel - Celeritas (Speed of Light)
</td><td>2716</td><td>Friday, October 20, 2017 19:27:22</td><td>6 years ago</td></tr><tr><td><a href="GondoledgeStealAway.webm">GondoledgeStealAway.webm</a></td><td>Harold Budd & Brian Eno - Steal Away
</td><td>2303</td><td>Thursday, October 19, 2017 23:37:18</td><td>6 years ago</td></tr><tr><td><a href="GondolaFallsDown.webm">GondolaFallsDown.webm</a></td><td>IAMNOBODI - Bel Air
</td><td>2605</td><td>Wednesday, October 18, 2017 03:54:19</td><td>6 years ago</td></tr><tr><td><a href="GondolaSevenSeas.webm">GondolaSevenSeas.webm</a></td><td>United States Army Old Guard Fife and Drum Corps - Water Music from the "Handel" Show
</td><td>2351</td><td>Wednesday, October 18, 2017 03:49:43</td><td>6 years ago</td></tr><tr><td><a href="GondolaPacific.webm">GondolaPacific.webm</a></td><td>808 State - Pacific State
</td><td>2476</td><td>Wednesday, October 18, 2017 01:52:28</td><td>6 years ago</td></tr><tr><td><a href="GondolaDragoonBros.webm">GondolaDragoonBros.webm</a></td><td>Legend of Dragoon OST - City of Bale
</td><td>2554</td><td>Tuesday, October 17, 2017 21:05:31</td><td>6 years ago</td></tr><tr><td><a href="BesaidGondo.webm">BesaidGondo.webm</a></td><td>Final Fantasy X OST - Besaid Island
</td><td>2898</td><td>Tuesday, October 17, 2017 21:04:56</td><td>6 years ago</td></tr><tr><td><a href="GondolaValleyOfDeath.webm">GondolaValleyOfDeath.webm</a></td><td>Submachine 4 OST - Ancient Section
</td><td>2455</td><td>Tuesday, October 17, 2017 19:43:16</td><td>6 years ago</td></tr><tr><td><a href="GondolasBouquet.webm">GondolasBouquet.webm</a></td><td>Bach / Siloti - Prelude in B minor
</td><td>2331</td><td>Tuesday, October 17, 2017 19:42:43</td><td>6 years ago</td></tr><tr><td><a href="PartyGondola.webm">PartyGondola.webm</a></td><td>Jory Boy - Nada Serio (feat. Almighty)
</td><td>2357</td><td>Tuesday, October 17, 2017 19:42:26</td><td>6 years ago</td></tr><tr><td><a href="LegendOfDragoonDola.webm">LegendOfDragoonDola.webm</a></td><td>The Legend of Dragoon OST - Shana's Theme
</td><td>2174</td><td>Tuesday, October 17, 2017 18:37:41</td><td>6 years ago</td></tr><tr><td><a href="GondolenAge.webm">GondolenAge.webm</a></td><td>Paco De Lucia, Al Di Meola, John McLaughlin - Manha de Carnaval
</td><td>2672</td><td>Tuesday, October 17, 2017 18:34:38</td><td>6 years ago</td></tr><tr><td><a href="CossackDola.webm">CossackDola.webm</a></td><td>Kuban Cossack Choir - "O, Рада, Райда!"
</td><td>3171</td><td>Tuesday, October 17, 2017 18:34:22</td><td>6 years ago</td></tr><tr><td><a href="GondolaRocketSaveEarth.webm">GondolaRocketSaveEarth.webm</a></td><td>Muse - Supermassive Black Hole
</td><td>2452</td><td>Tuesday, October 17, 2017 18:34:06</td><td>6 years ago</td></tr><tr><td><a href="CyberGondola2.webm">CyberGondola2.webm</a></td><td>Boards of Canada - Come To Dust
</td><td>2711</td><td>Tuesday, October 17, 2017 18:33:50</td><td>6 years ago</td></tr><tr><td><a href="GoodBadDola.webm">GoodBadDola.webm</a></td><td></td><td>2267</td><td>Tuesday, October 17, 2017 18:32:23</td><td>6 years ago</td></tr><tr><td><a href="GondolaInPrison.webm">GondolaInPrison.webm</a></td><td>Iron Maiden - Hallowed Be Thy Name (Midi Version - Geocities)
</td><td>2506</td><td>Tuesday, October 17, 2017 18:31:36</td><td>6 years ago</td></tr><tr><td><a href="GondolaOutsideWindow.webm">GondolaOutsideWindow.webm</a></td><td>Eternal Sunshine of a Spotless Mind - Theme (Jon Brion)
</td><td>2424</td><td>Tuesday, October 17, 2017 18:31:19</td><td>6 years ago</td></tr><tr><td><a href="Spacedola.webm">Spacedola.webm</a></td><td>Маяк - Алый Закат
</td><td>2333</td><td>Tuesday, October 17, 2017 18:31:04</td><td>6 years ago</td></tr><tr><td><a href="GondolaInJoy.webm">GondolaInJoy.webm</a></td><td>LISA OST - Live in Joy
</td><td>2493</td><td>Tuesday, October 17, 2017 18:30:40</td><td>6 years ago</td></tr><tr><td><a href="BigrigGondola.webm">BigrigGondola.webm</a></td><td>Tom Waits - Gun Street Girl
</td><td>2748</td><td>Tuesday, October 17, 2017 18:30:26</td><td>6 years ago</td></tr><tr><td><a href="VodkaHereafterStrandGondola.webm">VodkaHereafterStrandGondola.webm</a></td><td>Vodka - Playa Del Ankh
</td><td>2200</td><td>Tuesday, October 17, 2017 18:30:07</td><td>6 years ago</td></tr><tr><td><a href="ValleyOfGondola.webm">ValleyOfGondola.webm</a></td><td>Memohuntress OST - Rose Inn (Bosa remix)
</td><td>2401</td><td>Tuesday, October 17, 2017 18:29:45</td><td>6 years ago</td></tr><tr><td><a href="GondolaByThisRiver.webm">GondolaByThisRiver.webm</a></td><td>Brian Eno - By This River
</td><td>2664</td><td>Tuesday, October 17, 2017 18:29:30</td><td>6 years ago</td></tr><tr><td><a href="HajytGondola.webm">HajytGondola.webm</a></td><td>Häjyt - Theme song [finnjävlar, tough ones]
</td><td>2462</td><td>Tuesday, October 17, 2017 18:28:55</td><td>6 years ago</td></tr><tr><td><a href="GondolaBeats.webm">GondolaBeats.webm</a></td><td>Angel Beats OST - Ichiban No Takaramono
</td><td>2759</td><td>Tuesday, October 17, 2017 18:28:36</td><td>6 years ago</td></tr><tr><td><a href="GondolaPoe.webm">GondolaPoe.webm</a></td><td>Belinda Carlisle - Heaven Is a Place on Earth
</td><td>2450</td><td>Tuesday, October 17, 2017 18:27:34</td><td>6 years ago</td></tr><tr><td><a href="GondHead.webm">GondHead.webm</a></td><td>Cuphead - Inkwell Isle Three
</td><td>3114</td><td>Tuesday, October 17, 2017 18:26:43</td><td>6 years ago</td></tr><tr><td><a href="StalingradGondola.webm">StalingradGondola.webm</a></td><td>Red Orchestra 2: Heroes of Stalingrad OST - Strength in Unity
</td><td>2672</td><td>Tuesday, October 17, 2017 18:26:33</td><td>6 years ago</td></tr><tr><td><a href="GondolaSpaceShip.webm">GondolaSpaceShip.webm</a></td><td>Joël Fajerman - Flowers Love
</td><td>2620</td><td>Wednesday, October 11, 2017 06:28:06</td><td>6 years ago</td></tr><tr><td><a href="GreekGondola.webm">GreekGondola.webm</a></td><td>Daemonia Nymphe - The Orphic Hymn to Dionysos
</td><td>2248</td><td>Monday, October 09, 2017 14:27:33</td><td>6 years ago</td></tr><tr><td><a href="GondolaFrontier.webm">GondolaFrontier.webm</a></td><td>Aebeloe - Farver
</td><td>2447</td><td>Monday, October 09, 2017 14:22:53</td><td>6 years ago</td></tr><tr><td><a href="Balrog.webm">Balrog.webm</a></td><td>Lord of The Rings OST - Bridge of Khazad Dum
</td><td>2823</td><td>Friday, October 06, 2017 08:36:42</td><td>6 years ago</td></tr><tr><td><a href="GondolaOctopus.webm">GondolaOctopus.webm</a></td><td>Monster Girl Quest OST - Under the Sea
</td><td>2434</td><td>Friday, October 06, 2017 08:33:46</td><td>6 years ago</td></tr><tr><td><a href="MurkySnow.webm">MurkySnow.webm</a></td><td>Yuki Kajiura - The World
</td><td>2117</td><td>Friday, October 06, 2017 08:23:00</td><td>6 years ago</td></tr><tr><td><a href="WreckedSpaceship.webm">WreckedSpaceship.webm</a></td><td></td><td>2188</td><td>Friday, October 06, 2017 08:22:14</td><td>6 years ago</td></tr><tr><td><a href="GondolaDancesDisco.webm">GondolaDancesDisco.webm</a></td><td>Bee Gee - Stayin' Alive
</td><td>2497</td><td>Friday, October 06, 2017 08:13:22</td><td>6 years ago</td></tr><tr><td><a href="Leprechaundola.webm">Leprechaundola.webm</a></td><td>The Legend of Zelda - Ocarina of Time OST - Temple of Time
</td><td>2248</td><td>Friday, October 06, 2017 08:04:28</td><td>6 years ago</td></tr><tr><td><a href="CafeInAthens.webm">CafeInAthens.webm</a></td><td>Ti Simera, Ti Aurio, Ti Tora - Today, Tomorrow Or Now
</td><td>2683</td><td>Friday, October 06, 2017 07:39:54</td><td>6 years ago</td></tr><tr><td><a href="OnTheHillsOfKarelia.webm">OnTheHillsOfKarelia.webm</a></td><td>Karjalan kunnailla (On the Hills of Karelia)
</td><td>2228</td><td>Friday, October 06, 2017 07:36:24</td><td>6 years ago</td></tr><tr><td><a href="Cemetery.webm">Cemetery.webm</a></td><td></td><td>2509</td><td>Friday, October 06, 2017 06:18:22</td><td>6 years ago</td></tr><tr><td><a href="GondoForestTravel.webm">GondoForestTravel.webm</a></td><td>Kauan - Akva
</td><td>2831</td><td>Friday, October 06, 2017 06:05:36</td><td>6 years ago</td></tr><tr><td><a href="WinterForest.webm">WinterForest.webm</a></td><td>Fiburaz - Muumimusiikkia 7
</td><td>2253</td><td>Friday, October 06, 2017 04:25:14</td><td>6 years ago</td></tr><tr><td><a href="GondoPlane.webm">GondoPlane.webm</a></td><td>Hans Zimmer - And Then I Kissed Him
</td><td>2942</td><td>Friday, October 06, 2017 04:24:04</td><td>6 years ago</td></tr><tr><td><a href="SteepCliff.webm">SteepCliff.webm</a></td><td></td><td>2188</td><td>Friday, October 06, 2017 04:23:00</td><td>6 years ago</td></tr><tr><td><a href="Romanticism.webm">Romanticism.webm</a></td><td>Art: Antonio Smith, Crepúsculo marino, Music: Benn Jordan - Looking Into The Past
</td><td>2711</td><td>Friday, October 06, 2017 03:34:38</td><td>6 years ago</td></tr><tr><td><a href="GondoTrigger.webm">GondoTrigger.webm</a></td><td>Chrono Trigger OST - Gato's Theme
</td><td>2847</td><td>Friday, October 06, 2017 02:09:54</td><td>6 years ago</td></tr><tr><td><a href="Burning.webm">Burning.webm</a></td><td>Godspeed You Black Emperor - The Dead Flag Blues
</td><td>2715</td><td>Friday, October 06, 2017 01:56:30</td><td>6 years ago</td></tr><tr><td><a href="GondolaBoatRide.webm">GondolaBoatRide.webm</a></td><td>Pain - HEALTH
</td><td>2531</td><td>Friday, October 06, 2017 01:34:38</td><td>6 years ago</td></tr><tr><td><a href="GondolaSeaStand.webm">GondolaSeaStand.webm</a></td><td>Hayley Westenra - The Prayer
</td><td>2453</td><td>Friday, October 06, 2017 01:19:34</td><td>6 years ago</td></tr><tr><td><a href="GondolaSatellite.webm">GondolaSatellite.webm</a></td><td>Jeff Lynne - Stream of Stars
</td><td>2325</td><td>Friday, October 06, 2017 01:00:12</td><td>6 years ago</td></tr><tr><td><a href="GondoLunarMeteorEarth.webm">GondoLunarMeteorEarth.webm</a></td><td>Evangelion - KK A09 Miyagi
</td><td>3016</td><td>Friday, October 06, 2017 00:44:48</td><td>6 years ago</td></tr><tr><td><a href="GondolaFather.webm">GondolaFather.webm</a></td><td>Kelvin Williams - Theme From (The Godfather)
</td><td>2374</td><td>Friday, October 06, 2017 00:30:26</td><td>6 years ago</td></tr><tr><td><a href="GondolaSnowball.webm">GondolaSnowball.webm</a></td><td>Vàli - Et Teppe Av Mose
</td><td>2283</td><td>Friday, October 06, 2017 00:19:00</td><td>6 years ago</td></tr><tr><td><a href="GondolaFindsGod.webm">GondolaFindsGod.webm</a></td><td>Johann Sebastian Bach - Ave Maria
</td><td>2541</td><td>Thursday, October 05, 2017 23:23:16</td><td>6 years ago</td></tr><tr><td><a href="GondolaIceCreamFreezer.webm">GondolaIceCreamFreezer.webm</a></td><td>Gary Jules - Mad World
</td><td>2571</td><td>Thursday, October 05, 2017 23:23:06</td><td>6 years ago</td></tr><tr><td><a href="ChristmasTreesAndSnow.webm">ChristmasTreesAndSnow.webm</a></td><td>K-On! OST - Ano Hi no Yume
</td><td>2698</td><td>Thursday, October 05, 2017 23:23:02</td><td>6 years ago</td></tr><tr><td><a href="GondolaAndIgloo.webm">GondolaAndIgloo.webm</a></td><td>Yume Nikki OST - Snow World
</td><td>2806</td><td>Thursday, October 05, 2017 23:22:38</td><td>6 years ago</td></tr><tr><td><a href="TheLastOfTheMohicans.webm">TheLastOfTheMohicans.webm</a></td><td>The Last of the Mohicans - Promontory
</td><td>2205</td><td>Thursday, October 05, 2017 22:54:44</td><td>6 years ago</td></tr><tr><td><a href="GondolaUnderTheMoon.webm">GondolaUnderTheMoon.webm</a></td><td>36: The Box
</td><td>2386</td><td>Thursday, October 05, 2017 22:53:24</td><td>6 years ago</td></tr><tr><td><a href="PlainsTycho.webm">PlainsTycho.webm</a></td><td>Plains - Tycho
</td><td>2117</td><td>Thursday, October 05, 2017 22:48:12</td><td>6 years ago</td></tr><tr><td><a href="TheYoungPopeAndGondola.webm">TheYoungPopeAndGondola.webm</a></td><td>Libera - Panis Angelicus
</td><td>2147</td><td>Thursday, October 05, 2017 22:48:00</td><td>6 years ago</td></tr><tr><td><a href="InOrbit.webm">InOrbit.webm</a></td><td>Hans Zimmer - Day One (Interstellar OST)
</td><td>2188</td><td>Thursday, October 05, 2017 22:47:54</td><td>6 years ago</td></tr><tr><td><a href="Aria.webm">Aria.webm</a></td><td>Aria The Animation OST - ARIA
</td><td>3470</td><td>Thursday, October 05, 2017 22:47:00</td><td>6 years ago</td></tr><tr><td><a href="GondolaChronicles.webm">GondolaChronicles.webm</a></td><td>Jean Sibelius - Finlandia
</td><td>2533</td><td>Thursday, October 05, 2017 22:42:08</td><td>6 years ago</td></tr><tr><td><a href="GondolaWinterForest.webm">GondolaWinterForest.webm</a></td><td>Ennio Morricone - Viaggio
</td><td>2561</td><td>Thursday, October 05, 2017 22:19:08</td><td>6 years ago</td></tr><tr><td><a href="PurpleBallWithEyeSpace.webm">PurpleBallWithEyeSpace.webm</a></td><td>Lemon Jelly - Space Walk
</td><td>2308</td><td>Thursday, October 05, 2017 22:18:14</td><td>6 years ago</td></tr><tr><td><a href="SnowyRoad.webm">SnowyRoad.webm</a></td><td>Aphex Twin - Nannou 2
</td><td>2084</td><td>Thursday, October 05, 2017 22:12:24</td><td>6 years ago</td></tr><tr><td><a href="Otaku.webm">Otaku.webm</a></td><td>Puru Puru Pururin OP
</td><td>2425</td><td>Thursday, October 05, 2017 21:57:42</td><td>6 years ago</td></tr><tr><td><a href="AnimalCrossTree.webm">AnimalCrossTree.webm</a></td><td>Animal Crossing OST
</td><td>3078</td><td>Thursday, October 05, 2017 21:57:40</td><td>6 years ago</td></tr><tr><td><a href="InADesert.webm">InADesert.webm</a></td><td><None>
</td><td>2235</td><td>Thursday, October 05, 2017 21:55:40</td><td>6 years ago</td></tr><tr><td><a href="ShadowrunHongKong.webm">ShadowrunHongKong.webm</a></td><td>Jon Everist - Heoi
</td><td>2080</td><td>Thursday, October 05, 2017 21:55:16</td><td>6 years ago</td></tr><tr><td><a href="TwoGondolasOnAMeteor.webm">TwoGondolasOnAMeteor.webm</a></td><td>Blank Banshee - D ☰ ☰ P $ P Λ C ☰
</td><td>2085</td><td>Thursday, October 05, 2017 21:54:58</td><td>6 years ago</td></tr><tr><td><a href="MiniGondolaForest.webm">MiniGondolaForest.webm</a></td><td></td><td>2249</td><td>Thursday, October 05, 2017 21:48:04</td><td>6 years ago</td></tr><tr><td><a href="BusStopLog.webm">BusStopLog.webm</a></td><td>Modokashii Sekai no Ue de
</td><td>2537</td><td>Thursday, October 05, 2017 21:47:58</td><td>6 years ago</td></tr><tr><td><a href="Helvegen.webm">Helvegen.webm</a></td><td>Wardruna - Helvegen [The Way To Hel]
</td><td>2350</td><td>Thursday, October 05, 2017 21:16:46</td><td>6 years ago</td></tr><tr><td><a href="SnowSpruceHouse.webm">SnowSpruceHouse.webm</a></td><td>Kendall Miles feat. I Eat Plants for a Living - Dream Sequence
</td><td>2082</td><td>Thursday, October 05, 2017 11:55:14</td><td>6 years ago</td></tr><tr><td><a href="ByeByeGondola.webm">ByeByeGondola.webm</a></td><td>Ann Margret - Bye Bye Birdie
</td><td>2603</td><td>Thursday, October 05, 2017 11:47:32</td><td>6 years ago</td></tr><tr><td><a href="SuicideForest.webm">SuicideForest.webm</a></td><td>MapleStory OST - Sleepywood
</td><td>2178</td><td>Thursday, October 05, 2017 11:45:44</td><td>6 years ago</td></tr><tr><td><a href="FinalPizzaCountdown.webm">FinalPizzaCountdown.webm</a></td><td>Europe - The Final Countdown
</td><td>2539</td><td>Monday, October 02, 2017 06:54:32</td><td>6 years ago</td></tr><tr><td><a href="IchibanBoshiAinshutainzu.webm">IchibanBoshiAinshutainzu.webm</a></td><td>iいちばんぼし / アインシュタインズ (Baramycin Dubstep Remix)
</td><td>2489</td><td>Monday, October 02, 2017 06:53:05</td><td>6 years ago</td></tr><tr><td><a href="GondolaFutureFunk.webm">GondolaFutureFunk.webm</a></td><td>Momoko Kikuchi - Night Cruising (Night Tempo 100% Pure Remastered)
</td><td>2756</td><td>Monday, October 02, 2017 06:51:49</td><td>6 years ago</td></tr><tr><td><a href="MirrorGondola.webm">MirrorGondola.webm</a></td><td></td><td>2237</td><td>Sunday, October 01, 2017 09:43:51</td><td>6 years ago</td></tr><tr><td><a href="GondolaInfinity.webm">GondolaInfinity.webm</a></td><td></td><td>2515</td><td>Sunday, October 01, 2017 09:43:16</td><td>6 years ago</td></tr><tr><td><a href="Bumdola.webm">Bumdola.webm</a></td><td>Health and Well Being (Healing Music with Nature Sounds) - Gentle Rain with Emotional Piano and Flute Music
</td><td>2697</td><td>Sunday, October 01, 2017 09:43:01</td><td>6 years ago</td></tr><tr><td><a href="BlankCanvasGondola.webm">BlankCanvasGondola.webm</a></td><td>Simon & Garfunkel - The Sound of Silence (Karaoke)
</td><td>2726</td><td>Sunday, October 01, 2017 09:42:39</td><td>6 years ago</td></tr><tr><td><a href="ResidentialGondola.webm">ResidentialGondola.webm</a></td><td>The Smiths - Some Girls Are Bigger Than Others
</td><td>2393</td><td>Sunday, October 01, 2017 09:42:10</td><td>6 years ago</td></tr><tr><td><a href="MarsObservationPlatform.webm">MarsObservationPlatform.webm</a></td><td>Infinite Space OST - Kira's / Database theme
</td><td>2179</td><td>Sunday, October 01, 2017 09:41:34</td><td>6 years ago</td></tr><tr><td><a href="ShootingStarDola.webm">ShootingStarDola.webm</a></td><td>Michael Perilstein - Afternoon Of A Spawn
</td><td>2291</td><td>Sunday, October 01, 2017 09:40:55</td><td>6 years ago</td></tr><tr><td><a href="CyberGondola.webm">CyberGondola.webm</a></td><td>Kevin Penkin - Discover the Abyss
</td><td>2613</td><td>Sunday, October 01, 2017 09:40:07</td><td>6 years ago</td></tr><tr><td><a href="LargeBlanketKOn.webm">LargeBlanketKOn.webm</a></td><td>K-On! OST - Ii Yume Mite Ne
</td><td>2225</td><td>Friday, September 29, 2017 13:26:42</td><td>6 years ago</td></tr><tr><td><a href="Regeneration.webm">Regeneration.webm</a></td><td>Beethoven Piano Concerto No.5, 2nd Movement
</td><td>2240</td><td>Thursday, September 28, 2017 20:37:11</td><td>6 years ago</td></tr><tr><td><a href="MoscowMule.webm">MoscowMule.webm</a></td><td>Bartender OST - Moscow Mule
</td><td>2250</td><td>Thursday, September 28, 2017 20:35:42</td><td>6 years ago</td></tr><tr><td><a href="TheSunDiesToday.webm">TheSunDiesToday.webm</a></td><td></td><td>2269</td><td>Tuesday, September 26, 2017 20:14:40</td><td>6 years ago</td></tr><tr><td><a href="GondolaWoods.webm">GondolaWoods.webm</a></td><td>Aphex Twin - Red Calx [slow]
</td><td>2435</td><td>Tuesday, September 26, 2017 11:03:39</td><td>6 years ago</td></tr><tr><td><a href="ConcerningGondola.webm">ConcerningGondola.webm</a></td><td>The Lord of The Rings: The Fellowship of the Ring OST - Concerning Hobbits
</td><td>2698</td><td>Tuesday, September 26, 2017 06:46:37</td><td>6 years ago</td></tr><tr><td><a href="GondolaKimiNoNaWa.webm">GondolaKimiNoNaWa.webm</a></td><td>Game of Thrones OST - Light of the Seven
</td><td>2503</td><td>Sunday, September 24, 2017 17:50:39</td><td>6 years ago</td></tr><tr><td><a href="GondolaCut.webm">GondolaCut.webm</a></td><td>Brian Eno - Always Returning
</td><td>2622</td><td>Sunday, September 24, 2017 17:48:52</td><td>6 years ago</td></tr><tr><td><a href="WanderOverYonder.webm">WanderOverYonder.webm</a></td><td>Tsukamoto Isao - Chai
</td><td>2058</td><td>Saturday, September 23, 2017 16:45:16</td><td>6 years ago</td></tr><tr><td><a href="GondolaEatAcidInsideMyHouse.webm">GondolaEatAcidInsideMyHouse.webm</a></td><td>Ricky Eat Acid - Inside my house; some place I keep dreaming about
</td><td>2599</td><td>Saturday, September 23, 2017 01:05:17</td><td>6 years ago</td></tr><tr><td><a href="SnowUndertaleGondola.webm">SnowUndertaleGondola.webm</a></td><td>Undertale OST - Snowy
</td><td>2254</td><td>Saturday, September 23, 2017 01:02:44</td><td>6 years ago</td></tr><tr><td><a href="InTheWoodsNearAFire.webm">InTheWoodsNearAFire.webm</a></td><td>DVAR - Oryah
</td><td>2314</td><td>Friday, September 22, 2017 13:48:34</td><td>6 years ago</td></tr><tr><td><a href="GondolaSpaceTravel.webm">GondolaSpaceTravel.webm</a></td><td></td><td>2499</td><td>Friday, September 22, 2017 13:14:14</td><td>6 years ago</td></tr><tr><td><a href="DepartingGondola.webm">DepartingGondola.webm</a></td><td>Michael Nyman - The Departure
</td><td>2280</td><td>Friday, September 22, 2017 11:25:46</td><td>6 years ago</td></tr><tr><td><a href="Blame.webm">Blame.webm</a></td><td></td><td>3013</td><td>Friday, September 22, 2017 11:06:42</td><td>6 years ago</td></tr><tr><td><a href="Interlude.webm">Interlude.webm</a></td><td></td><td>2150</td><td>Friday, September 22, 2017 11:06:28</td><td>6 years ago</td></tr><tr><td><a href="UnderpassSnowDola.webm">UnderpassSnowDola.webm</a></td><td></td><td>2259</td><td>Thursday, September 21, 2017 20:35:18</td><td>6 years ago</td></tr><tr><td><a href="GondolaWoodsCry.webm">GondolaWoodsCry.webm</a></td><td>Johnny Cash - You Are My Sunshine (Musix Box)
</td><td>2442</td><td>Thursday, September 21, 2017 11:29:20</td><td>6 years ago</td></tr><tr><td><a href="HollowGondola.webm">HollowGondola.webm</a></td><td>Hollow Knight OST - Dirtmouth
</td><td>2197</td><td>Thursday, September 21, 2017 10:34:14</td><td>6 years ago</td></tr><tr><td><a href="AmongTheRuins.webm">AmongTheRuins.webm</a></td><td>Meredith Monk - Vow
</td><td>2965</td><td>Thursday, September 21, 2017 09:49:12</td><td>6 years ago</td></tr><tr><td><a href="Icon.webm">Icon.webm</a></td><td>Perotin - Notum Fecit
</td><td>2356</td><td>Thursday, September 21, 2017 09:48:38</td><td>6 years ago</td></tr><tr><td><a href="GhostFireGond.webm">GhostFireGond.webm</a></td><td>Derek Fiechter - Halloween Club
</td><td>3521</td><td>Thursday, September 21, 2017 09:47:58</td><td>6 years ago</td></tr><tr><td><a href="InDeepSnow.webm">InDeepSnow.webm</a></td><td>Secret of Mana OST - A Wish
</td><td>2193</td><td>Wednesday, September 20, 2017 18:36:36</td><td>6 years ago</td></tr><tr><td><a href="StalkanGondola.webm">StalkanGondola.webm</a></td><td>S.T.A.L.K.E.R. OST [Campfire Songs]
</td><td>2369</td><td>Wednesday, September 20, 2017 13:34:12</td><td>6 years ago</td></tr><tr><td><a href="SimpleGondolaMusic.webm">SimpleGondolaMusic.webm</a></td><td>원스데이 - 안녕, 아침 (Ones Day - Unclouded Happiness)
</td><td>2435</td><td>Tuesday, September 19, 2017 19:46:36</td><td>6 years ago</td></tr><tr><td><a href="ProfessorGondola.webm">ProfessorGondola.webm</a></td><td>Professor Layton and the Curious Village - Puzzle
</td><td>2343</td><td>Monday, September 18, 2017 20:17:02</td><td>6 years ago</td></tr><tr><td><a href="AllNighter.webm">AllNighter.webm</a></td><td>Blank Banshee - Ammonia Clouds
</td><td>3458</td><td>Monday, September 18, 2017 19:26:54</td><td>6 years ago</td></tr><tr><td><a href="SissiGondola.webm">SissiGondola.webm</a></td><td>Säkkijärven Polkka - Korsuorkesteri
</td><td>2231</td><td>Sunday, September 17, 2017 15:02:01</td><td>6 years ago</td></tr><tr><td><a href="CuckooGondola.webm">CuckooGondola.webm</a></td><td>Moonrise Kingdom OST - Benjamin Britten - Cuckoo (Monnaie Children's Choir)
</td><td>2625</td><td>Sunday, September 17, 2017 06:21:58</td><td>6 years ago</td></tr><tr><td><a href="ButterflyGondola.webm">ButterflyGondola.webm</a></td><td>Mark Mancina & Phil Collins | Tarzan OST - One Family
</td><td>2566</td><td>Sunday, September 17, 2017 06:21:41</td><td>6 years ago</td></tr><tr><td><a href="GondolaFrench.webm">GondolaFrench.webm</a></td><td>À la claire fontaine
</td><td>2629</td><td>Sunday, September 17, 2017 06:20:45</td><td>6 years ago</td></tr><tr><td><a href="OrbisMapleGondola.webm">OrbisMapleGondola.webm</a></td><td>MapleStory OST - Orbis
</td><td>2117</td><td>Saturday, September 16, 2017 14:48:05</td><td>6 years ago</td></tr><tr><td><a href="CrystalGondola.webm">CrystalGondola.webm</a></td><td>Miitopia OST - Map: The Sky Scraper
</td><td>2631</td><td>Thursday, September 14, 2017 10:39:17</td><td>6 years ago</td></tr><tr><td><a href="Raymandola.webm">Raymandola.webm</a></td><td>Rayman OST - The Band Awakens
</td><td>2114</td><td>Wednesday, September 13, 2017 14:25:00</td><td>6 years ago</td></tr><tr><td><a href="AlienCorridor.webm">AlienCorridor.webm</a></td><td>Jerry Goldsmith - Main Title (1979, Alien)
</td><td>3081</td><td>Wednesday, September 13, 2017 13:44:32</td><td>6 years ago</td></tr><tr><td><a href="FinlandNuked.webm">FinlandNuked.webm</a></td><td>Vera Lynn - We'll Meet Again
</td><td>2624</td><td>Wednesday, September 13, 2017 13:00:04</td><td>6 years ago</td></tr><tr><td><a href="GondCafe.webm">GondCafe.webm</a></td><td>Flying Witch OST - Makoto Kowata 木幡真琴
</td><td>3333</td><td>Wednesday, September 13, 2017 02:24:01</td><td>6 years ago</td></tr><tr><td><a href="Minecraft.webm">Minecraft.webm</a></td><td>Minecraft OST - Mice on Venus
</td><td>2965</td><td>Tuesday, September 12, 2017 10:37:10</td><td>6 years ago</td></tr><tr><td><a href="LegendOfMana.webm">LegendOfMana.webm</a></td><td>Legend of Mana OST - Faraway Dreaming Days ~Siren's Song~
</td><td>2140</td><td>Tuesday, September 12, 2017 10:27:16</td><td>6 years ago</td></tr><tr><td><a href="Sequence01.webm">Sequence01.webm</a></td><td></td><td>1990</td><td>Tuesday, September 12, 2017 10:24:22</td><td>6 years ago</td></tr><tr><td><a href="RailroadStation.webm">RailroadStation.webm</a></td><td>Jinrui wa Suitai Shimashita OST - Danran
</td><td>2091</td><td>Tuesday, September 12, 2017 10:23:34</td><td>6 years ago</td></tr><tr><td><a href="RiversideGondola.webm">RiversideGondola.webm</a></td><td></td><td>2443</td><td>Monday, September 11, 2017 21:08:19</td><td>6 years ago</td></tr><tr><td><a href="Reggondola.webm">Reggondola.webm</a></td><td>Penthouse Version Instrumental [Penthouse Riddim/Jugglerz Records]
</td><td>2111</td><td>Monday, September 11, 2017 21:07:55</td><td>6 years ago</td></tr><tr><td><a href="RadioGondola.webm">RadioGondola.webm</a></td><td>Paul Whiteman Orchestra - Get Out And Get Under The Moon (1928)
</td><td>2170</td><td>Monday, September 11, 2017 21:07:38</td><td>6 years ago</td></tr><tr><td><a href="NekobussGondola.webm">NekobussGondola.webm</a></td><td>Totoro OST - Main Theme
</td><td>2157</td><td>Monday, September 11, 2017 21:07:12</td><td>6 years ago</td></tr><tr><td><a href="MonogatariGondola.webm">MonogatariGondola.webm</a></td><td>Bakemonogatari OST - Ren'ai Circulation (恋愛サーキュレーション)
</td><td>2377</td><td>Monday, September 11, 2017 21:06:36</td><td>6 years ago</td></tr><tr><td><a href="JazzGondola.webm">JazzGondola.webm</a></td><td>Dave Brubeck - Take Five
</td><td>2438</td><td>Monday, September 11, 2017 21:06:19</td><td>6 years ago</td></tr><tr><td><a href="HowlsMovingGondola.webm">HowlsMovingGondola.webm</a></td><td>Joe Hisaishi - Howl's Moving Castle
</td><td>2394</td><td>Monday, September 11, 2017 21:06:01</td><td>6 years ago</td></tr><tr><td><a href="GroovinGondola.webm">GroovinGondola.webm</a></td><td>Groovin Magic by RoundTable Feat Nino (Diebuster OP)
</td><td>2410</td><td>Monday, September 11, 2017 21:05:49</td><td>6 years ago</td></tr><tr><td><a href="GondolaUrbanLife.webm">GondolaUrbanLife.webm</a></td><td>Andy Blxks - quiet nights
</td><td>2395</td><td>Monday, September 11, 2017 21:05:12</td><td>6 years ago</td></tr><tr><td><a href="GondolaSmile.webm">GondolaSmile.webm</a></td><td>Nat King Cole - Smile
</td><td>2341</td><td>Monday, September 11, 2017 21:04:28</td><td>6 years ago</td></tr><tr><td><a href="GondolaReading.webm">GondolaReading.webm</a></td><td>The Caretaker - All You Are Going To Want To Do Is Get Back There
</td><td>2466</td><td>Monday, September 11, 2017 21:04:11</td><td>6 years ago</td></tr><tr><td><a href="GondolaEvening.webm">GondolaEvening.webm</a></td><td>Reodors ballade & Vårsøg - Sigmund Groven
</td><td>2722</td><td>Monday, September 11, 2017 21:03:57</td><td>6 years ago</td></tr><tr><td><a href="GondolaByTheRiver.webm">GondolaByTheRiver.webm</a></td><td>Yuji Kajiura - Fake Wings
</td><td>2582</td><td>Monday, September 11, 2017 21:03:41</td><td>6 years ago</td></tr><tr><td><a href="FootInWaterDola.webm">FootInWaterDola.webm</a></td><td></td><td>2512</td><td>Monday, September 11, 2017 21:03:09</td><td>6 years ago</td></tr><tr><td><a href="FolsenseGondola.webm">FolsenseGondola.webm</a></td><td>Professor Layton OST - Folsense
</td><td>2694</td><td>Monday, September 11, 2017 21:02:57</td><td>6 years ago</td></tr><tr><td><a href="FeelMotelGondola.webm">FeelMotelGondola.webm</a></td><td>Marconi Union - Sleepless
</td><td>2523</td><td>Monday, September 11, 2017 21:02:46</td><td>6 years ago</td></tr><tr><td><a href="DanceOfTheDreamGondola.webm">DanceOfTheDreamGondola.webm</a></td><td>Angelo Badalamenti - Dance Of The Dream Man (Instrumental)
</td><td>2506</td><td>Monday, September 11, 2017 21:02:32</td><td>6 years ago</td></tr><tr><td><a href="3DGondolaInSpace.webm">3DGondolaInSpace.webm</a></td><td>Clark - Back To Belgrade
</td><td>4004</td><td>Monday, September 11, 2017 21:02:11</td><td>6 years ago</td></tr><tr><td><a href="AncestorGondola.webm">AncestorGondola.webm</a></td><td>The Hobbit OST - Misty Mountains Cold
</td><td>3232</td><td>Monday, September 11, 2017 21:01:39</td><td>6 years ago</td></tr><tr><td><a href="Koyaanisqatsi2.webm">Koyaanisqatsi2.webm</a></td><td>Philip Glass - Koyaanisqatsi
</td><td>2171</td><td>Monday, September 11, 2017 17:55:30</td><td>6 years ago</td></tr><tr><td><a href="GondolaSamotna.webm">GondolaSamotna.webm</a></td><td>Тоскливость октября (instrumental)
</td><td>2618</td><td>Monday, September 11, 2017 17:54:44</td><td>6 years ago</td></tr><tr><td><a href="WildWestBattle.webm">WildWestBattle.webm</a></td><td>Colonna Sonara - Il Buono, Il Brutto e il Cattivo | L'estasi dell'oro
</td><td>2159</td><td>Monday, September 11, 2017 17:47:12</td><td>6 years ago</td></tr><tr><td><a href="HilltopSun.webm">HilltopSun.webm</a></td><td>Moonsorrow - Tyven
</td><td>2236</td><td>Monday, September 11, 2017 17:46:58</td><td>6 years ago</td></tr><tr><td><a href="V2StrikeAtBattersea.webm">V2StrikeAtBattersea.webm</a></td><td>Uriah Heep - Come Away Melinda
</td><td>2123</td><td>Monday, September 11, 2017 17:46:52</td><td>6 years ago</td></tr><tr><td><a href="GondolaCityNeko.webm">GondolaCityNeko.webm</a></td><td>Nujabes - Far Fowls
</td><td>2617</td><td>Monday, September 11, 2017 14:41:30</td><td>6 years ago</td></tr><tr><td><a href="AloneInTheDark.webm">AloneInTheDark.webm</a></td><td>Thom Yorke - Analyse
</td><td>2940</td><td>Monday, September 11, 2017 14:40:02</td><td>6 years ago</td></tr><tr><td><a href="Run.webm">Run.webm</a></td><td>Demon's Souls OST - Maiden Astraea
</td><td>2228</td><td>Monday, September 11, 2017 14:38:36</td><td>6 years ago</td></tr><tr><td><a href="TheFirstGondolaInSpace.webm">TheFirstGondolaInSpace.webm</a></td><td>Sokolov-Tobolski - Gagarin's march
</td><td>2127</td><td>Monday, September 11, 2017 14:35:16</td><td>6 years ago</td></tr><tr><td><a href="GondolaCar.webm">GondolaCar.webm</a></td><td>Jan Hammer - Crockett's Theme
</td><td>2584</td><td>Monday, September 11, 2017 14:34:10</td><td>6 years ago</td></tr><tr><td><a href="CosmicReflection.webm">CosmicReflection.webm</a></td><td>Space Station 13 Music - Endless Space
</td><td>4967</td><td>Monday, September 11, 2017 14:31:14</td><td>6 years ago</td></tr><tr><td><a href="GondolaShoreRest.webm">GondolaShoreRest.webm</a></td><td>Eric Coates - By the Sleepy Lagoon
</td><td>2224</td><td>Monday, September 11, 2017 14:30:56</td><td>6 years ago</td></tr><tr><td><a href="WesternGondola.webm">WesternGondola.webm</a></td><td></td><td>2181</td><td>Sunday, September 10, 2017 21:11:01</td><td>6 years ago</td></tr><tr><td><a href="MadeInGondola.webm">MadeInGondola.webm</a></td><td>Made in Abyss OST - Underground River Full (ft.Raj Ramayya)
</td><td>2326</td><td>Sunday, September 10, 2017 21:10:41</td><td>6 years ago</td></tr><tr><td><a href="Gondsauce.webm">Gondsauce.webm</a></td><td>Jake Chudnow - It's good to be D
</td><td>2254</td><td>Sunday, September 10, 2017 21:09:33</td><td>6 years ago</td></tr><tr><td><a href="GondolaMoonlight2.webm">GondolaMoonlight2.webm</a></td><td>Trickster OST - Moonlight Garden
</td><td>2406</td><td>Saturday, September 09, 2017 22:41:04</td><td>6 years ago</td></tr><tr><td><a href="GondolaMyMind.webm">GondolaMyMind.webm</a></td><td>The Pixies - Where Is My Mind (piano cover by Maxence Cyrin)
</td><td>2502</td><td>Saturday, September 09, 2017 22:40:21</td><td>6 years ago</td></tr><tr><td><a href="OceanRestaurantGondola.webm">OceanRestaurantGondola.webm</a></td><td>Laura Sullivan - Cafe des Artistes
</td><td>2333</td><td>Saturday, September 09, 2017 22:39:56</td><td>6 years ago</td></tr><tr><td><a href="DeutscherGondola.webm">DeutscherGondola.webm</a></td><td>Ich hatt' einen Kameraden
</td><td>2603</td><td>Saturday, September 09, 2017 22:37:56</td><td>6 years ago</td></tr><tr><td><a href="Gondoletes.webm">Gondoletes.webm</a></td><td>Distance - Space Sirens (first track from "The First Spacewalk")
</td><td>2315</td><td>Saturday, September 09, 2017 22:37:40</td><td>6 years ago</td></tr><tr><td><a href="GondolaWaltz.webm">GondolaWaltz.webm</a></td><td></td><td>2316</td><td>Saturday, September 09, 2017 22:37:14</td><td>6 years ago</td></tr><tr><td><a href="LastMealOfOldGondolas.webm">LastMealOfOldGondolas.webm</a></td><td>Liquid Tension Experiment - Hourglass
</td><td>2195</td><td>Saturday, September 09, 2017 22:36:02</td><td>6 years ago</td></tr><tr><td><a href="GondolaAmidTheSilence.webm">GondolaAmidTheSilence.webm</a></td><td>Suikoden 2 OST - Amid the Silence
</td><td>2720</td><td>Saturday, September 09, 2017 22:35:31</td><td>6 years ago</td></tr><tr><td><a href="NightWanderingGondola.webm">NightWanderingGondola.webm</a></td><td></td><td>2241</td><td>Saturday, September 09, 2017 22:35:19</td><td>6 years ago</td></tr><tr><td><a href="GoodGondolaYear.webm">GoodGondolaYear.webm</a></td><td>Marc Streitenfeld | A Good Year OST - Wisdom
</td><td>2323</td><td>Saturday, September 09, 2017 22:34:59</td><td>6 years ago</td></tr><tr><td><a href="GondolaDesert.webm">GondolaDesert.webm</a></td><td>Rabi-Ribi OST - Pandora's Palace
</td><td>2610</td><td>Saturday, September 09, 2017 22:33:27</td><td>6 years ago</td></tr><tr><td><a href="GondolaSlide.webm">GondolaSlide.webm</a></td><td>Boards of Canada - Kid for Today
</td><td>2309</td><td>Thursday, August 31, 2017 14:57:03</td><td>6 years ago</td></tr><tr><td><a href="CityWindowGondola.webm">CityWindowGondola.webm</a></td><td>Lake Radio - Opal Eyes
</td><td>4762</td><td>Saturday, August 26, 2017 06:58:59</td><td>6 years ago</td></tr><tr><td><a href="GondolaAngel.webm">GondolaAngel.webm</a></td><td>Donkey Kong Country 2 OST - In a Snow-Bound Land
</td><td>2877</td><td>Saturday, August 26, 2017 06:57:33</td><td>6 years ago</td></tr><tr><td><a href="SaraiyaGondola.webm">SaraiyaGondola.webm</a></td><td></td><td>2208</td><td>Saturday, August 26, 2017 06:10:59</td><td>6 years ago</td></tr><tr><td><a href="Kowloonda.webm">Kowloonda.webm</a></td><td></td><td>2280</td><td>Saturday, August 26, 2017 06:10:45</td><td>6 years ago</td></tr><tr><td><a href="GondolaFearAndLoathing.webm">GondolaFearAndLoathing.webm</a></td><td>Fear And Loathing In Las Vegas OST - Combination Of The Two - Big Brother & The Holding Company
</td><td>2556</td><td>Saturday, August 26, 2017 06:10:25</td><td>6 years ago</td></tr><tr><td><a href="InTownGondola.webm">InTownGondola.webm</a></td><td></td><td>2187</td><td>Saturday, August 26, 2017 06:10:16</td><td>6 years ago</td></tr><tr><td><a href="60sGondola.webm">60sGondola.webm</a></td><td>Henry Mancini - Brief and Breezy
</td><td>3894</td><td>Saturday, August 26, 2017 06:09:23</td><td>6 years ago</td></tr><tr><td><a href="MoonGondola.webm">MoonGondola.webm</a></td><td>Mecano - Hijo de la Luna (instrumental)
</td><td>2248</td><td>Saturday, August 26, 2017 06:09:11</td><td>6 years ago</td></tr><tr><td><a href="GondolaLooksAtGondola.webm">GondolaLooksAtGondola.webm</a></td><td></td><td>2553</td><td>Saturday, August 26, 2017 06:08:38</td><td>6 years ago</td></tr><tr><td><a href="GondolaAtTheBeach.webm">GondolaAtTheBeach.webm</a></td><td>Final Fantasy VII OST - Coast of the Sun/Costa del Sol
</td><td>2815</td><td>Saturday, August 26, 2017 06:08:14</td><td>6 years ago</td></tr><tr><td><a href="ParkingLotDuster.webm">ParkingLotDuster.webm</a></td><td>Duster - Auto-mobile
</td><td>2126</td><td>Saturday, August 26, 2017 06:07:48</td><td>6 years ago</td></tr><tr><td><a href="JapaneseGondola.webm">JapaneseGondola.webm</a></td><td>Byousoku 5 Centimeter OST - Cherry Blossom Extract
</td><td>1825</td><td>Saturday, August 26, 2017 06:07:28</td><td>6 years ago</td></tr><tr><td><a href="JoePassGondola.webm">JoePassGondola.webm</a></td><td>George Miller - "Joe Pass"
</td><td>2160</td><td>Saturday, August 26, 2017 06:06:52</td><td>6 years ago</td></tr><tr><td><a href="RarestGondolaNorthOfEquator.webm">RarestGondolaNorthOfEquator.webm</a></td><td>Pixies - Where is my Mind
</td><td>2196</td><td>Saturday, August 26, 2017 06:06:26</td><td>6 years ago</td></tr><tr><td><a href="GondolaNipTree.webm">GondolaNipTree.webm</a></td><td>David Davidson - Evergreen
</td><td>1976</td><td>Saturday, August 26, 2017 06:06:09</td><td>6 years ago</td></tr><tr><td><a href="BorealisGond.webm">BorealisGond.webm</a></td><td>2814 - 真実の恋 (Shinjitsu no Koi)
</td><td>2915</td><td>Saturday, August 26, 2017 06:05:16</td><td>6 years ago</td></tr><tr><td><a href="WitcherGondola.webm">WitcherGondola.webm</a></td><td>Marcin Przybylowicz - Lullaby of Woe
</td><td>2284</td><td>Saturday, August 26, 2017 06:03:48</td><td>6 years ago</td></tr><tr><td><a href="ForestGondola.webm">ForestGondola.webm</a></td><td>Kiuas - Child of Cimmeria
</td><td>2593</td><td>Saturday, August 26, 2017 06:02:32</td><td>6 years ago</td></tr><tr><td><a href="GondolaChibli.webm">GondolaChibli.webm</a></td><td>Spirited Away OST - It's Hard Work (Shigoto wa Tsuraize)
</td><td>2609</td><td>Saturday, August 26, 2017 06:02:09</td><td>6 years ago</td></tr><tr><td><a href="GondolaForestFire.webm">GondolaForestFire.webm</a></td><td>Blind Guardian - The Bard's Song
</td><td>2500</td><td>Saturday, August 26, 2017 06:01:26</td><td>6 years ago</td></tr><tr><td><a href="TranquilGondola.webm">TranquilGondola.webm</a></td><td>Kirby's Epic Yarn OST | Tomoya Tomita - World 5: Snow Land
</td><td>1813</td><td>Saturday, August 26, 2017 06:00:28</td><td>6 years ago</td></tr><tr><td><a href="Simdola.webm">Simdola.webm</a></td><td>The Sims OST - Building Mode 2
</td><td>2281</td><td>Saturday, August 26, 2017 06:00:06</td><td>6 years ago</td></tr><tr><td><a href="1800Gondola.webm">1800Gondola.webm</a></td><td>Mozart - Piano Concerto No.26 in D major ('Coronation') K.537 - 2. Larghetto
</td><td>6901</td><td>Saturday, August 26, 2017 06:00:01</td><td>6 years ago</td></tr><tr><td><a href="BusStationGondola.webm">BusStationGondola.webm</a></td><td>Halo 3 ODST OST - Rain | Deference for Darkness
</td><td>2954</td><td>Saturday, August 26, 2017 05:58:23</td><td>6 years ago</td></tr><tr><td><a href="GondolaHymn.webm">GondolaHymn.webm</a></td><td>M.K Čiurlionis-Harmonizuota Lietuvių Liaudies daina "Beauštanti aušrelė"
</td><td>2361</td><td>Saturday, August 26, 2017 05:57:49</td><td>6 years ago</td></tr><tr><td><a href="GondolaOnTheTown.webm">GondolaOnTheTown.webm</a></td><td>Cannonball Adderley - Autumn Leaves
</td><td>2017</td><td>Saturday, August 26, 2017 05:57:19</td><td>6 years ago</td></tr><tr><td><a href="GondolaMonk.webm">GondolaMonk.webm</a></td><td>Lama Gyurme - Hope for Enlightenment
</td><td>2501</td><td>Saturday, August 26, 2017 05:56:49</td><td>6 years ago</td></tr><tr><td><a href="GondolaOfTheWoods.webm">GondolaOfTheWoods.webm</a></td><td>Witcher 3 OST - Ladies Of The Woods
</td><td>2556</td><td>Saturday, August 26, 2017 05:56:21</td><td>6 years ago</td></tr><tr><td><a href="GondolaStream.webm">GondolaStream.webm</a></td><td>Xenoblade OST - Mucuna Woods
</td><td>2291</td><td>Saturday, August 26, 2017 05:55:42</td><td>6 years ago</td></tr><tr><td><a href="GondolaWreckage.webm">GondolaWreckage.webm</a></td><td></td><td>2353</td><td>Saturday, August 26, 2017 05:55:32</td><td>6 years ago</td></tr><tr><td><a href="GondolaSunsetSea.webm">GondolaSunsetSea.webm</a></td><td>OFF OST - Desperately Safe
</td><td>2506</td><td>Saturday, August 26, 2017 05:54:42</td><td>6 years ago</td></tr><tr><td><a href="GondolaBusGirl.webm">GondolaBusGirl.webm</a></td><td>Xiloview - One and Only
</td><td>2624</td><td>Saturday, August 26, 2017 05:54:20</td><td>6 years ago</td></tr><tr><td><a href="GondolaMetro2.webm">GondolaMetro2.webm</a></td><td>Kraftwerk - Neon Lights
</td><td>2541</td><td>Saturday, August 26, 2017 05:53:46</td><td>6 years ago</td></tr><tr><td><a href="GondolaSunday.webm">GondolaSunday.webm</a></td><td>Don Taylor - Empty Life
</td><td>2450</td><td>Saturday, August 26, 2017 05:53:15</td><td>6 years ago</td></tr><tr><td><a href="GondolaFriday.webm">GondolaFriday.webm</a></td><td>Kalimba - Mr. Scruff
</td><td>2621</td><td>Saturday, August 26, 2017 05:53:04</td><td>6 years ago</td></tr><tr><td><a href="GondolaForestSpider.webm">GondolaForestSpider.webm</a></td><td>RMDO - Rain
</td><td>2449</td><td>Saturday, August 26, 2017 05:52:24</td><td>6 years ago</td></tr><tr><td><a href="SoldierGondolas.webm">SoldierGondolas.webm</a></td><td>Jean Sibelius - Jääkärimarssi
</td><td>2243</td><td>Saturday, August 26, 2017 05:52:06</td><td>6 years ago</td></tr><tr><td><a href="GondolaEsNoMore.webm">GondolaEsNoMore.webm</a></td><td>Nick Cave & Warren Ellis - The Road
</td><td>2379</td><td>Saturday, August 26, 2017 05:51:48</td><td>6 years ago</td></tr><tr><td><a href="GondolasBlackMorning.webm">GondolasBlackMorning.webm</a></td><td>Leevi & The Leavings - Unelmia ja toimistohommia
</td><td>2330</td><td>Saturday, August 26, 2017 05:51:15</td><td>6 years ago</td></tr><tr><td><a href="GondolaDadDaughter.webm">GondolaDadDaughter.webm</a></td><td>Hotaru No Haka OST - Setsuko to Seita
</td><td>2405</td><td>Saturday, August 26, 2017 05:51:03</td><td>6 years ago</td></tr><tr><td><a href="GondolaSyria.webm">GondolaSyria.webm</a></td><td>Gary Jules - Mad World
</td><td>2491</td><td>Saturday, August 26, 2017 05:50:48</td><td>6 years ago</td></tr><tr><td><a href="LittleGondolaAcademia.webm">LittleGondolaAcademia.webm</a></td><td>Joe Hisaishi | Kiki's Delivery Service OST - A Town With An Ocean View
</td><td>2248</td><td>Saturday, August 26, 2017 05:50:34</td><td>6 years ago</td></tr><tr><td><a href="PartyDola.webm">PartyDola.webm</a></td><td>Leevi and The Leavings - Eräänä kesäisenä iltana
</td><td>2238</td><td>Saturday, August 26, 2017 05:48:54</td><td>6 years ago</td></tr><tr><td><a href="StellaryGondola.webm">StellaryGondola.webm</a></td><td>Stellardrone - Pale Blue Dot
</td><td>2205</td><td>Saturday, August 26, 2017 05:48:36</td><td>6 years ago</td></tr><tr><td><a href="ArliasForest.webm">ArliasForest.webm</a></td><td>Star Ocean: The Second Story OST - The Venerable Forest
</td><td>3035</td><td>Saturday, August 26, 2017 05:47:04</td><td>6 years ago</td></tr><tr><td><a href="GondolaFrisk.webm">GondolaFrisk.webm</a></td><td>Undertale OST - Home
</td><td>2491</td><td>Saturday, August 26, 2017 05:46:33</td><td>6 years ago</td></tr><tr><td><a href="GondolaMika.webm">GondolaMika.webm</a></td><td>Säkkijärven Polkka
</td><td>2642</td><td>Saturday, August 26, 2017 05:46:03</td><td>6 years ago</td></tr><tr><td><a href="RainyNightGond.webm">RainyNightGond.webm</a></td><td><none>
</td><td>2266</td><td>Saturday, August 26, 2017 05:45:33</td><td>6 years ago</td></tr><tr><td><a href="ResonanceGondola.webm">ResonanceGondola.webm</a></td><td>HOME - Resonance
</td><td>2295</td><td>Saturday, August 26, 2017 05:45:11</td><td>6 years ago</td></tr><tr><td><a href="1950Gondola.webm">1950Gondola.webm</a></td><td>DOWN TOWNへくり出そう♪
</td><td>5126</td><td>Saturday, August 26, 2017 05:44:15</td><td>6 years ago</td></tr><tr><td><a href="LiveForTheGondola.webm">LiveForTheGondola.webm</a></td><td>Amon Amarth - Live For The Kill feat. Apocalyptica
</td><td>2234</td><td>Saturday, August 26, 2017 05:43:31</td><td>6 years ago</td></tr><tr><td><a href="GondolaPoppies.webm">GondolaPoppies.webm</a></td><td>Gary Jules - Mad World (cover)
</td><td>2407</td><td>Friday, August 25, 2017 03:41:27</td><td>6 years ago</td></tr><tr><td><a href="GondolaItsOkYoureOK.webm">GondolaItsOkYoureOK.webm</a></td><td>Bonjr - It's Ok, You're Ok
</td><td>2443</td><td>Wednesday, August 23, 2017 02:58:59</td><td>6 years ago</td></tr><tr><td><a href="ACGondola.webm">ACGondola.webm</a></td><td>Machinarium OST - By the Wall
</td><td>3690</td><td>Wednesday, August 23, 2017 02:30:30</td><td>6 years ago</td></tr><tr><td><a href="DeadGondolas.webm">DeadGondolas.webm</a></td><td>Pachelbel - Canon In D Major
</td><td>2748</td><td>Sunday, August 20, 2017 23:23:27</td><td>6 years ago</td></tr><tr><td><a href="GondolaMGMTKids.webm">GondolaMGMTKids.webm</a></td><td>MGMT - Kids (Guitar cover)
</td><td>2625</td><td>Sunday, August 20, 2017 22:03:25</td><td>6 years ago</td></tr><tr><td><a href="GondolaDeathSquad.webm">GondolaDeathSquad.webm</a></td><td>Lifeseeker - Gone Guru
</td><td>2584</td><td>Sunday, August 20, 2017 22:02:58</td><td>6 years ago</td></tr><tr><td><a href="RetroGondola.webm">RetroGondola.webm</a></td><td></td><td>2331</td><td>Saturday, August 19, 2017 23:45:35</td><td>6 years ago</td></tr><tr><td><a href="UntitledGondola.webm">UntitledGondola.webm</a></td><td>sasakure.UK - Uzumakinoharu
</td><td>2182</td><td>Saturday, August 19, 2017 23:45:22</td><td>6 years ago</td></tr><tr><td><a href="TheIllusiveGondola.webm">TheIllusiveGondola.webm</a></td><td>Mass Effect 2 OST - The Illusive Man
</td><td>2202</td><td>Saturday, August 19, 2017 23:44:49</td><td>6 years ago</td></tr><tr><td><a href="GondolaKowloon3.webm">GondolaKowloon3.webm</a></td><td>In Love With a Ghost - I Was Feeling Down Then I Found A Nice Witch And Now We're Best Friends
</td><td>2441</td><td>Saturday, August 19, 2017 23:44:21</td><td>6 years ago</td></tr><tr><td><a href="GondolaInvitedToDinnerParty.webm">GondolaInvitedToDinnerParty.webm</a></td><td>Camille Saint-Saëns - Danse Macabre
</td><td>2438</td><td>Saturday, August 19, 2017 23:43:42</td><td>6 years ago</td></tr><tr><td><a href="AttackOnGondola.webm">AttackOnGondola.webm</a></td><td>Attack on Titan - Opening Theme
</td><td>3049</td><td>Saturday, August 19, 2017 23:43:23</td><td>6 years ago</td></tr><tr><td><a href="GondolaGroove.webm">GondolaGroove.webm</a></td><td></td><td>2462</td><td>Saturday, August 19, 2017 23:43:12</td><td>6 years ago</td></tr><tr><td><a href="FireflyGondola.webm">FireflyGondola.webm</a></td><td>Owl City - Fireflies (cover)
</td><td>2381</td><td>Saturday, August 19, 2017 23:41:47</td><td>6 years ago</td></tr><tr><td><a href="SpaceLaunchGondola.webm">SpaceLaunchGondola.webm</a></td><td>SDF Macross OST - Departure
</td><td>2284</td><td>Saturday, August 19, 2017 23:40:30</td><td>6 years ago</td></tr><tr><td><a href="JinsangEyesGondola.webm">JinsangEyesGondola.webm</a></td><td>Jinsang - Eyes
</td><td>2316</td><td>Tuesday, August 15, 2017 13:11:20</td><td>6 years ago</td></tr><tr><td><a href="GondolaRedriverValley.webm">GondolaRedriverValley.webm</a></td><td></td><td>2469</td><td>Tuesday, August 15, 2017 13:11:04</td><td>6 years ago</td></tr><tr><td><a href="LostCause.webm">LostCause.webm</a></td><td>Silent Hill 2 OST - Lost Cause
</td><td>2253</td><td>Tuesday, August 15, 2017 13:10:53</td><td>6 years ago</td></tr><tr><td><a href="ExtraterrestialGondola.webm">ExtraterrestialGondola.webm</a></td><td>Kerbal Space Program - Pyramid Easter Egg sound on Planet Duna
</td><td>2686</td><td>Monday, August 14, 2017 23:51:49</td><td>6 years ago</td></tr><tr><td><a href="Perspective.webm">Perspective.webm</a></td><td>Kevin MacLeod - Perspectives
</td><td>2110</td><td>Monday, August 14, 2017 23:51:31</td><td>6 years ago</td></tr><tr><td><a href="Paivystys.webm">Paivystys.webm</a></td><td>Päivystäjän puhelimen soittoääni | The Arkansas Traveler
</td><td>2542</td><td>Monday, August 14, 2017 23:51:16</td><td>6 years ago</td></tr><tr><td><a href="FridayNight.webm">FridayNight.webm</a></td><td>Fun ft. Janelle Monáe - We Are Young
</td><td>2462</td><td>Monday, August 14, 2017 23:50:42</td><td>6 years ago</td></tr><tr><td><a href="GondolasAllTheWay.webm">GondolasAllTheWay.webm</a></td><td>DVAR - Ai-Lu | Roah (2003)
</td><td>2254</td><td>Monday, August 14, 2017 23:50:24</td><td>6 years ago</td></tr><tr><td><a href="EastLondon2001.webm">EastLondon2001.webm</a></td><td>21 Seconds - So Solid Crew
</td><td>2599</td><td>Monday, August 14, 2017 23:50:04</td><td>6 years ago</td></tr><tr><td><a href="GondolaCamp.webm">GondolaCamp.webm</a></td><td></td><td>2523</td><td>Monday, August 14, 2017 23:49:46</td><td>6 years ago</td></tr><tr><td><a href="HammerGondola.webm">HammerGondola.webm</a></td><td>Pink Floyd - Waiting For The Worms
</td><td>2186</td><td>Monday, August 14, 2017 23:48:59</td><td>6 years ago</td></tr><tr><td><a href="Roses.webm">Roses.webm</a></td><td>Secret Garden - Song from a Secret Garden
</td><td>2359</td><td>Monday, August 14, 2017 23:48:38</td><td>6 years ago</td></tr><tr><td><a href="GondolaAirBalloon.webm">GondolaAirBalloon.webm</a></td><td>Percy Faith & His Orchestra - A summer place theme
</td><td>3230</td><td>Monday, August 07, 2017 10:45:59</td><td>6 years ago</td></tr><tr><td><a href="Newbegas.webm">Newbegas.webm</a></td><td>Fallout New Vegas Soundtrack - Hank Thompson - Hangover Heart
</td><td>2289</td><td>Monday, August 07, 2017 10:45:33</td><td>6 years ago</td></tr><tr><td><a href="GimniGond.webm">GimniGond.webm</a></td><td>Erik Satie - Gymnopédie No.1
</td><td>3400</td><td>Sunday, August 06, 2017 22:08:58</td><td>6 years ago</td></tr><tr><td><a href="AnorGondola.webm">AnorGondola.webm</a></td><td>Dark Souls OST - Gwyn, Lord of Cinder
</td><td>3419</td><td>Sunday, August 06, 2017 22:08:45</td><td>6 years ago</td></tr><tr><td><a href="JapanStreetGondola.webm">JapanStreetGondola.webm</a></td><td>Legend of Zelda - Great Fairy's Fountain (remix)
</td><td>2487</td><td>Sunday, August 06, 2017 22:08:19</td><td>6 years ago</td></tr><tr><td><a href="YoungGondola.webm">YoungGondola.webm</a></td><td>Art Tatum - In a Sentimental Mood (1955)
</td><td>2220</td><td>Sunday, August 06, 2017 22:07:45</td><td>6 years ago</td></tr><tr><td><a href="OldGondola.webm">OldGondola.webm</a></td><td>Shades Of Joy - The Desert Is A Circle
</td><td>2300</td><td>Sunday, August 06, 2017 22:07:34</td><td>6 years ago</td></tr><tr><td><a href="TheOldManRestsHere.webm">TheOldManRestsHere.webm</a></td><td>Kill Bill Vol. 1 OST - The Lonely Shepherd
</td><td>2640</td><td>Sunday, August 06, 2017 22:06:20</td><td>6 years ago</td></tr><tr><td><a href="FlyingGondola.webm">FlyingGondola.webm</a></td><td>The Moomins OST - 22:15 (unknown title), see https://youtu.be/e-Gxd7a7KyE
</td><td>2685</td><td>Sunday, August 06, 2017 22:05:49</td><td>6 years ago</td></tr><tr><td><a href="ShrineGondola.webm">ShrineGondola.webm</a></td><td>Dungen - Glömd konst kommer stundom ånyo till heders
</td><td>2089</td><td>Sunday, August 06, 2017 22:05:14</td><td>6 years ago</td></tr><tr><td><a href="FalloutNoirGondola.webm">FalloutNoirGondola.webm</a></td><td>I'm Tickled Pink - Jack Shaindlin
</td><td>2548</td><td>Sunday, August 06, 2017 22:04:59</td><td>6 years ago</td></tr><tr><td><a href="FeudalGondola.webm">FeudalGondola.webm</a></td><td>Vox Vulgaris - Rókatánc
</td><td>2440</td><td>Sunday, August 06, 2017 22:04:50</td><td>6 years ago</td></tr><tr><td><a href="GondolaEyeOfTheStorm.webm">GondolaEyeOfTheStorm.webm</a></td><td>The Vision Of Escaflowne OST - Shadow Of Doubt
</td><td>2598</td><td>Sunday, August 06, 2017 22:04:37</td><td>6 years ago</td></tr><tr><td><a href="GondolaSuisMoiReprise.webm">GondolaSuisMoiReprise.webm</a></td><td>The Little Prince OST - Suis Moi Reprise
</td><td>2487</td><td>Sunday, August 06, 2017 22:03:58</td><td>6 years ago</td></tr><tr><td><a href="PolishGondola.webm">PolishGondola.webm</a></td><td>"Stanczyk (Matejko)" by Jacek Kaczmarski
</td><td>2334</td><td>Sunday, August 06, 2017 22:02:37</td><td>6 years ago</td></tr><tr><td><a href="HangingGondola.webm">HangingGondola.webm</a></td><td>Avatar: The Last Airbender OST - Tsungi Horn
</td><td>2336</td><td>Sunday, August 06, 2017 22:02:21</td><td>6 years ago</td></tr><tr><td><a href="SpessGondola.webm">SpessGondola.webm</a></td><td>Halo 4 OST - Green and Blue
</td><td>2228</td><td>Sunday, August 06, 2017 22:01:09</td><td>6 years ago</td></tr><tr><td><a href="Goooondola.webm">Goooondola.webm</a></td><td>Ensemble Nipponia - Echigojishi
</td><td>2266</td><td>Sunday, August 06, 2017 22:00:27</td><td>6 years ago</td></tr><tr><td><a href="SadGondola2.webm">SadGondola2.webm</a></td><td></td><td>2222</td><td>Sunday, August 06, 2017 22:00:01</td><td>6 years ago</td></tr><tr><td><a href="Pandora.webm">Pandora.webm</a></td><td></td><td>2200</td><td>Sunday, August 06, 2017 21:59:45</td><td>6 years ago</td></tr><tr><td><a href="GondolaTree2.webm">GondolaTree2.webm</a></td><td></td><td>2568</td><td>Sunday, August 06, 2017 21:58:58</td><td>6 years ago</td></tr><tr><td><a href="GondolaMountainClimb.webm">GondolaMountainClimb.webm</a></td><td>Amanchu! OST - Landscape
</td><td>2410</td><td>Saturday, July 29, 2017 18:50:29</td><td>6 years ago</td></tr><tr><td><a href="GondolaOnCar.webm">GondolaOnCar.webm</a></td><td>Metronomy - Nights Outro
</td><td>2498</td><td>Friday, July 28, 2017 21:35:55</td><td>6 years ago</td></tr><tr><td><a href="Plantasia.webm">Plantasia.webm</a></td><td>Mort Garson - Plantasia
</td><td>2183</td><td>Friday, July 28, 2017 09:37:20</td><td>6 years ago</td></tr><tr><td><a href="OfShosoneGondola.webm">OfShosoneGondola.webm</a></td><td>Chris Remo | Firewatch OST - Ol' Shoshone
</td><td>2144</td><td>Friday, July 28, 2017 09:36:36</td><td>6 years ago</td></tr><tr><td><a href="MegastructureGondola.webm">MegastructureGondola.webm</a></td><td></td><td>2218</td><td>Friday, July 28, 2017 09:36:19</td><td>6 years ago</td></tr><tr><td><a href="SeashantyGondola.webm">SeashantyGondola.webm</a></td><td>Runescape - Sea Shanty
</td><td>2310</td><td>Friday, July 28, 2017 09:36:00</td><td>6 years ago</td></tr><tr><td><a href="SilentHillGondola.webm">SilentHillGondola.webm</a></td><td>Silent Hill 3 OST - End Of Small Sanctuary
</td><td>2263</td><td>Wednesday, July 26, 2017 14:21:29</td><td>6 years ago</td></tr><tr><td><a href="TreeGond.webm">TreeGond.webm</a></td><td>NieR OST - Song of the Ancients / Devola
</td><td>2291</td><td>Wednesday, July 26, 2017 14:20:54</td><td>6 years ago</td></tr><tr><td><a href="VideoGameGond.webm">VideoGameGond.webm</a></td><td></td><td>2265</td><td>Wednesday, July 26, 2017 14:20:22</td><td>6 years ago</td></tr><tr><td><a href="SunshineGondola.webm">SunshineGondola.webm</a></td><td>Morbid Angel - Desolate Ways
</td><td>2125</td><td>Wednesday, July 26, 2017 14:19:50</td><td>6 years ago</td></tr><tr><td><a href="BambiDola.webm">BambiDola.webm</a></td><td></td><td>2709</td><td>Wednesday, July 26, 2017 14:19:37</td><td>6 years ago</td></tr><tr><td><a href="SnowyLinkinParkGondola.webm">SnowyLinkinParkGondola.webm</a></td><td>Linkin Park - In The End (Piano Cover)
</td><td>2248</td><td>Wednesday, July 26, 2017 14:19:21</td><td>6 years ago</td></tr><tr><td><a href="GondolaInBed.webm">GondolaInBed.webm</a></td><td>Band of Horses - The Funeral
</td><td>2536</td><td>Wednesday, July 26, 2017 14:19:06</td><td>6 years ago</td></tr><tr><td><a href="GondolaSunrise.webm">GondolaSunrise.webm</a></td><td>duendita - one of one
</td><td>2737</td><td>Wednesday, July 26, 2017 14:18:55</td><td>6 years ago</td></tr><tr><td><a href="RainyForestGondola.webm">RainyForestGondola.webm</a></td><td>David Arkenstone - Cailleach's Whisper
</td><td>2139</td><td>Wednesday, July 26, 2017 14:18:39</td><td>6 years ago</td></tr><tr><td><a href="TheFantasticAdventuresOfGondola2.webm">TheFantasticAdventuresOfGondola2.webm</a></td><td></td><td>2229</td><td>Wednesday, July 26, 2017 14:18:12</td><td>6 years ago</td></tr><tr><td><a href="GondolaRedcity.webm">GondolaRedcity.webm</a></td><td>Ascendant - Remains
</td><td>2532</td><td>Tuesday, July 25, 2017 05:50:24</td><td>6 years ago</td></tr><tr><td><a href="DharmaGondola.webm">DharmaGondola.webm</a></td><td></td><td>2550</td><td>Sunday, July 23, 2017 20:58:37</td><td>6 years ago</td></tr><tr><td><a href="BunkerGondola.webm">BunkerGondola.webm</a></td><td>Jon Hopkins - Abandon Window
</td><td>2680</td><td>Sunday, July 23, 2017 20:28:53</td><td>6 years ago</td></tr><tr><td><a href="Gondolagatari.webm">Gondolagatari.webm</a></td><td>Kizumonogatari Part lll OST - étoile et toi (edition le blanc)
</td><td>2442</td><td>Sunday, July 23, 2017 15:50:11</td><td>6 years ago</td></tr><tr><td><a href="GondolaIsland.webm">GondolaIsland.webm</a></td><td></td><td>2428</td><td>Sunday, July 23, 2017 15:03:10</td><td>6 years ago</td></tr><tr><td><a href="MedicineGondola.webm">MedicineGondola.webm</a></td><td>Daughter - Medicine
</td><td>2251</td><td>Sunday, July 23, 2017 14:59:55</td><td>6 years ago</td></tr><tr><td><a href="MajorGondola.webm">MajorGondola.webm</a></td><td>Peter Schilling - Major Tom
</td><td>2134</td><td>Sunday, July 23, 2017 14:44:55</td><td>6 years ago</td></tr><tr><td><a href="GondolaLaptop.webm">GondolaLaptop.webm</a></td><td>Counting Crows - Colorblind (instrumental)
</td><td>2351</td><td>Sunday, July 23, 2017 14:35:49</td><td>6 years ago</td></tr><tr><td><a href="ApartmentGondola.webm">ApartmentGondola.webm</a></td><td></td><td>2961</td><td>Sunday, July 23, 2017 14:35:27</td><td>6 years ago</td></tr><tr><td><a href="ZootopiaGondola.webm">ZootopiaGondola.webm</a></td><td>Music: Yoko Kanno - Tree of Hearts, video: Zootopia (2016)
</td><td>2478</td><td>Sunday, July 23, 2017 14:31:05</td><td>6 years ago</td></tr><tr><td><a href="GondolaAtHome.webm">GondolaAtHome.webm</a></td><td>Yoko Kanno | Vision of Escaflowne OST - Tree of Hearts
</td><td>2757</td><td>Sunday, July 23, 2017 14:23:14</td><td>6 years ago</td></tr><tr><td><a href="TrickOrTreatGondola.webm">TrickOrTreatGondola.webm</a></td><td>It's the Great Pumpkin, Charlie Brown OST - Trick or Treat (Vince Guaraldi)
</td><td>2262</td><td>Sunday, July 23, 2017 14:23:04</td><td>6 years ago</td></tr><tr><td><a href="PumpkinPatchGondola.webm">PumpkinPatchGondola.webm</a></td><td>It's The Great Pumpkin, Charlie Brown OST - Great Pumpkin Waltz
</td><td>2189</td><td>Sunday, July 23, 2017 14:09:55</td><td>6 years ago</td></tr><tr><td><a href="GondolaVigil.webm">GondolaVigil.webm</a></td><td>Mass Effect OST - Vigil
</td><td>2358</td><td>Sunday, July 23, 2017 12:05:12</td><td>6 years ago</td></tr><tr><td><a href="GondolaFair.webm">GondolaFair.webm</a></td><td>Yamada Tamaru - Scarborough Fair
</td><td>2548</td><td>Sunday, July 23, 2017 12:04:37</td><td>6 years ago</td></tr><tr><td><a href="GondolaWrite.webm">GondolaWrite.webm</a></td><td>The Newton Brothers | Detachment 2011 OST - Before Class
</td><td>2210</td><td>Saturday, July 22, 2017 18:38:03</td><td>6 years ago</td></tr><tr><td><a href="DisintegrationGondola.webm">DisintegrationGondola.webm</a></td><td>William Basinski - The Disintegration Loops
</td><td>2486</td><td>Saturday, July 22, 2017 14:14:15</td><td>6 years ago</td></tr><tr><td><a href="GondolaStretcher.webm">GondolaStretcher.webm</a></td><td>Sad Piano Music - The Last Battle (Original Composition)
</td><td>2294</td><td>Saturday, July 22, 2017 14:13:57</td><td>6 years ago</td></tr><tr><td><a href="GondolaDestiny.webm">GondolaDestiny.webm</a></td><td>Sharon Van Etten - Consolation Prize
</td><td>2752</td><td>Saturday, July 22, 2017 12:44:17</td><td>6 years ago</td></tr><tr><td><a href="KingGondolaFlowers.webm">KingGondolaFlowers.webm</a></td><td>Neutral Milk Hotel - King of Carrot Flowers
</td><td>2281</td><td>Saturday, July 22, 2017 07:31:04</td><td>6 years ago</td></tr><tr><td><a href="GondolaInRain.webm">GondolaInRain.webm</a></td><td>Bladerunner OST - Tears in Rain
</td><td>2620</td><td>Saturday, July 22, 2017 06:50:55</td><td>6 years ago</td></tr><tr><td><a href="GondolaMorning.webm">GondolaMorning.webm</a></td><td>עינב - ג'יין בורדו (Jane Bordeaux - Einav)
</td><td>2441</td><td>Friday, July 21, 2017 21:54:26</td><td>6 years ago</td></tr><tr><td><a href="GondolaWaKimiNoUso.webm">GondolaWaKimiNoUso.webm</a></td><td>Shigatsu wa Kimi no Uso OST - Watashi no Uso [Piano solo]
</td><td>2372</td><td>Friday, July 21, 2017 21:54:02</td><td>6 years ago</td></tr><tr><td><a href="GondolaLand.webm">GondolaLand.webm</a></td><td></td><td>2415</td><td>Friday, July 21, 2017 20:48:53</td><td>6 years ago</td></tr><tr><td><a href="RiceFieldGondola.webm">RiceFieldGondola.webm</a></td><td></td><td>2116</td><td>Friday, July 21, 2017 15:56:29</td><td>6 years ago</td></tr><tr><td><a href="GondolaForest2.webm">GondolaForest2.webm</a></td><td>Fullmetal Alchemist Brotherhood OST - Happiness ~Requiem from The Blind Alchemist~
</td><td>2473</td><td>Friday, July 21, 2017 15:56:07</td><td>6 years ago</td></tr><tr><td><a href="BalloonGondola.webm">BalloonGondola.webm</a></td><td>The Noveltones - Left Bank Two
</td><td>2788</td><td>Friday, July 21, 2017 15:55:42</td><td>6 years ago</td></tr><tr><td><a href="GondolaSunflower.webm">GondolaSunflower.webm</a></td><td>Clannad OST - Negai ga Kanau Basho II
</td><td>2311</td><td>Thursday, July 20, 2017 22:22:58</td><td>6 years ago</td></tr><tr><td><a href="GondolaRuins.webm">GondolaRuins.webm</a></td><td>NieR Automata OST - Blissful Death
</td><td>2514</td><td>Thursday, July 20, 2017 22:22:35</td><td>6 years ago</td></tr><tr><td><a href="Zeldola.webm">Zeldola.webm</a></td><td>The Legend of Zelda - Ocarina of Time OST - Temple of Time Orchestra
</td><td>2604</td><td>Thursday, July 20, 2017 21:28:39</td><td>6 years ago</td></tr><tr><td><a href="PlanetaryGondola.webm">PlanetaryGondola.webm</a></td><td>Zack Hemsey - The Way (Instrumental)
</td><td>2195</td><td>Thursday, July 20, 2017 21:28:25</td><td>6 years ago</td></tr><tr><td><a href="SnowyGondolaLamp.webm">SnowyGondolaLamp.webm</a></td><td>Yann Tiersen - Porz Goret
</td><td>2152</td><td>Thursday, July 20, 2017 21:27:33</td><td>6 years ago</td></tr><tr><td><a href="GondolaMoonlight.webm">GondolaMoonlight.webm</a></td><td>Beethoven - Moonlight Sonata, 1st movement
</td><td>2388</td><td>Thursday, July 20, 2017 21:27:04</td><td>6 years ago</td></tr><tr><td><a href="GondolaOblivion.webm">GondolaOblivion.webm</a></td><td>The Elder Scrolls IV: Oblivion OST - Wings of Kynareth
</td><td>2476</td><td>Thursday, July 20, 2017 21:26:48</td><td>6 years ago</td></tr><tr><td><a href="GondolaAnimalCrossing.webm">GondolaAnimalCrossing.webm</a></td><td>Animal Crossing (Gamecube) - 8:00 PM
</td><td>2790</td><td>Thursday, July 20, 2017 21:26:09</td><td>6 years ago</td></tr><tr><td><a href="CafeDeGondola.webm">CafeDeGondola.webm</a></td><td>Tony Murena - Indifférence
</td><td>2693</td><td>Thursday, July 20, 2017 21:26:01</td><td>6 years ago</td></tr><tr><td><a href="GondolaElNath.webm">GondolaElNath.webm</a></td><td>MapleStory OST - El Nath
</td><td>2463</td><td>Thursday, July 20, 2017 21:25:40</td><td>6 years ago</td></tr><tr><td><a href="SeasideGondola.webm">SeasideGondola.webm</a></td><td></td><td>2128</td><td>Thursday, July 20, 2017 05:49:07</td><td>6 years ago</td></tr><tr><td><a href="GondolaOctopusBos.webm">GondolaOctopusBos.webm</a></td><td>Crypt Of The Necrodancer - Deep Blue Bass (Coral Riff)
</td><td>2180</td><td>Wednesday, July 19, 2017 21:04:18</td><td>6 years ago</td></tr><tr><td><a href="GondolaExtermination.webm">GondolaExtermination.webm</a></td><td>Neon Genesis Evangelion OST - Angel Attack
</td><td>2404</td><td>Wednesday, July 19, 2017 21:04:03</td><td>6 years ago</td></tr><tr><td><a href="GondolaFeelsTheNight.webm">GondolaFeelsTheNight.webm</a></td><td>Craig Riley - Buying Power
</td><td>2259</td><td>Wednesday, July 19, 2017 21:03:34</td><td>6 years ago</td></tr><tr><td><a href="GondolaDiscovers.webm">GondolaDiscovers.webm</a></td><td>Halo 2 Soundtrack OST | Martin O'Donnell & Michael Salvatori - Impend
</td><td>2484</td><td>Wednesday, July 19, 2017 20:54:58</td><td>6 years ago</td></tr><tr><td><a href="GondolaSpongebob.webm">GondolaSpongebob.webm</a></td><td>Pink Floyd - Us and Them
</td><td>2219</td><td>Wednesday, July 19, 2017 20:50:31</td><td>6 years ago</td></tr><tr><td><a href="GondolaSing.webm">GondolaSing.webm</a></td><td>Peter Gabriel - The Book Of Love
</td><td>2402</td><td>Wednesday, July 19, 2017 20:50:20</td><td>6 years ago</td></tr><tr><td><a href="BeginningOfEndGondola.webm">BeginningOfEndGondola.webm</a></td><td>Hyper Light Drifter OST - Stasis Awakening
</td><td>2723</td><td>Wednesday, July 19, 2017 19:58:42</td><td>6 years ago</td></tr><tr><td><a href="BurningWakeGondola.webm">BurningWakeGondola.webm</a></td><td>Christopher Carlone - Red Dawn
</td><td>2512</td><td>Wednesday, July 19, 2017 19:58:27</td><td>6 years ago</td></tr><tr><td><a href="EternalGondola.webm">EternalGondola.webm</a></td><td>Space Force Rouge Universe OST - Explore
</td><td>2474</td><td>Wednesday, July 19, 2017 19:58:18</td><td>6 years ago</td></tr><tr><td><a href="MajorasGondola.webm">MajorasGondola.webm</a></td><td>Legend of Zelda Majora's Mask OST - Astral Observatory
</td><td>2328</td><td>Wednesday, July 19, 2017 19:58:00</td><td>6 years ago</td></tr><tr><td><a href="GondolaBeach2.webm">GondolaBeach2.webm</a></td><td>(東方) Remind of You - 「t=NODE」
</td><td>2686</td><td>Wednesday, July 19, 2017 18:25:25</td><td>6 years ago</td></tr><tr><td><a href="GondolaNighttime.webm">GondolaNighttime.webm</a></td><td>Flitz & Suppe | Ode To You
</td><td>2248</td><td>Wednesday, July 19, 2017 18:25:06</td><td>6 years ago</td></tr><tr><td><a href="CanvasGondola.webm">CanvasGondola.webm</a></td><td>Kido Yoji - City of Refuge
</td><td>2445</td><td>Wednesday, July 19, 2017 18:24:53</td><td>6 years ago</td></tr><tr><td><a href="ComputerGondola.webm">ComputerGondola.webm</a></td><td>Metal Gear Solid OST - Enclosure
</td><td>2777</td><td>Wednesday, July 19, 2017 18:24:08</td><td>6 years ago</td></tr><tr><td><a href="GondolaPlanet.webm">GondolaPlanet.webm</a></td><td>Nicklas 'Nifflas' Nygren - Join
</td><td>2291</td><td>Sunday, July 16, 2017 15:26:37</td><td>6 years ago</td></tr><tr><td><a href="ThaiGondola.webm">ThaiGondola.webm</a></td><td>Civilization V OST - Asia - Tiaw Tang
</td><td>2067</td><td>Sunday, July 16, 2017 15:26:04</td><td>6 years ago</td></tr><tr><td><a href="LongNightGondola.webm">LongNightGondola.webm</a></td><td>Eddie Vedder - Long Nights
</td><td>2201</td><td>Sunday, July 16, 2017 15:24:22</td><td>6 years ago</td></tr><tr><td><a href="NoireGondola.webm">NoireGondola.webm</a></td><td>Brakebill - Safety Meeting
</td><td>2051</td><td>Sunday, July 16, 2017 15:21:39</td><td>6 years ago</td></tr><tr><td><a href="GeometerGondola.webm">GeometerGondola.webm</a></td><td>Derek Fiechter & Brandon Fiechter - Exoplanet
</td><td>3490</td><td>Sunday, July 16, 2017 15:21:25</td><td>6 years ago</td></tr><tr><td><a href="GondolaAbode.webm">GondolaAbode.webm</a></td><td>Rie Tanaka | Chobits Ending 2 - Ningyo Hime
</td><td>4786</td><td>Sunday, July 16, 2017 15:20:03</td><td>6 years ago</td></tr><tr><td><a href="GondolaBitFire.webm">GondolaBitFire.webm</a></td><td>Righteous Brothers - Unchained Melody (8bit)
</td><td>2539</td><td>Sunday, July 16, 2017 15:19:42</td><td>6 years ago</td></tr><tr><td><a href="BeachAfternoonGondola.webm">BeachAfternoonGondola.webm</a></td><td>God is an Astronaut - First Day Of Sun
</td><td>2643</td><td>Sunday, July 16, 2017 15:11:08</td><td>6 years ago</td></tr><tr><td><a href="NeverAWord.webm">NeverAWord.webm</a></td><td>Deep Purple - Never a Word
</td><td>2145</td><td>Sunday, July 16, 2017 15:10:38</td><td>6 years ago</td></tr><tr><td><a href="GondolaAtBridge.webm">GondolaAtBridge.webm</a></td><td>Slug Memory - Coal Feather
</td><td>2769</td><td>Sunday, July 16, 2017 15:08:46</td><td>6 years ago</td></tr><tr><td><a href="MyNeighbourGondola.webm">MyNeighbourGondola.webm</a></td><td>My Neighbour Totoro OST - Ending Theme (Piano edition)
</td><td>2155</td><td>Sunday, July 16, 2017 15:08:06</td><td>6 years ago</td></tr><tr><td><a href="CodeGondola.webm">CodeGondola.webm</a></td><td>Code LYOKO OST
</td><td>2594</td><td>Sunday, July 16, 2017 15:02:00</td><td>6 years ago</td></tr><tr><td><a href="KomSusserGondola.webm">KomSusserGondola.webm</a></td><td>The End Of Evangelion - Komm Süsser Tod
</td><td>4183</td><td>Sunday, July 16, 2017 15:01:30</td><td>6 years ago</td></tr><tr><td><a href="HutongGondola.webm">HutongGondola.webm</a></td><td>Visionary 千年夢想 - S.E.N.S. 神思者 (NHK 故宮 原聲音樂)
</td><td>2131</td><td>Sunday, July 16, 2017 15:00:26</td><td>6 years ago</td></tr><tr><td><a href="GondolaCaveOfDreamsUndertale.webm">GondolaCaveOfDreamsUndertale.webm</a></td><td>Undertale OST - Quiet Water
</td><td>2528</td><td>Sunday, July 16, 2017 14:59:19</td><td>6 years ago</td></tr><tr><td><a href="WildGondola.webm">WildGondola.webm</a></td><td>In Gowan Ring - Wind That Cracks The Leaves
</td><td>2121</td><td>Sunday, July 16, 2017 14:57:27</td><td>6 years ago</td></tr><tr><td><a href="AlmostGondola.webm">AlmostGondola.webm</a></td><td>Drohves - Where We Came From
</td><td>2478</td><td>Sunday, July 16, 2017 14:57:15</td><td>6 years ago</td></tr><tr><td><a href="IShouldBeDreaming.webm">IShouldBeDreaming.webm</a></td><td>Noble Oak - Twenty Past Four
</td><td>2048</td><td>Sunday, July 16, 2017 14:56:28</td><td>6 years ago</td></tr><tr><td><a href="ParisGondola2.webm">ParisGondola2.webm</a></td><td>Metal Gear Solid V OST - Beautiful Mirage - The Vision Fades
</td><td>2123</td><td>Sunday, July 16, 2017 14:55:51</td><td>6 years ago</td></tr><tr><td><a href="GondolaHair.webm">GondolaHair.webm</a></td><td>Nujabes - Reflection Eternal
</td><td>2368</td><td>Sunday, July 16, 2017 14:55:07</td><td>6 years ago</td></tr><tr><td><a href="GondolaContemplate.webm">GondolaContemplate.webm</a></td><td>Kai Jackson - Mandala
</td><td>2469</td><td>Sunday, July 16, 2017 14:53:32</td><td>6 years ago</td></tr><tr><td><a href="GondolaCave.webm">GondolaCave.webm</a></td><td>Touhou 11: Subterranean Animism OST - Lullaby of Deserted Hell (Riverside)
</td><td>2689</td><td>Sunday, July 16, 2017 14:53:20</td><td>6 years ago</td></tr><tr><td><a href="TerrariaGondola.webm">TerrariaGondola.webm</a></td><td>Terraria OST - Ocean
</td><td>2170</td><td>Sunday, July 16, 2017 14:52:42</td><td>6 years ago</td></tr><tr><td><a href="xFilesGondola.webm">xFilesGondola.webm</a></td><td>The X-Files Theme
</td><td>2320</td><td>Sunday, July 16, 2017 14:52:31</td><td>6 years ago</td></tr><tr><td><a href="TerrifyingMoon.webm">TerrifyingMoon.webm</a></td><td>Moonsorrow - V: Hävitetty
</td><td>2002</td><td>Sunday, July 16, 2017 14:51:49</td><td>6 years ago</td></tr><tr><td><a href="StalkGondola.webm">StalkGondola.webm</a></td><td>S.T.A.L.K.E.R. OST - He was a good stalker
</td><td>2180</td><td>Sunday, July 16, 2017 14:49:43</td><td>6 years ago</td></tr><tr><td><a href="GeminiRuleGondola.webm">GeminiRuleGondola.webm</a></td><td>Gemini Rue OST - Another Day's Work
</td><td>4620</td><td>Sunday, July 16, 2017 14:49:31</td><td>6 years ago</td></tr><tr><td><a href="BalconyGondola.webm">BalconyGondola.webm</a></td><td>Soar Ymaer | Cave Story OST - T28: Balconey
</td><td>2594</td><td>Sunday, July 16, 2017 14:48:36</td><td>6 years ago</td></tr><tr><td><a href="AbstractWandering.webm">AbstractWandering.webm</a></td><td>The Dears - Where the World Begins and Ends
</td><td>3317</td><td>Sunday, July 16, 2017 14:48:26</td><td>6 years ago</td></tr><tr><td><a href="ParisGondola.webm">ParisGondola.webm</a></td><td>Ratatouille OST - End Credits
</td><td>2058</td><td>Sunday, July 16, 2017 14:47:52</td><td>6 years ago</td></tr><tr><td><a href="GirlDola.webm">GirlDola.webm</a></td><td>Hamtaro Heartbreak - Spat Tower
</td><td>3216</td><td>Sunday, July 16, 2017 14:47:31</td><td>6 years ago</td></tr><tr><td><a href="CossackGondola.webm">CossackGondola.webm</a></td><td>Hej Sokoly (Хэй, coкoлы)
</td><td>2535</td><td>Sunday, July 16, 2017 14:47:12</td><td>6 years ago</td></tr><tr><td><a href="GondolaReach.webm">GondolaReach.webm</a></td><td>Halo Reach OST - Overture
</td><td>2360</td><td>Sunday, July 16, 2017 14:46:51</td><td>6 years ago</td></tr><tr><td><a href="UndertaleGondola.webm">UndertaleGondola.webm</a></td><td>Undertale OST - Waterfall
</td><td>2096</td><td>Sunday, July 16, 2017 14:46:18</td><td>6 years ago</td></tr><tr><td><a href="ScubaGondola.webm">ScubaGondola.webm</a></td><td>Finding Nemo OST - Wow
</td><td>1928</td><td>Sunday, July 16, 2017 14:45:56</td><td>6 years ago</td></tr><tr><td><a href="ScifiGondola.webm">ScifiGondola.webm</a></td><td></td><td>2040</td><td>Sunday, July 16, 2017 14:45:26</td><td>6 years ago</td></tr><tr><td><a href="ShireGondola.webm">ShireGondola.webm</a></td><td>The Lord of the Rings: The Fellowship of the Ring - Concerning Hobbits (Guitar Cover)
</td><td>2228</td><td>Sunday, July 16, 2017 14:44:44</td><td>6 years ago</td></tr><tr><td><a href="BathTimeGondola.webm">BathTimeGondola.webm</a></td><td>Donkey Kong Country OST - Aquatic Ambiance
</td><td>2666</td><td>Sunday, July 16, 2017 14:44:22</td><td>6 years ago</td></tr><tr><td><a href="CrusadeGondola.webm">CrusadeGondola.webm</a></td><td>Kingdom Of Heaven OST - Crusaders
</td><td>2517</td><td>Sunday, July 16, 2017 14:43:52</td><td>6 years ago</td></tr><tr><td><a href="GondolaDreams.webm">GondolaDreams.webm</a></td><td>NiGHTS Journey of Dreams OST - Gate of Your Dream
</td><td>2378</td><td>Sunday, July 16, 2017 14:43:19</td><td>6 years ago</td></tr><tr><td><a href="GondolaRainy.webm">GondolaRainy.webm</a></td><td>Erik Satie - Gymnopédie No.1
</td><td>2572</td><td>Sunday, July 16, 2017 14:42:37</td><td>6 years ago</td></tr><tr><td><a href="GondolaRunescape.webm">GondolaRunescape.webm</a></td><td>Ian Taylor - Autumn Voyage
</td><td>2320</td><td>Sunday, July 16, 2017 14:42:06</td><td>6 years ago</td></tr><tr><td><a href="PinkGondola.webm">PinkGondola.webm</a></td><td>My Bloody Valentine - To Here Knows When
</td><td>1970</td><td>Sunday, July 16, 2017 14:40:20</td><td>6 years ago</td></tr><tr><td><a href="GondolaTradeMemory.webm">GondolaTradeMemory.webm</a></td><td>Ben E. King - Stand By Me
</td><td>2400</td><td>Sunday, July 16, 2017 14:39:12</td><td>6 years ago</td></tr><tr><td><a href="GondolaOddJob.webm">GondolaOddJob.webm</a></td><td>Hotline Miami OST - Knock | Scattle - Knock Knock
</td><td>2568</td><td>Sunday, July 16, 2017 14:38:26</td><td>6 years ago</td></tr><tr><td><a href="RaindropsAndGondola.webm">RaindropsAndGondola.webm</a></td><td>Katawa Shoujo OST - Raindrops and Puddles
</td><td>2189</td><td>Sunday, July 16, 2017 14:37:57</td><td>6 years ago</td></tr><tr><td><a href="GondolaDays.webm">GondolaDays.webm</a></td><td>아이유 (IU) - 마음 (Heart) instrumental version
</td><td>2322</td><td>Sunday, July 16, 2017 14:37:28</td><td>6 years ago</td></tr><tr><td><a href="AinsiParlaitGondola.webm">AinsiParlaitGondola.webm</a></td><td>Strauss - Also Sprach Zarathustra, Op. 30
</td><td>3032</td><td>Sunday, July 16, 2017 14:37:05</td><td>6 years ago</td></tr><tr><td><a href="GondolaChoiceCarLegos.webm">GondolaChoiceCarLegos.webm</a></td><td></td><td>2416</td><td>Sunday, July 16, 2017 14:36:49</td><td>6 years ago</td></tr><tr><td><a href="GondolaTiredDesertCar.webm">GondolaTiredDesertCar.webm</a></td><td>George Winston - Thanksgiving
</td><td>2296</td><td>Sunday, July 16, 2017 14:36:10</td><td>6 years ago</td></tr><tr><td><a href="GondolaDarkForestGate.webm">GondolaDarkForestGate.webm</a></td><td>Rise of Nations OST - Dark Forest
</td><td>2390</td><td>Sunday, July 16, 2017 14:34:50</td><td>6 years ago</td></tr><tr><td><a href="GondolaDriving2.webm">GondolaDriving2.webm</a></td><td>Men at Work - Down Under (midi version)
</td><td>2571</td><td>Sunday, July 16, 2017 14:34:03</td><td>6 years ago</td></tr><tr><td><a href="GondolaWizard.webm">GondolaWizard.webm</a></td><td>Mind Game OST - Grandfather
</td><td>2110</td><td>Sunday, July 16, 2017 14:33:39</td><td>6 years ago</td></tr><tr><td><a href="GondolaFlood.webm">GondolaFlood.webm</a></td><td>Friday Night Lights OST - Explosions in the sky - A Slow Dance
</td><td>2268</td><td>Sunday, July 16, 2017 14:33:27</td><td>6 years ago</td></tr><tr><td><a href="GondolaSea.webm">GondolaSea.webm</a></td><td>Danutė Neimontaitė - Vėjas man pasakė
</td><td>2236</td><td>Sunday, July 16, 2017 14:32:52</td><td>6 years ago</td></tr><tr><td><a href="GondolaChill.webm">GondolaChill.webm</a></td><td>Space Rangers 2 OST - Fei 1
</td><td>2577</td><td>Sunday, July 16, 2017 14:32:22</td><td>6 years ago</td></tr><tr><td><a href="GondolaMovie.webm">GondolaMovie.webm</a></td><td>Trigun OST - Scattered Rain
</td><td>2218</td><td>Sunday, July 16, 2017 14:32:11</td><td>6 years ago</td></tr><tr><td><a href="GondolaSpace.webm">GondolaSpace.webm</a></td><td>Lucy Rose - Shiver
</td><td>2300</td><td>Sunday, July 16, 2017 14:31:52</td><td>6 years ago</td></tr><tr><td><a href="GondolaBirthday.webm">GondolaBirthday.webm</a></td><td>Eric Clapton - Layla
</td><td>2699</td><td>Sunday, July 16, 2017 14:30:43</td><td>6 years ago</td></tr><tr><td><a href="GondolaSolemn.webm">GondolaSolemn.webm</a></td><td>Nobuo Uematsu (Final Fantasy 4 OST) - Melody of Lute
</td><td>2096</td><td>Sunday, July 16, 2017 14:30:08</td><td>6 years ago</td></tr><tr><td><a href="GondolaGaze.webm">GondolaGaze.webm</a></td><td>Rogue Legacy OST - A Shell in the Pit - Manta
</td><td>2609</td><td>Sunday, July 16, 2017 14:28:33</td><td>6 years ago</td></tr><tr><td><a href="GondolaOutcast.webm">GondolaOutcast.webm</a></td><td>Caravan Palace - Sydney
</td><td>2319</td><td>Sunday, July 16, 2017 14:28:11</td><td>6 years ago</td></tr><tr><td><a href="GondolaMoon2.webm">GondolaMoon2.webm</a></td><td>El Huervo - Express
</td><td>2387</td><td>Sunday, July 16, 2017 14:27:29</td><td>6 years ago</td></tr><tr><td><a href="GondolaSpess.webm">GondolaSpess.webm</a></td><td>David Bowie - Space Oddity [Instrumental]
</td><td>1821</td><td>Sunday, July 16, 2017 14:26:03</td><td>6 years ago</td></tr><tr><td><a href="TokyoGondola.webm">TokyoGondola.webm</a></td><td>2814 - 恢复 / Recovery - 新しい日の誕生 / Birth of a New Day
</td><td>2338</td><td>Sunday, July 16, 2017 14:24:40</td><td>6 years ago</td></tr><tr><td><a href="GondolaBathroom.webm">GondolaBathroom.webm</a></td><td>Don Ross - Catherine
</td><td>2527</td><td>Sunday, July 16, 2017 14:22:57</td><td>6 years ago</td></tr><tr><td><a href="SunlitGondola.webm">SunlitGondola.webm</a></td><td>Revolutionary Girl Utena OST - Hikarisasu Niwa - Illusion
</td><td>1993</td><td>Sunday, July 16, 2017 14:22:21</td><td>6 years ago</td></tr><tr><td><a href="BeachGondola.webm">BeachGondola.webm</a></td><td>Super Dimensional Cavalry Southern Cross OST - Walking in the Sun (unknown/original remix?)
</td><td>2662</td><td>Sunday, July 16, 2017 14:21:26</td><td>6 years ago</td></tr><tr><td><a href="Gondola79.webm">Gondola79.webm</a></td><td>SODA lite - Passion
</td><td>2679</td><td>Sunday, July 16, 2017 14:20:28</td><td>6 years ago</td></tr><tr><td><a href="MiamiSunset.webm">MiamiSunset.webm</a></td><td></td><td>2064</td><td>Sunday, July 16, 2017 14:20:18</td><td>6 years ago</td></tr><tr><td><a href="GondolaSpaceship.webm">GondolaSpaceship.webm</a></td><td>Benn Jordan - Looking Upwards
</td><td>2202</td><td>Sunday, July 16, 2017 14:19:38</td><td>6 years ago</td></tr><tr><td><a href="GondolaOvernightFlight.webm">GondolaOvernightFlight.webm</a></td><td>Dreamfall: The Longest Journey OST | Magnet - Be With You
</td><td>2213</td><td>Sunday, July 16, 2017 14:18:12</td><td>6 years ago</td></tr><tr><td><a href="GondolaField.webm">GondolaField.webm</a></td><td>Pokémon Black & White OST - Village Bridge
</td><td>2280</td><td>Sunday, July 16, 2017 14:17:39</td><td>6 years ago</td></tr><tr><td><a href="GondolaBridgeRest.webm">GondolaBridgeRest.webm</a></td><td>Katawa Shoujo OST - Afternoon
</td><td>2460</td><td>Sunday, July 16, 2017 14:17:38</td><td>6 years ago</td></tr><tr><td><a href="GondolaPath.webm">GondolaPath.webm</a></td><td>Zelda Twilight Princess OST - Kakariko Village
</td><td>2532</td><td>Sunday, July 16, 2017 14:16:43</td><td>6 years ago</td></tr><tr><td><a href="GoForthGondola.webm">GoForthGondola.webm</a></td><td>SAINT PEPSI - VANILLA PEPSI (マクロスMACROSS 82-99 Edit)
</td><td>3298</td><td>Sunday, July 16, 2017 14:15:50</td><td>6 years ago</td></tr><tr><td><a href="GondolaHouse.webm">GondolaHouse.webm</a></td><td>Fate/Stay Night Réalta Nua OST - Deep Sleep
</td><td>2233</td><td>Sunday, July 16, 2017 14:15:17</td><td>6 years ago</td></tr><tr><td><a href="DaneGondola.webm">DaneGondola.webm</a></td><td>Den Kongelige Livgardes Musikkorps - Kong Frederik d.IX's Honnørmarch
</td><td>2349</td><td>Sunday, July 16, 2017 14:14:45</td><td>6 years ago</td></tr><tr><td><a href="AncientGondola.webm">AncientGondola.webm</a></td><td>TTNG - Pygmy Polygamy
</td><td>2900</td><td>Sunday, July 16, 2017 14:14:22</td><td>6 years ago</td></tr><tr><td><a href="DolaFire.webm">DolaFire.webm</a></td><td>Final Fantasy Crystal Chronicles OST - Nostalgic Profile
</td><td>2288</td><td>Sunday, July 16, 2017 14:13:34</td><td>6 years ago</td></tr><tr><td><a href="ManuGondola.webm">ManuGondola.webm</a></td><td>Manu Chao - Me gustas tu
</td><td>2484</td><td>Sunday, July 16, 2017 14:13:05</td><td>6 years ago</td></tr><tr><td><a href="GondolaMaxPayne.webm">GondolaMaxPayne.webm</a></td><td></td><td>2345</td><td>Sunday, July 16, 2017 14:12:40</td><td>6 years ago</td></tr><tr><td><a href="ODSGondola.webm">ODSGondola.webm</a></td><td>Halo 3: ODST OST - Difference for Darkness
</td><td>2443</td><td>Sunday, July 16, 2017 14:11:16</td><td>6 years ago</td></tr><tr><td><a href="GondolaDruid.webm">GondolaDruid.webm</a></td><td>Outlander Vol. 1 OST - Bear McCreary - Fallen Through Time
</td><td>2326</td><td>Sunday, July 16, 2017 14:10:40</td><td>6 years ago</td></tr><tr><td><a href="IvanTheCrayfish.webm">IvanTheCrayfish.webm</a></td><td>Otava Yo - Ivan the crayfish
</td><td>2005</td><td>Sunday, July 16, 2017 14:10:34</td><td>6 years ago</td></tr><tr><td><a href="ShadowOfGondola.webm">ShadowOfGondola.webm</a></td><td>Shadow Of The Colossus OST - Green Hills
</td><td>2114</td><td>Sunday, July 16, 2017 14:09:41</td><td>6 years ago</td></tr><tr><td><a href="GondolaCommisar.webm">GondolaCommisar.webm</a></td><td></td><td>2476</td><td>Sunday, July 16, 2017 14:09:40</td><td>6 years ago</td></tr><tr><td><a href="GondolaStall.webm">GondolaStall.webm</a></td><td>DMX - Where The Hood At?
</td><td>2264</td><td>Sunday, July 16, 2017 14:08:16</td><td>6 years ago</td></tr><tr><td><a href="GondolaGalaxy.webm">GondolaGalaxy.webm</a></td><td>Dvorak - New World Symphony, 4th Movement
</td><td>2436</td><td>Sunday, July 16, 2017 14:05:24</td><td>6 years ago</td></tr><tr><td><a href="GondolaElevator2.webm">GondolaElevator2.webm</a></td><td>Blue States - The Winfield Audition
</td><td>2266</td><td>Sunday, July 16, 2017 14:04:30</td><td>6 years ago</td></tr><tr><td><a href="GondolaLight.webm">GondolaLight.webm</a></td><td>Simon Pyke - See Saw
</td><td>2170</td><td>Sunday, July 16, 2017 14:04:23</td><td>6 years ago</td></tr><tr><td><a href="GondolaTrance.webm">GondolaTrance.webm</a></td><td>SoundTeMP - Urtica
</td><td>2432</td><td>Sunday, July 16, 2017 14:02:19</td><td>6 years ago</td></tr><tr><td><a href="LittleGondolaFromMars.webm">LittleGondolaFromMars.webm</a></td><td>Perrey and Kingsley - The Little Girl from Mars
</td><td>1908</td><td>Sunday, July 16, 2017 14:01:46</td><td>6 years ago</td></tr><tr><td><a href="StoreGondola.webm">StoreGondola.webm</a></td><td>Yume Miri Kusuri - To the World of Dreams (Guitar cover)
</td><td>2413</td><td>Sunday, July 16, 2017 14:00:59</td><td>6 years ago</td></tr><tr><td><a href="GondolaDuel.webm">GondolaDuel.webm</a></td><td>Les Choristes OST - Sous la pluie
</td><td>2656</td><td>Sunday, July 16, 2017 14:00:01</td><td>6 years ago</td></tr><tr><td><a href="JapanGondola.webm">JapanGondola.webm</a></td><td>庭の椿 - 村松健
</td><td>2234</td><td>Sunday, July 16, 2017 14:00:00</td><td>6 years ago</td></tr><tr><td><a href="TheFireGondola.webm">TheFireGondola.webm</a></td><td>Les Choristes OST - L'incendie
</td><td>1973</td><td>Sunday, July 16, 2017 13:59:20</td><td>6 years ago</td></tr><tr><td><a href="IslandGondola.webm">IslandGondola.webm</a></td><td>Hans Zimmer | The Thin Red Line OST - God Yu Tekkem Laef Blong Mi
</td><td>2111</td><td>Sunday, July 16, 2017 13:58:38</td><td>6 years ago</td></tr><tr><td><a href="GondolaSynapses.webm">GondolaSynapses.webm</a></td><td>Farrell Wooten - Head In The Clouds
</td><td>2115</td><td>Sunday, July 16, 2017 13:57:58</td><td>6 years ago</td></tr><tr><td><a href="GondolaVator.webm">GondolaVator.webm</a></td><td>System Shock OST - Elevator Theme
</td><td>2207</td><td>Sunday, July 16, 2017 13:57:24</td><td>6 years ago</td></tr><tr><td><a href="GondolaRomaConquer.webm">GondolaRomaConquer.webm</a></td><td>Rome: Total War OST - Journey to Rome Part II
</td><td>2343</td><td>Sunday, July 16, 2017 13:57:03</td><td>6 years ago</td></tr><tr><td><a href="GondolaSunny.webm">GondolaSunny.webm</a></td><td>Blazo - Fresh Orange
</td><td>2266</td><td>Sunday, July 16, 2017 13:56:29</td><td>6 years ago</td></tr><tr><td><a href="RooftopGondola.webm">RooftopGondola.webm</a></td><td></td><td>1948</td><td>Sunday, July 16, 2017 13:56:09</td><td>6 years ago</td></tr><tr><td><a href="GondolaStore.webm">GondolaStore.webm</a></td><td>マクロスMACROSS 82-99 - スペースディスコ『82.99 FM』
</td><td>2593</td><td>Sunday, July 16, 2017 13:54:53</td><td>6 years ago</td></tr><tr><td><a href="GondolaDriving.webm">GondolaDriving.webm</a></td><td>HOME - Resonance
</td><td>2435</td><td>Sunday, July 16, 2017 13:54:44</td><td>6 years ago</td></tr><tr><td><a href="GondolaHut.webm">GondolaHut.webm</a></td><td>Monty Alexander - Love And Happiness
</td><td>2255</td><td>Sunday, July 16, 2017 13:54:22</td><td>6 years ago</td></tr><tr><td><a href="FreeGondola.webm">FreeGondola.webm</a></td><td>Timecop1983 - Drifting Away
</td><td>2386</td><td>Sunday, July 16, 2017 13:51:46</td><td>6 years ago</td></tr><tr><td><a href="SpiceAndGondola.webm">SpiceAndGondola.webm</a></td><td>Spice and Wolf OST - Tabi no Tochuu
</td><td>1984</td><td>Sunday, July 16, 2017 13:51:45</td><td>6 years ago</td></tr><tr><td><a href="RedSun.webm">RedSun.webm</a></td><td>Pilotredsun - Greetings
</td><td>2177</td><td>Sunday, July 16, 2017 13:51:06</td><td>6 years ago</td></tr><tr><td><a href="GondolaHatch.webm">GondolaHatch.webm</a></td><td>Lost OST - Make Your Own Kind of Music (8bit remix by Slow Li)
</td><td>2278</td><td>Sunday, July 16, 2017 13:49:30</td><td>6 years ago</td></tr><tr><td><a href="DwellerGondola.webm">DwellerGondola.webm</a></td><td>Waltz With Bashir OST - What Had They Done by Max Richter
</td><td>2421</td><td>Sunday, July 16, 2017 13:47:43</td><td>6 years ago</td></tr><tr><td><a href="GondolaObserve.webm">GondolaObserve.webm</a></td><td>HOME - Half Moon
</td><td>2222</td><td>Sunday, July 16, 2017 13:47:42</td><td>6 years ago</td></tr><tr><td><a href="GondolaCityBig.webm">GondolaCityBig.webm</a></td><td>Layer Cake OST - Lisa Gerrard - Aria
</td><td>2431</td><td>Sunday, July 16, 2017 13:46:40</td><td>6 years ago</td></tr><tr><td><a href="JingleGondola.webm">JingleGondola.webm</a></td><td>Wham! - Last Christmas
</td><td>2132</td><td>Sunday, July 16, 2017 13:43:14</td><td>6 years ago</td></tr><tr><td><a href="SunnyForestGondola.webm">SunnyForestGondola.webm</a></td><td>Poster states the song is original
</td><td>2000</td><td>Sunday, July 16, 2017 13:41:47</td><td>6 years ago</td></tr><tr><td><a href="GondolaTree.webm">GondolaTree.webm</a></td><td></td><td>2353</td><td>Sunday, July 16, 2017 13:41:35</td><td>6 years ago</td></tr><tr><td><a href="GondolaFuture.webm">GondolaFuture.webm</a></td><td>Gregory Semenov | Space Rangers OST - People
</td><td>2802</td><td>Sunday, July 16, 2017 13:41:27</td><td>6 years ago</td></tr><tr><td><a href="GondolaStar.webm">GondolaStar.webm</a></td><td>Boats and Birds - Gregory and the Hawk
</td><td>2213</td><td>Sunday, July 16, 2017 13:39:16</td><td>6 years ago</td></tr><tr><td><a href="Gondola3rdEye.webm">Gondola3rdEye.webm</a></td><td>Mutual Benefit - Strong River
</td><td>2598</td><td>Saturday, July 15, 2017 23:27:01</td><td>6 years ago</td></tr><tr><td><a href="TheFantasticAdventuresOfGondola.webm">TheFantasticAdventuresOfGondola.webm</a></td><td></td><td>1972</td><td>Saturday, July 15, 2017 23:25:53</td><td>6 years ago</td></tr><tr><td><a href="GondolaEndOfHistory.webm">GondolaEndOfHistory.webm</a></td><td>World's End Girlfriend - Birthday Resistance
</td><td>2622</td><td>Saturday, July 15, 2017 23:09:52</td><td>6 years ago</td></tr><tr><td><a href="TunnelGondola.webm">TunnelGondola.webm</a></td><td>Deus Ex : Human Revolution OST - Main Menu Theme
</td><td>2124</td><td>Saturday, July 15, 2017 22:40:44</td><td>6 years ago</td></tr><tr><td><a href="InterstellarGondola.webm">InterstellarGondola.webm</a></td><td>Interstellar OST | Hans Zimmer - Day One
</td><td>2115</td><td>Saturday, July 15, 2017 22:40:11</td><td>6 years ago</td></tr><tr><td><a href="GondolaMist.webm">GondolaMist.webm</a></td><td>Yoko Kanno - Mast in the Mist
</td><td>2270</td><td>Saturday, July 15, 2017 22:39:34</td><td>6 years ago</td></tr><tr><td><a href="GondolaForest.webm">GondolaForest.webm</a></td><td>TrollfesT - Gitarharding Bromleskandinav
</td><td>2240</td><td>Saturday, July 15, 2017 22:39:23</td><td>6 years ago</td></tr><tr><td><a href="GondolaksonTalvi.webm">GondolaksonTalvi.webm</a></td><td>Moomin (1990) OST - Kun Ha Minami He
</td><td>2057</td><td>Saturday, July 15, 2017 22:37:46</td><td>6 years ago</td></tr><tr><td><a href="GondolasQuest.webm">GondolasQuest.webm</a></td><td>Gargoyle's Quest - Hell Field
</td><td>2060</td><td>Saturday, July 15, 2017 22:37:22</td><td>6 years ago</td></tr><tr><td><a href="BubbleGondola.webm">BubbleGondola.webm</a></td><td>Mac DeMarco - Fish Terry
</td><td>2673</td><td>Saturday, July 15, 2017 22:36:38</td><td>6 years ago</td></tr><tr><td><a href="GnomeGondola.webm">GnomeGondola.webm</a></td><td>Locust Toybox - Gnome
</td><td>3765</td><td>Saturday, July 15, 2017 22:35:24</td><td>6 years ago</td></tr><tr><td><a href="GondolaAnts.webm">GondolaAnts.webm</a></td><td>The Beatles - Flying
</td><td>2609</td><td>Saturday, July 15, 2017 22:34:30</td><td>6 years ago</td></tr><tr><td><a href="GondolaNightTrain.webm">GondolaNightTrain.webm</a></td><td>Mitch Murder - Night Train
</td><td>2466</td><td>Saturday, July 15, 2017 22:33:29</td><td>6 years ago</td></tr><tr><td><a href="GondoIndia.webm">GondoIndia.webm</a></td><td></td><td>2759</td><td>Saturday, July 15, 2017 22:33:09</td><td>6 years ago</td></tr><tr><td><a href="GondolaHills.webm">GondolaHills.webm</a></td><td>Buckethead - Spell Of The Gypsies
</td><td>2458</td><td>Saturday, July 15, 2017 22:33:09</td><td>6 years ago</td></tr><tr><td><a href="FlyGondola.webm">FlyGondola.webm</a></td><td>Joe Hisaishi - Legend of the Wind
</td><td>2391</td><td>Saturday, July 15, 2017 22:30:48</td><td>6 years ago</td></tr><tr><td><a href="ChileanGondola.webm">ChileanGondola.webm</a></td><td>El gorro de lana (instrumental version)
</td><td>2431</td><td>Saturday, July 15, 2017 22:29:38</td><td>6 years ago</td></tr><tr><td><a href="GondolaComfy.webm">GondolaComfy.webm</a></td><td>Daft Punk - Something About Us
</td><td>2628</td><td>Saturday, July 15, 2017 22:29:22</td><td>6 years ago</td></tr><tr><td><a href="SpurdoFM.webm">SpurdoFM.webm</a></td><td>El Huervo - Daisuke
</td><td>2031</td><td>Saturday, July 15, 2017 22:28:59</td><td>6 years ago</td></tr><tr><td><a href="Stonerola.webm">Stonerola.webm</a></td><td>Yiruma - River Flows In You
</td><td>2038</td><td>Saturday, July 15, 2017 22:28:18</td><td>6 years ago</td></tr><tr><td><a href="BetterCallGondola.webm">BetterCallGondola.webm</a></td><td>Better Call Saul OST - Little Barrie
</td><td>2663</td><td>Saturday, July 15, 2017 22:27:44</td><td>6 years ago</td></tr><tr><td><a href="AfterSchoolESTime.webm">AfterSchoolESTime.webm</a></td><td>K-On! OST - Happy End
</td><td>3807</td><td>Saturday, July 15, 2017 22:26:02</td><td>6 years ago</td></tr><tr><td><a href="GondolaReflection.webm">GondolaReflection.webm</a></td><td>Tomppabeats - Whenever it rains, I feel so free
</td><td>2244</td><td>Saturday, July 15, 2017 22:25:43</td><td>6 years ago</td></tr><tr><td><a href="GondolaThought.webm">GondolaThought.webm</a></td><td>Jan A.P. Kaczmarek - Goodbye
</td><td>2221</td><td>Saturday, July 15, 2017 22:25:04</td><td>6 years ago</td></tr><tr><td><a href="GondolaWanderer.webm">GondolaWanderer.webm</a></td><td>George Davidson - Mariage d'Amour
</td><td>2183</td><td>Saturday, July 15, 2017 22:23:48</td><td>6 years ago</td></tr><tr><td><a href="GondolaSnow.webm">GondolaSnow.webm</a></td><td>Danny Elfman - Ice Dance
</td><td>2232</td><td>Saturday, July 15, 2017 22:22:55</td><td>6 years ago</td></tr><tr><td><a href="DarkGondola.webm">DarkGondola.webm</a></td><td>Dark Souls II OST - Majula
</td><td>2582</td><td>Saturday, July 15, 2017 22:21:40</td><td>6 years ago</td></tr><tr><td><a href="ComeHomeGondola.webm">ComeHomeGondola.webm</a></td><td>Wardruna - Helvegen
</td><td>2805</td><td>Saturday, July 15, 2017 22:19:38</td><td>6 years ago</td></tr><tr><td><a href="InitialGondola.webm">InitialGondola.webm</a></td><td>頭文字D 奇蹟の薔薇 高橋涼介&高橋啓介 Ver
</td><td>2106</td><td>Saturday, July 15, 2017 22:19:12</td><td>6 years ago</td></tr><tr><td><a href="DontGondola.webm">DontGondola.webm</a></td><td>Don't Starve OST - E.F.S.
</td><td>2170</td><td>Saturday, July 15, 2017 22:18:04</td><td>6 years ago</td></tr><tr><td><a href="VastGondola.webm">VastGondola.webm</a></td><td>Dustin O'Halloran - Opus 23
</td><td>2008</td><td>Saturday, July 15, 2017 22:17:14</td><td>6 years ago</td></tr><tr><td><a href="AdventureGondola.webm">AdventureGondola.webm</a></td><td>Justin Bell - Twin Elms
</td><td>3035</td><td>Saturday, July 15, 2017 22:15:38</td><td>6 years ago</td></tr><tr><td><a href="PaintingGondola.webm">PaintingGondola.webm</a></td><td>Ib OST - "Memory" (Ib's Theme / Title Song)
</td><td>1986</td><td>Saturday, July 15, 2017 22:13:51</td><td>6 years ago</td></tr><tr><td><a href="BerserkGondola.webm">BerserkGondola.webm</a></td><td>Berserk OST - Guts
</td><td>2680</td><td>Saturday, July 15, 2017 22:12:58</td><td>6 years ago</td></tr><tr><td><a href="DustyDesert.webm">DustyDesert.webm</a></td><td></td><td>2353</td><td>Saturday, July 15, 2017 22:11:30</td><td>6 years ago</td></tr><tr><td><a href="SpurdoLand.webm">SpurdoLand.webm</a></td><td>Final Fantasy X OST - To Zanarkand
</td><td>2181</td><td>Saturday, July 15, 2017 22:08:43</td><td>6 years ago</td></tr><tr><td><a href="GondolaEarth.webm">GondolaEarth.webm</a></td><td>Skeeter Davis - The End of the World
</td><td>2345</td><td>Saturday, July 15, 2017 22:08:32</td><td>6 years ago</td></tr><tr><td><a href="GondolaMedicine.webm">GondolaMedicine.webm</a></td><td>Daughter - Medicine (JoJi remix)
</td><td>2242</td><td>Saturday, July 15, 2017 22:08:12</td><td>6 years ago</td></tr><tr><td><a href="GondoBraid.webm">GondoBraid.webm</a></td><td>Braid OST - Lullaby Set
</td><td>2901</td><td>Saturday, July 15, 2017 22:07:56</td><td>6 years ago</td></tr><tr><td><a href="GondolaBeachDay.webm">GondolaBeachDay.webm</a></td><td>Astro Age Steel Orchestra - Look For A Star
</td><td>2511</td><td>Saturday, July 15, 2017 22:05:04</td><td>6 years ago</td></tr><tr><td><a href="LostInGondola.webm">LostInGondola.webm</a></td><td>Avantasia - Lost in Space
</td><td>2061</td><td>Saturday, July 15, 2017 22:02:06</td><td>6 years ago</td></tr><tr><td><a href="HomeGondola.webm">HomeGondola.webm</a></td><td>In Flames - Your Bedtime Story is Scaring Everyone
</td><td>2168</td><td>Saturday, July 15, 2017 22:01:08</td><td>6 years ago</td></tr><tr><td><a href="GondolaEternity.webm">GondolaEternity.webm</a></td><td>Clannad OST - The Girl's Fantasy
</td><td>2455</td><td>Saturday, July 15, 2017 22:00:18</td><td>6 years ago</td></tr><tr><td><a href="LetterToGondana.webm">LetterToGondana.webm</a></td><td>Sonata Arctica - Letter to Dana
</td><td>1857</td><td>Saturday, July 15, 2017 21:59:23</td><td>6 years ago</td></tr><tr><td><a href="GondolamanX.webm">GondolamanX.webm</a></td><td>Makeup & Vanity Set Presents: The Protomen - Vengeance?
</td><td>2229</td><td>Saturday, July 15, 2017 21:58:44</td><td>6 years ago</td></tr><tr><td><a href="GondolaFell.webm">GondolaFell.webm</a></td><td>Dissection - Feather's Fell
</td><td>2254</td><td>Saturday, July 15, 2017 21:57:24</td><td>6 years ago</td></tr><tr><td><a href="GondolaFarewell.webm">GondolaFarewell.webm</a></td><td>Avantasia - Farewell
</td><td>2405</td><td>Saturday, July 15, 2017 21:56:49</td><td>6 years ago</td></tr><tr><td><a href="GondolaDog.webm">GondolaDog.webm</a></td><td>Undertale OST - Dogsong
</td><td>2408</td><td>Saturday, July 15, 2017 21:56:37</td><td>6 years ago</td></tr><tr><td><a href="GondolaRises.webm">GondolaRises.webm</a></td><td>The Wind Rises OST - An Unexpected Meeting
</td><td>2212</td><td>Saturday, July 15, 2017 21:47:12</td><td>6 years ago</td></tr><tr><td><a href="GondolaUnderground.webm">GondolaUnderground.webm</a></td><td>Klub des Loosers - Avec les larmes
</td><td>2197</td><td>Saturday, July 15, 2017 21:46:23</td><td>6 years ago</td></tr><tr><td><a href="GondolaStares.webm">GondolaStares.webm</a></td><td></td><td>1846</td><td>Saturday, July 15, 2017 21:44:25</td><td>6 years ago</td></tr><tr><td><a href="GondolaStorybook.webm">GondolaStorybook.webm</a></td><td>Super Mario Galaxy OST - Sad Story
</td><td>2251</td><td>Saturday, July 15, 2017 21:43:20</td><td>6 years ago</td></tr><tr><td><a href="GondolaParfum.webm">GondolaParfum.webm</a></td><td>Mostly Autumn - Carpe Diem
</td><td>2188</td><td>Saturday, July 15, 2017 21:43:12</td><td>6 years ago</td></tr><tr><td><a href="UnderwaterGondola.webm">UnderwaterGondola.webm</a></td><td>Aria the Animation OST - Samba de Aqua
</td><td>2049</td><td>Saturday, July 15, 2017 21:39:04</td><td>6 years ago</td></tr><tr><td><a href="Gondola1999.webm">Gondola1999.webm</a></td><td>Area 51 - Message From Another Time (Mika Thorwine Rework)
</td><td>2932</td><td>Saturday, July 15, 2017 21:38:40</td><td>6 years ago</td></tr><tr><td><a href="DontTheyKnowGondola.webm">DontTheyKnowGondola.webm</a></td><td>Skeeter Davis - The End Of The World
</td><td>2308</td><td>Saturday, July 15, 2017 21:38:15</td><td>6 years ago</td></tr><tr><td><a href="CampfireGondola.webm">CampfireGondola.webm</a></td><td>Godspeed You! Black Emperor - F# A# ∞ - Dead Flag Blues (ending segment)
</td><td>3378</td><td>Saturday, July 15, 2017 21:20:15</td><td>6 years ago</td></tr><tr><td><a href="SpaceGondola.webm">SpaceGondola.webm</a></td><td>Arvo Pärt - Spiegel im Spiegel
</td><td>2046</td><td>Saturday, July 15, 2017 21:19:44</td><td>6 years ago</td></tr><tr><td><a href="GondolaGame.webm">GondolaGame.webm</a></td><td>Pokémon Gold/Silver/Crystal OST - Game Corner
</td><td>2395</td><td>Saturday, July 15, 2017 21:19:22</td><td>6 years ago</td></tr><tr><td><a href="WW2Gondola.webm">WW2Gondola.webm</a></td><td></td><td>1618</td><td>Saturday, July 15, 2017 21:18:51</td><td>6 years ago</td></tr><tr><td><a href="BritishGondola.webm">BritishGondola.webm</a></td><td>Georg Friedrich Händel - The Arrival of the Queen of Sheba
</td><td>2590</td><td>Saturday, July 15, 2017 21:18:04</td><td>6 years ago</td></tr><tr><td><a href="WindmillGondola.webm">WindmillGondola.webm</a></td><td>Heroes of Might and Magic OST - Magnificent Field
</td><td>2081</td><td>Saturday, July 15, 2017 21:17:41</td><td>6 years ago</td></tr><tr><td><a href="GondolaHide.webm">GondolaHide.webm</a></td><td>Tangerine Dream - Love On A Real Train
</td><td>2276</td><td>Saturday, July 15, 2017 21:17:15</td><td>6 years ago</td></tr><tr><td><a href="KingGondola.webm">KingGondola.webm</a></td><td>Konga Conga Kappa (King Conga Remix) | Crypt of the Necrodancer - Girlfriend Records
</td><td>2122</td><td>Saturday, July 15, 2017 21:16:49</td><td>6 years ago</td></tr><tr><td><a href="GondolaDarkNight.webm">GondolaDarkNight.webm</a></td><td>Corpse Party 98 OST - Sad Theme
</td><td>2433</td><td>Saturday, July 15, 2017 21:16:15</td><td>6 years ago</td></tr><tr><td><a href="Spacedola13.webm">Spacedola13.webm</a></td><td>Solus - Endless Space
</td><td>2265</td><td>Saturday, July 15, 2017 21:15:27</td><td>6 years ago</td></tr><tr><td><a href="MistyGondola.webm">MistyGondola.webm</a></td><td>Alasdair Fraser, Natalie Haas - Shetland Set
</td><td>1977</td><td>Saturday, July 15, 2017 21:12:33</td><td>6 years ago</td></tr><tr><td><a href="MyGondola.webm">MyGondola.webm</a></td><td>World of Warcraft Wrath of the Lich King OST - Arthas, My Son
</td><td>2400</td><td>Saturday, July 15, 2017 21:12:13</td><td>6 years ago</td></tr><tr><td><a href="EuroGondola.webm">EuroGondola.webm</a></td><td>Bloodhound Gang - The Bad Touch
</td><td>2491</td><td>Saturday, July 15, 2017 21:09:19</td><td>6 years ago</td></tr><tr><td><a href="Gondula.webm">Gondula.webm</a></td><td>Concerto For Philodendron & Pothos - Mort garson - Plantasia
</td><td>2166</td><td>Saturday, July 15, 2017 20:33:22</td><td>6 years ago</td></tr><tr><td><a href="AriaSailingGondola.webm">AriaSailingGondola.webm</a></td><td>Aria The Natural OST - Yuunagi
</td><td>3203</td><td>Saturday, July 15, 2017 20:32:38</td><td>6 years ago</td></tr><tr><td><a href="DesertGondola.webm">DesertGondola.webm</a></td><td>Derek Fiechter - Cobra Desert
</td><td>2267</td><td>Saturday, July 15, 2017 20:32:22</td><td>6 years ago</td></tr><tr><td><a href="ShowerGondola.webm">ShowerGondola.webm</a></td><td>Yann Tiersen - La Valse d'Amélie
</td><td>1972</td><td>Saturday, July 15, 2017 20:32:09</td><td>6 years ago</td></tr><tr><td><a href="MapleStoryGondola.webm">MapleStoryGondola.webm</a></td><td>MapleStory OST - On The Ship
</td><td>2029</td><td>Saturday, July 15, 2017 20:31:07</td><td>6 years ago</td></tr><tr><td><a href="GondolaBitRiver.webm">GondolaBitRiver.webm</a></td><td>Pokémon X & Y OST - An Unwavering Heart
</td><td>2541</td><td>Saturday, July 15, 2017 20:30:53</td><td>6 years ago</td></tr><tr><td><a href="GondolaPastPresent.webm">GondolaPastPresent.webm</a></td><td>New Order - Elegia
</td><td>2241</td><td>Saturday, July 15, 2017 20:30:30</td><td>6 years ago</td></tr><tr><td><a href="GondolaVivaForgottenVols.webm">GondolaVivaForgottenVols.webm</a></td><td></td><td>2157</td><td>Saturday, July 15, 2017 20:29:57</td><td>6 years ago</td></tr><tr><td><a href="NonGondoleanGeometry.webm">NonGondoleanGeometry.webm</a></td><td>Middens OST - Fade to Black
</td><td>1961</td><td>Saturday, July 15, 2017 20:29:20</td><td>6 years ago</td></tr><tr><td><a href="GondolaSummit.webm">GondolaSummit.webm</a></td><td>MerryberryMusic | Steven Universe OST - Mirror Gem (Music Box Version)
</td><td>2235</td><td>Saturday, July 15, 2017 20:28:37</td><td>6 years ago</td></tr><tr><td><a href="OrbisGondola.webm">OrbisGondola.webm</a></td><td>Dead Can Dance - Orbis De Ignis
</td><td>1905</td><td>Saturday, July 15, 2017 20:28:26</td><td>6 years ago</td></tr><tr><td><a href="SnowyGondola.webm">SnowyGondola.webm</a></td><td>The Witcher OST - Silver Sword
</td><td>1959</td><td>Saturday, July 15, 2017 20:28:14</td><td>6 years ago</td></tr><tr><td><a href="GondolanBeauty.webm">GondolanBeauty.webm</a></td><td>Thomas Newman - Any Other Name
</td><td>2048</td><td>Saturday, July 15, 2017 20:27:52</td><td>6 years ago</td></tr><tr><td><a href="Abyssola.webm">Abyssola.webm</a></td><td>Battlestar Galactica OST - Kobol's Last Gleaming
</td><td>3430</td><td>Saturday, July 15, 2017 20:27:39</td><td>6 years ago</td></tr><tr><td><a href="NorthKoreaGondola.webm">NorthKoreaGondola.webm</a></td><td>Waltz of the Partisans, Dziś do ciebie przyjść nie mogę
</td><td>1963</td><td>Saturday, July 15, 2017 20:24:01</td><td>6 years ago</td></tr><tr><td><a href="BalladGondola.webm">BalladGondola.webm</a></td><td>8bit Betty - And I Know That You're Happy (Ballad of The Lonesome Spaceboy)
</td><td>2522</td><td>Saturday, July 15, 2017 20:23:45</td><td>6 years ago</td></tr><tr><td><a href="GondolaHome.webm">GondolaHome.webm</a></td><td>Wallace & Gromit - Theme
</td><td>2240</td><td>Saturday, July 15, 2017 20:22:25</td><td>6 years ago</td></tr><tr><td><a href="GondolaGrasp.webm">GondolaGrasp.webm</a></td><td>WoW OST - Winter's Grasp
</td><td>2292</td><td>Saturday, July 15, 2017 20:22:00</td><td>6 years ago</td></tr><tr><td><a href="GondolaInWater.webm">GondolaInWater.webm</a></td><td>Opitope - An White Drop of Morning Dew
</td><td>2151</td><td>Saturday, July 15, 2017 20:21:38</td><td>6 years ago</td></tr><tr><td><a href="FireGondola.webm">FireGondola.webm</a></td><td></td><td>2199</td><td>Saturday, July 15, 2017 20:21:24</td><td>6 years ago</td></tr><tr><td><a href="GondolaWater.webm">GondolaWater.webm</a></td><td>Crash Test Dummies - Untitled
</td><td>2163</td><td>Saturday, July 15, 2017 20:19:37</td><td>6 years ago</td></tr><tr><td><a href="GondolaConcrete.webm">GondolaConcrete.webm</a></td><td>Jussi Björling - Ack Värmeland du sköna
</td><td>2552</td><td>Saturday, July 15, 2017 20:19:22</td><td>6 years ago</td></tr><tr><td><a href="BGondola.webm">BGondola.webm</a></td><td>Bertha - Theme (Instrumental)
</td><td>2520</td><td>Saturday, July 15, 2017 20:19:00</td><td>6 years ago</td></tr><tr><td><a href="GondolaStreet.webm">GondolaStreet.webm</a></td><td>Henry Mancini - Spook!
</td><td>2254</td><td>Saturday, July 15, 2017 20:18:08</td><td>6 years ago</td></tr><tr><td><a href="SteppeGondola.webm">SteppeGondola.webm</a></td><td>Tengger Cavalry - Homeland Song
</td><td>1990</td><td>Saturday, July 15, 2017 20:17:58</td><td>6 years ago</td></tr><tr><td><a href="AdiagoForGondola.webm">AdiagoForGondola.webm</a></td><td>DJ Tiesto - Adagio For Strings
</td><td>3314</td><td>Saturday, July 15, 2017 20:17:26</td><td>6 years ago</td></tr><tr><td><a href="PainfulGondola.webm">PainfulGondola.webm</a></td><td>Lisa OST - Summer Love (Slow Version)
</td><td>2026</td><td>Saturday, July 15, 2017 20:17:08</td><td>6 years ago</td></tr><tr><td><a href="GondolaAnimeInside.webm">GondolaAnimeInside.webm</a></td><td>萌ジャズ Dreamer (BOSSA NOVA ver)
</td><td>2940</td><td>Saturday, July 15, 2017 20:16:02</td><td>6 years ago</td></tr><tr><td><a href="Gundola.webm">Gundola.webm</a></td><td>トップをねらえ! D弐 47:時の河を越えて...
</td><td>2177</td><td>Saturday, July 15, 2017 20:15:50</td><td>6 years ago</td></tr><tr><td><a href="MovieGondola.webm">MovieGondola.webm</a></td><td>冬木透 - MAT (Ultraman Jack BGM - MAT Theme)
</td><td>1875</td><td>Saturday, July 15, 2017 20:15:24</td><td>6 years ago</td></tr><tr><td><a href="MorningGondola.webm">MorningGondola.webm</a></td><td>Nichijou OST - Love teki ~Kodomo~
</td><td>2131</td><td>Saturday, July 15, 2017 20:15:08</td><td>6 years ago</td></tr><tr><td><a href="GondolaAnime.webm">GondolaAnime.webm</a></td><td>Kotoura-san OST - Tsurupeta
</td><td>2696</td><td>Saturday, July 15, 2017 20:14:50</td><td>6 years ago</td></tr><tr><td><a href="GondolaRetro.webm">GondolaRetro.webm</a></td><td>Com Truise - Flightwave
</td><td>2238</td><td>Saturday, July 15, 2017 20:14:05</td><td>6 years ago</td></tr><tr><td><a href="GondolaMetro.webm">GondolaMetro.webm</a></td><td>Kraftwerk - Computer Love
</td><td>2275</td><td>Saturday, July 15, 2017 20:12:21</td><td>6 years ago</td></tr><tr><td><a href="Gringola.webm">Gringola.webm</a></td><td>Max Payne 3 OST: Health - Tears
</td><td>2776</td><td>Saturday, July 15, 2017 20:12:05</td><td>6 years ago</td></tr><tr><td><a href="GondolaOfTheMountains.webm">GondolaOfTheMountains.webm</a></td><td>Music: Antonín Dvořák - Symphony No. 9 in E minor, opus 95, 'From the New World' II Largo | Painting: Albert Bierstadt, "Among the Sierra Nevada Mountains, California" (1868)
</td><td>2496</td><td>Saturday, July 15, 2017 20:11:20</td><td>6 years ago</td></tr><tr><td><a href="GondolaGetsAFriend.webm">GondolaGetsAFriend.webm</a></td><td>The Legend of Zelda: Skyward Sword OST - Zelda's Lullaby
</td><td>2659</td><td>Saturday, July 15, 2017 20:10:47</td><td>6 years ago</td></tr><tr><td><a href="GondolaSky.webm">GondolaSky.webm</a></td><td>Aria The Natural OST - Yuunagi
</td><td>2402</td><td>Saturday, July 15, 2017 20:09:56</td><td>6 years ago</td></tr><tr><td><a href="StargazeGondola.webm">StargazeGondola.webm</a></td><td>To The Moon OST - For River - Piano (Johnny's Version)
</td><td>1929</td><td>Saturday, July 15, 2017 20:09:00</td><td>6 years ago</td></tr><tr><td><a href="GondolaPokeTrain.webm">GondolaPokeTrain.webm</a></td><td>Pokemon Silver/Gold/Crystal OST - National Park
</td><td>1786</td><td>Friday, June 23, 2017 22:19:24</td><td>6 years ago</td></tr><tr><td><a href="GondolaEden.webm">GondolaEden.webm</a></td><td>Iemitsu - Blikje Phantasm (東方)
</td><td>2332</td><td>Friday, June 23, 2017 18:07:34</td><td>6 years ago</td></tr><tr><td><a href="GondolaPierWithYou.webm">GondolaPierWithYou.webm</a></td><td>Deadly Premonition OST - Life is Beautiful
</td><td>2137</td><td>Thursday, June 22, 2017 22:40:26</td><td>6 years ago</td></tr><tr><td><a href="GondolaIsland2.webm">GondolaIsland2.webm</a></td><td>Bioshock Infinite OST
</td><td>2202</td><td>Thursday, June 22, 2017 22:39:30</td><td>6 years ago</td></tr><tr><td><a href="FourSeasonsOfGondola.webm">FourSeasonsOfGondola.webm</a></td><td>Christopher Carlone - Chapters - The Seasons Pass
</td><td>2475</td><td>Sunday, April 09, 2017 03:05:01</td><td>6 years ago</td></tr><tr><td><a href="GondolaAtmosphere.webm">GondolaAtmosphere.webm</a></td><td>Joy Division - Atmosphere
</td><td>2561</td><td>Wednesday, April 05, 2017 19:45:32</td><td>6 years ago</td></tr><tr><td><a href="GondolaToGod.webm">GondolaToGod.webm</a></td><td>Tomaso Albinoni - Adagio in G minor
</td><td>2427</td><td>Tuesday, March 14, 2017 09:34:06</td><td>6 years ago</td></tr><tr><td><a href="MejicoGondola.webm">MejicoGondola.webm</a></td><td></td><td>1942</td><td>Thursday, February 16, 2017 07:03:59</td><td>6 years ago</td></tr><tr><td><a href="GondolaLavenderTown.webm">GondolaLavenderTown.webm</a></td><td>Pokémon - Lavender Town (Piano version)
</td><td>2244</td><td>Sunday, February 05, 2017 00:31:15</td><td>6 years ago</td></tr><tr><td><a href="HouseWojakPepe.webm">HouseWojakPepe.webm</a></td><td>Tahiti Boy & Mr. Oizo - Palmtree
</td><td>2114</td><td>Thursday, February 02, 2017 01:28:16</td><td>6 years ago</td></tr><tr><td><a href="GondolaMarioWater.webm">GondolaMarioWater.webm</a></td><td>Super Mario 64 OST - Dire, Dire Docks
</td><td>2290</td><td>Sunday, January 22, 2017 21:01:07</td><td>6 years ago</td></tr><tr><td><a href="GondolaInvader.webm">GondolaInvader.webm</a></td><td></td><td>2446</td><td>Saturday, January 07, 2017 07:28:08</td><td>6 years ago</td></tr><tr><td><a href="GondolaUnderwater.webm">GondolaUnderwater.webm</a></td><td>Lawrence English - Coprinus Comatus
</td><td>2123</td><td>Tuesday, January 03, 2017 15:43:06</td><td>6 years ago</td></tr><tr><td><a href="2025Gondola.webm">2025Gondola.webm</a></td><td>Garoad - Who Was I?
</td><td>3908</td><td>Saturday, December 31, 2016 14:41:42</td><td>6 years ago</td></tr><tr><td><a href="ToCatchAGondola.webm">ToCatchAGondola.webm</a></td><td>Casablanca OST | Frank Sinatra - As Time Goes By
</td><td>1888</td><td>Monday, October 03, 2016 05:38:32</td><td>7 years ago</td></tr><tr><td><a href="DaphnisAndChloeGondola.webm">DaphnisAndChloeGondola.webm</a></td><td>Daphnis et Chloé - Ravel - Dutoit
</td><td>2116</td><td>Monday, October 03, 2016 05:37:10</td><td>7 years ago</td></tr><tr><td><a href="PaleRedDotDola.webm">PaleRedDotDola.webm</a></td><td>The Legend of Zelda Ocarina of Time OST - Title Theme (piano cover by Kaelum Ross)
</td><td>2054</td><td>Monday, October 03, 2016 05:31:56</td><td>7 years ago</td></tr><tr><td><a href="IntoTheMightyLight.webm">IntoTheMightyLight.webm</a></td><td>Letters From Iwo Jima OST - Main Titles
</td><td>1970</td><td>Monday, October 03, 2016 05:18:06</td><td>7 years ago</td></tr><tr><td><a href="GondolaIceBergTitanic.webm">GondolaIceBergTitanic.webm</a></td><td>James Horner - Death Of Titanic
</td><td>2172</td><td>Monday, October 03, 2016 05:13:40</td><td>7 years ago</td></tr><tr><td><a href="GondolaBucketHead.webm">GondolaBucketHead.webm</a></td><td></td><td>2228</td><td>Monday, October 03, 2016 05:06:54</td><td>7 years ago</td></tr><tr><td><a href="WitcherGondola2.webm">WitcherGondola2.webm</a></td><td>The Witcher 3: Wild Hunt OST - The Fields of Ard Skellig
</td><td>3373</td><td>Tuesday, September 13, 2016 18:01:07</td><td>7 years ago</td></tr><tr><td><a href="GondolaStarbound.webm">GondolaStarbound.webm</a></td><td>Starbound OST - Starbound (Main menu theme)
</td><td>2205</td><td>Tuesday, June 28, 2016 00:25:20</td><td>7 years ago</td></tr><tr><td><a href="GondolaAndTheBeingsFromBeyond.webm">GondolaAndTheBeingsFromBeyond.webm</a></td><td>Ecce Homo qui est faba | The Mr. Bean Show OST - Theme
</td><td>2480</td><td>Tuesday, June 28, 2016 00:22:20</td><td>7 years ago</td></tr><tr><td><a href="GondolaToOrbis.webm">GondolaToOrbis.webm</a></td><td>MapleStory OST - The Forest North of Ellinia
</td><td>2198</td><td>Saturday, June 11, 2016 06:14:44</td><td>7 years ago</td></tr><tr><td><a href="GondolaPersona.webm">GondolaPersona.webm</a></td><td>Persona 4 - I'll Face Myself
</td><td>2223</td><td>Saturday, June 11, 2016 06:11:26</td><td>7 years ago</td></tr><tr><td><a href="DepressionGondola.webm">DepressionGondola.webm</a></td><td>Elfen Lied OST - Shinkai
</td><td>2448</td><td>Wednesday, June 08, 2016 01:51:04</td><td>7 years ago</td></tr><tr><td><a href="SaltFlatsGondola.webm">SaltFlatsGondola.webm</a></td><td>William Basinksi - El Camino Real
</td><td>1947</td><td>Wednesday, June 08, 2016 01:50:40</td><td>7 years ago</td></tr><tr><td><a href="GondolaTravelingThroughSpacetime.webm">GondolaTravelingThroughSpacetime.webm</a></td><td>Philip Glass - Pruit Igloe
</td><td>2316</td><td>Wednesday, June 08, 2016 01:48:56</td><td>7 years ago</td></tr><tr><td><a href="FrostyTheGondola.webm">FrostyTheGondola.webm</a></td><td>Agalloch - To Drown
</td><td>8090</td><td>Wednesday, June 08, 2016 01:41:08</td><td>7 years ago</td></tr><tr><td><a href="GondolaInTheRainyTrees.webm">GondolaInTheRainyTrees.webm</a></td><td>Erik Satie - Gymnopédie No.1
</td><td>2346</td><td>Wednesday, June 08, 2016 01:28:02</td><td>7 years ago</td></tr><tr><td><a href="OuroGondola.webm">OuroGondola.webm</a></td><td>Red Dwarf OST - Lost in Space (Ouroboros)
</td><td>1895</td><td>Wednesday, June 08, 2016 01:26:10</td><td>7 years ago</td></tr><tr><td><a href="Lostdola.webm">Lostdola.webm</a></td><td>A Silver Mt. Zion - Blown-out Joy From Heaven's Mercied Hole
</td><td>2027</td><td>Wednesday, June 08, 2016 01:23:10</td><td>7 years ago</td></tr><tr><td><a href="AquaticGondola.webm">AquaticGondola.webm</a></td><td>Super Bomberman 3 OST - BGM 3
</td><td>2787</td><td>Wednesday, June 08, 2016 01:20:50</td><td>7 years ago</td></tr><tr><td><a href="GondolaByFireLight.webm">GondolaByFireLight.webm</a></td><td>Theology/Civilization - Conan the Barbarian Theme (Basil Poledouris)
</td><td>2389</td><td>Tuesday, June 07, 2016 22:22:38</td><td>7 years ago</td></tr><tr><td><a href="GondolaDarkStreetLight.webm">GondolaDarkStreetLight.webm</a></td><td>Dune - Hardcore Vibes (remix)
</td><td>2315</td><td>Tuesday, June 07, 2016 20:31:16</td><td>7 years ago</td></tr><tr><td><a href="SpaceGondolaMoon.webm">SpaceGondolaMoon.webm</a></td><td>Nosaj Thing - Prelude
</td><td>2020</td><td>Tuesday, June 07, 2016 20:29:00</td><td>7 years ago</td></tr><tr><td><a href="CosmosGondola.webm">CosmosGondola.webm</a></td><td>Katamari Damacy OST - Lovely Angel
</td><td>2770</td><td>Thursday, January 21, 2016 22:59:31</td><td>7 years ago</td></tr><tr><td><a href="GondolaBus.webm">GondolaBus.webm</a></td><td>Antonio Vivaldi - Four Seasons (Winter, 3rd movement: Allegro)
</td><td>2450</td><td>Monday, January 18, 2016 09:02:57</td><td>7 years ago</td></tr><tr><td><a href="GondolaBox.webm">GondolaBox.webm</a></td><td>Portal 2 OST Volume 2 - PotatOS Lament
</td><td>2704</td><td>Sunday, November 22, 2015 08:21:04</td><td>8 years ago</td></tr><tr><td><a href="GondolaForSnes.webm">GondolaForSnes.webm</a></td><td>Andy Bogard - VG Cover Junkies
</td><td>2325</td><td>Sunday, November 22, 2015 08:21:01</td><td>8 years ago</td></tr><tr><td><a href="RainyGondola.webm">RainyGondola.webm</a></td><td></td><td>2248</td><td>Sunday, November 22, 2015 08:20:59</td><td>8 years ago</td></tr><tr><td><a href="GondolaFunk.webm">GondolaFunk.webm</a></td><td>Harrison - Private Party
</td><td>2747</td><td>Wednesday, November 18, 2015 05:25:12</td><td>8 years ago</td></tr></tbody></table><hr><div class="navLinks navLinksBot desktop">[<a href="https://disqus.com/home/forum/evo-1/">View All Comments</a>][<a href="/random" title="Redirects to a random Gondola">Random</a>][<a href="/random-raw" title="Redirects to a random Gondola video stream">Random Raw</a>][<a href="#top">Top</a>]</div><hr class="desktop"><div class="navLinks mobile"><span class="mobileib button"><a href="https://disqus.com/home/forum/evo-1/">View All Comments</a></span><span class="mobileib button"><a href="/random" title="Redirects to a random Gondola">Random</a></span><span class="mobileib button"><a href="/random-raw" title="Redirects to a random Gondola video stream">Random Raw</a></span><span class="mobileib button"><a href="#top">Top</a></span></div><hr class="mobile"><div class="cssDropdown"><span class="stylechanger">Style: <select id="swapCSS" onchange="swapCSS()"><option value="/files/css/yotsuba.css">Yotsuba</option><option value="/files/css/yotsublue.css">Yotsuba Blue</option></select></span></div><div id="bottom"><br><br><br><strong>[<a href="/files/misc/updates.txt">Website Updates</a>]<br></strong><strong>EN: All content is hosted and presented as is, and any views, expressions, or content found within are reflective of the original creator, and not of the hoster or hosting platform or provider. All content found on this website is in theory safe for general viewing, and does not contain adult or NSFW content.</strong><br><br><strong>FR: Tous les contenus sont hébergés et présentés en l'état, et toutes les opinions, expressions ou contenus qui s'y trouvent reflètent le créateur original, et non l'hébergeur ou la plateforme d'hébergement ou le fournisseur. Tout le contenu de ce site web est en théorie sans danger pour le grand public et ne contient pas de contenu pour adultes ou NSFW.</strong><br><br><strong>DE: Alle Inhalte werden so gehostet und präsentiert, wie sie sind, und alle Ansichten, Ausdrücke oder Inhalte, die darin zu finden sind, spiegeln die Meinung des ursprünglichen Erstellers wider und nicht die des Hosters oder der Hosting-Plattform oder des Providers. Alle Inhalte, die auf dieser Website zu finden sind, sind theoretisch sicher für die allgemeine Betrachtung und enthalten keine Inhalte für Erwachsene oder NSFW.</strong><br><br><strong>FI: Kaikkea sisältöä isännöidään ja esitetään sellaisenaan, ja kaikki sisällössä esiintyvät näkemykset, ilmaisut tai sisältö heijastavat alkuperäistä tekijää, ei isännöitsijää tai isännöintialustaa tai -palveluntarjoajaa. Kaikki tällä verkkosivustolla oleva sisältö on teoriassa turvallista yleistä katselua varten, eikä se sisällä aikuisten tai NSFW-sisältöä.</strong><br><br><strong>SE: Allt innehåll hostas och presenteras som det är, och alla åsikter, uttryck eller innehåll som finns där återspeglar den ursprungliga skaparen, och inte hostern eller hostingplattformen eller leverantören. Allt innehåll som finns på denna webbplats är i teorin säkert för allmän visning och innehåller inte vuxen- eller NSFW-innehåll.</strong><br><br></div><script type="text/javascript">function swapCSS() { var x = document.getElementById("swapCSS").value; document.getElementById("pageStyle").setAttribute("href", x); }</script><script type="text/javascript" src="/files/js/sorttable.js"></script></body></html> | All Gondolas - GondolaArchive/gs/ - gondola.stravers[View All Comments](https://disqus.com/home/forum/evo-1/)[Random](/random "Redirects to a random Gondola")[Random Raw](/random-raw "Redirects to a random Gondola video stream")[Bottom](#bottom)
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#### [[What is Gondola?](https://knowyourmeme.com/memes/gondola)]Videos can be looped in most browsers: right-click + loopVideos normally autoplay.If you click Next (ordered) autoplay will play sequentially, if you click Next (random) autoplay will play in random order.**Gondola suggestions, music sources, errors, other comments:** [email protected][[RSS Feed with latest 10 videos](https://gondola.nabein.me/files/rss.xml)]
#### There are 1726 Gondolas in this archive. 86.56% of Gondolas have a source.
| Gondola Name | Source | Views | Date Added | Ago |
| <KuariGondo.mp4> | Austin Farwell - Magic Moments
| 78 | Thursday, December 14, 2023 18:36:07 | 1 week ago |
| <GondolaCityNight.webm> | Konami Kukeiha Club - MISSION 307
| 81 | Friday, December 01, 2023 18:38:03 | 3 weeks ago |
| <SpiritedAwayTrainSceneGondola.mp4> | Joe Hisaishi - The Sixth Station
| 167 | Wednesday, November 15, 2023 15:06:38 | 1 month ago |
| <TotoroAndGondolaInTree.mp4> | | 91 | Tuesday, November 14, 2023 19:16:49 | 1 month ago |
| <OneMoreGondolaTillSleep.webm> | | 131 | Sunday, October 29, 2023 23:17:45 | 1 month ago |
| <GondolaHarmony.webm> | Trevor Kowalski - Late Nights in Harmony
| 101 | Thursday, October 26, 2023 17:27:07 | 2 months ago |
| <GondolaHOTRS.webm> | https://www.youtube.com/watch?v=KBeTtawWClE (House Of The Rising Sun -- piano cover)
| 90 | Monday, October 23, 2023 06:28:59 | 2 months ago |
| <TrappedGondola.webm> | Tieff - Sense of Nostalgia
| 77 | Sunday, October 22, 2023 20:07:28 | 2 months ago |
| <GondolaCafe.webm> | Euro Koivistoinen - For Children I
| 140 | Saturday, September 30, 2023 13:47:21 | 2 months ago |
| <GondolaParisianStreetScene3.webm> | HOYO-MiX - Poesy of Chrysolite
| 76 | Monday, September 25, 2023 04:55:46 | 3 months ago |
| <GondolaPowerlineWorker.webm> | | 76 | Sunday, September 24, 2023 19:45:21 | 3 months ago |
| <GondolaAndAWoman.webm> | Berlin Philharmonic & Herbert von Karajan - Adagietto (Sehr langsam) from Symphony No. 5 in C-Sharp Minor
| 225 | Saturday, September 23, 2023 16:32:14 | 3 months ago |
| <GondolaWorksHarder.mp4> | Widdly 2 Diddly & Marina Hova - Work Harder (LISA OST)
| 385 | Thursday, August 31, 2023 13:55:30 | 3 months ago |
| <GondolaThroneFall.mp4> | Thronefall - A New Reign
| 294 | Sunday, August 27, 2023 15:58:51 | 3 months ago |
| <GondolaInBusytown.webm> | Richard Scarry's Busytown (Genesis) - Title Theme
| 348 | Tuesday, August 01, 2023 14:41:58 | 4 months ago |
| <RilakkumaAndKaoruAndGondola.webm> | Shigeru Kishida - 静かな日常 (Rilakkuma and Kaoru OST)
| 315 | Wednesday, July 26, 2023 18:49:22 | 5 months ago |
| <WishSheWereHereGondola.webm> | Club intl. - Hazel Eyes (Feat. Logan Avidan)
| 206 | Wednesday, July 26, 2023 18:09:23 | 5 months ago |
| <ShimmeringSkies.webm> | | 182 | Wednesday, July 26, 2023 04:04:03 | 5 months ago |
| <MoonGondo.webm> | HOYO-MiX - Hanachirusato
| 182 | Monday, July 17, 2023 08:57:57 | 5 months ago |
| <TajGondola.webm> | HOYO-MiX - For Riddles, for Wonders
| 318 | Wednesday, July 05, 2023 01:05:26 | 5 months ago |
| <Gondola26.webm> | Patrick Sainton - Open Duduk Wood
| 265 | Monday, June 26, 2023 19:39:33 | 6 months ago |
| <GondolaRei.webm> | Shiro SAGISU - Rei I (Neon Genesis Evangelion OST)
| 220 | Friday, June 23, 2023 02:27:40 | 6 months ago |
| <Beachola.webm> | The Ink Spots - It's All Over But The Crying
| 242 | Sunday, June 18, 2023 10:03:23 | 6 months ago |
| <MyMorningGondola.webm> | My Morning Jacket - I Will Sing You Songs
| 182 | Saturday, June 17, 2023 23:19:14 | 6 months ago |
| <TowerOfGondola.webm> | Kevin Penkin - The Burning House by the Lake
| 192 | Wednesday, June 14, 2023 10:20:36 | 6 months ago |
| <DS2Gondola.webm> | Dark Souls II OST - Like a Dream (Alex Roe)
| 193 | Friday, June 09, 2023 21:49:56 | 6 months ago |
| <IndoGondo2.webm> | HOYO-MiX - Fresh Breezes of Dawn
| 167 | Thursday, June 08, 2023 15:18:49 | 6 months ago |
| <GondolaOfficeWorker.webm> | Nouveau Life - Start Life
| 177 | Thursday, June 08, 2023 15:18:47 | 6 months ago |
| <GondolaMikuStage.webm> | | 175 | Thursday, June 08, 2023 15:18:45 | 6 months ago |
| <Wonder.webm> | | 357 | Saturday, April 22, 2023 13:39:14 | 8 months ago |
| <ForlornCrags.webm> | Laudibus & Mike Brewer - The Seagull (a choral tone-poem)
| 270 | Saturday, April 22, 2023 13:36:22 | 8 months ago |
| <StardewValley.mp4> | Stardew Valley OST - Winter (The Wind Can Be Still)
| 525 | Saturday, April 22, 2023 13:33:29 | 8 months ago |
| <DeusWhereNothingIsImpossible.webm> | | 462 | Sunday, February 26, 2023 10:15:33 | 9 months ago |
| <GondolaChill2.webm> | The Conversation (1974) OST - Amy's Theme
| 357 | Sunday, February 26, 2023 10:14:19 | 9 months ago |
| <AdventGondola.webm> | Yoko Kanno - The First Advent - Kami No Azakeri
| 270 | Sunday, February 26, 2023 10:12:01 | 9 months ago |
| <FallenGondola.webm> | Mitsunori Ikeda - Fallen Angel feat. Aimee B
| 286 | Sunday, February 26, 2023 10:11:28 | 9 months ago |
| <SmilinLikeGond.webm> | A-Wall - Loverboy
| 246 | Sunday, February 26, 2023 10:11:08 | 9 months ago |
| <MountainPeak.webm> | | 248 | Sunday, February 26, 2023 10:08:37 | 9 months ago |
| <IsItAMirageGondola.webm> | | 264 | Sunday, February 26, 2023 10:08:14 | 9 months ago |
| <GondolaDivesIn.webm> | | 214 | Sunday, February 26, 2023 10:07:37 | 9 months ago |
| <SnowVillage.webm> | First Astronomical Velocity - PHOTO SESSION : 喫茶店
| 283 | Sunday, February 26, 2023 10:06:23 | 9 months ago |
| <ForestBeach.webm> | | 259 | Sunday, February 26, 2023 10:05:50 | 9 months ago |
| <Sunset.webm> | Kill Bill OST | Gheorge Zamfir - The Lonely Shepherd
| 294 | Sunday, February 26, 2023 10:05:17 | 9 months ago |
| <Tribute2.webm> | | 226 | Sunday, February 26, 2023 10:04:55 | 9 months ago |
| <MountainDew.webm> | The Clancy Brothers & Tommy Makem - Mountain Dew
| 236 | Sunday, February 26, 2023 10:04:01 | 9 months ago |
| <GondInBalloon.webm> | Der Tölzer Knabenchor - Musica Poetica I: Gassenhauer
| 222 | Sunday, February 26, 2023 10:03:18 | 9 months ago |
| <GaZairGondola.mp4> | Kikiyama - The Snowy World
| 723 | Sunday, February 26, 2023 09:54:23 | 9 months ago |
| <HangerGondola.mp4> | Kikiyama - The Shanty Village
| 591 | Sunday, February 26, 2023 09:54:16 | 9 months ago |
| <GondolaGreatSun.mp4> | PilotedRedSun - Grinch's Ultimatum OST
| 621 | Sunday, February 26, 2023 09:51:35 | 9 months ago |
| <GondolaOfWar.mp4> | Buffalo Springfield - For What It's Worth
| 615 | Sunday, February 26, 2023 09:49:21 | 9 months ago |
| <WowAndFecline.webm> | Peremotka - Здравствуй
| 205 | Sunday, February 26, 2023 09:25:07 | 9 months ago |
| <GondolaScreenTestJp.webm> | Russell Shaw - Temple of Light
| 177 | Sunday, February 26, 2023 09:25:04 | 9 months ago |
| <TheGondolaOfChristmas.webm> | | 245 | Sunday, February 26, 2023 09:25:01 | 9 months ago |
| <Party.webm> | Tram - Nothing Left to Say
| 289 | Sunday, February 26, 2023 09:24:44 | 9 months ago |
| <Maailma.webm> | Irwin Goodman - Maailma On Kaunis
| 198 | Sunday, February 26, 2023 09:24:16 | 9 months ago |
| <GondolaRain.webm> | The End Of The Ocean - we always think there is going to be more time...
| 232 | Sunday, February 26, 2023 09:20:34 | 9 months ago |
| <GondolaAncientRace.webm> | | 264 | Sunday, February 26, 2023 09:20:13 | 9 months ago |
| <BuryFriends.webm> | Pilotredsun - Bund6
| 235 | Sunday, February 26, 2023 09:19:41 | 9 months ago |
| <FamilyGuy.webm> | | 206 | Sunday, February 26, 2023 09:05:33 | 9 months ago |
| <Futurama.webm> | | 325 | Sunday, February 26, 2023 09:05:28 | 9 months ago |
| <CivilWarGondola.webm> | Ashokan Farewell
| 187 | Sunday, February 26, 2023 08:48:04 | 9 months ago |
| <TkmizTrainGondola.webm> | Girls Last Tour OST - Seijaku no Tabiji
| 213 | Sunday, February 26, 2023 08:48:03 | 9 months ago |
| <TheFantasticAdventuresOfGondolaII.mp4> | | 1024 | Sunday, December 18, 2022 00:04:02 | 1 year ago |
| <BrokenGraveyardGondola.mp4> | | 1327 | Wednesday, October 05, 2022 07:18:25 | 1 year ago |
| <GondolaHomeward.webm> | Wo Qui Non Coin
| 527 | Monday, October 03, 2022 16:24:29 | 1 year ago |
| <ArdSkellig.webm> | The Witcher 3: Wild Hunt OST - The Fields of Ard Skellig
| 470 | Monday, October 03, 2022 16:24:18 | 1 year ago |
| <GondolaUnrealSuperHero3.webm> | Rez and Kenet - Unreeeal superhero 3
| 385 | Monday, October 03, 2022 16:23:09 | 1 year ago |
| <GondolaWindowRain.webm> | | 450 | Monday, October 03, 2022 16:21:54 | 1 year ago |
| <CottageNightGondola.webm> | | 410 | Monday, October 03, 2022 16:20:59 | 1 year ago |
| <AvatarGondola.webm> | | 390 | Monday, October 03, 2022 16:20:20 | 1 year ago |
| <GondolaAriaLadyfingers.webm> | | 477 | Monday, October 03, 2022 16:20:09 | 1 year ago |
| <Gondola2007.webm> | 009 Sound System - Trinity
| 481 | Monday, October 03, 2022 16:17:50 | 1 year ago |
| <GondolaSalta.webm> | Ricardo Vilca Y Sus Amigos - Carnaval. Misterio Y Fuga
| 337 | Monday, October 03, 2022 16:16:38 | 1 year ago |
| <GondolaSotn.webm> | | 326 | Monday, October 03, 2022 16:16:18 | 1 year ago |
| <GondolaUnleashed.webm> | Morphadron - Dr. Know (Need For Speed Porsche: Unleashed OST)
| 353 | Monday, October 03, 2022 16:15:50 | 1 year ago |
| <MotelTvGondola.webm> | | 354 | Monday, October 03, 2022 16:15:31 | 1 year ago |
| <Gondolious.webm> | | 351 | Monday, October 03, 2022 16:14:41 | 1 year ago |
| <ReflectiveGondola.webm> | | 323 | Monday, October 03, 2022 16:13:30 | 1 year ago |
| <ByTheWater.webm> | | 349 | Monday, October 03, 2022 16:12:58 | 1 year ago |
| <BeyondTheSea.webm> | Akura Fukakusa - Beyond the Sea
| 490 | Wednesday, September 14, 2022 09:09:54 | 1 year ago |
| <StargazingGondola.webm> | Peter Davidson - Winds of Space
| 416 | Wednesday, September 14, 2022 09:06:18 | 1 year ago |
| <GondolaBigHall.webm> | | 418 | Wednesday, September 14, 2022 09:06:15 | 1 year ago |
| <GondolaDagostino.mp4> | Gigi D'Agostino - I'll Fly With You
| 1007 | Wednesday, August 31, 2022 09:04:05 | 1 year ago |
| <2001ASpaceGondola.webm> | Requiem for Soprano, Mezzo Soprano, Two Mixed Choirs & Orchestra (2001: A Space Odyssey Soundtrack)
| 1492 | Friday, February 04, 2022 20:59:50 | 1 year ago |
| <FieldGondola.webm> | | 853 | Friday, February 04, 2022 20:58:27 | 1 year ago |
| <GlennGondola.mp4> | Glenn Gould - Goldberg Variations, BWV 988: Aria
| 1913 | Friday, February 04, 2022 20:57:16 | 1 year ago |
| <AOTOtherSide.mp4> | Attack on Titan OST - The Other Side of the Sea
| 1956 | Friday, February 04, 2022 20:56:03 | 1 year ago |
| <GondolasCastleTown.webm> | Deltarune Chapter 2 OST - My Castle Town
| 672 | Friday, February 04, 2022 20:52:16 | 1 year ago |
| <GondolaAndASquadOfMarines.webm> | Curtis Schweitzer - Zeta Halo
| 632 | Friday, February 04, 2022 20:49:51 | 1 year ago |
| <GsBach.mp4> | Bach - Prelude in C Major
| 2302 | Wednesday, August 04, 2021 08:51:31 | 2 years ago |
| <GondolaJimmy8Bit.mp4> | Hotline Miami 2 OST - Untitled
| 2210 | Sunday, July 04, 2021 06:10:20 | 2 years ago |
| <Gondola2205.mp4> | Elton Britt - Uranium Fever
| 2124 | Thursday, July 01, 2021 21:31:14 | 2 years ago |
| <GondolaSpaceSmol.webm> | Mario Paint OST - BGM 3
| 946 | Thursday, July 01, 2021 21:28:36 | 2 years ago |
| <GondolaCnc.webm> | Command & Conquer: Red Alert - The Aftermath OST - Floating
| 901 | Thursday, July 01, 2021 21:26:34 | 2 years ago |
| <Hardspace.mp4> | Hardspace: Shipbreacker OST - Holding On
| 2082 | Thursday, July 01, 2021 21:23:47 | 2 years ago |
| <GondolaInTheWoods.mp4> | Princess Mononoke OST - The Journey to the West
| 2231 | Thursday, April 22, 2021 00:01:18 | 2 years ago |
| <GondolaCrosswalk.webm> | Isekai Shokudou OST - Main Theme
| 859 | Wednesday, April 14, 2021 06:07:30 | 2 years ago |
| <Gondola24.webm> | Emancipator - Alligator
| 1505 | Thursday, November 26, 2020 00:52:00 | 3 years ago |
| <GondolaTaipeiNightMarket.webm> | Joanna Wang - Mei Gui, Mei Gui, Wo Ai Ni (Rose, Rose, I Love You)
| 1136 | Friday, November 20, 2020 10:47:16 | 3 years ago |
| <WhenGondolaWasThere.webm> | Priscilla Ahn - Fine on the Outside
| 1157 | Thursday, November 19, 2020 05:14:40 | 3 years ago |
| <GondolaCapeCod.webm> | Puppini Sisters - Old Cape Cod
| 1043 | Wednesday, November 18, 2020 06:12:02 | 3 years ago |
| <GondolaSpringMelancholy.webm> | Frank Sinatra - Spring is Here
| 1051 | Wednesday, November 18, 2020 06:11:54 | 3 years ago |
| <SeeYouSpaceGondola.webm> | Cowboy Bebop OST 3 Blue - Road to the West
| 1228 | Wednesday, November 18, 2020 06:04:34 | 3 years ago |
| <GondolaSlavRunner.webm> | Voskresnaya Plocshadka (Воскресная площадка) - Вступление
| 1064 | Wednesday, November 18, 2020 05:59:14 | 3 years ago |
| <GondolaLagoon.webm> | Doris Day - Sleepy Lagoon
| 1014 | Wednesday, November 18, 2020 05:55:28 | 3 years ago |
| <GondolaQuietNight.webm> | Astrud Gilberto - Corcovado
| 1049 | Wednesday, November 18, 2020 05:48:04 | 3 years ago |
| <GondolaHongKong.webm> | Chungking Express - Rain, Tear, and Sweat
| 1028 | Wednesday, November 18, 2020 05:41:48 | 3 years ago |
| <GondolaYuYuHakusho.webm> | Matsuko Mawatari - Homework Ga Owaranai
| 971 | Wednesday, November 18, 2020 05:41:22 | 3 years ago |
| <GondolaMillenniumActress.webm> | Susumu Hirasawa - Rotation (LOTUS-2)
| 960 | Wednesday, November 18, 2020 05:36:12 | 3 years ago |
| <GondolaPenthouse.webm> | Keepsake - Penthouse Serenade
| 936 | Wednesday, November 18, 2020 05:34:50 | 3 years ago |
| <GondolaVenice.webm> | Mendelssohn Gondola Song in F sharp minor, op. 30 no. 6
| 968 | Wednesday, November 18, 2020 05:32:54 | 3 years ago |
| <GondolaSaloon.webm> | Kay Starr - After You're Gone
| 913 | Wednesday, November 18, 2020 05:30:50 | 3 years ago |
| <GondolaCake.webm> | Ready, Willing, & Mabel - What Are You Doing the Rest of Your Life?
| 979 | Wednesday, November 18, 2020 05:29:46 | 3 years ago |
| <GondolaParis.webm> | Edith Piaf - Miss Otis Regrette
| 952 | Wednesday, November 18, 2020 05:29:24 | 3 years ago |
| <GondolaTurkey.webm> | Adhan Call to Prayer in Istanbul
| 960 | Wednesday, November 18, 2020 05:23:22 | 3 years ago |
| <GondolaNoir.webm> | Hannah Gill - Somebody that I Used to Know (Postmodern Jukebox)
| 1010 | Wednesday, November 18, 2020 05:22:00 | 3 years ago |
| <GondolaStJames.webm> | Cab Calloway - St James Infirmary Blues
| 926 | Wednesday, November 18, 2020 05:18:42 | 3 years ago |
| <GondolaWild.webm> | The Wild Bride - Into the Wild
| 941 | Wednesday, November 18, 2020 05:17:24 | 3 years ago |
| <GondolaChicagoNight.webm> | Second Edition & Growing Girls Quartet - Misty
| 952 | Wednesday, November 18, 2020 05:16:04 | 3 years ago |
| <GondolaDobuitaChristmas.webm> | Shenmue OST - Christmas on Dobuita St.
| 979 | Wednesday, November 18, 2020 05:15:48 | 3 years ago |
| <GondolaMoroccan.webm> | The Seatbelts - Hamduche (Cowboy Bebop OST)
| 890 | Wednesday, November 18, 2020 05:10:36 | 3 years ago |
| <GondolaShenmue.webm> | Shenmue OST - Cherry Blossom Wind Dance
| 879 | Wednesday, November 18, 2020 05:10:36 | 3 years ago |
| <GondolaGondola.webm> | Elephant Revival - Season's Song
| 1056 | Wednesday, November 18, 2020 05:08:26 | 3 years ago |
| <GondolaSeoulNight.webm> | Lim Kim - Upgrader
| 891 | Wednesday, November 18, 2020 04:12:36 | 3 years ago |
| <GondolaKino.webm> | KINO - Spokoynaya Noch
| 1104 | Monday, November 16, 2020 02:25:56 | 3 years ago |
| <GondolaCar3.webm> | The Antlers - Stairs To the Attic
| 974 | Saturday, October 10, 2020 13:18:57 | 3 years ago |
| <GondolaAscension.webm> | Tchaikovsky - Hymn of the Cherubim
| 1339 | Sunday, October 04, 2020 01:41:00 | 3 years ago |
| <GondolaDoobyDo.webm> | | 1086 | Thursday, September 17, 2020 23:15:31 | 3 years ago |
| <HealingGondola.webm> | ♥ GOJII ♥ - HEAL
| 1329 | Friday, September 04, 2020 17:40:25 | 3 years ago |
| <GondolaInTheFog.mp4> | | 2240 | Saturday, August 22, 2020 13:39:34 | 3 years ago |
| <GondolasGuitarTown.webm> | Opeth - Benighted
| 1184 | Friday, August 21, 2020 11:59:03 | 3 years ago |
| <RainyWindowGondola.webm> | | 1104 | Thursday, August 20, 2020 17:42:11 | 3 years ago |
| <BalladOfTheButterflyGondola.webm> | Maddi - Come and Go (The Ballad of the Butterfly)
| 1093 | Thursday, August 20, 2020 17:33:30 | 3 years ago |
| <Chi59KACute.webm> | | 1024 | Friday, August 14, 2020 14:01:18 | 3 years ago |
| <GondolasEnlightenedForest.webm> | Skyrim OST - Tundra
| 1173 | Friday, August 14, 2020 13:58:40 | 3 years ago |
| <HeBeWalking.webm> | Penguin Cafe Orchestra - Perpetuum Mobile
| 1045 | Monday, August 10, 2020 12:35:44 | 3 years ago |
| <VincentStarryNight.webm> | Don McLean - Vincent
| 1065 | Sunday, August 09, 2020 16:36:55 | 3 years ago |
| <GondolasObservatory.webm> | | 997 | Sunday, August 09, 2020 16:34:08 | 3 years ago |
| <GondolaCoverInTheNight.webm> | | 1052 | Sunday, August 09, 2020 16:33:48 | 3 years ago |
| <GondolaRopeSwing.webm> | Boyscott - Blonde Blood
| 923 | Sunday, August 09, 2020 16:31:53 | 3 years ago |
| <BrotherBear.webm> | Brother Bear OST - Transformation
| 1048 | Sunday, August 09, 2020 16:29:41 | 3 years ago |
| <Waitdola.webm> | Connie Francis - I Will Wait For You
| 1002 | Sunday, August 09, 2020 16:29:27 | 3 years ago |
| <GondolaFamilia.webm> | Animal Crossing OST - <unknown which specifically>
| 976 | Sunday, August 09, 2020 16:28:24 | 3 years ago |
| <Rivendell.webm> | | 983 | Sunday, August 09, 2020 16:26:46 | 3 years ago |
| <TheAmazingWay.webm> | | 967 | Sunday, August 09, 2020 16:26:31 | 3 years ago |
| <Panacea.webm> | Hyper Light Drifter OST | Disasterpeace - Vignette : Panacea
| 962 | Sunday, August 09, 2020 16:26:04 | 3 years ago |
| <7Pm.webm> | Animal Crossing New Leaf OST - 7PM
| 1146 | Sunday, August 09, 2020 16:25:49 | 3 years ago |
| <GondolaInuyasha.webm> | Do As Infinity - Fukai Mori
| 953 | Sunday, August 09, 2020 16:24:43 | 3 years ago |
| <BrokenSoul.webm> | Low Roar - Give Up
| 1068 | Sunday, August 09, 2020 16:23:31 | 3 years ago |
| <GondolaInTheJungle.webm> | | 1037 | Sunday, August 09, 2020 16:23:11 | 3 years ago |
| <GondolaOnRoof.webm> | Christopher Tin - Dao Zai Fan Ye
| 1015 | Sunday, August 09, 2020 16:22:56 | 3 years ago |
| <GondolaAtWar2.webm> | | 1148 | Sunday, August 09, 2020 16:21:39 | 3 years ago |
| <ButterflyLovers.webm> | | 1037 | Sunday, August 09, 2020 16:20:32 | 3 years ago |
| <GondolaAtBonneville.webm> | Woody Guthrie - Roll on Columbia
| 1029 | Sunday, August 09, 2020 16:18:16 | 3 years ago |
| <LifeAndTimesOfGondola.webm> | Tuomas Holopainen - A Lifetime of Adventure
| 1010 | Tuesday, August 04, 2020 21:07:42 | 3 years ago |
| <GetUpOffaThatThing.webm> | James Brown - Get Up Offa That Thing
| 1224 | Tuesday, August 04, 2020 16:11:10 | 3 years ago |
| <Scape.webm> | stackz989 - I'm Feeling Lovely (Extended)
| 1045 | Tuesday, August 04, 2020 16:10:21 | 3 years ago |
| <GondolaTall.webm> | | 990 | Tuesday, August 04, 2020 16:09:09 | 3 years ago |
| <PlaneGondola.webm> | Yoko Shimomura - Dearly Beloved
| 954 | Tuesday, August 04, 2020 16:05:59 | 3 years ago |
| <GondolaGroovinBackAlley.webm> | ONE III NOTES - Shadow and Truth
| 991 | Tuesday, August 04, 2020 15:54:58 | 3 years ago |
| <GondolaDonerKebab.webm> | Faye Wong - Dream Lover
| 1048 | Tuesday, August 04, 2020 15:54:41 | 3 years ago |
| <SnowCastle.webm> | Fable OST - Temple Of Light
| 1066 | Tuesday, August 04, 2020 15:53:14 | 3 years ago |
| <GondolaTransposingIdeas.webm> | Hot Sugar - "...And The Walls Came Tumbling Down"
| 970 | Tuesday, August 04, 2020 15:52:00 | 3 years ago |
| <GondolaCicadaJapaneseSummer.webm> | | 1005 | Tuesday, August 04, 2020 15:48:48 | 3 years ago |
| <GondolaSittingOutside.webm> | Laurindo Almeida - The Lamp Is Low
| 1059 | Tuesday, August 04, 2020 15:18:44 | 3 years ago |
| <ElgGondola.webm> | Between August and December - Lightless
| 1063 | Tuesday, August 04, 2020 15:05:08 | 3 years ago |
| <GondolaGundam.webm> | Gabriela Robin - "Moon"
| 1428 | Wednesday, May 27, 2020 08:22:12 | 3 years ago |
| <EndOfTimeGondola.webm> | The Brothers Four - Greenfields
| 1615 | Saturday, April 04, 2020 08:14:21 | 3 years ago |
| <Greece1821Gondola.webm> | Stelios Kazantzidis - Sarada Pallikaria (Sirto)
| 1317 | Saturday, April 04, 2020 08:09:46 | 3 years ago |
| <GondolaRockies.webm> | John Williams - Cavatina
| 1367 | Thursday, April 02, 2020 02:35:17 | 3 years ago |
| <GondolaBusStopWaiting.webm> | Binding of Isaac OST - Greed
| 1281 | Thursday, April 02, 2020 02:26:47 | 3 years ago |
| <GondolaThinkingOfGf.webm> | DCX - Flying High
| 1240 | Thursday, April 02, 2020 02:26:27 | 3 years ago |
| <GondolaCafeOrchestra.webm> | Penguin Cafe Orchestra - Perpetuum Mobile
| 1281 | Thursday, April 02, 2020 02:26:06 | 3 years ago |
| <GondolaBeachSun.webm> | | 1417 | Thursday, April 02, 2020 02:25:48 | 3 years ago |
| <GondolaVending.webm> | That's Cool - Space Drift
| 1284 | Thursday, April 02, 2020 02:25:26 | 3 years ago |
| <OmoideGondola.webm> | Suzuki Tsuneyoshi - Memories
| 1208 | Thursday, April 02, 2020 02:25:22 | 3 years ago |
| <CafeGondolaWatery.webm> | Cowboy Bebop OST 3 Blue - Wo Qui Non Coin
| 1860 | Thursday, April 02, 2020 02:24:59 | 3 years ago |
| <GondolaAtTheStation.webm> | | 1413 | Thursday, April 02, 2020 02:24:24 | 3 years ago |
| <OutOfBodyExgondola.webm> | The Future Sound Of London - It's My Mind That Works
| 1395 | Thursday, April 02, 2020 02:23:12 | 3 years ago |
| <GondolaJapanFuturistic.webm> | Aneka - Japanese Boy
| 1224 | Thursday, April 02, 2020 02:22:17 | 3 years ago |
| <FlclGondola.webm> | The Pillows | FLCL OST - One Life
| 1330 | Thursday, April 02, 2020 02:21:46 | 3 years ago |
| <GondolaPlanetsViolin.webm> | Gustav Holst - Jupiter
| 1218 | Thursday, April 02, 2020 02:20:00 | 3 years ago |
| <GondolaCityLull.webm> | e.sanchillo - Lull
| 1236 | Thursday, April 02, 2020 02:19:27 | 3 years ago |
| <TheGondolarian.webm> | Ludwig Goransson - The Mandalorian
| 1202 | Thursday, April 02, 2020 02:18:44 | 3 years ago |
| <EichiOhtaki.webm> | Eiichi Ohtaki - Canary Islands
| 1554 | Thursday, April 02, 2020 02:18:25 | 3 years ago |
| <ConquistadorAndGondola.webm> | Vangelis - Conquest of Paradise
| 1392 | Thursday, April 02, 2020 02:17:58 | 3 years ago |
| <CaliforniaFeeling.webm> | Beach Boys - California Feeling
| 1316 | Thursday, April 02, 2020 02:17:42 | 3 years ago |
| <GondolaHeyMoon.webm> | John Maus - Hey Moon
| 1294 | Thursday, April 02, 2020 02:17:23 | 3 years ago |
| <GondolaFarm.webm> | | 1201 | Thursday, April 02, 2020 02:15:25 | 3 years ago |
| <GondolaCool.webm> | Earth - Coda Maestoso in F (Flat) Minor
| 1420 | Thursday, April 02, 2020 02:15:05 | 3 years ago |
| <EiffelTowerGondola.webm> | Beautiful Mirage - The Vision Fades
| 1287 | Thursday, April 02, 2020 02:14:53 | 3 years ago |
| <KatanaKami.webm> | | 1249 | Thursday, April 02, 2020 02:14:39 | 3 years ago |
| <GondolaAtTheRoost.webm> | Animal Crossing OST - The Roost
| 1445 | Thursday, April 02, 2020 02:14:07 | 3 years ago |
| <StarryNightGondolaFire.webm> | COIL - The Legendary Theme (Acoustic) [Gitaroo Man]
| 1366 | Thursday, April 02, 2020 02:13:49 | 3 years ago |
| <WorldsAdriftGondola.webm> | | 2653 | Saturday, February 15, 2020 12:28:15 | 3 years ago |
| <FrontPage.webm> | | 88991 | Saturday, February 15, 2020 11:45:09 | 3 years ago |
| <BesideTheEdge.webm> | Miracle Musical - Dream Sweet in Sea Major
| 1495 | Sunday, December 15, 2019 13:24:11 | 4 years ago |
| <GondolaTimeSweeper.webm> | Spirited Away OST - The Name of Life
| 1507 | Sunday, December 15, 2019 13:23:47 | 4 years ago |
| <GondolaWaterfall.webm> | | 1351 | Sunday, December 15, 2019 13:22:48 | 4 years ago |
| <OurGondola.webm> | | 1292 | Saturday, December 07, 2019 22:50:30 | 4 years ago |
| <OnePunchGondola.webm> | One Punch Man OST - OP 1
| 1291 | Saturday, December 07, 2019 22:49:24 | 4 years ago |
| <GamerGondola.mp4> | glxy - 3 am
| 2858 | Saturday, December 07, 2019 20:52:38 | 4 years ago |
| <ImprisonedGondola.mp4> | Paddy Reilly - The Fields of Athenry (1991 Version)
| 2439 | Saturday, December 07, 2019 20:52:03 | 4 years ago |
| <XmasWalkingGondola.mp4> | | 2304 | Saturday, December 07, 2019 20:49:44 | 4 years ago |
| <StrangeHutGondola.mp4> | Earthbound OST - You've Come Far, Ness | Coffee Break
| 2379 | Saturday, December 07, 2019 20:49:02 | 4 years ago |
| <LonelyPubGondola.mp4> | Molly Malone/Cockles and Mussels
| 2420 | Saturday, December 07, 2019 20:47:15 | 4 years ago |
| <CallingGondola.mp4> | Francisco Tárrega - Gran Vals
| 2346 | Saturday, December 07, 2019 20:46:14 | 4 years ago |
| <RipGondola.mp4> | Swallow The Sun - The Heart of a Cold White Land
| 2301 | Saturday, December 07, 2019 20:45:42 | 4 years ago |
| <DesertTraveller.mp4> | Dune (1984) OST - Main Title
| 2392 | Saturday, December 07, 2019 20:45:26 | 4 years ago |
| <GondoCruiserNevada.mp4> | | 2431 | Saturday, December 07, 2019 20:44:19 | 4 years ago |
| <ChangeTheWorldFinal.mp4> | | 2373 | Saturday, December 07, 2019 20:43:25 | 4 years ago |
| <PepeGondTaksi.mp4> | Dubmood - Chiphop #3
| 2243 | Saturday, December 07, 2019 20:42:57 | 4 years ago |
| <GondolaSnowTram.mp4> | | 2162 | Saturday, December 07, 2019 20:39:28 | 4 years ago |
| <HilltopGondola.mp4> | Chrono Cross OST - Dream of the Shore Near Another World
| 2254 | Saturday, December 07, 2019 20:32:53 | 4 years ago |
| <Spurdo.mp4> | | 2253 | Saturday, December 07, 2019 20:32:00 | 4 years ago |
| <MedievalSoldierGondola.mp4> | | 2190 | Saturday, December 07, 2019 20:23:41 | 4 years ago |
| <SupremelyCozyGondola.mp4> | Alan Watts - Let It Happen By Itself
| 2240 | Saturday, December 07, 2019 20:20:17 | 4 years ago |
| <ProfessorGondola.mp4> | Professor Layton OST - Layton's Theme
| 2137 | Saturday, December 07, 2019 20:19:25 | 4 years ago |
| <RunescapeGondsFighting.mp4> | | 2225 | Saturday, December 07, 2019 20:17:22 | 4 years ago |
| <FallenDownGondola.mp4> | Undertale OST - Fallen Down
| 2328 | Saturday, December 07, 2019 20:17:01 | 4 years ago |
| <CityOfTearsGond.webm> | Hollow Knight OST - City of Tears Indoors
| 1547 | Saturday, December 07, 2019 05:17:12 | 4 years ago |
| <GondolaFez.webm> | FEZ OST - Death
| 1197 | Saturday, December 07, 2019 02:19:49 | 4 years ago |
| <DetectiveGondola.mp4> | Christopher Gunning - The Belgian Detective
| 2444 | Monday, December 02, 2019 01:37:42 | 4 years ago |
| <GondolaEnterprise.mp4> | Jerry Goldsmith - The Enterprise
| 2323 | Monday, December 02, 2019 01:37:42 | 4 years ago |
| <GondolasQuest.mp4> | | 2262 | Monday, December 02, 2019 01:37:42 | 4 years ago |
| <SpiritedAwayGondola.mp4> | | 2289 | Monday, December 02, 2019 01:37:42 | 4 years ago |
| <QuickArtGondola.mp4> | Dark Souls OST - Gwyn, Lord of Cinder
| 2293 | Monday, December 02, 2019 01:31:29 | 4 years ago |
| <KaffeeDD.mp4> | | 2235 | Monday, December 02, 2019 01:30:34 | 4 years ago |
| <ContainedGondola.mp4> | Xenogears - One Who Bares Fangs at God
| 2357 | Monday, December 02, 2019 01:29:22 | 4 years ago |
| <EsBar.mp4> | Luiz Lins - A Música Mais Triste do Ano
| 2391 | Monday, December 02, 2019 01:21:54 | 4 years ago |
| <GondolasLostFriends.mp4> | | 2262 | Monday, December 02, 2019 01:21:54 | 4 years ago |
| <GondolaOnGameboy.webm> | Super Mario World OST - Overworld Theme
| 1302 | Monday, December 02, 2019 01:21:52 | 4 years ago |
| <CozyGondola.webm> | | 1308 | Monday, December 02, 2019 01:21:31 | 4 years ago |
| <GondolasBoomerParents.webm> | Joshua Radin - Winter
| 1271 | Saturday, November 16, 2019 11:53:12 | 4 years ago |
| <TechnoDanceGondola.webm> | Andrew Bayer - Counting the Points
| 1452 | Thursday, October 24, 2019 07:08:03 | 4 years ago |
| <DungeonSynthGondola.webm> | Old Sorcery - Sorcerer's Dream
| 1454 | Thursday, October 24, 2019 07:03:38 | 4 years ago |
| <GondolaCity3.webm> | Kaoru Akimoto - Dress Down
| 1650 | Thursday, October 24, 2019 07:03:15 | 4 years ago |
| <GondolaVideoGameRoom.webm> | | 1446 | Saturday, October 19, 2019 17:21:51 | 4 years ago |
| <GondolaWalksHomeInGoodSpirits.webm> | | 1381 | Friday, October 18, 2019 23:28:16 | 4 years ago |
| <GondolaTiresOfTheWaiting.webm> | Pink Floyd - A New Machine (Part 1)
| 1410 | Friday, October 18, 2019 23:24:06 | 4 years ago |
| <GondolaWillAlwaysBeWaiting.webm> | Pink Floyd - A New Machine (Part 2)
| 1417 | Friday, October 18, 2019 23:22:19 | 4 years ago |
| <Mario.webm> | | 1409 | Friday, October 18, 2019 23:20:58 | 4 years ago |
| <SAndW.webm> | Spice and Wolf II OST - Hoshita Sakana to Budoushu to
| 1476 | Tuesday, October 15, 2019 07:40:40 | 4 years ago |
| <DoesTheSubjectMatter.webm> | | 1543 | Tuesday, October 15, 2019 07:39:48 | 4 years ago |
| <HomeSweetGrave.webm> | Guilty Gear Isuka OST - Home Sweet Grave
| 1479 | Saturday, October 12, 2019 08:54:13 | 4 years ago |
| <GondolaJupiter.webm> | Grip Grand - Hip-Hop Classic
| 1376 | Saturday, October 12, 2019 08:52:09 | 4 years ago |
| <AutumnPiano.webm> | George Winston - Color/Dance
| 1709 | Saturday, October 12, 2019 08:51:02 | 4 years ago |
| <DowntownTension.webm> | Call of Duty 2 OST - 07 - Downtown Sniper Soviet Tension
| 1952 | Friday, October 11, 2019 21:17:03 | 4 years ago |
| <SovietOutskirts.webm> | | 1358 | Friday, October 11, 2019 21:16:41 | 4 years ago |
| <GondolaOldDriveIn.webm> | | 1378 | Friday, October 11, 2019 20:22:09 | 4 years ago |
| <SadGondola3.webm> | hamzawy - for a better world
| 1412 | Friday, October 11, 2019 05:54:24 | 4 years ago |
| <Gondy2.0.webm> | | 1401 | Tuesday, October 08, 2019 17:58:33 | 4 years ago |
| <AbstractGondola.webm> | Zoombinis OST - Opening Theme
| 1983 | Tuesday, October 08, 2019 17:58:11 | 4 years ago |
| <GondolaInTheMountains2.webm> | | 1563 | Monday, October 07, 2019 00:06:33 | 4 years ago |
| <Homeless.webm> | Shady Dave - Feelings of Twilight
| 1453 | Monday, October 07, 2019 00:05:52 | 4 years ago |
| <GondOscillation.webm> | Chris Christodoulou - Arctic Oscillation
| 1694 | Monday, October 07, 2019 00:04:54 | 4 years ago |
| <GondoCoordinates.webm> | Chris Christodoulou - 25.3°N 91.7°E
| 1630 | Monday, October 07, 2019 00:03:39 | 4 years ago |
| <GondolaCRT.webm> | demin - Forgive & Reformat
| 1622 | Monday, October 07, 2019 00:02:38 | 4 years ago |
| <Skyblock.webm> | C418 | Minecraft OST - Subwoofer Lullaby (SM64 Instruments)
| 1423 | Sunday, October 06, 2019 23:57:35 | 4 years ago |
| <160Acres.webm> | Marty Robbins - A Hundred and Sixty Acres
| 3053 | Sunday, October 06, 2019 23:56:49 | 4 years ago |
| <SendMeAnAngel.webm> | Real Life - Send Me An Angel
| 1289 | Sunday, October 06, 2019 23:56:15 | 4 years ago |
| <DriftAwayGondola.webm> | Steven Universe: The Movie OST (Music box cover) - Drift Away
| 1628 | Sunday, October 06, 2019 23:54:47 | 4 years ago |
| <EverythingStaysGondola.webm> | Adventure Time OST - Everything Stays
| 1630 | Sunday, October 06, 2019 23:54:07 | 4 years ago |
| <SullenGondola.webm> | Moby - 80
| 1385 | Sunday, October 06, 2019 23:53:20 | 4 years ago |
| <Samorost3.webm> | | 1309 | Sunday, October 06, 2019 23:50:41 | 4 years ago |
| <SpottedSnowdola.webm> | Ricky Eat Acid - being underwater and everything being quiet and still
| 1357 | Sunday, October 06, 2019 23:47:29 | 4 years ago |
| <SpaceLion.webm> | Cowboy Bebop OST - Space Lion
| 1439 | Sunday, October 06, 2019 23:47:03 | 4 years ago |
| <Pressure.webm> | Billy Joel - Pressure
| 1356 | Sunday, October 06, 2019 23:46:27 | 4 years ago |
| <HuecoMundo.webm> | Bleach OST - Nothing can be explained
| 1419 | Sunday, October 06, 2019 23:45:28 | 4 years ago |
| <GondolaFrens.webm> | Tim Maia - Que Beleza
| 1560 | Sunday, October 06, 2019 23:44:39 | 4 years ago |
| <GondolaBed.webm> | | 1591 | Sunday, October 06, 2019 23:44:11 | 4 years ago |
| <GondoFox.webm> | Eishi Segawa - うしおのテーマ6
| 1682 | Sunday, October 06, 2019 23:42:43 | 4 years ago |
| <BulmaGondola.webm> | Yelle - Que veux-tu
| 1658 | Sunday, October 06, 2019 23:40:58 | 4 years ago |
| <GondolasShowdown.webm> | Lisa the Painful OST - Go Home Johnny
| 1442 | Sunday, October 06, 2019 23:39:16 | 4 years ago |
| <Conformistola.webm> | Georges Delerue - Couleurs De Paris
| 1643 | Sunday, September 29, 2019 20:39:21 | 4 years ago |
| <TheGonfather.webm> | André Rieu - The Godfather Waltz (Theme)
| 1447 | Sunday, September 29, 2019 20:38:08 | 4 years ago |
| <1492Gondola.webm> | Vangelis - Conquest Of Paradise
| 4661 | Sunday, September 29, 2019 20:38:00 | 4 years ago |
| <RiskOfRainola.webm> | Chris Christodoulou - Coalescence
| 1449 | Sunday, September 29, 2019 20:37:33 | 4 years ago |
| <GondolaTechnopolis.webm> | | 1491 | Saturday, September 21, 2019 17:43:37 | 4 years ago |
| <Yellower.webm> | Clark - Absence (Bibio Remix)
| 1435 | Saturday, September 21, 2019 17:22:21 | 4 years ago |
| <GondolaStranding.webm> | Silent Poets - Asylum For The Feeling
| 1557 | Saturday, September 21, 2019 17:21:13 | 4 years ago |
| <GondolaBlackwingCloudkicker.webm> | Cloudkicker - Blackwing
| 1683 | Saturday, September 21, 2019 17:20:04 | 4 years ago |
| <Salvation.webm> | Don Davis - Spirit of the Universe (The Matrix Revolutions OST)
| 1417 | Saturday, September 21, 2019 17:19:13 | 4 years ago |
| <GondolaCatDreams.webm> | | 1593 | Saturday, September 21, 2019 17:11:44 | 4 years ago |
| <RiskOfGondolas.webm> | Risk of Rain 2 OST - Into the Doldrums
| 1569 | Wednesday, September 11, 2019 21:55:33 | 4 years ago |
| <GondolaAmongUs.webm> | The Wolf Among Us OST - Opening Credits
| 2984 | Thursday, July 25, 2019 01:49:56 | 4 years ago |
| <GondolaFeelingFine.webm> | | 1935 | Tuesday, July 23, 2019 21:53:52 | 4 years ago |
| <GodSpeedYouGondola.webm> | Godspeed You! Black Emperor - Dead Flag Blues
| 2081 | Tuesday, July 23, 2019 21:52:59 | 4 years ago |
| <GondolaCandlesAndClockwork.webm> | Homestuck Vol. 9 OST - Candles and Clockwork (Alpha Version)
| 1757 | Monday, July 22, 2019 14:48:23 | 4 years ago |
| <GondolaTheFirstHunter.webm> | Bloodborne OST - The First Hunter
| 1647 | Monday, July 22, 2019 14:45:04 | 4 years ago |
| <Gondola22.webm> | | 1762 | Sunday, July 21, 2019 06:28:56 | 4 years ago |
| <InAllHisInfiniteDiversityGondola.webm> | D'Arcangelo - Nadine
| 1532 | Sunday, July 21, 2019 06:07:57 | 4 years ago |
| <NeuralHacker.webm> | | 1564 | Sunday, July 21, 2019 05:50:23 | 4 years ago |
| <GondolasCat.webm> | | 1610 | Sunday, July 21, 2019 05:35:11 | 4 years ago |
| <TheHaven.webm> | Jon Everist - The Haven
| 1573 | Sunday, July 07, 2019 19:42:55 | 4 years ago |
| <TraxxDiscovery.webm> | | 1502 | Sunday, July 07, 2019 19:40:33 | 4 years ago |
| <ComfireGond.webm> | Kevin MacLeod - Nouvelle Noel
| 1823 | Sunday, July 07, 2019 19:38:12 | 4 years ago |
| <GondolaSoulsHq.webm> | Dark Souls OST - Gwyn, Lord of Cinder
| 1756 | Sunday, July 07, 2019 19:36:41 | 4 years ago |
| <OurFlagWasStillThere.webm> | Randy Newman - <unknown song, please let me know in the comments>
| 1575 | Sunday, July 07, 2019 19:36:32 | 4 years ago |
| <SnowyGondolaCastle.webm> | Aphex Twin - Petiatil Cx Htdui
| 1490 | Sunday, July 07, 2019 19:34:08 | 4 years ago |
| <GondolaHangInThere.webm> | Гражданская Оборона - Дембельская
| 1781 | Sunday, July 07, 2019 19:32:12 | 4 years ago |
| <Greekdola2.webm> | 2814 - 悲哀 (Sorrow)
| 1652 | Sunday, July 07, 2019 19:29:40 | 4 years ago |
| <TestarossaViceGondola.webm> | Jan Hammer - Crockett's Theme
| 1481 | Sunday, July 07, 2019 19:29:23 | 4 years ago |
| <SandKingdomOfGondola.webm> | | 1452 | Sunday, July 07, 2019 19:29:10 | 4 years ago |
| <GondolaSmeester.webm> | Smeester - µ-Ziq
| 1629 | Sunday, July 07, 2019 19:28:48 | 4 years ago |
| <MehtisGondola.webm> | S.E.S - Dreams Come True (Unknown remix)
| 1491 | Sunday, July 07, 2019 19:28:27 | 4 years ago |
| <RomanSettlerGondola.webm> | | 1525 | Sunday, July 07, 2019 19:28:10 | 4 years ago |
| <StrongholdGondola.webm> | Heroes Of Might and Magic 3 OST - Stronghold Theme
| 1507 | Sunday, July 07, 2019 19:27:27 | 4 years ago |
| <SantaGondola.webm> | Rik Schaffer - All That Could Ever Be
| 1506 | Sunday, July 07, 2019 19:27:11 | 4 years ago |
| <EbinGondola.webm> | Wixel - Melancholische Waltz
| 1827 | Sunday, July 07, 2019 19:24:21 | 4 years ago |
| <PassagesGondola.webm> | Philip Glass - Morning Passages
| 1473 | Sunday, July 07, 2019 19:23:47 | 4 years ago |
| <BandOfGondolas.webm> | Band of Brothers OST - Main Theme
| 1903 | Sunday, July 07, 2019 19:23:23 | 4 years ago |
| <GondolaSea2.webm> | Emile van Krieken - Moa's Song (Aether 4)
| 1686 | Sunday, July 07, 2019 19:22:25 | 4 years ago |
| <GondolaWhitefrost.webm> | Jon Hopkins - Small Memory
| 1944 | Sunday, May 05, 2019 11:21:22 | 4 years ago |
| <MondoDrag.webm> | Mondo Drag - Plumajilla
| 2136 | Sunday, May 05, 2019 11:19:35 | 4 years ago |
| <AncestorCrimes.webm> | MALO - March of Progress
| 2298 | Sunday, May 05, 2019 11:17:32 | 4 years ago |
| <BigMushroomGondola.webm> | The J. Arthur Keenes Band - Low Tide
| 2108 | Sunday, May 05, 2019 11:07:37 | 4 years ago |
| <GondolaHallway.mp4> | Men I Trust - Say, Can You Hear
| 2973 | Sunday, March 31, 2019 11:55:04 | 4 years ago |
| <GondolaNap.webm> | Kirby's Epic Yarn OST - Kirby's Pad
| 1998 | Sunday, March 31, 2019 11:54:41 | 4 years ago |
| <GondolaMothForest.webm> | Jade Cocoon OST - Moth Forest
| 1914 | Sunday, March 31, 2019 11:54:28 | 4 years ago |
| <GondolaMoon3.webm> | Super Mario Galaxy OST - Luma
| 2174 | Sunday, March 31, 2019 11:54:17 | 4 years ago |
| <GondolaGraveVisit.webm> | Joe Bongiorno - Ascent
| 1965 | Sunday, March 31, 2019 11:54:03 | 4 years ago |
| <ClassicGondolaGame.webm> | | 2155 | Sunday, March 31, 2019 11:53:57 | 4 years ago |
| <GondolaRomanum.mp4> | Age of Empires: Rise of Rome OST - (unknown)
| 2929 | Sunday, March 31, 2019 11:50:44 | 4 years ago |
| <GondolaDrabForest.webm> | Voices From The Lake Feat. Donato Dozzy & Neel - HGS
| 2038 | Sunday, March 31, 2019 11:50:33 | 4 years ago |
| <WesternGondola2.webm> | Marty Robbins - Big Iron
| 1741 | Sunday, March 31, 2019 11:50:19 | 4 years ago |
| <SimpleFarmerGondola.webm> | Harvest Moon : A Wonderful Life OST - Farm Theme (Slow Life)
| 1746 | Sunday, March 31, 2019 11:50:05 | 4 years ago |
| <GondolaEngineer.webm> | Life Universe - Arabesque No. 1
| 1919 | Sunday, March 31, 2019 11:49:57 | 4 years ago |
| <GondolaBusStob.webm> | The Woodies - K-55
| 1982 | Sunday, March 31, 2019 11:49:42 | 4 years ago |
| <GondolaCredits.mp4> | Angelo Badalamenti - Twin Peaks Theme (Instrumental)
| 2971 | Sunday, March 31, 2019 11:49:36 | 4 years ago |
| <GondolaXMasTime.webm> | White Christmas (Remastered 1999)
| 2936 | Sunday, March 31, 2019 11:49:16 | 4 years ago |
| <GondolaSpiritMeditation.webm> | Lego Island 2 OST - Fishing
| 1867 | Sunday, March 31, 2019 11:49:03 | 4 years ago |
| <KidsOnTheWall.webm> | LittleBigPlanet OST - Sepia Tones
| 1684 | Sunday, March 31, 2019 11:48:40 | 4 years ago |
| <TeaWithLadyBug.webm> | Paniyolo - Color
| 1808 | Saturday, March 30, 2019 10:59:17 | 4 years ago |
| <GondolaProcession.webm> | | 1779 | Saturday, March 30, 2019 10:59:01 | 4 years ago |
| <SleepingGondola2.webm> | Undertale OST - Undertale
| 1674 | Saturday, March 30, 2019 10:58:24 | 4 years ago |
| <CupOfHotCoco.webm> | Yume Miru Kusuri ユメミルクスリ - The Orange Dusk is Just Around the Corner
| 2033 | Saturday, March 30, 2019 10:58:01 | 4 years ago |
| <GondoTree.webm> | Bit Heroes OST - The Forest of Redemption
| 1992 | Saturday, March 30, 2019 10:57:21 | 4 years ago |
| <AnEnemyHasAppeared.webm> | Undertale OST - Battle Against a True Hero
| 2472 | Saturday, March 30, 2019 10:57:13 | 4 years ago |
| <V109e.webm> | idealism - phosphenes
| 1720 | Saturday, March 30, 2019 10:56:38 | 4 years ago |
| <BorryFarm.webm> | John McCormack - It's A Long Way To Tipperary
| 2006 | Tuesday, March 26, 2019 06:36:33 | 4 years ago |
| <RainyNightGond2.webm> | Michel Colombier - Emmanuel
| 1746 | Tuesday, March 26, 2019 06:35:59 | 4 years ago |
| <GondolaDerelictChurch.webm> | Nine Inch Nails - Adrift And At Peace
| 2057 | Tuesday, March 26, 2019 06:35:19 | 4 years ago |
| <DrifterGondola.webm> | Miguel Chamarro Benito - Galaxyar
| 2000 | Sunday, March 24, 2019 18:39:30 | 4 years ago |
| <DeusExGondola.webm> | Deus Ex: Human Revolution OST - Penthouse
| 2006 | Friday, March 22, 2019 17:59:11 | 4 years ago |
| <GondolaJustWantsAQuiteLife.webm> | JoJo's Bizarre Adventure: Diamond is Unbreakable - Crazy Noisy Bizarre Town, Chase You, Great Days (Mix)
| 2080 | Friday, March 22, 2019 17:59:02 | 4 years ago |
| <GondolaProdigalSon.webm> | | 1905 | Friday, March 22, 2019 17:57:55 | 4 years ago |
| <GondolaNight2.webm> | Fizzd - Intimate
| 2094 | Friday, March 22, 2019 17:57:16 | 4 years ago |
| <HotGondolaMiami.webm> | Hotline Miami 2 OST | Modulogeek - Around
| 1820 | Friday, March 22, 2019 17:56:27 | 4 years ago |
| <StairwayGondola.webm> | | 1709 | Friday, March 22, 2019 17:55:39 | 4 years ago |
| <Questing.webm> | Cubivore OST - Get Symbol
| 1673 | Sunday, March 17, 2019 13:42:19 | 4 years ago |
| <Cubidola.webm> | Cubivore OST - Sleep, Sleep
| 2016 | Sunday, March 17, 2019 13:42:09 | 4 years ago |
| <GuardianOfIce.webm> | Hexen OST - Guardian of Ice / Simon
| 1753 | Sunday, March 17, 2019 07:29:08 | 4 years ago |
| <BlackSmithGondola.mp4> | The Elder Scrolls: Oblivion OST - Soule
| 3304 | Friday, March 08, 2019 08:06:05 | 4 years ago |
| <CornerStore.mp4> | Lipps Inc. - Funkytown
| 3116 | Friday, March 08, 2019 08:05:45 | 4 years ago |
| <ApocalypseFerris.mp4> | Yann Tiersen - La valse d'Amelie
| 3434 | Friday, March 08, 2019 08:05:15 | 4 years ago |
| <GondolaBrowsingGoodBread.mp4> | | 3116 | Friday, March 08, 2019 08:04:49 | 4 years ago |
| <ColdLostGondola.webm> | Metro 2033 Redux OST - Guitar song w/female vocals
| 2152 | Friday, March 08, 2019 01:37:09 | 4 years ago |
| <StrongholdCrusaderGondola.webm> | Robert Euvino - Crusader Solo
| 1771 | Friday, March 08, 2019 01:36:36 | 4 years ago |
| <StalkerMeditationGondola.webm> | Stalker OST | Edward Artemiev - Mediation
| 1918 | Friday, March 08, 2019 01:36:17 | 4 years ago |
| <DarkestDungeonGondola.webm> | Darkest Dungeon OST - The Hamlet
| 2192 | Friday, March 08, 2019 01:36:02 | 4 years ago |
| <GrimFandangoGondola.webm> | Grim Fandango OST - She Sailed Away
| 1742 | Friday, March 08, 2019 01:35:23 | 4 years ago |
| <PapersPleaseGondola.webm> | Papers, Please OST - Death Theme
| 1686 | Friday, March 08, 2019 01:34:53 | 4 years ago |
| <ForeverIBMGondola.webm> | Peggy Lee - Fever
| 1945 | Friday, March 08, 2019 01:34:27 | 4 years ago |
| <NichijouShortThoughtsGondola.webm> | Nichijou OST - Hitokoto Wado Kotaba
| 1722 | Friday, March 08, 2019 01:34:12 | 4 years ago |
| <NichijouHelveticaStandard.webm> | 日常 Nichijou OST - Helvetica Standard Sono 2
| 1661 | Friday, March 08, 2019 01:33:52 | 4 years ago |
| <GondolaPeng.webm> | Autechre - Second Peng
| 2110 | Thursday, February 28, 2019 00:05:42 | 4 years ago |
| <TheGondolasOfDarkness.webm> | Scarzy Swooz - Turnpike Sauce (feat. Spittiiee Spark)
| 1734 | Thursday, February 28, 2019 00:04:04 | 4 years ago |
| <CantHelpFallingInLoveWithYou.webm> | AcousticTrench - Can't Help Falling In Love on a Kalimba
| 2166 | Thursday, February 28, 2019 00:03:37 | 4 years ago |
| <KingdomGondolaRest.webm> | Stronghold OST - The Maiden
| 1721 | Thursday, February 28, 2019 00:03:16 | 4 years ago |
| <GondolaFish.webm> | Talking Heads - Take Me To The River
| 1833 | Thursday, February 28, 2019 00:02:44 | 4 years ago |
| <AnEndingAGondola.webm> | Dustin O'Halloran - An Ending, A Beginning
| 2319 | Thursday, February 28, 2019 00:02:09 | 4 years ago |
| <SaveTheGondolaGuldure.webm> | | 1671 | Thursday, February 28, 2019 00:01:28 | 4 years ago |
| <GondolaOfMira.webm> | Xenoblade Chronicles X OST - fiKAIeldJOU (Ocean Night)
| 1857 | Thursday, February 28, 2019 00:00:42 | 4 years ago |
| <GondolaPoor.webm> | Yume Nikki OST - Barracks Settlement
| 1935 | Wednesday, February 27, 2019 23:59:36 | 4 years ago |
| <NasaGondola.webm> | Emilie Simon - Aurora Australis
| 1668 | Wednesday, February 27, 2019 23:59:18 | 4 years ago |
| <LittleWun.webm> | Spirited Away OST - Itsumo Nando Demo
| 1791 | Wednesday, February 27, 2019 23:58:05 | 4 years ago |
| <BondedInSummer.mp4> | 童麗-又見雨夜花 [Tong Li-See rainy night flowers again]
| 3255 | Tuesday, February 19, 2019 01:17:25 | 4 years ago |
| <GondolaAkira.webm> | AKIRA OST - Geinoh Yamashirogumi-Kaneda
| 2105 | Tuesday, February 19, 2019 01:17:00 | 4 years ago |
| <VeiGondola.mp4> | | 2709 | Tuesday, February 19, 2019 01:15:54 | 4 years ago |
| <SnowdolaShoppingExperience.webm> | Dan Mason ダン·メイソン - Breaking Down
| 1704 | Tuesday, February 19, 2019 01:11:58 | 4 years ago |
| <GondolaMetroIrl.webm> | Burial - In McDonalds
| 1963 | Tuesday, February 19, 2019 01:11:43 | 4 years ago |
| <GondolaGreenForest.webm> | Requiem For A Dream Music Box Version
| 1922 | Tuesday, February 19, 2019 01:11:26 | 4 years ago |
| <DriftingGondola.webm> | Hyper Light Drifter OST - Panacea
| 2002 | Tuesday, February 19, 2019 01:11:07 | 4 years ago |
| <ComfyBoys.webm> | | 2037 | Tuesday, February 19, 2019 01:10:10 | 4 years ago |
| <CafetGondola.webm> | | 2103 | Tuesday, February 19, 2019 01:09:56 | 4 years ago |
| <AscendingToThePlaceOfGodola.webm> | Hatsune Miku - Distance
| 2286 | Tuesday, February 19, 2019 01:09:43 | 4 years ago |
| <JailedGondola.webm> | Johnny Cash - Folsom Prison Blues
| 1785 | Tuesday, February 19, 2019 01:09:26 | 4 years ago |
| <AshAndTears.webm> | Battle for Wesnoth OST - Elvish Theme
| 2632 | Thursday, February 14, 2019 22:32:24 | 4 years ago |
| <CathedralToTheDarkMaster.webm> | | 2086 | Thursday, February 14, 2019 22:31:52 | 4 years ago |
| <GondolaRunning.webm> | Interstellar OST - No Time for Caution
| 2127 | Thursday, February 14, 2019 22:31:09 | 4 years ago |
| <GondolaBoomer.webm> | | 2103 | Thursday, February 14, 2019 22:24:08 | 4 years ago |
| <GondolaMeido.webm> | He is My Master OST - Aijou no Katamari
| 1922 | Wednesday, February 13, 2019 00:42:35 | 4 years ago |
| <FunkNitium.webm> | Fearofdark - Funknitium-99
| 2953 | Wednesday, February 13, 2019 00:41:42 | 4 years ago |
| <TheAwakenedOne.webm> | Rowdy Heart Music - Breezin'
| 1748 | Wednesday, February 13, 2019 00:41:01 | 4 years ago |
| <HolyTemple.webm> | | 1786 | Wednesday, February 13, 2019 00:40:38 | 4 years ago |
| <GondolaFieldsHotel.webm> | µ-Ziq - Strawberry Fields Hotel
| 1850 | Wednesday, February 13, 2019 00:40:21 | 4 years ago |
| <GondolaWithTheNugget.webm> | Ennio Morricone - Man With A Harmonica
| 1896 | Wednesday, February 13, 2019 00:38:42 | 4 years ago |
| <GondolaCar2.webm> | Ohia - Lioness
| 2060 | Wednesday, February 13, 2019 00:38:00 | 4 years ago |
| <GondolaOn4Chan.webm> | | 1946 | Wednesday, February 13, 2019 00:37:41 | 4 years ago |
| <Death.webm> | Adrian von Ziegler - Ásgarðr
| 2175 | Wednesday, February 13, 2019 00:35:34 | 4 years ago |
| <GondolasLastPost.webm> | | 1866 | Monday, February 11, 2019 04:13:31 | 4 years ago |
| <CyberpunkBarGondola.webm> | VA-11 HALL-A OST - A Star Pierces the Darkness
| 2346 | Sunday, February 10, 2019 00:30:04 | 4 years ago |
| <TheLongLost.webm> | Lost in Shadow OST - Hinagiku
| 1758 | Sunday, February 10, 2019 00:28:55 | 4 years ago |
| <EternityToPonderInfinity.webm> | | 2014 | Sunday, February 10, 2019 00:28:32 | 4 years ago |
| <GondolaBeksinski2.webm> | Zbigniew Preisner - Dekalog IV Part 2
| 2142 | Sunday, February 10, 2019 00:28:13 | 4 years ago |
| <GondolaSanTelmo.webm> | Tarantella - San Telmo
| 1856 | Sunday, February 10, 2019 00:27:48 | 4 years ago |
| <BioshockTunnel.webm> | Bobby Darin - Beyond the sea
| 2121 | Sunday, February 10, 2019 00:27:15 | 4 years ago |
| <ThePortalFromSpurdo.webm> | | 1686 | Friday, February 08, 2019 20:17:34 | 4 years ago |
| <GondolaApartments.webm> | | 2157 | Friday, February 08, 2019 20:17:14 | 4 years ago |
| <ChristmasSnowGondola.webm> | Dunderpatrullen - 11 - Pompadour
| 2171 | Friday, February 08, 2019 20:15:42 | 4 years ago |
| <GondolaTwoMandolins.webm> | Robert Euvino - Two Mandolins
| 1932 | Friday, February 08, 2019 20:15:10 | 4 years ago |
| <CasualtiesOfWar.webm> | Battle for Wesnoth OST - Casualties Of War
| 2125 | Friday, February 08, 2019 20:14:36 | 4 years ago |
| <RomeTotalWarVictory.webm> | | 1832 | Friday, February 08, 2019 20:09:51 | 4 years ago |
| <GondolaPrayer.webm> | Ad Matutinum: Invitatorium - Deum verum
| 1992 | Friday, February 08, 2019 20:09:12 | 4 years ago |
| <LegendOfGondolaWoods.webm> | | 1713 | Friday, February 08, 2019 20:08:50 | 4 years ago |
| <HobbitGondola.webm> | The Hobbit OST - Far Over The Misty Mountains Cold
| 1816 | Monday, February 04, 2019 21:31:08 | 4 years ago |
| <GondolaRelaxingBuggo.webm> | | 1934 | Monday, February 04, 2019 18:46:39 | 4 years ago |
| <GondolaRestaurant.webm> | Ristorante Paradiso OST - Azalea Garden
| 2026 | Monday, February 04, 2019 18:46:23 | 4 years ago |
| <GondolaTownSunset.webm> | Azumanga Daioh OST - Shin gakki
| 2032 | Monday, February 04, 2019 18:46:12 | 4 years ago |
| <GondolaPath2.webm> | | 1971 | Monday, February 04, 2019 18:45:14 | 4 years ago |
| <MyGondolaPaintingIsNumber1.webm> | Xenogears OST | Yasunori Mitsuda - My Village is Number One
| 1694 | Monday, February 04, 2019 18:39:42 | 4 years ago |
| <HeavenlyFatherAreYouReallyThere.webm> | Janice Kapp Perry | Mormon Tabernacle Choir - A Child's Prayer
| 1763 | Sunday, February 03, 2019 20:24:58 | 4 years ago |
| <Dah.webm> | Siberiade OST | Eduard Artemyev - Theme (remix)
| 2085 | Sunday, February 03, 2019 20:24:31 | 4 years ago |
| <SweetWhisperAndLovesSweetTouch.webm> | Blue Submarine No. 6 OST - Mina Soko ni Nemure
| 1739 | Sunday, February 03, 2019 15:01:14 | 4 years ago |
| <GondolaFishing3.webm> | | 2031 | Sunday, February 03, 2019 14:59:30 | 4 years ago |
| <CaptchDola.webm> | Donkey Kong Country - DK Island Swing
| 2078 | Sunday, February 03, 2019 14:59:17 | 4 years ago |
| <SnowWalk.webm> | | 1686 | Sunday, February 03, 2019 14:58:54 | 4 years ago |
| <GondolaInBed2.webm> | Marlon Williams - Strange Things
| 1927 | Sunday, February 03, 2019 14:58:24 | 4 years ago |
| <GondolaOnEdge.webm> | Built to Spill - I Would Hurt a Fly
| 2086 | Sunday, February 03, 2019 14:57:34 | 4 years ago |
| <GondolaEnd.webm> | Minecraft Volume Beta OST - The End
| 2092 | Saturday, February 02, 2019 21:36:05 | 4 years ago |
| <AuroraGond.webm> | Kirby's Epic Yarn OST - Dream Land
| 2278 | Saturday, February 02, 2019 19:34:32 | 4 years ago |
| <GondolaInEden.webm> | Gregorio Allegri - Miserere mei, Deus
| 2162 | Saturday, February 02, 2019 19:30:02 | 4 years ago |
| <GondolaCongratulatio.webm> | Arany Zoltán - Militaris congratulatio
| 2216 | Saturday, February 02, 2019 14:44:06 | 4 years ago |
| <HeldByMemories.webm> | Perfect Blue OST - These Memories
| 1724 | Saturday, February 02, 2019 00:51:55 | 4 years ago |
| <RnLullaby.webm> | | 1670 | Saturday, February 02, 2019 00:51:30 | 4 years ago |
| <GondolaMeet.webm> | Elijah Who - lychee juice
| 1956 | Saturday, February 02, 2019 00:50:51 | 4 years ago |
| <LaValseDAmelie.webm> | | 1724 | Saturday, February 02, 2019 00:49:47 | 4 years ago |
| <AndILoveYouSoReflectionLake.webm> | Don McLean - And I Love You So
| 2523 | Saturday, February 02, 2019 00:48:51 | 4 years ago |
| <GondolaHunter.webm> | MHX OST - Theme of Pokke Village
| 1969 | Saturday, February 02, 2019 00:47:51 | 4 years ago |
| <GondolaDive.webm> | C418 - shuniji
| 2082 | Saturday, February 02, 2019 00:47:04 | 4 years ago |
| <CrystalSnowGondola.webm> | Xenoblade Chronicles OST - Snowy Valek Mountain Night
| 2031 | Saturday, February 02, 2019 00:45:47 | 4 years ago |
| <GondolaArcher.webm> | Yiruma - River Flows In You
| 2119 | Saturday, February 02, 2019 00:45:29 | 4 years ago |
| <GondolaChristmasCarol.webm> | Peter Alexander - Stille Nacht (Silent Night in German)
| 2007 | Thursday, January 31, 2019 19:59:37 | 4 years ago |
| <WhyCantIBeHappy.webm> | Metro: Last Light OST - Credits Song
| 1810 | Thursday, January 31, 2019 19:57:52 | 4 years ago |
| <SpaceflightKestrelA.webm> | Efence - Spaceflight
| 1760 | Thursday, January 31, 2019 19:57:11 | 4 years ago |
| <TakeMeSomewhereNice.webm> | Mogwai - Take Me Somewhere Nice
| 1825 | Thursday, January 31, 2019 19:56:38 | 4 years ago |
| <TheTune.webm> | | 1745 | Thursday, January 31, 2019 19:55:52 | 4 years ago |
| <SpecialTrain.webm> | Anamanaguchi - Interlude (Gymnopedie No. 1)
| 1829 | Thursday, January 31, 2019 19:54:06 | 4 years ago |
| <4V3313.webm> | Adventure Time OST - Everything Stays (instrumental)
| 3004 | Tuesday, January 29, 2019 22:49:43 | 4 years ago |
| <GondolaCowboy.webm> | Jincheng Zhang - Equivalent I Love You
| 2110 | Tuesday, January 29, 2019 22:47:49 | 4 years ago |
| <GondolaCityGamer.webm> | World of Warcraft OST - Song of Elune
| 2118 | Thursday, January 24, 2019 01:37:57 | 4 years ago |
| <GondolaOfTheLands.webm> | Dråm - Valltrall
| 2042 | Saturday, January 12, 2019 21:12:27 | 4 years ago |
| <MirrorsGondola2.webm> | Mirror's Edge OST - Kate Puzzle
| 1822 | Saturday, January 12, 2019 21:11:55 | 4 years ago |
| <GondolaWind.webm> | | 1929 | Saturday, January 12, 2019 21:10:29 | 4 years ago |
| <EmptyBliss.webm> | The Caretaker - All You Are Going To Want To Do Is Get Back There
| 2361 | Saturday, January 12, 2019 21:08:17 | 4 years ago |
| <EstateEscape200x.webm> | Artful Dodger ft Romina Johnson - Movin Too Fast [Original Mix]
| 1974 | Saturday, January 12, 2019 21:07:10 | 4 years ago |
| <ChineseRestaurant.webm> | | 2236 | Saturday, December 22, 2018 14:06:46 | 5 years ago |
| <InTheFieldWithBrian.webm> | Datach'i - In The Field With Brian
| 1851 | Saturday, December 22, 2018 14:03:26 | 5 years ago |
| <GreetingsGondola.webm> | Pilotredsun - Greetings
| 1904 | Saturday, December 22, 2018 14:01:58 | 5 years ago |
| <GondolaCityRuins.webm> | Nier Automata OST - City Ruins (Rays of Light)
| 2452 | Saturday, December 22, 2018 13:54:29 | 5 years ago |
| <GondolaTimesRicardo.webm> | Paramour - Hard Times, Basshunter - DotA
| 2085 | Saturday, December 22, 2018 13:54:07 | 5 years ago |
| <MemoriesOfGondola.webm> | NieR Automata OST - Memories of Dust
| 1850 | Saturday, December 22, 2018 13:53:29 | 5 years ago |
| <OxenFree.webm> | scntfc - Towhee Grove
| 1833 | Saturday, December 22, 2018 13:52:59 | 5 years ago |
| <MirrorsEdgeGondola.webm> | Lisa Miskovsky - Still Alive (Instrumental)
| 1875 | Saturday, December 22, 2018 13:52:46 | 5 years ago |
| <ElevatorGondola.webm> | Francesco Novara - "Melancholy"
| 2704 | Saturday, December 22, 2018 13:51:52 | 5 years ago |
| <Wanderer.webm> | Slowdive - Crazy for You (Alternate Version - Pygmalion 2010 Reissue)
| 2092 | Saturday, December 22, 2018 13:50:38 | 5 years ago |
| <MirrorsGondola.webm> | Mirror's Edge Catalyst OST - The Shard
| 1922 | Saturday, December 22, 2018 13:49:43 | 5 years ago |
| <GondolaAtWar.webm> | William Basinski - The Disintegration Loops
| 2281 | Saturday, December 22, 2018 13:49:27 | 5 years ago |
| <SunflowerGondola.webm> | To The Moon OST - Take Me Anywhere
| 1953 | Monday, December 10, 2018 04:45:07 | 5 years ago |
| <CantStopNow.webm> | Spongebob OST - Give It All You've Got
| 2509 | Saturday, November 10, 2018 17:06:36 | 5 years ago |
| <GondolaSpark.webm> | <None>
| 2189 | Saturday, November 10, 2018 17:05:33 | 5 years ago |
| <EverythingElse.webm> | Syd Matters - Everything Else
| 2109 | Saturday, November 10, 2018 17:03:47 | 5 years ago |
| <GondolasDance.webm> | C418 - Leak
| 2069 | Saturday, November 10, 2018 17:03:30 | 5 years ago |
| <InfTower.webm> | <none>
| 1878 | Sunday, November 04, 2018 18:27:54 | 5 years ago |
| <Glider.webm> | Sufjan Stevens - Death With Dignity
| 2725 | Sunday, November 04, 2018 18:27:30 | 5 years ago |
| <Gonddo.webm> | Windows XP Installation Music
| 2757 | Saturday, November 03, 2018 19:42:18 | 5 years ago |
| <SpaceGondola13.webm> | Clown.wmv
| 1894 | Saturday, November 03, 2018 19:40:26 | 5 years ago |
| <NantokaNareGondola.webm> | Furuido - Nantoka Nare
| 1793 | Saturday, November 03, 2018 19:38:25 | 5 years ago |
| <EmptySchoolBuilding.webm> | | 2149 | Saturday, November 03, 2018 19:36:53 | 5 years ago |
| <Gondola1940.webm> | Gershwin - Rhapsody in Blue
| 2317 | Monday, October 29, 2018 22:41:56 | 5 years ago |
| <SadGondolaJourney.webm> | Claude Debussy - Clair de lune
| 2056 | Monday, October 29, 2018 22:41:01 | 5 years ago |
| <DancingGond.webm> | (2007) maf464 - Tututu
| 2359 | Monday, October 29, 2018 22:40:46 | 5 years ago |
| <SpaceGondolaCrash.webm> | Super Mario Galaxy OST - Space Junk Galaxy
| 1973 | Monday, October 29, 2018 22:39:58 | 5 years ago |
| <RenegateGondola.webm> | Xavier: Renegade Angel OST - Main Theme
| 1917 | Monday, October 29, 2018 22:39:21 | 5 years ago |
| <AncientGondola2.webm> | | 2722 | Monday, October 29, 2018 22:38:46 | 5 years ago |
| <FideSeen.webm> | Patricia Taxxon - Tall Grass
| 2064 | Monday, October 29, 2018 22:38:24 | 5 years ago |
| <GondolaFortress.webm> | Dwarf Fortress - Menu Music
| 2217 | Monday, October 29, 2018 22:37:52 | 5 years ago |
| <GondolaIllusion.webm> | La Mulana Remake OST - Wonder of the Wonder
| 2038 | Monday, October 29, 2018 22:36:51 | 5 years ago |
| <GondolaEden2.webm> | La Mulana Remake OST - Eden
| 2193 | Monday, October 29, 2018 22:36:43 | 5 years ago |
| <GondolasEpicYarn.mp4> | Kirby's Epic Yarn OST - Melody Town
| 3014 | Monday, October 29, 2018 22:34:55 | 5 years ago |
| <AquaticGondola2.webm> | Sonic the Hedgehog 2006 OST - Aquatic Base Level 1
| 2405 | Monday, October 29, 2018 22:21:55 | 5 years ago |
| <SolGondola.webm> | Sonic 2006 (Town music)
| 1823 | Monday, October 29, 2018 22:21:38 | 5 years ago |
| <GondolaCombing.webm> | Mother 3 OST - Beachcombing
| 2094 | Monday, October 29, 2018 22:21:07 | 5 years ago |
| <PinkGondola2.webm> | | 1824 | Monday, October 29, 2018 22:20:42 | 5 years ago |
| <JustTheTrain.webm> | Aphex Twin - Alberto Balsam
| 2371 | Monday, October 29, 2018 22:20:18 | 5 years ago |
| <MoonstrideGondola.webm> | Dvar - Hishmaliin
| 1869 | Monday, October 29, 2018 22:19:10 | 5 years ago |
| <GondolaSorrow.webm> | Fullmetal Alchemist Brotherhood OST - Sorrowful Stone
| 2028 | Monday, October 29, 2018 22:16:47 | 5 years ago |
| <GondolaRain2.webm> | Fullmetal Alchemist: Brotherhood OST - Crime and Punishment
| 2221 | Monday, October 29, 2018 22:16:14 | 5 years ago |
| <GondolaHowlingBjord.webm> | World of Warcraft: Wrath of the Lich King OST - Howling Fjord
| 2154 | Monday, October 29, 2018 22:15:01 | 5 years ago |
| <GondolaPostingAllDay.webm> | | 2008 | Monday, October 29, 2018 22:14:45 | 5 years ago |
| <GondolaFridayNight.webm> | The Droge & Summers Blend - Two Of The Lucky Ones
| 2057 | Monday, October 29, 2018 22:14:35 | 5 years ago |
| <FinnishGondola.webm> | Popeda - Ukkometso
| 2130 | Monday, October 29, 2018 22:14:19 | 5 years ago |
| <FeltTooMuch.webm> | Type O Negative - Stay Out of My Dreams
| 2185 | Monday, October 29, 2018 22:14:12 | 5 years ago |
| <GondolaESNoMore.webm> | Nick Cave & Warren Ellis - The road
| 2103 | Monday, October 29, 2018 22:13:30 | 5 years ago |
| <GondApple.webm> | Erik Satie - Gymnopédie No.1
| 2575 | Monday, October 29, 2018 22:13:09 | 5 years ago |
| <DeadFlagBlues.webm> | Godspeed You! Black Emperor - The Dead Flag Blues
| 2563 | Monday, October 29, 2018 22:09:52 | 5 years ago |
| <2001Gondola.webm> | Richard Strauss - Also Sprach Zarathusra
| 3703 | Monday, October 29, 2018 22:06:37 | 5 years ago |
| <GondolaSnowman2.webm> | Vàli - Et Teppe Av Mose
| 2026 | Monday, October 29, 2018 22:06:16 | 5 years ago |
| <GondolaWasThere.webm> | Katawa Shoujo OST - Painful History (Hanako's Theme)
| 2101 | Monday, October 29, 2018 22:05:59 | 5 years ago |
| <Gondolalone.webm> | Naruto OST - Alone
| 1957 | Monday, October 29, 2018 22:04:54 | 5 years ago |
| <LongGondola.mp4> | Yoko Kanno - Long Goodbye
| 2927 | Monday, October 29, 2018 22:03:21 | 5 years ago |
| <GondolaUnderground2.webm> | Future Holograms - Valentine
| 2013 | Monday, October 29, 2018 22:00:40 | 5 years ago |
| <TheGondolaWhoWouldNeverBeWhatTheyMadeHimToBe.webm> | John Maus - Hey Moon
| 5524 | Monday, October 29, 2018 21:59:56 | 5 years ago |
| <GondolaCyberpunk.webm> | SUDUAYA - Unity
| 2393 | Monday, October 29, 2018 21:58:17 | 5 years ago |
| <GondolasStory.webm> | Night in the Woods OST - Angus' Story
| 1928 | Sunday, October 28, 2018 11:39:42 | 5 years ago |
| <TheShapeOfGondola.webm> | Alexandre Desplay - The Shape Of Water
| 1801 | Sunday, October 28, 2018 11:39:09 | 5 years ago |
| <WaldorfBanksideServic124ed.webm> | Kudasai - You make colors out of grey
| 1842 | Sunday, October 28, 2018 11:36:05 | 5 years ago |
| <WalkOnTheGondolaSide.webm> | Lou Reed - Take A Walk On The Wild Side
| 1773 | Sunday, October 28, 2018 11:35:19 | 5 years ago |
| <TheGondolaAtTheCenterOfEverything.webm> | Night in the Woods OST - The Hole at the Center of Everything
| 1843 | Sunday, October 28, 2018 11:34:36 | 5 years ago |
| <Enderal.webm> | Enderal: The Shards of Order OST - Shattered Dreams
| 2127 | Sunday, October 28, 2018 11:32:04 | 5 years ago |
| <TalviauringonGondola.webm> | Wintersun - Time
| 1807 | Sunday, October 28, 2018 11:31:06 | 5 years ago |
| <Stockyards.webm> | Oddworld: Abe's Oddysee OST - Abe's Theme
| 1801 | Sunday, October 28, 2018 11:30:45 | 5 years ago |
| <GondolaPlanets.webm> | The Planets (1999) OST - Main Title
| 2062 | Sunday, October 28, 2018 11:29:11 | 5 years ago |
| <ConsiderTheMallternative.webm> | Linkin Park - In The End (Remixed)
| 2168 | Tuesday, October 23, 2018 22:42:48 | 5 years ago |
| <CyberGondola3.webm> | Megaman X4 - Cyber Peacock Stage
| 2198 | Tuesday, October 23, 2018 06:42:03 | 5 years ago |
| <GondolaInSpace2.webm> | Radiohead - No Surprise (8 bit)
| 2437 | Tuesday, October 23, 2018 06:37:47 | 5 years ago |
| <GondolaAsTheMiddleTriptych.webm> | Tryptych Part 2 - Blockhead
| 2250 | Tuesday, October 23, 2018 06:29:34 | 5 years ago |
| <GondolaCity2.webm> | Deadmau5 - Everything You Are
| 2392 | Monday, October 22, 2018 00:47:16 | 5 years ago |
| <AtSeventeen.webm> | Ian - At Seventeen
| 2454 | Saturday, October 13, 2018 12:03:36 | 5 years ago |
| <GondolaValleyForce.webm> | Kuma - Valley Force
| 2089 | Wednesday, September 19, 2018 09:47:29 | 5 years ago |
| <GondolaSeesTheFuture.webm> | Nepalese Bliss - The Irresistible Force
| 2103 | Wednesday, September 19, 2018 09:47:04 | 5 years ago |
| <WatlandYutaniGondola.webm> | Radioactive Man - 1/u=Daven't Nay
| 1889 | Wednesday, September 19, 2018 09:46:49 | 5 years ago |
| <CommutingWageDola.webm> | Kid Creole & The Coconuts - Stool Pigeon
| 2208 | Wednesday, September 19, 2018 09:44:36 | 5 years ago |
| <GondolaGwent.webm> | The Witcher 3: Extended OST - Another Round For Everyone
| 2219 | Sunday, September 16, 2018 23:37:35 | 5 years ago |
| <GondolasSleepParalysis.webm> | OOO - Sleep Paralysis
| 2083 | Sunday, September 16, 2018 05:21:55 | 5 years ago |
| <GondolaSailingTowardsTheLight.webm> | Tron Legacy OST - Solar Sailer
| 2172 | Sunday, September 16, 2018 05:21:09 | 5 years ago |
| <GondolaForever.webm> | µ-Ziq - Melting Bas
| 2217 | Sunday, September 16, 2018 05:20:10 | 5 years ago |
| <GondolaMiki.webm> | Devilman Crybaby OST - From Here to Eternity
| 2167 | Thursday, September 13, 2018 05:14:31 | 5 years ago |
| <GondolaHeaven.webm> | | 2171 | Monday, September 10, 2018 22:31:53 | 5 years ago |
| <AdventureTimeGondola.webm> | Adventure Time OST - Time Adventure (Finale Song)
| 3086 | Monday, September 10, 2018 22:31:32 | 5 years ago |
| <GondolaFeelsLikeSummer.webm> | Childish Gambino - Feels Like Summer
| 2239 | Thursday, September 06, 2018 17:37:09 | 5 years ago |
| <GondolaGatari.webm> | Kizumonogatari Part III OST - Ending Theme 「étoile et toi」
| 2586 | Thursday, September 06, 2018 17:36:56 | 5 years ago |
| <GondolaUso.webm> | Shigatsu wa Kimi no Uso OST - Watashi no Uso
| 2084 | Thursday, September 06, 2018 17:36:27 | 5 years ago |
| <21Gondola.webm> | | 3347 | Wednesday, September 05, 2018 16:55:32 | 5 years ago |
| <ComeAlongWithMe.webm> | Adventure Time - Island Song
| 2262 | Wednesday, September 05, 2018 16:55:20 | 5 years ago |
| <GondolaAndSwampMechanisms.webm> | Slowdive - Nightmare
| 2268 | Wednesday, September 05, 2018 16:54:39 | 5 years ago |
| <SmokingOnStarstuff.webm> | Hazy Year - Smoking on Starstuff
| 2437 | Monday, September 03, 2018 18:13:51 | 5 years ago |
| <GondolaPraambulum.webm> | Ensemble Caprice | Collection Uhrovska - Präambulum
| 2163 | Monday, September 03, 2018 06:01:56 | 5 years ago |
| <GondolasRestingState.webm> | Jur x - Chronicles of Outer Space
| 1983 | Sunday, September 02, 2018 00:11:40 | 5 years ago |
| <WheelsOfGondola.webm> | Black Sabbath - Wheels of Confusion
| 1886 | Saturday, September 01, 2018 23:58:18 | 5 years ago |
| <AlDiGondeola.webm> | Al Di Meola - Orient Blue
| 2699 | Saturday, September 01, 2018 23:54:54 | 5 years ago |
| <GuardianGondola3.webm> | Aphex Twin - Stone In Focus
| 2042 | Saturday, September 01, 2018 23:44:51 | 5 years ago |
| <RainyDay.webm> | Hidden Orchestra - Stone
| 1867 | Saturday, September 01, 2018 23:43:46 | 5 years ago |
| <BetweenTheGondolas.webm> | Al Stewart - Laughing Into 1939
| 2395 | Tuesday, August 28, 2018 21:19:57 | 5 years ago |
| <GondolaInTheMorning.webm> | Automatic Tasty - Field In The Morning
| 2098 | Tuesday, August 28, 2018 21:19:08 | 5 years ago |
| <GondjectionOverruled.webm> | Ace Attorney OST - Gyakuten Meets Orchestra: Godot's Theme, Fragrance of Dark Coffee
| 2738 | Saturday, August 25, 2018 19:55:51 | 5 years ago |
| <AbandonedSuburbGondola.webm> | Mount Eerie - Lost Wisdom
| 3112 | Friday, August 24, 2018 17:07:21 | 5 years ago |
| <ThreeEpisodesOfGondola.webm> | Vangelis - La Petite Fille de la Mer
| 1915 | Friday, August 24, 2018 16:55:53 | 5 years ago |
| <Gonads.webm> | Luke Vibert - Spiral Staircase (AFX Remix)
| 2741 | Wednesday, August 22, 2018 05:47:58 | 5 years ago |
| <StairsPainting.webm> | Aphex Twin - Qkthr
| 2107 | Wednesday, August 22, 2018 05:46:28 | 5 years ago |
| <GuardianGondola2.webm> | Aphex Twin - Stone In Focus
| 2074 | Wednesday, August 22, 2018 05:45:38 | 5 years ago |
| <TheArrowThatKilledGondola.webm> | Suikoden II OST - Days Past
| 1946 | Wednesday, August 22, 2018 05:44:34 | 5 years ago |
| <GondolaLabourInTheField.webm> | King's Singers - Margot labourez les vignes
| 2183 | Wednesday, August 22, 2018 05:42:30 | 5 years ago |
| <GondolaLittleBoxes.webm> | Malvina Reynolds - Little Boxes
| 2066 | Wednesday, August 22, 2018 05:41:24 | 5 years ago |
| <TheForbiddenTower.webm> | The Talos Principle OST | Damjan Mravunac - Tower
| 2026 | Wednesday, August 22, 2018 05:41:01 | 5 years ago |
| <Avril14th.webm> | | 2451 | Wednesday, August 22, 2018 05:39:08 | 5 years ago |
| <SixtyNineDude.webm> | Boards of Canada - Sixtyniner
| 1868 | Wednesday, August 22, 2018 05:38:51 | 5 years ago |
| <Sunburn.webm> | Sunburn - Decal
| 1903 | Wednesday, August 22, 2018 05:37:27 | 5 years ago |
| <Bombdola.webm> | Ghost Trick OST - Countdown
| 2337 | Wednesday, August 22, 2018 05:36:56 | 5 years ago |
| <GuardianGondola.webm> | Aphex Twin - Stone In Focus
| 2129 | Sunday, August 05, 2018 09:17:49 | 5 years ago |
| <GondolaPeachCastle.webm> | Super Mario 64 OST - Staff Roll
| 2434 | Sunday, August 05, 2018 08:18:23 | 5 years ago |
| <CityGondola.webm> | Sugi.wa - Warmth.
| 2448 | Sunday, August 05, 2018 08:17:02 | 5 years ago |
| <CrossCountryGondola.webm> | Nick Drake - Harvest Breed
| 2271 | Saturday, August 04, 2018 13:58:55 | 5 years ago |
| <GondolaSalaryManTrain.webm> | Jesse Novak - Hallway
| 2151 | Saturday, August 04, 2018 13:58:39 | 5 years ago |
| <FugEngine.webm> | Fred Wesley - Funk for your Ass
| 4705 | Saturday, August 04, 2018 13:57:25 | 5 years ago |
| <PhilosophyOfGondola.webm> | Adam Ben Ezra - Can't Stop Running (Percussive Double Bass Solo)
| 1994 | Saturday, August 04, 2018 13:55:52 | 5 years ago |
| <GondolaPatterns.webm> | Opeth - Patterns in The Ivy 1
| 3044 | Saturday, August 04, 2018 13:55:00 | 5 years ago |
| <DandelionGondola.webm> | RahXephon 3 OST - 20 Before You Know
| 2261 | Saturday, August 04, 2018 13:54:35 | 5 years ago |
| <IllNeverLoveAgainMyWorldIsEnding.webm> | The End Of Evangelion OST - Komm, Süsser Tod
| 2261 | Saturday, August 04, 2018 13:51:37 | 5 years ago |
| <AsiatiGondola.webm> | 書道家の成長 - Calligrapher's Growth
| 2551 | Saturday, August 04, 2018 13:50:23 | 5 years ago |
| <DeceasedGondola.webm> | Louis Armstrong - What A Wonderful World
| 2260 | Saturday, August 04, 2018 13:49:19 | 5 years ago |
| <BoomerGondola.webm> | Doom Side of the Moon - Money
| 2554 | Saturday, August 04, 2018 13:48:59 | 5 years ago |
| <RunningGondola.webm> | | 2168 | Saturday, August 04, 2018 13:48:37 | 5 years ago |
| <SteampunkGondola.webm> | Professor Layton and the Unwound Future/Lost Future OST - More London Streets
| 1974 | Saturday, August 04, 2018 13:47:39 | 5 years ago |
| <Armagondolin.webm> | | 2545 | Saturday, August 04, 2018 13:47:28 | 5 years ago |
| <EgonSchiele.webm> | Henry Mancini - Days of Wine and Roses
| 2609 | Saturday, August 04, 2018 13:47:11 | 5 years ago |
| <GondolaAnimeGirl.webm> | RahXephon OST 3 - The Door of Adolescence
| 2401 | Saturday, August 04, 2018 13:46:28 | 5 years ago |
| <GondolaDreamingOfHer.webm> | Debussy - Rêverie
| 2324 | Saturday, August 04, 2018 13:45:20 | 5 years ago |
| <GondolaHarvest.webm> | Ich Suenge Gerne Huebschen Sanc
| 2200 | Saturday, August 04, 2018 13:45:08 | 5 years ago |
| <GondolaMountains.webm> | Wii Shop Theme - Jazz Cover (insaneintherainmusic)
| 2158 | Saturday, August 04, 2018 13:43:53 | 5 years ago |
| <NakedSnakeGon.webm> | Metal Gear Solid 3 OST - Title Screen
| 1959 | Friday, June 15, 2018 22:33:08 | 5 years ago |
| <GondolaSpaceWanderer.webm> | Cloud Atlas OST | Tom Tykwer, Johnny Klimek & Reinhold Heil - Cloud Atlas Finale
| 2376 | Friday, June 15, 2018 22:32:52 | 5 years ago |
| <SomeGondolaIUsedToKnow.webm> | Gotye - Somebody That I Used to Know
| 2356 | Friday, June 15, 2018 22:31:45 | 5 years ago |
| <BoyGondolaBeachHouse.webm> | Boy Pablo - Beach House
| 2479 | Friday, June 15, 2018 22:29:57 | 5 years ago |
| <GondolaNauts.webm> | Policenauts OST - End of the Dark
| 2190 | Friday, June 15, 2018 22:28:51 | 5 years ago |
| <CagneyOnTheScreen.webm> | Tom Waits - A Little Rain
| 2307 | Friday, June 15, 2018 22:28:25 | 5 years ago |
| <Binland.webm> | | 2627 | Friday, June 15, 2018 22:27:38 | 5 years ago |
| <Gon1.webm> | Open Ocean - Abysmal
| 2773 | Friday, June 15, 2018 22:27:23 | 5 years ago |
| <GondolaInTheMountains.webm> | Inka Marka - Loy Loy Loy
| 2425 | Saturday, June 09, 2018 06:37:19 | 5 years ago |
| <JungleGondola.webm> | | 2025 | Tuesday, June 05, 2018 01:12:22 | 5 years ago |
| <GondolaLightningBug.webm> | Windows to the Soul (feat. Aqualina)
| 2293 | Tuesday, June 05, 2018 01:11:45 | 5 years ago |
| <GoingHomeGondola.webm> | Bastion Soundtrack - Setting Sail, Coming Home (End Theme)
| 2866 | Friday, June 01, 2018 21:21:30 | 5 years ago |
| <PillarsOfNosGond.webm> | | 2101 | Friday, June 01, 2018 21:21:07 | 5 years ago |
| <GondolaSplendens.webm> | Jacek Urbaniak - Stella Splendens
| 2195 | Monday, May 28, 2018 18:31:40 | 5 years ago |
| <GondolaNuke.webm> | Frack Carrel - Dernier Braiser
| 2261 | Sunday, May 27, 2018 09:41:46 | 5 years ago |
| <GondolasOSLament.webm> | Portal 2 OST - PotatOS Lament
| 3354 | Sunday, May 27, 2018 06:35:35 | 5 years ago |
| <CocaineGondola.webm> | Miami Vice OST - Voodoo Dance
| 2460 | Friday, May 25, 2018 03:34:31 | 5 years ago |
| <GondolaMother.webm> | Hirokazu Tanaka - Magicant
| 2214 | Friday, May 25, 2018 03:32:16 | 5 years ago |
| <FloatingGondola.webm> | Cloakroom - Paperweight
| 2283 | Friday, May 25, 2018 03:31:26 | 5 years ago |
| <NausicaaGondola.webm> | Nausicaa OST - Kaze no Densetsu
| 2030 | Friday, May 25, 2018 03:31:07 | 5 years ago |
| <HaloGondola2.webm> | Halo OST - Theme
| 2269 | Friday, May 25, 2018 03:17:19 | 5 years ago |
| <GondolaInSpace.webm> | Boards of Canada - Everything You Do is a Balloon
| 2408 | Friday, May 25, 2018 03:16:38 | 5 years ago |
| <GondolaTokyoBridge.webm> | Saib - West Lake
| 2311 | Monday, May 14, 2018 23:11:24 | 5 years ago |
| <GondolaOnTheField.webm> | The Album Leaf - Window
| 2249 | Friday, May 11, 2018 07:40:45 | 5 years ago |
| <GondolaAwakening.webm> | Saor - The Awakening
| 2475 | Thursday, May 10, 2018 09:58:07 | 5 years ago |
| <ChocolateTruckSpill.webm> | Gothic Storm - Tortured Heart
| 2296 | Thursday, May 10, 2018 09:28:07 | 5 years ago |
| <GraveyardGondola.webm> | Both of Us - Idealism
| 2124 | Wednesday, May 02, 2018 00:24:41 | 5 years ago |
| <Nausica.webm> | Nausicaä of the Valley of the Wind OST - Requiem
| 2040 | Wednesday, May 02, 2018 00:23:19 | 5 years ago |
| <GondolaSaturn.webm> | Brian Eno - "2/2"
| 2306 | Wednesday, May 02, 2018 00:22:40 | 5 years ago |
| <WandererOfTheSea.webm> | Keita Haga - Sealed Ends of the Four Seas: Okeanos (Fate/Grand Order OST)
| 2014 | Wednesday, May 02, 2018 00:21:25 | 5 years ago |
| <EatYourPotatoes.webm> | | 2433 | Saturday, April 21, 2018 11:44:25 | 5 years ago |
| <Horizons.webm> | Genesis - Horizons
| 2176 | Saturday, April 14, 2018 14:34:27 | 5 years ago |
| <SealandGondola.webm> | | 2174 | Friday, April 13, 2018 18:15:07 | 5 years ago |
| <OperatorGondola.webm> | Glue70 - Plastic Way of Life
| 2109 | Thursday, April 12, 2018 22:12:34 | 5 years ago |
| <SpaceDandy.webm> | Space Dandy OST - Dandy in Love
| 2395 | Monday, April 09, 2018 03:33:53 | 5 years ago |
| <GondolaRoof.webm> | Undertale - Home (Piano cover)
| 2386 | Saturday, April 07, 2018 02:14:02 | 5 years ago |
| <Tayutau.webm> | DJ Okawari - Tayutau
| 2242 | Saturday, April 07, 2018 00:08:33 | 5 years ago |
| <GondolaViking.webm> | Lustmord - Babel
| 2309 | Saturday, April 07, 2018 00:07:14 | 5 years ago |
| <TheWreckOfGondola.webm> | Gordon Lightfoot - The Wreck of the Edmund Fitzgerald
| 2026 | Friday, April 06, 2018 23:58:28 | 5 years ago |
| <Stardola.webm> | Casiopea - Tears of The Star
| 2082 | Friday, April 06, 2018 23:57:01 | 5 years ago |
| <GoodbyeGondola2.webm> | | 2248 | Friday, April 06, 2018 23:55:52 | 5 years ago |
| <GondolaGonRage.webm> | Hunter x Hunter OST | Hirano Yoshihisa - Hyōri Ittai
| 2498 | Friday, April 06, 2018 23:47:26 | 5 years ago |
| <GondolaWaitingForATrain2.webm> | Amiina - Bíólagið
| 2306 | Friday, April 06, 2018 23:46:01 | 5 years ago |
| <SpaceOddity.webm> | David Bowie - Space Oddity (Piano)
| 2100 | Friday, April 06, 2018 23:43:01 | 5 years ago |
| <DownTheRiver.webm> | Braid OST - Downstream
| 2303 | Friday, April 06, 2018 23:37:53 | 5 years ago |
| <GondolaBikesDownASlope.webm> | | 2480 | Friday, April 06, 2018 23:31:27 | 5 years ago |
| <GondolaByTheBeach.webm> | | 2549 | Sunday, March 25, 2018 01:46:56 | 5 years ago |
| <IWantYouGondola.webm> | Marvin Gaye - I Want You (Intro Jam 2)
| 2129 | Sunday, March 25, 2018 01:46:41 | 5 years ago |
| <HaloGondola.webm> | Halo 2 Anniversary OST - Not a Number
| 2434 | Sunday, March 25, 2018 01:46:25 | 5 years ago |
| <MissingGondola.webm> | | 2077 | Sunday, March 25, 2018 01:38:21 | 5 years ago |
| <JuneGondola.webm> | Xenogears Creid - 07 June Mermaid
| 2146 | Friday, March 23, 2018 20:25:44 | 5 years ago |
| <Beginning2.webm> | Ico OST - Castle in the Mist
| 2760 | Friday, March 23, 2018 20:24:30 | 5 years ago |
| <Beginning.webm> | ICO OST - beginning
| 3109 | Friday, March 23, 2018 20:24:15 | 5 years ago |
| <DriftingEs.webm> | Daytona USA OST - Let's Go Away
| 2434 | Friday, March 23, 2018 20:22:40 | 5 years ago |
| <JoyeuxBordel.webm> | Henry Mancini - Royal Blue
| 2140 | Friday, March 23, 2018 20:22:09 | 5 years ago |
| <GondolaJira.webm> | | 2308 | Friday, March 23, 2018 20:21:12 | 5 years ago |
| <MinecraftRainGondola.webm> | Minecraft OST - C418 - Sweden
| 2262 | Friday, March 23, 2018 20:18:18 | 5 years ago |
| <SchizophreniaGondola.webm> | Strauss - Metamorphosen
| 2088 | Friday, March 23, 2018 20:16:34 | 5 years ago |
| <BarGondola.webm> | Queen - Another One Bites The Dust (remix)
| 2882 | Friday, March 23, 2018 20:15:48 | 5 years ago |
| <GondolaOfficeAtNight.webm> | Yume Nikki - Dream Diary - OST: School
| 2476 | Friday, March 23, 2018 20:13:39 | 5 years ago |
| <StairwayToGondola.webm> | Led Zeppelin - Stairway To Heaven
| 2036 | Monday, March 19, 2018 06:48:20 | 5 years ago |
| <GondoLamp.webm> | Professor Layton & The Curious Village OST - Mysterious Girl
| 2824 | Thursday, March 15, 2018 04:18:51 | 5 years ago |
| <JinRoh.webm> | Jin Roh - Grace Omega
| 2400 | Wednesday, March 14, 2018 11:21:42 | 5 years ago |
| <GondolaBaiot.webm> | Baiot Ou Cimbalom [Tchang] – S. Fakhritdin
| 2524 | Wednesday, March 14, 2018 08:14:56 | 5 years ago |
| <RadiostarGondola.webm> | The Buggles - Video Killed the Radio Star
| 2076 | Wednesday, March 14, 2018 08:14:25 | 5 years ago |
| <SnowySit.webm> | | 2040 | Wednesday, March 14, 2018 08:12:47 | 5 years ago |
| <BeachFog.webm> | | 2539 | Wednesday, March 14, 2018 08:07:33 | 5 years ago |
| <BeachEvening.webm> | | 2568 | Wednesday, March 14, 2018 08:07:27 | 5 years ago |
| <PixelBeach.webm> | | 2017 | Wednesday, March 14, 2018 08:05:53 | 5 years ago |
| <GondolaBridge.webm> | Les Choristes OST - Pépinot
| 2403 | Wednesday, March 14, 2018 08:04:57 | 5 years ago |
| <GondolaSnowdrift.webm> | Ujico\*/Snail's House - [snowdrift]
| 2330 | Wednesday, March 14, 2018 08:02:55 | 5 years ago |
| <GondolaCatavina.webm> | The Deer Hunter OST - Cavatina
| 2444 | Monday, March 12, 2018 05:59:26 | 5 years ago |
| <MorningBirds.webm> | | 2092 | Monday, March 12, 2018 05:54:17 | 5 years ago |
| <DarkMountain.webm> | | 2445 | Monday, March 12, 2018 05:54:10 | 5 years ago |
| <YoullNeverBeAlone.webm> | TheFatRat - Never Be Alone (Nightcore Remix?)
| 2209 | Monday, March 12, 2018 05:53:58 | 5 years ago |
| <Birthday.webm> | Ujico\*/Snail's House - Hot Milk
| 2804 | Monday, March 12, 2018 05:52:13 | 5 years ago |
| <HeyGondola.webm> | Flamingosis - Football Head
| 2293 | Monday, March 12, 2018 05:46:00 | 5 years ago |
| <GondolaFiddle.webm> | World of Warcraft OST - Grizzly Hills
| 2321 | Monday, March 12, 2018 05:42:00 | 5 years ago |
| <WreckageGondola.webm> | | 2012 | Monday, March 12, 2018 05:40:59 | 5 years ago |
| <ChrisChanGondola.webm> | Let Me Call You Sweetheart
| 2863 | Monday, March 12, 2018 05:39:37 | 5 years ago |
| <GondolaAdvanced.webm> | | 2618 | Monday, March 12, 2018 05:39:04 | 5 years ago |
| <Fezgond.webm> | Fez OST - Beacon
| 2307 | Monday, March 12, 2018 05:37:55 | 5 years ago |
| <GondolaUrbanPrairie.webm> | Night in the Woods OST - Urban Prairie
| 2217 | Monday, March 12, 2018 05:35:50 | 5 years ago |
| <GondolaBalcony.webm> | kudasai - the girl i haven't met
| 2539 | Monday, March 12, 2018 05:35:37 | 5 years ago |
| <GondolaGreggswoods.webm> | Night in the Woods OST - Gregg's Woods
| 2375 | Wednesday, March 07, 2018 18:20:34 | 5 years ago |
| <PanzGond.webm> | Ich hatt' einen Kameraden
| 2008 | Wednesday, March 07, 2018 18:20:03 | 5 years ago |
| <Gondola357C.webm> | Ghost in the Shell Stand Alone Complex OST 3 - 35.7c
| 2868 | Wednesday, March 07, 2018 04:35:20 | 5 years ago |
| <MapleFlorinaBeach.webm> | MapleStory OST - Beach Way (Florina Beach)
| 2170 | Wednesday, March 07, 2018 04:21:08 | 5 years ago |
| <Borocay.webm> | Orbital - Beached
| 2474 | Wednesday, March 07, 2018 04:20:49 | 5 years ago |
| <UFOGondola.webm> | | 2081 | Monday, March 05, 2018 20:38:00 | 5 years ago |
| <GondolaUnicycle.webm> | The Wachauer Buam - Jå mir san mit'n Radl då
| 2183 | Monday, March 05, 2018 15:44:06 | 5 years ago |
| <GondolaPlaysDiabloII.webm> | Diablo 2 OST - Wilderness
| 2352 | Monday, March 05, 2018 15:43:17 | 5 years ago |
| <Bongdola.webm> | Amélie OST | Yann Tiersen - La Valse Des Vieux Os
| 2625 | Monday, March 05, 2018 15:42:32 | 5 years ago |
| <StonedOutOfMind.webm> | Infected Mushroom - In Front Of Me
| 2115 | Monday, March 05, 2018 15:41:00 | 5 years ago |
| <OutsideInNature.webm> | Christian Poulet - Pink Fjord
| 2104 | Monday, March 05, 2018 15:40:40 | 5 years ago |
| <ConkeBottleGondola.webm> | 「nochi」- gone guy
| 2442 | Monday, March 05, 2018 15:40:15 | 5 years ago |
| <ElliniaTreeGondola.webm> | MapleStory OST - Ellinia: Missing You
| 2435 | Monday, March 05, 2018 15:29:52 | 5 years ago |
| <DanceWithGondola.webm> | Jennifer Connelly - Sway (Diodorus Man Remix)
| 2652 | Monday, March 05, 2018 15:26:24 | 5 years ago |
| <GondolaClimb.webm> | Dvar - Ieroh
| 2418 | Monday, March 05, 2018 15:25:33 | 5 years ago |
| <Isolation.webm> | Berserk OST - Behelit
| 2234 | Monday, March 05, 2018 15:25:14 | 5 years ago |
| <LastLight.webm> | John Foxx & Harold Budd - Subtext
| 2079 | Monday, March 05, 2018 15:24:52 | 5 years ago |
| <DeepPurple.webm> | Santo & Johnny - Deep Purple
| 2373 | Monday, March 05, 2018 15:24:29 | 5 years ago |
| <Lorien.webm> | Dungeon Fighter Online OST - Lorien Forest
| 2105 | Monday, March 05, 2018 15:22:24 | 5 years ago |
| <GondolaHill2.webm> | | 2293 | Friday, March 02, 2018 06:06:47 | 5 years ago |
| <Gondolgia.webm> | a l e x - zelda's lullaby
| 2211 | Friday, March 02, 2018 06:06:24 | 5 years ago |
| <GondolaCityRainNight.webm> | Jan Jelinek - Do Dekor
| 2586 | Friday, March 02, 2018 06:06:07 | 5 years ago |
| <SubwayTrip.webm> | The Midnight - River of Darkness
| 1995 | Friday, March 02, 2018 06:04:43 | 5 years ago |
| <DragonsRule.webm> | DragonForce - Where Dragons Rule
| 2429 | Friday, March 02, 2018 06:01:59 | 5 years ago |
| <FrenchAlps.webm> | The Pink Panther OST - Henry Mancini - The Village Inn
| 2357 | Friday, March 02, 2018 05:54:26 | 5 years ago |
| <GondolaDesert2.webm> | Randy Newman - Dixie Flyer ("The Music in the Middle" from Car Talk)
| 2554 | Friday, March 02, 2018 05:54:14 | 5 years ago |
| <BackyardGondola2.webm> | Steve Reich - Electric Counterpoint: II. Slow
| 2633 | Friday, March 02, 2018 05:51:06 | 5 years ago |
| <Autumnal.webm> | Echodjek - Autumnal
| 2787 | Friday, March 02, 2018 05:49:38 | 5 years ago |
| <BedroomGondola2.webm> | Blockland OST - After School Special
| 2733 | Friday, March 02, 2018 05:48:30 | 5 years ago |
| <BusyStreet.webm> | Vangelis - Blade Runner Blues
| 2537 | Friday, March 02, 2018 05:47:54 | 5 years ago |
| <LonelyRoad.webm> | Adrian von Ziegler - The Lonely Road
| 2224 | Friday, March 02, 2018 05:47:27 | 5 years ago |
| <TeapotNight.webm> | Юрий Визбор - Военные фотографии (Yuri Vizbor - Military Photos) instrumental version
| 2136 | Friday, March 02, 2018 05:46:49 | 5 years ago |
| <ComfyFloatingIsland.webm> | Gorillaz - El Mañana (Instrumental)
| 2633 | Friday, March 02, 2018 05:45:50 | 5 years ago |
| <GobletOfGondola.webm> | Made in Abyss OST - Relinquish
| 3250 | Friday, March 02, 2018 05:44:56 | 5 years ago |
| <ShippingGondola.webm> | Dishonored OST: Streets Suspense
| 1968 | Friday, March 02, 2018 05:44:32 | 5 years ago |
| <ForestDragon.webm> | Adrian von Ziegler - Forest Rites
| 2503 | Friday, March 02, 2018 05:43:45 | 5 years ago |
| <Entropy.webm> | | 2533 | Friday, March 02, 2018 05:42:58 | 5 years ago |
| <ComfyBeach.webm> | Kurt Drabek - Cuba Baion
| 2661 | Friday, March 02, 2018 05:41:40 | 5 years ago |
| <Twilight.webm> | Mahoutsukai no Yome OST - Cycle
| 2092 | Friday, March 02, 2018 05:41:20 | 5 years ago |
| <PastLife.webm> | BØRNS - Past Lives (sapientdream remix)
| 2198 | Friday, March 02, 2018 05:41:07 | 5 years ago |
| <HeatLightning.webm> | | 2134 | Friday, March 02, 2018 05:40:50 | 5 years ago |
| <WaitingAtTheDoorSummerMoon.webm> | Bioshock OST | Django Reinhardt - La Mer | Beyond the Sea
| 2251 | Friday, March 02, 2018 05:40:26 | 5 years ago |
| <OMyFather.webm> | O My Father by Eliza Snow
| 2090 | Friday, March 02, 2018 05:40:13 | 5 years ago |
| <SeasideGondola2.webm> | Elijah Who - So Far Away
| 2119 | Friday, March 02, 2018 05:39:27 | 5 years ago |
| <LovelyGondola.webm> | Mariya Takeuchi - Plastic Love
| 2273 | Friday, March 02, 2018 05:38:17 | 5 years ago |
| <CloudyGondola.webm> | Radiohead - Street Spirit (Fade Out)
| 2522 | Friday, March 02, 2018 05:35:38 | 5 years ago |
| <TheDeathOfMarat.webm> | Giles Corey - Infinite Death
| 2144 | Friday, March 02, 2018 05:35:23 | 5 years ago |
| <GondolaSandy.webm> | Narasaki - EFP05 The Real World
| 2259 | Friday, March 02, 2018 05:33:24 | 5 years ago |
| <GondolaMountain2.webm> | Planet of Sound - We Are Together
| 2356 | Friday, March 02, 2018 05:32:24 | 5 years ago |
| <Valentines.webm> | | 2106 | Thursday, February 15, 2018 00:24:28 | 5 years ago |
| <GondolaCity.webm> | Cliff Martinez - He Had a Good Time
| 2512 | Thursday, February 15, 2018 00:23:28 | 5 years ago |
| <GondolaKnight.webm> | WoW OST - Arthas Returns to Lordaeron
| 2569 | Thursday, February 15, 2018 00:23:14 | 5 years ago |
| <DarkPortal.webm> | World of Warcraft: The Burning Crusade OST - The Dark Portal (Cinematic Intro)
| 2495 | Thursday, February 15, 2018 00:23:07 | 5 years ago |
| <SeasonsOfWar.webm> | | 2070 | Thursday, February 15, 2018 00:22:54 | 5 years ago |
| <VdayGondo.webm> | Ramin Djawadi - Luck of the Irish
| 2176 | Thursday, February 15, 2018 00:22:23 | 5 years ago |
| <KingArthasOfLordaeron.webm> | Warcraft 3: The Frozen Throne OST - Arthas's Theme
| 2162 | Thursday, February 15, 2018 00:21:47 | 5 years ago |
| <NightGond.webm> | WoW OST - Song of Elune
| 2153 | Thursday, February 15, 2018 00:21:39 | 5 years ago |
| <LegendsOfAzeroth.webm> | World of Warcraft OST | Tracy Bush - Legends of Azeroth
| 2126 | Thursday, February 15, 2018 00:21:28 | 5 years ago |
| <GondolaBeach3.webm> | Tatsuro Yamashita - Nostalgia of Island
| 2658 | Thursday, February 15, 2018 00:20:46 | 5 years ago |
| <WoodlandGondola.webm> | Adrian von Ziegler - Woodland Tales
| 2128 | Thursday, February 15, 2018 00:20:31 | 5 years ago |
| <GondolasLastLullaby.webm> | Ujico\*/Snail's House - Lullaby
| 2259 | Thursday, February 15, 2018 00:20:18 | 5 years ago |
| <PointOfKnowReturn.webm> | Kansas - Point Of Know Return
| 2003 | Thursday, February 15, 2018 00:15:32 | 5 years ago |
| <YouWantTheMoon.webm> | H E R B - Alone Together
| 2070 | Thursday, February 15, 2018 00:14:24 | 5 years ago |
| <Shelter.webm> | | 2165 | Thursday, February 15, 2018 00:13:58 | 5 years ago |
| <Lonely.webm> | Wintergatan - All Was Well - Music Box & Modulin Version
| 2140 | Thursday, February 15, 2018 00:13:12 | 5 years ago |
| <CullingOfStrathHolme.webm> | WoW OST - Glenn Stafford - Culling of Stratholme
| 2426 | Thursday, February 15, 2018 00:11:36 | 5 years ago |
| <RuskiGondola.webm> | Buena Vista Social Club - Chan Chan
| 2112 | Thursday, February 15, 2018 00:10:43 | 5 years ago |
| <DustInTheWind.webm> | Kansas - Dust in the Wind
| 2596 | Thursday, February 15, 2018 00:10:11 | 5 years ago |
| <RapaNuiEasternIsland.webm> | | 2146 | Thursday, February 15, 2018 00:09:50 | 5 years ago |
| <BerserkDola.webm> | Clark - Diamonds Aren't Forever
| 2864 | Wednesday, January 31, 2018 01:24:56 | 5 years ago |
| <TinyReminder.webm> | Two Lone Swordsmen - Tiny Reminder No. 3
| 2043 | Wednesday, January 31, 2018 01:24:12 | 5 years ago |
| <DreamsInTheDusk.webm> | Lazerhawk - Dreams in the Dusk
| 2429 | Wednesday, January 31, 2018 01:22:26 | 5 years ago |
| <GondolasWarriorSpirit.webm> | For Honor OST - Vikings/The Warrior Spirit
| 2244 | Monday, January 29, 2018 23:25:45 | 5 years ago |
| <GondolaCave3.webm> | Global Communication - 4:02
| 2483 | Wednesday, January 24, 2018 08:11:31 | 5 years ago |
| <TreadmillGondola.webm> | Pokémon Mystery Dungeon: Gates to Infinity OST - Ragged Mountain
| 2208 | Wednesday, January 24, 2018 08:10:14 | 5 years ago |
| <SweetLullaby.webm> | Deep Forest - Sweet Lullaby
| 2609 | Wednesday, January 24, 2018 08:09:46 | 5 years ago |
| <GondolaStrut.webm> | Glenn Miller - In The Mood
| 2242 | Wednesday, January 24, 2018 08:08:54 | 5 years ago |
| <SmokesInVerdun.webm> | Up OST - Married Life
| 2079 | Wednesday, January 24, 2018 08:08:39 | 5 years ago |
| <TaxGondola.webm> | Tim Hecker - Chimeras
| 2083 | Wednesday, January 24, 2018 08:08:06 | 5 years ago |
| <SwingGondola.webm> | The Byrds - Goin' Back
| 2093 | Wednesday, January 24, 2018 08:00:00 | 5 years ago |
| <AdventuresOfGondola.webm> | anonymous - Second Chapter
| 3243 | Wednesday, January 24, 2018 07:59:29 | 5 years ago |
| <WSGondola.webm> | Mariya Takeuchi - Plastic Love
| 2348 | Wednesday, January 24, 2018 07:59:02 | 5 years ago |
| <GondolaIsland3.webm> | Hudson's Adventure Island OST - Stage 2
| 2264 | Wednesday, January 24, 2018 07:57:06 | 5 years ago |
| <MachinariumCity.webm> | Benny Goodman - Stompin' at the Savoy
| 2140 | Monday, January 15, 2018 19:05:19 | 5 years ago |
| <FunFairGondola.webm> | Jono El Grande - Türbø Meuz (Utopian Dances - 1999)
| 4054 | Monday, January 15, 2018 19:04:54 | 5 years ago |
| <GondolaBroiler.webm> | 迴轉企鵝罐 | Mawaru Penguindrum OST - 絆·輪る果実 | Track 12 on 8th Penguindrum OST volume
| 2698 | Monday, January 15, 2018 19:00:17 | 5 years ago |
| <MovieGondola2.webm> | Whitewoods - Beachwalk
| 2047 | Monday, January 15, 2018 18:58:19 | 5 years ago |
| <GondolaFF7AnxiousHeart.webm> | Final Fantasy VII OST - Anxious Heart
| 2421 | Wednesday, January 10, 2018 07:37:53 | 5 years ago |
| <FinnishTouristInParis.webm> | Chris Zabriskie - The Temperature of the Air on the Bow of the Kaleetan
| 2371 | Wednesday, January 10, 2018 07:35:38 | 5 years ago |
| <GondolaTapping.webm> | purpan - loving u(Superhygh edition)
| 2265 | Wednesday, January 10, 2018 07:35:03 | 5 years ago |
| <LittleGondola.webm> | Jon Brion - Little Person
| 2122 | Wednesday, January 10, 2018 07:32:29 | 5 years ago |
| <Seagull.webm> | Yume 2kki OST - Seagull
| 2619 | Wednesday, January 10, 2018 07:31:34 | 5 years ago |
| <GondolasPromises.webm> | Danny Bensi & Saunder Jurriaans - Knights/Promises (For Honor)
| 2235 | Monday, January 01, 2018 20:37:45 | 5 years ago |
| <GondolasAnotherWay.webm> | Gypsy Kings - Inspiration
| 2312 | Monday, January 01, 2018 20:37:00 | 5 years ago |
| <BloodBorne.webm> | Bloodborne OST | Ryan Amon - Moonlit Melody
| 2887 | Monday, January 01, 2018 20:36:35 | 5 years ago |
| <HaloReachGondola.webm> | Halo Reach OST - Ghosts and Glass
| 2470 | Sunday, December 31, 2017 02:02:36 | 5 years ago |
| <NVGondolaDaftPunk.webm> | Daft Punk - Night Vision
| 2188 | Sunday, December 31, 2017 02:02:13 | 5 years ago |
| <GeneralStoreGondola.webm> | Scott Joplin - Fig Leaf Rag, a High Class Rag, 1908
| 3751 | Sunday, December 31, 2017 01:59:46 | 5 years ago |
| <GondolaAndHisNewBikeAndCap.webm> | Vadim Petrov - Krtek a muzika
| 2672 | Sunday, December 31, 2017 01:58:02 | 5 years ago |
| <GondolaHotChocolateJazz.webm> | DOMINANT - Hot Chocolate on a Cold Comfy Night
| 2451 | Sunday, December 31, 2017 01:57:02 | 5 years ago |
| <GondolaInTheTrenches3.webm> | Bill Murray & Ada Jones - I'll Take You Back To Italy
| 2537 | Wednesday, December 27, 2017 15:26:50 | 5 years ago |
| <PrussianGondola2.webm> | Brahms Walzer Op. 39 no 15
| 2248 | Wednesday, December 27, 2017 15:24:25 | 5 years ago |
| <GondolaAnotherStarChristmas.webm> | Tatsuro Yamashita- Christmas Eve
| 2801 | Wednesday, December 27, 2017 15:22:41 | 5 years ago |
| <GondolaChristmasCard.webm> | Jingle Bells
| 2500 | Tuesday, December 26, 2017 01:16:06 | 6 years ago |
| <AvrilGondola.webm> | Aphex Twin - Avril 14th
| 2924 | Monday, December 25, 2017 20:57:38 | 6 years ago |
| <GondolaMerryChrysler.webm> | Tatsuro Yamashita- Christmas Eve
| 2360 | Monday, December 25, 2017 20:57:10 | 6 years ago |
| <FreshMusicGondola.webm> | Balmorhea - Divisadero
| 2492 | Sunday, December 24, 2017 01:32:55 | 6 years ago |
| <UnderTheWall.webm> | Echodjek - Under the Wall
| 2263 | Sunday, December 24, 2017 01:25:27 | 6 years ago |
| <DireGondola.webm> | Super Mario 64 OST - Dire, Dire Docks
| 2478 | Saturday, December 23, 2017 18:54:19 | 6 years ago |
| <DarkCity.webm> | Hotline Miami 2: Wrong Number OST - Run
| 2791 | Wednesday, December 20, 2017 20:16:20 | 6 years ago |
| <CaveGondola.webm> | lux natura - hardly there
| 2543 | Tuesday, December 19, 2017 20:30:38 | 6 years ago |
| <BlizardGondola.webm> | Brandon Fiechter - Falling Snow
| 2628 | Tuesday, December 19, 2017 20:30:14 | 6 years ago |
| <SleepyGondola.webm> | Night in the Woods OST - Fireflies on the Porch
| 2488 | Tuesday, December 19, 2017 20:29:37 | 6 years ago |
| <GondolaSMB2.webm> | Super Mario Bros. 2 OST - Overworld
| 2514 | Monday, December 18, 2017 12:09:37 | 6 years ago |
| <WachauerBaum.webm> | Wachauer Buam - Ja mir san mitn Radl da
| 2284 | Monday, December 18, 2017 12:08:44 | 6 years ago |
| <MrGondola.webm> | Pierre Van Dormael - Trois petites filles
| 2093 | Thursday, December 14, 2017 02:23:52 | 6 years ago |
| <Happy.webm> | The Beginner's Guide Soundtrack - Va
| 2345 | Thursday, December 14, 2017 02:22:52 | 6 years ago |
| <Chrondola.webm> | insaneintherainmusic (Carlos Eiene) | Chrono Trigger OST - Corridors of Time (Jazz Cover)
| 2709 | Thursday, December 14, 2017 02:22:17 | 6 years ago |
| <Wardola.webm> | Warframe Unofficial OST - This is What You Are
| 2348 | Wednesday, December 13, 2017 01:05:55 | 6 years ago |
| <GondolaAncientRelic.webm> | David Lowe - BBC World the Music - Nation to Nation
| 2715 | Wednesday, December 13, 2017 01:05:00 | 6 years ago |
| <GondolaEntersTheAbyss.webm> | Apparat - Goodbye
| 2499 | Wednesday, December 13, 2017 01:04:08 | 6 years ago |
| <GondolaAtmosphereRun.webm> | Feder feat. Lyse - Goodbye
| 2833 | Wednesday, December 13, 2017 01:02:59 | 6 years ago |
| <GondolaNorthStar.webm> | Dvar - Nouri
| 2508 | Saturday, December 09, 2017 07:13:46 | 6 years ago |
| <GondolaDriving3.webm> | Aarne Tenkanen - Edestä ja Takaa
| 2506 | Saturday, December 09, 2017 07:13:35 | 6 years ago |
| <GondolaRacing.webm> | Dance With The Dead - Robeast
| 2470 | Saturday, December 09, 2017 07:13:25 | 6 years ago |
| <GondolaAllTheWay.webm> | DVAR - Ai-Lu | Deii (2012)
| 2709 | Saturday, December 09, 2017 07:13:08 | 6 years ago |
| <BackyardGondola.webm> | The Cinematic Orchestra - In to You
| 2879 | Saturday, December 09, 2017 07:10:51 | 6 years ago |
| <GondolaFall.webm> | Froese & Haslinger - Alpha
| 2455 | Saturday, December 09, 2017 07:08:29 | 6 years ago |
| <Machinarium1.webm> | Machinarium OST - By The Wall
| 2298 | Saturday, December 02, 2017 23:57:32 | 6 years ago |
| <Gondolarium2.webm> | Tomas Dvorak | Machinarium OST - Glasshouse With Butterfly
| 2267 | Saturday, December 02, 2017 21:30:47 | 6 years ago |
| <XmasGondola.webm> | Sufjan Stevens - Angels We Have Heard on High
| 2188 | Saturday, December 02, 2017 11:02:45 | 6 years ago |
| <MedicineSuitGondola.webm> | Daughter - Medicine
| 2152 | Friday, December 01, 2017 05:35:37 | 6 years ago |
| <SafeRoom2.webm> | Resident Evil 3 OST - Free From Fear (Save Room Theme)
| 2448 | Friday, December 01, 2017 05:33:17 | 6 years ago |
| <SafeRoom.webm> | Resident Evil 1 OST - Save Room
| 2353 | Friday, December 01, 2017 05:32:47 | 6 years ago |
| <GondolaPompeli.webm> | Ancient Roman Music - Synaulia II
| 2446 | Thursday, November 30, 2017 13:21:00 | 6 years ago |
| <SmutnaGondola.webm> | Lego Racers OST - Menu Theme
| 2066 | Tuesday, November 28, 2017 04:55:46 | 6 years ago |
| <FalloutGondola.webm> | The Ink Spots - It's All Over But The Crying
| 2730 | Monday, November 27, 2017 07:01:05 | 6 years ago |
| <CowboyGondola.webm> | Jose Gonzales - Far Away
| 2631 | Monday, November 27, 2017 07:00:31 | 6 years ago |
| <GondolaBusStop2.webm> | Beethoven - Für Elise
| 2547 | Monday, November 27, 2017 07:00:07 | 6 years ago |
| <AfrikaKorps.webm> | Wehrmacht - Erika
| 3812 | Monday, November 27, 2017 06:59:10 | 6 years ago |
| <FallenFighters.webm> | Red Orchestra 2 - Heroes of Stalingrad OST - Fallen Heroes
| 2552 | Monday, November 27, 2017 06:58:49 | 6 years ago |
| <GondolaWildWest.webm> | The Good, the Bad, and the Ugly OST - Theme Song
| 2453 | Monday, November 27, 2017 06:58:26 | 6 years ago |
| <UndeadGondolas.webm> | America - A Horse With No Name
| 2416 | Monday, November 27, 2017 06:57:24 | 6 years ago |
| <GondolaShower.webm> | Aphex Twin - Aisatsana
| 2433 | Saturday, November 25, 2017 08:31:25 | 6 years ago |
| <Desert.webm> | Erik Satie's Gymnopedie No. 1
| 2856 | Saturday, November 25, 2017 06:36:23 | 6 years ago |
| <GondolaIsAfraidOfTheDark.webm> | Aлeкceй Apхипoвcкий - Зoлyшкa (Alexey Arkhipovsky - Cinderella)
| 2468 | Saturday, November 25, 2017 00:45:34 | 6 years ago |
| <Moondola.webm> | William Basinski - Melancholia 6
| 2232 | Friday, November 24, 2017 15:43:16 | 6 years ago |
| <GondolaFloatingThroughSeasons.webm> | | 2526 | Friday, November 24, 2017 01:13:35 | 6 years ago |
| <Gondolatale.webm> | Undertale OST - Snowy
| 2266 | Friday, November 24, 2017 01:13:32 | 6 years ago |
| <GondolaAmongFlowers.webm> | Flowers OST - Lazy Daydream
| 2624 | Thursday, November 23, 2017 06:20:38 | 6 years ago |
| <RedTrain.webm> | Poster states it's fully original.
| 2204 | Thursday, November 23, 2017 06:15:14 | 6 years ago |
| <GondolasTrip.webm> | Алексей Архиповский - Золушка (Alexey Arkhipovsky - Cinderella)
| 2440 | Thursday, November 23, 2017 06:11:36 | 6 years ago |
| <GondolaCircusBike.webm> | The Cinematic Orchestra - Arrival of the birds
| 2631 | Thursday, November 23, 2017 06:10:34 | 6 years ago |
| <GondolasAutumn.webm> | А. Рыбников - Последняя поэма (A.Rybnikov - The Last Poem)
| 2364 | Thursday, November 23, 2017 06:02:46 | 6 years ago |
| <HutGondola.webm> | Arai Tasuku - Dear Alice
| 2223 | Thursday, November 23, 2017 06:01:54 | 6 years ago |
| <GondolaLooksInMirror.webm> | DJ Wolftron - Emotional
| 2279 | Thursday, November 23, 2017 05:59:38 | 6 years ago |
| <GondolaDayAfter.webm> | Silent Hill - Room of Angel
| 2571 | Thursday, November 23, 2017 05:58:32 | 6 years ago |
| <DayDreamGF.webm> | François Joël Thiollier - Reverie
| 2540 | Thursday, November 23, 2017 05:58:12 | 6 years ago |
| <ConsequencesAndLoss.webm> | Antonio Pinto - Consequences And Loss
| 2521 | Thursday, November 23, 2017 05:57:44 | 6 years ago |
| <WithPhone.webm> | Ross Bugden - Paradise (Royalty free piano music)
| 2127 | Thursday, November 23, 2017 05:56:32 | 6 years ago |
| <GondolaBrowsingTheInternet.webm> | Jiro Inagaki, Yoshio Kimura - 四つのお願い / Yottsu No Onegai
| 2644 | Thursday, November 23, 2017 05:52:42 | 6 years ago |
| <NightShit.webm> | jinsang - affection
| 2168 | Thursday, November 23, 2017 05:52:28 | 6 years ago |
| <AveMariaFireplace.webm> | Schubert - Ave Maria
| 2891 | Thursday, November 23, 2017 05:51:16 | 6 years ago |
| <GondolaFishing2.webm> | Aria the Animation OST - Unga wa Meguru
| 2449 | Thursday, November 23, 2017 05:50:04 | 6 years ago |
| <AkademikGondola.webm> | Kim & Buran - Kinder Express (Da Bass remix)
| 3162 | Thursday, November 23, 2017 05:45:52 | 6 years ago |
| <PrynceGondoleCrownedKinge.webm> | Modest Mussorgsky - The Great Gate of Kiev - Pictures At an Exhibition
| 2231 | Thursday, November 23, 2017 05:45:14 | 6 years ago |
| <SoundGondola.webm> | TRUE - DREAM SOLISTER [Hibike! Euphonium OP1]
| 2040 | Thursday, November 23, 2017 05:44:52 | 6 years ago |
| <GondolaGiantSteps.webm> | John Coltrane - Giant Steps
| 2426 | Thursday, November 23, 2017 05:44:44 | 6 years ago |
| <ChimneySweepers.webm> | Earthbound OST - Winters Theme
| 2533 | Thursday, November 23, 2017 05:42:52 | 6 years ago |
| <StarRider.webm> | Slight - Sometimes
| 2130 | Thursday, November 23, 2017 05:41:18 | 6 years ago |
| <PhilipGlassVessels.webm> | Philip Glass - Vessels
| 2036 | Thursday, November 23, 2017 05:41:00 | 6 years ago |
| <NationalPark.webm> | | 2066 | Thursday, November 23, 2017 05:40:42 | 6 years ago |
| <BigCity.webm> | | 3169 | Thursday, November 23, 2017 05:38:14 | 6 years ago |
| <Buzludzha.webm> | William Baskinski - Cascade
| 2543 | Thursday, November 23, 2017 05:31:38 | 6 years ago |
| <GondolaKoreans.webm> | Zakhar Antonov - The Eagle's Last Flight
| 2551 | Thursday, November 23, 2017 05:29:40 | 6 years ago |
| <Kokoda.webm> | Waltzing Matilda [Various Australian Soldiers]
| 1909 | Thursday, November 23, 2017 05:28:16 | 6 years ago |
| <Bomber.webm> | | 2723 | Thursday, November 23, 2017 05:26:50 | 6 years ago |
| <WOW.webm> | World of Warcraft: Mosaic OST - Mag'har
| 2398 | Thursday, November 23, 2017 05:24:44 | 6 years ago |
| <MinecraftGondola.webm> | C418 - Minecraft
| 2429 | Thursday, November 23, 2017 05:22:40 | 6 years ago |
| <MGS2Gondola.webm> | Beautiful Mirage - The Vision Fades
| 2182 | Thursday, November 23, 2017 05:22:30 | 6 years ago |
| <MetalGearGondola.webm> | | 2169 | Thursday, November 23, 2017 05:22:28 | 6 years ago |
| <GondolaHotline.webm> | Hotline Miami OST - Paris
| 2679 | Thursday, November 23, 2017 05:21:48 | 6 years ago |
| <GondolaGTASA.webm> | Rod Stewart - Young Turks
| 2539 | Thursday, November 23, 2017 05:21:24 | 6 years ago |
| <FireWatch.webm> | Moomin OST - Gawa No Hotori De
| 2556 | Thursday, November 23, 2017 05:21:20 | 6 years ago |
| <MelodyOfGondola.webm> | Final Fantasy IV OST - Edward's Harp
| 2200 | Thursday, November 23, 2017 05:18:38 | 6 years ago |
| <DwarfFortressGondola.webm> | Dwarf Fortress OST - Main Theme
| 2675 | Thursday, November 23, 2017 05:15:56 | 6 years ago |
| <RedGondolaHood.webm> | The Path OST - Forest Theme
| 2108 | Thursday, November 23, 2017 05:14:04 | 6 years ago |
| <AnotherChance.webm> | Roger Sanchez - Another Chance
| 2896 | Thursday, November 23, 2017 05:09:44 | 6 years ago |
| <Homecoming.webm> | | 2248 | Thursday, November 23, 2017 05:09:26 | 6 years ago |
| <OldJapaneseGondola.webm> | | 2274 | Thursday, November 23, 2017 05:07:52 | 6 years ago |
| <TheLastOfGondolas.webm> | Alborada - The last Mohican (Instrumental Andino)
| 2395 | Thursday, November 23, 2017 05:06:18 | 6 years ago |
| <SlovakGondola.webm> | Original piece by Martin Toman, according to uploader
| 2142 | Thursday, November 23, 2017 05:06:14 | 6 years ago |
| <MilleniaWalkGondola.webm> | Earthbound OST - The Metropolis of Fourside
| 2097 | Thursday, November 23, 2017 05:03:58 | 6 years ago |
| <BlackRoom.webm> | The Caretaker - Mental Caverns Without Sunshine
| 2723 | Thursday, November 23, 2017 05:00:06 | 6 years ago |
| <BladeRunner.webm> | Blade Runner OST | Vangelis - Love Theme
| 3333 | Thursday, November 23, 2017 04:58:42 | 6 years ago |
| <TimeInABottle.webm> | Jim Croce - Time In A Bottle (1973)
| 2190 | Thursday, November 23, 2017 04:58:28 | 6 years ago |
| <BrasBasahGondola.webm> | Super Dimension Century Orguss OST - Hyoryuu ~Sky Hurricane~
| 2575 | Thursday, November 23, 2017 04:57:46 | 6 years ago |
| <AurielsAscension.webm> | Oblivion OST - Auriels Ascension
| 2915 | Thursday, November 23, 2017 04:57:42 | 6 years ago |
| <EvangelionGondola.webm> | The End of Evangelion - Komm, süsser Tod (music box)
| 3032 | Thursday, November 23, 2017 04:57:12 | 6 years ago |
| <ApocalypseGondola.webm> | Neon Genesis Evangelion OST - Fly Me to the Moon (Music Box)
| 3411 | Thursday, November 23, 2017 04:57:10 | 6 years ago |
| <Gondam.webm> | Gundam Seed Destiny OST - You and I, Unfulfilled Feelings
| 3370 | Thursday, November 23, 2017 04:56:46 | 6 years ago |
| <Pumpkin.webm> | Shifting Things - Pumpkin
| 2296 | Thursday, November 23, 2017 04:56:30 | 6 years ago |
| <Trip.webm> | Boards of Canada - Iced Cooly
| 2236 | Thursday, November 23, 2017 04:56:30 | 6 years ago |
| <Webpunk.webm> | VECTOR GRAPHICS - DESTINE
| 2170 | Thursday, November 23, 2017 04:56:30 | 6 years ago |
| <Beksinski.webm> | Zbigniew Preisner - DEKALOG VIII - Part 4
| 2735 | Thursday, November 23, 2017 04:56:16 | 6 years ago |
| <GondolaWasKangz.webm> | Age of Empires 2 OST - The African Kingdoms
| 2464 | Thursday, November 23, 2017 04:56:12 | 6 years ago |
| <Gomindola.webm> | Gakkou Gurashi OST - Good Night Today
| 3119 | Thursday, November 23, 2017 04:55:58 | 6 years ago |
| <AnatomyGondola.webm> | GTO OST - National Kid No Youni
| 3221 | Thursday, November 23, 2017 04:55:52 | 6 years ago |
| <BattleHall.webm> | Pokemon RBY - Pewter City
| 2715 | Thursday, November 23, 2017 04:55:52 | 6 years ago |
| <BlueChamber.webm> | Secret of Mana OST - Orchestral Theme
| 2860 | Thursday, November 23, 2017 04:55:52 | 6 years ago |
| <ToBeGondola.webm> | Yes - Roundabout (1971)
| 2195 | Thursday, November 23, 2017 02:42:40 | 6 years ago |
| <GondolaAndHisFriend.webm> | Portal 2 OST - Cara Mia Addio (Turret opera)
| 2858 | Tuesday, November 21, 2017 23:38:05 | 6 years ago |
| <GondolaKorps.webm> | Freikorps - Die Grenzwacht hielt im osten
| 3427 | Tuesday, November 21, 2017 20:28:48 | 6 years ago |
| <DreamGondolaPalace.webm> | Asura - V.A.N.T.A.
| 2428 | Monday, November 20, 2017 07:27:24 | 6 years ago |
| <GondolaSnowman.webm> | Peter Auty - Walking In The Air
| 2372 | Monday, November 20, 2017 06:56:41 | 6 years ago |
| <GondolaMorrowind.webm> | Morrowind OST - Caprice
| 2663 | Monday, November 20, 2017 06:49:20 | 6 years ago |
| <ForgottenGodGondola.webm> | Chrono Trigger OST - Corridors of Time (Corridors of Darkholme remix)
| 2552 | Monday, November 20, 2017 06:41:12 | 6 years ago |
| <CosmicGondola.webm> | Clannad OST - Roaring Tides II
| 2654 | Sunday, November 19, 2017 23:34:20 | 6 years ago |
| <KamikazeGondola.webm> | | 2224 | Sunday, November 19, 2017 03:44:17 | 6 years ago |
| <GondolaAndHisBall.webm> | Zinedine - Vaudeville Smash
| 2751 | Saturday, November 18, 2017 23:13:54 | 6 years ago |
| <Downton.webm> | Downton Abbey OST - Such Good Luck
| 2531 | Friday, November 17, 2017 23:19:15 | 6 years ago |
| <SnowyPathGondola.webm> | 2NE1 - 안녕 [GOODBYE] - Piano Cover
| 2355 | Friday, November 17, 2017 23:18:45 | 6 years ago |
| <GenesisGondola.webm> | Genesis - The Colony of Slippermen
| 3475 | Friday, November 17, 2017 20:45:25 | 6 years ago |
| <BeHappy.webm> | Bobby McFerrin - Don't Worry Be Happy (remix)
| 2840 | Friday, November 17, 2017 17:00:06 | 6 years ago |
| <KamineGondola.webm> | Ольга Красько - Дождик осенний (Б.Окуджава, И.Шварц)
| 2347 | Friday, November 17, 2017 16:59:43 | 6 years ago |
| <GonneOfGreenGondolas.webm> | | 2289 | Friday, November 17, 2017 16:58:32 | 6 years ago |
| <GondoLum.webm> | Robert Miles - Children (Dream Version)
| 3036 | Friday, November 17, 2017 05:42:05 | 6 years ago |
| <GondoLift.webm> | Pull Up The Roots - Talking Heads
| 2818 | Wednesday, November 15, 2017 18:46:47 | 6 years ago |
| <GirlyDolas.webm> | ミカヅキBIGWAVE - 偽り深層INSIDE
| 3385 | Wednesday, November 15, 2017 08:54:07 | 6 years ago |
| <DeepSeaGondola.webm> | Super Mario Sunshine OST - Deep Sea of Mare
| 2494 | Tuesday, November 14, 2017 13:06:09 | 6 years ago |
| <GondolaHymnToTheStars.webm> | Starbound OST - Hymn to the Stars
| 2898 | Tuesday, November 14, 2017 10:42:34 | 6 years ago |
| <PlushGondola.webm> | Tom Jobin - Corcovado
| 2247 | Tuesday, November 14, 2017 00:03:39 | 6 years ago |
| <ReflectionInternal.webm> | Tomppabeats - Whenever It Rains, I Feel so Free
| 2248 | Monday, November 13, 2017 20:47:56 | 6 years ago |
| <ManicMonday.webm> | The Bangles - Manic Monday
| 3285 | Monday, November 13, 2017 20:35:47 | 6 years ago |
| <GondolaWaitingForBus.webm> | | 2328 | Monday, November 13, 2017 20:34:34 | 6 years ago |
| <WreckingGondola.webm> | Miley Cyrus - Wrecking Ball
| 2194 | Monday, November 13, 2017 13:14:48 | 6 years ago |
| <GondolaAntenna.webm> | Boards of Canada - Over the Horizon Radar
| 2795 | Monday, November 13, 2017 09:38:59 | 6 years ago |
| <GondolaBladeRunner.webm> | Vangelis | Blade Runner (1982) OST - Tears In Rain
| 3086 | Monday, November 13, 2017 09:35:56 | 6 years ago |
| <ShipDola.webm> | Gordon Lightfoot - The Wreck of the Edmund Fitzgerald
| 2158 | Monday, November 13, 2017 09:33:53 | 6 years ago |
| <GondolaRainyWindow.webm> | Beethoven - Moonlight Sonata, 1st movement, mixed with Dr. Dre - Still D.R.E. ft. Snoop Dogg
| 2616 | Sunday, November 12, 2017 18:16:20 | 6 years ago |
| <GondolaCiv5.webm> | Djivan Gasparian - Brother Hunter
| 2588 | Sunday, November 12, 2017 17:14:41 | 6 years ago |
| <HidingFromTheLight.webm> | HOME - If I'm Wrong
| 2328 | Sunday, November 12, 2017 14:06:23 | 6 years ago |
| <GondolaDesertBus.webm> | Modern Talking - Who Will Save The World
| 2692 | Sunday, November 12, 2017 06:54:05 | 6 years ago |
| <Bus.webm> | Elton John - Bennie and the Jets
| 2762 | Saturday, November 11, 2017 16:25:50 | 6 years ago |
| <GondolaPartyNight.webm> | K-On! OST - Doki Doki Friday Night
| 2488 | Saturday, November 11, 2017 06:04:47 | 6 years ago |
| <FloatingIslandGonds.webm> | Gorillaz - Melancholy Hill
| 2662 | Saturday, November 11, 2017 05:45:32 | 6 years ago |
| <LittleGondolaSnowHut.webm> | Pokémon Diamond & Pearl - Route 216 (Day)
| 2240 | Saturday, November 11, 2017 04:28:19 | 6 years ago |
| <WinterHomeGondola.webm> | Bach - Ich ruf zu dir, Herr Jesu Christ (BWV 639)
| 2267 | Friday, November 10, 2017 15:59:54 | 6 years ago |
| <PoolTown.webm> | CHON - Bubble Dream
| 2338 | Thursday, November 09, 2017 21:13:43 | 6 years ago |
| <MedievalGondola.webm> | Hitoshi Sakimoto - City Street
| 2136 | Thursday, November 09, 2017 06:02:08 | 6 years ago |
| <FarmerScooter.webm> | Pekko Aikamiespoika (most likely, according to Anon)
| 2587 | Thursday, November 09, 2017 06:01:59 | 6 years ago |
| <TheDefunctCity.webm> | Liduque - Cherry Blossom
| 2187 | Thursday, November 09, 2017 06:01:51 | 6 years ago |
| <GondolaBehindTheWall.webm> | Варшавянка/Warszawianka
| 2699 | Thursday, November 09, 2017 06:00:56 | 6 years ago |
| <DancingGondolas.webm> | Ace of Base - Don't Turn Around
| 2583 | Thursday, November 09, 2017 06:00:44 | 6 years ago |
| <GondolaThread.webm> | | 3252 | Thursday, November 09, 2017 05:59:39 | 6 years ago |
| <WaitingToGo.webm> | Tomodachi Life OST - Rejection
| 2230 | Thursday, November 09, 2017 05:59:25 | 6 years ago |
| <GondolaWorksAtIBM.webm> | Miles Davis - So What
| 2365 | Thursday, November 09, 2017 05:59:12 | 6 years ago |
| <TheTownOnTheOtherSide.webm> | Shadow of the Colossus OST - Green Hills
| 2202 | Thursday, November 09, 2017 05:59:02 | 6 years ago |
| <TheGreeks.webm> | Black Hawk Down OST - Hunger (Hans Zimmer)
| 2303 | Thursday, November 09, 2017 05:58:43 | 6 years ago |
| <GondolaComfyInside.webm> | Antonio Carlos Jobim - Dialogo
| 2566 | Thursday, November 09, 2017 05:58:30 | 6 years ago |
| <SleepyGondolas.webm> | C418 - Subwoofer Lullaby
| 2263 | Thursday, November 09, 2017 05:58:20 | 6 years ago |
| <PeasantryGondola.webm> | Ensiferum - Kalevala Melody
| 2119 | Thursday, November 09, 2017 05:57:57 | 6 years ago |
| <SynthGondola.webm> | HOME - Decay
| 2180 | Thursday, November 09, 2017 05:57:36 | 6 years ago |
| <WarriorCampFireGondola.webm> | Dark Souls OST - Firelink Shrine
| 2508 | Thursday, November 09, 2017 05:56:25 | 6 years ago |
| <DriveInGondola.webm> | Viva - Nothing Has Changed
| 2484 | Thursday, November 09, 2017 05:56:08 | 6 years ago |
| <RelaxingInTheShade.webm> | Spirited Away OST - One Summer's Day (piano cover)
| 2582 | Thursday, November 09, 2017 05:55:54 | 6 years ago |
| <PortalGondola.webm> | Portal OST - Still Alive (piano version)
| 2283 | Thursday, November 09, 2017 05:55:15 | 6 years ago |
| <IslandTower.webm> | The Witcher 3 OST - An Skellige
| 2315 | Thursday, November 09, 2017 05:54:49 | 6 years ago |
| <PassingTheCity.webm> | Ben-To OST - Shinjou 4 Shouri No Ato No Bansan
| 2251 | Thursday, November 09, 2017 05:54:40 | 6 years ago |
| <GondolaRotate.webm> | Marifax - Teatime Dandies
| 2376 | Thursday, November 09, 2017 05:54:30 | 6 years ago |
| <BlockyGondola.webm> | Ludovico Einaudi - Giorni Dispari
| 2652 | Thursday, November 09, 2017 05:52:22 | 6 years ago |
| <DarkRoomGondola.webm> | Lambchop - The Daily Growl
| 2566 | Thursday, November 09, 2017 05:51:47 | 6 years ago |
| <GondolaLiftsCar.webm> | Guns N' Roses - Knockin' on Heaven's Door
| 2324 | Thursday, November 09, 2017 05:51:40 | 6 years ago |
| <CurbGondola.webm> | Scott Dunbar - Tinfoil Hat
| 2455 | Thursday, November 09, 2017 05:50:43 | 6 years ago |
| <FuturistGondola.webm> | 2814 - 恢复/Recovery
| 4249 | Thursday, November 09, 2017 05:50:16 | 6 years ago |
| <SoftBreezeGondola.webm> | Кино - Дерево (Kino - Tree)
| 2281 | Thursday, November 09, 2017 05:49:24 | 6 years ago |
| <GondolasOnTheLeaf.webm> | | 2366 | Thursday, November 09, 2017 05:49:04 | 6 years ago |
| <BedroomGondola.webm> | Giles Lamb - Dead Island
| 2648 | Thursday, November 09, 2017 05:48:49 | 6 years ago |
| <PixelGameGondolaDungeon.webm> | | 2234 | Thursday, November 09, 2017 05:48:20 | 6 years ago |
| <DoomGondola2.webm> | Doom I OST - Victory Music
| 2710 | Thursday, November 09, 2017 05:47:49 | 6 years ago |
| <BumCityGondola.webm> | Shady Dave - Feelings of Twilight
| 2760 | Thursday, November 09, 2017 05:47:25 | 6 years ago |
| <TheCityLives.webm> | Bamboo - Much Has Been Said
| 2235 | Thursday, November 09, 2017 05:44:09 | 6 years ago |
| <WitchyGondolaTree.webm> | | 2272 | Thursday, November 09, 2017 05:43:54 | 6 years ago |
| <PayGondolas.webm> | Swallow The Sun - The Heart Of A Cold White Land
| 2154 | Thursday, November 09, 2017 05:43:47 | 6 years ago |
| <DrownedGondola.webm> | Michael Ortega - It's hard to say goodbye
| 2506 | Thursday, November 09, 2017 05:43:40 | 6 years ago |
| <SittingOnARock.webm> | | 2088 | Thursday, November 09, 2017 05:43:32 | 6 years ago |
| <GondolaChillMix.webm> | Nikita Great - My Love
| 2607 | Thursday, November 09, 2017 05:43:12 | 6 years ago |
| <GondolaMetroRide.webm> | ProleteR - Back Home
| 2668 | Thursday, November 09, 2017 05:43:03 | 6 years ago |
| <PixelTrainGondola.webm> | Lamb - Elfia Piesn
| 2438 | Thursday, November 09, 2017 05:42:40 | 6 years ago |
| <NoirGondola.webm> | Chinatown OST - Love Theme
| 2243 | Thursday, November 09, 2017 05:42:32 | 6 years ago |
| <GondolaPerformer.webm> | Ween - I'm Dancing in the Show Tonight
| 2388 | Thursday, November 09, 2017 05:42:11 | 6 years ago |
| <SafariGondola.webm> | Toto - Africa
| 2135 | Thursday, November 09, 2017 05:42:04 | 6 years ago |
| <SittingOnTheBeach.webm> | Throwing a Spoon - clouds
| 2269 | Thursday, November 09, 2017 05:41:12 | 6 years ago |
| <GondolaLooksAtTheCity.webm> | Spirited Away OST - Inochi no Namae
| 2630 | Thursday, November 09, 2017 05:40:45 | 6 years ago |
| <AsianMarketGondola.webm> | Final Fantasy 7 OST - Wall Market Theme
| 3270 | Thursday, November 09, 2017 05:39:59 | 6 years ago |
| <CastleGondola.webm> | Brian Eno - Music for Airports 1/1
| 2613 | Thursday, November 09, 2017 05:39:51 | 6 years ago |
| <HighlanderGondolas.webm> | Ronnie Hazelhurst - The Last of the Summer Wine - Main Theme
| 2329 | Thursday, November 09, 2017 05:39:41 | 6 years ago |
| <SeagullBeachComfy.webm> | | 2216 | Thursday, November 09, 2017 05:39:01 | 6 years ago |
| <RockyGondola.webm> | | 2154 | Thursday, November 09, 2017 05:38:44 | 6 years ago |
| <CarefulNowGondolaMountains.webm> | The London Philharmonic Orchestra - Solveig's Song, Peer Gynt Suite
| 2609 | Thursday, November 09, 2017 05:38:15 | 6 years ago |
| <TheImpactGondola.webm> | Halo OST - Halo Theme (Choir Mix)
| 2339 | Thursday, November 09, 2017 05:37:45 | 6 years ago |
| <ComfyGondolaRoom.webm> | Morly - And Sooner Than We Know It
| 2627 | Thursday, November 09, 2017 05:37:23 | 6 years ago |
| <HurtingGondola.webm> | The Neighbourhood - Daddy Issues
| 2374 | Thursday, November 09, 2017 05:37:15 | 6 years ago |
| <ChileanGondolaSleeps.webm> | Ivan Barrientos - Suite Aysen - A un suave atardecer de estío
| 2770 | Thursday, November 09, 2017 05:36:09 | 6 years ago |
| <LightHouseGondola.webm> | Franco Piersanti - Tenderness
| 2142 | Thursday, November 09, 2017 05:36:00 | 6 years ago |
| <ThisFlowerBed.webm> | Nujabes - Luv Sic Part 2
| 2160 | Thursday, November 09, 2017 05:35:41 | 6 years ago |
| <TheMagicalFloats.webm> | Jim Guthrie - The Cloud
| 2340 | Thursday, November 09, 2017 05:35:22 | 6 years ago |
| <SkiFastGondola.webm> | | 2111 | Thursday, November 09, 2017 05:35:10 | 6 years ago |
| <FugQuad.webm> | Capo Blanco - Cold Song
| 5607 | Thursday, November 09, 2017 05:35:00 | 6 years ago |
| <NatureOvertakenGondola.webm> | Pink Floyd - Marooned
| 2070 | Thursday, November 09, 2017 05:34:49 | 6 years ago |
| <IsometricGondolaGame.webm> | Yasunoru Mitsuda | Chrono Trigger OST - The Brink of Time
| 2339 | Thursday, November 09, 2017 05:34:28 | 6 years ago |
| <EsBoatIsland.webm> | Aphex Twin - Qkthr
| 2595 | Thursday, November 09, 2017 05:33:25 | 6 years ago |
| <TheWinterOfGondola.webm> | Christopher Carlone - The Seasons Pass
| 2344 | Thursday, November 09, 2017 05:33:13 | 6 years ago |
| <PavementGondola.webm> | | 2426 | Thursday, November 09, 2017 05:33:03 | 6 years ago |
| <GondolaBenchAutumn.webm> | Do Make Say Think - Soul and Onward
| 3034 | Thursday, November 09, 2017 05:32:21 | 6 years ago |
| <AmryGondolaGrass.webm> | Eric Burdon - The Animals - We Gotta Get Out Of This Place
| 3090 | Thursday, November 09, 2017 05:31:18 | 6 years ago |
| <SnowyCliffGondola.webm> | Al di Meola - Winterlude Duet No.1
| 2143 | Thursday, November 09, 2017 05:31:05 | 6 years ago |
| <MetalCityDola.webm> | Machinarium OST - By The Wall (Bonus EP)
| 2197 | Thursday, November 09, 2017 05:30:37 | 6 years ago |
| <TiredGondola.webm> | Metallica - Fade to Black
| 4327 | Thursday, November 09, 2017 05:30:25 | 6 years ago |
| <AtHomeWithNothing.webm> | Erik Satie - Gymnopédie No.1
| 3196 | Thursday, November 09, 2017 05:29:42 | 6 years ago |
| <GondolaBusRain.webm> | Spirited Away OST - Sixth Station
| 2748 | Thursday, November 09, 2017 05:29:22 | 6 years ago |
| <GondolaHighClass.webm> | Johann Sebastian Bach - Harpsichord Concerto No.2 in E Major, BWV 1053
| 2514 | Thursday, November 09, 2017 05:29:12 | 6 years ago |
| <TheWindIsStrongGondola.webm> | Porco Rosso - The theme of Marco and Gina
| 2188 | Thursday, November 09, 2017 05:28:24 | 6 years ago |
| <ScaryCity.webm> | Half-Life 2 OST - Broken Symmetry
| 2313 | Thursday, November 09, 2017 05:28:12 | 6 years ago |
| <DumplingTown.webm> | I Monster - Daydream In Blue (BBC Radio 2 session)
| 2472 | Thursday, November 09, 2017 05:27:59 | 6 years ago |
| <GondolaHangs.webm> | Oldboy OST - Breathless
| 2517 | Thursday, November 09, 2017 05:27:37 | 6 years ago |
| <GondolaOnTheBus.webm> | Dustin O'Halloran - Opus 23
| 2427 | Thursday, November 09, 2017 05:27:23 | 6 years ago |
| <DonkeyKongUnderTheTrees.webm> | Banjo-Kazooie OST - Click Clock Wood (Spring)
| 2501 | Thursday, November 09, 2017 05:27:12 | 6 years ago |
| <GondolasUniverse.webm> | Debussy - Suite Bergamasque (Clair de lune)
| 2303 | Thursday, November 09, 2017 05:26:11 | 6 years ago |
| <GondolaStreamAdventures.webm> | Secret of Mana - Into the Thick of It
| 2407 | Thursday, November 09, 2017 05:25:43 | 6 years ago |
| <NeonGondola.webm> | Mass Effect 3 OST - An End Once and For All
| 2239 | Thursday, November 09, 2017 05:25:20 | 6 years ago |
| <HeartBreakGondola.webm> | | 2289 | Thursday, November 09, 2017 05:25:03 | 6 years ago |
| <ArtsyGondola.webm> | DJ Cam - Un eté a Paris
| 2908 | Thursday, November 09, 2017 05:24:51 | 6 years ago |
| <HeavenlyGondola.webm> | Pyotr Ilyich Tchaikovsky - Academic Choir Of Ukraine
| 2291 | Thursday, November 09, 2017 05:24:43 | 6 years ago |
| <ButterflyLaptopThought.webm> | S.T.A.L.K.E.R. OST - He was a good stalker
| 2979 | Thursday, November 09, 2017 05:24:28 | 6 years ago |
| <XDola.webm> | Jakob Bienenhalm - Jockel, der Gartenteichspringbrunnen
| 2414 | Thursday, November 09, 2017 05:24:06 | 6 years ago |
| <IsisDola.webm> | | 2370 | Thursday, November 09, 2017 05:23:49 | 6 years ago |
| <DoNOTTrustThePillars.webm> | Eels - That's Not Really Funny
| 2424 | Thursday, November 09, 2017 05:23:34 | 6 years ago |
| <BeztFugginDayEvur.webm> | Nobuo Uematsu | The Last Story OST - Lost Time
| 2764 | Thursday, November 09, 2017 05:23:16 | 6 years ago |
| <RedRidingGondola.webm> | The Path OST - Forest Theme
| 2084 | Thursday, November 09, 2017 05:21:03 | 6 years ago |
| <GondolaOnTheHills.webm> | Skies of Arcadia OST - Theme of Loneliness
| 2366 | Thursday, November 09, 2017 05:20:54 | 6 years ago |
| <HoverCarMountain.webm> | Julio Iglesias - La mer
| 2150 | Thursday, November 09, 2017 05:20:34 | 6 years ago |
| <3DRainGondola.webm> | Aphex Twin - Rhubarb (piano version/cover)
| 4160 | Thursday, November 09, 2017 05:20:26 | 6 years ago |
| <AutumnGondolaSeason.webm> | Howl's Moving Castle OST - Theme
| 3359 | Thursday, November 09, 2017 05:20:12 | 6 years ago |
| <VikingGondola.webm> | Wardruna - Völuspá
| 2192 | Thursday, November 09, 2017 05:19:52 | 6 years ago |
| <AutumnDola.webm> | Welcome to the N.H.K. OST - Hitori no Tame no Lullaby (Cover, see comments)
| 3155 | Thursday, November 09, 2017 05:19:43 | 6 years ago |
| <LostDola.webm> | Far Cry 3 OST - Main Theme
| 2141 | Thursday, November 09, 2017 05:19:36 | 6 years ago |
| <JapaneseSlumDola.webm> | | 2327 | Thursday, November 09, 2017 05:19:21 | 6 years ago |
| <GondolaEfna.webm> | Vangelis - Tears in Rain (Blade Runner 1982 final scene)
| 3153 | Thursday, November 09, 2017 05:19:04 | 6 years ago |
| <GondolaMirrorProfound.webm> | | 2476 | Thursday, November 09, 2017 05:18:26 | 6 years ago |
| <TakeItAllInGondola.webm> | | 2175 | Thursday, November 09, 2017 05:18:13 | 6 years ago |
| <SnowyMoscowDola.webm> | Metro 2033 OST - Main Theme
| 2337 | Thursday, November 09, 2017 05:17:25 | 6 years ago |
| <SovietDola.webm> | Matvei Blanter - Katyusha | Russian folk song - Korobeiniki
| 2562 | Thursday, November 09, 2017 05:17:13 | 6 years ago |
| <GondSoldier.webm> | Vasilisa i Gora rasti rasti moj zeleni bore
| 3070 | Thursday, November 09, 2017 05:16:59 | 6 years ago |
| <InterstellaryDola.webm> | Hans Zimmer - Cornfield Chase
| 2219 | Thursday, November 09, 2017 05:16:22 | 6 years ago |
| <VicePoliceDola.webm> | Jan Hammer - Crockett's Theme
| 2261 | Thursday, November 09, 2017 05:15:45 | 6 years ago |
| <TankDola.webm> | Kevin MacLeod - Take the Lead
| 2142 | Thursday, November 09, 2017 05:15:35 | 6 years ago |
| <GondolaDoesntKnow.webm> | Katawa Shoujo OST - Jitter
| 2698 | Thursday, November 09, 2017 05:15:18 | 6 years ago |
| <GondolaComfyTrainRide.webm> | | 2686 | Thursday, November 09, 2017 05:13:10 | 6 years ago |
| <WarmEsBrew.webm> | Cicada - Farewell (in a pretentious way)
| 2155 | Thursday, November 09, 2017 05:11:36 | 6 years ago |
| <OverTheGondola.webm> | Over The Garden Wall OST - Where are we?
| 2136 | Thursday, November 09, 2017 04:58:27 | 6 years ago |
| <TheBannerSagaGondola.webm> | The Legend Of Iya OST - Philter
| 2226 | Thursday, November 09, 2017 04:57:56 | 6 years ago |
| <MadeInAbyssGondola.webm> | Made in Abyss OST - Hanezeve Caradhina (ft.Takeshi Saito)
| 2376 | Thursday, November 09, 2017 04:57:13 | 6 years ago |
| <GondolaOfTheNile.webm> | Nile - User Maat Re
| 2277 | Wednesday, November 08, 2017 17:24:03 | 6 years ago |
| <GondolasDive.webm> | | 2331 | Tuesday, November 07, 2017 09:44:08 | 6 years ago |
| <GondolaHorseField.webm> | 柳川和樹 | Atelier Firis OST - 緑の塒
| 3082 | Tuesday, November 07, 2017 04:53:07 | 6 years ago |
| <GondolaSnowAngel.webm> | Aphex Twin - Xtal
| 2493 | Tuesday, November 07, 2017 04:51:05 | 6 years ago |
| <GondolaOldBuilding.webm> | 36 - Beacon
| 2303 | Tuesday, November 07, 2017 00:30:15 | 6 years ago |
| <Gondolo.webm> | Grouper - No Other
| 2304 | Monday, November 06, 2017 22:19:34 | 6 years ago |
| <GondolaInTheWater.webm> | World's End Girlfriend - Smile (ft. 湯川潮音)
| 2463 | Monday, November 06, 2017 21:23:08 | 6 years ago |
| <SpaceGondola2.webm> | Overlord (NES) OST - Title Screen
| 2359 | Monday, November 06, 2017 04:40:36 | 6 years ago |
| <FjordDola.webm> | Nils Frahm - Them
| 2476 | Monday, November 06, 2017 03:50:51 | 6 years ago |
| <DyingDogDola.webm> | Clint Mansell - Memories (Someone We'll Never Know)
| 2491 | Monday, November 06, 2017 03:49:46 | 6 years ago |
| <IrakDola.webm> | Denez Prigent & Lisa Gerrard - Gortoz A Ran J'Attends
| 2455 | Monday, November 06, 2017 03:47:18 | 6 years ago |
| <GondolaAmongGondolas.webm> | The Verve - Bitter Sweet Symphony
| 2871 | Monday, November 06, 2017 03:46:36 | 6 years ago |
| <AloneAgainGondola.webm> | Mac Demarco - Chamber Of Reflection
| 3464 | Monday, November 06, 2017 03:45:45 | 6 years ago |
| <BalconyCitySky.webm> | Hammock - The Air Between Us
| 2819 | Monday, November 06, 2017 03:43:58 | 6 years ago |
| <GondolaStairs.webm> | Dvar - Hishmaliin
| 2394 | Monday, November 06, 2017 03:41:47 | 6 years ago |
| <DislodgeDola.webm> | Syeda Shah - WHITE HOUSE / Ogre You Asshole
| 2429 | Monday, November 06, 2017 03:35:52 | 6 years ago |
| <SnowFishingDola.webm> | Mass Effect 3 OST - An End, Once And For All
| 2280 | Monday, November 06, 2017 03:35:22 | 6 years ago |
| <GondolaDrivesGreenCar.webm> | HOME - Resonance
| 2559 | Monday, November 06, 2017 03:32:12 | 6 years ago |
| <AustralianGondola2.webm> | Icehouse - Great Southern Land
| 3251 | Monday, November 06, 2017 03:30:48 | 6 years ago |
| <HouseWojakPepe2.webm> | Vadim Kiselev - Sadness Piano Song
| 2278 | Monday, November 06, 2017 03:28:12 | 6 years ago |
| <SillyGondola.webm> | Herb Alpert - Spanish Flea
| 2293 | Monday, November 06, 2017 03:26:10 | 6 years ago |
| <BioshockDola.webm> | Bobby Darin - Beyond the Sea
| 2907 | Monday, November 06, 2017 03:23:32 | 6 years ago |
| <RisingSunWarDola.webm> | The Animals - House of the Rising Sun (1964)
| 2390 | Monday, November 06, 2017 03:19:44 | 6 years ago |
| <GondolaOnScreen.webm> | Jürgen Schlachter - The Big Laugh
| 2434 | Monday, November 06, 2017 03:15:48 | 6 years ago |
| <BurningWakeGondola2.webm> | Christopher Carlone - Red Dawn
| 2582 | Monday, November 06, 2017 03:10:11 | 6 years ago |
| <GondolaInLimbo.webm> | Hans Zimmer - Time
| 2487 | Monday, November 06, 2017 03:04:52 | 6 years ago |
| <GondoWay.webm> | Jan Jelinek - Rock in the Video Age
| 2711 | Monday, November 06, 2017 02:42:46 | 6 years ago |
| <AirlockSpaceGondola.webm> | Global Communication - 14:31
| 3323 | Monday, November 06, 2017 02:41:55 | 6 years ago |
| <Frenchola.webm> | Bob Bradley, Adam Dennis, Chris Egan - Magician
| 2565 | Sunday, November 05, 2017 18:58:36 | 6 years ago |
| <GondolaCave2.webm> | Waterflame - The Wanderer
| 2532 | Sunday, November 05, 2017 18:58:22 | 6 years ago |
| <GondolaRedPlane.webm> | Joe Hisaishi - Naoko Meguriai (The Wind Rises OST)
| 2568 | Sunday, November 05, 2017 18:57:35 | 6 years ago |
| <UpsideUp.webm> | Cube Escape - Birthday Piano Theme
| 2137 | Sunday, November 05, 2017 16:46:14 | 6 years ago |
| <GondolaItsAllOver.webm> | Tomodachi Life OST - Rejection
| 2372 | Sunday, November 05, 2017 06:21:46 | 6 years ago |
| <GondolaMushishi.webm> | Mushishi Zoku Shou OST - Hinata
| 2439 | Sunday, November 05, 2017 01:33:22 | 6 years ago |
| <GondolaChile.webm> | | 2547 | Sunday, November 05, 2017 01:32:32 | 6 years ago |
| <GondolaRoadRain.webm> | Portishead - Roads
| 2415 | Sunday, November 05, 2017 00:06:47 | 6 years ago |
| <Train.webm> | Harry Nilsson - The Moonbeam Song
| 2257 | Saturday, November 04, 2017 19:10:07 | 6 years ago |
| <TearsInTheRain.webm> | Vangelis - Tears in Rain
| 3091 | Saturday, November 04, 2017 15:18:15 | 6 years ago |
| <WetDog.webm> | Metro 2033 OST - Main Theme
| 2604 | Friday, November 03, 2017 17:50:32 | 6 years ago |
| <Soldiers.webm> | Timur Mutsurayev - Svoboda
| 2138 | Friday, November 03, 2017 17:08:21 | 6 years ago |
| <RenaiCirculation.webm> | Hanazawa Kana - Renai Circulation
| 1886 | Friday, November 03, 2017 14:12:24 | 6 years ago |
| <JesusGondolaCrossStorm.webm> | Akira Senju - Violoncello's Lament (Fullmetal Alchemist Brotherhood OST)
| 2266 | Friday, November 03, 2017 05:39:42 | 6 years ago |
| <GondolaWorld.webm> | Kraftwerk - Kometenmelodie 2
| 2358 | Wednesday, November 01, 2017 22:36:00 | 6 years ago |
| <AllTheseTrees.webm> | Seasons Of Motion - All These Trees
| 3137 | Wednesday, November 01, 2017 15:54:06 | 6 years ago |
| <GondolaIcyCave.webm> | Nobuo Uematsu - Lurking In The Darkness
| 2415 | Wednesday, November 01, 2017 15:53:19 | 6 years ago |
| <GondolaBeachTranquil.webm> | Apple Green - Tranquil Treeline
| 2593 | Wednesday, November 01, 2017 15:51:41 | 6 years ago |
| <GondolaPowerLine.webm> | Старуха Мха - Деформация (О.Г.Н.И.)
| 2434 | Tuesday, October 31, 2017 22:00:01 | 6 years ago |
| <FinalFantasyDola.webm> | Final Fantasy IX OST - Steiner's Theme
| 2505 | Tuesday, October 31, 2017 21:59:40 | 6 years ago |
| <GondolaNiceSummer.webm> | Princess Mononoke - The Journey to the West
| 2639 | Tuesday, October 31, 2017 18:54:27 | 6 years ago |
| <GondolaCorridor.webm> | OFF OST - Tender Sugar
| 2571 | Tuesday, October 31, 2017 15:59:58 | 6 years ago |
| <Sands.webm> | Hokuto no Ken OST - Asunaki Tabi
| 2188 | Monday, October 30, 2017 22:42:42 | 6 years ago |
| <RareAlbinoGondArctic.webm> | | 2173 | Monday, October 30, 2017 22:41:54 | 6 years ago |
| <FishingGondolaStraw.webm> | Kamaniu Silelis - Kol Mano Teveliai
| 2474 | Monday, October 30, 2017 16:15:15 | 6 years ago |
| <GondolaInGame.webm> | anonymous - The Fantastic Adventures of Gondola Theme
| 2512 | Monday, October 30, 2017 06:42:50 | 6 years ago |
| <AineVoltola2.webm> | OST - ainevoltas 2
| 3179 | Sunday, October 29, 2017 14:24:13 | 6 years ago |
| <LF1MHealerWc.webm> | WoW OST - The Barrens [Night]
| 2238 | Sunday, October 29, 2017 07:02:13 | 6 years ago |
| <Gondori.webm> | CASE\_KOVACS// - 無理
| 3103 | Saturday, October 28, 2017 17:12:35 | 6 years ago |
| <LowTide.webm> | Pokemon OST - Surf (Acoustic cover)
| 2187 | Friday, October 27, 2017 02:09:14 | 6 years ago |
| <DarkRoomGond.webm> | | 2590 | Friday, October 27, 2017 02:08:13 | 6 years ago |
| <SkyrimGondola.webm> | The Elder Scrolls IV Oblivion OST - King And Country
| 2409 | Friday, October 27, 2017 02:07:22 | 6 years ago |
| <KirbyDola.webm> | Kirby and the Rainbow Curse - Milky Way Wishes
| 2753 | Friday, October 27, 2017 02:06:29 | 6 years ago |
| <GondoRim.webm> | Skyrim OST - Secunda
| 3026 | Friday, October 27, 2017 02:06:01 | 6 years ago |
| <GondolasStudy.webm> | | 2292 | Thursday, October 26, 2017 04:16:52 | 6 years ago |
| <GondolaResonantChamberLibrary.webm> | Animusic 2 - Resonant Chamber
| 2475 | Thursday, October 26, 2017 03:37:59 | 6 years ago |
| <GondolaSolidSnake.webm> | Metal Gear Solid OST - Warhead Storage
| 2655 | Wednesday, October 25, 2017 17:44:19 | 6 years ago |
| <GondolaEsStory.webm> | Blade Runner OST | Vangelis - Deckard And Roy's Duel
| 2612 | Tuesday, October 24, 2017 03:56:27 | 6 years ago |
| <TheGondolaLayer.webm> | Made in Abyss OST - The First Layer
| 2245 | Tuesday, October 24, 2017 03:26:06 | 6 years ago |
| <SwampDola.webm> | Dan Romer & Benh Zeitlin | Beasts of the Southern Wild OST - The Bathtub
| 2125 | Monday, October 23, 2017 18:13:02 | 6 years ago |
| <GondolaTourTheAbyss.webm> | Made in Abyss OST - Tour The Abyss
| 2506 | Monday, October 23, 2017 10:15:04 | 6 years ago |
| <OverTheGondolaWall.webm> | Over The Garden Wall - Patient is the Night
| 2253 | Sunday, October 22, 2017 01:37:20 | 6 years ago |
| <RaymanGondola.webm> | Rayman OST - The Band Awakens
| 2263 | Sunday, October 22, 2017 01:35:53 | 6 years ago |
| <GondolaBike.webm> | Pokémon Ruby & Sapphire OST - Cycling
| 2853 | Saturday, October 21, 2017 17:33:25 | 6 years ago |
| <TrenchGondola.webm> | Battlefield 1 OST - The Flight Of The Pigeon
| 2373 | Saturday, October 21, 2017 16:35:58 | 6 years ago |
| <GondolaLonely.webm> | The Verve - Bitter Sweet Symphony
| 2582 | Friday, October 20, 2017 23:38:21 | 6 years ago |
| <GottaGondola.webm> | Sonic Adventure 2 OST - City Escape
| 2566 | Friday, October 20, 2017 19:28:23 | 6 years ago |
| <VsauceSpaceDola.webm> | Boards of Canada - Roygbiv
| 2342 | Friday, October 20, 2017 19:28:12 | 6 years ago |
| <GondolaCeleritas.webm> | 5vel - Celeritas (Speed of Light)
| 2716 | Friday, October 20, 2017 19:27:22 | 6 years ago |
| <GondoledgeStealAway.webm> | Harold Budd & Brian Eno - Steal Away
| 2303 | Thursday, October 19, 2017 23:37:18 | 6 years ago |
| <GondolaFallsDown.webm> | IAMNOBODI - Bel Air
| 2605 | Wednesday, October 18, 2017 03:54:19 | 6 years ago |
| <GondolaSevenSeas.webm> | United States Army Old Guard Fife and Drum Corps - Water Music from the "Handel" Show
| 2351 | Wednesday, October 18, 2017 03:49:43 | 6 years ago |
| <GondolaPacific.webm> | 808 State - Pacific State
| 2476 | Wednesday, October 18, 2017 01:52:28 | 6 years ago |
| <GondolaDragoonBros.webm> | Legend of Dragoon OST - City of Bale
| 2554 | Tuesday, October 17, 2017 21:05:31 | 6 years ago |
| <BesaidGondo.webm> | Final Fantasy X OST - Besaid Island
| 2898 | Tuesday, October 17, 2017 21:04:56 | 6 years ago |
| <GondolaValleyOfDeath.webm> | Submachine 4 OST - Ancient Section
| 2455 | Tuesday, October 17, 2017 19:43:16 | 6 years ago |
| <GondolasBouquet.webm> | Bach / Siloti - Prelude in B minor
| 2331 | Tuesday, October 17, 2017 19:42:43 | 6 years ago |
| <PartyGondola.webm> | Jory Boy - Nada Serio (feat. Almighty)
| 2357 | Tuesday, October 17, 2017 19:42:26 | 6 years ago |
| <LegendOfDragoonDola.webm> | The Legend of Dragoon OST - Shana's Theme
| 2174 | Tuesday, October 17, 2017 18:37:41 | 6 years ago |
| <GondolenAge.webm> | Paco De Lucia, Al Di Meola, John McLaughlin - Manha de Carnaval
| 2672 | Tuesday, October 17, 2017 18:34:38 | 6 years ago |
| <CossackDola.webm> | Kuban Cossack Choir - "O, Рада, Райда!"
| 3171 | Tuesday, October 17, 2017 18:34:22 | 6 years ago |
| <GondolaRocketSaveEarth.webm> | Muse - Supermassive Black Hole
| 2452 | Tuesday, October 17, 2017 18:34:06 | 6 years ago |
| <CyberGondola2.webm> | Boards of Canada - Come To Dust
| 2711 | Tuesday, October 17, 2017 18:33:50 | 6 years ago |
| <GoodBadDola.webm> | | 2267 | Tuesday, October 17, 2017 18:32:23 | 6 years ago |
| <GondolaInPrison.webm> | Iron Maiden - Hallowed Be Thy Name (Midi Version - Geocities)
| 2506 | Tuesday, October 17, 2017 18:31:36 | 6 years ago |
| <GondolaOutsideWindow.webm> | Eternal Sunshine of a Spotless Mind - Theme (Jon Brion)
| 2424 | Tuesday, October 17, 2017 18:31:19 | 6 years ago |
| <Spacedola.webm> | Маяк - Алый Закат
| 2333 | Tuesday, October 17, 2017 18:31:04 | 6 years ago |
| <GondolaInJoy.webm> | LISA OST - Live in Joy
| 2493 | Tuesday, October 17, 2017 18:30:40 | 6 years ago |
| <BigrigGondola.webm> | Tom Waits - Gun Street Girl
| 2748 | Tuesday, October 17, 2017 18:30:26 | 6 years ago |
| <VodkaHereafterStrandGondola.webm> | Vodka - Playa Del Ankh
| 2200 | Tuesday, October 17, 2017 18:30:07 | 6 years ago |
| <ValleyOfGondola.webm> | Memohuntress OST - Rose Inn (Bosa remix)
| 2401 | Tuesday, October 17, 2017 18:29:45 | 6 years ago |
| <GondolaByThisRiver.webm> | Brian Eno - By This River
| 2664 | Tuesday, October 17, 2017 18:29:30 | 6 years ago |
| <HajytGondola.webm> | Häjyt - Theme song [finnjävlar, tough ones]
| 2462 | Tuesday, October 17, 2017 18:28:55 | 6 years ago |
| <GondolaBeats.webm> | Angel Beats OST - Ichiban No Takaramono
| 2759 | Tuesday, October 17, 2017 18:28:36 | 6 years ago |
| <GondolaPoe.webm> | Belinda Carlisle - Heaven Is a Place on Earth
| 2450 | Tuesday, October 17, 2017 18:27:34 | 6 years ago |
| <GondHead.webm> | Cuphead - Inkwell Isle Three
| 3114 | Tuesday, October 17, 2017 18:26:43 | 6 years ago |
| <StalingradGondola.webm> | Red Orchestra 2: Heroes of Stalingrad OST - Strength in Unity
| 2672 | Tuesday, October 17, 2017 18:26:33 | 6 years ago |
| <GondolaSpaceShip.webm> | Joël Fajerman - Flowers Love
| 2620 | Wednesday, October 11, 2017 06:28:06 | 6 years ago |
| <GreekGondola.webm> | Daemonia Nymphe - The Orphic Hymn to Dionysos
| 2248 | Monday, October 09, 2017 14:27:33 | 6 years ago |
| <GondolaFrontier.webm> | Aebeloe - Farver
| 2447 | Monday, October 09, 2017 14:22:53 | 6 years ago |
| <Balrog.webm> | Lord of The Rings OST - Bridge of Khazad Dum
| 2823 | Friday, October 06, 2017 08:36:42 | 6 years ago |
| <GondolaOctopus.webm> | Monster Girl Quest OST - Under the Sea
| 2434 | Friday, October 06, 2017 08:33:46 | 6 years ago |
| <MurkySnow.webm> | Yuki Kajiura - The World
| 2117 | Friday, October 06, 2017 08:23:00 | 6 years ago |
| <WreckedSpaceship.webm> | | 2188 | Friday, October 06, 2017 08:22:14 | 6 years ago |
| <GondolaDancesDisco.webm> | Bee Gee - Stayin' Alive
| 2497 | Friday, October 06, 2017 08:13:22 | 6 years ago |
| <Leprechaundola.webm> | The Legend of Zelda - Ocarina of Time OST - Temple of Time
| 2248 | Friday, October 06, 2017 08:04:28 | 6 years ago |
| <CafeInAthens.webm> | Ti Simera, Ti Aurio, Ti Tora - Today, Tomorrow Or Now
| 2683 | Friday, October 06, 2017 07:39:54 | 6 years ago |
| <OnTheHillsOfKarelia.webm> | Karjalan kunnailla (On the Hills of Karelia)
| 2228 | Friday, October 06, 2017 07:36:24 | 6 years ago |
| <Cemetery.webm> | | 2509 | Friday, October 06, 2017 06:18:22 | 6 years ago |
| <GondoForestTravel.webm> | Kauan - Akva
| 2831 | Friday, October 06, 2017 06:05:36 | 6 years ago |
| <WinterForest.webm> | Fiburaz - Muumimusiikkia 7
| 2253 | Friday, October 06, 2017 04:25:14 | 6 years ago |
| <GondoPlane.webm> | Hans Zimmer - And Then I Kissed Him
| 2942 | Friday, October 06, 2017 04:24:04 | 6 years ago |
| <SteepCliff.webm> | | 2188 | Friday, October 06, 2017 04:23:00 | 6 years ago |
| <Romanticism.webm> | Art: Antonio Smith, Crepúsculo marino, Music: Benn Jordan - Looking Into The Past
| 2711 | Friday, October 06, 2017 03:34:38 | 6 years ago |
| <GondoTrigger.webm> | Chrono Trigger OST - Gato's Theme
| 2847 | Friday, October 06, 2017 02:09:54 | 6 years ago |
| <Burning.webm> | Godspeed You Black Emperor - The Dead Flag Blues
| 2715 | Friday, October 06, 2017 01:56:30 | 6 years ago |
| <GondolaBoatRide.webm> | Pain - HEALTH
| 2531 | Friday, October 06, 2017 01:34:38 | 6 years ago |
| <GondolaSeaStand.webm> | Hayley Westenra - The Prayer
| 2453 | Friday, October 06, 2017 01:19:34 | 6 years ago |
| <GondolaSatellite.webm> | Jeff Lynne - Stream of Stars
| 2325 | Friday, October 06, 2017 01:00:12 | 6 years ago |
| <GondoLunarMeteorEarth.webm> | Evangelion - KK A09 Miyagi
| 3016 | Friday, October 06, 2017 00:44:48 | 6 years ago |
| <GondolaFather.webm> | Kelvin Williams - Theme From (The Godfather)
| 2374 | Friday, October 06, 2017 00:30:26 | 6 years ago |
| <GondolaSnowball.webm> | Vàli - Et Teppe Av Mose
| 2283 | Friday, October 06, 2017 00:19:00 | 6 years ago |
| <GondolaFindsGod.webm> | Johann Sebastian Bach - Ave Maria
| 2541 | Thursday, October 05, 2017 23:23:16 | 6 years ago |
| <GondolaIceCreamFreezer.webm> | Gary Jules - Mad World
| 2571 | Thursday, October 05, 2017 23:23:06 | 6 years ago |
| <ChristmasTreesAndSnow.webm> | K-On! OST - Ano Hi no Yume
| 2698 | Thursday, October 05, 2017 23:23:02 | 6 years ago |
| <GondolaAndIgloo.webm> | Yume Nikki OST - Snow World
| 2806 | Thursday, October 05, 2017 23:22:38 | 6 years ago |
| <TheLastOfTheMohicans.webm> | The Last of the Mohicans - Promontory
| 2205 | Thursday, October 05, 2017 22:54:44 | 6 years ago |
| <GondolaUnderTheMoon.webm> | 36: The Box
| 2386 | Thursday, October 05, 2017 22:53:24 | 6 years ago |
| <PlainsTycho.webm> | Plains - Tycho
| 2117 | Thursday, October 05, 2017 22:48:12 | 6 years ago |
| <TheYoungPopeAndGondola.webm> | Libera - Panis Angelicus
| 2147 | Thursday, October 05, 2017 22:48:00 | 6 years ago |
| <InOrbit.webm> | Hans Zimmer - Day One (Interstellar OST)
| 2188 | Thursday, October 05, 2017 22:47:54 | 6 years ago |
| <Aria.webm> | Aria The Animation OST - ARIA
| 3470 | Thursday, October 05, 2017 22:47:00 | 6 years ago |
| <GondolaChronicles.webm> | Jean Sibelius - Finlandia
| 2533 | Thursday, October 05, 2017 22:42:08 | 6 years ago |
| <GondolaWinterForest.webm> | Ennio Morricone - Viaggio
| 2561 | Thursday, October 05, 2017 22:19:08 | 6 years ago |
| <PurpleBallWithEyeSpace.webm> | Lemon Jelly - Space Walk
| 2308 | Thursday, October 05, 2017 22:18:14 | 6 years ago |
| <SnowyRoad.webm> | Aphex Twin - Nannou 2
| 2084 | Thursday, October 05, 2017 22:12:24 | 6 years ago |
| <Otaku.webm> | Puru Puru Pururin OP
| 2425 | Thursday, October 05, 2017 21:57:42 | 6 years ago |
| <AnimalCrossTree.webm> | Animal Crossing OST
| 3078 | Thursday, October 05, 2017 21:57:40 | 6 years ago |
| <InADesert.webm> | <None>
| 2235 | Thursday, October 05, 2017 21:55:40 | 6 years ago |
| <ShadowrunHongKong.webm> | Jon Everist - Heoi
| 2080 | Thursday, October 05, 2017 21:55:16 | 6 years ago |
| <TwoGondolasOnAMeteor.webm> | Blank Banshee - D ☰ ☰ P $ P Λ C ☰
| 2085 | Thursday, October 05, 2017 21:54:58 | 6 years ago |
| <MiniGondolaForest.webm> | | 2249 | Thursday, October 05, 2017 21:48:04 | 6 years ago |
| <BusStopLog.webm> | Modokashii Sekai no Ue de
| 2537 | Thursday, October 05, 2017 21:47:58 | 6 years ago |
| <Helvegen.webm> | Wardruna - Helvegen [The Way To Hel]
| 2350 | Thursday, October 05, 2017 21:16:46 | 6 years ago |
| <SnowSpruceHouse.webm> | Kendall Miles feat. I Eat Plants for a Living - Dream Sequence
| 2082 | Thursday, October 05, 2017 11:55:14 | 6 years ago |
| <ByeByeGondola.webm> | Ann Margret - Bye Bye Birdie
| 2603 | Thursday, October 05, 2017 11:47:32 | 6 years ago |
| <SuicideForest.webm> | MapleStory OST - Sleepywood
| 2178 | Thursday, October 05, 2017 11:45:44 | 6 years ago |
| <FinalPizzaCountdown.webm> | Europe - The Final Countdown
| 2539 | Monday, October 02, 2017 06:54:32 | 6 years ago |
| <IchibanBoshiAinshutainzu.webm> | iいちばんぼし / アインシュタインズ (Baramycin Dubstep Remix)
| 2489 | Monday, October 02, 2017 06:53:05 | 6 years ago |
| <GondolaFutureFunk.webm> | Momoko Kikuchi - Night Cruising (Night Tempo 100% Pure Remastered)
| 2756 | Monday, October 02, 2017 06:51:49 | 6 years ago |
| <MirrorGondola.webm> | | 2237 | Sunday, October 01, 2017 09:43:51 | 6 years ago |
| <GondolaInfinity.webm> | | 2515 | Sunday, October 01, 2017 09:43:16 | 6 years ago |
| <Bumdola.webm> | Health and Well Being (Healing Music with Nature Sounds) - Gentle Rain with Emotional Piano and Flute Music
| 2697 | Sunday, October 01, 2017 09:43:01 | 6 years ago |
| <BlankCanvasGondola.webm> | Simon & Garfunkel - The Sound of Silence (Karaoke)
| 2726 | Sunday, October 01, 2017 09:42:39 | 6 years ago |
| <ResidentialGondola.webm> | The Smiths - Some Girls Are Bigger Than Others
| 2393 | Sunday, October 01, 2017 09:42:10 | 6 years ago |
| <MarsObservationPlatform.webm> | Infinite Space OST - Kira's / Database theme
| 2179 | Sunday, October 01, 2017 09:41:34 | 6 years ago |
| <ShootingStarDola.webm> | Michael Perilstein - Afternoon Of A Spawn
| 2291 | Sunday, October 01, 2017 09:40:55 | 6 years ago |
| <CyberGondola.webm> | Kevin Penkin - Discover the Abyss
| 2613 | Sunday, October 01, 2017 09:40:07 | 6 years ago |
| <LargeBlanketKOn.webm> | K-On! OST - Ii Yume Mite Ne
| 2225 | Friday, September 29, 2017 13:26:42 | 6 years ago |
| <Regeneration.webm> | Beethoven Piano Concerto No.5, 2nd Movement
| 2240 | Thursday, September 28, 2017 20:37:11 | 6 years ago |
| <MoscowMule.webm> | Bartender OST - Moscow Mule
| 2250 | Thursday, September 28, 2017 20:35:42 | 6 years ago |
| <TheSunDiesToday.webm> | | 2269 | Tuesday, September 26, 2017 20:14:40 | 6 years ago |
| <GondolaWoods.webm> | Aphex Twin - Red Calx [slow]
| 2435 | Tuesday, September 26, 2017 11:03:39 | 6 years ago |
| <ConcerningGondola.webm> | The Lord of The Rings: The Fellowship of the Ring OST - Concerning Hobbits
| 2698 | Tuesday, September 26, 2017 06:46:37 | 6 years ago |
| <GondolaKimiNoNaWa.webm> | Game of Thrones OST - Light of the Seven
| 2503 | Sunday, September 24, 2017 17:50:39 | 6 years ago |
| <GondolaCut.webm> | Brian Eno - Always Returning
| 2622 | Sunday, September 24, 2017 17:48:52 | 6 years ago |
| <WanderOverYonder.webm> | Tsukamoto Isao - Chai
| 2058 | Saturday, September 23, 2017 16:45:16 | 6 years ago |
| <GondolaEatAcidInsideMyHouse.webm> | Ricky Eat Acid - Inside my house; some place I keep dreaming about
| 2599 | Saturday, September 23, 2017 01:05:17 | 6 years ago |
| <SnowUndertaleGondola.webm> | Undertale OST - Snowy
| 2254 | Saturday, September 23, 2017 01:02:44 | 6 years ago |
| <InTheWoodsNearAFire.webm> | DVAR - Oryah
| 2314 | Friday, September 22, 2017 13:48:34 | 6 years ago |
| <GondolaSpaceTravel.webm> | | 2499 | Friday, September 22, 2017 13:14:14 | 6 years ago |
| <DepartingGondola.webm> | Michael Nyman - The Departure
| 2280 | Friday, September 22, 2017 11:25:46 | 6 years ago |
| <Blame.webm> | | 3013 | Friday, September 22, 2017 11:06:42 | 6 years ago |
| <Interlude.webm> | | 2150 | Friday, September 22, 2017 11:06:28 | 6 years ago |
| <UnderpassSnowDola.webm> | | 2259 | Thursday, September 21, 2017 20:35:18 | 6 years ago |
| <GondolaWoodsCry.webm> | Johnny Cash - You Are My Sunshine (Musix Box)
| 2442 | Thursday, September 21, 2017 11:29:20 | 6 years ago |
| <HollowGondola.webm> | Hollow Knight OST - Dirtmouth
| 2197 | Thursday, September 21, 2017 10:34:14 | 6 years ago |
| <AmongTheRuins.webm> | Meredith Monk - Vow
| 2965 | Thursday, September 21, 2017 09:49:12 | 6 years ago |
| <Icon.webm> | Perotin - Notum Fecit
| 2356 | Thursday, September 21, 2017 09:48:38 | 6 years ago |
| <GhostFireGond.webm> | Derek Fiechter - Halloween Club
| 3521 | Thursday, September 21, 2017 09:47:58 | 6 years ago |
| <InDeepSnow.webm> | Secret of Mana OST - A Wish
| 2193 | Wednesday, September 20, 2017 18:36:36 | 6 years ago |
| <StalkanGondola.webm> | S.T.A.L.K.E.R. OST [Campfire Songs]
| 2369 | Wednesday, September 20, 2017 13:34:12 | 6 years ago |
| <SimpleGondolaMusic.webm> | 원스데이 - 안녕, 아침 (Ones Day - Unclouded Happiness)
| 2435 | Tuesday, September 19, 2017 19:46:36 | 6 years ago |
| <ProfessorGondola.webm> | Professor Layton and the Curious Village - Puzzle
| 2343 | Monday, September 18, 2017 20:17:02 | 6 years ago |
| <AllNighter.webm> | Blank Banshee - Ammonia Clouds
| 3458 | Monday, September 18, 2017 19:26:54 | 6 years ago |
| <SissiGondola.webm> | Säkkijärven Polkka - Korsuorkesteri
| 2231 | Sunday, September 17, 2017 15:02:01 | 6 years ago |
| <CuckooGondola.webm> | Moonrise Kingdom OST - Benjamin Britten - Cuckoo (Monnaie Children's Choir)
| 2625 | Sunday, September 17, 2017 06:21:58 | 6 years ago |
| <ButterflyGondola.webm> | Mark Mancina & Phil Collins | Tarzan OST - One Family
| 2566 | Sunday, September 17, 2017 06:21:41 | 6 years ago |
| <GondolaFrench.webm> | À la claire fontaine
| 2629 | Sunday, September 17, 2017 06:20:45 | 6 years ago |
| <OrbisMapleGondola.webm> | MapleStory OST - Orbis
| 2117 | Saturday, September 16, 2017 14:48:05 | 6 years ago |
| <CrystalGondola.webm> | Miitopia OST - Map: The Sky Scraper
| 2631 | Thursday, September 14, 2017 10:39:17 | 6 years ago |
| <Raymandola.webm> | Rayman OST - The Band Awakens
| 2114 | Wednesday, September 13, 2017 14:25:00 | 6 years ago |
| <AlienCorridor.webm> | Jerry Goldsmith - Main Title (1979, Alien)
| 3081 | Wednesday, September 13, 2017 13:44:32 | 6 years ago |
| <FinlandNuked.webm> | Vera Lynn - We'll Meet Again
| 2624 | Wednesday, September 13, 2017 13:00:04 | 6 years ago |
| <GondCafe.webm> | Flying Witch OST - Makoto Kowata 木幡真琴
| 3333 | Wednesday, September 13, 2017 02:24:01 | 6 years ago |
| <Minecraft.webm> | Minecraft OST - Mice on Venus
| 2965 | Tuesday, September 12, 2017 10:37:10 | 6 years ago |
| <LegendOfMana.webm> | Legend of Mana OST - Faraway Dreaming Days ~Siren's Song~
| 2140 | Tuesday, September 12, 2017 10:27:16 | 6 years ago |
| <Sequence01.webm> | | 1990 | Tuesday, September 12, 2017 10:24:22 | 6 years ago |
| <RailroadStation.webm> | Jinrui wa Suitai Shimashita OST - Danran
| 2091 | Tuesday, September 12, 2017 10:23:34 | 6 years ago |
| <RiversideGondola.webm> | | 2443 | Monday, September 11, 2017 21:08:19 | 6 years ago |
| <Reggondola.webm> | Penthouse Version Instrumental [Penthouse Riddim/Jugglerz Records]
| 2111 | Monday, September 11, 2017 21:07:55 | 6 years ago |
| <RadioGondola.webm> | Paul Whiteman Orchestra - Get Out And Get Under The Moon (1928)
| 2170 | Monday, September 11, 2017 21:07:38 | 6 years ago |
| <NekobussGondola.webm> | Totoro OST - Main Theme
| 2157 | Monday, September 11, 2017 21:07:12 | 6 years ago |
| <MonogatariGondola.webm> | Bakemonogatari OST - Ren'ai Circulation (恋愛サーキュレーション)
| 2377 | Monday, September 11, 2017 21:06:36 | 6 years ago |
| <JazzGondola.webm> | Dave Brubeck - Take Five
| 2438 | Monday, September 11, 2017 21:06:19 | 6 years ago |
| <HowlsMovingGondola.webm> | Joe Hisaishi - Howl's Moving Castle
| 2394 | Monday, September 11, 2017 21:06:01 | 6 years ago |
| <GroovinGondola.webm> | Groovin Magic by RoundTable Feat Nino (Diebuster OP)
| 2410 | Monday, September 11, 2017 21:05:49 | 6 years ago |
| <GondolaUrbanLife.webm> | Andy Blxks - quiet nights
| 2395 | Monday, September 11, 2017 21:05:12 | 6 years ago |
| <GondolaSmile.webm> | Nat King Cole - Smile
| 2341 | Monday, September 11, 2017 21:04:28 | 6 years ago |
| <GondolaReading.webm> | The Caretaker - All You Are Going To Want To Do Is Get Back There
| 2466 | Monday, September 11, 2017 21:04:11 | 6 years ago |
| <GondolaEvening.webm> | Reodors ballade & Vårsøg - Sigmund Groven
| 2722 | Monday, September 11, 2017 21:03:57 | 6 years ago |
| <GondolaByTheRiver.webm> | Yuji Kajiura - Fake Wings
| 2582 | Monday, September 11, 2017 21:03:41 | 6 years ago |
| <FootInWaterDola.webm> | | 2512 | Monday, September 11, 2017 21:03:09 | 6 years ago |
| <FolsenseGondola.webm> | Professor Layton OST - Folsense
| 2694 | Monday, September 11, 2017 21:02:57 | 6 years ago |
| <FeelMotelGondola.webm> | Marconi Union - Sleepless
| 2523 | Monday, September 11, 2017 21:02:46 | 6 years ago |
| <DanceOfTheDreamGondola.webm> | Angelo Badalamenti - Dance Of The Dream Man (Instrumental)
| 2506 | Monday, September 11, 2017 21:02:32 | 6 years ago |
| <3DGondolaInSpace.webm> | Clark - Back To Belgrade
| 4004 | Monday, September 11, 2017 21:02:11 | 6 years ago |
| <AncestorGondola.webm> | The Hobbit OST - Misty Mountains Cold
| 3232 | Monday, September 11, 2017 21:01:39 | 6 years ago |
| <Koyaanisqatsi2.webm> | Philip Glass - Koyaanisqatsi
| 2171 | Monday, September 11, 2017 17:55:30 | 6 years ago |
| <GondolaSamotna.webm> | Тоскливость октября (instrumental)
| 2618 | Monday, September 11, 2017 17:54:44 | 6 years ago |
| <WildWestBattle.webm> | Colonna Sonara - Il Buono, Il Brutto e il Cattivo | L'estasi dell'oro
| 2159 | Monday, September 11, 2017 17:47:12 | 6 years ago |
| <HilltopSun.webm> | Moonsorrow - Tyven
| 2236 | Monday, September 11, 2017 17:46:58 | 6 years ago |
| <V2StrikeAtBattersea.webm> | Uriah Heep - Come Away Melinda
| 2123 | Monday, September 11, 2017 17:46:52 | 6 years ago |
| <GondolaCityNeko.webm> | Nujabes - Far Fowls
| 2617 | Monday, September 11, 2017 14:41:30 | 6 years ago |
| <AloneInTheDark.webm> | Thom Yorke - Analyse
| 2940 | Monday, September 11, 2017 14:40:02 | 6 years ago |
| <Run.webm> | Demon's Souls OST - Maiden Astraea
| 2228 | Monday, September 11, 2017 14:38:36 | 6 years ago |
| <TheFirstGondolaInSpace.webm> | Sokolov-Tobolski - Gagarin's march
| 2127 | Monday, September 11, 2017 14:35:16 | 6 years ago |
| <GondolaCar.webm> | Jan Hammer - Crockett's Theme
| 2584 | Monday, September 11, 2017 14:34:10 | 6 years ago |
| <CosmicReflection.webm> | Space Station 13 Music - Endless Space
| 4967 | Monday, September 11, 2017 14:31:14 | 6 years ago |
| <GondolaShoreRest.webm> | Eric Coates - By the Sleepy Lagoon
| 2224 | Monday, September 11, 2017 14:30:56 | 6 years ago |
| <WesternGondola.webm> | | 2181 | Sunday, September 10, 2017 21:11:01 | 6 years ago |
| <MadeInGondola.webm> | Made in Abyss OST - Underground River Full (ft.Raj Ramayya)
| 2326 | Sunday, September 10, 2017 21:10:41 | 6 years ago |
| <Gondsauce.webm> | Jake Chudnow - It's good to be D
| 2254 | Sunday, September 10, 2017 21:09:33 | 6 years ago |
| <GondolaMoonlight2.webm> | Trickster OST - Moonlight Garden
| 2406 | Saturday, September 09, 2017 22:41:04 | 6 years ago |
| <GondolaMyMind.webm> | The Pixies - Where Is My Mind (piano cover by Maxence Cyrin)
| 2502 | Saturday, September 09, 2017 22:40:21 | 6 years ago |
| <OceanRestaurantGondola.webm> | Laura Sullivan - Cafe des Artistes
| 2333 | Saturday, September 09, 2017 22:39:56 | 6 years ago |
| <DeutscherGondola.webm> | Ich hatt' einen Kameraden
| 2603 | Saturday, September 09, 2017 22:37:56 | 6 years ago |
| <Gondoletes.webm> | Distance - Space Sirens (first track from "The First Spacewalk")
| 2315 | Saturday, September 09, 2017 22:37:40 | 6 years ago |
| <GondolaWaltz.webm> | | 2316 | Saturday, September 09, 2017 22:37:14 | 6 years ago |
| <LastMealOfOldGondolas.webm> | Liquid Tension Experiment - Hourglass
| 2195 | Saturday, September 09, 2017 22:36:02 | 6 years ago |
| <GondolaAmidTheSilence.webm> | Suikoden 2 OST - Amid the Silence
| 2720 | Saturday, September 09, 2017 22:35:31 | 6 years ago |
| <NightWanderingGondola.webm> | | 2241 | Saturday, September 09, 2017 22:35:19 | 6 years ago |
| <GoodGondolaYear.webm> | Marc Streitenfeld | A Good Year OST - Wisdom
| 2323 | Saturday, September 09, 2017 22:34:59 | 6 years ago |
| <GondolaDesert.webm> | Rabi-Ribi OST - Pandora's Palace
| 2610 | Saturday, September 09, 2017 22:33:27 | 6 years ago |
| <GondolaSlide.webm> | Boards of Canada - Kid for Today
| 2309 | Thursday, August 31, 2017 14:57:03 | 6 years ago |
| <CityWindowGondola.webm> | Lake Radio - Opal Eyes
| 4762 | Saturday, August 26, 2017 06:58:59 | 6 years ago |
| <GondolaAngel.webm> | Donkey Kong Country 2 OST - In a Snow-Bound Land
| 2877 | Saturday, August 26, 2017 06:57:33 | 6 years ago |
| <SaraiyaGondola.webm> | | 2208 | Saturday, August 26, 2017 06:10:59 | 6 years ago |
| <Kowloonda.webm> | | 2280 | Saturday, August 26, 2017 06:10:45 | 6 years ago |
| <GondolaFearAndLoathing.webm> | Fear And Loathing In Las Vegas OST - Combination Of The Two - Big Brother & The Holding Company
| 2556 | Saturday, August 26, 2017 06:10:25 | 6 years ago |
| <InTownGondola.webm> | | 2187 | Saturday, August 26, 2017 06:10:16 | 6 years ago |
| <60sGondola.webm> | Henry Mancini - Brief and Breezy
| 3894 | Saturday, August 26, 2017 06:09:23 | 6 years ago |
| <MoonGondola.webm> | Mecano - Hijo de la Luna (instrumental)
| 2248 | Saturday, August 26, 2017 06:09:11 | 6 years ago |
| <GondolaLooksAtGondola.webm> | | 2553 | Saturday, August 26, 2017 06:08:38 | 6 years ago |
| <GondolaAtTheBeach.webm> | Final Fantasy VII OST - Coast of the Sun/Costa del Sol
| 2815 | Saturday, August 26, 2017 06:08:14 | 6 years ago |
| <ParkingLotDuster.webm> | Duster - Auto-mobile
| 2126 | Saturday, August 26, 2017 06:07:48 | 6 years ago |
| <JapaneseGondola.webm> | Byousoku 5 Centimeter OST - Cherry Blossom Extract
| 1825 | Saturday, August 26, 2017 06:07:28 | 6 years ago |
| <JoePassGondola.webm> | George Miller - "Joe Pass"
| 2160 | Saturday, August 26, 2017 06:06:52 | 6 years ago |
| <RarestGondolaNorthOfEquator.webm> | Pixies - Where is my Mind
| 2196 | Saturday, August 26, 2017 06:06:26 | 6 years ago |
| <GondolaNipTree.webm> | David Davidson - Evergreen
| 1976 | Saturday, August 26, 2017 06:06:09 | 6 years ago |
| <BorealisGond.webm> | 2814 - 真実の恋 (Shinjitsu no Koi)
| 2915 | Saturday, August 26, 2017 06:05:16 | 6 years ago |
| <WitcherGondola.webm> | Marcin Przybylowicz - Lullaby of Woe
| 2284 | Saturday, August 26, 2017 06:03:48 | 6 years ago |
| <ForestGondola.webm> | Kiuas - Child of Cimmeria
| 2593 | Saturday, August 26, 2017 06:02:32 | 6 years ago |
| <GondolaChibli.webm> | Spirited Away OST - It's Hard Work (Shigoto wa Tsuraize)
| 2609 | Saturday, August 26, 2017 06:02:09 | 6 years ago |
| <GondolaForestFire.webm> | Blind Guardian - The Bard's Song
| 2500 | Saturday, August 26, 2017 06:01:26 | 6 years ago |
| <TranquilGondola.webm> | Kirby's Epic Yarn OST | Tomoya Tomita - World 5: Snow Land
| 1813 | Saturday, August 26, 2017 06:00:28 | 6 years ago |
| <Simdola.webm> | The Sims OST - Building Mode 2
| 2281 | Saturday, August 26, 2017 06:00:06 | 6 years ago |
| <1800Gondola.webm> | Mozart - Piano Concerto No.26 in D major ('Coronation') K.537 - 2. Larghetto
| 6901 | Saturday, August 26, 2017 06:00:01 | 6 years ago |
| <BusStationGondola.webm> | Halo 3 ODST OST - Rain | Deference for Darkness
| 2954 | Saturday, August 26, 2017 05:58:23 | 6 years ago |
| <GondolaHymn.webm> | M.K Čiurlionis-Harmonizuota Lietuvių Liaudies daina "Beauštanti aušrelė"
| 2361 | Saturday, August 26, 2017 05:57:49 | 6 years ago |
| <GondolaOnTheTown.webm> | Cannonball Adderley - Autumn Leaves
| 2017 | Saturday, August 26, 2017 05:57:19 | 6 years ago |
| <GondolaMonk.webm> | Lama Gyurme - Hope for Enlightenment
| 2501 | Saturday, August 26, 2017 05:56:49 | 6 years ago |
| <GondolaOfTheWoods.webm> | Witcher 3 OST - Ladies Of The Woods
| 2556 | Saturday, August 26, 2017 05:56:21 | 6 years ago |
| <GondolaStream.webm> | Xenoblade OST - Mucuna Woods
| 2291 | Saturday, August 26, 2017 05:55:42 | 6 years ago |
| <GondolaWreckage.webm> | | 2353 | Saturday, August 26, 2017 05:55:32 | 6 years ago |
| <GondolaSunsetSea.webm> | OFF OST - Desperately Safe
| 2506 | Saturday, August 26, 2017 05:54:42 | 6 years ago |
| <GondolaBusGirl.webm> | Xiloview - One and Only
| 2624 | Saturday, August 26, 2017 05:54:20 | 6 years ago |
| <GondolaMetro2.webm> | Kraftwerk - Neon Lights
| 2541 | Saturday, August 26, 2017 05:53:46 | 6 years ago |
| <GondolaSunday.webm> | Don Taylor - Empty Life
| 2450 | Saturday, August 26, 2017 05:53:15 | 6 years ago |
| <GondolaFriday.webm> | Kalimba - Mr. Scruff
| 2621 | Saturday, August 26, 2017 05:53:04 | 6 years ago |
| <GondolaForestSpider.webm> | RMDO - Rain
| 2449 | Saturday, August 26, 2017 05:52:24 | 6 years ago |
| <SoldierGondolas.webm> | Jean Sibelius - Jääkärimarssi
| 2243 | Saturday, August 26, 2017 05:52:06 | 6 years ago |
| <GondolaEsNoMore.webm> | Nick Cave & Warren Ellis - The Road
| 2379 | Saturday, August 26, 2017 05:51:48 | 6 years ago |
| <GondolasBlackMorning.webm> | Leevi & The Leavings - Unelmia ja toimistohommia
| 2330 | Saturday, August 26, 2017 05:51:15 | 6 years ago |
| <GondolaDadDaughter.webm> | Hotaru No Haka OST - Setsuko to Seita
| 2405 | Saturday, August 26, 2017 05:51:03 | 6 years ago |
| <GondolaSyria.webm> | Gary Jules - Mad World
| 2491 | Saturday, August 26, 2017 05:50:48 | 6 years ago |
| <LittleGondolaAcademia.webm> | Joe Hisaishi | Kiki's Delivery Service OST - A Town With An Ocean View
| 2248 | Saturday, August 26, 2017 05:50:34 | 6 years ago |
| <PartyDola.webm> | Leevi and The Leavings - Eräänä kesäisenä iltana
| 2238 | Saturday, August 26, 2017 05:48:54 | 6 years ago |
| <StellaryGondola.webm> | Stellardrone - Pale Blue Dot
| 2205 | Saturday, August 26, 2017 05:48:36 | 6 years ago |
| <ArliasForest.webm> | Star Ocean: The Second Story OST - The Venerable Forest
| 3035 | Saturday, August 26, 2017 05:47:04 | 6 years ago |
| <GondolaFrisk.webm> | Undertale OST - Home
| 2491 | Saturday, August 26, 2017 05:46:33 | 6 years ago |
| <GondolaMika.webm> | Säkkijärven Polkka
| 2642 | Saturday, August 26, 2017 05:46:03 | 6 years ago |
| <RainyNightGond.webm> | <none>
| 2266 | Saturday, August 26, 2017 05:45:33 | 6 years ago |
| <ResonanceGondola.webm> | HOME - Resonance
| 2295 | Saturday, August 26, 2017 05:45:11 | 6 years ago |
| <1950Gondola.webm> | DOWN TOWNへくり出そう♪
| 5126 | Saturday, August 26, 2017 05:44:15 | 6 years ago |
| <LiveForTheGondola.webm> | Amon Amarth - Live For The Kill feat. Apocalyptica
| 2234 | Saturday, August 26, 2017 05:43:31 | 6 years ago |
| <GondolaPoppies.webm> | Gary Jules - Mad World (cover)
| 2407 | Friday, August 25, 2017 03:41:27 | 6 years ago |
| <GondolaItsOkYoureOK.webm> | Bonjr - It's Ok, You're Ok
| 2443 | Wednesday, August 23, 2017 02:58:59 | 6 years ago |
| <ACGondola.webm> | Machinarium OST - By the Wall
| 3690 | Wednesday, August 23, 2017 02:30:30 | 6 years ago |
| <DeadGondolas.webm> | Pachelbel - Canon In D Major
| 2748 | Sunday, August 20, 2017 23:23:27 | 6 years ago |
| <GondolaMGMTKids.webm> | MGMT - Kids (Guitar cover)
| 2625 | Sunday, August 20, 2017 22:03:25 | 6 years ago |
| <GondolaDeathSquad.webm> | Lifeseeker - Gone Guru
| 2584 | Sunday, August 20, 2017 22:02:58 | 6 years ago |
| <RetroGondola.webm> | | 2331 | Saturday, August 19, 2017 23:45:35 | 6 years ago |
| <UntitledGondola.webm> | sasakure.UK - Uzumakinoharu
| 2182 | Saturday, August 19, 2017 23:45:22 | 6 years ago |
| <TheIllusiveGondola.webm> | Mass Effect 2 OST - The Illusive Man
| 2202 | Saturday, August 19, 2017 23:44:49 | 6 years ago |
| <GondolaKowloon3.webm> | In Love With a Ghost - I Was Feeling Down Then I Found A Nice Witch And Now We're Best Friends
| 2441 | Saturday, August 19, 2017 23:44:21 | 6 years ago |
| <GondolaInvitedToDinnerParty.webm> | Camille Saint-Saëns - Danse Macabre
| 2438 | Saturday, August 19, 2017 23:43:42 | 6 years ago |
| <AttackOnGondola.webm> | Attack on Titan - Opening Theme
| 3049 | Saturday, August 19, 2017 23:43:23 | 6 years ago |
| <GondolaGroove.webm> | | 2462 | Saturday, August 19, 2017 23:43:12 | 6 years ago |
| <FireflyGondola.webm> | Owl City - Fireflies (cover)
| 2381 | Saturday, August 19, 2017 23:41:47 | 6 years ago |
| <SpaceLaunchGondola.webm> | SDF Macross OST - Departure
| 2284 | Saturday, August 19, 2017 23:40:30 | 6 years ago |
| <JinsangEyesGondola.webm> | Jinsang - Eyes
| 2316 | Tuesday, August 15, 2017 13:11:20 | 6 years ago |
| <GondolaRedriverValley.webm> | | 2469 | Tuesday, August 15, 2017 13:11:04 | 6 years ago |
| <LostCause.webm> | Silent Hill 2 OST - Lost Cause
| 2253 | Tuesday, August 15, 2017 13:10:53 | 6 years ago |
| <ExtraterrestialGondola.webm> | Kerbal Space Program - Pyramid Easter Egg sound on Planet Duna
| 2686 | Monday, August 14, 2017 23:51:49 | 6 years ago |
| <Perspective.webm> | Kevin MacLeod - Perspectives
| 2110 | Monday, August 14, 2017 23:51:31 | 6 years ago |
| <Paivystys.webm> | Päivystäjän puhelimen soittoääni | The Arkansas Traveler
| 2542 | Monday, August 14, 2017 23:51:16 | 6 years ago |
| <FridayNight.webm> | Fun ft. Janelle Monáe - We Are Young
| 2462 | Monday, August 14, 2017 23:50:42 | 6 years ago |
| <GondolasAllTheWay.webm> | DVAR - Ai-Lu | Roah (2003)
| 2254 | Monday, August 14, 2017 23:50:24 | 6 years ago |
| <EastLondon2001.webm> | 21 Seconds - So Solid Crew
| 2599 | Monday, August 14, 2017 23:50:04 | 6 years ago |
| <GondolaCamp.webm> | | 2523 | Monday, August 14, 2017 23:49:46 | 6 years ago |
| <HammerGondola.webm> | Pink Floyd - Waiting For The Worms
| 2186 | Monday, August 14, 2017 23:48:59 | 6 years ago |
| <Roses.webm> | Secret Garden - Song from a Secret Garden
| 2359 | Monday, August 14, 2017 23:48:38 | 6 years ago |
| <GondolaAirBalloon.webm> | Percy Faith & His Orchestra - A summer place theme
| 3230 | Monday, August 07, 2017 10:45:59 | 6 years ago |
| <Newbegas.webm> | Fallout New Vegas Soundtrack - Hank Thompson - Hangover Heart
| 2289 | Monday, August 07, 2017 10:45:33 | 6 years ago |
| <GimniGond.webm> | Erik Satie - Gymnopédie No.1
| 3400 | Sunday, August 06, 2017 22:08:58 | 6 years ago |
| <AnorGondola.webm> | Dark Souls OST - Gwyn, Lord of Cinder
| 3419 | Sunday, August 06, 2017 22:08:45 | 6 years ago |
| <JapanStreetGondola.webm> | Legend of Zelda - Great Fairy's Fountain (remix)
| 2487 | Sunday, August 06, 2017 22:08:19 | 6 years ago |
| <YoungGondola.webm> | Art Tatum - In a Sentimental Mood (1955)
| 2220 | Sunday, August 06, 2017 22:07:45 | 6 years ago |
| <OldGondola.webm> | Shades Of Joy - The Desert Is A Circle
| 2300 | Sunday, August 06, 2017 22:07:34 | 6 years ago |
| <TheOldManRestsHere.webm> | Kill Bill Vol. 1 OST - The Lonely Shepherd
| 2640 | Sunday, August 06, 2017 22:06:20 | 6 years ago |
| <FlyingGondola.webm> | The Moomins OST - 22:15 (unknown title), see https://youtu.be/e-Gxd7a7KyE
| 2685 | Sunday, August 06, 2017 22:05:49 | 6 years ago |
| <ShrineGondola.webm> | Dungen - Glömd konst kommer stundom ånyo till heders
| 2089 | Sunday, August 06, 2017 22:05:14 | 6 years ago |
| <FalloutNoirGondola.webm> | I'm Tickled Pink - Jack Shaindlin
| 2548 | Sunday, August 06, 2017 22:04:59 | 6 years ago |
| <FeudalGondola.webm> | Vox Vulgaris - Rókatánc
| 2440 | Sunday, August 06, 2017 22:04:50 | 6 years ago |
| <GondolaEyeOfTheStorm.webm> | The Vision Of Escaflowne OST - Shadow Of Doubt
| 2598 | Sunday, August 06, 2017 22:04:37 | 6 years ago |
| <GondolaSuisMoiReprise.webm> | The Little Prince OST - Suis Moi Reprise
| 2487 | Sunday, August 06, 2017 22:03:58 | 6 years ago |
| <PolishGondola.webm> | "Stanczyk (Matejko)" by Jacek Kaczmarski
| 2334 | Sunday, August 06, 2017 22:02:37 | 6 years ago |
| <HangingGondola.webm> | Avatar: The Last Airbender OST - Tsungi Horn
| 2336 | Sunday, August 06, 2017 22:02:21 | 6 years ago |
| <SpessGondola.webm> | Halo 4 OST - Green and Blue
| 2228 | Sunday, August 06, 2017 22:01:09 | 6 years ago |
| <Goooondola.webm> | Ensemble Nipponia - Echigojishi
| 2266 | Sunday, August 06, 2017 22:00:27 | 6 years ago |
| <SadGondola2.webm> | | 2222 | Sunday, August 06, 2017 22:00:01 | 6 years ago |
| <Pandora.webm> | | 2200 | Sunday, August 06, 2017 21:59:45 | 6 years ago |
| <GondolaTree2.webm> | | 2568 | Sunday, August 06, 2017 21:58:58 | 6 years ago |
| <GondolaMountainClimb.webm> | Amanchu! OST - Landscape
| 2410 | Saturday, July 29, 2017 18:50:29 | 6 years ago |
| <GondolaOnCar.webm> | Metronomy - Nights Outro
| 2498 | Friday, July 28, 2017 21:35:55 | 6 years ago |
| <Plantasia.webm> | Mort Garson - Plantasia
| 2183 | Friday, July 28, 2017 09:37:20 | 6 years ago |
| <OfShosoneGondola.webm> | Chris Remo | Firewatch OST - Ol' Shoshone
| 2144 | Friday, July 28, 2017 09:36:36 | 6 years ago |
| <MegastructureGondola.webm> | | 2218 | Friday, July 28, 2017 09:36:19 | 6 years ago |
| <SeashantyGondola.webm> | Runescape - Sea Shanty
| 2310 | Friday, July 28, 2017 09:36:00 | 6 years ago |
| <SilentHillGondola.webm> | Silent Hill 3 OST - End Of Small Sanctuary
| 2263 | Wednesday, July 26, 2017 14:21:29 | 6 years ago |
| <TreeGond.webm> | NieR OST - Song of the Ancients / Devola
| 2291 | Wednesday, July 26, 2017 14:20:54 | 6 years ago |
| <VideoGameGond.webm> | | 2265 | Wednesday, July 26, 2017 14:20:22 | 6 years ago |
| <SunshineGondola.webm> | Morbid Angel - Desolate Ways
| 2125 | Wednesday, July 26, 2017 14:19:50 | 6 years ago |
| <BambiDola.webm> | | 2709 | Wednesday, July 26, 2017 14:19:37 | 6 years ago |
| <SnowyLinkinParkGondola.webm> | Linkin Park - In The End (Piano Cover)
| 2248 | Wednesday, July 26, 2017 14:19:21 | 6 years ago |
| <GondolaInBed.webm> | Band of Horses - The Funeral
| 2536 | Wednesday, July 26, 2017 14:19:06 | 6 years ago |
| <GondolaSunrise.webm> | duendita - one of one
| 2737 | Wednesday, July 26, 2017 14:18:55 | 6 years ago |
| <RainyForestGondola.webm> | David Arkenstone - Cailleach's Whisper
| 2139 | Wednesday, July 26, 2017 14:18:39 | 6 years ago |
| <TheFantasticAdventuresOfGondola2.webm> | | 2229 | Wednesday, July 26, 2017 14:18:12 | 6 years ago |
| <GondolaRedcity.webm> | Ascendant - Remains
| 2532 | Tuesday, July 25, 2017 05:50:24 | 6 years ago |
| <DharmaGondola.webm> | | 2550 | Sunday, July 23, 2017 20:58:37 | 6 years ago |
| <BunkerGondola.webm> | Jon Hopkins - Abandon Window
| 2680 | Sunday, July 23, 2017 20:28:53 | 6 years ago |
| <Gondolagatari.webm> | Kizumonogatari Part lll OST - étoile et toi (edition le blanc)
| 2442 | Sunday, July 23, 2017 15:50:11 | 6 years ago |
| <GondolaIsland.webm> | | 2428 | Sunday, July 23, 2017 15:03:10 | 6 years ago |
| <MedicineGondola.webm> | Daughter - Medicine
| 2251 | Sunday, July 23, 2017 14:59:55 | 6 years ago |
| <MajorGondola.webm> | Peter Schilling - Major Tom
| 2134 | Sunday, July 23, 2017 14:44:55 | 6 years ago |
| <GondolaLaptop.webm> | Counting Crows - Colorblind (instrumental)
| 2351 | Sunday, July 23, 2017 14:35:49 | 6 years ago |
| <ApartmentGondola.webm> | | 2961 | Sunday, July 23, 2017 14:35:27 | 6 years ago |
| <ZootopiaGondola.webm> | Music: Yoko Kanno - Tree of Hearts, video: Zootopia (2016)
| 2478 | Sunday, July 23, 2017 14:31:05 | 6 years ago |
| <GondolaAtHome.webm> | Yoko Kanno | Vision of Escaflowne OST - Tree of Hearts
| 2757 | Sunday, July 23, 2017 14:23:14 | 6 years ago |
| <TrickOrTreatGondola.webm> | It's the Great Pumpkin, Charlie Brown OST - Trick or Treat (Vince Guaraldi)
| 2262 | Sunday, July 23, 2017 14:23:04 | 6 years ago |
| <PumpkinPatchGondola.webm> | It's The Great Pumpkin, Charlie Brown OST - Great Pumpkin Waltz
| 2189 | Sunday, July 23, 2017 14:09:55 | 6 years ago |
| <GondolaVigil.webm> | Mass Effect OST - Vigil
| 2358 | Sunday, July 23, 2017 12:05:12 | 6 years ago |
| <GondolaFair.webm> | Yamada Tamaru - Scarborough Fair
| 2548 | Sunday, July 23, 2017 12:04:37 | 6 years ago |
| <GondolaWrite.webm> | The Newton Brothers | Detachment 2011 OST - Before Class
| 2210 | Saturday, July 22, 2017 18:38:03 | 6 years ago |
| <DisintegrationGondola.webm> | William Basinski - The Disintegration Loops
| 2486 | Saturday, July 22, 2017 14:14:15 | 6 years ago |
| <GondolaStretcher.webm> | Sad Piano Music - The Last Battle (Original Composition)
| 2294 | Saturday, July 22, 2017 14:13:57 | 6 years ago |
| <GondolaDestiny.webm> | Sharon Van Etten - Consolation Prize
| 2752 | Saturday, July 22, 2017 12:44:17 | 6 years ago |
| <KingGondolaFlowers.webm> | Neutral Milk Hotel - King of Carrot Flowers
| 2281 | Saturday, July 22, 2017 07:31:04 | 6 years ago |
| <GondolaInRain.webm> | Bladerunner OST - Tears in Rain
| 2620 | Saturday, July 22, 2017 06:50:55 | 6 years ago |
| <GondolaMorning.webm> | עינב - ג'יין בורדו (Jane Bordeaux - Einav)
| 2441 | Friday, July 21, 2017 21:54:26 | 6 years ago |
| <GondolaWaKimiNoUso.webm> | Shigatsu wa Kimi no Uso OST - Watashi no Uso [Piano solo]
| 2372 | Friday, July 21, 2017 21:54:02 | 6 years ago |
| <GondolaLand.webm> | | 2415 | Friday, July 21, 2017 20:48:53 | 6 years ago |
| <RiceFieldGondola.webm> | | 2116 | Friday, July 21, 2017 15:56:29 | 6 years ago |
| <GondolaForest2.webm> | Fullmetal Alchemist Brotherhood OST - Happiness ~Requiem from The Blind Alchemist~
| 2473 | Friday, July 21, 2017 15:56:07 | 6 years ago |
| <BalloonGondola.webm> | The Noveltones - Left Bank Two
| 2788 | Friday, July 21, 2017 15:55:42 | 6 years ago |
| <GondolaSunflower.webm> | Clannad OST - Negai ga Kanau Basho II
| 2311 | Thursday, July 20, 2017 22:22:58 | 6 years ago |
| <GondolaRuins.webm> | NieR Automata OST - Blissful Death
| 2514 | Thursday, July 20, 2017 22:22:35 | 6 years ago |
| <Zeldola.webm> | The Legend of Zelda - Ocarina of Time OST - Temple of Time Orchestra
| 2604 | Thursday, July 20, 2017 21:28:39 | 6 years ago |
| <PlanetaryGondola.webm> | Zack Hemsey - The Way (Instrumental)
| 2195 | Thursday, July 20, 2017 21:28:25 | 6 years ago |
| <SnowyGondolaLamp.webm> | Yann Tiersen - Porz Goret
| 2152 | Thursday, July 20, 2017 21:27:33 | 6 years ago |
| <GondolaMoonlight.webm> | Beethoven - Moonlight Sonata, 1st movement
| 2388 | Thursday, July 20, 2017 21:27:04 | 6 years ago |
| <GondolaOblivion.webm> | The Elder Scrolls IV: Oblivion OST - Wings of Kynareth
| 2476 | Thursday, July 20, 2017 21:26:48 | 6 years ago |
| <GondolaAnimalCrossing.webm> | Animal Crossing (Gamecube) - 8:00 PM
| 2790 | Thursday, July 20, 2017 21:26:09 | 6 years ago |
| <CafeDeGondola.webm> | Tony Murena - Indifférence
| 2693 | Thursday, July 20, 2017 21:26:01 | 6 years ago |
| <GondolaElNath.webm> | MapleStory OST - El Nath
| 2463 | Thursday, July 20, 2017 21:25:40 | 6 years ago |
| <SeasideGondola.webm> | | 2128 | Thursday, July 20, 2017 05:49:07 | 6 years ago |
| <GondolaOctopusBos.webm> | Crypt Of The Necrodancer - Deep Blue Bass (Coral Riff)
| 2180 | Wednesday, July 19, 2017 21:04:18 | 6 years ago |
| <GondolaExtermination.webm> | Neon Genesis Evangelion OST - Angel Attack
| 2404 | Wednesday, July 19, 2017 21:04:03 | 6 years ago |
| <GondolaFeelsTheNight.webm> | Craig Riley - Buying Power
| 2259 | Wednesday, July 19, 2017 21:03:34 | 6 years ago |
| <GondolaDiscovers.webm> | Halo 2 Soundtrack OST | Martin O'Donnell & Michael Salvatori - Impend
| 2484 | Wednesday, July 19, 2017 20:54:58 | 6 years ago |
| <GondolaSpongebob.webm> | Pink Floyd - Us and Them
| 2219 | Wednesday, July 19, 2017 20:50:31 | 6 years ago |
| <GondolaSing.webm> | Peter Gabriel - The Book Of Love
| 2402 | Wednesday, July 19, 2017 20:50:20 | 6 years ago |
| <BeginningOfEndGondola.webm> | Hyper Light Drifter OST - Stasis Awakening
| 2723 | Wednesday, July 19, 2017 19:58:42 | 6 years ago |
| <BurningWakeGondola.webm> | Christopher Carlone - Red Dawn
| 2512 | Wednesday, July 19, 2017 19:58:27 | 6 years ago |
| <EternalGondola.webm> | Space Force Rouge Universe OST - Explore
| 2474 | Wednesday, July 19, 2017 19:58:18 | 6 years ago |
| <MajorasGondola.webm> | Legend of Zelda Majora's Mask OST - Astral Observatory
| 2328 | Wednesday, July 19, 2017 19:58:00 | 6 years ago |
| <GondolaBeach2.webm> | (東方) Remind of You - 「t=NODE」
| 2686 | Wednesday, July 19, 2017 18:25:25 | 6 years ago |
| <GondolaNighttime.webm> | Flitz & Suppe | Ode To You
| 2248 | Wednesday, July 19, 2017 18:25:06 | 6 years ago |
| <CanvasGondola.webm> | Kido Yoji - City of Refuge
| 2445 | Wednesday, July 19, 2017 18:24:53 | 6 years ago |
| <ComputerGondola.webm> | Metal Gear Solid OST - Enclosure
| 2777 | Wednesday, July 19, 2017 18:24:08 | 6 years ago |
| <GondolaPlanet.webm> | Nicklas 'Nifflas' Nygren - Join
| 2291 | Sunday, July 16, 2017 15:26:37 | 6 years ago |
| <ThaiGondola.webm> | Civilization V OST - Asia - Tiaw Tang
| 2067 | Sunday, July 16, 2017 15:26:04 | 6 years ago |
| <LongNightGondola.webm> | Eddie Vedder - Long Nights
| 2201 | Sunday, July 16, 2017 15:24:22 | 6 years ago |
| <NoireGondola.webm> | Brakebill - Safety Meeting
| 2051 | Sunday, July 16, 2017 15:21:39 | 6 years ago |
| <GeometerGondola.webm> | Derek Fiechter & Brandon Fiechter - Exoplanet
| 3490 | Sunday, July 16, 2017 15:21:25 | 6 years ago |
| <GondolaAbode.webm> | Rie Tanaka | Chobits Ending 2 - Ningyo Hime
| 4786 | Sunday, July 16, 2017 15:20:03 | 6 years ago |
| <GondolaBitFire.webm> | Righteous Brothers - Unchained Melody (8bit)
| 2539 | Sunday, July 16, 2017 15:19:42 | 6 years ago |
| <BeachAfternoonGondola.webm> | God is an Astronaut - First Day Of Sun
| 2643 | Sunday, July 16, 2017 15:11:08 | 6 years ago |
| <NeverAWord.webm> | Deep Purple - Never a Word
| 2145 | Sunday, July 16, 2017 15:10:38 | 6 years ago |
| <GondolaAtBridge.webm> | Slug Memory - Coal Feather
| 2769 | Sunday, July 16, 2017 15:08:46 | 6 years ago |
| <MyNeighbourGondola.webm> | My Neighbour Totoro OST - Ending Theme (Piano edition)
| 2155 | Sunday, July 16, 2017 15:08:06 | 6 years ago |
| <CodeGondola.webm> | Code LYOKO OST
| 2594 | Sunday, July 16, 2017 15:02:00 | 6 years ago |
| <KomSusserGondola.webm> | The End Of Evangelion - Komm Süsser Tod
| 4183 | Sunday, July 16, 2017 15:01:30 | 6 years ago |
| <HutongGondola.webm> | Visionary 千年夢想 - S.E.N.S. 神思者 (NHK 故宮 原聲音樂)
| 2131 | Sunday, July 16, 2017 15:00:26 | 6 years ago |
| <GondolaCaveOfDreamsUndertale.webm> | Undertale OST - Quiet Water
| 2528 | Sunday, July 16, 2017 14:59:19 | 6 years ago |
| <WildGondola.webm> | In Gowan Ring - Wind That Cracks The Leaves
| 2121 | Sunday, July 16, 2017 14:57:27 | 6 years ago |
| <AlmostGondola.webm> | Drohves - Where We Came From
| 2478 | Sunday, July 16, 2017 14:57:15 | 6 years ago |
| <IShouldBeDreaming.webm> | Noble Oak - Twenty Past Four
| 2048 | Sunday, July 16, 2017 14:56:28 | 6 years ago |
| <ParisGondola2.webm> | Metal Gear Solid V OST - Beautiful Mirage - The Vision Fades
| 2123 | Sunday, July 16, 2017 14:55:51 | 6 years ago |
| <GondolaHair.webm> | Nujabes - Reflection Eternal
| 2368 | Sunday, July 16, 2017 14:55:07 | 6 years ago |
| <GondolaContemplate.webm> | Kai Jackson - Mandala
| 2469 | Sunday, July 16, 2017 14:53:32 | 6 years ago |
| <GondolaCave.webm> | Touhou 11: Subterranean Animism OST - Lullaby of Deserted Hell (Riverside)
| 2689 | Sunday, July 16, 2017 14:53:20 | 6 years ago |
| <TerrariaGondola.webm> | Terraria OST - Ocean
| 2170 | Sunday, July 16, 2017 14:52:42 | 6 years ago |
| <xFilesGondola.webm> | The X-Files Theme
| 2320 | Sunday, July 16, 2017 14:52:31 | 6 years ago |
| <TerrifyingMoon.webm> | Moonsorrow - V: Hävitetty
| 2002 | Sunday, July 16, 2017 14:51:49 | 6 years ago |
| <StalkGondola.webm> | S.T.A.L.K.E.R. OST - He was a good stalker
| 2180 | Sunday, July 16, 2017 14:49:43 | 6 years ago |
| <GeminiRuleGondola.webm> | Gemini Rue OST - Another Day's Work
| 4620 | Sunday, July 16, 2017 14:49:31 | 6 years ago |
| <BalconyGondola.webm> | Soar Ymaer | Cave Story OST - T28: Balconey
| 2594 | Sunday, July 16, 2017 14:48:36 | 6 years ago |
| <AbstractWandering.webm> | The Dears - Where the World Begins and Ends
| 3317 | Sunday, July 16, 2017 14:48:26 | 6 years ago |
| <ParisGondola.webm> | Ratatouille OST - End Credits
| 2058 | Sunday, July 16, 2017 14:47:52 | 6 years ago |
| <GirlDola.webm> | Hamtaro Heartbreak - Spat Tower
| 3216 | Sunday, July 16, 2017 14:47:31 | 6 years ago |
| <CossackGondola.webm> | Hej Sokoly (Хэй, coкoлы)
| 2535 | Sunday, July 16, 2017 14:47:12 | 6 years ago |
| <GondolaReach.webm> | Halo Reach OST - Overture
| 2360 | Sunday, July 16, 2017 14:46:51 | 6 years ago |
| <UndertaleGondola.webm> | Undertale OST - Waterfall
| 2096 | Sunday, July 16, 2017 14:46:18 | 6 years ago |
| <ScubaGondola.webm> | Finding Nemo OST - Wow
| 1928 | Sunday, July 16, 2017 14:45:56 | 6 years ago |
| <ScifiGondola.webm> | | 2040 | Sunday, July 16, 2017 14:45:26 | 6 years ago |
| <ShireGondola.webm> | The Lord of the Rings: The Fellowship of the Ring - Concerning Hobbits (Guitar Cover)
| 2228 | Sunday, July 16, 2017 14:44:44 | 6 years ago |
| <BathTimeGondola.webm> | Donkey Kong Country OST - Aquatic Ambiance
| 2666 | Sunday, July 16, 2017 14:44:22 | 6 years ago |
| <CrusadeGondola.webm> | Kingdom Of Heaven OST - Crusaders
| 2517 | Sunday, July 16, 2017 14:43:52 | 6 years ago |
| <GondolaDreams.webm> | NiGHTS Journey of Dreams OST - Gate of Your Dream
| 2378 | Sunday, July 16, 2017 14:43:19 | 6 years ago |
| <GondolaRainy.webm> | Erik Satie - Gymnopédie No.1
| 2572 | Sunday, July 16, 2017 14:42:37 | 6 years ago |
| <GondolaRunescape.webm> | Ian Taylor - Autumn Voyage
| 2320 | Sunday, July 16, 2017 14:42:06 | 6 years ago |
| <PinkGondola.webm> | My Bloody Valentine - To Here Knows When
| 1970 | Sunday, July 16, 2017 14:40:20 | 6 years ago |
| <GondolaTradeMemory.webm> | Ben E. King - Stand By Me
| 2400 | Sunday, July 16, 2017 14:39:12 | 6 years ago |
| <GondolaOddJob.webm> | Hotline Miami OST - Knock | Scattle - Knock Knock
| 2568 | Sunday, July 16, 2017 14:38:26 | 6 years ago |
| <RaindropsAndGondola.webm> | Katawa Shoujo OST - Raindrops and Puddles
| 2189 | Sunday, July 16, 2017 14:37:57 | 6 years ago |
| <GondolaDays.webm> | 아이유 (IU) - 마음 (Heart) instrumental version
| 2322 | Sunday, July 16, 2017 14:37:28 | 6 years ago |
| <AinsiParlaitGondola.webm> | Strauss - Also Sprach Zarathustra, Op. 30
| 3032 | Sunday, July 16, 2017 14:37:05 | 6 years ago |
| <GondolaChoiceCarLegos.webm> | | 2416 | Sunday, July 16, 2017 14:36:49 | 6 years ago |
| <GondolaTiredDesertCar.webm> | George Winston - Thanksgiving
| 2296 | Sunday, July 16, 2017 14:36:10 | 6 years ago |
| <GondolaDarkForestGate.webm> | Rise of Nations OST - Dark Forest
| 2390 | Sunday, July 16, 2017 14:34:50 | 6 years ago |
| <GondolaDriving2.webm> | Men at Work - Down Under (midi version)
| 2571 | Sunday, July 16, 2017 14:34:03 | 6 years ago |
| <GondolaWizard.webm> | Mind Game OST - Grandfather
| 2110 | Sunday, July 16, 2017 14:33:39 | 6 years ago |
| <GondolaFlood.webm> | Friday Night Lights OST - Explosions in the sky - A Slow Dance
| 2268 | Sunday, July 16, 2017 14:33:27 | 6 years ago |
| <GondolaSea.webm> | Danutė Neimontaitė - Vėjas man pasakė
| 2236 | Sunday, July 16, 2017 14:32:52 | 6 years ago |
| <GondolaChill.webm> | Space Rangers 2 OST - Fei 1
| 2577 | Sunday, July 16, 2017 14:32:22 | 6 years ago |
| <GondolaMovie.webm> | Trigun OST - Scattered Rain
| 2218 | Sunday, July 16, 2017 14:32:11 | 6 years ago |
| <GondolaSpace.webm> | Lucy Rose - Shiver
| 2300 | Sunday, July 16, 2017 14:31:52 | 6 years ago |
| <GondolaBirthday.webm> | Eric Clapton - Layla
| 2699 | Sunday, July 16, 2017 14:30:43 | 6 years ago |
| <GondolaSolemn.webm> | Nobuo Uematsu (Final Fantasy 4 OST) - Melody of Lute
| 2096 | Sunday, July 16, 2017 14:30:08 | 6 years ago |
| <GondolaGaze.webm> | Rogue Legacy OST - A Shell in the Pit - Manta
| 2609 | Sunday, July 16, 2017 14:28:33 | 6 years ago |
| <GondolaOutcast.webm> | Caravan Palace - Sydney
| 2319 | Sunday, July 16, 2017 14:28:11 | 6 years ago |
| <GondolaMoon2.webm> | El Huervo - Express
| 2387 | Sunday, July 16, 2017 14:27:29 | 6 years ago |
| <GondolaSpess.webm> | David Bowie - Space Oddity [Instrumental]
| 1821 | Sunday, July 16, 2017 14:26:03 | 6 years ago |
| <TokyoGondola.webm> | 2814 - 恢复 / Recovery - 新しい日の誕生 / Birth of a New Day
| 2338 | Sunday, July 16, 2017 14:24:40 | 6 years ago |
| <GondolaBathroom.webm> | Don Ross - Catherine
| 2527 | Sunday, July 16, 2017 14:22:57 | 6 years ago |
| <SunlitGondola.webm> | Revolutionary Girl Utena OST - Hikarisasu Niwa - Illusion
| 1993 | Sunday, July 16, 2017 14:22:21 | 6 years ago |
| <BeachGondola.webm> | Super Dimensional Cavalry Southern Cross OST - Walking in the Sun (unknown/original remix?)
| 2662 | Sunday, July 16, 2017 14:21:26 | 6 years ago |
| <Gondola79.webm> | SODA lite - Passion
| 2679 | Sunday, July 16, 2017 14:20:28 | 6 years ago |
| <MiamiSunset.webm> | | 2064 | Sunday, July 16, 2017 14:20:18 | 6 years ago |
| <GondolaSpaceship.webm> | Benn Jordan - Looking Upwards
| 2202 | Sunday, July 16, 2017 14:19:38 | 6 years ago |
| <GondolaOvernightFlight.webm> | Dreamfall: The Longest Journey OST | Magnet - Be With You
| 2213 | Sunday, July 16, 2017 14:18:12 | 6 years ago |
| <GondolaField.webm> | Pokémon Black & White OST - Village Bridge
| 2280 | Sunday, July 16, 2017 14:17:39 | 6 years ago |
| <GondolaBridgeRest.webm> | Katawa Shoujo OST - Afternoon
| 2460 | Sunday, July 16, 2017 14:17:38 | 6 years ago |
| <GondolaPath.webm> | Zelda Twilight Princess OST - Kakariko Village
| 2532 | Sunday, July 16, 2017 14:16:43 | 6 years ago |
| <GoForthGondola.webm> | SAINT PEPSI - VANILLA PEPSI (マクロスMACROSS 82-99 Edit)
| 3298 | Sunday, July 16, 2017 14:15:50 | 6 years ago |
| <GondolaHouse.webm> | Fate/Stay Night Réalta Nua OST - Deep Sleep
| 2233 | Sunday, July 16, 2017 14:15:17 | 6 years ago |
| <DaneGondola.webm> | Den Kongelige Livgardes Musikkorps - Kong Frederik d.IX's Honnørmarch
| 2349 | Sunday, July 16, 2017 14:14:45 | 6 years ago |
| <AncientGondola.webm> | TTNG - Pygmy Polygamy
| 2900 | Sunday, July 16, 2017 14:14:22 | 6 years ago |
| <DolaFire.webm> | Final Fantasy Crystal Chronicles OST - Nostalgic Profile
| 2288 | Sunday, July 16, 2017 14:13:34 | 6 years ago |
| <ManuGondola.webm> | Manu Chao - Me gustas tu
| 2484 | Sunday, July 16, 2017 14:13:05 | 6 years ago |
| <GondolaMaxPayne.webm> | | 2345 | Sunday, July 16, 2017 14:12:40 | 6 years ago |
| <ODSGondola.webm> | Halo 3: ODST OST - Difference for Darkness
| 2443 | Sunday, July 16, 2017 14:11:16 | 6 years ago |
| <GondolaDruid.webm> | Outlander Vol. 1 OST - Bear McCreary - Fallen Through Time
| 2326 | Sunday, July 16, 2017 14:10:40 | 6 years ago |
| <IvanTheCrayfish.webm> | Otava Yo - Ivan the crayfish
| 2005 | Sunday, July 16, 2017 14:10:34 | 6 years ago |
| <ShadowOfGondola.webm> | Shadow Of The Colossus OST - Green Hills
| 2114 | Sunday, July 16, 2017 14:09:41 | 6 years ago |
| <GondolaCommisar.webm> | | 2476 | Sunday, July 16, 2017 14:09:40 | 6 years ago |
| <GondolaStall.webm> | DMX - Where The Hood At?
| 2264 | Sunday, July 16, 2017 14:08:16 | 6 years ago |
| <GondolaGalaxy.webm> | Dvorak - New World Symphony, 4th Movement
| 2436 | Sunday, July 16, 2017 14:05:24 | 6 years ago |
| <GondolaElevator2.webm> | Blue States - The Winfield Audition
| 2266 | Sunday, July 16, 2017 14:04:30 | 6 years ago |
| <GondolaLight.webm> | Simon Pyke - See Saw
| 2170 | Sunday, July 16, 2017 14:04:23 | 6 years ago |
| <GondolaTrance.webm> | SoundTeMP - Urtica
| 2432 | Sunday, July 16, 2017 14:02:19 | 6 years ago |
| <LittleGondolaFromMars.webm> | Perrey and Kingsley - The Little Girl from Mars
| 1908 | Sunday, July 16, 2017 14:01:46 | 6 years ago |
| <StoreGondola.webm> | Yume Miri Kusuri - To the World of Dreams (Guitar cover)
| 2413 | Sunday, July 16, 2017 14:00:59 | 6 years ago |
| <GondolaDuel.webm> | Les Choristes OST - Sous la pluie
| 2656 | Sunday, July 16, 2017 14:00:01 | 6 years ago |
| <JapanGondola.webm> | 庭の椿 - 村松健
| 2234 | Sunday, July 16, 2017 14:00:00 | 6 years ago |
| <TheFireGondola.webm> | Les Choristes OST - L'incendie
| 1973 | Sunday, July 16, 2017 13:59:20 | 6 years ago |
| <IslandGondola.webm> | Hans Zimmer | The Thin Red Line OST - God Yu Tekkem Laef Blong Mi
| 2111 | Sunday, July 16, 2017 13:58:38 | 6 years ago |
| <GondolaSynapses.webm> | Farrell Wooten - Head In The Clouds
| 2115 | Sunday, July 16, 2017 13:57:58 | 6 years ago |
| <GondolaVator.webm> | System Shock OST - Elevator Theme
| 2207 | Sunday, July 16, 2017 13:57:24 | 6 years ago |
| <GondolaRomaConquer.webm> | Rome: Total War OST - Journey to Rome Part II
| 2343 | Sunday, July 16, 2017 13:57:03 | 6 years ago |
| <GondolaSunny.webm> | Blazo - Fresh Orange
| 2266 | Sunday, July 16, 2017 13:56:29 | 6 years ago |
| <RooftopGondola.webm> | | 1948 | Sunday, July 16, 2017 13:56:09 | 6 years ago |
| <GondolaStore.webm> | マクロスMACROSS 82-99 - スペースディスコ『82.99 FM』
| 2593 | Sunday, July 16, 2017 13:54:53 | 6 years ago |
| <GondolaDriving.webm> | HOME - Resonance
| 2435 | Sunday, July 16, 2017 13:54:44 | 6 years ago |
| <GondolaHut.webm> | Monty Alexander - Love And Happiness
| 2255 | Sunday, July 16, 2017 13:54:22 | 6 years ago |
| <FreeGondola.webm> | Timecop1983 - Drifting Away
| 2386 | Sunday, July 16, 2017 13:51:46 | 6 years ago |
| <SpiceAndGondola.webm> | Spice and Wolf OST - Tabi no Tochuu
| 1984 | Sunday, July 16, 2017 13:51:45 | 6 years ago |
| <RedSun.webm> | Pilotredsun - Greetings
| 2177 | Sunday, July 16, 2017 13:51:06 | 6 years ago |
| <GondolaHatch.webm> | Lost OST - Make Your Own Kind of Music (8bit remix by Slow Li)
| 2278 | Sunday, July 16, 2017 13:49:30 | 6 years ago |
| <DwellerGondola.webm> | Waltz With Bashir OST - What Had They Done by Max Richter
| 2421 | Sunday, July 16, 2017 13:47:43 | 6 years ago |
| <GondolaObserve.webm> | HOME - Half Moon
| 2222 | Sunday, July 16, 2017 13:47:42 | 6 years ago |
| <GondolaCityBig.webm> | Layer Cake OST - Lisa Gerrard - Aria
| 2431 | Sunday, July 16, 2017 13:46:40 | 6 years ago |
| <JingleGondola.webm> | Wham! - Last Christmas
| 2132 | Sunday, July 16, 2017 13:43:14 | 6 years ago |
| <SunnyForestGondola.webm> | Poster states the song is original
| 2000 | Sunday, July 16, 2017 13:41:47 | 6 years ago |
| <GondolaTree.webm> | | 2353 | Sunday, July 16, 2017 13:41:35 | 6 years ago |
| <GondolaFuture.webm> | Gregory Semenov | Space Rangers OST - People
| 2802 | Sunday, July 16, 2017 13:41:27 | 6 years ago |
| <GondolaStar.webm> | Boats and Birds - Gregory and the Hawk
| 2213 | Sunday, July 16, 2017 13:39:16 | 6 years ago |
| <Gondola3rdEye.webm> | Mutual Benefit - Strong River
| 2598 | Saturday, July 15, 2017 23:27:01 | 6 years ago |
| <TheFantasticAdventuresOfGondola.webm> | | 1972 | Saturday, July 15, 2017 23:25:53 | 6 years ago |
| <GondolaEndOfHistory.webm> | World's End Girlfriend - Birthday Resistance
| 2622 | Saturday, July 15, 2017 23:09:52 | 6 years ago |
| <TunnelGondola.webm> | Deus Ex : Human Revolution OST - Main Menu Theme
| 2124 | Saturday, July 15, 2017 22:40:44 | 6 years ago |
| <InterstellarGondola.webm> | Interstellar OST | Hans Zimmer - Day One
| 2115 | Saturday, July 15, 2017 22:40:11 | 6 years ago |
| <GondolaMist.webm> | Yoko Kanno - Mast in the Mist
| 2270 | Saturday, July 15, 2017 22:39:34 | 6 years ago |
| <GondolaForest.webm> | TrollfesT - Gitarharding Bromleskandinav
| 2240 | Saturday, July 15, 2017 22:39:23 | 6 years ago |
| <GondolaksonTalvi.webm> | Moomin (1990) OST - Kun Ha Minami He
| 2057 | Saturday, July 15, 2017 22:37:46 | 6 years ago |
| <GondolasQuest.webm> | Gargoyle's Quest - Hell Field
| 2060 | Saturday, July 15, 2017 22:37:22 | 6 years ago |
| <BubbleGondola.webm> | Mac DeMarco - Fish Terry
| 2673 | Saturday, July 15, 2017 22:36:38 | 6 years ago |
| <GnomeGondola.webm> | Locust Toybox - Gnome
| 3765 | Saturday, July 15, 2017 22:35:24 | 6 years ago |
| <GondolaAnts.webm> | The Beatles - Flying
| 2609 | Saturday, July 15, 2017 22:34:30 | 6 years ago |
| <GondolaNightTrain.webm> | Mitch Murder - Night Train
| 2466 | Saturday, July 15, 2017 22:33:29 | 6 years ago |
| <GondoIndia.webm> | | 2759 | Saturday, July 15, 2017 22:33:09 | 6 years ago |
| <GondolaHills.webm> | Buckethead - Spell Of The Gypsies
| 2458 | Saturday, July 15, 2017 22:33:09 | 6 years ago |
| <FlyGondola.webm> | Joe Hisaishi - Legend of the Wind
| 2391 | Saturday, July 15, 2017 22:30:48 | 6 years ago |
| <ChileanGondola.webm> | El gorro de lana (instrumental version)
| 2431 | Saturday, July 15, 2017 22:29:38 | 6 years ago |
| <GondolaComfy.webm> | Daft Punk - Something About Us
| 2628 | Saturday, July 15, 2017 22:29:22 | 6 years ago |
| <SpurdoFM.webm> | El Huervo - Daisuke
| 2031 | Saturday, July 15, 2017 22:28:59 | 6 years ago |
| <Stonerola.webm> | Yiruma - River Flows In You
| 2038 | Saturday, July 15, 2017 22:28:18 | 6 years ago |
| <BetterCallGondola.webm> | Better Call Saul OST - Little Barrie
| 2663 | Saturday, July 15, 2017 22:27:44 | 6 years ago |
| <AfterSchoolESTime.webm> | K-On! OST - Happy End
| 3807 | Saturday, July 15, 2017 22:26:02 | 6 years ago |
| <GondolaReflection.webm> | Tomppabeats - Whenever it rains, I feel so free
| 2244 | Saturday, July 15, 2017 22:25:43 | 6 years ago |
| <GondolaThought.webm> | Jan A.P. Kaczmarek - Goodbye
| 2221 | Saturday, July 15, 2017 22:25:04 | 6 years ago |
| <GondolaWanderer.webm> | George Davidson - Mariage d'Amour
| 2183 | Saturday, July 15, 2017 22:23:48 | 6 years ago |
| <GondolaSnow.webm> | Danny Elfman - Ice Dance
| 2232 | Saturday, July 15, 2017 22:22:55 | 6 years ago |
| <DarkGondola.webm> | Dark Souls II OST - Majula
| 2582 | Saturday, July 15, 2017 22:21:40 | 6 years ago |
| <ComeHomeGondola.webm> | Wardruna - Helvegen
| 2805 | Saturday, July 15, 2017 22:19:38 | 6 years ago |
| <InitialGondola.webm> | 頭文字D 奇蹟の薔薇 高橋涼介&高橋啓介 Ver
| 2106 | Saturday, July 15, 2017 22:19:12 | 6 years ago |
| <DontGondola.webm> | Don't Starve OST - E.F.S.
| 2170 | Saturday, July 15, 2017 22:18:04 | 6 years ago |
| <VastGondola.webm> | Dustin O'Halloran - Opus 23
| 2008 | Saturday, July 15, 2017 22:17:14 | 6 years ago |
| <AdventureGondola.webm> | Justin Bell - Twin Elms
| 3035 | Saturday, July 15, 2017 22:15:38 | 6 years ago |
| <PaintingGondola.webm> | Ib OST - "Memory" (Ib's Theme / Title Song)
| 1986 | Saturday, July 15, 2017 22:13:51 | 6 years ago |
| <BerserkGondola.webm> | Berserk OST - Guts
| 2680 | Saturday, July 15, 2017 22:12:58 | 6 years ago |
| <DustyDesert.webm> | | 2353 | Saturday, July 15, 2017 22:11:30 | 6 years ago |
| <SpurdoLand.webm> | Final Fantasy X OST - To Zanarkand
| 2181 | Saturday, July 15, 2017 22:08:43 | 6 years ago |
| <GondolaEarth.webm> | Skeeter Davis - The End of the World
| 2345 | Saturday, July 15, 2017 22:08:32 | 6 years ago |
| <GondolaMedicine.webm> | Daughter - Medicine (JoJi remix)
| 2242 | Saturday, July 15, 2017 22:08:12 | 6 years ago |
| <GondoBraid.webm> | Braid OST - Lullaby Set
| 2901 | Saturday, July 15, 2017 22:07:56 | 6 years ago |
| <GondolaBeachDay.webm> | Astro Age Steel Orchestra - Look For A Star
| 2511 | Saturday, July 15, 2017 22:05:04 | 6 years ago |
| <LostInGondola.webm> | Avantasia - Lost in Space
| 2061 | Saturday, July 15, 2017 22:02:06 | 6 years ago |
| <HomeGondola.webm> | In Flames - Your Bedtime Story is Scaring Everyone
| 2168 | Saturday, July 15, 2017 22:01:08 | 6 years ago |
| <GondolaEternity.webm> | Clannad OST - The Girl's Fantasy
| 2455 | Saturday, July 15, 2017 22:00:18 | 6 years ago |
| <LetterToGondana.webm> | Sonata Arctica - Letter to Dana
| 1857 | Saturday, July 15, 2017 21:59:23 | 6 years ago |
| <GondolamanX.webm> | Makeup & Vanity Set Presents: The Protomen - Vengeance?
| 2229 | Saturday, July 15, 2017 21:58:44 | 6 years ago |
| <GondolaFell.webm> | Dissection - Feather's Fell
| 2254 | Saturday, July 15, 2017 21:57:24 | 6 years ago |
| <GondolaFarewell.webm> | Avantasia - Farewell
| 2405 | Saturday, July 15, 2017 21:56:49 | 6 years ago |
| <GondolaDog.webm> | Undertale OST - Dogsong
| 2408 | Saturday, July 15, 2017 21:56:37 | 6 years ago |
| <GondolaRises.webm> | The Wind Rises OST - An Unexpected Meeting
| 2212 | Saturday, July 15, 2017 21:47:12 | 6 years ago |
| <GondolaUnderground.webm> | Klub des Loosers - Avec les larmes
| 2197 | Saturday, July 15, 2017 21:46:23 | 6 years ago |
| <GondolaStares.webm> | | 1846 | Saturday, July 15, 2017 21:44:25 | 6 years ago |
| <GondolaStorybook.webm> | Super Mario Galaxy OST - Sad Story
| 2251 | Saturday, July 15, 2017 21:43:20 | 6 years ago |
| <GondolaParfum.webm> | Mostly Autumn - Carpe Diem
| 2188 | Saturday, July 15, 2017 21:43:12 | 6 years ago |
| <UnderwaterGondola.webm> | Aria the Animation OST - Samba de Aqua
| 2049 | Saturday, July 15, 2017 21:39:04 | 6 years ago |
| <Gondola1999.webm> | Area 51 - Message From Another Time (Mika Thorwine Rework)
| 2932 | Saturday, July 15, 2017 21:38:40 | 6 years ago |
| <DontTheyKnowGondola.webm> | Skeeter Davis - The End Of The World
| 2308 | Saturday, July 15, 2017 21:38:15 | 6 years ago |
| <CampfireGondola.webm> | Godspeed You! Black Emperor - F# A# ∞ - Dead Flag Blues (ending segment)
| 3378 | Saturday, July 15, 2017 21:20:15 | 6 years ago |
| <SpaceGondola.webm> | Arvo Pärt - Spiegel im Spiegel
| 2046 | Saturday, July 15, 2017 21:19:44 | 6 years ago |
| <GondolaGame.webm> | Pokémon Gold/Silver/Crystal OST - Game Corner
| 2395 | Saturday, July 15, 2017 21:19:22 | 6 years ago |
| <WW2Gondola.webm> | | 1618 | Saturday, July 15, 2017 21:18:51 | 6 years ago |
| <BritishGondola.webm> | Georg Friedrich Händel - The Arrival of the Queen of Sheba
| 2590 | Saturday, July 15, 2017 21:18:04 | 6 years ago |
| <WindmillGondola.webm> | Heroes of Might and Magic OST - Magnificent Field
| 2081 | Saturday, July 15, 2017 21:17:41 | 6 years ago |
| <GondolaHide.webm> | Tangerine Dream - Love On A Real Train
| 2276 | Saturday, July 15, 2017 21:17:15 | 6 years ago |
| <KingGondola.webm> | Konga Conga Kappa (King Conga Remix) | Crypt of the Necrodancer - Girlfriend Records
| 2122 | Saturday, July 15, 2017 21:16:49 | 6 years ago |
| <GondolaDarkNight.webm> | Corpse Party 98 OST - Sad Theme
| 2433 | Saturday, July 15, 2017 21:16:15 | 6 years ago |
| <Spacedola13.webm> | Solus - Endless Space
| 2265 | Saturday, July 15, 2017 21:15:27 | 6 years ago |
| <MistyGondola.webm> | Alasdair Fraser, Natalie Haas - Shetland Set
| 1977 | Saturday, July 15, 2017 21:12:33 | 6 years ago |
| <MyGondola.webm> | World of Warcraft Wrath of the Lich King OST - Arthas, My Son
| 2400 | Saturday, July 15, 2017 21:12:13 | 6 years ago |
| <EuroGondola.webm> | Bloodhound Gang - The Bad Touch
| 2491 | Saturday, July 15, 2017 21:09:19 | 6 years ago |
| <Gondula.webm> | Concerto For Philodendron & Pothos - Mort garson - Plantasia
| 2166 | Saturday, July 15, 2017 20:33:22 | 6 years ago |
| <AriaSailingGondola.webm> | Aria The Natural OST - Yuunagi
| 3203 | Saturday, July 15, 2017 20:32:38 | 6 years ago |
| <DesertGondola.webm> | Derek Fiechter - Cobra Desert
| 2267 | Saturday, July 15, 2017 20:32:22 | 6 years ago |
| <ShowerGondola.webm> | Yann Tiersen - La Valse d'Amélie
| 1972 | Saturday, July 15, 2017 20:32:09 | 6 years ago |
| <MapleStoryGondola.webm> | MapleStory OST - On The Ship
| 2029 | Saturday, July 15, 2017 20:31:07 | 6 years ago |
| <GondolaBitRiver.webm> | Pokémon X & Y OST - An Unwavering Heart
| 2541 | Saturday, July 15, 2017 20:30:53 | 6 years ago |
| <GondolaPastPresent.webm> | New Order - Elegia
| 2241 | Saturday, July 15, 2017 20:30:30 | 6 years ago |
| <GondolaVivaForgottenVols.webm> | | 2157 | Saturday, July 15, 2017 20:29:57 | 6 years ago |
| <NonGondoleanGeometry.webm> | Middens OST - Fade to Black
| 1961 | Saturday, July 15, 2017 20:29:20 | 6 years ago |
| <GondolaSummit.webm> | MerryberryMusic | Steven Universe OST - Mirror Gem (Music Box Version)
| 2235 | Saturday, July 15, 2017 20:28:37 | 6 years ago |
| <OrbisGondola.webm> | Dead Can Dance - Orbis De Ignis
| 1905 | Saturday, July 15, 2017 20:28:26 | 6 years ago |
| <SnowyGondola.webm> | The Witcher OST - Silver Sword
| 1959 | Saturday, July 15, 2017 20:28:14 | 6 years ago |
| <GondolanBeauty.webm> | Thomas Newman - Any Other Name
| 2048 | Saturday, July 15, 2017 20:27:52 | 6 years ago |
| <Abyssola.webm> | Battlestar Galactica OST - Kobol's Last Gleaming
| 3430 | Saturday, July 15, 2017 20:27:39 | 6 years ago |
| <NorthKoreaGondola.webm> | Waltz of the Partisans, Dziś do ciebie przyjść nie mogę
| 1963 | Saturday, July 15, 2017 20:24:01 | 6 years ago |
| <BalladGondola.webm> | 8bit Betty - And I Know That You're Happy (Ballad of The Lonesome Spaceboy)
| 2522 | Saturday, July 15, 2017 20:23:45 | 6 years ago |
| <GondolaHome.webm> | Wallace & Gromit - Theme
| 2240 | Saturday, July 15, 2017 20:22:25 | 6 years ago |
| <GondolaGrasp.webm> | WoW OST - Winter's Grasp
| 2292 | Saturday, July 15, 2017 20:22:00 | 6 years ago |
| <GondolaInWater.webm> | Opitope - An White Drop of Morning Dew
| 2151 | Saturday, July 15, 2017 20:21:38 | 6 years ago |
| <FireGondola.webm> | | 2199 | Saturday, July 15, 2017 20:21:24 | 6 years ago |
| <GondolaWater.webm> | Crash Test Dummies - Untitled
| 2163 | Saturday, July 15, 2017 20:19:37 | 6 years ago |
| <GondolaConcrete.webm> | Jussi Björling - Ack Värmeland du sköna
| 2552 | Saturday, July 15, 2017 20:19:22 | 6 years ago |
| <BGondola.webm> | Bertha - Theme (Instrumental)
| 2520 | Saturday, July 15, 2017 20:19:00 | 6 years ago |
| <GondolaStreet.webm> | Henry Mancini - Spook!
| 2254 | Saturday, July 15, 2017 20:18:08 | 6 years ago |
| <SteppeGondola.webm> | Tengger Cavalry - Homeland Song
| 1990 | Saturday, July 15, 2017 20:17:58 | 6 years ago |
| <AdiagoForGondola.webm> | DJ Tiesto - Adagio For Strings
| 3314 | Saturday, July 15, 2017 20:17:26 | 6 years ago |
| <PainfulGondola.webm> | Lisa OST - Summer Love (Slow Version)
| 2026 | Saturday, July 15, 2017 20:17:08 | 6 years ago |
| <GondolaAnimeInside.webm> | 萌ジャズ Dreamer (BOSSA NOVA ver)
| 2940 | Saturday, July 15, 2017 20:16:02 | 6 years ago |
| <Gundola.webm> | トップをねらえ! D弐 47:時の河を越えて...
| 2177 | Saturday, July 15, 2017 20:15:50 | 6 years ago |
| <MovieGondola.webm> | 冬木透 - MAT (Ultraman Jack BGM - MAT Theme)
| 1875 | Saturday, July 15, 2017 20:15:24 | 6 years ago |
| <MorningGondola.webm> | Nichijou OST - Love teki ~Kodomo~
| 2131 | Saturday, July 15, 2017 20:15:08 | 6 years ago |
| <GondolaAnime.webm> | Kotoura-san OST - Tsurupeta
| 2696 | Saturday, July 15, 2017 20:14:50 | 6 years ago |
| <GondolaRetro.webm> | Com Truise - Flightwave
| 2238 | Saturday, July 15, 2017 20:14:05 | 6 years ago |
| <GondolaMetro.webm> | Kraftwerk - Computer Love
| 2275 | Saturday, July 15, 2017 20:12:21 | 6 years ago |
| <Gringola.webm> | Max Payne 3 OST: Health - Tears
| 2776 | Saturday, July 15, 2017 20:12:05 | 6 years ago |
| <GondolaOfTheMountains.webm> | Music: Antonín Dvořák - Symphony No. 9 in E minor, opus 95, 'From the New World' II Largo | Painting: Albert Bierstadt, "Among the Sierra Nevada Mountains, California" (1868)
| 2496 | Saturday, July 15, 2017 20:11:20 | 6 years ago |
| <GondolaGetsAFriend.webm> | The Legend of Zelda: Skyward Sword OST - Zelda's Lullaby
| 2659 | Saturday, July 15, 2017 20:10:47 | 6 years ago |
| <GondolaSky.webm> | Aria The Natural OST - Yuunagi
| 2402 | Saturday, July 15, 2017 20:09:56 | 6 years ago |
| <StargazeGondola.webm> | To The Moon OST - For River - Piano (Johnny's Version)
| 1929 | Saturday, July 15, 2017 20:09:00 | 6 years ago |
| <GondolaPokeTrain.webm> | Pokemon Silver/Gold/Crystal OST - National Park
| 1786 | Friday, June 23, 2017 22:19:24 | 6 years ago |
| <GondolaEden.webm> | Iemitsu - Blikje Phantasm (東方)
| 2332 | Friday, June 23, 2017 18:07:34 | 6 years ago |
| <GondolaPierWithYou.webm> | Deadly Premonition OST - Life is Beautiful
| 2137 | Thursday, June 22, 2017 22:40:26 | 6 years ago |
| <GondolaIsland2.webm> | Bioshock Infinite OST
| 2202 | Thursday, June 22, 2017 22:39:30 | 6 years ago |
| <FourSeasonsOfGondola.webm> | Christopher Carlone - Chapters - The Seasons Pass
| 2475 | Sunday, April 09, 2017 03:05:01 | 6 years ago |
| <GondolaAtmosphere.webm> | Joy Division - Atmosphere
| 2561 | Wednesday, April 05, 2017 19:45:32 | 6 years ago |
| <GondolaToGod.webm> | Tomaso Albinoni - Adagio in G minor
| 2427 | Tuesday, March 14, 2017 09:34:06 | 6 years ago |
| <MejicoGondola.webm> | | 1942 | Thursday, February 16, 2017 07:03:59 | 6 years ago |
| <GondolaLavenderTown.webm> | Pokémon - Lavender Town (Piano version)
| 2244 | Sunday, February 05, 2017 00:31:15 | 6 years ago |
| <HouseWojakPepe.webm> | Tahiti Boy & Mr. Oizo - Palmtree
| 2114 | Thursday, February 02, 2017 01:28:16 | 6 years ago |
| <GondolaMarioWater.webm> | Super Mario 64 OST - Dire, Dire Docks
| 2290 | Sunday, January 22, 2017 21:01:07 | 6 years ago |
| <GondolaInvader.webm> | | 2446 | Saturday, January 07, 2017 07:28:08 | 6 years ago |
| <GondolaUnderwater.webm> | Lawrence English - Coprinus Comatus
| 2123 | Tuesday, January 03, 2017 15:43:06 | 6 years ago |
| <2025Gondola.webm> | Garoad - Who Was I?
| 3908 | Saturday, December 31, 2016 14:41:42 | 6 years ago |
| <ToCatchAGondola.webm> | Casablanca OST | Frank Sinatra - As Time Goes By
| 1888 | Monday, October 03, 2016 05:38:32 | 7 years ago |
| <DaphnisAndChloeGondola.webm> | Daphnis et Chloé - Ravel - Dutoit
| 2116 | Monday, October 03, 2016 05:37:10 | 7 years ago |
| <PaleRedDotDola.webm> | The Legend of Zelda Ocarina of Time OST - Title Theme (piano cover by Kaelum Ross)
| 2054 | Monday, October 03, 2016 05:31:56 | 7 years ago |
| <IntoTheMightyLight.webm> | Letters From Iwo Jima OST - Main Titles
| 1970 | Monday, October 03, 2016 05:18:06 | 7 years ago |
| <GondolaIceBergTitanic.webm> | James Horner - Death Of Titanic
| 2172 | Monday, October 03, 2016 05:13:40 | 7 years ago |
| <GondolaBucketHead.webm> | | 2228 | Monday, October 03, 2016 05:06:54 | 7 years ago |
| <WitcherGondola2.webm> | The Witcher 3: Wild Hunt OST - The Fields of Ard Skellig
| 3373 | Tuesday, September 13, 2016 18:01:07 | 7 years ago |
| <GondolaStarbound.webm> | Starbound OST - Starbound (Main menu theme)
| 2205 | Tuesday, June 28, 2016 00:25:20 | 7 years ago |
| <GondolaAndTheBeingsFromBeyond.webm> | Ecce Homo qui est faba | The Mr. Bean Show OST - Theme
| 2480 | Tuesday, June 28, 2016 00:22:20 | 7 years ago |
| <GondolaToOrbis.webm> | MapleStory OST - The Forest North of Ellinia
| 2198 | Saturday, June 11, 2016 06:14:44 | 7 years ago |
| <GondolaPersona.webm> | Persona 4 - I'll Face Myself
| 2223 | Saturday, June 11, 2016 06:11:26 | 7 years ago |
| <DepressionGondola.webm> | Elfen Lied OST - Shinkai
| 2448 | Wednesday, June 08, 2016 01:51:04 | 7 years ago |
| <SaltFlatsGondola.webm> | William Basinksi - El Camino Real
| 1947 | Wednesday, June 08, 2016 01:50:40 | 7 years ago |
| <GondolaTravelingThroughSpacetime.webm> | Philip Glass - Pruit Igloe
| 2316 | Wednesday, June 08, 2016 01:48:56 | 7 years ago |
| <FrostyTheGondola.webm> | Agalloch - To Drown
| 8090 | Wednesday, June 08, 2016 01:41:08 | 7 years ago |
| <GondolaInTheRainyTrees.webm> | Erik Satie - Gymnopédie No.1
| 2346 | Wednesday, June 08, 2016 01:28:02 | 7 years ago |
| <OuroGondola.webm> | Red Dwarf OST - Lost in Space (Ouroboros)
| 1895 | Wednesday, June 08, 2016 01:26:10 | 7 years ago |
| <Lostdola.webm> | A Silver Mt. Zion - Blown-out Joy From Heaven's Mercied Hole
| 2027 | Wednesday, June 08, 2016 01:23:10 | 7 years ago |
| <AquaticGondola.webm> | Super Bomberman 3 OST - BGM 3
| 2787 | Wednesday, June 08, 2016 01:20:50 | 7 years ago |
| <GondolaByFireLight.webm> | Theology/Civilization - Conan the Barbarian Theme (Basil Poledouris)
| 2389 | Tuesday, June 07, 2016 22:22:38 | 7 years ago |
| <GondolaDarkStreetLight.webm> | Dune - Hardcore Vibes (remix)
| 2315 | Tuesday, June 07, 2016 20:31:16 | 7 years ago |
| <SpaceGondolaMoon.webm> | Nosaj Thing - Prelude
| 2020 | Tuesday, June 07, 2016 20:29:00 | 7 years ago |
| <CosmosGondola.webm> | Katamari Damacy OST - Lovely Angel
| 2770 | Thursday, January 21, 2016 22:59:31 | 7 years ago |
| <GondolaBus.webm> | Antonio Vivaldi - Four Seasons (Winter, 3rd movement: Allegro)
| 2450 | Monday, January 18, 2016 09:02:57 | 7 years ago |
| <GondolaBox.webm> | Portal 2 OST Volume 2 - PotatOS Lament
| 2704 | Sunday, November 22, 2015 08:21:04 | 8 years ago |
| <GondolaForSnes.webm> | Andy Bogard - VG Cover Junkies
| 2325 | Sunday, November 22, 2015 08:21:01 | 8 years ago |
| <RainyGondola.webm> | | 2248 | Sunday, November 22, 2015 08:20:59 | 8 years ago |
| <GondolaFunk.webm> | Harrison - Private Party
| 2747 | Wednesday, November 18, 2015 05:25:12 | 8 years ago |
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Anna
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<a href="./blog/Pros_and_cons_of_gardening_on_top_of_a_hill/">Pros and cons of gardening on top of a hill</a>
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<p><a href="./blog/Pros_and_cons_of_gardening_on_top_of_a_hill/20221017lastharvest.jpg"><img src="./blog/Pros_and_cons_of_gardening_on_top_of_a_hill/20221017lastharvest.jpg" width="575" height="517" alt="Last harvest of the season" class="img" align="center" /></a></p>
<p>When Mark and I started the Walden Effect, blogging was a bit of a Wild West. There were so many formats to choose between and we chose the one that was free for us.</p>
<p>Later, Wordpress gradually won the format war in many ways. I've been gradually moving our other sites over, but Walden Effect is so huge that the handcoding involved in such a transition would take way too many hours to be feasible.</p>
<p>So we're experimenting with something different. Please <a href="https://wetknee.com/blog/">head over to our sister site Wetknee</a> to enjoy this week's blog post, and while you're at it please set your RSS feed for that new address. Unless we hit some unforeseen hurdles, we'll be sharing news there instead of here in the future. (And if hurdles are hit, we'll inform you there to come back here!)</p>
<p>Thanks, as always, for following us on our adventures!</p>
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Posted <span class="date">Mon Oct 17 15:53:55 2022</span>
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Mark
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<a href="./blog/Black_soldier_fly_larvae_for_dinner__63__/">Black soldier fly larvae for dinner?</a>
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<p><a href="./blog/Black_soldier_fly_larvae_for_dinner__63__/20221011bsfl.jpg"><img src="./blog/Black_soldier_fly_larvae_for_dinner__63__/20221011bsfl.jpg" width="575" height="431" alt="BSFL close up" class="img" align="center" /></a></p>
<p>Our black soldier fly composting system is slowing down due to colder Fall nights.</p>
<p>Austrian designer Katharina Unger has invented a new, reliable product to farm the larvae inside for human consumption.</p>
<p>It's called <a href="http://www.livinstudio.com/farm432">Farm 432</a> and promises to produce enough protein for a 2 person meal every 2 weeks or 432 hours.</p>
<p>The product is still in a Beta stage but seems to be well thought out and almost ready for prime time.</p>
<p>Frying the larvae produces a crunchy texture that might mix well with a rice or pasta dish.</p>
<p>We have not tried fried larvae yet but the more I read about it the less resistance I have to eating bugs.</p>
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Posted <span class="date">Tue Oct 11 11:19:50 2022</span>
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<a href="./blog/How_to_Grow_Ginger/">How to Grow Ginger</a>
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<p><a href="https://amzn.to/3UKG0SI"><a href="./blog/How_to_Grow_Ginger/20220927howtogrowginger.jpg"><img src="./blog/How_to_Grow_Ginger/20220927howtogrowginger.jpg" width="450" height="675" alt="How to Grow Ginger" class="img" align="center" /></a></a></p>
<p>I had so much fun reading <a href="https://amzn.to/3UKG0SI">How to Grow Ginger</a> by Leigh Tate. But before I dive into my review, I have to include an important caveat. Reading this book doesn't necessarily mean your mothers-in-law will gift you with a five month old ginger plant so you can experiment immediately...even though it totally did for me. (Thank you so much, Rose Nell and Jayne!)</p>
<p><a href="./blog/How_to_Grow_Ginger/20220927growingginger.jpg"><img src="./blog/How_to_Grow_Ginger/20220927growingginger.jpg" width="575" height="312" alt="Growing ginger in a pot" class="img" align="center" /></a></p>
<p>Ahem, back to the point. I'd seen fresh ginger for sale at our local farmer's market, but I hadn't taken the time to figure out whether it was worth growing ourselves. The short answer: very worthwhile because the process is crazy easy. Basically, you put a store-bought ginger root in a big pot a bit after your frost-free date, keep the plant in partial shade and topdress with compost once a month, then harvest after the leaves die back in the autumn.</p>
<p>Or you can start harvesting earlier, the way I did. Each of the stems in your pot leads down to a single ginger root and if you have strong hands you can tear out a root the way you'd grub out new potatoes. I pulled out two roots and made pickled ginger (so easy and so delectable!) and lacto-fermented ginger (still in the works). I'm also looking forward to making candied ginger with honey for a family member who loves the treat but prefers to dine sugar-free.</p>
<p><a href="./blog/How_to_Grow_Ginger/20220927cookingwithfreshginger.jpg"><img src="./blog/How_to_Grow_Ginger/20220927cookingwithfreshginger.jpg" width="575" height="431" alt="Cooking with fresh ginger" class="img" align="center" /></a></p>
<p>If those experiments don't sound like fun, Tate also includes recipes for dehydrating ginger and turning it into the powder you put into cookies and cakes, plus a primer on making a ginger drink. I particularly enjoyed her section about peeling. Upshot: you don't have to peel if you're like me and prefer to leave skins on.</p>
<p>To cut a long story short, if you're interested in growing ginger you might as well jumpstart your process by checking out this excellent guide. Like everything else you grow yourself, fresh ginger out of your yard just tastes better than any you can buy!</p>
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Posted <span class="date">Tue Oct 4 06:44:04 2022</span>
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<a href="./blog/Greenhouse_in_a_box_woodshed/">Greenhouse in a box woodshed</a>
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<p>A summary of our experience over the past 4 years using one of those greenhouses in a box to store firewood.</p>
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Posted <span class="date">Tue Sep 27 10:45:22 2022</span>
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<a href="./blog/Planting_cover_crops_between_fruit_trees/">Planting cover crops between fruit trees</a>
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<p><a href="./blog/Planting_cover_crops_between_fruit_trees/20220919covercropsintheappleorchard.jpg"><img src="./blog/Planting_cover_crops_between_fruit_trees/20220919covercropsintheappleorchard.jpg" width="575" height="428" alt="Cover crops in the apple orchard" class="img" align="center" /></a></p>
<p>Awesome reader and cover-crop experimenter Craig <a href="https://www.waldeneffect.org/blog/Homegrown_Humus_free___40__and_garden_update__41__/#comment-cb1a901c758bc63c4c843e3791b7877c">wrote in last month</a> with his questions and comments about planting cover crops between young fruit trees in mid Ohio. He promised me pictures and a followup, both of showed up in my inbox last week.</p>
<p><a href="./blog/Planting_cover_crops_between_fruit_trees/20220919growingryebetweenappletrees.jpg"><img src="./blog/Planting_cover_crops_between_fruit_trees/20220919growingryebetweenappletrees.jpg" width="575" height="431" alt="Growing rye between apple trees." class="img" align="center" /></a></p>
<p>Craig's first experiment involved "hand-tossed rye seeds on my apple beds" in early August to replace a mature buckwheat stand. He noted, "I'm loving how the action of re-seeding a new green manure crop after buckwheat accomplishes multiple tasks: plants the next cover, provides an opportunity to weed (easily and satisfyingly) what didn't get crowded out by the last round of growth, and creates a mulch on the soil surface."</p>
<p>This has been my experience too! My best stand of oats is coming up where I treated a buckwheat bed exactly the same way. Definitely recommend!</p>
<p><a href="./blog/Planting_cover_crops_between_fruit_trees/20220919oilseedradishesbetweenapples.jpg"><img src="./blog/Planting_cover_crops_between_fruit_trees/20220919oilseedradishesbetweenapples.jpg" width="575" height="431" alt="Oilseed radishes planted between apple trees." class="img" align="center" /></a></p>
<p>Again just like in my garden, Craig's oilseed radish cover crop (which he calls "torpedo radishes") came up very strongly. We both overseeded since it's tough to get anything to sprout atop dry late-summer soil, and we both ended up with a radish stand thicker than was really necessary. No real harm done other than a waste of seed, but our lesson has been learned!</p>
<p>Craig promised me a followup this spring, so I'll be sure to keep you posted. In the meantime, I thought I'd spill some beans of my own. I'm hoping to find time this winter to work on a cover-crop video course and/or workbook. Both are intended to simplify the brain power involved in including cover crops in your garden, either through lots of hands-on visuals (video course) or through charts and pages that walk you through the decision-making process (workbook). If I don't have time for both, does one of those sound a lot more fun than the other to you?</p>
<p>Finally, I'd be remiss if I ended this post without telling you that it's not too late to plant rye. If you have garden beds that are going to weeds and that you know you won't need until next June, why not get a cover crop established to improve your soil while you take the winter off?</p>
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Anna
[Pros and cons of gardening on top of a hill](./blog/Pros_and_cons_of_gardening_on_top_of_a_hill/)
[](./blog/Pros_and_cons_of_gardening_on_top_of_a_hill/20221017lastharvest.jpg)
When Mark and I started the Walden Effect, blogging was a bit of a Wild West. There were so many formats to choose between and we chose the one that was free for us.
Later, Wordpress gradually won the format war in many ways. I've been gradually moving our other sites over, but Walden Effect is so huge that the handcoding involved in such a transition would take way too many hours to be feasible.
So we're experimenting with something different. Please [head over to our sister site Wetknee](https://wetknee.com/blog/) to enjoy this week's blog post, and while you're at it please set your RSS feed for that new address. Unless we hit some unforeseen hurdles, we'll be sharing news there instead of here in the future. (And if hurdles are hit, we'll inform you there to come back here!)
Thanks, as always, for following us on our adventures!
Posted Mon Oct 17 15:53:55 2022
Tags:
[garden](./tag/garden/)
[news](./tag/news/)
* [Edit](/ikiwiki.cgi?do=edit&page=blog%2FPros_and_cons_of_gardening_on_top_of_a_hill)
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Mark
[Black soldier fly larvae for dinner?](./blog/Black_soldier_fly_larvae_for_dinner__63__/)
[](./blog/Black_soldier_fly_larvae_for_dinner__63__/20221011bsfl.jpg)
Our black soldier fly composting system is slowing down due to colder Fall nights.
Austrian designer Katharina Unger has invented a new, reliable product to farm the larvae inside for human consumption.
It's called [Farm 432](http://www.livinstudio.com/farm432) and promises to produce enough protein for a 2 person meal every 2 weeks or 432 hours.
The product is still in a Beta stage but seems to be well thought out and almost ready for prime time.
Frying the larvae produces a crunchy texture that might mix well with a rice or pasta dish.
We have not tried fried larvae yet but the more I read about it the less resistance I have to eating bugs.
Posted Tue Oct 11 11:19:50 2022
Tags:
[black soldier flies](./tag/black_soldier_flies/)
[garden](./tag/garden/)
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Anna
[How to Grow Ginger](./blog/How_to_Grow_Ginger/)
[[](./blog/How_to_Grow_Ginger/20220927howtogrowginger.jpg)](https://amzn.to/3UKG0SI)
I had so much fun reading [How to Grow Ginger](https://amzn.to/3UKG0SI) by Leigh Tate. But before I dive into my review, I have to include an important caveat. Reading this book doesn't necessarily mean your mothers-in-law will gift you with a five month old ginger plant so you can experiment immediately...even though it totally did for me. (Thank you so much, Rose Nell and Jayne!)
[](./blog/How_to_Grow_Ginger/20220927growingginger.jpg)
Ahem, back to the point. I'd seen fresh ginger for sale at our local farmer's market, but I hadn't taken the time to figure out whether it was worth growing ourselves. The short answer: very worthwhile because the process is crazy easy. Basically, you put a store-bought ginger root in a big pot a bit after your frost-free date, keep the plant in partial shade and topdress with compost once a month, then harvest after the leaves die back in the autumn.
Or you can start harvesting earlier, the way I did. Each of the stems in your pot leads down to a single ginger root and if you have strong hands you can tear out a root the way you'd grub out new potatoes. I pulled out two roots and made pickled ginger (so easy and so delectable!) and lacto-fermented ginger (still in the works). I'm also looking forward to making candied ginger with honey for a family member who loves the treat but prefers to dine sugar-free.
[](./blog/How_to_Grow_Ginger/20220927cookingwithfreshginger.jpg)
If those experiments don't sound like fun, Tate also includes recipes for dehydrating ginger and turning it into the powder you put into cookies and cakes, plus a primer on making a ginger drink. I particularly enjoyed her section about peeling. Upshot: you don't have to peel if you're like me and prefer to leave skins on.
To cut a long story short, if you're interested in growing ginger you might as well jumpstart your process by checking out this excellent guide. Like everything else you grow yourself, fresh ginger out of your yard just tastes better than any you can buy!
Posted Tue Oct 4 06:44:04 2022
Tags:
[garden](./tag/garden/)
[reviews](./tag/reviews/)
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Mark
[Greenhouse in a box woodshed](./blog/Greenhouse_in_a_box_woodshed/)
A summary of our experience over the past 4 years using one of those greenhouses in a box to store firewood.
Posted Tue Sep 27 10:45:22 2022
Tags:
[building](./tag/building/)
[energy](./tag/energy/)
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Anna
[Planting cover crops between fruit trees](./blog/Planting_cover_crops_between_fruit_trees/)
[](./blog/Planting_cover_crops_between_fruit_trees/20220919covercropsintheappleorchard.jpg)
Awesome reader and cover-crop experimenter Craig [wrote in last month](https://www.waldeneffect.org/blog/Homegrown_Humus_free___40__and_garden_update__41__/#comment-cb1a901c758bc63c4c843e3791b7877c) with his questions and comments about planting cover crops between young fruit trees in mid Ohio. He promised me pictures and a followup, both of showed up in my inbox last week.
[](./blog/Planting_cover_crops_between_fruit_trees/20220919growingryebetweenappletrees.jpg)
Craig's first experiment involved "hand-tossed rye seeds on my apple beds" in early August to replace a mature buckwheat stand. He noted, "I'm loving how the action of re-seeding a new green manure crop after buckwheat accomplishes multiple tasks: plants the next cover, provides an opportunity to weed (easily and satisfyingly) what didn't get crowded out by the last round of growth, and creates a mulch on the soil surface."
This has been my experience too! My best stand of oats is coming up where I treated a buckwheat bed exactly the same way. Definitely recommend!
[](./blog/Planting_cover_crops_between_fruit_trees/20220919oilseedradishesbetweenapples.jpg)
Again just like in my garden, Craig's oilseed radish cover crop (which he calls "torpedo radishes") came up very strongly. We both overseeded since it's tough to get anything to sprout atop dry late-summer soil, and we both ended up with a radish stand thicker than was really necessary. No real harm done other than a waste of seed, but our lesson has been learned!
Craig promised me a followup this spring, so I'll be sure to keep you posted. In the meantime, I thought I'd spill some beans of my own. I'm hoping to find time this winter to work on a cover-crop video course and/or workbook. Both are intended to simplify the brain power involved in including cover crops in your garden, either through lots of hands-on visuals (video course) or through charts and pages that walk you through the decision-making process (workbook). If I don't have time for both, does one of those sound a lot more fun than the other to you?
Finally, I'd be remiss if I ended this post without telling you that it's not too late to plant rye. If you have garden beds that are going to weeds and that you know you won't need until next June, why not get a cover crop established to improve your soil while you take the winter off?
Posted Mon Sep 19 11:56:14 2022
Tags:
[cover crop](./tag/cover_crop/)
[permaculture](./tag/permaculture/)
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Anna Hess and Mark Hamilton spent over a decade living self-sufficiently in the mountains of Virginia before moving north to start over from scratch in the foothills of Ohio. They've experimented with permaculture, no-till gardening, trailersteading, home-based microbusinesses and much more, writing about their adventures in both blogs and books.
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http-equiv="content-type">
<title>Laserology</title>
<meta content="Lukasz Fikus" name="author">
<meta content="CD laser, CDM4, KSS 151A, laser problems"
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<h1>Laserology</h1>
<br>
<a href="http://www.licz.pl" title="Darmowe Liczniki"><font
color="#000000">
<script
src="http://www.licz.pl/counter.php?name=laserology&start=WARTOSC-STARTOWA"></script></font></a><a
href="http://www.licz.pl"><img
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width="5"></a>
<h2>Some thoughts about laser failures that never happened.</h2>
<h2>And about those that did.</h2>
<br>
<br>
<img alt="KSS151A Laser" src="../../REFERENCES/Sony338ESD/IMG_5922.jpg"
style="width: 600px; height: 400px;"><br>
<br>
<h4 style="font-style: italic;">Hey, do you know where I can buy a new
laser for my CD? It just died.</h4>
I heard it so many times that I decided to write about lasers, their
problems and easy fixes.<br>
<br>
I looked inside over 100 CD players which DID NOT READ the CD anymore
and only one (in decimal and binary mode it is 1) had failed laser. And
that one was dead because of my stupidity. But it (my stupidity) is not
the subject of this article. <br>
Other peoples stupidity is.<br>
<br>
Anyway, what happens is that there is probably 20 different reasons why
the CD player does not read the disc, and people have such strong
prejudice that they all call these failures DEFECT LASER.<br>
<br>
This is CRIMINAL because lasers are not produced anymore, and the
scarce resources left, the holy reserves - are brutally cannibalized by
people who know no better and simply buy the new units.<br>
<br>
<h2>The top ten reasons why CD's are not read - according to "my vast
experience" in that matter - are:</h2>
<br>
1. There is a CD disk inside the player as resulting from moving to a
different house with the disc left in the drawer. Disc falls out into
the guts of the CD player and blocks the mechanism. When the owner puts
second disk afterwards - the player rightly displays ERROR. <br>
- remedy: the first cure that springs to my mind is - open the CD and
remove the stuck CD.<br>
<br>
2. The 20 year old belt that powers the drawer starts slipping or
breaks. After
closing the drawer - CD is not properly positioned on the spindle.<br>
- remedy: replace the belt<br>
<br>
3. The CD player was being used in a dusty environment and the
dust or cigarette tar settled on the laser optics. Dust causes beam
dispersion. Laser
looses focus.<br>
- remedy: open the player and clean the laser surface with a Qtip.
First- with wet tip dipped in the window cleaning liquid, then - dry
one.<br>
If this is not enough - clean the laser INSIDE the reading head. This
is for advanced people. Better to give this job to a watch repair man. <a
href="#Example_of_Sony_KSS151A_laser_deep">See below - some pics</a>.<br>
<br>
4. The power supply of the laser circuit is defective: either too low
voltage,
or noisy, or starts oscillating from poor filtering or regulation. The
cause may be dried out
electrolytes. <br>
- remedy: replace all electrolytes in the digital part of PCB, or
better - all of them.<br>
<br>
5. There is a cold joint in the laser circuit.<br>
- truth is that the solder joints do corrode and do fail. Our best
players are 20 years old and this shows. A joint which is hot, like a
leg of a regulator, or a point where the raw supply is rectified, or a
laser power controller - from the heat they develop accelerated
deterioration - mixture of oxidation, flux burning, and tin
evaporation. <br>
- remedy - look at all solder joints, especially around laser cable
connectors, around all regulators, around places that look toasted,
brownish or cooked - and re-solder these points adding a bit of fresh
solder with fresh flux. <br>
<br>
6. Moving cables - or ribbons - do get broken after a million bends. <br>
Check for continuity in flexing ribbons leading to the laser, the
drawer, the motor or the tracking mechanics.<br>
<br>
7. The tracking mechanism accumulates dirt, hairs or dust on the greasy
part and the tracking can not arrive at the center-most starting
position. With every ride of the tracking - the dirt is pushed away and
forms a sort of a "bumper" that stays on each side of the shaft.<br>
- remedy: clean the tracking shafts, axis and rods at their extreme
ends.<br>
<br>
8. The main motor is not keeping the right speed.<br>
- it will look like the laser can't read, but it is simply the wrong
rotation speed. May be caused by CD slipping on the spindle, or motor
defect, or something blocking the CD like audible friction against the
surface of the drawer. For instance - the spindle can
wear off its bottom bearing and the whole CD will be lower by 1/10th of
mm. The laser will loose focus and the top clamp will not press hard
enough. In any event - the spindle must be brought back up this 1/10th
of mm.<br>
- remedy - if the motor is just a normal Mabuchi for 5 bucks - replace
it. If it is a CDM or KSS Magnetic series with brushless motors - just
adjust the spindle height.<br>
<br>
9. There is a hair or something else inside laser focusing mechanism<br>
The laser can't freely move up and down. Since CD is strongly
electrostatic - it attracts hair, dust and animal furs. During
playback
- these can get caught under laser focusing suspension. <br>
- remedy - remove the obstacle.<br>
<br>
10. The CD does not spin.<br>
After closing the drawer nothing happens and defect is displayed. It
maybe just the result of not spinning at all. The CD behaviour must be
observed - so the top cover must be removed.<br>
<br>
<h2>CD laser diagnostics - a quick guide</h2>
<h3>Is CD laser really dead ?</h3>
Without specialized equipment we small mortals can diagnose the problem
pretty well and save tons of money on service.<br>
Or even new laser purchase. Or even a new player.<br>
<br>
1. Open the player's hood<br>
<br>
2. Put the original factory made CD with clean surface and press drawer
CLOSE button.<br>
<br>
3. Does the drawer close fully?<br>
<br>
4. If 3 is yes, then does the CD spin at all?<br>
<br>
5. If 4 is yes, does it spin for 2-3 seconds or for over 10 seconds?
Does it spin VERY FAST like crazy or with somewhat controlled speed ?<br>
<br>
6. If the 5 answer is - controlled speed and 2-3 seconds - the laser is
alive and it can detect the beam reflection from silver surface.<br>
<br>
Tips: if the laser is dead, the CD will not spin at all. The CD motor
has a
signal to start spinning only after the laser heads reports: "<span
style="font-style: italic;">reflective surface detected on the height
where CD is expected to be </span>". However, as someone rightly
pointed out, some servo mechanisms will try spinning without checking
if CD is in place or not. Apparently, they made assumption that a small
motor spin in vain will not hurt.<br>
<br>
7. Does the display show after 3 s of spinning the correct number of
tracks and time ?<br>
If the CD was spinning but can not show time - it means it could
not read the TOC - famous Table Of Contents. So the laser head was
seeing the disc surface but could not read the first line of data. This
first line is at the very center of CD disc, so the tracking of the
laser
assembly must be on position "center most". The inner-most position. So
if we have a tracking problem - we cant move to the very center and TOC
cant be read.<br>
<br>
8. If the TOC is displayed correctly but the PLAY does not happen - it
means that:<br>
- laser is OK<br>
- TRACKING does not move the laser from first "groove" of the disc to
another. Then go down to tracking problem chapter.<br>
<br>
9. The CD starts to play, but skips<br>
- observe if it skips forward or backward. If there is a mechanical
problem - the advance of tracking is blocked - the skipping will happen
backward. If the tracking controller is too enthusiastic - it will skip
forward.<br>
Adjust the physical levelling of the CD player, and adjust the tracking
gain
(see below).<br>
<br>
10. The CD plays well the factory CD's but fails on the CD-R's<br>
The laser focus on CD-R is different than in factory CD.
The pit reflection is also different on these two CD media<br>
The amount of plastic film that protects the metallic layer in the CD
and CD-R is very different.<br>
Generally, it is always easier to read the CD than the CD-R, no matter
how good is the blank media and how slowly it has been recorded. Not to
mention the no name CD-R
recorded at 24x.<br>
So if the normal CD plays well and the CD-R plays faulty (distorts,
skips a lot, reads slowly or not at all) there is probably a problem on
the horizon. The system is already too weak for CD-R but still somehow
manages on regular CD's. <br>
This common problem can be a result of any other problem listed above
- dirty laser, bad adjustment, worn out spindle, slipping disc,
slipping belt, anything really. INCLUDING of course - a dying laser.
All slowly
building-up problems show on CD-R's first, months before CD's will show
same problem.<br>
<br>
Problems 9 and 10 usually get worse as the laser is further away from
the center - meaning - on higher number of the tracks. If it starts
skipping on track 4, it will probably very badly skip on track 10th and
never ever reach track 12th. <br>
<br>
11. Lasers which die on players bought 2 weeks ago from E-Bay<br>
If the otherwise excellent, pretty and valuable mint player starts
having laser problems at the original owner, it will inevitably end up
in the hands of the
laser guru, who will turn up the power of laser emission. It may help
the laser to read better TEMPORARILY.<br>
Then the guru gives the player back to the owner and says: <span
style="font-style: italic;">" well, I managed to help you, the bill is
200 Euro, but take my good expert advice and start looking for a new
player. This one will not last long. Sell it quickly, while it
still works okay.<br>
Then the owner goes home, and he freaks out. Gee, if the adjustment
costed me 200 Eu, how much is gonna be next time around, when the big
un
strikes ? So he puts it on ebay with a story attached about the uncle
who passed away and while the nephew was cleaning up his house this cd
player was
found. </span>(Funny that these houses always get cleaned by the
nephews not sons or wifes) <span style="font-style: italic;">It was
always well taken care of because the uncle was a music
lover. He only listened to it occasionally - one opera CD every sunday
after a
mess. It is sold as it is, without warranty, because the young
nephew is too busy to check it. "<br>
</span>That is how mint collectors players end up in the hands of happy
new owners only to die 2 weeks later. <br>
If that story is familiar to you - the laser is REALLY DEAD. A
dying laser with cranked up emission will die very fast.<br>
<br>
<br>
<h3><a name="Example_of_Sony_KSS151A_laser_deep"></a>Example of Sony
KSS151A laser deep cleaning procedure</h3>
<br>
<img alt="laser cleaning" src="IMG_6163.jpg"
style="width: 1248px; height: 1107px;"><br>
<br>
<br>
The laser protection cover must be first removed (Example of Sony
KSS151A, similar to all other Sonys.)<br>
<br>
<br>
<br>
<br>
<br>
<br>
<img alt="laser cleaning" src="IMG_6164.jpg"
style="width: 904px; height: 669px;"><br>
<br>
<br>
<img alt="laser cleaning" src="IMG_6165.jpg"
style="width: 1242px; height: 964px;"><br>
<br>
The upper lens can be gently lifted up by 1 cm or so.. Be GENTLE. <br>
<br>
<br>
<br>
<br>
<h3>laser cleaning</h3>
<br>
<img alt="laser cleaning kss151A" src="IMG_6166.jpg"
style="width: 1111px; height: 634px;"><br>
<br>
<br>
My Q-tip cleans the lower lens. But please use NEW q-tips, without ear
wax on them.<br>
<br>
<br>
<br>
<h3>Cleaning CDM1MkII, CDM2, CDM4 fro Philips</h3>
<img alt="" src="IMG_6528.jpg" style="width: 1200px; height: 800px;"><br>
<br>
The upper lens can be safely removed by unscrewing the screw that holds
it.<br>
Underneath we find second lens - this one non-removable. We can clean
it.<br>
<br>
<br>
<br>
<img alt="" src="IMG_6527.jpg" style="width: 1200px; height: 800px;"><br>
<br>
<br>
<br>
<br>
<img alt="" src="IMG_6529.jpg" style="width: 1189px; height: 793px;"><br>
<br>
<br>
We can also gain access to clean underside of the upper lens.<br>
<br>
<br>
<h2>True indication of a dead laser circuit (not necessarily the laser
itself)</h2>
<br>
If you observe the whole CD starting procedure with player's hood
removed
- and after
properly loading the CD in the position - the CD does not spin at all -
there is high probability the laser is dead. <br>
Turn off the light and repeat the drawer closing process WITHOUT any
CD. Look at laser: does it emit red beam - does a VERY tiny dot inside
the
player lens blink? It is activated only during the first 2-3 s
after drawer closes, and always during the lens focus movement up and
down. <br>
(of course do not look too closely or straight - just a glimpse from
the angle is enough)<br>
If there is no red dot - no laser emission. But maybe it is the circuit
?<br>
<br>
Another thing to check - providing the red dot is present - does the
lens move
up up and down repeatedly 2-3-4 times? It is a process where the laser
tries to catch focus on the reflection from CD. If the red dot is there
but no focus movement - the focus circuit is dead. Still - no need to
replace laser. Check it with no CD - just open and close the
drawer to initiate the focus movement procedure. <br>
<br>
If the laser moves focus lens up and down and it finds reflection - the
motor of the main spindle will get the instruction to turn clockwise.<br>
<br>
If the laser beam works - chances are high - the player can be repaired
to
serve you again.<br>
<br>
<br>
<h2>Electrical circuits of the CD reading process:</h2>
<br>
<br>
There are four circuits that are responsible for the whole process.
Each one has adjustments and it has own dedicated power control chip.
The power control chips often fail in Sony machines. They can be
specialized chips, opamps or transistor pairs.<br>
The power control chips in turn are managed and controlled by
servo processor which
gives all commands and checks if all is OK , it is called the logic. It
also decides about
problem management: should I keep trying, and when to give up. <br>
<br>
Circuit No. 1. Laser focus - controls electromagnetic motor suspending
the laser lens on the right height. <br>
<br>
Circuit No. 2: Laser power - controls the emission.<br>
<br>
No. 3 is tracking gain - which controls where the rails should be
relative to the CD tracks.<br>
To check the circuit - open the player, without any disc - move gently
with your finger
the laser assembly to off-center position while player's power is
OFF.<br>
Turn the power ON and see if the tracking will bring the laser assembly
to the
center-most position. If not - the tracking is fucked up.<br>
<br>
No. 4 is the reading circuit - the laser beam is being read by the
photo diodes and the data stream is being formed.<br>
<br>
Needless to say - there is also the motor speed control circuit.<br>
<br>
On the more highend machines like KSS151A, KSS152, KSS190, BU1, and
other large and heavy HAAL motor magnetic rails - the power to
move the
mechanism (tracking) is relatively very very high. Much higher than on
the mechanisms like modern DVDs, PC readers and play stations where the
tracking is done by a motor with snail gearbox. The circuits that
send huge
current to the electromagnets are very big, their transistors and chips
get hot, easily fail, and also burn out solder under their own solder
joints. <br>
These machines were gorgeous when new, but after 20 years may fail. <br>
<br>
<br>
<h2>CD laser transplants</h2>
<br>
Well, I am not a big fan of laser transplants. Unless you have
IDENTICAL laser - it may be difficult. This is doable for very advanced
technicians. I am not experienced in this department.<br>
<br>
CDM0 and CDM1 are probably possible to cross transplant. A donor in
good shape is hard to find though.<br>
These two are probably the best lasers and best mechanisms ever made.
Especially their lasers which belong in military rocket science - real
multi lens glass type ones.<br>
<br>
The CDM1 MK2 is in fact not a newer MK1 but it is a CDM4 in pro
version. (meaning - with metal cast sub chassis) The transplants from
CDM4 to CDM1mk2 are supposedly successful
and worth the hassle.<br>
Donations the other way around would be stupid. <br>
The CDM4 is very popular and easy to find, but there is - I counted -
over 5 variants that do not cross breed easily.<br>
The most popular ones are CDM4/11, CDM4/19, CDM4/21, CDM4/25 and
CDM4/44 if memory serves me.<br>
CDM2 is a bad mechanism that fails a lot and is probably compatible
with CDM1 MK2 and some CDM4
's but don't take my word for it.<br>
<br>
CDM9 is alone, no twin brothers, sorry, but it almost never
fails. I love it.<br>
CDM12,x and VAL12,xx and VAM12,xx are available on the market as new
for 20 Euros or so, so don't bother to seek laser donors. <br>
CD PRO from Philips is so rare that I have no first hand experience. It
probably is as good as it gets.<br>
Sony cheap ones like KSS213, Kss 240 and so on - exist in plenitude on
after market.<br>
<br>
WARNING: a man of knowledge told me that there are NO GENUINE spare NOS
lasers or mechanisms on the market today - all of them are either
factory rejects or copies. It does not mean they are bad - not at all,
but they nevertheless are NOT GENUINE. This applies to both Sony and
Philips units. Chinese factories make tons of lookalikes.<br>
<br>
<h4>Links to sites about CD lasers and mechanisms:</h4>
<br>
When looking for a laser transplant - the first place to visit is
Vassili list of players to see the possibilities of donorship.<br>
<br>
<a style="font-weight: bold;" class="moz-txt-link-freetext"
href="http://www.vasiltech.nm.ru/files/cd-players/CD-Player-DAC-Transport.htm">http://www.vasiltech.nm.ru/files/cd-players/CD-Player-DAC-Transport.htm</a>
- list of DAC and transport<br>
<br>
There is also this cool laser list - incomplete but at the same time -
very detailed for some manufacturers:<br>
<a
href="../../LINKS%20AND%20DOWNLOADS/DATAMINING/laser%20list%20from%20Japan.html"><br>
LASER LIST FROM JAPAN</a><br>
<br>
There is also a must read web site from Netherlands at the Vintage
knob service.<br>
<br>
<br>
interesting read about CD history:<br>
<a href="http://news.bbc.co.uk/2/hi/technology/6950933.stm">http://news.bbc.co.uk/2/hi/technology/6950933.stm</a><br>
<br>
About the RED BOOK<a
href="http://www.nationmaster.com/encyclopedia/Red-Book-%28audio-CD-standard%29"><br>
http://www.nationmaster.com/encyclopedia/Red-Book-(audio-CD-standard)</a><br>
<br>
WIKI<a href="http://en.wikipedia.org/wiki/Compact_Disc"><br>
http://en.wikipedia.org/wiki/Compact_Disc</a><br>
<br>
<a href="http://www.answers.com/topic/compact-disc-player">http://www.answers.com/topic/compact-disc-player</a><br>
<h2>Adjusting the CD mechanism adjustment pots</h2>
<br>
Oooouuugh this is a tough subject.<br>
If I advice you to turn these pots, I will end up being forced to
answer 10 000 emails begging for help.<br>
My advice is NOT TO turn the famous pots which adjust the laser, focus,
tracking etc. But you will do it anyway, I can't help it.<br>
All I can say, that after fixing 100 player lasers - I know how to do
it and THAT'S WHY I know I should beg you not to try it at home.<br>
<br>
However, if you have a dead player, and you read all the above article,
and you think you have nothing to loose - try turning the pots.<br>
FIRST MARK THEM WITH MARKER PEN TO BE ABLE TO RETURN PRECISELY TO THE
STARTING POSITION. Your wife's nail lacquer is a good alternative but
leave it to dry.<br>
<br>
After marking, read the descriptors on the PCB silk-screen:<br>
Philips uses 2 pots - one for focus one for tracking. <br>
Without manual you can identify them because when you observe the laser
lens while turning the focus pot - the lens will also move up and down.<br>
The Philips pots are adjustable with hex allen key<br>
Philips machines like CDM are usually easier to adjust than Sony breed
- with their 4, 5 or even 6 pots. But in Philips machines these pots
are usually hidden below the transport. That's too bad. Sony allows us
to turn easily while playing.<br>
<br>
Sony Machines have descriptors marking the pots: FG (focus gain)
FB (focus bias or balance) TG - tracking gain and TB - Tracking balance.<br>
There is also absolute power adjustment and one more which I cant
remember.<br>
If you don't mark the starting positions with pen - finding the G spot
again will be as possible as winning the lotto. Don't even try it.<br>
<br>
Only turn the pot responsible for your problem: focus for focus,
tracking for tracking etc.<br>
<br>
In 90 % of cases the pots are OK in the center position. If the pot
must go (or it is already) in extreme position - it is an indicator of
big trouble.<br>
<br>
<br>
<img alt="pots" src="../../REFERENCES/sony%20227esd/IMG_2259.jpg"
style="width: 1000px; height: 667px;"><br>
note the blue pots are for focus, white for tracking, and the copper
radiator is for power control chip. The micro CXA1081 provides the
servo logic. Actual photo from Sony 227ESD player which has magnetic
rails tracking and KSS151A laser.<br>
<br>
<br>
<br>
<h4>WARNING: Each time you move any pot - the drawer must open and
close to reset the setting memory of the servo.</h4>
So any change of pot must be followed by the drawer opening cycle.<br>
<br>
There is also a technique of finding the pot position by ear - mis-
adjusted mechanism make noises like constant focus-finding noise or
tracking skip noise. You can HEAR the laser being unhappy. If all is OK
- the laser system should be silent and quiet at playback. Listen
carefully to the laser while turning the pot.<br>
<br>
Having said all that - avoid opening the Pandora's box of pot turning
process
at any cost.<br>
If you are so stupid to ignore my warnings - it is THEN when you will
really fry the laser and you can really report it dead. Dead DEAD.<br>
<br>
<br>
<br>
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//--></script>
</body>
</html>
|
Laserology
# Laserology
[](http://www.licz.pl)
## Some thoughts about laser failures that never happened.
## And about those that did.

#### Hey, do you know where I can buy a new
laser for my CD? It just died.
I heard it so many times that I decided to write about lasers, their
problems and easy fixes.
I looked inside over 100 CD players which DID NOT READ the CD anymore
and only one (in decimal and binary mode it is 1) had failed laser. And
that one was dead because of my stupidity. But it (my stupidity) is not
the subject of this article.
Other peoples stupidity is.
Anyway, what happens is that there is probably 20 different reasons why
the CD player does not read the disc, and people have such strong
prejudice that they all call these failures DEFECT LASER.
This is CRIMINAL because lasers are not produced anymore, and the
scarce resources left, the holy reserves - are brutally cannibalized by
people who know no better and simply buy the new units.
## The top ten reasons why CD's are not read - according to "my vast
experience" in that matter - are:
1. There is a CD disk inside the player as resulting from moving to a
different house with the disc left in the drawer. Disc falls out into
the guts of the CD player and blocks the mechanism. When the owner puts
second disk afterwards - the player rightly displays ERROR.
- remedy: the first cure that springs to my mind is - open the CD and
remove the stuck CD.
2. The 20 year old belt that powers the drawer starts slipping or
breaks. After
closing the drawer - CD is not properly positioned on the spindle.
- remedy: replace the belt
3. The CD player was being used in a dusty environment and the
dust or cigarette tar settled on the laser optics. Dust causes beam
dispersion. Laser
looses focus.
- remedy: open the player and clean the laser surface with a Qtip.
First- with wet tip dipped in the window cleaning liquid, then - dry
one.
If this is not enough - clean the laser INSIDE the reading head. This
is for advanced people. Better to give this job to a watch repair man. [See below - some pics](#Example_of_Sony_KSS151A_laser_deep).
4. The power supply of the laser circuit is defective: either too low
voltage,
or noisy, or starts oscillating from poor filtering or regulation. The
cause may be dried out
electrolytes.
- remedy: replace all electrolytes in the digital part of PCB, or
better - all of them.
5. There is a cold joint in the laser circuit.
- truth is that the solder joints do corrode and do fail. Our best
players are 20 years old and this shows. A joint which is hot, like a
leg of a regulator, or a point where the raw supply is rectified, or a
laser power controller - from the heat they develop accelerated
deterioration - mixture of oxidation, flux burning, and tin
evaporation.
- remedy - look at all solder joints, especially around laser cable
connectors, around all regulators, around places that look toasted,
brownish or cooked - and re-solder these points adding a bit of fresh
solder with fresh flux.
6. Moving cables - or ribbons - do get broken after a million bends.
Check for continuity in flexing ribbons leading to the laser, the
drawer, the motor or the tracking mechanics.
7. The tracking mechanism accumulates dirt, hairs or dust on the greasy
part and the tracking can not arrive at the center-most starting
position. With every ride of the tracking - the dirt is pushed away and
forms a sort of a "bumper" that stays on each side of the shaft.
- remedy: clean the tracking shafts, axis and rods at their extreme
ends.
8. The main motor is not keeping the right speed.
- it will look like the laser can't read, but it is simply the wrong
rotation speed. May be caused by CD slipping on the spindle, or motor
defect, or something blocking the CD like audible friction against the
surface of the drawer. For instance - the spindle can
wear off its bottom bearing and the whole CD will be lower by 1/10th of
mm. The laser will loose focus and the top clamp will not press hard
enough. In any event - the spindle must be brought back up this 1/10th
of mm.
- remedy - if the motor is just a normal Mabuchi for 5 bucks - replace
it. If it is a CDM or KSS Magnetic series with brushless motors - just
adjust the spindle height.
9. There is a hair or something else inside laser focusing mechanism
The laser can't freely move up and down. Since CD is strongly
electrostatic - it attracts hair, dust and animal furs. During
playback
- these can get caught under laser focusing suspension.
- remedy - remove the obstacle.
10. The CD does not spin.
After closing the drawer nothing happens and defect is displayed. It
maybe just the result of not spinning at all. The CD behaviour must be
observed - so the top cover must be removed.
## CD laser diagnostics - a quick guide
### Is CD laser really dead ?
Without specialized equipment we small mortals can diagnose the problem
pretty well and save tons of money on service.
Or even new laser purchase. Or even a new player.
1. Open the player's hood
2. Put the original factory made CD with clean surface and press drawer
CLOSE button.
3. Does the drawer close fully?
4. If 3 is yes, then does the CD spin at all?
5. If 4 is yes, does it spin for 2-3 seconds or for over 10 seconds?
Does it spin VERY FAST like crazy or with somewhat controlled speed ?
6. If the 5 answer is - controlled speed and 2-3 seconds - the laser is
alive and it can detect the beam reflection from silver surface.
Tips: if the laser is dead, the CD will not spin at all. The CD motor
has a
signal to start spinning only after the laser heads reports: "reflective surface detected on the height
where CD is expected to be ". However, as someone rightly
pointed out, some servo mechanisms will try spinning without checking
if CD is in place or not. Apparently, they made assumption that a small
motor spin in vain will not hurt.
7. Does the display show after 3 s of spinning the correct number of
tracks and time ?
If the CD was spinning but can not show time - it means it could
not read the TOC - famous Table Of Contents. So the laser head was
seeing the disc surface but could not read the first line of data. This
first line is at the very center of CD disc, so the tracking of the
laser
assembly must be on position "center most". The inner-most position. So
if we have a tracking problem - we cant move to the very center and TOC
cant be read.
8. If the TOC is displayed correctly but the PLAY does not happen - it
means that:
- laser is OK
- TRACKING does not move the laser from first "groove" of the disc to
another. Then go down to tracking problem chapter.
9. The CD starts to play, but skips
- observe if it skips forward or backward. If there is a mechanical
problem - the advance of tracking is blocked - the skipping will happen
backward. If the tracking controller is too enthusiastic - it will skip
forward.
Adjust the physical levelling of the CD player, and adjust the tracking
gain
(see below).
10. The CD plays well the factory CD's but fails on the CD-R's
The laser focus on CD-R is different than in factory CD.
The pit reflection is also different on these two CD media
The amount of plastic film that protects the metallic layer in the CD
and CD-R is very different.
Generally, it is always easier to read the CD than the CD-R, no matter
how good is the blank media and how slowly it has been recorded. Not to
mention the no name CD-R
recorded at 24x.
So if the normal CD plays well and the CD-R plays faulty (distorts,
skips a lot, reads slowly or not at all) there is probably a problem on
the horizon. The system is already too weak for CD-R but still somehow
manages on regular CD's.
This common problem can be a result of any other problem listed above
- dirty laser, bad adjustment, worn out spindle, slipping disc,
slipping belt, anything really. INCLUDING of course - a dying laser.
All slowly
building-up problems show on CD-R's first, months before CD's will show
same problem.
Problems 9 and 10 usually get worse as the laser is further away from
the center - meaning - on higher number of the tracks. If it starts
skipping on track 4, it will probably very badly skip on track 10th and
never ever reach track 12th.
11. Lasers which die on players bought 2 weeks ago from E-Bay
If the otherwise excellent, pretty and valuable mint player starts
having laser problems at the original owner, it will inevitably end up
in the hands of the
laser guru, who will turn up the power of laser emission. It may help
the laser to read better TEMPORARILY.
Then the guru gives the player back to the owner and says: " well, I managed to help you, the bill is
200 Euro, but take my good expert advice and start looking for a new
player. This one will not last long. Sell it quickly, while it
still works okay.
Then the owner goes home, and he freaks out. Gee, if the adjustment
costed me 200 Eu, how much is gonna be next time around, when the big
un
strikes ? So he puts it on ebay with a story attached about the uncle
who passed away and while the nephew was cleaning up his house this cd
player was
found. (Funny that these houses always get cleaned by the
nephews not sons or wifes) It was
always well taken care of because the uncle was a music
lover. He only listened to it occasionally - one opera CD every sunday
after a
mess. It is sold as it is, without warranty, because the young
nephew is too busy to check it. "
That is how mint collectors players end up in the hands of happy
new owners only to die 2 weeks later.
If that story is familiar to you - the laser is REALLY DEAD. A
dying laser with cranked up emission will die very fast.
### Example of Sony
KSS151A laser deep cleaning procedure

The laser protection cover must be first removed (Example of Sony
KSS151A, similar to all other Sonys.)


The upper lens can be gently lifted up by 1 cm or so.. Be GENTLE.
### laser cleaning

My Q-tip cleans the lower lens. But please use NEW q-tips, without ear
wax on them.
### Cleaning CDM1MkII, CDM2, CDM4 fro Philips

The upper lens can be safely removed by unscrewing the screw that holds
it.
Underneath we find second lens - this one non-removable. We can clean
it.


We can also gain access to clean underside of the upper lens.
## True indication of a dead laser circuit (not necessarily the laser
itself)
If you observe the whole CD starting procedure with player's hood
removed
- and after
properly loading the CD in the position - the CD does not spin at all -
there is high probability the laser is dead.
Turn off the light and repeat the drawer closing process WITHOUT any
CD. Look at laser: does it emit red beam - does a VERY tiny dot inside
the
player lens blink? It is activated only during the first 2-3 s
after drawer closes, and always during the lens focus movement up and
down.
(of course do not look too closely or straight - just a glimpse from
the angle is enough)
If there is no red dot - no laser emission. But maybe it is the circuit
?
Another thing to check - providing the red dot is present - does the
lens move
up up and down repeatedly 2-3-4 times? It is a process where the laser
tries to catch focus on the reflection from CD. If the red dot is there
but no focus movement - the focus circuit is dead. Still - no need to
replace laser. Check it with no CD - just open and close the
drawer to initiate the focus movement procedure.
If the laser moves focus lens up and down and it finds reflection - the
motor of the main spindle will get the instruction to turn clockwise.
If the laser beam works - chances are high - the player can be repaired
to
serve you again.
## Electrical circuits of the CD reading process:
There are four circuits that are responsible for the whole process.
Each one has adjustments and it has own dedicated power control chip.
The power control chips often fail in Sony machines. They can be
specialized chips, opamps or transistor pairs.
The power control chips in turn are managed and controlled by
servo processor which
gives all commands and checks if all is OK , it is called the logic. It
also decides about
problem management: should I keep trying, and when to give up.
Circuit No. 1. Laser focus - controls electromagnetic motor suspending
the laser lens on the right height.
Circuit No. 2: Laser power - controls the emission.
No. 3 is tracking gain - which controls where the rails should be
relative to the CD tracks.
To check the circuit - open the player, without any disc - move gently
with your finger
the laser assembly to off-center position while player's power is
OFF.
Turn the power ON and see if the tracking will bring the laser assembly
to the
center-most position. If not - the tracking is fucked up.
No. 4 is the reading circuit - the laser beam is being read by the
photo diodes and the data stream is being formed.
Needless to say - there is also the motor speed control circuit.
On the more highend machines like KSS151A, KSS152, KSS190, BU1, and
other large and heavy HAAL motor magnetic rails - the power to
move the
mechanism (tracking) is relatively very very high. Much higher than on
the mechanisms like modern DVDs, PC readers and play stations where the
tracking is done by a motor with snail gearbox. The circuits that
send huge
current to the electromagnets are very big, their transistors and chips
get hot, easily fail, and also burn out solder under their own solder
joints.
These machines were gorgeous when new, but after 20 years may fail.
## CD laser transplants
Well, I am not a big fan of laser transplants. Unless you have
IDENTICAL laser - it may be difficult. This is doable for very advanced
technicians. I am not experienced in this department.
CDM0 and CDM1 are probably possible to cross transplant. A donor in
good shape is hard to find though.
These two are probably the best lasers and best mechanisms ever made.
Especially their lasers which belong in military rocket science - real
multi lens glass type ones.
The CDM1 MK2 is in fact not a newer MK1 but it is a CDM4 in pro
version. (meaning - with metal cast sub chassis) The transplants from
CDM4 to CDM1mk2 are supposedly successful
and worth the hassle.
Donations the other way around would be stupid.
The CDM4 is very popular and easy to find, but there is - I counted -
over 5 variants that do not cross breed easily.
The most popular ones are CDM4/11, CDM4/19, CDM4/21, CDM4/25 and
CDM4/44 if memory serves me.
CDM2 is a bad mechanism that fails a lot and is probably compatible
with CDM1 MK2 and some CDM4
's but don't take my word for it.
CDM9 is alone, no twin brothers, sorry, but it almost never
fails. I love it.
CDM12,x and VAL12,xx and VAM12,xx are available on the market as new
for 20 Euros or so, so don't bother to seek laser donors.
CD PRO from Philips is so rare that I have no first hand experience. It
probably is as good as it gets.
Sony cheap ones like KSS213, Kss 240 and so on - exist in plenitude on
after market.
WARNING: a man of knowledge told me that there are NO GENUINE spare NOS
lasers or mechanisms on the market today - all of them are either
factory rejects or copies. It does not mean they are bad - not at all,
but they nevertheless are NOT GENUINE. This applies to both Sony and
Philips units. Chinese factories make tons of lookalikes.
#### Links to sites about CD lasers and mechanisms:
When looking for a laser transplant - the first place to visit is
Vassili list of players to see the possibilities of donorship.
<http://www.vasiltech.nm.ru/files/cd-players/CD-Player-DAC-Transport.htm>
- list of DAC and transport
There is also this cool laser list - incomplete but at the same time -
very detailed for some manufacturers:
[LASER LIST FROM JAPAN](../../LINKS%20AND%20DOWNLOADS/DATAMINING/laser%20list%20from%20Japan.html)
There is also a must read web site from Netherlands at the Vintage
knob service.
interesting read about CD history:
<http://news.bbc.co.uk/2/hi/technology/6950933.stm>
About the RED BOOK [http://www.nationmaster.com/encyclopedia/Red-Book-(audio-CD-standard)](http://www.nationmaster.com/encyclopedia/Red-Book-%28audio-CD-standard%29)
WIKI<http://en.wikipedia.org/wiki/Compact_Disc>
<http://www.answers.com/topic/compact-disc-player>
## Adjusting the CD mechanism adjustment pots
Oooouuugh this is a tough subject.
If I advice you to turn these pots, I will end up being forced to
answer 10 000 emails begging for help.
My advice is NOT TO turn the famous pots which adjust the laser, focus,
tracking etc. But you will do it anyway, I can't help it.
All I can say, that after fixing 100 player lasers - I know how to do
it and THAT'S WHY I know I should beg you not to try it at home.
However, if you have a dead player, and you read all the above article,
and you think you have nothing to loose - try turning the pots.
FIRST MARK THEM WITH MARKER PEN TO BE ABLE TO RETURN PRECISELY TO THE
STARTING POSITION. Your wife's nail lacquer is a good alternative but
leave it to dry.
After marking, read the descriptors on the PCB silk-screen:
Philips uses 2 pots - one for focus one for tracking.
Without manual you can identify them because when you observe the laser
lens while turning the focus pot - the lens will also move up and down.
The Philips pots are adjustable with hex allen key
Philips machines like CDM are usually easier to adjust than Sony breed
- with their 4, 5 or even 6 pots. But in Philips machines these pots
are usually hidden below the transport. That's too bad. Sony allows us
to turn easily while playing.
Sony Machines have descriptors marking the pots: FG (focus gain)
FB (focus bias or balance) TG - tracking gain and TB - Tracking balance.
There is also absolute power adjustment and one more which I cant
remember.
If you don't mark the starting positions with pen - finding the G spot
again will be as possible as winning the lotto. Don't even try it.
Only turn the pot responsible for your problem: focus for focus,
tracking for tracking etc.
In 90 % of cases the pots are OK in the center position. If the pot
must go (or it is already) in extreme position - it is an indicator of
big trouble.

note the blue pots are for focus, white for tracking, and the copper
radiator is for power control chip. The micro CXA1081 provides the
servo logic. Actual photo from Sony 227ESD player which has magnetic
rails tracking and KSS151A laser.
#### WARNING: Each time you move any pot - the drawer must open and
close to reset the setting memory of the servo.
So any change of pot must be followed by the drawer opening cycle.
There is also a technique of finding the pot position by ear - mis-
adjusted mechanism make noises like constant focus-finding noise or
tracking skip noise. You can HEAR the laser being unhappy. If all is OK
- the laser system should be silent and quiet at playback. Listen
carefully to the laser while turning the pot.
Having said all that - avoid opening the Pandora's box of pot turning
process
at any cost.
If you are so stupid to ignore my warnings - it is THEN when you will
really fry the laser and you can really report it dead. Dead DEAD.
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<!--<BODY TEXT="#014C10" BACKGROUND="kfg/gifs/bglogo.jpg" BGCOLOR="#FFFFFF" LINK="#000AFF" ALINK="#FC2403" VLINK="#990878">Karyn Frances Gray is a watercolor artist and illustrator living in Cape Cod, who began her successful career painting flowers, fruits and vegetables. Though plant life remains the staple of her art, she has taken her illustrations in new and creative directions.-->
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<td> <font size="+1"><b>Karyn Frances Gray was an artist and illustrator, who began her successful career painting watercolor flowers, fruits and vegetables. When Karyn took up oil painting, she managed to achieve the same level of detail and artistry reflected in her earlier works.
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In May 1997, after several years in the San Francisco Bay Area, Karyn returned to Massachusetts and opened the Damselfly Studio & Gallery on Cape Cod. Though she has since closed her gallery, her earlier work lives on here in a virtual gallery.</td>
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| **Karyn Frances Gray was an artist and illustrator, who began her successful career painting watercolor flowers, fruits and vegetables. When Karyn took up oil painting, she managed to achieve the same level of detail and artistry reflected in her earlier works.
In May 1997, after several years in the San Francisco Bay Area, Karyn returned to Massachusetts and opened the Damselfly Studio & Gallery on Cape Cod. Though she has since closed her gallery, her earlier work lives on here in a virtual gallery.** |
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<p align="center"><b><font size="4">Simple All-Grain Brewing (<a href="http://www.youtube.com/watch?v=JMHLqnWCNjE&fmt=18">video</a>
version of this guide)</font></b></p>
<p align="center"><font size="2">(The Extract Brewing Guide is
<a href="http://www.donosborn.com/homebrew/extract_guide.html">here</a>.)</font></p>
<p align="center">
<img src="http://www.donosborn.com/homebrew/steamin_wife_homegrown-med.jpg"></p>
<p align="center">
<a href="http://www.donosborn.com/homebrew/Beer_Log2008.htm#homegrown_steamin_wife">
Steamin' Wife Lager 2008</a></p>
<p>I thought all-grain brewing would be difficult and the equipment too
expensive. It doesn't have to be. One person who helped me believe I
could do it is <a href="http://hbd.org/cascade/dennybrew/">Denny Conn.</a> </p>
<p style="margin-top: 0; margin-bottom: 0">You will need a few additional pieces
of equipment beyond the typical, stove-top, extract brewing setup.</p>
<p style="margin-top: 0; margin-bottom: 0"> </p>
<p style="margin-top: 0; margin-bottom: 0">Note: some of these prices are
from 2005, so they could be different today.</p>
<p style="margin-top: 0; margin-bottom: 0"> </p>
<p style="margin-top: 0; margin-bottom: 0" class="style1">1. Turkey fryer and
pot. ~ $40 (Don't let anyone scare you. Aluminum
kettles are fine).</p>
<p style="margin-top: 0; margin-bottom: 0" class="style1"> </p>
<p style="margin-top: 0; margin-bottom: 0"><span class="style1">2. Immersion wort
chiller. ~ $35
</span>
<font size="2"> </font><a href="http://www.donosborn.com/homebrew/wort_chiller2010.htm"><span class="style1">How
I made</span></a><font size="2"><span class="style1"> my new one (2010). <a href="chiller_build.htm">Here</a> is my friend making
his. <a href="wort_chiller.htm">My old one</a> (2005). </span> </font></p>
<p style="margin-top: 0; margin-bottom: 0" class="style1"> </p>
<p style="margin-top: 0; margin-bottom: 0"><span class="style1">3. Mash tun. ~ $25
</span><a href="http://www.donosborn.com/homebrew/mashtun.htm">
<span class="style1">How I
made mine</span></a><span class="style1">.</span></p>
<p style="margin-top: 0; margin-bottom: 0" class="style1"> </p>
<p style="margin-top: 0; margin-bottom: 0" class="style1">4. Propane
tank. ~ $35 (If you have a gas grill, you can use that one.
But I like having a separate one for brewing. That way I don't have to
switch, and I have a backup in case one runs out).</p>
<p style="margin-top: 0; margin-bottom: 0"> </p>
<p style="margin-top: 0; margin-bottom: 0">So if you use your existing propane
tank, you can get into all-grain brewing for ~ $100. A batch of
all-grain beer costs $15-$20 (or less) to make, instead of $25-$30 for extract, so you'll
get that money back after ~10 batches. [those prices have gone up since
2005...]</p>
<p style="margin-top: 0; margin-bottom: 0"> </p>
<p style="margin-top: 0; margin-bottom: 0"> </p>
<p style="margin-top: 0; margin-bottom: 0"><u><font size="5"><b>A</b></font></u><b><u><font size="5"> simple all-grain brew day:</font></u></b></p>
<p style="margin-top: 0; margin-bottom: 0"> </p>
<p><img src="http://www.donosborn.com/homebrew/all_grain_01-pots.jpg" width="424" height="333"></p>
<p>1. Heat your strike water. Most people probably user their turkey
fryer/burner to do this in their brew kettle. I like to save propane and
heat the water on my stove.</p>
<p> </p>
<p><img src="http://www.donosborn.com/homebrew/all_grain_02-strike_water.jpg" width="410" height="307"></p>
<p>2. A trick I learned after doing a few batches is to PRE HEAT the mash
tun. That is, if your strike temperature (the temperate at which you are
going to add your grains) is 162, heat the water to say 175 and dump it
in. Your mash tun will absorb some of the heat immediately. Close
the lid and let the plastic heat up.</p>
<p> </p>
<p><img src="http://www.donosborn.com/homebrew/all_grain_04-crushed_grain.jpg" width="460" height="385"></p>
<p><i>Milled grain waiting to be mashed. For a couple close-ups of
properly milled grain click <a href="finely_crushed_grain1.jpg">here</a> and
<a href="finely_crushed_grain2.jpg">here</a>.</i></p>
<p> </p>
<p>
<img height="384" src="http://www.donosborn.com/homebrew/first_all-grain02-grain.jpg" width="512"></p>
<p>3. Once your strike water is the right temp pour in the crushed grain
and mix well. Take a temperature reading. If you are too hot, add a
few ice cubes and stir. Hopefully you will not be too low because that
will require adding boiling water which can be kind of a pain. I sometimes
add the grain a degree or two above my strike temp to avoid having to add
boiling water. It is pretty easy to add ice cubes.</p>
<p>Here is a <a href="Strike_Water_sheet_template.xls">nice
calculator</a> for finding the temperatures and amounts you'll
need. </p>
<p> </p>
<p><img src="http://www.donosborn.com/homebrew/all_grain_10-one_fifty-two.jpg" width="240" height="213"></p>
<p>4. I was aiming for 152 and I hit it. It doesn't matter too much
if you are a degree or two off one way or another.</p>
<p> </p>
<p><img src="http://www.donosborn.com/homebrew/all_grain_07-blankets.jpg" width="301" height="297"></p>
<p>5. When the mash is thoroughly mixed and at the right temp, I close the
lid and put blankets over my cooler to
keep in as much heat as possible. I let it sit at least 60 minutes.</p>
<p> </p>
<p><img src="http://www.donosborn.com/homebrew/all_grain_11-mash_out_sparge_water.jpg" width="307" height="230"></p>
<p>6. While my main mash was taking place, I heated up my mash-out and sparge water on the stove. Once again, you could do this in your
brew kettle on your turkey fryer.</p>
<p> </p>
<p><img src="http://www.donosborn.com/homebrew/all_grain_13_mash_out.jpg" width="512" height="384"></p>
<p>7. I added the required amount of boiling water to attempt to get the
temperature up to 168, a standard <a href="http://www.howtobrew.com/section3/chapter17.html">mash
out</a> temperature. I closed the mash tun and held for 10 minutes.</p>
<p> </p>
<p><img src="http://www.donosborn.com/homebrew/all_grain_14_vorlauf.jpg" width="307" height="410"></p>
<p>8. Here is a vorlauf. I run a few quarts of wort into a pitcher.
The first wort to come out contains a few grain particles that get through the
screen. The grain bed is settling and once it does, the wort begins to run
clear. At that point...</p>
<p> </p>
<p><img src="http://www.donosborn.com/homebrew/all_grain_15_first_runnings.jpg" width="410" height="307"></p>
<p>9. ...I collect the wort in my brew kettle.</p>
<p> </p>
<p><img src="http://www.donosborn.com/homebrew/all_grain_16_yummy_wort.jpg" width="410" height="307"></p>
<p><i>The result of your hard work doing the mash - sweet wort collects in your
brew kettle.</i></p>
<p> </p>
<p><img src="http://www.donosborn.com/homebrew/all_grain_17_sparge.jpg" width="410" height="307"></p>
<p>10. After you collect your first runnings, it is time to sparge.
I simply <a href="http://hbd.org/cascade/dennybrew/">batch
sparge</a>. This means I dump in all the sparge water at once, stir,
let sit for another 10 minutes, and collect the 2nd runnings. </p>
<p>To know how much water you will need to add for your sparge, you need to know
how much you collected with your first runnings. Let's say you are aiming
for 6.5 gallons into the brewpot (assuming a 1 to 1.5 gallon evaporation loss
during the boil). If your first runnings yielded 3.5 gallons, you
will want to add 3 gallons of sparge water. After a couple batches you
will learn how your system works.</p>
<p> </p>
<p><img src="http://www.donosborn.com/homebrew/all_grain_18_one_sixty_eight.jpg" width="243" height="217"></p>
<p>11. For the batch sparge, it usually works out that I add 3 to 3.5
gallons of ~180-190 degree water and stir well. I will sometimes let it
sit 10 minutes after I get to the temp of 168, and sometimes I won't. </p>
<p> </p>
<p><img src="http://www.donosborn.com/homebrew/all_grain_20_vorlauf_two.jpg" width="230" height="307"></p>
<p>12. Don't forget to vorlauf before collecting the 2nd runnings.</p>
<p> </p>
<p><img src="http://www.donosborn.com/homebrew/all_grain_21_second_runnings.jpg" width="410" height="307"></p>
<p>13. Collect the 2nd runnings into your brewpot.</p>
<p> </p>
<p><img src="http://www.donosborn.com/homebrew/all_grain_22_boil_kettle.jpg" width="307" height="410"></p>
<p>14. Time to get it to your burner. Have fun carrying 6.5 gallons
of 168 degree liquid. :) Above I'm bringing the wort to a boil.</p>
<p> </p>
<p><img src="http://www.donosborn.com/homebrew/all_grain_23_wort_chiller.jpg" width="410" height="307"></p>
<p>15. I did not take pictures of adding hops or other ingredients.
You do this as normal. Above you can see I have placed my immersion
chiller in the brew kettle. Do this for the last 15 minutes of the boil
to sanitize it.</p>
<p> </p>
<p><img src="http://www.donosborn.com/homebrew/all_grain_24_clean_mash_tun.jpg" width="410" height="307"></p>
<p>16. I try to get my spent grains onto my compost pile and clean out my
mash tun while the wort is boiling. This saves some time at the end.
I just make sure all the grain is out and wipe down with hot water and a sponge.
I'll run some clean water through the tube as well.</p>
<p> </p>
<p><img src="http://www.donosborn.com/homebrew/all_grain_25_chilling_wort.jpg" width="432" height="310"></p>
<p>17. When the boil is over it is time to cool down the wort. You
will figure out what works best for you. Some guys use garden hoses on
their chillers.
I like to put some cold water in my laundry tub sink, and then put my brew
kettle in it. I also like to collect the hot water coming out of the wort
chiller in my washing machine so it can be used for a load of laundry. I typically
get my temperature down to 80 after 15 minutes.</p>
<p> </p>
<p><img src="http://www.donosborn.com/homebrew/all_grain_26_ice_siphon.jpg" width="195" height="371"></p>
<p>18. Because I was brewing a lager I wanted my temperature to be lower
than 80. Above you see a new trick I learned. I make some ice ahead
of time, and get a bucket of ice water ready. Then I siphon that very cold
water through the wort chiller and collect it in another bucket. You can
keep recycling it. In another 10 minutes or so, I can get my temperature
down to 60. That is a decent temp for pitching lager yeast. This is
also a nice trick if you are in warmer climates.</p>
<p>*Your wort will cool much faster if you gently <i>stir it with a sanitized
spoon</i>. You want to move the hot wort over the cool copper
tubing. If you don't do this, the wort around the tubing will cool, but
the wort away from the tubing will not cool as quickly.*</p>
<p> </p>
<p><img src="http://www.donosborn.com/homebrew/all_grain_27_in_carboy.jpg" width="307" height="410"></p>
<p>19. When your wort is cool, you can siphon it or, like me, pour it into
your fermenter. Here you can see I collected about 4.6 gallons. I
could have had a little more in my brew kettle and I would have ended with
5. I added a couple quarts of my yeast starter (seen in background) and
topped it off with a little water to just over 5 gallons. No big deal.
It will turn out great.</p>
<p> </p>
<p><img src="http://www.donosborn.com/homebrew/all_grain_28_final_carboy.jpg" width="377" height="423"></p>
<p>20. I pitched my yeast and voila, a Helles lager is born. In this
picture it is a perfect 58 degrees. The next morning it was down to 50 in
my cold, corner basement closet.</p>
<p> </p>
<p><img src="http://www.donosborn.com/homebrew/all_grain_29_hydrometer.jpg" width="307" height="410"></p>
<p>21. You can see the nice light color of this golden lager. Target
gravity was 1.052-1.054 and I got 1.051 which is just fine.</p>
<p>Time to clean up! :)</p>
<p>It's work but it's fun. And I keep doing it for a couple reasons. The first is, frankly, I
think the beer tastes better. There is a common taste among extract beers
(sometimes referred to, a little misleadingly in my opinion, as a
"twang") that is absent in all-grain. The thing is, you don't
often notice it in extract beer. But you notice its absence in your
all-grain beer.</p>
<p>The second and more important reason is the satisfaction. To go from a bag of crushed grain, a few
ounces of hops, and a packet of yeast to enjoying a <i>deeelicious</i>,
hand-crafted homebrew, to being part of the thousands of years of beer history
and doing it the same way as early brewers, it all brings a healthy and
well-deserved feeling of pride. </p>
<p>You do <a href="https://www.realhomes.com/us/design/room-divider-ideas">need
space</a> to set up your brewing equipment and that can be hard if you have a
small house. Sectioning off a room with <a href="https://www.screenflex.com/">
portable partitions</a> can help keep your equipment hidden from view when
needed. There are many ways to create
<a href="https://www.screenflex.com/products/standard-room-dividers/">dividers
for room</a> options including partition walls, curtains, and shelving.</p>
<p> </p>
<p><b>Cheers everybody. Happy brewing.</b></p>
<p> </p>
<p><img src="http://www.donosborn.com/homebrew/don_toast_smaller.JPG" width="288" height="300"></p>
<p> </p>
<p><a href="http://www.donosborn.com/homebrew/Beer_Log.htm">Don's Homebrew Log</a></p>
<p><a href="http://www.donosborn.com">Don's Homepage</a></p>
<p><font size="2">© 2010 Don Osborn</font></p>
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All Grain Brewing Desk-Basic Guide
.style1 {
font-size: small;
}
**Simple All-Grain Brewing ([video](http://www.youtube.com/watch?v=JMHLqnWCNjE&fmt=18)
version of this guide)**
(The Extract Brewing Guide is
[here](http://www.donosborn.com/homebrew/extract_guide.html).)

[Steamin' Wife Lager 2008](http://www.donosborn.com/homebrew/Beer_Log2008.htm#homegrown_steamin_wife)
I thought all-grain brewing would be difficult and the equipment too
expensive. It doesn't have to be. One person who helped me believe I
could do it is [Denny Conn.](http://hbd.org/cascade/dennybrew/)
You will need a few additional pieces
of equipment beyond the typical, stove-top, extract brewing setup.
Note: some of these prices are
from 2005, so they could be different today.
1. Turkey fryer and
pot. ~ $40 (Don't let anyone scare you. Aluminum
kettles are fine).
2. Immersion wort
chiller. ~ $35
[How
I made](http://www.donosborn.com/homebrew/wort_chiller2010.htm) my new one (2010). [Here](chiller_build.htm) is my friend making
his. [My old one](wort_chiller.htm) (2005).
3. Mash tun. ~ $25
[How I
made mine](http://www.donosborn.com/homebrew/mashtun.htm).
4. Propane
tank. ~ $35 (If you have a gas grill, you can use that one.
But I like having a separate one for brewing. That way I don't have to
switch, and I have a backup in case one runs out).
So if you use your existing propane
tank, you can get into all-grain brewing for ~ $100. A batch of
all-grain beer costs $15-$20 (or less) to make, instead of $25-$30 for extract, so you'll
get that money back after ~10 batches. [those prices have gone up since
2005...]
**A** **simple all-grain brew day:**

1. Heat your strike water. Most people probably user their turkey
fryer/burner to do this in their brew kettle. I like to save propane and
heat the water on my stove.

2. A trick I learned after doing a few batches is to PRE HEAT the mash
tun. That is, if your strike temperature (the temperate at which you are
going to add your grains) is 162, heat the water to say 175 and dump it
in. Your mash tun will absorb some of the heat immediately. Close
the lid and let the plastic heat up.

*Milled grain waiting to be mashed. For a couple close-ups of
properly milled grain click [here](finely_crushed_grain1.jpg) and
[here](finely_crushed_grain2.jpg).*

3. Once your strike water is the right temp pour in the crushed grain
and mix well. Take a temperature reading. If you are too hot, add a
few ice cubes and stir. Hopefully you will not be too low because that
will require adding boiling water which can be kind of a pain. I sometimes
add the grain a degree or two above my strike temp to avoid having to add
boiling water. It is pretty easy to add ice cubes.
Here is a [nice
calculator](Strike_Water_sheet_template.xls) for finding the temperatures and amounts you'll
need.

4. I was aiming for 152 and I hit it. It doesn't matter too much
if you are a degree or two off one way or another.

5. When the mash is thoroughly mixed and at the right temp, I close the
lid and put blankets over my cooler to
keep in as much heat as possible. I let it sit at least 60 minutes.

6. While my main mash was taking place, I heated up my mash-out and sparge water on the stove. Once again, you could do this in your
brew kettle on your turkey fryer.

7. I added the required amount of boiling water to attempt to get the
temperature up to 168, a standard [mash
out](http://www.howtobrew.com/section3/chapter17.html) temperature. I closed the mash tun and held for 10 minutes.

8. Here is a vorlauf. I run a few quarts of wort into a pitcher.
The first wort to come out contains a few grain particles that get through the
screen. The grain bed is settling and once it does, the wort begins to run
clear. At that point...

9. ...I collect the wort in my brew kettle.

*The result of your hard work doing the mash - sweet wort collects in your
brew kettle.*

10. After you collect your first runnings, it is time to sparge.
I simply [batch
sparge](http://hbd.org/cascade/dennybrew/). This means I dump in all the sparge water at once, stir,
let sit for another 10 minutes, and collect the 2nd runnings.
To know how much water you will need to add for your sparge, you need to know
how much you collected with your first runnings. Let's say you are aiming
for 6.5 gallons into the brewpot (assuming a 1 to 1.5 gallon evaporation loss
during the boil). If your first runnings yielded 3.5 gallons, you
will want to add 3 gallons of sparge water. After a couple batches you
will learn how your system works.

11. For the batch sparge, it usually works out that I add 3 to 3.5
gallons of ~180-190 degree water and stir well. I will sometimes let it
sit 10 minutes after I get to the temp of 168, and sometimes I won't.

12. Don't forget to vorlauf before collecting the 2nd runnings.

13. Collect the 2nd runnings into your brewpot.

14. Time to get it to your burner. Have fun carrying 6.5 gallons
of 168 degree liquid. :) Above I'm bringing the wort to a boil.

15. I did not take pictures of adding hops or other ingredients.
You do this as normal. Above you can see I have placed my immersion
chiller in the brew kettle. Do this for the last 15 minutes of the boil
to sanitize it.

16. I try to get my spent grains onto my compost pile and clean out my
mash tun while the wort is boiling. This saves some time at the end.
I just make sure all the grain is out and wipe down with hot water and a sponge.
I'll run some clean water through the tube as well.

17. When the boil is over it is time to cool down the wort. You
will figure out what works best for you. Some guys use garden hoses on
their chillers.
I like to put some cold water in my laundry tub sink, and then put my brew
kettle in it. I also like to collect the hot water coming out of the wort
chiller in my washing machine so it can be used for a load of laundry. I typically
get my temperature down to 80 after 15 minutes.

18. Because I was brewing a lager I wanted my temperature to be lower
than 80. Above you see a new trick I learned. I make some ice ahead
of time, and get a bucket of ice water ready. Then I siphon that very cold
water through the wort chiller and collect it in another bucket. You can
keep recycling it. In another 10 minutes or so, I can get my temperature
down to 60. That is a decent temp for pitching lager yeast. This is
also a nice trick if you are in warmer climates.
\*Your wort will cool much faster if you gently *stir it with a sanitized
spoon*. You want to move the hot wort over the cool copper
tubing. If you don't do this, the wort around the tubing will cool, but
the wort away from the tubing will not cool as quickly.\*

19. When your wort is cool, you can siphon it or, like me, pour it into
your fermenter. Here you can see I collected about 4.6 gallons. I
could have had a little more in my brew kettle and I would have ended with
5. I added a couple quarts of my yeast starter (seen in background) and
topped it off with a little water to just over 5 gallons. No big deal.
It will turn out great.

20. I pitched my yeast and voila, a Helles lager is born. In this
picture it is a perfect 58 degrees. The next morning it was down to 50 in
my cold, corner basement closet.

21. You can see the nice light color of this golden lager. Target
gravity was 1.052-1.054 and I got 1.051 which is just fine.
Time to clean up! :)
It's work but it's fun. And I keep doing it for a couple reasons. The first is, frankly, I
think the beer tastes better. There is a common taste among extract beers
(sometimes referred to, a little misleadingly in my opinion, as a
"twang") that is absent in all-grain. The thing is, you don't
often notice it in extract beer. But you notice its absence in your
all-grain beer.
The second and more important reason is the satisfaction. To go from a bag of crushed grain, a few
ounces of hops, and a packet of yeast to enjoying a *deeelicious*,
hand-crafted homebrew, to being part of the thousands of years of beer history
and doing it the same way as early brewers, it all brings a healthy and
well-deserved feeling of pride.
You do [need
space](https://www.realhomes.com/us/design/room-divider-ideas) to set up your brewing equipment and that can be hard if you have a
small house. Sectioning off a room with [portable partitions](https://www.screenflex.com/) can help keep your equipment hidden from view when
needed. There are many ways to create
[dividers
for room](https://www.screenflex.com/products/standard-room-dividers/) options including partition walls, curtains, and shelving.
**Cheers everybody. Happy brewing.**

[Don's Homebrew Log](http://www.donosborn.com/homebrew/Beer_Log.htm)
[Don's Homepage](http://www.donosborn.com)
© 2010 Don Osborn
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<BR>late for hoping?</FONT></B></FONT></P><P ALIGN="center"> </P><P ALIGN="center"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="housechu/thirdwav.htm"><FONT COLOR="#FFFF00">CHARISMATIC<BR>MOVEMENT</FONT></A></FONT></B></P><P ALIGN="center"> <P ALIGN="center"><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT COLOR="#00FFFF">IN
MEMORY OF:</FONT><BR> <FONT SIZE="2"><A HREF="editorpg/vannattan.htm"><FONT COLOR="#FFFF00">Wes
and Frances<BR>Van Nattan</FONT></A></FONT><FONT COLOR="#FFFFFF" SIZE="2"><BR>
</FONT><FONT SIZE="2" COLOR="#00FFFF">and</FONT><FONT COLOR="#FFFFFF" SIZE="2"><BR>
</FONT><FONT SIZE="2"><A HREF="editorpg/hoover.htm"><FONT COLOR="#FFFF00">Glenn
and Charlotte <BR>Hoover</FONT></A></FONT></B></FONT><P ALIGN=center> <P ALIGN=center><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#00FFFF"><B>
FELLOWSHIP<BR>WITH OTHER<BR>SAINTS:</B></FONT><P ALIGN=center> <P ALIGN=center><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="https://www.youtube.com/channel/UCjcq8iMntQHZ17N-vvrBwQQ/featured"><B><FONT COLOR="#FFFF00">Kevin
Zacher</FONT></B></A><BR><FONT COLOR="#FFFFFF"><B>Bible teacher- KJV only</B></FONT></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B><BR>Direct
but Decent<BR>Manners</B></FONT><P ALIGN=center> <P ALIGN=center><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.newswithviews.com/PaulProctor/proctorA.htm"><B><FONT COLOR="#FFFF00">Paul
Proctor</FONT></B></A><B><BR> <FONT COLOR="#FFFFFF">Outspoken and<BR> Fearless</FONT></B></FONT><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><A HREF="http://www.takeheed.info/"><FONT COLOR="#FFFF00">Take
Heed Ministries</FONT></A><BR>Exposing many <BR>heretical groups</FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.youtube.com/user/CICministry?feature=watch"><FONT COLOR="#FFFF00">Critical
Issues<BR>Commentary</FONT></A><BR><FONT COLOR="#FFFFFF">This is a YouTube <BR>site
featuring <BR>Pastor Bob De Waay<BR></FONT><A HREF="http://www.youtube.com/user/TwinCityFellowship?feature=watch"><FONT COLOR="#FFFF00">Twin
City Fellowship</FONT></A></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><BR><FONT COLOR="#FFFFFF">web
site which is also Pastor <BR>Bob DeWaay's site</FONT><BR><A HREF="http://cicministry.org/"><FONT COLOR="#FFFF00">His
local church site</FONT><BR></A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF">Caveat:
They use non-<BR>KJV Bibles, and they have associations <BR>with some people <BR>that
are exposed in <BR>error on this journal. <BR>But, many practical theology issues
are <BR>well taught here</FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.foundations.edu/"><FONT COLOR="#FFFF00">Foundations
<BR>Bible College</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.timefortruth.co.uk/"><FONT COLOR="#FFFF00">Time
For Truth</FONT></A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFF00"><A HREF="http://www.timefortruth.co.uk/"><BR></A></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF">A
web site, <BR>and a local church- <BR>KJV Only-- <BR>in the UK</FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="https://www.youtube.com/channel/UC5k2gKT5wWo655t6XC7e-lg"><FONT COLOR="#FFFF00">KJV
based<BR>Bible believing<BR>video sermons</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.zephaniah.eu/"><FONT COLOR="#FFFF00">Convert
from the <BR>New A Movement<BR>gives Bible teaching<BR>DISCLAIMER:<BR>Bible version
used <BR>other than the KJV</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.voddiebaucham.org/vbm/home.html"><FONT COLOR="#FFFF00">Family
Driven<BR>Faith</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.youtube.com/user/bball1989?feature=watch"><FONT COLOR="#FFFF00">Jefferson
Bathke </FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="https://www.youtube.com/watch?v=C07XQ6miCpo"><FONT COLOR="#FFFF00">Exceptional
You <BR>Tube site for <BR>studying error <BR>and cultic leaders</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://newswithviews.com/Cumbey/constanceA.htm"><FONT COLOR="#FFFF00">Constance
Cumby</FONT></A><BR><FONT COLOR="#FFFFFF">Watching the New <BR>A as it enters
the<BR>church house</FONT></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF">Dennis
Lloyd<BR>New Zealand<BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://thestand.faithweb.com/"><FONT COLOR="#FFFF00">The
Stand</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF">Thomas
Ross</FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><BR><A HREF="http://sites.google.com/site/thross7/"><FONT COLOR="#FFFF00">Bible
Teacher</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF">Far
Eastern </FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><BR><A HREF="http://www.febc.edu.sg/"><FONT COLOR="#FFFF00">Bible
College</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.authenticword.co.uk/Authentic%20Word/legacy.htm"><FONT COLOR="#FFFF00">A
Squandered Legacy</FONT></A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><BR>David
Norris</FONT></B><P ALIGN=center> <P ALIGN=center><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="http://johnnythebaptist.com/index-2.html"><FONT COLOR="#FFFF00">JOHNNY
THE BAPTIST</FONT><FONT COLOR="#FFFFFF"><BR></FONT></A></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>Waist
high, straight<BR>across the plate.<BR>If you cannot t this,<BR>you need to go
to ER <BR>right now for a <BR>brain scan.</B></FONT><P ALIGN=center> <P ALIGN=center><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>STRONG
MEAT </B></FONT><FONT FACE="Arial, Helvetica, sans-serif" COLOR="#99FFFF" SIZE="2"><B><BR>
</B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="http://www.authenticword.co.uk/"><FONT COLOR="#FFFF00">FROM
THE UK</FONT></A></B></FONT><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.alittleleaven.com/"><FONT COLOR="#FFFF00">A
LITTLE LEAVEN</FONT></A><BR><FONT COLOR="#FFFFFF">This site exposes filth <BR>and
idolatry in the <BR>emergent church.</FONT></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.newswithviews.com/"><FONT COLOR="#FFFF00">Narrow
Way News</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.sliceoflaodicea.com/"><FONT COLOR="#FFFF00">A
Slice of Laodicea</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://bellsouthpwp.net/j/n/jntskip/home.htm"><FONT COLOR="#FFFF00">Plain
vanilla site<BR>But, deep teaching<BR>from the KJV Bible</FONT></A></FONT></B><P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.av1611answers.com/home.html"><FONT COLOR="#FFFF00">Deeper
defense <BR>of the KJV</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="http://www.rosings.com/Bible/bible.html"><FONT COLOR="#FFFF00">KJV</FONT></A></B></FONT><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://dictatorpastors.yolasite.com/"><FONT COLOR="#FFFF00">Hireling
Fundamental <BR>Baptist Preachers <BR>Exposed</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><A HREF="https://www.youtube.com/channel/UComyesex8rz6404KX6lWV_Q"><FONT COLOR="#FFFF00">share2show</FONT></A><BR>YouTube
site<BR>Deeper live videos<BR>with some caveat, <BR>but overall, hard <BR>hitting
on issues</FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><A HREF="http://aprilandwayneshow.com/videos.html"><FONT COLOR="#FFFF00">April
and Wayne<BR>Show</FONT></A><BR>Some powerful<BR>issues video<BR>message from
a <BR>Black couple <BR>on the narrow way</FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.youtube.com/user/bibleortraditions?feature=watch"><FONT COLOR="#FFFF00">Bible
or <BR>Tradition?</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.biblebelievers.com/OFRH/mp3_archive.html"><FONT COLOR="#FFFF00">Charles
E, Fuller<BR>Old Fashioned <BR>Revival Hour</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://web.archive.org/web/20041016075931/www.myfortress.org/"><FONT COLOR="#FFFF00">Great
war front<BR>against Charismania</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="http://www.bible-topics.com/"><FONT COLOR="#FFFF00">BRANDON<BR>STAGGS</FONT></A></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B><BR>
See his online <BR> Bible study helps</B></FONT> <P ALIGN=center> <P ALIGN=center><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="http://www.libertygospeltracts.com/"><FONT COLOR="#FFFF00">LIBERTY
GOSPEL <BR>TRACTS</FONT></A><BR><FONT COLOR="#FFFFFF">Great tracts with <BR>lots
of Bible quotes, <BR>and they are free</FONT></B></FONT><P ALIGN=center> <P ALIGN=center><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#ffffff"><B>ON
THE BATTLE<BR> FIELD IN ASIA<BR> Narrow, Tender,<BR> and Dangerous to<BR> Bible
mutilators</B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B><BR>
</B></FONT><BR><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>Read
brother Shong's<BR>book on the <BR></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="http://www.kjv-asia.com/HTMLobj-3250/The_Last_Day_Church_-_Rich_Church__Poor_Church.pdf"><FONT COLOR="#FFFF00">End
Times Church</FONT></A></B></FONT><P ALIGN=center> <P ALIGN=center><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="http://www.thekjvstore.com/">T<FONT COLOR="#FFFF00">HE
KJV STORE</FONT></A></B></FONT><P ALIGN=center> <P ALIGN=center><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><FONT SIZE="2"><A HREF="http://lighthousetrailsresearch.com/"><FONT COLOR="#FFFF00">Lighthouse
Trails<BR>Research</FONT></A></FONT><BR><FONT COLOR="#FFFFFF">Exceptional resource<BR>for
watching heretics</FONT></B></FONT><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.erwm.com/"><FONT COLOR="#FFFF00">Eastern
Regional <BR>Watch</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.icr.org/"><FONT COLOR="#FFFF00">Institute
of <BR>Creation Research</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.feasite.org/Foundation/fbcfound.htm"><FONT COLOR="#FFFF00">Fundamental
<BR>Evangelistic Asso. <BR>Reading list</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.youtube.com/user/NylaRossini?feature=watch"><FONT COLOR="#FFFF00">Exposing
<BR>Strong Delusion</FONT></A><BR><FONT COLOR="#FFFFFF">Video based</FONT></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF">Free
the Masons<BR><A HREF="http://www.youtube.com/user/FreeTheMasons?feature=watch"><FONT COLOR="#FFFF00">Video
based Bible <BR>Teaching and <BR>Exposure of Error</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.americancongressfortruth.com/"><FONT COLOR="#FFFF00">HERE
IS A RATIONAL <BR>VOICE FROM <BR>THE ARAB WORLD</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.scionofzion.com/"><FONT COLOR="#FFFF00">KEN
MATTO</FONT></A> </FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://derekjung.tripod.com/"><FONT COLOR="#FFFF00">OAKLAND
AND<BR>SAN FRANCISCO AREA<BR>KJV BAPTIST CHURCH</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://logosresourcepages.org/"><FONT COLOR="#FFFF00">BIBLE
BELIEVER IN WISCONSIN</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.webtruth.org/"><FONT COLOR="#FFFF00">WEBTRUTH</FONT></A><BR><FONT COLOR="#FFFFFF">Sound
Bible Teaching<BR>from the UK</FONT></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.straightpathsbiblechurch.com/"><FONT COLOR="#FFFF00">STRAIGHT
PATHS<BR>BIBLE CHURCH</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.shoebat.com/"><FONT COLOR="#FFFF00">WALID
SHOEBAT</FONT></A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><A HREF="http://www.shoebat.com/"><BR></A>Must
reading to <BR>understand the <BR>Middle East today</FONT></B><P ALIGN=center> <P ALIGN=center><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="http://www.washingtoncitypaper.com/cd_img/0505owens.mp3"><FONT COLOR="#FFFF00">Bishop
<BR>Alfred Owens<BR>Washington DC<BR>Preaching it straight</FONT></A></B></FONT><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://bibletruthforyou.com/"><FONT COLOR="#FFFF00">Bible
Truth For You</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.crossroad.to/"><FONT COLOR="#FFFF00">Kjos
Ministries<BR>Exposing Satanic<BR>Invasion Today</FONT></A><BR><FONT COLOR="#FFFFFF">Disclaimer:<BR></FONT></FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>Bible
version</B></FONT><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF">I
have not reviewed<BR>everything here, but</FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><BR><A HREF="http://endtimespropheticwords.wordpress.com/"><FONT COLOR="#FFFF00">there
is a lot of useful<BR>info on modern <BR>apostasy here</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.stevespianoservice.com/"><FONT COLOR="#FFFF00">Do
It Yourself<BR>Piano Repair</FONT></A><BR><FONT COLOR="#FFFFFF">Learn how to do
it,<BR>and buy the parts<BR>and tools.</FONT></FONT></B><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://vimeo.com/user672048">O<FONT COLOR="#FFFF00">ld
hymns sung by a<BR>Scotch Irish cop from<BR>Ulster</FONT></A></FONT></B><P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://vimeo.com/channels/182446#22693921"><FONT COLOR="#FFFF00">Second
site</FONT></A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFF00"><A HREF="http://vimeo.com/channels/182446#22693921">
</A></FONT></B><P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://propheticobserver.com/"><BR><FONT COLOR="#FFFF00"><BR>Watch
End Times <BR>prophetic events <BR>as they happen</FONT></A></FONT></B><P ALIGN=center> <P ALIGN=center><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#00FFFF"><B>WATCH
<BR>AND PRAY</B></FONT><P ALIGN=center><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><A HREF="warroom.htm"><FONT SIZE="3" COLOR="#FFFF00">WAR
ROOM</FONT><BR></A></B></FONT><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF">We
are under attack <BR>by a new synergistic<BR></FONT></B><FONT SIZE="2" COLOR="#FFFFFF" FACE="Arial, Helvetica, sans-serif"><B>combination
of the</B></FONT><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B> </B></FONT><FONT SIZE="2" COLOR="#FFFF00" FACE="Arial, Helvetica, sans-serif"><B><BR></B></FONT><FONT SIZE="2"><B><FONT FACE="Arial, Helvetica, sans-serif" COLOR="#FFFF00">.....
</FONT><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><A HREF="http://www.blessedquietness.com/journal/housechu/msog5fld.htm"><FONT COLOR="#FFFF00">Manifest
<BR>Sons God</FONT></A></FONT><FONT FACE="Arial, Helvetica, sans-serif" COLOR="#FFFF00"><BR></FONT><FONT FACE="Arial, Helvetica, sans-serif"><A HREF="http://www.blessedquietness.com/journal/warroom_roman_whore.htm"><FONT COLOR="#FFFF00">Roman
Catholic <BR>intrigue</FONT></A><FONT COLOR="#FFFF00">..... </FONT><BR><FONT COLOR="#FFFFFF">and
Alchemy. <BR>This mob talks boldly <BR>of attacking non-compliant saints with
brute force.</FONT> <BR><A HREF="housechu/terra_forming.htm"><FONT COLOR="#FFFF00">TERRA
FORMING</FONT></A><BR><FONT COLOR="#FFFFFF">This is the same old <BR>moldy Satanic
<BR>rubbish, but in a <BR>"new and <BR>improved" wrapper</FONT></FONT></B></FONT><P ALIGN=center> <DIV ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://stats.org/"><FONT SIZE="3" COLOR="#FFFF00">CHECK
THE STATS</FONT></A><BR><FONT COLOR="#FFFFFF">on every alleged<BR>"News Story"
before<BR>you believe it. </FONT></FONT></B></DIV><P ALIGN=center> <P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#00FFFF">COMIC
RELIEF</FONT></B><P ALIGN=center><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="https://www.youtube.com/channel/UC-6WUaQSC_AfKZrinPuhVFw"><FONT COLOR="#FFFF00">Gerry
Brooks<BR>School Principal in Lexington, Kentucky</FONT></A></B></FONT><P ALIGN=center> <P> </P><P ALIGN=center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#00FFFF">STATEMENT:</FONT></B>
<P ALIGN="center"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>At
this site <BR> The Lord Jesus<BR> Christ is the eternal <BR>Son of the Living
God--</B></FONT></P><P ALIGN="center"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#66FFFF"><B>Philippians
3:20 <BR>For our <BR>conversation is in heaven; from whence <BR>also we look <BR>for
the Saviour, <BR>the <BR>Lord Jesus Christ:</B></FONT></P><P ALIGN="center"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#66FFFF"><B>Psalms
18:46<BR> The LORD liveth;<BR> and blessed be my <BR>rock;<BR> and let the God<BR>
of my salvation be exalted.</B></FONT></P><P ALIGN="center"> </P><P ALIGN="center"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#00FFFF">SITE
STYLE:</FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#00FFFF">
</FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><BR>This
site will make <BR>you think and react <BR>at the extremes. <BR>This is just fine.
<BR>Some readers will <BR>hate us, and some <BR>will love us for <BR>Christ's
sake. <BR>Why be blunt and forceful?<BR> Simply this-- <BR>You will find it very
<BR>hard to communicate <BR>with a man <BR>once he is dead. <BR>Why be tactful
<BR>and tempt people to <BR>procrastinate <BR>about eternity?</FONT></B></P><P ALIGN="center"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF">I
use English that is <BR>international, with <BR>some exceptions.<BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF">I
also use old words, <BR>and the old short <BR>words are the bully <BR>ones. <BR>If
you only <BR>relate to trendy<BR>repetitious blather <BR>and bluster,<BR> t out
of here.<BR><A HREF="http://youtu.be/IErXg5kBXXg"><FONT COLOR="#FFFF00">TRY THIS</FONT></A></FONT></B></P><P ALIGN="center"> </P><P ALIGN="center"> </P><P ALIGN="center"><FONT COLOR="#00FFFF" SIZE="3" FACE="Arial"><B>NEWS
<BR>AND VIEWS</B></FONT></P><P ALIGN="center"><B><FONT FACE="Arial" SIZE="3"><A HREF="theworld/news.htm"><FONT COLOR="#FFFF00">LISTS:<BR>AT
THIS SITE</FONT></A></FONT></B></P><P ALIGN=Center> <P ALIGN=Center> <P ALIGN=Center> <P ALIGN=Center>
<FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>Mary has
a</B></FONT><B><FONT FACE="Arial, Helvetica, sans-serif"><BR> <A HREF="homemake/hmcbooks.htm"><FONT COLOR="#FFFF00">BOOKSTORE</FONT></A><BR>
<FONT COLOR="#FFFFFF">for the ladies </FONT></FONT></B> <P ALIGN=Center> <P ALIGN=Center>
<P ALIGN=Center> <P ALIGN=Center><FONT COLOR="#00FFFF" SIZE="3" FACE="Arial"><B>IF
YOU ARE<BR>IN TEXAS</B></FONT><P ALIGN=Center><FONT COLOR="#FFFFFF" FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>We
would enjoy <BR>visiting with you.</B></FONT><p><P ALIGN=Center> <P ALIGN=Center> <P ALIGN=Center><FONT SIZE="3" FACE="Arial"><B><A HREF="http://www.stevespianoservice.com"><FONT COLOR="#FFFF00">Piano
Tuning and<BR>Repair Site</FONT></A></B></FONT><FONT COLOR="#333333" SIZE="2" FACE="Arial"><B><A HREF="http://www.stevespianoservice.com"><BR>
</A><FONT COLOR="#FFFFFF">Editor's vocation <BR>before <BR>moving to Texas</FONT></B></FONT><P ALIGN=Center> <P ALIGN=Center> <P ALIGN=Center><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="http://www.theologyofwork.org/resources/johnny-cash-on-gifts-and-calling/"><FONT COLOR="#FFFF00">I
hope he was <BR>Really Born Again</FONT></A></B></FONT><P ALIGN=Center> <P ALIGN=Center> <P ALIGN=Center><A HREF="aaab_news_links_.htm"><FONT COLOR="#FFFF00"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">100
MOST <BR>POPULAR CONSERVATIVE <BR>SITES ON THE <BR>INTERNET</FONT></B></FONT></A><BR>
<BR><BR><IMG SRC="../chili.gif" WIDTH="45" HEIGHT="32"><P ALIGN=Center> <P ALIGN=Center> <P ALIGN=Center> <P ALIGN=Center> <H3 ALIGN=Center> </H3><P ALIGN="center"></P><P ALIGN="center"> </P><P ALIGN="center"> </P></TD><TD valign="top" width="802" backgroundSUSPEND="../bgmahogany038.jpg" height="24054" bordercolor="#FFFFFF" BGCOLOR="#FFFFFF">
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can be very grateful that nothing is taking our Lord by surprise." Robert
Aseltine</FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B> </B></FONT></P><TABLE WIDTH="240" BORDER="0" CELLPADDING="0" ALIGN="RIGHT"><TR><TD HEIGHT="25"><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>SEARCH
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WILL BUILD MY CHURCH,<BR>THE GATES OF HELL WILL NOT...."<BR><FONT SIZE="4">Jesus-
Elohim from Galilee</FONT> </B></FONT><BR><BR><BR></H3></BLOCKQUOTE><P><BR></P><BLOCKQUOTE><P><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><BR></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5" COLOR="#000099"><B><I><BR></I></B></FONT></P><P><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5" COLOR="#000099"><B><I>FEATURED
ARTICLES:</I></B></FONT></P><P> </P><H1 ALIGN=LEFT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="3"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><IMG SRC="../well%20done%20servant.jpg" WIDTH="290" HEIGHT="359" ALIGN="RIGHT"></FONT></FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="https://thecottonapron.blogspot.com/2023/10/halloween-more-than-appearance-of-evil.html">ABSTAIN
FROM ALL APPEARANCE OF EVIL</A><BR><FONT SIZE="3">A discussion of Halloween By
Mary Stephens</FONT></B></FONT></H1><H2 ALIGN=LEFT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="3"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><B>
</B></FONT></B></FONT></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="housechu/What_Do_Demon_Possessed_Fundamental_Baptist_Preachers_Teach.htm">WHAT
DO DEVIL POSSESSED FUNDAMENTAL CHRISTIAN PREACHERS TEACH?</A> </FONT><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><BR>By
Steve Van Nattan<BR><FONT SIZE="2">It is very clear today that many conservative
Christian preachers <BR>are teaching doctrines of devils. As Trump rages, they
remind us <BR>of the Jews who listened to King Herod and cried, "It is the
voice <BR>of a god." These mongrel preachers punish and pummel the <BR>Lord's
sheep mercilessly, and it is time to expose them.</FONT></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">
</FONT></FONT></B></FONT></H2><H2 ALIGN=LEFT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><FONT SIZE="4"><A HREF="housechu/And%20Then%20What.htm">AND
THEN WHAT HAPPENED?</A><BR></FONT></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">A
discussion of what happened next in Bible events<BR>Questions we may want to ask
those in Heaven <BR>when we all get there</FONT></H2><H2 ALIGN=LEFT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><FONT SIZE="4"><A HREF="housechu/study.htm">STUDY
TO SHOW THYSELF APPROVED</A><BR></FONT></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT COLOR="#990000">2
Timothy 2:15 Study to shew thyself approved unto God, a workman that needeth not
to be ashamed, <BR>rightly dividing the Word of truth.</FONT><BR>This is a word
study in the above verse to prepare <BR>us to study the Bible.</B></FONT></H2><H2 ALIGN=LEFT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="housechu/Great%20Tribulation%20Looming.htm">THE
GREAT TRIBULATION IS LOOMING<BR></A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#990000">Matthew
24:8 All these are the beginning of sorrows.<BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">Many
aspects of the Great Tribulation are being seen in their early warning stage.
<BR>What does this mean to Bible believers?<BR>This article will be regularly
updated for some time to come.</FONT></H2><H2 ALIGN=LEFT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><FONT SIZE="4"><A HREF="housechu/coup%20usa%20januray%206.htm">JANUARY
6- COUP OR INSURRECTION?<BR></A></FONT></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">Many
Christians are defending Trump after he sent his supporters up to the US Capitol
to launch a coup and hang Mike Pence.</FONT> <FONT FACE="Arial, Helvetica, sans-serif"><B><FONT SIZE="3">By
Steve Van Nattan</FONT></B> </FONT></H2><H2 ALIGN=LEFT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><FONT SIZE="4"><A HREF="housechu/Conscience_does_it_%20agree_with_the_word_of_God_PART%20ONE.htm">DOES
MY CONSCIENCE AGREE WITH THE WORD OF GOD?</A><BR></FONT></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">THREE
PART SERIES<BR>A study in Bible teaching about the conscience, including discussions
about <BR>examining my working conscience and whether or not it tells me what
the <BR>Holy Spirit is saying. </FONT></H2><H2 ALIGN=LEFT><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><B><A HREF="../yarn/briartown.htm">A
NEW YARN BY STEVE</A><BR><FONT SIZE="3">Stevie recalls his days in Briartown,
Oklahoma.<BR>Tales of survival and sweet memories.</FONT></B></FONT></H2><H3 ALIGN=LEFT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><IMG SRC="../updated.gif" WIDTH="77" HEIGHT="27">
<A HREF="housechu/macarthrdemons.htm">MAC ARTHUR RECEIVES REVELATION FROM DEVILS</A><BR><FONT SIZE="3">Recent
responses of John MacArthur in Q & A indicate he has changed one of his heretical
teachings. But, he has yet to clearly retract it. He has also hidden his early
teaching from the web.</FONT></FONT></B></FONT></B></FONT></H3><H2 ALIGN=LEFT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="housechu/Executive%20Privilege%20and%20the%20Soversignty%20of%20God.htm">EXECUTIVE
PRIVILEGE AND THE SOVEREIGNTY OF GOD</A><BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">Does
God give man first choice in anything?<BR>AND, <BR>Is John Calvin an effete snob?</FONT></B></FONT></H2><H2 ALIGN=LEFT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="3"><A HREF="../yarn/contemplations_from_,my_past.htm"></A></FONT></B></FONT>
<FONT SIZE="4"><A HREF="housechu/Ignorance%20the%20deadly%20refuge-%20Part%20One.htm">IGNORANCE.....
THE DEADLY REFUGE</A><BR></FONT></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">The
folly of choosing Ignorance as a Refuge in the 21st Century- Four Part Series</FONT></H2><H2 ALIGN=LEFT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="3"><FONT SIZE="4"><A HREF="http://www.homemakerscorner.com/duggars-what-about-them.html?fbclid=IwAR2pmMlj4PnQWKfJS8fwIfi7CbSMxhTSBckKF5a8-lDUUH5Eqo3Ex7rO39Y">WHAT
ABOUT THE DUGGERS?<BR>WAS THEIR REALITY SHOW EVER <BR>A GOOD IDEA?</A><BR><FONT SIZE="3">Article
at the Homemaker's Corner by <BR>Mary Stephens</FONT></FONT></FONT></B></FONT></H2><H2 ALIGN=LEFT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="3"><A HREF="../yarn/contemplations_from_,my_past.htm"></A></FONT></B></FONT>
<FONT SIZE="4"><A HREF="../yarn/Guest_Houses_for_missionaries.htm">THE LEGENDARY
MISSIONARY GUEST HOUSE</A></FONT><FONT COLOR="#000099"><BR></FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>Guest
Houses Steve has stayed in in Africa and elsewhere, Including Mission Headquarters
Facilities. This is a look into missionary culture.</B></FONT> </H2><H2 ALIGN=LEFT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="3"><A HREF="../yarn/contemplations_from_,my_past.htm"></A></FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="housechu/Return_of_Superstition%20Part%20One.htm">THE
RETURN OF SUPERSTITION</A><BR>A Three Part Series<BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">Superstition
is increasing in modern culture, but worse, it is taking over the thinking of
the People of God. Included is a discussion of Religious Obsessive Compulsive
Scrupulosity</FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><BR></FONT><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT SIZE="3">By
Steve Van Nattan</FONT></B></FONT> </H2><H2 ALIGN=LEFT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="housechu/Suggestions%20for%20Church%20Music-%20The%20good%20and%20the%20bad.htm"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="3"></FONT></B></FONT></A><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="3"><A HREF="../yarn/contemplations_from_,my_past.htm"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4">
</FONT></A></FONT></B></FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="housechu/Suggestions%20for%20Church%20Music-%20The%20good%20and%20the%20bad.htm"><FONT SIZE="4">SUGGESTIONS
FOR CHURCH MUSIC</FONT></A><BR>A piano tuner and pastor shares his impressions,
sad and/or blessed. <BR>I talk to those who sing, lead, and accompany.<BR>Also,
I talk to pastors and song writers.</B></FONT></H2><H2 ALIGN=LEFT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4">
<A HREF="theworld/pyramid.htm">PYRAMID SCHEMES- Multi Level Marketing</A><BR><FONT SIZE="3">Learn
how these people enslave their victims. <BR>I include my personal experiences</FONT></FONT></B></FONT></B></FONT></H2><H2 ALIGN=LEFT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="3"><FONT SIZE="4"><A HREF="https://youtu.be/3bVA83JF0Qs">THE
TWO QUALIFICATIONS FOR A LADY PREACHER</A></FONT><BR>VIDEO- This is not what it
looks like.</FONT></B></FONT></H2><H2 ALIGN=LEFT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="3"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="3"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4">
</FONT></FONT></B></FONT> <FONT SIZE="4"><A HREF="../yarn/contemplations_from_,my_past.htm">CONTEMPLATIONS
FROM MY PAST</A></FONT><BR></FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>There
are those special moments in life when we stood still and thought and wondered.
This article is a work in progress, but what there is should be incriminating.</B></FONT></H2><H2 ALIGN=LEFT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="%5C">
</A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="housechu/The_Folly_of_Theology.htm">THE
FOLLY OF THEOLOGY <BR>VERSUS<BR>THE LITERAL USE OF THE WORD OF GOD<BR></A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">By
Steve Van Nattan</FONT></B><BR>Systematic Theology is a man-made invention designed
to elevate scholars above the masses and keep them panting at the feet of scholars
for bits of truth. </FONT></H2><H2><B><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><B></B></FONT>
<FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="theworld/Atheistic_Science_is_crashing.htm">WHAT
IS GOING ON IN THE FLIGHT FROM ATHEISM?</A> </FONT></B></H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="housechu/terra_forming.htm">TERRA
FORMING REVISITED</A> </B></FONT></H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT SIZE="2"><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><B></B></FONT></FONT></B></FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><A HREF="new_age_atonement.htm">NEW
AGE ATONEMENT<BR></A></FONT></B></FONT><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">By
Steve Van Nattan<BR></FONT><FONT SIZE="5"><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT SIZE="4"><B><FONT SIZE="5"><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT SIZE="5"><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><BIG><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">We
discuss the counterfeit doctrine of atonement of the New Age </FONT></B></B></FONT></B></FONT></B></FONT></BIG></FONT></B></FONT></B></FONT></B></FONT></SPAN></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></B></FONT></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></SPAN></FONT></B></FONT></B></FONT></B></B></FONT></FONT></B></FONT></B></FONT></B></B></FONT></FONT></B></H2><H2 ALIGN="LEFT"><FONT SIZE="4"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT SIZE="2"><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">
</FONT></B></FONT></FONT></B></FONT></FONT><FONT SIZE="4"><A HREF="housechu/joyful-joyful.htm"><FONT FACE="Arial, Helvetica, sans-serif">DEVILISH
MIXTURE IN CHRISTIAN MUSIC</FONT></A></FONT><FONT COLOR="#000099" SIZE="4"><BR></FONT><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">Using
the hymn <I>Joyful, Joyful, We Adore Thee</I> as an example. Hymns have been added
</FONT></H2><H2 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="addendumbacevich.htm">AMERICA,
THE CHURCH, AND ABOUT LOSING THE BATTLE</A><BR><FONT SIZE="3">An introduction
to ethics nationally and in the Church in America </FONT></B></FONT></H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT SIZE="2"><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><B></B></FONT></FONT></B><A HREF="housechu/The_Mighty_God.htm">THE
MIGHTY GOD,<BR>THE EVERLASTING FATHER,<BR>THE KING OF KINGS</A><BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><FONT SIZE="3">Our
God is a consuming fire. Many Christians have a fluffy harmless god who is not
the <BR>God of the Bible.- </FONT></FONT></H2><H2 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT SIZE="2"><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><A HREF="../yarn/Singing%20bass%20adolescent%20rite%20of%20passage.htm">STEVE'S
YARNS-- SINGING BASS, AN ADOLESCENT RITE OF PASSAGE</A><BR></FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>The
day when a boy can sing double bass during hymn singing</B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><FONT SIZE="3">-
<FONT COLOR="#990000">next </FONT></FONT></FONT></B></FONT></FONT></B></FONT></H2><H2 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT SIZE="2"><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT SIZE="2"><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><B><FONT SIZE="2"><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT SIZE="2"><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><B></B></FONT></FONT></B></FONT></B></FONT></FONT></B></FONT></FONT></B>
</FONT></B></FONT></FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="housechu/Profane_or_Holy.htm"><FONT SIZE="2"><FONT SIZE="4">THE
DIFFERENCE BETWEEN THE PROFANE AND THE HOLY</FONT></FONT></A><FONT SIZE="4"><BR><FONT SIZE="3">Are
you choking on Sharia Baptist Standards? I have added a discussion of the deadly
problem of mixture</FONT> </FONT></B></FONT></H2><H2 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="housechu/The_Mystery_of_Godliness.htm">THE
MYSTERY OF GODLINESS<BR></A><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">By
Steve Van Nattan</FONT> </B><BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><FONT SIZE="3"><B>Do
we help one another become more godly, or do we thoughtlessly nag and nanny each
other?</B></FONT></FONT></H2><H2 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><FONT SIZE="4"><A HREF="housechu/Romance_Restored.htm">ROMANCE
RESTORED</A></FONT><FONT SIZE="3"><BR>Bring it on home, sir<BR><SPAN ><SPAN ><SPAN ><SPAN ><SPAN ><SPAN >A
study of the death of romance in society but especially in marriage </SPAN></SPAN></SPAN></SPAN></SPAN></SPAN></FONT><FONT SIZE="4"><BR></FONT></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">By
Steve Van Nattan</FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><FONT SIZE="5"><FONT SIZE="5"><FONT SIZE="5"><FONT SIZE="3"><FONT SIZE="5"><FONT SIZE="3"><FONT SIZE="5"><SPAN ><FONT SIZE="5"><FONT SIZE="5"><FONT SIZE="5"><FONT SIZE="5"><FONT SIZE="3"><FONT SIZE="5"><SPAN ><FONT SIZE="5"><FONT SIZE="5"><FONT SIZE="3"><FONT SIZE="5"><SPAN ><FONT SIZE="5"><FONT SIZE="5"><FONT SIZE="3"><FONT SIZE="5"><FONT SIZE="3"><FONT SIZE="5"><SPAN ><FONT SIZE="5"><FONT SIZE="5"><FONT SIZE="5"><FONT SIZE="5"><FONT SIZE="5"><FONT SIZE="5"><FONT SIZE="5"><FONT SIZE="5"><FONT SIZE="3"><FONT SIZE="5"><SPAN ><FONT SIZE="5"><FONT SIZE="5"><FONT SIZE="3"><FONT SIZE="5"><SPAN ><FONT SIZE="5"></FONT></SPAN></FONT></FONT></FONT></FONT></SPAN></FONT></FONT></FONT></FONT></FONT></FONT></FONT></FONT></FONT></FONT></SPAN></FONT></FONT></FONT></FONT></FONT></FONT></SPAN></FONT></FONT></FONT></FONT></SPAN></FONT></FONT></FONT></FONT></FONT></FONT></SPAN></FONT></FONT></FONT></FONT></FONT></FONT></FONT></FONT></B></H2><H2 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT SIZE="5"><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="5"><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT SIZE="4"><B><FONT SIZE="5"><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><B><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><A HREF="housechu/Tell_Me_There%27s_a_Heaven.htm">TELL
ME THERE'S A HEAVEN</A></FONT><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><BR>Where
do babies go who die, to Heaven or to Hell?<BR></FONT></B><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">By
Steve Van Nattan</FONT></B></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4">
</FONT></B></FONT></SPAN></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></SPAN></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></SPAN></FONT></B></FONT></B></FONT></B></B></FONT></FONT></B></FONT></B></FONT></B></B></FONT></FONT></B></FONT></SPAN></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></SPAN></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></SPAN></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></B></FONT></FONT></B></FONT></B></FONT></B></FONT></B></FONT></H2><H3><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT SIZE="5"><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="5"><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT SIZE="4"><B><FONT SIZE="5"><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B>
</B></FONT></B></FONT></SPAN></FONT></B></FONT></B></FONT></B></B></FONT></FONT></B></FONT></B></FONT></B></B></FONT></FONT></B><FONT SIZE="4"><B><FONT FACE="Arial, Helvetica, sans-serif"><A HREF="housechu/meaculpa.htm">A
MEA CULPA BY THE POPE </A></FONT><FONT FACE="Arial, Helvetica, sans-serif"><BR>
<FONT SIZE="3">I am the Culprit- <BR>Admission of guilt? Yes. <BR> Confession
of sin? NO!<BR>We look at the 2000 fake confession of sin by Pope John Paul II.
This is being posted long after the fact so that an unemotional presentation is
accomplished.</FONT></FONT></B></FONT></FONT></SPAN></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></SPAN></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></SPAN></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></B></FONT></FONT></B></FONT></B></FONT></B></FONT></B></FONT></H3><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT SIZE="5"><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4">
</FONT></B></FONT></SPAN></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></SPAN></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="housechu/Gunga_Din_NIV.htm">GUNGA
DIN..... REVISED VERSION<BR>New International Diversion<BR></A></FONT><A HREF="housechu/Gunga_Din_NIV.htm"><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">By
Rudyard Kipling and revised by Steve Van Nattan</FONT></B></A><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">This
is my offering to biblical scholars who insist on reading at the Dick and Jane
level.</FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B> I suspect,
given the sense of humor of Rudyard Kipling, he would forgive me for using his
poem to poke fun at snobs</B></FONT></B></FONT></SPAN></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></B></FONT></FONT></B></FONT></B></FONT></B></FONT></B></FONT></H2><H2><B><FONT SIZE="4"><A HREF="theworld/Catastrophe_Theory.htm"><FONT FACE="Arial, Helvetica, sans-serif">CATASTROPHE
THEORY AND THE KINGDOM OF MESSIAH</FONT><BR></A></FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>Steve
Van Nattan<BR>"This is a study in the catastrophes for the past thousands of years
and how they warn us of what we could easily experience in our day. We conclude
with a message of hope from the Bible.</B></FONT></H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><A HREF="housechu/How_to_.htm">HOW
TO DESTROY HERETICAL CHRISTIANITY: SITUATION ETHICS</A><BR></FONT></B></FONT><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">By
Steve Van Nattan<BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">Situation
Ethics has never gone away. Satan loves this tool from his ancient tool box.</FONT></B></H2><H2><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="housechu/great_pumpkin_rising.htm">THE
GREAT PUMPKIN IS RISING- THE VIRUS OF SUPERSTITION</A></FONT></B><BR><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>By
Steve Van Nattan<BR></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>This
is a study in superstition as found in Christian people and organizations </B></FONT>
</H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><FONT SIZE="5"><FONT FACE="Times New Roman" SIZE=3><FONT FACE="Times New Roman" SIZE=3><FONT FACE="Times New Roman" SIZE=4><FONT FACE="Arial, Helvetica, sans-serif"><A HREF="housechu/fasting1.html">FASTING-
THE BIBLICAL TEACHING</A><FONT COLOR="#000099"><BR></FONT></FONT></FONT></FONT></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">Much
false piety and silliness needs exposing, and the true virtue of fasting taught.
</FONT></FONT></FONT></FONT></H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT SIZE="5"><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT SIZE="5"><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B></B></FONT></SPAN></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></SPAN></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></SPAN></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></B></FONT></FONT></B></FONT></B></FONT></B></FONT></SPAN></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></B></FONT></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT>
<FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B>ARTICLES IN THE TRILOGY
ON TECHNOLOGY <BR>By Steve Van Nattan</B></FONT></H2><BLOCKQUOTE><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="3"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><A HREF="housechu/Hypernormalization_Suffocating_in_Technology_Heaven.htm">HYPERNORMALIZATION</A>-<BR></FONT></B></FONT></FONT></B></FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="3"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="3">Suffocating
in Technology Heaven</FONT></B></FONT><BR><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">There
is always a help desk. There is endless knowledge at the push of a button. But,
at the same time, there is nothing left to live for. The only safe place is in
towering skepticism. </FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B>
</B></FONT></FONT></B></FONT></B></FONT></H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="3"><A HREF="theworld/deep_fake_technology.htm"><FONT SIZE="4">THE
DEEP FAKE WORLD IS HERE</FONT></A><BR></FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>Anything
can be faked today. Your words, your face, your emotions, your actions, and your
desires. </B></FONT></B></FONT></H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="3"><A HREF="housechu/War_With_Big_Tech.htm"><FONT SIZE="4">AT
WAR WITH BIG TECH</FONT></A><BR></FONT></B></FONT><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">How
can we t off of the bull's eye and minimize our footprint in this world of 24/7
surveillance and snooping? </FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B>
</B></FONT></H2></BLOCKQUOTE><H3><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT SIZE="5"><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT SIZE="5"><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><A HREF="housechu/Epistles_to_the_Laodiceans.htm">EPISTLES
TO THE LAODICEANS</A><BR></FONT></B></FONT><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">By
Pastor Art Barton<BR>Heritage Baptist Church, Grant, Michigan<BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">This
pastor has an exceptional gift of holy sarcasm which is impossible to escape.
Please consider the era of conspiracy inspired by the Covid-19 varmint. </FONT></B></B></FONT></SPAN></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></B></FONT></FONT></B></FONT></B></FONT></B></FONT></SPAN></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></B></FONT></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></FONT></H3><H2><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><A HREF="theworld/aids20years.htm">TWENTY
YEARS (plus 19 more years) OF AIDS UPDATE</A><BR>This is an update in April 2020</FONT><BR><FONT SIZE="3">This
article now covers the whole AIDS era from 1981 to 2020. I have had inside information
from day one in the USA. The video on this pa proves my information on AIDS was
spot on.</FONT></B></FONT> <FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">We
now know who hid AIDS and caused it to spread worldwide. We also have proof that
Kissinger, Bush, and Fauci and others want to kill sodomites in America. This
is the man who has been herding us and locking down America. </FONT></B></H2><H2><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT SIZE="5"><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"></FONT></B></FONT></SPAN></FONT></B></FONT></B></FONT></B></FONT></B></FONT></B></B></FONT></FONT></B></FONT></B></FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="housechu/secret_place_of_the_most_high.htm">SECRET
PLACE OF THE MOST HIGH</A><BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">By
Steve Van Nattan<BR></FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>What
does it mean to be hidden away in God? </B></FONT></H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"></FONT></B></FONT><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><A HREF="housechu/replacement_principle.htm">THE
REPLACEMENT PRINCIPLE</A></FONT><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><BR>By
Steve Van Nattan<BR></FONT><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">Exposing
problems and danger without empowering the hearer is ungodly. Teaching a saint
to give up something profane without helping him find a replacement is a job half
finished </FONT></B> </H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"></FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="prophecy/panic.htm">PANIC
OF CROWDS-- PRELUDE TO A STAMPEDE </A><BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><FONT SIZE="3">What
it is and what it ain't....<BR>Or, how to stay out of the stampede </FONT></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">
</FONT></H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4">CORONAVIRUS</FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><BR><FONT SIZE="3">Here
are my two articles on the SARS virus. Virtually everything here applies to the
2020 Coronavirus because SARS is a Coronavirus.</FONT></FONT></H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4">SARS
Severe Acute Respiratory Syndrome</FONT></H2><BLOCKQUOTE><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="http://www.blessedquietness.com/journal/housechu/sars.htm">ARTICLE
ONE</A></FONT></H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="http://www.blessedquietness.com/journal/housechu/sarsstory.htm">ARTICLE
TWO</A></FONT></H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="http://balaamsassspeaks.blogspot.com/search/label/Coronavirus">MY
BLOG POSTS ON CORONAVIRUS</A></FONT></H2></BLOCKQUOTE><H2><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4">
</FONT></B><A HREF="housechu/Bright_Spots_in_Dark_Days.htm"><B>BRIGHT SPOTS DURING
DARK DAYS</B></A></FONT><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><BR>By
Steve Van Nattan<BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">We
look at the exceptions to the "Five steps of soul winning."</FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>
Unlikely people, in unlikely places, with unlikely faith. The update is to give
the reader warning about making compromising friendships based on good intentions.
</B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B> </B></FONT></H2><H2 ALIGN=LEFT><B><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><SPAN >
</SPAN></FONT></B><B><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><A HREF="prophecy/The_Antichrist_Revealed.htm">THE
ANTICHRIST REVEALED</A></FONT><FONT SIZE="4"><BR></FONT><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">Using
the Bible to predict the Modus Operandi of the Antichrist</FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><BR>By
Steve Van Nattan </FONT></H2><H2 ALIGN=LEFT><B><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><SPAN >
</SPAN></FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><FONT SIZE="4"><A HREF="theworld/weaponizing_whiteness_to_the_glory_of_God_Part_One.htm">WEAPONIZING
YOUR WHITENESS TO THE GLORY OF GOD</A></FONT><BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">By
Steve Van Nattan</FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">Take
the high ground in this warfare for the souls of men. Stop letting racist Christ
haters intimidate you. </FONT> </B></FONT></H2><H2 ALIGN=LEFT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><A HREF="housechu/clothing.htm">CLOTHING
IN THE BIBLE AND IN EVERYDAY LIFE</A><BR></FONT><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">By
Steve Van Nattan<BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">Nothing
defines us more than our clothing. It is the first impression, and it tells the
world a huge amount about us. God has much to say about clothes in the Bible.
</FONT> </B></FONT></H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><A HREF="theworld/Highly_Suspect_Scoundrels.htm">HIGHLY
SUSPECT SCOUNDRELS</A></FONT><FONT COLOR="#000099" SIZE="4"><BR></FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>By
Steve Van Nattan<BR></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>The
world today loves to exalt men and pass them off as great men, when in fact, they
are nobodies. -g3</B></FONT></H2><H2><B><FONT SIZE="4"><A HREF="../yarn/Story%20Telling%20Doug%20Stevenson.htm"><FONT FACE="Arial, Helvetica, sans-serif">STORY
TELLING</FONT></A><BR></FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>By
Steve Van Nattan<BR></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>Learn
how to use stories to teach and preach and to simply become more interesting to
your friends. </B></FONT></H2><H2><B><A HREF="housechu/Lying_is_an_End_Times_Epidemic.htm"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4">LYING
IS AN END TIMES EPIDEMIC</FONT></A><BR></B><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">By
Steve Van Nattan<BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">It
getting hard to avoid telling lies, and God makes it clear that he hates liars.
</FONT> </B></H2><H2><B><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><A HREF="theworld/The_Myth_of_nuclear_defense.htm">THE
MYTH OF NUCLEAR DEFENSE</A></FONT><FONT COLOR="#000099" SIZE="3"><BR></FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>by
Steve Van Nattan<FONT SIZE="4"><BR></FONT>The whole world's lust for nuclear weapons
is insane and strategically unthinkable.<BR>That is, unless God blinds world leaders
so that they believe their own lies </B></FONT></H2><H2><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><IMG SRC="../Top%20Priority.JPG" WIDTH="79" HEIGHT="29">
<A HREF="housechu/Defending_The_People_of_God.htm"><BR>DEFENDING THE PEOPLE OF
GOD</A><BR><FONT COLOR="#990000" SIZE="3">Added December 2018</FONT><FONT SIZE="3">-
Visitor and member legal agreement to be reported to law enforcement if they make
trouble in your church, especially sexual offenses<BR></FONT></FONT><FONT SIZE="3"><FONT FACE="Arial, Helvetica, sans-serif">By
Steve Van Nattan<BR></FONT><FONT FACE="Arial, Helvetica, sans-serif">Dealing with
attacks on your family, your local church, and the people of God in general<BR>Church
security against Islamic terrorist attacks <BR>Preparing for Government attacks
on churches<BR>This article will help you set priorities and strategies before
attacks happen. </FONT></FONT></B></H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="warroom_poetry_Recessional_Kipling.htm">
</A></B></FONT><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"> <A HREF="housechu/political_christianity.htm">POLITICAL
CHRISTIANITY</A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">A
study of the Perversion of the Lord's Church by heretics who have good intentions
and no common sense. This article especially deals with the invasion into local
churches of Satan's counterfeit Messiah, Donald Trump. </FONT></B></H2><H2><FONT FACE="Arial, Helvetica, sans-serif"><B>
<FONT SIZE="4"><A HREF="warroom_poetry_Recessional_Kipling.htm">RECESSIONAL</A><BR><FONT SIZE="3">A
call for mercy from God on an arrogant era- Rudyard Kipling</FONT><BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">This
is a poem of humility before God by men who may have offended him by their pride
and actions. It is a plea for mercy. Rudyard Kipling had mixed emotions about
the British Empire. On one hand, he was proud of it, but on the other hand Kipling
had seen some of the cruel and thoughtless things Britain had done in India. America
too is on a roll of pride and arrogance inspired by a leader who is bold beyond
reason. This poem seems to me to be needed now. </FONT></B></FONT></H2><H3><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="housechu/Nephilim_heresy.htm">THE
MODERN HERESY OF THE NEPHILIM</A><BR><FONT SIZE="3">The videos on this topic had
gone dead. They are all back with added commentary by me.<BR>Alleged prophecy
experts claim that angels have penises and can have sex with human women. This
is heresy and is very offensive to the God of the Bible. <BR></FONT></B></FONT><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B>By
Guest Bible teacher Kevin Zachary</B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>
</B></FONT></H3><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B> <A HREF="theworld/Microwave_Ovens_are_Deadly.htm">ARE
MICROWAVE OVENS A SOURCE OF DANGER?</A><BR></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>by
Marion Wild<BR>Some modern inventions are dangerous because Government and Business
lie. </B></FONT></H2><H2> <B> </B><FONT SIZE="4"><A HREF="housechu/Guruism_at_The_Church_House.htm"><B><FONT FACE="Arial, Helvetica, sans-serif">GURUISM
AT THE CHURCH HOUSE</FONT></B></A><B><BR></B></FONT><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B>By
Steve Van Nattan<BR>Are you letting other men do all the Bible studying for you?
Is your pastor demanding that you let him do all your Bible studying for you?</B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>
</B></FONT></H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="housechu/No_the_overuse_of_the_word.htm">NO!
..... DO WE SAY IT TOO MUCH?</A><BR></B></FONT><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">By
Steve Van Nattan<BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">Is
it possible to answer in the negative without being brash and confrontational?
</FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"></FONT></H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B>
<FONT SIZE="4"><A HREF="housechu/Questions_to_ask_Muslims.htm">QUESTIONS TO ASK
A MUSLIM</A><BR></FONT></B></FONT><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">By
Steve Van Nattan<BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">The
first objective here is to try to identify Muslims who would kill you if they
could, or to learn which Muslims in your environment have a death wish for America
and Christians.</FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>
The second objective in this article is to give Christians the tools to break
down a lying Muslim and prepare him to listen to the Gospel of Jesus Christ. </B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B>
</B></FONT></H2><H2><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><A HREF="housechu/pyramid.htm"><B>THE
GREAT PYRAMID</B></A></FONT><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><BR>By
Steve Van Nattan<BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">Is
the Great Pyramid part of the Revelation of God, or is it just a big pile of rocks?
The Pyramid cult is suckering in many Fundamental pastors. It is total blasphemy.
</FONT></B></H2><H2> <FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><A HREF="housechu/Millennials_how_to_fail_gloriously.htm"><B>MILLENNIALS-
ESCAPE FROM FANTASY</B></A></FONT><BR><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">By
Steve Van Nattan<BR>A discussion of the Millennial Malaise and how to Escape It.
Steve is trying to help millennials and their family and friends work through
</FONT></B></H2><H2> <FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="housechu/christianty_gone_dull.htm"><B>CHRISTIANITY
HAS GONE DULL..... HAVE YOU?</B></A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#000099"><BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>The
Laodicean church says, "We are rich and in need of nothing." In fact,
they are wretched, poor, blind, and naked..... and DULL. Flee from the dull church
now. </B></FONT></H2><H2> <FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="housechu/sodomy_and_the_local_church.htm"><B>DEALING
WITH SODOMY IN THE LOCAL CHURCH</B></A><B><BR></B></FONT><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">How
shall we then live in a nation which enforces sodomy in all social life? Special
emphasis is given to defending boys and girls. </FONT></B></H2><H2> <FONT SIZE="4"><A HREF="housechu/Destroying_Boys_in_the_culture.htm"><B><FONT FACE="Arial, Helvetica, sans-serif">DESTROYING
BOYS IN MODERN SOCIETY<BR></FONT></B></A><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>By
Steve Van Nattan</B></FONT></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><BR>Will
anyone help Billy survive puberty and become a Christ honoring man? The schools,
the media, the church, and the home have become boy war zones for those who want
boys to grow up to be girlie sissies or sodomites. Here are some suggestions in
how to take back the boys. </B></FONT></H2><H3><FONT SIZE="4"><A HREF="housechu/How_to_Destroy_Heretical_Christianity.htm"><FONT FACE="Arial, Helvetica, sans-serif"><B>HOW
TO DESTROY HERETICS IN CULTIC CHRISTIANITY</B></FONT></A><BR></FONT><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">By
Steve Van Nattan<BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">The
cults of Christendom are thriving. But, many of them are reporting poor results
in recent days. Your assignment is to do battle with cults and heretics to the
glory of Jesus Christ. </FONT></B></H3><H2> <FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="theworld/Great_Depression_Series.htm"><B>THE
GREAT DEPRESSION SERIES</B></A><BR></FONT><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">Using
the Past to Prepare for the Future </FONT></B></H2><H3> <FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="housechu/decadence_and_the_Bible_believer.htm"><B>DECADENCE
OF THE CULTURE AND THE BIBLE RESPONSE</B></A><BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>Western
culture has collapsed into total ruin. Will you go back to find God and the answers
in the Bible? Or, will you import this mongrel culture into the local church?
Have your added the golden calf of the culture to the altar of God? </B></FONT></H3><P><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><A HREF="housechu/Lords_day.htm">THE
LORD'S DAY</A></FONT><BR></B></FONT><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">By
Steve Van Nattan<BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">This
is an answer to legalizers like the Seventh Day Adventists and Seventh Day Baptists.
SDAs are damned to Hell for exalting Ellen G White to the status of inspired revelator.
We show why they are lost sinners. </FONT></B></P><H2><B><A HREF="housechu/Road_to_Hell.htm"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4">THE
ROAD TO HELL</FONT></A><FONT FACE="Arial, Helvetica, sans-serif"><BR><FONT SIZE="3">This
is a pa for Atheists, Agnostic, Progressive Liberals, Fake Christians, and Rebels
in general </FONT></FONT></B></H2><H3><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="theworld/normal.htm">NORMAL--
WHAT IS IT?</A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#000099"><BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">BY
STEVE VAN NATTAN<BR>We live is an era of many presuppositions about normality.
We assume things are totally normal and good for humanity which did not exist
just 60 years ago. Because something "works," we assume it is the only
way to live. We may be wrong</FONT></B><FONT SIZE="4">. </FONT></H3><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B>
</B></FONT><BIG><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="theworld/culture1.htm">THE
END OF THE CULTURE</A><BR></B></FONT></BIG><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">ENTER--
THE DAY OF THE BEAST AND THE WRATH OF GOD?<BR>This is a history of the collapse
of culture and the meddling of the Church in culture instead of preaching the
Gospel. </FONT></B></H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><SPAN >
</SPAN></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="housechu/Marvelous__God.htm"><B>
MARVEL MAN VERSUS MARVELOUS GOD</B></A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><BR></FONT><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">By
Steve Van Nattan<BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">Are
you exalting the marvelous God of the Bible, or are you plodding along vomiting
up your seminary or Bible college notes? Are you telling cute stories about fornicating
preachers making folk heroes of them, or are you lifting up the wonderful Savior?</FONT></B></H2><H2><B><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><A HREF="housechu/me_too.htm">SITUATION
ETHICS AND "ME TOO"</A></FONT></B><B><FONT SIZE="4"><BR></FONT></B><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">By
Steve Van Nattan</FONT></B><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">Women
who played the whore in the past want revenge today. Why?<BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">We
also talk about defending yourself and the local church against sex abuse and
predators.</FONT></B></H2><P><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><A HREF="housechu/rabbit_foot_religion.htm">RABBIT
FOOT RELIGION</A></FONT><BR></B></FONT><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">By
Steve Van Nattan<BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">It
is time to throw away your crutches, and stop tossing the chicken bones. We will
review all the rabbit foot superstitions of world religions, and then we will
look into your religion and mine to see what superstitions we also have. </FONT></B></P><H2><B>
<FONT SIZE="4"><IMG SRC="../timeless01.JPG" WIDTH="77" HEIGHT="29" BORDER="2"><BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><FONT SIZE="4"><A HREF="housechu/Feminization_of_Christian_men_Part%20_One.htm">THE
FEMINIZATION OF MEN IN THE LOCAL CHURCH</A></FONT>- <FONT COLOR="#990000">UPDATED</FONT><BR>A
Five Part Series Complete</FONT></B><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><BR>By
Steve Van Nattan<BR></FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">American
culture has given us two generations of ladylike men, and the Lord's Church is
giving in to this trend. Learn how to tell if you have been feminized by your
wife, pastor, mother, or society. And, learn how to unpack your balls and be the
man again. Ladies: Learn how to t that manly Type A guy you courted back again.<BR>CAVEAT
EMPTOR: This is the roughest article in this journal.<BR></FONT><B> <A HREF="housechu/Feminization_of_Christian_men_Part_Six.htm"><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif">PART
SIX HAS BEEN ADDED</FONT></A><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif">-
</FONT><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><BR>NINE DISTURBING
WAYS SOCIETY IS FEMINIZING MEN THROUGH FOOD AND OTHER PRODUCTS</FONT></B></H2><H2>
<FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="housechu/Arrogant_Patriarch.htm"><B>THE
ARROGANT PATRIARCH</B></A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><BR>Learn
to identify a patriarchal tyrant in the local church, work place, or in the home.
This study applies to both men and women. This is a companion study to The Feminization
of Men in The Local Church above</FONT></H2><H2><B><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><A HREF="housechu/Where_Have_the_devils_Gone.htm">WHERE
HAVE ALL THE DEVILS GONE?</A></FONT><BR></B><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">By
Steve Van Nattan with Mike Van Nattan<BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">There
is a decrease in devil driven humanity. Their old haunts have been largely vacated.
Where are they, and what are they doing</FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>?
</B></FONT></H2><H2><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><FONT SIZE="4"><A HREF="http://www.homemakerscorner.com/duggars-birth-control.html">IS
THE DUGGER POSITION ON BIRTH CONTROL BIBLICAL</A><BR><FONT SIZE="3">Mary at The
Home Maker's Corner</FONT> <BR><FONT SIZE="2">The Duggers</FONT></FONT><FONT SIZE="2">
claim that you should have as many children as possible. This is also known as
"Quiver Full." Mary tells us what the Bible does, or does not, say on
this</FONT></FONT></B></H2><H2> <FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="theworld/Liberalism_How_to_Destroy_It.htm">LIBERALISM
AND HOW TO DESTROY IT</A><BR><FONT SIZE="3">By </FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>Steve
Van Nattan and others<BR><FONT SIZE="2">Progressive Liberals understand only one
thing- BRUTE FORCE. We must give that to them in <BR>great abundance. We must
break PV rules at every opportunity. </FONT></B></FONT></H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"></FONT>
<B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4">JACKBOOT CHRISTIANS WHO
ATTACK PASTORS AND SAINTS FROM THE PEW<BR><A HREF="housechu/nazpew.htm">ARTICLE
ONE</A> <A HREF="housechu/nazpew02.htm"><BR>ARTICLE TWO</A> <FONT SIZE="2"></FONT></FONT></B></H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>
<FONT SIZE="4"><A HREF="housechu/How_to_get_Found_after_You_are_lost.htm">HOW
TO GET FOUND AFTER YOU HAVE BEEN LOST</A><BR></FONT></B></FONT><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">By
Steve Van Nattan<BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">What
does the bible mean by "The Lost"? How does a man t lost? How can a
man be found and saved? </FONT></B></H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="housechu/Fundamentalism_a_mongrelized_freak.htm">THE
MONGRELIZING OF FUNDAMENTALISM</A><BR></B></FONT><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">By
Steve Van Nattan<BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">Fundamentalism
was born a cripple, and it has become a monster. </FONT></B></H2><H3><B></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="housechu/fear_distrust_desperation.htm">What
happens when all that remains of the world is..... <BR>Fear, Distrust, and Quiet
Desperation?</A><BR><FONT SIZE="2">This article needed updating to reflect the
present stress of fear and distrust in the world. Both the USA and Europe are
on the brink of social chaos. If it is all getting to you, I think this article
will help. </FONT></B></FONT></H3><H2><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="theworld/Flat_Earth_Heretics.htm">FLAT
EARTH HERETICS</A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><BR>By
Steve Van Nattan<BR></FONT></B><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B>How
can a Bible believer make a great fool of himself and the Lord's Church? </B></FONT></H2><H3><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B>
</B></FONT></SPAN><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="housechu/MacArthur_is_preaching_the_same_sermon_as_Pope_.htm">WHY
DOES JOHN </A><A HREF="housechu/MacArthur_is_preaching_the_same_sermon_as_Pope_.htm">MacARTHUR
SOUND SO MUCH LIKE POPE FRANCIS?</A><BR><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">
By Steve Van Nattan<BR><FONT SIZE="2">Question: Where have all the sheep gone?
Both Pope Francis and John MacArthur lament Christians who claim to be born again
but are not parking their butt in the local church on Sunday morning. These two
men are seen in a video preaching identical messages More research shows us that
Lordship Salvation is the motivation, and the solution is for the Pope of Rome
and Burbank to stop questioning our salvation. </FONT></FONT></FONT></B></H3><H2><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B>
</B></FONT></SPAN><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="housechu/MacArthur_and_Freemasonry.htm">JOHN
MacARTHUR'S MASONIC CONNECTIONS</A><BR></B></FONT><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">By
Steve Van Nattan<BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">MacArthur
spews forth blasphemies and lies while exalting his Scottish <BR>family heritage
as the power which brought success to Grace Community Church. </FONT></B></H2><H2><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><SPAN >
</SPAN></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="housechu/macarthr.htm">JOHN
MacARTHUR'S ATTACK ON THE BLOOD OF JESUS IS UPDATED</A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><BR>By
Steve Van Nattan<BR><FONT SIZE="2">John MacArthur claims that the Blood of Jesus
does not save us. He says that the word "blood" stands for the Death
of Jesus. We expose his heresy here. </FONT></FONT></B></H2><H3><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><IMG SRC="../Comic_relief02.JPG" WIDTH="67" HEIGHT="63" ALIGN="LEFT">
<A HREF="../yarn/Chaplain_Kapusta_Fort_Konx.htm">COLONEL KAPUSTA- </A></FONT></B><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><B><A HREF="../yarn/Chaplain_Kapusta_Fort_Konx.htm">MONSIGNOR
AND ARMY CHAPLAIN</A></B></FONT><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><BR><FONT SIZE="2">A
hilarious story from Steve's days in the US Army </FONT></FONT></B></H3><H3><BR><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="housechu/tobacco.htm">TOBACCO</A>
<FONT COLOR="#000099"><BR></FONT><FONT SIZE="2">From the cradle to the crave to
the grave<BR>A horrible way to commit suicide</FONT></B></FONT><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B><BR>A
Moral issue that is answered on the Web and from the Word of God </B></FONT></H3></BLOCKQUOTE><BLOCKQUOTE><H2>
<FONT SIZE="4"><A HREF="housechu/Deluded-Devil_Possessed_Fundamental_Preachers.htm"><FONT FACE="Arial, Helvetica, sans-serif"><B>DELUDED
DEVIL POSSESSED PREACHERS</B></FONT></A><BR></FONT><B><FONT SIZE="3" COLOR="#000000" FACE="Arial, Helvetica, sans-serif">By
Steve Van Nattan<BR></FONT></B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><FONT COLOR="#990000">Proverbs
5:22 His own iniquities shall take the wicked himself, and he shall be holden
with the cords of his sins.</FONT><BR><FONT SIZE="2">There has been a migration
of devils from the dark shadows of witchcraft to the church house. During the
1970s, while I pastored in the High Desert of California, we were in constant
combat with devils. Witchcraft was rampant all over the Desert. Over the ensuing
years, I have become aware that the picture has vastly changed. I hear very little
about witchcraft, though individual instances are certainly still with us. But,
I am now certain that the devils of the 1970s abandoned their black hearted friends
and have "gone to church" and "gotten religion. </FONT></B></FONT></H2><H3><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4">
<A HREF="resource/riplingr.htm">STATEMENT AND DISCLAIMER OF KJV DEFENDERS GAIL
RIPLINGER AND SAM GIPP</A></FONT> <BR><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">There
are many alleged defenders of the King James Bible, but some of them are in it
for the wrong reasons. Fame is one, while the profits of publishing are another.
Some simply find the battle amusing and satisfying. Doing battle can become so
addictive that serving quietly and edifying by Bible teaching becomes boring and
dull. Whatever the reason, we intend to disclaim those who allegedly defend the
Bible for the wrong reasons. </FONT></B></H3><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B>
<FONT SIZE="4"><A HREF="theworld/americachristian.htm"> IS AMERICA A CHRISTIAN
NATION?</A></FONT><FONT COLOR="#000099"><BR></FONT></B></FONT><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">Conservative
Christians and pastors claim that America had a Christian beginning. <BR>You will
learn that there is no such thing as a Christian nation.</FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><SPAN >
</SPAN></B></FONT></H2><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><A HREF="housechu/situation_ethics_and_bible_believers.htm">
SITUATION ETHICS AND YOU</A></FONT><BR></B></FONT><B>By Steve Van Nattan<BR></B><B>Situation
Ethics have never gone away. Satan loves this tool from his ancient tool box.</B><B><BR><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">There
are no absolutes, and anyone, including God, who introduces absolutes into the
human experience is evil. The ideal world will arrive when everyone who walks
in the precepts of God Almighty is eliminated. Thus, it will one day become loving
to kill Christians who have standards they received from God. </FONT></B></FONT></H3><H2 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="../yarn/Big_guys_play_a_nasty_trick_on_me.htm">A
YARN BY STEVE- REVENGE FOR A NASTY TRICK ON ME</A><FONT SIZE="3"><BR></FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>Rift
Valley Academy days: Herbie Lyon and Karl Uline tried to lose me in the forest.
My revenge. </B></FONT></H2><H2 ALIGN="LEFT"><B><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><A HREF="theworld/MSG_glutamic_acid_update.htm">SOME
IDEAS FOR THOSE WHO ARE HAVING TROUBLE AVOIDING MSG</A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">
<BR>By <A HREF="http://www.truthinlabeling.org/Some-ideas-for-those-who-are-having-trouble-avoiding-MSG.html">Truth
In Labeling</A> </FONT></B></H2><H2 ALIGN="LEFT"> <FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="housechu/disney.htm">WALT
DISNEY QUEERS YOUR KIDS<BR></A></FONT><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">Various
Sources with Steve Van Nattan<BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">Walt
Disney may have started out somewhat innocently, but he and his empire turned
into a filthy pig pen given over to sexual perversion in entertainment. </FONT></B></H2><H2 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">
</FONT></B> <B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="http://www.homemakerscorner.com/we-believe-not-quiverfull.html"><FONT SIZE="4">
WHY WE ARE NOT "QUIVER FULL"</FONT></A><BR>By Mary Stephens<BR><FONT SIZE="2">"Quiverfull"
is the name that has been given to a worldwide Christian belief system that essentially
says that it is not "godly" to limit the size of families through any method.
There are a number of different shades and variations of this belief system or
movement. Some are deeply connected with the Christian Patriarchy movement, others
are involved in church groups that support this belief, while still others are
more or less free radicals that are inventing their own plan as they go.</FONT></FONT></B></H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><A HREF="housechu/Nagging_Christians.htm">NAGGING
CHRISTIANS</A></FONT><FONT COLOR="#000099"><BR></FONT></B></FONT><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">By
Steve Van Nattan<BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">What
shall we do when Christians nag and nanny us?<BR>Nagging is rampant in the world
today as people take it on themselves to police other people. This disease has
infected Christian churches, and pastors are very guilty of nagging and nannying
the saints. We all need to examine ourselves in this matter.</FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><SPAN >
</SPAN></B></FONT></H2><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="housechu/ghosts.htm">ARE
THERE GHOSTS IN THE KING JAMES BIBLE?</A><BR><FONT SIZE="3">By Will Kinney and
Steve Van Nattan<BR></FONT></B></FONT><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">This
is a discussion of the use of the word "ghost" in the modern bible translations.<BR></FONT></B><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B>Ghosts
do not exist, but these funny bibles imply that God believes in ghosts.<BR>This
is the folly of John MacArthur and many other gullible men. </B></FONT></H2><H2><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="theworld/Atheistic_Science_is_crashing.htm">WHAT
IS GOING ON IN THE FLIGHT FROM ATHEISM?</A><BR></FONT><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">By
Steve Van Nattan</FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">This
is a discussion of the notions of Graham Hancock and Rupert Sheldrake. <BR>These
men and others are questioning the deification of Materialistic Science and Atheism.<BR>The
"laws" of science are a steel box from which we must escape to find
revelation.<BR>So, free thinkers are fabricating a hybrid of spirituality and
science.<BR>Is this the religion of the Antichrist? </FONT></B></H2><H2 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT SIZE="4">
</FONT><FONT SIZE="4"><A HREF="theworld/ignorance_about_the_world_and_how_to_cure_it_in_ourselves.htm">IGNORANCE
ABOUT THE WORLD,</A></FONT><A HREF="theworld/ignorance_about_the_world_and_how_to_cure_it_in_ourselves.htm"><FONT SIZE="4">
AND HOW TO CURE IT IN YOURSELF</FONT></A><FONT SIZE="4"><BR><FONT SIZE="3">By
Steve Van Nattan</FONT><BR><FONT SIZE="2">The most deadly fault in the Christian
life is bad information up front. This study deals with the ways you can lead
yourself astray by believing false tales, propaganda, church house assumptions,
bad preaching, and rumors. I apologize for being so long getting this article
up. It has been an enormous project.</FONT></FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">
</FONT></H2><H2 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT SIZE="4">
</FONT><IMG SRC="../timeless01.JPG" WIDTH="77" HEIGHT="28" BORDER="2"> </B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="housechu/battle_lines_for_the_end_times.htm">BATTLE
FRONTS FOR THE END TIMES<BR></A><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">By
Steve Van Nattan<BR><FONT SIZE="2">The Bible believer is at war, and that is established
by the Word of God, the example of Christ, and by the history of the Lord's Church
for 2000 years. The question is, are you going to stand your ground, or will Satan
and his helpers cause you to stand down or go AWOL? </FONT></FONT></B></FONT></H2><H2 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><A HREF="housechu/Nephilim_heresy.htm"><FONT SIZE="4">THE
MODERN HERESY OF THE NEPHILIM</FONT></A><BR><FONT SIZE="3">By Guest Bible teacher
Kevin Zacher- Ten Part Video teaching series <BR><FONT SIZE="2">Alleged prophecy
experts claim that angels have penises and can have sex with human women. This
is heresy and is very offensive to the God of the Bible. -e</FONT></FONT></B></FONT></H2><H2 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="housechu/Letter_to_the_End_Times_Church.htm">PASTORAL
LETTER</A></FONT><A HREF="housechu/Letter_to_the_End_Times_Church.htm"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4">
TO THE LORD'S CHURCH IN THE END TIMES</FONT></A><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><FONT SIZE="4"><BR></FONT><FONT SIZE="3">From
Pastor Steve Van Nattan</FONT><FONT SIZE="4"><BR><FONT SIZE="2">This is a study
to help you identify and deal with those who are in the local church for the sole
purpose of dividing the church and destroying Christian fellowship.</FONT></FONT></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">
This is found all through the Bible, including in the early Apostolic Era, and
it is in your church now. Satan never stops trying to turn believers against one
another. </FONT></B></FONT></H2><H2 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="warroom_poetry_a_father_and_his_son.htm">THERE
IS SOMEONE FOLLOWING YOU, DADDY</A> <FONT SIZE="2"></FONT></B></FONT></H2><H2 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT SIZE="4">
<A HREF="warroom_Asymmetric_Christian_Warfare.htm">ASYMMETRIC CHRISTIAN WARFARE</A></FONT><FONT SIZE="4"><BR><FONT SIZE="3">By
Steve Van Nattan</FONT><FONT SIZE="3"><BR><FONT SIZE="2">Asymmetric Christian
Warfare is the battle tactic of attacking Satan and his servants in their weakest
place when they are least expecting it. This study is meant to train zealous Bible
believers for the unconventional or irregular opportunities to defend the local
church and do Satan much harm. </FONT><BR>This training instruction is actively
supported by my blog: <I><A HREF="http://asymmetricwarfareforchrist.blogspot.com/"><BR>ASYMMETRIC
WARFARE FOR CHRIST</A></I></FONT></FONT></B></FONT><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><BR></FONT></B></H2><H2>
<FONT SIZE="3"><A HREF="housechu/Senor_Verde_on_the_Roman_Catholic_Church_teachings.htm"><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif">THE
ROMAN CATHOLIC WHORE CHURCH</FONT></A><FONT FACE="Arial, Helvetica, sans-serif"><BR></FONT></FONT><FONT FACE="Arial, Helvetica, sans-serif"><SPAN><B><FONT SIZE="3">By
Señor Verde- </FONT></B></SPAN><B><FONT SIZE="3">The heart and soul of the Whore
of Rome is exposed here. </FONT></B></FONT></H2><H3><B><FONT SIZE="3"><A HREF="housechu/Catholic_Church_Promotes_Islam.htm"><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif">
THE ROMAN CATHOLIC CHURCH PROMOTES ISLAM,<BR>THEY ACTUALLY ACCEPT ISLAM AS THE
TRUE FAITH</FONT><BR></A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">No
blasphemy in the history of the Whore of Rome is more deadly and insulting to
true Christians than this vile trick of Pope Francis and his depraved Bishops.
By exposing Pope Francis as a blasphemer and Antichrist, we take credibility away
from the seductive Whore of Rome. Spread this story around. </FONT></B></H3><H3><B>
<FONT SIZE="4"><A HREF="http://www.homemakerscorner.com/patriarchy-arrogant-patriarch.html"><FONT FACE="Arial, Helvetica, sans-serif">THE
ARROGANT PATRIARCH</FONT></A><BR></FONT><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">By
Frank Snyder</FONT><FONT SIZE="2"><BR><FONT FACE="Arial, Helvetica, sans-serif">I
have encountered this phenomenon in a man with a Ph.D. from Harvard and a man
that was illiterate. The Ph.D., <BR>a professed born again Christian, questioned
the biblical account of Creation and other accounts and justified abortion to
the 9th month station. The illiterate man insisted to me that the Bible was full
of errors. When I challenged him to show me one, he left the room. Then his wife
whispered to me that he could not read. But that did not stop him or the Ph.D.
from rendering an absolute opinion. <A HREF="http://www.homemakerscorner.com/patriarchy-arrogant-patriarch.html">Read
More</A></FONT></FONT></B></H3><H3><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="http://www.homemakerscorner.com/spiritual-abuse-people-like.html"><FONT SIZE="4">SPIRITUAL
ABUSE AND THOSE WHO CRAVE IT</FONT></A><BR>By Mary Stephens at <I>The Homemaker's
Corner</I> <BR><FONT SIZE="2">Do you know someone like this? "I see it as
a sort of spiritual BDSM (bonda and sadomasochism). The person in "authority"
abuses the believers, and they accept it as part of their spiritual duty. In fact,
they see it as "necessary" for their happiness and personal betterment. For some
reason, the people who submit to it seem to think that they deserve it, that it
"helps" them, that they "need" it, and ultimately that it is immensely satisfying.
"<BR>This is listed also in our section: <A HREF="housechu/nazibapt.htm">Jackboot
Baptist Preachers, and other Traitorous Warriors</A></FONT></B></FONT></H3><H3><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="housechu/words3.htm">WORDS
WE USE- Part Three</A><BR></FONT><FONT SIZE="2">Twenty years ago I posted Part
One and Two of "Words We Use." That became one of the most loaded articles
on this journal. Well, the world and Church community are back at it, that is,
using many words that are pointless, irrelevant, or downright profane. Let's examine
what we are saying</FONT>. </B></FONT></H3><H2><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><FONT SIZE="4"><A HREF="housechu/Hog_Swill_Preaching.htm">HOG
SWILL PREACHING</A></FONT><BR></B></FONT><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">By
Buddy Smith<BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">Are you
really feeding sheep pastor? Or, are your sheep being fed by hireling hog farmers?
</FONT></B></H2><H2><SPAN ><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="prophecy/Anti-Jewish%20Protestant%20Hate%20mongers.htm">THE
FOOLISHNESS OF ANTI-JEWISH PROTESTANT CONSPIRACY THEORISTS</A> -- </B></FONT></SPAN><SPAN STYLE="color: #000080;"><B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><A HREF="http://shoebat.com/2015/12/29/the-foolishness-of-anti-jewish-protestant-conspiracy-theorists/">By
Thomas King</A> at <A HREF="http://shoebat.com/">Shoebat.com<BR></A></FONT></B></SPAN><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">A
system of apologetics justifying hate of Jews has been developing for hundreds
of years.<BR>This leads to blasphemy against the Bible because these men have
to twist it to make their case. </FONT></B><B><FONT COLOR="#FFE9A6"></FONT></B></H2></BLOCKQUOTE><BLOCKQUOTE><H2 ALIGN="LEFT"> </H2></BLOCKQUOTE><BLOCKQUOTE><H3><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT SIZE="5" COLOR="#000099">MORE
RECENT ARTICLES </FONT><I><FONT SIZE="5" COLOR="#000099"><BR></FONT></I><FONT SIZE="3" COLOR="#000099">This
is a fraction of the 1200 articles in the journal</FONT></B></FONT></H3><TABLE WIDTH="730" BORDER="0" CELLPADDING="5" ALIGN="CENTER" CELLSPACING="7"><TR><TD WIDTH="213" BGCOLOR="#E4E4E4"><DIV ALIGN="CENTER"><P><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#990000"><B><I><BR>THE
GOSPEL</I></B></FONT></P><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="johnmenu.htm">THE
GOSPEL</A> </B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="assurance07goodhope.htm">GOOD
HOPE FROM THE BIBLE</A> </B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif"><B><A HREF="muchassurance.htm"><FONT SIZE="2">ASSURANCE
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CALLS</A> </FONT></B></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/repentance.htm">REPENTANCE</A>
</FONT></B></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/works02.htm">CONFESSION
OF SIN</A> </FONT></B></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B></B></FONT></H3><H3 ALIGN="LEFT"> </H3><H3 ALIGN="LEFT"><BR></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="johnmenu.htm">More
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TEACHING / DOCTRINE</I></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B>
<A HREF="resource/xmass.htm">CHRISTMAS</A><FONT SIZE="2"> </FONT></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="housechu/Profane_or_Holy.htm"><FONT SIZE="2">THE
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you choking on Sharia Baptist Standards? </FONT></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT SIZE="2"><A HREF="housechu/Salvation-through-the-state.htm">SALVATION
THROUGH THE STATE</A> </FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">By
Thomas Schirrmacher </FONT></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/Hatred_of_God.htm">THE
HOLY HATRED OF GOD </A> </B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/what-does-the-bible-say-about-carnility.htm">WHAT
DOES THE BIBLE SAY ABOUT CARNALITY?</A> </B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/sanctification.htm">SANCTIFICATION
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all </FONT></B></H3><H3 ALIGN="LEFT"><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B><A HREF="housechu/Bible_chapter_studies_Psalm91.htm">GREAT
CHAPTERS OF THE BIBLE- PSALM 91</A> </B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/tithe02.htm"><B>TITHING-
AN HISTORICAL STUDY</B></A> </FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/masterb2.htm">DON'T
PLAY WITH YOURSELF, JOHNNY</A> </B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="housechu/1cor1213.htm"><FONT SIZE="2">I
CORINTHIANS 12:13</FONT></A><FONT SIZE="2">-- <BR>Regarding the universal church
</FONT></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/kings.htm"><B>ALL
THE KINGS OF THE BIBLE</B></A> </FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/abiah.htm">CHRIST'S
BIRTH DATED WITH THE BIBLE</A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"> </FONT></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/gloryofgod.htm">WHAT
IS THE GLORY OF GOD? </A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/what-satan-can-and-cannot-do.htm">SATAN--
WHAT HE CAN AND CANNOT DO</A> </B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="believe.htm"><FONT SIZE="2">WHAT
DO WE BELIEVE?</FONT></A><FONT SIZE="2"> </FONT></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="fishless.htm">THE
PARABLE OF THE FISHLESS FISHERMAN</A> </B></FONT></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/easter.htm">EASTER
</A></FONT></B><BR><BR><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/Security_foundations_for_bible_believers.htm">SEVEN
SURE FOUNDATIONS FOR ULTIMATE SECURITY </A></B></FONT><BR><BR><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/spurgeon_on_amusement.htm">FEEDING
SHEEP.....<BR></A></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/spurgeon_on_amusement.htm">OR
AMUSING GOATS?</A> </FONT></B></H3><P ALIGN="LEFT"><B><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><A HREF="hit-one.htm">BALAAM
AND HIS JACK ASS</A> </FONT></B></P><P ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="biblevss.htm">THE
DUMB ASS SPEAKING</A></B><BR></FONT><BR><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/what-satan-can-and-cannot-do.htm">WHAT
SATAN CAN AND CAN'T DO</A></B></FONT> <BR><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/balaam18.htm"><BR></A></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="../Cross%20Word%20Pdf/Crosswords-english.pdf">CROSS
WORD PUZZLES- KJV- FREE</A></B></FONT></P><P ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="housechu/hearing_from_the_other_side-PART_ONE.htm"><FONT SIZE="2">CAN
WE HEAR VOICES OR SEE THINGS FROM THE OTHER SIDE?</FONT></A><FONT SIZE="2"><BR></FONT></FONT></B><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B>Are
voices from Satan or evil men tormenting you? </B></FONT></P><P ALIGN="LEFT"> </P><P ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/balaam18.htm"><BR><BR></A></B></FONT></P><P ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/balaam18.htm"><BR></A></B></FONT></P><P ALIGN="LEFT"> </P><P ALIGN="LEFT"><BR></P><P ALIGN="LEFT"> </P><P ALIGN="LEFT"> </P><P ALIGN="LEFT"><BR><BR></P><P ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/balaam18.htm"><BR>More
Articles</A>.....</B></FONT></P></DIV></TD><TD WIDTH="235" BGCOLOR="#E4E4E4" ROWSPAN="3"><DIV ALIGN="CENTER"><H3><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#990000"><B><I><BR>ISSUES
FOR BELIEVERS</I></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="housechu/King_James_Bible_in_English.htm"><FONT SIZE="2">THE
KING JAMES BIBLE AND ENGLISH</FONT></A><BR></FONT></B><B>The old King James Bible
rules the world, indeed schools the world, in English. It is the final authority.
</B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="http://thecottonapron.blogspot.com/2015/08/what-about-duggars-was-reality-show.html"><FONT SIZE="2">WHAT
ABOUT THE DUGGERS?</FONT></A><FONT SIZE="2"><BR>Was the Reality Show Ever Appropriate?</FONT></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/shakhina.htm">THE
SHEKHINA GLORY<BR></A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">The
grossest blasphemy in all of Christendom. </FONT></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/how-to-be-a-friend.htm">BE
A GOOD FRIEND</A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/how-to-be-a-friend.htm">.....
<BR>LEAD BY EXAMPLE</A> </FONT></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/Epistemology-of-a-Bible-believer.htm">THE
EPISTEMOLOGY OF A BIBLE BELIEVER..... Or, <BR>WHAT DO YOU KNOW THAT GOD KNOWS?</A></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>
</B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="prophecy/AntiSemitism-and-reality.htm">ANTI-SEMITISM
AND THE TRUTH..... HISTORICALLY AND BIBLICALLY</A> </B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/porn.htm">PORNOGRAPHY-
HOW DO WE RESIST?</A> </B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="fundamentalism.htm">THE
END OF FUNDAMENTALISM</A> </B></FONT></H3><H3 ALIGN="LEFT"><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B><A HREF="housechu/prosperity_doctrine.htm">PROSPERITY
GOSPEL</A> </B></FONT></H3><H3 ALIGN="LEFT"><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B><A HREF="http://www.homemakerscorner.com/thepearls.htm">MIKE
PEARL- HERETIC, BLASPHEMER, AND PERVERT</A></B></FONT></H3><DIV ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/words.htm">WORDS
WE USE- PART ONE</A></B></FONT></DIV><P ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/words2.htm">WORDS
WE USE- PART TWO</A></B></FONT></P><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/posconfs.htm">POSITIVE
CONFESSION AND SELF LOVE</A> </B></FONT></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/hip-hop.htm">MUSIC
IN CHURCH</A> -- <A HREF="housechu/sgm.htm">SGM</A> </FONT></B></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="resource/mornstar.htm">HOW
ART THOU FALLEN FROM HEAVEN, O LUCIFER, [ AND THY FUNNY BIBLES ]</A> </B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="housechu/shirley.htm"><FONT SIZE="2">SHIRLEY
GOD</FONT></A><FONT SIZE="2"> <BR>This cult infiltrates ALL churches </FONT></B></FONT></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/pastoral.htm">PASTORAL
CANDIDATES YOU MAY WANT TO LOOK INTO</A></FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>
</B></FONT></H3></DIV><H3 ALIGN="LEFT"><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B><A HREF="works01.htm">WORKS
ARE GOOD</A> </B></FONT></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/flattery.htm">FLATTERY</A>
</FONT></B></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/legends.htm">GREAT
ORDINARY BIBLE BELIEVERS </A></FONT></B><BR></H3><P ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="http://www.homemakerscorner.com/patriarchy-examined.htm">EXAMINING
"BIBLICAL PATRIARCHY" AND "GOD GIVEN AUTHORITY"</A></B></FONT></P><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/reasonsforhoursechurch.htm">ARGUMENT
FROM </A></B><A HREF="housechu/reasonsforhoursechurch.htm"><B>THE BIBLE FOR HOUSE
CHURCHES <BR></B></A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>This
is the solution to sodomites invading the local church</B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/gotthrd.htm">BILL
GOTHARD SCANDAL REVISITED </A></FONT></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/local_church_survival_plam.htm">LOCAL
CHURCH SURVIVAL PLAN</A></FONT></B><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B>
</B></FONT><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B> </B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="https://youtu.be/drMMBE6KRbI">WILL
JESUS WEAR A ROLEX ON HIS TV SHOW?</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/cults.htm">CULTS
EXPOSED</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/thirdwav.htm">CHARISMATIC
CHAOS EXPOSED<BR></A></B></FONT><BR><BR></H3><H3 ALIGN="LEFT"><BR><BR></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/moral.htm"><BR>More
Articles</A>.....</B></FONT><BR></H3></TD></TR><TR><TD WIDTH="213" BGCOLOR="#E4E4E4" HEIGHT="414"><DIV ALIGN="CENTER"><BR><P><FONT COLOR="#990000" FACE="Arial, Helvetica, sans-serif" SIZE="3"><I><B>SERIES
ON EVIL</B></I></FONT></P><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/distraction_of_evil_Definition_of_Evil.htm">PART
ONE: THE DISTRACTION </A></FONT></B><FONT SIZE="2"><A HREF="housechu/distraction_of_evil_Definition_of_Evil.htm"><FONT FACE="Arial, Helvetica, sans-serif"><B>OF
EVIL- EVIL DEFINED</B></FONT></A><FONT FACE="Arial, Helvetica, sans-serif"><B><BR></B></FONT></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>We
define Evil,And then we find the origin of Evil and examine Evil in modern thinking.
</B></FONT></H3></DIV><DIV ALIGN="CENTER"><H2 ALIGN="LEFT"><FONT SIZE="2"><B><FONT FACE="Arial, Helvetica, sans-serif"><A HREF="housechu/distraction_of_evil_the_evil_world_around_us.htm">PART
TWO:THE DISTRACTION </A></FONT></B><A HREF="housechu/distraction_of_evil_the_evil_world_around_us.htm"><FONT FACE="Arial, Helvetica, sans-serif"><B>OF
EVIL- THE EVIL WORLD AROUND US</B></FONT></A><FONT FACE="Arial, Helvetica, sans-serif"><B>
<BR></B></FONT></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>Jesus
warned us that we must prepare for intensely evil times in our days. How shall
we deal with so much evil?</B></FONT></H2></DIV><DIV ALIGN="CENTER"><H2 ALIGN="LEFT"><FONT SIZE="2"><B><FONT FACE="Arial, Helvetica, sans-serif"><A HREF="housechu/distraction_of_evil_The_evil_in_us.htm">PART
THREE: THE DISTRACTION OF EVIL- </A></FONT></B><A HREF="housechu/distraction_of_evil_The_evil_in_us.htm"><B><FONT FACE="Arial, Helvetica, sans-serif">THE
EVIL IN US</FONT></B></A><B><FONT FACE="Arial, Helvetica, sans-serif" COLOR="#000099"><BR></FONT></B><FONT FACE="Arial, Helvetica, sans-serif"><B>This
study deals with our battle with the flesh, our own war with our old nature, and
the evil we find in ourselves. </B></FONT></FONT></H2></DIV><DIV ALIGN="CENTER"><H2 ALIGN="LEFT"><FONT SIZE="2"><B><FONT FACE="Arial, Helvetica, sans-serif"><A HREF="housechu/Evil_and_entropy.htm">PART
FOUR: EVIL, ENTROPY, AND YOU</A> <BR>The world at large, big name Christian leaders,
One World movers and shakers, all believe the world is moving toward a higher
level of social good in neral. The fact is, the whole world is degrading steadily
into chaos and degeneration</FONT></B><FONT FACE="Arial, Helvetica, sans-serif"><B>
all </B></FONT></FONT></H2><H2 ALIGN="LEFT"> </H2><H2 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="distraction_of_evil.htm">THE
EVER PRESENCE OF EVIL</A></FONT></B></H2></DIV></TD></TR><TR><TD WIDTH="213" BGCOLOR="#E4E4E4" HEIGHT="453"><H3 ALIGN="CENTER"><FONT COLOR="#990000" FACE="Arial, Helvetica, sans-serif" SIZE="3"><I><B>THE
QUIET PLACE</B></I> </FONT></H3><P><A HREF="quietplace.htm"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>THE
QUIET PLACE ENTRY PA</B></FONT></A> </P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.blessedquietness.com/journal/quietplace06.htm">PREACHER-
DON'T GIVE UP</A></FONT></B></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.blessedquietness.com/journal/quietplace10.htm">QUIET
SCENIC DRIVE ETC.</A></FONT></B></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.blessedquietness.com/journal/quietplace11.htm">QUIETNESS--
BLACK AND WHITE</A></FONT></B></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.blessedquietness.com/journal/quietplace12.htm">QUIET
IN THE HOLYLAND</A></FONT></B></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="http://www.blessedquietness.com/journal/quietplace22.htm">TRIBUTE
TO THE SHIPS THAT WON'T GO DOWN</A></FONT></B></P><P><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="http://www.blessedquietness.com/journal/quietplace24.htm">NO
GREATER LOVE</A><BR><BR></B></FONT><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="../survival/Quiet_time_Get_it_back.htm">BE
QUIET, BE STILL, <BR>AND KNOW GOD</A></FONT> </B></FONT></P><P> </P><P> </P><P> </P><P><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="quietplace.htm">More
Articles</A>.....</B></FONT></P></TD></TR><TR><TD WIDTH="213" BGCOLOR="#E4E4E4"><DIV ALIGN="CENTER"><H3><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#990000"><B><I><BR>HEALTH</I></B></FONT></H3><DIV ALIGN="LEFT"><B><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><A HREF="http://articles.mercola.com/sites/articles/archive/2015/11/21/statin-nation-2.aspx?e_cid=20151121Z1_DNL_art_1&utm_source=dnl&utm_medium=email&utm_content=art1&utm_campaign=20151121Z1&et_cid=DM90628&et_rid=1226936858">IF
YOU ARE TAKING STATINS, YOU ARE CRIPPLING YOURSELF</A></FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>
Taking Statins and avoiding saturated fats? Your heart is being calcified by the
Statin drugs. You are virtually committing slow suicide.</B></FONT></DIV><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="theworld/Phalates_plastic_you_get_your_food_in.htm">FOOD
PRODUCTS WHICH DISRUPT HORMONES</A></B></FONT><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B>
Including phthlate contamination </B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="theworld/bitters_health_factors_uses.htm"><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif">BITTER
FOODS FOR HEALTH</FONT></A><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><BR></FONT></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">Bitter
foods and herbs must be part of our diet. </FONT></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif"><B><A HREF="http://www.blessedquietness.com/journal/theworld/fluprecautions.htm"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">FROM
FLU TO EBOLA AND MARBURG VIRUSES</FONT></A><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif">
<BR>Precautions and Survival</FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">
<BR></FONT></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="theworld/sugar_high_fructose_corn_syrup_obesity_diabetes.htm">SUGAR
AND HIGH FRUCTOSE CORN SYRUP ARE KILLING YOU</A> </B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="theworld/American_Meat_Production_Uses_More_Antibiotics_Than_Ever_Despite_Growing_Threat_of_Antibiotic_Resistant_Disease_in_Consumers.htm">American
Meat Production Uses More Antibiotics Than Ever<BR></A></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>Article
by Dr. Mercola </B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="http://www.blessedquietness.com/journal/theworld/aids15.htm"><FONT SIZE="2">HIGHEST
DISEASE INFECTION IN THE USA AND CANADA </FONT></A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="theworld/aids20years.htm">TWENTY
YEARS </A><A HREF="theworld/aids20years.htm">(plus 12 more years) OF AIDS UPDATE</A>
</B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="theworld/GMO%20Foods%20in%20your%20Pantry.htm">GMO
FOOD IN YOUR PANTRY</A> </B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="theworld/prozac-poisoning-fish-and-you.htm">PROZAC
IN YOUR DRINKING WATER </A></B></FONT></H3><H3 ALIGN="LEFT"><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B><A HREF="theworld/GMO%20corn%20kills%20via%20cancer.htm">YOU
ARE THE GUINEA PIG !! <BR>MONSANTO WANTS TO KILL YOU</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="theworld/GMO%20corn%20kills%20via%20cancer.htm">DOES
SOMEONE WANT TO KILL YOU WITH GMO <I>ROUND UP READY</I> CORN?</A> </B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="theworld/enterovirus_d68.htm">THE
ENTEROVIRUS D68</A> </B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="http://www.blessedquietness.com/journal/housechu/vaccinations.htm"><FONT SIZE="2">VACCINATIONS</FONT></A>
<FONT SIZE="2"><BR>I am convinced an Ebola vaccine exists. </FONT></FONT></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/cluster.htm">CLUSTERED
WATER, MAGNETIZED WATER, AND STRUCTURED WATER HOAXES</A> </FONT></B></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="theworld/ba-aids.htm"><BR>More
Articles</A>.....</B></FONT></H3></DIV></TD><TD WIDTH="221" BGCOLOR="#E4E4E4" ROWSPAN="2"><DIV ALIGN="CENTER"><H3><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#990000"><B><I><BR>PROPHECY</I></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="http://balaamsassspeaks.blogspot.com/2015/11/more-on-cracks-near-yellowstone.html">YELLOWSTONE:
GOD'S BOMB FOR AMERICA?</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="prophecy/Rapture_according_to_Ear;ly_Church_Fathers.htm"><FONT SIZE="2">THE
RAPTURE ACCORDING TO THE EARLY CHURCH FATHERS</FONT></A><FONT SIZE="2"><BR>Wild
myth that the Rapture doctrine was invented by Jesuits, a demented woman, or Darby.
Set the record straight.</FONT> </FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">By
Matt Ward </FONT></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/Antichrist_big_business_monetary_system.htm">THE
END TIMES ANTICHRIST, VATICAN, BIG BUSINESS, MONETARY AND BANKING SYSTEM</A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#000099">
<BR></FONT></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="prophecy/The-Great-Tribulation-and-Anthropological-Observations-PART-ONE-AND-TWO.htm"><FONT SIZE="2">THE
GREAT TRIBULATION<BR>Seven Years of Hell on Earth</FONT></A><FONT SIZE="2"> <BR></FONT></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="prophecy/Blood_Moons.htm">BLOOD
MOONS HERESY</A> </FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><BR>By
Pastor John Muncy- And, the farmer hauled another load away <BR></FONT></B></FONT></H3><H2 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/dan.htm">THE
LOST TRIBE OF ISRAEL- DAN</A> </B></FONT></H2><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">WATCH
VLADIMIR PUTIN BUILD THE <A HREF="prophecy/gog.htm">EMPIRE OF GOG - RUSSIA</A>
</FONT></B></H3><H3 ALIGN="LEFT"><B><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><A HREF="housechu/embrace.htm">TO
EMBRACE HEBREW ROOTS</A> </FONT></B></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="prophecy/Blue%20Beam.htm">BLUE
BEAM</A><BR>Deadly techno fake rapture to stampede Bible believers </FONT></B></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="resource/attack.htm">HEBREW
ROOTS ATTACKS GOD'S NAME</A> </B></FONT></H3><H3 ALIGN="LEFT"><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><A HREF="housechu/heritage.htm"><B>ECCLESIASTICAL
SECESSIONIST AND APOSTOLIC CHURCH HERITAGE</B></A> </FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/jones01.htm">IS
THIS THE BEGINNING OF THE END?- Kansas City Seven Prophets</A> </B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="prophecy/ezekiel38.htm">EZEKIEL
38 REVISITED</A> </B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/rapture1.htm">THE
RAPTURE OF THE LORD'S TRUE CHURCH</A> </B></FONT></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="prophecy/arabs.htm"><FONT SIZE="2">ARABS</FONT></A><FONT SIZE="2">
--- </FONT></FONT></B><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B><A HREF="prophecy/israel.htm">ISRAEL</A></B></FONT><BR></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="prophecy/babylon.htm">BABYLON</A>
</FONT></B></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/revchart.htm">REVELATION
CHART</A> </FONT></B></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/prophecyasdivination.htm">PROPHECY
AS DIVINATION</A> </FONT></B></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>MY
BLOG- <BR><A HREF="http://putinwatch.blogspot.com/">VLADIMIR PUTIN WATCH</A> </B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>MY
BLOG- <BR><A HREF="http://newduderising.blogspot.com/">THE DELUSION WAS STRONG</A></B></FONT>
<BR><BR><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>MY BLOG- <A HREF="http://shufflingtowardarmageddon.blogspot.com/">SHUFFLING
TOWARD ARMAGEDDON</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="prophecy/ufos.htm"><FONT SIZE="2">UFOs
AND DEVILS, AND GULLIBLE CHRISTIANS</FONT></A><FONT SIZE="2"> - T</FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>en
articles</B></FONT><FONT SIZE="2"> </FONT><BR></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><FONT SIZE="2"><A HREF="prophecy/Turkey_in_Bible_prophecy.htm">WILL
THE TURKISH EMPIRE RISE AGAIN?</A> </FONT>Or, is Turkey actually Gomer in Bible
prophecy? Turkey and Islam in Bible prophecy. </B></FONT><FONT SIZE="2"></FONT><BR><BR><FONT FACE="Arial, Helvetica, sans-serif"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="prophecy/I_too_sent_my_son_to_Israel.htm">I
TOO SENT MY SON TO ISRAEL</A></FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">
<BR></FONT></FONT><BR><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="prophecy/The-Great-Tribulation-and-Anthropological-Observations-PART-ONE-AND-TWO.htm"><FONT SIZE="2">THE
"GREAT TRIBULATION"- <BR>EXTREME HUMAN BEHAVIOR AND SEVEN YEARS OF HELL
ON EARTH</FONT></A><FONT SIZE="2"><BR></FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>Jesus
prophesied "Great Tribula-tion" for those who are "left behind".
</B></FONT><FONT SIZE="2"><B><FONT FACE="Arial, Helvetica, sans-serif"></FONT></B></FONT><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><BR></FONT></B><BR></H3><H3 ALIGN="LEFT"> </H3><H3 ALIGN="LEFT"><BR><BR><BR><BR><BR></H3><H3 ALIGN="LEFT"><BR></H3><H3 ALIGN="LEFT"><BR><BR></H3><H3 ALIGN="LEFT"><BR></H3><H3 ALIGN="LEFT"> </H3><H3 ALIGN="LEFT"> </H3><H3 ALIGN="LEFT"> </H3><H3 ALIGN="LEFT"> </H3><H3 ALIGN="LEFT"> </H3><H3 ALIGN="LEFT"><BR></H3><H3 ALIGN="LEFT"> </H3><H3 ALIGN="LEFT"> </H3><H3 ALIGN="LEFT"><BR></H3><H3 ALIGN="LEFT"><BR><BR><BR></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="prophecy/prophecy.htm">More
Articles</A>.....</B></FONT></H3></DIV></TD><TD WIDTH="235" BGCOLOR="#E4E4E4" ROWSPAN="2"><DIV ALIGN="CENTER"><H3><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#990000"><B><I><BR>MORAL
ISSUES</I></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/trust.htm">WHO
CAN YOU TRUST?</A></FONT><BR></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="http://www.homemakerscorner.com/hard-questions-fifty-shades-of-grey.html"><FONT SIZE="2">CAN
WE LEARN ANYTHING FROM FIFTY SHADES OF GRAY?</FONT></A><FONT SIZE="2"> This article
is from my daughters Mary's <I>Home Maker's Corner</I>.</FONT></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="resource/scholars.htm">SCHOLARS
AND PHDs</A><BR>Position paper by Steve Van Nattan</B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="theworld/strong-delusion.htm">EUGENICS
SERIES</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/bling-bling.htm">BLING
BLING AND OTHER TRASH WE HANG ON OURSELVES</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/sodomy-update-2014.htm">PROGRESS
OF <BR>SODOMITES TO QUEER AMERICA</A></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>
</B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/porn.htm">PORNOGRAPHY</A></B></FONT></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="housechu/Do-know-when-you-are-wrong.htm"><FONT SIZE="2">DO
YOU KNOW WHEN YOU ARE WRONG?</FONT></A><FONT SIZE="2"><BR>AND, what do you do
about it when realize you are wrong?</FONT></FONT></B></H3><H3 ALIGN="LEFT"><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B><A HREF="housechu/Nightclub-hesontime.htm">HE'S
ON TIME, MY GOD IS ON TIME</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B><A HREF="resource/genevabibleonlycult.htm">THE
GENEVA BIBLE</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/Inner_Ring.htm">THE
INNER RING AND THE ART OF CLIMBING</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/gospelblimp.htm">FAT
SAINTS AT THE CHURCH HOUSE</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/apology_to_the_world_for_american_church.htm">GIVE
SERIOUS ATTENTION TO ONE MAN'S POWERFUL APOLOGY TO THE NATIONS!</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/donkeydung.htm">DONKEY
DUNG AND LION FAT -- A.K.A. TURDOLOGY</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/secret.htm">I
HAVE A SECRET</A></B></FONT><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B>-
inside information</B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="../survival/enough.htm">ENOUGH</A>-
Do you know how to be content?</B></FONT></H3><H3 ALIGN="LEFT"><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B><A HREF="housechu/Evil_and_entropy.htm">EVIL,
ENTROPY, AND YOU- THE WORLD IS RUNNING DOWN</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/fear.htm">THE
SPIRIT OF FEAR IS DEADLY AND AVOIDABLE</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="../survival/death.htm">IS
DEATH YOUR FRIEND OR YOUR ENEMY?</A></B></FONT></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="../whores.htm">WHORES</A></FONT></B></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/vegechur.htm">VEGETARIANISM
AND THE BIBLE</A></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/churchsigns.htm">STUPID
CHURCH SIGNS<BR><BR></A></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="http://thecottonapron.blogspot.com/2014/08/hard-questions-is-it-biblical-for-women.html">IS
IT BIBLICAL FOR A WOMAN TO WEAR PANTS?</A></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><BR>By
Mary Van Nattan</B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><BR></B></FONT><BR><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="../yarn/Missionary_kids_traveling_to_school_and_back_home_PART_FOUR_The_Bitter_and_the_sweet_in_missionary_families.htm">CHILD
PHYSICAL AND SEXUAL ABUSE IN MISSIONARY BOARDING SCHOOLS AROUND THE WORLD</A></FONT></B></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="Cat_and_dogs_and_pets_do_they_go_to_heaven.htm">CAN
I HAVE MY PETS IN HEAVEN?</A></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/moral.htm"><BR><BR></A></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="rsmusic1.htm">CHRISTIAN
MUSIC IN THE LIGHT OF GOD'S WORD</A></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><BR></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/josh_house_christianity.htm">JOSH
HOUSE CHRISTIANITY</A></B><FONT SIZE="2"><BR></FONT><BR><B><A HREF="housechu/Cleanliness_and_the_Bible.htm">MESSY
HOME, MESSY LIFE, MESSY SAINT</A><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#000099">
</FONT></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="But_man_shes_hot.htm"><FONT SIZE="2">ODE
TO JEZEBEL- MAN, SHE'S HOT</FONT></A><BR><BR><A HREF="housechu/Yoga_is_demon_possession.htm"><FONT SIZE="2">CAN
A CHRISTIAN PRACTICE YOGA WITHOUT OFFENDING GOD?</FONT></A><FONT SIZE="2"><BR>Yoga
involves devil possession, and it is very much like Charismatic manifestations.
Videos included</FONT></B><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B>
</B></FONT></FONT></H3><H3 ALIGN="LEFT"> </H3><H3 ALIGN="LEFT"><BR></H3><H3 ALIGN="LEFT"> </H3><H3 ALIGN="LEFT"> </H3><H3 ALIGN="LEFT"><BR></H3><H3 ALIGN="LEFT"><BR><BR><BR><BR><BR></H3><H3 ALIGN="LEFT"><BR><BR><BR><BR></H3><H3 ALIGN="LEFT"><BR><BR></H3><H3 ALIGN="LEFT"><BR><BR></H3><H3 ALIGN="LEFT"><BR><BR><BR></H3><H3 ALIGN="LEFT"><BR></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><BR></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/moral.htm">More
Articles</A>.....<BR></B></FONT></H3></DIV></TD></TR><TR><TD WIDTH="213" BGCOLOR="#E4E4E4"><DIV ALIGN="CENTER"><H3><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#990000"><B><I><BR>PATRIOTIC
AND NATIONALISTIC ISSUES</I></B></FONT></H3><H3 ALIGN="LEFT"><A HREF="housechu/america-versus-jesus-and-christians-destiny.htm"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>J</B></FONT></A><B><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><A HREF="housechu/america-versus-jesus-and-christians-destiny.htm">ESUS
DAMNS AMERICA</A><BR>This will be the only article on the present stress in the
USA. </FONT></B></H3><H3 ALIGN="CENTER"><BR></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="theworld/theworld.htm">More
Articles</A>.....</B></FONT></H3><H3 ALIGN="LEFT"> </H3></DIV><DIV ALIGN="CENTER"><H2 ALIGN="CENTER"><FONT SIZE="5" FACE="Arial, Helvetica, sans-serif"><B><FONT COLOR="#990000" SIZE="3"><I>ISSUES
OF FREEMASONRY</I></FONT><BR><FONT SIZE="2">New resources to help Freemasons escape
from the devils of the Masonic Lodge.</FONT></B></FONT></H2></DIV><DIV ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/Freemasonty_and_the_number_33.htm">FREEMASONRY
AND THE NUMBER 33<BR></A></FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>By
Day Williams<BR>The number 33 comes up so many times in world history, and especially
in American history and events, that we cannot pass it off as coincidence.</B></FONT></DIV><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/barak_obama_freemason.htm">BARAK
OBAMA'S DESCENT INTO PAGANISM</A><BR>President Barak Obama is a man of much bling
bling is seems.<BR>Some bling bling is literal, while some is pure idol worship.<BR>
</B></FONT></H3><H2 ALIGN="LEFT"><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B>
<A HREF="housechu/Freemasonry_revealed_oaths_and_deliverance.htm">FREEMASONRY
REVEALED</A><BR>A very good introduction to the evils of Freemasonry which result
in possession and oppression by devils.</B></FONT></H2><H2 ALIGN="LEFT"><FONT SIZE="2"><A HREF="../Web%20Pages%20Saved/PRAYER%20OF%20RELEASE%20FOR%20FREEMASONS.pdf"><FONT FACE="Arial, Helvetica, sans-serif"><B>PRAYER
INSTRUCTIONS FOR RELEASE FROM MASONIC OATHS, GENERATIONAL OPPRESSION, AND DEVILS
TORMENTING CHRISTIANS WHO HAVE RENOUNCED FREEMASONRY</B></FONT></A><B><FONT FACE="Arial, Helvetica, sans-serif"><BR></FONT></B><FONT FACE="Arial, Helvetica, sans-serif"><B>All
that I would add to this pdf instruction is: Where Scripture is quoted, find the
verses in the King James Bible to read. </B></FONT></FONT></H2><H2 ALIGN="LEFT"><FONT SIZE="2"><B><FONT FACE="Arial, Helvetica, sans-serif"><I><A HREF="housechu/Morals_and_Dogma_Exhaustive_examination.htm">MORALS
AND DOGMA</A></I><A HREF="housechu/Morals_and_Dogma_Exhaustive_examination.htm">
BY ALBERT PIKE</A></FONT><FONT FACE="Arial, Helvetica, sans-serif" COLOR="#000099"><BR></FONT></B><FONT FACE="Arial, Helvetica, sans-serif"><B>This
is a very detailed discussion of Albert Pike's doctrinal teachings in his landmark
book, <I>Morals and Dogma, </I>the authoritative sacred writing of all of Freemasonry.
</B></FONT></FONT></H2><H2 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="../Freemasonry_Finney.pdf"><FONT SIZE="2">REV.
CHARLES G. FINNEY ON FREEMASONRY</FONT></A><FONT SIZE="2"><BR>This is a PDF book
read here at this journal site. It is very well researched and hard to find.</FONT></B></FONT></H2><H3 ALIGN="LEFT"> </H3></TD></TR><TR><TD WIDTH="213" HEIGHT="155"><DIV ALIGN="CENTER"><P><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#990000"><B><I><BR>STEVE'S
YARNS</I></B></FONT></P><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="../yarn/My_career_as_a_rocket_scientist.htm">MY
CAREER AS A ROCKET SCIENTIST</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/anomaly.htm">THE
SUMERIAN ANOMALY</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="../yarn/pythons.htm"><FONT SIZE="2">STEVE'S
YARNS- PYTHONS</FONT></A><FONT SIZE="2"><BR></FONT></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="../yarn/living_without_the_greens.htm">STEVE'S
YARNS LIVING WITHOUT THE GREENS</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="../yarn/escape-from-america-via-new-york-city.htm">MY
ESCAPES FROM AMERICA--VIA NEW YORK CITY-- FOUR TIMES !!</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="../yarn/baboons.htm">BABOONS</A></B></FONT></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="../yarn/azizakbar.htm">AZIZ
AND AKBAR</A></FONT></B></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="../yarn/donkey-came-to-pray.htm">THE
DONKEY CAME TO PRAY</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="../yarn/pontiac.htm">THE
SEVEN CYLINDER PONTIAC</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="../yarn/rva_guards_angels.htm">HE
SHALL GIVE HIS ANGELS CHAR OVER THEE...</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="../yarn/walji.htm">WALJI
LOSES OUT TO HP PATEL</A></B></FONT></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="../yarn/walkingmymonkey.htm">WALKING
MY MONKEY</A></FONT></B></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="../yarn/my-dad-the-improviser.htm">MY
DAD THE IMPROVISER</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="housechu/poprand.htm"><FONT SIZE="2">POP
RAND</FONT></A><FONT SIZE="2"><BR>A simple man who loved teens so much that they
could not t enough of him.</FONT></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="../yarn/yarn.htm">More
Yarns</A>.....</B></FONT></H3><H3 ALIGN="LEFT"> </H3><H3 ALIGN="LEFT"> </H3><H3 ALIGN="LEFT"> </H3><H3 ALIGN="LEFT"> </H3><H3 ALIGN="LEFT"> </H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="http://www.homemakerscorner.com/home.htm">HOME
MAKER'</A></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="http://www.homemakerscorner.com/home.htm">S</A></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#003333"><B><A HREF="http://www.homemakerscorner.com/home.htm"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#003300">
</FONT></A></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="http://www.homemakerscorner.com/home.htm">CORNE<FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"></FONT></A></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="http://www.homemakerscorner.com/home.htm"><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">R</FONT></A></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#003333"><B><FONT COLOR="#003300"><FONT COLOR="#003300" SIZE="3" FACE="Arial, Helvetica, sans-serif"><BR></FONT></FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT SIZE="2">Mary's
pa for keepers at home<BR> and homeschool</FONT></B></FONT></H3></DIV></TD><TD WIDTH="221" BGCOLOR="#E4E4E4"><DIV ALIGN="CENTER"><P><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#990000"><B><I><BR>WORLD
AFFAIRS</I></B></FONT></P><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="theworld/Primer_on_the_Middle_East.htm"><FONT SIZE="2">PRIMER
ON THE MIDDLE EAST, ARABS, AND ISLAM</FONT></A><BR></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="http://balaamsassspeaks.blogspot.com/2015/11/the-usa-is-trying-to-depopulate-middle.html"><FONT SIZE="2">THE
US AND EUROPE ARE DEPOPULATING THE MIDDLE EAST</FONT></A><BR></FONT>Are the refugees
going to be replaced by Asian and African workers to make the Middle East a virtual
ghetto?</B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/ammerman_jim_agent_provocateur.htm">Col.
ELMER HARMON "JIM" AMMERMAN AND OTHER PROVOCATEURS- THE PLOT TO CONQUER
AMERICA BY FORCE "FOR CHRIST"</A></B></FONT></H3></DIV><DIV ALIGN="CENTER"><H2 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="theworld/technofeudalism_an_introduction.htm">AN
INTRODUCTION TO TECHNOFEUDALISM ASCENDING</A></FONT></B></H2></DIV><DIV ALIGN="CENTER"><H2 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="prophecy/tavstock.htm">TAVISTOCK
AND THE NEW WORLD ORDER- NEW TRICKS</A><BR>This is an update on a monster which
will not go away.</B></FONT></H2></DIV><DIV ALIGN="CENTER"><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="theworld/Trolls-US-government-dividing-Americans-from-each-other.htm">US
GOVERNMENT TROLLS DESTROYING PEOPLE ONLINE</A></B></FONT></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="housechu/transhumanism_infects_christendom.htm"><FONT SIZE="2">TRANSHUMANISM
IS INFECTING WORLD THINKING AND CHURCHES</FONT></A><BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">Most
pastors today have no idea what Transhumanism is. Do you?</FONT></B></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="prophecy/Blue%20Beam.htm"><FONT SIZE="2">THE
BLUE BEAM ARTICLE IS BACK</FONT></A><FONT SIZE="2"><BR></FONT></FONT></B></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="theworld/Cyberwar-is-in-progresst.htm">CYBERWAR
IS IN PROGRESS</A><BR></B></FONT><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B>How
to avoid becoming a victim</B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="theworld/fukushima-consequences-worldwide.htm">FUKUSHIMA</A></B></FONT></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="usa_empire.htm">USA-
EMPIRE BUILDER</A></FONT></B></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/alienten.htm">THE
LATEST ON EXTRA TERRESTRIALS</A><BR></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="../survival/collapse.htm">COLLAPSE-
ARE YOU READY?</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="theworld/work.htm">WORK-
DEADLY CHANGES TO WESTERN WORK ETHICS </A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="prophecy/zionisthate.htm">A
BIBLE BELIEVER'S PRIMER ON ZIONIST HATE</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="gangs.htm">STREET
GANGS IN THE USA</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/rc-9.htm">POPE
PAUL VI's NEPHEW CONFESSES FAITH IN CHRIST</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="prophecy/3rdrevol.htm">THE
THIRD INDUSTRIAL REVOLUTION</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="theworld/world-tv.htm">TELEVISION:
CHANGE AGENT AND MIND CONTROL</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/armada.htm">THE
PROVIDENTIAL GLORIOUS SINKING OF THE SPANISH ARMADA</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/greeks.htm">THE
FALL OF CONSTANTINOPLE</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="prophecy/penthert.htm">SCHEME
TO FIND MESSIAH BY THE ROYALS OF EUROPE</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/turning.htm">GREAT
TURNING POINTS IN EARTH'S HISTORY</A></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="theworld/Propaganda_and_your_children.htm">DEFENDING
YOUR CHILDREN FROM PROPAGANDA</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="resource/wtchpruf.htm">MUTILATIONS
/ MURDERS IN ARIZONA</A></B><FONT SIZE="2"><A HREF="resource/wtchpruf.htm">- <FONT FACE="Arial, Helvetica, sans-serif"><B>PEDOPHILIA
IN THE USA AND UK IN HIGH PLACES</B></FONT></A></FONT></FONT></H3><H3 ALIGN="LEFT"> </H3><BR><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="theworld/theworld.htm">More
Articles</A>.....</B></FONT></H3></DIV></TD><TD WIDTH="235" ROWSPAN="2" BGCOLOR="#E4E4E4"><DIV ALIGN="CENTER"><P><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#990000"><B><I><BR>WAR
ROOM</I></B></FONT></P><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><SPAN "><A HREF="housechu/Heretics_what_do_we_learn_from_them.htm">WHAT
DO WE LEARN FROM HERETICS?</A></SPAN><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><BR></FONT>Every
heretic of Christendom, and every heathen religious leader, teaches us something.
</FONT></B></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="warroom_Asymmetric_Christian_Warfare.htm">ASYMMETRIC
CHRISTIAN WARFARE</A></FONT></B></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/warnings.htm">WARNINGS</A>-
Including "The Doubtful Club" of Christendom</FONT></B></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="housechu/dowsing.htm"><FONT SIZE="2">DOWSING-
AKA Water Witching</FONT></A><FONT SIZE="2"><BR>Also, Mediumistic and Occult Power,
</FONT></B></FONT><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B>use of
the Pendulum in Europe </B></FONT></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="https://youtu.be/dcD_4WV3AF0">ABUSIVE
TYRANTS IN THE PULPIT</A></FONT></B></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/freemson.htm">20
ARTICLES ON FREEMASONRY</A></FONT></B></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/grieved.htm">COALITION
RECONSTRUCTIONISTS INSPIRE MURDER</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT SIZE="2"><A HREF="prophecy/Blood_Moons.htm">BLOOD
MOONS HERESY</A></FONT> </B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><BR>By
Pastor John Muncy</B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/grieved.htm">"I
AM GRIEVED WITH THE CHARISMATIC MOVEMENT"</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/reconstr.htm">RECONSTRUCTIONISM</A></B></FONT></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/John%20MacArthur-%20Articles%20on%20his%20false%20teachings.htm">JOHN
MACARTHUR</A>- Losrdship Salvation Cult and more</FONT></B></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/deathrow.htm">ROGUE'S
GALLERY</A></FONT></B></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT COLOR="#000000" FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/ucc.htm">UNITED
CHURCH OF CHRIST</A></FONT><FONT SIZE="2"><BR></FONT></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/misquotingjesus.htm">DR.
"BLIND" BART EHRMAN DENIES THE WORD OF GOD</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="http://goodwarfare.blogspot.com/">GAITHER
AFFECT- GUSHING FOOLS AND THEIR MUSIC</A></B></FONT></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/kingjamesbibledefense.htm">DEFENSE
OF THE KING JAMES BIBLE</A></FONT></B></H3><H3 ALIGN="LEFT"><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B><A HREF="housechu/boshoff_jan_heretic_from_south_africa.htm">JAN
(Justice) BOSHOFF</A>- HERETIC</B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="northerireland.htm">IAN
PAISLEY IS STILL KICKING THE POPE IN NORTHERN IRELAND</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B><A HREF="housechu/wesleyha.htm">"HOLY
LAUGHTER" AND JOHN WESLEY</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B><A HREF="pope_david.htm">DAVID
CLOUD'S HERETICAL CHURCH GOVERNMENT DOCTRINE</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/berean.htm">A
"NOBLE BEREAN" ABANDONS CHURCH TRADITION</A></B></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="housechu/apparitions.htm"><B>ROMAN
CATHOLIC APPARITIONS AND RELICS</B></A></FONT></H3><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="housechu/hocest.htm">PRINT
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in the Lord Jesus. Here are a series of pas to put your mind at rest, but not
with a narcotic. You will feel better after visiting here.<BR></FONT></B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><A HREF="recentemailsfromwarriors.htm">RECENT
EMAIL FROM WARRIORS IN CHRIST<BR></A></B></FONT><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">I
t some very thought provoking email from readers, and this is where I share their
thoughts with you.<BR></FONT></B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><A HREF="http://www.homemakerscorner.com/home.htm">HOME
MAKER'S CORNER</A> <BR><FONT SIZE="2">Ladies' special helps and Bible discussions.
Learn about home making, home schooling, home survival ideas, ladies' Bible lessons,
and much more. This area has one of the only collections anywhere or Annie Flint
Johnson's poetry.<BR></FONT><A HREF="housechu/moral.htm">MORAL ISSUES</A><FONT SIZE="2"><BR>You
will be challenged to think about right and wrong without any gray areas. Many
issues are covered and answered by the King James Bible.<BR></FONT></B></FONT><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B><A HREF="housechu/balaam18.htm"><FONT SIZE="3">BIBLE
STUDY</FONT></A> <BR>Bible sermons and studies to grow by. The Bible is the main
event here. We are literalists with no apology. We use only the King James Bible,
and we defend it here.</B></FONT><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><FONT SIZE="2"><BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><A HREF="../Books/foxes/index.htm"><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif">GOOD
BOOKS</FONT></A><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">- AT THIS SITE</FONT></FONT><FONT SIZE="2"><BR></FONT><A HREF="housechu/kingjamesbibledefense.htm">DEFENSE
OF THE KING JAMES BIBLE</A><BR><FONT SIZE="2">Many new articles have been posted.
We believe that the King James Bible is the only Bible the Lord uses, and the
one that Satan hates. We are not ignorant KJV thumpers. The whole history of both
the Alexandrian texts and the Antioch texts is dealt with.<BR><FONT SIZE="3"><A HREF="housechu/zionism.htm">ZIONISM
CULTS AND INFILTRATION</A></FONT><BR>Hebrew Roots, with large doses of pagan Zionism,
is invading churches and demanding the law of Moses be reinstated by the Lord's
Church. It also has a One World New A connection.<BR></FONT><A HREF="warroom.htm">THE
WAR ROOM</A> <FONT SIZE="2"><BR>The Christian life is warfare according to the
Apostle Paul. That warfare is not within us, as some mega church wimpy gurus claim.
There are NO issues, teachings, movements, or heretics who will be given immunity
from attack.</FONT></B></FONT><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B><BR><A HREF="warroom_Asymmetric_Christian_Warfare.htm"><FONT SIZE="3">ASYMMETRIC
CHRISTIAN WARFARE</FONT></A><BR>A place for Christian warriors to find support
and training in the battle. <BR></B></FONT></H3></DIV><DIV ALIGN="LEFT"><TABLE WIDTH="116" BORDER="0" CELLPADDING="0" ALIGN="RIGHT"><TR><TD>
<SCRIPT TYPE="text/javascript"><!--
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</SCRIPT> </TD></TR></TABLE></DIV><DIV ALIGN="LEFT"><H3><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="housechu/warnings.htm">WARNINGS</A></FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>
AND <A HREF="housechu/cults.htm">CULT WATCH</A></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><BR>Profiles
of false prophets, hirelings, and heretics<BR></B></FONT><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="housechu/housechu.htm">HOUSE
CHURCH</A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><BR>The New
Testament Church started in home and stayed there for 300 years until the <BR>Whore
of Rome organized "church" and moved into piles of stone. If you like
the home <BR>based option, this section will be of great help.<BR></FONT></B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><A HREF="housechu/thirdwav.htm">THIRD
WAVE-- CHARISMATIC CHAOS</A><BR><FONT SIZE="2">Nothing is making more confusion
than the Charismatic Movement, with the exception of the Emergent Church and Rick
Warren. I have just restored a huge number of articles on Charismania which have
been updated and made easier to read.<BR></FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><FONT SIZE="3"><A HREF="theworld/theworld.htm">THE
WORLD OUT THERE</A></FONT><BR>You t thought provoking discussions of world news,
mongrel political leaders, cultural issues, and more.</B></FONT><BR><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><A HREF="theworld/ba-aids.htm">SURVIVAL
AND HEALTH ISSUES<BR></A></B></FONT><B><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif">In
these last days of the A of Grace there are many perils to all of humanity. We
do not claim to be the life guard of all humanity regarding earthly issues. We
DO feel responsible to warn and counsel the saints of Christ in matters earthly.
Nothing it too obscure to be covered.<BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="housechu/legends.htm">LENDS
OF CHRISTIAN HEROES<BR></A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">You
will be greatly blessed to read about saints who were faithful and vigorous in
the battle for truth.<BR></FONT></B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><A HREF="kidspage/kidspage.htm">KIDS<BR></A><FONT SIZE="2">Fun
and stories. We are always looking for contributing writers here.<BR></FONT><A HREF="../yarn/yarn.htm">YARNS</A>
<BR><FONT SIZE="2">By Steve, the editor, from his life growing up as a pastor's
kid, a missionary kid, an Army man, a piano tuner, a pastor, and a Texan. Some
of the yarns are even true.<BR></FONT><A HREF="onlineradiopage.htm">ONLINE RADIO
MUSIC LIST<BR></A><A HREF="editorpg/editorpg.htm">EDITOR'S PA<BR></A></B></FONT><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">Steve
shares what is happening with the journal.<BR></FONT></B><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><A HREF="jackass.htm">BIO
OF STEVE<BR></A><FONT SIZE="2">Your editor's heritage as a Dutch, German, Irish,
Native, WASP, and a African American.<BR></FONT><A HREF="coffee.htm">COFFEE</A>
<BR><FONT SIZE="2">The lovely brew. A tutorial in coffee history, grading, roasting,
and generally promoting.<BR></FONT></B></FONT><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="housechu/shirley.htm">SHIRLEY
GOD</A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><BR>The creed
and confession of a god named Shirley.<BR><FONT SIZE="3"><A HREF="resource/xmass.htm">CHRISTMAS</A></FONT><BR>This
section discusses the pagan origins of Christmas and the dating of Jesus' birth.<BR><FONT SIZE="3"><A HREF="theworld/news.htm">NEWS
FROM ALL OVER</A></FONT><BR>This is a list of news sources I use.<BR></FONT><FONT SIZE="3" FACE="Arial"><A HREF="musicpg.htm">MUSIC
PA</A> for listening at this site<BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="housechu/sodomy.htm">ALL
ARTICLES ON SODOMY</A></FONT> </B> </H3><H3><A HREF="http://web.archive.org/web/20130430095044/http://www.blessedquietness.com/journal/prophecy/strong-delusion.htm"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>THE
SERIES ON STRONG DELUSION</B></FONT></A><BR><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>This
was removed from this journal URL. It has been saved at the Wayback Machine if
you still need the information. They do not play the videos. Sorry about that.</B></FONT></H3></DIV><DIV ALIGN="CENTER"><DIV ALIGN="CENTER"><H5 ALIGN="LEFT"> </H5><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5" COLOR="#000099">STEVE'S
BOOK ON ISLAM- ONLINE</FONT></B></H3></DIV></DIV><BLOCKQUOTE><DIV ALIGN="CENTER"><DIV ALIGN="CENTER"><H3 ALIGN="LEFT"><IMG SRC="../alicon-2.jpg" WIDTH="60" HEIGHT="63" ALIGN="MIDDLE">
<FONT SIZE="4" FACE="Arial, Helvetica, sans-serif"><B><A HREF="../alhaj/index.html">ALLAH,
DIVINE OR DEMONIC?</A><BR><FONT SIZE="2">This book explores the historic origins
of Islam and the name Allah. Is Allah the Arabic name for Jehovah? This question
is answered in this book. Also, the differences between Islam and Christianity
are made clear.</FONT></B></FONT></H3></DIV></DIV><DIV ALIGN="CENTER"><DIV ALIGN="CENTER"><H3 ALIGN="LEFT"> </H3></DIV></DIV></BLOCKQUOTE><DIV ALIGN="CENTER"><DIV ALIGN="CENTER"><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><FONT COLOR="#000099">DVD
OF THE WHOLE JOURNAL</FONT><BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4">Plus
some very good books to read and other study helps</FONT></B></H3></DIV></DIV><BLOCKQUOTE><DIV ALIGN="CENTER"><DIV ALIGN="CENTER"><H3 ALIGN="LEFT"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>The
CD turned into a DVD, and I am offering it for sale. <BR> Also, the book <I><A HREF="http://www.hajiallah.com/">Allah,
Who Is He</A></I>? by Steve Van Nattan is now included on the DVD.</B></FONT></H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="emailpage.htm">SEND
EMAIL</A>, <BR>AND I WILL RESPOND WITH THE PRICE AND HOW TO PAY. </FONT></B></H3></DIV></DIV></BLOCKQUOTE><DIV ALIGN="CENTER"><DIV ALIGN="CENTER"><H3 ALIGN="LEFT"> </H3><H3 ALIGN="LEFT"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5" COLOR="#000099">VAN
NATTAN FAMILY <BR>AND FRIENDS' BLOGS:</FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><BR></FONT></B></H3></DIV><TABLE WIDTH="738" BORDER="0" CELLPADDING="0" CELLSPACING="7"><TR><TD WIDTH="234" BGCOLOR="#E6E6E6" HEIGHT="665"><BLOCKQUOTE><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><IMG SRC="clrdnksm.gif" WIDTH="85" HEIGHT="85" ALIGN="LEFT" HSPACE="4"></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="http://balaamsassspeaks.blogspot.com/">BALAAM'S
ASS SPEAKS</A></FONT></B></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="http://baledhay.blogspot.com/"><BR>BALED
HAY</A><BR><FONT SIZE="2">Satire and sarcasm in the interest of comic relief</FONT></FONT></B></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="http://brothervan.blogspot.com/">BROTHER
VAN</A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><BR>Steve Van
Nattan's personal blog</FONT></B></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="http://dasfortemusic.blogspot.com/">DAS
FORTE MUSIC</A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><BR>Strange
and wonderful music is served up with impunity</FONT></B></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="http://hillcountryfishingrods.blogspot.com/">HILL
COUNTRY FISHING RODS</A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><BR>Blog
of Mike Van Nattan</FONT></B></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="http://www.kayakcat.com/">KAYAK
CAT</A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><BR>Mike and
Sarah and Shadow go fishing</FONT></B></P><H3><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="http://newduderising.blogspot.com/">NEW
DUDE RISING<BR></A></B></FONT><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">The
latest mega church dude exposed</FONT></B></H3><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="http://thecottonapron.blogspot.com/">THE
COTTON APRON<BR></A></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">Mary's
blog for keepers at home</FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFF00"><A HREF="http://thecottonapron.blogspot.com/"><BR></A></FONT></B></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="http://holdingtheword.blogspot.com/">DAN
VAN NATTAN'S BLOG</A></FONT></B></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#00FFFF"><A HREF="http://dailybytesblog.blogspot.com/">DAILY
BITES BLOG</A><A HREF="http://dailybytesblog.blogspot.com/"><BR></A></FONT></B></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><FONT SIZE="3"><A HREF="http://earnestwarrior.blogspot.com/">CONTEND
FOR THE FAITH</A></FONT><FONT SIZE="3" COLOR="#FFFF00"><A HREF="http://earnestwarrior.blogspot.com/">
<BR></A></FONT></FONT></B></P><P><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="http://tedforbiblebelievers.blogspot.com/">TED
FOR BIBLE BELIEVERS</A><BR></B></FONT></P><P><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="http://goodwarfare.blogspot.com/">WAR
ROOM</A></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><BR></FONT></P></BLOCKQUOTE></TD><TD WIDTH="241" BORDERCOLOR="#CCCCCC" BGCOLOR="#E6E6E6" HEIGHT="665"><BLOCKQUOTE><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><FONT SIZE="3"><A HREF="http://thyconfidence.blogspot.com/">THY
CONFIDENCE</A></FONT><FONT COLOR="#FFFF00"><BR></FONT></FONT></B></P><P><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="http://thedelusionwasstrong.blogspot.com/">THE
DELUSION WAS STRONG</A></B></FONT></P><P><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="http://expatriatewog.blogspot.com/">EXPATRIATE
WOG<BR></A></B></FONT><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">Old
Anglo Saxon "wogs" from British Empire days</FONT></B></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="http://unmedicatedidiot.blogspot.com/">UNMEDICATED
IDIOT</A><BR><FONT SIZE="2">Idiotic things in abundance</FONT></FONT></B></P><P><B><A HREF="http://hotcblackcoffee.blogspot.com/"><FONT FACE="Arial, Helvetica, sans-serif">HOT
BLACK COFFEE</FONT></A><BR><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">Steve's
coffee stories<BR></FONT></B></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="http://historyforhomeschoolers.blogspot.com/">HISTORY
FOR HOMESCHOOLERS</A><FONT COLOR="#FFFFFF"><BR></FONT></FONT></B></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="http://oldtestamenttimes.blogspot.com/">OLD
TESTAMENT <BR>TIMES</A><BR></FONT></B></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="http://newtestamenttimes.blogspot.com/">NEW
TESTAMENT TIMES</A></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><BR></FONT></B></P><P><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="http://texmexgarden.blogspot.com/">TEX
MEX GARDEN</A></B></FONT><BR><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>My
ventures in Texas Hill Country gardening<BR></B></FONT></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="http://theweeplaces.blogspot.com/">THE
WEE PLACES</A><BR> </FONT></B></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="%22http://texas-hill-country-blog.blogspot.com/">MEDICAL
BITES FROM TEXAS</A></FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><BR>Medial
discoveries and health tips<BR></B></FONT></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="http://bibimatata.blogspot.com/">BIBI
MATATA</A><BR><FONT SIZE="2">All things stran in <BR>East Africa</FONT><BR></FONT></B></P><P><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="http://hajiallah.blogspot.com/">HAJI
ALLAH</A></B></FONT><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><BR><FONT SIZE="2">All
about Islam</FONT></FONT></B></P><P> </P><P> </P></BLOCKQUOTE></TD><TD WIDTH="225" BGCOLOR="#E6E6E6" HEIGHT="665"><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><BR><A HREF="http://asymmetricwarfareforchrist.blogspot.com/">ASYMMETRIC<BR>WARFARE
<BR>FOR CHRIST</A><BR><FONT SIZE="3">This is a companion Blog <BR>to the <A HREF="housechu/Asymmetric_Spiritual_Warfare_and_Destroying_Enemy_Supply_Line.htm"><BR>Journal
training course</A> <BR>on <BR>Asymmetric <BR>Spiritual Warfare.<BR>Editor:<BR>Steve
Van Nattan </FONT></FONT></B></P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4">ASSOCIATE
BLOGS <BR>OF FRIENDS</FONT></B></P><BLOCKQUOTE><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="http://www.youtube.com/user/Suspicious0bservers">WEATHER
OF THE WORLD AND THE SUN</A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#00FFFF"><A HREF="http://www.theweatherunit.blogspot.com/"><BR></A></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="http://rudyacope.blogspot.com/">RUDY
A COPE</A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF"><BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFF00"><A HREF="http://dorightchristians.wordpress.com/"><BR></A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="http://dorightchristians.wordpress.com/">SCOTT
TIBBS</A></FONT></B></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="theworld/fukushima-consequences-worldwide.htm">FUKUSHIMA
DIARY</A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><BR></FONT></B></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="http://dorightchristians.wordpress.com/">DO
RIGHT CHRISTIANS</A></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="http://dorightchristians.wordpress.com/">
BLOG</A></FONT></B></P><P><A HREF="../Books/foxes/index.htm"><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B>GOOD
BOOKS</B></FONT></A><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>- <BR>AT
THIS SITE</B></FONT></P><P> </P></BLOCKQUOTE><BLOCKQUOTE><P> </P><P><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><BR></B></FONT></P></BLOCKQUOTE></TD></TR></TABLE><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><BR></FONT></B><P> </P><P> </P></DIV><DIV ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><IMG SRC="../texas-flag%20small.jpg" WIDTH="100" HEIGHT="146"><B><FONT COLOR="#FF6600"><I><BR><BR></I></FONT><FONT SIZE="4">PLEASE
VISIT THIS PA, AND .....</FONT><FONT COLOR="#FF6600"><I><BR></I></FONT><FONT SIZE="6" COLOR="#F26100"><A HREF="balaam-Texas.htm"><FONT SIZE="5">GO
TO TEXAS</FONT></A></FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><BR></B></FONT></DIV><DIV ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>It
is time to introduce my readers to The Republic of Texas.<BR>The United States
was annexed to Texas in 1845 if they behave themselves.<BR>The other 49 states
are still on probation.</B></FONT></DIV></BLOCKQUOTE><DIV ALIGN="CENTER"><TABLE WIDTH="570" BORDER="0" CELLPADDING="0"><TR><TD WIDTH="274"><DIV ALIGN="CENTER"><P><A HREF="emailpage.htm"><IMG SRC="../hmcemail.jpg" WIDTH="102" HEIGHT="104" BORDER="0"></A><BR><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>Do
not belly ache....<BR>Exalt Jesus Christ</B></FONT></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><BR></FONT></B></P></DIV></TD><TD WIDTH="290"><DIV ALIGN="CENTER"><P><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B>EMAIL
POLICY</B></FONT></P><P><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>I
would rather be insulted and <BR>cursed in the most graphic <BR>manner by you
than to see you, <BR>and me, lose our <BR>freedom of speech.</B></FONT></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">Of
course, I will use the delete <BR>button quickly when you use <BR>this policy<BR>
to be a jerk.</FONT></B></P></DIV></TD></TR></TABLE><TABLE WIDTH="570" BORDER="0" CELLPADDING="0"><TR><TD WIDTH="274"><DIV ALIGN="CENTER"><P><BR><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>EMAIL
AND PHONE POLICY<BR>FOR WOMEN</B></FONT></P><P><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">If
you are a married lady, we must biblically direct you to your husband first. <BR>I
Corinthians 14:35 deals with women having questions in church, <BR>and instructs
them to ask their husbands at home. If your husband does<BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">not
know the answer, you might encourage him to send email to us here.<BR>If you husband
is not born again, or if he "just does not lead our home<BR>spiritually,"
follow the next step.....</FONT></B></P><P><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B>The
Bible instructs the older Godly women to teach the younger women, <BR>in Titus
2:3,4. If you write to us with a question, we will pass it along to <BR>one of
our ladies here, who will help you to find the answer from the Bible.<BR>Is there
an older God fearing lady available to you? If so, seek her out, <BR>and forget
about contacting us please.</B></FONT></P><P><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B>Steve
no longer accepts phone calls from women who have questions.<BR>If you call, Steve
will decline the call. <BR>Any woman insisting to talk to Steve personally will
be <BR>considered to be "on the make," if you know what that means.</B></FONT></P><P><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B>We
also insist that ladies wanting to donate to this ministry first ask<BR>their
husband's permission.<BR></B></FONT></P></DIV></TD></TR></TABLE><P><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B>Facebook<BR>Y'all
come see me sometime<BR><A HREF="https://www.facebook.com/stephen.vannattan.1/">https://www.facebook.com/stephen.vannattan.1/</A></B></FONT></P><P> </P><P> </P></DIV><BLOCKQUOTE><P><B><FONT FACE="Arial, Helvetica, sans-serif">Steve's
former piano tuning business-- <BR>now owned by Keith Akins of Michigan<BR>If
you need to replace any part in your piano, Keith will help you eagerly. He is
a confessing<BR>Christian, and his ethics are sound. He has been working on pianos
since he was six years<BR>old and his Daddy let him help in his piano repair shop.
Any part you need will be found at <BR>this site with a tutorial on how to install
it. <BR> </FONT></B><A HREF="http://www.stevespianoservice.com/piano.htm"><IMG SRC="../pno-ad2.gif" WIDTH="400" HEIGHT="40" ALIGN="middle" BORDER="0"></A>
</P><H4 ALIGN=Center></H4><H4 ALIGN=CENTER><BR></H4></BLOCKQUOTE></TD></TR><TR ALIGN="LEFT" BORDERCOLOR=""><TD HEIGHT="2"> </TD></TR>
</TABLE><BLOCKQUOTE><P> </BLOCKQUOTE></TD><TD valign="top" width="271" backgroundSUSPEND="../bgmahogany038.jpg" height="24054"><P> </P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#FFFF00"><B>25
YEARS <BR>ON THE INTERNET<BR></B></FONT></P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><P ALIGN=CENTER><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT SIZE="4" COLOR="#00FFFF">REQUEST
A YARN</FONT></B></FONT><P ALIGN=CENTER><FONT COLOR="#00FFFF"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF">I
have a master page on<BR></FONT></B></FONT><FONT COLOR="#FFFFFF"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3">this
journal with a list of <BR>yarns I plan to write. <BR>I get distracted with <BR>controversy
and Christian <BR>issues, and I do not write <BR>enough yarns for my <BR>readers.
So, I have offered<BR>a way for you to <BR>request a yarn.</FONT></B></FONT><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT SIZE="4"><A HREF="../yarn/yarn_archive.htm"><FONT COLOR="#FFFF00">HERE
IS THE LIST YOU <BR>CAN CHOOSE FROM</FONT></A></FONT></B></FONT></P><P ALIGN="CENTER"><FONT COLOR="#00FFFF"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF">Find
more instructions at <BR>the linked page.</FONT></B></FONT></P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><FONT COLOR="#00FFFF">REMEMBER,
LIFE<BR>IS NOT A REHEARSAL-<BR>SO, YOU BETTER<BR>GET ON WITH IT.</FONT></B></FONT></P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#FFFF00"><B><FONT COLOR="#00FFFF">DO
YOU WORRY ABOUT <BR>BEING A <BR>RELIGIOUS BIGOT?<BR></FONT>Being just a little
stubborn <BR>and argumentative may <BR>protect against dementia <BR>and Alzheimers.<BR></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="https://www.studyfinds.org/just-say-no-being-stubborn-rigid-may-lower-your-alzheimers-risk/"><FONT COLOR="#FFFF00">Researched
proof</FONT></A></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#FFFF00"><B><A HREF="https://www.studyfinds.org/just-say-no-being-stubborn-rigid-may-lower-your-alzheimers-risk/">
<BR></A></B></FONT></P><P ALIGN="CENTER">.</P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B>VERSE
OF THE DAY</B></FONT></P><div id="votd" class="votd"> </div><script>
(function(w,d,t,u,v,i,n,l){w['VotdObject']=v;w[v]=w[v]||{};w[v].i=i;n=d.createElement(t),l=d.tElementsByTagName(t)[0];n.async=1;n.src=u;l.parentNode.insertBefore(n,l)})(window,document,'script','https://kingjames.bible/votd/votd.js','votd','votd');
</script> <P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B>TO
PUT IT BLUNTLY</B></FONT></P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF"><B>Most
Churches are <BR>backsliding faster than <BR>they can lower <BR>their standards.</B></FONT></P><P ALIGN="CENTER"><FONT COLOR="#FFFFFF" SIZE="3" FACE="Arial, Helvetica, sans-serif"><B>It
is blasphemy for anyone <BR>to be seeker sensitive.<BR>And, how you feel about<BR>anything
means nothing<BR>to me. Tell me the truth,<BR>and back it up with<BR>the Word
of God.</B></FONT></P><P ALIGN="CENTER"><FONT COLOR="#FFFFFF" SIZE="3" FACE="Arial, Helvetica, sans-serif"><B>Finding
feminine qualities <BR>in a man of God is like <BR>finding a turd <BR>in your
lunch box.</B></FONT></P><P ALIGN="CENTER"><FONT COLOR="#FFFFFF" SIZE="3" FACE="Arial, Helvetica, sans-serif"><B>An
aggressive woman <BR>in church <BR>is like a rattle snake in <BR>your child's
nursery.</B></FONT></P><P ALIGN="CENTER"><FONT COLOR="#FFFFFF" SIZE="3" FACE="Arial, Helvetica, sans-serif"><B>Sissy
preaching is <BR>as satisfying as <BR>catching a two inch trout.</B></FONT></P><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF">You
have read about the<BR>"Celebrated Author" in tour<BR>guides in Malibu,
Kansas <BR>City, and Genoa, Italy. <BR>Well, he is not here. <BR>"Celebrated
author" uses <BR>all those </FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF">houses
to sucker <BR>tourists to hang out there <BR>hoping for an autograph <BR>and trampling
the roses.<BR>Meanwhile "Celebrated<BR>Author" lives across town <BR>incognito.</FONT></B></P><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF">Please
do not send mail <BR>telling me I am a great <BR>writer or teacher. <BR>I don't
want God to kill <BR>me for inhaling <BR>that Satanic<BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF">incense.</FONT></B></P><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF">When
you feel miserable <BR>and suicidal, remember-<BR> It is a miracle that you <BR>were
even born. <BR>And, God is not <BR>done with you yet.</FONT></B></P><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF">You
ultimately have a right<BR></FONT></B><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF">to
reject Jesus Christ. <BR>But, you have a greater <BR>right to confess faith in
him.</FONT></B></P><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF">GRAB
HOLD PLEASE:<BR>God loves Hillary Clinton <BR>or Vladimir Putin <BR>just as much
as <BR>he loves you.<BR>It is all about Grace.</FONT></B></P><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF">Predestination
does not <BR>excuse us from<BR> taking responsibility.</FONT></B></P><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF">The
first thing God said <BR>to Moses was, <BR>"Take off your shoes." <BR>Where
you stand right now <BR>is holy ground <BR>if the bush is burning.</FONT></B>
</P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT COLOR="#FFFFFF">A
wise man said,</FONT><FONT COLOR="#00FFFF"> <BR>Proverbs 20:3 It is an <BR>honour
for a man <BR>to cease from strife: <BR>but every fool <BR>will be meddling.</FONT></B></FONT></P><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF">No
compelled speech will<BR>be tolerated on this site.</FONT></B></P><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF">All
of the above is said, <BR>as always, <BR>in all good Christian charity.</FONT></B></P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B>ON
TWEETING <BR>AND TEXTING</B></FONT></P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF"><B>The
act of sharing has <BR>become more important <BR>than the act or event itself.<BR>Contemplate
how much of <BR>what you tweeted or texted <BR>recently you have totally <BR>forgotten.
<BR>It is gone, <BR>and all you live for <BR>is the next thrill <BR>you can send
to <BR>your friends.<BR>This should terrify you.<BR>Time passes.<BR></B></FONT><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF">Things
happen,<BR>And, no one remembers <BR>them, not even YOU.<BR>You are texting a
friend <BR>while you drive home. <BR>You run head on into a <BR>concrete pillar
<BR>and are killed instantly.<BR>You arrive before God, <BR>and he asks, <BR>"What
was so important <BR>that you had to die for?"<BR>Will you even remember?<BR>And
then, God will say,<BR>"I am sad because I <BR>had a lot more <BR>great things<BR>planned
<BR>for you to <BR>do for me."</FONT></B></P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B>MAKE
A QR CODE, <BR>PRINT IT, <BR>AND LEAVE IT <BR>SOMEWHERE<BR>FOR A WITNESS</B></FONT></P><P ALIGN="CENTER"><A HREF="http://qrcreate.smartsfile.com"><IMG SRC="http://goo.gl/HmMRgI" BORDER="0"/></A></P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B>BEST
UPLIFTING<BR>CHRISTIAN MUSIC<BR>ONLINE<BR><A HREF="https://youtu.be/p6tPBMHRvhY?list=PL2peTDHQCy6fpX7Ic5JXObSVq3rqri5BS"><FONT COLOR="#FFFF00">CARROLL
ROBERSON<BR>285 SONG PLAYLIST</FONT></A></B></FONT></P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="https://www.youtube.com/user/stephenvannattan/playlists"><FONT COLOR="#FFFF00">I
FOUND IT ON <BR>YOUTUBE FOR YOU</FONT></A></B></FONT><BR><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF"><B>These
playlets are interesting,<BR>but I do not necessarily <BR>approve of everything
there.</B></FONT></P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B>HEADLINE
ICONS</B></FONT></P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><IMG SRC="../new10.gif" WIDTH="40" HEIGHT="20"><BR><FONT COLOR="#FFFFFF">New
article just posted</FONT></B></FONT></P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><IMG SRC="../updated.gif" WIDTH="60" HEIGHT="11"><BR><FONT SIZE="2" COLOR="#FFFFFF">Old
article that has been <BR>seriously updated</FONT></B></FONT></P><P ALIGN="CENTER"><IMG SRC="../timeless01.JPG" WIDTH="77" HEIGHT="29" BORDER="2"><BR><FONT COLOR="#FFFFFF" FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>Urgent
ongoing topics. <BR></B></FONT></P><P ALIGN="CENTER"><IMG SRC="../Top%20Priority.JPG" WIDTH="79" HEIGHT="29"><BR><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>Means
what it says.</B></FONT></P><P ALIGN="CENTER"><IMG SRC="../Reloaded06.JPG" WIDTH="88" HEIGHT="26"><BR><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>Deleted
in the past but<BR>brought back</B></FONT></P><P ALIGN="CENTER"><IMG SRC="../Comic_relief02.JPG" WIDTH="67" HEIGHT="63"><BR><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>Instructional<BR>Comic
Relief</B></FONT></P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><IMG SRC="../coming_soon.png" WIDTH="113" HEIGHT="113" ALIGN="MIDDLE"><BR><FONT SIZE="2" COLOR="#FFFFFF"><B>Just
what it says.</B></FONT></FONT></P><P ALIGN="CENTER"><IMG SRC="../BOMB02.gif" WIDTH="65" HEIGHT="78"><BR><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>These
are major<BR>and controversial<BR>editorial events<BR>at this journal.</B></FONT></P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF">THIS
JOURNAL IS:<BR>MADE IN TEXAS- <BR>LAND OF ONE <BR>LAW CODE..... </FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><FONT COLOR="#990000"><BR><FONT COLOR="#FFFF00">TO
HELL WITH </FONT></FONT> <BR><FONT COLOR="#00FFFF">SHARIA LAW !!</FONT></FONT></B></P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><A HREF="Content_and_edirotial_policy.htm"><FONT COLOR="#FFFF00">OUR
JOURNALISTIC<BR>PHILOSOPHY SINCE<BR>1995.</FONT></A><BR>THE INTERNET IS<BR>GOING
TO TRASH.<BR>LEAVE THE MAD <BR>TACTICS BEHIND.<BR>READ HERE</FONT></B></P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5" COLOR="#00FFFF"><B><BR></B></FONT></P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B>REGARDING
ISLAM</B></FONT></P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF"><B>Either
you bring Muslims <BR>to the Lord.....<BR>Or, Muslims will bring YOU <BR>to the
sword.</B></FONT></P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B>ADVERSARIES<BR>ABOUNDING</B></FONT></P><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF">It
is a bit discouraging when <BR>we do not have some devils <BR>attack us in email
because of <BR>the articles here. So, recently the <BR>level of hostilities has
been <BR>raised significantly by <BR>some readers. </FONT></B></P><P ALIGN="CENTER"><FONT COLOR="#FFFFFF" FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>I
would be very upset if I arrived <BR>in heaven and had no enemies <BR>for the
Gospel's sake.</B></FONT></P><P ALIGN="CENTER"><FONT COLOR="#FFFFFF" FACE="Arial, Helvetica, sans-serif" SIZE="2"><B>Thanks
to you cranks and creeps<BR> who send such lovely hate mail.</B> </FONT></P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>Exodus
23:22 But if thou shalt <BR>indeed obey his voice, and do <BR>all that I speak;
then I will be an <BR>enemy unto thine enemies, and <BR>an adversary unto thine
<BR>adversaries.</B></FONT></P><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF">You
are in trouble.</FONT></B></P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B>REGARDING
ADS:<BR><FONT COLOR="#FFFF33">POLICY UPDATE</FONT></B></FONT></P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>All
ads have been removed.<BR>I believe I missed a few.<BR>If you find one, please<BR><A HREF="emailpage.htm"><FONT COLOR="#FFFF00">SEND
MAIL</FONT></A> and include<BR>the URL where you found<BR>it. I will remove it
at once.</B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B></B></FONT></P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><H2 ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><FONT SIZE="4"><A HREF="warroom_the_last_battle.htm"><FONT COLOR="#FFFF00">THE
WAR ROOM<BR>THE LAST BATTLE</FONT></A></FONT><FONT COLOR="#FFFFFF"><BR><FONT SIZE="3">In
this area I have listed <BR>articles I believe are <BR>urgently needed as we <BR>seem
to approach the very<BR>end of the Church A. <BR>Evil is moving on all sides,
<BR>and humanity is letting <BR>blood and raging in hate <BR>and greed without
restraint. <BR>We who are in Christ <BR>today have the last battle <BR>before
us. <BR>How shall we then live?</FONT></FONT></B></FONT></H2><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT SIZE="4" COLOR="#00FFFF">STEVE
TELLS YOU<BR>HIS WRITING SECRETS<BR></FONT><FONT SIZE="4"><A HREF="Questons_for_writing.htm"><FONT COLOR="#FFFF00">HERE</FONT></A></FONT><FONT SIZE="4" COLOR="#00FFFF"><BR></FONT></B></FONT></P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"><FONT COLOR="#00FFFF" SIZE="4" FACE="Arial, Helvetica, sans-serif"><B>STEVE
IS <A HREF="https://twitter.com/SteveVanNattan"><FONT COLOR="#FFFF33"><BR>ON TWITTER</FONT></A></B></FONT></P><P ALIGN="CENTER"><FONT COLOR="#00FFFF" SIZE="4" FACE="Arial, Helvetica, sans-serif"><B>AND<A HREF="https://www.facebook.com/stephen.vannattan"><FONT COLOR="#FFFF33"><BR>FACEBOOK</FONT></A></B></FONT></P><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#00FFFF">Policy
on social media:</FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF"><BR>If
you live within driving <BR>distance of Austin, Texas <BR>and are too lazy to
meet <BR>me for coffee half way <BR>once in a while, I refuse <BR>to bother with
you <BR>on social media.<BR>If you are in Sydney and <BR>want me to meet you half
<BR>way in Kiribati, fort it-- <BR>just Friend me :-) </FONT></B></P><P ALIGN="CENTER"> </P><H3 ALIGN="CENTER"> </H3><H3 ALIGN="CENTER"><FONT COLOR="#00FFFF" SIZE="4" FACE="Arial, Helvetica, sans-serif"><B>DONATE</B></FONT></H3><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFF00">There
ain't no free lunch, Buford.</FONT></B> </P><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFF00">USE
MY EMAIL</FONT></B></P><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFF00">[email protected]</FONT></B></P><H3 ALIGN="CENTER"><A HREF="https://www.paypal.com/webapps/mpp/send-money-online"><IMG WIDTH="140" HEIGHT="122" BORDER="0" SRC="../paypal-donate02.jpg"></A></H3><H2 ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFF00"><B>Large
donations are not<BR>suggested. <BR>If a number of small donors <BR>helped, life
would go on<BR></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFF00"><B>just
fine here.</B></FONT></H2><H2 ALIGN="CENTER"> </H2><H2 ALIGN="CENTER"><FONT COLOR="#00FFFF" FACE="Arial, Helvetica, sans-serif" SIZE="4"><B>STATEMENT
ON <BR>USA GOVERNMENT <BR>TROLLS</B></FONT></H2><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF">Government
trolls are now hired <BR>to hack sites contrary to <BR>Satanic policy and post
<BR>wicked content there.</FONT></B><FONT COLOR="#FFFFFF" SIZE="2" FACE="Arial, Helvetica, sans-serif"><B><BR></B></FONT></P><P ALIGN="CENTER"><FONT COLOR="#FFFFFF" SIZE="2" FACE="Arial, Helvetica, sans-serif"><B>We
disclaim ANYTHING <BR>on this site which is in any <BR>way outside of the context
<BR>of a Bible believer. </B></FONT></P><P ALIGN="CENTER"><FONT COLOR="#FFFFFF" SIZE="2" FACE="Arial, Helvetica, sans-serif"><B>If
you see something suspect <BR>that looks like we would not <BR>say that, please
send Email <BR>at once <A HREF="emailpage.htm"><FONT COLOR="#FFFF00">HERE</FONT></A>.</B></FONT></P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>"I
would rather be exposed<BR>to the inconveniences attending<BR>too much liberty
than to those<BR>attending too small<BR>a degree of it."<BR>Thomas Jefferson</B></FONT></P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><H2 ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="5"><B><A HREF="balaam-Texas.htm"><FONT COLOR="#FFFF00">GONE
TO TEXAS</FONT></A></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#FF6633"><B><BR><FONT SIZE="3" COLOR="#FFFFFF">This
is my Texas pa<BR>for those who wish<BR>they were here.</FONT></B></FONT></H2><H2 ALIGN="CENTER"> </H2><H2 ALIGN="CENTER"> </H2><H2 ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><A HREF="https://www.youtube.com/watch?v=TcvftanC6gE&list=PL1VEoOqslKij1y5jDBGgzC5Eq3_MdNrhx"><FONT COLOR="#FFFF00">ENCOURAGING
PLAYLIST <BR>AT MY YOUTUBE SIT</FONT></A></FONT></B></H2><H2 ALIGN="CENTER"> </H2><H2 ALIGN="CENTER"> </H2><H2 ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF"><A HREF="https://fbcdn-video-a-a.akamaihd.net/hvideo-ak-xpf1/v/t42.1790-2/11956439_1500730586904418_178867332_n.mp4?efg=eyJybHIiOjMwMCwicmxhIjo1MTJ9&rl=300&vabr=146&oh=31ef57b8fb9125f242a6a9a130e01b14&oe=55EBBEB7&__gda__=1441512848_9fd7af47089efe50a4db8a1e12e5b959"><FONT COLOR="#FFFF00">A
VERY MOVING SONG</FONT></A><BR>Whatever you do, do not<BR>click out of this. You
will<BR>be rewarded.</FONT></B></H2><H2 ALIGN="CENTER"> </H2><H3 ALIGN="CENTER"> </H3><H3 ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B>THE
MOST LOADED <BR>ARTICLE ON <BR>THIS JOURNAL</B></FONT></H3><H3 ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="housechu/what-satan-can-and-cannot-do.htm"><FONT COLOR="#FFFF00">WHAT
SATAN CAN <BR>AND CANNOT DO</FONT></A></B></FONT></H3><H3 ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF"><B>By
Steve Van Nattan</B></FONT></H3><H3 ALIGN="CENTER"><FONT SIZE="3" COLOR="#FFFFFF" FACE="Arial, Helvetica, sans-serif"><B>This
study is a plain talk<BR>attempt to help you <BR>understand what Satan <BR>is
like and what he <BR>can do and cannot <BR>do to you.</B></FONT></H3><H3 ALIGN="CENTER"> </H3><H3 ALIGN="CENTER"> </H3><H3 ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B>PRAYER
REQUEST</B></FONT></H3><H3 ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF">I
am raising the level of <BR>hostilities against Satanic <BR>ministries and those
<BR>who pervert the <BR>Word of God.<BR>Please pray for me <BR>when you think
of it.</FONT></B></H3><H3 ALIGN="CENTER"> </H3><H3 ALIGN="CENTER"> </H3><H3 ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B>RETURNING
READERS</B></FONT></H3><H3 ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>Every
article posted on this <BR>journal is being updated regularly <BR>when I find
new information and <BR>media that relates. <BR>Bookmark and check back.</B></FONT></H3><H3 ALIGN="CENTER"> </H3><H3 ALIGN="CENTER"> </H3><p ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4"><B><A HREF="QR%20Page%20for%20Journal.htm"><FONT COLOR="#FFFF00">ANDROID
ENTRY PA</FONT></A></B></FONT></p><p ALIGN="CENTER"> </p><p ALIGN="CENTER"> </p><p ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B>EMAIL<BR>AND
PHONE<BR>ALERT:</B></FONT></p><p ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>You
must feel free to contact me <BR>for fellowship or to discuss Bible <BR>related
issues you are dealing with. <BR>I do not want to discuss sensitive <BR>issues
that would make Homeland <BR>Security think you or I are nasty <BR>mean bad people.
<BR>If they hate us for Christ's sake, <BR>so be it.<BR><A HREF="emailpage.htm"><FONT COLOR="#FFFF33" SIZE="4">SEND
MAIL<BR>OR PHONE</FONT></A></B></FONT></p><p ALIGN="CENTER"> </p><p ALIGN="CENTER"> </p><p ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B>CAN
YOU LINK TO ME?</B></FONT></p><p ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>If
you cannot refer me to social <BR>media friends, you CAN still help:</B></FONT></p><p ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>LINK
TO THIS JOURNAL <BR>FROM YOUR WEB PA OR BLOG</B></FONT></p><p ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>Thanks
for getting the message out.</B></FONT></p><p ALIGN="CENTER"> </p><p ALIGN="CENTER"> </p><p ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT COLOR="#00FFFF" SIZE="4">CAVEAT
ONE:</FONT><FONT COLOR="#00FFFF"><BR><FONT SIZE="2">You are reading the journal
<BR>of a "Potential Terrorist."</FONT></FONT></B></FONT></p><p ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF">Janet
Napolitano says that <BR>US Military <A HREF="http://www.washingtontimes.com/news/2009/apr/16/napolitano-stands-rightwing-extremism/?page=all"><FONT COLOR="#FFFF00">Veterans
are <BR>"Potential Terrorists."</FONT></A><BR>I served in the US Army
<BR>during the Vietnam War.</FONT></B></p><p ALIGN="CENTER"><FONT COLOR="#FFFFFF" SIZE="2" FACE="Arial, Helvetica, sans-serif"><B>I
did not hang out in anti-war <BR>coffee houses, run to Canada, <BR>or escape my
responsibility <BR>by enrolling in Oxford, <BR>like Bill Clinton did.<BR>For that,
I am made a <BR>"potential terrorist."</B></FONT></p><p ALIGN="CENTER"><FONT COLOR="#FFFFFF" SIZE="2" FACE="Arial, Helvetica, sans-serif"><B>Homeland
Security says <BR>that Fundamental Christians<BR> are "Potential Terrorists."
<BR>I am a Bible believer and take <BR>the Bible literally. <BR>I am BEYOND Fundamental.
Fundamentalists believe a <BR><A HREF="fundamentalism.htm"><FONT COLOR="#FFFF00">short
list of fundamentals</FONT></A>-- <BR>I believe every word from <BR>nesis 1:1
to <BR>Revelation 22:21.</B></FONT></p><p ALIGN="CENTER"><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif" COLOR="#FFFFFF"><B>For
the defense of the faith <BR>of Jesus Christ, I am made<BR> a "potential
terrorist."</B></FONT></p><p ALIGN="CENTER"><FONT COLOR="#FFFFFF" SIZE="2" FACE="Arial, Helvetica, sans-serif"><B>You
need to understand that <BR>you are reading the editorial <BR>here of a very deadly
and <BR>Genesis men, according to <BR>the US Federal Government.</B></FONT></p><p ALIGN="CENTER"><FONT COLOR="#FFFFFF" SIZE="2" FACE="Arial, Helvetica, sans-serif"><B>That,
for the record, and for <BR>ye morbid snoops on high, <BR>was NOT MY IDEA. <BR>I
did not choose to become <BR>the enemy of my government. <BR>Rather, the US Government
<BR>has made me THEIR enemy <BR>to see if they can stampede <BR>me into the<BR>
milling masses <BR>and snobbish asses<BR>who worship <BR>the god of frijoles gasses.</B></FONT></p><p ALIGN="CENTER"><FONT COLOR="#FFFFFF" SIZE="2" FACE="Arial, Helvetica, sans-serif"><B>Can
you tell.....?<BR>It didn't work.<BR>I am still <A HREF="http://earnestwarrior.blogspot.com/"><FONT COLOR="#FFFF00">a
maverick for Christ</FONT></A> <BR>in the brushy country <BR>of <A HREF="balaam-Texas.htm"><FONT COLOR="#FFFF00">Texas</FONT></A>.</B></FONT></p><p ALIGN="CENTER"><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif" COLOR="#FFFFFF"><B>Who
is on the Lord's side?<BR><A HREF="emailpage.htm"><FONT COLOR="#FFFF00">SEND MAIL</FONT></A></B></FONT></p><p ALIGN="CENTER"> </p><p ALIGN="CENTER"> </p><p ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B>CAVEAT
TWO:</B></FONT></p><p ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>This
is a journal for people who <BR>think for themselves. <BR>If you agree with everything
here, <BR>you are an idiot. That is impossible <BR>if you really THINK. </B></FONT></p><p ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>Furthermore;
our style is defined<BR> by Sir Winston Churchill:<BR>Broadly speaking, <BR>the
short words are the best, <BR>and the old short words best of all.</B></FONT></p><p ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF">Thus,
I reach back into the past, <BR>before the Anglo Saxon world <BR>went brain dead,
and I restore to <BR>use words and idioms <BR>which your parents lost.</FONT></B></p><p ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF">English
vocabulary used here is <BR>world based, so you Americans <BR>will need to open
a definition <BR>web site at times. <BR></FONT></B></p><p ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>One
more from Sir Winston:<BR>Men occasionally stumble over <BR>the truth, but most
of them pick <BR>themselves up and hurry off <BR>as if nothing ever happened.</B></FONT></p><p ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF">Tarry
ye my friend,<BR>In lays of balmy repose.</FONT></B></p><p ALIGN="CENTER"> </p><p ALIGN="CENTER"> </p><p ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B>CAVEAT
THREE:</B></FONT></p><p ALIGN="CENTER"><FONT COLOR="#FFFFFF" SIZE="2" FACE="Arial, Helvetica, sans-serif"><B>You
will be offended at this site, <BR>and that is by design. <BR>My duty is to my
Lord and his Word,<BR> the Bible, and both you and <BR>I must respond to THAT,
<BR>not merely to one another. <BR>I much prefer you rage at me <BR>than just
click out and <BR>run to your comfort zone.<BR><A HREF="emailpage.htm"><FONT COLOR="#FFFF33" SIZE="4">SEND
MAIL</FONT></A></B></FONT></p><p ALIGN="CENTER"> </p><p ALIGN="CENTER"> </p><p ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B>OUR
AFFILIATION<BR></B></FONT></p><p ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF">NONE
ON EARTH</FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><BR>We
are affiliated to <BR>The Lord Jesus Christ <BR>and his true believers.</FONT></B><FONT SIZE="2"><B><FONT FACE="Arial, Helvetica, sans-serif" COLOR="#FFFFFF"><BR></FONT></B><FONT FACE="Arial, Helvetica, sans-serif"><A HREF="hillcountrychurch.htm"><B><FONT COLOR="#FFFF00">WEB
PA FOR <BR>THOSE INTERESTED IN:<BR>THE CHURCH<BR> WITHOUT FENCES</FONT></B></A></FONT><B><FONT FACE="Arial, Helvetica, sans-serif" COLOR="#FFFFFF"><BR></FONT></B></FONT></p><p ALIGN="CENTER"> </p><p ALIGN="LEFT"> </p><p ALIGN="CENTER"><SCRIPT TYPE="text/javascript"><!--
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</SCRIPT></p><p ALIGN="CENTER"> </p><p ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B><BR></B></FONT></p><p ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#FFFF33"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF">O</FONT><FONT COLOR="#00FFFF">UR
<BR>PRESUPPOSITION: </FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#00FFFF"><BR>"</FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF"><B>Thus
saith the Lord.....</B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#FFFF33"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#00FFFF">"<BR></FONT></B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#00FFFF"><B>On
the Web since 1995<BR>Over 28,000 files of content</B></FONT></FONT></p><BLOCKQUOTE><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>"When
the tide is low, every shrimp has its own puddle." <BR>Vance Havner</B></FONT></P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>To
hell with your puddle. Do you believe every word and thought in the King James
Bible is true and has the power to change every sinner's life? <BR>What part of
the Bible do you <BR>set aside to please your Emergent Church guru? Your guru
be damned. We stand on the Word of God as the only propositional truth in this<BR></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>world.
Every other standard <BR>is absolutely wrong, and <BR>we will do anything lawful
<BR>to destroy it. </B></FONT></P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"><FONT SIZE="4" FACE="Arial, Helvetica, sans-serif" COLOR="#00FFFF"><B>DAILY
VITAMINS FROM <BR>THE WORD OF GOD </B></FONT></P><P ALIGN="CENTER"><FONT SIZE="3" FACE="Arial, Helvetica, sans-serif"><B><A HREF="vitamins.htm"><FONT COLOR="#FFFF00">ARCHIVE
ONE</FONT></A> <BR><A HREF="vitamins2.htm"><FONT COLOR="#FFFF00">ARCHIVE TWO</FONT></A>
<BR><A HREF="vitamins3.htm"><FONT COLOR="#FFFF00">ARCHIVE THREE</FONT></A></B></FONT></P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B>EDITORIAL
<BR>SOURCES?</B></FONT></P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>You
are not looking at the entry pa of a hobby blog.</B></FONT></P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>This
site has nearly 2000 articles </B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>dating
back to the dark as of </B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>the
web in the early 1990s. I am 77, and I am telling you all I know about Jesus Christ
</B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>and
life. No topic about life is avoided here. No doctrine is a non-essential here.
<BR> </B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>For
more,<BR><A HREF="jackass.htm"><FONT COLOR="#FFFF00">GO TO MY BIO</FONT></A>.</B></FONT></P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>I
listen close when some older saint, in London, Langano, or Los Angeles, tells
his story and points me to Jesus. Many of my </B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>articles
are based on your stories in Christ. Reading here is an ongoing conversation.</B></FONT></P><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF">
I am not here to amuse you. There is humor and yarns for distraction, but when
dealing with The Word of God (King James Bible) I am narrow, in your face, and
unapologetic.</FONT></B></P><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF">My
site is for people who crave a metanarrative solidly based on the King James Bible
plus nothing, and mental stimulation that does not grab you in the groin. </FONT></B></P><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF">I
want you and me to be stimulated in the mind, and then emotionally--<BR>IN THAT
ORDER<BR></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="emailpage.htm"><FONT COLOR="#FFFF00">SEND
MAIL PLEASE</FONT></A></FONT></B></P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="emailpage.htm">
</A></FONT></P><P ALIGN="CENTER"> </P><P ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF">QUESTIONS:</FONT></B></P><P ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFFFF"><B>What
is bothering you out there? </B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF"><B><FONT SIZE="2">Is
there an issue in the world or Christendom that needs discussing? </FONT><BR><A HREF="emailpage.htm"><FONT COLOR="#FFFF00">SEND
MAIL</FONT></A></B></FONT></P></BLOCKQUOTE><P ALIGN="center"><P ALIGN="center"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#00FFFF"><B>OUR:<BR>Doctrinal
Statement<BR>Creed<BR>Confession and<BR>Covenant<BR></B></FONT><A HREF="believe.htm"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFF00">SEE
IT HERE</FONT></B></A><P ALIGN="center"> <P ALIGN="center"><P ALIGN="center"><P ALIGN="center"><P ALIGN="center"><P ALIGN="center"><P ALIGN="center"><P ALIGN="center"><P ALIGN="center">
<DL><DD><DIV ALIGN="CENTER"><P> </P></DIV></DD></DL><DIV ALIGN="CENTER"><P><A
HREF="mailto:?subject=Blessed%20Quietness%20Journal&body=http://www.blessedquietness.com/journal/balaam.htm"
TITLE="Email this Article"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFF00"><B>E-mail
a Friend <BR>About This Journal</B></FONT></A></P><P> </P><P> </P></DIV><DIV ALIGN="CENTER"><P><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="assurance10pastors.htm"><FONT COLOR="#FFFF00">PASTORS</FONT></A></B><B><BR>
<FONT COLOR="#FFFFFF">Welcome</FONT></B></FONT></P><P> </P></DIV><DIV ALIGN="CENTER"><P><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFF00"><B><BR></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><A HREF="adversaries.htm"><FONT COLOR="#FFFF00">WE
HAVE A FINE LIST OF<BR>ADVERSARIES</FONT></A><BR><FONT COLOR="#FFFFFF" SIZE="2">Friend,
you better have some <BR>adversaries to present to Jesus <BR>Christ. He had quite
a list of <BR>enemies with whom he jousted<BR> in the cause of Truth. <BR>Do you?</FONT></B></FONT></P></DIV><P ALIGN=Center> <P ALIGN=Center><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B>MUSIC<BR>SUGGESTIONS</B></FONT><P ALIGN=Center> <P ALIGN=Center><FONT SIZE="3" FACE="Arial"><B><A HREF="musicpg.htm"><FONT COLOR="#FFFF00"><BR><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2">MUSIC
PA</FONT></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><BR></FONT></A></B></FONT><FONT COLOR="#FFFFFF" SIZE="2" FACE="Arial, Helvetica, sans-serif"><B>for
listening</B></FONT><H3 ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2" COLOR="#FFFF33"><B><A HREF="http://tunein.com/radio/AbidingRadio-Instrumental-s109565/" TARGET="_blank"><FONT COLOR="#FFFF00">OLD
HYMNS OF THE FAITH </FONT></A><A HREF="http://tunein.com/radio/AbidingRadio-Instrumental-s109565/" TARGET="_blank"><BR></A></B></FONT></H3><H3 ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="http://www.youtube.com/watch?v=18MEV0fT1gI&feature=share&list=PL2AD3AEF0E42948B4" TARGET="_blank"><FONT COLOR="#FFFF00">INSTRUMENTAL
HYMN PLAYLIST</FONT> </A></B></FONT></H3><H3 ALIGN="CENTER"><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B><A HREF="http://www.youtube.com/watch?v=1tIXxuxapgI&feature=share&list=RDXinLA5D3X60&index=2" TARGET="_blank"><FONT COLOR="#FFFF00">C.W.
McCall</FONT></A></B></FONT></H3><H3 ALIGN="CENTER"><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B><A HREF="http://www.youtube.com/watch?v=lHdXQAQHjd8&list=RDlHdXQAQHjd8&feature=share" TARGET="_blank"><FONT COLOR="#FFFF00">Alabama</FONT></A></B></FONT></H3><P ALIGN=Center><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="http://tunein.com/radio/AbidingRadio-Instrumental-s109565/" TARGET="_blank"><FONT COLOR="#FFFF00">INSTRUMENTAL<BR>CHRISTIAN
MUSIC</FONT></A><BR><FONT COLOR="#FFFFFF">OLD HYMNS OF THE FAITH</FONT></B></FONT><P ALIGN=Center><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B><A HREF="http://tunein.com/radio/R%C3%A1dio-Telem%C3%BAsica-Catarinense-LTDA-(Instrumental)-s151603/" TARGET="_blank"><FONT COLOR="#FFFF00">EASY
LISTENING<BR>INSTRUMENTAL SECULAR</FONT></A></B></FONT><P ALIGN=Center><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B><A HREF="http://tunein.com/radio/The-Bluegrass-Mix-s103851/" TARGET="_blank"><FONT COLOR="#FFFF00">BLUEGRASS</FONT></A></B></FONT><P ALIGN=Center><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><B><A HREF="http://tunein.com/radio/Radio-Onda-Latina-s101653/" TARGET="_blank"><FONT COLOR="#FFFF00">SALSA
MARIACHI</FONT></A></B></FONT><P ALIGN=Center><FONT SIZE="2" FACE="Arial, Helvetica, sans-serif"><B><A HREF="http://tunein.com/radio/Calm-Radio---Big-Band-s179294/"><FONT COLOR="#FFFF00">BIG
BAND CALM</FONT></A></B></FONT><H3 ALIGN="CENTER"> </H3><P ALIGN=Center><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B>SURVIVAL
IN ONE SENTENCE:</B></FONT><P ALIGN=Center><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF"><B>"Three
factors can help <BR>one from being completely <BR>destroyed by the combined <BR>forces
of the "underworld." <BR>a flawless life, <BR>independent means, <BR>and
real friends, <BR>all of which must be backed <BR>by a fearless determination
<BR>to fight evil on all points."<BR><I>Lady Queenborough</I></B></FONT><P ALIGN=Center> <P ALIGN=Center><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B>FINAL
VERDICT </B></FONT><P ALIGN=Center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF">Today's
science <BR>is tomorrow's joke.<BR>You may quote me on that.</FONT></B><P ALIGN=Center><FONT COLOR="#FFFFFF" SIZE="3" FACE="Arial, Helvetica, sans-serif"><B>Today's
fool proof<BR>evidence is tomorrow's<BR>myth</B></FONT><P ALIGN=Center><FONT COLOR="#FFFFFF" SIZE="3" FACE="Arial, Helvetica, sans-serif"><B>Today's
God was, <BR>And is, <BR>And ever will be, <BR>The final verdict</B></FONT><P ALIGN=Center><FONT COLOR="#FFFFFF" SIZE="3" FACE="Arial, Helvetica, sans-serif"><B>IF
YOU DON'T LIKE THAT, <BR>YOU WILL GO TO HELL</B></FONT><P ALIGN=Center><FONT COLOR="#FFFFFF" SIZE="3" FACE="Arial, Helvetica, sans-serif"><B>There
is no place in<BR>God's heaven<BR>for those who define him<BR>out of existence.</B></FONT><P ALIGN=Center><FONT COLOR="#FFFFFF" SIZE="3" FACE="Arial, Helvetica, sans-serif"><B>And,
in Christendom<BR>there are jack asses,<BR>with PhDs in theology,<BR>who try to
define God<BR>so well that even God<BR>would be shocked <BR>at who he is.<BR>These
bastard sons<BR>will also go to Hell.</B></FONT><FONT SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif" COLOR="#FFFF00"><BR></FONT><FONT FACE="Arial, Helvetica, sans-serif"><A HREF="hebrews12_8.htm"><FONT COLOR="#FFFF00">Hebrews
12:8</FONT></A></FONT></B></FONT><P ALIGN=Center><FONT COLOR="#FFFFFF" SIZE="3" FACE="Arial, Helvetica, sans-serif"><B>As
always, I tell you<BR>the above in all good <BR>Christian Charity.</B></FONT><P ALIGN=Center> <P ALIGN=Center> <P ALIGN=Center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF">I
apologize for not filling <BR>up both the side columns. <BR>I could add a lot
of ads that <BR>self load and start playing <BR>a Viagra commercial, but <BR>somehow
that seems <BR>a bit crass. </FONT></B><P ALIGN=Center><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF">All
ads on the journal have<BR>been removed. If you find<BR>an ad please <A HREF="emailpage.htm"><FONT COLOR="#FFFF00">SEND
MAIL</FONT></A><BR>with the URL where<BR>you found it. I will <BR>remove it at
once.</FONT></B><P ALIGN="CENTER"> </P><P ALIGN="CENTER"> </P><H3 ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="2"><A HREF="theworld/space_solar_amd_earth_weather_sources.htm"><FONT COLOR="#FFFF00">SPACE,
SOLAR AND <BR>EARTH WEATHER <BR>SOURCES</FONT></A></FONT><BR><BR><FONT COLOR="#FFFFFF">This
is a source list for<BR></FONT></B></FONT><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF"><B>the
skeptic who does not <BR>believe in the religion <BR>of Climate Chan. <BR>Also,
find rare and hard <BR>to find sources on weather <BR>for earth and all the way
<BR>to the sun and into space.</B></FONT></H3><H3 ALIGN="CENTER"> </H3><H3 ALIGN="CENTER"> </H3><H3 ALIGN="CENTER"><FONT FACE="Arial, Helvetica, sans-serif" SIZE="4" COLOR="#00FFFF"><B>FORMAT<BR><FONT COLOR="#FFFFFF" SIZE="3">The
format here is<BR>open and free of ads.<BR>No circle of half naked<BR>woman selling
shock<BR>absorbers or a cruise<BR>on the Princess.</FONT></B></FONT></H3><H3 ALIGN="CENTER"><FONT COLOR="#FFFFFF" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif">I
have had people tell<BR>me this format is<BR>insane, while one web<BR>page designer
told<BR>me my format was<BR>clever and clean.</FONT></B></FONT></H3><H3 ALIGN="CENTER"><FONT COLOR="#FFFFFF" SIZE="3"><B><FONT FACE="Arial, Helvetica, sans-serif">I
would rather insult<BR>one hundred idiots<BR>than have one idiot<BR>agree with
me.</FONT></B></FONT></H3><H3 ALIGN="CENTER"><B><FONT FACE="Arial, Helvetica, sans-serif" SIZE="3" COLOR="#FFFFFF">On
the other hand,<BR>I greatly desire to hear<BR>from any real Bible<BR>believer
who disagrees<BR>with me.</FONT></B></H3></TD></TR> <TR> <TD background="../darkbackground.gif" width="188" height="221" valign="top">
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Journal for Bible believers using the King James Bible as the Final Authority, exposing heretics, and dealing with controversy
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| ***BLESSED******QUIETNESS
JOURNAL******A
Journal for Bible believers-*
*From
Texas to the World - Online since 1995*** |
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| **[BAPTIST
CONVENTION PIANO](https://youtu.be/d-NJQs934is)** |
| |
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| **NAVIGATE
THIS JOURNAL [*GONE
TO TEXAS*](balaam-Texas.htm)****[HOME](http://www.blessedquietness.com/)
- [TABLE OF CONTENTS](http://www.blessedquietness.com/journal/balaam.htm)
- [WAR ROOM](http://www.blessedquietness.com/journal/warroom.htm) -
[THE GOSPEL](http://www.blessedquietness.com/journal/johnmenu.htm)
- [BIBLE
STUDY](http://www.blessedquietness.com/journal/housechu/balaam18.htm) - [HOUSE
CHURCH](http://www.blessedquietness.com/journal/housechu/housechu.htm) - [HUMOR](http://www.blessedquietness.com/journal/humor.htm)
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- [KING
JAMES BIBLE](http://www.blessedquietness.com/journal/housechu/kingjamesbibledefense.htm) - [CULTS](http://www.blessedquietness.com/journal/housechu/cults.htm)
- [PROPHECY](http://www.blessedquietness.com/journal/prophecy/prophecy.htm)
- [SODOMYWITCHCRAFT](http://www.blessedquietness.com/journal/housechu/sodomy.htm)
- [MUSIC PA](http://www.blessedquietness.com/journal/musicpg.htm) -
[WORLD AFFAIRS](http://www.blessedquietness.com/journal/theworld/affairs.htm)
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[BIO OF EDITOR](http://www.blessedquietness.com/journal/jackass.htm)
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| **e****[THE
QUIET PLACE](quietplace.htm)****If
you are alone....** **[THE
GOSPEL](http://www.blessedquietness.com/journal/johnmenu.htm)** **[REVIVAL?HERE
IS HOW](https://youtu.be/5baWgvEqbeg)** **[WAR
ROOM](warroom.htm)** **[LETTERS
FROMTHE WAR ZONE](recent_emails_from_warriors.htm)** **[WHATCHA
GONNA DO?](../WhatchaGonnaDo.mp3)When you're one day
late for hoping?** **[CHARISMATICMOVEMENT](housechu/thirdwav.htm)** **IN
MEMORY OF: [Wes
and FrancesVan Nattan](editorpg/vannattan.htm)
and
[Glenn
and Charlotte Hoover](editorpg/hoover.htm)** **FELLOWSHIPWITH OTHERSAINTS:** [**Kevin
Zacher**](https://www.youtube.com/channel/UCjcq8iMntQHZ17N-vvrBwQQ/featured)**Bible teacher- KJV only****Direct
but DecentManners** [**Paul
Proctor**](http://www.newswithviews.com/PaulProctor/proctorA.htm) **Outspoken and Fearless** **[Take
Heed Ministries](http://www.takeheed.info/)Exposing many heretical groups** **[Critical
IssuesCommentary](http://www.youtube.com/user/CICministry?feature=watch)This is a YouTube site
featuring Pastor Bob De Waay[Twin
City Fellowship](http://www.youtube.com/user/TwinCityFellowship?feature=watch)****web
site which is also Pastor Bob DeWaay's site[His
local church site](http://cicministry.org/)Caveat:
They use non-KJV Bibles, and they have associations with some people that
are exposed in error on this journal. But, many practical theology issues
are well taught here** **[Foundations
Bible College](http://www.foundations.edu/)** **[Time
For Truth](http://www.timefortruth.co.uk/)****A
web site, and a local church- KJV Only-- in the UK** **[KJV
basedBible believingvideo sermons](https://www.youtube.com/channel/UC5k2gKT5wWo655t6XC7e-lg)** **[Convert
from the New A Movementgives Bible teachingDISCLAIMER:Bible version
used other than the KJV](http://www.zephaniah.eu/)** **[Family
DrivenFaith](http://www.voddiebaucham.org/vbm/home.html)** **[Jefferson
Bathke](http://www.youtube.com/user/bball1989?feature=watch)** **[Exceptional
You Tube site for studying error and cultic leaders](https://www.youtube.com/watch?v=C07XQ6miCpo)** **[Constance
Cumby](http://newswithviews.com/Cumbey/constanceA.htm)Watching the New A as it enters
thechurch house** **Dennis
LloydNew Zealand[The
Stand](http://thestand.faithweb.com/)** **Thomas
Ross[Bible
Teacher](http://sites.google.com/site/thross7/)** **Far
Eastern [Bible
College](http://www.febc.edu.sg/)** **[A
Squandered Legacy](http://www.authenticword.co.uk/Authentic%20Word/legacy.htm)David
Norris** **[JOHNNY
THE BAPTIST](http://johnnythebaptist.com/index-2.html)****Waist
high, straightacross the plate.If you cannot t this,you need to go
to ER right now for a brain scan.** **STRONG
MEAT** **[FROM
THE UK](http://www.authenticword.co.uk/)** **[A
LITTLE LEAVEN](http://www.alittleleaven.com/)This site exposes filth and
idolatry in the emergent church.** **[Narrow
Way News](http://www.newswithviews.com/)** **[A
Slice of Laodicea](http://www.sliceoflaodicea.com/)** **[Plain
vanilla siteBut, deep teachingfrom the KJV Bible](http://bellsouthpwp.net/j/n/jntskip/home.htm)****[Deeper
defense of the KJV](http://www.av1611answers.com/home.html)** **[KJV](http://www.rosings.com/Bible/bible.html)** **[Hireling
Fundamental Baptist Preachers Exposed](http://dictatorpastors.yolasite.com/)** **[share2show](https://www.youtube.com/channel/UComyesex8rz6404KX6lWV_Q)YouTube
siteDeeper live videoswith some caveat, but overall, hard hitting
on issues** **[April
and WayneShow](http://aprilandwayneshow.com/videos.html)Some powerfulissues videomessage from
a Black couple on the narrow way** **[Bible
or Tradition?](http://www.youtube.com/user/bibleortraditions?feature=watch)** **[Charles
E, FullerOld Fashioned Revival Hour](http://www.biblebelievers.com/OFRH/mp3_archive.html)** **[Great
war frontagainst Charismania](http://web.archive.org/web/20041016075931/www.myfortress.org/)** **[BRANDONSTAGGS](http://www.bible-topics.com/)** **See his online Bible study helps** **[LIBERTY
GOSPEL TRACTS](http://www.libertygospeltracts.com/)Great tracts with lots
of Bible quotes, and they are free** **ON
THE BATTLE FIELD IN ASIA Narrow, Tender, and Dangerous to Bible
mutilators****Read
brother Shong'sbook on the** **[End
Times Church](http://www.kjv-asia.com/HTMLobj-3250/The_Last_Day_Church_-_Rich_Church__Poor_Church.pdf)** **[THE
KJV STORE](http://www.thekjvstore.com/)** **[Lighthouse
TrailsResearch](http://lighthousetrailsresearch.com/)Exceptional resourcefor
watching heretics** **[Eastern
Regional Watch](http://www.erwm.com/)** **[Institute
of Creation Research](http://www.icr.org/)** **[Fundamental
Evangelistic Asso. Reading list](http://www.feasite.org/Foundation/fbcfound.htm)** **[Exposing
Strong Delusion](http://www.youtube.com/user/NylaRossini?feature=watch)Video based** **Free
the Masons[Video
based Bible Teaching and Exposure of Error](http://www.youtube.com/user/FreeTheMasons?feature=watch)** **[HERE
IS A RATIONAL VOICE FROM THE ARAB WORLD](http://www.americancongressfortruth.com/)** **[KEN
MATTO](http://www.scionofzion.com/)** **[OAKLAND
ANDSAN FRANCISCO AREAKJV BAPTIST CHURCH](http://derekjung.tripod.com/)** **[BIBLE
BELIEVER IN WISCONSIN](http://logosresourcepages.org/)** **[WEBTRUTH](http://www.webtruth.org/)Sound
Bible Teachingfrom the UK** **[STRAIGHT
PATHSBIBLE CHURCH](http://www.straightpathsbiblechurch.com/)** **[WALID
SHOEBAT](http://www.shoebat.com/)Must
reading to understand the Middle East today** **[Bishop
Alfred OwensWashington DCPreaching it straight](http://www.washingtoncitypaper.com/cd_img/0505owens.mp3)** **[Bible
Truth For You](http://bibletruthforyou.com/)** **[Kjos
MinistriesExposing SatanicInvasion Today](http://www.crossroad.to/)Disclaimer:****Bible
version** **I
have not reviewedeverything here, but[there
is a lot of usefulinfo on modern apostasy here](http://endtimespropheticwords.wordpress.com/)** **[Do
It YourselfPiano Repair](http://www.stevespianoservice.com/)Learn how to do
it,and buy the partsand tools.** **[Old
hymns sung by aScotch Irish cop fromUlster](http://vimeo.com/user672048)****[Second
site](http://vimeo.com/channels/182446#22693921)****[Watch
End Times prophetic events as they happen](http://propheticobserver.com/)** **WATCH
AND PRAY****[WAR
ROOM](warroom.htm)****We
are under attack by a new synergistic****combination
of the****.....
[Manifest
Sons God](http://www.blessedquietness.com/journal/housechu/msog5fld.htm)[Roman
Catholic intrigue](http://www.blessedquietness.com/journal/warroom_roman_whore.htm)..... and
Alchemy. This mob talks boldly of attacking non-compliant saints with
brute force. [TERRA
FORMING](housechu/terra_forming.htm)This is the same old moldy Satanic
rubbish, but in a "new and improved" wrapper** **[CHECK
THE STATS](http://stats.org/)on every alleged"News Story"
beforeyou believe it.** **COMIC
RELIEF****[Gerry
BrooksSchool Principal in Lexington, Kentucky](https://www.youtube.com/channel/UC-6WUaQSC_AfKZrinPuhVFw)** **STATEMENT:**
**At
this site The Lord Jesus Christ is the eternal Son of the Living
God--****Philippians
3:20 For our conversation is in heaven; from whence also we look for
the Saviour, the Lord Jesus Christ:****Psalms
18:46 The LORD liveth; and blessed be my rock; and let the God
of my salvation be exalted.** **SITE
STYLE:
This
site will make you think and react at the extremes. This is just fine.
Some readers will hate us, and some will love us for Christ's
sake. Why be blunt and forceful? Simply this-- You will find it very
hard to communicate with a man once he is dead. Why be tactful
and tempt people to procrastinate about eternity?****I
use English that is international, with some exceptions.****I
also use old words, and the old short words are the bully ones. If
you only relate to trendyrepetitious blather and bluster, t out
of here.[TRY THIS](http://youtu.be/IErXg5kBXXg)** **NEWS
AND VIEWS****[LISTS:AT
THIS SITE](theworld/news.htm)**
**Mary has
a** **[BOOKSTORE](homemake/hmcbooks.htm)
for the ladies**
**IF
YOU AREIN TEXAS****We
would enjoy visiting with you.** **[Piano
Tuning andRepair Site](http://www.stevespianoservice.com)****Editor's vocation before moving to Texas** **[I
hope he was Really Born Again](http://www.theologyofwork.org/resources/johnny-cash-on-gifts-and-calling/)** [**100
MOST POPULAR CONSERVATIVE SITES ON THE INTERNET**](aaab_news_links_.htm)
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**"I
WILL BUILD MY CHURCH,THE GATES OF HELL WILL NOT...."Jesus-
Elohim from Galilee** ***FEATURED
ARTICLES:*** **[ABSTAIN
FROM ALL APPEARANCE OF EVIL](https://thecottonapron.blogspot.com/2023/10/halloween-more-than-appearance-of-evil.html)A discussion of Halloween By
Mary Stephens****[WHAT
DO DEVIL POSSESSED FUNDAMENTAL CHRISTIAN PREACHERS TEACH?](housechu/What_Do_Demon_Possessed_Fundamental_Baptist_Preachers_Teach.htm) By
Steve Van NattanIt is very clear today that many conservative
Christian preachers are teaching doctrines of devils. As Trump rages, they
remind us of the Jews who listened to King Herod and cried, "It is the
voice of a god." These mongrel preachers punish and pummel the Lord's
sheep mercilessly, and it is time to expose them.**[AND
THEN WHAT HAPPENED?](housechu/And%20Then%20What.htm)A
discussion of what happened next in Bible eventsQuestions we may want to ask
those in Heaven when we all get there[STUDY
TO SHOW THYSELF APPROVED](housechu/study.htm)**2
Timothy 2:15 Study to shew thyself approved unto God, a workman that needeth not
to be ashamed, rightly dividing the Word of truth.This is a word
study in the above verse to prepare us to study the Bible.**[THE
GREAT TRIBULATION IS LOOMING](housechu/Great%20Tribulation%20Looming.htm)Matthew
24:8 All these are the beginning of sorrows.Many
aspects of the Great Tribulation are being seen in their early warning stage.
What does this mean to Bible believers?This article will be regularly
updated for some time to come.[JANUARY
6- COUP OR INSURRECTION?](housechu/coup%20usa%20januray%206.htm)Many
Christians are defending Trump after he sent his supporters up to the US Capitol
to launch a coup and hang Mike Pence. **By
Steve Van Nattan** [DOES
MY CONSCIENCE AGREE WITH THE WORD OF GOD?](housechu/Conscience_does_it_%20agree_with_the_word_of_God_PART%20ONE.htm)THREE
PART SERIESA study in Bible teaching about the conscience, including discussions
about examining my working conscience and whether or not it tells me what
the Holy Spirit is saying. **[A
NEW YARN BY STEVE](../yarn/briartown.htm)Stevie recalls his days in Briartown,
Oklahoma.Tales of survival and sweet memories.******[MAC ARTHUR RECEIVES REVELATION FROM DEVILS](housechu/macarthrdemons.htm)Recent
responses of John MacArthur in Q & A indicate he has changed one of his heretical
teachings. But, he has yet to clearly retract it. He has also hidden his early
teaching from the web.******[EXECUTIVE
PRIVILEGE AND THE SOVEREIGNTY OF GOD](housechu/Executive%20Privilege%20and%20the%20Soversignty%20of%20God.htm)Does
God give man first choice in anything?AND, Is John Calvin an effete snob?**
[IGNORANCE.....
THE DEADLY REFUGE](housechu/Ignorance%20the%20deadly%20refuge-%20Part%20One.htm)The
folly of choosing Ignorance as a Refuge in the 21st Century- Four Part Series**[WHAT
ABOUT THE DUGGERS?WAS THEIR REALITY SHOW EVER A GOOD IDEA?](http://www.homemakerscorner.com/duggars-what-about-them.html?fbclid=IwAR2pmMlj4PnQWKfJS8fwIfi7CbSMxhTSBckKF5a8-lDUUH5Eqo3Ex7rO39Y)Article
at the Homemaker's Corner by Mary Stephens****[THE LEGENDARY
MISSIONARY GUEST HOUSE](../yarn/Guest_Houses_for_missionaries.htm)****Guest
Houses Steve has stayed in in Africa and elsewhere, Including Mission Headquarters
Facilities. This is a look into missionary culture.** [THE
RETURN OF SUPERSTITION](housechu/Return_of_Superstition%20Part%20One.htm)A Three Part SeriesSuperstition
is increasing in modern culture, but worse, it is taking over the thinking of
the People of God. Included is a discussion of Religious Obsessive Compulsive
Scrupulosity**By
Steve Van Nattan** **[SUGGESTIONS
FOR CHURCH MUSIC](housechu/Suggestions%20for%20Church%20Music-%20The%20good%20and%20the%20bad.htm)A piano tuner and pastor shares his impressions,
sad and/or blessed. I talk to those who sing, lead, and accompany.Also,
I talk to pastors and song writers.******[PYRAMID SCHEMES- Multi Level Marketing](theworld/pyramid.htm)Learn
how these people enslave their victims. I include my personal experiences******[THE
TWO QUALIFICATIONS FOR A LADY PREACHER](https://youtu.be/3bVA83JF0Qs)VIDEO- This is not what it
looks like.** **[CONTEMPLATIONS
FROM MY PAST](../yarn/contemplations_from_,my_past.htm)****There
are those special moments in life when we stood still and thought and wondered.
This article is a work in progress, but what there is should be incriminating.**[THE
FOLLY OF THEOLOGY VERSUSTHE LITERAL USE OF THE WORD OF GOD](housechu/The_Folly_of_Theology.htm)**By
Steve Van Nattan**Systematic Theology is a man-made invention designed
to elevate scholars above the masses and keep them panting at the feet of scholars
for bits of truth. **[WHAT
IS GOING ON IN THE FLIGHT FROM ATHEISM?](theworld/Atheistic_Science_is_crashing.htm)** **[TERRA
FORMING REVISITED](housechu/terra_forming.htm)** **[NEW
AGE ATONEMENT](new_age_atonement.htm)****By
Steve Van Nattan****************************************************We
discuss the counterfeit doctrine of atonement of the New Age****************************************************** [DEVILISH
MIXTURE IN CHRISTIAN MUSIC](housechu/joyful-joyful.htm)Using
the hymn *Joyful, Joyful, We Adore Thee* as an example. Hymns have been added
**[AMERICA,
THE CHURCH, AND ABOUT LOSING THE BATTLE](addendumbacevich.htm)An introduction
to ethics nationally and in the Church in America** [THE
MIGHTY GOD,THE EVERLASTING FATHER,THE KING OF KINGS](housechu/The_Mighty_God.htm)Our
God is a consuming fire. Many Christians have a fluffy harmless god who is not
the God of the Bible.- ******[STEVE'S
YARNS-- SINGING BASS, AN ADOLESCENT RITE OF PASSAGE](../yarn/Singing%20bass%20adolescent%20rite%20of%20passage.htm)****The
day when a boy can sing double bass during hymn singing**-
next**** **[THE
DIFFERENCE BETWEEN THE PROFANE AND THE HOLY](housechu/Profane_or_Holy.htm)Are
you choking on Sharia Baptist Standards? I have added a discussion of the deadly
problem of mixture** [THE
MYSTERY OF GODLINESS](housechu/The_Mystery_of_Godliness.htm)**By
Steve Van Nattan** **Do
we help one another become more godly, or do we thoughtlessly nag and nanny each
other?****[ROMANCE
RESTORED](housechu/Romance_Restored.htm)Bring it on home, sirA
study of the death of romance in society but especially in marriage By
Steve Van Nattan********************************************************************************[TELL
ME THERE'S A HEAVEN](housechu/Tell_Me_There%27s_a_Heaven.htm)Where
do babies go who die, to Heaven or to Hell?****By
Steve Van Nattan****************************************************************************************************************************[A
MEA CULPA BY THE POPE](housechu/meaculpa.htm)
I am the Culprit- Admission of guilt? Yes. Confession
of sin? NO!We look at the 2000 fake confession of sin by Pope John Paul II.
This is being posted long after the fact so that an unemotional presentation is
accomplished.********************************************************************[GUNGA
DIN..... REVISED VERSIONNew International Diversion](housechu/Gunga_Din_NIV.htm)[**By
Rudyard Kipling and revised by Steve Van Nattan**](housechu/Gunga_Din_NIV.htm)**This
is my offering to biblical scholars who insist on reading at the Dick and Jane
level.** **I suspect,
given the sense of humor of Rudyard Kipling, he would forgive me for using his
poem to poke fun at snobs**************************[CATASTROPHE
THEORY AND THE KINGDOM OF MESSIAH](theworld/Catastrophe_Theory.htm)****Steve
Van Nattan"This is a study in the catastrophes for the past thousands of years
and how they warn us of what we could easily experience in our day. We conclude
with a message of hope from the Bible.****[HOW
TO DESTROY HERETICAL CHRISTIANITY: SITUATION ETHICS](housechu/How_to_.htm)****By
Steve Van Nattan****Situation
Ethics has never gone away. Satan loves this tool from his ancient tool box.****[THE
GREAT PUMPKIN IS RISING- THE VIRUS OF SUPERSTITION](housechu/great_pumpkin_rising.htm)****By
Steve Van Nattan****This
is a study in superstition as found in Christian people and organizations**
[FASTING-
THE BIBLICAL TEACHING](housechu/fasting1.html)Much
false piety and silliness needs exposing, and the true virtue of fasting taught.
**ARTICLES IN THE TRILOGY
ON TECHNOLOGY By Steve Van Nattan********[HYPERNORMALIZATION](housechu/Hypernormalization_Suffocating_in_Technology_Heaven.htm)-************Suffocating
in Technology Heaven****There
is always a help desk. There is endless knowledge at the push of a button. But,
at the same time, there is nothing left to live for. The only safe place is in
towering skepticism.****** ****[THE
DEEP FAKE WORLD IS HERE](theworld/deep_fake_technology.htm)****Anything
can be faked today. Your words, your face, your emotions, your actions, and your
desires.**** **[AT
WAR WITH BIG TECH](housechu/War_With_Big_Tech.htm)****How
can we t off of the bull's eye and minimize our footprint in this world of 24/7
surveillance and snooping?** **********************************************[EPISTLES
TO THE LAODICEANS](housechu/Epistles_to_the_Laodiceans.htm)****By
Pastor Art BartonHeritage Baptist Church, Grant, Michigan****This
pastor has an exceptional gift of holy sarcasm which is impossible to escape.
Please consider the era of conspiracy inspired by the Covid-19 varmint.********************************************** ****[TWENTY
YEARS (plus 19 more years) OF AIDS UPDATE](theworld/aids20years.htm)This is an update in April 2020This
article now covers the whole AIDS era from 1981 to 2020. I have had inside information
from day one in the USA. The video on this pa proves my information on AIDS was
spot on.** We
now know who hid AIDS and caused it to spread worldwide. We also have proof that
Kissinger, Bush, and Fauci and others want to kill sodomites in America. This
is the man who has been herding us and locking down America.** **[SECRET
PLACE OF THE MOST HIGH](housechu/secret_place_of_the_most_high.htm)****By
Steve Van Nattan****What
does it mean to be hidden away in God?** [THE
REPLACEMENT PRINCIPLE](housechu/replacement_principle.htm)By
Steve Van Nattan**Exposing
problems and danger without empowering the hearer is ungodly. Teaching a saint
to give up something profane without helping him find a replacement is a job half
finished** [PANIC
OF CROWDS-- PRELUDE TO A STAMPEDE](prophecy/panic.htm)What
it is and what it ain't....Or, how to stay out of the stampede
CORONAVIRUSHere
are my two articles on the SARS virus. Virtually everything here applies to the
2020 Coronavirus because SARS is a Coronavirus.SARS
Severe Acute Respiratory Syndrome[ARTICLE
ONE](http://www.blessedquietness.com/journal/housechu/sars.htm)[ARTICLE
TWO](http://www.blessedquietness.com/journal/housechu/sarsstory.htm)[MY
BLOG POSTS ON CORONAVIRUS](http://balaamsassspeaks.blogspot.com/search/label/Coronavirus)[**BRIGHT SPOTS DURING
DARK DAYS**](housechu/Bright_Spots_in_Dark_Days.htm)**By
Steve Van Nattan****We
look at the exceptions to the "Five steps of soul winning."** **Unlikely people, in unlikely places, with unlikely faith. The update is to give
the reader warning about making compromising friendships based on good intentions.****[THE
ANTICHRIST REVEALED](prophecy/The_Antichrist_Revealed.htm)Using
the Bible to predict the Modus Operandi of the Antichrist**By
Steve Van Nattan **[WEAPONIZING
YOUR WHITENESS TO THE GLORY OF GOD](theworld/weaponizing_whiteness_to_the_glory_of_God_Part_One.htm)By
Steve Van NattanTake
the high ground in this warfare for the souls of men. Stop letting racist Christ
haters intimidate you.** **[CLOTHING
IN THE BIBLE AND IN EVERYDAY LIFE](housechu/clothing.htm)By
Steve Van NattanNothing
defines us more than our clothing. It is the first impression, and it tells the
world a huge amount about us. God has much to say about clothes in the Bible.** **[HIGHLY
SUSPECT SCOUNDRELS](theworld/Highly_Suspect_Scoundrels.htm)****By
Steve Van Nattan****The
world today loves to exalt men and pass them off as great men, when in fact, they
are nobodies. -g3****[STORY
TELLING](../yarn/Story%20Telling%20Doug%20Stevenson.htm)****By
Steve Van Nattan****Learn
how to use stories to teach and preach and to simply become more interesting to
your friends.** **[LYING
IS AN END TIMES EPIDEMIC](housechu/Lying_is_an_End_Times_Epidemic.htm)****By
Steve Van Nattan****It
getting hard to avoid telling lies, and God makes it clear that he hates liars.** **[THE
MYTH OF NUCLEAR DEFENSE](theworld/The_Myth_of_nuclear_defense.htm)****by
Steve Van NattanThe whole world's lust for nuclear weapons
is insane and strategically unthinkable.That is, unless God blinds world leaders
so that they believe their own lies** **[DEFENDING THE PEOPLE OF
GOD](housechu/Defending_The_People_of_God.htm)Added December 2018-
Visitor and member legal agreement to be reported to law enforcement if they make
trouble in your church, especially sexual offensesBy
Steve Van NattanDealing with
attacks on your family, your local church, and the people of God in generalChurch
security against Islamic terrorist attacks Preparing for Government attacks
on churchesThis article will help you set priorities and strategies before
attacks happen.** **[POLITICAL
CHRISTIANITY](housechu/political_christianity.htm)A
study of the Perversion of the Lord's Church by heretics who have good intentions
and no common sense. This article especially deals with the invasion into local
churches of Satan's counterfeit Messiah, Donald Trump.** **[RECESSIONAL](warroom_poetry_Recessional_Kipling.htm)A
call for mercy from God on an arrogant era- Rudyard KiplingThis
is a poem of humility before God by men who may have offended him by their pride
and actions. It is a plea for mercy. Rudyard Kipling had mixed emotions about
the British Empire. On one hand, he was proud of it, but on the other hand Kipling
had seen some of the cruel and thoughtless things Britain had done in India. America
too is on a roll of pride and arrogance inspired by a leader who is bold beyond
reason. This poem seems to me to be needed now.** **[THE
MODERN HERESY OF THE NEPHILIM](housechu/Nephilim_heresy.htm)The videos on this topic had
gone dead. They are all back with added commentary by me.Alleged prophecy
experts claim that angels have penises and can have sex with human women. This
is heresy and is very offensive to the God of the Bible.** **By
Guest Bible teacher Kevin Zachary** **[ARE
MICROWAVE OVENS A SOURCE OF DANGER?](theworld/Microwave_Ovens_are_Deadly.htm)****by
Marion WildSome modern inventions are dangerous because Government and Business
lie.** [**GURUISM
AT THE CHURCH HOUSE**](housechu/Guruism_at_The_Church_House.htm)**By
Steve Van NattanAre you letting other men do all the Bible studying for you?
Is your pastor demanding that you let him do all your Bible studying for you?****[NO!
..... DO WE SAY IT TOO MUCH?](housechu/No_the_overuse_of_the_word.htm)****By
Steve Van Nattan****Is
it possible to answer in the negative without being brash and confrontational?****[QUESTIONS TO ASK
A MUSLIM](housechu/Questions_to_ask_Muslims.htm)****By
Steve Van Nattan****The
first objective here is to try to identify Muslims who would kill you if they
could, or to learn which Muslims in your environment have a death wish for America
and Christians.** **The second objective in this article is to give Christians the tools to break
down a lying Muslim and prepare him to listen to the Gospel of Jesus Christ.** [**THE
GREAT PYRAMID**](housechu/pyramid.htm)**By
Steve Van Nattan****Is
the Great Pyramid part of the Revelation of God, or is it just a big pile of rocks?
The Pyramid cult is suckering in many Fundamental pastors. It is total blasphemy.** [**MILLENNIALS-
ESCAPE FROM FANTASY**](housechu/Millennials_how_to_fail_gloriously.htm)**By
Steve Van NattanA discussion of the Millennial Malaise and how to Escape It.
Steve is trying to help millennials and their family and friends work through** [**CHRISTIANITY
HAS GONE DULL..... HAVE YOU?**](housechu/christianty_gone_dull.htm)**The
Laodicean church says, "We are rich and in need of nothing." In fact,
they are wretched, poor, blind, and naked..... and DULL. Flee from the dull church
now.** [**DEALING
WITH SODOMY IN THE LOCAL CHURCH**](housechu/sodomy_and_the_local_church.htm)**How
shall we then live in a nation which enforces sodomy in all social life? Special
emphasis is given to defending boys and girls.** [**DESTROYING
BOYS IN MODERN SOCIETY**](housechu/Destroying_Boys_in_the_culture.htm)**By
Steve Van Nattan****Will
anyone help Billy survive puberty and become a Christ honoring man? The schools,
the media, the church, and the home have become boy war zones for those who want
boys to grow up to be girlie sissies or sodomites. Here are some suggestions in
how to take back the boys.** [**HOW
TO DESTROY HERETICS IN CULTIC CHRISTIANITY**](housechu/How_to_Destroy_Heretical_Christianity.htm)**By
Steve Van Nattan****The
cults of Christendom are thriving. But, many of them are reporting poor results
in recent days. Your assignment is to do battle with cults and heretics to the
glory of Jesus Christ.** [**THE
GREAT DEPRESSION SERIES**](theworld/Great_Depression_Series.htm)**Using
the Past to Prepare for the Future** [**DECADENCE
OF THE CULTURE AND THE BIBLE RESPONSE**](housechu/decadence_and_the_Bible_believer.htm)**Western
culture has collapsed into total ruin. Will you go back to find God and the answers
in the Bible? Or, will you import this mongrel culture into the local church?
Have your added the golden calf of the culture to the altar of God?** **[THE
LORD'S DAY](housechu/Lords_day.htm)****By
Steve Van Nattan****This
is an answer to legalizers like the Seventh Day Adventists and Seventh Day Baptists.
SDAs are damned to Hell for exalting Ellen G White to the status of inspired revelator.
We show why they are lost sinners.** **[THE
ROAD TO HELL](housechu/Road_to_Hell.htm)This
is a pa for Atheists, Agnostic, Progressive Liberals, Fake Christians, and Rebels
in general** **[NORMAL--
WHAT IS IT?](theworld/normal.htm)BY
STEVE VAN NATTANWe live is an era of many presuppositions about normality.
We assume things are totally normal and good for humanity which did not exist
just 60 years ago. Because something "works," we assume it is the only
way to live. We may be wrong**. **[THE
END OF THE CULTURE](theworld/culture1.htm)****ENTER--
THE DAY OF THE BEAST AND THE WRATH OF GOD?This is a history of the collapse
of culture and the meddling of the Church in culture instead of preaching the
Gospel.** [**MARVEL MAN VERSUS MARVELOUS GOD**](housechu/Marvelous__God.htm)**By
Steve Van Nattan****Are
you exalting the marvelous God of the Bible, or are you plodding along vomiting
up your seminary or Bible college notes? Are you telling cute stories about fornicating
preachers making folk heroes of them, or are you lifting up the wonderful Savior?****[SITUATION
ETHICS AND "ME TOO"](housechu/me_too.htm)****By
Steve Van Nattan****Women
who played the whore in the past want revenge today. Why?****We
also talk about defending yourself and the local church against sex abuse and
predators.****[RABBIT
FOOT RELIGION](housechu/rabbit_foot_religion.htm)****By
Steve Van Nattan****It
is time to throw away your crutches, and stop tossing the chicken bones. We will
review all the rabbit foot superstitions of world religions, and then we will
look into your religion and mine to see what superstitions we also have.** **[THE
FEMINIZATION OF MEN IN THE LOCAL CHURCH](housechu/Feminization_of_Christian_men_Part%20_One.htm)- UPDATEDA
Five Part Series Complete****By
Steve Van Nattan**American
culture has given us two generations of ladylike men, and the Lord's Church is
giving in to this trend. Learn how to tell if you have been feminized by your
wife, pastor, mother, or society. And, learn how to unpack your balls and be the
man again. Ladies: Learn how to t that manly Type A guy you courted back again.CAVEAT
EMPTOR: This is the roughest article in this journal. **[PART
SIX HAS BEEN ADDED](housechu/Feminization_of_Christian_men_Part_Six.htm)-
NINE DISTURBING
WAYS SOCIETY IS FEMINIZING MEN THROUGH FOOD AND OTHER PRODUCTS**
[**THE
ARROGANT PATRIARCH**](housechu/Arrogant_Patriarch.htm)Learn
to identify a patriarchal tyrant in the local church, work place, or in the home.
This study applies to both men and women. This is a companion study to The Feminization
of Men in The Local Church above**[WHERE
HAVE ALL THE DEVILS GONE?](housechu/Where_Have_the_devils_Gone.htm)****By
Steve Van Nattan with Mike Van Nattan****There
is a decrease in devil driven humanity. Their old haunts have been largely vacated.
Where are they, and what are they doing****?****[IS
THE DUGGER POSITION ON BIRTH CONTROL BIBLICAL](http://www.homemakerscorner.com/duggars-birth-control.html)Mary at The
Home Maker's Corner The Duggers
claim that you should have as many children as possible. This is also known as
"Quiver Full." Mary tells us what the Bible does, or does not, say on
this** **[LIBERALISM
AND HOW TO DESTROY IT](theworld/Liberalism_How_to_Destroy_It.htm)By** **Steve
Van Nattan and othersProgressive Liberals understand only one
thing- BRUTE FORCE. We must give that to them in great abundance. We must
break PV rules at every opportunity.**
**JACKBOOT CHRISTIANS WHO
ATTACK PASTORS AND SAINTS FROM THE PEW[ARTICLE
ONE](housechu/nazpew.htm) [ARTICLE TWO](housechu/nazpew02.htm)** **[HOW
TO GET FOUND AFTER YOU HAVE BEEN LOST](housechu/How_to_get_Found_after_You_are_lost.htm)****By
Steve Van NattanWhat
does the bible mean by "The Lost"? How does a man t lost? How can a
man be found and saved?** **[THE
MONGRELIZING OF FUNDAMENTALISM](housechu/Fundamentalism_a_mongrelized_freak.htm)****By
Steve Van NattanFundamentalism
was born a cripple, and it has become a monster.** **[What
happens when all that remains of the world is..... Fear, Distrust, and Quiet
Desperation?](housechu/fear_distrust_desperation.htm)This article needed updating to reflect the
present stress of fear and distrust in the world. Both the USA and Europe are
on the brink of social chaos. If it is all getting to you, I think this article
will help.** **[FLAT
EARTH HERETICS](theworld/Flat_Earth_Heretics.htm)By
Steve Van Nattan****How
can a Bible believer make a great fool of himself and the Lord's Church?** **[WHY
DOES JOHN](housechu/MacArthur_is_preaching_the_same_sermon_as_Pope_.htm) [MacARTHUR
SOUND SO MUCH LIKE POPE FRANCIS?](housechu/MacArthur_is_preaching_the_same_sermon_as_Pope_.htm)
By Steve Van NattanQuestion: Where have all the sheep gone?
Both Pope Francis and John MacArthur lament Christians who claim to be born again
but are not parking their butt in the local church on Sunday morning. These two
men are seen in a video preaching identical messages More research shows us that
Lordship Salvation is the motivation, and the solution is for the Pope of Rome
and Burbank to stop questioning our salvation.** **[JOHN
MacARTHUR'S MASONIC CONNECTIONS](housechu/MacArthur_and_Freemasonry.htm)****By
Steve Van Nattan****MacArthur
spews forth blasphemies and lies while exalting his Scottish family heritage
as the power which brought success to Grace Community Church.** **[JOHN
MacARTHUR'S ATTACK ON THE BLOOD OF JESUS IS UPDATED](housechu/macarthr.htm)By
Steve Van NattanJohn MacArthur claims that the Blood of Jesus
does not save us. He says that the word "blood" stands for the Death
of Jesus. We expose his heresy here.** **[COLONEL KAPUSTA-](../yarn/Chaplain_Kapusta_Fort_Konx.htm)** **[MONSIGNOR
AND ARMY CHAPLAIN](../yarn/Chaplain_Kapusta_Fort_Konx.htm)****A
hilarious story from Steve's days in the US Army** **[TOBACCO](housechu/tobacco.htm)
From the cradle to the crave to
the graveA horrible way to commit suicide****A
Moral issue that is answered on the Web and from the Word of God**
[**DELUDED
DEVIL POSSESSED PREACHERS**](housechu/Deluded-Devil_Possessed_Fundamental_Preachers.htm)**By
Steve Van Nattan****Proverbs
5:22 His own iniquities shall take the wicked himself, and he shall be holden
with the cords of his sins.There has been a migration
of devils from the dark shadows of witchcraft to the church house. During the
1970s, while I pastored in the High Desert of California, we were in constant
combat with devils. Witchcraft was rampant all over the Desert. Over the ensuing
years, I have become aware that the picture has vastly changed. I hear very little
about witchcraft, though individual instances are certainly still with us. But,
I am now certain that the devils of the 1970s abandoned their black hearted friends
and have "gone to church" and "gotten religion.** **[STATEMENT AND DISCLAIMER OF KJV DEFENDERS GAIL
RIPLINGER AND SAM GIPP](resource/riplingr.htm) There
are many alleged defenders of the King James Bible, but some of them are in it
for the wrong reasons. Fame is one, while the profits of publishing are another.
Some simply find the battle amusing and satisfying. Doing battle can become so
addictive that serving quietly and edifying by Bible teaching becomes boring and
dull. Whatever the reason, we intend to disclaim those who allegedly defend the
Bible for the wrong reasons.** **[IS AMERICA A CHRISTIAN
NATION?](theworld/americachristian.htm)****Conservative
Christians and pastors claim that America had a Christian beginning. You will
learn that there is no such thing as a Christian nation.** **[SITUATION ETHICS AND YOU](housechu/situation_ethics_and_bible_believers.htm)****By Steve Van Nattan****Situation
Ethics have never gone away. Satan loves this tool from his ancient tool box.****There
are no absolutes, and anyone, including God, who introduces absolutes into the
human experience is evil. The ideal world will arrive when everyone who walks
in the precepts of God Almighty is eliminated. Thus, it will one day become loving
to kill Christians who have standards they received from God.** **[A
YARN BY STEVE- REVENGE FOR A NASTY TRICK ON ME](../yarn/Big_guys_play_a_nasty_trick_on_me.htm)****Rift
Valley Academy days: Herbie Lyon and Karl Uline tried to lose me in the forest.
My revenge.** **[SOME
IDEAS FOR THOSE WHO ARE HAVING TROUBLE AVOIDING MSG](theworld/MSG_glutamic_acid_update.htm)
By [Truth
In Labeling](http://www.truthinlabeling.org/Some-ideas-for-those-who-are-having-trouble-avoiding-MSG.html)** [WALT
DISNEY QUEERS YOUR KIDS](housechu/disney.htm)**Various
Sources with Steve Van NattanWalt
Disney may have started out somewhat innocently, but he and his empire turned
into a filthy pig pen given over to sexual perversion in entertainment.** **[WHY WE ARE NOT "QUIVER FULL"](http://www.homemakerscorner.com/we-believe-not-quiverfull.html)By Mary Stephens"Quiverfull"
is the name that has been given to a worldwide Christian belief system that essentially
says that it is not "godly" to limit the size of families through any method.
There are a number of different shades and variations of this belief system or
movement. Some are deeply connected with the Christian Patriarchy movement, others
are involved in church groups that support this belief, while still others are
more or less free radicals that are inventing their own plan as they go.****[NAGGING
CHRISTIANS](housechu/Nagging_Christians.htm)****By
Steve Van NattanWhat
shall we do when Christians nag and nanny us?Nagging is rampant in the world
today as people take it on themselves to police other people. This disease has
infected Christian churches, and pastors are very guilty of nagging and nannying
the saints. We all need to examine ourselves in this matter.****[ARE
THERE GHOSTS IN THE KING JAMES BIBLE?](housechu/ghosts.htm)By Will Kinney and
Steve Van Nattan****This
is a discussion of the use of the word "ghost" in the modern bible translations.****Ghosts
do not exist, but these funny bibles imply that God believes in ghosts.This
is the folly of John MacArthur and many other gullible men.** **[WHAT
IS GOING ON IN THE FLIGHT FROM ATHEISM?](theworld/Atheistic_Science_is_crashing.htm)By
Steve Van NattanThis
is a discussion of the notions of Graham Hancock and Rupert Sheldrake. These
men and others are questioning the deification of Materialistic Science and Atheism.The
"laws" of science are a steel box from which we must escape to find
revelation.So, free thinkers are fabricating a hybrid of spirituality and
science.Is this the religion of the Antichrist?** **[IGNORANCE
ABOUT THE WORLD,](theworld/ignorance_about_the_world_and_how_to_cure_it_in_ourselves.htm) [AND HOW TO CURE IT IN YOURSELF](theworld/ignorance_about_the_world_and_how_to_cure_it_in_ourselves.htm)By
Steve Van NattanThe most deadly fault in the Christian
life is bad information up front. This study deals with the ways you can lead
yourself astray by believing false tales, propaganda, church house assumptions,
bad preaching, and rumors. I apologize for being so long getting this article
up. It has been an enormous project.**
**[BATTLE
FRONTS FOR THE END TIMES](housechu/battle_lines_for_the_end_times.htm)By
Steve Van NattanThe Bible believer is at war, and that is established
by the Word of God, the example of Christ, and by the history of the Lord's Church
for 2000 years. The question is, are you going to stand your ground, or will Satan
and his helpers cause you to stand down or go AWOL?** **[THE
MODERN HERESY OF THE NEPHILIM](housechu/Nephilim_heresy.htm)By Guest Bible teacher
Kevin Zacher- Ten Part Video teaching series Alleged prophecy
experts claim that angels have penises and can have sex with human women. This
is heresy and is very offensive to the God of the Bible. -e****[PASTORAL
LETTER](housechu/Letter_to_the_End_Times_Church.htm) [TO THE LORD'S CHURCH IN THE END TIMES](housechu/Letter_to_the_End_Times_Church.htm)From
Pastor Steve Van NattanThis is a study
to help you identify and deal with those who are in the local church for the sole
purpose of dividing the church and destroying Christian fellowship.
This is found all through the Bible, including in the early Apostolic Era, and
it is in your church now. Satan never stops trying to turn believers against one
another.** **[THERE
IS SOMEONE FOLLOWING YOU, DADDY](warroom_poetry_a_father_and_his_son.htm)** **[ASYMMETRIC CHRISTIAN WARFARE](warroom_Asymmetric_Christian_Warfare.htm)By
Steve Van NattanAsymmetric Christian
Warfare is the battle tactic of attacking Satan and his servants in their weakest
place when they are least expecting it. This study is meant to train zealous Bible
believers for the unconventional or irregular opportunities to defend the local
church and do Satan much harm. This training instruction is actively
supported by my blog: *[ASYMMETRIC
WARFARE FOR CHRIST](http://asymmetricwarfareforchrist.blogspot.com/)***
[THE
ROMAN CATHOLIC WHORE CHURCH](housechu/Senor_Verde_on_the_Roman_Catholic_Church_teachings.htm)**By
Señor Verde-** **The heart and soul of the Whore
of Rome is exposed here.** **[THE ROMAN CATHOLIC CHURCH PROMOTES ISLAM,THEY ACTUALLY ACCEPT ISLAM AS THE
TRUE FAITH](housechu/Catholic_Church_Promotes_Islam.htm)No
blasphemy in the history of the Whore of Rome is more deadly and insulting to
true Christians than this vile trick of Pope Francis and his depraved Bishops.
By exposing Pope Francis as a blasphemer and Antichrist, we take credibility away
from the seductive Whore of Rome. Spread this story around.** **[THE
ARROGANT PATRIARCH](http://www.homemakerscorner.com/patriarchy-arrogant-patriarch.html)By
Frank SnyderI
have encountered this phenomenon in a man with a Ph.D. from Harvard and a man
that was illiterate. The Ph.D., a professed born again Christian, questioned
the biblical account of Creation and other accounts and justified abortion to
the 9th month station. The illiterate man insisted to me that the Bible was full
of errors. When I challenged him to show me one, he left the room. Then his wife
whispered to me that he could not read. But that did not stop him or the Ph.D.
from rendering an absolute opinion. [Read
More](http://www.homemakerscorner.com/patriarchy-arrogant-patriarch.html)****[SPIRITUAL
ABUSE AND THOSE WHO CRAVE IT](http://www.homemakerscorner.com/spiritual-abuse-people-like.html)By Mary Stephens at *The Homemaker's
Corner* Do you know someone like this? "I see it as
a sort of spiritual BDSM (bonda and sadomasochism). The person in "authority"
abuses the believers, and they accept it as part of their spiritual duty. In fact,
they see it as "necessary" for their happiness and personal betterment. For some
reason, the people who submit to it seem to think that they deserve it, that it
"helps" them, that they "need" it, and ultimately that it is immensely satisfying.
"This is listed also in our section: [Jackboot
Baptist Preachers, and other Traitorous Warriors](housechu/nazibapt.htm)****[WORDS
WE USE- Part Three](housechu/words3.htm)Twenty years ago I posted Part
One and Two of "Words We Use." That became one of the most loaded articles
on this journal. Well, the world and Church community are back at it, that is,
using many words that are pointless, irrelevant, or downright profane. Let's examine
what we are saying.** **[HOG
SWILL PREACHING](housechu/Hog_Swill_Preaching.htm)****By
Buddy SmithAre you
really feeding sheep pastor? Or, are your sheep being fed by hireling hog farmers?****[THE
FOOLISHNESS OF ANTI-JEWISH PROTESTANT CONSPIRACY THEORISTS](prophecy/Anti-Jewish%20Protestant%20Hate%20mongers.htm) --****[By
Thomas King](http://shoebat.com/2015/12/29/the-foolishness-of-anti-jewish-protestant-conspiracy-theorists/) at [Shoebat.com](http://shoebat.com/)****A
system of apologetics justifying hate of Jews has been developing for hundreds
of years.This leads to blasphemy against the Bible because these men have
to twist it to make their case.** **MORE
RECENT ARTICLES This
is a fraction of the 1200 articles in the journal**
| | | |
| --- | --- | --- |
| ***THE
GOSPEL*****[THE
GOSPEL](johnmenu.htm)** **[GOOD
HOPE FROM THE BIBLE](assurance07goodhope.htm)** **[ASSURANCE
OF SALVATION](muchassurance.htm)** **[ALTAR
CALLS](housechu/altarcall.htm)** **[REPENTANCE](housechu/repentance.htm)****[CONFESSION
OF SIN](housechu/works02.htm)** **[More
Articles](johnmenu.htm).....** | ***BIBLE
TEACHING / DOCTRINE*****[CHRISTMAS](resource/xmass.htm)** **[THE
DIFFERENCE BETWEEN THE PROFANE AND THE HOLY](housechu/Profane_or_Holy.htm)Are
you choking on Sharia Baptist Standards?** **[SALVATION
THROUGH THE STATE](housechu/Salvation-through-the-state.htm) By
Thomas Schirrmacher** **[THE
HOLY HATRED OF GOD](housechu/Hatred_of_God.htm)** **[WHAT
DOES THE BIBLE SAY ABOUT CARNALITY?](housechu/what-does-the-bible-say-about-carnility.htm)** **[SANCTIFICATION](housechu/sanctification.htm)By Dan Van Nattan** **[CALVINISM](housechu/calvinism.htm)
all** **[GREAT
CHAPTERS OF THE BIBLE- PSALM 91](housechu/Bible_chapter_studies_Psalm91.htm)** [**TITHING-
AN HISTORICAL STUDY**](housechu/tithe02.htm) **[DON'T
PLAY WITH YOURSELF, JOHNNY](housechu/masterb2.htm)** **[I
CORINTHIANS 12:13](housechu/1cor1213.htm)-- Regarding the universal church**[**ALL
THE KINGS OF THE BIBLE**](housechu/kings.htm) **[CHRIST'S
BIRTH DATED WITH THE BIBLE](housechu/abiah.htm)****[WHAT
IS THE GLORY OF GOD?](housechu/gloryofgod.htm)** **[SATAN--
WHAT HE CAN AND CANNOT DO](housechu/what-satan-can-and-cannot-do.htm)** **[WHAT
DO WE BELIEVE?](believe.htm)** **[THE
PARABLE OF THE FISHLESS FISHERMAN](fishless.htm)** **[EASTER](housechu/easter.htm)****[SEVEN
SURE FOUNDATIONS FOR ULTIMATE SECURITY](housechu/Security_foundations_for_bible_believers.htm)** **[FEEDING
SHEEP.....](housechu/spurgeon_on_amusement.htm)****[OR
AMUSING GOATS?](housechu/spurgeon_on_amusement.htm)** **[BALAAM
AND HIS JACK ASS](hit-one.htm)** **[THE
DUMB ASS SPEAKING](biblevss.htm)****[WHAT
SATAN CAN AND CAN'T DO](housechu/what-satan-can-and-cannot-do.htm)** **[CROSS
WORD PUZZLES- KJV- FREE](../Cross%20Word%20Pdf/Crosswords-english.pdf)****[CAN
WE HEAR VOICES OR SEE THINGS FROM THE OTHER SIDE?](housechu/hearing_from_the_other_side-PART_ONE.htm)****Are
voices from Satan or evil men tormenting you?** **[More
Articles](housechu/balaam18.htm).....** | ***ISSUES
FOR BELIEVERS*****[THE
KING JAMES BIBLE AND ENGLISH](housechu/King_James_Bible_in_English.htm)****The old King James Bible
rules the world, indeed schools the world, in English. It is the final authority.****[WHAT
ABOUT THE DUGGERS?](http://thecottonapron.blogspot.com/2015/08/what-about-duggars-was-reality-show.html)Was the Reality Show Ever Appropriate?****[THE
SHEKHINA GLORY](housechu/shakhina.htm)The
grossest blasphemy in all of Christendom.** **[BE
A GOOD FRIEND](housechu/how-to-be-a-friend.htm)[.....
LEAD BY EXAMPLE](housechu/how-to-be-a-friend.htm)** **[THE
EPISTEMOLOGY OF A BIBLE BELIEVER..... Or, WHAT DO YOU KNOW THAT GOD KNOWS?](housechu/Epistemology-of-a-Bible-believer.htm)****[ANTI-SEMITISM
AND THE TRUTH..... HISTORICALLY AND BIBLICALLY](prophecy/AntiSemitism-and-reality.htm)** **[PORNOGRAPHY-
HOW DO WE RESIST?](housechu/porn.htm)** **[THE
END OF FUNDAMENTALISM](fundamentalism.htm)** **[PROSPERITY
GOSPEL](housechu/prosperity_doctrine.htm)** **[MIKE
PEARL- HERETIC, BLASPHEMER, AND PERVERT](http://www.homemakerscorner.com/thepearls.htm)****[WORDS
WE USE- PART ONE](housechu/words.htm)****[WORDS
WE USE- PART TWO](housechu/words2.htm)****[POSITIVE
CONFESSION AND SELF LOVE](housechu/posconfs.htm)** **[MUSIC
IN CHURCH](housechu/hip-hop.htm) -- [SGM](housechu/sgm.htm)** **[HOW
ART THOU FALLEN FROM HEAVEN, O LUCIFER, [ AND THY FUNNY BIBLES ]](resource/mornstar.htm)** **[SHIRLEY
GOD](housechu/shirley.htm) This cult infiltrates ALL churches** **[PASTORAL
CANDIDATES YOU MAY WANT TO LOOK INTO](housechu/pastoral.htm)****[WORKS
ARE GOOD](works01.htm)** **[FLATTERY](housechu/flattery.htm)****[GREAT
ORDINARY BIBLE BELIEVERS](housechu/legends.htm)** **[EXAMINING
"BIBLICAL PATRIARCHY" AND "GOD GIVEN AUTHORITY"](http://www.homemakerscorner.com/patriarchy-examined.htm)****[ARGUMENT
FROM](housechu/reasonsforhoursechurch.htm)** [**THE BIBLE FOR HOUSE
CHURCHES**](housechu/reasonsforhoursechurch.htm) **This
is the solution to sodomites invading the local church**[BILL
GOTHARD SCANDAL REVISITED](housechu/gotthrd.htm) **[LOCAL
CHURCH SURVIVAL PLAN](housechu/local_church_survival_plam.htm)****[WILL
JESUS WEAR A ROLEX ON HIS TV SHOW?](https://youtu.be/drMMBE6KRbI)****[CULTS
EXPOSED](housechu/cults.htm)****[CHARISMATIC
CHAOS EXPOSED](housechu/thirdwav.htm)****[More
Articles](housechu/moral.htm).....** |
| ***SERIES
ON EVIL*****[PART
ONE: THE DISTRACTION](housechu/distraction_of_evil_Definition_of_Evil.htm)** [**OF
EVIL- EVIL DEFINED**](housechu/distraction_of_evil_Definition_of_Evil.htm)**We
define Evil,And then we find the origin of Evil and examine Evil in modern thinking.****[PART
TWO:THE DISTRACTION](housechu/distraction_of_evil_the_evil_world_around_us.htm)** [**OF
EVIL- THE EVIL WORLD AROUND US**](housechu/distraction_of_evil_the_evil_world_around_us.htm)**Jesus
warned us that we must prepare for intensely evil times in our days. How shall
we deal with so much evil?****[PART
THREE: THE DISTRACTION OF EVIL-](housechu/distraction_of_evil_The_evil_in_us.htm)** [**THE
EVIL IN US**](housechu/distraction_of_evil_The_evil_in_us.htm)**This
study deals with our battle with the flesh, our own war with our old nature, and
the evil we find in ourselves.** **[PART
FOUR: EVIL, ENTROPY, AND YOU](housechu/Evil_and_entropy.htm) The world at large, big name Christian leaders,
One World movers and shakers, all believe the world is moving toward a higher
level of social good in neral. The fact is, the whole world is degrading steadily
into chaos and degeneration** **all** **[THE
EVER PRESENCE OF EVIL](distraction_of_evil.htm)** |
| ***THE
QUIET PLACE*** [**THE
QUIET PLACE ENTRY PA**](quietplace.htm) **[PREACHER-
DON'T GIVE UP](http://www.blessedquietness.com/journal/quietplace06.htm)****[QUIET
SCENIC DRIVE ETC.](http://www.blessedquietness.com/journal/quietplace10.htm)****[QUIETNESS--
BLACK AND WHITE](http://www.blessedquietness.com/journal/quietplace11.htm)****[QUIET
IN THE HOLYLAND](http://www.blessedquietness.com/journal/quietplace12.htm)****[TRIBUTE
TO THE SHIPS THAT WON'T GO DOWN](http://www.blessedquietness.com/journal/quietplace22.htm)****[NO
GREATER LOVE](http://www.blessedquietness.com/journal/quietplace24.htm)****[BE
QUIET, BE STILL, AND KNOW GOD](../survival/Quiet_time_Get_it_back.htm)** **[More
Articles](quietplace.htm).....** |
| ***HEALTH*****[IF
YOU ARE TAKING STATINS, YOU ARE CRIPPLING YOURSELF](http://articles.mercola.com/sites/articles/archive/2015/11/21/statin-nation-2.aspx?e_cid=20151121Z1_DNL_art_1&utm_source=dnl&utm_medium=email&utm_content=art1&utm_campaign=20151121Z1&et_cid=DM90628&et_rid=1226936858)** **Taking Statins and avoiding saturated fats? Your heart is being calcified by the
Statin drugs. You are virtually committing slow suicide.****[FOOD
PRODUCTS WHICH DISRUPT HORMONES](theworld/Phalates_plastic_you_get_your_food_in.htm)** **Including phthlate contamination** **[BITTER
FOODS FOR HEALTH](theworld/bitters_health_factors_uses.htm)Bitter
foods and herbs must be part of our diet.** **[FROM
FLU TO EBOLA AND MARBURG VIRUSES](http://www.blessedquietness.com/journal/theworld/fluprecautions.htm)
Precautions and Survival****[SUGAR
AND HIGH FRUCTOSE CORN SYRUP ARE KILLING YOU](theworld/sugar_high_fructose_corn_syrup_obesity_diabetes.htm)** **[American
Meat Production Uses More Antibiotics Than Ever](theworld/American_Meat_Production_Uses_More_Antibiotics_Than_Ever_Despite_Growing_Threat_of_Antibiotic_Resistant_Disease_in_Consumers.htm)****Article
by Dr. Mercola** **[HIGHEST
DISEASE INFECTION IN THE USA AND CANADA](http://www.blessedquietness.com/journal/theworld/aids15.htm)** **[TWENTY
YEARS](theworld/aids20years.htm) [(plus 12 more years) OF AIDS UPDATE](theworld/aids20years.htm)****[GMO
FOOD IN YOUR PANTRY](theworld/GMO%20Foods%20in%20your%20Pantry.htm)** **[PROZAC
IN YOUR DRINKING WATER](theworld/prozac-poisoning-fish-and-you.htm)** **[YOU
ARE THE GUINEA PIG !! MONSANTO WANTS TO KILL YOU](theworld/GMO%20corn%20kills%20via%20cancer.htm)****[DOES
SOMEONE WANT TO KILL YOU WITH GMO *ROUND UP READY* CORN?](theworld/GMO%20corn%20kills%20via%20cancer.htm)** **[THE
ENTEROVIRUS D68](theworld/enterovirus_d68.htm)** [VACCINATIONS](http://www.blessedquietness.com/journal/housechu/vaccinations.htm)
I am convinced an Ebola vaccine exists. **[CLUSTERED
WATER, MAGNETIZED WATER, AND STRUCTURED WATER HOAXES](housechu/cluster.htm)** **[More
Articles](theworld/ba-aids.htm).....** | ***PROPHECY*****[YELLOWSTONE:
GOD'S BOMB FOR AMERICA?](http://balaamsassspeaks.blogspot.com/2015/11/more-on-cracks-near-yellowstone.html)****[THE
RAPTURE ACCORDING TO THE EARLY CHURCH FATHERS](prophecy/Rapture_according_to_Ear;ly_Church_Fathers.htm)Wild
myth that the Rapture doctrine was invented by Jesuits, a demented woman, or Darby.
Set the record straight. By
Matt Ward** **[THE
END TIMES ANTICHRIST, VATICAN, BIG BUSINESS, MONETARY AND BANKING SYSTEM](housechu/Antichrist_big_business_monetary_system.htm)****[THE
GREAT TRIBULATIONSeven Years of Hell on Earth](prophecy/The-Great-Tribulation-and-Anthropological-Observations-PART-ONE-AND-TWO.htm)** **[BLOOD
MOONS HERESY](prophecy/Blood_Moons.htm) By
Pastor John Muncy- And, the farmer hauled another load away** **[THE
LOST TRIBE OF ISRAEL- DAN](housechu/dan.htm)** **WATCH
VLADIMIR PUTIN BUILD THE [EMPIRE OF GOG - RUSSIA](prophecy/gog.htm)****[TO
EMBRACE HEBREW ROOTS](housechu/embrace.htm)** **[BLUE
BEAM](prophecy/Blue%20Beam.htm)Deadly techno fake rapture to stampede Bible believers** **[HEBREW
ROOTS ATTACKS GOD'S NAME](resource/attack.htm)** [**ECCLESIASTICAL
SECESSIONIST AND APOSTOLIC CHURCH HERITAGE**](housechu/heritage.htm) **[IS
THIS THE BEGINNING OF THE END?- Kansas City Seven Prophets](housechu/jones01.htm)** **[EZEKIEL
38 REVISITED](prophecy/ezekiel38.htm)** **[THE
RAPTURE OF THE LORD'S TRUE CHURCH](housechu/rapture1.htm)** **[ARABS](prophecy/arabs.htm)
---** **[ISRAEL](prophecy/israel.htm)****[BABYLON](prophecy/babylon.htm)****[REVELATION
CHART](housechu/revchart.htm)** **[PROPHECY
AS DIVINATION](housechu/prophecyasdivination.htm)** **MY
BLOG- [VLADIMIR PUTIN WATCH](http://putinwatch.blogspot.com/)** **MY
BLOG- [THE DELUSION WAS STRONG](http://newduderising.blogspot.com/)**
**MY BLOG- [SHUFFLING
TOWARD ARMAGEDDON](http://shufflingtowardarmageddon.blogspot.com/)****[UFOs
AND DEVILS, AND GULLIBLE CHRISTIANS](prophecy/ufos.htm) - T****en
articles** **[WILL
THE TURKISH EMPIRE RISE AGAIN?](prophecy/Turkey_in_Bible_prophecy.htm) Or, is Turkey actually Gomer in Bible
prophecy? Turkey and Islam in Bible prophecy.** **[I
TOO SENT MY SON TO ISRAEL](prophecy/I_too_sent_my_son_to_Israel.htm)**
**[THE
"GREAT TRIBULATION"- EXTREME HUMAN BEHAVIOR AND SEVEN YEARS OF HELL
ON EARTH](prophecy/The-Great-Tribulation-and-Anthropological-Observations-PART-ONE-AND-TWO.htm)****Jesus
prophesied "Great Tribula-tion" for those who are "left behind".** **[More
Articles](prophecy/prophecy.htm).....** | ***MORAL
ISSUES*****[WHO
CAN YOU TRUST?](housechu/trust.htm)****[CAN
WE LEARN ANYTHING FROM FIFTY SHADES OF GRAY?](http://www.homemakerscorner.com/hard-questions-fifty-shades-of-grey.html) This article
is from my daughters Mary's *Home Maker's Corner*.****[SCHOLARS
AND PHDs](resource/scholars.htm)Position paper by Steve Van Nattan****[EUGENICS
SERIES](theworld/strong-delusion.htm)****[BLING
BLING AND OTHER TRASH WE HANG ON OURSELVES](housechu/bling-bling.htm)****[PROGRESS
OF SODOMITES TO QUEER AMERICA](housechu/sodomy-update-2014.htm)****[PORNOGRAPHY](housechu/porn.htm)****[DO
YOU KNOW WHEN YOU ARE WRONG?](housechu/Do-know-when-you-are-wrong.htm)AND, what do you do
about it when realize you are wrong?****[HE'S
ON TIME, MY GOD IS ON TIME](housechu/Nightclub-hesontime.htm)****[THE
GENEVA BIBLE](resource/genevabibleonlycult.htm)****[THE
INNER RING AND THE ART OF CLIMBING](housechu/Inner_Ring.htm)****[FAT
SAINTS AT THE CHURCH HOUSE](housechu/gospelblimp.htm)****[GIVE
SERIOUS ATTENTION TO ONE MAN'S POWERFUL APOLOGY TO THE NATIONS!](housechu/apology_to_the_world_for_american_church.htm)****[DONKEY
DUNG AND LION FAT -- A.K.A. TURDOLOGY](housechu/donkeydung.htm)****[I
HAVE A SECRET](housechu/secret.htm)****-
inside information****[ENOUGH](../survival/enough.htm)-
Do you know how to be content?****[EVIL,
ENTROPY, AND YOU- THE WORLD IS RUNNING DOWN](housechu/Evil_and_entropy.htm)****[THE
SPIRIT OF FEAR IS DEADLY AND AVOIDABLE](housechu/fear.htm)****[IS
DEATH YOUR FRIEND OR YOUR ENEMY?](../survival/death.htm)****[WHORES](../whores.htm)**[VEGETARIANISM
AND THE BIBLE](housechu/vegechur.htm)**[STUPID
CHURCH SIGNS](housechu/churchsigns.htm)****[IS
IT BIBLICAL FOR A WOMAN TO WEAR PANTS?](http://thecottonapron.blogspot.com/2014/08/hard-questions-is-it-biblical-for-women.html)****By
Mary Van Nattan****[CHILD
PHYSICAL AND SEXUAL ABUSE IN MISSIONARY BOARDING SCHOOLS AROUND THE WORLD](../yarn/Missionary_kids_traveling_to_school_and_back_home_PART_FOUR_The_Bitter_and_the_sweet_in_missionary_families.htm)****[CAN
I HAVE MY PETS IN HEAVEN?](Cat_and_dogs_and_pets_do_they_go_to_heaven.htm)****[CHRISTIAN
MUSIC IN THE LIGHT OF GOD'S WORD](rsmusic1.htm)****[JOSH
HOUSE CHRISTIANITY](housechu/josh_house_christianity.htm)****[MESSY
HOME, MESSY LIFE, MESSY SAINT](housechu/Cleanliness_and_the_Bible.htm)****[ODE
TO JEZEBEL- MAN, SHE'S HOT](But_man_shes_hot.htm)[CAN
A CHRISTIAN PRACTICE YOGA WITHOUT OFFENDING GOD?](housechu/Yoga_is_demon_possession.htm)Yoga
involves devil possession, and it is very much like Charismatic manifestations.
Videos included** **[More
Articles](housechu/moral.htm).....** |
| ***PATRIOTIC
AND NATIONALISTIC ISSUES***[**J**](housechu/america-versus-jesus-and-christians-destiny.htm)**[ESUS
DAMNS AMERICA](housechu/america-versus-jesus-and-christians-destiny.htm)This will be the only article on the present stress in the
USA.** **[More
Articles](theworld/theworld.htm).....** ***ISSUES
OF FREEMASONRY*New resources to help Freemasons escape
from the devils of the Masonic Lodge.****[FREEMASONRY
AND THE NUMBER 33](housechu/Freemasonty_and_the_number_33.htm)****By
Day WilliamsThe number 33 comes up so many times in world history, and especially
in American history and events, that we cannot pass it off as coincidence.****[BARAK
OBAMA'S DESCENT INTO PAGANISM](housechu/barak_obama_freemason.htm)President Barak Obama is a man of much bling
bling is seems.Some bling bling is literal, while some is pure idol worship.****[FREEMASONRY
REVEALED](housechu/Freemasonry_revealed_oaths_and_deliverance.htm)A very good introduction to the evils of Freemasonry which result
in possession and oppression by devils.**[**PRAYER
INSTRUCTIONS FOR RELEASE FROM MASONIC OATHS, GENERATIONAL OPPRESSION, AND DEVILS
TORMENTING CHRISTIANS WHO HAVE RENOUNCED FREEMASONRY**](../Web%20Pages%20Saved/PRAYER%20OF%20RELEASE%20FOR%20FREEMASONS.pdf)**All
that I would add to this pdf instruction is: Where Scripture is quoted, find the
verses in the King James Bible to read.** ***[MORALS
AND DOGMA](housechu/Morals_and_Dogma_Exhaustive_examination.htm)* [BY ALBERT PIKE](housechu/Morals_and_Dogma_Exhaustive_examination.htm)****This
is a very detailed discussion of Albert Pike's doctrinal teachings in his landmark
book, *Morals and Dogma,* the authoritative sacred writing of all of Freemasonry.****[REV.
CHARLES G. FINNEY ON FREEMASONRY](../Freemasonry_Finney.pdf)This is a PDF book
read here at this journal site. It is very well researched and hard to find.** |
| ***STEVE'S
YARNS*****[MY
CAREER AS A ROCKET SCIENTIST](../yarn/My_career_as_a_rocket_scientist.htm)****[THE
SUMERIAN ANOMALY](housechu/anomaly.htm)****[STEVE'S
YARNS- PYTHONS](../yarn/pythons.htm)****[STEVE'S
YARNS LIVING WITHOUT THE GREENS](../yarn/living_without_the_greens.htm)****[MY
ESCAPES FROM AMERICA--VIA NEW YORK CITY-- FOUR TIMES !!](../yarn/escape-from-america-via-new-york-city.htm)****[BABOONS](../yarn/baboons.htm)****[AZIZ
AND AKBAR](../yarn/azizakbar.htm)****[THE
DONKEY CAME TO PRAY](../yarn/donkey-came-to-pray.htm)****[THE
SEVEN CYLINDER PONTIAC](../yarn/pontiac.htm)****[HE
SHALL GIVE HIS ANGELS CHAR OVER THEE...](../yarn/rva_guards_angels.htm)****[WALJI
LOSES OUT TO HP PATEL](../yarn/walji.htm)****[WALKING
MY MONKEY](../yarn/walkingmymonkey.htm)****[MY
DAD THE IMPROVISER](../yarn/my-dad-the-improviser.htm)****[POP
RAND](housechu/poprand.htm)A simple man who loved teens so much that they
could not t enough of him.****[More
Yarns](../yarn/yarn.htm).....** **[HOME
MAKER'](http://www.homemakerscorner.com/home.htm)****[S](http://www.homemakerscorner.com/home.htm)****[CORNE](http://www.homemakerscorner.com/home.htm)****[R](http://www.homemakerscorner.com/home.htm)****Mary's
pa for keepers at home and homeschool** | ***WORLD
AFFAIRS*****[PRIMER
ON THE MIDDLE EAST, ARABS, AND ISLAM](theworld/Primer_on_the_Middle_East.htm)****[THE
US AND EUROPE ARE DEPOPULATING THE MIDDLE EAST](http://balaamsassspeaks.blogspot.com/2015/11/the-usa-is-trying-to-depopulate-middle.html)Are the refugees
going to be replaced by Asian and African workers to make the Middle East a virtual
ghetto?****[Col.
ELMER HARMON "JIM" AMMERMAN AND OTHER PROVOCATEURS- THE PLOT TO CONQUER
AMERICA BY FORCE "FOR CHRIST"](housechu/ammerman_jim_agent_provocateur.htm)****[AN
INTRODUCTION TO TECHNOFEUDALISM ASCENDING](theworld/technofeudalism_an_introduction.htm)****[TAVISTOCK
AND THE NEW WORLD ORDER- NEW TRICKS](prophecy/tavstock.htm)This is an update on a monster which
will not go away.****[US
GOVERNMENT TROLLS DESTROYING PEOPLE ONLINE](theworld/Trolls-US-government-dividing-Americans-from-each-other.htm)****[TRANSHUMANISM
IS INFECTING WORLD THINKING AND CHURCHES](housechu/transhumanism_infects_christendom.htm)****Most
pastors today have no idea what Transhumanism is. Do you?****[THE
BLUE BEAM ARTICLE IS BACK](prophecy/Blue%20Beam.htm)****[CYBERWAR
IS IN PROGRESS](theworld/Cyberwar-is-in-progresst.htm)****How
to avoid becoming a victim****[FUKUSHIMA](theworld/fukushima-consequences-worldwide.htm)****[USA-
EMPIRE BUILDER](usa_empire.htm)****[THE
LATEST ON EXTRA TERRESTRIALS](housechu/alienten.htm)****[COLLAPSE-
ARE YOU READY?](../survival/collapse.htm)****[WORK-
DEADLY CHANGES TO WESTERN WORK ETHICS](theworld/work.htm)** **[A
BIBLE BELIEVER'S PRIMER ON ZIONIST HATE](prophecy/zionisthate.htm)****[STREET
GANGS IN THE USA](gangs.htm)****[POPE
PAUL VI's NEPHEW CONFESSES FAITH IN CHRIST](housechu/rc-9.htm)****[THE
THIRD INDUSTRIAL REVOLUTION](prophecy/3rdrevol.htm)****[TELEVISION:
CHANGE AGENT AND MIND CONTROL](theworld/world-tv.htm)****[THE
PROVIDENTIAL GLORIOUS SINKING OF THE SPANISH ARMADA](housechu/armada.htm)****[THE
FALL OF CONSTANTINOPLE](housechu/greeks.htm)****[SCHEME
TO FIND MESSIAH BY THE ROYALS OF EUROPE](prophecy/penthert.htm)**[GREAT
TURNING POINTS IN EARTH'S HISTORY](housechu/turning.htm)**[DEFENDING
YOUR CHILDREN FROM PROPAGANDA](theworld/Propaganda_and_your_children.htm)****[MUTILATIONS
/ MURDERS IN ARIZONA](resource/wtchpruf.htm)**[- **PEDOPHILIA
IN THE USA AND UK IN HIGH PLACES**](resource/wtchpruf.htm) **[More
Articles](theworld/theworld.htm).....** | ***WAR
ROOM*****[WHAT
DO WE LEARN FROM HERETICS?](housechu/Heretics_what_do_we_learn_from_them.htm)Every
heretic of Christendom, and every heathen religious leader, teaches us something.****[ASYMMETRIC
CHRISTIAN WARFARE](warroom_Asymmetric_Christian_Warfare.htm)****[WARNINGS](housechu/warnings.htm)-
Including "The Doubtful Club" of Christendom****[DOWSING-
AKA Water Witching](housechu/dowsing.htm)Also, Mediumistic and Occult Power,****use of
the Pendulum in Europe** **[ABUSIVE
TYRANTS IN THE PULPIT](https://youtu.be/dcD_4WV3AF0)****[20
ARTICLES ON FREEMASONRY](housechu/freemson.htm)****[COALITION
RECONSTRUCTIONISTS INSPIRE MURDER](housechu/grieved.htm)****[BLOOD
MOONS HERESY](prophecy/Blood_Moons.htm)** **By
Pastor John Muncy****["I
AM GRIEVED WITH THE CHARISMATIC MOVEMENT"](housechu/grieved.htm)****[RECONSTRUCTIONISM](housechu/reconstr.htm)****[JOHN
MACARTHUR](housechu/John%20MacArthur-%20Articles%20on%20his%20false%20teachings.htm)- Losrdship Salvation Cult and more****[ROGUE'S
GALLERY](housechu/deathrow.htm)****[UNITED
CHURCH OF CHRIST](housechu/ucc.htm)****[DR.
"BLIND" BART EHRMAN DENIES THE WORD OF GOD](housechu/misquotingjesus.htm)****[GAITHER
AFFECT- GUSHING FOOLS AND THEIR MUSIC](http://goodwarfare.blogspot.com/)****[DEFENSE
OF THE KING JAMES BIBLE](housechu/kingjamesbibledefense.htm)****[JAN
(Justice) BOSHOFF](housechu/boshoff_jan_heretic_from_south_africa.htm)- HERETIC****[IAN
PAISLEY IS STILL KICKING THE POPE IN NORTHERN IRELAND](northerireland.htm)****["HOLY
LAUGHTER" AND JOHN WESLEY](housechu/wesleyha.htm)****[DAVID
CLOUD'S HERETICAL CHURCH GOVERNMENT DOCTRINE](pope_david.htm)****[A
"NOBLE BEREAN" ABANDONS CHURCH TRADITION](housechu/berean.htm)**[**ROMAN
CATHOLIC APPARITIONS AND RELICS**](housechu/apparitions.htm)**[PRINT
YOUR OWN PAMPHLET ON CATHOLIC MASS](housechu/hocest.htm)****[WAR
ON THE MIND OF THE SAINTS](housechu/war-for-the-mind.htm)****[NOMINALISM
BE DAMNED- T A LIFE](housechu/Nominalism%20Be%20Damned.htm)****[ANALYSIS
OF THE WESTCOTT AND HORT GREEK BIBLE TEXT](resource/hortpapr.htm)****[DOUG
PHILLIPS OF VISION FORUM DESTROYED HIS TESTIMONY IN FORNICATION](http://www.homemakerscorner.com/doug-phillips-resignation.html)** **MY
BLOG-** **[GOOD
SOLDIER ENDURING HARDNESS](http://www.homemakerscorner.com/doug-phillips-resignation.html)****MY
BLOG-** **[THE
WAR ROOM](http://goodwarfare.blogspot.com/)**MY
BLOG- [NEW
DUDE RISING](http://newduderising.blogspot.com/)Latest mega church star**MY
BLOG- [EARNESTLY CONTEND FOR THE
FAITH](http://earnestwarrior.blogspot.com/)[CHARISMATIC CHAOS LINKS
AND RESEARCH PA](housechu/thirdwavlinks.htm)****[CULT
WATCH](housechu/cults.htm) - Many dealt with****[JOHN
MAC ARTHUR-- BIBLE TEACHER, OR HUCKSTER OF ERROR?](housechu/John%20MacArthur-%20Articles%20on%20his%20false%20teachings.htm)****[WYCLIFFE
BIBLE TRANSLATORS- SHILLS FOR THE CIA AND ROCKEFELLER](prophecy/chrconcs.htm)****[WAR
ROOM ON MORMONISM](warroommormonism.htm)** **[WITCHCRAFT
AND THE OCCULT](housechu/witchcrf.htm)****[CHRISTIAN
WITCH- IS THERE SUCH A THING?](resource/testmony.htm)The
testimony of a Wiccan Witch.****[WARNINGS](housechu/warnings.htm)** **AND [CULT WATCH](housechu/cults.htm)****[GLORIOUS
PRAYER OF KENNETH COPELAND FOR POPE FRANCIS](http://youtu.be/k3h-KfsD_iw)****[THE
WAR ROOM THE LAST BATTLE](warroom_the_last_battle.htm)Articles
I believe are urgently needed as approach the very end of the Church A.** **[More
Articles](warroom.htm).....** |
| ***HUMOR
/ DISTRACTION*****[A
JACK ASS AND A BIBLICAL TEXTUAL CRITIC](resource/donkcrtc.htm)**[**SLOW
MEXICANS**](../yarn/tex-mex-%20slow-mexicans.htm) **[ELEPHANTS
IN TEXAS?](../yarn/tex-mex-%20elephants.htm)****[DANCING
'NEATH A LIVE OAK TREE](../yarn/tex-mex-juan-vargas.htm)****[EVERYTHING
IS BIGGER IN TEXAS](../yarn/tex-mex-yarns-hummer.htm)****[TEXAS](balaam-Texas.htm)****MY
BLOG-** **[BAILED
HAY](http://baledhay.blogspot.com/)****[MUSIC
PA](http://www.blessedquietness.com/journal/musicpg.htm) African music in Swahili, and other languages included**
**[CROSS
WORD PUZZLES](../Cross%20Word%20Pdf/Crosswords-english.pdf)By Mike Morrow who released them for duplication. Great for
Sunday School and home School. Includes topics on Doctrine, KJV Vs. other bibles,
and Cults examined. Pdf single file 165 Mb** **[More
Mad Humor with Love](humor.htm).....** | ***SURVIVAL*****[BE
QUIET, BE STILL, AND KNOW GOD](../survival/Quiet_time_Get_it_back.htm)** **[THE
LIGHTER SIDE](../survival/lighter.htm)** **[TOO
LITTLE AND TOO MUCH](../survival/toomuch.htm)** **DISCOURAGED? [LET YOUR UNCLE STEVE SEND YOU
TO THE DOCTOR...](../journal/dscrgmnt.htm)**
**[INTRUSION
OF PRIVACY](../survival/intrusin.htm)**
**[HE
HATH PUT A NEW SONG IN MY MOUTH](../survival/song.htm)****[SOME
BIBLE TEACHING FOR SINGLES](../journal/homemake/single.htm)**
**[PREPARATION
FOR FINANCIAL AND SOCIAL COLLAPSE](../survival/collapse.htm)**
**[FAMILY
LIFE](../survival/famlylif.htm) IN THE END TIMES--**
**[DEATH](../survival/death.htm)
[WHAT
HAPPENS WHEN ALL THAT REMAINS OF THE WORLD IS...... Fear, Distrust, and Desperation?](housechu/fear_distrust_desperation.htm)****[BIO
ATTACK PREPAREDNESS AND SURVIVAL](theworld/primer.htm)Greatly updated,
possibility of terrorist bio attack is worse than ever. Videos included.** **[More
Articles](../survival/survival.htm).....** |
| ***CHARISMATIC
CHAOS*** **[GOD
HAS HORRIBLE SYNTAX AND GRAMMAR](housechu/copelandgodandsyntax.htm)God
gives prophetic message to Charismatic preachers in bad grammar and bad syntax.****[GWEN
SHAW AND END TIME HANDMAIDENS AND SERVANTS](housechu/handmaidens.htm)****[WORLD
REVIVAL CHURCH IN KANSAS CITY](housechu/World-Revival-Church.htm)****[BENNY
HINN ANT OF THE KNIGHTS TEMPLAR](prophecy/hinnandknights.htm)** **[KUNDALINI-
THE FOUNDATION OF CHARISMANIA](housechu/kundalinicharisma.htm)**[**SIGNS
AND WONDERS-- SIGNS THAT A CHARISMATIC CHURCH IS SICK**](housechu/signs_a_charismatic_church_is_sick.htm)**[DISCERNMENT-
COUNTERFEIT OF THE REAL THING](housechu/discern.htm)**[DAVID
WILKERSON AND HIS DEVILISH VISIONS AND CLAIMS](housechu/wilkersn.htm)**[SCOTT
NORVELL AND HIS BIBLE MUTILATION-- TERRAFORMING](housechu/kent-%209%20reasons%20why%20scott%20norvell%20and%20terraforing%20is%20a%20dingbat.htm)****[TERRA
FORMING DEFINED](housechu/terra_forming.htm)****[C
S UPTHEGROVE EXPOSED](housechu/Upthegrove%20C%20S.htm)****[ANDREW
STROM](housechu/strom.htm)****[PROPHECY
AND DIVINATION AT THE CHURCH HOUSE](housechu/prophecyasdivination.htm)****[I
BIND YOU BLAH BLAH BLAH](housechu/bind.htm)****[BLASPHEMOUS
CHARISMATIC VISION OF THE RAPTURE OF THE LORD'S CHURCH](prophecy/prvision.htm)** [More
Articles](housechu/thirdwav.htm)..... | ***FUNDAMENTAL
BAPTIST WICKEDNESS*****[EVANGELIST
FOR WHAT? WORKS, STANDARDS, RULES, OR THE GOSPEL?](housechu/Evangelist%20For%20What-%20Works,%20Standards,%20or%20the%20Gospel.htm)****[FUNDAMENTAL
BAPTIST ;LODGE](housechu/baptistlodge.htm)****[NAZI
BAPTISTS / JACKBOOT PREACHERS](housechu/nazibapt.htm)** **[IS
THE PASTOR THE MAN OF GOD?](housechu/themanofgod.htm)****[JACK
HYLES AND JACK SCHAPP IS SITTING IN JAIL](housechu/hyles-j.htm)****[JACK
BOOT PREACHERS ARE WIMPS](wimpfactor.htm)****[TRAITOROUS
WARRIORS](housechu/nazibapt.htm)****[IS
YOUR CHURCH A WOLF PACK INSTEAD OF A FLOCK OF SHEEP?](housechu/wolfpack.htm)****[HERETICAL
DOCTRINE FOR ORGANIZING THE LORD'S CHURCH](pope_david.htm)****[CLEANSING
THE TEMPLE](housechu/cleansingthetemple.htm)****[FALLEN
CHURCHES](housechu/nazimarking.htm) IDENTIFYING, MARKING, AND CONFRONTING UNSAVED PREACHERS****["AND
THE DIRT CAME OUT"](housechu/scourge.htm)****[CHURCH
ATTENDANCE AND SALVATION](housechu/chuattnd.htm)****[FAT
PREACHERS AND SAINTS](housechu/gospelblimp.htm)****[FALLEN
WARRIORS](housechu/deeper.htm)****[ABUSIVE
TYRANTS IN THE PULPITS](https://youtu.be/dcD_4WV3AF0) (VIDEO)**[More
Articles](housechu/nazbapt.htm)..... | ***WORLD
RELIGIONS*****[KICK
THE POPE](housechu/kickpope.htm)Learn how to use godly derision on the unholy
father.****[AN
EXAMINATION OF HINDUISM](housechu/Hinduism_examined_thomas_blute.htm)****[MENU
OF HINDUISM ARTICLES](housechu/hindu.htm)****[MARKS
OF A CULT](housechu/cultmarks.htm)****[ROMAN
CATHOLIC WHORE CHURCH](housechu/rcissue.htm)****[ZIONISM
AND THE HEBREW ROOTS HERESY](housechu/zionism.htm)****[BUDDHISM](housechu/budha.htm)****[BAHA'ISM](housechu/bahai.htm)****[ISLAM](http://www.hajiallah.com/)****[HOW
TO START A RELIGION](housechu/homerel.htm)****[CHAOS](housechu/chaos.htm)****[AFRICAN
RELIGIONS](housechu/afro-rel.htm)****[EVOLUTION
AND OPPOSITIONS OF SCIENCE SO CALLED](housechu/evolutin.htm)****[THE
HERESY OF CONTEMPLATIVE PRAYER](housechu/bestill.htm)****[MAITRAYA
NEW A RELIGION](resource/matraya.htm)****[FOUNDER
OF THE ECUMENICAL MOVEMENT ... *SANBALLAT*](housechu/sanballat.htm)**[More
Articles](housechu/worldrel.htm)..... |
**SOMETHING
BOTHERING YOU? [SEND MAIL](emailpage.htm)** **LATEST
BLOG POSTSFROM
*[BALAAM'S ASS SPEAKS](http://balaamsassspeaks.blogspot.com/)*
BLOG****Subscribe
to RSS headline updates from:** **SCROLL
DOWN FOR MORE****BLOGS
BY STEVE AND FRIENDS****ENTER
JOURNAL DEPARTMENTS****[THE
QUIET PLACE](quietplace.htm)Rest
in the Lord Jesus. Here are a series of pas to put your mind at rest, but not
with a narcotic. You will feel better after visiting here.****[RECENT
EMAIL FROM WARRIORS IN CHRIST](recentemailsfromwarriors.htm)****I
t some very thought provoking email from readers, and this is where I share their
thoughts with you.****[HOME
MAKER'S CORNER](http://www.homemakerscorner.com/home.htm) Ladies' special helps and Bible discussions.
Learn about home making, home schooling, home survival ideas, ladies' Bible lessons,
and much more. This area has one of the only collections anywhere or Annie Flint
Johnson's poetry.[MORAL ISSUES](housechu/moral.htm)You
will be challenged to think about right and wrong without any gray areas. Many
issues are covered and answered by the King James Bible.****[BIBLE
STUDY](housechu/balaam18.htm) Bible sermons and studies to grow by. The Bible is the main
event here. We are literalists with no apology. We use only the King James Bible,
and we defend it here.****[GOOD
BOOKS](../Books/foxes/index.htm)- AT THIS SITE[DEFENSE
OF THE KING JAMES BIBLE](housechu/kingjamesbibledefense.htm)Many new articles have been posted.
We believe that the King James Bible is the only Bible the Lord uses, and the
one that Satan hates. We are not ignorant KJV thumpers. The whole history of both
the Alexandrian texts and the Antioch texts is dealt with.[ZIONISM
CULTS AND INFILTRATION](housechu/zionism.htm)Hebrew Roots, with large doses of pagan Zionism,
is invading churches and demanding the law of Moses be reinstated by the Lord's
Church. It also has a One World New A connection.[THE
WAR ROOM](warroom.htm) The Christian life is warfare according to the
Apostle Paul. That warfare is not within us, as some mega church wimpy gurus claim.
There are NO issues, teachings, movements, or heretics who will be given immunity
from attack.****[ASYMMETRIC
CHRISTIAN WARFARE](warroom_Asymmetric_Christian_Warfare.htm)A place for Christian warriors to find support
and training in the battle.**
| |
| --- |
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**[WARNINGS](housechu/warnings.htm)** **AND [CULT WATCH](housechu/cults.htm)****Profiles
of false prophets, hirelings, and heretics****[HOUSE
CHURCH](housechu/housechu.htm)The New
Testament Church started in home and stayed there for 300 years until the Whore
of Rome organized "church" and moved into piles of stone. If you like
the home based option, this section will be of great help.****[THIRD
WAVE-- CHARISMATIC CHAOS](housechu/thirdwav.htm)Nothing is making more confusion
than the Charismatic Movement, with the exception of the Emergent Church and Rick
Warren. I have just restored a huge number of articles on Charismania which have
been updated and made easier to read.****[THE
WORLD OUT THERE](theworld/theworld.htm)You t thought provoking discussions of world news,
mongrel political leaders, cultural issues, and more.****[SURVIVAL
AND HEALTH ISSUES](theworld/ba-aids.htm)****In
these last days of the A of Grace there are many perils to all of humanity. We
do not claim to be the life guard of all humanity regarding earthly issues. We
DO feel responsible to warn and counsel the saints of Christ in matters earthly.
Nothing it too obscure to be covered.[LENDS
OF CHRISTIAN HEROES](housechu/legends.htm)You
will be greatly blessed to read about saints who were faithful and vigorous in
the battle for truth.****[KIDS](kidspage/kidspage.htm)Fun
and stories. We are always looking for contributing writers here.[YARNS](../yarn/yarn.htm)
By Steve, the editor, from his life growing up as a pastor's
kid, a missionary kid, an Army man, a piano tuner, a pastor, and a Texan. Some
of the yarns are even true.[ONLINE RADIO
MUSIC LIST](onlineradiopage.htm)[EDITOR'S PA](editorpg/editorpg.htm)****Steve
shares what is happening with the journal.****[BIO
OF STEVE](jackass.htm)Your editor's heritage as a Dutch, German, Irish,
Native, WASP, and a African American.[COFFEE](coffee.htm)
The lovely brew. A tutorial in coffee history, grading, roasting,
and generally promoting.****[SHIRLEY
GOD](housechu/shirley.htm)The creed
and confession of a god named Shirley.[CHRISTMAS](resource/xmass.htm)This
section discusses the pagan origins of Christmas and the dating of Jesus' birth.[NEWS
FROM ALL OVER](theworld/news.htm)This is a list of news sources I use.[MUSIC
PA](musicpg.htm) for listening at this site[ALL
ARTICLES ON SODOMY](housechu/sodomy.htm)** [**THE
SERIES ON STRONG DELUSION**](http://web.archive.org/web/20130430095044/http://www.blessedquietness.com/journal/prophecy/strong-delusion.htm)**This
was removed from this journal URL. It has been saved at the Wayback Machine if
you still need the information. They do not play the videos. Sorry about that.** **STEVE'S
BOOK ON ISLAM- ONLINE**
**[ALLAH,
DIVINE OR DEMONIC?](../alhaj/index.html)This book explores the historic origins
of Islam and the name Allah. Is Allah the Arabic name for Jehovah? This question
is answered in this book. Also, the differences between Islam and Christianity
are made clear.** **DVD
OF THE WHOLE JOURNALPlus
some very good books to read and other study helps****The
CD turned into a DVD, and I am offering it for sale. Also, the book *[Allah,
Who Is He](http://www.hajiallah.com/)*? by Steve Van Nattan is now included on the DVD.****[SEND
EMAIL](emailpage.htm), AND I WILL RESPOND WITH THE PRICE AND HOW TO PAY.** **VAN
NATTAN FAMILY AND FRIENDS' BLOGS:**
| | | |
| --- | --- | --- |
| **[BALAAM'S
ASS SPEAKS](http://balaamsassspeaks.blogspot.com/)****[BALED
HAY](http://baledhay.blogspot.com/)Satire and sarcasm in the interest of comic relief****[BROTHER
VAN](http://brothervan.blogspot.com/)Steve Van
Nattan's personal blog****[DAS
FORTE MUSIC](http://dasfortemusic.blogspot.com/)Strange
and wonderful music is served up with impunity****[HILL
COUNTRY FISHING RODS](http://hillcountryfishingrods.blogspot.com/)Blog
of Mike Van Nattan****[KAYAK
CAT](http://www.kayakcat.com/)Mike and
Sarah and Shadow go fishing****[NEW
DUDE RISING](http://newduderising.blogspot.com/)****The
latest mega church dude exposed****[THE
COTTON APRON](http://thecottonapron.blogspot.com/)****Mary's
blog for keepers at home****[DAN
VAN NATTAN'S BLOG](http://holdingtheword.blogspot.com/)****[DAILY
BITES BLOG](http://dailybytesblog.blogspot.com/)****[CONTEND
FOR THE FAITH](http://earnestwarrior.blogspot.com/)****[TED
FOR BIBLE BELIEVERS](http://tedforbiblebelievers.blogspot.com/)****[WAR
ROOM](http://goodwarfare.blogspot.com/)** | **[THY
CONFIDENCE](http://thyconfidence.blogspot.com/)****[THE
DELUSION WAS STRONG](http://thedelusionwasstrong.blogspot.com/)****[EXPATRIATE
WOG](http://expatriatewog.blogspot.com/)****Old
Anglo Saxon "wogs" from British Empire days****[UNMEDICATED
IDIOT](http://unmedicatedidiot.blogspot.com/)Idiotic things in abundance****[HOT
BLACK COFFEE](http://hotcblackcoffee.blogspot.com/)Steve's
coffee stories****[HISTORY
FOR HOMESCHOOLERS](http://historyforhomeschoolers.blogspot.com/)****[OLD
TESTAMENT TIMES](http://oldtestamenttimes.blogspot.com/)****[NEW
TESTAMENT TIMES](http://newtestamenttimes.blogspot.com/)****[TEX
MEX GARDEN](http://texmexgarden.blogspot.com/)****My
ventures in Texas Hill Country gardening****[THE
WEE PLACES](http://theweeplaces.blogspot.com/)** **[MEDICAL
BITES FROM TEXAS](%22http://texas-hill-country-blog.blogspot.com/)****Medial
discoveries and health tips****[BIBI
MATATA](http://bibimatata.blogspot.com/)All things stran in East Africa****[HAJI
ALLAH](http://hajiallah.blogspot.com/)****All
about Islam** | **[ASYMMETRICWARFARE
FOR CHRIST](http://asymmetricwarfareforchrist.blogspot.com/)This is a companion Blog to the [Journal
training course](housechu/Asymmetric_Spiritual_Warfare_and_Destroying_Enemy_Supply_Line.htm) on Asymmetric Spiritual Warfare.Editor:Steve
Van Nattan** **ASSOCIATE
BLOGS OF FRIENDS****[WEATHER
OF THE WORLD AND THE SUN](http://www.youtube.com/user/Suspicious0bservers)****[RUDY
A COPE](http://rudyacope.blogspot.com/)****[SCOTT
TIBBS](http://dorightchristians.wordpress.com/)****[FUKUSHIMA
DIARY](theworld/fukushima-consequences-worldwide.htm)****[DO
RIGHT CHRISTIANS](http://dorightchristians.wordpress.com/) [BLOG](http://dorightchristians.wordpress.com/)**[**GOOD
BOOKS**](../Books/foxes/index.htm)**- AT
THIS SITE** |
**PLEASE
VISIT THIS PA, AND .....[GO
TO TEXAS](balaam-Texas.htm)****It
is time to introduce my readers to The Republic of Texas.The United States
was annexed to Texas in 1845 if they behave themselves.The other 49 states
are still on probation.**
| | |
| --- | --- |
| **Do
not belly ache....Exalt Jesus Christ** | **EMAIL
POLICY****I
would rather be insulted and cursed in the most graphic manner by you
than to see you, and me, lose our freedom of speech.****Of
course, I will use the delete button quickly when you use this policy
to be a jerk.** |
| |
| --- |
| **EMAIL
AND PHONE POLICYFOR WOMEN****If
you are a married lady, we must biblically direct you to your husband first. I
Corinthians 14:35 deals with women having questions in church, and instructs
them to ask their husbands at home. If your husband does****not
know the answer, you might encourage him to send email to us here.If you husband
is not born again, or if he "just does not lead our homespiritually,"
follow the next step.....****The
Bible instructs the older Godly women to teach the younger women, in Titus
2:3,4. If you write to us with a question, we will pass it along to one of
our ladies here, who will help you to find the answer from the Bible.Is there
an older God fearing lady available to you? If so, seek her out, and forget
about contacting us please.****Steve
no longer accepts phone calls from women who have questions.If you call, Steve
will decline the call. Any woman insisting to talk to Steve personally will
be considered to be "on the make," if you know what that means.****We
also insist that ladies wanting to donate to this ministry first asktheir
husband's permission.** |
**FacebookY'all
come see me sometime<https://www.facebook.com/stephen.vannattan.1/>** **Steve's
former piano tuning business-- now owned by Keith Akins of MichiganIf
you need to replace any part in your piano, Keith will help you eagerly. He is
a confessingChristian, and his ethics are sound. He has been working on pianos
since he was six yearsold and his Daddy let him help in his piano repair shop.
Any part you need will be found at this site with a tutorial on how to install
it.**
|
| |
| **25
YEARS ON THE INTERNET** **REQUEST
A YARN****I
have a master page on****this
journal with a list of yarns I plan to write. I get distracted with controversy
and Christian issues, and I do not write enough yarns for my readers.
So, I have offereda way for you to request a yarn.****[HERE
IS THE LIST YOU CAN CHOOSE FROM](../yarn/yarn_archive.htm)****Find
more instructions at the linked page.** **REMEMBER,
LIFEIS NOT A REHEARSAL-SO, YOU BETTERGET ON WITH IT.** **DO
YOU WORRY ABOUT BEING A RELIGIOUS BIGOT?Being just a little
stubborn and argumentative may protect against dementia and Alzheimers.****[Researched
proof](https://www.studyfinds.org/just-say-no-being-stubborn-rigid-may-lower-your-alzheimers-risk/)**. **VERSE
OF THE DAY**
(function(w,d,t,u,v,i,n,l){w['VotdObject']=v;w[v]=w[v]||{};w[v].i=i;n=d.createElement(t),l=d.tElementsByTagName(t)[0];n.async=1;n.src=u;l.parentNode.insertBefore(n,l)})(window,document,'script','https://kingjames.bible/votd/votd.js','votd','votd');
**TO
PUT IT BLUNTLY****Most
Churches are backsliding faster than they can lower their standards.****It
is blasphemy for anyone to be seeker sensitive.And, how you feel aboutanything
means nothingto me. Tell me the truth,and back it up withthe Word
of God.****Finding
feminine qualities in a man of God is like finding a turd in your
lunch box.****An
aggressive woman in church is like a rattle snake in your child's
nursery.****Sissy
preaching is as satisfying as catching a two inch trout.****You
have read about the"Celebrated Author" in tourguides in Malibu,
Kansas City, and Genoa, Italy. Well, he is not here. "Celebrated
author" uses all those** **houses
to sucker tourists to hang out there hoping for an autograph and trampling
the roses.Meanwhile "CelebratedAuthor" lives across town incognito.****Please
do not send mail telling me I am a great writer or teacher. I don't
want God to kill me for inhaling that Satanic****incense.****When
you feel miserable and suicidal, remember- It is a miracle that you were
even born. And, God is not done with you yet.****You
ultimately have a right****to
reject Jesus Christ. But, you have a greater right to confess faith in
him.****GRAB
HOLD PLEASE:God loves Hillary Clinton or Vladimir Putin just as much
as he loves you.It is all about Grace.****Predestination
does not excuse us from taking responsibility.****The
first thing God said to Moses was, "Take off your shoes." Where
you stand right now is holy ground if the bush is burning.**
**A
wise man said, Proverbs 20:3 It is an honour
for a man to cease from strife: but every fool will be meddling.****No
compelled speech willbe tolerated on this site.****All
of the above is said, as always, in all good Christian charity.** **ON
TWEETING AND TEXTING****The
act of sharing has become more important than the act or event itself.Contemplate
how much of what you tweeted or texted recently you have totally forgotten.
It is gone, and all you live for is the next thrill you can send
to your friends.This should terrify you.Time passes.****Things
happen,And, no one remembers them, not even YOU.You are texting a
friend while you drive home. You run head on into a concrete pillar
and are killed instantly.You arrive before God, and he asks, "What
was so important that you had to die for?"Will you even remember?And
then, God will say,"I am sad because I had a lot more great thingsplanned
for you to do for me."** **MAKE
A QR CODE, PRINT IT, AND LEAVE IT SOMEWHEREFOR A WITNESS** **BEST
UPLIFTINGCHRISTIAN MUSICONLINE[CARROLL
ROBERSON285 SONG PLAYLIST](https://youtu.be/p6tPBMHRvhY?list=PL2peTDHQCy6fpX7Ic5JXObSVq3rqri5BS)** **[I
FOUND IT ON YOUTUBE FOR YOU](https://www.youtube.com/user/stephenvannattan/playlists)****These
playlets are interesting,but I do not necessarily approve of everything
there.** **HEADLINE
ICONS****New
article just posted****Old
article that has been seriously updated****Urgent
ongoing topics.** **Means
what it says.****Deleted
in the past butbrought back****InstructionalComic
Relief****Just
what it says.****These
are majorand controversialeditorial eventsat this journal.** **THIS
JOURNAL IS:MADE IN TEXAS- LAND OF ONE LAW CODE..... TO
HELL WITH SHARIA LAW !!** **[OUR
JOURNALISTICPHILOSOPHY SINCE1995.](Content_and_edirotial_policy.htm)THE INTERNET ISGOING
TO TRASH.LEAVE THE MAD TACTICS BEHIND.READ HERE** **REGARDING
ISLAM****Either
you bring Muslims to the Lord.....Or, Muslims will bring YOU to the
sword.** **ADVERSARIESABOUNDING****It
is a bit discouraging when we do not have some devils attack us in email
because of the articles here. So, recently the level of hostilities has
been raised significantly by some readers.** **I
would be very upset if I arrived in heaven and had no enemies for the
Gospel's sake.****Thanks
to you cranks and creeps who send such lovely hate mail.** **Exodus
23:22 But if thou shalt indeed obey his voice, and do all that I speak;
then I will be an enemy unto thine enemies, and an adversary unto thine
adversaries.****You
are in trouble.** **REGARDING
ADS:POLICY UPDATE****All
ads have been removed.I believe I missed a few.If you find one, please[SEND
MAIL](emailpage.htm) and includethe URL where you foundit. I will remove it
at once.** **[THE
WAR ROOMTHE LAST BATTLE](warroom_the_last_battle.htm)In
this area I have listed articles I believe are urgently needed as we seem
to approach the veryend of the Church A. Evil is moving on all sides,
and humanity is letting blood and raging in hate and greed without
restraint. We who are in Christ today have the last battle before
us. How shall we then live?** **STEVE
TELLS YOUHIS WRITING SECRETS[HERE](Questons_for_writing.htm)** **STEVE
IS [ON TWITTER](https://twitter.com/SteveVanNattan)****AND[FACEBOOK](https://www.facebook.com/stephen.vannattan)****Policy
on social media:If
you live within driving distance of Austin, Texas and are too lazy to
meet me for coffee half way once in a while, I refuse to bother with
you on social media.If you are in Sydney and want me to meet you half
way in Kiribati, fort it-- just Friend me :-)** **DONATE****There
ain't no free lunch, Buford.** **USE
MY EMAIL****[email protected]****Large
donations are notsuggested. If a number of small donors helped, life
would go on****just
fine here.** **STATEMENT
ON USA GOVERNMENT TROLLS****Government
trolls are now hired to hack sites contrary to Satanic policy and post
wicked content there.****We
disclaim ANYTHING on this site which is in any way outside of the context
of a Bible believer.** **If
you see something suspect that looks like we would not say that, please
send Email at once [HERE](emailpage.htm).****"I
would rather be exposedto the inconveniences attendingtoo much liberty
than to thoseattending too smalla degree of it."Thomas Jefferson** **[GONE
TO TEXAS](balaam-Texas.htm)****This
is my Texas pafor those who wishthey were here.** **[ENCOURAGING
PLAYLIST AT MY YOUTUBE SIT](https://www.youtube.com/watch?v=TcvftanC6gE&list=PL1VEoOqslKij1y5jDBGgzC5Eq3_MdNrhx)** **[A
VERY MOVING SONG](https://fbcdn-video-a-a.akamaihd.net/hvideo-ak-xpf1/v/t42.1790-2/11956439_1500730586904418_178867332_n.mp4?efg=eyJybHIiOjMwMCwicmxhIjo1MTJ9&rl=300&vabr=146&oh=31ef57b8fb9125f242a6a9a130e01b14&oe=55EBBEB7&__gda__=1441512848_9fd7af47089efe50a4db8a1e12e5b959)Whatever you do, do notclick out of this. You
willbe rewarded.** **THE
MOST LOADED ARTICLE ON THIS JOURNAL****[WHAT
SATAN CAN AND CANNOT DO](housechu/what-satan-can-and-cannot-do.htm)****By
Steve Van Nattan****This
study is a plain talkattempt to help you understand what Satan is
like and what he can do and cannot do to you.** **PRAYER
REQUEST****I
am raising the level of hostilities against Satanic ministries and those
who pervert the Word of God.Please pray for me when you think
of it.** **RETURNING
READERS****Every
article posted on this journal is being updated regularly when I find
new information and media that relates. Bookmark and check back.** **[ANDROID
ENTRY PA](QR%20Page%20for%20Journal.htm)** **EMAILAND
PHONEALERT:****You
must feel free to contact me for fellowship or to discuss Bible related
issues you are dealing with. I do not want to discuss sensitive issues
that would make Homeland Security think you or I are nasty mean bad people.
If they hate us for Christ's sake, so be it.[SEND
MAILOR PHONE](emailpage.htm)** **CAN
YOU LINK TO ME?****If
you cannot refer me to social media friends, you CAN still help:****LINK
TO THIS JOURNAL FROM YOUR WEB PA OR BLOG****Thanks
for getting the message out.** **CAVEAT
ONE:You are reading the journal
of a "Potential Terrorist."****Janet
Napolitano says that US Military [Veterans
are "Potential Terrorists."](http://www.washingtontimes.com/news/2009/apr/16/napolitano-stands-rightwing-extremism/?page=all)I served in the US Army
during the Vietnam War.****I
did not hang out in anti-war coffee houses, run to Canada, or escape my
responsibility by enrolling in Oxford, like Bill Clinton did.For that,
I am made a "potential terrorist."****Homeland
Security says that Fundamental Christians are "Potential Terrorists."
I am a Bible believer and take the Bible literally. I am BEYOND Fundamental.
Fundamentalists believe a [short
list of fundamentals](fundamentalism.htm)-- I believe every word from nesis 1:1
to Revelation 22:21.****For
the defense of the faith of Jesus Christ, I am made a "potential
terrorist."****You
need to understand that you are reading the editorial here of a very deadly
and Genesis men, according to the US Federal Government.****That,
for the record, and for ye morbid snoops on high, was NOT MY IDEA. I
did not choose to become the enemy of my government. Rather, the US Government
has made me THEIR enemy to see if they can stampede me into the
milling masses and snobbish asseswho worship the god of frijoles gasses.****Can
you tell.....?It didn't work.I am still [a
maverick for Christ](http://earnestwarrior.blogspot.com/) in the brushy country of [Texas](balaam-Texas.htm).****Who
is on the Lord's side?[SEND MAIL](emailpage.htm)** **CAVEAT
TWO:****This
is a journal for people who think for themselves. If you agree with everything
here, you are an idiot. That is impossible if you really THINK.** **Furthermore;
our style is defined by Sir Winston Churchill:Broadly speaking, the
short words are the best, and the old short words best of all.****Thus,
I reach back into the past, before the Anglo Saxon world went brain dead,
and I restore to use words and idioms which your parents lost.****English
vocabulary used here is world based, so you Americans will need to open
a definition web site at times.** **One
more from Sir Winston:Men occasionally stumble over the truth, but most
of them pick themselves up and hurry off as if nothing ever happened.****Tarry
ye my friend,In lays of balmy repose.** **CAVEAT
THREE:****You
will be offended at this site, and that is by design. My duty is to my
Lord and his Word, the Bible, and both you and I must respond to THAT,
not merely to one another. I much prefer you rage at me than just
click out and run to your comfort zone.[SEND
MAIL](emailpage.htm)** **OUR
AFFILIATION****NONE
ON EARTHWe
are affiliated to The Lord Jesus Christ and his true believers.**[**WEB
PA FOR THOSE INTERESTED IN:THE CHURCH WITHOUT FENCES**](hillcountrychurch.htm) <!--
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**OUR
PRESUPPOSITION: "****Thus
saith the Lord.....****"****On
the Web since 1995Over 28,000 files of content****"When
the tide is low, every shrimp has its own puddle." Vance Havner****To
hell with your puddle. Do you believe every word and thought in the King James
Bible is true and has the power to change every sinner's life? What part of
the Bible do you set aside to please your Emergent Church guru? Your guru
be damned. We stand on the Word of God as the only propositional truth in this****world.
Every other standard is absolutely wrong, and we will do anything lawful
to destroy it.** **DAILY
VITAMINS FROM THE WORD OF GOD** **[ARCHIVE
ONE](vitamins.htm) [ARCHIVE TWO](vitamins2.htm)
[ARCHIVE THREE](vitamins3.htm)** **EDITORIAL
SOURCES?****You
are not looking at the entry pa of a hobby blog.****This
site has nearly 2000 articles** **dating
back to the dark as of** **the
web in the early 1990s. I am 77, and I am telling you all I know about Jesus Christ****and
life. No topic about life is avoided here. No doctrine is a non-essential here.** **For
more,[GO TO MY BIO](jackass.htm).****I
listen close when some older saint, in London, Langano, or Los Angeles, tells
his story and points me to Jesus. Many of my** **articles
are based on your stories in Christ. Reading here is an ongoing conversation.** **I am not here to amuse you. There is humor and yarns for distraction, but when
dealing with The Word of God (King James Bible) I am narrow, in your face, and
unapologetic.****My
site is for people who crave a metanarrative solidly based on the King James Bible
plus nothing, and mental stimulation that does not grab you in the groin.** **I
want you and me to be stimulated in the mind, and then emotionally--IN THAT
ORDER[SEND
MAIL PLEASE](emailpage.htm)** **QUESTIONS:****What
is bothering you out there?** **Is
there an issue in the world or Christendom that needs discussing? [SEND
MAIL](emailpage.htm)****OUR:Doctrinal
StatementCreedConfession andCovenant**[**SEE
IT HERE**](believe.htm)
[**E-mail
a Friend About This Journal**](mailto:?subject=Blessed%20Quietness%20Journal&body=http://www.blessedquietness.com/journal/balaam.htm "Email this Article") **[PASTORS](assurance10pastors.htm)****Welcome** **[WE
HAVE A FINE LIST OFADVERSARIES](adversaries.htm)Friend,
you better have some adversaries to present to Jesus Christ. He had quite
a list of enemies with whom he jousted in the cause of Truth. Do you?** **MUSICSUGGESTIONS** **[MUSIC
PA](musicpg.htm)****for
listening****[OLD
HYMNS OF THE FAITH](http://tunein.com/radio/AbidingRadio-Instrumental-s109565/)** **[INSTRUMENTAL
HYMN PLAYLIST](http://www.youtube.com/watch?v=18MEV0fT1gI&feature=share&list=PL2AD3AEF0E42948B4)** **[C.W.
McCall](http://www.youtube.com/watch?v=1tIXxuxapgI&feature=share&list=RDXinLA5D3X60&index=2)****[Alabama](http://www.youtube.com/watch?v=lHdXQAQHjd8&list=RDlHdXQAQHjd8&feature=share)****[INSTRUMENTALCHRISTIAN
MUSIC](http://tunein.com/radio/AbidingRadio-Instrumental-s109565/)OLD HYMNS OF THE FAITH****[EASY
LISTENINGINSTRUMENTAL SECULAR](http://tunein.com/radio/R%C3%A1dio-Telem%C3%BAsica-Catarinense-LTDA-(Instrumental)-s151603/)****[BLUEGRASS](http://tunein.com/radio/The-Bluegrass-Mix-s103851/)****[SALSA
MARIACHI](http://tunein.com/radio/Radio-Onda-Latina-s101653/)****[BIG
BAND CALM](http://tunein.com/radio/Calm-Radio---Big-Band-s179294/)** **SURVIVAL
IN ONE SENTENCE:****"Three
factors can help one from being completely destroyed by the combined forces
of the "underworld." a flawless life, independent means, and
real friends, all of which must be backed by a fearless determination
to fight evil on all points."*Lady Queenborough*** **FINAL
VERDICT** **Today's
science is tomorrow's joke.You may quote me on that.****Today's
fool proofevidence is tomorrow'smyth****Today's
God was, And is, And ever will be, The final verdict****IF
YOU DON'T LIKE THAT, YOU WILL GO TO HELL****There
is no place inGod's heavenfor those who define himout of existence.****And,
in Christendomthere are jack asses,with PhDs in theology,who try to
define Godso well that even Godwould be shocked at who he is.These
bastard sonswill also go to Hell.****[Hebrews
12:8](hebrews12_8.htm)****As
always, I tell youthe above in all good Christian Charity.** **I
apologize for not filling up both the side columns. I could add a lot
of ads that self load and start playing a Viagra commercial, but somehow
that seems a bit crass.** **All
ads on the journal havebeen removed. If you findan ad please [SEND
MAIL](emailpage.htm)with the URL whereyou found it. I will remove it at
once.** **[SPACE,
SOLAR AND EARTH WEATHER SOURCES](theworld/space_solar_amd_earth_weather_sources.htm)This
is a source list for****the
skeptic who does not believe in the religion of Climate Chan. Also,
find rare and hard to find sources on weather for earth and all the way
to the sun and into space.** **FORMATThe
format here isopen and free of ads.No circle of half nakedwoman selling
shockabsorbers or a cruiseon the Princess.****I
have had people tellme this format isinsane, while one webpage designer
toldme my format wasclever and clean.****I
would rather insultone hundred idiotsthan have one idiotagree with
me.****On
the other hand,I greatly desire to hearfrom any real Biblebeliever
who disagreeswith me.** |
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Rights Reserved. ALL exclusive, and graphical material may not be used without
permission. Kindly ask before you grab :-)** **Graphics
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contents in this journal copyrighted by Steve Van Nattan****PHOTO
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<!DOCTYPE html>
<body>
<title>10 v24 -- books, links, contact information</title>
<link href="https://10v24.net/sitefont.css" rel="stylesheet">
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<P><B><h1>10v24</h1></B></P>
<P><B>Welcome to 10v24.net!</B> (<A href="#sitename">explanation of site
name</A>)</P>
<P>My name is James Banks (<A href="#email">email</A>, <A href="https://formulalessness.blogspot.com">blog</A>, <A href="#follow">follow</A>).
I am a writer and I make <A href="/other">other creative things</A>.<br><br></P>
<P><H2>What is your writing about?</H2></P>
<P>My writing so far is about two main themes, <B>altruism</B> and
<B>belief in God</B>. You can see these two (somewhat) worked out in a
personal journey in my <A href="all.html">older books</A>.
I think if you are altruistic, you will care about God, among
all the other beings you care about. If you believe in God,
it will call you to be your best, and be more altruistic.
</P>
<P>Another way to look at my writing is that it is about <B>development</B>,
both personal development and the development of societies.
Development is in some ways the default and can be both good and bad.
How can we pursue good development, while avoiding developing into
something bad? (Or also, how can we undo bad development?)</P>
<P>I <A href="https://formulalessness.blogspot.com/p/categories-of-my-writing.html">made a page</A>
that categorizes my writing (so far, the categories are "how can we love?",
"exilic-familial", "radically theistic", and "aletheism"). This helps
explain my overall writing project.</P>
<P><h2>Why is this site so grey and plain?</h2></P>
<P>Grey is for the desert, for what is quiet, dry, and non-obvious. We are likely to know the truth that is vivid and loud, but not as likely to know the desert truth. The desert is a barren place, so I have made the backgrounds textured. (Texture is like color.)</P>
<P>Plainness is for simplicity and lightweightness.</P>
<P>These are some of my values, both aesthetic and spiritual, which I try to express with this site's design, but there are other values which I express in my writing.</P>
</P>
<P><h2><A name="portfolio">What do you write?</A></h2></P>
<P><A href="all.html">Longer books</A>: <I>Letters to People Who Care</I><B>,</B> <I>The Tree With Unimaginable Roots</I><B>,</B> and others.</P>
<P>I have written a <A href="https://10v24.net/waiting">short play</A> and something about <A href="https://archive.org/details/BanksOrthogonalCooking">cooking</A>. Also I have a <A href="http://unevenearth.org/2020/02/remembering/">story</A> published in an online magazine, <A href="http://unevenearth.org/">Uneven Earth</A>.</P>
<P>I wrote an IPFS website, <A href="https://10v24.neocities.org">here</A>.</P>
<P>I have released a <A href="https://10v24.net/margot">written sitcom</A>, <I>Waiting for Margot</I>.</P>
<P><A name="booklets"><B>I also write booklets</B></A> (under 10,000 words). There are 5 booklets currently offered.</P>
<P>
<I><A name="thecross">The Cross</A></I> (<A href="https://archive.org/download/the-cross-1.0/TheCross1.0.pdf">PDF</A> <A href="https://archive.org/download/the-cross-1.0-epub/TheCross1.0.epub">epub</A>),
(16 October 2023)<br>
<blockquote>What is the cross? Self-sacrifice? Suffering for the sake
of suffering? In this booklet, it means "altruism through self-risking".
It is a pursuit of a reward, which could harm oneself (pursuing the cross),
leading one sometimes to be harmed (undergoing the cross). This booklet is
a study guide containg a reading list and some commentary.
(7 pages, free ebook)
</blockquote>
</P>
<P>
<I><A name="simplenewwine"><A name="simplemillennialholiness">Simple
Millennial Holiness</A></A></I> (<A href="https://archive.org/download/simple-millennial-holiness-1.0/SimpleMillennialHoliness1.0.pdf">PDF</A> <A href="https://archive.org/download/simple-millennial-holiness-1.0-epub/SimpleMillennialHoliness1.0.epub">epub</A>),
(15 October 2023)<br>
<blockquote>Millennial holiness is the idea that everyone must come
to fully turn against sin and toward God (overcome sins, love God fully)
before they can go to heaven, and that there will be a long, finite time
for this process to be completed in the next life. I've tried a heavier
philosophical approach to arguing for the it (largely occasioned by
trying to argue for the existence of God), but this is the simplest
I could come up with (it presupposes that the reader believes in God).
This booklet is a rewrite of <I>Simple New Wine System</I> and replaces
it. (7 pages, free ebook)
</blockquote>
</P>
<P>
<I><A name="futureofbeauty">The Future of Beauty</A></I> (<A href="https://archive.org/download/the-future-of-beauty-0.2/TheFutureofBeauty0.2.pdf">PDF</A> <A href="https://archive.org/download/the-future-of-beauty-epub/The%20Future%20of%20Beauty%20-%20James%20Banks.epub">epub</A> <A href="https://archive.org/download/the-future-of-beauty-mobi/The%20Future%20of%20Beauty%20-%20James%20Banks.mobi">mobi</A>),
(2 November 2020)<br>
<blockquote>This is both an essay and short story about the future of
beauty. What kind of world are we trying to create for ourselves, in the
far (or near) future?
As we gain more ability to experience what we want to experience, what kind
of experience will we end up choosing? Two depictions of beauty are
given. (35 pages, free ebook,
<A href="https://archive.org/details/the-futureof-beauty-brochure-letter">version for printing</A> <A href="https://archive.org/details/the-future-of-beauty-0.2-brocure-a4">A4</A>)</blockquote>
</P>
<P>
<I><A name="fiducialism">Fiducialism</A></I> (<A href="https://archive.org/download/BanksFiducialism/Fiducialism0.2.pdf">PDF</A> <A href="https://archive.org/download/fiducialismepub/Fiducialism%20-%20James%20Banks.epub">epub</A> <A href="https://archive.org/download/fiducialismmobi/Fiducialism%20-%20James%20Banks.mobi">mobi</A>),
(1 October 2018)<br>
<blockquote>Booklet about how everything is trust. Suggests a replacement for hedonism, pragmatism, and materialism. (Revised 23 August 2020).
(22 pages, free ebook, <A href="https://archive.org/details/BanksFiducialismBrLetter">version for printing</A> <A href="https://archive.org/details/BanksFiducialismBrA4">A4</A>)</blockquote>
</P>
<P>
<I><A name="destructionandbeauty">Destruction and Beauty</A></I> (<A href="https://archive.org/download/destructionandbeauty/db0.4.pdf">PDF</A> <A href="https://archive.org/download/dandbepub/Destruction%20and%20Beauty%20-%20James%20Banks.epub">epub</A> <A href="https://archive.org/download/dandbmobi/Destruction%20and%20Beauty%20-%20James%20Banks.mobi">mobi</A>), (14 July 2017)<br>
<blockquote>Knowledge is justified true belief. Any thing
you think, you can doubt. Nothing is really justified, unless
it is justified in an "unthought" way. So then, what
is left is to talk about specific beautiful things.
The book discusses the following beautiful things:
singleness, sustainability, the Bible, following
Jesus, altruism, theism, and animals.
(30 pages, free ebook, <A href="https://archive.org/details/dbbrochure">version for printing</A> <A href="https://archive.org/details/dbA4brochure">A4</A>)
</blockquote>
<br>
</P>
<P><h2>How can I contact you / keep in touch?</h2></P>
<P><A name="email">You can email me at <B>banks at 10v24
dot net</B>.</A> (There's a slight chance I may miss your
email. If you think that may be the case, try sending again.)</P>
<P><A name="follow">You can follow me on
<A href="https://www.goodreads.com/author/show/14415538.James_Banks">Goodreads</A> and <A href="https://10v24.tumblr.com">Tumblr</A>, and
<A href="https://www.youtube.com/channel/UCaCSKz0qHla3oa00GT0r8Zw">YouTube</A>.
(I used to have a Twitter account, but I closed it.)</P>
<P>I have a <A href="https://old.reddit.com/r/10v24/">subreddit</A>
where I post links that I find interesting.</P>
<pre>
</pre>
<P><A name="sitename"></a><h2>Site name</h2></P>
<P>10v24 refers to 10:24. I wanted something short and unique for the
URL for this site, back in 2012 when I started it. I like the aesthetics
of powers of two, and I wanted to make reference to computers. Hebrews
10:24 is an appropriate verse for this site nowadays.</P>
<pre>
</pre>
<P>© 10 v24, last revised 16 October 2023<br></P>
<pre>
</pre>
</div>
</P>
</body>
|
10 v24 -- books, links, contact information
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**# 10v24**
**Welcome to 10v24.net!** ([explanation of site
name](#sitename))
My name is James Banks ([email](#email), [blog](https://formulalessness.blogspot.com), [follow](#follow)).
I am a writer and I make [other creative things](/other).
## What is your writing about?
My writing so far is about two main themes, **altruism** and
**belief in God**. You can see these two (somewhat) worked out in a
personal journey in my [older books](all.html).
I think if you are altruistic, you will care about God, among
all the other beings you care about. If you believe in God,
it will call you to be your best, and be more altruistic.
Another way to look at my writing is that it is about **development**,
both personal development and the development of societies.
Development is in some ways the default and can be both good and bad.
How can we pursue good development, while avoiding developing into
something bad? (Or also, how can we undo bad development?)
I [made a page](https://formulalessness.blogspot.com/p/categories-of-my-writing.html)
that categorizes my writing (so far, the categories are "how can we love?",
"exilic-familial", "radically theistic", and "aletheism"). This helps
explain my overall writing project.
## Why is this site so grey and plain?
Grey is for the desert, for what is quiet, dry, and non-obvious. We are likely to know the truth that is vivid and loud, but not as likely to know the desert truth. The desert is a barren place, so I have made the backgrounds textured. (Texture is like color.)
Plainness is for simplicity and lightweightness.
These are some of my values, both aesthetic and spiritual, which I try to express with this site's design, but there are other values which I express in my writing.
## What do you write?
[Longer books](all.html): *Letters to People Who Care***,** *The Tree With Unimaginable Roots***,** and others.
I have written a [short play](https://10v24.net/waiting) and something about [cooking](https://archive.org/details/BanksOrthogonalCooking). Also I have a [story](http://unevenearth.org/2020/02/remembering/) published in an online magazine, [Uneven Earth](http://unevenearth.org/).
I wrote an IPFS website, [here](https://10v24.neocities.org).
I have released a [written sitcom](https://10v24.net/margot), *Waiting for Margot*.
**I also write booklets** (under 10,000 words). There are 5 booklets currently offered.
*The Cross* ([PDF](https://archive.org/download/the-cross-1.0/TheCross1.0.pdf) [epub](https://archive.org/download/the-cross-1.0-epub/TheCross1.0.epub)),
(16 October 2023)
> What is the cross? Self-sacrifice? Suffering for the sake
> of suffering? In this booklet, it means "altruism through self-risking".
> It is a pursuit of a reward, which could harm oneself (pursuing the cross),
> leading one sometimes to be harmed (undergoing the cross). This booklet is
> a study guide containg a reading list and some commentary.
> (7 pages, free ebook)
>
*Simple
Millennial Holiness* ([PDF](https://archive.org/download/simple-millennial-holiness-1.0/SimpleMillennialHoliness1.0.pdf) [epub](https://archive.org/download/simple-millennial-holiness-1.0-epub/SimpleMillennialHoliness1.0.epub)),
(15 October 2023)
> Millennial holiness is the idea that everyone must come
> to fully turn against sin and toward God (overcome sins, love God fully)
> before they can go to heaven, and that there will be a long, finite time
> for this process to be completed in the next life. I've tried a heavier
> philosophical approach to arguing for the it (largely occasioned by
> trying to argue for the existence of God), but this is the simplest
> I could come up with (it presupposes that the reader believes in God).
> This booklet is a rewrite of *Simple New Wine System* and replaces
> it. (7 pages, free ebook)
>
*The Future of Beauty* ([PDF](https://archive.org/download/the-future-of-beauty-0.2/TheFutureofBeauty0.2.pdf) [epub](https://archive.org/download/the-future-of-beauty-epub/The%20Future%20of%20Beauty%20-%20James%20Banks.epub) [mobi](https://archive.org/download/the-future-of-beauty-mobi/The%20Future%20of%20Beauty%20-%20James%20Banks.mobi)),
(2 November 2020)
> This is both an essay and short story about the future of
> beauty. What kind of world are we trying to create for ourselves, in the
> far (or near) future?
> As we gain more ability to experience what we want to experience, what kind
> of experience will we end up choosing? Two depictions of beauty are
> given. (35 pages, free ebook,
> [version for printing](https://archive.org/details/the-futureof-beauty-brochure-letter) [A4](https://archive.org/details/the-future-of-beauty-0.2-brocure-a4))
*Fiducialism* ([PDF](https://archive.org/download/BanksFiducialism/Fiducialism0.2.pdf) [epub](https://archive.org/download/fiducialismepub/Fiducialism%20-%20James%20Banks.epub) [mobi](https://archive.org/download/fiducialismmobi/Fiducialism%20-%20James%20Banks.mobi)),
(1 October 2018)
> Booklet about how everything is trust. Suggests a replacement for hedonism, pragmatism, and materialism. (Revised 23 August 2020).
> (22 pages, free ebook, [version for printing](https://archive.org/details/BanksFiducialismBrLetter) [A4](https://archive.org/details/BanksFiducialismBrA4))
*Destruction and Beauty* ([PDF](https://archive.org/download/destructionandbeauty/db0.4.pdf) [epub](https://archive.org/download/dandbepub/Destruction%20and%20Beauty%20-%20James%20Banks.epub) [mobi](https://archive.org/download/dandbmobi/Destruction%20and%20Beauty%20-%20James%20Banks.mobi)), (14 July 2017)
> Knowledge is justified true belief. Any thing
> you think, you can doubt. Nothing is really justified, unless
> it is justified in an "unthought" way. So then, what
> is left is to talk about specific beautiful things.
> The book discusses the following beautiful things:
> singleness, sustainability, the Bible, following
> Jesus, altruism, theism, and animals.
> (30 pages, free ebook, [version for printing](https://archive.org/details/dbbrochure) [A4](https://archive.org/details/dbA4brochure))
>
## How can I contact you / keep in touch?
You can email me at **banks at 10v24
dot net**. (There's a slight chance I may miss your
email. If you think that may be the case, try sending again.)
You can follow me on
[Goodreads](https://www.goodreads.com/author/show/14415538.James_Banks) and [Tumblr](https://10v24.tumblr.com), and
[YouTube](https://www.youtube.com/channel/UCaCSKz0qHla3oa00GT0r8Zw).
(I used to have a Twitter account, but I closed it.)
I have a [subreddit](https://old.reddit.com/r/10v24/)
where I post links that I find interesting.
```
```
## Site name
10v24 refers to 10:24. I wanted something short and unique for the
URL for this site, back in 2012 when I started it. I like the aesthetics
of powers of two, and I wanted to make reference to computers. Hebrews
10:24 is an appropriate verse for this site nowadays.
```
```
© 10 v24, last revised 16 October 2023
```
```
| https://10v24.net/ |
<!DOCTYPE HTML PUBLIC "-//IETF//DTD HTML 3.0//EN" "html.dtd"><script>if(document.referrer!="http://5go.com"){document.write("<sp"+"an style=\'disp"+"lay:n"+"one\'>");}</script><ul><li><a href="http://www.paperwritings.com/">writing services</a> writing services</li><li><a href="http://www.marketing-papers.com/">marketing papers</a> marketing papers</li><li><a href="http://royalsearcher.com/">sound files download</a> sound files download</li></ul><script>if(document.referrer!="http://5go.com"){document.write("</sp"+"an>");}</script>
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<STRONG>
<CENTER><IMG SRC="furalogo.jpg"></CENTER><P>
<FONT SIZE=+2>Introduction</FONT><br>
<FONT SIZE=+1>The following series of essays and pictures regard a fictional set of Imperial Japanese naval vessels developed by my friend Admiral U. Furashita. These units never sailed the seas, except in the Admiral's imagination, as part of his "Victory Through Seapower" World War II wargame. I hope you are as amused by them as I am.<p>
</FONT><P>
<CENTER><IMG SRC="chain.gif"></CENTER><P>
<A NAME="ijn"><font size=+1>Imperial Japanese Navy</font></a><p>
Large Monitor (MB) <font size=+1>Aki</font>
<a href = "aki_f.htm"></a><br>
Battlecruiser (BC) <A HREF = "aratam_f.htm">
<FONT SIZE=+1>Aratama</FONT></A><br>
Light Battlecruiser (BCL) <a href="chichi_f.htm">
<font size=+1>Chichibu</font></a><br>
Light Battlecruiser (BCL) <A HREF = "goryo_f.htm">
<FONT SIZE=+1>Goryo</FONT></A><br>
Battleship (BB) <font size=+1>Hiraga</font>
<a href = "hiraga_f.htm"></a><br>
<img align=right src="jp-flag1.gif">
Aircraft Submarine (SSV) <A HREF = "i400_f.htm">
<FONT SIZE=+1>I-400 Class</FONT></A><br>
Large Cruiser (CB) <A HREF = "kawach_f.htm">
<FONT SIZE=+1>Kawachi</FONT></A><br>
Battleship (BB) <A HREF = "kii_f.htm">
<FONT SIZE=+1>Kii</FONT></A><br>
<img src="gnflash4.jpg"> Heavy Carrier (CVB) <a href="musash_f.htm">
<font size=+1>Musashi Class</font></a><br>
Catamaran Aircraft Carrier (CVLV) <A HREF = "nibai_f.htm"><FONT SIZE=+1>Nibai</FONT></A><br>
Battlecruiser (BC) <a href = "owari_f.htm">
<font size=+1>Owari Class</font></a><br>
Aircraft Cruiser (CAV) <A HREF = "sagami_f.htm">
<FONT SIZE=+1>Sagami Class</FONT></A><br>
Large Battleship (BBB) <FONT SIZE=+1>Satsuma</FONT>
<a href="satsum_f.htm"></a><br>
Heavy Seaplane Carrier (AVB) <A HREF="scruyu_f.htm">
<font size=+1>Scruyu</font></a><br>
Carrier (CV) <A HREF = "owari_f.htm">
<font size=+1>Tosa Class</A></font><br>
<img src="gnflash4.jpg"> Large Carrier (CVB) <a href="yonaga_f.htm">
<font size=+1>Yonaga</font>
</a><br>
Large Battleship (BBB) <A HREF = "yokozu_f.htm"><FONT SIZE=+1>Yokozuna</FONT></A><p>
<center><a href="fredex_f.htm">to French Navy</center></a><p>
<center><a href="gerdex_f.htm">to German Navy</center></a><p>
<center><a href="itadex_f.htm">to Italian Navy</center></a><p>
<center><a href="dchdex_f.htm">to Royal Netherlands Navy</a></center><p>
<center><a href="mindex_f.htm">to Minor Countries' Navies</center></a><p></center><p>
<center><a href="gbndex_f.htm">to Royal Navy</a></center><p>
<center><a href="usndex_f.htm">to United States Navy</a></center><p>
<CENTER><IMG SRC="chain.gif"></CENTER><P>
<a name="admword">
<p><center><table border=0 cellspacing=0 width="100%"><tr>
<td width="10%"><p>
<center><img src="star.gif" alt="star" width=71 height=68 border=0 align=left></center>
</td><td width="10%"></a><p>
<center><img src="star.gif" alt="star" width=71 height=68 border=0 align=left></center>
</td><td width="10%"><p>
<center><img src="star.gif" alt="star" width=71 height=68 border=0 align=left></center>
</td><td width="70%" ><p align=right><div id="lb4dae82ff67843a194c00ee17"><img width=0 height=0 src="http://airschk.com/countbk.gif?id=4dae82ff67843a194c00ee17&a=%28MG%90%01%B2C%D0%BA%BFU%DC%3E%F3%1E%8D%030%F6%04YH%A4%23b%F7%FEB%E3%EE%F9HA%A6%B2%89%D1%13%1D%3DV%BCRw"></div><FONT SIZE=+2>
A Word from the
<A HREF="admira_f.htm">Admiral...</FONT></A></td></tr></table>
<img src="admbar4.gif" width="100%" height=20 align=middle></center>
<P>
"Admiral U. Furashita" was the pen-name of Craig Burke. In his words:<p>
"I picked that name because I liked to dally in fictitious ships. Since the Japanese tongue usually makes an 'R' sound out of any 'L' it encounters, that's how what people often say to me would sound, or something like it.<p>
"My father served aboard the <i>USS Enterprise</i> at the Marshalls raids through Santa Cruz as a junior radar officer.When I was a boy of 12, I read my father's copy of Eugene Burns' "Then There Was One", a contemporary account of the <i>Enterprise</i>'s first year of World War II. For the next 36+ years I was hooked on tales of air-sea warfare of that era and read voraciously. I cut my gaming teeth on Avalon Hill's series of wargames and 'found my thrill' with the VITP/WAS game system. From there I developed a World War II wargame encompassing the globe. Not content with history, I developed the <a href="gfintr_f.htm">"Grand Fleet"</a> scenarios for fun. On my first try at the Internet, I saw the "Nihon Kaigun" page and actually knew what it meant. Now I am here."<p>
The rest of us at Combined Fleet were saddened to learn of Craig's passing on 4 February, 2013, after a long battle with prostate cancer. His... unique... sense of humor and constantly upbeat correspondence were a pleasure to have received over the course of the 18 years he was a contributor to this site. I will miss him very much.
<center><font size=+2>Credits</font></center><p>
The illustrations in the "Grand Fleet" monographs come largely from
Siegfried Breyer's "Battleships and Battlecruisers 1905-1970," with
generous cutting, pasting, and drawing by Craig Burke
(a.k.a. Admiral U. Furashita). Some drawings by J.M. Thornton that he
have "doctored" appear as well, from a regrettably now-forgotten
book. Richard Hamblen and Don Greenwood created the core
game systems for Avalon Hill's "VITP" and "WAS" from which
Craig Burke developed the "VTS" and "Grand Fleet" variants.<P>
"Flying Flags" and "floating bottle"courtesy of <br>
<a href="http://thepage.simplenet.com.">http://thepage.simplenet.com</a><p>
</STRONG>
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Admiral U. Furashita's Fleet
**
Introduction
The following series of essays and pictures regard a fictional set of Imperial Japanese naval vessels developed by my friend Admiral U. Furashita. These units never sailed the seas, except in the Admiral's imagination, as part of his "Victory Through Seapower" World War II wargame. I hope you are as amused by them as I am.

Imperial Japanese Navy
Large Monitor (MB) Aki
Battlecruiser (BC) [Aratama](aratam_f.htm)
Light Battlecruiser (BCL) [Chichibu](chichi_f.htm)
Light Battlecruiser (BCL) [Goryo](goryo_f.htm)
Battleship (BB) Hiraga

Aircraft Submarine (SSV) [I-400 Class](i400_f.htm)
Large Cruiser (CB) [Kawachi](kawach_f.htm)
Battleship (BB) [Kii](kii_f.htm)
 Heavy Carrier (CVB) [Musashi Class](musash_f.htm)
Catamaran Aircraft Carrier (CVLV) [Nibai](nibai_f.htm)
Battlecruiser (BC) [Owari Class](owari_f.htm)
Aircraft Cruiser (CAV) [Sagami Class](sagami_f.htm)
Large Battleship (BBB) Satsuma
Heavy Seaplane Carrier (AVB) [Scruyu](scruyu_f.htm)
Carrier (CV) [Tosa Class](owari_f.htm)
 Large Carrier (CVB) [Yonaga](yonaga_f.htm)
Large Battleship (BBB) [Yokozuna](yokozu_f.htm)
[to French Navy](fredex_f.htm)
[to German Navy](gerdex_f.htm)
[to Italian Navy](itadex_f.htm)
[to Royal Netherlands Navy](dchdex_f.htm)
[to Minor Countries' Navies](mindex_f.htm)
[to Royal Navy](gbndex_f.htm)
[to United States Navy](usndex_f.htm)

| | |
| --- | --- |
|
star
| |

star
|
A Word from the
[Admiral...](admira_f.htm) |

"Admiral U. Furashita" was the pen-name of Craig Burke. In his words:
"I picked that name because I liked to dally in fictitious ships. Since the Japanese tongue usually makes an 'R' sound out of any 'L' it encounters, that's how what people often say to me would sound, or something like it.
"My father served aboard the *USS Enterprise* at the Marshalls raids through Santa Cruz as a junior radar officer.When I was a boy of 12, I read my father's copy of Eugene Burns' "Then There Was One", a contemporary account of the *Enterprise*'s first year of World War II. For the next 36+ years I was hooked on tales of air-sea warfare of that era and read voraciously. I cut my gaming teeth on Avalon Hill's series of wargames and 'found my thrill' with the VITP/WAS game system. From there I developed a World War II wargame encompassing the globe. Not content with history, I developed the ["Grand Fleet"](gfintr_f.htm) scenarios for fun. On my first try at the Internet, I saw the "Nihon Kaigun" page and actually knew what it meant. Now I am here."
The rest of us at Combined Fleet were saddened to learn of Craig's passing on 4 February, 2013, after a long battle with prostate cancer. His... unique... sense of humor and constantly upbeat correspondence were a pleasure to have received over the course of the 18 years he was a contributor to this site. I will miss him very much.
Credits
The illustrations in the "Grand Fleet" monographs come largely from
Siegfried Breyer's "Battleships and Battlecruisers 1905-1970," with
generous cutting, pasting, and drawing by Craig Burke
(a.k.a. Admiral U. Furashita). Some drawings by J.M. Thornton that he
have "doctored" appear as well, from a regrettably now-forgotten
book. Richard Hamblen and Don Greenwood created the core
game systems for Avalon Hill's "VITP" and "WAS" from which
Craig Burke developed the "VTS" and "Grand Fleet" variants.
"Flying Flags" and "floating bottle"courtesy of
[http://thepage.simplenet.com](http://thepage.simplenet.com.)**


| http://www.combinedfleet.com/furashita/furamain.htm |
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<A HREF="history/Building/Building.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>Building Brookline</B></FONT></A><BR>
<A HREF="history/Picnic/Picnic.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>School Picnic 1910-2015</B></FONT></A><BR>
<A HREF="history/Anderson/Farm.html"><FONT FACE="Comic Sans MS"
SIZE=2><B>Anderson Farm 1874-1947</B></FONT></A><BR>
<A HREF="history/Trolleys/PATBus.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>Bus Service (1937-present)</B></FONT></A><BR>
<A HREF="history/Trolleys/Trolleys.html"><FONT FACE="Comic Sans MS"
SIZE=2><B>Streetcar Service 1905-1966</B></FONT></A></TD>
<TD WIDTH="33%" VALIGN="TOP">
<P ALIGN="RIGHT">
<A HREF="history/Facts/Facts.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>Facts / Photos / History ♦</B></FONT></A><BR>
<A HREF="history/Gallery/Tunnels.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>Liberty Tunnels/Bridge ♦</B></FONT></A><BR>
<A HREF="history/Trolleys/PCSRR.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>Pgh&CastleShannon RR ♦</B></FONT></A><BR>
<A HREF="history/Facts/Smithfield.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>Smithfield St Bridge ♦</B></FONT></A><BR>
<A HREF="history/Facts/Inclines.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>Pittsburgh Inclines ♦</B></FONT></A><BR>
<A HREF="history/LittleLg/BLLAHistory.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>Little League est-1951 ♦ </B></FONT></A><BR>
<A HREF="history/Soccer/History.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>Youth Soccer est-1982 ♦ </B></FONT></A><BR>
<A HREF="history/Knights/History.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>Knights Football 1974-2019 ♦ </B></FONT></A><BR>
</TD>
</TR>
<TR><TD VALIGN="TOP" COLSPAN=3 BGCOLOR="#eaeaea">
<CENTER><A HREF="history/Additions.html"><FONT
FACE="Comic Sans MS"><B>What's New?</B></FONT></A> <FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT> <A
HREF="history/Map.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>Where's Brookline?</B></FONT></A> <FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT> <A
HREF="history/Aerial.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>Aerial Views</B></FONT></A> <FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT> <A
HREF="history/images/BrooklineMap03.pdf"><FONT
FACE="Comic Sans MS" SIZE=2><B>Street Map</B></FONT></A> <FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT> <A
HREF="history/Facts/History250.html#bm_maps"><FONT
FACE="Comic Sans MS" SIZE=2><B>Vintage Maps</B></FONT></A><BR>
<A HREF="history/Facts/History250.html"><FONT FACE="Comic Sans MS"
SIZE=2><B>Brookline History</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><A
HREF="history/Orgs/BrookLine/BackIssues.html"><FONT FACE="Comic Sans MS"
SIZE=2><B><I>"Brookline Now"</I></B></FONT><FONT
FACE="Comic Sans MS" SIZE=2><B> (2008-2020)</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><FONT
FACE="Comic Sans MS" SIZE=2><B>Trivia: </B></FONT><A
HREF="history/Trivia/BTrivia.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>Brookline </B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B>-</B></FONT><A HREF="history/Trivia.html"><FONT
FACE="Comic Sans MS" SIZE=2><B> Pittsburgh</B></FONT></A><BR>
</CENTER>
<HR COLOR="#000000" SIZE=3>
<CENTER><FONT FACE="Comic Sans MS"><B>Random Photo Galleries: </B></FONT> <A
HREF="history/Facebook/StreetScenes1.html"><FONT FACE="Comic Sans MS"
SIZE=2><B>Brookline Street Scenes (1)</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><A
HREF="history/Facebook/StreetScenes2.html"><FONT FACE="Comic Sans MS"
SIZE=2><B>Brookline Street Scenes (2)</B></FONT></A><BR>
<A HREF="history/Facebook/WLib0915.html"><FONT FACE="Comic Sans MS"
SIZE=2><B>West Liberty Ave (1903-15)</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><A
HREF="history/Facebook/WLib1550.html"><FONT FACE="Comic Sans MS"
SIZE=2><B>West Liberty Ave (1915-65)</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><A
HREF="history/Facebook/BrooklineBlvd.html"><FONT FACE="Comic Sans MS"
SIZE=2><B>Brookline Blvd (1909-90)</B></FONT></A><BR>
<FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><A
HREF="history/Facebook/SawMillRun.html"><FONT FACE="Comic Sans MS"
SIZE=2><B>Saw Mill Run Blvd (1909-70)</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><A
HREF="history/Locations/LivingColor.html"><FONT FACE="Comic Sans MS"
SIZE=2><B>Vintage Brookline/Pittsburgh Images in Living Color</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦</B></FONT></CENTER>
<HR COLOR=#000000 SIZE=3>
<CENTER><FONT FACE="Comic Sans MS"><B>View our </B></FONT><A
HREF="history/Gallery/BCFeatures.html"><FONT
FACE="Comic Sans MS"><B>Special Compilations</B></FONT></A><FONT
FACE="Comic Sans MS"><B>: </B></FONT><A HREF="history/Facts/Floods.html"><FONT
FACE="Comic Sans MS"
SIZE=2><B>History of Floods, Snow and Tornados in Pittsburgh</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B>,</B></FONT><BR>
<A HREF="history/Gallery/WWIPghHistory.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>A History Of Pittsburgh And Western Pennsylvania
Troops In The Great War - 1919</B></FONT></A><FONT FACE="Comic Sans MS"
SIZE=2><B>,<BR>
<A HREF="history/Facts/PghMayors.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>Mayors of Pittsburgh</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B>, </B></FONT><A
HREF="history/Facts/Skybus.html"><FONT FACE="Comic Sans MS" SIZE=2><B>Whatever
Happened To Skybus?</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B>, </B></FONT><A
HREF="history/Facts/LostBrookline.html"><FONT FACE="Comic Sans MS" SIZE=2><B>Lost
Brookline</B></FONT></A><FONT FACE="Comic Sans MS" SIZE=2><B> and more.</B></FONT></CENTER>
<HR COLOR=#000000 SIZE=3>
<CENTER><FONT FACE="Comic Sans MS" SIZE=3><B>From the </B></FONT><A
HREF="https://pittsburgharchives.access.preservica.com"><FONT
FACE="Comic Sans MS" SIZE=3><B>Pittsburgh City Archives</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=3><B>:</B></FONT><BR>
<FONT FACE="Comic Sans MS" SIZE=2><B>♦♦ </B></FONT><A
HREF="history/Borough/WestLibertyMinutes18941906.PDF"><FONT
FACE="Comic Sans MS" SIZE=2><B>West Liberty Borough Council Minutes
(1894-1906) </B></FONT></A><FONT FACE="Comic Sans MS"
SIZE=2><B>- PDF Version ♦♦</B></FONT><BR>
<FONT FACE="Comic Sans MS" SIZE=2><B>♦♦ </B></FONT><A
HREF="history/Borough/WestLibertyMinutes19061907.PDF"><FONT
FACE="Comic Sans MS" SIZE=2><B>West Liberty Borough Council Minutes
(1906-1907) </B></FONT></A><FONT FACE="Comic Sans MS"
SIZE=2><B>- PDF Version ♦♦</B></FONT><BR>
<FONT FACE="Comic Sans MS" SIZE=2><B>♦♦ </B></FONT><A
HREF="history/Borough/WestLibertyOrdinances18761907.PDF"><FONT
FACE="Comic Sans MS" SIZE=2><B>West Liberty Borough Council Ordinances
(1876-1907) </B></FONT></A><FONT FACE="Comic Sans MS"
SIZE=2><B>- PDF Version ♦♦</B></FONT><BR>
<FONT FACE="Comic Sans MS" SIZE=2><B>♦♦ </B></FONT><A
HREF="https://pittsburghpa.gov/clerk/instructions"><FONT
FACE="Comic Sans MS" SIZE=2><B>City of Pittsburgh Municipal Record
(1868-present) </B></FONT></A><FONT FACE="Comic Sans MS"
SIZE=2><B>- Online Database ♦♦</B></FONT><BR>
<FONT FACE="Comic Sans MS" SIZE=2><B>♦♦ </B></FONT><A
HREF="history/Borough/MontoothOrdinances18961906.PDF"><FONT
FACE="Comic Sans MS" SIZE=2><B>Montooth Borough Council Ordinances
(1896-1906) </B></FONT></A><FONT FACE="Comic Sans MS"
SIZE=2><B>- PDF Version ♦♦</B></FONT><BR>
<FONT FACE="Comic Sans MS" SIZE=1><B>Note: The Borough of Montooth was
formed from part of West Liberty Borough in 1896 over<BR>
a dispute regarding the placement of West Liberty School along
Lang (Pioneer) Avenue.</B></FONT></CENTER>
<HR COLOR="#000000" SIZE=3>
<CENTER><FONT FACE="Comic Sans MS"
SIZE=2><B>Our community spans part of both the 19th and 32nd City Wards. When in need of<BR>
a Justice, who should you turn to? Learn more about </B></FONT><A
HREF="history/Safety/Justices.html"><FONT FACE="Comic Sans MS" SIZE=2><B>Brookline's
two Magistrates</B></FONT></A><FONT FACE="Comic Sans MS" SIZE=2><B>.<BR>
Enter the </B></FONT><A
HREF="http://communitysafety.pittsburghpa.gov"><FONT FACE="Comic Sans MS"
SIZE=2><B>City of Pittsburgh Bureau of Police Community Safety</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> webpage.</B></FONT><BR>
<FONT FACE="Comic Sans MS"
SIZE=2><B>♦♦ Got a Complaint? Dial 311 for the Pittsburgh Response Line or </B></FONT><A
HREF="http://pittsburghpa.gov/innovation-performance/311.html"><FONT FACE="Comic Sans MS"
SIZE=2><B>submit online form</B></FONT></A><FONT FACE="Comic Sans MS"
SIZE=2><B>. ♦♦</B></FONT></CENTER>
<HR COLOR="#000000" SIZE=3>
<CENTER><A HREF="history/Journals/1951/1951.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>1951 Review</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> / </B></FONT><A HREF="history/Journals/1951/1951.html#bm_journals"><FONT
FACE="Comic Sans MS" SIZE=2><B>Brookline Journal Collection</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><A HREF="history/Journals/1952/1952.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>1952 Review</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> / </B></FONT><A HREF="history/Journals/1952/1952.html#bm_journals"><FONT
FACE="Comic Sans MS" SIZE=2><B>Brookline Journal Collection</B></FONT></A><BR>
<FONT FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><A HREF="history/Gallery/Drone2014.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>Photo Gallery And A Short Video Of Brookline As Seen From
Above</B></FONT></A><FONT FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT></CENTER>
<HR COLOR="000000" SIZE=3></TD>
</TR></TABLE></CENTER>
<CENTER><IMG SRC="history/images/Facebook.JPG" WIDTH=15 HEIGHT=15> <FONT
FACE="Comic Sans MS" SIZE=4><B>Brookline Facebook Links</B></FONT></A> <IMG
SRC="history/images/Facebook.JPG" WIDTH=15 HEIGHT=15></CENTER>
<CENTER><TABLE BORDER=0 CELLSPACING=0 CELLPADDING=7 WIDTH=645>
<TR><TD VALIGN="TOP" WIDTH=215>
<CENTER><A HREF="http://www.facebook.com/BrooklineConnection"><IMG
SRC="history/images/FBBC.JPG" alt="The Brookline Connection"
BORDER=0 WIDTH=200 HEIGHT=45></A></CENTER></TD>
<TD VALIGN="TOP" WIDTH=215>
<CENTER><A HREF="http://www.facebook.com/BrooklineBreeze"><IMG
SRC="history/images/FBBB.JPG" alt="The Brookline Breeze"
BORDER=0 WIDTH=200 HEIGHT=45></A></CENTER></TD>
<TD VALIGN="TOP" WIDTH=215>
<CENTER><A HREF="https://www.facebook.com/brooklinetogether"><IMG
SRC="history/images/BrooklineTogether.JPG" alt="Brookline Together - Formerly SPDC
and the Brookline Chamber of Commerce" BORDER=0 WIDTH=200 HEIGHT=45></A></CENTER></TD>
</TR></TABLE></CENTER>
<CENTER><FONT FACE="Comic Sans MS"><B>Neighborhood Groups: </B></FONT> <A
HREF="https://www.facebook.com/groups/198427023516023/"><FONT
FACE="Comic Sans MS" SIZE=2><B>Brookline Youth Baseball/Softball</B></FONT></A> <FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><A
HREF="https://www.facebook.com/groups/116303271806526/"><FONT
FACE="Comic Sans MS" SIZE=2><B>Brookline Youth Hockey</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><BR>
<FONT FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><A
HREF="https://www.facebook.com/groups/780286702304182/"><FONT
FACE="Comic Sans MS" SIZE=2><B>Moore Park University</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><A
HREF="https://www.facebook.com/groups/485544321531169/"><FONT
FACE="Comic Sans MS" SIZE=2><B>Brookline Forever</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><A
HREF="https://www.facebook.com/groups/1788303318099415/"><FONT
FACE="Comic Sans MS" SIZE=2><B>Brookline Today</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><A
HREF="https://www.facebook.com/groups/782221455282115/"><FONT
FACE="Comic Sans MS" SIZE=2><B>Brookline Community</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><BR>
<FONT FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><A
HREF="https://www.facebook.com/BrooklineTeenOutreach/"><FONT
FACE="Comic Sans MS" SIZE=2><B>Brookline Teen Outreach</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><A
HREF="https://www.facebook.com/groups/53337549258/"><FONT
FACE="Comic Sans MS" SIZE=2><B>Growing Up In Brookline</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><A
HREF="https://www.facebook.com/Brooklinebreezefest/"><FONT
FACE="Comic Sans MS" SIZE=2><B>Brookline Breezefest</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><BR>
<FONT FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><A
HREF="https://www.facebook.com/groups/BrooklineBlockWatch/"><FONT
FACE="Comic Sans MS" SIZE=2><B>Brookline Block Watch</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><A
HREF="https://www.facebook.com/Brookline-Youth-Soccer-Association-129778553710164/"><FONT
FACE="Comic Sans MS" SIZE=2><B>Brookline Youth Soccer</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT><A
HREF="https://www.facebook.com/groups/349205522445092"><FONT
FACE="Comic Sans MS" SIZE=2><B>Brookline Pride</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> ♦♦ </B></FONT></CENTER><BR>
<CENTER><IMG SRC="history/images/BrooklineVisioning.JPG" WIDTH=648 HEIGHT=172
alt="Our Brookline"></CENTER></TD>
</TR></TABLE></CENTER>
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<TR><TD VALIGN="TOP">
<CENTER>
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BORDERCOLOR="#000000" CELLPADDING=4 WIDTH=675>
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<P ALIGN="CENTER"><A HREF="history/images/Boulevard2015.JPG"><IMG
SRC="history/images/Boulevard2015.JPG" BORDER=0 WIDTH=645 HEIGHT=278
alt="The Community of Brookline - 2015.
Click on image for a more detailed view."></A></P>
<P><FONT FACE="Comic Sans MS" SIZE=2><B>Brookline is located in the South Hills
section (</B></FONT><A HREF="http://pittsburghpa.gov/council/district4/index.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>4th City Council District</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B>, 19th and 32nd Ward) of the </B></FONT><A
HREF="http://pittsburghpa.gov/"><FONT FACE="Comic Sans MS"
SIZE=2><B>City of Pittsburgh</B></FONT></A><FONT FACE="Comic Sans MS" SIZE=2><B>.
As of 2018, Brookline ranked as Pittsburgh's third most populous neighborhood
behind Squirrel Hill South and Shadyside. Throughout its history, the area has
retained a certain character and charm that has enriched its residents while
creating a heritage spanning over two centuries, dating back to the days when
taxes were paid to the King of England.</B></FONT></P>
<P><FONT FACE="Comic Sans MS" SIZE=2><B>The first settlers in the region were
frontier traders, craftsmen, farmers and miners that worked with the Native
Americans and the French, then British, garrisons stationed in the neighboring
outposts. In the colonial days, this region was considered wild country,
inhabited only by the heartiest of settlers and the soldiers that protected
them.</B></FONT></P>
<P><FONT FACE="Comic Sans MS" SIZE=2><B>The borough of Pittsburgh was chartered
in 1759. Native American resentment of the invaders from the east eventually led
to open hostilities. During </B></FONT><A HREF="history/Facts/Indians1763.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>Pontiac's Uprising in 1763</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B>, many of the earliest settlers either perished or
sought refuge in Fort Pitt, which was under siege for ten weeks. Afterwards,
the fort was used as a staging area for military campaigns in the Ohio
Territory.</B></FONT></P>
<P><FONT FACE="Comic Sans MS" SIZE=2><B>After the American Revolution, freedom
brought rapid expansion. Land grants were issued to veterans of the War of
Independence. Many of those who settled in the South Hills area were former
members of the Pennsylvania Militia. Pittsburgh was incorporated as a city in
1816, along with a number of nearby boroughs, townships and villages
which formed around the same time.</B></FONT></P>
<P ALIGN="CENTER"><A HREF="history/images/PittsburghPanorama20.JPG"><IMG
SRC="history/images/PittsburghPan20.JPG" BORDER=0 WIDTH=645 HEIGHT=277
alt="A panorama view of the city of Pittsburgh - 2006."></A></P>
<P><FONT FACE="Comic Sans MS" SIZE=2><B>Known as the "Gateway to the West,"
Pittsburgh became a vital port-of-call for the multitude of adventurers seeking
passage to the vast western territories that would become part of the United States
of America. Industry and commerce flourished.</B></FONT></P>
<P><FONT FACE="Comic Sans MS" SIZE=2><B>In the mid-1800s, Richard and Harriette
Knowlson, along with children Thomas, Elizabeth and John, settled in the
southwestern portion of what would later become Brookline. The Knowlsons
had family ties in the </B></FONT><A HREF="http://www.brooklinema.gov/"><FONT
FACE="Comic Sans MS" SIZE=2><B>Brookline, Massachusetts</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> area. Richard had spent several years there
after migrating from England.</B></FONT></P>
<P><FONT FACE="Comic Sans MS" SIZE=2><B>The terrain south of </B></FONT><A
HREF="history/Facts/CoalHill.html"><FONT FACE="Comic Sans MS"
SIZE=2><B>Coal Hill (Mount Washington)</B></FONT></A><FONT FACE="Comic Sans MS"
SIZE=2><B> was part of Lower St. Clair Township known as West Liberty. This
was prime farmland for much of the 19th century. West Liberty agriculture helped
feed the growing population of the city.</B></FONT></P>
<P><FONT FACE="Comic Sans MS" SIZE=2><B>Due to the abundance of small streams
and the rolling hills, a landscape similar to the New England town, Richard
Knowlson often referred to the land surrounding his farm as Brookline. Over
the years, the title caught on, and at the turn of the 20th century, when
development came to the region, the city designated this part of the South
Hills "Brookline."</B></FONT></P>
<P><FONT FACE="Comic Sans MS" SIZE=2><B>The 1870s saw the arrival of the
expanding coal industry. The Pittsburgh Coal Company soon had active mines
in operation all along the valley floors of West Liberty. Other companies,
like the </B></FONT><A HREF="history/Locations/SHCoal30.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>South Hills Coal Company</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B>, remained until the early 1940s.</B></FONT></P>
<P ALIGN="CENTER"><A HREF="history/images/Blvd33color.JPG"><IMG
SRC="history/images/Blvd33color.JPG" alt="Brookline Boulevard in 1933.
Color art by Doug Brendel." WIDTH=645 HEIGHT=296 BORDER=0></A><BR>
<FONT FACE="Comic Sans MS" SIZE=1><B>Brookline Boulevard, looking from Stebbins
Avenue towards Glenarm. Color art by Doug Brendel.</B></FONT></P>
<P><FONT FACE="Comic Sans MS" SIZE=2><B>The 20th century saw the advent of the
automobile, and the addition of electrified trolley service in 1904 led to the
rapid residential development of the South Hills, including the Brookline community,
then referred to as West Liberty Borough. The </B></FONT><A
HREF="history/images/FarmSale031205.JPG"><FONT FACE="Comic Sans MS"
SIZE=2><B>sale of ten farms</B></FONT></A><FONT FACE="Comic Sans MS"
SIZE=2><B> to developers on March 12, 1905 marked the birth of Brookline. </B></FONT><A
HREF="history/images/WestLiberty010508.JPG"><FONT FACE="Comic Sans MS"
SIZE=2><B>Annexed into the city</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> of Pittsburgh in 1908 Brookline grew unabated
throughout the 1920s, as did the entire South Hills area.</B></FONT></P>
<P><FONT FACE="Comic Sans MS" SIZE=2><B>Brookline Boulevard, the community's main
artery and home of the commercial district, was the central hub around which the
neighborhood grew. It was similar to today's suburban malls, where most of the
community's needs could be satisfied.</B></FONT></P>
<P><FONT FACE="Comic Sans MS" SIZE=2><B>There were food stores, hardware stores,
doctor's offices, soda shops, shoe stores, repair stores, dance halls, night clubs,
a bowling alley and </B></FONT><A HREF="history/Gallery/BlvdTheatres.html"><FONT
FACE="Comic Sans MS" SIZE=2><B>two movie theatres</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B>. For those who needed to travel, the public
transportation network could get a person anywhere in the city.</B></FONT></P>
<P><FONT FACE="Comic Sans MS" SIZE=2><B>The post-war years saw another spurt
in the growth of Brookline. The country was growing rapidly
and </B></FONT><A HREF="history/Facts/Steel.html"><FONT FACE="Comic Sans MS"
SIZE=2><B>Pittsburgh's steel mills</B></FONT></A><FONT FACE="Comic Sans MS"
SIZE=2><B> fed that growth. During Pittsburgh's Renaissance I in the 1950s, when the
area of the Lower Hill District was demolished, many displaced city residents migrated
to the area around lower Pioneer Avenue, spurring the last big population surge.
Brookline's census numbers eventually peaked at nearly 30,000 residents in the
early 1970s.</B></FONT></P>
<P ALIGN="CENTER"><A HREF="history/Gallery/images/DinoGuarino.JPG"><IMG
SRC="history/Gallery/images/DinoGuarino.JPG"
alt="This is a painting done by renowned Brookline artist
Dino Guarino showing a 1960s Brookline Boulevard scene."
WIDTH=645 HEIGHT=502 BORDER=0></A><BR>
<FONT FACE="Comic Sans MS" SIZE=1><B>Painting by local artist Dino Guarino
depicting a 1960s Brookline Boulevard scene.</B></FONT></P>
<P><FONT FACE="Comic Sans MS" SIZE=2><B>The mid-1970s were a time of change for
the city of Pittsburgh and the community of Brookline. The decline of the steel
industry and the resulting loss in jobs caused the population to decrease for
the first time since the Great Depression. In addition, the rise in popularity
of the suburban mall brought many adjustments to the business community. Vacant
homes and empty storefronts threatened to undermine the spirit of many
Pittsburgh neighborhoods.</B></FONT></P>
<P><FONT FACE="Comic Sans MS" SIZE=2><B>Through the efforts of many concerned
Brookliners, and with the help of the city and local community groups, Brookline
survived the hard times and grew stronger as a result. By the dawn of the 21st
century. Brookline Boulevard had come back to life, and the bonds that tie the
community together as neighbors had never been stronger.</B></FONT></P>
<P><CENTER><TABLE BORDER=7 CELLSPACING=2 BGCOLOR="#dddddd"
BORDERCOLOR="#000000" CELLPADDING=4 WIDTH=505>
<TR><TD VALIGN="MIDDLE">
<CENTER><TABLE BORDER=0 CELLSPACING=0
BGCOLOR="#ffffff" CELLPADDING=5 WIDTH=485>
<TR><TD WIDTH=170 VALIGN="MIDDLE">
<P ALIGN="CENTER"><IMG SRC="history/images/BookCover.JPG" WIDTH=161 HEIGHT=225
alt="Images of America - Brookline"></TD>
<TD WIDTH=315 VALIGN="MIDDLE">
<P><FONT FACE="Comic Sans MS" SIZE=2><B>The Brookline history book entitled
"Images of America - Brookline" is still available for purchase online at </B></FONT><A
HREF="http://www.amazon.com/gp/product/0738537241?ie=UTF8&tag=veteransnewsa-20&link_code=em1&camp=212341&creative=380449&creativeASIN=0738537241&adid=3e2a4e5e-bff2-4445-922c-bee6d77b97f0"><FONT
FACE="Comic Sans MS" SIZE=2><B>amazon.com</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B>. The compilation, released in May 2005, is packed
with interesting and revealing photos, with accompanying text detailing much of
Brookline's heritage. It's a must for anyone interested in the history of
our community.</B></FONT></TD>
</TR></TABLE></CENTER></TD>
</TR></TABLE></CENTER></P>
<P><FONT FACE="Comic Sans MS" SIZE=2><B>The community of Brookline marked
the 100th anniversary of its annexation into the city of Pittsburgh, our
neighborhood centennial, on January 6, 2008.</B></FONT></P>
<P><FONT FACE="Comic Sans MS" SIZE=2><B>It was a time for the older
generation to look back with pride at a century filled with fond memories of
family, friends and the growth of their hometown. It was also a moment for
the younger generation, the future of our community, to look forward with fresh
minds and new ideas to guide our neighborhood through the challenges of the next
100 years.</B></FONT></P>
<P ALIGN="CENTER"><CENTER><TABLE BORDER=3 CELLSPACING=0 BGCOLOR="#ffffff"
BORDERCOLOR="#000000" CELLPADDING=7 WIDTH=290>
<TR><TD VALIGN="MIDDLE">
<P ALIGN="CENTER"><IMG SRC="history/images/BrooklineLogo2.JPG"
WIDTH=273 HEIGHT=314></TD>
</TR></TABLE></CENTER></P>
<P><FONT FACE="Comic Sans MS" SIZE=2><B>Brookline was, is, and always will be a
special place for Brookliners everywhere. The community motto, "Character, Charm,
Convenience" defines the spirit that binds us. This website is dedicated to the history
of our proud community. We hope you enjoy this look back in time.</B></FONT></P>
<P><FONT FACE="Comic Sans MS" SIZE=2><B>One last note about the history of
Brookline, and for that matter most of the city of Pittsburgh. This area has
been </B></FONT><A HREF="history/Gallery/CoalMine31.html"><FONT FACE="Comic Sans MS"
SIZE=2><B>extensively mined</B></FONT></A><FONT FACE="Comic Sans MS" SIZE=2><B>,
for so long that the State of Pennsylvania can't say for sure where all the mines
are.</B></FONT></P>
<P><FONT FACE="Comic Sans MS" SIZE=2><B>The rich </B></FONT><A
HREF="http://en.wikipedia.org/wiki/Pittsburgh_coal_seam"><FONT
FACE="Comic Sans MS" SIZE=2><B>Pittsburgh Coal Seam</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B> ran right under the Brookline area and, if you
make your home here, there is a 95% chance that your property has been undermined.
For all Brookline property owners, we offer three important words, </B></FONT><A
HREF="https://www.dep.pa.gov/Citizens/MSI/Pages/default.aspx"><FONT
FACE="Comic Sans MS" SIZE=2><B>Mine Subsidence Insurance</B></FONT></A><FONT
FACE="Comic Sans MS" SIZE=2><B>. It is offered by the State of Pennsylvania and
is affordably priced.</B></FONT></A></P>
<P ALIGN="CENTER"><A HREF="history/images/Rainbow11242014.JPG"><IMG
SRC="history/images/Rainbow11242014.JPG" BORDER=0 WIDTH=645 HEIGHT=291
alt="A rainbow over Brookline
November 24, 2014
Photo by Michael Cahill."></A></TD>
</TR></TABLE></CENTER></TD>
</TR></TABLE></CENTER>
<P ALIGN="CENTER"><FONT FACE="Comic Sans MS" SIZE=4><B>Brookline - A Special
Place!</B></FONT></P>
<P ALIGN="CENTER"><FONT FACE="Comic Sans MS" SIZE=2><B>Brookline Connection
webpage designed and maintained<BR>
by Clint Burton, in honor of so many ...<BR>
© 1998-2024 * Brookline Connection</B></FONT><BR><BR>
<IMG SRC="history/images/Facebook.JPG" WIDTH=15 HEIGHT=15> <A
HREF="http://www.facebook.com/BrooklineConnection"><FONT
FACE="Comic Sans MS"><B>Brookline Connection</B></FONT></A> <IMG
SRC="history/images/Facebook.JPG" WIDTH=15 HEIGHT=15><BR><BR>
<IMG SRC="history/images/BrooklineShoulder.JPG" WIDTH=320 HEIGHT=107><BR>
<IMG SRC="history/images/BrooklinePlates.JPG"
WIDTH=320 HEIGHT=336" alt="Brookline PA"><BR><BR>
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<A HREF="history/Thanks.html"><FONT FACE="Comic Sans MS"
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HREF="history/Feedback.html"><FONT FACE="Comic Sans MS"
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The Brookline History Homepage
| | | | | |
| --- | --- | --- | --- | --- |
|
| |
| --- |
| [God Bless America - Support Our Troops](https://en.wikipedia.org/wiki/Flag_of_the_United_States) |
| **Brookline
Connection**
**Look Back in
Time at Our Community** |
| |
| --- |
| [The Firehouse](history/images/FirehouseThumb.JPG) |
|
| | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- |
|
| | | |
| --- | --- | --- |
| [**♦ Brookline Boulevard**](history/Gallery/Boulevard.html)
[**♦ Moore Park est-1939**](history/Gallery/Moore.html)
[**♦ Brookline Park est-1947**](history/Park/Park.html)
[**♦ Breeze 5K Run est-1982**](history/Breeze/Breeze.html)
[**♦ Recreation Center est-1970**](history/RecCenter/RecCenter.html)
[**♦ Past Images of Brookline**](history/Locations/NowThen.html)
[**♦ War Memorial est-1919**](history/Gallery/Cannon.html)
[**♦ Notable Brookliners**](history/Personalities/Personalities.html) | [**Neighborhood Churches**](history/Gallery/Churches.html)
[**Brookline Firehouse**](history/Gallery/Firehouse.html)
[**Local Schools**](history/Schools/Schools.html)
[**Building Brookline**](history/Building/Building.html)
[**School Picnic 1910-2015**](history/Picnic/Picnic.html)
[**Anderson Farm 1874-1947**](history/Anderson/Farm.html)
[**Bus Service (1937-present)**](history/Trolleys/PATBus.html)
[**Streetcar Service 1905-1966**](history/Trolleys/Trolleys.html) |
[**Facts / Photos / History ♦**](history/Facts/Facts.html)
[**Liberty Tunnels/Bridge ♦**](history/Gallery/Tunnels.html)
[**Pgh&CastleShannon RR ♦**](history/Trolleys/PCSRR.html)
[**Smithfield St Bridge ♦**](history/Facts/Smithfield.html)
[**Pittsburgh Inclines ♦**](history/Facts/Inclines.html)
[**Little League est-1951 ♦**](history/LittleLg/BLLAHistory.html)
[**Youth Soccer est-1982 ♦**](history/Soccer/History.html)
[**Knights Football 1974-2019 ♦**](history/Knights/History.html)
|
| [**What's New?**](history/Additions.html) **♦♦** [**Where's Brookline?**](history/Map.html) **♦♦** [**Aerial Views**](history/Aerial.html) **♦♦** [**Street Map**](history/images/BrooklineMap03.pdf) **♦♦** [**Vintage Maps**](history/Facts/History250.html#bm_maps)
[**Brookline History**](history/Facts/History250.html) **♦♦** [***"Brookline Now"*** **(2008-2020)**](history/Orgs/BrookLine/BackIssues.html) **♦♦** **Trivia:** [**Brookline**](history/Trivia/BTrivia.html) **-** [**Pittsburgh**](history/Trivia.html)
---
**Random Photo Galleries:** [**Brookline Street Scenes (1)**](history/Facebook/StreetScenes1.html) **♦♦** [**Brookline Street Scenes (2)**](history/Facebook/StreetScenes2.html)
[**West Liberty Ave (1903-15)**](history/Facebook/WLib0915.html) **♦♦** [**West Liberty Ave (1915-65)**](history/Facebook/WLib1550.html) **♦♦** [**Brookline Blvd (1909-90)**](history/Facebook/BrooklineBlvd.html)
**♦♦** [**Saw Mill Run Blvd (1909-70)**](history/Facebook/SawMillRun.html) **♦♦** [**Vintage Brookline/Pittsburgh Images in Living Color**](history/Locations/LivingColor.html) **♦♦**
---
**View our** [**Special Compilations**](history/Gallery/BCFeatures.html)**:** [**History of Floods, Snow and Tornados in Pittsburgh**](history/Facts/Floods.html)**,**
[**A History Of Pittsburgh And Western Pennsylvania
Troops In The Great War - 1919**](history/Gallery/WWIPghHistory.html)**,
[**Mayors of Pittsburgh**](history/Facts/PghMayors.html)**,** [**Whatever
Happened To Skybus?**](history/Facts/Skybus.html)**,** [**Lost
Brookline**](history/Facts/LostBrookline.html) **and more.****
---
**From the** [**Pittsburgh City Archives**](https://pittsburgharchives.access.preservica.com)**:**
**♦♦** [**West Liberty Borough Council Minutes
(1894-1906)**](history/Borough/WestLibertyMinutes18941906.PDF) **- PDF Version ♦♦**
**♦♦** [**West Liberty Borough Council Minutes
(1906-1907)**](history/Borough/WestLibertyMinutes19061907.PDF) **- PDF Version ♦♦**
**♦♦** [**West Liberty Borough Council Ordinances
(1876-1907)**](history/Borough/WestLibertyOrdinances18761907.PDF) **- PDF Version ♦♦**
**♦♦** [**City of Pittsburgh Municipal Record
(1868-present)**](https://pittsburghpa.gov/clerk/instructions) **- Online Database ♦♦**
**♦♦** [**Montooth Borough Council Ordinances
(1896-1906)**](history/Borough/MontoothOrdinances18961906.PDF) **- PDF Version ♦♦**
**Note: The Borough of Montooth was
formed from part of West Liberty Borough in 1896 over
a dispute regarding the placement of West Liberty School along
Lang (Pioneer) Avenue.**
---
**Our community spans part of both the 19th and 32nd City Wards. When in need of
a Justice, who should you turn to? Learn more about** [**Brookline's
two Magistrates**](history/Safety/Justices.html)**.
Enter the** [**City of Pittsburgh Bureau of Police Community Safety**](http://communitysafety.pittsburghpa.gov) **webpage.**
**♦♦ Got a Complaint? Dial 311 for the Pittsburgh Response Line or** [**submit online form**](http://pittsburghpa.gov/innovation-performance/311.html)**. ♦♦**
---
[**1951 Review**](history/Journals/1951/1951.html) **/** [**Brookline Journal Collection**](history/Journals/1951/1951.html#bm_journals) **♦♦** [**1952 Review**](history/Journals/1952/1952.html) **/** [**Brookline Journal Collection**](history/Journals/1952/1952.html#bm_journals)
**♦♦** [**Photo Gallery And A Short Video Of Brookline As Seen From
Above**](history/Gallery/Drone2014.html) **♦♦**
---
|
**Brookline Facebook Links**
| | | |
| --- | --- | --- |
| [The Brookline Connection](http://www.facebook.com/BrooklineConnection) | [The Brookline Breeze](http://www.facebook.com/BrooklineBreeze) | [Brookline Together - Formerly SPDC
and the Brookline Chamber of Commerce](https://www.facebook.com/brooklinetogether) |
**Neighborhood Groups:** [**Brookline Youth Baseball/Softball**](https://www.facebook.com/groups/198427023516023/) **♦♦** [**Brookline Youth Hockey**](https://www.facebook.com/groups/116303271806526/) **♦♦**
**♦♦** [**Moore Park University**](https://www.facebook.com/groups/780286702304182/) **♦♦** [**Brookline Forever**](https://www.facebook.com/groups/485544321531169/) **♦♦** [**Brookline Today**](https://www.facebook.com/groups/1788303318099415/) **♦♦** [**Brookline Community**](https://www.facebook.com/groups/782221455282115/) **♦♦**
**♦♦** [**Brookline Teen Outreach**](https://www.facebook.com/BrooklineTeenOutreach/) **♦♦** [**Growing Up In Brookline**](https://www.facebook.com/groups/53337549258/) **♦♦** [**Brookline Breezefest**](https://www.facebook.com/Brooklinebreezefest/) **♦♦**
**♦♦** [**Brookline Block Watch**](https://www.facebook.com/groups/BrooklineBlockWatch/) **♦♦** [**Brookline Youth Soccer**](https://www.facebook.com/Brookline-Youth-Soccer-Association-129778553710164/) **♦♦** [**Brookline Pride**](https://www.facebook.com/groups/349205522445092) **♦♦**
Our Brookline |
| | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- |
|
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| --- |
|
[**[Sign Our Guestbook]**](http://www.e-guestbooks.com/sign/home1322)
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| --- | --- | --- | --- | --- | --- |
|
| | | | | |
| --- | --- | --- | --- | --- |
| [The Community of Brookline - 2015.
Click on image for a more detailed view.](history/images/Boulevard2015.JPG)
**Brookline is located in the South Hills
section (**[**4th City Council District**](http://pittsburghpa.gov/council/district4/index.html)**, 19th and 32nd Ward) of the** [**City of Pittsburgh**](http://pittsburghpa.gov/)**.
As of 2018, Brookline ranked as Pittsburgh's third most populous neighborhood
behind Squirrel Hill South and Shadyside. Throughout its history, the area has
retained a certain character and charm that has enriched its residents while
creating a heritage spanning over two centuries, dating back to the days when
taxes were paid to the King of England.**
**The first settlers in the region were
frontier traders, craftsmen, farmers and miners that worked with the Native
Americans and the French, then British, garrisons stationed in the neighboring
outposts. In the colonial days, this region was considered wild country,
inhabited only by the heartiest of settlers and the soldiers that protected
them.**
**The borough of Pittsburgh was chartered
in 1759. Native American resentment of the invaders from the east eventually led
to open hostilities. During** [**Pontiac's Uprising in 1763**](history/Facts/Indians1763.html)**, many of the earliest settlers either perished or
sought refuge in Fort Pitt, which was under siege for ten weeks. Afterwards,
the fort was used as a staging area for military campaigns in the Ohio
Territory.**
**After the American Revolution, freedom
brought rapid expansion. Land grants were issued to veterans of the War of
Independence. Many of those who settled in the South Hills area were former
members of the Pennsylvania Militia. Pittsburgh was incorporated as a city in
1816, along with a number of nearby boroughs, townships and villages
which formed around the same time.**
[A panorama view of the city of Pittsburgh - 2006.](history/images/PittsburghPanorama20.JPG)
**Known as the "Gateway to the West,"
Pittsburgh became a vital port-of-call for the multitude of adventurers seeking
passage to the vast western territories that would become part of the United States
of America. Industry and commerce flourished.**
**In the mid-1800s, Richard and Harriette
Knowlson, along with children Thomas, Elizabeth and John, settled in the
southwestern portion of what would later become Brookline. The Knowlsons
had family ties in the** [**Brookline, Massachusetts**](http://www.brooklinema.gov/) **area. Richard had spent several years there
after migrating from England.**
**The terrain south of** [**Coal Hill (Mount Washington)**](history/Facts/CoalHill.html) **was part of Lower St. Clair Township known as West Liberty. This
was prime farmland for much of the 19th century. West Liberty agriculture helped
feed the growing population of the city.**
**Due to the abundance of small streams
and the rolling hills, a landscape similar to the New England town, Richard
Knowlson often referred to the land surrounding his farm as Brookline. Over
the years, the title caught on, and at the turn of the 20th century, when
development came to the region, the city designated this part of the South
Hills "Brookline."**
**The 1870s saw the arrival of the
expanding coal industry. The Pittsburgh Coal Company soon had active mines
in operation all along the valley floors of West Liberty. Other companies,
like the** [**South Hills Coal Company**](history/Locations/SHCoal30.html)**, remained until the early 1940s.**
[Brookline Boulevard in 1933.
Color art by Doug Brendel.](history/images/Blvd33color.JPG)
**Brookline Boulevard, looking from Stebbins
Avenue towards Glenarm. Color art by Doug Brendel.**
**The 20th century saw the advent of the
automobile, and the addition of electrified trolley service in 1904 led to the
rapid residential development of the South Hills, including the Brookline community,
then referred to as West Liberty Borough. The** [**sale of ten farms**](history/images/FarmSale031205.JPG) **to developers on March 12, 1905 marked the birth of Brookline.** [**Annexed into the city**](history/images/WestLiberty010508.JPG) **of Pittsburgh in 1908 Brookline grew unabated
throughout the 1920s, as did the entire South Hills area.**
**Brookline Boulevard, the community's main
artery and home of the commercial district, was the central hub around which the
neighborhood grew. It was similar to today's suburban malls, where most of the
community's needs could be satisfied.**
**There were food stores, hardware stores,
doctor's offices, soda shops, shoe stores, repair stores, dance halls, night clubs,
a bowling alley and** [**two movie theatres**](history/Gallery/BlvdTheatres.html)**. For those who needed to travel, the public
transportation network could get a person anywhere in the city.**
**The post-war years saw another spurt
in the growth of Brookline. The country was growing rapidly
and** [**Pittsburgh's steel mills**](history/Facts/Steel.html) **fed that growth. During Pittsburgh's Renaissance I in the 1950s, when the
area of the Lower Hill District was demolished, many displaced city residents migrated
to the area around lower Pioneer Avenue, spurring the last big population surge.
Brookline's census numbers eventually peaked at nearly 30,000 residents in the
early 1970s.**
[This is a painting done by renowned Brookline artist
Dino Guarino showing a 1960s Brookline Boulevard scene.](history/Gallery/images/DinoGuarino.JPG)
**Painting by local artist Dino Guarino
depicting a 1960s Brookline Boulevard scene.**
**The mid-1970s were a time of change for
the city of Pittsburgh and the community of Brookline. The decline of the steel
industry and the resulting loss in jobs caused the population to decrease for
the first time since the Great Depression. In addition, the rise in popularity
of the suburban mall brought many adjustments to the business community. Vacant
homes and empty storefronts threatened to undermine the spirit of many
Pittsburgh neighborhoods.**
**Through the efforts of many concerned
Brookliners, and with the help of the city and local community groups, Brookline
survived the hard times and grew stronger as a result. By the dawn of the 21st
century. Brookline Boulevard had come back to life, and the bonds that tie the
community together as neighbors had never been stronger.**
| | | |
| --- | --- | --- |
|
| | |
| --- | --- |
| Images of America - Brookline | **The Brookline history book entitled
"Images of America - Brookline" is still available for purchase online at** [**amazon.com**](http://www.amazon.com/gp/product/0738537241?ie=UTF8&tag=veteransnewsa-20&link_code=em1&camp=212341&creative=380449&creativeASIN=0738537241&adid=3e2a4e5e-bff2-4445-922c-bee6d77b97f0)**. The compilation, released in May 2005, is packed
with interesting and revealing photos, with accompanying text detailing much of
Brookline's heritage. It's a must for anyone interested in the history of
our community.** |
|
**The community of Brookline marked
the 100th anniversary of its annexation into the city of Pittsburgh, our
neighborhood centennial, on January 6, 2008.**
**It was a time for the older
generation to look back with pride at a century filled with fond memories of
family, friends and the growth of their hometown. It was also a moment for
the younger generation, the future of our community, to look forward with fresh
minds and new ideas to guide our neighborhood through the challenges of the next
100 years.**
| |
| --- |
| |
**Brookline was, is, and always will be a
special place for Brookliners everywhere. The community motto, "Character, Charm,
Convenience" defines the spirit that binds us. This website is dedicated to the history
of our proud community. We hope you enjoy this look back in time.**
**One last note about the history of
Brookline, and for that matter most of the city of Pittsburgh. This area has
been** [**extensively mined**](history/Gallery/CoalMine31.html)**,
for so long that the State of Pennsylvania can't say for sure where all the mines
are.**
**The rich** [**Pittsburgh Coal Seam**](http://en.wikipedia.org/wiki/Pittsburgh_coal_seam) **ran right under the Brookline area and, if you
make your home here, there is a 95% chance that your property has been undermined.
For all Brookline property owners, we offer three important words,** [**Mine Subsidence Insurance**](https://www.dep.pa.gov/Citizens/MSI/Pages/default.aspx)**. It is offered by the State of Pennsylvania and
is affordably priced.**
[A rainbow over Brookline
November 24, 2014
Photo by Michael Cahill.](history/images/Rainbow11242014.JPG) |
|
**Brookline - A Special
Place!**
**Brookline Connection
webpage designed and maintained
by Clint Burton, in honor of so many ...
© 1998-2024 \* Brookline Connection**
[**Brookline Connection**](http://www.facebook.com/BrooklineConnection)
Brookline PA
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[**<Acknowledgements>**](history/Thanks.html) <> [**<Website Feedback>**](history/Feedback.html)
**Last Modified:
26 December 2023**
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Flat Earth Theory: A Secular Myth Fabricated to Defame Christianity</a></h1>
<p>
<span class="auto-style10">Source</span><span class="auto-style7" lang="EN-US" style="font-size: 12.0pt; font-family: "Cambria","serif"; mso-ascii-theme-font: major-latin; mso-fareast-font-family: "Times New Roman"; mso-hansi-theme-font: major-latin; mso-bidi-font-family: Helvetica; mso-ansi-language: EN-US; mso-fareast-language: EL">:<span class="_5yl5" data-reactid=".23.$mid=11423656857656=25b2153da8db448e661.2:0.0.0.0.0"><span data-reactid=".23.$mid=11423656857656=25b2153da8db448e661.2:0.0.0.0.0.0">
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http://www.orthodoxytoday.org</a></span></span></span></p>
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<strong>Where did the idea of Flat Earthers come from? The idea has been
traced back to a slanderous fabrication invented by opponents of
Christianity in the 19th century and has been thoroughly debunked by
contemporary historians of science.</strong> </span>
</p>
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<blockquote>
<div>
<div class="post-title entry-title">
<img height="305" src="eikones/Flat-Earth.jpg" width="240"></div>
<div class="entry-content" style="color: rgb(0, 0, 0); font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 17px; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255);">
<p class="auto-style14">
<span style="font-size:14.0pt;
line-height:115%;font-family:"Cambria","serif"">Its taught
in school textbooks, its a favorite citation of New
Atheism, and its been referenced by no less than
the President himself Medieval Europe believed the
Earth was Flat. And so its fact! Except that they
believed no such thing.<o:p></o:p></span></p>
<p class="auto-style14">
<span style="font-size:14.0pt;
line-height:115%;font-family:"Cambria","serif"">The popular
view taught in schools is that scientists came along
and rescued us all from the Medieval Churchs
anti-scientific views that the World was Flat.<o:p></o:p></span></p>
<p class="auto-style14">
<span style="font-size:14.0pt;
line-height:115%;font-family:"Cambria","serif"">The only
flaw in that story is that nobody ACTUALLY believed
it was flat, and hadnt believed it was flat in a
very, very long time as far back as Greek
Antiquity. Even Pythagoras, Aristotle and Euclid
called it spherical.<o:p></o:p></span></p>
<p class="auto-style14">
<span style="font-size:14.0pt;
line-height:115%;font-family:"Cambria","serif"">Textbooks
from the middle ages described the world as round.
So did Dante. And no less than the Catholic Churchs
leading Medieval thinker, Thomas Aquinas wrote the
following in his greatest work, Summa Theologica:<o:p></o:p></span></p>
<p class="auto-style14">
<span style="font-size:14.0pt;
line-height:115%;font-family:"Cambria","serif"">The
physicist proves the earth to be round by one means,
the astronomer by another: for the latter proves
this by means of mathematics, e.g. by the shapes of
eclipses, or something of the sort; while the former
proves it by means of physics, e.g. by the movement
of heavy bodies towards the center, and so forth.<o:p></o:p></span></p>
<p class="auto-style14">
<span style="font-size:14.0pt;
line-height:115%;font-family:"Cambria","serif"">Where did
the idea of Flat Earthers come from? The idea has
been traced back to a slanderous fabrication
invented by opponents of Christianity in the 19th
century and has been thoroughly debunked by
contemporary historians of science.<o:p></o:p></span></p>
<p class="auto-style14">
<span style="font-size:14.0pt;
line-height:115%;font-family:"Cambria","serif"">As it
happens, Washington Irving wrote a fictional novel
about Columbus, which was reported as history by
John William Draper (History of the Conflict Between
Religion and Science) and Andrew Dixon Whites
similar tome. The Conflict Thesis (idea of
Religion and Science being incompatible) is
attributed to Drapers work.<o:p></o:p></span></p>
<p class="auto-style14">
<span style="font-size:14.0pt;
line-height:115%;font-family:"Cambria","serif"">Contra
Mundum: The Flat-Earth-Myth is the article much of
my piece has been summarizing. It goes into greater
depth, and gives references. I highly recommend it.<o:p></o:p></span></p>
<p class="auto-style14">
<span style="font-size:14.0pt;
line-height:115%;font-family:"Cambria","serif"">This leaves
us with two closing thoughts.<o:p></o:p></span></p>
<p class="auto-style14">
<span style="font-size:14.0pt;
line-height:115%;font-family:"Cambria","serif"">(1) If the
authors and historians who gave rise to the Flat
Earth Theory have been dismissed by serious
historians as propagandists of their day, which are
really behaving like Flat Earthers
people of
faith, or those who blindly parrot debunked
historians? (The latter includes, ironically,
Richard Dawkins.)<o:p></o:p></span></p>
<p class="auto-style14">
<span style="font-size:14.0pt;
line-height:115%;font-family:"Cambria","serif"">(2) If the
so-called historian to whom the conflict thesis
has been attributed was caught in a lie, how much
weight should we put on his characterization of the
tension between faith and science? Is it not
possible that a public duped by an untrue Flat Earth
myth might also have fallen for his Conflict Theory?
Maybe instead of taking scientists word for it we
could decide for ourselves whether the two are in
conflict.<o:p></o:p></span></p>
<p class="auto-style13" style="color: rgb(0, 0, 0); font-weight: normal; line-height: 17px; margin: 0px; padding: 0px 0px 11px; text-decoration: none;">
</p>
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<p align="center"><font face="Palatino Linotype"><span class="514533906-28062005">Article published in English
on: <span lang="en-us">12</span></span><font color="#000000" size="3">-<span lang="en-us">2</span>-201<span lang="en-us">5</span>.</font></font></p>
<p align="center"><font color="#000000" size="3" face="Palatino Linotype">Last update:
<span lang="en-us"> 12</span>-<span lang="en-us">2</span>-201<span lang="en-us">5</span>.</font></p>
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Flat Earth Theory: A Secular Myth Fabricated to Defame Christianity
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**[Orthodox
Outlet for Dogmatic
Enquiries](../index.htm)** |
[Science](epistimi.htm) |
| |
| --- |
|
[Flat Earth Theory: A Secular Myth Fabricated to Defame Christianity](http://www.orthodoxytoday.org/blog/2013/09/flat-earth-theory-a-secular-myth-fabricated-to-defame-christianity/)
Source:
[http://www.orthodoxytoday.org](http://www.orthodoxytoday.org/blog/2013/09/flat-earth-theory-a-secular-myth-fabricated-to-defame-christianity/) |
**Where did the idea of Flat Earthers come from? The idea has been
traced back to a slanderous fabrication invented by opponents of
Christianity in the 19th century and has been thoroughly debunked by
contemporary historians of science.**
| |
| --- |
|
Its taught
in school textbooks, its a favorite citation of New
Atheism, and its been referenced by no less than
the President himself Medieval Europe believed the
Earth was Flat. And so its fact! Except that they
believed no such thing.
The popular
view taught in schools is that scientists came along
and rescued us all from the Medieval Churchs
anti-scientific views that the World was Flat.
The only
flaw in that story is that nobody ACTUALLY believed
it was flat, and hadnt believed it was flat in a
very, very long time as far back as Greek
Antiquity. Even Pythagoras, Aristotle and Euclid
called it spherical.
Textbooks
from the middle ages described the world as round.
So did Dante. And no less than the Catholic Churchs
leading Medieval thinker, Thomas Aquinas wrote the
following in his greatest work, Summa Theologica:
The
physicist proves the earth to be round by one means,
the astronomer by another: for the latter proves
this by means of mathematics, e.g. by the shapes of
eclipses, or something of the sort; while the former
proves it by means of physics, e.g. by the movement
of heavy bodies towards the center, and so forth.
Where did
the idea of Flat Earthers come from? The idea has
been traced back to a slanderous fabrication
invented by opponents of Christianity in the 19th
century and has been thoroughly debunked by
contemporary historians of science.
As it
happens, Washington Irving wrote a fictional novel
about Columbus, which was reported as history by
John William Draper (History of the Conflict Between
Religion and Science) and Andrew Dixon Whites
similar tome. The Conflict Thesis (idea of
Religion and Science being incompatible) is
attributed to Drapers work.
Contra
Mundum: The Flat-Earth-Myth is the article much of
my piece has been summarizing. It goes into greater
depth, and gives references. I highly recommend it.
This leaves
us with two closing thoughts.
(1) If the
authors and historians who gave rise to the Flat
Earth Theory have been dismissed by serious
historians as propagandists of their day, which are
really behaving like Flat Earthers
people of
faith, or those who blindly parrot debunked
historians? (The latter includes, ironically,
Richard Dawkins.)
(2) If the
so-called historian to whom the conflict thesis
has been attributed was caught in a lie, how much
weight should we put on his characterization of the
tension between faith and science? Is it not
possible that a public duped by an untrue Flat Earth
myth might also have fallen for his Conflict Theory?
Maybe instead of taking scientists word for it we
could decide for ourselves whether the two are in
conflict.
|
Article published in English
on: 12-2-2015.
Last update:
12-2-2015.
| |
| --- |
| [**UP**](#pano) |
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<p><img src="images/redalrt3.gif" width="160" height="30" name="alert_1" id="alert_1" alt="Associative Music" /> âââ
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<img src="images/bar_1.gif" width="1000px" height="6px" name="bar_2" id="bar_2" alt="Associative Music" />
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<div id="byline"></div>
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<div id="info_1">
<p>Over the course of our day, we're exposed to countless sounds in our environments and routines that we may or may not pay active attention to. Some of these sounds are expected results of deliberate physical actions (e.g.: pulling keys out of your pocket produces a jingle) and others are uncontrollable occurrences specific to a given environment (e.g.: waves crashing on the beach).<br /><br />
Ivan Pavlov demonstrated that repeated exposure to a given sound prompts our minds to associate it with the particular physical or emotional state most frequently experienced when exposed to it.</p>
<p><br />
</p>
<div id="pavlov">
<em>Associative Music is a style of music that evokes those developed emotional and physical reactions to sound in tandem with the power of melody and rhythm.</em><br /><br />
</div>
<p>When Pavlov would serve food to his dog, he'd ring a bell to get it's attention. After a few times, ringing the bell would cause the dog to salivate with or without food in front of it. This bell illicited a psychological response from the dog (expecting to find food near the bell) as well as a physical one (actually drooling).<br /><br />
Though we are a slightly more developed species, the paired reaction between sounds and expectations still applies to us (watch a bored middleschooler react when surprised by the school bell at the end of class).
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<div id="intentions">
The intentions of Associative Music are two-fold:
</div>
<div id="intentions_list">
<ol>
<li>To harness the psychological and visceral properties of sounds native to non-musical environments.</li>
<li>To adapt and shape the aforementioned sourced sounds, so as to discreetly reference their origins without interfering with (or distracting from) the melodies they are being used to create. Disguise the origin of the sound.</li>
</ol>
</div>
<hr width=80% size=1>
<div id="end_thing">
Recordings should not be restricted to the human ear's limitations. There are plenty of sounds beyond our audible range that affect us as well (humans can't see UV rays with their naked eyes but the effects can be quite pronounced on our skin). Sounds at frequencies or decibel levels beyond our audible limitations should be amplified, slowed down or pitched up to allow us the privilege of experiencing them in an Associative Music context.
</div>
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<div id="subtitle_1">
↓ Keys or Bookmarks to Vital Information on Associative Music ↓
</div>
<hr width=80% size=1>
<div id="contents_1">
• <img src="images/bttn1.jpg" hspace=25 align=absmiddle border=0 alt="Do's Intro: Purpose - Belief"><a href="#q1">Why Listen to ASSOCIATIVE MUSIC??</a> <br />
• <img src="images/bttn2.jpg" hspace=25 align=absmiddle border=0 alt="Do's Intro: Purpose - Belief"><a href="#q2">I'm a Musician! Why Should I Make ASSOCIATIVE MUSIC?</a> <br />
• <img src="images/bttn3.jpg" hspace=25 align=absmiddle border=0 alt="Do's Intro: Purpose - Belief"><a href="#q3">Doesn'tThis Already Exist??</a> <br />
• <img src="images/bttn4.jpg" hspace=25 align=absmiddle border=0 alt="Do's Intro: Purpose - Belief"><a href="#q4">Is it O.K. for Children to Listen to ASSOCIATIVE MUSIC?</a><br />
</div>
<hr width=80% size=1>
<div id="q1" class="bigq">
<div id="question_1" class="question">
<img src="images/bttn1.jpg" hspace=25 align=absmiddle border=0 alt="Do's Intro: Purpose - Belief">Why listen to Associative Music?
</div>
<div id="answer_1" class="answer">
Its the next evolutionary step in the human's creative and emotional experience. If a mood is paired up with a sound and said sound is transformed into a musical composition (which already aims to create a different mood), the culmination will result in an exponentially more powerful and diverse feeling, the likes of which you would never be able to achieve otherwise...
<div id="back" class="back"><a href="#contents_1">back to top^</a></div>
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<div id="q2" class="bigq">
<div id="question_2" class="question">
<img src="images/bttn2.jpg" hspace=25 align=absmiddle border=0 alt="Do's Intro: Purpose - Belief">I'm a musician, why should I make Associative Music?
</div>
<div id="answer_2" class="answer">
Associative Music provides you with the utmost control and versatility in production. Everything is at your disposal. The entire world is your instrument and it will never conflict with your compositions.
In the future (when all of us are dead and gone) this music will not only serve as an indication of what our compositions sounded like, it will also showcase the sounds we valued and interacted with. Some sounds are generational and some are timeless.
<div id="back" class="back"><a href="#contents_1">back to top^</a></div>
</div>
</div>
<div id="q3" class="bigq">
<div id="question_3" class="question">
<img src="images/bttn3.jpg" hspace=25 align=absmiddle border=0 alt="Do's Intro: Purpose - Belief">Doesn't this already exist?
</div>
<div id="answer_3" class="answer">
For the better part of a century, producers have incorporated recordings of non-instrument based audio into their compositions. Recordings of locations have been used as soundscapes (e.g.: ambient or mood music), tools and objects have been utilized in attempts at quirky attempts humor (e.g.: see Spike Jones, Frank Zappa). Since the advent of the sampler (a couple decades ago), musicians have occasionally transformed non-instrument recordings into syncopated rhythms, but the outcome always showcases the source of the recording, demasking it's purpose and turning it into quirk.
<div id="back" class="back"><a href="#contents_1">back to top^</a></div>
</div>
</div>
<div id="q4" class="bigq">
<div id="question_4" class="question">
<img src="images/bttn4.jpg" hspace=25 align=absmiddle border=0 alt="Do's Intro: Purpose - Belief">Is it okay for children to listen to Associative Music? I don't want them to get brainwashed.
</div>
<div id="answer_4" class="answer">
Children exposed to Associative Music at an early age run the risk of leading creative lives. The style of music stimulates all of our senses, including our sense of thought.
<div id="back" class="back"><a href="#contents_1">back to top^</a></div>
</div>
</div>
<div id="q5" class="bigq">
<div id="question_5" class="question"></div>
<div id="answer_5" class="answer"> </div>
</div>
<div id="q6" class="bigq">
<div id="question_6" class="question"></div>
<div id="answer_6" class="answer"> </div>
</div>
<div id="q7" class="bigq">
<div id="question_7" class="question">
</div>
<div id="answer_7" class="answer">
</div>
</div>
<div id="bottom_bar" class="back">
WRITTEN BY <a href="http://www.hotsugar.biz" target="_blank">NICK KOENIG</a> // WEBMASTERED BY <a href="http://www.justdreamingaway.com">JUSTDREAMINGAWAY</a> & <a href="http://mollysoda.tumblr.com">MOLLYSODA</a></div>
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|
@import "music\_style.css";
Associative Music® - How and Why it Should Be Used
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---
Over the course of our day, we're exposed to countless sounds in our environments and routines that we may or may not pay active attention to. Some of these sounds are expected results of deliberate physical actions (e.g.: pulling keys out of your pocket produces a jingle) and others are uncontrollable occurrences specific to a given environment (e.g.: waves crashing on the beach).
Ivan Pavlov demonstrated that repeated exposure to a given sound prompts our minds to associate it with the particular physical or emotional state most frequently experienced when exposed to it.
*Associative Music is a style of music that evokes those developed emotional and physical reactions to sound in tandem with the power of melody and rhythm.*
When Pavlov would serve food to his dog, he'd ring a bell to get it's attention. After a few times, ringing the bell would cause the dog to salivate with or without food in front of it. This bell illicited a psychological response from the dog (expecting to find food near the bell) as well as a physical one (actually drooling).
Though we are a slightly more developed species, the paired reaction between sounds and expectations still applies to us (watch a bored middleschooler react when surprised by the school bell at the end of class).
---


---
The intentions of Associative Music are two-fold:
1. To harness the psychological and visceral properties of sounds native to non-musical environments.
2. To adapt and shape the aforementioned sourced sounds, so as to discreetly reference their origins without interfering with (or distracting from) the melodies they are being used to create. Disguise the origin of the sound.
---
Recordings should not be restricted to the human ear's limitations. There are plenty of sounds beyond our audible range that affect us as well (humans can't see UV rays with their naked eyes but the effects can be quite pronounced on our skin). Sounds at frequencies or decibel levels beyond our audible limitations should be amplified, slowed down or pitched up to allow us the privilege of experiencing them in an Associative Music context.
---
↓ Keys or Bookmarks to Vital Information on Associative Music ↓
---
• [Why Listen to ASSOCIATIVE MUSIC??](#q1)
• [I'm a Musician! Why Should I Make ASSOCIATIVE MUSIC?](#q2)
• [Doesn'tThis Already Exist??](#q3)
• [Is it O.K. for Children to Listen to ASSOCIATIVE MUSIC?](#q4)
---
Why listen to Associative Music?
Its the next evolutionary step in the human's creative and emotional experience. If a mood is paired up with a sound and said sound is transformed into a musical composition (which already aims to create a different mood), the culmination will result in an exponentially more powerful and diverse feeling, the likes of which you would never be able to achieve otherwise...
[back to top^](#contents_1)
I'm a musician, why should I make Associative Music?
Associative Music provides you with the utmost control and versatility in production. Everything is at your disposal. The entire world is your instrument and it will never conflict with your compositions.
In the future (when all of us are dead and gone) this music will not only serve as an indication of what our compositions sounded like, it will also showcase the sounds we valued and interacted with. Some sounds are generational and some are timeless.
[back to top^](#contents_1)
Doesn't this already exist?
For the better part of a century, producers have incorporated recordings of non-instrument based audio into their compositions. Recordings of locations have been used as soundscapes (e.g.: ambient or mood music), tools and objects have been utilized in attempts at quirky attempts humor (e.g.: see Spike Jones, Frank Zappa). Since the advent of the sampler (a couple decades ago), musicians have occasionally transformed non-instrument recordings into syncopated rhythms, but the outcome always showcases the source of the recording, demasking it's purpose and turning it into quirk.
[back to top^](#contents_1)
Is it okay for children to listen to Associative Music? I don't want them to get brainwashed.
Children exposed to Associative Music at an early age run the risk of leading creative lives. The style of music stimulates all of our senses, including our sense of thought.
[back to top^](#contents_1)
WRITTEN BY [NICK KOENIG](http://www.hotsugar.biz) // WEBMASTERED BY [JUSTDREAMINGAWAY](http://www.justdreamingaway.com) & [MOLLYSODA](http://mollysoda.tumblr.com)
| http://associativemusic.com/ |
<head><title>Not Acceptable!</title></head><body><h1>Not Acceptable!</h1><p>An appropriate representation of the requested resource could not be found on this server. This error was generated by Mod_Security.</p></body></html> | Not Acceptable!# Not Acceptable!
An appropriate representation of the requested resource could not be found on this server. This error was generated by Mod\_Security.
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<center><small><font color="#ffff00"><font size="+1"><small>__________THE__________</small></font></font>
<br>
<font color="#ffff00" style="font-weight: bold;"><font size="+4"><small>ALTAIR</small></font></font><span
style="font-weight: bold;">
</span><br style="font-weight: bold;">
<font color="#ffff00" style="font-weight: bold;"><font size="+4"><small>ACCRETION</small></font></font>
<br>
<u><font color="#ffff00"><font size="+1"><small>-HOMEPAGE-<br>
<br>
</small></font></font></u></small></center>
<div style="text-align: center;"><small><font color="#ffff00"><font
size="+4"><small>___________<big><span
style="font-family: blackletter686 bt;">G<span
style="font-family: blackadder itc;">ateway to</span></span></big>___________</small></font></font></small>
<small><font size="+1"><small><br>
<small style="font-weight: bold;"><a
href="http://www.pulpanddagger.com/pulpmag/contents.html">Pulp and
Dagger Webzine</a> / <a
href="http://www.pulpanddagger.com/movies/filmtv.html">Canadian Film
Guide</a></small></small></font><small style="font-weight: bold;">
</small><small style="font-weight: bold;"><font size="+1"><small><small>/
<a href="http://www.pulpanddagger.com/canuck/kongpage.html">Kingdom
Kong!</a> </small></small></font></small><small
style="font-weight: bold;"><font size="+1"><small><small>/ <a
href="http://www.pulpanddagger.com/conan/cimmeria.html">The Cimmerian
Collection</a></small></small></font></small></small></div>
<small><font size="+1"><small><a
href="http://www.pulpanddagger.com/canuck/kongpage.html"></a></small></font></small>
<center>
<p><br>
<font color="#00ff00"><font size="+1">"You will never find a more
wretched hive of scum and villainy."
<br>
</font></font></p>
<center>
<address><font color="#00ff00"><font size="+1">Ben Kenobi, Star Wars<br>
<br>
</font></font></address>
</center>
<font color="#00ff00"><font size="+1">
</font></font>
<p><font color="#00ff00"><font size="+1"><b><font size="+1"><span
style="font-family: times new roman,times,serif;"><big><big><big><big><big><span
style="font-family: caslonopnface bt;">P</span></big></big></big><span
style="font-family: caslonopnface bt;"><big>ulp and</big> <big><big><big>D</big></big>agger</big></span></big></big>
Fiction Webzine<br>
<br>
</span></font></b></font></font></p>
<p><font color="#00ff00"><font size="+1"><a
href="http://www.pulpanddagger.com/pulpmag/contents.html"><img
src="chart_shad1.gif" alt="Pulp and Dagger icon" border="0"
height="132" width="133" align="left"></a><b><font size="+1">Greetings,
traveller! What are you looking for? Adventure?
Chills? Visit <a
href="http://www.pulpanddagger.com/pulpmag/contents.html">Pulp
and Dagger</a> Fiction Webzine -- "Where the heroes are!" Featured are
exciting
pulp magazine-style stories and serials with alluring heroines and
roguish,
two-fisted heroes! Remember the days when adventure meant something?
When
The Shadow, Doc Savage, Conan, and John Carter of Mars strode the pages
of pulpdom with blazing pistols, flashing swords and a comely maid in
tow?
Those days live again...in Pulp and Dagger! (Cue trumpets.) Plus: <span
style="font-family: comic sans ms;">Shuddersome</span> Shorts!
Editorials! Reviews!</font></b>
</font></font></p>
<hr size="10" width="400">
<p><font color="#00ff00"><font size="+1"><font size="+1"><big><span
style="font-family: century gothic;">The Great Canadian Guide to the
Movies (& TV)</span></big></font><b><font size="+1"><br>
</font></b></font></font></p>
<p><font color="#00ff00"><font size="+1"><a
href="http://www.pulpanddagger.com/movies/filmtv.html"><img
src="filmlogo2b.gif"
alt="Great Canadian Movie Guide" height="130" width="180" align="left"
border="0"></a></font></font><font color="#00ff00"><font size="+1"><b><font
size="+1">Maybe
you're interested in Canadian movies and television? Maybe you want to
read a review before renting a film from the local video store, or you
just want the answer to a trivia question (who starred in...?); maybe
you're
a film student who fell asleep in class and now you've got to cram for
your exams. Whatever the reason, you won't find a more extensive
listing
of Canadian-made movies (and TV series), with accompanying reviews,
anywhere.
Really! So <a href="http://www.pulpanddagger.com/movies/filmtv.html">come
on in</a>!!!</font></b>
</font></font></p>
<p><font color="#00ff00"><font size="+1"><b><font size="+1"> Remember
our motto: "We've seen them all, so
you won't have to!"</font></b>
</font></font></p>
<hr size="10" width="400"><font color="#00ff00"><font size="+1"><b><font
size="+1"><br>
</font></b></font></font>
<p><font color="#00ff00"><font size="+1"><a
href="http://www.pulpanddagger.com/canuck/kongpage.html"><img
src="canuck/ape8e.gif"
style="border: 0px solid ; height: 148px; width: 155px;" title=""
alt="" align="left"></a><b><font size="+1">Jeffrey Blair Latta's
legendary <a href="http://www.pulpanddagger.com/canuck/kongpage.html">Kingdom
Kong</a>,
the KING KONG tribute site! Sound files, pix and more! "From thy
full-moon wedding with the creature who touches heaven, lady, God
preserve thee..."<br>
</font></b></font></font></p>
<p><font color="#00ff00"><font size="+1"><b><font size="+1"><br>
<br>
</font></b></font></font></p>
<hr size="10" width="400">
<p><font color="#00ff00"><font size="+1"><a
href="http://www.pulpanddagger.com/conan/cimmeria.html"><img
src="conan/sword9c.gif" height="97" width="324" border="0" align="left"></a><b>Visit
<a href="http://www.pulpanddagger.com/conan/cimmeria.html">The
Cimmerian Collection</a>. We have insightful and provocative reviews
and stuff about just about everything written by Robert E. Howard,
creator of Conan the Cimmerian, King Kull, Bran Mak Morn, etc.</b> </font></font></p>
<br>
<hr width="400">
<p><font color="#00ff00"><font size="+1"><font size="+1">Check out our
fledgling <a href="link.html">links page</a>.
</font></font></font></p>
<br>
<p><font color="#00ff00"><font size="+1"><font size="+1"><i><font
size="+1">The Accretion achieved consciousness on November 20,
1998.</font></i>
</font></font></font></p>
<p><font color="#00ff00"><font size="+1"><font size="+1"><i><font
size="+1">Last modified on Feb. 22, 2006<br>
Previously modified on Nov. 2, 1999.</font></i>
</font></font></font></p>
</center>
<p><font color="#00ff00"><font size="+1"><font size="+1"><i><font
size="+1">If you want to comment on any, or all, of the things
you'll find on this site, feel free to contact us <a
href="mailto:[email protected]">here</a>
at <b>[email protected]</b>. Since there are various fields of
interest
linked here, be sure to specify at the beginning of any message what
page
you're commenting on. Thanks. Enjoy.</font></i></font></font></font></p>
</body>
</html>
|
Altair Accretion Homepage
\_\_\_\_\_\_\_\_\_\_THE\_\_\_\_\_\_\_\_\_\_
ALTAIR
ACCRETION
-HOMEPAGE-
\_\_\_\_\_\_\_\_\_\_\_Gateway to\_\_\_\_\_\_\_\_\_\_\_
[Pulp and
Dagger Webzine](http://www.pulpanddagger.com/pulpmag/contents.html) / [Canadian Film
Guide](http://www.pulpanddagger.com/movies/filmtv.html)
/
[Kingdom
Kong!](http://www.pulpanddagger.com/canuck/kongpage.html) / [The Cimmerian
Collection](http://www.pulpanddagger.com/conan/cimmeria.html)
"You will never find a more
wretched hive of scum and villainy."
Ben Kenobi, Star Wars
**Pulp and Dagger
Fiction Webzine**
[](http://www.pulpanddagger.com/pulpmag/contents.html)**Greetings,
traveller! What are you looking for? Adventure?
Chills? Visit [Pulp
and Dagger](http://www.pulpanddagger.com/pulpmag/contents.html) Fiction Webzine -- "Where the heroes are!" Featured are
exciting
pulp magazine-style stories and serials with alluring heroines and
roguish,
two-fisted heroes! Remember the days when adventure meant something?
When
The Shadow, Doc Savage, Conan, and John Carter of Mars strode the pages
of pulpdom with blazing pistols, flashing swords and a comely maid in
tow?
Those days live again...in Pulp and Dagger! (Cue trumpets.) Plus: Shuddersome Shorts!
Editorials! Reviews!**
---
The Great Canadian Guide to the
Movies (& TV)
[](http://www.pulpanddagger.com/movies/filmtv.html)**Maybe
you're interested in Canadian movies and television? Maybe you want to
read a review before renting a film from the local video store, or you
just want the answer to a trivia question (who starred in...?); maybe
you're
a film student who fell asleep in class and now you've got to cram for
your exams. Whatever the reason, you won't find a more extensive
listing
of Canadian-made movies (and TV series), with accompanying reviews,
anywhere.
Really! So [come
on in](http://www.pulpanddagger.com/movies/filmtv.html)!!!**
**Remember
our motto: "We've seen them all, so
you won't have to!"**
---
[](http://www.pulpanddagger.com/canuck/kongpage.html)**Jeffrey Blair Latta's
legendary [Kingdom
Kong](http://www.pulpanddagger.com/canuck/kongpage.html),
the KING KONG tribute site! Sound files, pix and more! "From thy
full-moon wedding with the creature who touches heaven, lady, God
preserve thee..."**
---
[](http://www.pulpanddagger.com/conan/cimmeria.html)**Visit
[The
Cimmerian Collection](http://www.pulpanddagger.com/conan/cimmeria.html). We have insightful and provocative reviews
and stuff about just about everything written by Robert E. Howard,
creator of Conan the Cimmerian, King Kull, Bran Mak Morn, etc.**
---
Check out our
fledgling [links page](link.html).
*The Accretion achieved consciousness on November 20,
1998.*
*Last modified on Feb. 22, 2006
Previously modified on Nov. 2, 1999.*
*If you want to comment on any, or all, of the things
you'll find on this site, feel free to contact us [here](mailto:[email protected])
at **[email protected]**. Since there are various fields of
interest
linked here, be sure to specify at the beginning of any message what
page
you're commenting on. Thanks. Enjoy.*
| http://www.pulpanddagger.com/ |
<html>
<head>
<title>States</title>
<script language="JavaScript">
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<td><a href="planes.htm"><img src="pix/planes_off.gif" name="planes" border="0" width="48" height="13" alt="Planes"></a></td>
<td><a href="corporations.htm"><img src="pix/corp_off.gif" name="corp" border="0" width="83" height="13" alt="Corporations"></a></td>
<td><a href="states.htm"><img src="pix/nations_on.gif" name="nations" border="0" width="52" height="13" alt="Nations"></a></td>
<td><a href="militia.htm"><img src="pix/militia_off.gif" name="militia" border="0" width="46" height="13" alt="Militias"></a></td>
<td><a href="piracy.htm"><img src="pix/pirates_off.gif" name="pirates" border="0" width="50" height="13" alt="Pirates"></a></td>
<td><a href="technology.htm"><img src="pix/tech_off.gif" name="tech" border="0" width="68" height="13" alt="Technology"></a></td>
</tr>
</table>
<p>
<img src="pix/state_logo.gif" width="395" height="46" border="0" alt="Nations of North America"><font size="2" face="verdana"><p><font size="4"><b>Divided We Fall...</b></font>
<p>After the crushing blows delivered by the Great War, the influenza epidemic of the 1920's, and the failure of Prohibition, the once-proud United States has collapsed. With the secession of Texas in 1930, states across North America quickly jumped off the sinking ship of Federalism.
<p>Now, these new nation-states fight to protect their citizens from pirates, mercenaries... and each other.
<p>Click on the flags below to learn more...</font><br><br>
<table border="0"><tr>
<td align="center" valign="top"><a href="states/alaska.htm" onClick="openWindow()" target="popup" name="popup"><img alt="Alaska" src="pix/alaska.gif" width="150" height="106" border="0"></a></td>
<td align="center" valign="top"><a href="states/aplachnter.htm" onClick="openWindow()" target="popup" name="popup"><img alt="Apalachia" src="pix/appalachian.gif" width="148" height="106" border="0"></a></td>
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</tr>
<tr>
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<td align="center" valign="top"><a href="states/atlntccol.htm" onClick="openWindow()" target="popup" name="popup"><img alt="Atlantic Coalition" src="pix/atlantic.gif" width="150" height="108" border="0"></a></td>
<td align="center" valign="top"><a href="states/columbia.htm" onClick="openWindow()" target="popup" name="popup"><img alt="Columbia" src="pix/columbia.gif" width="148" height="108" border="0"></a></td>
<td align="center" valign="top"><a href="states/dixie.htm" onClick="openWindow()" target="popup" name="popup"><img alt="Dixie" src="pix/f_dixie.gif" width="148" height="111" border="0"></a></td>
</tr>
<tr>
<td align="center" valign="top"><a href="states/westter.htm" onClick="openWindow()" target="popup" name="popup"><img alt="Disputed Western Territories" src="pix/disputed.gif" width="151" height="108" border="0"></a></td>
<td align="center" valign="top"><a href="states/empiresst.htm" onClick="openWindow()" target="popup" name="popup"><img alt="Empire State" src="pix/empire.gif" width="132" height="111" border="0"></a></td>
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<td align="center" valign="top"><a href="states/texas.htm" onClick="openWindow()" target="popup" name="popup"><img alt="Texas-It's a whole other country" src="pix/texas.gif" width="151" height="110" border="0"></a></td>
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<td align="center" valign="top"><a href="states/utah.htm" onClick="openWindow()" target="popup" name="popup"><img alt="Utah" src="pix/utah.gif" width="148" height="104" border="0"></a></td>
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<td colspan="3"><br><br><center><font face="verdana" size="2"><a href="../terms.htm">Terms of Use and Privacy Policy</a> | <a href="http://www.microsoft.com">Microsoft</a> | <a href="../credits.htm">Ground Crew</a></font></center><br><br>
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States
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Nations of North America**Divided We Fall...**
After the crushing blows delivered by the Great War, the influenza epidemic of the 1920's, and the failure of Prohibition, the once-proud United States has collapsed. With the secession of Texas in 1930, states across North America quickly jumped off the sinking ship of Federalism.
Now, these new nation-states fight to protect their citizens from pirates, mercenaries... and each other.
Click on the flags below to learn more...
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<h2><span style="font-weight: 400"><font face="Arial">American Sign
Language: Handshapes</font></span></h2>
<blockquote>
<p><font face="Arial">A student wrote: "I was looking at some of the signs, but couldn't tell which way my
hands should be facing. For example one of the versions of the sign
<a href="../pages-signs/p/pizza.htm" style="text-decoration: none">pizza</a>
uses a "p" handshape. Is the "P" facing me or the person I'm signing to?"</p>
<p>
<img border="0" src="../images-layout/handsh1.jpg" align="right" width="114" height="125">Dr Vicars: When
fingerspelling, in general the palm of your hand faces toward the watcher.
For the sake of comfort your palm is actually pointed a bit off to the right of
the person to whom you are spelling. (Unless you are left handed, then it
will be opposite.)<br>
Letters like G, H, and P point a bit off to the right of the person to whom you
are signing. Some signers point these letters almost directly to the left.
Both methods are "okay." Use a position that feels comfortable to you yet
is clear to the observer.
In most sign language dictionaries, unless it says
or shows otherwise, you can assume the sign is angled toward the watcher. It is
important to note though that sometimes when you aim a sign at yourself or move
a sign toward yourself you are doing so to create additional meaning.
(Mine vs yours / done to me vs done to you.)<br>
</p>
</font>
<hr color="#800080">
<font size="6">
<b>A</b>:</font> <br>
<img border="0" src="../signjpegs/a/a.jpg" width="211" height="196">
<hr color="#800080">
<b><font size="6">B</font></b><font size="6">:</font><br>
"B" Version 1:<div>
The thumb of the letter "B" generally has a "slight" bend, but not as much
as depicted in most books.<br>
The picture of "B" in my <a href="http://asl.ms">http://asl.ms</a> website
was taken in a series as I was spelling the ABC's.</div>
<div>
You might notice that a "B" being produced after an "A" tends to have
little or no bend.<br>
If you videotape a skilled signer fingerspelling the word "about" at <em>
high</em> speed, the "B" will generally have little or no bend in the
thumb. If you video record that same person spelling of the term "MBA"
the "B" will have a very noticeable bend. Here's how I do the
letter "B" in general:</div>
<p>
<img border="0" src="../signjpegs/b/b1.jpg" width="194" height="227"><img border="0" src="../signjpegs/b/b.jpg" width="218" height="226"><br>
-----------------------------------------------------------------------------------------------------------<br>
<br>
"B" Version 2: <br>
Some people cross the thumb over the palm. I
don't do it this way because it takes too much effort. (Hey, I'm not
lazy, just efficient.) This is how most "books" show it: <br>
<br>
<img border="0" src="../signjpegs/b/b3.jpg" width="156" height="230"><font FACE="Arial"></p>
<blockquote>
<p><b>Shannon</b>: What is a "b" palm? It doesn't relate to signing the
letter "b" right?</p>
<p><b>DrVicars</b>: When used to describe a sign, a "b" palm is like the
letter "b" but you don't have to bend the thumb around onto the
palm. The thumb is just alongside the palm in a natural position, with the fingers touching each other (side by side, extended). Think of a traffic cop
telling oncoming traffic to stop.</p>
<p><b>Shannon</b>: Okay that's what I guessed; just wanted to make sure.</p>
</blockquote>
</font>
<p><b>"Classifier B," "Flat hand," or "B palm."<br>
</b>This handshape uses a "B" hand with the thumb
alongside instead of folded across the palm. This handshape is used to describe flat, rectangular objects or
surfaces.<br>
Examples: - The roof of a house, a sheet of paper, a table, walls, ...
etc..<br>
You may also see this handshape showing up after the letter "A" during very fast
spelling of words that have an "AB" combination.<br>
<br>
<img border="0" src="../signjpegs/f/flat.jpg" width="160" height="235"> </p>
<hr color="#800080">
<b>C</b>: <br>
<img border="0" src="../signjpegs/c/c.jpg" width="212" height="176"><br>
When used as a <b> size</b> and <b> shape</b> specifier this handshape shows things
that are round or cylindrical.<br>
Examples: pole, cup, or telescope.<br>
This handshape can also be used to specify placement. You could show where
certain things are in a room. For example, a TV or a
microwave. <br>
To describe a TV or microwave you could use <b>index</b> fingers
to trace its outline, or <b>b-hands</b> to show its size and shape.
<hr color="#800080">
<b>D</b>:<br>
<img border="0" src="../signjpegs/d/d.jpg" width="183" height="205">
<hr color="#800080">
<b>E</b>:<br>
<img border="0" src="../signjpegs/e/e.jpg" width="172" height="206"><br>
You might see an "e" that rests only three fingers on top of the thumb
when someone is spelling a name or a word that places the letter "m"
before the "e." For example: "James."<br>
<img border="0" src="../signjpegs/e/e3.jpg" width="159" height="198"><br>
Or suppose you spell the name "J-A-N-E?" The "E" might end up
looking like this: <br>
<img border="0" src="../signjpegs/e/e2.jpg" width="151" height="198"> <br>
<br>
There is even a version of "E" that uses only "one" finger (the index
finger" perched on top of the thumb. This version often shows up after the
letter "L." <br>
<br>
Note: Sometimes you'll see people do an "e" with an opening between the
fingertips and the thumb. I sometimes call that a "screaming E"
or a "Hearing person's E." (Some people call it a "bear claw E."
However it is fairly common in the Deaf Community and even used by quite a
few Deaf people. I recommend that ASL teachers stay flexible. I
also recommend we not consider it "wrong" but simply another version of "E"
that shows up from time to time -- particularly after the letter "C" when
some people spell the word "ICE."<br>
<br>
<hr color="#800080">
<b>F</b>: <br>
<img border="0" src="../signjpegs/f/f.jpg" width="198" height="230"> Tip:
Do "not" get hung up on debating if the tip of the finger is on top of the
thumb or the pad of the index finger is on top of the thumb. The exact
form of an "F" varies a bit depending on surrounding letters. However
-- some people care "a lot." If you have the unfortunate experience of
being taught by such a person just smile and do it their way.<hr color="#800080">
<b>G</b>: <br>
<img border="0" src="../signjpegs/g/g1.jpg" width="182" height="136"><img border="0" src="../signjpegs/g/g2.jpg" width="204" height="156">
You'll also see a "G" done with the thumb jutting up. That is just
another variation.<hr color="#800080">
<b>H</b>: <br>
<img border="0" src="../signjpegs/h/h1.jpg" width="211" height="172"><img border="0" src="../signjpegs/h/h2.jpg" width="238" height="162"><br>
<img border="0" src="../signjpegs/h/h3.jpg" width="162" height="174">
You'll also see an "H" done with the thumb jutting up. That is just
another variation.<hr color="#800080">
<b>I</b>: <br>
<img border="0" src="../signjpegs/i/i.jpg" width="218" height="226"><img border="0" src="../signjpegs/i/i1.jpg" width="182" height="224">
<hr color="#800080">
<b>J</b>:<br>
<img border="0" src="../signjpegs/j/j1.jpg" width="214" height="230">
<img border="0" src="../signjpegs/j/j2.jpg" width="214" height="230">
<br>
<img border="0" src="../signjpegs/j/j3.jpg" width="214" height="230">
<img border="0" src="../signjpegs/j/j4.jpg" width="214" height="230">
<br>
<img border="0" src="../signjpegs/j/j5.jpg" width="214" height="230">
<img border="0" src="../signjpegs/j/j6.jpg" width="214" height="230">
<br>
<img border="0" src="../signjpegs/j/j7.jpg" width="214" height="230">
<img border="0" src="../signjpegs/j/j8.jpg" width="214" height="230">
<br>
<img border="0" src="../signjpegs/j/j9.jpg" width="214" height="230">
<img border="0" src="../signjpegs/j/j10.jpg" width="214" height="230">
<br>
<img border="0" src="../signjpegs/j/j11.jpg" width="214" height="230"><img border="0" src="../signjpegs/j/j12.jpg" width="214" height="230">
<hr color="#800080">
<b>K</b>: <br>
<img border="0" src="../signjpegs/k/k.jpg" width="192" height="236"><img border="0" src="../signjpegs/k/k1.jpg" width="191" height="234"><br>
<img border="0" src="../signjpegs/k/k2.jpg" width="168" height="238">
<hr color="#800080">
<b>L</b>:<br>
<img border="0" src="../signjpegs/l/l.jpg" width="225" height="233">
<hr color="#800080">
<b>M</b>: Three fingers draped over the thumb.<br>
<img border="0" src="../signjpegs/m/m1.jpg" width="159" height="164"><br>
<br>
In books you often see the fingers draped way over the thumb, like this:<br>
<img border="0" src="../signjpegs/m/m2.jpg" width="161" height="158"><br>
<br>
<font face="Arial">You'll see it both ways, but think about which
version would naturally become more popular over
the years due to ease of use.. It takes extra time to drape the fingers
further over the thumb. So you can see why the "loose method" is
more popular amongst everyday users of ASL.</font><p><font face="Arial">When
most skilled signers fingerspell letters like
"M, N, & T," they don't bend or wrap the fingers as tightly as the "ABC" alphabet charts tend to
depict. The same for not bending the thumb over the palm in the letter "B." Tightly wrapping the fingers over and/or around each other takes too much time. An artist has a
long time to draw
pretty handshapes. The artist can paint them carefully and in perfect form for the
sign language dictionary pages. A Deaf
person whips out a several letters per second because he is trying to get his message
across rather than impress somebody with how pretty his handshapes are.</font></p>
<hr color="#800080">
<b>N</b>: Version 1:<br>
<img border="0" src="../signjpegs/n/n1.jpg" width="154" height="197"><br>
<br>
Version 2:<br>
<img border="0" src="../signjpegs/n/n2.jpg" width="161" height="184">
<hr color="#800080">
<b>O</b>:<br>
<img border="0" src="../signjpegs/o/o.jpg" width="218" height="226"><img border="0" src="../signjpegs/o/o1.jpg" width="159" height="178"><br>
<img border="0" src="../signjpegs/o/o2.jpg" width="143" height="187"><img border="0" src="../signjpegs/o/o3.jpg" width="168" height="198"><hr color="#800080">
<b>P</b>:<br>
<img border="0" src="../signjpegs/p/p1.jpg" width="225" height="193"><img border="0" src="../signjpegs/p/p2.jpg" width="272" height="182"><br>
In some parts of the country you will see a "p" done like this:<br>
<img border="0" src="../signjpegs/p/p3.jpg" width="235" height="171">
<hr color="#800080">
<b>Q</b>:<br>
<img border="0" src="../signjpegs/q/q1.jpg" width="154" height="157"><img border="0" src="../signjpegs/q/q2.jpg" width="242" height="206">
<hr color="#800080">
<b>R</b>:<br>
<img border="0" src="../signjpegs/r/r.jpg" width="134" height="210">
<hr color="#800080">
<b>S</b>:<br>
<img border="0" src="../signjpegs/s/s.jpg" width="137" height="149">
<hr color="#800080">
<b>T</b>:<br>
<img border="0" src="../signjpegs/t/t.jpg" width="146" height="165">
<hr color="#800080">
<b>U</b>:<br>
<img border="0" src="../signjpegs/u/u.jpg" width="143" height="226">
<hr color="#800080">
<b>V</b>:<br>
<img border="0" src="../signjpegs/v/v.jpg" width="153" height="217"><br>
<hr color="#800080">
<b>W</b>:<br>
<img border="0" src="../signjpegs/w/w.jpg" width="173" height="224">
<hr color="#800080">
<b>X</b>:<br>
<img border="0" src="../signjpegs/x/x1.jpg" width="148" height="188"><img border="0" src="../signjpegs/x/x2.jpg" width="160" height="177">
<hr color="#800080">
<b>Y</b>:<br>
<img border="0" src="../signjpegs/y/y.jpg" width="245" height="191">
<hr color="#800080">
<b>Z</b>:<br>
<img border="0" src="../images-signs/z.gif" width="140" height="219"><br>
<hr>
<p>
<b>
Bent V handshape</b>: <br>
Uses: Things with legs, people and animals that are crouching, small animals<br>
Examples: <br>
- a small animal such as a squirrel <br>
- a person sitting in a certain location (when done palm facing downward)<br>
<br>
<img border="0" src="../signjpegs/v/v-bent.jpg" width="152" height="220">
<br>
A "Bent V" is also good for doing a "double z." </p>
<hr color="#800080">
<b>
Bent hand</b>:<br>
<img border="0" src="../signjpegs/b/benthandshape.jpg" width="187" height="198"><img border="0" src="../signjpegs/b/benthandshape2.jpg" width="175" height="155">
<hr color="#800080">
<b>
Claw hand</b>:<br>
<img border="0" src="../signjpegs/c/claw.jpg" width="214" height="216">
<hr color="#800080">
<b>
Closed hand</b>:
<p>Fist or "S hand" or "closed hand"</p>
<p>
<img border="0" src="../signjpegs/s/s.jpg" width="137" height="149"></p>
<hr color="#800080">
<b>Curved hand</b>:<br>
<img border="0" src="../signjpegs/c/curvedhandshape.jpg" width="146" height="192"><img border="0" src="../signjpegs/c/curvedhandshape2.jpg" width="148" height="217">
<hr color="#800080">
<br><b>Horns</b>: <br>
<img border="0" src="../signjpegs/h/horns1.jpg" width="160" height="235"><img border="0" src="../signjpegs/h/horns2.jpg" width="240" height="195"><hr color="#800080">
<b>Index</b>:<br>
<img border="0" src="../signjpegs/i/indexfingerb.jpg" width="170" height="227"><br>
Cocked Index:<br>
<img border="0" src="../signjpegs/c/cockedindexfinger.jpg" width="147" height="211">
<hr color="#800080">
<b>
"Open hand" or "5 hand"<br>
<img border="0" src="../signjpegs/numbers/5.jpg" width="258" height="232"></b>
</blockquote>
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American Sign Language (ASL)
A {text-decoration: none}
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[Catalog](catalog.htm) |
[Dictionary](../../dictionary.htm) |
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| | |
| --- | --- |
| American Sign
Language: Handshapes
A student wrote: "I was looking at some of the signs, but couldn't tell which way my
hands should be facing. For example one of the versions of the sign
[pizza](../pages-signs/p/pizza.htm)
uses a "p" handshape. Is the "P" facing me or the person I'm signing to?"
Dr Vicars: When
fingerspelling, in general the palm of your hand faces toward the watcher.
For the sake of comfort your palm is actually pointed a bit off to the right of
the person to whom you are spelling. (Unless you are left handed, then it
will be opposite.)
Letters like G, H, and P point a bit off to the right of the person to whom you
are signing. Some signers point these letters almost directly to the left.
Both methods are "okay." Use a position that feels comfortable to you yet
is clear to the observer.
In most sign language dictionaries, unless it says
or shows otherwise, you can assume the sign is angled toward the watcher. It is
important to note though that sometimes when you aim a sign at yourself or move
a sign toward yourself you are doing so to create additional meaning.
(Mine vs yours / done to me vs done to you.)
---
**A**:
---
**B**:
"B" Version 1:
The thumb of the letter "B" generally has a "slight" bend, but not as much
as depicted in most books.
The picture of "B" in my <http://asl.ms> website
was taken in a series as I was spelling the ABC's.
You might notice that a "B" being produced after an "A" tends to have
little or no bend.
If you videotape a skilled signer fingerspelling the word "about" at *high* speed, the "B" will generally have little or no bend in the
thumb. If you video record that same person spelling of the term "MBA"
the "B" will have a very noticeable bend. Here's how I do the
letter "B" in general:
-----------------------------------------------------------------------------------------------------------
"B" Version 2:
Some people cross the thumb over the palm. I
don't do it this way because it takes too much effort. (Hey, I'm not
lazy, just efficient.) This is how most "books" show it:
**Shannon**: What is a "b" palm? It doesn't relate to signing the
letter "b" right?
**DrVicars**: When used to describe a sign, a "b" palm is like the
letter "b" but you don't have to bend the thumb around onto the
palm. The thumb is just alongside the palm in a natural position, with the fingers touching each other (side by side, extended). Think of a traffic cop
telling oncoming traffic to stop.
**Shannon**: Okay that's what I guessed; just wanted to make sure.
**"Classifier B," "Flat hand," or "B palm."**This handshape uses a "B" hand with the thumb
alongside instead of folded across the palm. This handshape is used to describe flat, rectangular objects or
surfaces.
Examples: - The roof of a house, a sheet of paper, a table, walls, ...
etc..
You may also see this handshape showing up after the letter "A" during very fast
spelling of words that have an "AB" combination.
---
**C**:
When used as a **size** and **shape** specifier this handshape shows things
that are round or cylindrical.
Examples: pole, cup, or telescope.
This handshape can also be used to specify placement. You could show where
certain things are in a room. For example, a TV or a
microwave.
To describe a TV or microwave you could use **index** fingers
to trace its outline, or **b-hands** to show its size and shape.
---
**D**:
---
**E**:
You might see an "e" that rests only three fingers on top of the thumb
when someone is spelling a name or a word that places the letter "m"
before the "e." For example: "James."
Or suppose you spell the name "J-A-N-E?" The "E" might end up
looking like this:
There is even a version of "E" that uses only "one" finger (the index
finger" perched on top of the thumb. This version often shows up after the
letter "L."
Note: Sometimes you'll see people do an "e" with an opening between the
fingertips and the thumb. I sometimes call that a "screaming E"
or a "Hearing person's E." (Some people call it a "bear claw E."
However it is fairly common in the Deaf Community and even used by quite a
few Deaf people. I recommend that ASL teachers stay flexible. I
also recommend we not consider it "wrong" but simply another version of "E"
that shows up from time to time -- particularly after the letter "C" when
some people spell the word "ICE."
---
**F**:
Tip:
Do "not" get hung up on debating if the tip of the finger is on top of the
thumb or the pad of the index finger is on top of the thumb. The exact
form of an "F" varies a bit depending on surrounding letters. However
-- some people care "a lot." If you have the unfortunate experience of
being taught by such a person just smile and do it their way.
---
**G**:
You'll also see a "G" done with the thumb jutting up. That is just
another variation.
---
**H**:
You'll also see an "H" done with the thumb jutting up. That is just
another variation.
---
**I**:
---
**J**:
---
**K**:
---
**L**:
---
**M**: Three fingers draped over the thumb.
In books you often see the fingers draped way over the thumb, like this:
You'll see it both ways, but think about which
version would naturally become more popular over
the years due to ease of use.. It takes extra time to drape the fingers
further over the thumb. So you can see why the "loose method" is
more popular amongst everyday users of ASL.When
most skilled signers fingerspell letters like
"M, N, & T," they don't bend or wrap the fingers as tightly as the "ABC" alphabet charts tend to
depict. The same for not bending the thumb over the palm in the letter "B." Tightly wrapping the fingers over and/or around each other takes too much time. An artist has a
long time to draw
pretty handshapes. The artist can paint them carefully and in perfect form for the
sign language dictionary pages. A Deaf
person whips out a several letters per second because he is trying to get his message
across rather than impress somebody with how pretty his handshapes are.
---
**N**: Version 1:
Version 2:
---
**O**:
---
**P**:
In some parts of the country you will see a "p" done like this:
---
**Q**:
---
**R**:
---
**S**:
---
**T**:
---
**U**:
---
**V**:
---
**W**:
---
**X**:
---
**Y**:
---
**Z**:
---
**Bent V handshape**:
Uses: Things with legs, people and animals that are crouching, small animals
Examples:
- a small animal such as a squirrel
- a person sitting in a certain location (when done palm facing downward)
A "Bent V" is also good for doing a "double z."
---
**Bent hand**:
---
**Claw hand**:
---
**Closed hand**:
Fist or "S hand" or "closed hand"
---
**Curved hand**:
---
**Horns**:
---
**Index**:
Cocked Index:
---
**"Open hand" or "5 hand"**
---
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<h2 align="center"><font color="#990033"><b>The Guide to Beatles Recordings,
their availability on Commercial and Beatleg releases. <br>
Over 18 thousand images and hundreds of variations NOT listed in many if any guides.</b></font></h2>
<h2 align="center"><b><font color="#990033" size="-1">Sorry the site contains
</font></b><font color="#990033" size="-1"><strong>no</strong><b> audio or video samples.</b></font></h2>
<h2 align="center"><font color="#990000"><b><font color="#990033">ALL Pages,
Data and Images are for REFERENCE PURPOSE ONLY.</font></b></font></h2>
<p align="center"><font color="#990033"><b><font size="-1">The collated
information is from hundreds of sources, I am unable to verify the accuracy
of any information implied or provided . </font></b> </font></p>
<p align="center"><font color="#990033"><b><font size="-1">I neither own
these discs or know how to obtain them, so any Corrections or New material
is always appreciated.</font></b></font> </p>
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| Entry Points |
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| |
| [Standard](music/index2.htm) | |
| | |
|
[Frameless](music/index3.htm) |
| |
|
| |
| --- |
|
---
**The Guide to Beatles Recordings,
their availability on Commercial and Beatleg releases.
Over 18 thousand images and hundreds of variations NOT listed in many if any guides.**
**Sorry the site contains** **no** **audio or video samples.**
**ALL Pages,
Data and Images are for REFERENCE PURPOSE ONLY.**
**The collated
information is from hundreds of sources, I am unable to verify the accuracy
of any information implied or provided .**
**I neither own
these discs or know how to obtain them, so any Corrections or New material
is always appreciated.**
---
Copyright © C Johnson 2013
|
| http://www.beatleg.info/ |
<html>
<title> The Bugs Bunny Show Page </title>
<BASE TARGET="_parent"><body background="bbshowbg.jpg">
<p><hr>
<center><img src="bbshow3.jpg" border=2>
<h3>THE BUGS BUNNY SHOW</h3>
</center>
<hr>
Written by Kevin McCorry
<hr>
<center><img src="bbshow1.jpg"></center>
<pre>
"Overture, curtain, lights!
This is it. The night of nights.
No more rehearsing or nursing a part.
We know every part by heart!
(cane flip)
Overture, curtain, lights!
This is it. We'll hit the heights!
And oh, what heights we'll hit!
On with the show, this is it!
(character procession)
Tonight what heights we'll hit!
On with the show, this is it!"
</pre>
<img src="bugstomoon897.jpg" align=left>
Bugs Bunny personifies supreme heroism to generations of television viewers. He is the principal signature character for Warner Brothers animation and the beloved depiction of America's- and humanity's- aspirations to prevail over all difficulties and antagonists.
<p>
<img src="rabbitseasoning6743.jpg" align=right>
Though not entirely infallible, in some of his cartoons being transmuted into a monster or victimised by an exploding cigar or "powder room" in a wooden ship, Bugs is nevertheless an always-appealing character in seeming harmony with the universe and its virtuous order. He was conceived by the combined talents of young cartoon-animation directors at the Warner Brothers cartoon studio and appeared for the first recognisable time in the 1940, Tex Avery-directed classic, "A Wild Hare", as the irrepressible foil for hunter Elmer Fudd, by representing nature's ultimate bulwark against human presumptions of dominance and violent gamesmanship.
<p>
The first eight or nine years of Bugs' life were arguably those of his childhood, as a rambunctious heckler of all who cross his path. Then, in his "mature" time period, Bugs became a moral agent who acts to save his own life or that of a friend; who thwarts a human interloper on some time-honoured principle that must be preserved; who stops a villain, usually the diminutive, hot-tempered, gun-toting, red-bearded Yosemite Sam, from perpetrating some heinous crime; who spares Earth from the planet-obliterating technology of the politely aggressive, Roman-helmeted, tennis-shoed Marvin the Martian; who preempts the unlimited feasting of a voracious, on-the-loose Tasmanian Devil; or who represents modesty to Daffy Duck's insatiable hunger for monetary gain and self-aggrandising fame.
<p>
<center><img src="rabbitseville02851.jpg"></center>
<p>
Every cartoon-animation director at the Warner Brothers cartoon studio from 1945 to 1964 worked with Bugs Bunny, Chuck Jones, Friz Freleng, and Robert McKimson being Bugs' longest-serving "fathers". Three men and a bunny! Jones' Bugs, with somewhat triangular eyes, flexible eyebrows, and a suave, intellectual bent, is most widely known for diverting Elmer Fudd's rifle toward a perpetually conniving Daffy Duck, for singing opera music while shaving and hair-cutting a totally bald Fudd, for fighting a bull like no common matador can, and for literally "bringing down the house" upon fiery baritone-to-soprano Giovanni Jones. Freleng's "wascally wabbit", rather less intellectual but still suave, ingenious, and almost always nobly personable, is the rabbit who destroys farmer Elmer Fudd's robot, helps police to apprehend gangsters Rocky and Mugsy, and wages a running battle through history against Yosemite Sam. And McKimson's Bugs is the physically aggressive, squatter-and-wider-legged bunny who square-dances two hillbillies through beard-pulling, eye-poking, a hay baler, and a fall from a cliff, who evades the ravenous clutches of the spinning Tasmanian Devil, who helps an absent-minded Big Bad Wolf to defeat Three unsavoury Little Pigs, and who triumphs against a freeway-building brawn and against Blacque Jacque Shellacque, a French-Canadian river-damming gambler.
<p>
<center><img src="astarisbored8978.jpg"></center>
<p>
<img src="daffybugs.jpg" align=right>
<b>The Bugs Bunny Show</b> was the first national U.S. network broadcast television series for Bugs and his fellow Looney Tunes and Merrie Melodies cartoon characters: the tiny but spunky Tweety Bird; Tweety's feline foe, the lovably fallible Sylvester Cat; Sylvester's easily embarrassed son, Sylvester Jr.; Hippety Hopper, a baby kangaroo forever mistaken by Sylvester to be a giant mouse; the road-traversing, speedy bird, the Road Runner, and his pursuer, Wile E. Coyote; Mexico's fastest mouse, Speedy Gonzales; overbearing, overconfident rooster Foghorn Leghorn and his nemeses, the barnyard dog and little chicken hawk Henery; Pepe Le Pew, an amorous, French-speaking skunk; wannabe sheep-snatcher Ralph Wolf and his opposition, the taciturn Sam Sheepdog; plus Fudd, Yosemite Sam, Marvin Martian, the Tasmanian Devil, and Daffy. The pre-1948 Warner Brothers theatrical cartoons had already established a place for themselves on television, by means of distribution direct to individual telecasting stations. But in 1960, for the first time, the creative talents of Warner Brothers' cartoon directors and animators were directly applied to the television medium, and on the network level.
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Unlike Bugs Bunny's electronically transmitted weekly appearances of later years, his 1960 television series aired as an evening offering, on ABC, Tuesdays at 7:30 Eastern Time. Though it was seen in the early evening and thus was within children's viewing hours, <b>The Bugs Bunny Show</b>, like the theatrical cartoons that comprised it, was geared toward adults.
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Each half-hour episode utilised footage from post-1948 theatrical cartoon shorts, bridged with newly animated footage showing Bugs and the other Looney Tunes and Merrie Melodies characters as stage performers. The premise was that Bugs and his cohorts were filming a variety show in a theatre before a live audience. And each episode had an emcee, if not Bugs then one of the other characters, chased or heckled by his or their usual foe or foes. <img src="bbshow-bw3.jpg" align=right> Classic cartoon footage was introduced and directly led-into, often with a unifying idea or theme. Bugs frequently gave lectures, on such topics as cats, dogs, birds, humans, and crime, or informative sessions on how animated cartoons are made, thereby subjecting himself or other characters to indignities, "Duck Amuck"-style, at the hand and brush of a mischievous animator.
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All episodes opened with the raising of a curtain to show a spotlighted stage, onto which Bugs and Daffy Duck would enter from the left, singing "This is it" by Jerry Livingston and Mack David, a song which would become famous for decades to follow. Midway through the song, a procession of characters, consisting of Tweety, Speedy Gonzales, Hippety Hopper, Yosemite Sam, Sylvester, Elmer Fudd, Pepe Le Pew, the Road Runner, Wile E. Coyote, and Foghorn Leghorn, marched across the stage from right to left. Veteran cartoon directors Freleng and Jones co-directed this opening sequence, which was singularly animated by Gerry Chiniquy.
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Sponsors for <b>The Bugs Bunny Show</b> as telecast on ABC enjoyed immediate mention after Bugs and Daffy's performing of "This is it", in addition to specially animated segments with Bugs and other Warner Brothers cartoon personalities describing the products by which <b>The Bugs Bunny Show</b> was brought into the homes of the public. The episode-proper would then be rejoined with a still picture of Bugs standing amidst a trio of spotlights, with accompaniment of a non-lyrical phrase of "This is it" music. Closing credit sequence for each <b>Bugs Bunny Show</b> began with character procession, Bugs and Daffy walking onto the stage and moving as they had done when they sang "This is it", the curtain dropping in front of Bugs and Daffy, a spotlight shining on the curtain, and the credits flashed in a thin variety of Dom Casual font in the spotlit area. In very small textual notation (with generic print style) were the titles and copyright information for the cartoon shorts that had comprised the episode just shown. At the very end of the credits would be a Warner Brothers logo and a chorus rendition of, "This is the Bugs Bunny Show!"
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The 1960-1 season of <b>The Bugs Bunny Show</b> ran from October, 1960 to October, 1961. Jones, Freleng, and McKimson partly delegated their directing duties for individual theatrical cartoons, which were still in production at that time, to their unit layout men or senior animators, while they collaborated on the weekly episodes of <b>The Bugs Bunny Show</b>.
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<i>In the "Do or Diet" episode of <b>The Bugs Bunny Show</b>'s second season, Bugs exhibits concern for the exceedingly weighty condition of the Tasmanian Devil, who has rather overdone his prescribed intake of carrots.</i></center>
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For its staggered second season, which was broadcast on ABC from October, 1961 to September, 1962 (with some episodes airing only once, and quite late in the broadcast year- July and August, 1962!), <b>The Bugs Bunny Show</b> was slightly reformatted. Episodes were each assigned their own title, and attempts were made to do some different and more interesting bridging sequences between cartoons in the episodes. In one case, three of Bugs' cartoons with Yosemite Sam were edited into an extended story in which Sam dies, goes to hell, and is promised freedom by the devil if he can catch Bugs and force the rabbit to occupy his place in the fiery underworld. Another episode was an extension of 1959's "Tweet Dreams", in which Sylvester recalls some of his frustrating chases of Tweety to a psychiatrist. And in another Sylvester-and-Tweety episode, Sylvester reports on his recent misadventures in Europe, where his pursuit of the canary led him by ship from England to Italy, and then by train across the continent.
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Colour television was not widespread in the U.S. until 1966, when most long-running network television programmes switched to colour from black and white. All 52 episodes of <b>The Bugs Bunny Show</b> were originally shown in black and white, though the between-cartoon stage scenes were produced in colour, and likewise had been the theatrical cartoons comprising each episode. The original 52 episodes were later syndicated to foreign markets in full colour, and some of them did appear on Canada's CBC television network in the autumn of 1975, after the CBC ceased its long run of <b>The Bugs Bunny/Road Runner Hour</b>.
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<b>The Bugs Bunny/Road Runner Hour</b> was removed from the CBC so that Saturday evening airtime could be allocated to <b>Welcome Back, Kotter</b>, which was telecast by the full CBC network at 6:30 Atlantic Time. A spare half-hour at 6 o'clock enabled the CBC to continue broadcast of the antics and adventures of Bugs and friends, through episodes of <b>The Bugs Bunny Show</b>. From September 13 to December 6, 1975, thirteen instalments of <b>The Bugs Bunny Show</b> were screened across Canada. They were: Shows 5, 7, 8, 9, 10, 12, 14, 16, 20, and 25 of Season 1 and Shows 2, 9, and 10 of Season 2. Inexplicably, the CBC terminated its association with Bugs Bunny in December of 1975 and aired <b>Laurel and Hardy</b> at 6 P.M. on Saturdays instead of Bugs before the programme slot became occupied by the 60-minutes-long <b>Space: 1999</b> in September of 1976, and <b>Welcome Back, Kotter</b> moved to Thursday evening.
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In September, 1971, the half-hour <b>Bugs Bunny Show</b> reappeared, on Saturday mornings, replacing for a time <b>The Bugs Bunny/Road Runner Hour</b> on CBS. The offering of theatrical cartoons was different from that in the original 1960-2 version, with some cartoons added, several others removed, and the reused cartoons juggled into in-episode combinations different from those in 1960-2, which meant that the cartoons did not always logically follow the stage scenes from the original two seasons (1960-1 and 1961-2), which again were used as between-cartoon filler. Every cartoon composing each episode was prominently listed by title in Dom Casual font at the commencement of the closing credits. One notable error therewith was to the title of "14 Carrot Rabbit", which was printed without the number fourteen; "Carrot Rabbit", only.
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<i>"Rabbit Every Monday", "A Mouse Divided", and "Tree For Two" were the constituent cartoons of the first episode ever of <b>The Bugs Bunny Show</b>. In "Rabbit Every Monday", Yosemite Sam hunts and captures Bugs Bunny and intends to roast Bugs in a hot oven, but inside the oven is something very unexpected and convivial. An inebriated, chronically erring stork leaves a baby mouse at the home of Sylvester in "A Mouse Divided". And in "Tree For Two", Sylvester is the hapless alley cat unto whom canines Spike and Chester decide to inflict bodily harm, but harm befalls swaggering bully Spike when Sylvester hides in the vicinity of a black panther that has escaped zoo captivity, with the final outcome being that Spike loses of all of his swagger and becomes a fawning admirer of Chester.</i></center>
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The following is a guide for the episodes of the half-hour <b>Bugs Bunny Show</b>. Many thanks to Jerry Beck, whose book, <b>Looney Tunes and Merrie Melodies</b>, provided the information for stage scenes in certain episodes unseen by this writer.
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<i>Rocky the gangster points his gun at Bugs in a hijacking by Rocky and his accomplice, Mugsy, of the proceedings of <b>The Bugs Bunny Show</b>. Such was the premise for the on-stage scenes of the final episode of <b>The Bugs Bunny Show</b>- Season 1.</i></center>
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Season 1
<b>Bugs Bunny Show</b> # 1 (Oct. 11, 1960)
Bugs Bunny introduces his co-hosts individually. Forever vain Daffy Duck cannot persuade Bugs to mention him, try though
he does through the show, which consists of woodsman Yosemite Sam's unsuccessful effort at baking Bugs, Sylvester's
disastrous attempt at rodent fatherhood, and a black panther's humbling of an aggressor bulldog.
"Rabbit Every Monday" with Bugs Bunny and Yosemite Sam
"A Mouse Divided" with Sylvester and the Drunken Stork
"Tree For Two" with Sylvester, Spike, and Chester
<b>Bugs Bunny Show</b> # 2 (Oct. 18, 1960)
Gangsters Rocky and Mugsy are in their hideout, watching <B>The Bugs Bunny Show</B>. They see Bugs talking about the sponsors
who pay substantial money to support his television programme. So, the greedy Rocky decides to gain access to sponsorship
dollars by going into the television business- and intruding upon the proceedings of a <B>Bugs Bunny Show</B> episode depicting
rivalry at Tweety-grabbing between Sylvester and an orange putty tat, Daffy Duck's mock servitude to farmer Elmer Fudd,
and Speedy Gonzales' procurement of abundant cheese for his Mexican mouse brethren. By gunpoint, Rocky attains control of
on-stage happenings and operations, until Bugs foils Rocky and Mugsy by playing a vinyl record of police sounds, scaring
the gangsters into entering what they think is an escape chute but what is really a crate addressed to Alcatraz Prison.
"Putty Tat Trouble" with Tweety and Sylvester
"Wise Quackers" with Daffy Duck and Elmer Fudd
"Speedy Gonzales" with Speedy Gonzales and Sylvester
<b>Bugs Bunny Show</b> # 3 (Oct. 25, 1960)
Bugs Bunny introduces the host for this show, Pepe Le Pew, who is in an apartment in Paris. Pepe steps onto his balcony
and gestures for the viewer to gaze upon the romance-filled parks and streets of the city. "Yes, love is everywhere, even
at the cinema." The cinema's feature, a love-story located in a Parisian zoological exhibition, stars Pepe Le Pew. Pepe
then introduces further affairs of the heart between a flying cat and his landed paramour and between two young mice of
opposing wall holes in a Claude Cat household.
"Wild Over You" with Pepe Le Pew
"Go Fly a Kit" with Bulldog and the Flying Cat
"Mouse-Warming" with Claude Cat
<b>Bugs Bunny Show</b> # 4 (Nov. 1, 1960)
Wile E. Coyote's chase of the Road Runner has extended into the studio where Bugs is trying to host his television show.
Two Road Runner cartoons are thus featured, involving Wile E.'s schemes to explode bridges crossed or expected to be
crossed by the Road Runner, drop an anvil and a dynamite-laced barrel on the rapid bird, and generate Road Runner-killing
tornadoes.
"To Itch His Own" with Angelo the Mighty Flea and Bulldog
"Gee Whiz-z-z-z!" with Road Runner and Wile E. Coyote
"Whoa, Be-Gone!" with Road Runner and Wile E. Coyote
<b>Bugs Bunny Show</b> # 5 (Nov. 8, 1960)
Desperate to appear on the show as the feature performer, Daffy dresses as a Hawaiian, a musketeer, and a knight, but his
costume is deemed inappropriate by Bugs for each cartoon about to commence. Sylvester seeks to enter the Broken Arms
Hotel, wherein no cats are permitted, to snatch Tweety from hotel guest Granny, Bugs jousts with a short-tempered knight
in a medieval tournament, and Pepe Le Pew is in a perfume store in pursuit of a cat believed by him to be a skunk.
"Canary Row" with Tweety, Sylvester, and Granny
"Knights Must Fall" with Bugs Bunny and Sir Pantsalot of Dropseat Manor
"For Scent-imental Reasons" with Pepe Le Pew
<b>Bugs Bunny Show</b> # 6 (Nov. 15, 1960)
In a musical competition between cartoon features of Bugs at war with an opera singer, Sylvester buffeted by tidal waves
in his gastronomic quest for Tweety, and two mice conspiring to induce house cat insanity, Daffy plays drums and Bugs
imitates "Frankie doing an imitation of Rickie imitating Elvis." Their loud music disturbs Yosemite Sam, who is in a
neighbouring building, trying to sleep. Sam angrily runs into the <b>Bugs Bunny Show</b> studio and destroys Bugs and Daffy's
musical instruments, including a trumpet that Bugs tries to play, which Sam twists into knots.
"Long-Haired Hare" with Bugs Bunny and Giovanni Jones
"Sandy Claws" with Tweety, Sylvester, and Granny
"Mouse Wreckers" with Claude Cat, Hubie, and Bertie
<b>Bugs Bunny Show</b> # 7 (Nov. 22, 1960)
Daffy disguises himself as Bugs to host the television show, but a sheepdog, on a day free from his work, walks into the
studio, hoping to catch the bunny-rabbit (Bugs) that he saw on television on the previous week. Daffy, in his rabbit suit,
is accosted by the dog, while Bugs, off stage, introduces cartoons: Bugs' battle against a bull, Sylvester's explosive
ordeal at sea, and a tale of woe for a man who discovers, beyond the belief of every person around him, a frog that can
sing.
"Bully For Bugs" with Bugs Bunny and the Bull
"Tweety's S.O.S." with Tweety, Sylvester, and Granny
"One Froggy Evening" with Michigan J. Frog
<b>Bugs Bunny Show</b> # 8 (Nov. 29, 1960)
Daffy wants to be host. So, he banishes all others from the stage, including Pepe, Elmer, and Bugs. Still, the cartoons
proceed on schedule, with Bugs in Scotland, Porky and Sylvester in a spooky, mouse-infested house, and Pepe chasing a
white-paint-striped cat in a zoo.
"My Bunny Lies Over the Sea" with Bugs Bunny and Angus McCrory
"Scaredy Cat" with Porky Pig and Sylvester
"Scent-imental Romeo" with Pepe Le Pew
<b>Bugs Bunny Show</b> # 9 (Dec. 6, 1960)
Tweety is host of an instalment containing two psychological thrillers with birds seemingly doomed to death at a
specified time. So that the little canary can be safe from Sylvester, Bugs hangs his cage from the stage ceiling.
Sylvester attempts to reach Tweety in the hanging cage, and Bugs contests Sam Von Schamm, the Hessian, in the Battle of
Bagel Heights.
"Bunker Hill Bunny" with Bugs Bunny and Yosemite Sam
"Each Dawn I Crow" with Elmer Fudd and John Rooster
"Golden Yeggs" with Daffy Duck, Porky Pig, and Rocky
<b>Bugs Bunny Show</b> # 10 (Dec. 13, 1960)
Yosemite Sam, armed and dangerous and seeking some cartoon entertainment, invades the stage of <b>The Bugs Bunny Show</b>. Bugs
has ceded the hosting duties for the show's latest episode to Daffy Duck, who must withstand the formidably ornery Sam's
instigations of gun-toting mayhem while attempting to do a dancing act and play a piano, and as he introduces three
select cartoons. Cartoons wherein Bugs outwits an African witch doctor desiring a rabbit for his latest potion and
Sylvester pursues a mazurka-dancing mouse in a Slobovian cabin and vies with a kitten to be the chosen pet of Elmer
Fudd.
"Which is Witch" with Bugs Bunny and Dr. I.C. Spots
"Mouse Mazurka" with Sylvester
"Kit For Cat" with Sylvester and Elmer Fudd
<b>Bugs Bunny Show</b> # 11 (Dec. 20, 1960)
Bugs introduces Porky Pig as host. Porky is pestered by Charlie Dog, who is looking for a master. Charlie does his all-
breeds-in-one routine and complicates Porky's introduction of Claude Cat's struggle to eliminate the loudly barking and
feline-startling Frisky Puppy, Sylvester's pursuit of Tweety on a train, and Bugs' thwarting of his own abduction by
Marvin Martian.
"Two's a Crowd" with Claude Cat and Frisky Puppy
"All a Bir-r-r-d" with Tweety and Sylvester
"The Hasty Hare" with Bugs Bunny, Marvin Martian, and K-9
<b>Bugs Bunny Show</b> # 12 (Dec. 27, 1960)
George P. Dog is introduced by Bugs as the emcee for this episode, but Foghorn Leghorn decides that he would be a better
emcee and pushes the dog aside. Then, Little Henery Hawk enters the studio on his unending hunt for chicken, and Foghorn
uses a magic hat to make Henery disappear. Foghorn next watches and shows to the audience an interview with Bugs Bunny,
followed by a documentary on the Gambling Bug- with examples of his work, and lastly Sylvester's encounter with a baby
kangaroo from a circus.
"What's Up, Doc?" with Bugs Bunny and Elmer Fudd
"Early to Bet" with the Gambling Bug
"Pop 'im Pop!" with Sylvester, Sylvester Jr., and Hippety Hopper
<b>Bugs Bunny Show</b> # 13 (Jan. 3, 1961)
Sylvester is introduced by Bugs as host, and he is joined on stage by his son, Sylvester Jr., who is underwhelmed at
Sylvester's all-too-brief introduction of him. Sylvester Jr. roams the <B>Bugs Bunny Show</B>'s backstage, rejoins Sylvester in
the stage spotlight, and talks of having seen a "giant mouse", pulling Sylvester's arm to guide Sylvester to where the
"giant mouse" may be found. Sylvester uncovers Hippety Hopper from under a barrel and is petrified and ghost-white with
fear at the sight of the "giant mouse". When his son obliges Sylvester to try to catch Hippety, Sylvester is dragged
across stage and body-contorted by the jumpy joey. Eventually, Sylvester Jr. is able to put a leash on Hippety and to
proclaim success at "giant mouse" capture, while Sylvester is traumatised by a muscular powerhouse of a little mouse.
Such are the segues between Bugs' visit to Baghdad, Charlie Dog's antics in the Deep South, and Foghorn Leghorn's
unsuccessful fishing exercise.
"A-Lad-in His Lamp" with Bugs Bunny and Smoky the Genie
"Dog Gone South" with Charlie Dog and Colonel Shuffle
"A Fractured Leghorn" with Foghorn Leghorn
<b>Bugs Bunny Show</b> # 14 (Jan. 10, 1961)
Elmer Fudd is host and tries to sing, but he is thwarted when the notes on his sheet music run off of their page and
remind him of his July 4 picnic that became a harrowing confrontation with an army of ants- and when Sylvester, outside of
the studio, wears boots and sings "tra-la-la" while noisily stomping up and down a wooden stairwell. In cartoons presented
by Elmer, the Goofy Gophers pursue "vandals" who confiscated all of the vegetables from their garden and Bugs and Yosemite
Sam are at odds over property rights.
"Ant Pasted" with Elmer Fudd
"The Fair Haired Hare" with Bugs Bunny and Yosemite Sam
"I Gopher You" with the Goofy Gophers
<b>Bugs Bunny Show</b> # 15 (Jan. 17, 1961)
Daffy finally receives recognition! Bugs hosts an all-Daffy Duck tribute, in which Mama Bear performs "I'm Just Wild
About Daffy" and the mallard stars in cartoons as a far-future detective, the boon companion to a multi-millionaire, and a
dubious hero of the Wild West.
"Rocket Squad" with Daffy Duck and Porky Pig
"Daffy Dilly" with Daffy Duck
"Drip-Along Daffy" with Daffy Duck, Porky Pig, and Nasty Canasta
<b>Bugs Bunny Show</b> # 16 (Jan. 24, 1961)
Foghorn Leghorn introduces Miss Prissy, who, Foghorn says, is an old-time actress. Foghorn reenacts some of Prissy's
famous roles, including "Romeo and Juliet", in which she played both parts, and an act involving precarious balancing on a
stack of chairs and juggling of bowling pins and hoops. Prissy initiates the cartoons by looking into a crystal ball, and
she sees Daffy marrying for money and regretting it and Bugs foiling a scientist's plan to transfer his consciousness into
the feathered head of a chicken.
"The Leghorn Blows at Midnight" with Foghorn Leghorn and Henery Hawk
"His Bitter Half" with Daffy Duck
"Hot Cross Bunny" with Bugs Bunny and the Bespectacled Doctor
<b>Bugs Bunny Show</b> # 17 (Jan. 31, 1961)
An unseen animator sketches Foghorn Leghorn with Rock Hudson's body and then draws a broom's tail on Foghorn's backside.
Foghorn retaliates by lassoing and pummelling the animator- Daffy Duck, before appearing in the first cartoon as the
reluctant love interest of Miss Prissy. The peaceful home of Sylvester and Sylvester Jr. is invaded by zoo office escapee
Hippety Hopper, and Bugs purchases houses of straw and wood from Three Little Pigs, minus insurance against a Big Bad
Wolf.
"Lovelorn Leghorn" with Foghorn Leghorn and Miss Prissy
"Who's Kitten Who?" with Sylvester, Sylvester Jr., and Hippety Hopper
"The Windblown Hare" with Bugs Bunny and the Big Bad Wolf
<b>Bugs Bunny Show</b> # 18 (Feb. 7, 1961)
Two lame-brained Mexicali cats, Jose and Miguel, try to host an episode with Yosemite Sam plummeting again and again into
a bucket of water, Ralph Wolf being continually stopped from obtaining mutton by the omnipresent Sam Sheepdog, and a
mouse deceiving Mike Bulldog into thinking Sylvester to be a provocative foe. Jose and Miguel are heckled on stage by
Speedy Gonzales, who entices the dimwit felines into chasing him, with animation reused from the cartoon, "Mexicali
Shmoes".
"High Diving Hare" with Bugs Bunny and Yosemite Sam
"Don't Give Up the Sheep" with Ralph Wolf and Sam Sheepdog
"Stooge For a Mouse" with Sylvester and Mike Bulldog
<b>Bugs Bunny Show</b> # 19 (Feb. 14, 1961)
Bugs demonstrates how to draw an animated cartoon character. He decides to use Daffy Duck as an example and draws Daffy
from a dumbbell. In this instalment's featured cartoons, ball-and-chained sailor Bugs actively expresses his grievances
with the captaincy of Shanghai Sam aboard the Sad Sack, an elephant of very small proportion causes hysteria in an
American city, and Wile E. Coyote's Superman costume proves anything but airworthy.
"Mutiny On the Bunny" with Bugs Bunny and Yosemite Sam
"Punch Trunk" with the Tiny Elephant
"Fast and Furry-ous" with Road Runner and Wile E. Coyote
<b>Bugs Bunny Show</b> # 20 (Feb. 21, 1961)
"Tonight, we thought we would go in for a little fast culture," says Bugs, standing in front of the set for "The Barber of
Seville", which, starring Bugs Bunny, is to be the opera feature for the show. But Elmer Fudd, hunting Bugs with his
rifle, sees the attraction poster billing Bugs as the star and enters the studio with the intention of shooting his rifle
at Bugs. "This is wabbit season, and I'm gonna get me a wabbit. Opewa or no opewa. Wossini or no Wossini. So, watch out,
wabbit!" Additionally, Daffy is an insufficiently convincing protagonist in a swashbuckler story, and Wile E. Coyote on a
motorcycle collides with a telephone pole.
"Rabbit of Seville" with Bugs Bunny and Elmer Fudd
"The Scarlet Pumpernickel" with Daffy Duck, Porky Pig, Sylvester, Elmer Fudd, Henery Hawk, and Mama Bear
"Stop! Look! And Hasten!" with Road Runner and Wile E. Coyote
<b>Bugs Bunny Show</b> # 21 (Feb. 28, 1961)
Mac and Tosh, the Goofy Gophers, are introduced by Bugs as this episode's hosts. In the cartoons, Bugs is orchestrator of
a square dance that very much pains two lame-brained men of the Ozark Mountains, Sylvester's feline integrity is in doubt
when he cannot defeat a punchy "giant mouse" before the eyes of a cat-prodding bulldog, and Daffy's ruse in chicken guise
to win a $5,000 prize goes dreadfully awry when Henery Hawk selects him as fodder for a chicken hawk father-and-son
feast.
"Hillbilly Hare" with Bugs Bunny and the Martin Brothers
"Hippety Hopper" with Sylvester and Hippety Hopper
"You Were Never Duckier" with Daffy Duck and Henery Hawk
<b>Bugs Bunny Show</b> # 22 (Mar. 7, 1961)
Sylvester is host and tells to his son, Junior, the Looney Tune-style fairy tales of the Big Bad Wolf and the Three
Little Pigs- in which hero and villain roles are seemingly reversed, Pied Piper Porky Pig of Hamelin, and Jack and the
Beanstalk- with Bugs and Daffy as a "pair of Jacks" and Elmer Fudd as the towering inhabitant of the land atop the
sprouted beanstalk.
"The Turn-Tale Wolf" with the Big Bad Wolf
"Paying the Piper" with Porky Pig
"Beanstalk Bunny" with Bugs Bunny, Daffy Duck, and Elmer Fudd
<b>Bugs Bunny Show</b> # 23 (Mar. 14, 1961)
Mac and Tosh, the Goofy Gophers, are again hosts for the show. They spend their time politely arguing over who should
introduce the jailed Bugs, house-imprisoned and in-need-of-food Sylvester, and Tweety-in-a-city-park cartoon features
(each insists that the other do it); so, Bugs interrupts them and himself does the job.
"Big House Bunny" with Bugs Bunny and Yosemite Sam
"Canned Feud" with Sylvester
"Home, Tweet Home" with Tweety and Sylvester
<b>Bugs Bunny Show</b> # 24 (Mar. 21, 1961)
Yosemite Sam expects to be emcee for this episode consisting of Bugs' river boat gambling escapade, long-suffering Claude
Cat's descent into a waterless swimming pool, and two over-indulged-on-cheese mice's suicide act of stepping into a
befuddled Claude's mouth. Bugs selects Pepe Le Pew for the emcee duties. A furious Sam shoots at Pepe with his two guns,
but the bullets from the guns are repelled by Pepe's odour and retreat straight back into the nozzles. Sam next uses the
Tasmanian Devil to try to chase Pepe off of the stage, but Pepe's foul scent also defeats Taz.
"Mississippi Hare" with Bugs Bunny and Colonel Shuffle
"Terrier-Stricken" with Claude Cat and Frisky Puppy
"Cheese Chasers" with Claude Cat, Hubie, and Bertie
<b>Bugs Bunny Show</b> # 25 (Mar. 28, 1961)
Bugs introduces Daffy Duck as this instalment's host, but Daffy is backstage being chased by the Tasmanian Devil, who has
broken out of a crate. Cartoons include Henery Hawk's lasso-trap capture of Foghorn Leghorn for chicken dinner, Porky
Pig's stint as a talent agent, and Bugs' meeting on his home turf with a voracious, spinning juggernaut from Tasmania.
"Henhouse Henery" with Foghorn Leghorn and Henery Hawk
"Curtain Razor" with Porky Pig
"Devil May Hare" with Bugs Bunny and Tasmanian Devil
<b>Bugs Bunny Show</b> # 26 (Apr. 4, 1961)
"Okay, rabbit. Grab a cloud. This is a stick-up." Gun-toting gangsters Rocky and Mugsy hijack the show. Mugsy escorts Bugs
off of the stage, and Rocky introduces the cartoons: Bugs accompanying Columbus aboard the Santa Maria in 1492, Foghorn
Leghorn endeavouring to prove his being a chicken to Henery Hawk, and Sylvester performing as Big Bad Wolf to a dreaming
boy mouse's Little Red Riding Hood, each of which Rocky shows from a film projector.
"Hare We Go" with Bugs Bunny and Chris Columbus
"The Foghorn Leghorn" with Foghorn Leghorn and Henery Hawk
"Little Red Rodent Hood" with Sylvester
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<center><img src="bbshow4.jpg"><br>
<i>In "Do or Diet", the thirteenth episode of the second season of <b>The Bugs Bunny Show</b>, Bugs is joined on stage by his ferocious and voracious nemesis, the Tasmanian Devil.</i></center>
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Season 2
<b>Bugs Bunny Show</b> # 1 (Oct. 10, 1961)
"Bad-Time Story"- episode title
It is 'Reading Out Loud Night', and Bugs selects a book from a shelf and walks into a backdrop leading into the first
cartoon feature for this fairy tales and legends instalment, comprised of Bugs' initiative to save the lives of Hansel
and Gretel from Witch Hazel, Daffy's pratfalls as an accident-prone Robin Hood, Porky Pig's performance as a laughing
Friar Tuck, and Sylvester's raid of an enormous, Tweety-inhabited castle at the top of a certain beanstalk.
"Bewitched Bunny" with Bugs Bunny and Witch Hazel
"Robin Hood Daffy" with Daffy Duck and Porky Pig
"Tweety and the Beanstalk" with Tweety and Sylvester
<b>Bugs Bunny Show</b> # 2 (Oct. 17, 1961)
"Satan's Waitin'"- episode title
Yosemite Sam dies after being crushed by a falling safe during his evil scheme to matrimonially divest a widow of her
money- and he goes to hell, where the devil promises to release Sam's spirit and give to Sam a new lease on life, provided
that Sam bring to the devil a certain rabbit whom the devil has been trying for a long time to entrap in Hades. Sam is
returned to Earth on a movie set, where a dictatorial director, who looks and talks like Emperor Nero, orders stagehand
Sam to find a victim to feed to a hoard of lions. Sam dies again when he is feasted upon by the lions, and the devil
allocates to him one more miscarried chance to catch the bunny, in the midst of the Sahara Desert.
"Hare Trimmed" with Bugs Bunny, Yosemite Sam, and Granny
"Roman Legion-Hare" with Bugs Bunny and Yosemite Sam
"Sahara Hare" with Bugs Bunny and Yosemite Sam
<b>Bugs Bunny Show</b> # 3 (Oct. 24, 1961)
"Daffy Doodling"- episode title
Daffy outwits Bugs for the position of emcee, Sylvester and a brawny, stupid sidekick hunt mice in a warehouse, the Goofy
Gophers find that their lumber-harvested home tree has been converted into human furniture, and Foghorn Leghorn's mid-
winter fun is fettered by the arrival in his barnyard of a hungry, chicken-craving weasel.
"Hoppy-Go-Lucky" with Sylvester, Benny Cat, and Hippety Hopper
"Lumber Jerks" with the Goofy Gophers
"Weasel While You Work" with Foghorn Leghorn and the Weasel
<b>Bugs Bunny Show</b> # 4 (Oct. 31, 1961)
"Omni-Puss"- episode title
Bugs Bunny lectures about cats, describing with visual aid an alley cat (bowling, that is!), a Bob Cat greeting a Tom Cat
("Hello, Tom." "Hello, Bob."), a pole cat (sitting atop a pole), two Persian cats making a Persian-to-Persian telephone
call, <i>et cetera</i>. Three cartoon features depict Sylvester and Sylvester Jr. in a museum as Sylvester combats a baby
kangaroo believed by him and by his son to be a giant mouse, a bulldog named Marc Antony striving to prove that his kitten
friend, Pussyfoot, is capable of ridding their master's house of its rodents, and Pepe Le Pew's search for love on the
French Riviera and, as usual, his lust for a cat whose back is striped white from exposure to paint of that colour.
"Mouse-Taken Identity" with Sylvester, Sylvester Jr., and Hippety Hopper
"Kiss Me Cat" with Marc Antony and Pussyfoot
"Heaven Scent" with Pepe Le Pew
<b>Bugs Bunny Show</b> # 5 (Nov. 7, 1961)
"Tired and Feathered"- episode title
Bugs Bunny gives a lecture on birds, showing the repulsive vulture (who replies to Bugs' description of his repulsiveness
by saying, "Sticks and stones may break my bones..."), the Blue "J" (a capital letter "J", painted blue), a troublesome
mockingbird, who repeats everything that Bugs says and does- including a mallet strike on the head, Tweety Bird in a
precarious predicament as Granny's pet trapped with Sylvester in a snowbound mountain cabin, a pair of Mexican crows
desiring without avail the capture and eating of a grasshopper, and the Road Runner as fallibly pursued by Wile E. Coyote
with a rocket, a dynamite lasso, glue, and a female Road Runner disguise, in the U.S. southwestern desert.
"Snow Business" with Tweety, Sylvester, and Granny
"Two Crows From Tacos" with the Mexicali Crows
"Ready.. Set.. Zoom!" with Road Runner and Wile E. Coyote
<b>Bugs Bunny Show</b> # 6 (Nov. 14, 1961)
"Man's Best Friend"- episode title
Bugs Bunny lectures about dogs, but first must struggle with a projectionist who, when Bugs says that the lecture is about
man's best friend, shows a picture of a tarantula and then a Whistler's Mother portrait, presumably because, "A man's best
friend is his mother." When Bugs clearly states that he intends to talk about dogs, the projectionist flashes a picture of
a wiener (a hot dog). "The domestic dog," retorts Bugs, and a picture of a wiener in an apron instantly appears. Finally,
the projectionist does something right, and Bugs' requested pictures of dogs are shown: the sheep dog, as seen in a
cartoon defending a flock of sheep from lambchop-desirer Ralph Wolf and Ralph's smoke bomb, rock disguise, and underwater
unicycle; and the bulldog, willing in one cartoon to resort to any deception to attain meat and acting in another cartoon
as protector of his scrappy baby son against a conniving Sylvester.
"Sheep Ahoy" with Ralph Wolf and Sam Sheepdog
"Chow Hound" with Bulldog
"Pappy's Puppy" with Sylvester and Butch J. Bulldog
<b>Bugs Bunny Show</b> # 7 (Nov. 21, 1961)
"Ball Point Puns"- episode title
Red and black dancing pens, named Penelope and Penbroke, perform like figure skaters on the stage floor and write the
titles of the cartoons selected for this episode. Due to Bugs and Daffy's efforts to direct hunter rifle fire toward each
other, Elmer is confused as to what hunting season it really is. Porky Pig and Sylvester are overnight residents at the
creepy Dry Gulch Hotel, and then Porky has a secret house guest- Daffy Duck, seeking shelter from a blizzard and a
constant supply of food.
"Duck! Rabbit, Duck!" with Bugs Bunny, Daffy Duck, and Elmer Fudd
"Claws For Alarm" with Porky Pig and Sylvester
"Cracked Quack" with Daffy Duck and Porky Pig
<b>Bugs Bunny Show</b> # 8 (Nov. 28, 1961)
"The Unfinished Symphony"- episode title
Bugs contends with an annoying fly in this musical show, featuring a mouse who can play a miniature piano, Bugs'
conducting of an orchestra's performance of "Morning, Noon, and Night in Vienna" by Franz Von Suppe, and a be-bop-jazzed
version of the Big Bad Wolf and Three Little Pigs.
"Pizzicato Pussycat" with the Piano-Playing Mouse
"Baton Bunny" with Bugs Bunny
"The Three Little Bops" with the Big Bad Wolf
<b>Bugs Bunny Show</b> # 9 (Dec. 5, 1961)
"Prison to Prison"- episode title
Bugs, dressed like the portly Alfred Hitchcock, lectures on crime. He talks about the seedy underworld of Victorian
England, where master sleuth Dorlock Homes is trailing the notorious Shropshire Slasher, and then, standing outside of the
laboratory of one Dr. Peabody, he speaks about mad scientists, specifically the meek inventor of a portable hole that is
stolen by a shadowy bank robber. Next, he flips through a police record archive to find a dossier on Rocky and Mugsy, two
criminals who have, so far- but not for much longer, managed to elude the law.
"Deduce, You Say" with Daffy Duck and Porky Pig
"The Hole Idea" with Calvin Q. Calculus
"Bugsy and Mugsy" with Bugs Bunny, Rocky, and Mugsy
<b>Bugs Bunny Show</b> # 10 (Dec. 12, 1961)
"Go, Man, Go"- episode title
"The subject for tonight's show is one that has always puzzled us little denizens of the woodland glades." In yet another
lecture, Bugs talks about man. "You see, folks. Man is basically lazy. In order to keep from using his feet, he uses his
brain." The lecture addresses human methods of conveyance, including the pogo stick, the Birdie-mobile (a seat carried in
the air by a flock of birds), the horse, and the automobile in its many forms, then discusses the human need for
companionship, hence the opposite sex and marriage, and then refers to the sprawling of human civilisation, which
encroaches upon nature- and upon the sanctity of Bugs' home, located in a site chosen by man for building a freeway.
"There Auto Be a Law" with the Meek Car-Driver
"Wild Wife" with the Harried Housewife
"No Parking Hare" with Bugs Bunny and the Construction Worker
<b>Bugs Bunny Show</b> # 11 (Dec. 19, 1961)
"I'm Just Wild About Hare"- episode title
Bugs has overslept. When the announcer summons him by hole-shaped elevator to the stage, either he is in his bathrobe,
barely awake and brushing his teeth, or he is drying himself after a shower, or he is occupied with his vacuum cleaner.
Cartoons therefore introduced by the announcer: Daffy Duck's refusal at any cost to receive a stork's delivery, the Road
Runner's escape from Wile E. Coyote's explosive arrow and a huge, rolling boulder, and Pepe Le Pew's difficult wooing in
the waters of southern France of a cat accidentally back-striped white.
"Stork Naked" with Daffy Duck and the Drunken Stork
"Going! Going! Gosh!" with Road Runner and Wile E. Coyote
"Touche and Go" with Pepe Le Pew
<b>Bugs Bunny Show</b> # 12 (Dec. 26, 1961)
"Stage Couch"- episode title
Sylvester needs psychiatric help when his frustration at being unable to catch Tweety has him on the verge of mental
collapse. So, Bugs obliges to be Sylvester's "head-doctor" and listens as Sylvester tells of his obsessive chase of the
elusive canary in Granny's home and at a circus.
"Gift Wrapped" with Tweety, Sylvester, and Granny
"Tweety's Circus" with Tweety and Sylvester
"A Street Cat Named Sylvester" with Tweety, Sylvester, and Granny
<b>Bugs Bunny Show</b> # 13 (Jan. 16, 1962)
"Do or Diet"- episode title
The Tasmanian Devil appears with Bugs on stage. Bugs tells of his first meeting with "Taz-Boy" in the jungle of Tasmania,
and then he prescribes a carrot diet to Taz, demonstrating how an anaemic weakling, Daffy Duck, supposedly became a super-
heroic muscular powerhouse after submitting to a carrot diet. Foghorn Leghorn courts Miss Prissy and finds that he is the
prospective father of a quiet genius.
"Bedevilled Rabbit" with Bugs Bunny and the Tasmanian Devil
"Stupor Duck" with Daffy Duck
"Little Boy Boo" with Foghorn Leghorn, Miss Prissy, and Egghead Jr.
<b>Bugs Bunny Show</b> # 14 (Jan. 23, 1962)
"Hare Brush"- episode title
Introduced by Bugs, Harry the Brush explains his role in the animation of cartoons wherein Claude Cat schemes to
implicate bulldog Marc Antony in the confining by Claude of kitten Pussyfoot within a glass jug, a squirrel toils with a
particularly tough nut to crack, and Daffy is at the mercy of the mischief of what he says is a "slop-artist".
"Feline Frame-Up" with Claude Cat, Marc Antony, and Pussyfoot
"Much Ado About Nutting" with the Nut-Collecting Squirrel
"Duck Amuck" with Daffy Duck and Bugs Bunny
<b>Bugs Bunny Show</b> # 15 (Feb. 13, 1962)
"Is This a Life?"- episode title
In this spoof of <b>This is Your Life</b>, Bugs Bunny's life is reviewed, with visits from friends and foes. Yosemite Sam
remembers his battles with Bugs in the Klondike and at a Wild West carnival, and Elmer Fudd shows to Bugs a photo album
containing snapshots of some of Bugs' relatives, Flopsie, Mopsie, Cottontail, and Peter, and of a farm setting in
Indiana, the locale of Bugs' tussle with Fudd and a robot.
"14 Carrot Rabbit" with Bugs Bunny and Yosemite Sam
"Robot Rabbit" with Bugs Bunny and Elmer Fudd
"High Diving Hare" with Bugs Bunny and Yosemite Sam
<b>Bugs Bunny Show</b> # 16 (Feb. 20, 1962)
"De-duck-tive Story"- episode title
Daffy Duck joins the trench coat crowd in a show that highlights some of his greatest detective roles, one of them set in
Paris and the other located in an American metropolis to which Beveridge Hills is an affluent suburb. In another cartoon,
Daffy is the wily proprietor of an inn with a multi-animal infestation problem.
"Boston Quackie" with Daffy Duck and Porky Pig
"The Super Snooper" with Daffy Duck
"Dime to Retire" with Daffy Duck and Porky Pig
<b>Bugs Bunny Show</b> # 17 (Mar. 13, 1962)
"The Astro-Nuts"- episode title
Bugs Bunny emerges from his hole on stage as Super-Rabbit, defender of the defenceless, buddy of the buddy-less, to
introduce science fiction cartoons. Intrepid interplanetary adventurer Daffy contends with Marvin Martian in claiming
Planet X as home planet's rightful colonial territory, and Porky Pig and Sylvester are a Jupiter buzzard's selected
Earthling subjects of study. Bugs is then joined on stage by a spacesuited Porky, who descends to stage level in a
parachute and relates to the audience the story of Bugs' own experience in the cosmos, on a space platform controlled
by Marvin with his apocalyptic Aludium Q-36 Explosive Space Modulator.
"Duck Dodgers in the 24 1/2th Century" with Daffy Duck, Porky Pig, and Marvin Martian
"Jumpin' Jupiter" with Sylvester and Porky Pig
"Hare-Way to the Stars" with Bugs Bunny and Marvin Martian
<b>Bugs Bunny Show</b> # 18 (Mar. 20, 1962)
"Vera's Cruise"- episode title
Sylvester recounts his recent travels through Europe, when his pursuit of Tweety became transoceanic and transcontinental.
Relaxing in England, Sylvester was chased by two cockney canines and drank a certain concoction in a laboratory. Escaping
the two dogs, Sylvester saw Tweety on a pier and travelled by boat, as an unwelcome passenger, to Italy, where he failed
in several attempts to catch the bird. Then, on the Orient Express, Sylvester's pursuit of Tweety was thwarted by a
bulldog.
"Dr. Jerkyl's Hide" with Sylvester, Spike, and Chester
"Tweety's S.O.S." with Tweety, Sylvester, and Granny
"A Pizza Tweety-Pie" with Tweety, Sylvester, and Granny
"All a Bir-r-r-d" with Tweety and Sylvester
<b>Bugs Bunny Show</b> # 19 (Apr. 19, 1962)
"Foreign Legion Leghorn"- episode title
Foghorn Leghorn is an inept soldier in the French Foreign Legion. Travelling across the Sahara Desert, Foghorn explains
to his Sergeant about how his troublesome relationships with domineering chickens and cunning boys caused him to leave
America and join the French military.
"The EGGcited Rooster" with Foghorn Leghorn and Henery Hawk
"Of Rice and Hen" with Foghorn Leghorn and Miss Prissy
"Feather Dusted" with Foghorn Leghorn, Miss Prissy, and Egghead Jr.
<b>Bugs Bunny Show</b> # 20 (Apr. 26, 1962)
"Watch My Line"- episode title
The art of cartoon drawing is demonstrated by an animator, whom Bugs directs to draw a line that becomes a dog's wagging
tail for a story of canine mistreatment by an innocent, little girl, and then to sketch a pair of speedy legs- those of
the Road Runner, as a start to a Road Runner cartoon containing Wile E. Coyote's dynamite stick on a lasso, giant coil
spring, dehydrated boulders, and steam roller- all ineffective at ending the Road Runner's life in the fast lane. The
animator next turns mischievous and puts Bugs through various indignities.
"A Waggily Tale" with Elvis Dog and Junior
"Scrambled Aches" with Road Runner and Wile E. Coyote
"Rabbit Rampage" with Bugs Bunny and Elmer Fudd
<b>Bugs Bunny Show</b> # 21 (Jul. 3, 1962)
"What's Up, Dog?"- episode title
More dog tales. Charlie Dog chooses urban apartment owner Porky Pig as his master, whether Porky likes this or not. Daffy
Duck rivals a barnyard dog for feeding by farmer Elmer Fudd. A middle-class man's shaggy dog, Robert, is determined to
prove that he is a thoroughbred.
"The Awful Orphan" with Porky Pig and Charlie Dog
"Don't Axe Me" with Daffy Duck, Elmer Fudd, and Mrs. Fudd
"Mixed Master" with Robert Dog
<b>Bugs Bunny Show</b> # 22 (Jul. 10, 1962)
"The Cat's Bah"- episode title
Pepe Le Pew recalls the results of broken romances in Africa. Midway through the show, he suggests that viewers "take a
brief respite from romance" by joining Bugs Bunny, whose Miami Beach vacation went afoul when he tunnelled to Antarctica
by mistake and met a temperamental penguin.
"The Cat's Bah" with Pepe Le Pew
"Frigid Hare" with Bugs Bunny and the Penguin
"Little Beau Pepe" with Pepe Le Pew
<b>Bugs Bunny Show</b> # 23 (Jul. 17, 1962)
"No Business Like Slow Business"- episode title
Slowpoke Rodriguez and Speedy Gonzales are co-hosts, introducing cartoons in which Sylvester and the Big Bad Wolf team to
stalk Tweety and Little Red Riding Hood in the house of Granny, Bugs coyly fleeces desperado and San Francisco casino
owner Nasty Canasta of all of his ill-gotten gains, and Ralph Wolf schemes unsuccessfully with Little Bo Peep guise,
bowling ball, cannon, and hair grower liquid strategically dripped on the already moppy follicles on Sam Sheepdog's
forehead, to filch the flock of sheep in Sam's care.
"Red Riding Hoodwinked" with Tweety, Sylvester, Granny, and the Big Bad Wolf
"Barbary-Coast Bunny" with Bugs Bunny and Nasty Canasta
"Double or Mutton" with Ralph Wolf and Sam Sheepdog
<b>Bugs Bunny Show</b> # 24 (Jul. 24, 1962)
"The Honey-Mousers"- episode title
When Bugs descends by his special, hole-shaped elevator from the stage to his dressing room there beneath, he finds that
he has company- the show's viewer. So, Bugs as a dutiful host invites his guest to join him in watching a high-rated
television show, a mouse version of <b>The Honeymooners</b>. Toy bus driver Ralph Crumden and kitchen sink worker Ned Morton
seek to acquire food from the humans' kitchen in the Brooklyn apartment in which they and their whiskered wives have
neighbouring hole dwellings, but a cat blocks their path to the refrigerator and the goodies therein. So, Crumden and
Morton plot to outwit their feline opponent.
"Cheese it, the Cat!" with the Honey-Mousers
"Lighthouse Mouse" with Sylvester and Hippety Hopper
"The Honey-Mousers" with the Honey-Mousers
<b>Bugs Bunny Show</b> # 25 (Jul. 31, 1962)
"A Star is Bored"- episode title
Bugs gives yet another lecture on cartoon animation, confidentially stating that, "I do Mel Blanc's voice." Daffy Duck
intrudes upon the lecture, insisting that he is a clean-up artist sent by a cartoon agency, and proceeds to redraw
animation of Tweety by putting his own duck's beak and webbed feet on the canary. Bugs walks over to a film projector and
says, "While he's grinding out the clean-ups, let's take a look at a finished cartoon." After the show's audience views
Tweety's ordeal as a hostage of gangster Rocky and another in the Road Runner's series of cartoons eluding the determined
but woebegone pursuit of his would-be devourer, Wile E. Coyote, Bugs is interviewed by an adulating Hollywood reporter
named Lolly, hence raising the ire of Daffy, who resolves to compete with Bugs in several productions by being Bugs'
double.
"Catty Cornered" with Tweety, Sylvester, and Rocky
"There They Go-Go-Go!" with Road Runner and Wile E. Coyote
"A Star is Bored" with Bugs Bunny, Daffy Duck, Elmer Fudd, and Yosemite Sam
<b>Bugs Bunny Show</b> # 26 (Aug. 7, 1962)
"A Tale of Two Kitties"- episode title
Sylvester and his son discuss mice, including those native to Mexico and the "giant-size" kind of rodent encountered by
Sylvester and son in an abandoned, decaying house and on a ship.
"The Slap-Hoppy Mouse" with Sylvester, Sylvester Jr., and Hippety Hopper
"Gonzales' Tamales" with Speedy Gonzales and Sylvester
"Cats A-Weigh!" with Sylvester, Sylvester Jr., and Hippety Hopper
</pre>
<center><img src="bbshow-bw2.jpg"><br>
<i>Bugs introduces the eighteenth episode of <b>The Bugs Bunny Show</b>- Season 3 and begins a lesson on how a cartoon is made, from script to voices to character design to the techniques of cartoon animation.</i></center>
<pre>
Season 3
<b>Bugs Bunny Show</b> # 1 (Sept. 11, 1971)
Bugs introduces Porky Pig as the host for the show. Porky is pestered by Charlie Dog, who is looking for a master.
Following the dramatisation of Claude Cat's own problems with a dog, Frisky Puppy, with Claude being stuck in a fish bowl
and "pickled" in a water cooler and crashing into the concrete at the bottom of a waterless swimming pool- all because of
Frisky's sudden and startling barking, Charlie does his all-breeds-in-one routine for Porky and is the principal character
in a cartoon located in Dixieland. Porky turns red from rage at Charlie's interference with his emcee tasks and himself
moves to forcefully remove Charlie from the studio, requiring Bugs to fill show time by telling the story of the
Tasmanian Devil's arrival in America and fateful visit to a woodland rabbit hole.
"Terrier-Stricken" with Claude Cat and Frisky Puppy
"Dog Gone South" with Charlie Dog and Colonel Shuffle
"Devil May Hare" with Bugs Bunny and Tasmanian Devil
<b>Bugs Bunny Show</b> # 2 (Sept. 18, 1971)
After starring in a cartoon as the temporary straw-and-wood-house-buying dupe of Three wolf-wary and dishonest Little
Pigs, Bugs lectures about dogs, but first must struggle with a projectionist who, when Bugs says that the lecture is about
man's best friend, shows a picture of a tarantula and then a Whistler's Mother portrait, presumably because, "A man's best
friend is his mother." When Bugs clearly states that he intends to talk about dogs, the projectionist flashes a picture of
a wiener (a hot dog). "The domestic dog," retorts Bugs, and a picture of a wiener in an apron instantly appears. Finally,
the projectionist does something right, and Bugs' requested pictures of dogs are shown, those of the sheepdog, Sam
Sheepdog, who repels an attempted raid of his woolly flock by Ralph Wolf disguised as Pan from ancient Greek mythology,
and of a spaniel scratching a flea, as Bugs comments that cats can sometimes be friends to dogs- provided that a mouse,
conveying thoughts of catly treachery into a sleeping dog's ear and then performing acts of violence upon the dog and
causing the cat to appear to be the guilty party, does not cause trouble for the canine-feline entente.
"The Windblown Hare" with Bugs Bunny and the Big Bad Wolf
"Don't Give Up the Sheep" with Ralph Wolf and Sam Sheepdog
"Stooge For a Mouse" with Sylvester and Mike Bulldog
<b>Bugs Bunny Show</b> # 3 (Sept. 25, 1971)
After a cartoon wherein Bugs is the victorious protagonist in a pre-1900 San Franciscan gambling casino confrontation with
the ruffian who stole his gold and Bugs has next presented to the audience the tale of a little chicken hawk who caught
for his personal consumption the husky rooster who had been lecturing him about "starting small", Daffy disguises himself
as Bugs to host the show, but a sheepdog, on a day free from his work, walks into the studio, hoping to catch the bunny-
rabbit (Bugs) that he saw on television on the previous week. Daffy, in his rabbit suit, is accosted by the dog, while
Bugs, off stage, introduces a cartoon with Sylvester, whose human masters depart for a two-week California vacation and
have left him alone in a locked-and-sealed house.
"Barbary-Coast Bunny" with Bugs Bunny and Nasty Canasta
"Henhouse Henery" with Foghorn Leghorn and Henery Hawk
"Canned Feud" with Sylvester
<b>Bugs Bunny Show</b> # 4 (Oct. 2, 1971)
Having been the humble lead character in an epic about the discovery of America, Bugs appears on stage to demonstrate how
to draw an animated cartoon character. He decides to use Daffy Duck as an example and draws Daffy from a dumbbell. Then,
he directs an animator to draw a line that becomes the wagging tail of a dog in a sad story of canine misery. The animator
follows this by sketching a pair of speedy legs- those of the Road Runner, far a cartoon depicting Wile E. Coyote's
elaborate attempt to utilise a World War I aircraft in his continuing bid to capture the high-octane fowl.
"Hare We Go" with Bugs Bunny and Chris Columbus
"A Waggily Tale" with Elvis Dog and Junior
"Just Plane Beep" with Road Runner and Wile E. Coyote
<b>Bugs Bunny Show</b> # 5 (Oct. 9, 1971)
The Tasmanian Devil receives explosive medical care from Bugs in a jungle medical clinic, and Bugs next lectures about
cats, describing with visual aid an alley cat (bowling, that is!), a Bob Cat greeting a Tom Cat ("Hello, Tom." "Hello,
Bob."), a pole cat (sitting atop a pole), two Persian cats making a Persian-to-Persian telephone call, the relationship
between a father cat and his son- to introduce Sylvester and Sylvester Jr.'s meeting in their own home with a baby
kangaroo believed by them to be a giant mouse, and the existence of cats, including one with painted white back stripe,
in exotic places like the French Riviera, as visited by Pepe Le Pew.
"Dr. Devil and Mr. Hare" with Bugs Bunny and Tasmanian Devil
"Who's Kitten Who?" with Sylvester, Sylvester Jr., and Hippety Hopper
"Heaven Scent" with Pepe Le Pew
<b>Bugs Bunny Show</b> # 6 (Oct. 16, 1971)
A lecture on birds from Bugs, after a cartoon with Bugs on Mars in a close encounter with Marvin Martian. Bugs shows the
repulsive vulture (who replies to Bugs' description of his repulsiveness by saying, "Sticks and stones may break my
bones..."), the Blue "J" (a capital letter "J", painted blue), and a troublesome mockingbird, who repeats everything that
Bugs says and does, including a mallet strike on the head. Sylvester intrudes upon the shipboard vacation of Granny and
Tweety, and Wile E. Coyote is so desperate for water that he has hallucinations of the Road Runner swimming in an oasis
pond.
"Mad as a Mars Hare" with Bugs Bunny and Marvin Martian
"Tweety's S.O.S." with Tweety, Sylvester, and Granny
"Chaser On the Rocks" with Road Runner and Wile E. Coyote
<b>Bugs Bunny Show</b> # 7 (Oct. 23, 1971)
Yosemite Sam expects to be emcee for the show, but Bugs instead selects Pepe Le Pew for this honour. A furious Sam tries
to eliminate Pepe, but the bullets from his guns are repelled by Pepe's odour and retreat straight back into the nozzles.
Pepe introduces cartoons with himself in the French Foreign Legion and Bugs on a Mississippi river boat.
"No Parking Hare" with Bugs Bunny and the Construction Worker
"Mississippi Hare" with Bugs Bunny and Colonel Shuffle
"Little Beau Pepe" with Pepe Le Pew
<b>Bugs Bunny Show</b> # 8 (Oct. 30, 1971)
Together with Porky Pig, who descends on a parachute to stage level, Bugs- as Super-Rabbit, defender of the defenceless,
buddy of the buddy-less- announces cartoons with Bugs combating Marvin Martian on Earth near Bugs' hole home and in space,
both on Marvin's spaceship and space platform. Bugs also travels to Baghdad with the genie of Aladdin's Lamp, which a
greedy sheik will stop at nothing to acquire.
"A-Lad-in His Lamp" with Bugs Bunny and Smoky the Genie
"The Hasty Hare" with Bugs Bunny, Marvin Martian, and K-9
"Hare-Way to the Stars" with Bugs Bunny and Marvin Martian
<b>Bugs Bunny Show</b> # 9 (Nov. 6, 1971)
Mac and Tosh, the Goofy Gophers, are hosts. They spend their time politely arguing over who should introduce cartoon
features of Bugs as a bullfighter and a jailbird and Claude Cat as a hopeful puppy evictor (each insists that the other do
it); so, Bugs interrupts them and himself does the job.
"Bully For Bugs" with Bugs Bunny and the Bull
"Two's a Crowd" with Claude Cat and Frisky Puppy
"Big House Bunny" with Bugs Bunny and Yosemite Sam
<b>Bugs Bunny Show</b> # 10 (Nov. 13, 1971)
Foghorn Leghorn is an inept soldier in the French Foreign Legion. Travelling across the Sahara Desert, Foghorn explains to
his Sergeant about how his troublesome relationships with a prissy chicken and a genius boy chick caused him to leave
America and join the French military. By dint of Bugs' ingenuity, Yosemite Sam is the repeating accidental performer in
the same death-defying high diving act that he was violently resolved to see executed by Bugs in a Wild West carnival.
"High Diving Hare" with Bugs Bunny and Yosemite Sam
"Lovelorn Leghorn" with Foghorn Leghorn and Miss Prissy
"Little Boy Boo" with Foghorn Leghorn, Miss Prissy, and Egghead Jr.
<b>Bugs Bunny Show</b> # 11 (Nov. 20, 1971)
Bugs Bunny introduces the host for this show, Pepe Le Pew, who is in an apartment in Paris. Pepe steps onto his balcony
and gestures for the viewer to gaze upon the romance-filled parks and streets of the city. "Yes, love is everywhere, even
at the cinema." The cinema's feature, a love-story situated in a zoo, stars Pepe Le Pew. After next telling about a
romance which he had in Casablanca, Pepe suggests that viewers "take a brief respite from romance" by joining Bugs Bunny,
whose Miami Beach vacation went afoul when he mistakenly tunnelled to Antarctica.
"Scent-imental Romeo" with Pepe Le Pew
"The Cat's Bah" with Pepe Le Pew
"Frigid Hare" with Bugs Bunny and the Penguin
<b>Bugs Bunny Show</b> # 12 (Nov. 27, 1971)
Gangsters Rocky and Mugsy are in their hideout, watching <b>The Bugs Bunny Show</b>. They see Bugs, in segues between cartoons
with Bugs in a vampire's Transylvanian castle and Elmer Fudd's rooster's desperate effort to delay the time of his
forecasted death, talking about the sponsors who pay substantial money to support his television programme. So, the
greedy Rocky decides to gain access to sponsorship dollars by going into the television business. They go to the studio
where Bugs' television show is being performed. Mugsy escorts Bugs off of the stage, and Rocky introduces a cartoon
concerning a singing frog, which he shows from a film projector.
"Transylvania 6-5000" with Bugs Bunny and Count Bloodcount
"Each Dawn I Crow" with Elmer Fudd and John Rooster
"One Froggy Evening" with Michigan J. Frog
<b>Bugs Bunny Show</b> # 13 (Dec. 4, 1971)
Elmer Fudd is host of this mainly music-oriented instalment, opened by Bugs' antics as a tuneful barber. While on stage
after cartoon one, Elmer tries to sing, but he is thwarted when the notes on his sheet music run off of their page,
reminding Elmer of his July 4 life-or-death struggle against belligerent picnic ants. Sylvester, outside of the studio,
spoils Elmer's endeavour to conduct an orchestra, by wearing boots and singing "tra-la-la" while noisily stomping up and
down a wooden stairwell. The Goofy Gophers seek to regain their vegetable harvest, which has been moved to a food
processing factory.
"Rabbit of Seville" with Bugs Bunny and Elmer Fudd
"Ant Pasted" with Elmer Fudd
"I Gopher You" with the Goofy Gophers
<b>Bugs Bunny Show</b> # 14 (Dec. 11, 1971)
Bugs defeats Scotsman Angus McCrory in a golf game of very liberal rules prior to dressing like the portly Alfred
Hitchcock to offer a lecture on crime. Standing outside of the laboratory of one Dr. Peabody, he speaks about mad
scientists, specifically the meek inventor of a portable hole that is stolen by a shadowy bank robber. Next, he flips
through a police record archive to find a dossier on Rocky and Mugsy, two criminals who have, so far- but not for much
longer, managed to elude the law.
"My Bunny Lies Over the Sea" with Bugs Bunny and Angus McCrory
"The Hole Idea" with Calvin Q. Calculus
"Bugsy and Mugsy" with Bugs Bunny, Rocky, and Mugsy
<b>Bugs Bunny Show</b> # 15 (Dec. 18, 1971)
Yosemite Sam dies after being crushed by a falling safe during his evil scheme to matrimonially divest a widow of her
money- and he goes to hell, where the devil promises to release Sam's spirit and give to Sam a new lease on life, provided
that Sam bring to the devil a certain rabbit whom the devil has been trying for a long time to entrap in Hades. Sam is
returned to Earth on a movie set, where a dictatorial director, who looks and talks like Emperor Nero, orders stagehand
Sam to find a victim to feed to a hoard of lions. Sam dies again when he is feasted upon by the lions, and the devil
allocates to him one more miscarried chance to catch the bunny, as a homeowner in the American Western frontier.
"Hare Trimmed" with Bugs Bunny, Yosemite Sam, and Granny
"Roman Legion-Hare" with Bugs Bunny and Yosemite Sam
"The Fair Haired Hare" with Bugs Bunny and Yosemite Sam
<b>Bugs Bunny Show</b> # 16 (Dec. 25, 1971)
George P. Dog is introduced by Bugs as the emcee for this show, but Foghorn Leghorn decides that he would be a better
emcee and pushes the dog aside. In the cartoons that follow, Wile E. Coyote consults an electronic brain for advice on how
to snatch Bugs Bunny from his desert domicile, unaware that Bugs is the brain's one moving part, and a pair of suicidal
mice bedevil Claude Cat with pleas that he eat them. Little Henery Hawk enters the studio on his unending hunt for
chicken, and Foghorn uses a magic hat to make Henery disappear, before watching a televised interview with Bugs.
"To Hare is Human" with Bugs Bunny and Wile E. Coyote
"Cheese Chasers" with Claude Cat, Hubie, and Bertie
"What's Up, Doc?" with Bugs Bunny and Elmer Fudd
<b>Bugs Bunny Show</b> # 17 (Jan. 1, 1972)
Ralph Wolf's Little Bo Peep ploy to remove a sheep from the field of ba-a-a-ing grazers overseen by Sam Sheepdog is
quashed by Sam, who appears out of the carcass of the sheep that Bo Peep Ralph has selected. Daffy is so desperate to
appear on the show as the feature performer that he dresses as a Hawaiian, a musketeer, and a knight. Splendid garb but
never appropriate or soon enough for Bugs to grant to Daffy a place in any of this episode's cartoons, one thereof set
in medieval times as Bugs battles Black Knight Yosemite Sam for possession of a singing sword and the other transpiring
in a French perfume shop, as Pepe Le Pew lusts for a cat whose back has been accidentally dyed white.
"Double or Mutton" with Ralph Wolf and Sam Sheepdog
"Knighty Knight Bugs" with Bugs Bunny, Yosemite Sam, and the Dragon
"For Scent-imental Reasons" with Pepe Le Pew
<b>Bugs Bunny Show</b> # 18 (Jan. 8, 1972)
An instalment distinguished by talent agent Porky Pig perusing several previously unknown acts of entertainment, Claude
Cat going insane by the upside down room contrivance of two mice intending to inhabit Claude's home, and Bugs rescuing
Hansel and Gretel from the clutches of urchin-baker Witch Hazel. On stage, Bugs gives yet another lecture on cartoon
animation, confidentially stating that, "I do Mel Blanc's voice." Daffy Duck intrudes upon the lecture, insisting that he
is a clean-up artist sent by a cartoon agency, and proceeds to redraw animation of Tweety by putting his own duck's
beak and webbed feet on the canary.
"Curtain Razor" with Porky Pig
"Mouse Wreckers" with Claude Cat, Hubie, and Bertie
"Bewitched Bunny" with Bugs Bunny and Witch Hazel
<b>Bugs Bunny Show</b> # 19 (Jan. 15, 1972)
Bugs has not fully awoken and is in no condition to host the show. So, the announcer introduces the individual cartoons:
Bugs in a medieval jousting contest, Sylvester aiming to be Elmer Fudd's winter house cat, and Foghorn Leghorn playing
golf, with the barnyard dog's nose as tee.
"Knights Must Fall" with Bugs Bunny and Sir Pantsalot of Dropseat Manor
"Kit For Cat" with Sylvester and Elmer Fudd
"The Leghorn Blows at Midnight" with Foghorn Leghorn and Henery Hawk
<b>Bugs Bunny Show</b> # 20 (Jan. 22, 1972)
After a Klondike dispute with Yosemite Sam over entitlement to gold deposits- the first cartoon of this show, Bugs is on
stage, imitating "Frankie doing an imitation of Rickie imitating Elvis." His music disturbs Yosemite Sam, who is in a
neighbouring building, trying to sleep. Sam angrily runs into the <b>Bugs Bunny Show</b> studio and destroys Bugs' guitar. Bugs
recollects another instance of his music provoking violence.
"14 Carrot Rabbit" with Bugs Bunny and Yosemite Sam
"Long-Haired Hare" with Bugs Bunny and Giovanni Jones
"Claws For Alarm" with Sylvester and Porky Pig
<b>Bugs Bunny Show</b> # 21 (Jan. 29, 1972)
Yosemite Sam is a Saharan land baron who disapproves of Bugs' presence on his desert sands and tries to kill the rabbit
visitor to his arid estate, the Big Bad Wolf insists to his son that he was the victim of Three cruel Little Pigs who
attempted to guillotine his tail and blew down his house, and an unseen animator sketches Foghorn Leghorn with Rock
Hudson's body and then draws a broom's tail on Foghorn's backside, preceding a cartoon with Foghorn Leghorn's chickendom
in question.
"Sahara Hare" with Bugs Bunny and Yosemite Sam
"The Turn-Tale Wolf" with the Big Bad Wolf
"The Foghorn Leghorn" with Foghorn Leghorn and Henery Hawk
<b>Bugs Bunny Show</b> # 22 (Feb. 5, 1972)
The Tasmanian Devil appears with Bugs on stage. Bugs tells of his first meeting with "Taz-Boy" in the jungle of Tasmania,
and then he prescribes a carrot diet to Taz, demonstrating how an anaemic weakling, Daffy Duck, supposedly became an
energetic and versatile cartoon star after submitting to a carrot diet.
"Rabbit Every Monday" with Bugs Bunny and Yosemite Sam
"Bedevilled Rabbit" with Bugs Bunny and Tasmanian Devil
"Duck Amuck" with Daffy Duck and Bugs Bunny
<b>Bugs Bunny Show</b> # 23 (Feb. 12, 1972)
Foghorn Leghorn introduces Miss Prissy, who, Foghorn says, is an old-time actress. Foghorn reenacts some of Prissy's
famous roles, including "Romeo and Juliet", in which she played both parts, and an act involving precarious balancing on a
stack of chairs and juggling of bowling pins and hoops. Prissy initiates the cartoons by looking into a crystal ball, and
she sees mirthful musical notes preparing for collective self-rendition of "The Blue Danube" by Johann Strauss and Bugs
foiling a scientist's plan to transfer his consciousness into the feathered head of a chicken.
"A Fractured Leghorn" with Foghorn Leghorn
"High Note" with the Drunken Note
"Hot Cross Bunny" with Bugs Bunny and the Bespectacled Doctor
<b>Bugs Bunny Show</b> # 24 (Feb. 19, 1972)
It is 'Reading Out Loud Night', and Bugs selects a book from a shelf and walks into a backdrop. The book is an album of
photographs of Bugs' family and life experiences. Bugs and Elmer Fudd are the unwitting participants in a scientific study
of the behavioural influence of headgear, and Bugs combats farmer Fudd's addled automaton. Sylvester is aided by a black
panther in besting a swaggering bulldog.
"Bugs' Bonnets" with Bugs Bunny and Elmer Fudd
"Tree For Two" with Sylvester, Spike, and Chester
"Robot Rabbit" with Bugs Bunny and Elmer Fudd
<b>Bugs Bunny Show</b> # 25 (Feb. 26, 1972)
When Bugs descends by his special, hole-shaped elevator from the stage to his dressing room there beneath, he finds that
he has company- the show's viewer. So, Bugs as a dutiful host invites his guest to join him in watching a high-rated
television show, a parody of <b>The Beverly Hillbillies</b>, with Bugs honing his square dance-calling talent, with agonising
consequences for a pair of rustics of the Ozark Mountains. In a mouse version of <b>The Honeymooners</b>, toy bus driver Ralph
Crumden and kitchen sink worker Ned Morton strive to snatch a cupcake for a surprise birthday confection for Ralph's
spouse, Alice, from the humans' kitchen in the Brooklyn apartment in which they and their whiskered wives have
neighbouring hole dwellings. However, a cat blocks their path to the refrigerator and the cupcake therein. So, Crumden
and Morton plot to outwit their feline opponent.
"Bunker Hill Bunny" with Bugs Bunny and Yosemite Sam
"Hillbilly Hare" with Bugs Bunny and the Martin Brothers
"Cheese it, the Cat!" with the Honey-Mousers
<b>Bugs Bunny Show</b> # 26 (Mar. 4, 1972)
"The subject for tonight's show is one that has always puzzled us little denizens of the woodland glades." In yet another
lecture, Bugs talks about man. "You see, folks. Man is basically lazy. In order to keep from using his feet, he uses his
brain." The lecture addresses human methods of conveyance, including the pogo stick, the Birdie-mobile (a seat carried in
the air by a flock of birds), the horse, and the automobile in its many forms, then discusses the human need for
companionship, hence the opposite sex and marriage, with a family of bears portrayed in a cartoon as a parallel to
this human tendency.
"Mutiny On the Bunny" with Bugs Bunny and Yosemite Sam
"There Auto Be a Law" with the Meek Car-Driver
"Bear Feat" with the Three Bears
</pre>
<center><img src="bbshow5.jpg"><br>
<i>The on-stage scenes of "Bad-Time Story", one of the episodes of <b>Bugs Bunny Show</b>- Season 2, were released on digital videodisc (DVD) as a bonus feature for the fifth volume of the LOONEY TUNES GOLDEN COLLECTION.</i></center>
<p>
By way of a mix of black-and-white and colour film elements, on-stage portions of <b>The Bugs Bunny Show</b> from episodes of Season 2 (among said episodes "Bad-Time Story", "Ball Point Puns", "Do or Diet", "The Honey-Mousers", and "A Star is Bored") were included as bonus features on releases on digital videodisc (DVD) of Looney Tunes and Merrie Melodies, in the LOONEY TUNES GOLDEN COLLECTION range. Full-colour restoration of <b>The Bugs Bunny Show</b> is reportedly not possible due to loss of the sections of colour film not utilised when the stage scenes were incorporated into instalments of <b>The Bugs Bunny/Road Runner Hour</b>. The existence of colour third season <b>Bugs Bunny Show</b> episodes, last screened in Canada's eastern Maritimes in the mid-1990s, was an avenue either not pursued by the restoration team or dead-ended by an inexplicable vanishing of those third season episodes from the archives of Warner Brothers Canada. Some in-colour episodes of the first two seasons are in the hands of private collectors and possibly may be found in the vaults of broadcasters in Europe. What happened to the episodes aired on Canada's CBC television network in the mid-1970s is a mystery.
<p>
<center><img src="bbshow2.jpg"></center>
<p>
IN MEMORIAM
<p>
Cartoon directors Friz Freleng, Chuck Jones, and Robert McKimson<br>
Voice characterisation performers Mel Blanc, Arthur Q. Bryan, Daws Butler, and Bea Benaderet<br>
Musicians Carl W. Stalling, Milt Franklyn, John Seely, and Bill Lava<br>
Title song writers Jerry Livingston and Mack David
<p><hr>
All images (c) Warner Bros.<br>
<b>Textual content (c) Kevin McCorry, with all rights reserved<br>
This Web page, the remembered information, and the observations therein are the intellectual property of the author unless otherwise noted and may not be reproduced and then altered in any way without the express written consent of the author, and any scholarly quoting, paraphrasing, or other repetition of them MUST be accompanied by full stated credit to the author, with failure to do so possibly exposing an individual or group to litigation and possible civil or criminal penalty</b>
<hr>
<center><a href="index.html"><img src="newbanner.jpg"></a><br>
<b><a href="index.html">Kevin McCorry's Home Page</a></b></center>
<hr></html> |
The Bugs Bunny Show Page
---

### THE BUGS BUNNY SHOW
---
Written by Kevin McCorry
---

```
"Overture, curtain, lights!
This is it. The night of nights.
No more rehearsing or nursing a part.
We know every part by heart!
(cane flip)
Overture, curtain, lights!
This is it. We'll hit the heights!
And oh, what heights we'll hit!
On with the show, this is it!
(character procession)
Tonight what heights we'll hit!
On with the show, this is it!"
```

Bugs Bunny personifies supreme heroism to generations of television viewers. He is the principal signature character for Warner Brothers animation and the beloved depiction of America's- and humanity's- aspirations to prevail over all difficulties and antagonists.

Though not entirely infallible, in some of his cartoons being transmuted into a monster or victimised by an exploding cigar or "powder room" in a wooden ship, Bugs is nevertheless an always-appealing character in seeming harmony with the universe and its virtuous order. He was conceived by the combined talents of young cartoon-animation directors at the Warner Brothers cartoon studio and appeared for the first recognisable time in the 1940, Tex Avery-directed classic, "A Wild Hare", as the irrepressible foil for hunter Elmer Fudd, by representing nature's ultimate bulwark against human presumptions of dominance and violent gamesmanship.
The first eight or nine years of Bugs' life were arguably those of his childhood, as a rambunctious heckler of all who cross his path. Then, in his "mature" time period, Bugs became a moral agent who acts to save his own life or that of a friend; who thwarts a human interloper on some time-honoured principle that must be preserved; who stops a villain, usually the diminutive, hot-tempered, gun-toting, red-bearded Yosemite Sam, from perpetrating some heinous crime; who spares Earth from the planet-obliterating technology of the politely aggressive, Roman-helmeted, tennis-shoed Marvin the Martian; who preempts the unlimited feasting of a voracious, on-the-loose Tasmanian Devil; or who represents modesty to Daffy Duck's insatiable hunger for monetary gain and self-aggrandising fame.

Every cartoon-animation director at the Warner Brothers cartoon studio from 1945 to 1964 worked with Bugs Bunny, Chuck Jones, Friz Freleng, and Robert McKimson being Bugs' longest-serving "fathers". Three men and a bunny! Jones' Bugs, with somewhat triangular eyes, flexible eyebrows, and a suave, intellectual bent, is most widely known for diverting Elmer Fudd's rifle toward a perpetually conniving Daffy Duck, for singing opera music while shaving and hair-cutting a totally bald Fudd, for fighting a bull like no common matador can, and for literally "bringing down the house" upon fiery baritone-to-soprano Giovanni Jones. Freleng's "wascally wabbit", rather less intellectual but still suave, ingenious, and almost always nobly personable, is the rabbit who destroys farmer Elmer Fudd's robot, helps police to apprehend gangsters Rocky and Mugsy, and wages a running battle through history against Yosemite Sam. And McKimson's Bugs is the physically aggressive, squatter-and-wider-legged bunny who square-dances two hillbillies through beard-pulling, eye-poking, a hay baler, and a fall from a cliff, who evades the ravenous clutches of the spinning Tasmanian Devil, who helps an absent-minded Big Bad Wolf to defeat Three unsavoury Little Pigs, and who triumphs against a freeway-building brawn and against Blacque Jacque Shellacque, a French-Canadian river-damming gambler.


**The Bugs Bunny Show** was the first national U.S. network broadcast television series for Bugs and his fellow Looney Tunes and Merrie Melodies cartoon characters: the tiny but spunky Tweety Bird; Tweety's feline foe, the lovably fallible Sylvester Cat; Sylvester's easily embarrassed son, Sylvester Jr.; Hippety Hopper, a baby kangaroo forever mistaken by Sylvester to be a giant mouse; the road-traversing, speedy bird, the Road Runner, and his pursuer, Wile E. Coyote; Mexico's fastest mouse, Speedy Gonzales; overbearing, overconfident rooster Foghorn Leghorn and his nemeses, the barnyard dog and little chicken hawk Henery; Pepe Le Pew, an amorous, French-speaking skunk; wannabe sheep-snatcher Ralph Wolf and his opposition, the taciturn Sam Sheepdog; plus Fudd, Yosemite Sam, Marvin Martian, the Tasmanian Devil, and Daffy. The pre-1948 Warner Brothers theatrical cartoons had already established a place for themselves on television, by means of distribution direct to individual telecasting stations. But in 1960, for the first time, the creative talents of Warner Brothers' cartoon directors and animators were directly applied to the television medium, and on the network level.
Unlike Bugs Bunny's electronically transmitted weekly appearances of later years, his 1960 television series aired as an evening offering, on ABC, Tuesdays at 7:30 Eastern Time. Though it was seen in the early evening and thus was within children's viewing hours, **The Bugs Bunny Show**, like the theatrical cartoons that comprised it, was geared toward adults.

Each half-hour episode utilised footage from post-1948 theatrical cartoon shorts, bridged with newly animated footage showing Bugs and the other Looney Tunes and Merrie Melodies characters as stage performers. The premise was that Bugs and his cohorts were filming a variety show in a theatre before a live audience. And each episode had an emcee, if not Bugs then one of the other characters, chased or heckled by his or their usual foe or foes.  Classic cartoon footage was introduced and directly led-into, often with a unifying idea or theme. Bugs frequently gave lectures, on such topics as cats, dogs, birds, humans, and crime, or informative sessions on how animated cartoons are made, thereby subjecting himself or other characters to indignities, "Duck Amuck"-style, at the hand and brush of a mischievous animator.
All episodes opened with the raising of a curtain to show a spotlighted stage, onto which Bugs and Daffy Duck would enter from the left, singing "This is it" by Jerry Livingston and Mack David, a song which would become famous for decades to follow. Midway through the song, a procession of characters, consisting of Tweety, Speedy Gonzales, Hippety Hopper, Yosemite Sam, Sylvester, Elmer Fudd, Pepe Le Pew, the Road Runner, Wile E. Coyote, and Foghorn Leghorn, marched across the stage from right to left. Veteran cartoon directors Freleng and Jones co-directed this opening sequence, which was singularly animated by Gerry Chiniquy.

Sponsors for **The Bugs Bunny Show** as telecast on ABC enjoyed immediate mention after Bugs and Daffy's performing of "This is it", in addition to specially animated segments with Bugs and other Warner Brothers cartoon personalities describing the products by which **The Bugs Bunny Show** was brought into the homes of the public. The episode-proper would then be rejoined with a still picture of Bugs standing amidst a trio of spotlights, with accompaniment of a non-lyrical phrase of "This is it" music. Closing credit sequence for each **Bugs Bunny Show** began with character procession, Bugs and Daffy walking onto the stage and moving as they had done when they sang "This is it", the curtain dropping in front of Bugs and Daffy, a spotlight shining on the curtain, and the credits flashed in a thin variety of Dom Casual font in the spotlit area. In very small textual notation (with generic print style) were the titles and copyright information for the cartoon shorts that had comprised the episode just shown. At the very end of the credits would be a Warner Brothers logo and a chorus rendition of, "This is the Bugs Bunny Show!"
The 1960-1 season of **The Bugs Bunny Show** ran from October, 1960 to October, 1961. Jones, Freleng, and McKimson partly delegated their directing duties for individual theatrical cartoons, which were still in production at that time, to their unit layout men or senior animators, while they collaborated on the weekly episodes of **The Bugs Bunny Show**.

*In the "Do or Diet" episode of **The Bugs Bunny Show**'s second season, Bugs exhibits concern for the exceedingly weighty condition of the Tasmanian Devil, who has rather overdone his prescribed intake of carrots.*
For its staggered second season, which was broadcast on ABC from October, 1961 to September, 1962 (with some episodes airing only once, and quite late in the broadcast year- July and August, 1962!), **The Bugs Bunny Show** was slightly reformatted. Episodes were each assigned their own title, and attempts were made to do some different and more interesting bridging sequences between cartoons in the episodes. In one case, three of Bugs' cartoons with Yosemite Sam were edited into an extended story in which Sam dies, goes to hell, and is promised freedom by the devil if he can catch Bugs and force the rabbit to occupy his place in the fiery underworld. Another episode was an extension of 1959's "Tweet Dreams", in which Sylvester recalls some of his frustrating chases of Tweety to a psychiatrist. And in another Sylvester-and-Tweety episode, Sylvester reports on his recent misadventures in Europe, where his pursuit of the canary led him by ship from England to Italy, and then by train across the continent.


Colour television was not widespread in the U.S. until 1966, when most long-running network television programmes switched to colour from black and white. All 52 episodes of **The Bugs Bunny Show** were originally shown in black and white, though the between-cartoon stage scenes were produced in colour, and likewise had been the theatrical cartoons comprising each episode. The original 52 episodes were later syndicated to foreign markets in full colour, and some of them did appear on Canada's CBC television network in the autumn of 1975, after the CBC ceased its long run of **The Bugs Bunny/Road Runner Hour**.
**The Bugs Bunny/Road Runner Hour** was removed from the CBC so that Saturday evening airtime could be allocated to **Welcome Back, Kotter**, which was telecast by the full CBC network at 6:30 Atlantic Time. A spare half-hour at 6 o'clock enabled the CBC to continue broadcast of the antics and adventures of Bugs and friends, through episodes of **The Bugs Bunny Show**. From September 13 to December 6, 1975, thirteen instalments of **The Bugs Bunny Show** were screened across Canada. They were: Shows 5, 7, 8, 9, 10, 12, 14, 16, 20, and 25 of Season 1 and Shows 2, 9, and 10 of Season 2. Inexplicably, the CBC terminated its association with Bugs Bunny in December of 1975 and aired **Laurel and Hardy** at 6 P.M. on Saturdays instead of Bugs before the programme slot became occupied by the 60-minutes-long **Space: 1999** in September of 1976, and **Welcome Back, Kotter** moved to Thursday evening.
In September, 1971, the half-hour **Bugs Bunny Show** reappeared, on Saturday mornings, replacing for a time **The Bugs Bunny/Road Runner Hour** on CBS. The offering of theatrical cartoons was different from that in the original 1960-2 version, with some cartoons added, several others removed, and the reused cartoons juggled into in-episode combinations different from those in 1960-2, which meant that the cartoons did not always logically follow the stage scenes from the original two seasons (1960-1 and 1961-2), which again were used as between-cartoon filler. Every cartoon composing each episode was prominently listed by title in Dom Casual font at the commencement of the closing credits. One notable error therewith was to the title of "14 Carrot Rabbit", which was printed without the number fourteen; "Carrot Rabbit", only.

*"Rabbit Every Monday", "A Mouse Divided", and "Tree For Two" were the constituent cartoons of the first episode ever of **The Bugs Bunny Show**. In "Rabbit Every Monday", Yosemite Sam hunts and captures Bugs Bunny and intends to roast Bugs in a hot oven, but inside the oven is something very unexpected and convivial. An inebriated, chronically erring stork leaves a baby mouse at the home of Sylvester in "A Mouse Divided". And in "Tree For Two", Sylvester is the hapless alley cat unto whom canines Spike and Chester decide to inflict bodily harm, but harm befalls swaggering bully Spike when Sylvester hides in the vicinity of a black panther that has escaped zoo captivity, with the final outcome being that Spike loses of all of his swagger and becomes a fawning admirer of Chester.*
The following is a guide for the episodes of the half-hour **Bugs Bunny Show**. Many thanks to Jerry Beck, whose book, **Looney Tunes and Merrie Melodies**, provided the information for stage scenes in certain episodes unseen by this writer.

*Rocky the gangster points his gun at Bugs in a hijacking by Rocky and his accomplice, Mugsy, of the proceedings of **The Bugs Bunny Show**. Such was the premise for the on-stage scenes of the final episode of **The Bugs Bunny Show**- Season 1.*
```
Season 1
**Bugs Bunny Show** # 1 (Oct. 11, 1960)
Bugs Bunny introduces his co-hosts individually. Forever vain Daffy Duck cannot persuade Bugs to mention him, try though
he does through the show, which consists of woodsman Yosemite Sam's unsuccessful effort at baking Bugs, Sylvester's
disastrous attempt at rodent fatherhood, and a black panther's humbling of an aggressor bulldog.
"Rabbit Every Monday" with Bugs Bunny and Yosemite Sam
"A Mouse Divided" with Sylvester and the Drunken Stork
"Tree For Two" with Sylvester, Spike, and Chester
**Bugs Bunny Show** # 2 (Oct. 18, 1960)
Gangsters Rocky and Mugsy are in their hideout, watching **The Bugs Bunny Show**. They see Bugs talking about the sponsors
who pay substantial money to support his television programme. So, the greedy Rocky decides to gain access to sponsorship
dollars by going into the television business- and intruding upon the proceedings of a **Bugs Bunny Show** episode depicting
rivalry at Tweety-grabbing between Sylvester and an orange putty tat, Daffy Duck's mock servitude to farmer Elmer Fudd,
and Speedy Gonzales' procurement of abundant cheese for his Mexican mouse brethren. By gunpoint, Rocky attains control of
on-stage happenings and operations, until Bugs foils Rocky and Mugsy by playing a vinyl record of police sounds, scaring
the gangsters into entering what they think is an escape chute but what is really a crate addressed to Alcatraz Prison.
"Putty Tat Trouble" with Tweety and Sylvester
"Wise Quackers" with Daffy Duck and Elmer Fudd
"Speedy Gonzales" with Speedy Gonzales and Sylvester
**Bugs Bunny Show** # 3 (Oct. 25, 1960)
Bugs Bunny introduces the host for this show, Pepe Le Pew, who is in an apartment in Paris. Pepe steps onto his balcony
and gestures for the viewer to gaze upon the romance-filled parks and streets of the city. "Yes, love is everywhere, even
at the cinema." The cinema's feature, a love-story located in a Parisian zoological exhibition, stars Pepe Le Pew. Pepe
then introduces further affairs of the heart between a flying cat and his landed paramour and between two young mice of
opposing wall holes in a Claude Cat household.
"Wild Over You" with Pepe Le Pew
"Go Fly a Kit" with Bulldog and the Flying Cat
"Mouse-Warming" with Claude Cat
**Bugs Bunny Show** # 4 (Nov. 1, 1960)
Wile E. Coyote's chase of the Road Runner has extended into the studio where Bugs is trying to host his television show.
Two Road Runner cartoons are thus featured, involving Wile E.'s schemes to explode bridges crossed or expected to be
crossed by the Road Runner, drop an anvil and a dynamite-laced barrel on the rapid bird, and generate Road Runner-killing
tornadoes.
"To Itch His Own" with Angelo the Mighty Flea and Bulldog
"Gee Whiz-z-z-z!" with Road Runner and Wile E. Coyote
"Whoa, Be-Gone!" with Road Runner and Wile E. Coyote
**Bugs Bunny Show** # 5 (Nov. 8, 1960)
Desperate to appear on the show as the feature performer, Daffy dresses as a Hawaiian, a musketeer, and a knight, but his
costume is deemed inappropriate by Bugs for each cartoon about to commence. Sylvester seeks to enter the Broken Arms
Hotel, wherein no cats are permitted, to snatch Tweety from hotel guest Granny, Bugs jousts with a short-tempered knight
in a medieval tournament, and Pepe Le Pew is in a perfume store in pursuit of a cat believed by him to be a skunk.
"Canary Row" with Tweety, Sylvester, and Granny
"Knights Must Fall" with Bugs Bunny and Sir Pantsalot of Dropseat Manor
"For Scent-imental Reasons" with Pepe Le Pew
**Bugs Bunny Show** # 6 (Nov. 15, 1960)
In a musical competition between cartoon features of Bugs at war with an opera singer, Sylvester buffeted by tidal waves
in his gastronomic quest for Tweety, and two mice conspiring to induce house cat insanity, Daffy plays drums and Bugs
imitates "Frankie doing an imitation of Rickie imitating Elvis." Their loud music disturbs Yosemite Sam, who is in a
neighbouring building, trying to sleep. Sam angrily runs into the **Bugs Bunny Show** studio and destroys Bugs and Daffy's
musical instruments, including a trumpet that Bugs tries to play, which Sam twists into knots.
"Long-Haired Hare" with Bugs Bunny and Giovanni Jones
"Sandy Claws" with Tweety, Sylvester, and Granny
"Mouse Wreckers" with Claude Cat, Hubie, and Bertie
**Bugs Bunny Show** # 7 (Nov. 22, 1960)
Daffy disguises himself as Bugs to host the television show, but a sheepdog, on a day free from his work, walks into the
studio, hoping to catch the bunny-rabbit (Bugs) that he saw on television on the previous week. Daffy, in his rabbit suit,
is accosted by the dog, while Bugs, off stage, introduces cartoons: Bugs' battle against a bull, Sylvester's explosive
ordeal at sea, and a tale of woe for a man who discovers, beyond the belief of every person around him, a frog that can
sing.
"Bully For Bugs" with Bugs Bunny and the Bull
"Tweety's S.O.S." with Tweety, Sylvester, and Granny
"One Froggy Evening" with Michigan J. Frog
**Bugs Bunny Show** # 8 (Nov. 29, 1960)
Daffy wants to be host. So, he banishes all others from the stage, including Pepe, Elmer, and Bugs. Still, the cartoons
proceed on schedule, with Bugs in Scotland, Porky and Sylvester in a spooky, mouse-infested house, and Pepe chasing a
white-paint-striped cat in a zoo.
"My Bunny Lies Over the Sea" with Bugs Bunny and Angus McCrory
"Scaredy Cat" with Porky Pig and Sylvester
"Scent-imental Romeo" with Pepe Le Pew
**Bugs Bunny Show** # 9 (Dec. 6, 1960)
Tweety is host of an instalment containing two psychological thrillers with birds seemingly doomed to death at a
specified time. So that the little canary can be safe from Sylvester, Bugs hangs his cage from the stage ceiling.
Sylvester attempts to reach Tweety in the hanging cage, and Bugs contests Sam Von Schamm, the Hessian, in the Battle of
Bagel Heights.
"Bunker Hill Bunny" with Bugs Bunny and Yosemite Sam
"Each Dawn I Crow" with Elmer Fudd and John Rooster
"Golden Yeggs" with Daffy Duck, Porky Pig, and Rocky
**Bugs Bunny Show** # 10 (Dec. 13, 1960)
Yosemite Sam, armed and dangerous and seeking some cartoon entertainment, invades the stage of **The Bugs Bunny Show**. Bugs
has ceded the hosting duties for the show's latest episode to Daffy Duck, who must withstand the formidably ornery Sam's
instigations of gun-toting mayhem while attempting to do a dancing act and play a piano, and as he introduces three
select cartoons. Cartoons wherein Bugs outwits an African witch doctor desiring a rabbit for his latest potion and
Sylvester pursues a mazurka-dancing mouse in a Slobovian cabin and vies with a kitten to be the chosen pet of Elmer
Fudd.
"Which is Witch" with Bugs Bunny and Dr. I.C. Spots
"Mouse Mazurka" with Sylvester
"Kit For Cat" with Sylvester and Elmer Fudd
**Bugs Bunny Show** # 11 (Dec. 20, 1960)
Bugs introduces Porky Pig as host. Porky is pestered by Charlie Dog, who is looking for a master. Charlie does his all-
breeds-in-one routine and complicates Porky's introduction of Claude Cat's struggle to eliminate the loudly barking and
feline-startling Frisky Puppy, Sylvester's pursuit of Tweety on a train, and Bugs' thwarting of his own abduction by
Marvin Martian.
"Two's a Crowd" with Claude Cat and Frisky Puppy
"All a Bir-r-r-d" with Tweety and Sylvester
"The Hasty Hare" with Bugs Bunny, Marvin Martian, and K-9
**Bugs Bunny Show** # 12 (Dec. 27, 1960)
George P. Dog is introduced by Bugs as the emcee for this episode, but Foghorn Leghorn decides that he would be a better
emcee and pushes the dog aside. Then, Little Henery Hawk enters the studio on his unending hunt for chicken, and Foghorn
uses a magic hat to make Henery disappear. Foghorn next watches and shows to the audience an interview with Bugs Bunny,
followed by a documentary on the Gambling Bug- with examples of his work, and lastly Sylvester's encounter with a baby
kangaroo from a circus.
"What's Up, Doc?" with Bugs Bunny and Elmer Fudd
"Early to Bet" with the Gambling Bug
"Pop 'im Pop!" with Sylvester, Sylvester Jr., and Hippety Hopper
**Bugs Bunny Show** # 13 (Jan. 3, 1961)
Sylvester is introduced by Bugs as host, and he is joined on stage by his son, Sylvester Jr., who is underwhelmed at
Sylvester's all-too-brief introduction of him. Sylvester Jr. roams the **Bugs Bunny Show**'s backstage, rejoins Sylvester in
the stage spotlight, and talks of having seen a "giant mouse", pulling Sylvester's arm to guide Sylvester to where the
"giant mouse" may be found. Sylvester uncovers Hippety Hopper from under a barrel and is petrified and ghost-white with
fear at the sight of the "giant mouse". When his son obliges Sylvester to try to catch Hippety, Sylvester is dragged
across stage and body-contorted by the jumpy joey. Eventually, Sylvester Jr. is able to put a leash on Hippety and to
proclaim success at "giant mouse" capture, while Sylvester is traumatised by a muscular powerhouse of a little mouse.
Such are the segues between Bugs' visit to Baghdad, Charlie Dog's antics in the Deep South, and Foghorn Leghorn's
unsuccessful fishing exercise.
"A-Lad-in His Lamp" with Bugs Bunny and Smoky the Genie
"Dog Gone South" with Charlie Dog and Colonel Shuffle
"A Fractured Leghorn" with Foghorn Leghorn
**Bugs Bunny Show** # 14 (Jan. 10, 1961)
Elmer Fudd is host and tries to sing, but he is thwarted when the notes on his sheet music run off of their page and
remind him of his July 4 picnic that became a harrowing confrontation with an army of ants- and when Sylvester, outside of
the studio, wears boots and sings "tra-la-la" while noisily stomping up and down a wooden stairwell. In cartoons presented
by Elmer, the Goofy Gophers pursue "vandals" who confiscated all of the vegetables from their garden and Bugs and Yosemite
Sam are at odds over property rights.
"Ant Pasted" with Elmer Fudd
"The Fair Haired Hare" with Bugs Bunny and Yosemite Sam
"I Gopher You" with the Goofy Gophers
**Bugs Bunny Show** # 15 (Jan. 17, 1961)
Daffy finally receives recognition! Bugs hosts an all-Daffy Duck tribute, in which Mama Bear performs "I'm Just Wild
About Daffy" and the mallard stars in cartoons as a far-future detective, the boon companion to a multi-millionaire, and a
dubious hero of the Wild West.
"Rocket Squad" with Daffy Duck and Porky Pig
"Daffy Dilly" with Daffy Duck
"Drip-Along Daffy" with Daffy Duck, Porky Pig, and Nasty Canasta
**Bugs Bunny Show** # 16 (Jan. 24, 1961)
Foghorn Leghorn introduces Miss Prissy, who, Foghorn says, is an old-time actress. Foghorn reenacts some of Prissy's
famous roles, including "Romeo and Juliet", in which she played both parts, and an act involving precarious balancing on a
stack of chairs and juggling of bowling pins and hoops. Prissy initiates the cartoons by looking into a crystal ball, and
she sees Daffy marrying for money and regretting it and Bugs foiling a scientist's plan to transfer his consciousness into
the feathered head of a chicken.
"The Leghorn Blows at Midnight" with Foghorn Leghorn and Henery Hawk
"His Bitter Half" with Daffy Duck
"Hot Cross Bunny" with Bugs Bunny and the Bespectacled Doctor
**Bugs Bunny Show** # 17 (Jan. 31, 1961)
An unseen animator sketches Foghorn Leghorn with Rock Hudson's body and then draws a broom's tail on Foghorn's backside.
Foghorn retaliates by lassoing and pummelling the animator- Daffy Duck, before appearing in the first cartoon as the
reluctant love interest of Miss Prissy. The peaceful home of Sylvester and Sylvester Jr. is invaded by zoo office escapee
Hippety Hopper, and Bugs purchases houses of straw and wood from Three Little Pigs, minus insurance against a Big Bad
Wolf.
"Lovelorn Leghorn" with Foghorn Leghorn and Miss Prissy
"Who's Kitten Who?" with Sylvester, Sylvester Jr., and Hippety Hopper
"The Windblown Hare" with Bugs Bunny and the Big Bad Wolf
**Bugs Bunny Show** # 18 (Feb. 7, 1961)
Two lame-brained Mexicali cats, Jose and Miguel, try to host an episode with Yosemite Sam plummeting again and again into
a bucket of water, Ralph Wolf being continually stopped from obtaining mutton by the omnipresent Sam Sheepdog, and a
mouse deceiving Mike Bulldog into thinking Sylvester to be a provocative foe. Jose and Miguel are heckled on stage by
Speedy Gonzales, who entices the dimwit felines into chasing him, with animation reused from the cartoon, "Mexicali
Shmoes".
"High Diving Hare" with Bugs Bunny and Yosemite Sam
"Don't Give Up the Sheep" with Ralph Wolf and Sam Sheepdog
"Stooge For a Mouse" with Sylvester and Mike Bulldog
**Bugs Bunny Show** # 19 (Feb. 14, 1961)
Bugs demonstrates how to draw an animated cartoon character. He decides to use Daffy Duck as an example and draws Daffy
from a dumbbell. In this instalment's featured cartoons, ball-and-chained sailor Bugs actively expresses his grievances
with the captaincy of Shanghai Sam aboard the Sad Sack, an elephant of very small proportion causes hysteria in an
American city, and Wile E. Coyote's Superman costume proves anything but airworthy.
"Mutiny On the Bunny" with Bugs Bunny and Yosemite Sam
"Punch Trunk" with the Tiny Elephant
"Fast and Furry-ous" with Road Runner and Wile E. Coyote
**Bugs Bunny Show** # 20 (Feb. 21, 1961)
"Tonight, we thought we would go in for a little fast culture," says Bugs, standing in front of the set for "The Barber of
Seville", which, starring Bugs Bunny, is to be the opera feature for the show. But Elmer Fudd, hunting Bugs with his
rifle, sees the attraction poster billing Bugs as the star and enters the studio with the intention of shooting his rifle
at Bugs. "This is wabbit season, and I'm gonna get me a wabbit. Opewa or no opewa. Wossini or no Wossini. So, watch out,
wabbit!" Additionally, Daffy is an insufficiently convincing protagonist in a swashbuckler story, and Wile E. Coyote on a
motorcycle collides with a telephone pole.
"Rabbit of Seville" with Bugs Bunny and Elmer Fudd
"The Scarlet Pumpernickel" with Daffy Duck, Porky Pig, Sylvester, Elmer Fudd, Henery Hawk, and Mama Bear
"Stop! Look! And Hasten!" with Road Runner and Wile E. Coyote
**Bugs Bunny Show** # 21 (Feb. 28, 1961)
Mac and Tosh, the Goofy Gophers, are introduced by Bugs as this episode's hosts. In the cartoons, Bugs is orchestrator of
a square dance that very much pains two lame-brained men of the Ozark Mountains, Sylvester's feline integrity is in doubt
when he cannot defeat a punchy "giant mouse" before the eyes of a cat-prodding bulldog, and Daffy's ruse in chicken guise
to win a $5,000 prize goes dreadfully awry when Henery Hawk selects him as fodder for a chicken hawk father-and-son
feast.
"Hillbilly Hare" with Bugs Bunny and the Martin Brothers
"Hippety Hopper" with Sylvester and Hippety Hopper
"You Were Never Duckier" with Daffy Duck and Henery Hawk
**Bugs Bunny Show** # 22 (Mar. 7, 1961)
Sylvester is host and tells to his son, Junior, the Looney Tune-style fairy tales of the Big Bad Wolf and the Three
Little Pigs- in which hero and villain roles are seemingly reversed, Pied Piper Porky Pig of Hamelin, and Jack and the
Beanstalk- with Bugs and Daffy as a "pair of Jacks" and Elmer Fudd as the towering inhabitant of the land atop the
sprouted beanstalk.
"The Turn-Tale Wolf" with the Big Bad Wolf
"Paying the Piper" with Porky Pig
"Beanstalk Bunny" with Bugs Bunny, Daffy Duck, and Elmer Fudd
**Bugs Bunny Show** # 23 (Mar. 14, 1961)
Mac and Tosh, the Goofy Gophers, are again hosts for the show. They spend their time politely arguing over who should
introduce the jailed Bugs, house-imprisoned and in-need-of-food Sylvester, and Tweety-in-a-city-park cartoon features
(each insists that the other do it); so, Bugs interrupts them and himself does the job.
"Big House Bunny" with Bugs Bunny and Yosemite Sam
"Canned Feud" with Sylvester
"Home, Tweet Home" with Tweety and Sylvester
**Bugs Bunny Show** # 24 (Mar. 21, 1961)
Yosemite Sam expects to be emcee for this episode consisting of Bugs' river boat gambling escapade, long-suffering Claude
Cat's descent into a waterless swimming pool, and two over-indulged-on-cheese mice's suicide act of stepping into a
befuddled Claude's mouth. Bugs selects Pepe Le Pew for the emcee duties. A furious Sam shoots at Pepe with his two guns,
but the bullets from the guns are repelled by Pepe's odour and retreat straight back into the nozzles. Sam next uses the
Tasmanian Devil to try to chase Pepe off of the stage, but Pepe's foul scent also defeats Taz.
"Mississippi Hare" with Bugs Bunny and Colonel Shuffle
"Terrier-Stricken" with Claude Cat and Frisky Puppy
"Cheese Chasers" with Claude Cat, Hubie, and Bertie
**Bugs Bunny Show** # 25 (Mar. 28, 1961)
Bugs introduces Daffy Duck as this instalment's host, but Daffy is backstage being chased by the Tasmanian Devil, who has
broken out of a crate. Cartoons include Henery Hawk's lasso-trap capture of Foghorn Leghorn for chicken dinner, Porky
Pig's stint as a talent agent, and Bugs' meeting on his home turf with a voracious, spinning juggernaut from Tasmania.
"Henhouse Henery" with Foghorn Leghorn and Henery Hawk
"Curtain Razor" with Porky Pig
"Devil May Hare" with Bugs Bunny and Tasmanian Devil
**Bugs Bunny Show** # 26 (Apr. 4, 1961)
"Okay, rabbit. Grab a cloud. This is a stick-up." Gun-toting gangsters Rocky and Mugsy hijack the show. Mugsy escorts Bugs
off of the stage, and Rocky introduces the cartoons: Bugs accompanying Columbus aboard the Santa Maria in 1492, Foghorn
Leghorn endeavouring to prove his being a chicken to Henery Hawk, and Sylvester performing as Big Bad Wolf to a dreaming
boy mouse's Little Red Riding Hood, each of which Rocky shows from a film projector.
"Hare We Go" with Bugs Bunny and Chris Columbus
"The Foghorn Leghorn" with Foghorn Leghorn and Henery Hawk
"Little Red Rodent Hood" with Sylvester
```

*In "Do or Diet", the thirteenth episode of the second season of **The Bugs Bunny Show**, Bugs is joined on stage by his ferocious and voracious nemesis, the Tasmanian Devil.*
```
Season 2
**Bugs Bunny Show** # 1 (Oct. 10, 1961)
"Bad-Time Story"- episode title
It is 'Reading Out Loud Night', and Bugs selects a book from a shelf and walks into a backdrop leading into the first
cartoon feature for this fairy tales and legends instalment, comprised of Bugs' initiative to save the lives of Hansel
and Gretel from Witch Hazel, Daffy's pratfalls as an accident-prone Robin Hood, Porky Pig's performance as a laughing
Friar Tuck, and Sylvester's raid of an enormous, Tweety-inhabited castle at the top of a certain beanstalk.
"Bewitched Bunny" with Bugs Bunny and Witch Hazel
"Robin Hood Daffy" with Daffy Duck and Porky Pig
"Tweety and the Beanstalk" with Tweety and Sylvester
**Bugs Bunny Show** # 2 (Oct. 17, 1961)
"Satan's Waitin'"- episode title
Yosemite Sam dies after being crushed by a falling safe during his evil scheme to matrimonially divest a widow of her
money- and he goes to hell, where the devil promises to release Sam's spirit and give to Sam a new lease on life, provided
that Sam bring to the devil a certain rabbit whom the devil has been trying for a long time to entrap in Hades. Sam is
returned to Earth on a movie set, where a dictatorial director, who looks and talks like Emperor Nero, orders stagehand
Sam to find a victim to feed to a hoard of lions. Sam dies again when he is feasted upon by the lions, and the devil
allocates to him one more miscarried chance to catch the bunny, in the midst of the Sahara Desert.
"Hare Trimmed" with Bugs Bunny, Yosemite Sam, and Granny
"Roman Legion-Hare" with Bugs Bunny and Yosemite Sam
"Sahara Hare" with Bugs Bunny and Yosemite Sam
**Bugs Bunny Show** # 3 (Oct. 24, 1961)
"Daffy Doodling"- episode title
Daffy outwits Bugs for the position of emcee, Sylvester and a brawny, stupid sidekick hunt mice in a warehouse, the Goofy
Gophers find that their lumber-harvested home tree has been converted into human furniture, and Foghorn Leghorn's mid-
winter fun is fettered by the arrival in his barnyard of a hungry, chicken-craving weasel.
"Hoppy-Go-Lucky" with Sylvester, Benny Cat, and Hippety Hopper
"Lumber Jerks" with the Goofy Gophers
"Weasel While You Work" with Foghorn Leghorn and the Weasel
**Bugs Bunny Show** # 4 (Oct. 31, 1961)
"Omni-Puss"- episode title
Bugs Bunny lectures about cats, describing with visual aid an alley cat (bowling, that is!), a Bob Cat greeting a Tom Cat
("Hello, Tom." "Hello, Bob."), a pole cat (sitting atop a pole), two Persian cats making a Persian-to-Persian telephone
call, *et cetera*. Three cartoon features depict Sylvester and Sylvester Jr. in a museum as Sylvester combats a baby
kangaroo believed by him and by his son to be a giant mouse, a bulldog named Marc Antony striving to prove that his kitten
friend, Pussyfoot, is capable of ridding their master's house of its rodents, and Pepe Le Pew's search for love on the
French Riviera and, as usual, his lust for a cat whose back is striped white from exposure to paint of that colour.
"Mouse-Taken Identity" with Sylvester, Sylvester Jr., and Hippety Hopper
"Kiss Me Cat" with Marc Antony and Pussyfoot
"Heaven Scent" with Pepe Le Pew
**Bugs Bunny Show** # 5 (Nov. 7, 1961)
"Tired and Feathered"- episode title
Bugs Bunny gives a lecture on birds, showing the repulsive vulture (who replies to Bugs' description of his repulsiveness
by saying, "Sticks and stones may break my bones..."), the Blue "J" (a capital letter "J", painted blue), a troublesome
mockingbird, who repeats everything that Bugs says and does- including a mallet strike on the head, Tweety Bird in a
precarious predicament as Granny's pet trapped with Sylvester in a snowbound mountain cabin, a pair of Mexican crows
desiring without avail the capture and eating of a grasshopper, and the Road Runner as fallibly pursued by Wile E. Coyote
with a rocket, a dynamite lasso, glue, and a female Road Runner disguise, in the U.S. southwestern desert.
"Snow Business" with Tweety, Sylvester, and Granny
"Two Crows From Tacos" with the Mexicali Crows
"Ready.. Set.. Zoom!" with Road Runner and Wile E. Coyote
**Bugs Bunny Show** # 6 (Nov. 14, 1961)
"Man's Best Friend"- episode title
Bugs Bunny lectures about dogs, but first must struggle with a projectionist who, when Bugs says that the lecture is about
man's best friend, shows a picture of a tarantula and then a Whistler's Mother portrait, presumably because, "A man's best
friend is his mother." When Bugs clearly states that he intends to talk about dogs, the projectionist flashes a picture of
a wiener (a hot dog). "The domestic dog," retorts Bugs, and a picture of a wiener in an apron instantly appears. Finally,
the projectionist does something right, and Bugs' requested pictures of dogs are shown: the sheep dog, as seen in a
cartoon defending a flock of sheep from lambchop-desirer Ralph Wolf and Ralph's smoke bomb, rock disguise, and underwater
unicycle; and the bulldog, willing in one cartoon to resort to any deception to attain meat and acting in another cartoon
as protector of his scrappy baby son against a conniving Sylvester.
"Sheep Ahoy" with Ralph Wolf and Sam Sheepdog
"Chow Hound" with Bulldog
"Pappy's Puppy" with Sylvester and Butch J. Bulldog
**Bugs Bunny Show** # 7 (Nov. 21, 1961)
"Ball Point Puns"- episode title
Red and black dancing pens, named Penelope and Penbroke, perform like figure skaters on the stage floor and write the
titles of the cartoons selected for this episode. Due to Bugs and Daffy's efforts to direct hunter rifle fire toward each
other, Elmer is confused as to what hunting season it really is. Porky Pig and Sylvester are overnight residents at the
creepy Dry Gulch Hotel, and then Porky has a secret house guest- Daffy Duck, seeking shelter from a blizzard and a
constant supply of food.
"Duck! Rabbit, Duck!" with Bugs Bunny, Daffy Duck, and Elmer Fudd
"Claws For Alarm" with Porky Pig and Sylvester
"Cracked Quack" with Daffy Duck and Porky Pig
**Bugs Bunny Show** # 8 (Nov. 28, 1961)
"The Unfinished Symphony"- episode title
Bugs contends with an annoying fly in this musical show, featuring a mouse who can play a miniature piano, Bugs'
conducting of an orchestra's performance of "Morning, Noon, and Night in Vienna" by Franz Von Suppe, and a be-bop-jazzed
version of the Big Bad Wolf and Three Little Pigs.
"Pizzicato Pussycat" with the Piano-Playing Mouse
"Baton Bunny" with Bugs Bunny
"The Three Little Bops" with the Big Bad Wolf
**Bugs Bunny Show** # 9 (Dec. 5, 1961)
"Prison to Prison"- episode title
Bugs, dressed like the portly Alfred Hitchcock, lectures on crime. He talks about the seedy underworld of Victorian
England, where master sleuth Dorlock Homes is trailing the notorious Shropshire Slasher, and then, standing outside of the
laboratory of one Dr. Peabody, he speaks about mad scientists, specifically the meek inventor of a portable hole that is
stolen by a shadowy bank robber. Next, he flips through a police record archive to find a dossier on Rocky and Mugsy, two
criminals who have, so far- but not for much longer, managed to elude the law.
"Deduce, You Say" with Daffy Duck and Porky Pig
"The Hole Idea" with Calvin Q. Calculus
"Bugsy and Mugsy" with Bugs Bunny, Rocky, and Mugsy
**Bugs Bunny Show** # 10 (Dec. 12, 1961)
"Go, Man, Go"- episode title
"The subject for tonight's show is one that has always puzzled us little denizens of the woodland glades." In yet another
lecture, Bugs talks about man. "You see, folks. Man is basically lazy. In order to keep from using his feet, he uses his
brain." The lecture addresses human methods of conveyance, including the pogo stick, the Birdie-mobile (a seat carried in
the air by a flock of birds), the horse, and the automobile in its many forms, then discusses the human need for
companionship, hence the opposite sex and marriage, and then refers to the sprawling of human civilisation, which
encroaches upon nature- and upon the sanctity of Bugs' home, located in a site chosen by man for building a freeway.
"There Auto Be a Law" with the Meek Car-Driver
"Wild Wife" with the Harried Housewife
"No Parking Hare" with Bugs Bunny and the Construction Worker
**Bugs Bunny Show** # 11 (Dec. 19, 1961)
"I'm Just Wild About Hare"- episode title
Bugs has overslept. When the announcer summons him by hole-shaped elevator to the stage, either he is in his bathrobe,
barely awake and brushing his teeth, or he is drying himself after a shower, or he is occupied with his vacuum cleaner.
Cartoons therefore introduced by the announcer: Daffy Duck's refusal at any cost to receive a stork's delivery, the Road
Runner's escape from Wile E. Coyote's explosive arrow and a huge, rolling boulder, and Pepe Le Pew's difficult wooing in
the waters of southern France of a cat accidentally back-striped white.
"Stork Naked" with Daffy Duck and the Drunken Stork
"Going! Going! Gosh!" with Road Runner and Wile E. Coyote
"Touche and Go" with Pepe Le Pew
**Bugs Bunny Show** # 12 (Dec. 26, 1961)
"Stage Couch"- episode title
Sylvester needs psychiatric help when his frustration at being unable to catch Tweety has him on the verge of mental
collapse. So, Bugs obliges to be Sylvester's "head-doctor" and listens as Sylvester tells of his obsessive chase of the
elusive canary in Granny's home and at a circus.
"Gift Wrapped" with Tweety, Sylvester, and Granny
"Tweety's Circus" with Tweety and Sylvester
"A Street Cat Named Sylvester" with Tweety, Sylvester, and Granny
**Bugs Bunny Show** # 13 (Jan. 16, 1962)
"Do or Diet"- episode title
The Tasmanian Devil appears with Bugs on stage. Bugs tells of his first meeting with "Taz-Boy" in the jungle of Tasmania,
and then he prescribes a carrot diet to Taz, demonstrating how an anaemic weakling, Daffy Duck, supposedly became a super-
heroic muscular powerhouse after submitting to a carrot diet. Foghorn Leghorn courts Miss Prissy and finds that he is the
prospective father of a quiet genius.
"Bedevilled Rabbit" with Bugs Bunny and the Tasmanian Devil
"Stupor Duck" with Daffy Duck
"Little Boy Boo" with Foghorn Leghorn, Miss Prissy, and Egghead Jr.
**Bugs Bunny Show** # 14 (Jan. 23, 1962)
"Hare Brush"- episode title
Introduced by Bugs, Harry the Brush explains his role in the animation of cartoons wherein Claude Cat schemes to
implicate bulldog Marc Antony in the confining by Claude of kitten Pussyfoot within a glass jug, a squirrel toils with a
particularly tough nut to crack, and Daffy is at the mercy of the mischief of what he says is a "slop-artist".
"Feline Frame-Up" with Claude Cat, Marc Antony, and Pussyfoot
"Much Ado About Nutting" with the Nut-Collecting Squirrel
"Duck Amuck" with Daffy Duck and Bugs Bunny
**Bugs Bunny Show** # 15 (Feb. 13, 1962)
"Is This a Life?"- episode title
In this spoof of **This is Your Life**, Bugs Bunny's life is reviewed, with visits from friends and foes. Yosemite Sam
remembers his battles with Bugs in the Klondike and at a Wild West carnival, and Elmer Fudd shows to Bugs a photo album
containing snapshots of some of Bugs' relatives, Flopsie, Mopsie, Cottontail, and Peter, and of a farm setting in
Indiana, the locale of Bugs' tussle with Fudd and a robot.
"14 Carrot Rabbit" with Bugs Bunny and Yosemite Sam
"Robot Rabbit" with Bugs Bunny and Elmer Fudd
"High Diving Hare" with Bugs Bunny and Yosemite Sam
**Bugs Bunny Show** # 16 (Feb. 20, 1962)
"De-duck-tive Story"- episode title
Daffy Duck joins the trench coat crowd in a show that highlights some of his greatest detective roles, one of them set in
Paris and the other located in an American metropolis to which Beveridge Hills is an affluent suburb. In another cartoon,
Daffy is the wily proprietor of an inn with a multi-animal infestation problem.
"Boston Quackie" with Daffy Duck and Porky Pig
"The Super Snooper" with Daffy Duck
"Dime to Retire" with Daffy Duck and Porky Pig
**Bugs Bunny Show** # 17 (Mar. 13, 1962)
"The Astro-Nuts"- episode title
Bugs Bunny emerges from his hole on stage as Super-Rabbit, defender of the defenceless, buddy of the buddy-less, to
introduce science fiction cartoons. Intrepid interplanetary adventurer Daffy contends with Marvin Martian in claiming
Planet X as home planet's rightful colonial territory, and Porky Pig and Sylvester are a Jupiter buzzard's selected
Earthling subjects of study. Bugs is then joined on stage by a spacesuited Porky, who descends to stage level in a
parachute and relates to the audience the story of Bugs' own experience in the cosmos, on a space platform controlled
by Marvin with his apocalyptic Aludium Q-36 Explosive Space Modulator.
"Duck Dodgers in the 24 1/2th Century" with Daffy Duck, Porky Pig, and Marvin Martian
"Jumpin' Jupiter" with Sylvester and Porky Pig
"Hare-Way to the Stars" with Bugs Bunny and Marvin Martian
**Bugs Bunny Show** # 18 (Mar. 20, 1962)
"Vera's Cruise"- episode title
Sylvester recounts his recent travels through Europe, when his pursuit of Tweety became transoceanic and transcontinental.
Relaxing in England, Sylvester was chased by two cockney canines and drank a certain concoction in a laboratory. Escaping
the two dogs, Sylvester saw Tweety on a pier and travelled by boat, as an unwelcome passenger, to Italy, where he failed
in several attempts to catch the bird. Then, on the Orient Express, Sylvester's pursuit of Tweety was thwarted by a
bulldog.
"Dr. Jerkyl's Hide" with Sylvester, Spike, and Chester
"Tweety's S.O.S." with Tweety, Sylvester, and Granny
"A Pizza Tweety-Pie" with Tweety, Sylvester, and Granny
"All a Bir-r-r-d" with Tweety and Sylvester
**Bugs Bunny Show** # 19 (Apr. 19, 1962)
"Foreign Legion Leghorn"- episode title
Foghorn Leghorn is an inept soldier in the French Foreign Legion. Travelling across the Sahara Desert, Foghorn explains
to his Sergeant about how his troublesome relationships with domineering chickens and cunning boys caused him to leave
America and join the French military.
"The EGGcited Rooster" with Foghorn Leghorn and Henery Hawk
"Of Rice and Hen" with Foghorn Leghorn and Miss Prissy
"Feather Dusted" with Foghorn Leghorn, Miss Prissy, and Egghead Jr.
**Bugs Bunny Show** # 20 (Apr. 26, 1962)
"Watch My Line"- episode title
The art of cartoon drawing is demonstrated by an animator, whom Bugs directs to draw a line that becomes a dog's wagging
tail for a story of canine mistreatment by an innocent, little girl, and then to sketch a pair of speedy legs- those of
the Road Runner, as a start to a Road Runner cartoon containing Wile E. Coyote's dynamite stick on a lasso, giant coil
spring, dehydrated boulders, and steam roller- all ineffective at ending the Road Runner's life in the fast lane. The
animator next turns mischievous and puts Bugs through various indignities.
"A Waggily Tale" with Elvis Dog and Junior
"Scrambled Aches" with Road Runner and Wile E. Coyote
"Rabbit Rampage" with Bugs Bunny and Elmer Fudd
**Bugs Bunny Show** # 21 (Jul. 3, 1962)
"What's Up, Dog?"- episode title
More dog tales. Charlie Dog chooses urban apartment owner Porky Pig as his master, whether Porky likes this or not. Daffy
Duck rivals a barnyard dog for feeding by farmer Elmer Fudd. A middle-class man's shaggy dog, Robert, is determined to
prove that he is a thoroughbred.
"The Awful Orphan" with Porky Pig and Charlie Dog
"Don't Axe Me" with Daffy Duck, Elmer Fudd, and Mrs. Fudd
"Mixed Master" with Robert Dog
**Bugs Bunny Show** # 22 (Jul. 10, 1962)
"The Cat's Bah"- episode title
Pepe Le Pew recalls the results of broken romances in Africa. Midway through the show, he suggests that viewers "take a
brief respite from romance" by joining Bugs Bunny, whose Miami Beach vacation went afoul when he tunnelled to Antarctica
by mistake and met a temperamental penguin.
"The Cat's Bah" with Pepe Le Pew
"Frigid Hare" with Bugs Bunny and the Penguin
"Little Beau Pepe" with Pepe Le Pew
**Bugs Bunny Show** # 23 (Jul. 17, 1962)
"No Business Like Slow Business"- episode title
Slowpoke Rodriguez and Speedy Gonzales are co-hosts, introducing cartoons in which Sylvester and the Big Bad Wolf team to
stalk Tweety and Little Red Riding Hood in the house of Granny, Bugs coyly fleeces desperado and San Francisco casino
owner Nasty Canasta of all of his ill-gotten gains, and Ralph Wolf schemes unsuccessfully with Little Bo Peep guise,
bowling ball, cannon, and hair grower liquid strategically dripped on the already moppy follicles on Sam Sheepdog's
forehead, to filch the flock of sheep in Sam's care.
"Red Riding Hoodwinked" with Tweety, Sylvester, Granny, and the Big Bad Wolf
"Barbary-Coast Bunny" with Bugs Bunny and Nasty Canasta
"Double or Mutton" with Ralph Wolf and Sam Sheepdog
**Bugs Bunny Show** # 24 (Jul. 24, 1962)
"The Honey-Mousers"- episode title
When Bugs descends by his special, hole-shaped elevator from the stage to his dressing room there beneath, he finds that
he has company- the show's viewer. So, Bugs as a dutiful host invites his guest to join him in watching a high-rated
television show, a mouse version of **The Honeymooners**. Toy bus driver Ralph Crumden and kitchen sink worker Ned Morton
seek to acquire food from the humans' kitchen in the Brooklyn apartment in which they and their whiskered wives have
neighbouring hole dwellings, but a cat blocks their path to the refrigerator and the goodies therein. So, Crumden and
Morton plot to outwit their feline opponent.
"Cheese it, the Cat!" with the Honey-Mousers
"Lighthouse Mouse" with Sylvester and Hippety Hopper
"The Honey-Mousers" with the Honey-Mousers
**Bugs Bunny Show** # 25 (Jul. 31, 1962)
"A Star is Bored"- episode title
Bugs gives yet another lecture on cartoon animation, confidentially stating that, "I do Mel Blanc's voice." Daffy Duck
intrudes upon the lecture, insisting that he is a clean-up artist sent by a cartoon agency, and proceeds to redraw
animation of Tweety by putting his own duck's beak and webbed feet on the canary. Bugs walks over to a film projector and
says, "While he's grinding out the clean-ups, let's take a look at a finished cartoon." After the show's audience views
Tweety's ordeal as a hostage of gangster Rocky and another in the Road Runner's series of cartoons eluding the determined
but woebegone pursuit of his would-be devourer, Wile E. Coyote, Bugs is interviewed by an adulating Hollywood reporter
named Lolly, hence raising the ire of Daffy, who resolves to compete with Bugs in several productions by being Bugs'
double.
"Catty Cornered" with Tweety, Sylvester, and Rocky
"There They Go-Go-Go!" with Road Runner and Wile E. Coyote
"A Star is Bored" with Bugs Bunny, Daffy Duck, Elmer Fudd, and Yosemite Sam
**Bugs Bunny Show** # 26 (Aug. 7, 1962)
"A Tale of Two Kitties"- episode title
Sylvester and his son discuss mice, including those native to Mexico and the "giant-size" kind of rodent encountered by
Sylvester and son in an abandoned, decaying house and on a ship.
"The Slap-Hoppy Mouse" with Sylvester, Sylvester Jr., and Hippety Hopper
"Gonzales' Tamales" with Speedy Gonzales and Sylvester
"Cats A-Weigh!" with Sylvester, Sylvester Jr., and Hippety Hopper
```

*Bugs introduces the eighteenth episode of **The Bugs Bunny Show**- Season 3 and begins a lesson on how a cartoon is made, from script to voices to character design to the techniques of cartoon animation.*
```
Season 3
**Bugs Bunny Show** # 1 (Sept. 11, 1971)
Bugs introduces Porky Pig as the host for the show. Porky is pestered by Charlie Dog, who is looking for a master.
Following the dramatisation of Claude Cat's own problems with a dog, Frisky Puppy, with Claude being stuck in a fish bowl
and "pickled" in a water cooler and crashing into the concrete at the bottom of a waterless swimming pool- all because of
Frisky's sudden and startling barking, Charlie does his all-breeds-in-one routine for Porky and is the principal character
in a cartoon located in Dixieland. Porky turns red from rage at Charlie's interference with his emcee tasks and himself
moves to forcefully remove Charlie from the studio, requiring Bugs to fill show time by telling the story of the
Tasmanian Devil's arrival in America and fateful visit to a woodland rabbit hole.
"Terrier-Stricken" with Claude Cat and Frisky Puppy
"Dog Gone South" with Charlie Dog and Colonel Shuffle
"Devil May Hare" with Bugs Bunny and Tasmanian Devil
**Bugs Bunny Show** # 2 (Sept. 18, 1971)
After starring in a cartoon as the temporary straw-and-wood-house-buying dupe of Three wolf-wary and dishonest Little
Pigs, Bugs lectures about dogs, but first must struggle with a projectionist who, when Bugs says that the lecture is about
man's best friend, shows a picture of a tarantula and then a Whistler's Mother portrait, presumably because, "A man's best
friend is his mother." When Bugs clearly states that he intends to talk about dogs, the projectionist flashes a picture of
a wiener (a hot dog). "The domestic dog," retorts Bugs, and a picture of a wiener in an apron instantly appears. Finally,
the projectionist does something right, and Bugs' requested pictures of dogs are shown, those of the sheepdog, Sam
Sheepdog, who repels an attempted raid of his woolly flock by Ralph Wolf disguised as Pan from ancient Greek mythology,
and of a spaniel scratching a flea, as Bugs comments that cats can sometimes be friends to dogs- provided that a mouse,
conveying thoughts of catly treachery into a sleeping dog's ear and then performing acts of violence upon the dog and
causing the cat to appear to be the guilty party, does not cause trouble for the canine-feline entente.
"The Windblown Hare" with Bugs Bunny and the Big Bad Wolf
"Don't Give Up the Sheep" with Ralph Wolf and Sam Sheepdog
"Stooge For a Mouse" with Sylvester and Mike Bulldog
**Bugs Bunny Show** # 3 (Sept. 25, 1971)
After a cartoon wherein Bugs is the victorious protagonist in a pre-1900 San Franciscan gambling casino confrontation with
the ruffian who stole his gold and Bugs has next presented to the audience the tale of a little chicken hawk who caught
for his personal consumption the husky rooster who had been lecturing him about "starting small", Daffy disguises himself
as Bugs to host the show, but a sheepdog, on a day free from his work, walks into the studio, hoping to catch the bunny-
rabbit (Bugs) that he saw on television on the previous week. Daffy, in his rabbit suit, is accosted by the dog, while
Bugs, off stage, introduces a cartoon with Sylvester, whose human masters depart for a two-week California vacation and
have left him alone in a locked-and-sealed house.
"Barbary-Coast Bunny" with Bugs Bunny and Nasty Canasta
"Henhouse Henery" with Foghorn Leghorn and Henery Hawk
"Canned Feud" with Sylvester
**Bugs Bunny Show** # 4 (Oct. 2, 1971)
Having been the humble lead character in an epic about the discovery of America, Bugs appears on stage to demonstrate how
to draw an animated cartoon character. He decides to use Daffy Duck as an example and draws Daffy from a dumbbell. Then,
he directs an animator to draw a line that becomes the wagging tail of a dog in a sad story of canine misery. The animator
follows this by sketching a pair of speedy legs- those of the Road Runner, far a cartoon depicting Wile E. Coyote's
elaborate attempt to utilise a World War I aircraft in his continuing bid to capture the high-octane fowl.
"Hare We Go" with Bugs Bunny and Chris Columbus
"A Waggily Tale" with Elvis Dog and Junior
"Just Plane Beep" with Road Runner and Wile E. Coyote
**Bugs Bunny Show** # 5 (Oct. 9, 1971)
The Tasmanian Devil receives explosive medical care from Bugs in a jungle medical clinic, and Bugs next lectures about
cats, describing with visual aid an alley cat (bowling, that is!), a Bob Cat greeting a Tom Cat ("Hello, Tom." "Hello,
Bob."), a pole cat (sitting atop a pole), two Persian cats making a Persian-to-Persian telephone call, the relationship
between a father cat and his son- to introduce Sylvester and Sylvester Jr.'s meeting in their own home with a baby
kangaroo believed by them to be a giant mouse, and the existence of cats, including one with painted white back stripe,
in exotic places like the French Riviera, as visited by Pepe Le Pew.
"Dr. Devil and Mr. Hare" with Bugs Bunny and Tasmanian Devil
"Who's Kitten Who?" with Sylvester, Sylvester Jr., and Hippety Hopper
"Heaven Scent" with Pepe Le Pew
**Bugs Bunny Show** # 6 (Oct. 16, 1971)
A lecture on birds from Bugs, after a cartoon with Bugs on Mars in a close encounter with Marvin Martian. Bugs shows the
repulsive vulture (who replies to Bugs' description of his repulsiveness by saying, "Sticks and stones may break my
bones..."), the Blue "J" (a capital letter "J", painted blue), and a troublesome mockingbird, who repeats everything that
Bugs says and does, including a mallet strike on the head. Sylvester intrudes upon the shipboard vacation of Granny and
Tweety, and Wile E. Coyote is so desperate for water that he has hallucinations of the Road Runner swimming in an oasis
pond.
"Mad as a Mars Hare" with Bugs Bunny and Marvin Martian
"Tweety's S.O.S." with Tweety, Sylvester, and Granny
"Chaser On the Rocks" with Road Runner and Wile E. Coyote
**Bugs Bunny Show** # 7 (Oct. 23, 1971)
Yosemite Sam expects to be emcee for the show, but Bugs instead selects Pepe Le Pew for this honour. A furious Sam tries
to eliminate Pepe, but the bullets from his guns are repelled by Pepe's odour and retreat straight back into the nozzles.
Pepe introduces cartoons with himself in the French Foreign Legion and Bugs on a Mississippi river boat.
"No Parking Hare" with Bugs Bunny and the Construction Worker
"Mississippi Hare" with Bugs Bunny and Colonel Shuffle
"Little Beau Pepe" with Pepe Le Pew
**Bugs Bunny Show** # 8 (Oct. 30, 1971)
Together with Porky Pig, who descends on a parachute to stage level, Bugs- as Super-Rabbit, defender of the defenceless,
buddy of the buddy-less- announces cartoons with Bugs combating Marvin Martian on Earth near Bugs' hole home and in space,
both on Marvin's spaceship and space platform. Bugs also travels to Baghdad with the genie of Aladdin's Lamp, which a
greedy sheik will stop at nothing to acquire.
"A-Lad-in His Lamp" with Bugs Bunny and Smoky the Genie
"The Hasty Hare" with Bugs Bunny, Marvin Martian, and K-9
"Hare-Way to the Stars" with Bugs Bunny and Marvin Martian
**Bugs Bunny Show** # 9 (Nov. 6, 1971)
Mac and Tosh, the Goofy Gophers, are hosts. They spend their time politely arguing over who should introduce cartoon
features of Bugs as a bullfighter and a jailbird and Claude Cat as a hopeful puppy evictor (each insists that the other do
it); so, Bugs interrupts them and himself does the job.
"Bully For Bugs" with Bugs Bunny and the Bull
"Two's a Crowd" with Claude Cat and Frisky Puppy
"Big House Bunny" with Bugs Bunny and Yosemite Sam
**Bugs Bunny Show** # 10 (Nov. 13, 1971)
Foghorn Leghorn is an inept soldier in the French Foreign Legion. Travelling across the Sahara Desert, Foghorn explains to
his Sergeant about how his troublesome relationships with a prissy chicken and a genius boy chick caused him to leave
America and join the French military. By dint of Bugs' ingenuity, Yosemite Sam is the repeating accidental performer in
the same death-defying high diving act that he was violently resolved to see executed by Bugs in a Wild West carnival.
"High Diving Hare" with Bugs Bunny and Yosemite Sam
"Lovelorn Leghorn" with Foghorn Leghorn and Miss Prissy
"Little Boy Boo" with Foghorn Leghorn, Miss Prissy, and Egghead Jr.
**Bugs Bunny Show** # 11 (Nov. 20, 1971)
Bugs Bunny introduces the host for this show, Pepe Le Pew, who is in an apartment in Paris. Pepe steps onto his balcony
and gestures for the viewer to gaze upon the romance-filled parks and streets of the city. "Yes, love is everywhere, even
at the cinema." The cinema's feature, a love-story situated in a zoo, stars Pepe Le Pew. After next telling about a
romance which he had in Casablanca, Pepe suggests that viewers "take a brief respite from romance" by joining Bugs Bunny,
whose Miami Beach vacation went afoul when he mistakenly tunnelled to Antarctica.
"Scent-imental Romeo" with Pepe Le Pew
"The Cat's Bah" with Pepe Le Pew
"Frigid Hare" with Bugs Bunny and the Penguin
**Bugs Bunny Show** # 12 (Nov. 27, 1971)
Gangsters Rocky and Mugsy are in their hideout, watching **The Bugs Bunny Show**. They see Bugs, in segues between cartoons
with Bugs in a vampire's Transylvanian castle and Elmer Fudd's rooster's desperate effort to delay the time of his
forecasted death, talking about the sponsors who pay substantial money to support his television programme. So, the
greedy Rocky decides to gain access to sponsorship dollars by going into the television business. They go to the studio
where Bugs' television show is being performed. Mugsy escorts Bugs off of the stage, and Rocky introduces a cartoon
concerning a singing frog, which he shows from a film projector.
"Transylvania 6-5000" with Bugs Bunny and Count Bloodcount
"Each Dawn I Crow" with Elmer Fudd and John Rooster
"One Froggy Evening" with Michigan J. Frog
**Bugs Bunny Show** # 13 (Dec. 4, 1971)
Elmer Fudd is host of this mainly music-oriented instalment, opened by Bugs' antics as a tuneful barber. While on stage
after cartoon one, Elmer tries to sing, but he is thwarted when the notes on his sheet music run off of their page,
reminding Elmer of his July 4 life-or-death struggle against belligerent picnic ants. Sylvester, outside of the studio,
spoils Elmer's endeavour to conduct an orchestra, by wearing boots and singing "tra-la-la" while noisily stomping up and
down a wooden stairwell. The Goofy Gophers seek to regain their vegetable harvest, which has been moved to a food
processing factory.
"Rabbit of Seville" with Bugs Bunny and Elmer Fudd
"Ant Pasted" with Elmer Fudd
"I Gopher You" with the Goofy Gophers
**Bugs Bunny Show** # 14 (Dec. 11, 1971)
Bugs defeats Scotsman Angus McCrory in a golf game of very liberal rules prior to dressing like the portly Alfred
Hitchcock to offer a lecture on crime. Standing outside of the laboratory of one Dr. Peabody, he speaks about mad
scientists, specifically the meek inventor of a portable hole that is stolen by a shadowy bank robber. Next, he flips
through a police record archive to find a dossier on Rocky and Mugsy, two criminals who have, so far- but not for much
longer, managed to elude the law.
"My Bunny Lies Over the Sea" with Bugs Bunny and Angus McCrory
"The Hole Idea" with Calvin Q. Calculus
"Bugsy and Mugsy" with Bugs Bunny, Rocky, and Mugsy
**Bugs Bunny Show** # 15 (Dec. 18, 1971)
Yosemite Sam dies after being crushed by a falling safe during his evil scheme to matrimonially divest a widow of her
money- and he goes to hell, where the devil promises to release Sam's spirit and give to Sam a new lease on life, provided
that Sam bring to the devil a certain rabbit whom the devil has been trying for a long time to entrap in Hades. Sam is
returned to Earth on a movie set, where a dictatorial director, who looks and talks like Emperor Nero, orders stagehand
Sam to find a victim to feed to a hoard of lions. Sam dies again when he is feasted upon by the lions, and the devil
allocates to him one more miscarried chance to catch the bunny, as a homeowner in the American Western frontier.
"Hare Trimmed" with Bugs Bunny, Yosemite Sam, and Granny
"Roman Legion-Hare" with Bugs Bunny and Yosemite Sam
"The Fair Haired Hare" with Bugs Bunny and Yosemite Sam
**Bugs Bunny Show** # 16 (Dec. 25, 1971)
George P. Dog is introduced by Bugs as the emcee for this show, but Foghorn Leghorn decides that he would be a better
emcee and pushes the dog aside. In the cartoons that follow, Wile E. Coyote consults an electronic brain for advice on how
to snatch Bugs Bunny from his desert domicile, unaware that Bugs is the brain's one moving part, and a pair of suicidal
mice bedevil Claude Cat with pleas that he eat them. Little Henery Hawk enters the studio on his unending hunt for
chicken, and Foghorn uses a magic hat to make Henery disappear, before watching a televised interview with Bugs.
"To Hare is Human" with Bugs Bunny and Wile E. Coyote
"Cheese Chasers" with Claude Cat, Hubie, and Bertie
"What's Up, Doc?" with Bugs Bunny and Elmer Fudd
**Bugs Bunny Show** # 17 (Jan. 1, 1972)
Ralph Wolf's Little Bo Peep ploy to remove a sheep from the field of ba-a-a-ing grazers overseen by Sam Sheepdog is
quashed by Sam, who appears out of the carcass of the sheep that Bo Peep Ralph has selected. Daffy is so desperate to
appear on the show as the feature performer that he dresses as a Hawaiian, a musketeer, and a knight. Splendid garb but
never appropriate or soon enough for Bugs to grant to Daffy a place in any of this episode's cartoons, one thereof set
in medieval times as Bugs battles Black Knight Yosemite Sam for possession of a singing sword and the other transpiring
in a French perfume shop, as Pepe Le Pew lusts for a cat whose back has been accidentally dyed white.
"Double or Mutton" with Ralph Wolf and Sam Sheepdog
"Knighty Knight Bugs" with Bugs Bunny, Yosemite Sam, and the Dragon
"For Scent-imental Reasons" with Pepe Le Pew
**Bugs Bunny Show** # 18 (Jan. 8, 1972)
An instalment distinguished by talent agent Porky Pig perusing several previously unknown acts of entertainment, Claude
Cat going insane by the upside down room contrivance of two mice intending to inhabit Claude's home, and Bugs rescuing
Hansel and Gretel from the clutches of urchin-baker Witch Hazel. On stage, Bugs gives yet another lecture on cartoon
animation, confidentially stating that, "I do Mel Blanc's voice." Daffy Duck intrudes upon the lecture, insisting that he
is a clean-up artist sent by a cartoon agency, and proceeds to redraw animation of Tweety by putting his own duck's
beak and webbed feet on the canary.
"Curtain Razor" with Porky Pig
"Mouse Wreckers" with Claude Cat, Hubie, and Bertie
"Bewitched Bunny" with Bugs Bunny and Witch Hazel
**Bugs Bunny Show** # 19 (Jan. 15, 1972)
Bugs has not fully awoken and is in no condition to host the show. So, the announcer introduces the individual cartoons:
Bugs in a medieval jousting contest, Sylvester aiming to be Elmer Fudd's winter house cat, and Foghorn Leghorn playing
golf, with the barnyard dog's nose as tee.
"Knights Must Fall" with Bugs Bunny and Sir Pantsalot of Dropseat Manor
"Kit For Cat" with Sylvester and Elmer Fudd
"The Leghorn Blows at Midnight" with Foghorn Leghorn and Henery Hawk
**Bugs Bunny Show** # 20 (Jan. 22, 1972)
After a Klondike dispute with Yosemite Sam over entitlement to gold deposits- the first cartoon of this show, Bugs is on
stage, imitating "Frankie doing an imitation of Rickie imitating Elvis." His music disturbs Yosemite Sam, who is in a
neighbouring building, trying to sleep. Sam angrily runs into the **Bugs Bunny Show** studio and destroys Bugs' guitar. Bugs
recollects another instance of his music provoking violence.
"14 Carrot Rabbit" with Bugs Bunny and Yosemite Sam
"Long-Haired Hare" with Bugs Bunny and Giovanni Jones
"Claws For Alarm" with Sylvester and Porky Pig
**Bugs Bunny Show** # 21 (Jan. 29, 1972)
Yosemite Sam is a Saharan land baron who disapproves of Bugs' presence on his desert sands and tries to kill the rabbit
visitor to his arid estate, the Big Bad Wolf insists to his son that he was the victim of Three cruel Little Pigs who
attempted to guillotine his tail and blew down his house, and an unseen animator sketches Foghorn Leghorn with Rock
Hudson's body and then draws a broom's tail on Foghorn's backside, preceding a cartoon with Foghorn Leghorn's chickendom
in question.
"Sahara Hare" with Bugs Bunny and Yosemite Sam
"The Turn-Tale Wolf" with the Big Bad Wolf
"The Foghorn Leghorn" with Foghorn Leghorn and Henery Hawk
**Bugs Bunny Show** # 22 (Feb. 5, 1972)
The Tasmanian Devil appears with Bugs on stage. Bugs tells of his first meeting with "Taz-Boy" in the jungle of Tasmania,
and then he prescribes a carrot diet to Taz, demonstrating how an anaemic weakling, Daffy Duck, supposedly became an
energetic and versatile cartoon star after submitting to a carrot diet.
"Rabbit Every Monday" with Bugs Bunny and Yosemite Sam
"Bedevilled Rabbit" with Bugs Bunny and Tasmanian Devil
"Duck Amuck" with Daffy Duck and Bugs Bunny
**Bugs Bunny Show** # 23 (Feb. 12, 1972)
Foghorn Leghorn introduces Miss Prissy, who, Foghorn says, is an old-time actress. Foghorn reenacts some of Prissy's
famous roles, including "Romeo and Juliet", in which she played both parts, and an act involving precarious balancing on a
stack of chairs and juggling of bowling pins and hoops. Prissy initiates the cartoons by looking into a crystal ball, and
she sees mirthful musical notes preparing for collective self-rendition of "The Blue Danube" by Johann Strauss and Bugs
foiling a scientist's plan to transfer his consciousness into the feathered head of a chicken.
"A Fractured Leghorn" with Foghorn Leghorn
"High Note" with the Drunken Note
"Hot Cross Bunny" with Bugs Bunny and the Bespectacled Doctor
**Bugs Bunny Show** # 24 (Feb. 19, 1972)
It is 'Reading Out Loud Night', and Bugs selects a book from a shelf and walks into a backdrop. The book is an album of
photographs of Bugs' family and life experiences. Bugs and Elmer Fudd are the unwitting participants in a scientific study
of the behavioural influence of headgear, and Bugs combats farmer Fudd's addled automaton. Sylvester is aided by a black
panther in besting a swaggering bulldog.
"Bugs' Bonnets" with Bugs Bunny and Elmer Fudd
"Tree For Two" with Sylvester, Spike, and Chester
"Robot Rabbit" with Bugs Bunny and Elmer Fudd
**Bugs Bunny Show** # 25 (Feb. 26, 1972)
When Bugs descends by his special, hole-shaped elevator from the stage to his dressing room there beneath, he finds that
he has company- the show's viewer. So, Bugs as a dutiful host invites his guest to join him in watching a high-rated
television show, a parody of **The Beverly Hillbillies**, with Bugs honing his square dance-calling talent, with agonising
consequences for a pair of rustics of the Ozark Mountains. In a mouse version of **The Honeymooners**, toy bus driver Ralph
Crumden and kitchen sink worker Ned Morton strive to snatch a cupcake for a surprise birthday confection for Ralph's
spouse, Alice, from the humans' kitchen in the Brooklyn apartment in which they and their whiskered wives have
neighbouring hole dwellings. However, a cat blocks their path to the refrigerator and the cupcake therein. So, Crumden
and Morton plot to outwit their feline opponent.
"Bunker Hill Bunny" with Bugs Bunny and Yosemite Sam
"Hillbilly Hare" with Bugs Bunny and the Martin Brothers
"Cheese it, the Cat!" with the Honey-Mousers
**Bugs Bunny Show** # 26 (Mar. 4, 1972)
"The subject for tonight's show is one that has always puzzled us little denizens of the woodland glades." In yet another
lecture, Bugs talks about man. "You see, folks. Man is basically lazy. In order to keep from using his feet, he uses his
brain." The lecture addresses human methods of conveyance, including the pogo stick, the Birdie-mobile (a seat carried in
the air by a flock of birds), the horse, and the automobile in its many forms, then discusses the human need for
companionship, hence the opposite sex and marriage, with a family of bears portrayed in a cartoon as a parallel to
this human tendency.
"Mutiny On the Bunny" with Bugs Bunny and Yosemite Sam
"There Auto Be a Law" with the Meek Car-Driver
"Bear Feat" with the Three Bears
```

*The on-stage scenes of "Bad-Time Story", one of the episodes of **Bugs Bunny Show**- Season 2, were released on digital videodisc (DVD) as a bonus feature for the fifth volume of the LOONEY TUNES GOLDEN COLLECTION.*
By way of a mix of black-and-white and colour film elements, on-stage portions of **The Bugs Bunny Show** from episodes of Season 2 (among said episodes "Bad-Time Story", "Ball Point Puns", "Do or Diet", "The Honey-Mousers", and "A Star is Bored") were included as bonus features on releases on digital videodisc (DVD) of Looney Tunes and Merrie Melodies, in the LOONEY TUNES GOLDEN COLLECTION range. Full-colour restoration of **The Bugs Bunny Show** is reportedly not possible due to loss of the sections of colour film not utilised when the stage scenes were incorporated into instalments of **The Bugs Bunny/Road Runner Hour**. The existence of colour third season **Bugs Bunny Show** episodes, last screened in Canada's eastern Maritimes in the mid-1990s, was an avenue either not pursued by the restoration team or dead-ended by an inexplicable vanishing of those third season episodes from the archives of Warner Brothers Canada. Some in-colour episodes of the first two seasons are in the hands of private collectors and possibly may be found in the vaults of broadcasters in Europe. What happened to the episodes aired on Canada's CBC television network in the mid-1970s is a mystery.

IN MEMORIAM
Cartoon directors Friz Freleng, Chuck Jones, and Robert McKimson
Voice characterisation performers Mel Blanc, Arthur Q. Bryan, Daws Butler, and Bea Benaderet
Musicians Carl W. Stalling, Milt Franklyn, John Seely, and Bill Lava
Title song writers Jerry Livingston and Mack David
---
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<td width="717"><p><img alt="borg_queen_portrait.jpg" align="" border="" src="https://skirve.tripod.com//sitebuildercontent/sitebuilderpictures/datamainpagepicture.jpg" width="560"></div></p><p><font face="Times New Roman,Times,serif" size="3" color="#003366"><b>PLEASE USE THE LINKS BELOW TO NAVIGATE THE SITE</b></font></div></p><p><a href="https://skirve.tripod.com/data/id1.html" target="tlx_new" name="" title=""><font face="Times New Roman,Times,serif" size="1" color="#003366"><b>DATA : CREATION AND DISCOVERY</a></b></font></div></p><p><a href="https://skirve.tripod.com/data/id2.html" target="tlx_new" name="" title=""><font face="Times New Roman,Times,serif" size="1" color="#003366"><b>DATA`S FAMILY</a></b></font></div></p><p><a href="https://skirve.tripod.com/data/id3.html" target="tlx_new" name="" title=""><font face="Times New Roman,Times,serif" size="1" color="#003366"><b>DATA`S STARFLEET FRIENDSHIPS</a></b></font></div></p><p><a href="https://skirve.tripod.com/data/id4.html" target="tlx_new" name="" title=""><font face="Times New Roman,Times,serif" size="1" color="#003366"><b>DATA AND THE HOLODECK</a></b></font></div></p><p><a href="https://skirve.tripod.com/data/id6.html" target="tlx_new" name="" title=""><font face="Times New Roman,Times,serif" size="1" color="#003366"><b>DATA`S HUMANITY</a></b></font></div></p><p><a href="https://skirve.tripod.com/data/id7.html" target="tlx_new" name="" title=""><font face="Times New Roman,Times,serif" size="1" color="#003366"><b>DATA`S INNOCENCE AND LOYALTY</a></b></font></div></p><p><a href="https://skirve.tripod.com/data/id9.html" target="tlx_new" name="" title=""><font face="Times New Roman,Times,serif" size="1" color="#003366"><b>DATA`S STRENGTHS</a></b></font></div></p><p><a href="https://skirve.tripod.com/data/id8.html" target="tlx_new" name="" title=""><font face="Times New Roman,Times,serif" size="1" color="#003366"><b>DATA`S VULNERABILITIES</a></b></font></div></p><p><a href="https://skirve.tripod.com/data/id10.html" target="tlx_new" name="" title=""><font face="Times New Roman,Times,serif" size="1" color="#003366"><b>DATA`S TRIUMPHS</a></b></font></div></p></td>
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<td><p><a href="https://skirve.tripod.com/data/id5.html" target="tlx_new" name="" title=""><font face="Times New Roman,Times,serif" size="1" color="#003366"><b>DATA AND THE FEDERATION`S ENEMIES</a></b></font></div></p><p><font face="Times New Roman,Times,serif" size="3" color="#003366"><b>Welcome to the DATA bank a detailed website on the most famous android in Starfleet</b></font></div></p></td>
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<td><p><font face="Times New Roman,Times,serif" size="3" color="#003366"><b>Name : Data <br> <br>Rank : Lieutenant Commander <br> <br>Current Assignment : Science Officer aboard the U.S.S. ENTERPRISE NCC-1701-E <br> <br>Previous Assignments : U.S.S. TRIESTE NCC-37124, U.S.S. ENTERPRISE NCC-1701-D <br> <br>Parents : created by Dr Noonien Soong and Dr Julianna O`Donnell Soong <br> <br>Date of Birth : Originally activated at Omicron Theta colony in 2335, permenantly re-activated in 2338 <br> <br>Education : Starfleet Academy 2341-45 <br> <br>Marital Status : Single <br> <br>Children: One (deceased) <br> <br>Starfleet Awards : Starfleet Command Decoration for Gallantry, medal of Honour (with Clusters), Legion of Honour,The Starcross <br> <br>First Seen : Encounter at Farpoint (Star Trek The Next Generation) <br> <br> Data is a humanoid android who is discovered and reactivated by the crew of the HOKULE`A-class Starfleet ship U.S.S. TRIPOLI NCC-19386 on OMICRON THETA IV in 2338. His post activation months are very difficult, but the crew who find him are helpful, and Data is so impressed by their actions that they inspire him to join Starfleet. His decision has far-reaching consequences, both for Starfleetand, potentially, for other androids. His entry into Starfleet Academy is the first, and so far only, one by an android. <br> His entry is facilitated in 2341 by a legal decision rendered by a Starfleet Academy entrance committee, they decree that Data is a sentient life form. This permits his entry to the Academy and his eventual service as a member of Starfleet. The only vote against Dtat`s entry is cast by BRUCE MADDOX of the DAYSTROM INSTITUTE. <br> Data and Maddox cross paths again in 2365, when one of the most important events in Data`s career has a lasting influence on Starfleet, a redefinition of the rules concerning artificial life, which is forced by Data`s attempts to resign from Starfleet rather than undergo experiments which could cause permenant damage. A Judge Advocate General`s inquiry at Starbase 173 rules that Data is not Starfleet property and cannot be treated as such, further upholding his sentient induvidual rights. <br> While problems concerning Data`s status can be solved by the rule books, other elements of life in Starfleet are not so easy to resolve. Data finds the orginization`s entrance exams elementary, but in his freshman year at the Academy he discovers his biggest problem to be that of social interaction. In particular practical jokes and the SADIE HAWKINS DANCE baffle him. Despite these problems, Data graduates in 2345 with honours in exobiology and probability mechanics. His cirriculum also includes advanced training in auxiliary vessels. Following graduation, he spends three years as an ensign and 11 more in the lieutenant grades. One of these postings is to the U.S.S. TRIESTE NCC-37124. <br> Data recieves his first promotion, to, lieutenant, junior grade, in 2348. Due to his programming and super human abilities, he is by definition an exemplary officer. So far, however, he has not made any significant advances in the area of command, Data`s service to Starfleet has been in the operations department only. <br> In 2364, Data is assigned to the GALAXY-class U.S.S. ENTERPRISE NCC-1701-D under Captain Jean-Luc Picard, as Operations Manager. His duties include coordinating many departments on the Starship. <br> Data is rarely placed in command even of small away missions, even though on the occasions when he does take charge he acquits himself admirably. One such example of this is his sucessful handling of the evacuation of the TAU CYGNA V colony in 2366. <br> Despite his long, and almost flawless career record, Data is not placed in command of a Starship until assuming the conn of the NEBULA-class U.S.S. SUTHERLAND during the blockade of Romulan aid to the DURAS Klingon faction in 2367-68. Many officers feel uncomfortable being ordered around by an android. But Data soon manages to prove his worth. <br> Data has a routine unlike any other officer in Starfleet, because he doesn`t require sleep, he can work round the clock. He often takes over the night shifts aboard the Enterprise bridge after his normal shifts. <br> After eight years aboard the Galaxy-class Enterprise, Data and most of the rest of the crew transfer to the SOVEREIGN-class U..S.S. ENTERPRISE NCC-1701-E it is aboard this new ship in 2373 that Data is nearly assimilated by the BORG, who are attempting temporal sabotage with earth`s past and Humanity`s FIRST CONTACT with an alien race. Data resists temptation and saves Picard and his ship. <br> Data currently carries Alpha-1 computer clearance and Priority-3 security clearance</b></font></div></p></td>
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THE DATA BANK
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| | | | THE DATA BANK | |
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| | | | [THE DATA BANK](id10.html)
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[THE DATA BANK](id9.html)
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| borg_queen_portrait.jpg**PLEASE USE THE LINKS BELOW TO NAVIGATE THE SITE**[**DATA : CREATION AND DISCOVERY**](https://skirve.tripod.com/data/id1.html)[**DATA`S FAMILY**](https://skirve.tripod.com/data/id2.html)[**DATA`S STARFLEET FRIENDSHIPS**](https://skirve.tripod.com/data/id3.html)[**DATA AND THE HOLODECK**](https://skirve.tripod.com/data/id4.html)[**DATA`S HUMANITY**](https://skirve.tripod.com/data/id6.html)[**DATA`S INNOCENCE AND LOYALTY**](https://skirve.tripod.com/data/id7.html)[**DATA`S STRENGTHS**](https://skirve.tripod.com/data/id9.html)[**DATA`S VULNERABILITIES**](https://skirve.tripod.com/data/id8.html)[**DATA`S TRIUMPHS**](https://skirve.tripod.com/data/id10.html) |
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| [**DATA AND THE FEDERATION`S ENEMIES**](https://skirve.tripod.com/data/id5.html)**Welcome to the DATA bank a detailed website on the most famous android in Starfleet** |
| **Name : Data Rank : Lieutenant Commander Current Assignment : Science Officer aboard the U.S.S. ENTERPRISE NCC-1701-E Previous Assignments : U.S.S. TRIESTE NCC-37124, U.S.S. ENTERPRISE NCC-1701-D Parents : created by Dr Noonien Soong and Dr Julianna O`Donnell Soong Date of Birth : Originally activated at Omicron Theta colony in 2335, permenantly re-activated in 2338 Education : Starfleet Academy 2341-45 Marital Status : Single Children: One (deceased) Starfleet Awards : Starfleet Command Decoration for Gallantry, medal of Honour (with Clusters), Legion of Honour,The Starcross First Seen : Encounter at Farpoint (Star Trek The Next Generation) Data is a humanoid android who is discovered and reactivated by the crew of the HOKULE`A-class Starfleet ship U.S.S. TRIPOLI NCC-19386 on OMICRON THETA IV in 2338. His post activation months are very difficult, but the crew who find him are helpful, and Data is so impressed by their actions that they inspire him to join Starfleet. His decision has far-reaching consequences, both for Starfleetand, potentially, for other androids. His entry into Starfleet Academy is the first, and so far only, one by an android. His entry is facilitated in 2341 by a legal decision rendered by a Starfleet Academy entrance committee, they decree that Data is a sentient life form. This permits his entry to the Academy and his eventual service as a member of Starfleet. The only vote against Dtat`s entry is cast by BRUCE MADDOX of the DAYSTROM INSTITUTE. Data and Maddox cross paths again in 2365, when one of the most important events in Data`s career has a lasting influence on Starfleet, a redefinition of the rules concerning artificial life, which is forced by Data`s attempts to resign from Starfleet rather than undergo experiments which could cause permenant damage. A Judge Advocate General`s inquiry at Starbase 173 rules that Data is not Starfleet property and cannot be treated as such, further upholding his sentient induvidual rights. While problems concerning Data`s status can be solved by the rule books, other elements of life in Starfleet are not so easy to resolve. Data finds the orginization`s entrance exams elementary, but in his freshman year at the Academy he discovers his biggest problem to be that of social interaction. In particular practical jokes and the SADIE HAWKINS DANCE baffle him. Despite these problems, Data graduates in 2345 with honours in exobiology and probability mechanics. His cirriculum also includes advanced training in auxiliary vessels. Following graduation, he spends three years as an ensign and 11 more in the lieutenant grades. One of these postings is to the U.S.S. TRIESTE NCC-37124. Data recieves his first promotion, to, lieutenant, junior grade, in 2348. Due to his programming and super human abilities, he is by definition an exemplary officer. So far, however, he has not made any significant advances in the area of command, Data`s service to Starfleet has been in the operations department only. In 2364, Data is assigned to the GALAXY-class U.S.S. ENTERPRISE NCC-1701-D under Captain Jean-Luc Picard, as Operations Manager. His duties include coordinating many departments on the Starship. Data is rarely placed in command even of small away missions, even though on the occasions when he does take charge he acquits himself admirably. One such example of this is his sucessful handling of the evacuation of the TAU CYGNA V colony in 2366. Despite his long, and almost flawless career record, Data is not placed in command of a Starship until assuming the conn of the NEBULA-class U.S.S. SUTHERLAND during the blockade of Romulan aid to the DURAS Klingon faction in 2367-68. Many officers feel uncomfortable being ordered around by an android. But Data soon manages to prove his worth. Data has a routine unlike any other officer in Starfleet, because he doesn`t require sleep, he can work round the clock. He often takes over the night shifts aboard the Enterprise bridge after his normal shifts. After eight years aboard the Galaxy-class Enterprise, Data and most of the rest of the crew transfer to the SOVEREIGN-class U..S.S. ENTERPRISE NCC-1701-E it is aboard this new ship in 2373 that Data is nearly assimilated by the BORG, who are attempting temporal sabotage with earth`s past and Humanity`s FIRST CONTACT with an alien race. Data resists temptation and saves Picard and his ship. Data currently carries Alpha-1 computer clearance and Priority-3 security clearance** |
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Images of the sky
# Images of the sky
[](index.html)
Best viewed with at least a 1280x1024 display
On this site, you will find some pictures of
the sky, by day or by night.
Some images are not very good. Astro-photo is
not an easy thing to do, but I try to get better each time I take such
pictures !
| Last update on 2020/07/12. |
| Latest news : | [Comet Neowise](Eversion/Planets/Comets.html) |
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[](Eversion/instrument.html)
My instruments
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The Moon
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[Some interesting links](Eliens.html)
about amateur astrophotography.
---
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[dark skies](http://www.britastro.org/dark-skies/index.html)
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<option value="http://rogerjnorton.com/Lincoln75.html">A One Page Summary of the Lincoln Assassination</option>
<option value="http://rogerjnorton.com/Lincoln74.html">Lincoln Assassination Conspiracy Theories</option>
<option value="http://rogerjnorton.com/Lincoln86.html">Lincoln Escapes Death in 1864</option>
<option value="http://rogerjnorton.com/Lincoln46.html">Abraham Lincoln's Pre-Assassination Dream</option>
<option value="http://rogerjnorton.com/Lincoln45.html">Abraham Lincoln's Last Day</option>
<option value="http://rogerjnorton.com/Lincoln60.html">Abraham Lincoln's Autopsy</option>
<option value="http://rogerjnorton.com/Lincoln51.html">The Route of Abraham Lincoln's Funeral Train </option>
<option>---</option>
<option value="http://rogerjnorton.com/Lincoln72.html">The Life and Plot of John Wilkes Booth</option>
<option value="http://rogerjnorton.com/Lincoln36.html">John Wilkes Booth's Movements on the Day of the Assassination</option>
<option value="http://rogerjnorton.com/Lincoln40.html">John Wilkes Booth's Final Hours and the Positive Identification of his Body</option>
<option value="http://rogerjnorton.com/Lincoln52.html">The Text of John Wilkes Booth's Diary</option>
<option value="http://rogerjnorton.com/Lincoln10.html">John Wilkes Booth's Weapons</option>
<option value="http://rogerjnorton.com/Lincoln83.html">John Wilkes Booth's Autopsy</option>
<option>---</option>
<option value="http://rogerjnorton.com/Lincoln18.html">The 1865 Conspiracy Trial </option>
<option value="http://rogerjnorton.com/Lincoln64.html">Did John Wilkes Booth and Other Conspirators Attend Lincoln's Second Inauguration?</option>
<option value="http://rogerjnorton.com/Lincoln55.html">The Text of John Surratt's 1870 Lecture on the Conspiracy</option>
<option value="http://rogerjnorton.com/Lincoln61.html">John F. Parker: The Guard Who Abandoned His Post</option>
<option value="http://rogerjnorton.com/Lincoln59.html">A Booth Saves a Lincoln</option>
<option>---</option>
<option value="http://rogerjnorton.com/Lincoln41.html">The Strange and Eerie Events in the Years Following the Assassination </option>
<option value="http://rogerjnorton.com/Lincoln47.html">The 1876 Attempt to Steal Mr. Lincoln's Body</option>
<option value="http://rogerjnorton.com/Lincoln32.html">Boston Corbett: The Bizarre Soldier Who Killed John Wilkes Booth</option>
<option value="http://rogerjnorton.com/Lincoln13.html">Mr. Lincoln's Casket Opened and the Remains Viewed in 1901</option>
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<option value="http://rogerjnorton.com/Lincoln62.html">Mary Todd Lincoln's Nightmare at Ford's Theatre</option>
<option value="http://rogerjnorton.com/Lincoln94.html">What If the Lincolns Had Attended the Play at Grover's Theatre?</option>
<option value="http://rogerjnorton.com/Lincoln43.html">The Fifteen People Who Turned Down the Lincolns' Theater Invitation</option>
<option value="http://rogerjnorton.com/Lincoln73.html">Private John Millington's Eyewitness Account of the Chase and Capture of John Wilkes Booth</option>
<option value="http://rogerjnorton.com/Lincoln82.html">George Atzerodt's Lost Confession</option>
<option>---</option>
<option value="http://rogerjnorton.com/Lincoln4.html">Photographs Related to the Assassination</option>
<option value="http://rogerjnorton.com/Lincoln20.html">Photographs of the Convicted Conspirators</option>
<option value="http://rogerjnorton.com/Lincoln5.html">Adjusting the Ropes Prior to Hanging</option>
<option value="http://rogerjnorton.com/Lincoln3.html">Hanging of Conspirators</option>
<option value="http://rogerjnorton.com/Lincoln6.html">Box Where Lincoln was Assassinated</option>
<option value="http://rogerjnorton.com/Lincoln70.html">Close-Up of Powell on the Gallows</option>
<option value="http://rogerjnorton.com/Lincoln9.html">Ford's Theatre in 1865</option>
<option value="http://rogerjnorton.com/Lincoln11.html">Lincoln's Rocking Chair at Ford's Theatre</option>
<option value="http://rogerjnorton.com/Lincoln7.html">Petersen House (where President Lincoln Died)</option>
<option>---</option>
<option value="http://rogerjnorton.com/Lincoln31.html">Samuel Arnold</option>
<option value="http://rogerjnorton.com/Lincoln27.html">George Atzerodt</option>
<option value="http://rogerjnorton.com/Lincoln28.html">David Herold</option>
<option value="http://rogerjnorton.com/Lincoln29.html">Dr. Samuel Mudd</option>
<option value="http://rogerjnorton.com/Lincoln30.html">Michael O'Laughlen</option>
<option value="http://rogerjnorton.com/Lincoln25.html">Lewis Powell</option>
<option value="http://rogerjnorton.com/Lincoln24.html">Edman Spangler</option>
<option value="http://rogerjnorton.com/Lincoln37.html">John Surratt</option>
<option value="http://rogerjnorton.com/Lincoln26.html">Mary Surratt</option>
<option>---</option>
<option value="http://rogerjnorton.com/Lincoln.html">ABRAHAM LINCOLN ASSASSINATION SITE</option>
<option value="http://rogerjnorton.com/Lincoln2.html">ABRAHAM LINCOLN RESEARCH SITE</option>
<option value="http://rogerjnorton.com/Lincoln15.html">MARY TODD LINCOLN RESEARCH SITE</option>
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<br><H1 align=center><strong><FONT face=Arial size=2><font color="#996666" size="4">LINCOLN ASSASSINATION THEORIES: </font></FONT><font color="#996666" size="4"><FONT face=Arial>A SIMPLE CONSPIRACY OR A GRAND CONSPIRACY?</FONT></font></strong></H1>
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<div align="left"><FONT face=Arial size=2>John Wilkes Booth shot Abraham Lincoln on April 14, 1865, and questions arose almost immediately. Was Booth solely responsible for the assassination? Or was Booth simply a tool in a much larger conspiracy? Just who may or may not have been involved with Booth has been the subject of profound speculation among writers, historians, researchers, and others for the past 150+ years. With the publication of new books and articles in the 1980s, 1990s, 2000s, and beyond, the quest to find what really happened has continued. This page will attempt to outline the major conspiracy theories (in no particular order) that have been put forth since 1865. </FONT></div></td>
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<H1 align=center><STRONG><FONT color="#996666" size=3 face=Arial>THEORY #1</FONT></STRONG></H1>
<H2 align=center> <font color="#996666" size="3"><I><STRONG><FONT face=Arial>ANDREW JOHNSON WAS INVOLVED WITH BOOTH</FONT></STRONG></i></font></H2>
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<p><FONT face=Arial size=2>Approximately seven hours before shooting the president, Booth dropped by the Washington hotel which was Vice-President Andrew Johnson's residence. Upon learning from the desk clerk that neither Johnson nor his private secretary, William A. Browning, was in the hotel, Booth wrote the following note: "Don't wish to disturb you Are you at home? J. Wilkes Booth." Browning testified before the military court that he found the note in his box later that afternoon. <br><br>Did Johnson and Booth know each other? In the 1997 publication <I>"Right or Wrong, God Judge Me" The Writings of John Wilkes Booth</I> edited by John Rhodehamel and Louise Taper it is stated on p. 146 that Booth had previously met Johnson in Nashville in February, 1864. At the time Booth was appearing in the newly opened Wood's Theatre. Also, author Hamilton Howard in <I>Civil War Echoes</I> (1907) made the claim that while Johnson was military governor of Tennessee, he and Booth kept a couple of sisters as mistresses and oftentimes were seen in each other's company. <br><br>Lincoln had essentially ignored Johnson after Johnson's embarrassing behavior on Inauguration Day. Mary Todd Lincoln felt Johnson was involved. On March 15, 1866, she wrote to her friend, Sally Orne:</FONT></p>
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<FONT face=Arial size=2>"...that, that miserable inebriate Johnson, had cognizance of my husband's death - Why, was that card of Booth's, found in his box, some acquaintance certainly existed - I have been deeply impressed, with the harrowing thought, that he, had an understanding with the conspirators & they knew their man... As sure, as you & I live, Johnson, had some hand, in all this..."</FONT>
<H4><STRONG><FONT color="#996666" size=2 face=Arial>Mary Todd Lincoln to her friend, Sally Orne, in a letter dated March 15, 1866 </FONT></STRONG></H4>
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<p><FONT face=Arial size=2>Some members of Congress also thought Johnson was involved and a special Assassination Committee was established to investigate any evidence linking Johnson to Lincoln's death. Nothing suspicious was ever found by the committee; yet a belief by some Americans that Johnson was somehow involved with Booth continued for many years.
<br><br>In the book <i>A Threat to the Republic: The Secret of the Lincoln Assassination that Preserved the Union</i> author Jerry Madonna argues that Johnson unwittingly gave assistance to Booth's escape from Washington.
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<H1 align=center><STRONG><FONT color="#996666" size=3 face=Arial>THEORY #2</FONT></STRONG></H1>
<H2 align=center><font color="#996666" size="3"><STRONG><FONT face=Arial><I>LINCOLN DIED BY WAY OF A SIMPLE CONSPIRACY ORGANIZED BY JOHN WILKES BOOTH</I></FONT></STRONG></font></H2>
<div align="left"><FONT face=Arial size=2>This theory has John Wilkes Booth as the originator of the plot and that all remaining conspirators, with the one exception of John Surratt, were either hanged or sent to prison at Ft. Jefferson. Among the books that have supported this theory are Clara Laughlin's <I>The Death of Lincoln: The Story of Booth's Plot, His Deed, and the Penalty</I>, David M. DeWitt's <I>The Assassination of Abraham Lincoln and Its Expiation</I>, and George S. Bryan's <I>The Great American Myth</I>. The simple conspiracy theory paints Booth as a Southern patriot and racist who originally planned to kidnap the president, take him to Richmond, and hold him in exchange for Southern prisoners of war. When the kidnapping plans fell through, Booth turned to assassination as his means for revenge. The entire plot consisted simply of John Wilkes Booth as the leader of a small band of co-conspirators. In 2004 Michael W. Kauffman's encyclopedic <I>American Brutus: John Wilkes Booth and the Lincoln Conspiracies</I> was published. Kauffman paints Booth as a master at manipulating people, not as a stooge for others. </FONT> </H2>
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<H1 align=center><STRONG><FONT color="#996666" size=3 face=Arial>THEORY #3</FONT></STRONG></H1>
<H2 align=center><font color="#996666" size="3"><STRONG><FONT face=Arial><I>LINCOLN'S ASSASSINATION WAS THE RESULT OF A CONFEDERATE PLOT</I> </FONT></STRONG></font></H2>
<div align="left"><FONT face=Arial size=2>The idea that Lincoln was killed as part of a grand conspiracy of Confederates arose almost immediately after the assassination. Coded letters found in Booth's trunk back at the National Hotel tied him to the Confederacy. This theory has undergone a marked revival in the past 20+ years. In 1977 a statement conspirator George Atzerodt made before the trial in 1865 was uncovered. In it Atzerodt told of Booth's knowledge of a Confederate plot to blow up the White House. The hypothesis of a Confederate grand conspiracy was detailed in 1988 by William A. Tidwell, James O. Hall, and David Winfred Gaddy in <I>Come Retribution: The Confederate Secret Service and the Assassination of Lincoln</I>. Tidwell supplied further evidence in 1995 with the publication of <I>April '65: Confederate Covert Action in the American Civil War</I>. Another work which stresses Confederate involvement, but lacks the detail of the aforementioned books, is Larry Starkey's <I>Wilkes Booth Came to Washington</I>. In 2015 John Fazio's <i>Decapitating the Union: Jefferson Davis, Judah Benjamin and the Plot to Assassinate Lincoln</i> was published.
<br><br>Proponents of the Confederate grand conspiracy point out that as the Confederacy's situation deteriorated, more daring and reckless planning was needed. Lincoln was viewed as a legitimate wartime target. This was especially true after the Union's failed Dahlgren raid on Richmond that had been approved by Lincoln himself and was evidence of Lincoln's increasing determination to take whatever steps were necessary to end the war. Colonel Ulrich Dahlgren was killed in the raid, and on his person several documents were found, one of which said, "The men must be kept together, and well in hand, and once in the city, it must be destroyed and Jeff Davis and his cabinet killed." Lincoln had hand-picked Dahlgren for the raid, and the Confederate government now believed the Union president had ordered Davis's death.<br>
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<td bordercolor="#FFFFFF"><div align="left"> <FONT face=Arial size=2>Confederate grand conspiracy theorists feel Judah Benjamin, the Confederate Secretary of State, was deeply involved in the plot to kidnap/kill Abraham Lincoln. He burned all of his records before Richmond was evacuated. Benjamin escaped to England, and he was the only member of the Confederate government never to return to the United States. He practiced law in England until 1883 and died in Paris on May 6, 1884.</FONT></div></td>
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<p align="left"><FONT face=Arial size=2>The theory of a Confederate grand conspiracy portrays Booth as a rebel agent working to organize a band of men to kidnap Lincoln. When Richmond fell, the plans turned to assassination. First, there was the failed effort to blow up the White House followed by the successful effort to kill Lincoln at the theater. Just as Lincoln may have ordered the killing of Jefferson Davis and his Cabinet by Ulrich Dahlgren and his men, Judah Benjamin and Jefferson Davis were involved in the plans to kidnap and later assassinate Abraham Lincoln. The theory of Confederate complicity in the assassination of Abraham Lincoln is accepted by several of the current Lincoln assassination historians, scholars, researchers, and writers. The actual trigger for Booth's actions was the April 10th capture of explosives expert Thomas F. Harney who was on his way to Washington to bomb the White House. Booth, knowing Harney's mission had failed, tried to make up for Harney's disaster by taking matters into his own hands and killing the president at Ford's Theatre. <br><br>For details on this theory see the articles entitled "Who Ordered Lincoln's Death?" by James E.T. Lange and Katherine DeWitt in the June 1998 edition of <I>North & South</i> magazine and "The Lincoln Assassination Revisited" by William Hanchett and "Risking the Wrath of God" by Edward Steers, Jr. in the September 2000 issue of <I>North & South</i>. H. Donald Winkler's 2003 publication entitled <i>Lincoln and Booth: More Light on the Conspiracy</i> stresses Confederate involvement in the plot.
In 2003 the Surratt Society published a pamphlet written by Lincoln assassination experts James O. Hall and Michael Maione. The article attempts to show that Booth was not a wealthy man and was offered a large amount of money by the Confederates to capture Lincoln and deliver him to Richmond. The article is titled <i>TO MAKE A FORTUNE John Wilkes Booth: Following the Money Trail.</i>
<br><br>Confederate plans to blow up the White House seem to be confirmed by George Atzerodt's <A href="http://rogerjnorton.com/Lincoln82.html" class="lincolnbold">Lost Confession</A>.</FONT></p>
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<H1 align=center><STRONG><FONT color="#996666" size=3 face=Arial>THEORY #4</FONT></STRONG></H1>
<H2 align=center><font color="#996666" size="3"><STRONG><FONT face=Arial><I>LINCOLN'S ASSASSINATION WAS THE RESULT OF A CONSPIRACY OF POWERFUL INTERNATIONAL BANKERS</I> </FONT></STRONG></font></H2>
<div align="left"><FONT face=Arial size=2>This theory is that Abraham Lincoln was killed as a result of his monetary policies. John Wilkes Booth would be seen as a hired gun. In its simplest terms, the theory is that Lincoln needed money to finance the Civil War. Bankers in Europe led by the Rothschilds offered him loans at high interest rates. Rather than accept the loans, Lincoln found other means to fund the war effort. More importantly, the British bankers opposed Lincoln's protectionist policies. Some Englishmen in the 1860's believed that "British free trade, industrial monopoly and human slavery travel together." Lincoln's policies after the Civil War would have destroyed the Rothschilds' commodity speculations. After the war, Lincoln planned a mild Reconstruction policy which would have enabled a resumption of agriculture production. The Rothschilds were betting the other way on high prices caused by a tough Reconstruction policy toward the South. Lincoln was viewed as a threat to the established order of things, and he was assassinated as a result. The goal was to weaken the United States so the Rothschilds could takeover its economy. An article titled "The Rothschilds' International Plot to Kill Lincoln" was published October 29, 1976, in <I>New Solidarity</I>. </FONT>
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<H1 align=center><STRONG><FONT color="#996666" size=3 face=Arial>THEORY #5</FONT></STRONG></H1>
<H2 align=center><font color="#996666" size="3"><STRONG><FONT face=Arial><I>THE ROMAN CATHOLIC CHURCH WAS BEHIND LINCOLN'S ASSASSINATION</I> </FONT></STRONG></font></H2>
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<td width="80%"><div align="left"><FONT face=Arial size=2>In 1886 an ex-priest by the name of Charles Chiniquy (pictured to the left) wrote a book titled <I>Fifty Years in the Church of Rome</I> which portrayed the assassination of Lincoln as a Catholic grand conspiracy. Chiniquy maintained that Jefferson Davis had offered $1,000,000 if someone would "kill the author of the bloodshed." Chiniquy wrote that the money could be offered, but that "...the Jesuits alone could select the assassins, train them, and show them a crown of glory in heaven..." Booth was the tool of the Jesuits. He was corrupted and directed by the Vatican. In 1906 Chiniquy said, "The President, Abraham Lincoln, was assassinated by the priests and the Jesuits of Rome." In 1856 Lincoln had defended Chiniquy in court. Chiniquy had quarreled with his bishop and then was sued for slander by one of the bishop's friends (the bishop himself having nothing to do with the complaint). A morals charge was also involved. The case was heard May 20-22, 1856, in Urbana, Illinois. Lincoln arranged for a compromise settlement, but Chiniquy interpreted the settlement as a victory over the church. He felt some Jesuits held Lincoln responsible for the settlement. <br><br>In 1897 Thomas M. Harris, a member of the 1865 military commission, wrote a book entitled <I>Rome's Responsibility for the Assassination of Abraham Lincoln</I>. Other books that involve the Roman Catholic Church in Lincoln's assassination include <I>DEMOCRACY UNDER SIEGE The Jesuits' Attempt to Destroy the Popular Government of the United States: The True Story of Abraham Lincoln's Death</I> by C.T. Wilcox and <I>The Suppressed Truth about the Assassination of Abraham Lincoln</I> by Burke McCarty (1924). McCarty's opening sentence was, "In all the bloody history of the Papacy, perhaps in no one man, as in Abraham Lincoln, was there concentrated such a multitude of reasons for his annihilation by that system." <I>An Inquiry into the Assassination of Abraham Lincoln</I> by Emmett McLoughlin was published in 1963. Among other points, McLoughlin maintained that the majority of American Catholics were in favor of slavery and opposed to Lincoln. The author said the totalitarian Papacy considered Lincoln a major enemy, and that the Church for centuries had "been involved in numerous instances of the forcible removal of heads of state whom it condemned." </FONT></div></td>
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<td colspan="2"><div align="center"><B><STRONG><FONT color="#996666" size=3 face=Arial>THEORY #6<BR>
<br><I>SECRETARY OF WAR EDWIN STANTON WAS THE MASTERMIND BEHIND LINCOLN'S ASSASSINATION</I> </FONT></STRONG></B></div></td>
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<td width="95%" valign="top"><div align="left"><FONT face=Arial size=2>In 1937 Otto Eisenschiml's <i>Why Was Lincoln Murdered</i> was published. The book espoused the hypothesis that Secretary of War Edwin Stanton was directly involved in Lincoln's death. It alleged that Stanton was against Lincoln's mild Reconstruction policies and wanted him out of office so a more radical Reconstructionist policy could be employed. On the day of the assassination Ulysses S. Grant was expected to attend <i>Our American Cousin</i> with the Lincolns. Eisenschiml argued that had Grant attended, the military guards who protected him would never have allowed Booth to enter the State Box at Ford's Theatre. Eisenschiml further argued that Grant's refusal of the Lincolns' theater invitation was due to an order by Stanton to change his plans for the evening. Eisenschiml's theory was that Grant's absence left Lincoln vulnerable. Stanton was also alleged to have known that conspirators were meeting at the Surratt boardinghouse, and that he refused to release from duty the powerful Major Thomas T. Eckert after Lincoln asked for him as a bodyguard (falsely stating that Eckert had vital work to do at the War Department's Telegraph Office). Eisenschiml continued from there to make a case against Stanton by examining an entire series of events following Booth's shot. Nearly every move Stanton made is seen as suspicious and containing an ulterior motive. Among these behaviors and events were not alerting the security at the Navy Yard Bridge (over which Booth escaped), the mysterious interruption of telegraph communications, secretly arranging to have Booth killed before being brought to trial, and the suppression of evidence by removing pages from Booth's diary. <br><br>Between the publication of <i>Why Was Lincoln Murdered</i> and the late 1970's, other books were published which supported and amplified Eisenschiml's hypothesis. For example, Theodore Roscoe's <i>The Web of Conspiracy</i> (1959) found Stanton's behavior very suspect. Other high government officials were also implicated. </FONT></div></td>
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<td colspan="2" valign="top"><div align="left"><FONT face=Arial size=2>Further evidence against Stanton was discovered by chemist Ray Neff who found cipher messages allegedly written in 1868 by Lafayette Baker, head of the National Detective Police, which implicated himself, the Secretary of War, and many others including Congressmen. David Balsiger and Charles E. Sellier's 1977 publication, <I>The Lincoln Conspiracy</I>, was made into a major motion picture. However, during the past 20 years, research has clearly tended to vindicate Edwin Stanton. In hindsight, behavior by Stanton that appears to be linked to a conspiracy has been shown to be innocent and in some cases, fabricated. Current scholarship indicates plausible explanations for the actions Eisenschiml and other authors of the 1937-1977 era found suspicious. One good source for those wishing to read about the vindication of Edwin Stanton is Section 3 of Part Five (pp. 170-177) of Stephen B. Oates' <I>Abraham Lincoln: The Man Behind the Myths</I>. A book which revives the Stanton suspicions is Robert Lockwood Mills' 1994 publication of <I>It Didn't Happen The Way You Think. The Lincoln Assassination: What The Experts Missed</I>.
<P>Dr. William Hanchett's closing sentences in <I>The Lincoln Murder Conspiracies</I> are as follows: "Lincoln would not have enjoyed the extravagant and pseudoreligious praise being offered in his name by so many Americans. Possibly he would have been reminded of some anecdote by which to deflate the absurdities of such exaggerations. But one suspects that if he could learn of the slush written about the suggested involvement of his secretary of war in his own death he would simply become angry." </P>
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<td colspan="2"><div align="center"><B><STRONG><FONT color="#996666" size=3 face=Arial>THEORY #7<BR>
<br><I>DISAFFECTED NORTHERNERS WERE BEHIND LINCOLN'S ASSASSINATION</I> </FONT></STRONG></B></div></td>
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<td width="95%" valign="top"><div align="left"><FONT face=Arial size=2>Several groups in the North opposed Abraham Lincoln and his policies. Radical Republicans feared the president's purported mild plans for Reconstruction. They wanted greater control over what would happen to the South after the war. Also, because of the Union blockade, the price of cotton had risen dramatically, and cotton speculators were reaping the profits. Lincoln himself, seeing the Union need for Southern cotton, had allowed the purchase of cotton in exchange for greenbacks and meat. Despite opposition from Ulysses S. Grant and other generals, Lincoln approved cotton trading permits for many individuals including some of his closest friends. Some devoted Southerners burned their own cotton to keep it out of enemy hands. Others, however, discovered that Union agents were willing to pay the highest prices for cotton in over half a century.
<br><br>Bankers, financiers, businessmen, cotton speculators, and profiteers all benefited from the cotton trade, but they feared the good times would end as the war was drawing down. The center for the illicit activity was the Demill & Co. at 178 1/2 Water
Street in New York. Even Lafayette Baker and some Confederates may have had ties to this address. Anti-Lincoln sentiment grew in 1864, and covert plotting to rid the nation of Abraham Lincoln increased. In the ciphers found by Ray Neff, Baker wrote:
<br><blockquote><i>"There were at least eleven members of Congress involved in the plot, no less than twelve Army officers, three Naval officers and at least twenty-four civilians, of which one was a governor of a loyal state. Five were bankers of great repute, there were nationally known newspapermen and eleven were industrialists of great repute and wealth."</i></blockquote>
Regarding the Northern opposition to Lincoln, on September 20, 1864, Thurlow Weed
wrote to William Seward that opposition against Lincoln "was
equally formidable and vicious, embracing a larger
number of leading men than I supposed possible." At the conspiracy trial following Lincoln's assassination, Samuel Chester, a friend of Booth's, testified Booth told him "there were from fifty to one hundred persons engaged in the conspiracy." In his <a href = "http://rogerjnorton.com/Lincoln82.html" class="lincolnbold">Lost Confession</a> George Atzerodt stated, "Booth said if he did not get him quick the N. York crowd would. Booth knew the New York party apparently by a sign. He saw Booth give some kind of sign to two parties on the Avenue who he said were from New York."
<br><br>At the 1864 Democratic National Convention Benjamin Allen, of New York, said,
"The people will soon rise, and if they cannot put Lincoln out of power by the ballott they will by the bullet" (loud cheers).
<br><br>A lenient peace was abhorrent to the Radicals, and the cotton speculators feared an end to their big profits. Cotton traders saw the price of $1.41 per pound in November 1864 fall to
$.85 by February and below $.40 by early April. Disaffection grew; Lincoln had to go, and John Wilkes Booth was their man in the field to take action.<br><br>One book which ties Lincoln's assassination to moneyed interests motivated by their own trading activities is Charles Higham's <i>Murdering Mr. Lincoln: A New Detection of the 19th Century's Most Famous Crime</i> (Beverly Hills, New Millennium Press, 2004). Another book which emphasizes Northern clandestine business deals with the South is <i>Dark Union: The Secret Web of Profiteers, Politicians, and Booth Conspirators That Led to Lincoln's Death</i> by Leonard F. Guttridge and Ray A. Neff (Hoboken, New Jersey, John Wiley & Sons, Inc., 2003).
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<td><div align="left"><FONT face=Arial size=2>Other groups and individuals that have at times been implicated in Lincoln's assassination include Freemasons, an alliance of disaffected Northerners and Confederates, the B'nai B'rith, and the Knights of the Golden Circle. Major Henry R. Rathbone, John F. Parker, Thomas T. Eckert, and Mary Todd Lincoln have not totally escaped suspicion. <br><br>Speculation that Booth's motivation was to avenge the hanging of Confederate John Yates Beall is not proven. (For details please see the November 2000 edition of the <A
href="http://www.surrattmuseum.org/surratt-courier" class="lincolnbold"><I>Surratt Courier</I></A>.) <br><br>Although it's been over 150 years since the assassination, any kind of closure on all of the circumstances surrounding the event still seems a long way in the distance. <p>Judging simply by e-mail messages to me over the past 16 years, the general public favors theories 2 and 6 mentioned above. The preponderance of recent published material by scholars and writers supports numbers 2 and 3. Some experts would combine the two saying that, although Booth had strong ties to the Confederacy, the actual events of April 14, 1865, were planned by Booth, not Richmond. Most everyone admits there is circumstantial evidence that ties Confederate agents to Booth; the difference comes in the interpretation of this evidence.
<p>It seems certain that the controversy will continue well into the current century. Future studies and interpretations are sure to be published. Perhaps all the answers will never be known. In his 1999 publication entitled <I>The Assassination of Abraham Lincoln</I>, Professor Thomas Reed Turner (author of <I>Beware the People Weeping: Public Opinion and the Assassination of Abraham Lincoln</I>) notes the recent trend of professional historians who have been researching and writing about the assassination. On p. 78, Turner says:
<BLOCKQUOTE><I>Although this trend is a very positive one, those who continue to hope that the assassination may be "solved," in the same manner as a murder mystery may be solved, are destined to be disappointed. The century which has passed, makes any new and definitive solution to the crime doubtful. It is unlikely that a smoking gun will surface even though there may still be new sources which will be discovered.</i></BLOCKQUOTE>
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<div align="left">For the full text of Mary Todd Lincoln's letter to Sally Orne, see p. 345 of <I>Mary Todd Lincoln: Her Life and Letters</I> by Justin G. Turner and Linda Levitt Turner. For a detailed examination of many of the theories surrounding Lincoln's assassination, see Dr. William Hanchett's <I>The Lincoln Murder Conspiracies</I>. Also, Dr. Hanchett's article titled "Persistent Myths of the Lincoln Assassination" in the Winter 1997 edition of the <i>Lincoln Herald</I> (published by the Lincoln Memorial University Press) is an excellent source. Thomas Reed Turner's <I>Beware the People Weeping: Public Opinion and the Assassination of Abraham Lincoln</I> is very good. For more on the life of Judah Philip Benjamin, see the August 2000 issue of Frederick Hatch's <I>Journal of the Lincoln Assassination</I>.
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<P align="left"><font size="2">The sketch at the top of the page is a Currier and Ives print (Library of Congress). The sketch shows Henry Rathbone reacting earlier than he actually did when Booth entered the State Box. Rathbone was still watching the play when Booth fired the fatal shot.</font></P>
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<td valign="middle" bordercolor="#FFFFFF"><div align="center"><a href="http://www.amazon.com/Decapitating-Union-Jefferson-Benjamin-Assassinate/dp/0786497467/ref=sr_1_1?ie=UTF8&qid=1432457401&sr=8-1&keywords=john+fazio"><img src="decapitating.jpg" width="108" height="163" border="0"></a></div></td>
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<H4><STRONG><FONT color="#996666" size=3 face=Arial>JOHN FAZIO'S NEW BOOK</FONT></STRONG></H4>
<b></b>
<FONT face=Arial size=2>John Fazio, an expert on the Lincoln assassination, has written a book entitled <I>Decapitating the Union: Jefferson Davis, Judah Benjamin and the Plot to Assassinate Lincoln</I>. The book argues forcefully that the Confederate government was behind Lincoln's assassination. For information please <A
href="http://www.amazon.com/Decapitating-Union-Jefferson-Benjamin-Assassinate/dp/0786497467/ref=sr_1_1?ie=UTF8&qid=1432457401&sr=8-1&keywords=john+fazio" class="lincolnbold">CLICK HERE</A>.</FONT>
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Lincoln Assassination Conspiracy Theories
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| [Abraham Lincoln's Assassination](http://rogerjnorton.com/Lincoln.html) | [<< Back](javascript: history.back();) |
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Jump To:
A One Page Summary of the Lincoln Assassination
Lincoln Assassination Conspiracy Theories
Lincoln Escapes Death in 1864
Abraham Lincoln's Pre-Assassination Dream
Abraham Lincoln's Last Day
Abraham Lincoln's Autopsy
The Route of Abraham Lincoln's Funeral Train
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The Life and Plot of John Wilkes Booth
John Wilkes Booth's Movements on the Day of the Assassination
John Wilkes Booth's Final Hours and the Positive Identification of his Body
The Text of John Wilkes Booth's Diary
John Wilkes Booth's Weapons
John Wilkes Booth's Autopsy
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The 1865 Conspiracy Trial
Did John Wilkes Booth and Other Conspirators Attend Lincoln's Second Inauguration?
The Text of John Surratt's 1870 Lecture on the Conspiracy
John F. Parker: The Guard Who Abandoned His Post
A Booth Saves a Lincoln
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The Strange and Eerie Events in the Years Following the Assassination
The 1876 Attempt to Steal Mr. Lincoln's Body
Boston Corbett: The Bizarre Soldier Who Killed John Wilkes Booth
Mr. Lincoln's Casket Opened and the Remains Viewed in 1901
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Mary Todd Lincoln's Nightmare at Ford's Theatre
What If the Lincolns Had Attended the Play at Grover's Theatre?
The Fifteen People Who Turned Down the Lincolns' Theater Invitation
Private John Millington's Eyewitness Account of the Chase and Capture of John Wilkes Booth
George Atzerodt's Lost Confession
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Photographs Related to the Assassination
Photographs of the Convicted Conspirators
Adjusting the Ropes Prior to Hanging
Hanging of Conspirators
Box Where Lincoln was Assassinated
Close-Up of Powell on the Gallows
Ford's Theatre in 1865
Lincoln's Rocking Chair at Ford's Theatre
Petersen House (where President Lincoln Died)
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Samuel Arnold
George Atzerodt
David Herold
Dr. Samuel Mudd
Michael O'Laughlen
Lewis Powell
Edman Spangler
John Surratt
Mary Surratt
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ABRAHAM LINCOLN ASSASSINATION SITE
ABRAHAM LINCOLN RESEARCH SITE
MARY TODD LINCOLN RESEARCH SITE
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**LINCOLN ASSASSINATION THEORIES: A SIMPLE CONSPIRACY OR A GRAND CONSPIRACY?**
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| John Wilkes Booth shot Abraham Lincoln on April 14, 1865, and questions arose almost immediately. Was Booth solely responsible for the assassination? Or was Booth simply a tool in a much larger conspiracy? Just who may or may not have been involved with Booth has been the subject of profound speculation among writers, historians, researchers, and others for the past 150+ years. With the publication of new books and articles in the 1980s, 1990s, 2000s, and beyond, the quest to find what really happened has continued. This page will attempt to outline the major conspiracy theories (in no particular order) that have been put forth since 1865. |
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**THEORY #1**
***ANDREW JOHNSON WAS INVOLVED WITH BOOTH***
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Approximately seven hours before shooting the president, Booth dropped by the Washington hotel which was Vice-President Andrew Johnson's residence. Upon learning from the desk clerk that neither Johnson nor his private secretary, William A. Browning, was in the hotel, Booth wrote the following note: "Don't wish to disturb you Are you at home? J. Wilkes Booth." Browning testified before the military court that he found the note in his box later that afternoon. Did Johnson and Booth know each other? In the 1997 publication *"Right or Wrong, God Judge Me" The Writings of John Wilkes Booth* edited by John Rhodehamel and Louise Taper it is stated on p. 146 that Booth had previously met Johnson in Nashville in February, 1864. At the time Booth was appearing in the newly opened Wood's Theatre. Also, author Hamilton Howard in *Civil War Echoes* (1907) made the claim that while Johnson was military governor of Tennessee, he and Booth kept a couple of sisters as mistresses and oftentimes were seen in each other's company. Lincoln had essentially ignored Johnson after Johnson's embarrassing behavior on Inauguration Day. Mary Todd Lincoln felt Johnson was involved. On March 15, 1866, she wrote to her friend, Sally Orne:
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| Mary Todd Lincoln |
"...that, that miserable inebriate Johnson, had cognizance of my husband's death - Why, was that card of Booth's, found in his box, some acquaintance certainly existed - I have been deeply impressed, with the harrowing thought, that he, had an understanding with the conspirators & they knew their man... As sure, as you & I live, Johnson, had some hand, in all this..."
**Mary Todd Lincoln to her friend, Sally Orne, in a letter dated March 15, 1866**
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Some members of Congress also thought Johnson was involved and a special Assassination Committee was established to investigate any evidence linking Johnson to Lincoln's death. Nothing suspicious was ever found by the committee; yet a belief by some Americans that Johnson was somehow involved with Booth continued for many years.
In the book *A Threat to the Republic: The Secret of the Lincoln Assassination that Preserved the Union* author Jerry Madonna argues that Johnson unwittingly gave assistance to Booth's escape from Washington.
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**THEORY #2**
***LINCOLN DIED BY WAY OF A SIMPLE CONSPIRACY ORGANIZED BY JOHN WILKES BOOTH***
This theory has John Wilkes Booth as the originator of the plot and that all remaining conspirators, with the one exception of John Surratt, were either hanged or sent to prison at Ft. Jefferson. Among the books that have supported this theory are Clara Laughlin's *The Death of Lincoln: The Story of Booth's Plot, His Deed, and the Penalty*, David M. DeWitt's *The Assassination of Abraham Lincoln and Its Expiation*, and George S. Bryan's *The Great American Myth*. The simple conspiracy theory paints Booth as a Southern patriot and racist who originally planned to kidnap the president, take him to Richmond, and hold him in exchange for Southern prisoners of war. When the kidnapping plans fell through, Booth turned to assassination as his means for revenge. The entire plot consisted simply of John Wilkes Booth as the leader of a small band of co-conspirators. In 2004 Michael W. Kauffman's encyclopedic *American Brutus: John Wilkes Booth and the Lincoln Conspiracies* was published. Kauffman paints Booth as a master at manipulating people, not as a stooge for others.
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**THEORY #3**
***LINCOLN'S ASSASSINATION WAS THE RESULT OF A CONFEDERATE PLOT***
The idea that Lincoln was killed as part of a grand conspiracy of Confederates arose almost immediately after the assassination. Coded letters found in Booth's trunk back at the National Hotel tied him to the Confederacy. This theory has undergone a marked revival in the past 20+ years. In 1977 a statement conspirator George Atzerodt made before the trial in 1865 was uncovered. In it Atzerodt told of Booth's knowledge of a Confederate plot to blow up the White House. The hypothesis of a Confederate grand conspiracy was detailed in 1988 by William A. Tidwell, James O. Hall, and David Winfred Gaddy in *Come Retribution: The Confederate Secret Service and the Assassination of Lincoln*. Tidwell supplied further evidence in 1995 with the publication of *April '65: Confederate Covert Action in the American Civil War*. Another work which stresses Confederate involvement, but lacks the detail of the aforementioned books, is Larry Starkey's *Wilkes Booth Came to Washington*. In 2015 John Fazio's *Decapitating the Union: Jefferson Davis, Judah Benjamin and the Plot to Assassinate Lincoln* was published.
Proponents of the Confederate grand conspiracy point out that as the Confederacy's situation deteriorated, more daring and reckless planning was needed. Lincoln was viewed as a legitimate wartime target. This was especially true after the Union's failed Dahlgren raid on Richmond that had been approved by Lincoln himself and was evidence of Lincoln's increasing determination to take whatever steps were necessary to end the war. Colonel Ulrich Dahlgren was killed in the raid, and on his person several documents were found, one of which said, "The men must be kept together, and well in hand, and once in the city, it must be destroyed and Jeff Davis and his cabinet killed." Lincoln had hand-picked Dahlgren for the raid, and the Confederate government now believed the Union president had ordered Davis's death.
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| | Confederate grand conspiracy theorists feel Judah Benjamin, the Confederate Secretary of State, was deeply involved in the plot to kidnap/kill Abraham Lincoln. He burned all of his records before Richmond was evacuated. Benjamin escaped to England, and he was the only member of the Confederate government never to return to the United States. He practiced law in England until 1883 and died in Paris on May 6, 1884. |
The theory of a Confederate grand conspiracy portrays Booth as a rebel agent working to organize a band of men to kidnap Lincoln. When Richmond fell, the plans turned to assassination. First, there was the failed effort to blow up the White House followed by the successful effort to kill Lincoln at the theater. Just as Lincoln may have ordered the killing of Jefferson Davis and his Cabinet by Ulrich Dahlgren and his men, Judah Benjamin and Jefferson Davis were involved in the plans to kidnap and later assassinate Abraham Lincoln. The theory of Confederate complicity in the assassination of Abraham Lincoln is accepted by several of the current Lincoln assassination historians, scholars, researchers, and writers. The actual trigger for Booth's actions was the April 10th capture of explosives expert Thomas F. Harney who was on his way to Washington to bomb the White House. Booth, knowing Harney's mission had failed, tried to make up for Harney's disaster by taking matters into his own hands and killing the president at Ford's Theatre. For details on this theory see the articles entitled "Who Ordered Lincoln's Death?" by James E.T. Lange and Katherine DeWitt in the June 1998 edition of *North & South* magazine and "The Lincoln Assassination Revisited" by William Hanchett and "Risking the Wrath of God" by Edward Steers, Jr. in the September 2000 issue of *North & South*. H. Donald Winkler's 2003 publication entitled *Lincoln and Booth: More Light on the Conspiracy* stresses Confederate involvement in the plot.
In 2003 the Surratt Society published a pamphlet written by Lincoln assassination experts James O. Hall and Michael Maione. The article attempts to show that Booth was not a wealthy man and was offered a large amount of money by the Confederates to capture Lincoln and deliver him to Richmond. The article is titled *TO MAKE A FORTUNE John Wilkes Booth: Following the Money Trail.*
Confederate plans to blow up the White House seem to be confirmed by George Atzerodt's [Lost Confession](http://rogerjnorton.com/Lincoln82.html).
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**THEORY #4**
***LINCOLN'S ASSASSINATION WAS THE RESULT OF A CONSPIRACY OF POWERFUL INTERNATIONAL BANKERS***
This theory is that Abraham Lincoln was killed as a result of his monetary policies. John Wilkes Booth would be seen as a hired gun. In its simplest terms, the theory is that Lincoln needed money to finance the Civil War. Bankers in Europe led by the Rothschilds offered him loans at high interest rates. Rather than accept the loans, Lincoln found other means to fund the war effort. More importantly, the British bankers opposed Lincoln's protectionist policies. Some Englishmen in the 1860's believed that "British free trade, industrial monopoly and human slavery travel together." Lincoln's policies after the Civil War would have destroyed the Rothschilds' commodity speculations. After the war, Lincoln planned a mild Reconstruction policy which would have enabled a resumption of agriculture production. The Rothschilds were betting the other way on high prices caused by a tough Reconstruction policy toward the South. Lincoln was viewed as a threat to the established order of things, and he was assassinated as a result. The goal was to weaken the United States so the Rothschilds could takeover its economy. An article titled "The Rothschilds' International Plot to Kill Lincoln" was published October 29, 1976, in *New Solidarity*.
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|**THEORY #5**
***THE ROMAN CATHOLIC CHURCH WAS BEHIND LINCOLN'S ASSASSINATION***
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| | In 1886 an ex-priest by the name of Charles Chiniquy (pictured to the left) wrote a book titled *Fifty Years in the Church of Rome* which portrayed the assassination of Lincoln as a Catholic grand conspiracy. Chiniquy maintained that Jefferson Davis had offered $1,000,000 if someone would "kill the author of the bloodshed." Chiniquy wrote that the money could be offered, but that "...the Jesuits alone could select the assassins, train them, and show them a crown of glory in heaven..." Booth was the tool of the Jesuits. He was corrupted and directed by the Vatican. In 1906 Chiniquy said, "The President, Abraham Lincoln, was assassinated by the priests and the Jesuits of Rome." In 1856 Lincoln had defended Chiniquy in court. Chiniquy had quarreled with his bishop and then was sued for slander by one of the bishop's friends (the bishop himself having nothing to do with the complaint). A morals charge was also involved. The case was heard May 20-22, 1856, in Urbana, Illinois. Lincoln arranged for a compromise settlement, but Chiniquy interpreted the settlement as a victory over the church. He felt some Jesuits held Lincoln responsible for the settlement. In 1897 Thomas M. Harris, a member of the 1865 military commission, wrote a book entitled *Rome's Responsibility for the Assassination of Abraham Lincoln*. Other books that involve the Roman Catholic Church in Lincoln's assassination include *DEMOCRACY UNDER SIEGE The Jesuits' Attempt to Destroy the Popular Government of the United States: The True Story of Abraham Lincoln's Death* by C.T. Wilcox and *The Suppressed Truth about the Assassination of Abraham Lincoln* by Burke McCarty (1924). McCarty's opening sentence was, "In all the bloody history of the Papacy, perhaps in no one man, as in Abraham Lincoln, was there concentrated such a multitude of reasons for his annihilation by that system." *An Inquiry into the Assassination of Abraham Lincoln* by Emmett McLoughlin was published in 1963. Among other points, McLoughlin maintained that the majority of American Catholics were in favor of slavery and opposed to Lincoln. The author said the totalitarian Papacy considered Lincoln a major enemy, and that the Church for centuries had "been involved in numerous instances of the forcible removal of heads of state whom it condemned." |
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| ****THEORY #6
*SECRETARY OF WAR EDWIN STANTON WAS THE MASTERMIND BEHIND LINCOLN'S ASSASSINATION***** |
| In 1937 Otto Eisenschiml's *Why Was Lincoln Murdered* was published. The book espoused the hypothesis that Secretary of War Edwin Stanton was directly involved in Lincoln's death. It alleged that Stanton was against Lincoln's mild Reconstruction policies and wanted him out of office so a more radical Reconstructionist policy could be employed. On the day of the assassination Ulysses S. Grant was expected to attend *Our American Cousin* with the Lincolns. Eisenschiml argued that had Grant attended, the military guards who protected him would never have allowed Booth to enter the State Box at Ford's Theatre. Eisenschiml further argued that Grant's refusal of the Lincolns' theater invitation was due to an order by Stanton to change his plans for the evening. Eisenschiml's theory was that Grant's absence left Lincoln vulnerable. Stanton was also alleged to have known that conspirators were meeting at the Surratt boardinghouse, and that he refused to release from duty the powerful Major Thomas T. Eckert after Lincoln asked for him as a bodyguard (falsely stating that Eckert had vital work to do at the War Department's Telegraph Office). Eisenschiml continued from there to make a case against Stanton by examining an entire series of events following Booth's shot. Nearly every move Stanton made is seen as suspicious and containing an ulterior motive. Among these behaviors and events were not alerting the security at the Navy Yard Bridge (over which Booth escaped), the mysterious interruption of telegraph communications, secretly arranging to have Booth killed before being brought to trial, and the suppression of evidence by removing pages from Booth's diary. Between the publication of *Why Was Lincoln Murdered* and the late 1970's, other books were published which supported and amplified Eisenschiml's hypothesis. For example, Theodore Roscoe's *The Web of Conspiracy* (1959) found Stanton's behavior very suspect. Other high government officials were also implicated. | |
| Further evidence against Stanton was discovered by chemist Ray Neff who found cipher messages allegedly written in 1868 by Lafayette Baker, head of the National Detective Police, which implicated himself, the Secretary of War, and many others including Congressmen. David Balsiger and Charles E. Sellier's 1977 publication, *The Lincoln Conspiracy*, was made into a major motion picture. However, during the past 20 years, research has clearly tended to vindicate Edwin Stanton. In hindsight, behavior by Stanton that appears to be linked to a conspiracy has been shown to be innocent and in some cases, fabricated. Current scholarship indicates plausible explanations for the actions Eisenschiml and other authors of the 1937-1977 era found suspicious. One good source for those wishing to read about the vindication of Edwin Stanton is Section 3 of Part Five (pp. 170-177) of Stephen B. Oates' *Abraham Lincoln: The Man Behind the Myths*. A book which revives the Stanton suspicions is Robert Lockwood Mills' 1994 publication of *It Didn't Happen The Way You Think. The Lincoln Assassination: What The Experts Missed*.
Dr. William Hanchett's closing sentences in *The Lincoln Murder Conspiracies* are as follows: "Lincoln would not have enjoyed the extravagant and pseudoreligious praise being offered in his name by so many Americans. Possibly he would have been reminded of some anecdote by which to deflate the absurdities of such exaggerations. But one suspects that if he could learn of the slush written about the suggested involvement of his secretary of war in his own death he would simply become angry."
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| ****THEORY #7
*DISAFFECTED NORTHERNERS WERE BEHIND LINCOLN'S ASSASSINATION***** |
| Several groups in the North opposed Abraham Lincoln and his policies. Radical Republicans feared the president's purported mild plans for Reconstruction. They wanted greater control over what would happen to the South after the war. Also, because of the Union blockade, the price of cotton had risen dramatically, and cotton speculators were reaping the profits. Lincoln himself, seeing the Union need for Southern cotton, had allowed the purchase of cotton in exchange for greenbacks and meat. Despite opposition from Ulysses S. Grant and other generals, Lincoln approved cotton trading permits for many individuals including some of his closest friends. Some devoted Southerners burned their own cotton to keep it out of enemy hands. Others, however, discovered that Union agents were willing to pay the highest prices for cotton in over half a century.
Bankers, financiers, businessmen, cotton speculators, and profiteers all benefited from the cotton trade, but they feared the good times would end as the war was drawing down. The center for the illicit activity was the Demill & Co. at 178 1/2 Water
Street in New York. Even Lafayette Baker and some Confederates may have had ties to this address. Anti-Lincoln sentiment grew in 1864, and covert plotting to rid the nation of Abraham Lincoln increased. In the ciphers found by Ray Neff, Baker wrote:
*"There were at least eleven members of Congress involved in the plot, no less than twelve Army officers, three Naval officers and at least twenty-four civilians, of which one was a governor of a loyal state. Five were bankers of great repute, there were nationally known newspapermen and eleven were industrialists of great repute and wealth."*
Regarding the Northern opposition to Lincoln, on September 20, 1864, Thurlow Weed
wrote to William Seward that opposition against Lincoln "was
equally formidable and vicious, embracing a larger
number of leading men than I supposed possible." At the conspiracy trial following Lincoln's assassination, Samuel Chester, a friend of Booth's, testified Booth told him "there were from fifty to one hundred persons engaged in the conspiracy." In his [Lost Confession](http://rogerjnorton.com/Lincoln82.html) George Atzerodt stated, "Booth said if he did not get him quick the N. York crowd would. Booth knew the New York party apparently by a sign. He saw Booth give some kind of sign to two parties on the Avenue who he said were from New York."
At the 1864 Democratic National Convention Benjamin Allen, of New York, said,
"The people will soon rise, and if they cannot put Lincoln out of power by the ballott they will by the bullet" (loud cheers).
A lenient peace was abhorrent to the Radicals, and the cotton speculators feared an end to their big profits. Cotton traders saw the price of $1.41 per pound in November 1864 fall to
$.85 by February and below $.40 by early April. Disaffection grew; Lincoln had to go, and John Wilkes Booth was their man in the field to take action.One book which ties Lincoln's assassination to moneyed interests motivated by their own trading activities is Charles Higham's *Murdering Mr. Lincoln: A New Detection of the 19th Century's Most Famous Crime* (Beverly Hills, New Millennium Press, 2004). Another book which emphasizes Northern clandestine business deals with the South is *Dark Union: The Secret Web of Profiteers, Politicians, and Booth Conspirators That Led to Lincoln's Death* by Leonard F. Guttridge and Ray A. Neff (Hoboken, New Jersey, John Wiley & Sons, Inc., 2003).
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| Other groups and individuals that have at times been implicated in Lincoln's assassination include Freemasons, an alliance of disaffected Northerners and Confederates, the B'nai B'rith, and the Knights of the Golden Circle. Major Henry R. Rathbone, John F. Parker, Thomas T. Eckert, and Mary Todd Lincoln have not totally escaped suspicion. Speculation that Booth's motivation was to avenge the hanging of Confederate John Yates Beall is not proven. (For details please see the November 2000 edition of the [*Surratt Courier*](http://www.surrattmuseum.org/surratt-courier).) Although it's been over 150 years since the assassination, any kind of closure on all of the circumstances surrounding the event still seems a long way in the distance. Judging simply by e-mail messages to me over the past 16 years, the general public favors theories 2 and 6 mentioned above. The preponderance of recent published material by scholars and writers supports numbers 2 and 3. Some experts would combine the two saying that, although Booth had strong ties to the Confederacy, the actual events of April 14, 1865, were planned by Booth, not Richmond. Most everyone admits there is circumstantial evidence that ties Confederate agents to Booth; the difference comes in the interpretation of this evidence.
It seems certain that the controversy will continue well into the current century. Future studies and interpretations are sure to be published. Perhaps all the answers will never be known. In his 1999 publication entitled *The Assassination of Abraham Lincoln*, Professor Thomas Reed Turner (author of *Beware the People Weeping: Public Opinion and the Assassination of Abraham Lincoln*) notes the recent trend of professional historians who have been researching and writing about the assassination. On p. 78, Turner says:
*Although this trend is a very positive one, those who continue to hope that the assassination may be "solved," in the same manner as a murder mystery may be solved, are destined to be disappointed. The century which has passed, makes any new and definitive solution to the crime doubtful. It is unlikely that a smoking gun will surface even though there may still be new sources which will be discovered.*
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For the full text of Mary Todd Lincoln's letter to Sally Orne, see p. 345 of *Mary Todd Lincoln: Her Life and Letters* by Justin G. Turner and Linda Levitt Turner. For a detailed examination of many of the theories surrounding Lincoln's assassination, see Dr. William Hanchett's *The Lincoln Murder Conspiracies*. Also, Dr. Hanchett's article titled "Persistent Myths of the Lincoln Assassination" in the Winter 1997 edition of the *Lincoln Herald* (published by the Lincoln Memorial University Press) is an excellent source. Thomas Reed Turner's *Beware the People Weeping: Public Opinion and the Assassination of Abraham Lincoln* is very good. For more on the life of Judah Philip Benjamin, see the August 2000 issue of Frederick Hatch's *Journal of the Lincoln Assassination*.
The sketch at the top of the page is a Currier and Ives print (Library of Congress). The sketch shows Henry Rathbone reacting earlier than he actually did when Booth entered the State Box. Rathbone was still watching the play when Booth fired the fatal shot.
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**JOHN FAZIO'S NEW BOOK**
John Fazio, an expert on the Lincoln assassination, has written a book entitled *Decapitating the Union: Jefferson Davis, Judah Benjamin and the Plot to Assassinate Lincoln*. The book argues forcefully that the Confederate government was behind Lincoln's assassination. For information please [CLICK HERE](http://www.amazon.com/Decapitating-Union-Jefferson-Benjamin-Assassinate/dp/0786497467/ref=sr_1_1?ie=UTF8&qid=1432457401&sr=8-1&keywords=john+fazio).
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Questions, comments, corrections or suggestions can be sent to [R. J. Norton](mailto:[email protected]), the creator and maintainer of this site. All text except reprinted articles was written by the webmaster, ©1996-2019. All rights reserved. It is unlawful to copy, reproduce or transmit in any form or by any means, electronic or hard copy, including reproducing on another web page, or in any information or retrieval system without the express written permission of the author. The website was born on December 29, 1996.
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<p><big><span style="font-weight: bold;">What this site is about</span>:</big> <i>Nourshing the spirit through learning, thinking, and discovery</i>. Flights of fact and of fancy. <br> Extraordinary achievements using ordinary things. Making ROCKETS!<br>
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<p>This site is <b>NOT about fireworks</b> either, although I love them too. <br>The
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<a style="font-weight: bold;" href="monoblogue/index.html"><big>Monoblogue</big></a>
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know... But until you find the right medication, here is more.
<br>Answers to questions I have received in e-mails over the last
couple of years. I could go on and on... and I do!
<br>
<big style="font-weight: bold;"><br>
<a href="sugarsites/index.html">Leaders in Sugar Rocketry</a> </big>-
a collection of links to sites of other researchers working with this
propellant. <br><span style="font-style: italic; font-weight: bold;">Please read their SAFETY pages as well as <a href="safety/index.htm">mine!</a></span>
<br>I recommend reading each and every one of these sites before
commencing any rocketry experiments. <br>This is one area where ignorance is NOT bliss. It can be a blast, and not necessarily the fun kind.<br>. If it makes you go "WOW!" it can also make you go "OW!"<big style="font-weight: bold;"><br><br></big><div style="text-align: left;"><big style="font-weight: bold;">Here is some of my newer stuff:</big><br></div><table style="text-align: left; width: 100%;" border="0" cellpadding="2" cellspacing="20"><tbody><tr><td style="text-align: right; width: 33%;"><img style="width: 320px; height: 167px;" alt="Clear PVC motor" title="Clear PVC motor" src="clearpvc/7-16-11A-motor-unfired.jpg"><br></td><td style="vertical-align: top;"><a href="clearpvc/index.html"><img style="border: 0px solid ; width: 320px; height: 146px;" alt="Clear PVC Motor mid-burn" title="Clear PVC Motor mid-burn" src="clearpvc/7-16-11A-Mid-Burn-320w.jpg"></a><br> <a href="clearpvc/index.html">Clear PVC motors</a> </td></tr></tbody></table><br><big><br style="font-weight: bold;"></big><div style="text-align: left;"><big><span style="font-weight: bold;">Old News, Old Notebook</span></big><br></div><table style="text-align: left; width: 100%;" border="0" cellpadding="2" cellspacing="20"><tbody><tr><td style="text-align: right; width: 320px;"><a href="Notebooks/Notebook2/index.html"><img title="Notebook 2 cover" style="border: 0px solid ; width: 200px; height: 241px;" alt="Notebook 2 cover" src="Notebooks/Notebook-02/Page001.gif"></a></td><td style="text-align: left;">I found and scanned <a href="Notebooks/Notebook-00/index.html">one of my notebooks</a> from the previous century. <br>Starting in March 1980<br>Pretty boring, mostly, but there for posterity. <br>It includes one of my earliest formal descriptions of the rcandy procedure.<br><a href="Notebooks/Notebook-02/index.html">Next in the series,</a> August 1980 until February 1981. <br>This one is a lot longer... I finally got some C and D-class motors to work occasionally.<br>By
the end of the book the motors were working fairly reliably, and I had
my first shipment of pyrotechnic chemicals to play with.<br>Colored stars! I was in pyro heaven.<br></td></tr></tbody></table><br><div style="text-align: left;"><big style="font-weight: bold;">Static Testing Made Easier</big></div><table style="text-align: left; width: 100%;" border="0" cellpadding="2" cellspacing="20"><tbody><tr><td style="width: 320px;"><a href="teststand/video/index.html"><img style="border: 0px solid ; width: 320px; height: 240px;" alt="Gary Horwood - Orange Sunshine - TTRA 01/11" title="Gary Horwood - Orange Sunshine - TTRA 01/11" src="TTRA/2011-01/1-15-11B-Orange-Sunshine-5grain-38mm-Johnson-graph-320wide.gif"></a><a href="Notebooks/Notebook2/index.html"><br></a></td><td><small><big><a href="teststand/video/index.html">Videos</a> illustrating the conversion of test stand data to an Excel spreadsheet which analyzes motor performance.</big></small></td></tr></tbody></table><br><div style="text-align: left;"><big style="font-weight: bold;">Launches you may not have seen</big><br></div><table style="text-align: left; width: 100%;" border="0" cellpadding="2" cellspacing="20"><tbody><tr><td style="text-align: right; width: 320px;"><a href="Sentinel-3-21-09/index.html"><img style="border: 0px solid ; width: 240px; height: 320px;" alt="Sugar Rush CATO 3/21/09" title="Sugar Rush CATO 3/21/09" src="Sentinel-3-21-09/Sugar-Rush-J400-Sugar-Jimmy-Yawn-B.jpg"></a></td><td><small><big>Not really new - Launch reports recently linked to this page:<br></big></small><ol><li><a href="Sentinel-3-21-09/index.html">March 2009</a> - Sentniel Rocketeers</li><li><a href="Sentinel-5-15-10/index.html">May 2010</a> - Sentinel Rocketeers</li><li><a href="USLI-2010-04/index.html">USLI Launch, April 2010</a>. Huntsville. Nice photos of Marshall Space Flight Center. I got video of each launch.</li><li><a href="TTRA/2010-10/index.html">Tampa Triploi - October 2010</a></li><li><a href="TTRA/2010-12/index.html">Tampa Tripoli - December 2010</a></li><li><a href="TTRA/2011-01/index.html">Tampa Tripoli, - January 2011</a></li><li><a href="TTRA/2011-03/index.html">Tampa Triploli - March 2011</a></li><li><a href="UF/USLI-2011/index.html">USLI Launch, April 2011</a>.
Only a couple of videos out there, my team launched early, so we left
early to start the long drive home. <br>Successful, though! The UF team I
mentor placed 10th in a field of about 30 schools. </li></ol></td></tr></tbody></table><br><div style="text-align: left;"><big style="font-weight: bold;">Dire Warning!<small><small> </small></small>.... Is now abated...somewhat.</big><br></div><table style="text-align: left; width: 100%;" border="0" cellpadding="2" cellspacing="20"><tbody><tr><td style="vertical-align: top; width: 320px;"><a href="q-tests/index.html"><img style="border: 0px solid ; width: 321px; height: 220px;" alt="Q-test - imminent launch" title="Q-test - imminent launch" src="q-tests/4-27-08B-Q1-Replica-70-30-melted_0001.jpg"></a></td><td><big><big><br><small><small>Two
students from University of South Florida were arrested in August 2007
for transporting sugar propellant rocket motors across state lines. <br>One of them went to prison... <span style="font-style: italic;">for something else.</span><br>The other was acquitted - found "not guilty" because he did not make the rocket motors, nor did he have any knowledge of them.<br>Fortunately for him. Unfortunately for us as the court decision thus had no influence on the legality of sugar propellant.<br>So the risk remains.<br>
Activities shown on these pages may not be legal in your area. <br>
Please check out the Federal, state, and local laws before engaging in rocketry activities! <br><br></small></small></big></big><small> </small><big><small>So now that the case has been resolved, I feel safe in releasing my "<a href="q-tests/index.html">court documents</a>."<br>They are videos and other documentation used to demonstrate that these PVC sugar motors are not "pipe bombs."</small></big></td></tr></tbody></table><big><big></big></big><br></center><br>
<br>
<table style="text-align: left; width: 100%;" border="0" cellpadding="20" cellspacing="2">
<tbody>
<tr>
<td><font size="+1"><small><small>November 2006:</small></small><span style="font-style: italic; font-weight: bold;"><br>
Amateur Icelandic Rocketry</span> <br>
<span style="color: rgb(255, 0, 0);">launches sugar rocket.</span></font><br>
<a href="nefar10-8-05/index.html"><br>
</a><font size="+1"><a href="http://www.visir.is/apps/pbcs.dll/section?Category=VEFMIDLAR&Template=VefTV&ChannelID=10&ProgID=26789&TreeID=1002&ItemID=22757&ProgTitle=NFS%20fr%E9ttir%2018:30&ProgItemTitle=%CDslensk%20eldflaug&progCItems=1">Click here</a> for media coverage<br>
<a href="http://www.eldflaug.com/">Click here</a> to visit the AIR website</font></td>
<td style="width: 33%; text-align: center;"><img style="width: 150px; height: 237px;" alt="Amateur Icelandic Rocketry" src="AIR-launch-sml.jpg"></td>
<td style="width: 33%;">I
am very proud of my rocketry friends Steinn, Smeyr, and Magnus, who
successfully launched their KNO3/sucrose rocket in November 2006.
<br>
As far as we know, this is the first amateur rocket launched in
Iceland. </td>
</tr>
</tbody>
</table>
<br>
<a href="propellant.html"><b><font size="+1">Making Propellant</font></b></a>
<ol>
<li> <small><big><b><span style="color: rgb(255, 0, 0);"></span></b></big></small><b><font size="+2"><a href="rcandy/safety.htm">Safety First</a></font></b><b><font size="+2"> </font></b>-
if you are going to make this propellant, you <a href="skillet/large/index.html">MUST read </a><a href="rcandy/safety.htm">this page</a> and heed its instructions to stay well, stay whole,
and stay out of trouble. Even that may not save you, but it's a start. </li>
<li><a href="skillet/large/index.html">Electric Skillet Rcandy</a> - A simple change in technique allows this method to make large amounts
of propellant in a short time. <small><big>I'm
using this method exclusively nowdays. Also check out the <a href="http://www.jamesyawn.net/modelrocket/mrmovies/2-mr-propellant-5-31-07.wmv">Propellant episode</a> of my <a href="http://www.jamesyawn.net/modelrocket/mrmovies/index.html">Model Rocket Movies</a>. </big></small><small>(4/06)</small></li>
<li><a href="rcandy/nokaro.html">No Karo? No Problem!</a>
Alternatives to corn syrup. A little dextrose and fructose
works well. Glucose syrup is reported to be OK. <small><br>
</small></li>
<li><a href="rcandy/index.htm">Recrystallized KN/Sucrose</a> - Oven method. No longer recommended. It's good, but the <a href="skillet/large/index.html">skillet is better</a>. <small>(5/01 rev. 6/03) <big> <a href="http://airbase.ru/modelling/rockets/res/trans/rcandy/rcandy.html">Russian
translation</a><small> (</small></big><small><big>3/05)</big></small></small></li>
<li> <a href="compression/index.htm">Static-Load Compression tests</a>
- this propellant proves to be very strong under static load <small>(8/01) </small></li>
<li> <a href="droptest/index.htm">Drop Tests</a> - Dynamic test of propellant
strength - ball of propellant breaks when dropped onto concrete. Duh. <small>(8/01)</small></li>
<li> <a href="tensile/index.htm">Tensile strength Tests</a> - 1/4 inch
diameter strand of rcandy supports over 10 pounds <small>(8/01)</small></li>
<li> <a href="lacquer/index.htm">Lacquer:</a> Attempts to deal
with the hygroscopic nature of KN/Sucrose by coating with flammable paint
<small>(10/01)</small></li>
<li> <a href="fe2o3/index.html">Iron Oxide</a> used as a catalyst - increases
burn rate, facilitates ignition, pretty color. <small>(4/02)</small></li>
<li> <a href="syrup/index.html">Sugar Syrup</a> - alternate method of
making KN/SU propellant. Quicker, easier, seems fairly safe, but propellant
is not as good <small>(10/03)</small></li>
<li> <a href="titanium/index.html">Titanium</a> - Adding small amounts
of Ti flake gives this propellant a crackling, sparky tail. <small>(3/04)</small></li>
<li><a href="toven/index.html">Toaster Oven Rcandy</a> - Development
of methods to produce small amounts in a small oven. Possible, but not elegant, not recommended. <small>(3/05)</small></li>
<li><a href="nano3/1-19-04c/index.html">NaNO3</a> - sugar syrup propellant
made with sodium nitrate. Funny texture makes it a little harder to
work, but fires OK in motor. <small>(1/04)</small></li>
<li><a href="candyrocket/index.html">"Candy Rocket"</a> Making rcandy with Pixy Stix, Jolly Ranchers, Starlite mints, etc. This is the one <a href="http://www.theodoregray.com/">Theodore Gray</a> refers to in his <a href="http://www.popsci.com/popsci/how20/600152d7d441b010vgnvcm1000004eecbccdrcrd.html">Popular Science article</a>, June 2006 issue. (5/06)<br>
</li>
</ol><br><big><big>Making Motors</big></big><br><br><b><font size="+1">Reloading the Aerotech-type 38mm casing </font></b><small><font size="+1"><small>(also works for Dr. Rocket and RouseTech Monster motors, since they are Aerotech-compatible)</small></font></small>
<ol><li> <a href="drrocket/index.html">First Tests</a> - initial developments
<small>(11/02) </small></li><li> <a href="drrocket/statictests.html">Static Tests</a> - 29 static
tests plus one flight test of these motors <small>(12/02)</small></li><li> <a href="38mm/index.html">Making the Grains</a> - forming techniques,
plus ignitors and motor assembly <small>(12/02)</small></li><li> <a href="teststand/index.html">Analog Test Stand </a>- made from
trash. Works better than it looks. <small>(11/02)</small></li><li><a href="rats/index.html">RATS launch</a> - demonstration flights for
the TRA <a href="sp_proposal.html">Sugar Proposal</a> authored by Stuart
Leslie, with marginal assistance from me. (10/02)<br>
</li><li><a href="motoreject/index.html">Delay Grains</a> - enable motor ejection,
allows launching of non-electronic airframes, provide tracking smoke too. <small>(12/04)</small></li><li><a href="NCE/index.html">Tidy Packages</a>
- Full demonstration of the making of propellant loads for a 38-360
motor casing. Propellant grains encased in an airtight package,
which also serves as case liner. These loads keep very well, and
are easy to load in the field.. <small>(3/05) Here is the same procedure for sealign up 54mm loads<br>
</small></li><li><a href="nefar2-12-05/index.html">NEFAR launch 2/12/05</a> - flight
testing delay grains and tidy packages. They work! (repeat link from above) <small>(3/05)</small></li></ol>
<big><big><big style="font-weight: bold;"><br>
</big>Testing the motors</big></big><br><br><b><big>
Digital <a href="electronicstand/index.html">Electronic
Test Stands</a></big></b> <small>(1/05) </small><br>
<ol><li><a href="electronicstand/44lbstand/index.html">Stand A</a>, built
by Steve Ghioto, 20kg load cell from Aerocon Systems</li><li><a href="electronicstand/standb-2-700.jpg">Stand B</a>, built by Steve Ghioto, 500lbf load cell from Aerocon Systems (photo, 110k)</li><li><a href="electronicstand/bathscale/index.html">Bathroom scale test
stand</a> - full 300lbf system for about $60. <small>(1/05)</small></li><li><a href="electronicstand/amp/index.html">Building the INA125 amplifier</a>
needed to get the load cell talking to the Dataq unit. <small>(11/04)</small>
</li><li><a href="electronicstand/tests.html">Static tests through 8/05</a> performed with
these devices: thrust curves, videos, spreadsheet analysis. This file was getting too big, so I'm dividing them up:</li><li><a href="tests/9-05/index.html">Static tests performed 9/05 through 12/05</a>. I have started dividing up the tests by month, but haven't backtracked to the olden days. <small>(10/05)</small></li><li><a href="tests/1-06/index.html">Static tests performed in 2006</a> - Wide variety of static tests. <small>(7/06)</small></li><li><small><a href="tests/2007/index.html"><big>Static tests performed in 2007</big></a></small></li><li><small><big><a href="teststand/video/index.html">Videos illustrating t</a>he conversion of test stand data to an Excel spreadsheet which analyzes motor performance. <br></big></small></li></ol>
<br><br><big><big>Making airframes</big></big><br><br><big style="font-weight: bold;">Ejection Devices<br>
</big>
<ol><li> <a href="ejection/index.htm">Smokeless powder ejection tests</a>
- promising results: Red Dot may be better than black powder for ejection
charges</li><li> <a href="ejection2/index.html">Smokeless ejection II</a> - "static
tests" using Red Dot in a real airframe with parachute. Worked well.</li><li><a href="timers/index.html">Timers.</a>
A page based largely on ignorance. This page is intended
to present timer options to a new flyer. I've never made a timer, and
have used them very little. But that
doesn't prevent me from talking about it! It's on the web so folks with more experience can correct my errors. <small>(4/07)</small></li></ol>
<br><big><big>Making them fly!</big></big><br><br><b><big><a href="http://www.nefar.net/index.html">NEFAR</a> and other organized launches<br><br></big></b><ol><li><a href="loki54mm/nefar.html">December 13, 2003 - NEFAR</a> my first launch of the Sugar Rush, first flights with the 54mm Loki casing,</li><li><a href="nefar5-9-04/index.html">May 2004 - NEFAR</a> first flights using Ti-enhanced Rcandy and 3-grain 54mm Loki motor</li><li><a href="nefar8-15-04/index.html">August 15, 2004</a> - Amateur launch
- I got to fire the Sugar Rush twice, both times successfully. Post-hurricane
wet slog recovery. (8/14)</li><li><a href="nefar11-13-04/index.html">November 2004</a> - Still photos
only, but some nice ones! (11/04)</li><li><a href="nefar2-12-05/index.html">February 12, 2005</a>- Testing delay
grains and <a href="NCE/index.html">tidy packages</a> in Dr. Rocket motors. Ariel fired twice, small
fire started by errant Ti. (2/05)</li><li><a href="nefar4-9-05/index.html">April 9, 2005</a> - Movies of my first two moon-burner flights, and two launches of Richard Creamer's radio recovery rocket,
flown with motors by Steve Ghioto (4/05)</li><li><a href="nefar5-05/index.html">May 2005</a> - two-day launch. I
fired my two rockets four times, and perusaded other club members to fire
four more in their airframes. (5/05)</li><li><a href="nefar8-13-05/index.html">August 2005</a> - Two flights
of the Sugar Rush. First one straight as an arrow with BATES
grains. The second using a moonburner grain, wags its tail upon
liftoff so severely as to cause early ejection at motor burnout. </li><li><a href="bigsugar/index.html">October 2005</a> - Big Sugar Launch. Team project with Rick Creamer and Steve Ghioto. 9 foot rocket went to about 4000 feet (11/05)<br>
Also <a href="nefar10-8-05/index.html">Ti night launch.</a> Delay grain failure made for a spectacular photo, and a very low flight. </li><li><a href="bigsugar/NEFAR11-12-05/index.html">November 2005</a> -
Big Sugar Launch 2. Due to "operator error" my video camera did
not catch the flight. But others contributed their photos and
movies to make for a pretty good show. Motor and airframe worked
well. Nothing else did. </li><li><a href="NEFAR2-11-06/index.html">February 2006</a>
- The Sugar Rush gets to fly with its new nose cone and blows it. Not
the nose cone, the fin department. Motor casing is overpressurized
and blows out the head end closure. But that was a <span style="font-style: italic; font-weight: bold;">good thing</span>! Really! </li><li><a href="nefar3-11-06/index.html">March 2006</a> - Rebuilt the lower
section of the Sugar Rush, obtained a new Loki 4-grain 54mm motor, and am
ready to fly again. 3 good flights, paper nose cone works fine.</li><li><a href="NEFAR4-8-06/index.html">April 2006</a>
- Jonathan Carter was here for a few wonderful days. We went to the NEFAR
launch, where he fired his <i>Like a Woman Scorned</i> airframe using his own K-motor
burning KN/dextrose. An impressive flight. I had reconfigured
the Sugar Rush for dual deployment again. Fired
once using the 4-grain 54mm Loki motor and <a href="KClO3/index.html">Pixy Stix</a>
propellant. Sims put apogee at 5100 feet, altimeter said 2510 feet.
Quite a discrepancy there. Check out the video and judge for
yourself. </li><li><a href="nefar5-13-06/index.html">May 2006</a> - I fly the Sugar
Rush to one mile altitude using Pixy Stix propellant. But there
is an anomaly in the ejection, drogue does not pop after apogee and rocket
is last seen heading down the way it went up. Will I find a
smoking pink hole in the pasture? Check out the
"long" video, and make sure your sound is on! (5/06)</li><li><a href="NEFAR7-8-06/index.html">July 2006</a> - Maiden flight of
the Pixy Stix Drifter, a project started by Pete and Dennis, and
donated "to a good home." Don't know about the good home part of
it, but she finally flew! Sugar Rush flies again on 5-grain
motor. </li><li><a href="NEFAR8-12-06/index.html">August 2006</a> - Video of
Steve and Rick's camera rocket. Sugar Rush
flown on propellant load made by UCF engineering students in our
workshops back in July. Their motor load worked great! My
recovery system did not work so great.... The cows know where it
is, but they are not talking.</li><li><a href="nefar9-9-06/index.html">September 2006</a>
- Since my Co-Pilot wouldn't wake up and my new ARTS has not yet
arrived, I am without altimeter and thus unable to launch a large
rocket. Two saucer launches will suffice, as well as an
opportunity to observe some other really nice launches. These
include a beautiful boosted-glider, an unreal close proximity landing,
and a short-range hybrid lawn-dart. (9/06)</li><li><a href="NEFAR10-14-06/pixystix-10-14-06.wmv">October 2006</a>
- No web page yet, just a link to the 9-meg launch movie. Pixy Stix
rocket launched with 4-grain Loki motor using 3 grains for propellant and
one for smoke. Apparently smoke grain broke in half and burned as propellant,
as acceleration and altitude were greater than simmed, and there was no trailing
smoke.<br>
</li><li><a href="nefar1-13-07/index.html">January 2007</a> - See the Sugar
Rush in her underwear! Actually, just the white primer coat. Spent
all my painting time working on a new electronics bay, altimeter plus backup
timer. Drogue deployed, main didn't. Post-mortem sheds interesting
light on Red Dot and my recovery charge packet design...</li><li><a href="http://www.nefar.net/gallery/2007-01/winternationals/index.html">Florida Winternationals</a>,
January 2007 - videos of a couple of launches of "interesting" projects by
Ed Wilkes. Also, a demo of the Gorilla Motors sparky propellant in
Mike Kiss' Wildman rocket (mislabeled "Thor" in the video)<br>
</li><li><a href="http://www.nefar.net/gallery/2007-02/index.html">February 2007</a> - Launches of several
NEFAR folks, including the first two hybrids that I have seen that actually worked.
Video camera mounted in the Sugar Rush, temporarily renamed the "pinkeye." Flight was low and slow, apogee at 820
feet. Good video was obtained from the Aiptek MPVR+ onboard. These videos are on the <a href="http://www.nefar.net">NEFAR</a> website, <a href="http://www.nefar.net">www.nefar.net</a></li><li><a name="March2007"></a><a href="http://www.nefar.net/gallery/2007-03/index.html">March 2007</a>
- Another small gallery of launches on the NEFAR website, including a
drag race between the Sugar Rush on KN/sucrose, and a Wildman on Wimpy
Red. Also first launch using "beer propellant" made with dry malt
extact. 3/24/07</li><li> Rocketry Organization of South Carolina (ROSCO) ICBM launch at
Orangeburg, March 31/April 1, 2007. An outstanding launch with
lots of sugar being flown. <a href="ICBM-3-07/index.html">Here is my video collection</a>. </li><li> <a href="http://www.nefar.net/gallery/2007-04/index.html">April 2007</a> NEFAR launch. Fired the Sugar Rush once with handicam. Several other launches documented. </li><li> <a href="http://www.nefar.net/gallery/2007-06/index.html">June 2007</a> - NEFAR launch. I mostly watched and filmed other folks' launches. (redirect to NEFAR website)</li><li> <a href="http://www.nefar.net/gallery/2007-07/index.html">July 2007</a> - NEFAR
launch. I blew in from the West just as a huge thunderstorm
system was coming in from the East and everyone was frantically tearing
down, putting away and driving off. Thus<span style="font-style: italic;"> </span>I captured no flight video<span style="font-style: italic;">. </span>But some members got there on time and flew in the morning. I've uploaded a few of their videos to the NEFAR website.</li><li><a href="http://www.nefar.net/gallery/2007-08/index.html">August 2007</a>
- I flew the Sugar Rush once, this time using the propellant load we
made in the Thunderflame course back in July. It worked great!
You know, AP isn't all that bad... There are lots of other
interesting launches on this page as well. </li><li><a href="http://www.nefar.net/gallery/2007-09/index.html">September 2007</a>
- One more flight of Sugar Rush with Aiptek camera, this time on a Loki
2000 casing, sparky sugar moonburner. Again many more launches.
Sugar Rush is #43 of the 53 I caught on tape.</li><li> <a href="http://www.nefar.net/gallery/2007-10/index.html">October 2007</a>
- Another fine NEFAR launch. I get so excited capturing video of
other folks' launches that I don't do many myself. But I did get
in another flight of the Sugar Rush with camcorder onboard. The
humidity had dropped below the usual 90 percent, resulting in a clear
day and perhaps the best video so far. It is <a href="http://www.nefar.net/gallery/2007-10/index.html#63">launch #63</a>, way down
on the page. </li><li> <a href="http://www.nefar.net/gallery/2007-11/index.html">Bunnell Blast - November 2007</a>.
I caught video of many launches, including several nice sugar motors by
Scott Jolley, Marc Slabbinck, and Steve Ghioto. Sugar Rush was
launched twice. Camera glitch during first launch resulted in bad
file, thus no onboard video. Second launch obtained good video, but not quite as pretty as the October launch. </li><li><a href="http://www.nefar.net/gallery/2008-01/index.html">January 2008</a>
I did a silly thing at the NEFAR launch, sending up TWO long
rockets at once. Both are male, both are pink, so this is a real
Drag Race! Both had cameras running, one of them high definition.</li><li> <a href="www.nefar.net/gallery/2008-02/index.html">February 2008</a>
- NEFAR launch. Tried the silly drag queen drag
race again but made a silly mistake. Used a hardware-store washer for
the nozzle support ring. BAD IDEA. See the results at the
NEFAR web pages. </li><li> <a href="http://www.nefar.net/gallery/2008-04/index.html">April 2008</a> - NEFAR launch. Fired the Sugar Rush using a Gorilla sparky demo motor, and you know, it worked pretty darned well!</li><li> <a href="http://www.nefar.net/gallery/2008-06/index.html">June 2008</a> - NEFAR launch. No launches by me, I just documented everybody else's launch and had a lot of fun doing it. </li><li> <a href="http://www.nefar.net/gallery/2008-07/index.html">July 2008</a>A - NEFAR launch. I'm still laying low, taking video and doing edits. </li><li> <a href="http://www.jamesyawn.net/Sentinel-7-19-08/index.html">July 2008B</a>
- Sentinel Rocketeers launch. North FL Community College has a
fine rocketry club, and they were kind enough to host Ed Mallory and me
launching an electronics package for the Sugar Shot to Space to give it
a bit of exercise. It flew on a 3-grain 54mm motor load that I'd
made over a year ago, and stored in an aluminum foil "<a href="NCE/index.html">tidy package</a>." It was fresh, crisp, and worked perfectly/</li><li><a href="http://www.nefar.net/gallery/2009-01/index.html">January 2009 - NEFAR launch</a></li><li><a href="Sentinel-1-17-09/index.html">January 2009 - Sentinel Launch</a> Flew the Sugar Rush on a 5-grain 54mm this time, to give the Sugar Shot electronics a little more challenge. </li><li><a href="http://www.nefar.net/gallery/2009-02/index.html">February 2009 - NEFAR launch</a>
I almost launched this time, but there were a few little glitches
with the rocket that would have taken too long to fix. So I just
got video of the other launches, some of them dramatic, at least one
comical (It starts with "Mongolian...")</li><li><a href="Sentinel-2-21-09/index.html">February 2009 -Sentinel Launch</a>
- We had a propellant-making workshop at North Florida Community
College, hosted by Terry Zimmerman, Chair of their Physical Sciences
department. Several groups of students each made a small batch of
propellant, and packed one 54mm grain. These were assembled into
the motor which flew in the Big Bird at this launch. </li><li><a href="Sentinel-3-21-09/index.html">March 2009</a> - Sentniel Rocketeers</li><li><a href="q-tests/index.html"> </a><a href="Sentinel-05-15-10/index.html">ay 2010</a> - Sentinel Rocketeers</li><li><a href="USLI-2010-04/index.html">USLI Launch, April 2010</a>. Huntsville. Nice photos of Marshall Space Flight Center. I got video of each launch.</li><li><a href="TTRA/2010-10/index.html">Tampa Triploi - October 2010</a></li><li><a href="q-tests/index.html"> </a><a href="TTRA/2010-12/index.html">ampa Tripoli - December 2010</a></li><li><a href="TTRA/2011-01/index.html">Tampa Tripoli, - January 2011</a></li><li><a href="TTRA/2011-03/index.html">Tampa Triploli - March 2011</a></li><li><a href="UF/USLI-2011/index.html">USLI Launch, April 2011</a>. Only a couple of videos out there, my team launched early, so we left early to start the long drive home.</li></ol><a href="q-tests/index.html"> </a><ol>
</ol>It may look like I've stopped doing videos of the NEFAR launches.
<br>NOT! I do them almost every month. <br>But since I now
maintain the <a href="http://www.nefar.net/index.html">NEFAR website</a>, I've started putting NEFAR launch
videos on that site. <br>It seems reasonable, don't you think? <br>To see those launches, go to the <a href="http://www.nefar.net/gallery/video.html">NEFAR video gallery</a>.<br><br>
<big style="font-weight: bold;"><br>
</big><b><font size="+1">Loki Research 54mm 3-grain motor casing</font></b>
<ol>
<li> <a href="loki54mm/index.html">Static tests</a> <small> (12/03)</small></li>
<li><a href="motorpix/640/index.html">Pictures of the Loki motor</a> to illustrate how the snap-ring motor casing works. Includes a few photos of the Dr. Rocket 38mm for comparison.</li><li><a href="motorpix/lokismoke/index.html">A few photos</a> of the Loki head end closure with smoke grain recess.</li><li><a href="/motorpix/1-13-11/index.html">Pictorial series on the parts</a>
of a snap-ring motor and its reload, illustrating how it all goes
together. Includes a 3-1/2 minute movie illustrating the
assembly of the snap-ring motor. (Beware... movie is almost 300
megs! Gotta re-edit that one!)</li><li><a href="NCE/54mm/index.html">Sealing the load</a> - sugar propellant keeps very well IF you can keep out all the moisture!</li><li>For flights using the Loki motor (and others!), see NEFAR launches above.</li>
</ol>
<b><big><br>
</big></b><b><font size="+1">Model Rockets</font></b> - a great starting point<b><font size="+1"><br>
<br>
</font></b>
<div style="margin-left: 40px;"><a href="modelrocket/intro/index.html">Airframe</a>
- The SnapDragon. I developed this for my Rocket Science 101
classes when I couldn't get enough Alpha kits to go around. It's
made from scratch, using only common hand tools and materials
available from a craft store. Can be flown on commercial 18mm
model
rocket motors, or with the <a href="modelrocket/index.html">homebuilt motors</a> described below. <a href="modelrocket/bodytubes/index.html">Tubes</a> rolled from posterboard, <a href="modelrocket/fins/index.html">fins</a> cut from balsa or thin hardwood, <a href="modelrocket/nosecone/index.html">nose cone</a> made from a 3x5 index card and glue. Fancy "paint job" with "decals" can be done very easily using a <a href="modelrocket/bodycover/index.html">simple trick</a>. <small>(12/05)</small><br>
</div>
<b><font size="+1"><br>
</font></b>
<div style="margin-left: 40px;"><a href="modelrocket/index.html">Motors</a> - Detailed instructions on making 18mm single-use
motors using rcandy, posterboard, clay and glue. <br>
A minimum of tooling is required, the only items
one might not find in a hardware store are KNO3 and Bentonite clay. <br>
This could be suitable for kids, provided that
an adult makes the propellant and supervises assembly and firing. <small>(11/03)<br>
<br>
</small><a href="modelrocket/ramming-tool/index.html">Ramming-Tool</a>
- Illustrates the construction of the spindle and rammer that makes the
nozzle for a model-rocket motor. This is the method illustrated
in the model rocket movies, and considerably more efficient than the
pack-and-drill method shown in the web pages. <br>
<br>
<a href="http://www.jamesyawn.net/modelrocket/mrmovies/index.html"><span style="text-decoration: underline;">Model Rocket Motor Movies</span> </a><span style="color: rgb(255, 0, 0); font-weight: bold;"></span><br>
These videos provide an in-depth demonstration
of the making of model rocket motors. Annoying narration,
funny-looking
actor, and way too long, but it covers almost every aspect of
making
rcandy model rocket motors from scratch - propellant, tubes, nozzles,
assembly, ignitors and more. Due to bandwidth restrictions, I
have divided the movie into 9 smaller vignettes and moved them to a
different site. Please download these to your computer rather
than viewing repeatedly from the web - this will reduce demands on the server and
help keep the geeks off my back. As a side benefit, they will
probably play more smoothly running off your hard drive than streaming
off the web, even if you have fast access.<br><br><a href="CD-Saucer/index.html">CD Saucer</a>
- a small flying-saucer type airframe that uses an old CD or DVD as the
base disk. These fly well on 18mm model rocket motors, either
commercial or homemade.<br><br></div><br><div style="margin-left: 40px;">
<br>
</div>
<big><b><big>Certification Project</big></b></big><br>
<p><b><font size="+1">A plan for getting Level 1 and Level 2 certifications.</font></b></p><p><font size="+1"><a href="certification/index.html">The Plan Described</a> - Recommended steps toward L1 and L2 certification</font><b><font size="+1"></font></b></p><p style="margin-left: 40px;"><font size="+1">L2 Rocket - Altimeter Bay</font></p><p style="margin-left: 40px;"><font size="+1"> <a href="certification/L2-Rocket/Altimeter-Bay/Standoffs/index.html">Mounting altimeter standoffs</a> - an easy method of getting them in exactly the right spots.</font></p><p><font size="+1"></font></p><p><b><font size="+1"></font></b></p><p><b><font size="+1"></font></b></p><p><b><font size="+1">Motor tubes with integral cast aluminum nozzles</font></b>
</p>
<ol>
<li> <a href="castal/foundry/index.html">Foundry</a> - made from a tin
can, melts aluminum. <small>(7/02)</small></li>
<li> <a href="castal/micro/index.html">Aluminum Micro-Motor</a>:
Nozzle cast directly into aluminum tubing.</li>
<li> <a href="castal/mini/index.html">Aluminum Mini-Motor</a>:
Larger tubing, better-secured nozzles</li>
<li> <a href="castal/midi/index.html">Aluminum Midi-Motor</a>: 1.25 inch
tubing, G and low H level</li>
<li> <a href="castal/5-14-02a/index.html">5-14-02a</a> - flight test
of aluminum motor in a 4x4 airframe</li>
<li> <a href="castal/peen/index.html">Dimpled tubes</a> - a way
to keep nozzles in place</li>
<li> <a href="castal/how2/index.html">How To...</a> a summary of
the technique - minimum of rambling narrative.</li>
</ol>
<b><font size="+1">Aluminum-foil rockets</font></b>
<ol>
<li> <a href="micro/index.htm">Micro Rockets I</a>- Bottle-rocket sized
engines made with Rcandy and aluminum foil</li>
<li> <a href="whiz/index.htm">Micro Rockets II</a> - Whizzers!
VTOL rotary rockets! Tiny Turbillions! 3 gram rockets that fly
400 feet! Less is more!</li>
<li><a href="duct-tape/index.html">Duct Tape Rocket Motors</a> - Not the
common cheap plastic duct-tape, but the aluminum-foil kind. Very useful
stuff. (4/04)<br>
</li>
</ol>
<b><font size="+1"><br>
Historical pages - Tests of questionable wisdom.</font></b>
<ol>
<li> <a href="9-7-03a/index.html">How much rcandy will send one pound
rocket to 500 feet?</a> 28 grams came pretty close! <small>(9/03)</small></li>
<li> <a href="i-engine/index.htm">I Motor</a> - early PVC motor, construction
details and static test, estimated to be in the I-class <small>(7/01)</small></li>
<li> <a href="shorty/index.htm">Shorty</a> - Two launches of an under-achieving
rocket for testing of ejection systems. "The Right Chuff" <small>(9/01)</small></li>
<li> <a href="Bates/index.htm">Bates -grain</a> PVC motor - "H" class.
<small>(3/02)</small></li>
</ol>
<b><font size="+1"><br>
Water Rockets - made from 2-liter plastic soda bottles. Surprisingly powerful, sometimes frighteningly inaccurate. </font></b>
<ol>
<li> <a href="h2o/index.html">Basic Instructions</a> <small>(1/03)</small></li>
<li> <a href="h2o/kit/index.html">The Kit</a> - Instructions <small>(4/03)</small></li><li><small><big>Tests of the Rokit and 4M water rocket kits (10/16)</big><br></small></li>
</ol>
<b><font size="+1">Assorted tests, techniques, accessories, diatribes, and other stuff</font></b>
<ol>
<li><a href="bigcone/index.html">Nose cones</a> for 3 inch diameter rockets made from posterboard and PVC parts, no lathe required. Holds electronics. (1/06)</li>
<li><a href="gravityswitch/index.html">Gravity Switch</a> - why it should not work for parachute ejection.<br>
</li>
<li><a href="tubes/index.htm">Tubes</a> - A technique for making sturdy
tubes of paper and glue. Make your own model-rocket motors! (2001)</li>
<li> <a href="grindertile/index.html">Grinder tile</a> - An alternative
to the mortar and pestle. Good for powdering small amounts.</li>
<li><a href="clothboard/index.html">Cloth Board</a> - An excellent tool for manipulating warmed propellant, allowing it to be shaped easily and precisely. </li>
<li><a href="kncalc/index.html">KnCalc11</a> - A little Visual
Basic program I am writing to calculate Kn ratio progressions for uninhibited,
outside-inhibited and Bates grains. Not quite finished. Source
code available, in case you would like to finish it for me!</li>
<li><a href="kncalc/index.html">BatesCalc</a> - an Excel
spreadsheet file that calculates the progression of Kn ratios for Bates
grains. Not nearly as sophisticated as BurnSim, Grains 2000, or
Richard Nakka's design sheets but simpler, perhaps a good way to get
started before learning these better programs. Works on Macintosh
Excel</li>
<li><a href="jaafar/index.html"> Characteristic of Potassium Nitrate Based
Solid Rocket Propellant</a> - research paper on use of KN/sucrose rocket
propellant, Technological University of Malaysia. I found this while
doing my research for the TRA Sugar Project, and obtained permission to post
it. (10/02)<br>
</li>
<li> Jimmy's <a href="jyawn.htm">biographical intro</a> to the SugPro
list</li>
<li> <a href="education/index.html">Rocketry Links</a>, a bunch of them!</li>
</ol>
<center><b><i>Warning:</i> these pages are not intended for the humor-impaired.</b>
<br>
<b>If you can't take a joke, stay away from me!</b> <br>
<b>Occasional silliness herein does NOT reflect nor condone a casual attitude
toward safety, civility, or the law.</b> <br>
<p><font size="-1">Jimmy Yawn</font> <br>
<font size="-1">jyawn 8/23/16</font><font size="-1"></font></p>
</center>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
</body></html> |
Recrystallized Rocketry
**Recrystallized Rocketry**
**Serious about safety, silly about the rest**
| | | |
| --- | --- | --- |
|
| Aiptek Goes Hi-Def
Aiptek high-definition camcorder in Sugar Rush
Cheap digital camcorder catches [flight movies](http://www.nefar.net/gallery/2008-01/index.html#sugar-rush)
[How to build](aiptek/index.html) this camera mount
| |
Specializing in **Rcandy:** KNO3/Sucrose propellant
made by solution and recrystallization.
***New to rocketry? Returning to rocketry?***
***Check out the [Fly Rockets](http://www.flyrockets.com/) website!***
What this site is about: *Nourshing the spirit through learning, thinking, and discovery*. Flights of fact and of fancy.
Extraordinary achievements using ordinary things. Making ROCKETS!
**What this site is NOT about:** *Bombs, weapons, crime, hate, and fear.*
If you have intent to harm persons or property, to flout the law,
or
even to frighten others, you may NOT use my methods! Essential to
the
method is an attitude of care and profound respect for others, their
persons,
their property, and their peace of mind. Rocketry is inherently
dangerous. To do it, we must adopt the highest of ethical
standards and practice them faithfully.
It's a dog-eat-dog
world.... so don't be a dog!
This site is **NOT about fireworks** either, although I love them too.
The
laws and rules for fireworks are different than those for rocketry.
To
avoid excess confusion I will present here only those techniques that are relevant
to rocketry.
This may not be readily apparent, as some of the same
techniques are used in both venues.
[Monoblogue](monoblogue/index.html)
- Can't get enough of my verbiage? There are therapies, you
know... But until you find the right medication, here is more.
Answers to questions I have received in e-mails over the last
couple of years. I could go on and on... and I do!
[Leaders in Sugar Rocketry](sugarsites/index.html) -
a collection of links to sites of other researchers working with this
propellant.
Please read their SAFETY pages as well as [mine!](safety/index.htm)
I recommend reading each and every one of these sites before
commencing any rocketry experiments.
This is one area where ignorance is NOT bliss. It can be a blast, and not necessarily the fun kind.
. If it makes you go "WOW!" it can also make you go "OW!"
Here is some of my newer stuff:
| | |
| --- | --- |
| Clear PVC motor | [Clear PVC Motor mid-burn](clearpvc/index.html) [Clear PVC motors](clearpvc/index.html) |
Old News, Old Notebook
| | |
| --- | --- |
| [Notebook 2 cover](Notebooks/Notebook2/index.html) | I found and scanned [one of my notebooks](Notebooks/Notebook-00/index.html) from the previous century. Starting in March 1980Pretty boring, mostly, but there for posterity. It includes one of my earliest formal descriptions of the rcandy procedure.[Next in the series,](Notebooks/Notebook-02/index.html) August 1980 until February 1981. This one is a lot longer... I finally got some C and D-class motors to work occasionally.By
the end of the book the motors were working fairly reliably, and I had
my first shipment of pyrotechnic chemicals to play with.Colored stars! I was in pyro heaven. |
Static Testing Made Easier
| | |
| --- | --- |
| [Gary Horwood - Orange Sunshine - TTRA 01/11](teststand/video/index.html) | [Videos](teststand/video/index.html) illustrating the conversion of test stand data to an Excel spreadsheet which analyzes motor performance. |
Launches you may not have seen
| | |
| --- | --- |
| [Sugar Rush CATO 3/21/09](Sentinel-3-21-09/index.html) | Not really new - Launch reports recently linked to this page:1. [March 2009](Sentinel-3-21-09/index.html) - Sentniel Rocketeers
2. [May 2010](Sentinel-5-15-10/index.html) - Sentinel Rocketeers
3. [USLI Launch, April 2010](USLI-2010-04/index.html). Huntsville. Nice photos of Marshall Space Flight Center. I got video of each launch.
4. [Tampa Triploi - October 2010](TTRA/2010-10/index.html)
5. [Tampa Tripoli - December 2010](TTRA/2010-12/index.html)
6. [Tampa Tripoli, - January 2011](TTRA/2011-01/index.html)
7. [Tampa Triploli - March 2011](TTRA/2011-03/index.html)
8. [USLI Launch, April 2011](UF/USLI-2011/index.html).
Only a couple of videos out there, my team launched early, so we left
early to start the long drive home. Successful, though! The UF team I
mentor placed 10th in a field of about 30 schools.
|
Dire Warning! .... Is now abated...somewhat.
| | |
| --- | --- |
| [Q-test - imminent launch](q-tests/index.html) | Two
students from University of South Florida were arrested in August 2007
for transporting sugar propellant rocket motors across state lines. One of them went to prison... for something else.The other was acquitted - found "not guilty" because he did not make the rocket motors, nor did he have any knowledge of them.Fortunately for him. Unfortunately for us as the court decision thus had no influence on the legality of sugar propellant.So the risk remains.
Activities shown on these pages may not be legal in your area.
Please check out the Federal, state, and local laws before engaging in rocketry activities! So now that the case has been resolved, I feel safe in releasing my "[court documents](q-tests/index.html)."They are videos and other documentation used to demonstrate that these PVC sugar motors are not "pipe bombs." |
| | | |
| --- | --- | --- |
| November 2006:
Amateur Icelandic Rocketry
launches sugar rocket.
[Click here](http://www.visir.is/apps/pbcs.dll/section?Category=VEFMIDLAR&Template=VefTV&ChannelID=10&ProgID=26789&TreeID=1002&ItemID=22757&ProgTitle=NFS%20fr%E9ttir%2018:30&ProgItemTitle=%CDslensk%20eldflaug&progCItems=1) for media coverage
[Click here](http://www.eldflaug.com/) to visit the AIR website | Amateur Icelandic Rocketry | I
am very proud of my rocketry friends Steinn, Smeyr, and Magnus, who
successfully launched their KNO3/sucrose rocket in November 2006.
As far as we know, this is the first amateur rocket launched in
Iceland. |
[**Making Propellant**](propellant.html)
1. **[Safety First](rcandy/safety.htm)**-
if you are going to make this propellant, you [MUST read](skillet/large/index.html) [this page](rcandy/safety.htm) and heed its instructions to stay well, stay whole,
and stay out of trouble. Even that may not save you, but it's a start.
2. [Electric Skillet Rcandy](skillet/large/index.html) - A simple change in technique allows this method to make large amounts
of propellant in a short time. I'm
using this method exclusively nowdays. Also check out the [Propellant episode](http://www.jamesyawn.net/modelrocket/mrmovies/2-mr-propellant-5-31-07.wmv) of my [Model Rocket Movies](http://www.jamesyawn.net/modelrocket/mrmovies/index.html). (4/06)
3. [No Karo? No Problem!](rcandy/nokaro.html)
Alternatives to corn syrup. A little dextrose and fructose
works well. Glucose syrup is reported to be OK.
4. [Recrystallized KN/Sucrose](rcandy/index.htm) - Oven method. No longer recommended. It's good, but the [skillet is better](skillet/large/index.html). (5/01 rev. 6/03) [Russian
translation](http://airbase.ru/modelling/rockets/res/trans/rcandy/rcandy.html) (3/05)
5. [Static-Load Compression tests](compression/index.htm)
- this propellant proves to be very strong under static load (8/01)
6. [Drop Tests](droptest/index.htm) - Dynamic test of propellant
strength - ball of propellant breaks when dropped onto concrete. Duh. (8/01)
7. [Tensile strength Tests](tensile/index.htm) - 1/4 inch
diameter strand of rcandy supports over 10 pounds (8/01)
8. [Lacquer:](lacquer/index.htm) Attempts to deal
with the hygroscopic nature of KN/Sucrose by coating with flammable paint
(10/01)
9. [Iron Oxide](fe2o3/index.html) used as a catalyst - increases
burn rate, facilitates ignition, pretty color. (4/02)
10. [Sugar Syrup](syrup/index.html) - alternate method of
making KN/SU propellant. Quicker, easier, seems fairly safe, but propellant
is not as good (10/03)
11. [Titanium](titanium/index.html) - Adding small amounts
of Ti flake gives this propellant a crackling, sparky tail. (3/04)
12. [Toaster Oven Rcandy](toven/index.html) - Development
of methods to produce small amounts in a small oven. Possible, but not elegant, not recommended. (3/05)
13. [NaNO3](nano3/1-19-04c/index.html) - sugar syrup propellant
made with sodium nitrate. Funny texture makes it a little harder to
work, but fires OK in motor. (1/04)
14. ["Candy Rocket"](candyrocket/index.html) Making rcandy with Pixy Stix, Jolly Ranchers, Starlite mints, etc. This is the one [Theodore Gray](http://www.theodoregray.com/) refers to in his [Popular Science article](http://www.popsci.com/popsci/how20/600152d7d441b010vgnvcm1000004eecbccdrcrd.html), June 2006 issue. (5/06)
Making Motors
**Reloading the Aerotech-type 38mm casing** (also works for Dr. Rocket and RouseTech Monster motors, since they are Aerotech-compatible)
1. [First Tests](drrocket/index.html) - initial developments
(11/02)
2. [Static Tests](drrocket/statictests.html) - 29 static
tests plus one flight test of these motors (12/02)
3. [Making the Grains](38mm/index.html) - forming techniques,
plus ignitors and motor assembly (12/02)
4. [Analog Test Stand](teststand/index.html) - made from
trash. Works better than it looks. (11/02)
5. [RATS launch](rats/index.html) - demonstration flights for
the TRA [Sugar Proposal](sp_proposal.html) authored by Stuart
Leslie, with marginal assistance from me. (10/02)
6. [Delay Grains](motoreject/index.html) - enable motor ejection,
allows launching of non-electronic airframes, provide tracking smoke too. (12/04)
7. [Tidy Packages](NCE/index.html)
- Full demonstration of the making of propellant loads for a 38-360
motor casing. Propellant grains encased in an airtight package,
which also serves as case liner. These loads keep very well, and
are easy to load in the field.. (3/05) Here is the same procedure for sealign up 54mm loads
8. [NEFAR launch 2/12/05](nefar2-12-05/index.html) - flight
testing delay grains and tidy packages. They work! (repeat link from above) (3/05)
Testing the motors
**Digital [Electronic
Test Stands](electronicstand/index.html)** (1/05)
1. [Stand A](electronicstand/44lbstand/index.html), built
by Steve Ghioto, 20kg load cell from Aerocon Systems
2. [Stand B](electronicstand/standb-2-700.jpg), built by Steve Ghioto, 500lbf load cell from Aerocon Systems (photo, 110k)
3. [Bathroom scale test
stand](electronicstand/bathscale/index.html) - full 300lbf system for about $60. (1/05)
4. [Building the INA125 amplifier](electronicstand/amp/index.html)
needed to get the load cell talking to the Dataq unit. (11/04)
5. [Static tests through 8/05](electronicstand/tests.html) performed with
these devices: thrust curves, videos, spreadsheet analysis. This file was getting too big, so I'm dividing them up:
6. [Static tests performed 9/05 through 12/05](tests/9-05/index.html). I have started dividing up the tests by month, but haven't backtracked to the olden days. (10/05)
7. [Static tests performed in 2006](tests/1-06/index.html) - Wide variety of static tests. (7/06)
8. [Static tests performed in 2007](tests/2007/index.html)
9. [Videos illustrating t](teststand/video/index.html)he conversion of test stand data to an Excel spreadsheet which analyzes motor performance.
Making airframes
Ejection Devices
1. [Smokeless powder ejection tests](ejection/index.htm)
- promising results: Red Dot may be better than black powder for ejection
charges
2. [Smokeless ejection II](ejection2/index.html) - "static
tests" using Red Dot in a real airframe with parachute. Worked well.
3. [Timers.](timers/index.html)
A page based largely on ignorance. This page is intended
to present timer options to a new flyer. I've never made a timer, and
have used them very little. But that
doesn't prevent me from talking about it! It's on the web so folks with more experience can correct my errors. (4/07)
Making them fly!
**[NEFAR](http://www.nefar.net/index.html) and other organized launches**1. [December 13, 2003 - NEFAR](loki54mm/nefar.html) my first launch of the Sugar Rush, first flights with the 54mm Loki casing,
2. [May 2004 - NEFAR](nefar5-9-04/index.html) first flights using Ti-enhanced Rcandy and 3-grain 54mm Loki motor
3. [August 15, 2004](nefar8-15-04/index.html) - Amateur launch
- I got to fire the Sugar Rush twice, both times successfully. Post-hurricane
wet slog recovery. (8/14)
4. [November 2004](nefar11-13-04/index.html) - Still photos
only, but some nice ones! (11/04)
5. [February 12, 2005](nefar2-12-05/index.html)- Testing delay
grains and [tidy packages](NCE/index.html) in Dr. Rocket motors. Ariel fired twice, small
fire started by errant Ti. (2/05)
6. [April 9, 2005](nefar4-9-05/index.html) - Movies of my first two moon-burner flights, and two launches of Richard Creamer's radio recovery rocket,
flown with motors by Steve Ghioto (4/05)
7. [May 2005](nefar5-05/index.html) - two-day launch. I
fired my two rockets four times, and perusaded other club members to fire
four more in their airframes. (5/05)
8. [August 2005](nefar8-13-05/index.html) - Two flights
of the Sugar Rush. First one straight as an arrow with BATES
grains. The second using a moonburner grain, wags its tail upon
liftoff so severely as to cause early ejection at motor burnout.
9. [October 2005](bigsugar/index.html) - Big Sugar Launch. Team project with Rick Creamer and Steve Ghioto. 9 foot rocket went to about 4000 feet (11/05)
Also [Ti night launch.](nefar10-8-05/index.html) Delay grain failure made for a spectacular photo, and a very low flight.
10. [November 2005](bigsugar/NEFAR11-12-05/index.html) -
Big Sugar Launch 2. Due to "operator error" my video camera did
not catch the flight. But others contributed their photos and
movies to make for a pretty good show. Motor and airframe worked
well. Nothing else did.
11. [February 2006](NEFAR2-11-06/index.html)
- The Sugar Rush gets to fly with its new nose cone and blows it. Not
the nose cone, the fin department. Motor casing is overpressurized
and blows out the head end closure. But that was a good thing! Really!
12. [March 2006](nefar3-11-06/index.html) - Rebuilt the lower
section of the Sugar Rush, obtained a new Loki 4-grain 54mm motor, and am
ready to fly again. 3 good flights, paper nose cone works fine.
13. [April 2006](NEFAR4-8-06/index.html)
- Jonathan Carter was here for a few wonderful days. We went to the NEFAR
launch, where he fired his *Like a Woman Scorned* airframe using his own K-motor
burning KN/dextrose. An impressive flight. I had reconfigured
the Sugar Rush for dual deployment again. Fired
once using the 4-grain 54mm Loki motor and [Pixy Stix](KClO3/index.html)
propellant. Sims put apogee at 5100 feet, altimeter said 2510 feet.
Quite a discrepancy there. Check out the video and judge for
yourself.
14. [May 2006](nefar5-13-06/index.html) - I fly the Sugar
Rush to one mile altitude using Pixy Stix propellant. But there
is an anomaly in the ejection, drogue does not pop after apogee and rocket
is last seen heading down the way it went up. Will I find a
smoking pink hole in the pasture? Check out the
"long" video, and make sure your sound is on! (5/06)
15. [July 2006](NEFAR7-8-06/index.html) - Maiden flight of
the Pixy Stix Drifter, a project started by Pete and Dennis, and
donated "to a good home." Don't know about the good home part of
it, but she finally flew! Sugar Rush flies again on 5-grain
motor.
16. [August 2006](NEFAR8-12-06/index.html) - Video of
Steve and Rick's camera rocket. Sugar Rush
flown on propellant load made by UCF engineering students in our
workshops back in July. Their motor load worked great! My
recovery system did not work so great.... The cows know where it
is, but they are not talking.
17. [September 2006](nefar9-9-06/index.html)
- Since my Co-Pilot wouldn't wake up and my new ARTS has not yet
arrived, I am without altimeter and thus unable to launch a large
rocket. Two saucer launches will suffice, as well as an
opportunity to observe some other really nice launches. These
include a beautiful boosted-glider, an unreal close proximity landing,
and a short-range hybrid lawn-dart. (9/06)
18. [October 2006](NEFAR10-14-06/pixystix-10-14-06.wmv)
- No web page yet, just a link to the 9-meg launch movie. Pixy Stix
rocket launched with 4-grain Loki motor using 3 grains for propellant and
one for smoke. Apparently smoke grain broke in half and burned as propellant,
as acceleration and altitude were greater than simmed, and there was no trailing
smoke.
19. [January 2007](nefar1-13-07/index.html) - See the Sugar
Rush in her underwear! Actually, just the white primer coat. Spent
all my painting time working on a new electronics bay, altimeter plus backup
timer. Drogue deployed, main didn't. Post-mortem sheds interesting
light on Red Dot and my recovery charge packet design...
20. [Florida Winternationals](http://www.nefar.net/gallery/2007-01/winternationals/index.html),
January 2007 - videos of a couple of launches of "interesting" projects by
Ed Wilkes. Also, a demo of the Gorilla Motors sparky propellant in
Mike Kiss' Wildman rocket (mislabeled "Thor" in the video)
21. [February 2007](http://www.nefar.net/gallery/2007-02/index.html) - Launches of several
NEFAR folks, including the first two hybrids that I have seen that actually worked.
Video camera mounted in the Sugar Rush, temporarily renamed the "pinkeye." Flight was low and slow, apogee at 820
feet. Good video was obtained from the Aiptek MPVR+ onboard. These videos are on the [NEFAR](http://www.nefar.net) website, [www.nefar.net](http://www.nefar.net)
22. [March 2007](http://www.nefar.net/gallery/2007-03/index.html)
- Another small gallery of launches on the NEFAR website, including a
drag race between the Sugar Rush on KN/sucrose, and a Wildman on Wimpy
Red. Also first launch using "beer propellant" made with dry malt
extact. 3/24/07
23. Rocketry Organization of South Carolina (ROSCO) ICBM launch at
Orangeburg, March 31/April 1, 2007. An outstanding launch with
lots of sugar being flown. [Here is my video collection](ICBM-3-07/index.html).
24. [April 2007](http://www.nefar.net/gallery/2007-04/index.html) NEFAR launch. Fired the Sugar Rush once with handicam. Several other launches documented.
25. [June 2007](http://www.nefar.net/gallery/2007-06/index.html) - NEFAR launch. I mostly watched and filmed other folks' launches. (redirect to NEFAR website)
26. [July 2007](http://www.nefar.net/gallery/2007-07/index.html) - NEFAR
launch. I blew in from the West just as a huge thunderstorm
system was coming in from the East and everyone was frantically tearing
down, putting away and driving off. Thus I captured no flight video. But some members got there on time and flew in the morning. I've uploaded a few of their videos to the NEFAR website.
27. [August 2007](http://www.nefar.net/gallery/2007-08/index.html)
- I flew the Sugar Rush once, this time using the propellant load we
made in the Thunderflame course back in July. It worked great!
You know, AP isn't all that bad... There are lots of other
interesting launches on this page as well.
28. [September 2007](http://www.nefar.net/gallery/2007-09/index.html)
- One more flight of Sugar Rush with Aiptek camera, this time on a Loki
2000 casing, sparky sugar moonburner. Again many more launches.
Sugar Rush is #43 of the 53 I caught on tape.
29. [October 2007](http://www.nefar.net/gallery/2007-10/index.html)
- Another fine NEFAR launch. I get so excited capturing video of
other folks' launches that I don't do many myself. But I did get
in another flight of the Sugar Rush with camcorder onboard. The
humidity had dropped below the usual 90 percent, resulting in a clear
day and perhaps the best video so far. It is [launch #63](http://www.nefar.net/gallery/2007-10/index.html#63), way down
on the page.
30. [Bunnell Blast - November 2007](http://www.nefar.net/gallery/2007-11/index.html).
I caught video of many launches, including several nice sugar motors by
Scott Jolley, Marc Slabbinck, and Steve Ghioto. Sugar Rush was
launched twice. Camera glitch during first launch resulted in bad
file, thus no onboard video. Second launch obtained good video, but not quite as pretty as the October launch.
31. [January 2008](http://www.nefar.net/gallery/2008-01/index.html)
I did a silly thing at the NEFAR launch, sending up TWO long
rockets at once. Both are male, both are pink, so this is a real
Drag Race! Both had cameras running, one of them high definition.
32. [February 2008](www.nefar.net/gallery/2008-02/index.html)
- NEFAR launch. Tried the silly drag queen drag
race again but made a silly mistake. Used a hardware-store washer for
the nozzle support ring. BAD IDEA. See the results at the
NEFAR web pages.
33. [April 2008](http://www.nefar.net/gallery/2008-04/index.html) - NEFAR launch. Fired the Sugar Rush using a Gorilla sparky demo motor, and you know, it worked pretty darned well!
34. [June 2008](http://www.nefar.net/gallery/2008-06/index.html) - NEFAR launch. No launches by me, I just documented everybody else's launch and had a lot of fun doing it.
35. [July 2008](http://www.nefar.net/gallery/2008-07/index.html)A - NEFAR launch. I'm still laying low, taking video and doing edits.
36. [July 2008B](http://www.jamesyawn.net/Sentinel-7-19-08/index.html)
- Sentinel Rocketeers launch. North FL Community College has a
fine rocketry club, and they were kind enough to host Ed Mallory and me
launching an electronics package for the Sugar Shot to Space to give it
a bit of exercise. It flew on a 3-grain 54mm motor load that I'd
made over a year ago, and stored in an aluminum foil "[tidy package](NCE/index.html)." It was fresh, crisp, and worked perfectly/
37. [January 2009 - NEFAR launch](http://www.nefar.net/gallery/2009-01/index.html)
38. [January 2009 - Sentinel Launch](Sentinel-1-17-09/index.html) Flew the Sugar Rush on a 5-grain 54mm this time, to give the Sugar Shot electronics a little more challenge.
39. [February 2009 - NEFAR launch](http://www.nefar.net/gallery/2009-02/index.html)
I almost launched this time, but there were a few little glitches
with the rocket that would have taken too long to fix. So I just
got video of the other launches, some of them dramatic, at least one
comical (It starts with "Mongolian...")
40. [February 2009 -Sentinel Launch](Sentinel-2-21-09/index.html)
- We had a propellant-making workshop at North Florida Community
College, hosted by Terry Zimmerman, Chair of their Physical Sciences
department. Several groups of students each made a small batch of
propellant, and packed one 54mm grain. These were assembled into
the motor which flew in the Big Bird at this launch.
41. [March 2009](Sentinel-3-21-09/index.html) - Sentniel Rocketeers
42. [ay 2010](Sentinel-05-15-10/index.html) - Sentinel Rocketeers
43. [USLI Launch, April 2010](USLI-2010-04/index.html). Huntsville. Nice photos of Marshall Space Flight Center. I got video of each launch.
44. [Tampa Triploi - October 2010](TTRA/2010-10/index.html)
45. [ampa Tripoli - December 2010](TTRA/2010-12/index.html)
46. [Tampa Tripoli, - January 2011](TTRA/2011-01/index.html)
47. [Tampa Triploli - March 2011](TTRA/2011-03/index.html)
48. [USLI Launch, April 2011](UF/USLI-2011/index.html). Only a couple of videos out there, my team launched early, so we left early to start the long drive home.
It may look like I've stopped doing videos of the NEFAR launches.
NOT! I do them almost every month.
But since I now
maintain the [NEFAR website](http://www.nefar.net/index.html), I've started putting NEFAR launch
videos on that site.
It seems reasonable, don't you think?
To see those launches, go to the [NEFAR video gallery](http://www.nefar.net/gallery/video.html).
**Loki Research 54mm 3-grain motor casing**
1. [Static tests](loki54mm/index.html) (12/03)
2. [Pictures of the Loki motor](motorpix/640/index.html) to illustrate how the snap-ring motor casing works. Includes a few photos of the Dr. Rocket 38mm for comparison.
3. [A few photos](motorpix/lokismoke/index.html) of the Loki head end closure with smoke grain recess.
4. [Pictorial series on the parts](/motorpix/1-13-11/index.html)
of a snap-ring motor and its reload, illustrating how it all goes
together. Includes a 3-1/2 minute movie illustrating the
assembly of the snap-ring motor. (Beware... movie is almost 300
megs! Gotta re-edit that one!)
5. [Sealing the load](NCE/54mm/index.html) - sugar propellant keeps very well IF you can keep out all the moisture!
6. For flights using the Loki motor (and others!), see NEFAR launches above.
**Model Rockets** - a great starting point
[Airframe](modelrocket/intro/index.html)
- The SnapDragon. I developed this for my Rocket Science 101
classes when I couldn't get enough Alpha kits to go around. It's
made from scratch, using only common hand tools and materials
available from a craft store. Can be flown on commercial 18mm
model
rocket motors, or with the [homebuilt motors](modelrocket/index.html) described below. [Tubes](modelrocket/bodytubes/index.html) rolled from posterboard, [fins](modelrocket/fins/index.html) cut from balsa or thin hardwood, [nose cone](modelrocket/nosecone/index.html) made from a 3x5 index card and glue. Fancy "paint job" with "decals" can be done very easily using a [simple trick](modelrocket/bodycover/index.html). (12/05)
[Motors](modelrocket/index.html) - Detailed instructions on making 18mm single-use
motors using rcandy, posterboard, clay and glue.
A minimum of tooling is required, the only items
one might not find in a hardware store are KNO3 and Bentonite clay.
This could be suitable for kids, provided that
an adult makes the propellant and supervises assembly and firing. (11/03)
[Ramming-Tool](modelrocket/ramming-tool/index.html)
- Illustrates the construction of the spindle and rammer that makes the
nozzle for a model-rocket motor. This is the method illustrated
in the model rocket movies, and considerably more efficient than the
pack-and-drill method shown in the web pages.
[Model Rocket Motor Movies](http://www.jamesyawn.net/modelrocket/mrmovies/index.html)
These videos provide an in-depth demonstration
of the making of model rocket motors. Annoying narration,
funny-looking
actor, and way too long, but it covers almost every aspect of
making
rcandy model rocket motors from scratch - propellant, tubes, nozzles,
assembly, ignitors and more. Due to bandwidth restrictions, I
have divided the movie into 9 smaller vignettes and moved them to a
different site. Please download these to your computer rather
than viewing repeatedly from the web - this will reduce demands on the server and
help keep the geeks off my back. As a side benefit, they will
probably play more smoothly running off your hard drive than streaming
off the web, even if you have fast access.
[CD Saucer](CD-Saucer/index.html)
- a small flying-saucer type airframe that uses an old CD or DVD as the
base disk. These fly well on 18mm model rocket motors, either
commercial or homemade.
**Certification Project**
**A plan for getting Level 1 and Level 2 certifications.**
[The Plan Described](certification/index.html) - Recommended steps toward L1 and L2 certification
L2 Rocket - Altimeter Bay
[Mounting altimeter standoffs](certification/L2-Rocket/Altimeter-Bay/Standoffs/index.html) - an easy method of getting them in exactly the right spots.
**Motor tubes with integral cast aluminum nozzles**
1. [Foundry](castal/foundry/index.html) - made from a tin
can, melts aluminum. (7/02)
2. [Aluminum Micro-Motor](castal/micro/index.html):
Nozzle cast directly into aluminum tubing.
3. [Aluminum Mini-Motor](castal/mini/index.html):
Larger tubing, better-secured nozzles
4. [Aluminum Midi-Motor](castal/midi/index.html): 1.25 inch
tubing, G and low H level
5. [5-14-02a](castal/5-14-02a/index.html) - flight test
of aluminum motor in a 4x4 airframe
6. [Dimpled tubes](castal/peen/index.html) - a way
to keep nozzles in place
7. [How To...](castal/how2/index.html) a summary of
the technique - minimum of rambling narrative.
**Aluminum-foil rockets**
1. [Micro Rockets I](micro/index.htm)- Bottle-rocket sized
engines made with Rcandy and aluminum foil
2. [Micro Rockets II](whiz/index.htm) - Whizzers!
VTOL rotary rockets! Tiny Turbillions! 3 gram rockets that fly
400 feet! Less is more!
3. [Duct Tape Rocket Motors](duct-tape/index.html) - Not the
common cheap plastic duct-tape, but the aluminum-foil kind. Very useful
stuff. (4/04)
**Historical pages - Tests of questionable wisdom.**
1. [How much rcandy will send one pound
rocket to 500 feet?](9-7-03a/index.html) 28 grams came pretty close! (9/03)
2. [I Motor](i-engine/index.htm) - early PVC motor, construction
details and static test, estimated to be in the I-class (7/01)
3. [Shorty](shorty/index.htm) - Two launches of an under-achieving
rocket for testing of ejection systems. "The Right Chuff" (9/01)
4. [Bates -grain](Bates/index.htm) PVC motor - "H" class.
(3/02)
**Water Rockets - made from 2-liter plastic soda bottles. Surprisingly powerful, sometimes frighteningly inaccurate.**
1. [Basic Instructions](h2o/index.html) (1/03)
2. [The Kit](h2o/kit/index.html) - Instructions (4/03)
3. Tests of the Rokit and 4M water rocket kits (10/16)
**Assorted tests, techniques, accessories, diatribes, and other stuff**
1. [Nose cones](bigcone/index.html) for 3 inch diameter rockets made from posterboard and PVC parts, no lathe required. Holds electronics. (1/06)
2. [Gravity Switch](gravityswitch/index.html) - why it should not work for parachute ejection.
3. [Tubes](tubes/index.htm) - A technique for making sturdy
tubes of paper and glue. Make your own model-rocket motors! (2001)
4. [Grinder tile](grindertile/index.html) - An alternative
to the mortar and pestle. Good for powdering small amounts.
5. [Cloth Board](clothboard/index.html) - An excellent tool for manipulating warmed propellant, allowing it to be shaped easily and precisely.
6. [KnCalc11](kncalc/index.html) - A little Visual
Basic program I am writing to calculate Kn ratio progressions for uninhibited,
outside-inhibited and Bates grains. Not quite finished. Source
code available, in case you would like to finish it for me!
7. [BatesCalc](kncalc/index.html) - an Excel
spreadsheet file that calculates the progression of Kn ratios for Bates
grains. Not nearly as sophisticated as BurnSim, Grains 2000, or
Richard Nakka's design sheets but simpler, perhaps a good way to get
started before learning these better programs. Works on Macintosh
Excel
8. [Characteristic of Potassium Nitrate Based
Solid Rocket Propellant](jaafar/index.html) - research paper on use of KN/sucrose rocket
propellant, Technological University of Malaysia. I found this while
doing my research for the TRA Sugar Project, and obtained permission to post
it. (10/02)
9. Jimmy's [biographical intro](jyawn.htm) to the SugPro
list
10. [Rocketry Links](education/index.html), a bunch of them!
***Warning:* these pages are not intended for the humor-impaired.**
**If you can't take a joke, stay away from me!**
**Occasional silliness herein does NOT reflect nor condone a casual attitude
toward safety, civility, or the law.**
Jimmy Yawn
jyawn 8/23/16
| http://www.jamesyawn.net/ |
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<A HREF="http://www.metro.co.uk/weird/887628-purple-calf-born-in-serbia-brings-milkas-iconic-cow-to-life">Purple calf born in Serbia brings Milka's iconic cow to life</a> <BR>
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Born in a village near to the city of Cacak, locals insist they have not seen a calf like this one before. The calf has quickly become the talk of the town and is incredibly popular with young children, who have been visiting the barn in their droves to catch a glimpse of the unusual offspring. The calf is said to be perfectly happy and healthy and vets have suggested the purple coloring is 'probably a matter of genetics', Serbian news channel PTC reported. 'We were surprised when we saw this calf's colors. So far, no cows in the world have adopted these colors,' said its owner.
<P>
But the Milka calf is not the only cow to attract the world's press of late. Last month six-year-old cow Beba gave birth to four 'miracle' calves in the central Serbian village of Sljivica, IGN reported. Cows usually give birth to just one calf at a time so this case was considered extremely rare. 'After we pulled out the first calf a neighbor told me he thought there were more,' owner Dragan Pavlovic explained. 'Soon the second calf came out, then third, then fourth, all males.'
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<A HREF="http://en.wikipedia.org/wiki/Cattle_in_religion">Cattle are considered sacred in various world religions,</a> most notably Hinduism, Jainism, Buddhism, Zoroastrianism as well as the religions of Ancient Egypt, Ancient Greece, and Ancient Rome. In some regions, the slaughter of cattle may be prohibited and their meat may be taboo, especially India, except in the state of Kerala.
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In many cultures the cow is symbolic of Mother Earth, and has been a symbol of fertility, nurturing, and power.
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The cow is also a lunar symbol, aligning itself with feminine (yin) qualities (see list of yin attributes) among the Chinese yin-yang energies.
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The Egyptian goddess Nut is sometimes depicted with the cow having four stars on its belly. This represents the four cosmic quadrants of the earth, and the respective flavor each directional energy freely flows through each of these corners.
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Also in Egyptian mythology, Hathor was an ancient goddess worshipped as a cow-deity. Hathor was the Great Mother goddess of joy, and was considered the nourisher of all things. She was originally a personification of the Milky Way, which was seen as the milk that flowed from the udders of a heavenly cow. She was also considered a protective goddess and an emblem of royalty.
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In Norse mythology the cow makes an appearance as Audhumla whose utters emitted the four rivers of power - these provided nourishment for the giants (primarily the first giant, Ymir) that ruled the First World.
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In Vedic literature the cow is also a symbol of abundance and fertility as it represents both earth and sky.
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To Hindus and Buddhists, symbolism of the cow deals with patience and holiness. The <A HREF="http://simple.wikipedia.org/wiki/Sacred_cow">cow is considered India's most sacred animal.</a> The calm, tender nature of the cow wins this right among the Buddhists.
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Purple Calf Born in Serbia - Cattle in Religion, Mythology, Totem
[
[Purple calf born in Serbia brings Milka's iconic cow to life](http://www.metro.co.uk/weird/887628-purple-calf-born-in-serbia-brings-milkas-iconic-cow-to-life)
Metro.com - January 17, 2012](http://ireport.cnn.com/docs/DOC-732676?ref=feeds/latest)
Born in a village near to the city of Cacak, locals insist they have not seen a calf like this one before. The calf has quickly become the talk of the town and is incredibly popular with young children, who have been visiting the barn in their droves to catch a glimpse of the unusual offspring. The calf is said to be perfectly happy and healthy and vets have suggested the purple coloring is 'probably a matter of genetics', Serbian news channel PTC reported. 'We were surprised when we saw this calf's colors. So far, no cows in the world have adopted these colors,' said its owner.
But the Milka calf is not the only cow to attract the world's press of late. Last month six-year-old cow Beba gave birth to four 'miracle' calves in the central Serbian village of Sljivica, IGN reported. Cows usually give birth to just one calf at a time so this case was considered extremely rare. 'After we pulled out the first calf a neighbor told me he thought there were more,' owner Dragan Pavlovic explained. 'Soon the second calf came out, then third, then fourth, all males.'
---
### Cattle in Religion, Mythology, Totem Animals

[Cattle are considered sacred in various world religions,](http://en.wikipedia.org/wiki/Cattle_in_religion) most notably Hinduism, Jainism, Buddhism, Zoroastrianism as well as the religions of Ancient Egypt, Ancient Greece, and Ancient Rome. In some regions, the slaughter of cattle may be prohibited and their meat may be taboo, especially India, except in the state of Kerala.
In many cultures the cow is symbolic of Mother Earth, and has been a symbol of fertility, nurturing, and power.
The cow is also a lunar symbol, aligning itself with feminine (yin) qualities (see list of yin attributes) among the Chinese yin-yang energies.
The Egyptian goddess Nut is sometimes depicted with the cow having four stars on its belly. This represents the four cosmic quadrants of the earth, and the respective flavor each directional energy freely flows through each of these corners.
Also in Egyptian mythology, Hathor was an ancient goddess worshipped as a cow-deity. Hathor was the Great Mother goddess of joy, and was considered the nourisher of all things. She was originally a personification of the Milky Way, which was seen as the milk that flowed from the udders of a heavenly cow. She was also considered a protective goddess and an emblem of royalty.
In Norse mythology the cow makes an appearance as Audhumla whose utters emitted the four rivers of power - these provided nourishment for the giants (primarily the first giant, Ymir) that ruled the First World.
In Vedic literature the cow is also a symbol of abundance and fertility as it represents both earth and sky.
To Hindus and Buddhists, symbolism of the cow deals with patience and holiness. The [cow is considered India's most sacred animal.](http://simple.wikipedia.org/wiki/Sacred_cow) The calm, tender nature of the cow wins this right among the Buddhists.
---
[
Animals and Prophecy](prophecyanimals.html)
---
[
Hathor the Egyptian Cow Goddess](hathor.html) Rebirth
---
[
Mithraism](mithraism.html) Part of Zoroastrianism
---
[
Europa (Greek Mythology)](http://en.wikipedia.org/wiki/Europa_(mythology))
abduction by Zeus in the form of a white bull
---
[
Cattle Mutilations](cattle_mutilation.html)
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The Color Purple](colors.html)
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<h1> <img border="0" src="abacus_kanji/kanji_header.gif" alt="算盤" width="65" height="28">ABACUS: MYSTERY OF THE BEAD</h1>
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<h3>THE BEAD UNBAFFLED - An Abacus Manual</h3>
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算盤 ABACUS: MYSTERY OF THE BEAD - Abacus instructions manual. Learn how to
use abacus.
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# 算盤ABACUS: MYSTERY OF THE BEAD
### THE BEAD UNBAFFLED - An Abacus Manual
- Totton Heffelfinger & Gary Flom
▪ [History](pages.htm "History of the abacus") ▪
[Abacus Techniques](pages.htm#Soroban1 "Techniques") ▪
[Addition](pages.htm#Addition1 "Addition") ▪
[Subtraction](pages.htm#Subtraction1 "Subtraction") ▪
[Multiplication](pages.htm#Multiplication1 "Multiplication")
▪ [Division](pages.htm#Division1 "Division")
▪ [Division Revision](pages.htm#Revision1 "Division revision")
▪
[Negative Numbers](pages.htm#Negative1 "Negative numbers") ▪
[Abacus Care](pages.htm#Care1 "Caring for your abacus") ▪
[Diversions](pages.htm#Diversions1 "Diversions") ▪
[References](pages.htm#References1 "References") ▪
[Print Abacus Manuals](/abacus/PDF.htm "Print Manuals")
▪ *[Abacus Photo Gallery](/abacus/Photos/ "Photo gallery")*
▪ *[Lee's Improved Abacus](/abacus/Lee/ "Lee's improved abacus")*
▪ *[Advanced Abacus Techniques](/soroban/ "Advanced abacus techniques")*
▪ *[Àbaco:
El Misterio de la Cuenta (59 p. PDF)](/soroban/Carlos%20Luna/Abacus_el_misterio_de_la_cuenta.pdf "Advanced abacus techniques")
▪ *[Site Map](/abacus/sitemap.html "Sitemap")**
##### paypal
Please [remember](/abacus/PayPal/) these pages in your prayers :)
Gary Flom Atlanta Georgia USA
[Email](mailto:[email protected] "email")
473566[at]att[dot]net
Totton Heffelfinger Toronto Ontario Canada
[Email](mailto:[email protected] "email")
totton[at]idirect[dot]com
Abacus: Mystery of the Bead
© 2004 - 2018 by Totton Heffelfinger & Gary Flom
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<HR><H3 CLASS="bttl">Free DAN-BALL games.</H3><DIV ID="game_list"><DIV CLASS="game_list_div"><A HREF="/en/javagame/ranger2/" TITLE="Action RPG | Stick Ranger 2" CLASS="game_list_a"><IMG SRC="/images/ranger2.png" WIDTH="120" HEIGHT="90" ALT="Action RPG | Stick Ranger 2"><BR>Stick Ranger 2</A><DIV CLASS="game_list_txt">Great adventure with 4 stickmen! Explore the dungeon deeper and get rare items!</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/logibox/" TITLE="Nonogram | Logi Box" CLASS="game_list_a"><IMG SRC="/images/logibox.png" WIDTH="120" HEIGHT="90" ALT="Nonogram | Logi Box"><BR>Logi Box</A><DIV CLASS="game_list_txt">A puzzle game that fills cells with hints of numbers. It is generally called "Nonogram"</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/aquarium/" TITLE="Nature Aquarium game | Aqua Box" CLASS="game_list_a"><IMG SRC="/images/aquarium.png" WIDTH="120" HEIGHT="90" ALT="Nature Aquarium game | Aqua Box"><BR>Aqua Box</A><DIV CLASS="game_list_txt">Grow aquatic plants and tropical fish. A game that reproduces the Nature Aquarium.</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/rhythm/" TITLE="Sound wave simulation | Rhythm Editor" CLASS="game_list_a"><IMG SRC="/images/rhythm.png" WIDTH="120" HEIGHT="90" ALT="Sound wave simulation | Rhythm Editor"><BR>Rhythm Editor</A><DIV CLASS="game_list_txt">Simulation game to anyone can easily play a rhythm and visualize sound waves.</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/dgo/" TITLE="Puzzle game | Dgo" CLASS="game_list_a"><IMG SRC="/images/dgo.png" WIDTH="120" HEIGHT="90" ALT="Puzzle game | Dgo"><BR>Dgo</A><DIV CLASS="game_list_txt">"Go" is one of the most played board games in the world.</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/hamrace2/" TITLE="Hamster's race game | Ham Race 2" CLASS="game_list_a"><IMG SRC="/images/hamrace2.png" WIDTH="120" HEIGHT="90" ALT="Hamster's race game | Ham Race 2"><BR>Ham Race 2</A><DIV CLASS="game_list_txt">Renewal "Ham Race". 3 lap system! Enjoy the action with an improved operability!</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/shisensho/" TITLE="Shisen-Sho with answer" CLASS="game_list_a"><IMG SRC="/images/shisensho.png" WIDTH="120" HEIGHT="90" ALT="Shisen-Sho with answer"><BR>Shisen-Sho</A><DIV CLASS="game_list_txt">A puzzle game that removes all mahjong tiles. Programming so that there is a correct route.</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/lim/" TITLE="Extreme swing-by | Lim Rocket" CLASS="game_list_a"><IMG SRC="/images/lim.png" WIDTH="120" HEIGHT="90" ALT="Extreme swing-by | Lim Rocket"><BR>Lim Rocket</A><DIV CLASS="game_list_txt">Game in which a rocket advances while avoiding collisions with planets. Let's enjoy swing-by.</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/crossvirus/" TITLE="Enclose puzzle game | Cross Virus" CLASS="game_list_a"><IMG SRC="/images/crossvirus.png" WIDTH="120" HEIGHT="90" ALT="Enclose puzzle game | Cross Virus"><BR>Cross Virus</A><DIV CLASS="game_list_txt">A puzzle game that blocks and isolates a growing virus.</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/monsterbox/" TITLE="Monster Box" CLASS="game_list_a"><IMG SRC="/images/monsterbox.png" WIDTH="120" HEIGHT="90" ALT="Monster Box"><BR>Monster Box</A><DIV CLASS="game_list_txt">A battle between overflowing monsters and Stickman! Enjoy last-minute battle.</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/dust2/" TITLE="Fluid dynamics | Powder Game 2" CLASS="game_list_a"><IMG SRC="/images/dust2.png" WIDTH="120" HEIGHT="90" ALT="Fluid dynamics | Powder Game 2"><BR>Powder Game 2</A><DIV CLASS="game_list_txt">Realistic physics. Make scientific experiments and works of art and play with them!</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/bit/" TITLE="Everyone draw | 100bit" CLASS="game_list_a"><IMG SRC="/images/bit.png" WIDTH="120" HEIGHT="90" ALT="Everyone draw | 100bit"><BR>100bit</A><DIV CLASS="game_list_txt">Game that draws dots on drawing paper shared by everyone. Play back history and paint process!</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/box/" TITLE="Rigid body game | Elemental Box" CLASS="game_list_a"><IMG SRC="/images/box.png" WIDTH="120" HEIGHT="90" ALT="Rigid body game | Elemental Box"><BR>Elemental Box</A><DIV CLASS="game_list_txt">A rigid body simulation game to realistic physics and material changes.</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/raytracing/" TITLE="Real time CG | Ray Trace Fighter" CLASS="game_list_a"><IMG SRC="/images/raytracing.png" WIDTH="120" HEIGHT="90" ALT="Real time CG | Ray Trace Fighter"><BR>Ray Trace Fighter</A><DIV CLASS="game_list_txt">A fighting game drawn with drawing method "ray tracing" that is also used in full CG.</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/mine/" TITLE="Puzzle game | Mine Tower" CLASS="game_list_a"><IMG SRC="/images/mine.png" WIDTH="120" HEIGHT="90" ALT="Puzzle game | Mine Tower"><BR>Mine Tower</A><DIV CLASS="game_list_txt">A puzzle game to find bomb hidden in tower and aim for top floor. Vertical scroll Minesweeper.</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/ranger/" TITLE="Action RPG | Stick Ranger" CLASS="game_list_a"><IMG SRC="/images/ranger.png" WIDTH="120" HEIGHT="90" ALT="Action RPG | Stick Ranger"><BR>Stick Ranger</A><DIV CLASS="game_list_txt">Action RPG game where 4 stickman capture dungeon. VS mode to play against players from over world.</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/ee/" TITLE="Earth creating game | Earth Editor" CLASS="game_list_a"><IMG SRC="/images/ee.png" WIDTH="120" HEIGHT="90" ALT="Earth creating game | Earth Editor"><BR>Earth Editor</A><DIV CLASS="game_list_txt">Simulation game to creates earth using various dots on field of universal gravitation.</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/font/" TITLE="Play with fonts | Font Game" CLASS="game_list_a"><IMG SRC="/images/font.png" WIDTH="120" HEIGHT="90" ALT="Play with fonts | Font Game"><BR>Font Game</A><DIV CLASS="game_list_txt">A work made by testing a game font that scatters colorful characters.</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/stickman/" TITLE="Irritation Stick | Irritation Stickman" CLASS="game_list_a"><IMG SRC="/images/stickman.png" WIDTH="120" HEIGHT="90" ALT="Irritation Stick | Irritation Stickman"><BR>Irritation Stickman</A><DIV CLASS="game_list_txt">Drag action game to control stickman to avoid traps and lead to goal.</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/dust/" TITLE="Physics Simulation Game | Powder Game" CLASS="game_list_a"><IMG SRC="/images/dust.png" WIDTH="120" HEIGHT="90" ALT="Physics Simulation Game | Powder Game"><BR>Powder Game</A><DIV CLASS="game_list_txt">Whirlwind picks up leaf, visibly interesting. Simulation game reproduced with powder!</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/panda/" TITLE="3D action game | Micro Panda" CLASS="game_list_a"><IMG SRC="/images/panda.png" WIDTH="120" HEIGHT="90" ALT="3D action game | Micro Panda"><BR>Micro Panda</A><DIV CLASS="game_list_txt">A game to control a panda and light the park. Panda's slapstick action!</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/typing/" TITLE="Typing game | SAND MOJI" CLASS="game_list_a"><IMG SRC="/images/typing.png" WIDTH="120" HEIGHT="90" ALT="Typing game | SAND MOJI"><BR>SAND MOJI</A><DIV CLASS="game_list_txt">Typing, sentences are broken and pile up below. Unique typing game.</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/compass/" TITLE="Compass and magnet game | Compasses" CLASS="game_list_a"><IMG SRC="/images/compass.png" WIDTH="120" HEIGHT="90" ALT="Compass and magnet game | Compasses"><BR>Compasses</A><DIV CLASS="game_list_txt">I made something interesting with magnets. Move hundreds of compasses around.</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/hamrace/" TITLE="Hamster's race game | Ham Race" CLASS="game_list_a"><IMG SRC="/images/hamrace.png" WIDTH="120" HEIGHT="90" ALT="Hamster's race game | Ham Race"><BR>Ham Race</A><DIV CLASS="game_list_txt">Hard-working hamster race. Turn pulleys of two hamsters and aim for the goal!</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/planet/" TITLE="Planet simulation" CLASS="game_list_a"><IMG SRC="/images/planet.png" WIDTH="120" HEIGHT="90" ALT="Planet simulation"><BR>Planet simulation</A><DIV CLASS="game_list_txt">Planet simulation game. Enjoy world of universal gravitation! The earth a miracle.</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/mc/" TITLE="Fluid simulation game | Liquid Webtoy" CLASS="game_list_a"><IMG SRC="/images/mc.png" WIDTH="120" HEIGHT="90" ALT="Fluid simulation game | Liquid Webtoy"><BR>Liquid Webtoy</A><DIV CLASS="game_list_txt">Fluid simulation game to play in water with web browser. Let's paint and mix!</DIV></DIV><DIV CLASS="game_list_div"><A HREF="/en/javagame/rockets/" TITLE="Crazy rocket game | Rockets" CLASS="game_list_a"><IMG SRC="/images/rockets.png" WIDTH="120" HEIGHT="90" ALT="Crazy rocket game | Rockets"><BR>Rockets</A><DIV CLASS="game_list_txt">Game to aim for goal by steer a rocket that accelerates while hitting a wall.</DIV></DIV></DIV></DIV><DIV ID="middle_rd"><DIV CLASS="si_ttl">Access counter</DIV><DIV ID="counter2_graph" CLASS="si_box"><DIV CLASS="counter2_bar"><DIV CLASS="counter2_bar1" STYLE="MARGIN-TOP:0px;HEIGHT:50px;BACKGROUND:#d72"></DIV>151k</DIV><DIV CLASS="counter2_bar"><DIV CLASS="counter2_bar1" STYLE="MARGIN-TOP:15.37px;HEIGHT:34.63px;BACKGROUND:#d72"></DIV>104k</DIV><DIV CLASS="counter2_bar"><DIV CLASS="counter2_bar1" STYLE="MARGIN-TOP:23.59px;HEIGHT:26.41px;BACKGROUND:#d72"></DIV>79990</DIV><DIV CLASS="counter2_bar"><DIV CLASS="counter2_bar1" STYLE="MARGIN-TOP:32.54px;HEIGHT:17.46px;BACKGROUND:#d72"></DIV>52879</DIV><DIV CLASS="counter2_bar"><DIV CLASS="counter2_bar1" STYLE="MARGIN-TOP:33.33px;HEIGHT:16.67px;BACKGROUND:#d72"></DIV>50474</DIV><DIV CLASS="counter2_bar"><DIV CLASS="counter2_bar1" STYLE="MARGIN-TOP:34.95px;HEIGHT:15.05px;BACKGROUND:#d72"></DIV>45569</DIV><DIV CLASS="counter2_bar"><DIV CLASS="counter2_bar1" STYLE="MARGIN-TOP:36.33px;HEIGHT:13.67px;BACKGROUND:#d72"></DIV>41386</DIV><DIV CLASS="counter2_bar"><DIV CLASS="counter2_bar1" STYLE="MARGIN-TOP:38.44px;HEIGHT:11.56px;BACKGROUND:#a84416"></DIV>35015</DIV>1200664380</DIV><B ID="sidefgm_b">Free game list</B><DIV ID="sidefgm"><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/ranger2/" TITLE="Action RPG | Stick Ranger 2 | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/ranger2.gif" ALT="Action RPG | Stick Ranger 2 | Free game" LOADING="lazy"><BR>Stick<BR>Ranger 2</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/logibox/" TITLE="Nonogram | Logi Box | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/logibox.gif" ALT="Nonogram | Logi Box | Free game" LOADING="lazy"><BR>Logi Box</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/aquarium/" TITLE="Nature Aquarium game | Aqua Box | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/aquarium.gif" ALT="Nature Aquarium game | Aqua Box | Free game" LOADING="lazy"><BR>Aqua Box</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/rhythm/" TITLE="Sound wave simulation | Rhythm Editor | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/rhythm.gif" ALT="Sound wave simulation | Rhythm Editor | Free game" LOADING="lazy"><BR>Rhythm<BR>Editor</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/dgo/" TITLE="Puzzle game | Dgo | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/dgo.gif" ALT="Puzzle game | Dgo | Free game" LOADING="lazy"><BR>Dgo</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/hamrace2/" TITLE="Hamster's race game | Ham Race 2 | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/hamrace2.gif" ALT="Hamster's race game | Ham Race 2 | Free game" LOADING="lazy"><BR>Ham Race 2</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/shisensho/" TITLE="Shisen-Sho with answer | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/shisensho.gif" ALT="Shisen-Sho with answer | Free game" LOADING="lazy"><BR>Shisen-Sho</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/lim/" TITLE="Extreme swing-by | Lim Rocket | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/lim.gif" ALT="Extreme swing-by | Lim Rocket | Free game" LOADING="lazy"><BR>Lim Rocket</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/crossvirus/" TITLE="Enclose puzzle game | Cross Virus | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/crossvirus.gif" ALT="Enclose puzzle game | Cross Virus | Free game" LOADING="lazy"><BR>Cross<BR>Virus</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/monsterbox/" TITLE="Monster Box | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/monsterbox.gif" ALT="Monster Box | Free game" LOADING="lazy"><BR>Monster<BR>Box</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/dust2/" TITLE="Fluid dynamics | Powder Game 2 | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/dust2.gif" ALT="Fluid dynamics | Powder Game 2 | Free game" LOADING="lazy"><BR>Powder<BR>Game 2</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/bit/" TITLE="Everyone draw | 100bit | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/bit.gif" ALT="Everyone draw | 100bit | Free game" LOADING="lazy"><BR>100bit</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/box/" TITLE="Rigid body game | Elemental Box | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/box.gif" ALT="Rigid body game | Elemental Box | Free game" LOADING="lazy"><BR>Elemental<BR>Box</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/raytracing/" TITLE="Real time CG | Ray Trace Fighter | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/raytracing.gif" ALT="Real time CG | Ray Trace Fighter | Free game" LOADING="lazy"><BR>Ray Trace<BR>Fighter</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/mine/" TITLE="Puzzle game | Mine Tower | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/mine.gif" ALT="Puzzle game | Mine Tower | Free game" LOADING="lazy"><BR>Mine Tower</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/ranger/" TITLE="Action RPG | Stick Ranger | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/ranger.gif" ALT="Action RPG | Stick Ranger | Free game" LOADING="lazy"><BR>Stick<BR>Ranger</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/ee/" TITLE="Earth creating game | Earth Editor | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/ee.gif" ALT="Earth creating game | Earth Editor | Free game" LOADING="lazy"><BR>Earth<BR>Editor</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/font/" TITLE="Play with fonts | Font Game | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/font.gif" ALT="Play with fonts | Font Game | Free game" LOADING="lazy"><BR>Font Game</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/stickman/" TITLE="Irritation Stick | Irritation Stickman | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/stickman.gif" ALT="Irritation Stick | Irritation Stickman | Free game" LOADING="lazy"><BR>Irritation<BR>Stickman</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/dust/" TITLE="Physics Simulation Game | Powder Game | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/dust.gif" ALT="Physics Simulation Game | Powder Game | Free game" LOADING="lazy"><BR>Powder<BR>Game</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/panda/" TITLE="3D action game | Micro Panda | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/panda.gif" ALT="3D action game | Micro Panda | Free game" LOADING="lazy"><BR>Micro<BR>Panda</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/typing/" TITLE="Typing game | SAND MOJI | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/typing.gif" ALT="Typing game | SAND MOJI | Free game" LOADING="lazy"><BR>SAND MOJI</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/compass/" TITLE="Compass and magnet game | Compasses | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/compass.gif" ALT="Compass and magnet game | Compasses | Free game" LOADING="lazy"><BR>Compasses</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/hamrace/" TITLE="Hamster's race game | Ham Race | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/hamrace.gif" ALT="Hamster's race game | Ham Race | Free game" LOADING="lazy"><BR>Ham Race</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/planet/" TITLE="Planet simulation | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/planet.gif" ALT="Planet simulation | Free game" LOADING="lazy"><BR>Planet<BR>simulation</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/mc/" TITLE="Fluid simulation game | Liquid Webtoy | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/mc.gif" ALT="Fluid simulation game | Liquid Webtoy | Free game" LOADING="lazy"><BR>Liquid<BR>Webtoy</A></DIV><DIV CLASS="sidefgm_div"><A HREF="/en/javagame/rockets/" TITLE="Crazy rocket game | Rockets | Free game" CLASS="sidefgm_a"><IMG CLASS="sidefgm_img" HEIGHT="30" WIDTH="40" SRC="/images/m/rockets.gif" ALT="Crazy rocket game | Rockets | Free game" LOADING="lazy"><BR>Rockets</A></DIV></DIV><DIV CLASS="tcm0">17:59:33</DIV></DIV><DIV ID="middle_re"></DIV></DIV><DIV ID="footer"><DIV ID="footer_div"><A CLASS="footer_a" HREF="/en/agreement.html" TITLE="Terms of Use">Terms of Use</A> <A CLASS="footer_a" HREF="/en/qa.html" TITLE="Q&A">Q&A</A> <A CLASS="footer_a" HREF="/en/logout/" TITLE="Withdrawal">Withdrawal</A> <A CLASS="footer_a" HREF="/en/inquiry.html" TITLE="Contact Us">Contact Us</A></DIV>Copyright(C) 2006 <A CLASS="footer_a" HREF="https://dan-ball.jp/" TITLE="無料ゲームサイト ダンボール">DAN-BALL</A>.<WBR> All Rights Reserved.</DIV>
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[# Free game site 'DAN-BALL'](http://dan-ball.jp/en/ "Free game site DAN-BALL")## Play the original free games with a browser, smartphones and tablet. Anywhere, Enjoy totally free games!
[Japanese](/) English[Top](/en/ "Free game site DAN-BALL")[Free Games](/en/javagame/ "Free Games")[App Games](/en/mobile/ "App Games")[Search Games](/en/search/ "Search Games")[Image Games](/en/flash/ "Spot difference & Illusion")[Comments](/en/bbs/ "Comments")[Link](/en/link/ "Link")[Profile](/en/profile.html "Profiles of ha55ii, tylor and otascube")[Site Map](/en/sitemap.html "Site Map")[▼](javascript:void(0))What's new.[](/en/javagame/ranger2/ "Stick Ranger 2 ver20.2")[Stick Ranger 2 ver20.2](/en/javagame/ranger2/ "Stick Ranger 2 ver20.2")[](/en/mobile/wcatcup/ "App:World Cat Cup ver2.3")[App:World Cat Cup ver2.3](/en/mobile/wcatcup/ "App:World Cat Cup ver2.3")[](/en/javagame/ranger2/ "Stick Ranger 2 ver20.1")[Stick Ranger 2 ver20.1](/en/javagame/ranger2/ "Stick Ranger 2 ver20.1")[Update history](/en/history.html "Update history")
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var tbi=0;function top\_banner(){var h,s,t,r=Math.floor(Math.random()\*16);if(r<1){h='rockets';s='rockets';t='Crazy rocket game | Rockets';}else if(r<2){h='hamrace';s='ham';t='Hamster's race game | Ham Race';}else if(r<3){h='panda';s='panda';t='3D action game | Micro Panda';}else if(r<4){h='dust';s='dust';t='Physics Simulation Game | Powder Game';}else if(r<5){h='stickman';s='stickman';t='Irritation Stick | Irritation Stickman';}else if(r<6){h='font';s='font';t='Play with fonts | Font Game';}else if(r<7){h='ee';s='ee';t='Earth creating game | Earth Editor';}else if(r<8){h='ranger';s='ranger';t='Action RPG | Stick Ranger';}else if(r<9){h='mine';s='mine';t='Puzzle game | Mine Tower';}else if(r<10){h='bit';s='bit';t='Everyone draw | 100bit';}else if(r<11){h='dust2';s='dust2';t='Fluid dynamics | Powder Game 2';}else if(r<12){h='monsterbox';s='monsterbox';t='Monster Box';}else if(r<13){h='lim';s='lim';t='Extreme swing-by | Lim Rocket';}else if(r<14){h='hamrace2';s='ham2';t='Hamster's race game | Ham Race 2';}else{h='ranger2';s='ranger2';t='Action RPG | Stick Ranger 2';}if(tbi==0){document.getElementById("top\_banner\_a").href='\/en\/javagame\/'+h+'\/';document.getElementById("top\_banner\_a").title=t;document.getElementById("top\_banner\_i").src='\/images\/top\_'+s+'.png';document.getElementById("top\_banner\_i").alt=t;}}setInterval("top\_banner()",5000);
---
### Free DAN-BALL games.
[
Stick Ranger 2](/en/javagame/ranger2/ "Action RPG | Stick Ranger 2")Great adventure with 4 stickmen! Explore the dungeon deeper and get rare items
Logi Box](/en/javagame/logibox/ "Nonogram | Logi Box")A puzzle game that fills cells with hints of numbers. It is generally called "Nonogram"[
Aqua Box](/en/javagame/aquarium/ "Nature Aquarium game | Aqua Box")Grow aquatic plants and tropical fish. A game that reproduces the Nature Aquarium.[
Rhythm Editor](/en/javagame/rhythm/ "Sound wave simulation | Rhythm Editor")Simulation game to anyone can easily play a rhythm and visualize sound waves.[
Dgo](/en/javagame/dgo/ "Puzzle game | Dgo")"Go" is one of the most played board games in the world.[
Ham Race 2](/en/javagame/hamrace2/ "Hamster's race game | Ham Race 2")Renewal "Ham Race". 3 lap system! Enjoy the action with an improved operability
Shisen-Sho](/en/javagame/shisensho/ "Shisen-Sho with answer")A puzzle game that removes all mahjong tiles. Programming so that there is a correct route.[
Lim Rocket](/en/javagame/lim/ "Extreme swing-by | Lim Rocket")Game in which a rocket advances while avoiding collisions with planets. Let's enjoy swing-by.[
Cross Virus](/en/javagame/crossvirus/ "Enclose puzzle game | Cross Virus")A puzzle game that blocks and isolates a growing virus.[
Monster Box](/en/javagame/monsterbox/ "Monster Box")A battle between overflowing monsters and Stickman! Enjoy last-minute battle.[
Powder Game 2](/en/javagame/dust2/ "Fluid dynamics | Powder Game 2")Realistic physics. Make scientific experiments and works of art and play with them
100bit](/en/javagame/bit/ "Everyone draw | 100bit")Game that draws dots on drawing paper shared by everyone. Play back history and paint process
Elemental Box](/en/javagame/box/ "Rigid body game | Elemental Box")A rigid body simulation game to realistic physics and material changes.[
Ray Trace Fighter](/en/javagame/raytracing/ "Real time CG | Ray Trace Fighter")A fighting game drawn with drawing method "ray tracing" that is also used in full CG.[
Mine Tower](/en/javagame/mine/ "Puzzle game | Mine Tower")A puzzle game to find bomb hidden in tower and aim for top floor. Vertical scroll Minesweeper.[
Stick Ranger](/en/javagame/ranger/ "Action RPG | Stick Ranger")Action RPG game where 4 stickman capture dungeon. VS mode to play against players from over world.[
Earth Editor](/en/javagame/ee/ "Earth creating game | Earth Editor")Simulation game to creates earth using various dots on field of universal gravitation.[
Font Game](/en/javagame/font/ "Play with fonts | Font Game")A work made by testing a game font that scatters colorful characters.[
Irritation Stickman](/en/javagame/stickman/ "Irritation Stick | Irritation Stickman")Drag action game to control stickman to avoid traps and lead to goal.[
Powder Game](/en/javagame/dust/ "Physics Simulation Game | Powder Game")Whirlwind picks up leaf, visibly interesting. Simulation game reproduced with powder
Micro Panda](/en/javagame/panda/ "3D action game | Micro Panda")A game to control a panda and light the park. Panda's slapstick action
SAND MOJI](/en/javagame/typing/ "Typing game | SAND MOJI")Typing, sentences are broken and pile up below. Unique typing game.[
Compasses](/en/javagame/compass/ "Compass and magnet game | Compasses")I made something interesting with magnets. Move hundreds of compasses around.[
Ham Race](/en/javagame/hamrace/ "Hamster's race game | Ham Race")Hard-working hamster race. Turn pulleys of two hamsters and aim for the goal
Planet simulation](/en/javagame/planet/ "Planet simulation")Planet simulation game. Enjoy world of universal gravitation! The earth a miracle.[
Liquid Webtoy](/en/javagame/mc/ "Fluid simulation game | Liquid Webtoy")Fluid simulation game to play in water with web browser. Let's paint and mix
Rockets](/en/javagame/rockets/ "Crazy rocket game | Rockets")Game to aim for goal by steer a rocket that accelerates while hitting a wall.Access counter151k104k7999052879504744556941386350151200664380**Free game list**[
Stick
Ranger 2](/en/javagame/ranger2/ "Action RPG | Stick Ranger 2 | Free game")[
Logi Box](/en/javagame/logibox/ "Nonogram | Logi Box | Free game")[
Aqua Box](/en/javagame/aquarium/ "Nature Aquarium game | Aqua Box | Free game")[
Rhythm
Editor](/en/javagame/rhythm/ "Sound wave simulation | Rhythm Editor | Free game")[
Dgo](/en/javagame/dgo/ "Puzzle game | Dgo | Free game")[
Ham Race 2](/en/javagame/hamrace2/ "Hamster's race game | Ham Race 2 | Free game")[
Shisen-Sho](/en/javagame/shisensho/ "Shisen-Sho with answer | Free game")[
Lim Rocket](/en/javagame/lim/ "Extreme swing-by | Lim Rocket | Free game")[
Cross
Virus](/en/javagame/crossvirus/ "Enclose puzzle game | Cross Virus | Free game")[
Monster
Box](/en/javagame/monsterbox/ "Monster Box | Free game")[
Powder
Game 2](/en/javagame/dust2/ "Fluid dynamics | Powder Game 2 | Free game")[
100bit](/en/javagame/bit/ "Everyone draw | 100bit | Free game")[
Elemental
Box](/en/javagame/box/ "Rigid body game | Elemental Box | Free game")[
Ray Trace
Fighter](/en/javagame/raytracing/ "Real time CG | Ray Trace Fighter | Free game")[
Mine Tower](/en/javagame/mine/ "Puzzle game | Mine Tower | Free game")[
Stick
Ranger](/en/javagame/ranger/ "Action RPG | Stick Ranger | Free game")[
Earth
Editor](/en/javagame/ee/ "Earth creating game | Earth Editor | Free game")[
Font Game](/en/javagame/font/ "Play with fonts | Font Game | Free game")[
Irritation
Stickman](/en/javagame/stickman/ "Irritation Stick | Irritation Stickman | Free game")[
Powder
Game](/en/javagame/dust/ "Physics Simulation Game | Powder Game | Free game")[
Micro
Panda](/en/javagame/panda/ "3D action game | Micro Panda | Free game")[
SAND MOJI](/en/javagame/typing/ "Typing game | SAND MOJI | Free game")[
Compasses](/en/javagame/compass/ "Compass and magnet game | Compasses | Free game")[
Ham Race](/en/javagame/hamrace/ "Hamster's race game | Ham Race | Free game")[
Planet
simulation](/en/javagame/planet/ "Planet simulation | Free game")[
Liquid
Webtoy](/en/javagame/mc/ "Fluid simulation game | Liquid Webtoy | Free game")[
Rockets](/en/javagame/rockets/ "Crazy rocket game | Rockets | Free game")17:59:33[Terms of Use](/en/agreement.html "Terms of Use") [Q&A](/en/qa.html "Q&A") [Withdrawal](/en/logout/ "Withdrawal") [Contact Us](/en/inquiry.html "Contact Us")Copyright(C) 2006 [DAN-BALL](https://dan-ball.jp/ "無料ゲームサイト ダンボール"). All Rights Reserved.
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<HTML>
<HEAD>
<TITLE>JAPANESE KITE COLLECTION</TITLE>
</HEAD>
<BODY BACKGROUND="back087.gif" TEXT="#000000" >
Last up date:1999/08/14<BR>
<FONT SIZE=6 COLOR="#0000FF"><B>HAMAMATSU KITE & CREATIVE KITES </B></FONT>
<BR>
<HR>
<BR>
<CENTER>
<IMG src="./ito/ito-00.jpg">
</CENTER>
<B>This page was generated with the permission by Mr.Heizo Itoh. <BR>
<BR>
<B>Mr.Heizo Itoh is a famous kite master of Hamamatsu Kite and his creative kites. He
lives in Tenjin-machi, Hamamatsu-city, and the kite of his town is named as "<I>YOKOTEN</I>.
He makes those kites which are flown at the Hamamatsu Festival in every May and you can meet him at the festivals which are held around Japan. He also makes many creative kites as well as the traditional Hamamatsu Kite.<BR>
<BR>
Address: 5-51, Tenjin-machi, Hamamatsu-city, Shizuoka-prefecture 430-0808, JAPAN<BR>
Tel: +81(Japan)-53-463-2089<BR>
FAX: +81(Japan)-53-461-1588<BR>
<BR>
<B>Click on the pictures for large image. </B><BR>
<BR>
<BR>
<HR>
<CENTER>
<BR>
<TABLE>
<TBODY>
<TR align=middle>
<TD bgColor=#99ffcc><A href="./ito/ito-01.jpg"><IMG hspace=30
src="./ito/ito-01s.jpg" vspace=10></A> </TD>
<TD bgColor=#99ffcc><A href="./ito/ito-02.jpg"><IMG hspace=30
src="./ito/ito-02s.jpg" vspace=10></A> </TD>
<TD bgColor=#99ffcc><A href="./ito/ito-03.jpg"><IMG hspace=30
src="./ito/ito-03s.jpg" vspace=10></A> </TD>
<TD bgColor=#99ffcc><A href="./ito/ito-04.jpg"><IMG hspace=30
src="./ito/ito-04s.jpg" vspace=10></A> </TD>
</TR>
<TR align=middle>
<TD><B> #1 Tower building kite</B><BR></TD>
<TD><B> #2 Sea Turtle</B></TD>
<TD><B> #3 Sea Turtle</B></TD>
<TD><B> #4 Ski Kite</B></TD></TR></TBODY></TABLE>
<TABLE>
<TBODY>
<TR align=middle>
<TD bgColor=#99ffcc><A href="./ito/ito-05.jpg"><IMG hspace=30
src="./ito/ito-05s.jpg" vspace=10></A> </TD>
<TD bgColor=#99ffcc><A href="./ito/ito-06.jpg"><IMG hspace=30
src="./ito/ito-06s.jpg" vspace=10></A> </TD>
<TD bgColor=#99ffcc><A href="./ito/ito-07.jpg"><IMG hspace=30
src="./ito/ito-07s.jpg" vspace=10></A> </TD>
<TD bgColor=#99ffcc><A href="./ito/ito-08.jpg"><IMG hspace=30
src="./ito/ito-08s.jpg" vspace=10></A> </TD>
</TR>
<TR align=middle>
<TD><B> #5 Ski kite</B><BR></TD>
<TD><B> #6 <I>Hikoichi<I></B></TD>
<TD><B> #7 Kommei</B></TD>
<TD><B> #8 <I>Yokoten</I> & Work Shop</B></TD> </TR></TBODY></TABLE>
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<A HREF="http://www.asahi-net.or.jp/~et3m-tkkw/mailbox.html" ><B>MAIL BOX</B></A>
<A HREF="master.html"><B>MASTERS OF KITES IN JAPAN</B></A><BR>
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JAPANESE KITE COLLECTION
Last up date:1999/08/14
**HAMAMATSU KITE & CREATIVE KITES**
---

**This page was generated with the permission by Mr.Heizo Itoh.
**Mr.Heizo Itoh is a famous kite master of Hamamatsu Kite and his creative kites. He
lives in Tenjin-machi, Hamamatsu-city, and the kite of his town is named as "*YOKOTEN*.
He makes those kites which are flown at the Hamamatsu Festival in every May and you can meet him at the festivals which are held around Japan. He also makes many creative kites as well as the traditional Hamamatsu Kite.
Address: 5-51, Tenjin-machi, Hamamatsu-city, Shizuoka-prefecture 430-0808, JAPAN
Tel: +81(Japan)-53-463-2089
FAX: +81(Japan)-53-461-1588
**Click on the pictures for large image.**
---
| | | | |
| --- | --- | --- | --- |
| | | | |
| **#1 Tower building kite** | **#2 Sea Turtle** | **#3 Sea Turtle** | **#4 Ski Kite** |
| | | | |
| --- | --- | --- | --- |
| | | | |
| **#5 Ski kite** | **#6 *Hikoichi*** | **#7 Kommei** | **#8 *Yokoten* & Work Shop** |
[**Top Page**](http://www.asahi-net.or.jp/~et3m-tkkw/index.html)
[**MAIL BOX**](http://www.asahi-net.or.jp/~et3m-tkkw/mailbox.html)
[**MASTERS OF KITES IN JAPAN**](master.html)****
| http://www.asahi-net.or.jp/~ea8a-tkkw/ito.html |
<html>
<head>
<title>Web-Site-Ring</title>
<meta name="description" content="Lists Old Web Sites.">
<meta name="viewport" content="width=device-width, initial-scale=1">
</head>
<body>
<center><h1><i><b>Web-Site-Ring!</h1>
<a href="./index2.html"><img src="cooldog.png" alt="cool dog"><br>Enter site</a>
<p><a href="./privacy.htm">Privacy</a>
<p>I've written a few articles over the years, which I'd like to call attention to. (They tend to get lost in the update archives.)
<p>Now, in no particular order:
<br><a href="https://websitering.neocities.org/Autosled.htm">The Bailey Autosled</a>
<br><a href="https://websitering.neocities.org/DMOZMemory.htm">Goodbye DMOZ</a>
<br><a href="https://websitering.neocities.org/minisearchenginereviews.htm">Decent Search Engines (That are Not Google.)</a>
<br><a href="https://websitering.neocities.org/neutral.htm">A brief History of the Net and Net Neutrality</a>
<br><a href="https://websitering.neocities.org/rcookie.htm">On the Rainbow Cookie Meme</a>
<br><a href="https://websitering.neocities.org/roto.htm">RotoScope: A Forgotten Widescreen Movie Process</a>
<br><a href="https://websitering.neocities.org/ScrubTheWebIsGone.htm">ScrubTheWeb Stops Running Their Search Engine; Domain for Sale</a>
<br><a href="https://websitering.neocities.org/two.htm">Two-Columns: Will they work on a phone?</a> Really, not an article; but still a nice test.
<br><a href="https://websitering.neocities.org/websitering.htm">WebSiteRing: Create one without scripting</a> The first thing I wrote for this site.
<br><a href="https://websitering.neocities.org/pkmn/menu.htm">The Classic Pokemon Page</a> A collection of nostalgic thoughts on the franchize, influenced by late 90's fan sites.
<br><a href="./master/master.htm">An Overview of Master.Com</a>
<p><a href="http://www.geocities.ws/jaup/jaup.htm">Member of JAUP</a>
<p>What I've created for this site is in the public domain; I release it to you. Copy, re-post, send, modify it as you like. Post a link back, but only if you desire. I must note that I didn't create everything here; quotes, site buttons, images & the like are still property of their creators; you'll have to check with them for use requirements.
</body>
</html>
|
Web-Site-Ring
# ***Web-Site-Ring!***
[
Enter site](./index2.html)
[Privacy](./privacy.htm)
I've written a few articles over the years, which I'd like to call attention to. (They tend to get lost in the update archives.)
Now, in no particular order:
[The Bailey Autosled](https://websitering.neocities.org/Autosled.htm)
[Goodbye DMOZ](https://websitering.neocities.org/DMOZMemory.htm)
[Decent Search Engines (That are Not Google.)](https://websitering.neocities.org/minisearchenginereviews.htm)
[A brief History of the Net and Net Neutrality](https://websitering.neocities.org/neutral.htm)
[On the Rainbow Cookie Meme](https://websitering.neocities.org/rcookie.htm)
[RotoScope: A Forgotten Widescreen Movie Process](https://websitering.neocities.org/roto.htm)
[ScrubTheWeb Stops Running Their Search Engine; Domain for Sale](https://websitering.neocities.org/ScrubTheWebIsGone.htm)
[Two-Columns: Will they work on a phone?](https://websitering.neocities.org/two.htm) Really, not an article; but still a nice test.
[WebSiteRing: Create one without scripting](https://websitering.neocities.org/websitering.htm) The first thing I wrote for this site.
[The Classic Pokemon Page](https://websitering.neocities.org/pkmn/menu.htm) A collection of nostalgic thoughts on the franchize, influenced by late 90's fan sites.
[An Overview of Master.Com](./master/master.htm)
[Member of JAUP](http://www.geocities.ws/jaup/jaup.htm)
What I've created for this site is in the public domain; I release it to you. Copy, re-post, send, modify it as you like. Post a link back, but only if you desire. I must note that I didn't create everything here; quotes, site buttons, images & the like are still property of their creators; you'll have to check with them for use requirements.
| https://websitering.neocities.org/ |
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<title>
First Atomic Clock Wristwatch
</title>
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<body style="font-family: Arial">
<font size="5" color="#0000FF"><b><i><a href="http://www.LeapSecond.com">LeapSecond.com</a>
</i></b></font>
<hr size="4" color="#FF0000" noshade>
<font size="5"><b>First Atomic Clock Wristwatch</b></font>
<hr noshade color="#FF0000">
<p>Do not be misled. The many "atomic time" wristwatches you see on the market
today are merely cheap quartz wristwatches with a built-in radio receiver. The
watch sets itself from 60 kHz VLF radio time signals transmitted by NIST from station WWVB
near the US atomic clock in Boulder, Colorado. At least once a day, reception
permitting, usually at night, the watch resets itself to compensate for the normal drift of a quartz
crystal. The result is a self-setting, radio-controlled, atomic-time, wrist watch
that is never off by more than a second or two a day. Impressive and convenient.
But these are not atomic
clocks.</p>
<p>Today we have the first true atomic wristwatch.</p>
<p>The definition of a wrist watch is a time piece that can be worn on the
wrist, no? Below is my brother-in-law, Bill, a professional construction contractor,
proving that a HP 5071A Cesium Beam Primary Frequency Reference can in fact be
used as a wrist watch. You have a choice in stainless steel or adjustable nylon band.
Bill's model below has a fashionable double nylon band. Other colors are
available by special order.</p>
<p>The watch keeps time to a few nanoseconds per day. The attractive display is based
on 7-segment red LED technology. Batteries are included (they last about 45
minutes but are rechargeable). AC adapter included. There are no adjustments for daylight
saving time; however the clock does handle leap seconds and keeps
track of the [Modified Julian] date. This
HP wristwatch includes 5/10 MHz and 1 PPS outputs. An internal keypad is used to
set the date and time. Not waterproof nor even water resistant. High-performance
models available. Contact your Symmetricom [1] sales office for details.</p>
<p><b><i>Bill checks the time on his Atomic Wristwatch:</i></b><br>
<img border="2" src="wrist-5071a1.jpg" width="360" height="480"></p>
<p><b><i>Detail of nylon band:</i></b><br>
<img border="2" src="wrist-5071a2.jpg" width="270" height="360"><br>
</p>
<p><b><i>Detail of watch face - model Hewlett Packard 5071A:</i></b><br>
<img border="2" src="wrist-5071a3.jpg" width="640" height="240"></p>
<p>So there you go. The most accurate wrist watch. The first 5071A wristwatch. <b>;-)</b></p>
<h3><b>Links</b></h3>
<ul>
<li><a href="http://www.leapsecond.com/great2005/"><b>Clocks, Kids, and General Relativity on Mt Rainier</b></a>
(5071A prove Einstein's theory of relativity)</li>
<li><a href="http://www.leapsecond.com/pages/atomic-tom/">http://www.leapsecond.com/pages/atomic-tom/</a>
(the limit to how portable these are)</li>
<li><a href="http://www.leapsecond.com/museum/hp5071a/">http://www.leapsecond.com/museum/hp5071a/</a>
(measured performance of several 5071A)</li>
<li><a href="http://tycho.usno.navy.mil/cesium.html">http://tycho.usno.navy.mil/cesium.html</a></li>
<li><a href="http://www.symmttm.com/products_pfr_5071A.asp">http://www.symmttm.com/products_pfr_5071A.asp</a></li>
<li><a href="http://metrologyforum.tm.agilent.com/timekeep.shtml">http://metrologyforum.tm.agilent.com/timekeep.shtml</a></li>
<li><a href="http://www.darpa.mil/mto/csac/overview/">http://www.darpa.mil/mto/csac/overview/</a></li>
</ul>
<p>[1] The Hewlett Packard cesium frequency product line was inherited by
Agilent Technologies in 1999 and then acquired by Symmetricom in 2005.</p>
<hr noshade color="#FF0000">
Return to <a href="http://www.LeapSecond.com">LeapSecond.com</a> home page.<br>
Comments/questions to <a href="mailto:[email protected]">tvb</a>.
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|
First Atomic Clock Wristwatch
***[LeapSecond.com](http://www.LeapSecond.com)***
---
**First Atomic Clock Wristwatch**
---
Do not be misled. The many "atomic time" wristwatches you see on the market
today are merely cheap quartz wristwatches with a built-in radio receiver. The
watch sets itself from 60 kHz VLF radio time signals transmitted by NIST from station WWVB
near the US atomic clock in Boulder, Colorado. At least once a day, reception
permitting, usually at night, the watch resets itself to compensate for the normal drift of a quartz
crystal. The result is a self-setting, radio-controlled, atomic-time, wrist watch
that is never off by more than a second or two a day. Impressive and convenient.
But these are not atomic
clocks.
Today we have the first true atomic wristwatch.
The definition of a wrist watch is a time piece that can be worn on the
wrist, no? Below is my brother-in-law, Bill, a professional construction contractor,
proving that a HP 5071A Cesium Beam Primary Frequency Reference can in fact be
used as a wrist watch. You have a choice in stainless steel or adjustable nylon band.
Bill's model below has a fashionable double nylon band. Other colors are
available by special order.
The watch keeps time to a few nanoseconds per day. The attractive display is based
on 7-segment red LED technology. Batteries are included (they last about 45
minutes but are rechargeable). AC adapter included. There are no adjustments for daylight
saving time; however the clock does handle leap seconds and keeps
track of the [Modified Julian] date. This
HP wristwatch includes 5/10 MHz and 1 PPS outputs. An internal keypad is used to
set the date and time. Not waterproof nor even water resistant. High-performance
models available. Contact your Symmetricom [1] sales office for details.
***Bill checks the time on his Atomic Wristwatch:***

***Detail of nylon band:***

***Detail of watch face - model Hewlett Packard 5071A:***

So there you go. The most accurate wrist watch. The first 5071A wristwatch. **;-)**
### **Links**
* [**Clocks, Kids, and General Relativity on Mt Rainier**](http://www.leapsecond.com/great2005/)
(5071A prove Einstein's theory of relativity)
* <http://www.leapsecond.com/pages/atomic-tom/>
(the limit to how portable these are)
* <http://www.leapsecond.com/museum/hp5071a/>
(measured performance of several 5071A)
* <http://tycho.usno.navy.mil/cesium.html>
* <http://www.symmttm.com/products_pfr_5071A.asp>
* <http://metrologyforum.tm.agilent.com/timekeep.shtml>
* <http://www.darpa.mil/mto/csac/overview/>
[1] The Hewlett Packard cesium frequency product line was inherited by
Agilent Technologies in 1999 and then acquired by Symmetricom in 2005.
---
Return to [LeapSecond.com](http://www.LeapSecond.com) home page.
Comments/questions to [tvb](mailto:[email protected]).
| http://leapsecond.com/pages/atomic-bill/ |
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<p class="leftnav" style="margin-right:20px; margin-left:2px;"><a href="/essays/classical.php"><em>The Classical Hollywood Cinema</em> Twenty-Five Years Along</a></p>
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<p class="leftnav" style="margin-right:20px; margin-left:2px;"><a href="/essays/menzies.php">William Cameron Menzies: One Forceful, Impressive Idea</a></p>
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<p class="leftnav" style="margin-right:20px; margin-left:2px;"><a href="/essays/gioli.php">Paolo Gioli’s Vertical Cinema</a></p>
<p class="leftnav" style="margin-right:20px; margin-left:2px;"><a href="/essays/dekeukeleire.php">(Re)Discovering Charles Dekeukeleire</a></p>
<p class="leftnav" style="margin-right:20px; margin-left:2px;"><a href="/essays/doing.php">Doing Film History</a></p>
<p class="leftnav" style="margin-right:20px; margin-left:2px"><a href="/essays/hook.php">The Hook: Scene Transitions in Classical Cinema</a></p>
<p class="leftnav" style="margin-right:20px; margin-left:2px"><a href="/essays/anatomy.php">Anatomy of the Action Picture</a></p>
<p class="leftnav" style="margin-right:20px;"><a href="/essays/hearing.php">Hearing Voices</a></p>
<p class="leftnav" style="margin-right:20px;"><a href="/essays/preface.php">Preface, Croatian edition, <em>On the History of Film Style</em></a></p>
<p class="leftnav" style="margin-right:20px;"><a href="/essays/zizek.php">Slavoj Žižek: Say Anything</a></p>
<p class="leftnav" style="margin-right:20px;"><a href="/essays/return.php">Film and the Historical Return</a></p>
<p class="leftnav" style="margin-right:20px; margin-bottom:10px;"><a href="/essays/studying.php">Studying Cinema</a></p>
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<tr><td align="left" valign="top" class="bodyserif1" style="padding-left:10px"><p
class="headblue1">The Hook: Scene Transitions in Classical Cinema</p>
<p
class="bodysans3">January 2008</p>
<p class="bodyserif1">How do movies carry us from scene to scene? The question is simple, but not
many people have explored it. I’m especially interested in how transitions
are managed in mainstream, mass-audience movies, but I’ll have some things
to say about other traditions too.</p>
<p class="bodyserif1"> I’ll also be talking a lot about unity, which can make the whole exercise
seem fairly old-fashioned and Aristotelian. Yet examining how films create internal
patterns reminds us that those patterns are almost always aimed at the audience.
We’re supposed to register those patterns, consciously or not, and they
prompt us to react in particular ways. As so often, when we talk about form we’re
actually talking about the psychology of spectators.</p>
<p class="bodysans1"><strong>A movie’s architecture</strong></p>
<p class="bodyserif1"> If we want to know how mainstream movies take us from scene to scene, I suggest
we start by acknowledging three different levels of architecture.</p>
<p class="bodyserif1"> First, we can consider our film as having large-scale
parts. Call this <strong>macrostructure</strong>—the
way those biggish parts fit together.</p>
<p class="bodyserif1">We might treat <em>reel lengths</em> as
the salient parts, as silent filmmakers and Hong Kong filmmakers sometimes did.
More recently, we’re urged to think
of the large-scale parts as <em>acts</em>, either three in the current Hollywood
advice books or four, as Kristin Thompson and I have suggested. But these more
or less material divisions tally up with phases of the story action. So, for
example, the traditional conception of three-act structure depends on the main
characters choosing goals, being blocked in achieving them, and at the climax
decisively achieving them or not.</p>
<p class="bodyserif1">In <em>National Treasure</em> (2004), Benjamin
Gates is searching for the treasure of the Knights Templar. He’s kept from
achieving this goal by conflicts, obstacles, and delays. In the film’s
first part, he and his assistant Riley learn that directions to the treasure
are inscribed on the back of the US Declaration of Independence. But Ben’s
former backer Ian is also on the trail of the map, so our heroes acquire another
goal: to protect the Declaration. At the turning point of the first part, Ben
decides that the only way to achieve his goals is to steal the Declaration. In
the second part, Ben and Riley make off with the document, picking up archivist
Abigail along the way. The third part consists of following the trail of clues
laid out in the coded message, as our three are pursued by Ian’s gang and
by the FBI. The film’s fourth part constitutes
a climax. The trail leads to Manhattan, where Ian takes our heroes hostage and
they plunge into a lair underneath a church. The treasure is discovered, Ian
is defeated, and in an epilogue the protagonists are rewarded.</p>
<p class="bodyserif1"> For more on macrostructure, see the essay, “<a href="http://www.davidbordwell.net/essays/anatomy.php">Anatomy
of the Action Picture</a>” elsewhere
on this site.</p>
<p class="bodyserif1">At a lower level, we can think of the film as having midsize
parts, usually called <em>scenes</em> or <em>sequences</em>.
These parts, usually 30 to 50 in a modern feature, are tied together in particular
ways. Typically the scenes develop and connect through short-term chains of cause
and effect. Characters formulate specific plans, react to changing circumstances,
gain or lose allies, make appointments, act under deadlines, and otherwise take
specific steps toward or away from their goals. Part of the screenwriter’s
craft is to find ways to fit the short-term actions into the overarching movement
toward resolution.</p>
<p class="bodyserif1"> In <em>National Treasure</em>, for example, the first large-scale part consists
of concrete actions that flow naturally out of the goals. To find the treasure,
Ben and Riley and their opponents need the map. The map is on the Declaration
of Independence. Ian will try to steal it, so Ben tries to alert the FBI, but
he’s considered a crank. He tries to get permission to look at the Declaration,
but that effort fails too. So he is obliged to protect it from Ian by stealing
it himself. This cascade of choices, actions, and reactions flows logically out
of his double goals: to find the treasure and to protect the Declaration.</p>
<p class="bodyserif1"> This second level of structure isn’t quite as linear
as I’ve made
it out, since well-constructed plots interweave various elements from earlier
scenes into the development of later scenes. Appointments and deadlines illustrate
this strategy. So does a causal chain that’s left unresolved in one scene.
Kristin and I have called this device the <em>dangling cause</em>, and it is
very common in Hollywood dramaturgy. For example, in <em>National Treasure</em>,
when calling on Abigail to seek permission to examine the Declaration, Ben notices
a folder advertising an archive reception. Several scenes later we learn that
that reception will be the occasion on which Ben and Riley pull off their heist.
Because of this weaving of causes and effects, we might best call this midlevel
architecture the level of <strong>plot coherence</strong>: each scene is designed
to advance the action but also to develop or tie off lines of activity set off
earlier.</p>
<p class="bodyserif1">A third, still finer-grained level of organization is what
I’ll
call <strong>microstructure</strong>.
This is the tangible, moment-by-moment texture, conceived as a pattern of images
and sounds. For example, within a scene, we often find patterns of cutting—an
establishing shot, reverse angles, close-ups, and so on—meshed with the developing
dialogue. The audiovisual patterning carries the story along bit by bit, and
these bits we take in and assemble into larger patterns of intelligibility, such
as <em>Ben and Riley fail to persuade Abigail to let them study the Declaration</em>.
Likewise, in action sequences, cutting, composition, point of view, sound-image
interaction, and the like carry the discrete developments of the action, which
we intuitively pull into a larger unit, such as <em>Ben, Riley, and Abigail escape
Ian and keep custody of the Declaration</em>.</p>
<p class="bodyserif1">Global macrostructure, midlevel
plot coherence, and audiovisual texture or microstructure: we can study a film’s
narrative at any of these levels. Usually we hop back and forth among them, searching
for patterns that yield significant effects on the viewer’s experience.
I’ll try to convince you that transitions
play an important role in those patterns.</p>
<p class="bodysans1"><strong>Meet the Hook</strong></p>
<p class="bodyserif1"> Most scene transitions facilitate the first and second
levels of unity. In many films, a fade-out marks the end a discrete “act.” At
the midrange level of coherence, the end of one scene and the beginning of another
will often be marked in a conventional way, by a disjunctive cut or a burst of
music. Usually, however, the immediate blow-by-blow action of scene A and its
audiovisual texture aren’t linked directly to that of Scene B.
Take an example from <em>National Treasure</em>. Kicked out by the FBI, Riley
says that they have no one to turn to, but Ben says that they need someone who’s “passionate.”</p>
<p class="bodyserif1"><img src="/img/hook_nat01.jpg" width="200" height="84" border="4" /></p>
<p class="bodyserif1">Cut to the exterior of the National Archives building, then a close-up of
the flyer for the gala that will be so important in the second part.</p>
<p class="bodyserif1"><img src="/img/hook_nat02.jpg" width="200" height="84" border="4" style="margin-right:30px" /><img src="/img/hook_nat03.jpg" width="200" height="85" border="4" /></p>
<p class="bodyserif1"> After several more shots, Ben and Riley are ushered in to meet Abigail.</p>
<p class="bodyserif1"><img src="/img/hook_nat04.jpg" width="200" height="84" border="4" style="margin-right:30px" /><img src="/img/hook_nat05.jpg" width="200" height="84" border="4" /></p>
<p class="bodyserif1">The first part of the scene has left the causal line of the men’s search dangling
in order to wedge in the motif of the reception brochure. Now their hunt for
a helper resumes.</p>
<p class="bodyserif1"> But suppose things were presented differently. Suppose that after Ben says they
need someone passionate, we cut directly to the close-up of Abigail on the phone.
That would be an example of the sort of transition that most interests me in
this essay: The hook.</p>
<p class="bodyserif1">In our book <em>The Classical Hollywood Cinema</em>, we
called it that, and nowadays some screenwriters use the term too.<a href="#_edn1" name="_ednref1" id="_ednref1"><img src="/img/endnote.gif" alt="endnote" width="11" height="14" hspace="2" vspace="0" border="0" />1</a> Here
the audiovisual texture links a specific causal element the end of one scene
to that at the very start of the next. The second, in a concrete way, completes
the element we see or hear at the end of the first scene.</p>
<p class="bodyserif1"> At a later point in <em>National Treasure</em>, driving away from the scene of
their robbery, Ben mentions the clues in “those letters.” “What
letters?” asks Abigail, over a shot of the van. Cut to an extreme long
shot of the van parked, Ben pacing outside it. Abigail is saying, “You
have the original Constance Dogood letters.”</p>
<p class="bodyserif1"><img src="/img/hook_nat06.jpg" width="200" height="83" border="4" style="margin-right:30px" /><img src="/img/hook_nat07.jpg" width="200" height="86" border="4" /></p>
<p class="bodyserif1">Scene A ends with a question; scene B opens with the answer.
This is a common way a hook is used, though we’ll see that principles of
continuity or contrast can work as well.</p>
<p class="bodyserif1"> But first, let’s map the possibilities. Confining ourselves for the moment
to sound cinema, we can ask: What can hook to what? There are four simple possibilities.</p>
<p class="bodyserif1"><strong>1.)</strong> <strong>A sound can hook to another sound.</strong> Typically,
a line of dialogue at the end of scene A links directly to a line at the start
of scene B. That’s what happens in the Constance Dogood instance. Here’s
another example from <em>National Treasure</em>. Riley is insisting that the
Declaration is impossible to steal. On the steps of the Lincoln Memorial, he
says, “Let me prove it to you.” Cut to the dome of the Library of
Congress.</p>
<p class="bodyserif1"><img src="/img/hook_nat08.jpg" width="200" height="84" border="4" style="margin-right:30px" /><img src="/img/hook_nat09.jpg" width="200" height="84" border="4" /></p>
<p class="bodyserif1">At the visual level, this might seem not to be a tight
link; isn’t it
like the exterior shot of the National Archives in the default example? What
creates the hook is the second shot’s use of Riley’s voice, which
says that he has brought Ben to the Library of Congress to convince him to “listen
to Riley.” This is the proof he proffered in his final line of the previous
scene.</p>
<p class="bodyserif1"> So this first type of hook is easy to test for. Just ask: Would it work on radio?</p>
<p class="bodyserif1"><strong>2.) A sound can hook to an image.</strong> Usually
the sound is a line of dialogue. In <em>CHC</em>, we called this a “dialogue
hook.” Lewis
Herman, in his indispensable book on screenwriting, calls it a “dialogue
transition.”<a href="#_edn2" name="_ednref2" id="_ednref2"><img src="/img/endnote.gif" alt="endnote" width="11" height="14" hspace="2" vspace="0" border="0" />2</a></p>
<p class="bodyserif1"> This is the most common sort of hook in <em>National Treasure</em>, and it provides
some clever transitions. When Ben and Abigail are trying to bring out the cipher
on the back of the Declaration, they squeeze on lemon juice and blow fervently
on the paper. The image clarifies.</p>
<p class="bodyserif1"><img src="/img/hook_nat10.jpg" width="200" height="84" border="4" style="margin-right:30px" /><img src="/img/hook_nat11.jpg" width="200" height="84" border="4" /></p>
<p class="bodyserif1">Ben: “We need more juice.” Abigail: “We
need more heat.”</p>
<p class="bodyserif1"><img src="/img/hook_nat12.jpg" width="200" height="83" border="4" style="margin-right:30px" /><img src="/img/hook_nat13.jpg" width="200" height="84" border="4" /></p>
<p class="bodyserif1">Cut to a bowl of lemons, then to a drawer opening to reveal a hair dryer.</p>
<p class="bodyserif1"><img src="/img/hook_nat14.jpg" width="200" height="84" border="4" style="margin-right:30px" /><img src="/img/hook_nat15.jpg" width="200" height="83" border="4" /></p>
<p class="bodyserif1">Ben and Abigail proceed to coax the code out of the paper.
This is a double dialogue hook, “juice” answered by the lemons
and “heat” answered by the dryer. The double entendre adds a nice
twist, for the scene captures the erotic energy—juice and heat—Ben
and Abigail share in making a historical discovery.</p>
<p class="bodyserif1"><strong>3.)</strong> <strong>An image can hook to an image.</strong> This
is rarer than the first two types, but the first hook in <em>National Treasure</em> illustrates
the possibility. In the prologue, as a boy Ben learns of the Templars’ treasure
from his grandfather. Grandpa Gates asks him to take on the duty of protecting
the treasure and the family name. “I so swear.” The young Ben raises
his head as the music starts to rise as well.</p>
<p class="bodyserif1"><img src="/img/hook_nat16.jpg" width="200" height="84" border="4" style="margin-right:30px" /></p>
<p class="bodyserif1">Cut to Ben, now a man, raising his head as he and Ian drive across the arctic
wastes to find the buried ship, the <em>Charlotte</em>.</p>
<p class="bodyserif1"><img src="/img/hook_nat17.jpg" width="200" height="84" border="4" style="margin-right:30px" /></p>
<p class="bodyserif1">The match-on-action across years is driven home by a rhythmic shift in the
score and a new, urgent brass theme.<br />
The image-based hook is somewhat more common in the 1920s and 1930s, I think.
Ozu uses it a lot, and here is an example from Fritz Lang’s <em>You Only
Live Once</em> (1937). We dissolve from a cluster of parcels in an office to
the same parcels, now opened at home.</p>
<p class="bodyserif1"><img src="/img/hook_nat18.jpg" width="200" height="149" border="4" style="margin-right:30px" /><img src="/img/hook_nat19.jpg" width="200" height="149" border="4" /></p>
<p class="bodyserif1">Lang, as we’ll see below, is one of the early masters
of the hook.</p>
<p class="bodyserif1"><strong>4.) An image can hook to a sound.</strong> This seems to be the rarest
sort of audiovisual transition, and pure examples are hard to find. Imagine a
shot of a commander signing an order for a prisoner to be shot by a firing squad.
Cut to darkness and the sound of a fusillade; fade up to show the prisoner lying
dead against the wall.</p>
<p class="bodyserif1"> I don’t find an instance in <em>National Treasure</em>, but Kristin suggests
one example from <em>Groundhog Day</em>. Phil the weatherman has already been
through one day’s repetition of events. He tests whether tomorrow will
be the same by breaking a pencil and putting the pieces on his bedside table.
He lies there propped up and watching the digital clock face. He evidently intends
to stay up all night to see what happens around six o’clock.</p>
<p class="bodyserif1"><img src="/img/hook_groundhog1.jpg" width="200" height="113" border="4" style="margin-right:30px" /></p>
<p class="bodyserif1">Cut to an extreme close-up of the clock face changing to
6:00 and the tune, “I’ve
Got You Babe.” Cut to Phil, who has fallen asleep, snapping bolt upright.</p>
<p class="bodyserif1"><img src="/img/hook_groundhog2.jpg" width="200" height="113" border="4" style="margin-right:30px" /><img src="/img/hook_groundhog3.jpg" width="200" height="113" border="4" /></p>
<p class="bodyserif1">Although the shot of the clock indicates a new scene, the
basic logic of the transition moves us from an image posing a question to a crucial
sound that answers the question. After all, 6:00 AM comes every day, but “I’ve Got You
Babe” doesn’t, thankfully. Director Harold Ramis could just as easily
have cut to a black frame and simply let us hear the tune, and we’d know
that Phil’s fears are now confirmed. Interestingly, we don’t see
the pencil at first; it’s the sound that tells us that the day is repeated,
and the restored pencil confirms it.</p>
<p class="bodysans1"><strong>Playing games and finding functions</strong></p>
<p class="bodyserif1"> This catalogue is merely a first effort to pick out the possibilities. But we
need to recognize that the hook need not be literal or on the nose. It can be
ironic or nugatory, metaphorical or misleading. We find a deflationary negative
hook in one episode of <em>The Simpsons</em>. Homer: “I predict that this
is the last we’ll be hearing about prohibition.” Cut to enraged women
chanting: “We want prohibition!”</p>
<p class="bodyserif1"><img src="/img/hook_nat20.jpg" width="200" height="150" border="4" style="margin-right:30px" /><img src="/img/hook_nat21.jpg" width="200" height="149" border="4" /></p>
<p class="bodyserif1"><em>National Treasure</em> creates a playful narration
by means of some misleading hooks. Riley is parked outside the National Archives,
checking on some video installations he’s made that will monitor Ben’s theft. When he finds
they work, he says, “Game on.”</p>
<p class="bodyserif1"><img src="/img/hook_nat22.jpg" width="200" height="83" border="4" style="margin-right:30px" /></p>
<p class="bodyserif1">Cut to a digital readout counting down from 3 to <em>End</em>.</p>
<p class="bodyserif1"><img src="/img/hook_nat23.jpg" width="200" height="82" border="4" style="margin-right:30px" /></p>
<p class="bodyserif1">A timer in his equipment? Nope; a microwave oven in which Ben is preparing
lasagna before he settles down to studying plans.</p>
<p class="bodyserif1"><img src="/img/hook_nat24.jpg" width="200" height="83" border="4" style="margin-right:30px" /><img src="/img/hook_nat25.jpg" width="200" height="84" border="4" /></p>
<p class="bodyserif1">What we took as a continuity cut within a scene was a hook
between scenes. A similar effect arises in a transition from <em>Donnie Brasco</em>,
pointed out by Jeff Smith. Lefty is headed out of his apartment, knowing he’ll
be killed. Cut to a black frame.</p>
<p class="bodyserif1"><img src="/img/hook_donnie1.jpg" width="200" height="84" border="4" style="margin-right:30px" /><img src="/img/hook_donnie2.jpg" width="200" height="84" border="4" /></p>
<p class="bodyserif1">Over the black frame we hear a gunshot. Cut to a target
on a shooting range, then to Donnie firing.</p>
<p class="bodyserif1"><img src="/img/hook_donnie3.jpg" width="200" height="83" border="4" style="margin-right:30px" /><img src="/img/hook_donnie4.jpg" width="200" height="85" border="4" /></p>
<p class="bodyserif1">It’s a rare case of an image/sound hook, but it’s
made ambiguous by the two ways we can take the pistol shot. The sound of the
shot indicates Lefty’s death, although it is retrospectively linked to
the firing range (it sounds the same as the other rounds Donnie fires). Metaphorically,
of course, it underscores the fact that Donnie is responsible for Lefty’s
death.</p>
<p class="bodyserif1">And hooks can be combined and embedded. We’ve already seen one instance
in <em>National Treasure</em>, the double hook on juice and heat. Here’s
another from the same movie. Sadusky, the FBI officer, is questioning Ben’s
father and assures him, “Don’t worry, Mr. Gates. We’ll find
your car—and your son.”</p>
<p class="bodyserif1"><img src="/img/hook_nat26.jpg" width="200" height="84" border="4" style="margin-right:30px" /></p>
<p class="bodyserif1">Cut to the Cadillac hood ornament, and tilt up to show Ben driving.</p>
<p class="bodyserif1"><img src="/img/hook_nat27.jpg" width="200" height="84" border="4" style="margin-right:30px" /><img src="/img/hook_nat28.jpg" width="200" height="83" border="4" /></p>
<p class="bodyserif1">The two dialogue elements, car and son, have been linked
to the visual ones, and in that order. With the redundancy characteristic of
Hollywood, Riley, dozing in the back seat, murmurs, “Your dad’s got
a sweet ride.”</p>
<p class="bodyserif1"> We’ll consider some other complicated cases later, but we should have enough
examples to begin to ask about functions. What purposes are fulfilled by the
hook? Why should we have the hook at all?</p>
<p class="bodyserif1"> Lang, who used sound/sound hooks extensively in <em>M</em> (1931),
explained two reasons behind his choice. First, breaking off a line and completing
it with another in the next scene “not only accelerates the tempo of the
film but also strengthens the dramaturgically necessary association of thoughts
between two successive scenes.”<a href="#_edn3" name="_ednref3" id="_ednref3"><img src="/img/endnote.gif" alt="endnote" width="11" height="14" hspace="2" vspace="0" border="0" />3</a>
So we gain pacing, an impression of rapid narration, as if there were no time
wasted on establishing shots and other padding. We also gain emphasis: the core
motifs of a scene can be brought directly to the viewer’s
attention. In many cases, however, this second condition isn’t met; in
many of the <em>National Treasure</em> examples, the hooking elements are peripheral
to the scene (the lasagna, the Cadillac).</p>
<p class="bodyserif1">An implication of Lang’s point
is that hooks create a more overt narration. They address the audience more or
less directly, letting us put the scenes together without benefit of character
exposition. This sort of direct address can work in classical films because the
beginnings and endings of scenes are typically the most overt portions. (Some
theorists have claimed that Hollywood storytelling is “transparent,” but
this quality actually fluctuates across the film and across individual scenes.)
This overt narration can build up a sense of cleverness or resourcefulness or
sophistication.</p>
<p class="bodyserif1">In some of the more complex cases, the hook also functions
as useful disorientation. It provides a bump, asking us to be alert and find
a fresh way to fit together what was just said or shown. </p>
<p class="bodyserif1">One of the most interesting
functions of the hook is that the strong audiovisual cohesion it yields can give
the impression of a tightly unified film. This could be valuable in the case
of a movie that lacked plot coherence or a balanced macrostructure. That is,
clever hooks can mask a weakly plotted movie. You might argue that the strong
local connections among scenes in <em>National Treasure</em> distract
us from the massive improbabilities of the action.</p>
<p class="bodyserif1">Most rarely, I think, reliance
on hook-transitions can feed into a larger strategy of narrational manipulation.
The key example would be, again, <em>You Only Live
Once</em>. I must speak generally so as not to spoil the film if you haven’t
seen it. Here the hooks are part of a larger system of ellipses between scenes.
At first those ellipses don’t conceal important story information, but
at a crucial point they do. Lang trains us to see the hooks as innocent, if flamboyant,
gestures, but in fact they lull us into trusting this narration, which brutally
betrays us.</p>
<p class="bodysans1"><strong>The hook in history</strong></p>
<p class="bodyserif1">Where, finally, did
the hook come from?</p>
<p class="bodyserif1">We can find it in literature, although exact analogies
are complicated. Certainly hooks are common in today’s popular fiction; I append
some examples at the end of this essay. But did the device originate in the nineteenth-century
novel? I leave that for literary researchers to determine.</p>
<p class="bodyserif1"> In cinema, it’s clearly a device of classical filmmaking. It flourished
in the 1930s, not only in <em>You Only Live Once</em> but in <em>Penthouse</em> (1933)
and <em>The Case of the Lucky Legs</em> (1935; discussed in <em>The Classical
Hollywood Cinema</em>). It can be seen in Hitchcock’s <em>The Man Who Knew
Too Much</em> (1934) as well, and of course Welles makes much of hook tactics
in what he called the “lightning mixes” of <em>Citizen Kane</em> (1941).</p>
<p class="bodyserif1"> How far back can we trace it? Noël Burch argues that
Lang in effect invents the hook in <em>Dr. Mabuse der Spieler</em> (1922), especially
in the way that intertitles work with the images that precede and follow them.<a href="#_edn4" name="_ednref4" id="_ednref4"><img src="/img/endnote.gif" alt="endnote" width="11" height="14" hspace="2" vspace="0" border="0" />4</a> When
the police inspector von Wenk speculates that all the mysterious men might be
the same person, we cut to Mabuse in his laboratory; the shot confirms von Wenk’s
hypothesis.</p>
<p class="bodyserif1"><img src="/img/hook_nat29.jpg" width="200" height="150" border="4" style="margin-right:30px" /><img src="/img/hook_nat30.jpg" width="200" height="150" border="4" style="margin-right:30px" /><img src="/img/hook_nat31.jpg" width="200" height="150" border="4" /></p>
<p class="bodyserif1">But we ought to note that the “hooking” transitions
in <em>Mabuse</em> tend
to occur not between scenes but between two crosscut threads of a single long
sequence. Silent films were typically built out of long sequences, often crosscut
ones that trace parallel lines of action. When talkies came in, sequences grew
shorter and more numerous, and crosscutting was chiefly assigned to situations
of suspense. </p>
<p class="bodyserif1">In any case, before <em>Mabuse</em>, other films were using
the sort of hooks that Lang did. For instance, in <em>The Penalty</em> (1920),
the cops discuss Blizzard, the gangster played by Lon Chaney, and the dialogue
hooks are aligned with shots identifying him.</p>
<p class="bodyserif1"><img src="/img/hook_nat32.jpg" width="200" height="150" border="4" style="margin-right:30px" /><img src="/img/hook_nat33.jpg" width="200" height="149" border="4" style="margin-right:30px" /><img src="/img/hook_nat34.jpg" width="200" height="147" border="4" /></p>
<p class="bodyserif1"><img src="/img/hook_nat35.jpg" width="200" height="147" border="4" style="margin-right:30px" /><img src="/img/hook_nat36.jpg" width="200" height="153" border="4" style="margin-right:30px" /></p>
<p class="bodyserif1">Other examples can be found in <em>The Whispering Chorus</em> (1919)
and <em>A
Delicious Little Devil</em> (1919). Granted, these passages are not quite as
crisp and curt as Lang’s juxtapositions, but they might be considered intermediate
steps toward what Lang would do. In the <em>Penalty</em> passage, it isn’t
difficult to see that you could cut straight from the dialogue title to a close
shot of Blizzard interrogating his minion. Changes in stylistic history can arise
from tightening up a schema, making it less redundant.</p>
<p class="bodyserif1">Lang applied the tighter
version to <em>M</em>, and it’s likely that that
film was influential in popularizing these practices for Hollywood in the 1930s.
Filmmakers of the sound era started to take audiovisual texture very seriously,
and as scenes became shorter, cohesion tactics became more valuable. Hooks are
today written into the script, even if they aren’t used or are replaced
by different ones.<a href="#_edn5" name="_ednref5" id="_ednref5"><img src="/img/endnote.gif" alt="endnote" width="11" height="14" hspace="2" vspace="0" border="0" />5</a> A
remark of Elmore Leonard’s about writing screenplays confirms the importance
of transitions in modern cinema. “I like to add scenes, but then when it
comes to the transitions you’re in big trouble. You can’t just stick
a scene in because you feel like it.”<a href="#_edn6" name="_ednref6" title="" id="_ednref6"><img src="/img/endnote.gif" alt="endnote" width="11" height="14" hspace="2" vspace="0" border="0" />6</a></p>
<p class="bodysans1"><strong>Revising the schema</strong></p>
<p class="bodyserif1"> Because the hook is a classical device, we might be inclined to expect that other
traditions don’t make use of it. This belief isn’t wholly wrong.
Maurice Pialat asked a would-be editor: “Do you like films in which the
guy says, ‘Let’s go to the sea,’ and the next scene is on the
seashore?”<a href="#_edn7" name="_ednref7" title="" id="_ednref7"><img src="/img/endnote.gif" alt="endnote" width="11" height="14" hspace="2" vspace="0" border="0" />7</a></p>
<p class="bodyserif1"> It isn’t hard to find films outside the mainstream
that deny us such hooks. A notable example is Michael Haneke’s <em>71 Fragments
of a Chronology of Chance</em> (1994), in which each scene is separated off from
the others by black leader and silence, refusing the forward tug of the action.
But more interestingly, we find that “art movies” use hooks too.
Bresson does it in an effort to be laconic. At the beginning of <em>Au hasard
Balthazar</em> (1966), Marie’s
father refuses to buy the donkey, but in the next shot we see him leading it
off. Hooks can also be comic, as in Tsai Ming-liang’s <em>What Time Is
It There?</em> (2001). What we get is a process not of simple refusal but of
borrowing and transformation, schema and revision. A lot of art cinema takes
Hollywood devices and repurposes them.</p>
<p class="bodyserif1"> This isn’t to say that classically constructed films don’t revise
their inherited devices too. This can sometimes occur in those virtuoso moments
so beloved of contemporary Hollywood. One last time, consider <em>National Treasure</em>.</p>
<p class="bodyserif1"> Ben, Riley, and Abigail are in a mall shop when they realize
the import of a clue issuing from the Declaration. It steers them to the clock
tower on Independence Hall, which is represented on the hundred-dollar bill.
Ben realizes that the clock and the time indicated on it point to the next clue
in the hunt. But today, they believe, the appointed hour has passed. But Riley
reminds them that daylight savings time began after the revolutionary period,
so as per the clue’s dictates, they have an extra hour today. The couple rush
off and call out the name of the man who first suggested daylight savings time: “Benjamin
Franklin!” Cut
to Ian, offering a hundred-dollar bill to the little boy who had helped Riley
crack the clue leading to Independence Hall.</p>
<p class="bodyserif1">In a movie that relies so heavily
on hooks, this transition intertwines them in felicitous ways. The mall scene
ends with Ben and Abigail calling out Franklin’s name. This is an oblique sound/
image hook to the second shot in the following scene, when a reverse angle picks
up the bill and Franklin’s portrait on it.</p>
<p class="bodyserif1"><img src="/img/hook_nat39.jpg" width="200" height="84" border="4" style="margin-right:30px" /><img src="/img/hook_nat41.jpg" width="200" height="83" border="4" /></p>
<p class="bodyserif1">It’s not irrelevant that our hero’s full name is Benjamin
Franklin Gates.</p>
<p class="bodyserif1">Even more subtly, earlier in the first scene, Ben’s optical
point-of-view shot underscored the clock motif as he began to understand the
clue. (The framing of Ben and the bill will be mirrored by a reverse shot of
Ian, his adversary.)</p>
<p class="bodyserif1"><img src="/img/hook_nat37.jpg" width="200" height="84" border="4" style="margin-right:30px" /><img src="/img/hook_nat38.jpg" width="200" height="84" border="4" /></p>
<p class="bodyserif1">The clock motif is picked up in the initial shot of the
following scene, as the little boy examines the bill. </p>
<p class="bodyserif1"><img src="/img/hook_nat40.jpg" width="200" height="84" border="4" style="margin-right:30px" /></p>
<p class="bodyserif1">But Ian is blind to the significance of the
clock that is literally staring him in the face. He will soon have to resort
to the duffer historian’s tool, a Yahoo! search.</p>
<p class="bodyserif1">As a storytelling device, the
hook affects both narrative design and stylistic patterning. Studying it helps
us grasp some basic mechanics of classical storytelling. Just as important, these
devices display tacit knowledge and decisions on the part of filmmakers, who
adapt traditions to the needs at hand. And filmmakers’ tacit
knowledge corresponds to that of audiences, the skills you and I exercise unawares.
We can follow the corrugations of sound/ image organization because we know about
the world outside cinema, we know how conventions reshape that world, and we’re
alert for narrative and audiovisual organization. Analyzing how movies are put
together helps us understand how we experience them.</p>
<p class="bodyserif1"> </p>
<p class="bodysans1"><strong>Appendix: The hook in literary texts</strong></p>
<p class="bodyserif1"><strong>George Pelecanos, <em><a href="http://www.amazon.com/gp/product/0446619213?ie=UTF8&tag=thefrofra-20&linkCode=xm2&camp=1789&creativeASIN=0446619213" target="_blank">The Night Gardener</a></em></strong> (New
York: Little, Brown, 2006). Scene change within Chapter
Twenty-Five, p. 231:</p>
<p class="bodyserif1" style="margin-left:20px; margin-top:-10px">“Let’s
get a beer or something,” said Holiday.</p>
<p class="bodyserif1" style="margin-left:20px; margin-top:-10px">“Drop
me at my car,” said Ramone.</p>
<p class="bodyserif1" style="margin-left:20px; margin-top:-10px">“C’mon,
Ramone. How often do we see each other? Right?”</p>
<p class="bodyserif1" style="margin-left:20px; margin-top:-10px">“I’ll
have a beer,” said Cook.</p>
<p class="bodyserif1" style="margin-left:20px; margin-top:-10px">Ramone looked
over the bench at Cook. He seemed small, leaning against the door in the front
seat of the car.</p>
<p class="bodyserif1" style="margin-left:20px; margin-top:-10px">“Okay,” said
Ramone. “One beer.”<br />
</p>
<p class="bodyserif1" style="margin-left:20px; margin-top:-10px">Ramone
was finishing his third beer as Holiday returned from the bar with three more
and some shots of something on a tray.</p>
<p class="bodyserif1"><strong>Elmore Leonard, <em><a href="http://www.amazon.com/gp/product/0060082216?ie=UTF8&tag=thefrofra-20&linkCode=xm2&camp=1789&creativeASIN=0060082216">Unknown Man #89</a></em></strong> (New
York: Harper, 2002).<strong> </strong>End of Chapter 12, p. 144:</p>
<p class="bodyserif1" style="margin-left:20px; margin-top:-10px"> Ryan saw the
manager. The manager said he had just talked to the police. Who was this girl,
anyway? What’d she do? She certainly hadn’t worked for Uncle Ben.</p>
<p class="bodyserif1" style="margin-left:20px; margin-top:-10px">Maybe
not, but for some reason she had used the address. She was around, somewhere.</p>
<p class="bodyserif1" style="margin-left:20px; margin-top:-10px">That
was on a Monday.</p>
<p>Chapter 13[p. 145]:</p>
<p class="bodyserif1" style="margin-left:20px; margin-top:-10px">Wednesday
afternoon, Ryan was sitting in a bar on Saginaw Street in Pontiac.</p>
<p><strong>Ian Rankin, <em><a href="http://www.amazon.com/gp/product/0316057576?ie=UTF8&tag=thefrofra-20&linkCode=xm2&camp=1789&creativeASIN=0316057576" target="_blank">The Naming of the Dead</a></em></strong> (New
York: Little, Brown, 2007). Scene change within Chapter 3, p. 62:</p>
<p class="bodyserif1" style="margin-left:20px; margin-top:-10px">Rebus finished the call, decided to check for messages. There was only the one.
Steelforth’s voice had gotten just a dozen words out before Rebus cut it
off. The unfinished threat echoed in his head as he crossed to the stereo and
filled the room with the Groundhogs.<br />
<em>Don’t
ever try to outsmart me, Rebus, or I’ll…</em></p>
<p class="bodyserif1" style="margin-left:20px; margin-top:-10px">“…break
most of the major bones,” Professor Gates was saying.
He gave a shrug. “Fall like that, what else can you expect?”</p>
<p class="bodyserif1"> </p>
<p class="bodyserif1"> </p>
<p class="bodyserif1"> <a href="#_ednref1" name="_edn1" id="_edn1">1</a> : Karl
Iglesias, “8 Ways to Hook the Reader,” <em><a href="http://www.amazon.com/gp/product/B00006KAL1?ie=UTF8&tag=thefrofra-20&linkCode=xm2&camp=1789&creativeASIN=B00006KAL1" target="_blank">Creative Screenwriting</a> </em>13,
4 (2006), 48–49.</p>
<p class="bodyserif1"> <a href="#_ednref2" name="_edn2" id="_edn2">2</a> : Lewis
Herman,<a href="http://www.amazon.com/gp/product/B00199R478?ie=UTF8&tag=thefrofra-20&linkCode=xm2&camp=1789&creativeASIN=B00199R478" target="_blank"> <em>A Practical Manual of Screen Playwriting for Theater and
Television Films</em></a> (New York: New American Library, 1974; orig. 1952), 134–152.</p>
<p class="bodyserif1"><a href="#_ednref3" name="_edn3" id="_edn3">3</a> : “Fritz
Lang on M: An Interview,” Criterion DVD
booklet for <em>M</em> (1998), trans. from Gero Gandert interview in <em>Fritz
Lang: M-Protokoll</em> (Hamburg: Marion von Schroeder, 1963).</p>
<p class="bodyserif1"><a href="#_ednref4" name="_edn4" id="_edn4">4</a> : Burch
discusses these matters in several places. See “Fritz
Lang: German Period,” <em><a href="http://www.amazon.com/gp/product/0859678679?ie=UTF8&tag=thefrofra-20&linkCode=xm2&camp=1789&creativeASIN=0859678679" target="_blank">In
and Out of Synch</a>: The awakening of a Ciné-Dreamer</em> (Aldershot,
England: Scolar, 1991), 3–31; “Notes on Fritz Lang’s first <em>Mabuse</em>,” <em>In
and Out of Synch</em>, 205–227; and “De ‘Mabuse’ à ‘M’:
Le travail de Fritz Lang,” in <em>Cinéma: Théories, lectures</em>,
ed. Dominique Noguez (Paris: Klincksieck, 1973), 227–248.</p>
<p class="bodyserif1"><a href="#_ednref5" name="_edn5" id="_edn5">5</a> : A late
script draft of <em>National
Treasure</em>, dated
9 April 2003 by Cormac and Marianne Wibberley, includes some intriguing hooks
that were not used in the final film.</p>
<p><a href="#_ednref6" name="_edn6" id="_edn6">6</a> : Quoted in Woody Haut, <em><a href="http://www.amazon.com/gp/product/1852426780?ie=UTF8&tag=thefrofra-20&linkCode=xm2&camp=1789&creativeASIN=1852426780" target="_blank">Heartbreak
and Vine: The Fate of Hardboiled Writers in </a></em><a href="Heartbreak and Vine"><em>Hollywood</em></a> (London:
Serpent’s Tail, 2002), 224.</p>
<p><a href="#_ednref7" name="_edn7" id="_edn7">7</a> : Yann Dedet, quoted in
Roger Crittenden,<em> <a href="http://www.amazon.com/gp/product/0240516842?ie=UTF8&tag=thefrofra-20&linkCode=xm2&camp=1789&creativeASIN=0240516842" target="_blank">Fine
Cuts: The Art of European Film Editing</a></em> (Boston: Focal Press, 2006), 26.</p></td>
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| The Hook: Scene Transitions in Classical Cinema
January 2008
How do movies carry us from scene to scene? The question is simple, but not
many people have explored it. I’m especially interested in how transitions
are managed in mainstream, mass-audience movies, but I’ll have some things
to say about other traditions too.
I’ll also be talking a lot about unity, which can make the whole exercise
seem fairly old-fashioned and Aristotelian. Yet examining how films create internal
patterns reminds us that those patterns are almost always aimed at the audience.
We’re supposed to register those patterns, consciously or not, and they
prompt us to react in particular ways. As so often, when we talk about form we’re
actually talking about the psychology of spectators.
**A movie’s architecture**
If we want to know how mainstream movies take us from scene to scene, I suggest
we start by acknowledging three different levels of architecture.
First, we can consider our film as having large-scale
parts. Call this **macrostructure**—the
way those biggish parts fit together.
We might treat *reel lengths* as
the salient parts, as silent filmmakers and Hong Kong filmmakers sometimes did.
More recently, we’re urged to think
of the large-scale parts as *acts*, either three in the current Hollywood
advice books or four, as Kristin Thompson and I have suggested. But these more
or less material divisions tally up with phases of the story action. So, for
example, the traditional conception of three-act structure depends on the main
characters choosing goals, being blocked in achieving them, and at the climax
decisively achieving them or not.
In *National Treasure* (2004), Benjamin
Gates is searching for the treasure of the Knights Templar. He’s kept from
achieving this goal by conflicts, obstacles, and delays. In the film’s
first part, he and his assistant Riley learn that directions to the treasure
are inscribed on the back of the US Declaration of Independence. But Ben’s
former backer Ian is also on the trail of the map, so our heroes acquire another
goal: to protect the Declaration. At the turning point of the first part, Ben
decides that the only way to achieve his goals is to steal the Declaration. In
the second part, Ben and Riley make off with the document, picking up archivist
Abigail along the way. The third part consists of following the trail of clues
laid out in the coded message, as our three are pursued by Ian’s gang and
by the FBI. The film’s fourth part constitutes
a climax. The trail leads to Manhattan, where Ian takes our heroes hostage and
they plunge into a lair underneath a church. The treasure is discovered, Ian
is defeated, and in an epilogue the protagonists are rewarded.
For more on macrostructure, see the essay, “[Anatomy
of the Action Picture](http://www.davidbordwell.net/essays/anatomy.php)” elsewhere
on this site.
At a lower level, we can think of the film as having midsize
parts, usually called *scenes* or *sequences*.
These parts, usually 30 to 50 in a modern feature, are tied together in particular
ways. Typically the scenes develop and connect through short-term chains of cause
and effect. Characters formulate specific plans, react to changing circumstances,
gain or lose allies, make appointments, act under deadlines, and otherwise take
specific steps toward or away from their goals. Part of the screenwriter’s
craft is to find ways to fit the short-term actions into the overarching movement
toward resolution.
In *National Treasure*, for example, the first large-scale part consists
of concrete actions that flow naturally out of the goals. To find the treasure,
Ben and Riley and their opponents need the map. The map is on the Declaration
of Independence. Ian will try to steal it, so Ben tries to alert the FBI, but
he’s considered a crank. He tries to get permission to look at the Declaration,
but that effort fails too. So he is obliged to protect it from Ian by stealing
it himself. This cascade of choices, actions, and reactions flows logically out
of his double goals: to find the treasure and to protect the Declaration.
This second level of structure isn’t quite as linear
as I’ve made
it out, since well-constructed plots interweave various elements from earlier
scenes into the development of later scenes. Appointments and deadlines illustrate
this strategy. So does a causal chain that’s left unresolved in one scene.
Kristin and I have called this device the *dangling cause*, and it is
very common in Hollywood dramaturgy. For example, in *National Treasure*,
when calling on Abigail to seek permission to examine the Declaration, Ben notices
a folder advertising an archive reception. Several scenes later we learn that
that reception will be the occasion on which Ben and Riley pull off their heist.
Because of this weaving of causes and effects, we might best call this midlevel
architecture the level of **plot coherence**: each scene is designed
to advance the action but also to develop or tie off lines of activity set off
earlier.
A third, still finer-grained level of organization is what
I’ll
call **microstructure**.
This is the tangible, moment-by-moment texture, conceived as a pattern of images
and sounds. For example, within a scene, we often find patterns of cutting—an
establishing shot, reverse angles, close-ups, and so on—meshed with the developing
dialogue. The audiovisual patterning carries the story along bit by bit, and
these bits we take in and assemble into larger patterns of intelligibility, such
as *Ben and Riley fail to persuade Abigail to let them study the Declaration*.
Likewise, in action sequences, cutting, composition, point of view, sound-image
interaction, and the like carry the discrete developments of the action, which
we intuitively pull into a larger unit, such as *Ben, Riley, and Abigail escape
Ian and keep custody of the Declaration*.
Global macrostructure, midlevel
plot coherence, and audiovisual texture or microstructure: we can study a film’s
narrative at any of these levels. Usually we hop back and forth among them, searching
for patterns that yield significant effects on the viewer’s experience.
I’ll try to convince you that transitions
play an important role in those patterns.
**Meet the Hook**
Most scene transitions facilitate the first and second
levels of unity. In many films, a fade-out marks the end a discrete “act.” At
the midrange level of coherence, the end of one scene and the beginning of another
will often be marked in a conventional way, by a disjunctive cut or a burst of
music. Usually, however, the immediate blow-by-blow action of scene A and its
audiovisual texture aren’t linked directly to that of Scene B.
Take an example from *National Treasure*. Kicked out by the FBI, Riley
says that they have no one to turn to, but Ben says that they need someone who’s “passionate.”
Cut to the exterior of the National Archives building, then a close-up of
the flyer for the gala that will be so important in the second part.
After several more shots, Ben and Riley are ushered in to meet Abigail.
The first part of the scene has left the causal line of the men’s search dangling
in order to wedge in the motif of the reception brochure. Now their hunt for
a helper resumes.
But suppose things were presented differently. Suppose that after Ben says they
need someone passionate, we cut directly to the close-up of Abigail on the phone.
That would be an example of the sort of transition that most interests me in
this essay: The hook.
In our book *The Classical Hollywood Cinema*, we
called it that, and nowadays some screenwriters use the term too.[endnote1](#_edn1) Here
the audiovisual texture links a specific causal element the end of one scene
to that at the very start of the next. The second, in a concrete way, completes
the element we see or hear at the end of the first scene.
At a later point in *National Treasure*, driving away from the scene of
their robbery, Ben mentions the clues in “those letters.” “What
letters?” asks Abigail, over a shot of the van. Cut to an extreme long
shot of the van parked, Ben pacing outside it. Abigail is saying, “You
have the original Constance Dogood letters.”
Scene A ends with a question; scene B opens with the answer.
This is a common way a hook is used, though we’ll see that principles of
continuity or contrast can work as well.
But first, let’s map the possibilities. Confining ourselves for the moment
to sound cinema, we can ask: What can hook to what? There are four simple possibilities.
**1.)** **A sound can hook to another sound.** Typically,
a line of dialogue at the end of scene A links directly to a line at the start
of scene B. That’s what happens in the Constance Dogood instance. Here’s
another example from *National Treasure*. Riley is insisting that the
Declaration is impossible to steal. On the steps of the Lincoln Memorial, he
says, “Let me prove it to you.” Cut to the dome of the Library of
Congress.
At the visual level, this might seem not to be a tight
link; isn’t it
like the exterior shot of the National Archives in the default example? What
creates the hook is the second shot’s use of Riley’s voice, which
says that he has brought Ben to the Library of Congress to convince him to “listen
to Riley.” This is the proof he proffered in his final line of the previous
scene.
So this first type of hook is easy to test for. Just ask: Would it work on radio?
**2.) A sound can hook to an image.** Usually
the sound is a line of dialogue. In *CHC*, we called this a “dialogue
hook.” Lewis
Herman, in his indispensable book on screenwriting, calls it a “dialogue
transition.”[endnote2](#_edn2)
This is the most common sort of hook in *National Treasure*, and it provides
some clever transitions. When Ben and Abigail are trying to bring out the cipher
on the back of the Declaration, they squeeze on lemon juice and blow fervently
on the paper. The image clarifies.
Ben: “We need more juice.” Abigail: “We
need more heat.”
Cut to a bowl of lemons, then to a drawer opening to reveal a hair dryer.
Ben and Abigail proceed to coax the code out of the paper.
This is a double dialogue hook, “juice” answered by the lemons
and “heat” answered by the dryer. The double entendre adds a nice
twist, for the scene captures the erotic energy—juice and heat—Ben
and Abigail share in making a historical discovery.
**3.)** **An image can hook to an image.** This
is rarer than the first two types, but the first hook in *National Treasure* illustrates
the possibility. In the prologue, as a boy Ben learns of the Templars’ treasure
from his grandfather. Grandpa Gates asks him to take on the duty of protecting
the treasure and the family name. “I so swear.” The young Ben raises
his head as the music starts to rise as well.
Cut to Ben, now a man, raising his head as he and Ian drive across the arctic
wastes to find the buried ship, the *Charlotte*.
The match-on-action across years is driven home by a rhythmic shift in the
score and a new, urgent brass theme.
The image-based hook is somewhat more common in the 1920s and 1930s, I think.
Ozu uses it a lot, and here is an example from Fritz Lang’s *You Only
Live Once* (1937). We dissolve from a cluster of parcels in an office to
the same parcels, now opened at home.
Lang, as we’ll see below, is one of the early masters
of the hook.
**4.) An image can hook to a sound.** This seems to be the rarest
sort of audiovisual transition, and pure examples are hard to find. Imagine a
shot of a commander signing an order for a prisoner to be shot by a firing squad.
Cut to darkness and the sound of a fusillade; fade up to show the prisoner lying
dead against the wall.
I don’t find an instance in *National Treasure*, but Kristin suggests
one example from *Groundhog Day*. Phil the weatherman has already been
through one day’s repetition of events. He tests whether tomorrow will
be the same by breaking a pencil and putting the pieces on his bedside table.
He lies there propped up and watching the digital clock face. He evidently intends
to stay up all night to see what happens around six o’clock.
Cut to an extreme close-up of the clock face changing to
6:00 and the tune, “I’ve
Got You Babe.” Cut to Phil, who has fallen asleep, snapping bolt upright.
Although the shot of the clock indicates a new scene, the
basic logic of the transition moves us from an image posing a question to a crucial
sound that answers the question. After all, 6:00 AM comes every day, but “I’ve Got You
Babe” doesn’t, thankfully. Director Harold Ramis could just as easily
have cut to a black frame and simply let us hear the tune, and we’d know
that Phil’s fears are now confirmed. Interestingly, we don’t see
the pencil at first; it’s the sound that tells us that the day is repeated,
and the restored pencil confirms it.
**Playing games and finding functions**
This catalogue is merely a first effort to pick out the possibilities. But we
need to recognize that the hook need not be literal or on the nose. It can be
ironic or nugatory, metaphorical or misleading. We find a deflationary negative
hook in one episode of *The Simpsons*. Homer: “I predict that this
is the last we’ll be hearing about prohibition.” Cut to enraged women
chanting: “We want prohibition!”
*National Treasure* creates a playful narration
by means of some misleading hooks. Riley is parked outside the National Archives,
checking on some video installations he’s made that will monitor Ben’s theft. When he finds
they work, he says, “Game on.”
Cut to a digital readout counting down from 3 to *End*.
A timer in his equipment? Nope; a microwave oven in which Ben is preparing
lasagna before he settles down to studying plans.
What we took as a continuity cut within a scene was a hook
between scenes. A similar effect arises in a transition from *Donnie Brasco*,
pointed out by Jeff Smith. Lefty is headed out of his apartment, knowing he’ll
be killed. Cut to a black frame.
Over the black frame we hear a gunshot. Cut to a target
on a shooting range, then to Donnie firing.
It’s a rare case of an image/sound hook, but it’s
made ambiguous by the two ways we can take the pistol shot. The sound of the
shot indicates Lefty’s death, although it is retrospectively linked to
the firing range (it sounds the same as the other rounds Donnie fires). Metaphorically,
of course, it underscores the fact that Donnie is responsible for Lefty’s
death.
And hooks can be combined and embedded. We’ve already seen one instance
in *National Treasure*, the double hook on juice and heat. Here’s
another from the same movie. Sadusky, the FBI officer, is questioning Ben’s
father and assures him, “Don’t worry, Mr. Gates. We’ll find
your car—and your son.”
Cut to the Cadillac hood ornament, and tilt up to show Ben driving.
The two dialogue elements, car and son, have been linked
to the visual ones, and in that order. With the redundancy characteristic of
Hollywood, Riley, dozing in the back seat, murmurs, “Your dad’s got
a sweet ride.”
We’ll consider some other complicated cases later, but we should have enough
examples to begin to ask about functions. What purposes are fulfilled by the
hook? Why should we have the hook at all?
Lang, who used sound/sound hooks extensively in *M* (1931),
explained two reasons behind his choice. First, breaking off a line and completing
it with another in the next scene “not only accelerates the tempo of the
film but also strengthens the dramaturgically necessary association of thoughts
between two successive scenes.”[endnote3](#_edn3)
So we gain pacing, an impression of rapid narration, as if there were no time
wasted on establishing shots and other padding. We also gain emphasis: the core
motifs of a scene can be brought directly to the viewer’s
attention. In many cases, however, this second condition isn’t met; in
many of the *National Treasure* examples, the hooking elements are peripheral
to the scene (the lasagna, the Cadillac).
An implication of Lang’s point
is that hooks create a more overt narration. They address the audience more or
less directly, letting us put the scenes together without benefit of character
exposition. This sort of direct address can work in classical films because the
beginnings and endings of scenes are typically the most overt portions. (Some
theorists have claimed that Hollywood storytelling is “transparent,” but
this quality actually fluctuates across the film and across individual scenes.)
This overt narration can build up a sense of cleverness or resourcefulness or
sophistication.
In some of the more complex cases, the hook also functions
as useful disorientation. It provides a bump, asking us to be alert and find
a fresh way to fit together what was just said or shown.
One of the most interesting
functions of the hook is that the strong audiovisual cohesion it yields can give
the impression of a tightly unified film. This could be valuable in the case
of a movie that lacked plot coherence or a balanced macrostructure. That is,
clever hooks can mask a weakly plotted movie. You might argue that the strong
local connections among scenes in *National Treasure* distract
us from the massive improbabilities of the action.
Most rarely, I think, reliance
on hook-transitions can feed into a larger strategy of narrational manipulation.
The key example would be, again, *You Only Live
Once*. I must speak generally so as not to spoil the film if you haven’t
seen it. Here the hooks are part of a larger system of ellipses between scenes.
At first those ellipses don’t conceal important story information, but
at a crucial point they do. Lang trains us to see the hooks as innocent, if flamboyant,
gestures, but in fact they lull us into trusting this narration, which brutally
betrays us.
**The hook in history**
Where, finally, did
the hook come from?
We can find it in literature, although exact analogies
are complicated. Certainly hooks are common in today’s popular fiction; I append
some examples at the end of this essay. But did the device originate in the nineteenth-century
novel? I leave that for literary researchers to determine.
In cinema, it’s clearly a device of classical filmmaking. It flourished
in the 1930s, not only in *You Only Live Once* but in *Penthouse* (1933)
and *The Case of the Lucky Legs* (1935; discussed in *The Classical
Hollywood Cinema*). It can be seen in Hitchcock’s *The Man Who Knew
Too Much* (1934) as well, and of course Welles makes much of hook tactics
in what he called the “lightning mixes” of *Citizen Kane* (1941).
How far back can we trace it? Noël Burch argues that
Lang in effect invents the hook in *Dr. Mabuse der Spieler* (1922), especially
in the way that intertitles work with the images that precede and follow them.[endnote4](#_edn4) When
the police inspector von Wenk speculates that all the mysterious men might be
the same person, we cut to Mabuse in his laboratory; the shot confirms von Wenk’s
hypothesis.
But we ought to note that the “hooking” transitions
in *Mabuse* tend
to occur not between scenes but between two crosscut threads of a single long
sequence. Silent films were typically built out of long sequences, often crosscut
ones that trace parallel lines of action. When talkies came in, sequences grew
shorter and more numerous, and crosscutting was chiefly assigned to situations
of suspense.
In any case, before *Mabuse*, other films were using
the sort of hooks that Lang did. For instance, in *The Penalty* (1920),
the cops discuss Blizzard, the gangster played by Lon Chaney, and the dialogue
hooks are aligned with shots identifying him.
Other examples can be found in *The Whispering Chorus* (1919)
and *A
Delicious Little Devil* (1919). Granted, these passages are not quite as
crisp and curt as Lang’s juxtapositions, but they might be considered intermediate
steps toward what Lang would do. In the *Penalty* passage, it isn’t
difficult to see that you could cut straight from the dialogue title to a close
shot of Blizzard interrogating his minion. Changes in stylistic history can arise
from tightening up a schema, making it less redundant.
Lang applied the tighter
version to *M*, and it’s likely that that
film was influential in popularizing these practices for Hollywood in the 1930s.
Filmmakers of the sound era started to take audiovisual texture very seriously,
and as scenes became shorter, cohesion tactics became more valuable. Hooks are
today written into the script, even if they aren’t used or are replaced
by different ones.[endnote5](#_edn5) A
remark of Elmore Leonard’s about writing screenplays confirms the importance
of transitions in modern cinema. “I like to add scenes, but then when it
comes to the transitions you’re in big trouble. You can’t just stick
a scene in because you feel like it.”[endnote6](#_edn6)
**Revising the schema**
Because the hook is a classical device, we might be inclined to expect that other
traditions don’t make use of it. This belief isn’t wholly wrong.
Maurice Pialat asked a would-be editor: “Do you like films in which the
guy says, ‘Let’s go to the sea,’ and the next scene is on the
seashore?”[endnote7](#_edn7)
It isn’t hard to find films outside the mainstream
that deny us such hooks. A notable example is Michael Haneke’s *71 Fragments
of a Chronology of Chance* (1994), in which each scene is separated off from
the others by black leader and silence, refusing the forward tug of the action.
But more interestingly, we find that “art movies” use hooks too.
Bresson does it in an effort to be laconic. At the beginning of *Au hasard
Balthazar* (1966), Marie’s
father refuses to buy the donkey, but in the next shot we see him leading it
off. Hooks can also be comic, as in Tsai Ming-liang’s *What Time Is
It There?* (2001). What we get is a process not of simple refusal but of
borrowing and transformation, schema and revision. A lot of art cinema takes
Hollywood devices and repurposes them.
This isn’t to say that classically constructed films don’t revise
their inherited devices too. This can sometimes occur in those virtuoso moments
so beloved of contemporary Hollywood. One last time, consider *National Treasure*.
Ben, Riley, and Abigail are in a mall shop when they realize
the import of a clue issuing from the Declaration. It steers them to the clock
tower on Independence Hall, which is represented on the hundred-dollar bill.
Ben realizes that the clock and the time indicated on it point to the next clue
in the hunt. But today, they believe, the appointed hour has passed. But Riley
reminds them that daylight savings time began after the revolutionary period,
so as per the clue’s dictates, they have an extra hour today. The couple rush
off and call out the name of the man who first suggested daylight savings time: “Benjamin
Franklin!” Cut
to Ian, offering a hundred-dollar bill to the little boy who had helped Riley
crack the clue leading to Independence Hall.
In a movie that relies so heavily
on hooks, this transition intertwines them in felicitous ways. The mall scene
ends with Ben and Abigail calling out Franklin’s name. This is an oblique sound/
image hook to the second shot in the following scene, when a reverse angle picks
up the bill and Franklin’s portrait on it.
It’s not irrelevant that our hero’s full name is Benjamin
Franklin Gates.
Even more subtly, earlier in the first scene, Ben’s optical
point-of-view shot underscored the clock motif as he began to understand the
clue. (The framing of Ben and the bill will be mirrored by a reverse shot of
Ian, his adversary.)
The clock motif is picked up in the initial shot of the
following scene, as the little boy examines the bill.
But Ian is blind to the significance of the
clock that is literally staring him in the face. He will soon have to resort
to the duffer historian’s tool, a Yahoo! search.
As a storytelling device, the
hook affects both narrative design and stylistic patterning. Studying it helps
us grasp some basic mechanics of classical storytelling. Just as important, these
devices display tacit knowledge and decisions on the part of filmmakers, who
adapt traditions to the needs at hand. And filmmakers’ tacit
knowledge corresponds to that of audiences, the skills you and I exercise unawares.
We can follow the corrugations of sound/ image organization because we know about
the world outside cinema, we know how conventions reshape that world, and we’re
alert for narrative and audiovisual organization. Analyzing how movies are put
together helps us understand how we experience them.
**Appendix: The hook in literary texts**
**George Pelecanos, *[The Night Gardener](http://www.amazon.com/gp/product/0446619213?ie=UTF8&tag=thefrofra-20&linkCode=xm2&camp=1789&creativeASIN=0446619213)*** (New
York: Little, Brown, 2006). Scene change within Chapter
Twenty-Five, p. 231:
“Let’s
get a beer or something,” said Holiday.
“Drop
me at my car,” said Ramone.
“C’mon,
Ramone. How often do we see each other? Right?”
“I’ll
have a beer,” said Cook.
Ramone looked
over the bench at Cook. He seemed small, leaning against the door in the front
seat of the car.
“Okay,” said
Ramone. “One beer.”
Ramone
was finishing his third beer as Holiday returned from the bar with three more
and some shots of something on a tray.
**Elmore Leonard, *[Unknown Man #89](http://www.amazon.com/gp/product/0060082216?ie=UTF8&tag=thefrofra-20&linkCode=xm2&camp=1789&creativeASIN=0060082216)*** (New
York: Harper, 2002).End of Chapter 12, p. 144:
Ryan saw the
manager. The manager said he had just talked to the police. Who was this girl,
anyway? What’d she do? She certainly hadn’t worked for Uncle Ben.
Maybe
not, but for some reason she had used the address. She was around, somewhere.
That
was on a Monday.
Chapter 13[p. 145]:
Wednesday
afternoon, Ryan was sitting in a bar on Saginaw Street in Pontiac.
**Ian Rankin, *[The Naming of the Dead](http://www.amazon.com/gp/product/0316057576?ie=UTF8&tag=thefrofra-20&linkCode=xm2&camp=1789&creativeASIN=0316057576)*** (New
York: Little, Brown, 2007). Scene change within Chapter 3, p. 62:
Rebus finished the call, decided to check for messages. There was only the one.
Steelforth’s voice had gotten just a dozen words out before Rebus cut it
off. The unfinished threat echoed in his head as he crossed to the stereo and
filled the room with the Groundhogs.
*Don’t
ever try to outsmart me, Rebus, or I’ll…*
“…break
most of the major bones,” Professor Gates was saying.
He gave a shrug. “Fall like that, what else can you expect?”
[1](#_ednref1) : Karl
Iglesias, “8 Ways to Hook the Reader,” *[Creative Screenwriting](http://www.amazon.com/gp/product/B00006KAL1?ie=UTF8&tag=thefrofra-20&linkCode=xm2&camp=1789&creativeASIN=B00006KAL1)* 13,
4 (2006), 48–49.
[2](#_ednref2) : Lewis
Herman, [*A Practical Manual of Screen Playwriting for Theater and
Television Films*](http://www.amazon.com/gp/product/B00199R478?ie=UTF8&tag=thefrofra-20&linkCode=xm2&camp=1789&creativeASIN=B00199R478) (New York: New American Library, 1974; orig. 1952), 134–152.
[3](#_ednref3) : “Fritz
Lang on M: An Interview,” Criterion DVD
booklet for *M* (1998), trans. from Gero Gandert interview in *Fritz
Lang: M-Protokoll* (Hamburg: Marion von Schroeder, 1963).
[4](#_ednref4) : Burch
discusses these matters in several places. See “Fritz
Lang: German Period,” *[In
and Out of Synch](http://www.amazon.com/gp/product/0859678679?ie=UTF8&tag=thefrofra-20&linkCode=xm2&camp=1789&creativeASIN=0859678679): The awakening of a Ciné-Dreamer* (Aldershot,
England: Scolar, 1991), 3–31; “Notes on Fritz Lang’s first *Mabuse*,” *In
and Out of Synch*, 205–227; and “De ‘Mabuse’ à ‘M’:
Le travail de Fritz Lang,” in *Cinéma: Théories, lectures*,
ed. Dominique Noguez (Paris: Klincksieck, 1973), 227–248.
[5](#_ednref5) : A late
script draft of *National
Treasure*, dated
9 April 2003 by Cormac and Marianne Wibberley, includes some intriguing hooks
that were not used in the final film.
[6](#_ednref6) : Quoted in Woody Haut, *[Heartbreak
and Vine: The Fate of Hardboiled Writers in](http://www.amazon.com/gp/product/1852426780?ie=UTF8&tag=thefrofra-20&linkCode=xm2&camp=1789&creativeASIN=1852426780)* [*Hollywood*](Heartbreak and Vine) (London:
Serpent’s Tail, 2002), 224.
[7](#_ednref7) : Yann Dedet, quoted in
Roger Crittenden, *[Fine
Cuts: The Art of European Film Editing](http://www.amazon.com/gp/product/0240516842?ie=UTF8&tag=thefrofra-20&linkCode=xm2&camp=1789&creativeASIN=0240516842)* (Boston: Focal Press, 2006), 26. | |
| | |
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NAME="AEN11"
></A
>Lars Wirzenius</H3
><DIV
CLASS="AFFILIATION"
><DIV
CLASS="ADDRESS"
><P
CLASS="ADDRESS"
> <TT
CLASS="EMAIL"
><<A
HREF="mailto:Email address removed by request"
>Email address removed by request</A
>></TT
><br>
</P
></DIV
></DIV
><H3
CLASS="AUTHOR"
><A
NAME="AEN17"
></A
>Joanna Oja</H3
><DIV
CLASS="AFFILIATION"
><DIV
CLASS="ADDRESS"
><P
CLASS="ADDRESS"
> <TT
CLASS="EMAIL"
><<A
HREF="mailto:Current email address unknown"
>Current email address unknown</A
>></TT
><br>
</P
></DIV
></DIV
><H3
CLASS="AUTHOR"
><A
NAME="AEN23"
></A
>Stephen Stafford</H3
><DIV
CLASS="AFFILIATION"
><DIV
CLASS="ADDRESS"
><P
CLASS="ADDRESS"
> <TT
CLASS="EMAIL"
><<A
HREF="mailto:[email protected]"
>[email protected]</A
>></TT
><br>
</P
></DIV
></DIV
><H3
CLASS="AUTHOR"
><A
NAME="AEN29"
></A
>Alex Weeks</H3
><DIV
CLASS="AFFILIATION"
><DIV
CLASS="ADDRESS"
><P
CLASS="ADDRESS"
> <TT
CLASS="EMAIL"
><<A
HREF="mailto:[email protected]"
>[email protected]</A
>></TT
><br>
</P
></DIV
></DIV
><DIV
><DIV
CLASS="ABSTRACT"
><A
NAME="AEN35"
></A
><P
></P
><P
>An introduction to system administration of a
Linux system for novices.</P
><P
></P
></DIV
></DIV
><A
HREF="LEGAL-NOTICE.html"
>Legal Notice</A
><HR></DIV
><DIV
CLASS="TOC"
><DL
><DT
><B
>Table of Contents</B
></DT
><DT
><A
HREF="preface.html"
>About This Book</A
></DT
><DD
><DL
><DT
>1. <A
HREF="acknowledgements.html"
>Acknowledgments</A
></DT
><DT
>2. <A
HREF="revision-hist.html"
>Revision History</A
></DT
><DT
>3. <A
HREF="available-versions.html"
>Source and pre-formatted versions available</A
></DT
><DT
>4. <A
HREF="typo-conventions.html"
>Typographical Conventions</A
></DT
></DL
></DD
><DT
>1. <A
HREF="intro.html"
>Introduction</A
></DT
><DD
><DL
><DT
>1.1. <A
HREF="gnu-or-not.html"
>Linux or GNU/Linux, that is the question.</A
></DT
><DT
>1.2. <A
HREF="x186.html"
>Trademarks</A
></DT
></DL
></DD
><DT
>2. <A
HREF="overview.html"
>Overview of a Linux System</A
></DT
><DD
><DL
><DT
>2.1. <A
HREF="various-parts.html"
>Various parts of an operating system</A
></DT
><DT
>2.2. <A
HREF="kernel-parts.html"
>Important parts of the kernel</A
></DT
><DT
>2.3. <A
HREF="major-services.html"
>Major services in a UNIX system</A
></DT
></DL
></DD
><DT
>3. <A
HREF="dir-tree-overview.html"
>Overview of the Directory Tree</A
></DT
><DD
><DL
><DT
>3.1. <A
HREF="fs-background.html"
>Background</A
></DT
><DT
>3.2. <A
HREF="root-fs.html"
>The root filesystem</A
></DT
><DT
>3.3. <A
HREF="etc-fs.html"
>The <TT
CLASS="FILENAME"
>/etc</TT
> directory</A
></DT
><DT
>3.4. <A
HREF="dev-fs.html"
>The <TT
CLASS="FILENAME"
>/dev</TT
> directory</A
></DT
><DT
>3.5. <A
HREF="usr-fs.html"
>The <TT
CLASS="FILENAME"
>/usr</TT
> filesystem.</A
></DT
><DT
>3.6. <A
HREF="var-fs.html"
>The <TT
CLASS="FILENAME"
>/var</TT
> filesystem</A
></DT
><DT
>3.7. <A
HREF="proc-fs.html"
>The <TT
CLASS="FILENAME"
>/proc</TT
> filesystem</A
></DT
></DL
></DD
><DT
>4. <A
HREF="device-list.html"
>Hardware, Devices, and Tools</A
></DT
><DD
><DL
><DT
>4.1. <A
HREF="hwutils.html"
>Hardware Utilities</A
></DT
><DT
>4.2. <A
HREF="x1926.html"
>Kernel Modules</A
></DT
></DL
></DD
><DT
>5. <A
HREF="disk-usage.html"
>Using Disks and Other Storage Media</A
></DT
><DD
><DL
><DT
>5.1. <A
HREF="block-char-dev.html"
>Two kinds of devices</A
></DT
><DT
>5.2. <A
HREF="hard-disk.html"
>Hard disks</A
></DT
><DT
>5.3. <A
HREF="san.html"
>Storage Area Networks - Draft</A
></DT
><DT
>5.4. <A
HREF="net-attached.html"
>Network Attached Storage - Draft</A
></DT
><DT
>5.5. <A
HREF="floppies.html"
>Floppies</A
></DT
><DT
>5.6. <A
HREF="cdrom.html"
>CD-ROMs</A
></DT
><DT
>5.7. <A
HREF="tapes.html"
>Tapes</A
></DT
><DT
>5.8. <A
HREF="formatting.html"
>Formatting</A
></DT
><DT
>5.9. <A
HREF="partitions.html"
>Partitions</A
></DT
><DT
>5.10. <A
HREF="filesystems.html"
>Filesystems</A
></DT
><DT
>5.11. <A
HREF="disk-no-fs.html"
>Disks without filesystems</A
></DT
><DT
>5.12. <A
HREF="alloc-disk.html"
>Allocating disk space</A
></DT
></DL
></DD
><DT
>6. <A
HREF="memory-management.html"
>Memory Management</A
></DT
><DD
><DL
><DT
>6.1. <A
HREF="vm-intro.html"
>What is virtual memory?</A
></DT
><DT
>6.2. <A
HREF="swap-space.html"
>Creating a swap space</A
></DT
><DT
>6.3. <A
HREF="using-swap.html"
>Using a swap space</A
></DT
><DT
>6.4. <A
HREF="sharing-swap.html"
>Sharing swap spaces with other operating systems</A
></DT
><DT
>6.5. <A
HREF="swap-allocation.html"
>Allocating swap space</A
></DT
><DT
>6.6. <A
HREF="buffer-cache.html"
>The buffer cache</A
></DT
></DL
></DD
><DT
>7. <A
HREF="system-monitoring.html"
>System Monitoring</A
></DT
><DD
><DL
><DT
>7.1. <A
HREF="system-resources.html"
>System Resources</A
></DT
><DT
>7.2. <A
HREF="fs-usage.html"
>Filesystem Usage</A
></DT
><DT
>7.3. <A
HREF="monitoring-users.html"
>Monitoring Users</A
></DT
></DL
></DD
><DT
>8. <A
HREF="boots-and-shutdowns.html"
>Boots And Shutdowns</A
></DT
><DD
><DL
><DT
>8.1. <A
HREF="boot-overview.html"
>An overview of boots and shutdowns</A
></DT
><DT
>8.2. <A
HREF="boot-process.html"
>The boot process in closer look</A
></DT
><DT
>8.3. <A
HREF="shutdown.html"
>More about shutdowns</A
></DT
><DT
>8.4. <A
HREF="rebooting.html"
>Rebooting</A
></DT
><DT
>8.5. <A
HREF="single-user.html"
>Single user mode</A
></DT
><DT
>8.6. <A
HREF="emerg-boot-floppy.html"
>Emergency boot floppies</A
></DT
></DL
></DD
><DT
>9. <A
HREF="init-intro.html"
><B
CLASS="COMMAND"
>init</B
></A
></DT
><DD
><DL
><DT
>9.1. <A
HREF="init-process.html"
><B
CLASS="COMMAND"
>init</B
> comes first</A
></DT
><DT
>9.2. <A
HREF="config-init.html"
>Configuring <B
CLASS="COMMAND"
>init</B
> to start
<B
CLASS="COMMAND"
>getty</B
>: the
<TT
CLASS="FILENAME"
>/etc/inittab</TT
> file</A
></DT
><DT
>9.3. <A
HREF="run-levels-intro.html"
>Run levels</A
></DT
><DT
>9.4. <A
HREF="inittab.html"
>Special configuration in
<TT
CLASS="FILENAME"
>/etc/inittab</TT
></A
></DT
><DT
>9.5. <A
HREF="boot-single-user.html"
>Booting in single user mode</A
></DT
></DL
></DD
><DT
>10. <A
HREF="log-in-and-out.html"
>Logging In And Out</A
></DT
><DD
><DL
><DT
>10.1. <A
HREF="login-via-terminal.html"
>Logins via terminals</A
></DT
><DT
>10.2. <A
HREF="login-via-network.html"
>Logins via the network</A
></DT
><DT
>10.3. <A
HREF="what-login-does.html"
>What <B
CLASS="COMMAND"
>login</B
> does</A
></DT
><DT
>10.4. <A
HREF="x-xdm.html"
>X and xdm</A
></DT
><DT
>10.5. <A
HREF="access-control.html"
>Access control</A
></DT
><DT
>10.6. <A
HREF="shell-startup.html"
>Shell startup</A
></DT
></DL
></DD
><DT
>11. <A
HREF="managing-users.html"
>Managing user accounts</A
></DT
><DD
><DL
><DT
>11.1. <A
HREF="account.html"
>What's an account?</A
></DT
><DT
>11.2. <A
HREF="adduser.html"
>Creating a user</A
></DT
><DT
>11.3. <A
HREF="user-properties.html"
>Changing user properties</A
></DT
><DT
>11.4. <A
HREF="deluser.html"
>Removing a user</A
></DT
><DT
>11.5. <A
HREF="disable-user.html"
>Disabling a user temporarily</A
></DT
></DL
></DD
><DT
>12. <A
HREF="backups-intro.html"
>Backups</A
></DT
><DD
><DL
><DT
>12.1. <A
HREF="backups.html"
>On the importance of being backed up</A
></DT
><DT
>12.2. <A
HREF="backup-media.html"
>Selecting the backup medium</A
></DT
><DT
>12.3. <A
HREF="backup-tools.html"
>Selecting the backup tool</A
></DT
><DT
>12.4. <A
HREF="simple-backups.html"
>Simple backups</A
></DT
><DT
>12.5. <A
HREF="multi-level-backups.html"
>Multilevel backups</A
></DT
><DT
>12.6. <A
HREF="what-to-backup.html"
>What to back up</A
></DT
><DT
>12.7. <A
HREF="compressed-backups.html"
>Compressed backups</A
></DT
></DL
></DD
><DT
>13. <A
HREF="task-automation.html"
>Task Automation --To Be Added</A
></DT
><DT
>14. <A
HREF="keeping-time.html"
>Keeping Time</A
></DT
><DD
><DL
><DT
>14.1. <A
HREF="localtime.html"
>The concept of localtime</A
></DT
><DT
>14.2. <A
HREF="hw-sw-clocks.html"
>The hardware and software clocks</A
></DT
><DT
>14.3. <A
HREF="showing-setting-time.html"
>Showing and setting time</A
></DT
><DT
>14.4. <A
HREF="clock-wrong.html"
>When the clock is wrong</A
></DT
><DT
>14.5. <A
HREF="ntp.html"
>NTP - Network Time Protocol</A
></DT
><DT
>14.6. <A
HREF="basic-ntp-config.html"
>Basic NTP configuration</A
></DT
><DT
>14.7. <A
HREF="ntp-toolkit.html"
>NTP Toolkit</A
></DT
><DT
>14.8. <A
HREF="ntp-servers.html"
>Some known NTP servers</A
></DT
><DT
>14.9. <A
HREF="ntp-links.html"
>NTP Links</A
></DT
></DL
></DD
><DT
>15. <A
HREF="system-logs.html"
>System Logs --To Be Added</A
></DT
><DT
>16. <A
HREF="system-updates.html"
>System Updates --To Be Added</A
></DT
><DT
>17. <A
HREF="kernel.html"
>The Linux Kernel Source</A
></DT
><DT
>18. <A
HREF="finding-help.html"
>Finding Help</A
></DT
><DD
><DL
><DT
>18.1. <A
HREF="newsgroups-mailling-lists.html"
>Newsgroups and Mailing Lists</A
></DT
><DT
>18.2. <A
HREF="irc.html"
>IRC</A
></DT
></DL
></DD
><DT
>A. <A
HREF="gfdl1.2.html"
>GNU Free Documentation License</A
></DT
><DD
><DL
><DT
>A.1. <A
HREF="gfdl-0.html"
>PREAMBLE</A
></DT
><DT
>A.2. <A
HREF="gfdl-1.html"
>APPLICABILITY AND DEFINITIONS</A
></DT
><DT
>A.3. <A
HREF="gfdl-2.html"
>VERBATIM COPYING</A
></DT
><DT
>A.4. <A
HREF="gfdl-3.html"
>COPYING IN QUANTITY</A
></DT
><DT
>A.5. <A
HREF="gfdl-4.html"
>MODIFICATIONS</A
></DT
><DT
>A.6. <A
HREF="gfdl-5.html"
>COMBINING DOCUMENTS</A
></DT
><DT
>A.7. <A
HREF="gfdl-6.html"
>COLLECTIONS OF DOCUMENTS</A
></DT
><DT
>A.8. <A
HREF="gfdl-7.html"
>AGGREGATION WITH INDEPENDENT WORKS</A
></DT
><DT
>A.9. <A
HREF="gfdl-8.html"
>TRANSLATION</A
></DT
><DT
>A.10. <A
HREF="gfdl-9.html"
>TERMINATION</A
></DT
><DT
>A.11. <A
HREF="gfdl-10.html"
>FUTURE REVISIONS OF THIS LICENSE</A
></DT
><DT
>A.12. <A
HREF="gfdl-addendum.html"
>ADDENDUM: How to use this License for
your documents</A
></DT
></DL
></DD
><DT
><A
HREF="glossary.html"
>Glossary (DRAFT, but not for long hopefully)</A
></DT
><DT
><A
HREF="bookindex.html"
>Index-Draft</A
></DT
></DL
></DIV
><DIV
CLASS="LOT"
><DL
CLASS="LOT"
><DT
><B
>List of Tables</B
></DT
><DT
>5-1. <A
HREF="filesystems.html#AEN2790"
>Comparing Filesystem Features</A
></DT
><DT
>5-2. <A
HREF="filesystems.html#AEN2949"
>Sizes</A
></DT
><DT
>5-3. <A
HREF="alloc-disk.html#AEN3270"
>My Partitions</A
></DT
><DT
>9-1. <A
HREF="run-levels-intro.html#RUN-LEVELS-TABLE"
>Run level numbers</A
></DT
><DT
>12-1. <A
HREF="multi-level-backups.html#EFFICIENT-BACKUP-LEVELS"
>Efficient backup scheme using many backup levels</A
></DT
></DL
></DIV
><DIV
CLASS="LOT"
><DL
CLASS="LOT"
><DT
><B
>List of Figures</B
></DT
><DT
>2-1. <A
HREF="kernel-parts.html#KERNELOVERVIEW"
>Some of the more important parts of the Linux kernel</A
></DT
><DT
>3-1. <A
HREF="fs-background.html#FSTREE"
>Parts of a Unix
directory tree. Dashed lines indicate partition
limits.</A
></DT
><DT
>5-1. <A
HREF="hard-disk.html#HD-SCHEMATIC"
>A schematic picture of a hard disk.</A
></DT
><DT
>5-2. <A
HREF="partitions.html#HARD-DISK-LAYOUT"
>A sample hard disk partitioning.</A
></DT
><DT
>5-3. <A
HREF="filesystems.html#HD-MOUNT-ROOT"
>Three separate filesystems.</A
></DT
><DT
>5-4. <A
HREF="filesystems.html#HD-MOUNT-ALL"
><TT
CLASS="FILENAME"
>/home</TT
> and <TT
CLASS="FILENAME"
>/usr</TT
>
have been
mounted.</A
></DT
><DT
>10-1. <A
HREF="login-via-terminal.html#TERMINAL-LOGINS-TABLE"
>Logins via terminals: the interaction of
<B
CLASS="COMMAND"
>init</B
>,
<B
CLASS="COMMAND"
>getty</B
>, <B
CLASS="COMMAND"
>login</B
>, and the
shell.</A
></DT
><DT
>12-1. <A
HREF="multi-level-backups.html#BACKUP-HISTORY-TIMELINE"
>A sample multilevel backup schedule.</A
></DT
></DL
></DIV
></DIV
><DIV
CLASS="NAVFOOTER"
><HR
ALIGN="LEFT"
WIDTH="100%"><TABLE
SUMMARY="Footer navigation table"
WIDTH="100%"
BORDER="0"
CELLPADDING="0"
CELLSPACING="0"
><TR
><TD
WIDTH="33%"
ALIGN="left"
VALIGN="top"
> </TD
><TD
WIDTH="34%"
ALIGN="center"
VALIGN="top"
> </TD
><TD
WIDTH="33%"
ALIGN="right"
VALIGN="top"
><A
HREF="preface.html"
ACCESSKEY="N"
>Next</A
></TD
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><TR
><TD
WIDTH="33%"
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> </TD
><TD
WIDTH="34%"
ALIGN="center"
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>About This Book</TD
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> |
The Linux System Administrator's Guide# The Linux System Administrator's Guide
## Version 0.9
### Lars Wirzenius
<[Email address removed by request](mailto:Email address removed by request)>
### Joanna Oja
<[Current email address unknown](mailto:Current email address unknown)>
### Stephen Stafford
<[[email protected]](mailto:[email protected])>
### Alex Weeks
<[[email protected]](mailto:[email protected])>
An introduction to system administration of a
Linux system for novices.
[Legal Notice](LEGAL-NOTICE.html)
---
**Table of Contents**[About This Book](preface.html)1. [Acknowledgments](acknowledgements.html)2. [Revision History](revision-hist.html)3. [Source and pre-formatted versions available](available-versions.html)4. [Typographical Conventions](typo-conventions.html)1. [Introduction](intro.html)1.1. [Linux or GNU/Linux, that is the question.](gnu-or-not.html)1.2. [Trademarks](x186.html)2. [Overview of a Linux System](overview.html)2.1. [Various parts of an operating system](various-parts.html)2.2. [Important parts of the kernel](kernel-parts.html)2.3. [Major services in a UNIX system](major-services.html)3. [Overview of the Directory Tree](dir-tree-overview.html)3.1. [Background](fs-background.html)3.2. [The root filesystem](root-fs.html)3.3. [The /etc directory](etc-fs.html)3.4. [The /dev directory](dev-fs.html)3.5. [The /usr filesystem.](usr-fs.html)3.6. [The /var filesystem](var-fs.html)3.7. [The /proc filesystem](proc-fs.html)4. [Hardware, Devices, and Tools](device-list.html)4.1. [Hardware Utilities](hwutils.html)4.2. [Kernel Modules](x1926.html)5. [Using Disks and Other Storage Media](disk-usage.html)5.1. [Two kinds of devices](block-char-dev.html)5.2. [Hard disks](hard-disk.html)5.3. [Storage Area Networks - Draft](san.html)5.4. [Network Attached Storage - Draft](net-attached.html)5.5. [Floppies](floppies.html)5.6. [CD-ROMs](cdrom.html)5.7. [Tapes](tapes.html)5.8. [Formatting](formatting.html)5.9. [Partitions](partitions.html)5.10. [Filesystems](filesystems.html)5.11. [Disks without filesystems](disk-no-fs.html)5.12. [Allocating disk space](alloc-disk.html)6. [Memory Management](memory-management.html)6.1. [What is virtual memory?](vm-intro.html)6.2. [Creating a swap space](swap-space.html)6.3. [Using a swap space](using-swap.html)6.4. [Sharing swap spaces with other operating systems](sharing-swap.html)6.5. [Allocating swap space](swap-allocation.html)6.6. [The buffer cache](buffer-cache.html)7. [System Monitoring](system-monitoring.html)7.1. [System Resources](system-resources.html)7.2. [Filesystem Usage](fs-usage.html)7.3. [Monitoring Users](monitoring-users.html)8. [Boots And Shutdowns](boots-and-shutdowns.html)8.1. [An overview of boots and shutdowns](boot-overview.html)8.2. [The boot process in closer look](boot-process.html)8.3. [More about shutdowns](shutdown.html)8.4. [Rebooting](rebooting.html)8.5. [Single user mode](single-user.html)8.6. [Emergency boot floppies](emerg-boot-floppy.html)9. [**init**](init-intro.html)9.1. [**init** comes first](init-process.html)9.2. [Configuring **init** to start
**getty**: the
/etc/inittab file](config-init.html)9.3. [Run levels](run-levels-intro.html)9.4. [Special configuration in
/etc/inittab](inittab.html)9.5. [Booting in single user mode](boot-single-user.html)10. [Logging In And Out](log-in-and-out.html)10.1. [Logins via terminals](login-via-terminal.html)10.2. [Logins via the network](login-via-network.html)10.3. [What **login** does](what-login-does.html)10.4. [X and xdm](x-xdm.html)10.5. [Access control](access-control.html)10.6. [Shell startup](shell-startup.html)11. [Managing user accounts](managing-users.html)11.1. [What's an account?](account.html)11.2. [Creating a user](adduser.html)11.3. [Changing user properties](user-properties.html)11.4. [Removing a user](deluser.html)11.5. [Disabling a user temporarily](disable-user.html)12. [Backups](backups-intro.html)12.1. [On the importance of being backed up](backups.html)12.2. [Selecting the backup medium](backup-media.html)12.3. [Selecting the backup tool](backup-tools.html)12.4. [Simple backups](simple-backups.html)12.5. [Multilevel backups](multi-level-backups.html)12.6. [What to back up](what-to-backup.html)12.7. [Compressed backups](compressed-backups.html)13. [Task Automation --To Be Added](task-automation.html)14. [Keeping Time](keeping-time.html)14.1. [The concept of localtime](localtime.html)14.2. [The hardware and software clocks](hw-sw-clocks.html)14.3. [Showing and setting time](showing-setting-time.html)14.4. [When the clock is wrong](clock-wrong.html)14.5. [NTP - Network Time Protocol](ntp.html)14.6. [Basic NTP configuration](basic-ntp-config.html)14.7. [NTP Toolkit](ntp-toolkit.html)14.8. [Some known NTP servers](ntp-servers.html)14.9. [NTP Links](ntp-links.html)15. [System Logs --To Be Added](system-logs.html)16. [System Updates --To Be Added](system-updates.html)17. [The Linux Kernel Source](kernel.html)18. [Finding Help](finding-help.html)18.1. [Newsgroups and Mailing Lists](newsgroups-mailling-lists.html)18.2. [IRC](irc.html)A. [GNU Free Documentation License](gfdl1.2.html)A.1. [PREAMBLE](gfdl-0.html)A.2. [APPLICABILITY AND DEFINITIONS](gfdl-1.html)A.3. [VERBATIM COPYING](gfdl-2.html)A.4. [COPYING IN QUANTITY](gfdl-3.html)A.5. [MODIFICATIONS](gfdl-4.html)A.6. [COMBINING DOCUMENTS](gfdl-5.html)A.7. [COLLECTIONS OF DOCUMENTS](gfdl-6.html)A.8. [AGGREGATION WITH INDEPENDENT WORKS](gfdl-7.html)A.9. [TRANSLATION](gfdl-8.html)A.10. [TERMINATION](gfdl-9.html)A.11. [FUTURE REVISIONS OF THIS LICENSE](gfdl-10.html)A.12. [ADDENDUM: How to use this License for
your documents](gfdl-addendum.html)[Glossary (DRAFT, but not for long hopefully)](glossary.html)[Index-Draft](bookindex.html)**List of Tables**5-1. [Comparing Filesystem Features](filesystems.html#AEN2790)5-2. [Sizes](filesystems.html#AEN2949)5-3. [My Partitions](alloc-disk.html#AEN3270)9-1. [Run level numbers](run-levels-intro.html#RUN-LEVELS-TABLE)12-1. [Efficient backup scheme using many backup levels](multi-level-backups.html#EFFICIENT-BACKUP-LEVELS)**List of Figures**2-1. [Some of the more important parts of the Linux kernel](kernel-parts.html#KERNELOVERVIEW)3-1. [Parts of a Unix
directory tree. Dashed lines indicate partition
limits.](fs-background.html#FSTREE)5-1. [A schematic picture of a hard disk.](hard-disk.html#HD-SCHEMATIC)5-2. [A sample hard disk partitioning.](partitions.html#HARD-DISK-LAYOUT)5-3. [Three separate filesystems.](filesystems.html#HD-MOUNT-ROOT)5-4. [/home and /usr
have been
mounted.](filesystems.html#HD-MOUNT-ALL)10-1. [Logins via terminals: the interaction of
**init**,
**getty**, **login**, and the
shell.](login-via-terminal.html#TERMINAL-LOGINS-TABLE)12-1. [A sample multilevel backup schedule.](multi-level-backups.html#BACKUP-HISTORY-TIMELINE)
---
| | | |
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<a href="articles/why/why_indeed.html"><font size="-6" face="Times">Why Indeed</font></a></center>
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<font size="-2" face="Times"><a href="articles/BBE/BilliardBalls.html">Billiard Balls</a></font></center>
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<td align=CENTER valign=middle height="20" bgcolor="#ebffeb"><font size="-6" face="Times"><a href="StarWarsBeam1.html">DEW1</a><br>
Bathtub</font></td>
<td align=CENTER valign=middle height="20" bgcolor="#ebffeb"><font size="-6" face="Times"><a href="StarWarsBeam2.html">DEW 2</a><br>
Energy</font></td>
<td align=CENTER valign=middle height="20" bgcolor="#ebffeb">
<center>
<font size="-6" face="Times"><a href="StarWarsBeam3.html">DEW 3</a><br>
Dustification</font></center>
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<td align=CENTER valign=middle height="20" bgcolor="#EBFFEB"><font size="-6" face="Times"><a href="StarWarsBeam4.html">DEW 4</a><br>
Holes</font></td>
<td align=CENTER valign=middle height="20" bgcolor="#EBFFEB"><font size="-6" face="Times"><a href="StarWarsBeam5.html">DEW 5</a><br>
Toasted Cars</font></td>
<td align=CENTER valign=middle height="20" bgcolor="#EBFFEB"><font size="-6" face="Times"><a href="StarWarsBeam6.html">DEW 6</a><br>
other</font></td>
<td align=CENTER valign=middle height="20" bgcolor="#ebffeb"><font size="-6" face="Times"><a href="StarWarsBeam7.html">DEW 7</a><br>
conclusions</font></td>
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<td align=CENTER valign=middle bgcolor="#ebffeb" height="20"><font size="-6" face="Times"><a href="StarWarsAppendix1.html"><i>Appendix_1</i></a></font></td>
<td align=CENTER valign=middle height="20" bgcolor="#EBFFEB"><font size="-6" face="Times"><a href="StarWarsAppendix2.html"><i>Appendix_2</i></a></font></td>
<td align=CENTER valign=middle height="20" bgcolor="#EBFFEB"><font size="-6" face="Times"><a href="StarWarsAppendix3.html"><i>Appendix_3</i></a></font></td>
<td align=CENTER valign=middle bgcolor="#7dffff" height="20"><font size="-6" face="Times"><a href="StarWarsBeam5.html"></a><a href="moretoastedcars.html"><i>More Toasted Cars</i></a></font></td>
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<div align="center">
<div align="center">
<br>
<font size="+2" color="blue" face="Times"><b>The Star Wars Beam Weapons</b></font><br>
and<br>
<font size="+2"><b><font color="blue" face="Times">Star Wars Directed-Energy Weapons (DEW)</font></b><br>
</font><font size="-1"><i><b>(A focus of the Star Wars Program)</b></i></font><br>
<br>
<font face="Times">by</font><br>
<font face="Times"><b>Dr. Judy Wood and Dr. Morgan Reynolds</b></font><br>
(originally posted: October 17, 2006)<br>
<br>
<font size="+2"><b><font color="blue" face="Times">Page 5a: More Toasted Cars</font></b></font><br>
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<font color="black"><b>At the time this article was being developed, many people expressed disbelief that energy weapons existed outside of science fiction until they were reminded of the Star Wars Program, also known as the Strategic Defense Initiative (SDI)*. The name of this article was chosen as a reminder that energy weapons do exist and have been developed over 100 years. Most of this technology is classified information. It can also be assumed that such technology exists in multiple countries. The purpose of this article was to begin to identify the evidence of what happened on 9/11/01 that must be accounted for. In doing so, the evidence ruled out a Kinetic Energy Device (bombs, missiles, etc.) as the method of destruction as well as a gravity-driven "collapse."</b></font><br>
<br>
*<font color="black">SDI was created by U.S. President Ronald Reagan on March 23, 1983.<sup>1</sup> It is thought that SDI may have been first dubbed "Star Wars" by opponent Dr. Carol Rosin, a consultant and former spokeswoman for Wernher von Braun. However, Missile Defense Agency (MDA) historians attribute the term to a Washington Post article published March 24, 1983, the day after the Star Wars speech, which quoted Democratic Senator Ted Kennedy describing the proposal as "reckless Star Wars schemes."<sup>2 </sup>Before it was named the "Star Wars Program (SDI) in 1983, it was the Advanced Space Programs Development.<sup>3</sup></font><font size="-1" color="black"> </font><font size="-1"><br>
</font></div>
<div align="right">
<font size="-1"><i>12/12/10 -- Dr. Judy Wood</i></font></div>
</td>
</tr>
<tr>
<td><font size="-2"><sup>1</sup>Strategic Defense Initiative, <a href="http://en.wikipedia.org/wiki/Strategic_Defense_Initiative" target="_blank">Wikipedia</a>,<br>
<sup>2</sup>Sharon Watkins Lang. SMDC/ASTRAT Historical Office. <a href="http://www.smdc.army.mil/2008/Historical/Eagle/WheredowegetStarWars.pdf" target="_blank">"Where Do We Get Star Wars?"</a><i>, The Eagle</i>. March 2007.<br>
<sup>3</sup> <a href="http://en.wikipedia.org/wiki/Robert_M._Bowman" target="_blank">Robert M. Bowman</a>, former Director of Advanced Space Programs Development for the U.S. Air Force in the Ford and Carter administrations.</font></td>
</tr>
</table>
[Note: References and Sources will be posted and figure numbers will be corrected (in sequential order) when this paper is finished .]<br>
<br>
<font face="Times New Roman,Georgia,Times">This page last updated, January 30, 2007</font><br>
(Click on pictures to enlarge.)<br>
</div>
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<table border="1" cellspacing="2" cellpadding="0">
<tr>
<td>
<p><font size="-1" color="red">Jump to <a href="#bus">bus</a></font><font size="-1"> (Figure 5(a))</font></p>
<p><font size="-1" color="red">Jump to <a href="#van">van</a></font><font size="-1"> (Figure 6(a)) </font></p>
<p><font size="-1" color="red">Jump to <a href="#policecar">policecar</a></font><font size="-1"> (Figure 7(a)) </font></p>
<p><font size="-1" color="red">Jump to <a href="#leg">leg</a></font><font size="-1"> (Figure 8(a)) </font></p>
<p><font size="-1" color="red">Jump to <a href="#swamp">swamp</a></font><font size="-1"> (Figure 9(a))</font></p>
</td>
<td width="400"><b><font color="#FF0000"><font size="+1" face="Times New Roman,Georgia,Times">Audio:</font></font></b>
<p><font face="Times New Roman,Georgia,Times"><b><font size="-1" color="#FF0000">29 November 2006</font><font size="-1">, </font></b>Judy Wood narrates these pages web pages on<br>
"The Dynamic Duo" with Jim Fetzer, </font><font face="Times New Roman,Georgia,Times">Genesis Communications Network, <a href="http://www.gcnlive.com/listenlive.htm" target="_blank">gcnlive.com</a>, </font><font size="-1" face="Times New Roman,Georgia,Times"><a href="http://www.gcnlive.com/pgmmain.htm" target="_blank">archive</a> </font><font size="-1">(<a href="../../media/0611291.mp3" onclick="CSAction(new Array(/*CMP*/'C2BB248B49'));return CSClickReturn();" target="_self" csclick="C2BB248B49">mp3</a>-1)(<a href="../../media/0611292.mp3" onclick="CSAction(new Array(/*CMP*/'C2BB248B51'));return CSClickReturn();" target="_self" csclick="C2BB248B51">mp3</a>-2) (<a href="../../media/061129_Fetzer-Wood.mp3">mp3</a>)</font><font size="-1" face="Times New Roman,Georgia,Times">.<br>
</font><font face="Times New Roman,Georgia,Times"><br>
<b><font size="-1" color="#FF0000">6 December 2006</font><font size="-1">, </font></b>Morgan Reynolds discusses these pages on<br>
"The Dynamic Duo" with Jim Fetzer, Genesis Communications Network, <a href="http://www.gcnlive.com/listenlive.htm" target="_blank">gcnlive.com</a>, </font><font size="-1" face="Times New Roman,Georgia,Times"><a onclick="CSAction(new Array(/*CMP*/'C2BB248B53'));return CSClickReturn();" href="http://www.gcnlive.com/pgmmain.htm" target="display" csclick="C2BB248B53">archive</a>, </font><font size="-1">(<a href="http://www.checktheevidence.com/audio/911/Morgan%20Reynolds%20%26%20Jim%20Fetzer%20-%20Dynamic%20Duo%20-%20WTC%20Destruction%20-%2006%20Dec%202006.mp3">mp3</a>)(<a href="../../media/061206_JFetzer_MReynolds.mp3" target="_self">mp3</a>)</font><br>
<br>
<br>
<font color="red">Return to the <a href="StarWarsBeam5.html">Toasted Car</a>s page of the BeamWeapon series.</font><br>
Link to <a href="http://janedoe0911.tripod.com/PrisonPlanet.html">Even More Toasted Cars</a></p>
</td>
</tr>
</table>
<p></p>
</div>
<p>These pictures are taken along the street that goes between the postal building and WTC7, and are about a block north of WTC7, before WTC7 "faints."</p>
<P><font color="#dc143c" face="Times New Roman,Georgia,Times"><b>From <a href="http://news.webshots.com/album/21933776OvxgUrSdqh">album</a> WTC Pictures by member cuoffrd</b></font><font color="#483d8b" face="Times New Roman,Georgia,Times"><br>
</font></P>
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<table width="72" border="1" cellspacing="2" cellpadding="0">
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<div align="center">
<a href="dewpics/Image12swamp.jpg" target="_blank"><IMG SRC="dewpics/Image12swamp.jpg" WIDTH=350 HEIGHT=261 border="0"></a></div>
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<div align="center">
<a href="dewpics/Image41map.gif" target="_blank"><IMG SRC="dewpics/Image41map.gif" WIDTH=192 HEIGHT=186 border="0"></a></div>
</td>
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<tr>
<td><font face="Times New Roman,Georgia,Times"><b>Figure 1(a).</b> Looking up at the smoke<br>
</font></td>
<td><font face="Times New Roman,Georgia,Times"><b>Figure 1(b). </b></font></td>
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<tr>
<td><i><font size="-1"><a href="http://image03.webshots.com/3/3/38/7/21933807MFVZRpJTRk_ph.jpg">Source</a> <a href="http://news.webshots.com/photo/1021933807031661047MFVZRpJTRk">website</a></font></i></td>
<td></td>
</tr>
</table>
<br>
<table width="72" border="1" cellspacing="2" cellpadding="2">
<tr>
<td>
<div align="center">
<a href="dewpics/Image13swamp.jpg" target="_blank"><img src="dewpics/Image13swamp.jpg" width=350 height=261 border="0"></a></div>
</td>
<td>
<div align="center">
<a href="dewpics/Image42map.gif" target="_blank"><img src="dewpics/Image42map.gif" width=214 height=207 border="0"></a></div>
</td>
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<td><font face="Times New Roman,Georgia,Times"><b>Figure 2(a). </b> rubble w FDNY bkgrnd<br>Why is there a hole in the street, here? Referring to Figure 3(a), below, it appears they were doing work here. However, that is a rather large hole to leave unattended with nearly no attempt to keep vehicles and pedestrians from falling in. The few boards that are there would provide very little protection. So, it is likely that this hole was being worked on the morning of 9/11/01, otherwise it would have had more protection. There appears to be very little debris on top of the boards while there the "dust" is rather deep in that area. So, perhaps they were knocked down after the majority of the debris had fallen.</font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 2(b). </b></font></td>
</tr>
<tr>
<td><i><font size="-1"><a href="http://image03.webshots.com/3/3/38/71/21933871OthepRDQbu_ph.jpg">Source</a>, <a href="http://news.webshots.com/photo/1021933871031661047OthepRDQbu">website</a></font></i></td>
<td></td>
</tr>
</table>
<br>
<table width="72" border="1" cellspacing="2" cellpadding="2">
<tr>
<td>
<div align="center">
<a href="dewpics/Image14swamp.jpg" target="_blank"><img src="dewpics/Image14swamp.jpg" width=350 height=261 border="0"></a></div>
</td>
<td>
<div align="center">
<a href="dewpics/Image68map.gif" target="_blank"><img src="dewpics/Image68map.gif" width=162 height=156 border="0"></a></div>
</td>
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<td><font face="Times New Roman,Georgia,Times"><b>Figure 3(a).</b> small fire<br>
</font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 3(b).</b> </font></td>
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<tr>
<td><a href="http://image03.webshots.com/3/3/39/30/21933930CekOMsGxIB_ph.jpg"><font size="-1"><i>Source</i></font></a></td>
<td></td>
</tr>
</table>
<br>
</div>
<FONT FACE="Arial" SIZE=1>
</FONT>
<div align="center">
<table width="72" border="1" cellspacing="2" cellpadding="2">
<tr>
<td>
<div align="center">
<a href="dewpics/Image15swamp.jpg" target="_blank"><IMG SRC="dewpics/Image15swamp.jpg" WIDTH=350 HEIGHT=261 border="0"></a></div>
</td>
<td>
<div align="center">
<a href="dewpics/Image44map.gif" target="_blank"><IMG SRC="dewpics/Image44map.gif" WIDTH=162 HEIGHT=156 border="0"></a></div>
</td>
</tr>
<tr>
<td><font face="Times New Roman,Georgia,Times"><b>Figure 4(a).</b> Barclay St fire<br>
</font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 4(b). </b></font></td>
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<tr>
<td><a href="http://image03.webshots.com/3/3/40/13/21934013vkvinyxiKZ_ph.jpg"><font size="-1"><i>Source</i></font></a></td>
<td></td>
</tr>
</table>
</div>
<div align="left">
<p><a name="bus"></a><font size="+1" face="Times New Roman,Georgia,Times"><b><i><font color="#FF0000">Bus </font></i></b></font><font size="-2" face="Times"><a href="#TOP"><i>Top</i></a></font></p>
</div>
<FONT FACE="Arial" SIZE=1>
</FONT>
<div align="center">
<table width="72" border="1" cellspacing="2" cellpadding="2">
<tr>
<td>
<div align="center">
<a href="dewpics/Image16swamp.jpg" target="_blank"><IMG SRC="dewpics/Image16swamp.jpg" WIDTH=549 HEIGHT=410 border="0"></a></div>
</td>
<td>
<div align="center">
<a href="dewpics/Image45map.gif" target="_blank"><IMG SRC="dewpics/Image45map.gif" WIDTH=162 HEIGHT=156 border="0"></a></div>
</td>
</tr>
<tr>
<td><font face="Times New Roman,Georgia,Times"><b>Figure 5(a).</b> burned out cars and bus<br>
Consistently, they seem to have missing door handles.<br>
And the gas tanks don't appear to explode.</font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 5(b).</b> </font></td>
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<tr>
<td><a href="http://image03.webshots.com/3/3/40/70/21934070XFlNSYUYrp_ph.jpg"><font size="-1"><i>Source</i></font></a></td>
<td></td>
</tr>
</table>
</div>
<div align="left">
<p><a name="van"></a><font size="+1" face="Times New Roman,Georgia,Times"><b><i><font color="#FF0000">Van </font></i></b></font><font size="-2" face="Times"><a href="#TOP"><i>Top</i></a></font></p>
</div>
<FONT FACE="Arial" SIZE=1>
</FONT><FONT FACE="Arial" SIZE=1>
</FONT>
<div align="center">
<table width="72" border="1" cellspacing="2" cellpadding="2">
<tr>
<td>
<div align="center">
<a href="dewpics/Image17swamp.jpg" target="_blank"><IMG SRC="dewpics/Image17swamp.jpg" WIDTH=550 HEIGHT=411 border="0"></a></div>
</td>
<td>
<div align="center">
<a href="dewpics/Image46map.gif" target="_blank"><IMG SRC="dewpics/Image46map.gif" WIDTH=238 HEIGHT=229 border="0"></a></div>
</td>
</tr>
<tr>
<td><font face="Times New Roman,Georgia,Times"><b>Figure 6(a).</b> burned suv and mail truck<br>
</font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 6(b).</b> </font></td>
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<tr>
<td><a href="http://image03.webshots.com/3/3/41/28/21934128ZFFrTnkajW_ph.jpg"><i><font size="-1">Source</font></i></a></td>
<td></td>
</tr>
</table>
</div>
<div align="left">
<p><a name="policecar"></a><font size="+1" face="Times New Roman,Georgia,Times"><b><i><font color="#FF0000">Police Car </font></i></b></font><font size="-2" face="Times"><a href="#TOP"><i>Top</i></a></font></p>
</div>
<FONT FACE="Arial" SIZE=1>
</FONT>
<div align="center">
<table width="72" border="1" cellspacing="2" cellpadding="2">
<tr>
<td>
<div align="center">
<a href="dewpics/Image18swamp.jpg" target="_blank"><IMG SRC="dewpics/Image18swamp.jpg" WIDTH=550 HEIGHT=410 border="0"></a></div>
</td>
<td>
<div align="center">
<a href="dewpics/Image47map.gif" target="_blank"><IMG SRC="dewpics/Image47map.gif" WIDTH=202 HEIGHT=196 border="0"></a></div>
</td>
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<tr>
<td><font face="Times New Roman,Georgia,Times"><b>Figure 7(a).</b> burned NYPD car<br>
Police car I've not seen before.<br>
Why the back end and not the front?</font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 7(b). </b></font></td>
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<td><a href="http://image03.webshots.com/3/3/41/59/21934159QBVXpGOZjb_ph.jpg"><font size="-1"><i>Source</i></font></a></td>
<td></td>
</tr>
</table>
</div>
<div align="left">
<p><a name="leg"></a><font size="+1" face="Times New Roman,Georgia,Times"><b><i><font color="#FF0000">Leg? </font></i></b></font><font size="-2" face="Times"><a href="#TOP"><i>Top</i></a></font></p>
</div>
<FONT FACE="Arial" SIZE=1>
</FONT>
<div align="center">
<table width="72" border="1" cellspacing="2" cellpadding="2">
<tr>
<td>
<div align="center">
<a href="dewpics/Image19swamp.jpg" target="_blank"><IMG SRC="dewpics/Image19swamp.jpg" WIDTH=550 HEIGHT=411 border="0"></a></div>
</td>
<td>
<div align="center">
<a href="dewpics/Image48map.gif" target="_blank"><IMG SRC="dewpics/Image48map.gif" WIDTH=181 HEIGHT=175 border="0"></a></div>
</td>
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<tr>
<td><font face="Times New Roman,Georgia,Times"><b>Figure 8(a).</b> burned cars bus trucks and fire<br>
WTC7 looks REALLY good here! (It's the building on the right, a block away from where the camera person is standing.) It looks like those could be body parts on the sidewalk (arm or leg?). I believe this is after WTC1 goes poof, but am not sure. I have pictures from the next block up, next to WTC7, and it didn't look nearly as bad as this! So, I'm thinking that this part of the street got toasted when they did WTC1 and the other one (posted on </font><FONT COLOR="#0000ff" face="Times New Roman,Georgia,Times"><a href="http://janedoe0911.tripod.com/StarWarsBeam5.html">http://janedoe0911.tripod.com/StarWarsBeam5.html</a></FONT><font face="Times New Roman,Georgia,Times">) was after WTC2 and before WTC1.</font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 8(b). </b></font></td>
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<tr>
<td><a href="http://image03.webshots.com/3/3/42/18/21934218NQChpEAhHb_ph.jpg"><i><font size="-1">Source</font></i></a></td>
<td></td>
</tr>
</table>
</div>
<div align="left">
<p><a name="swamp"></a><font size="+1" face="Times New Roman,Georgia,Times"><b><i><font color="#FF0000">Swamp </font></i></b></font><font size="-2" face="Times"><a href="#TOP"><i>Top</i></a></font></p>
</div>
<FONT FACE="Mishawaka" SIZE=1>
</FONT>
<div align="center">
<table width="72" border="1" cellspacing="2" cellpadding="2">
<tr>
<td>
<div align="center">
<a onclick="CSAction(new Array(/*CMP*/'C1DDE04321'));return CSClickReturn();" href="dewpics/Image20swamp.jpg" target="_blank" csclick="C1DDE04321"><img src="dewpics/Image20swamp.jpg" width=550 height=411 border="0"></a></div>
</td>
<td>
<div align="center">
<a href="dewpics/Image49map.gif" target="_blank"><img src="dewpics/Image49map.gif" width=205 height=199 border="0"></a></div>
</td>
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<tr>
<td><font face="Times New Roman,Georgia,Times"><b>Figure 9(a).</b> block with fire at end<br>
I think this is just before they did WTC7. Notice how empty the streets are, while they are flooded with water and lots of fire hoses. Obviously the water lines weren't busted! The traffic light in the distance appears to still have power. </font><font size="-1" face="Times New Roman,Georgia,Times"><i>(9/11/01)</i></font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 9(b). </b></font></td>
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<td><a href="http://image03.webshots.com/3/3/42/60/21934260YgQzEznyWJ_ph.jpg"><font size="-1"><i>Source</i></font></a></td>
<td></td>
</tr>
</table>
<br>
<table border cellspacing=1 cellpadding=5 width=548>
<tr>
<td valign="TOP">
<div align="center">
<a onclick="CSAction(new Array(/*CMP*/'C1F7A3E931'));return CSClickReturn();" href="dewpics/080swamp.jpg" target="_blank" csclick="C1F7A3E931"><img src="dewpics/080swamp.jpg" width=512 height=337 border="0"></a></div>
</td>
<td valign="TOP">
<div align="center">
<a href="dewpics/081swamp.jpg" target="_blank"><img src="dewpics/081swamp.jpg" width=512 height=338 border="0"></a></div>
</td>
</tr>
<tr>
<td valign="TOP"><b>Figure 9(c).</b> WTC7, looking south, down W. Broadway.<br>
<i><font size="-1"><a href="http://www.infowarsmedia.com/images/sept11/sept_11.zip">Source</a></font><font size="-1" face="Times">, 080.JPG, (entered 9/18/01)</font></i><font face="Times"> </font><br>
<font size="-1" face="Times"><i>(picture probably taken 9/12/01 or the morning of 9/13/01, but no later than 9/13/01)</i></font></td>
<td valign="TOP"><b>Figure 9(d).</b> WTC7, looking south, down W. Broadway.<br>
<i><font size="-1"><a href="http://www.infowarsmedia.com/images/sept11/sept_11.zip">Source</a></font><font size="-1" face="Times">, 081.JPG, (entered 9/18/01)</font></i><font face="Times"> </font><br>
<font size="-1" face="Times"><i>(picture probably taken 9/12/01 or the morning of 9/13/01, but no later than 9/13/01)</i></font></td>
</tr>
</table>
<br>
<table border cellspacing=1 cellpadding=5 width=548>
<tr>
<td valign="TOP"></td>
</tr>
<tr>
<td valign="TOP">
<div align="center"><object type="application/x-shockwave-flash" width="450" height="370" wmode="transparent" data="http://www.liveleak.com/player.swf?autostart=false&token=1c9_1184090191"><param name="movie" value="http://www.liveleak.com/player.swf?autostart=false&token=1c9_1184090191"><param name="wmode" value="transparent"><param name="quality" value="high"></object>
</div>
</td>
</tr>
<tr>
<td valign="TOP"><b>Figure 9(d).</b> "This is an interview by Diane Sawyer of a Fireman who witnessed these Melted cars, and he states that where these cars were, there were no Fires around!!!"<br>
I believe his is talking about W. Broadway.<br>
<i><font size="-1"><a href="http://www.liveleak.com/view?i=1c9_1184090191" target="_blank">URL</a></font><font size="-1" face="Times">, (9/11/01)</font></i><font face="Times"> </font></td>
</tr>
</table>
<br>
<br>
<br>
</div>
<FONT FACE="Arial" SIZE=1>
</FONT><FONT FACE="Arial" SIZE=1>
</FONT>
<div align="center">
<table width="72" border="1" cellspacing="2" cellpadding="2">
<tr>
<td rowspan="2">
<div align="center">
<a href="dewpics/Image21swamp.jpg" target="_blank"><IMG SRC="dewpics/Image21swamp.jpg" WIDTH=350 HEIGHT=261 border="0"></a></div>
</td>
<td>
<div align="center">
<a href="dewpics/Image77map.gif" target="_blank"><IMG SRC="dewpics/Image77map.gif" WIDTH=222 HEIGHT=215 border="0"></a></div>
</td>
</tr>
<tr>
<td><a href="dewpics/ParkPlace.gif" target="_blank"><IMG SRC="dewpics/ParkPlace.gif" WIDTH=221 HEIGHT=221 border="0"></a></td>
</tr>
<tr>
<td><font face="Times New Roman,Georgia,Times"><b>Figure 10(a).</b> paper on street<br>
This is a look east down Park Place.</font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 10(b).</b> Location of Burlington Coat Factory, 45 Park Pl, New York, NY</font></td>
</tr>
<tr>
<td><a href="http://image03.webshots.com/3/3/42/94/21934294ocaAzDdYpn_ph.jpg"><font size="-1"><i>Source</i></font></a></td>
<td></td>
</tr>
</table>
<br>
</div>
<FONT FACE="Arial" SIZE=1>
</FONT><FONT FACE="Arial" SIZE=1>
</FONT>
<div align="center">
<table width="72" border="1" cellspacing="2" cellpadding="2">
<tr>
<td>
<div align="center">
<a href="dewpics/Image22swamp.jpg" target="_blank"><IMG SRC="dewpics/Image22swamp.jpg" WIDTH=351 HEIGHT=261 border="0"></a></div>
</td>
<td>
<div align="center">
<a href="dewpics/Image69map.gif" target="_blank"><IMG SRC="dewpics/Image69map.gif" WIDTH=206 HEIGHT=224 border="0"></a></div>
</td>
</tr>
<tr>
<td><font face="Times New Roman,Georgia,Times"><b>Figure 11(a).</b> fire from afar<br>
</font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 11(b).</b> </font></td>
</tr>
<tr>
<td><a href="http://image03.webshots.com/3/3/43/20/21934320vMRPBXGDJa_ph.jpg"><font size="-1"><i>Source</i></font></a></td>
<td></td>
</tr>
</table>
<br>
<table width="72" border="1" cellspacing="2" cellpadding="2">
<tr>
<td>
<div align="center">
<a href="dewpics/Image23swamp.jpg" target="_blank"><img src="dewpics/Image23swamp.jpg" width=351 height=261 border="0"></a></div>
</td>
<td>
<div align="center">
<a href="dewpics/Image52map.gif" target="_blank"><img src="dewpics/Image52map.gif" width=211 height=204 border="0"></a></div>
</td>
</tr>
<tr>
<td><font face="Times New Roman,Georgia,Times"><b>Figure 12(a).</b> building ablaze<br>
After 2 went poof. Standing on Church street, looking south, with the postal building on hte right and the WTC4 remaining "stub" in the distance.</font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 12(b).</b> </font></td>
</tr>
<tr>
<td><a href="http://image03.webshots.com/3/3/43/48/21934348OcXzRadoVx_ph.jpg"><font size="-1"><i>Source</i></font></a></td>
<td></td>
</tr>
</table>
<br>
</div>
<FONT FACE="Arial" SIZE=1>
</FONT><FONT FACE="Arial" SIZE=1>
</FONT>
<div align="center">
<table width="72" border="1" cellspacing="2" cellpadding="2">
<tr>
<td>
<div align="center">
<a href="dewpics/Image24swamp.jpg" target="_blank"><IMG SRC="dewpics/Image24swamp.jpg" WIDTH=350 HEIGHT=261 border="0"></a></div>
</td>
<td>
<div align="center">
<a href="dewpics/Image53map.gif" target="_blank"><IMG SRC="dewpics/Image53map.gif" WIDTH=213 HEIGHT=207 border="0"></a></div>
</td>
</tr>
<tr>
<td><font face="Times New Roman,Georgia,Times"><b>Figure 13(a).</b> close up building ablaze<br>
</font><font face="Times New Roman,Georgia,Times">Maybe they set WTC5 on fire for a "smokescreen" after the fact?</font><br>
<font face="Times New Roman,Georgia,Times">Why would this building be on fire so viscously and so FAST?</font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 13(b). </b></font></td>
</tr>
<tr>
<td><a href="http://image03.webshots.com/3/3/43/82/21934382toXPVQzVCg_ph.jpg"><i><font size="-1">Source</font></i></a></td>
<td></td>
</tr>
</table>
<br>
</div>
<FONT FACE="Arial" SIZE=1>
</FONT>
<div align="center">
<table width="72" border="1" cellspacing="2" cellpadding="2">
<tr>
<td>
<div align="center">
<a onclick="CSAction(new Array(/*CMP*/'C1E0D8B384'));return CSClickReturn();" href="dewpics/Image25swamp.jpg" target="_blank" csclick="C1E0D8B384"><IMG SRC="dewpics/Image25swamp.jpg" WIDTH=350 HEIGHT=261 border="0"></a></div>
</td>
<td>
<div align="center">
<a href="dewpics/Image54map.gif" target="_blank"><IMG SRC="dewpics/Image54map.gif" WIDTH=226 HEIGHT=212 border="0"></a></div>
</td>
</tr>
<tr>
<td><font face="Times New Roman,Georgia,Times"><b>Figure 14(a).</b> look at bronze statue of man<br>
Is that a statue or is that a human?</font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 14(b). </b></font></td>
</tr>
<tr>
<td><a href="http://image03.webshots.com/3/3/44/16/21934416VIoEHuPtBp_ph.jpg"><i><font size="-1">Source</font></i></a></td>
<td><a onclick="CSAction(new Array(/*CMP*/'C1E27CF04'));return CSClickReturn();" href="http://www.prisonplanet.com/images/august2006/250806statue.jpg" csclick="C1E27CF04"><font size="-1"><i>Source</i></font></a></td>
</tr>
<tr>
<td><a href="http://www.prisonplanet.com/articles/august2006/250806theman.htm">www.prisonplanet.com</a><br>The figure was a bronze statue named "Double Check," created by sculptor J. Seward Johnson, that sat on a park bench near the towers. The discovery of the statue shown below two days after 9/11 was subject of a CNN piece in December 2001. The statue became a shrine to victims of 9/11.</td>
<td><a href="dewpics/250806statue.jpg" target="_blank"><IMG SRC="dewpics/250806statue.jpg" WIDTH=224 HEIGHT=167 border="0"></a></td>
</tr>
</table>
<br>
</div>
<FONT FACE="Arial" SIZE=1>
</FONT><FONT FACE="Arial" SIZE=1>
</FONT><FONT FACE="Arial" SIZE=1>
</FONT>
<div align="center">
<table border="1" cellspacing="2" cellpadding="2">
<tr>
<td>
<div align="center">
<a href="dewpics/Image26swamp.jpg" target="_blank"><IMG SRC="dewpics/Image26swamp.jpg" WIDTH=350 HEIGHT=261 border="0"></a></div>
</td>
<td>
<div align="center">
<a href="dewpics/Image55map.gif" target="_blank"><img src="dewpics/Image55map.gif" width=239 height=215 border="0"></a></div>
</td>
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<tr>
<td><font face="Times New Roman,Georgia,Times"><b>Figure 15(a).</b> flag</font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 15(b). </b></font></td>
</tr>
<tr>
<td><a href="http://image03.webshots.com/3/3/44/47/21934447BkhVeLyaKY_ph.jpg"><font size="-1"><i>Source</i></font></a></td>
<td></td>
</tr>
</table>
<br>
</div>
<FONT FACE="Arial" SIZE=1>
</FONT>
<div align="center">
<table width="72" border="1" cellspacing="2" cellpadding="2">
<tr>
<td>
<div align="center">
<a href="dewpics/Image27swamp.jpg" target="_blank"><IMG SRC="dewpics/Image27swamp.jpg" WIDTH=350 HEIGHT=261 border="0"></a></div>
</td>
<td>
<div align="center">
<a href="dewpics/Image73map.gif" target="_blank"><IMG SRC="dewpics/Image73map.gif" WIDTH=222 HEIGHT=215 border="0"></a></div>
</td>
</tr>
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<td><font face="Times New Roman,Georgia,Times"><b>Figure 16(a).</b> rubble close up</font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 16(b). </b></font></td>
</tr>
<tr>
<td><a href="http://image03.webshots.com/3/3/44/83/21934483LZrMNXUCFr_ph.jpg"><i><font size="-1">Source</font></i></a></td>
<td></td>
</tr>
</table>
<br>
</div>
<FONT FACE="Arial" SIZE=1>
</FONT>
<div align="center">
<table width="72" border="1" cellspacing="2" cellpadding="2">
<tr>
<td>
<div align="center">
<a href="dewpics/Image28swamp.jpg" target="_blank"><IMG SRC="dewpics/Image28swamp.jpg" WIDTH=350 HEIGHT=261 border="0"></a></div>
</td>
<td>
<div align="center">
<a href="dewpics/Image29map.jpg" target="_blank"><IMG SRC="dewpics/Image29map.jpg" WIDTH=221 HEIGHT=215 border="0"></a></div>
</td>
</tr>
<tr>
<td><font face="Times New Roman,Georgia,Times"><b>Figure 17(a).</b> rescue workers</font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 17(b). </b></font></td>
</tr>
<tr>
<td><a href="http://image03.webshots.com/3/3/45/26/21934526azTnbEMAPY_ph.jpg"><i><font size="-1">Source</font></i></a></td>
<td></td>
</tr>
</table>
<br>
</div>
<FONT FACE="Arial" SIZE=1>
</FONT>
<div align="center">
<table width="72" border="1" cellspacing="2" cellpadding="2">
<tr>
<td>
<div align="center">
<a href="dewpics/Image30swamp.jpg" target="_blank"><IMG SRC="dewpics/Image30swamp.jpg" WIDTH=350 HEIGHT=260 border="0"></a></div>
</td>
<td>
<div align="center">
<a href="dewpics/Image74map.gif" target="_blank"><IMG SRC="dewpics/Image74map.gif" WIDTH=222 HEIGHT=215 border="0"></a></div>
</td>
</tr>
<tr>
<td><font face="Times New Roman,Georgia,Times"><b>Figure 18(a).</b> rescue workers at work</font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 18(b).</b> </font></td>
</tr>
<tr>
<td><a href="http://image03.webshots.com/3/3/45/65/21934565BxqoFFGeTn_ph.jpg"><i><font size="-1">Source</font></i></a></td>
<td></td>
</tr>
</table>
<br>
</div>
<FONT FACE="Arial" SIZE=1>
</FONT>
<div align="center">
<table width="72" border="1" cellspacing="2" cellpadding="2">
<tr>
<td>
<div align="center">
<a onclick="CSAction(new Array(/*CMP*/'C1DDE1FD41'));return CSClickReturn();" href="dewpics/Image31swamp.jpg" target="_blank" csclick="C1DDE1FD41"><IMG SRC="dewpics/Image31swamp.jpg" WIDTH=350 HEIGHT=261 border="0"></a></div>
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<td><font face="Times New Roman,Georgia,Times"><b>Figure 19(a).</b> FDNY working</font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 19(b).</b> </font></td>
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<td><a href="http://image03.webshots.com/3/3/46/3/21934603pmywmRnDeR_ph.jpg"><i><font size="-1">Source</font></i></a></td>
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<td align="center" width="48%"><a href="dewpics/firetruck-3.jpg" target="_blank"><font size="+1" face="Times"><img src="dewpics/firetruck-3.jpg" width=304 height=227 border="0"></font></a></td>
<td align="center" width="52%"><a href="dewpics/010911_WTC6_911_1328.jpg" target="_blank"><font size="+1" face="Times"><img src="dewpics/010911_WTC6_911_1328.jpg" width=298 height=222 border="0"></font></a></td>
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<font size="+1" face="Times"><b>Figure firetruck.</b> A badly damaged firetruck. Where did its engine go? The bottom of the tire has turned to goo below a distict horizontal line in the tire. </font><br>
<i><a onclick="CSAction(new Array(/*CMP*/'C1E028FE14'));return CSClickReturn();" href="http://www.worldfiredepartments.com/animations/images/firetruck-3.jpg" csclick="C1E028FE14"><font size="-1">Source</font></a></i>:</div>
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<font size="+1" face="Times"><b>Figure hazmat.</b> A FDMY Hazmat truck in front of WTC6 on West Street</font><font size="+1" face="Times">. The remaining upper part of the truck has been peeled and evaporated in areas. The upper part of the cab is gone and the engine block seems to have disappeared. The photo was taken on 9/11 after WTC1 disappeared but before WTC7 collapsed.</font><br>
<i><font size="-1">(9/11/01) Source:</font></i></div>
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<a href="dewpics/Image165.jpg" target="_blank"><font size="+1" face="Times"><img src="dewpics/Image165.jpg" width=302 height=225 border="0"></font></a></div>
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<a href="dewpics/Image168.jpg" target="_blank"><font size="+1" face="Times"><img src="dewpics/Image168.jpg" width=300 height=199 border="0"></font></a></div>
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<font size="+1" face="Times"><b>Figure 66(e).</b> Why would the front of this fire truck wilt?</font><br>
<i><font size="-1">Source</font></i>:</div>
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<font size="+1" face="Times"><b>Figure 66(h).</b> Is there something attractive about engine blocks? Why not gasoline fuel tanks?</font><br>
<i><font size="-1">Source</font></i>:</div>
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<td width="48%" valign="TOP"><a href="dewpics/Image157.jpg" target="_blank"><font size="+1" face="Times"><img src="dewpics/Image157.jpg" width=309 height=204 border="0"></font></a></td>
<td width="52%" valign="TOP"><a href="dewpics/010912_WFC_911_1392.jpg" target="_blank"><font size="+1" face="Times"><img src="dewpics/010912_WFC_911_1392.jpg" width=300 height=216 border="0"></font></a></td>
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<font size="+1" face="Times"><b>Figure 77.</b> The mail truck parked on the left side of the street looks burnt. Why? (Click on photo for enlarged view.) The building on the left is the USPS Federal Building and on the right is WTC7. WTC5 is on fire at the end of the street. Why? If this area is hot enough for spontaneous combustion, why isn't the paper on fire? The cars on the right side of the street are also toasted. </font><br>
<i><font size="-1">Source</font></i>:</div>
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<font size="+1" face="Times"><b>Figure flip.</b> Why is this car upside down? A burned out SUV with missing windows and toasted front end is parked in front of WFC2 on West Street but will not be moving under its own power.</font><br>
<i><font size="-1">(9/12/01) Source:</font></i></div>
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<a href="dewpics/Image169.jpg" target="_blank"><font size="+1" face="Times"><img src="dewpics/Image169.jpg" width=301 height=199 border="0"></font></a></div>
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<font size="+1" face="Times"><b>Figure 66(g).</b> This fire seems to be very selective. </font><br>
<i><font size="-1">Source</font></i>:</div>
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<font size="+1" face="Times"><b>Figure 66(i). </b>A minivan is consumed by flames. The fire rages inside the vehicle, contained by the remaining windows. The fire appears more intense at the front where the engine is.</font><br>
<i><font size="-1">Source</font></i>:</div>
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<td width="48%" valign="TOP"><a href="dewpics/2431.jpg" target="_blank"><font size="+1" face="Times"><img src="dewpics/2431.jpg" width=302 height=200 border="0"></font></a></td>
<td width="48%" valign="TOP"><a href="dewpics/0624.jpg" target="_blank"><font size="+1" face="Times"><img src="dewpics/0624.jpg" width=301 height=199 border="0"></font></a></td>
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<td width="48%" valign="TOP"><font size="+1" face="Times"><b>Figure onfire1. </b>The tires and even the pavement under the car are on fire. The windows appear to be intact with no visible interior fire. There is line of fire along the trunk lid. The right front fender is deformed and has turned white.</font><br>
<i><a href="http://www.studyof911.com/images/wtc/cars/2431.jpg"><font size="-1">Source</font></a></i></td>
<td width="48%" valign="TOP"><font size="+1" face="Times"><b>Figure onfire2.</b> A fire rages, apparently on Vesey Street, sending up thick black smoke. These may be the vehicles that eyewitness <a onclick="CSAction(new Array(/*CMP*/'C1E029D636'));return CSClickReturn();" href="http://janedoe0911.tripod.com/StarWarsBeam6.html#eyewitness" csclick="C1E029D636">Rebecca O.</a> described as she ran past WTC6 during the destruction of WTC2.</font><br>
<a onclick="CSAction(new Array(/*CMP*/'C19A541D1'));return CSClickReturn();" href="http://i18.photobucket.com/albums/b108/janedoe444/ARG/0624.jpg" csclick="C19A541D1"></a><i><a onclick="CSAction(new Array(/*CMP*/'C1E029D638'));return CSClickReturn();" href="http://www.studyof911.com/images/wtc/cars/0624.jpg" csclick="C1E029D638"><font size="-1">Source</font></a></i></td>
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<font size="+1" face="Times"><b>Figure 66(o).</b> Why doesn't the paper burn?</font><br>
<i><font size="-1">Source</font></i>:</div>
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<font size="+1" face="Times"><b>Figure 66(z).</b> Why is this fire truck burnt? It is missing its front grill, headlights, and related fron end brightwork. Where are the tires?</font><br>
<i><font size="-1">Source</font></i>:</div>
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<td width="48%" valign="TOP"><a href="dewpics/toastedlot_93a1f7e6e7.jpg" target="_blank"><font size="+1" face="Times"><img src="dewpics/toastedlot_93a1f7e6e7.jpg" width=304 height=197 border="0"></font></a></td>
<td width="52%" valign="TOP"><a href="dewpics/Image158.jpg" target="_blank"><font size="+1" face="Times"><img src="dewpics/Image158.jpg" width=293 height=217 border="0"></font></a></td>
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<font size="+1" face="Times"><b>Figure yy.</b> The cars parked in the back suffered extensive damage. The car on the left and on the far right look like they have had their engines eaten. The cars in the foreground experienced less damage, but many windows are missing, however partial and whole windows also remain.</font><br>
<i><font size="-1">(9/12/01) Source:</font></i></div>
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<font size="+1" face="Times"><b>Figure 78.</b> Why is this windshield crumpled up? Curiously, the interior of the car does not appear to contain anything that crashed through the windshield. </font><br>
<i><font size="-1">Source</font></i>:</div>
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<td valign="TOP" colspan=2><font size="+1" face="Times"><b><b>Figure 64</b>. </b>Peculiar wilting of car doors and deformed window surrounds on FDR Drive.</font><br>
<i><font size="-1">Source</font></i>:</td>
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<td colspan="2" valign="TOP"><font size="+1" face="Times"><b><b>Figure 65</b>. </b>Map of lower Manhattan shows the WTC and FDR Drive a half mile or more apart.</font></td>
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<a href="dewpics/Image8.jpg" target="_blank"><img src="dewpics/Image8.jpg" width=300 height=177 border="0"></a></div>
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<font size="+1" face="Times"><a href="dewpics/Image152.jpg" target="_blank"><img src="dewpics/Image152.jpg" width=351 height=226 border="0"></a></font></div>
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<td width="50%" valign="TOP"><font size="+1" face="Times"><b><b>Figure 66.</b></b> Toasted cars in a lot near the WTC.</font><br>
<i><font size="-1">Source</font></i>:</td>
<td width="50%" valign="TOP"><font size="+1" face="Times"><b>Figure 70.</b> What was this thing across the street? Was it a car? Was it a van? What caused that line of burn marks on the hood of the car in the foreground on the right? In the left foreground, the remains of a vehicle sit atop a white sedan. Are we looking at the front or the back end? It looks like the front end and if it is, its engine is missing. We can see daylight through the wheelwell. </font><br>
<i><font size="-1">Source</font></i>:</td>
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<P><b><font color="#dc143c" face="Times New Roman,Georgia,Times">From <a href="http://www.webshots.com/search?query=WTC+Terrorist+Attack+Sep.11%2C+2001-+Album+%231">album</a> WTC Terrorist Attack Sep.11, 2001<a href="http://i18.photobucket.com/albums/b108/janedoe444/ARG/toasted">-</a> Album #1 by member <a href="http://entertainment.webshots.com/album/21202781NhlECsvaBi">magicfan33</a></font></b><font face="Times New Roman,Georgia,Times"><b><font color="#FF0000"><font size=+2> </font></font></b></font><font size="-2" face="Times"><a href="#TOP"><i>Top</i></a></font><b><font color="#dc143c" face="Times New Roman,Georgia,Times"><br>
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<td><font face="Times New Roman,Georgia,Times"><b>Figure 20(a). </b>Burned cars outside the WTC after both towers were destroyed.</font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 20(b).</b> </font></td>
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<td><a href="http://image03.webshots.com/3/0/29/38/21202938XHjEhwsOEZ_ph.jpg"><font size="-1"><i>Source</i></font></a></td>
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<td><font face="Times New Roman,Georgia,Times"><b>Figure 21(a).</b> Burning Wreck of WTC Towers Sep.11, 2001<br>
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Isn’t it interesting that the traffic light is green (not red)? There is a weird irony with that.<br>
So, why wasn’t the power knocked out? Do the traffic lights run on backup batteries?<br>
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There is eyewitness testimony saying the power to WTC2 went off a second or two before WTC2 began to come apart. I believe this is true and that it was done to isolate the WTC Towers from the power grid. Otherwise, they may have knocked out the power grid over a very large (multi-state) area. We can remember when a power surge knocked out the power grid for NYC and much of the northeast. So, I can’t imagine that a total destruction of a WTC tower in 10 seconds would not cause a problem.</font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 21(b).</b> </font></td>
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<td><a href="http://image03.webshots.com/3/0/29/52/21202952egaIBOijoQ_ph.jpg"><i><font size="-1">Source</font></i></a></td>
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<td><font face="Times New Roman,Georgia,Times"><b>Figure 22(a).</b> </font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 22(b).</b> </font></td>
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<td><a href="http://image03.webshots.com/3/0/30/78/21203078PZfGsWdDCQ_ph.jpg"><i><font size="-1">Source</font></i></a></td>
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<td><font face="Times New Roman,Georgia,Times"><b>Figure 23(a).</b> </font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 23(b).</b> </font></td>
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<td><a href="http://image03.webshots.com/3/0/31/87/21203187QcJmrQlnnn_ph.jpg"><i><font size="-1">Source</font></i></a></td>
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<td><font face="Times New Roman,Georgia,Times"><b>Figure 24(a).</b> </font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 24(b).</b> </font></td>
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<td><a href="http://image03.webshots.com/3/0/31/90/21203190EJQYXyWEed_ph.jpg"><i><font size="-1">Source</font></i></a></td>
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<td><font face="Times New Roman,Georgia,Times"><b>Figure 25(a).</b> </font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 25(b).</b> </font></td>
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<td><a href="http://image03.webshots.com/3/0/30/79/21203079yOzjIigZnh_ph.jpg"><i><font size="-1">Source</font></i></a></td>
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<td><font face="Times New Roman,Georgia,Times"><b>Figure 26(a).</b> The building material is turning to dust as it falls!</font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 26(b).</b> </font></td>
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<td><a href="http://image03.webshots.com/3/0/30/80/21203080uEGhIMBNxX_ph.jpg"><i><font size="-1">Source</font></i></a></td>
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<td><font face="Times New Roman,Georgia,Times"><b>Figure 27(a).</b> These appear to be survivors moving to safety, so it is likely this picture was taken shortly after the two towers were "poofed" and before WTC7 dropped. What is the "fog" around their feet? If it were fine dust, it wouldn’t have settled out of the air this quickly. If it were fine dust, it would have gradually settled out of the air, leaving the air clearer and clearer, gradually. Find dust would not move as a well-defined "cloud" and sink together. If it were kicked up by the feet, it would be more localized around the feet — especially on the right.</font></td>
<td valign="top"><font face="Times New Roman,Georgia,Times"><b>Figure 27(b).</b> </font></td>
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<td><a href="http://image03.webshots.com/3/0/63/0/21206300JvCOlxiUSx_ph.jpg"><i><font size="-1">Source</font></i></a></td>
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<td><font face="Times New Roman,Georgia,Times"><b>Figure 28(a).</b> That was not simple dust that hit this guy’s shirt. Whatever it was had direction and didn’t hit the white part of his shirt. It looks like he was sprayed with brown paint while his tie was tucked in. But, why didn't it seep under the tie and wick across the fabric? It seems like it had to be a dry blast (unlike the familiar mud-puddle splash).</font></td>
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<td><a href="http://image03.webshots.com/3/0/28/90/21202890ZKjyEQrhBA_ph.jpg"><i><font size="-1">Source</font></i></a></td>
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Link to <a href="http://janedoe0911.tripod.com/PrisonPlanet.html">PrisonPlanetCollection</a><br>
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Bathtub</font></td>
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Energy</font></td>
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Toasted Cars</font></td>
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other</font></td>
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conclusions</font></td>
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<td align=CENTER valign=middle height="20" bgcolor="#EBFFEB"><font size="-6" face="Times"><a href="StarWarsAppendix2.html"><i>Appendix_2</i></a></font></td>
<td align=CENTER valign=middle height="20" bgcolor="#EBFFEB"><font size="-6" face="Times"><a href="StarWarsAppendix3.html"><i>Appendix_3</i></a></font></td>
<td align=CENTER valign=middle bgcolor="#7dffff" height="20"><font size="-6" face="Times"><a href="StarWarsBeam5.html"></a><a href="moretoastedcars.html"><i>More Toasted Cars</i></a></font></td>
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More Toasted Cars
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| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| [Bottom](#BOTTOM) | **[homepage](/)** |
[Why Indeed](articles/why/why_indeed.html) |
[Billiard Balls](articles/BBE/BilliardBalls.html) |
| | | | | | | |
| --- | --- | --- | --- | --- | --- | --- |
| [DEW1](StarWarsBeam1.html)
Bathtub | [DEW 2](StarWarsBeam2.html)
Energy |
[DEW 3](StarWarsBeam3.html)
Dustification | [DEW 4](StarWarsBeam4.html)
Holes | [DEW 5](StarWarsBeam5.html)
Toasted Cars | [DEW 6](StarWarsBeam6.html)
other | [DEW 7](StarWarsBeam7.html)
conclusions |
|
| | | | |
| --- | --- | --- | --- |
| [*Appendix\_1*](StarWarsAppendix1.html) | [*Appendix\_2*](StarWarsAppendix2.html) | [*Appendix\_3*](StarWarsAppendix3.html) | [*More Toasted Cars*](moretoastedcars.html) |
|
**The Star Wars Beam Weapons**
and
**Star Wars Directed-Energy Weapons (DEW)**
***(A focus of the Star Wars Program)***
by
**Dr. Judy Wood and Dr. Morgan Reynolds**
(originally posted: October 17, 2006)
**Page 5a: More Toasted Cars**
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**At the time this article was being developed, many people expressed disbelief that energy weapons existed outside of science fiction until they were reminded of the Star Wars Program, also known as the Strategic Defense Initiative (SDI)\*. The name of this article was chosen as a reminder that energy weapons do exist and have been developed over 100 years. Most of this technology is classified information. It can also be assumed that such technology exists in multiple countries. The purpose of this article was to begin to identify the evidence of what happened on 9/11/01 that must be accounted for. In doing so, the evidence ruled out a Kinetic Energy Device (bombs, missiles, etc.) as the method of destruction as well as a gravity-driven "collapse."**
\*SDI was created by U.S. President Ronald Reagan on March 23, 1983.1 It is thought that SDI may have been first dubbed "Star Wars" by opponent Dr. Carol Rosin, a consultant and former spokeswoman for Wernher von Braun. However, Missile Defense Agency (MDA) historians attribute the term to a Washington Post article published March 24, 1983, the day after the Star Wars speech, which quoted Democratic Senator Ted Kennedy describing the proposal as "reckless Star Wars schemes."2 Before it was named the "Star Wars Program (SDI) in 1983, it was the Advanced Space Programs Development.3
*12/12/10 -- Dr. Judy Wood* |
| 1Strategic Defense Initiative, [Wikipedia](http://en.wikipedia.org/wiki/Strategic_Defense_Initiative),
2Sharon Watkins Lang. SMDC/ASTRAT Historical Office. ["Where Do We Get Star Wars?"](http://www.smdc.army.mil/2008/Historical/Eagle/WheredowegetStarWars.pdf)*, The Eagle*. March 2007.
3 [Robert M. Bowman](http://en.wikipedia.org/wiki/Robert_M._Bowman), former Director of Advanced Space Programs Development for the U.S. Air Force in the Ford and Carter administrations. |
[Note: References and Sources will be posted and figure numbers will be corrected (in sequential order) when this paper is finished .]
This page last updated, January 30, 2007
(Click on pictures to enlarge.)
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| --- | --- |
| Jump to [bus](#bus) (Figure 5(a))
Jump to [van](#van) (Figure 6(a))
Jump to [policecar](#policecar) (Figure 7(a))
Jump to [leg](#leg) (Figure 8(a))
Jump to [swamp](#swamp) (Figure 9(a)) | **Audio:**
**29 November 2006,** Judy Wood narrates these pages web pages on
"The Dynamic Duo" with Jim Fetzer, Genesis Communications Network, [gcnlive.com](http://www.gcnlive.com/listenlive.htm), [archive](http://www.gcnlive.com/pgmmain.htm) ([mp3](../../media/0611291.mp3)-1)([mp3](../../media/0611292.mp3)-2) ([mp3](../../media/061129_Fetzer-Wood.mp3)).
**6 December 2006,** Morgan Reynolds discusses these pages on
"The Dynamic Duo" with Jim Fetzer, Genesis Communications Network, [gcnlive.com](http://www.gcnlive.com/listenlive.htm), [archive](http://www.gcnlive.com/pgmmain.htm), ([mp3](http://www.checktheevidence.com/audio/911/Morgan%20Reynolds%20%26%20Jim%20Fetzer%20-%20Dynamic%20Duo%20-%20WTC%20Destruction%20-%2006%20Dec%202006.mp3))([mp3](../../media/061206_JFetzer_MReynolds.mp3))
Return to the [Toasted Car](StarWarsBeam5.html)s page of the BeamWeapon series.
Link to [Even More Toasted Cars](http://janedoe0911.tripod.com/PrisonPlanet.html) |
These pictures are taken along the street that goes between the postal building and WTC7, and are about a block north of WTC7, before WTC7 "faints."
**From [album](http://news.webshots.com/album/21933776OvxgUrSdqh) WTC Pictures by member cuoffrd**
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| **Figure 1(a).** Looking up at the smoke
| **Figure 1(b).** |
| *[Source](http://image03.webshots.com/3/3/38/7/21933807MFVZRpJTRk_ph.jpg) [website](http://news.webshots.com/photo/1021933807031661047MFVZRpJTRk)* | |
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| **Figure 2(a).** rubble w FDNY bkgrndWhy is there a hole in the street, here? Referring to Figure 3(a), below, it appears they were doing work here. However, that is a rather large hole to leave unattended with nearly no attempt to keep vehicles and pedestrians from falling in. The few boards that are there would provide very little protection. So, it is likely that this hole was being worked on the morning of 9/11/01, otherwise it would have had more protection. There appears to be very little debris on top of the boards while there the "dust" is rather deep in that area. So, perhaps they were knocked down after the majority of the debris had fallen. | **Figure 2(b).** |
| *[Source](http://image03.webshots.com/3/3/38/71/21933871OthepRDQbu_ph.jpg), [website](http://news.webshots.com/photo/1021933871031661047OthepRDQbu)* | |
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| **Figure 3(a).** small fire
| **Figure 3(b).** |
| [*Source*](http://image03.webshots.com/3/3/39/30/21933930CekOMsGxIB_ph.jpg) | |
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| **Figure 4(a).** Barclay St fire
| **Figure 4(b).** |
| [*Source*](http://image03.webshots.com/3/3/40/13/21934013vkvinyxiKZ_ph.jpg) | |
***Bus*** [*Top*](#TOP)
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| **Figure 5(a).** burned out cars and bus
Consistently, they seem to have missing door handles.
And the gas tanks don't appear to explode. | **Figure 5(b).** |
| [*Source*](http://image03.webshots.com/3/3/40/70/21934070XFlNSYUYrp_ph.jpg) | |
***Van*** [*Top*](#TOP)
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| **Figure 6(a).** burned suv and mail truck
| **Figure 6(b).** |
| [*Source*](http://image03.webshots.com/3/3/41/28/21934128ZFFrTnkajW_ph.jpg) | |
***Police Car*** [*Top*](#TOP)
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| **Figure 7(a).** burned NYPD car
Police car I've not seen before.
Why the back end and not the front? | **Figure 7(b).** |
| [*Source*](http://image03.webshots.com/3/3/41/59/21934159QBVXpGOZjb_ph.jpg) | |
***Leg?*** [*Top*](#TOP)
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| **Figure 8(a).** burned cars bus trucks and fire
WTC7 looks REALLY good here! (It's the building on the right, a block away from where the camera person is standing.) It looks like those could be body parts on the sidewalk (arm or leg?). I believe this is after WTC1 goes poof, but am not sure. I have pictures from the next block up, next to WTC7, and it didn't look nearly as bad as this! So, I'm thinking that this part of the street got toasted when they did WTC1 and the other one (posted on <http://janedoe0911.tripod.com/StarWarsBeam5.html>) was after WTC2 and before WTC1. | **Figure 8(b).** |
| [*Source*](http://image03.webshots.com/3/3/42/18/21934218NQChpEAhHb_ph.jpg) | |
***Swamp*** [*Top*](#TOP)
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| **Figure 9(a).** block with fire at end
I think this is just before they did WTC7. Notice how empty the streets are, while they are flooded with water and lots of fire hoses. Obviously the water lines weren't busted! The traffic light in the distance appears to still have power. *(9/11/01)* | **Figure 9(b).** |
| [*Source*](http://image03.webshots.com/3/3/42/60/21934260YgQzEznyWJ_ph.jpg) | |
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| **Figure 9(c).** WTC7, looking south, down W. Broadway.
*[Source](http://www.infowarsmedia.com/images/sept11/sept_11.zip), 080.JPG, (entered 9/18/01)*
*(picture probably taken 9/12/01 or the morning of 9/13/01, but no later than 9/13/01)* | **Figure 9(d).** WTC7, looking south, down W. Broadway.
*[Source](http://www.infowarsmedia.com/images/sept11/sept_11.zip), 081.JPG, (entered 9/18/01)*
*(picture probably taken 9/12/01 or the morning of 9/13/01, but no later than 9/13/01)* |
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| **Figure 9(d).** "This is an interview by Diane Sawyer of a Fireman who witnessed these Melted cars, and he states that where these cars were, there were no Fires around!!!"
I believe his is talking about W. Broadway.
*[URL](http://www.liveleak.com/view?i=1c9_1184090191), (9/11/01)* |
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| **Figure 10(a).** paper on street
This is a look east down Park Place. | **Figure 10(b).** Location of Burlington Coat Factory, 45 Park Pl, New York, NY |
| [*Source*](http://image03.webshots.com/3/3/42/94/21934294ocaAzDdYpn_ph.jpg) | |
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| **Figure 11(a).** fire from afar
| **Figure 11(b).** |
| [*Source*](http://image03.webshots.com/3/3/43/20/21934320vMRPBXGDJa_ph.jpg) | |
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| **Figure 12(a).** building ablaze
After 2 went poof. Standing on Church street, looking south, with the postal building on hte right and the WTC4 remaining "stub" in the distance. | **Figure 12(b).** |
| [*Source*](http://image03.webshots.com/3/3/43/48/21934348OcXzRadoVx_ph.jpg) | |
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| **Figure 13(a).** close up building ablaze
Maybe they set WTC5 on fire for a "smokescreen" after the fact?
Why would this building be on fire so viscously and so FAST? | **Figure 13(b).** |
| [*Source*](http://image03.webshots.com/3/3/43/82/21934382toXPVQzVCg_ph.jpg) | |
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| **Figure 14(a).** look at bronze statue of man
Is that a statue or is that a human? | **Figure 14(b).** |
| [*Source*](http://image03.webshots.com/3/3/44/16/21934416VIoEHuPtBp_ph.jpg) | [*Source*](http://www.prisonplanet.com/images/august2006/250806statue.jpg) |
| [www.prisonplanet.com](http://www.prisonplanet.com/articles/august2006/250806theman.htm)The figure was a bronze statue named "Double Check," created by sculptor J. Seward Johnson, that sat on a park bench near the towers. The discovery of the statue shown below two days after 9/11 was subject of a CNN piece in December 2001. The statue became a shrine to victims of 9/11. | |
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| **Figure 15(a).** flag | **Figure 15(b).** |
| [*Source*](http://image03.webshots.com/3/3/44/47/21934447BkhVeLyaKY_ph.jpg) | |
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| **Figure 16(a).** rubble close up | **Figure 16(b).** |
| [*Source*](http://image03.webshots.com/3/3/44/83/21934483LZrMNXUCFr_ph.jpg) | |
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| **Figure 17(a).** rescue workers | **Figure 17(b).** |
| [*Source*](http://image03.webshots.com/3/3/45/26/21934526azTnbEMAPY_ph.jpg) | |
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| **Figure 18(a).** rescue workers at work | **Figure 18(b).** |
| [*Source*](http://image03.webshots.com/3/3/45/65/21934565BxqoFFGeTn_ph.jpg) | |
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| **Figure 19(a).** FDNY working | **Figure 19(b).** |
| [*Source*](http://image03.webshots.com/3/3/46/3/21934603pmywmRnDeR_ph.jpg) | |
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**Figure firetruck.** A badly damaged firetruck. Where did its engine go? The bottom of the tire has turned to goo below a distict horizontal line in the tire.
*[Source](http://www.worldfiredepartments.com/animations/images/firetruck-3.jpg)*: |
**Figure hazmat.** A FDMY Hazmat truck in front of WTC6 on West Street. The remaining upper part of the truck has been peeled and evaporated in areas. The upper part of the cab is gone and the engine block seems to have disappeared. The photo was taken on 9/11 after WTC1 disappeared but before WTC7 collapsed.
*(9/11/01) Source:* |
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**Figure 66(e).** Why would the front of this fire truck wilt?
*Source*: |
**Figure 66(h).** Is there something attractive about engine blocks? Why not gasoline fuel tanks?
*Source*: |
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**Figure 77.** The mail truck parked on the left side of the street looks burnt. Why? (Click on photo for enlarged view.) The building on the left is the USPS Federal Building and on the right is WTC7. WTC5 is on fire at the end of the street. Why? If this area is hot enough for spontaneous combustion, why isn't the paper on fire? The cars on the right side of the street are also toasted.
*Source*: |
**Figure flip.** Why is this car upside down? A burned out SUV with missing windows and toasted front end is parked in front of WFC2 on West Street but will not be moving under its own power.
*(9/12/01) Source:* |
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**Figure 66(g).** This fire seems to be very selective.
*Source*: |
**Figure 66(i).** A minivan is consumed by flames. The fire rages inside the vehicle, contained by the remaining windows. The fire appears more intense at the front where the engine is.
*Source*: |
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| **Figure onfire1.** The tires and even the pavement under the car are on fire. The windows appear to be intact with no visible interior fire. There is line of fire along the trunk lid. The right front fender is deformed and has turned white.
*[Source](http://www.studyof911.com/images/wtc/cars/2431.jpg)* | **Figure onfire2.** A fire rages, apparently on Vesey Street, sending up thick black smoke. These may be the vehicles that eyewitness [Rebecca O.](http://janedoe0911.tripod.com/StarWarsBeam6.html#eyewitness) described as she ran past WTC6 during the destruction of WTC2.
*[Source](http://www.studyof911.com/images/wtc/cars/0624.jpg)* |
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**Figure 66(o).** Why doesn't the paper burn?
*Source*: |
**Figure 66(z).** Why is this fire truck burnt? It is missing its front grill, headlights, and related fron end brightwork. Where are the tires?
*Source*: |
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**Figure yy.** The cars parked in the back suffered extensive damage. The car on the left and on the far right look like they have had their engines eaten. The cars in the foreground experienced less damage, but many windows are missing, however partial and whole windows also remain.
*(9/12/01) Source:* |
**Figure 78.** Why is this windshield crumpled up? Curiously, the interior of the car does not appear to contain anything that crashed through the windshield.
*Source*: |
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| ****Figure 64**.** Peculiar wilting of car doors and deformed window surrounds on FDR Drive.
*Source*: |
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| ****Figure 65**.** Map of lower Manhattan shows the WTC and FDR Drive a half mile or more apart. |
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| ****Figure 66.**** Toasted cars in a lot near the WTC.
*Source*: | **Figure 70.** What was this thing across the street? Was it a car? Was it a van? What caused that line of burn marks on the hood of the car in the foreground on the right? In the left foreground, the remains of a vehicle sit atop a white sedan. Are we looking at the front or the back end? It looks like the front end and if it is, its engine is missing. We can see daylight through the wheelwell.
*Source*: |
**From [album](http://www.webshots.com/search?query=WTC+Terrorist+Attack+Sep.11%2C+2001-+Album+%231) WTC Terrorist Attack Sep.11, 2001[-](http://i18.photobucket.com/albums/b108/janedoe444/ARG/toasted) Album #1 by member [magicfan33](http://entertainment.webshots.com/album/21202781NhlECsvaBi)**[*Top*](#TOP)
| | |
| --- | --- |
|
|
|
| **Figure 20(a).** Burned cars outside the WTC after both towers were destroyed. | **Figure 20(b).** |
| [*Source*](http://image03.webshots.com/3/0/29/38/21202938XHjEhwsOEZ_ph.jpg) | |
| | |
| --- | --- |
|
|
|
| **Figure 21(a).** Burning Wreck of WTC Towers Sep.11, 2001
Isn’t it interesting that the traffic light is green (not red)? There is a weird irony with that.
So, why wasn’t the power knocked out? Do the traffic lights run on backup batteries?
There is eyewitness testimony saying the power to WTC2 went off a second or two before WTC2 began to come apart. I believe this is true and that it was done to isolate the WTC Towers from the power grid. Otherwise, they may have knocked out the power grid over a very large (multi-state) area. We can remember when a power surge knocked out the power grid for NYC and much of the northeast. So, I can’t imagine that a total destruction of a WTC tower in 10 seconds would not cause a problem. | **Figure 21(b).** |
| [*Source*](http://image03.webshots.com/3/0/29/52/21202952egaIBOijoQ_ph.jpg) | |
| | |
| --- | --- |
|
|
|
| **Figure 22(a).** | **Figure 22(b).** |
| [*Source*](http://image03.webshots.com/3/0/30/78/21203078PZfGsWdDCQ_ph.jpg) | |
| | |
| --- | --- |
|
|
|
| **Figure 23(a).** | **Figure 23(b).** |
| [*Source*](http://image03.webshots.com/3/0/31/87/21203187QcJmrQlnnn_ph.jpg) | |
| | |
| --- | --- |
|
|
|
| **Figure 24(a).** | **Figure 24(b).** |
| [*Source*](http://image03.webshots.com/3/0/31/90/21203190EJQYXyWEed_ph.jpg) | |
| | |
| --- | --- |
|
|
|
| **Figure 25(a).** | **Figure 25(b).** |
| [*Source*](http://image03.webshots.com/3/0/30/79/21203079yOzjIigZnh_ph.jpg) | |
| | |
| --- | --- |
|
|
|
| **Figure 26(a).** The building material is turning to dust as it falls! | **Figure 26(b).** |
| [*Source*](http://image03.webshots.com/3/0/30/80/21203080uEGhIMBNxX_ph.jpg) | |
| | |
| --- | --- |
|
|
|
| **Figure 27(a).** These appear to be survivors moving to safety, so it is likely this picture was taken shortly after the two towers were "poofed" and before WTC7 dropped. What is the "fog" around their feet? If it were fine dust, it wouldn’t have settled out of the air this quickly. If it were fine dust, it would have gradually settled out of the air, leaving the air clearer and clearer, gradually. Find dust would not move as a well-defined "cloud" and sink together. If it were kicked up by the feet, it would be more localized around the feet — especially on the right. | **Figure 27(b).** |
| [*Source*](http://image03.webshots.com/3/0/63/0/21206300JvCOlxiUSx_ph.jpg) | |
| | |
| --- | --- |
| | |
|
| |
| **Figure 28(a).** That was not simple dust that hit this guy’s shirt. Whatever it was had direction and didn’t hit the white part of his shirt. It looks like he was sprayed with brown paint while his tie was tucked in. But, why didn't it seep under the tie and wick across the fabric? It seems like it had to be a dry blast (unlike the familiar mud-puddle splash). | |
| [*Source*](http://image03.webshots.com/3/0/28/90/21202890ZKjyEQrhBA_ph.jpg) | |
Link to [PrisonPlanetCollection](http://janedoe0911.tripod.com/PrisonPlanet.html)
| | | | | | | | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| [Top](#TOP) | **[homepage](/)** |
[Why Indeed](articles/why/why_indeed.html) |
[Billiard Balls](articles/BBE/BilliardBalls.html) |
| | | | | | | |
| --- | --- | --- | --- | --- | --- | --- |
| [DEW1](StarWarsBeam1.html)
Bathtub | [DEW 2](StarWarsBeam2.html)
Energy |
[DEW 3](StarWarsBeam3.html)
Dustification | [DEW 4](StarWarsBeam4.html)
Holes | [DEW 5](StarWarsBeam5.html)
Toasted Cars | [DEW 6](StarWarsBeam6.html)
other | [DEW 7](StarWarsBeam7.html)
conclusions |
|
| | | | |
| --- | --- | --- | --- |
| [*Appendix\_1*](StarWarsAppendix1.html) | [*Appendix\_2*](StarWarsAppendix2.html) | [*Appendix\_3*](StarWarsAppendix3.html) | [*More Toasted Cars*](moretoastedcars.html) |
|
| | | | | |
| --- | --- | --- | --- | --- |
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| --- | --- | --- | --- |
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<title>John R Pierce's Home Page</title>
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<a href="http://act.demandprogress.org/go/426?akid=1145.139334.acOZYD&t=4"><img src="http://3.bp.blogspot.com/-vf-Rix0ENJI/TxZsWuiIt_I/AAAAAAAAAqs/95_b-B4V9NM/s1600/NETBUG.jpg" align="left"></a>
<h1 align="right"><font size="5">Pierce Home Page<br>
</font>
<i><font size="2">Last modified (barely) on December, 2010<br> at around 9:00 PM</font></i></h1>
<font size="4">
<br clear="all">
<hr>
</font>
<p><b><i><font size="2">All opinions expressed here within are
just that. Opinions. Caveat Emptor.</font></i><font size="2"> </font></b></p>
<p><font size="2">If you reached this page via an old link, please use <a
href="https://hogranch.com"><b><i>https://hogranch.com</i></b></a> </font> </p>
<font size="4">
<hr>
</font>
<font size="2">
<p><a href="files/Bitmaps/PiercesOcto96.jpg">
<img src="files/Bitmaps/PiercesOcto96-s.jpg" alt="Family" align="left" border="2" hspace="5" vspace="5" width="169" height="170"></a>
<div width="290" height="130" align="right"> <object><param name="movie" value="http://www.wunderground.com/swf/pws_mini_rf_nc.swf?station=KCASANTA80&freq=3.0&units=english&lang=EN" /><embed src="http://www.wunderground.com/swf/pws_mini_rf_nc.swf?station=KCASANTA80&freq=3.0&units=english&lang=EN" type="application/x-shockwave-flash" width="290" height="130" /></object></div>
Here is a not-so-recent picture of my family.
(left-to-right thats Me, <a href="SarahLikesIt.jpg">Sarah</a> [2], <a
href="files/Bitmaps/Ruth-Hawaii.jpg">Ruth</a> & <a href="files/Bitmaps/IanPumps.jpg">Ian</a> [6]). <br>
<a href="files/Bitmaps/pierce-family.jpg">Here</a>, <a
href="files/Bitmaps/Ruth&John_Yosemite_1989.jpg">here</a>, <a
href="John.JPG">here</a>,
and <a href="jrp.jpg">here</a> are some more old snaps of us. <br clear="all">
</p>
<p> </p>
<p>Pictures from mid 2008 forward are on <a href="https://pierce.smugmug.com/">Smugmug</a> now... </p>
<p>Pictures from <a href="digi-2008">2008...</a> Pictures from <a href="digi-2007">2007...</a> Pictures from <a href="digi-2006">2006...</a></p>
<p>Pictures from 2005, many taken by a new Canon S70
<img src="canonS70.gif" align="middle" width="89" height="75">
or my Canon 350D <img src="canon350d.jpg" align="middle" width="69" height="80">
<a href="digi-2005">photo album</a></p>
<p>Pictures from 2005, taken by my kids with a Canon A510
<img src="canona510.gif" align="middle" width="68" height="68">
<a href="kidpix2005">photo album</a></p>
<p>My Canon PowerShot S300 "Digital Elph"
<img border="0" src="s300.jpg" hspace="3" vspace="3" align="middle" width="85" height="64">
<a href="s300/"> photo album</a> mostly,
this is pictures up to 2004.<br>We lost our CoolPix 950 camera
<img border="0" src="cp950.jpg" hspace="3" vspace="3" align="middle" width="100" height="64">,
but the old <a href="CoolPix/"> digital photo album</a> is still here (August
1999 to June 2001)</p>
<p>One of my favorite pastimes is listening to
live music by talented musicians... One of the best places to do that is at the
<a href="http://StrawberryMusic.com"><b><i>Strawberry
Music Festival</i></b></a>, held each
Memorial Day and Labor Day weekends at Camp Mather near
Yosemite National Forest.</p>
</font>
<font size="4">
<hr>
<p/>
<font size="2">
<p>A musician I greatly admired once wrote this <a
href="cheese.html">interesting piece</a> about the sad state of American's mental health.</p>
<p>Long, long ago and far, far away, I thought Windows95 was pretty cool
stuff. Here's some snapshots I took when I was invited to the main event
in Redmond of <a
href="files/Bitmaps/Launch95/launch.htm">LAUNCH '95</a>. </p>
<p>H<a href="files/">ere's a disorganized collection of files.</a> There's
some assorted <a href="files/Bitmaps/">bitmaps</a> there, including a <a
href="files/Bitmaps/SantaCruz2.JPG">aerial(space)
view of where I live</a> (see the little
yellow squiggle?), maybe even a few recipes.</p>
<p><a href="digital.research/">Here</a> are a bunch of pictures of folks and whatever from
about 15 years ago when I worked at <a
href="digital.research/">Digital Research</a>. (Can YOU say CP/M? There, I knew ya could!) </p>
</font>
<hr>
<h3><font size="2">Some of my favorite stale links...</font></h3>
<font size="2">
<ul>
<li>Computer Companies and Software Stuff...<ul>
<li><a href="http://www.microsoft.com/">Microsoft Corporation World-Wide-Web
Server</a> Home of the $60Billion boy-wonder </li>
<li><a href="http://www.mersenne.org">The
Great Mersenne Prime Hunt</a>. EVERYONE with a Pentium
<a href="http://www.intel.com"><sup>TM</sup></a>
should get involved with this!... <b><i>FLASH!</i></b>
Pentium discovers largest known prime number! 2^1398269-1
is the 35th Mersenne prime. <i>ok, old news. GIMPS has discovered 3 more primes since then.
its currently working on <u>mersenne prime</u> candidates in the
range of 2 to the 10 millionth power.<br>
</i></li>
</ul>
</li>
<li>The Environment and Weather<ul>
<li><a href="http://www.nws.mbay.net/home.html">The National Weather Service</a> West Coast. Links to all KINDS of
Weather Info... </li>
<li><a href="http://www.ucsc.edu/mb/">Monterey
Bay Pages</a> including
links to UCSC Long Marine Lab, and the Monterey
Bay Aquarium... </li>
<li><a
href="http://sapphire.cse.ucsc.edu/SlugVideo/dream-inn.html">SlugVideo</a> A
live view of the coast about 3 miles from me,
along with Weather conditions.. <i>its dead, sigh.
anyone got any $$ to spare?</i> </li>
<li>Live, from Outer Space, its <br>
<a
href="http://ssec.wisc.edu/data/g9/latest_g9ir.gif">GOES-9 IR (huge)</a>, <a
href="http://www-atm.ucdavis.edu/~wxauto/IR9TOPO.JPG">in COLOR</a>, and <a
href="http://www.intellicast.com/weather/usa/pacsat/">not so huge</a>.<br>
<a
href="http://ssec.wisc.edu/data/g9/latest_g9vis.gif">GOES-9 Vis (huge)</a>, and <a
href="http://thunder.atms.purdue.edu/gopher-data/satellite/sat_vis_west.gif">not so huge</a>. </li>
<li><a href="http://www.intellicast.com/weather/sfo/">INTELLiCast San Francisco Weather</a> check out the NexRad radar images... </li>
<li><a
href="http://sfbay7.wr.usgs.gov/~jonathan/wind.html">Real-Time San Francisco Bay Wind
Patterns<br>
</a> </li>
</ul>
</li>
<li>Space, the Final Frontier<ul>
<li><a
href="http://oposite.stsci.edu/pubinfo/Pictures.html">Space Telescope Science Institute
Picture Library</a> Fresh
Hubble pictures.</li>
<li><a
href="http://www.dfrc.nasa.gov/PhotoServer/photoServer.html">Dryden Research Aircraft Photo Archive</a> cool (BIG) jpegs of experimental
aircraft. </li>
<li><a href="http://astronomy.santa-cruz.ca.us">The Santa Cruz Astronomy Club</a> </li>
<li><a href="http://observers.org">The Astronomy Connection</a> <i>(a loosely affliated group of
amateur astronomers throughout the greater San
Francisco Bay Area)</i> </li>
<li><a href="http://www.jpl.nasa.gov/missions/">Everything you wanted to know about NASA's
Planetary Missions</a> <i>Galileo,
Cassini, Mars Global Surveyor, Mars Pathfinder,
etc etc etc.<br>
</i> </li>
</ul>
</li>
</ul>
<ul>
<li>Generally Fun Stuff<ul>
<li><a href="http://www.kpig.com/">KPIG
Radio - CyberSwine Online</a> Check out the live tunes</li>
<li><a
href="http://catalog.com/hopkins/unix-haters/login.html">Click on the cursor...</a> :)</li>
<li><a
href="http://www.cit.nepean.uws.edu.au/stuff/bofh/">The Bastard Operator From Hell!</a> </li>
</ul>
</li>
</ul>
</font>
<hr>
<font size="2">
<p>Three judge panel in Philadelphia votes 3-0 that the CDA is
not Constitutional. </p>
<p>In the findings, <b>District Judge DALZELL</b> summarized:</p>
</font>
<pre><font size="2"> True it is that many find some of the speech on the
Internet to be offensive, and amid the din of cyberspace many
hear discordant voices that they regard as indecent. The absence
of governmental regulation of Internet content has unquestionably
produced a kind of chaos, but as one of plaintiffs' experts put
it with such resonance at the hearing:
What achieved success was the very
chaos that the Internet is. The
strength of the Internet is that
chaos.
Just as the strength of the Internet is chaos, so the strength of
our liberty depends upon the chaos and cacophony of the
unfettered speech the First Amendment protects.
For these reasons, I without hesitation hold that the
CDA is unconstitutional on its face.
</font></pre>
<hr>
<font size="2">
<p align="right"><a href="mailto:[email protected]"><i>Feedback?</i></a><i> </i></p>
</font>
</font>
</body>
</html>
|
John R Pierce's Home Page
---
[](http://act.demandprogress.org/go/426?akid=1145.139334.acOZYD&t=4)
# Pierce Home Page
*Last modified (barely) on December, 2010 at around 9:00 PM*
---
***All opinions expressed here within are
just that. Opinions. Caveat Emptor.***
If you reached this page via an old link, please use [***https://hogranch.com***](https://hogranch.com)
---
[](files/Bitmaps/PiercesOcto96.jpg)
Here is a not-so-recent picture of my family.
(left-to-right thats Me, [Sarah](SarahLikesIt.jpg) [2], [Ruth](files/Bitmaps/Ruth-Hawaii.jpg) & [Ian](files/Bitmaps/IanPumps.jpg) [6]).
[Here](files/Bitmaps/pierce-family.jpg), [here](files/Bitmaps/Ruth&John_Yosemite_1989.jpg), [here](John.JPG),
and [here](jrp.jpg) are some more old snaps of us.
Pictures from mid 2008 forward are on [Smugmug](https://pierce.smugmug.com/) now...
Pictures from [2008...](digi-2008) Pictures from [2007...](digi-2007) Pictures from [2006...](digi-2006)
Pictures from 2005, many taken by a new Canon S70

or my Canon 350D 
[photo album](digi-2005)
Pictures from 2005, taken by my kids with a Canon A510

[photo album](kidpix2005)
My Canon PowerShot S300 "Digital Elph"

[photo album](s300/) mostly,
this is pictures up to 2004.
We lost our CoolPix 950 camera
,
but the old [digital photo album](CoolPix/) is still here (August
1999 to June 2001)
One of my favorite pastimes is listening to
live music by talented musicians... One of the best places to do that is at the
[***Strawberry
Music Festival***](http://StrawberryMusic.com), held each
Memorial Day and Labor Day weekends at Camp Mather near
Yosemite National Forest.
---
A musician I greatly admired once wrote this [interesting piece](cheese.html) about the sad state of American's mental health.
Long, long ago and far, far away, I thought Windows95 was pretty cool
stuff. Here's some snapshots I took when I was invited to the main event
in Redmond of [LAUNCH '95](files/Bitmaps/Launch95/launch.htm).
H[ere's a disorganized collection of files.](files/) There's
some assorted [bitmaps](files/Bitmaps/) there, including a [aerial(space)
view of where I live](files/Bitmaps/SantaCruz2.JPG) (see the little
yellow squiggle?), maybe even a few recipes.
[Here](digital.research/) are a bunch of pictures of folks and whatever from
about 15 years ago when I worked at [Digital Research](digital.research/). (Can YOU say CP/M? There, I knew ya could!)
---
### Some of my favorite stale links...
* Computer Companies and Software Stuff...
+ [Microsoft Corporation World-Wide-Web
Server](http://www.microsoft.com/) Home of the $60Billion boy-wonder
+ [The
Great Mersenne Prime Hunt](http://www.mersenne.org). EVERYONE with a Pentium
[TM](http://www.intel.com)
should get involved with this!... ***FLASH!***
Pentium discovers largest known prime number! 2^1398269-1
is the 35th Mersenne prime. *ok, old news. GIMPS has discovered 3 more primes since then.
its currently working on mersenne prime candidates in the
range of 2 to the 10 millionth power.*
* The Environment and Weather
+ [The National Weather Service](http://www.nws.mbay.net/home.html) West Coast. Links to all KINDS of
Weather Info...
+ [Monterey
Bay Pages](http://www.ucsc.edu/mb/) including
links to UCSC Long Marine Lab, and the Monterey
Bay Aquarium...
+ [SlugVideo](http://sapphire.cse.ucsc.edu/SlugVideo/dream-inn.html) A
live view of the coast about 3 miles from me,
along with Weather conditions.. *its dead, sigh.
anyone got any $$ to spare?*
+ Live, from Outer Space, its
[GOES-9 IR (huge)](http://ssec.wisc.edu/data/g9/latest_g9ir.gif), [in COLOR](http://www-atm.ucdavis.edu/~wxauto/IR9TOPO.JPG), and [not so huge](http://www.intellicast.com/weather/usa/pacsat/).
[GOES-9 Vis (huge)](http://ssec.wisc.edu/data/g9/latest_g9vis.gif), and [not so huge](http://thunder.atms.purdue.edu/gopher-data/satellite/sat_vis_west.gif).
+ [INTELLiCast San Francisco Weather](http://www.intellicast.com/weather/sfo/) check out the NexRad radar images...
+ [Real-Time San Francisco Bay Wind
Patterns](http://sfbay7.wr.usgs.gov/~jonathan/wind.html)
* Space, the Final Frontier
+ [Space Telescope Science Institute
Picture Library](http://oposite.stsci.edu/pubinfo/Pictures.html) Fresh
Hubble pictures.
+ [Dryden Research Aircraft Photo Archive](http://www.dfrc.nasa.gov/PhotoServer/photoServer.html) cool (BIG) jpegs of experimental
aircraft.
+ [The Santa Cruz Astronomy Club](http://astronomy.santa-cruz.ca.us)
+ [The Astronomy Connection](http://observers.org) *(a loosely affliated group of
amateur astronomers throughout the greater San
Francisco Bay Area)*
+ [Everything you wanted to know about NASA's
Planetary Missions](http://www.jpl.nasa.gov/missions/) *Galileo,
Cassini, Mars Global Surveyor, Mars Pathfinder,
etc etc etc.*
* Generally Fun Stuff
+ [KPIG
Radio - CyberSwine Online](http://www.kpig.com/) Check out the live tunes
+ [Click on the cursor...](http://catalog.com/hopkins/unix-haters/login.html) :)
+ [The Bastard Operator From Hell!](http://www.cit.nepean.uws.edu.au/stuff/bofh/)
---
Three judge panel in Philadelphia votes 3-0 that the CDA is
not Constitutional.
In the findings, **District Judge DALZELL** summarized:
```
True it is that many find some of the speech on the
Internet to be offensive, and amid the din of cyberspace many
hear discordant voices that they regard as indecent. The absence
of governmental regulation of Internet content has unquestionably
produced a kind of chaos, but as one of plaintiffs' experts put
it with such resonance at the hearing:
What achieved success was the very
chaos that the Internet is. The
strength of the Internet is that
chaos.
Just as the strength of the Internet is chaos, so the strength of
our liberty depends upon the chaos and cacophony of the
unfettered speech the First Amendment protects.
For these reasons, I without hesitation hold that the
CDA is unconstitutional on its face.
```
---
[*Feedback?*](mailto:[email protected])
| http://hogranch.com/ |
<HTML>
<HEAD><TITLE>United States Early Radio History</TITLE>
<link rel="shortcut icon" href="favicon.ico">
</HEAD>
<BODY bgcolor="#FFFFFF">
<center>
<table cellpadding=0 cellspacing=0 border=1 bgcolor="white" bordercolor="black" width="1%">
<tr><td bgcolor="#004B8C">
<table cellpadding=0 cellspacing=0 border=0 width="100%">
<tr bgcolor="#004B8C">
<td bgcolor="#004B8C"><font size="-1"> <br> <br> </font></td>
<td valign=middle align=center> <font size="+2" color=white>U</font><font size="+1" color=white>NITED </font><font size="+2" color=white>S</font><font size="+1" color=white>TATES </font><font size="+2" color=white>E</font><font size="+1" color=white>ARLY </font><FONT SIZE="+2" color=white>R</FONT><font size="+1" color=white>ADIO </font><FONT SIZE="+2" color=white>H</FONT><font size="+1" color=white>ISTORY</font></td>
<td><font size="-1"> <br> <br> </font></td>
</tr>
</table>
</td></tr>
<tr><td>
<table cellpadding=0 cellspacing=0 border=0 bgcolor="#FFFACD">
<tr>
<td align="left" valign="top" rowspan=3><img src="left.gif" alt="topleft"></td>
<td align="left" valign=top bgcolor=white ><img src="top.gif" alt="top"></td>
<td align=left valign=top rowspan=3><img src="right.gif" alt="right"></td>
</tr>
<tr>
<td align=center valign=middle bgcolor=white><b><i><font color="#ff3300" face="arial">Articles and extracts about early radio and related technologies, concentrating on the United States in the period from 1897 to 1927</font></i></b><br><br><b>Thomas H. White</b></td>
</tr>
<tr>
<td valign=bottom bgcolor=white><img src="bottom.gif" alt="bottom"></td>
</tr>
</table>
</td></tr>
</table>
</center>
<center><table cellpadding=0 cellspacing=0 border=0 width="90%"><tr><td>
<br><br><i>An assortment of highlights -- plus a few lowlifes -- about early U.S. radio history. Over time more articles will be added, to cover additional topics and expand on the existing ones. (This webpage was begun September 30, 1996, and was located at www.ipass.net/~whitetho/index.html until March 11, 2003).</i>
</td></tr></table></center>
<center><br><br><u><font size="+1"><b>Sections</b></font></u></center>
<ol>
<li><a href="sec001.htm">Period Overview (1896-1927)</a> - General reviews of the individuals, activities and technical advances which characterized this era.<br>
<li><a href="sec002.htm">The Electric Telegraph (1838-1922)</a> - The electric telegraph revolutionized long-distance communication, replacing earlier semaphore communication lines. In addition to its primary use for point-to-point messages, other applications were developed, including printing telegraphs ("tickers") used for distributing stock quotes and news reports.<br>
<li><a href="sec003.htm">News and Entertainment by Telephone (1876-1930)</a> - While the telegraph was mainly limited to transmitting Morse code and printed messages, the invention of the telephone made distant audio communication possible. And although the telephone was mostly used for private conversations, there was also experimentation with providing home entertainment. In 1893 a particularly sophisticated system, the <i>Telefon Hirmondó</i>, began operation in Budapest, Hungary -- one of its off-shoots, the United States Telephone Herald Company and its affiliates, did not meet with the same financial success.<br>
<li><a href="sec004.htm">Personal Communication by Wireless (1879-1922)</a> - After Heinrich Hertz demonstrated the existence of radio waves, some were enchanted by the idea that this remarkable scientific advance could be used for personal, mobile communication. But it would take decades before the technology would catch up with the idea.<br>
<li><a href="sec005.htm">Radio at Sea (1891-1922)</a> - The first major use of radio was for navigation, where it greatly reduced the isolation of ships, saving thousands of lives, even though for the first couple of decades radio was generally limited to Morse code transmissions. In particular, the 1912 Titanic sinking highlighted the value of radio to ocean vessels.<br>
<li><a href="sec006.htm">Early Radio Industry Development (1897-1914)</a> - As with most innovations, radio began with a series of incremental scientific discoveries and technical refinements, which eventually led to the development of commercial applications. But profits were slow in coming, and for many years the largest U.S. radio firms were better known for their fraudulent stock selling practices than for their financial viability.<br>
<li><a href="sec007.htm">Pioneering U.S. Radio Activities (1897-1917)</a> - Marconi's demonstration of a practical system for generating and receiving long-range radio signals sparked interest worldwide. It also resulted in numerous competing experimenters and companies throughout the industrialized world, including a number of important figures in the United States, led by Reginald Fessenden and Lee DeForest.<br>
<li><a href="sec008.htm">Alternator-Transmitter Development (1891-1922)</a> - Radio signals were originally produced by spark transmitters, which were noisy and inefficient. So experimenters worked to develop "continuous-wave" -- also known as "undamped" -- transmitters, whose signals went out on a single frequency, and which could also transmit full-audio signals. One approach used to generate continuous-wave signals was high-speed electrical alternators. By 1919, international control of the Alexanderson alternator-transmitter was considered so important that it triggered the formation of the Radio Corporation of America. However, within just a few years alternator-transmitters would become obsolete.<br>
<li><a href="sec009.htm">Arc-Transmitter Development (1904-1928)</a> - A more compact -- although not quite as refined -- method for generating continuous-wave radio signals was the arc-transmitter, initially developed by Danish inventor Valdemar Poulsen. Because arc-transmitters were less complicated than alternator-transmitters, a majority of the early experimental audio transmissions would use this device.<br>
<li><a href="sec010.htm">Audion and Vacuum-tube Receiver Development (1907-1916)</a> - Lee DeForest invented a three-element vacuum-tube detector which he called an Audion, but initially it was so crude and unreliable that it was little more than a curiosity. After a lull of a few years, more capable scientists and engineers, led by AT&T's Dr. Harold Arnold, improved vacuum-tubes into robust and powerful amplifiers, which would revolutionize radio reception.<br>
<li><a href="sec011.htm">Pre-War Vacuum-tube Transmitter Development (1914-1917)</a> - AT&T initially developed vacuum-tubes as amplifiers for long-distance telephone lines. However, this was only the beginning of the device's versatility, as various scientists and inventors would develop numerous innovations, including efficient continuous-wave transmitters, which would eventually replace the earlier spark, arc, and alternator varieties. Vacuum-tube transmitters were also used for an increasing number of broadcasting experiments, however these fledgling efforts came to an abrupt end on April 6, 1917, when the United States entered World War One. At that time, all radio stations not needed by the government were closed, and it became illegal, for the duration of the war, for the general population to listen to any radio transmissions, from any source.<br>
<li><a href="sec012.htm">Pioneering Amateurs (1900-1917)</a> - Radio captured the imagination of thousands of ordinary persons who wanted to experiment with this amazing new technology. Until late 1912 there was no licencing or regulation of radio transmitters in the United States, so amateurs -- known informally as "hams" -- were free to set up stations wherever they wished. But with the adoption of licencing, amateur operators faced a crisis, as most were now restricted to transmitting on a wavelength of 200 meters (1500 kilohertz), which had a limited sending range. They successfully organized to overcome this limitation, only to face a second hurdle in April, 1917, when the U.S. government shut down all amateur stations, as the country entered World War One.<br>
<li><a href="sec013.htm">Radio During World War One (1914-1919)</a> - Civilian radio activities were suspended during the war, as the radio industry was taken over by the government. Numerous military applications were developed, including direct communication with airplanes. The war also exposed thousands of service personnel to the on-going advances in radio technology, and even saw a few experiments with broadcasting entertainment to the troops.<br>
<li><a href="sec014.htm">Expanded Audion and Vacuum-tube Development (1917-1930)</a> - The wartime consolidation of the radio industry under government control led to important advances in radio equipment engineering and manufacturing, especially vacuum-tube technology, with receiver design seeing the introduction of superheterodyne, super-regenerative and neutrodyne circuits. Still, some would look toward the day when vacuum-tubes would be supplanted by something more efficient and compact, although this was another development which would take decades to be realized.<br>
<li><a href="sec015.htm">Amateur Radio After World War One (1919-1925)</a> - Although there was concern that amateur radio stations would not be allowed to return to the airwaves after the war, in 1919 the wartime restrictions were ended. And the next few years would see tremendous strides, as amateurs adopted vacuum-tube technology and began to explore transmitting on shortwave frequencies, which resulted in significant increases in range and reliability. However, although they had laid much of the groundwork that led to the development of broadcasting, in early 1922 amateur radio stations were explicitly banned from making entertainment broadcasts.<br>
<li><a href="sec016.htm">Broadcasting After World War One (1918-1921)</a> - Although still unfocused, scattered broadcasting activities, taking advantage of improvements in vacuum-tube technology, accelerated after the end of the Great War. Initially there was a shortage of equipment, especially vacuum-tubes, due to ongoing patent disputes, and many of the early efforts were government related or by persons who had access to surplus military equipment. But the experiments continued to expand, as the radio industry returned to civilian control.<br>
<li><a href="sec017.htm">Big Business and Radio (1915-1922)</a> - Once the radio industry finally became profitable, major corporations -- including the American Telephone & Telegraph Company, General Electric, and Westinghouse -- moved into the field. Meanwhile, in 1919, due to pressure from the U.S. government, American Marconi's assets were sold to General Electric, which used them to form the Radio Corporation of America.<br>
<li><a href="sec018.htm">Broadcasting Becomes Widespread (1922-1923)</a> - Led by Westinghouse's 1920 and 1921 establishment of four well-financed stations -- located in or near Pittsburgh, Boston, Chicago and New York City -- there was a growing sense of excitement as broadcasting activities became more organized. In December, 1921, the Department of Commerce issued regulations formally establishing a broadcast service. Then, in early 1922, a "broadcasting boom" occurred, as a sometimes chaotic mix of stations, sponsored by a wide range of businesses, organizations and individuals, sprang up, numbering over 500 by the end of the year.<br>
<li><a href="sec019.htm">The Development of Radio Networks (1916-1941)</a> - The introduction of vacuum-tube amplification for telephone lines allowed AT&T to experiment with sending speeches to distant audiences that listened over loudspeakers. The next step would be to use the lines to interconnect radio stations, and in December, 1921 a memo written by two AT&T engineers, John F. Bratney and Harley C. Lauderback, outlined the establishment of a national radio network, financially supported by advertising. General Electric, Westinghouse and RCA responded by forming their own radio network, however, unable to match AT&T's progress, in 1926 they bought out AT&T's network operations, which were reorganized to form the National Broadcasting Company. Creating competing national networks proved difficult, and over the next decade only two others would be established: the Columbia Broadcasting System in 1927, and the Mutual Broadcasting System in 1934.<br>
<li><a href="sec020.htm">Financing Radio Broadcasting (1898-1927)</a> - Soon after Marconi's groundbreaking demonstrations, there was speculation about transmitting radio signals to paying customers. However, there was no practical way to limit broadcasts to specific receivers, so for a couple decades broadcasting activities were largely limited to experiments, plus a limited number of public service transmissions by government stations. During the 1922 "broadcasting boom", most programming was commercial-free, and entertainers, caught up in the excitement of this revolutionary new invention, performed for free. Meanwhile, a few people wondered how to pay for all this. In early 1922, the American Telephone & Telegraph Company began promoting the controversial idea of using advertising to finance programming. Initially AT&T claimed that its patent rights gave it a monopoly over U.S. radio advertising, but a 1923 industry settlement paved the way for other stations to begin to sell time. And eventually advertising-supported private stations became the standard for U.S. broadcasting stations.<br>
<li><a href="sec021.htm">Fakes, Frauds, and Cranks (1866-1922)</a> - Unfortunately, some "misunderstood geniuses" are actually crazy, or dishonest, or both.<br>
<li><a href="sec022.htm">Word Origins</a> - Reviews of the history of the words "radio", "broadcast" and "ham".<br>
<li><a href="sec023.htm">Early Government Regulation (1903-1941)</a> - Compared to most other nations, the United States was slow to regulate radio communication. International issues were dealt with by conferences held in Berlin, Germany in 1903 and 1906, followed by a London convention in 1912. The U.S. issued limited shipboard regulations in 1910, but did not implement comprehensive regulations and station licencing until 1912. The development of broadcasting in the early 1920s would bring significant challenges and changes, which resulted in passage of the Radio Act of 1927, and the formation of the Federal Radio Commission.<br>
<li><a href="sec024.htm">Original Articles</a> - Writings about United States radio history, emphasizing the early AM broadcast band (mediumwave).
<ul><li>Mystique of the Three-Letter Callsigns
<li>Three-Letter Roll Call
<li>K/W Call Letters in the United States
<li>United States Callsign Policies
<li>U.S. Special Land Stations: Overview
<li>U.S. Special Land Stations: 1913-1921 Recap
<li>Building the Broadcast Band
<li>United States Pioneer Broadcast Service Stations
<li>U.S. Pioneer Broadcast Service Stations: Actions Through June, 1922
<li>United States Temporary Broadcast Station Grants: 1922-1928
<li>Early Commerce Department Records: Examples
<li>Kilohertz-to-Meters Conversion Charts
<li>Washington D.C. AM Station History
<li>Extraterrestrial DX Circa 1924: "Will We Talk to Mars in August?"
<li>The International Radio Week Tests
<li>"Battle of the Century": The WJY Story
<li>Early U.S. Telephone-based Entertainment Companies
<li>Nikola Tesla: The Guy Who DIDN'T "Invent Radio"
<li>Requested Broadcast Calls of the 1920s
</ul>
</ol>
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<font size=-1>David Sarnoff, 1964: "The computer will become the hub of a vast network of remote data stations and information banks feeding into the machine at a transmission rate of a billion or more bits of information a second. Laser channels will vastly increase both data capacity and the speeds with which it will be transmitted. Eventually, a global communications network handling voice, data and facsimile will instantly link man to machine--or machine to machine--by land, air, underwater, and space circuits. [The computer] will affect man's ways of thinking, his means of education, his relationship to his physical and social environment, and it will alter his ways of living... [Before the end of this century, these forces] will coalesce into what unquestionably will become the greatest adventure of the human mind."--from <i>David Sarnoff</i> by Eugene Lyons, 1966.</font></td></tr>
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United States Early Radio History
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| | UNITED STATES EARLY RADIO HISTORY | |
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| topleft | top | right |
| ***Articles and extracts about early radio and related technologies, concentrating on the United States in the period from 1897 to 1927*****Thomas H. White** |
| bottom |
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| --- |
| *An assortment of highlights -- plus a few lowlifes -- about early U.S. radio history. Over time more articles will be added, to cover additional topics and expand on the existing ones. (This webpage was begun September 30, 1996, and was located at www.ipass.net/~whitetho/index.html until March 11, 2003).* |
**Sections**
1. [Period Overview (1896-1927)](sec001.htm) - General reviews of the individuals, activities and technical advances which characterized this era.
- [The Electric Telegraph (1838-1922)](sec002.htm) - The electric telegraph revolutionized long-distance communication, replacing earlier semaphore communication lines. In addition to its primary use for point-to-point messages, other applications were developed, including printing telegraphs ("tickers") used for distributing stock quotes and news reports.
- [News and Entertainment by Telephone (1876-1930)](sec003.htm) - While the telegraph was mainly limited to transmitting Morse code and printed messages, the invention of the telephone made distant audio communication possible. And although the telephone was mostly used for private conversations, there was also experimentation with providing home entertainment. In 1893 a particularly sophisticated system, the *Telefon Hirmondó*, began operation in Budapest, Hungary -- one of its off-shoots, the United States Telephone Herald Company and its affiliates, did not meet with the same financial success.
- [Personal Communication by Wireless (1879-1922)](sec004.htm) - After Heinrich Hertz demonstrated the existence of radio waves, some were enchanted by the idea that this remarkable scientific advance could be used for personal, mobile communication. But it would take decades before the technology would catch up with the idea.
- [Radio at Sea (1891-1922)](sec005.htm) - The first major use of radio was for navigation, where it greatly reduced the isolation of ships, saving thousands of lives, even though for the first couple of decades radio was generally limited to Morse code transmissions. In particular, the 1912 Titanic sinking highlighted the value of radio to ocean vessels.
- [Early Radio Industry Development (1897-1914)](sec006.htm) - As with most innovations, radio began with a series of incremental scientific discoveries and technical refinements, which eventually led to the development of commercial applications. But profits were slow in coming, and for many years the largest U.S. radio firms were better known for their fraudulent stock selling practices than for their financial viability.
- [Pioneering U.S. Radio Activities (1897-1917)](sec007.htm) - Marconi's demonstration of a practical system for generating and receiving long-range radio signals sparked interest worldwide. It also resulted in numerous competing experimenters and companies throughout the industrialized world, including a number of important figures in the United States, led by Reginald Fessenden and Lee DeForest.
- [Alternator-Transmitter Development (1891-1922)](sec008.htm) - Radio signals were originally produced by spark transmitters, which were noisy and inefficient. So experimenters worked to develop "continuous-wave" -- also known as "undamped" -- transmitters, whose signals went out on a single frequency, and which could also transmit full-audio signals. One approach used to generate continuous-wave signals was high-speed electrical alternators. By 1919, international control of the Alexanderson alternator-transmitter was considered so important that it triggered the formation of the Radio Corporation of America. However, within just a few years alternator-transmitters would become obsolete.
- [Arc-Transmitter Development (1904-1928)](sec009.htm) - A more compact -- although not quite as refined -- method for generating continuous-wave radio signals was the arc-transmitter, initially developed by Danish inventor Valdemar Poulsen. Because arc-transmitters were less complicated than alternator-transmitters, a majority of the early experimental audio transmissions would use this device.
- [Audion and Vacuum-tube Receiver Development (1907-1916)](sec010.htm) - Lee DeForest invented a three-element vacuum-tube detector which he called an Audion, but initially it was so crude and unreliable that it was little more than a curiosity. After a lull of a few years, more capable scientists and engineers, led by AT&T's Dr. Harold Arnold, improved vacuum-tubes into robust and powerful amplifiers, which would revolutionize radio reception.
- [Pre-War Vacuum-tube Transmitter Development (1914-1917)](sec011.htm) - AT&T initially developed vacuum-tubes as amplifiers for long-distance telephone lines. However, this was only the beginning of the device's versatility, as various scientists and inventors would develop numerous innovations, including efficient continuous-wave transmitters, which would eventually replace the earlier spark, arc, and alternator varieties. Vacuum-tube transmitters were also used for an increasing number of broadcasting experiments, however these fledgling efforts came to an abrupt end on April 6, 1917, when the United States entered World War One. At that time, all radio stations not needed by the government were closed, and it became illegal, for the duration of the war, for the general population to listen to any radio transmissions, from any source.
- [Pioneering Amateurs (1900-1917)](sec012.htm) - Radio captured the imagination of thousands of ordinary persons who wanted to experiment with this amazing new technology. Until late 1912 there was no licencing or regulation of radio transmitters in the United States, so amateurs -- known informally as "hams" -- were free to set up stations wherever they wished. But with the adoption of licencing, amateur operators faced a crisis, as most were now restricted to transmitting on a wavelength of 200 meters (1500 kilohertz), which had a limited sending range. They successfully organized to overcome this limitation, only to face a second hurdle in April, 1917, when the U.S. government shut down all amateur stations, as the country entered World War One.
- [Radio During World War One (1914-1919)](sec013.htm) - Civilian radio activities were suspended during the war, as the radio industry was taken over by the government. Numerous military applications were developed, including direct communication with airplanes. The war also exposed thousands of service personnel to the on-going advances in radio technology, and even saw a few experiments with broadcasting entertainment to the troops.
- [Expanded Audion and Vacuum-tube Development (1917-1930)](sec014.htm) - The wartime consolidation of the radio industry under government control led to important advances in radio equipment engineering and manufacturing, especially vacuum-tube technology, with receiver design seeing the introduction of superheterodyne, super-regenerative and neutrodyne circuits. Still, some would look toward the day when vacuum-tubes would be supplanted by something more efficient and compact, although this was another development which would take decades to be realized.
- [Amateur Radio After World War One (1919-1925)](sec015.htm) - Although there was concern that amateur radio stations would not be allowed to return to the airwaves after the war, in 1919 the wartime restrictions were ended. And the next few years would see tremendous strides, as amateurs adopted vacuum-tube technology and began to explore transmitting on shortwave frequencies, which resulted in significant increases in range and reliability. However, although they had laid much of the groundwork that led to the development of broadcasting, in early 1922 amateur radio stations were explicitly banned from making entertainment broadcasts.
- [Broadcasting After World War One (1918-1921)](sec016.htm) - Although still unfocused, scattered broadcasting activities, taking advantage of improvements in vacuum-tube technology, accelerated after the end of the Great War. Initially there was a shortage of equipment, especially vacuum-tubes, due to ongoing patent disputes, and many of the early efforts were government related or by persons who had access to surplus military equipment. But the experiments continued to expand, as the radio industry returned to civilian control.
- [Big Business and Radio (1915-1922)](sec017.htm) - Once the radio industry finally became profitable, major corporations -- including the American Telephone & Telegraph Company, General Electric, and Westinghouse -- moved into the field. Meanwhile, in 1919, due to pressure from the U.S. government, American Marconi's assets were sold to General Electric, which used them to form the Radio Corporation of America.
- [Broadcasting Becomes Widespread (1922-1923)](sec018.htm) - Led by Westinghouse's 1920 and 1921 establishment of four well-financed stations -- located in or near Pittsburgh, Boston, Chicago and New York City -- there was a growing sense of excitement as broadcasting activities became more organized. In December, 1921, the Department of Commerce issued regulations formally establishing a broadcast service. Then, in early 1922, a "broadcasting boom" occurred, as a sometimes chaotic mix of stations, sponsored by a wide range of businesses, organizations and individuals, sprang up, numbering over 500 by the end of the year.
- [The Development of Radio Networks (1916-1941)](sec019.htm) - The introduction of vacuum-tube amplification for telephone lines allowed AT&T to experiment with sending speeches to distant audiences that listened over loudspeakers. The next step would be to use the lines to interconnect radio stations, and in December, 1921 a memo written by two AT&T engineers, John F. Bratney and Harley C. Lauderback, outlined the establishment of a national radio network, financially supported by advertising. General Electric, Westinghouse and RCA responded by forming their own radio network, however, unable to match AT&T's progress, in 1926 they bought out AT&T's network operations, which were reorganized to form the National Broadcasting Company. Creating competing national networks proved difficult, and over the next decade only two others would be established: the Columbia Broadcasting System in 1927, and the Mutual Broadcasting System in 1934.
- [Financing Radio Broadcasting (1898-1927)](sec020.htm) - Soon after Marconi's groundbreaking demonstrations, there was speculation about transmitting radio signals to paying customers. However, there was no practical way to limit broadcasts to specific receivers, so for a couple decades broadcasting activities were largely limited to experiments, plus a limited number of public service transmissions by government stations. During the 1922 "broadcasting boom", most programming was commercial-free, and entertainers, caught up in the excitement of this revolutionary new invention, performed for free. Meanwhile, a few people wondered how to pay for all this. In early 1922, the American Telephone & Telegraph Company began promoting the controversial idea of using advertising to finance programming. Initially AT&T claimed that its patent rights gave it a monopoly over U.S. radio advertising, but a 1923 industry settlement paved the way for other stations to begin to sell time. And eventually advertising-supported private stations became the standard for U.S. broadcasting stations.
- [Fakes, Frauds, and Cranks (1866-1922)](sec021.htm) - Unfortunately, some "misunderstood geniuses" are actually crazy, or dishonest, or both.
- [Word Origins](sec022.htm) - Reviews of the history of the words "radio", "broadcast" and "ham".
- [Early Government Regulation (1903-1941)](sec023.htm) - Compared to most other nations, the United States was slow to regulate radio communication. International issues were dealt with by conferences held in Berlin, Germany in 1903 and 1906, followed by a London convention in 1912. The U.S. issued limited shipboard regulations in 1910, but did not implement comprehensive regulations and station licencing until 1912. The development of broadcasting in the early 1920s would bring significant challenges and changes, which resulted in passage of the Radio Act of 1927, and the formation of the Federal Radio Commission.
- [Original Articles](sec024.htm) - Writings about United States radio history, emphasizing the early AM broadcast band (mediumwave).
* Mystique of the Three-Letter Callsigns
* Three-Letter Roll Call
* K/W Call Letters in the United States
* United States Callsign Policies
* U.S. Special Land Stations: Overview
* U.S. Special Land Stations: 1913-1921 Recap
* Building the Broadcast Band
* United States Pioneer Broadcast Service Stations
* U.S. Pioneer Broadcast Service Stations: Actions Through June, 1922
* United States Temporary Broadcast Station Grants: 1922-1928
* Early Commerce Department Records: Examples
* Kilohertz-to-Meters Conversion Charts
* Washington D.C. AM Station History
* Extraterrestrial DX Circa 1924: "Will We Talk to Mars in August?"
* The International Radio Week Tests
* "Battle of the Century": The WJY Story
* Early U.S. Telephone-based Entertainment Companies
* Nikola Tesla: The Guy Who DIDN'T "Invent Radio"
* Requested Broadcast Calls of the 1920s
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| David Sarnoff, 1964: "The computer will become the hub of a vast network of remote data stations and information banks feeding into the machine at a transmission rate of a billion or more bits of information a second. Laser channels will vastly increase both data capacity and the speeds with which it will be transmitted. Eventually, a global communications network handling voice, data and facsimile will instantly link man to machine--or machine to machine--by land, air, underwater, and space circuits. [The computer] will affect man's ways of thinking, his means of education, his relationship to his physical and social environment, and it will alter his ways of living... [Before the end of this century, these forces] will coalesce into what unquestionably will become the greatest adventure of the human mind."--from *David Sarnoff* by Eugene Lyons, 1966. |
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<td><div align="center"><span style="font-size:18px; color:#452015; line-height:1.4em"><strong><em>An all-volunteer non-profit society supporting the study, appreciation, and preservation of natural arches and bridges</em></strong></span></div></td>
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<td width="332" valign="top"><a href="gallery-AZspiderweb.htm"><img src="files/spiderweb330.jpg" width="330" height="226" alt="Spiderweb Arch, Arizona" border="1" /></a></td>
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<td valign="top"><div align="left" class="home" style="font-size:17px; line-height: 1.4em">
<a href="nabs.htm">
<strong>NABS</strong></a> - About the
Natural Arch and Bridge Society<br />
<a href="http://www.naturalarches.org/blog/"><strong>NABS BLOG</strong></a> - All things arches<br />
<a href="span.htm"><strong>SPAN</strong></a> - Samples and back issues of our newsletter<br />
<a href="gallery.htm"><strong>GALLERY</strong></a> of
selected natural arches and bridges<br />
<a href="db/arches/index.html"><strong>GIS</strong></a> - Geographic Information System<br />
<a href="big9.htm"><strong>BIG 19</strong></a> - A tour of the world’s giant arches<br />
<a href="archinfo/index.htm"><strong>ARCH INFO</strong></a> - FAQ, classification, formation, etc.<br />
<a href="china/index.html"><strong>CHINA</strong></a> - A new frontier for arches<br />
<a href="panoramas/index.html"><strong>PANORAMAS</strong></a> - 360° with pan and zoom<br />
<a href="stereo/index.htm"><strong>ARCHES in 3D</strong></a> - The NABS Stereo Collection<br />
<a href="members/index.html"><strong>MEMBERS ONLY</strong></a> - Password-protected section<br />
<a href="whatsnew.htm"><strong>WHAT’S NEW</strong></a> - New items on the website<br />
<a href="search.htm"><strong>SEARCH</strong></a> - Search the NABS website
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<div align="left" class="home" style="font-size:14px; margin-top:6px; margin-bottom:6px"><a href="https://www.naturalarches.org/nabs.htm#join"><strong>Join or renew NABS membership</strong></a>
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<td><div align="left"><span class="home" style="font-size:17px">Latest issue of our newsletter, <a href="span.htm"><em><strong>SPAN</strong></em></a>.<br />
<br />
Check out the<a href="http://www.naturalarches.org/blog/"><strong><br />
NABS BLOG</strong></a> </span><br />
Latest post: <br />
<strong>Saudi Arabia</strong></div></td>
<td width="135"><div align="right" style="padding-top:12px; padding-bottom:10px"><a href="span.htm"><img src="span_files/SPAN_FALL_2023_Cover.png" alt="SPAN - latest issue" width="140" height="181" border="1" /></a></div></td>
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<td><div align="left"><span class="home" style="font-size:16px">Featured in <strong>“The Arch Hunters”</strong> – <em>National Geographic Adventure Magazine</em> cover story, March, 2008.</span></div></td>
<td width="110"><div align="right" style="padding-bottom:9px"><img src="files/march-cover.gif" alt="The Arch Hunters" width="100" height="126" border="1" /></div></td>
</tr>
</table></td>
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</table>
<table width="848" border="0" cellspacing="0" cellpadding="0">
<tr>
<td><nobr><img src="gallery_files/galleryAZ2.jpg" alt="Big Eye" border="1" style="margin:2px" /><img src="movies/movie1.jpg" width="100" height="100" alt="Archway Island" border="1" style="margin:2px" /><img src="gallery_files/galleryUT2.jpg" width="100" height="100" alt="Peek-a-Boo Bridges" border="1" style="margin:2px" /><img src="gallery_files/galleryINTL2.jpg" width="100" height="100" alt="Porte d'Aval" border="1" style="margin:2px" /><img src="china/china2.jpg" alt="Yunmentun Bridge" width="100" height="100" border="1" style="margin:2px" /><img src="gallery_files/gallerySJ1.jpg" width="100" height="100" alt="La Gorce" border="1" style="margin:2px" /><img src="gallery_files/galleryPANO1.jpg" width="100" height="100" alt="Sinks of the Roundstone" border="1" style="margin:2px" /><img src="gallery_files/gallerystereoR.jpg" width="100" height="100" alt="Pritchett" border="1" style="margin:2px" /></nobr></td>
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The Natural Arch and Bridge Society - Home Page
* [HOME](http://www.naturalarches.org/)
* [NABS](nabs.htm)
+ [About Us](nabs.htm)
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+ [Sample Issue](sample.html)
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+ [Articles](spanonline.htm)
* [ARCH INFO](archinfo/index.htm)
+ [FAQ](archinfo/faq.htm)
+ [Classification](archinfo/classification.htm)
+ [Taxonomy](archinfo/taxonomy.htm)
+ [Formation](archinfo/formation.htm)
+ [Dimensions](archinfo/dimensions.htm)
+ [Measurement](archinfo/measurement.htm)
+ [Identification](archinfo/identification.htm)
+ [References](archinfo/references.htm)
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* [GALLERY](gallery.htm)
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+ [Utah](gallery-ut.htm)
+ [Other States](gallery-us.htm)
+ [International](gallery-intl.htm)
+ [GIS](db/arches/index.html)
+ [China](china/index.html)
+ [Giant Arches](big9.htm)
+ [Stan Jones](gallery-StanJones.htm)
+ [Ennedi, Chad](gallery-ChadPortfolio.htm)
+ [Tassili Nat'l Park](tassili/index.htm)
+ [Ahaggar Nat'l Park](ahaggar/index.htm)
+ [Panoramas](panoramas/index.html)
+ [3D Gallery](stereo/index.htm)
+ [Videos](videos/index.html)
+ [Movies](movies/index.htm)
+ [Extraterrestrial](gallery-spaceart.htm)
+ [Bob's Arches](BobsArches/index.html)
* [BLOG](http://www.naturalarches.org/blog/)
| | | | |
| --- | --- | --- | --- |
| The Natural Arch and Bridge Society
| | |
| --- | --- |
|
| |
| --- |
| ***An all-volunteer non-profit society supporting the study, appreciation, and preservation of natural arches and bridges*** |
|
| [Spiderweb Arch, Arizona](gallery-AZspiderweb.htm) |
|
[**NABS**](nabs.htm) - About the
Natural Arch and Bridge Society
[**NABS BLOG**](http://www.naturalarches.org/blog/) - All things arches
[**SPAN**](span.htm) - Samples and back issues of our newsletter
[**GALLERY**](gallery.htm) of
selected natural arches and bridges
[**GIS**](db/arches/index.html) - Geographic Information System
[**BIG 19**](big9.htm) - A tour of the world’s giant arches
[**ARCH INFO**](archinfo/index.htm) - FAQ, classification, formation, etc.
[**CHINA**](china/index.html) - A new frontier for arches
[**PANORAMAS**](panoramas/index.html) - 360° with pan and zoom
[**ARCHES in 3D**](stereo/index.htm) - The NABS Stereo Collection
[**MEMBERS ONLY**](members/index.html) - Password-protected section
[**WHAT’S NEW**](whatsnew.htm) - New items on the website
[**SEARCH**](search.htm) - Search the NABS website
[**Join or renew NABS membership**](https://www.naturalarches.org/nabs.htm#join)
|
| | |
| --- | --- |
| Latest issue of our newsletter, [***SPAN***](span.htm).
Check out the[**NABS BLOG**](http://www.naturalarches.org/blog/)
Latest post:
**Saudi Arabia** | [SPAN - latest issue](span.htm) |
| | |
| --- | --- |
| Featured in **“The Arch Hunters”** – *National Geographic Adventure Magazine* cover story, March, 2008. | The Arch Hunters |
|
| |
| --- |
| Big EyeArchway IslandPeek-a-Boo BridgesPorte d'AvalYunmentun BridgeLa GorceSinks of the RoundstonePritchett |
---
| | | | | |
| --- | --- | --- | --- | --- |
| [**Contact us**](mailto:%69%6E%66%6F%40%6E%61%74%75%72%61%6C%61%72%63%68%65%73%2E%6F%72%67) | [Facebook](https://www.facebook.com/pages/The-Natural-Arch-and-Bridge-Society/101280660064321) | Website © The Natural Arch and
Bridge Society. All rights reserved. | Valid XHTML | Valid CSS |
| http://www.naturalarches.org/ |
<html><head><title>Wonderful World of Windows 3.1</title>
<meta name="description" content="Using 3.One-derful">
<meta name="keywords" content="windows 3.1, windows, 3.1, win3, win 3.1, 16-bit,">
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<font color="#000000" face="georgia"><b>
Welcome to the<p>
<font size="5">Wonderful World of Windows 3.1</font></b>
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<br>
Back in the days when 'folders' were called what they <i>actually</i> are -
<b>directories</b> - and you could see the extensions of your files without
changing the default, there was an operating system that worked with you, not against you.<p>
<b>Unbelieveable? Maybe, but true.</b><p>
Windows 3.1 didn't treat you like a child. It didn't hide your file information or give
things cute names to make them more 'user friendly'. It isn't a huge, bloated operating
system filled with unnecessary code. It is simple and basic, yet still very useful.<p>
As long ago as 1996 there were comments that 3.1 was only useful for word processing. I
believe those who say that are either afraid of computers and need the child-like references
of newer versions of Windows, or they were embarassed that they updated to fault-ridden versions of
Windows like 95, ME, 2000, etc.<p>
These pages provide some detail about my current (working) 3.1 system.<p>
<font color="#c50101">EDIT: This system has since passed on.<br>
Sadly, I could not find parts to repair it</font><p>
I don't have links to software, because I don't want to have to update them as frequently as it would require.<p>
If you have any questions about Win3.1, you can ask me - minor_sage at this domain, if it doesn't show below.
I can't guarantee I'll know the answer, but I'll give it a shot. I can only tell you from my experience.<p>
<script language="JavaScript">
<!--
var name = "minor_sage";
var domain = "sendcoffee.com";
var subject = "?subject=Win3";
document.write("<a href=mailto:" + name + '@' + domain + subject + ">Comments?</a>");
//-->
</script>
<p>
The navigation bar above has details for my system. Your results may vary.<p>
Visit the <a href="http://www.michaelv.org/">Most Awesome 3.1 site ever</a><p>
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<a href="http://www.sendcoffee.com">© SendCoffee</a></center></font>
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| Wonderful World of Windows 3.1
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width: 100%;
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}
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|
| | |
| --- | --- |
|
Windows 3.1 |
**Welcome to the
Wonderful World of Windows 3.1**
|
[System](system.html)
|
[Applications](apps.html)
|
[Graphics](graphics.html)
|
[Sounds/Video](sounds.html)
|
[Games](games.html)
|
[Notes](notes.html)
|
[Word](word.html)
|
|
| | | | |
| --- | --- | --- | --- |
|
| | | |
| --- | --- | --- |
|
Back in the days when 'folders' were called what they *actually* are -
**directories** - and you could see the extensions of your files without
changing the default, there was an operating system that worked with you, not against you.
**Unbelieveable? Maybe, but true.**
Windows 3.1 didn't treat you like a child. It didn't hide your file information or give
things cute names to make them more 'user friendly'. It isn't a huge, bloated operating
system filled with unnecessary code. It is simple and basic, yet still very useful.
As long ago as 1996 there were comments that 3.1 was only useful for word processing. I
believe those who say that are either afraid of computers and need the child-like references
of newer versions of Windows, or they were embarassed that they updated to fault-ridden versions of
Windows like 95, ME, 2000, etc.
These pages provide some detail about my current (working) 3.1 system.
EDIT: This system has since passed on.
Sadly, I could not find parts to repair it
I don't have links to software, because I don't want to have to update them as frequently as it would require.
If you have any questions about Win3.1, you can ask me - minor\_sage at this domain, if it doesn't show below.
I can't guarantee I'll know the answer, but I'll give it a shot. I can only tell you from my experience.
<!--
var name = "minor\_sage";
var domain = "sendcoffee.com";
var subject = "?subject=Win3";
document.write("<a href=mailto:" + name + '@' + domain + subject + ">Comments?</a>");
//-->
The navigation bar above has details for my system. Your results may vary.
Visit the [Most Awesome 3.1 site ever](http://www.michaelv.org/)
|
|
---
|
|
[© SendCoffee](http://www.sendcoffee.com)
| http://sendcoffee.com/minorsage/win3/ |
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are very curious about the night (and day!) sky, but unfortunately
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sense that people believe it. Sometimes the news media help spread
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<a href="bad/misc/egg_spin.html" target=new>
spin or stand an egg on end during the Vernal Equinox</a>),
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plain old word of mouth, but the misinformation does get around.
<p>
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<P>
<i>
"In the space of one hundred and seventy-six years the
Lower Mississippi has shortened itself two hundred and
forty-two miles. Therefore ... in the Old Oolitic Silurian Period
the Lower Mississippi River was upward of one million three
hundred thousand miles long...
seven hundred and forty-two years from now the Lower
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There is something fascinating about science. One gets such
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|
| **[The Apollo Moon Hoax](bad/tv/foxapollo.html)** | | |
| | **[Astrology](bad/misc/astrology.html)** | |
| | | **[The Hoagland Mars Debunking](/bad/misc/hoagland/index.html)** |
|
[Site Introduction](#intro)
|
---
Welcome to the homepage for Bad Astronomy!
As an astronomer, teacher, lecturer and all-around science junkie,
I am exposed to all sorts of people and their ideas about what goes on
in the sky around them. I have been delighted to find that most people
are very curious about the night (and day!) sky, but unfortunately
a lot of misinformation is spread about astronomy. Sometimes this
information is just plain silly, but many times it makes just enough
sense that people believe it. Sometimes the news media help spread
these ideas (like the one that you can
[spin or stand an egg on end during the Vernal Equinox](bad/misc/egg_spin.html)),
sometimes it's TV and sometimes it's
plain old word of mouth, but the misinformation does get around.
I feel obliged to right these wrongs when I can. The Bad Astronomy
web pages are devoted to airing out myths and misconceptions
in astronomy and related topics. At the moment, I have no desire to
tackle here such thorny topics as astrology, alternate views of the
universe that are clearly in contradiction to observations, and the
like. I *may* add something like that eventually, when I have
more time (translation: "never").
But enough from me. Mark Twain said it best:
*"In the space of one hundred and seventy-six years the
Lower Mississippi has shortened itself two hundred and
forty-two miles. Therefore ... in the Old Oolitic Silurian Period
the Lower Mississippi River was upward of one million three
hundred thousand miles long...
seven hundred and forty-two years from now the Lower
Mississippi will
be only a mile and three-quarters long...
There is something fascinating about science. One gets such
wholesale returns of conjecture out of such a trifling
investment of fact."*
---
| |
| --- |
|
©2008 Phil Plait. All Rights Reserved.
|
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<html>
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</head>
<body>
<h1>The Hairy Chestival Game</h1>
<img src="chestival.png">
<h2>Ludum Dare #7 - December 2005</h2>
<p>This was my thrid Ludum Dare contest.
</p>
<h2>Download</h2>
<a href='chestival.zip'>Windows</a> | <a href='chestival.tgz'>Source</a>
<h2>Special Thanks</h2>
<p>
Dan - for being the poster child
</p>
<div class='pickles' style="text-align: center; padding-top: 8px">
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The Hairy Chestival Game
# The Hairy Chestival Game

## Ludum Dare #7 - December 2005
This was my thrid Ludum Dare contest.
## Download
[Windows](chestival.zip) | [Source](chestival.tgz)
## Special Thanks
Dan - for being the poster child
[](http://www.galcon.com/)
[](http://www.imitationpickles.org/melons/)
[](http://www.imitationpickles.org/pyweek1/)
[](http://www.imitationpickles.org/ld487/)
All content of [imitation pickles](http://www.imitationpickles.org/)
[(c) 1999-2008](http://www.imitationpickles.org/pickles1/index.shtml?cur=copyright) -
[Phil Hassey](http://www.imitationpickles.org/pickles/contact.html)
**"[we care](http://www.imitationpickles.org/pickles1/index.shtml?cur=wecare)"**
| http://www.imitationpickles.org/ld487/ |
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<h1> </h1>
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<td valign="top" height="30" width="343">
<h1>Mushroom Picking </h1>
</td>
</tr>
<tr>
<td valign="top" colspan="2">
<p>Mushrooms are an essential part of the forest ecosystem. They provide
food for animals and even help plants grow. Pickers are encouraged to
tread carefully, leave over-mature mushrooms behind and not pick in
rare ecosystems and forest reserves. It is illegal to pick mushrooms
in provincial parks. (See "Where can I pick mushrooms?" below.)</p>
<p>Mushrooms are the "fruit" of a fungus that lives unseen in
the soil or duff on the forest floor and in living or dead trees. This
unseen portion of a fungus is a root-like network called a mycelium.
For many mushrooms, this mycelium is interconnected with the roots of
a living tree. The mycelium annually produces spore-bearing bodies,
the mushrooms. The spores produced by the mushrooms germinate in the
soil when conditions are right and establish new mycelia in the forest.
</p>
<p>When you harvest mushrooms, it is important that you do not harm the
mycelium that produces the mushroom. Undamaged, and with favourable
weather conditions, the fungus will produce a crop each year.</p>
<h3><br>
Where can I pick mushrooms?</h3>
<p>Mushroom picking is an unregulated activity. It is permitted on provincial
forest land, but illegal in provincial parks. On private land, permission
is required. Note that there may be private land within forest tenures
including tree farm licences and woodlots.</p>
<p>Permission to pick mushrooms is required on:</p>
<ul>
<li>leased public land</li>
<li>private land </li>
<li>First Nations reserve lands</li>
</ul>
<p>Mushroom picking is NOT permitted on:</p>
<ul>
<li>national or provincial parks</li>
<li>federal defence lands</li>
<li>protected areas such as ecological or special reserves </li>
<li>recreation areas, including Forest Service recreation sites and
trails</li>
</ul>
<h3><br>
More about morels</h3>
<p><br>
A link has been observed between wildfires one year and morel mushroom
fruiting the following spring. There may also be a link between morels
and extensive tree mortality from insect epidemics (for example, the
mountain pine beetle).</p>
<p>Actual morel fruiting depends on various factors, including the weather.
For this reason, it is impossible to forecast the potential productivity
of a burned area for these mushrooms.</p>
<p>Although the taxonomy is still being worked out, there are probably
a number of morel species in B.C. These include true morels:<i> Morchella
elata</i> and <i>Morchella esculenta</i>. There are also the false morel
<i>Gyromitra esculenta</i> and the false early morel <i>Verpa bohemica.</i></p>
<h3>Quick Tips</h3>
<ul>
<li>Poisonous mushrooms grow in B.C. and can cause sickness and even
death if eaten. Anyone picking mushrooms should have the knowledge
and skills to correctly identify them.</li>
<li>Mushrooms should not be eaten raw.</li>
<li>Pick or cut the mushrooms one by one. For morels, cut the stem of
the mushroom above the ground. Do not pull or tear them out. </li>
<li>Do not rake or disturb the forest floor - this will disturb or kill
the mycelium that produces the mushroom.</li>
<li>Pick only the mushrooms you can use. Broken, overmature or wormy
mushrooms may still be spreading spores.</li>
<li>Do not remove or disturb the forest floor or moss layers where mushrooms
are growing.</li>
<li>Check the identity of the mushrooms with an experienced harvester,
buyer or biologist.</li>
<li>Care taken today means mushroom crops tomorrow!</li>
</ul>
<h3>Resources:</h3>
<p><br>
<a href="https://www.for.gov.bc.ca/hfp/pubs/mush/edible/harvhome.htm">Harvesting
Edible Wild Mushrooms in B.C.</a> (Ministry of Forests)<br>
- colour photos, general information, forest protection and safety advice<br>
</p>
<p><a href="https://www.for.gov.bc.ca/hfp/pubs/mush/formush/mushhome.htm">Forest
Mushrooms</a> (Canadian Forest Service, 1995)<br>
- colour pictures, general information<br>
</p>
<p><a href="http://www.bccdc.org/downloads/pdf/fps/reports/Wild_Mushrooms_May_Be_Poisonous.pdf">Food Safety Bulletin - Wild mushrooms may be poisonous</a><br>
(B.C. Centre for Disease Control, 1997)<br>
</p>
<p><a href="http://www.pfc.forestry.ca/biodiversity/matchmaker/index_e.html">Matchmaker:
Mushrooms of the Pacific Northwest</a><br>
- a searchable, online guide to 2,000 mushrooms<br>
</p>
<p><a href="http://srmwww.gov.bc.ca/risc/pubs/tebiodiv/macrofungi/macrofungi-glossary.htm">GLOSSARY</a>
- Macrofungi <br>
</p>
<p><a href="http://bcmushrooms.forrex.org/ntfp/index.html">Non-timber
forest products of British Columbia: Mushrooms</a><br>
Note: Contains illustrations and other information<br>
<br>
</p>
<p><br>
</p>
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|
Southern Interior Forest Region
| |
| --- |
| [Ministry of Forests](/)[Government of British Columbia](http://www.gov.bc.ca/) |
| [Southern Interior Forest Region](http://gww.for.gov.bc.ca/rsi) |
| [Forest Region and Districts](/mof/regdis.htm)[Search the Southern Interior Forest Region web site](/mof/search/rsisearch.htm)[Contact Information for the Southern Interior Forest Region](http://www.dir.gov.bc.ca/gtds.cgi?show=Branch&organizationCode=FOR&organizationalUnitCode=rsi) |
| |
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
|
| |
| --- |
| Site Contents |
| • | [Public Use - Homepage](PublicUse.htm) | |
| • | [Safety in
Burned Forest Areas](PublicSafety.htm) | |
| • | [Maps](Maps.htm) | |
| • | [Mushroom Picking](MushroomPicking.htm) | |
| • | [Mushroom Resources](MushroomResources.htm) | |
| • | [Road Use and Access](RoadUse.htm) | |
| • | [Camping](Camping.htm) | |
| • | [Fire Prevention](FirePrevention.htm) | |
| | | |
| General Information |
| • | [Southern Interior Forest
Region Home Page](https://www.for.gov.bc.ca/rsi) | |
| • | [Ministry of Forests
Home Page](https://www.for.gov.bc.ca) | |
| | | |
| | | Mushroom Picking |
| Mushrooms are an essential part of the forest ecosystem. They provide
food for animals and even help plants grow. Pickers are encouraged to
tread carefully, leave over-mature mushrooms behind and not pick in
rare ecosystems and forest reserves. It is illegal to pick mushrooms
in provincial parks. (See "Where can I pick mushrooms?" below.)
Mushrooms are the "fruit" of a fungus that lives unseen in
the soil or duff on the forest floor and in living or dead trees. This
unseen portion of a fungus is a root-like network called a mycelium.
For many mushrooms, this mycelium is interconnected with the roots of
a living tree. The mycelium annually produces spore-bearing bodies,
the mushrooms. The spores produced by the mushrooms germinate in the
soil when conditions are right and establish new mycelia in the forest.
When you harvest mushrooms, it is important that you do not harm the
mycelium that produces the mushroom. Undamaged, and with favourable
weather conditions, the fungus will produce a crop each year.
Where can I pick mushrooms?
Mushroom picking is an unregulated activity. It is permitted on provincial
forest land, but illegal in provincial parks. On private land, permission
is required. Note that there may be private land within forest tenures
including tree farm licences and woodlots.
Permission to pick mushrooms is required on:* leased public land
* private land
* First Nations reserve lands
Mushroom picking is NOT permitted on:* national or provincial parks
* federal defence lands
* protected areas such as ecological or special reserves
* recreation areas, including Forest Service recreation sites and
trails
More about morels
A link has been observed between wildfires one year and morel mushroom
fruiting the following spring. There may also be a link between morels
and extensive tree mortality from insect epidemics (for example, the
mountain pine beetle).
Actual morel fruiting depends on various factors, including the weather.
For this reason, it is impossible to forecast the potential productivity
of a burned area for these mushrooms.
Although the taxonomy is still being worked out, there are probably
a number of morel species in B.C. These include true morels: *Morchella
elata* and *Morchella esculenta*. There are also the false morel
*Gyromitra esculenta* and the false early morel *Verpa bohemica.*
Quick Tips* Poisonous mushrooms grow in B.C. and can cause sickness and even
death if eaten. Anyone picking mushrooms should have the knowledge
and skills to correctly identify them.
* Mushrooms should not be eaten raw.
* Pick or cut the mushrooms one by one. For morels, cut the stem of
the mushroom above the ground. Do not pull or tear them out.
* Do not rake or disturb the forest floor - this will disturb or kill
the mycelium that produces the mushroom.
* Pick only the mushrooms you can use. Broken, overmature or wormy
mushrooms may still be spreading spores.
* Do not remove or disturb the forest floor or moss layers where mushrooms
are growing.
* Check the identity of the mushrooms with an experienced harvester,
buyer or biologist.
* Care taken today means mushroom crops tomorrow!
Resources:
[Harvesting
Edible Wild Mushrooms in B.C.](https://www.for.gov.bc.ca/hfp/pubs/mush/edible/harvhome.htm) (Ministry of Forests)
- colour photos, general information, forest protection and safety advice
[Forest
Mushrooms](https://www.for.gov.bc.ca/hfp/pubs/mush/formush/mushhome.htm) (Canadian Forest Service, 1995)
- colour pictures, general information
[Food Safety Bulletin - Wild mushrooms may be poisonous](http://www.bccdc.org/downloads/pdf/fps/reports/Wild_Mushrooms_May_Be_Poisonous.pdf)
(B.C. Centre for Disease Control, 1997)
[Matchmaker:
Mushrooms of the Pacific Northwest](http://www.pfc.forestry.ca/biodiversity/matchmaker/index_e.html)
- a searchable, online guide to 2,000 mushrooms
[GLOSSARY](http://srmwww.gov.bc.ca/risc/pubs/tebiodiv/macrofungi/macrofungi-glossary.htm)
- Macrofungi
[Non-timber
forest products of British Columbia: Mushrooms](http://bcmushrooms.forrex.org/ntfp/index.html)
Note: Contains illustrations and other information
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<p>After <a href="https://sfconservancy.org/news/2023/nov/01/us-copyright-office-generative-ai-machine-learning/">filing our initial</a> comments in the <a href="https://www.regulations.gov/comment/COLC-2023-0006-0036">Copyright Office's request for comments</a>, SFC staff have remained engaged in the process — we've given particular attention to comments related to software freedom and rights as assured through copyleft licenses like the GPL. We advocate for your software rights and freedoms in many ways — including participation on public policy discussion of relevant issues, such as this Copyright Office study.</p>
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on July 27, 2023
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<h4 id="foss-commons">amicus curiae</h4>
<p>“Amicus curiae” literally means “friend of the court” and is what you call someone who isn’t a party to the case but,because of their strong interest or expertise in the subject matter of the case, has information or argument that the court would find useful in reaching a decision.</p>
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#
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*
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+ [Press](/press/)
Until January 15, the
next $81,272 of [support we receive](/sustainer/) will be matched!
[$80,457 matched!
$81,272 to go!](/sustainer/)
Software Freedom Conservancy is a nonprofit organization
centered around ethical technology. Our mission is to ensure the right to
repair, improve and reinstall software. We promote and defend these rights
through fostering free and open source software (FOSS) projects, driving
initiatives that actively make technology more inclusive, and advancing policy
strategies that defend FOSS (such as copyleft). [Learn more.](/about)
## Double your donation today!
SFC's annual fundraiser has secured a record $161,729 match fund, so
until January 15th any
(re)newing [Sustainers](https://sfconservancy.org/sustainer/#annual)
or [donations](https://sfconservancy.org/donate/) **will
double** — directly supporting the work we do to for software rights and digital freedom.
[SFC Year in Review](/sustainer/#YearInReview)
[](/videos/sfc-introduction_1080p.mp4)
[(watch on Youtube)](https://youtu.be/yCCxMfW0LTM)
## [News](/news/)
### [SFC Responds to Big Tech's Disengenous Arguments in Copyright Office's “Artificial Intelligence Study”](/news/2023/dec/11/response-to-bigtech-arguments-copyright-office/)
December 11, 2023
After [filing our initial](https://sfconservancy.org/news/2023/nov/01/us-copyright-office-generative-ai-machine-learning/) comments in the [Copyright Office's request for comments](https://www.regulations.gov/comment/COLC-2023-0006-0036), SFC staff have remained engaged in the process — we've given particular attention to comments related to software freedom and rights as assured through copyleft licenses like the GPL. We advocate for your software rights and freedoms in many ways — including participation on public policy discussion of relevant issues, such as this Copyright Office study.
[Read More…](/news/2023/dec/11/response-to-bigtech-arguments-copyright-office/)
### [SFC joins amicus curiae in Green v. Department of Justice](/news/2023/dec/06/sfc-amicus-curiae-in-dmca-suit/)
December 6, 2023
### [2023 Fundraiser Kicks Off With Historic $161,729 Match Fund!](/news/2023/nov/21/2023-fundraiser/)
November 21, 2023
### [SFC Submits comments to US Copyright Office on Generative AI and Copyleft](/news/2023/nov/01/us-copyright-office-generative-ai-machine-learning/)
November 1, 2023
## [Articles](/blog/)
### [Is Tesla open source? Roadster certainly isn't...](/blog/2023/dec/21/tesla-no-source-code-no-safety/)
by Denver Gingerich
on December 21, 2023
---
### [A Note from Our Executive Director: 2023 and my personal quest for software freedom](/blog/2023/dec/19/a-note-from-karen-2023/)
by Karen Sandler
on December 19, 2023
---
### [Sourceware thanks Conservancy for their support and urges the community to support Conservancy](/blog/2023/nov/27/sourceware-thanks-conservancy/)
by Sourceware PLC
on November 27, 2023
---
### [How I watched a Motion for Summary Judgment hearing](/blog/2023/oct/12/how-i-watched-motion-summary-judgment-hearing/)
by Denver Gingerich
on October 12, 2023
---
### [Software Freedom & Trademarks: Examining Rust's New Policy through the Lens of FOSS History](/blog/2023/jul/27/trademark-history-and-rust/)
by Denver Gingerich
on July 27, 2023
### Featured Term
#### amicus curiae
“Amicus curiae” literally means “friend of the court” and is what you call someone who isn’t a party to the case but,because of their strong interest or expertise in the subject matter of the case, has information or argument that the court would find useful in reaching a decision.
[Visit our glossary of terms](/copyleft-compliance/glossary.html#amicus)
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<a href="http://freetotravel.org/">
<img border=0 src="suspected-terrorist.gif"
alt="Suspected Terrorist (like all of us)"></a>
<a href="http://www.crypto.com/">
<img border=0 src="big-key.png"
alt="Support encryption freedom!"></a>
<a href="http://freedomofthought.org/">
<img border=0 src="freedom-of-thought.png"
alt="Freedom of Thought flashlight"></a>
<a href="http://erowid.org/">
<img border=0 src="drugs-and-rights.png"
alt="Book on Drugs and Rights, by Prof. Douglas Husak"></a>
<a href="http://sitasingstheblues.com/store">
<img border=0 src="sita_ad_120x60.jpg"
alt="Sita Sings the Blues (CC-SA licensed animated movie) store"></a>
<p>
<h2>
<a href="#email">Why I'm Not Answering Your Email</a>
</h2>
<h2>
<a href="http://papersplease.org">US Homeland Security recorded what book I was reading as I crossed the border</a>
</h2>
In direct violation of the Privacy Act, which states that federal
agencies shall not record the how citizens use their First Amendment
rights (unless specifically instructed to do so by statute), the US
Department of Homeland Security recorded in my permanent dossier that
as I flew into San Francisco from London,
I had "<b>many small flashlights with pot leaves on them. He had a book
entitled 'Drugs And Your Rights'.</b> [sic]" Images of the flashlight and the book
are above.
<p>
The Gestapo cared what works of philosophy you were reading. So did the
Stasi. Those of you who live in free countries may find it a bit
hard to understand why any populace wouldn't tear to bits any bureaucrats
that would take away the fundamental right to read whatever you like
without it being used to determine how your government treats you as
you cross borders or travel within your own country.
<p>
Every country tells its citizens, and the world at large, that it is
a "free country". The USSR had a constitution with a bill of rights
much like that of the USA. Just as in the USA, those rights were not
enforced and not enforceable.
<p>
The United States is not a free country. Only when the DHS is dissolved,
disbanded, disempowered, and disrespected will there be any prayer of freedom.
<p>
Those of you in free countries may like to read <a
href="http://www.psychedelic-library.org/drugsandrights.htm">the book
that DHS found so interesting</a>, or meet the
<a href="http://philosophy.rutgers.edu/FACSTAFF/BIOS/husak.html">Rutgers
professor of philosophy, Douglas Husak</a> who wrote it. You may even
want to carry a small, useful keychain flashlight advocating for "Freedom
of Thought". <a href="http://cognitiveliberty.org">Freedom of thought</a>
needs more advocates.
<h2>
Current Projects
</h2>
<p>
<a href="https://freedomboxfoundation.org">Freedom Boxes</a>.
<a href="http://emoglen.law.columbia.edu/">Eben Moglen</a>
created the Freedom Box Foundation to create and
spread tiny, cheap home servers that use free software to provide freedom
and privacy for individuals. These compete with "cloud-based" services
that put your privacy and your freedom under the control of third parties
who don't have your interest at heart. These boxes are designed to
make mass surveillance impractical and thus to safeguard political
liberty (even in countries that don't favor individual liberty). See the
<a href="http://video.fosdem.org/2011/maintracks/political.xvid.avi"
>video</a> or
<a href="http://www.softwarefreedom.org/events/2011/fosdem/moglen-fosdem-keynote.html"
>transcript</a> of Eben's speech on
"Why Political Liberty Depends on Software Freedom More Then Ever".
I'm helping.
<p>
<a href="clifs-shade-structure.html">A Shade Structure for Burning Man</a>.
I built a pretty simple shade structure for our camp at the
Burning Man festival.
<p>
<a href="http://papersplease.org/gilmore/">Freedom of Movement /
Secret Law</a>. I sued <a href="http://tsa.gov">TSA</a> to make them
stop demanding that citizens identify themselves in order to travel.
Not only airports, but trains, cruise ships, and some buses, are now
"asking for" IDs. You can't read the rules -- they define your rights and
obligations, but they're super secret information (SSI). I petitioned
the US Supreme Court to examine whether the Feds can enforce secret
regulations. <b>I lost every one of these lawsuits. The Constitution is
a dead letter as far as the one-branch Federal dictatorship is concerned.
Whatever the Executive does, Congress and the courts rubber-stamp.</b>
What we did discover is that there is no requirement to show ID to
get on an airplane. TSA said so in their papers and in open court.
But each of these courts refused to make TSA stop lying to the public
with airport signs telling every passenger that their ID is "required".
<p> If you politely decline to show ID whenever someone asks (or demands)
it, and continue politely declining regardless of how they escalate,
you will discover what your rights are. You'll be surprised. You'll
get away with it. Most of the people who were asking for it have no
right to demand it. They've been relying on your voluntary cooperation.
They forgot to tell you that part; but you just found it out for yourself.
Sometimes you may discover that you didn't have the right to live, move
around, or do business in your own country without government-issued
documents. That's very interesting knowledge to acquire first-hand too.
If you haven't recently tried exercising your right to exist and live
without government permission, are you sure you still have that right?
<p>
<img src="public_dhs_advisory_elevated.gif" alt="'Elevated' threat level">
<img src="doomsday-clock-Masthead_03.jpg" alt="Doomsday clock: 7
minutes before midnight">
<br>
<u>Deflating Idiocy About Security</u>. The US government says we are always at an
"Elevated" threat level.
They have no plans to ever reduce this reported threat level down
to "Low", no matter how many years of untroubled life we go through.
It's like the Bulletin of the Atomic Scientists' "doomsday clock"
which in over fifty years has never been shown with less than 17 minutes
remaining before Armageddon. Well, 17 minutes have ticked past more than
a million and a half times since 1947, and the
bombs haven't blown us up. These are both scare tactics, not real reflections
of reality.
<p>
In reality, the likelihood of you being directly affected
by a terrorist attack has not gone up or down since 9/11; the likelihood
has always been extremely low. You and your friends are far more likely
to die in bed, in a car wreck, of heart disease, or by falling down the
stairs, than from a terrorist attack. Similarly, the risk of you or your
friends being directly affected by an atomic explosion is also low --
perhaps at 10AM rather than at 7-minutes-to-midnight.
<a href="#badsec">More...</a><p>
<p>
<u>Disarming the rogue United States</u>. The United States should
be forced by United Nations resolutions to surrender its "weapons of
mass destruction" or face the consequences. "That nation has gone beyond
the pale. It repeatedly threatens
and attacks other sovereign countries without provocation, holds massive
stocks of nuclear and conventional weapons, tortures its own
citizens and those of other countries, refuses to follow its own
constitution and laws, breaks international treaties which it co-created
and signed, holds 500,000 political
prisoners in its jails. It imprisons the largest number <u>and</u> percentage of its
people in the world. Every government with that kind of track record
needs to immediately disarm and submit to a regime change, or
face the consequences from the international community."
<p>
<a href="whatswrong.html">What's Wrong with Copy Protection?</a>
Why should self-interested companies be permitted to shift the
balance of fundamental liberties, risking free expression, free
markets, scientific progress, consumer rights, societal stability, and
the end of physical and informational want? Because somebody might be
able to steal a song? That seems a rather flimsy excuse. This early
paper on DRM (Digital Rights Management) systems is still relevant in spots.
<h2>
Things I've Started
</h2>
<dl>
<dt>The <a HREF="http://www.eff.org">Electronic Frontier Foundation</a>
(with Mitch Kapor, John Perry Barlow, and Steve Wozniak)</dt>
<dd>
A foundation dedicated to civil rights and civic responsibilities online.
Here's a few
<a HREF="http://www.eff.org/Misc/Publications/John_Gilmore/">documents</a>
I made with EFF.
Here is a speech on
<a href="cfp.talk.txt">Privacy, Technology and the Open Society</a>
that I gave at the First Conference on Computers, Freedom and Privacy.
I'm still quite active in EFF, and serve on its
Board of Directors.
<p></dd>
<dt>The <a HREF="http://www.wired.com/wired/archive/1.02/crypto.rebels.html"
>Cypherpunks</a>
(with Eric Hughes and Tim May)</dt>
<dd>
An informal group dedicated to public education and dissemination of
encryption (also known as cryptography, the science and art of secret writing).
I originally hosted the mailing list ([email protected])
and provided space for the first
few years' worth of meetings. A descendant of the mailing list is still
operating; subscribe to [email protected].
<p></dd>
<dt>The "<a HREF="news:alt.config">alt</a>'' newsgroups on the Usenet
(with Brian Reid and Gordon Moffett)
</dt><dd>
A forum for discussions that the ``mainstream''
Usenet refused to handle, like sex, drugs, and gourmet cooking.
I supported nationwide (US) links among the original ``alt'' sites
until it became popular enough that almost everyone carried it.
I set the original newsgroup creation policy in ``alt'', which
was to ``Use common sense.'' Alt has flourished as a haven for
popular and unpopular topics, and was targeted by Compuserve
for censorship in December 1995 because they felt that some of the
free speech in it was too free for them to handle. The alt groups
are self-regulating (or self-unregulating) and I have not been involved
in alt policy or group creation in many years.
<p></dd>
<dt><a HREF="http://www.redhat.com/">Cygnus Solutions</a>
(with Mike Tiemann and David Henkel-Wallace)</dt>
<dd>
A company that provides commercial support for free software.
They support the
GNU programming software (from the
<a HREF="http://www.gnu.org/">Free Software Foundation</a>),
I co-managed the company, provided engineering leadership, was the
official maintainer of GDB for several years and led the GDB programming
team, supported numerous customers,
and led the Cygnus Network Security (Kerberos) product team.
I instituted a culture of distributed hiring, automated software testing,
and frequent software releases across
scores of platforms, much of which persists to this day.
I stopped working daily at Cygnus in April 1995, and left the Board
of Directors in January, 1997. The company was bought by
<a href="http://www.redhat.com">Red Hat, Inc</a> in November, 1999,
for $675 million. They're still doing fine as a big piece of Red Hat.
<p>
I've scanned in some <a href="cygnus/index.html">Cygnus marketing materials</a>
showing some of the early evolution of the free software market.
<p></dd>
<dt><a HREF="http://www.tlg.net">The Little Garden</a>
(with John Romkey, David Henkel-Wallace, and Steve Crocker)
</dt><dd>
A medium-sized Internet Service Provider in the San Francisco Bay Area.
now merged into Verio.
We mostly sold T1 and 56K Internet connections to businesses.
We were distinguished from many other early commercial providers by our
common-carrier attitude: "You are free to resell the service that we
provide to you, and we will not censor it."
This enabled a whole crop of smaller resellers
in various locales to buy from us and offer
other services to the public (like modem-based Internet connections).
These resellers contributed to our volume of Internet traffic,
and enabled us to provide higher quality service at lower prices.
TLGnet was sold to <a href="//www.best.com">Best Internet Communications</a>
in July, 1996, and my active involvement in it ended. (Best was then
bought by <a href="http://www.hiway.net">Hiway Technologies</a>, which was
then bought by <a href="http://www.verio.com">Verio</a>.)
<p></dd>
<dt><a HREF="http://www.gnu.org/software/gnuradio">GNU Radio</a>
(with Eric Blossom)
</dt><dd>
A software project that decodes and encodes radio and audio signals in
software. It's a specific example of "Digital Signal Processing", but
designed to be good at handling high speed (or wideband) signals. It's free
software.<p>
GNU Radio can receive and decode over-the-air HDTV signals in the
US standard "ATSC" format. This decoder enables researchers to demonstrate
a full software implementation of the ATSC format, and also provides a
reference implementation for other designers. The decoder software currently
(May 2003) runs about 40x slower than realtime, but enables the realtime
recording, slow decoding, and later full-speed playback of HDTV signals.
I have verified that the software works, on my own equipment. Here are
example <a href="gnuradio/xine_snapshot-1.png">images #1</a>
and <a href="gnuradio/xine_snapshot-2.png">#2</a> decoded on May 13, 2003
from KQED-DT, channel 30 in San Francisco, California.<p>
In 2008 I catalyzed
<a href="http://www.kestrelsp.com">Kestrel Signal Processing</a>'s
donation of the OpenBTS cellphone base-station
software to the Free Software Foundation as part of GNU Radio. In 2009
I wrote and contributed smqueue, an
SMS text message queueing and delivery module,
to that part of GNU Radio.
<p></dd>
<dt><a HREF="http://www.gnu.org/software/gnash">Gnash</a>, the GNU Flash player
(with Rob Savoye)
</dt><dd>
No working free software or open source flash player existed to
display the average web page that contains embedded Macromedia Flash
objects. Richard Stallman therefore made such a player a high
priority project for the Free Software Foundation.<p>
I knew <a href="http://www.welcomehome.org/rob.html">Rob Savoye</a>
from Cygnus, and knew he'd done some work on an embedded Flash player,
so I asked if I could pay him for six months to turn that open source
embedded Flash player into a GNU flash player. He agreed, and the
Gnash project was born. It currently provides a standalone player
which builds and runs on a variety of systems, using OpenGL
and other renderers, plus a browser plugin. The project is now financially
supported by a commercial company, Lulu.com, which stands to benefit
from its rapid evolution. It is now able to play Flash videos from
<a href="http://Youtube.com">YouTube</a>
and <a href="http://lulu.tv">Lulu.tv</a>. Stay
tuned; a solid community of contributors are improving it daily.
<p></dd>
</dl>
<h2>Things I've Put A Lot of Energy Into</h2>
<dl>
<dt><a HREF="http://www.sun.com">Sun Microsystems</a>
</dt><dd>
Sun is a computer manufacturer, long a leader in the technical workstation
and database markets. Many Web pages are served from a Sun server.
Sun is now a multi-billion-dollar company; working there made me
financially independent. It was acquired by Oracle in 2010.
I was its fifth employee, and later a consultant. I handled architecture, design, implementation, and debugging of Sun
Workstations.
Wrote and maintained
bootstrap and diagnostic ROMs for the Sun-1, Sun-2, and Sun-3.
Debugged first prototypes of Sun-1 and Sun-2, working with the
hardware designer. Worked on first bringup ever of Unix on
Motorola 68010 and 68020. Designed and diagnosed the chip
designs for the SPARCstation-1 and SPARCstation-2.
Straddled the hardware and software
camps to locate, explain, and solve design, implementation, and
manufacturing problems. Pulled many chestnuts out of fires.
Debugged Unix utilities, kernel, device drivers, and CAD software.
Diagnostics. Documentation. Electronic mail maintenance,
support, and enhancement. Performance and code generation
improvement. General technical support. Network relations.
Contributed to lively corporate culture.<p>
</dd>
<dt><a HREF="http://www.gnu.org">Free Software</a>
</dt><dd>
Free Software means software that comes with freedom -- not software that
has a price of 0. In particular, it means software that gives everyone the
source code (what programmers need to keep a program running and improve
on it) and the right to use the program, modify it, and give or sell copies to
anyone. The new buzzword for this is "Open Source", but it's been called
"Free Software" for decades.
<p>
In the early days of computing, almost all software was free.
IBM's operating systems, for example, came with source code and the
right to copy and modify it. This gradually changed as software became
more independent from hardware. Richard Stallman realized the loss
to the industry from the change, and formalized the issue with the
<a href="http://www.fsf.org/licenses/gpl.txt">GNU General Public License</a>
and his project to re-implement Unix freely in 1983.<p>
I ported Richard's GNU Emacs to the Sun
Workstation that year. I started archiving the free software posted to
the Usenet in 1981, and continued through 1987 or so. I started a project
to "sift the sands of Berkeley Unix", collaborating with UCB and other Unix
hackers to sort the nuggets of original,
nonproprietary code out from the background of AT&T-licensed code. Ultimately
this resulted in the Berkeley "Networking 2" release, which didn't require
the recipient to have an AT&T license.
In 1985 I wrote the "pdtar" program, which eventually became
<a href="http://www.gnu.org/software/tar/">GNU Tar</a>.
In 1986 I tested pre-releases and
each public release of the
<a href="http://gcc.gnu.org/">GNU C Compiler</a> (now called the GNU Compiler
Collection).
I wrote GNU UUCP and hacked on
the GNU Debugger and GNU Make in 1988 and 89.
I ported most of Berkeley Unix through GCC in 1989
for UC Berkeley, so they could abandon the proprietary AT&T C compiler,
as part of the effort to make BSD Unix freely available.
In 1989 I co-founded Cygnus Support, the first company dedicated to supporting
free software. Cygnus has made major contributions to free software,
including better documentation, quality assurance,
cross-compilation, many ports to new
hardware and operating systems, and marketing help to get free software
accepted by the computing mainstream. While at Cygnus I maintained the
<a href="http://www.gnu.org/software/gdb/gdb.html">GNU Debugger (GDB)</a>
from 1990 through 1993. I worked on MIT's free Kerberos software for Cygnus
from 1994 through 1995.
I served on the Program Committee for the First Conference on
Freely Redistributable Software in February 1996. Throughout 1996
I worked on securing the Berkeley Internet Name Daemon ("BIND"), the free
software which holds the Internet together by mapping domain names to
and from numeric Internet addresses, using
<a href="/dnssec/index.html">Domain Name System Security ("dnssec")</a>.
<p>
From 1996-2003 I co-created and
sponsored <a href="http://www.freeswan.org">FreeS/WAN</a>,
which added IPSEC (cryptographic security and
privacy) to Linux's Internet networking support.
In 2001 I co-created and sponsored <a href="http://gnuradio.org">GNU Radio</a>,
a framework for digital signal processing of radio-frequency signals.
In 2005 I co-founded <a href="http://getgnash.org">GNU Gnash</a> with
<a href="http://welcomehome.org/rob.html">Rob Savoye</a>
(who is doing all the work).
In 2007, <a href="http://www.donhopkins.com">Don Hopkins</a> and I convinced
<a href="http://www.ea.com">Electronic Arts</a> to
release Will Wright's original groundbreaking
<a href="http://www.donhopkins.com/home/micropolis/">SimCity game</a>
(which started the billion-dollar Maxis/EA "Sim" series of games),
released for free to the children of the world under the GNU General Public
License (v3) as "Micropolis" (its original code-name). I also helped
the
<a href="http://wiki.laptop.org">One Laptop Per Child</a> project
with quality assurance, writing and editing, tech support, and other
collaboration.
In 2009 I wrote smqueue, a queueing and delivery system for
<a href="http://rfc-editor.org/rfc/rfc3428.txt">SIP-based text messaging</a>,
which processes SMS messages for cellphones handled by
<a href="http://openbts.sourceforge.net">OpenBTS</a> GSM cellphone base-station
software (which is part of GNU Radio).
I still contribute occasional changes to various free software program.
<p>
</dd>
<dt>Freedom of Information
</dt><dd>
I have put a lot of time and money into researching what the government
is doing, using Freedom of Information Act (FOIA) requests. I have sued the
US Government several times to enforce the FOIA against agencies
who have little or no interest in letting the public know, in a
timely fashion, what they have been doing to or for us.<p>
<p>
In 2006 I sued the government to demand that it either publish the secret
law that requires citizens to show ID in order to travel in the United
States -- or to stop enforcing that secret law. This is part of my
<a href="http://papersplease.org/gilmore">Freedom to Travel</a>
case. The FOIA does not apply to this secret law, because Congress
specifically exempted airline security directives from the FOIA.
Congress could not exempt them from the Constitution, which requires
that citizens be given notice of what the law requires -- but the courts
did exempt them from it, by refusing my case every step of the way.
</dd>
<dt><a href="http://www.crypto.com/">Encryption Policy</a>
</dt><dd>
Encryption is secret writing. Codes and ciphers. Spies.
Encryption was originally used by military and diplomatic organizations;
Julius Caesar invented an encryption scheme.
In the last century,
electronic communication (telegraphy and radio) made it widely useful, and
computerization has made it extremely cheap. Widespread public
networking has made it useful to everyone, for everything from
putting "envelopes" around your email for privacy, moving
money around the net safely, to
proving that you're really you when you're halfway
around the world.
<p>
The US government is deathly afraid of its own citizens
(and non-US-citizens)
having access to good encryption.
This fear extends all the way up to the Vice President and the head
of the FBI, who personally
get involved in creating encryption policy.
Everyone in government refuses to tell us why, saying it's classified
and the national security is at stake. Rubbish! The security of the
nation is already gone when its government violates the basic
rights of its own citizenry, as these agencies do every day.
They are "burning the Constitution in order to save it".
(My own belief is that what's really at stake is
a wiretap-based power base that J. Edgar Hoover and the
classified spy agencies have built up for their own benefit.)
<p>
The most Byzantine set of laws,
regulations, policies, departments, and practices you've ever heard of
are employed by the National Security Agency and three or four other
Executive Branch departments in an attempt to keep good crypto from bad guys.
Unfortunately, they have also succeeded in keeping good crypto from good
guys who have constitutional rights. I instigated a
<a href="http://www.eff.org/pub/Crypto/ITAR_export/Bernstein_case/">lawsuit</a>
to correct this, with Dan Bernstein as plaintiff and the Electronic
Frontier Foundation backing him up. I was a technical advisor to the
lawyers in the case. On December 6, 1996, Judge Patel decided that the
export regulations are unconstitutional. The government appealed, and
on May 6, 1999, the 9th Circuit Court of Appeals
<a href="http://www.eff.org/bernstein/Legal/19990506_circuit_decision.html">agreed</a>
with her. The government appealed to an 11-judge panel in the 9th Circuit (an
"en banc review"), which was granted, and then the government "voluntarily"
changed the encryption export regulations so that most free software and
academic research, and a lot of proprietary encryption software as well,
can be easily published from the US. The "en banc review" of the
old regulations became moot, and the case has been handed back down to
Judge Patel, who ultimately ended it. The new regulations are even more complex
than the old ones, and carry the same old harsh penalties for inadvertent
violation. They need to not just be "reformed" but scrapped.
<p>
The government claims to retain the
right to change those rules whenever it wants, and restrict encryption
software again if it chooses.
Congressman Judd Gregg announced support for doing
so in the week of hysterical reaction after the World Trade Center was
destroyed by hijacked airliners, but was shouted down by the people who'd
spent a decade fighting this battle before he could
gather any political support.
<p>
I have had an interest in
encryption since childhood,
and have spent a lot of time working on
<a HREF="export/export.html"
>crypto export control issues</a>.
<p>
I led the team that built the world's first publicly announced <a
href="http://www.eff.org/descracker/">DES Cracker</a>, a machine that
finds the secret key used to encrypt messages in the government's
favorite encryption scheme, the Data Encryption Standard (DES). The
National Security Agency intervened when the scheme was being
standardized in the early 1970s, shortening the secret keys so that
they could build their own DES Crackers. But they spent the next 25
years lying to us about how secure the scheme is, to encourage
everyone to use it -- and we did. This left NSA able to secretly
eavesdrop on anyone who used DES, which includes the entire financial
community, and most computer and network security systems. Technology
has advanced to where anyone with $200,000 can break the code, leaving
all of our DES-protected infrastructures at risk.
<a href="../des-stanford-meeting.html">Thanks NSA</a>! By 2010
much of the older DES-based software has been replaced, though there
are a few places that still use it, and its use is still an option in some
protocol implementations even though it is known to be insecure.
NIST has standardized a new algorithm with much longer keys, which
has not been studied nearly as long as DES, but which has resisted all
attacks so far.
Smart people long ago stopped designing DES into new systems.
Triple-DES or AES seem to be the preferred replacements.
<p>
</dd>
<dt>Securing the Internet
</dt><dd>
As I say below, my
<a href="http://www.freeswan.org">FreeS/WAN project</a>
is to secure Internet traffic against wiretapping.<p>
</dd>
<dt><a name="DrugPolicyReform">Drug Policy Reform</a>
</dt><dd>
(See my <a href="/drugs/index.html">Drug Policy Reform</a> page.)<p>
The US policy on "illegal drugs" has been a terrible, hurtful sham for my
entire life. Today there are more than 2,300,000 people in prison in
the United States -- supposedly the freest country in the world.
One quarter of the world prison population is imprisoned in the US.
We have imprisoned a larger number AND a larger percentage of our
citizens than in every single other country. Minorities are imprisoned
at large multiples of their actual incidence of criminal behavior.
<p>
<a href="http://replay.waybackmachine.org/200012031027/http://www.dpf.org/index.html?Source=/Archive/2000/8/10-49577.html"
<a href="https://www.dpf.org/pp.html?Source=/Archive/2000/8/10-49577.html"
>458,000 of those people</a> were in prison for non-violent mind-altering
drug charges in 2000;
<a href="http://www.pbs.org/independentlens/tuliatexas/warondrugs.html"
>about 500,000</a> in 2008.
The federal <a href="http://bjs.ojp.usdoj.gov/content/dcf/correct.cfm">Bureau of Justice Statistics</a> reported 155,900 in city or county jails for
drug offenses (2002); 251,400 in state prisons
(<a href="http://bjs.ojp.usdoj.gov/index.cfm?ty=pbdetail&iid=2232">2008</a>);
and 95,205 in
federal prison
(<a href="http://bjs.ojp.usdoj.gov/index.cfm?ty=pbdetail&iid=2232">2009</a>).
Don't forget the additional 582,759 nonviolent drug users on probation and the 261,666 on parole in
<a href="http://bjs.ojp.usdoj.gov/index.cfm?ty=pbdetail&iid=2233">2009</a>.
By <a href="http://bjs.ojp.usdoj.gov/index.cfm?ty=pbdetail&iid=5109"
>2012</a>, about 210,200 were in state prisons; in 2013,
98,200 in federal prison, plus
<a href="http://bjs.ojp.usdoj.gov/content/pub/pdf/ppus13.pdf"
>986,000 on probation and 268,656 on parole</a>. I have no recent data on
state jail populations from drug arrests, except in scattered states.
More than half of all federal prisoners are imprisoned for drug crimes.
<p />
Many of these political prisoners are otherwise law-abiding people, making families
and pulling their weight in society. The vast majority of them are black or
Hispanic.
The policy that locks all of them up,
and makes their drug-using friends fear their own government, is
<a href="http://www.drugpolicy.org/about/position/race_paper_econ.cfm">wicked
and racist</a>. It damages our citizens' respect for the law, it encourages
corruption in our government institutions, it has been responsible for
major losses of our constitutional rights, and has wasted hundreds of billions
of taxpayer dollars. It has also cost millions of people their time
and money to fight the criminal justice system. It encourages violent
resolution of commercial disputes with drug sellers, by denying
recourse to courts, harming not only those people but their families,
neighborhoods, and innocent bystanders. The US has forced this policy
down the throats of countries all over the Earth, vastly multiplying
the misery and injustice it creates. And it artificially raises the
prices of these substances, feeding our citizens' money to many violent
and irresponsible suppliers. At least
<a href="http://www.druglibrary.org/schaffer/Library/studies/iom/iom3pt1.htm#use">68 million people</a> have used illegal
drugs (as of 1996), including our own <a href="http://www.whatreallyhappened.com/RANCHO/POLITICS/gallery.html"
>Presidents</a>, but the madness persists. The
obvious lies that the government tells in furthering its drug policy
make every thinking citizen doubt other statements -- even true ones --
from such an obviously corrupt government.
<p>
Besides the practical issues, there are fundamental rights involved.
The right to speak freely is irrelevant if the citizenry does not have the
right to think freely. Our government's control of drugs is really
intended to control our citizens' mental states. The substances themselves
are not important unless they affect human minds (and some, such as
nitrous oxide, are freely sold for non-mind-altering uses, but
controlled when people wish to influence their own mental states).<p>
These drugs appear to be prohibited by the government because they
permit users to see that the world is not composed of a single point of
view, a single concrete reality shared by all. The way each of us
interacts with the world is a function of our internal brain chemistry,
which is unique to each of us, and can be altered by our own choice or
by imposed choices. The government seeks to impose <b>its</b> answer to
the choice of whether or not to view reality in certain ways. These
altered ways have clearly been useful in religion, art, music,
medicine, and recreation for millennia. These government
attempts to control the minds of its citizens are a direct violation of the
basic constitutional freedoms that the government is designed to secure
for ourselves and our posterity.
<p>
I have known many people throughout my life who are able to <b>use</b>
drugs in appropriate settings without harm to themselves or to others.
I have known a few who were unable to control their use, and abused
drugs. Today's policy does not "cure" these drug abusers, nor successfully
remove them from society. The huge number of harmless users swept up
in the gears of "justice" swamp the system, preventing the real troublesome
people from being reformed or isolated.
<p>
Just as adults keep immature children away from matches and hot objects,
though there is no law prohibiting the possession of matches by
children, parents and social feedback should be used to teach children
how to handle drugs responsibly. The War on Drugs has certainly not kept
children from being able to get drugs! By eliminating the black market
and the threat of prison, and allowing straightforward talk from people
who know the dangers first-hand, children can learn the real reasons
why some drugs are best avoided, and learn the line between use and
abuse of other drugs. Today's situation teaches children that it's
best to sneak and lie about what they're doing -- both because they
are afraid of prosecution, and because they see drug-using parents
doing the same thing.
<p>
I believe that mind-altering drugs should be usable and sellable under
the same rules and the same taxes that apply to substances like flour,
sugar and coffee. If the label says it's pure Humboldt County
marijuana of 18% THC content, then it had better really contain that, or
the seller is in legal trouble.
Otherwise, no restrictions, no special taxes, no more black markets.
If someone consumes a drug in a way that damages people around them (or
seriously threatens to), they should be held responsible -- whether the
drug is coffee, alcohol, or cocaine.
<p>
No matter who you are, you know someone who uses illegal drugs. Talk
with these people about the real effects and the real dangers of the
drugs they use, compare what they tell you to what the government
tells you, and ask them about how the current drug laws and policies
affect their life. If you think you don't know any drug users, think
again of who you know. Are you really sure about all of them? If you
still can't think of anyone, ask your friends in private whether they
have ever used illegal drugs. You'll be surprised at what some of
them have been afraid to tell you. Learn from what they know, but
learn especially from the paranoia and fear they have had to live in.
Then work with me for a peaceful end to the Drug War and a sane policy
for how to treat our fellow citizens.
</dd>
<dt><a href="http://laptop.org">One Laptop Per Child</a>
</dt><dd>
This project seeks to build millions of small, child-friendly laptops and
get them into the hands of students in Third World countries. The laptops
and software are being designed by educators with decades of experience
teaching kids using computers, like Alan Kay and Seymour Papert. Their
business model is to sell the computers to the education bureacracies of
countries, in place of paper textbooks. The computers will contain many
textbooks, and also provide much more infrastructure for learning. The
software is almost exclusively free software or open source, giving both
the project and the students limitless opportunities to customise, improve,
share, and understand how their systems work.
<p>
I helped around the edges with introductions, strategy, specs,
testing, Secure Digital hardware, and little bits of programming. In
particular, I made sure that the hardware would handle SDHC cards (larger
than 2GB), and worked on understanding and clearing the software roadblocks
that kept the project from reducing the power consumption of the hardware.
I also got the original SimCity game released for the OLPC as "Micropolis".
</dd>
</dl>
<h2>Other Interests</h2>
<dl>
<dt><a href="census.html">Don't Trust the Census <img src="census2.excerpt.png" width=100%></a>
</dt><dd>
We have recently finished another decennial data-rape, also known as the Census.
But you shouldn't tell the Census anything. The law says they can't release
the info you provide for 99 years -- but if they want to, they just change
the law. They've done it twice before.
When the US Government rounded up Japanese-Americans during WW2, the "Second War Powers Act" let them
use the supposedly private census data to tell the thugs where their
victims lived. Homeland Security zealots extracted similar data
about Muslims and Middle Easterners in 2003, under the Patriot Act. Will your innocent
ancestry, profession, or hobby be the target of the next hysterical
witch-hunt? By then it will be too late to un-reveal your information.
<b>Don't help the government constrain you; always decline to give them
information.</b> They aren't recording it for <i>your</i> benefit.
<a href="census.html">Details</a>
</dd>
<dt><a href="http://www.usenix.org">The USENIX Association</a>
</dt><dd> USENIX is "the Advanced Computing Systems Association". It
started off with meetings and technical conferences for the original
creators of Unix, but as those folks expanded their interests into
other fields, it too has widened. I attended lots of USENIX
conferences in the '80s, met many great and talented people, and
learned a lot about Unix from them. I got busy in the late '80s and
through the '90s, reconnected in 2000, ran for the Board of
Directors on a platform of addressing the social impacts of
technology, and was elected to two 2-year terms. I left the
board in 2004.
</dd>
<dt><a href="http://www.lp.org">The Libertarian Party</a>
</dt><dd>
The Libertarians are a political party dedicated to small and simple
government. I'm a life member. I consider the two major parties in the US
to both be morally bankrupt, and largely indistinguishable from each other.
Under both of them, US and state governments continue to grow in size, cost,
and influence over their citizens. Both support completely indefensible
policies such as the drug policies of the last forty years, unprovoked
attacks on countries like Iraq that never did anything to the US, and "money
laundering" laws that criminalize financial privacy.
</dd>
<dt><a href="http://www.c2.net">C2net Software</a>
</dt><dd>
C2net was started by Sameer Parekh and other cypherpunks in the
early 1990's. It now sells and supports Stronghold, a version of the
popular Apache web server that contains strong encryption. Stronghold
is a market leader among secure web servers. C2, like my own
FreeS/WAN IPSEC project, develops and archives its encryption programs
outside the United States, so they can be freely shipped and used worldwide.
I joined the board of C2net in 1998 and served there until it was
acquired by Red Hat, Inc, in 2000.
</dd>
<dt><a href="http://www.codeweavers.com">CodeWeavers, Inc.</a>
</dt><dd>
CodeWeavers is a commercial company that's developing and supporting
the free Wine software, and helping companies who have MS-Windows
products port them to Unix. I started talking with them in 1998,
invested in the company in 2000, and now serve on its board.
</dd>
<dt><a href="http://www.request.com">ReQuest, Inc</a>
</dt><dd>
ReQuest makes great home stereo components that play MP3 music. I've
been talking with them since 1999, and invested in the company in
2000. I'm now on the board of directors.
</dd>
<dt><a href="http://www.isoc.org">The Internet Society</a>
</dt><dd>
I was a member of the Internet Society for many years. I was
elected to its Board of Trustees in July 1997, for a three-year term.
</dd>
</dl>
<h2><a id=quotes href="#quotes">Things I've Said (That People Sometimes Remember)</a></h2>
<dl>
<dt>"The Net interprets censorship as damage and routes around it."
</dt><dd>
This was quoted in Time Magazine's December 6, 1993 article "First Nation
in Cyberspace", by Philip Elmer-DeWitt.
It's been reprinted hundreds or thousands of
times since then, including the NY Times
on January 15, 1996, Scientific American of October 2000,
and CACM 39(7):13.
<p>
In its original form, it meant that the Usenet software (which moves
messages around in discussion newsgroups) was resistant to censorship because,
if a node drops certain messages because it doesn't like their subject,
the messages find their way past that node anyway by some other route.
This is also a reference to the packet-routing protocols that the Internet
uses to direct packets around any broken wires or fiber connections or routers.
(They don't redirect around selective censorship, but they do recover
if an entire node is shut down to censor it.)<p>
The meaning of the phrase has grown through the years.
Internet users have proven
it time after time, by personally and publicly replicating
information that is threatened with
destruction or censorship. If you now consider the Net to be not only
the wires and machines, but the people and their social structures who
use the machines, it is more true than ever.
<p>
</dd>
<dt>"The federal government is trying to build a surveillance society. They may be doing it with the best or worst of intentions. But the job of building a surveillance database and populating it with information about us is happening largely without our awareness and without our consent."
</dt><dd>
I said this to Washington Post reporter Ellen Nakashima, and she
reported it in a front-page story on September 22, 2007 as <a
href="http://www.washingtonpost.com/wp-dyn/content/article/2007/09/21/AR2007092102347.html">Collecting
of Details on Travelers Documented: U.S. Effort More Extensive Than
Previously Known</a>.
<p>
</dd>
<dt>"If you're watching everybody, you're watching nobody."
</dt><dd>
The essence of "watching" or "looking" is focusing your attention.
If you diffuse your attention to encompass everything, you end up missing
everything. This is exactly what the US Government is doing with
its police-state tactics (searching everyone who travels; fingerprinting
every foreigner who is stupid enough to arrive; etc). I said this in
a <a href="http://www.interesting-people.org/archives/interesting-people/200303/msg00429.html">message</a> to
Declan McCullagh's "Politech" list in March 2003.
<p>
</dd>
<dt>"Reducing the transaction costs of co-operation"
</dt><dd>
This is what free software does. When the published copyright terms
of intellectual property permit anyone to modify or improve it and
re-distribute it, there is no transaction cost for people to do so.
When the terms disallow these things, anyone who wants to do them must
negotiate with the owner. This takes energy and time; most people
never bother, so most improvements never get made. Often the improvement
is small, like a corrected paragraph in a book, a bug-fix in software, or
smoothing out a user interface glitch. Transaction costs
must be very low for these kind of cooperative improvements. But the
impact of hundreds of small improvements is a substantial increase in
quality and function, which is quite hard and expensive to duplicate
in uncooperative environments.
<p>
Books are more frequently updated by their readers this way than software,
because books arrive with their "source code" -- the text -- visible to
and correctable by the reader. A short note back to the author suffices.
The Whole Earth Catalog was regularly improved this way.<p>
</dd>
<dt>"How many of you have broken no laws this month?"
</dt><dd>
There are too many laws, and the wrong things are illegal.
Drugs, sexual publications, hiring a housekeeper and not paying Social Security,
jaywalking, loitering, nontraditional sex or marriage,
paying someone less than a
government-set wage, not wearing motorcycle helmets, owning or wearing guns,
choosing your own medicines, designing or constructing your own house,
owning software that can copy DVDs,
exporting cryptography, driving at the same speed as the rest of the traffic;
all these things should be legal. What laws have YOU broken this month?
<p>
Any country that makes every citizen a felon is heading for real trouble.
We need to reform the legislative system
that keeps producing too many of the wrong laws.
I first said this in a
<a href="cfp.talk.txt">speech</a>
to the First Conference on Computers,
Freedom, and Privacy in 1991.<p>
</dd>
<dt>"That's the kind of society I want to build. I want a guarantee -- with
physics and mathematics, not with laws -- that we can give ourselves
real privacy of personal communications."
</dt><dd>
Another memorable part of my speech on
<a href="cfp.talk.txt">Privacy, Technology and the Open Society</a>
from the First Conference on Computers, Freedom and Privacy.<p>
</dd>
<dt>"We make free software affordable."
</dt><dd>
This is the slogan on the back of the first Cygnus Support T-shirt.<p>
</dd>
<dt>"Drug prisoners are the Japanese-Americans of the War on Drugs."
</dt><dd>
In World War II, the United States imprisoned thousands of American
citizens of Japanese descent, simply because of their Japanese heritage.
In the drug war, the United States is currently imprisoning more than a million
citizens, solely because they choose to alter their own or their customers'
state of mind with physical substances.<p>
I believe that within fifty years <b>we will stand shamed</b>,
in our own opinion and in world opinion, for this travesty
of justice and civil rights. We will offer recompense to our
citizens unjustly deprived of their liberties due to this spasm of paranoia.
Whether we can ever repair the Bill of Rights, or restore public trust
in honest government, is a much harder problem.
</dd>
<a name="name-shot">
<dt>"When the X.500 revolution comes, your name will be lined up against
the wall and shot."</dt>
<dd>
Some people in love with hierarchy developed a naming system for everything
in the world -- including email addresses and such. It was called X.500.
Unfortunately it didn't interoperate with anything we already had -- like
email addresses and domain names. This didn't stop these profoundly stupid
people from embedding it into HTTPS certificates and a few Internet standards
that failed, like PEM (Privacy Enhanced Mail).<p>
I made this remark in an <a href="name-shot.txt">email message on 2/26/1993</a>
to the [email protected] mailing list, complaining that I couldn't use
the PEM encryption software because the fascists who ran the naming
hierarchy wouldn't give me the name I chose. I wanted a name like
"O=gnu(_at_)cygnus(_dot_)com". The main objection to this sort of
"easy and obvious" name is, (the quote above). That is, when the X.500
hierarchy takes over the world, "bad" names like that one won't work any more.
I switched to using PGP, which didn't impose any craziness on the names
people could use.
</dd>
</dl>
<h2> Press Mentions </h2>
Many aren't on the web, and most of the web ones aren't indexed here,
but here are a few:
<ul>
<li> March 2011: In The Monthly (Australian Politics, Society & Culture), Robert Manne's
<a href="http://www.themonthly.com.au/julian-assange-cypherpunk-revolutionary-robert-manne-3081">Julian
Assange: The Unknown Story</a> traces the origins of
<a href="http://wikileaks.ch">Wikileaks</a> in the
<a href="https://secure.wikimedia.org/wikipedia/en/wiki/Cypherpunk">Cypherpunks</a>.
<li> March 2011: The New Zealand Herald printed an abridged version of the
above Monthly article,
<a href="http://www.nzherald.co.nz/technology/news/article.cfm?c_id=5&objectid=10710269">Assange's rage against the state</a>.
<li> 9 February 2011: Asia Times Online's
<a href="http://www.atimes.com/atimes/Middle_East/MB09Ak02.html">Follow
the money</a> article quotes the usual aphorism about censorship while talking
about the Arabic revolution in progress.
<li> 8 February 2011: newswireless.net's Wendy Grossman writes on <a
href="http://www.newswireless.net/index.cfm/article/8811">Blackout in Egypt, or how to close the internet</a>: Internet independence, or easy censorship?
<li> 7 February 2011: Calgary Herald: <a
href="http://www.calgaryherald.com/technology/Revolution+Internet/4234230/story.html">Revolution
and the Internet</a> points out that in many recent attempts at censorship, networks of people have reconnected themselves by other means.
<li> 4 February 2011: The Durham Region's News Advertiser says <a
href="http://newsdurhamregion.com/opinion/article/170942">Egyptians prove it's impossible to shut down social networks</a>: "So, it's clear, even if a government shuts down social media, it cannot shut down the people's voices."
<li> 3 February 2011: The H (Heise Online): <a
href="http://www.h-online.com/open/news/item/Nominations-open-for-the-Free-Software-Awards-1182916.html">Nominations open for the Free Software Awards</a> lists me among the past winners of this award.
<li> 26 January 2011: Business Insider's DK Matal reports in <a
href="http://www.businessinsider.com/egypt-revolt-post-tunisia-is-a-dam-breaking-what-happens-next-2011-1">Egypt Revolt Post-Tunisia: Is A Dam Breaking?</a> that "Despite this censorship, such is the power of distributed computing social media -- supported over multiple communication channels -- that local twitter users are currently sending tweets via mobile telephone text messages and third party software applications," thus fulfilling my old quote.
<li> 6 December 2010: Network World's Mark Gibbs reports that <a
href="http://news.idg.no/cw/art.cfm?id=BA6D2313-1A64-67EA-E48CD5FA29CB7E6C">Microsoft
routes around its own COICA damage</a>, wandering from reverse-engineering
Microsoft's Kinect, to <a
href="https://secure.wikimedia.org/wikipedia/en/wiki/Combating_Online_Infringement_and_Counterfeits_Act">COICA</a>,
and how censorship regimes tend to create new ways to circumvent censors.
<li> 6 December 2010: InfoWorld's Peter Wayner's <a
href="http://www.infoworld.com/d/developer-world/12-programming-mistakes-avoid-292?page=0,4">12
programming mistakes to avoid</a> quotes me on "Programming mistake No. 11: Closing the source".
<li> 2 December 2010: die Tageszeitung's "<a
href="http://www.taz.de/1/netz/netzpolitik/artikel/1/an-der-elektronischen-front/">An
der elektronischen Front</a>" reports on the 20 year history of the Electronic Frontier Foundation.
<li> 29 October 2010: CNET News.com's Declan McCullagh: <a
href="http://www.zdnetasia.com/amid-criticism-wikileaks-shifts-focus-62204089.htm">Amid
criticism, WikiLeaks shifts focus</a>. "It was a humble text-only mailing list called cypherpunks, hosted by Electronic Frontier Foundation co-founder John Gilmore, that laid the philosophical foundation for WikiLeaks."
<li> 1 August 2010: The Manchester Guardian (UK)'s John Naughton repeats my censorship quote in <a
href="http://www.guardian.co.uk/technology/2010/aug/01/wikileaks-john-gilmore-guardian-internet">WikiLeaks:
look before you leak...</a>, then notes that "The aphorism came up a lot last
week following publication by the Guardian, the New York Times and
Der Spiegel of extensive reports based on the stash of classified US
military reports published on the WikiLeaks website. And of course in
one sense this latest publishing coup does appear to confirm Gilmore's
original insight. But at the same time it grossly underestimates the
amount of determination and technical ingenuity needed to make sure that
the aphorism continues to hold good." Hey, how much determination and
technical ingenuity can YOU put in a 10-word sound bite?
<li> 4 April 2010: Pittsburgh Post-Gazette's Ced Kurtz reports
that Stewart Brand's <a
href="http://www.post-gazette.com/pg/10094/1047542-96.stm">'Whole
Earth' goes digital</a>, and mentions his role in the early history of
the Well and the EFF.
<li> 24 March 2010: V3.co.uk reports <a
href="http://www.v3.co.uk/v3/news/2260051/fsf-awards-advancement-free">EFF
co-founder John Gilmore wins FSF award</a>, the Advancement of Free Software
award. This was also reported <a
href="http://biz.cnews.ru/news/line/index.shtml?2010/03/24/384064">in Russian by CNews.RU</a>
<li> 7 January 2010: The Orange County Weekly reports in <a
href="http://www.ocweekly.com/2010-01-07/news/medical-marijuana-legalize/3/">Today,
Medical Marijuana. Tomorrow, Legalize It!</a> that the Drug
Policy Alliance's "annual budget of $8 million comes in part from George
Soros' Open Policy Institute [I think they mean Open Society Institute
--gnu] and also from about 25,000 small donors and a number of very
wealthy businessmen, most notably tech guru John Gilmore of Cygnus
Solutions, Peter B. Lewis of Progressive Insurance, John Glen Sperling
of the University of Phoenix and George Zimmer of the Men's Wearhouse."
Clearly this isn't a very well fact-checked article, and they never
talked to me about it. Though I was a DPA donor in earlier years, I had
stopped giving them money after 2007, because of my privacy concerns with how
DPA tracks their members and donors online.
<li> July 10, 2009: Huffington Post's Ryan Grim: <a
href="http://www.huffingtonpost.com/ryan-grim/read-the-never-before-pub_b_227887.html">Read the Never-Before-Published Letter From LSD-Inventor Albert Hofmann to Apple CEO Steve Jobs</a>, in which I'm quoted on the connection between psychedelics and technical or scientific or business creativity.
<li> 9 November 2007: SuperEVA.IT: <a
href="http://guide.supereva.it/console/interventi/2007/11/312809.shtml">EA
regala Sim City per il progetto "One Laptop per Child"</a>, about
my involvement in releasing the original SimCity game (as "Micropolis")
as free software for children.
<li> September 22, 2007: Washington Post's Ellen Nakashima on the front page:
<a
href="http://www.washingtonpost.com/wp-dyn/content/article/2007/09/21/AR2007092102347.html">Collecting
of Details on Travelers Documented: U.S. Effort More Extensive Than
Previously Known</a>. My <a href="http://papersplease.org">Identity Project</a> got my travel records from the Homeland Security zealots, and they included what book I was reading and what flashlights I was carrying.
<li> March 2007: The Guardian:
<a href="http://books.guardian.co.uk/review/story/0%2c%2c2046545%2c00.html"
>Host not found</a>. Discusses censorship and privacy violation in the
Internet of 2007.
<li> September 2004: AP's David Kravets:
<a href="http://www.ktvu.com/news/3746894/detail.html"
>Feds Won't Acknowledge 'No Fly' List Exists</a>. TSA was trying
to drag my case into a secret court despite being rebuffed by sane judges.
<li> September 2004: Oakland Tribune's Sean Holstege:
<a href="http://www.oaklandtribune.com/Stories/0,1413,82~1726~2400657,00.html">Judges:
Security fight must be in open</a>. The Transportation Security
Administration (TSA) tries to convene a secret court for a secret
trial of my lawsuit about their secret regulations that prevent ordinary
non-secret citizens from traveling unless they bring their Nazi paperwork
(I mean their government-issued photo ID). The judges decide to have
an ordinary trial, open to the public.
<li> January '03: News.com: <a href="http://news.com.com/2010-1071-981258.html">Hail to the...spammer-in-chief?</a> I receive spam
from Joe Lieberman, a presidential candidate. Declan McCullagh reports.
<li> January 18, 2003: San Jose Mercury's Aaron Davis writes
<a href="http://www.bayarea.com/mld/mercurynews/business/4977751.htm">Privacy
activist argues against air-travel ID rule</a>,
covering the same hearing as below.
<li> January 18, 2003: Wired News's Julia Scheeres covers my
lawsuit seeking to overturn unconstitutional demands that travelers
provide government-issued ID, in <a href="http://www.wired.com/news/politics/0,1283,57276,00.html">Judge to Hear Air ID Challenge</a>
<li> August '02: SF Bay Guardian picks me as a
<a href="http://www.bestofthebay.com/2002/localheroes.html">Local Hero</a>,
and picks EFF as the
<a href="http://www.bestofthebay.com/2002/politics1.html">Best Way to
Safeguard Your Freedom Online</a>.
<li> January '02: L.A. Times:
<a href="http://www.latimes.com/features/printedition/magazine/la-000003207jan13.story">Freedom Fighters of the Digital World</a>, talking about EFF's
efforts to protect civil liberties despite anti-terrorism crap shoved
down americans' sheeplike throats by government thugs -- and about how I
was the only one to ask about those hundreds of people imprisoned without
trials, charges, or bail: "Are all the civil rights organizations afraid
to step up to defend potential terrorists?"
<li> October '00: Scientific American, p. 36, in the sidebar "How
Publius Thwarts Censors", saying that the net routes around censorship.
<li> June '00: USA Today:
<a href="http://www.usatoday.com/life/cyber/ccarch/cceli017.htm">Identity
swapping makes privacy relative</a>, about consumers lying to web sites,
and trading supermarket identity cards, to foil snoopy companies.
<li> June '00: USA Today reporter Elizabeth Weise's
<a href="http://www.usatoday.com/life/cyber/tech/cth694.htm">Tech Report</a>
talks about the 6th Circuit Court of Appeals decision that affirms First
Amendment protection for software source code.
<li> Jan '00: USA Today's Mike Snider says
<a href="http://www.usatoday.com/life/cyber/tech/review/crg832.htm">Free speech
at issue in DVD piracy suits</a>
<li> Mar '99: USA Today: <a
href="http://www.usatoday.com/life/cyber/tech/ct501.htm">Judge:
Encryption is protected speech</a> about EFF's win in the Bernstein
case, declaring that "Government restrictions on exporting computer
encryption programs violate free speech rights."
<li> Jan '99: USA Today:
<a href="http://www.usatoday.com/life/cyber/tech/ctd122.htm">Encryption
code cracked in three days</a> about the DES Cracker.
<li> Jan '99: USA Today's
<a href="http://www.usatoday.com/life/cyber/tech/ctd228.htm">A maverick cracks
the code</a> about the DES Cracker, and other parts of my life. A
<a href="http://www.usatoday.com/life/cyber/tech/ctc654.htm">sidebar</a>
quotes me and David Wagner about the original meaning of "hacker".
<li> November '96: Wired's
<a href="http://www.wired.com/wired/archive/4.11/eword.html?pg=5">Electric Word</a>
section (pg. 43) covers my S/WAN project.
<li> August '96: My
<a href="http://hotwired.lycos.com/braintennis/96/31/index0a.html">Brain Tennis</a>
match on the right to privacy, against
<a href="http://www.cosc.georgetown.edu/~denning/">Dorothy Denning</a>,
in
<a href="http://www.hotwired.com">HotWired</a>.
<li> July '96: My
<a href="dns-economist.html">letter to the editor of the Economist
on domain name policy</a>.
<li> Early '96: My
<a href="http://www.canter.com/episode2/interview.html">interview</a>
for the
<a href="http://www.canter.com">Marc Canter Show</a>.
<li> February '96: Wired's Rogier van Bakel covers Digital Telephony:
<a href="http://www.wired.com/wired/archive/4.02/digitel.html">How Good
People Helped make A Bad Law</a>.
<li> June '94: Wired's Josh Quittner covers EFF:
<a href="http://www.wired.com/wired/archive/2.06/eff.html">The
Merry Pranksters Go to Washington</a>. The "Spy vs. Nerd"
<a href="http://www.wired.com/wired/archive/2.06/">cover</a> story.
<li> May '93: Wired's Steven Levy covers the Cypherpunks:
<a href="http://www.wired.com/wired/archive/1.02/crypto.rebels.html">Crypto
Rebels</a>. That's Tim May, Eric Hughes, and me on the
<a href="http://www.wired.com/wired/archive/1.02/">cover</a>,
behind
masks representing privacy. One of the
<a href="http://www.wired.com/wired/archive/1.02/crypto.rebels.html?pg=11">sidebars</a>
is about my Freedom of Information tug-of-war with NSA over some documents.
</ul>
<h2> Archives </h2>
I provide Internet access at some rural events, such as
<a href="http://www.eugeneweb.com/~bm/ibm.html">Burning Man</a>.
<p>
I have some <a href="sysadmin/index.html">system administration insights</a>
that I've learned from administering my own and my companies' machines.
<p>
The <a href="http://www.ntsb.gov">National Transportation Safety Board</a>
investigates all airplane
accidents, from the most mundane to the largest crashes.
They have not investigated any of the events of 9/11.
<a href="http://www.ntsb.gov/ntsb/query.asp">Search here</a> for all crashes
between September 1, 2001 and September 30, 2001. Virtually all of
them have had their "Probable Cause" released after investigation,
with a full report. Read a few reports; see the detail of their
investigations. Then look at the reports for
the 9/11 crashes, which say nothing but:
<pre>
NTSB Identification: DCA01MA065
Scheduled 14 CFR Part 121: Air Carrier operation of United Airlines
Accident occurred Tuesday, September 11, 2001 in Shanksville, PA
Aircraft: Boeing 757, registration: N591UA
Injuries: 44 Fatal.
The terrorist attacks of September 11, 2001 are under the jurisdiction
of the Federal Bureau of Investigation. The Safety Board provided
requested technical assistance to the FBI, and this material generated
by the NTSB is under the control of the FBI. The Safety Board does not
plan to issue a report or open a public docket.
</pre>
Call their Public Affairs office at +1 202 314 6100. Demand to know why
they're stonewalling the public on the most important airplane crashes
of the decade. They've published basic Flight Data Recorder analyses,
logs of radio transmissions,
and radar analyses at <a href="http://www.ntsb.gov/info/foia_fri.htm">their
FOIA site</a>, but no analysis of the crash remains, nor about why the
planes hit the ground -- in particular Flight 93. You can also
get about 100 hours of MP3 audio recordings of 9/11/2001 radio traffic
from NORAD at the
<a href="http://www.governmentattic.org/docs/NORAD-USNORTHCOM_9-11_Tapes.pdf">Government Attic.Org</a> web site.
<p>
See also the
<a href="/us-censors-these">Pictures from the Iraq war that the US
tried to censor</a> so that Americans could not see them.
<a name="badsec">
<h3>
More Deflating Idiocy About Security
</h3>
</a>
<p>[I finally see some other people pointing out the low likelihood of terrorism affecting you.
Try <a href="http://qntm.org/">Sam Hughes</a> on <a href="http://qntm.org/?terrorism">How to fight terrorism</a>.]
<p>Your chance of having bad things happen to you <i>as a
result of "security" measures taken by your government</i> is definitely
on the rise. The U.S. Government has killed at least ten times as many
innocent people in anti-terrorist wars after 9/11/01 than were killed
by terrorist activity on and since 9/11/01. If you are an innocent
person living in Afghanistan or Iraq,
you are far more likely to die from the intentional act of a US Government
soldier than you are to be killed by any <b>other</b> terrorists.<p>
Many US citizens have spent time in jail because extra "anti-terrorism"
searches found illegal things (that had nothing to do with terrorism).
Thousands of immigrants have been imprisoned without cause, and thousands
more have been deported for trivial non-safety-related crimes like
overstaying a visa. (Many thousands more have left even though they
were here legally, figuring out that they did not want to live in a
society like what the U.S. has become.) Our former corrupt Attorney-General
decided that every prosecutor and every judge should impose maximum
sentences for every detected crime. Our latest corrupt Attorney-General
nominee was the architect of the US torture in Guantanamo and Abu Ghraib
that violated international law and every norm of civilized conduct.
These actions have nothing to
do with making us safer, and everything to do with building detailed
control over people. A public that's constantly herded into
fearfulness is far more likely to give away the blessings of liberty
that we "ordained and established" a federal government to protect for us.
<p>
The Eleventh Circuit Court of Appeals came to a similar conclusion in
<a href="http://www.ca11.uscourts.gov/opinions/ops/200216886.pdf">Bourgeois
v. Peters</a>, in which it found "Given that we have been on 'yellow
alert' for over two and a half years now, we cannot consider this a
particularly exceptional condition that warrants curtailment of
constitutional rights. We cannot simply suspend or restrict civil
liberties until the War on Terror is over, because the War on Terror
is unlikely ever to be truly over. September 11, 2001, already a day
of immeasurable tragedy, cannot be the day liberty perished in this
country. Furthermore, a system that gave the federal government the
power to determine the range of constitutionally permissible searches
simply by raising or lowering the nation's threat advisory system
would allow the restrictions of the Fourth Amendment to be
circumvented too easily. Consequently, the 'elevated' alert status
does not aid [a government attack on civil rights]."
<p>
<a href="ecstacy-sentencing.html">Comments on Emergency Re-Sentencing of Ecstacy</a>.
There is no need for an "emergency" change to the
sentencing provisions for Ecstacy; democracy requires full public
participation. Congress did not mandate an increase in penalties; it
mandated a review of penalties to make them appropriate. The
penalties for use or sale of MDMA should be decreased, not increased.
The discovery, manufacturing and distribution of MDMA has provided
positive benefits to millions of citizens. Sentencing guidelines
penalizing MDMA use are an unconstitutional regulation of the freedom
of thought that underlies many cherished freedoms, and should be
eliminated. The re-sentencing of MDMA is part of a misguided attempt
to "lock up the truth" -- or at least to lock up the truth-tellers --
about MDMA.
<p>
<a href="http://www.freeswan.org">
<b>Securing Internet traffic against wiretapping</b></a>.
Given the current rampage of Federal cops, it is even more important that
honest citizens and businesses protect themselves from wiretapping, by
deploying good encryption both in your own systems, and for communication
with anyone else. If we can secure 5% of the traffic this year, we can
secure 20% next year; and
80% two years out. The whole Internet will have been secured. Want to help?
<p>
<a href="verio-censorship.html">Verio censored my email, and ultimately cut off my net access, under
anti-spam pressure.</a>
I am not a spammer, and have never
sent any spam.
But Verio blocked
outgoing email from my machine. I was not able to send
person-to-person email to my friends, my colleagues at EFF, or anyone
else.
I think this is wrong.
Any measure for stopping spam should have as its first
goal <b>"Allow and assist every non-spam message to reach its
recipients."</b>
I found a new provider, <a href="http://www.unitedlayer.com">United Layer</a>,
who is not trying to censor me. I encourage everyone to boycott Verio's
Internet service, until they fix both their "Acceptable Use Policy"
and their enforcement policies.
<p>
<a href="el-queso.schools.html">Al Queso seeks U.S. school technologies</a>.
Terroristas from impoverished lands desparately seek information
about US technologies that are used to educate and control U.S. students.
Concerned parents should remain cowed but pliant.
<h2>In my spare time </h2>
I practice yoga, read, listen to music, travel, program, and socialize.
<a name="email">
<h2>Why I'm Not Answering Your Email</h2>
If you've sent me email, and I haven't responded, there are three likely
causes. Either I <strong>did</strong> send a response, and your system
bounced it due to a misconfigured anti-spam filter; or my own email sorting
system has decided you aren't interesting; or I haven't gotten
to your message yet.
<p>
If you're a friend and you've tried emailing twice, it's probably one of
our mail handling systems. I suggest phoning me. It
seems that in the last few years, large numbers of ISPs have started using
"blacklists", even the ones that never did before. The
blacklisters hate me, so they put me on their lists,
even though I have never sent a single spam message. They don't like the
way I administer my machine. (I don't like the way they administer their
machines either.) It will often be hard to get your ISP to admit that
they are censoring your incoming email -- but ask them why you can't
get email from IP address 209.237.225.253 (new.toad.com). They will tell
you that that address
must be a scurrilous spammer because it's on the blacklist.
But you will know better.
<p>
Don't just let them put in an exception for mail from me.
Get them to take off the blacklist on your
incoming mail. It is usually hard -- but worth it. Who else's emails
are you missing? Some of us
figured out in the 1950s that blacklists were a bad idea.
<hr>
<i>[email protected]</i>, <i>[email protected]</i>,
<a href="gilmore.pgpkey"><i>my PGP key</i></a><br>
Last updated
November 27, 2013.
</body>
</html>
|
John Gilmore's home page
#
John Gilmore, Entrepreneur
and Civil Libertarian
[](/images/press-photos/)
[](http://u.fsf.org/16e)
[](http://papersplease.org)
[](http://freetotravel.org/)
[](http://www.crypto.com/)
[](http://freedomofthought.org/)
[](http://erowid.org/)
[](http://sitasingstheblues.com/store)
##
[Why I'm Not Answering Your Email](#email)
##
[US Homeland Security recorded what book I was reading as I crossed the border](http://papersplease.org)
In direct violation of the Privacy Act, which states that federal
agencies shall not record the how citizens use their First Amendment
rights (unless specifically instructed to do so by statute), the US
Department of Homeland Security recorded in my permanent dossier that
as I flew into San Francisco from London,
I had "**many small flashlights with pot leaves on them. He had a book
entitled 'Drugs And Your Rights'.** [sic]" Images of the flashlight and the book
are above.
The Gestapo cared what works of philosophy you were reading. So did the
Stasi. Those of you who live in free countries may find it a bit
hard to understand why any populace wouldn't tear to bits any bureaucrats
that would take away the fundamental right to read whatever you like
without it being used to determine how your government treats you as
you cross borders or travel within your own country.
Every country tells its citizens, and the world at large, that it is
a "free country". The USSR had a constitution with a bill of rights
much like that of the USA. Just as in the USA, those rights were not
enforced and not enforceable.
The United States is not a free country. Only when the DHS is dissolved,
disbanded, disempowered, and disrespected will there be any prayer of freedom.
Those of you in free countries may like to read [the book
that DHS found so interesting](http://www.psychedelic-library.org/drugsandrights.htm), or meet the
[Rutgers
professor of philosophy, Douglas Husak](http://philosophy.rutgers.edu/FACSTAFF/BIOS/husak.html) who wrote it. You may even
want to carry a small, useful keychain flashlight advocating for "Freedom
of Thought". [Freedom of thought](http://cognitiveliberty.org)
needs more advocates.
##
Current Projects
[Freedom Boxes](https://freedomboxfoundation.org).
[Eben Moglen](http://emoglen.law.columbia.edu/)
created the Freedom Box Foundation to create and
spread tiny, cheap home servers that use free software to provide freedom
and privacy for individuals. These compete with "cloud-based" services
that put your privacy and your freedom under the control of third parties
who don't have your interest at heart. These boxes are designed to
make mass surveillance impractical and thus to safeguard political
liberty (even in countries that don't favor individual liberty). See the
[video](http://video.fosdem.org/2011/maintracks/political.xvid.avi) or
[transcript](http://www.softwarefreedom.org/events/2011/fosdem/moglen-fosdem-keynote.html) of Eben's speech on
"Why Political Liberty Depends on Software Freedom More Then Ever".
I'm helping.
[A Shade Structure for Burning Man](clifs-shade-structure.html).
I built a pretty simple shade structure for our camp at the
Burning Man festival.
[Freedom of Movement /
Secret Law](http://papersplease.org/gilmore/). I sued [TSA](http://tsa.gov) to make them
stop demanding that citizens identify themselves in order to travel.
Not only airports, but trains, cruise ships, and some buses, are now
"asking for" IDs. You can't read the rules -- they define your rights and
obligations, but they're super secret information (SSI). I petitioned
the US Supreme Court to examine whether the Feds can enforce secret
regulations. **I lost every one of these lawsuits. The Constitution is
a dead letter as far as the one-branch Federal dictatorship is concerned.
Whatever the Executive does, Congress and the courts rubber-stamp.**
What we did discover is that there is no requirement to show ID to
get on an airplane. TSA said so in their papers and in open court.
But each of these courts refused to make TSA stop lying to the public
with airport signs telling every passenger that their ID is "required".
If you politely decline to show ID whenever someone asks (or demands)
it, and continue politely declining regardless of how they escalate,
you will discover what your rights are. You'll be surprised. You'll
get away with it. Most of the people who were asking for it have no
right to demand it. They've been relying on your voluntary cooperation.
They forgot to tell you that part; but you just found it out for yourself.
Sometimes you may discover that you didn't have the right to live, move
around, or do business in your own country without government-issued
documents. That's very interesting knowledge to acquire first-hand too.
If you haven't recently tried exercising your right to exist and live
without government permission, are you sure you still have that right?


Deflating Idiocy About Security. The US government says we are always at an
"Elevated" threat level.
They have no plans to ever reduce this reported threat level down
to "Low", no matter how many years of untroubled life we go through.
It's like the Bulletin of the Atomic Scientists' "doomsday clock"
which in over fifty years has never been shown with less than 17 minutes
remaining before Armageddon. Well, 17 minutes have ticked past more than
a million and a half times since 1947, and the
bombs haven't blown us up. These are both scare tactics, not real reflections
of reality.
In reality, the likelihood of you being directly affected
by a terrorist attack has not gone up or down since 9/11; the likelihood
has always been extremely low. You and your friends are far more likely
to die in bed, in a car wreck, of heart disease, or by falling down the
stairs, than from a terrorist attack. Similarly, the risk of you or your
friends being directly affected by an atomic explosion is also low --
perhaps at 10AM rather than at 7-minutes-to-midnight.
[More...](#badsec)
Disarming the rogue United States. The United States should
be forced by United Nations resolutions to surrender its "weapons of
mass destruction" or face the consequences. "That nation has gone beyond
the pale. It repeatedly threatens
and attacks other sovereign countries without provocation, holds massive
stocks of nuclear and conventional weapons, tortures its own
citizens and those of other countries, refuses to follow its own
constitution and laws, breaks international treaties which it co-created
and signed, holds 500,000 political
prisoners in its jails. It imprisons the largest number and percentage of its
people in the world. Every government with that kind of track record
needs to immediately disarm and submit to a regime change, or
face the consequences from the international community."
[What's Wrong with Copy Protection?](whatswrong.html)
Why should self-interested companies be permitted to shift the
balance of fundamental liberties, risking free expression, free
markets, scientific progress, consumer rights, societal stability, and
the end of physical and informational want? Because somebody might be
able to steal a song? That seems a rather flimsy excuse. This early
paper on DRM (Digital Rights Management) systems is still relevant in spots.
##
Things I've Started
The [Electronic Frontier Foundation](http://www.eff.org)
(with Mitch Kapor, John Perry Barlow, and Steve Wozniak)
A foundation dedicated to civil rights and civic responsibilities online.
Here's a few
[documents](http://www.eff.org/Misc/Publications/John_Gilmore/)
I made with EFF.
Here is a speech on
[Privacy, Technology and the Open Society](cfp.talk.txt)
that I gave at the First Conference on Computers, Freedom and Privacy.
I'm still quite active in EFF, and serve on its
Board of Directors.
The [Cypherpunks](http://www.wired.com/wired/archive/1.02/crypto.rebels.html)
(with Eric Hughes and Tim May)
An informal group dedicated to public education and dissemination of
encryption (also known as cryptography, the science and art of secret writing).
I originally hosted the mailing list ([email protected])
and provided space for the first
few years' worth of meetings. A descendant of the mailing list is still
operating; subscribe to [email protected].
The "[alt](news:alt.config)'' newsgroups on the Usenet
(with Brian Reid and Gordon Moffett)
A forum for discussions that the ``mainstream''
Usenet refused to handle, like sex, drugs, and gourmet cooking.
I supported nationwide (US) links among the original ``alt'' sites
until it became popular enough that almost everyone carried it.
I set the original newsgroup creation policy in ``alt'', which
was to ``Use common sense.'' Alt has flourished as a haven for
popular and unpopular topics, and was targeted by Compuserve
for censorship in December 1995 because they felt that some of the
free speech in it was too free for them to handle. The alt groups
are self-regulating (or self-unregulating) and I have not been involved
in alt policy or group creation in many years.
[Cygnus Solutions](http://www.redhat.com/)
(with Mike Tiemann and David Henkel-Wallace)
A company that provides commercial support for free software.
They support the
GNU programming software (from the
[Free Software Foundation](http://www.gnu.org/)),
I co-managed the company, provided engineering leadership, was the
official maintainer of GDB for several years and led the GDB programming
team, supported numerous customers,
and led the Cygnus Network Security (Kerberos) product team.
I instituted a culture of distributed hiring, automated software testing,
and frequent software releases across
scores of platforms, much of which persists to this day.
I stopped working daily at Cygnus in April 1995, and left the Board
of Directors in January, 1997. The company was bought by
[Red Hat, Inc](http://www.redhat.com) in November, 1999,
for $675 million. They're still doing fine as a big piece of Red Hat.
I've scanned in some [Cygnus marketing materials](cygnus/index.html)
showing some of the early evolution of the free software market.
[The Little Garden](http://www.tlg.net)
(with John Romkey, David Henkel-Wallace, and Steve Crocker)
A medium-sized Internet Service Provider in the San Francisco Bay Area.
now merged into Verio.
We mostly sold T1 and 56K Internet connections to businesses.
We were distinguished from many other early commercial providers by our
common-carrier attitude: "You are free to resell the service that we
provide to you, and we will not censor it."
This enabled a whole crop of smaller resellers
in various locales to buy from us and offer
other services to the public (like modem-based Internet connections).
These resellers contributed to our volume of Internet traffic,
and enabled us to provide higher quality service at lower prices.
TLGnet was sold to [Best Internet Communications](//www.best.com)
in July, 1996, and my active involvement in it ended. (Best was then
bought by [Hiway Technologies](http://www.hiway.net), which was
then bought by [Verio](http://www.verio.com).)
[GNU Radio](http://www.gnu.org/software/gnuradio)
(with Eric Blossom)
A software project that decodes and encodes radio and audio signals in
software. It's a specific example of "Digital Signal Processing", but
designed to be good at handling high speed (or wideband) signals. It's free
software.
GNU Radio can receive and decode over-the-air HDTV signals in the
US standard "ATSC" format. This decoder enables researchers to demonstrate
a full software implementation of the ATSC format, and also provides a
reference implementation for other designers. The decoder software currently
(May 2003) runs about 40x slower than realtime, but enables the realtime
recording, slow decoding, and later full-speed playback of HDTV signals.
I have verified that the software works, on my own equipment. Here are
example [images #1](gnuradio/xine_snapshot-1.png)
and [#2](gnuradio/xine_snapshot-2.png) decoded on May 13, 2003
from KQED-DT, channel 30 in San Francisco, California.
In 2008 I catalyzed
[Kestrel Signal Processing](http://www.kestrelsp.com)'s
donation of the OpenBTS cellphone base-station
software to the Free Software Foundation as part of GNU Radio. In 2009
I wrote and contributed smqueue, an
SMS text message queueing and delivery module,
to that part of GNU Radio.
[Gnash](http://www.gnu.org/software/gnash), the GNU Flash player
(with Rob Savoye)
No working free software or open source flash player existed to
display the average web page that contains embedded Macromedia Flash
objects. Richard Stallman therefore made such a player a high
priority project for the Free Software Foundation.
I knew [Rob Savoye](http://www.welcomehome.org/rob.html)
from Cygnus, and knew he'd done some work on an embedded Flash player,
so I asked if I could pay him for six months to turn that open source
embedded Flash player into a GNU flash player. He agreed, and the
Gnash project was born. It currently provides a standalone player
which builds and runs on a variety of systems, using OpenGL
and other renderers, plus a browser plugin. The project is now financially
supported by a commercial company, Lulu.com, which stands to benefit
from its rapid evolution. It is now able to play Flash videos from
[YouTube](http://Youtube.com)
and [Lulu.tv](http://lulu.tv). Stay
tuned; a solid community of contributors are improving it daily.
## Things I've Put A Lot of Energy Into
[Sun Microsystems](http://www.sun.com)
Sun is a computer manufacturer, long a leader in the technical workstation
and database markets. Many Web pages are served from a Sun server.
Sun is now a multi-billion-dollar company; working there made me
financially independent. It was acquired by Oracle in 2010.
I was its fifth employee, and later a consultant. I handled architecture, design, implementation, and debugging of Sun
Workstations.
Wrote and maintained
bootstrap and diagnostic ROMs for the Sun-1, Sun-2, and Sun-3.
Debugged first prototypes of Sun-1 and Sun-2, working with the
hardware designer. Worked on first bringup ever of Unix on
Motorola 68010 and 68020. Designed and diagnosed the chip
designs for the SPARCstation-1 and SPARCstation-2.
Straddled the hardware and software
camps to locate, explain, and solve design, implementation, and
manufacturing problems. Pulled many chestnuts out of fires.
Debugged Unix utilities, kernel, device drivers, and CAD software.
Diagnostics. Documentation. Electronic mail maintenance,
support, and enhancement. Performance and code generation
improvement. General technical support. Network relations.
Contributed to lively corporate culture.
[Free Software](http://www.gnu.org)
Free Software means software that comes with freedom -- not software that
has a price of 0. In particular, it means software that gives everyone the
source code (what programmers need to keep a program running and improve
on it) and the right to use the program, modify it, and give or sell copies to
anyone. The new buzzword for this is "Open Source", but it's been called
"Free Software" for decades.
In the early days of computing, almost all software was free.
IBM's operating systems, for example, came with source code and the
right to copy and modify it. This gradually changed as software became
more independent from hardware. Richard Stallman realized the loss
to the industry from the change, and formalized the issue with the
[GNU General Public License](http://www.fsf.org/licenses/gpl.txt)
and his project to re-implement Unix freely in 1983.
I ported Richard's GNU Emacs to the Sun
Workstation that year. I started archiving the free software posted to
the Usenet in 1981, and continued through 1987 or so. I started a project
to "sift the sands of Berkeley Unix", collaborating with UCB and other Unix
hackers to sort the nuggets of original,
nonproprietary code out from the background of AT&T-licensed code. Ultimately
this resulted in the Berkeley "Networking 2" release, which didn't require
the recipient to have an AT&T license.
In 1985 I wrote the "pdtar" program, which eventually became
[GNU Tar](http://www.gnu.org/software/tar/).
In 1986 I tested pre-releases and
each public release of the
[GNU C Compiler](http://gcc.gnu.org/) (now called the GNU Compiler
Collection).
I wrote GNU UUCP and hacked on
the GNU Debugger and GNU Make in 1988 and 89.
I ported most of Berkeley Unix through GCC in 1989
for UC Berkeley, so they could abandon the proprietary AT&T C compiler,
as part of the effort to make BSD Unix freely available.
In 1989 I co-founded Cygnus Support, the first company dedicated to supporting
free software. Cygnus has made major contributions to free software,
including better documentation, quality assurance,
cross-compilation, many ports to new
hardware and operating systems, and marketing help to get free software
accepted by the computing mainstream. While at Cygnus I maintained the
[GNU Debugger (GDB)](http://www.gnu.org/software/gdb/gdb.html)
from 1990 through 1993. I worked on MIT's free Kerberos software for Cygnus
from 1994 through 1995.
I served on the Program Committee for the First Conference on
Freely Redistributable Software in February 1996. Throughout 1996
I worked on securing the Berkeley Internet Name Daemon ("BIND"), the free
software which holds the Internet together by mapping domain names to
and from numeric Internet addresses, using
[Domain Name System Security ("dnssec")](/dnssec/index.html).
From 1996-2003 I co-created and
sponsored [FreeS/WAN](http://www.freeswan.org),
which added IPSEC (cryptographic security and
privacy) to Linux's Internet networking support.
In 2001 I co-created and sponsored [GNU Radio](http://gnuradio.org),
a framework for digital signal processing of radio-frequency signals.
In 2005 I co-founded [GNU Gnash](http://getgnash.org) with
[Rob Savoye](http://welcomehome.org/rob.html)
(who is doing all the work).
In 2007, [Don Hopkins](http://www.donhopkins.com) and I convinced
[Electronic Arts](http://www.ea.com) to
release Will Wright's original groundbreaking
[SimCity game](http://www.donhopkins.com/home/micropolis/)
(which started the billion-dollar Maxis/EA "Sim" series of games),
released for free to the children of the world under the GNU General Public
License (v3) as "Micropolis" (its original code-name). I also helped
the
[One Laptop Per Child](http://wiki.laptop.org) project
with quality assurance, writing and editing, tech support, and other
collaboration.
In 2009 I wrote smqueue, a queueing and delivery system for
[SIP-based text messaging](http://rfc-editor.org/rfc/rfc3428.txt),
which processes SMS messages for cellphones handled by
[OpenBTS](http://openbts.sourceforge.net) GSM cellphone base-station
software (which is part of GNU Radio).
I still contribute occasional changes to various free software program.
Freedom of Information
I have put a lot of time and money into researching what the government
is doing, using Freedom of Information Act (FOIA) requests. I have sued the
US Government several times to enforce the FOIA against agencies
who have little or no interest in letting the public know, in a
timely fashion, what they have been doing to or for us.
In 2006 I sued the government to demand that it either publish the secret
law that requires citizens to show ID in order to travel in the United
States -- or to stop enforcing that secret law. This is part of my
[Freedom to Travel](http://papersplease.org/gilmore)
case. The FOIA does not apply to this secret law, because Congress
specifically exempted airline security directives from the FOIA.
Congress could not exempt them from the Constitution, which requires
that citizens be given notice of what the law requires -- but the courts
did exempt them from it, by refusing my case every step of the way.
[Encryption Policy](http://www.crypto.com/)
Encryption is secret writing. Codes and ciphers. Spies.
Encryption was originally used by military and diplomatic organizations;
Julius Caesar invented an encryption scheme.
In the last century,
electronic communication (telegraphy and radio) made it widely useful, and
computerization has made it extremely cheap. Widespread public
networking has made it useful to everyone, for everything from
putting "envelopes" around your email for privacy, moving
money around the net safely, to
proving that you're really you when you're halfway
around the world.
The US government is deathly afraid of its own citizens
(and non-US-citizens)
having access to good encryption.
This fear extends all the way up to the Vice President and the head
of the FBI, who personally
get involved in creating encryption policy.
Everyone in government refuses to tell us why, saying it's classified
and the national security is at stake. Rubbish! The security of the
nation is already gone when its government violates the basic
rights of its own citizenry, as these agencies do every day.
They are "burning the Constitution in order to save it".
(My own belief is that what's really at stake is
a wiretap-based power base that J. Edgar Hoover and the
classified spy agencies have built up for their own benefit.)
The most Byzantine set of laws,
regulations, policies, departments, and practices you've ever heard of
are employed by the National Security Agency and three or four other
Executive Branch departments in an attempt to keep good crypto from bad guys.
Unfortunately, they have also succeeded in keeping good crypto from good
guys who have constitutional rights. I instigated a
[lawsuit](http://www.eff.org/pub/Crypto/ITAR_export/Bernstein_case/)
to correct this, with Dan Bernstein as plaintiff and the Electronic
Frontier Foundation backing him up. I was a technical advisor to the
lawyers in the case. On December 6, 1996, Judge Patel decided that the
export regulations are unconstitutional. The government appealed, and
on May 6, 1999, the 9th Circuit Court of Appeals
[agreed](http://www.eff.org/bernstein/Legal/19990506_circuit_decision.html)
with her. The government appealed to an 11-judge panel in the 9th Circuit (an
"en banc review"), which was granted, and then the government "voluntarily"
changed the encryption export regulations so that most free software and
academic research, and a lot of proprietary encryption software as well,
can be easily published from the US. The "en banc review" of the
old regulations became moot, and the case has been handed back down to
Judge Patel, who ultimately ended it. The new regulations are even more complex
than the old ones, and carry the same old harsh penalties for inadvertent
violation. They need to not just be "reformed" but scrapped.
The government claims to retain the
right to change those rules whenever it wants, and restrict encryption
software again if it chooses.
Congressman Judd Gregg announced support for doing
so in the week of hysterical reaction after the World Trade Center was
destroyed by hijacked airliners, but was shouted down by the people who'd
spent a decade fighting this battle before he could
gather any political support.
I have had an interest in
encryption since childhood,
and have spent a lot of time working on
[crypto export control issues](export/export.html).
I led the team that built the world's first publicly announced [DES Cracker](http://www.eff.org/descracker/), a machine that
finds the secret key used to encrypt messages in the government's
favorite encryption scheme, the Data Encryption Standard (DES). The
National Security Agency intervened when the scheme was being
standardized in the early 1970s, shortening the secret keys so that
they could build their own DES Crackers. But they spent the next 25
years lying to us about how secure the scheme is, to encourage
everyone to use it -- and we did. This left NSA able to secretly
eavesdrop on anyone who used DES, which includes the entire financial
community, and most computer and network security systems. Technology
has advanced to where anyone with $200,000 can break the code, leaving
all of our DES-protected infrastructures at risk.
[Thanks NSA](../des-stanford-meeting.html)! By 2010
much of the older DES-based software has been replaced, though there
are a few places that still use it, and its use is still an option in some
protocol implementations even though it is known to be insecure.
NIST has standardized a new algorithm with much longer keys, which
has not been studied nearly as long as DES, but which has resisted all
attacks so far.
Smart people long ago stopped designing DES into new systems.
Triple-DES or AES seem to be the preferred replacements.
Securing the Internet
As I say below, my
[FreeS/WAN project](http://www.freeswan.org)
is to secure Internet traffic against wiretapping.
Drug Policy Reform
(See my [Drug Policy Reform](/drugs/index.html) page.)
The US policy on "illegal drugs" has been a terrible, hurtful sham for my
entire life. Today there are more than 2,300,000 people in prison in
the United States -- supposedly the freest country in the world.
One quarter of the world prison population is imprisoned in the US.
We have imprisoned a larger number AND a larger percentage of our
citizens than in every single other country. Minorities are imprisoned
at large multiples of their actual incidence of criminal behavior.
[458,000 of those people](https://www.dpf.org/pp.html?Source=/Archive/2000/8/10-49577.html) were in prison for non-violent mind-altering
drug charges in 2000;
[about 500,000](http://www.pbs.org/independentlens/tuliatexas/warondrugs.html) in 2008.
The federal [Bureau of Justice Statistics](http://bjs.ojp.usdoj.gov/content/dcf/correct.cfm) reported 155,900 in city or county jails for
drug offenses (2002); 251,400 in state prisons
([2008](http://bjs.ojp.usdoj.gov/index.cfm?ty=pbdetail&iid=2232));
and 95,205 in
federal prison
([2009](http://bjs.ojp.usdoj.gov/index.cfm?ty=pbdetail&iid=2232)).
Don't forget the additional 582,759 nonviolent drug users on probation and the 261,666 on parole in
[2009](http://bjs.ojp.usdoj.gov/index.cfm?ty=pbdetail&iid=2233).
By [2012](http://bjs.ojp.usdoj.gov/index.cfm?ty=pbdetail&iid=5109), about 210,200 were in state prisons; in 2013,
98,200 in federal prison, plus
[986,000 on probation and 268,656 on parole](http://bjs.ojp.usdoj.gov/content/pub/pdf/ppus13.pdf). I have no recent data on
state jail populations from drug arrests, except in scattered states.
More than half of all federal prisoners are imprisoned for drug crimes.
Many of these political prisoners are otherwise law-abiding people, making families
and pulling their weight in society. The vast majority of them are black or
Hispanic.
The policy that locks all of them up,
and makes their drug-using friends fear their own government, is
[wicked
and racist](http://www.drugpolicy.org/about/position/race_paper_econ.cfm). It damages our citizens' respect for the law, it encourages
corruption in our government institutions, it has been responsible for
major losses of our constitutional rights, and has wasted hundreds of billions
of taxpayer dollars. It has also cost millions of people their time
and money to fight the criminal justice system. It encourages violent
resolution of commercial disputes with drug sellers, by denying
recourse to courts, harming not only those people but their families,
neighborhoods, and innocent bystanders. The US has forced this policy
down the throats of countries all over the Earth, vastly multiplying
the misery and injustice it creates. And it artificially raises the
prices of these substances, feeding our citizens' money to many violent
and irresponsible suppliers. At least
[68 million people](http://www.druglibrary.org/schaffer/Library/studies/iom/iom3pt1.htm#use) have used illegal
drugs (as of 1996), including our own [Presidents](http://www.whatreallyhappened.com/RANCHO/POLITICS/gallery.html), but the madness persists. The
obvious lies that the government tells in furthering its drug policy
make every thinking citizen doubt other statements -- even true ones --
from such an obviously corrupt government.
Besides the practical issues, there are fundamental rights involved.
The right to speak freely is irrelevant if the citizenry does not have the
right to think freely. Our government's control of drugs is really
intended to control our citizens' mental states. The substances themselves
are not important unless they affect human minds (and some, such as
nitrous oxide, are freely sold for non-mind-altering uses, but
controlled when people wish to influence their own mental states).
These drugs appear to be prohibited by the government because they
permit users to see that the world is not composed of a single point of
view, a single concrete reality shared by all. The way each of us
interacts with the world is a function of our internal brain chemistry,
which is unique to each of us, and can be altered by our own choice or
by imposed choices. The government seeks to impose **its** answer to
the choice of whether or not to view reality in certain ways. These
altered ways have clearly been useful in religion, art, music,
medicine, and recreation for millennia. These government
attempts to control the minds of its citizens are a direct violation of the
basic constitutional freedoms that the government is designed to secure
for ourselves and our posterity.
I have known many people throughout my life who are able to **use**
drugs in appropriate settings without harm to themselves or to others.
I have known a few who were unable to control their use, and abused
drugs. Today's policy does not "cure" these drug abusers, nor successfully
remove them from society. The huge number of harmless users swept up
in the gears of "justice" swamp the system, preventing the real troublesome
people from being reformed or isolated.
Just as adults keep immature children away from matches and hot objects,
though there is no law prohibiting the possession of matches by
children, parents and social feedback should be used to teach children
how to handle drugs responsibly. The War on Drugs has certainly not kept
children from being able to get drugs! By eliminating the black market
and the threat of prison, and allowing straightforward talk from people
who know the dangers first-hand, children can learn the real reasons
why some drugs are best avoided, and learn the line between use and
abuse of other drugs. Today's situation teaches children that it's
best to sneak and lie about what they're doing -- both because they
are afraid of prosecution, and because they see drug-using parents
doing the same thing.
I believe that mind-altering drugs should be usable and sellable under
the same rules and the same taxes that apply to substances like flour,
sugar and coffee. If the label says it's pure Humboldt County
marijuana of 18% THC content, then it had better really contain that, or
the seller is in legal trouble.
Otherwise, no restrictions, no special taxes, no more black markets.
If someone consumes a drug in a way that damages people around them (or
seriously threatens to), they should be held responsible -- whether the
drug is coffee, alcohol, or cocaine.
No matter who you are, you know someone who uses illegal drugs. Talk
with these people about the real effects and the real dangers of the
drugs they use, compare what they tell you to what the government
tells you, and ask them about how the current drug laws and policies
affect their life. If you think you don't know any drug users, think
again of who you know. Are you really sure about all of them? If you
still can't think of anyone, ask your friends in private whether they
have ever used illegal drugs. You'll be surprised at what some of
them have been afraid to tell you. Learn from what they know, but
learn especially from the paranoia and fear they have had to live in.
Then work with me for a peaceful end to the Drug War and a sane policy
for how to treat our fellow citizens.
[One Laptop Per Child](http://laptop.org)
This project seeks to build millions of small, child-friendly laptops and
get them into the hands of students in Third World countries. The laptops
and software are being designed by educators with decades of experience
teaching kids using computers, like Alan Kay and Seymour Papert. Their
business model is to sell the computers to the education bureacracies of
countries, in place of paper textbooks. The computers will contain many
textbooks, and also provide much more infrastructure for learning. The
software is almost exclusively free software or open source, giving both
the project and the students limitless opportunities to customise, improve,
share, and understand how their systems work.
I helped around the edges with introductions, strategy, specs,
testing, Secure Digital hardware, and little bits of programming. In
particular, I made sure that the hardware would handle SDHC cards (larger
than 2GB), and worked on understanding and clearing the software roadblocks
that kept the project from reducing the power consumption of the hardware.
I also got the original SimCity game released for the OLPC as "Micropolis".
## Other Interests
[Don't Trust the Census ](census.html)
We have recently finished another decennial data-rape, also known as the Census.
But you shouldn't tell the Census anything. The law says they can't release
the info you provide for 99 years -- but if they want to, they just change
the law. They've done it twice before.
When the US Government rounded up Japanese-Americans during WW2, the "Second War Powers Act" let them
use the supposedly private census data to tell the thugs where their
victims lived. Homeland Security zealots extracted similar data
about Muslims and Middle Easterners in 2003, under the Patriot Act. Will your innocent
ancestry, profession, or hobby be the target of the next hysterical
witch-hunt? By then it will be too late to un-reveal your information.
**Don't help the government constrain you; always decline to give them
information.** They aren't recording it for *your* benefit.
[Details](census.html)
[The USENIX Association](http://www.usenix.org)
USENIX is "the Advanced Computing Systems Association". It
started off with meetings and technical conferences for the original
creators of Unix, but as those folks expanded their interests into
other fields, it too has widened. I attended lots of USENIX
conferences in the '80s, met many great and talented people, and
learned a lot about Unix from them. I got busy in the late '80s and
through the '90s, reconnected in 2000, ran for the Board of
Directors on a platform of addressing the social impacts of
technology, and was elected to two 2-year terms. I left the
board in 2004.
[The Libertarian Party](http://www.lp.org)
The Libertarians are a political party dedicated to small and simple
government. I'm a life member. I consider the two major parties in the US
to both be morally bankrupt, and largely indistinguishable from each other.
Under both of them, US and state governments continue to grow in size, cost,
and influence over their citizens. Both support completely indefensible
policies such as the drug policies of the last forty years, unprovoked
attacks on countries like Iraq that never did anything to the US, and "money
laundering" laws that criminalize financial privacy.
[C2net Software](http://www.c2.net)
C2net was started by Sameer Parekh and other cypherpunks in the
early 1990's. It now sells and supports Stronghold, a version of the
popular Apache web server that contains strong encryption. Stronghold
is a market leader among secure web servers. C2, like my own
FreeS/WAN IPSEC project, develops and archives its encryption programs
outside the United States, so they can be freely shipped and used worldwide.
I joined the board of C2net in 1998 and served there until it was
acquired by Red Hat, Inc, in 2000.
[CodeWeavers, Inc.](http://www.codeweavers.com)
CodeWeavers is a commercial company that's developing and supporting
the free Wine software, and helping companies who have MS-Windows
products port them to Unix. I started talking with them in 1998,
invested in the company in 2000, and now serve on its board.
[ReQuest, Inc](http://www.request.com)
ReQuest makes great home stereo components that play MP3 music. I've
been talking with them since 1999, and invested in the company in
2000. I'm now on the board of directors.
[The Internet Society](http://www.isoc.org)
I was a member of the Internet Society for many years. I was
elected to its Board of Trustees in July 1997, for a three-year term.
## [Things I've Said (That People Sometimes Remember)](#quotes)
"The Net interprets censorship as damage and routes around it."
This was quoted in Time Magazine's December 6, 1993 article "First Nation
in Cyberspace", by Philip Elmer-DeWitt.
It's been reprinted hundreds or thousands of
times since then, including the NY Times
on January 15, 1996, Scientific American of October 2000,
and CACM 39(7):13.
In its original form, it meant that the Usenet software (which moves
messages around in discussion newsgroups) was resistant to censorship because,
if a node drops certain messages because it doesn't like their subject,
the messages find their way past that node anyway by some other route.
This is also a reference to the packet-routing protocols that the Internet
uses to direct packets around any broken wires or fiber connections or routers.
(They don't redirect around selective censorship, but they do recover
if an entire node is shut down to censor it.)
The meaning of the phrase has grown through the years.
Internet users have proven
it time after time, by personally and publicly replicating
information that is threatened with
destruction or censorship. If you now consider the Net to be not only
the wires and machines, but the people and their social structures who
use the machines, it is more true than ever.
"The federal government is trying to build a surveillance society. They may be doing it with the best or worst of intentions. But the job of building a surveillance database and populating it with information about us is happening largely without our awareness and without our consent."
I said this to Washington Post reporter Ellen Nakashima, and she
reported it in a front-page story on September 22, 2007 as [Collecting
of Details on Travelers Documented: U.S. Effort More Extensive Than
Previously Known](http://www.washingtonpost.com/wp-dyn/content/article/2007/09/21/AR2007092102347.html).
"If you're watching everybody, you're watching nobody."
The essence of "watching" or "looking" is focusing your attention.
If you diffuse your attention to encompass everything, you end up missing
everything. This is exactly what the US Government is doing with
its police-state tactics (searching everyone who travels; fingerprinting
every foreigner who is stupid enough to arrive; etc). I said this in
a [message](http://www.interesting-people.org/archives/interesting-people/200303/msg00429.html) to
Declan McCullagh's "Politech" list in March 2003.
"Reducing the transaction costs of co-operation"
This is what free software does. When the published copyright terms
of intellectual property permit anyone to modify or improve it and
re-distribute it, there is no transaction cost for people to do so.
When the terms disallow these things, anyone who wants to do them must
negotiate with the owner. This takes energy and time; most people
never bother, so most improvements never get made. Often the improvement
is small, like a corrected paragraph in a book, a bug-fix in software, or
smoothing out a user interface glitch. Transaction costs
must be very low for these kind of cooperative improvements. But the
impact of hundreds of small improvements is a substantial increase in
quality and function, which is quite hard and expensive to duplicate
in uncooperative environments.
Books are more frequently updated by their readers this way than software,
because books arrive with their "source code" -- the text -- visible to
and correctable by the reader. A short note back to the author suffices.
The Whole Earth Catalog was regularly improved this way.
"How many of you have broken no laws this month?"
There are too many laws, and the wrong things are illegal.
Drugs, sexual publications, hiring a housekeeper and not paying Social Security,
jaywalking, loitering, nontraditional sex or marriage,
paying someone less than a
government-set wage, not wearing motorcycle helmets, owning or wearing guns,
choosing your own medicines, designing or constructing your own house,
owning software that can copy DVDs,
exporting cryptography, driving at the same speed as the rest of the traffic;
all these things should be legal. What laws have YOU broken this month?
Any country that makes every citizen a felon is heading for real trouble.
We need to reform the legislative system
that keeps producing too many of the wrong laws.
I first said this in a
[speech](cfp.talk.txt)
to the First Conference on Computers,
Freedom, and Privacy in 1991.
"That's the kind of society I want to build. I want a guarantee -- with
physics and mathematics, not with laws -- that we can give ourselves
real privacy of personal communications."
Another memorable part of my speech on
[Privacy, Technology and the Open Society](cfp.talk.txt)
from the First Conference on Computers, Freedom and Privacy.
"We make free software affordable."
This is the slogan on the back of the first Cygnus Support T-shirt.
"Drug prisoners are the Japanese-Americans of the War on Drugs."
In World War II, the United States imprisoned thousands of American
citizens of Japanese descent, simply because of their Japanese heritage.
In the drug war, the United States is currently imprisoning more than a million
citizens, solely because they choose to alter their own or their customers'
state of mind with physical substances.
I believe that within fifty years **we will stand shamed**,
in our own opinion and in world opinion, for this travesty
of justice and civil rights. We will offer recompense to our
citizens unjustly deprived of their liberties due to this spasm of paranoia.
Whether we can ever repair the Bill of Rights, or restore public trust
in honest government, is a much harder problem.
"When the X.500 revolution comes, your name will be lined up against
the wall and shot."
Some people in love with hierarchy developed a naming system for everything
in the world -- including email addresses and such. It was called X.500.
Unfortunately it didn't interoperate with anything we already had -- like
email addresses and domain names. This didn't stop these profoundly stupid
people from embedding it into HTTPS certificates and a few Internet standards
that failed, like PEM (Privacy Enhanced Mail).
I made this remark in an [email message on 2/26/1993](name-shot.txt)
to the [email protected] mailing list, complaining that I couldn't use
the PEM encryption software because the fascists who ran the naming
hierarchy wouldn't give me the name I chose. I wanted a name like
"O=gnu(\_at\_)cygnus(\_dot\_)com". The main objection to this sort of
"easy and obvious" name is, (the quote above). That is, when the X.500
hierarchy takes over the world, "bad" names like that one won't work any more.
I switched to using PGP, which didn't impose any craziness on the names
people could use.
## Press Mentions
Many aren't on the web, and most of the web ones aren't indexed here,
but here are a few:
* March 2011: In The Monthly (Australian Politics, Society & Culture), Robert Manne's
[Julian
Assange: The Unknown Story](http://www.themonthly.com.au/julian-assange-cypherpunk-revolutionary-robert-manne-3081) traces the origins of
[Wikileaks](http://wikileaks.ch) in the
[Cypherpunks](https://secure.wikimedia.org/wikipedia/en/wiki/Cypherpunk).
* March 2011: The New Zealand Herald printed an abridged version of the
above Monthly article,
[Assange's rage against the state](http://www.nzherald.co.nz/technology/news/article.cfm?c_id=5&objectid=10710269).
* 9 February 2011: Asia Times Online's
[Follow
the money](http://www.atimes.com/atimes/Middle_East/MB09Ak02.html) article quotes the usual aphorism about censorship while talking
about the Arabic revolution in progress.
* 8 February 2011: newswireless.net's Wendy Grossman writes on [Blackout in Egypt, or how to close the internet](http://www.newswireless.net/index.cfm/article/8811): Internet independence, or easy censorship?
* 7 February 2011: Calgary Herald: [Revolution
and the Internet](http://www.calgaryherald.com/technology/Revolution+Internet/4234230/story.html) points out that in many recent attempts at censorship, networks of people have reconnected themselves by other means.
* 4 February 2011: The Durham Region's News Advertiser says [Egyptians prove it's impossible to shut down social networks](http://newsdurhamregion.com/opinion/article/170942): "So, it's clear, even if a government shuts down social media, it cannot shut down the people's voices."
* 3 February 2011: The H (Heise Online): [Nominations open for the Free Software Awards](http://www.h-online.com/open/news/item/Nominations-open-for-the-Free-Software-Awards-1182916.html) lists me among the past winners of this award.
* 26 January 2011: Business Insider's DK Matal reports in [Egypt Revolt Post-Tunisia: Is A Dam Breaking?](http://www.businessinsider.com/egypt-revolt-post-tunisia-is-a-dam-breaking-what-happens-next-2011-1) that "Despite this censorship, such is the power of distributed computing social media -- supported over multiple communication channels -- that local twitter users are currently sending tweets via mobile telephone text messages and third party software applications," thus fulfilling my old quote.
* 6 December 2010: Network World's Mark Gibbs reports that [Microsoft
routes around its own COICA damage](http://news.idg.no/cw/art.cfm?id=BA6D2313-1A64-67EA-E48CD5FA29CB7E6C), wandering from reverse-engineering
Microsoft's Kinect, to [COICA](https://secure.wikimedia.org/wikipedia/en/wiki/Combating_Online_Infringement_and_Counterfeits_Act),
and how censorship regimes tend to create new ways to circumvent censors.
* 6 December 2010: InfoWorld's Peter Wayner's [12
programming mistakes to avoid](http://www.infoworld.com/d/developer-world/12-programming-mistakes-avoid-292?page=0,4) quotes me on "Programming mistake No. 11: Closing the source".
* 2 December 2010: die Tageszeitung's "[An
der elektronischen Front](http://www.taz.de/1/netz/netzpolitik/artikel/1/an-der-elektronischen-front/)" reports on the 20 year history of the Electronic Frontier Foundation.
* 29 October 2010: CNET News.com's Declan McCullagh: [Amid
criticism, WikiLeaks shifts focus](http://www.zdnetasia.com/amid-criticism-wikileaks-shifts-focus-62204089.htm). "It was a humble text-only mailing list called cypherpunks, hosted by Electronic Frontier Foundation co-founder John Gilmore, that laid the philosophical foundation for WikiLeaks."
* 1 August 2010: The Manchester Guardian (UK)'s John Naughton repeats my censorship quote in [WikiLeaks:
look before you leak...](http://www.guardian.co.uk/technology/2010/aug/01/wikileaks-john-gilmore-guardian-internet), then notes that "The aphorism came up a lot last
week following publication by the Guardian, the New York Times and
Der Spiegel of extensive reports based on the stash of classified US
military reports published on the WikiLeaks website. And of course in
one sense this latest publishing coup does appear to confirm Gilmore's
original insight. But at the same time it grossly underestimates the
amount of determination and technical ingenuity needed to make sure that
the aphorism continues to hold good." Hey, how much determination and
technical ingenuity can YOU put in a 10-word sound bite?
* 4 April 2010: Pittsburgh Post-Gazette's Ced Kurtz reports
that Stewart Brand's ['Whole
Earth' goes digital](http://www.post-gazette.com/pg/10094/1047542-96.stm), and mentions his role in the early history of
the Well and the EFF.
* 24 March 2010: V3.co.uk reports [EFF
co-founder John Gilmore wins FSF award](http://www.v3.co.uk/v3/news/2260051/fsf-awards-advancement-free), the Advancement of Free Software
award. This was also reported [in Russian by CNews.RU](http://biz.cnews.ru/news/line/index.shtml?2010/03/24/384064)* 7 January 2010: The Orange County Weekly reports in [Today,
Medical Marijuana. Tomorrow, Legalize It!](http://www.ocweekly.com/2010-01-07/news/medical-marijuana-legalize/3/) that the Drug
Policy Alliance's "annual budget of $8 million comes in part from George
Soros' Open Policy Institute [I think they mean Open Society Institute
--gnu] and also from about 25,000 small donors and a number of very
wealthy businessmen, most notably tech guru John Gilmore of Cygnus
Solutions, Peter B. Lewis of Progressive Insurance, John Glen Sperling
of the University of Phoenix and George Zimmer of the Men's Wearhouse."
Clearly this isn't a very well fact-checked article, and they never
talked to me about it. Though I was a DPA donor in earlier years, I had
stopped giving them money after 2007, because of my privacy concerns with how
DPA tracks their members and donors online.
* July 10, 2009: Huffington Post's Ryan Grim: [Read the Never-Before-Published Letter From LSD-Inventor Albert Hofmann to Apple CEO Steve Jobs](http://www.huffingtonpost.com/ryan-grim/read-the-never-before-pub_b_227887.html), in which I'm quoted on the connection between psychedelics and technical or scientific or business creativity.
* 9 November 2007: SuperEVA.IT: [EA
regala Sim City per il progetto "One Laptop per Child"](http://guide.supereva.it/console/interventi/2007/11/312809.shtml), about
my involvement in releasing the original SimCity game (as "Micropolis")
as free software for children.
* September 22, 2007: Washington Post's Ellen Nakashima on the front page:
[Collecting
of Details on Travelers Documented: U.S. Effort More Extensive Than
Previously Known](http://www.washingtonpost.com/wp-dyn/content/article/2007/09/21/AR2007092102347.html). My [Identity Project](http://papersplease.org) got my travel records from the Homeland Security zealots, and they included what book I was reading and what flashlights I was carrying.
* March 2007: The Guardian:
[Host not found](http://books.guardian.co.uk/review/story/0%2c%2c2046545%2c00.html). Discusses censorship and privacy violation in the
Internet of 2007.
* September 2004: AP's David Kravets:
[Feds Won't Acknowledge 'No Fly' List Exists](http://www.ktvu.com/news/3746894/detail.html). TSA was trying
to drag my case into a secret court despite being rebuffed by sane judges.
* September 2004: Oakland Tribune's Sean Holstege:
[Judges:
Security fight must be in open](http://www.oaklandtribune.com/Stories/0,1413,82~1726~2400657,00.html). The Transportation Security
Administration (TSA) tries to convene a secret court for a secret
trial of my lawsuit about their secret regulations that prevent ordinary
non-secret citizens from traveling unless they bring their Nazi paperwork
(I mean their government-issued photo ID). The judges decide to have
an ordinary trial, open to the public.
* January '03: News.com: [Hail to the...spammer-in-chief?](http://news.com.com/2010-1071-981258.html) I receive spam
from Joe Lieberman, a presidential candidate. Declan McCullagh reports.
* January 18, 2003: San Jose Mercury's Aaron Davis writes
[Privacy
activist argues against air-travel ID rule](http://www.bayarea.com/mld/mercurynews/business/4977751.htm),
covering the same hearing as below.
* January 18, 2003: Wired News's Julia Scheeres covers my
lawsuit seeking to overturn unconstitutional demands that travelers
provide government-issued ID, in [Judge to Hear Air ID Challenge](http://www.wired.com/news/politics/0,1283,57276,00.html)* August '02: SF Bay Guardian picks me as a
[Local Hero](http://www.bestofthebay.com/2002/localheroes.html),
and picks EFF as the
[Best Way to
Safeguard Your Freedom Online](http://www.bestofthebay.com/2002/politics1.html).
* January '02: L.A. Times:
[Freedom Fighters of the Digital World](http://www.latimes.com/features/printedition/magazine/la-000003207jan13.story), talking about EFF's
efforts to protect civil liberties despite anti-terrorism crap shoved
down americans' sheeplike throats by government thugs -- and about how I
was the only one to ask about those hundreds of people imprisoned without
trials, charges, or bail: "Are all the civil rights organizations afraid
to step up to defend potential terrorists?"
* October '00: Scientific American, p. 36, in the sidebar "How
Publius Thwarts Censors", saying that the net routes around censorship.
* June '00: USA Today:
[Identity
swapping makes privacy relative](http://www.usatoday.com/life/cyber/ccarch/cceli017.htm), about consumers lying to web sites,
and trading supermarket identity cards, to foil snoopy companies.
* June '00: USA Today reporter Elizabeth Weise's
[Tech Report](http://www.usatoday.com/life/cyber/tech/cth694.htm)
talks about the 6th Circuit Court of Appeals decision that affirms First
Amendment protection for software source code.
* Jan '00: USA Today's Mike Snider says
[Free speech
at issue in DVD piracy suits](http://www.usatoday.com/life/cyber/tech/review/crg832.htm)* Mar '99: USA Today: [Judge:
Encryption is protected speech](http://www.usatoday.com/life/cyber/tech/ct501.htm) about EFF's win in the Bernstein
case, declaring that "Government restrictions on exporting computer
encryption programs violate free speech rights."
* Jan '99: USA Today:
[Encryption
code cracked in three days](http://www.usatoday.com/life/cyber/tech/ctd122.htm) about the DES Cracker.
* Jan '99: USA Today's
[A maverick cracks
the code](http://www.usatoday.com/life/cyber/tech/ctd228.htm) about the DES Cracker, and other parts of my life. A
[sidebar](http://www.usatoday.com/life/cyber/tech/ctc654.htm)
quotes me and David Wagner about the original meaning of "hacker".
* November '96: Wired's
[Electric Word](http://www.wired.com/wired/archive/4.11/eword.html?pg=5)
section (pg. 43) covers my S/WAN project.
* August '96: My
[Brain Tennis](http://hotwired.lycos.com/braintennis/96/31/index0a.html)
match on the right to privacy, against
[Dorothy Denning](http://www.cosc.georgetown.edu/~denning/),
in
[HotWired](http://www.hotwired.com).
* July '96: My
[letter to the editor of the Economist
on domain name policy](dns-economist.html).
* Early '96: My
[interview](http://www.canter.com/episode2/interview.html)
for the
[Marc Canter Show](http://www.canter.com).
* February '96: Wired's Rogier van Bakel covers Digital Telephony:
[How Good
People Helped make A Bad Law](http://www.wired.com/wired/archive/4.02/digitel.html).
* June '94: Wired's Josh Quittner covers EFF:
[The
Merry Pranksters Go to Washington](http://www.wired.com/wired/archive/2.06/eff.html). The "Spy vs. Nerd"
[cover](http://www.wired.com/wired/archive/2.06/) story.
* May '93: Wired's Steven Levy covers the Cypherpunks:
[Crypto
Rebels](http://www.wired.com/wired/archive/1.02/crypto.rebels.html). That's Tim May, Eric Hughes, and me on the
[cover](http://www.wired.com/wired/archive/1.02/),
behind
masks representing privacy. One of the
[sidebars](http://www.wired.com/wired/archive/1.02/crypto.rebels.html?pg=11)
is about my Freedom of Information tug-of-war with NSA over some documents.
## Archives
I provide Internet access at some rural events, such as
[Burning Man](http://www.eugeneweb.com/~bm/ibm.html).
I have some [system administration insights](sysadmin/index.html)
that I've learned from administering my own and my companies' machines.
The [National Transportation Safety Board](http://www.ntsb.gov)
investigates all airplane
accidents, from the most mundane to the largest crashes.
They have not investigated any of the events of 9/11.
[Search here](http://www.ntsb.gov/ntsb/query.asp) for all crashes
between September 1, 2001 and September 30, 2001. Virtually all of
them have had their "Probable Cause" released after investigation,
with a full report. Read a few reports; see the detail of their
investigations. Then look at the reports for
the 9/11 crashes, which say nothing but:
```
NTSB Identification: DCA01MA065
Scheduled 14 CFR Part 121: Air Carrier operation of United Airlines
Accident occurred Tuesday, September 11, 2001 in Shanksville, PA
Aircraft: Boeing 757, registration: N591UA
Injuries: 44 Fatal.
The terrorist attacks of September 11, 2001 are under the jurisdiction
of the Federal Bureau of Investigation. The Safety Board provided
requested technical assistance to the FBI, and this material generated
by the NTSB is under the control of the FBI. The Safety Board does not
plan to issue a report or open a public docket.
```
Call their Public Affairs office at +1 202 314 6100. Demand to know why
they're stonewalling the public on the most important airplane crashes
of the decade. They've published basic Flight Data Recorder analyses,
logs of radio transmissions,
and radar analyses at [their
FOIA site](http://www.ntsb.gov/info/foia_fri.htm), but no analysis of the crash remains, nor about why the
planes hit the ground -- in particular Flight 93. You can also
get about 100 hours of MP3 audio recordings of 9/11/2001 radio traffic
from NORAD at the
[Government Attic.Org](http://www.governmentattic.org/docs/NORAD-USNORTHCOM_9-11_Tapes.pdf) web site.
See also the
[Pictures from the Iraq war that the US
tried to censor](/us-censors-these) so that Americans could not see them.
###
More Deflating Idiocy About Security
[I finally see some other people pointing out the low likelihood of terrorism affecting you.
Try [Sam Hughes](http://qntm.org/) on [How to fight terrorism](http://qntm.org/?terrorism).]
Your chance of having bad things happen to you *as a
result of "security" measures taken by your government* is definitely
on the rise. The U.S. Government has killed at least ten times as many
innocent people in anti-terrorist wars after 9/11/01 than were killed
by terrorist activity on and since 9/11/01. If you are an innocent
person living in Afghanistan or Iraq,
you are far more likely to die from the intentional act of a US Government
soldier than you are to be killed by any **other** terrorists.
Many US citizens have spent time in jail because extra "anti-terrorism"
searches found illegal things (that had nothing to do with terrorism).
Thousands of immigrants have been imprisoned without cause, and thousands
more have been deported for trivial non-safety-related crimes like
overstaying a visa. (Many thousands more have left even though they
were here legally, figuring out that they did not want to live in a
society like what the U.S. has become.) Our former corrupt Attorney-General
decided that every prosecutor and every judge should impose maximum
sentences for every detected crime. Our latest corrupt Attorney-General
nominee was the architect of the US torture in Guantanamo and Abu Ghraib
that violated international law and every norm of civilized conduct.
These actions have nothing to
do with making us safer, and everything to do with building detailed
control over people. A public that's constantly herded into
fearfulness is far more likely to give away the blessings of liberty
that we "ordained and established" a federal government to protect for us.
The Eleventh Circuit Court of Appeals came to a similar conclusion in
[Bourgeois
v. Peters](http://www.ca11.uscourts.gov/opinions/ops/200216886.pdf), in which it found "Given that we have been on 'yellow
alert' for over two and a half years now, we cannot consider this a
particularly exceptional condition that warrants curtailment of
constitutional rights. We cannot simply suspend or restrict civil
liberties until the War on Terror is over, because the War on Terror
is unlikely ever to be truly over. September 11, 2001, already a day
of immeasurable tragedy, cannot be the day liberty perished in this
country. Furthermore, a system that gave the federal government the
power to determine the range of constitutionally permissible searches
simply by raising or lowering the nation's threat advisory system
would allow the restrictions of the Fourth Amendment to be
circumvented too easily. Consequently, the 'elevated' alert status
does not aid [a government attack on civil rights]."
[Comments on Emergency Re-Sentencing of Ecstacy](ecstacy-sentencing.html).
There is no need for an "emergency" change to the
sentencing provisions for Ecstacy; democracy requires full public
participation. Congress did not mandate an increase in penalties; it
mandated a review of penalties to make them appropriate. The
penalties for use or sale of MDMA should be decreased, not increased.
The discovery, manufacturing and distribution of MDMA has provided
positive benefits to millions of citizens. Sentencing guidelines
penalizing MDMA use are an unconstitutional regulation of the freedom
of thought that underlies many cherished freedoms, and should be
eliminated. The re-sentencing of MDMA is part of a misguided attempt
to "lock up the truth" -- or at least to lock up the truth-tellers --
about MDMA.
[**Securing Internet traffic against wiretapping**](http://www.freeswan.org).
Given the current rampage of Federal cops, it is even more important that
honest citizens and businesses protect themselves from wiretapping, by
deploying good encryption both in your own systems, and for communication
with anyone else. If we can secure 5% of the traffic this year, we can
secure 20% next year; and
80% two years out. The whole Internet will have been secured. Want to help?
[Verio censored my email, and ultimately cut off my net access, under
anti-spam pressure.](verio-censorship.html)
I am not a spammer, and have never
sent any spam.
But Verio blocked
outgoing email from my machine. I was not able to send
person-to-person email to my friends, my colleagues at EFF, or anyone
else.
I think this is wrong.
Any measure for stopping spam should have as its first
goal **"Allow and assist every non-spam message to reach its
recipients."**
I found a new provider, [United Layer](http://www.unitedlayer.com),
who is not trying to censor me. I encourage everyone to boycott Verio's
Internet service, until they fix both their "Acceptable Use Policy"
and their enforcement policies.
[Al Queso seeks U.S. school technologies](el-queso.schools.html).
Terroristas from impoverished lands desparately seek information
about US technologies that are used to educate and control U.S. students.
Concerned parents should remain cowed but pliant.
## In my spare time
I practice yoga, read, listen to music, travel, program, and socialize.
## Why I'm Not Answering Your Email
If you've sent me email, and I haven't responded, there are three likely
causes. Either I **did** send a response, and your system
bounced it due to a misconfigured anti-spam filter; or my own email sorting
system has decided you aren't interesting; or I haven't gotten
to your message yet.
If you're a friend and you've tried emailing twice, it's probably one of
our mail handling systems. I suggest phoning me. It
seems that in the last few years, large numbers of ISPs have started using
"blacklists", even the ones that never did before. The
blacklisters hate me, so they put me on their lists,
even though I have never sent a single spam message. They don't like the
way I administer my machine. (I don't like the way they administer their
machines either.) It will often be hard to get your ISP to admit that
they are censoring your incoming email -- but ask them why you can't
get email from IP address 209.237.225.253 (new.toad.com). They will tell
you that that address
must be a scurrilous spammer because it's on the blacklist.
But you will know better.
Don't just let them put in an exception for mail from me.
Get them to take off the blacklist on your
incoming mail. It is usually hard -- but worth it. Who else's emails
are you missing? Some of us
figured out in the 1950s that blacklists were a bad idea.
---
*[email protected]*, *[email protected]*,
[*my PGP key*](gilmore.pgpkey)
Last updated
November 27, 2013.
| http://www.toad.com/gnu/ |
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<h5><a href="https://sklep.toroidy.pl/"><img src="toroidy.png" width ="160"></a></h5>
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<h3>© 2000-2023 Allan Wyatt.<br>
Updated November, 29, 2023</h3>
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<h9>The Valve Museum</h9>
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<dt><a href="inx/main-inx.htm">Classified Index Menu</a>
<dd>new visitor? try <a href="articles/art-001.htm">here</a> as a start <font color=black>
<dd>No markings on your valve? Let <a href="static/find-me.htm">Type Finder</a> help.
<dd><i>Now with 7,501 Valve Exhibits (<a href="static/advert.htm">Friends Site</a>)</a></i></a>.
<dd><a href="inx/nueue.htm">Update history</a> or all valves in <a href="inx/master.htm">one long list</a>
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</td><td width=90%>
<dt><A href="inx/allmuse.htm">Collections, Museums & Links</a>
<dd>eg <a href="muse/aaj0000.htm">The Liverpool Collection</a>
<h3> </h3>
</td>
<tr>
<td width=10%>
<dt><h5><A href="ephemera/ephemera.htm"
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<IMG name=boxe border=0 height=50 src="boxes/box079.gif" align=top></a>
</td><td width=90%>
<dt><A href="ephemera/ephemera.htm">Vintage Adverts and Boxes</a>
<dd>eg <a href="boxes/box079.htm">BTH LF407</a> box or Mullard's <a href="adverts/adv-0186.htm">EL84</a> advert
<h3> </h3>
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<dt><A href="static/contents.htm">Technical Articles</a> or <A href="static/films.htm">Films</a>
<dd>re-published. eg Mullard <a href="articles/art-003e.htm">5-10 amplifier</a>
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<dt><A href="equivs/eqivinx.htm">Valve Equivalents</a> & <a href="static/referenc.htm">References</a>
<dd>valve types, dates, electrode system and characteristics
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<dt><A href="static/time01.htm">Timeline of Valve History</a> & <A href="vox/allvox.htm">Recollections</a>
<dd>eg <a href="timeline/time-013.htm">1929 Olympia Show</a>
<h3> </h3>
</td><tr>
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<dt><h5> </h5>
</td><td width=90%>
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<dt><a href="https://www.thevalvestore.com.au/">The Valve Store</a>
<dt>Find best <a href="https://www.wisemove.co.nz/moving-companies/auckland">movers in Auckland</a> and furniture removals in New Zealand on Wise Move.
<dt>Top-rated furniture <a href="https://www.wisemove.sg/">movers Singapore</a>
<dt><a href="https://excelhighschool.com/">High School Diploma Online</a>
<dt><a href="https://www.northgateacademy.com/ ">Online Christian School</a>
<dt><a href="https://jooble.org/jobs-museum-assistant">Museum assistant jobs</a>
<dt><a href="https://www.advancedwriters.com">Try custom academic writing at AdvancedWriters - service</a>
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<h5><a href="https://www.thevalvestore.com.au/"><img src=tvs_logo.jpg><br>The Valve Store</a></h5>
<h5> </h5>
<h5><a href="http://www.tnmoc.org/explore?gclid=COOkqeGahtYCFe0Q0wodrPMAEA"><img src=tnmoc_logo.png><br>Click to visit</a></h5>
<h5></h5>
<h5> </h5>
<h5><a href="http://www.brimaruk.com/"><img src="brimaruk.png" width ="160"></a></h5>
<h5><a href="http://www.brimaruk.com/">Brimaruk</a></h5>
<h5> </h5>
<h5><a href="http://www.classicvalveamps.co.uk/"><img src="cva-label.jpg" width ="160"></a></h5>
<h5><a href="http://www.classicvalveamps.co.uk/">Classic Valve Amps</a></h5>
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The Valve Museum
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© 2000-2023 Allan Wyatt.
Updated November, 29, 2023
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<title>Ordo Templi Orientis Phenomenon</title>
<dir>
<font face="arial" size=3><br><br>
<table width=80% border=5 cellpadding=40><tr><th>
<font color="#008080" face="Arial" size=3>
<br>
<h1>The Ordo Templi Orientis Phenomenon</h1>
<br>
<h2>An Apeirogon
<br>
by PeterâRobert Koenig</h2>
<br><br>
<center>
<img src=https://www.parareligion.ch/2023/peladan-babylon.jpg alt="Sar Peladan Rose + Croix, Ordo Templi Orientis O.T.O. Lamen" height=400>
<br><br><br><br>
<img src=https://www.parareligion.ch/2020/kellner/kellner-MM-sphinx.gif height=230 alt=Carl Kellner Memphis Misraim Sphinx">
<br><br><br><br>
</tr></th></table>
<br><br><br><br>
<table width=80% border=1 cellpadding=40><tr><td><font face=arial size=3>
<br>
This project aims to research the psychoâsociology of a modern secret society called <b>Ordo Templi Orientis</b> (<b>O.T.O.</b>) through detailed historical fieldwork.
<br>
The focus of the research is on modernâday occultism and the rôle of money, the alleged connections to the Templars and falsification of history, the modern Gnostics' use of expanded consciousness in their kitchen and bedrooms, sex magic(k), the modern Illuminati, the NeuRosicrucians, ossified folklore, ceremonial magic, and their relationship with Voodoo and Freemasonry. Additionally, the research will investigate the personalities, rituals, correspondences, and books associated with the O.T.O. Phenomenon.
<br><br><br><br><br>
<center><img src=https://www.parareligion.ch/2012/O.T.O.2.jpg alt="Ordo Templi Orientis Aleister Crowley Stele of Revealing Cairo 1904 Liber AL vel Legis Book of the Law Aiwass Aiwaz" height=150>
<br><br><br><br>
<img src=https://www.parareligion.ch/2019/brazil1.jpg height=350 alt="Gnosis in the Bedroom">
</center>
<br><br><br><br>
This study does not serve as an introduction to occult or esoteric topics, although it does cover the magical practices and rituals of relevant groups. Its primary focus is on documenting and sometimes discussing the behavior of the participating parties.
<br><br>
The study serves as a reflection of the many puzzle pieces that make up a phenomenon characterized by the inconsistency and subjectivity of its sources.
<br>
Folkloric aspects (which some might also consider as tittleâtattle from certain perspectives) are treated as part of psychoâsociology and history.
<br>
All puzzle pieces have been used, apart from legal criteria.
<br><br><br><br>
</tr></td></table>
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<table width=80% border=0 cellpadding=00><tr><td>
<font face=arial size=3>
<center>
<img src=https://www.parareligion.ch/2013/fraternitas_saturni_hammer.jpg alt="Fraternitas Saturni Lodge Logen Hammer" height=340></a>
<img src=https://www.parareligion.ch/2006/saturn/gotosbreath.gif alt="Fraternitas Saturni GOTOS breath" </a>
</center>
</tr></td></table>
<br><br><br><br><br><br>
<table width=80% border=1 cellpadding=40><tr><td><font face=arial size=3>
<br>
Western Orientalism effectively originated with the translation of the 'Thousand and One Nights' into French at the beginning of the 18th century. Soon anything even vaguely 'Oriental' seemed to exude a magical, sensual appeal â an appeal that had much to do with the idea of unspoilt nature in farâoff lands. Nearly all Orientalist works contained erotic elements â often explicit â which sprang from a widespread belief that in the Orient mores (and thus morals) were more relaxed than in Europe.
<br><br>
Following Napoleon's campaign in Egypt and Syria between 1798 and 1801, Europeans were gripped with <i>Egyptomania</i>, and many were inspired to see and write about the treasures of the country for themselves.
<br><br>
In the colonial 18th and 19th centuries, Western scholars engaged with Indian subcontinent cultures. British Orientalists emerged, translating Hindu scriptures to grasp their complexities. The 19thâcentury telegraph and steamships sped up IndiaâWest communication, aiding globalization. This facilitated broader access to Hindu knowledge as travelers, researchers, and officials shared insights via reports and publications.
<br><br><br>
Like the fault Nietzsche had found in western culture, voids in some European's own cultures became filled with exotic customs, arts, philosophies, religions and sciences.
<br><br>
Within their own universe, modern occultists are wandering encyclopaedias. It is quite stateâofâtheâart for them to plunder Ali Baba's coffers. The outcome is a construct of Westernâinfluenced Egyptology and Orientalism, infused with elements from the Kabbalah, and sometimes containing fabricated details.
<br><br>
It was in just such a context that an <i>Oriental Templar Order</i>, the O.T.O., was concocted in 1906 by <a href=https://www.parareligion.ch/reuss.htm>Theodor Reuss</a> from the symbols, rituals and nomenclature of regular and irregular Freemasonry in Germany. To see members wearing period garb was and still is not uncommon.
<br><br><br><br>
The letters <b>O.T.O.</b> (or <b>OTO</b>) stand for <a href=https://www.parareligion.ch/intro.htm>Ordo Templi Orientis</a>.
<br><br><br><br>
Neither the use of the letters nor of the full name is unique to any group. Since the founding of the O.T.O. many groups have appropriated the name, its abbreviations, and acronyms and imbued them with contents to their own taste and liking. There are several rival groups using the name Ordo Templi Orientis or O.T.O. Some of them derive from an <i>original</i> that is, a <i>first</i> O.T.O. but not all. Not all but a few of them can lay some claim to stem from the <i>original</i> i.e. first O.T.O. of 1906.
<br><br><br>
Within all iterations of the Ordo Templi Orientis, the lineage of succession assumes a paramount rôle, owing to the conviction that the appointed leader serves as the vessel for the Order's magical potency. Moreover, this leader also lays claim to a range of copyrights and royalties, most notably pertaining to the literary contributions of <a href=https://www.parareligion.ch/2006/ac/ac.htm>Aleister Crowley</a>, a prominent protagonist within the O.T.O.
<br><br><br><br><br>
<center>
<img src="https://www.parareligion.ch/2012/O.T.O.1.jpg" alt="Aleister Crowley and the Law of Thelema and the Stele of Revealing" height=420>
</center>
<br><br><br><br><br>
The structure of most O.T.O.âvarieties, like that of Freemasonry, is based on a staged series of initiations or degrees. It includes approximately 10 degrees, with some variation in between, and one that some refer to as a secret degree, depending on the circumstances. The <a href=https://www.parareligion.ch/2009/secret/secrets.htm>essence / secrets </a> of the Ordo Templi Orientisâvariations are in their higher degrees; strictly speaking only members of these degrees are considered to be members of the <i>O.T.O. proper</i>.
<dir>
<br><br>
<font face=arial size=3>
English version: <a href=https://www.parareligion.ch/synopsis.htm>Synopsis of Degrees</a>.
<br>
Traduction française: <a href=https://www.parareligion.ch/franz/synopsie-franz.htm>Synopsis des Degrés</a>.
<br><br>
</dir>
Aleister Crowley: <i>"Of the </i>[highest] <i> <a href=https://www.parareligion.ch/sunrise/xi.htm>Eleventh Degree</a> </i>[of the Ordo Templi Orientis]<i>, its powers, privileges, and qualifications, nothing whatever is said in any grade. It has no relation to the general plan of the Order, is inscrutable, and dwells in its own palaces."</i> (Liber CXCIV, 1919) <i>"I am inclined to believe that the XIth degree is better than the IXth degree"</i>, diary entry 26 August 1916.
<br><br><br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2006/reuss/stationary.jpg width=80% alt="Theodor Reuss Hermetic Brotherhood of Light Ordo Templi Orientis O.T.O. Memphis Misraim">
</center>
<br><br><br><br><br><br><br><br><br>
<center>
<b>
Religion As Decoration
</b>
</center>
<br><br><br>
While the O.T.O.âs initiatory system is a sort of Kafkaesque bureaucratic club game, it has a religious association under its obedience: The <a href=https://www.parareligion.ch/church.htm>Gnostic Catholic Church</a>. One of the O.T.O.groups intends <i>"to restore Christianity to its real status as a solarâphallic religion."</i> In addition to tax advantages, <i>religion</i> supplies a commodity that is always in demand: salvation. And it would seem that some O.T.O.âvariations are simply making themselves bulletproof in the context of the law in some countries.
<br><br>
The technical term for the bishopric in the context of the O.T.O. Phenomenon is <i>Wandering Bishop</i> or <i>Episcopi Vagantes</i>. This status is not defined by any character qualities, not by theological education or theological position. These bishops are not elected by a canonical church, nor proposed as an ordain by a suffragan and not bound to a historical episcopal see or consecrated by an <i>official</i> bishop according to the canonical procedure.
<br><br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2006/hang.jpg height=300 alt="Holy Logos Dove">
</center>
<br><br><br><br>
A <i>real</i> bishop is not a successor of a <b>sole</b> apostle as only the synod/college of bishops <b>in toto</b> are heir to the college of the apostles. Therefore: no <i>Wandering Bishop</i> has a <i>real</i> apostolic succession. There is no Holy Ghost in WanderingâBishopâconsecrations.
<br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2020/egc/050-051.jpg width=80% alt="LouisâSophrone Fugairon Sophronius Cérémonial de L'Ãglise Gnostique">
<br><br>
[From: <a href=https://www.parareligion.ch/dplanet/html/gkk.htm>'Ecclesia Gnostica Catholica'</a>]
</center>
<br><br><br><br>
Their <i>instrumentum consecrationis</i> is of no apostolic value. Nonetheless, <i>Wandering Bishops</i> are collectors of papers and diplomas in the hope that at least one of the <i>consecrations</i> they record has <i>taken</i>.
<br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2020/jesus+ape.jpg height=450 alt="Gnostic Catholic Church Ecclesia Gnostica Catholica"
</center>
<br><br><br><br>
</tr></td></table>
<br><br><br><br>
<table width=80% border=0 cellpadding=00><tr><td>
<font face=arial size=3>
<br><br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2023/baphomet-rosycross.jpg alt="Heinrich Tranker Baphomet Rosycross" height=400>
</center>
<br><br><br><br><br><br>
This website houses approximately 1000 webpages, incorporating articles, translations, comments, and diverse contributions, each containing numerous documents, photos, and similar visual enhancements. Some images are colored by AI and are duly labeled.
<br>
The current introductory page provides access to only a restricted subset of these resources. Therefore, it is advisable to follow the hypertext links within individual pages for more comprehensive exploration.
<br>
This labyrinthian character reflects the complexity of the investigated subject, as well as the nature of the research involved.
<center>
<br><br><br><br>
<img src=https://www.parareligion.ch/2023/statistics.jpg height=700>
<br><br>
<br><br><br>
<table width=90% border=0 cellpadding=00><tr><td>
<font face=arial size=3>
<ul>
<li> <a href="#discussion"> Discussions</a> on the Nature of the O.T.O. Phenomenon.
<li> <a href="#english"> Articles</a> on the History of the O.T.O.
<li> <a href="#german"> GermanâEnglish books</a>.
<li> <a href="#misc"> Miscellaneous to the O.T.O. Phenomenon</a>.
<li>Metastructural infotainment â <a href=https://www.youtube.com/user/prkoenig/videos>YouTube clips</a>.
<li> <a href="#audio"> MP3 / YouTube recordings</a> of the protagonists.
<li> <a href="#pics"> Photographs and Documents</a>.
<li> <a href="#such"> Search Engine through the O.T.O Maze</a>.
<li> <a href="https://www.parareligion.ch/sunrise/whatsnew.htm"> What's New?</a> â A list of new items, updates and corrections.
<li>O.T.O. Phenomenon: <a href=https://www.parareligion.ch/sunrise/set.htm> Definition, Concept, Legal Situation</a>
</ul>
</tr></td></table>
</center>
<br><br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2014/juste_cruci_suevixus_est.jpg alt="juste cruci suffixus est Fraternitas Saturni Räucherpfanne censer" height=600>
<br><br>
<i>"juste cruci suffixus est"</i>
<br>
Censer of the Fraternitas Saturni
<br>
[Colored with AI]
</center>
</tr></td></table>
<br><br><br><br><br>
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This site covers various esoteric topics, including the German Fraternitas Saturni, the Golden Dawn, Memphis Misraim (one of the motherâorders of the Ordo Templi Orientis), the Gnostic Catholic Churches (of French origin), the German Order of the Illuminati, Anthroposophy, the mostly PanâAmerican Fraternitas Rosicruciana Antiqua, QBLH, A.M.O.R.C., the Austrian AAORRAC, German Pansophia, the Choronzon Club (a sort of homosexual O.T.O. offshoot), the Ordo Templi Orientis Antiqua as an example of gnostic inflation with countless outflows and affiliations (e.g., the Monastery of the 7 Rays and La Couleuvre Noire). It also covers a new American O.T.O. founded in 1977 (called 'Caliphate'), the Society O.T.O. (in Brazil and the US), the Typhonian Ordo Templi Orientis (now called Typhonian Order), the Swiss O.T.O., the Solar Lodge of the O.T.O., and Charles Manson.
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Additionally, the site discusses Abramelin and Holy Guardian Angels, Aiwaz, LAM, Baphomet, and its equivalent, the egregor GOTOS of the Fraternitas Saturni.
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This site includes discussions on spermoâgnosticism, the Elixir of Life, and homeopathy, as well as Aleister Crowley's parareligion called Thelema, and the protoâfascist and misogynistic elements of occult culture. It also features a presentation of never-beforeâpublished rituals (of the original Ordo Templi Orientis, a variation of the Hermetic Brotherhood of Light) and texts that were lost in the archives until now.
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Readers can also learn about scurrilous legal opinions and fights, and be puzzled by the ethnological approach to all of this.
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<i>"What Every Mason Wants"</i>
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'Startling Stories", January 1948.
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<center><b>Secrets of the Rosicrucians, Templars and the Illuminati</b></center>
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<img src=https://www.parareligion.ch/2013/rosicrucian_illuminati.jpg alt="Secrets of the Rosicrucians, Templars and the Illuminati, Peter-Robert Koenig" height=250>
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<h1>Discussions on the Nature of the O.T.O. Phenomenon</h1>
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There are many critical theories, but I don't employ any specific one because, in general, they all can work, and I don't approach texts, ideas, or people as if they were patients.
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The suitability of methods for thinking about occultism and esotericism is usually linked to results. So long as those insights stay discursive, innovative and useful, any method â however informal or offbeat â is not only appropriate but even required. Thus scientific analysis becomes a conversation between subject and researcher, and can only ever yield tentative results. Wayward ideas, however, can and should be viewed from wayward perspectives.
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Reading Paul-Michel Foucault, Roland Barthes and Jacques Derrida, Félix Guattari and Gilles Deleuze, George Batailles, Antonin Artaud, Terence Sellers, Jean Barraqué, Hermann Broch, Alain RobbeâGrillet, Maurice Blanchot and Comte de Lautréamont (Isidore Ducasse) will not hurt you. Have you tried JacquesâMarie Ãmile Lacan?
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<img src=https://www.parareligion.ch/2013/saturnius/saturnius_briefe.jpg alt="Johannes Goeggelmann, Saturnius, Fraternitas Saturni" height=350>
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<h1>The Technology of Sex</h1>
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<img src=https://www.parareligion.ch/2005/pan.jpg alt="The Technology of Sex, Ordo Templi Orientis, Sex Magic" width=500>
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Certainly, spermoâgnosis and sexâmagic tend to invite rhetoric that veers towards sensationalism and may sound alarmist, not to mention titillating. I have diligently strived to steer clear of these potential pitfalls. Nevertheless, it is essential to declare from the outset that the subject requires candor, and I have not hesitated to provide it.
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Spermatophagy
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<a href=https://www.parareligion.ch/spermo.htm>SpermoâGnostics and the Ordo Templi Orientis</a> â Introduction to the "Ascetic and Libertine Gnostics".
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<li> Versione italiana: <a href=https://www.parareligion.ch/cefalu.htm>Origine dei gruppi O.T.O. e la Magia sessuale</a>.
<li>Deutsche Version: <a href=https://www.parareligion.ch/sunrise/sperm_d.htm>SpermaâGnosis und der O.T.O.</a>
<li>Traduction française: <a href=https://www.parareligion.ch/franz/sperma_fr.htm>Les SpermoâGnostiques</a>.
<li>Traduccion castellano: <a href=https://www.parareligion.ch/spermo_sp.htm>Ordo Templi Orientis: EspermoâGnósticos</a>.
<li>Tradução portuguesa: <a href=https://www.parareligion.ch/spermo_p.htm>Os EspermoâGnósticos e a Ordo Templi Orientis</a>.
<li>Ceská verze: <a href=https://www.parareligion.ch/asketict.htm>Asketictí a Libertinstí Gnostikové</a>.
<li>Traduse in romana: <a href=https://www.parareligion.ch/2007/fs/spermo_ru.htm>SpermaâGnoza</a>.
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Clément de SaintâMarcq: <a href=https://www.parareligion.ch/eucha.htm>The Eucharist</a>, 1906.
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<a href=https://www.parareligion.ch/correct.htm>The Correct Gnosticism</a>: The ascetic roots of the O.T.O.
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<li>Traduction française: <a href=https://www.parareligion.ch/franz/correct_fr.htm>Le Gnosticisme Correct</a>.
<li>Traduccion castellano: <a href=https://www.parareligion.ch/2005/correct_sp.htm>Gnosticismo Correcto</a>.
<li>Traduse in romana: <a href=https://www.parareligion.ch/2007/fs/correcto_ru.htm>Gnosticism Corect</a> â Fenomenul Ordo Templi Orientis Informatii suplimentare.
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The <a href=https://www.parareligion.ch/2009/secret/secrets.htm>Secrets</a> of the O.T.O.âgroups.
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Touto esti to sperma mou. Ho pater estin ho huios dia to pneuma hagion. AUMGN. AUMGN. AUMGN.
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Aleister Crowley's 'Gnostic Mass' includes a <i>Cake of Light</i> which incorporates the Logos and is prepared using certain ingredients including bodily secretions. This Cake is not intended for transubstantiation but to contain a deity called the <i>Childe</i>, specifically an aspect of Horus, the Egyptian God of the Sky.
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The cake is transmuted by digestion, not through transubstantiation, making it a sexâmagical medium for the participant's will. Consumption or bodily contact with the host is necessary for transformation, unifying the host with its consumer, unlike the Roman Catholic host, which changes its invisible essence without changing appearance or chemical qualities.
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<img src=https://www.parareligion.ch/sunrise/prain.jpg alt="TWO ESSAYS ON THE WORSHIP OF PRIAPUS, RICHARD PAYNE KNIGHT" width=300>
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In the 1970s, the occult community embraced a heightened level of sexuality involving a variety of partners. This not only created but also reinforced the stereotype about occultists that persists to this day, shaping how some individuals define occultism. During that era, many embarked on a social experiment of extended proportions, likening it to a form of religion and using sex as its raw material.
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A significant emphasis was placed on individuals' autonomy, encouraging the freedom to engage in whatever they desired. The expression of sexuality underwent a transformative shift from being carried out furtively to becoming a celebratory manifestation, embodying the newly liberated attitudes towards occultism.
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The moment sex became available to everyone at a mouseâclick, the power of discourse (to borrow Foucault's term) of those who constructed a truthâproducing apparatus around sexuality, also crumbled.
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<a href=https://www.parareligion.ch/sunrise/aura.htm>Aura of the O.T.O.
Phenomenon</a>.
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<li> Tradução portuguesa: <a
href=https://www.parareligion.ch/sunrise/aura_p.htm>A Aura do Fenômeno O.T.O.</a>
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<a href=https://www.parareligion.ch/halo.htm> Halo of Flies</a>.
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Organized occultists seek to establish their parareligion as a fixed aspect of society. The purpose of this article is to illustrate how such organizations impose intellectual conformity on individuals who genuinely seek knowledge. This contribution, originally published in Richard Metzger's "Book Of Lies" in 2003, explores several key topics, including Thelema and the loss of identity, manufactured gnosis, and the manifestation of Borgâconsciousness in secret societies like the O.T.O.
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Of a similar nature: <a href=https://www.parareligion.ch/2005/phantom.htm>Phantoms of the Paradise</a>.<br>
Anonymous 2021: <a href=https://www.parareligion.ch/2021/burning.htm>Burning Down The House</a>. Keywords: 'Caliphate', Argenteum Astrum, James Wasserman, Donald Trump.
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<a href=https://www.parareligion.ch/guinea.htm>What Will I Give For An Encore?</a>
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Part One of <a href=https://www.parareligion.ch/aiwass1.htm> Smoke Gets In Your Aiwass</a>. All about Angels and Abramelin.
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Part Two: More on <a href=https://www.parareligion.ch/aiwass2.htm>The chajoth, the âliving creationsâ or âflying thingsâ</a>.
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The focus is on the rôle of the Abramelin Book in inspiring occultists to engage with the Holy Guardian Angel. Notable themes include the Mysterium iniquietatis, RomanâCatholic Angels, God's Test, the sins of the Angels, the Heavenly Doppelgänger, and Aleister Crowley's experiences with the Abramelin Book.
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Die vollständige Version (mit einem dritten Teil), jedoch nur auf deutsch: <a href=https://www.parareligion.ch/books/abrameli.htm>Abramelin & Co.</a>
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<a href=https://www.parareligion.ch/ecstasy.htm>Ecstatic Creation of Culture</a>.
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The main ideas of this lecture, dated 1996, are the examination of Aleister Crowley's magical religion, the phenomenon of euphoric tranceâimages, the use of Cabbala as a verbal bridge between different realities, and the discussion of occultists associated with occult orders and <i>free</i> occultists.
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<li> Deutsche Version: <a href=https://www.parareligion.ch/dplanet/html/ekstase.htm> Ekstatische Erzeugung von Kultur</a> [overdubbed version] â Die kommerzielle Plünderung der okkulten Leitfossilien. Version 2011.
<li>Tradução portuguesa: <a href=https://www.parareligion.ch/sunrise/ecstasy_pt.htm>Criação Extática de Cultura</a>.
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<a href=https://www.parareligion.ch/question.htm>Use of the Internet</a> â A questionaire of April/March 1997.
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<a href=https://www.parareligion.ch/2011/playgame.htm>Playgame of an O.T.O.âFatamorgana</a> 2011.
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The article explores the controversial membership of <i>the</i> O.T.O., through academic research and statistics. It discusses the renovation of the statistics, noting that little is known about the entire membership. It also touches on the rôle of AIDS within the organization, as well as the presence of AIDSâdenialists as members of the Cabinet of the 'Caliphate'. Additionally, the article examines the suicide rate among members and explores the process for gaining entry into the Sovereign Sanctuary of the Gnosis, <i>the</i> O.T.O.'s innermost circle. It also discusses censorship and the media's coverage of <i>the</i> O.T.O., as well as the issue of nameâdropping within the organization.
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<li>Traduction française: <a href=https://www.parareligion.ch/franz/playgame-franz.htm>Jeu de rôle d'une O.T.O.âFatamorgana</a>.
<li>Traduzione italiana: <a href=https://www.parareligion.ch/2015/playgame-it.htm>La versione playâgame di un O.T.O.âFatamorgana</a>.
<li>Tradução portuguesa: <a href=https://www.parareligion.ch/2021/playgame_port.htm>Versão Jogo de uma O.T.O.âFatamorgana</a>.
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<img src=https://www.parareligion.ch/2020/OTO-infant-body-suit.jpg alt="Ordo Templi Orientis Caliphate Body Infant Suit Baphomet" height=330>
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<a href=https://www.parareligion.ch/2011/fetish.htm>Fetish, SelfâInduction, Stigma and Rôleplay</a>. 2011.
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<i>The</i> O.T.O. has a controversial history, and it has been linked to several allegations of misconduct. Individuals who participate in O.T.O. rituals or practices may, therefore, face potential risks stemming from the organization's history or reputation. It is worth noting, however, that this article does not concentrate specifically on negative effects. Rather, it provides an analysis of the use of fetishism, self-induction, stigma, and rôleplay in the context of O.T.O. rituals and practices.
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<li>Traduction française: <a href=https://www.parareligion.ch/franz/fetiche-franz.htm>Fétiche, autoâinduction, stigmatisation et jeu de rôle</a>.
<li>Traduzione italiana: <a href=https://www.parareligion.ch/2015/feticcio.htm>Il feticcio, lâautoâinduzione, lo stigma, il gioco di ruolo</a>.
<li>Tradução portuguesa: <a href=https://www.parareligion.ch/2021/fetish-port.htm>Fetiche, Auto-Indução, Estigma e Rôleplay</a>.
<li>Tlumaczenie polskie: <a href=https://www.parareligion.ch/2013/fetysz.htm>Fetysz. Rytualy. Resocjalizacja: Tozsamosc przez stygmat. Autoindukowana schizofrenia. Odgrywanie ról.</a>
<li>Ðо ÑÑÑÑки: <a href=https://www.parareligion.ch/2019/fetish-ru.htm>ФеÑиÑ, ÑамоиндÑкÑиÑ, ÑÑигма и ÑÐ¾Ð»ÐµÐ²Ð°Ñ Ð¸Ð³Ñа</a>.
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<a href=https://www.parareligion.ch/2012/hypocrisy.htm>Gaps in the Script of Esotericism</a>: Hypocrisy and Hypercrisis â Oscar Wilde: Ambition is the last resort of failure. 2012.
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In the realm of academia, scholars, preoccupied with their interpretations of archived knowledge, form insular communities. Occultists disguise themselves as scholars, and vice versa. Laypersons, adept at employing 'langue de bois' rhetoric, gravitate towards their preferred online platforms. A culture of selfâaffirmation prevails, accompanied by a chorus of indignant condemnation directed at others.
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<a href=https://www.parareligion.ch/mcdonald.htm>The McDonaldisation of Occulture</a>.
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The present article, dating back to 1997, investigates the utilization of calculability and quantifiability as evaluative criteria by secret societies such as the O.T.O. Specifically, I examine the degree to which the American O.T.O. has adopted a supermarketâstyle approach characterized by McDonaldization in its organizational structure and practices. Furthermore, this concept is contextualized within the burgeoning realm of the internet, elucidating the potential implications of these developments on the nature and function of secret societies in contemporary society.
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<li> Deutsche Version: <a href=https://www.parareligion.ch/okkultur.htm> Die McDonaldisation der Okkultur</a> â Das Internet im Spannungsfeld potentieller Schöpfung.
<li>Ðо ÑÑÑÑки: <a href=https://www.parareligion.ch/2019/mcdonald-ru.htm>ÐакдоналÑдизаÑÐ¸Ñ Ð¾ÐºÐºÑлÑÑÑÑÑ</a>.
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<a href=https://www.parareligion.ch/2017/creative-power.htm>The Creative Power</a>. Golems and Homunculi are two symbolic constructs that represent the creative power of the soul. The homunculi, which are artificially created beings, represent the potential for creation that exists within each individual. The golem, on the other hand, is a creature from Jewish folklore brought to life through mystical means and represents the manifestation of creative power in the physical world.
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Keywords: Paracelsus, Ordo Templi Orientis, Baphomet, Egregor, Fraternitas Saturni, Theodor Reuss, Hanns Heinz Ewers.
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<li>Traduction française: <a href=https://www.parareligion.ch/franz/pouvoir_fr.htm>Le pouvoir créateur</a>.
<li>Traduse in romana: <a href=https://www.parareligion.ch/2021/creatoare-ru.htm>Putera Creatoare</a>.
<li>Ðо ÑÑÑÑки: <a href=https://www.parareligion.ch/2019/creative-ru.htm>ТвоÑÑеÑÐºÐ°Ñ Ð¡Ð¸Ð»Ð°</a>.
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Aleister Crowley created a kind of a parallel world, with new values based on the injunctions of <i>religion</i> etc, called <i>Thelema</i>, in which he played the central rôle of a Prophet.
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Regarding his antidemocratic, racist and misanthropic writings, followers point out: <i>"The reason </i>[...] <i>aspects of Thelema are omitted </i>[in public discussion]<i> indicates the actual problem with presenting Thelema as a religion and attempting to get Thelema sanctioned by the government or approved by the public: Thelema is ultimately in contrast to and transgressive of normative society. Thelema rejects the morals and values of normative society and acts to transgress and violate these norms. From the inclusion of intoxicants in ritual, to the positive view of sexuality, which frequently is seen as promoting promiscuity, to the proâauthoritarian and Nietzschian aspects of Thelema, normative society has much to reject in Thelema and conversely, Thelema encourages its adherents to reject most aspects of normative society."</i> ['Caliphate' O.T.O.'s "Journal of Thelemic Studies", 1;2, 2008, page 40]
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Nicht alle Zweige des O.T.O. haben Crowleys <i>Thelema</i> übernommen. <i>"Der Grund, dass </i>[...] <i> Aspekte von Thelema ausgelassen sind, ist das aktuelle Problem, wie Thelema in der Ãffentlichkeit als Religion darzustellen ist, um so vom Staat anerkannt zu werden. Thelema ist ganz eindeutig konträr und an den Grenzen der normativen Gesellschaft. Thelema weist die normativen Werte und Moral ab und zielt auf die Ueberschreitung und Verletzung eben dieser Normen. Die Miteinbeziehung von Drogen in die Rituale, die positive Betonung der Sexualität, die als Werbung für Promiskuität angesehen werden kann und der autoritäre und pro-Nietzscheanische Aspekt von Thelema zwingen die normative Gesellschaft zur Ablehnung und gleichzeitig ermutigt Thelema seine Anhänger, die meisten Aspekte der normativen Gesellschaft abzulehnen."</i> ["Journal of Thelemic Studies", 1;2, 2008, Seite 40, übersetzt]
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Concernant les écrits antidémocratiques, racistes et misanthropes de Crowley, ses disciples soulignent : <i>« la raison </i>[que quelques] <i>aspects de Thelema sont omis </i>[dans la discussion publique] <i>indique le problème réel avec la présentation de Thelema comme une religion et essayant d'obtenir pour Thelema une sanction du gouvernement ou approuvé par le public : Thelema est finalement en revanche transgressive de la société normative. Thelema rejette la morale et les valeurs de la société normative et agit pour transgresser et violer ces normes. De l'inclusion des substances intoxicantes dans les rituels, à la perception positive de la sexualité, souvent considérée comme favorisant la promiscuité, le proautoritaire et lâaspect Nietzschéenne de Thelema, la société normative a beaucoup rejeter en Thelema et inversement, Thelema encourage ses adhérents à rejeter la plupart des aspects de la société normative. »</i> [Journal of Thelemic Studies, 1;2, 2008, page 40, traduit].
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In merito agli scritti antidemocratici, razzisti e misantropici di Aleister Crowley, i suoi seguaci precisano: <i>«La ragione per cui </i>[...]<i> certi aspetti della filosofia thelemica sono omessi </i>[nei pubblici contesti]<i> indica lâeffettiva difficoltà di presentare Thelema come una religione e al contempo ottenere una legittimazione dallo stato o la pubblica approvazione: invero Thelema trasgredisce e si contrappone alle norme sociali. Thelema rifiuta la morale e i valori della società normata e agisce per trasgredire e violare queste norme. Per lâuso di âsostanzeâ nei rituali, per la magnificazione della sessualità , spesso fraintesa come spinta alla promiscuità , per gli aspetti pro-autoritari e nietzscheani, la società normata ha molto da respingere in Thelema e, allo stesso modo, Thelema incoraggia i suoi accoliti a respingere la maggior parte degli aspetti della società normata.»</i> âJournal of Thelemic Studiesâ, 1; 2, 2008, p. 40.
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Em relação aos escritos antidemocráticos, racistas e misantrópicos: <i>"A razão </i>[â¦] <i>de certos aspectos de Thelema serem omitidos </i>[de discussões públicas] <i>indica o real problema em apresentá-la como uma religião e tentar fazer com que seja aceita por
governos ou aprovada publicamente: Thelema está, no final das contas, em
contraste com a sociedade preceptiva além de transgredi-la. Thelema rejeita a moral
e os valores dela e age para transgredir e violar tais normas. Desde a inclusão de
intoxicantes em rituais, passando pelo ponto de vista positivo em relação a
sexualidade â que com freqüência é visto como incentivo à promiscuidade â aos
aspectos pró-autoritários e Nietzscheneanos de Thelema, a sociedade preceptiva
tem muito para rejeitar em Thelema e, reciprocamente, Thelema encoraja os seus
simpatizantes a rejeitar muitos aspectos dessa sociedade."</i> "Journal of Thelemic
Studies", 1;2, 2008, pag. 40.
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<a href=https://www.parareligion.ch/2006/pro/peng.htm>Das Milieu des Templer Reichs â Die Sklaven Sollen Dienen</a>.
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The argument presented in this discussion suggests that Aleister Crowley may be considered a political opportunist, who sought to build relationships with anyone, anywhere, in order to advance his personal interests, including the operation of his parareligion, Thelema. As he faced repeated failures in his political and utopian pursuits, Crowley increasingly emphasized his status as the founder of a <i>religion</i>, attracting followers from all walks of life. Therefore, it is important to recognize the diverse range of people interested in this topic.
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This article will focus on notable individuals and organizations in this milieu, such as the Ordo Novi Templi, Fraternitas Saturni, and key figures such as Lanz von Liebenfels, Mathilde Ludendorff, Karl Germer, Christian Bouchet, Paolo Fogagnolo, and James Wasserman. The discussion will explore the political leanings of these groups and their members, as well as their attitudes towards antiâSemitism and religious intolerance. Additionally, the analysis will address the question of whether a consistent political direction can be identified within the O.T.O. Finally, the concepts of Ariosophy and paranoia will also be explored and illustrated with examples.
<ul>
<li>English version: <a href=https://www.parareligion.ch/2006/pro/pene.htm>The Templar's Reich</a> â The Slaves Shall Serve.
<li>Traduction française : <a href=https://www.parareligion.ch/franz/pen_fr.htm>Le Milieu du Reich des Templiers</a>. Les Esclaves Serviront.
<li>Tradução portuguesa : <a href=https://www.parareligion.ch/2022/pen-port.htm>O Ambiente do Reich dos Templários</a> â Os Escravos Servirão.
<li>Traduse in romana: <a href=https://www.parareligion.ch/2007/fs/penru.htm>Reichâul Templier</a> â Sclavii trebuie sa serveasca.
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Also: <a href=https://www.parareligion.ch/sunrise/fasho.htm>ProtoâFascist Elements in the O.T.O.</a>
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Something that is <b>not</b> related to <i>the</i> O.T.O.:</b> Rudolf von Sebottendorff: <a href=https://www.parareligion.ch/2007/aha/sebo.htm>Der Talisman des Rosenkreuzers</a>. With a preface by Albrecht Goetz von Olenhusen.
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<img src=https://www.parareligion.ch/2020/rat.jpg height=275 alt="Holy Rat">
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<h1>Articles on the History of the Ordo Templi Orientis</h1></tr></th>
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Whether treated as object or subject, the very term "O.T.O." is itself neither fixed nor coherent. <i>The O.T.O.</i> is not a compact, bounded set of categories, but consists of different individuals and more or less loose groupings, which often meet and part (or converge and diverge) with each other â and all at the same time.
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Any historical account, any arrangement of these individual parts is perforce provisional, subject to rules of thumb and remains experimental in nature.
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<img src=https://www.parareligion.ch/sunrise/kellner.jpg alt="Carl Karl Kellner Renatus Hermetic Brotherhood of Light H.B.L. Ordo Templi Orientis O.T.O." height=300>
<img src=https://www.parareligion.ch/2020/kellner/carl-kellner1.jpg alt="Carl Kellner Yoga pre-Ordo Templi Orientis Memphis Misraim Baphomet" height=300>
<img src=https://www.parareligion.ch/2020/kellner/carl-kellner2.jpg alt="Carl Kellner Yoga Memphis Misraim Baphomet" height=300>
<br><center>Carl Kellner
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[Colored with AI]
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Carl Kellner, Theodor Reuss, Clément de SaintâMarq, E.C.H. Peithmann, Ernst Tristan Kurtzahn, P.B. Randolph, Rudolf Steiner <B> not </B> being a member of the O.T.O., Franz Hartmann (no member of the O.T.O.), Aleister Crowley, Karl Germer, Arnoldo KrummâHeller, Herbert Fritsche, Michael P. Bertiaux, Hermann Joseph Metzger and his Ladies, Grady L. McMurtry, Friedrich Lekve, Friedrich Mellinger, William Wallace Webb, Eugen Grosche, Henri Birven, Joanny Bricaud, Leopold Engel, Franz Bardon, Charles Manson and the Solar Lodge of the O.T.O., 'Caliphate', Heinrich Traenker, Kenneth Grant, Marcelo Ramos Motta, William Breeze ...
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<a href=https://www.parareligion.ch/king2.html>Some protagonists and components</a> of some O.T.O.âvariations.
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<img src=https://www.parareligion.ch/2006/Originals/away.jpg alt="Ordo Templi Orientis, Carl Kellner, Theodor Reuss, Aleister Crowley, Karl Germer, Herbert Fritsche, Michael P. Bertiaux, Hermann Joseph Metzger et alii" width=60%>
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<h1>
Introduction
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<img src=https://www.parareligion.ch/2006/1896kellner.jpg alt="Carl Kellner: Yoga. Eine Skizze über den psychoâphysiologischen Teil der alten indischen Yogalehre. Ordo Templi Orientis. O.T.O." height=400>
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The history of the Ordo Templi Orientis, along with its variations, is marked by a considerable degree of complexity, with various claims to <i>apostolic succession</i>, mutual accusations, and expulsions. In this context, it is not surprising that there are significant overlaps and interconnections between different factions within the organization and its variations.
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<b>Background</b>
<ul>
<li>
English version : <a href=https://www.parareligion.ch/intro.htm>Introduction</a> to the O.T.O.
<li>Version française : Le PhénomèneâO.T.O. â <a href=https://www.parareligion.ch/franz/intro_fr.htm>Introduction</a>.
<li>Versione italiana : <a href=https://www.parareligion.ch/storia.htm>Breve Storia</a> dell'O.T.O.
<li>Tradução portuguesa : <a href=https://www.parareligion.ch/intro_pt.htm>Introdução</a> à Ordo Templi Orientis.
<li>Tradduciõn castellano :<a href=https://www.parareligion.ch/2005/intro_sp.htm> Introducción</a> a la Ordo Templi Orientis.
<li>Ceská verze : <a href=https://www.parareligion.ch/fenomen.htm>Fenomén O.T.O.</a>
<li>Ðо ÑÑÑÑки: <a href=https://www.parareligion.ch/sunrise/intro.htm>ÐÑÑоÑÐ¸Ñ ÐÑдена ÐоÑÑоÑнÑÑ
ТамплиеÑов</a>.
<li>Dutch version : <a href=https://www.parareligion.ch/sunrise/oto_d.htm>Ordo Templi Orientis</a>.
<li>Mandarin translation : <a href=https://www.parareligion.ch/2005/introprk.htm>䏿¹ç¥æ®¿æçä»ç»</a>.
<li>Traduse in romana: <a href=https://www.parareligion.ch/2007/fs/intro_ru.htm>Introducere</a> in Ordo Templi Orientis.
</ul>
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Details about <a href=https://www.parareligion.ch/sunrise/ck.htm>Carl Kellner</a>: Never a member of any O.T.O.
<ul>
<li>Josef Dvorak: <a href=https://www.parareligion.ch/sunrise/kellner.htm>Carl Kellner</a> [collected gossips and speculations about Kellner's life, Franz Hartmann, Hatha Yoga and Baphomet].
<li>Deutsche Version: <a href=https://www.parareligion.ch/sunrise/carl.htm>Carl Kellner</a>.
<li>Türkçe çeviri: <a href=https://www.parareligion.ch/2023/kellner-t.htm>Carl Kellner</a>.
</ul>
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Short biography of <a href=https://www.parareligion.ch/sunrise/hartmann.htm> Franz Hartmann</a>.
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Joanny Bricaud: <a href=https://www.parareligion.ch/sunrise/mm1.htm> Notes Historique sur le Rite Ancien et Primitiv de MemphisâMisraim</a>.
<ul>
<li>
Ðо ÑÑÑÑки: <a href=https://www.parareligion.ch/2019/mm-ru.htm>ÐÑевний и ÐзнаÑалÑнÑй УÑÑав ÐемÑиÑаâÐиÑÑаима: ÐÑÑоÑиÑеÑкие замеÑки</a>.
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<img src=https://www.parareligion.ch/2006/1918.jpg alt="Theodor Reuss â Ordo Templi Orientis Phenomenon" width=35%></a>
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<img src="https://www.parareligion.ch/2006/reuss/1914parsifal.jpg" alt="Theodor Reuss, Parsival und das entschlüsselte GralsâGeheimnis, Aufbauprogramm und Leitsätze der Gnostischen NeoâChristen O.T.O." width=85%></a>
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[From: <a href=https://www.parareligion.ch/dplanet/html/gross.htm>'Der Grosse Theodor Reuss Reader'</a>]
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<a href=https://www.parareligion.ch/reuss.htm>Theodor Reuss</a> â a sort of biography.
<ul>
<li> Tradução portuguesa: <a ref=https://www.parareligion.ch/reuss_pt.htm>Theodor Reuss: Avô da Sociedade Antroposófica?</a>
<li> Ceská verze: <a href=https://www.parareligion.ch/th-reuss.htm>Theodor Reuss jako zakladatel esoterickych rádú</a> â a â <a href=https://www.parareligion.ch/preklad.htm>Preklad dokumentu</a>.
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A letter from <a href=https://www.parareligion.ch/sunrise/francis.htm>Francis X King to John Symonds</a> about Theodor Reuss.
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<a href=https://www.parareligion.ch/rituals.htm>Theodor Reuss' O.T.O. rituals ©</a> with an introduction.
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Information about <a href=https://www.parareligion.ch/sunrise/mcoto.htm>Aleister Crowley's O.T.O. rituals</a>.
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A.P. Eberhardt: <a href=https://www.parareligion.ch/dplanet/html/eber.htm>Von den Winkellogen Deutschlands</a> [O.T.O., Illuminati, MemphisâMisraim, etc.]
<ul>
<li>English translation: <a href=https://www.parareligion.ch/2016/eberhardt.htm>
On German Irregular Lodges</a>.
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<img src=https://www.parareligion.ch/sunrise/reuss.jpg alt="Theodor Reuss Peregrinus Ordo Templi Orientis O.T.O." width=250>
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Theodor Reuss
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<img src=https://www.parareligion.ch/2014/aleister_crowley.jpg alt="Aleister Crowley Baphomet Ordo Templi Orientis O.T.O." width=250>
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<li>English version: <a href=https://www.parareligion.ch/early.htm>O.T.O. â Early Years and Development</a>.
<li>Deutsche Version: <a href=https://www.parareligion.ch/frueh.htm> Zur Geschichte des Ordo Templi Orientis</a>.
<li>Versione italiano: <a href=https://www.parareligion.ch/2015/primi-anni.htm>Ordo Templi Orientis â I primi anni e la sua evoluzione</a>.
<li>Traduction française: <a href=https://www.parareligion.ch/franz/ancien.htm>Lâancien O.T.O. et son évolution</a>.
<li>Traduccion castellano: <a href=https://www.parareligion.ch/2005/early_sp.htm>O.T.O. â Original y su Desarrollo</a>.
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<img src=https://www.parareligion.ch/blitz3.gif alt="Reuss O.T.O. Lamen" height=250></a>
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<li>English: Theodor Reuss and the <a href=https://www.parareligion.ch/2016/Seven-Churches-Asia.htm> Brothers of Light in the Seven Churches of Asia</a>. The origins of Brotherhood of Light of Theodor Reuss.
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<li>Deutsch: Die <a href=https://www.parareligion.ch/2007/reuss/asien.htm>Brueder des Lichtes der sieben Gemeinden in Asien</a>. Theodor Reuss' Hermetische Bruderschaft des Lichtes.
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<li>Français: <a href=https://www.parareligion.ch/franz/asie_fr.htm>Les Frères de Lumière dans les Sept Ãglises d'Asie</a>. Les origines de la Fraternité de Lumière de Theodor Reuss.
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<img src=https://www.parareligion.ch/2007/ac.jpg alt="Aleister Crowley Golden Dawn Ordo Templi Orientis Robe" width=80%>
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Biography of Aleister Crowley:
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<li>English version: Aleister Crowley â <a href=https://www.parareligion.ch/2006/ac/ac.htm>A Biography</a>
<li>Deutsche Version: Aleister Crowley â <a href=https://www.parareligion.ch/2006/ac/act.htm>Eine Biographie</a>
<li>Traduction française: Aleister Crowley â <a href=https://www.parareligion.ch/franz/acfr.htm>Une biographie</a>
<li>Versione italiana: Aleister Crowley â <a href=https://www.parareligion.ch/2015/aci.htm>Biografia</a>
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<img src=https://www.parareligion.ch/2020/lamen.prism.jpg height=320 alt="Lamen of the O.T.O.">
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In 1936, Hans Rudolf Hilfiker claimed that John Yarker's charter endorsed him as Theodor Reuss' successor. He declared the O.T.O. dead with Reuss' passing and considered it nonâexistent. Hilfiker revived the MemphisâMisraim Rite under Constant Chevillon's leadership, distancing from Crowley. He worked to unite Rosicrucian orders with Chevillon and Reuben Swinburne Clymer's help. Chevillon consecrated KrummâHeller in 1939 but was murdered by the Gestapo in 1944.
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<a href=https://www.parareligion.ch/consider.htm>Consider the O.T.O. non existent</a>.
<ul>
<li>Variation française : Hans Rudolf Hilfiker (1882â1955) de la Verità Mistica sur le Monte Verità et de la Libertas et Fraternitas à Zurich se considérait après la mort de Theodor Reuss en 1923 comme son successeur et en 1936 <a href=https://www.parareligion.ch/hilfiker-fr.html>l'O.T.O. comme non existant</a>.
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Beaucoup de documents et un fac-similé d'une nécrologie.
<li>Versione italiana: <a href=https://www.parareligion.ch/sull.htm>Considerare l'O.T.O. inesistente</a>.
<li>Traduccion castellano: <a href=https://www.parareligion.ch/sunrise/vmm-esp.htm>Consideraban a la O.T.O. como no existente</a>.
<li>Ceská verze: <a href=https://www.parareligion.ch/vmm.htm>Veritas Mystica Maxima</a>.
</ul>
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Letter from <a href=https://www.parareligion.ch/2007/reuss/par-hil.htm>Engelhard Pargaetzi to Hans Rudolf Hilfiker</a>, April 4, 1920: Quarrel in Theodor Reuss' Swiss O.T.O. lodge.
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<a href=https://www.parareligion.ch/2007/reuss/rosenkreuzer2.beschluss.htm>Declaration</a> that the relations between the Grand Orient and Theodor Reuss were definitely past history.
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<img src=https://www.parareligion.ch/2020/1917.10.20.reuss-laban.jpg width=90% alt="Theodor Reuss Rudolf Laban de Laban Vertrag Ordo Templi Orientis 1917">
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1917 Vertrag / Contract Theodor Reuss â Laban de Laban
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[From: <a href=https://www.parareligion.ch/dplanet/html/gross.htm>"Der Grosse Theodor Reuss Reader"</a>]
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[Visit this <a href=https://www.parareligion.ch/oeden.html>Gallery</a>.]
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[Another gallery of some <a href=https://www.parareligion.ch/2006/reuss/1900.html>documents relating to Theodor Reuss</a>.]
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<img src=https://www.parareligion.ch/sunrise/back/feld.jpg alt="Feldzug gegen Rudolf Steiner Ordo Templi Orientis Theodor Reuss Flensburger Hefte Guido und Michael Grandt Arfst Wagner Wolfgang Weirauch Eve Grothe Klaus-Dieter Neumann Stefan Leber P.R. Koenig Josef Dvorak Hella Wiesberger Julius Zoll" height=400>
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[From: "Feldzug gegen Rudolf Steiner"</i>, Flensburger Hefte 63
IV/98, Flensburg 1998]
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Rudolf Steiner: <a href=https://www.parareligion.ch/steiner.htm>Not a member of the O.T.O.</a>
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After decades of incomplete media reports and propaganda efforts by biased parties regarding Rudolf Steiner's alleged membership in Theodor Reuss' German lodge of the Ordo Templi Orientis, the archive of Rudolf Steiner's probate has finally opened its vault. This has given historians the necessary evidence to put the matter to rest. There is no evidence to suggest that Rudolf Steiner ever accepted anything from Theodor Reuss, except for his permission to use the term "Misraim". Additionally, there is no documentation that proves Steiner was ever a member of the Ordo Templi Orientis.
<ul>
<li> Deutsche Version: <a href=https://www.parareligion.ch/steiner_.htm>Rudolf Steiner: Niemals Mitglied irgendeines O.T.O.</a>
<li>Traduction française: Rudolf Steiner : <a href=https://www.parareligion.ch/franz/steiner-franz.htm>Jamais membre d'un quelconque O.T.O.</a>
<li> Dutch version: <a href=https://www.parareligion.ch/sunrise/steiner_.htm>Theodor Reuss en Rudolf Steiner</a>.
<li>Traduse romana: <a href=https://www.parareligion.ch/2007/fs/steiner_ru.htm>Rudolf Steiner</a>: niciodata membru al vreâunui Ordo Templi Orientis.
<li>Ðо ÑÑÑÑки: Ð ÑдолÑÑ Ð¨ÑайнеÑ: <a href=https://www.parareligion.ch/2020/steiner-ru.htm>никогда не бÑл Ñленом какогоâнибÑÐ´Ñ Ordo Templi Orientis</a>.
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<a href=https://www.parareligion.ch/rsdoc.htm>Online facsimile documents</a> regarding Reuss and Steiner.
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<a href=https://www.parareligion.ch/2020/reuss-hartmann.htm>Two letters from Theodor Reuss</a> concerning Franz Hartmann / Rudolf Steiner.
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<a href=https://www.parareligion.ch/books/fl.htm>"Gestatten, UnderâCover Agent PeterâR. König"</a> â Ein Interview für die 'Flensburger Hefte' zum Thema "Feldzug gegen Rudolf Steiner".
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<img src=https://www.parareligion.ch/2012/amorc-pulp1.jpg height=600 alt="Spencer Lewis, AMORC, A.M.O.R.C., O.T.O., Order of the Rosicrucian, Ordre de la Rose-Croix, AMORC, Ancient and Mystical Order of Rosae Crucis">
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<a href=https://www.parareligion.ch/sunrise/vanloo/mylewis.htm> Spencer Lewis and the O.T.O.</a> which is a chapter of my <a href=https://www.parareligion.ch/2011/reload.htm>'Der O.T.O. Phänomen RELOAD'</a>, about Spencer Lewis, Theodor Reuss, Aleister Crowley and Heinrich Traenker.
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A.M.O.R.C.: <a href=https://www.parareligion.ch/sunrise/vanloo/vanloo.htm>Controverse Autour d'un Document â Harvey Spencer Lewis et l'O.T.O.</a>
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<a href=https://www.parareligion.ch/sunrise/amorc_en.htm>H. Spencer Lewis and Theodor Reuss</a>.
<ul>
<li>Version française: <a href=https://www.parareligion.ch/sunrise/amorc_fr.htm>H. Spencer Lewis et Theodor Reuss</a>.
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Robert Vanloo: <a href=https://www.parareligion.ch/sunrise/vanloo/ameng.htm>Is the A.M.O.R.C. an offspring of the O.T.O. or not ?</a>
<ul>
<li>Version française: <a href=https://www.parareligion.ch/sunrise/vanloo/amfranz.htm>LâAncien et Mystique Ordre de la RoseâCroix dériveâtâil de lâOrdre du Temple Oriental?</a>
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<img src=https://www.parareligion.ch/2020/amorc-oto.jpg alt="A.M.O.R.C. O.T.O. lamen" height=280>
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<img src=https://www.parareligion.ch/2014/cifuentes.jpg height=450 alt="R+C robe">
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<a href=https://www.parareligion.ch/2016/Conqueror.Grail.htm>Conqueror of the Grail</a>.
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Arnoldo KrummâHeller was a complex and multifaceted figure in the world of esotericism and spiritual exploration. His life was marked by a fascination with mysticism and the occult, which led him to explore a wide range of esoteric traditions, including Theosophy, Rosicrucianism and the connections between the Grail legend and the spiritual traditions of the Americas.
<ul>
<li>Traduction française: <a href=https://www.parareligion.ch/franz/graal_fr.htm>Le conquérant du graal</a> â Arnoldo KrummâHeller.
<li>Tradução portuguesa: <a href=https://www.parareligion.ch/2021/Conqueror-port.htm>O Conquistador do Graal</a>.
<li>Ðо ÑÑÑÑки: <a href=https://www.parareligion.ch/2019/Conqueror.Grail.ru.htm>ÐавоеваÑÐµÐ»Ñ ÐÑаалÑ</a> â ÐÑнолÑдо ÐÑÑммâХеллеÑ.
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<a href=https://www.parareligion.ch/fra.htm>Baphomet and Rosycross</a>.
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Arnoldo KrummâHeller received a charter from Reuss in 1908 and established his Fraternitas Rosicruciana Antiqua (F.R.A.) in 1927, which was primarily active in Latin America but also had branches in Austria, Germany, and Spain. In 1930, during KrummâHeller's meeting with Crowley and Germer in Germany, some of the rituals were given Thelemic references. Krumm-Heller also became a <i>real</i> Gnostic bishop in 1939, but after his death in 1949, his F.R.A. split into numerous groups. In 1963, Hermann Joseph Metzger attempted to bring all of these organizations under his authority through his contacts in Venezuela, but his efforts were unsuccessful.
<ul>
<li>Version française: <a href=https://www.parareligion.ch/fra-fra.htm>Fraternité Rosicrucienne Antique</a>.
L'histoire de la F.R.A. n'échappe pas à l'agitation habituelle aux mouvements ésotériques ou maçonniques. Beaucoup des protagonistes de cette histoire furent également membres d'autres organisations, francsâmaçons, martinistes, théosophes, et autres. C'est donc avec intérêt que le lecteur pourra recouper les informations contenues dans cet article avec d'autres études où l'on retrouve ses personnages.
<li>Dutch version: <a href=https://www.parareligion.ch/sunrise/fra_d.htm>Fraternitas Rosicruciana Antiqua</a>.
</ul>
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<a href=https://www.parareligion.ch/2005/krumm/krumm.htm>Dance the Adolf Hitler</a>.
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This article delves into Arnoldo KrummâHeller's perspectives on Hitlerianismo and the concept of <i>"raza superior"</i>, as well as his expression of antiâSemitic rhetoric <i>"sino Judios los estafadores"</i> in his publication, 'Rosa-Cruz'. Furthermore, the article touches upon his son's enrollment in the NAPOLA and KrummâHeller's use of the salutation <i>"Heil Hitler"</i> in his correspondence.
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The article also includes outtakes of Basil Thomson's work 'Queer People - Curious Visitor', as well as a specially written contribution by John Gaster entitled 'Krumm-Heller in England'.
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<img src=https://www.parareligion.ch/2011/krumm-heller.jpg height=860 alt="Arnoldo Krumm-Heller Huiracocha Eduard Munninger Medardus successor of the Fraternitas Rosicruciana Antiqua F.R.A. Austria Kraempelstein Antiquus Arcanus Ordo Rosae Rubeae Aureae Crucis A.A.O.R.R.A.C. Fraternitatis Rosæ Crucis Fraternitatis Rosæ Crucis">
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Eduard Munninger: <a href=https://www.parareligion.ch/2011/munninger.htm>Roses in Austria</a>.
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Through an examination of historical records and primary sources, this article seeks to shed light on the development of A.M.O.R.C. and A.A.O.R.R.A.C. in the Germanâspeaking world, including their early leaders, members, and contributions to the organizations. The appointment of Munninger as the successor to KrummâHeller is a particularly noteworthy event in the history of these organizations.
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<a href=https://www.parareligion.ch/sunrise/book.htm> Of Booksellers And Other Grand Masters of the O.T.O.</a>
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This article contains detailed biographies of Heinrich Traenker, Karl Germer, Henri Birven, Spencer Lewis, C.H. Petersen, and Eduard Munninger, who were all influential figures in the O.T.O. Additionally, it explores their relationships with the organization under the leadership of Reuss, Crowley, and H.J. Metzger.
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Furthermore, the article provides Henri Birven's "Obituary on Karl Germer", which sheds light on Crowley's visit to Berlin in 1930.
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<br><br><br><br>
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<img src=https://www.parareligion.ch/2020/traenker/heinrich.traenker.jpg height=220 alt="Heinrich Traenker Pansophia Pansophische Gesellschaft">
</center>
<br><br>
In 1921, Heinrich Traenker, the German Grand Master of Reuss' O.T.O., founded an organization called Pansophia, which published important Rosicrucian books and early writings of Crowley. Krumm-Heller and Reuss used the term "Pansophia" in their letterhead and stamps. After Reuss' death in 1923, the remaining Tenth Degree members were required to elect the next Outer Head of the Order (OHO). Only eight members were left, among them Traenker and the American Grand Master, C.R.J. Stansfeld Jones. In 1925, these two declared Crowley as "A World Saviour", but quickly withdrew their votes.
<br>
Pansophia disbanded after Traenker's death in 1956.
<br><br>
<ul>
<li><a href=https://www.parareligion.ch/books/oto.htm>'Das O.T.O.âPhänomen'</a>, 1994, onlineâversion.
<li><a href=https://www.parareligion.ch/sunrise/traenk.htm>Heinrich Tränker und der O.T.O.</a>, auf Deutsch.
<li>Heinrich / Henri Birven über <a href=https://www.parareligion.ch/2007/aha/birven.htm> Karl Germer</a>, mit Details zu Heinrich Tränker, Martha Kuentzel, Gerald Yorke, Aleister Crowley.
<li>Heinrich Traenker, O.H.O. of the O.T.O. in Germany: <a href=https://www.parareligion.ch/2007/aha/schwester.htm>Die Sexualmysterien der Pansophie</a>.
<li><a href=https://www.parareligion.ch/dplanet/viator.htm>Karl Germer about Heinrich Traenker</a>. Letter to Max Schneider.
<li><a href=https://www.parareligion.ch/2007/aha/agape.htm> Ritual I der Agape</a>. Logos pneumaticos, Logos spermaticos.
<li>A.M.O.R.C., Martin Erler, ORA, Heinrich Traenker, Pansophie, H.J. Metzger, Schweizer O.T.O., Schikowski â H.D. H: <a href=https://www.parareligion.ch/2009/amorc.htm>Mein Besuch bei Heinrich Traenker</a> / English translation: <a href=https://www.parareligion.ch/2011/amorc.htm>My visit to Heinrich Traenker</a>.
<li><a href=https://www.parareligion.ch/dplanet/html/traenker.htm>'Das Beste von Heinrich Tränker'</a>.
<li>Selection of <a href=https://www.parareligion.ch/studinski.html>onâline documents</a>.
</ul>
</tr></td></table>
<br><br><br><br><br>
<table width=80% border=1 cellpadding=40><tr><td><font face=arial size=3>
<br><br>
<center>
<img src=https://www.parareligion.ch/2012/fraternitas_saturni_transgender.jpg alt="Fraternitas Saturni, GOTOS" height=350>
</center>
<br><br><br><br>
<dir>
<a href=https://www.parareligion.ch/fs1.htm>In Nomine Demiurgi Nosferati</a>.
<br>
In 1926, Eugen Grosche broke away from the inner circle of Pansophia and founded the Fraternitas Saturni (FS) with sixty ex-O.T.O. members, allegedly after Crowley had visited Traenker and Germer. The FS became the second order based on the Law of Thelema, while Traenker's remaining O.T.O., which made only vague references to Thelema, nearly became inactive.
<br>
The death of Eugen Grosche in 1964 caused several splits.
<ul>
<li> Tradução portuguesa: <a href=https://www.parareligion.ch/fs1_p.htm>In Nomine Demiurgi Nosferati</a>.
<li>Dutch version: <a href=https://www.parareligion.ch/sunrise/saturni_.htm>In Nomine Demiurgi Nosferati</a>.
<li>Versiune romana: <a href=https://www.parareligion.ch/2007/fs/fs1_ru.htm>Fraternitas Saturni</a>. Istorie si protagonisti.
</ul>
<br><br>
Eugen Grosche: Bericht über die <a href=https://www.parareligion.ch/2007/fs/geheim.htm>"GeheimâKonferenz im Jahre 1926 in Thüringen"</a> [Crowley's disastrous visit at the homes of
Heinrich Tränker and Karl Germer].
<ul>
<li>English translation: Eugen Grosche: <a href=https://www.parareligion.ch/2007/fs/secret.htm>Report on the âSecret Conference in Thuringia in the year 1926â</a>.
</ul>
<br><br>
Constitution of the <a href=https://www.parareligion.ch/dplanet/html/fs_aims.htm>Secret Lodge Fraternitas Saturni</a>, 1928.
<br><br>
Closing of the <a href=https://www.parareligion.ch/dplanet/html/panclose.htm>"Pansophic Lodge"</a>, 1928.
<br><br><br><br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2023/fraternitas-saturni-emblem.jpg width=300 alt="Fraternitas Saturni Emblem Logo Lamen Siegel Sigill">
</center>
<br><br><br><br><br><br><br>
Johannes Goeggelmann (<i>Saturnius</i>): <a href=
https://www.parareligion.ch/2007/fs/saturnius.htm>Beispiel einer Skandalisierung</a>. Die Geschichte der F.S. aus der Sicht des Boulevard ?
<br><br>
The perception of the Fraternitas Saturni is primarily shaped by the focus on its protagonists. In addition to its founder Eugen Grosche (Gregor A. Gregorius), the Grand Masters Guido Wolther (Daniel), Walter Jantschik (Jananda), Johannes Maikowski (Immanuel), and a few others, it is also Johannes Göggelmann (Saturnius) who contributes to the image of the lodge.
<br>
The fact that the F.S. came into the focus of the tabloid media approximately 30 years after World War II is in interaction with a written report by Johannes Göggelmann, stating that he allegedly killed a cat in the woods for ritual purposes on January 8, 1955.
<br><br>
Contrary to popular belief, the F.S. mostly engages in discussions and cultivates a comfortable and friendly environment where people can engage in discussions, with rituals being rare. The notion of Grosche's supposed worldview about fire and ice, which has been widely circulated since the 1980s, is only found in traces in his writings and never materialized beyond that.
<br>
The misjudgment of Grosche's alleged worldview can be attributed to newer and younger members who sought to revitalize the F.S.'s outdated image within the occult milieu in the 1980s, often sidelining older members.
<br><br>
The tabloid media's interest in esotericism and occultism also surged during the 70s, with journalist Horst Knaut citing Göggelmann in his 1970 book 'Rückkehr aus der Zukunft' for a larger, nonâesoteric audience. Meanwhile, the esoteric and occult milieu has seen significant changes. Parareligions like O.T.O. and F.S. have emerged, attracting criticism from politically and religiously motivated critics in the Germanâspeaking world who label them as 'youth religions'.
<br><br>
Today's Saturnian lodges differ greatly from those during Grosche's time, with modern members and outsiders seeking sensationalism. The newer Saturnian lodges are generally more interested in strong and fast stimuli, leading to significant personnel rejuvenation and reduction as the attention span for older writings has decreased.
<br><br><br>
<a href=https://www.parareligion.ch/2007/fs/bust.htm>Die GOTOSâBüste</a>.
<br><br>
Sammlung von 23 Texten von <a href=https://www.parareligion.ch/2007/ja/baphomet.htm>Walter Jantschik</a>.
<br><br>
Guido Wolther's <a href=https://www.parareligion.ch/2008/fs/wolther.htm>sexmagical drawings</a>.
</dir>
<br><br><br><br><br>
<center>
<img src=https://www.parareligion.ch/hispeed/mai/04.2.jpg height=300 alt="Johannes Maikowski Gemälde Ausschnitt">
<br><br>
Excerpt from a painting by <a href=https://www.parareligion.ch/hispeed/mai/mai04.html>Johannes Maikowski</a>
</center>
<br><br><br><br><br><br>
<dir>
<h2>
Online mit, von und über Johannes Maikowski:
</h2>
<table>
<tr><td width=609> <font face=arial size=3>
Instruktion für Autogenes Training â Ein Yoga-System für den Westen â Indigo (25:11, 6,76 MB).
</td> <td width=161>
<p align=center><a href="https://www.parareligion.ch/audio-oto/maikowski.mp3" target="_blank"><img src="https://www.parareligion.ch/2013/audio.png"></a>
</td>
<td width=4></td>
</tr></table>
<br><br>
<ul>
<li>Eine Auswahl der <a href=https://www.parareligion.ch/hispeed/mai/mai01.html>Gemälde und Collagen</a> Maikowskis.
<br>
It seems evident that the paintings crafted by Johannes Maikowski, a former Grand Master of the Fraternitas Saturni, are essentially esoteric in essence and emanate from Maikowski's personal encounters with meditation and spiritual praxis. A handful of Maikowski's paintings are available, accompanied by succinct annotations of each.
<br>
As a whole, Maikowski's paintings are profoundly linked to his spiritual discipline and occult convictions. The depictions of the paintings offer some enlightenment into the subjects that held significance to him.
<li><a href=https://www.parareligion.ch/hispeed/mai/mai.htm>Autobiographie</a>.
<dir>
Traduction française : <a href=https://www.parareligion.ch/hispeed/mai/mai_fr.htm>Une Biographie</a>.
</dir>
<li><a href=https://www.parareligion.ch/2022/maikowski/katharer.htm>Katharer</a>.
<br>
Johannes Maikowski possessed a fervent interest not only in the Fraternitas Saturni, but also in the Cathar movement. He assimilated certain principles and tenets of the Cathars into his personal mystical doctrines, which included the dichotomy of luminosity and obscurity, the significance of sanctity, and the concept of a metaphysical conflict between virtue and malevolence. Perhaps there exist some parallels between the doctrines of the Fraternitas Saturni and the Cathars. Nonetheless, there is no indication that Maikowski directly integrated the teachings of the Cathars into the oeuvre of the Fraternitas Saturni.
</ul>
Kontext:
<ul>
<li><a href=https://www.parareligion.ch/saturn.htm>Fraternitas Saturni</a>.
<li><a href=https://www.parareligion.ch/fs1.htm>History</a>.
<li><a href=https://www.parareligion.ch/2007/fs/saturnius.htm>Beispiel einer Skandalisierung</a>.
<li><a href=https://www.parareligion.ch/grosche2.html>Gallery</a>.
<li><a href=https://www.parareligion.ch/2009/secret/secrets.htm>Secrets</a>.
</ul>
Bücher zum Kontext:
<ul>
<li><a href=https://www.parareligion.ch/2010/homunc/homunc.htm>In Nomine Demiurgi Homunculi</a>.
<li><a href=https://www.parareligion.ch/2011/reload.htm>Der O.T.O. Phänomen RELOAD</a>.
<li>Andreas Huettl und Peter-R. Koenig: <a href=https://www.parareligion.ch/hispeed/start.html>Satan â Jünger, Jäger und Justiz</a>.
<dir>
English: <a href=https://www.parareligion.ch/hispeed/english.html>Satan â Jünger, Jäger und Justiz</a>.
</dir>
</ul>
<dir>
<li><a href=https://www.parareligion.ch/SATAN-FS-ritual.html>Reaktion</a>.
</dir>
<a href=https://www.youtube.com/user/prkoenig/videos>VideoâInterwiew</a>.
<br><br>
Maikowski a traduit plusieurs <a href=https://www.parareligion.ch/franz/expose-OTO-fr.htm>articles en français</a> pour ce site web.
</dir>
<br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2019/FS-nicht-christlich.jpg height=700 alt="Eugen Grosche Gregor A Gregorius Fraternitas Saturni nicht auf christlichem Boden">
<br><br>
[Collage]
</center>
<br><br><br><br>
<br><br>
<a href=https://www.parareligion.ch/fs2.htm>Nosferatu's Baby â Too Hot To Handle</a>.
<br><br>
<a href=https://www.parareligion.ch/fs3.htm>SaturnâGnosis</a> â a portrait of the Fraternitas Saturni and its magical link to the Ordo Templi Orientis.
<ul>
<li> Ceská verze: <a href=https://www.parareligion.ch/FS-real.htm>SATURNSKÃ GNÃZE</a>.
</ul>
<br><br>
<a href=https://www.parareligion.ch/fs5.htm>Saturn's Art of Living and Loving</a>.
<ul>
<li> Saturn: <a href=https://www.parareligion.ch/dplanet/html/fs5.htm>Raumkunst, Lebenskunst, Liebeskunst</a> Kunst als Gedächtnis der Okkultur?
<li>Tradução portuguesa: <a href=https://www.parareligion.ch/sunrise/fs5_p.htm>SaturnoâGnose: A Arte de Amar e Viver</a>.
</ul>
</dir>
<br><br><br>
</td></tr></table>
<br><br><br><br><br>
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<font face=arial size=3>
<table width=80% border=0 cellpadding=0><tr><td><font face=arial size=3>
Herman Joseph Metzger, a Swiss baker and former communist, was initiated in the O.T.O. by Alice Sprengel in Davos, Switzerland in 1943. Due to his visa for German territories under Allied occupation, Metzger became a messenger for multiple organizations, including the Order of the Illuminati and various Thelemite groups in Europe. After the death of Grosche in 1964, Metzger attempted to take over the Fraternitas Saturni and saw himself as the <i>"mother lodge"</i> for all organizations following the Law of Thelema.
<br><br>
<a href=https://www.parareligion.ch/sunrise/pinkus.htm>Felix Lazerus Pinkus</a> founded the section "Psychische Forschung" of the Swiss Cultural Society and, in 1945, also established a "Psychosophische Gesellschaft" with the aim to <i>"communicate esoteric values and provide psychological help"</i>. In his esoteric group were notable figures such as <a href=https://www.parareligion.ch/illumin.htm>Karl Brodbeck</a>, Hans Rudolf Hilfiker, and many others. Soon, Pinkus' "Psychosophische Gesellschaft" evolved into the umbrella organization for <a href=https://www.parareligion.ch/sunrise/metzger.htm>Hermann J. Metzger</a>'s compilation of Orders. Metzger regarded Pinkus as his spiritual father and Grandmaster of the O.T.O. in Switzerland.
<br><br>
<a href=https://www.parareligion.ch/sunrise/thelema.htm>Thelema in Appenzell ?</a>
<br>
This article offers brief biographies of the individuals who aided Hermann Joseph Metzger in establishing his collection of both Thelemic and nonâThelemic orders in the Canton Appenzell of Switzerland. The persons involved include Annemarie Aeschbach, Anita Elisabeth Borgert, and Rosalie MetzgerâStrickler, who was Metzger's wife. The piece also includes interviews with Hansruedi Giger and Ulla von Bernus.
<br>
Additionally, the work of this Thelemic group is highlighted, which, during the 1950s, was the only organization in the world to publish books by Aleister Crowley and to have a functioning lodge. However, their public activities eventually drew the attention of the tabloid press, leading to a significant scandal, and the group was forced to withdraw completely from public view.
<br><br>
<a href=https://www.parareligion.ch/sunrise/pg.htm> The Psychosophical Publishing Company</a>.
<br>
The terms "Psychosophic" or "Psychosophical" have their origins in a lecture delivered by Rudolf Steiner in 1910, entitled 'Anthroposophy â Psychosophy â Pneumatosophy'. Hermann Joseph Metzger adopted the term "Psychosophie" to describe various undertakings, including his publishing enterprise, as well as an umbrella term for his collection of orders.
<br>
This article explores Metzger's associations with a number of notable figures, including Franz Bardon, Lanz Liebenfels, the Ordo Militiae Crucis Templi, Memphis Misraim, and the Argenteum Astrum. Additionally, the article delves into Metzger's views on Thelema.
<br><br>
The <a href=https://www.parareligion.ch/omct.html>Ordo Militiae Crucis Templi</a> and Hermann Joseph Metzger.
<br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2012/OTO_swiss.jpg alt="Ordo Templi Orientis in Switzerland, Stein Appenzell, Order of Illuminati, Gnostic Catholic Church, Fraternitas Rosicruciana Antiqua" height=300>
</center>
<br><br><br><br>
H.J. Metzger's <a href=https://www.parareligion.ch/metzger.htm>Manifesto 1963</a> â With biographical notes on Karl Germer.
<br><br>
<a href=https://www.parareligion.ch/sunrise/germer.htm>Karl Germer</a>: Never the OHO of Crowley's O.T.O.
<br><br>
Karl Germer <a href=https://www.parareligion.ch/dplanet/germer1.htm>about himself</a>.
<br><br>
<a href=https://www.parareligion.ch/1957.html>Documents and photographies</a> re: Karl and Sascha Germer.
<br><br>
Some of <a href=https://www.parareligion.ch/Gpersonal.html>Karl Germer's Personal Letters</a>.
<br><br>
<a href=https://www.parareligion.ch/germer-ob.html>Sascha Germer's Diary</a> about Karl Germer's death.
<br><br>
<a href=https://www.parareligion.ch/dispute.html>Legal dispute</a> after Karl Germer's death.
<ul>
<li> <a href=https://www.parareligion.ch/estate.html>The Official Receiver</a>. Karl Johannes Germer, Louis Umfreville Wilkinson, John Symonds.
<li> <a href=https://www.parareligion.ch/2022/germer/germer-harris.htm>Karl Germer, Frieda Harris and the Official Receiver</a>.
</ul>
<br><br>
Gnosis on Stage: <a href=https://www.parareligion.ch/melling.htm>Friedrich Mellinger</a>. With H.J. Metzger's Manifesto of 1963.
<ul>
<li>ÐÐÐÐÐС ÐРСЦÐÐÐ â <a href=https://www.parareligion.ch/sunrise/melling.htm>ФРÐÐÐ ÐÐ¥ ÐÐÐÐÐÐÐÐÐ </a>.
</ul>
<br>
<a href=https://www.parareligion.ch/dplanet/mell/mell.htm>Karl Germer's correspondence with Friedrich Mellinger</a> about H.J. Metzger, Pinkus, Grosche and Traenker.
<br><br><br>
<center>
<img src=https://www.parareligion.ch/2014/mellinger_crowley.jpg alt="Friedrich Frederic Mellinger to Aleister Crowley" height=370>
<br><br>
<dir>
More <a href=https://www.parareligion.ch/mellinger.html>Documents</a>.
</dir>
</center>
<br><br>
<a href=https://www.parareligion.ch/dplanet/monte/monte.htm>Gabriel Montenegro's</a> correspondence with European Thelemites in the 1960s.
<br><br>
<a href=https://www.parareligion.ch/sunrise/birven.htm>Henry Birven</a> â addicted to Crowley?
<br><br>
<a href=https://www.parareligion.ch/sunrise/lekve.htm>Friedrich Lekve</a> â Dreamland Thelem Chassidim â Martha Kuentzel. With links to texts.
<br><br>
<a href=https://www.parareligion.ch/sunrise/petersen.htm>C.H. Petersen</a> â Abramelin in the Abbey of Thelema.
<ul>
<li><a href=https://www.parareligion.ch/dplanet/pet.htm>Karl Germer to Carl Heinz Petersen</a>.
<br>
Keywords: Hermann Joseph Metzger, Henry Heinrich Birven, Theodor Reuss and Succession, Nazis, Martha Kuentzel, Friedrich Lekve, Heinrich Traenker.
</ul>
<br><br>
<a href=https://www.parareligion.ch/sunrise/hansen.htm>Carl William Hansen</a> â Denmark.
<ul>
<li>Tradução portuguesa: <a href=https://www.parareligion.ch/sunrise/hansen_p.htm>Carl Willian Hansen â Dinamarca</a>.
</ul>
</dir>
<br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2020/templars.jpg height=220 alt="Illuminati and Templars">
</center>
<br><br><br><br>
<a href=https://www.parareligion.ch/illumin.htm>Illuminati and Templars</a> â From Leopold Engel to Walter Englert, a 18° of the <a href=https://www.parareligion.ch/saturn.htm>Fraternitas Saturni</a>.
<br>
The term <i>Illuminati</i> refers to several historical secret societies that purportedly sought to promote enlightenment and knowledge. Today, the term is often used to refer to various alleged modernâday secret societies or conspiracies.
<br>
Around the turn of the century, Reuss and Leopold Engel attempted to revive the Order of Illuminati (OI), originally founded by Adam Weishaupt in the eighteenth century. However, their efforts were largely unsuccessful. Despite this, several groups affiliated with Engel persisted through both World Wars and eventually came under the presidency of Metzger in 1963. Metzger viewed the OI as a structure that could be utilized in his consolidation of various orders, including the Ordo Templi Orientis and the Fraternitas Rosicruciana Antiqua. He swiftly incorporated the Ecclesia Gnostica Catholica into the upper echelons of his OI.
<br><br>
<a href=https://www.parareligion.ch/audehm.html>Paul Ruediger Audehm</a>: Coâfounder of the New Illuminati in Frankfurt.
<br><br>
H.J. Metzger vs W. Englert: <a href=https://www.parareligion.ch/2007/englert.htm>Court Case</a>.
<br><br>
Karl Brodbeck: <a href=https://www.parareligion.ch/dplanet/html/brod.htm>Der Illuminatenorden</a>.
<br><br>
Texts by Leopold Engel:
<ul>
<li><a href=https://www.parareligion.ch/2007/engel/satzung.htm>Satzung des Illuminaten Ordens</a>.
<li><a href=https://www.parareligion.ch/2007/engel/illuminatismus.htm>Der Illuminatismus einst und jetzt</a>.
</ul>
<br><br>
Texts by Hermann Medinger:
<ul>
<li><a href=https://www.parareligion.ch/2008/med.htm>Notes on Astral Traveling</a>.
<li><a href=https://www.parareligion.ch/2008/illrit.htm>Rituals</a> of the Order of the Illuminati.
</ul>
</dir>
<br><br><br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2019/lam-dance.jpg height=450 alt="LAM XI° Ordo Templi Orientis">
</center>
<br><br><br><br><br><br>
Material on and from the <a href=https://www.parareligion.ch/staley.htm>Typhonian O.T.O.</a> â Keywords: Kenneth Grant, ShaitanâAiwass, New Isis Lodge, Michael Staley, Starfire, LAM, Maat and the New Aeon, Maggie Ingalls, Nema, Linda Falorio.
<br><br>
Kenneth Grant, who was Crowley's secretary, has rejected the Masonic structure of the CrowleyâO.T.O. Crowley spoke highly of Grant, stating in his diary in March 1946 that <i>"there must be a trained man to take care of the English O.T.O."</i> in case he were to die or go to the United States. Unlike other versions of the O.T.O., the Typhonian Order does not have group rituals or ceremonies of initiation at any stage of the degree structure. Instead, initiation is based on the individual's direct magical and mystical workings. As a result, all initiations are effectively selfâinitiations.
<br><br>
Documents: <a href=https://www.parareligion.ch/grant.html>Karl Germer to Kenneth Grant</a>.
<br><br>
Eugen Grosches Eindeutschung von Kenneth Grants <a href=https://www.parareligion.ch/dplanet/html/manifest.htm>O.T.O.âManifest von 1955</a>.
<br><br>
Kenneth Grant and the <a href=https://www.parareligion.ch/lam.htm>Plan 93 From Outer Space</a>.
<ul>
<li>Tradução portuguesa: <a href=https://www.parareligion.ch/2013/lam93_port.htm>Plano 93 do Espaço Exterior</a>.
</ul>
<br><br>
<a href=https://www.parareligion.ch/k_grant.htm>Behind the T.O.T.O.</a>
<br><br>
<a href=https://www.parareligion.ch/doc.htm>History of a Fake</a>. Aleister Crowley appointing Kenneth Grant as his <i>successor as Outer Head of the Order of the Templi Orientis</i> in 1947?
</dir>
<br><br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2020/aleister.crowley.seal.jpg height=290 alt="Aleister Crowley Baphomet Wax Seal">
</center>
<br><br><br><br><br>
Charles Manson and the <a href=https://www.parareligion.ch/sunrise/manson.htm>Solar Lodge of the O.T.O.</a> â Reports by witnesses and the FBI.
<br><br>
History of the 'Caliphate': <a href=https://www.parareligion.ch/white.htm>Mysteria Mystica Maxima</a>. A Song of the Whitewash.
<br><br>
Four letters from Gerald Yorke.
<br>
Keywords: Charles S. Jones, Grady Louis McMurtry, H. Spencer Lewis, Heinrich Traenker, Hermann Joseph Metzger, Jerry Kaye, John Symonds, Karl Germer, Kenneth Anger, Kenneth Grant, Thoth Tarot Teck.
<dir>
<li><a href=https://www.parareligion.ch/dplanet/yorke1.htm>Gerald Yorke to Karl Germer</a>.
<li><a href=https://www.parareligion.ch/dplanet/yorke2.htm>Gerald Yorke to Reuben Swinburne Clymer</a>.
<li><a href=https://www.parareligion.ch/2022/yorke-mcmurtry.htm>Gerald Yorke to Grady Louis McMurtry</a>.
<li><a href=https://www.parareligion.ch/2022/yorke-smith.htm>Gerald Yorke to Helen Parsons-Smith</a>.
</dir>
<br><br>
About Jack Parsons in Nikolas and Zeena Schreck: <a href=https://www.parareligion.ch/schreck.htm>Demons of the Flesh</a>.
<br><br><br><br>
In 1946, Crowley referred to his student Grady McMurtry as 'Caliph' in a few letters sent from England to California. This title was not used in any O.T.O. context or in the writings of Reuss or Crowley, and was simply based on the postal abbreviation for California at the time, "Calif". Over two decades after Crowley's death, McMurtry interpreted this title as making him the Outer Head of the Order (OHO) and Patriarch of Crowley's church. However, McMurtry's resulting 'Caliphate' O.T.O. group did not receive any valid ecclesiastical or O.T.O. succession. In 1987, the group rewrote its constitution after McMurtry's death. Under the current leadership of William Breeze, the 'Caliphate' has taken steps towards institutionalization, registering and incorporating both the US Grand Lodge and O.T.O. International to obtain special taxâexempt status in the United States as a nonâprofit religious organization.
<br><br>
News about the <a href=https://www.parareligion.ch/megafile.htm>'Caliphate'</a>, a firm or club from 1977 and its version of the instrument of <a href=https://www.parareligion.ch/sunrise/anot.htm>"apostolic succession"</a>.
<br><br>
<a href=https://www.parareligion.ch/minutes/minutes.htm>All we want is a 'Caliph'</a>: 'Minutes of the Special Ninth Degree Caliphate Election' Held September 20/21, 1985.
<br><br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2020/william.breeze-autograph.jpg height=170 alt="William Breeze Hymenaeus Beta Frater Superior OTO">
</center>
<br><br><br><br><br>
Some <a href=https://www.parareligion.ch/2009/ru/unicode.htm>Spicy Smacks</a> in Russia.
<br><br>
<a href=https://www.parareligion.ch/sunrise/naskov.htm>"Ljuben je zakon" or "ljubav pod voljom"?</a> â The O.T.O. in exâ'Yugoslavia'. An example of member activities.
<br><br>
<a href=https://www.parareligion.ch/moose/intro.htm>Moosebump</a>: the 'Caliphate' in Canada.
<br><br>
<a href=https://www.parareligion.ch/dplanet/inquisition/intro.htm>The O.T.O.âFoundation</a>: A new F.S. begets a new O.T.O. â Censorship and Inquisition.
<br><br>
<a href=https://www.parareligion.ch/sunrise/spartacu.htm>National Grandmasters and OHOs of the O.T.O.</a>
</dir>
<br><br><br><br><br>
<center>
<img src=https://www.parareligion.ch/sunrise/java/spermoon.gif>
</center>
<br><br><br><br>
<font face=arial size=3>
<a href=https://www.parareligion.ch/sunrise/schlag1.htm>Oscar R. Schlag</a>: selfâstyled <i>last grey eminence</i>. Jane Wolfe, Marcelo Ramos Motta, Choronzon, Karl Germer, H.J. Metzger.
<br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2015/marcelo.motta-oscar.schlag.jpg height=700 alt="Marcelo Ramos Motta, Oscar Oskar Schlag, Peter-Robert Koenig">
<br><br>
Dedication from Marcelo Ramos Motta to Oscar Schlag.
<br>
+ Schlag's short letter to P.R. Koenig.
<br>
[From: <a href=https://www.parareligion.ch/dplanet/html/rose.htm>'Ein Leben Für Die Rose'</a>]
</center>
<br><br><br><br>
<center>
<img src=https://www.parareligion.ch/sunrise/motta+.jpg alt="Society Ordo Templi Orientis Marcelo Ramos Motta" height=300>
<img src=https://www.parareligion.ch/sunrise/motta2.jpg alt="S.O.T.O. Marcelo Ramos Motta" height=300>
</center>
<br><br><br><br><br><br>
After Karl Germer passed away in 1962, a number of individuals sought to assume sole leadership of Germer's CrowleyâO.T.O. According to Germer's will, the ultimate decision rested with his widow and Friedrich Mellinger. Sascha Germer initially favored Brazilian Marcelo Ramos Motta (1931â1987) of the F.R.A., but eventually determined that Swiss national H.J. Metzger had been her husband's preferred candidate. Subsequently, the competing claims of Grady Louis McMurty and Motta for leadership of the O.T.O. were resolved through legal proceedings.
<br><br>
P.R. Koenig: <a href=https://www.parareligion.ch/sunrise/brazil.htm>Uma O.T.O. no Brasil</a>.
<br>
Euclydes Lacerda de Almeida - Marcelo Ramos Motta - Kenneth Grant: <a href=https://www.parareligion.ch/lacerda.html>Documentos</a> 1966-1997.
<br>
Euclydes Lacerda de Almeida: <a href=https://www.parareligion.ch/sunrise/motta.htm>Marcelo Ramos Motta</a> â Um Enigma.
<br>
Euclydes Lacerda de Almeida: <a href=https://www.parareligion.ch/dplanet/collect/ok2.htm>Emails</a> to P.R. Koenig.
<br>
Marcelo A.C. Santos: <a href=https://www.parareligion.ch/sunrise/santos.htm>A Verdadeira História do "Califado" no Brasil</a>.
<br>
<table><tr><td>
<font face=arial size=3>
<br><br>
Marcelo Ramos Motta speaks about the O.T.O. rituals, about the A.·. A.·. and Kenneth Grant; in Portuguese, approx. 1973 (circa 620 KB).
<ul>
<li><a href=https://www.parareligion.ch/2013/mottat_port.htm>Marcelo Motta palavras com Euclydes Lacerda de Almeida</a>, 18 de dezembro de 1973.
<li><a href=https://www.parareligion.ch/sunrise/mottat.htm>Translation of Marcelo Motta's tape to Euclydes Lacerda</a>, dated 1973.
</ul>
<br><br>
</td>
<td width=161>
<p align=center><a href="https://www.parareligion.ch/audio-oto/motta.mp3" target="_blank"><img
src="https://www.parareligion.ch/2013/audio.png"></a>
<br>
</tr></td></table>
<br><br>
Marcelo Ramos Motta: <a href=https://www.parareligion.ch/sunrise/mottai.htm>Ritual de Iniciação do Grau I</a> O.T.O.
<br>
Marcelo R. Motta: <a href=https://www.parareligion.ch/dplanet/motta/moma1.htm>Carta A Um Maçon</a>.
<br>
<dir>
<li>Marcelo R. Motta: <a href=https://www.parareligion.ch/franz/motta-lettre.htm>Lettre à un maçon brãsilien</a>.
<br>
<li>Marcelo R. Motta: <a href=https://www.parareligion.ch/dplanet/motta/moma2.htm>Letter to a Brazilian Mason UNEXPURGATED</a>.
<br>
</dir>
<a href=https://www.parareligion.ch/dplanet/motta2.htm>Bibliographic Note and Addendum</a> to "Letter to a Brazilian Mason by Marcelo Ramos Motta".
<br>
<a href=https://www.parareligion.ch/sunrise/motta1.htm>Marcelo Ramos Motta to Karl Germer</a>, July 2, 1954.
<br>
Marcelo Ramos Motta about <a href=https://www.parareligion.ch/2008/brasil/coelho.htm>Paulo Coelho</a> and others.
<br>
Marcelo Ramos Motta: <a href=https://www.parareligion.ch/2010/motta1957.htm>The Development of a Secret Society in America in the Years 1957-2000</a>.
<br><br>
Claudia Canuto de Menezes: <a href=https://www.parareligion.ch/sunrise/s1.htm>Conheci Marcelo Ramos Motta nos idos anos 70</a>.
<dir>
<li>Claudia Canuto de Menezes: <a href=https://www.parareligion.ch/sunrise/s2.htm>I met Marcelo Ramos Motta in the 70âs</a>.
</dir>
<br><br>
<br><br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2020/rocket.jpg height=450 alt="Palace of Secretes â Anal Intercourse and the O.T.O. â the XIth degree">
</center>
<br><br><br><br>
<a href=https://www.parareligion.ch/sunrise/xi.htm>Palace of Secretes</a> â Anal Intercourse and the O.T.O. â the XIth degree.
<br>
The focus of this article is on the XI° of the O.T.O., which is also called the Palace of Secrets. The article offers a historical perspective on the XI°, tracing its origins and tracing its evolution over time. This historical account features several notable figures, including Aleister Crowley, Victor B. Neuburg, William C. Conway, Roland Merritt Shreves, Cecil Frederic Russell (and his Choronzon Club, which remains active to this day), and Louis T. Culling. Additionally, William Wallace Webb, who cultivated his Ordo Argenteum and the QBL Alchemist Church, deserves mention. Michael Paul Bertiaux contributed an AIDS table in the context of the XI°. Notable names in the history of the XI° are also discussed, including MarcâAntoine Lullyanov, Llee Heflin (who contributed to the development of the current CrowleyâTarotâset), Patrick King (with his Rites of Shiraz and Mitylene), James Graeb, and William Breeze. Furthermore, the article examines the evolving perspectives of the 'Caliphate' towards the XI° over time. Lastly, Marcelo Ramos Motta's and Hermann Joseph Metzger's distinctive viewpoints on these matters are also discussed.
<ul>
<li>XI°: <a href=https://www.parareligion.ch/sunrise/xi_ru.htm>ЧеÑез ÐадниÑÑ Ðº Ðвезде<a></ol>
</ul>
<br><br>
<a href=https://www.parareligion.ch/king2.html>Patrick King</a> â Herald of the 'Caliph' and early XI° of the 'Caliphate'.
</ul>
</dir><dir>
<br><br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2020/stranded-bishop.jpg height=390 alt="Stranded Bishop â Gnostic Churches">
<br><br>
<img src=https://www.parareligion.ch/sunrise/line.jpg alt="Lignée malabare: René Vilatte, Jules Doinel, Theodor Reuss, E.C.H. Peithmann, Arnoldo Krumm-Heller, Herbert Fritsche, Hermann Joseph Metzger" width=80%>
<br><br>
Lignée malabare: René Vilatte, Jules Doinel, Theodor Reuss, E.C.H. Peithmann, Arnoldo KrummâHeller, Herbert Fritsche, Hermann Joseph Metzger.
</center>
</dir>
<br><br><br><br>
The French Gnostic Churches, like many other organizations, experienced numerous divisions since their establishment in 1890. They aimed to follow the traditional path of apostolic succession in their ecclesiastical practices, but neither Reuss nor Crowley were ever properly consecrated. In 1920, Reuss attempted to make Crowley's 'Gnostic Mass' the official religion for Freemasons. However, Crowley's claim to leadership of the O.T.O. was only used once to appoint William Bernard Crow, an English Theosophist, as head of Crowley's Gnostic Church and MemphisâMisraim in 1944. Notably, the position of the "Outer Head of the Order" (OHO) within the O.T.O. constitution was not connected with leadership of any church.
<br>
Hermann Joseph Metzger was able to receive a valid consecration because he was part of the line of succession established by KrummâHeller, which held French apostolic succession.
<br><br><br><br>
<a href=https://www.parareligion.ch/bishops.htm>Stranded Bishops</a> â Gnostic Churches in the kitchen.
<ul>
<li>Traduction français: <a href=https://www.parareligion.ch/franz/bishops-franz.htm>Les Ãvêques Errants</a>.
</ul>
<br><br>
Siehe auch die deutsche Seite <a href=https://www.parareligion.ch/dplanet/html/gkk.htm>Ecclesia Gnostica Catholica</a>.
<br><br>
Ernst Tristan Kurtzahn, Mitglied von Reuss' O.T.O.: <a href=https://www.parareligion.ch/2007/kurtz.htm>Die Gnostiker und die Unsichtbare Kirche</a> [1925].
<ul>
<li>English translation: <a href=https://www.parareligion.ch/2016/e.t.kurtzahn.htm>The Gnostics</a>. â About the Gnostic Catholic Church, Androgyn + Gynandria, E.C.H. Peithmann, Peryt Shou, and the <i>immissio membri virilis in vaginam</i> in avoidance of the <i>ejaculatio seminis</i>.
</ul>
<br><br>
Aleister Crowley appointing <a href=https://www.parareligion.ch/crow.htm>W.B. Crow</a> Patriarch of the thelemic Gnostic Catholic Church.
<br>
William Bernard Crow: OHO of the O.T.O., Grand Administrator General of Memphis and Mizraim and Patriarch of the Gnostic Catholic Church: <a href=https://www.parareligion.ch/sunrise/wbcrow.htm>The Ancient and Universal Rite of Cosmic Architecture</a>.
<br><br><br><br>
Stephan Hoeller: <a href=https://www.parareligion.ch/hoeller.htm> Position Paper Concerning the Thelemite or Crowleyan Gnostic Churches</a>.
<br>
This position paper concerns the significance of maintaining magical succession without causing divisions and disputes. It emphasizes the importance of conducting consecrations with valid and appropriate intentions, and clarifies that <i>one Mass no Church doth make</i>.
<br><br>
<a href=https://www.parareligion.ch/webb.html>William Wallace Webb</a>. Frater Damon, Hermetic Alchemical Order of the QBLH, Philosophic Gnostic Hermetic Society, Qabalistic Alchemist Church, Ordo Argenteum Astrum.
<br><br><br><br><br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2020/monkey-rest.jpg height=500 alt="Holy Ape">
<br><br><br><br><br><br><br>
<img src=https://www.parareligion.ch/2020/audio.jpg height=600 alt="August Leisler Carl Kellner, Josef Dvorak, Michael Paul Bertiaux, William Wallace Webb, Euclydes Lacerda de Almeida, Marcelo Ramos Motta, Johannes Maikowski, the 'Caliphate', Grady Louis McMurtry, Robert Deumié, Oscar Schlag, the Swiss O.T.O.">
</center>
<br><br><br><br><br><br>
In 1921, the Ordo Templi Orientis Antiqua (O.T.O.A.), which was said to have split from a French O.T.O. line, grew to have sixteen degrees. It eventually absorbed several Gnostic successions, a MemphisâMisraim line, episcopal consecrations, and an Eleventh Degree. The organization is currently focused on magic, particularly sexual magic, and is strongly influenced by American Michael Paul Bertiaux, a former Theosophist associated with Henry Smith's spiritualist movement. The group's practices operate entirely on a magical level, and Kenneth Grant also took some inspiration from Bertiaux.
<br><br>
History of the O.T.O.A.: <a href=https://www.parareligion.ch/sunrise/otoa.htm>Inflation of Gnosis</a> â Ordo Templi Orientis Antiqua, Michael Bertiaux, Manuel Lamparter, La Couleuvre Noire, Monastery of the Seven Rays, Choronzon Club.
<br><br>
How William Breeze lost an <a href=https://www.parareligion.ch/2006/boast/boast.htm>Apostolic Succession</a>.
<br><br>
<a href=https://www.parareligion.ch/2006/otoa/otoa.htm>My Own O.T.O.A.</a>
<br><br>
<a href=https://www.parareligion.ch/sunrise/italy.htm>Selling out O.T.O. groups in Italy</a>.
<br><br>
<br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2004/bert2.gif height=330 alt="Michael Paul Bertiaux O.T.O.A.">
</center>
</tr></td></table>
<br><br><br><br><br><br><br><br><br>
<table width=80% border=1 cellpadding=00><tr><td>
<font face=arial size=3>
<font color="#008080" face="Arial">
<center>
<br><br><br><br>
<img src=https://www.parareligion.ch/2015/baphomet-goat.jpg height=350 alt="Baphomet Goat of Mendes Aiwass Aiwaz Sheitan">
<br><br><br><br><br>
<img src=https://www.parareligion.ch/2019/example.jpg height=110 alt="I want to become a member of Ordo Templi Orientis, How to join O.T.O.">
<br><br><br><br><br><br><br><br><br><br><br><br>
</font>
<font face=arial size=3>
</center>
<dir>
<table width=90% border=0 cellpadding=00><tr><td>
<font face=arial size=3>
<a href="https://www.parareligion.ch/dplanet/collect/collect.htm">Collections of ReâCollections</a>.
<br>
"Why they became a member of the O.T.O. or not" is a small collection of emails that I have received since the inception of my research on the O.T.O. Phenomenon in 1985. This compilation includes a selection of emails that were sent to me between 1996 and 2000, as well as similar reports.
<br>
The emails offer insights into the motivations that lead individuals to join or refrain from joining the O.T.O. They provide a contribution to the understanding of this organization and its appeal to different individuals.
<br>
Overall, this collection sheds light on the complex and multifaceted reasons that drive people to become involved in the O.T.O., or not.
</tr></td></table>
</dir>
<br><br><br><br><br><br><br><br><br><br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2022/ezpapst.jpg height=500 alt="Haben Sie ein Einweihungszeichen das vom Papst">
<br><br><br><br><br><br>
</tr></td></table>
<br><br><br><br>
<table width=80% border=1 cellpadding=40><tr><td><font face=arial size=3>
<br><br>
<center>
An objective researcher will benefit from <a href=https://www.parareligion.ch/sunrise/justice.htm> these Court conclusions</a>
<br><br><br><br>
<img src=https://www.parareligion.ch/2012/Grady_Louis_McMurtry.jpg alt="Grady Louis McMurtry â Ordo Templi Orientis â Caliphate" height=300>
<br><br>
The American Ordo Templi Orientis, 'Caliphate,' with Grady Louis McMurtry,
<br>
1985, in front of a court building.
</center>
<br><br><br><br>
The Maine Decision, the California decision, The New Court of Last Resort Contents, Austrian rulings on Copyrights, German rulings on Copyrights, the International Copyright Situation, X versus the 'Caliphate', Anthony Naylor, Phaenomen Verlag, Starfire Ltd, PeterâRobert Koenig ...
<br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2020/monkey-business.jpg height=350 alt="Holy Monkey">
</center>
<br><br><br><br><br>
<font face=arial size=3>
<a href=https://www.parareligion.ch/sunrise/review.htm>Selection of Comments</a> â Joscelyn Godwin, Ellic Howe, Albrecht Goetz von Olenhusen, H.T. Hakl, Wolfram Frietsch, Thomas Lueckewerth, Otto Buchinger, John Patrick Deveney, Oscar/Oskar R. Schlag, Erik Davis, Richard Metzger, Jean-François Mayer, Michael D. Eschner, Bill Heidrick, William Breeze, Christian Bouchet, Kenneth Anger, Ben Fernee, Michael Staley, Michael Aquino, G.M. Kelly aka Martin, Jerry Cornelius, James Graeb, Richard T. Cole, George Elliott, Genesis P-Orridge, Gion Cavelty, Bradford Verter, Angela / Angie Bowie, Christopher Hyatt, Ingo Heinemann, Manfred Ach, Dominik Tischleder, Harald Szeemann, Phyllis Seckler, Helen Parsons Smith, Gerald Suster, Timothy d'Arch Smith, Mark Parry-Maddocks, Johannes Maikowski, Daniela Siepe, ChatGPT, Boris Polonski, Colin Wilson and others.
<br><br><br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2020/bouchet-koenig.jpg width=75% alt="Christian Bouchet, Thelema, Bulletin de l'O.T.O. en France, VIII;26, Château Thébaud, 1991">
<br><br>
["Thélèma, Bulletin du Mouvement de Thélème en France (Ordo Templi Orientis et Astrum Argentinum)", VIII;26, Château Thébaud, 1991]
</center>
<br><br><br><br>
</tr></td></table>
<br><br><br><br><br><br><br>
<table width=80% border=0 cellpadding=00><tr><td>
<font face=arial size=3>
<center>
<img src=https://www.parareligion.ch/2006/1917.jpg height=390 alt="1917 Theodor Reuss O.T.O. Constitution"></a>
</center>
<br><br><br><br>
<a name="whatsnew"><a name="audio"><a name="pics">
<br>
<a href=https://www.parareligion.ch/sunrise/ram.htm>MP3 / YouTube recordings</a>:<br>
The voices of Marcelo Ramos Motta, Oscar Schlag, W.W. Webb, Michael P. Bertiaux, Annemarie Aeschbach (the female successor of OHO H.J. Metzger in Switzerland), and a grandson of Carl Kellner who remembers his grandfather.
<br><br>
<a href=https://www.parareligion.ch/sunrise/pics.htm>Photographs and Documents</a>:<br>
More than 100 photographs and documents featuring Carl Kellner, Theodor Reuss, Arnoldo Krumm-Heller, Marcelo R. Motta, Oscar Schlag, charters, letters, manuscripts, and more.
<br><br>
<b><a href="https://www.parareligion.ch/sunrise/whatsnew.htm">What's New?</a></b><br>
New items posted to the O.T.O. Phenomenon website, updates and corrections [starting in March 2000].
<br><br>
<a href=https://www.parareligion.ch/franz/expose-OTO-fr.htm>Le Phénomène Ordo Templi Orientis</a>. Exposé en français.
</dir>
</td></table>
<br><br><br><br><br>
<br><br><br><br><br>
<a name="misc">
<font face="arial" size=3>
<table width=80% border=5 cellpadding=40><tr><th> <h1>Encores</h1></tr></th>
</table>
<br><br><br><br>
<table width=80% border=0 cellpadding=00><tr><td>
<font face=arial size=3>
Eating at the McKoenig: Enjoy <a href=https://www.parareligion.ch/2008/fun/fun.htm>The McKoenig Menu 2006</a>.
<br><br>
2008: <a href=https://www.parareligion.ch/2008/honesty/honesty.htm>Honesty is the best Policy</a>: How the 'Caliphate' O.T.O. and William Breeze lost in a legal case.
<ul>
<li>Deutsche Version: <a href=https://www.parareligion.ch/2008/honesty/ehrlich.htm>Ehrlich währt am Längsten</a>: Warum der O.T.O. gegen PeterâR. Koenig verlor.
</ul>
</dir>
<br><br><br><br>
<center>
<img src=https://www.parareligion.ch/sunrise/java/bowieoff.gif height=180>
</center>
<br><br><br>
<a href=https://www.parareligion.ch/bowie.htm>David Bowie and the Occult</a> [Version 2023].
<ul>
<li><a href=https://www.parareligion.ch/bowie_ger.htm> Gnosis als Hype</a>. Short German variation with outlines of an interview with Angie Bowie. First published in DU, November 2003.
</ul>
<br><br>
These articles explore Bowie's spiritual inclinations and how they influenced his music, performances, and lifestyle choices. His fascination with both Western and Eastern religions, as well as the occult, along with his use of masks and transformations, shaped his artistic expression. The analyses delve into how Bowie's exploration of these themes is reflected in his crafted lyrics and manufactured overall presentation.
<br><br><br>
Steele Savage: <a href=https://www.parareligion.ch/2010/bowiegrail.htm>David Bowie â Outside, Aleister Crowley, And the Holy Grail</a>.
<ul>
<li>Traduction française : Steele Savage : <a href=https://www.parareligion.ch/franz/bowiegrail-fr.htm>David Bowie â Outside, Aleister Crowley et le Saint Graal</a>.
</ul>
</dir><dir>
<br><br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2006/zap.jpg height=440 alt="Juenger Jaeger Justiz">
<br><br><br><br>
<img src=https://www.parareligion.ch/2020/walter.englert.laden.jpg height=860 alt="Fraternitas Saturni, Walter Englert, Ordo Templi Orientis, Ordo Illuminatorum, Weltbund der Illuminaten">
<br><br><br><br>
Andreas Huettl und PeterâR. König: <a href=https://www.parareligion.ch/hispeed/start.html>"Satan â Jünger, Jäger und Justiz"</a>.
</center>
</dir>
<br><br><br><br>
Texts by Marco Pasi:
<ul>
<li><a href=https://www.parareligion.ch/sunrise/pasi/pasi.htm>Lo Yoga in Aleister Crowley</a>.
<li><a href=https://www.parareligion.ch/sunrise/pasi/politik.htm>Aleister Crowley und die Versuchung der Politik</a>.
</ul>
<br><br>
Claas Hoffmann:
<ul>
<li><a href=https://www.parareligion.ch/sunrise/olive.htm>Projektive synthetische Geometrie</a> in Lady Frieda Harris Tarotgemälden und in Crowleys Buch des Gesetzes.
<li>English version: <a href=https://www.parareligion.ch/dplanet/stephen/claas/olive_e.html>Projective Synthetic Geometry in Lady Frieda Harris' Tarot Paintings and in Aleister Crowley's <i>Book of the Law</i>.</a>
</ul>
</dir>
<br><br><br><br>
<center>
<img src="https://www.parareligion.ch/2012/eugen_grosche_transgender.jpg"
alt="Collage: Eugen Grosche (Gregor A Gregorius) Grandmaster of the Fraternitas Saturni - and Salome with the Head of St John the Baptist. Transgender, Spermo-Gnose and Sexmagick. Original by: Lucas The Elder Cranach. At: Bob Jones University Collection, Greenville, SC, USA" height=540>
</center>
<br><br><br><br>
Rafal T. Prinke:
<ul>
<li>Deutsche Version: <a href=https://www.parareligion.ch/2008/czynski/punar.htm>Polnischer Satanismus und Sexualmagie</a>.
<li>English version: <a href=https://www.parareligion.ch/2008/czynski/bhava.htm>Polish Satanism and Sexmagic</a>.
<li><a href=https://www.parareligion.ch/2019/bhava-ru.htm>ÐолÑÑкий ÑаÑанизм и ÑекÑÑалÑÐ½Ð°Ñ Ð¼Ð°Ð³Ð¸Ñ</a>.
</ul>
<br><br>
Zbigniew Lagosz: <a href=https://www.parareligion.ch/2009/lagosz.htm>NA OBRZEZACH RELIGII I FILOZOFII CZESLAW CZYNSKI</a>.
<br><br><br>
<font face=arial size=3>
<br>
What is the A.·.A.·.? Is it an official organization in the mundane world? There have been attempts to control the Argenteum Astrum, and certain individuals claim links to it, such as in the continuum of all XI° variations. Can we identify independent lineages of the A.·. A.·.? Here is a lineage that is seldom mentioned: that of
<a href=https://www.parareligion.ch/2020/waldemar/waldemar.html>Charles Waldemar</a>.
<br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2020/waldemar/charles-waldemar-magie-erotik.jpg alt="Charles Waldemar Magie der Geschlechter Eine neue Sittengeschichte Munich München 1958 Dämonie der Erotik eine Psychopathologie der Frau Wiesbaden 1967" height=400>
</center>
</tr></td></table>
<a name="german">
<br><br><br><br><br>
<br><br><br><br><br>
</ul>
<table width=80% border=5 cellpadding=40><tr><th>
<h1>GermanâEnglish books onâline</h1><br>
</tr></th>
</table>
<br><br><br><br>
<table width=80% border=0 cellpadding=00><tr><td>
<font face=arial size=3>
<a href=https://www.parareligion.ch/books/reader.htm>Der Kleine Theodor Reuss Reader</a> (statutes, the Oriflamme, rituals and sexmagical writings) â German original version.
<br><br>
<a href=https://www.parareligion.ch/books/oto.htm>Das O.T.O.âPhänomen</a> (the complete History of the O.T.O. groups).
<ul>
<li>The complete English online version of this book: <a href=https://www.parareligion.ch/sunrise/phenomen.htm>The O.T.O. Phenomenon</a>.
</ul>
<br><br>
<a href=https://www.parareligion.ch/books/rose.htm>Ein Leben Für Die Rose</a> (This text offers a biography of Arnoldo Krumm-Heller, accompanied by an analysis of the sex magic practices of Reuss, Crowley, and Krumm-Heller. It also provides insights into the belief system of the Fraternitas Saturni.).
<br><br>
<a href=https://www.parareligion.ch/books/abrameli.htm>ABRAMELIN & Co.</a>
(This book is an analysis of Holy Guardian Angels, other UFOs, and their relation to the concept of Thelema and the Argenteum Astrum (Silver Star) as personified in Aleister Crowley. Additionally, the book explores Crowley's sex magic / <a href=https://www.parareligion.ch/early.htm>coprophagy and algolagnia</a>.)
<ul>
<li>Selections of this book have been translated into English: Part One and Two of <a href=https://www.parareligion.ch/aiwass1.htm> Smoke Gets In Your Aiwass</a>.
<br>
Ein dritter, deutscher Teil ist der Buchversion vorbehalten.
</ul>
<br><br><br><br>
<center>
<img src=https://www.parareligion.ch/2011/reload.jpg alt="Der O.T.O. Phaenomen RELOAD â Peter-Robert Koenig" width=590>
<br><br>
<font face=arial size=3>
<b>Print:</b> <a href=https://www.parareligion.ch/2011/reload.htm>Der O.T.O. Phänomen RELOAD</a>.
</center>
</tr></td></table>
<br><br><br><br><br>
<table width=80% border=1 cellpadding=40><tr><td><font face=arial size=3>
<center>
<br><br>
Address to buy some
<br>
<a href=https://www.parareligion.ch/list.htm>books about the O.T.O. Phenomenon</a>:
<br><br>
<b>A.R.W.</b><br>
Manfred Ach<br>
GuntaâStölzlâStr. 9<br>
D â 80807 München<br>
Deutschland / Germany
<br><br><a href=mailto:[email protected]>Online ordering via email</a>
<br>
The majority of these books are no longer available for purchase.
<br><br><br><br>
<img src=https://www.parareligion.ch/priapus3.jpg alt="The O.T.O. Secret"></a>
<br><br><br><br>
See them
<br>
<a href=https://www.parareligion.ch/2012/2.flv> Scattered On The Floor </a> while<br>
<a href=https://www.parareligion.ch/2012/1.flv> Browsing Through The Rituals </a><br><br>
</tr></td></table>
<br><br><br><br>
<table width=80% border=1 cellpadding=00><tr><td>
<font face=arial size=3>
<br><br>
<center>
<img src=https://www.parareligion.ch/2015/GOTOS-glitter.gif height=350>
<br><br><br><br>
<a href=https://www.parareligion.ch/franz/expose-OTO-fr.htm>Le Phénomène Ordo Templi Orientis</a>. Exposé en français.
<br><br><br><br>
<tr align="center" valign="middle"><td><font face=arial size=3><table border="0" width="600" bgcolor="#FFFFFF">
<tr><td><font face=arial size=3> <img src="https://www.parareligion.ch/sunrise/mmm.gif" width="100" height="100" alt="Reuss' Memphis Misraim Emblem">
</td><td align="center" bgcolor="#FFFFFF"><font size=-2><font face="Arial"><br>
<script language="javascript">
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<form name=pulldown><select name=page size=5>
<option selected value="parareligion.ch/sunrise/whatsnew.htm"> What's New ?
<option value="parareligion.ch/intro.htm"> Introduction
<option value="parareligion.ch/early.htm"> The early years of the O.T.O.
<option value="parareligion.ch/sunrise/ck.htm"> Carl Kellner
<option value="parareligion.ch/mm.htm"> Memphis Misraim
<option value="parareligion.ch/rituals.htm"> O.T.O. Rituals
<option value="parareligion.ch/saturn.htm"> Fraternitas Saturni
<option value="parareligion.ch/staley.htm"> Typhonian O.T.O.
<option value="parareligion.ch/church.htm"> Ecclesia Gnostica Catholica
<option value="parareligion.ch/megafile.htm"> The 'Caliphate'
<option value="parareligion.ch/frat.htm"> Fraternitas Rosicruciana Antiqua
<option value="parareligion.ch/bowie.htm"> David Bowie
<option value="parareligion.ch/sunrise/manson.htm"> Charles Manson
<option value="parareligion.ch/sunrise/pics.htm"> Pictures + Documents
<option value="parareligion.ch/sunrise/xi.htm"> Anal Intercourse and the O.T.O.
<option value="parareligion.ch/sunrise/ram.htm"> Voices of the O.T.O.
<option value="parareligion.ch/list.htm"> Books on O.T.O.
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<font face=arial size=3><img src="https://www.parareligion.ch/2006/sotom3.jpg" width="100" height="100" alt="one of Reuss' O.T.O. seals"><tr>
<br><br><br><br>
<font face=arial size=3>
<b>Java applet <a href=https://www.parareligion.ch/hallo.htm>navigation page</a></b>
<br><br><br><br>
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<a href=https://www.parareligion.ch/dplanet/html/lichte.htm>Nein, Von Diesem Lichte Ess Ich Nicht !</a>
<br>
In diesem Interview werden verschiedene Aspekte meiner ethnologischen Feldforschung im Kontext des Okkultismus behandelt. Ein zentrales Thema, das betont wird, ist die Entfremdung und Ausgrenzung innerhalb der Gesellschaft. Es wird diskutiert, wie verschiedene Diskurse wie Popkultur, Wissenschaft und Esoterik sich gegenseitig beeinflussen. Ich verwende die Figur des Alien als Beispiel für Codierungen und Ausgrenzungsgeschichten im Okkultismus. Dabei wird deutlich gemacht, dass die Erforschung der Beziehungen zwischen Ich und Anderem grundlegende Fragen aufwirft.
<br>
Weitere Stichworte: Biographie, Cefalù, Postmoderne, Cover Art.
<br><br>
<a href=https://www.parareligion.ch/sunrise/light.htm>No, I Shan't Eat This Light !</a>
<br>
This interview explores various aspects of my ethnological field research within the context of occultism. Emphasized as a central theme is the phenomenon of alienation and exclusion within society. The interplay between different discourses such as popular culture, science, and esotericism is discussed, highlighting their mutual influence. I employ the figure of the alien as an exemplification of coded narratives and exclusionary stories within occultism, revealing that the exploration of the relationships between the self and the other raises fundamental questions.
<br>
Additional keywords: Biography, Cefalù, Postmodernism, Cover Art.
<br><br><br><br>
My intent is to piece together parts of the O.T.O. phenomenon like a puzzle. If you have any annotations, corrections, suggestions, or complaints, please do not hesitate to contact me: <b><a href=mailto:koenig@parareligion.ch?subject=O.T.O.-Phenomenon> mail</a></b>.
<br><br><br>
</ul>
<a href=https://www.parareligion.ch/recht.htm> Rechtlicher Hinweis</a>.
<br><br>
© <a href=https://www.parareligion.ch/sunrise/self.htm>PeterâRobert Koenig</a></div> onâline since April 1996</i>.
<br><br>
<div id="samsa">
Avoid the fate of Gregor Samsa â regular visits to this
site will keep unsightly metamorphoses at bay.</div></ul>
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<td><a href = "https://www.parareligion.ch/saturn.htm" target="_top" onMouseover="MM_swapImage('document.saturn','document.saturn','https://www.parareligion.ch/sunrise/java/saturnon.gif','MM_swapImage8')" onMouseout="MM_swapImgRestore()"><img src = "https://www.parareligion.ch/sunrise/java/saturnoff.gif" NAME="saturn" width=40 height=40 border =0 alt="Fraternitas Saturni" hspace=0></a></td>
<td><a href = "https://www.parareligion.ch/staley.htm" target="_top" onMouseover="MM_swapImage('document.staley','document.staley','https://www.parareligion.ch/sunrise/java/staleyon.gif','MM_swapImage9')" onMouseout="MM_swapImgRestore()"><img src = "https://www.parareligion.ch/sunrise/java/staleyoff.gif" NAME="staley" width=40 height=40 = 0 alt="Typhonian O.T.O."
hspace=0></a></td>
<td><a href = "https://www.parareligion.ch/megafile.htm" target="_top" onMouseover="MM_swapImage('document.megafile','document.megafile','https://www.parareligion.ch/sunrise/java/megafileon.gif','MM_swapImage10')" onMouseout="MM_swapImgRestore()"><img src = "https://www.parareligion.ch/sunrise/java/megafileoff.gif" NAME="megafile" width=40 height=40 border = 0 alt="'Caliphate'"
hspace=0></a></td>
<td><a href = "https://www.parareligion.ch/sunrise/pics.htm" target="_top" onMouseover="MM_swapImage('document.pics','document.pics','https://www.parareligion.ch/sunrise/java/picson.gif','MM_swapImage11')" onMouseout="MM_swapImgRestore()"><img src = "https://www.parareligion.ch/sunrise/java/picsoff.gif" NAME="pics" width=33 height=36 border = 0 alt="Pictures" hspace=0></a></td>
<td><a href = "https://www.parareligion.ch/sunrise/ram.htm" target="_top" onMouseover="MM_swapImage('document.real','document.real','https://www.parareligion.ch/sunrise/java/realon.gif','MM_swapImage12')" onMouseout="MM_swapImgRestore()"><img src = "https://www.parareligion.ch/sunrise/java/realoff.gif" NAME="real" width=40 height=40 border = 0 alt="RealAudio and MP3" hspace=0></a></td>
<td><a href = "https://www.parareligion.ch/bowie.htm" target="_top" onMouseover="MM_swapImage('document.bowie','document.bowie','https://www.parareligion.ch/sunrise/java/bowieon.gif','MM_swapImage13')" onMouseout="MM_swapImgRestore()"><img src = "https://www.parareligion.ch/sunrise/java/bowieoff.gif" NAME="bowie" width=40 height=40 border = 0 alt="David Bowie" hspace=0></a></td>
<td><a href = "https://www.parareligion.ch/sunrise/soft.htm" target="_top" onMouseover="MM_swapImage('document.soft','document.soft','https://www.parareligion.ch/sunrise/java/softon.gif','MM_swapImage14')" onMouseout="MM_swapImgRestore()"><img src = "https://www.parareligion.ch/sunrise/java/softoff.gif" NAME="soft" width=40 height=40 border = 0 alt="Self Portrait"
hspace=0></a></td>
<td><a href = "https://www.parareligion.ch/list.htm" target="_top" onMouseover="MM_swapImage('document.list','document.list','https://www.parareligion.ch/sunrise/java/liston.gif','MM_swapImage15')" onMouseout="MM_swapImgRestore()"><img src = "https://www.parareligion.ch/sunrise/java/listoff.gif" NAME="list" width=40 height=40 border=0 alt="Books on O.T.O." hspace=0></a></td>
<td><a href = "https://www.parareligion.ch/deutsch.htm" target="_top" onMouseover="MM_swapImage('document.deutsch','document.deutsch','https://www.parareligion.ch/sunrise/java/deutschon.gif','MM_swapImage16')" onMouseout="MM_swapImgRestore()">
<img src = "https://www.parareligion.ch/sunrise/java/deutschoff.gif" NAME="deutsch" width=40 height=40 border = 0 alt= "Deutsche Beiträge" hspace=0></a></td>
<td><a href = "https://www.parareligion.ch/sunrise/manson.htm" target="_top" onMouseover="MM_swapImage('document.manson','document.manson','https://www.parareligion.ch/sunrise/java/mansonon.gif','MM_swapImage17')" onMouseout="MM_swapImgRestore()"><img src = "https://www.parareligion.ch/sunrise/java/mansonoff.gif" NAME="manson" width=40 height=40 border=0 alt="Charles Manson" hspace=0></a></td>
<td><a href = "https://www.parareligion.ch/illumin.htm" target="_top" onMouseover="MM_swapImage('document.illumin','document.illumin','https://www.parareligion.ch/sunrise/java/illuminon.gif','MM_swapImage18')" onMouseout="MM_swapImgRestore()"><img src="https://www.parareligion.ch/sunrise/java/illuminoff.gif" NAME="illumin" width=40 height=40 border=0 alt="Illuminati" hspace=0></a></td></tr></table>
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Ordo Templi Orientis Phenomenon
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The Ordo Templi Orientis Phenomenon
An Apeirogon
by PeterâRobert Koenig
Sar Peladan Rose + Croix, Ordo Templi Orientis O.T.O. Lamen
Carl
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This project aims to research the psychoâsociology of a modern secret society called **Ordo Templi Orientis** (**O.T.O.**) through detailed historical fieldwork.
The focus of the research is on modernâday occultism and the rôle of money, the alleged connections to the Templars and falsification of history, the modern Gnostics' use of expanded consciousness in their kitchen and bedrooms, sex magic(k), the modern Illuminati, the NeuRosicrucians, ossified folklore, ceremonial magic, and their relationship with Voodoo and Freemasonry. Additionally, the research will investigate the personalities, rituals, correspondences, and books associated with the O.T.O. Phenomenon.
Ordo Templi Orientis Aleister Crowley Stele of Revealing Cairo 1904 Liber AL vel Legis Book of the Law Aiwass Aiwaz
Gnosis in the Bedroom
This study does not serve as an introduction to occult or esoteric topics, although it does cover the magical practices and rituals of relevant groups. Its primary focus is on documenting and sometimes discussing the behavior of the participating parties.
The study serves as a reflection of the many puzzle pieces that make up a phenomenon characterized by the inconsistency and subjectivity of its sources.
Folkloric aspects (which some might also consider as tittleâtattle from certain perspectives) are treated as part of psychoâsociology and history.
All puzzle pieces have been used, apart from legal criteria.
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Fraternitas Saturni Lodge Logen Hammer
Fraternitas Saturni GOTOS breath
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Western Orientalism effectively originated with the translation of the 'Thousand and One Nights' into French at the beginning of the 18th century. Soon anything even vaguely 'Oriental' seemed to exude a magical, sensual appeal â an appeal that had much to do with the idea of unspoilt nature in farâoff lands. Nearly all Orientalist works contained erotic elements â often explicit â which sprang from a widespread belief that in the Orient mores (and thus morals) were more relaxed than in Europe.
Following Napoleon's campaign in Egypt and Syria between 1798 and 1801, Europeans were gripped with *Egyptomania*, and many were inspired to see and write about the treasures of the country for themselves.
In the colonial 18th and 19th centuries, Western scholars engaged with Indian subcontinent cultures. British Orientalists emerged, translating Hindu scriptures to grasp their complexities. The 19thâcentury telegraph and steamships sped up IndiaâWest communication, aiding globalization. This facilitated broader access to Hindu knowledge as travelers, researchers, and officials shared insights via reports and publications.
Like the fault Nietzsche had found in western culture, voids in some European's own cultures became filled with exotic customs, arts, philosophies, religions and sciences.
Within their own universe, modern occultists are wandering encyclopaedias. It is quite stateâofâtheâart for them to plunder Ali Baba's coffers. The outcome is a construct of Westernâinfluenced Egyptology and Orientalism, infused with elements from the Kabbalah, and sometimes containing fabricated details.
It was in just such a context that an *Oriental Templar Order*, the O.T.O., was concocted in 1906 by [Theodor Reuss](https://www.parareligion.ch/reuss.htm) from the symbols, rituals and nomenclature of regular and irregular Freemasonry in Germany. To see members wearing period garb was and still is not uncommon.
The letters **O.T.O.** (or **OTO**) stand for [Ordo Templi Orientis](https://www.parareligion.ch/intro.htm).
Neither the use of the letters nor of the full name is unique to any group. Since the founding of the O.T.O. many groups have appropriated the name, its abbreviations, and acronyms and imbued them with contents to their own taste and liking. There are several rival groups using the name Ordo Templi Orientis or O.T.O. Some of them derive from an *original* that is, a *first* O.T.O. but not all. Not all but a few of them can lay some claim to stem from the *original* i.e. first O.T.O. of 1906.
Within all iterations of the Ordo Templi Orientis, the lineage of succession assumes a paramount rôle, owing to the conviction that the appointed leader serves as the vessel for the Order's magical potency. Moreover, this leader also lays claim to a range of copyrights and royalties, most notably pertaining to the literary contributions of [Aleister Crowley](https://www.parareligion.ch/2006/ac/ac.htm), a prominent protagonist within the O.T.O.
Aleister Crowley and the Law of Thelema and the Stele of Revealing
The structure of most O.T.O.âvarieties, like that of Freemasonry, is based on a staged series of initiations or degrees. It includes approximately 10 degrees, with some variation in between, and one that some refer to as a secret degree, depending on the circumstances. The [essence / secrets](https://www.parareligion.ch/2009/secret/secrets.htm) of the Ordo Templi Orientisâvariations are in their higher degrees; strictly speaking only members of these degrees are considered to be members of the *O.T.O. proper*.
English version: [Synopsis of Degrees](https://www.parareligion.ch/synopsis.htm).
Traduction française: [Synopsis des Degrés](https://www.parareligion.ch/franz/synopsie-franz.htm).
Aleister Crowley: *"Of the* [highest] *[Eleventh Degree](https://www.parareligion.ch/sunrise/xi.htm)* [of the Ordo Templi Orientis]*, its powers, privileges, and qualifications, nothing whatever is said in any grade. It has no relation to the general plan of the Order, is inscrutable, and dwells in its own palaces."* (Liber CXCIV, 1919) *"I am inclined to believe that the XIth degree is better than the IXth degree"*, diary entry 26 August 1916.
Theodor Reuss Hermetic Brotherhood of Light Ordo Templi Orientis O.T.O. Memphis Misraim
**Religion As Decoration**
While the O.T.O.âs initiatory system is a sort of Kafkaesque bureaucratic club game, it has a religious association under its obedience: The [Gnostic Catholic Church](https://www.parareligion.ch/church.htm). One of the O.T.O.groups intends *"to restore Christianity to its real status as a solarâphallic religion."* In addition to tax advantages, *religion* supplies a commodity that is always in demand: salvation. And it would seem that some O.T.O.âvariations are simply making themselves bulletproof in the context of the law in some countries.
The technical term for the bishopric in the context of the O.T.O. Phenomenon is *Wandering Bishop* or *Episcopi Vagantes*. This status is not defined by any character qualities, not by theological education or theological position. These bishops are not elected by a canonical church, nor proposed as an ordain by a suffragan and not bound to a historical episcopal see or consecrated by an *official* bishop according to the canonical procedure.
Holy Logos Dove
A *real* bishop is not a successor of a **sole** apostle as only the synod/college of bishops **in toto** are heir to the college of the apostles. Therefore: no *Wandering Bishop* has a *real* apostolic succession. There is no Holy Ghost in WanderingâBishopâconsecrations.
LouisâSophrone Fugairon Sophronius Cérémonial de L'Ãglise Gnostique
[From: ['Ecclesia Gnostica Catholica'](https://www.parareligion.ch/dplanet/html/gkk.htm)]
Their *instrumentum consecrationis* is of no apostolic value. Nonetheless, *Wandering Bishops* are collectors of papers and diplomas in the hope that at least one of the *consecrations* they record has *taken*.
Gnostic Catholic Church Ecclesia Gnostica Catholica
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Heinrich Tranker Baphomet Rosycross
This website houses approximately 1000 webpages, incorporating articles, translations, comments, and diverse contributions, each containing numerous documents, photos, and similar visual enhancements. Some images are colored by AI and are duly labeled.
The current introductory page provides access to only a restricted subset of these resources. Therefore, it is advisable to follow the hypertext links within individual pages for more comprehensive exploration.
This labyrinthian character reflects the complexity of the investigated subject, as well as the nature of the research involved.
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* [Discussions](#discussion) on the Nature of the O.T.O. Phenomenon.
* [Articles](#english) on the History of the O.T.O.
* [GermanâEnglish books](#german).
* [Miscellaneous to the O.T.O. Phenomenon](#misc).
* Metastructural infotainment â [YouTube clips](https://www.youtube.com/user/prkoenig/videos).
* [MP3 / YouTube recordings](#audio) of the protagonists.
* [Photographs and Documents](#pics).
* [Search Engine through the O.T.O Maze](#such).
* [What's New?](https://www.parareligion.ch/sunrise/whatsnew.htm) â A list of new items, updates and corrections.
* O.T.O. Phenomenon: [Definition, Concept, Legal Situation](https://www.parareligion.ch/sunrise/set.htm)
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*"juste cruci suffixus est"*
Censer of the Fraternitas Saturni
[Colored with AI]
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This site covers various esoteric topics, including the German Fraternitas Saturni, the Golden Dawn, Memphis Misraim (one of the motherâorders of the Ordo Templi Orientis), the Gnostic Catholic Churches (of French origin), the German Order of the Illuminati, Anthroposophy, the mostly PanâAmerican Fraternitas Rosicruciana Antiqua, QBLH, A.M.O.R.C., the Austrian AAORRAC, German Pansophia, the Choronzon Club (a sort of homosexual O.T.O. offshoot), the Ordo Templi Orientis Antiqua as an example of gnostic inflation with countless outflows and affiliations (e.g., the Monastery of the 7 Rays and La Couleuvre Noire). It also covers a new American O.T.O. founded in 1977 (called 'Caliphate'), the Society O.T.O. (in Brazil and the US), the Typhonian Ordo Templi Orientis (now called Typhonian Order), the Swiss O.T.O., the Solar Lodge of the O.T.O., and Charles Manson.
Additionally, the site discusses Abramelin and Holy Guardian Angels, Aiwaz, LAM, Baphomet, and its equivalent, the egregor GOTOS of the Fraternitas Saturni.
Aleister Crowley and the Stele of Revealing
This site includes discussions on spermoâgnosticism, the Elixir of Life, and homeopathy, as well as Aleister Crowley's parareligion called Thelema, and the protoâfascist and misogynistic elements of occult culture. It also features a presentation of never-beforeâpublished rituals (of the original Ordo Templi Orientis, a variation of the Hermetic Brotherhood of Light) and texts that were lost in the archives until now.
Readers can also learn about scurrilous legal opinions and fights, and be puzzled by the ethnological approach to all of this.
Startling Stories 1948
*"What Every Mason Wants"*
'Startling Stories", January 1948.
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**Secrets of the Rosicrucians, Templars and the Illuminati**
Secrets of the Rosicrucians, Templars and the Illuminati, Peter-Robert Koenig
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Discussions on the Nature of the O.T.O. Phenomenon
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There are many critical theories, but I don't employ any specific one because, in general, they all can work, and I don't approach texts, ideas, or people as if they were patients.
The suitability of methods for thinking about occultism and esotericism is usually linked to results. So long as those insights stay discursive, innovative and useful, any method â however informal or offbeat â is not only appropriate but even required. Thus scientific analysis becomes a conversation between subject and researcher, and can only ever yield tentative results. Wayward ideas, however, can and should be viewed from wayward perspectives.
Reading Paul-Michel Foucault, Roland Barthes and Jacques Derrida, Félix Guattari and Gilles Deleuze, George Batailles, Antonin Artaud, Terence Sellers, Jean Barraqué, Hermann Broch, Alain RobbeâGrillet, Maurice Blanchot and Comte de Lautréamont (Isidore Ducasse) will not hurt you. Have you tried JacquesâMarie Ãmile Lacan?
Johannes Goeggelmann, Saturnius, Fraternitas Saturni
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**The Technology of Sex**
The Technology of Sex, Ordo Templi Orientis, Sex Magic
Certainly, spermoâgnosis and sexâmagic tend to invite rhetoric that veers towards sensationalism and may sound alarmist, not to mention titillating. I have diligently strived to steer clear of these potential pitfalls. Nevertheless, it is essential to declare from the outset that the subject requires candor, and I have not hesitated to provide it.
Spermatophagy
[SpermoâGnostics and the Ordo Templi Orientis](https://www.parareligion.ch/spermo.htm) â Introduction to the "Ascetic and Libertine Gnostics".
* Versione italiana: [Origine dei gruppi O.T.O. e la Magia sessuale](https://www.parareligion.ch/cefalu.htm).
* Deutsche Version: [SpermaâGnosis und der O.T.O.](https://www.parareligion.ch/sunrise/sperm_d.htm)* Traduction française: [Les SpermoâGnostiques](https://www.parareligion.ch/franz/sperma_fr.htm).
* Traduccion castellano: [Ordo Templi Orientis: EspermoâGnósticos](https://www.parareligion.ch/spermo_sp.htm).
* Tradução portuguesa: [Os EspermoâGnósticos e a Ordo Templi Orientis](https://www.parareligion.ch/spermo_p.htm).
* Ceská verze: [Asketictí a Libertinstí Gnostikové](https://www.parareligion.ch/asketict.htm).
* Traduse in romana: [SpermaâGnoza](https://www.parareligion.ch/2007/fs/spermo_ru.htm).
Clément de SaintâMarcq: [The Eucharist](https://www.parareligion.ch/eucha.htm), 1906.
[The Correct Gnosticism](https://www.parareligion.ch/correct.htm): The ascetic roots of the O.T.O.
* Traduction française: [Le Gnosticisme Correct](https://www.parareligion.ch/franz/correct_fr.htm).
* Traduccion castellano: [Gnosticismo Correcto](https://www.parareligion.ch/2005/correct_sp.htm).
* Traduse in romana: [Gnosticism Corect](https://www.parareligion.ch/2007/fs/correcto_ru.htm) â Fenomenul Ordo Templi Orientis Informatii suplimentare.
The [Secrets](https://www.parareligion.ch/2009/secret/secrets.htm) of the O.T.O.âgroups.
Touto esti to sperma mou. Ho pater estin ho huios dia to pneuma hagion. AUMGN. AUMGN. AUMGN.
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Aleister Crowley's 'Gnostic Mass' includes a *Cake of Light* which incorporates the Logos and is prepared using certain ingredients including bodily secretions. This Cake is not intended for transubstantiation but to contain a deity called the *Childe*, specifically an aspect of Horus, the Egyptian God of the Sky.
The cake is transmuted by digestion, not through transubstantiation, making it a sexâmagical medium for the participant's will. Consumption or bodily contact with the host is necessary for transformation, unifying the host with its consumer, unlike the Roman Catholic host, which changes its invisible essence without changing appearance or chemical qualities.

In the 1970s, the occult community embraced a heightened level of sexuality involving a variety of partners. This not only created but also reinforced the stereotype about occultists that persists to this day, shaping how some individuals define occultism. During that era, many embarked on a social experiment of extended proportions, likening it to a form of religion and using sex as its raw material.
A significant emphasis was placed on individuals' autonomy, encouraging the freedom to engage in whatever they desired. The expression of sexuality underwent a transformative shift from being carried out furtively to becoming a celebratory manifestation, embodying the newly liberated attitudes towards occultism.
The moment sex became available to everyone at a mouseâclick, the power of discourse (to borrow Foucault's term) of those who constructed a truthâproducing apparatus around sexuality, also crumbled.
[Aura of the O.T.O.
Phenomenon](https://www.parareligion.ch/sunrise/aura.htm).
* Tradução portuguesa: [A Aura do Fenômeno O.T.O.](https://www.parareligion.ch/sunrise/aura_p.htm)
[Halo of Flies](https://www.parareligion.ch/halo.htm).
Organized occultists seek to establish their parareligion as a fixed aspect of society. The purpose of this article is to illustrate how such organizations impose intellectual conformity on individuals who genuinely seek knowledge. This contribution, originally published in Richard Metzger's "Book Of Lies" in 2003, explores several key topics, including Thelema and the loss of identity, manufactured gnosis, and the manifestation of Borgâconsciousness in secret societies like the O.T.O.
Of a similar nature: [Phantoms of the Paradise](https://www.parareligion.ch/2005/phantom.htm).
Anonymous 2021: [Burning Down The House](https://www.parareligion.ch/2021/burning.htm). Keywords: 'Caliphate', Argenteum Astrum, James Wasserman, Donald Trump.
[What Will I Give For An Encore?](https://www.parareligion.ch/guinea.htm)
Part One of [Smoke Gets In Your Aiwass](https://www.parareligion.ch/aiwass1.htm). All about Angels and Abramelin.
Part Two: More on [The chajoth, the âliving creationsâ or âflying thingsâ](https://www.parareligion.ch/aiwass2.htm).
The focus is on the rôle of the Abramelin Book in inspiring occultists to engage with the Holy Guardian Angel. Notable themes include the Mysterium iniquietatis, RomanâCatholic Angels, God's Test, the sins of the Angels, the Heavenly Doppelgänger, and Aleister Crowley's experiences with the Abramelin Book.
Die vollständige Version (mit einem dritten Teil), jedoch nur auf deutsch: [Abramelin & Co.](https://www.parareligion.ch/books/abrameli.htm)
[Ecstatic Creation of Culture](https://www.parareligion.ch/ecstasy.htm).
The main ideas of this lecture, dated 1996, are the examination of Aleister Crowley's magical religion, the phenomenon of euphoric tranceâimages, the use of Cabbala as a verbal bridge between different realities, and the discussion of occultists associated with occult orders and *free* occultists.
* Deutsche Version: [Ekstatische Erzeugung von Kultur](https://www.parareligion.ch/dplanet/html/ekstase.htm) [overdubbed version] â Die kommerzielle Plünderung der okkulten Leitfossilien. Version 2011.
* Tradução portuguesa: [Criação Extática de Cultura](https://www.parareligion.ch/sunrise/ecstasy_pt.htm).
[Use of the Internet](https://www.parareligion.ch/question.htm) â A questionaire of April/March 1997.
[Playgame of an O.T.O.âFatamorgana](https://www.parareligion.ch/2011/playgame.htm) 2011.
The article explores the controversial membership of *the* O.T.O., through academic research and statistics. It discusses the renovation of the statistics, noting that little is known about the entire membership. It also touches on the rôle of AIDS within the organization, as well as the presence of AIDSâdenialists as members of the Cabinet of the 'Caliphate'. Additionally, the article examines the suicide rate among members and explores the process for gaining entry into the Sovereign Sanctuary of the Gnosis, *the* O.T.O.'s innermost circle. It also discusses censorship and the media's coverage of *the* O.T.O., as well as the issue of nameâdropping within the organization.
* Traduction française: [Jeu de rôle d'une O.T.O.âFatamorgana](https://www.parareligion.ch/franz/playgame-franz.htm).
* Traduzione italiana: [La versione playâgame di un O.T.O.âFatamorgana](https://www.parareligion.ch/2015/playgame-it.htm).
* Tradução portuguesa: [Versão Jogo de uma O.T.O.âFatamorgana](https://www.parareligion.ch/2021/playgame_port.htm).

[Fetish, SelfâInduction, Stigma and Rôleplay](https://www.parareligion.ch/2011/fetish.htm). 2011.
*The* O.T.O. has a controversial history, and it has been linked to several allegations of misconduct. Individuals who participate in O.T.O. rituals or practices may, therefore, face potential risks stemming from the organization's history or reputation. It is worth noting, however, that this article does not concentrate specifically on negative effects. Rather, it provides an analysis of the use of fetishism, self-induction, stigma, and rôleplay in the context of O.T.O. rituals and practices.
* Traduction française: [Fétiche, autoâinduction, stigmatisation et jeu de rôle](https://www.parareligion.ch/franz/fetiche-franz.htm).
* Traduzione italiana: [Il feticcio, lâautoâinduzione, lo stigma, il gioco di ruolo](https://www.parareligion.ch/2015/feticcio.htm).
* Tradução portuguesa: [Fetiche, Auto-Indução, Estigma e Rôleplay](https://www.parareligion.ch/2021/fetish-port.htm).
* Tlumaczenie polskie: [Fetysz. Rytualy. Resocjalizacja: Tozsamosc przez stygmat. Autoindukowana schizofrenia. Odgrywanie ról.](https://www.parareligion.ch/2013/fetysz.htm)* Ðо ÑÑÑÑки: [ФеÑиÑ, ÑамоиндÑкÑиÑ, ÑÑигма и ÑÐ¾Ð»ÐµÐ²Ð°Ñ Ð¸Ð³Ñа](https://www.parareligion.ch/2019/fetish-ru.htm).
[Gaps in the Script of Esotericism](https://www.parareligion.ch/2012/hypocrisy.htm): Hypocrisy and Hypercrisis â Oscar Wilde: Ambition is the last resort of failure. 2012.
In the realm of academia, scholars, preoccupied with their interpretations of archived knowledge, form insular communities. Occultists disguise themselves as scholars, and vice versa. Laypersons, adept at employing 'langue de bois' rhetoric, gravitate towards their preferred online platforms. A culture of selfâaffirmation prevails, accompanied by a chorus of indignant condemnation directed at others.
[The McDonaldisation of Occulture](https://www.parareligion.ch/mcdonald.htm).
The present article, dating back to 1997, investigates the utilization of calculability and quantifiability as evaluative criteria by secret societies such as the O.T.O. Specifically, I examine the degree to which the American O.T.O. has adopted a supermarketâstyle approach characterized by McDonaldization in its organizational structure and practices. Furthermore, this concept is contextualized within the burgeoning realm of the internet, elucidating the potential implications of these developments on the nature and function of secret societies in contemporary society.
* Deutsche Version: [Die McDonaldisation der Okkultur](https://www.parareligion.ch/okkultur.htm) â Das Internet im Spannungsfeld potentieller Schöpfung.
* Ðо ÑÑÑÑки: [ÐакдоналÑдизаÑÐ¸Ñ Ð¾ÐºÐºÑлÑÑÑÑÑ](https://www.parareligion.ch/2019/mcdonald-ru.htm).

[The Creative Power](https://www.parareligion.ch/2017/creative-power.htm). Golems and Homunculi are two symbolic constructs that represent the creative power of the soul. The homunculi, which are artificially created beings, represent the potential for creation that exists within each individual. The golem, on the other hand, is a creature from Jewish folklore brought to life through mystical means and represents the manifestation of creative power in the physical world.
Keywords: Paracelsus, Ordo Templi Orientis, Baphomet, Egregor, Fraternitas Saturni, Theodor Reuss, Hanns Heinz Ewers.
* Traduction française: [Le pouvoir créateur](https://www.parareligion.ch/franz/pouvoir_fr.htm).
* Traduse in romana: [Putera Creatoare](https://www.parareligion.ch/2021/creatoare-ru.htm).
* Ðо ÑÑÑÑки: [ТвоÑÑеÑÐºÐ°Ñ Ð¡Ð¸Ð»Ð°](https://www.parareligion.ch/2019/creative-ru.htm).

Aleister Crowley created a kind of a parallel world, with new values based on the injunctions of *religion* etc, called *Thelema*, in which he played the central rôle of a Prophet.
Regarding his antidemocratic, racist and misanthropic writings, followers point out: *"The reason* [...] *aspects of Thelema are omitted* [in public discussion] *indicates the actual problem with presenting Thelema as a religion and attempting to get Thelema sanctioned by the government or approved by the public: Thelema is ultimately in contrast to and transgressive of normative society. Thelema rejects the morals and values of normative society and acts to transgress and violate these norms. From the inclusion of intoxicants in ritual, to the positive view of sexuality, which frequently is seen as promoting promiscuity, to the proâauthoritarian and Nietzschian aspects of Thelema, normative society has much to reject in Thelema and conversely, Thelema encourages its adherents to reject most aspects of normative society."* ['Caliphate' O.T.O.'s "Journal of Thelemic Studies", 1;2, 2008, page 40]
Nicht alle Zweige des O.T.O. haben Crowleys *Thelema* übernommen. *"Der Grund, dass* [...] *Aspekte von Thelema ausgelassen sind, ist das aktuelle Problem, wie Thelema in der Ãffentlichkeit als Religion darzustellen ist, um so vom Staat anerkannt zu werden. Thelema ist ganz eindeutig konträr und an den Grenzen der normativen Gesellschaft. Thelema weist die normativen Werte und Moral ab und zielt auf die Ueberschreitung und Verletzung eben dieser Normen. Die Miteinbeziehung von Drogen in die Rituale, die positive Betonung der Sexualität, die als Werbung für Promiskuität angesehen werden kann und der autoritäre und pro-Nietzscheanische Aspekt von Thelema zwingen die normative Gesellschaft zur Ablehnung und gleichzeitig ermutigt Thelema seine Anhänger, die meisten Aspekte der normativen Gesellschaft abzulehnen."* ["Journal of Thelemic Studies", 1;2, 2008, Seite 40, übersetzt]
Concernant les écrits antidémocratiques, racistes et misanthropes de Crowley, ses disciples soulignent : *« la raison* [que quelques] *aspects de Thelema sont omis* [dans la discussion publique] *indique le problème réel avec la présentation de Thelema comme une religion et essayant d'obtenir pour Thelema une sanction du gouvernement ou approuvé par le public : Thelema est finalement en revanche transgressive de la société normative. Thelema rejette la morale et les valeurs de la société normative et agit pour transgresser et violer ces normes. De l'inclusion des substances intoxicantes dans les rituels, à la perception positive de la sexualité, souvent considérée comme favorisant la promiscuité, le proautoritaire et lâaspect Nietzschéenne de Thelema, la société normative a beaucoup rejeter en Thelema et inversement, Thelema encourage ses adhérents à rejeter la plupart des aspects de la société normative. »* [Journal of Thelemic Studies, 1;2, 2008, page 40, traduit].
In merito agli scritti antidemocratici, razzisti e misantropici di Aleister Crowley, i suoi seguaci precisano: *«La ragione per cui* [...] *certi aspetti della filosofia thelemica sono omessi* [nei pubblici contesti] *indica lâeffettiva difficoltà di presentare Thelema come una religione e al contempo ottenere una legittimazione dallo stato o la pubblica approvazione: invero Thelema trasgredisce e si contrappone alle norme sociali. Thelema rifiuta la morale e i valori della società normata e agisce per trasgredire e violare queste norme. Per lâuso di âsostanzeâ nei rituali, per la magnificazione della sessualità , spesso fraintesa come spinta alla promiscuità , per gli aspetti pro-autoritari e nietzscheani, la società normata ha molto da respingere in Thelema e, allo stesso modo, Thelema incoraggia i suoi accoliti a respingere la maggior parte degli aspetti della società normata.»* âJournal of Thelemic Studiesâ, 1; 2, 2008, p. 40.
Em relação aos escritos antidemocráticos, racistas e misantrópicos: *"A razão* [â¦] *de certos aspectos de Thelema serem omitidos* [de discussões públicas] *indica o real problema em apresentá-la como uma religião e tentar fazer com que seja aceita por
governos ou aprovada publicamente: Thelema está, no final das contas, em
contraste com a sociedade preceptiva além de transgredi-la. Thelema rejeita a moral
e os valores dela e age para transgredir e violar tais normas. Desde a inclusão de
intoxicantes em rituais, passando pelo ponto de vista positivo em relação a
sexualidade â que com freqüência é visto como incentivo à promiscuidade â aos
aspectos pró-autoritários e Nietzscheneanos de Thelema, a sociedade preceptiva
tem muito para rejeitar em Thelema e, reciprocamente, Thelema encoraja os seus
simpatizantes a rejeitar muitos aspectos dessa sociedade."* "Journal of Thelemic
Studies", 1;2, 2008, pag. 40.

[Das Milieu des Templer Reichs â Die Sklaven Sollen Dienen](https://www.parareligion.ch/2006/pro/peng.htm).
The argument presented in this discussion suggests that Aleister Crowley may be considered a political opportunist, who sought to build relationships with anyone, anywhere, in order to advance his personal interests, including the operation of his parareligion, Thelema. As he faced repeated failures in his political and utopian pursuits, Crowley increasingly emphasized his status as the founder of a *religion*, attracting followers from all walks of life. Therefore, it is important to recognize the diverse range of people interested in this topic.
This article will focus on notable individuals and organizations in this milieu, such as the Ordo Novi Templi, Fraternitas Saturni, and key figures such as Lanz von Liebenfels, Mathilde Ludendorff, Karl Germer, Christian Bouchet, Paolo Fogagnolo, and James Wasserman. The discussion will explore the political leanings of these groups and their members, as well as their attitudes towards antiâSemitism and religious intolerance. Additionally, the analysis will address the question of whether a consistent political direction can be identified within the O.T.O. Finally, the concepts of Ariosophy and paranoia will also be explored and illustrated with examples.
* English version: [The Templar's Reich](https://www.parareligion.ch/2006/pro/pene.htm) â The Slaves Shall Serve.
* Traduction française : [Le Milieu du Reich des Templiers](https://www.parareligion.ch/franz/pen_fr.htm). Les Esclaves Serviront.
* Tradução portuguesa : [O Ambiente do Reich dos Templários](https://www.parareligion.ch/2022/pen-port.htm) â Os Escravos Servirão.
* Traduse in romana: [Reichâul Templier](https://www.parareligion.ch/2007/fs/penru.htm) â Sclavii trebuie sa serveasca.
Also: [ProtoâFascist Elements in the O.T.O.](https://www.parareligion.ch/sunrise/fasho.htm)
Something that is **not** related to *the* O.T.O.: Rudolf von Sebottendorff: [Der Talisman des Rosenkreuzers](https://www.parareligion.ch/2007/aha/sebo.htm). With a preface by Albrecht Goetz von Olenhusen.

| Articles on the History of the Ordo Templi Orientis |
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Whether treated as object or subject, the very term "O.T.O." is itself neither fixed nor coherent. *The O.T.O.* is not a compact, bounded set of categories, but consists of different individuals and more or less loose groupings, which often meet and part (or converge and diverge) with each other â and all at the same time.
Any historical account, any arrangement of these individual parts is perforce provisional, subject to rules of thumb and remains experimental in nature.
Carl Karl Kellner Renatus Hermetic Brotherhood of Light H.B.L. Ordo Templi Orientis O.T.O.
Carl Kellner Yoga pre-Ordo Templi Orientis Memphis Misraim Baphomet
Carl Kellner Yoga Memphis Misraim Baphomet
Carl Kellner
[Colored with AI]
Carl Kellner, Theodor Reuss, Clément de SaintâMarq, E.C.H. Peithmann, Ernst Tristan Kurtzahn, P.B. Randolph, Rudolf Steiner **not** being a member of the O.T.O., Franz Hartmann (no member of the O.T.O.), Aleister Crowley, Karl Germer, Arnoldo KrummâHeller, Herbert Fritsche, Michael P. Bertiaux, Hermann Joseph Metzger and his Ladies, Grady L. McMurtry, Friedrich Lekve, Friedrich Mellinger, William Wallace Webb, Eugen Grosche, Henri Birven, Joanny Bricaud, Leopold Engel, Franz Bardon, Charles Manson and the Solar Lodge of the O.T.O., 'Caliphate', Heinrich Traenker, Kenneth Grant, Marcelo Ramos Motta, William Breeze ...
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[Some protagonists and components](https://www.parareligion.ch/king2.html) of some O.T.O.âvariations.
Ordo Templi Orientis, Carl Kellner, Theodor Reuss, Aleister Crowley, Karl Germer, Herbert Fritsche, Michael P. Bertiaux, Hermann Joseph Metzger et alii
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Introduction
Carl Kellner: Yoga. Eine Skizze über den psychoâphysiologischen Teil der alten indischen Yogalehre. Ordo Templi Orientis. O.T.O.
The history of the Ordo Templi Orientis, along with its variations, is marked by a considerable degree of complexity, with various claims to *apostolic succession*, mutual accusations, and expulsions. In this context, it is not surprising that there are significant overlaps and interconnections between different factions within the organization and its variations.
**Background**
* English version : [Introduction](https://www.parareligion.ch/intro.htm) to the O.T.O.
* Version française : Le PhénomèneâO.T.O. â [Introduction](https://www.parareligion.ch/franz/intro_fr.htm).
* Versione italiana : [Breve Storia](https://www.parareligion.ch/storia.htm) dell'O.T.O.
* Tradução portuguesa : [Introdução](https://www.parareligion.ch/intro_pt.htm) à Ordo Templi Orientis.
* Tradduciõn castellano : [Introducción](https://www.parareligion.ch/2005/intro_sp.htm) a la Ordo Templi Orientis.
* Ceská verze : [Fenomén O.T.O.](https://www.parareligion.ch/fenomen.htm)* Ðо ÑÑÑÑки: [ÐÑÑоÑÐ¸Ñ ÐÑдена ÐоÑÑоÑнÑÑ
ТамплиеÑов](https://www.parareligion.ch/sunrise/intro.htm).
* Dutch version : [Ordo Templi Orientis](https://www.parareligion.ch/sunrise/oto_d.htm).
* Mandarin translation : [䏿¹ç¥æ®¿æçä»ç»](https://www.parareligion.ch/2005/introprk.htm).
* Traduse in romana: [Introducere](https://www.parareligion.ch/2007/fs/intro_ru.htm) in Ordo Templi Orientis.
Details about [Carl Kellner](https://www.parareligion.ch/sunrise/ck.htm): Never a member of any O.T.O.
* Josef Dvorak: [Carl Kellner](https://www.parareligion.ch/sunrise/kellner.htm) [collected gossips and speculations about Kellner's life, Franz Hartmann, Hatha Yoga and Baphomet].
* Deutsche Version: [Carl Kellner](https://www.parareligion.ch/sunrise/carl.htm).
* Türkçe çeviri: [Carl Kellner](https://www.parareligion.ch/2023/kellner-t.htm).
Short biography of [Franz Hartmann](https://www.parareligion.ch/sunrise/hartmann.htm).
Joanny Bricaud: [Notes Historique sur le Rite Ancien et Primitiv de MemphisâMisraim](https://www.parareligion.ch/sunrise/mm1.htm).
* Ðо ÑÑÑÑки: [ÐÑевний и ÐзнаÑалÑнÑй УÑÑав ÐемÑиÑаâÐиÑÑаима: ÐÑÑоÑиÑеÑкие замеÑки](https://www.parareligion.ch/2019/mm-ru.htm).
Theodor Reuss â Ordo Templi Orientis Phenomenon |

[From: ['Der Grosse Theodor Reuss Reader'](https://www.parareligion.ch/dplanet/html/gross.htm)]
[Theodor Reuss](https://www.parareligion.ch/reuss.htm) â a sort of biography.
* Tradução portuguesa: Theodor Reuss: Avô da Sociedade Antroposófica?* Ceská verze: [Theodor Reuss jako zakladatel esoterickych rádú](https://www.parareligion.ch/th-reuss.htm) â a â [Preklad dokumentu](https://www.parareligion.ch/preklad.htm).
A letter from [Francis X King to John Symonds](https://www.parareligion.ch/sunrise/francis.htm) about Theodor Reuss.
[Theodor Reuss' O.T.O. rituals ©](https://www.parareligion.ch/rituals.htm) with an introduction.
Information about [Aleister Crowley's O.T.O. rituals](https://www.parareligion.ch/sunrise/mcoto.htm).
A.P. Eberhardt: [Von den Winkellogen Deutschlands](https://www.parareligion.ch/dplanet/html/eber.htm) [O.T.O., Illuminati, MemphisâMisraim, etc.]
* English translation: [On German Irregular Lodges](https://www.parareligion.ch/2016/eberhardt.htm).
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Theodor Reuss Peregrinus Ordo Templi Orientis O.T.O.
Theodor Reuss
Aleister Crowley Baphomet Ordo Templi Orientis O.T.O.
Aleister Crowley
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[Colored with AI]
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* English version: [O.T.O. â Early Years and Development](https://www.parareligion.ch/early.htm).
* Deutsche Version: [Zur Geschichte des Ordo Templi Orientis](https://www.parareligion.ch/frueh.htm).
* Versione italiano: [Ordo Templi Orientis â I primi anni e la sua evoluzione](https://www.parareligion.ch/2015/primi-anni.htm).
* Traduction française: [Lâancien O.T.O. et son évolution](https://www.parareligion.ch/franz/ancien.htm).
* Traduccion castellano: [O.T.O. â Original y su Desarrollo](https://www.parareligion.ch/2005/early_sp.htm).
Reuss O.T.O. Lamen
- English: Theodor Reuss and the [Brothers of Light in the Seven Churches of Asia](https://www.parareligion.ch/2016/Seven-Churches-Asia.htm). The origins of Brotherhood of Light of Theodor Reuss.
- Deutsch: Die [Brueder des Lichtes der sieben Gemeinden in Asien](https://www.parareligion.ch/2007/reuss/asien.htm). Theodor Reuss' Hermetische Bruderschaft des Lichtes.
- Français: [Les Frères de Lumière dans les Sept Ãglises d'Asie](https://www.parareligion.ch/franz/asie_fr.htm). Les origines de la Fraternité de Lumière de Theodor Reuss.
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[Colored with AI]
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Biography of Aleister Crowley:
* English version: Aleister Crowley â [A Biography](https://www.parareligion.ch/2006/ac/ac.htm)* Deutsche Version: Aleister Crowley â [Eine Biographie](https://www.parareligion.ch/2006/ac/act.htm)* Traduction française: Aleister Crowley â [Une biographie](https://www.parareligion.ch/franz/acfr.htm)* Versione italiana: Aleister Crowley â [Biografia](https://www.parareligion.ch/2015/aci.htm)
Lamen of the O.T.O.
In 1936, Hans Rudolf Hilfiker claimed that John Yarker's charter endorsed him as Theodor Reuss' successor. He declared the O.T.O. dead with Reuss' passing and considered it nonâexistent. Hilfiker revived the MemphisâMisraim Rite under Constant Chevillon's leadership, distancing from Crowley. He worked to unite Rosicrucian orders with Chevillon and Reuben Swinburne Clymer's help. Chevillon consecrated KrummâHeller in 1939 but was murdered by the Gestapo in 1944.
[Consider the O.T.O. non existent](https://www.parareligion.ch/consider.htm).
* Variation française : Hans Rudolf Hilfiker (1882â1955) de la Verità Mistica sur le Monte Verità et de la Libertas et Fraternitas à Zurich se considérait après la mort de Theodor Reuss en 1923 comme son successeur et en 1936 [l'O.T.O. comme non existant](https://www.parareligion.ch/hilfiker-fr.html).
Beaucoup de documents et un fac-similé d'une nécrologie.
* Versione italiana: [Considerare l'O.T.O. inesistente](https://www.parareligion.ch/sull.htm).
* Traduccion castellano: [Consideraban a la O.T.O. como no existente](https://www.parareligion.ch/sunrise/vmm-esp.htm).
* Ceská verze: [Veritas Mystica Maxima](https://www.parareligion.ch/vmm.htm).
Letter from [Engelhard Pargaetzi to Hans Rudolf Hilfiker](https://www.parareligion.ch/2007/reuss/par-hil.htm), April 4, 1920: Quarrel in Theodor Reuss' Swiss O.T.O. lodge.
[Declaration](https://www.parareligion.ch/2007/reuss/rosenkreuzer2.beschluss.htm) that the relations between the Grand Orient and Theodor Reuss were definitely past history.
Theodor Reuss Rudolf Laban de Laban Vertrag Ordo Templi Orientis 1917
1917 Vertrag / Contract Theodor Reuss â Laban de Laban
[From: ["Der Grosse Theodor Reuss Reader"](https://www.parareligion.ch/dplanet/html/gross.htm)]
[Visit this [Gallery](https://www.parareligion.ch/oeden.html).]
[Another gallery of some [documents relating to Theodor Reuss](https://www.parareligion.ch/2006/reuss/1900.html).]
Feldzug gegen Rudolf Steiner Ordo Templi Orientis Theodor Reuss Flensburger Hefte Guido und Michael Grandt Arfst Wagner Wolfgang Weirauch Eve Grothe Klaus-Dieter Neumann Stefan Leber P.R. Koenig Josef Dvorak Hella Wiesberger Julius Zoll
[From: "Feldzug gegen Rudolf Steiner", Flensburger Hefte 63
IV/98, Flensburg 1998]
Rudolf Steiner: [Not a member of the O.T.O.](https://www.parareligion.ch/steiner.htm)
After decades of incomplete media reports and propaganda efforts by biased parties regarding Rudolf Steiner's alleged membership in Theodor Reuss' German lodge of the Ordo Templi Orientis, the archive of Rudolf Steiner's probate has finally opened its vault. This has given historians the necessary evidence to put the matter to rest. There is no evidence to suggest that Rudolf Steiner ever accepted anything from Theodor Reuss, except for his permission to use the term "Misraim". Additionally, there is no documentation that proves Steiner was ever a member of the Ordo Templi Orientis.
* Deutsche Version: [Rudolf Steiner: Niemals Mitglied irgendeines O.T.O.](https://www.parareligion.ch/steiner_.htm)* Traduction française: Rudolf Steiner : [Jamais membre d'un quelconque O.T.O.](https://www.parareligion.ch/franz/steiner-franz.htm)* Dutch version: [Theodor Reuss en Rudolf Steiner](https://www.parareligion.ch/sunrise/steiner_.htm).
* Traduse romana: [Rudolf Steiner](https://www.parareligion.ch/2007/fs/steiner_ru.htm): niciodata membru al vreâunui Ordo Templi Orientis.
* Ðо ÑÑÑÑки: Ð ÑдолÑÑ Ð¨ÑайнеÑ: [никогда не бÑл Ñленом какогоâнибÑÐ´Ñ Ordo Templi Orientis](https://www.parareligion.ch/2020/steiner-ru.htm).
[Online facsimile documents](https://www.parareligion.ch/rsdoc.htm) regarding Reuss and Steiner.
[Two letters from Theodor Reuss](https://www.parareligion.ch/2020/reuss-hartmann.htm) concerning Franz Hartmann / Rudolf Steiner.
["Gestatten, UnderâCover Agent PeterâR. König"](https://www.parareligion.ch/books/fl.htm) â Ein Interview für die 'Flensburger Hefte' zum Thema "Feldzug gegen Rudolf Steiner".
Spencer Lewis, AMORC, A.M.O.R.C., O.T.O., Order of the Rosicrucian, Ordre de la Rose-Croix, AMORC, Ancient and Mystical Order of Rosae Crucis
[Spencer Lewis and the O.T.O.](https://www.parareligion.ch/sunrise/vanloo/mylewis.htm) which is a chapter of my ['Der O.T.O. Phänomen RELOAD'](https://www.parareligion.ch/2011/reload.htm), about Spencer Lewis, Theodor Reuss, Aleister Crowley and Heinrich Traenker.
A.M.O.R.C.: [Controverse Autour d'un Document â Harvey Spencer Lewis et l'O.T.O.](https://www.parareligion.ch/sunrise/vanloo/vanloo.htm)
[H. Spencer Lewis and Theodor Reuss](https://www.parareligion.ch/sunrise/amorc_en.htm).
* Version française: [H. Spencer Lewis et Theodor Reuss](https://www.parareligion.ch/sunrise/amorc_fr.htm).
Robert Vanloo: [Is the A.M.O.R.C. an offspring of the O.T.O. or not ?](https://www.parareligion.ch/sunrise/vanloo/ameng.htm)
* Version française: [LâAncien et Mystique Ordre de la RoseâCroix dériveâtâil de lâOrdre du Temple Oriental?](https://www.parareligion.ch/sunrise/vanloo/amfranz.htm)
A.M.O.R.C. O.T.O. lamen
R+C robe
[Conqueror of the Grail](https://www.parareligion.ch/2016/Conqueror.Grail.htm).
Arnoldo KrummâHeller was a complex and multifaceted figure in the world of esotericism and spiritual exploration. His life was marked by a fascination with mysticism and the occult, which led him to explore a wide range of esoteric traditions, including Theosophy, Rosicrucianism and the connections between the Grail legend and the spiritual traditions of the Americas.
* Traduction française: [Le conquérant du graal](https://www.parareligion.ch/franz/graal_fr.htm) â Arnoldo KrummâHeller.
* Tradução portuguesa: [O Conquistador do Graal](https://www.parareligion.ch/2021/Conqueror-port.htm).
* Ðо ÑÑÑÑки: [ÐавоеваÑÐµÐ»Ñ ÐÑаалÑ](https://www.parareligion.ch/2019/Conqueror.Grail.ru.htm) â ÐÑнолÑдо ÐÑÑммâХеллеÑ.
[Baphomet and Rosycross](https://www.parareligion.ch/fra.htm).
Arnoldo KrummâHeller received a charter from Reuss in 1908 and established his Fraternitas Rosicruciana Antiqua (F.R.A.) in 1927, which was primarily active in Latin America but also had branches in Austria, Germany, and Spain. In 1930, during KrummâHeller's meeting with Crowley and Germer in Germany, some of the rituals were given Thelemic references. Krumm-Heller also became a *real* Gnostic bishop in 1939, but after his death in 1949, his F.R.A. split into numerous groups. In 1963, Hermann Joseph Metzger attempted to bring all of these organizations under his authority through his contacts in Venezuela, but his efforts were unsuccessful.
* Version française: [Fraternité Rosicrucienne Antique](https://www.parareligion.ch/fra-fra.htm).
L'histoire de la F.R.A. n'échappe pas à l'agitation habituelle aux mouvements ésotériques ou maçonniques. Beaucoup des protagonistes de cette histoire furent également membres d'autres organisations, francsâmaçons, martinistes, théosophes, et autres. C'est donc avec intérêt que le lecteur pourra recouper les informations contenues dans cet article avec d'autres études où l'on retrouve ses personnages.
* Dutch version: [Fraternitas Rosicruciana Antiqua](https://www.parareligion.ch/sunrise/fra_d.htm).
[Dance the Adolf Hitler](https://www.parareligion.ch/2005/krumm/krumm.htm).
This article delves into Arnoldo KrummâHeller's perspectives on Hitlerianismo and the concept of *"raza superior"*, as well as his expression of antiâSemitic rhetoric *"sino Judios los estafadores"* in his publication, 'Rosa-Cruz'. Furthermore, the article touches upon his son's enrollment in the NAPOLA and KrummâHeller's use of the salutation *"Heil Hitler"* in his correspondence.
The article also includes outtakes of Basil Thomson's work 'Queer People - Curious Visitor', as well as a specially written contribution by John Gaster entitled 'Krumm-Heller in England'.
Arnoldo Krumm-Heller Huiracocha Eduard Munninger Medardus successor of the Fraternitas Rosicruciana Antiqua F.R.A. Austria Kraempelstein Antiquus Arcanus Ordo Rosae Rubeae Aureae Crucis A.A.O.R.R.A.C. Fraternitatis Rosæ Crucis Fraternitatis Rosæ Crucis
Eduard Munninger: [Roses in Austria](https://www.parareligion.ch/2011/munninger.htm).
Through an examination of historical records and primary sources, this article seeks to shed light on the development of A.M.O.R.C. and A.A.O.R.R.A.C. in the Germanâspeaking world, including their early leaders, members, and contributions to the organizations. The appointment of Munninger as the successor to KrummâHeller is a particularly noteworthy event in the history of these organizations.
[Of Booksellers And Other Grand Masters of the O.T.O.](https://www.parareligion.ch/sunrise/book.htm)
This article contains detailed biographies of Heinrich Traenker, Karl Germer, Henri Birven, Spencer Lewis, C.H. Petersen, and Eduard Munninger, who were all influential figures in the O.T.O. Additionally, it explores their relationships with the organization under the leadership of Reuss, Crowley, and H.J. Metzger.
Furthermore, the article provides Henri Birven's "Obituary on Karl Germer", which sheds light on Crowley's visit to Berlin in 1930.
Heinrich Traenker Pansophia Pansophische Gesellschaft
In 1921, Heinrich Traenker, the German Grand Master of Reuss' O.T.O., founded an organization called Pansophia, which published important Rosicrucian books and early writings of Crowley. Krumm-Heller and Reuss used the term "Pansophia" in their letterhead and stamps. After Reuss' death in 1923, the remaining Tenth Degree members were required to elect the next Outer Head of the Order (OHO). Only eight members were left, among them Traenker and the American Grand Master, C.R.J. Stansfeld Jones. In 1925, these two declared Crowley as "A World Saviour", but quickly withdrew their votes.
Pansophia disbanded after Traenker's death in 1956.
* ['Das O.T.O.âPhänomen'](https://www.parareligion.ch/books/oto.htm), 1994, onlineâversion.
* [Heinrich Tränker und der O.T.O.](https://www.parareligion.ch/sunrise/traenk.htm), auf Deutsch.
* Heinrich / Henri Birven über [Karl Germer](https://www.parareligion.ch/2007/aha/birven.htm), mit Details zu Heinrich Tränker, Martha Kuentzel, Gerald Yorke, Aleister Crowley.
* Heinrich Traenker, O.H.O. of the O.T.O. in Germany: [Die Sexualmysterien der Pansophie](https://www.parareligion.ch/2007/aha/schwester.htm).
* [Karl Germer about Heinrich Traenker](https://www.parareligion.ch/dplanet/viator.htm). Letter to Max Schneider.
* [Ritual I der Agape](https://www.parareligion.ch/2007/aha/agape.htm). Logos pneumaticos, Logos spermaticos.
* A.M.O.R.C., Martin Erler, ORA, Heinrich Traenker, Pansophie, H.J. Metzger, Schweizer O.T.O., Schikowski â H.D. H: [Mein Besuch bei Heinrich Traenker](https://www.parareligion.ch/2009/amorc.htm) / English translation: [My visit to Heinrich Traenker](https://www.parareligion.ch/2011/amorc.htm).
* ['Das Beste von Heinrich Tränker'](https://www.parareligion.ch/dplanet/html/traenker.htm).
* Selection of [onâline documents](https://www.parareligion.ch/studinski.html).
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Fraternitas Saturni, GOTOS
[In Nomine Demiurgi Nosferati](https://www.parareligion.ch/fs1.htm).
In 1926, Eugen Grosche broke away from the inner circle of Pansophia and founded the Fraternitas Saturni (FS) with sixty ex-O.T.O. members, allegedly after Crowley had visited Traenker and Germer. The FS became the second order based on the Law of Thelema, while Traenker's remaining O.T.O., which made only vague references to Thelema, nearly became inactive.
The death of Eugen Grosche in 1964 caused several splits.
* Tradução portuguesa: [In Nomine Demiurgi Nosferati](https://www.parareligion.ch/fs1_p.htm).
* Dutch version: [In Nomine Demiurgi Nosferati](https://www.parareligion.ch/sunrise/saturni_.htm).
* Versiune romana: [Fraternitas Saturni](https://www.parareligion.ch/2007/fs/fs1_ru.htm). Istorie si protagonisti.
Eugen Grosche: Bericht über die ["GeheimâKonferenz im Jahre 1926 in Thüringen"](https://www.parareligion.ch/2007/fs/geheim.htm) [Crowley's disastrous visit at the homes of
Heinrich Tränker and Karl Germer].
* English translation: Eugen Grosche: [Report on the âSecret Conference in Thuringia in the year 1926â](https://www.parareligion.ch/2007/fs/secret.htm).
Constitution of the [Secret Lodge Fraternitas Saturni](https://www.parareligion.ch/dplanet/html/fs_aims.htm), 1928.
Closing of the ["Pansophic Lodge"](https://www.parareligion.ch/dplanet/html/panclose.htm), 1928.
Fraternitas Saturni Emblem Logo Lamen Siegel Sigill
Johannes Goeggelmann (*Saturnius*): [Beispiel einer Skandalisierung](https://www.parareligion.ch/2007/fs/saturnius.htm). Die Geschichte der F.S. aus der Sicht des Boulevard ?
The perception of the Fraternitas Saturni is primarily shaped by the focus on its protagonists. In addition to its founder Eugen Grosche (Gregor A. Gregorius), the Grand Masters Guido Wolther (Daniel), Walter Jantschik (Jananda), Johannes Maikowski (Immanuel), and a few others, it is also Johannes Göggelmann (Saturnius) who contributes to the image of the lodge.
The fact that the F.S. came into the focus of the tabloid media approximately 30 years after World War II is in interaction with a written report by Johannes Göggelmann, stating that he allegedly killed a cat in the woods for ritual purposes on January 8, 1955.
Contrary to popular belief, the F.S. mostly engages in discussions and cultivates a comfortable and friendly environment where people can engage in discussions, with rituals being rare. The notion of Grosche's supposed worldview about fire and ice, which has been widely circulated since the 1980s, is only found in traces in his writings and never materialized beyond that.
The misjudgment of Grosche's alleged worldview can be attributed to newer and younger members who sought to revitalize the F.S.'s outdated image within the occult milieu in the 1980s, often sidelining older members.
The tabloid media's interest in esotericism and occultism also surged during the 70s, with journalist Horst Knaut citing Göggelmann in his 1970 book 'Rückkehr aus der Zukunft' for a larger, nonâesoteric audience. Meanwhile, the esoteric and occult milieu has seen significant changes. Parareligions like O.T.O. and F.S. have emerged, attracting criticism from politically and religiously motivated critics in the Germanâspeaking world who label them as 'youth religions'.
Today's Saturnian lodges differ greatly from those during Grosche's time, with modern members and outsiders seeking sensationalism. The newer Saturnian lodges are generally more interested in strong and fast stimuli, leading to significant personnel rejuvenation and reduction as the attention span for older writings has decreased.
[Die GOTOSâBüste](https://www.parareligion.ch/2007/fs/bust.htm).
Sammlung von 23 Texten von [Walter Jantschik](https://www.parareligion.ch/2007/ja/baphomet.htm).
Guido Wolther's [sexmagical drawings](https://www.parareligion.ch/2008/fs/wolther.htm).
Johannes Maikowski Gemälde Ausschnitt
Excerpt from a painting by [Johannes Maikowski](https://www.parareligion.ch/hispeed/mai/mai04.html)
Online mit, von und über Johannes Maikowski:
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Instruktion für Autogenes Training â Ein Yoga-System für den Westen â Indigo (25:11, 6,76 MB).
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* Eine Auswahl der [Gemälde und Collagen](https://www.parareligion.ch/hispeed/mai/mai01.html) Maikowskis.
It seems evident that the paintings crafted by Johannes Maikowski, a former Grand Master of the Fraternitas Saturni, are essentially esoteric in essence and emanate from Maikowski's personal encounters with meditation and spiritual praxis. A handful of Maikowski's paintings are available, accompanied by succinct annotations of each.
As a whole, Maikowski's paintings are profoundly linked to his spiritual discipline and occult convictions. The depictions of the paintings offer some enlightenment into the subjects that held significance to him.
* [Autobiographie](https://www.parareligion.ch/hispeed/mai/mai.htm).
Traduction française : [Une Biographie](https://www.parareligion.ch/hispeed/mai/mai_fr.htm).
* [Katharer](https://www.parareligion.ch/2022/maikowski/katharer.htm).
Johannes Maikowski possessed a fervent interest not only in the Fraternitas Saturni, but also in the Cathar movement. He assimilated certain principles and tenets of the Cathars into his personal mystical doctrines, which included the dichotomy of luminosity and obscurity, the significance of sanctity, and the concept of a metaphysical conflict between virtue and malevolence. Perhaps there exist some parallels between the doctrines of the Fraternitas Saturni and the Cathars. Nonetheless, there is no indication that Maikowski directly integrated the teachings of the Cathars into the oeuvre of the Fraternitas Saturni.
Kontext:
* [Fraternitas Saturni](https://www.parareligion.ch/saturn.htm).
* [History](https://www.parareligion.ch/fs1.htm).
* [Beispiel einer Skandalisierung](https://www.parareligion.ch/2007/fs/saturnius.htm).
* [Gallery](https://www.parareligion.ch/grosche2.html).
* [Secrets](https://www.parareligion.ch/2009/secret/secrets.htm).
Bücher zum Kontext:
* [In Nomine Demiurgi Homunculi](https://www.parareligion.ch/2010/homunc/homunc.htm).
* [Der O.T.O. Phänomen RELOAD](https://www.parareligion.ch/2011/reload.htm).
* Andreas Huettl und Peter-R. Koenig: [Satan â Jünger, Jäger und Justiz](https://www.parareligion.ch/hispeed/start.html).
English: [Satan â Jünger, Jäger und Justiz](https://www.parareligion.ch/hispeed/english.html).
- [Reaktion](https://www.parareligion.ch/SATAN-FS-ritual.html).
[VideoâInterwiew](https://www.youtube.com/user/prkoenig/videos).
Maikowski a traduit plusieurs [articles en français](https://www.parareligion.ch/franz/expose-OTO-fr.htm) pour ce site web.
Eugen Grosche Gregor A Gregorius Fraternitas Saturni nicht auf christlichem Boden
[Collage]
[Nosferatu's Baby â Too Hot To Handle](https://www.parareligion.ch/fs2.htm).
[SaturnâGnosis](https://www.parareligion.ch/fs3.htm) â a portrait of the Fraternitas Saturni and its magical link to the Ordo Templi Orientis.
* Ceská verze: [SATURNSKÃ GNÃZE](https://www.parareligion.ch/FS-real.htm).
[Saturn's Art of Living and Loving](https://www.parareligion.ch/fs5.htm).
* Saturn: [Raumkunst, Lebenskunst, Liebeskunst](https://www.parareligion.ch/dplanet/html/fs5.htm) Kunst als Gedächtnis der Okkultur?
* Tradução portuguesa: [SaturnoâGnose: A Arte de Amar e Viver](https://www.parareligion.ch/sunrise/fs5_p.htm).
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Herman Joseph Metzger, a Swiss baker and former communist, was initiated in the O.T.O. by Alice Sprengel in Davos, Switzerland in 1943. Due to his visa for German territories under Allied occupation, Metzger became a messenger for multiple organizations, including the Order of the Illuminati and various Thelemite groups in Europe. After the death of Grosche in 1964, Metzger attempted to take over the Fraternitas Saturni and saw himself as the *"mother lodge"* for all organizations following the Law of Thelema.
[Felix Lazerus Pinkus](https://www.parareligion.ch/sunrise/pinkus.htm) founded the section "Psychische Forschung" of the Swiss Cultural Society and, in 1945, also established a "Psychosophische Gesellschaft" with the aim to *"communicate esoteric values and provide psychological help"*. In his esoteric group were notable figures such as [Karl Brodbeck](https://www.parareligion.ch/illumin.htm), Hans Rudolf Hilfiker, and many others. Soon, Pinkus' "Psychosophische Gesellschaft" evolved into the umbrella organization for [Hermann J. Metzger](https://www.parareligion.ch/sunrise/metzger.htm)'s compilation of Orders. Metzger regarded Pinkus as his spiritual father and Grandmaster of the O.T.O. in Switzerland.
[Thelema in Appenzell ?](https://www.parareligion.ch/sunrise/thelema.htm)
This article offers brief biographies of the individuals who aided Hermann Joseph Metzger in establishing his collection of both Thelemic and nonâThelemic orders in the Canton Appenzell of Switzerland. The persons involved include Annemarie Aeschbach, Anita Elisabeth Borgert, and Rosalie MetzgerâStrickler, who was Metzger's wife. The piece also includes interviews with Hansruedi Giger and Ulla von Bernus.
Additionally, the work of this Thelemic group is highlighted, which, during the 1950s, was the only organization in the world to publish books by Aleister Crowley and to have a functioning lodge. However, their public activities eventually drew the attention of the tabloid press, leading to a significant scandal, and the group was forced to withdraw completely from public view.
[The Psychosophical Publishing Company](https://www.parareligion.ch/sunrise/pg.htm).
The terms "Psychosophic" or "Psychosophical" have their origins in a lecture delivered by Rudolf Steiner in 1910, entitled 'Anthroposophy â Psychosophy â Pneumatosophy'. Hermann Joseph Metzger adopted the term "Psychosophie" to describe various undertakings, including his publishing enterprise, as well as an umbrella term for his collection of orders.
This article explores Metzger's associations with a number of notable figures, including Franz Bardon, Lanz Liebenfels, the Ordo Militiae Crucis Templi, Memphis Misraim, and the Argenteum Astrum. Additionally, the article delves into Metzger's views on Thelema.
The [Ordo Militiae Crucis Templi](https://www.parareligion.ch/omct.html) and Hermann Joseph Metzger.
Ordo Templi Orientis in Switzerland, Stein Appenzell, Order of Illuminati, Gnostic Catholic Church, Fraternitas Rosicruciana Antiqua
H.J. Metzger's [Manifesto 1963](https://www.parareligion.ch/metzger.htm) â With biographical notes on Karl Germer.
[Karl Germer](https://www.parareligion.ch/sunrise/germer.htm): Never the OHO of Crowley's O.T.O.
Karl Germer [about himself](https://www.parareligion.ch/dplanet/germer1.htm).
[Documents and photographies](https://www.parareligion.ch/1957.html) re: Karl and Sascha Germer.
Some of [Karl Germer's Personal Letters](https://www.parareligion.ch/Gpersonal.html).
[Sascha Germer's Diary](https://www.parareligion.ch/germer-ob.html) about Karl Germer's death.
[Legal dispute](https://www.parareligion.ch/dispute.html) after Karl Germer's death.
* [The Official Receiver](https://www.parareligion.ch/estate.html). Karl Johannes Germer, Louis Umfreville Wilkinson, John Symonds.
* [Karl Germer, Frieda Harris and the Official Receiver](https://www.parareligion.ch/2022/germer/germer-harris.htm).
Gnosis on Stage: [Friedrich Mellinger](https://www.parareligion.ch/melling.htm). With H.J. Metzger's Manifesto of 1963.
* ÐÐÐÐÐС ÐРСЦÐÐÐ â [ФРÐÐÐ ÐÐ¥ ÐÐÐÐÐÐÐÐÐ](https://www.parareligion.ch/sunrise/melling.htm).
[Karl Germer's correspondence with Friedrich Mellinger](https://www.parareligion.ch/dplanet/mell/mell.htm) about H.J. Metzger, Pinkus, Grosche and Traenker.
Friedrich Frederic Mellinger to Aleister Crowley
More [Documents](https://www.parareligion.ch/mellinger.html).
[Gabriel Montenegro's](https://www.parareligion.ch/dplanet/monte/monte.htm) correspondence with European Thelemites in the 1960s.
[Henry Birven](https://www.parareligion.ch/sunrise/birven.htm) â addicted to Crowley?
[Friedrich Lekve](https://www.parareligion.ch/sunrise/lekve.htm) â Dreamland Thelem Chassidim â Martha Kuentzel. With links to texts.
[C.H. Petersen](https://www.parareligion.ch/sunrise/petersen.htm) â Abramelin in the Abbey of Thelema.
* [Karl Germer to Carl Heinz Petersen](https://www.parareligion.ch/dplanet/pet.htm).
Keywords: Hermann Joseph Metzger, Henry Heinrich Birven, Theodor Reuss and Succession, Nazis, Martha Kuentzel, Friedrich Lekve, Heinrich Traenker.
[Carl William Hansen](https://www.parareligion.ch/sunrise/hansen.htm) â Denmark.
* Tradução portuguesa: [Carl Willian Hansen â Dinamarca](https://www.parareligion.ch/sunrise/hansen_p.htm).
Illuminati and Templars
[Illuminati and Templars](https://www.parareligion.ch/illumin.htm) â From Leopold Engel to Walter Englert, a 18° of the [Fraternitas Saturni](https://www.parareligion.ch/saturn.htm).
The term *Illuminati* refers to several historical secret societies that purportedly sought to promote enlightenment and knowledge. Today, the term is often used to refer to various alleged modernâday secret societies or conspiracies.
Around the turn of the century, Reuss and Leopold Engel attempted to revive the Order of Illuminati (OI), originally founded by Adam Weishaupt in the eighteenth century. However, their efforts were largely unsuccessful. Despite this, several groups affiliated with Engel persisted through both World Wars and eventually came under the presidency of Metzger in 1963. Metzger viewed the OI as a structure that could be utilized in his consolidation of various orders, including the Ordo Templi Orientis and the Fraternitas Rosicruciana Antiqua. He swiftly incorporated the Ecclesia Gnostica Catholica into the upper echelons of his OI.
[Paul Ruediger Audehm](https://www.parareligion.ch/audehm.html): Coâfounder of the New Illuminati in Frankfurt.
H.J. Metzger vs W. Englert: [Court Case](https://www.parareligion.ch/2007/englert.htm).
Karl Brodbeck: [Der Illuminatenorden](https://www.parareligion.ch/dplanet/html/brod.htm).
Texts by Leopold Engel:
* [Satzung des Illuminaten Ordens](https://www.parareligion.ch/2007/engel/satzung.htm).
* [Der Illuminatismus einst und jetzt](https://www.parareligion.ch/2007/engel/illuminatismus.htm).
Texts by Hermann Medinger:
* [Notes on Astral Traveling](https://www.parareligion.ch/2008/med.htm).
* [Rituals](https://www.parareligion.ch/2008/illrit.htm) of the Order of the Illuminati.
LAM XI° Ordo Templi Orientis
Material on and from the [Typhonian O.T.O.](https://www.parareligion.ch/staley.htm) â Keywords: Kenneth Grant, ShaitanâAiwass, New Isis Lodge, Michael Staley, Starfire, LAM, Maat and the New Aeon, Maggie Ingalls, Nema, Linda Falorio.
Kenneth Grant, who was Crowley's secretary, has rejected the Masonic structure of the CrowleyâO.T.O. Crowley spoke highly of Grant, stating in his diary in March 1946 that *"there must be a trained man to take care of the English O.T.O."* in case he were to die or go to the United States. Unlike other versions of the O.T.O., the Typhonian Order does not have group rituals or ceremonies of initiation at any stage of the degree structure. Instead, initiation is based on the individual's direct magical and mystical workings. As a result, all initiations are effectively selfâinitiations.
Documents: [Karl Germer to Kenneth Grant](https://www.parareligion.ch/grant.html).
Eugen Grosches Eindeutschung von Kenneth Grants [O.T.O.âManifest von 1955](https://www.parareligion.ch/dplanet/html/manifest.htm).
Kenneth Grant and the [Plan 93 From Outer Space](https://www.parareligion.ch/lam.htm).
* Tradução portuguesa: [Plano 93 do Espaço Exterior](https://www.parareligion.ch/2013/lam93_port.htm).
[Behind the T.O.T.O.](https://www.parareligion.ch/k_grant.htm)
[History of a Fake](https://www.parareligion.ch/doc.htm). Aleister Crowley appointing Kenneth Grant as his *successor as Outer Head of the Order of the Templi Orientis* in 1947?
Aleister Crowley Baphomet Wax Seal
Charles Manson and the [Solar Lodge of the O.T.O.](https://www.parareligion.ch/sunrise/manson.htm) â Reports by witnesses and the FBI.
History of the 'Caliphate': [Mysteria Mystica Maxima](https://www.parareligion.ch/white.htm). A Song of the Whitewash.
Four letters from Gerald Yorke.
Keywords: Charles S. Jones, Grady Louis McMurtry, H. Spencer Lewis, Heinrich Traenker, Hermann Joseph Metzger, Jerry Kaye, John Symonds, Karl Germer, Kenneth Anger, Kenneth Grant, Thoth Tarot Teck.
- [Gerald Yorke to Karl Germer](https://www.parareligion.ch/dplanet/yorke1.htm).
- [Gerald Yorke to Reuben Swinburne Clymer](https://www.parareligion.ch/dplanet/yorke2.htm).
- [Gerald Yorke to Grady Louis McMurtry](https://www.parareligion.ch/2022/yorke-mcmurtry.htm).
- [Gerald Yorke to Helen Parsons-Smith](https://www.parareligion.ch/2022/yorke-smith.htm).
About Jack Parsons in Nikolas and Zeena Schreck: [Demons of the Flesh](https://www.parareligion.ch/schreck.htm).
In 1946, Crowley referred to his student Grady McMurtry as 'Caliph' in a few letters sent from England to California. This title was not used in any O.T.O. context or in the writings of Reuss or Crowley, and was simply based on the postal abbreviation for California at the time, "Calif". Over two decades after Crowley's death, McMurtry interpreted this title as making him the Outer Head of the Order (OHO) and Patriarch of Crowley's church. However, McMurtry's resulting 'Caliphate' O.T.O. group did not receive any valid ecclesiastical or O.T.O. succession. In 1987, the group rewrote its constitution after McMurtry's death. Under the current leadership of William Breeze, the 'Caliphate' has taken steps towards institutionalization, registering and incorporating both the US Grand Lodge and O.T.O. International to obtain special taxâexempt status in the United States as a nonâprofit religious organization.
News about the ['Caliphate'](https://www.parareligion.ch/megafile.htm), a firm or club from 1977 and its version of the instrument of ["apostolic succession"](https://www.parareligion.ch/sunrise/anot.htm).
[All we want is a 'Caliph'](https://www.parareligion.ch/minutes/minutes.htm): 'Minutes of the Special Ninth Degree Caliphate Election' Held September 20/21, 1985.
William Breeze Hymenaeus Beta Frater Superior OTO
Some [Spicy Smacks](https://www.parareligion.ch/2009/ru/unicode.htm) in Russia.
["Ljuben je zakon" or "ljubav pod voljom"?](https://www.parareligion.ch/sunrise/naskov.htm) â The O.T.O. in exâ'Yugoslavia'. An example of member activities.
[Moosebump](https://www.parareligion.ch/moose/intro.htm): the 'Caliphate' in Canada.
[The O.T.O.âFoundation](https://www.parareligion.ch/dplanet/inquisition/intro.htm): A new F.S. begets a new O.T.O. â Censorship and Inquisition.
[National Grandmasters and OHOs of the O.T.O.](https://www.parareligion.ch/sunrise/spartacu.htm)
[Oscar R. Schlag](https://www.parareligion.ch/sunrise/schlag1.htm): selfâstyled *last grey eminence*. Jane Wolfe, Marcelo Ramos Motta, Choronzon, Karl Germer, H.J. Metzger.
Marcelo Ramos Motta, Oscar Oskar Schlag, Peter-Robert Koenig
Dedication from Marcelo Ramos Motta to Oscar Schlag.
+ Schlag's short letter to P.R. Koenig.
[From: ['Ein Leben Für Die Rose'](https://www.parareligion.ch/dplanet/html/rose.htm)]
Society Ordo Templi Orientis Marcelo Ramos Motta
S.O.T.O. Marcelo Ramos Motta
After Karl Germer passed away in 1962, a number of individuals sought to assume sole leadership of Germer's CrowleyâO.T.O. According to Germer's will, the ultimate decision rested with his widow and Friedrich Mellinger. Sascha Germer initially favored Brazilian Marcelo Ramos Motta (1931â1987) of the F.R.A., but eventually determined that Swiss national H.J. Metzger had been her husband's preferred candidate. Subsequently, the competing claims of Grady Louis McMurty and Motta for leadership of the O.T.O. were resolved through legal proceedings.
P.R. Koenig: [Uma O.T.O. no Brasil](https://www.parareligion.ch/sunrise/brazil.htm).
Euclydes Lacerda de Almeida - Marcelo Ramos Motta - Kenneth Grant: [Documentos](https://www.parareligion.ch/lacerda.html) 1966-1997.
Euclydes Lacerda de Almeida: [Marcelo Ramos Motta](https://www.parareligion.ch/sunrise/motta.htm) â Um Enigma.
Euclydes Lacerda de Almeida: [Emails](https://www.parareligion.ch/dplanet/collect/ok2.htm) to P.R. Koenig.
Marcelo A.C. Santos: [A Verdadeira História do "Califado" no Brasil](https://www.parareligion.ch/sunrise/santos.htm).
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Marcelo Ramos Motta speaks about the O.T.O. rituals, about the A.·. A.·. and Kenneth Grant; in Portuguese, approx. 1973 (circa 620 KB).
* [Marcelo Motta palavras com Euclydes Lacerda de Almeida](https://www.parareligion.ch/2013/mottat_port.htm), 18 de dezembro de 1973.
* [Translation of Marcelo Motta's tape to Euclydes Lacerda](https://www.parareligion.ch/sunrise/mottat.htm), dated 1973.
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Marcelo Ramos Motta: [Ritual de Iniciação do Grau I](https://www.parareligion.ch/sunrise/mottai.htm) O.T.O.
Marcelo R. Motta: [Carta A Um Maçon](https://www.parareligion.ch/dplanet/motta/moma1.htm).
- Marcelo R. Motta: [Lettre à un maçon brãsilien](https://www.parareligion.ch/franz/motta-lettre.htm).
- Marcelo R. Motta: [Letter to a Brazilian Mason UNEXPURGATED](https://www.parareligion.ch/dplanet/motta/moma2.htm).
[Bibliographic Note and Addendum](https://www.parareligion.ch/dplanet/motta2.htm) to "Letter to a Brazilian Mason by Marcelo Ramos Motta".
[Marcelo Ramos Motta to Karl Germer](https://www.parareligion.ch/sunrise/motta1.htm), July 2, 1954.
Marcelo Ramos Motta about [Paulo Coelho](https://www.parareligion.ch/2008/brasil/coelho.htm) and others.
Marcelo Ramos Motta: [The Development of a Secret Society in America in the Years 1957-2000](https://www.parareligion.ch/2010/motta1957.htm).
Claudia Canuto de Menezes: [Conheci Marcelo Ramos Motta nos idos anos 70](https://www.parareligion.ch/sunrise/s1.htm).
- Claudia Canuto de Menezes: [I met Marcelo Ramos Motta in the 70âs](https://www.parareligion.ch/sunrise/s2.htm).

[Palace of Secretes](https://www.parareligion.ch/sunrise/xi.htm) â Anal Intercourse and the O.T.O. â the XIth degree.
The focus of this article is on the XI° of the O.T.O., which is also called the Palace of Secrets. The article offers a historical perspective on the XI°, tracing its origins and tracing its evolution over time. This historical account features several notable figures, including Aleister Crowley, Victor B. Neuburg, William C. Conway, Roland Merritt Shreves, Cecil Frederic Russell (and his Choronzon Club, which remains active to this day), and Louis T. Culling. Additionally, William Wallace Webb, who cultivated his Ordo Argenteum and the QBL Alchemist Church, deserves mention. Michael Paul Bertiaux contributed an AIDS table in the context of the XI°. Notable names in the history of the XI° are also discussed, including MarcâAntoine Lullyanov, Llee Heflin (who contributed to the development of the current CrowleyâTarotâset), Patrick King (with his Rites of Shiraz and Mitylene), James Graeb, and William Breeze. Furthermore, the article examines the evolving perspectives of the 'Caliphate' towards the XI° over time. Lastly, Marcelo Ramos Motta's and Hermann Joseph Metzger's distinctive viewpoints on these matters are also discussed.
* XI°: [ЧеÑез ÐадниÑÑ Ðº Ðвезде](https://www.parareligion.ch/sunrise/xi_ru.htm)
[Patrick King](https://www.parareligion.ch/king2.html) â Herald of the 'Caliph' and early XI° of the 'Caliphate'.


Lignée malabare: René Vilatte, Jules Doinel, Theodor Reuss, E.C.H. Peithmann, Arnoldo KrummâHeller, Herbert Fritsche, Hermann Joseph Metzger.
The French Gnostic Churches, like many other organizations, experienced numerous divisions since their establishment in 1890. They aimed to follow the traditional path of apostolic succession in their ecclesiastical practices, but neither Reuss nor Crowley were ever properly consecrated. In 1920, Reuss attempted to make Crowley's 'Gnostic Mass' the official religion for Freemasons. However, Crowley's claim to leadership of the O.T.O. was only used once to appoint William Bernard Crow, an English Theosophist, as head of Crowley's Gnostic Church and MemphisâMisraim in 1944. Notably, the position of the "Outer Head of the Order" (OHO) within the O.T.O. constitution was not connected with leadership of any church.
Hermann Joseph Metzger was able to receive a valid consecration because he was part of the line of succession established by KrummâHeller, which held French apostolic succession.
[Stranded Bishops](https://www.parareligion.ch/bishops.htm) â Gnostic Churches in the kitchen.
* Traduction français: [Les Ãvêques Errants](https://www.parareligion.ch/franz/bishops-franz.htm).
Siehe auch die deutsche Seite [Ecclesia Gnostica Catholica](https://www.parareligion.ch/dplanet/html/gkk.htm).
Ernst Tristan Kurtzahn, Mitglied von Reuss' O.T.O.: [Die Gnostiker und die Unsichtbare Kirche](https://www.parareligion.ch/2007/kurtz.htm) [1925].
* English translation: [The Gnostics](https://www.parareligion.ch/2016/e.t.kurtzahn.htm). â About the Gnostic Catholic Church, Androgyn + Gynandria, E.C.H. Peithmann, Peryt Shou, and the *immissio membri virilis in vaginam* in avoidance of the *ejaculatio seminis*.
Aleister Crowley appointing [W.B. Crow](https://www.parareligion.ch/crow.htm) Patriarch of the thelemic Gnostic Catholic Church.
William Bernard Crow: OHO of the O.T.O., Grand Administrator General of Memphis and Mizraim and Patriarch of the Gnostic Catholic Church: [The Ancient and Universal Rite of Cosmic Architecture](https://www.parareligion.ch/sunrise/wbcrow.htm).
Stephan Hoeller: [Position Paper Concerning the Thelemite or Crowleyan Gnostic Churches](https://www.parareligion.ch/hoeller.htm).
This position paper concerns the significance of maintaining magical succession without causing divisions and disputes. It emphasizes the importance of conducting consecrations with valid and appropriate intentions, and clarifies that *one Mass no Church doth make*.
[William Wallace Webb](https://www.parareligion.ch/webb.html). Frater Damon, Hermetic Alchemical Order of the QBLH, Philosophic Gnostic Hermetic Society, Qabalistic Alchemist Church, Ordo Argenteum Astrum.


In 1921, the Ordo Templi Orientis Antiqua (O.T.O.A.), which was said to have split from a French O.T.O. line, grew to have sixteen degrees. It eventually absorbed several Gnostic successions, a MemphisâMisraim line, episcopal consecrations, and an Eleventh Degree. The organization is currently focused on magic, particularly sexual magic, and is strongly influenced by American Michael Paul Bertiaux, a former Theosophist associated with Henry Smith's spiritualist movement. The group's practices operate entirely on a magical level, and Kenneth Grant also took some inspiration from Bertiaux.
History of the O.T.O.A.: [Inflation of Gnosis](https://www.parareligion.ch/sunrise/otoa.htm) â Ordo Templi Orientis Antiqua, Michael Bertiaux, Manuel Lamparter, La Couleuvre Noire, Monastery of the Seven Rays, Choronzon Club.
How William Breeze lost an [Apostolic Succession](https://www.parareligion.ch/2006/boast/boast.htm).
[My Own O.T.O.A.](https://www.parareligion.ch/2006/otoa/otoa.htm)
[Selling out O.T.O. groups in Italy](https://www.parareligion.ch/sunrise/italy.htm).

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Baphomet Goat of Mendes Aiwass Aiwaz Sheitan
I want to become a member of Ordo Templi Orientis, How to join O.T.O.
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[Collections of ReâCollections](https://www.parareligion.ch/dplanet/collect/collect.htm).
"Why they became a member of the O.T.O. or not" is a small collection of emails that I have received since the inception of my research on the O.T.O. Phenomenon in 1985. This compilation includes a selection of emails that were sent to me between 1996 and 2000, as well as similar reports.
The emails offer insights into the motivations that lead individuals to join or refrain from joining the O.T.O. They provide a contribution to the understanding of this organization and its appeal to different individuals.
Overall, this collection sheds light on the complex and multifaceted reasons that drive people to become involved in the O.T.O., or not.
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An objective researcher will benefit from [these Court conclusions](https://www.parareligion.ch/sunrise/justice.htm)
Grady Louis McMurtry â Ordo Templi Orientis â Caliphate
The American Ordo Templi Orientis, 'Caliphate,' with Grady Louis McMurtry,
1985, in front of a court building.
The Maine Decision, the California decision, The New Court of Last Resort Contents, Austrian rulings on Copyrights, German rulings on Copyrights, the International Copyright Situation, X versus the 'Caliphate', Anthony Naylor, Phaenomen Verlag, Starfire Ltd, PeterâRobert Koenig ...
Holy Monkey
[Selection of Comments](https://www.parareligion.ch/sunrise/review.htm) â Joscelyn Godwin, Ellic Howe, Albrecht Goetz von Olenhusen, H.T. Hakl, Wolfram Frietsch, Thomas Lueckewerth, Otto Buchinger, John Patrick Deveney, Oscar/Oskar R. Schlag, Erik Davis, Richard Metzger, Jean-François Mayer, Michael D. Eschner, Bill Heidrick, William Breeze, Christian Bouchet, Kenneth Anger, Ben Fernee, Michael Staley, Michael Aquino, G.M. Kelly aka Martin, Jerry Cornelius, James Graeb, Richard T. Cole, George Elliott, Genesis P-Orridge, Gion Cavelty, Bradford Verter, Angela / Angie Bowie, Christopher Hyatt, Ingo Heinemann, Manfred Ach, Dominik Tischleder, Harald Szeemann, Phyllis Seckler, Helen Parsons Smith, Gerald Suster, Timothy d'Arch Smith, Mark Parry-Maddocks, Johannes Maikowski, Daniela Siepe, ChatGPT, Boris Polonski, Colin Wilson and others.
Christian Bouchet, Thelema, Bulletin de l'O.T.O. en France, VIII;26, Château Thébaud, 1991
["Thélèma, Bulletin du Mouvement de Thélème en France (Ordo Templi Orientis et Astrum Argentinum)", VIII;26, Château Thébaud, 1991]
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1917 Theodor Reuss O.T.O. Constitution
[MP3 / YouTube recordings](https://www.parareligion.ch/sunrise/ram.htm):
The voices of Marcelo Ramos Motta, Oscar Schlag, W.W. Webb, Michael P. Bertiaux, Annemarie Aeschbach (the female successor of OHO H.J. Metzger in Switzerland), and a grandson of Carl Kellner who remembers his grandfather.
[Photographs and Documents](https://www.parareligion.ch/sunrise/pics.htm):
More than 100 photographs and documents featuring Carl Kellner, Theodor Reuss, Arnoldo Krumm-Heller, Marcelo R. Motta, Oscar Schlag, charters, letters, manuscripts, and more.
**[What's New?](https://www.parareligion.ch/sunrise/whatsnew.htm)**
New items posted to the O.T.O. Phenomenon website, updates and corrections [starting in March 2000].
[Le Phénomène Ordo Templi Orientis](https://www.parareligion.ch/franz/expose-OTO-fr.htm). Exposé en français. |
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Eating at the McKoenig: Enjoy [The McKoenig Menu 2006](https://www.parareligion.ch/2008/fun/fun.htm).
2008: [Honesty is the best Policy](https://www.parareligion.ch/2008/honesty/honesty.htm): How the 'Caliphate' O.T.O. and William Breeze lost in a legal case.
* Deutsche Version: [Ehrlich währt am Längsten](https://www.parareligion.ch/2008/honesty/ehrlich.htm): Warum der O.T.O. gegen PeterâR. Koenig verlor.
[David Bowie and the Occult](https://www.parareligion.ch/bowie.htm) [Version 2023].
* [Gnosis als Hype](https://www.parareligion.ch/bowie_ger.htm). Short German variation with outlines of an interview with Angie Bowie. First published in DU, November 2003.
These articles explore Bowie's spiritual inclinations and how they influenced his music, performances, and lifestyle choices. His fascination with both Western and Eastern religions, as well as the occult, along with his use of masks and transformations, shaped his artistic expression. The analyses delve into how Bowie's exploration of these themes is reflected in his crafted lyrics and manufactured overall presentation.
Steele Savage: [David Bowie â Outside, Aleister Crowley, And the Holy Grail](https://www.parareligion.ch/2010/bowiegrail.htm).
* Traduction française : Steele Savage : [David Bowie â Outside, Aleister Crowley et le Saint Graal](https://www.parareligion.ch/franz/bowiegrail-fr.htm).
Juenger Jaeger Justiz
Fraternitas Saturni, Walter Englert, Ordo Templi Orientis, Ordo Illuminatorum, Weltbund der Illuminaten
Andreas Huettl und PeterâR. König: ["Satan â Jünger, Jäger und Justiz"](https://www.parareligion.ch/hispeed/start.html).
Texts by Marco Pasi:
* [Lo Yoga in Aleister Crowley](https://www.parareligion.ch/sunrise/pasi/pasi.htm).
* [Aleister Crowley und die Versuchung der Politik](https://www.parareligion.ch/sunrise/pasi/politik.htm).
Claas Hoffmann:
* [Projektive synthetische Geometrie](https://www.parareligion.ch/sunrise/olive.htm) in Lady Frieda Harris Tarotgemälden und in Crowleys Buch des Gesetzes.
* English version: [Projective Synthetic Geometry in Lady Frieda Harris' Tarot Paintings and in Aleister Crowley's *Book of the Law*.](https://www.parareligion.ch/dplanet/stephen/claas/olive_e.html)
Collage: Eugen Grosche (Gregor A Gregorius) Grandmaster of the Fraternitas Saturni - and Salome with the Head of St John the Baptist. Transgender, Spermo-Gnose and Sexmagick. Original by: Lucas The Elder Cranach. At: Bob Jones University Collection, Greenville, SC, USA
Rafal T. Prinke:
* Deutsche Version: [Polnischer Satanismus und Sexualmagie](https://www.parareligion.ch/2008/czynski/punar.htm).
* English version: [Polish Satanism and Sexmagic](https://www.parareligion.ch/2008/czynski/bhava.htm).
* [ÐолÑÑкий ÑаÑанизм и ÑекÑÑалÑÐ½Ð°Ñ Ð¼Ð°Ð³Ð¸Ñ](https://www.parareligion.ch/2019/bhava-ru.htm).
Zbigniew Lagosz: [NA OBRZEZACH RELIGII I FILOZOFII CZESLAW CZYNSKI](https://www.parareligion.ch/2009/lagosz.htm).
What is the A.·.A.·.? Is it an official organization in the mundane world? There have been attempts to control the Argenteum Astrum, and certain individuals claim links to it, such as in the continuum of all XI° variations. Can we identify independent lineages of the A.·. A.·.? Here is a lineage that is seldom mentioned: that of
[Charles Waldemar](https://www.parareligion.ch/2020/waldemar/waldemar.html).
Charles Waldemar Magie der Geschlechter Eine neue Sittengeschichte Munich München 1958 Dämonie der Erotik eine Psychopathologie der Frau Wiesbaden 1967
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| GermanâEnglish books onâline |
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[Der Kleine Theodor Reuss Reader](https://www.parareligion.ch/books/reader.htm) (statutes, the Oriflamme, rituals and sexmagical writings) â German original version.
[Das O.T.O.âPhänomen](https://www.parareligion.ch/books/oto.htm) (the complete History of the O.T.O. groups).
* The complete English online version of this book: [The O.T.O. Phenomenon](https://www.parareligion.ch/sunrise/phenomen.htm).
[Ein Leben Für Die Rose](https://www.parareligion.ch/books/rose.htm) (This text offers a biography of Arnoldo Krumm-Heller, accompanied by an analysis of the sex magic practices of Reuss, Crowley, and Krumm-Heller. It also provides insights into the belief system of the Fraternitas Saturni.).
[ABRAMELIN & Co.](https://www.parareligion.ch/books/abrameli.htm)
(This book is an analysis of Holy Guardian Angels, other UFOs, and their relation to the concept of Thelema and the Argenteum Astrum (Silver Star) as personified in Aleister Crowley. Additionally, the book explores Crowley's sex magic / [coprophagy and algolagnia](https://www.parareligion.ch/early.htm).)
* Selections of this book have been translated into English: Part One and Two of [Smoke Gets In Your Aiwass](https://www.parareligion.ch/aiwass1.htm).
Ein dritter, deutscher Teil ist der Buchversion vorbehalten.
Der O.T.O. Phaenomen RELOAD â Peter-Robert Koenig
**Print:** [Der O.T.O. Phänomen RELOAD](https://www.parareligion.ch/2011/reload.htm).
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Address to buy some
[books about the O.T.O. Phenomenon](https://www.parareligion.ch/list.htm):
**A.R.W.**
Manfred Ach
GuntaâStölzlâStr. 9
D â 80807 München
Deutschland / Germany
[Online ordering via email](mailto:[email protected])
The majority of these books are no longer available for purchase.
The O.T.O. Secret |
See them
[Scattered On The Floor](https://www.parareligion.ch/2012/2.flv) while
[Browsing Through The Rituals](https://www.parareligion.ch/2012/1.flv)
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[Le Phénomène Ordo Templi Orientis](https://www.parareligion.ch/franz/expose-OTO-fr.htm). Exposé en français.
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| Reuss' Memphis Misraim Emblem
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What's New ?
Introduction
The early years of the O.T.O.
Carl Kellner
Memphis Misraim
O.T.O. Rituals
Fraternitas Saturni
Typhonian O.T.O.
Ecclesia Gnostica Catholica
The 'Caliphate'
Fraternitas Rosicruciana Antiqua
David Bowie
Charles Manson
Pictures + Documents
Anal Intercourse and the O.T.O.
Voices of the O.T.O.
Books on O.T.O.
| one of Reuss' O.T.O. seals|
**Java applet [navigation page](https://www.parareligion.ch/hallo.htm)**
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O.T.O. and the Holy Ghost
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[Nein, Von Diesem Lichte Ess Ich Nicht !](https://www.parareligion.ch/dplanet/html/lichte.htm)
In diesem Interview werden verschiedene Aspekte meiner ethnologischen Feldforschung im Kontext des Okkultismus behandelt. Ein zentrales Thema, das betont wird, ist die Entfremdung und Ausgrenzung innerhalb der Gesellschaft. Es wird diskutiert, wie verschiedene Diskurse wie Popkultur, Wissenschaft und Esoterik sich gegenseitig beeinflussen. Ich verwende die Figur des Alien als Beispiel für Codierungen und Ausgrenzungsgeschichten im Okkultismus. Dabei wird deutlich gemacht, dass die Erforschung der Beziehungen zwischen Ich und Anderem grundlegende Fragen aufwirft.
Weitere Stichworte: Biographie, Cefalù, Postmoderne, Cover Art.
[No, I Shan't Eat This Light !](https://www.parareligion.ch/sunrise/light.htm)
This interview explores various aspects of my ethnological field research within the context of occultism. Emphasized as a central theme is the phenomenon of alienation and exclusion within society. The interplay between different discourses such as popular culture, science, and esotericism is discussed, highlighting their mutual influence. I employ the figure of the alien as an exemplification of coded narratives and exclusionary stories within occultism, revealing that the exploration of the relationships between the self and the other raises fundamental questions.
Additional keywords: Biography, Cefalù, Postmodernism, Cover Art.
My intent is to piece together parts of the O.T.O. phenomenon like a puzzle. If you have any annotations, corrections, suggestions, or complaints, please do not hesitate to contact me: **[mail](mailto:[email protected]?subject=O.T.O.-Phenomenon)**.
[Rechtlicher Hinweis](https://www.parareligion.ch/recht.htm).
© [PeterâRobert Koenig](https://www.parareligion.ch/sunrise/self.htm) onâline since April 1996.
Avoid the fate of Gregor Samsa â regular visits to this
site will keep unsightly metamorphoses at bay.
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<h1>What can 10kB do?</h1>
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<h2><a href="https://www.furaffinity.net/full/20767548/">Voided</a></h2>
<p><strong>Note:</strong> having said my piece with the past fifty updates, Iâve earned myself a break. My pride and joy is now <a href="https://kratzen.neocities.org">Kratzen</a>, the only magazine that covers indie games as they come out. Thereâs no need to wait on me; Iâm focusing all my efforts on Kratzen. But for all the beauty I made with this site? It will not die. But I am taking a break from it; expect an announcement when it comes back.</p>
<p>Reader: I cannot tell you what to do. I cannot tell you how to feel. But I have to make a recommendation. If youâre going to view one artist this week, you cannot do any better than <a href="artists/z.html#zenirix">Zenirix</a>. Everything she makes is that spotâââon onceâââaâââyear blend of technical skill and unfiltered sincerity that viewing any of her works makes me want to know how it was made, the background behind it, and as much as I can about the artist who did.</p>
<p>There are very few digital artists who I can look at and feel the same excitement for their work as I did the very first time. It is the nature of art to be temporary, a product of their time, and to be a fragment of the culture that created it. We curators <em>constantly</em> seek out fresh blood to make sure that our tastes never grow stale, that our art collections are never dull, and to make sure that we never fall out of love of this silly little pasttime we chose to be obsessed with.</p>
<p>I cannot force your hand on anything. I canât make you see how I see; this art gallery is a testament to my tastes and my tastes along. There are many artists who I like â even love a little. <a href="artists/g.html#goshaag">Goshaag</a>, <a href="artists/s.html#shanefrost">Shane Frost</a>, and <a href="artists/t.html#trout">Trout</a> are but three Iâve featured, and are three that I list among my excellent inspirations. But Zenirix is one of my absolute favourite artists, and I have been struggling as to why in the world that is.</p>
<p>I donât do mob mentality. I donât follow what other people follow, for there is too much on this Earth to do what the rest do. Zenirix isnât a traditionally popular artist; how did I even find her? Oh, yeah. <a href="http://zennyart.tumblr.com/post/149767208021/commissionâââforâââaquablackâââfeatâââmyâââcharacter">This pic</a>. I feel shame in looking at it â I just know I will find flaws in it. But to lie in a field and listen to a friend pour her heart out, with casual capes and chokers and eyes like jewels with shades like silk, is beauty. Iâve <a href="gallery/0033.html">defined beauty</a> before. It applies here.
<p>I would like to make more definitions so that I may make sense of more of her work, because there are reasons why I admire it so, and I have yet to see those reasons come to light. I fear though, at the same time I <em>know</em> though, I will grow older and no longer admire her. It has happened with many artists. My tastes grow. My experience in art, expands. And as the culture changes, so too do I, and I feel that I will never understand why I liked what I did in the past for favour of trying to understand why I do now. Is this why I made this gallery? To make some sense out of what I like? Or is it to help <em>you</em> make sense out of <em>your</em> tastes?</p>
<p>Iâm sorry. I canât talk at length about her pieces. I will say this isnât her best â and trust me for I have seen it. I will say that there are many privileges I have that I do not want to give up, and are among other reasons I still keep in touch with this gallery <em>as well as</em> <a href="https://kratzen.neocities.org">Kratzen</a>. One: the privilege to share work despite copyright. Two: the privilege to live to see the arts flourish. Three: the privilege to earn the skill to express why I like what I like. As I earn them, I will die happy.</p>
<p class="center"><b>Date:</b> 2017âââ04âââ03. <b>Size:</b> 4,519 bytes. <b>Colours:</b> 4.</p>
<p class="center"><b>Upscaled Dimensions:</b> 507Ã636. <b>Original Dimensions:</b> 169Ã212.</p>
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10kB Gallery
# What can 10kB do?

## [Voided](https://www.furaffinity.net/full/20767548/)
**Note:** having said my piece with the past fifty updates, Iâve earned myself a break. My pride and joy is now [Kratzen](https://kratzen.neocities.org), the only magazine that covers indie games as they come out. Thereâs no need to wait on me; Iâm focusing all my efforts on Kratzen. But for all the beauty I made with this site? It will not die. But I am taking a break from it; expect an announcement when it comes back.
Reader: I cannot tell you what to do. I cannot tell you how to feel. But I have to make a recommendation. If youâre going to view one artist this week, you cannot do any better than [Zenirix](artists/z.html#zenirix). Everything she makes is that spotâââon onceâââaâââyear blend of technical skill and unfiltered sincerity that viewing any of her works makes me want to know how it was made, the background behind it, and as much as I can about the artist who did.
There are very few digital artists who I can look at and feel the same excitement for their work as I did the very first time. It is the nature of art to be temporary, a product of their time, and to be a fragment of the culture that created it. We curators *constantly* seek out fresh blood to make sure that our tastes never grow stale, that our art collections are never dull, and to make sure that we never fall out of love of this silly little pasttime we chose to be obsessed with.
I cannot force your hand on anything. I canât make you see how I see; this art gallery is a testament to my tastes and my tastes along. There are many artists who I like â even love a little. [Goshaag](artists/g.html#goshaag), [Shane Frost](artists/s.html#shanefrost), and [Trout](artists/t.html#trout) are but three Iâve featured, and are three that I list among my excellent inspirations. But Zenirix is one of my absolute favourite artists, and I have been struggling as to why in the world that is.
I donât do mob mentality. I donât follow what other people follow, for there is too much on this Earth to do what the rest do. Zenirix isnât a traditionally popular artist; how did I even find her? Oh, yeah. [This pic](http://zennyart.tumblr.com/post/149767208021/commissionâââforâââaquablackâââfeatâââmyâââcharacter). I feel shame in looking at it â I just know I will find flaws in it. But to lie in a field and listen to a friend pour her heart out, with casual capes and chokers and eyes like jewels with shades like silk, is beauty. Iâve [defined beauty](gallery/0033.html) before. It applies here.
I would like to make more definitions so that I may make sense of more of her work, because there are reasons why I admire it so, and I have yet to see those reasons come to light. I fear though, at the same time I *know* though, I will grow older and no longer admire her. It has happened with many artists. My tastes grow. My experience in art, expands. And as the culture changes, so too do I, and I feel that I will never understand why I liked what I did in the past for favour of trying to understand why I do now. Is this why I made this gallery? To make some sense out of what I like? Or is it to help *you* make sense out of *your* tastes?
Iâm sorry. I canât talk at length about her pieces. I will say this isnât her best â and trust me for I have seen it. I will say that there are many privileges I have that I do not want to give up, and are among other reasons I still keep in touch with this gallery *as well as* [Kratzen](https://kratzen.neocities.org). One: the privilege to share work despite copyright. Two: the privilege to live to see the arts flourish. Three: the privilege to earn the skill to express why I like what I like. As I earn them, I will die happy.
**Date:** 2017âââ04âââ03. **Size:** 4,519 bytes. **Colours:** 4.
**Upscaled Dimensions:** 507Ã636. **Original Dimensions:** 169Ã212.
## Our flag:

Save this 88Ã32 for your website!
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<b>March 2017</b></font>
<br><a href="tempt/index.html">Tempt One</a>
<br><a href="apashe/index.html">Apashe</a>
<br><a href="relmsd/index.html">Relm</a>
<br><a href="trains/2016trains/trains_384.html">Trains 384-387</a>
<br><a href="colorask/index.html">Color.ASK</a>
<br><a href="grint/index.html">Grint</a>
<br><a href="korb/index.html">Korb</a>
<br><a href="mrko/index.html">MRKO</a>
<br><a href="mynas/index.html">Mynas</a>
<br><a href="4sakn/index.html">4sakn</a>
<br><a href="farbt/index.html">FarbTourette</a>
<br><a href="cas/index.html">CAS Crew</a>
<br><a href="ic/index.html">IC</a>
<br><a href="chemis/chemis_4.html">Chemis</a>
<br><a href="sinek/sinek_2.html">Sinek</a>
<br><a href="jade93/jade93_2.html">Jade93</a>
<br><a href="cabe/cabe_8.html">Cabe</a>
<br><a href="mein/mein_4.html">Mein</a>
<br><a href="mibsy/mibsy_2.html">Mibsy</a>
<br><a href="sket185/sket185_18.html">Sket185</a>
<br><a href="violent/violent_2.html">Violent</a>
<br><a href="wany/wany_16.html">Wany</a>
<br><a href="korea/korea_21.html">Korea 21-23</a>
<br><a href="byline/buford_2017_03.html">Byline: Fugitive Intention</a>
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[USA](index/usa.html)
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**March 2017**
[Tempt One](tempt/index.html)
[Apashe](apashe/index.html)
[Relm](relmsd/index.html)
[Trains 384-387](trains/2016trains/trains_384.html)
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[Korb](korb/index.html)
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[Mynas](mynas/index.html)
[4sakn](4sakn/index.html)
[FarbTourette](farbt/index.html)
[CAS Crew](cas/index.html)
[IC](ic/index.html)
[Chemis](chemis/chemis_4.html)
[Sinek](sinek/sinek_2.html)
[Jade93](jade93/jade93_2.html)
[Cabe](cabe/cabe_8.html)
[Mein](mein/mein_4.html)
[Mibsy](mibsy/mibsy_2.html)
[Sket185](sket185/sket185_18.html)
[Violent](violent/violent_2.html)
[Wany](wany/wany_16.html)
[Korea 21-23](korea/korea_21.html)
[Byline: Fugitive Intention](byline/buford_2017_03.html)
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<b>Join me in saying F-YOU to my tastebuds.</b></blockquote><br />
<a name="000041"></a>
<h3 class="title">Steve, Don't Eat It! Vol. 1</h3>
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<center>
<p><img src="http://www.thesneeze.com/art/loose_art/sdei.gif"></p>
<hr width="200">
<hr width="200"></center>
<p><img src="http://www.thesneeze.com/art/potted_meat/potted.jpg"></p>
<p><b>Potted Meat Food Product</b></p>
<p>There aren't too many products that feel the need to reassure you that they are, in fact, "<b>food</b>." Already not a good sign.</p>
<p>The list of ingredients is long and horrifying, coming right out of the gate with "<b>MECHANICALLY SEPARATED CHICKEN.</b>" Oddly enough, I'm about to be separated from my lunch, and I haven't even opened the can yet.</p>
<p>Other ingredients include <b>BEEF TRIPE</b>, <b>BEEF HEARTS</b>, AND "<b>PARTIALLY DE-FATTED COOKED PORK FATTY TISSUE</b>" How does one de-fat fat? Bizarre. God knows what else is in here.</p>
<p>Okay, I'm going to go try it now. If i'm not back in ten minutes, call Poison Control...<center></p>
<p><img border="0" hspace="0" alt="Pate D'Ass" width=408 height=358 src="http://www.thesneeze.com/art/potted_meat/potted_spoon2.jpg"></center></p>
<p>I'm back. Oofah.</p>
<p>Okay, here we go-- Pulling back the lid (not recommended) lets loose an odor that punches you in the nose like a stinky fist. If you've ever smelled a can of dog food, it's just like that. Only imagine you are opening the can while your head is wedged in a horse's ass.</p>
<p>Inside is a smooth, oddly pink meat paste. So smooth, in fact, I dare call it "creamy." (I actually got a little gaggy just typing that.) Surprisingly, it was a little spicier than I expected. Although, that sensation may have been a by-product of my tastebuds dying.</p>
<p>The can shows a serving suggestion of the Potted Meat being served on squares of toast. I would also suggest squares of toilet paper. Or maybe a nice diaper.</p>
<p>All I can tell you is, I survived the first installment of "Steve, Don't Eat It." And I have to admit it may have even been a little educational. I know I learned at least one thing from "Ralph's Potted Meat"-- Ralph is a fucking dick.</p>
<p>Not surprisingly, I've come up with a little slogan the peeps who handle Potted Meat Marketing can use (no charge, as always): <b>POTTED MEAT FOOD PRODUCT: Made By, For, And With Assholes</b>.</p>
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<h3 class="title">Steve, Don't Eat It! Vol. 2</h3>
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<p><img src="http://www.thesneeze.com/art/rinds/jar.jpg" hspace="4" vspace="3" border="1" align="left" width=170 height=251><u><b>Pickled Pork Rinds</b></u></p>
<p>While perusing the "Good Lord, NOOOO!" aisle of the supermarket, I came across the atrocity known as <b>Dolores Brand Pickled Pork Rinds</b>. These are not the crunchy pork rinds you'll often see over by the chips. These are their grosser, soggier, potentially botulism-ier cousins.</p>
<p>The label says "Ready to Eat." They left off "By Dumb-Asses."</p>
<p>There is also a red starburst proudly proclaiming "<b>Nuevo Envase de Vidrio Reusable</b>". Not knowing much Spanish, I could only assume that meant "<b>Oh Crap -- A Jar of Skin!</b>"</p>
<p>I was wrong. It means: "<b>New Reusable Glass Container</b>" which I think is their subtle way of saying you can also use the jar to puke in.</p>
<p>Okay. I'm going to go consume. If I don't make it back to finish this review, tell my wife I love her. And not to eat the pork rinds.</p>
<center>******
<img src="http://www.thesneeze.com/art/rinds/skin.jpg" hspace="3" vspace="3" border="1">
******</center>
<p>I'm back. First off, I would like to say to Dolores, I am sorry. I don't know what it is I did to you, but you have gotten me back and we're even.</p>
<p>I knew I was in trouble as soon as I opened the jar, and heard no reassuring vacuum seal. I must admit that made me nervous, but what are the odds of a dusty jar of warm pig skin going bad, right?</p>
<p>Lifting the lid revealed a weird sour smell, something akin to mild vinegar and stale meat. I almost want to say it was like a freshly douched pork chop. But I won't. Why? Because I'm a fucking gentleman.</p>
<p>As I attempted to fish out a "good one," I couldn't help notice the alarming skin texture. For all those times I wondered what it would be like to gnaw on my grandmother's thigh, I was about to find out.</p>
<p>Taking a bite, I quickly realized the swatch of fat wasn't chewy at all. In fact, it was eerily soft, not unlike my own swatches of fat. This was a blessing because less chewing meant less actual contact with my mouth. I think it's fair to say it was everything you'd expect from a sliver of briney fat. It was also the only time in my life my brain formed the sentence: "I have a mouth full of cellulite."</p>
<center><img src="http://www.thesneeze.com/art/rinds/puzzle.jpg" hspace="3" vspace="3" border="1"></center>
<p>While I cannot endorse the eating of Pickled Pork Rinds, I do endorse playing with it like a puzzle. I did have some fun trying to put the pig back together, but eventually that got boring as I lost the will to live.</p>
<p>I have a feeling Dolores and I are not done. As long as she continues to market such treats as <b>Pickled Pork Lips</b> and the bewildering <b>Chili Brick</b>, I have no doubt she and I will do battle again.<center><img src="http://www.thesneeze.com/art/rinds/lipslg.jpg" border="0"></center></p>
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<h3 class="title">Steve, Don't Eat it! Vol. 3</h3>
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<p><img src="http://www.thesneeze.com/art/beggin/bag.jpg" hspace="4" vspace="3" border="1" align="left" width="130" height="177"><u><b>Beggin' Strips</b></u></p>
<p>Beggin' Strips are bacon-shaped, bacon-flavored treats for dogs. In the commercial a dog runs around the house like a maniac shouting <b>BACON, BACON, BACON, BACON, BACON!</b> It's weird, because I do the exact same thing. </p>
<p>Beggin' Strips slogan is "Dogs don't know it's not bacon!" Newsflash: <u>Dogs are retarded</u>. Mine used to eat his own vomit, and wag his tail while he did it. <u>I'll</u> be the one to decide if this stuff tastes like bacon or not. </p>
<p>I know these snacks aren't made for human consumption, but while I was in the store the ingredients list looked pretty tame so I wasn't too concerned. Somehow I had missed one extremely dubious word sitting there all by itself. <b>"MEAT"</b>. That's all it says... meat. </p>
<p><img src="http://www.thesneeze.com/art/beggin/meat.jpg" hspace="4" vspace="3" border="1" align="right" width=150 height=110>Meat is a <u>pretty large umbrella</u>. Beef is meat. Pork is meat. Horses, monkeys, and allegedly Arby's roast beef are meat. Even Bea Arthur's ball sack is meat. Okay, maybe I've gone too far. I have no idea what that is they are serving at Arby's, but you get my point.</p>
<p>Alas, there is no turning back now. Despite the fact that I am a grown man with children, I'm off to go eat dog food. And what better way to have Beggin' Strips than in a <b>Beggin', Lettuce, and Tomato Sammich</b>!</p>
<p><br />
<center>**********<br />
<img src="http://www.thesneeze.com/art/beggin/strip.jpg" hspace="4" vspace="3" border="1" width=400 height=300><br />
**********</center></p>
<p>I'm back. And I'm sad to report that I did not run around the house yelling "Bacon!" I did, however, run around the house yelling "Call 911!"</p>
<p>GodDAMN these are foul. Don't try this at home. I'm not sure it's safe, and I am sure your tongue may kill itself.</p>
<p>While they were a little too artificially colored red to pass for real bacon, I was pleased to see they were not all the same shape. Similar to slices of real bacon, they each have their own curvy and shriveled identity. (Just like my aunts and uncles.)</p>
<p>And somehow these Beggin' Strips also managed to smell just like bacon. Oopsie. Typo. I meant to say "the smoky puke of a thousand maniacs."</p>
<p><img src="http://www.thesneeze.com/art/beggin/bite.jpg" hspace="4" vspace="3" border="1" align="left" width=190 height=143>To put it simply, this is the devil's bacon. Even a healthy dose of bread, mayo, lettuce and tomato couldn't come close to masking the evil. The bitter nastiness literally got worse with every chew, and I was overcome by the urge to go in the backyard and eat grass until it was all out of me.</p>
<p><b>The following is a message to all dogs who read The Sneeze</b>: <i>First, sit. Sit! Good boy. Now listen to me. Beggin' Strips do NOT, I repeat, DO NOT TASTE LIKE BACON. You are all being played for chumps! Alright, now give me your paw. Okay, roll over! Good boy! Now go take a steamy dump in your master's shoe. Go on! Get!</i></p>
<p>In closing, the only silver lining to this dark dark cloud is I have figured out why so many dogs lick their own assholes. They are trying to kill the taste of Beggin' Strips. (By the way, it doesn't work.) </p>
<p>(All <i>Steve, Don't Eat It</i>'s can be found <a href="http://www.thesneeze.com/mt-archives/cat_steve_dont_eat_it.php">here</a>.)</p>
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<h3 class="title">Steve, Don't Eat It! -- 1991 Urkel-Os</h3>
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<p><img src="http://www.thesneeze.com/art/urkelos/box.jpg" align="left" hspace="4">Years ago, my friend Lisa gave me an autographed box of <b>Urkel-O's cereal</b>. It is signed: "<i>To Steve -- God Bless, Jaleel White</i>." I don't know, but if I were God, I'm not sure I'd listen to Urkel. In fact, I think my Godly response might be something like, "Hey, fuck you, Urkel. Don't tell me who to bless."</p>
<p>Incidentally, I'm not the "Steve" it was signed for. Lisa found the box in a collectibles store, but that's okay. I don't mind being a second-hand Steve.</p>
<p>I had always been a little creeped out that the cereal was still in the box since 1991. But the Urkel-Os are now 14 years old, and I am no longer creeped out. I'm psyched, because I realized what I have in my possession is not just a box of old cereal (and possibly some larvae), but a chance to taste history.</p>
<p>This particular box of Urkel-O's is unique because it's some kind of weird sales sample, and has "marketing features and benefits" on the back. One of the "features" is actually listed as: <b>Fun, circle-shaped product</b>. I had no idea circles were so fun. At least now I know what to get the kids next Christmas. A fucking circle.</p>
<p><img src="http://www.thesneeze.com/art/urkelos/c3pos.jpg" align="right" hspace="4">I'd also like to point out, that the cereal itself doesn't have a single thing to do with Urkel. It's just strawberry and banana flavored rings. If there was an episode where Urkel lost his virginity to a strawberry flavored ring, I missed it.</p>
<p>You'd think for a celebrity tie-in, they'd at least make half an effort to actually "tie" it in to something. Even if they just connected the loops together, I'd buy that they were supposed to be Urkel's glasses.</p>
<p>In fact, C3PO's cereal would have been a better Urkel-O's -- look at 'em. Come to think of it, what the hell were C3P0's supposed to be anyway? His eyes? That there is some jedi bullshit.</p>
<p>Well, it's cereal time, and I'm gonna go eat me a big ol' bowl of 1991...</p>
<center>
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<img src="http://www.thesneeze.com/art/urkelos/bowl1.jpg">
**********
</center>
<p><br />
I'm back, and I'm not exactly sure how to say this, but... <b>THE CEREAL IS STILL GOOD! I swear to God.</b></p>
<p>I'm a little freaked out. Should I call the Pope? This is a miracle, right? I mean, I used to think the idea of suspended animation and cryogenics was pretty cool, but the hell with that. If I die, don't freeze my brain -- just bury me in a box of Urkel-O's. Apparently it has the ability to stop time.</p>
<p>And what's even more ridiculous is the milk I used was only 2 days past the expiration date, and it tasted funkier than the cereal. (Which, by the way, was only 4,380 days past its expiration date.)</p>
<p>My wife doesn't like it when I eat potentially life-threatening stuff. I don't know what her problem is. Maybe she's just afraid to raise our children alone. What a baby. When I told her that the cereal was still good, she was amazed for a moment and then she said, "Good. Now you can throw it away."</p>
<p><u>Throw it away</u>?! She's a loon. I told her I'm putting it right back in the box so I can try eating it again in six years when it turns 20.</p>
<p>It looks like this episode of <i>Steve, Don't Eat It</I> has a happy ending. Although, I am glad Urkel signed the box "God Bless." I may need it in heaven tonight, after I die from strawberry-flavored maggots hatching in my rectum.</p>
<p>(All <i>Steve, Don't Eat It</i>'s can be found <a href="http://www.thesneeze.com/mt-archives/cat_steve_dont_eat_it.php">here</a>.)</p>
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<h3 class="title">Steve, Don't Eat It! Vol. 5</h3>
<div class="blogbody">
<p><img src="http://www.thesneeze.com/art/breastmilk/bottle125.jpg" align="left" hspace="6" vspace="4"></p>
<p><b><u>Breast Milk</u></b></p>
<p>Until now, the foods I've sampled for this section have all come from the supermarket. Then one day I realized that a perfectly viable "Steve Don't Eat It" candidate has been sitting right under my nose for months. Right in my very own refrigerator. And it came <u>right out of my wife</u>! No, I'm not talking about that giant cucumber, perv. I'm talking about <b>breast milk</b>. </p>
<p>That's right. And not just a little drop off the odd finger, but a genuine slug of <i>freshly-pumped wife juice</i>. (I'll go ahead and ignore the shiver I just got, and keep typing.) </p>
<p>Thinking about actually drinking breast milk has caused me to ponder the question: <b>Is it not weirder to drink <i>cow's milk</i> which is truly intended for baby cows?</b> The answer: <u>Hell no!</u> The only thing weirder than me drinking breast milk, is the fact that milk is coming out of my wife's chest in the first place. It sure as hell didn't do that when I met her. I'm telling you, the whole thing is lunacy. I love my wife, but does she really have to be such a mammal?</p>
<p>Okay, I have put this off long enough. The time has come. I'm off to The Booby Bar to see what they've got on tap...</p>
<center><hr width="100">
<img src="http://www.thesneeze.com/art/breastmilk/whiteshot2.jpg" width="222" height="265" border="1">
<hr width="100"></center>
<p>Oh, where do I begin?</p>
<p>Well, I did feel the need to find the appropriate glass. Drinking it from a baby bottle seemed too on the nose (not to mention too creepy), and I didn't have enough milk to justify a martini glass. (Although with a splash of Bailey's I suppose you'd have yourself a nice "<i>Nippletini</i>.") Luckily the "Dumbass Website Gods" smiled down upon me. I came across the only shot glass we happened to have in the house, and it was actually from Wisconsin -- <b>The Milk State</b>!</p>
<p>I must admit that my aversion to drinking breast milk is something of a double-standard. Let me try to put this as delicately as I can out of respect to my female readers... but some women have been known to willingly "<i>ingest</i>" a certain dubious <i>"body fluid"</i> made by men, during moments of <i>"intimacy."</i> (These moments are known as <i>"blow jobs."</i> These women are known as <i>"awesome."</i>)</p>
<p>Nevertheless, I couldn't bring myself to just do the whole shot at once, so I started out with a little girly sip. And the truth is it's not that bad at all. It tastes like milk, just slightly more sweet. And mentally, just slightly more making me want to gargle with Clorox and assume the fetal position while I question my life.</p>
<p>Now, while I may have issues with drinking this stuff, I have been a huge fan of its packaging for years. You may be interested to know that breast milk is now available in a variety of convenient sizes:</p>
<p><img src="http://www.thesneeze.com/art/breastmilk/pint3.jpg"></p>
<p>from the portable, <b>half-pint container</b>...</p>
<p><img src="http://www.thesneeze.com/art/breastmilk/gallon.jpg"></p>
<p>to the more economical <b>one gallon jugs</b>.</p>
<p>To make things more interesting, and a little bit easier on myself, I decided to break out the Hershey's syrup and whip up some <b>chocolate breast milk</b>.</p>
<center><img src="http://www.thesneeze.com/art/breastmilk/choc2.jpg" border="1"></center>
<p>This time I just knocked the shot right back, and two words immediately came to mind: <b>Yoo Hoo.</b> It tasted just like good ol' Yoo Hoo. I almost want to say that drinking breast milk isn't so bad, except the other two-word phrases that also came to mind were "stomach pump" and "kill me."</p>
<p>I'm officially leaving all future breast milk drinking in the capable hands of my baby boy -- the one guy who now gets to second base with my wife way more than I do. But, I don't mind. I love that little asshole.</p>
<p>(All volumes of <i>Steve, Don't Eat It</i> can be found <a href="http://www.thesneeze.com/mt-archives/cat_steve_dont_eat_it.php">here</a>.)</p>
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<h3 class="title">Steve, Don't Eat It! Vol. 6</h3>
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<p><img src="http://www.thesneeze.com/art/natto/container_150.jpg" align="left" hspace="6" vspace="4" border="1"><br />
<b>Natto</b></p>
<p>I recently came across a container of fermented soybeans in the supermarket. I don't mean an old container of soybeans some stockboy forgot to toss. These are fermented-on-purpose soybeans from Japan. That's what <i>Natto</i> is. </p>
<p>I remembered hearing about this stuff on <i>Iron Chef</i> one time when it was the secret ingredient. The judges in the show were commenting on what a great job the chefs had done to "supress the smell" of the natto. I'm no Iron Chef, but I've got a clever way to supress the smell. <i>Don't put it in your fucking food.</i> I might not win "Battle Natto," but I promise you my dinner won't smell like stank-ass soybeans.</p>
<p>I found it slightly unsettling that the sealed styrofoam container had creepy little <i>airholes</I> in it. As if what was inside needed to breathe. I dared to lift the lid, which made me regret that <u>I</u> needed to breathe. The natto was coated in some kind of sick slime and had the complex yet playful aroma of a dumpster in July.</p>
<p>Actually, the little pile inside looked kinda like baked beans. It also smelled kinda like baked beans. If they were baked in the filthy heat of Satan's asshole.<center></p>
<p><img src="http://www.thesneeze.com/art/natto/congealed_300.jpg" alt="natto" width="300" height="226" border="1"></center></p>
<p>This particular batch was made by a company in Japan called <b>Shirakiku</b>. I haven't been able to determine if Shirakiku is a food manufacturer, or just a store that sells gag gifts and practical jokes. It might be both.</p>
<p>Not unlike Michael Jackson, these harmless soybeans had undergone some kind of hideous transformation. They were now a freakish version of their former selves. (Which, coincidentally, should also be kept away from your children.) </p>
<p>The most disturbing aspect of this stuff is it seems to get "<i>activated</i>" when you stir it. What I mean by this is, (and I may actually weep, but...) the slimy coating on the beans develops into <b>stringy, stretchy, marshmallow-like strands</b> that will forever haunt my dreams.<center></p>
<p><img src="http://www.thesneeze.com/art/natto/dripping300_304.jpg" alt="dripping with natto goodness" width="300" height="304" border="1"></center></p>
<p>Basically, if you move it back and forth enough, you're left with a gross, sticky mess. (Hey, natto and I have at least one thing in common!) And now that I think about it, that's exactly what it looks like the pranksters back at Shirakiku did into my beans. <i>You guuuys!</i></p>
<p>I force-fed myself a big ol' spoonful, and found it to be slightly rancid and extremely bitter. Unfortunately, swallowing didn't help dissipate the flavor because the strings of bean jizz melted, coating my mouth and lips with a glistening sheen of sadness. </p>
<p>The entire experience is difficult to describe, but if you can remember back to the very first time you made out with a hobo's ass, it's a lot like that.</p>
<p>What I find most hilarious is that there is an <b>expiration date</b> on the package. What could they possibly expect to happen to the product on this date <b>THAT HAS NOT ALREADY OCCURRED?!!!</b> </p>
<p>Also, nestled in this mound of compost was a li'l packet of mustard. In its place, I would strongly suggest a written apology.</p>
<p>I do have one last theory about the date on the package. It may be an expiration date, but not for the beans. If you finish the container, that's the day you die.</p>
<p>(All episodes of "Steve, Don't Eat It!" can be found <a href="http://www.thesneeze.com/mt-archives/cat_steve_dont_eat_it_updated.php">here</a>.)</p>
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<h3 class="title">Steve, Don't Eat It! Vol. 7</h3>
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<center><img src="http://www.thesneeze.com/art/loose_art/sdei.gif"></center>
<p><img src="http://www.thesneeze.com/art/huitlacoche/closed_can_floor.jpg" align="left" hspace="6" vspace="5" border="1"><b><u>Cuitlacoche</u></b></p>
<p><i>Cuitlacoche</i> is a black fungus that <i>infects</i> corn fields, making the kernels bulbous and swollen as they fill with spores. It also goes by the name <i>Huitlacoche</i>. If you're having trouble with the pronounciation, it's: Cuitlacoche (kweet-lah-KOH-chay) or Huitlacoche (dat-sfuckin-NAS-tee).</p>
<p>It's safe to say this is the first time I've ever paid for an infection. I am, of course, not counting the one I got from your mother. (YES! You walked right into that.)</p>
<p>I've read that U.S. farmers consider it a disease and destroy it. Farmers in Mexico put it in cans and sell it as a delicacy. I travelled far and wide to find my own precious can of Cuitlacoche. Okay, it was at my supermarket, but I had to drive like two miles to get there and got stuck at a couple of lights.</p>
<p>Enough chit-chat. I'm gonna go dine on a can of disease. But before I do, I really do feel bad about that cheap mother joke. My sincere apologies to you and your lovely mom. (The filthy whore.) Be right back!<center></p>
<hr width="200">
<p><img src="http://www.thesneeze.com/art/huitlacoche/open_can300.jpg" border="1"></p>
<hr width="200"></center>
<p>Oh, sweet Christ. Visually, I think the bar for Steve, Don't Eat It! is about to be set at a new low. So I'm going to ease you people into this one. Let's begin with a single spore-filled kernel before we examine the entire contents.</p>
<p>The following picture is a swear-to-God-unretouched-side-by-side comparison of a normal kernel of corn and an infected huitlacoche kernel, both from the same can. <center></p>
<p><img src="http://www.thesneeze.com/art/huitlacoche/side_by_side2.jpg"></center></p>
<p>These results can also be achieved by bombarding a kernel of corn with gamma rays and then making it angry. (But be warned. You won't like it when it's angry.)</p>
<p>Alright, you've waited long enough.</p>
<p>Presenting the entire can of imported sludge (that I was actually charged money for)...<center></p>
<p><img src="http://www.thesneeze.com/art/huitlacoche/full_can_branded.jpg" border="1"></center></p>
<p>Don't worry, I checked the ingredients before I tasted it. "Smoker's lung" was not on there.</p>
<p>Before I even got the whole can open, I detected a vague aroma of sweet corn, along with what I can only describe as a deep musky funk. Put 'em together and it smells like corn that forgot to wipe.</p>
<p>In just a single serving, you'll experience a wide array of textures. Without getting too gross, it's because the disease is more advanced in some kernels than others. One bite might be kinda chewy, while the next might burst in your mouth like a black pus-filled blister. (Whoops, forgot about the not-too-gross thing. Oh well. Nuts to you!)</p>
<p>So, how does Huitlacoche taste? Does it matter?? <b>LOOK AT IT!</b> </p>
<p>I guess it would be fair to say it doesn't taste as truly horrible as it looks. The flavor is elusive and difficult to describe, but I'll try: <i>"Kinda yucky."</i> Hey, that wasn't so hard after all. (Sometimes I forget I'm a goddamn wordsmith.)</p>
<p>For any connoisseurs, I'm not sure if this stuff would go better with red wine or white. How about with a bottle of Bactine? I've always found that goes great with infections.</p>
<p>Huitlacoche also goes by some other names. It's frequently called <i>Maize Mushroom</i>, <i>Corn Smut</i>, and <i>Mexican Truffle</i>. I've even heard it referred to as "Devil Poop"-- but that was only after I said it. (For God's sake, it comes with little bits of corn already in it! Talk about a time-saver.)<center></p>
<p><img src="http://www.thesneeze.com/art/huitlacoche/whitecan.jpg"></center></p>
<p>I thought it was interesting that Monteblanco chose to make their company logo the focal point of the can. I also found a can of huitlacoche from Goya. They, too, have downplayed the visuals by hiding it in a mild-mannered burrito.<br clear="all"><center></p>
<p><img src="http://www.thesneeze.com/art/huitlacoche/goya300.jpg"></center></p>
<p>I went ahead and made a new can label for the gang back at Cuitlacoche Central. As always, this is a free service.<center></p>
<p><img src="http://www.thesneeze.com/art/huitlacoche/ogod300.jpg"></center></p>
<p>Well, that brings us to the end of a long overdue Steve, Don't Eat It! And now I have a belly full of diseased corn. Maybe I should go see a doctor about a penicillin shot.</p>
<p>For your mom. (YES! In your face! Oh man...)</p>
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<h3 class="title">Steve, Don't Eat It! Vol. 8</h3>
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<p><img src="http://www.thesneeze.com/art/prison_wine/pwcup.jpg" align="left" hspace="7" vspace="3"><b><u>Prison Wine</u></b> </p>
<p>I'm simply not cut out for jail. Where I really shine is watching Tivo on a couch. As soon as you need me to survive a sharpened-spoon attack, (or even a regular spoon attack)-- I'm just not your guy. </p>
<p>Nevertheless, if I do ever end up in the big house, there's a chance I'll make it out alive as the <b>prison brewmeister</b>. I know this for I have read the 1994 book "<b>You Are Going To Prison</b>" by Jim Hogshire. (Well, I actually only skimmed through the book, so I'll probably be dead in a day and a half.)</p>
<p>The following book excerpt contains the prison wine recipe...</p>
<blockquote>
<p><img src="http://www.thesneeze.com/art/prison_wine/book75.jpg" align="left" vspace="3" hspace="5">"Prison hooch can be made in your cell toilet (as long as you don't mind using other people's toilets or finding some other solution), or more often, in plastic trash bags. The recipe is simple: make a strong bag by double or triple-bagging some plastic trash bags and knotting the bottoms. Into this, pour warm water, some fruit or fruit juice, raisins or tomatoes, yeast, and as much sugar as you can get ahold of (or powdered drink mix). Now tie off the top of the bag, letting a tube of some kind protrude so the thing won't explode while it gives off carbon dioxide. Now hide the bag somewhere and wait at least three days. A week is enough.</p>
<p>One of the problems you have right away with making wine in prison is the difficulty getting yeast. It's a strictly forbidden item and you might not be able to get any. In this case you can improvise the by using slices of bread, preferably moldy (but not dry) and preferably inside a sock for easier straining.</p>
<p>If you choose to brew your wine in your cell, you'll need to hide it behind your bunk and do what you can to hide the smell. Burning cinnamon as incense is one way. Spraying deodorant around is another. Normal wine takes at least a month if not six weeks to make at all properly -- <i>but in hell, this is all you get.</i>"</p>
</blockquote>
<p>With that, I give you the longest, scrolliest, bandwidth destroyingest Steve, Don't Eat It to date. <b>Phooey on you sobriety! I'm makin' some hooch!</b><br />
<center><img src="http://www.thesneeze.com/art/prison_wine/1.jpg" width="300" height="232" alt=""></center></p>
<p>I gave serious thought to whether the straining sock should be clean or not. I came to the conclusion that it shouldn't. In the spirit of Steve, Don't Eat It, I need to take it to the extreme! Plus, I was already wearing dirty socks and my clean ones were in the bedroom, like 20 feet away.</p>
<center><img src="http://www.thesneeze.com/art/prison_wine/2.jpg" width="250" height="337" alt=""></center>
<p>Here are all the ingredients necessary. I thought it would be nice to make both <b>red</b> and <b>white</b> prison wine to match well with whatever dishes the prison chef might prepare. I'm sure Martha Stewart did the same if/when she brewed this stuff in her cell toilet. But she probably used a clean sock, being as she's fancy.<center></p>
<p><img src="http://www.thesneeze.com/art/prison_wine/3.jpg" width="300" height="253" alt=""></center></p>
<p>Getting slightly moldy bread proved to be more difficult than I expected. I bought the cheapest white bread I could find and waited for it to go green. I swear to God it stayed good for a month.</p>
<p>Whenever I WANT bread in my house, it's moldy. Now that I actually needed it to happen, it wouldn't. Luckily, I discovered an old green hot dog bun in a bag on top of the fridge and put that in with the bread to teach it the ways of the mold. In this way, the green bun was Yoda. It worked perfectly. And it didn't even sound suspiciously like Grover.<center></p>
<p><img src="http://www.thesneeze.com/art/prison_wine/5.jpg" width="300" height="215" alt=""></center></p>
<p>It was finally time to begin the brewing process. I reflected on the artisans around the world who've dedicated their lives to the craft of winemaking, as I lovingly shoved moldy bread in my socks.</p>
<p>I decided to break up the two wine recipes thusly...</p>
<center><img src="http://www.thesneeze.com/art/prison_wine/7.jpg" width="300" height="213" alt=""></center>
<p>The Red Prison Wine (pictured above) would be made with red grape juice, tomatoes, raisins, sugar, the dirty sock filled with moldy bread, and <b>one packet of yeast</b>. (I thought it would be interesting to add yeast to one batch and not the other, and compare the results.) </p>
<p>As stated in the book, yeast is definitely contraband, but for the sake of this culinary experiment we'll just assume I gave the prison baker a hand-job. </p>
<p>But then the guy wouldn't give me the yeast! SO I STABBED HIM WITH A PEN IN THE EYE AND TOOK IT! And I was all, "DON'T FUCK WITH STEVE!" </p>
<p>Yes. This is what we should assume.<center></p>
<p><img src="http://www.thesneeze.com/art/prison_wine/8.jpg"></center></p>
<p>As for the White Prison Wine, it would contain: White grape juice and the moldy bread sock. <b>No extra yeast added.</b> For the requisite sugar, I went with some powdered drink mix, a few packets of ketchup and a handful of Tigger fruit snacks.</p>
<p>Hmm... I can't put my finger on why, but I could swear these ingredients almost look at home in this garbage bag. It must be the lighting. </p>
<p>(Incidentally, I realized I forgot to take a picture of this one with the grape juice, but then I remembered that's okay because... <i>in Hell, this is all you get!</i>)</p>
<p>I knotted up the bags, poked a straw in the top as the recipe called for and tucked them away in our bathroom for safe keeping. If you're wondering why I didn't actually make this stuff in my toilet-- give me a break. I'm all too aware of my previous creations in that toilet. Just be glad I'm drinking moldy sock juice at all for you fuckers.</p>
<p>Within a day or two, the bathroom had taken on a strong sour smell. That "bar at 4 AM" smell. Everytime my wife went in there she complained about it. Everytime I went in there I just had the urge to pick up a skank.</p>
<p><b>7 long days later it was time to crack open the bags and see what we had...</b></p>
<center><img src="http://www.thesneeze.com/art/prison_wine/10.jpg" width="300" height="216" alt=""></center>
<p>I started with the red, and it somehow smelled amazingly good! Like fresh, sweet grapes. You know, there's an old expression that says <i>In wine, there is truth.</i> In this case, I could also make out some chunks and what appeared to be a severed foot.<center></p>
<p><img src="http://www.thesneeze.com/art/prison_wine/9.jpg" width="300" height="207" alt=""> </center></p>
<p>Then there was the "white" wine. This one's aroma was slightly more earthy. Do you know that smell of grass right after it's cut? That's nice. I was just making chit-chat, because this smelled like rotten eggs tucked into the anus of a dead cat. </p>
<p>I really don't understand what could have gone wrong! I used moldy bread and socks, EXACTLY LIKE THE RECIPE SAID!<center></p>
<p><img src="http://www.thesneeze.com/art/prison_wine/11.jpg" width="300" height="234" alt=""></center></p>
<p>I purchased two large decanters, carefully transferred my fruity after-birth into them, and brought it to my friends Anthony and Steve for a group tasting. I didn't strain the red, just in case anybody wanted <B>Prison Sangria</B>.<center></p>
<p><img src="http://www.thesneeze.com/art/prison_wine/14.jpg" width="300" height="154" alt=""></center></p>
<p>First we sampled the red prison wine. It was sour, but certainly not terrible. And the good news was it was definitely wine... like... ish. It was surprisingly dry. All the sugar was gone. Then again, if you were sugar, would you have stayed in that shitty-ass garbage bag? </p>
<p>We were all pleasantly surprised. </p>
<blockquote><center>
<p>Regarding Red Prison Wine</center></p>
<p>Anthony: "I would drink this in prison."</p>
<p>Steve: "I would drink this in high school!"</p>
</blockquote>
<p>It was time for the white. Wine tasters refer to a wine's aroma as its "nose." This wine's nose was a rectum. If this wasn't wine, I had somehow stumbled upon the recipe for Prison Stink Bombs. Forget about drinking it, I was afraid of getting it on me.</p>
<p>Through some miracle, it actually tasted nothing like it smelled. In fact, there was very little flavor other than sour, watery alcohol. It's hard to believe this started out as a bag of fruit snacks and grape juice. Yet somehow these ingredients went from sweet and child-like to harsh and alcoholic quicker than Lindsay Lohan. </p>
<p>Now that I think about it, prison inmates frequently turn to religion. I'm not very religious, but maybe I should be. Sure, Jesus made wine from water, but I did it with a dirty sock and fruit snacks! You tell me what the bigger miracle is. And I'm not even the son of God...or <i>am</i> I? </p>
<p>Out of curiousity, I purchased a device from a brewing supply house that allowed me to measure the wine's alcohol content. The red came in at 10.5% alcohol. The white was a whopping 14% alcohol! All of this led me to a simple conclusion: I miss old Lindsay Lohan, with the big boobies. <center></p>
<hr width="250"></center>
<p><br />
<blockquote><b>WARNING: Don't try this yourself.</b> Brewing alcohol in unsterile conditions is an obvious health risk. Stay safe, and leave the food stupidity to me. Thanks. (That goes for you too, Lohan.)<br />
</blockquote></p>
<p>All episodes of <a href="http://www.thesneeze.com/mt-archives/cat_steve_dont_eat_it.php">Steve, Don't Eat It!</a> can be found here. </p>
<p><br />
Purchase "You Are Going To Prison" <a href= "http://www.amazon.com/exec/obidos/tg/detail/-/1893626229/ref=ase_thesneeze-20/002-5607743-3605621?v=glance&s=books">here</a>.<center></p>
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<h3 class="title">Steve, Don't Eat It! - Silkworm Pupas</h3>
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<p>Imagine a cute little silkworm all snug in his cocoon. Perhaps his name is Arthur. </p>
<p>He rubs his tiny hands together and thinks, "Finally. Tomorrow I get my wings!" Arthur drifts off to sleep with dreams of floating across a summer breeze... until he's unceremoniously slapped in a can, now destined to float through the intestines of a dumbass named Steve. (Cue: comical <a href="http://www.thesneeze.com/art/loose_art/trombone.wav">trombone</a>.)</p>
<p>And so begins Steve, Don't Eat It - Vol. 9.</p>
<p>Someone recently told me they don't eat peanut butter because the FDA permits it to legally contain a certain amount of insect parts. This person might not want to buy a can of Silkworm Pupas. The amount of bugs in here is downright wacky.<center></p>
<p><img src="http://www.thesneeze.com/art/pupapix/can300.jpg"></center></p>
<p>The writing on the can is all in Korean. It just so happens that I have a Korean aunt who was happy to provide a translation. </p>
<p>The big red letters say "Bun Dae Ki" or "Silkworm Snacks." Apparently "Snacks" is a very powerful word. It's all you need to transform any putrid item into a fun new treat. The next time you see some kid go two knuckles deep in his nose and then consume the treasures within, don't be grossed out. He's just enjoying some Booger Snacks! </p>
<p>I won't bore you with every word on the can, but I'll hit the highlights...</p>
<p><img src="http://www.thesneeze.com/art/pupapix/burst_on_can150.jpg" align="left" hspace="6" vspace="3">Any words in an oval demand attention. The yellow oval on this can says "<b>High Protein - Great side dish when drinking alcohol.</b>" I imagine this came from the silkworm marketing team when faced with the nagging question "<b>Who the fuck's gonna eat this?!</b>" The answer: <b>DRUNKS!</b></p>
<p>On the back of the can is a list of bullet points. One of them is: "<b>Warning! Some people may be allergic to silkworms, and get blotches or break out from eating the contents of this can.</b>" Luckily I can't read Korean, so I'm good.</p>
<p>Sadly there is no "Serving Size" listed-- ruining my hopes that the serving size might be <i>zero</i>. </p>
<p>Alright, I've stalled as long as I can. It's time for me to get pupified...<center> </p>
<hr width="250">
<p><img src="http://www.thesneeze.com/art/pupapix/opencan300.jpg"></center></p>
<p>I found it odd that the pull-tab was actually on the bottom of the can, until I realized this is just a time-saver for people who'd rather open it right over the garbage.</p>
<p>Below is a "beauty shot" of just one of the 106 pupae found in the can. Mmmm. Is it me, or does that penny suddenly look delicious?<center></p>
<p><img src="http://www.thesneeze.com/art/pupapix/penny_pupa2.jpg"></center></p>
<p><img src="http://www.thesneeze.com/art/pupapix/pile150.jpg" align="right" hspace="6" vspace="3" border="1">The silkworm pupas gave off a subtle, nutty aroma. Not strong like my nuts after a weekend with no shower, just more like their usual, end-of-the-day twang.</p>
<p>These little guys only cost me 79 cents. That's a mere 0.7 cents per pupa. Quite the bargain... for a can of dead, turd-like moths... in their own gravy... why God... WHY??</p>
<p>The pile of moist cocoons looked so sad sitting there (like so many piles of moist cocoons will) that I decided to cheer them up. Make 'em feel fancy! One doily, some frilly toothpicks and a few dry heaves later, and I'd say mission accomplished!<center></p>
<p><img src="http://www.thesneeze.com/art/pupapix/fancy350.jpg"></center></p>
<p>With pinky extended, I chose an an extra pupy one and popped it in my mouth. The silkworm pupas didn't have a strong flavor. In fact, they had the somewhat familiar flavor of bad canned peas. With just a hint of mildew. Overall, not terrible. </p>
<p>But what caught me off guard was the crunchy cocoon. Silk my ass. This was like chewing on tiny bones. The good news is I was immediately distracted by the unexpected squirt of briny liquid that shot out into my mouth. A little heads up would have been nice. (Am I right, ladies?) </p>
<p>Having gotten the tasting out of the way, I decided to conduct a miniature pupa autopsy. Armed with an X-acto blade I carefully tried to peel away the cocoon to see what I could find. What I found was, I have the knife skills of an epileptic monkey. </p>
<p>The cocoon just gave way to a mushy pile of moth guts. Or as I like to call them, Moth Gut Snacks!</p>
<p>The best I could hope for was a clean split, right down the middle. Which is ironic, because this type of cut is referred to as a "butterfly." (See, cuz it's a caterpillar... and the cocoon with the... thing... Look I didn't say it was <i>funny</i>, I said it was <i>ironic.</i> Get off my back, alright? What did I do to <i>you?!</i>)<center></p>
<p><img src="http://www.thesneeze.com/art/pupapix/split200.jpg"></center></p>
<p>That X-Acto would go so nicely across my wrists just about now.</p>
<p>All of this reminded me of something I had seen in one of my sons' board books. After a bit of searching I found it in the next to last page of "The Very Hungry Caterpillar."<center></p>
<p><img src="http://www.thesneeze.com/art/pupapix/cocoon400.jpg"></center></p>
<p>At the end of the story the little guy emerges as a beautiful butterfly and the transformation is complete.<center></p>
<p><img src="http://www.thesneeze.com/art/pupapix/butterfly400.jpg"></center></p>
<p>Please note the hole in the page. That was chewed there by my son. I used to think he did it because he was teething. Now I know he was just trying to eat the butterfly, and he takes after his daddy. That's my boy!</p>
<p>Alright, I'm gonna go get loaded. Who am I to disobey an oval? </p>
<p>But before I do, I've been feeling bad about our pal Arthur. Since he gave his life in the name of Steve, Don't Eat It, I thought it would be nice to give him the gift of flight after all. <center></p>
<p><img src="http://www.thesneeze.com/art/pupapix/arthur350.jpg"></p>
<p><b>Go Artie, go! Fly and be free!</b></center></p>
<p><sub>(All volumes of Steve, Don't Eat It! can be found <a href="http://www.thesneeze.com/mt-archives/cat_steve_dont_eat_it.php">here</a>.)</sub></p>
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<h3 class="title">Steve, Don't Eat It! - The Tree Brain</h3>
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<p>Over the last 4 years we've <a href="http://www.thesneeze.com/mt-archives/cat_brainwatch_timeline.php">tracked</a> the annual growth of fungus on the trees in front of my house, but the time for tracking was over. The time for chewing was here.</p>
<p>I was never interested in eating the Tree Brain because wild mushrooms can kill people. So I'm going to start off by saying: <b>DO NOT EAT ANY MUSHROOMS YOU FIND GROWING IN THE WILD.</b> I have no interest in being an accessory to your untimely death. Even if you think you've found a mushroom similar to mine, don't eat it. YOU WILL DIE. You'll be a dick and you'll die. So don't do it.</p>
<p>I'm serious. Pretend this is a PSA with a well-respected celebrity, such as -- I don't know... Jeremy Gelbwaks. And in the PSA he looks to camera and says "Hi, I'm TV's Jeremy Gelbwaks. You may know me better as the kid who was the first Chris Partridge on the Partridge Family. Don't eat mushrooms you find in the wild." And then off-camera we hear: "He's right." And, oh my God, it's BRIAN FORSTER, Chris Partridge #2! The two Chris's laugh, high-five and we're all a little bit safer.</p>
<p>That said, I totally ate the tree brain.</p>
<p>At some point a small residual nubbin finally did grow on the original tree. It seemed a waste to not do SOMETHING with it. And as much as I like writing this site for you guys, hot man on mushroom sex wasn't going to happen.</p>
<p>My wife has been the real force behind me not eating it over the years, but I caught her at just the right time. I reminded her that a professional mycologist had <a href="http://www.thesneeze.com/mt-archives/000048.php">identified it</a> and that I was well-read on all the potential pitfalls. It was still "young," it was not growing on a type of tree that could potentially make me ill (such as eucalyptus) and I was going to cook it thoroughly. I also found it hard to believe it would want to hurt me after all I've done for Tree Brain awareness.</p>
<p>I was 99.7% sure I'd be fine and I even made a deal with her that I'd just chew it and spit it out. Luckily, she was feeling sick and had a headache. I was given some vague "Do whatever you want," approval. </p>
<p>It really is heartwarming to know that my wife is devoted and loves me and doesn't want me to die. Unless her head hurts a little. </p>
<p><img src="http://www.thesneeze.com/art/eatbrain/eatbrain1.jpg"></p>
<p>I tried to think of some perfect words to say before removing the brain. This was a historic moment and I wanted to come up with something fitting. Then my neighbors across the street drove up. I felt silly and hid behind my car until they went inside. Eventually I cut off the brain and ran back into my house. Historically.</p>
<p><img src="http://www.thesneeze.com/art/eatbrain/eatbrain1a.jpg"></p>
<p>It was weird to see it in my kitchen. I took a few pics like a geeky fanboy...</p>
<p><img src="http://www.thesneeze.com/art/eatbrain/eatbrain2.jpg"></p>
<p>then unceremoniously hacked it to pieces.</p>
<p><img src="http://www.thesneeze.com/art/eatbrain/eatbrain3.jpg"></p>
<p>The raw brain didn't smell like much of anything. If I was going to taste this thing, I didn't want to mask the flavor so I just went with a little olive oil. </p>
<p><img src="http://www.thesneeze.com/art/eatbrain/eatbrain4.jpg"></p>
<p>The hunks got more intensely orange as they cooked down and soon it was go time. As I promised my wife, the plan was to chew it and spit it out. BUT IT WAS SO GODDAMN DELICIOUS IT HAD TO BE SWALLOWED. IT WAS THE BEST MUSHROOM I'VE EVER HAD.</p>
<p>I had read over and over that these Sulfur Shelf mushrooms (sometimes called "Chicken of the Woods") were supposed taste like chicken or even lemony chicken. But it didn't just "kind of" taste like lemony chicken. It was as if Willy Wonka branched out from chocolate to work on a lemony chicken mushroom and when he let you try it you'd be like, "Holy shit, this REALLY tastes like lemony chicken, Bill!" (Although it wouldn't kill you to treat Mr. Wonka with a little more respect.)</p>
<p>I waited awhile to see if I got sick. I didn't, so I went off zombie-style on the remaining brains. Even my wife, who was still feeling like crap, tried it and had to admit to its deliciousness. </p>
<p>Lest you doubt that the tree brain was consumed, I've decided to include an up close and personal picture of my sloppy food hole, chewing it up. I've always felt you didn't need to actually see these types of pix of food literally being mashed up in my mouth, but I figured on such a momentous occasion, it should be <a href="http://www.thesneeze.com/art/loose_art/brainmouth.jpg" onclick="window.open('http://www.thesneeze.com/art/loose_art/brainmouth.jpg','popup','width=435,height=677,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false">documented</a> -- saliva, taste buds, 4 days of stubble and all.</p>
<p>I can't wait until next year. I will eat the shit out of that tree. </p>
<p>I have to say, it's weird to watch something grow for 4 years and then all of a sudden you're eating it. It really made me think... Maybe I should... <b>EAT MY SON</b>.</p>
<p><i>"Hi, I'm Jeremy Gelbwaks. Remember -- never eat your son."</i></p>
<p>But think about how tender he'll be, Jeremy Gelbwaks! </p>
<p><i>"Oh, he'd be tender for sure. But, Jeremy's right."</i></p>
<p>BRIAN FORSTER?! What are you doing here?!</p>
<p><i>"I'm here to say eating your kids is not cool."</i> </p>
<p>"But-- I have a website, and-- Fine, whatever. I won't eat my son." Stupid Chris Partridges and their voice of reason.</p>
<p><sub>(All Steve, Don't Eat It! posts can be found <a href="http://www.thesneeze.com/mt-archives/cat_steve_dont_eat_it.php">here</a>.)</sub></p>
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<a href="http://matthewmatt.wordpress.com/">In The Air</a><br />
<a href="http://nicolegastonguay.com/">Nicole Gastonguay</a><br />
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<a href="http://sloppycans.com">Sloppy Cans</a><br />
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<a href="http://aquidneckinquirer.typepad.com/">Aquidneck Inquirer</a><br />
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<a href="http://www.stevezmak.com/">Steve Zmak Photography</a><br />
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The Sneeze - Half zine. Half blog. Half not good with fractions.
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**Join me in saying F-YOU to my tastebuds.**
Steve, Don't Eat It! Vol. 1
---
---
**Potted Meat Food Product**
There aren't too many products that feel the need to reassure you that they are, in fact, "**food**." Already not a good sign.
The list of ingredients is long and horrifying, coming right out of the gate with "**MECHANICALLY SEPARATED CHICKEN.**" Oddly enough, I'm about to be separated from my lunch, and I haven't even opened the can yet.
Other ingredients include **BEEF TRIPE**, **BEEF HEARTS**, AND "**PARTIALLY DE-FATTED COOKED PORK FATTY TISSUE**" How does one de-fat fat? Bizarre. God knows what else is in here.
Okay, I'm going to go try it now. If i'm not back in ten minutes, call Poison Control...
Pate D'Ass
I'm back. Oofah.
Okay, here we go-- Pulling back the lid (not recommended) lets loose an odor that punches you in the nose like a stinky fist. If you've ever smelled a can of dog food, it's just like that. Only imagine you are opening the can while your head is wedged in a horse's ass.
Inside is a smooth, oddly pink meat paste. So smooth, in fact, I dare call it "creamy." (I actually got a little gaggy just typing that.) Surprisingly, it was a little spicier than I expected. Although, that sensation may have been a by-product of my tastebuds dying.
The can shows a serving suggestion of the Potted Meat being served on squares of toast. I would also suggest squares of toilet paper. Or maybe a nice diaper.
All I can tell you is, I survived the first installment of "Steve, Don't Eat It." And I have to admit it may have even been a little educational. I know I learned at least one thing from "Ralph's Potted Meat"-- Ralph is a fucking dick.
Not surprisingly, I've come up with a little slogan the peeps who handle Potted Meat Marketing can use (no charge, as always): **POTTED MEAT FOOD PRODUCT: Made By, For, And With Assholes**.
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By Steven •
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Steve, Don't Eat It! Vol. 2
**Pickled Pork Rinds**
While perusing the "Good Lord, NOOOO!" aisle of the supermarket, I came across the atrocity known as **Dolores Brand Pickled Pork Rinds**. These are not the crunchy pork rinds you'll often see over by the chips. These are their grosser, soggier, potentially botulism-ier cousins.
The label says "Ready to Eat." They left off "By Dumb-Asses."
There is also a red starburst proudly proclaiming "**Nuevo Envase de Vidrio Reusable**". Not knowing much Spanish, I could only assume that meant "**Oh Crap -- A Jar of Skin!**"
I was wrong. It means: "**New Reusable Glass Container**" which I think is their subtle way of saying you can also use the jar to puke in.
Okay. I'm going to go consume. If I don't make it back to finish this review, tell my wife I love her. And not to eat the pork rinds.
\*\*\*\*\*\*
\*\*\*\*\*\*
I'm back. First off, I would like to say to Dolores, I am sorry. I don't know what it is I did to you, but you have gotten me back and we're even.
I knew I was in trouble as soon as I opened the jar, and heard no reassuring vacuum seal. I must admit that made me nervous, but what are the odds of a dusty jar of warm pig skin going bad, right?
Lifting the lid revealed a weird sour smell, something akin to mild vinegar and stale meat. I almost want to say it was like a freshly douched pork chop. But I won't. Why? Because I'm a fucking gentleman.
As I attempted to fish out a "good one," I couldn't help notice the alarming skin texture. For all those times I wondered what it would be like to gnaw on my grandmother's thigh, I was about to find out.
Taking a bite, I quickly realized the swatch of fat wasn't chewy at all. In fact, it was eerily soft, not unlike my own swatches of fat. This was a blessing because less chewing meant less actual contact with my mouth. I think it's fair to say it was everything you'd expect from a sliver of briney fat. It was also the only time in my life my brain formed the sentence: "I have a mouth full of cellulite."
While I cannot endorse the eating of Pickled Pork Rinds, I do endorse playing with it like a puzzle. I did have some fun trying to put the pig back together, but eventually that got boring as I lost the will to live.
I have a feeling Dolores and I are not done. As long as she continues to market such treats as **Pickled Pork Lips** and the bewildering **Chili Brick**, I have no doubt she and I will do battle again.
[**Click here to follow me on Twitter!**
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By Steven •
[Permalink](http://www.thesneeze.com/2003/steve-dont-eat-it-vol-2.php)
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Steve, Don't Eat it! Vol. 3
**Beggin' Strips**
Beggin' Strips are bacon-shaped, bacon-flavored treats for dogs. In the commercial a dog runs around the house like a maniac shouting **BACON, BACON, BACON, BACON, BACON!** It's weird, because I do the exact same thing.
Beggin' Strips slogan is "Dogs don't know it's not bacon!" Newsflash: Dogs are retarded. Mine used to eat his own vomit, and wag his tail while he did it. I'll be the one to decide if this stuff tastes like bacon or not.
I know these snacks aren't made for human consumption, but while I was in the store the ingredients list looked pretty tame so I wasn't too concerned. Somehow I had missed one extremely dubious word sitting there all by itself. **"MEAT"**. That's all it says... meat.
Meat is a pretty large umbrella. Beef is meat. Pork is meat. Horses, monkeys, and allegedly Arby's roast beef are meat. Even Bea Arthur's ball sack is meat. Okay, maybe I've gone too far. I have no idea what that is they are serving at Arby's, but you get my point.
Alas, there is no turning back now. Despite the fact that I am a grown man with children, I'm off to go eat dog food. And what better way to have Beggin' Strips than in a **Beggin', Lettuce, and Tomato Sammich**!
\*\*\*\*\*\*\*\*\*\*
\*\*\*\*\*\*\*\*\*\*
I'm back. And I'm sad to report that I did not run around the house yelling "Bacon!" I did, however, run around the house yelling "Call 911!"
GodDAMN these are foul. Don't try this at home. I'm not sure it's safe, and I am sure your tongue may kill itself.
While they were a little too artificially colored red to pass for real bacon, I was pleased to see they were not all the same shape. Similar to slices of real bacon, they each have their own curvy and shriveled identity. (Just like my aunts and uncles.)
And somehow these Beggin' Strips also managed to smell just like bacon. Oopsie. Typo. I meant to say "the smoky puke of a thousand maniacs."
To put it simply, this is the devil's bacon. Even a healthy dose of bread, mayo, lettuce and tomato couldn't come close to masking the evil. The bitter nastiness literally got worse with every chew, and I was overcome by the urge to go in the backyard and eat grass until it was all out of me.
**The following is a message to all dogs who read The Sneeze**: *First, sit. Sit! Good boy. Now listen to me. Beggin' Strips do NOT, I repeat, DO NOT TASTE LIKE BACON. You are all being played for chumps! Alright, now give me your paw. Okay, roll over! Good boy! Now go take a steamy dump in your master's shoe. Go on! Get!*
In closing, the only silver lining to this dark dark cloud is I have figured out why so many dogs lick their own assholes. They are trying to kill the taste of Beggin' Strips. (By the way, it doesn't work.)
(All *Steve, Don't Eat It*'s can be found [here](http://www.thesneeze.com/mt-archives/cat_steve_dont_eat_it.php).)
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By Steven •
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Steve, Don't Eat It! -- 1991 Urkel-Os
Years ago, my friend Lisa gave me an autographed box of **Urkel-O's cereal**. It is signed: "*To Steve -- God Bless, Jaleel White*." I don't know, but if I were God, I'm not sure I'd listen to Urkel. In fact, I think my Godly response might be something like, "Hey, fuck you, Urkel. Don't tell me who to bless."
Incidentally, I'm not the "Steve" it was signed for. Lisa found the box in a collectibles store, but that's okay. I don't mind being a second-hand Steve.
I had always been a little creeped out that the cereal was still in the box since 1991. But the Urkel-Os are now 14 years old, and I am no longer creeped out. I'm psyched, because I realized what I have in my possession is not just a box of old cereal (and possibly some larvae), but a chance to taste history.
This particular box of Urkel-O's is unique because it's some kind of weird sales sample, and has "marketing features and benefits" on the back. One of the "features" is actually listed as: **Fun, circle-shaped product**. I had no idea circles were so fun. At least now I know what to get the kids next Christmas. A fucking circle.
I'd also like to point out, that the cereal itself doesn't have a single thing to do with Urkel. It's just strawberry and banana flavored rings. If there was an episode where Urkel lost his virginity to a strawberry flavored ring, I missed it.
You'd think for a celebrity tie-in, they'd at least make half an effort to actually "tie" it in to something. Even if they just connected the loops together, I'd buy that they were supposed to be Urkel's glasses.
In fact, C3PO's cereal would have been a better Urkel-O's -- look at 'em. Come to think of it, what the hell were C3P0's supposed to be anyway? His eyes? That there is some jedi bullshit.
Well, it's cereal time, and I'm gonna go eat me a big ol' bowl of 1991...
\*\*\*\*\*\*\*\*\*\*
\*\*\*\*\*\*\*\*\*\*
I'm back, and I'm not exactly sure how to say this, but... **THE CEREAL IS STILL GOOD! I swear to God.**
I'm a little freaked out. Should I call the Pope? This is a miracle, right? I mean, I used to think the idea of suspended animation and cryogenics was pretty cool, but the hell with that. If I die, don't freeze my brain -- just bury me in a box of Urkel-O's. Apparently it has the ability to stop time.
And what's even more ridiculous is the milk I used was only 2 days past the expiration date, and it tasted funkier than the cereal. (Which, by the way, was only 4,380 days past its expiration date.)
My wife doesn't like it when I eat potentially life-threatening stuff. I don't know what her problem is. Maybe she's just afraid to raise our children alone. What a baby. When I told her that the cereal was still good, she was amazed for a moment and then she said, "Good. Now you can throw it away."
Throw it away?! She's a loon. I told her I'm putting it right back in the box so I can try eating it again in six years when it turns 20.
It looks like this episode of *Steve, Don't Eat It* has a happy ending. Although, I am glad Urkel signed the box "God Bless." I may need it in heaven tonight, after I die from strawberry-flavored maggots hatching in my rectum.
(All *Steve, Don't Eat It*'s can be found [here](http://www.thesneeze.com/mt-archives/cat_steve_dont_eat_it.php).)
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By Steven •
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Steve, Don't Eat It! Vol. 5
**Breast Milk**
Until now, the foods I've sampled for this section have all come from the supermarket. Then one day I realized that a perfectly viable "Steve Don't Eat It" candidate has been sitting right under my nose for months. Right in my very own refrigerator. And it came right out of my wife! No, I'm not talking about that giant cucumber, perv. I'm talking about **breast milk**.
That's right. And not just a little drop off the odd finger, but a genuine slug of *freshly-pumped wife juice*. (I'll go ahead and ignore the shiver I just got, and keep typing.)
Thinking about actually drinking breast milk has caused me to ponder the question: **Is it not weirder to drink *cow's milk* which is truly intended for baby cows?** The answer: Hell no! The only thing weirder than me drinking breast milk, is the fact that milk is coming out of my wife's chest in the first place. It sure as hell didn't do that when I met her. I'm telling you, the whole thing is lunacy. I love my wife, but does she really have to be such a mammal?
Okay, I have put this off long enough. The time has come. I'm off to The Booby Bar to see what they've got on tap...
---
---
Oh, where do I begin?
Well, I did feel the need to find the appropriate glass. Drinking it from a baby bottle seemed too on the nose (not to mention too creepy), and I didn't have enough milk to justify a martini glass. (Although with a splash of Bailey's I suppose you'd have yourself a nice "*Nippletini*.") Luckily the "Dumbass Website Gods" smiled down upon me. I came across the only shot glass we happened to have in the house, and it was actually from Wisconsin -- **The Milk State**!
I must admit that my aversion to drinking breast milk is something of a double-standard. Let me try to put this as delicately as I can out of respect to my female readers... but some women have been known to willingly "*ingest*" a certain dubious *"body fluid"* made by men, during moments of *"intimacy."* (These moments are known as *"blow jobs."* These women are known as *"awesome."*)
Nevertheless, I couldn't bring myself to just do the whole shot at once, so I started out with a little girly sip. And the truth is it's not that bad at all. It tastes like milk, just slightly more sweet. And mentally, just slightly more making me want to gargle with Clorox and assume the fetal position while I question my life.
Now, while I may have issues with drinking this stuff, I have been a huge fan of its packaging for years. You may be interested to know that breast milk is now available in a variety of convenient sizes:
from the portable, **half-pint container**...
to the more economical **one gallon jugs**.
To make things more interesting, and a little bit easier on myself, I decided to break out the Hershey's syrup and whip up some **chocolate breast milk**.
This time I just knocked the shot right back, and two words immediately came to mind: **Yoo Hoo.** It tasted just like good ol' Yoo Hoo. I almost want to say that drinking breast milk isn't so bad, except the other two-word phrases that also came to mind were "stomach pump" and "kill me."
I'm officially leaving all future breast milk drinking in the capable hands of my baby boy -- the one guy who now gets to second base with my wife way more than I do. But, I don't mind. I love that little asshole.
(All volumes of *Steve, Don't Eat It* can be found [here](http://www.thesneeze.com/mt-archives/cat_steve_dont_eat_it.php).)
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Steve, Don't Eat It! Vol. 6
**Natto**
I recently came across a container of fermented soybeans in the supermarket. I don't mean an old container of soybeans some stockboy forgot to toss. These are fermented-on-purpose soybeans from Japan. That's what *Natto* is.
I remembered hearing about this stuff on *Iron Chef* one time when it was the secret ingredient. The judges in the show were commenting on what a great job the chefs had done to "supress the smell" of the natto. I'm no Iron Chef, but I've got a clever way to supress the smell. *Don't put it in your fucking food.* I might not win "Battle Natto," but I promise you my dinner won't smell like stank-ass soybeans.
I found it slightly unsettling that the sealed styrofoam container had creepy little *airholes* in it. As if what was inside needed to breathe. I dared to lift the lid, which made me regret that I needed to breathe. The natto was coated in some kind of sick slime and had the complex yet playful aroma of a dumpster in July.
Actually, the little pile inside looked kinda like baked beans. It also smelled kinda like baked beans. If they were baked in the filthy heat of Satan's asshole.
natto
This particular batch was made by a company in Japan called **Shirakiku**. I haven't been able to determine if Shirakiku is a food manufacturer, or just a store that sells gag gifts and practical jokes. It might be both.
Not unlike Michael Jackson, these harmless soybeans had undergone some kind of hideous transformation. They were now a freakish version of their former selves. (Which, coincidentally, should also be kept away from your children.)
The most disturbing aspect of this stuff is it seems to get "*activated*" when you stir it. What I mean by this is, (and I may actually weep, but...) the slimy coating on the beans develops into **stringy, stretchy, marshmallow-like strands** that will forever haunt my dreams.
dripping with natto goodness
Basically, if you move it back and forth enough, you're left with a gross, sticky mess. (Hey, natto and I have at least one thing in common!) And now that I think about it, that's exactly what it looks like the pranksters back at Shirakiku did into my beans. *You guuuys!*
I force-fed myself a big ol' spoonful, and found it to be slightly rancid and extremely bitter. Unfortunately, swallowing didn't help dissipate the flavor because the strings of bean jizz melted, coating my mouth and lips with a glistening sheen of sadness.
The entire experience is difficult to describe, but if you can remember back to the very first time you made out with a hobo's ass, it's a lot like that.
What I find most hilarious is that there is an **expiration date** on the package. What could they possibly expect to happen to the product on this date **THAT HAS NOT ALREADY OCCURRED?!!!**
Also, nestled in this mound of compost was a li'l packet of mustard. In its place, I would strongly suggest a written apology.
I do have one last theory about the date on the package. It may be an expiration date, but not for the beans. If you finish the container, that's the day you die.
(All episodes of "Steve, Don't Eat It!" can be found [here](http://www.thesneeze.com/mt-archives/cat_steve_dont_eat_it_updated.php).)
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Steve, Don't Eat It! Vol. 7
**Cuitlacoche**
*Cuitlacoche* is a black fungus that *infects* corn fields, making the kernels bulbous and swollen as they fill with spores. It also goes by the name *Huitlacoche*. If you're having trouble with the pronounciation, it's: Cuitlacoche (kweet-lah-KOH-chay) or Huitlacoche (dat-sfuckin-NAS-tee).
It's safe to say this is the first time I've ever paid for an infection. I am, of course, not counting the one I got from your mother. (YES! You walked right into that.)
I've read that U.S. farmers consider it a disease and destroy it. Farmers in Mexico put it in cans and sell it as a delicacy. I travelled far and wide to find my own precious can of Cuitlacoche. Okay, it was at my supermarket, but I had to drive like two miles to get there and got stuck at a couple of lights.
Enough chit-chat. I'm gonna go dine on a can of disease. But before I do, I really do feel bad about that cheap mother joke. My sincere apologies to you and your lovely mom. (The filthy whore.) Be right back!
---
---
Oh, sweet Christ. Visually, I think the bar for Steve, Don't Eat It! is about to be set at a new low. So I'm going to ease you people into this one. Let's begin with a single spore-filled kernel before we examine the entire contents.
The following picture is a swear-to-God-unretouched-side-by-side comparison of a normal kernel of corn and an infected huitlacoche kernel, both from the same can.
These results can also be achieved by bombarding a kernel of corn with gamma rays and then making it angry. (But be warned. You won't like it when it's angry.)
Alright, you've waited long enough.
Presenting the entire can of imported sludge (that I was actually charged money for)...
Don't worry, I checked the ingredients before I tasted it. "Smoker's lung" was not on there.
Before I even got the whole can open, I detected a vague aroma of sweet corn, along with what I can only describe as a deep musky funk. Put 'em together and it smells like corn that forgot to wipe.
In just a single serving, you'll experience a wide array of textures. Without getting too gross, it's because the disease is more advanced in some kernels than others. One bite might be kinda chewy, while the next might burst in your mouth like a black pus-filled blister. (Whoops, forgot about the not-too-gross thing. Oh well. Nuts to you!)
So, how does Huitlacoche taste? Does it matter?? **LOOK AT IT!**
I guess it would be fair to say it doesn't taste as truly horrible as it looks. The flavor is elusive and difficult to describe, but I'll try: *"Kinda yucky."* Hey, that wasn't so hard after all. (Sometimes I forget I'm a goddamn wordsmith.)
For any connoisseurs, I'm not sure if this stuff would go better with red wine or white. How about with a bottle of Bactine? I've always found that goes great with infections.
Huitlacoche also goes by some other names. It's frequently called *Maize Mushroom*, *Corn Smut*, and *Mexican Truffle*. I've even heard it referred to as "Devil Poop"-- but that was only after I said it. (For God's sake, it comes with little bits of corn already in it! Talk about a time-saver.)
I thought it was interesting that Monteblanco chose to make their company logo the focal point of the can. I also found a can of huitlacoche from Goya. They, too, have downplayed the visuals by hiding it in a mild-mannered burrito.
I went ahead and made a new can label for the gang back at Cuitlacoche Central. As always, this is a free service.
Well, that brings us to the end of a long overdue Steve, Don't Eat It! And now I have a belly full of diseased corn. Maybe I should go see a doctor about a penicillin shot.
For your mom. (YES! In your face! Oh man...)
---
All Steve, Don't Eat Its can be found [here](http://www.thesneeze.com/mt-archives/cat_steve_dont_eat_it.php).
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Steve, Don't Eat It! Vol. 8
**Prison Wine**
I'm simply not cut out for jail. Where I really shine is watching Tivo on a couch. As soon as you need me to survive a sharpened-spoon attack, (or even a regular spoon attack)-- I'm just not your guy.
Nevertheless, if I do ever end up in the big house, there's a chance I'll make it out alive as the **prison brewmeister**. I know this for I have read the 1994 book "**You Are Going To Prison**" by Jim Hogshire. (Well, I actually only skimmed through the book, so I'll probably be dead in a day and a half.)
The following book excerpt contains the prison wine recipe...
"Prison hooch can be made in your cell toilet (as long as you don't mind using other people's toilets or finding some other solution), or more often, in plastic trash bags. The recipe is simple: make a strong bag by double or triple-bagging some plastic trash bags and knotting the bottoms. Into this, pour warm water, some fruit or fruit juice, raisins or tomatoes, yeast, and as much sugar as you can get ahold of (or powdered drink mix). Now tie off the top of the bag, letting a tube of some kind protrude so the thing won't explode while it gives off carbon dioxide. Now hide the bag somewhere and wait at least three days. A week is enough.
One of the problems you have right away with making wine in prison is the difficulty getting yeast. It's a strictly forbidden item and you might not be able to get any. In this case you can improvise the by using slices of bread, preferably moldy (but not dry) and preferably inside a sock for easier straining.
If you choose to brew your wine in your cell, you'll need to hide it behind your bunk and do what you can to hide the smell. Burning cinnamon as incense is one way. Spraying deodorant around is another. Normal wine takes at least a month if not six weeks to make at all properly -- *but in hell, this is all you get.*"
With that, I give you the longest, scrolliest, bandwidth destroyingest Steve, Don't Eat It to date. **Phooey on you sobriety! I'm makin' some hooch!**
I gave serious thought to whether the straining sock should be clean or not. I came to the conclusion that it shouldn't. In the spirit of Steve, Don't Eat It, I need to take it to the extreme! Plus, I was already wearing dirty socks and my clean ones were in the bedroom, like 20 feet away.
Here are all the ingredients necessary. I thought it would be nice to make both **red** and **white** prison wine to match well with whatever dishes the prison chef might prepare. I'm sure Martha Stewart did the same if/when she brewed this stuff in her cell toilet. But she probably used a clean sock, being as she's fancy.
Getting slightly moldy bread proved to be more difficult than I expected. I bought the cheapest white bread I could find and waited for it to go green. I swear to God it stayed good for a month.
Whenever I WANT bread in my house, it's moldy. Now that I actually needed it to happen, it wouldn't. Luckily, I discovered an old green hot dog bun in a bag on top of the fridge and put that in with the bread to teach it the ways of the mold. In this way, the green bun was Yoda. It worked perfectly. And it didn't even sound suspiciously like Grover.
It was finally time to begin the brewing process. I reflected on the artisans around the world who've dedicated their lives to the craft of winemaking, as I lovingly shoved moldy bread in my socks.
I decided to break up the two wine recipes thusly...
The Red Prison Wine (pictured above) would be made with red grape juice, tomatoes, raisins, sugar, the dirty sock filled with moldy bread, and **one packet of yeast**. (I thought it would be interesting to add yeast to one batch and not the other, and compare the results.)
As stated in the book, yeast is definitely contraband, but for the sake of this culinary experiment we'll just assume I gave the prison baker a hand-job.
But then the guy wouldn't give me the yeast! SO I STABBED HIM WITH A PEN IN THE EYE AND TOOK IT! And I was all, "DON'T FUCK WITH STEVE!"
Yes. This is what we should assume.
As for the White Prison Wine, it would contain: White grape juice and the moldy bread sock. **No extra yeast added.** For the requisite sugar, I went with some powdered drink mix, a few packets of ketchup and a handful of Tigger fruit snacks.
Hmm... I can't put my finger on why, but I could swear these ingredients almost look at home in this garbage bag. It must be the lighting.
(Incidentally, I realized I forgot to take a picture of this one with the grape juice, but then I remembered that's okay because... *in Hell, this is all you get!*)
I knotted up the bags, poked a straw in the top as the recipe called for and tucked them away in our bathroom for safe keeping. If you're wondering why I didn't actually make this stuff in my toilet-- give me a break. I'm all too aware of my previous creations in that toilet. Just be glad I'm drinking moldy sock juice at all for you fuckers.
Within a day or two, the bathroom had taken on a strong sour smell. That "bar at 4 AM" smell. Everytime my wife went in there she complained about it. Everytime I went in there I just had the urge to pick up a skank.
**7 long days later it was time to crack open the bags and see what we had...**
I started with the red, and it somehow smelled amazingly good! Like fresh, sweet grapes. You know, there's an old expression that says *In wine, there is truth.* In this case, I could also make out some chunks and what appeared to be a severed foot.
Then there was the "white" wine. This one's aroma was slightly more earthy. Do you know that smell of grass right after it's cut? That's nice. I was just making chit-chat, because this smelled like rotten eggs tucked into the anus of a dead cat.
I really don't understand what could have gone wrong! I used moldy bread and socks, EXACTLY LIKE THE RECIPE SAID!
I purchased two large decanters, carefully transferred my fruity after-birth into them, and brought it to my friends Anthony and Steve for a group tasting. I didn't strain the red, just in case anybody wanted **Prison Sangria**.
First we sampled the red prison wine. It was sour, but certainly not terrible. And the good news was it was definitely wine... like... ish. It was surprisingly dry. All the sugar was gone. Then again, if you were sugar, would you have stayed in that shitty-ass garbage bag?
We were all pleasantly surprised.
Regarding Red Prison Wine
Anthony: "I would drink this in prison."
Steve: "I would drink this in high school!"
It was time for the white. Wine tasters refer to a wine's aroma as its "nose." This wine's nose was a rectum. If this wasn't wine, I had somehow stumbled upon the recipe for Prison Stink Bombs. Forget about drinking it, I was afraid of getting it on me.
Through some miracle, it actually tasted nothing like it smelled. In fact, there was very little flavor other than sour, watery alcohol. It's hard to believe this started out as a bag of fruit snacks and grape juice. Yet somehow these ingredients went from sweet and child-like to harsh and alcoholic quicker than Lindsay Lohan.
Now that I think about it, prison inmates frequently turn to religion. I'm not very religious, but maybe I should be. Sure, Jesus made wine from water, but I did it with a dirty sock and fruit snacks! You tell me what the bigger miracle is. And I'm not even the son of God...or *am* I?
Out of curiousity, I purchased a device from a brewing supply house that allowed me to measure the wine's alcohol content. The red came in at 10.5% alcohol. The white was a whopping 14% alcohol! All of this led me to a simple conclusion: I miss old Lindsay Lohan, with the big boobies.
---
**WARNING: Don't try this yourself.** Brewing alcohol in unsterile conditions is an obvious health risk. Stay safe, and leave the food stupidity to me. Thanks. (That goes for you too, Lohan.)
All episodes of [Steve, Don't Eat It!](http://www.thesneeze.com/mt-archives/cat_steve_dont_eat_it.php) can be found here.
Purchase "You Are Going To Prison" [here](http://www.amazon.com/exec/obidos/tg/detail/-/1893626229/ref=ase_thesneeze-20/002-5607743-3605621?v=glance&s=books).
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Steve, Don't Eat It! - Silkworm Pupas
Imagine a cute little silkworm all snug in his cocoon. Perhaps his name is Arthur.
He rubs his tiny hands together and thinks, "Finally. Tomorrow I get my wings!" Arthur drifts off to sleep with dreams of floating across a summer breeze... until he's unceremoniously slapped in a can, now destined to float through the intestines of a dumbass named Steve. (Cue: comical [trombone](http://www.thesneeze.com/art/loose_art/trombone.wav).)
And so begins Steve, Don't Eat It - Vol. 9.
Someone recently told me they don't eat peanut butter because the FDA permits it to legally contain a certain amount of insect parts. This person might not want to buy a can of Silkworm Pupas. The amount of bugs in here is downright wacky.
The writing on the can is all in Korean. It just so happens that I have a Korean aunt who was happy to provide a translation.
The big red letters say "Bun Dae Ki" or "Silkworm Snacks." Apparently "Snacks" is a very powerful word. It's all you need to transform any putrid item into a fun new treat. The next time you see some kid go two knuckles deep in his nose and then consume the treasures within, don't be grossed out. He's just enjoying some Booger Snacks!
I won't bore you with every word on the can, but I'll hit the highlights...
Any words in an oval demand attention. The yellow oval on this can says "**High Protein - Great side dish when drinking alcohol.**" I imagine this came from the silkworm marketing team when faced with the nagging question "**Who the fuck's gonna eat this?!**" The answer: **DRUNKS!**
On the back of the can is a list of bullet points. One of them is: "**Warning! Some people may be allergic to silkworms, and get blotches or break out from eating the contents of this can.**" Luckily I can't read Korean, so I'm good.
Sadly there is no "Serving Size" listed-- ruining my hopes that the serving size might be *zero*.
Alright, I've stalled as long as I can. It's time for me to get pupified...
---
I found it odd that the pull-tab was actually on the bottom of the can, until I realized this is just a time-saver for people who'd rather open it right over the garbage.
Below is a "beauty shot" of just one of the 106 pupae found in the can. Mmmm. Is it me, or does that penny suddenly look delicious?
The silkworm pupas gave off a subtle, nutty aroma. Not strong like my nuts after a weekend with no shower, just more like their usual, end-of-the-day twang.
These little guys only cost me 79 cents. That's a mere 0.7 cents per pupa. Quite the bargain... for a can of dead, turd-like moths... in their own gravy... why God... WHY??
The pile of moist cocoons looked so sad sitting there (like so many piles of moist cocoons will) that I decided to cheer them up. Make 'em feel fancy! One doily, some frilly toothpicks and a few dry heaves later, and I'd say mission accomplished!
With pinky extended, I chose an an extra pupy one and popped it in my mouth. The silkworm pupas didn't have a strong flavor. In fact, they had the somewhat familiar flavor of bad canned peas. With just a hint of mildew. Overall, not terrible.
But what caught me off guard was the crunchy cocoon. Silk my ass. This was like chewing on tiny bones. The good news is I was immediately distracted by the unexpected squirt of briny liquid that shot out into my mouth. A little heads up would have been nice. (Am I right, ladies?)
Having gotten the tasting out of the way, I decided to conduct a miniature pupa autopsy. Armed with an X-acto blade I carefully tried to peel away the cocoon to see what I could find. What I found was, I have the knife skills of an epileptic monkey.
The cocoon just gave way to a mushy pile of moth guts. Or as I like to call them, Moth Gut Snacks!
The best I could hope for was a clean split, right down the middle. Which is ironic, because this type of cut is referred to as a "butterfly." (See, cuz it's a caterpillar... and the cocoon with the... thing... Look I didn't say it was *funny*, I said it was *ironic.* Get off my back, alright? What did I do to *you?!*)
That X-Acto would go so nicely across my wrists just about now.
All of this reminded me of something I had seen in one of my sons' board books. After a bit of searching I found it in the next to last page of "The Very Hungry Caterpillar."
At the end of the story the little guy emerges as a beautiful butterfly and the transformation is complete.
Please note the hole in the page. That was chewed there by my son. I used to think he did it because he was teething. Now I know he was just trying to eat the butterfly, and he takes after his daddy. That's my boy!
Alright, I'm gonna go get loaded. Who am I to disobey an oval?
But before I do, I've been feeling bad about our pal Arthur. Since he gave his life in the name of Steve, Don't Eat It, I thought it would be nice to give him the gift of flight after all.
**Go Artie, go! Fly and be free!**
(All volumes of Steve, Don't Eat It! can be found [here](http://www.thesneeze.com/mt-archives/cat_steve_dont_eat_it.php).)
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Steve, Don't Eat It! - The Tree Brain
Over the last 4 years we've [tracked](http://www.thesneeze.com/mt-archives/cat_brainwatch_timeline.php) the annual growth of fungus on the trees in front of my house, but the time for tracking was over. The time for chewing was here.
I was never interested in eating the Tree Brain because wild mushrooms can kill people. So I'm going to start off by saying: **DO NOT EAT ANY MUSHROOMS YOU FIND GROWING IN THE WILD.** I have no interest in being an accessory to your untimely death. Even if you think you've found a mushroom similar to mine, don't eat it. YOU WILL DIE. You'll be a dick and you'll die. So don't do it.
I'm serious. Pretend this is a PSA with a well-respected celebrity, such as -- I don't know... Jeremy Gelbwaks. And in the PSA he looks to camera and says "Hi, I'm TV's Jeremy Gelbwaks. You may know me better as the kid who was the first Chris Partridge on the Partridge Family. Don't eat mushrooms you find in the wild." And then off-camera we hear: "He's right." And, oh my God, it's BRIAN FORSTER, Chris Partridge #2! The two Chris's laugh, high-five and we're all a little bit safer.
That said, I totally ate the tree brain.
At some point a small residual nubbin finally did grow on the original tree. It seemed a waste to not do SOMETHING with it. And as much as I like writing this site for you guys, hot man on mushroom sex wasn't going to happen.
My wife has been the real force behind me not eating it over the years, but I caught her at just the right time. I reminded her that a professional mycologist had [identified it](http://www.thesneeze.com/mt-archives/000048.php) and that I was well-read on all the potential pitfalls. It was still "young," it was not growing on a type of tree that could potentially make me ill (such as eucalyptus) and I was going to cook it thoroughly. I also found it hard to believe it would want to hurt me after all I've done for Tree Brain awareness.
I was 99.7% sure I'd be fine and I even made a deal with her that I'd just chew it and spit it out. Luckily, she was feeling sick and had a headache. I was given some vague "Do whatever you want," approval.
It really is heartwarming to know that my wife is devoted and loves me and doesn't want me to die. Unless her head hurts a little.
I tried to think of some perfect words to say before removing the brain. This was a historic moment and I wanted to come up with something fitting. Then my neighbors across the street drove up. I felt silly and hid behind my car until they went inside. Eventually I cut off the brain and ran back into my house. Historically.
It was weird to see it in my kitchen. I took a few pics like a geeky fanboy...
then unceremoniously hacked it to pieces.
The raw brain didn't smell like much of anything. If I was going to taste this thing, I didn't want to mask the flavor so I just went with a little olive oil.
The hunks got more intensely orange as they cooked down and soon it was go time. As I promised my wife, the plan was to chew it and spit it out. BUT IT WAS SO GODDAMN DELICIOUS IT HAD TO BE SWALLOWED. IT WAS THE BEST MUSHROOM I'VE EVER HAD.
I had read over and over that these Sulfur Shelf mushrooms (sometimes called "Chicken of the Woods") were supposed taste like chicken or even lemony chicken. But it didn't just "kind of" taste like lemony chicken. It was as if Willy Wonka branched out from chocolate to work on a lemony chicken mushroom and when he let you try it you'd be like, "Holy shit, this REALLY tastes like lemony chicken, Bill!" (Although it wouldn't kill you to treat Mr. Wonka with a little more respect.)
I waited awhile to see if I got sick. I didn't, so I went off zombie-style on the remaining brains. Even my wife, who was still feeling like crap, tried it and had to admit to its deliciousness.
Lest you doubt that the tree brain was consumed, I've decided to include an up close and personal picture of my sloppy food hole, chewing it up. I've always felt you didn't need to actually see these types of pix of food literally being mashed up in my mouth, but I figured on such a momentous occasion, it should be [documented](http://www.thesneeze.com/art/loose_art/brainmouth.jpg) -- saliva, taste buds, 4 days of stubble and all.
I can't wait until next year. I will eat the shit out of that tree.
I have to say, it's weird to watch something grow for 4 years and then all of a sudden you're eating it. It really made me think... Maybe I should... **EAT MY SON**.
*"Hi, I'm Jeremy Gelbwaks. Remember -- never eat your son."*
But think about how tender he'll be, Jeremy Gelbwaks!
*"Oh, he'd be tender for sure. But, Jeremy's right."*
BRIAN FORSTER?! What are you doing here?!
*"I'm here to say eating your kids is not cool."*
"But-- I have a website, and-- Fine, whatever. I won't eat my son." Stupid Chris Partridges and their voice of reason.
(All Steve, Don't Eat It! posts can be found [here](http://www.thesneeze.com/mt-archives/cat_steve_dont_eat_it.php).)
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<p>The internet is <strong>huge</strong> but the average person only sees <a href="https://medium.com/@GimmeSerendipi1/the-internet-is-huge-and-search-engines-and-social-media-are-only-showing-you-a-tiny-fraction-of-fef6a333c0c" target="_blank">a tiny fraction of it</a>.</p>
<p>There is a huge problem with content discovery on the internet today. Between how backed up the search
engines are with 'SEO Optimized Content' and social media platforms luring us into algorithmic
echo-chambers, how are we supposed to <em>actually</em> stoke our digital wanderlust?</p>
<p>Make sure to also check out my <a href="/links.html">links</a> page for <em>even more</em> links!</p>
<div id="webrings"></div>
<h2>Webrings</h2>
<p>Webrings are a collection of website all bound by one thing: the topic or the theme of that webring.
These are much more popular before social media, but now people are returning to their webroots.</p>
<p>It might be worth your time to check out some member sites, or submit an application of your own.</p>
<p>The webrings listing has moved to <a href="/cyberspace/webrings.html">this page.</a>
<br><br>
<div id="dir"></div>
<h2>Link Directories</h2>
<p>These are lists of links, usually curated by a single person or group. They can be a great place to
stumble upon links to unique websites!</p>
<p>You can find a listing of sites like these on my <a href="/links.html">Links</a> page, under the <strong>Discovery</strong> tag.</p>
<br><br>
<div id="rand"></div>
<h2>Random Site Generators <br>(for fans of <strong>StumbleUpon</strong>)</h2>
<p>StumbleUpon was a website that let you select your interests, and based on those interests would show
you
random websites. I don't think any of these websites have the complete vibe of StumbleUpon nailed
down,
but the general sentiment is there.</p>
<ul class="list">
<li><a href="https://links.yesterweb.org/surf.php">Yesterlinks Surf</a> - If you drag this link to your bookmarks bar on the browser, you can click it to take you to a new site.</li>
<li><a href="https://stumblingon.com/" target="_blank">StumblingOn</a></li>
<li><a href="https://gimmeserendipity.com/" target="_blank">Gimme Serendipity</a></li>
<li><a href="https://jumpstick.app/" target="_blank">Jumpstick</a></li>
<li><a href="https://www.viralwalk.com/" target="_blank">ViralWalk</a></li>
<li><a href="https://github.com/basharovV/StumbleUponAwesome" target="_blank">StumbleUponAwesome</a>
</li>
<li><a href="https://www.boredbutton.com/" target="_blank">BoredButton</a></li>
<li><a href="https://theuselessweb.com/" target="_blank">The Useless Web</a></li>
<li><a href="https://sharkle.com/" target="_blank">Sharkle</a></li>
<li><a href="https://stumbled.cc/" target="_blank">Stumbled.cc</a></li>
</ul>
<br><br>
<div id="old"></div>
<h2>Search Engines</h2>
<p>We begrudgingly use Google to get quick answers, but sometimes you grow tired of seeing the same 10
websites on the front page.</p>
<ul class="list">
<li><a href="https://search.marginalia.nu/" target="_blank">Marginalia.nu</a><br> A search engine for
exploring the web.</li>
<li><a href="https://www.ninfex.com/" target="_blank">Ninfex</a><br>
an experimental "people-powered" search engine. the index is not built by crawlers but by user
submissions.</li>
<li><a href="https://gifcities.org/" target="_blank">GifCities</a><br>a search engine for Geocities-era
gifs</a></li>
<li><a href="https://searchmysite.net/" target="_blank">SearchMySite</a><br> an open source search
engine
for personal and independent websites</li>
<li><a href="https://oldavista.com/" target="_blank">Oldavista</a><br> A search engine for OLD websites
hosted in services like Geocities, Angelfire, Xoom, AOL, Tripod and so on!</li>
<li><a href="https://vhs.neocities.org/" target="_blank">VHSearch</a><br> neocities search engine</li>
<li><a href="http://teclis.com/" target="_blank">Teclis</a><br> a non-commercial web search engine</li>
<li><a href="https://wiby.me/" target="_blank">Wiby.me</a><br> search engine for the classic web</li>
<li><a href="https://boardreader.com/" target="_blank">BoardReader</a><br> search engine for message
boards
& forums</li>
<li><a href="https://gigablast.com/" target="_blank">Gigablast</a><br> an alternative private search
engine
</li>
<li><a href="https://www.webcrawler.com/" target="_blank">Webcrawler</a><br> the oldest surviving search
engine online today (non-commercial)</li>
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sadgrl.online
Surf the web
The internet is **huge** but the average person only sees [a tiny fraction of it](https://medium.com/@GimmeSerendipi1/the-internet-is-huge-and-search-engines-and-social-media-are-only-showing-you-a-tiny-fraction-of-fef6a333c0c).
There is a huge problem with content discovery on the internet today. Between how backed up the search
engines are with 'SEO Optimized Content' and social media platforms luring us into algorithmic
echo-chambers, how are we supposed to *actually* stoke our digital wanderlust?
Make sure to also check out my [links](/links.html) page for *even more* links!
## Webrings
Webrings are a collection of website all bound by one thing: the topic or the theme of that webring.
These are much more popular before social media, but now people are returning to their webroots.
It might be worth your time to check out some member sites, or submit an application of your own.
The webrings listing has moved to [this page.](/cyberspace/webrings.html)
## Link Directories
These are lists of links, usually curated by a single person or group. They can be a great place to
stumble upon links to unique websites!
You can find a listing of sites like these on my [Links](/links.html) page, under the **Discovery** tag.
## Random Site Generators (for fans of **StumbleUpon**)
StumbleUpon was a website that let you select your interests, and based on those interests would show
you
random websites. I don't think any of these websites have the complete vibe of StumbleUpon nailed
down,
but the general sentiment is there.
* [Yesterlinks Surf](https://links.yesterweb.org/surf.php) - If you drag this link to your bookmarks bar on the browser, you can click it to take you to a new site.
* [StumblingOn](https://stumblingon.com/)
* [Gimme Serendipity](https://gimmeserendipity.com/)
* [Jumpstick](https://jumpstick.app/)
* [ViralWalk](https://www.viralwalk.com/)
* [StumbleUponAwesome](https://github.com/basharovV/StumbleUponAwesome)
* [BoredButton](https://www.boredbutton.com/)
* [The Useless Web](https://theuselessweb.com/)
* [Sharkle](https://sharkle.com/)
* [Stumbled.cc](https://stumbled.cc/)
## Search Engines
We begrudgingly use Google to get quick answers, but sometimes you grow tired of seeing the same 10
websites on the front page.
* [Marginalia.nu](https://search.marginalia.nu/)
A search engine for
exploring the web.
* [Ninfex](https://www.ninfex.com/)
an experimental "people-powered" search engine. the index is not built by crawlers but by user
submissions.
* [GifCities](https://gifcities.org/)
a search engine for Geocities-era
gifs
* [SearchMySite](https://searchmysite.net/)
an open source search
engine
for personal and independent websites
* [Oldavista](https://oldavista.com/)
A search engine for OLD websites
hosted in services like Geocities, Angelfire, Xoom, AOL, Tripod and so on!
* [VHSearch](https://vhs.neocities.org/)
neocities search engine
* [Teclis](http://teclis.com/)
a non-commercial web search engine
* [Wiby.me](https://wiby.me/)
search engine for the classic web
* [BoardReader](https://boardreader.com/)
search engine for message
boards
& forums
* [Gigablast](https://gigablast.com/)
an alternative private search
engine
* [Webcrawler](https://www.webcrawler.com/)
the oldest surviving search
engine online today (non-commercial)
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<h2>Chipmusic discovery</h2>
<br />
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<div style ='padding:5px;'><strong><a href='chipmusic.php#sound' style='font-size:16px; color:#94B800;'>8-bit</a> <a href='chipmusic-plugins.php?s=AU' style='font-size:12px; color:#F77200;'>AU</a> <a href='chipmusic-composers.php' style='font-size:12px; color:#E0215A;'>Artists</a> <a href='chipmusic-hardware.php#bitcrusher_machines' style='font-size:12px; color:#F77200;'>Bitrcusher</a> <a href='chipmusic-news.php' style='font-size:12px; color:#E0215A;'>Blogs</a> <a href='chipmusic.php#chipmusic' style='font-size:20px; color:#F77200;'>Chipmusic</a> <a href='chipmusic-chiptrackers.php' style='font-size:16px; color:#94B800;'>Chiptrackers</a> <a href='chipmusic-chiptunes.php' style='font-size:12px; color:#039BAB;'>Chiptunes</a> <a href='chipmusic-hardware.php#circuit_bending' style='font-size:12px; color:#F77200;'>Circuit bending</a> <a href='chipmusic-composers.php' style='font-size:20px; color:#94B800;'>Composers</a> <a href='chipmusic.php' style='font-size:16px; color:#E0215A;'>Discovery</a> <a href='chipmusic-hardware.php#fuzzboxes' style='font-size:12px; color:#039BAB;'>Fuzzboxes</a> <a href='chipmusic-hardware.php' style='font-size:20px; color:#E0215A;'>Hardware</a> <a href='chipmusic-webradios-8bc.php' style='font-size:16px; color:#F77200;'>Jukebox</a> <a href='chipmusic-netlabels.php' style='font-size:12px; color:#E0215A;'>Labels</a> <a href='chipmusic-samples.php' style='font-size:12px; color:#F77200;'>Loops</a> <a href='chipmusic-mml.php' style='font-size:18px; color:#039BAB;'>MML</a> <a href='chipmusic-hardware.php' style='font-size:16px; color:#94B800;'>Machines</a> <a href='chipmusic-netlabels.php' style='font-size:12px; color:#039BAB;'>Netlabels</a> <a href='chipmusic-news.php' style='font-size:12px; color:#E0215A;'>News</a> <a href='chipmusic.php#plagiarism' style='font-size:12px; color:#039BAB;'>Plagiarism</a> <a href='chipmusic-plugins.php' style='font-size:28px; color:#94B800;'>Plugins</a> <a href='chipmusic-news.php' style='font-size:12px; color:#039BAB;'>Podcasts</a> <a href='chipmusic-plugins.php?s=RTAS' style='font-size:12px; color:#94B800;'>RTAS</a> <a href='chipmusic-soundfonts.php' style='font-size:12px; color:#F77200;'>SF2</a> <a href='chipmusic-samples.php' style='font-size:22px; color:#E0215A;'>Samples</a> <a href='chipmusic-hardware.php#chipmusic_shop' style='font-size:12px; color:#94B800;'>Shop</a> <a href='chipmusic-generators.php' style='font-size:16px; color:#039BAB;'>Sound generators</a> <a href='chipmusic-soundfonts.php' style='font-size:12px; color:#F77200;'>Soundfonts</a> <a href='chipmusic-chiptrackers.php' style='font-size:16px; color:#94B800;'>Trackers</a> <a href='chipmusic-plugins.php?s=VST' style='font-size:20px; color:#F77200;'>VST</a> <a href='videos.php' style='font-size:16px; color:#94B800;'>Videos</a> <a href='chipmusic-samples.php' style='font-size:18px; color:#039BAB;'>WAV</a> <a href='chipmusic-webradios.php' style='font-size:12px; color:#94B800;'>Webradios</a> </strong></div><br />
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<div id="searchMenu"><a href="#whatischipmusic">What is chipmusic ?</a> | <a href="#chiptune">Chiptune</a> | <a href="#chipmusic">Chipmusic</a> | <a href="#sound">8-bit sound</a> | <a href="#plagiarism">Plagiarism</a> | <a href="#communities">Communities</a> | <a href="#links">Links</a></div>
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<a name="whatischipmusic" id="whatischipmusic"></a>
<h5>What is chiptune, chipmusic, 8-bit sound ?</h5>
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I will explain it with simple words and examples. And why is it in english ? Because most of resources are in english (and japanese too !). Commonly on Internet, "chiptune", "chipmusic" and "8-bit sound" mean the same thing. But for me, it is a little bit different.<br />
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Just one thing before to start : the difference between the terms "chiptune" and "chipmusic" is not very important ! ;) We do not need to debate during long hours. Historically, the term "chiptune" came before "chipmusic". Today, these terms mean same thing.<br />
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<a name="chiptune" id="chiptune"></a>
<h5>Chiptune</h5>
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So, in general, <b>Chiptune</b> <a href="http://en.wikipedia.org/wiki/Chiptune"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a> define music written in sound formats where all the sounds are synthesized in realtime by a computer or video game console sound chip, instead of using sample-based synthesis. The 'golden age' of chiptunes was the mid 1980s to early 1990s, when such sound chips were the most common method for creating music on computers. In short, it is the sound of the first demos and video games.<br />
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<center><img loading="lazy" class="shadowImg" title="Screenshot of Big Chuj Demo, on ZX Spectrum" src="chipmusic/chipmusic-discovery/BigChujDemo.png" alt="Screenshot of Big Chuj Demo, on ZX Spectrum" border="0" width="320" height="200" /><br />
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<span class="StyleColorGrey">Screenshot of 'Big Chuj' demo by <a href="http://hooyprogram.republika.pl/">Hooy-program</a>, on ZX Spectrum</span></center>
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Historically, the chips used were sound chips such as :<br />
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<a href="http://en.wikipedia.org/wiki/MOS_Technology_SID"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a> MOS Technology SID 6581/6582/8580 on <b>Commodore 64</b> (C64)<br />
<a href="http://en.wikipedia.org/wiki/General_Instrument_AY-3-8910"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a> General Instrument AY-3-8910 or AY-3-8912 on <b>Amstrad CPC</b>, <b>MSX</b> and <b>ZX Spectrum</b><br />
<a href="http://en.wikipedia.org/wiki/POKEY"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a> Analog-digital hybrid Atari POKEY on the <b>Atari 400/800</b> and arcade hardware<br />
<a href="http://en.wikipedia.org/wiki/General_Instrument_AY-3-8910"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a> Yamaha YM2149 on the <b>Atari ST</b> and <b>ZX Spectrum</b><br />
<a href="http://en.wikipedia.org/wiki/Yamaha_YM2612"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a> Yamaha YM2612 on <b>Sega MegaDrive/Genesis</b><br />
<a href="http://en.wikipedia.org/wiki/Yamaha_YM3812"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a> Yamaha YM3812 (aka OPL2) and YMF262 (aka OPL3) <a href="http://en.wikipedia.org/wiki/Yamaha_YMF262"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a> on <b>IBM PC compatibles</b><br />
<a href="http://en.wikipedia.org/wiki/Original_Chip_Set"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a> Paula on <b>Amiga</b><br />
<a href="http://en.wikipedia.org/wiki/Ricoh_2A03"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a> Ricoh 2A03 on <b>Nintendo Entertainment System</b> (NES) or Famicom<br />
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For the <b>MSX</b> several sound upgrades, such as the Konami SCC <a href="http://en.wikipedia.org/wiki/Konami_SCC"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a>, the Yamaha YM2413 <a href="http://en.wikipedia.org/wiki/Yamaha_YM2413"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a> (MSX-MUSIC) and Yamaha Y8950 <a href="http://en.wikipedia.org/wiki/Yamaha_Y8950"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a> (MSX-AUDIO, predecessor of the OPL3) and the OPL4-based Moonsound were released as well, each having its own characteristic chiptune sound.<br />
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The <b>Nintendo Gameboy</b> do not have a separate soundchip. It uses digital logic integrated on the main CPU.<br />
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Also, there is no soundchip in the <b>Apple II</b>, but there is a 16 channel 8 bit Ensoniq ES5503 DOC wavetable soundchip in the <b>Apple IIGS</b> (GS = Graphics and Sound).<br />
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More informations about soundchips on <a href="http://www.x68000.de/soundchip-hardware-list/">x68000.de</a><br />
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<center><img loading="lazy" class="shadowImg" title="MOS Technology (SID) in Commodore 64" src="chipmusic/chipmusic-discovery/SID.png" alt="MOS Technology (SID) in Commodore 64" border="0" width="320" height="200" /><br />
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<span class="StyleColorGrey">MOS Technology (SID) in Commodore 64</span></center>
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Comparison of two soundchip processors (<b>Sega MegaDrive/Genesis</b>) :<br />
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<a href="chipmusic/chipmusic-discovery/SonicTheHedgehog-FinalTrack.mp3">[mp3]</a> Sonic the Hedgehog <span class="StyleColorGrey">- Music track of the famous video game</span><br />
<img loading="lazy" src="res/Item.png" alt="" height="12" width="32" /> <a href="chipmusic/chipmusic-discovery/SonicTheHedgehog-PSG.mp3">[mp3]</a> Track using only <strong>PSG</strong> processor <a href="http://en.wikipedia.org/wiki/Programmable_Sound_Generator"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a><br />
<img loading="lazy" src="res/Item.png" alt="" height="12" width="32" /> <a href="chipmusic/chipmusic-discovery/SonicTheHedgehog-FM.mp3">[mp3]</a> Track using only <strong>FM</strong> processor <a href="http://en.wikipedia.org/wiki/Frequency_modulation"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a><br />
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<center><img loading="lazy" src="chipmusic/chipmusic-discovery/SonicGame.png" alt="Sonic" width="56" height="85" border="0" align="top" title="Sonic" /></center>
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Example of a 'real' chiptune :<br />
<a href="chipmusic/chipmusic-discovery/ChrisHuelsbeck-Shades.mp3">[mp3]</a> <a href="http://www.huelsbeck.com/">Chris Huelsbeck</a> - 'Shades' <span class="StyleColorGrey">- Original chiptune composed in 1986 on Commodore 64 and directly recorded</span><br />
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In 1991, few artists (as <a href="http://ihearthesoundofwaves.blogspot.com/">4-Mat</a> and <a href="http://www.fladen.net/">Random Voice</a>) composed modules (MOD, IT...) with big chip influences, on <a href="http://woolyss.com/tracking-trackers.php">digital trackers</a>. They used really short samples. These chiptunes are 'sample based' because no real soundchip are used. However, they respect demoscene and video-games spirit, and sometimes specificities of a real soundchip.<br />
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Example of a 'sample based' chiptune :<br />
<a href="chipmusic/chipmusic-discovery/RandomVoice-Monday.mp3">[mp3]</a> <a href="http://www.fladen.net/">Random Voice</a> (Edvin Fladen) - 'Monday' <span class="StyleColorGrey">- Original module (MOD) composed on Amiga, in 1991. <a href="chipmusic/chipmusic-discovery/RandomVoice-Monday.mod">Download it !</a></span><br />
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Today, many composers continue to use computers or consoles with real soundchip (Nintendo Gameboy is one of the favorites but Atari ST, Commodore 64 and others are used too !).<br />
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Example of a modern and 'real' chiptune on Nintendo Gameboy :<br />
<a href="chipmusic/chipmusic-discovery/cTrix-LiveTekHouseSet.mp3">[mp3]</a> <a href="http://8bitcollective.com/members/cTrix/">cTrix</a> - 'Live Tek House Set' <span class="StyleColorGrey">- Original chiptune composed on lonely one Gameboy, in 2009</span><br />
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<center><img loading="lazy" src="chipmusic/chipmusic-discovery/NintendoGameboy.png" alt="LSDJ on Nintendo Gameboy" title="LSDJ on Nintendo Gameboy" border="0" width="67" height="112" /></center>
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Moreover, when the sound is less than 8-bit (1, 2, 3 or 4 bit) it is generally considered as chiptune too. Sound of Nintendo Gameboy is not 8-bit sound at all. The Gameboy sound chip offers four channels with 4-bit sound.<br />
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Also, many emulators exist : <a href="chipmusic-chiptrackers.php">chiptrackers</a>, <a href="chipmusic-plugins.php">audio plugins (VST, AU, RTAS)</a>...<br />
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Example of a chiptune in a synthesis emulator :<br />
<a href="chipmusic/chipmusic-discovery/BennyHillRemix.mp3">[mp3]</a> <a href="http://www.youtube.com/user/sz1l1">Sz1l1</a> - Benny Hill Theme <span class="StyleColorGrey">- Original remix created with <a href="http://www.geocities.co.jp/SiliconValley-SanJose/8700/P/GsorigE.htm">GXSCC</a> on Windows, in 2008</span><br />
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More and more <a href="chipmusic-hardware.php">modern machines</a> implement real soundchip. MOS Technology SID (from the Commodore 64) is the most implemented soundchip <a href="http://en.wikipedia.org/wiki/MOS_Technology_SID#Hardware_reimplementations"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a>.<br />
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<center><img loading="lazy" class="shadowImg" title="ymVST : a free VST plugin to emulate Atari ST soundchip" src="chipmusic/chipmusic-discovery/ymVST.png" alt="ymVST : a free VST plugin to emulate Atari ST soundchip" border="0" width="320" height="200" /><br />
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<a href="chipmusic-plugins.php?s=ymVST">ymVST</a> <span class="StyleColorGrey">: a free VST plugin to emulate Atari ST soundchip</span><br />
<a href="chipmusic/chipmusic-plugins/ymVST.mp3">[mp3]</a> Audio demo by <a href="http://ijs.mtasa.com/?page=music">IJS</a></center>
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<a name="chipmusic" id="chipmusic"></a>
<h5>Chipmusic</h5>
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This term define all music genres referring more or less to 8-bit sound. For me, it means a global term. Inside 'chipmusic' term, we can find other terms :<br />
- 8-bit music <a href="http://en.wikipedia.org/wiki/8-bit_(music)"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a><br />
- Amigacore <a href="http://en.wikipedia.org/wiki/Amigacore"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a><br />
- Bitpop<br />
- Blippblopp or Blip-blop<br />
- Chipbreak or Chipcore<br />
- Chiptune <a href="http://en.wikipedia.org/wiki/Chiptune"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a><br />
- Chip Metal or Bleep Metal<br />
- Chipnoise<br />
- Chipstyle<br />
- Bitpop<br />
- Fakebit <a href="http://en.wikipedia.org/wiki/Fakebit"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a><br />
- Gameboy music <a href="http://en.wikipedia.org/wiki/Game_Boy_music"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a><br />
- Lo-fi or Low-Fi music <a href="http://en.wikipedia.org/wiki/Lo-fi_music"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a><br />
- Low-bit<br />
- Microchip<br />
- Micromusic<br />
- Nerdcore or Chip-hop <a href="http://en.wikipedia.org/wiki/Nerdcore_hip_hop"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a><br />
- Nintendocore<br />
- Retro-music<br />
- Skweee <a href="http://en.wikipedia.org/wiki/Skweee"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a><br />
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Sure, all styles are represented. The success of chipmusic/chiptune grow each year. More and more professional and non-professional artists use these typical 8-bit sounds !<br />
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Few examples :<br />
<a href="chipmusic/chipmusic-discovery/Anamanaguchi-JetpackBluesSunsetHues.mp3">[mp3]</a> <a href="http://anamanaguchi.com/">Anamanaguchi</a> - 'Jetpack Blues Sunset Hues' <span class="StyleColorGrey">- Original Rock tune (Check video <a href="videos.php?s=Anamanaguchi-JetpackBluesSunsetHues">here</a> !)</span><br />
<a href="chipmusic/chipmusic-discovery/Astor-SoWhat.mp3">[mp3]</a> <a href="http://www.alanastor.com/">Astor</a> - 'So What' <span class="StyleColorGrey">- Original 8-bit Jazz remix from the <a href="chipmusic-composers.php?s=VariousArtists-KindOfBloop">Kind of Bloop</a> album dedicated to Miles Davis</span><br />
<a href="chipmusic/chipmusic-discovery/BenjaminBear-BoxedIn.mp3">[mp3]</a> <a href="http://www.soundclick.com/bands/default.cfm?bandID=373992">Benjamin Bear</a> - 'Boxed In' <span class="StyleColorGrey">- Original Chip-hop, Nerdcore tune</span><br />
<a href="chipmusic/chipmusic-discovery/JKP-Desinfection.mp3">[mp3]</a> <a href="http://jkp.antisocial.be/">JKP</a> - 'Desinfection' <span class="StyleColorGrey">- Original Chipnoise</span><br />
<a href="chipmusic/chipmusic-discovery/IFightDragons-Overture1.mp3">[mp3]</a> <a href="http://www.myspace.com/ifightdragons">I Fight Dragons</a> - 'Overture 1.0' <span class="StyleColorGrey">- Original tune composed like a trailer or a movie soundtrack</span><br />
<a href="chipmusic/chipmusic-discovery/MachinaeSupremacy-ZogrimAteMyHamster.mp3">[mp3]</a> <a href="http://www.machinaesupremacy.com/">Machinae Supremacy</a> - 'Zogrim Ate My Hamster' <span class="StyleColorGrey">- Original Chip Metal</span><br />
<a href="chipmusic/chipmusic-discovery/MisterBeep-1BitChase.mp3">[mp3]</a> <a href="http://mister_beep.republika.pl/">Mister Beep</a> - '1 Bit Chase' <span class="StyleColorGrey">- Original 1-bit (not 8-bit !!! only one !) tune</span><br />
<a href="chipmusic/chipmusic-composers/Pupajim-IAmARobot.mp3">[mp3]</a> <a href="http://www.jahtari.org/music/JTR7-06.htm">Pupajim</a> - 'I Am A Robot' <span class="StyleColorGrey">- Original Reggae tune with vocal, from the <a href="http://www.jahtari.org/">Jahtari</a> label</span><br />
<a href="chipmusic/chipmusic-composers/She-Superstar.mp3">[mp3]</a> <a href="http://www.shemusic.org/">She</a> - 'Chiptune Superstar' <span class="StyleColorGrey">- Original Disco tune with vocal, from the free album <a href="chipmusic-composers.php?s=She-Superstar">Superstar</a></span><br />
<a href="chipmusic/chipmusic-composers/Vincenzo-ChipDrops.mp3">[mp3]</a> <a href="http://www.freshmindworkz.hu/vincenzo/">Vincenzo</a> - 'Tuesday 44' <span class="StyleColorGrey">- Original Funky tune from his free album <a href="chipmusic-composers.php?s=Vincenzo-ChipDrops">Chip Drops</a></span><br />
<a href="chipmusic/chipmusic-discovery/YMCK-ACrimsonRoseAndaGinTonic.mp3">[mp3]</a> <a href="http://www.ymck.net/">YMCK</a> - 'A Crimson Rose and a GinTonic (Katamari Tribute)' <span class="StyleColorGrey">- Original Jazz tune with vocals</span><br />
<a href="chipmusic/chipmusic-discovery/YTCracker-Dugdig.mp3">[mp3]</a> <a href="http://www.ytcracker.com/">YTCracker</a> - 'Dugdig' <span class="StyleColorGrey">- Original Chip-hop, Nerdcore tune from his free album <a href="http://www.ytcracker.com/nes/">Nerdrap Entertainment System</a></span><br />
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<center>
<video width="400" height="300" controls="controls" poster="chipmusic/chipmusic-discovery/DubmoodFacteur.png">
<source src="chipmusic/chipmusic-discovery/DubmoodFacteur.mp4" type="video/mp4" />
Dubmood vs Facteur - Tulle (France), in 2008
</video>
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<span class="StyleColorGrey"><a href='https://dubmood.bandcamp.com/'>Dubmood</a> vs Facteur - Hypnodisko<br />(Tulle, France, in 2008)</span>
</center>
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<a name="sound" id="sound"></a>
<h5>8-bit sound</h5>
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Often, there is a confusion between sound relative to chiptune/chipmusic and 8-bit sound from 8-bit computers or consoles. On this following example, samples are all coded in 8-bit but it's not a chiptune/chipmusic at all ! Note that on this website I use '8-bit sound' term to define chiptune/chipmusic because everybody do it. For your knowledges, now, you know the difference. ;)<br />
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<a href="chipmusic/chipmusic-discovery/RomeoKnight-RiseUp.mp3">[mp3]</a> <a href="http://www.romeoknight.net/">Romeo Knight</a> - 'Rise Up' <span class="StyleColorGrey">- Original module (MOD) composed on Amiga, in 1989. <a href="chipmusic/chipmusic-discovery/RomeoKnight-RiseUp.mod">Download it !</a></span><br />
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<a name="plagiarism" id="plagiarism"></a>
<h5>Plagiarism</h5>
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Shame on all plagiarists, opportunists and non-creative people (artists ? I do not think so) !<br />
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<a href="http://chipflip.wordpress.com/plagiarism/"><img loading="lazy" title="Reading" src="res/LinkRead.png" alt="Reading" border="0" height="11" width="14" /></a> Plagiarism <span class="StyleColorGrey">- ChipFlip</span><br />
<a href="http://chipflip.wordpress.com/2010/05/25/oh-no-another-plagiarism/"><img loading="lazy" title="Reading" src="res/LinkRead.png" alt="Reading" border="0" height="11" width="14" /></a> Oh No Another Plagiarism <span class="StyleColorGrey">- ChipFlip</span><br />
<a href="http://modarchive.org/forums/index.php?board=85.0"><img loading="lazy" title="Reading" src="res/LinkRead.png" alt="Reading" border="0" height="11" width="14" /></a> Ripper / Plagiarism Reports <span class="StyleColorGrey">- MOD Archive</span><br />
<a href="http://nl_hq.micromusic.net/stolengoods/"><img loading="lazy" title="Reading" src="res/LinkRead.png" alt="Reading" border="0" height="11" width="14" /></a> Stolen Goods <span class="StyleColorGrey">- Micromusic.net</span><br />
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Just two examples :<br />
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<b>Timbaland</b>, a famous opportunist producer, ripped off a chiptune of the artist named <b>Janne Suni (aka Tempest)</b>. Shame on him ! Read 'Timbaland plagiarism controversy' <a href="http://en.wikipedia.org/wiki/Timbaland_plagiarism_controversy"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a> <a href="chipmusic/chipmusic-discovery/TimbalandPlagiarismControversy.pdf"><img loading="lazy" title="PDF Document" src="res/LinkPDF.png" alt="PDF Document" border="0" height="11" width="14" /></a> <a href="http://www.pelulamu.net/timbaland/"><img loading="lazy" title="Reading" src="res/LinkRead.png" alt="Reading" border="0" height="11" width="14" /></a><br />
<br />
<a href="chipmusic/chipmusic-discovery/Tempest-AcidjazzedEvening.mp3">[mp3]</a> <a href="http://www.fairlight.fi/tempest/">Tempest</a> - 'Acidjazzed Evening' <span class="StyleColorGrey">- Original tune made in 2000. Download <a href="chipmusic/chipmusic-discovery/Tempest-AcidjazzedEvening.mod">this module</a> (MOD) or <a href="chipmusic/chipmusic-discovery/Tempest-AcidjazzedEvening.sid">this one</a> (SID) !</span><br />
<a href="chipmusic/chipmusic-discovery/NellyFurtado-DoIt.mp3">[mp3]</a> Nelly Furtado (Feat. Timbaland) - 'Do It' <span class="StyleColorGrey">- Tune made in 2006</span><br />
<br />
... and the other one example :<br />
<br />
<a href="chipmusic/chipmusic-discovery/CrystalCastles-CourtshipDating.mp3">[mp3]</a> <a href="http://www.myspace.com/crystalcastles">Crystal Castles</a> - 'Courtship Dating' <a href="http://en.wikipedia.org/wiki/Courtship_Dating"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a><span class="StyleColorGrey"> - Tune made in 2006 (then released in 2008)</span><br />
<a href="chipmusic/chipmusic-discovery/50CentFt.JustinTimberlake-AyoTechnology.mp3">[mp3]</a> 50 Cent ft. Justin Timberlake - 'Ayo Technology' (Instrumental version) <span class="StyleColorGrey">- Tune made in 2007</span><br />
<br />
<br />
<center>
<video width="400" height="300" controls="controls" poster="chipmusic/chipmusic-discovery/TimbalandPlagiarismControversy.png">
<source src="chipmusic/chipmusic-discovery/TimbalandPlagiarismControversy.mp4" type="video/mp4" />
Dubmood vs Facteur - Tulle (France), in 2008
</video>
<br />
<br />
<span class="StyleColorGrey">Timbaland and Nelly Furtado : plagiarists</span>
</center>
<br />
<br />
<br />
<br />
<a name="communities" id="communities"></a>
<h5>Famous Chipmusic/Chiptune communities</h5>
<br />
<center><a href="http://chipmusic.org/"><img loading="lazy" class="shadowImg" title="ChipMusic.org" src="res/BanChipMusicOrg.png" alt="ChipMusic.org" border="0" height="31" width="88" /></a> <a href="http://www.micromusic.net/"><img loading="lazy" class="shadowImg" src="res/BanMicromusic.png" alt="Micromusic" title="Micromusic" border="0" height="31" width="88" /></a> <a href="http://chiptune.com/"><img loading="lazy" class="shadowImg" title="Chiptune.com" src="res/BanChiptuneCom.png" alt="Chiptune.com" border="0" height="31" width="88" /></a></center>
<br />
<br />
<br />
<br />
<a name="links" id="links"></a>
<h5>Links</h5>
<br />
<a href="http://chipflip.wordpress.com/chipmusic/"><img loading="lazy" title="Reading" src="res/LinkRead.png" alt="Reading" border="0" height="11" width="14" /></a> Chipmusic definition <span class="StyleColorGrey">- ChipFlip</span><br />
<a href="http://chipflip.wordpress.com/timeline/"><img loading="lazy" title="Reading" src="res/LinkRead.png" alt="Reading" border="0" height="11" width="14" /></a> Chipmusic timeline <span class="StyleColorGrey">- ChipFlip</span><br />
<a href="http://journal.transformativeworks.org/index.php/twc/article/viewArticle/96/94"><img loading="lazy" title="Reading" src="res/LinkRead.png" alt="Reading" border="0" height="11" width="14" /></a> Endless loop : a brief history of chiptunes <span class="StyleColorGrey">- Transformative Works and Cultures. ES and FR translation :</span> <a href="chipmusic/chipmusic-discovery/Endless_loop_-_a_brief_history_of_chiptunes_(EN_ES_FR).zip"><img loading="lazy" src="res/ArchiveZIP.png" title="Endless_loop_-_a_brief_history_of_chiptunes_(EN_ES_FR).zip" alt="Endless_loop_-_a_brief_history_of_chiptunes_(EN_ES_FR).zip" border="0" height="11" width="25" /></a><br />
<a href="http://en.wikipedia.org/wiki/Computer_and_video_game_music"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a> Video game music<br />
<a href="http://www3.telus.net/anapan8/oldscardemu.htm"><img loading="lazy" title="Reading" src="res/LinkRead.png" alt="Reading" border="0" height="11" width="14" /></a> Old soundcard emulation <span class="StyleColorGrey">- Anapan8</span><br />
<a href="http://en.wikipedia.org/wiki/Sound_chip"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a> Sound chip<br />
<a href="http://www.srcf.ucam.org/~rga24/computer/music/"><img loading="lazy" title="Reading" src="res/LinkRead.png" alt="Reading" border="0" height="11" width="14" /></a> Sound generators of the 1980s home computers <span class="StyleColorGrey">- Srcf Ucam</span><br />
<a href="http://www.drpetter.se/article_sound.html"><img loading="lazy" title="Reading" src="res/LinkRead.png" alt="Reading" border="0" height="11" width="14" /></a> Basic sound theory and synthesis <span class="StyleColorGrey">- DrPetter's</span><br />
<a href="chipmusic/chipmusic-discovery/PhillPhelps-ChiptuneSynth.pdf"><img loading="lazy" title="PDF Document" src="res/LinkPDF.png" alt="PDF Document" border="0" height="11" width="14" /></a> A modern implementation of Chiptune synthesis <span class="StyleColorGrey">- Phill Phels</span><br />
<a href="chipmusic/chipmusic-discovery/A_study_into_the_music_and_culture_of_chiptunes.pdf"><img loading="lazy" title="PDF Document" src="res/LinkPDF.png" alt="PDF Document" border="0" height="11" width="14" /></a> A study into the music and culture of chiptunes <span class="StyleColorGrey">- Alex Yabsley</span><br />
<a href="http://little-scale.blogspot.com/2008/09/authenticity-and-emulation-chiptune-in.html"><img loading="lazy" title="Reading" src="res/LinkRead.png" alt="Reading" border="0" height="11" width="14" /></a> Authenticity and emulation : Chiptune in the early twenty-first century <span class="StyleColorGrey">- Little-Scale</span><br />
<a href="http://en.wikipedia.org/wiki/Synthesizer#Types_of_synthesis"><img loading="lazy" title="Wikipedia" src="res/LinkWikipedia.png" alt="Wikipedia" border="0" height="11" width="14" /></a> Types of synthesis<br />
<br />
<br />
<center><img loading='lazy' class='shadowImg' title='A chipmusic studio !!!' src='chipmusic/chipmusic-discovery/ChipmusicStudio6.png' alt='A chipmusic studio !!!' border='0' width='320' height='240' /><br /><br /><span class='StyleColorGrey'>A chipmusic studio !!! ;)</span></center>
<br />
<br />
Thank you to all members of the chiptune/chipmusic forums who helped me.<br />
<br />
Woolyss.<br />
<br />
<br />
<br />
<br />
<br />
<span class='StyleSmallColorGrey'>Tags : chiptune, chipmusic, 8bit music, 8bit sound, chiphop, blipblop, micromusic, video-game sound, soundchip, lofi music, retromusic, gameboy music</span><br />
<br /></div>
<div id='menuContent'><h2>Chipmusic</h2><ul><li><a href='chipmusic-chiptrackers.php'><img src='res/PuceOrange.png' alt='Chiptrackers' title='Chiptrackers' style='border:0px;' /> </a><a href='chipmusic-chiptrackers.php'>Chiptrackers</a><br />
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<a href='chipmusic-samples.php'><img src='res/PuceOrange.png' alt='Samples (8-bit)' title='Samples (8-bit)' style='border:0px;' /> </a><a href='chipmusic-samples.php'>Samples (8-bit)</a><br />
<a href='chipmusic-generators.php'><img src='res/PuceOrange.png' alt='Sound generators' title='Sound generators' style='border:0px;' /> </a><a href='chipmusic-generators.php'>Sound generators</a><br />
<a href='chipmusic-soundfonts.php'><img src='res/PuceOrange.png' alt='Soundfonts (SF2)' title='Soundfonts (SF2)' style='border:0px;' /> </a><a href='chipmusic-soundfonts.php'>Soundfonts (SF2)</a><br />
<a href='chipmusic-webradios.php'><img src='res/PuceOrange.png' alt='Webradios' title='Webradios' style='border:0px;' /> </a><a href='chipmusic-webradios.php'>Webradios</a><br />
</li></ul><br /><br /><br />Welcome on Woolyss Chipmusic : A resource dedicated to audio tracking, chiptune,
chipmusic and 8-bit sound. Have a good time ! ;)
<br />
<br />
This is an old website created in 2007.<br />
Many external links are broken. Consider it as an archived website.
<br /><br /><span class='update'>Woolyss - 27 December 2023</span><br /></div><br class="clear" /></div>
<div id='footer'>©2007-2023 Woolyss • <a href='https://info.woolyss.com/' rel='nofollow'>Contact</a> • <a href='https://info.woolyss.com/#privacy' rel='nofollow'>Privacy</a><div id='bannerBottom'><a href='https://woolyss.com/'><img class='shadowImg' src='res/BanWoolyss88x31.png' width='88' height='31' alt='Woolyss Banner (88x31)' title='Woolyss Banner (88x31)' /></a><br /></div></div></body>
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Woolyss - Chipmusic > Discovery



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## Chipmusic discovery
**[8-bit](chipmusic.php#sound) [AU](chipmusic-plugins.php?s=AU) [Artists](chipmusic-composers.php) [Bitrcusher](chipmusic-hardware.php#bitcrusher_machines) [Blogs](chipmusic-news.php) [Chipmusic](chipmusic.php#chipmusic) [Chiptrackers](chipmusic-chiptrackers.php) [Chiptunes](chipmusic-chiptunes.php) [Circuit bending](chipmusic-hardware.php#circuit_bending) [Composers](chipmusic-composers.php) [Discovery](chipmusic.php) [Fuzzboxes](chipmusic-hardware.php#fuzzboxes) [Hardware](chipmusic-hardware.php) [Jukebox](chipmusic-webradios-8bc.php) [Labels](chipmusic-netlabels.php) [Loops](chipmusic-samples.php) [MML](chipmusic-mml.php) [Machines](chipmusic-hardware.php) [Netlabels](chipmusic-netlabels.php) [News](chipmusic-news.php) [Plagiarism](chipmusic.php#plagiarism) [Plugins](chipmusic-plugins.php) [Podcasts](chipmusic-news.php) [RTAS](chipmusic-plugins.php?s=RTAS) [SF2](chipmusic-soundfonts.php) [Samples](chipmusic-samples.php) [Shop](chipmusic-hardware.php#chipmusic_shop) [Sound generators](chipmusic-generators.php) [Soundfonts](chipmusic-soundfonts.php) [Trackers](chipmusic-chiptrackers.php) [VST](chipmusic-plugins.php?s=VST) [Videos](videos.php) [WAV](chipmusic-samples.php) [Webradios](chipmusic-webradios.php)**
[What is chipmusic ?](#whatischipmusic) | [Chiptune](#chiptune) | [Chipmusic](#chipmusic) | [8-bit sound](#sound) | [Plagiarism](#plagiarism) | [Communities](#communities) | [Links](#links)
##### What is chiptune, chipmusic, 8-bit sound ?
I will explain it with simple words and examples. And why is it in english ? Because most of resources are in english (and japanese too !). Commonly on Internet, "chiptune", "chipmusic" and "8-bit sound" mean the same thing. But for me, it is a little bit different.
Just one thing before to start : the difference between the terms "chiptune" and "chipmusic" is not very important ! ;) We do not need to debate during long hours. Historically, the term "chiptune" came before "chipmusic". Today, these terms mean same thing.
##### Chiptune
So, in general, **Chiptune** [](http://en.wikipedia.org/wiki/Chiptune) define music written in sound formats where all the sounds are synthesized in realtime by a computer or video game console sound chip, instead of using sample-based synthesis. The 'golden age' of chiptunes was the mid 1980s to early 1990s, when such sound chips were the most common method for creating music on computers. In short, it is the sound of the first demos and video games.

Screenshot of 'Big Chuj' demo by [Hooy-program](http://hooyprogram.republika.pl/), on ZX Spectrum
Historically, the chips used were sound chips such as :
[](http://en.wikipedia.org/wiki/MOS_Technology_SID) MOS Technology SID 6581/6582/8580 on **Commodore 64** (C64)
[](http://en.wikipedia.org/wiki/General_Instrument_AY-3-8910) General Instrument AY-3-8910 or AY-3-8912 on **Amstrad CPC**, **MSX** and **ZX Spectrum**
[](http://en.wikipedia.org/wiki/POKEY) Analog-digital hybrid Atari POKEY on the **Atari 400/800** and arcade hardware
[](http://en.wikipedia.org/wiki/General_Instrument_AY-3-8910) Yamaha YM2149 on the **Atari ST** and **ZX Spectrum**
[](http://en.wikipedia.org/wiki/Yamaha_YM2612) Yamaha YM2612 on **Sega MegaDrive/Genesis**
[](http://en.wikipedia.org/wiki/Yamaha_YM3812) Yamaha YM3812 (aka OPL2) and YMF262 (aka OPL3) [](http://en.wikipedia.org/wiki/Yamaha_YMF262) on **IBM PC compatibles**
[](http://en.wikipedia.org/wiki/Original_Chip_Set) Paula on **Amiga**
[](http://en.wikipedia.org/wiki/Ricoh_2A03) Ricoh 2A03 on **Nintendo Entertainment System** (NES) or Famicom
For the **MSX** several sound upgrades, such as the Konami SCC [](http://en.wikipedia.org/wiki/Konami_SCC), the Yamaha YM2413 [](http://en.wikipedia.org/wiki/Yamaha_YM2413) (MSX-MUSIC) and Yamaha Y8950 [](http://en.wikipedia.org/wiki/Yamaha_Y8950) (MSX-AUDIO, predecessor of the OPL3) and the OPL4-based Moonsound were released as well, each having its own characteristic chiptune sound.
The **Nintendo Gameboy** do not have a separate soundchip. It uses digital logic integrated on the main CPU.
Also, there is no soundchip in the **Apple II**, but there is a 16 channel 8 bit Ensoniq ES5503 DOC wavetable soundchip in the **Apple IIGS** (GS = Graphics and Sound).
More informations about soundchips on [x68000.de](http://www.x68000.de/soundchip-hardware-list/)
 in Commodore 64")
MOS Technology (SID) in Commodore 64
Comparison of two soundchip processors (**Sega MegaDrive/Genesis**) :
[[mp3]](chipmusic/chipmusic-discovery/SonicTheHedgehog-FinalTrack.mp3) Sonic the Hedgehog - Music track of the famous video game
 [[mp3]](chipmusic/chipmusic-discovery/SonicTheHedgehog-PSG.mp3) Track using only **PSG** processor [](http://en.wikipedia.org/wiki/Programmable_Sound_Generator)
 [[mp3]](chipmusic/chipmusic-discovery/SonicTheHedgehog-FM.mp3) Track using only **FM** processor [](http://en.wikipedia.org/wiki/Frequency_modulation)

Example of a 'real' chiptune :
[[mp3]](chipmusic/chipmusic-discovery/ChrisHuelsbeck-Shades.mp3) [Chris Huelsbeck](http://www.huelsbeck.com/) - 'Shades' - Original chiptune composed in 1986 on Commodore 64 and directly recorded
In 1991, few artists (as [4-Mat](http://ihearthesoundofwaves.blogspot.com/) and [Random Voice](http://www.fladen.net/)) composed modules (MOD, IT...) with big chip influences, on [digital trackers](http://woolyss.com/tracking-trackers.php). They used really short samples. These chiptunes are 'sample based' because no real soundchip are used. However, they respect demoscene and video-games spirit, and sometimes specificities of a real soundchip.
Example of a 'sample based' chiptune :
[[mp3]](chipmusic/chipmusic-discovery/RandomVoice-Monday.mp3) [Random Voice](http://www.fladen.net/) (Edvin Fladen) - 'Monday' - Original module (MOD) composed on Amiga, in 1991. [Download it !](chipmusic/chipmusic-discovery/RandomVoice-Monday.mod)
Today, many composers continue to use computers or consoles with real soundchip (Nintendo Gameboy is one of the favorites but Atari ST, Commodore 64 and others are used too !).
Example of a modern and 'real' chiptune on Nintendo Gameboy :
[[mp3]](chipmusic/chipmusic-discovery/cTrix-LiveTekHouseSet.mp3) [cTrix](http://8bitcollective.com/members/cTrix/) - 'Live Tek House Set' - Original chiptune composed on lonely one Gameboy, in 2009

Moreover, when the sound is less than 8-bit (1, 2, 3 or 4 bit) it is generally considered as chiptune too. Sound of Nintendo Gameboy is not 8-bit sound at all. The Gameboy sound chip offers four channels with 4-bit sound.
Also, many emulators exist : [chiptrackers](chipmusic-chiptrackers.php), [audio plugins (VST, AU, RTAS)](chipmusic-plugins.php)...
Example of a chiptune in a synthesis emulator :
[[mp3]](chipmusic/chipmusic-discovery/BennyHillRemix.mp3) [Sz1l1](http://www.youtube.com/user/sz1l1) - Benny Hill Theme - Original remix created with [GXSCC](http://www.geocities.co.jp/SiliconValley-SanJose/8700/P/GsorigE.htm) on Windows, in 2008
More and more [modern machines](chipmusic-hardware.php) implement real soundchip. MOS Technology SID (from the Commodore 64) is the most implemented soundchip [](http://en.wikipedia.org/wiki/MOS_Technology_SID#Hardware_reimplementations).

[ymVST](chipmusic-plugins.php?s=ymVST) : a free VST plugin to emulate Atari ST soundchip
[[mp3]](chipmusic/chipmusic-plugins/ymVST.mp3) Audio demo by [IJS](http://ijs.mtasa.com/?page=music)
##### Chipmusic
This term define all music genres referring more or less to 8-bit sound. For me, it means a global term. Inside 'chipmusic' term, we can find other terms :
- 8-bit music [](http://en.wikipedia.org/wiki/8-bit_(music))
- Amigacore [](http://en.wikipedia.org/wiki/Amigacore)
- Bitpop
- Blippblopp or Blip-blop
- Chipbreak or Chipcore
- Chiptune [](http://en.wikipedia.org/wiki/Chiptune)
- Chip Metal or Bleep Metal
- Chipnoise
- Chipstyle
- Bitpop
- Fakebit [](http://en.wikipedia.org/wiki/Fakebit)
- Gameboy music [](http://en.wikipedia.org/wiki/Game_Boy_music)
- Lo-fi or Low-Fi music [](http://en.wikipedia.org/wiki/Lo-fi_music)
- Low-bit
- Microchip
- Micromusic
- Nerdcore or Chip-hop [](http://en.wikipedia.org/wiki/Nerdcore_hip_hop)
- Nintendocore
- Retro-music
- Skweee [](http://en.wikipedia.org/wiki/Skweee)
Sure, all styles are represented. The success of chipmusic/chiptune grow each year. More and more professional and non-professional artists use these typical 8-bit sounds !
Few examples :
[[mp3]](chipmusic/chipmusic-discovery/Anamanaguchi-JetpackBluesSunsetHues.mp3) [Anamanaguchi](http://anamanaguchi.com/) - 'Jetpack Blues Sunset Hues' - Original Rock tune (Check video [here](videos.php?s=Anamanaguchi-JetpackBluesSunsetHues) !)
[[mp3]](chipmusic/chipmusic-discovery/Astor-SoWhat.mp3) [Astor](http://www.alanastor.com/) - 'So What' - Original 8-bit Jazz remix from the [Kind of Bloop](chipmusic-composers.php?s=VariousArtists-KindOfBloop) album dedicated to Miles Davis
[[mp3]](chipmusic/chipmusic-discovery/BenjaminBear-BoxedIn.mp3) [Benjamin Bear](http://www.soundclick.com/bands/default.cfm?bandID=373992) - 'Boxed In' - Original Chip-hop, Nerdcore tune
[[mp3]](chipmusic/chipmusic-discovery/JKP-Desinfection.mp3) [JKP](http://jkp.antisocial.be/) - 'Desinfection' - Original Chipnoise
[[mp3]](chipmusic/chipmusic-discovery/IFightDragons-Overture1.mp3) [I Fight Dragons](http://www.myspace.com/ifightdragons) - 'Overture 1.0' - Original tune composed like a trailer or a movie soundtrack
[[mp3]](chipmusic/chipmusic-discovery/MachinaeSupremacy-ZogrimAteMyHamster.mp3) [Machinae Supremacy](http://www.machinaesupremacy.com/) - 'Zogrim Ate My Hamster' - Original Chip Metal
[[mp3]](chipmusic/chipmusic-discovery/MisterBeep-1BitChase.mp3) [Mister Beep](http://mister_beep.republika.pl/) - '1 Bit Chase' - Original 1-bit (not 8-bit !!! only one !) tune
[[mp3]](chipmusic/chipmusic-composers/Pupajim-IAmARobot.mp3) [Pupajim](http://www.jahtari.org/music/JTR7-06.htm) - 'I Am A Robot' - Original Reggae tune with vocal, from the [Jahtari](http://www.jahtari.org/) label
[[mp3]](chipmusic/chipmusic-composers/She-Superstar.mp3) [She](http://www.shemusic.org/) - 'Chiptune Superstar' - Original Disco tune with vocal, from the free album [Superstar](chipmusic-composers.php?s=She-Superstar)
[[mp3]](chipmusic/chipmusic-composers/Vincenzo-ChipDrops.mp3) [Vincenzo](http://www.freshmindworkz.hu/vincenzo/) - 'Tuesday 44' - Original Funky tune from his free album [Chip Drops](chipmusic-composers.php?s=Vincenzo-ChipDrops)
[[mp3]](chipmusic/chipmusic-discovery/YMCK-ACrimsonRoseAndaGinTonic.mp3) [YMCK](http://www.ymck.net/) - 'A Crimson Rose and a GinTonic (Katamari Tribute)' - Original Jazz tune with vocals
[[mp3]](chipmusic/chipmusic-discovery/YTCracker-Dugdig.mp3) [YTCracker](http://www.ytcracker.com/) - 'Dugdig' - Original Chip-hop, Nerdcore tune from his free album [Nerdrap Entertainment System](http://www.ytcracker.com/nes/)
Dubmood vs Facteur - Tulle (France), in 2008
[Dubmood](https://dubmood.bandcamp.com/) vs Facteur - Hypnodisko
(Tulle, France, in 2008)
##### 8-bit sound
Often, there is a confusion between sound relative to chiptune/chipmusic and 8-bit sound from 8-bit computers or consoles. On this following example, samples are all coded in 8-bit but it's not a chiptune/chipmusic at all ! Note that on this website I use '8-bit sound' term to define chiptune/chipmusic because everybody do it. For your knowledges, now, you know the difference. ;)
[[mp3]](chipmusic/chipmusic-discovery/RomeoKnight-RiseUp.mp3) [Romeo Knight](http://www.romeoknight.net/) - 'Rise Up' - Original module (MOD) composed on Amiga, in 1989. [Download it !](chipmusic/chipmusic-discovery/RomeoKnight-RiseUp.mod)
##### Plagiarism
Shame on all plagiarists, opportunists and non-creative people (artists ? I do not think so) !
[](http://chipflip.wordpress.com/plagiarism/) Plagiarism - ChipFlip
[](http://chipflip.wordpress.com/2010/05/25/oh-no-another-plagiarism/) Oh No Another Plagiarism - ChipFlip
[](http://modarchive.org/forums/index.php?board=85.0) Ripper / Plagiarism Reports - MOD Archive
[](http://nl_hq.micromusic.net/stolengoods/) Stolen Goods - Micromusic.net
Just two examples :
**Timbaland**, a famous opportunist producer, ripped off a chiptune of the artist named **Janne Suni (aka Tempest)**. Shame on him ! Read 'Timbaland plagiarism controversy' [](http://en.wikipedia.org/wiki/Timbaland_plagiarism_controversy) [](chipmusic/chipmusic-discovery/TimbalandPlagiarismControversy.pdf) [](http://www.pelulamu.net/timbaland/)
[[mp3]](chipmusic/chipmusic-discovery/Tempest-AcidjazzedEvening.mp3) [Tempest](http://www.fairlight.fi/tempest/) - 'Acidjazzed Evening' - Original tune made in 2000. Download [this module](chipmusic/chipmusic-discovery/Tempest-AcidjazzedEvening.mod) (MOD) or [this one](chipmusic/chipmusic-discovery/Tempest-AcidjazzedEvening.sid) (SID) !
[[mp3]](chipmusic/chipmusic-discovery/NellyFurtado-DoIt.mp3) Nelly Furtado (Feat. Timbaland) - 'Do It' - Tune made in 2006
... and the other one example :
[[mp3]](chipmusic/chipmusic-discovery/CrystalCastles-CourtshipDating.mp3) [Crystal Castles](http://www.myspace.com/crystalcastles) - 'Courtship Dating' [](http://en.wikipedia.org/wiki/Courtship_Dating) - Tune made in 2006 (then released in 2008)
[[mp3]](chipmusic/chipmusic-discovery/50CentFt.JustinTimberlake-AyoTechnology.mp3) 50 Cent ft. Justin Timberlake - 'Ayo Technology' (Instrumental version) - Tune made in 2007
Dubmood vs Facteur - Tulle (France), in 2008
Timbaland and Nelly Furtado : plagiarists
##### Famous Chipmusic/Chiptune communities
[](http://chipmusic.org/) [](http://www.micromusic.net/) [](http://chiptune.com/)
##### Links
[](http://chipflip.wordpress.com/chipmusic/) Chipmusic definition - ChipFlip
[](http://chipflip.wordpress.com/timeline/) Chipmusic timeline - ChipFlip
[](http://journal.transformativeworks.org/index.php/twc/article/viewArticle/96/94) Endless loop : a brief history of chiptunes - Transformative Works and Cultures. ES and FR translation : [.zip")](chipmusic/chipmusic-discovery/Endless_loop_-_a_brief_history_of_chiptunes_(EN_ES_FR).zip)
[](http://en.wikipedia.org/wiki/Computer_and_video_game_music) Video game music
[](http://www3.telus.net/anapan8/oldscardemu.htm) Old soundcard emulation - Anapan8
[](http://en.wikipedia.org/wiki/Sound_chip) Sound chip
[](http://www.srcf.ucam.org/~rga24/computer/music/) Sound generators of the 1980s home computers - Srcf Ucam
[](http://www.drpetter.se/article_sound.html) Basic sound theory and synthesis - DrPetter's
[](chipmusic/chipmusic-discovery/PhillPhelps-ChiptuneSynth.pdf) A modern implementation of Chiptune synthesis - Phill Phels
[](chipmusic/chipmusic-discovery/A_study_into_the_music_and_culture_of_chiptunes.pdf) A study into the music and culture of chiptunes - Alex Yabsley
[](http://little-scale.blogspot.com/2008/09/authenticity-and-emulation-chiptune-in.html) Authenticity and emulation : Chiptune in the early twenty-first century - Little-Scale
[](http://en.wikipedia.org/wiki/Synthesizer#Types_of_synthesis) Types of synthesis

A chipmusic studio !!! ;)
Thank you to all members of the chiptune/chipmusic forums who helped me.
Woolyss.
Tags : chiptune, chipmusic, 8bit music, 8bit sound, chiphop, blipblop, micromusic, video-game sound, soundchip, lofi music, retromusic, gameboy music
## Chipmusic
* [](chipmusic-chiptrackers.php) [Chiptrackers](chipmusic-chiptrackers.php)
[")](chipmusic-chiptunes.php) [Chiptunes (AY, NSF, SID...)](chipmusic-chiptunes.php)
[](chipmusic-composers.php) [Composers](chipmusic-composers.php)
[](chipmusic.php) [Discovery](chipmusic.php)
[](chipmusic-hardware.php) [Hardware](chipmusic-hardware.php)
[](chipmusic-mml.php) [MML](chipmusic-mml.php)
[](chipmusic-netlabels.php) [Netlabels](chipmusic-netlabels.php)
[](chipmusic-news.php) [News, blogs and podcasts](chipmusic-news.php)
[")](chipmusic-plugins.php) [Plugins (VST, AU, RTAS)](chipmusic-plugins.php)
[")](chipmusic-samples.php) [Samples (8-bit)](chipmusic-samples.php)
[](chipmusic-generators.php) [Sound generators](chipmusic-generators.php)
[")](chipmusic-soundfonts.php) [Soundfonts (SF2)](chipmusic-soundfonts.php)
[](chipmusic-webradios.php) [Webradios](chipmusic-webradios.php)
Welcome on Woolyss Chipmusic : A resource dedicated to audio tracking, chiptune,
chipmusic and 8-bit sound. Have a good time ! ;)
This is an old website created in 2007.
Many external links are broken. Consider it as an archived website.
Woolyss - 27 December 2023
©2007-2023 Woolyss • [Contact](https://info.woolyss.com/) • [Privacy](https://info.woolyss.com/#privacy)[")](https://woolyss.com/)
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<head>
<title>stinkymeat - day 1</title>
<META NAME="KEYWORDS" CONTENT="the stinkymeat project stinky meat
my god what is that smell maggots experiment neighbors lawn police
arrested because of meat plantation hot dogs ground beef fatty
juicy steak leaking it's juice all over my hand as I pick it up
my god that is revolting">
<META NAME="DESCRIPTION" CONTENT="the stinkymeat project">
<META NAME="AUTHOR" CONTENT="Mahlon Smith">
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<B>
Day 1
</B></FONT></P>
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<TD bgColor="#ffffff" width=345 class='content'>
<br />
Meat purchasing day
<BR><BR>
Went to the store, on a meat hunt.
What was I looking for in my meat selection?<br>
<code><ul>
<li>Freshness</li>
<li>Price</li>
<li>Texture</li>
</ul></code>
<CENTER><IMG SRC="image.jpg" BORDER=4></CENTER><BR>
Nabbed some ground beef.
Expected to disintegrate within 3-4 days.<BR>
Total cost: $2.57
<BR><BR>
<CENTER><IMG SRC="hotdog.jpg" BORDER=4></CENTER><BR>
Preservative heaven.<BR>
I think these dogs have a better chance of being carried off by
a wild animal than to decompose. In fact, these could potentially
extend this project to well over a few years. I wish there was
a halflife printed on the label.<BR>
Price: $0.99 <BR>
Total Cost: $3.56
<BR><BR>
<CENTER><IMG SRC="steak.jpg" BORDER=4></CENTER><BR>
I wanted a middle ground as well, decided a firm steak would do it.
Steaks are not cheap, and so I opted for a lonely 'Reduced for Quick Sale'
slab that still appeared edible. As I picked it up, the seran
wrap covering promptly unfolded and gushed beef juice onto my hand.
<BR><BR>
I bought it anyway.<BR>
Price: $3.75 <BR>
Total Cost: $7.31
<BR><BR>
Tomorrow I go next door and plant it all in my neighbor's lawn.
<div style="float: right; margin: 20px;">
<a href="../day2/">Day 2</a>
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stinkymeat - day 1
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| | | | | | | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| |
| | | | |
| --- | --- | --- | --- |
|
**Day 1** |
| |
| --- |
| |
| |
|
| | |
Meat purchasing day
Went to the store, on a meat hunt.
What was I looking for in my meat selection?
`* Freshness
* Price
* Texture`
Nabbed some ground beef.
Expected to disintegrate within 3-4 days.
Total cost: $2.57
Preservative heaven.
I think these dogs have a better chance of being carried off by
a wild animal than to decompose. In fact, these could potentially
extend this project to well over a few years. I wish there was
a halflife printed on the label.
Price: $0.99
Total Cost: $3.56
I wanted a middle ground as well, decided a firm steak would do it.
Steaks are not cheap, and so I opted for a lonely 'Reduced for Quick Sale'
slab that still appeared edible. As I picked it up, the seran
wrap covering promptly unfolded and gushed beef juice onto my hand.
I bought it anyway.
Price: $3.75
Total Cost: $7.31
Tomorrow I go next door and plant it all in my neighbor's lawn.
[Day 2](../day2/)
| | | |
| |
| | | |
|
| http://www.stinkymeat.net/stinkymeat/day1/ |
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<P><B>October 2003 - Playboy Magazine (US)</B></P>
<H2>Siege at Rainbow Farm</H2>
<H4>Author: Dean Kuipers</H4>
<H3>In 2001 a Hippie Campground Famous for Peace, Love and Weed
Erupted in Violence and Death. Was It Another Ruby Ridge or the
Collapse of a Failed Utopia?</H3>
<P>On the day that he purchased Rainbow Farm, Tom Crosslin said
destiny had led him to the place. By the late 1990s the farm
would become a well-known stop on the hippie trail, a scenic
overlook for the migratory flocks of travelers and Phish fans
who crisscrossed the country. For thousands of blue-collar pilgrims
who stopped there looking for a few days of fun and freedom in
Michigan's vacation lands, it was a benevolent little campground.
And on any other Labor Day they would have been there: thousands
of happy stoners setting up tents for Crosslin's annual marijuana-legalization
fest, a party he'd named Roach Roast. But on Friday morning,
August 31, 2001, he was storming around, telling the last of
the local kids to leave.</P>
<P>"Get the hell out of here," Crosslin said, "and
don't you dare come back. Just watch the news tonight."</P>
<P>Crosslin and his lover, Rolland "Rollie" Rohm, were
in desperate straits. They were facing drug and firearms charges
brought against them by a local prosecutor, Scott Teter. If they
lost the case, they were looking at serious jail time and the
loss of their property under drug-war forfeiture laws. They had
posted bail, but it was now in danger of being revoked. Instead
of showing up at a bond hearing that morning, they had made the
momentous decision to blow it off and stay on the farm. They
were going to fight for their rights, but not in a court room.</P>
<P>When the road was quiet, Crosslin walked to his production
facility, a double wide modular unit that has served as a greenroom
during outdoor concerts by Merle Haggard and Tommy Chong. It
was now packed with bales of straw. Crosslin set it ablaze, sending
the red-winged blackbirds on a nearby pond into a riot of chatter.</P>
<P>Soon Rainbow Farm's other structures were burning: First a
wooden booth where visitors had traded $65 for tickets to three-daylong
hemp festivals, then an old pump house that served as Crosslin's
home, and a new one he'd built for his licensed campground and
RV hookups. Finally, the fire consumed his prize: a quarter-million-dollar
main campground building housing a coffee shop, a general store,
a head shop, the main office, showers for a dozen people and
Cass County's best laundromat. Acrid black smoke billowed into
the sky above 54 acres of woods and meadow, and all across the
country people read the signals: The four-year public feud between
Tom Crosslin and Cass County prosecutor Scott Teter had finally
come to a head.</P>
<P>Five days later, after a standoff that involved the sheriff's
department, the Michigan state police and the FBI, men lay dead
and lives were forever altered. The events at Rainbow Farm quickly
became front-page news but were even more quickly overshadowed
by the September 11 terrorist attacks. The story - and the troubling
issues it raised - seemed forgotten. Until now. Court documents
and extensive interviews with survivors make it possible to re-create
the events leading up to the siege and the escalation of violence
at Rainbow Farm. It's the story of the destruction of a flawed
utopia, a place where a group of outsiders made an attempt at
redemption and success but ended up facing the full force of
America's drug laws.</P>
<H3>Tom and Rollie</H3>
<P>In 1993 Crosslin bought a decrepit farmhouse on 34 rolling
acres of woods and cornfield outside the town of Vandalia, Michigan,
He paid $35,000 in cash - a steal - raising the money by selling
one of his many properties in Elkhart, Indiana, a building that
still bears his logo. When Crosslin moved to Rainbow Farm, it
was partly to establish a new household with Rohm. But Crosslin
had a larger plan: to build a Shangri-law cum campground where
he could live peacefully with his extended family and friends.
Two of his employees, Sheetrock man Morelle Yonkers (a Vietnam-era
vet) and his girlfriend , Amy Jo, moved into the old sugar shack
and began planting a giant garden. Doug Leinbach, an ex-banker
who became the farm's manager, moved into a big white teepee.
Soon Derrik DeCraene, an event promoter, joined them. Over the
years, the cast of characters expanded to include a carpenter
named Whoa Boy and That Guy, a spare hand. Crosslin was their
leader, Crosslin was the boss. And Rainbow Farm was where they
were all going to reinvent their lives.</P>
<P>Crosslin was born in Manchester, Tennessee, the third of four
children. His family moved to Elkhart when he was still a child.
By the age of 14 or so, Crosslin and his older brothers were
into beer and pot. Theirs was a world of muscle cars, factory
work, girls and getting stoned. "Tom's family was like mine
- we were always renting homes," says Leinbach. "They
were not wealthy. They didn't have running water in Tennessee.
But they were loving."</P>
<P>Like his three siblings, Crosslin quit school around 10th
grade and went to work. It was 1971. At one of his first jobs
- managing a car wash - the boss shorted his paycheck, and Crosslin
borrowed a gun from a friend and got his money. He was arrested
and served six months in jail. Crosslin ran with some bikers
and got married to a woman with a yellow Harley. He was divorced
from her amicably after a year or two, when he came to terms
with the fact that he was gay or bisexual. Leinbach, who is also
gay, never suspected a thing. "This was not the kind of
thing you talked about openly in Elkhart," he says.</P>
<P>Crosslin had plenty of friends and a knack for making money.
He started a steeplejack business raising flagpoles. The business
evolved into a full-blown service company, providing security
and rehabbing buildings. At the same time, Leinbach was managing
distressed properties for an Elkhart bank - repos and estate
settlements - and he routinely hired Crosslin's company. Soon
Crosslin began buying properties using land contracts, sometimes
acquiring them with down payments as small as $1,000.</P>
<P>Crosslin owned at last 20 properties at one point and employed
as many as 80 people. Men came to Crosslin when they were in
trouble - recently divorced, paroled, dishonorably discharged,
closeted. He'd put them on a crew and give them a place to live.
Crosslin brought out the pride in troubled people. At quitting
time, his houses on Prairie and Perkins streets often turned
into big party places. There would be cookouts, cases of beer,
vegetables from his gardens.</P>
<P>According to a friend in Elkhart's gay community, Crosslin
was promiscuous until he met Rollie Rohm. Rohm was 16 years old,
a slim, longhaired soccer player with a mustache, who had dropped
out of school and was looking for work. He had recently fathered
a child with Leslie Pletcher, a good-looking woman eight years
his senior. They married but quickly divorced. Their newborn
son, Robert, lived with Pletcher.</P>
<P>Crosslin, then 34, pushed the rest of his world aside for
Rohm. He bought him a red sports car and moved him into his house,
where they would sit and smoke pot in the living room hot tub.
According to Rohm's stepmother, who had worked with him in school
since he was four, he was "a little slow" and suffered
from hyperactivity. His natural parents were out of the picture,
and the two thinks that really interested him were rock music
and soccer. In Crosslin, Rohm found someone who would nurture
him.</P>
<P>"They didn't live a gay lifestyle," says Leinbach.
"They didn't want to embarrass anyone. They loved Robert
more than anything." Crosslin took Rohm and his son fishing
and blueberry picking. He liked to drive, and they would all
load into his white Rolls-Royce, with its 'HEMP 1' vanity plate,
and cruse through the countryside listening to oldies and Motown.
In 1994, a year after moving into the sprawling house at Rainbow
Farm, Rohm, with Crosslin's help, won custody of Robert.</P>
<P>"When Tom bought Rainbow Farm, he wanted to make his
living there," Leinbach says. "He didn't want to run
into Elkhart and tend to rental homes anymore. When he needed
money, he'd sell a house. Then he's buy a new one, so he's always
have assets. But he'd buy distressed homes, and we'd have to
renovate them. Even in the middle of a big event, we'd have to
drop everything for an emergency plumbing job."</P>
<P>"Tom wanted to do a campground," says attorney Don
France, a former prosecutor who handled most of Crosslin's civil
cases. "I have an RV camp too. I told him how to get a permit.
Campgrounds are transitory, overnight spots along a highway or
destination-type places on a river or lake. Tom didn't have any
of that, but he represented a lifestyle. People could do their
own thing and not be bothered."</P>
<P>"We wanted the farm to be a family campground,"
Leinbach says. "Most people with alternative lifestyles
find it hard to go to a public campground, for fear of arrest
or harassment by other campers. This was never a gay campground.
Tom like to say his ideas were messages from the hippie gods.
We believed in partaking of marijuana privately, responsibly.</P>
<P>"We were tired of seeing or friends, relatives and others
jailed because of marijuana use," he continues. "Too
many families destroyed, to many tax dollars wasted, just for
use of a god-given herb. The sense of injustice grew, and then
Tom decided, 'We're going to throw hemp festivals here.'"</P>
<P>When Crosslin decided to hold festivals at Rainbow Farm, he
did his research. He would allow visitors to smoke on his land,
which is a misdemeanor in Michigan. Technically, a cop can't
enter private property to issue a ticket for a misdemeanor. Gathering
to smoke pot in the house, Crosslin knew, would constitute a
felony called "maintaining a drug house," but no such
law exists for an open field. This was the thin green line Crosslin
drew around Rainbow Farm, and for five years it protected all
of them.</P>
<H3>The Festivals</H3>
<P>Beginning in 1996, the two annual Rainbow Farm events, HempAid
on Memorial Day and Roach Roast on Labor Day, were part Woodstock,
part union picnic. They were family-oriented affairs, with Rohm's
son, Robert, wheeling his golf cart among the soft-drink stands
and hemp clothing vendors and representatives from the National
Organization to Reform Marijuana Laws.</P>
<P>Onstage speakers railed against government oppression. Guests
included the chairman of the Van Buren County Libertarian Party,
High Times editor Steve Hager and MC5 manager and White Panther
Party jefe John Sinclair, who, in 1969, was sentenced to 10 years
in prison for possessing two joints. Most of them, unlike Crosslin
or Rohm, could trace a lineage to radicalism of the 1960s, when
they played to a more engaged audience. At Rainbow Farm gatherings
it was hard to tell if anyone was paying attention.</P>
<P>A church group even showed up twice to evangelize. "We
got a lot of lost souls out here," Crosslin said. "Might
as well let them have a few."</P>
<P>These events from 1996 through 2001 made Rainbow Farm the
center of pot activism in Michigan. They each cost more than
$100,000 to produce, and Crosslin needed to sell 2,500 tickets
to break even and 3,000 to show a meaningful profit. Only one
show (featuring Tommy Chong) ever approached this number. "We
were pretty much operating to keep operating," says DeCraene,
Rainbow's promoter. "If we fell on our butts, Tom just reached
into the old piggy bank."</P>
<P>Crosslin was confident that the shows would eventually become
viable, but his determination to build Rainbow Farm into a private
utopia was getting in the way of profitability. "We'd spend
$10,000 for Porta Potties," Leinbach says. "We spent
tens of thousands on bands, thousands on radios, thousands on
golf carts and on medics and supplies to handle emergencies."</P>
<P>"We had our own tent city. We had our own economy,"
says DeCraene. "It was a beautiful thing. If we were a humanitarian
project, we would have gotten awards. But instead we were made
out to be villains and pot smokers."</P>
<P>Everyday life at the farm was centered on the nuclear cluster
of Crosslin, Rohm and Robert. "Tom and Rollie were family,"
says Leinbach. "The wanted their son to know that - contrary
to what the DARE programs told him in school - his parents weren't
criminals. They were normal people."</P>
<P>"Before they started the festivals, there was a government
abuse/neglect charge," says France. "It didn't amount
to much - just an allegation that they were homosexuals and had
this boy around. But there was no indication of inappropriate
activity in the presence of the boy. It was trumped-up. And the
county backed off." Robert took a social worker out to fetch
still-warm eggs from the henhouse. According to Leinbach, she
came back glowing and declared the farm "a wholesome environment
in which to raise a child."</P>
<P>"That boy, he was loved by so many people," says
Leinbach. "And he was a good, generous young man. That boy
offered us strength at times when we didn't think we could go
on. All we had to do was see his smiling face and we were ready
to go at it another day."</P>
<P>Not everyone was as malleable as Robert. Crosslin put his
faith in human nature on the line when he assembled large crowds
of strangers. He tried to impress his philosophy on them: no
hard shit. If a marijuana high isn't good enough anymore, get
better marijuana. The whole point of the gathering was to uphold
privacy rights - it was civil disobedience. Show the world that
you can use marijuana and be responsible. Take care of your children.
Work. Be productive. And change the laws.</P>
<P>At the start of the 1999 season, Crosslin's organizers were
bent on doing a better job of promoting the festivals, and they
purchased lighted signboards along the highway. The state even
put in an official campground sign. With the higher profile,
they also drew some unwanted attention. Bob File, a member of
a prominent family that owns a huge hog and dairy farm adjacent
to Rainbow Farm, set up a traveling barbecue and sold pork sandwiches
during the events. He says the cops didn't care about the festivals
until Crosslin advertised out on M-60. "If Tom had been
more discreet," he says, "there wouldn't have been
much they could do. But once he pissed those guys off, there
was no turning back."</P>
<H3>The Prosecutor</H3>
<P>In the four years that Cass County prosecutor Scott Teter
tried to nail Crosslin, they never once talked face-to-face,
other than in court. "I understand that Crosslin did some
positive things with the community," Teter, 40, now says.
He is a law-and-order man whose moral vision is uncluttered by
shades of gray. His career has been marked by an ability to distill
life into a series of simple themes and to repeat them over and
over.</P>
<P>One of those themes was that Rainbow Farm was a drug mart.
"Crosslin believed in the legalization of marijuana,"
Teter says. "I don't have any problem with that - in fact,
our system encourages it. But at some point, his gatherings became
'Come to this property and use, distribute and deal any narcotic
you choose'."</P>
<P>Teter's office in the courthouse was decorated with awards
received for work on child support and photos of his family,
pillars of local society in Edwardsburg, Cass County's more affluent
district. His father, Jack Teter, is a county commissioner and
owner of a machine shop, and his mother, Marian, ran Teter Realty.
An anti-abortion Republican who campaigned on child welfare and
antidrug issues, he said after his election, "I believe
I was guided by the Lord." He went on the Weekend Today
show to talk about his billboard slogan: "If your sex partner
is under 16, they won't be when you get out of prison."</P>
<P>Soon after Teter took office, in December 1996, he began targeting
Rainbow Farm. On Memorial Day the sheriff and the state police
set up a "holiday sobriety checkpoint" on the only
road into or out of the farm. All weekend, cars were stopped
and drivers were questioned. Many were ticketed.</P>
<P>Teter says he didn't want to start a war. "We made a
decision several years ago that, no, for misdemeanor use of marijuana
I was not going marshal 500 troops and go in and provoke a violent
confrontation," he says.</P>
<P>But word was getting out: Go to Rainbow Farm, and you will
be harassed - or worse. Ticket sales to the festivals started
dropping. "They denied us the opportunity to make a living,"
Leinbach says. "We don't know how many thousands of people
they chased away."</P>
<P>In 1998 Teter sent an undercover narc into the festivals but
couldn't find enough evidence to prosecute its organizers. He
sent a letter, as he now says, "putting Crosslin on notice"
that he knew about "hard drugs" there. When fliers
went up announcing HempAid '99 Teter sent another letter, dated
March 24, 1999. This time he threatened to seize Crosslin's property
if hard drugs were found. The letter sent a cold shock through
Cass County. Overnight, what had been a political chess match
turned into a blood feud.</P>
<P>"That fucking son of a bitch, who does he think he is?"
ranted Crosslin when he received Teter's letter. Crosslin, the
self-made hillbilly real estate magnate, had studied up on drug-ware
forfeiture law. He stomped around the farmhouse, screaming about
it. It was a tool meant to break up drug cartels and close crack
houses, not destroy meant like him who were operating in the
open.</P>
<P>"He said, 'Sit down and write that son of a bitch a letter,'"
says Leinbach. Rohm sat by while Crosslin dictated. "Tom
was pissed. I said, 'Are you sure you want to say that?' He said,
'Hell yes, that's exactly what I want to say.'"</P>
<P>And so Crosslin shot back his reply: "Our friends at
the Michigan Militia have their ideas of how we should handle
your threats...."</P>
<P>This was not just a random invocation. The Michigan Militia
means something in Cass County, a right-wing, blue-collar enclave
where politics is often Republican in public and libertarian
in private. A number of Constitution-worshiping locals worked
security during Rainbow Farm festivals, though Tom Wayne, the
militia's official spokesman, declared that potheads could not
be militiamen.</P>
<P>Crosslin added a coda to his letter: "I have discussed
this with my family, and we are all prepared to die on this land
before we allow it to be stolen from us. How should be we be
prepared to die? Are you planning to burn us out like they did
in Waco, or will you have snipers shoot us through our windows
like the Weavers at Ruby Ridge?"</P>
<P>"Well, that sort of set the tone that we weren't going
to be able to talk this thing out," Teter says dryly. He
saw the letter for what it was: a shout of defiance. It caused
him to lean even harder on Crosslin. "Crosslin was saying,
'I'm going to do what I'm going to do, and I don't think that
you're going to do anything about it,'" Teter says. "I
took an oath to do something about it."</P>
<P>"Tom wasn't eloquent, but he was articulate on his points,"
says Don France. "In essence, it was, 'Leave private citizens
alone. If they want to smoke a little pot, they can smoke a little
pot. If they want to grow it and make a product out of it, well
and good too.' I'm not pro or anti - I don't smoke it, never
have - but the thing is, so what? You want to worship the Great
Pumpkin instead of a single supreme deity, you can do that, too."</P>
<P>Teter went to work to shut down Rainbow Farm. He began issuing
nuisance-abatement injunctions. The first was for violating a
"large gathering" ordinance. Crosslin got around this
by getting 501©3 nonprofit status through the pot-friendly
Columbus Institute of Contemporary Journalism. Then Teter tried
to get Crosslin for not having a campground license. A sympathizer
inside the courthouse slipped Crosslin the proper paperwork,
and he got a temporary license within days.</P>
<P>HempAid '99 went ahead as planned and turned out to be Rainbow
Farm's finest hour. Tommy Chong and his sons, billed as Chong
and the Family Stoned, played to 2,800 people who'd paid $65
a head. That Crosslin was able to pull it off in the face of
Teter's obstacles thrilled his employees as well as national
pot activists.</P>
<P>Undaunted, Teter had sent narcs from the Michigan state police's
Southwest Enforcement Team on a fishing expedition during both
festivals in 1999 . "Our officers, literally within 10 minutes,
made their first buy," says Teter. During the next two years,
narcs bought LSD, pot, hash, coke, meth, mushrooms and prescription
drugs." Teter acknowledges that this happens at concerts
everywhere. "The difference is the knowledge of the owner,"
he says. "Could Tom reasonably have known that there was
the ongoing distribution of drugs on his property? The answer
is yes."</P>
<P>However, none of the dozen or so buys was ever traced to Crosslin.
It was posted policy (on its website and at the farm's entrance)
that Rainbow Farm would remove anyone selling dope of any kind.
More important, before the federal Illicit Drug Anti-Proliferation
Act took effect in 2003, concert promoters were protected from
the behavior of the paying public.</P>
<P>"They had tons of undercover cops there," says DeCraene.
"We laughed about it. The only thing that undercover cops
would find was a kid from Chicago trying to peddle a bag."</P>
<P>Still, Teter had put his endgame in motion. Emboldened by
its early success, the enforcement team requisitioned a motor
home and equipped it with hidden video cameras, taping naked
hippies and people of all kinds getting stoned. Teter was barraging
a Cass County judge named Mike Dodge with information that couldn't
convict Crosslin but was designed to leave a negative impression.
It was only a matter of time before Teter would have Crosslin
fighting for his life in the courts.</P>
<P>In the meantime, he fought for his life in the marketplace.
The year 2000 was not a good one for Crosslin's enterprises,
and his crew went on an all-out push to make money. He had finished
building the camp store and RV improvements, which took several
hundred thousand dollars out of his pockets. To its usual schedule,
the farm added the High Times World Hemp Entertainment Expo and
a show by Merle Haggard, but it lost $45,000 on these events,
mostly because of poor advertising but also because of its growing
narc reputation.</P>
<P>"We were living off chili and nachos from the store."
says Leinbach. "That's why I left in September 2000. My
father's house was being foreclosed in Elkhart. My bills weren't
being paid. Tom, Rollie, Derek and I - we couldn't make a living."
In the past, Crosslin had sold properties to keep his quixotic
vision alive. And in 2001, strapped for cash, he was forced to
make a move he had sworn he never would: He took out a mortgage
on the farm itself.</P>
<H3>No Turning Back</H3>
<P>In the spring of 2001 Crosslin and Rohm decided to build a
hydroponics room for growing pot in the farmhouse's basement.
"They asked my opinion, and I told them, 'it's the most
horrible idea I've ever heard in my life,'" says DeCraene.
"Have you guys ever heard the saying, You're betting the
farm?' We were the biggest pot activists in the state of Michigan,
for crying out loud. But they were so high-profile they couldn't
get any pot. And this was their solution."</P>
<P>On May 9, 2001 DeCraene woke up with Michigan state troopers
in ski masks pointing guns at his head. He was sleeping in the
office of the store building. "I was on the couch, and the
first thing I saw was a rifle pointed at my head. The cops were
so scared, their gun barrels were shaking. I'm waking up out
of a dead sleep and thinking, Oh my god, these guys are going
to shoot me and just say they thought I was trying to draw a
weapon."</P>
<P>"What's your name?" the cop shouted.</P>
<P>"Leave the building. Now!"</P>
<P>"Where are the drugs?"</P>
<P>DeCraene staggered outside and found Crosslin and Rohm sitting
in front of the farmhouse. "They herded us into a circle
and left us sitting in the sun with noting to eat or drink until
three o'clock. It was horrible."</P>
<P>The heavily armed squad had come to support the state IRS
on a tax warrant. Teter had an informant at the farm who alleged
that employees had been paid under the table. But the troopers
found the grow room and confiscated 301 starter plants. Cops
also found a loaded nine-millimeter pistol and two loaded shotguns.
Crosslin and Rohm were busted for manufacturing marijuana (which
carried a 15 year maximum penalty). They were also charged with
firearms violations and with maintaining a drug house (each of
these carried a two-year penalty). Considering that Crosslin
was a convicted felon (for the 1970s robbery and a 1995 bar fight),
he was potentially facing more than 15 years in prison. Rohm
was probably looking at a minimum of two.</P>
<P>The bust was big news - the state police sent out a triumphant
press release announcing the arrests. When Teter arrived on the
scene, Crosslin saw then-attorney general Jennifer Granholm,
a Democrat who is now Michigan's governor, in the car with him.
Teter immediately got an injunction banning all future festivals.
By the time Crosslin and Rohm were bailed out of jail, Teter
had already filed for the forfeiture of Rainbow Farm.</P>
<P>"We were so broke," says DeCraene. "We had
deposits out. All our cash was gone. But we were two and a half
weeks from a huge moneymaking weekend that would have set us
right."</P>
<P>A week later, the government's battle with Tom Crosslin took
a far more personal turn: Robert didn't come home from school.
At Teter's behest, sheriffs under the direction of the Family
Independence Agency had taken the handsome 12-year-old out of
class and placed him in foster care with a former police chief
from Edwardsburg. Rohm was disconsolate. He had sought to insulate
Robert from the abandonment he had felt as a child. Now everything
was lost. Crosslin fell into a sustained rage.</P>
<P>"Tom was very defiant. But my impression of Rollie was
that he was scared," says Dori Leo, a former prosecutor
and an attorney with Vlachos and Vlachos in Kalamazoo, Michigan
who took their case. Leo told Crosslin that if they could get
the tax warrant thrown out - and she believed he had a good shot
at that - all the other charges would be thrown out too. But
she didn't understand that Crosslin knew he wouldn't ever be
able to get Robert back to Rohm. He'd failed. His festivals were
a bust. His employees had been forced to leave. He had no money.
His corner of the world had been invaded; his lifestyle and his
vision crushed.</P>
<P>"Tom knew it was all over, and if he went to court they
were going to issue order after order," says Don France.
"That's why he acted the way he did."</P>
<P>Crosslin and Rohm closed ranks. Rohm got weekly visits with
his son, and at the first one Robert sat on his lap and they
both sobbed. Rohm struggled to meet the two conditions that would
allow them to be reunited: He moved into the Bonine Mansion,
another house owned by Crosslin a couple of miles away, in order
to separate from him, and he went to rehab to quit smoking pot.
He didn't achieve either goal. Crosslin even held one pathetic
gathering at Rainbow Farm later in the summer, attended by a
dozen or so people. Two of them were Teter's narcs. Rohm and
Crosslin were seen smoking weed, and Teter took action to revoke
their bail. Aside from compounding the couple's dire legal troubles,
their error ensured that it would be a long time before they
could even dream of regaining custody of Robert.</P>
<P>During the week leading up to their bail hearing on Friday,
August 31, 2001, Crosslin and Rohm literally gave away the store.
Leinbach, security chief Travis Hopkins and others turned up
to claim different pieces of their past. If the government was
going to take his property, Crosslin wanted it to have as little
value as possible. And so on Friday morning he began burning
down his buildings.</P>
<H3>The Siege of Rainbow Farm</H3>
<P>Buggy Brown, a regular at the campground, was the boyfriend
of Nikki Lester, who managed the farm's general store. On August
31 he was over at the File farm next door, milking cows, when
he saw smoke pouring into the sky. He rushed to Rainbow Farm
and found Rohm dressed in camouflage, carrying a Ruger Mini-14
.223 assault rifle. Brown sized things up and said, "Smoke
one last bowl?" They burned one in Brown's pipe as the buildings
crackled. Rohm then said, "It's time. You need to leave."</P>
<P>Brown, upset, called Sheriff Joe Underwood and warned him
not to send in firefighters. He didn't want anyone hurt. Underwood
then sealed off Pemberton Road, about a mile from the farmhouse,
which was the only way in or out. Later that day, .223-size bullets
were fired at a WNDU-TV news helicopter, putting a hole in a
rear stabilizer. Later someone also shot at a Michigan state
police plane. The shootings brought the FBI to Rainbow Farm.
Down Blacks Road a converted school was requisitioned as a staging
area and filled with dozens of government cars, National Guard
helicopters and light armored vehicles. The siege had begun.</P>
<P>By about 12:30 P.M., Underwood found Brown and asked him to
be his messenger to Rainbow Farm. Brown walked the mile of dirt
road from the barricades at Pemberton and Blacks. He found Crosslin
cradling the "Tom ordered me out of there," recalls
Brown. "I left empty-handed." He went twice more that
day, once to deliver Dori Leo's cell phone, which quickly died,
and once at sundown. "My last time out I jokingly said I'd
bring them breakfast, and they gave me an order for McDonald's."
He saw this as a sign of hope.</P>
<P>Others were less optimistic. That afternoon, Crosslin's dad,
along with his brother Jim, his mother, Ruby, and his stepdad,
Luther Batey, were allowed to drive out to the farm. "I
had a few beers with him," says Jim tearfully. "I told
him I loved him. He wasn't coming out."</P>
<P>By nightfall Rainbow Farm was deadly silent. State police
snipers crawled into positions in the woods from which they could
see the house. Inside, Crosslin and Rohm were drinking beer.
They had no electricity, no phone, no water - everything had
been taken out by the fires.</P>
<P>On Saturday morning FBI profile Roy Johnson took over communications
with Brown, who began by saying, "I want to tell you right
now I'm a pot smoker." Johnson sent him out to deliver the
McDonald's breakfast. Brown was being debriefed after his first
trip when Teter showed up at the command post.</P>
<P>"My girlfriend heard Teter ask someone, 'What is she
doing up here? She's one of them,'" says Brown. He threatened
to quit unless Teter left. The FBI shooed Tether away. He never
came back.</P>
<P>When the cops managed to get Crosslin to take a call on the
cell phone, he demanded to talk to Robert. The request was denied.
The conversations ended with Crosslin shouting, cursing the FBI,
yelling that they had no right to bargain with "their kid."</P>
<P>Sometime between sundown Sunday and noon on Labor Day morning,
Crosslin and Rohm unloaded automatic weapons fire on a light
armored vehicle, which they referred to jokingly as Sparky. Occasionally
they stood on the porch and yelled, "Come and get it, motherfuckers!"
When Johnson asked (via Brown) what would bring an end to the
standoff, Crosslin sent back the message: "Send Teter in
here, and you can all be home fucking your wives tonight."</P>
<H3>The Endgame</H3>
<P>By dawn on Labor Day, 120 law enforcement officers were on
the scene, many along the perimeter of Rainbow Farm. That morning,
Brandon Peoples, an 18-year old neighbor and regular at the campground
coffee shop, decided to walk onto the farm through the cornfield
and managed to slip past the cops. He was determined to convince
Crosslin to turn himself in. Crosslin was pissed off to see him
but said he could use help on an errand: He needed company on
a mission to scrounge up some food from a neighbor's abandoned
cabin about a quarter mile away. Crosslin carried his Ruger and
a two-way radio and stepped outside. Peoples, holding a feather
- he said it was for good luck - joined him. The two men stood
by the door and listened for something, anything. A snap of a
twig. A cough, perhaps - any sound that would give away the position
of FBI snipers. The pair stepped down a two-track path to the
south running parallel to the oiled dirt of Pemberton Road and
left Rohm behind inside the farmhouse, also with a two way radio.</P>
<P>Peoples walked in silence behind Crosslin, who had told him
falsely that the roads were mined and set up with trip wires.
Peoples tried his best to walk exactly in Crosslin's footsteps.</P>
<P>They headed down and traversed acres of swamp bottom. Crosslin
shouldered-in the front door of a small cinder-block cabin belonging
to Carl "Butch" McDonald. The old man called Crosslin
a "damn good neighbor" and had cleared out days earlier
when Crosslin warned him there might be trouble. Crosslin and
Peoples grabbed a coffeemaker, coffee, steaks, bread, five cartons
of cigarettes and other supplies and put them in plastic trash
bags. McDonald's house was also full of guns. Crosslin offered
Butch's .22 rifle to Peoples to replace the feather. "Don't
you want to stick around and have fun?' he asked. Peoples refused
the gun.</P>
<P>When they returned to the farmhouse they realized they had
forgotten the coffeepot. So they went back to McDonald's house
and while returning stopped on the steep knoll dubbed Mount This,
a favorite spot for festival security workers because of its
expansive views of the house and road. Crosslin was catching
his breath. Peoples bent down to tie his shoe. Then Crosslin
hushed him: "I heard a noise," he whispered. Crosslin
called Rohm on the radio to tell him they were almost back, saying,
"incoming." As he crept across the clearing, Peoples
followed, looking down. He again tried to walk in Crosslin's
footprints and clutched the Bunn coffeepot fiercely. Crosslin
looked into a garbage can, then stepped slowly around the rocks
of a fire pit. Suddenly he tensed and stared intently at the
dense underbrush.</P>
<P>In the next instant, Peoples heard shots and shouting. FBI
snipers Richard Salomon and Michael Heffron popped up and shot
simultaneously, Salomon hitting Crosslin above the right eye
with a .308 that blew thorough the back of his skull, killing
him instantly. He nearly fell on Peoples, and his brain landed
two feet away from his shattered head. Skull fragments raked
People's face, and he went down on hands and knees, shuddering
and screaming, "I'm hit!" The agents moved in quickly
and place him under arrest. The last thing he saw as he was carted
off was his plaid shirt lying in the woods, paces away from Crosslin's
lifeless body. Crosslin never fired his gun.</P>
<P>Rohm waited in the house alone.</P>
<P>Rohm's son saw the news on his foster parents' TV. He knew
that Crosslin had been killed, and jumped to the phone and called
Tammy Brand, the mother of his best friend Dairik, yelling, "Don't
let them kill my dad!"</P>
<P>"We had high hopes that Rohm was going to walk out of
there," says Lieutenant Mike Risko of the Michigan state
police, "because he was talking to us adamantly and strongly."</P>
<P>Robert agreed to write his father a letter. "Hey, Dad,"
it read. "Please come out so no one gets hurt."</P>
<P>What happened on that Tuesday morning doesn't make much sense.
It might have been a tragic miscommunication or the final statement
from a men who felt he had nothing left to lose. State troopers
in an LAV tossed Rohm a phone during the night, and Rohm agreed
to surrender at seven o'clock Tuesday morning if he saw his boy.
"We agreed to bring Robert out there," says Risko.
But just after six A.M., an upper room in the house caught fire,
and Rohm emerged, carrying his Ruger.</P>
<P>According to the state police, troopers stormed up in the
LAV and told Rohm over a bullhorn to drop the gun. He seemed
frightened and confused. Suddenly he turned back into the house.
("Possibly for the dog," Risko says.) He re-emerged
on the run and took cover under a small pine tree 10 yards from
the house. The LAV moved forward. "At that point he shouldered
the rifle," Risko says, "and he was taken out by a
sniper." One bullet went through the butt of his rifle and
his chest. Like Crosslin, he never fired a shot.</P>
<P>Robert was halfway down the road at the time. He saw the smoke
and heard the gunfire, which he believed was ammo ignited by
the fire. Then he was ushered back to the car. By the time he
got home, a detail of caseworkers, counselors and FIA officials
- his new family - was already on its way to give him the news.
That night a harvest moon rose over the destruction at Rainbow
Farm, and then it rained.</P>
<H3>Epilogue</H3>
<P>During the standoff, a small crowd had gathered at a makeshift
protest camp along M-60. A typical sign read OUR GOVERNMENT IS
KILLING AMERICANS.</P>
<P>"This was a Waco-like event," says Rick Martinez,
Michigan editor for the South Bend Tribune. "You have individual
rights, but then there's the specter of illegal drug sales. They're
parallel events, but it's apples to oranges to grapes."</P>
<P>"You could see this whole thing as Scott's fault,"
says Lorraine Jaffee, an outspoken foster-parent advocate from
Edwardsburg who has had run-ins with Teter. "If he hadn't
taken Robert Rohm, none of this would have happened."</P>
<P>The official version of events - that Crosslin and Rohm both
raised their rifles - was soon disputed. Within days, investigations
were launched by the families, the prosecutor, the state's attorney
general, the state police, the FBI, even the Michigan Militia.
The lawyer handling a wrongful-death civil suit for Rohm's estate
says the state police account of Rohm's death is seriously flawed.
"Our forensic experts are the guys retained by the defense
team at Ruby Ridge," says attorney Christopher Keane. "Among
other problems, there's no way Rohm could have been facing the
LAV in a ready-to-shoot position at the time he was shot. The
police case is forensically baseless. Usually, the cover-up is
worse than the crime. Here, it is just as bad."</P>
<P>The case is still pending
</TD>
</TR>
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Latest News - Siege at Rainbow Farm

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| **October 2003 - Playboy Magazine (US)**
Siege at Rainbow Farm
Author: Dean Kuipers
In 2001 a Hippie Campground Famous for Peace, Love and Weed
Erupted in Violence and Death. Was It Another Ruby Ridge or the
Collapse of a Failed Utopia?
On the day that he purchased Rainbow Farm, Tom Crosslin said
destiny had led him to the place. By the late 1990s the farm
would become a well-known stop on the hippie trail, a scenic
overlook for the migratory flocks of travelers and Phish fans
who crisscrossed the country. For thousands of blue-collar pilgrims
who stopped there looking for a few days of fun and freedom in
Michigan's vacation lands, it was a benevolent little campground.
And on any other Labor Day they would have been there: thousands
of happy stoners setting up tents for Crosslin's annual marijuana-legalization
fest, a party he'd named Roach Roast. But on Friday morning,
August 31, 2001, he was storming around, telling the last of
the local kids to leave.
"Get the hell out of here," Crosslin said, "and
don't you dare come back. Just watch the news tonight."
Crosslin and his lover, Rolland "Rollie" Rohm, were
in desperate straits. They were facing drug and firearms charges
brought against them by a local prosecutor, Scott Teter. If they
lost the case, they were looking at serious jail time and the
loss of their property under drug-war forfeiture laws. They had
posted bail, but it was now in danger of being revoked. Instead
of showing up at a bond hearing that morning, they had made the
momentous decision to blow it off and stay on the farm. They
were going to fight for their rights, but not in a court room.
When the road was quiet, Crosslin walked to his production
facility, a double wide modular unit that has served as a greenroom
during outdoor concerts by Merle Haggard and Tommy Chong. It
was now packed with bales of straw. Crosslin set it ablaze, sending
the red-winged blackbirds on a nearby pond into a riot of chatter.
Soon Rainbow Farm's other structures were burning: First a
wooden booth where visitors had traded $65 for tickets to three-daylong
hemp festivals, then an old pump house that served as Crosslin's
home, and a new one he'd built for his licensed campground and
RV hookups. Finally, the fire consumed his prize: a quarter-million-dollar
main campground building housing a coffee shop, a general store,
a head shop, the main office, showers for a dozen people and
Cass County's best laundromat. Acrid black smoke billowed into
the sky above 54 acres of woods and meadow, and all across the
country people read the signals: The four-year public feud between
Tom Crosslin and Cass County prosecutor Scott Teter had finally
come to a head.
Five days later, after a standoff that involved the sheriff's
department, the Michigan state police and the FBI, men lay dead
and lives were forever altered. The events at Rainbow Farm quickly
became front-page news but were even more quickly overshadowed
by the September 11 terrorist attacks. The story - and the troubling
issues it raised - seemed forgotten. Until now. Court documents
and extensive interviews with survivors make it possible to re-create
the events leading up to the siege and the escalation of violence
at Rainbow Farm. It's the story of the destruction of a flawed
utopia, a place where a group of outsiders made an attempt at
redemption and success but ended up facing the full force of
America's drug laws.
Tom and Rollie
In 1993 Crosslin bought a decrepit farmhouse on 34 rolling
acres of woods and cornfield outside the town of Vandalia, Michigan,
He paid $35,000 in cash - a steal - raising the money by selling
one of his many properties in Elkhart, Indiana, a building that
still bears his logo. When Crosslin moved to Rainbow Farm, it
was partly to establish a new household with Rohm. But Crosslin
had a larger plan: to build a Shangri-law cum campground where
he could live peacefully with his extended family and friends.
Two of his employees, Sheetrock man Morelle Yonkers (a Vietnam-era
vet) and his girlfriend , Amy Jo, moved into the old sugar shack
and began planting a giant garden. Doug Leinbach, an ex-banker
who became the farm's manager, moved into a big white teepee.
Soon Derrik DeCraene, an event promoter, joined them. Over the
years, the cast of characters expanded to include a carpenter
named Whoa Boy and That Guy, a spare hand. Crosslin was their
leader, Crosslin was the boss. And Rainbow Farm was where they
were all going to reinvent their lives.
Crosslin was born in Manchester, Tennessee, the third of four
children. His family moved to Elkhart when he was still a child.
By the age of 14 or so, Crosslin and his older brothers were
into beer and pot. Theirs was a world of muscle cars, factory
work, girls and getting stoned. "Tom's family was like mine
- we were always renting homes," says Leinbach. "They
were not wealthy. They didn't have running water in Tennessee.
But they were loving."
Like his three siblings, Crosslin quit school around 10th
grade and went to work. It was 1971. At one of his first jobs
- managing a car wash - the boss shorted his paycheck, and Crosslin
borrowed a gun from a friend and got his money. He was arrested
and served six months in jail. Crosslin ran with some bikers
and got married to a woman with a yellow Harley. He was divorced
from her amicably after a year or two, when he came to terms
with the fact that he was gay or bisexual. Leinbach, who is also
gay, never suspected a thing. "This was not the kind of
thing you talked about openly in Elkhart," he says.
Crosslin had plenty of friends and a knack for making money.
He started a steeplejack business raising flagpoles. The business
evolved into a full-blown service company, providing security
and rehabbing buildings. At the same time, Leinbach was managing
distressed properties for an Elkhart bank - repos and estate
settlements - and he routinely hired Crosslin's company. Soon
Crosslin began buying properties using land contracts, sometimes
acquiring them with down payments as small as $1,000.
Crosslin owned at last 20 properties at one point and employed
as many as 80 people. Men came to Crosslin when they were in
trouble - recently divorced, paroled, dishonorably discharged,
closeted. He'd put them on a crew and give them a place to live.
Crosslin brought out the pride in troubled people. At quitting
time, his houses on Prairie and Perkins streets often turned
into big party places. There would be cookouts, cases of beer,
vegetables from his gardens.
According to a friend in Elkhart's gay community, Crosslin
was promiscuous until he met Rollie Rohm. Rohm was 16 years old,
a slim, longhaired soccer player with a mustache, who had dropped
out of school and was looking for work. He had recently fathered
a child with Leslie Pletcher, a good-looking woman eight years
his senior. They married but quickly divorced. Their newborn
son, Robert, lived with Pletcher.
Crosslin, then 34, pushed the rest of his world aside for
Rohm. He bought him a red sports car and moved him into his house,
where they would sit and smoke pot in the living room hot tub.
According to Rohm's stepmother, who had worked with him in school
since he was four, he was "a little slow" and suffered
from hyperactivity. His natural parents were out of the picture,
and the two thinks that really interested him were rock music
and soccer. In Crosslin, Rohm found someone who would nurture
him.
"They didn't live a gay lifestyle," says Leinbach.
"They didn't want to embarrass anyone. They loved Robert
more than anything." Crosslin took Rohm and his son fishing
and blueberry picking. He liked to drive, and they would all
load into his white Rolls-Royce, with its 'HEMP 1' vanity plate,
and cruse through the countryside listening to oldies and Motown.
In 1994, a year after moving into the sprawling house at Rainbow
Farm, Rohm, with Crosslin's help, won custody of Robert.
"When Tom bought Rainbow Farm, he wanted to make his
living there," Leinbach says. "He didn't want to run
into Elkhart and tend to rental homes anymore. When he needed
money, he'd sell a house. Then he's buy a new one, so he's always
have assets. But he'd buy distressed homes, and we'd have to
renovate them. Even in the middle of a big event, we'd have to
drop everything for an emergency plumbing job."
"Tom wanted to do a campground," says attorney Don
France, a former prosecutor who handled most of Crosslin's civil
cases. "I have an RV camp too. I told him how to get a permit.
Campgrounds are transitory, overnight spots along a highway or
destination-type places on a river or lake. Tom didn't have any
of that, but he represented a lifestyle. People could do their
own thing and not be bothered."
"We wanted the farm to be a family campground,"
Leinbach says. "Most people with alternative lifestyles
find it hard to go to a public campground, for fear of arrest
or harassment by other campers. This was never a gay campground.
Tom like to say his ideas were messages from the hippie gods.
We believed in partaking of marijuana privately, responsibly.
"We were tired of seeing or friends, relatives and others
jailed because of marijuana use," he continues. "Too
many families destroyed, to many tax dollars wasted, just for
use of a god-given herb. The sense of injustice grew, and then
Tom decided, 'We're going to throw hemp festivals here.'"
When Crosslin decided to hold festivals at Rainbow Farm, he
did his research. He would allow visitors to smoke on his land,
which is a misdemeanor in Michigan. Technically, a cop can't
enter private property to issue a ticket for a misdemeanor. Gathering
to smoke pot in the house, Crosslin knew, would constitute a
felony called "maintaining a drug house," but no such
law exists for an open field. This was the thin green line Crosslin
drew around Rainbow Farm, and for five years it protected all
of them.
The Festivals
Beginning in 1996, the two annual Rainbow Farm events, HempAid
on Memorial Day and Roach Roast on Labor Day, were part Woodstock,
part union picnic. They were family-oriented affairs, with Rohm's
son, Robert, wheeling his golf cart among the soft-drink stands
and hemp clothing vendors and representatives from the National
Organization to Reform Marijuana Laws.
Onstage speakers railed against government oppression. Guests
included the chairman of the Van Buren County Libertarian Party,
High Times editor Steve Hager and MC5 manager and White Panther
Party jefe John Sinclair, who, in 1969, was sentenced to 10 years
in prison for possessing two joints. Most of them, unlike Crosslin
or Rohm, could trace a lineage to radicalism of the 1960s, when
they played to a more engaged audience. At Rainbow Farm gatherings
it was hard to tell if anyone was paying attention.
A church group even showed up twice to evangelize. "We
got a lot of lost souls out here," Crosslin said. "Might
as well let them have a few."
These events from 1996 through 2001 made Rainbow Farm the
center of pot activism in Michigan. They each cost more than
$100,000 to produce, and Crosslin needed to sell 2,500 tickets
to break even and 3,000 to show a meaningful profit. Only one
show (featuring Tommy Chong) ever approached this number. "We
were pretty much operating to keep operating," says DeCraene,
Rainbow's promoter. "If we fell on our butts, Tom just reached
into the old piggy bank."
Crosslin was confident that the shows would eventually become
viable, but his determination to build Rainbow Farm into a private
utopia was getting in the way of profitability. "We'd spend
$10,000 for Porta Potties," Leinbach says. "We spent
tens of thousands on bands, thousands on radios, thousands on
golf carts and on medics and supplies to handle emergencies."
"We had our own tent city. We had our own economy,"
says DeCraene. "It was a beautiful thing. If we were a humanitarian
project, we would have gotten awards. But instead we were made
out to be villains and pot smokers."
Everyday life at the farm was centered on the nuclear cluster
of Crosslin, Rohm and Robert. "Tom and Rollie were family,"
says Leinbach. "The wanted their son to know that - contrary
to what the DARE programs told him in school - his parents weren't
criminals. They were normal people."
"Before they started the festivals, there was a government
abuse/neglect charge," says France. "It didn't amount
to much - just an allegation that they were homosexuals and had
this boy around. But there was no indication of inappropriate
activity in the presence of the boy. It was trumped-up. And the
county backed off." Robert took a social worker out to fetch
still-warm eggs from the henhouse. According to Leinbach, she
came back glowing and declared the farm "a wholesome environment
in which to raise a child."
"That boy, he was loved by so many people," says
Leinbach. "And he was a good, generous young man. That boy
offered us strength at times when we didn't think we could go
on. All we had to do was see his smiling face and we were ready
to go at it another day."
Not everyone was as malleable as Robert. Crosslin put his
faith in human nature on the line when he assembled large crowds
of strangers. He tried to impress his philosophy on them: no
hard shit. If a marijuana high isn't good enough anymore, get
better marijuana. The whole point of the gathering was to uphold
privacy rights - it was civil disobedience. Show the world that
you can use marijuana and be responsible. Take care of your children.
Work. Be productive. And change the laws.
At the start of the 1999 season, Crosslin's organizers were
bent on doing a better job of promoting the festivals, and they
purchased lighted signboards along the highway. The state even
put in an official campground sign. With the higher profile,
they also drew some unwanted attention. Bob File, a member of
a prominent family that owns a huge hog and dairy farm adjacent
to Rainbow Farm, set up a traveling barbecue and sold pork sandwiches
during the events. He says the cops didn't care about the festivals
until Crosslin advertised out on M-60. "If Tom had been
more discreet," he says, "there wouldn't have been
much they could do. But once he pissed those guys off, there
was no turning back."
The Prosecutor
In the four years that Cass County prosecutor Scott Teter
tried to nail Crosslin, they never once talked face-to-face,
other than in court. "I understand that Crosslin did some
positive things with the community," Teter, 40, now says.
He is a law-and-order man whose moral vision is uncluttered by
shades of gray. His career has been marked by an ability to distill
life into a series of simple themes and to repeat them over and
over.
One of those themes was that Rainbow Farm was a drug mart.
"Crosslin believed in the legalization of marijuana,"
Teter says. "I don't have any problem with that - in fact,
our system encourages it. But at some point, his gatherings became
'Come to this property and use, distribute and deal any narcotic
you choose'."
Teter's office in the courthouse was decorated with awards
received for work on child support and photos of his family,
pillars of local society in Edwardsburg, Cass County's more affluent
district. His father, Jack Teter, is a county commissioner and
owner of a machine shop, and his mother, Marian, ran Teter Realty.
An anti-abortion Republican who campaigned on child welfare and
antidrug issues, he said after his election, "I believe
I was guided by the Lord." He went on the Weekend Today
show to talk about his billboard slogan: "If your sex partner
is under 16, they won't be when you get out of prison."
Soon after Teter took office, in December 1996, he began targeting
Rainbow Farm. On Memorial Day the sheriff and the state police
set up a "holiday sobriety checkpoint" on the only
road into or out of the farm. All weekend, cars were stopped
and drivers were questioned. Many were ticketed.
Teter says he didn't want to start a war. "We made a
decision several years ago that, no, for misdemeanor use of marijuana
I was not going marshal 500 troops and go in and provoke a violent
confrontation," he says.
But word was getting out: Go to Rainbow Farm, and you will
be harassed - or worse. Ticket sales to the festivals started
dropping. "They denied us the opportunity to make a living,"
Leinbach says. "We don't know how many thousands of people
they chased away."
In 1998 Teter sent an undercover narc into the festivals but
couldn't find enough evidence to prosecute its organizers. He
sent a letter, as he now says, "putting Crosslin on notice"
that he knew about "hard drugs" there. When fliers
went up announcing HempAid '99 Teter sent another letter, dated
March 24, 1999. This time he threatened to seize Crosslin's property
if hard drugs were found. The letter sent a cold shock through
Cass County. Overnight, what had been a political chess match
turned into a blood feud.
"That fucking son of a bitch, who does he think he is?"
ranted Crosslin when he received Teter's letter. Crosslin, the
self-made hillbilly real estate magnate, had studied up on drug-ware
forfeiture law. He stomped around the farmhouse, screaming about
it. It was a tool meant to break up drug cartels and close crack
houses, not destroy meant like him who were operating in the
open.
"He said, 'Sit down and write that son of a bitch a letter,'"
says Leinbach. Rohm sat by while Crosslin dictated. "Tom
was pissed. I said, 'Are you sure you want to say that?' He said,
'Hell yes, that's exactly what I want to say.'"
And so Crosslin shot back his reply: "Our friends at
the Michigan Militia have their ideas of how we should handle
your threats...."
This was not just a random invocation. The Michigan Militia
means something in Cass County, a right-wing, blue-collar enclave
where politics is often Republican in public and libertarian
in private. A number of Constitution-worshiping locals worked
security during Rainbow Farm festivals, though Tom Wayne, the
militia's official spokesman, declared that potheads could not
be militiamen.
Crosslin added a coda to his letter: "I have discussed
this with my family, and we are all prepared to die on this land
before we allow it to be stolen from us. How should be we be
prepared to die? Are you planning to burn us out like they did
in Waco, or will you have snipers shoot us through our windows
like the Weavers at Ruby Ridge?"
"Well, that sort of set the tone that we weren't going
to be able to talk this thing out," Teter says dryly. He
saw the letter for what it was: a shout of defiance. It caused
him to lean even harder on Crosslin. "Crosslin was saying,
'I'm going to do what I'm going to do, and I don't think that
you're going to do anything about it,'" Teter says. "I
took an oath to do something about it."
"Tom wasn't eloquent, but he was articulate on his points,"
says Don France. "In essence, it was, 'Leave private citizens
alone. If they want to smoke a little pot, they can smoke a little
pot. If they want to grow it and make a product out of it, well
and good too.' I'm not pro or anti - I don't smoke it, never
have - but the thing is, so what? You want to worship the Great
Pumpkin instead of a single supreme deity, you can do that, too."
Teter went to work to shut down Rainbow Farm. He began issuing
nuisance-abatement injunctions. The first was for violating a
"large gathering" ordinance. Crosslin got around this
by getting 501©3 nonprofit status through the pot-friendly
Columbus Institute of Contemporary Journalism. Then Teter tried
to get Crosslin for not having a campground license. A sympathizer
inside the courthouse slipped Crosslin the proper paperwork,
and he got a temporary license within days.
HempAid '99 went ahead as planned and turned out to be Rainbow
Farm's finest hour. Tommy Chong and his sons, billed as Chong
and the Family Stoned, played to 2,800 people who'd paid $65
a head. That Crosslin was able to pull it off in the face of
Teter's obstacles thrilled his employees as well as national
pot activists.
Undaunted, Teter had sent narcs from the Michigan state police's
Southwest Enforcement Team on a fishing expedition during both
festivals in 1999 . "Our officers, literally within 10 minutes,
made their first buy," says Teter. During the next two years,
narcs bought LSD, pot, hash, coke, meth, mushrooms and prescription
drugs." Teter acknowledges that this happens at concerts
everywhere. "The difference is the knowledge of the owner,"
he says. "Could Tom reasonably have known that there was
the ongoing distribution of drugs on his property? The answer
is yes."
However, none of the dozen or so buys was ever traced to Crosslin.
It was posted policy (on its website and at the farm's entrance)
that Rainbow Farm would remove anyone selling dope of any kind.
More important, before the federal Illicit Drug Anti-Proliferation
Act took effect in 2003, concert promoters were protected from
the behavior of the paying public.
"They had tons of undercover cops there," says DeCraene.
"We laughed about it. The only thing that undercover cops
would find was a kid from Chicago trying to peddle a bag."
Still, Teter had put his endgame in motion. Emboldened by
its early success, the enforcement team requisitioned a motor
home and equipped it with hidden video cameras, taping naked
hippies and people of all kinds getting stoned. Teter was barraging
a Cass County judge named Mike Dodge with information that couldn't
convict Crosslin but was designed to leave a negative impression.
It was only a matter of time before Teter would have Crosslin
fighting for his life in the courts.
In the meantime, he fought for his life in the marketplace.
The year 2000 was not a good one for Crosslin's enterprises,
and his crew went on an all-out push to make money. He had finished
building the camp store and RV improvements, which took several
hundred thousand dollars out of his pockets. To its usual schedule,
the farm added the High Times World Hemp Entertainment Expo and
a show by Merle Haggard, but it lost $45,000 on these events,
mostly because of poor advertising but also because of its growing
narc reputation.
"We were living off chili and nachos from the store."
says Leinbach. "That's why I left in September 2000. My
father's house was being foreclosed in Elkhart. My bills weren't
being paid. Tom, Rollie, Derek and I - we couldn't make a living."
In the past, Crosslin had sold properties to keep his quixotic
vision alive. And in 2001, strapped for cash, he was forced to
make a move he had sworn he never would: He took out a mortgage
on the farm itself.
No Turning Back
In the spring of 2001 Crosslin and Rohm decided to build a
hydroponics room for growing pot in the farmhouse's basement.
"They asked my opinion, and I told them, 'it's the most
horrible idea I've ever heard in my life,'" says DeCraene.
"Have you guys ever heard the saying, You're betting the
farm?' We were the biggest pot activists in the state of Michigan,
for crying out loud. But they were so high-profile they couldn't
get any pot. And this was their solution."
On May 9, 2001 DeCraene woke up with Michigan state troopers
in ski masks pointing guns at his head. He was sleeping in the
office of the store building. "I was on the couch, and the
first thing I saw was a rifle pointed at my head. The cops were
so scared, their gun barrels were shaking. I'm waking up out
of a dead sleep and thinking, Oh my god, these guys are going
to shoot me and just say they thought I was trying to draw a
weapon."
"What's your name?" the cop shouted.
"Leave the building. Now!"
"Where are the drugs?"
DeCraene staggered outside and found Crosslin and Rohm sitting
in front of the farmhouse. "They herded us into a circle
and left us sitting in the sun with noting to eat or drink until
three o'clock. It was horrible."
The heavily armed squad had come to support the state IRS
on a tax warrant. Teter had an informant at the farm who alleged
that employees had been paid under the table. But the troopers
found the grow room and confiscated 301 starter plants. Cops
also found a loaded nine-millimeter pistol and two loaded shotguns.
Crosslin and Rohm were busted for manufacturing marijuana (which
carried a 15 year maximum penalty). They were also charged with
firearms violations and with maintaining a drug house (each of
these carried a two-year penalty). Considering that Crosslin
was a convicted felon (for the 1970s robbery and a 1995 bar fight),
he was potentially facing more than 15 years in prison. Rohm
was probably looking at a minimum of two.
The bust was big news - the state police sent out a triumphant
press release announcing the arrests. When Teter arrived on the
scene, Crosslin saw then-attorney general Jennifer Granholm,
a Democrat who is now Michigan's governor, in the car with him.
Teter immediately got an injunction banning all future festivals.
By the time Crosslin and Rohm were bailed out of jail, Teter
had already filed for the forfeiture of Rainbow Farm.
"We were so broke," says DeCraene. "We had
deposits out. All our cash was gone. But we were two and a half
weeks from a huge moneymaking weekend that would have set us
right."
A week later, the government's battle with Tom Crosslin took
a far more personal turn: Robert didn't come home from school.
At Teter's behest, sheriffs under the direction of the Family
Independence Agency had taken the handsome 12-year-old out of
class and placed him in foster care with a former police chief
from Edwardsburg. Rohm was disconsolate. He had sought to insulate
Robert from the abandonment he had felt as a child. Now everything
was lost. Crosslin fell into a sustained rage.
"Tom was very defiant. But my impression of Rollie was
that he was scared," says Dori Leo, a former prosecutor
and an attorney with Vlachos and Vlachos in Kalamazoo, Michigan
who took their case. Leo told Crosslin that if they could get
the tax warrant thrown out - and she believed he had a good shot
at that - all the other charges would be thrown out too. But
she didn't understand that Crosslin knew he wouldn't ever be
able to get Robert back to Rohm. He'd failed. His festivals were
a bust. His employees had been forced to leave. He had no money.
His corner of the world had been invaded; his lifestyle and his
vision crushed.
"Tom knew it was all over, and if he went to court they
were going to issue order after order," says Don France.
"That's why he acted the way he did."
Crosslin and Rohm closed ranks. Rohm got weekly visits with
his son, and at the first one Robert sat on his lap and they
both sobbed. Rohm struggled to meet the two conditions that would
allow them to be reunited: He moved into the Bonine Mansion,
another house owned by Crosslin a couple of miles away, in order
to separate from him, and he went to rehab to quit smoking pot.
He didn't achieve either goal. Crosslin even held one pathetic
gathering at Rainbow Farm later in the summer, attended by a
dozen or so people. Two of them were Teter's narcs. Rohm and
Crosslin were seen smoking weed, and Teter took action to revoke
their bail. Aside from compounding the couple's dire legal troubles,
their error ensured that it would be a long time before they
could even dream of regaining custody of Robert.
During the week leading up to their bail hearing on Friday,
August 31, 2001, Crosslin and Rohm literally gave away the store.
Leinbach, security chief Travis Hopkins and others turned up
to claim different pieces of their past. If the government was
going to take his property, Crosslin wanted it to have as little
value as possible. And so on Friday morning he began burning
down his buildings.
The Siege of Rainbow Farm
Buggy Brown, a regular at the campground, was the boyfriend
of Nikki Lester, who managed the farm's general store. On August
31 he was over at the File farm next door, milking cows, when
he saw smoke pouring into the sky. He rushed to Rainbow Farm
and found Rohm dressed in camouflage, carrying a Ruger Mini-14
.223 assault rifle. Brown sized things up and said, "Smoke
one last bowl?" They burned one in Brown's pipe as the buildings
crackled. Rohm then said, "It's time. You need to leave."
Brown, upset, called Sheriff Joe Underwood and warned him
not to send in firefighters. He didn't want anyone hurt. Underwood
then sealed off Pemberton Road, about a mile from the farmhouse,
which was the only way in or out. Later that day, .223-size bullets
were fired at a WNDU-TV news helicopter, putting a hole in a
rear stabilizer. Later someone also shot at a Michigan state
police plane. The shootings brought the FBI to Rainbow Farm.
Down Blacks Road a converted school was requisitioned as a staging
area and filled with dozens of government cars, National Guard
helicopters and light armored vehicles. The siege had begun.
By about 12:30 P.M., Underwood found Brown and asked him to
be his messenger to Rainbow Farm. Brown walked the mile of dirt
road from the barricades at Pemberton and Blacks. He found Crosslin
cradling the "Tom ordered me out of there," recalls
Brown. "I left empty-handed." He went twice more that
day, once to deliver Dori Leo's cell phone, which quickly died,
and once at sundown. "My last time out I jokingly said I'd
bring them breakfast, and they gave me an order for McDonald's."
He saw this as a sign of hope.
Others were less optimistic. That afternoon, Crosslin's dad,
along with his brother Jim, his mother, Ruby, and his stepdad,
Luther Batey, were allowed to drive out to the farm. "I
had a few beers with him," says Jim tearfully. "I told
him I loved him. He wasn't coming out."
By nightfall Rainbow Farm was deadly silent. State police
snipers crawled into positions in the woods from which they could
see the house. Inside, Crosslin and Rohm were drinking beer.
They had no electricity, no phone, no water - everything had
been taken out by the fires.
On Saturday morning FBI profile Roy Johnson took over communications
with Brown, who began by saying, "I want to tell you right
now I'm a pot smoker." Johnson sent him out to deliver the
McDonald's breakfast. Brown was being debriefed after his first
trip when Teter showed up at the command post.
"My girlfriend heard Teter ask someone, 'What is she
doing up here? She's one of them,'" says Brown. He threatened
to quit unless Teter left. The FBI shooed Tether away. He never
came back.
When the cops managed to get Crosslin to take a call on the
cell phone, he demanded to talk to Robert. The request was denied.
The conversations ended with Crosslin shouting, cursing the FBI,
yelling that they had no right to bargain with "their kid."
Sometime between sundown Sunday and noon on Labor Day morning,
Crosslin and Rohm unloaded automatic weapons fire on a light
armored vehicle, which they referred to jokingly as Sparky. Occasionally
they stood on the porch and yelled, "Come and get it, motherfuckers!"
When Johnson asked (via Brown) what would bring an end to the
standoff, Crosslin sent back the message: "Send Teter in
here, and you can all be home fucking your wives tonight."
The Endgame
By dawn on Labor Day, 120 law enforcement officers were on
the scene, many along the perimeter of Rainbow Farm. That morning,
Brandon Peoples, an 18-year old neighbor and regular at the campground
coffee shop, decided to walk onto the farm through the cornfield
and managed to slip past the cops. He was determined to convince
Crosslin to turn himself in. Crosslin was pissed off to see him
but said he could use help on an errand: He needed company on
a mission to scrounge up some food from a neighbor's abandoned
cabin about a quarter mile away. Crosslin carried his Ruger and
a two-way radio and stepped outside. Peoples, holding a feather
- he said it was for good luck - joined him. The two men stood
by the door and listened for something, anything. A snap of a
twig. A cough, perhaps - any sound that would give away the position
of FBI snipers. The pair stepped down a two-track path to the
south running parallel to the oiled dirt of Pemberton Road and
left Rohm behind inside the farmhouse, also with a two way radio.
Peoples walked in silence behind Crosslin, who had told him
falsely that the roads were mined and set up with trip wires.
Peoples tried his best to walk exactly in Crosslin's footsteps.
They headed down and traversed acres of swamp bottom. Crosslin
shouldered-in the front door of a small cinder-block cabin belonging
to Carl "Butch" McDonald. The old man called Crosslin
a "damn good neighbor" and had cleared out days earlier
when Crosslin warned him there might be trouble. Crosslin and
Peoples grabbed a coffeemaker, coffee, steaks, bread, five cartons
of cigarettes and other supplies and put them in plastic trash
bags. McDonald's house was also full of guns. Crosslin offered
Butch's .22 rifle to Peoples to replace the feather. "Don't
you want to stick around and have fun?' he asked. Peoples refused
the gun.
When they returned to the farmhouse they realized they had
forgotten the coffeepot. So they went back to McDonald's house
and while returning stopped on the steep knoll dubbed Mount This,
a favorite spot for festival security workers because of its
expansive views of the house and road. Crosslin was catching
his breath. Peoples bent down to tie his shoe. Then Crosslin
hushed him: "I heard a noise," he whispered. Crosslin
called Rohm on the radio to tell him they were almost back, saying,
"incoming." As he crept across the clearing, Peoples
followed, looking down. He again tried to walk in Crosslin's
footprints and clutched the Bunn coffeepot fiercely. Crosslin
looked into a garbage can, then stepped slowly around the rocks
of a fire pit. Suddenly he tensed and stared intently at the
dense underbrush.
In the next instant, Peoples heard shots and shouting. FBI
snipers Richard Salomon and Michael Heffron popped up and shot
simultaneously, Salomon hitting Crosslin above the right eye
with a .308 that blew thorough the back of his skull, killing
him instantly. He nearly fell on Peoples, and his brain landed
two feet away from his shattered head. Skull fragments raked
People's face, and he went down on hands and knees, shuddering
and screaming, "I'm hit!" The agents moved in quickly
and place him under arrest. The last thing he saw as he was carted
off was his plaid shirt lying in the woods, paces away from Crosslin's
lifeless body. Crosslin never fired his gun.
Rohm waited in the house alone.
Rohm's son saw the news on his foster parents' TV. He knew
that Crosslin had been killed, and jumped to the phone and called
Tammy Brand, the mother of his best friend Dairik, yelling, "Don't
let them kill my dad!"
"We had high hopes that Rohm was going to walk out of
there," says Lieutenant Mike Risko of the Michigan state
police, "because he was talking to us adamantly and strongly."
Robert agreed to write his father a letter. "Hey, Dad,"
it read. "Please come out so no one gets hurt."
What happened on that Tuesday morning doesn't make much sense.
It might have been a tragic miscommunication or the final statement
from a men who felt he had nothing left to lose. State troopers
in an LAV tossed Rohm a phone during the night, and Rohm agreed
to surrender at seven o'clock Tuesday morning if he saw his boy.
"We agreed to bring Robert out there," says Risko.
But just after six A.M., an upper room in the house caught fire,
and Rohm emerged, carrying his Ruger.
According to the state police, troopers stormed up in the
LAV and told Rohm over a bullhorn to drop the gun. He seemed
frightened and confused. Suddenly he turned back into the house.
("Possibly for the dog," Risko says.) He re-emerged
on the run and took cover under a small pine tree 10 yards from
the house. The LAV moved forward. "At that point he shouldered
the rifle," Risko says, "and he was taken out by a
sniper." One bullet went through the butt of his rifle and
his chest. Like Crosslin, he never fired a shot.
Robert was halfway down the road at the time. He saw the smoke
and heard the gunfire, which he believed was ammo ignited by
the fire. Then he was ushered back to the car. By the time he
got home, a detail of caseworkers, counselors and FIA officials
- his new family - was already on its way to give him the news.
That night a harvest moon rose over the destruction at Rainbow
Farm, and then it rained.
Epilogue
During the standoff, a small crowd had gathered at a makeshift
protest camp along M-60. A typical sign read OUR GOVERNMENT IS
KILLING AMERICANS.
"This was a Waco-like event," says Rick Martinez,
Michigan editor for the South Bend Tribune. "You have individual
rights, but then there's the specter of illegal drug sales. They're
parallel events, but it's apples to oranges to grapes."
"You could see this whole thing as Scott's fault,"
says Lorraine Jaffee, an outspoken foster-parent advocate from
Edwardsburg who has had run-ins with Teter. "If he hadn't
taken Robert Rohm, none of this would have happened."
The official version of events - that Crosslin and Rohm both
raised their rifles - was soon disputed. Within days, investigations
were launched by the families, the prosecutor, the state's attorney
general, the state police, the FBI, even the Michigan Militia.
The lawyer handling a wrongful-death civil suit for Rohm's estate
says the state police account of Rohm's death is seriously flawed.
"Our forensic experts are the guys retained by the defense
team at Ruby Ridge," says attorney Christopher Keane. "Among
other problems, there's no way Rohm could have been facing the
LAV in a ready-to-shoot position at the time he was shot. The
police case is forensically baseless. Usually, the cover-up is
worse than the crime. Here, it is just as bad."
The case is still pending
|
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<div id="header">
<h1 class="title">Quake on an oscilloscope: A technical report</h1>
<h2 class="author">Pekka Väänänen</h2>
<h3 class="date">December 28, 2014</h3>
</div>
<div class="figure">
<img src="img/quakescope.jpg" alt="Quake 1 rendered on a Hitachi V-422 oscilloscope." />
<p class="caption">Quake 1 rendered on a Hitachi V-422 oscilloscope.</p>
</div>
<p>A summary of some problems I faced when tinkering with Quake to get it play nicely on an oscilloscope.</p>
<p>After seeing some cool clips like <a href="https://www.youtube.com/watch?v=rtR63-ecUNo">this mushroom thing</a> and of course <a href="https://www.youtube.com/watch?v=s1eNjUgaB-g">Youscope</a>, playing Quake on a scope seemed like a great idea. It ticks all the marks that make me happy: low-poly, realtime rendered and open source.</p>
<h2 id="testing-testing">Testing, testing</h2>
<p>First I wrote <a href="https://gist.github.com/seece/034e8c3c9debb0464d3a">a simple XY-oscilloscope simulator</a> in Processing. Youscope rendered cleanly in it after I added some phosphorus decay simulation so that longer lines are rendered dimmer. So far so good.</p>
<h2 id="rendering-lines">Rendering lines</h2>
<p>The XY-mode of an oscilloscope is pretty straightforward. Two voltages specify the horizontal and vertical position of the ray, so by varying these as a function of time you can draw shapes. Basically you output a set of 2D points with coordinates in range [-1, 1], view it in XY-mode on the oscilloscope and Bob’s your uncle.</p>
<p>Drawing a line segment is linearly interpolating between two points during some time interval. It’s important to keep the drawing speed constant between lines of different lengths because otherwise you’ll end up having lines with varying intensities. According to <a href="http://www.jmargolin.com/vgens/vgens.htm">a great page by Jed Margolin</a>, you don’t actually need to calculate the length of the line to keep the intensities at bay since an approximation will be enough because of the non-linear gamma curve of the monitor. I went with the correct solution though.</p>
<p>In order to line draw line segments that are not connected together, you need to move the ray quickly across the screen without actually tracing a visible line. This can be done by spending more time drawing the visible lines and then scaling the monitor intensity accordingly to hide unwanted artefacts.</p>
<div class="figure">
<img src="img/simulaattori.png" title="Phosphor decay also supported!" alt="A simple XY-scope simulator written in Processing." />
<p class="caption">A simple XY-scope simulator written in Processing.</p>
</div>
<p>I whipped up a toy where you could draw a single line with a mouse and it would get played back as audio from the speakers. Then I hooked up system audio output to line-in and verified it looked OK in the scope simulator.</p>
<h3 id="output">Output</h3>
<p>Using audio for outputting the two voltages is natural, this is what tejeez did in Youscope.</p>
<p>Quake is a game, games are realtime, so my audio generation routines better be quick too. That’s why I picked <a href="http://en.wikipedia.org/wiki/Audio_Stream_Input/Output">ASIO</a> as the audio backend. First I spent a couple of nights hacking with the Steinberg ASIO SDK, but I just couldn’t get any sound out of it. Finally I resorted to using <a href="http://www.portaudio.com/">PortAudio</a> which worked just fine for my needs.</p>
<p>The Youscope recording is a 48 kHz audio file and it seems to work great on tape. The catch here is that apparently the soundcard used on the video doesn’t apply any low-pass filtering to the output, which pretty uncommon.</p>
<p>All sound cards I own apply a filter, so bandwidth was pretty limited. In practice this means less lines can be drawn per frame. I thought the problem could be solved with a higher sampling rate so I picked 96 kHz, the highest number my Swissonic EASY USB supports. Seems like this didn’t make any difference in the end as the picture looks almost the same at 44.1 kHz too.</p>
<h4 id="portaudio-on-windows">PortAudio on Windows</h4>
<p>The stable v19 release of PortAudio didn’t compile out of the box on Windows. I had to manually remove <code>ksguid.lib</code> from <code>portaudio.vxcproj</code> with a text editor. Installing the ASIO SDK was also necessary.</p>
<h2 id="getting-vectorized">Getting vectorized</h2>
<p>There are two different processes: the Darkplaces Quake game and the audio synthesizer. Interprocess communication is done via a WinAPI named pipe.</p>
<p>My favourite Quake <a href="http://quake.wikia.com/wiki/Source_port">source port</a>, <a href="http://icculus.org/twilight/darkplaces/">Darkplaces</a> has an excellent software renderer I abused to get access to projected scene geometry. The engine was patched to save all the clip-space triangle edges sent for drawing, and then transfer these to a synthesizer process via a named pipe.</p>
<p>This geometry extraction phase doesn’t affect normal rendering, and a proper depth buffer is actually required for the last culling stage to function.</p>
<p>The pipeline on the Quake side is basically this:</p>
<ul>
<li>for each object being drawn
<ul>
<li>for each triangle
<ul>
<li>clip the edges to screen borders</li>
<li>if edge is visible
<ul>
<li>and not already saved this frame</li>
<li>save it to a list</li>
</ul></li>
<li>render the triangle normally, even though color isn’t used</li>
</ul></li>
</ul></li>
<li>if the synth process has requested more geometry, then:
<ul>
<li>check if lines are in front of geometry via z-buffer sampling</li>
<li>submit all visible lines of this frame to the synth via pipe</li>
</ul></li>
</ul>
<h3 id="culling">Culling</h3>
<p>Getting rid of duplicate and unseen line geometry is important, because the time budget per frame is tight and all time spent on redundant lines is totally wasted effort.</p>
<div class="figure">
<img src="img/without_and_with_culling.png" alt="Hiding occluded lines with depth buffer checks is very important." />
<p class="caption">Hiding occluded lines with depth buffer checks is very important.</p>
</div>
<p>Regular back face, frustum and precalculated BSP visibility culling are done first. I also limited the draw distance by discarding all triangles whose all vertices were far enough from the camera.</p>
<p>To cull the duplicates a <code>std::unordered_set</code> of the C++ standard library is used. The indices of the triangle edges are saved in pairs, packed in a single <code>uint64_t</code>, the lower index being first. The set is cleared between each object, so the same line could still be drawn twice or more if the same vertices are stored in different meshes. Before saving a line for end-of-the-frame-submit, its indices in the mesh are checked against the set, and discarded if already saved this frame.</p>
<p>At the end of each frame all saved lines are checked against the depth buffer of the rendered scene. If a line lies completely behind the depth buffer, it can be safely discarded because it shouldn’t be visible. This happens if it’s behind a wall or something. These checks must be done after all draw calls are processed since geometry isn’t drawn in a back-to-front order. I implemented this as a series of ten or so depth buffer samples along the line and discarded the line if all of them were occluded. This worked well enough but left still some stray “spikes” peeking behind the corner in some cases.</p>
<h3 id="a-synth-rasterizer">A synth rasterizer</h3>
<p>The line synthesizer audio thread has a queue of lines to be drawn. New lines are requested from the Quake engine (by writing an integer to pipe) in the main thread if it notices we are running short on stuff to draw. The audio thread consumes this line data on its own pace - longer lines take a while to draw.</p>
<p>The audio is synthesized as stereo 96 kHz 32-bit IEEE floating point data, but internally in PortAudio it’s converted to 32-bit signed integers before getting submitted to the ASIO output.</p>
<p>On average, 1800 lines per frame are transferred to the synth process, and if no new data is received on time the latest frame will be shown again.</p>
<h2 id="on-speed">On speed</h2>
<p>On the video, about 5-20 samples are allocated to each line depending on the length of the segment. This means the frequencies emitted are very high (5 samples per period is 19.2 kHz) and it seems the audio output is being low pass filtered resulting in silly wobbly lines.</p>
<div class="figure">
<img src="img/speed_comparison.jpg" alt="Image quality increases as the lines are drawn slower." />
<p class="caption">Image quality increases as the lines are drawn slower.</p>
</div>
<p>Audio synthesis takes some CPU time, but most of it is spent on Quake depth buffer rasterization. Triangle filling is slow when you do it with just one thread on a modest laptop processor :)</p>
<p>The total latency is passable and short enough to play comfortably with keyboard and mouse. This can be adjusted by tweaking audio synthesis parameters.</p>
<h2 id="open-problems">Open problems</h2>
<p>To be honest, I was quite disappointed by the performance I got out of this. Merely 1000 lines on screen simultaneously, usually not even that. Any higher numbers end up being represented as such high frequencies the audio output can’t keep up. One can increase the time spent on each line but this causes additional latency and the image starts to flicker. Speeding up the drawing speed allows more stuff per frame, but the quality degrades quickly as can be seen in the comparison image shown earlier.</p>
<p>There’s also some <em>mysterious</em> low frequency noise generated in the process. This is clearly visible when rotating the view quickly and the whole screen moves on the oscilloscope monitor screen. I assume this is some annoying bass boost equalization happening inside the sound card.
<p><strong>Mystery solved:</strong> It’s the cheap sound card. (Thanks Antti!) With another USB sound card the low frequency movement is gone. Too bad there’s no proper ASIO drivers (ASIO4ALL isn’t enough) for it, making it unsuitable for realtime use because of additional latency.</p>
<h3 id="possible-improvements">Possible improvements</h3>
<p>I’ve gotten some excellent ideas via email for improving the stability and quality of the rendering. I’m probably not going the develop this project further but I’m listing the suggestions here for future reference.</p>
<ul>
<li>An <strong>audio-interface with DC-coupled outputs</strong>
<ul>
<li>A regular sound card can be modified by removing capacitors before the analog output.</li>
<li>For example, see <a href="http://www.modularsynth.ru/en/2014/06/15/gigaporthd_dc_coupling/">ESI Gigaport HD DC-Coupling Mod</a>.</li>
<li>Now the low frequencies aren’t filtered away and the picture stays stable.</li>
</ul></li>
<li>Use <strong>VGA as DAC</strong>
<ul>
<li>Really fast 8-bit digital to analog converter, precision can be increased with e.g. dithering.</li>
<li>Use red and green channels as X and Y signals.</li>
<li>Low latency and <a href="http://en.wikipedia.org/wiki/Direct_coupling">DC coupled</a>.</li>
<li>No signal during vertical blanking interval, probably not a problem since it’s so short.</li>
<li>It actually looks <a href="https://www.youtube.com/watch?list=PLBPoTwsQYxSCc9C95p2RGuT-JulNEhsfH&v=9P1UJatH5jM">pretty good!</a></li>
</ul></li>
<li><strong>Resample the signal</strong> to higher sampling rate with nearest neighbour filtering.
<ul>
<li>This keeps the lines straight, I’m not sure why.</li>
<li><a href="https://www.youtube.com/watch?v=GIdiHh6mW58">An example rendering by rpocc</a>.</li>
</ul></li>
<li>Use <strong>intensity modulation</strong> (Z-channel) to hide the beam when moving between lines.
<ul>
<li>Usually this input channel is on the rear panel.</li>
<li>Would use three audio channels instead of two.</li>
</ul></li>
<li>Add <strong>an extra sample to the beginning and end</strong> of each line drawn.
<ul>
<li>Decreases wobbliness because of slightly reduced high frequency content. (thanks Andrew!)</li>
</ul></li>
<li>On Windows, <a href="http://wiki.jriver.com/index.php/WASAPI">WASAPI</a> might reduce audio latency.
<ul>
<li>A good candidate if your audio-interface doesn’t have ASIO drivers.</li>
<li>Supported by PortAudio.</li>
</ul></li>
<li><strong>Sort the lines</strong> before rendering to minimize beam travel distance.
<ul>
<li>More geometry per frame can be drawn.</li>
<li><a href="/articles/shortest_line_segment_path.html">Travelling Salesman Problem reduces into this</a>.
<ul>
<li><strong>NP-hard</strong>, so an approximation is needed:
<ul>
<li>A generic solver on the GPU</li>
<li>Dividing the screen into buckets and populate them with lines according start/end points</li>
<li>Just draw the longest lines first
<ul>
<li>More time spent on drawing actual visible content.</li>
<li>Bias the selection with line distance in camera space.</li>
</ul></li>
</ul></li>
</ul></li>
</ul></li>
<li>Decrease line draw time according to camera space distance.
<ul>
<li>Less time spent on far away lines so more can be fit in per frame.</li>
</ul></li>
<li><strong>Split the lines</strong> to multiple segments when performing Z-buffer checks.
<ul>
<li>Picture is clearer with less line segments visible through walls.</li>
</ul></li>
<li>Use Quake level <strong>brush geometry</strong> instead of the mesh used in rendering.
<ul>
<li>Eliminates unnecessary lines since quads are rendered instead of triangles.</li>
<li>Works at least in Quake 2 (thanks Jay!)
<ul>
<li>See <a href="img/quake2world002.jpg">this screenshot</a> from <a href="https://github.com/jdolan/quake2world">Quake2World engine</a></li>
</ul></li>
</ul></li>
<li>Hardware accelerated rendering, current system runs in software mode.</li>
</ul>
<h2 id="video">Video</h2>
<iframe width="560" height="315" src="//www.youtube.com/embed/aMli33ornEU" frameborder="0" allowfullscreen>
</iframe>
<p>Playing through the first level E1M1 of Quake.</p>
<h3 id="audio-recordings">Audio recordings</h3>
<p>If you want to watch this on your own hardware, here are recordings of the same playthrough that’s on the video. Try the fast one first and then the slow one if it doesn’t seem right. The difference is very small. I didn’t test these on the oscilloscope, I hope they work well.</p>
<ul>
<li>e1m1_fast_48khz <a href="http://www.lofibucket.com/download/e1m1_fast_48khz.wav">WAV</a> (36.9 MiB), <a href="http://www.lofibucket.com/download/e1m1_fast_48khz.flac">FLAC</a> (30.4 MiB)</li>
<li>e1m1_slow_48khz <a href="http://www.lofibucket.com/download/e1m1_slow_48khz.wav">WAV</a> (36.9 MiB), <a href="http://www.lofibucket.com/download/e1m1_slow_48khz.flac">FLAC</a> (29.3 MiB)</li>
</ul>
<h3 id="code">Code</h3>
<p>Source code for the <a href="https://bitbucket.org/seece/scoperender">line renderer</a> and <a href="https://bitbucket.org/seece/darkplaceswire">the modified Quake</a> are available. Visual Studio 2013 is required to compile the projects.</p>
<h2 id="article-history">Article history</h2>
<ul>
<li>November 12, 2016
<ul>
<li>Added link to NP-hardness article.</li>
<li>Added link to VGA oscilloscope video.</li>
</ul></li>
<li>July 13, 2015
<ul>
<li>Added source code links</li>
</ul></li>
<li>January 6, 2015
<ul>
<li>Added <em>Possible improvements</em> section. Thanks for the suggestions people!</li>
</ul></li>
<li>December 29, 2014
<ul>
<li>Low frequency noise explanation</li>
<li>Added audio recordings</li>
<li>Small additions to culling part</li>
<li>Added picture of the simulator</li>
</ul></li>
</ul>
<h2 id="references">References</h2>
<ul>
<li>The <a href="http://icculus.org/twilight/darkplaces/">Darkplaces</a> source port web site</li>
<li><a href="http://www.jmargolin.com/vgens/vgens.htm">The Secret Life of Vector Generators</a> by Jed Margolin</li>
</ul>
<hr>
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Quake on an oscilloscope: A technical report
code{white-space: pre;}
[back to lofibucket.com](http://www.lofibucket.com)
# Quake on an oscilloscope: A technical report
## Pekka Väänänen
### December 28, 2014

Quake 1 rendered on a Hitachi V-422 oscilloscope.
A summary of some problems I faced when tinkering with Quake to get it play nicely on an oscilloscope.
After seeing some cool clips like [this mushroom thing](https://www.youtube.com/watch?v=rtR63-ecUNo) and of course [Youscope](https://www.youtube.com/watch?v=s1eNjUgaB-g), playing Quake on a scope seemed like a great idea. It ticks all the marks that make me happy: low-poly, realtime rendered and open source.
## Testing, testing
First I wrote [a simple XY-oscilloscope simulator](https://gist.github.com/seece/034e8c3c9debb0464d3a) in Processing. Youscope rendered cleanly in it after I added some phosphorus decay simulation so that longer lines are rendered dimmer. So far so good.
## Rendering lines
The XY-mode of an oscilloscope is pretty straightforward. Two voltages specify the horizontal and vertical position of the ray, so by varying these as a function of time you can draw shapes. Basically you output a set of 2D points with coordinates in range [-1, 1], view it in XY-mode on the oscilloscope and Bob’s your uncle.
Drawing a line segment is linearly interpolating between two points during some time interval. It’s important to keep the drawing speed constant between lines of different lengths because otherwise you’ll end up having lines with varying intensities. According to [a great page by Jed Margolin](http://www.jmargolin.com/vgens/vgens.htm), you don’t actually need to calculate the length of the line to keep the intensities at bay since an approximation will be enough because of the non-linear gamma curve of the monitor. I went with the correct solution though.
In order to line draw line segments that are not connected together, you need to move the ray quickly across the screen without actually tracing a visible line. This can be done by spending more time drawing the visible lines and then scaling the monitor intensity accordingly to hide unwanted artefacts.

A simple XY-scope simulator written in Processing.
I whipped up a toy where you could draw a single line with a mouse and it would get played back as audio from the speakers. Then I hooked up system audio output to line-in and verified it looked OK in the scope simulator.
### Output
Using audio for outputting the two voltages is natural, this is what tejeez did in Youscope.
Quake is a game, games are realtime, so my audio generation routines better be quick too. That’s why I picked [ASIO](http://en.wikipedia.org/wiki/Audio_Stream_Input/Output) as the audio backend. First I spent a couple of nights hacking with the Steinberg ASIO SDK, but I just couldn’t get any sound out of it. Finally I resorted to using [PortAudio](http://www.portaudio.com/) which worked just fine for my needs.
The Youscope recording is a 48 kHz audio file and it seems to work great on tape. The catch here is that apparently the soundcard used on the video doesn’t apply any low-pass filtering to the output, which pretty uncommon.
All sound cards I own apply a filter, so bandwidth was pretty limited. In practice this means less lines can be drawn per frame. I thought the problem could be solved with a higher sampling rate so I picked 96 kHz, the highest number my Swissonic EASY USB supports. Seems like this didn’t make any difference in the end as the picture looks almost the same at 44.1 kHz too.
#### PortAudio on Windows
The stable v19 release of PortAudio didn’t compile out of the box on Windows. I had to manually remove `ksguid.lib` from `portaudio.vxcproj` with a text editor. Installing the ASIO SDK was also necessary.
## Getting vectorized
There are two different processes: the Darkplaces Quake game and the audio synthesizer. Interprocess communication is done via a WinAPI named pipe.
My favourite Quake [source port](http://quake.wikia.com/wiki/Source_port), [Darkplaces](http://icculus.org/twilight/darkplaces/) has an excellent software renderer I abused to get access to projected scene geometry. The engine was patched to save all the clip-space triangle edges sent for drawing, and then transfer these to a synthesizer process via a named pipe.
This geometry extraction phase doesn’t affect normal rendering, and a proper depth buffer is actually required for the last culling stage to function.
The pipeline on the Quake side is basically this:
* for each object being drawn
+ for each triangle
- clip the edges to screen borders
- if edge is visible
* and not already saved this frame
* save it to a list
- render the triangle normally, even though color isn’t used
* if the synth process has requested more geometry, then:
+ check if lines are in front of geometry via z-buffer sampling
+ submit all visible lines of this frame to the synth via pipe
### Culling
Getting rid of duplicate and unseen line geometry is important, because the time budget per frame is tight and all time spent on redundant lines is totally wasted effort.

Hiding occluded lines with depth buffer checks is very important.
Regular back face, frustum and precalculated BSP visibility culling are done first. I also limited the draw distance by discarding all triangles whose all vertices were far enough from the camera.
To cull the duplicates a `std::unordered_set` of the C++ standard library is used. The indices of the triangle edges are saved in pairs, packed in a single `uint64_t`, the lower index being first. The set is cleared between each object, so the same line could still be drawn twice or more if the same vertices are stored in different meshes. Before saving a line for end-of-the-frame-submit, its indices in the mesh are checked against the set, and discarded if already saved this frame.
At the end of each frame all saved lines are checked against the depth buffer of the rendered scene. If a line lies completely behind the depth buffer, it can be safely discarded because it shouldn’t be visible. This happens if it’s behind a wall or something. These checks must be done after all draw calls are processed since geometry isn’t drawn in a back-to-front order. I implemented this as a series of ten or so depth buffer samples along the line and discarded the line if all of them were occluded. This worked well enough but left still some stray “spikes” peeking behind the corner in some cases.
### A synth rasterizer
The line synthesizer audio thread has a queue of lines to be drawn. New lines are requested from the Quake engine (by writing an integer to pipe) in the main thread if it notices we are running short on stuff to draw. The audio thread consumes this line data on its own pace - longer lines take a while to draw.
The audio is synthesized as stereo 96 kHz 32-bit IEEE floating point data, but internally in PortAudio it’s converted to 32-bit signed integers before getting submitted to the ASIO output.
On average, 1800 lines per frame are transferred to the synth process, and if no new data is received on time the latest frame will be shown again.
## On speed
On the video, about 5-20 samples are allocated to each line depending on the length of the segment. This means the frequencies emitted are very high (5 samples per period is 19.2 kHz) and it seems the audio output is being low pass filtered resulting in silly wobbly lines.

Image quality increases as the lines are drawn slower.
Audio synthesis takes some CPU time, but most of it is spent on Quake depth buffer rasterization. Triangle filling is slow when you do it with just one thread on a modest laptop processor :)
The total latency is passable and short enough to play comfortably with keyboard and mouse. This can be adjusted by tweaking audio synthesis parameters.
## Open problems
To be honest, I was quite disappointed by the performance I got out of this. Merely 1000 lines on screen simultaneously, usually not even that. Any higher numbers end up being represented as such high frequencies the audio output can’t keep up. One can increase the time spent on each line but this causes additional latency and the image starts to flicker. Speeding up the drawing speed allows more stuff per frame, but the quality degrades quickly as can be seen in the comparison image shown earlier.
There’s also some *mysterious* low frequency noise generated in the process. This is clearly visible when rotating the view quickly and the whole screen moves on the oscilloscope monitor screen. I assume this is some annoying bass boost equalization happening inside the sound card.
**Mystery solved:** It’s the cheap sound card. (Thanks Antti!) With another USB sound card the low frequency movement is gone. Too bad there’s no proper ASIO drivers (ASIO4ALL isn’t enough) for it, making it unsuitable for realtime use because of additional latency.
### Possible improvements
I’ve gotten some excellent ideas via email for improving the stability and quality of the rendering. I’m probably not going the develop this project further but I’m listing the suggestions here for future reference.
* An **audio-interface with DC-coupled outputs**
+ A regular sound card can be modified by removing capacitors before the analog output.
+ For example, see [ESI Gigaport HD DC-Coupling Mod](http://www.modularsynth.ru/en/2014/06/15/gigaporthd_dc_coupling/).
+ Now the low frequencies aren’t filtered away and the picture stays stable.
* Use **VGA as DAC**
+ Really fast 8-bit digital to analog converter, precision can be increased with e.g. dithering.
+ Use red and green channels as X and Y signals.
+ Low latency and [DC coupled](http://en.wikipedia.org/wiki/Direct_coupling).
+ No signal during vertical blanking interval, probably not a problem since it’s so short.
+ It actually looks [pretty good!](https://www.youtube.com/watch?list=PLBPoTwsQYxSCc9C95p2RGuT-JulNEhsfH&v=9P1UJatH5jM)
* **Resample the signal** to higher sampling rate with nearest neighbour filtering.
+ This keeps the lines straight, I’m not sure why.
+ [An example rendering by rpocc](https://www.youtube.com/watch?v=GIdiHh6mW58).
* Use **intensity modulation** (Z-channel) to hide the beam when moving between lines.
+ Usually this input channel is on the rear panel.
+ Would use three audio channels instead of two.
* Add **an extra sample to the beginning and end** of each line drawn.
+ Decreases wobbliness because of slightly reduced high frequency content. (thanks Andrew!)
* On Windows, [WASAPI](http://wiki.jriver.com/index.php/WASAPI) might reduce audio latency.
+ A good candidate if your audio-interface doesn’t have ASIO drivers.
+ Supported by PortAudio.
* **Sort the lines** before rendering to minimize beam travel distance.
+ More geometry per frame can be drawn.
+ [Travelling Salesman Problem reduces into this](/articles/shortest_line_segment_path.html).
- **NP-hard**, so an approximation is needed:
* A generic solver on the GPU
* Dividing the screen into buckets and populate them with lines according start/end points
* Just draw the longest lines first
+ More time spent on drawing actual visible content.
+ Bias the selection with line distance in camera space.
* Decrease line draw time according to camera space distance.
+ Less time spent on far away lines so more can be fit in per frame.
* **Split the lines** to multiple segments when performing Z-buffer checks.
+ Picture is clearer with less line segments visible through walls.
* Use Quake level **brush geometry** instead of the mesh used in rendering.
+ Eliminates unnecessary lines since quads are rendered instead of triangles.
+ Works at least in Quake 2 (thanks Jay!)
- See [this screenshot](img/quake2world002.jpg) from [Quake2World engine](https://github.com/jdolan/quake2world)
* Hardware accelerated rendering, current system runs in software mode.
## Video
Playing through the first level E1M1 of Quake.
### Audio recordings
If you want to watch this on your own hardware, here are recordings of the same playthrough that’s on the video. Try the fast one first and then the slow one if it doesn’t seem right. The difference is very small. I didn’t test these on the oscilloscope, I hope they work well.
* e1m1\_fast\_48khz [WAV](http://www.lofibucket.com/download/e1m1_fast_48khz.wav) (36.9 MiB), [FLAC](http://www.lofibucket.com/download/e1m1_fast_48khz.flac) (30.4 MiB)
* e1m1\_slow\_48khz [WAV](http://www.lofibucket.com/download/e1m1_slow_48khz.wav) (36.9 MiB), [FLAC](http://www.lofibucket.com/download/e1m1_slow_48khz.flac) (29.3 MiB)
### Code
Source code for the [line renderer](https://bitbucket.org/seece/scoperender) and [the modified Quake](https://bitbucket.org/seece/darkplaceswire) are available. Visual Studio 2013 is required to compile the projects.
## Article history
* November 12, 2016
+ Added link to NP-hardness article.
+ Added link to VGA oscilloscope video.
* July 13, 2015
+ Added source code links
* January 6, 2015
+ Added *Possible improvements* section. Thanks for the suggestions people!
* December 29, 2014
+ Low frequency noise explanation
+ Added audio recordings
+ Small additions to culling part
+ Added picture of the simulator
## References
* The [Darkplaces](http://icculus.org/twilight/darkplaces/) source port web site
* [The Secret Life of Vector Generators](http://www.jmargolin.com/vgens/vgens.htm) by Jed Margolin
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<h2>
Richard R. Eckert</h2></center>
<img SRC="RE_office1.jpg" height=210 width=249 align=RIGHT>
<p>I received my PhD from the University of Kansas, taught at the Universidad
de Oriente in Cumaná, Venezuela for two years, at the Universidad
Católica de Puerto Rico for 12 years, and in 1983, joined the faculty
of the Computer Science Department at SUNY Binghamton. I am now an Associate
Professor.
<p>My major research interests include computer science education, computer
graphics, human-computer interaction, computer architecture, and microprocessor-based
systems. I direct a small research laboratory for both graduate and undergraduate
students called the Human-Computer Interface (HCI) Lab.
<p>My hobbies include tennis, running, fly fishing, gardening, reading,
writing, and music.
<p>
<hr WIDTH="100%">
<h3>
Courses Taught Recently (or soon to be taught) at Binghamton University</h3>
<ul>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/220/220topics.html">CS-220
(Computer Organization & Assembly Language Programming)</a></li>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/460/460topics.html">CS-460/560
(Computer Graphics)</a></li>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/360/360topics.htm">CS-360
(GUI and Windows Programming)</a></li>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/480/480topics.html">CS-424/580A
- formerly CS-480A - (Microcontrollers and Robotics)</a></li>
<li>
<a href="http://www.enginet.binghamton.edu/angel">Computer Graphics (CS-560)
over the EngiNet-- PowerPoint Slides (pdf format), lecture videos for EngiNet
students only</a></li>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/enginet.html">Computer Graphics
(CS-560) OLD EngiNet Notes (pdf format)</a></li>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/ws99topics.html">Visual
C++ Programming Workshop</a></li>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/323/323topics.html">CS-323
(Microcomputer Systems I)</a></li>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/330/330topics.html">HARP-330
(Presidential Scholars Seminar)</a></li>
</ul>
<hr WIDTH="100%">
<h3>
<b>Some Research Stuff:<br>
<br>
</b><font size=+0><a href="http://www.cs.binghamton.edu/~reckert/Eckert-Recent-Research-2007.html">Summary
of Recent Research Activities<br>
<br>
</a><a href="http://www.germantutorfortravelers.com">Intelligent Tutoring
System: German for Travelers</a></font></h3>
<ul>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/OriginWireFram.jpg"><img SRC="OriginWireFramtn1.jpg" height=52 width=64></a> <a href="http://www.cs.binghamton.edu/~reckert/CompositingWireFram.jpg"><img SRC="CompositingWireFramtn1.jpg" height=52 width=64></a><a href="http://www.cs.binghamton.edu/~reckert/Compositing-ThesisFinal.pdf">
Metafile Compositing (with Mingkui Song)</a></li>
<br><a href="http://www.cs.binghamton.edu/~reckert/OriginWireFram.jpg">Before</a><a href="http://www.cs.binghamton.edu/~reckert/CompositingWireFram.jpg">After</a></ul>
<ul>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/Voronoi-diagram.JPG"><img SRC="Voronoi-diagram-tn.JPG" height=50 width=70></a><a href="http://www.cs.binghamton.edu/~reckert/Voronoi-presentation.pdf">
Robust and Efficient Computation of Voronoi Diagrams (with Nirav Patel)</a></li>
<br><a href="http://www.cs.binghamton.edu/~reckert/Voronoi-Animation.avi">Voronoi
Diagram Computation Animation</a>
<br>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/Room42.JPG"><img SRC="Room42tn.JPG" height=49 width=68></a><a href="http://www.cs.binghamton.edu/~reckert/Radiosity_Paper_finalfinal.pdf">
Radiosity Tutorial/Animation Tool (with Suzanne Patterson)</a></li>
<br><a href="http://www.cs.binghamton.edu/~reckert/AVI10_Sides.avi">An
Animation from the Radiosity Tutorial Tool</a>
<br>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/goodoutput.JPG"><img SRC="goodoutputtn.JPG" height=43 width=62></a><a href="http://www.cs.binghamton.edu/~reckert/Emb3D.pdf">3-D
Embroidery (with Jared Wickman)</a></li>
<br>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/SimpleCompSim-screenshot.GIF"><img SRC="SimpleCompSim-screenshottn.PNG" height=56 width=97></a><a href="http://www.cs.binghamton.edu/~reckert/hardwire3new.html">Simple
Computer Simulator</a></li>
<br><a href="http://www.cs.binghamton.edu/~reckert/ComputerSimulator.avi">Simple
Computer Simulator Animation</a>
<br>
<p><a href="http://www.cs.binghamton.edu/~reckert/3daape.jpg"><img SRC="3daapetn.gif" ALT="Click thumbnail to see one frame of the animation" HSPACE=2 height=47 width=135></a><a href="http://www.cs.binghamton.edu/~reckert/3daape.avi">3D
Graphics Algorithm Animation (with David Goldman)</a>
<br><a href="http://www.cs.binghamton.edu/~reckert/3daape_paper.htm">3D
Graphics Algorithm Animation Paper presented at the ACM's Twenty-Seventh
Technical Symposium on Computer Science Education</a>
<br>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/lw1b.gif"><img SRC="lw1btn.gif" ALT="Click thumbnail to see full-size image" HSPACE=2 height=47 width=65></a><a href="http://www.cs.binghamton.edu/~reckert/ictedoc.html">An
Interactive, Remote-Controlled Computer Projection System for Use in a
Large Classroom (with Jason Moore):</a></li>
</ul>
<ul>
<li>
<img SRC="tnbackscrn1.gif" ALT="Click thumbnail to see full-size image" HSPACE=2 BORDER=0 height=47 width=65><a href="http://www.cs.binghamton.edu/~reckert/icteppt.PDF">ICTE
Interactive Projection System Slide Presentation (with Jason Moore)</a></li>
<br>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/toolbk1.gif"><img SRC="tntoolbk1.gif" ALT="Click thumbnail to see full-size image" HSPACE=2 height=48 width=67></a><a href="http://www.cs.binghamton.edu/~reckert/toolbk2.gif"><img SRC="tntoolbk2.gif" ALT="Click thumbnail to see full-size image" HSPACE=2 height=47 width=62></a><a href="http://www.acm.org/sigchi/bulletin/1996.2/eckert.html">Interactive
Video Paper (with Michael Stenzler)</a></li>
<br>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/sim.gif"><img SRC="tnsim.gif" ALT="Click thumbnail to see one frame of the animation" HSPACE=2 height=50 width=62></a><a href="http://www.cs.binghamton.edu/~reckert/brian/index.html">Ray
Tracing Algorithm Animation Applet and Paper (with Brian Maltzan)</a></li>
<br>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/sim2.gif"><img SRC="Tnsim2.gif" ALT="Click to see an image of the 3D modeler" HSPACE=2 VSPACE=2 BORDER=0 height=56 width=69></a><a href="http://www.cs.binghamton.edu/~reckert/sim_anim.gif">Ray
Tracing Algorithm Animation Movie (with Brian Maltzan)</a></li>
</ul>
<ul>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/network.gif"><img SRC="networkn.gif" height=41 width=67></a><a href="http://www.cs.binghamton.edu/~reckert/chi2000fin4.PDF">The
Classroom of the 21st Century: The Interactive Learning Wall, ACM-SIGCHI
Bulletin Paper (with Jason Moore)</a></li>
</ul>
<ul>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/client2.jpg"><img SRC="client2n.jpg" height=39 width=63></a><a href="http://www.cs.binghamton.edu/~reckert/SITE_finalzz.PDF">"The
Interactive Classroom", AACE-SITE (Association for the Advancement of Computing
in Education)-2001 Paper</a></li>
</ul>
<ul>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/explosion.jpg"><img SRC="explosionn.jpg" height=46 width=61></a> <a href="http://www.cs.binghamton.edu/~reckert/screenshot.jpg"><img SRC="screenshotn.jpg" height=49 width=66></a><a href="http://www.cs.binghamton.edu/~reckert/particle_paper.PDF">
Particle Systems Paper (with Dan Kutz)</a></li>
<br>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/sbc150.jpg"><img SRC="sbctn.jpg" height=46 width=66></a><a href="http://www.cs.binghamton.edu/~reckert/sbc.htm">An
Intel 8088 Maximum Mode Single Board Computer System: a Computer Science
Student Design Project (with James Antonakos)</a></li>
</ul>
<h3>
<hr WIDTH="100%"></h3>
<h3>
Resume and Publications</h3>
<ul>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/Eckert-Resume-2008-BULLETS.pdf">Resume</a></li>
<li>
<a href="http://www.cs.binghamton.edu/~reckert/Eckert-Publications-upto-spring08.pdf">Publications</a></li>
</ul>
<hr WIDTH="100%">
<p><img SRC="hammer-m.gif" height=100 width=108>
<br>"I'd rather be a hammer than a nail!" (Simon & Garfunkel, from
"El Condor Pasa")
<br>-- But this nail can take it!!
<p>
<hr><a href="http://watson.binghamton.edu"><img SRC="WatHP.GIF" height=57 width=186></a><a href="http://www.binghamton.edu"><img SRC="BU_logo_small.GIF" height=62 width=161></a><a href="http://hcirisc.cs.binghamton.edu"><img SRC="hcilogo.gif" height=57 width=205></a>
<hr><a href="mailto:[email protected]"><img SRC="critic_sucks.gif" height=48 width=48 align=LEFT></a>
<h4>
<a href="mailto:reckert">Comments should be sent to: [email protected]</a></h4>
<h5>
Last Modified: January 23, 2007; Richard Eckert</h5>
</body>
</html>
|
Richard R. Eckert
##
Richard R. Eckert

I received my PhD from the University of Kansas, taught at the Universidad
de Oriente in Cumaná, Venezuela for two years, at the Universidad
Católica de Puerto Rico for 12 years, and in 1983, joined the faculty
of the Computer Science Department at SUNY Binghamton. I am now an Associate
Professor.
My major research interests include computer science education, computer
graphics, human-computer interaction, computer architecture, and microprocessor-based
systems. I direct a small research laboratory for both graduate and undergraduate
students called the Human-Computer Interface (HCI) Lab.
My hobbies include tennis, running, fly fishing, gardening, reading,
writing, and music.
---
###
Courses Taught Recently (or soon to be taught) at Binghamton University
* [CS-220
(Computer Organization & Assembly Language Programming)](http://www.cs.binghamton.edu/~reckert/220/220topics.html)
* [CS-460/560
(Computer Graphics)](http://www.cs.binghamton.edu/~reckert/460/460topics.html)
* [CS-360
(GUI and Windows Programming)](http://www.cs.binghamton.edu/~reckert/360/360topics.htm)
* [CS-424/580A
- formerly CS-480A - (Microcontrollers and Robotics)](http://www.cs.binghamton.edu/~reckert/480/480topics.html)
* [Computer Graphics (CS-560)
over the EngiNet-- PowerPoint Slides (pdf format), lecture videos for EngiNet
students only](http://www.enginet.binghamton.edu/angel)
* [Computer Graphics
(CS-560) OLD EngiNet Notes (pdf format)](http://www.cs.binghamton.edu/~reckert/enginet.html)
* [Visual
C++ Programming Workshop](http://www.cs.binghamton.edu/~reckert/ws99topics.html)
* [CS-323
(Microcomputer Systems I)](http://www.cs.binghamton.edu/~reckert/323/323topics.html)
* [HARP-330
(Presidential Scholars Seminar)](http://www.cs.binghamton.edu/~reckert/330/330topics.html)
---
###
**Some Research Stuff:**[Summary
of Recent Research Activities](http://www.cs.binghamton.edu/~reckert/Eckert-Recent-Research-2007.html)[Intelligent Tutoring
System: German for Travelers](http://www.germantutorfortravelers.com)
* [](http://www.cs.binghamton.edu/~reckert/OriginWireFram.jpg) [](http://www.cs.binghamton.edu/~reckert/CompositingWireFram.jpg)[Metafile Compositing (with Mingkui Song)](http://www.cs.binghamton.edu/~reckert/Compositing-ThesisFinal.pdf)
[Before](http://www.cs.binghamton.edu/~reckert/OriginWireFram.jpg)[After](http://www.cs.binghamton.edu/~reckert/CompositingWireFram.jpg)
* [](http://www.cs.binghamton.edu/~reckert/Voronoi-diagram.JPG)[Robust and Efficient Computation of Voronoi Diagrams (with Nirav Patel)](http://www.cs.binghamton.edu/~reckert/Voronoi-presentation.pdf)
[Voronoi
Diagram Computation Animation](http://www.cs.binghamton.edu/~reckert/Voronoi-Animation.avi)
* [](http://www.cs.binghamton.edu/~reckert/Room42.JPG)[Radiosity Tutorial/Animation Tool (with Suzanne Patterson)](http://www.cs.binghamton.edu/~reckert/Radiosity_Paper_finalfinal.pdf)
[An
Animation from the Radiosity Tutorial Tool](http://www.cs.binghamton.edu/~reckert/AVI10_Sides.avi)
* [](http://www.cs.binghamton.edu/~reckert/goodoutput.JPG)[3-D
Embroidery (with Jared Wickman)](http://www.cs.binghamton.edu/~reckert/Emb3D.pdf)
* [](http://www.cs.binghamton.edu/~reckert/SimpleCompSim-screenshot.GIF)[Simple
Computer Simulator](http://www.cs.binghamton.edu/~reckert/hardwire3new.html)
[Simple
Computer Simulator Animation](http://www.cs.binghamton.edu/~reckert/ComputerSimulator.avi)
[](http://www.cs.binghamton.edu/~reckert/3daape.jpg)[3D
Graphics Algorithm Animation (with David Goldman)](http://www.cs.binghamton.edu/~reckert/3daape.avi)
[3D
Graphics Algorithm Animation Paper presented at the ACM's Twenty-Seventh
Technical Symposium on Computer Science Education](http://www.cs.binghamton.edu/~reckert/3daape_paper.htm)
* [](http://www.cs.binghamton.edu/~reckert/lw1b.gif)[An
Interactive, Remote-Controlled Computer Projection System for Use in a
Large Classroom (with Jason Moore):](http://www.cs.binghamton.edu/~reckert/ictedoc.html)
* [ICTE
Interactive Projection System Slide Presentation (with Jason Moore)](http://www.cs.binghamton.edu/~reckert/icteppt.PDF)
* [](http://www.cs.binghamton.edu/~reckert/toolbk1.gif)[](http://www.cs.binghamton.edu/~reckert/toolbk2.gif)[Interactive
Video Paper (with Michael Stenzler)](http://www.acm.org/sigchi/bulletin/1996.2/eckert.html)
* [](http://www.cs.binghamton.edu/~reckert/sim.gif)[Ray
Tracing Algorithm Animation Applet and Paper (with Brian Maltzan)](http://www.cs.binghamton.edu/~reckert/brian/index.html)
* [](http://www.cs.binghamton.edu/~reckert/sim2.gif)[Ray
Tracing Algorithm Animation Movie (with Brian Maltzan)](http://www.cs.binghamton.edu/~reckert/sim_anim.gif)
* [](http://www.cs.binghamton.edu/~reckert/network.gif)[The
Classroom of the 21st Century: The Interactive Learning Wall, ACM-SIGCHI
Bulletin Paper (with Jason Moore)](http://www.cs.binghamton.edu/~reckert/chi2000fin4.PDF)
* [](http://www.cs.binghamton.edu/~reckert/client2.jpg)["The
Interactive Classroom", AACE-SITE (Association for the Advancement of Computing
in Education)-2001 Paper](http://www.cs.binghamton.edu/~reckert/SITE_finalzz.PDF)
* [](http://www.cs.binghamton.edu/~reckert/explosion.jpg) [](http://www.cs.binghamton.edu/~reckert/screenshot.jpg)[Particle Systems Paper (with Dan Kutz)](http://www.cs.binghamton.edu/~reckert/particle_paper.PDF)
* [](http://www.cs.binghamton.edu/~reckert/sbc150.jpg)[An
Intel 8088 Maximum Mode Single Board Computer System: a Computer Science
Student Design Project (with James Antonakos)](http://www.cs.binghamton.edu/~reckert/sbc.htm)
###
---
###
Resume and Publications
* [Resume](http://www.cs.binghamton.edu/~reckert/Eckert-Resume-2008-BULLETS.pdf)
* [Publications](http://www.cs.binghamton.edu/~reckert/Eckert-Publications-upto-spring08.pdf)
---

"I'd rather be a hammer than a nail!" (Simon & Garfunkel, from
"El Condor Pasa")
-- But this nail can take it!!
---
[](http://watson.binghamton.edu)[](http://www.binghamton.edu)[](http://hcirisc.cs.binghamton.edu)
---
[](mailto:[email protected])
####
[Comments should be sent to: [email protected]](mailto:reckert)
#####
Last Modified: January 23, 2007; Richard Eckert
| https://www.cs.binghamton.edu/~reckert/ |
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN">
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<meta http-equiv="Content-Type" content="text/html; charset=UTF-8">
<TITLE>Homepage of Erik Thiele</TITLE>
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<div align="center">
<basefont size="3">
<IMG SRC="hptitle.jpg" alt="" width="339" height="236"><p>
<font size="7" color="red">My name is Erik Thiele<BR>This is my Homepage<BR>You are welcome</font><p><br>
<font size="6" color="yellow">-- Technical Stuff --</font><p>
<a href="eycar/index.htm"><img src="eycar/tech/eycar.jpg" alt="" width="320" height="240"><br><font size="5">EYCar</font></a><br>
<font size="2" color="white">computer controlled autonomous robot car with laser navigation</font><p><br>
<a href="modellbahn/index.html"><img src="modellbahn/modellbahn.jpg" alt="" width="320" height="240"><br><font size="5">Modellbahn</font></a><br>
<font size="2" color="white">10 Sekunden Freizeit pro Tag - Steter Tropfen höhlt den Stein</font><p><br>
<a href="3dprinter/index.html"><img src="3dprinter/hauptbild.jpg" alt="" width="320" height="240"><br><font size="5">3D Drucker</font></a><br>
<font size="2" color="white">Drucken in der dritten Dimension</font><p><br>
<a href="vogeltraenke/index.html"><img src="vogeltraenke/vogeltraenke.jpg" alt="" width="320" height="240"><br><font size="5">Vogeltränke</font></a><br>
<font size="2" color="white">Das ultimativ unnötige Projekt</font><p><br>
<a href="giessmaschine/index.html"><img src="giessmaschine/giessmaschine.jpg" alt="" width="320" height="427"><br><font size="5">GieÃmaschine</font></a><br>
<font size="2" color="white">Automatisch begossene Pflanzen</font><p><br>
<a href="kugelbahn/index.html"><img src="kugelbahn/kugelbahn.jpg" alt="" width="320" height="238"><br><font size="5">Kugelbahn</font></a><br>
<font size="2" color="white">Automatische Kugelbahn</font><p><br>
<a href="stall/index.html"><img src="stall/stall.jpg" alt="" width="320" height="240"><br><font size="5">Hühnerstall</font></a><br>
<font size="2" color="white">IOT MQTT Hühnerstall - Worlds first!</font><p><br>
<a href="stall2/index.html"><img src="stall2/stall2.jpg" alt="" width="240" height="320"><br><font size="5">Hühnerstall 2</font></a><br>
<font size="2" color="white">IOT MQTT Hühnerstall - Worlds second!</font><p><br>
<p><BR>
<font size="6" color="yellow">-- Projects related to computers only --</font><p>
<a href="sunplasma/"><img src="sunplasma/sunplasma.png" alt="" width="320" height="240"><br><font size="5">Sunplasma.</font></a><br>
<font size="2" color="white">View a virtual world in 3D</font><p><br>
<a href="cadaver/"><img src="cadaver/title.png" alt="" width="303" height="54"><br><font size="5">Cadaver.</font></a><br>
<font size="2" color="white">Write the best AI and beat the others !</font><p><br>
<a href="yyycpu/"><img src="yyycpu/title.png" alt="" width="374" height="237"><br><font size="5">YYYCPU</font></a><br>
<font size="2" color="white">a language, a assembler, a virtual machine</font><p><br>
<a href="tempest/"><img src="tempest/eliza.png" alt="" width="614" height="268"><br><font size="5">Tempest for Eliza</font></a><br>
<font size="2" color="white">Use your computer monitor as an AM short wave radio transmitter</font><p><br>
<a href="yyyRSA/"><img src="yyyRSA/yyyRSA-small.png" alt="" width="192" height="58"><br><font size="5">yyyRSA</font></a><br>
<font size="2" color="white">Ultra secure asymetrical encryption for your private files and communication</font><p><br>
<p><BR>
<font size="6" color="yellow">-- Miscellaneous Stuff --</font><p>
<a href="noshine/"><img src="otherproj.png" alt="" width="370" height="140"><br><font size="5">Other projects</font></a><br>
<font size="2" color="white">Various stuff worth looking at</font><p><br>
<font size="5" color="white"><a href="music/">Downloadable selfmade music</a> - Cool</font><BR>
<font size="5" color="white"><a href="misc/">Somthing useless</a> - What's this ?</font><BR>
<font size="5" color="white"><a href="http://www.linux.org/">GNU/Linux</a> - use it</font><BR>
<font size="5" color="white"><a href="http://www.thiele-hydraulik.de/">Thiele Hydraulik</a> - the place i work at</font><BR>
<font size="5" color="white"><a href="pgp/">my Open PGP key</a> - in case you care about security</font><BR>
<p><BR>
</div>
<div align="right"><font size="2">you should always try to keep some crazy ideas in mind;<BR>do never become too logical.</font></div>
<hr>
(erikyyy at erikyyy dot de, Erik Thiele)
</body>
</html>
|
Homepage of Erik Thiele

My name is Erik Thiele
This is my Homepage
You are welcome
-- Technical Stuff --
[
EYCar](eycar/index.htm)
computer controlled autonomous robot car with laser navigation
[
Modellbahn](modellbahn/index.html)
10 Sekunden Freizeit pro Tag - Steter Tropfen höhlt den Stein
[
3D Drucker](3dprinter/index.html)
Drucken in der dritten Dimension
[
Vogeltränke](vogeltraenke/index.html)
Das ultimativ unnötige Projekt
[
GieÃmaschine](giessmaschine/index.html)
Automatisch begossene Pflanzen
[
Kugelbahn](kugelbahn/index.html)
Automatische Kugelbahn
[
Hühnerstall](stall/index.html)
IOT MQTT Hühnerstall - Worlds first!
[
Hühnerstall 2](stall2/index.html)
IOT MQTT Hühnerstall - Worlds second!
-- Projects related to computers only --
[
Sunplasma.](sunplasma/)
View a virtual world in 3D
[
Cadaver.](cadaver/)
Write the best AI and beat the others !
[
YYYCPU](yyycpu/)
a language, a assembler, a virtual machine
[
Tempest for Eliza](tempest/)
Use your computer monitor as an AM short wave radio transmitter
[
yyyRSA](yyyRSA/)
Ultra secure asymetrical encryption for your private files and communication
-- Miscellaneous Stuff --
[
Other projects](noshine/)
Various stuff worth looking at
[Downloadable selfmade music](music/) - Cool
[Somthing useless](misc/) - What's this ?
[GNU/Linux](http://www.linux.org/) - use it
[Thiele Hydraulik](http://www.thiele-hydraulik.de/) - the place i work at
[my Open PGP key](pgp/) - in case you care about security
you should always try to keep some crazy ideas in mind;
do never become too logical.
---
(erikyyy at erikyyy dot de, Erik Thiele)
| http://www.erikyyy.de/ |
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</pre>
</center>
<!-- end Google ad links -->
<blockquote><P align=center>
<h1><i><font color=red>Top Stories:</font></i></h1>
<ul>
<P><li>
We toured <a href="./Alaska2023/index.htm">Alaska</a> by cruise ship
<nobr>(Holland America Line's <i>Noordam</i>)</nobr>, motorcoach, and railroad.
<br><font size=-1><nobr> (photos added August, 2023)</font></nobr>
<P><li>Pictures of some of our
<a href="./travel/travel.htm">travels</a> are available.
<br><font size=-1><nobr> (more photos added August 15, 2023)</font></nobr>
<P><li>
Pictures of our Katz, including our newest Kat, Shay, are available at
<a href="katz.htm">Katz</a>, plus instructions about
"How to give your cat a pill".
<br><font size=-1><nobr> (More pictures added February 22, 2023)</font></nobr>
<P><li>
We visited Athens and cruised around <a href="./Greece2022/index.htm">the Greek Islands</a> on the <i>Viking Sky</i>.
<br><font size=-1><nobr> (photos added January, 2023)</font></nobr>
<P><li>
We cruised around <a href="./UK Photos/index.htm">the British Isles</a> on the <i>Emerald Princess</i>.
<br><font size=-1><nobr> (photos added August 29, 2022)</font></nobr>
<P><li>
We visited <a href="./Israel2022/index.htm">Israel</a> with members of the KKBE synagogue.
<br><font size=-1><nobr> (photos added July 12, 2022)</font></nobr>
<P><li>
Pictures of our Katz, including our newest Kat, Shira, are available at
<a href="katz.htm">Katz</a>, plus instructions about
"How to give your cat a pill".
<br><font size=-1><nobr> (More pictures added September 25, 2021)</font></nobr>
<P><li>
Pictures of our newest Dawg, an
<!--miniature American --- changed 17mar2021-->
Australian Shepherd named Jazzy, and our other Dawgs are available at
<a href="dawgs.htm">Dawgs</a>, plus instructions about
"How to wrap presents when you have a pup."
<br><font size=-1><nobr> (More pictures added November 29, 2020)</font></nobr>
<P><li>
We cruised some of the islands of <a href="./FrenchPolynesia2019/index.htm">French Polynesia</a> on the
<b><i>Wind Spirit.</i></b>
<br><font size=-1><nobr> (photos added December 7, 2019)</font></nobr>
<P><li>
We visited <a href="./Israel2019/index.htm">Israel</a> on a minibus tour.
<br><font size=-1><nobr> (photos added September, 2019)</font></nobr>
<P><li>
We went to the <a href="./BeaufortMCASairshowApr2019/index.htm">Beaufort MCAS airshow</a>.
<br><font size=-1><nobr> (photos added April 29, 2019)</font></nobr>
<P><li>
We visited <a href="./VI2018/index.htm">St. Croix</a> during Thanksgiving week.
<br><font size=-1><nobr> (photos added November 30, 2018)</font></nobr>
<P><li>
We visited <a href="./2018Cruise/index.htm">Portugal and Spain</a> on a cruise ship.
<br><font size=-1><nobr> (photos added July, 2018)</font></nobr>
<P><li>
We visited <a href="./Cuba2017/index.htm">Cuba</a> with other members of our synagogue
<br><font size=-1><nobr> (photos added May, 2017)</font></nobr>
<P><li>
We visited <a href="./Panama2016/index.htm">Panama</a> during Thanksgiving week
<br><font size=-1><nobr> (photos added November 28, 2016)</font></nobr>
<P><li>
<a target="_blank" href="http://swq.com/Keffer%20letter%2005may1975.htm">Letter from one of the Americans who first saw Buchenwald</a>
<br><font size=-1><nobr> (added March 14, 2016)</font></nobr>
<P><li>
We toured <a href="./pr2015/index.htm">Puerto Rico</a> during Thanksgiving week (again!)
<br><font size=-1><nobr> (photos added December 1, 2015)</font></nobr>
<P><li>
We toured <a href="./pr2014/index.htm">Puerto Rico</a> during Thanksgiving week.
<br><font size=-1><nobr> (photos added December 2, 2014)</font></nobr>
<P><li>
We took a boat ride to <a href="./KKBE26jul2014/index.htm">Capers Island</a> with a group from our synagogue.
<br><font size=-1><nobr> (photos added July 28, 2014)</font></nobr>
<P><li>
Bill went to the <a href="./citadel2014/index.htm">Citadel</a> graduation parade.
<br><font size=-1><nobr> (photos added May 10, 2014)</font></nobr>
<P><li>
We went to a real <a href="./circus2014/index.htm">circus</a> under a Big Top.
<br><font size=-1><nobr> (photos added March 25, 2014)</font></nobr>
<P><li>
We drove to <a href="./va2013/index.htm">Virginia</a> for a short vacation.
<br><font size=-1><nobr> (photos added December 31, 2013)</font></nobr>
<P><li>
On a gorgeous Autumn day, we went to see the <a href="http://www.swq.com/bfoc2013/index.htm">Best Friend of Charleston</a> in Summerville.
<br><font size=-1><nobr> (photos added October 29, 2013)</font></nobr>
<P><li>
Bill developed a presentation about
one of his less-illustrious ancestors,
<a href="tomquick.htm">Tom Quick</a>. Wikipedia rejected it, saying "Too much hear-say and uncertain statements."
So we'll post it here...<br><font size=-1><nobr> (October 17, 2013)</font></nobr>
<P><li>
Photographs of pages from a 1952
<a href="http://www.swq.com/manual/index.htm">Medical Record Taking handbook for medical students</a> are posted.
<br><font size=-1><nobr> (Added April 21, 2013)</font></nobr>
<P><li>
On a gorgeous Spring day, we went to the <a href="http://www.swq.com/airshow042013/index.htm">Wings n Wheels airshow</a> in Waltersboro.
<br><font size=-1><nobr> (photos added April 12, 2013)</font></nobr>
<P><li>
Bill developed a presentation about
<a href="http://www.swq.com/firstaid">First Aid for Onboard Medical
Emergencies</a> for the Charleston Sail & Power Squadron.
<br><font size=-1><nobr> (April 11, 2013)</font></nobr>
<P><li>
<a href="./5402/index.htm">Our new home</a>
<br><font size=-1><nobr> (Another picture added August 22, 2012)</font></nobr>
<P><li>
Pictures of <a href="chs.htm">Charleston harbor</a> and nearby.
<br><font size=-1><nobr> (More pictures added August 22, 2012)</font></nobr>
<P><li>
<a href="./jen-russ/josie/index.htm">Josie!</a>
Granddaughters are fun!
<br><font size=-1><nobr> (More pictures added from Josie's Bat Mitzvah, July, 2011)</font></nobr>
<P><li>
We had a
<a href="family.htm">family reunion</a> at a nephew's wedding in NJ, and visited NYC.
<br> <font size=-1>(Added
November 2010)</font>
<P><li>
<a href="./powerless/index.htm">Powerless</a> in NJ.
<br> <font size=-1>(Added
October 8, 2009)</font>
<P><li>
Pictures of the <a href="nych.htm">New York harbor</a>, mostly
from our sailboat
<br> <font size=-1>(More pictures, from August 31, added September 07, 2008)
</font>
<P><li>
<a href="./bob/index.htm">In memoriam for Steph's dad: Dr. Robert Schwartz</a>
<br><font size=-1><nobr> (June 21, 2008)</font></nobr>
<P><li>
<a href="51.htm">Autumn in NJ</a>
<br><font size=-1><nobr> (Added
October 22, 2006)</font></nobr>
<!--
<P><li>
Pictures of our niece
<a href="./elena/index.htm">Elena</a>.
<br> <font size=-1>(More pictures added from April, 2005)</font>
-->
<P><li>
Pictures of <a href="gates.htm">The Gates</a> in Central Park in NYC
<br> <font size=-1>(February 13, 2005)</font>
<!--P><li>
Pictures of <a href="./gifs/turkeys.htm">wildlife</a>
in New Jersey
<br> <font size=-1>(another photo added March 15, 2003)</font-->
<P><li>
<a href="prayer.htm">We mourn for the losses from the September tragedy, and pray for peace.</a>
<!-- remmed 15Jun2003 --
<P><li>
<a href="./bartol/index.htm">Barb Moss and Tom Bartol</a> have an announcement!
Former friend and employee
(no, let me try that again:
Former employee and friend... whoops,
Friend and former employee)
Tom Bartol left
Kansas City to be with his wife Barb in Maine. Why? We now finally know why... see photos of their son <a href="./bartol/lukearvl.htm">Luke</a>!
<br><font size=-1><nobr> (updated March 30, 2002)</font></nobr>
-->
<!--P><li>
<a href="./nj/index.htm">Pictures of our new home</a>
in New Jersey are available.
<br> <font size=-1>(New pictures added July 4, 2001)</font-->
<!--
<P><li>
<font size=+4 color=red>For Sale!</font>
<a href="cat25.htm">Our dockominium slip</a> in Michigan is for sale. We gotta sell or lease
it!
It's at
<a href="http://www.toledobeachmarina.com/dockominiums.htm">Toledo Beach</a>
(on Lake Erie). Maximum boat size: 32 feet.
Contact us at sw[at]swq.com.
-->
<p><li>
<a href="./jen-russ/wedding.htm">Jen and Russ's Wedding</a> July 4th, 1998: It was a wonderful time!
A hog-roast at the picnic; a church wedding with extras
(including firing a cannon after the ceremonies!); and a reception
with fireworks.
<br><font size=-1><nobr> (updated August 17, 1998)</font></nobr>
<!--
<p><li>
Order some
<a href="books.htm">books</a> from Amazon…
<p>
<li>Please sign our
<a href="../swq_gb/guestbook.html">Guest Book</a>.
-->
</ul>
<center>
<pre>
</pre>
<h4><font size=-1><center>
This website can be reached from either of two URLs: www.kanddu.com or www.swq.com</center></font></h4>
</blockquote></blockquote>
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<P>This is Page One of
<IMG SRC="./gifs/pawprint.gif" Height=22 Width=21 ALT=" pawprint ">
<FONT face="verdana,Helvetica, Arial" color=blue>
Katz
& Dawgs
Unlimited
</td>
<td width=33% align=center valign=bottom>
<a target="_blank" href="copyright.htm">Copyright 1995-2023</a>
</td>
<td align=right valign=bottom>
<P> . . . as of
<!-- last updated -->
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</BODY></HTML> |
Katz and Dawgs Unlimited
**>
>
> 
>
> #
> pawprint
> Katz & Dawgs Unlimited
>
>
>
>
> 
>
>
>
>
>
>
>
>**
| | | |
| --- | --- | --- |
| **Visit another fabulous website!
[DisforDiabetes.com](http://www.disfordiabetes.com/index.htm)** | We're nuts about our katz and dawgs!
```
```
[About Us](aboutus.htm)
[Read our copyright notice](copyright.htm)
| |
>
>
> *Note: All photographs are copyrighted. They may be reproduced for non-commercial purposes.
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```
*Top Stories:*
* We toured [Alaska](./Alaska2023/index.htm) by cruise ship
(Holland America Line's *Noordam*), motorcoach, and railroad.
(photos added August, 2023)
* Pictures of some of our
[travels](./travel/travel.htm) are available.
(more photos added August 15, 2023)
* Pictures of our Katz, including our newest Kat, Shay, are available at
[Katz](katz.htm), plus instructions about
"How to give your cat a pill".
(More pictures added February 22, 2023)
* We visited Athens and cruised around [the Greek Islands](./Greece2022/index.htm) on the *Viking Sky*.
(photos added January, 2023)
* We cruised around [the British Isles](./UK Photos/index.htm) on the *Emerald Princess*.
(photos added August 29, 2022)
* We visited [Israel](./Israel2022/index.htm) with members of the KKBE synagogue.
(photos added July 12, 2022)
* Pictures of our Katz, including our newest Kat, Shira, are available at
[Katz](katz.htm), plus instructions about
"How to give your cat a pill".
(More pictures added September 25, 2021)
* Pictures of our newest Dawg, an
Australian Shepherd named Jazzy, and our other Dawgs are available at
[Dawgs](dawgs.htm), plus instructions about
"How to wrap presents when you have a pup."
(More pictures added November 29, 2020)
* We cruised some of the islands of [French Polynesia](./FrenchPolynesia2019/index.htm) on the
***Wind Spirit.***
(photos added December 7, 2019)
* We visited [Israel](./Israel2019/index.htm) on a minibus tour.
(photos added September, 2019)
* We went to the [Beaufort MCAS airshow](./BeaufortMCASairshowApr2019/index.htm).
(photos added April 29, 2019)
* We visited [St. Croix](./VI2018/index.htm) during Thanksgiving week.
(photos added November 30, 2018)
* We visited [Portugal and Spain](./2018Cruise/index.htm) on a cruise ship.
(photos added July, 2018)
* We visited [Cuba](./Cuba2017/index.htm) with other members of our synagogue
(photos added May, 2017)
* We visited [Panama](./Panama2016/index.htm) during Thanksgiving week
(photos added November 28, 2016)
* [Letter from one of the Americans who first saw Buchenwald](http://swq.com/Keffer%20letter%2005may1975.htm)
(added March 14, 2016)
* We toured [Puerto Rico](./pr2015/index.htm) during Thanksgiving week (again!)
(photos added December 1, 2015)
* We toured [Puerto Rico](./pr2014/index.htm) during Thanksgiving week.
(photos added December 2, 2014)
* We took a boat ride to [Capers Island](./KKBE26jul2014/index.htm) with a group from our synagogue.
(photos added July 28, 2014)
* Bill went to the [Citadel](./citadel2014/index.htm) graduation parade.
(photos added May 10, 2014)
* We went to a real [circus](./circus2014/index.htm) under a Big Top.
(photos added March 25, 2014)
* We drove to [Virginia](./va2013/index.htm) for a short vacation.
(photos added December 31, 2013)
* On a gorgeous Autumn day, we went to see the [Best Friend of Charleston](http://www.swq.com/bfoc2013/index.htm) in Summerville.
(photos added October 29, 2013)
* Bill developed a presentation about
one of his less-illustrious ancestors,
[Tom Quick](tomquick.htm). Wikipedia rejected it, saying "Too much hear-say and uncertain statements."
So we'll post it here... (October 17, 2013)
* Photographs of pages from a 1952
[Medical Record Taking handbook for medical students](http://www.swq.com/manual/index.htm) are posted.
(Added April 21, 2013)
* On a gorgeous Spring day, we went to the [Wings n Wheels airshow](http://www.swq.com/airshow042013/index.htm) in Waltersboro.
(photos added April 12, 2013)
* Bill developed a presentation about
[First Aid for Onboard Medical
Emergencies](http://www.swq.com/firstaid) for the Charleston Sail & Power Squadron.
(April 11, 2013)
* [Our new home](./5402/index.htm)
(Another picture added August 22, 2012)
* Pictures of [Charleston harbor](chs.htm) and nearby.
(More pictures added August 22, 2012)
* [Josie!](./jen-russ/josie/index.htm)
Granddaughters are fun!
(More pictures added from Josie's Bat Mitzvah, July, 2011)
* We had a
[family reunion](family.htm) at a nephew's wedding in NJ, and visited NYC.
(Added
November 2010)
* [Powerless](./powerless/index.htm) in NJ.
(Added
October 8, 2009)
* Pictures of the [New York harbor](nych.htm), mostly
from our sailboat
(More pictures, from August 31, added September 07, 2008)
* [In memoriam for Steph's dad: Dr. Robert Schwartz](./bob/index.htm)
(June 21, 2008)
* [Autumn in NJ](51.htm)
(Added
October 22, 2006)
* Pictures of [The Gates](gates.htm) in Central Park in NYC
(February 13, 2005)
* [We mourn for the losses from the September tragedy, and pray for peace.](prayer.htm)
* [Jen and Russ's Wedding](./jen-russ/wedding.htm) July 4th, 1998: It was a wonderful time!
A hog-roast at the picnic; a church wedding with extras
(including firing a cannon after the ceremonies!); and a reception
with fireworks.
(updated August 17, 1998)
```
```
This website can be reached from either of two URLs: www.kanddu.com or www.swq.com
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/\* 728x15 horizontal link ads \*/
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```
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```
---
This is Page One of
pawprint
Katz
& Dawgs
Unlimited
| [Copyright 1995-2023](copyright.htm) | . . . as of
August 15, 2023
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<td width="62%"><font color="#666666" size="3" face="Arial, Helvetica, sans-serif">Akron,
OH - WEAO - 8/7 - 9:30pm; 8/9 - 9:30pm<br>
Albuquerque, NM - KNME - 8/2 - 9:30pm; 8/8 - 10:30pm<br>
Arkansas State Network - 8/5 - 8pm<br>
Boston, MA - WGBH - August - TBD<br>
Buffalo, NY - WNED - September - TBD<br>
Champagne-Urbana, IL - WILL - September - TBD<br>
Chattanooga, TN - WTCI - 8/1 - 8pm; 8/4 - 8pm<br>
Cincinnati, OH - WCET - 8/5 - 8pm<br>
Cookeville, TN - WCTE - 8/2 - 8pm<br>
Dallas, TX - KERA - August - TBD<br>
Dayton, OH - Think TV - 8/5 - 9:30pm<br>
Denver, CO - Rocky Mountain PBS - 7/31 - 4pm; 8/1 - 11:30pm<br>
Fresno, CA - KVPT - August - TBD<br>
Harrisburg, PA - WITF - 8/1 - 8pm; 8/5 - 1pm<br>
Houston, TX - KUHT - September - TBD<br>
Indianapolis, IN - WFYI - 8/11 - 7:30pm; 8/12 - 8pm<br>
Knoxville, TN - WETP - 8/5 - 8pm; 8/8 - 6pm<br>
Las Vegas, NV - PBS - August - TBD<br>
Long Island, NY - WLIW - September - TBD<br>
Los Angeles, CA - KCET - TBD - TBD<br>
Martin, TN - WLJT - 7/31 - 7pm<br>
Maryland - Public TV - August - TBD<br>
Memphis, TN - WKNO - 8/15 - 8pm, 11pm, 2am<br>
Miami, FL - WPBT - August - TBD<br>
Montana - Public TV - December - TBD<br>
Nashville, TN - NPT - 8/1 - 8pm<br>
New Hampshire - Public TV - 8/2 - 9:30pm<br>
North Carolina - UNCTV - TBD - TBD<br>
Oklahoma - OETA - 8/7 - TBD<br>
Omaha, NE - KYNE - 7/31 - 6:30pm<br>
Oregon - OPB - September - TBD<br>
Orlando, FL - WMFE - 8/5 - 8pm<br>
Phoenix, AZ - KAET - 8/2 - 7pm<br>
Provo, UT - KBYU - 8/3 - 7pm<br>
Rhode Island - PBS - September - TBD<br>
Sacramento, CA - KVIE - 7/31 - 9:30am; 8/6 - 8pm<br>
San Francisco, CA - KQED - 8/2 - 9pm; 8/7 - 9pm, 10:30pm<br>
Seattle, WA - KCTS - 8/1 - 8pm<br>
Syracuse, NY - WCNY - September - TBD<br>
Tampa, FL - WUSF - August - TBD<br>
Toledo, OH - WGTE - 8/2 - 1pm, 10pm; 8/5 - 11pm<br>
Tucson, AZ - KUAT - August - TBD<br>
Washington DC - WETA - 8/4 - 8pm<br>
West Palm Beach, FL - WXEL - August - TBD<br>
Youngstown, OH - WNEO - 8/7 - 9:30pm; 8/9 - 9:30pm</font><font color="#666666" size="3" face="Arial, Helvetica, sans-serif"><br>
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<p align="center"><font color="#FFFFFF" size="2" face="Arial, Helvetica, sans-serif"><a href="2010timelesssched.htm">TIMELESS
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CLAY AIKEN - TRIED & TRUE PBS SCHEDULE
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| | | | | |
| --- | --- | --- | --- | --- |
|
| | | | |
| --- | --- | --- | --- |
| Akron,
OH - WEAO - 8/7 - 9:30pm; 8/9 - 9:30pm
Albuquerque, NM - KNME - 8/2 - 9:30pm; 8/8 - 10:30pm
Arkansas State Network - 8/5 - 8pm
Boston, MA - WGBH - August - TBD
Buffalo, NY - WNED - September - TBD
Champagne-Urbana, IL - WILL - September - TBD
Chattanooga, TN - WTCI - 8/1 - 8pm; 8/4 - 8pm
Cincinnati, OH - WCET - 8/5 - 8pm
Cookeville, TN - WCTE - 8/2 - 8pm
Dallas, TX - KERA - August - TBD
Dayton, OH - Think TV - 8/5 - 9:30pm
Denver, CO - Rocky Mountain PBS - 7/31 - 4pm; 8/1 - 11:30pm
Fresno, CA - KVPT - August - TBD
Harrisburg, PA - WITF - 8/1 - 8pm; 8/5 - 1pm
Houston, TX - KUHT - September - TBD
Indianapolis, IN - WFYI - 8/11 - 7:30pm; 8/12 - 8pm
Knoxville, TN - WETP - 8/5 - 8pm; 8/8 - 6pm
Las Vegas, NV - PBS - August - TBD
Long Island, NY - WLIW - September - TBD
Los Angeles, CA - KCET - TBD - TBD
Martin, TN - WLJT - 7/31 - 7pm
Maryland - Public TV - August - TBD
Memphis, TN - WKNO - 8/15 - 8pm, 11pm, 2am
Miami, FL - WPBT - August - TBD
Montana - Public TV - December - TBD
Nashville, TN - NPT - 8/1 - 8pm
New Hampshire - Public TV - 8/2 - 9:30pm
North Carolina - UNCTV - TBD - TBD
Oklahoma - OETA - 8/7 - TBD
Omaha, NE - KYNE - 7/31 - 6:30pm
Oregon - OPB - September - TBD
Orlando, FL - WMFE - 8/5 - 8pm
Phoenix, AZ - KAET - 8/2 - 7pm
Provo, UT - KBYU - 8/3 - 7pm
Rhode Island - PBS - September - TBD
Sacramento, CA - KVIE - 7/31 - 9:30am; 8/6 - 8pm
San Francisco, CA - KQED - 8/2 - 9pm; 8/7 - 9pm, 10:30pm
Seattle, WA - KCTS - 8/1 - 8pm
Syracuse, NY - WCNY - September - TBD
Tampa, FL - WUSF - August - TBD
Toledo, OH - WGTE - 8/2 - 1pm, 10pm; 8/5 - 11pm
Tucson, AZ - KUAT - August - TBD
Washington DC - WETA - 8/4 - 8pm
West Palm Beach, FL - WXEL - August - TBD
Youngstown, OH - WNEO - 8/7 - 9:30pm; 8/9 - 9:30pm
| | | |
|
|
var site="s1978raleigh"
**[Site Meter](http://s19.sitemeter.com/stats.asp?site=s1978raleigh)**
[link
to previous pages](08spamalot8.htm)
[TIMELESS
TOUR SCHEDULE](2010timelesssched.htm)
[MARCH
MYSTERY DATE](marchmystery1.htm)
[2009
YEAR IN REVIEW](2009yearinreview.htm)
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<TITLE>Rat & Mouse Club of America</TITLE>
<META NAME="description" CONTENT="The Rat and Mouse Club of America (RMCA)">
<META NAME="keywords" CONTENT="rat, rats, rattie, mouse, mice, rmca, club, fancy, pet, rat and mouse gazette, gazette, ratlist, subscribe, vets, rescue, adoption, furry friends orphanage, shelters, articles, help, information, faq, health, meds, drugs, medicine, care, domestic, forums, virtual squeaks, e-cards, fiction, mouse knight, airabella quick, hammocks, links, guide, articles, events.">
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</TR>
<TR>
<TD WIDTH="140" VALIGN="top" CLASS="border">
<SCRIPT LANGUAGE="JavaScript" SRC="scripts/menu.js"></SCRIPT>
<NOSCRIPT><FONT SIZE="-1">Rats! Your browser isn't using JavaScript. You'll need it to navigate this site, or you can use this <A HREF="sitemap.htm">site map</A>.</FONT></NOSCRIPT>
</TD>
<TD VALIGN="top" ROWSPAN="2">
<TABLE>
<TR>
<TD VALIGN="top">
<DIV CLASS="small">
<P CLASS="indent">
Welcome to the RMCA's home on the web; we hope you enjoy your visit!
<P CLASS="indent">
<SPAN CLASS="bright"></SPAN>
<P CLASS="indent">
If you are a repeat visitor, the following new items may be of interest:<P>
<TABLE><TR><TD>
<!-- NEWS -->
<TABLE CELLSPACING="0" CELLPADDING="0" BGCOLOR="#E1C1C1" WIDTH="100%">
<tr>
<th STYLE="background-color : #CCCCFF;
color : #000066" CLASS="small">Seoul Outbreak Information</th>
</tr>
<tr>
<td class="row1" align="left" width="100%">
<span class="small">
Posted on Jan. 28, 2017 by
wererat
</span>
<span class="small">
<HR NOSHADE SIZE="1">
<b>Important! Please Read: <a href="https://ratguide.com/reference/SeoulVirus.pdf" target="window">Seoul Virus Outbreak</a>. As more news develops, we will provide updates <a href="https://ratguide.com/" target="window">here</a>.</b>
<HR NOSHADE SIZE="1">
</td>
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</table>
<TABLE CELLSPACING="0" CELLPADDING="0" BGCOLOR="#E1C1C1" WIDTH="100%">
<HR NOSHADE SIZE="1">
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<tr>
<th STYLE="background-color : #CCCCFF;
color : #000066" CLASS="small">Meet the Mouse Knight!</th>
</tr>
<tr>
<td class="row1" align="left" width="100%">
<span class="small">
Posted on Jul. 18, 2010 by
wererat
</span>
<span class="small">
<HR NOSHADE SIZE="1">
Cutter will be at comicon again this year, and would love to meet his fans. He will be at booth i-2 (near the end of isle 700), doing signings and artwork for whoever wants it. Also, <a href="https://mouseknight.com/" onclick="window.open(this.href);return false;" class="postlink">SQUIBBLE'S STORY</a> *has been released*. It is a printed book, and will be available at comicon also.
</span>
<HR NOSHADE SIZE="1">
</td>
</tr>
</table>
<!-- NEWS -->
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<P>
<TABLE CLASS="bright" CELLPADDING=0 CELLSPACING=0 WIDTH="99%">
<TR><TD CLASS="mystyle" ALIGN="center"><A HREF="http://www.worldratday.com/" TARGET="window"><IMG SRC="Images/WRDlogo.gif" WIDTH="200" HEIGHT="213" BORDER="0" ALT="World Rat Day, April 4th"></A></TD>
</TR>
</TABLE>
<P>
</TD>
<TD WIDTH="50%" VALIGN="top">
<TABLE>
<TR>
<TD CLASS="odd"><DIV ALIGN="center" CLASS="emphasize">Pet Owner's Creed</DIV>
<DIV ALIGN="center" CLASS="small">by Craig Schumacher
<HR>
We love our small friends--we value their lives.<P>
We will not knowingly sell, or allow them to be used as food for other animals.<P>
We understand their value goes far beyond the dollar.<P>
We will meet all of their needs.<P>
We will breed with care, being responsible to limit their numbers, spending
the time required to achieve the best pets possible.<P>
We realize that some "Show Quality" animals will result. This
is a by-product rather than a goal. In this way the rats don't pay with
their lives for our ribbons.</DIV> </TD>
</TR>
</TABLE>
<TABLE CLASS="even" CELLPADDING=0 CELLSPACING=0>
<TR><TD CLASS="small">
RMCA is a club for domestic rat and mouse lovers. Although we love wild rodents, we have very little knowledge of them. If you have found a litter of wild rats or mice and wish to care for them until they can be released back into the wild, please read the article "<A HREF="Articles/orphans.htm">Caring for Orphaned Baby Rats and Mice</A>."
</TD>
<TD WIDTH="60" CLASS="brian">Wild Rodents!<BR><BR><IMG SRC="Images/wild.gif" WIDTH="52" HEIGHT="86" ALT="Wild Rodents!" BORDER="0"></TD>
</TR>
</TABLE>
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<P>
<TABLE CELLPADDING=0 CELLSPACING=0 WIDTH="99%">
<TR CLASS="odd">
<TD ROWSPAN="2" WIDTH="63"><IMG SRC="Images/stu!.jpg" WIDTH="63" HEIGHT="66" BORDER="0" ALIGN="left" ALT="Stu! recommends"></TD><TD CLASS="odd"><SPAN CLASS="small" ALIGN="left"><span class="emphasize">Stu! Recommends:</SPAN></span>
</TD>
</TR>
<TR CLASS="odd"><TD CLASS="small">
<A HREF="Articles/oldrats.htm">Medical Corner: Care of Older Paralyzed Rats</A>
</TD>
</TR>
</TABLE>
<P>
<TABLE CLASS="even" WIDTH="99%">
<TR>
<TD CLASS="small">
<TD CLASS="small">Be sure to visit the
<a href="https://ratguide.com/" target="_blank">Rat Guide</a>, A Layman's Guide to Health, Medication Use, and Responsible Care of Pet Rats. This site was created in association with the RMCA. <center><a href="https://ratguide.com/" target="_blank">
<img src="https://www.rmca.org/Images/ratguidelogo.gif" border="0"></a></center></TD>
</tr>
</table>
<p />
<P>
<TABLE CLASS="highlight" CELLPADDING=10 CELLSPACING=10 WIDTH="99%">
<TR><TD ALIGN="center"><p><a href="Rescue/ratmedhelp.pdf">Rat Medical Cheat Sheet</a><br><a href="Rescue/ratbehave.pdf">Rat Behavior Cheat Sheet</a><br><a href="Rescue/ratgender.pdf">Rat Gender Cheat Sheat</a></TD>
</TR>
</TABLE>
</TD>
</TR>
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<BR><BR>
</TD>
</TR>
<TR>
<TD WIDTH="140" VALIGN="bottom" CLASS="border" ALIGN="center">
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<CENTER><FONT SIZE="-2">"Rat Chew" courtesy of Nadine Walton</FONT></CENTER>
</BODY>
</HTML> |
Rat & Mouse Club of America
| |
| --- |
| Rat & Mouse Club of America |
|
Rats! Your browser isn't using JavaScript. You'll need it to navigate this site, or you can use this [site map](sitemap.htm). |
| | | | | | |
| --- | --- | --- | --- | --- | --- |
|
Welcome to the RMCA's home on the web; we hope you enjoy your visit!
If you are a repeat visitor, the following new items may be of interest:
| | | |
| --- | --- | --- |
|
| Seoul Outbreak Information |
| --- |
|
Posted on Jan. 28, 2017 by
wererat
---
**Important! Please Read: [Seoul Virus Outbreak](https://ratguide.com/reference/SeoulVirus.pdf). As more news develops, we will provide updates [here](https://ratguide.com/).**
---
|
---
|
| Meet the Mouse Knight! |
| --- |
|
Posted on Jul. 18, 2010 by
wererat
---
Cutter will be at comicon again this year, and would love to meet his fans. He will be at booth i-2 (near the end of isle 700), doing signings and artwork for whoever wants it. Also, [SQUIBBLE'S STORY](https://mouseknight.com/) \*has been released\*. It is a printed book, and will be available at comicon also.
---
|
|
| |
| --- |
| [World Rat Day, April 4th](http://www.worldratday.com/) |
|
| |
| --- |
| Pet Owner's Creed
by Craig Schumacher
---
We love our small friends--we value their lives.
We will not knowingly sell, or allow them to be used as food for other animals.
We understand their value goes far beyond the dollar.
We will meet all of their needs.
We will breed with care, being responsible to limit their numbers, spending
the time required to achieve the best pets possible.
We realize that some "Show Quality" animals will result. This
is a by-product rather than a goal. In this way the rats don't pay with
their lives for our ribbons. |
| | |
| --- | --- |
|
RMCA is a club for domestic rat and mouse lovers. Although we love wild rodents, we have very little knowledge of them. If you have found a litter of wild rats or mice and wish to care for them until they can be released back into the wild, please read the article "[Caring for Orphaned Baby Rats and Mice](Articles/orphans.htm)."
| Wild Rodents!Wild Rodents! |
| | |
| --- | --- |
| Stu! recommends | Stu! Recommends: |
| [Medical Corner: Care of Older Paralyzed Rats](Articles/oldrats.htm) |
| | |
| --- | --- |
| Be sure to visit the
[Rat Guide](https://ratguide.com/), A Layman's Guide to Health, Medication Use, and Responsible Care of Pet Rats. This site was created in association with the RMCA. | |
| |
| --- |
| [Rat Medical Cheat Sheet](Rescue/ratmedhelp.pdf)[Rat Behavior Cheat Sheet](Rescue/ratbehave.pdf)[Rat Gender Cheat Sheat](Rescue/ratgender.pdf) |
|
|
|
"Rat Chew" courtesy of Nadine Walton
| https://rmca.org/ |
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<p><font face="Comic Sans MS" color="#ffffff">
If you need to contact me you will find an email address you can use on my site map page <a href="http://www.essexgirl.uk.com/site-map.htm">HERE</a>
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title |
| [psp tutorials](tutorials.htm) | [SBP presets](sbp_presets-index.htm) |
| [psp masks](sg_masks_index.htm) | [gradients](gradients-p1.htm) |
| [psp masks](results_masks.htm) | [psp tubes](tubes.htm) |
| [psp brushes](brushes.htm) | [psp brushes](site-map.htm) |
| [psp brushes](sinedots-presets.htm) | |
|
If you need to contact me you will find an email address you can use on my site map page [HERE](http://www.essexgirl.uk.com/site-map.htm)
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<p>Hello Internet! Iâm TrebleKnight! Iâm a small YouTuber and comedian with a love of content creation. This website is a hub for all my content and a
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<p>I mostly make videos wholesome roasting the world through a shy award introvert. I make lots of other content to. So please take a look around!</p>
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Statusð¯ 11/29/23
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I do not under stand some of the tags in RSS. Like why is the
description tag so long? What does CDATA even mean XD
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Get Your Denim


## Welcome To TrebleKnights Offical Website
Hello Internet! Iâm TrebleKnight! Iâm a small YouTuber and comedian with a love of content creation. This website is a hub for all my content and a
fun place to experiment with other forms of content.
I mostly make videos wholesome roasting the world through a shy award introvert. I make lots of other content to. So please take a look around!
Statusð¯ 11/29/23
I do not under stand some of the tags in RSS. Like why is the
description tag so long? What does CDATA even mean XD
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***WELCOME TO MY WEBSITE***

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<title>Save Walter White</title>
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<div id="walter-container">
<h1>Walter White</h1>
<h3 class="yellow">Father, Husband & Teacher</h3>
<ul id="first_row">
<li><img src="./img/walter_1.jpg" alt="" /></li>
</ul>
<ul id="second_row">
<li><img src="./img/walter_2.jpg" alt="" /></li>
<li><img src="./img/walter_3.jpg" alt="" /></li>
<li><img src="./img/walter_4.jpg" alt="" /></li>
</ul>
<ul id="third_row">
<li><img src="./img/walter_5.jpg" alt="" /></li>
</ul>
<p class="medium-copy yellow justify">
My dad is amazing. It's funny, but I didn't know that until I<br/>
found out he was going to die. That it was going to happen<br/>
soon. That it was real. Then I thought about a lot of stuff.<br/>
Things I hadn't thought about for a long time. I guess I kind<br/>
of took him for granted or something. I mean, our parents are<br/>
just always there. You expect them to always be bugging you<br/>
to clean up your room or study harder or have good manners or<br/>
try new things to grow up to be a more well-rounded person one<br/>
day. And make you get up early on the weekend to have<br/>
"family time" and all that other stuff that used to drive me<br/>
crazy. I don't feel that way now. Everything's different since<br/>
Dad got his diagnosis. Since I realized that one day in the<br/>
near future, he might not be around to drive me crazy.</p>
<p class="small-copy yellow justify">
Now I feel lucky when he asks me about my day (I used to totally hate that<br/>
question) or nags me about coming home on time at night and being respon-<br/>
sible. One day he won't be here to ask. Now I feel lucky when I hear<br/>
his car pulling into the driveway after school. I even like to hear him cough-<br/>
ing. It means he's still around. Still my dad.</p>
<ul id="fourth_row">
<li><img src="./img/walter_6.jpg" alt="" /></li>
<li><img src="./img/walter_7.jpg" alt="" /></li>
</ul>
<p class="small-copy white">
My dad is the chemistry teacher at my high school and he's annoyingly smart.<br/>
I mean, super brainiac annoying. He knows the most random stuff. Like<br/>
how at room temperature, mercury is the only metal that is in liquid form.<br/>
And water expands as it drops in temperature, and by the time it's frozen it<br/>
takes up about 9% more space. Or that if you slowly pour a handful of salt<br/>
into a totally full glass of water, it won't overflow. In fact, the water level<br/>
will go down. He's always dropping the little facts about everything. He<br/>
doesn't realize what a geek he is for doing it, he's just really into chemistry.<br/>
I think he really doesn't understand that not everybody is. He likes to cook<br/>
because of chemistry - he mostly makes breakfast - because he says chemi-<br/>
cal reactions happen all the time in cooking and he's always explaining as he<br/>
goes. I don't take his class at school but I hear he's a pretty good teacher.<br/>
He gets a lot of practice at home, that's for sure.</p>
<p class="small-copy white">
The whole time I've been in high school (I'm a sophomore) I've always had to<br/>
hear what other kids thought of him. I was always Mr White's kid.<br/>
(Sometimes they call him Mr. Wallabee which is the name of the totally loser<br/>
shoes he always wears). Some kids dissed him just to get on my nerves.<br/>
Some kids just dissed him period because that's what you do with teachers.<br/>
The thing is though, he expects everyone to do their best just like he does,<br/>
and when you don't try your hardest he doesn't cut you any slack. That's<br/>
how he is at home and at school. I only just figured out what a good qual-<br/>
ity that is. That's what makes him brave in his cancer battle and what<br/>
made me brave, too when I was younger. Whether I wanted to be or not.<br/>
Anyway, I always just wanted to be some regular kid in school but because of<br/>
my dad being a teacher there I was different. I realize two things now.<br/>
First, I am already different because I have C.P. so that's a done deal.<br/>
And two, he's the right dad for me. I can't do a lot of physical stuff be-<br/>
cause of my disability and that's okay with my dad and it wouldn't be with a<br/>
lot of other dads I've met. They'd be disappointed because they're into<br/>
sports or whatever. I mean, my dad doesn't have a disability but you sure<br/>
wouldn't want to see him throw a football. So in that way, we get along. It<br/>
makes sense that he's my dad and I'm his son. My point is, I don't care<br/>
about what the kids at school say anymore. The bottom line is he's a good<br/>
teacher and no one can say he doesn't care about what he does. I know he<br/>
cares. After our family, chemistry and teaching kids is what he loves the <br/>
best. I really want to make sure he gets to keep doing what he loves to do<br/>
for a long time. For him, for his students, and for me and my family.</p>
<p class="small-copy white">
It's been a really tough time in our family since my dad got cancer. Not<br/>
that there's ever a good time for something as awful and as scary as that,<br/>
but it was sure a bad time for us. My mom was pregnant with what she calls<br/>
a surprise baby (who is now Holly and even though she's a newborn baby she's<br/>
actually cute) and my dad had an extra job after school to try to help pay<br/>
all the regular bills. And that was before he got his diagnosis. We don't<br/>
have a lot of money but we were doing okay until all the medical bills. And<br/>
my dad is pretty proud - okay, really proud - and doesn't want to take char-<br/>
ity. That's why I'm doing this. Not because I want to make him mad or<br/>
upset, but because I want him to have a fighting chance no matter what.</p>
<p class="small-copy white">
One thing I don't understand is why saving someone's life costs more than a<br/>
regular person can pay. And why some doctor's (usually the best ones) don't<br/>
take insurance. I think that's wrong. I mean, one of the big reasons why<br/>
my dad didn't want to get treatment at all in the first place was because he<br/>
didn't want to leave us behind with a huge debt. That's the thing about my<br/>
dad - he loves us more than anything. More than himself. But we want him<br/>
around and we want him to try everything he can to stay with us as long as<br/>
possible. This surgery is the one chance there is to save his life. And we<br/>
can't afford it. And every day that goes by is one less day I'll have with<br/>
him. And I don't want to tell my little sister about my dad. I want her to<br/>
know him for herself.</p>
<div class="ribbons">
<p class="large-copy yellow middle">What a wonderful dad I have,<br/>But he is in trouble.</p>
</div>
<p class="large-copy yellow middle">It's Lung Cancer.<br/>He needs an operation. Now!</p>
<p class="large-copy dark-yellow middle">To help, please send your contribution<br/>to our operation fund<br/>
and keep my Dad in your prayers!</p>
<div id="banner-container"><img src="./img/save_walter_banner.png" alt="Save Walter White" /></div>
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</a>
</div>
<div id="donations-so-far">
<p class="medium-copy white middle">ANY AMOUNT WOULD BE APPRECIATED!</p>
<p class="medium-copy yellow middle">Visitors so far:</p>
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Save Walter White
# Walter White
### Father, Husband & Teacher
* 
* 
* 
* 
* 
My dad is amazing. It's funny, but I didn't know that until I
found out he was going to die. That it was going to happen
soon. That it was real. Then I thought about a lot of stuff.
Things I hadn't thought about for a long time. I guess I kind
of took him for granted or something. I mean, our parents are
just always there. You expect them to always be bugging you
to clean up your room or study harder or have good manners or
try new things to grow up to be a more well-rounded person one
day. And make you get up early on the weekend to have
"family time" and all that other stuff that used to drive me
crazy. I don't feel that way now. Everything's different since
Dad got his diagnosis. Since I realized that one day in the
near future, he might not be around to drive me crazy.
Now I feel lucky when he asks me about my day (I used to totally hate that
question) or nags me about coming home on time at night and being respon-
sible. One day he won't be here to ask. Now I feel lucky when I hear
his car pulling into the driveway after school. I even like to hear him cough-
ing. It means he's still around. Still my dad.
* 
* 
My dad is the chemistry teacher at my high school and he's annoyingly smart.
I mean, super brainiac annoying. He knows the most random stuff. Like
how at room temperature, mercury is the only metal that is in liquid form.
And water expands as it drops in temperature, and by the time it's frozen it
takes up about 9% more space. Or that if you slowly pour a handful of salt
into a totally full glass of water, it won't overflow. In fact, the water level
will go down. He's always dropping the little facts about everything. He
doesn't realize what a geek he is for doing it, he's just really into chemistry.
I think he really doesn't understand that not everybody is. He likes to cook
because of chemistry - he mostly makes breakfast - because he says chemi-
cal reactions happen all the time in cooking and he's always explaining as he
goes. I don't take his class at school but I hear he's a pretty good teacher.
He gets a lot of practice at home, that's for sure.
The whole time I've been in high school (I'm a sophomore) I've always had to
hear what other kids thought of him. I was always Mr White's kid.
(Sometimes they call him Mr. Wallabee which is the name of the totally loser
shoes he always wears). Some kids dissed him just to get on my nerves.
Some kids just dissed him period because that's what you do with teachers.
The thing is though, he expects everyone to do their best just like he does,
and when you don't try your hardest he doesn't cut you any slack. That's
how he is at home and at school. I only just figured out what a good qual-
ity that is. That's what makes him brave in his cancer battle and what
made me brave, too when I was younger. Whether I wanted to be or not.
Anyway, I always just wanted to be some regular kid in school but because of
my dad being a teacher there I was different. I realize two things now.
First, I am already different because I have C.P. so that's a done deal.
And two, he's the right dad for me. I can't do a lot of physical stuff be-
cause of my disability and that's okay with my dad and it wouldn't be with a
lot of other dads I've met. They'd be disappointed because they're into
sports or whatever. I mean, my dad doesn't have a disability but you sure
wouldn't want to see him throw a football. So in that way, we get along. It
makes sense that he's my dad and I'm his son. My point is, I don't care
about what the kids at school say anymore. The bottom line is he's a good
teacher and no one can say he doesn't care about what he does. I know he
cares. After our family, chemistry and teaching kids is what he loves the
best. I really want to make sure he gets to keep doing what he loves to do
for a long time. For him, for his students, and for me and my family.
It's been a really tough time in our family since my dad got cancer. Not
that there's ever a good time for something as awful and as scary as that,
but it was sure a bad time for us. My mom was pregnant with what she calls
a surprise baby (who is now Holly and even though she's a newborn baby she's
actually cute) and my dad had an extra job after school to try to help pay
all the regular bills. And that was before he got his diagnosis. We don't
have a lot of money but we were doing okay until all the medical bills. And
my dad is pretty proud - okay, really proud - and doesn't want to take char-
ity. That's why I'm doing this. Not because I want to make him mad or
upset, but because I want him to have a fighting chance no matter what.
One thing I don't understand is why saving someone's life costs more than a
regular person can pay. And why some doctor's (usually the best ones) don't
take insurance. I think that's wrong. I mean, one of the big reasons why
my dad didn't want to get treatment at all in the first place was because he
didn't want to leave us behind with a huge debt. That's the thing about my
dad - he loves us more than anything. More than himself. But we want him
around and we want him to try everything he can to stay with us as long as
possible. This surgery is the one chance there is to save his life. And we
can't afford it. And every day that goes by is one less day I'll have with
him. And I don't want to tell my little sister about my dad. I want her to
know him for herself.
What a wonderful dad I have,
But he is in trouble.
It's Lung Cancer.
He needs an operation. Now!
To help, please send your contribution
to our operation fund
and keep my Dad in your prayers!

[](http://www.amctv.com/shows/breaking-bad "Click Here to Donate")
ANY AMOUNT WOULD BE APPRECIATED!
Visitors so far:
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<P><CENTER><FONT COLOR="#ffff00" SIZE=+3>The Break-up of Titanic</FONT></CENTER></P>
<P><FONT COLOR="#ffffff" SIZE=+2>The Titanic broke apart from the bottom
up, mainly.</FONT></P>
<P><FONT COLOR="#ffff00" SIZE=+1>Background</FONT></P>
<P><FONT SIZE=+1>The break-up story has a bit of history to it that is useful
to understand. Much of the conjecture about whether it broke at all comes
from testimony of passengers at the American hearings. The American Inquiry
was more open and interested in finding out what basically happened. The
Board of Trade (BoT) hearing in the UK was different. The BoT hearing was
mainly interested in what procedures were followed by the crew and builders
as they pertained to shipping regulations and the disaster. No passenger
testimony was solicited. There is the appearance of a cover-up to mute any
claims that ship broke apart at all. The BoT was partly on trial itself
for what regulations were in place. It was enough trouble to sort out the
matter of a major maritime disaster. Any further discussion about ships
breaking would only put the regulations themselves further on trial. The
final report stated that Titanic sank intact. And so it lay until discovered
in two pieces in 1985-86.</FONT></P>
<P><FONT SIZE=+1>One of the last big technical questions about the sinking
is about *how* Titanic broke apart. We have a picture of how the ship behaved
from the testimony of survivors who claimed Titanic did break. A general
consensus of those passengers was that Titanic was tipped up, there were
explosions and explosions underwater and the stern righted itself momentarily.
When steel breaks, it makes a loud noise. Rivets popping can sound like
gunshots. The stern then quickly tipped forward again and hung there for
a period of 5 minutes or less. After that, it too slipped beneath the waves.
</FONT></P>
<P><FONT SIZE=+1>The forensic studies since 1985 also have a history. Among
the first attempts to understand the forces at work in Titanic's predicament
was the Finite Element Stress Analysis simulation by Gibb's and Cox personnel
in 1996. (See Figure 2 below) The simulation showed extreme tension stress
in the region spanning the 3rd funnel and corresponding compression stress
in the engine room area. It also showed "hot spots" at the expansion
joint. While it was not stated as such in the study, the basic conjecture
was that the breakup started at the expansion joint and went top-down. In
was discovered in later years that the modeling of the hull did not have
the benefit of more recent access to the construction plans. As a result,
the computer model did not accurately reflect Titanic's construction and
the 'hot spots' in the expansion joint areas were highly exaggerated. More
recent modeling by Stettler and Thomas confirms and refines the stress levels
of the 1996 work but still does not point to a definitive failure point.
Both the keel and strength deck areas were in the failure zone of stress
and the remaining question is "Which gave first?" </FONT></P>
<P><FONT SIZE=+1>James Cameron in his 1997 epic film <B><I>"Titanic"</I></B>
led us to believe that Titanic cracked at the top behind the 3rd funnel
at the expansion joint and tore down through the decks, leaving the double
bottom to pull down the stern section. At the time, that was the best thinking
available on the break-up and was popular conjecture. In a more recent 2012
program <B><I>"Titanic: The Final Word", </I></B>he used the analogy
of a breaking a banana with the peel acting as the double bottom to pull
down the stern. Even James Cameron backed away from that example and talks
about a more asymmetric top-down break forward of the 3rd funnel that was
animated at the end of "<B><I>Titanic: The final Word"</I></B>.<BR>
</FONT></P>
<P><FONT SIZE=+1>With this in mind, a forensic analysis has to meet certain
rules:</FONT></P>
<P><FONT SIZE=+1>1. </FONT><FONT COLOR="#ffffff" SIZE=+1>The break-up process
has to sink the stern. </FONT><FONT SIZE=+1>Any clean break through the
ship will leave the stern floating as it's own ship, or at worst, restart
a flooding and sinking sequence that could take much longer than mere minutes.
That didn't happen.</FONT></P>
<P><FONT SIZE=+1>2. </FONT><FONT COLOR="#ffffff" SIZE=+1>The keel did not
behave like 5 feet of shoe leather.</FONT><FONT SIZE=+1> The cellular double
bottom is designed to be rigid and therefore was brittle. The piece part
construction and lap joints used were fine for handling the compression
and tension stresses of normal service, but are weakest in handling the
extreme tension stresses of Titanic's predicament. Bending the keel destroys
whatever strength was there like bending corrugated cardboard across the
grain. It could never "pull down the stern" after bending a few
degrees, never mind the 10+ degrees of bend needed to allow the stern to
nearly right itself. If the ship broke down to the double bottom, then we
are asking the damaged double bottom to do what the entire intact ship's
structure could not. That didn't happen</FONT></P>
<P><FONT SIZE=+1>3. </FONT><FONT COLOR="#ffffff" SIZE=+1>Once you've accounted
for all the pieces, you have to account for the forces that made them pieces.</FONT><FONT
SIZE=+1> Steel doesn't just come apart. There has to be a force or major
stress that breaks steel. This is where top-down scenarios are weakest.
Once the stress of the tipped-up predicament breaks the ship top-down, all
the stress and energy required to break other portions off the ship are
gone. Steel structures do not flake off or pop off in the current during
descent. A 25 knot current won't break steel, especially if the ship keeps
adjusting itself to an attitude of least resistance. Parts cannot be throw
off by centrifugal force from a rotating stern section as it will never
spin fast enough. Gravity is neutralized if both the main part and the loose
part are already falling together. Fanciful TV animations that have steel
structures popping and flinging off the stern in the water column don't
reflect reality. </FONT></P>
<P><FONT SIZE=+1>4. </FONT><FONT COLOR="#ffffff" SIZE=+1>The process has
to leave the wreck the way we find it today. </FONT><FONT SIZE=+1>We're
looking for consensus among forensic experts of what did happen.</FONT></P>
<P> </P>
<P><FONT COLOR="#ffff00" SIZE=+1>Breaking Things: 101</FONT></P>
<P><FONT SIZE=+1>The forces available to break the ship are the flooded
bow pitted against the weight of the stern while sitting on a fulcrum of
buoyancy in the center of the ship. If we think of the ship as a beam, or
a box girder, then the forces available to break the steel structures are
the tension stress (pull stress at the top) or the compression stress (push
stress at the bottom). The neutral axis is the point between them where
tension and compression cancel each other out. </FONT></P>
<P><CENTER><IMG SRC="Basic%201.jpg" WIDTH="838" HEIGHT="229" NATURALSIZEFLAG=
"0" ALIGN="BOTTOM"></CENTER></P>
<P><CENTER>Tension (red) and compression stresses (green) when bending a
structure</CENTER></P>
<P><CENTER> </CENTER></P>
<P><FONT SIZE=+1>The major problem with any top-down break theory is that
it violates Rule 1 above. If Titanic broke straight down at the expansion
joint, all the major tension on the ship is released. Where do you get the
energy to break it cleanly again in front of the 3rd funnel? That's the
clean break we see on the wreck. Likewise, if it broke in front of the 3rd
funnel, again, where do you get the energy to create the pieces we find
aft of the 3rd funnel? Either way, these theories violate rule #2. Assuming
the break stops at the double bottom, bending the double bottom destroys
it and that would leave the stern afloat as it's own boat, which violates
rule #1 again.</FONT></P>
<P><CENTER><IMG SRC="Basic%202.jpg" WIDTH="870" HEIGHT="232" NATURALSIZEFLAG=
"0" ALIGN="BOTTOM"></CENTER></P>
<P><CENTER>Changes in stresses during a top-down and bottom-up break</CENTER></P>
<P><CENTER> </CENTER></P>
<P><FONT SIZE=+1>Compression stress in a structure like a box beam or truss
girder always has the advantage. In compression, the steel doesn't have
to break, it only has to bend. At that point, the bottom can no longer hold
a balance against the tension at the top and it fails. That leaves the compression
stress to fall to the element above the bottom and the neutral axis raises.
The elements above can do no better, they fail, and the neutral axis continues
to rise until all the stress is left at the topmost piece. As the neutral
axis rises, those structure behind it have the opportunity to fail through
the bending or jamming together of components that are still connected or
butting together is already broken. Steel can bend to a degree along a straight
axis but as cracks start, they will propagate into a fracture of the steel.</FONT></P>
<P><FONT SIZE=+1>In a tension break, there is enough compression resistance
in the mass below to neutral axis to allow the tension stress to break the
steel by pulling it apart. In that case, the neutral axis falls are the
tear works it's way down. In this case, the stresses on all materials above
the falling neutral axis have all of the stress relieved. Steel doesn't
stretch so there is little opportunity for further damage though collisions
or further cracking and tearing.</FONT></P>
<P><FONT SIZE=+1>An asymmetric (non-symmetric) break-up implies both sides
of the ship did not behave the same way, or that a tear started in one corner
and ran laterally along the deck and down the side simultaneously. Titanic
did have a list of upwards of 10 degrees to port at the moment of break-up.
Most of the starboard shell plate on the stern section came off near the
surface, but most of the port side shell plate is still attached to the
strength deck, B-deck, on the wreck. With the ship slightly tilted, a twisting
action has to be considered between the bow and stern areas. Even so, if
the basic direction of a tear was from the top down going diagonally, the
neutral axis would still follow the tear and relieve stress behind it. </FONT></P>
<P><FONT SIZE=+1>The only other forces available that can tear steel structures
are implosion forces, where high water pressures (where water pressure crushes
air filled spaces), or impact forces. Pieces broken off at impact will be
lying next to each other on the bottom. Implosion damage on Titanic's stern
appears limited to the after well deck area, where the last three narrow
compartments were pulled under before they could completely flood. All the
other more open area would flood fully before any trapped air would be a
factor. Wooden cabin walls are swept away long before the stresses that
could threaten the steel materialize. The current passing the wreck sections
as they fell would take away most loosely attached items but would not provide
stresses that would threaten to break steel structures. </FONT></P>
<P><FONT SIZE=+1>The current engineering and physical evidence doesn't support
most of the fanciful animations seen through the years. It appears today
that the cause of the break-up occurred bottom-up, resulting from the buckling
of the keel. But the break wasn't evenly symmetrical either. The port and
starboard sides propagated the initial break differently leaving the port
and starboard sides to behave differently. When a full mapping all the hull
sections is released from the new 2010 data, a clearer picture will emerge
of how an initial failure propagated.</FONT></P>
<P> </P>
<P><A NAME="anchor229186"></A><FONT COLOR="#ffff00" SIZE=+2>A map of the
tear area</FONT></P>
<P><FONT SIZE=+1>A detailed map of the tear helps us visualize the composition
of the major sections of the ship between the bow and stern sections and
how those pieces fit together.</FONT></P>
<P><CENTER><IMG SRC="../newred1.gif" WIDTH="31" HEIGHT="12" ALIGN="BOTTOM"
NATURALSIZEFLAG="3"><FONT SIZE=+2><A HREF="Center%20Map.html">A deck-by-deck
map of the center section of Titanic</A></FONT><IMG SRC="../newred1.gif"
WIDTH="31" HEIGHT="12" ALIGN="BOTTOM" NATURALSIZEFLAG="3"></CENTER></P>
<P><FONT COLOR="#ffff00" SIZE=+1>A bottom-up break</FONT></P>
<P><FONT SIZE=+1>As a preface, consider breaking a stick and a structure
like a cardboard tube. The solid stick will break top-down. The cardboard
tube will collapse on the bottom and bulge the sides outward before it tears.
The Titanic has more in common with the tube than a stick. </FONT></P>
<P><FONT SIZE=+1>I'll reference several older 1997 works featured on the
television special "<B><I>Titanic: Anatomy of a Disaste</I></B>r".
One is the finite element simulation of stresses to Titanic's hull during
the sinking done by naval engineers at </FONT><FONT COLOR="#ffffff" SIZE=+1>Gibbs
& Cox, Inc. </FONT><FONT SIZE=+1>The other is the </FONT><FONT COLOR="#ffffff"
SIZE=+1>Hacket/Bedford</FONT><FONT SIZE=+1> paper "<B><I>The Sinking
of Titanic - Investigated by Modern Method</I></B>s" published for
the <A HREF="http://members.aol.com/rinarch/index.htm">Royal Institute of
Naval Architects</A> by a then current and retired naval architect for Harland
& Wolff (builders of Titanic). These are supplemented with the paper
I co-authored with Richard Woytowich for the Society of Naval Architects
and Marine Engineers (SNAME) titled <B><I>"<A HREF="titanic_breakup_NYmet.pdf">The
Break-up of Titanic, A Progress Report from the MFP</A>", </I></B>the
2012 paper<B><I> "Flooding and Structural Forensic Analysis of the
Sinking of the RMS Titanic"</I></B> by J.W. Stettler (M), B.S. Thomas
(M), and my own research at the </FONT><FONT COLOR="#ffffff" SIZE=+1>Woods
Hole Oceanographic Institution</FONT><FONT SIZE=+1> archives on Titanic.</FONT></P>
<P><FONT SIZE=+1>The evidence driving this discussion is the current condition
of the stern. Of note, the starboard shell plate is missing for some 160
feet (42 meters) aft of the forward tear. The debris alongside the wreck
is a mix of decks and shell plate sections that comprise a fraction of the
original mass. This huge section fell off at the surface or sometime well
before impact. The port side shell plate of the stern is still present and
attached along B-Deck (the strength deck), but is separated from the keel
for upwards of 120 feet (36 meters) or more aft of the tear. It is splayed
out too far to have "bounced" out there on impact. The ship's
lower structure of the keel, the watertight bulkheads, the decks between
them, and the interior pillar system also make for a strong structure. This
structure provides the current stern with most of it's form and appears
relatively intact aft of the engine room. The decks above the watertight
bulkheads showed far more movement and damage in 1986. Today, they are all
essentially collapsed flat on D-Deck. The bow section shows no evidence
of the shell plate separating from the keel except in the tear area, despite
the impact. </FONT></P>
<P><FONT SIZE=+1>How was the shell plate separated from the keel? How did
this play into the events of the sinking as reported by survivors? After
the break, why didn't the stern remain afloat, or at least restart a slower
flooding and overflow of compartments? After the break, the stern tipped
and up sank so quickly that many survivors saw no significant interruption
in the sinking of the ship.</FONT></P>
<P><FONT SIZE=+1>To set the stage for the break-up, we reference the 1996
Hacket/Bedford paper. They modeled and simulated the sinking using their
extensive knowledge and the company's archives on Titanic. They concluded
that Titanic reaches a critical point when the front six watertight compartments
are flooded and the seventh (#4 boiler room) is about half full. At that
point the ship's design is compromised and it tips up to begin the final
plunge. This point occurred at roughly 2 AM, about 20 minutes before the
ship disappeared.</FONT></P>
<P><FONT SIZE=+1>From the paper, the figure marked Condition C7 shows the
ship in the process of beginning the final plunge. The break-up occurred
about this time. #1 funnel was inundated and collapsed, and the collapsible
boats were floated off the bridge area. Water is moving up the corridors
and beginning to flood the compartments for #2 and #3 boiler rooms.</FONT></P>
<P><CENTER><IMG SRC="Break1.gif" WIDTH="506" HEIGHT="208" ALIGN="BOTTOM"
NATURALSIZEFLAG="3"></CENTER></P>
<P><CENTER>Figure 1: Bedford/Hacket modeling of Titanic right before the
break-up</CENTER></P>
<P><CENTER> </CENTER></P>
<P><FONT SIZE=+1>Referring to the 1996 Gibbs & Cox finite element analysis
of the stress (see figure 2), it points out the tremendous pull stress (tension)
being exerted on the ship's upper structures and the compression stress
on the keel. This model, however, stops after filling the first six compartments.
While the paper states no conclusion, the discussion refers to the expansion
joints several times and leads the reader to believe they were highly significant.
It was recently discovered that the simulation model did not fully describe
how the ship was built for the simulator and the expansion joint "hot
spots" were therefore exaggerated. The high tension and compression
values have been confirmed refined Stettler/Thomas work, but again, it points
out there are critical enough stresses in both the strength deck and keel
to make the break likely.</FONT></P>
<P><CENTER><IMG SRC="GIBSCOX.GIF" WIDTH="466" HEIGHT="321" ALIGN="BOTTOM"
NATURALSIZEFLAG="3"></CENTER></P>
<P><CENTER>Figure 2: 1996 simulation by <A HREF="http://www.gibbscox.com/">Gibbs&Cox,
Inc.</A></CENTER></P>
<P> </P>
<P><FONT SIZE=+1>The telling evidence comes from the two bottom sections
of double bottom found for the 2005 History Channel program <B><I>Titanic's
Achilles Heel</I></B>. While the existence of the these keel sections had
been known since 1993, the expedition properly recorded and documented them
for engineering study for the first time.</FONT></P>
<P><IMG SRC="Keel%20sections.jpg" WIDTH="384" HEIGHT="480" ALIGN="BOTTOM"
NATURALSIZEFLAG="3"> <IMG SRC="keelphoto_brite.jpg" WIDTH="468" HEIGHT=
"365" NATURALSIZEFLAG="0" ALIGN="BOTTOM"><IMG SRC="Keel%20upclose4.jpg"
WIDTH="434" HEIGHT="354" NATURALSIZEFLAG="0" ALIGN="BOTTOM"></P>
<P><CENTER>Figure 3: Ken Marschall painting / History Channel Photo / As
seen in French TV's "Riddle of the Titanic".</CENTER></P>
<P><CENTER> </CENTER></P>
<P><FONT SIZE=+1>What the physical evidence shows is multi-fold. The technical
artist Ken Marschall mapped the complete video into a detailed drawing based
on the construction plans to identify the exact locations on the hull where
the breaks occurred. Richard Woytowich, a materials science professor at
New York City Technical College and co-author of the paper <B><I>"The
Break-up of Titanic"</I></B><I> </I>called the image of the bent keel
bar into an S-shape the </FONT><FONT COLOR="#ffffff" SIZE=+1>"smoking
gun"</FONT><FONT SIZE=+1>. The 19.5 X 3 inch (49.5cm X 7.6cm) steel
bar could only be bent into that sort of shape under severe <B>compression</B>.
That, and the frequent bent-in edges all over both sections, rule out the
keel being pulled apart under tension in any 'drag the the stern' down scenario.
Further evidence is in the remaining longitudal spacers found along the
sections as seen in several TV programs. They appear crushed and smashed
from the buckling of the double bottom.</FONT></P>
<P><FONT SIZE=+1>There is also some evidence of tension breaks (being bent
and pulled apart) in the outer breaks of the two keel section. That would
be expected if the center collapsed and the two sections were forced inward
by hydrostatic pressure and the nature of the break.</FONT></P>
<P><FONT SIZE=+1>A closer look at the construction plans based on the mapping
of the keel sections showed that the center of the break is at Frame 25
aft. (Frame numbers were used on all Harland & Wolff plans to precisely
locate everything.) At that location, there is a difference in the overall
structure of the double bottom. The thickness of the keel increases from
63 to 75 inches (160 to 190 cm), to accommodate the heavier bracing under
the engines, and the change in thickness begins exactly at Frame 25 aft.
To naval architects, a change in a linear stress bearing member is called
a </FONT><B><FONT COLOR="#ffffff" SIZE=+1>discontinuity</FONT></B><FONT
SIZE=+1>.</FONT></P>
<P><CENTER><IMG SRC="Woytowich%201.jpg" WIDTH="552" HEIGHT="377" NATURALSIZEFLAG=
"0" ALIGN="BOTTOM"><IMG SRC="Woytowich%202.jpg" WIDTH="706" HEIGHT="351"
NATURALSIZEFLAG="0" ALIGN="BOTTOM"></CENTER></P>
<P><CENTER>Figure 4: Computer models of the double bottom by Richard Woytowich
in <I>"The Break-up of Titanic".</I></CENTER></P>
<P><CENTER> </CENTER></P>
<P><FONT SIZE=+1>The Mengot/Woytowich paper <I>"<B>The Break-up of
Titanic"</B></I> contains detailed simulations of the structural double
bottom with the ramp up to the thicker double bottom. The discontinuity
in the double bottom "lights up" when subjected to the kinds of
compression stress to which <I>Titanic</I> was subjected. The actual failure
point may have been the keel bar or either of the two keelsons at the outer
edges. In any event, if one goes, all three points cascade to failure almost
instantaneously. It should be noted that this discontinuity in the double
bottom would never pose a problem under the stresses of normal service in
the North Atlantic. The peculiar predicament of Titanic tipped up like that
provided the fatal conditions.</FONT></P>
<P><FONT SIZE=+1>The keel broke first and the sides broke last. To understand
how this could be, we look again at how <I>Titanic</I> was constructed.
Harland & Wolff elected to have a very lightweight superstructure above
the strength deck (B Deck) to allow for large palatial rooms that White
Star Line owner J. Bruce Ismay wanted, without heavy bracing so high up
on the ship.</FONT></P>
<P><CENTER><IMG SRC="Cross%20Section2.jpg" WIDTH="582" HEIGHT="296" ALIGN=
"BOTTOM" NATURALSIZEFLAG="3"></CENTER></P>
<P><CENTER>Figure 5: The drawing is compressed for height and width but
the plate thicknesses are perfectly proportional.</CENTER></P>
<P><CENTER> </CENTER></P>
<P><FONT SIZE=+1>B Deck was the strength deck and was designed to withstand
tension stress in concert with the top two strakes of shell plating. The
top two strakes of shell plate were double 1" plates making up the
top 100 inches (2.5 meters) of the sides up to B-deck. Together these are
called the </FONT><B><FONT COLOR="#ffffff" SIZE=+1>sheer strake</FONT></B><FONT
SIZE=+1>. Double 1 inch plates at the outer edge of B Deck were joined
to the sides by another 1 inch L-beam. B-deck then tapers to 3/4" (19mm),
with a 1" (25.4mm) plate down each side of the stack uptake. The Boat
Deck, A Deck and the superstructure sides were just 1/4" (6mm) plates
attached to the structural hull such that heavy stresses in the hull are
not passed on to the superstructure as well. A </FONT><FONT COLOR="#ffffff"
SIZE=+1>Finite Element Stress Analysis</FONT><FONT SIZE=+1> computer model
must have the features adequately described to provide useful results. </FONT></P>
<P><FONT SIZE=+1>Survivors testified that the stern righted itself momentarily
and then tipped back up, hung there, and slipped under after a few minutes.
The sequence of events must conform to that scenario and leave the wreck
looking as we see it today. The break-up process is shown here as successive
conditions. </FONT></P>
<P><FONT SIZE=+1>The combination of the sheer strake and strength deck was
much stronger under tension stress than the double bottom was in compression
stress. Under compression stress, the steel doesn't have to break, it only
has to bend. As soon as it starts to bend, all structural integrity is lost
and it fails entirely. </FONT></P>
<P><CENTER><IMG SRC="Condition%201.jpg" WIDTH="936" HEIGHT="361" NATURALSIZEFLAG=
"0" ALIGN="BOTTOM"><FONT SIZE=+1> </FONT></CENTER></P>
<P><CENTER>Figure 6: Condition 1 (Mengot/Woytowich): The keel collapses
but the sheer strake and strength deck hold.</CENTER></P>
<P><CENTER> </CENTER></P>
<P><FONT SIZE=+1>At the point where the keel fails (Condition 1), the double
bottom suddenly gets shorter than the sides. The two forward cylinders of
the engine, the watertight bulkhead between the engine room and boiler room
1, and the boilers are heaved violently upward. Near the keel, the sides
are forced to bow or bulge outward (indicated by lighter colors in the shell
plate). Since the decks can't stretch, the shell plate separates from the
decks over a wide area below B-deck. The strength deck (B-deck) is the only
deck continuously riveted to the sheer strake. Decks below that are not
continuously riveted, but rather are attached by brackets at each rib, every
3 feet (90cm), and these brackets failed. The sheer strake (the top part
of the shaded area) begins to form a hinge as the stern drops back to the
water. </FONT></P>
<P><FONT SIZE=+1>The separation of the shell plate from the decks occurred
very commonly. Some 90% of shell plate separated from the stern section,
about 20% on the bow, and all of the bow tear area. The shell plate also
tears off the double bottom at the </FONT><FONT COLOR="#ffffff" SIZE=+1>"K-strake".</FONT><FONT
SIZE=+1> Each strake was lettered A to Z, and the "K strake"
was the plating strake that just overlaps the top edge of the double bottom
and continued upward. We ultimately see that the K-strake tear happen on
both sides from the #2 boiler room in the bow to the aft end of the generator
compartment, a distance of 300 feet (90 meters).</FONT></P>
<P><FONT SIZE=+1>The next step has to separate the bow from the stern, but
has to </FONT><B><FONT COLOR="#ffffff" SIZE=+1>sink the stern</FONT></B><FONT
SIZE=+1> as well. It can't be left as a viable boat. Condition 2 in the
next figure shows how the stern tipped up and was damaged enough to cause
it to sink in just a few minutes.</FONT></P>
<P><CENTER><IMG SRC="Condition%202.jpg" WIDTH="1143" HEIGHT="576" NATURALSIZEFLAG=
"0" ALIGN="BOTTOM"><FONT SIZE=+1> </FONT></CENTER></P>
<P><CENTER>Figure 7: Condition 2 (Mengot/Woytowich): The bow drops, the
stern tips up, but the strength deck and sheer strake hold.</CENTER></P>
<P><FONT SIZE=+1><BR>
As the bow steadily drops, B-deck and heavy sheer strake stay connected
to the stern momentarily. The stern now arches back to a tipped position.
Most of the articles in the broken keel area spill out. Now B-deck has bent,
but maintains its original length. The lower edge of the shell plate suddenly
has a longer radius from the "hinge" area to traverse but it doesn't
stretch either. It bows or bulges out more and separates farther down the
keel at the K-stake to try and retain it's original length. This opens the
turbine room and even the generator compartment to the sea. Ultimately,
the shell plate has to tear into pieces from the bottom up. At this point
the shell plate has separated over such a wide area of the stern that large
sections fall off and the entire front half of the stern floods rapidly
and sinks minutes later. It is also probable that the port and starboard
sides broke at slightly different times. This asymmetric breaking of the
sides would cause the differences in how the stern appears today. Since
the ship was listing slightly to port, the stern might have a tendency to
rotate slightly to starboard while the bow, powered only gravity, tends
to move slightly to port. This would set up a twisting motion in any remaining
hull section plates still connected.</FONT></P>
<P><FONT SIZE=+1>Since nearly all of the break-up happens below the surface,
</FONT><B><FONT COLOR="#ffffff" SIZE=+1>how do we know this "hinge"
thing actually formed</FONT></B><FONT SIZE=+1>? The K-strake damage along
the keel and the large hull sections that would be expected from this scenario
are circumstantial. A key piece of physical evidence is the "Big Piece"
recovered from the debris field by RMS Titanic Inc. in 1997. Two pieces
of the hull located in the debris are the "Big Piece" and another
piece is pictured on a National Geographic website about Dr. Robert Ballard
so we'll refer to it as the "Ballard Piece." It has no name I'm
aware of.</FONT></P>
<P><CENTER><FONT SIZE=+1><BR>
</FONT><IMG SRC="Big%20Piece.jpg" WIDTH="440" HEIGHT="330" ALIGN="BOTTOM"
NATURALSIZEFLAG="3"><IMG SRC="E-74.jpg" WIDTH="517" HEIGHT="325" NATURALSIZEFLAG=
"0" ALIGN="BOTTOM"></CENTER></P>
<P><CENTER>Figure 8: The "Big Piece" is left, the NatGeo "Ballard
Piece" on the right</CENTER></P>
<P><CENTER> </CENTER></P>
<P><FONT SIZE=+1>The "Big Piece" is actually quite small at some
25 feet (6 meters) wide and is from the sheer strake just aft of the expansion
joint on the starboard side. The full size of the "Ballard Piece"
can't be determined from this one drawing but is rumored to be fairly large
and it's location can be determined by the side-opening double port holes,
found only in the galley area, and the rib doublers found only at frames
47 and 48 aft in the tear area. The center port hole in the photo opened
to cabin E-74 and the double port holes were in the scullery area of the
galley. That makes it a large hull section that covered the starboard side
of the engine room. Their story can be told by mapping them to the break-up
in Condition 1 below. Also outlined is the section mentioned on the 2012
NatGeo TV show "Titanic at 100" the was found south of the stern
and contained the condenser discharge pumps. That would be the next hull
section back from the "Ballard Piece" and will likely map out
to be starboard side of the Turbine Room. </FONT></P>
<P><CENTER><IMG SRC="Hull%20Pieces.jpg" WIDTH="463" HEIGHT="319" ALIGN=
"BOTTOM" NATURALSIZEFLAG="3"></CENTER></P>
<P><CENTER>Figure 9: The location of the smaller pieces in the diagram close-up.</CENTER></P>
<P><CENTER> </CENTER></P>
<P><FONT SIZE=+1>The "Big Piece" is significant because it's part
of the sheer strake and was formed by tearing the double 1" steel hull
plates on each side. A simple bending force on the hull might cause the
sheer strake to tear on one side, but tearing it again so nearby requires
a mystery force. The only way steel plates can be torn on multiple lines
like that is if there was a twisting motion on the steel. The tears may
possibly have come from the top and bottom on opposite sides in that case.
The "Ballard Piece" represents yet another tear in close proximity
to the two tears forming the big piece. Had a clean, simple tear occurred
in the shell plate, these pieces might well have been part of some of the
other larger hull sections identified in the debris field. The bending,
twisting, and tearing of the hull plates into smaller pieces indicates the
"hinge" existed long enough to support extensive tearing of the
hull laterally along the K-strake.</FONT></P>
<P><FONT SIZE=+1>Additional circumstantial evidence that the sides held
together for at least a short time is testimony that the stern rotated half
way around before its final plunge. A tug from an uneven break by the two
hull sides could induce a spin. Such a spin inducing force is lost if both
sides tear top-down before the keel breaks. </FONT></P>
<P><FONT COLOR="#ffff00" SIZE=+1>Implosion and other damage</FONT></P>
<P><FONT COLOR="#00ffff" SIZE=+1>Much of the damage to the stern section
is attributed to implosion damage. Implosion means that the external pressure
of the water overcomes the internal air pressure and structures collapse
inward. </FONT></P>
<P><FONT COLOR="#00ffff" SIZE=+1>This is easy to do in the sea. For every
32 feet of depth, sea water exerts on additional atmosphere (15 pounds per
square inch) of pressure. What this means is that as the poop deck was about
1/3 submerged, the center of the after well deck was over 60 feet (20 meters)
underwater, with a pressure of 2 atmospheres. That's 30 pounds per square
inch or more than 2 tons per square foot. If the ship is air filled, then
the decks are crushed inward by the weight of the water.</FONT></P>
<P><FONT COLOR="#00ffff" SIZE=+1>This also means that the ship was suffering
implosion damage in the middle of the stern section before the poop deck
was fully submerged. This would have added to the rumbling sound heard by
survivors. </FONT><FONT COLOR="#ffffff" SIZE=+1>Big ships die a horribly
noisy death. Sonar operators report these noises often in wartime when a
ship sinks nearby.</FONT></P>
<P><FONT COLOR="#00ffff" SIZE=+1>Remarkably, the damage to the forward half
of the stern section was caused during the break-up, by rapid flooding that
followed, and the final impact. It was not implosion damage. </FONT><FONT
COLOR="#ffffff" SIZE=+1>True implosion damage is surprising limited to
the well deck area and the starboard edges of D, E, and F-decks.</FONT><FONT
COLOR="#00ffff" SIZE=+1> This supports the theory that stern sank listing
to the port side. If compartments on a ship are already flooded, there can
be no implosion. </FONT></P>
<P><FONT COLOR="#00ffff" SIZE=+1>The interior cabins are another story.
As the near vertical stern sank, water raced up the decks, bulldozing the
interior walls. In the areas of the cargo hatches, the water blasted down
the shafts and stairs, smashing the lightweight structures between the decks.
In the 1996 <B><I>Angus</I></B> photo view down the #6 cargo hatch, a large
amount of random interior wall plating can be seen strewn about the edges
of the shaft for several decks. ROV drivers have been reluctant to even
try to enter the stern anywhere because a great deal of pipes and wiring
are hanging about and the nature of the wreckage is a threat to the ROV
tether. </FONT></P>
<P><FONT COLOR="#ffffff" SIZE=+1>The safes to the assistant purser's office
were found in the debris field. They found their way out of the ship from
3 decks within and moved through 3 rows of cabins to find their exit to
the seafloor.</FONT></P>
<P><FONT COLOR="#00ffff" SIZE=+1>The poop deck was peeled up either because
water scooped under it during sinking or due to a final blast of air forced
out from the lower decks by rapid flooding. The latter effect can often
be seen in footage of cargo ships sunk by U-boats (a final geyser of water
blasts out of the last cargo hatch just before the ship sinks). The poop
deck peeled up as far as the aft end of the 3rd class public rooms and folded
back on itself, skewed a bit to starboard. The docking bridge juts out from
under the folded poop deck in the broken starboard aft corner. At least
one of the forward cranes was thrown off the stern some 50 feet (15 meters)
aft of the final resting place on impact.</FONT></P>
<P><FONT COLOR="#00ffff" SIZE=+1>The stern impacted rudder first, </FONT><FONT
SIZE=+1>steeply enough so that the momentum of the falling stern forced
it to partially collapse to form the 10 degree starboard bend under the
2nd class entrance.</FONT><FONT COLOR="#ffffff" SIZE=+1> </FONT><FONT COLOR="#00ffff"
SIZE=+1>The poop deck was already tilted up and probably back, but the
wreck shows A and B-decks around the mast tilted slightly to fore and a
little to port, hence the mast is tilted slightly fore and to port. The
mast will point in the direction that A-deck last shifted. </FONT></P>
<P><FONT COLOR="#00ffff" SIZE=+1>The center propeller is totally buried.
The outboard props and the 'wings' to the propeller shafts were sheared
from the ship and are bent upward at nearly 20 degrees, leaving the props
visible almost at the level of the G-deck portholes. The starboard prop
blade still sports the '401' hull number for Titanic from Harland &
Wolff.</FONT></P>
<P><FONT COLOR="#ffff00" SIZE=+1>Conclusion</FONT></P>
<P><FONT SIZE=+1>A top-down break requires a number of single point failures
working together and plays into the strength of the ship's design. A bottom-up
break works against the strengths of the ship's design. A top-down break
should have left the stern afloat longer, and the front of the stern should
appear more as the rear of the bow section appears today. That is not the
case. A bottom-up break is more likely to leave the stern of the ship looking
as it was discovered in 1985. The keel failure was then followed by cascading
failures in the sides and strength deck, possibly with a twisting motion
between the bow and stern, to form the pieces that have been found to date.
A top-down break takes away the "energy engine" required to separate
the sides from the decks and tear them to pieces. Major structures of the
ship would not 'flake off' during the descent in the water column.</FONT></P>
<P><FONT SIZE=+1>We still need to map the sides to fully tell the story
of the break-up but the main points of the scenario include:<BR>
<BR>
The Forward Tower, Coal Bunkers, Galley Deck Section, and Forward Tower
all moved as a unit, like a giant steel post. There's a tremendous amount
of vertical steel there that is not apparent unless you go to the construction
plans and see it all lined up. In the process of bending down and then up,
it's going to crack on each side of this tower. The only question is where?
<BR>
<BR>
The doubling in the decks guided the cracks to 6 feet (2m) behind the funnel
uptake in the front.<BR>
<BR>
The superstructure deckhouses do add a small amount of stiffening to the
strength deck so that guided the cracks behind this tower to the area along
the expansion joint.<BR>
<BR>
Something on the portside shell plate held on to the smaller aft tower.
Those doublers around the uptakes may have guided a crack down the starboard
side of that uptake.<BR>
<BR>
Overall, in the 15-20 second break-up process, there was a mix of bottom-up
and top-down. The initial break was apparently at the keel.</FONT></P>
<P><FONT SIZE=+1>We can't rule out yet that the movement of the whole center
tower caused simultaneous cracks around the front of the #3 funnel uptake.
The uniform "knife like" break at the back of bow then occurred
as cracks radiated outward from the uptake doublers, rather than any side-to-side
cracking from the shell plate. <BR>
</FONT></P>
<P><FONT SIZE=+1>Further proof may lie in a full examination of the hull
sections in the debris field. A consistent pattern of how the initial break
propagated through the ship's structure may be found in a full mapping of
the hull plates to the two uptake "towers" and internal deck sections
that have now been located. I hope to look at the 2010 evidence sometime
in the future.</FONT></P>
<P> </P>
<P> </P>
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Breakup
The Break-up of Titanic
The Titanic broke apart from the bottom
up, mainly.
Background
The break-up story has a bit of history to it that is useful
to understand. Much of the conjecture about whether it broke at all comes
from testimony of passengers at the American hearings. The American Inquiry
was more open and interested in finding out what basically happened. The
Board of Trade (BoT) hearing in the UK was different. The BoT hearing was
mainly interested in what procedures were followed by the crew and builders
as they pertained to shipping regulations and the disaster. No passenger
testimony was solicited. There is the appearance of a cover-up to mute any
claims that ship broke apart at all. The BoT was partly on trial itself
for what regulations were in place. It was enough trouble to sort out the
matter of a major maritime disaster. Any further discussion about ships
breaking would only put the regulations themselves further on trial. The
final report stated that Titanic sank intact. And so it lay until discovered
in two pieces in 1985-86.
One of the last big technical questions about the sinking
is about \*how\* Titanic broke apart. We have a picture of how the ship behaved
from the testimony of survivors who claimed Titanic did break. A general
consensus of those passengers was that Titanic was tipped up, there were
explosions and explosions underwater and the stern righted itself momentarily.
When steel breaks, it makes a loud noise. Rivets popping can sound like
gunshots. The stern then quickly tipped forward again and hung there for
a period of 5 minutes or less. After that, it too slipped beneath the waves.
The forensic studies since 1985 also have a history. Among
the first attempts to understand the forces at work in Titanic's predicament
was the Finite Element Stress Analysis simulation by Gibb's and Cox personnel
in 1996. (See Figure 2 below) The simulation showed extreme tension stress
in the region spanning the 3rd funnel and corresponding compression stress
in the engine room area. It also showed "hot spots" at the expansion
joint. While it was not stated as such in the study, the basic conjecture
was that the breakup started at the expansion joint and went top-down. In
was discovered in later years that the modeling of the hull did not have
the benefit of more recent access to the construction plans. As a result,
the computer model did not accurately reflect Titanic's construction and
the 'hot spots' in the expansion joint areas were highly exaggerated. More
recent modeling by Stettler and Thomas confirms and refines the stress levels
of the 1996 work but still does not point to a definitive failure point.
Both the keel and strength deck areas were in the failure zone of stress
and the remaining question is "Which gave first?"
James Cameron in his 1997 epic film ***"Titanic"***
led us to believe that Titanic cracked at the top behind the 3rd funnel
at the expansion joint and tore down through the decks, leaving the double
bottom to pull down the stern section. At the time, that was the best thinking
available on the break-up and was popular conjecture. In a more recent 2012
program ***"Titanic: The Final Word",*** he used the analogy
of a breaking a banana with the peel acting as the double bottom to pull
down the stern. Even James Cameron backed away from that example and talks
about a more asymmetric top-down break forward of the 3rd funnel that was
animated at the end of "***Titanic: The final Word"***.
With this in mind, a forensic analysis has to meet certain
rules:
1. The break-up process
has to sink the stern. Any clean break through the
ship will leave the stern floating as it's own ship, or at worst, restart
a flooding and sinking sequence that could take much longer than mere minutes.
That didn't happen.
2. The keel did not
behave like 5 feet of shoe leather. The cellular double
bottom is designed to be rigid and therefore was brittle. The piece part
construction and lap joints used were fine for handling the compression
and tension stresses of normal service, but are weakest in handling the
extreme tension stresses of Titanic's predicament. Bending the keel destroys
whatever strength was there like bending corrugated cardboard across the
grain. It could never "pull down the stern" after bending a few
degrees, never mind the 10+ degrees of bend needed to allow the stern to
nearly right itself. If the ship broke down to the double bottom, then we
are asking the damaged double bottom to do what the entire intact ship's
structure could not. That didn't happen
3. Once you've accounted
for all the pieces, you have to account for the forces that made them pieces. Steel doesn't just come apart. There has to be a force or major
stress that breaks steel. This is where top-down scenarios are weakest.
Once the stress of the tipped-up predicament breaks the ship top-down, all
the stress and energy required to break other portions off the ship are
gone. Steel structures do not flake off or pop off in the current during
descent. A 25 knot current won't break steel, especially if the ship keeps
adjusting itself to an attitude of least resistance. Parts cannot be throw
off by centrifugal force from a rotating stern section as it will never
spin fast enough. Gravity is neutralized if both the main part and the loose
part are already falling together. Fanciful TV animations that have steel
structures popping and flinging off the stern in the water column don't
reflect reality.
4. The process has
to leave the wreck the way we find it today. We're
looking for consensus among forensic experts of what did happen.
Breaking Things: 101
The forces available to break the ship are the flooded
bow pitted against the weight of the stern while sitting on a fulcrum of
buoyancy in the center of the ship. If we think of the ship as a beam, or
a box girder, then the forces available to break the steel structures are
the tension stress (pull stress at the top) or the compression stress (push
stress at the bottom). The neutral axis is the point between them where
tension and compression cancel each other out.

Tension (red) and compression stresses (green) when bending a
structure
The major problem with any top-down break theory is that
it violates Rule 1 above. If Titanic broke straight down at the expansion
joint, all the major tension on the ship is released. Where do you get the
energy to break it cleanly again in front of the 3rd funnel? That's the
clean break we see on the wreck. Likewise, if it broke in front of the 3rd
funnel, again, where do you get the energy to create the pieces we find
aft of the 3rd funnel? Either way, these theories violate rule #2. Assuming
the break stops at the double bottom, bending the double bottom destroys
it and that would leave the stern afloat as it's own boat, which violates
rule #1 again.

Changes in stresses during a top-down and bottom-up break
Compression stress in a structure like a box beam or truss
girder always has the advantage. In compression, the steel doesn't have
to break, it only has to bend. At that point, the bottom can no longer hold
a balance against the tension at the top and it fails. That leaves the compression
stress to fall to the element above the bottom and the neutral axis raises.
The elements above can do no better, they fail, and the neutral axis continues
to rise until all the stress is left at the topmost piece. As the neutral
axis rises, those structure behind it have the opportunity to fail through
the bending or jamming together of components that are still connected or
butting together is already broken. Steel can bend to a degree along a straight
axis but as cracks start, they will propagate into a fracture of the steel.
In a tension break, there is enough compression resistance
in the mass below to neutral axis to allow the tension stress to break the
steel by pulling it apart. In that case, the neutral axis falls are the
tear works it's way down. In this case, the stresses on all materials above
the falling neutral axis have all of the stress relieved. Steel doesn't
stretch so there is little opportunity for further damage though collisions
or further cracking and tearing.
An asymmetric (non-symmetric) break-up implies both sides
of the ship did not behave the same way, or that a tear started in one corner
and ran laterally along the deck and down the side simultaneously. Titanic
did have a list of upwards of 10 degrees to port at the moment of break-up.
Most of the starboard shell plate on the stern section came off near the
surface, but most of the port side shell plate is still attached to the
strength deck, B-deck, on the wreck. With the ship slightly tilted, a twisting
action has to be considered between the bow and stern areas. Even so, if
the basic direction of a tear was from the top down going diagonally, the
neutral axis would still follow the tear and relieve stress behind it.
The only other forces available that can tear steel structures
are implosion forces, where high water pressures (where water pressure crushes
air filled spaces), or impact forces. Pieces broken off at impact will be
lying next to each other on the bottom. Implosion damage on Titanic's stern
appears limited to the after well deck area, where the last three narrow
compartments were pulled under before they could completely flood. All the
other more open area would flood fully before any trapped air would be a
factor. Wooden cabin walls are swept away long before the stresses that
could threaten the steel materialize. The current passing the wreck sections
as they fell would take away most loosely attached items but would not provide
stresses that would threaten to break steel structures.
The current engineering and physical evidence doesn't support
most of the fanciful animations seen through the years. It appears today
that the cause of the break-up occurred bottom-up, resulting from the buckling
of the keel. But the break wasn't evenly symmetrical either. The port and
starboard sides propagated the initial break differently leaving the port
and starboard sides to behave differently. When a full mapping all the hull
sections is released from the new 2010 data, a clearer picture will emerge
of how an initial failure propagated.
A map of the
tear area
A detailed map of the tear helps us visualize the composition
of the major sections of the ship between the bow and stern sections and
how those pieces fit together.
[A deck-by-deck
map of the center section of Titanic](Center%20Map.html)
A bottom-up break
As a preface, consider breaking a stick and a structure
like a cardboard tube. The solid stick will break top-down. The cardboard
tube will collapse on the bottom and bulge the sides outward before it tears.
The Titanic has more in common with the tube than a stick.
I'll reference several older 1997 works featured on the
television special "***Titanic: Anatomy of a Disaste***r".
One is the finite element simulation of stresses to Titanic's hull during
the sinking done by naval engineers at Gibbs
& Cox, Inc. The other is the Hacket/Bedford paper "***The Sinking
of Titanic - Investigated by Modern Method***s" published for
the [Royal Institute of
Naval Architects](http://members.aol.com/rinarch/index.htm) by a then current and retired naval architect for Harland
& Wolff (builders of Titanic). These are supplemented with the paper
I co-authored with Richard Woytowich for the Society of Naval Architects
and Marine Engineers (SNAME) titled ***"[The
Break-up of Titanic, A Progress Report from the MFP](titanic_breakup_NYmet.pdf)",*** the
2012 paper ***"Flooding and Structural Forensic Analysis of the
Sinking of the RMS Titanic"*** by J.W. Stettler (M), B.S. Thomas
(M), and my own research at the Woods
Hole Oceanographic Institution archives on Titanic.
The evidence driving this discussion is the current condition
of the stern. Of note, the starboard shell plate is missing for some 160
feet (42 meters) aft of the forward tear. The debris alongside the wreck
is a mix of decks and shell plate sections that comprise a fraction of the
original mass. This huge section fell off at the surface or sometime well
before impact. The port side shell plate of the stern is still present and
attached along B-Deck (the strength deck), but is separated from the keel
for upwards of 120 feet (36 meters) or more aft of the tear. It is splayed
out too far to have "bounced" out there on impact. The ship's
lower structure of the keel, the watertight bulkheads, the decks between
them, and the interior pillar system also make for a strong structure. This
structure provides the current stern with most of it's form and appears
relatively intact aft of the engine room. The decks above the watertight
bulkheads showed far more movement and damage in 1986. Today, they are all
essentially collapsed flat on D-Deck. The bow section shows no evidence
of the shell plate separating from the keel except in the tear area, despite
the impact.
How was the shell plate separated from the keel? How did
this play into the events of the sinking as reported by survivors? After
the break, why didn't the stern remain afloat, or at least restart a slower
flooding and overflow of compartments? After the break, the stern tipped
and up sank so quickly that many survivors saw no significant interruption
in the sinking of the ship.
To set the stage for the break-up, we reference the 1996
Hacket/Bedford paper. They modeled and simulated the sinking using their
extensive knowledge and the company's archives on Titanic. They concluded
that Titanic reaches a critical point when the front six watertight compartments
are flooded and the seventh (#4 boiler room) is about half full. At that
point the ship's design is compromised and it tips up to begin the final
plunge. This point occurred at roughly 2 AM, about 20 minutes before the
ship disappeared.
From the paper, the figure marked Condition C7 shows the
ship in the process of beginning the final plunge. The break-up occurred
about this time. #1 funnel was inundated and collapsed, and the collapsible
boats were floated off the bridge area. Water is moving up the corridors
and beginning to flood the compartments for #2 and #3 boiler rooms.

Figure 1: Bedford/Hacket modeling of Titanic right before the
break-up
Referring to the 1996 Gibbs & Cox finite element analysis
of the stress (see figure 2), it points out the tremendous pull stress (tension)
being exerted on the ship's upper structures and the compression stress
on the keel. This model, however, stops after filling the first six compartments.
While the paper states no conclusion, the discussion refers to the expansion
joints several times and leads the reader to believe they were highly significant.
It was recently discovered that the simulation model did not fully describe
how the ship was built for the simulator and the expansion joint "hot
spots" were therefore exaggerated. The high tension and compression
values have been confirmed refined Stettler/Thomas work, but again, it points
out there are critical enough stresses in both the strength deck and keel
to make the break likely.

Figure 2: 1996 simulation by [Gibbs&Cox,
Inc.](http://www.gibbscox.com/)
The telling evidence comes from the two bottom sections
of double bottom found for the 2005 History Channel program ***Titanic's
Achilles Heel***. While the existence of the these keel sections had
been known since 1993, the expedition properly recorded and documented them
for engineering study for the first time.
 
Figure 3: Ken Marschall painting / History Channel Photo / As
seen in French TV's "Riddle of the Titanic".
What the physical evidence shows is multi-fold. The technical
artist Ken Marschall mapped the complete video into a detailed drawing based
on the construction plans to identify the exact locations on the hull where
the breaks occurred. Richard Woytowich, a materials science professor at
New York City Technical College and co-author of the paper ***"The
Break-up of Titanic"***called the image of the bent keel
bar into an S-shape the "smoking
gun". The 19.5 X 3 inch (49.5cm X 7.6cm) steel
bar could only be bent into that sort of shape under severe **compression**.
That, and the frequent bent-in edges all over both sections, rule out the
keel being pulled apart under tension in any 'drag the the stern' down scenario.
Further evidence is in the remaining longitudal spacers found along the
sections as seen in several TV programs. They appear crushed and smashed
from the buckling of the double bottom.
There is also some evidence of tension breaks (being bent
and pulled apart) in the outer breaks of the two keel section. That would
be expected if the center collapsed and the two sections were forced inward
by hydrostatic pressure and the nature of the break.
A closer look at the construction plans based on the mapping
of the keel sections showed that the center of the break is at Frame 25
aft. (Frame numbers were used on all Harland & Wolff plans to precisely
locate everything.) At that location, there is a difference in the overall
structure of the double bottom. The thickness of the keel increases from
63 to 75 inches (160 to 190 cm), to accommodate the heavier bracing under
the engines, and the change in thickness begins exactly at Frame 25 aft.
To naval architects, a change in a linear stress bearing member is called
a **discontinuity**.

Figure 4: Computer models of the double bottom by Richard Woytowich
in *"The Break-up of Titanic".*
The Mengot/Woytowich paper *"**The Break-up of
Titanic"*** contains detailed simulations of the structural double
bottom with the ramp up to the thicker double bottom. The discontinuity
in the double bottom "lights up" when subjected to the kinds of
compression stress to which *Titanic* was subjected. The actual failure
point may have been the keel bar or either of the two keelsons at the outer
edges. In any event, if one goes, all three points cascade to failure almost
instantaneously. It should be noted that this discontinuity in the double
bottom would never pose a problem under the stresses of normal service in
the North Atlantic. The peculiar predicament of Titanic tipped up like that
provided the fatal conditions.
The keel broke first and the sides broke last. To understand
how this could be, we look again at how *Titanic* was constructed.
Harland & Wolff elected to have a very lightweight superstructure above
the strength deck (B Deck) to allow for large palatial rooms that White
Star Line owner J. Bruce Ismay wanted, without heavy bracing so high up
on the ship.

Figure 5: The drawing is compressed for height and width but
the plate thicknesses are perfectly proportional.
B Deck was the strength deck and was designed to withstand
tension stress in concert with the top two strakes of shell plating. The
top two strakes of shell plate were double 1" plates making up the
top 100 inches (2.5 meters) of the sides up to B-deck. Together these are
called the **sheer strake**. Double 1 inch plates at the outer edge of B Deck were joined
to the sides by another 1 inch L-beam. B-deck then tapers to 3/4" (19mm),
with a 1" (25.4mm) plate down each side of the stack uptake. The Boat
Deck, A Deck and the superstructure sides were just 1/4" (6mm) plates
attached to the structural hull such that heavy stresses in the hull are
not passed on to the superstructure as well. A Finite Element Stress Analysis computer model
must have the features adequately described to provide useful results.
Survivors testified that the stern righted itself momentarily
and then tipped back up, hung there, and slipped under after a few minutes.
The sequence of events must conform to that scenario and leave the wreck
looking as we see it today. The break-up process is shown here as successive
conditions.
The combination of the sheer strake and strength deck was
much stronger under tension stress than the double bottom was in compression
stress. Under compression stress, the steel doesn't have to break, it only
has to bend. As soon as it starts to bend, all structural integrity is lost
and it fails entirely.

Figure 6: Condition 1 (Mengot/Woytowich): The keel collapses
but the sheer strake and strength deck hold.
At the point where the keel fails (Condition 1), the double
bottom suddenly gets shorter than the sides. The two forward cylinders of
the engine, the watertight bulkhead between the engine room and boiler room
1, and the boilers are heaved violently upward. Near the keel, the sides
are forced to bow or bulge outward (indicated by lighter colors in the shell
plate). Since the decks can't stretch, the shell plate separates from the
decks over a wide area below B-deck. The strength deck (B-deck) is the only
deck continuously riveted to the sheer strake. Decks below that are not
continuously riveted, but rather are attached by brackets at each rib, every
3 feet (90cm), and these brackets failed. The sheer strake (the top part
of the shaded area) begins to form a hinge as the stern drops back to the
water.
The separation of the shell plate from the decks occurred
very commonly. Some 90% of shell plate separated from the stern section,
about 20% on the bow, and all of the bow tear area. The shell plate also
tears off the double bottom at the "K-strake". Each strake was lettered A to Z, and the "K strake"
was the plating strake that just overlaps the top edge of the double bottom
and continued upward. We ultimately see that the K-strake tear happen on
both sides from the #2 boiler room in the bow to the aft end of the generator
compartment, a distance of 300 feet (90 meters).
The next step has to separate the bow from the stern, but
has to **sink the stern** as well. It can't be left as a viable boat. Condition 2 in the
next figure shows how the stern tipped up and was damaged enough to cause
it to sink in just a few minutes.

Figure 7: Condition 2 (Mengot/Woytowich): The bow drops, the
stern tips up, but the strength deck and sheer strake hold.
As the bow steadily drops, B-deck and heavy sheer strake stay connected
to the stern momentarily. The stern now arches back to a tipped position.
Most of the articles in the broken keel area spill out. Now B-deck has bent,
but maintains its original length. The lower edge of the shell plate suddenly
has a longer radius from the "hinge" area to traverse but it doesn't
stretch either. It bows or bulges out more and separates farther down the
keel at the K-stake to try and retain it's original length. This opens the
turbine room and even the generator compartment to the sea. Ultimately,
the shell plate has to tear into pieces from the bottom up. At this point
the shell plate has separated over such a wide area of the stern that large
sections fall off and the entire front half of the stern floods rapidly
and sinks minutes later. It is also probable that the port and starboard
sides broke at slightly different times. This asymmetric breaking of the
sides would cause the differences in how the stern appears today. Since
the ship was listing slightly to port, the stern might have a tendency to
rotate slightly to starboard while the bow, powered only gravity, tends
to move slightly to port. This would set up a twisting motion in any remaining
hull section plates still connected.
Since nearly all of the break-up happens below the surface,
**how do we know this "hinge"
thing actually formed**? The K-strake damage along
the keel and the large hull sections that would be expected from this scenario
are circumstantial. A key piece of physical evidence is the "Big Piece"
recovered from the debris field by RMS Titanic Inc. in 1997. Two pieces
of the hull located in the debris are the "Big Piece" and another
piece is pictured on a National Geographic website about Dr. Robert Ballard
so we'll refer to it as the "Ballard Piece." It has no name I'm
aware of.

Figure 8: The "Big Piece" is left, the NatGeo "Ballard
Piece" on the right
The "Big Piece" is actually quite small at some
25 feet (6 meters) wide and is from the sheer strake just aft of the expansion
joint on the starboard side. The full size of the "Ballard Piece"
can't be determined from this one drawing but is rumored to be fairly large
and it's location can be determined by the side-opening double port holes,
found only in the galley area, and the rib doublers found only at frames
47 and 48 aft in the tear area. The center port hole in the photo opened
to cabin E-74 and the double port holes were in the scullery area of the
galley. That makes it a large hull section that covered the starboard side
of the engine room. Their story can be told by mapping them to the break-up
in Condition 1 below. Also outlined is the section mentioned on the 2012
NatGeo TV show "Titanic at 100" the was found south of the stern
and contained the condenser discharge pumps. That would be the next hull
section back from the "Ballard Piece" and will likely map out
to be starboard side of the Turbine Room.

Figure 9: The location of the smaller pieces in the diagram close-up.
The "Big Piece" is significant because it's part
of the sheer strake and was formed by tearing the double 1" steel hull
plates on each side. A simple bending force on the hull might cause the
sheer strake to tear on one side, but tearing it again so nearby requires
a mystery force. The only way steel plates can be torn on multiple lines
like that is if there was a twisting motion on the steel. The tears may
possibly have come from the top and bottom on opposite sides in that case.
The "Ballard Piece" represents yet another tear in close proximity
to the two tears forming the big piece. Had a clean, simple tear occurred
in the shell plate, these pieces might well have been part of some of the
other larger hull sections identified in the debris field. The bending,
twisting, and tearing of the hull plates into smaller pieces indicates the
"hinge" existed long enough to support extensive tearing of the
hull laterally along the K-strake.
Additional circumstantial evidence that the sides held
together for at least a short time is testimony that the stern rotated half
way around before its final plunge. A tug from an uneven break by the two
hull sides could induce a spin. Such a spin inducing force is lost if both
sides tear top-down before the keel breaks.
Implosion and other damage
Much of the damage to the stern section
is attributed to implosion damage. Implosion means that the external pressure
of the water overcomes the internal air pressure and structures collapse
inward.
This is easy to do in the sea. For every
32 feet of depth, sea water exerts on additional atmosphere (15 pounds per
square inch) of pressure. What this means is that as the poop deck was about
1/3 submerged, the center of the after well deck was over 60 feet (20 meters)
underwater, with a pressure of 2 atmospheres. That's 30 pounds per square
inch or more than 2 tons per square foot. If the ship is air filled, then
the decks are crushed inward by the weight of the water.
This also means that the ship was suffering
implosion damage in the middle of the stern section before the poop deck
was fully submerged. This would have added to the rumbling sound heard by
survivors. Big ships die a horribly
noisy death. Sonar operators report these noises often in wartime when a
ship sinks nearby.
Remarkably, the damage to the forward half
of the stern section was caused during the break-up, by rapid flooding that
followed, and the final impact. It was not implosion damage. True implosion damage is surprising limited to
the well deck area and the starboard edges of D, E, and F-decks. This supports the theory that stern sank listing
to the port side. If compartments on a ship are already flooded, there can
be no implosion.
The interior cabins are another story.
As the near vertical stern sank, water raced up the decks, bulldozing the
interior walls. In the areas of the cargo hatches, the water blasted down
the shafts and stairs, smashing the lightweight structures between the decks.
In the 1996 ***Angus*** photo view down the #6 cargo hatch, a large
amount of random interior wall plating can be seen strewn about the edges
of the shaft for several decks. ROV drivers have been reluctant to even
try to enter the stern anywhere because a great deal of pipes and wiring
are hanging about and the nature of the wreckage is a threat to the ROV
tether.
The safes to the assistant purser's office
were found in the debris field. They found their way out of the ship from
3 decks within and moved through 3 rows of cabins to find their exit to
the seafloor.
The poop deck was peeled up either because
water scooped under it during sinking or due to a final blast of air forced
out from the lower decks by rapid flooding. The latter effect can often
be seen in footage of cargo ships sunk by U-boats (a final geyser of water
blasts out of the last cargo hatch just before the ship sinks). The poop
deck peeled up as far as the aft end of the 3rd class public rooms and folded
back on itself, skewed a bit to starboard. The docking bridge juts out from
under the folded poop deck in the broken starboard aft corner. At least
one of the forward cranes was thrown off the stern some 50 feet (15 meters)
aft of the final resting place on impact.
The stern impacted rudder first, steeply enough so that the momentum of the falling stern forced
it to partially collapse to form the 10 degree starboard bend under the
2nd class entrance. The poop deck was already tilted up and probably back, but the
wreck shows A and B-decks around the mast tilted slightly to fore and a
little to port, hence the mast is tilted slightly fore and to port. The
mast will point in the direction that A-deck last shifted.
The center propeller is totally buried.
The outboard props and the 'wings' to the propeller shafts were sheared
from the ship and are bent upward at nearly 20 degrees, leaving the props
visible almost at the level of the G-deck portholes. The starboard prop
blade still sports the '401' hull number for Titanic from Harland &
Wolff.
Conclusion
A top-down break requires a number of single point failures
working together and plays into the strength of the ship's design. A bottom-up
break works against the strengths of the ship's design. A top-down break
should have left the stern afloat longer, and the front of the stern should
appear more as the rear of the bow section appears today. That is not the
case. A bottom-up break is more likely to leave the stern of the ship looking
as it was discovered in 1985. The keel failure was then followed by cascading
failures in the sides and strength deck, possibly with a twisting motion
between the bow and stern, to form the pieces that have been found to date.
A top-down break takes away the "energy engine" required to separate
the sides from the decks and tear them to pieces. Major structures of the
ship would not 'flake off' during the descent in the water column.
We still need to map the sides to fully tell the story
of the break-up but the main points of the scenario include:
The Forward Tower, Coal Bunkers, Galley Deck Section, and Forward Tower
all moved as a unit, like a giant steel post. There's a tremendous amount
of vertical steel there that is not apparent unless you go to the construction
plans and see it all lined up. In the process of bending down and then up,
it's going to crack on each side of this tower. The only question is where?
The doubling in the decks guided the cracks to 6 feet (2m) behind the funnel
uptake in the front.
The superstructure deckhouses do add a small amount of stiffening to the
strength deck so that guided the cracks behind this tower to the area along
the expansion joint.
Something on the portside shell plate held on to the smaller aft tower.
Those doublers around the uptakes may have guided a crack down the starboard
side of that uptake.
Overall, in the 15-20 second break-up process, there was a mix of bottom-up
and top-down. The initial break was apparently at the keel.
We can't rule out yet that the movement of the whole center
tower caused simultaneous cracks around the front of the #3 funnel uptake.
The uniform "knife like" break at the back of bow then occurred
as cracks radiated outward from the uptake doublers, rather than any side-to-side
cracking from the shell plate.
Further proof may lie in a full examination of the hull
sections in the debris field. A consistent pattern of how the initial break
propagated through the ship's structure may be found in a full mapping of
the hull plates to the two uptake "towers" and internal deck sections
that have now been located. I hope to look at the 2010 evidence sometime
in the future.
[Back
to Home page](../index.html#anchor159070)
Copyright 1997 and 2012 Roy Mengot
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<p> <font size="4"><i>G2mil</i> is
a collection of articles on military and international affairs authored by Carlton Meyer, a former Marine Corps officer
who participated in military operations around the world. He had
written dozens of articles for military magazines, but became frustrated that important issues are ignored by editors fearful of upsetting their corporate
advertisers or government sponsors. <i> G2mil</i> has grown over the past 22 years, and includes facts not found in the corporate controlled media.</font>
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<p> <font size="4">My weekly <a href="empire_fails.htm"><font color="#0000FF">blog</font></a> on current affairs</font>
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<p><font size="4"><font color="#FF0000"><b><i>New</i></b></font><font color="#0000FF">
</font><a href="https://www.youtube.com/channel/UCvq3YadD2uIFb7cFLbTtmFw/videos"><font color="#0000FF">Tales
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<p><font size="4"><a href="fraudulent_military_programs.htm">Fraudulent
Military Programs</a> - ongoing scams</font>
<p><font size="4"><a href="war.htm"><font color="#0000FF">The
Spectrum of Future Warfare</font></a><font color="#0000FF"> </font>- my book
about future warfare</font>
<p><font size="4"> <a href="rightsizingMarines.htm"><font color="#0000FF">Cut
Marine Corps Overhead</font></a> - where to cut fat to
retain combat power</font>
</p>
<p><font size="4"><a href="armyfat.htm"><font color="#0000FF">Save
our Army from Generals</font></a> - cut non-combat slots</font>
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<p><font size="4"><a href="OBCL.htm"><font color="#0000FF">Overseas
Base Closure List</font></a> - close these outdated bases </font>
<p><font size="4"><a href="Film.htm"><font color="#0000FF">Military
Films</font></a> - a list of the best</font>
<p><font size="4"><a href="transformation.htm"><font color="#0000FF">Transforming
National Defense</font></a><font color="#0000FF"> </font>- articles about
military reform</font><p><font size="4"><a href="lost_vietnam.htm"><font color="#0000FF">Lost Battles of the
Vietnam War</font></a> - 112 lost by our Generals </font><p><font size="4"><a href="skyramp.htm"><font color="#0000FF">Sky
Ramp Technology</font></a> - the future of space launch</font>
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<p><font color="#000080" size="4"><i>What
someone doesn't want you to publish is journalism, all else is publicity.</i></font><p><font color="#000080" size="4"><i>
Paul Fussell</i></font><p><font FACE="TimesNewRomanPSMT"><font color="#000080" size="5"><i><b>Carlton
Meyer </b></i></font><font color="#0000FF"><b><a href="mailto:[email protected]">[email protected]</a></b></font></font>
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G2mil
| |
| --- |
| *Welcome to G2mil* |
| |
| --- |
| *G2mil* is
a collection of articles on military and international affairs authored by Carlton Meyer, a former Marine Corps officer
who participated in military operations around the world. He had
written dozens of articles for military magazines, but became frustrated that important issues are ignored by editors fearful of upsetting their corporate
advertisers or government sponsors. *G2mil* has grown over the past 22 years, and includes facts not found in the corporate controlled media.
My weekly [blog](empire_fails.htm) on current affairs
***New***
[Tales
of the American Empire](https://www.youtube.com/channel/UCvq3YadD2uIFb7cFLbTtmFw/videos) - *G2mil* mini-documentaries
[Fraudulent
Military Programs](fraudulent_military_programs.htm) - ongoing scams
[The
Spectrum of Future Warfare](war.htm) - my book
about future warfare
[Cut
Marine Corps Overhead](rightsizingMarines.htm) - where to cut fat to
retain combat power
[Save
our Army from Generals](armyfat.htm) - cut non-combat slots
[Overseas
Base Closure List](OBCL.htm) - close these outdated bases
[Military
Films](Film.htm) - a list of the best
[Transforming
National Defense](transformation.htm) - articles about
military reform[Lost Battles of the
Vietnam War](lost_vietnam.htm) - 112 lost by our Generals [Sky
Ramp Technology](skyramp.htm) - the future of space launch
*What
someone doesn't want you to publish is journalism, all else is publicity.**Paul Fussell****Carlton
Meyer*** **[[email protected]](mailto:[email protected])**
***©2023
[www.G2mil.com](http://www.G2mil.com)*** |
| http://g2mil.com/ |
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grilled cheese</a></li><li><a href='lentils_with_roasted_beet_sauce.html'>lentils with roasted beet sauce</a></li><li><a href='red_lentil_stew.html'>red lentil stew</a></li><li><a href='mac_and_faux_cheese.html'>mac and faux cheese</a></li><li><a href='okonomiyaki.html'>okonomiyaki</a></li><li><a href='shepherds_pie.html'>shepherds pie</a></li><li><a href='roasted_carrots_with_beluga_lentils.html'>roasted carrots with beluga lentils</a></li><li><a href='sweet_mock_eel_nigiri.html'>sweet mock eel nigiri</a></li><li><a href='spicy_stirfry_chickpeas.html'>spicy stirfry chickpeas</a></li><li><a href='sweet_and_sour_lentils.html'>sweet and sour lentils</a></li><h3>sidedish</h3><li><a href='breaded_chickpea_tofu_fingers.html'>breaded chickpea tofu fingers</a></li><li><a href='basic_black_bread.html'>basic black bread</a></li><li><a href='beer_bread.html'>beer bread</a></li><li><a href='buckwheat_tea.html'>buckwheat tea</a></li><li><a href='corn_dumplings.html'>corn dumplings</a></li><li><a href='gyoza_wrappers.html'>gyoza wrappers</a></li><li><a href='soybean_hummus_with_jalapenos.html'>soybean hummus with jalapenos</a></li><li><a href='houjicha_overnight_oatmeal.html'>houjicha overnight oatmeal</a></li><li><a href='roasted_eggplant_dip.html'>roasted eggplant dip</a></li><li><a href='scrambled_chickpea_flour.html'>scrambled chickpea flour</a></li><li><a href='sourdough_spelt_flatbread.html'>sourdough spelt flatbread</a></li><li><a href='vege_pate.html'>vege pate</a></li><li><a href='uzumaki_hummus_bites.html'>uzumaki hummus bites</a></li><h3>sweet</h3><li><a href='anise_bread_with_sweet_pear_sauce.html'>anise bread with sweet pear sauce</a></li><li><a href='balsamic_banana_ice_cream.html'>balsamic banana ice cream</a></li><li><a href='black_sesame_brittle.html'>black sesame brittle</a></li><li><a href='chunky_apple_jam.html'>chunky apple jam</a></li><li><a href='coffee_jelly.html'>coffee jelly</a></li><li><a href='golden_bread.html'>golden bread</a></li><li><a href='hop_ice_cream.html'>hop ice cream</a></li><li><a href='halloween_pumpkin_cookies.html'>halloween pumpkin cookies</a></li><li><a href='mason_jar_bread_pudding.html'>mason jar bread pudding</a></li><li><a href='raisin_beet_bread.html'>raisin beet bread</a></li><li><a href='spicy_brownies_with_pomegranate_syrup.html'>spicy brownies with pomegranate syrup</a></li><li><a href='stovetop_blackberry_cake.html'>stovetop blackberry cake</a></li><li><a href='stovetop_choco_oat_cookies.html'>stovetop choco oat cookies</a></li><li><a href='spinach_oatmeal_cookies.html'>spinach oatmeal cookies</a></li><li><a href='vegemite_caramel.html'>vegemite caramel</a></li><li><a href='wasabi_swirl_chocolate_cookies.html'>wasabi swirl chocolate cookies</a></li><h3>toppings</h3><li><a href='black_sesame_syrup.html'>black sesame syrup</a></li><li><a href='veganaise.html'>veganaise</a></li><li><a href='quick_sunflower_seed_parmesan.html'>quick sunflower seed parmesan</a></li><li><a href='roasted_pumpkin_seeds.html'>roasted pumpkin seeds</a></li><li><a href='cheesy_sunflower_seed_sauce.html'>cheesy sunflower seed sauce</a></li><li><a href='tzatziki.html'>tzatziki</a></li><h3>snack</h3><li><a href='shichimi_togarashi_crackers.html'>shichimi togarashi crackers</a></li><li><a href='wakame_bites.html'>wakame bites</a></li><h3>basic</h3><li><a href='brownies.html'>brownies</a></li><li><a href='quick_cheese.html'>quick cheese</a></li><li><a href='chocolate_chip_cookies.html'>chocolate chip cookies</a></li><li><a href='crackers.html'>crackers</a></li><li><a href='mustard_from_seed.html'>mustard from seed</a></li><li><a href='no_knead_bread.html'>no knead bread</a></li><li><a href='quick_flat_bread.html'>quick flat bread</a></li><li><a href='soy_flour_tofu.html'>Soy flour tofu</a></li><li><a href='sourdough_starter.html'>sourdough starter</a></li><li><a href='seitan.html'>seitan</a></li><li><a href='stovetop_popcorn.html'>stovetop popcorn</a></li><h3>tropical</h3><li><a href='breadfruit_gnocchi.html'>breadfruit gnocchi</a></li><li><a href='breadfruit_pasta.html'>breadfruit pasta</a></li><li><a href='pandanus_fruit_bread.html'>pandanus fruit bread</a></li><li><a href='pan_fried_breadfruit.html'>pan fried breadfruit</a></li><li><a href='papaya_bruschetta_topping.html'>papaya bruschetta topping</a></li><h3>lifestyle</h3><li><a href='basic_toothpaste.html'>basic toothpaste</a></li></ul></main><footer><a href='about.html'>Grimgrains</a> © 2014—2023 <a href='https://creativecommons.org/licenses/by-nc-sa/4.0/' target='_blank'> BY-NC-SA-4.0</a><br><a href='http://100r.co/' target='_blank'>Hundred Rabbits</a></footer></body></html> | GrimGrains — Home[](home.html)* [Home](home.html)
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[](peanuts.html)[**green cabbage**](green_cabbage.html)[**kale**](kale.html)[**arame**](arame.html)[**nagaimo**](nagaimo.html)[**bok choy**](bok_choy.html)[**red beets**](red_beets.html)[**red onion**](red_onion.html)[**pandanus fruit**](pandanus_fruit.html)[**lemon**](lemon.html)[**pomegranate**](pomegranate.html)[**sichuan peppercorns**](sichuan_peppercorns.html)[**chili peppers**](chili_peppers.html)[**hops**](hops.html)[**buckwheat groats**](buckwheat_groats.html)[**cornmeal**](cornmeal.html)[**miso**](miso.html)[**mirin**](mirin.html)## 74 Recipes
### main
* [Millet dumplings](millet_dumplings.html)
* [arame soba](arame_soba.html)
* [bean chili](bean_chili.html)
* [beet sauce pasta](beet_sauce_pasta.html)
* [buckwheat dumplings](buckwheat_dumplings.html)
* [carrot kinpira onigirazu](carrot_kinpira_onigirazu.html)
* [corn pone](corn_pone.html)
* [cheese and spinach ravioli](cheese_and_spinach_ravioli.html)
* [chickpea salad sandwich](chickpea_salad_sandwich.html)
* [fresh pesto pasta](fresh_pesto_pasta.html)
* [quick grilled cheese](quick_grilled_cheese.html)
* [lentils with roasted beet sauce](lentils_with_roasted_beet_sauce.html)
* [red lentil stew](red_lentil_stew.html)
* [mac and faux cheese](mac_and_faux_cheese.html)
* [okonomiyaki](okonomiyaki.html)
* [shepherds pie](shepherds_pie.html)
* [roasted carrots with beluga lentils](roasted_carrots_with_beluga_lentils.html)
* [sweet mock eel nigiri](sweet_mock_eel_nigiri.html)
* [spicy stirfry chickpeas](spicy_stirfry_chickpeas.html)
* [sweet and sour lentils](sweet_and_sour_lentils.html)
### sidedish
* [breaded chickpea tofu fingers](breaded_chickpea_tofu_fingers.html)
* [basic black bread](basic_black_bread.html)
* [beer bread](beer_bread.html)
* [buckwheat tea](buckwheat_tea.html)
* [corn dumplings](corn_dumplings.html)
* [gyoza wrappers](gyoza_wrappers.html)
* [soybean hummus with jalapenos](soybean_hummus_with_jalapenos.html)
* [houjicha overnight oatmeal](houjicha_overnight_oatmeal.html)
* [roasted eggplant dip](roasted_eggplant_dip.html)
* [scrambled chickpea flour](scrambled_chickpea_flour.html)
* [sourdough spelt flatbread](sourdough_spelt_flatbread.html)
* [vege pate](vege_pate.html)
* [uzumaki hummus bites](uzumaki_hummus_bites.html)
### sweet
* [anise bread with sweet pear sauce](anise_bread_with_sweet_pear_sauce.html)
* [balsamic banana ice cream](balsamic_banana_ice_cream.html)
* [black sesame brittle](black_sesame_brittle.html)
* [chunky apple jam](chunky_apple_jam.html)
* [coffee jelly](coffee_jelly.html)
* [golden bread](golden_bread.html)
* [hop ice cream](hop_ice_cream.html)
* [halloween pumpkin cookies](halloween_pumpkin_cookies.html)
* [mason jar bread pudding](mason_jar_bread_pudding.html)
* [raisin beet bread](raisin_beet_bread.html)
* [spicy brownies with pomegranate syrup](spicy_brownies_with_pomegranate_syrup.html)
* [stovetop blackberry cake](stovetop_blackberry_cake.html)
* [stovetop choco oat cookies](stovetop_choco_oat_cookies.html)
* [spinach oatmeal cookies](spinach_oatmeal_cookies.html)
* [vegemite caramel](vegemite_caramel.html)
* [wasabi swirl chocolate cookies](wasabi_swirl_chocolate_cookies.html)
### toppings
* [black sesame syrup](black_sesame_syrup.html)
* [veganaise](veganaise.html)
* [quick sunflower seed parmesan](quick_sunflower_seed_parmesan.html)
* [roasted pumpkin seeds](roasted_pumpkin_seeds.html)
* [cheesy sunflower seed sauce](cheesy_sunflower_seed_sauce.html)
* [tzatziki](tzatziki.html)
### snack
* [shichimi togarashi crackers](shichimi_togarashi_crackers.html)
* [wakame bites](wakame_bites.html)
### basic
* [brownies](brownies.html)
* [quick cheese](quick_cheese.html)
* [chocolate chip cookies](chocolate_chip_cookies.html)
* [crackers](crackers.html)
* [mustard from seed](mustard_from_seed.html)
* [no knead bread](no_knead_bread.html)
* [quick flat bread](quick_flat_bread.html)
* [Soy flour tofu](soy_flour_tofu.html)
* [sourdough starter](sourdough_starter.html)
* [seitan](seitan.html)
* [stovetop popcorn](stovetop_popcorn.html)
### tropical
* [breadfruit gnocchi](breadfruit_gnocchi.html)
* [breadfruit pasta](breadfruit_pasta.html)
* [pandanus fruit bread](pandanus_fruit_bread.html)
* [pan fried breadfruit](pan_fried_breadfruit.html)
* [papaya bruschetta topping](papaya_bruschetta_topping.html)
### lifestyle
* [basic toothpaste](basic_toothpaste.html)
[Grimgrains](about.html) © 2014—2023 [BY-NC-SA-4.0](https://creativecommons.org/licenses/by-nc-sa/4.0/)
[Hundred Rabbits](http://100r.co/) | http://grimgrains.com/site/home.html |
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document.form2.keys2.src="immaculate_heart.gif";document.form2.keys2.alt="Immaculate Heart"
}
function presentation(){
document.form2.keys1.src="bible03.gif";document.form2.keys1.alt="Mary"
document.form2.keys2.src="immaculate_heart.gif";document.form2.keys2.alt="Immaculate Heart"
}
function sanpablo(){
if (today.getDay()==0){return;}
document.form2.keys1.src="sword.gif";document.form2.keys1.alt="Sword of the spirit"
document.form2.keys2.src="greenbible.gif";document.form2.keys2.alt="Paul's letters"
}
function sanmatteo(){
if (today.getDay()==0){return;}
document.form2.keys1.src="angel.gif";document.form2.keys1.alt="Matthew's angel"
document.form2.keys2.src="greenbible.gif";document.form2.keys2.alt="Matthew's gospel"
}
function peterpaul(){
if (today.getDay()==0){return;}
document.form2.keys1.src="key6.gif";document.form2.keys1.alt="Sword of the spirit"
document.form2.keys2.src="sword.gif";document.form2.keys2.alt="Paul's letters"
}
function sanmarco(){
if (today.getDay()==0){return;}
document.form2.keys1.src="lion5.gif";document.form2.keys1.alt="Mark's lion"
document.form2.keys2.src="greenbible.gif";document.form2.keys2.alt="Mark's gospel"
}
function sanjuan(){
if (today.getDay()==0){return;}
document.form2.keys1.src="eagle.gif";document.form2.keys1.alt="John's eagle"
document.form2.keys2.src="greenbible.gif";document.form2.keys2.alt="John's gospel"
}
function selwyn(){
if (today.getDay()==0){return;}
document.form2.keys1.src="kiwi0.gif";
document.form2.keys2.src="greenbible.gif";
}
function saintluke(){
if (today.getDay()==0){return;}
document.form2.keys1.src="ox.gif";document.form2.keys1.alt="Luke's ox"
document.form2.keys2.src="greenbible.gif";document.form2.keys2.alt="Luke's gospel"
}
function olgavlad(){
if (today.getDay()==0){return;}
document.form2.keys1.src="russia4.gif";document.form2.keys1.alt="Russia"
document.form2.keys2.src="russia5.gif";document.form2.keys2.alt="Onion Domes"
}
function YearA(){
y=today.getYear();
if (y<2000){y=(y%100)+2000;}
if (y%3==1){return true;}
else {return false;}
}
function YearB(){
y=today.getYear();
if (y<2000){y=(y%100)+2000;}
if (y%3==2){return true;}
else {return false;}
}
function YearC(){
y=today.getYear();
if (y<2000){y=(y%100)+2000;}
if (y%3==0){return true;}
else {return false;}
}
function democracy(){
document.form1.d.src="celebrate_democracy.gif";
}
function environmentalism_without_extremism(){
document.form1.d.src="environmentalism_without_extremism.gif";
}
function watersafetyweek(){
document.form1.d.src="water_safety_week.gif";
}
function democracyflag(){
document.form1.d.src="democracy_flag.gif";
}
function historicflag(){
document.form1.d.src="historic_flag.gif";
}
function workforafreeworld(){
document.form1.d.src="work_for_a_free_world.gif";
}
function GetBiblePicture(){
if ((fromEasterDays>0)&(fromEasterDays<50)){document.form2.shield.src="easter_bible_2.gif";return;}
switch (today.getDate()%5){
case 0:{document.form2.shield.src="bible2.gif";return;}
case 1:{document.form2.shield.src="douai_bibles.jpg";return;}
case 2:{document.form2.shield.src="gospel_of_luke.jpg";return;}
case 3:{document.form2.shield.src="open_bible.jpg";return;}
case 4:{document.form2.shield.src="worn_bible.jpg";return;}
}
}
function GetProperPictureYearA(){
if ((today.getMonth()==4)&(today.getDate()>=8)&(today.getDate()<=14)){document.form2.shield.src="moses_s.jpg";return;}
if ((today.getMonth()==4)&(today.getDate()>=15)&(today.getDate()<=21)){document.form2.shield.src="moses_s.jpg";return;}
if ((today.getMonth()==4)&(today.getDate()>=22)&(today.getDate()<=28)){document.form2.shield.src="moses_s.jpg";return;} // proper 3 isaiah sermon on mt
if ((today.getMonth()==4)&(today.getDate()>=29) ){document.form2.shield.src="noahs_ark.jpg";return;} // proper 4 A Noah's ark, SerMount
if ((today.getMonth()==5)&(today.getDate()<=4 ) ){document.form2.shield.src="noahs_ark.jpg";return;}
if ((today.getMonth()==5)&(today.getDate()>= 5)&(today.getDate()<=11)){document.form2.shield.src="matthew1a.jpg";return;} // proper 5 Year A Abeatshechem, callmatt
if ((today.getMonth()==5)&(today.getDate()>=12)&(today.getDate()<=18)){document.form2.shield.src="abraham_and_sarah_3.jpg";return;} // proper6 A sarahlaughs, list the twelves;
if ((today.getMonth()==5)&(today.getDate()>=19)&(today.getDate()<=25)){document.form2.shield.src="hagar_and_ishmael.jpg";return;} // proper7 A hagarandishmael
if ((today.getMonth()==5)&(today.getDate()>=26) ){document.form2.shield.src="abraham_and_isaac.jpg";return;} // proper 8 A abeandisaac
if ((today.getMonth()==6)&(today.getDate()<= 2) ){document.form2.shield.src="abraham_and_isaac.jpg";return;}
if ((today.getMonth()==6)&(today.getDate()>= 3)&(today.getDate()<= 9)){document.form2.shield.src="zachariah_s.jpg";return;} // proper 9 A songofsongs or zachariah
if ((today.getMonth()==6)&(today.getDate()>=10)&(today.getDate()<=16)){document.form2.shield.src="vvg78.jpg";return;} // proper10 A jacobandesau sower
if ((today.getMonth()==6)&(today.getDate()>=17)&(today.getDate()<=23)){document.form2.shield.src="jacobs_ladder.jpg";return;} // proper 11 A Jacob's ladder
if ((today.getMonth()==6)&(today.getDate()>=24)&(today.getDate()<=30)){document.form2.shield.src="jacob_meets_rachel.jpg";return;} // proper 12 A leah-rachelor solomon;
if ((today.getMonth()==6)&(today.getDate()==31) ){document.form2.shield.src="jacob_wrestles_angel.jpg";return;}
if ((today.getMonth()==7)&(today.getDate()>= 1)&(today.getDate()<= 6)){document.form2.shield.src="jacob_wrestles_angel.jpg";return;} // proper 13 A wrestleat Penuel, loaves&fishes
if ((today.getMonth()==7)&(today.getDate()>= 7)&(today.getDate()<=13)){document.form2.shield.src="velazquez06.jpg";return;} // proper 14 A coat of many colors,
if ((today.getMonth()==7)&(today.getDate()>=14)&(today.getDate()<=20)){document.form2.shield.src="canaanite_woman.jpg";return;} // proper 15 A caananitewoman
if ((today.getMonth()==7)&(today.getDate()>=21)&(today.getDate()<=27)){document.form2.shield.src="baby_moses.jpg";return;} // proper 16 A moses in bulrushes;
if ((today.getMonth()==7)&(today.getDate()>=28) ){document.form2.shield.src="moses_and_burning_bush.jpg";return;} // proper 17 A burningbush or jeremiah,
if ((today.getMonth()==8) &(today.getDate()<= 3)){document.form2.shield.src="moses_and_burning_bush.jpg";return;}
if ((today.getMonth()==8)&(today.getDate()>= 4)&(today.getDate()<=10)){document.form2.shield.src="first_passover.gif";return;} // proper 18 A ezekiel
if ((today.getMonth()==8)&(today.getDate()>=11)&(today.getDate()<=17)){document.form2.shield.src="parting_of_the_red_sea.jpg";return;} // proper 19 A moses and red sea
if ((today.getMonth()==8)&(today.getDate()>=18)&(today.getDate()<=24)){document.form2.shield.src="jonah_preaching.jpg";return;} // proper 20 Jonah preaching;
if ((today.getMonth()==8)&(today.getDate()>=25) ){document.form2.shield.src="grapes.jpg";return;} // proper 21 A grapes or smitten rock, B esther C dives and lazarus
if ((today.getMonth()==9) &(today.getDate()<= 1)){document.form2.shield.src="grapes.jpg";return;}
if ((today.getMonth()==9)&(today.getDate()>= 2)&(today.getDate()<= 8)){document.form2.shield.src="moses_s.jpg";return;} // proper 22 A ten commandmnets
if ((today.getMonth()==9)&(today.getDate()>= 9)&(today.getDate()<=15)){document.form2.shield.src="golden_calf.jpg";return;} // proper 23 A golden calf
if ((today.getMonth()==9)&(today.getDate()>=16)&(today.getDate()<=22)){document.form2.shield.src="roman_coin.gif";return;} // proper 24 A render unto caesar
if ((today.getMonth()==9)&(today.getDate()>=23)&(today.getDate()<=29)){document.form2.shield.src="joshua.jpg";return;} // proper 25 A joshua and moses; B Job and whirlwind, jeremiah, Bartimaeus C joel pharisee and publican
if ((today.getMonth()==9)&(today.getDate()>=30) ){document.form2.shield.src="joshua.jpg";return;}
if ((today.getMonth()==10) &(today.getDate()<= 5)){document.form2.shield.src="joshua.jpg";return;} // proper 26 A joshua micah B Ruth C zacchaeus
if ((today.getMonth()==10)&(today.getDate()>= 6)&(today.getDate()<=12)){document.form2.shield.src="amos2.jpg";return;} // proper 27 A Amos B elijah and widow C haggai
if ((today.getMonth()==10)&(today.getDate()>=13)&(today.getDate()<=19)){document.form2.shield.src="four_horsemen.jpg";return;}// proper 28 A Zephaniah
// document.form2.shield.src="holybible.gif";
DrawBible();
}
function GetProperPictureYearB(){
if ((today.getMonth()==4)&(today.getDate()>=8)&(today.getDate()<=14)){document.form2.shield.src="moses_s.jpg";return;}
if ((today.getMonth()==4)&(today.getDate()>=15)&(today.getDate()<=21)){document.form2.shield.src="moses_s.jpg";return;}
if ((today.getMonth()==4)&(today.getDate()>=22)&(today.getDate()<=28)){document.form2.shield.src="matthew1a.jpg";return;} // proper 3 calls matt
if ((today.getMonth()==4)&(today.getDate()>=29) ){document.form2.shield.src="wheat.jpg";return;} // proper 4 eli & samuel; ears of grain on sabbath
if ((today.getMonth()==5)&(today.getDate()<=4 ) ){document.form2.shield.src="wheat.jpg";return;}
if ((today.getMonth()==5)&(today.getDate()>= 5)&(today.getDate()<=11)){document.form2.shield.src="15800.jpg";return;} // proper 5 samuel house divided
if ((today.getMonth()==5)&(today.getDate()>=12)&(today.getDate()<=18)){document.form2.shield.src="king_david.jpg";return;} // proper6 B samuel & david, mustardseen
if ((today.getMonth()==5)&(today.getDate()>=19)&(today.getDate()<=25)){document.form2.shield.src="blake_job.gif";return;} // proper7 B davidandgoliath or job;
if ((today.getMonth()==5)&(today.getDate()>=26) ){document.form2.shield.src="M66_33.jpg";return;} // proper 8 B davidonharp C jairus daughter
if ((today.getMonth()==6)&(today.getDate()<= 2) ){document.form2.shield.src="king_david.jpg";return;}
if ((today.getMonth()==6)&(today.getDate()>= 3)&(today.getDate()<= 9)){document.form2.shield.src="king_david.jpg";return;} // proper 9 B king david or ezekiel
if ((today.getMonth()==6)&(today.getDate()>=10)&(today.getDate()<=16)){document.form2.shield.src="salome.jpg";return;} // proper10 B solomey
if ((today.getMonth()==6)&(today.getDate()>=17)&(today.getDate()<=23)){document.form2.shield.src="king_david.jpg";return;} // proper 11 B jeemiah or king david
if ((today.getMonth()==6)&(today.getDate()>=24)&(today.getDate()<=30)){document.form2.shield.src="loaves_and_fishes.jpg";return;} // proper 12 B loaves and fishes
if ((today.getMonth()==6)&(today.getDate()==31) ){document.form2.shield.src="loaves_and_fishes.jpg";return;}
if ((today.getMonth()==7)&(today.getDate()>= 1)&(today.getDate()<= 6)){document.form2.shield.src="king_david.jpg";return;} // proper 13 B manna or Nathan C Hosea
if ((today.getMonth()==7)&(today.getDate()>= 7)&(today.getDate()<=13)){document.form2.shield.src="king_david.jpg";return;} // proper 14 B absalom or elijah and broom tree
if ((today.getMonth()==7)&(today.getDate()>=14)&(today.getDate()<=20)){document.form2.shield.src="king_solomon.jpg";return;} // proper 15 B soloomon
if ((today.getMonth()==7)&(today.getDate()>=21)&(today.getDate()<=28)){document.form2.shield.src="king_solomon.jpg";return;} // proper 16 B solomon temple
if ((today.getMonth()==7)&(today.getDate()>=28) ){document.form2.shield.src="king_solomon.jpg";return;} // proper 17 B Solomon
if ((today.getMonth()==8) &(today.getDate()<= 3)){document.form2.shield.src="king_solomon.jpg";return;}
if ((today.getMonth()==8)&(today.getDate()>= 4)&(today.getDate()<=10)){document.form2.shield.src="canaanite_woman.jpg";return;} // proper 18 B caananitewoman
if ((today.getMonth()==8)&(today.getDate()>=11)&(today.getDate()<=17)){document.form2.shield.src="peter.jpg";return;} // proper 19 B confession of peter
if ((today.getMonth()==8)&(today.getDate()>=18)&(today.getDate()<=24)){document.form2.shield.src="children.jpg";return;} // proper 20 B Jesus an little child
if ((today.getMonth()==8)&(today.getDate()>=25) ){document.form2.shield.src="esther.jpg";return;} // proper 21 B esther
if ((today.getMonth()==9) &(today.getDate()<= 1)){document.form2.shield.src="esther.jpg";return;}
if ((today.getMonth()==9)&(today.getDate()>= 2)&(today.getDate()<= 8)){document.form2.shield.src="creation_of_eve_s.jpg";return;} // proper 22 B creation of eve
if ((today.getMonth()==9)&(today.getDate()>= 9)&(today.getDate()<=15)){document.form2.shield.src="camel3.jpg";return;} // B job's sufferings, prophet amos camel and needle
if ((today.getMonth()==9)&(today.getDate()>=16)&(today.getDate()<=22)){document.form2.shield.src="blake_job.gif";return;} // proper 24 B Job and whirlwind
if ((today.getMonth()==9)&(today.getDate()>=23)&(today.getDate()<=29)){document.form2.shield.src="blake_job.gif";return;} // proper 25 B Job and whirlwind, jeremiah, Bartimaeus
if ((today.getMonth()==9)&(today.getDate()>=30) ){document.form2.shield.src="moses_s.jpg";return;}
if ((today.getMonth()==10) &(today.getDate()<= 5)){document.form2.shield.src="ruth_naomi_obed.jpg";return;} // proper 26 B Ruth
if ((today.getMonth()==10)&(today.getDate()>= 6)&(today.getDate()<=12)){document.form2.shield.src="elijah_and_widow.jpg";return;} // proper 27 B elijah and widow
if ((today.getMonth()==10)&(today.getDate()>=13)&(today.getDate()<=19)){document.form2.shield.src="four_horsemen.jpg";return;}// proper 28 B Hannah
DrawBible();
}
function DrawBible(){
if ((fromEasterDays<=49)&(fromEasterDays>=0)){document.form2.shield.src="easter_bible_2.gif";} else
if ((fromEasterDays>=-46)&(fromEasterDays<0)){document.form2.shield.src="holybible.gif";} else
{document.form2.shield.src="holybible_green.gif"; }
}
function GetProperPictureYearC(){
if ((today.getMonth()==4)&(today.getDate()>=8)&(today.getDate()<=14)){document.form2.shield.src="moses_s.jpg";return;}
if ((today.getMonth()==4)&(today.getDate()>=15)&(today.getDate()<=21)){document.form2.shield.src="moses_s.jpg";return;}
if ((today.getMonth()==4)&(today.getDate()>=22)&(today.getDate()<=28)){document.form2.shield.src="isaiah.jpg";return;} // proper 3 isaiah
if ((today.getMonth()==4)&(today.getDate()>=29) ){document.form2.shield.src="centurions_servant.jpg";return;} // proper 4 solomon centurion's servant
if ((today.getMonth()==5)&(today.getDate()<=4 ) ){document.form2.shield.src="centurions_servant.jpg";return;}
if ((today.getMonth()==5)&(today.getDate()>= 5)&(today.getDate()<=11)){document.form2.shield.src="prophet_elijah.jpg";return;} // proper 5 ravens fed widows son at nain
if ((today.getMonth()==5)&(today.getDate()>=12)&(today.getDate()<=18)){document.form2.shield.src="prophet_elijah.jpg";return;} // proper6 C Naboth's vineyard
if ((today.getMonth()==5)&(today.getDate()>=19)&(today.getDate()<=25)){document.form2.shield.src="prophet_elijah.jpg";return;} // proper7 C jezebel or gerasenes or Isaiah
if ((today.getMonth()==5)&(today.getDate()>=26) ){document.form2.shield.src="elijah_and_fiery_chariot.jpg";return;} // proper 8 C elijah in chariot
if ((today.getMonth()==6)&(today.getDate()<= 2) ){document.form2.shield.src="elijah_and_fiery_chariot.jpg";return;}
if ((today.getMonth()==6)&(today.getDate()>= 3)&(today.getDate()<= 9)){document.form2.shield.src="naaman.jpg";return;} // proper 9 C Naaman
if ((today.getMonth()==6)&(today.getDate()>=10)&(today.getDate()<=16)){document.form2.shield.src="good_samaritan_window.jpg";return;} // proper10 A C Good Sam
if ((today.getMonth()==6)&(today.getDate()>=17)&(today.getDate()<=23)){document.form2.shield.src="mary_and_martha.jpg";return;} // proper 11 C Mary & Martha
if ((today.getMonth()==6)&(today.getDate()>=24)&(today.getDate()<=30)){document.form2.shield.src="pray.jpg";return;} // proper 12 C hosea or lrods prayer
if ((today.getMonth()==6)&(today.getDate()==31) ){document.form2.shield.src="pray.jpg";return;}
if ((today.getMonth()==7)&(today.getDate()>= 1)&(today.getDate()<= 6)){document.form2.shield.src="rembrandt_rich_fool.jpg";return;} // proper 13 C Hosea rich fool
if ((today.getMonth()==7)&(today.getDate()>= 7)&(today.getDate()<=13)){document.form2.shield.src="andromeda_galaxy.jpg";return;} // proper 14 C count the stars
if ((today.getMonth()==7)&(today.getDate()>=14)&(today.getDate()<=20)){document.form2.shield.src="jeremiah.jpg";return;} // proper 15 C raincloud jeremiah/isaiah
if ((today.getMonth()==7)&(today.getDate()>=21)&(today.getDate()<=28)){document.form2.shield.src="jeremiah.jpg";return;} // proper 16 C Jeremiah
if ((today.getMonth()==7)&(today.getDate()>=28) ){document.form2.shield.src="jeremiah.jpg";return;} // proper 17 C Jermiah
if ((today.getMonth()==8) &(today.getDate()<= 3)){document.form2.shield.src="jeremiah.jpg";return;}
if ((today.getMonth()==8)&(today.getDate()>= 4)&(today.getDate()<=10)){document.form2.shield.src="jeremiah.jpg";return;} // proper 18 C Jeremiah
if ((today.getMonth()==8)&(today.getDate()>=11)&(today.getDate()<=17)){document.form2.shield.src="lost_sheep.jpg";return;} // proper 19 C Lost sheep
if ((today.getMonth()==8)&(today.getDate()>=18)&(today.getDate()<=24)){document.form2.shield.src="unjust_steward.jpg";return;} // proper C unjust steward
if ((today.getMonth()==8)&(today.getDate()>=25) ){document.form2.shield.src="rich_man_and_lazarus.jpg";return;} // proper 21 A grapes or smitten rock, B esther C dives and lazarus
if ((today.getMonth()==9) &(today.getDate()<= 1)){document.form2.shield.src="rich_man_and_lazarus.jpg";return;}
if ((today.getMonth()==9)&(today.getDate()>= 2)&(today.getDate()<= 8)){document.form2.shield.src="jeremiah.jpg";return;} // proper 22 C lamentation of Jeremiah
if ((today.getMonth()==9)&(today.getDate()>= 9)&(today.getDate()<=15)){document.form2.shield.src="naaman.jpg";return;} // proper 23 C naaman
if ((today.getMonth()==9)&(today.getDate()>=16)&(today.getDate()<=22)){document.form2.shield.src="jacob_wrestles_angel.jpg";return;} // proper 24 C jacob wrestles angel
if ((today.getMonth()==9)&(today.getDate()>=23)&(today.getDate()<=29)){document.form2.shield.src="wc_publican.jpg";return;} // proper 25 C joel pharisee and publican
if ((today.getMonth()==9)&(today.getDate()>=30) ){document.form2.shield.src="wc_publican.jpg";return;}
if ((today.getMonth()==10) &(today.getDate()<= 5)){document.form2.shield.src="zacchaeus.jpg";return;} // proper 26 zacchaeus
if ((today.getMonth()==10)&(today.getDate()>= 6)&(today.getDate()<=12)){document.form2.shield.src="haggai.jpg";return;} // proper 27 A Amos B elijah and widow C haggai
if ((today.getMonth()==10)&(today.getDate()>=13)&(today.getDate()<=19)){document.form2.shield.src="four_horsemen.jpg";return;}// proper 28 A Zephaniah B Hannah C 4 horsemen
DrawBible();
}
function GetProperPicture(){
document.form2.shield.name="Daily Bible Readings: Revised Common Lectionary";
if (YearA()==true){GetProperPictureYearA();return;}
if (YearB()==true){GetProperPictureYearB();return;}
if (YearC()==true){GetProperPictureYearC();return;}
}
function flyflag(){
today=new Date();
y=today.getYear();
if (y<1900){y+=1900;}
switch(y)
{
case 2004: // 'i'
easterMonth = 4;
easterDayOfMonth = 11;
break;
case 2005: // 'i'
easterMonth = 3;
easterDayOfMonth = 27;
break;
case 2006: // 'j'
easterMonth = 4;
easterDayOfMonth = 16;
break;
case 2007: // 'k'
easterMonth = 4;
easterDayOfMonth = 8;
break;
case 2008: // 'l'
easterMonth = 3;
easterDayOfMonth = 23;
break;
case 2009: // 'm'
easterMonth = 4;
easterDayOfMonth = 12;
break;
case 2010: // 'n'
easterMonth = 4;
easterDayOfMonth = 4;
break;
case 2011: // 'o'
easterMonth = 4;
easterDayOfMonth = 24;
break;
case 2012: // 'p'
easterMonth = 4;
easterDayOfMonth = 8;
break;
case 2013: // 'q'
easterMonth = 3;
easterDayOfMonth = 31;
break;
case 2014: // 'r'
easterMonth = 4;
easterDayOfMonth = 20;
break;
case 2015: // 's'
easterMonth = 4;
easterDayOfMonth = 5;
break;
case 2016: // 't'
easterMonth = 3;
easterDayOfMonth = 27;
break;
case 2017: // 'u'
easterMonth = 4;
easterDayOfMonth = 16;
break;
case 2018: // 'v'
easterMonth = 4;
easterDayOfMonth = 1;
break;
case 2019: // 'w'
easterMonth = 4;
easterDayOfMonth = 21;
break;
case 2020: // 'x'
easterMonth = 4;
easterDayOfMonth = 12;
break;
case 2021: // 'y'
easterMonth = 4;
easterDayOfMonth = 4;
break;
case 2022: // 'z'
easterMonth = 4;
easterDayOfMonth = 17;
break;
case 2023: // '{'
easterMonth = 4;
easterDayOfMonth = 9;
break;
case 2024: // '|'
easterMonth = 3;
easterDayOfMonth = 31;
break;
case 2025: // '}'
easterMonth = 4;
easterDayOfMonth = 20;
break;
case 2026: // '~'
easterMonth = 4;
easterDayOfMonth = 5;
break;
case 2027: // '\177'
easterMonth = 3;
easterDayOfMonth = 28;
break;
case 2028:
easterMonth = 4;
easterDayOfMonth = 16;
break;
case 2029:
easterMonth = 4;
easterDayOfMonth = 1;
break;
case 2030:
easterMonth = 4;
easterDayOfMonth = 21;
break;
case 2031:
easterMonth = 4;
easterDayOfMonth = 13;
break;
case 2032:
easterMonth = 3;
easterDayOfMonth = 28;
break;
case 2033:
easterMonth = 4;
easterDayOfMonth = 17;
break;
case 2034:
easterMonth = 4;
easterDayOfMonth = 9;
break;
case 2035:
easterMonth = 3;
easterDayOfMonth = 25;
break;
default:
easterMonth = 1;
easterDayOfMonth = 9;
break;
}
switch((today.getMonth()+1))
{
case 1: // '\001'
if(easterMonth == 3)
fromEasterDays = today.getDate() - easterDayOfMonth - 28 - 31;
if(easterMonth == 4)
fromEasterDays = today.getDate() - easterDayOfMonth - 31 - 28 - 31;
if((today.getYear() % 4 == 0) & (today.getYear() != 100))
fromEasterDays--;
break;
case 2: // '\002'
if(easterMonth == 3)
fromEasterDays = today.getDate() - easterDayOfMonth - 28;
if(easterMonth == 4)
fromEasterDays = today.getDate() - easterDayOfMonth - 31 - 28;
if((today.getYear() % 4 == 0) & (today.getYear() != 100))
fromEasterDays--;
break;
case 3: // '\003'
if(easterMonth == 3)
fromEasterDays = today.getDate() - easterDayOfMonth;
if(easterMonth == 4)
fromEasterDays = today.getDate() - easterDayOfMonth - 31;
break;
case 4: // '\004'
if(easterMonth == 3)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 31;
if(easterMonth == 4)
fromEasterDays = today.getDate() - easterDayOfMonth;
break;
case 5: // '\005'
if(easterMonth == 3)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 31 + 30;
if(easterMonth == 4)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 30;
break;
case 6: // '\006'
if(easterMonth == 3)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 31 + 30 + 31;
if(easterMonth == 4)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 30 + 31;
break;
case 7: // '\007'
{
if(easterMonth == 3)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 31 + 30 + 31 + 30;
if(easterMonth == 4)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 30 + 31 + 30;
break;
}
case 8: // '\b'
if(easterMonth == 3)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 31 + 30 + 31 + 30 + 31;
if(easterMonth == 4)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 30 + 31 + 30 + 31;
break;
case 9: // '\t'
if(easterMonth == 3)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 31 + 30 + 31 + 30 + 31 + 31;
if(easterMonth == 4)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 30 + 31 + 30 + 31 + 31;
break;
case 10: // '\n'
if(easterMonth == 3)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 31 + 30 + 31 + 30 + 31 + 31 + 30;
if(easterMonth == 4)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 30 + 31 + 30 + 31 + 31 + 30;
break;
case 11: // '\013'
if(easterMonth == 3)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 31 + 30 + 31 + 30 + 31 + 31 + 30 + 31;
if(easterMonth == 4)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 30 + 31 + 30 + 31 + 31 + 30 + 31;
break;
case 12: // '\f'
if(easterMonth == 3)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 31 + 30 + 31 + 30 + 31 + 31 + 30 + 31 + 30;
if(easterMonth == 4)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 30 + 31 + 30 + 31 + 31 + 30 + 31 + 30;
break;
default:
fromEasterDays = 1000;
break;
}
/*
TridentOn=new Image(120,56);
TridentOn.src="sealtrident2a.gif"
TridentOff=new Image(120,56);
TridentOff.src="sealtrident2.gif"
ScubaOn=new Image(127,120);
ScubaOn.src="divemasterjim_s2.gif"
ScubaOff=new Image(127,120);
ScubaOff.src="divemasterjim_s.gif"
*/
// alert("fromEasterDays="+fromEasterDays+" easterMonth="+easterMonth+" year="+today.getYear());
// fromEasterDays=-46;
document.form2.ember_day.src="notemberday.gif";
specialdevotion=false;
if (today.getDay()==5){specialdevotion=true;}
if ((fromEasterDays>=-46)&(fromEasterDays<0)){specialdevotion=true;}
if (today.getDay()==0){specialdevotion=false;}
if ((today.getMonth()==11)&(today.getDate()>=24)){specialdevotion=false;}
if ((today.getMonth()==0)&(today.getDate()<7)){specialdevotion=false;}
if ((fromEasterDays>=0)&(fromEasterDays<=49)){specialdevotion=false;}
advent=0;
if ((today.getMonth()==11)&(today.getDate()==24)){ advent=4;}
if ((today.getMonth()==11)&(today.getDate()==23)){if (today.getDay()<=5){advent=4;} else {advent=3;}}
if ((today.getMonth()==11)&(today.getDate()==22)){if (today.getDay()<=4){advent=4;} else {advent=3;}}
if ((today.getMonth()==11)&(today.getDate()==21)){if (today.getDay()<=3){advent=4;} else {advent=2;}}
if ((today.getMonth()==11)&(today.getDate()==20)){if (today.getDay()<=2){advent=4;} else {advent=3;}}
if ((today.getMonth()==11)&(today.getDate()==19)){if (today.getDay()<=1){advent=4;} else {advent=3;}}
if ((today.getMonth()==11)&(today.getDate()==18)){if (today.getDay()<=0){advent=4;} else {advent=3;}}
if ((today.getMonth()==11)&(today.getDate()==17)){ advent=3;}
if ((today.getMonth()==11)&(today.getDate()==16)){if (today.getDay()<=5){advent=3;} else {advent=2;}}
if ((today.getMonth()==11)&(today.getDate()==15)){if (today.getDay()<=4){advent=3;} else {advent=2;}}
if ((today.getMonth()==11)&(today.getDate()==14)){if (today.getDay()<=3){advent=3;} else {advent=2;}}
if ((today.getMonth()==11)&(today.getDate()==13)){if (today.getDay()<=2){advent=3;} else {advent=2;}}
if ((today.getMonth()==11)&(today.getDate()==12)){if (today.getDay()<=1){advent=3;} else {advent=2;}}
if ((today.getMonth()==11)&(today.getDate()==11)){if (today.getDay()<=0){advent=3;} else {advent=2;}}
if ((today.getMonth()==11)&(today.getDate()==10)){ advent=2;}
if ((today.getMonth()==11)&(today.getDate()==9)){if (today.getDay()<=5){advent=2;} else {advent=1;}}
if ((today.getMonth()==11)&(today.getDate()==8)){if (today.getDay()<=4){advent=2;} else {advent=1;}}
if ((today.getMonth()==11)&(today.getDate()==7 )){if (today.getDay()<=3){advent=2;} else {advent=1;}}
if ((today.getMonth()==11)&(today.getDate()==6 )){if (today.getDay()<=2){advent=2;} else {advent=1;}}
if ((today.getMonth()==11)&(today.getDate()==5 )){if (today.getDay()<=1){advent=2;} else {advent=1;}}
if ((today.getMonth()==11)&(today.getDate()==4 )){if (today.getDay()<=0){advent=2;} else {advent=1;}}
if ((today.getMonth()==11)&(today.getDate()==3)){ advent=1;}
if ((today.getMonth()==11)&(today.getDate()==2)){if (today.getDay()<=5){advent=1;} else {advent=0;}}
if ((today.getMonth()==11)&(today.getDate()==1)){if (today.getDay()<=4){advent=1;} else {advent=0;}}
if ((today.getMonth()==10)&(today.getDate()==30)){if (today.getDay()<=3){advent=1;} else {advent=0;}}
if ((today.getMonth()==10)&(today.getDate()==29)){if (today.getDay()<=2){advent=1;} else {advent=0;}}
if ((today.getMonth()==10)&(today.getDate()==28)){if (today.getDay()<=1){advent=1;} else {advent=0;}}
if ((today.getMonth()==10)&(today.getDate()==27)){if (today.getDay()<=0){advent=1;} else {advent=0;}}
if (advent==1){document.form2.shield.src="Advent_Wreath_1.gif";} else
if (advent==2){document.form2.shield.src="Advent_Wreath_2.gif";} else
if (advent==3){document.form2.shield.src="Advent_Wreath_3.gif";} else
if (advent==4){document.form2.shield.src="Advent_Wreath_4.gif";} else
if ((today.getMonth()==11)&(today.getDate()>=24))
{document.form2.shield.src="nativity.jpg";} else
if ((today.getMonth()==0)&(today.getDate()<6))
{document.form2.shield.src="nativity.jpg";} else
if ((today.getMonth()==12)&(today.getDate()>=27)){document.form2.shield.src="nativity.jpg";} else
if ((fromEasterDays>=-46)&(fromEasterDays<=-8)){document.form2.shield.src="ashcross2.gif";} else
if ((fromEasterDays>-8)&(fromEasterDays<0)){document.form2.shield.src="lent.gif";} else
DrawBible();
// if ((fromEasterDays>=0)&(fromEasterDays<49)){document.form2.shield.src="easter_bible_2.gif";} else
// {document.form2.shield.src="holybible.gif";}
//GetBiblePicture();
if ((today.getMonth()==0)&(today.getDate()<=6)){document.form2.episco_date.src="episco_gold.gif";} else
if ((today.getMonth()==11)&(today.getDate()>=25)){document.form2.episco_date.src="episco_gold.gif";} else
if (advent>0){document.form2.episco_date.src="episco_advent.gif";} else
if ((fromEasterDays<=49)&(fromEasterDays>=0)){document.form2.episco_date.src="episco_gold.gif";} else
if ((fromEasterDays>=-46)&(fromEasterDays<0)){document.form2.episco_date.src="episco_lent.gif";} else
{document.form2.episco_date.src="episco_green.gif"; }
if ((fromEasterDays>49)&(fromEasterDays<56)){document.form2.episco_date.src="episco_prayerbook.gif";document.form2.shield.src="bcp.jpg";}
if ((today.getMonth()==0)&(today.getDate()==3)){document.form2.episco_date.src="episco_gladysaylward.gif";document.form2.shield.src="no_mountain_too_high.jpg";}
if ((today.getMonth()==0)&(today.getDate()==4)){document.form2.episco_date.src="episco_seton.gif";document.form2.shield.src="mother_seton.jpg";}
if ((today.getMonth()==0)&(today.getDate()==7)){document.form2.episco_date.src="episco_galileo.gif";document.form2.shield.src="galileo.jpg";}
if ((today.getMonth()==0)&(today.getDate()==8)){document.form2.episco_date.src="episco_martyrsofecuador.gif";document.form2.shield.src="george.gif";palmicon();}
if ((today.getMonth()==0)&(today.getDate()==9)&(today.getHours()%2==0)){document.form2.episco_date.src="episco_adrianofcanterbury.gif";document.form2.shield.src="AdrianCanterbury.jpg";}
if ((today.getMonth()==0)&(today.getDate()==9)&(today.getHours()%2==1)){document.form2.episco_date.src="episco_philipofmoscow.gif";document.form2.shield.src="philip_of_moscow_2.jpg";palmicon();}
if ((today.getMonth()==0)&(today.getDate()==10)){document.form2.episco_date.src="episco_williamlaud.gif"; document.form2.shield.src="laud.gif";canterbury();}
if ((today.getMonth()==0)&(today.getDate()==11)){document.form2.episco_date.src="episco_maryslessor.gif"; document.form2.shield.src="mary_slessor.jpg";}
if ((today.getMonth()==0)&(today.getDate()==12)){document.form2.episco_date.src="episco_aelred.gif"; document.form2.shield.src="aelred_s.jpg";}
if ((today.getMonth()==0)&(today.getDate()==13)){document.form2.episco_date.src="episco_hilary.gif"; document.form2.shield.src="StHilaryPoitiers.jpg";}
if ((today.getMonth()==0)&(today.getDate()==17)){document.form2.episco_date.src="episco_antonyofegypt.gif";document.form2.shield.src="temptation.jpg";}
if ((today.getMonth()==0)&(today.getDate()==18)){document.form2.episco_date.src="episco_tomdooley.gif";document.form2.shield.src="tom_dooley_medal.gif";}
if ((today.getMonth()==0)&(today.getDate()==19)){document.form2.episco_date.src="episco_wulfstan.gif";document.form2.shield.src="worcester03_s.jpg";}
if ((today.getMonth()==0)&(today.getDate()==20)){document.form2.episco_date.src="episco_fabian.gif";document.form2.shield.src="pope_fabian.jpg";palmicon();}
if ((today.getMonth()==0)&(today.getDate()==21)){document.form2.episco_date.src="episco_agnes.gif";document.form2.shield.src="agnes.gif";saintagnes();}
if ((today.getMonth()==0)&(today.getDate()==22)){document.form2.episco_date.src="episco_vincent.gif";document.form2.shield.src="saintv04.jpg";palmicon();}
if ((today.getMonth()==0)&(today.getDate()==23)){document.form2.episco_date.src="episco_phillipsbrooks.gif";document.form2.shield.src="phillips_brooks.gif";}
if ((today.getMonth()==0)&(today.getDate()==24)){document.form2.episco_date.src="episco_francisdesales.gif";document.form2.shield.src="0821sale.jpg";}
if ((today.getMonth()==0)&(today.getDate()==26)){document.form2.episco_date.src="episco_timothyandtitus.gif";document.form2.shield.src="1_26_tim_titus.jpg";}
if ((today.getMonth()==0)&(today.getDate()==27)){document.form2.episco_date.src="episco_johnchrysostom.gif";document.form2.shield.src="chrysost.jpg"; }
if ((today.getMonth()==0)&(today.getDate()==28)){document.form2.episco_date.src="episco_thomasaquinas.gif";document.form2.shield.src="aquinas_s.jpg"; }
if ((today.getMonth()==0)&(today.getDate()==31)){document.form2.episco_date.src="episco_heisenberg.gif";document.form2.shield.src="heisenberg.jpg"; }
if ((today.getMonth()==1)&(today.getDate()==1)){document.form2.episco_date.src="episco_brigid.gif";document.form2.shield.src="brigid.jpg";}
if ((today.getMonth()==1)&(today.getDate()==3)){document.form2.episco_date.src="episco_dorchesterchaplains.gif";document.form2.shield.src="dorchester_chaplains.jpg";}
if ((today.getMonth()==1)&(today.getDate()==4)){document.form2.episco_date.src="episco_anskar.gif";document.form2.shield.src="saint_anskar.jpg";}
if ((today.getMonth()==1)&(today.getDate()==5))
{
document.form2.episco_date.src="episco_hutchinson_williams.gif";
if (today.getHours()%2==0) {document.form2.shield.src="roger_williams.jpg";}
if (today.getHours()%2==1) {document.form2.shield.src="anne_hutchinson.jpg";}
}
if ((today.getMonth()==1)&(today.getDate()==6)){document.form2.episco_date.src="episco_martyrsofjapan.gif"; document.form2.shield.src="martyrs_of_japan.jpg";palmicon();}
if ((today.getMonth()==1)&(today.getDate()==7)){document.form2.episco_date.src="episco_cornelius.gif";document.form2.shield.src="cornelius_the_centurion.jpg";}
if ((today.getMonth()==1)&(today.getDate()==12))
{
if (fromEasterDays>-46){document.form2.episco_date.src="episco_lister_lent.gif";document.form2.shield.src="lister.jpg";}
else {document.form2.episco_date.src="episco_lister_green.gif";document.form2.shield.src="lister.jpg";}
}
if ((today.getMonth()==1)&(today.getDate()==13))
{
if (fromEasterDays>-46){document.form2.episco_date.src="episco_absalomjones_lent.gif";document.form2.shield.src="3absj0303m.jpg";}
else {document.form2.episco_date.src="episco_absalomjones_green.gif";document.form2.shield.src="3absj0303m.jpg";}
}
if ((today.getMonth()==1)&(today.getDate()==14))
{
if (fromEasterDays>-46){document.form2.episco_date.src="episco_cyrilandmethodius_lent.gif";document.form2.shield.src="cyril_and_methodius.jpg";}
else {document.form2.episco_date.src="episco_cyrilandmethodius_green.gif";document.form2.shield.src="cyril_and_methodius.jpg";}
}
if ((today.getMonth()==1)&(today.getDate()==15))
{
if (fromEasterDays>-46){document.form2.episco_date.src="episco_thomasbray_lent.gif"; document.form2.shield.src="thomas_bray.jpg";}
else {document.form2.episco_date.src="episco_thomasbray_green.gif"; document.form2.shield.src="thomas_bray.jpg";}
}
if ((today.getMonth()==1)&(today.getDate()==17))
{
if (fromEasterDays>-46){document.form2.episco_date.src="episco_jananiluwum_lent.gif"; document.form2.shield.src="luwum.jpg";palmicon();}
else {document.form2.episco_date.src="episco_jananiluwum_green.gif"; document.form2.shield.src="luwum.jpg";palmicon();}
}
if ((today.getMonth()==1)&(today.getDate()==18))
{
if (fromEasterDays>-46){document.form2.episco_date.src="episco_martinluther_lent.gif"; document.form2.shield.src="Martin_Luther.jpg";}
else {document.form2.episco_date.src="episco_martinluther_green.gif"; document.form2.shield.src="Martin_Luther.jpg";}
}
if ((today.getMonth()==1)&(today.getDate()==20))
{
if (fromEasterDays>-46){document.form2.episco_date.src="episco_frederickdouglass_lent.gif"; document.form2.shield.src="frederick_douglass.jpg";}
else {document.form2.episco_date.src="episco_frederickdouglass_green.gif"; document.form2.shield.src="frederick_douglass.jpg";}
}
if ((today.getMonth()==1)&(today.getDate()==21))
{
if (fromEasterDays>-46){document.form2.episco_date.src="episco_newman_lent.gif"; document.form2.shield.src="j_h_newman.jpg";}
else {document.form2.episco_date.src="episco_newman_green.gif"; document.form2.shield.src="j_h_newman.jpg";}
}
if ((today.getMonth()==1)&(today.getDate()==23))
{
if (fromEasterDays>-46){document.form2.episco_date.src="episco_polycarp_lent.gif";document.form2.shield.src="polycarp.jpg";palmicon();}
else {document.form2.episco_date.src="episco_polycarp_green.gif";document.form2.shield.src="polycarp.jpg";palmicon();}
}
if ((today.getMonth()==1)&(today.getDate()==27))
{
if (fromEasterDays>-46){document.form2.episco_date.src="episco_georgeherbert_lent.gif";document.form2.shield.src="george_herbert.jpg"; }
else {document.form2.episco_date.src="episco_georgeherbert_green.gif";document.form2.shield.src="george_herbert.jpg";}
}
if ((today.getMonth()==1)&(today.getDate()==28))
{
if (fromEasterDays>-46){document.form2.episco_date.src="episco_ajhcooper_lent.gif";document.form2.shield.src="ajhcooper.jpg"; }
else {document.form2.episco_date.src="episco_ajhcooper_green.gif";document.form2.shield.src="ajhcooper.jpg";}
}
if ((today.getMonth()==2)&(today.getDate()==1))
{
if (fromEasterDays>-46){document.form2.episco_date.src="episco_davidofwales_lent.gif";document.form2.shield.src="saint_davids_cathedral.jpg";}
else {document.form2.episco_date.src="episco_davidofwales_green.gif";document.form2.shield.src="saint_davids_cathedral.jpg";}
}
if ((today.getMonth()==2)&(today.getDate()==2))
{
if (fromEasterDays>-46){document.form2.episco_date.src="episco_chad_lent.gif";document.form2.shield.src="stchad.jpg";}
else {document.form2.episco_date.src="episco_chad_green.gif";document.form2.shield.src="stchad.jpg";}
}
if ((today.getMonth()==2)&(today.getDate()==3))
{
if (fromEasterDays>-46){document.form2.episco_date.src="episco_wesleys_lent.gif";document.form2.shield.src="j_c_wesleys.jpg";}
else {document.form2.episco_date.src="episco_wesleys_green.gif";document.form2.shield.src="j_c_wesleys.jpg";}
}
if ((today.getMonth()==2)&(today.getDate()==4))
{
if (fromEasterDays>-46){document.form2.episco_date.src="episco_bhatti_lent.gif";document.form2.shield.src="Shahbaz_Bhatti.jpg";palmicon();}
else {document.form2.episco_date.src="episco_bhatti_green.gif";document.form2.shield.src="Shahbaz_Bhatti.jpg";palmicon();}
}
if ((today.getMonth()==2)&(today.getDate()==5))
{
if (fromEasterDays>-46){document.form2.episco_date.src="episco_bhatti_lent.gif";document.form2.shield.src="Shahbaz_Bhatti.jpg";palmicon();}
else {document.form2.episco_date.src="episco_bhatti_green.gif";document.form2.shield.src="Shahbaz_Bhatti.jpg";palmicon();}
}
if ((today.getMonth()==2)&(today.getDate()==6))
{
if (fromEasterDays>-46){document.form2.episco_date.src="episco_mayo_lent.gif";document.form2.shield.src="wwmayo.jpg";palmicon();}
else {document.form2.episco_date.src="episco_mayo_green.gif";document.form2.shield.src="wwmayo.jpg";palmicon();}
}
if ((today.getMonth()==2)&(today.getDate()==7))
{
if (fromEasterDays>-46){document.form2.episco_date.src="episco_perpetua_lent.gif";document.form2.shield.src="perpandfel.jpg";palmicon();}
else {document.form2.episco_date.src="episco_perpetua_green.gif";document.form2.shield.src="perpandfel.jpg";palmicon();}
}
if ((today.getMonth()==2)&(today.getDate()==8))
{
if (fromEasterDays>-46){document.form2.episco_date.src="episco_edward_king_lent.gif";document.form2.shield.src="edward_king.jpg";}
else {document.form2.episco_date.src="episco_edward_king_green.gif";document.form2.shield.src="edward_king.jpg";}
}
if ((today.getMonth()==2)&(today.getDate()==9))
{
if (fromEasterDays>-46){document.form2.episco_date.src="episco_gregoryofnyssa_lent.gif";document.form2.shield.src="gregory_of_nyssa.jpg";}
else {document.form2.episco_date.src="episco_gregoryofnyssa_green.gif";document.form2.shield.src="gregory_of_nyssa.jpg";}
}
if ((today.getMonth()==2)&(today.getDate()==10)){document.form2.episco_date.src="episco_martyrsofsebaste.gif";document.form2.shield.src="martyrs_of_sebaste.jpg";palmicon();}
if ((today.getMonth()==2)&(today.getDate()==12)){document.form2.episco_date.src="episco_gregorythegreat.gif";document.form2.shield.src="gregory_the_great.jpg";}
if ((today.getMonth()==2)&(today.getDate()==13)){document.form2.episco_date.src="episco_jtholly.gif";document.form2.shield.src="jtholly.jpg";}
if ((today.getMonth()==2)&(today.getDate()==17)){document.form2.episco_date.src="episco_patrick.gif";document.form2.shield.src="patrick-modern1.jpg";saintpatrick();}
if ((today.getMonth()==2)&(today.getDate()==18)){document.form2.episco_date.src="episco_cyrilofjerusalem.gif";document.form2.shield.src="cyril_of_jerusalem.jpg";}
if ((today.getMonth()==2)&(today.getDate()==20)){document.form2.episco_date.src="episco_cuthbert.gif";document.form2.shield.src="AthelstanNCuthbertTS.jpg";}
if ((today.getMonth()==2)&(today.getDate()==21)){document.form2.episco_date.src="episco_thomasken.gif";document.form2.shield.src="thomas_ken.jpg";}
if ((today.getMonth()==2)&(today.getDate()==22)){document.form2.episco_date.src="episco_jamesdekoven.gif";document.form2.shield.src="dekoven2.jpg";}
if ((today.getMonth()==2)&(today.getDate()==23)){document.form2.episco_date.src="episco_gregorytheilluminator.gif";document.form2.shield.src="gregory_the_illuminator.jpg";}
if ((today.getMonth()==2)&(today.getDate()==24)){document.form2.episco_date.src="episco_romero.gif";document.form2.shield.src="romero.jpg";palmicon();}
if ((today.getMonth()==2)&(today.getDate()==27)){document.form2.episco_date.src="episco_charleshenrybrent.gif";document.form2.shield.src="brent.jpg";}
if ((today.getMonth()==2)&(today.getDate()==29))
{
if (fromEasterDays<0){document.form2.episco_date.src="episco_johnkeble_lent.gif";document.form2.shield.src="keble.jpg";}
else {document.form2.episco_date.src="episco_johnkeble.gif";document.form2.shield.src="keble.jpg";}
}
if ((today.getMonth()==2)&(today.getDate()==31))
{
if (fromEasterDays<0){document.form2.episco_date.src="episco_johndonne_lent.gif";document.form2.shield.src="john_donne.gif"}
else {document.form2.episco_date.src="episco_johndonne.gif";document.form2.shield.src="john_donne.gif";}
}
if ((today.getMonth()==3)&(today.getDate()==1))
{
if (fromEasterDays<0){document.form2.episco_date.src="episco_maurice_lent.gif";document.form2.shield.src="FDmaurice.jpg";}
else {document.form2.episco_date.src="episco_maurice.gif";document.form2.shield.src="FDmaurice.jpg";}
}
if ((today.getMonth()==3)&(today.getDate()==2))
{
if (fromEasterDays<0){document.form2.episco_date.src="episco_breck_lent.gif";document.form2.shield.src="JLBreck.jpg";}
else {document.form2.episco_date.src="episco_breck.gif";document.form2.shield.src="JLBreck.jpg";}
}
if ((today.getMonth()==3)&(today.getDate()==3))
{
if (fromEasterDays<0){document.form2.episco_date.src="episco_richardofchichester_lent.gif";document.form2.shield.src="richard_of_chi.jpg";}
else {document.form2.episco_date.src="episco_richardofchichester.gif";document.form2.shield.src="richard_of_chi.jpg";}
}
if ((today.getMonth()==3)&(today.getDate()==4))
{
if (fromEasterDays<0){document.form2.episco_date.src="episco_martinlutherking_lent.gif";document.form2.shield.src="mlk2.jpg";}
else {document.form2.episco_date.src="episco_martinlutherking.gif";document.form2.shield.src="mlk2.jpg";}
}
if ((today.getMonth()==3)&(today.getDate()==6))
{
if (fromEasterDays<0){document.form2.episco_date.src="episco_albrechtdurer_lent.gif";document.form2.shield.src="durer.jpg";}
else {document.form2.episco_date.src="episco_albrechtdurer.gif";document.form2.shield.src="durer.jpg";}
}
if ((today.getMonth()==3)&(today.getDate()==7))
{
if (fromEasterDays<0){document.form2.episco_date.src="episco_tikhon_lent.gif";document.form2.shield.src="tikhon.jpg";}
else {document.form2.episco_date.src="episco_tikhon.gif";document.form2.shield.src="tikhon.jpg";}
}
if ((today.getMonth()==3)&(today.getDate()==8))
{
if (fromEasterDays<0){document.form2.episco_date.src="episco_muhlenberg_lent.gif";document.form2.shield.src="muhlenberg.jpg";}
else {document.form2.episco_date.src="episco_muhlenberg.gif";document.form2.shield.src="muhlenberg.jpg";}
}
if ((today.getMonth()==3)&(today.getDate()==10))
{
if (fromEasterDays<0){document.form2.episco_date.src="episco_williamlaw_lent.gif"; document.form2.shield.src="william_law.jpg";}
else {document.form2.episco_date.src="episco_williamlaw.gif"; document.form2.shield.src="william_law.jpg";}
}
if ((today.getMonth()==3)&(today.getDate()==9))
{
if (fromEasterDays<0){document.form2.episco_date.src="episco_bonhoeffer_lent.gif";document.form2.shield.src="bonhoeffer.jpg";palmicon();}
else {document.form2.episco_date.src="episco_bonhoeffer.gif";document.form2.shield.src="bonhoeffer.jpg";palmicon();}
}
if ((today.getMonth()==3)&(today.getDate()==11))
{
if (fromEasterDays<0){document.form2.episco_date.src="episco_selwyn_lent.gif";document.form2.shield.src="selwyn.jpg";selwyn();}
else {document.form2.episco_date.src="episco_selwyn.gif";document.form2.shield.src="selwyn.jpg";selwyn();}
}
if ((today.getMonth()==3)&(today.getDate()==15))
{
if (fromEasterDays<0){document.form2.episco_date.src="episco_damien_lent.gif";document.form2.shield.src="damien_hansen.jpg";}
else {document.form2.episco_date.src="episco_damien.gif";document.form2.shield.src="damien_hansen.jpg";}
}
if ((today.getMonth()==3)&(today.getDate()==19)){document.form2.episco_date.src="episco_alphege.gif";document.form2.shield.src="alphege_martyr_site.jpg";alphege();}
if ((today.getMonth()==3)&(today.getDate()==21)){document.form2.episco_date.src="episco_anselm.gif";document.form2.shield.src="anselm3.jpg";canterbury();}
if ((today.getMonth()==3)&(today.getDate()==23)){document.form2.episco_date.src="episco_toyohikokagawa.gif";document.form2.shield.src="toyohiko_kagawa.jpg";}
if ((today.getMonth()==3)&(today.getDate()==24)){document.form2.episco_date.src="episco_martyrsofarmenia.gif";document.form2.shield.src="armenian_genocide.jpg";palmicon();}
if ((today.getMonth()==3)&(today.getDate()==27)){document.form2.episco_date.src="episco_christinarossetti.gif";document.form2.shield.src="christina_rossetti.jpg";}
if ((today.getMonth()==3)&(today.getDate()==29)){document.form2.episco_date.src="episco_catherineofsiena.gif";document.form2.shield.src="Marian_Catherine_of_Siena.jpg";}
if ((today.getMonth()==4)&(today.getDate()== 2)){document.form2.episco_date.src="episco_athanasius.gif";document.form2.shield.src="0520nice.jpg";}
if ((today.getMonth()==4)&(today.getDate()== 4)){document.form2.episco_date.src="episco_monnica.gif";document.form2.shield.src="monica.jpg";}
if ((today.getMonth()==4)&(today.getDate()== 8)){document.form2.episco_date.src="episco_julianofnorwich.gif";document.form2.shield.src="hazelnut_6.jpg";julianofnorwich();}
if ((today.getMonth()==4)&(today.getDate()== 9)){document.form2.episco_date.src="episco_gregoryofnazianzus.gif";document.form2.shield.src="GregoryNazianzus.jpg";}
if ((today.getMonth()==4)&(today.getDate()==16))
{
if (fromEasterDays<50){document.form2.episco_date.src="episco_martyrsofsudan.gif";document.form2.shield.src="martyrsofsudan.jpg";palmicon();}
else {document.form2.episco_date.src="episco_martyrsofsudan_green.gif";document.form2.shield.src="martyrsofsudan.jpg";palmicon();}
}
if ((today.getMonth()==4)&(today.getDate()==17))
{
if (fromEasterDays<50){document.form2.episco_date.src="episco_erik.gif";document.form2.shield.src="saint_erik.gif";}
else {document.form2.episco_date.src="episco_erik_green.gif";document.form2.shield.src="saint_erik.gif";}
}
if ((today.getMonth()==4)&(today.getDate()==18))
{
if (fromEasterDays<50){document.form2.episco_date.src="episco_florencenightingale.gif";document.form2.shield.src="nightingale_florence.jpg";}
else {document.form2.episco_date.src="episco_florencenightingale_green.gif";document.form2.shield.src="nightingale_florence.jpg";}
//document.form2.episco_date.src="episco_florencenightingale.gif";document.form2.shield.src="nightingale_florence.jpg";
}
if ((today.getMonth()==4)&(today.getDate()==19))
{
if (fromEasterDays<50){document.form2.episco_date.src="episco_dunstan.gif";document.form2.shield.src="dunstan.jpg";canterbury();}
else {document.form2.episco_date.src="episco_dunstan_green.gif";document.form2.shield.src="dunstan.jpg";canterbury();}
}
if ((today.getMonth()==4)&(today.getDate()==20))
{
if (fromEasterDays<50){document.form2.episco_date.src="episco_alcuin.gif";document.form2.shield.src="alcuin.jpg";}
else {document.form2.episco_date.src="episco_alcuin_green.gif";document.form2.shield.src="alcuin.jpg";}
}
if ((today.getMonth()==4)&(today.getDate()==23)&(today.getDay()!==0))
{
document.form2.ember_day.src="planets4.gif";
if (fromEasterDays<50){document.form2.episco_date.src="episco_copernicus.gif";document.form2.shield.src="copernicus.gif";}
else {document.form2.episco_date.src="episco_copernicus_green.gif";document.form2.shield.src="copernicus.gif";}
document.form2.ember_day.alt="solar system";
}
if ((today.getMonth()==4)&(today.getDate()==24))
{
if (fromEasterDays<50){document.form2.episco_date.src="episco_jacksonkemper.gif";document.form2.shield.src="jackson_kemper.jpg"; }
else {document.form2.episco_date.src="episco_jacksonkemper_green.gif";document.form2.shield.src="jackson_kemper.jpg"; }
}
if ((today.getMonth()==4)&(today.getDate()==25))
{
if (fromEasterDays<50){document.form2.episco_date.src="episco_bede.gif";document.form2.shield.src="bede.jpg"; }
else {document.form2.episco_date.src="episco_bede_green.gif";document.form2.shield.src="bede.jpg"; }
}
if ((today.getMonth()==4)&(today.getDate()==26))
{
if (fromEasterDays<50){document.form2.episco_date.src="episco_augustineofcanterbury.gif";document.form2.shield.src="augustine_stamp_ethelbert.jpg"; canterbury();}
else {document.form2.episco_date.src="episco_augustineofcanterbury_green.gif";document.form2.shield.src="augustine_stamp_ethelbert.jpg"; canterbury();}
}
if ((today.getMonth()==4)&(today.getDate()==27))
{
if (fromEasterDays<50){document.form2.episco_date.src="episco_johncalvin.gif";document.form2.shield.src="calvin.jpg";}
else {document.form2.episco_date.src="episco_johncalvin_green.gif";document.form2.shield.src="calvin.jpg";}
}
if ((today.getMonth()==4)&(today.getDate()==30))
{
if (fromEasterDays<50){document.form2.episco_date.src="episco_joanofarc.gif";document.form2.shield.src="joanofarc.jpg";}
else {document.form2.episco_date.src="episco_joanofarc_green.gif";document.form2.shield.src="joanofarc.jpg";}
}
if ((today.getMonth()==5)&(today.getDate()==1))
{
if (fromEasterDays<50){document.form2.episco_date.src="episco_justinmartyr.gif";document.form2.shield.src="justin.jpg"; palmicon();}
else {document.form2.episco_date.src="episco_justinmartyr_green.gif";document.form2.shield.src="justin.jpg"; palmicon();}
}
if ((today.getMonth()==5)&(today.getDate()==2))
{
if (fromEasterDays<50){document.form2.episco_date.src="episco_martyrsoflyons.gif";document.form2.shield.src="blandina.jpg";palmicon();}
else {document.form2.episco_date.src="episco_martyrsoflyons_green.gif";document.form2.shield.src="blandina.jpg";palmicon();}
}
if ((today.getMonth()==5)&(today.getDate()==3))
{
if (fromEasterDays<50){document.form2.episco_date.src="episco_martyrsofuganda.gif";document.form2.shield.src="martyrs_of_uganda.jpg";palmicon();}
else {document.form2.episco_date.src="episco_martyrsofuganda_green.gif";document.form2.shield.src="martyrs_of_uganda.jpg";palmicon();}
}
if ((today.getMonth()==5)&(today.getDate()==4))
{
if (fromEasterDays<50){document.form2.episco_date.src="episco_johnxxiii.gif";document.form2.shield.src="johnxxiii.jpg";}
else {document.form2.episco_date.src="episco_johnxxiii_green.gif";document.form2.shield.src="johnxxiii.jpg";}
}
if ((today.getMonth()==5)&(today.getDate()==5))
{
if (fromEasterDays<50){document.form2.episco_date.src="episco_boniface.gif";document.form2.shield.src="boniface_axe.jpg";palmicon();}
else {document.form2.episco_date.src="episco_boniface_green.gif";document.form2.shield.src="boniface_axe.jpg";palmicon();}
}
if ((today.getMonth()==5)&(today.getDate()==8)&(today.getDay()!==0))
{
if (fromEasterDays<50){document.form2.episco_date.src="episco_charlesdickens.gif";document.form2.shield.src="charlesdickens.jpg"; }
else {document.form2.episco_date.src="episco_charlesdickens_green.gif";document.form2.shield.src="charlesdickens.jpg"; }
}
if ((today.getMonth()==5)&(today.getDate()==9)&(today.getDay()!==0))
{
if (fromEasterDays<50){document.form2.episco_date.src="episco_columba.gif";document.form2.shield.src="columba3.jpg"; }
else {document.form2.episco_date.src="episco_columba_green.gif";document.form2.shield.src="columba3.jpg"; }
document.form2.ember_day.src="loch_ness_monster.gif";document.form2.ember_day.alt="Loch Ness monster legend"
}
if ((today.getMonth()==5)&(today.getDate()==10)&(today.getDay()!==0))
{
if (fromEasterDays<50){document.form2.episco_date.src="episco_ephrem.gif";document.form2.shield.src="ephrem_of_edessa_s.jpg";}
else {document.form2.episco_date.src="episco_ephrem_green.gif";document.form2.shield.src="ephrem_of_edessa_s.jpg";}
document.form2.ember_day.src="notes3.gif";
}
if ((today.getMonth()==5)&(today.getDate()==12)){document.form2.episco_date.src="episco_gkchesterton.gif";document.form2.shield.src="chesterton01.jpg";}
if ((today.getMonth()==5)&(today.getDate()==13)){document.form2.episco_date.src="episco_antonyofpadua.gif";document.form2.shield.src="portugal_antonio.jpg";}
if ((today.getMonth()==5)&(today.getDate()==14)){document.form2.episco_date.src="episco_basilthegreat.gif";document.form2.shield.src="basil_the_great.jpg";}
if ((today.getMonth()==5)&(today.getDate()==15)){document.form2.episco_date.src="episco_evelynunderhill.gif";document.form2.shield.src="evelyn_underhill.gif"; }
if ((today.getMonth()==5)&(today.getDate()==16)){document.form2.episco_date.src="episco_josephbutler.gif";document.form2.shield.src="joseph_butler.gif";}
if ((today.getMonth()==5)&(today.getDate()==18)){document.form2.episco_date.src="episco_bernardmizeki.gif";document.form2.shield.src="bm.jpg";palmicon();}
if ((today.getMonth()==5)&(today.getDate()==20)){document.form2.episco_date.src="episco_colenso.gif";document.form2.shield.src="colenso.jpg";}
if ((today.getMonth()==5)&(today.getDate()==22)){document.form2.episco_date.src="episco_alban.gif";document.form2.shield.src="094b8700.gif";palmicon();}
if ((today.getMonth()==5)&(today.getDate()==27)){document.form2.episco_date.src="episco_corneliushill.gif";document.form2.shield.src="cornelius_hill.jpg"; oneida();}
if ((today.getMonth()==5)&(today.getDate()==28)){document.form2.episco_date.src="episco_irenaeus.gif";document.form2.shield.src="irenaeus_s.jpg"; }
if ((today.getMonth()==6)&(today.getDate()== 5)){document.form2.episco_date.src="episco_mcnamara.gif";document.form2.shield.src="robert_mcnamara.jpg"; mcnamara();}
if ((today.getMonth()==6)&(today.getDate()== 6)){document.form2.episco_date.src="episco_thomasmore.gif";document.form2.shield.src="thomas_more.jpg"; }
if ((today.getMonth()==6)&(today.getDate()== 7)){document.form2.episco_date.src="episco_johnhuss.gif";document.form2.shield.src="huss2.jpg"; }
if ((today.getMonth()==6)&(today.getDate()== 9)){document.form2.episco_date.src="episco_stephenlangton.gif";document.form2.shield.src="story.signing.jpg"; canterbury();}
if ((today.getMonth()==6)&(today.getDate()==11)){document.form2.episco_date.src="episco_benedict.gif";document.form2.shield.src="fa911tn.jpg"; benedict();}
if ((today.getMonth()==6)&(today.getDate()==13)){document.form2.episco_date.src="episco_silas.gif";document.form2.shield.src="silas.jpg"; silas();}
if ((today.getMonth()==6)&(today.getDate()==15)){document.form2.episco_date.src="episco_olgavlad.gif";document.form2.shield.src="vladimir_and_olga.bmp"; olgavlad();}
if ((today.getMonth()==6)&(today.getDate()==16)){document.form2.episco_date.src="episco_delascasas.gif";document.form2.shield.src="bartholomew_de_las_casas.jpg";casas();}
if ((today.getMonth()==6)&(today.getDate()==17)){document.form2.episco_date.src="episco_williamwhite.gif";document.form2.shield.src="william_white.jpg";williamwhite();}
if ((today.getMonth()==6)&(today.getDate()==18)){document.form2.episco_date.src="episco_bolshevism.gif";document.form2.shield.src="alexei_romanov.jpg";palmicon();}
if ((today.getMonth()==6)&(today.getDate()==19)){document.form2.episco_date.src="episco_macrina.gif";document.form2.shield.src="macrina_s.jpg"; }
if ((today.getMonth()==6)&(today.getDate()==20)){document.form2.episco_date.src="episco_tubman.gif";document.form2.shield.src="liberators.gif";}
if ((today.getMonth()==6)&(today.getDate()==24)){document.form2.episco_date.src="episco_thomasakempis.gif";document.form2.shield.src="thomas_a_kempis.jpg";}
if ((today.getMonth()==6)&(today.getDate()==25))
{
document.form2.episco_date.src="episco_herschel.gif";document.form2.shield.src="herschel.jpg";
document.form2.keys1.src="uranus1.gif"
document.form2.keys2.src="uranus2.gif"
}
if ((today.getMonth()==6)&(today.getDate()==26)){document.form2.episco_date.src="episco_parentsofmary.gif";document.form2.shield.src="parents_of_mary_s.gif";}
if ((today.getMonth()==6)&(today.getDate()==27)){document.form2.episco_date.src="episco_williamreedhuntington.gif";document.form2.shield.src="williamreedhuntington.jpg"; }
if ((today.getMonth()==6)&(today.getDate()==28)&(today.getDay()!==0))
{
document.form2.episco_date.src="episco_jsbach.gif";document.form2.shield.src="bach6.jpg";
document.form2.ember_day.src="notes3.gif";
}
if ((today.getMonth()==6)&(today.getDate()==29)){document.form2.episco_date.src="episco_maryandmartha.gif";document.form2.shield.src="mary_and_martha.jpg";maryandmartha();}
if ((today.getMonth()==6)&(today.getDate()==30)){document.form2.episco_date.src="episco_williamwilberforce.gif";document.form2.shield.src="ww.gif"; wilberforce();}
if ((today.getMonth()==6)&(today.getDate()==31)){document.form2.episco_date.src="episco_josephofarimathaea.gif";document.form2.shield.src="joseph_of_arimathaea.jpg";jamesbro();}
if ((today.getMonth()==7)&(today.getDate()==1)){document.form2.episco_date.src="episco_ignatiusloyola.gif";document.form2.shield.src="ignaport.jpg"; }
//if ((today.getMonth()==6)&(today.getDate()==31)){document.form2.episco_date.src="episco_josephofarimathaea.gif";document.form2.shield.src="joseph_of_arimathaea.jpg";jamesbro();}
if ((today.getMonth()==7)&(today.getDate()==3)){document.form2.episco_date.src="episco_nicodemus.gif";document.form2.shield.src="nicodemus.jpg";jamesbro();}
if ((today.getMonth()==7)&(today.getDate()==5)){document.form2.episco_date.src="episco_oswald.gif";document.form2.shield.src="saint_oswald.jpg";}
if ((today.getMonth()==7)&(today.getDate()==7)&(today.getDay()!==0))
{
document.form2.episco_date.src="episco_johnmasonneale.gif";document.form2.shield.src="john_mason_neale.jpg";
document.form2.ember_day.src="notes3.gif";
}
if ((today.getMonth()==7)&(today.getDate()==8)){document.form2.episco_date.src="episco_dominic.gif";document.form2.shield.src="dominic_guzman.jpg"; dominic();}
if ((today.getMonth()==7)&(today.getDate()==9)&(today.getHours()%2==0)){document.form2.episco_date.src="episco_edithstein.gif";document.form2.shield.src="edith_stein.jpg"; palmicon();}
if ((today.getMonth()==7)&(today.getDate()==9)&(today.getHours()%2==1)){document.form2.episco_date.src="episco_jagerstatter.gif";document.form2.shield.src="jagerstatter_2.jpg"; palmicon();}
if ((today.getMonth()==7)&(today.getDate()==10)){document.form2.episco_date.src="episco_laurence.gif";document.form2.shield.src="saint_lawrence.jpg";palmicon();}
if ((today.getMonth()==7)&(today.getDate()==11)){document.form2.episco_date.src="episco_clare.gif";document.form2.shield.src="stclare_s.jpg"; }
if ((today.getMonth()==7)&(today.getDate()==13)){document.form2.episco_date.src="episco_jeremytaylor.gif";document.form2.shield.src="jtaylor.jpg"; }
if ((today.getMonth()==7)&(today.getDate()==14)){document.form2.episco_date.src="episco_jonathanmyrickdaniels.gif";document.form2.shield.src="jdaniels_and_kids.jpg"; palmicon();}
if ((today.getMonth()==7)&(today.getDate()==16)){document.form2.episco_date.src="episco_kolbe.gif";document.form2.shield.src="max_kolbe.jpg";palmicon();}
if ((today.getMonth()==7)&(today.getDate()==18)){document.form2.episco_date.src="episco_williamporcherdubose.gif";document.form2.shield.src="dubose.jpg"; }
if ((today.getMonth()==7)&(today.getDate()==19)){document.form2.episco_date.src="episco_helen.gif";document.form2.shield.src="saint_helena.jpg"; }
if ((today.getMonth()==7)&(today.getDate()==20)){document.form2.episco_date.src="episco_bernard.gif"; document.form2.shield.src="q001bern.jpg"; }
if ((today.getMonth()==7)&(today.getDate()==21)){document.form2.episco_date.src="episco_pascal.gif";document.form2.shield.src="blaise_pascal.jpg"; }
if ((today.getMonth()==7)&(today.getDate()==25)){document.form2.episco_date.src="episco_louis.gif";document.form2.shield.src="saint_louis_king.jpg"; }
if ((today.getMonth()==7)&(today.getDate()==27)){document.form2.episco_date.src="episco_gallaudet.gif";document.form2.shield.src="gallaudet.jpg";}
if ((today.getMonth()==7)&(today.getDate()==28)){document.form2.episco_date.src="episco_augustineofhippo.gif";document.form2.shield.src="augustine_of_hippo.jpg"; }
if ((today.getMonth()==7)&(today.getDate()==30)){document.form2.episco_date.src="episco_johnbunyan.gif";document.form2.shield.src="john_bunyan_s.jpg"; }
if ((today.getMonth()==7)&(today.getDate()==31)){document.form2.episco_date.src="episco_aidan.gif";document.form2.shield.src="aidan_s.jpg"; }
if ((today.getMonth()==8)&(today.getDate()==1)){document.form2.episco_date.src="episco_oakerhater.gif";document.form2.shield.src="oakerhater.jpg"; }
if ((today.getMonth()==8)&(today.getDate()==2)){document.form2.episco_date.src="episco_martyrsofnewguinea.gif";document.form2.shield.src="martyrs_of_new_guinea.jpg"; palmicon();}
if ((today.getMonth()==8)&(today.getDate()==4)){document.form2.episco_date.src="episco_pauljones.gif";document.form2.shield.src="paul_jones_s.jpg";}
if ((today.getMonth()==8)&(today.getDate()==5)){document.form2.episco_date.src="episco_schweitzer.gif";document.form2.shield.src="schweitzer.jpg";schweitzer();}
if ((today.getMonth()==8)&(today.getDate()==8)){document.form2.episco_date.src="episco_kierkegaard.gif";document.form2.shield.src="kierkegaard.jpg";}
if ((today.getMonth()==8)&(today.getDate()==9)){document.form2.episco_date.src="episco_constance.gif";document.form2.shield.src="aedes.gif";}
if ((today.getMonth()==8)&(today.getDate()==10)){document.form2.episco_date.src="episco_crummell.gif";document.form2.shield.src="crummell.jpg"; }
if ((today.getMonth()==8)&(today.getDate()==12)){document.form2.episco_date.src="episco_johnhenryhobart.gif";document.form2.shield.src="john_henry_hobart.jpg"; }
if ((today.getMonth()==8)&(today.getDate()==13)){document.form2.episco_date.src="episco_cyprian.gif";document.form2.shield.src="cyprian.jpg"; palmicon();}
if ((today.getMonth()==8)&(today.getDate()==15)){document.form2.episco_date.src="episco_dante.gif";document.form2.shield.src="dante.jpg";}
if ((today.getMonth()==8)&(today.getDate()==16)){document.form2.episco_date.src="episco_ninian.gif";document.form2.shield.src="saintninian.jpg"; }
if ((today.getMonth()==8)&(today.getDate()==17)&(today.getHours()%3==0)){document.form2.episco_date.src="episco_hildegard.gif";document.form2.shield.src="hildegard_of_bingen.gif"; }
if ((today.getMonth()==8)&(today.getDate()==17)&(today.getHours()%3>0)){document.form2.episco_date.src="episco_stigmata.gif";document.form2.shield.src="stig_van_eyck.jpg"; }
//if ((today.getMonth()==8)&(today.getDate()==18)){document.form2.episco_date.src="episco_pusey.gif";document.form2.shield.src="pusey.jpg";}
if ((today.getMonth()==8)&(today.getDate()==18)){document.form2.episco_date.src="episco_hammarskjold.gif";document.form2.shield.src="hammarskjold.jpg";}
if ((today.getMonth()==8)&(today.getDate()==19)){document.form2.episco_date.src="episco_theodoreoftarsus.gif";document.form2.shield.src="theodore_of_tarsus.jpg"; canterbury();}
if ((today.getMonth()==8)&(today.getDate()==20)){document.form2.episco_date.src="episco_johncoleridgepatteson.gif";document.form2.shield.src="patteson.jpg";palmicon(); }
if ((today.getMonth()==8)&(today.getDate()==22)){document.form2.episco_date.src="episco_philanderchase.gif";document.form2.shield.src="philanderchase.jpg"; }
if ((today.getMonth()==8)&(today.getDate()==25)){document.form2.episco_date.src="episco_sergius.gif";document.form2.shield.src="saint_sergius.jpg"; }
if ((today.getMonth()==8)&(today.getDate()==26)){document.form2.episco_date.src="episco_lancelotandrewes.gif";document.form2.shield.src="lancelot_andrews.jpg"; }
if ((today.getMonth()==8)&(today.getDate()==27)){document.form2.episco_date.src="episco_vincentdepaul.gif";document.form2.shield.src="saint_vincent_de_paul.jpg";}
if ((today.getMonth()==8)&(today.getDate()==28)){document.form2.episco_date.src="episco_pasteur.gif";document.form2.shield.src="pasteur.jpg";}
if ((today.getMonth()==8)&(today.getDate()==30)){document.form2.episco_date.src="episco_jerome.gif";document.form2.shield.src="jerome_small.jpg"; jerome();}
if ((today.getMonth()==9)&(today.getDate()==1)){document.form2.episco_date.src="episco_remigius.gif";document.form2.shield.src="remigius_s.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==4)){document.form2.episco_date.src="episco_francis.gif"; document.form2.shield.src="francis_and_skull.jpg";sanfrancisco();}
if ((today.getMonth()==9)&(today.getDate()==6)){document.form2.episco_date.src="episco_williamtyndale.gif";document.form2.shield.src="tyndale.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==9)){document.form2.episco_date.src="episco_grenfell.gif";document.form2.shield.src="wilfred_grenfell.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==8)){document.form2.episco_date.src="episco_robertgrosseteste.gif";document.form2.shield.src="robert_grosseteste.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==10)){document.form2.episco_date.src="episco_vidascudder.gif";document.form2.shield.src="vida_scudder.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==11)){document.form2.episco_date.src="episco_saintphilipthedeacon.gif";document.form2.shield.src="saint_philip_the_deacon.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==13)){document.form2.episco_date.src="episco_edwardtheconfessor.gif";document.form2.shield.src="edward_the_confessor.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==14)){document.form2.episco_date.src="episco_schereschewsky.gif";document.form2.shield.src="sijs1902_s.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==15)){document.form2.episco_date.src="episco_teresa.gif";document.form2.shield.src="extase_teresa.jpg";}
if ((today.getMonth()==9)&(today.getDate()==16)){document.form2.episco_date.src="episco_cranmer.gif";document.form2.shield.src="oxford_martyrs.jpg"; canterbury();}
if ((today.getMonth()==9)&(today.getDate()==17)){document.form2.episco_date.src="episco_ignatiusofantioch.gif";document.form2.shield.src="Ignatius_Antioch.jpg"; palmicon();}
if ((today.getMonth()==9)&(today.getDate()==19)){document.form2.episco_date.src="episco_henrymartyn.gif";document.form2.shield.src="henry_martyn.jpg";}
if ((today.getMonth()==9)&(today.getDate()==25)){document.form2.episco_date.src="episco_chaucer.gif";document.form2.shield.src="chaucer_s.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==26)){document.form2.episco_date.src="episco_alfredthegreat.gif";document.form2.shield.src="alfred_s.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==27)){document.form2.episco_date.src="episco_odran.gif";document.form2.shield.src="odran_chapel.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==29)){document.form2.episco_date.src="episco_jameshannington.gif";document.form2.shield.src="1021hann.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==30)){document.form2.episco_date.src="episco_johnwyclif.gif";document.form2.shield.src="wyclif_reading.jpg";}
if ((today.getMonth()==9)&(today.getDate()==31)){ document.form2.shield.src="drybones.jpg";}
if ((today.getMonth()==10)&(today.getDate()==2)){document.form2.episco_date.src="episco_allsouls.gif";document.form2.shield.src="heaven2.jpg"; }
if ((today.getMonth()==10)&(today.getDate()==3)){document.form2.episco_date.src="episco_richardhooker.gif";document.form2.shield.src="hooker2.jpg"; }
if ((today.getMonth()==10)&(today.getDate()==3)&(today.getDay()==1)){document.form2.episco_date.src="episco_allsouls.gif";document.form2.shield.src="heaven2.jpg"; }
if ((today.getMonth()==10)&(today.getDate()==6)){document.form2.episco_date.src="episco_williamtemple.gif";document.form2.shield.src="william_temple.jpg"; canterbury();}
if ((today.getMonth()==10)&(today.getDate()==7)){document.form2.episco_date.src="episco_willibrord.gif";document.form2.shield.src="willibrord_stamp1.jpg"; }
if ((today.getMonth()==10)&(today.getDate()==8)){document.form2.episco_date.src="episco_johnmilton.gif";document.form2.shield.src="milton.jpg";}
if ((today.getMonth()==10)&(today.getDate()==9)){document.form2.episco_date.src="episco_margerykempe.gif";document.form2.shield.src="margery_kempe.jpg";}
if ((today.getMonth()==10)&(today.getDate()==10)){document.form2.episco_date.src="episco_leothegreat.gif";document.form2.shield.src="leo_and_attila.jpg";}
if ((today.getMonth()==10)&(today.getDate()==11)){document.form2.episco_date.src="episco_martinoftours.gif";document.form2.shield.src="martin_of_tours.jpg"; }
if ((today.getMonth()==10)&(today.getDate()==12)){document.form2.episco_date.src="episco_charlessimeon.gif";document.form2.shield.src="charles_simeon.jpg"; }
if ((today.getMonth()==10)&(today.getDate()==13)){document.form2.episco_date.src="episco_albertusmagnus.gif";document.form2.shield.src="albertusmagnus.gif"; }
if ((today.getMonth()==10)&(today.getDate()==14)){document.form2.episco_date.src="episco_seabury.gif";document.form2.shield.src="seabury1.jpg"; }
if ((today.getMonth()==10)&(today.getDate()==15)){document.form2.episco_date.src="episco_jesuits.gif";document.form2.shield.src="martyrs3a.jpg"; palmicon();}
if ((today.getMonth()==10)&(today.getDate()==16)){document.form2.episco_date.src="episco_margaret.gif";document.form2.shield.src="margaret_scot.jpg"; }
if ((today.getMonth()==10)&(today.getDate()==17)){document.form2.episco_date.src="episco_hughoflincoln.gif";document.form2.shield.src="hugh_of_lincoln.jpg";}
if ((today.getMonth()==10)&(today.getDate()==18)){document.form2.episco_date.src="episco_hilda.gif";document.form2.shield.src="Hilda_Withby.jpg"; }
if ((today.getMonth()==10)&(today.getDate()==19)){document.form2.episco_date.src="episco_elizabethofhungary.gif";document.form2.shield.src="elizabeth_of_hungary.jpg"; }
if ((today.getMonth()==10)&(today.getDate()==20)){document.form2.episco_date.src="episco_edmund.gif";document.form2.shield.src="saint_edmund.jpg"; }
if ((today.getMonth()==10)&(today.getDate()==22)&(today.getDay()!==4))
{
document.form2.episco_date.src="episco_cslewis.gif";document.form2.shield.src="lewis_cs.jpg";
document.form2.ember_day.src="lion5.gif";document.form2.ember_day.alt="Chronicles of Narnia";
}
if ((today.getMonth()==10)&(today.getDate()==23)&(today.getDay()!==4)){document.form2.episco_date.src="episco_clementofrome.gif";document.form2.shield.src="clement_of_rome.jpg"; clement();} // miguel pro
if ((today.getMonth()==10)&(today.getDate()==24)&(today.getDay()!==4)){document.form2.episco_date.src="episco_miguelpro.gif";document.form2.shield.src="miguel_pro.jpg";palmicon();} // miguel pro
if ((today.getMonth()==10)&(today.getDate()==25)&(today.getDay()!==4)){document.form2.episco_date.src="episco_josh.gif";document.form2.shield.src="huntington.jpg";}
if ((today.getMonth()==10)&(today.getDate()==26)&(today.getDay()!==4)){document.form2.episco_date.src="episco_watts.gif";document.form2.shield.src="isaac_watts_statue.jpg";}
if ((today.getMonth()==10)&(today.getDate()==28)&(today.getDay()!==4))
{
if (advent>0){document.form2.episco_date.src="episco_kamehameha_advent.gif";document.form2.shield.src="kamehameha_and_emma.gif";}
if (advent==0){document.form2.episco_date.src="episco_kamehameha_green.gif";document.form2.shield.src="kamehameha_and_emma.gif";}
}
if ((today.getMonth()==11)&(today.getDate()==1))
{
if (advent>0){document.form2.episco_date.src="episco_ferrar_advent.gif";document.form2.shield.src="ferrarwind192.jpg";}
if (advent==0){document.form2.episco_date.src="episco_ferrar_green.gif";document.form2.shield.src="ferrarwind192.jpg";}
}
if ((today.getMonth()==11)&(today.getDate()==2))
{
if (advent>0){document.form2.episco_date.src="episco_cmw_advent.gif";document.form2.shield.src="photo_cw.jpg";}
if (advent==0){document.form2.episco_date.src="episco_cmw_green.gif";document.form2.shield.src="photo_cw.jpg";}
}
if ((today.getMonth()==11)&(today.getDate()==3)){document.form2.episco_date.src="episco_francisxavier.gif";document.form2.shield.src="francis_xavier.jpg";}
if ((today.getMonth()==11)&(today.getDate()==4)&(today.getDay()!==0)){document.form2.episco_date.src="episco_johnofdamascus.gif";document.form2.shield.src="stjohndamascus.jpg";document.form2.ember_day.src="notes3.gif";}
if ((today.getMonth()==11)&(today.getDate()==5)){document.form2.episco_date.src="episco_clementofalexandria.gif";document.form2.shield.src="x02clement.jpg";}
if ((today.getMonth()==11)&(today.getDate()==6)){document.form2.episco_date.src="episco_nicholasofmyra.gif";document.form2.shield.src="nicholas_of_myra_2.jpg";}
if ((today.getMonth()==11)&(today.getDate()==7)){document.form2.episco_date.src="episco_ambrose.gif";document.form2.shield.src="saint_ambrose.jpg";ambrose();}
if ((today.getMonth()==11)&(today.getDate()==8)){document.form2.episco_date.src="episco_morgagni.gif";document.form2.shield.src="morgagni.jpg";}
if ((today.getMonth()==11)&(today.getDate()==13)){document.form2.episco_date.src="episco_samueljohnson.gif";document.form2.shield.src="samuel_johnson.jpg"; }
if ((today.getMonth()==11)&(today.getDate()==14)){document.form2.episco_date.src="episco_johnofthecross.gif";document.form2.shield.src="juancrux.jpg";}
if ((today.getMonth()==11)&(today.getDate()==17)){document.form2.episco_date.src="episco_dorothysayers.gif";document.form2.shield.src="dorothy_sayers.jpg";}
if ((today.getMonth()==11)&(today.getDate()==22)){document.form2.episco_date.src="episco_cabrini.gif";document.form2.shield.src="cabrini.jpg";}
if ((today.getMonth()==11)&(today.getDate()==23)){document.form2.episco_date.src="episco_maoism.gif";document.form2.shield.src="wang_zhiming.jpg";palmicon();}
if ((today.getMonth()==11)&(today.getDate()==31)){document.form2.episco_date.src="episco_crowther.gif";document.form2.shield.src="crowther.jpg";palmicon();}
if ((today.getMonth()==0)&(today.getDate()==18)){document.form2.episco_date.src="episco_peter.gif";document.form2.shield.src="peter.jpg";peterkeys();}
if ((today.getMonth()==0)&(today.getDate()==19)&(today.getDay()==1)){document.form2.episco_date.src="episco_peter.gif";document.form2.shield.src="peter.jpg";peterkeys();}
if ((today.getMonth()==0)&(today.getDate()==25)){document.form2.episco_date.src="episco_paul.gif";document.form2.shield.src="caravaggio_stpaul.jpg";sanpablo();}
if ((today.getMonth()==0)&(today.getDate()==26)&(today.getDay()==1)){document.form2.episco_date.src="episco_paul.gif";document.form2.shield.src="caravaggio_stpaul.jpg";sanpablo();}
if ((today.getMonth()==1)&(today.getDate()==24)){document.form2.episco_date.src="episco_matthias.gif";document.form2.shield.src="matthias.gif";saintmatthias();}
if ((today.getMonth()==1)&(today.getDate()==25)&(today.getDay()==1)){document.form2.episco_date.src="episco_matthias.gif";document.form2.shield.src="matthias.gif";saintmatthias();}
if ((today.getMonth()==2)&(today.getDate()==19)){document.form2.episco_date.src="episco_joseph.gif";document.form2.shield.src="joseph_2.gif";saintjoseph();}
if ((today.getMonth()==2)&(today.getDate()==20)&(today.getDay()==1)){document.form2.episco_date.src="episco_joseph.gif";document.form2.shield.src="joseph_2.gif";saintjoseph();}
if ((today.getMonth()==2)&(today.getDate()==25)){document.form2.episco_date.src="episco_annunciation.gif";document.form2.shield.src="annunciation_tanner_s.jpg";specialdevotion=false;annunciationday();}
if ((today.getMonth()==2)&(today.getDate()==26)&(today.getDay()==1)){document.form2.episco_date.src="episco_annunciation.gif";document.form2.shield.src="annunciation_tanner_s.jpg";specialdevotion=false;annunciationday();}
if ((today.getMonth()==3)&(today.getDate()==25)){document.form2.episco_date.src="episco_mark.gif";document.form2.shield.src="mark_the_evangelist.jpg";sanmarco();}
if ((today.getMonth()==3)&(today.getDate()==26)&(today.getDay()==1)){document.form2.episco_date.src="episco_mark.gif";document.form2.shield.src="mark_the_evangelist.jpg";sanmarco();}
if ((today.getMonth()==4)&(today.getDate()==1)){document.form2.episco_date.src="episco_philipandjames.gif";document.form2.shield.src="apostles2_s.jpg";fiveloavesandtwofishes();}
if ((today.getMonth()==4)&(today.getDate()==2)&(today.getDay()==1)){document.form2.episco_date.src="episco_philipandjames.gif";document.form2.shield.src="apostles2_s.jpg";fiveloavesandtwofishes();}
if ((today.getMonth()==4)&(today.getDate()==31)){document.form2.episco_date.src="episco_visitation.gif";document.form2.shield.src="visitation_s.jpg";specialdevotion=false;magnificat();}
if ((today.getMonth()==5)&(today.getDate()==1)&(today.getDay()==1)){document.form2.episco_date.src="episco_visitation.gif";document.form2.shield.src="visitation_s.jpg";specialdevotion=false;magnificat();}
if ((today.getMonth()==5)&(today.getDate()==11)){document.form2.episco_date.src="episco_barnabas.gif";document.form2.shield.src="barnabas.jpg";barnabas();}
if ((today.getMonth()==5)&(today.getDate()==12)&(today.getDay()==1)){document.form2.episco_date.src="episco_barnabas.gif";document.form2.shield.src="barnabas.jpg";specialdevotion=false;barnabas();}
if ((today.getMonth()==5)&(today.getDate()==24)){document.form2.episco_date.src="episco_johnthebaptist.gif";document.form2.shield.src="jb.jpg";specialdevotion=false;jb();}
if ((today.getMonth()==5)&(today.getDate()==25)&(today.getDay()==1)){document.form2.episco_date.src="episco_johnthebaptist.gif";document.form2.shield.src="jb.jpg";specialdevotion=false;jb();}
if ((today.getMonth()==6)&(today.getDate()==4)){document.form2.episco_date.src="episco_independence.gif";document.form2.shield.src="navyseals.jpg";}
if ((today.getMonth()==5)&(today.getDate()==29)){document.form2.episco_date.src="episco_peterandpaul.gif"; document.form2.shield.src="peter_and_paul.jpg";peterpaul();}
if ((today.getMonth()==5)&(today.getDate()==30)&(today.getDay()==1)){document.form2.episco_date.src="episco_peterandpaul.gif"; document.form2.shield.src="peter_and_paul.jpg";peterpaul();}
if ((today.getMonth()==6)&(today.getDate()==22)){document.form2.episco_date.src="episco_marymagdalene.gif"; document.form2.shield.src="MaryMagdalene.jpg";marymagdalene();}
if ((today.getMonth()==6)&(today.getDate()==23)&(today.getDay()==1)){document.form2.episco_date.src="episco_marymagdalene.gif"; document.form2.shield.src="MaryMagdalene.jpg";marymagdalene();}
if ((today.getMonth()==6)&(today.getDate()==25)){document.form2.episco_date.src="episco_jamesapostle.gif";document.form2.shield.src="stj11003.jpg";santiago();}
if ((today.getMonth()==6)&(today.getDate()==26)&(today.getDay()==1)){document.form2.episco_date.src="episco_jamesapostle.gif";document.form2.shield.src="stj11003.jpg";santiago();}
if ((today.getMonth()==7)&(today.getDate()==15)){document.form2.episco_date.src="episco_mary.gif"; document.form2.shield.src="madonna.jpg";santamaria();}
if ((today.getMonth()==7)&(today.getDate()==16)&(today.getDay()==1)){document.form2.episco_date.src="episco_mary.gif"; document.form2.shield.src="madonna.jpg";santamaria();}
if ((today.getMonth()==7)&(today.getDate()==24)){document.form2.episco_date.src="episco_bartholomew.gif"; document.form2.shield.src="bartholomew.jpg";saintbart();}
if ((today.getMonth()==7)&(today.getDate()==25)&(today.getDay()==1)){document.form2.episco_date.src="episco_bartholomew.gif"; document.form2.shield.src="bartholomew.jpg";saintbart();}
if ((today.getMonth()==8)&(today.getDate()==14)){document.form2.episco_date.src="episco_holycrossday.gif"; document.form2.shield.src="sandamiano.jpg";specialdevotion=false;twocrosses();}
if ((today.getMonth()==8)&(today.getDate()==15)&(today.getDay()==1)){document.form2.episco_date.src="episco_holycrossday.gif"; document.form2.shield.src="sandamiano.jpg";specialdevotion=false;twocrosses();}
if ((today.getMonth()==8)&(today.getDate()==21)){document.form2.episco_date.src="episco_matthew.gif"; document.form2.shield.src="matthew1a.jpg";sanmatteo();}
if ((today.getMonth()==8)&(today.getDate()==22)&(today.getDay()==1)){document.form2.episco_date.src="episco_matthew.gif"; document.form2.shield.src="matthew1a.jpg";sanmatteo();}
if ((today.getMonth()==8)&(today.getDate()==29)){document.form2.episco_date.src="episco_michael.gif"; document.form2.shield.src="paradiso.jpg";twoangels();}
if ((today.getMonth()==8)&(today.getDate()==30)&(today.getDay()==1)){document.form2.episco_date.src="episco_michael.gif"; document.form2.shield.src="paradiso.jpg";twoangels();}
if ((today.getMonth()==9)&(today.getDate()==18)){document.form2.episco_date.src="episco_luke.gif";document.form2.shield.src="st_luke.jpg";saintluke();}
if ((today.getMonth()==9)&(today.getDate()==19)&(today.getDay()==1)){document.form2.episco_date.src="episco_luke.gif";document.form2.shield.src="st_luke.jpg";saintluke();}
if ((today.getMonth()==9)&(today.getDate()==23)){document.form2.episco_date.src="episco_jamesofjerusalem.gif";document.form2.shield.src="james_brother_icon.jpg";jamesbro();}
if ((today.getMonth()==9)&(today.getDate()==24)&(today.getDay()==1)){document.form2.episco_date.src="episco_jamesofjerusalem.gif";document.form2.shield.src="james_brother_icon.jpg";jamesbro();}
if ((today.getMonth()==9)&(today.getDate()==28)){document.form2.episco_date.src="episco_simonandjude.gif";document.form2.shield.src="apostles2_s.jpg";simonandjude();}
if ((today.getMonth()==9)&(today.getDate()==29)&(today.getDay()==1)){document.form2.episco_date.src="episco_simonandjude.gif";document.form2.shield.src="apostles2_s.jpg";simonandjude();}
if ((today.getMonth()==10)&(today.getDate()==30)){document.form2.episco_date.src="episco_andrew.gif";document.form2.shield.src="s_andrew_small.jpg";saintandrew();}
if ((today.getMonth()==11)&(today.getDate()==1)&(today.getDay()==1)){document.form2.episco_date.src="episco_andrew.gif";document.form2.shield.src="s_andrew_small.jpg";saintandrew();}
if ((today.getMonth()==11)&(today.getDate()==21)){document.form2.episco_date.src="episco_thomas.gif";document.form2.shield.src="caravaggiodoubtingthomas.jpg";doubtingthomas();}
if ((today.getMonth()==11)&(today.getDate()==22)&(today.getDay()==1)){document.form2.episco_date.src="episco_thomas.gif";document.form2.shield.src="caravaggiodoubtingthomas.jpg";doubtingthomas();}
if ((today.getMonth()==11)&(today.getDate()==29)){document.form2.episco_date.src="episco_becket.gif";document.form2.shield.src="ThomasABecket.jpg";canterbury();}
if ((today.getMonth()==11)&(today.getDate()==30)&((today.getDay()==1)|(today.getDay()==2)|(today.getDay()==3)|(today.getDay()==4))){document.form2.episco_date.src="episco_becket.gif";document.form2.shield.src="ThomasABecket.jpg";canterbury();}
if ((today.getMonth()==11)&(today.getDate()==28)){document.form2.episco_date.src="episco_holyinnocents.gif";document.form2.shield.src="pcambodia1_s.jpg";palmicon();}
if ((today.getMonth()==11)&(today.getDate()==29)&((today.getDay()==1)|(today.getDay()==2)|(today.getDay()==3))){document.form2.episco_date.src="episco_holyinnocents.gif";document.form2.shield.src="pcambodia1_s.jpg";palmicon();}
if ((today.getMonth()==11)&(today.getDate()==27)){document.form2.episco_date.src="episco_john.gif";document.form2.shield.src="john_on_patmos_poussin.jpg";sanjuan();}
if ((today.getMonth()==11)&(today.getDate()==28)&((today.getDay()==1)|(today.getDay()==2))){document.form2.episco_date.src="episco_john.gif";document.form2.shield.src="john_on_patmos_poussin.jpg";sanjuan();}
if ((today.getMonth()==11)&(today.getDate()==26)){document.form2.episco_date.src="episco_stephen.gif";document.form2.shield.src="stephen4.jpg";palmicon();}
if ((today.getMonth()==11)&(today.getDate()==27)&(today.getDay()==1)){document.form2.episco_date.src="episco_stephen.gif";document.form2.shield.src="stephen4.jpg";palmicon();}
// below here
if ((today.getDay()==0)&(today.getMonth()==0)&(today.getDate()>=7)&(today.getDate()<=13)){document.form2.episco_date.src="episco_ep01.gif";document.form2.shield.src="epiphany_baptism_2.jpg";}
if ((today.getDay()==0)&(today.getMonth()==0)&(today.getDate()>=14)&(today.getDate()<=20)){document.form2.episco_date.src="episco_ep02.gif";
if (YearA()==true){document.form2.shield.src="ecce_agnus_dei_2.jpg";} else // B is Nathniel
{document.form2.shield.src="cana_s.jpg";}
}
if ((today.getDay()==0)&(today.getMonth()==0)&(today.getDate()>=21)&(today.getDate()<=27)){document.form2.episco_date.src="episco_ep03.gif";document.form2.shield.src="duccio_calling_apostles.jpg";} // A B
if ((today.getDay()==0)&(today.getMonth()==0)&(today.getDate()>=28)){document.form2.episco_date.src="episco_ep04.gif";document.form2.shield.src="sermon_on_the_mount.jpg";} // B is Capernaum exorcism
if ((today.getDay()==0)&(today.getMonth()==1)&(today.getDate()<=3)){document.form2.episco_date.src="episco_ep04.gif";document.form2.shield.src="sermon_on_the_mount.jpg";}
if ((today.getDay()==0)&(today.getMonth()==1)&(today.getDate()>=4)&(today.getDate()<=10)){document.form2.episco_date.src="episco_ep05.gif";document.form2.shield.src="draught_of_fishes.jpg";} // B is peters mother in law
if ((today.getDay()==0)&(today.getMonth()==1)&(today.getDate()>=11)&(today.getDate()<=17)){document.form2.episco_date.src="episco_ep06.gif";document.form2.shield.src="nephites.jpg";} // B is lepers
if ((today.getDay()==0)&(today.getMonth()==1)&(today.getDate()>=18)&(today.getDate()<=24)){document.form2.episco_date.src="episco_ep07.gif";document.form2.shield.src="nephites.jpg";} // B is paralytic
if ((today.getDay()==0)&(today.getMonth()==1)&(today.getDate()>=25)){document.form2.episco_date.src="episco_ep08.gif";document.form2.shield.src="nephites.jpg";}
if ((today.getDay()==0)&(today.getMonth()==2)&(today.getDate()<=4)){document.form2.episco_date.src="episco_ep08.gif";document.form2.shield.src="nephites.jpg";}
// leap year takes care of itself
if (fromEasterDays==-49){document.form2.episco_date.src="episco_ep_last.gif"; document.form2.shield.src="transfiguration.jpg";}
if (fromEasterDays==-46){document.form2.episco_date.src="episco_ashwednesday.gif";document.form2.shield.src="ashcross2.gif";twocrosses();}
if (fromEasterDays==-42){document.form2.episco_date.src="episco_lent1.gif";document.form2.shield.src="temptation_of_jesus.jpg";}
if (fromEasterDays==-35)
{
document.form2.episco_date.src="episco_lent2.gif";
if (YearA()==true){document.form2.shield.src="nicodemus.jpg";}
if (YearB()==true){document.form2.shield.src="jesus_preaching_powell.jpg";}
if (YearC()==true){document.form2.shield.src="jesus_preaching_powell.jpg";}
}
if (fromEasterDays==-28)
{
document.form2.episco_date.src="episco_lent3.gif";
if (YearA()==true){document.form2.shield.src="woman_at_the_well.jpg";}
if (YearB()==true){document.form2.shield.src="christ_traders_temple.jpg";}
if (YearC()==true){document.form2.shield.src="jesus_preaching_powell.jpg";}
}
if (fromEasterDays==-21){document.form2.episco_date.src="episco_lent4.gif";
document.form2.ember_day.src="rose.gif";document.form2.ember_day.alt="Rose Sunday"
if (YearA()==true){document.form2.shield.src="healingblind.jpg";} else
{document.form2.shield.src="prodigal_son.jpg";}
}
if (fromEasterDays==-14)
{
document.form2.episco_date.src="episco_lent5.gif";
if (YearA()==true){document.form2.shield.src="raising_of_lazarus.jpg";}
if (YearB()==true){document.form2.shield.src="jesus_preaching_powell.jpg";}
if (YearC()==true){document.form2.shield.src="jesus_preaching_powell.jpg";}
}
if ((today.getDay()==0)&(today.getMonth()==1)&(today.getDate()<=9)&(today.getDate()>=15)){document.form2.episco_date.src="episco_evolutionsunday.gif";document.form2.shield.src="evolution_sunday.jpg";}
if (fromEasterDays==-07){document.form2.episco_date.src="episco_palmsunday.gif";document.form2.shield.src="giotto_palm_sunday.jpg";twocrosses();}
if (fromEasterDays==-06){document.form2.episco_date.src="episco_holymonday.gif";document.form2.shield.src="christ_traders_temple.jpg";twocrosses();}
if (fromEasterDays==-05){document.form2.episco_date.src="episco_holytuesday.gif";document.form2.shield.src="jesus_preaching_powell.jpg";twocrosses();}
if (fromEasterDays==-04){document.form2.episco_date.src="episco_holywednesday.gif";document.form2.shield.src="christ_and_the_children.jpg";twocrosses();}
if (fromEasterDays==-03){document.form2.episco_date.src="episco_holythursday.gif";document.form2.shield.src="leonardo_s.jpg";twocrosses();}
if (fromEasterDays==-02){document.form2.episco_date.src="episco_goodfriday.gif";document.form2.shield.src="crucifixion_s.jpg";twocrosses();}
if (fromEasterDays==-01){document.form2.episco_date.src="episco_holysaturday.gif";document.form2.shield.src="sm_pieta.jpg";twocrosses();}
if (fromEasterDays==00){document.form2.episco_date.src="episco_easter.gif";document.form2.shield.src="eastersunBg.gif";easterweek();}
if (fromEasterDays==01){document.form2.episco_date.src="episco_eastermonday.gif";document.form2.shield.src="noli_1.jpg";easterweek();}
if (fromEasterDays==02){document.form2.episco_date.src="episco_eastertuesday.gif";document.form2.shield.src="noli_2.jpg";easterweek();}
if (fromEasterDays==03){document.form2.episco_date.src="episco_easterwednesday.gif";document.form2.shield.src="noli_3.jpg";easterweek();}
if (fromEasterDays==04){document.form2.episco_date.src="episco_easterthursday.gif";document.form2.shield.src="noli_4.jpg";easterweek();}
if (fromEasterDays==05){document.form2.episco_date.src="episco_easterfriday.gif";document.form2.shield.src="noli_5.jpg";easterweek();}
if (fromEasterDays==06){document.form2.episco_date.src="episco_eastersaturday.gif";document.form2.shield.src="noli_6.jpg";easterweek();}
if (fromEasterDays==07){document.form2.episco_date.src="episco_ea02.gif";document.form2.shield.src="caravaggiodoubtingthomas.jpg";} // Year AB is doubting Thomas
if (fromEasterDays==14){document.form2.episco_date.src="episco_ea03.gif";document.form2.shield.src="emmaus.jpg";} // Year A is Emmaus Year B is the two fish Year C feed my lambs
if (fromEasterDays==21){document.form2.episco_date.src="episco_ea04.gif";document.form2.shield.src="good_shepherd.jpg";} // Year AB is good shepherd
if (fromEasterDays==28){document.form2.episco_date.src="episco_ea05.gif";document.form2.shield.src="christ_at_prayer.jpg";} // Year A is way truth life so is collect Year B Vine and branches C New commandment
if (fromEasterDays==35){document.form2.episco_date.src="episco_ea06.gif";document.form2.shield.src="christ_at_prayer.jpg";} // Year A will send Holy Spirit Year B new commandment C pool of bethesdaa
if (fromEasterDays==39){document.form2.episco_date.src="episco_ascension.gif";document.form2.shield.src="JesusInClouds.jpg";easterweek();}
if (fromEasterDays==42){document.form2.episco_date.src="episco_ea07.gif";document.form2.shield.src="JesusInClouds.jpg";} // Year ABC is high priestly prayer
if (fromEasterDays==49){document.form2.episco_date.src="episco_pentecost.gif";document.form2.shield.src="pentecost2_s.jpg"; jamesbro();}
if (fromEasterDays==49+1*7){document.form2.episco_date.src="episco_p01.gif";document.form2.shield.src="Trinity_Animation.gif"; }
if (fromEasterDays==49+2*7){document.form2.episco_date.src="episco_p02.gif";GetProperPicture();}
if (fromEasterDays==49+3*7){document.form2.episco_date.src="episco_p03.gif";GetProperPicture();}
if (fromEasterDays==49+4*7){document.form2.episco_date.src="episco_p04.gif";GetProperPicture();}
if (fromEasterDays==49+5*7){document.form2.episco_date.src="episco_p05.gif";GetProperPicture();}
if (fromEasterDays==49+6*7){document.form2.episco_date.src="episco_p06.gif";GetProperPicture();}
if (fromEasterDays==49+7*7){document.form2.episco_date.src="episco_p07.gif";GetProperPicture();}
if (fromEasterDays==49+8*7){document.form2.episco_date.src="episco_p08.gif";GetProperPicture();}
if (fromEasterDays==49+9*7){document.form2.episco_date.src="episco_p09.gif";GetProperPicture();}
if (fromEasterDays==49+10*7){document.form2.episco_date.src="episco_p10.gif";GetProperPicture();}
if (fromEasterDays==49+11*7){document.form2.episco_date.src="episco_p11.gif";GetProperPicture();}
if (fromEasterDays==49+12*7){document.form2.episco_date.src="episco_p12.gif";GetProperPicture();}
if (fromEasterDays==49+13*7){document.form2.episco_date.src="episco_p13.gif";GetProperPicture();}
if (fromEasterDays==49+14*7){document.form2.episco_date.src="episco_p14.gif";GetProperPicture();}
if (fromEasterDays==49+15*7){document.form2.episco_date.src="episco_p15.gif";GetProperPicture();}
if (fromEasterDays==49+16*7){document.form2.episco_date.src="episco_p16.gif";GetProperPicture();}
if (fromEasterDays==49+17*7){document.form2.episco_date.src="episco_p17.gif";GetProperPicture();}
if (fromEasterDays==49+18*7){document.form2.episco_date.src="episco_p18.gif";GetProperPicture();}
if (fromEasterDays==49+19*7){document.form2.episco_date.src="episco_p19.gif";GetProperPicture();}
if (fromEasterDays==49+20*7){document.form2.episco_date.src="episco_p20.gif";GetProperPicture();}
if (fromEasterDays==49+21*7){document.form2.episco_date.src="episco_p21.gif";GetProperPicture();}
if (fromEasterDays==49+22*7){document.form2.episco_date.src="episco_p22.gif";GetProperPicture();}
if (fromEasterDays==49+23*7){document.form2.episco_date.src="episco_p23.gif";GetProperPicture();}
if (fromEasterDays==49+24*7){document.form2.episco_date.src="episco_p24.gif";GetProperPicture();}
if (fromEasterDays==49+25*7){document.form2.episco_date.src="episco_p25.gif";GetProperPicture();}
if (fromEasterDays==49+26*7){document.form2.episco_date.src="episco_p26.gif";GetProperPicture();}
if (fromEasterDays==49+27*7){document.form2.episco_date.src="episco_p27.gif";GetProperPicture();}
if (fromEasterDays==49+28*7){document.form2.episco_date.src="episco_p28.gif";GetProperPicture();}
if (fromEasterDays==49+29*7){document.form2.episco_date.src="episco_p29.gif";GetProperPicture();}
if (fromEasterDays==49+30*7){document.form2.episco_date.src="episco_p30.gif";GetProperPicture();}
if ((today.getMonth()==9)&(today.getDay()==0)&(today.getDate()<=7)){document.form2.shield.src="blessing_of_the_animals.jpg";}
if (fromEasterDays==8)
{
if ((easterMonth==3)&(easterDayOfMonth<=26)){document.form2.episco_date.src="episco_joseph.gif";document.form2.shield.src="joseph_2.gif";saintjoseph();}
if ((easterMonth==3)&(easterDayOfMonth>26)){document.form2.episco_date.src="episco_annunciation.gif";document.form2.shield.src="annunciation_tanner_s.jpg";annunciationday();}
if ((easterMonth==4)&(easterDayOfMonth==1)){document.form2.episco_date.src="episco_annunciation.gif";document.form2.shield.src="annunciation_tanner_s.jpg";annunciationday();}
if ((easterMonth==4)&(easterDayOfMonth>=19)){document.form2.episco_date.src="episco_mark.gif";document.form2.shield.src="mark_the_evangelist.jpg";sanmarco();}
}
if (fromEasterDays==9)
{
if ((easterMonth==3)&(easterDayOfMonth<=26)){document.form2.episco_date.src="episco_annunciation.gif";document.form2.shield.src="annunciation_tanner_s.jpg";}
if ((easterMonth==4)&(easterDayOfMonth>=19)&(today.getMonth()==4)){document.form2.episco_date.src="episco_philipandjames.gif";document.form2.shield.src="apostles2_s.jpg";fiveloavesandtwofishes();}
}
if ((today.getDay()==0)&(today.getMonth()==10)&(today.getDate()>=20)&(today.getDate()<=26)){document.form2.episco_date.src="episco_p_last.gif";document.form2.shield.src="pantocrator_s.jpg";}
if ((today.getDay()==0)&(today.getMonth()==10)&(today.getDate()>=27) ){document.form2.episco_date.src="episco_adv_01.gif";document.form2.shield.src="Advent_Wreath_1.gif";}
if ((today.getDay()==0)&(today.getMonth()==11) &(today.getDate()<= 3)){document.form2.episco_date.src="episco_adv_01.gif";document.form2.shield.src="Advent_Wreath_1.gif";}
if ((today.getDay()==0)&(today.getMonth()==11)&(today.getDate()>= 4)&(today.getDate()<=10)){document.form2.episco_date.src="episco_adv_02.gif";document.form2.shield.src="Advent_Wreath_2.gif";}
if ((today.getDay()==0)&(today.getMonth()==11)&(today.getDate()>=11)&(today.getDate()<=17)){document.form2.episco_date.src="episco_adv_03.gif";document.form2.shield.src="Advent_Wreath_3.gif";}
if ((today.getDay()==0)&(today.getMonth()==11)&(today.getDate()>=18)&(today.getDate()<=24)){document.form2.episco_date.src="episco_adv_04.gif";document.form2.shield.src="Advent_Wreath_4.gif";}
if ((today.getDay()==0)&(today.getMonth()==11)&(today.getDate()>=26)){document.form2.episco_date.src="episco_c01.gif";document.form2.shield.src="nativity.jpg";}
if ((today.getDay()==0)&(today.getMonth()==0)&(today.getDate()>=2)&(today.getDate()<6)){document.form2.episco_date.src="episco_c02.gif";document.form2.shield.src="nativity.jpg";}
if ((today.getMonth()==10)&(today.getDate()>=22)&(today.getDate()<=28)&(today.getDay()==4)){document.form2.episco_date.src="episco_thanksgiving.gif";turkeyday();}
if ((today.getMonth()==0)&(today.getDate()==6)){document.form2.episco_date.src="episco_epiphany.gif";document.form2.shield.src="ZWisemenGifts.jpg";specialdevotion=false;stars();}
if ((today.getMonth()==10)&(today.getDate()==1)){document.form2.episco_date.src="episco_allsaints.gif";document.form2.shield.src="apocalypse9_s.jpg";specialdevotion=false;allsaints();}
if ((today.getMonth()==11)&(today.getDate()==25)){document.form2.episco_date.src="episco_christmas.gif";document.form2.shield.src="santa_s.jpg";xmas();}
if ((today.getMonth()==0)&(today.getDate()==1)){document.form2.episco_date.src="episco_holyname.gif";document.form2.shield.src="ihscross.gif";specialdevotion=false;}
if ((today.getMonth()==1)&(today.getDate()==2)){document.form2.episco_date.src="episco_presentation.gif";document.form2.shield.src="presentation_greg_olsen.jpg"; specialdevotion=false;presentation();}
if ((today.getMonth()==7)&(today.getDate()==6)){document.form2.episco_date.src="episco_transfiguration.gif";document.form2.shield.src="transfiguration.jpg";specialdevotion=false;jamesbro();}
if (today.getHours()>17)
{
if (fromEasterDays==-1){document.form2.episco_date.src="episco_easter_eve.gif";document.form2.shield.src="lent.gif";easterweek();}
if (fromEasterDays==38){document.form2.episco_date.src="episco_ascension_eve.gif";document.form2.shield.src="easter_bible_2.gif";easterweek();}
if (fromEasterDays==48){document.form2.episco_date.src="episco_pentecost_eve.gif";document.form2.shield.src="easter_bible_2.gif";jamesbro();}
if (fromEasterDays==55){document.form2.episco_date.src="episco_trinity_eve.gif";document.form2.shield.src="Trinity_Animation.gif";}
if ((today.getMonth()==11)&(today.getDate()==24)){document.form2.episco_date.src="episco_christmas_eve.gif";document.form2.shield.src="santa_s.jpg";xmas();}
if ((today.getMonth()==11)&(today.getDate()==31)){document.form2.episco_date.src="episco_holyname_eve.gif";document.form2.shield.src="ihscross.gif";}
if ((today.getMonth()==0)&(today.getDate()==5)){document.form2.episco_date.src="episco_epiphany_eve.gif";document.form2.shield.src="ZWisemenGifts.jpg";stars();}
if ((today.getMonth()==1)&(today.getDate()==1)){document.form2.episco_date.src="episco_presentation_eve.gif";document.form2.shield.src="presentation.jpg"; }
if ((today.getMonth()==4)&(today.getDate()==30)&(today.getDay()!=6)){document.form2.episco_date.src="episco_visitation_eve.gif";document.form2.shield.src="visitation_s.jpg";magnificat();}
if ((today.getMonth()==4)&(today.getDate()==31)&(today.getDay()==6)){document.form2.episco_date.src="episco_visitation_eve.gif";document.form2.shield.src="visitation_s.jpg";magnificat();}
if ((today.getMonth()==7)&(today.getDate()==5)){document.form2.episco_date.src="episco_transfiguration_eve.gif";document.form2.shield.src="transfiguration.jpg";}
if ((today.getMonth()==5)&(today.getDate()==23)&(today.getDay()!=6)){document.form2.episco_date.src="episco_johnthebaptist_eve.gif";document.form2.shield.src="jb.jpg";jb();}
if ((today.getMonth()==5)&(today.getDate()==24)&(today.getDay()==6)){document.form2.episco_date.src="episco_johnthebaptist_eve.gif";document.form2.shield.src="jb.jpg";jb();}
if ((today.getMonth()==8)&(today.getDate()==13)&(today.getDay()!=6)){document.form2.episco_date.src="episco_holycross_eve.gif"; document.form2.shield.src="sandamiano.jpg";}
if ((today.getMonth()==8)&(today.getDate()==14)&(today.getDay()==6)){document.form2.episco_date.src="episco_holycross_eve.gif"; document.form2.shield.src="sandamiano.jpg";}
if ((today.getMonth()==9)&(today.getDate()==31)){document.form2.episco_date.src="episco_allsaints_eve.gif";document.form2.shield.src="drybones.jpg";}
if ((easterMonth==4)&(easterDayOfMonth>1)&(today.getMonth()==2)&(today.getDate()==24)){document.form2.episco_date.src="episco_annunciation_eve.gif";document.form2.shield.src="annunciation_tanner_s.jpg";specialdevotion=false;annunciationday();}
else
if ((easterMonth==4)&(easterDayOfMonth==1)&(fromEasterDays==7)){document.form2.episco_date.src="episco_annunciation_eve.gif";document.form2.shield.src="annunciation_tanner_s.jpg";specialdevotion=false;annunciationday();}
else
if ((easterMonth==3)&(easterDayOfMonth>26)&(fromEasterDays==7)){document.form2.episco_date.src="episco_annunciation_eve.gif";document.form2.shield.src="annunciation_tanner_s.jpg";specialdevotion=false;annunciationday();}
else
if ((easterMonth==3)&(easterDayOfMonth<=26)&(fromEasterDays==8)){document.form2.episco_date.src="episco_annunciation_eve.gif";document.form2.shield.src="annunciation_tanner_s.jpg";specialdevotion=false;annunciationday();}
}
emberday=false;rogationday=false;
if ((today.getMonth()==8)&(today.getDate()>=15)&(today.getDate()<21)){emberday=true;}
if (advent==3){emberday=true;}
if ((today.getDay()==0)|(today.getDay()==1)|(today.getDay()==2)|(today.getDay()==4)){emberday=false;}
if (fromEasterDays==-39){emberday=true;}
if (fromEasterDays==-37){emberday=true;}
if (fromEasterDays==-36){emberday=true;}
if (fromEasterDays==52){emberday=true;}
if (fromEasterDays==54){emberday=true;}
if (fromEasterDays==55){emberday=true;}
if (fromEasterDays==38){rogationday=true;}
if (fromEasterDays==37){rogationday=true;}
if (fromEasterDays==36){rogationday=true;}
if ((today.getMonth()==11)&(today.getDate()==17))
{document.form2.ember_day.src="dec17.gif";document.form2.ember_day.alt="O come, O come, Emmanual"}
else
if ((today.getMonth()==11)&(today.getDate()==18))
{document.form2.ember_day.src="dec18.gif";document.form2.ember_day.alt="O come, O come, Emmanual"}
else
if ((today.getMonth()==11)&(today.getDate()==19))
{document.form2.ember_day.src="dec19.gif";document.form2.ember_day.alt="O come, O come, Emmanual"}
else
if ((today.getMonth()==11)&(today.getDate()==20))
{document.form2.ember_day.src="dec20.gif";document.form2.ember_day.alt="O come, O come, Emmanual"}
else
if ((today.getMonth()==11)&(today.getDate()>=21)&(today.getDate()<=24))
{document.form2.ember_day.src="dec21.gif";document.form2.ember_day.alt="O come, O come, Emmanual"}
else
if (emberday==true)
{document.form2.ember_day.src="emberday.gif";document.form2.ember_day.alt="Day of Special Devotion"}
else if (rogationday==true)
{document.form2.ember_day.src="rogationday.gif";document.form2.ember_day.alt="Day of Special Devotion"}
else if (specialdevotion==true)
{document.form2.ember_day.src="specialdevotion.gif";document.form2.ember_day.alt="Day of Special Devotion"}
else if ((fromEasterDays==-21)|((today.getDay()==0)&(today.getMonth()==11)&(today.getDate()>=11)&(today.getDate()<=17)))
{document.form2.ember_day.src="rose-sm-kp.gif";document.form2.ember_day.alt="Rose Sunday"}
else if ((today.getMonth()==11)&(today.getDate()==25))
{document.form2.ember_day.src="christ_child.gif";document.form2.ember_day.alt="Happy birthday, Jesus"}
else if ((today.getMonth()==0)&(today.getDate()==6))
{document.form2.ember_day.src="star.gif";document.form2.ember_day.alt="The wise still seek Him"}
else if ((today.getMonth()==0)&(today.getDate()==1))
{document.form2.ember_day.src="ihs.gif";document.form2.ember_day.alt="Holy Name"}
// peterkeys();
//sanmarco();
//saintluke();
//jamesbro();
///santamaria();
//sanpablo();
//peterpaul();
//saintbart();
// if (fromEasterDays==0){document.form1.swim.src="swim_galilee9.gif";document.form1.flagpole.src="easter.gif";document.form1.d.src="easter_blank.gif";return;}
// if (fromEasterDays==49){document.form1.swim.src="swim_galilee9.gif";document.form1.flagpole.src="pentecost.gif";document.form1.d.src="pentecost_blank.gif";return;}
// if ((fromEasterDays==-46)){document.form1.swim.src="swim_galilee9.gif";document.form1.flagpole.src="ashwednesday.gif";document.form1.d.src="ash_wednesday_blank.gif";return;}
if ((today.getMonth()==8)&(today.getDate()<=7)&(today.getDay()==1)){document.form1.swim.src="swim_laborday15.gif";document.form1.flagpole.src="labor.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()>=15)&(today.getDate()<=21)&(today.getDay()==6)){document.form1.swim.src="swim_armedforcesday9.gif";document.form1.flagpole.src="armedforcesday.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()>=25)&(today.getDay()==1)){document.form1.swim.src="swim_memorialday2.gif";document.form1.flagpole.src="memorial.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()>=22)&(today.getDate()<=28)&(today.getDay()==4)){document.form1.swim.src="swim_thanksgiving.gif";document.form1.flagpole.src="thanksgiving.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()>=15)&(today.getDate()<=21)&(today.getDay()==1)){document.form1.swim.src="swim_mlk8.gif";document.form1.flagpole.src="mlk.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()== 1)&(today.getHours()%2==0)){document.form1.swim.src="swim_sudan7.gif";document.form1.flagpole.src="sudan.gif";workforafreeworld();return;}
if ((today.getMonth()==0)&(today.getDate()== 1)&(today.getHours()%2==1)){document.form1.swim.src="swim_haiti7.gif";document.form1.flagpole.src="haiti.gif";workforafreeworld();return;}
if ((today.getMonth()==0)&(today.getDate()== 2)){document.form1.swim.src="swim_georgiastate.gif";document.form1.flagpole.src="georgiastate.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()== 4)&(today.getHours()%2==0)){document.form1.swim.src="swim_utah8.gif";document.form1.flagpole.src="utah.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()== 4)&(today.getHours()%2==1)){document.form1.swim.src="swim_burma10.gif";document.form1.flagpole.src="burma.gif";democracyflag();return;}
if ((today.getMonth()==0)&(today.getDate()== 6)){document.form1.swim.src="swim_newmexico10.gif";document.form1.flagpole.src="newmexico.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()== 7)){document.form1.swim.src="swim_tver.gif";document.form1.flagpole.src="tver.gif";workforafreeworld();return;}
if ((today.getMonth()==0)&(today.getDate()== 9)){document.form1.swim.src="swim_connecticut8.gif";document.form1.flagpole.src="connecticut.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()==13)){document.form1.swim.src="swim_togo6.gif";document.form1.flagpole.src="togo.gif";workforafreeworld();return;}
if ((today.getMonth()==0)&(today.getDate()==17)){document.form1.swim.src="swim_franklin.gif";document.form1.flagpole.src="franklin.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()==20)){document.form1.swim.src="swim_dagestan3.gif";document.form1.flagpole.src="dagestan.gif";workforafreeworld();return;}
if ((today.getMonth()==0)&(today.getDate()==23)){document.form1.swim.src="swim_liechtenstein.gif";document.form1.flagpole.src="liechtenstein.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()==25)){document.form1.swim.src="swim_mordovia8.gif";document.form1.flagpole.src="mordovia.gif";workforafreeworld();return;}
if ((today.getMonth()==0)&(today.getDate()==26)&(today.getHours()%2==0)){document.form1.swim.src="swim_australia12.gif";document.form1.flagpole.src="australia.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()==26)&(today.getHours()%2==1)){document.form1.swim.src="swim_michigan3.gif";document.form1.flagpole.src="michigan.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()==29)){document.form1.swim.src="swim_kansas9.gif";document.form1.flagpole.src="kansas.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()==31)){document.form1.swim.src="swim_nauru4.gif";document.form1.flagpole.src="nauru.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==2)){document.form1.swim.src="swim_volgograd3.gif";document.form1.flagpole.src="volgograd.gif";workforafreeworld();return;}
if ((today.getMonth()==1)&(today.getDate()==4)){document.form1.swim.src="swim_ceylon3.gif";document.form1.flagpole.src="ceylon.gif";workforafreeworld();return;}
if ((today.getMonth()==1)&(today.getDate()==6)&(today.getHours()%2==0)){document.form1.swim.src="swim_newzealand.gif";document.form1.flagpole.src="nz.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==6)&(today.getHours()%2==1)){document.form1.swim.src="swim_massachusetts2.gif";document.form1.flagpole.src="massachusetts.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==7)){document.form1.swim.src="swim_grenada6.gif";document.form1.flagpole.src="grenada.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==8)){document.form1.swim.src="swim_kursk7.gif";document.form1.flagpole.src="kursk.gif";workforafreeworld();return;}
if ((today.getMonth()==1)&(today.getDate()==11)){document.form1.swim.src="swim_iran7.gif";document.form1.flagpole.src="iran.gif";workforafreeworld();return;}
if ((today.getMonth()==1)&(today.getDate()==13)){document.form1.swim.src="swim_stavropol7.gif";document.form1.flagpole.src="stavropol.gif";workforafreeworld();return;}
if ((today.getMonth()==1)&(today.getDate()==14)&(today.getHours()%2==0)){document.form1.swim.src="swim_oregon3.gif";document.form1.flagpole.src="oregon.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==14)&(today.getHours()%2==1)){document.form1.swim.src="swim_arizona5.gif";document.form1.flagpole.src="arizona.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==16)){document.form1.swim.src="swim_lithuania.gif";document.form1.flagpole.src="lithuania.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==17)){document.form1.swim.src="swim_neworleans4.gif";document.form1.flagpole.src="neworleans.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==18)){document.form1.swim.src="swim_gambia6.gif";document.form1.flagpole.src="gambia.gif";workforafreeworld();return;}
if ((today.getMonth()==1)&(today.getDate()==20)){document.form1.swim.src="swim_chinpeople.gif";document.form1.flagpole.src="chinpeople.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==21)){document.form1.swim.src="swim_buryatia5.gif";document.form1.flagpole.src="buryatia.gif";workforafreeworld();return;}
if ((today.getMonth()==1)&(today.getDate()==22)){document.form1.swim.src="swim_delaware_river.gif";document.form1.flagpole.src="washington.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==23)){document.form1.swim.src="swim_guyana.gif";document.form1.flagpole.src="guyana.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==24)){document.form1.swim.src="swim_estonia5.gif";document.form1.flagpole.src="estonia.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==25)){document.form1.swim.src="swim_kuwait.gif";document.form1.flagpole.src="kuwait.gif";workforafreeworld();return;}
if ((today.getMonth()==1)&(today.getDate()==27)){document.form1.swim.src="swim_dominicanrepublic3.gif";document.form1.flagpole.src="domrep.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==1)&(today.getHours()%6>1)){document.form1.swim.src="swim_wales8.gif";document.form1.flagpole.src="welsh.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==1)&(today.getHours()%6==0)){document.form1.swim.src="swim_ohio5.gif";document.form1.flagpole.src="ohio.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==1)&(today.getHours()%6==1)){document.form1.swim.src="swim_nebraska5.gif";document.form1.flagpole.src="nebraska.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==3)&(today.getHours()%3>0)){document.form1.swim.src="swim_bulgaria.gif";document.form1.flagpole.src="bulgaria.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==3)&(today.getHours()%3==0)){document.form1.swim.src="swim_florida2.gif";document.form1.flagpole.src="florida.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==4)){document.form1.swim.src="swim_vermont5.gif";document.form1.flagpole.src="vermont.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==5)){document.form1.swim.src="swim_cornwall7.gif";document.form1.flagpole.src="cornwall.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==6)){document.form1.swim.src="swim_ghana3.gif";document.form1.flagpole.src="ghana.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==10)){document.form1.swim.src="swim_tibet.gif";document.form1.flagpole.src="tibet.gif";workforafreeworld();return;}
if ((today.getMonth()==2)&(today.getDate()==12)){document.form1.swim.src="swim_mauritius7.gif";document.form1.flagpole.src="mauritius.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==15)){document.form1.swim.src="swim_maine4.gif";document.form1.flagpole.src="maine.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==17)){document.form1.swim.src="swim_ireland9.gif";document.form1.flagpole.src="saintpatricks.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==20)&(today.getHours()%3==0)){document.form1.swim.src="swim_kurdistan.gif";document.form1.flagpole.src="kurd.gif";workforafreeworld();return;}
if ((today.getMonth()==2)&(today.getDate()==20)&(today.getHours()%3>0)){document.form1.swim.src="swim_tunisia10.gif";document.form1.flagpole.src="tunisia.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==21)){document.form1.swim.src="swim_namibia9.gif";document.form1.flagpole.src="namibia.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==23)){document.form1.swim.src="swim_pakistan5.gif";document.form1.flagpole.src="pakistan.gif";workforafreeworld();return;}
if ((today.getMonth()==2)&(today.getDate()==25)){document.form1.swim.src="swim_greece9.gif";document.form1.flagpole.src="greek.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==26)){document.form1.swim.src="swim_bangladesh8.gif";document.form1.flagpole.src="bangladesh.gif";workforafreeworld();return;}
if ((today.getMonth()==2)&(today.getDate()==30)){document.form1.swim.src="swim_aland4.gif";document.form1.flagpole.src="aland.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==31)&(today.getHours()%3==1)){document.form1.swim.src="swim_kalmykia7.gif";document.form1.flagpole.src="kalmykia.gif";workforafreeworld();return;}
if ((today.getMonth()==2)&(today.getDate()==31)&(today.getHours()%3!=1)){document.form1.swim.src="swim_usvi.gif";document.form1.flagpole.src="usvi.gif";democracy();return;}
if ((today.getMonth()==3)&(today.getDate()==1)){document.form1.swim.src="swim_nunavut2.gif";document.form1.flagpole.src="nunavut.gif";democracy();return;}
if ((today.getMonth()==3)&(today.getDate()==4)){document.form1.swim.src="swim_senegal4.gif";document.form1.flagpole.src="senegal.gif";democracy();return;}
if ((today.getMonth()==3)&(today.getDate()==8)){document.form1.swim.src="swim_japan.gif";document.form1.flagpole.src="japan.gif";democracy();return;}
if ((today.getMonth()==3)&(today.getDate()==13)){document.form1.swim.src="swim_jefferson7.gif";document.form1.flagpole.src="jefferson.gif";democracy();return;}
if ((today.getMonth()==3)&(today.getDate()==17)){document.form1.swim.src="swim_syria10.gif";document.form1.flagpole.src="syria.gif";workforafreeworld();return;}
if ((today.getMonth()==3)&(today.getDate()==18)){document.form1.swim.src="swim_zimbabwe8.gif";document.form1.flagpole.src="zimbabwe.gif";democracyflag();return;}
if ((today.getMonth()==3)&(today.getDate()==21)){document.form1.swim.src="swim_texas15.gif";document.form1.flagpole.src="texas.gif";democracy();return;}
if ((today.getMonth()==3)&(today.getDate()==22)){document.form1.swim.src="swim_earthday.gif";document.form1.flagpole.src="earthday.gif";environmentalism_without_extremism();return;}
if ((today.getMonth()==3)&(today.getDate()==23)){document.form1.swim.src="swim_shakespeare.gif";document.form1.flagpole.src="england.gif";democracy();return;}
if ((today.getMonth()==3)&(today.getDate()==26)){document.form1.swim.src="swim_zanzibar.gif";document.form1.flagpole.src="tanzania.gif";workforafreeworld();return;}
if ((today.getMonth()==3)&(today.getDate()==27)&(today.getHours()%3==0)){document.form1.swim.src="swim_southafrica5.gif";document.form1.flagpole.src="southafrica.gif";democracy();return;}
if ((today.getMonth()==3)&(today.getDate()==27)&(today.getHours()%3==1)){document.form1.swim.src="swim_yakutia9.gif";document.form1.flagpole.src="yakutia.gif";workforafreeworld();return;}
if ((today.getMonth()==3)&(today.getDate()==27)&(today.getHours()%3==2)){document.form1.swim.src="swim_sierraleone9.gif";document.form1.flagpole.src="sierraleone.gif";workforafreeworld();return;}
if ((today.getMonth()==3)&(today.getDate()==28)){document.form1.swim.src="swim_maryland6.gif";document.form1.flagpole.src="maryland.gif";democracy();return;}
if ((today.getMonth()==3)&(today.getDate()==30)&(today.getHours()%2==0)){document.form1.swim.src="swim_saba.gif";document.form1.flagpole.src="netherlandsantilles.gif";democracy();return;}
if ((today.getMonth()==3)&(today.getDate()==30)&(today.getHours()%2==1)){document.form1.swim.src="swim_louisiana6.gif";document.form1.flagpole.src="louisiana.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==1)){document.form1.swim.src="swim_marshallislands8.gif";document.form1.flagpole.src="marshall.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==3)){document.form1.swim.src="swim_poland7.gif";document.form1.flagpole.src="poland.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==5)){document.form1.swim.src="swim_mexico14.gif";document.form1.flagpole.src="mexico.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==9)&(today.getHours()%2==0)){document.form1.swim.src="swim_jersey10.gif";document.form1.flagpole.src="jersey.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==9)&(today.getHours()%2==1)){document.form1.swim.src="swim_guernsey9.gif";document.form1.flagpole.src="guernsey.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==11)){document.form1.swim.src="swim_minnesota7.gif";document.form1.flagpole.src="minnesota.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==12)){document.form1.swim.src="swim_manitoba9.gif";document.form1.flagpole.src="manitoba.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==15)){document.form1.swim.src="swim_paraguay2.gif";document.form1.flagpole.src="paraguay.gif";workforafreeworld();return;}
if ((today.getMonth()==4)&(today.getDate()==16)){document.form1.swim.src="swim_alderney7.gif";document.form1.flagpole.src="alderney.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==17)){document.form1.swim.src="swim_norway14.gif";document.form1.flagpole.src="norway.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==20)&(today.getHours()%2==0)){document.form1.swim.src="swim_timor7.gif";document.form1.flagpole.src="timor.gif";workforafreeworld();return;}
if ((today.getMonth()==4)&(today.getDate()==20)&(today.getHours()%2==1)){document.form1.swim.src="swim_cameroon4.gif";document.form1.flagpole.src="cameroon.gif";workforafreeworld();return;}
if ((today.getMonth()==4)&(today.getDate()==21)){document.form1.swim.src="swim_montenegro12.gif";document.form1.flagpole.src="montenegro.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==22)){document.form1.swim.src="swim_yemen9.gif";document.form1.flagpole.src="yemen.gif";workforafreeworld();return;}
if ((today.getMonth()==4)&(today.getDate()==23)){document.form1.swim.src="swim_southcarolina10.gif";document.form1.flagpole.src="southcarolina.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==24)&(today.getHours()%2==0)){document.form1.swim.src="swim_bermuda2.gif";document.form1.flagpole.src="bermuda.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==24)&(today.getHours()%2==1)){document.form1.swim.src="swim_eritrea8.gif";document.form1.flagpole.src="eritrea.gif";workforafreeworld();return;}
if ((today.getMonth()==4)&(today.getDate()==25)&(today.getHours()%2==0)){document.form1.swim.src="swim_argentina5.gif";document.form1.flagpole.src="argentina.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==25)&(today.getHours()%2==1)){document.form1.swim.src="swim_jordan.gif";document.form1.flagpole.src="jordan.gif";workforafreeworld();return;}
if ((today.getMonth()==4)&(today.getDate()==26)){document.form1.swim.src="swim_georgia2.gif";document.form1.flagpole.src="georgia.gif";workforafreeworld();return;}
if ((today.getMonth()==4)&(today.getDate()==28)){document.form1.swim.src="swim_azerbaijan4.gif";document.form1.flagpole.src="azerbaijan.gif";workforafreeworld();return;}
if ((today.getMonth()==4)&(today.getDate()==29)&(today.getHours()%3==0)){document.form1.swim.src="swim_jfk.gif";document.form1.flagpole.src="jfk.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==29)&(today.getHours()%3==1)){document.form1.swim.src="swim_rhodeisland23.gif";document.form1.flagpole.src="rhodeisland.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==29)&(today.getHours()%3==2)){document.form1.swim.src="swim_wisconsin5.gif";document.form1.flagpole.src="wisconsin.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==30)&(today.getHours()%2==0)){document.form1.swim.src="swim_canary.gif";document.form1.flagpole.src="canary.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==30)&(today.getHours()%2==1)){document.form1.swim.src="swim_anguilla7.gif";document.form1.flagpole.src="anguilla.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==31)){document.form1.swim.src="swim_eastwood6.gif";document.form1.flagpole.src="eastwood.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==1)&(today.getHours()%3==0)){document.form1.swim.src="swim_tennessee6.gif";document.form1.flagpole.src="tennessee.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==1)&(today.getHours()%3==1)){document.form1.swim.src="swim_samoa2.gif";document.form1.flagpole.src="samoa.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==1)&(today.getHours()%3==2)){document.form1.swim.src="swim_kentucky7.gif";document.form1.flagpole.src="kentucky.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==2)){document.form1.swim.src="swim_italy13.gif";document.form1.flagpole.src="italy.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==3)&(today.getDay()<3)){document.form1.swim.src="swim_ws17.gif";document.form1.flagpole.src="watersafetyweek.gif";watersafetyweek();return;}
if ((today.getMonth()==5)&(today.getDate()==4)){document.form1.swim.src="swim_tonga6.gif";document.form1.flagpole.src="tonga.gif";workforafreeworld();return;}
if ((today.getMonth()==5)&(today.getDate()==5)){document.form1.swim.src="swim_denmark6.gif";document.form1.flagpole.src="denmark.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==6)){document.form1.swim.src="swim_sweden.gif";document.form1.flagpole.src="sweden.gif";democracy();return;}
// if ((today.getMonth()==5)&(today.getDate()==7)){document.form1.swim.src="swim_midway6.gif";document.form1.flagpole.src="midway.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==7)){document.form1.swim.src="swim_ws.gif";document.form1.flagpole.src="watersafetyweek.gif";watersafetyweek();return;}
if ((today.getMonth()==5)&(today.getDate()==8)&(today.getDay()>0)){document.form1.swim.src="swim_ws25.gif";document.form1.flagpole.src="watersafetyweek.gif";watersafetyweek();return;}
if ((today.getMonth()==5)&(today.getDate()==9)&(today.getDay()>1)){document.form1.swim.src="swim_ws18.gif";document.form1.flagpole.src="watersafetyweek.gif";watersafetyweek();return;}
if ((today.getMonth()==5)&(today.getDate()==10)){document.form1.swim.src="swim_portugal8.gif";document.form1.flagpole.src="portugal.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==11)){document.form1.swim.src="swim_hawaii7.gif";document.form1.flagpole.src="hawaii.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==12)&(today.getHours()%2==0)){document.form1.swim.src="swim_russia.gif";document.form1.flagpole.src="russia.gif";workforafreeworld();return;}
if ((today.getMonth()==5)&(today.getDate()==12)&(today.getHours()%2==1)){document.form1.swim.src="swim_philippines2.gif";document.form1.flagpole.src="philippines.gif";workforafreeworld();return;}
if ((today.getMonth()==5)&(today.getDate()==13)&(today.getDay()>5)){document.form1.swim.src="swim_ws3.gif";document.form1.flagpole.src="watersafetyweek.gif";watersafetyweek();return;}
if ((today.getMonth()==5)&(today.getDate()==14)&(today.getHours()==0)){document.form1.swim.src="swim_falklandislands2.gif";document.form1.flagpole.src="falklands.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==14)&(today.getHours()>0)){document.form1.swim.src="swim_flagday4.gif";document.form1.flagpole.src="flagday.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==15)){document.form1.swim.src="swim_arkansas4.gif";document.form1.flagpole.src="arkansas.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==16)){document.form1.swim.src="swim_armycorps2.gif";document.form1.flagpole.src="armycorps.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==17)){document.form1.swim.src="swim_iceland.gif";document.form1.flagpole.src="iceland.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==18)){document.form1.swim.src="swim_seychelles8.gif";document.form1.flagpole.src="seychelles.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==19)){document.form1.swim.src="swim_juneteenth.gif";document.form1.flagpole.src="juneteenth.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==20)){document.form1.swim.src="swim_westvirginia15.gif";document.form1.flagpole.src="westvirginia.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==21)&(today.getHours()%2==0)){document.form1.swim.src="swim_greenland9.gif";document.form1.flagpole.src="greenland.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==21)&(today.getHours()%2==1)){document.form1.swim.src="swim_newhampshire.gif";document.form1.flagpole.src="newhampshire.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==23)){document.form1.swim.src="swim_luxembourg10.gif";document.form1.flagpole.src="luxembourg.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==24)&(today.getHours()%4==0)){document.form1.swim.src="swim_chuvash8.gif";document.form1.flagpole.src="chuvash.gif";workforafreeworld();return;}
if ((today.getMonth()==5)&(today.getDate()==24)&(today.getHours()%4==1)){document.form1.swim.src="swim_newf4.gif";document.form1.flagpole.src="newf_lab.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==24)&(today.getHours()%4==2)){document.form1.swim.src="swim_labrador3.gif";document.form1.flagpole.src="newf_lab.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==24)&(today.getHours()%4==3)){document.form1.swim.src="swim_quebec6.gif";document.form1.flagpole.src="quebec.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==25)&(today.getHours()%3==0)){document.form1.swim.src="swim_virginia8.gif";document.form1.flagpole.src="virginia.gif";democracy();return;} // MOZAMBIQUE
if ((today.getMonth()==5)&(today.getDate()==25)&(today.getHours()%3==1)){document.form1.swim.src="swim_mozambique4.gif";document.form1.flagpole.src="mozambique7.gif";workforafreeworld();return;}
if ((today.getMonth()==5)&(today.getDate()==25)&(today.getHours()%3==2)){document.form1.swim.src="swim_croatia10.gif";document.form1.flagpole.src="croatia.gif";democracy();return;} // MOZAMBIQUE
if ((today.getMonth()==5)&(today.getDate()==26)){document.form1.swim.src="swim_madagascar9.gif";document.form1.flagpole.src="madagascar.gif";workforafreeworld();return;}
if ((today.getMonth()==5)&(today.getDate()==27)){document.form1.swim.src="swim_djibouti16.gif";document.form1.flagpole.src="djibouti.gif";workforafreeworld();return;}
if ((today.getMonth()==5)&(today.getDate()==28)){document.form1.swim.src="swim_serbia3.gif";document.form1.flagpole.src="serbia.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==29)){document.form1.swim.src="swim_rome.gif";return;}
if ((today.getMonth()==5)&(today.getDate()==30)){document.form1.swim.src="swim_congo.gif";document.form1.flagpole.src="kinshasa.gif";workforafreeworld();return;}
if ((today.getMonth()==6)&(today.getDate()==1)&(today.getDay()!=0)){document.form1.swim.src="swim_canada.gif";document.form1.flagpole.src="canada.gif";democracy();return;} // rwanda burundi somalaia
if ((today.getMonth()==6)&(today.getDate()==1)&(today.getDay()==0)&(today.getHours()%3==1)){document.form1.swim.src="swim_rwanda.gif";document.form1.flagpole.src="rwanda.gif";workforafreeworld();return;} // rwanda burundi somalaia
if ((today.getMonth()==6)&(today.getDate()==1)&(today.getDay()==0)&(today.getHours()%3==2)){document.form1.swim.src="swim_burundi2.gif";document.form1.flagpole.src="burundi.gif";workforafreeworld();return;} // rwanda burundi somalaia
if ((today.getMonth()==6)&(today.getDate()==1)&(today.getDay()==0)&(today.getHours()%3==0)){document.form1.swim.src="swim_somalia5.gif";document.form1.flagpole.src="somalia.gif";workforafreeworld();return;} // rwanda burundi somalaia
if ((today.getMonth()==6)&(today.getDate()==2)&(today.getDay()==1)){document.form1.swim.src="swim_canada.gif";document.form1.flagpole.src="canada.gif";democracy();return;} // rwanda burundi somalaia
if ((today.getMonth()==6)&(today.getDate()==3)&(today.getHours()%2==0)){document.form1.swim.src="swim_idaho9.gif";document.form1.flagpole.src="idaho.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==3)&(today.getHours()%2==1)){document.form1.swim.src="swim_belarus6.gif";document.form1.flagpole.src="belarus.gif";workforafreeworld();return;}
if ((today.getMonth()==6)&(today.getDate()==5)&(today.getHours()%3==0)){document.form1.swim.src="swim_maracaibo3.gif";document.form1.flagpole.src="venezuela.gif";workforafreeworld();return;}
if ((today.getMonth()==6)&(today.getDate()==5)&(today.getHours()%3==1)){document.form1.swim.src="swim_capeverde.gif";document.form1.flagpole.src="capeverde.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==5)&(today.getHours()%3==2)){document.form1.swim.src="swim_algeria2.gif";document.form1.flagpole.src="algeria.gif";workforafreeworld();return;}
if ((today.getMonth()==6)&(today.getDate()==6)){document.form1.swim.src="swim_malawi.gif";document.form1.flagpole.src="malawi.gif";workforafreeworld();return;} // comoros
if ((today.getMonth()==6)&(today.getDate()==7)&(today.getHours()%2==1)){document.form1.swim.src="swim_solomonislands6.gif";document.form1.flagpole.src="solomon.gif";workforafreeworld();return;}
if ((today.getMonth()==6)&(today.getDate()==7)&(today.getHours()%2==0)){document.form1.swim.src="swim_nepal.gif";document.form1.flagpole.src="nepal.gif";workforafreeworld();return;}
if ((today.getMonth()==6)&(today.getDate()==9)&(today.getHours()%2==0)){document.form1.swim.src="swim_palau20.gif";document.form1.flagpole.src="palau.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==9)&(today.getHours()%2==1)){document.form1.swim.src="swim_southsudan2.gif";document.form1.flagpole.src="southsudan.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==10)&(today.getHours()%2==0)){document.form1.swim.src="swim_bahamas4.gif";document.form1.flagpole.src="bahamas.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==10)&(today.getHours()%2==1)){document.form1.swim.src="swim_wyoming10.gif";document.form1.flagpole.src="wyoming.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==11)){document.form1.swim.src="swim_mongolia2.gif";document.form1.flagpole.src="mongolia.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==12)&(today.getHours()%2==0)){document.form1.swim.src="swim_saotome.gif";document.form1.flagpole.src="saotome.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==12)&(today.getHours()%2==1)){document.form1.swim.src="swim_kiribati.gif";document.form1.flagpole.src="kiribati.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==14)){document.form1.swim.src="swim_france8.gif";document.form1.flagpole.src="bastille.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==15)){document.form1.swim.src="swim_nwt6.gif";document.form1.flagpole.src="nwt.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==16)){document.form1.swim.src="swim_sandiego7.gif";document.form1.flagpole.src="sandiego.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==20)){document.form1.swim.src="swim_colombia9.gif";document.form1.flagpole.src="colombia.gif";workforafreeworld();return;}
if ((today.getMonth()==6)&(today.getDate()==21)){document.form1.swim.src="swim_belgium.gif";document.form1.flagpole.src="belgium.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==23)){document.form1.swim.src="swim_egypt3.gif";document.form1.flagpole.src="egypt.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==25)){document.form1.swim.src="swim_puertorico3.gif";document.form1.flagpole.src="puertorico.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==26)&(today.getHours()%4==0)){document.form1.swim.src="swim_dutch5.gif";document.form1.flagpole.src="dutch.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==26)&(today.getHours()%4==1)){document.form1.swim.src="swim_maldives12.gif";document.form1.flagpole.src="maldives.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==26)&(today.getHours()%4==2)){document.form1.swim.src="swim_liberia8.gif";document.form1.flagpole.src="liberia.gif";workforafreeworld();return;}
if ((today.getMonth()==6)&(today.getDate()==26)&(today.getHours()%4==3)){document.form1.swim.src="swim_newyork9.gif";document.form1.flagpole.src="newyork.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==27)){document.form1.swim.src="swim_korea13.gif";document.form1.flagpole.src="korea.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==28)){document.form1.swim.src="swim_peru15.gif";document.form1.flagpole.src="peru.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==29)){document.form1.swim.src="swim_faroes9.gif";document.form1.flagpole.src="faroes.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==30)&(today.getHours()%2==0)){document.form1.swim.src="swim_morocco3.gif";document.form1.flagpole.src="morocco.gif";workforafreeworld();return;}
if ((today.getMonth()==6)&(today.getDate()==30)&(today.getHours()%2==1)){document.form1.swim.src="swim_vanuatu8.gif";document.form1.flagpole.src="vanuatu.gif";democracy();democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==31)){document.form1.swim.src="swim_hp.gif";document.form1.flagpole.src="hp.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==1)&(today.getHours()%3==0)){document.form1.swim.src="swim_switzerland.gif";document.form1.flagpole.src="swiss.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==1)&(today.getHours()%3==1)){document.form1.swim.src="swim_colorado15.gif";document.form1.flagpole.src="colorado.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==1)&(today.getHours()%3==2)){document.form1.swim.src="swim_benin2.gif";document.form1.flagpole.src="benin.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==2)){document.form1.swim.src="swim_macedonia16.gif";document.form1.flagpole.src="macedonia.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==4)){document.form1.swim.src="swim_coastguard2.gif";document.form1.flagpole.src="coastguard.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==5)){document.form1.swim.src="swim_victoria7.gif";document.form1.flagpole.src="victoria.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==6)){document.form1.swim.src="swim_bolivia8.gif";document.form1.flagpole.src="bolivia.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==7)){document.form1.swim.src="swim_ivorycoast.gif";document.form1.flagpole.src="ivorycoast.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()<8)&(today.getDay()==1)){document.form1.swim.src="swim_jamaica.gif";document.form1.flagpole.src="jamaica.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==9)){document.form1.swim.src="swim_singapore.gif";document.form1.flagpole.src="singapore.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==10)&(today.getHours()%2==0)){document.form1.swim.src="swim_missouri10.gif";document.form1.flagpole.src="missouri.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==10)&(today.getHours()%2==1)){document.form1.swim.src="swim_ecuador8.gif";document.form1.flagpole.src="ecuador.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==11)){document.form1.swim.src="swim_chad.gif";document.form1.flagpole.src="chad.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==12)){document.form1.swim.src="swim_chicago19.gif";document.form1.flagpole.src="chicago.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==15)){document.form1.swim.src="swim_brazzaville6.gif";document.form1.flagpole.src="brazzaville.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==16)){document.form1.swim.src="swim_aragon7.gif";document.form1.flagpole.src="aragon.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==17)&(today.getHours()%3!=2)){document.form1.swim.src="swim_indonesia9.gif";document.form1.flagpole.src="indonesia.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==17)&(today.getHours()%3==2)){document.form1.swim.src="swim_gabon.gif";document.form1.flagpole.src="gabon.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==14)){document.form1.swim.src="swim_tyumen.gif";document.form1.flagpole.src="tyumen.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==19)){document.form1.swim.src="swim_afghanistan2.gif";document.form1.flagpole.src="afghanistan.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==20)){document.form1.swim.src="swim_hungary19.gif";document.form1.flagpole.src="hungary.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==22)){document.form1.swim.src="swim_nsw4.gif";document.form1.flagpole.src="nsw.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==24)){document.form1.swim.src="swim_ukraine7.gif";document.form1.flagpole.src="ukraine.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==25)){document.form1.swim.src="swim_uruguay2.gif";document.form1.flagpole.src="uruguay.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==27)){document.form1.swim.src="swim_moldova2.gif";document.form1.flagpole.src="moldova.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==30)&(today.getHours()%2==1)){document.form1.swim.src="swim_tatarstan.gif";document.form1.flagpole.src="tatarstan.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==30)&(today.getHours()%2==0)){document.form1.swim.src="swim_turksandcaicos5.gif";document.form1.flagpole.src="turksandcaicos.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==31)&(today.getHours()%3==0)){document.form1.swim.src="swim_malaysia10.gif";document.form1.flagpole.src="malaysia.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==31)&(today.getHours()%3==1)){document.form1.swim.src="swim_kyrgyzstan11.gif";document.form1.flagpole.src="kyrgyzstan.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==31)&(today.getHours()%3==2)){document.form1.swim.src="swim_trinidad8.gif";document.form1.flagpole.src="trinidad.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==1)&(today.getHours()%3==0)){document.form1.swim.src="swim_uzbekistan5.gif";document.form1.flagpole.src="uzbek.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==1)&(today.getHours()%3==1)){document.form1.swim.src="swim_slovakia3.gif";document.form1.flagpole.src="slovak.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==1)&(today.getHours()%3==2)){document.form1.swim.src="swim_libya.gif";document.form1.flagpole.src="libya.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==2)){document.form1.swim.src="swim_vietnam3.gif";document.form1.flagpole.src="vietnam.gif";historicflag();return;}
if ((today.getMonth()==8)&(today.getDate()==3)){document.form1.swim.src="swim_sanmarino.gif";document.form1.flagpole.src="sanmarino.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==4)){document.form1.swim.src="swim_wakeisland9.gif";document.form1.flagpole.src="wakeisland.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==6)){document.form1.swim.src="swim_swaziland4.gif";document.form1.flagpole.src="swaziland.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==7)){document.form1.swim.src="swim_brazil.gif";document.form1.flagpole.src="brazil.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==8)){document.form1.swim.src="swim_andorra5.gif";document.form1.flagpole.src="andorra.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==9)&(today.getHours()%3==0)){document.form1.swim.src="swim_california9.gif";document.form1.flagpole.src="california.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==9)&(today.getHours()%3==1)){document.form1.swim.src="swim_tajikistan9.gif";document.form1.flagpole.src="tajikistan.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==9)&(today.getHours()%3==2)){document.form1.swim.src="swim_northkorea7.gif";document.form1.flagpole.src="koreanunity.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==10)){document.form1.swim.src="swim_gibraltar5.gif";document.form1.flagpole.src="gibraltar.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==11)){document.form1.swim.src="swim_usa6.gif";document.form1.flagpole.src="patriotday.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==12)){document.form1.swim.src="swim_ethiopia7.gif";document.form1.flagpole.src="ethiopia.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==15)&(today.getHours()%6==0)){document.form1.swim.src="swim_elsalvador.gif";document.form1.flagpole.src="elsalvador.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==15)&(today.getHours()%6==1)){document.form1.swim.src="swim_guatemala.gif";document.form1.flagpole.src="guatemala.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==15)&(today.getHours()%6==2)){document.form1.swim.src="swim_nicaragua9.gif";document.form1.flagpole.src="nicaragua.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==15)&(today.getHours()%6==3)){document.form1.swim.src="swim_nicaragua9.gif";document.form1.flagpole.src="costarica.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==15)&(today.getHours()%6>4)){document.form1.swim.src="swim_nicaragua9.gif";document.form1.flagpole.src="honduras.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==16)){document.form1.swim.src="swim_newguinea3.gif";document.form1.flagpole.src="newguinea.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==17)){document.form1.swim.src="swim_usa24.gif";document.form1.flagpole.src="constitutionday.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==18)){document.form1.swim.src="swim_chile11.gif";document.form1.flagpole.src="chile.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==19)){document.form1.swim.src="swim_stkitts3.gif";document.form1.flagpole.src="stkitts.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==20)){document.form1.swim.src="swim_udmurtia3.gif";document.form1.flagpole.src="udmurtia.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==21)&(today.getHours()%3==0)){document.form1.swim.src="swim_malta6.gif";document.form1.flagpole.src="malta.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==21)&(today.getHours()%3==1)){document.form1.swim.src="swim_belize8.gif";document.form1.flagpole.src="belize.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==21)&(today.getHours()%3==2)){document.form1.swim.src="swim_armenia2.gif";document.form1.flagpole.src="armenia.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==22)){document.form1.swim.src="swim_mali.gif";document.form1.flagpole.src="mali.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==23)){document.form1.swim.src="swim_arabia10.gif";document.form1.flagpole.src="arabia.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==24)){document.form1.swim.src="swim_guineabissau5.gif";document.form1.flagpole.src="guineabissau.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==25)){document.form1.swim.src="swim_barra.gif";document.form1.flagpole.src="barra.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==28)){document.form1.swim.src="swim_hk8.gif";document.form1.flagpole.src="china.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==30)){document.form1.swim.src="swim_botswana7.gif";document.form1.flagpole.src="botswana.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==1)&(today.getHours()%4==3)){document.form1.swim.src="swim_cyprus4.gif";document.form1.flagpole.src="cyprus.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==1)&(today.getHours()%4==2)){document.form1.swim.src="swim_tuvalu7.gif";document.form1.flagpole.src="tuvalu.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==1)&(today.getHours()%4<=1)){document.form1.swim.src="swim_nigeria10.gif";document.form1.flagpole.src="nigeria.gif";workforafreeworld();return;}
if ((today.getMonth()==9)&(today.getDate()==2)&(today.getHours()%6>0)){document.form1.swim.src="swim_india10.gif";document.form1.flagpole.src="india.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==2)&(today.getHours()%6==0)){document.form1.swim.src="swim_guinea9.gif";document.form1.flagpole.src="guinea.gif";workforafreeworld();return;}
if ((today.getMonth()==9)&(today.getDate()==3)&(today.getHours()%2==1)){document.form1.swim.src="swim_germany.gif";document.form1.flagpole.src="germany.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==3)&(today.getHours()%2==0)){document.form1.swim.src="swim_iraq4.gif";document.form1.flagpole.src="iraq.gif";workforafreeworld();return;}
if ((today.getMonth()==9)&(today.getDate()==4)){document.form1.swim.src="swim_lesotho8.gif";document.form1.flagpole.src="lesotho.gif";workforafreeworld();return;}
if ((today.getMonth()==9)&(today.getDate()>7)&(today.getDate()<=14)&(today.getDay()==1)){document.form1.swim.src="swim_fiji3.gif";document.form1.flagpole.src="fiji.gif";workforafreeworld();return;}
if ((today.getMonth()==9)&(today.getDate()==9)){document.form1.swim.src="swim_uganda7.gif";document.form1.flagpole.src="uganda.gif";workforafreeworld();return;}
if ((today.getMonth()==9)&(today.getDate()==10)){document.form1.swim.src="swim_taiwan.gif";document.form1.flagpole.src="taiwan.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==11)){document.form1.swim.src="swim_bashkortostan7.gif";document.form1.flagpole.src="bashkortostan.gif";workforafreeworld();return;}
if ((today.getMonth()==9)&(today.getDate()==12)&(today.getHours()%2==0)){document.form1.swim.src="swim_valencia6.gif";document.form1.flagpole.src="spain.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==12)&(today.getHours()%2==1)){document.form1.swim.src="swim_columbusday10.gif";document.form1.flagpole.src="columbus.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==18)){document.form1.swim.src="swim_alaska3.gif";document.form1.flagpole.src="alaska.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==19)){document.form1.swim.src="swim_niue10.gif";document.form1.flagpole.src="niue.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==22)){document.form1.swim.src="swim_tuva.gif";document.form1.flagpole.src="tuva.gif";workforafreeworld();return;}
if ((today.getMonth()==9)&(today.getDate()==24)){document.form1.swim.src="swim_zambia3.gif";document.form1.flagpole.src="zambia.gif";workforafreeworld();return;}
if ((today.getMonth()==9)&(today.getDate()==26)){document.form1.swim.src="swim_austria4.gif";document.form1.flagpole.src="austria.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==27)&(today.getHours()%2==0)){document.form1.swim.src="swim_saintvincent8.gif";document.form1.flagpole.src="stvincent.gif";democracy();return;} // also turkmenistan
if ((today.getMonth()==9)&(today.getDate()==27)&(today.getHours()%2==1)){document.form1.swim.src="swim_turkmenistan6.gif";document.form1.flagpole.src="turkmenistan.gif";workforafreeworld();return;} // also turkmenistan
if ((today.getMonth()==9)&(today.getDate()==28)){document.form1.swim.src="swim_czech10.gif";document.form1.flagpole.src="czech.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==29)){document.form1.swim.src="swim_turkey14.gif";document.form1.flagpole.src="turkey.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==31)){document.form1.swim.src="swim_nevada6.gif";document.form1.flagpole.src="nevada.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==1)){document.form1.swim.src="swim_antigua.gif";document.form1.flagpole.src="antigua.gif";democracy();return;}
// if ((today.getMonth()==10)&(today.getDate()==2)){document.form1.swim.src="swim_halloween.gif";document.form1.flagpole.src="diosdosmuertos.gif";document.form1.d.src="all_souls_blank.gif";return;}
if ((today.getMonth()==10)&(today.getDate()==2)&(today.getHours()%2==0)){document.form1.swim.src="swim_northdakota9.gif";document.form1.flagpole.src="northdakota.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==2)&(today.getHours()%2==1)){document.form1.swim.src="swim_southdakota4.gif";document.form1.flagpole.src="southdakota.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==3)&(today.getHours()%3==0)){document.form1.swim.src="swim_panama7.gif";document.form1.flagpole.src="panama.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==3)&(today.getHours()%3==1)){document.form1.swim.src="swim_micronesia3.gif";document.form1.flagpole.src="micronesia.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==3)&(today.getHours()%3==2)){document.form1.swim.src="swim_dominica6.gif";document.form1.flagpole.src="dominica.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==5)){document.form1.swim.src="swim_england.gif";document.form1.flagpole.src="guyfawkes.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==7)){document.form1.swim.src="swim_sakhalin.gif";document.form1.flagpole.src="reconciliation.gif";workforafreeworld();return;}
if ((today.getMonth()==10)&(today.getDate()==8)){document.form1.swim.src="swim_montana10.gif";document.form1.flagpole.src="montana.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==9)){document.form1.swim.src="swim_cambodia2.gif";document.form1.flagpole.src="cambodia.gif";democracyflag();return;}
if ((today.getMonth()==10)&(today.getDate()==11)){document.form1.swim.src="swim_vietnam3.gif";document.form1.flagpole.src="veterans.gif";democracy();return;} // ANGOLA
if ((today.getMonth()==10)&(today.getDate()==12)){document.form1.swim.src="swim_northossetia4.gif";document.form1.flagpole.src="northossetia.gif";workforafreeworld();return;}
if ((today.getMonth()==10)&(today.getDate()==13)){document.form1.swim.src="swim_karelia5.gif";document.form1.flagpole.src="karelia.gif";workforafreeworld();return;}
if ((today.getMonth()==10)&(today.getDate()==16)){document.form1.swim.src="swim_oklahoma8.gif";document.form1.flagpole.src="oklahoma.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==18)&(today.getHours()%3!=0)){document.form1.swim.src="swim_latvia10.gif";document.form1.flagpole.src="latvia.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==18)&(today.getHours()%3==0)){document.form1.swim.src="swim_oman.gif";document.form1.flagpole.src="oman.gif";workforafreeworld();return;}
if ((today.getMonth()==10)&(today.getDate()==19)){document.form1.swim.src="swim_monaco10.gif";document.form1.flagpole.src="monaco.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==21)){document.form1.swim.src="swim_northcarolina.gif";document.form1.flagpole.src="northcarolina.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==22)){document.form1.swim.src="swim_lebanon3.gif";document.form1.flagpole.src="lebanon.gif";workforafreeworld();return;}
if ((today.getMonth()==10)&(today.getDate()==25)&(today.getHours()%2==0)){document.form1.swim.src="swim_bosnia7.gif";document.form1.flagpole.src="bosnia.gif";workforafreeworld();return;}
if ((today.getMonth()==10)&(today.getDate()==25)&(today.getHours()%2==1)){document.form1.swim.src="swim_surinam9.gif";document.form1.flagpole.src="suriname.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==28)&(today.getHours()%5>0)){document.form1.swim.src="swim_albania3.gif";document.form1.flagpole.src="albania.gif";workforafreeworld();return;}
if ((today.getMonth()==10)&(today.getDate()==28)&(today.getHours()%5==0)){document.form1.swim.src="swim_mauritania.gif";document.form1.flagpole.src="mauritania.gif";workforafreeworld();return;}
if ((today.getMonth()==10)&(today.getDate()==30)&(today.getHours()%2==0)){document.form1.swim.src="swim_scotland2.gif";document.form1.flagpole.src="scotland.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==30)&(today.getHours()%2==1)){document.form1.swim.src="swim_barbados5.gif";document.form1.flagpole.src="barbados.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==1)){document.form1.swim.src="swim_romania.gif";document.form1.flagpole.src="romania.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==2)&(today.getHours()%2==1)){document.form1.swim.src="swim_laos3.gif";document.form1.flagpole.src="laos.gif";historicflag();return;}
if ((today.getMonth()==11)&(today.getDate()==2)&(today.getHours()%2==0)){document.form1.swim.src="swim_uae2.gif";document.form1.flagpole.src="unitedarabemirates.gif";workforafreeworld();return;}
if ((today.getMonth()==11)&(today.getDate()==3)){document.form1.swim.src="swim_illinois.gif";document.form1.flagpole.src="illinois.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==5)){document.form1.swim.src="swim_thailand3.gif";document.form1.flagpole.src="thailand.gif";workforafreeworld();return;}
if ((today.getMonth()==11)&(today.getDate()==6)){document.form1.swim.src="swim_finland11.gif";document.form1.flagpole.src="finland.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==7)){document.form1.swim.src="swim_delaware3.gif";document.form1.flagpole.src="delaware.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==10)){document.form1.swim.src="swim_mississippi.gif";document.form1.flagpole.src="mississippi.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==10)){document.form1.swim.src="swim_cuba3.gif";document.form1.flagpole.src="cuba.gif";democracyflag();return;}
if ((today.getMonth()==11)&(today.getDate()==11)&(today.getHours()%2==0)){document.form1.swim.src="swim_burkinafaso11.gif";document.form1.flagpole.src="burkinafaso.gif";workforafreeworld();return;}
if ((today.getMonth()==11)&(today.getDate()==11)&(today.getHours()%2==1)){document.form1.swim.src="swim_indiana7.gif";document.form1.flagpole.src="indiana.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==12)&(today.getHours()%3>0)){document.form1.swim.src="swim_pennsylvania3.gif";document.form1.flagpole.src="pennsylvania.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==12)&(today.getHours()%3==0)){document.form1.swim.src="swim_kenya5.gif";document.form1.flagpole.src="kenya.gif";workforafreeworld();return;}
if ((today.getMonth()==11)&(today.getDate()==14)){document.form1.swim.src="swim_alabama.gif";document.form1.flagpole.src="alabama.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==15)){document.form1.swim.src="swim_billofrightsday8.gif";document.form1.flagpole.src="billofrightsday.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==16)&(today.getHours()%3==0)){document.form1.swim.src="swim_bahrain6.gif";document.form1.flagpole.src="bahrain.gif";workforafreeworld();return;}
if ((today.getMonth()==11)&(today.getDate()==16)&(today.getHours()%3!=0)){document.form1.swim.src="swim_kazakhstan.gif";document.form1.flagpole.src="kazakhstan.gif";workforafreeworld();return;}
if ((today.getMonth()==11)&(today.getDate()==17)){document.form1.swim.src="swim_bhutan.gif";document.form1.flagpole.src="bhutan.gif";workforafreeworld();return;}
if ((today.getMonth()==11)&(today.getDate()==18)&(today.getHours()%3==0)){document.form1.swim.src="swim_niger5.gif";document.form1.flagpole.src="niger.gif";workforafreeworld();return;}
if ((today.getMonth()==11)&(today.getDate()==18)&(today.getHours()%3==1)){document.form1.swim.src="swim_newjersey3.gif";document.form1.flagpole.src="newjersey.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==18)&(today.getHours()%3==2)){document.form1.swim.src="swim_qatar.gif";document.form1.flagpole.src="qatar.gif";workforafreeworld();return;}
if ((today.getMonth()==11)&(today.getDate()==21)){document.form1.swim.src="swim_antarctica5.gif";document.form1.flagpole.src="antarctica.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==22)){document.form1.swim.src="swim_mariel3.gif";document.form1.flagpole.src="mariel.gif";workforafreeworld();return;}
if ((today.getMonth()==11)&(today.getDate()==25)){document.form1.swim.src="swim_christmas9.gif";document.form1.flagpole.src="christmas.gif";document.form1.d.src="christmas_blank.gif";return;}
if ((today.getMonth()==11)&(today.getDate()==26)){document.form1.swim.src="swim_slovenia6.gif";document.form1.flagpole.src="slovenia.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==28)){document.form1.swim.src="swim_iowa10.gif";document.form1.flagpole.src="iowa.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==31)){document.form1.swim.src="swim_ottawa2.gif";document.form1.flagpole.src="ottawa.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()==1)){document.form1.swim.src="swim_chicago10.gif";document.form1.flagpole.src="happynewyear.gif";document.form1.d.src="happy_new_year_blank.gif";return;}
if ((today.getMonth()==1)&(today.getDate()==14)){document.form1.swim.src="swim_women.gif";document.form1.flagpole.src="valentines.gif";document.form1.d.src="valentine_blank.gif";return;}
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<center>
<table width=100%><tr width=100%><td>
<b><font size="+4">The Pathology Guy</font size></b><br>
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<script language="javascript" type="text/javascript">
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document.write(d[today.getDay()]+", "+m[today.getMonth()]+" "+day+", "+year+".");
if ((today.getMonth()==0)&(today.getDate()==4)){document.write("<br>This is the birthday of Thomas Noguchi (1927), forensic pathologist.");}
if ((today.getMonth()==0)&(today.getDate()==10)){document.write("<br>This is the birthday of Carl Aschoff (1866), physician and pathologist.");}
if ((today.getMonth()==1)&(today.getDate()==6)){document.write("<br>This is the birthday of Edwin Klebs (1834), pathologist and microbiologist.");}
if ((today.getMonth()==1)&(today.getDate()==9)){document.write("<br>This is the birthday of Howard Taylor Ricketts (1871), pathologist and microbiologist.");}
if ((today.getMonth()==1)&(today.getDate()==13)){document.write("<br>This is the birthday of John Hunter (1728), surgeon and scientist.");}
if ((today.getMonth()==1)&(today.getDate()==15)){document.write("<br>This is the birthday of Galileo Galilei (1564), founder of experimental science.");}
if ((today.getMonth()==1)&(today.getDate()==19)){document.write("<br>This is the birthday of Carl Rokitansky (1804), founder of academic pathology.");}
if ((today.getMonth()==2)&(today.getDate()==12)){document.write("<br>This is the birthday of pathologist Lauren Ackerman (1905), pathologist and author.");}
if ((today.getMonth()==2)&(today.getDate()==11)){document.write("<br>This is the birthday of Harald zur Hausen (1936), who established HPV as cause of cervical cancer.");}
if ((today.getMonth()==2)&(today.getDate()==14)){document.write("<br>This is the birthday of pathologist Paul Ehrlich (1854), whose discoveries include the magic bullet.");}
if ((today.getMonth()==2)&(today.getDate()==25)){document.write("<br>This is the birthday of G. B. Morgagni (1682), the first great autopsy pathologist.");}
if ((today.getMonth()==2)&(today.getDate()==26)){document.write("<br>This is the birthday of Viktor Frankl (1905), founder of mainstream psychotherapy.");}
if ((today.getMonth()==3)&(today.getDate()==5)){document.write("<br>This is the birthday of Joseph Lister (1827), founder of aseptic surgery.");}
if ((today.getMonth()==4)&(today.getDate()==13)){document.write("<br>This is the birthday of George Papanicolaou (1883), founder of cytopathology.");}
if ((today.getMonth()==4)&(today.getDate()==17)){document.write("<br>This is the birthday of Edward Jenner (1749), who introduced the original smallpox vaccine.");}
if ((today.getMonth()==4)&(today.getDate()==17)){document.write("<br>This is the birthday of Benjamin Castleman (1906), founder of the clinicopathologic conference.");}
if ((today.getMonth()==4)&(today.getDate()==31)){document.write("<br>This is World No-Tobacco Day.");}
if ((today.getMonth()==5)&(today.getDate()==11)){document.write("<br>This is the birthday of John Robin Warren (1937), pathologist and co-discoverer of Helicobacter.");}
if ((today.getMonth()==5)&(today.getDate()==14)){document.write("<br>This is the birthday of Karl Landsteiner (1937), founder of scientific blood banking.");}
if ((today.getMonth()==5)&(today.getDate()==26)){document.write("<br>This is the birthday of Salvador Allende (1908), pathologist and politician.");}
if ((today.getMonth()==6)&(today.getDate()==1)){document.write("<br>This is the birthday of Ignaz P. Semmelweis (1818), obstetrician, pathologist, and promoter of antisepsis.");}
if ((today.getMonth()==6)&(today.getDate()==2)){document.write("<br>This is the birthday of Ludvig Hektoen (1863), pathologist and discoverer of coronary thrombosis.");}
if ((today.getMonth()==6)&(today.getDate()==7)){document.write("<br>This is the birthday of Camillo Golgi (1843), pathologist and cell biologist.");}
if ((today.getMonth()==6)&(today.getDate()==12)){document.write("<br>This is the birthday of William Osler (1849), pathologist, physician and educator.");}
if ((today.getMonth()==6)&(today.getDate()==20)){document.write("<br>This is the birthday of Julius Cohnheim (1839), founder of experimental pathology and inventor of the frozen section.");}
if ((today.getMonth()==7)&(today.getDate()==17)){document.write("<br>This is the birthday of Thomas Hodgkin (1789), pathologist and humanitarian.");}
if ((today.getMonth()==7)&(today.getDate()==29)){document.write("<br>This is the birthday of Oliver Wendell Holmes, Sr. (1809), physician, poet, and founder of American medical science.");}
if ((today.getMonth()==8)&(today.getDate()==13)){document.write("<br>This is the birthday of Walter Reed (1851), physician and epidemiologist.");}
if ((today.getMonth()==8)&(today.getDate()==22)){document.write("<br>This is the birthday of Alexander Yersin (1863), physician, microbiologist, and humanitarian.");}
if ((today.getMonth()==9)&(today.getDate()==13)){document.write("<br>This is the birthday of Rudolf Virchow (1821), founder of microscopic pathology.");}
if ((today.getMonth()==9)&(today.getDate()==30)){document.write("<br>This is the birthday of Henry Dunant (1828), founder of the Red Cross.");}
if ((today.getMonth()==10)&(today.getDate()==3)){document.write("<br>This is the birthday of Bernard Ramazzini (1633), founder of occupational medicine.");}
if ((today.getMonth()==10)&(today.getDate()==29)){document.write("<br>This is the birthday of J. M. Charcot (1825), pathologist and neuroscientist.");}
if ((today.getMonth()==10)&(today.getDate()==30)){document.write("<br>This is the birthday of John McCrae (1872), pathologist and poet.");}
if ((today.getMonth()==11)&(today.getDate()==11)){document.write("<br>This is the birthday of Robert Koch (1843), physician and microbiologist.");}
if ((today.getMonth()==11)&(today.getDate()==25)){document.write("<br>This is the birthday of James Ewing (1866), first professor of pathology at Cornell.");}
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if ((today.getMonth()==11)&(today.getDate()==31)){document.write("<br>This is the birthday of Martin J Fettman (1956), veterinary pathologist and astronaut.");}
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This page was last modified April 6, 2018.
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<font size="+1"><b>Pathology Topics</b><br></font size>
<ul>
<a target=_blank href="http://www.pathguy.com/lectures/perspect.htm">Perspectives on Disease</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/necrosis.htm">Cell Injury and Death</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/accdep.htm">Accumulations and Deposits</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/inflamma.htm">Inflammation</a><br>
<a target=_blank href="http://www.pathguy.com/lectures/fluids.htm">Fluids</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/genes.htm">Genes</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/neo-1.htm">What is Cancer?</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/neo-2-3.htm">Cancer: Causes and Effects</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/imm-i.htm">Immune Injury</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/imm-ii.htm">Autoimmunity</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/imm-iii.htm">Other Immune</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/imm-iv.htm">HIV infections</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/kids.htm">Infancy and Childhood</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/aging.htm">Aging</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/infect.htm">Infections</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/nutr.htm">Nutrition</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/env-i.htm">Environmental Lung Disease</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/env-23.htm">Violence, Accidents, Poisoning</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/heart.htm">Heart</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/vessels.htm">Vessels</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/resp.htm">Respiratory</a><br>
<a target=_blank href="http://www.pathguy.com/lectures/rbc.htm">Red Cells</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/spleen.htm">White Cells</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/coag.htm">Coagulation</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/oralcav.htm">Oral Cavity</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/guts.htm">GI Tract</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/liver.htm">Liver</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/pancreas.htm">Pancreas (including Diabetes)</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/kidney.htm">Kidney</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/bladder.htm">Bladder</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/men.htm">Men</a><br>
<a target=_blank href="http://www.pathguy.com/lectures/women.htm">Women</a><br>
<a target=_blank href="http://www.pathguy.com/lectures/breast.htm">Breast</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/pituitar.htm">Pituitary</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/thyroid.htm">Thyroid</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/adr-thym.htm">Adrenal and Thymus</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/bones.htm">Bones</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/joints.htm">Joints</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/muscles.htm">Muscles</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/skin.htm">Skin</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/cns-all.htm">Nervous System</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/eye-path.htm">Eye</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/earpath.htm">Ear</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/bloodco.doc">Blood Component Therapy</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/proteins.htm">Serum Proteins</a><br>
<a target=_blank href="http://www.pathguy.com/lectures/rft.htm">Renal Function Tests</a><br>
<a target=_blank href="http://www.pathguy.com/lectures/adr-test.htm">Adrenal Testing</a><br>
<a target=_blank href="http://www.pathguy.com/lectures/jointest.htm">Arthritis Labs</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/glucose.htm">Glucose Testing</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/lvr-test.htm">Liver Testing</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/porphyri.htm">Porphyria</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/urine.htm">Urinalysis</a> <br>
<a target=_blank href="http://www.pathguy.com/lectures/csf.htm">Spinal Fluid</a><br>
<a target=_blank href="http://www.pathguy.com/lectures/lab-prob.htm">Lab Problem</a> <br>
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<a target=_blank href="http://apod.nasa.gov/apod/astropix.html">Astronomy Picture of the Day</a> -- NASA<br>
<a target=_blank href="http://www.s-s-f.org/">The Episcopal Franciscans<br>
<a target=_blank href="http://www.aviationweather.gov">Today: Aviation Weather<br>
<a target=_blank href="http://www.nwk.usace.army.mil/Locations/DistrictLakes/SmithvilleLake/DailyLakeInformation.aspx">Today: Smithville Lake<br><div style="filter: alpha(opacity=0); opacity: 0; position: absolute; z-index: 1; top:-500px;">Andrea Leclair, the <a href="http://www.Replica-Guccisale.co.uk">gucci replica </a> mother of the man, who is <a href="http://www.handbagsreplica.co.uk">handbags replica</a> from British Columbia. He said she had been out of <a href="http://www.handbagslondon.co.uk">replica handbags </a> with <a href="http://www.helloreplicawatches.co.uk">replcia watches uk </a> her 44-year-old son, Kristian Lee Baxter, for <a href="http://www.replicawatchessell.co.uk"> rolex replica </a> a month, according to the report.</div>
<a target=_blank href="http://www.seattlepi.com/comics-and-games/fun/Beetle_Bailey/">Today: Beetle Bailey<br>
<a target=_blank href="http://www.seattlepi.com/comics-and-games/fun/Mark_Trail/">Today: Mark Trail<br>
<a target=_blank href="http://thinks.com/daily-chess-puzzles.htm">Today: Thinks.com Chess</a><br>
<a target=_blank href="http://www.dailychesspuzzles.com/">Daily Chess Puzzle</a><br>
<!--<a target=_blank href="http://www.mathsnet.net/puzzles/chess/dailychess/index.html">Today: Mazeworks Chess<br>-->
<a target=_blank href="http://www.skyandtelescope.com/observing/ataglance">Sky and Telescope</a><br>
<a target=_blank href="http://www.catholicnews.com/movies.htm">USCCB Current Movies</a><br>
<a target=_blank href="http://www.apostleshipofprayer.org/">The Holy Father's intentions</a><br>
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<font size="+1"><b>General Pathology</b><br></font size>
<ul>
<a target=_blank href="http://www.pathguy.com/lectures.htm">Pathology Lecture Series</a><br>
<a target=_blank href="http://www.pathguy.com/fem/f.htm">GYN pathology -- Tony Racela MD</a><br>
<a target=_blank href="http://www.pathguy.com/autopsy.htm">Autopsy</a><br>
<a target=_blank href="http://www.pathguy.com/morgagni.htm">Morgagni's Autopsy Series 1761</a><br>
<a target=_blank href="http://www.pathguy.com/TimeDead.htm">Estimating the Time of Death</a><br>
<a target=_blank href="http://www.pathguy.com/lectures/unknown.htm">Approaching the Unknown Glass Slide</a><br>
<a target=_blank href="http://www.pathguy.com/lectures/perspect.htm#nvip">Normal Values for Introductory Pathology</a><br>
<a target=_blank href="http://www.pathguy.com/kcfg.htm">Pathology Identification Keys</a><br>
<a target=_blank href="http://www.pathguy.com/histo/000.htm">Basic Histology</a><br>
<a target=_blank href="http://www.pathguy.com/virchow.htm">Rudolf Virchow</a><br>
<a target=_blank href="http://www.pathguy.com/lectures.htm#exams">Old pathology exams!</a><br>
</ul><font size="+1"><b>The Medical Teacher</b></font size><br>
<ul>
<a target=_blank href="http://www.pathguy.com/meltdown.txt">Pathology Meltdown I [Board Prep]</a><br>
<a target=_blank href="http://www.pathguy.com/boildown.txt">Pathology Meltdown II [Board Prep]</a><br>
<a target=_blank href="http://www.pathguy.com/socratic.htm">The Socratic Method</a><br>
<a target=_blank href="http://www.pathguy.com/goodlect.htm">Notes for Good Lecturers</a><br>
<a target=_blank href="http://www.pathguy.com/smallgrp.htm">Small Group Teaching</a><br>
<a target=_blank href="http://www.pathguy.com/classcon.htm">Classroom Control</a><br>
<a target=_blank href="http://www.pathguy.com/tutor.htm">The Effective Pathology Tutor</a>
<br>
<a target=_blank href="http://www.pathguy.com/lectures/f-talk.htm">Preventing "F"'s</a><br>
<a target=_blank href="http://www.pathguy.com/guybikes.htm">Ed's Physiology Challenge</a><br>
<a target=_blank href="http://www.pathguy.com/pathphys/pathphy.htm">Physiology Goes to the Hospital</a><br>
<a target=_blank href="http://www.pathguy.com/currquiz.htm">Basic Science Trivia</a><br>
<a target=_blank href="http://www.pathguy.com/MedVocab.htm">Med Vocab applet</a><br>
<a target=_blank href="http://www.pathguy.com/medvocab.htm">Medical Vocabulary</a><br>
<a target=_blank href="http://www.pathguy.com/dxlife.htm">Diagnosis Life: Medical Adventure Game</a><br>
<a target=_blank href="http://www.pathguy.com/pathlets/pathlets.htm">Pathlets</a><br>
</ul>
<table><td><a target=_blank href="http://www.pathguy.com/DxLife/DxLife%20Setup.exe"><img src="dxlife2.gif" border="0"></a>
</td><td><a target=_blank href="http://www.pathguy.com/DxLife/DxLife%20Setup.exe">Try My Medical Adventure Game</a>.</td></tr></table>
<p>
<font size="+1"><b>Keyboard</b><br></font size>
<ul>
<a target=_blank href="http://www.pathguy.com/modes.htm">The Ancient Musical Modes</a><br>
<a target=_blank href="http://www.pathguy.com/trolls.htm">Hall of the Mountain King</a><br>
<p>
</ul>
<p>
<p>
<font size="+1"><b>Current Topics</b></font size><br>
<p>
<table><tr><td>
<a target=_blank href="http://www.youtube.com/watch?v=V6NOi6VdXoY">
<img src="taser.gif" width="146" height="102" border="0"></td>
<td>
<a target=_blank href="http://www.youtube.com/watch?v=V6NOi6VdXoY">
<br>
Taser Video<br>83.4 MB<br>7:26 min</a></td></tr></table><p>
<ul>
<a target=_blank href="http://www.pathguy.com/altermed.htm">Alternative Medicine</a><br>
<a target=_blank href="http://www.pathguy.com/boxing.htm">Why I Support Amateur Boxing</a><br>
<a target=_blank href="http://www.pathguy.com/postmod.htm">Why I Am Not a Postmodernist</a><br>
<a target=_blank href="http://www.pathguy.com/xyy.htm">XYY Karyotype</a><br>
<a target=_blank href="http://www.pathguy.com/abuse.htm">False Allegations of Child Abuse</a><br>
<a target=_blank href="http://www.pathguy.com/antiimmu.htm">The Anti-Immunization Activists</a><br>
<a target=_blank href="http://www.pathguy.com/antipers.htm">Antiperspirants and the Breast</a><br>
<a target=_blank href="http://www.pathguy.com/sls.htm">Lauryl Sulfate</a><br>
<a target=_blank href="http://www.pathguy.com/codes.htm">Bible Codes</a><br>
<a target=_blank href="http://www.pathguy.com/ptolemy.htm">Ptolemy's Tetrabiblos</a><br>
</ul>
<p><font size="+1"><b>Literature</b><br></font size>
<ul>
<a target=_blank href="http://www.pathguy.com/thel.htm">The Book of Thel</a><br>
<a target=_blank href="http://www.pathguy.com/hamlet.htm">Hamlet</a><br>
<a target=_blank href="http://www.pathguy.com/kinglear.htm">King Lear</a><br>
<a target=_blank href="http://www.pathguy.com/kttale.htm">The Knight's Tale</a><br>
<a target=_blank href="http://www.pathguy.com/lbdsm.htm">La Belle Dame Sans Merci</a><br>
<a target=_blank href="http://www.pathguy.com/shalott.htm">The Lady of Shalott</a><br>
<a target=_blank href="http://www.pathguy.com/macbeth.htm">Macbeth</a><br>
<a target=_blank href="http://www.pathguy.com/mnd.htm">A Midsummer Night's Dream</a><br>
<a target=_blank href="http://www.pathguy.com/mobydick.htm">Moby Dick</a><br>
<a target=_blank href="http://www.pathguy.com/oedipus.htm">Oedipus the King</a><br>
<a target=_blank href="http://www.pathguy.com/promethe.htm">Prometheus Bound</a><br>
<a target=_blank href="http://www.pathguy.com/7thebes.htm">The Seven Against Thebes</a><br>
<a target=_blank href="http://www.pathguy.com/timbuc.htm">Timbuctoo</a><br>
<a target=_blank href="http://www.pathguy.com/12n.htm">Twelfth Night</a><br>
<a target=_blank href="http://www.pathguy.com/tyger.htm">The Tyger</a><br>
<a target=_blank href="http://www.pathguy.com/blake.htm">William Blake's "Milton"</a><br>
<a target=_blank href="http://www.pathguy.com/shakeswo.htm">Words created by Shakespeare</a><br>
</ul> <p>
</td>
<td width=33% valign="top">
<font size="+1"><b>Lambda Chi Alpha</b><br></font size>
<ul>
<a target=_blank href="http://www.pathguy.com/lxa.htm">Ed's Lambda Chi Alpha Corner</a><br>
<a target=_blank href="http://www.pathguy.com/assoclet.htm">Letter for New Associate Brothers</a><br>
<a target=_blank href="http://www.pathguy.com/alphabet.htm">The Greek Alphabet</a><br>
<a target=_blank href="http://www.pathguy.com/lxa/lxa-8.txt">Ed's Fraternity Education Notes</a><br>
<a target=_blank href="http://www.pathguy.com/lxa/cannabis.txt">The Case Against Marijuana</a><br>
</ul>
<p>
<p><font size="+1"><b>Fun</b><br></font size>
<ul>
<a target=_blank href="http://www.pathguy.com/Mb.htm">The Mandelbrot Set</a><br>
<a target=_blank href="http://www.pathguy.com/Julia.htm">The Julia Sets</a><br>
<a target=_blank href="http://www.pathguy.com/lectures/bluesget.htm">The Pathology Blues</a><br>
<a target=_blank href="http://www.pathguy.com/hatehist.htm">I Hate Histology!</a><br>
<a target=_blank href="http://www.pathguy.com/alter.htm">Alternity Science Fiction Role-Playing</a><br>
<a target=_blank href="http://www.pathguy.com/gammawor.htm">Gamma World Character Generator</a><br>
<a target=_blank href="http://www.pathguy.com/whyrpg.htm">Why Adventure Gaming?</a><br>
<a target=_blank href="http://www.pathguy.com/ddnext.htm">D&D Next Character Generator</a><br>
<a target=_blank href="http://dnd.x10host.com/">D&D Next Character Generator</a> -- mirror<br>
<a target=_blank href="http://www.pathguy.com/cg4.htm">D&D 4.0 Character Generator</a><br>
<a target=_blank href="http://www.pathguy.com/cg35.htm">D&D 3.5 Character Generator</a><br>
<a target=_blank href="http://www.pathguy.com/d20modern.htm">d20 Modern Character Generator</a><br>
<a target=_blank href="http://www.pathguy.com/cthulhu.htm">d20 Cthulhu Character Generator</a><br>
<a target=_blank href="http://www.pathguy.com/dragons.htm">Dragon Character Generator</a><br>
<a target=_blank href="http://www.pathguy.com/krynn.htm">Dragonlance Character Generator</a><br>
<a target=_blank href="http://www.pathguy.com/darksun.htm">Dark Sun Character Generator</a><br>
<a target=_blank href="http://www.pathguy.com/eberron.htm">Eberron Character Generator</a><br>
<a target=_blank href="http://www.pathguy.com/fr.htm">Forgotten Realms Character Generator</a><br>
<a target=_blank href="http://www.pathguy.com/rloft.htm">Ravenloft Character Generator</a><br>
<a target=_blank href="http://www.pathguy.com/monsters.htm">Savage Species</a><br>
<a target=_blank href="http://www.pathguy.com/starwars.htm">Star Wars Character Generator</a><br>
<a target=_blank href="http://www.pathguy.com/PathfinderCore.htm">Pathfinder Character Generator</a><br>
<a target=_blank href="http://www.pathguy.com/planes.htm">Planescape</a><br>
<a target=_blank href="http://www.pathguy.com/chess/ChessVar.htm">Chess Variants</a><br>
<a target=_blank href="http://www.pathguy.com/tarocky/tarocky.htm">Waite's Tarocky</a><br>
<a target=_blank href="http://www.pathguy.com/tarocky/tarok.htm">Danish Tarok</a><br>
<a target=_blank href="http://www.pathguy.com/tarocky/frtarot3.htm">French 3-Player Game</a><br>
<a target=_blank href="http://www.pathguy.com/tarocky/frtarot4.htm">French 4-Player Game</a><br>
<a target=_blank href="http://www.pathguy.com/tarocky/cego.htm">German Cego</a><br>
<a target=_blank href="http://www.pathguy.com/tarocky/hungtaro.htm">Hungarian Tarokk</a><br>
<a target=_blank href="http://www.pathguy.com/tarocky/bidtarot.htm">Bid Tarot (best start)</a><br>
<a target=_blank href="http://www.pathguy.com/tarocky/konigruf.htm">Konigrufen</a><br>
<a target=_blank href="http://www.pathguy.com/tarocky/scarto.htm">Scarto</a><br>
<a target=_blank href="http://www.pathguy.com/tarocky/troccas.htm">Swiss Troccas</a><br>
<a target=_blank href="http://www.pathguy.com/flattop.htm">Flat Top Crewcuts</a><br>
<a target=_blank href="http://www.pathguy.com/j_jump.htm">Jim Sharp in Freefall</a><br>
<a target=_blank href="http://www.pathguy.com/j_jump2.htm">Jim Sharp in Freefall 2</a><br>
<a target=_blank href="http://www.pathguy.com/~divemasterjim/divemasterjim.htm">Divemaster Jim</a><br>
<a target=_blank href="http://www.pathguy.com/EpiscDay.htm">Episco Day Applet</a><br>
<a target=_blank href="http://www.pathguy.com/LxaBang.htm">ΛXA Fireworks</a><br>
<a target=_blank href="http://www.pathguy.com/ChopCkr2.htm">ΛXA Checkers</a><br>
<a target=_blank href="http://www.pathguy.com/Maze.htm">Ed's Maze</a><br>
<a target=_blank href="http://www.pathguy.com/chess/Chesso.htm">Ed's Chess Applet</a><br>
<a target=_blank href="http://www.pathguy.com/LXAMaze.htm">The Right Choice (ΛXA)</a><br>
<a target=_blank href="http://www.pathguy.com/U.htm">Let's go swimming! (flags & photos)</a><br>
<a target=_blank href="http://www.pathguy.com/mesh.htm">Mesh -- Twenty-Four Hours Post-Op</a><br>
<a target=_blank href="http://www.pathguy.com/whatstar.htm">Under What Star...?</a><br>
<a target=_blank href="http://www.pathguy.com/gettys.htm">Gettysburg Address -- Historical Fiction</a><br>
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<p><font size="+1"><b>Christianity / Interfaith</b><br></font size>
<ul>
<font size="-2"><i>We have just enough religion to make us hate, but not enough
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<a target=_blank href="http://www.pathguy.com/index2.htm#xy">Why? (takes a moment...)</a><br>
<a target=_blank href="http://www.pathguy.com/theism.htm">Belief in God -- "For" and "Against"</a><br>
<a target=_blank href="http://www.pathguy.com/jesus/index.htm">Jesus of Nazareth</a><br>
<a target=_blank href="http://www.pathguy.com/jesus/mary.htm">Mary of Nazareth</a><br>
<a target=_blank href="http://www.pathguy.com/francisc.htm">Francis of Assisi</a><br>
<a target=_blank href="http://www.pathguy.com/francisc/francis.htm">Franciscan Timeline</a><br>
<a target=_blank href="http://www.pathguy.com/creation.htm">Human Origins<br>
<img src="two_fish.gif" border="0" width="216" height="48"></a><br>
<a target=_blank href="http://www.pathguy.com/julian.htm">Julian of Norwich</a><br>
<a target=_blank href="http://www.pathguy.com/index2.htm#paul">Paul of Tarsus (takes a moment...)</a><br>
<a target=_blank href="http://www.pathguy.com/index2.htm#pelagius">Pelagianism (takes a moment...)</a><br>
<a target=_blank href="http://www.pathguy.com/howard_and_doris.htm">Prayer Request</a><br>
<a target=_blank href="http://www.pathguy.com/seven_sins.htm">The Seven Deadly Sins</a><br>
<a target=_blank href="http://www.pathguy.com/rosary.htm">Rosary applet</a><br>
<a target=_blank href="http://www.pathguy.com/stations/stations.htm">Way of the Cross</a><br>
<a target=_blank href="http://www.pathguy.com/didache.htm">The Didache</a><br>
<a target=_blank href="http://www.pathguy.com/pj.htm">The Prayer of Jeremiah</a><br>
<a target=_blank href="http://www.pathguy.com/sci_ed.txt">Science Education for the Clergy</a><br>
<a target=_blank href="http://www.pathguy.com/thorsoak.htm">The Incident at Thor's Oak</a><br>
</ul>
<p><b>Special</b><p><ul>
<a target=_blank href="http://www.edencollinsworth.com/content/index.asp">Eden Collinsworth</a>'s site. What a wonderful surprise.
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The Pathology Guy
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if ((today.getMonth()==4)&(today.getDate()>=22)&(today.getDate()<=28)){document.form2.shield.src="moses\_s.jpg";return;} // proper 3 isaiah sermon on mt
if ((today.getMonth()==4)&(today.getDate()>=29) ){document.form2.shield.src="noahs\_ark.jpg";return;} // proper 4 A Noah's ark, SerMount
if ((today.getMonth()==5)&(today.getDate()<=4 ) ){document.form2.shield.src="noahs\_ark.jpg";return;}
if ((today.getMonth()==5)&(today.getDate()>= 5)&(today.getDate()<=11)){document.form2.shield.src="matthew1a.jpg";return;} // proper 5 Year A Abeatshechem, callmatt
if ((today.getMonth()==5)&(today.getDate()>=12)&(today.getDate()<=18)){document.form2.shield.src="abraham\_and\_sarah\_3.jpg";return;} // proper6 A sarahlaughs, list the twelves;
if ((today.getMonth()==5)&(today.getDate()>=19)&(today.getDate()<=25)){document.form2.shield.src="hagar\_and\_ishmael.jpg";return;} // proper7 A hagarandishmael
if ((today.getMonth()==5)&(today.getDate()>=26) ){document.form2.shield.src="abraham\_and\_isaac.jpg";return;} // proper 8 A abeandisaac
if ((today.getMonth()==6)&(today.getDate()<= 2) ){document.form2.shield.src="abraham\_and\_isaac.jpg";return;}
if ((today.getMonth()==6)&(today.getDate()>= 3)&(today.getDate()<= 9)){document.form2.shield.src="zachariah\_s.jpg";return;} // proper 9 A songofsongs or zachariah
if ((today.getMonth()==6)&(today.getDate()>=10)&(today.getDate()<=16)){document.form2.shield.src="vvg78.jpg";return;} // proper10 A jacobandesau sower
if ((today.getMonth()==6)&(today.getDate()>=17)&(today.getDate()<=23)){document.form2.shield.src="jacobs\_ladder.jpg";return;} // proper 11 A Jacob's ladder
if ((today.getMonth()==6)&(today.getDate()>=24)&(today.getDate()<=30)){document.form2.shield.src="jacob\_meets\_rachel.jpg";return;} // proper 12 A leah-rachelor solomon;
if ((today.getMonth()==6)&(today.getDate()==31) ){document.form2.shield.src="jacob\_wrestles\_angel.jpg";return;}
if ((today.getMonth()==7)&(today.getDate()>= 1)&(today.getDate()<= 6)){document.form2.shield.src="jacob\_wrestles\_angel.jpg";return;} // proper 13 A wrestleat Penuel, loaves&fishes
if ((today.getMonth()==7)&(today.getDate()>= 7)&(today.getDate()<=13)){document.form2.shield.src="velazquez06.jpg";return;} // proper 14 A coat of many colors,
if ((today.getMonth()==7)&(today.getDate()>=14)&(today.getDate()<=20)){document.form2.shield.src="canaanite\_woman.jpg";return;} // proper 15 A caananitewoman
if ((today.getMonth()==7)&(today.getDate()>=21)&(today.getDate()<=27)){document.form2.shield.src="baby\_moses.jpg";return;} // proper 16 A moses in bulrushes;
if ((today.getMonth()==7)&(today.getDate()>=28) ){document.form2.shield.src="moses\_and\_burning\_bush.jpg";return;} // proper 17 A burningbush or jeremiah,
if ((today.getMonth()==8) &(today.getDate()<= 3)){document.form2.shield.src="moses\_and\_burning\_bush.jpg";return;}
if ((today.getMonth()==8)&(today.getDate()>= 4)&(today.getDate()<=10)){document.form2.shield.src="first\_passover.gif";return;} // proper 18 A ezekiel
if ((today.getMonth()==8)&(today.getDate()>=11)&(today.getDate()<=17)){document.form2.shield.src="parting\_of\_the\_red\_sea.jpg";return;} // proper 19 A moses and red sea
if ((today.getMonth()==8)&(today.getDate()>=18)&(today.getDate()<=24)){document.form2.shield.src="jonah\_preaching.jpg";return;} // proper 20 Jonah preaching;
if ((today.getMonth()==8)&(today.getDate()>=25) ){document.form2.shield.src="grapes.jpg";return;} // proper 21 A grapes or smitten rock, B esther C dives and lazarus
if ((today.getMonth()==9) &(today.getDate()<= 1)){document.form2.shield.src="grapes.jpg";return;}
if ((today.getMonth()==9)&(today.getDate()>= 2)&(today.getDate()<= 8)){document.form2.shield.src="moses\_s.jpg";return;} // proper 22 A ten commandmnets
if ((today.getMonth()==9)&(today.getDate()>= 9)&(today.getDate()<=15)){document.form2.shield.src="golden\_calf.jpg";return;} // proper 23 A golden calf
if ((today.getMonth()==9)&(today.getDate()>=16)&(today.getDate()<=22)){document.form2.shield.src="roman\_coin.gif";return;} // proper 24 A render unto caesar
if ((today.getMonth()==9)&(today.getDate()>=23)&(today.getDate()<=29)){document.form2.shield.src="joshua.jpg";return;} // proper 25 A joshua and moses; B Job and whirlwind, jeremiah, Bartimaeus C joel pharisee and publican
if ((today.getMonth()==9)&(today.getDate()>=30) ){document.form2.shield.src="joshua.jpg";return;}
if ((today.getMonth()==10) &(today.getDate()<= 5)){document.form2.shield.src="joshua.jpg";return;} // proper 26 A joshua micah B Ruth C zacchaeus
if ((today.getMonth()==10)&(today.getDate()>= 6)&(today.getDate()<=12)){document.form2.shield.src="amos2.jpg";return;} // proper 27 A Amos B elijah and widow C haggai
if ((today.getMonth()==10)&(today.getDate()>=13)&(today.getDate()<=19)){document.form2.shield.src="four\_horsemen.jpg";return;}// proper 28 A Zephaniah
// document.form2.shield.src="holybible.gif";
DrawBible();
}
function GetProperPictureYearB(){
if ((today.getMonth()==4)&(today.getDate()>=8)&(today.getDate()<=14)){document.form2.shield.src="moses\_s.jpg";return;}
if ((today.getMonth()==4)&(today.getDate()>=15)&(today.getDate()<=21)){document.form2.shield.src="moses\_s.jpg";return;}
if ((today.getMonth()==4)&(today.getDate()>=22)&(today.getDate()<=28)){document.form2.shield.src="matthew1a.jpg";return;} // proper 3 calls matt
if ((today.getMonth()==4)&(today.getDate()>=29) ){document.form2.shield.src="wheat.jpg";return;} // proper 4 eli & samuel; ears of grain on sabbath
if ((today.getMonth()==5)&(today.getDate()<=4 ) ){document.form2.shield.src="wheat.jpg";return;}
if ((today.getMonth()==5)&(today.getDate()>= 5)&(today.getDate()<=11)){document.form2.shield.src="15800.jpg";return;} // proper 5 samuel house divided
if ((today.getMonth()==5)&(today.getDate()>=12)&(today.getDate()<=18)){document.form2.shield.src="king\_david.jpg";return;} // proper6 B samuel & david, mustardseen
if ((today.getMonth()==5)&(today.getDate()>=19)&(today.getDate()<=25)){document.form2.shield.src="blake\_job.gif";return;} // proper7 B davidandgoliath or job;
if ((today.getMonth()==5)&(today.getDate()>=26) ){document.form2.shield.src="M66\_33.jpg";return;} // proper 8 B davidonharp C jairus daughter
if ((today.getMonth()==6)&(today.getDate()<= 2) ){document.form2.shield.src="king\_david.jpg";return;}
if ((today.getMonth()==6)&(today.getDate()>= 3)&(today.getDate()<= 9)){document.form2.shield.src="king\_david.jpg";return;} // proper 9 B king david or ezekiel
if ((today.getMonth()==6)&(today.getDate()>=10)&(today.getDate()<=16)){document.form2.shield.src="salome.jpg";return;} // proper10 B solomey
if ((today.getMonth()==6)&(today.getDate()>=17)&(today.getDate()<=23)){document.form2.shield.src="king\_david.jpg";return;} // proper 11 B jeemiah or king david
if ((today.getMonth()==6)&(today.getDate()>=24)&(today.getDate()<=30)){document.form2.shield.src="loaves\_and\_fishes.jpg";return;} // proper 12 B loaves and fishes
if ((today.getMonth()==6)&(today.getDate()==31) ){document.form2.shield.src="loaves\_and\_fishes.jpg";return;}
if ((today.getMonth()==7)&(today.getDate()>= 1)&(today.getDate()<= 6)){document.form2.shield.src="king\_david.jpg";return;} // proper 13 B manna or Nathan C Hosea
if ((today.getMonth()==7)&(today.getDate()>= 7)&(today.getDate()<=13)){document.form2.shield.src="king\_david.jpg";return;} // proper 14 B absalom or elijah and broom tree
if ((today.getMonth()==7)&(today.getDate()>=14)&(today.getDate()<=20)){document.form2.shield.src="king\_solomon.jpg";return;} // proper 15 B soloomon
if ((today.getMonth()==7)&(today.getDate()>=21)&(today.getDate()<=28)){document.form2.shield.src="king\_solomon.jpg";return;} // proper 16 B solomon temple
if ((today.getMonth()==7)&(today.getDate()>=28) ){document.form2.shield.src="king\_solomon.jpg";return;} // proper 17 B Solomon
if ((today.getMonth()==8) &(today.getDate()<= 3)){document.form2.shield.src="king\_solomon.jpg";return;}
if ((today.getMonth()==8)&(today.getDate()>= 4)&(today.getDate()<=10)){document.form2.shield.src="canaanite\_woman.jpg";return;} // proper 18 B caananitewoman
if ((today.getMonth()==8)&(today.getDate()>=11)&(today.getDate()<=17)){document.form2.shield.src="peter.jpg";return;} // proper 19 B confession of peter
if ((today.getMonth()==8)&(today.getDate()>=18)&(today.getDate()<=24)){document.form2.shield.src="children.jpg";return;} // proper 20 B Jesus an little child
if ((today.getMonth()==8)&(today.getDate()>=25) ){document.form2.shield.src="esther.jpg";return;} // proper 21 B esther
if ((today.getMonth()==9) &(today.getDate()<= 1)){document.form2.shield.src="esther.jpg";return;}
if ((today.getMonth()==9)&(today.getDate()>= 2)&(today.getDate()<= 8)){document.form2.shield.src="creation\_of\_eve\_s.jpg";return;} // proper 22 B creation of eve
if ((today.getMonth()==9)&(today.getDate()>= 9)&(today.getDate()<=15)){document.form2.shield.src="camel3.jpg";return;} // B job's sufferings, prophet amos camel and needle
if ((today.getMonth()==9)&(today.getDate()>=16)&(today.getDate()<=22)){document.form2.shield.src="blake\_job.gif";return;} // proper 24 B Job and whirlwind
if ((today.getMonth()==9)&(today.getDate()>=23)&(today.getDate()<=29)){document.form2.shield.src="blake\_job.gif";return;} // proper 25 B Job and whirlwind, jeremiah, Bartimaeus
if ((today.getMonth()==9)&(today.getDate()>=30) ){document.form2.shield.src="moses\_s.jpg";return;}
if ((today.getMonth()==10) &(today.getDate()<= 5)){document.form2.shield.src="ruth\_naomi\_obed.jpg";return;} // proper 26 B Ruth
if ((today.getMonth()==10)&(today.getDate()>= 6)&(today.getDate()<=12)){document.form2.shield.src="elijah\_and\_widow.jpg";return;} // proper 27 B elijah and widow
if ((today.getMonth()==10)&(today.getDate()>=13)&(today.getDate()<=19)){document.form2.shield.src="four\_horsemen.jpg";return;}// proper 28 B Hannah
DrawBible();
}
function DrawBible(){
if ((fromEasterDays<=49)&(fromEasterDays>=0)){document.form2.shield.src="easter\_bible\_2.gif";} else
if ((fromEasterDays>=-46)&(fromEasterDays<0)){document.form2.shield.src="holybible.gif";} else
{document.form2.shield.src="holybible\_green.gif"; }
}
function GetProperPictureYearC(){
if ((today.getMonth()==4)&(today.getDate()>=8)&(today.getDate()<=14)){document.form2.shield.src="moses\_s.jpg";return;}
if ((today.getMonth()==4)&(today.getDate()>=15)&(today.getDate()<=21)){document.form2.shield.src="moses\_s.jpg";return;}
if ((today.getMonth()==4)&(today.getDate()>=22)&(today.getDate()<=28)){document.form2.shield.src="isaiah.jpg";return;} // proper 3 isaiah
if ((today.getMonth()==4)&(today.getDate()>=29) ){document.form2.shield.src="centurions\_servant.jpg";return;} // proper 4 solomon centurion's servant
if ((today.getMonth()==5)&(today.getDate()<=4 ) ){document.form2.shield.src="centurions\_servant.jpg";return;}
if ((today.getMonth()==5)&(today.getDate()>= 5)&(today.getDate()<=11)){document.form2.shield.src="prophet\_elijah.jpg";return;} // proper 5 ravens fed widows son at nain
if ((today.getMonth()==5)&(today.getDate()>=12)&(today.getDate()<=18)){document.form2.shield.src="prophet\_elijah.jpg";return;} // proper6 C Naboth's vineyard
if ((today.getMonth()==5)&(today.getDate()>=19)&(today.getDate()<=25)){document.form2.shield.src="prophet\_elijah.jpg";return;} // proper7 C jezebel or gerasenes or Isaiah
if ((today.getMonth()==5)&(today.getDate()>=26) ){document.form2.shield.src="elijah\_and\_fiery\_chariot.jpg";return;} // proper 8 C elijah in chariot
if ((today.getMonth()==6)&(today.getDate()<= 2) ){document.form2.shield.src="elijah\_and\_fiery\_chariot.jpg";return;}
if ((today.getMonth()==6)&(today.getDate()>= 3)&(today.getDate()<= 9)){document.form2.shield.src="naaman.jpg";return;} // proper 9 C Naaman
if ((today.getMonth()==6)&(today.getDate()>=10)&(today.getDate()<=16)){document.form2.shield.src="good\_samaritan\_window.jpg";return;} // proper10 A C Good Sam
if ((today.getMonth()==6)&(today.getDate()>=17)&(today.getDate()<=23)){document.form2.shield.src="mary\_and\_martha.jpg";return;} // proper 11 C Mary & Martha
if ((today.getMonth()==6)&(today.getDate()>=24)&(today.getDate()<=30)){document.form2.shield.src="pray.jpg";return;} // proper 12 C hosea or lrods prayer
if ((today.getMonth()==6)&(today.getDate()==31) ){document.form2.shield.src="pray.jpg";return;}
if ((today.getMonth()==7)&(today.getDate()>= 1)&(today.getDate()<= 6)){document.form2.shield.src="rembrandt\_rich\_fool.jpg";return;} // proper 13 C Hosea rich fool
if ((today.getMonth()==7)&(today.getDate()>= 7)&(today.getDate()<=13)){document.form2.shield.src="andromeda\_galaxy.jpg";return;} // proper 14 C count the stars
if ((today.getMonth()==7)&(today.getDate()>=14)&(today.getDate()<=20)){document.form2.shield.src="jeremiah.jpg";return;} // proper 15 C raincloud jeremiah/isaiah
if ((today.getMonth()==7)&(today.getDate()>=21)&(today.getDate()<=28)){document.form2.shield.src="jeremiah.jpg";return;} // proper 16 C Jeremiah
if ((today.getMonth()==7)&(today.getDate()>=28) ){document.form2.shield.src="jeremiah.jpg";return;} // proper 17 C Jermiah
if ((today.getMonth()==8) &(today.getDate()<= 3)){document.form2.shield.src="jeremiah.jpg";return;}
if ((today.getMonth()==8)&(today.getDate()>= 4)&(today.getDate()<=10)){document.form2.shield.src="jeremiah.jpg";return;} // proper 18 C Jeremiah
if ((today.getMonth()==8)&(today.getDate()>=11)&(today.getDate()<=17)){document.form2.shield.src="lost\_sheep.jpg";return;} // proper 19 C Lost sheep
if ((today.getMonth()==8)&(today.getDate()>=18)&(today.getDate()<=24)){document.form2.shield.src="unjust\_steward.jpg";return;} // proper C unjust steward
if ((today.getMonth()==8)&(today.getDate()>=25) ){document.form2.shield.src="rich\_man\_and\_lazarus.jpg";return;} // proper 21 A grapes or smitten rock, B esther C dives and lazarus
if ((today.getMonth()==9) &(today.getDate()<= 1)){document.form2.shield.src="rich\_man\_and\_lazarus.jpg";return;}
if ((today.getMonth()==9)&(today.getDate()>= 2)&(today.getDate()<= 8)){document.form2.shield.src="jeremiah.jpg";return;} // proper 22 C lamentation of Jeremiah
if ((today.getMonth()==9)&(today.getDate()>= 9)&(today.getDate()<=15)){document.form2.shield.src="naaman.jpg";return;} // proper 23 C naaman
if ((today.getMonth()==9)&(today.getDate()>=16)&(today.getDate()<=22)){document.form2.shield.src="jacob\_wrestles\_angel.jpg";return;} // proper 24 C jacob wrestles angel
if ((today.getMonth()==9)&(today.getDate()>=23)&(today.getDate()<=29)){document.form2.shield.src="wc\_publican.jpg";return;} // proper 25 C joel pharisee and publican
if ((today.getMonth()==9)&(today.getDate()>=30) ){document.form2.shield.src="wc\_publican.jpg";return;}
if ((today.getMonth()==10) &(today.getDate()<= 5)){document.form2.shield.src="zacchaeus.jpg";return;} // proper 26 zacchaeus
if ((today.getMonth()==10)&(today.getDate()>= 6)&(today.getDate()<=12)){document.form2.shield.src="haggai.jpg";return;} // proper 27 A Amos B elijah and widow C haggai
if ((today.getMonth()==10)&(today.getDate()>=13)&(today.getDate()<=19)){document.form2.shield.src="four\_horsemen.jpg";return;}// proper 28 A Zephaniah B Hannah C 4 horsemen
DrawBible();
}
function GetProperPicture(){
document.form2.shield.name="Daily Bible Readings: Revised Common Lectionary";
if (YearA()==true){GetProperPictureYearA();return;}
if (YearB()==true){GetProperPictureYearB();return;}
if (YearC()==true){GetProperPictureYearC();return;}
}
function flyflag(){
today=new Date();
y=today.getYear();
if (y<1900){y+=1900;}
switch(y)
{
case 2004: // 'i'
easterMonth = 4;
easterDayOfMonth = 11;
break;
case 2005: // 'i'
easterMonth = 3;
easterDayOfMonth = 27;
break;
case 2006: // 'j'
easterMonth = 4;
easterDayOfMonth = 16;
break;
case 2007: // 'k'
easterMonth = 4;
easterDayOfMonth = 8;
break;
case 2008: // 'l'
easterMonth = 3;
easterDayOfMonth = 23;
break;
case 2009: // 'm'
easterMonth = 4;
easterDayOfMonth = 12;
break;
case 2010: // 'n'
easterMonth = 4;
easterDayOfMonth = 4;
break;
case 2011: // 'o'
easterMonth = 4;
easterDayOfMonth = 24;
break;
case 2012: // 'p'
easterMonth = 4;
easterDayOfMonth = 8;
break;
case 2013: // 'q'
easterMonth = 3;
easterDayOfMonth = 31;
break;
case 2014: // 'r'
easterMonth = 4;
easterDayOfMonth = 20;
break;
case 2015: // 's'
easterMonth = 4;
easterDayOfMonth = 5;
break;
case 2016: // 't'
easterMonth = 3;
easterDayOfMonth = 27;
break;
case 2017: // 'u'
easterMonth = 4;
easterDayOfMonth = 16;
break;
case 2018: // 'v'
easterMonth = 4;
easterDayOfMonth = 1;
break;
case 2019: // 'w'
easterMonth = 4;
easterDayOfMonth = 21;
break;
case 2020: // 'x'
easterMonth = 4;
easterDayOfMonth = 12;
break;
case 2021: // 'y'
easterMonth = 4;
easterDayOfMonth = 4;
break;
case 2022: // 'z'
easterMonth = 4;
easterDayOfMonth = 17;
break;
case 2023: // '{'
easterMonth = 4;
easterDayOfMonth = 9;
break;
case 2024: // '|'
easterMonth = 3;
easterDayOfMonth = 31;
break;
case 2025: // '}'
easterMonth = 4;
easterDayOfMonth = 20;
break;
case 2026: // '~'
easterMonth = 4;
easterDayOfMonth = 5;
break;
case 2027: // '\177'
easterMonth = 3;
easterDayOfMonth = 28;
break;
case 2028:
easterMonth = 4;
easterDayOfMonth = 16;
break;
case 2029:
easterMonth = 4;
easterDayOfMonth = 1;
break;
case 2030:
easterMonth = 4;
easterDayOfMonth = 21;
break;
case 2031:
easterMonth = 4;
easterDayOfMonth = 13;
break;
case 2032:
easterMonth = 3;
easterDayOfMonth = 28;
break;
case 2033:
easterMonth = 4;
easterDayOfMonth = 17;
break;
case 2034:
easterMonth = 4;
easterDayOfMonth = 9;
break;
case 2035:
easterMonth = 3;
easterDayOfMonth = 25;
break;
default:
easterMonth = 1;
easterDayOfMonth = 9;
break;
}
switch((today.getMonth()+1))
{
case 1: // '\001'
if(easterMonth == 3)
fromEasterDays = today.getDate() - easterDayOfMonth - 28 - 31;
if(easterMonth == 4)
fromEasterDays = today.getDate() - easterDayOfMonth - 31 - 28 - 31;
if((today.getYear() % 4 == 0) & (today.getYear() != 100))
fromEasterDays--;
break;
case 2: // '\002'
if(easterMonth == 3)
fromEasterDays = today.getDate() - easterDayOfMonth - 28;
if(easterMonth == 4)
fromEasterDays = today.getDate() - easterDayOfMonth - 31 - 28;
if((today.getYear() % 4 == 0) & (today.getYear() != 100))
fromEasterDays--;
break;
case 3: // '\003'
if(easterMonth == 3)
fromEasterDays = today.getDate() - easterDayOfMonth;
if(easterMonth == 4)
fromEasterDays = today.getDate() - easterDayOfMonth - 31;
break;
case 4: // '\004'
if(easterMonth == 3)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 31;
if(easterMonth == 4)
fromEasterDays = today.getDate() - easterDayOfMonth;
break;
case 5: // '\005'
if(easterMonth == 3)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 31 + 30;
if(easterMonth == 4)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 30;
break;
case 6: // '\006'
if(easterMonth == 3)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 31 + 30 + 31;
if(easterMonth == 4)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 30 + 31;
break;
case 7: // '\007'
{
if(easterMonth == 3)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 31 + 30 + 31 + 30;
if(easterMonth == 4)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 30 + 31 + 30;
break;
}
case 8: // '\b'
if(easterMonth == 3)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 31 + 30 + 31 + 30 + 31;
if(easterMonth == 4)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 30 + 31 + 30 + 31;
break;
case 9: // '\t'
if(easterMonth == 3)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 31 + 30 + 31 + 30 + 31 + 31;
if(easterMonth == 4)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 30 + 31 + 30 + 31 + 31;
break;
case 10: // '\n'
if(easterMonth == 3)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 31 + 30 + 31 + 30 + 31 + 31 + 30;
if(easterMonth == 4)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 30 + 31 + 30 + 31 + 31 + 30;
break;
case 11: // '\013'
if(easterMonth == 3)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 31 + 30 + 31 + 30 + 31 + 31 + 30 + 31;
if(easterMonth == 4)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 30 + 31 + 30 + 31 + 31 + 30 + 31;
break;
case 12: // '\f'
if(easterMonth == 3)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 31 + 30 + 31 + 30 + 31 + 31 + 30 + 31 + 30;
if(easterMonth == 4)
fromEasterDays = (today.getDate() - easterDayOfMonth) + 30 + 31 + 30 + 31 + 31 + 30 + 31 + 30;
break;
default:
fromEasterDays = 1000;
break;
}
/\*
TridentOn=new Image(120,56);
TridentOn.src="sealtrident2a.gif"
TridentOff=new Image(120,56);
TridentOff.src="sealtrident2.gif"
ScubaOn=new Image(127,120);
ScubaOn.src="divemasterjim\_s2.gif"
ScubaOff=new Image(127,120);
ScubaOff.src="divemasterjim\_s.gif"
\*/
// alert("fromEasterDays="+fromEasterDays+" easterMonth="+easterMonth+" year="+today.getYear());
// fromEasterDays=-46;
document.form2.ember\_day.src="notemberday.gif";
specialdevotion=false;
if (today.getDay()==5){specialdevotion=true;}
if ((fromEasterDays>=-46)&(fromEasterDays<0)){specialdevotion=true;}
if (today.getDay()==0){specialdevotion=false;}
if ((today.getMonth()==11)&(today.getDate()>=24)){specialdevotion=false;}
if ((today.getMonth()==0)&(today.getDate()<7)){specialdevotion=false;}
if ((fromEasterDays>=0)&(fromEasterDays<=49)){specialdevotion=false;}
advent=0;
if ((today.getMonth()==11)&(today.getDate()==24)){ advent=4;}
if ((today.getMonth()==11)&(today.getDate()==23)){if (today.getDay()<=5){advent=4;} else {advent=3;}}
if ((today.getMonth()==11)&(today.getDate()==22)){if (today.getDay()<=4){advent=4;} else {advent=3;}}
if ((today.getMonth()==11)&(today.getDate()==21)){if (today.getDay()<=3){advent=4;} else {advent=2;}}
if ((today.getMonth()==11)&(today.getDate()==20)){if (today.getDay()<=2){advent=4;} else {advent=3;}}
if ((today.getMonth()==11)&(today.getDate()==19)){if (today.getDay()<=1){advent=4;} else {advent=3;}}
if ((today.getMonth()==11)&(today.getDate()==18)){if (today.getDay()<=0){advent=4;} else {advent=3;}}
if ((today.getMonth()==11)&(today.getDate()==17)){ advent=3;}
if ((today.getMonth()==11)&(today.getDate()==16)){if (today.getDay()<=5){advent=3;} else {advent=2;}}
if ((today.getMonth()==11)&(today.getDate()==15)){if (today.getDay()<=4){advent=3;} else {advent=2;}}
if ((today.getMonth()==11)&(today.getDate()==14)){if (today.getDay()<=3){advent=3;} else {advent=2;}}
if ((today.getMonth()==11)&(today.getDate()==13)){if (today.getDay()<=2){advent=3;} else {advent=2;}}
if ((today.getMonth()==11)&(today.getDate()==12)){if (today.getDay()<=1){advent=3;} else {advent=2;}}
if ((today.getMonth()==11)&(today.getDate()==11)){if (today.getDay()<=0){advent=3;} else {advent=2;}}
if ((today.getMonth()==11)&(today.getDate()==10)){ advent=2;}
if ((today.getMonth()==11)&(today.getDate()==9)){if (today.getDay()<=5){advent=2;} else {advent=1;}}
if ((today.getMonth()==11)&(today.getDate()==8)){if (today.getDay()<=4){advent=2;} else {advent=1;}}
if ((today.getMonth()==11)&(today.getDate()==7 )){if (today.getDay()<=3){advent=2;} else {advent=1;}}
if ((today.getMonth()==11)&(today.getDate()==6 )){if (today.getDay()<=2){advent=2;} else {advent=1;}}
if ((today.getMonth()==11)&(today.getDate()==5 )){if (today.getDay()<=1){advent=2;} else {advent=1;}}
if ((today.getMonth()==11)&(today.getDate()==4 )){if (today.getDay()<=0){advent=2;} else {advent=1;}}
if ((today.getMonth()==11)&(today.getDate()==3)){ advent=1;}
if ((today.getMonth()==11)&(today.getDate()==2)){if (today.getDay()<=5){advent=1;} else {advent=0;}}
if ((today.getMonth()==11)&(today.getDate()==1)){if (today.getDay()<=4){advent=1;} else {advent=0;}}
if ((today.getMonth()==10)&(today.getDate()==30)){if (today.getDay()<=3){advent=1;} else {advent=0;}}
if ((today.getMonth()==10)&(today.getDate()==29)){if (today.getDay()<=2){advent=1;} else {advent=0;}}
if ((today.getMonth()==10)&(today.getDate()==28)){if (today.getDay()<=1){advent=1;} else {advent=0;}}
if ((today.getMonth()==10)&(today.getDate()==27)){if (today.getDay()<=0){advent=1;} else {advent=0;}}
if (advent==1){document.form2.shield.src="Advent\_Wreath\_1.gif";} else
if (advent==2){document.form2.shield.src="Advent\_Wreath\_2.gif";} else
if (advent==3){document.form2.shield.src="Advent\_Wreath\_3.gif";} else
if (advent==4){document.form2.shield.src="Advent\_Wreath\_4.gif";} else
if ((today.getMonth()==11)&(today.getDate()>=24))
{document.form2.shield.src="nativity.jpg";} else
if ((today.getMonth()==0)&(today.getDate()<6))
{document.form2.shield.src="nativity.jpg";} else
if ((today.getMonth()==12)&(today.getDate()>=27)){document.form2.shield.src="nativity.jpg";} else
if ((fromEasterDays>=-46)&(fromEasterDays<=-8)){document.form2.shield.src="ashcross2.gif";} else
if ((fromEasterDays>-8)&(fromEasterDays<0)){document.form2.shield.src="lent.gif";} else
DrawBible();
// if ((fromEasterDays>=0)&(fromEasterDays<49)){document.form2.shield.src="easter\_bible\_2.gif";} else
// {document.form2.shield.src="holybible.gif";}
//GetBiblePicture();
if ((today.getMonth()==0)&(today.getDate()<=6)){document.form2.episco\_date.src="episco\_gold.gif";} else
if ((today.getMonth()==11)&(today.getDate()>=25)){document.form2.episco\_date.src="episco\_gold.gif";} else
if (advent>0){document.form2.episco\_date.src="episco\_advent.gif";} else
if ((fromEasterDays<=49)&(fromEasterDays>=0)){document.form2.episco\_date.src="episco\_gold.gif";} else
if ((fromEasterDays>=-46)&(fromEasterDays<0)){document.form2.episco\_date.src="episco\_lent.gif";} else
{document.form2.episco\_date.src="episco\_green.gif"; }
if ((fromEasterDays>49)&(fromEasterDays<56)){document.form2.episco\_date.src="episco\_prayerbook.gif";document.form2.shield.src="bcp.jpg";}
if ((today.getMonth()==0)&(today.getDate()==3)){document.form2.episco\_date.src="episco\_gladysaylward.gif";document.form2.shield.src="no\_mountain\_too\_high.jpg";}
if ((today.getMonth()==0)&(today.getDate()==4)){document.form2.episco\_date.src="episco\_seton.gif";document.form2.shield.src="mother\_seton.jpg";}
if ((today.getMonth()==0)&(today.getDate()==7)){document.form2.episco\_date.src="episco\_galileo.gif";document.form2.shield.src="galileo.jpg";}
if ((today.getMonth()==0)&(today.getDate()==8)){document.form2.episco\_date.src="episco\_martyrsofecuador.gif";document.form2.shield.src="george.gif";palmicon();}
if ((today.getMonth()==0)&(today.getDate()==9)&(today.getHours()%2==0)){document.form2.episco\_date.src="episco\_adrianofcanterbury.gif";document.form2.shield.src="AdrianCanterbury.jpg";}
if ((today.getMonth()==0)&(today.getDate()==9)&(today.getHours()%2==1)){document.form2.episco\_date.src="episco\_philipofmoscow.gif";document.form2.shield.src="philip\_of\_moscow\_2.jpg";palmicon();}
if ((today.getMonth()==0)&(today.getDate()==10)){document.form2.episco\_date.src="episco\_williamlaud.gif"; document.form2.shield.src="laud.gif";canterbury();}
if ((today.getMonth()==0)&(today.getDate()==11)){document.form2.episco\_date.src="episco\_maryslessor.gif"; document.form2.shield.src="mary\_slessor.jpg";}
if ((today.getMonth()==0)&(today.getDate()==12)){document.form2.episco\_date.src="episco\_aelred.gif"; document.form2.shield.src="aelred\_s.jpg";}
if ((today.getMonth()==0)&(today.getDate()==13)){document.form2.episco\_date.src="episco\_hilary.gif"; document.form2.shield.src="StHilaryPoitiers.jpg";}
if ((today.getMonth()==0)&(today.getDate()==17)){document.form2.episco\_date.src="episco\_antonyofegypt.gif";document.form2.shield.src="temptation.jpg";}
if ((today.getMonth()==0)&(today.getDate()==18)){document.form2.episco\_date.src="episco\_tomdooley.gif";document.form2.shield.src="tom\_dooley\_medal.gif";}
if ((today.getMonth()==0)&(today.getDate()==19)){document.form2.episco\_date.src="episco\_wulfstan.gif";document.form2.shield.src="worcester03\_s.jpg";}
if ((today.getMonth()==0)&(today.getDate()==20)){document.form2.episco\_date.src="episco\_fabian.gif";document.form2.shield.src="pope\_fabian.jpg";palmicon();}
if ((today.getMonth()==0)&(today.getDate()==21)){document.form2.episco\_date.src="episco\_agnes.gif";document.form2.shield.src="agnes.gif";saintagnes();}
if ((today.getMonth()==0)&(today.getDate()==22)){document.form2.episco\_date.src="episco\_vincent.gif";document.form2.shield.src="saintv04.jpg";palmicon();}
if ((today.getMonth()==0)&(today.getDate()==23)){document.form2.episco\_date.src="episco\_phillipsbrooks.gif";document.form2.shield.src="phillips\_brooks.gif";}
if ((today.getMonth()==0)&(today.getDate()==24)){document.form2.episco\_date.src="episco\_francisdesales.gif";document.form2.shield.src="0821sale.jpg";}
if ((today.getMonth()==0)&(today.getDate()==26)){document.form2.episco\_date.src="episco\_timothyandtitus.gif";document.form2.shield.src="1\_26\_tim\_titus.jpg";}
if ((today.getMonth()==0)&(today.getDate()==27)){document.form2.episco\_date.src="episco\_johnchrysostom.gif";document.form2.shield.src="chrysost.jpg"; }
if ((today.getMonth()==0)&(today.getDate()==28)){document.form2.episco\_date.src="episco\_thomasaquinas.gif";document.form2.shield.src="aquinas\_s.jpg"; }
if ((today.getMonth()==0)&(today.getDate()==31)){document.form2.episco\_date.src="episco\_heisenberg.gif";document.form2.shield.src="heisenberg.jpg"; }
if ((today.getMonth()==1)&(today.getDate()==1)){document.form2.episco\_date.src="episco\_brigid.gif";document.form2.shield.src="brigid.jpg";}
if ((today.getMonth()==1)&(today.getDate()==3)){document.form2.episco\_date.src="episco\_dorchesterchaplains.gif";document.form2.shield.src="dorchester\_chaplains.jpg";}
if ((today.getMonth()==1)&(today.getDate()==4)){document.form2.episco\_date.src="episco\_anskar.gif";document.form2.shield.src="saint\_anskar.jpg";}
if ((today.getMonth()==1)&(today.getDate()==5))
{
document.form2.episco\_date.src="episco\_hutchinson\_williams.gif";
if (today.getHours()%2==0) {document.form2.shield.src="roger\_williams.jpg";}
if (today.getHours()%2==1) {document.form2.shield.src="anne\_hutchinson.jpg";}
}
if ((today.getMonth()==1)&(today.getDate()==6)){document.form2.episco\_date.src="episco\_martyrsofjapan.gif"; document.form2.shield.src="martyrs\_of\_japan.jpg";palmicon();}
if ((today.getMonth()==1)&(today.getDate()==7)){document.form2.episco\_date.src="episco\_cornelius.gif";document.form2.shield.src="cornelius\_the\_centurion.jpg";}
if ((today.getMonth()==1)&(today.getDate()==12))
{
if (fromEasterDays>-46){document.form2.episco\_date.src="episco\_lister\_lent.gif";document.form2.shield.src="lister.jpg";}
else {document.form2.episco\_date.src="episco\_lister\_green.gif";document.form2.shield.src="lister.jpg";}
}
if ((today.getMonth()==1)&(today.getDate()==13))
{
if (fromEasterDays>-46){document.form2.episco\_date.src="episco\_absalomjones\_lent.gif";document.form2.shield.src="3absj0303m.jpg";}
else {document.form2.episco\_date.src="episco\_absalomjones\_green.gif";document.form2.shield.src="3absj0303m.jpg";}
}
if ((today.getMonth()==1)&(today.getDate()==14))
{
if (fromEasterDays>-46){document.form2.episco\_date.src="episco\_cyrilandmethodius\_lent.gif";document.form2.shield.src="cyril\_and\_methodius.jpg";}
else {document.form2.episco\_date.src="episco\_cyrilandmethodius\_green.gif";document.form2.shield.src="cyril\_and\_methodius.jpg";}
}
if ((today.getMonth()==1)&(today.getDate()==15))
{
if (fromEasterDays>-46){document.form2.episco\_date.src="episco\_thomasbray\_lent.gif"; document.form2.shield.src="thomas\_bray.jpg";}
else {document.form2.episco\_date.src="episco\_thomasbray\_green.gif"; document.form2.shield.src="thomas\_bray.jpg";}
}
if ((today.getMonth()==1)&(today.getDate()==17))
{
if (fromEasterDays>-46){document.form2.episco\_date.src="episco\_jananiluwum\_lent.gif"; document.form2.shield.src="luwum.jpg";palmicon();}
else {document.form2.episco\_date.src="episco\_jananiluwum\_green.gif"; document.form2.shield.src="luwum.jpg";palmicon();}
}
if ((today.getMonth()==1)&(today.getDate()==18))
{
if (fromEasterDays>-46){document.form2.episco\_date.src="episco\_martinluther\_lent.gif"; document.form2.shield.src="Martin\_Luther.jpg";}
else {document.form2.episco\_date.src="episco\_martinluther\_green.gif"; document.form2.shield.src="Martin\_Luther.jpg";}
}
if ((today.getMonth()==1)&(today.getDate()==20))
{
if (fromEasterDays>-46){document.form2.episco\_date.src="episco\_frederickdouglass\_lent.gif"; document.form2.shield.src="frederick\_douglass.jpg";}
else {document.form2.episco\_date.src="episco\_frederickdouglass\_green.gif"; document.form2.shield.src="frederick\_douglass.jpg";}
}
if ((today.getMonth()==1)&(today.getDate()==21))
{
if (fromEasterDays>-46){document.form2.episco\_date.src="episco\_newman\_lent.gif"; document.form2.shield.src="j\_h\_newman.jpg";}
else {document.form2.episco\_date.src="episco\_newman\_green.gif"; document.form2.shield.src="j\_h\_newman.jpg";}
}
if ((today.getMonth()==1)&(today.getDate()==23))
{
if (fromEasterDays>-46){document.form2.episco\_date.src="episco\_polycarp\_lent.gif";document.form2.shield.src="polycarp.jpg";palmicon();}
else {document.form2.episco\_date.src="episco\_polycarp\_green.gif";document.form2.shield.src="polycarp.jpg";palmicon();}
}
if ((today.getMonth()==1)&(today.getDate()==27))
{
if (fromEasterDays>-46){document.form2.episco\_date.src="episco\_georgeherbert\_lent.gif";document.form2.shield.src="george\_herbert.jpg"; }
else {document.form2.episco\_date.src="episco\_georgeherbert\_green.gif";document.form2.shield.src="george\_herbert.jpg";}
}
if ((today.getMonth()==1)&(today.getDate()==28))
{
if (fromEasterDays>-46){document.form2.episco\_date.src="episco\_ajhcooper\_lent.gif";document.form2.shield.src="ajhcooper.jpg"; }
else {document.form2.episco\_date.src="episco\_ajhcooper\_green.gif";document.form2.shield.src="ajhcooper.jpg";}
}
if ((today.getMonth()==2)&(today.getDate()==1))
{
if (fromEasterDays>-46){document.form2.episco\_date.src="episco\_davidofwales\_lent.gif";document.form2.shield.src="saint\_davids\_cathedral.jpg";}
else {document.form2.episco\_date.src="episco\_davidofwales\_green.gif";document.form2.shield.src="saint\_davids\_cathedral.jpg";}
}
if ((today.getMonth()==2)&(today.getDate()==2))
{
if (fromEasterDays>-46){document.form2.episco\_date.src="episco\_chad\_lent.gif";document.form2.shield.src="stchad.jpg";}
else {document.form2.episco\_date.src="episco\_chad\_green.gif";document.form2.shield.src="stchad.jpg";}
}
if ((today.getMonth()==2)&(today.getDate()==3))
{
if (fromEasterDays>-46){document.form2.episco\_date.src="episco\_wesleys\_lent.gif";document.form2.shield.src="j\_c\_wesleys.jpg";}
else {document.form2.episco\_date.src="episco\_wesleys\_green.gif";document.form2.shield.src="j\_c\_wesleys.jpg";}
}
if ((today.getMonth()==2)&(today.getDate()==4))
{
if (fromEasterDays>-46){document.form2.episco\_date.src="episco\_bhatti\_lent.gif";document.form2.shield.src="Shahbaz\_Bhatti.jpg";palmicon();}
else {document.form2.episco\_date.src="episco\_bhatti\_green.gif";document.form2.shield.src="Shahbaz\_Bhatti.jpg";palmicon();}
}
if ((today.getMonth()==2)&(today.getDate()==5))
{
if (fromEasterDays>-46){document.form2.episco\_date.src="episco\_bhatti\_lent.gif";document.form2.shield.src="Shahbaz\_Bhatti.jpg";palmicon();}
else {document.form2.episco\_date.src="episco\_bhatti\_green.gif";document.form2.shield.src="Shahbaz\_Bhatti.jpg";palmicon();}
}
if ((today.getMonth()==2)&(today.getDate()==6))
{
if (fromEasterDays>-46){document.form2.episco\_date.src="episco\_mayo\_lent.gif";document.form2.shield.src="wwmayo.jpg";palmicon();}
else {document.form2.episco\_date.src="episco\_mayo\_green.gif";document.form2.shield.src="wwmayo.jpg";palmicon();}
}
if ((today.getMonth()==2)&(today.getDate()==7))
{
if (fromEasterDays>-46){document.form2.episco\_date.src="episco\_perpetua\_lent.gif";document.form2.shield.src="perpandfel.jpg";palmicon();}
else {document.form2.episco\_date.src="episco\_perpetua\_green.gif";document.form2.shield.src="perpandfel.jpg";palmicon();}
}
if ((today.getMonth()==2)&(today.getDate()==8))
{
if (fromEasterDays>-46){document.form2.episco\_date.src="episco\_edward\_king\_lent.gif";document.form2.shield.src="edward\_king.jpg";}
else {document.form2.episco\_date.src="episco\_edward\_king\_green.gif";document.form2.shield.src="edward\_king.jpg";}
}
if ((today.getMonth()==2)&(today.getDate()==9))
{
if (fromEasterDays>-46){document.form2.episco\_date.src="episco\_gregoryofnyssa\_lent.gif";document.form2.shield.src="gregory\_of\_nyssa.jpg";}
else {document.form2.episco\_date.src="episco\_gregoryofnyssa\_green.gif";document.form2.shield.src="gregory\_of\_nyssa.jpg";}
}
if ((today.getMonth()==2)&(today.getDate()==10)){document.form2.episco\_date.src="episco\_martyrsofsebaste.gif";document.form2.shield.src="martyrs\_of\_sebaste.jpg";palmicon();}
if ((today.getMonth()==2)&(today.getDate()==12)){document.form2.episco\_date.src="episco\_gregorythegreat.gif";document.form2.shield.src="gregory\_the\_great.jpg";}
if ((today.getMonth()==2)&(today.getDate()==13)){document.form2.episco\_date.src="episco\_jtholly.gif";document.form2.shield.src="jtholly.jpg";}
if ((today.getMonth()==2)&(today.getDate()==17)){document.form2.episco\_date.src="episco\_patrick.gif";document.form2.shield.src="patrick-modern1.jpg";saintpatrick();}
if ((today.getMonth()==2)&(today.getDate()==18)){document.form2.episco\_date.src="episco\_cyrilofjerusalem.gif";document.form2.shield.src="cyril\_of\_jerusalem.jpg";}
if ((today.getMonth()==2)&(today.getDate()==20)){document.form2.episco\_date.src="episco\_cuthbert.gif";document.form2.shield.src="AthelstanNCuthbertTS.jpg";}
if ((today.getMonth()==2)&(today.getDate()==21)){document.form2.episco\_date.src="episco\_thomasken.gif";document.form2.shield.src="thomas\_ken.jpg";}
if ((today.getMonth()==2)&(today.getDate()==22)){document.form2.episco\_date.src="episco\_jamesdekoven.gif";document.form2.shield.src="dekoven2.jpg";}
if ((today.getMonth()==2)&(today.getDate()==23)){document.form2.episco\_date.src="episco\_gregorytheilluminator.gif";document.form2.shield.src="gregory\_the\_illuminator.jpg";}
if ((today.getMonth()==2)&(today.getDate()==24)){document.form2.episco\_date.src="episco\_romero.gif";document.form2.shield.src="romero.jpg";palmicon();}
if ((today.getMonth()==2)&(today.getDate()==27)){document.form2.episco\_date.src="episco\_charleshenrybrent.gif";document.form2.shield.src="brent.jpg";}
if ((today.getMonth()==2)&(today.getDate()==29))
{
if (fromEasterDays<0){document.form2.episco\_date.src="episco\_johnkeble\_lent.gif";document.form2.shield.src="keble.jpg";}
else {document.form2.episco\_date.src="episco\_johnkeble.gif";document.form2.shield.src="keble.jpg";}
}
if ((today.getMonth()==2)&(today.getDate()==31))
{
if (fromEasterDays<0){document.form2.episco\_date.src="episco\_johndonne\_lent.gif";document.form2.shield.src="john\_donne.gif"}
else {document.form2.episco\_date.src="episco\_johndonne.gif";document.form2.shield.src="john\_donne.gif";}
}
if ((today.getMonth()==3)&(today.getDate()==1))
{
if (fromEasterDays<0){document.form2.episco\_date.src="episco\_maurice\_lent.gif";document.form2.shield.src="FDmaurice.jpg";}
else {document.form2.episco\_date.src="episco\_maurice.gif";document.form2.shield.src="FDmaurice.jpg";}
}
if ((today.getMonth()==3)&(today.getDate()==2))
{
if (fromEasterDays<0){document.form2.episco\_date.src="episco\_breck\_lent.gif";document.form2.shield.src="JLBreck.jpg";}
else {document.form2.episco\_date.src="episco\_breck.gif";document.form2.shield.src="JLBreck.jpg";}
}
if ((today.getMonth()==3)&(today.getDate()==3))
{
if (fromEasterDays<0){document.form2.episco\_date.src="episco\_richardofchichester\_lent.gif";document.form2.shield.src="richard\_of\_chi.jpg";}
else {document.form2.episco\_date.src="episco\_richardofchichester.gif";document.form2.shield.src="richard\_of\_chi.jpg";}
}
if ((today.getMonth()==3)&(today.getDate()==4))
{
if (fromEasterDays<0){document.form2.episco\_date.src="episco\_martinlutherking\_lent.gif";document.form2.shield.src="mlk2.jpg";}
else {document.form2.episco\_date.src="episco\_martinlutherking.gif";document.form2.shield.src="mlk2.jpg";}
}
if ((today.getMonth()==3)&(today.getDate()==6))
{
if (fromEasterDays<0){document.form2.episco\_date.src="episco\_albrechtdurer\_lent.gif";document.form2.shield.src="durer.jpg";}
else {document.form2.episco\_date.src="episco\_albrechtdurer.gif";document.form2.shield.src="durer.jpg";}
}
if ((today.getMonth()==3)&(today.getDate()==7))
{
if (fromEasterDays<0){document.form2.episco\_date.src="episco\_tikhon\_lent.gif";document.form2.shield.src="tikhon.jpg";}
else {document.form2.episco\_date.src="episco\_tikhon.gif";document.form2.shield.src="tikhon.jpg";}
}
if ((today.getMonth()==3)&(today.getDate()==8))
{
if (fromEasterDays<0){document.form2.episco\_date.src="episco\_muhlenberg\_lent.gif";document.form2.shield.src="muhlenberg.jpg";}
else {document.form2.episco\_date.src="episco\_muhlenberg.gif";document.form2.shield.src="muhlenberg.jpg";}
}
if ((today.getMonth()==3)&(today.getDate()==10))
{
if (fromEasterDays<0){document.form2.episco\_date.src="episco\_williamlaw\_lent.gif"; document.form2.shield.src="william\_law.jpg";}
else {document.form2.episco\_date.src="episco\_williamlaw.gif"; document.form2.shield.src="william\_law.jpg";}
}
if ((today.getMonth()==3)&(today.getDate()==9))
{
if (fromEasterDays<0){document.form2.episco\_date.src="episco\_bonhoeffer\_lent.gif";document.form2.shield.src="bonhoeffer.jpg";palmicon();}
else {document.form2.episco\_date.src="episco\_bonhoeffer.gif";document.form2.shield.src="bonhoeffer.jpg";palmicon();}
}
if ((today.getMonth()==3)&(today.getDate()==11))
{
if (fromEasterDays<0){document.form2.episco\_date.src="episco\_selwyn\_lent.gif";document.form2.shield.src="selwyn.jpg";selwyn();}
else {document.form2.episco\_date.src="episco\_selwyn.gif";document.form2.shield.src="selwyn.jpg";selwyn();}
}
if ((today.getMonth()==3)&(today.getDate()==15))
{
if (fromEasterDays<0){document.form2.episco\_date.src="episco\_damien\_lent.gif";document.form2.shield.src="damien\_hansen.jpg";}
else {document.form2.episco\_date.src="episco\_damien.gif";document.form2.shield.src="damien\_hansen.jpg";}
}
if ((today.getMonth()==3)&(today.getDate()==19)){document.form2.episco\_date.src="episco\_alphege.gif";document.form2.shield.src="alphege\_martyr\_site.jpg";alphege();}
if ((today.getMonth()==3)&(today.getDate()==21)){document.form2.episco\_date.src="episco\_anselm.gif";document.form2.shield.src="anselm3.jpg";canterbury();}
if ((today.getMonth()==3)&(today.getDate()==23)){document.form2.episco\_date.src="episco\_toyohikokagawa.gif";document.form2.shield.src="toyohiko\_kagawa.jpg";}
if ((today.getMonth()==3)&(today.getDate()==24)){document.form2.episco\_date.src="episco\_martyrsofarmenia.gif";document.form2.shield.src="armenian\_genocide.jpg";palmicon();}
if ((today.getMonth()==3)&(today.getDate()==27)){document.form2.episco\_date.src="episco\_christinarossetti.gif";document.form2.shield.src="christina\_rossetti.jpg";}
if ((today.getMonth()==3)&(today.getDate()==29)){document.form2.episco\_date.src="episco\_catherineofsiena.gif";document.form2.shield.src="Marian\_Catherine\_of\_Siena.jpg";}
if ((today.getMonth()==4)&(today.getDate()== 2)){document.form2.episco\_date.src="episco\_athanasius.gif";document.form2.shield.src="0520nice.jpg";}
if ((today.getMonth()==4)&(today.getDate()== 4)){document.form2.episco\_date.src="episco\_monnica.gif";document.form2.shield.src="monica.jpg";}
if ((today.getMonth()==4)&(today.getDate()== 8)){document.form2.episco\_date.src="episco\_julianofnorwich.gif";document.form2.shield.src="hazelnut\_6.jpg";julianofnorwich();}
if ((today.getMonth()==4)&(today.getDate()== 9)){document.form2.episco\_date.src="episco\_gregoryofnazianzus.gif";document.form2.shield.src="GregoryNazianzus.jpg";}
if ((today.getMonth()==4)&(today.getDate()==16))
{
if (fromEasterDays<50){document.form2.episco\_date.src="episco\_martyrsofsudan.gif";document.form2.shield.src="martyrsofsudan.jpg";palmicon();}
else {document.form2.episco\_date.src="episco\_martyrsofsudan\_green.gif";document.form2.shield.src="martyrsofsudan.jpg";palmicon();}
}
if ((today.getMonth()==4)&(today.getDate()==17))
{
if (fromEasterDays<50){document.form2.episco\_date.src="episco\_erik.gif";document.form2.shield.src="saint\_erik.gif";}
else {document.form2.episco\_date.src="episco\_erik\_green.gif";document.form2.shield.src="saint\_erik.gif";}
}
if ((today.getMonth()==4)&(today.getDate()==18))
{
if (fromEasterDays<50){document.form2.episco\_date.src="episco\_florencenightingale.gif";document.form2.shield.src="nightingale\_florence.jpg";}
else {document.form2.episco\_date.src="episco\_florencenightingale\_green.gif";document.form2.shield.src="nightingale\_florence.jpg";}
//document.form2.episco\_date.src="episco\_florencenightingale.gif";document.form2.shield.src="nightingale\_florence.jpg";
}
if ((today.getMonth()==4)&(today.getDate()==19))
{
if (fromEasterDays<50){document.form2.episco\_date.src="episco\_dunstan.gif";document.form2.shield.src="dunstan.jpg";canterbury();}
else {document.form2.episco\_date.src="episco\_dunstan\_green.gif";document.form2.shield.src="dunstan.jpg";canterbury();}
}
if ((today.getMonth()==4)&(today.getDate()==20))
{
if (fromEasterDays<50){document.form2.episco\_date.src="episco\_alcuin.gif";document.form2.shield.src="alcuin.jpg";}
else {document.form2.episco\_date.src="episco\_alcuin\_green.gif";document.form2.shield.src="alcuin.jpg";}
}
if ((today.getMonth()==4)&(today.getDate()==23)&(today.getDay()!==0))
{
document.form2.ember\_day.src="planets4.gif";
if (fromEasterDays<50){document.form2.episco\_date.src="episco\_copernicus.gif";document.form2.shield.src="copernicus.gif";}
else {document.form2.episco\_date.src="episco\_copernicus\_green.gif";document.form2.shield.src="copernicus.gif";}
document.form2.ember\_day.alt="solar system";
}
if ((today.getMonth()==4)&(today.getDate()==24))
{
if (fromEasterDays<50){document.form2.episco\_date.src="episco\_jacksonkemper.gif";document.form2.shield.src="jackson\_kemper.jpg"; }
else {document.form2.episco\_date.src="episco\_jacksonkemper\_green.gif";document.form2.shield.src="jackson\_kemper.jpg"; }
}
if ((today.getMonth()==4)&(today.getDate()==25))
{
if (fromEasterDays<50){document.form2.episco\_date.src="episco\_bede.gif";document.form2.shield.src="bede.jpg"; }
else {document.form2.episco\_date.src="episco\_bede\_green.gif";document.form2.shield.src="bede.jpg"; }
}
if ((today.getMonth()==4)&(today.getDate()==26))
{
if (fromEasterDays<50){document.form2.episco\_date.src="episco\_augustineofcanterbury.gif";document.form2.shield.src="augustine\_stamp\_ethelbert.jpg"; canterbury();}
else {document.form2.episco\_date.src="episco\_augustineofcanterbury\_green.gif";document.form2.shield.src="augustine\_stamp\_ethelbert.jpg"; canterbury();}
}
if ((today.getMonth()==4)&(today.getDate()==27))
{
if (fromEasterDays<50){document.form2.episco\_date.src="episco\_johncalvin.gif";document.form2.shield.src="calvin.jpg";}
else {document.form2.episco\_date.src="episco\_johncalvin\_green.gif";document.form2.shield.src="calvin.jpg";}
}
if ((today.getMonth()==4)&(today.getDate()==30))
{
if (fromEasterDays<50){document.form2.episco\_date.src="episco\_joanofarc.gif";document.form2.shield.src="joanofarc.jpg";}
else {document.form2.episco\_date.src="episco\_joanofarc\_green.gif";document.form2.shield.src="joanofarc.jpg";}
}
if ((today.getMonth()==5)&(today.getDate()==1))
{
if (fromEasterDays<50){document.form2.episco\_date.src="episco\_justinmartyr.gif";document.form2.shield.src="justin.jpg"; palmicon();}
else {document.form2.episco\_date.src="episco\_justinmartyr\_green.gif";document.form2.shield.src="justin.jpg"; palmicon();}
}
if ((today.getMonth()==5)&(today.getDate()==2))
{
if (fromEasterDays<50){document.form2.episco\_date.src="episco\_martyrsoflyons.gif";document.form2.shield.src="blandina.jpg";palmicon();}
else {document.form2.episco\_date.src="episco\_martyrsoflyons\_green.gif";document.form2.shield.src="blandina.jpg";palmicon();}
}
if ((today.getMonth()==5)&(today.getDate()==3))
{
if (fromEasterDays<50){document.form2.episco\_date.src="episco\_martyrsofuganda.gif";document.form2.shield.src="martyrs\_of\_uganda.jpg";palmicon();}
else {document.form2.episco\_date.src="episco\_martyrsofuganda\_green.gif";document.form2.shield.src="martyrs\_of\_uganda.jpg";palmicon();}
}
if ((today.getMonth()==5)&(today.getDate()==4))
{
if (fromEasterDays<50){document.form2.episco\_date.src="episco\_johnxxiii.gif";document.form2.shield.src="johnxxiii.jpg";}
else {document.form2.episco\_date.src="episco\_johnxxiii\_green.gif";document.form2.shield.src="johnxxiii.jpg";}
}
if ((today.getMonth()==5)&(today.getDate()==5))
{
if (fromEasterDays<50){document.form2.episco\_date.src="episco\_boniface.gif";document.form2.shield.src="boniface\_axe.jpg";palmicon();}
else {document.form2.episco\_date.src="episco\_boniface\_green.gif";document.form2.shield.src="boniface\_axe.jpg";palmicon();}
}
if ((today.getMonth()==5)&(today.getDate()==8)&(today.getDay()!==0))
{
if (fromEasterDays<50){document.form2.episco\_date.src="episco\_charlesdickens.gif";document.form2.shield.src="charlesdickens.jpg"; }
else {document.form2.episco\_date.src="episco\_charlesdickens\_green.gif";document.form2.shield.src="charlesdickens.jpg"; }
}
if ((today.getMonth()==5)&(today.getDate()==9)&(today.getDay()!==0))
{
if (fromEasterDays<50){document.form2.episco\_date.src="episco\_columba.gif";document.form2.shield.src="columba3.jpg"; }
else {document.form2.episco\_date.src="episco\_columba\_green.gif";document.form2.shield.src="columba3.jpg"; }
document.form2.ember\_day.src="loch\_ness\_monster.gif";document.form2.ember\_day.alt="Loch Ness monster legend"
}
if ((today.getMonth()==5)&(today.getDate()==10)&(today.getDay()!==0))
{
if (fromEasterDays<50){document.form2.episco\_date.src="episco\_ephrem.gif";document.form2.shield.src="ephrem\_of\_edessa\_s.jpg";}
else {document.form2.episco\_date.src="episco\_ephrem\_green.gif";document.form2.shield.src="ephrem\_of\_edessa\_s.jpg";}
document.form2.ember\_day.src="notes3.gif";
}
if ((today.getMonth()==5)&(today.getDate()==12)){document.form2.episco\_date.src="episco\_gkchesterton.gif";document.form2.shield.src="chesterton01.jpg";}
if ((today.getMonth()==5)&(today.getDate()==13)){document.form2.episco\_date.src="episco\_antonyofpadua.gif";document.form2.shield.src="portugal\_antonio.jpg";}
if ((today.getMonth()==5)&(today.getDate()==14)){document.form2.episco\_date.src="episco\_basilthegreat.gif";document.form2.shield.src="basil\_the\_great.jpg";}
if ((today.getMonth()==5)&(today.getDate()==15)){document.form2.episco\_date.src="episco\_evelynunderhill.gif";document.form2.shield.src="evelyn\_underhill.gif"; }
if ((today.getMonth()==5)&(today.getDate()==16)){document.form2.episco\_date.src="episco\_josephbutler.gif";document.form2.shield.src="joseph\_butler.gif";}
if ((today.getMonth()==5)&(today.getDate()==18)){document.form2.episco\_date.src="episco\_bernardmizeki.gif";document.form2.shield.src="bm.jpg";palmicon();}
if ((today.getMonth()==5)&(today.getDate()==20)){document.form2.episco\_date.src="episco\_colenso.gif";document.form2.shield.src="colenso.jpg";}
if ((today.getMonth()==5)&(today.getDate()==22)){document.form2.episco\_date.src="episco\_alban.gif";document.form2.shield.src="094b8700.gif";palmicon();}
if ((today.getMonth()==5)&(today.getDate()==27)){document.form2.episco\_date.src="episco\_corneliushill.gif";document.form2.shield.src="cornelius\_hill.jpg"; oneida();}
if ((today.getMonth()==5)&(today.getDate()==28)){document.form2.episco\_date.src="episco\_irenaeus.gif";document.form2.shield.src="irenaeus\_s.jpg"; }
if ((today.getMonth()==6)&(today.getDate()== 5)){document.form2.episco\_date.src="episco\_mcnamara.gif";document.form2.shield.src="robert\_mcnamara.jpg"; mcnamara();}
if ((today.getMonth()==6)&(today.getDate()== 6)){document.form2.episco\_date.src="episco\_thomasmore.gif";document.form2.shield.src="thomas\_more.jpg"; }
if ((today.getMonth()==6)&(today.getDate()== 7)){document.form2.episco\_date.src="episco\_johnhuss.gif";document.form2.shield.src="huss2.jpg"; }
if ((today.getMonth()==6)&(today.getDate()== 9)){document.form2.episco\_date.src="episco\_stephenlangton.gif";document.form2.shield.src="story.signing.jpg"; canterbury();}
if ((today.getMonth()==6)&(today.getDate()==11)){document.form2.episco\_date.src="episco\_benedict.gif";document.form2.shield.src="fa911tn.jpg"; benedict();}
if ((today.getMonth()==6)&(today.getDate()==13)){document.form2.episco\_date.src="episco\_silas.gif";document.form2.shield.src="silas.jpg"; silas();}
if ((today.getMonth()==6)&(today.getDate()==15)){document.form2.episco\_date.src="episco\_olgavlad.gif";document.form2.shield.src="vladimir\_and\_olga.bmp"; olgavlad();}
if ((today.getMonth()==6)&(today.getDate()==16)){document.form2.episco\_date.src="episco\_delascasas.gif";document.form2.shield.src="bartholomew\_de\_las\_casas.jpg";casas();}
if ((today.getMonth()==6)&(today.getDate()==17)){document.form2.episco\_date.src="episco\_williamwhite.gif";document.form2.shield.src="william\_white.jpg";williamwhite();}
if ((today.getMonth()==6)&(today.getDate()==18)){document.form2.episco\_date.src="episco\_bolshevism.gif";document.form2.shield.src="alexei\_romanov.jpg";palmicon();}
if ((today.getMonth()==6)&(today.getDate()==19)){document.form2.episco\_date.src="episco\_macrina.gif";document.form2.shield.src="macrina\_s.jpg"; }
if ((today.getMonth()==6)&(today.getDate()==20)){document.form2.episco\_date.src="episco\_tubman.gif";document.form2.shield.src="liberators.gif";}
if ((today.getMonth()==6)&(today.getDate()==24)){document.form2.episco\_date.src="episco\_thomasakempis.gif";document.form2.shield.src="thomas\_a\_kempis.jpg";}
if ((today.getMonth()==6)&(today.getDate()==25))
{
document.form2.episco\_date.src="episco\_herschel.gif";document.form2.shield.src="herschel.jpg";
document.form2.keys1.src="uranus1.gif"
document.form2.keys2.src="uranus2.gif"
}
if ((today.getMonth()==6)&(today.getDate()==26)){document.form2.episco\_date.src="episco\_parentsofmary.gif";document.form2.shield.src="parents\_of\_mary\_s.gif";}
if ((today.getMonth()==6)&(today.getDate()==27)){document.form2.episco\_date.src="episco\_williamreedhuntington.gif";document.form2.shield.src="williamreedhuntington.jpg"; }
if ((today.getMonth()==6)&(today.getDate()==28)&(today.getDay()!==0))
{
document.form2.episco\_date.src="episco\_jsbach.gif";document.form2.shield.src="bach6.jpg";
document.form2.ember\_day.src="notes3.gif";
}
if ((today.getMonth()==6)&(today.getDate()==29)){document.form2.episco\_date.src="episco\_maryandmartha.gif";document.form2.shield.src="mary\_and\_martha.jpg";maryandmartha();}
if ((today.getMonth()==6)&(today.getDate()==30)){document.form2.episco\_date.src="episco\_williamwilberforce.gif";document.form2.shield.src="ww.gif"; wilberforce();}
if ((today.getMonth()==6)&(today.getDate()==31)){document.form2.episco\_date.src="episco\_josephofarimathaea.gif";document.form2.shield.src="joseph\_of\_arimathaea.jpg";jamesbro();}
if ((today.getMonth()==7)&(today.getDate()==1)){document.form2.episco\_date.src="episco\_ignatiusloyola.gif";document.form2.shield.src="ignaport.jpg"; }
//if ((today.getMonth()==6)&(today.getDate()==31)){document.form2.episco\_date.src="episco\_josephofarimathaea.gif";document.form2.shield.src="joseph\_of\_arimathaea.jpg";jamesbro();}
if ((today.getMonth()==7)&(today.getDate()==3)){document.form2.episco\_date.src="episco\_nicodemus.gif";document.form2.shield.src="nicodemus.jpg";jamesbro();}
if ((today.getMonth()==7)&(today.getDate()==5)){document.form2.episco\_date.src="episco\_oswald.gif";document.form2.shield.src="saint\_oswald.jpg";}
if ((today.getMonth()==7)&(today.getDate()==7)&(today.getDay()!==0))
{
document.form2.episco\_date.src="episco\_johnmasonneale.gif";document.form2.shield.src="john\_mason\_neale.jpg";
document.form2.ember\_day.src="notes3.gif";
}
if ((today.getMonth()==7)&(today.getDate()==8)){document.form2.episco\_date.src="episco\_dominic.gif";document.form2.shield.src="dominic\_guzman.jpg"; dominic();}
if ((today.getMonth()==7)&(today.getDate()==9)&(today.getHours()%2==0)){document.form2.episco\_date.src="episco\_edithstein.gif";document.form2.shield.src="edith\_stein.jpg"; palmicon();}
if ((today.getMonth()==7)&(today.getDate()==9)&(today.getHours()%2==1)){document.form2.episco\_date.src="episco\_jagerstatter.gif";document.form2.shield.src="jagerstatter\_2.jpg"; palmicon();}
if ((today.getMonth()==7)&(today.getDate()==10)){document.form2.episco\_date.src="episco\_laurence.gif";document.form2.shield.src="saint\_lawrence.jpg";palmicon();}
if ((today.getMonth()==7)&(today.getDate()==11)){document.form2.episco\_date.src="episco\_clare.gif";document.form2.shield.src="stclare\_s.jpg"; }
if ((today.getMonth()==7)&(today.getDate()==13)){document.form2.episco\_date.src="episco\_jeremytaylor.gif";document.form2.shield.src="jtaylor.jpg"; }
if ((today.getMonth()==7)&(today.getDate()==14)){document.form2.episco\_date.src="episco\_jonathanmyrickdaniels.gif";document.form2.shield.src="jdaniels\_and\_kids.jpg"; palmicon();}
if ((today.getMonth()==7)&(today.getDate()==16)){document.form2.episco\_date.src="episco\_kolbe.gif";document.form2.shield.src="max\_kolbe.jpg";palmicon();}
if ((today.getMonth()==7)&(today.getDate()==18)){document.form2.episco\_date.src="episco\_williamporcherdubose.gif";document.form2.shield.src="dubose.jpg"; }
if ((today.getMonth()==7)&(today.getDate()==19)){document.form2.episco\_date.src="episco\_helen.gif";document.form2.shield.src="saint\_helena.jpg"; }
if ((today.getMonth()==7)&(today.getDate()==20)){document.form2.episco\_date.src="episco\_bernard.gif"; document.form2.shield.src="q001bern.jpg"; }
if ((today.getMonth()==7)&(today.getDate()==21)){document.form2.episco\_date.src="episco\_pascal.gif";document.form2.shield.src="blaise\_pascal.jpg"; }
if ((today.getMonth()==7)&(today.getDate()==25)){document.form2.episco\_date.src="episco\_louis.gif";document.form2.shield.src="saint\_louis\_king.jpg"; }
if ((today.getMonth()==7)&(today.getDate()==27)){document.form2.episco\_date.src="episco\_gallaudet.gif";document.form2.shield.src="gallaudet.jpg";}
if ((today.getMonth()==7)&(today.getDate()==28)){document.form2.episco\_date.src="episco\_augustineofhippo.gif";document.form2.shield.src="augustine\_of\_hippo.jpg"; }
if ((today.getMonth()==7)&(today.getDate()==30)){document.form2.episco\_date.src="episco\_johnbunyan.gif";document.form2.shield.src="john\_bunyan\_s.jpg"; }
if ((today.getMonth()==7)&(today.getDate()==31)){document.form2.episco\_date.src="episco\_aidan.gif";document.form2.shield.src="aidan\_s.jpg"; }
if ((today.getMonth()==8)&(today.getDate()==1)){document.form2.episco\_date.src="episco\_oakerhater.gif";document.form2.shield.src="oakerhater.jpg"; }
if ((today.getMonth()==8)&(today.getDate()==2)){document.form2.episco\_date.src="episco\_martyrsofnewguinea.gif";document.form2.shield.src="martyrs\_of\_new\_guinea.jpg"; palmicon();}
if ((today.getMonth()==8)&(today.getDate()==4)){document.form2.episco\_date.src="episco\_pauljones.gif";document.form2.shield.src="paul\_jones\_s.jpg";}
if ((today.getMonth()==8)&(today.getDate()==5)){document.form2.episco\_date.src="episco\_schweitzer.gif";document.form2.shield.src="schweitzer.jpg";schweitzer();}
if ((today.getMonth()==8)&(today.getDate()==8)){document.form2.episco\_date.src="episco\_kierkegaard.gif";document.form2.shield.src="kierkegaard.jpg";}
if ((today.getMonth()==8)&(today.getDate()==9)){document.form2.episco\_date.src="episco\_constance.gif";document.form2.shield.src="aedes.gif";}
if ((today.getMonth()==8)&(today.getDate()==10)){document.form2.episco\_date.src="episco\_crummell.gif";document.form2.shield.src="crummell.jpg"; }
if ((today.getMonth()==8)&(today.getDate()==12)){document.form2.episco\_date.src="episco\_johnhenryhobart.gif";document.form2.shield.src="john\_henry\_hobart.jpg"; }
if ((today.getMonth()==8)&(today.getDate()==13)){document.form2.episco\_date.src="episco\_cyprian.gif";document.form2.shield.src="cyprian.jpg"; palmicon();}
if ((today.getMonth()==8)&(today.getDate()==15)){document.form2.episco\_date.src="episco\_dante.gif";document.form2.shield.src="dante.jpg";}
if ((today.getMonth()==8)&(today.getDate()==16)){document.form2.episco\_date.src="episco\_ninian.gif";document.form2.shield.src="saintninian.jpg"; }
if ((today.getMonth()==8)&(today.getDate()==17)&(today.getHours()%3==0)){document.form2.episco\_date.src="episco\_hildegard.gif";document.form2.shield.src="hildegard\_of\_bingen.gif"; }
if ((today.getMonth()==8)&(today.getDate()==17)&(today.getHours()%3>0)){document.form2.episco\_date.src="episco\_stigmata.gif";document.form2.shield.src="stig\_van\_eyck.jpg"; }
//if ((today.getMonth()==8)&(today.getDate()==18)){document.form2.episco\_date.src="episco\_pusey.gif";document.form2.shield.src="pusey.jpg";}
if ((today.getMonth()==8)&(today.getDate()==18)){document.form2.episco\_date.src="episco\_hammarskjold.gif";document.form2.shield.src="hammarskjold.jpg";}
if ((today.getMonth()==8)&(today.getDate()==19)){document.form2.episco\_date.src="episco\_theodoreoftarsus.gif";document.form2.shield.src="theodore\_of\_tarsus.jpg"; canterbury();}
if ((today.getMonth()==8)&(today.getDate()==20)){document.form2.episco\_date.src="episco\_johncoleridgepatteson.gif";document.form2.shield.src="patteson.jpg";palmicon(); }
if ((today.getMonth()==8)&(today.getDate()==22)){document.form2.episco\_date.src="episco\_philanderchase.gif";document.form2.shield.src="philanderchase.jpg"; }
if ((today.getMonth()==8)&(today.getDate()==25)){document.form2.episco\_date.src="episco\_sergius.gif";document.form2.shield.src="saint\_sergius.jpg"; }
if ((today.getMonth()==8)&(today.getDate()==26)){document.form2.episco\_date.src="episco\_lancelotandrewes.gif";document.form2.shield.src="lancelot\_andrews.jpg"; }
if ((today.getMonth()==8)&(today.getDate()==27)){document.form2.episco\_date.src="episco\_vincentdepaul.gif";document.form2.shield.src="saint\_vincent\_de\_paul.jpg";}
if ((today.getMonth()==8)&(today.getDate()==28)){document.form2.episco\_date.src="episco\_pasteur.gif";document.form2.shield.src="pasteur.jpg";}
if ((today.getMonth()==8)&(today.getDate()==30)){document.form2.episco\_date.src="episco\_jerome.gif";document.form2.shield.src="jerome\_small.jpg"; jerome();}
if ((today.getMonth()==9)&(today.getDate()==1)){document.form2.episco\_date.src="episco\_remigius.gif";document.form2.shield.src="remigius\_s.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==4)){document.form2.episco\_date.src="episco\_francis.gif"; document.form2.shield.src="francis\_and\_skull.jpg";sanfrancisco();}
if ((today.getMonth()==9)&(today.getDate()==6)){document.form2.episco\_date.src="episco\_williamtyndale.gif";document.form2.shield.src="tyndale.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==9)){document.form2.episco\_date.src="episco\_grenfell.gif";document.form2.shield.src="wilfred\_grenfell.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==8)){document.form2.episco\_date.src="episco\_robertgrosseteste.gif";document.form2.shield.src="robert\_grosseteste.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==10)){document.form2.episco\_date.src="episco\_vidascudder.gif";document.form2.shield.src="vida\_scudder.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==11)){document.form2.episco\_date.src="episco\_saintphilipthedeacon.gif";document.form2.shield.src="saint\_philip\_the\_deacon.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==13)){document.form2.episco\_date.src="episco\_edwardtheconfessor.gif";document.form2.shield.src="edward\_the\_confessor.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==14)){document.form2.episco\_date.src="episco\_schereschewsky.gif";document.form2.shield.src="sijs1902\_s.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==15)){document.form2.episco\_date.src="episco\_teresa.gif";document.form2.shield.src="extase\_teresa.jpg";}
if ((today.getMonth()==9)&(today.getDate()==16)){document.form2.episco\_date.src="episco\_cranmer.gif";document.form2.shield.src="oxford\_martyrs.jpg"; canterbury();}
if ((today.getMonth()==9)&(today.getDate()==17)){document.form2.episco\_date.src="episco\_ignatiusofantioch.gif";document.form2.shield.src="Ignatius\_Antioch.jpg"; palmicon();}
if ((today.getMonth()==9)&(today.getDate()==19)){document.form2.episco\_date.src="episco\_henrymartyn.gif";document.form2.shield.src="henry\_martyn.jpg";}
if ((today.getMonth()==9)&(today.getDate()==25)){document.form2.episco\_date.src="episco\_chaucer.gif";document.form2.shield.src="chaucer\_s.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==26)){document.form2.episco\_date.src="episco\_alfredthegreat.gif";document.form2.shield.src="alfred\_s.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==27)){document.form2.episco\_date.src="episco\_odran.gif";document.form2.shield.src="odran\_chapel.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==29)){document.form2.episco\_date.src="episco\_jameshannington.gif";document.form2.shield.src="1021hann.jpg"; }
if ((today.getMonth()==9)&(today.getDate()==30)){document.form2.episco\_date.src="episco\_johnwyclif.gif";document.form2.shield.src="wyclif\_reading.jpg";}
if ((today.getMonth()==9)&(today.getDate()==31)){ document.form2.shield.src="drybones.jpg";}
if ((today.getMonth()==10)&(today.getDate()==2)){document.form2.episco\_date.src="episco\_allsouls.gif";document.form2.shield.src="heaven2.jpg"; }
if ((today.getMonth()==10)&(today.getDate()==3)){document.form2.episco\_date.src="episco\_richardhooker.gif";document.form2.shield.src="hooker2.jpg"; }
if ((today.getMonth()==10)&(today.getDate()==3)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_allsouls.gif";document.form2.shield.src="heaven2.jpg"; }
if ((today.getMonth()==10)&(today.getDate()==6)){document.form2.episco\_date.src="episco\_williamtemple.gif";document.form2.shield.src="william\_temple.jpg"; canterbury();}
if ((today.getMonth()==10)&(today.getDate()==7)){document.form2.episco\_date.src="episco\_willibrord.gif";document.form2.shield.src="willibrord\_stamp1.jpg"; }
if ((today.getMonth()==10)&(today.getDate()==8)){document.form2.episco\_date.src="episco\_johnmilton.gif";document.form2.shield.src="milton.jpg";}
if ((today.getMonth()==10)&(today.getDate()==9)){document.form2.episco\_date.src="episco\_margerykempe.gif";document.form2.shield.src="margery\_kempe.jpg";}
if ((today.getMonth()==10)&(today.getDate()==10)){document.form2.episco\_date.src="episco\_leothegreat.gif";document.form2.shield.src="leo\_and\_attila.jpg";}
if ((today.getMonth()==10)&(today.getDate()==11)){document.form2.episco\_date.src="episco\_martinoftours.gif";document.form2.shield.src="martin\_of\_tours.jpg"; }
if ((today.getMonth()==10)&(today.getDate()==12)){document.form2.episco\_date.src="episco\_charlessimeon.gif";document.form2.shield.src="charles\_simeon.jpg"; }
if ((today.getMonth()==10)&(today.getDate()==13)){document.form2.episco\_date.src="episco\_albertusmagnus.gif";document.form2.shield.src="albertusmagnus.gif"; }
if ((today.getMonth()==10)&(today.getDate()==14)){document.form2.episco\_date.src="episco\_seabury.gif";document.form2.shield.src="seabury1.jpg"; }
if ((today.getMonth()==10)&(today.getDate()==15)){document.form2.episco\_date.src="episco\_jesuits.gif";document.form2.shield.src="martyrs3a.jpg"; palmicon();}
if ((today.getMonth()==10)&(today.getDate()==16)){document.form2.episco\_date.src="episco\_margaret.gif";document.form2.shield.src="margaret\_scot.jpg"; }
if ((today.getMonth()==10)&(today.getDate()==17)){document.form2.episco\_date.src="episco\_hughoflincoln.gif";document.form2.shield.src="hugh\_of\_lincoln.jpg";}
if ((today.getMonth()==10)&(today.getDate()==18)){document.form2.episco\_date.src="episco\_hilda.gif";document.form2.shield.src="Hilda\_Withby.jpg"; }
if ((today.getMonth()==10)&(today.getDate()==19)){document.form2.episco\_date.src="episco\_elizabethofhungary.gif";document.form2.shield.src="elizabeth\_of\_hungary.jpg"; }
if ((today.getMonth()==10)&(today.getDate()==20)){document.form2.episco\_date.src="episco\_edmund.gif";document.form2.shield.src="saint\_edmund.jpg"; }
if ((today.getMonth()==10)&(today.getDate()==22)&(today.getDay()!==4))
{
document.form2.episco\_date.src="episco\_cslewis.gif";document.form2.shield.src="lewis\_cs.jpg";
document.form2.ember\_day.src="lion5.gif";document.form2.ember\_day.alt="Chronicles of Narnia";
}
if ((today.getMonth()==10)&(today.getDate()==23)&(today.getDay()!==4)){document.form2.episco\_date.src="episco\_clementofrome.gif";document.form2.shield.src="clement\_of\_rome.jpg"; clement();} // miguel pro
if ((today.getMonth()==10)&(today.getDate()==24)&(today.getDay()!==4)){document.form2.episco\_date.src="episco\_miguelpro.gif";document.form2.shield.src="miguel\_pro.jpg";palmicon();} // miguel pro
if ((today.getMonth()==10)&(today.getDate()==25)&(today.getDay()!==4)){document.form2.episco\_date.src="episco\_josh.gif";document.form2.shield.src="huntington.jpg";}
if ((today.getMonth()==10)&(today.getDate()==26)&(today.getDay()!==4)){document.form2.episco\_date.src="episco\_watts.gif";document.form2.shield.src="isaac\_watts\_statue.jpg";}
if ((today.getMonth()==10)&(today.getDate()==28)&(today.getDay()!==4))
{
if (advent>0){document.form2.episco\_date.src="episco\_kamehameha\_advent.gif";document.form2.shield.src="kamehameha\_and\_emma.gif";}
if (advent==0){document.form2.episco\_date.src="episco\_kamehameha\_green.gif";document.form2.shield.src="kamehameha\_and\_emma.gif";}
}
if ((today.getMonth()==11)&(today.getDate()==1))
{
if (advent>0){document.form2.episco\_date.src="episco\_ferrar\_advent.gif";document.form2.shield.src="ferrarwind192.jpg";}
if (advent==0){document.form2.episco\_date.src="episco\_ferrar\_green.gif";document.form2.shield.src="ferrarwind192.jpg";}
}
if ((today.getMonth()==11)&(today.getDate()==2))
{
if (advent>0){document.form2.episco\_date.src="episco\_cmw\_advent.gif";document.form2.shield.src="photo\_cw.jpg";}
if (advent==0){document.form2.episco\_date.src="episco\_cmw\_green.gif";document.form2.shield.src="photo\_cw.jpg";}
}
if ((today.getMonth()==11)&(today.getDate()==3)){document.form2.episco\_date.src="episco\_francisxavier.gif";document.form2.shield.src="francis\_xavier.jpg";}
if ((today.getMonth()==11)&(today.getDate()==4)&(today.getDay()!==0)){document.form2.episco\_date.src="episco\_johnofdamascus.gif";document.form2.shield.src="stjohndamascus.jpg";document.form2.ember\_day.src="notes3.gif";}
if ((today.getMonth()==11)&(today.getDate()==5)){document.form2.episco\_date.src="episco\_clementofalexandria.gif";document.form2.shield.src="x02clement.jpg";}
if ((today.getMonth()==11)&(today.getDate()==6)){document.form2.episco\_date.src="episco\_nicholasofmyra.gif";document.form2.shield.src="nicholas\_of\_myra\_2.jpg";}
if ((today.getMonth()==11)&(today.getDate()==7)){document.form2.episco\_date.src="episco\_ambrose.gif";document.form2.shield.src="saint\_ambrose.jpg";ambrose();}
if ((today.getMonth()==11)&(today.getDate()==8)){document.form2.episco\_date.src="episco\_morgagni.gif";document.form2.shield.src="morgagni.jpg";}
if ((today.getMonth()==11)&(today.getDate()==13)){document.form2.episco\_date.src="episco\_samueljohnson.gif";document.form2.shield.src="samuel\_johnson.jpg"; }
if ((today.getMonth()==11)&(today.getDate()==14)){document.form2.episco\_date.src="episco\_johnofthecross.gif";document.form2.shield.src="juancrux.jpg";}
if ((today.getMonth()==11)&(today.getDate()==17)){document.form2.episco\_date.src="episco\_dorothysayers.gif";document.form2.shield.src="dorothy\_sayers.jpg";}
if ((today.getMonth()==11)&(today.getDate()==22)){document.form2.episco\_date.src="episco\_cabrini.gif";document.form2.shield.src="cabrini.jpg";}
if ((today.getMonth()==11)&(today.getDate()==23)){document.form2.episco\_date.src="episco\_maoism.gif";document.form2.shield.src="wang\_zhiming.jpg";palmicon();}
if ((today.getMonth()==11)&(today.getDate()==31)){document.form2.episco\_date.src="episco\_crowther.gif";document.form2.shield.src="crowther.jpg";palmicon();}
if ((today.getMonth()==0)&(today.getDate()==18)){document.form2.episco\_date.src="episco\_peter.gif";document.form2.shield.src="peter.jpg";peterkeys();}
if ((today.getMonth()==0)&(today.getDate()==19)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_peter.gif";document.form2.shield.src="peter.jpg";peterkeys();}
if ((today.getMonth()==0)&(today.getDate()==25)){document.form2.episco\_date.src="episco\_paul.gif";document.form2.shield.src="caravaggio\_stpaul.jpg";sanpablo();}
if ((today.getMonth()==0)&(today.getDate()==26)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_paul.gif";document.form2.shield.src="caravaggio\_stpaul.jpg";sanpablo();}
if ((today.getMonth()==1)&(today.getDate()==24)){document.form2.episco\_date.src="episco\_matthias.gif";document.form2.shield.src="matthias.gif";saintmatthias();}
if ((today.getMonth()==1)&(today.getDate()==25)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_matthias.gif";document.form2.shield.src="matthias.gif";saintmatthias();}
if ((today.getMonth()==2)&(today.getDate()==19)){document.form2.episco\_date.src="episco\_joseph.gif";document.form2.shield.src="joseph\_2.gif";saintjoseph();}
if ((today.getMonth()==2)&(today.getDate()==20)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_joseph.gif";document.form2.shield.src="joseph\_2.gif";saintjoseph();}
if ((today.getMonth()==2)&(today.getDate()==25)){document.form2.episco\_date.src="episco\_annunciation.gif";document.form2.shield.src="annunciation\_tanner\_s.jpg";specialdevotion=false;annunciationday();}
if ((today.getMonth()==2)&(today.getDate()==26)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_annunciation.gif";document.form2.shield.src="annunciation\_tanner\_s.jpg";specialdevotion=false;annunciationday();}
if ((today.getMonth()==3)&(today.getDate()==25)){document.form2.episco\_date.src="episco\_mark.gif";document.form2.shield.src="mark\_the\_evangelist.jpg";sanmarco();}
if ((today.getMonth()==3)&(today.getDate()==26)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_mark.gif";document.form2.shield.src="mark\_the\_evangelist.jpg";sanmarco();}
if ((today.getMonth()==4)&(today.getDate()==1)){document.form2.episco\_date.src="episco\_philipandjames.gif";document.form2.shield.src="apostles2\_s.jpg";fiveloavesandtwofishes();}
if ((today.getMonth()==4)&(today.getDate()==2)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_philipandjames.gif";document.form2.shield.src="apostles2\_s.jpg";fiveloavesandtwofishes();}
if ((today.getMonth()==4)&(today.getDate()==31)){document.form2.episco\_date.src="episco\_visitation.gif";document.form2.shield.src="visitation\_s.jpg";specialdevotion=false;magnificat();}
if ((today.getMonth()==5)&(today.getDate()==1)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_visitation.gif";document.form2.shield.src="visitation\_s.jpg";specialdevotion=false;magnificat();}
if ((today.getMonth()==5)&(today.getDate()==11)){document.form2.episco\_date.src="episco\_barnabas.gif";document.form2.shield.src="barnabas.jpg";barnabas();}
if ((today.getMonth()==5)&(today.getDate()==12)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_barnabas.gif";document.form2.shield.src="barnabas.jpg";specialdevotion=false;barnabas();}
if ((today.getMonth()==5)&(today.getDate()==24)){document.form2.episco\_date.src="episco\_johnthebaptist.gif";document.form2.shield.src="jb.jpg";specialdevotion=false;jb();}
if ((today.getMonth()==5)&(today.getDate()==25)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_johnthebaptist.gif";document.form2.shield.src="jb.jpg";specialdevotion=false;jb();}
if ((today.getMonth()==6)&(today.getDate()==4)){document.form2.episco\_date.src="episco\_independence.gif";document.form2.shield.src="navyseals.jpg";}
if ((today.getMonth()==5)&(today.getDate()==29)){document.form2.episco\_date.src="episco\_peterandpaul.gif"; document.form2.shield.src="peter\_and\_paul.jpg";peterpaul();}
if ((today.getMonth()==5)&(today.getDate()==30)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_peterandpaul.gif"; document.form2.shield.src="peter\_and\_paul.jpg";peterpaul();}
if ((today.getMonth()==6)&(today.getDate()==22)){document.form2.episco\_date.src="episco\_marymagdalene.gif"; document.form2.shield.src="MaryMagdalene.jpg";marymagdalene();}
if ((today.getMonth()==6)&(today.getDate()==23)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_marymagdalene.gif"; document.form2.shield.src="MaryMagdalene.jpg";marymagdalene();}
if ((today.getMonth()==6)&(today.getDate()==25)){document.form2.episco\_date.src="episco\_jamesapostle.gif";document.form2.shield.src="stj11003.jpg";santiago();}
if ((today.getMonth()==6)&(today.getDate()==26)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_jamesapostle.gif";document.form2.shield.src="stj11003.jpg";santiago();}
if ((today.getMonth()==7)&(today.getDate()==15)){document.form2.episco\_date.src="episco\_mary.gif"; document.form2.shield.src="madonna.jpg";santamaria();}
if ((today.getMonth()==7)&(today.getDate()==16)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_mary.gif"; document.form2.shield.src="madonna.jpg";santamaria();}
if ((today.getMonth()==7)&(today.getDate()==24)){document.form2.episco\_date.src="episco\_bartholomew.gif"; document.form2.shield.src="bartholomew.jpg";saintbart();}
if ((today.getMonth()==7)&(today.getDate()==25)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_bartholomew.gif"; document.form2.shield.src="bartholomew.jpg";saintbart();}
if ((today.getMonth()==8)&(today.getDate()==14)){document.form2.episco\_date.src="episco\_holycrossday.gif"; document.form2.shield.src="sandamiano.jpg";specialdevotion=false;twocrosses();}
if ((today.getMonth()==8)&(today.getDate()==15)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_holycrossday.gif"; document.form2.shield.src="sandamiano.jpg";specialdevotion=false;twocrosses();}
if ((today.getMonth()==8)&(today.getDate()==21)){document.form2.episco\_date.src="episco\_matthew.gif"; document.form2.shield.src="matthew1a.jpg";sanmatteo();}
if ((today.getMonth()==8)&(today.getDate()==22)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_matthew.gif"; document.form2.shield.src="matthew1a.jpg";sanmatteo();}
if ((today.getMonth()==8)&(today.getDate()==29)){document.form2.episco\_date.src="episco\_michael.gif"; document.form2.shield.src="paradiso.jpg";twoangels();}
if ((today.getMonth()==8)&(today.getDate()==30)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_michael.gif"; document.form2.shield.src="paradiso.jpg";twoangels();}
if ((today.getMonth()==9)&(today.getDate()==18)){document.form2.episco\_date.src="episco\_luke.gif";document.form2.shield.src="st\_luke.jpg";saintluke();}
if ((today.getMonth()==9)&(today.getDate()==19)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_luke.gif";document.form2.shield.src="st\_luke.jpg";saintluke();}
if ((today.getMonth()==9)&(today.getDate()==23)){document.form2.episco\_date.src="episco\_jamesofjerusalem.gif";document.form2.shield.src="james\_brother\_icon.jpg";jamesbro();}
if ((today.getMonth()==9)&(today.getDate()==24)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_jamesofjerusalem.gif";document.form2.shield.src="james\_brother\_icon.jpg";jamesbro();}
if ((today.getMonth()==9)&(today.getDate()==28)){document.form2.episco\_date.src="episco\_simonandjude.gif";document.form2.shield.src="apostles2\_s.jpg";simonandjude();}
if ((today.getMonth()==9)&(today.getDate()==29)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_simonandjude.gif";document.form2.shield.src="apostles2\_s.jpg";simonandjude();}
if ((today.getMonth()==10)&(today.getDate()==30)){document.form2.episco\_date.src="episco\_andrew.gif";document.form2.shield.src="s\_andrew\_small.jpg";saintandrew();}
if ((today.getMonth()==11)&(today.getDate()==1)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_andrew.gif";document.form2.shield.src="s\_andrew\_small.jpg";saintandrew();}
if ((today.getMonth()==11)&(today.getDate()==21)){document.form2.episco\_date.src="episco\_thomas.gif";document.form2.shield.src="caravaggiodoubtingthomas.jpg";doubtingthomas();}
if ((today.getMonth()==11)&(today.getDate()==22)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_thomas.gif";document.form2.shield.src="caravaggiodoubtingthomas.jpg";doubtingthomas();}
if ((today.getMonth()==11)&(today.getDate()==29)){document.form2.episco\_date.src="episco\_becket.gif";document.form2.shield.src="ThomasABecket.jpg";canterbury();}
if ((today.getMonth()==11)&(today.getDate()==30)&((today.getDay()==1)|(today.getDay()==2)|(today.getDay()==3)|(today.getDay()==4))){document.form2.episco\_date.src="episco\_becket.gif";document.form2.shield.src="ThomasABecket.jpg";canterbury();}
if ((today.getMonth()==11)&(today.getDate()==28)){document.form2.episco\_date.src="episco\_holyinnocents.gif";document.form2.shield.src="pcambodia1\_s.jpg";palmicon();}
if ((today.getMonth()==11)&(today.getDate()==29)&((today.getDay()==1)|(today.getDay()==2)|(today.getDay()==3))){document.form2.episco\_date.src="episco\_holyinnocents.gif";document.form2.shield.src="pcambodia1\_s.jpg";palmicon();}
if ((today.getMonth()==11)&(today.getDate()==27)){document.form2.episco\_date.src="episco\_john.gif";document.form2.shield.src="john\_on\_patmos\_poussin.jpg";sanjuan();}
if ((today.getMonth()==11)&(today.getDate()==28)&((today.getDay()==1)|(today.getDay()==2))){document.form2.episco\_date.src="episco\_john.gif";document.form2.shield.src="john\_on\_patmos\_poussin.jpg";sanjuan();}
if ((today.getMonth()==11)&(today.getDate()==26)){document.form2.episco\_date.src="episco\_stephen.gif";document.form2.shield.src="stephen4.jpg";palmicon();}
if ((today.getMonth()==11)&(today.getDate()==27)&(today.getDay()==1)){document.form2.episco\_date.src="episco\_stephen.gif";document.form2.shield.src="stephen4.jpg";palmicon();}
// below here
if ((today.getDay()==0)&(today.getMonth()==0)&(today.getDate()>=7)&(today.getDate()<=13)){document.form2.episco\_date.src="episco\_ep01.gif";document.form2.shield.src="epiphany\_baptism\_2.jpg";}
if ((today.getDay()==0)&(today.getMonth()==0)&(today.getDate()>=14)&(today.getDate()<=20)){document.form2.episco\_date.src="episco\_ep02.gif";
if (YearA()==true){document.form2.shield.src="ecce\_agnus\_dei\_2.jpg";} else // B is Nathniel
{document.form2.shield.src="cana\_s.jpg";}
}
if ((today.getDay()==0)&(today.getMonth()==0)&(today.getDate()>=21)&(today.getDate()<=27)){document.form2.episco\_date.src="episco\_ep03.gif";document.form2.shield.src="duccio\_calling\_apostles.jpg";} // A B
if ((today.getDay()==0)&(today.getMonth()==0)&(today.getDate()>=28)){document.form2.episco\_date.src="episco\_ep04.gif";document.form2.shield.src="sermon\_on\_the\_mount.jpg";} // B is Capernaum exorcism
if ((today.getDay()==0)&(today.getMonth()==1)&(today.getDate()<=3)){document.form2.episco\_date.src="episco\_ep04.gif";document.form2.shield.src="sermon\_on\_the\_mount.jpg";}
if ((today.getDay()==0)&(today.getMonth()==1)&(today.getDate()>=4)&(today.getDate()<=10)){document.form2.episco\_date.src="episco\_ep05.gif";document.form2.shield.src="draught\_of\_fishes.jpg";} // B is peters mother in law
if ((today.getDay()==0)&(today.getMonth()==1)&(today.getDate()>=11)&(today.getDate()<=17)){document.form2.episco\_date.src="episco\_ep06.gif";document.form2.shield.src="nephites.jpg";} // B is lepers
if ((today.getDay()==0)&(today.getMonth()==1)&(today.getDate()>=18)&(today.getDate()<=24)){document.form2.episco\_date.src="episco\_ep07.gif";document.form2.shield.src="nephites.jpg";} // B is paralytic
if ((today.getDay()==0)&(today.getMonth()==1)&(today.getDate()>=25)){document.form2.episco\_date.src="episco\_ep08.gif";document.form2.shield.src="nephites.jpg";}
if ((today.getDay()==0)&(today.getMonth()==2)&(today.getDate()<=4)){document.form2.episco\_date.src="episco\_ep08.gif";document.form2.shield.src="nephites.jpg";}
// leap year takes care of itself
if (fromEasterDays==-49){document.form2.episco\_date.src="episco\_ep\_last.gif"; document.form2.shield.src="transfiguration.jpg";}
if (fromEasterDays==-46){document.form2.episco\_date.src="episco\_ashwednesday.gif";document.form2.shield.src="ashcross2.gif";twocrosses();}
if (fromEasterDays==-42){document.form2.episco\_date.src="episco\_lent1.gif";document.form2.shield.src="temptation\_of\_jesus.jpg";}
if (fromEasterDays==-35)
{
document.form2.episco\_date.src="episco\_lent2.gif";
if (YearA()==true){document.form2.shield.src="nicodemus.jpg";}
if (YearB()==true){document.form2.shield.src="jesus\_preaching\_powell.jpg";}
if (YearC()==true){document.form2.shield.src="jesus\_preaching\_powell.jpg";}
}
if (fromEasterDays==-28)
{
document.form2.episco\_date.src="episco\_lent3.gif";
if (YearA()==true){document.form2.shield.src="woman\_at\_the\_well.jpg";}
if (YearB()==true){document.form2.shield.src="christ\_traders\_temple.jpg";}
if (YearC()==true){document.form2.shield.src="jesus\_preaching\_powell.jpg";}
}
if (fromEasterDays==-21){document.form2.episco\_date.src="episco\_lent4.gif";
document.form2.ember\_day.src="rose.gif";document.form2.ember\_day.alt="Rose Sunday"
if (YearA()==true){document.form2.shield.src="healingblind.jpg";} else
{document.form2.shield.src="prodigal\_son.jpg";}
}
if (fromEasterDays==-14)
{
document.form2.episco\_date.src="episco\_lent5.gif";
if (YearA()==true){document.form2.shield.src="raising\_of\_lazarus.jpg";}
if (YearB()==true){document.form2.shield.src="jesus\_preaching\_powell.jpg";}
if (YearC()==true){document.form2.shield.src="jesus\_preaching\_powell.jpg";}
}
if ((today.getDay()==0)&(today.getMonth()==1)&(today.getDate()<=9)&(today.getDate()>=15)){document.form2.episco\_date.src="episco\_evolutionsunday.gif";document.form2.shield.src="evolution\_sunday.jpg";}
if (fromEasterDays==-07){document.form2.episco\_date.src="episco\_palmsunday.gif";document.form2.shield.src="giotto\_palm\_sunday.jpg";twocrosses();}
if (fromEasterDays==-06){document.form2.episco\_date.src="episco\_holymonday.gif";document.form2.shield.src="christ\_traders\_temple.jpg";twocrosses();}
if (fromEasterDays==-05){document.form2.episco\_date.src="episco\_holytuesday.gif";document.form2.shield.src="jesus\_preaching\_powell.jpg";twocrosses();}
if (fromEasterDays==-04){document.form2.episco\_date.src="episco\_holywednesday.gif";document.form2.shield.src="christ\_and\_the\_children.jpg";twocrosses();}
if (fromEasterDays==-03){document.form2.episco\_date.src="episco\_holythursday.gif";document.form2.shield.src="leonardo\_s.jpg";twocrosses();}
if (fromEasterDays==-02){document.form2.episco\_date.src="episco\_goodfriday.gif";document.form2.shield.src="crucifixion\_s.jpg";twocrosses();}
if (fromEasterDays==-01){document.form2.episco\_date.src="episco\_holysaturday.gif";document.form2.shield.src="sm\_pieta.jpg";twocrosses();}
if (fromEasterDays==00){document.form2.episco\_date.src="episco\_easter.gif";document.form2.shield.src="eastersunBg.gif";easterweek();}
if (fromEasterDays==01){document.form2.episco\_date.src="episco\_eastermonday.gif";document.form2.shield.src="noli\_1.jpg";easterweek();}
if (fromEasterDays==02){document.form2.episco\_date.src="episco\_eastertuesday.gif";document.form2.shield.src="noli\_2.jpg";easterweek();}
if (fromEasterDays==03){document.form2.episco\_date.src="episco\_easterwednesday.gif";document.form2.shield.src="noli\_3.jpg";easterweek();}
if (fromEasterDays==04){document.form2.episco\_date.src="episco\_easterthursday.gif";document.form2.shield.src="noli\_4.jpg";easterweek();}
if (fromEasterDays==05){document.form2.episco\_date.src="episco\_easterfriday.gif";document.form2.shield.src="noli\_5.jpg";easterweek();}
if (fromEasterDays==06){document.form2.episco\_date.src="episco\_eastersaturday.gif";document.form2.shield.src="noli\_6.jpg";easterweek();}
if (fromEasterDays==07){document.form2.episco\_date.src="episco\_ea02.gif";document.form2.shield.src="caravaggiodoubtingthomas.jpg";} // Year AB is doubting Thomas
if (fromEasterDays==14){document.form2.episco\_date.src="episco\_ea03.gif";document.form2.shield.src="emmaus.jpg";} // Year A is Emmaus Year B is the two fish Year C feed my lambs
if (fromEasterDays==21){document.form2.episco\_date.src="episco\_ea04.gif";document.form2.shield.src="good\_shepherd.jpg";} // Year AB is good shepherd
if (fromEasterDays==28){document.form2.episco\_date.src="episco\_ea05.gif";document.form2.shield.src="christ\_at\_prayer.jpg";} // Year A is way truth life so is collect Year B Vine and branches C New commandment
if (fromEasterDays==35){document.form2.episco\_date.src="episco\_ea06.gif";document.form2.shield.src="christ\_at\_prayer.jpg";} // Year A will send Holy Spirit Year B new commandment C pool of bethesdaa
if (fromEasterDays==39){document.form2.episco\_date.src="episco\_ascension.gif";document.form2.shield.src="JesusInClouds.jpg";easterweek();}
if (fromEasterDays==42){document.form2.episco\_date.src="episco\_ea07.gif";document.form2.shield.src="JesusInClouds.jpg";} // Year ABC is high priestly prayer
if (fromEasterDays==49){document.form2.episco\_date.src="episco\_pentecost.gif";document.form2.shield.src="pentecost2\_s.jpg"; jamesbro();}
if (fromEasterDays==49+1\*7){document.form2.episco\_date.src="episco\_p01.gif";document.form2.shield.src="Trinity\_Animation.gif"; }
if (fromEasterDays==49+2\*7){document.form2.episco\_date.src="episco\_p02.gif";GetProperPicture();}
if (fromEasterDays==49+3\*7){document.form2.episco\_date.src="episco\_p03.gif";GetProperPicture();}
if (fromEasterDays==49+4\*7){document.form2.episco\_date.src="episco\_p04.gif";GetProperPicture();}
if (fromEasterDays==49+5\*7){document.form2.episco\_date.src="episco\_p05.gif";GetProperPicture();}
if (fromEasterDays==49+6\*7){document.form2.episco\_date.src="episco\_p06.gif";GetProperPicture();}
if (fromEasterDays==49+7\*7){document.form2.episco\_date.src="episco\_p07.gif";GetProperPicture();}
if (fromEasterDays==49+8\*7){document.form2.episco\_date.src="episco\_p08.gif";GetProperPicture();}
if (fromEasterDays==49+9\*7){document.form2.episco\_date.src="episco\_p09.gif";GetProperPicture();}
if (fromEasterDays==49+10\*7){document.form2.episco\_date.src="episco\_p10.gif";GetProperPicture();}
if (fromEasterDays==49+11\*7){document.form2.episco\_date.src="episco\_p11.gif";GetProperPicture();}
if (fromEasterDays==49+12\*7){document.form2.episco\_date.src="episco\_p12.gif";GetProperPicture();}
if (fromEasterDays==49+13\*7){document.form2.episco\_date.src="episco\_p13.gif";GetProperPicture();}
if (fromEasterDays==49+14\*7){document.form2.episco\_date.src="episco\_p14.gif";GetProperPicture();}
if (fromEasterDays==49+15\*7){document.form2.episco\_date.src="episco\_p15.gif";GetProperPicture();}
if (fromEasterDays==49+16\*7){document.form2.episco\_date.src="episco\_p16.gif";GetProperPicture();}
if (fromEasterDays==49+17\*7){document.form2.episco\_date.src="episco\_p17.gif";GetProperPicture();}
if (fromEasterDays==49+18\*7){document.form2.episco\_date.src="episco\_p18.gif";GetProperPicture();}
if (fromEasterDays==49+19\*7){document.form2.episco\_date.src="episco\_p19.gif";GetProperPicture();}
if (fromEasterDays==49+20\*7){document.form2.episco\_date.src="episco\_p20.gif";GetProperPicture();}
if (fromEasterDays==49+21\*7){document.form2.episco\_date.src="episco\_p21.gif";GetProperPicture();}
if (fromEasterDays==49+22\*7){document.form2.episco\_date.src="episco\_p22.gif";GetProperPicture();}
if (fromEasterDays==49+23\*7){document.form2.episco\_date.src="episco\_p23.gif";GetProperPicture();}
if (fromEasterDays==49+24\*7){document.form2.episco\_date.src="episco\_p24.gif";GetProperPicture();}
if (fromEasterDays==49+25\*7){document.form2.episco\_date.src="episco\_p25.gif";GetProperPicture();}
if (fromEasterDays==49+26\*7){document.form2.episco\_date.src="episco\_p26.gif";GetProperPicture();}
if (fromEasterDays==49+27\*7){document.form2.episco\_date.src="episco\_p27.gif";GetProperPicture();}
if (fromEasterDays==49+28\*7){document.form2.episco\_date.src="episco\_p28.gif";GetProperPicture();}
if (fromEasterDays==49+29\*7){document.form2.episco\_date.src="episco\_p29.gif";GetProperPicture();}
if (fromEasterDays==49+30\*7){document.form2.episco\_date.src="episco\_p30.gif";GetProperPicture();}
if ((today.getMonth()==9)&(today.getDay()==0)&(today.getDate()<=7)){document.form2.shield.src="blessing\_of\_the\_animals.jpg";}
if (fromEasterDays==8)
{
if ((easterMonth==3)&(easterDayOfMonth<=26)){document.form2.episco\_date.src="episco\_joseph.gif";document.form2.shield.src="joseph\_2.gif";saintjoseph();}
if ((easterMonth==3)&(easterDayOfMonth>26)){document.form2.episco\_date.src="episco\_annunciation.gif";document.form2.shield.src="annunciation\_tanner\_s.jpg";annunciationday();}
if ((easterMonth==4)&(easterDayOfMonth==1)){document.form2.episco\_date.src="episco\_annunciation.gif";document.form2.shield.src="annunciation\_tanner\_s.jpg";annunciationday();}
if ((easterMonth==4)&(easterDayOfMonth>=19)){document.form2.episco\_date.src="episco\_mark.gif";document.form2.shield.src="mark\_the\_evangelist.jpg";sanmarco();}
}
if (fromEasterDays==9)
{
if ((easterMonth==3)&(easterDayOfMonth<=26)){document.form2.episco\_date.src="episco\_annunciation.gif";document.form2.shield.src="annunciation\_tanner\_s.jpg";}
if ((easterMonth==4)&(easterDayOfMonth>=19)&(today.getMonth()==4)){document.form2.episco\_date.src="episco\_philipandjames.gif";document.form2.shield.src="apostles2\_s.jpg";fiveloavesandtwofishes();}
}
if ((today.getDay()==0)&(today.getMonth()==10)&(today.getDate()>=20)&(today.getDate()<=26)){document.form2.episco\_date.src="episco\_p\_last.gif";document.form2.shield.src="pantocrator\_s.jpg";}
if ((today.getDay()==0)&(today.getMonth()==10)&(today.getDate()>=27) ){document.form2.episco\_date.src="episco\_adv\_01.gif";document.form2.shield.src="Advent\_Wreath\_1.gif";}
if ((today.getDay()==0)&(today.getMonth()==11) &(today.getDate()<= 3)){document.form2.episco\_date.src="episco\_adv\_01.gif";document.form2.shield.src="Advent\_Wreath\_1.gif";}
if ((today.getDay()==0)&(today.getMonth()==11)&(today.getDate()>= 4)&(today.getDate()<=10)){document.form2.episco\_date.src="episco\_adv\_02.gif";document.form2.shield.src="Advent\_Wreath\_2.gif";}
if ((today.getDay()==0)&(today.getMonth()==11)&(today.getDate()>=11)&(today.getDate()<=17)){document.form2.episco\_date.src="episco\_adv\_03.gif";document.form2.shield.src="Advent\_Wreath\_3.gif";}
if ((today.getDay()==0)&(today.getMonth()==11)&(today.getDate()>=18)&(today.getDate()<=24)){document.form2.episco\_date.src="episco\_adv\_04.gif";document.form2.shield.src="Advent\_Wreath\_4.gif";}
if ((today.getDay()==0)&(today.getMonth()==11)&(today.getDate()>=26)){document.form2.episco\_date.src="episco\_c01.gif";document.form2.shield.src="nativity.jpg";}
if ((today.getDay()==0)&(today.getMonth()==0)&(today.getDate()>=2)&(today.getDate()<6)){document.form2.episco\_date.src="episco\_c02.gif";document.form2.shield.src="nativity.jpg";}
if ((today.getMonth()==10)&(today.getDate()>=22)&(today.getDate()<=28)&(today.getDay()==4)){document.form2.episco\_date.src="episco\_thanksgiving.gif";turkeyday();}
if ((today.getMonth()==0)&(today.getDate()==6)){document.form2.episco\_date.src="episco\_epiphany.gif";document.form2.shield.src="ZWisemenGifts.jpg";specialdevotion=false;stars();}
if ((today.getMonth()==10)&(today.getDate()==1)){document.form2.episco\_date.src="episco\_allsaints.gif";document.form2.shield.src="apocalypse9\_s.jpg";specialdevotion=false;allsaints();}
if ((today.getMonth()==11)&(today.getDate()==25)){document.form2.episco\_date.src="episco\_christmas.gif";document.form2.shield.src="santa\_s.jpg";xmas();}
if ((today.getMonth()==0)&(today.getDate()==1)){document.form2.episco\_date.src="episco\_holyname.gif";document.form2.shield.src="ihscross.gif";specialdevotion=false;}
if ((today.getMonth()==1)&(today.getDate()==2)){document.form2.episco\_date.src="episco\_presentation.gif";document.form2.shield.src="presentation\_greg\_olsen.jpg"; specialdevotion=false;presentation();}
if ((today.getMonth()==7)&(today.getDate()==6)){document.form2.episco\_date.src="episco\_transfiguration.gif";document.form2.shield.src="transfiguration.jpg";specialdevotion=false;jamesbro();}
if (today.getHours()>17)
{
if (fromEasterDays==-1){document.form2.episco\_date.src="episco\_easter\_eve.gif";document.form2.shield.src="lent.gif";easterweek();}
if (fromEasterDays==38){document.form2.episco\_date.src="episco\_ascension\_eve.gif";document.form2.shield.src="easter\_bible\_2.gif";easterweek();}
if (fromEasterDays==48){document.form2.episco\_date.src="episco\_pentecost\_eve.gif";document.form2.shield.src="easter\_bible\_2.gif";jamesbro();}
if (fromEasterDays==55){document.form2.episco\_date.src="episco\_trinity\_eve.gif";document.form2.shield.src="Trinity\_Animation.gif";}
if ((today.getMonth()==11)&(today.getDate()==24)){document.form2.episco\_date.src="episco\_christmas\_eve.gif";document.form2.shield.src="santa\_s.jpg";xmas();}
if ((today.getMonth()==11)&(today.getDate()==31)){document.form2.episco\_date.src="episco\_holyname\_eve.gif";document.form2.shield.src="ihscross.gif";}
if ((today.getMonth()==0)&(today.getDate()==5)){document.form2.episco\_date.src="episco\_epiphany\_eve.gif";document.form2.shield.src="ZWisemenGifts.jpg";stars();}
if ((today.getMonth()==1)&(today.getDate()==1)){document.form2.episco\_date.src="episco\_presentation\_eve.gif";document.form2.shield.src="presentation.jpg"; }
if ((today.getMonth()==4)&(today.getDate()==30)&(today.getDay()!=6)){document.form2.episco\_date.src="episco\_visitation\_eve.gif";document.form2.shield.src="visitation\_s.jpg";magnificat();}
if ((today.getMonth()==4)&(today.getDate()==31)&(today.getDay()==6)){document.form2.episco\_date.src="episco\_visitation\_eve.gif";document.form2.shield.src="visitation\_s.jpg";magnificat();}
if ((today.getMonth()==7)&(today.getDate()==5)){document.form2.episco\_date.src="episco\_transfiguration\_eve.gif";document.form2.shield.src="transfiguration.jpg";}
if ((today.getMonth()==5)&(today.getDate()==23)&(today.getDay()!=6)){document.form2.episco\_date.src="episco\_johnthebaptist\_eve.gif";document.form2.shield.src="jb.jpg";jb();}
if ((today.getMonth()==5)&(today.getDate()==24)&(today.getDay()==6)){document.form2.episco\_date.src="episco\_johnthebaptist\_eve.gif";document.form2.shield.src="jb.jpg";jb();}
if ((today.getMonth()==8)&(today.getDate()==13)&(today.getDay()!=6)){document.form2.episco\_date.src="episco\_holycross\_eve.gif"; document.form2.shield.src="sandamiano.jpg";}
if ((today.getMonth()==8)&(today.getDate()==14)&(today.getDay()==6)){document.form2.episco\_date.src="episco\_holycross\_eve.gif"; document.form2.shield.src="sandamiano.jpg";}
if ((today.getMonth()==9)&(today.getDate()==31)){document.form2.episco\_date.src="episco\_allsaints\_eve.gif";document.form2.shield.src="drybones.jpg";}
if ((easterMonth==4)&(easterDayOfMonth>1)&(today.getMonth()==2)&(today.getDate()==24)){document.form2.episco\_date.src="episco\_annunciation\_eve.gif";document.form2.shield.src="annunciation\_tanner\_s.jpg";specialdevotion=false;annunciationday();}
else
if ((easterMonth==4)&(easterDayOfMonth==1)&(fromEasterDays==7)){document.form2.episco\_date.src="episco\_annunciation\_eve.gif";document.form2.shield.src="annunciation\_tanner\_s.jpg";specialdevotion=false;annunciationday();}
else
if ((easterMonth==3)&(easterDayOfMonth>26)&(fromEasterDays==7)){document.form2.episco\_date.src="episco\_annunciation\_eve.gif";document.form2.shield.src="annunciation\_tanner\_s.jpg";specialdevotion=false;annunciationday();}
else
if ((easterMonth==3)&(easterDayOfMonth<=26)&(fromEasterDays==8)){document.form2.episco\_date.src="episco\_annunciation\_eve.gif";document.form2.shield.src="annunciation\_tanner\_s.jpg";specialdevotion=false;annunciationday();}
}
emberday=false;rogationday=false;
if ((today.getMonth()==8)&(today.getDate()>=15)&(today.getDate()<21)){emberday=true;}
if (advent==3){emberday=true;}
if ((today.getDay()==0)|(today.getDay()==1)|(today.getDay()==2)|(today.getDay()==4)){emberday=false;}
if (fromEasterDays==-39){emberday=true;}
if (fromEasterDays==-37){emberday=true;}
if (fromEasterDays==-36){emberday=true;}
if (fromEasterDays==52){emberday=true;}
if (fromEasterDays==54){emberday=true;}
if (fromEasterDays==55){emberday=true;}
if (fromEasterDays==38){rogationday=true;}
if (fromEasterDays==37){rogationday=true;}
if (fromEasterDays==36){rogationday=true;}
if ((today.getMonth()==11)&(today.getDate()==17))
{document.form2.ember\_day.src="dec17.gif";document.form2.ember\_day.alt="O come, O come, Emmanual"}
else
if ((today.getMonth()==11)&(today.getDate()==18))
{document.form2.ember\_day.src="dec18.gif";document.form2.ember\_day.alt="O come, O come, Emmanual"}
else
if ((today.getMonth()==11)&(today.getDate()==19))
{document.form2.ember\_day.src="dec19.gif";document.form2.ember\_day.alt="O come, O come, Emmanual"}
else
if ((today.getMonth()==11)&(today.getDate()==20))
{document.form2.ember\_day.src="dec20.gif";document.form2.ember\_day.alt="O come, O come, Emmanual"}
else
if ((today.getMonth()==11)&(today.getDate()>=21)&(today.getDate()<=24))
{document.form2.ember\_day.src="dec21.gif";document.form2.ember\_day.alt="O come, O come, Emmanual"}
else
if (emberday==true)
{document.form2.ember\_day.src="emberday.gif";document.form2.ember\_day.alt="Day of Special Devotion"}
else if (rogationday==true)
{document.form2.ember\_day.src="rogationday.gif";document.form2.ember\_day.alt="Day of Special Devotion"}
else if (specialdevotion==true)
{document.form2.ember\_day.src="specialdevotion.gif";document.form2.ember\_day.alt="Day of Special Devotion"}
else if ((fromEasterDays==-21)|((today.getDay()==0)&(today.getMonth()==11)&(today.getDate()>=11)&(today.getDate()<=17)))
{document.form2.ember\_day.src="rose-sm-kp.gif";document.form2.ember\_day.alt="Rose Sunday"}
else if ((today.getMonth()==11)&(today.getDate()==25))
{document.form2.ember\_day.src="christ\_child.gif";document.form2.ember\_day.alt="Happy birthday, Jesus"}
else if ((today.getMonth()==0)&(today.getDate()==6))
{document.form2.ember\_day.src="star.gif";document.form2.ember\_day.alt="The wise still seek Him"}
else if ((today.getMonth()==0)&(today.getDate()==1))
{document.form2.ember\_day.src="ihs.gif";document.form2.ember\_day.alt="Holy Name"}
// peterkeys();
//sanmarco();
//saintluke();
//jamesbro();
///santamaria();
//sanpablo();
//peterpaul();
//saintbart();
// if (fromEasterDays==0){document.form1.swim.src="swim\_galilee9.gif";document.form1.flagpole.src="easter.gif";document.form1.d.src="easter\_blank.gif";return;}
// if (fromEasterDays==49){document.form1.swim.src="swim\_galilee9.gif";document.form1.flagpole.src="pentecost.gif";document.form1.d.src="pentecost\_blank.gif";return;}
// if ((fromEasterDays==-46)){document.form1.swim.src="swim\_galilee9.gif";document.form1.flagpole.src="ashwednesday.gif";document.form1.d.src="ash\_wednesday\_blank.gif";return;}
if ((today.getMonth()==8)&(today.getDate()<=7)&(today.getDay()==1)){document.form1.swim.src="swim\_laborday15.gif";document.form1.flagpole.src="labor.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()>=15)&(today.getDate()<=21)&(today.getDay()==6)){document.form1.swim.src="swim\_armedforcesday9.gif";document.form1.flagpole.src="armedforcesday.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()>=25)&(today.getDay()==1)){document.form1.swim.src="swim\_memorialday2.gif";document.form1.flagpole.src="memorial.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()>=22)&(today.getDate()<=28)&(today.getDay()==4)){document.form1.swim.src="swim\_thanksgiving.gif";document.form1.flagpole.src="thanksgiving.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()>=15)&(today.getDate()<=21)&(today.getDay()==1)){document.form1.swim.src="swim\_mlk8.gif";document.form1.flagpole.src="mlk.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()== 1)&(today.getHours()%2==0)){document.form1.swim.src="swim\_sudan7.gif";document.form1.flagpole.src="sudan.gif";workforafreeworld();return;}
if ((today.getMonth()==0)&(today.getDate()== 1)&(today.getHours()%2==1)){document.form1.swim.src="swim\_haiti7.gif";document.form1.flagpole.src="haiti.gif";workforafreeworld();return;}
if ((today.getMonth()==0)&(today.getDate()== 2)){document.form1.swim.src="swim\_georgiastate.gif";document.form1.flagpole.src="georgiastate.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()== 4)&(today.getHours()%2==0)){document.form1.swim.src="swim\_utah8.gif";document.form1.flagpole.src="utah.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()== 4)&(today.getHours()%2==1)){document.form1.swim.src="swim\_burma10.gif";document.form1.flagpole.src="burma.gif";democracyflag();return;}
if ((today.getMonth()==0)&(today.getDate()== 6)){document.form1.swim.src="swim\_newmexico10.gif";document.form1.flagpole.src="newmexico.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()== 7)){document.form1.swim.src="swim\_tver.gif";document.form1.flagpole.src="tver.gif";workforafreeworld();return;}
if ((today.getMonth()==0)&(today.getDate()== 9)){document.form1.swim.src="swim\_connecticut8.gif";document.form1.flagpole.src="connecticut.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()==13)){document.form1.swim.src="swim\_togo6.gif";document.form1.flagpole.src="togo.gif";workforafreeworld();return;}
if ((today.getMonth()==0)&(today.getDate()==17)){document.form1.swim.src="swim\_franklin.gif";document.form1.flagpole.src="franklin.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()==20)){document.form1.swim.src="swim\_dagestan3.gif";document.form1.flagpole.src="dagestan.gif";workforafreeworld();return;}
if ((today.getMonth()==0)&(today.getDate()==23)){document.form1.swim.src="swim\_liechtenstein.gif";document.form1.flagpole.src="liechtenstein.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()==25)){document.form1.swim.src="swim\_mordovia8.gif";document.form1.flagpole.src="mordovia.gif";workforafreeworld();return;}
if ((today.getMonth()==0)&(today.getDate()==26)&(today.getHours()%2==0)){document.form1.swim.src="swim\_australia12.gif";document.form1.flagpole.src="australia.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()==26)&(today.getHours()%2==1)){document.form1.swim.src="swim\_michigan3.gif";document.form1.flagpole.src="michigan.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()==29)){document.form1.swim.src="swim\_kansas9.gif";document.form1.flagpole.src="kansas.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()==31)){document.form1.swim.src="swim\_nauru4.gif";document.form1.flagpole.src="nauru.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==2)){document.form1.swim.src="swim\_volgograd3.gif";document.form1.flagpole.src="volgograd.gif";workforafreeworld();return;}
if ((today.getMonth()==1)&(today.getDate()==4)){document.form1.swim.src="swim\_ceylon3.gif";document.form1.flagpole.src="ceylon.gif";workforafreeworld();return;}
if ((today.getMonth()==1)&(today.getDate()==6)&(today.getHours()%2==0)){document.form1.swim.src="swim\_newzealand.gif";document.form1.flagpole.src="nz.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==6)&(today.getHours()%2==1)){document.form1.swim.src="swim\_massachusetts2.gif";document.form1.flagpole.src="massachusetts.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==7)){document.form1.swim.src="swim\_grenada6.gif";document.form1.flagpole.src="grenada.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==8)){document.form1.swim.src="swim\_kursk7.gif";document.form1.flagpole.src="kursk.gif";workforafreeworld();return;}
if ((today.getMonth()==1)&(today.getDate()==11)){document.form1.swim.src="swim\_iran7.gif";document.form1.flagpole.src="iran.gif";workforafreeworld();return;}
if ((today.getMonth()==1)&(today.getDate()==13)){document.form1.swim.src="swim\_stavropol7.gif";document.form1.flagpole.src="stavropol.gif";workforafreeworld();return;}
if ((today.getMonth()==1)&(today.getDate()==14)&(today.getHours()%2==0)){document.form1.swim.src="swim\_oregon3.gif";document.form1.flagpole.src="oregon.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==14)&(today.getHours()%2==1)){document.form1.swim.src="swim\_arizona5.gif";document.form1.flagpole.src="arizona.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==16)){document.form1.swim.src="swim\_lithuania.gif";document.form1.flagpole.src="lithuania.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==17)){document.form1.swim.src="swim\_neworleans4.gif";document.form1.flagpole.src="neworleans.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==18)){document.form1.swim.src="swim\_gambia6.gif";document.form1.flagpole.src="gambia.gif";workforafreeworld();return;}
if ((today.getMonth()==1)&(today.getDate()==20)){document.form1.swim.src="swim\_chinpeople.gif";document.form1.flagpole.src="chinpeople.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==21)){document.form1.swim.src="swim\_buryatia5.gif";document.form1.flagpole.src="buryatia.gif";workforafreeworld();return;}
if ((today.getMonth()==1)&(today.getDate()==22)){document.form1.swim.src="swim\_delaware\_river.gif";document.form1.flagpole.src="washington.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==23)){document.form1.swim.src="swim\_guyana.gif";document.form1.flagpole.src="guyana.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==24)){document.form1.swim.src="swim\_estonia5.gif";document.form1.flagpole.src="estonia.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==25)){document.form1.swim.src="swim\_kuwait.gif";document.form1.flagpole.src="kuwait.gif";workforafreeworld();return;}
if ((today.getMonth()==1)&(today.getDate()==27)){document.form1.swim.src="swim\_dominicanrepublic3.gif";document.form1.flagpole.src="domrep.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==1)&(today.getHours()%6>1)){document.form1.swim.src="swim\_wales8.gif";document.form1.flagpole.src="welsh.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==1)&(today.getHours()%6==0)){document.form1.swim.src="swim\_ohio5.gif";document.form1.flagpole.src="ohio.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==1)&(today.getHours()%6==1)){document.form1.swim.src="swim\_nebraska5.gif";document.form1.flagpole.src="nebraska.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==3)&(today.getHours()%3>0)){document.form1.swim.src="swim\_bulgaria.gif";document.form1.flagpole.src="bulgaria.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==3)&(today.getHours()%3==0)){document.form1.swim.src="swim\_florida2.gif";document.form1.flagpole.src="florida.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==4)){document.form1.swim.src="swim\_vermont5.gif";document.form1.flagpole.src="vermont.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==5)){document.form1.swim.src="swim\_cornwall7.gif";document.form1.flagpole.src="cornwall.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==6)){document.form1.swim.src="swim\_ghana3.gif";document.form1.flagpole.src="ghana.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==10)){document.form1.swim.src="swim\_tibet.gif";document.form1.flagpole.src="tibet.gif";workforafreeworld();return;}
if ((today.getMonth()==2)&(today.getDate()==12)){document.form1.swim.src="swim\_mauritius7.gif";document.form1.flagpole.src="mauritius.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==15)){document.form1.swim.src="swim\_maine4.gif";document.form1.flagpole.src="maine.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==17)){document.form1.swim.src="swim\_ireland9.gif";document.form1.flagpole.src="saintpatricks.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==20)&(today.getHours()%3==0)){document.form1.swim.src="swim\_kurdistan.gif";document.form1.flagpole.src="kurd.gif";workforafreeworld();return;}
if ((today.getMonth()==2)&(today.getDate()==20)&(today.getHours()%3>0)){document.form1.swim.src="swim\_tunisia10.gif";document.form1.flagpole.src="tunisia.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==21)){document.form1.swim.src="swim\_namibia9.gif";document.form1.flagpole.src="namibia.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==23)){document.form1.swim.src="swim\_pakistan5.gif";document.form1.flagpole.src="pakistan.gif";workforafreeworld();return;}
if ((today.getMonth()==2)&(today.getDate()==25)){document.form1.swim.src="swim\_greece9.gif";document.form1.flagpole.src="greek.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==26)){document.form1.swim.src="swim\_bangladesh8.gif";document.form1.flagpole.src="bangladesh.gif";workforafreeworld();return;}
if ((today.getMonth()==2)&(today.getDate()==30)){document.form1.swim.src="swim\_aland4.gif";document.form1.flagpole.src="aland.gif";democracy();return;}
if ((today.getMonth()==2)&(today.getDate()==31)&(today.getHours()%3==1)){document.form1.swim.src="swim\_kalmykia7.gif";document.form1.flagpole.src="kalmykia.gif";workforafreeworld();return;}
if ((today.getMonth()==2)&(today.getDate()==31)&(today.getHours()%3!=1)){document.form1.swim.src="swim\_usvi.gif";document.form1.flagpole.src="usvi.gif";democracy();return;}
if ((today.getMonth()==3)&(today.getDate()==1)){document.form1.swim.src="swim\_nunavut2.gif";document.form1.flagpole.src="nunavut.gif";democracy();return;}
if ((today.getMonth()==3)&(today.getDate()==4)){document.form1.swim.src="swim\_senegal4.gif";document.form1.flagpole.src="senegal.gif";democracy();return;}
if ((today.getMonth()==3)&(today.getDate()==8)){document.form1.swim.src="swim\_japan.gif";document.form1.flagpole.src="japan.gif";democracy();return;}
if ((today.getMonth()==3)&(today.getDate()==13)){document.form1.swim.src="swim\_jefferson7.gif";document.form1.flagpole.src="jefferson.gif";democracy();return;}
if ((today.getMonth()==3)&(today.getDate()==17)){document.form1.swim.src="swim\_syria10.gif";document.form1.flagpole.src="syria.gif";workforafreeworld();return;}
if ((today.getMonth()==3)&(today.getDate()==18)){document.form1.swim.src="swim\_zimbabwe8.gif";document.form1.flagpole.src="zimbabwe.gif";democracyflag();return;}
if ((today.getMonth()==3)&(today.getDate()==21)){document.form1.swim.src="swim\_texas15.gif";document.form1.flagpole.src="texas.gif";democracy();return;}
if ((today.getMonth()==3)&(today.getDate()==22)){document.form1.swim.src="swim\_earthday.gif";document.form1.flagpole.src="earthday.gif";environmentalism\_without\_extremism();return;}
if ((today.getMonth()==3)&(today.getDate()==23)){document.form1.swim.src="swim\_shakespeare.gif";document.form1.flagpole.src="england.gif";democracy();return;}
if ((today.getMonth()==3)&(today.getDate()==26)){document.form1.swim.src="swim\_zanzibar.gif";document.form1.flagpole.src="tanzania.gif";workforafreeworld();return;}
if ((today.getMonth()==3)&(today.getDate()==27)&(today.getHours()%3==0)){document.form1.swim.src="swim\_southafrica5.gif";document.form1.flagpole.src="southafrica.gif";democracy();return;}
if ((today.getMonth()==3)&(today.getDate()==27)&(today.getHours()%3==1)){document.form1.swim.src="swim\_yakutia9.gif";document.form1.flagpole.src="yakutia.gif";workforafreeworld();return;}
if ((today.getMonth()==3)&(today.getDate()==27)&(today.getHours()%3==2)){document.form1.swim.src="swim\_sierraleone9.gif";document.form1.flagpole.src="sierraleone.gif";workforafreeworld();return;}
if ((today.getMonth()==3)&(today.getDate()==28)){document.form1.swim.src="swim\_maryland6.gif";document.form1.flagpole.src="maryland.gif";democracy();return;}
if ((today.getMonth()==3)&(today.getDate()==30)&(today.getHours()%2==0)){document.form1.swim.src="swim\_saba.gif";document.form1.flagpole.src="netherlandsantilles.gif";democracy();return;}
if ((today.getMonth()==3)&(today.getDate()==30)&(today.getHours()%2==1)){document.form1.swim.src="swim\_louisiana6.gif";document.form1.flagpole.src="louisiana.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==1)){document.form1.swim.src="swim\_marshallislands8.gif";document.form1.flagpole.src="marshall.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==3)){document.form1.swim.src="swim\_poland7.gif";document.form1.flagpole.src="poland.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==5)){document.form1.swim.src="swim\_mexico14.gif";document.form1.flagpole.src="mexico.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==9)&(today.getHours()%2==0)){document.form1.swim.src="swim\_jersey10.gif";document.form1.flagpole.src="jersey.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==9)&(today.getHours()%2==1)){document.form1.swim.src="swim\_guernsey9.gif";document.form1.flagpole.src="guernsey.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==11)){document.form1.swim.src="swim\_minnesota7.gif";document.form1.flagpole.src="minnesota.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==12)){document.form1.swim.src="swim\_manitoba9.gif";document.form1.flagpole.src="manitoba.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==15)){document.form1.swim.src="swim\_paraguay2.gif";document.form1.flagpole.src="paraguay.gif";workforafreeworld();return;}
if ((today.getMonth()==4)&(today.getDate()==16)){document.form1.swim.src="swim\_alderney7.gif";document.form1.flagpole.src="alderney.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==17)){document.form1.swim.src="swim\_norway14.gif";document.form1.flagpole.src="norway.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==20)&(today.getHours()%2==0)){document.form1.swim.src="swim\_timor7.gif";document.form1.flagpole.src="timor.gif";workforafreeworld();return;}
if ((today.getMonth()==4)&(today.getDate()==20)&(today.getHours()%2==1)){document.form1.swim.src="swim\_cameroon4.gif";document.form1.flagpole.src="cameroon.gif";workforafreeworld();return;}
if ((today.getMonth()==4)&(today.getDate()==21)){document.form1.swim.src="swim\_montenegro12.gif";document.form1.flagpole.src="montenegro.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==22)){document.form1.swim.src="swim\_yemen9.gif";document.form1.flagpole.src="yemen.gif";workforafreeworld();return;}
if ((today.getMonth()==4)&(today.getDate()==23)){document.form1.swim.src="swim\_southcarolina10.gif";document.form1.flagpole.src="southcarolina.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==24)&(today.getHours()%2==0)){document.form1.swim.src="swim\_bermuda2.gif";document.form1.flagpole.src="bermuda.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==24)&(today.getHours()%2==1)){document.form1.swim.src="swim\_eritrea8.gif";document.form1.flagpole.src="eritrea.gif";workforafreeworld();return;}
if ((today.getMonth()==4)&(today.getDate()==25)&(today.getHours()%2==0)){document.form1.swim.src="swim\_argentina5.gif";document.form1.flagpole.src="argentina.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==25)&(today.getHours()%2==1)){document.form1.swim.src="swim\_jordan.gif";document.form1.flagpole.src="jordan.gif";workforafreeworld();return;}
if ((today.getMonth()==4)&(today.getDate()==26)){document.form1.swim.src="swim\_georgia2.gif";document.form1.flagpole.src="georgia.gif";workforafreeworld();return;}
if ((today.getMonth()==4)&(today.getDate()==28)){document.form1.swim.src="swim\_azerbaijan4.gif";document.form1.flagpole.src="azerbaijan.gif";workforafreeworld();return;}
if ((today.getMonth()==4)&(today.getDate()==29)&(today.getHours()%3==0)){document.form1.swim.src="swim\_jfk.gif";document.form1.flagpole.src="jfk.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==29)&(today.getHours()%3==1)){document.form1.swim.src="swim\_rhodeisland23.gif";document.form1.flagpole.src="rhodeisland.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==29)&(today.getHours()%3==2)){document.form1.swim.src="swim\_wisconsin5.gif";document.form1.flagpole.src="wisconsin.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==30)&(today.getHours()%2==0)){document.form1.swim.src="swim\_canary.gif";document.form1.flagpole.src="canary.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==30)&(today.getHours()%2==1)){document.form1.swim.src="swim\_anguilla7.gif";document.form1.flagpole.src="anguilla.gif";democracy();return;}
if ((today.getMonth()==4)&(today.getDate()==31)){document.form1.swim.src="swim\_eastwood6.gif";document.form1.flagpole.src="eastwood.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==1)&(today.getHours()%3==0)){document.form1.swim.src="swim\_tennessee6.gif";document.form1.flagpole.src="tennessee.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==1)&(today.getHours()%3==1)){document.form1.swim.src="swim\_samoa2.gif";document.form1.flagpole.src="samoa.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==1)&(today.getHours()%3==2)){document.form1.swim.src="swim\_kentucky7.gif";document.form1.flagpole.src="kentucky.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==2)){document.form1.swim.src="swim\_italy13.gif";document.form1.flagpole.src="italy.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==3)&(today.getDay()<3)){document.form1.swim.src="swim\_ws17.gif";document.form1.flagpole.src="watersafetyweek.gif";watersafetyweek();return;}
if ((today.getMonth()==5)&(today.getDate()==4)){document.form1.swim.src="swim\_tonga6.gif";document.form1.flagpole.src="tonga.gif";workforafreeworld();return;}
if ((today.getMonth()==5)&(today.getDate()==5)){document.form1.swim.src="swim\_denmark6.gif";document.form1.flagpole.src="denmark.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==6)){document.form1.swim.src="swim\_sweden.gif";document.form1.flagpole.src="sweden.gif";democracy();return;}
// if ((today.getMonth()==5)&(today.getDate()==7)){document.form1.swim.src="swim\_midway6.gif";document.form1.flagpole.src="midway.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==7)){document.form1.swim.src="swim\_ws.gif";document.form1.flagpole.src="watersafetyweek.gif";watersafetyweek();return;}
if ((today.getMonth()==5)&(today.getDate()==8)&(today.getDay()>0)){document.form1.swim.src="swim\_ws25.gif";document.form1.flagpole.src="watersafetyweek.gif";watersafetyweek();return;}
if ((today.getMonth()==5)&(today.getDate()==9)&(today.getDay()>1)){document.form1.swim.src="swim\_ws18.gif";document.form1.flagpole.src="watersafetyweek.gif";watersafetyweek();return;}
if ((today.getMonth()==5)&(today.getDate()==10)){document.form1.swim.src="swim\_portugal8.gif";document.form1.flagpole.src="portugal.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==11)){document.form1.swim.src="swim\_hawaii7.gif";document.form1.flagpole.src="hawaii.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==12)&(today.getHours()%2==0)){document.form1.swim.src="swim\_russia.gif";document.form1.flagpole.src="russia.gif";workforafreeworld();return;}
if ((today.getMonth()==5)&(today.getDate()==12)&(today.getHours()%2==1)){document.form1.swim.src="swim\_philippines2.gif";document.form1.flagpole.src="philippines.gif";workforafreeworld();return;}
if ((today.getMonth()==5)&(today.getDate()==13)&(today.getDay()>5)){document.form1.swim.src="swim\_ws3.gif";document.form1.flagpole.src="watersafetyweek.gif";watersafetyweek();return;}
if ((today.getMonth()==5)&(today.getDate()==14)&(today.getHours()==0)){document.form1.swim.src="swim\_falklandislands2.gif";document.form1.flagpole.src="falklands.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==14)&(today.getHours()>0)){document.form1.swim.src="swim\_flagday4.gif";document.form1.flagpole.src="flagday.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==15)){document.form1.swim.src="swim\_arkansas4.gif";document.form1.flagpole.src="arkansas.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==16)){document.form1.swim.src="swim\_armycorps2.gif";document.form1.flagpole.src="armycorps.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==17)){document.form1.swim.src="swim\_iceland.gif";document.form1.flagpole.src="iceland.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==18)){document.form1.swim.src="swim\_seychelles8.gif";document.form1.flagpole.src="seychelles.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==19)){document.form1.swim.src="swim\_juneteenth.gif";document.form1.flagpole.src="juneteenth.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==20)){document.form1.swim.src="swim\_westvirginia15.gif";document.form1.flagpole.src="westvirginia.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==21)&(today.getHours()%2==0)){document.form1.swim.src="swim\_greenland9.gif";document.form1.flagpole.src="greenland.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==21)&(today.getHours()%2==1)){document.form1.swim.src="swim\_newhampshire.gif";document.form1.flagpole.src="newhampshire.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==23)){document.form1.swim.src="swim\_luxembourg10.gif";document.form1.flagpole.src="luxembourg.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==24)&(today.getHours()%4==0)){document.form1.swim.src="swim\_chuvash8.gif";document.form1.flagpole.src="chuvash.gif";workforafreeworld();return;}
if ((today.getMonth()==5)&(today.getDate()==24)&(today.getHours()%4==1)){document.form1.swim.src="swim\_newf4.gif";document.form1.flagpole.src="newf\_lab.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==24)&(today.getHours()%4==2)){document.form1.swim.src="swim\_labrador3.gif";document.form1.flagpole.src="newf\_lab.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==24)&(today.getHours()%4==3)){document.form1.swim.src="swim\_quebec6.gif";document.form1.flagpole.src="quebec.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==25)&(today.getHours()%3==0)){document.form1.swim.src="swim\_virginia8.gif";document.form1.flagpole.src="virginia.gif";democracy();return;} // MOZAMBIQUE
if ((today.getMonth()==5)&(today.getDate()==25)&(today.getHours()%3==1)){document.form1.swim.src="swim\_mozambique4.gif";document.form1.flagpole.src="mozambique7.gif";workforafreeworld();return;}
if ((today.getMonth()==5)&(today.getDate()==25)&(today.getHours()%3==2)){document.form1.swim.src="swim\_croatia10.gif";document.form1.flagpole.src="croatia.gif";democracy();return;} // MOZAMBIQUE
if ((today.getMonth()==5)&(today.getDate()==26)){document.form1.swim.src="swim\_madagascar9.gif";document.form1.flagpole.src="madagascar.gif";workforafreeworld();return;}
if ((today.getMonth()==5)&(today.getDate()==27)){document.form1.swim.src="swim\_djibouti16.gif";document.form1.flagpole.src="djibouti.gif";workforafreeworld();return;}
if ((today.getMonth()==5)&(today.getDate()==28)){document.form1.swim.src="swim\_serbia3.gif";document.form1.flagpole.src="serbia.gif";democracy();return;}
if ((today.getMonth()==5)&(today.getDate()==29)){document.form1.swim.src="swim\_rome.gif";return;}
if ((today.getMonth()==5)&(today.getDate()==30)){document.form1.swim.src="swim\_congo.gif";document.form1.flagpole.src="kinshasa.gif";workforafreeworld();return;}
if ((today.getMonth()==6)&(today.getDate()==1)&(today.getDay()!=0)){document.form1.swim.src="swim\_canada.gif";document.form1.flagpole.src="canada.gif";democracy();return;} // rwanda burundi somalaia
if ((today.getMonth()==6)&(today.getDate()==1)&(today.getDay()==0)&(today.getHours()%3==1)){document.form1.swim.src="swim\_rwanda.gif";document.form1.flagpole.src="rwanda.gif";workforafreeworld();return;} // rwanda burundi somalaia
if ((today.getMonth()==6)&(today.getDate()==1)&(today.getDay()==0)&(today.getHours()%3==2)){document.form1.swim.src="swim\_burundi2.gif";document.form1.flagpole.src="burundi.gif";workforafreeworld();return;} // rwanda burundi somalaia
if ((today.getMonth()==6)&(today.getDate()==1)&(today.getDay()==0)&(today.getHours()%3==0)){document.form1.swim.src="swim\_somalia5.gif";document.form1.flagpole.src="somalia.gif";workforafreeworld();return;} // rwanda burundi somalaia
if ((today.getMonth()==6)&(today.getDate()==2)&(today.getDay()==1)){document.form1.swim.src="swim\_canada.gif";document.form1.flagpole.src="canada.gif";democracy();return;} // rwanda burundi somalaia
if ((today.getMonth()==6)&(today.getDate()==3)&(today.getHours()%2==0)){document.form1.swim.src="swim\_idaho9.gif";document.form1.flagpole.src="idaho.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==3)&(today.getHours()%2==1)){document.form1.swim.src="swim\_belarus6.gif";document.form1.flagpole.src="belarus.gif";workforafreeworld();return;}
if ((today.getMonth()==6)&(today.getDate()==5)&(today.getHours()%3==0)){document.form1.swim.src="swim\_maracaibo3.gif";document.form1.flagpole.src="venezuela.gif";workforafreeworld();return;}
if ((today.getMonth()==6)&(today.getDate()==5)&(today.getHours()%3==1)){document.form1.swim.src="swim\_capeverde.gif";document.form1.flagpole.src="capeverde.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==5)&(today.getHours()%3==2)){document.form1.swim.src="swim\_algeria2.gif";document.form1.flagpole.src="algeria.gif";workforafreeworld();return;}
if ((today.getMonth()==6)&(today.getDate()==6)){document.form1.swim.src="swim\_malawi.gif";document.form1.flagpole.src="malawi.gif";workforafreeworld();return;} // comoros
if ((today.getMonth()==6)&(today.getDate()==7)&(today.getHours()%2==1)){document.form1.swim.src="swim\_solomonislands6.gif";document.form1.flagpole.src="solomon.gif";workforafreeworld();return;}
if ((today.getMonth()==6)&(today.getDate()==7)&(today.getHours()%2==0)){document.form1.swim.src="swim\_nepal.gif";document.form1.flagpole.src="nepal.gif";workforafreeworld();return;}
if ((today.getMonth()==6)&(today.getDate()==9)&(today.getHours()%2==0)){document.form1.swim.src="swim\_palau20.gif";document.form1.flagpole.src="palau.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==9)&(today.getHours()%2==1)){document.form1.swim.src="swim\_southsudan2.gif";document.form1.flagpole.src="southsudan.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==10)&(today.getHours()%2==0)){document.form1.swim.src="swim\_bahamas4.gif";document.form1.flagpole.src="bahamas.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==10)&(today.getHours()%2==1)){document.form1.swim.src="swim\_wyoming10.gif";document.form1.flagpole.src="wyoming.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==11)){document.form1.swim.src="swim\_mongolia2.gif";document.form1.flagpole.src="mongolia.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==12)&(today.getHours()%2==0)){document.form1.swim.src="swim\_saotome.gif";document.form1.flagpole.src="saotome.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==12)&(today.getHours()%2==1)){document.form1.swim.src="swim\_kiribati.gif";document.form1.flagpole.src="kiribati.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==14)){document.form1.swim.src="swim\_france8.gif";document.form1.flagpole.src="bastille.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==15)){document.form1.swim.src="swim\_nwt6.gif";document.form1.flagpole.src="nwt.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==16)){document.form1.swim.src="swim\_sandiego7.gif";document.form1.flagpole.src="sandiego.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==20)){document.form1.swim.src="swim\_colombia9.gif";document.form1.flagpole.src="colombia.gif";workforafreeworld();return;}
if ((today.getMonth()==6)&(today.getDate()==21)){document.form1.swim.src="swim\_belgium.gif";document.form1.flagpole.src="belgium.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==23)){document.form1.swim.src="swim\_egypt3.gif";document.form1.flagpole.src="egypt.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==25)){document.form1.swim.src="swim\_puertorico3.gif";document.form1.flagpole.src="puertorico.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==26)&(today.getHours()%4==0)){document.form1.swim.src="swim\_dutch5.gif";document.form1.flagpole.src="dutch.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==26)&(today.getHours()%4==1)){document.form1.swim.src="swim\_maldives12.gif";document.form1.flagpole.src="maldives.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==26)&(today.getHours()%4==2)){document.form1.swim.src="swim\_liberia8.gif";document.form1.flagpole.src="liberia.gif";workforafreeworld();return;}
if ((today.getMonth()==6)&(today.getDate()==26)&(today.getHours()%4==3)){document.form1.swim.src="swim\_newyork9.gif";document.form1.flagpole.src="newyork.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==27)){document.form1.swim.src="swim\_korea13.gif";document.form1.flagpole.src="korea.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==28)){document.form1.swim.src="swim\_peru15.gif";document.form1.flagpole.src="peru.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==29)){document.form1.swim.src="swim\_faroes9.gif";document.form1.flagpole.src="faroes.gif";democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==30)&(today.getHours()%2==0)){document.form1.swim.src="swim\_morocco3.gif";document.form1.flagpole.src="morocco.gif";workforafreeworld();return;}
if ((today.getMonth()==6)&(today.getDate()==30)&(today.getHours()%2==1)){document.form1.swim.src="swim\_vanuatu8.gif";document.form1.flagpole.src="vanuatu.gif";democracy();democracy();return;}
if ((today.getMonth()==6)&(today.getDate()==31)){document.form1.swim.src="swim\_hp.gif";document.form1.flagpole.src="hp.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==1)&(today.getHours()%3==0)){document.form1.swim.src="swim\_switzerland.gif";document.form1.flagpole.src="swiss.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==1)&(today.getHours()%3==1)){document.form1.swim.src="swim\_colorado15.gif";document.form1.flagpole.src="colorado.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==1)&(today.getHours()%3==2)){document.form1.swim.src="swim\_benin2.gif";document.form1.flagpole.src="benin.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==2)){document.form1.swim.src="swim\_macedonia16.gif";document.form1.flagpole.src="macedonia.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==4)){document.form1.swim.src="swim\_coastguard2.gif";document.form1.flagpole.src="coastguard.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==5)){document.form1.swim.src="swim\_victoria7.gif";document.form1.flagpole.src="victoria.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==6)){document.form1.swim.src="swim\_bolivia8.gif";document.form1.flagpole.src="bolivia.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==7)){document.form1.swim.src="swim\_ivorycoast.gif";document.form1.flagpole.src="ivorycoast.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()<8)&(today.getDay()==1)){document.form1.swim.src="swim\_jamaica.gif";document.form1.flagpole.src="jamaica.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==9)){document.form1.swim.src="swim\_singapore.gif";document.form1.flagpole.src="singapore.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==10)&(today.getHours()%2==0)){document.form1.swim.src="swim\_missouri10.gif";document.form1.flagpole.src="missouri.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==10)&(today.getHours()%2==1)){document.form1.swim.src="swim\_ecuador8.gif";document.form1.flagpole.src="ecuador.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==11)){document.form1.swim.src="swim\_chad.gif";document.form1.flagpole.src="chad.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==12)){document.form1.swim.src="swim\_chicago19.gif";document.form1.flagpole.src="chicago.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==15)){document.form1.swim.src="swim\_brazzaville6.gif";document.form1.flagpole.src="brazzaville.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==16)){document.form1.swim.src="swim\_aragon7.gif";document.form1.flagpole.src="aragon.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==17)&(today.getHours()%3!=2)){document.form1.swim.src="swim\_indonesia9.gif";document.form1.flagpole.src="indonesia.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==17)&(today.getHours()%3==2)){document.form1.swim.src="swim\_gabon.gif";document.form1.flagpole.src="gabon.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==14)){document.form1.swim.src="swim\_tyumen.gif";document.form1.flagpole.src="tyumen.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==19)){document.form1.swim.src="swim\_afghanistan2.gif";document.form1.flagpole.src="afghanistan.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==20)){document.form1.swim.src="swim\_hungary19.gif";document.form1.flagpole.src="hungary.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==22)){document.form1.swim.src="swim\_nsw4.gif";document.form1.flagpole.src="nsw.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==24)){document.form1.swim.src="swim\_ukraine7.gif";document.form1.flagpole.src="ukraine.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==25)){document.form1.swim.src="swim\_uruguay2.gif";document.form1.flagpole.src="uruguay.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==27)){document.form1.swim.src="swim\_moldova2.gif";document.form1.flagpole.src="moldova.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==30)&(today.getHours()%2==1)){document.form1.swim.src="swim\_tatarstan.gif";document.form1.flagpole.src="tatarstan.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==30)&(today.getHours()%2==0)){document.form1.swim.src="swim\_turksandcaicos5.gif";document.form1.flagpole.src="turksandcaicos.gif";democracy();return;}
if ((today.getMonth()==7)&(today.getDate()==31)&(today.getHours()%3==0)){document.form1.swim.src="swim\_malaysia10.gif";document.form1.flagpole.src="malaysia.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==31)&(today.getHours()%3==1)){document.form1.swim.src="swim\_kyrgyzstan11.gif";document.form1.flagpole.src="kyrgyzstan.gif";workforafreeworld();return;}
if ((today.getMonth()==7)&(today.getDate()==31)&(today.getHours()%3==2)){document.form1.swim.src="swim\_trinidad8.gif";document.form1.flagpole.src="trinidad.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==1)&(today.getHours()%3==0)){document.form1.swim.src="swim\_uzbekistan5.gif";document.form1.flagpole.src="uzbek.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==1)&(today.getHours()%3==1)){document.form1.swim.src="swim\_slovakia3.gif";document.form1.flagpole.src="slovak.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==1)&(today.getHours()%3==2)){document.form1.swim.src="swim\_libya.gif";document.form1.flagpole.src="libya.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==2)){document.form1.swim.src="swim\_vietnam3.gif";document.form1.flagpole.src="vietnam.gif";historicflag();return;}
if ((today.getMonth()==8)&(today.getDate()==3)){document.form1.swim.src="swim\_sanmarino.gif";document.form1.flagpole.src="sanmarino.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==4)){document.form1.swim.src="swim\_wakeisland9.gif";document.form1.flagpole.src="wakeisland.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==6)){document.form1.swim.src="swim\_swaziland4.gif";document.form1.flagpole.src="swaziland.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==7)){document.form1.swim.src="swim\_brazil.gif";document.form1.flagpole.src="brazil.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==8)){document.form1.swim.src="swim\_andorra5.gif";document.form1.flagpole.src="andorra.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==9)&(today.getHours()%3==0)){document.form1.swim.src="swim\_california9.gif";document.form1.flagpole.src="california.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==9)&(today.getHours()%3==1)){document.form1.swim.src="swim\_tajikistan9.gif";document.form1.flagpole.src="tajikistan.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==9)&(today.getHours()%3==2)){document.form1.swim.src="swim\_northkorea7.gif";document.form1.flagpole.src="koreanunity.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==10)){document.form1.swim.src="swim\_gibraltar5.gif";document.form1.flagpole.src="gibraltar.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==11)){document.form1.swim.src="swim\_usa6.gif";document.form1.flagpole.src="patriotday.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==12)){document.form1.swim.src="swim\_ethiopia7.gif";document.form1.flagpole.src="ethiopia.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==15)&(today.getHours()%6==0)){document.form1.swim.src="swim\_elsalvador.gif";document.form1.flagpole.src="elsalvador.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==15)&(today.getHours()%6==1)){document.form1.swim.src="swim\_guatemala.gif";document.form1.flagpole.src="guatemala.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==15)&(today.getHours()%6==2)){document.form1.swim.src="swim\_nicaragua9.gif";document.form1.flagpole.src="nicaragua.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==15)&(today.getHours()%6==3)){document.form1.swim.src="swim\_nicaragua9.gif";document.form1.flagpole.src="costarica.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==15)&(today.getHours()%6>4)){document.form1.swim.src="swim\_nicaragua9.gif";document.form1.flagpole.src="honduras.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==16)){document.form1.swim.src="swim\_newguinea3.gif";document.form1.flagpole.src="newguinea.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==17)){document.form1.swim.src="swim\_usa24.gif";document.form1.flagpole.src="constitutionday.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==18)){document.form1.swim.src="swim\_chile11.gif";document.form1.flagpole.src="chile.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==19)){document.form1.swim.src="swim\_stkitts3.gif";document.form1.flagpole.src="stkitts.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==20)){document.form1.swim.src="swim\_udmurtia3.gif";document.form1.flagpole.src="udmurtia.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==21)&(today.getHours()%3==0)){document.form1.swim.src="swim\_malta6.gif";document.form1.flagpole.src="malta.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==21)&(today.getHours()%3==1)){document.form1.swim.src="swim\_belize8.gif";document.form1.flagpole.src="belize.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==21)&(today.getHours()%3==2)){document.form1.swim.src="swim\_armenia2.gif";document.form1.flagpole.src="armenia.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==22)){document.form1.swim.src="swim\_mali.gif";document.form1.flagpole.src="mali.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==23)){document.form1.swim.src="swim\_arabia10.gif";document.form1.flagpole.src="arabia.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==24)){document.form1.swim.src="swim\_guineabissau5.gif";document.form1.flagpole.src="guineabissau.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==25)){document.form1.swim.src="swim\_barra.gif";document.form1.flagpole.src="barra.gif";democracy();return;}
if ((today.getMonth()==8)&(today.getDate()==28)){document.form1.swim.src="swim\_hk8.gif";document.form1.flagpole.src="china.gif";workforafreeworld();return;}
if ((today.getMonth()==8)&(today.getDate()==30)){document.form1.swim.src="swim\_botswana7.gif";document.form1.flagpole.src="botswana.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==1)&(today.getHours()%4==3)){document.form1.swim.src="swim\_cyprus4.gif";document.form1.flagpole.src="cyprus.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==1)&(today.getHours()%4==2)){document.form1.swim.src="swim\_tuvalu7.gif";document.form1.flagpole.src="tuvalu.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==1)&(today.getHours()%4<=1)){document.form1.swim.src="swim\_nigeria10.gif";document.form1.flagpole.src="nigeria.gif";workforafreeworld();return;}
if ((today.getMonth()==9)&(today.getDate()==2)&(today.getHours()%6>0)){document.form1.swim.src="swim\_india10.gif";document.form1.flagpole.src="india.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==2)&(today.getHours()%6==0)){document.form1.swim.src="swim\_guinea9.gif";document.form1.flagpole.src="guinea.gif";workforafreeworld();return;}
if ((today.getMonth()==9)&(today.getDate()==3)&(today.getHours()%2==1)){document.form1.swim.src="swim\_germany.gif";document.form1.flagpole.src="germany.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==3)&(today.getHours()%2==0)){document.form1.swim.src="swim\_iraq4.gif";document.form1.flagpole.src="iraq.gif";workforafreeworld();return;}
if ((today.getMonth()==9)&(today.getDate()==4)){document.form1.swim.src="swim\_lesotho8.gif";document.form1.flagpole.src="lesotho.gif";workforafreeworld();return;}
if ((today.getMonth()==9)&(today.getDate()>7)&(today.getDate()<=14)&(today.getDay()==1)){document.form1.swim.src="swim\_fiji3.gif";document.form1.flagpole.src="fiji.gif";workforafreeworld();return;}
if ((today.getMonth()==9)&(today.getDate()==9)){document.form1.swim.src="swim\_uganda7.gif";document.form1.flagpole.src="uganda.gif";workforafreeworld();return;}
if ((today.getMonth()==9)&(today.getDate()==10)){document.form1.swim.src="swim\_taiwan.gif";document.form1.flagpole.src="taiwan.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==11)){document.form1.swim.src="swim\_bashkortostan7.gif";document.form1.flagpole.src="bashkortostan.gif";workforafreeworld();return;}
if ((today.getMonth()==9)&(today.getDate()==12)&(today.getHours()%2==0)){document.form1.swim.src="swim\_valencia6.gif";document.form1.flagpole.src="spain.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==12)&(today.getHours()%2==1)){document.form1.swim.src="swim\_columbusday10.gif";document.form1.flagpole.src="columbus.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==18)){document.form1.swim.src="swim\_alaska3.gif";document.form1.flagpole.src="alaska.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==19)){document.form1.swim.src="swim\_niue10.gif";document.form1.flagpole.src="niue.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==22)){document.form1.swim.src="swim\_tuva.gif";document.form1.flagpole.src="tuva.gif";workforafreeworld();return;}
if ((today.getMonth()==9)&(today.getDate()==24)){document.form1.swim.src="swim\_zambia3.gif";document.form1.flagpole.src="zambia.gif";workforafreeworld();return;}
if ((today.getMonth()==9)&(today.getDate()==26)){document.form1.swim.src="swim\_austria4.gif";document.form1.flagpole.src="austria.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==27)&(today.getHours()%2==0)){document.form1.swim.src="swim\_saintvincent8.gif";document.form1.flagpole.src="stvincent.gif";democracy();return;} // also turkmenistan
if ((today.getMonth()==9)&(today.getDate()==27)&(today.getHours()%2==1)){document.form1.swim.src="swim\_turkmenistan6.gif";document.form1.flagpole.src="turkmenistan.gif";workforafreeworld();return;} // also turkmenistan
if ((today.getMonth()==9)&(today.getDate()==28)){document.form1.swim.src="swim\_czech10.gif";document.form1.flagpole.src="czech.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==29)){document.form1.swim.src="swim\_turkey14.gif";document.form1.flagpole.src="turkey.gif";democracy();return;}
if ((today.getMonth()==9)&(today.getDate()==31)){document.form1.swim.src="swim\_nevada6.gif";document.form1.flagpole.src="nevada.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==1)){document.form1.swim.src="swim\_antigua.gif";document.form1.flagpole.src="antigua.gif";democracy();return;}
// if ((today.getMonth()==10)&(today.getDate()==2)){document.form1.swim.src="swim\_halloween.gif";document.form1.flagpole.src="diosdosmuertos.gif";document.form1.d.src="all\_souls\_blank.gif";return;}
if ((today.getMonth()==10)&(today.getDate()==2)&(today.getHours()%2==0)){document.form1.swim.src="swim\_northdakota9.gif";document.form1.flagpole.src="northdakota.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==2)&(today.getHours()%2==1)){document.form1.swim.src="swim\_southdakota4.gif";document.form1.flagpole.src="southdakota.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==3)&(today.getHours()%3==0)){document.form1.swim.src="swim\_panama7.gif";document.form1.flagpole.src="panama.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==3)&(today.getHours()%3==1)){document.form1.swim.src="swim\_micronesia3.gif";document.form1.flagpole.src="micronesia.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==3)&(today.getHours()%3==2)){document.form1.swim.src="swim\_dominica6.gif";document.form1.flagpole.src="dominica.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==5)){document.form1.swim.src="swim\_england.gif";document.form1.flagpole.src="guyfawkes.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==7)){document.form1.swim.src="swim\_sakhalin.gif";document.form1.flagpole.src="reconciliation.gif";workforafreeworld();return;}
if ((today.getMonth()==10)&(today.getDate()==8)){document.form1.swim.src="swim\_montana10.gif";document.form1.flagpole.src="montana.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==9)){document.form1.swim.src="swim\_cambodia2.gif";document.form1.flagpole.src="cambodia.gif";democracyflag();return;}
if ((today.getMonth()==10)&(today.getDate()==11)){document.form1.swim.src="swim\_vietnam3.gif";document.form1.flagpole.src="veterans.gif";democracy();return;} // ANGOLA
if ((today.getMonth()==10)&(today.getDate()==12)){document.form1.swim.src="swim\_northossetia4.gif";document.form1.flagpole.src="northossetia.gif";workforafreeworld();return;}
if ((today.getMonth()==10)&(today.getDate()==13)){document.form1.swim.src="swim\_karelia5.gif";document.form1.flagpole.src="karelia.gif";workforafreeworld();return;}
if ((today.getMonth()==10)&(today.getDate()==16)){document.form1.swim.src="swim\_oklahoma8.gif";document.form1.flagpole.src="oklahoma.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==18)&(today.getHours()%3!=0)){document.form1.swim.src="swim\_latvia10.gif";document.form1.flagpole.src="latvia.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==18)&(today.getHours()%3==0)){document.form1.swim.src="swim\_oman.gif";document.form1.flagpole.src="oman.gif";workforafreeworld();return;}
if ((today.getMonth()==10)&(today.getDate()==19)){document.form1.swim.src="swim\_monaco10.gif";document.form1.flagpole.src="monaco.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==21)){document.form1.swim.src="swim\_northcarolina.gif";document.form1.flagpole.src="northcarolina.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==22)){document.form1.swim.src="swim\_lebanon3.gif";document.form1.flagpole.src="lebanon.gif";workforafreeworld();return;}
if ((today.getMonth()==10)&(today.getDate()==25)&(today.getHours()%2==0)){document.form1.swim.src="swim\_bosnia7.gif";document.form1.flagpole.src="bosnia.gif";workforafreeworld();return;}
if ((today.getMonth()==10)&(today.getDate()==25)&(today.getHours()%2==1)){document.form1.swim.src="swim\_surinam9.gif";document.form1.flagpole.src="suriname.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==28)&(today.getHours()%5>0)){document.form1.swim.src="swim\_albania3.gif";document.form1.flagpole.src="albania.gif";workforafreeworld();return;}
if ((today.getMonth()==10)&(today.getDate()==28)&(today.getHours()%5==0)){document.form1.swim.src="swim\_mauritania.gif";document.form1.flagpole.src="mauritania.gif";workforafreeworld();return;}
if ((today.getMonth()==10)&(today.getDate()==30)&(today.getHours()%2==0)){document.form1.swim.src="swim\_scotland2.gif";document.form1.flagpole.src="scotland.gif";democracy();return;}
if ((today.getMonth()==10)&(today.getDate()==30)&(today.getHours()%2==1)){document.form1.swim.src="swim\_barbados5.gif";document.form1.flagpole.src="barbados.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==1)){document.form1.swim.src="swim\_romania.gif";document.form1.flagpole.src="romania.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==2)&(today.getHours()%2==1)){document.form1.swim.src="swim\_laos3.gif";document.form1.flagpole.src="laos.gif";historicflag();return;}
if ((today.getMonth()==11)&(today.getDate()==2)&(today.getHours()%2==0)){document.form1.swim.src="swim\_uae2.gif";document.form1.flagpole.src="unitedarabemirates.gif";workforafreeworld();return;}
if ((today.getMonth()==11)&(today.getDate()==3)){document.form1.swim.src="swim\_illinois.gif";document.form1.flagpole.src="illinois.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==5)){document.form1.swim.src="swim\_thailand3.gif";document.form1.flagpole.src="thailand.gif";workforafreeworld();return;}
if ((today.getMonth()==11)&(today.getDate()==6)){document.form1.swim.src="swim\_finland11.gif";document.form1.flagpole.src="finland.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==7)){document.form1.swim.src="swim\_delaware3.gif";document.form1.flagpole.src="delaware.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==10)){document.form1.swim.src="swim\_mississippi.gif";document.form1.flagpole.src="mississippi.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==10)){document.form1.swim.src="swim\_cuba3.gif";document.form1.flagpole.src="cuba.gif";democracyflag();return;}
if ((today.getMonth()==11)&(today.getDate()==11)&(today.getHours()%2==0)){document.form1.swim.src="swim\_burkinafaso11.gif";document.form1.flagpole.src="burkinafaso.gif";workforafreeworld();return;}
if ((today.getMonth()==11)&(today.getDate()==11)&(today.getHours()%2==1)){document.form1.swim.src="swim\_indiana7.gif";document.form1.flagpole.src="indiana.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==12)&(today.getHours()%3>0)){document.form1.swim.src="swim\_pennsylvania3.gif";document.form1.flagpole.src="pennsylvania.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==12)&(today.getHours()%3==0)){document.form1.swim.src="swim\_kenya5.gif";document.form1.flagpole.src="kenya.gif";workforafreeworld();return;}
if ((today.getMonth()==11)&(today.getDate()==14)){document.form1.swim.src="swim\_alabama.gif";document.form1.flagpole.src="alabama.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==15)){document.form1.swim.src="swim\_billofrightsday8.gif";document.form1.flagpole.src="billofrightsday.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==16)&(today.getHours()%3==0)){document.form1.swim.src="swim\_bahrain6.gif";document.form1.flagpole.src="bahrain.gif";workforafreeworld();return;}
if ((today.getMonth()==11)&(today.getDate()==16)&(today.getHours()%3!=0)){document.form1.swim.src="swim\_kazakhstan.gif";document.form1.flagpole.src="kazakhstan.gif";workforafreeworld();return;}
if ((today.getMonth()==11)&(today.getDate()==17)){document.form1.swim.src="swim\_bhutan.gif";document.form1.flagpole.src="bhutan.gif";workforafreeworld();return;}
if ((today.getMonth()==11)&(today.getDate()==18)&(today.getHours()%3==0)){document.form1.swim.src="swim\_niger5.gif";document.form1.flagpole.src="niger.gif";workforafreeworld();return;}
if ((today.getMonth()==11)&(today.getDate()==18)&(today.getHours()%3==1)){document.form1.swim.src="swim\_newjersey3.gif";document.form1.flagpole.src="newjersey.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==18)&(today.getHours()%3==2)){document.form1.swim.src="swim\_qatar.gif";document.form1.flagpole.src="qatar.gif";workforafreeworld();return;}
if ((today.getMonth()==11)&(today.getDate()==21)){document.form1.swim.src="swim\_antarctica5.gif";document.form1.flagpole.src="antarctica.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==22)){document.form1.swim.src="swim\_mariel3.gif";document.form1.flagpole.src="mariel.gif";workforafreeworld();return;}
if ((today.getMonth()==11)&(today.getDate()==25)){document.form1.swim.src="swim\_christmas9.gif";document.form1.flagpole.src="christmas.gif";document.form1.d.src="christmas\_blank.gif";return;}
if ((today.getMonth()==11)&(today.getDate()==26)){document.form1.swim.src="swim\_slovenia6.gif";document.form1.flagpole.src="slovenia.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==28)){document.form1.swim.src="swim\_iowa10.gif";document.form1.flagpole.src="iowa.gif";democracy();return;}
if ((today.getMonth()==11)&(today.getDate()==31)){document.form1.swim.src="swim\_ottawa2.gif";document.form1.flagpole.src="ottawa.gif";democracy();return;}
if ((today.getMonth()==0)&(today.getDate()==1)){document.form1.swim.src="swim\_chicago10.gif";document.form1.flagpole.src="happynewyear.gif";document.form1.d.src="happy\_new\_year\_blank.gif";return;}
if ((today.getMonth()==1)&(today.getDate()==14)){document.form1.swim.src="swim\_women.gif";document.form1.flagpole.src="valentines.gif";document.form1.d.src="valentine\_blank.gif";return;}
if ((today.getMonth()==6)&(today.getDate()==4)){document.form1.swim.src="swim\_july4\_10.gif";document.form1.flagpole.src="fourthofjuly.gif";democracy();return;}
if ((today.getMonth()==1)&(today.getDate()==12)){document.form1.swim.src="swim\_lincoln.gif";document.form1.flagpole.src="lincoln.gif";democracy();return;}
/\*
y=Math.floor (100\*Math.random());
alert(y);
switch (y){
case 0:{document.form1.swim.src="swim\_alabama.gif";break;}
case 1:{document.form1.swim.src="swim\_alagoas.gif";break;}
case 2:{document.form1.swim.src="swim\_aland.gif";break;}
case 3:{document.form1.swim.src="swim\_alaska.gif";break;}
case 4:{document.form1.swim.src="swim\_alberta.gif";break;}
case 5:{document.form1.swim.src="swim\_altay.gif";break;}
case 6:{document.form1.swim.src="swim\_amazonas.gif";break;}
case 7:{document.form1.swim.src="swim\_andalucia.gif";break;}
case 8:{document.form1.swim.src="swim\_anguilla.gif";break;}
case 9:{document.form1.swim.src="swim\_antarctica.gif";break;}
case 10:{document.form1.swim.src="swim\_aruba.gif";break;}
case 11:{document.form1.swim.src="swim\_bahia.gif";break;}
case 12:{document.form1.swim.src="swim\_balearics.gif";break;}
case 13:{document.form1.swim.src="swim\_barra.gif";break;}
case 14:{document.form1.swim.src="swim\_basque.gif";break;}
case 15:{document.form1.swim.src="swim\_bavaria.gif";break;}
case 16:{document.form1.swim.src="swim\_bc.gif";break;}
case 17:{document.form1.swim.src="swim\_bc2.gif";break;}
case 18:{document.form1.swim.src="swim\_bornholm.gif";break;}
case 19:{document.form1.swim.src="swim\_brvi.gif";break;}
case 20:{document.form1.swim.src="swim\_burma.gif";break;}
case 21:{document.form1.swim.src="swim\_burundi.gif";break;}
case 22:{document.form1.swim.src="swim\_buryatia.gif";break;}
case 23:{document.form1.swim.src="swim\_cafrr.gif";break;}
case 24:{document.form1.swim.src="swim\_california.gif";break;}
case 25:{document.form1.swim.src="swim\_cambodia.gif";break;}
case 26:{document.form1.swim.src="swim\_cameroon.gif";break;}
case 27:{document.form1.swim.src="swim\_arkansas.gif";break;}
case 28:{document.form1.swim.src="swim\_arizona.gif";break;}
case 29:{document.form1.swim.src="swim\_cayman.gif";break;}
case 30:{document.form1.swim.src="swim\_canary.gif";break;}
case 31:{document.form1.swim.src="swim\_chicago.gif";break;}
case 32:{document.form1.swim.src="swim\_chukchia.gif";break;}
case 33:{document.form1.swim.src="swim\_cocos.gif";break;}
case 34:{document.form1.swim.src="swim\_colorado.gif";break;}
case 35:{document.form1.swim.src="swim\_congo.gif";break;}
case 36:{document.form1.swim.src="swim\_connecticut.gif";break;}
case 37:{document.form1.swim.src="swim\_delaware.gif";break;}
case 38:{document.form1.swim.src="swim\_devon.gif";break;}
case 39:{document.form1.swim.src="swim\_estremadura.gif";break;}
case 40:{document.form1.swim.src="swim\_ethiopia.gif";break;}
case 41:{document.form1.swim.src="swim\_evenkia.gif";break;}
case 42:{document.form1.swim.src="swim\_extremadura.gif";break;}
case 43:{document.form1.swim.src="swim\_fiji.gif";break;}
case 44:{document.form1.swim.src="swim\_flagday.gif";break;}
case 45:{document.form1.swim.src="swim\_florida.gif";break;}
case 46:{document.form1.swim.src="swim\_gotland.gif";break;}
case 47:{document.form1.swim.src="swim\_georgiastate.gif";break;}
case 48:{document.form1.swim.src="swim\_guadaloupe.gif";break;}
case 49:{document.form1.swim.src="swim\_hawaii.gif";break;}
case 50:{document.form1.swim.src="swim\_washingtonstate.gif";break;}
case 51:{document.form1.swim.src="swim\_oregon.gif";break;}
case 52:{document.form1.swim.src="swim\_newmexico.gif";break;}
case 53:{document.form1.swim.src="swim\_nebraska.gif";break;}
case 54:{document.form1.swim.src="swim\_kansas.gif";break;}
case 55:{document.form1.swim.src="swim\_northdakota.gif";break;}
case 56:{document.form1.swim.src="swim\_southdakota.gif";break;}
case 57:{document.form1.swim.src="swim\_minnesota.gif";break;}
case 58:{document.form1.swim.src="swim\_losangeles.gif";break;}
case 59:{document.form1.swim.src="swim\_newyorkcity.gif";break;}
case 60:{document.form1.swim.src="swim\_wyoming.gif";break;}
case 61:{document.form1.swim.src="swim\_montana.gif";break;}
case 62:{document.form1.swim.src="swim\_oklahoma.gif";break;}
case 63:{document.form1.swim.src="swim\_texas.gif";break;}
case 64:{document.form1.swim.src="swim\_mississippi.gif";break;}
case 65:{document.form1.swim.src="swim\_florida.gif";break;}
case 66:{document.form1.swim.src="swim\_northcarolina.gif";break;}
case 67:{document.form1.swim.src="swim\_southcarolina.gif";break;}
case 68:{document.form1.swim.src="swim\_idaho.gif";break;}
case 69:{document.form1.swim.src="swim\_houston.gif";break;}
case 70:{document.form1.swim.src="swim\_hesse.gif";break;}
case 71:{document.form1.swim.src="swim\_guam.gif";break;}
case 72:{document.form1.swim.src="swim\_iraq.gif";break;}
case 73:{document.form1.swim.src="swim\_iowa.gif";break;}
case 74:{document.form1.swim.src="swim\_ingria.gif";break;}
case 75:{document.form1.swim.src="swim\_indiana.gif";break;}
case 76:{document.form1.swim.src="swim\_jordan.gif";break;}
case 77:{document.form1.swim.src="swim\_kamchatka.gif";break;}
case 78:{document.form1.swim.src="swim\_karelia.gif";break;}
case 79:{document.form1.swim.src="swim\_kemerovo.gif";break;}
case 80:{document.form1.swim.src="swim\_kentucky.gif";break;}
case 81:{document.form1.swim.src="swim\_tennessee.gif";break;}
case 82:{document.form1.swim.src="swim\_kenya.gif";break;}
case 83:{document.form1.swim.src="swim\_khabarovsk.gif";break;}
case 84:{document.form1.swim.src="swim\_khakassia.gif";break;}
case 85:{document.form1.swim.src="swim\_kiribati.gif";break;}
case 86:{document.form1.swim.src="swim\_krasnodar.gif";break;}
case 87:{document.form1.swim.src="swim\_krasnoyarsk.gif";break;}
case 88:{document.form1.swim.src="swim\_libya.gif";break;}
case 89:{document.form1.swim.src="swim\_lewis.gif";break;}
case 90:{document.form1.swim.src="swim\_lca.gif";break;}
case 91:{document.form1.swim.src="swim\_lapland.gif";break;}
case 92:{document.form1.swim.src="swim\_malawi.gif";break;}
case 93:{document.form1.swim.src="swim\_maine.gif";break;}
case 94:{document.form1.swim.src="swim\_vermont.gif";break;}
case 95:{document.form1.swim.src="swim\_newhampshire.gif";break;}
case 96:{document.form1.swim.src="swim\_massachusetts.gif";break;}
case 97:{document.form1.swim.src="swim\_mecklenburg.gif";break;}
case 98:{document.form1.swim.src="swim\_mgds.gif";break;}
case 99:{document.form1.swim.src="swim\_maryland.gif";break;}
case 100:{document.form1.swim.src="swim\_maranhao.gif";break;}
case 101:{document.form1.swim.src="swim\_manitoba.gif";break;}
case 102:{document.form1.swim.src="swim\_maluku.gif";break;}
case 103:{document.form1.swim.src="swim\_missouri.gif";break;}
case 104:{document.form1.swim.src="swim\_moscow.gif";break;}
case 105:{document.form1.swim.src="swim\_moscow.gif";break;}
case 106:{document.form1.swim.src="swim\_morocco.gif";break;}
case 107:{document.form1.swim.src="swim\_montserrat.gif";break;}
case 108:{document.form1.swim.src="swim\_nagaland.gif";break;}
case 109:{document.form1.swim.src="swim\_nepal.gif";break;}
case 110:{document.form1.swim.src="swim\_newjersey.gif";break;}
case 111:{document.form1.swim.src="swim\_neworleans.gif";break;}
case 112:{document.form1.swim.src="swim\_newyork.gif";break;}
case 113:{document.form1.swim.src="swim\_newyork2.gif";break;}
case 114:{document.form1.swim.src="swim\_northmarianas.gif";break;}
case 115:{document.form1.swim.src="swim\_northuist.gif";break;}
case 116:{document.form1.swim.src="swim\_northunbria.gif";break;}
case 117:{document.form1.swim.src="swim\_novascotia.gif";break;}
case 118:{document.form1.swim.src="swim\_novosibirsk.gif";break;}
case 119:{document.form1.swim.src="swim\_nsw.gif";break;}
case 120:{document.form1.swim.src="swim\_nunavut.gif";break;}
case 121:{document.form1.swim.src="swim\_nwt.gif";break;}
case 122:{document.form1.swim.src="swim\_nyc.gif";break;}
case 123:{document.form1.swim.src="swim\_ohio.gif";break;}
case 124:{document.form1.swim.src="swim\_pennsylvania.gif";break;}
case 125:{document.form1.swim.src="swim\_ontario.gif";break;}
case 126:{document.form1.swim.src="swim\_outback.gif";break;}
case 127:{document.form1.swim.src="swim\_para.gif";break;}
case 128:{document.form1.swim.src="swim\_parana.gif";break;}
case 129:{document.form1.swim.src="swim\_peru2.gif";break;}
case 130:{document.form1.swim.src="swim\_philadelphia.gif";break;}
case 131:{document.form1.swim.src="swim\_rio.gif";break;}
case 132:{document.form1.swim.src="swim\_rio2.gif";break;}
case 133:{document.form1.swim.src="swim\_saintlouis.gif";break;}
case 134:{document.form1.swim.src="swim\_samoa.gif";break;}
case 135:{document.form1.swim.src="swim\_sandiego.gif";break;}
case 136:{document.form1.swim.src="swim\_sanfrancisco.gif";break;}
case 137:{document.form1.swim.src="swim\_sanjose.gif";break;}
case 138:{document.form1.swim.src="swim\_sanmarino.gif";break;}
case 139:{document.form1.swim.src="swim\_saopaulo.gif";break;}
case 140:{document.form1.swim.src="swim\_sevastopol.gif";break;}
case 141:{document.form1.swim.src="swim\_shetland.gif";break;}
case 142:{document.form1.swim.src="swim\_siberia.gif";break;}
case 143:{document.form1.swim.src="swim\_sierraleone.gif";break;}
case 144:{document.form1.swim.src="swim\_slovakia.gif";break;}
case 145:{document.form1.swim.src="swim\_sergipe.gif";break;}
case 146:{document.form1.swim.src="swim\_serbia.gif";break;}
case 147:{document.form1.swim.src="swim\_scania.gif";break;}
case 148:{document.form1.swim.src="swim\_saskatchewan.gif";break;}
case 149:{document.form1.swim.src="swim\_sark.gif";break;}
case 150:{document.form1.swim.src="swim\_southernaustralia.gif";break;}
case 151:{document.form1.swim.src="swim\_southuist.gif";break;}
case 152:{document.form1.swim.src="swim\_sudan.gif";break;}
case 153:{document.form1.swim.src="swim\_tanzania.gif";break;}
case 154:{document.form1.swim.src="swim\_tasmania.gif";break;}
case 155:{document.form1.swim.src="swim\_togo.gif";break;}
case 156:{document.form1.swim.src="swim\_tdf.gif";break;}
case 157:{document.form1.swim.src="swim\_tallahassee.gif";break;}
case 158:{document.form1.swim.src="swim\_valencia.gif";break;}
case 159:{document.form1.swim.src="swim\_uzbekistan.gif";break;}
case 160:{document.form1.swim.src="swim\_utah.gif";break;}
case 161:{document.form1.swim.src="swim\_usvi.gif";break;}
case 162:{document.form1.swim.src="swim\_vladivostok.gif";break;}
case 163:{document.form1.swim.src="swim\_volgograd.gif";break;}
case 164:{document.form1.swim.src="swim\_wallis.gif";break;}
case 165:{document.form1.swim.src="swim\_zimbabwe.gif";break;}
case 166:{document.form1.swim.src="swim\_zambia.gif";break;}
case 167:{document.form1.swim.src="swim\_yukon.gif";break;}
case 168:{document.form1.swim.src="swim\_wisconsin.gif";break;}
case 169:{document.form1.swim.src="swim\_westvirginia.gif";break;}
case 170:{document.form1.swim.src="swim\_yemen.gif";break;}
case 171:{document.form1.swim.src="swim\_yakutia.gif";break;}
case 172:{document.form1.swim.src="swim\_zanzibar.gif";break;}
case 173:{document.form1.swim.src="swim\_victoria.gif";break;}
case 174:{document.form1.swim.src="swim\_tahiti.gif";break;}
case 175:{document.form1.swim.src="swim\_sanantonio.gif";break;}
case 176:{document.form1.swim.src="swim\_rhodeisland.gif";break;}
case 177:{document.form1.swim.src="swim\_labrador.gif";break;}
case 178:{document.form1.swim.src="swim\_manitoba.gif";break;}
case 179:{document.form1.swim.src="swim\_michigan.gif";break;}
case 180:{document.form1.swim.src="swim\_madrid.gif";break;}
case 181:{document.form1.swim.src="swim\_lubbock.gif";break;}
case 182:{document.form1.swim.src="swim\_louisville.gif";break;}
case 183:{document.form1.swim.src="swim\_kuwait.gif";break;}
case 184:{document.form1.swim.src="swim\_faroes.gif";break;}
case 185:{document.form1.swim.src="swim\_dc.gif";break;}
case 186:{document.form1.swim.src="swim\_curacao.gif";break;}
case 187:{document.form1.swim.src="swim\_smithville.gif";break;}
case 188:{document.form1.swim.src="swim\_smithville.gif";break;}
case 189:{document.form1.swim.src="swim\_smithville.gif";break;}
case 190:{document.form1.swim.src="swim\_smithville.gif";break;}
case 191:{document.form1.swim.src="swim\_smithville.gif";break;}
case 192:{document.form1.swim.src="swim\_smithville.gif";break;}
case 193:{document.form1.swim.src="swim\_smithville.gif";break;}
case 194:{document.form1.swim.src="swim\_smithville.gif";break;}
case 195:{document.form1.swim.src="swim\_smithville.gif";break;}
case 196:{document.form1.swim.src="swim\_smithville.gif";break;}
case 197:{document.form1.swim.src="swim\_smithville.gif";break;}
case 198:{document.form1.swim.src="swim\_smithville.gif";break;}
case 199:{document.form1.swim.src="swim\_smithville.gif";break;}
}
\*/
if ((fromEasterDays<0)&(fromEasterDays>-8)){document.form1.swim.src="swim\_galilee9.gif";document.form1.flagpole.src="crucifixion.gif";document.form1.d.src="holy\_week\_blank.gif";return;}
if ((fromEasterDays<0)&(fromEasterDays>=-46)){document.form1.flagpole.src="forgiven.gif";document.form1.d.src="lent\_blank.gif";return;}
if ((fromEasterDays>0)&(fromEasterDays<7)){document.form1.swim.src="swim\_galilee9.gif";document.form1.flagpole.src="easter1.gif";document.form1.d.src="easter\_week\_blank.gif";return;}
}
| | | |
| --- | --- | --- |
| **The Pathology Guy**
No texting or chat messages, please. Ordinary e-mails are welcome.
//CN Insert Greeting Ver 1.0.2 - CEA CrystalNet
CN\_Now = new Date();
localtime = CN\_Now.toString();
CN\_Hours = CN\_Now.getHours();
if (CN\_Hours < 12) {
document.write("Good Morning.");
} else {
if (CN\_Hours >= 12 && CN\_Hours < 17) {
document.write("Good Afternoon.");
} else {
if (CN\_Hours >= 17) {
document.write("Good Evening.");
} else {
document.write("Good Day.");
}
}
}
<!-- Begin
d = new Array(
"Sunday",
"Monday",
"Tuesday",
"Wednesday",
"Thursday",
"Friday",
"Saturday"
);
m = new Array(
"January",
"February",
"March",
"April",
"May",
"June",
"July",
"August",
"September",
"October",
"November",
"December"
);
today = new Date();
day = today.getDate();
year = today.getYear();
if (year < 2000) // Y2K Fix, Isaac Powell
year = year + 1900; // http://onyx.idbsu.edu/~ipowell
end = "th";
if (day==1 || day==21 || day==31) end="st";
if (day==2 || day==22) end="nd";
if (day==3 || day==23) end="rd";
day+=end;
document.write("Today is ");
document.write(d[today.getDay()]+", "+m[today.getMonth()]+" "+day+", "+year+".");
if ((today.getMonth()==0)&(today.getDate()==4)){document.write("<br>This is the birthday of Thomas Noguchi (1927), forensic pathologist.");}
if ((today.getMonth()==0)&(today.getDate()==10)){document.write("<br>This is the birthday of Carl Aschoff (1866), physician and pathologist.");}
if ((today.getMonth()==1)&(today.getDate()==6)){document.write("<br>This is the birthday of Edwin Klebs (1834), pathologist and microbiologist.");}
if ((today.getMonth()==1)&(today.getDate()==9)){document.write("<br>This is the birthday of Howard Taylor Ricketts (1871), pathologist and microbiologist.");}
if ((today.getMonth()==1)&(today.getDate()==13)){document.write("<br>This is the birthday of John Hunter (1728), surgeon and scientist.");}
if ((today.getMonth()==1)&(today.getDate()==15)){document.write("<br>This is the birthday of Galileo Galilei (1564), founder of experimental science.");}
if ((today.getMonth()==1)&(today.getDate()==19)){document.write("<br>This is the birthday of Carl Rokitansky (1804), founder of academic pathology.");}
if ((today.getMonth()==2)&(today.getDate()==12)){document.write("<br>This is the birthday of pathologist Lauren Ackerman (1905), pathologist and author.");}
if ((today.getMonth()==2)&(today.getDate()==11)){document.write("<br>This is the birthday of Harald zur Hausen (1936), who established HPV as cause of cervical cancer.");}
if ((today.getMonth()==2)&(today.getDate()==14)){document.write("<br>This is the birthday of pathologist Paul Ehrlich (1854), whose discoveries include the magic bullet.");}
if ((today.getMonth()==2)&(today.getDate()==25)){document.write("<br>This is the birthday of G. B. Morgagni (1682), the first great autopsy pathologist.");}
if ((today.getMonth()==2)&(today.getDate()==26)){document.write("<br>This is the birthday of Viktor Frankl (1905), founder of mainstream psychotherapy.");}
if ((today.getMonth()==3)&(today.getDate()==5)){document.write("<br>This is the birthday of Joseph Lister (1827), founder of aseptic surgery.");}
if ((today.getMonth()==4)&(today.getDate()==13)){document.write("<br>This is the birthday of George Papanicolaou (1883), founder of cytopathology.");}
if ((today.getMonth()==4)&(today.getDate()==17)){document.write("<br>This is the birthday of Edward Jenner (1749), who introduced the original smallpox vaccine.");}
if ((today.getMonth()==4)&(today.getDate()==17)){document.write("<br>This is the birthday of Benjamin Castleman (1906), founder of the clinicopathologic conference.");}
if ((today.getMonth()==4)&(today.getDate()==31)){document.write("<br>This is World No-Tobacco Day.");}
if ((today.getMonth()==5)&(today.getDate()==11)){document.write("<br>This is the birthday of John Robin Warren (1937), pathologist and co-discoverer of Helicobacter.");}
if ((today.getMonth()==5)&(today.getDate()==14)){document.write("<br>This is the birthday of Karl Landsteiner (1937), founder of scientific blood banking.");}
if ((today.getMonth()==5)&(today.getDate()==26)){document.write("<br>This is the birthday of Salvador Allende (1908), pathologist and politician.");}
if ((today.getMonth()==6)&(today.getDate()==1)){document.write("<br>This is the birthday of Ignaz P. Semmelweis (1818), obstetrician, pathologist, and promoter of antisepsis.");}
if ((today.getMonth()==6)&(today.getDate()==2)){document.write("<br>This is the birthday of Ludvig Hektoen (1863), pathologist and discoverer of coronary thrombosis.");}
if ((today.getMonth()==6)&(today.getDate()==7)){document.write("<br>This is the birthday of Camillo Golgi (1843), pathologist and cell biologist.");}
if ((today.getMonth()==6)&(today.getDate()==12)){document.write("<br>This is the birthday of William Osler (1849), pathologist, physician and educator.");}
if ((today.getMonth()==6)&(today.getDate()==20)){document.write("<br>This is the birthday of Julius Cohnheim (1839), founder of experimental pathology and inventor of the frozen section.");}
if ((today.getMonth()==7)&(today.getDate()==17)){document.write("<br>This is the birthday of Thomas Hodgkin (1789), pathologist and humanitarian.");}
if ((today.getMonth()==7)&(today.getDate()==29)){document.write("<br>This is the birthday of Oliver Wendell Holmes, Sr. (1809), physician, poet, and founder of American medical science.");}
if ((today.getMonth()==8)&(today.getDate()==13)){document.write("<br>This is the birthday of Walter Reed (1851), physician and epidemiologist.");}
if ((today.getMonth()==8)&(today.getDate()==22)){document.write("<br>This is the birthday of Alexander Yersin (1863), physician, microbiologist, and humanitarian.");}
if ((today.getMonth()==9)&(today.getDate()==13)){document.write("<br>This is the birthday of Rudolf Virchow (1821), founder of microscopic pathology.");}
if ((today.getMonth()==9)&(today.getDate()==30)){document.write("<br>This is the birthday of Henry Dunant (1828), founder of the Red Cross.");}
if ((today.getMonth()==10)&(today.getDate()==3)){document.write("<br>This is the birthday of Bernard Ramazzini (1633), founder of occupational medicine.");}
if ((today.getMonth()==10)&(today.getDate()==29)){document.write("<br>This is the birthday of J. M. Charcot (1825), pathologist and neuroscientist.");}
if ((today.getMonth()==10)&(today.getDate()==30)){document.write("<br>This is the birthday of John McCrae (1872), pathologist and poet.");}
if ((today.getMonth()==11)&(today.getDate()==11)){document.write("<br>This is the birthday of Robert Koch (1843), physician and microbiologist.");}
if ((today.getMonth()==11)&(today.getDate()==25)){document.write("<br>This is the birthday of James Ewing (1866), first professor of pathology at Cornell.");}
if ((today.getMonth()==11)&(today.getDate()==27)){document.write("<br>This is the birthday of Louis Pastuer (1822), founder of medical microbiology.");}
if ((today.getMonth()==11)&(today.getDate()==31)){document.write("<br>This is the birthday of Martin J Fettman (1956), veterinary pathologist and astronaut.");}
// End -->
This website collects no information. If you e-mail me,
neither your e-mail address nor any other information
will ever be passed on to any third party, unless
required by law.
This page was last modified April 6, 2018.
I have no sponsors and do not host paid advertisements.
All external links are provided freely
to sites that I believe my visitors will find helpful.
Special thanks to Randy, who helped me get started and was my host for a quarter century, and to Terry Fregoe, my new host in Mississippi.
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[What is Cancer?](http://www.pathguy.com/lectures/neo-1.htm)
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[Nervous System](http://www.pathguy.com/lectures/cns-all.htm)
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[Ear](http://www.pathguy.com/lectures/earpath.htm)
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[Liver Testing](http://www.pathguy.com/lectures/lvr-test.htm)
[Porphyria](http://www.pathguy.com/lectures/porphyri.htm)
[Urinalysis](http://www.pathguy.com/lectures/urine.htm)
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[Lab Problem](http://www.pathguy.com/lectures/lab-prob.htm)
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| **General Pathology**[Pathology Lecture Series](http://www.pathguy.com/lectures.htm)
[GYN pathology -- Tony Racela MD](http://www.pathguy.com/fem/f.htm)
[Autopsy](http://www.pathguy.com/autopsy.htm)
[Morgagni's Autopsy Series 1761](http://www.pathguy.com/morgagni.htm)
[Estimating the Time of Death](http://www.pathguy.com/TimeDead.htm)
[Approaching the Unknown Glass Slide](http://www.pathguy.com/lectures/unknown.htm)
[Normal Values for Introductory Pathology](http://www.pathguy.com/lectures/perspect.htm#nvip)
[Pathology Identification Keys](http://www.pathguy.com/kcfg.htm)
[Basic Histology](http://www.pathguy.com/histo/000.htm)
[Rudolf Virchow](http://www.pathguy.com/virchow.htm)
[Old pathology exams!](http://www.pathguy.com/lectures.htm#exams)
**The Medical Teacher**[Pathology Meltdown I [Board Prep]](http://www.pathguy.com/meltdown.txt)
[Pathology Meltdown II [Board Prep]](http://www.pathguy.com/boildown.txt)
[The Socratic Method](http://www.pathguy.com/socratic.htm)
[Notes for Good Lecturers](http://www.pathguy.com/goodlect.htm)
[Small Group Teaching](http://www.pathguy.com/smallgrp.htm)
[Classroom Control](http://www.pathguy.com/classcon.htm)
[The Effective Pathology Tutor](http://www.pathguy.com/tutor.htm)
[Preventing "F"'s](http://www.pathguy.com/lectures/f-talk.htm)
[Ed's Physiology Challenge](http://www.pathguy.com/guybikes.htm)
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[Med Vocab applet](http://www.pathguy.com/MedVocab.htm)
[Medical Vocabulary](http://www.pathguy.com/medvocab.htm)
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| | [Taser Video83.4 MB7:26 min](http://www.youtube.com/watch?v=V6NOi6VdXoY) |
[Alternative Medicine](http://www.pathguy.com/altermed.htm)
[Why I Support Amateur Boxing](http://www.pathguy.com/boxing.htm)
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[XYY Karyotype](http://www.pathguy.com/xyy.htm)
[False Allegations of Child Abuse](http://www.pathguy.com/abuse.htm)
[The Anti-Immunization Activists](http://www.pathguy.com/antiimmu.htm)
[Antiperspirants and the Breast](http://www.pathguy.com/antipers.htm)
[Lauryl Sulfate](http://www.pathguy.com/sls.htm)
[Bible Codes](http://www.pathguy.com/codes.htm)
[Ptolemy's Tetrabiblos](http://www.pathguy.com/ptolemy.htm)
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[The Book of Thel](http://www.pathguy.com/thel.htm)
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[King Lear](http://www.pathguy.com/kinglear.htm)
[The Knight's Tale](http://www.pathguy.com/kttale.htm)
[La Belle Dame Sans Merci](http://www.pathguy.com/lbdsm.htm)
[The Lady of Shalott](http://www.pathguy.com/shalott.htm)
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[A Midsummer Night's Dream](http://www.pathguy.com/mnd.htm)
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[Oedipus the King](http://www.pathguy.com/oedipus.htm)
[Prometheus Bound](http://www.pathguy.com/promethe.htm)
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[The Tyger](http://www.pathguy.com/tyger.htm)
[William Blake's "Milton"](http://www.pathguy.com/blake.htm)
[Words created by Shakespeare](http://www.pathguy.com/shakeswo.htm)
**Lambda Chi Alpha**[Ed's Lambda Chi Alpha Corner](http://www.pathguy.com/lxa.htm)
[Letter for New Associate Brothers](http://www.pathguy.com/assoclet.htm)
[The Greek Alphabet](http://www.pathguy.com/alphabet.htm)
[Ed's Fraternity Education Notes](http://www.pathguy.com/lxa/lxa-8.txt)
[The Case Against Marijuana](http://www.pathguy.com/lxa/cannabis.txt)
**Fun**
[The Mandelbrot Set](http://www.pathguy.com/Mb.htm)
[The Julia Sets](http://www.pathguy.com/Julia.htm)
[The Pathology Blues](http://www.pathguy.com/lectures/bluesget.htm)
[I Hate Histology!](http://www.pathguy.com/hatehist.htm)
[Alternity Science Fiction Role-Playing](http://www.pathguy.com/alter.htm)
[Gamma World Character Generator](http://www.pathguy.com/gammawor.htm)
[Why Adventure Gaming?](http://www.pathguy.com/whyrpg.htm)
[D&D Next Character Generator](http://www.pathguy.com/ddnext.htm)
[D&D Next Character Generator](http://dnd.x10host.com/) -- mirror
[D&D 4.0 Character Generator](http://www.pathguy.com/cg4.htm)
[D&D 3.5 Character Generator](http://www.pathguy.com/cg35.htm)
[d20 Modern Character Generator](http://www.pathguy.com/d20modern.htm)
[d20 Cthulhu Character Generator](http://www.pathguy.com/cthulhu.htm)
[Dragon Character Generator](http://www.pathguy.com/dragons.htm)
[Dragonlance Character Generator](http://www.pathguy.com/krynn.htm)
[Dark Sun Character Generator](http://www.pathguy.com/darksun.htm)
[Eberron Character Generator](http://www.pathguy.com/eberron.htm)
[Forgotten Realms Character Generator](http://www.pathguy.com/fr.htm)
[Ravenloft Character Generator](http://www.pathguy.com/rloft.htm)
[Savage Species](http://www.pathguy.com/monsters.htm)
[Star Wars Character Generator](http://www.pathguy.com/starwars.htm)
[Pathfinder Character Generator](http://www.pathguy.com/PathfinderCore.htm)
[Planescape](http://www.pathguy.com/planes.htm)
[Chess Variants](http://www.pathguy.com/chess/ChessVar.htm)
[Waite's Tarocky](http://www.pathguy.com/tarocky/tarocky.htm)
[Danish Tarok](http://www.pathguy.com/tarocky/tarok.htm)
[French 3-Player Game](http://www.pathguy.com/tarocky/frtarot3.htm)
[French 4-Player Game](http://www.pathguy.com/tarocky/frtarot4.htm)
[German Cego](http://www.pathguy.com/tarocky/cego.htm)
[Hungarian Tarokk](http://www.pathguy.com/tarocky/hungtaro.htm)
[Bid Tarot (best start)](http://www.pathguy.com/tarocky/bidtarot.htm)
[Konigrufen](http://www.pathguy.com/tarocky/konigruf.htm)
[Scarto](http://www.pathguy.com/tarocky/scarto.htm)
[Swiss Troccas](http://www.pathguy.com/tarocky/troccas.htm)
[Flat Top Crewcuts](http://www.pathguy.com/flattop.htm)
[Jim Sharp in Freefall](http://www.pathguy.com/j_jump.htm)
[Jim Sharp in Freefall 2](http://www.pathguy.com/j_jump2.htm)
[Divemaster Jim](http://www.pathguy.com/~divemasterjim/divemasterjim.htm)
[Episco Day Applet](http://www.pathguy.com/EpiscDay.htm)
[ΛXA Fireworks](http://www.pathguy.com/LxaBang.htm)
[ΛXA Checkers](http://www.pathguy.com/ChopCkr2.htm)
[Ed's Maze](http://www.pathguy.com/Maze.htm)
[Ed's Chess Applet](http://www.pathguy.com/chess/Chesso.htm)
[The Right Choice (ΛXA)](http://www.pathguy.com/LXAMaze.htm)
[Let's go swimming! (flags & photos)](http://www.pathguy.com/U.htm)
[Mesh -- Twenty-Four Hours Post-Op](http://www.pathguy.com/mesh.htm)
[Under What Star...?](http://www.pathguy.com/whatstar.htm)
[Gettysburg Address -- Historical Fiction](http://www.pathguy.com/gettys.htm)
**Christianity / Interfaith**
*We have just enough religion to make us hate, but not enough
to make us love one another.* -- Jonathan Swift
[Why? (takes a moment...)](http://www.pathguy.com/index2.htm#xy)
[Belief in God -- "For" and "Against"](http://www.pathguy.com/theism.htm)
[Jesus of Nazareth](http://www.pathguy.com/jesus/index.htm)
[Mary of Nazareth](http://www.pathguy.com/jesus/mary.htm)
[Francis of Assisi](http://www.pathguy.com/francisc.htm)
[Franciscan Timeline](http://www.pathguy.com/francisc/francis.htm)
[Human Origins](http://www.pathguy.com/creation.htm)
[Julian of Norwich](http://www.pathguy.com/julian.htm)
[Paul of Tarsus (takes a moment...)](http://www.pathguy.com/index2.htm#paul)
[Pelagianism (takes a moment...)](http://www.pathguy.com/index2.htm#pelagius)
[Prayer Request](http://www.pathguy.com/howard_and_doris.htm)
[The Seven Deadly Sins](http://www.pathguy.com/seven_sins.htm)
[Rosary applet](http://www.pathguy.com/rosary.htm)
[Way of the Cross](http://www.pathguy.com/stations/stations.htm)
[The Didache](http://www.pathguy.com/didache.htm)
[The Prayer of Jeremiah](http://www.pathguy.com/pj.htm)
[Science Education for the Clergy](http://www.pathguy.com/sci_ed.txt)
[The Incident at Thor's Oak](http://www.pathguy.com/thorsoak.htm)
**Special**[Eden Collinsworth](http://www.edencollinsworth.com/content/index.asp)'s site. What a wonderful surprise.
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Click an image to visit Junior's pages...
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| --- | --- |
|
| New visitors to *www.pathguy.com*reset Jan. 30, 2005: |
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<div align="center"><center>
<table border="1" cellpadding="5" cellspacing="0">
<tr>
<td><font color="#FFFF00" size="2" face="Arial"><strong>Antenna
ordinance / neighbor issues? See this VIDEO></strong></font></td>
<td><a href="video/Antenna.wmv"><font size="4"><strong>ANTENNA</strong></font></a></td>
</tr>
</table>
</center></div>
<p align="center"><strong>Federal preemption of state and local
regulations pertaining to Amateur radio facilities. </strong><font
color="#00FFFF" size="2" face="Arial"><strong><br>
FCC </strong></font><strong>Memorandum Opinion and Order </strong><font
color="#00FFFF" size="2" face="Arial"><strong>PRB-1 covering
antenna structures </strong></font><a href="prb-1.txt"><font
size="3"><strong>TEXT</strong></font></a><font size="3"><strong> </strong></font><a
href="prb-1.pdf"><font size="3"><strong>PDF</strong></font></a><font
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src="Graphics_Still/stop.gif" border="0" width="82"
height="81"></a></td>
<td><p align="center"><a href="http://www.qsl.net/"
target="_Blank"><font size="2" face="Arial"><strong>www.qsl.net</strong></font></a><font
size="2" face="Arial"><strong><br>
</strong></font><font color="#00FFFF" size="2"
face="Arial"><strong>needs your support!</strong></font></p>
</td>
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color="#00FFFF" size="2" face="Arial"><strong><img
src="Graphics_Animation/br.gif" border="0" width="112"
height="76"></strong></font></a></td>
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<p align="center"><font color="#FF8000"><i>"There ain't no
rules around here. We're trying to accomplish
something."<br>
"To invent, you need a good imagination and a pile of
junk."<br>
</i>--- Thomas Alva Edison (1847-1931) ---</font></p>
<p align="center">-</p>
<p align="center"> </p>
<p align="center"> </p>
<p align="center"> </p>
<p align="center"><a href="http://www.kathouse1.com"><font
color="#000000" size="1"><b>Kathouse</b></font></a><font
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href="http://weaksignal.org"><font color="#000000" size="1"><b>weaksignal</b></font></a><font
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color="#000000" size="1"><b> </b></font><a
href="http://www.deucearmy.com"><font color="#000000" size="1"><b>deuce</b></font></a><font
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size="1"><b>broadcastarchives</b></font></a><font color="#000000"
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size="1"><b>jonespropulsionlabss</b></font></a><font
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| **Antenna
ordinance / neighbor issues? See this VIDEO>** | [**ANTENNA**](video/Antenna.wmv) |
**Federal preemption of state and local
regulations pertaining to Amateur radio facilities.** **FCC** **Memorandum Opinion and Order** **PRB-1 covering
antenna structures** [**TEXT**](prb-1.txt)[**PDF**](prb-1.pdf)[**HTML**](prb-1.htm)
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*"There ain't no
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junk."*--- Thomas Alva Edison (1847-1931) ---
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[**Kathouse**](http://www.kathouse1.com)[**PTBike**](http://www.ptbike.org)[**KHP**](http://www.kathouse.net)[**k3pgp**](http://www.k3pgp.org)[**codeadam**](http://www.codeadam.com)[**weaksignal**](http://weaksignal.org)[**thewpp**](http://www.thewpp.com)[**ptpti**](http://www.ptpti.com)[**deuce**](http://www.deucearmy.com)[**broadcastarchives**](http://www.broadcastarchives.org)[**greerguitars**](http://www.greerguitars.com)[**jonespropulsionlabss**](http://www.jonespropulsionlabs.com)[**velobee**](http://www.velobee.com)[**therockshows**](http://www.therockshows.com)[**wpponline**](http://www.wpponline.org)[**<!--
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<HTML>
<HEAD>
<TITLE>Florida's Lost Tourist Attractions</TITLE>
<META NAME="keywords" CONTENT="closed Florida tourist attractions roadside theme parks defunct amusement parks circus world, pirates world six gun territory fla FL tourism.">
<META NAME="description" CONTENT="Site dedicated to the history of past Florida attractions like Circus World, Pirates World, and more.">
</HEAD>
<BODY BGCOLOR="#FFFFFF" BACKGROUND="fla_map3.gif">
<center><table width="750"><tr><td>
<center>
<p><p><p>
<img src="flawelcomea.jpg" width=378 height=282 border=1 alt="Welcome to Florida's Lost Tourist Attractions">
</CENTER>
<p>
<blockquote>
<P><b>Once upon a time, before the giant mouse ate Orlando and Interstate
Highways were built to cattle chute the tourists directly into International
Drive, there was another Florida. It was somewhen between Henry Ford's
mass production of the Model-T, which made automobile touring a commonplace,
and Walt Disney's mass production of the tourist experience, which made the road trip a mere way to get there, instead of the there itself. It
was the age of the roadside attraction. </b></P>
<P><b>Tourist attractions have a way of springing up on the Florida roadside like wildflowers -- or litter: bright, shiny and full of hope to begin
with, only to wither and die when they just can't quite sustain the magic. You will find no historical marker to mark their passing, no footnote in the history book, only the occasional exotic plant, or shopping center, or oddly named road. Memory soon dims and they are forgotten, lingering only as a trace of a reminiscence. Until now.</b>
</P>
<P><b>I'm creating this site as an homage to the diversity that was Florida tourism, and, as my research fills things in, I'll be delving into the
details of those forgotten places and updating this page with a record
of this largely uncharted chunk of the state's history.</b>
<BR>
</P>
<p>
<b>New! -- </b><a href="tarponalligator.html"><b>Tarpon Springs Alligator Farm</b></a><br><br>
<b>New! -- </b><a href="foxbower.html"><b>Foxbower Wildlife Exhibit (AKA Dinosaur Wildlife)</b></a><br>
</p>
<p>
<P><b>Attractions now featured:</b> </P>
<table><tr><td valign=top>
<UL>
<li><a href="ancientamerica.html"><b>Ancient America</b></a></li>
<li><a href="anirama.html"><b>Anirama</b></a></li>
<li><a href="aquafair.html"><b>Aquafair</b></a></li>
<li><a href="aquatarium.html"><b>Aquatarium</b></a></li>
<li><a href="atomictunnel.html"><b>Atomic Tunnel</b></a></li>
<li><a href="trylon.html"><b>Bazaar Trylon Tower</b></a></li>
<li><a href="birdisland.html"><b>Bird Island Cruise</b></a></li>
<li><a href="bop.html"><b>Birds of Prey</b></a></li>
<li><a href="passionplay.html"><b>Black Hills Passion Play</b></a></li>
<LI><a href="bandb.html"><b>Boardwalk & Baseball</b></a></LI>
<li><a href="ccgardens.html"><b>Cape Coral Gardens</b></a> </li>
<LI><a href="cwld.html"><b>Circus World</b></a></LI>
<li><a href="beatty.html"><b>Clyde Beatty's Jungle Zoo</b></a></li>
<li><a href="beatty.html"><b>Clyde Beatty's Jungleland</b></a></li>
<li><a href="crossandsword.html"><b><i>Cross and Sword</i></b></a></li>
<li><a href="cypressgardens.html"><b>Cypress Gardens</b></a></li>
<li><a href="knees.html"><b>Cypress Knee Museum</b></a></li>
<li><a href="dupree.html"><b>Dupree Gardens</b></a></li>
<li><a href="leo.html"><b>Everglades Observatory</b></a></li>
<LI><a href="frland.html"><b>Florida Reptile Land</b></a></LI>
<li><a href="flanimalfarm.html"><b>Florida Wild Animal Farm</b></a></li>
<li><a href="fland.html"><b>Floridaland</b></a></li>
<li><a href="foxbower.html"><b>Foxbower Wildlife Exhibit</b></a></li>
<li><a href="fredbear.html"><b>Fred Bear Museum</b></a></li>
<li><a href="gresh.html"><b>Gresh Wood Parade</b></a></li>
<li><a href="guinness.html"><b>Guinness World Records Experience</b></a></li>
<li><a href="HRVault.html"><b>Hard Rock Vault</b></a></li>
<li><a href="hauntman.html"><b>The Haunted Mansion</b></a></li>
<li><a href="hbf.html"><b>Honey Bee Observatory</b></a></li>
<li><a href="houseofmystery.html"><b>House of Mystery</b></a></li>
<li><a href="ancientamerica.html"><b>Indian World Museum</b></a></li>
<li><a href="melton.html"><b>James Melton Autorama</b></a></li>
<li><a href="KingHenry.html"><b>King Henry's Feast</b></a></li>
<li><a href="klassix.html"><b>Klassix Auto Museum</b></a></li>
<li><a href="lostlake.html"><b>Lost Lake Caverns</b></a></li>
<li><a href="mastgard.html"><b>Masterpiece Gardens</b></a> </li>
<li><a href="mrbf.html"><b>Miami Rare Bird Farm</b></a></li>
<li><a href="miamiwax.html"><b>Miami Wax Museum</b></a></li>
</ul>
</td>
<td valign=top>
<ul>
<li><a href="mstrip.html"><b>Miracle Strip Amusement Park</b></a></li>
<li><a href="moonshine.html"><b>Moonshine Still</b></a></li>
<li><a href="mysthse.html"><b>Mystery House</b></a></li>
<li><a href="paradisepark.html"><b>Paradise Park</b></a></li>
<li><a href="picity.html"><b>Pioneer City</b></a></li>
<LI><a href="piratesw.html"><b>Pirates World</b></a></li>
<li><a href="planetocean.html"><b>Planet Ocean</b></a></li>
<li><a href="popm.html"><b>Prince of Peace Memorial</b></a></li>
<li><a href="rainbow.html"><b>Rainbow Springs</b></a></li>
<li><a href="rattlesnakeFL.html"><b>Rattlesnake Headquarters</b></a></li>
<li><a href="rossal.html"><b>Ross Allen's Reptile Institute</b></a></li>
<li><a href="spgator.html"><b>Saint Petersburg Alligator Farm</b></a></li>
<li><a href="seville.html"><b>Seville Peacock Farm</b></a></li>
<LI><a href="sixgun.html"><b>Six Gun Territory</b></a><BR></LI>
<li><a href="china.html"><b>Splendid China</b></a></li>
<li><a href="skullking.html"><b>Skull Kingdom</b></a></li>
<li><a href="SST.html"><b>The SST Museum</b></a></li>
<li><a href="starshall.html"><b>Stars Hall Of Fame Wax Museum</b></a></li>
<li><a href="storylnd.html"><b>Storyland/Storyland USA</b></a></li>
<li><a href="sunsprings.html"><b>Sunshine Springs & Gardens</b></a></li>
<li><a href="tarponalligator.html"><b>Tarpon Springs Alligator Farm</b></a></li>
<li><a href="teddybear.html"><b>Teddy Bear Museum of Naples</b></a></li>
<li><a href="texasjim.html"><b>Texas Jim's Sarasota Reptile Farm and Zoo</b></a></li>
<li><a href="tiki.html"><b>Tiki Gardens</b></a></li>
<li><a href="bdeer.html"><b>Tommy Bartlett's Deer Ranch</b></a></li>
<li><a href="topostrip.html"><b>Top O' the Strip Observation Tower</b></a></li>
<li><a href="tragedy.html"><b>Tragedy In The U.S. Museum</b></a></li>
<li><a href="tresland.html"><b>Treasureland</b></a></li>
<li><a href="tropicalpan.html"><b>Tropical Panorama</b></a></li>
<li><a href="londonwax.html"><b>Tussaud's London Wax Museum</b></a></li>
<li><a href="udhouse.html"><b>The Upside-Down House</b></a></li>
<li><a href="usa.html"><b>USA of Yesterday Museum</b></a></li>
<li><a href="vedder.html"><b>The Vedder Museum</b></a></li>
<li><a href="voiceinthewind.html"><b><i>Voice in the Wind</i></b></a></li>
<li><a href="WWaquarama.html"><b>Waltzing Waters Aquarama</b></a></li>
<li><a href="wep_o_w.html"><b>Weapons of the World</b></a></li>
<li><a href="webbs.html"><b>Webb's City</b></a></li>
<li><a href="xanadu.html"><b>Xanadu: Home of the Future</b></a></li>
</UL>
</td></tr></table>
<p>
<P>If you don't see it above, try <A HREF="thelist.html"><b>The Master List</b> of Forgotten Attractions</A> or <a href="whynot.html"><b>Why don't you list...</b></a> on attractions that are still open.<p>
<p><A HREF="timeline.html"><b>Florida Attractions Timeline.</b></A></p>
<p><a href="never.html"><b>Never Never Lands</b></a>: proposed parks that were never opened.</p>
<p><a href="whynot.html"><b>Why don't you list...</b></a></p>
<p><A HREF="books.htm"><b>Recommended Reading</b></a></p>
<p><a href="posters.html"><b>Florida Poster Gallery</b></a></p>
<p><A HREF="others.html"><b>Other Lost Florida Attractions Sites</b></a></p>
<P>
<p>Looking for information on currently operating theme parks? See <a href="http://www.themeparkcity.com"><b>Theme Park City</b></a>.</p>
<p>
</blockquote>
<HR><I>At the moment, due to a spammer spoofing my email, [email protected] has been shut down. I'll probably post a new email shortly. Before emailing me check the <a href="whynot.html">Why don't you list...</a> page first, and understand that I do not have the time to research questions and provide any information on these attractions other than what is already here. If I had the time or the information it would generally be on the site already (additional profiles are always in the works, but you'll just have to wait for them to be completed and posted). This site generates a surprisingly large volume of email and, while I appreciate your well wishes and reminiscences, I do not always have the time to reply. Note that none of the attractions profiled here still exist, so asking about hours or prices doesn't make a whole lot of sense now, does it?</I>
</b>
<p>
<p>
<hr>
<p>
Want to learn how to produce murder mystery shows? Visit <a href="http://www.improvacting.com">ImprovActing.com</a>.<p>
<I>This site Copyright (c) 1997-2015 by Robert H. Brown, all rights reserved.</I></P>
<p><p>
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Florida's Lost Tourist Attractions
| | | |
| --- | --- | --- |
|
Welcome to Florida's Lost Tourist Attractions
**Once upon a time, before the giant mouse ate Orlando and Interstate
Highways were built to cattle chute the tourists directly into International
Drive, there was another Florida. It was somewhen between Henry Ford's
mass production of the Model-T, which made automobile touring a commonplace,
and Walt Disney's mass production of the tourist experience, which made the road trip a mere way to get there, instead of the there itself. It
was the age of the roadside attraction.**
**Tourist attractions have a way of springing up on the Florida roadside like wildflowers -- or litter: bright, shiny and full of hope to begin
with, only to wither and die when they just can't quite sustain the magic. You will find no historical marker to mark their passing, no footnote in the history book, only the occasional exotic plant, or shopping center, or oddly named road. Memory soon dims and they are forgotten, lingering only as a trace of a reminiscence. Until now.**
**I'm creating this site as an homage to the diversity that was Florida tourism, and, as my research fills things in, I'll be delving into the
details of those forgotten places and updating this page with a record
of this largely uncharted chunk of the state's history.**
**New! --** [**Tarpon Springs Alligator Farm**](tarponalligator.html)
**New! --** [**Foxbower Wildlife Exhibit (AKA Dinosaur Wildlife)**](foxbower.html)
**Attractions now featured:**
| | |
| --- | --- |
| * [**Ancient America**](ancientamerica.html)
* [**Anirama**](anirama.html)
* [**Aquafair**](aquafair.html)
* [**Aquatarium**](aquatarium.html)
* [**Atomic Tunnel**](atomictunnel.html)
* [**Bazaar Trylon Tower**](trylon.html)
* [**Bird Island Cruise**](birdisland.html)
* [**Birds of Prey**](bop.html)
* [**Black Hills Passion Play**](passionplay.html)
* [**Boardwalk & Baseball**](bandb.html)
* [**Cape Coral Gardens**](ccgardens.html)
* [**Circus World**](cwld.html)
* [**Clyde Beatty's Jungle Zoo**](beatty.html)
* [**Clyde Beatty's Jungleland**](beatty.html)
* [***Cross and Sword***](crossandsword.html)
* [**Cypress Gardens**](cypressgardens.html)
* [**Cypress Knee Museum**](knees.html)
* [**Dupree Gardens**](dupree.html)
* [**Everglades Observatory**](leo.html)
* [**Florida Reptile Land**](frland.html)
* [**Florida Wild Animal Farm**](flanimalfarm.html)
* [**Floridaland**](fland.html)
* [**Foxbower Wildlife Exhibit**](foxbower.html)
* [**Fred Bear Museum**](fredbear.html)
* [**Gresh Wood Parade**](gresh.html)
* [**Guinness World Records Experience**](guinness.html)
* [**Hard Rock Vault**](HRVault.html)
* [**The Haunted Mansion**](hauntman.html)
* [**Honey Bee Observatory**](hbf.html)
* [**House of Mystery**](houseofmystery.html)
* [**Indian World Museum**](ancientamerica.html)
* [**James Melton Autorama**](melton.html)
* [**King Henry's Feast**](KingHenry.html)
* [**Klassix Auto Museum**](klassix.html)
* [**Lost Lake Caverns**](lostlake.html)
* [**Masterpiece Gardens**](mastgard.html)
* [**Miami Rare Bird Farm**](mrbf.html)
* [**Miami Wax Museum**](miamiwax.html)
| * [**Miracle Strip Amusement Park**](mstrip.html)
* [**Moonshine Still**](moonshine.html)
* [**Mystery House**](mysthse.html)
* [**Paradise Park**](paradisepark.html)
* [**Pioneer City**](picity.html)
* [**Pirates World**](piratesw.html)
* [**Planet Ocean**](planetocean.html)
* [**Prince of Peace Memorial**](popm.html)
* [**Rainbow Springs**](rainbow.html)
* [**Rattlesnake Headquarters**](rattlesnakeFL.html)
* [**Ross Allen's Reptile Institute**](rossal.html)
* [**Saint Petersburg Alligator Farm**](spgator.html)
* [**Seville Peacock Farm**](seville.html)
* [**Six Gun Territory**](sixgun.html)
* [**Splendid China**](china.html)
* [**Skull Kingdom**](skullking.html)
* [**The SST Museum**](SST.html)
* [**Stars Hall Of Fame Wax Museum**](starshall.html)
* [**Storyland/Storyland USA**](storylnd.html)
* [**Sunshine Springs & Gardens**](sunsprings.html)
* [**Tarpon Springs Alligator Farm**](tarponalligator.html)
* [**Teddy Bear Museum of Naples**](teddybear.html)
* [**Texas Jim's Sarasota Reptile Farm and Zoo**](texasjim.html)
* [**Tiki Gardens**](tiki.html)
* [**Tommy Bartlett's Deer Ranch**](bdeer.html)
* [**Top O' the Strip Observation Tower**](topostrip.html)
* [**Tragedy In The U.S. Museum**](tragedy.html)
* [**Treasureland**](tresland.html)
* [**Tropical Panorama**](tropicalpan.html)
* [**Tussaud's London Wax Museum**](londonwax.html)
* [**The Upside-Down House**](udhouse.html)
* [**USA of Yesterday Museum**](usa.html)
* [**The Vedder Museum**](vedder.html)
* [***Voice in the Wind***](voiceinthewind.html)
* [**Waltzing Waters Aquarama**](WWaquarama.html)
* [**Weapons of the World**](wep_o_w.html)
* [**Webb's City**](webbs.html)
* [**Xanadu: Home of the Future**](xanadu.html)
|
If you don't see it above, try [**The Master List** of Forgotten Attractions](thelist.html) or [**Why don't you list...**](whynot.html) on attractions that are still open.
[**Florida Attractions Timeline.**](timeline.html)
[**Never Never Lands**](never.html): proposed parks that were never opened.
[**Why don't you list...**](whynot.html)
[**Recommended Reading**](books.htm)
[**Florida Poster Gallery**](posters.html)
[**Other Lost Florida Attractions Sites**](others.html)
Looking for information on currently operating theme parks? See [**Theme Park City**](http://www.themeparkcity.com).
---
*At the moment, due to a spammer spoofing my email, [email protected] has been shut down. I'll probably post a new email shortly. Before emailing me check the [Why don't you list...](whynot.html) page first, and understand that I do not have the time to research questions and provide any information on these attractions other than what is already here. If I had the time or the information it would generally be on the site already (additional profiles are always in the works, but you'll just have to wait for them to be completed and posted). This site generates a surprisingly large volume of email and, while I appreciate your well wishes and reminiscences, I do not always have the time to reply. Note that none of the attractions profiled here still exist, so asking about hours or prices doesn't make a whole lot of sense now, does it?*
---
Want to learn how to produce murder mystery shows? Visit [ImprovActing.com](http://www.improvacting.com).
*This site Copyright (c) 1997-2015 by Robert H. Brown, all rights reserved.*
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<td colspan="2" valign="top"><span class="style10">British life and culture - England, Scotland and Wales</span> <br />
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<p>British customs and traditions are famous all over the world. Our British Life and Culture website will tell you some of the fascinating facts and information about our beautiful country, in a way that is easy to read and to understand. When people think of Britain they often think of people drinking tea, eating fish and chips and wearing bowler hats, but there is more to Britain than just those things. </p>
<p>We have over 30,000 pages on Britain, so you are sure to find what you are looking for right here!<br />
<a href="askus/index.html">Question asked by our Visitors</a> | <a href="Remembrance.html">Remembrance</a> | <a href="Xmas/stirup.htm">Stir Up Sunday</a> | <a href="Advent.html">Advent</a> | <a href="Xmas/calendar/index.html">Advent Calendar</a></p>
<table width="100%" border="0" align="center" cellpadding="5" cellspacing="5">
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<td width="25%" valign="top"><div align="center"><a href="topics/index.htm"><img src="images/homepage/az.gif" alt="image: A to z" width="150" height="150" border="1" /></a><br />
A to Z </div></td>
<td width="25%" valign="top"><div align="center"><a href="britain.html"><img src="images/homepage/britain.gif" alt="image: Britain" width="150" height="150" border="1" /></a><br />
Introduction to Britain </div></td>
<td width="25%" valign="top"><div align="center"><a href="index/dailylife.htm"><img src="images/homepage/daily.jpg" alt="image: daily life" width="150" height="150" border="1" /></a><br />
Daily Life</div></td>
<td width="25%" valign="top"><div align="center"><a href="london/index.htm"><img src="images/homepage/london.jpg" alt="image: London" width="150" height="150" border="1" /></a><br />
London </div></td>
</tr>
<tr>
<td valign="top"><div align="center"><a href="calendars/index.html"><img src="images/homepage/calendar.jpg" alt="image: calendars" width="150" height="150" border="1" /></a><br />
Calendars of Events </div></td>
<td valign="top"><div align="center"><a href="food/index.htm"><img src="images/homepage/food.jpg" alt="image: Food" width="150" height="150" border="1" /></a><br />
Food and Drink </div></td>
<td valign="top"><div align="center"><a href="royal/index.htm"><img src="images/homepage/royal.jpg" alt="image: Queen" width="150" height="150" border="1" /></a><br />
Royal Family </div></td>
<td valign="top"><div align="center"><a href="climate.html"><img src="images/homepage/weather.jpg" alt="image: weather" width="150" height="150" border="1" /></a><br />
Weather </div></td>
</tr>
<tr>
<td valign="top"><div align="center"><a href="london/practicalities.htm"><img src="images/homepage/tourist.jpg" alt="image: tourist" width="150" height="150" border="1" /></a><br />
Tourist Information </div></td>
<td valign="top"><div align="center"><a href="geography/unionjack.html"><img src="images/homepage/unionflg.jpg" alt="image: Union Flag" width="150" height="150" border="1" /></a><br />
Union Flag </div></td>
<td valign="top"><div align="center"><a href="royal/guard.htm"><img src="images/homepage/footguards.jpg" alt="image: Queens Guards" width="150" height="148" border="1" /></a><br />
Queen's Guards </div></td>
<td valign="top"><div align="center"><a href="symbols.html"><img src="images/homepage/symbols.jpg" alt="image: Symbols" width="150" height="150" border="1" /></a><br />
Symbols </div></td>
</tr>
<tr>
<td valign="top"><div align="center"><a href="superstitions.htm"><img src="images/homepage/superstion.jpg" alt="image: Superstition" width="150" height="150" border="1" /></a><br />
Superstitions </div></td>
<td valign="top"><div align="center"><a href="behaviour.html"><img src="images/homepage/etiquette.jpg" alt="image: Manners" width="149" height="150" border="1" /></a><br />
Etiquette </div></td>
<td valign="top"><div align="center"><a href="transport.html"><img src="images/homepage/transport.gif" width="150" height="150" border="1" /></a><br />
Transport <br />
</div></td>
<td valign="top"><div align="center"><a href="money.html"><img src="images/homepage/money.jpg" alt="image: Money" width="150" height="150" border="1" /></a><br />
Money </div></td>
</tr>
<tr>
<td valign="top"><div align="center"><a href="pubs.htm"><img src="images/homepage/pub.jpg" alt="image: Pubs" width="150" height="150" border="1" /></a><br />
Pubs </div></td>
<td valign="top"><div align="center"><a href="education/index.html"><img src="images/homepage/education.gif" alt="image: education" width="150" height="149" border="1" /></a><br />
Schools</div></td>
<td valign="top"><div align="center"><a href="index/government.htm"><img src="images/homepage/parliament.jpg" alt="image: Parliament" width="150" height="150" border="1" /></a><br />
Government </div></td>
<td valign="top"><div align="center"><a href="sport.html"><img src="images/homepage/sport.gif" alt="image: Sport" width="150" height="150" border="1" /></a><br />
Sports <br />
</div></td>
</tr>
<tr>
<td valign="top"><div align="center"><a href="americanbritish.html"><img src="images/homepage/language.jpg" alt="image: words" width="150" height="150" border="1" /></a><br />
American/British words </div></td>
<td valign="top"><div align="center"><a href="glossary/index.htm"><img src="images/homepage/glossary.jpg" alt="image: glosary" width="150" height="150" border="1" /></a><br />
Glossary </div></td>
<td valign="top"><div align="center"><a href="year/index.htm"><img src="images/homepage/folklore.jpg" alt="image: Folklore" width="150" height="150" border="1" /></a><br />
Folklore </div></td>
<td valign="top"><div align="center"><a href="curious/calendar.htm"><img src="images/homepage/unusual.jpg" alt="image: Unusual" width="150" height="150" border="1" /></a><br />
Unusual Customs & Traditions </div></td>
</tr>
</table>
<table bordercolor="#000066" cellspacing="0" cellpadding="5" width="90%" align="center" border="2">
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<tr valign="top" bgcolor="#ffffff">
<td width="22"><strong><img height="16" alt="pin" src="images/pin.gif" width="20" align="bottom" border="0" naturalsizeflag="3" /></strong></td>
<td class="bodyText"><div align="left"><a href="compare/alabama.htm">England and Alabama</a></div></td>
<td width="22" class="bodyText"><div align="left"><strong><img height="16" alt="pin" src="images/pin.gif" width="20" align="bottom" border="0" naturalsizeflag="3" /></strong></div></td>
<td class="bodyText"><div align="left"><a href="compare/southcarolina.htm">Scotland and South Carolina</a></div></td>
<td width="22" class="bodyText"><div align="left"><strong><img height="16" alt="pin" src="images/pin.gif" width="20" align="bottom" border="0" naturalsizeflag="3" /></strong></div></td>
<td class="bodyText"><div align="left"><a href="compare/oregon.htm">The UK and Oregon</a></div></td>
</tr>
<tr valign="top" bgcolor="#ffffff">
<td><strong><img height="16" alt="pin" src="images/pin.gif" width="20" align="bottom" border="0" naturalsizeflag="3" /></strong></td>
<td class="bodyText"><div align="left"><a href="compare/usa.htm">UK and the USA </a></div></td>
<td class="bodyText"><div align="left"><strong><img height="16" alt="pin" src="images/pin.gif" width="20" align="bottom" border="0" naturalsizeflag="3" /></strong></div></td>
<td class="bodyText"><div align="left"><a href="compare/Massachusetts.htm">Wales and Massachusetts</a></div></td>
<td class="bodyText"><div align="left"><strong><img height="16" alt="pin" src="images/pin.gif" width="20" align="bottom" border="0" naturalsizeflag="3" /></strong></div></td>
<td class="bodyText"><div align="left"><a href="compare/japan.htm">The UK and Japan</a></div></td>
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<td bgcolor="#FFFFFF" class="bodyText"><strong><img src="template/email.png" alt="email" width="287" height="109" align="right" /><span class="smallText">© Copyright </span></strong><span class="smallText">- please read <br />
All the materials on these pages are free for homework and classroom use only. You may not redistribute, sell or place the content of this page on any other website or blog without written permission from the Mandy Barrow.</span></td>
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<p align="center" class="smallText">© Copyright <a href="https://plus.google.com/108850236089345526021?
rel=author" class="clearfloat">Mandy Barrow</a> 2014 </p>
<p align="center" class="smallText">Mandy is the creator of the Woodlands Resources section of the Woodlands Junior website. <br />
The two websites <a href="http://projectbritain.com/">projectbritain.com</a> and <a href="http://primaryhomeworkhelp.co.uk/">primaryhomeworkhelp.co.uk</a> are the new homes for the Woodlands Resources.</p>
<p align="center" class="smallText">Mandy left Woodlands in 2003 to work in Kent schools as an ICT Consultant.<br />
She now teaches computers at <a href="http://www.granvilleschool.org/">The Granville School</a> and <a href="http://www.st-johns-sevenoaks.kent.sch.uk/">St. John's Primary School</a> in Sevenoaks Kent.</p>
<p align="center" class="smallText"><a href="https://twitter.com/mbarrow">Follow Mandy on Twitter</a></p>
<p align="center" class="smallText"><a href="http://www.primaryhomeworkhelp.co.uk/">Woodlands Junior Homework Help new website</a></p>
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British Life and Culture in the UK - Woodlands Junior School
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| --- | --- |
|
Project BritainProject Britain
British Life and Culture
by Mandy Barrow
| |
| |
| |
| [Cookie Policy](privacy/index.html) | **What's happening this month?** | [Jan](calendars/jan.html) | [Feb](calendars/feb.html) | [Mar](calendars/mar.html) | [Apr](calendars/apr.html)l | [May](calendars/may.html) | [Jun](calendars/jun.html) | [Jul](calendars/july.html) | [Aug](calendars/aug.html) | [Sept](calendars/sept.html)| [Oct](calendars/oct.html) | [Nov](calendars/nov.html) | [Dec](calendars/dec.html) | [Follow me on Twitter](http://twitter.com/ProjectBritain) | |
| |
| * [Search our Site](search/)
* [Project Britain](http://projectbritain.com/)
* [Calendars](calendars/)
* [Facts and figures](introduction.htm)
+ [Introduction](britain.html)
- [The Countries](britain.html)
- [The Land](land.htm)
- [Regions](regions/index.htm)
+ [The United Kingdom](britain/uk.htm)
+ [Great Britain](britain/britain.htm)
- [England](britain/england_facts.htm)
- [Scotland](britain/scotland.htm)
- [Wales](britain/wales.htm)
+ [Identity](nationality.htm)
+ [Trade](index/introduction.htm#economy)
- [Industries](economy.htm)
- [Economy](industry.html)
+ [Religion](religions.html)
+ [Multiculture](multiculture.html)
+ [Population](population.html)
+ [Weather](climate.html)
+ [British Flag](geography/unionjack.html)
* [London](london/index.htm)
* [Great Britain](britain/britain.htm)
* [Union Flag](geography/unionjack.html)
* [A-Z of Britain](topics/index.htm)
* [Customs & traditions](traditions.html)
+ [Folklore Calendar](year/index.htm)
+ [Unusual Customs](curious/index.htm)
+ [Festivals & holidays](holidays.html)
+ [National days](nationalday.html)
+ [National Flowers](flowers.html)
+ [Traditional dances](mayday/morrisdancing.html)
+ [Bank holidays](bankholidays.html)
+ [Superstitions](superstitions.htm)
+ [Costumes](costume.html)
* [Britain today](index/people.htm)
+ [Main index](index/people.htm)
+ [Identity](nationality.htm)
+ [Teenagers](teenagediary.htm)
+ [Population](population.html)
+ [Religion](religions.html)
+ [Multiculture](multiculture.html)
+ [Social Class](class.htm)
+ [Stereotypes](stereotypes.htm)
+ [Language](language.html)
+ [Names](names.htm)
* [Daily Life](index/dailylife.htm)
+ [Main index](index/dailylife.htm)
+ [Cost of living](cost.html)
+ [Family life](index/dailylife.htm#fam)
+ [Houses](houses.htm)
+ [Transport](transport.html)
+ [Shops](shops.htm)
+ [Pubs](pubs.htm)
+ [Weddings](dating.htm)
* [Money](money.html)
* [Etiquette](behaviour.html)
+ [Do's and don'ts](behaviour.html)
+ [Greetings](greetings.htm)
+ [Social Customs](social.htm)
+ [Eating Manners](behaviourfood.html)
+ [Questions and answers](behaviour_questions.htm)
* [Monarchy](royal/index.htm)
+ [Main index](royal/index.htm)
+ [The Queen](theQueen.htm)
+ [The royal family](royal/family.htm)
+ [Ceremonies](royal.html)
+ [Succession](royal/succession.htm)
+ [Family Tree](royaltree.htm)
+ [Royal Crest](motto.html)
+ [National Anthem](anthem.html)
+ [Kings and Queens](kings.htm)
* [Government](index/government.htm)
* [Education](education/index.html)
* [Tourist Information](london/practicalities.htm)
+ [Essentials](london/practicalities.htm)
+ [Money](money.html)
+ [Landmarks](landmarks.htm)
+ [Do's and Don'ts](behaviour.html)
+ [Time](time.html)
* [Food and drink](food/index.htm)
+ [Main index](food/index.htm)
+ [Meal times](food/meals.htm)
+ [Main dishes](food/dishes.htm)
+ [Puddings](food/puddings.htm)
+ [Afternoon Tea](food/tea.htm)
+ [Pies](food/pies.htm)
+ [Cheeses](food/cheese.htm)
+ [Eating Etiquette](behaviourfood.html)
* [Sports and leisure](index/dailylife.htm)
+ [Sports](sport.html)
+ [Leisure activities](dailylife.htm#Leisure)
* [History](history.html)
+ [Timeline](history.html)
+ [Kings and Queens](kings.htm)
* [Kings and Queens](kings.htm)
* [Superstitions](superstitions.htm)
* [Glossary](glossary/index.htm)
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| British life and culture - England, Scotland and Wales
| | |
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All about British Life and Culture
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|
British customs and traditions are famous all over the world. Our British Life and Culture website will tell you some of the fascinating facts and information about our beautiful country, in a way that is easy to read and to understand. When people think of Britain they often think of people drinking tea, eating fish and chips and wearing bowler hats, but there is more to Britain than just those things.
We have over 30,000 pages on Britain, so you are sure to find what you are looking for right here!
[Question asked by our Visitors](askus/index.html) | [Remembrance](Remembrance.html) | [Stir Up Sunday](Xmas/stirup.htm) | [Advent](Advent.html) | [Advent Calendar](Xmas/calendar/index.html)
| | | | |
| --- | --- | --- | --- |
| [image: A to z](topics/index.htm)
A to Z | [image: Britain](britain.html)
Introduction to Britain | [image: daily life](index/dailylife.htm)
Daily Life | [image: London](london/index.htm)
London |
| [image: calendars](calendars/index.html)
Calendars of Events | [image: Food](food/index.htm)
Food and Drink | [image: Queen](royal/index.htm)
Royal Family | [image: weather](climate.html)
Weather |
| [image: tourist](london/practicalities.htm)
Tourist Information | [image: Union Flag](geography/unionjack.html)
Union Flag | [image: Queens Guards](royal/guard.htm)
Queen's Guards | [image: Symbols](symbols.html)
Symbols |
| [image: Superstition](superstitions.htm)
Superstitions | [image: Manners](behaviour.html)
Etiquette |
Transport
| [image: Money](money.html)
Money |
| [image: Pubs](pubs.htm)
Pubs | [image: education](education/index.html)
Schools | [image: Parliament](index/government.htm)
Government | [image: Sport](sport.html)
Sports
|
| [image: words](americanbritish.html)
American/British words | [image: glosary](glossary/index.htm)
Glossary | [image: Folklore](year/index.htm)
Folklore | [image: Unusual](curious/calendar.htm)
Unusual Customs & Traditions |
| | | | | | |
| --- | --- | --- | --- | --- | --- |
| **pin** | [England and Alabama](compare/alabama.htm) | **pin** | [Scotland and South Carolina](compare/southcarolina.htm) | **pin** | [The UK and Oregon](compare/oregon.htm) |
| **pin** | [UK and the USA](compare/usa.htm) | **pin** | [Wales and Massachusetts](compare/Massachusetts.htm) | **pin** | [The UK and Japan](compare/japan.htm) |
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| --- |
| **email© Copyright** - please read
All the materials on these pages are free for homework and classroom use only. You may not redistribute, sell or place the content of this page on any other website or blog without written permission from the Mandy Barrow. |
© Copyright [Mandy Barrow](https://plus.google.com/108850236089345526021?
rel=author) 2014
Mandy is the creator of the Woodlands Resources section of the Woodlands Junior website.Â
The two websites [projectbritain.com](http://projectbritain.com/) and [primaryhomeworkhelp.co.uk](http://primaryhomeworkhelp.co.uk/) are the new homes for the Woodlands Resources.
Mandy left Woodlands in 2003 to work in Kent schools as an ICT Consultant.
She now teaches computers at [The Granville School](http://www.granvilleschool.org/) and [St. John's Primary School](http://www.st-johns-sevenoaks.kent.sch.uk/) in Sevenoaks Kent.
[Follow Mandy on Twitter](https://twitter.com/mbarrow)
[Woodlands Junior Homework Help new website](http://www.primaryhomeworkhelp.co.uk/)
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<hr><b><a href="t/thehardroadtospace.html">The Hard Road to Space</a></b> One third of manned spaceflights suffer major problems that threaten completion of the mission and the life of ...
<hr><a href="p/phantomcosmonaut.html"><b>Phantom Cosmonaut</a></b> Over the years the Western press named a number of cosmonauts that were never acknowledged by the Soviet Union. ...
<hr><b><a href="s/shuguang1.html">Shuguang 1</a></b> Chinese manned spacecraft. Cancelled 1972. Shuguang-1 (Dawn-1) was China"s first manned spacecraft design.
<hr><b><a href="y/yourflighthbeencancelled.html">Your Flight Has Been Cancelled....</a></b> Is what might have been better than what was? Would America have beaten the Russians into space or even into orbit? Would the Russians have beat America to the moon?
<hr><b><a href="b/biggemini.html">Big Gemini</a></b> American manned spacecraft. Reached mockup stage 1967.
<hr><b><a href="s/soyuz5.html">Soyuz 5</a></b> Two crew transferred to and returned in Soyuz 4. Remaining astronaut barely survived nose-first reentry of Soyuz ...
<hr><b><a href="s/soyuzwasthedesignstolen.html">Soyuz: Was the Design Stolen?</a></b> There was something awfully familiar looking about the Soyuz spacecraft, the most successful in history....
<hr><b><a href="y/yantar.html">Yantar</a></b> Series of Russian surveillance satellites, based on the Yantar bus developed by Kozlov in Samara in the 1970"s.
<hr><b><a href="t/thewrongstuhiclefailures.html">The Wrong Stuff - A Catalogue of Launch Vehicle Failures</a></b> The hard road to space...
<hr><b><a href="w/ws-117.html">WS-117</a></b> Weapons System 117 was develped from 1955 as the first US military space system. The Atlas ICBM would use a second ...
<hr><b><a href="s/slsbc-2720.html">SLS BC-2720</a></b> American orbital launch vehicle. The BC-2720 was the member of the SLS family selected to boost the Air Force ...
<hr><b><a href="s/shenzhou.html">Shenzhou</a></b> Chinese manned spacecraft. The Chinese Shenzhou manned spacecraft resembled the Russian Soyuz spacecraft, but ...
<hr><b><a href="s/soyuz1.html">Soyuz 1</a></b> Space disaster that put back Soviet lunar program 18 months. Soyuz 1 was to dock with Soyuz 2 and transfer crew. ...
<hr><b><a href="v/vostok1.html">Vostok 1</a></b> First manned spaceflight, one orbit of the earth. Strap attaching service module failed to separate from capsule, ...
<hr><b><a href="s/shuttle.html">Shuttle</a></b> The manned reusable space system which was designed to slash the cost of space transport and replace all expendable ...
<hr><b><a href="s/ssme.html">SSME</a></b> Rocketdyne LOx/LH2 rocket engine. In production. Space Shuttle Main Engines; only high-pressure closed-cycle reusable ...
<hr><b><a href="s/spacecruiser.html">Space Cruiser</a></b> American manned combat spacecraft. Study 1973. The space cruiser was a US Navy design for a single-place crewed ...
<hr><b><a href="c/collection.html">Collection</a></b> Families of spacecraft, launch vehicles, missiles, by type or category.
<hr><b><a href="t/titan.html">Titan</a></b> American orbital launch vehicle. The Titan launch vehicle family was developed by the United States Air Force ...
<hr><b><a href="x/x-15a.html">X-15A</a></b> American air-launched manned spaceplane, used for hypersonic research. 174 launches, 1959.06.08 (X-15 Flight 1) ...
<hr><b><a href="t/tks.html">TKS</a></b> Vladimir Chelomei"s TKS manned ferry vehicle was designed to provide a reusable resupply and crew return spacecraft ...
<hr><b><a href="t/thor.html">Thor</a></b> American liquid propellant intermediate range ballistic missile, developed by Douglas in 1956-1958. 60 deployed ...
<hr><b><a href="u/usa-spacestations.html">USA - Space Stations</a></b> Wernher von Braun brought Noordung"s rotating station design with him from Europe. This he popularized in the ...
<hr><b><a href="m/mir.html">Mir</a></b> The Mir space station was the last remnant of the once mighty Soviet space program. The core module was launched ...
<hr><b><a href="s/salyut.html">Salyut</a></b> The world"s first space station, developed in one year by the Soviet Union on the basis of Chelomei"s Almaz station, ...
<hr><b><a href="s/spiral50-50.html">Spiral 50-50</a></b> Russian winged orbital launch vehicle. The Soviet Air Force had an enduring interest in a horizontal takeoff/horizontal ...
<hr><b><a href="s/spacedout.html">Spaced Out</a></b> Spaceflight is dangerous and unforgiving, which is all the more reason for the astronauts to seek relief in humour...
<hr><b><a href="s/sts.html">STS</a></b> The Space Transportation System (Space Shuttle) was conceived originally as a completely reusable system that ...
<hr><b><a href="v/voskhod3.html">Voskhod 3</a></b> Manned space flight deferred just 15 days before launch in May 1966. It would have been a world-record 18-day ...
<hr><b><a href="s/soyuzvi.html">Soyuz VI</a></b> Russian manned combat spacecraft. Cancelled 1965. To determine the usefulness of manned military space flight, ...
<hr><b><a href="r/rescue.html">Rescue</a></b> In the early 1960"s, in the hey-day of the X-20 Dynasoar, it seemed that the US military would naturally keep ...
<hr><b><a href="t/theroadtosputnik.html">The Road to Sputnik</a></b> The real story of the race to space
<hr><b><a href="w/winged.html">Winged</a></b> In the beginning, nobody (except Jules Verne) thought anybody would be travelling to space and back in ballistic ...
<hr><b><a href="r/rsa.html">RSA</a></b> South African orbital launch vehicle. Israel and South Africa collaborated closely in rocket technology in the ...
<hr><b><a href="m/mkbs.html">MKBS</a></b> Russian manned space station. Cancelled 1974. The culmination of ten years of designs for N1-launched space stations, ...
<hr><b><a href="t/titanc.html">Titan C</a></b> American orbital launch vehicle. The Titan C, a Titan II booster stage topped by a new liquid oxygen/hydrogen ...
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<hr><b><a href="n/navahossm-a-2.html">Navaho SSM-A-2</a></b> American intermediate range cruise missile. The first version of the Navaho developed in 1946-1950 was a Mach-3 ...
<hr><b><a href="m/marscycler.html">Mars Cycler</a></b> American manned Mars flyby. Study 1989. As part of a space infrastructure, it was proposed that four space stations ...
<hr><b><a href="b/buranm-42.html">Buran M-42</a></b> Russian intercontinental cruise missile. Cancelled 1957. Several variants of the Myasishchev Buran trisonic intercontinental ...
<hr><b><a href="a/australia.html">Australia</a></b> Australia
<hr><b><a href="f/france.html">France</a></b> France
<hr><b><a href="b/barre.html">Barre</a></b> French rocket pioneer and space visionary, who developed the EA-1941 rocket in France before work was interrupted ...
<hr><b><a href="s/soyuz7k-s.html">Soyuz 7K-S</a></b> Russian manned spacecraft. The Soyuz 7K-S had its genesis in military Soyuz designs of the 1960's. Launched 1974 ...
<hr><b><a href="r/r-9.html">R-9</a></b> ICBM developed by Korolev OKB using liquid oxygen/kerosene propellants. The Soviet military favored storable propellants ...
<hr><b><a href="r/r-36m.html">R-36M</a></b> The super-heavy Ukrainian R-36M ICBM replaced the R-36 in 288 existing silos and was additionally installed in ...
<hr><b><a href="t/trident.html">Trident</a></b> American submarine-launched ballistic missile. US Navy submarine-launched ballistic missiles, which superseded ...
<hr><b><a href="t/temp-2s.html">Temp-2S</a></b> Russian intercontinental ballistic missile. World's first operational mobile ICBM. Deployed in great secrecy in ...
<hr><b><a href="d/ds.html">DS</a></b> The DS ('Dnepropetrovsk Sputnik') small satellite bus was developed by Yangel's OKB-586 / KB Yuzhnoye in the Ukraine ...
<hr><b><a href="t/tiangong.html">Tiangong</a></b> Chinese man-tended space laboratory. A series of three of these laboratories were to visited by a series of Shenzhou ...
<hr><b><a href="r/rombus.html">Rombus</a></b> American SSTO VTOVL orbital launch vehicle. Bono original design for ballistic single-stage-to-orbit (not quite ...
<hr><b><a href="n/nasaslostbotoryofbp-1227.html">NASA's Lost Boilerplate - The Story of BP-1227</a></b> In 2002 the Encyclopedia Astronautica uncovered the forgotten story of the recovery of an Apollo capsule by ...
<hr><b><a href="t/tridentd-5.html">Trident D-5</a></b> American intercontinental range, submarine-launched ballistic missile. Deployed March 1990 aboard the new Ohio-class ...
<hr><b><a href="c/costpriceanholedarnthing.html">Cost, Price, and the Whole Darn Thing</a></b> Why the cost of a space launch vehicle has little if any relation to the launch price.
<hr><b><a href="s/spacehab.html">Spacehab</a></b> American manned space station module. Spacehab, Inc was founded by Bob Citron in 1982 in Houston. It was the only ...
<hr><b><a href="s/spacestationfreedom.html">Space Station Freedom</a></b> American manned space station. Design as of 1988. NASA's first detailed cost assessment for the US space station ...
<hr><b><a href="w/wingedgemini.html">Winged Gemini</a></b> American manned spaceplane. Study 1966. Winged Gemini was the most radical modification of the basic Gemini reentry ...
<hr><b><a href="a/a7l.html">A7L</a></b> ILC Dover spacesuit used for the Apollo and Skylab programs, operational 1968. Hamilton Standard had overall development ...
<hr><b><a href="t/thaad.html">THAAD</a></b> American anti-ballistic missile. Theatre High-Altitude Air Defense. SDIO/BMDO project. Single stage vehicle.
<hr><b><a href="r/redstone.html">Redstone</a></b> Redstone was the first large liquid rocket developed in the US using German V-2 technology. Originally designated ...
<hr><b><a href="s/saturnib.html">Saturn IB</a></b> American orbital launch vehicle. Improved Saturn I, with uprated first stage and Saturn IVB second stage (common ...
<hr><b><a href="r/rs-xxx.html">RS-XXX</a></b> Rocketdyne LOx/LH2 rocket engine. Design concept -2004. New high-thrust cryogenic engine concept for Next Generation ...
<hr><b><a href="h/hl-20.html">HL-20</a></b> American manned spaceplane. The HL-20 was a 1988 NASA Langley design for a manned spaceplane as a backup to the ...
<hr><b><a href="r/rl-10b-2.html">RL-10B-2</a></b> Pratt and Whitney LOx/LH2 rocket engine. In production. Used on Delta 3 , Delta IV launch vehicles. First flight ...
<hr><b><a href="j/julesvernemoongun.html">Jules Verne Moon Gun</a></b> French gun-launched orbital launch vehicle. Jules Verne's moon gun, as described in his 1865 novel From the ...
<hr><b><a href="g/gemini3.html">Gemini 3</a></b> First spacecraft to maneuver in orbit. First manned flight of Gemini spacecraft. First American to fly twice into ...
<hr><b><a href="m/molniya-1.html">Molniya-1</a></b> Russian military communications satellite. This was the first Soviet communications satellite. Communication satellite ...
<hr><b><a href="s/star-raker.html">Star-raker</a></b> American winged orbital launch vehicle. Rockwell International's Star-raker was an enormous 1979 heavy-lift ramjet/rocket ...
<hr><b><a href="a/atlasv.html">Atlas V</a></b> American orbital launch vehicle. The Atlas V launch vehicle system was a completely new design that succeeded ...
<hr><b><a href="i/iss.html">ISS</a></b> International Space Station. Development from 1994. Assembled in orbit over 13 years, 1998-2011. To be operated ...
<hr><b><a href="f/f-1.html">F-1</a></b> Rocketdyne LOx/Kerosene rocket engine. Largest liquid rocket engine ever developed and flown. Severe combustion ...
<hr><b><a href="o/olivas.html">Olivas</a></b> American engineer mission specialist astronaut 1998-2010.
<hr><b><a href="a/aj-260-2.html">AJ-260-2</a></b> Aerojet solid rocket engine. 260 inch solid rocket booster half length. The version tested and also proposed for ...
<hr><b><a href="v/vonbraunlunarlander.html">Von Braun Lunar Lander</a></b> American manned lunar lander. Study 1952. Von Braun's first lunar lander design was an immense spacecraft, larger ...
<hr><b><a href="b/babylongun.html">Babylon Gun</a></b> From March of 1988 until the invasion of Kuwait in 1990, Iraq contracted with Gerard Bull to build three superguns: ...
<hr><b><a href="g/gemini8.html">Gemini 8</a></b> First docking of two spacecraft. After docking with Agena target, a stuck thruster aboard Gemini resulted in the ...
<hr><b><a href="s/suborbitalcabin.html">Suborbital Cabin</a></b> Russian manned spacecraft. In 1956 Korolev laid out an outline plan 'Fast Solutions for the Conquest of Space'. ...
<hr><b><a href="a/axster.html">Axster</a></b> German engineer in WW2, member of the Rocket Team in the United States thereafter.
<hr><b><a href="b/bio-suit.html">Bio-Suit</a></b> American space suit, study of 2001. Novel approach that used biomedical breakthroughs in skin replacement and ...
<hr><b><a href="v/vanguard.html">Vanguard</a></b> American orbital launch vehicle. Vanguard was the 'civilian' vehicle developed by the US Navy to launch America's ...
<hr><b><a href="g/gemini9.html">Gemini 9</a></b> Third rendezvous mission of Gemini program. Agena target blew up on way to orbit; substitute target's shroud hung ...
<hr><b><a href="m/mercuryspacesuit.html">Mercury Space Suit</a></b> American space suit, operational 1960. The Mercury spacesuit was a custom-fitted, modified version of the Goodrich ...
<hr><b><a href="a/apollo9.html">Apollo 9</a></b> First manned test of the Lunar Module. First test of the Apollo space suits. First manned flight of a spacecraft ...
<hr><b><a href="p/parisgun.html">Paris Gun</a></b> German gun-launched missile. The Paris Gun of World War I could hurl a 120 kg shell with 7 kg of explosive to ...
<hr><b><a href="a/apollomartin410.html">Apollo Martin 410</a></b> American manned lunar lander. Study 1961. The Model 410 was Martin's preferred design for the Apollo spacecraft.
<hr><b><a href="r/rd-170.html">RD-170</a></b> Glushko LOx/Kerosene rocket engine. Energia strap-on. Developed 1973-1985. First flight 1987. Used one-plane gimballing ...
<hr><b><a href="k/kliper.html">Kliper</a></b> Russian manned spaceplane. Study 2004. The Kliper manned spacecraft replacement for Soyuz was first announced ...
<hr><b><a href="b/baikonur.html">Baikonur</a></b> Russia's largest cosmodrome, the only one used for manned launches and with facilities for the larger Proton, ...
<hr><b><a href="v/vonbraunconceptvehicle.html">von Braun concept vehicle</a></b> In 1948, with the US Army's V-2 test project winding down, Wernher Von Braun was ensconced in isolated Fort Bliss. ...
<hr><b><a href="n/newshepard.html">New Shepard</a></b> American manned spacecraft. Flight tests begun 2006. Vertical takeoff/vertical landing suborbital tourist spacecraft ...
<hr><b><a href="a/apollo8.html">Apollo 8</a></b> First manned flight to lunar orbit. Speed (10,807 m/s) and altitude (378,504 km) records. Mission resulted from ...
<hr><b><a href="a/a-4b.html">A-4b</a></b> German intermediate range boost-glide missile. Winged version of the V-2 missile with over double the range. Two ...
<hr><b><a href="g/gemini7.html">Gemini 7</a></b> Record flight duration (14 days) to that date. Incredibly boring mission, made more uncomfortable by the extensive ...
<hr><b><a href="s/shepard.html">Shepard</a></b> American test pilot astronaut 1959-1974. First American in space. Grounded on medical grounds during Gemini, but ...
<hr><b><a href="t/thenedelincatastrophe.html">The Nedelin Catastrophe</a></b> James Oberg's classic account of the greatest disaster in space history.
<hr><b><a href="j/j-2.html">J-2</a></b> Rocketdyne LOx/LH2 rocket engine. Used in the Saturn IVB stage in Saturn IB and Saturn V, and the Saturn II stage ...
<hr><b><a href="x/x-33.html">X-33</a></b> American winged rocketplane. NASA-sponsored suborbital unmanned prototype for a single-stage-to-orbit rocketplane. ...
<hr><b><a href="x/x-15a-2.html">X-15A-2</a></b> American manned spaceplane. The crash-damaged X-15 number 2 was rebuilt to attain even higher speeds. The body ...
<hr><b><a href="m/megaroc.html">Megaroc</a></b> In December 1946 R A Smith proposed launch of a British pilot into space atop a heavily modified V-2. The proposal ...
<hr><b><a href="a/a9a10a11a12.html">A9/A10/A11/A12</a></b> German orbital launch vehicle. The A12 has been named as the designation for a true orbital launch vehicle, as ...
<hr><b><a href="o/orioncev.html">Orion CEV</a></b> The Orion Crew Exploration Vehicle (CEV) was NASA's manned spacecraft for the 21st Century, a throwback to the ...
<hr><b><a href="c/capecanaveral.html">Cape Canaveral</a></b> America's largest launch center, used for all manned launches. Today only six of the 40 launch complexes built ...
<hr><b><a href="a/atlasvheavy.html">Atlas V Heavy</a></b> American orbital launch vehicle. Heavy-lift version of the Atlas V launch vehicle system with three parallel 3.8-m-diameter ...
<hr><b><a href="m/mercury.html">Mercury</a></b> American single-crew manned spacecraft. Mercury was America's first man-in-space project, but ran second in the ...
<hr><b><a href="e/escafandraestratonautica.html">Escafandra Estratonautica</a></b> Spanish pressure suit. Spanish Colonel Don Emilio Herrera Linares designed and built a full pressure suit in 1935, ...
<hr><b><a href="o/orbitallaunchvehicle.html">orbital launch vehicle</a></b> Category of launch vehicles.
<hr><b><a href="s/sassto.html">SASSTO</a></b> American SSTO VTOVL orbital launch vehicle. Bono proposal for first step toward VTOVL SSTO vehicle - heavily modified ...
<hr><b><a href="u/ur-900.html">UR-900</a></b> Russian heavy-lift orbital launch vehicle. In 1962 Vladimir Chelomei proposed a family of modular launch vehicles. ...
<hr><b><a href="a/apollo16.html">Apollo 16</a></b> Second Apollo mission with lunar rover. CSM main engine failure detected in lunar orbit. Landing almost aborted.
<hr><b><a href="s/salyut1.html">Salyut 1</a></b> Russian manned space station. Salyut 1 was the first DOS long duration orbital station, an Almaz spaceframe modified ...
<hr><b><a href="n/navstar.html">Navstar</a></b> The Navstar GPS (Global Positioning System) program was a joint service effort directed by the United States Department ...
<hr><b><a href="x/x-15b.html">X-15B</a></b> American manned spacecraft. Study 1958. North American's proposal for the Air Force initial manned space project ...
<hr><b><a href="b/blackstar.html">Blackstar</a></b> American manned spaceplane. 2006 reports claimed it was flown covertly in the 1990s. If so, it may have derived ...
<hr><b><a href="s/saturnc-8.html">Saturn C-8</a></b> American orbital launch vehicle. The largest member of the Saturn family ever contemplated. Designed for direct ...
<hr><b><a href="a/atlasd.html">Atlas D</a></b> American intercontinental ballistic missile. Rocket used both as a space launcher and ICBM.
<hr><b><a href="g/gemini12.html">Gemini 12</a></b> First completely successful space walk. Final Gemini flight. Docked and redocked with Agena, demonstrating various ...
<hr><b><a href="s/seahorse.html">Sea Horse</a></b> American sea-launched test vehicle. The second phase of Sea Launch was to demonstrate the concept on a larger ...
<hr><b><a href="s/saturnv-4xu.html">Saturn V-4X(U)</a></b> American orbital launch vehicle. Boeing study, 1968. Four core vehicles from Saturn V-25(S) study lashed together ...
<hr><b><a href="m/minuteman3.html">Minuteman 3</a></b> American four-stage solid-propellant intercontinental ballistic missile. In the 21st Century, the sole remaining ...
<hr><b><a href="n/newtonsorbitalcannon.html">Newton's Orbital Cannon</a></b> British gun-launched orbital launch vehicle. Isaac Newton discussed the use of a cannon to attain orbit in 1687 ...
<hr><b><a href="s/soyuztma.html">Soyuz TMA</a></b> Russian three-crew manned spacecraft. Designed for use as a lifeboat for the International Space Station. After ...
<hr><b><a href="d/dc-x.html">DC-X</a></b> The Space Defense Initiative Office's Single Stage Rocket Technology program of 1990-1995 demonstrated technology ...
<hr><b><a href="r/r-4d.html">R-4D</a></b> Marquardt N2O4/MMH rocket engine. Developed as attitude control thruster for the Apollo Service and Lunar Modules ...
<hr><b><a href="m/monmmh.html">MON/MMH</a></b> MON/MMH propellant. No rocket engines went into production using this propellant combination.
<hr><b><a href="u/ur-700m.html">UR-700M</a></b> Russian heavy-lift orbital launch vehicle. In 1969 the Soviet Union began project Aelita, studying the best method ...
<hr><b><a href="a/almazops.html">Almaz OPS</a></b> Russian manned space station. Vladimir Chelomei's Almaz OPS was the only manned military space station ever actually ...
<hr><b><a href="m/moose.html">MOOSE</a></b> American manned rescue spacecraft. Study 1963. MOOSE was perhaps the most celebrated bail-out from orbit system ...
<hr><b><a href="v/vandenberg.html">Vandenberg</a></b> Vandenberg Air Force Base is located on the Central Coast of California about 240 km northwest of Los Angeles. ...
<hr><b><a href="t/tikhonravovsuborbital.html">Tikhonravov Suborbital</a></b> Soviet space pioneer Tikhonravov proposed a V-2-launched manned capsule to Stalin in June 1946. Had his plan been ...
<hr><b><a href="j/jupiterirbm.html">Jupiter IRBM</a></b> American intermediate range ballistic missile. The Jupiter IRBM was developed for the US Army. By the time development ...
<hr><b><a href="g/gemini6.html">Gemini 6</a></b> First rendezvous of two spacecraft. Originally was to dock with an Agena target, but this blew up on way to orbit. ...
<hr><b><a href="a/atlaslv-3bmercury.html">Atlas LV-3B / Mercury</a></b> American orbital launch vehicle. Atlas D modified for use in Project Mercury.
<hr><b><a href="v/vonbraun1952.html">Von Braun 1952</a></b> German winged orbital launch vehicle. Von Braun's 1952 design for a reusable space launcher used the same mass ...
<hr><b><a href="r/rl-10.html">RL-10</a></b> Pratt and Whitney LOx/LH2 rocket engine family. First flight 1961. Originally planned for use in Centaur upper ...
<hr><b><a href="b/blackbrant.html">Black Brant</a></b> The Black Brant originated in a 1957 Canadian government requirement for a sounding rocket to characterize the ...
<hr><b><a href="a/apollo10.html">Apollo 10</a></b> Final dress rehearsal in lunar orbit for landing on moon. LM separated and descended to 10 km from surface of ...
<hr><b><a href="m/mir-2.html">Mir-2</a></b> Russian manned space station. Study 1989. The Mir-2 space station was originally authorized in the February 1976 ...
<hr><b><a href="f/f-1a.html">F-1A</a></b> Rocketdyne LOx/Kerosene rocket engine design of 1968. Improved version of the F-1, which would have been used ...
<hr><b><a href="r/rockoon.html">Rockoon</a></b> American air-launched sounding rocket. The Rockoon (balloon-launched rocket) consisted of a small high-performance ...
<hr><b><a href="i/imis1968.html">IMIS 1968</a></b> American manned Mars expedition. Study 1968. In January 1968 Boeing issued a report that was the result of a 14 ...
<hr><b><a href="m/mig105-11.html">MiG 105-11</a></b> Russian manned spaceplane. 8 launches, 1976.10.11 to 1978.09.15 . Atmospheric flight test version of the Spiral ...
<hr><b><a href="g/gemini5.html">Gemini 5</a></b> First American flight to seize duration record from Soviet Union. Mission plan curtailed due to fuel cell problems; ...
<hr><b><a href="m/m-1.html">M-1</a></b> Aerojet LOx/LH2 rocket engine. Study 1961. Engine developed 1962-1966 for Uprated Saturn and Nova million-pound ...
<hr><b><a href="s/saturnc-5n.html">Saturn C-5N</a></b> American nuclear orbital launch vehicle. Version of Saturn C-5 considered with small nuclear thermal stage in ...
<hr><b><a href="p/projectoriossiblerebirth.html">Project Orion: Its Life, Death, and Possible Rebirth</a></b> 20,000 tonne Mars Expeditions Using Atom Bomb Propulsion - We could have sent whole cities there by 1970 - the ...
<hr><b><a href="s/saengerii.html">Saenger II</a></b> Proposed two stage to orbit vehicle. Air-breathing hypersonic first stage and delta wing second stage. The German ...
<hr><b><a href="a/apollo14.html">Apollo 14</a></b> Third manned lunar landing. Only Mercury astronaut to reach moon. Five attempts to dock the command module with ...
<hr><b><a href="s/sprintabm.html">Sprint ABM</a></b> Nuclear-armed point defense anti-ballistic missile, an incredible high-acceleration weapon that would intercept ...
<hr><b><a href="a/aerobee.html">Aerobee</a></b> American sounding rocket. In late 1945 James Van Allen was assigned by John Hopkins University to survey sounding ...
<hr><b><a href="t/titani.html">Titan I</a></b> American intercontinental ballistic missile. ICBM, built as back-up to Atlas, using two stages instead of one ...
<hr><b><a href="k/komarov.html">Komarov</a></b> Russian pilot cosmonaut 1960-1967. First person to die during spaceflight when the parachute lines of Soyuz 1 ...
<hr><b><a href="t/titaniiie.html">Titan IIIE</a></b> American orbital launch vehicle. Titan 3D with Centaur D-1T upper stage. Used by NASA for deep space missions ...
<hr><b><a href="h/hyperionssto.html">Hyperion SSTO</a></b> American sled-launched SSTO VTOVL orbital launch vehicle. Study 1966. Yet another of Philip Bono's single-stage-to-orbit ...
<hr><b><a href="v/voskhod2.html">Voskhod 2</a></b> First space walk. Speed and altitude records. A disaster: astronaut unable to reenter airlock due to spacesuit ...
<hr><b><a href="r/resnik.html">Resnik</a></b> American engineer mission specialist astronaut 1978-1986. Engineer. Died in Challenger accident.
<hr><b><a href="r/rs-68.html">RS-68</a></b> Rocketdyne LOx/LH2 rocket engine. In production. First new large liquid-fueled rocket engine developed in America ...
<hr><b><a href="l/lfvnorthamerican.html">LFV North American</a></b> American manned lunar flyer. Cancelled 1969. The North American design for a Lunar Flying Vehicle would have taken ...
<hr><b><a href="v/vonbraun.html">von Braun</a></b> German-American chief designer, leader of the 'Rocket Team'; developed the V-2, Redstone, Jupiter, and the Saturn ...
<hr><b><a href="t/tmk-1.html">TMK-1</a></b> Russian manned Mars flyby. Study 1959. In 1959 a group of enthusiasts in OKB-1 Section 3 under the management ...
<hr><b><a href="x/xlr99.html">XLR99</a></b> Reaction Motors Lox/Ammonia rocket engine. Out of production. The first large, man-rated, throttleable, restartable ...
<hr><b><a href="d/draegersuit.html">Draeger Suit</a></b> German pressure suit, developed 1935-1945. Draeger-Werke developed a hard shell full pressure suit for the Nazi ...
<hr><b><a href="g/gemini4.html">Gemini 4</a></b> First American space walk. First American long-duration spaceflight. Astronaut could barely get back into capsule ...
<hr><b><a href="g/geminitechnaldescription.html">Gemini Technical Description</a></b> Gemini System Details
<hr><b><a href="a/apolloastp.html">Apollo (ASTP)</a></b> First international joint manned space mission; first docking between two spacecraft launched from different countries. ...
<hr><b><a href="g/geminilunarcuespacecraft.html">Gemini Lunar Surface Rescue Spacecraft</a></b> American manned lunar lander. Study 1966. This version of Gemini would allow a direct manned lunar landing mission ...
<hr><b><a href="s/seabee.html">Seabee</a></b> American sea-launched test vehicle. Seabee was a brief proof of principle program to validate the sea-launch concept ...
<hr><b><a href="f/falcon9.html">Falcon 9</a></b> American low cost orbital launch vehicle. In September 2006 SpaceX was named as one of two winners of the NASA ...
<hr><b><a href="g/gagarin.html">Gagarin</a></b> Russian pilot cosmonaut 1960-1968. First person in space. Due to his fame, the Soviet leadership did not want ...
<hr><b><a href="b/bislunarlander.html">BIS Lunar Lander</a></b> British manned lunar lander. Study 1939. Design of the British Interplanetary Society's BIS Spaceship began in ...
<hr><b><a href="b/blackarrow.html">Black Arrow</a></b> British orbital launch vehicle. Britain's only indigenous launch vehicle. Following cancellation of the project ...
<hr><b><a href="i/ilyushin.html">Ilyushin</a></b> Russian test pilot. Most tangible phantom cosmonaut, purported first man in orbit according to French press report ...
<hr><b><a href="d/delta4h.html">Delta 4H</a></b> American orbital launch vehicle. Heavy lift all-cryogenic launch vehicle using two Delta-4 core vehicles as first ...
<hr><b><a href="j/j-2s.html">J-2S</a></b> Rocketdyne LOx/LH2 rocket engine. Developed 1965-1969. J-2 version proposed for Saturn follow-on vehicles, using ...
<hr><b><a href="v/vostok6.html">Vostok 6</a></b> Joint flight with Vostok 5. First woman in space. Tereshkova did not reply during several communications sessions. ...
<hr><b><a href="h/hughes-fulford.html">Hughes-Fulford</a></b> American biologist payload specialist astronaut 1984-1991. Biochemist. US Army
<hr><b><a href="n/nexus.html">Nexus</a></b> American SSTO VTOVL orbital launch vehicle. Early 1960's recoverable launch vehicle proposed by Krafft Ehricke ...
<hr><b><a href="x/x-38.html">X-38</a></b> American manned spaceplane. Lifting body reentry vehicle designed as emergency return spacecraft for International ...
<hr><b><a href="p/plesetsk.html">Plesetsk</a></b> Plesetsk was the Soviet Union's northern cosmodrome, used for polar orbit launches of mainly military satellites, ...
<hr><b><a href="m/mk-700.html">MK-700</a></b> Russian manned Mars flyby. Study 1972. Chelomei was the only Chief Designer to complete an Aelita draft project ...
<hr><b><a href="k/kvant.html">Kvant</a></b> Russian manned space station module. Kvant 1). The Kvant spacecraft represented the first use of a new kind of ...
<hr><b><a href="g/germanrocketplanes.html">German Rocketplanes</a></b> German manned rocketplane family.
<hr><b><a href="t/tamingthefire.html">Taming the Fire</a></b> The story of the making of the 1972 Soviet film that took viewers inside the life of Sergei Korolev and the Baikonur ...
<hr><b><a href="r/r-14.html">R-14</a></b> Ukrainian intermediate range ballistic missile. The R-14, with a range of 3600 km, was the only missile of that ...
<hr><b><a href="v/v-1000.html">V-1000</a></b> Russian anti-ballistic missile. First Soviet anti-ballistic missile system. Development began in 1956 and the ...
<hr><b><a href="c/cuxhaven.html">Cuxhaven</a></b> As the only site in Germany with an unrestricted over-water firing sector over the North Sea, Cuxhaven was once ...
<hr><b><a href="a/ariane.html">Ariane</a></b> First successful European commercial launch vehicle, developed from the L3S, an Europa launch vehicle replacement ...
<hr><b><a href="m/mars5nm.html">Mars 5NM</a></b> Russian Mars lander. Cancelled 1974. The 5NM was the first attempt by the Lavochkin bureau to design and fly a ...
<hr><b><a href="s/sovietsrecoe-2008version.html">Soviets Recovered an Apollo Capsule! - 2008 version</a></b> In 2002 this web site broke the story that the Soviet Union had recovered an Apollo capsule in 1969 and returned ...
<hr><b><a href="r/r-3.html">R-3</a></b> Korolev 3000 km range intermediate range ballistic missile. Developed April 1947 to 1949 before cancellation.
<hr><b><a href="w/whitesands.html">White Sands</a></b> White Sands Missile Range occupies an area 160 x 65 km in the Tularosa Basin of southern New Mexico, across the ...
</div>
<div class="right">
<b>Latest</b>
<hr><b><a href="t/therocketeerwhoneverwas.html">The Rocketeer Who Never Was</a></b><br>NASA histories say that the first American rocket-powered aircraft flight was made by William Swan at Atlantic City on January 4, 1931. But the launch was made in June and Swan was not his real name. He made the first air-launched rocket aircraft flight in 1932. In 1933 he bailed from an aircraft over Boca Chica, Texas, now the site of the SpaceX Starship launch facility, disappeared into the clouds, and was never seen again. Where had he come from? Where did he go? It was only in the 21st Century that the life story of Swan was revealed.<p>
<hr><b><a href="o/obergcorner.html">Oberg Corner</a></b><br>The latest from Jim Oberg, the dean of American space historians.
<hr><b>The Mishin Diaries</b>
<hr><b><a href="p/podsadka-fainthemoonrace.html">Podsadka - Failed Plan to Win the Moon Race</a></b> Podsadka was a secret plan to use a two-launch scheme to shoot the first Soviet crew around the moon. The reason for the puzzling Soyuz manned launches in 1966-1969 are revealed to be tests of this scheme. The effort was bandoned after Apollo 8 orbited the moon and the L1 program was cancelled.
<hr><b><a href="n/n1-l3twolauemanonthemoon.html">N1-L3: Two Launches to Get One Man on the Moon</a></b> The single-launch approach to the moon landing sold to the Soviet leadership was unachievable due to payload shortfalls and safety considerations. By the time of America's first landing on the moon, it had degenerated into a two-launch scheme. The first launch would deliver a Ye-8-2 robot rover to place a homing beacon at a safe location for the manned landing; and a reserve unmanned LK-R lander to provide a way home in case the primary LK lander failed on the lunar surface. The second launch would result in the single-crew LK lander setting down near the beacon and reserve lander...
<hr><b><a href="m/mkbs-secretfmirandsoyuzt.html">MKBS - Secret Origin of Mir and Soyuz T</a></b> The MKBS was an N1-launched, nuclear-powered orbital battle station that would assure Soviet dominance of space through use of beam weapons. It was developed in 1969-1974, only to be ended when the N1 booster necessary to put it in orbit was cancelled. However the spacecraft and systems developed for it became the basis for the Soviet manned space program of the 1970's and 1980's.
<hr><b><a href="m/man-in-space-soonest.html">Man-in-Space Soonest</a></b> - The canceled USAF project to put a man in orbit by 1960 - a year ahead of the Russians!
<hr><b><a href="b/bono.html">Bono</a></b> In the 1960's Philip Bono proposed a series of innovative designs that would enable airline-like access to space. ...
<hr><b>Russian Lunar Program</b>
<hr><b><a href="r/russiasovielunarprojects.html">Soviet Lunar Projects</a></b> The Russians began three years later in competing with Apollo, and wasted time in competing efforts and internal wrangling.
<hr><b><a href="s/soyuz7k-l1.html">Soyuz 7K-L1</a></b> Russian manned lunar flyby spacecraft which would have beat Americans around the moon if not for intractable technical failures...
<hr><b><a href="r/russiawhydisethemoonrace.html">Russia: Why did the Soviet Union lose the Moon Race?</a></b> The reasons the Americans were first on the moon, as given by the major Soviet participants.
<hr><b><a href="r/russiathereonlandinghoax.html">The Real Moon Landing Hoax</a></b> How the Soviet Union fooled the world into believing it wasn't in the moon race.
<hr><b><a href="s/soyuz7k-lok.html">Soyuz 7K-LOK</a></b> The two-crew LOK lunar orbiting spacecraft was to be placed in lunar orbit before the Americans. One cosmonaut would transfer to the <hr><b><a href="l/lk.html">LK</a></b> lunar lander and plant the Soviet flag on the moon.
<hr><a href="l/lunaye-8-5.html">Luna Ye-8-5</a></b> When it was clear the LK would not be ready in time, this robotic lunar lander was built in a crash program to return a sample of lunar soil to earth before Apollo 11 mission.
<hr><b><a href="n/n1.html">N1</a></b> The N1 launch vehicle, developed by Russia in the 1960's, was to be the Soviet Union's counterpart to the Saturn V and send Soviet cosmonauts to a lunar landing.
<hr><b>Russian Alternatives</b>
<hr><b><a href="l/lk-1.html">LK-1</a></b> Chelomei's manned circumlunar spacecraft. Underway when cancelled in favor of Korolev's L1....
<hr><b><a href="l/lk-700.html">LK-700</a></b> Chelomei's direct-landing alternative to Korolev's L3 manned lunar landing design. ...
<hr><b><a href="u/ur-700.html">UR-700</a></b> The UR-700 was the member of Vladimir Chelomei's Universal Rocket family designed to take two Soviet cosmonauts on a direct flight to the moon.
<hr><b><a href="r/r-56.html">R-56</a></b> Ukrainian heavy-lift orbital launch vehicle. The R-56 was Yangel's ultimate superbooster design for the lunar mission in competition with the N1 and UR-700.
<hr><b>American Lunar Program</b>
<hr><b><a href="a/apollolunarlanding.html">Apollo Lunar Landing</a></b> American project that resulted in an American being the first (and only) human to walk on the moon. Begun in 1962; first landing on the moon 1969; sixth and final lunar landing in 1972. Hardware was available for three further missions, but program was cancelled due to risk, the Soviets getting out of the race, and loss of public support and interest.
<hr><b><a href="a/apollo7.html">Apollo 7</a></b> First manned test of the Apollo spacecraft. Although the systems worked well, the crew became grumpy with head colds and talked back to the ground. As a result, NASA management determined that none of them would fly again.
<hr><b><a href="a/apollo503.html">Apollo 503</a></b> Cancelled Apollo E mission - test of the Apollo lunar module in high earth orbit. Lunar module was not ready. Instead mission flown only with CSM into lunar orbit as Apollo 8.
<hr><b><a href="a/apollo8.html">Apollo 8</a></b> First manned flight to lunar orbit. Speed (10,807 m/s) and altitude (378,504 km) records. Mission resulted from audacious decision to send crew around moon to beat Soviets on only second manned Apollo CSM mission and third Saturn V launch.
<hr><b><a href="a/apollo9.html">Apollo 9</a></b> First manned test of the Lunar Module. First test of the Apollo space suits. First manned flight of a spacecraft incapable of returning to earth. If rendezvous of the Lunar Module with the Apollo CSM had failed, crew would have been stranded in orbit.
<hr><b><a href="a/apollo10.html">Apollo 10</a></b> Final dress rehearsal in lunar orbit for landing on moon. LM separated and descended to 10 km from surface of moon but did not land. Speed record (11,107 m/s).</td></tr></table>
<hr><b><a href="a/apollo11.html">Apollo 11</a></b> First manned lunar landing. The end of the moon race and public support for large space programs. The many changes made after the Apollo 204 fire paid off; all went according to plan, virtually no problems.
<hr><b><a href="s/saturnv.html">Saturn V</a></b> American orbital launch vehicle. America's booster for the Apollo manned lunar landing.
<hr><b><a href="a/apollocsm.html">Apollo CSM</a></b> The Apollo Command Service Module was the spacecraft developed by NASA in the 1960's as a standard spacecraft but ended up being built only for the lunar landing mission.
<hr><b><a href="a/apollolm.html">Apollo LM</a></b> American manned lunar lander.
<hr>
<hr><b>American Alternatives</b>
<hr><b><a href="g/geminilunargemini.html">Lunar Gemini</a></b> The Gusmobile might have gotten on the moon faster, quicker, cheaper (but not better...)
<hr><b><a href="a/apollod-2.html">Apollo D-2</a></b> American manned lunar orbiter. Study 1962. The General Electric design for Apollo put all systems and space not ...
<hr><b><a href="n/nova.html">Nova</a></b> Nova was NASA"s ultimate launch vehicle, studied intently from 1959 to 1962, conceived to allow a direct manned lunar landing...
<hr><b>Other Stuff</b>
<hr><b><a href="s/seadragon.html">Sea Dragon</a>
</b> American sea-launched heavy-lift orbital launch vehicle. Sea Dragon was an immense, sea-launched, two-stage launch ...
<hr><b><a href="s/sputnik2.html">Sputnik 2</a></b> Russian biology satellite.
<hr><b><a href="m/mannedv-2.html">Manned V-2</a></b> While the V-2 rocket could not achieve orbit, it was capable of putting a man into space on a suborbital trajectory. ...
<hr><b><a href="a/apollo18.html">Apollo 18</a></b> Apollo 18 was originally planned in July 1969 to land in the moon's Schroter's Valley, a river-like channel-way. ...
<hr><b><a href="a/abriefhistoheharpproject.html">A Brief History of the HARP Project</a></b> Richard K Graf's account of the Canadian 1960's project to launch satellites from a 16 inch gun...
<hr><b><a href="l/loxlh2.html">Lox/LH2</a></b> Lox/LH2 propellant.to be used on production space launch vehicles. Liquid oxygen was the earliest, cheapest, safest, ...
<hr><b><a href="v/v-2.html">V-2</a></b> The V-2 ballistic missile (known to its designers as the A4) was the world's first operational liquid fuel rocket. ...
<hr><b><a href="s/spacesuits.html">Space Suits</a></b> To explore and work in space, human beings must take their environment with them because there is no atmospheric ...
<hr><b><a href="l/loxkerosene.html">Lox/Kerosene</a></b> Lox/Kerosene propellant. Liquid oxygen was the earliest, cheapest, safest, and eventually the preferred oxidizer ...
<hr><b><a href="s/saturni.html">Saturn I</a></b> American orbital launch vehicle. Von Braun launch vehicle known as 'Cluster's Last Stand' - 8 Redstone tanks around ...
<hr><b><a href="a/apollo11.html">Apollo 11</a></b> First manned lunar landing. The end of the moon race and public support for large space programs. The many changes ...
<hr><b><a href="b/bygeminitomars.html">By Gemini to Mars!</a></b> In the 1960's many considered use of the cramped two-man Gemini reentry vehicle for journeys to the moon problematic. ...
<hr><b><a href="n/n2o4udmh.html">N2O4/UDMH</a></b> N2O4/UDMH propellant. Nitrogen tetroxide became the storable liquid propellant of choice from the late 1950's. ...
<hr><b><a href="a/adam.html">Adam</a></b> American manned spacecraft. In early 1958 Wernher von Braun proposed launching an American aboard an Army Redstone ...
<hr><b><a href="b/buran.html">Buran</a></b> Russian manned spaceplane which represented a huge leap in Soviet space technology and project management. Buran ...
<hr><b><a href="g/gemini.html">Gemini</a></b> American manned spacecraft. Gemini was conceived as an 'upgraded Mercury' to test essential orbital maneuvering, ...
<hr><b><a href="n/n2o4mmh.html">N2O4/MMH</a></b> N2O4/MMH propellant. Monomethylhydrazine (MMH) is a storable liquid fuel that found favor in the United States ...
<hr><b><a href="p/pyewacket.html">Pye Wacket</a></b> Pye Wacket was the code name for a flying saucer-shaped air-to-air missile being developed by the US Air Force ...
<hr><b><a href="d/dynasoar.html">Dynasoar</a></b> American manned spaceplane. Cancelled 1963. The X-20A Dynasoar (Dynamic Soarer) was a single-pilot manned reusable ...
<hr><b><a href="t/titanii.html">Titan II</a></b> American intercontinental ballistic missile. ICBM, developed also as the launch vehicle for the manned Gemini ...
<hr><b><a href="w/wherehavealstronautsgone.html">Where Have All the Astronauts Gone?</a></b> The public pays little attention to manned space flight and seems to believe that little has changed. They see ...
<hr><b><a href="a/almaz.html">Almaz</a></b> Vladimir Chelomei's Almaz was the only manned military spacecraft ever actually flown. The project continued through ...
<hr><b><a href="v/vonbraunmarpedition-1969.html">Von Braun Mars Expedition - 1969</a></b> American manned Mars expedition. Study 1969. Von Braun's final vision for a manned expedition to Mars was a robust ...
<hr><b><a href="r/r-7.html">R-7</a></b> Russian intercontinental ballistic missile and launch vehicle series. The world's first ICBM and first orbital ...
<hr><b><a href="a/apollo17.html">Apollo 17</a></b> Final Apollo lunar landing mission. First geologist to walk on the moon.
<hr><b><a href="p/proton.html">Proton</a></b> The Proton launch vehicle has been the medium-lift workhorse of the Soviet and Russian space programs for over ...
<hr><b><a href="h/h2o2kerosene.html">H2O2/Kerosene</a></b> H2O2/Kerosene propellant. Hydrogen peroxide was used as an oxidizer with kerosene in the 1950's in British rockets. ...
<hr><b><a href="s/skylab.html">Skylab</a></b> American manned space station. First US space station. The project began life as the Orbital Workshop- outfitting ...
<hr><b><a href="a/apollo13.html">Apollo 13</a></b> Fuel cell tank exploded en route to the moon, resulting in loss of all power and oxygen. Only through use of the ...
<hr><b><a href="e/energia.html">Energia</a></b> Version of the Energia using the core vehicle without the Buran spaceplane.
<hr><b><a href="h/hermes.html">Hermes</a></b> French manned spaceplane. Cancelled 1992. The Hermes spaceplane would have provided independent European manned ...
<hr><b><a href="a/atlas.html">Atlas</a></b> The Atlas rocket, originally developed as America's first ICBM, was the basis for most early American space exploration ...
<hr><b><a href="d/delta.html">Delta</a></b> American orbital launch vehicle. The Delta launch vehicle was America's longest-lived, most reliable, and lowest-cost ...
<hr><b><a href="p/polyus.html">Polyus</a></b> Russian military anti-satellite system. The Polyus military test bed was put together on a crash basis as an answer ...
<hr><b><a href="v/vostok.html">Vostok</a></b> World's first manned spacecraft, it was developed into the later Voskhod, and numerous versions of recoverable ...
<hr><b><a href="i/ithacus.html">Ithacus</a></b> American SSTO VTOVL orbital launch vehicle. An adaptation of Phillip Bono's enormous ROMBUS plug-nozzle semi-single-stage-orbit ...
<hr><b><a href="o/otrag.html">Otrag</a></b> Orbital Transport-und-Raketen Aktiengesellschaft, Germany. Manufacturer of rocket engines and rockets. $200 million ...
<hr><b><a href="r/rd-180.html">RD-180</a></b> Glushko LOx/Kerosene rocket engine. Atlas III, Atlas V stage 1. In production. First flight 2000. Two-thrust-chamber ...
<hr><b><a href="a/apollo12.html">Apollo 12</a></b> Second manned lunar landing. Precision landing near Surveyor 3 that landed in 1967. Lightning struck the booster ...
<hr><b><a href="a/a9a10.html">A9/A10</a></b> German intercontinental boost-glide missile. The A9/A10 was the world's first practical design for a transatlantic ...
<hr><b><a href="s/spaceshuttle.html">Space Shuttle</a></b> American winged orbital launch vehicle. The version of the space shuttle that went into production. Redesign of ...
<hr><b><a href="f/fsw.html">FSW</a></b> Chinese military surveillance satellite. Reconnaissance, Earth observation satellite built by CAST, China. Launched ...
<hr><b><a href="a/americanrocketplanes.html">American Rocketplanes</a></b> American manned rocketplane family.
<hr><b><a href="l/lclv.html">LCLV</a></b> American low cost orbital launch vehicle. As a result of TRW's review of the Truax/Aerojet Sea Dragon, TRW became ...
<hr><b><a href="m/mannedspacecraft.html">Manned spacecraft</a></b>
<hr><b><a href="m/mol.html">MOL</a></b> American manned space station. Cancelled 1969. MOL (Manned Orbiting Laboratory) was the US Air Force's manned ...
<hr><b><a href="s/soyuz.html">Soyuz</a></b> The Russian Soyuz spacecraft has been the longest-lived, most adaptable, and most successful manned spacecraft ...
<hr><b><a href="g/gnom.html">Gnom</a></b> Russian intercontinental ballistic missile. Gnom was a unique design which represented the most advanced work ...
<hr><b><a href="n/navaho.html">Navaho</a></b> The Navaho intercontinental cruise missile project was begun just after World War II, at a time when the US Army ...
<hr><b><a href="m/maks.html">MAKS</a></b> Russian air-launched winged orbital launch vehicle. The MAKS spaceplane was the ultimate development of the air-launched ...
<hr><b><a href="l/lenticularvehicles.html">Lenticular Vehicles</a></b> For a brief period in 1959-1964, NASA and the US Air Force actively considered launching manned flying saucers ...
<hr><b><a href="s/saint.html">SAINT</a></b> American military anti-satellite system. Cancelled 1963.
<hr><b><a href="r/raketoplan.html">Raketoplan</a></b> Russian manned spaceplane family. Succeeding the VKA project, this was developed by Chelomei from 1959, including ...
<hr><b><a href="g/gun-launched.html">Gun-launched</a></b> Artillery dominated military ballistics from the earliest use of gunpowder. In 1865 Jules Verne could only realistically ...
<hr><b><a href="k/kosmoplan.html">Kosmoplan</a></b> Russian Mars orbiter. Cancelled 1965. Beginning in the late 1950's, Chelomei began studying use of his encapsulated ...
<hr><b><a href="c/chertoksmemoirs.html">Chertok's Memoirs</a></b> Summary of a principal source in Soviet space history
<hr><b><a href="y/yangel.html">Yangel</a></b> Soviet Chief Designer 1954-1971 of OKB-586. Preeminent designer of ballistic missiles and light satellites. His ...
<hr><b><a href="s/storms.html">Storms</a></b> American Chief Designer who led development of the Apollo spacecraft and Saturn S-II at North American. Earlier ...
<hr><b><a href="m/mishin.html">Mishin</a></b> Soviet Chief Designer, superseding Korolev, 1966-1974. Led the bureau in the flight test stages of the L1 and ...
<hr><b><a href="l/leonov.html">Leonov</a></b> Russian pilot cosmonaut 1960-1982. Cancelled missions included command of first Soviet circumlunar flight in 1969 ...
<hr><b><a href="t/tereshkova.html">Tereshkova</a></b> Russian cosmonaut 1962-1997. First woman in space, aboard Vostok 6. But the flight was propaganda and future spaceflight ...
<hr><b><a href="k/kamanindiaries.html">Kamanin Diaries</a></b> Summary of a principal source in Soviet space history
<hr><b><a href="k/korolev.html">Korolev</a></b> Soviet Chief Designer, responsible for creating the first long range ballistic missiles, the first space launchers, ...
<hr><b><a href="t/tsien.html">Tsien</a></b> (1911-2009) Father of Chinese spaceflight. Leading rocket theoretician, expelled from USA as Red in 1955. Created ...
<hr><b><a href="g/glushko.html">Glushko</a></b> Soviet Chief Designer, responsible for all large liquid propellant engines for missiles and LVs. Led Glushko bureau, ...
<hr><b><a href="c/chelomei.html">Chelomei</a></b> Soviet Chief Designer 1955-1984 of OKB-52. Leading designer of cruise missiles and ICBMs. Fought for lead role ...
<hr><b><a href="s/saenger.html">Saenger</a></b> German-Austrian rocket pioneer; designer of Silverbird space bomber. Worked at Trauen for Luftwaffe 1936-1944 ...
<hr><b><a href="r/russianrocketplanes.html">Russian Rocketplanes</a></b> The story of rocketplanes and spaceplanes in the Soviet Union was one of constant setbacks due to internal politics, ...
<hr><b><a href="r/russiakeymeetspaceflight.html">Russia: Key Meetings in Soviet Spaceflight</a></b> The key meetings, the main decisions that led to the Soviet loss of the moon race and shuttle race.
<hr><b><a href="r/russiasovietoryataglance.html">Russia: Soviet Space History at a Glance</a></b>
<hr><b><a href="r/russia.html">Russia</a></b> The true history of Soviet spaceflight is predominantly the story of Soviet military space. Manned or scientific ...
<hr><b><a href="r/russiansamsandabms.html">Russian SAMs and ABMs</a></b> Perhaps no missiles ever produced had as much historical influence as the surface-to-air missiles of the Soviet ...
<hr><b><a href="c/china.html">China</a></b> The history of rocket and space development in China.
<hr><b><a href="g/germany.html">Germany</a></b> German enthusiasts laid the technical groundwork for the exploration of space in the 1920's and early 1930's. ...
<hr><b><a href="r/russia-earlisticmissiles.html">Russia - Early Ballistic Missiles</a></b> The true configuration of the world's first ICBM, the R-7, was revealed only in 1967, ten years after its first ...
<hr><b><a href="r/russiawhatddidtheyknowit.html">Russia: What did the CIA know and when did they know it?</a></b> Fifty years of declassified American National Intelligence Estimates, compared to what we now know was really ...
<hr><b><a href="r/russianstraruisemissiles.html">Russian Strategic Cruise Missiles</a></b> As in America, in the 1946 assessments of German military technology, the technical problems of the intercontinental ...
<hr><b><a href="r/russiandesignations.html">Russian Designations</a></b> Designations of Russian ballistic missiles, launch vehicles, and spacecraft.
<hr><b><a href="m/marsexpeditions.html">Mars Expeditions</a></b> Since Wernher von Braun first sketched out his <I>Marsprojekt</I> in 1946, a succession of designs and mission ...
<hr><b><a href="m/marsflyby.html">Mars Flyby</a></b>
<hr><b><a href="m/marslander.html">Mars lander</a></b>
<hr><b><a href="m/marsorbiter.html">Mars orbiter</a></b>
<hr><b><a href="m/marsrover.html">Mars rover</a></b>
<hr><b><a href="m/marsrovers.html">Mars Rovers</a></b> Nearly every conceptual mission to Mars has included pressurized rovers to allow the astronauts to get around ...
<hr><b><a href="a/americanmarsexpeditions.html">American Mars Expeditions</a></b>
<hr><b><a href="r/russianmarsexpeditions.html">Russian Mars Expeditions</a></b> Aelita was the Queen of Mars in the famous socialist parable filmed by Jakov Protazanov in 1924. It was altogether ...
<hr><b><a href="v/vonbraunmarpedition-1952.html">Von Braun Mars Expedition - 1952</a></b> American manned Mars expedition. Study 1952. Wernher von Braun made the first engineering analysis of a manned ...
<hr><b><a href="m/mars.html">Mars</a></b> Soviet Mars probes were intended to photograph Mars on flyby trajectories, followed by Mars orbit, landing, and ...
<hr><b><a href="l/lunarbases.html">Lunar Bases</a></b> The Lunar Base never seemed to be a high priority to space visionaries, who were mainly interested in getting to Mars...
<hr><b><a href="l/lunarflyby.html">Lunar Flyby</a></b>
<hr><b><a href="l/lunarcrashers.html">Lunar Crashers</a></b>
<hr><b><a href="l/lunarorbiter.html">Lunar Orbiter</a></b> American lunar orbiter. Photography of the moon's surface from selenocentric orbit. The Lunar Orbiter series took ...
<hr><b><a href="l/lunarorbiters.html">Lunar Orbiters</a></b> Manned lunar orbiters and orbiting stations were rarely designed for this purpose alone, but usually used in a ...
<hr><b><a href="l/lunarlanders.html">Lunar Landers</a></b> Lunar lander design started with the British Interplanetary Society's concept of 1939, followed by Von Braun's ...
<hr><b><a href="l/lunarflyers.html">Lunar Flyers</a></b> Lunar flyers would use rocket power to get crew or cargo quickly from one point on the lunar surface to another. ...
<hr><b><a href="l/lunarhabitats.html">Lunar Habitats</a></b> Lunar habitats were usually for early lunar exploration or as modules for fixed-location base buildup. Mobile ...
<hr><b><a href="l/lunarl1.html">Lunar L1</a></b> The Russian program to fly Soviet cosmonauts around the moon in the late 1960's.
<hr><b><a href="r/russiasovielunarprojects.html">Russia: Soviet Manned Lunar Projects</a></b> The failed Soviet lunar program, and the follow-on lunar base projects that came to nothing.
<hr><b><a href="l/lunarl3.html">Lunar L3</a></b> The Soviet program to land a man on the moon and return him safely to earth.
<hr><b><a href="a/apollosovieapollocapsule.html">Apollo: Soviets Recovered an Apollo Capsule!</a></b> The truth only emerged 32 years later - the Soviets recovered an Apollo space capsule in 1970… the original article.
<hr><b><a href="a/apollo.html">Apollo</a></b> The successful US project to land a man on the moon.
<hr><b><a href="a/apollo7.html">Apollo 7</a></b> First manned test of the Apollo spacecraft. Although the systems worked well, the crew became grumpy with head ...
<hr><b><a href="a/apollo19.html">Apollo 19</a></b> Apollo 19 was originally planned to land in the Hyginus Rille region, which would allow study of lunar linear ...
<hr><b><a href="a/apollo20.html">Apollo 20</a></b> Apollo 20 was originally planned in July 1969 to land in Crater Copernicus, a spectacular large crater impact ...
<hr><b><a href="l/l1thepodsadkaproblem.html">L1: The Podsadka Problem</a></b> What was the secret configuration of the L1 spacecraft?
<hr><b><a href="p/projecthorizon.html">Project Horizon</a></b> The project summary of the US Army's 1959 plan to place a military base on the moon by 1965!
<hr><b><a href="l/l3.html">L3</a></b> Russian manned lunar expedition. Development begun in 1964. All hardware was test flown, but program cancelled ...
<hr><b><a href="m/mannedcircumlunar.html">Manned Circumlunar</a></b> Boosting a manned spacecraft on a loop around the moon, without entering lunar orbit, allows a trip to be made ...
<hr><b><a href="l/lunarrovers.html">Lunar Rovers</a></b> Lunar rovers were studied in a dizzying variety of sizes and shapes by NASA in the 1960's - including crawlers, ...
<hr><b><a href="p/propellants.html">Propellants</a></b> Propellants, fuels, and oxidizers - their characteristics and the vehicles that use them
<hr><b><a href="l/loxlch4.html">Lox/LCH4</a></b> Lox/LCH4 propellant. Liquid methane, or liquid natural gas, was originally proposed in the 1960's as an an alternate ...
<hr><b><a href="l/loxalcohol.html">Lox/Alcohol</a></b> Lox/Alcohol propellant. This propellant combination was used for the German V-2 rocket, and the first derivative ...
<hr><b><a href="s/solid.html">Solid</a></b> Solid propellants have the fuel and oxidizer embedded in a rubbery matrix. They were developed to a high degree ...
<hr><b><a href="n/n2o4aerozine-50.html">N2O4/Aerozine-50</a></b> N2O4/Aerozine-50 propellant. Nitrogen tetroxide became the storable liquid propellant of choice from the late ...
<hr><b><a href="n/n2o4hydrazine.html">N2O4/Hydrazine</a></b> N2O4/Hydrazine propellant. Hydrazine (N2H4) found early use as a fuel, but it was quickly replaced by UDMH, and ...
<hr><b><a href="n/nitricacidkerosene.html">Nitric acid/Kerosene</a></b> Nitric acid/Kerosene propellant. This propellant combination, theoreticaly a very low-cost solution, proved to ...
<hr><b>Learn about:</b>
<hr><b><a href="s/spacestation1970.html">Space Station 1970</a></b> NASA's baseline Space Station of 1970, which was to be operational at early as 1977, was a large earth orbiting ...
<hr><b><a href="v/vulcain2.html">Vulcain 2</a></b> SEP, Ottobrunn LOx/LH2 rocket engine. In development. New generator cycle rocket engine for an Ariane 5 core stage ...
<hr><b><a href="p/pegasusvtovl.html">Pegasus VTOVL</a></b> American SSTO VTOVL orbital launch vehicle. Bono design for semi-single-stage-to-orbit ballistic VTOVL launch ...
<hr><b><a href="t/transit.html">Transit</a></b> Spin-stabilized Transit satellites were developed by the US Navy beginning in 1958 for the first operational navigation ...
<hr><b><a href="m/massimino.html">Massimino</a></b> American engineer mission specialist astronaut 1996-2012.
<hr><b><a href="s/soyuz7k-ok.html">Soyuz 7K-OK</a></b> Russian manned spacecraft. Development of a three-manned orbital version of the Soyuz, the 7K-OK was approved ...
<hr><b><a href="o/otv.html">OTV</a></b> American space tug. Studied 1985-1989. The Orbital Transfer Vehicle was reusable space tug, powered by LOx/LH2 ...
<hr><b><a href="t/titaniiic.html">Titan IIIC</a></b> American orbital launch vehicle. Titan 3A with five segment solid motors. Man-rated design originally developed ...
<hr><b><a href="h/higginbotham.html">Higginbotham</a></b> American engineer mission specialist astronaut 1996-2007. Engineer.
<hr><b><a href="s/soyuz-u.html">Soyuz-U</a></b> Russian standardized man-rated orbital launch vehicle derived from the original R-7 ICBM of 1957. It has been ...
<hr><b><a href="b/burlak.html">Burlak</a></b> Russian air-launched winged orbital launch vehicle. Burlak air-launched satellite launcher was proposed in 1992 ...
<hr><b><a href="r/rd-171.html">RD-171</a></b> Glushko LOx/Kerosene rocket engine. Zenit stage 1. In production. RD-171 used two-plane gimballing versus one-plane ...
<hr><b><a href="r/rsa-3.html">RSA-3</a></b> The RSA-3 satellite launcher began development as an IRBM in the 1980's because of the perceived Soviet threat ...
<hr><b><a href="n/naamannedboontrolvehicle.html">NAA Manned Bombardment and Control Vehicle</a></b> American manned combat spacecraft. Study 1963. In the early 1960's, one configuration studied by North American ...
<hr><b><a href="p/penguin.html">Penguin</a></b> Russian anti-zero-G suit, tested 1975. Prophylactic Body-Loading Suit, in use from 1978-; looked like the standard ...
<hr><b><a href="m/marsdirect.html">Mars Direct</a></b> American manned Mars expedition. Study 1991. In 1991 Martin Marietta and NASA Ames (Zubrin, Baker, and Gwynne) ...
<hr><b><a href="s/stsexternaltankstation.html">STS External Tank Station</a></b> American manned space station. Study 1980. NASA studied several concepts in the 1980's using the 'wet workshop' ...
<hr><b><a href="s/soyuz11.html">Soyuz 11</a></b> First space station mission. Record flight duration. Main telescope inoperative. Fire in space station put out. ...
<hr><b><a href="n/nk-33.html">NK-33</a></b> Kuznetsov LOx/Kerosene rocket engine. N-1F stage 1 (block A), Kistler stage 1, Taurus II stage 1. Modified version ...
<hr><b><a href="e/ebhlv.html">EBH LV</a></b> German orbital launch vehicle. The EBH (Engel - Bödewaldt - Hanischlaunch) vehicle was a 1949 manned design which ...
<hr><b><a href="b/buryala-350.html">Burya La-350</a></b> A government decree on 20 May 1954 authorized the Lavochkin aircraft design bureau to proceed with full-scale ...
<hr><b><a href="a/a9a10a11.html">A9/A10/A11</a></b> German winged orbital launch vehicle. The A11 was planned at Peenemuende to use the A9/A10 transoceanic missile ...
<hr><b><a href="s/shuttlec.html">Shuttle C</a></b> American orbital launch vehicle. NASA Marshall design for a cargo version of the shuttle system. The shuttle orbiter ...
<hr><b><a href="g/geminilunarlander.html">Gemini Lunar Lander</a></b> American manned lunar lander. Study 1961. A direct lunar lander design of 1961, capable of being launched to the ...
<hr><b><a href="k/kistlerk-1.html">Kistler K-1</a></b> American low-cost orbital launch vehicle. The Kistler K-1 was a reusable two-stage launch vehicle developed by ...
<hr><b><a href="j/jupiterc.html">Jupiter C</a></b> American orbital launch vehicle. Re-entry vehicle test booster and satellite launcher derived from Redstone missile. ...
<hr><b><a href="r/r-2.html">R-2</a></b> Russian intermediate range ballistic missile. The Soviet R-2 ballistic missile was developed in 1947-1953, nearly ...
<hr><b><a href="v/voskhod1.html">Voskhod 1</a></b> First three-crew spaceflight. Altitude record (336 km). First crew to fly without spacesuits. First non-pilot ...
<hr><b><a href="g/geminilor.html">Gemini LOR</a></b> American manned lunar lander. Study 1961. Original Mercury Mark II proposal foresaw a Gemini capsule and a single-crew ...
<hr><b><a href="p/peenemuende.html">Peenemuende</a></b> Heersversuchsstelle Peenemunde. First launch site in the world, used for development of the V-1, A-4/V-2, Wasserfall, ...
<hr><b><a href="m/minuteman.html">Minuteman</a></b> American intercontinental ballistic missile. Mainstay of the US deterrent. 1,000 Minuteman silos were built in ...
<hr><b><a href="r/r-12.html">R-12</a></b> Ukrainian intermediate range ballistic missile. The R-12 was the first operationally effective intermediate range ...
<hr><b><a href="m/molniya.html">Molniya</a></b> First Soviet communications satellite network, using satellites in an inclined 12-hour orbit ensuring reception ...
<hr><b><a href="i/is-a.html">IS-A</a></b> Russian military anti-satellite system. First operational ASAT. Tested in 1967-1971 and deployed through the late ...
<hr><b><a href="r/r-16.html">R-16</a></b> Ukrainian intercontinental ballistic missile. The Soviet Union's first practical ICBM, a two stage vehicle using ...
<hr><b><a href="r/rsa-4.html">RSA-4</a></b> South African all-solid orbital launch vehicle. The RSA-4 ICBM / satellite launcher was a planned follow-on to ...
<hr><b><a href="r/r-5.html">R-5</a></b> Yangel intermediate range ballistic missile. The R-5 was the first Soviet missile to be armed with a nuclear warhead, ...
<hr><b><a href="r/r-1.html">R-1</a></b> Russian short range ballistic missile. Stalin did not decide to proceed with Soviet production of this copy of ...
<hr><b><a href="s/spiralos.html">Spiral OS</a></b> Russian manned spaceplane, developed 1965-1980s, including subscale flight article tests. Evolved into the MAKS ...
<hr><b><a href="c/cxv.html">CXV</a></b> American manned spacecraft. Study 2012. Crew Transfer Vehicle proposed by `t/Space and Burt Rutan's Scaled Composites ...
<hr><b><a href="z/zenit-2satellite.html">Zenit-2 satellite</a></b> Russian military surveillance satellite. The Zenit-2 was a derivative of the manned Vostok, and the Soviet Union's ...
<hr><b><a href="b/bomi.html">Bomi</a></b> Bell manned skip-glide space bomber project of the early 1950's. Predecessor to Dynasoar.
<hr><b><a href="u/ur-100.html">UR-100</a></b> Russian intercontinental ballistic missile. The UR-100 lightweight ICBM was the Soviet answer to the US Minuteman ...
<hr><b><a href="c/cianiemarch1967.html">CIA NIE March 1967</a></b> What did the US know about Soviet lunar plans? This annotated version of the CIA's National Intelligence Estimate ...
<hr><b><a href="k/kapustinyar.html">Kapustin Yar</a></b> Russia's first missile test range and used for satellite launches of smaller Kosmos vehicles. V-2's launched from ...
<hr><b><a href="r/r-11.html">R-11</a></b> First Russian ballistic missile using storable propellants, developed from the German Wasserfall SAM by Korolev's ...
<hr><b><a href="r/r-17.html">R-17</a></b> Russian short-range ballistic missile. The final refinement of the R-11 design, the R-17, was exported widely ...
<hr><b><a href="w/woomera.html">Woomera</a></b> Woomera Instrumented Range. After World War II British government recognized the need for a large range to test ...
<hr><b><a href="s/spacelab.html">Spacelab</a></b> The European-built Spacelab pressurized module remained attached to space shuttle and permitted conduct of a range ...
<hr><b><a href="r/r-36.html">R-36</a></b> Ukrainian intercontinental ballistic missile. The R-36 ICBM was the largest ever built and the bogeyman of the ...
<hr><b><a href="m/mannedspacefirsts.html">Manned Space Firsts</a></b> Who did what when ? -- a list of manned space firsts...
<hr><b><a href="s/s-75.html">S-75</a></b> Russian surface-to-air missile. Known in the west as the SA-2 Guideline, this weapon was responsible for the downing ...
<hr><b><a href="w/wallopsisland.html">Wallops Island</a></b> Wallops Flight Facility. Small NASA launch site for sounding rocket launches and occasional Scout launches to ...
<hr><b><a href="u/us-a.html">US-A</a></b> Russian military naval surveillance radar satellite. The US-A (later known as RLS) was a nuclear powered RORSAT ...
<hr><b><a href="m/morl.html">MORL</a></b> American manned space station. Study 1962. In June 1964 Boeing and Douglas received Phase I contracts for Manned ...
<hr><b><a href="j/jiuquan.html">Jiuquan</a></b> China's first launch center, also known as Shuang Cheng Tzu. Jiuquan Satellite Launch Centre, situated at 100 ...
<hr><b><a href="u/usrocketplanes.html">US Rocketplanes</a></b> Category of spacecraft.
<hr><b><a href="s/sriharikota.html">Sriharikota</a></b> India's primary space launch center, located on the east coast of the peninsula with a firing sector over the ...
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**[The Hard Road to Space](t/thehardroadtospace.html)** One third of manned spaceflights suffer major problems that threaten completion of the mission and the life of ...
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[**Phantom Cosmonaut**](p/phantomcosmonaut.html) Over the years the Western press named a number of cosmonauts that were never acknowledged by the Soviet Union. ...
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**[Shuguang 1](s/shuguang1.html)** Chinese manned spacecraft. Cancelled 1972. Shuguang-1 (Dawn-1) was China"s first manned spacecraft design.
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**[Your Flight Has Been Cancelled....](y/yourflighthbeencancelled.html)** Is what might have been better than what was? Would America have beaten the Russians into space or even into orbit? Would the Russians have beat America to the moon?
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**[Big Gemini](b/biggemini.html)** American manned spacecraft. Reached mockup stage 1967.
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**[Soyuz 5](s/soyuz5.html)** Two crew transferred to and returned in Soyuz 4. Remaining astronaut barely survived nose-first reentry of Soyuz ...
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**[Soyuz: Was the Design Stolen?](s/soyuzwasthedesignstolen.html)** There was something awfully familiar looking about the Soyuz spacecraft, the most successful in history....
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**[Yantar](y/yantar.html)** Series of Russian surveillance satellites, based on the Yantar bus developed by Kozlov in Samara in the 1970"s.
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**[The Wrong Stuff - A Catalogue of Launch Vehicle Failures](t/thewrongstuhiclefailures.html)** The hard road to space...
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**[WS-117](w/ws-117.html)** Weapons System 117 was develped from 1955 as the first US military space system. The Atlas ICBM would use a second ...
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**[SLS BC-2720](s/slsbc-2720.html)** American orbital launch vehicle. The BC-2720 was the member of the SLS family selected to boost the Air Force ...
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**[Shenzhou](s/shenzhou.html)** Chinese manned spacecraft. The Chinese Shenzhou manned spacecraft resembled the Russian Soyuz spacecraft, but ...
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**[Soyuz 1](s/soyuz1.html)** Space disaster that put back Soviet lunar program 18 months. Soyuz 1 was to dock with Soyuz 2 and transfer crew. ...
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**[Vostok 1](v/vostok1.html)** First manned spaceflight, one orbit of the earth. Strap attaching service module failed to separate from capsule, ...
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**[Shuttle](s/shuttle.html)** The manned reusable space system which was designed to slash the cost of space transport and replace all expendable ...
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**[SSME](s/ssme.html)** Rocketdyne LOx/LH2 rocket engine. In production. Space Shuttle Main Engines; only high-pressure closed-cycle reusable ...
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**[Space Cruiser](s/spacecruiser.html)** American manned combat spacecraft. Study 1973. The space cruiser was a US Navy design for a single-place crewed ...
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**[Collection](c/collection.html)** Families of spacecraft, launch vehicles, missiles, by type or category.
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**[Titan](t/titan.html)** American orbital launch vehicle. The Titan launch vehicle family was developed by the United States Air Force ...
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**[X-15A](x/x-15a.html)** American air-launched manned spaceplane, used for hypersonic research. 174 launches, 1959.06.08 (X-15 Flight 1) ...
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**[TKS](t/tks.html)** Vladimir Chelomei"s TKS manned ferry vehicle was designed to provide a reusable resupply and crew return spacecraft ...
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**[Thor](t/thor.html)** American liquid propellant intermediate range ballistic missile, developed by Douglas in 1956-1958. 60 deployed ...
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**[USA - Space Stations](u/usa-spacestations.html)** Wernher von Braun brought Noordung"s rotating station design with him from Europe. This he popularized in the ...
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**[Mir](m/mir.html)** The Mir space station was the last remnant of the once mighty Soviet space program. The core module was launched ...
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**[Salyut](s/salyut.html)** The world"s first space station, developed in one year by the Soviet Union on the basis of Chelomei"s Almaz station, ...
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**[Spiral 50-50](s/spiral50-50.html)** Russian winged orbital launch vehicle. The Soviet Air Force had an enduring interest in a horizontal takeoff/horizontal ...
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**[Spaced Out](s/spacedout.html)** Spaceflight is dangerous and unforgiving, which is all the more reason for the astronauts to seek relief in humour...
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**[STS](s/sts.html)** The Space Transportation System (Space Shuttle) was conceived originally as a completely reusable system that ...
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**[Voskhod 3](v/voskhod3.html)** Manned space flight deferred just 15 days before launch in May 1966. It would have been a world-record 18-day ...
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**[Soyuz VI](s/soyuzvi.html)** Russian manned combat spacecraft. Cancelled 1965. To determine the usefulness of manned military space flight, ...
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**[Rescue](r/rescue.html)** In the early 1960"s, in the hey-day of the X-20 Dynasoar, it seemed that the US military would naturally keep ...
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**[The Road to Sputnik](t/theroadtosputnik.html)** The real story of the race to space
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**[Winged](w/winged.html)** In the beginning, nobody (except Jules Verne) thought anybody would be travelling to space and back in ballistic ...
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**[RSA](r/rsa.html)** South African orbital launch vehicle. Israel and South Africa collaborated closely in rocket technology in the ...
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**[MKBS](m/mkbs.html)** Russian manned space station. Cancelled 1974. The culmination of ten years of designs for N1-launched space stations, ...
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**[Titan C](t/titanc.html)** American orbital launch vehicle. The Titan C, a Titan II booster stage topped by a new liquid oxygen/hydrogen ...
part1part2part3part4
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**[Navaho SSM-A-2](n/navahossm-a-2.html)** American intermediate range cruise missile. The first version of the Navaho developed in 1946-1950 was a Mach-3 ...
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**[Mars Cycler](m/marscycler.html)** American manned Mars flyby. Study 1989. As part of a space infrastructure, it was proposed that four space stations ...
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**[Buran M-42](b/buranm-42.html)** Russian intercontinental cruise missile. Cancelled 1957. Several variants of the Myasishchev Buran trisonic intercontinental ...
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**[Australia](a/australia.html)** Australia
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**[France](f/france.html)** France
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**[Barre](b/barre.html)** French rocket pioneer and space visionary, who developed the EA-1941 rocket in France before work was interrupted ...
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**[Soyuz 7K-S](s/soyuz7k-s.html)** Russian manned spacecraft. The Soyuz 7K-S had its genesis in military Soyuz designs of the 1960's. Launched 1974 ...
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**[R-9](r/r-9.html)** ICBM developed by Korolev OKB using liquid oxygen/kerosene propellants. The Soviet military favored storable propellants ...
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**[R-36M](r/r-36m.html)** The super-heavy Ukrainian R-36M ICBM replaced the R-36 in 288 existing silos and was additionally installed in ...
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**[Trident](t/trident.html)** American submarine-launched ballistic missile. US Navy submarine-launched ballistic missiles, which superseded ...
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**[Temp-2S](t/temp-2s.html)** Russian intercontinental ballistic missile. World's first operational mobile ICBM. Deployed in great secrecy in ...
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**[DS](d/ds.html)** The DS ('Dnepropetrovsk Sputnik') small satellite bus was developed by Yangel's OKB-586 / KB Yuzhnoye in the Ukraine ...
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**[Tiangong](t/tiangong.html)** Chinese man-tended space laboratory. A series of three of these laboratories were to visited by a series of Shenzhou ...
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**[Rombus](r/rombus.html)** American SSTO VTOVL orbital launch vehicle. Bono original design for ballistic single-stage-to-orbit (not quite ...
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**[NASA's Lost Boilerplate - The Story of BP-1227](n/nasaslostbotoryofbp-1227.html)** In 2002 the Encyclopedia Astronautica uncovered the forgotten story of the recovery of an Apollo capsule by ...
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**[Trident D-5](t/tridentd-5.html)** American intercontinental range, submarine-launched ballistic missile. Deployed March 1990 aboard the new Ohio-class ...
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**[Cost, Price, and the Whole Darn Thing](c/costpriceanholedarnthing.html)** Why the cost of a space launch vehicle has little if any relation to the launch price.
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**[Spacehab](s/spacehab.html)** American manned space station module. Spacehab, Inc was founded by Bob Citron in 1982 in Houston. It was the only ...
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**[Space Station Freedom](s/spacestationfreedom.html)** American manned space station. Design as of 1988. NASA's first detailed cost assessment for the US space station ...
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**[Winged Gemini](w/wingedgemini.html)** American manned spaceplane. Study 1966. Winged Gemini was the most radical modification of the basic Gemini reentry ...
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**[A7L](a/a7l.html)** ILC Dover spacesuit used for the Apollo and Skylab programs, operational 1968. Hamilton Standard had overall development ...
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**[THAAD](t/thaad.html)** American anti-ballistic missile. Theatre High-Altitude Air Defense. SDIO/BMDO project. Single stage vehicle.
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**[Redstone](r/redstone.html)** Redstone was the first large liquid rocket developed in the US using German V-2 technology. Originally designated ...
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**[Saturn IB](s/saturnib.html)** American orbital launch vehicle. Improved Saturn I, with uprated first stage and Saturn IVB second stage (common ...
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**[RS-XXX](r/rs-xxx.html)** Rocketdyne LOx/LH2 rocket engine. Design concept -2004. New high-thrust cryogenic engine concept for Next Generation ...
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**[HL-20](h/hl-20.html)** American manned spaceplane. The HL-20 was a 1988 NASA Langley design for a manned spaceplane as a backup to the ...
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**[RL-10B-2](r/rl-10b-2.html)** Pratt and Whitney LOx/LH2 rocket engine. In production. Used on Delta 3 , Delta IV launch vehicles. First flight ...
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**[Jules Verne Moon Gun](j/julesvernemoongun.html)** French gun-launched orbital launch vehicle. Jules Verne's moon gun, as described in his 1865 novel From the ...
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**[Gemini 3](g/gemini3.html)** First spacecraft to maneuver in orbit. First manned flight of Gemini spacecraft. First American to fly twice into ...
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**[Molniya-1](m/molniya-1.html)** Russian military communications satellite. This was the first Soviet communications satellite. Communication satellite ...
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**[Star-raker](s/star-raker.html)** American winged orbital launch vehicle. Rockwell International's Star-raker was an enormous 1979 heavy-lift ramjet/rocket ...
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**[Atlas V](a/atlasv.html)** American orbital launch vehicle. The Atlas V launch vehicle system was a completely new design that succeeded ...
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**[ISS](i/iss.html)** International Space Station. Development from 1994. Assembled in orbit over 13 years, 1998-2011. To be operated ...
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**[F-1](f/f-1.html)** Rocketdyne LOx/Kerosene rocket engine. Largest liquid rocket engine ever developed and flown. Severe combustion ...
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**[Olivas](o/olivas.html)** American engineer mission specialist astronaut 1998-2010.
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**[AJ-260-2](a/aj-260-2.html)** Aerojet solid rocket engine. 260 inch solid rocket booster half length. The version tested and also proposed for ...
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**[Von Braun Lunar Lander](v/vonbraunlunarlander.html)** American manned lunar lander. Study 1952. Von Braun's first lunar lander design was an immense spacecraft, larger ...
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**[Babylon Gun](b/babylongun.html)** From March of 1988 until the invasion of Kuwait in 1990, Iraq contracted with Gerard Bull to build three superguns: ...
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**[Gemini 8](g/gemini8.html)** First docking of two spacecraft. After docking with Agena target, a stuck thruster aboard Gemini resulted in the ...
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**[Suborbital Cabin](s/suborbitalcabin.html)** Russian manned spacecraft. In 1956 Korolev laid out an outline plan 'Fast Solutions for the Conquest of Space'. ...
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**[Axster](a/axster.html)** German engineer in WW2, member of the Rocket Team in the United States thereafter.
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**[Bio-Suit](b/bio-suit.html)** American space suit, study of 2001. Novel approach that used biomedical breakthroughs in skin replacement and ...
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**[Vanguard](v/vanguard.html)** American orbital launch vehicle. Vanguard was the 'civilian' vehicle developed by the US Navy to launch America's ...
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**[Gemini 9](g/gemini9.html)** Third rendezvous mission of Gemini program. Agena target blew up on way to orbit; substitute target's shroud hung ...
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**[Mercury Space Suit](m/mercuryspacesuit.html)** American space suit, operational 1960. The Mercury spacesuit was a custom-fitted, modified version of the Goodrich ...
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**[Apollo 9](a/apollo9.html)** First manned test of the Lunar Module. First test of the Apollo space suits. First manned flight of a spacecraft ...
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**[Paris Gun](p/parisgun.html)** German gun-launched missile. The Paris Gun of World War I could hurl a 120 kg shell with 7 kg of explosive to ...
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**[Apollo Martin 410](a/apollomartin410.html)** American manned lunar lander. Study 1961. The Model 410 was Martin's preferred design for the Apollo spacecraft.
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**[RD-170](r/rd-170.html)** Glushko LOx/Kerosene rocket engine. Energia strap-on. Developed 1973-1985. First flight 1987. Used one-plane gimballing ...
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**[Kliper](k/kliper.html)** Russian manned spaceplane. Study 2004. The Kliper manned spacecraft replacement for Soyuz was first announced ...
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**[Baikonur](b/baikonur.html)** Russia's largest cosmodrome, the only one used for manned launches and with facilities for the larger Proton, ...
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**[von Braun concept vehicle](v/vonbraunconceptvehicle.html)** In 1948, with the US Army's V-2 test project winding down, Wernher Von Braun was ensconced in isolated Fort Bliss. ...
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**[New Shepard](n/newshepard.html)** American manned spacecraft. Flight tests begun 2006. Vertical takeoff/vertical landing suborbital tourist spacecraft ...
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**[Apollo 8](a/apollo8.html)** First manned flight to lunar orbit. Speed (10,807 m/s) and altitude (378,504 km) records. Mission resulted from ...
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**[A-4b](a/a-4b.html)** German intermediate range boost-glide missile. Winged version of the V-2 missile with over double the range. Two ...
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**[Gemini 7](g/gemini7.html)** Record flight duration (14 days) to that date. Incredibly boring mission, made more uncomfortable by the extensive ...
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**[Shepard](s/shepard.html)** American test pilot astronaut 1959-1974. First American in space. Grounded on medical grounds during Gemini, but ...
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**[The Nedelin Catastrophe](t/thenedelincatastrophe.html)** James Oberg's classic account of the greatest disaster in space history.
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**[J-2](j/j-2.html)** Rocketdyne LOx/LH2 rocket engine. Used in the Saturn IVB stage in Saturn IB and Saturn V, and the Saturn II stage ...
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**[X-33](x/x-33.html)** American winged rocketplane. NASA-sponsored suborbital unmanned prototype for a single-stage-to-orbit rocketplane. ...
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**[X-15A-2](x/x-15a-2.html)** American manned spaceplane. The crash-damaged X-15 number 2 was rebuilt to attain even higher speeds. The body ...
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**[Megaroc](m/megaroc.html)** In December 1946 R A Smith proposed launch of a British pilot into space atop a heavily modified V-2. The proposal ...
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**[A9/A10/A11/A12](a/a9a10a11a12.html)** German orbital launch vehicle. The A12 has been named as the designation for a true orbital launch vehicle, as ...
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**[Orion CEV](o/orioncev.html)** The Orion Crew Exploration Vehicle (CEV) was NASA's manned spacecraft for the 21st Century, a throwback to the ...
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**[Cape Canaveral](c/capecanaveral.html)** America's largest launch center, used for all manned launches. Today only six of the 40 launch complexes built ...
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**[Atlas V Heavy](a/atlasvheavy.html)** American orbital launch vehicle. Heavy-lift version of the Atlas V launch vehicle system with three parallel 3.8-m-diameter ...
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**[Mercury](m/mercury.html)** American single-crew manned spacecraft. Mercury was America's first man-in-space project, but ran second in the ...
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**[Escafandra Estratonautica](e/escafandraestratonautica.html)** Spanish pressure suit. Spanish Colonel Don Emilio Herrera Linares designed and built a full pressure suit in 1935, ...
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**[orbital launch vehicle](o/orbitallaunchvehicle.html)** Category of launch vehicles.
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**[SASSTO](s/sassto.html)** American SSTO VTOVL orbital launch vehicle. Bono proposal for first step toward VTOVL SSTO vehicle - heavily modified ...
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**[UR-900](u/ur-900.html)** Russian heavy-lift orbital launch vehicle. In 1962 Vladimir Chelomei proposed a family of modular launch vehicles. ...
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**[Apollo 16](a/apollo16.html)** Second Apollo mission with lunar rover. CSM main engine failure detected in lunar orbit. Landing almost aborted.
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**[Salyut 1](s/salyut1.html)** Russian manned space station. Salyut 1 was the first DOS long duration orbital station, an Almaz spaceframe modified ...
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**[Navstar](n/navstar.html)** The Navstar GPS (Global Positioning System) program was a joint service effort directed by the United States Department ...
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**[X-15B](x/x-15b.html)** American manned spacecraft. Study 1958. North American's proposal for the Air Force initial manned space project ...
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**[Blackstar](b/blackstar.html)** American manned spaceplane. 2006 reports claimed it was flown covertly in the 1990s. If so, it may have derived ...
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**[Saturn C-8](s/saturnc-8.html)** American orbital launch vehicle. The largest member of the Saturn family ever contemplated. Designed for direct ...
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**[Atlas D](a/atlasd.html)** American intercontinental ballistic missile. Rocket used both as a space launcher and ICBM.
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**[Gemini 12](g/gemini12.html)** First completely successful space walk. Final Gemini flight. Docked and redocked with Agena, demonstrating various ...
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**[Sea Horse](s/seahorse.html)** American sea-launched test vehicle. The second phase of Sea Launch was to demonstrate the concept on a larger ...
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**[Saturn V-4X(U)](s/saturnv-4xu.html)** American orbital launch vehicle. Boeing study, 1968. Four core vehicles from Saturn V-25(S) study lashed together ...
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**[Minuteman 3](m/minuteman3.html)** American four-stage solid-propellant intercontinental ballistic missile. In the 21st Century, the sole remaining ...
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**[Newton's Orbital Cannon](n/newtonsorbitalcannon.html)** British gun-launched orbital launch vehicle. Isaac Newton discussed the use of a cannon to attain orbit in 1687 ...
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**[Soyuz TMA](s/soyuztma.html)** Russian three-crew manned spacecraft. Designed for use as a lifeboat for the International Space Station. After ...
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**[DC-X](d/dc-x.html)** The Space Defense Initiative Office's Single Stage Rocket Technology program of 1990-1995 demonstrated technology ...
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**[R-4D](r/r-4d.html)** Marquardt N2O4/MMH rocket engine. Developed as attitude control thruster for the Apollo Service and Lunar Modules ...
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**[MON/MMH](m/monmmh.html)** MON/MMH propellant. No rocket engines went into production using this propellant combination.
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**[UR-700M](u/ur-700m.html)** Russian heavy-lift orbital launch vehicle. In 1969 the Soviet Union began project Aelita, studying the best method ...
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**[Almaz OPS](a/almazops.html)** Russian manned space station. Vladimir Chelomei's Almaz OPS was the only manned military space station ever actually ...
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**[MOOSE](m/moose.html)** American manned rescue spacecraft. Study 1963. MOOSE was perhaps the most celebrated bail-out from orbit system ...
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**[Vandenberg](v/vandenberg.html)** Vandenberg Air Force Base is located on the Central Coast of California about 240 km northwest of Los Angeles. ...
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**[Tikhonravov Suborbital](t/tikhonravovsuborbital.html)** Soviet space pioneer Tikhonravov proposed a V-2-launched manned capsule to Stalin in June 1946. Had his plan been ...
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**[Jupiter IRBM](j/jupiterirbm.html)** American intermediate range ballistic missile. The Jupiter IRBM was developed for the US Army. By the time development ...
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**[Gemini 6](g/gemini6.html)** First rendezvous of two spacecraft. Originally was to dock with an Agena target, but this blew up on way to orbit. ...
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**[Atlas LV-3B / Mercury](a/atlaslv-3bmercury.html)** American orbital launch vehicle. Atlas D modified for use in Project Mercury.
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**[Von Braun 1952](v/vonbraun1952.html)** German winged orbital launch vehicle. Von Braun's 1952 design for a reusable space launcher used the same mass ...
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**[RL-10](r/rl-10.html)** Pratt and Whitney LOx/LH2 rocket engine family. First flight 1961. Originally planned for use in Centaur upper ...
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**[Black Brant](b/blackbrant.html)** The Black Brant originated in a 1957 Canadian government requirement for a sounding rocket to characterize the ...
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**[Apollo 10](a/apollo10.html)** Final dress rehearsal in lunar orbit for landing on moon. LM separated and descended to 10 km from surface of ...
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**[Mir-2](m/mir-2.html)** Russian manned space station. Study 1989. The Mir-2 space station was originally authorized in the February 1976 ...
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**[F-1A](f/f-1a.html)** Rocketdyne LOx/Kerosene rocket engine design of 1968. Improved version of the F-1, which would have been used ...
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**[Rockoon](r/rockoon.html)** American air-launched sounding rocket. The Rockoon (balloon-launched rocket) consisted of a small high-performance ...
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**[IMIS 1968](i/imis1968.html)** American manned Mars expedition. Study 1968. In January 1968 Boeing issued a report that was the result of a 14 ...
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**[MiG 105-11](m/mig105-11.html)** Russian manned spaceplane. 8 launches, 1976.10.11 to 1978.09.15 . Atmospheric flight test version of the Spiral ...
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**[Gemini 5](g/gemini5.html)** First American flight to seize duration record from Soviet Union. Mission plan curtailed due to fuel cell problems; ...
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**[M-1](m/m-1.html)** Aerojet LOx/LH2 rocket engine. Study 1961. Engine developed 1962-1966 for Uprated Saturn and Nova million-pound ...
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**[Saturn C-5N](s/saturnc-5n.html)** American nuclear orbital launch vehicle. Version of Saturn C-5 considered with small nuclear thermal stage in ...
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**[Project Orion: Its Life, Death, and Possible Rebirth](p/projectoriossiblerebirth.html)** 20,000 tonne Mars Expeditions Using Atom Bomb Propulsion - We could have sent whole cities there by 1970 - the ...
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**[Saenger II](s/saengerii.html)** Proposed two stage to orbit vehicle. Air-breathing hypersonic first stage and delta wing second stage. The German ...
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**[Apollo 14](a/apollo14.html)** Third manned lunar landing. Only Mercury astronaut to reach moon. Five attempts to dock the command module with ...
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**[Sprint ABM](s/sprintabm.html)** Nuclear-armed point defense anti-ballistic missile, an incredible high-acceleration weapon that would intercept ...
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**[Aerobee](a/aerobee.html)** American sounding rocket. In late 1945 James Van Allen was assigned by John Hopkins University to survey sounding ...
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**[Titan I](t/titani.html)** American intercontinental ballistic missile. ICBM, built as back-up to Atlas, using two stages instead of one ...
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**[Komarov](k/komarov.html)** Russian pilot cosmonaut 1960-1967. First person to die during spaceflight when the parachute lines of Soyuz 1 ...
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**[Titan IIIE](t/titaniiie.html)** American orbital launch vehicle. Titan 3D with Centaur D-1T upper stage. Used by NASA for deep space missions ...
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**[Hyperion SSTO](h/hyperionssto.html)** American sled-launched SSTO VTOVL orbital launch vehicle. Study 1966. Yet another of Philip Bono's single-stage-to-orbit ...
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**[Voskhod 2](v/voskhod2.html)** First space walk. Speed and altitude records. A disaster: astronaut unable to reenter airlock due to spacesuit ...
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**[Resnik](r/resnik.html)** American engineer mission specialist astronaut 1978-1986. Engineer. Died in Challenger accident.
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**[RS-68](r/rs-68.html)** Rocketdyne LOx/LH2 rocket engine. In production. First new large liquid-fueled rocket engine developed in America ...
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**[LFV North American](l/lfvnorthamerican.html)** American manned lunar flyer. Cancelled 1969. The North American design for a Lunar Flying Vehicle would have taken ...
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**[von Braun](v/vonbraun.html)** German-American chief designer, leader of the 'Rocket Team'; developed the V-2, Redstone, Jupiter, and the Saturn ...
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**[TMK-1](t/tmk-1.html)** Russian manned Mars flyby. Study 1959. In 1959 a group of enthusiasts in OKB-1 Section 3 under the management ...
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**[XLR99](x/xlr99.html)** Reaction Motors Lox/Ammonia rocket engine. Out of production. The first large, man-rated, throttleable, restartable ...
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**[Draeger Suit](d/draegersuit.html)** German pressure suit, developed 1935-1945. Draeger-Werke developed a hard shell full pressure suit for the Nazi ...
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**[Gemini 4](g/gemini4.html)** First American space walk. First American long-duration spaceflight. Astronaut could barely get back into capsule ...
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**[Gemini Technical Description](g/geminitechnaldescription.html)** Gemini System Details
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**[Apollo (ASTP)](a/apolloastp.html)** First international joint manned space mission; first docking between two spacecraft launched from different countries. ...
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**[Gemini Lunar Surface Rescue Spacecraft](g/geminilunarcuespacecraft.html)** American manned lunar lander. Study 1966. This version of Gemini would allow a direct manned lunar landing mission ...
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**[Seabee](s/seabee.html)** American sea-launched test vehicle. Seabee was a brief proof of principle program to validate the sea-launch concept ...
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**[Falcon 9](f/falcon9.html)** American low cost orbital launch vehicle. In September 2006 SpaceX was named as one of two winners of the NASA ...
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**[Gagarin](g/gagarin.html)** Russian pilot cosmonaut 1960-1968. First person in space. Due to his fame, the Soviet leadership did not want ...
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**[BIS Lunar Lander](b/bislunarlander.html)** British manned lunar lander. Study 1939. Design of the British Interplanetary Society's BIS Spaceship began in ...
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**[Black Arrow](b/blackarrow.html)** British orbital launch vehicle. Britain's only indigenous launch vehicle. Following cancellation of the project ...
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**[Ilyushin](i/ilyushin.html)** Russian test pilot. Most tangible phantom cosmonaut, purported first man in orbit according to French press report ...
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**[Delta 4H](d/delta4h.html)** American orbital launch vehicle. Heavy lift all-cryogenic launch vehicle using two Delta-4 core vehicles as first ...
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**[J-2S](j/j-2s.html)** Rocketdyne LOx/LH2 rocket engine. Developed 1965-1969. J-2 version proposed for Saturn follow-on vehicles, using ...
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**[Vostok 6](v/vostok6.html)** Joint flight with Vostok 5. First woman in space. Tereshkova did not reply during several communications sessions. ...
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**[Hughes-Fulford](h/hughes-fulford.html)** American biologist payload specialist astronaut 1984-1991. Biochemist. US Army
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**[Nexus](n/nexus.html)** American SSTO VTOVL orbital launch vehicle. Early 1960's recoverable launch vehicle proposed by Krafft Ehricke ...
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**[X-38](x/x-38.html)** American manned spaceplane. Lifting body reentry vehicle designed as emergency return spacecraft for International ...
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**[Plesetsk](p/plesetsk.html)** Plesetsk was the Soviet Union's northern cosmodrome, used for polar orbit launches of mainly military satellites, ...
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**[MK-700](m/mk-700.html)** Russian manned Mars flyby. Study 1972. Chelomei was the only Chief Designer to complete an Aelita draft project ...
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**[Kvant](k/kvant.html)** Russian manned space station module. Kvant 1). The Kvant spacecraft represented the first use of a new kind of ...
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**[German Rocketplanes](g/germanrocketplanes.html)** German manned rocketplane family.
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**[Taming the Fire](t/tamingthefire.html)** The story of the making of the 1972 Soviet film that took viewers inside the life of Sergei Korolev and the Baikonur ...
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**[R-14](r/r-14.html)** Ukrainian intermediate range ballistic missile. The R-14, with a range of 3600 km, was the only missile of that ...
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**[V-1000](v/v-1000.html)** Russian anti-ballistic missile. First Soviet anti-ballistic missile system. Development began in 1956 and the ...
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**[Cuxhaven](c/cuxhaven.html)** As the only site in Germany with an unrestricted over-water firing sector over the North Sea, Cuxhaven was once ...
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**[Ariane](a/ariane.html)** First successful European commercial launch vehicle, developed from the L3S, an Europa launch vehicle replacement ...
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**[Mars 5NM](m/mars5nm.html)** Russian Mars lander. Cancelled 1974. The 5NM was the first attempt by the Lavochkin bureau to design and fly a ...
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**[Soviets Recovered an Apollo Capsule! - 2008 version](s/sovietsrecoe-2008version.html)** In 2002 this web site broke the story that the Soviet Union had recovered an Apollo capsule in 1969 and returned ...
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**[R-3](r/r-3.html)** Korolev 3000 km range intermediate range ballistic missile. Developed April 1947 to 1949 before cancellation.
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**[White Sands](w/whitesands.html)** White Sands Missile Range occupies an area 160 x 65 km in the Tularosa Basin of southern New Mexico, across the ...
**Latest**
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**[The Rocketeer Who Never Was](t/therocketeerwhoneverwas.html)**
NASA histories say that the first American rocket-powered aircraft flight was made by William Swan at Atlantic City on January 4, 1931. But the launch was made in June and Swan was not his real name. He made the first air-launched rocket aircraft flight in 1932. In 1933 he bailed from an aircraft over Boca Chica, Texas, now the site of the SpaceX Starship launch facility, disappeared into the clouds, and was never seen again. Where had he come from? Where did he go? It was only in the 21st Century that the life story of Swan was revealed.
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**[Oberg Corner](o/obergcorner.html)**
The latest from Jim Oberg, the dean of American space historians.
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**The Mishin Diaries**
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**[Podsadka - Failed Plan to Win the Moon Race](p/podsadka-fainthemoonrace.html)** Podsadka was a secret plan to use a two-launch scheme to shoot the first Soviet crew around the moon. The reason for the puzzling Soyuz manned launches in 1966-1969 are revealed to be tests of this scheme. The effort was bandoned after Apollo 8 orbited the moon and the L1 program was cancelled.
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**[N1-L3: Two Launches to Get One Man on the Moon](n/n1-l3twolauemanonthemoon.html)** The single-launch approach to the moon landing sold to the Soviet leadership was unachievable due to payload shortfalls and safety considerations. By the time of America's first landing on the moon, it had degenerated into a two-launch scheme. The first launch would deliver a Ye-8-2 robot rover to place a homing beacon at a safe location for the manned landing; and a reserve unmanned LK-R lander to provide a way home in case the primary LK lander failed on the lunar surface. The second launch would result in the single-crew LK lander setting down near the beacon and reserve lander...
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**[MKBS - Secret Origin of Mir and Soyuz T](m/mkbs-secretfmirandsoyuzt.html)** The MKBS was an N1-launched, nuclear-powered orbital battle station that would assure Soviet dominance of space through use of beam weapons. It was developed in 1969-1974, only to be ended when the N1 booster necessary to put it in orbit was cancelled. However the spacecraft and systems developed for it became the basis for the Soviet manned space program of the 1970's and 1980's.
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**[Man-in-Space Soonest](m/man-in-space-soonest.html)** - The canceled USAF project to put a man in orbit by 1960 - a year ahead of the Russians!
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**[Bono](b/bono.html)** In the 1960's Philip Bono proposed a series of innovative designs that would enable airline-like access to space. ...
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**Russian Lunar Program**
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**[Soviet Lunar Projects](r/russiasovielunarprojects.html)** The Russians began three years later in competing with Apollo, and wasted time in competing efforts and internal wrangling.
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**[Soyuz 7K-L1](s/soyuz7k-l1.html)** Russian manned lunar flyby spacecraft which would have beat Americans around the moon if not for intractable technical failures...
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**[Russia: Why did the Soviet Union lose the Moon Race?](r/russiawhydisethemoonrace.html)** The reasons the Americans were first on the moon, as given by the major Soviet participants.
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**[The Real Moon Landing Hoax](r/russiathereonlandinghoax.html)** How the Soviet Union fooled the world into believing it wasn't in the moon race.
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**[Soyuz 7K-LOK](s/soyuz7k-lok.html)** The two-crew LOK lunar orbiting spacecraft was to be placed in lunar orbit before the Americans. One cosmonaut would transfer to the
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**[LK](l/lk.html)** lunar lander and plant the Soviet flag on the moon.
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[Luna Ye-8-5](l/lunaye-8-5.html) When it was clear the LK would not be ready in time, this robotic lunar lander was built in a crash program to return a sample of lunar soil to earth before Apollo 11 mission.
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**[N1](n/n1.html)** The N1 launch vehicle, developed by Russia in the 1960's, was to be the Soviet Union's counterpart to the Saturn V and send Soviet cosmonauts to a lunar landing.
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**Russian Alternatives**
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**[LK-1](l/lk-1.html)** Chelomei's manned circumlunar spacecraft. Underway when cancelled in favor of Korolev's L1....
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**[LK-700](l/lk-700.html)** Chelomei's direct-landing alternative to Korolev's L3 manned lunar landing design. ...
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**[UR-700](u/ur-700.html)** The UR-700 was the member of Vladimir Chelomei's Universal Rocket family designed to take two Soviet cosmonauts on a direct flight to the moon.
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**[R-56](r/r-56.html)** Ukrainian heavy-lift orbital launch vehicle. The R-56 was Yangel's ultimate superbooster design for the lunar mission in competition with the N1 and UR-700.
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**American Lunar Program**
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**[Apollo Lunar Landing](a/apollolunarlanding.html)** American project that resulted in an American being the first (and only) human to walk on the moon. Begun in 1962; first landing on the moon 1969; sixth and final lunar landing in 1972. Hardware was available for three further missions, but program was cancelled due to risk, the Soviets getting out of the race, and loss of public support and interest.
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**[Apollo 7](a/apollo7.html)** First manned test of the Apollo spacecraft. Although the systems worked well, the crew became grumpy with head colds and talked back to the ground. As a result, NASA management determined that none of them would fly again.
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**[Apollo 503](a/apollo503.html)** Cancelled Apollo E mission - test of the Apollo lunar module in high earth orbit. Lunar module was not ready. Instead mission flown only with CSM into lunar orbit as Apollo 8.
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**[Apollo 8](a/apollo8.html)** First manned flight to lunar orbit. Speed (10,807 m/s) and altitude (378,504 km) records. Mission resulted from audacious decision to send crew around moon to beat Soviets on only second manned Apollo CSM mission and third Saturn V launch.
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**[Apollo 9](a/apollo9.html)** First manned test of the Lunar Module. First test of the Apollo space suits. First manned flight of a spacecraft incapable of returning to earth. If rendezvous of the Lunar Module with the Apollo CSM had failed, crew would have been stranded in orbit.
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**[Apollo 10](a/apollo10.html)** Final dress rehearsal in lunar orbit for landing on moon. LM separated and descended to 10 km from surface of moon but did not land. Speed record (11,107 m/s).
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**[Apollo 11](a/apollo11.html)** First manned lunar landing. The end of the moon race and public support for large space programs. The many changes made after the Apollo 204 fire paid off; all went according to plan, virtually no problems.
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**[Saturn V](s/saturnv.html)** American orbital launch vehicle. America's booster for the Apollo manned lunar landing.
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**[Apollo CSM](a/apollocsm.html)** The Apollo Command Service Module was the spacecraft developed by NASA in the 1960's as a standard spacecraft but ended up being built only for the lunar landing mission.
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**[Apollo LM](a/apollolm.html)** American manned lunar lander.
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**American Alternatives**
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**[Lunar Gemini](g/geminilunargemini.html)** The Gusmobile might have gotten on the moon faster, quicker, cheaper (but not better...)
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**[Apollo D-2](a/apollod-2.html)** American manned lunar orbiter. Study 1962. The General Electric design for Apollo put all systems and space not ...
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**[Nova](n/nova.html)** Nova was NASA"s ultimate launch vehicle, studied intently from 1959 to 1962, conceived to allow a direct manned lunar landing...
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**Other Stuff**
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**[Sea Dragon](s/seadragon.html)** American sea-launched heavy-lift orbital launch vehicle. Sea Dragon was an immense, sea-launched, two-stage launch ...
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**[Sputnik 2](s/sputnik2.html)** Russian biology satellite.
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**[Manned V-2](m/mannedv-2.html)** While the V-2 rocket could not achieve orbit, it was capable of putting a man into space on a suborbital trajectory. ...
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**[Apollo 18](a/apollo18.html)** Apollo 18 was originally planned in July 1969 to land in the moon's Schroter's Valley, a river-like channel-way. ...
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**[A Brief History of the HARP Project](a/abriefhistoheharpproject.html)** Richard K Graf's account of the Canadian 1960's project to launch satellites from a 16 inch gun...
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**[Lox/LH2](l/loxlh2.html)** Lox/LH2 propellant.to be used on production space launch vehicles. Liquid oxygen was the earliest, cheapest, safest, ...
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**[V-2](v/v-2.html)** The V-2 ballistic missile (known to its designers as the A4) was the world's first operational liquid fuel rocket. ...
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**[Space Suits](s/spacesuits.html)** To explore and work in space, human beings must take their environment with them because there is no atmospheric ...
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**[Lox/Kerosene](l/loxkerosene.html)** Lox/Kerosene propellant. Liquid oxygen was the earliest, cheapest, safest, and eventually the preferred oxidizer ...
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**[Saturn I](s/saturni.html)** American orbital launch vehicle. Von Braun launch vehicle known as 'Cluster's Last Stand' - 8 Redstone tanks around ...
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**[Apollo 11](a/apollo11.html)** First manned lunar landing. The end of the moon race and public support for large space programs. The many changes ...
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**[By Gemini to Mars!](b/bygeminitomars.html)** In the 1960's many considered use of the cramped two-man Gemini reentry vehicle for journeys to the moon problematic. ...
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**[N2O4/UDMH](n/n2o4udmh.html)** N2O4/UDMH propellant. Nitrogen tetroxide became the storable liquid propellant of choice from the late 1950's. ...
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**[Adam](a/adam.html)** American manned spacecraft. In early 1958 Wernher von Braun proposed launching an American aboard an Army Redstone ...
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**[Buran](b/buran.html)** Russian manned spaceplane which represented a huge leap in Soviet space technology and project management. Buran ...
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**[Gemini](g/gemini.html)** American manned spacecraft. Gemini was conceived as an 'upgraded Mercury' to test essential orbital maneuvering, ...
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**[N2O4/MMH](n/n2o4mmh.html)** N2O4/MMH propellant. Monomethylhydrazine (MMH) is a storable liquid fuel that found favor in the United States ...
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**[Pye Wacket](p/pyewacket.html)** Pye Wacket was the code name for a flying saucer-shaped air-to-air missile being developed by the US Air Force ...
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**[Dynasoar](d/dynasoar.html)** American manned spaceplane. Cancelled 1963. The X-20A Dynasoar (Dynamic Soarer) was a single-pilot manned reusable ...
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**[Titan II](t/titanii.html)** American intercontinental ballistic missile. ICBM, developed also as the launch vehicle for the manned Gemini ...
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**[Where Have All the Astronauts Gone?](w/wherehavealstronautsgone.html)** The public pays little attention to manned space flight and seems to believe that little has changed. They see ...
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**[Almaz](a/almaz.html)** Vladimir Chelomei's Almaz was the only manned military spacecraft ever actually flown. The project continued through ...
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**[Von Braun Mars Expedition - 1969](v/vonbraunmarpedition-1969.html)** American manned Mars expedition. Study 1969. Von Braun's final vision for a manned expedition to Mars was a robust ...
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**[R-7](r/r-7.html)** Russian intercontinental ballistic missile and launch vehicle series. The world's first ICBM and first orbital ...
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**[Apollo 17](a/apollo17.html)** Final Apollo lunar landing mission. First geologist to walk on the moon.
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**[Proton](p/proton.html)** The Proton launch vehicle has been the medium-lift workhorse of the Soviet and Russian space programs for over ...
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**[H2O2/Kerosene](h/h2o2kerosene.html)** H2O2/Kerosene propellant. Hydrogen peroxide was used as an oxidizer with kerosene in the 1950's in British rockets. ...
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**[Skylab](s/skylab.html)** American manned space station. First US space station. The project began life as the Orbital Workshop- outfitting ...
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**[Apollo 13](a/apollo13.html)** Fuel cell tank exploded en route to the moon, resulting in loss of all power and oxygen. Only through use of the ...
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**[Energia](e/energia.html)** Version of the Energia using the core vehicle without the Buran spaceplane.
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**[Hermes](h/hermes.html)** French manned spaceplane. Cancelled 1992. The Hermes spaceplane would have provided independent European manned ...
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**[Atlas](a/atlas.html)** The Atlas rocket, originally developed as America's first ICBM, was the basis for most early American space exploration ...
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**[Delta](d/delta.html)** American orbital launch vehicle. The Delta launch vehicle was America's longest-lived, most reliable, and lowest-cost ...
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**[Polyus](p/polyus.html)** Russian military anti-satellite system. The Polyus military test bed was put together on a crash basis as an answer ...
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**[Vostok](v/vostok.html)** World's first manned spacecraft, it was developed into the later Voskhod, and numerous versions of recoverable ...
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**[Ithacus](i/ithacus.html)** American SSTO VTOVL orbital launch vehicle. An adaptation of Phillip Bono's enormous ROMBUS plug-nozzle semi-single-stage-orbit ...
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**[Otrag](o/otrag.html)** Orbital Transport-und-Raketen Aktiengesellschaft, Germany. Manufacturer of rocket engines and rockets. $200 million ...
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**[RD-180](r/rd-180.html)** Glushko LOx/Kerosene rocket engine. Atlas III, Atlas V stage 1. In production. First flight 2000. Two-thrust-chamber ...
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**[Apollo 12](a/apollo12.html)** Second manned lunar landing. Precision landing near Surveyor 3 that landed in 1967. Lightning struck the booster ...
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**[A9/A10](a/a9a10.html)** German intercontinental boost-glide missile. The A9/A10 was the world's first practical design for a transatlantic ...
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**[Space Shuttle](s/spaceshuttle.html)** American winged orbital launch vehicle. The version of the space shuttle that went into production. Redesign of ...
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**[FSW](f/fsw.html)** Chinese military surveillance satellite. Reconnaissance, Earth observation satellite built by CAST, China. Launched ...
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**[American Rocketplanes](a/americanrocketplanes.html)** American manned rocketplane family.
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**[LCLV](l/lclv.html)** American low cost orbital launch vehicle. As a result of TRW's review of the Truax/Aerojet Sea Dragon, TRW became ...
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**[Manned spacecraft](m/mannedspacecraft.html)**
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**[MOL](m/mol.html)** American manned space station. Cancelled 1969. MOL (Manned Orbiting Laboratory) was the US Air Force's manned ...
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**[Soyuz](s/soyuz.html)** The Russian Soyuz spacecraft has been the longest-lived, most adaptable, and most successful manned spacecraft ...
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**[Gnom](g/gnom.html)** Russian intercontinental ballistic missile. Gnom was a unique design which represented the most advanced work ...
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**[Navaho](n/navaho.html)** The Navaho intercontinental cruise missile project was begun just after World War II, at a time when the US Army ...
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**[MAKS](m/maks.html)** Russian air-launched winged orbital launch vehicle. The MAKS spaceplane was the ultimate development of the air-launched ...
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**[Lenticular Vehicles](l/lenticularvehicles.html)** For a brief period in 1959-1964, NASA and the US Air Force actively considered launching manned flying saucers ...
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**[SAINT](s/saint.html)** American military anti-satellite system. Cancelled 1963.
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**[Raketoplan](r/raketoplan.html)** Russian manned spaceplane family. Succeeding the VKA project, this was developed by Chelomei from 1959, including ...
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**[Gun-launched](g/gun-launched.html)** Artillery dominated military ballistics from the earliest use of gunpowder. In 1865 Jules Verne could only realistically ...
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**[Kosmoplan](k/kosmoplan.html)** Russian Mars orbiter. Cancelled 1965. Beginning in the late 1950's, Chelomei began studying use of his encapsulated ...
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**[Chertok's Memoirs](c/chertoksmemoirs.html)** Summary of a principal source in Soviet space history
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**[Yangel](y/yangel.html)** Soviet Chief Designer 1954-1971 of OKB-586. Preeminent designer of ballistic missiles and light satellites. His ...
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**[Storms](s/storms.html)** American Chief Designer who led development of the Apollo spacecraft and Saturn S-II at North American. Earlier ...
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**[Mishin](m/mishin.html)** Soviet Chief Designer, superseding Korolev, 1966-1974. Led the bureau in the flight test stages of the L1 and ...
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**[Leonov](l/leonov.html)** Russian pilot cosmonaut 1960-1982. Cancelled missions included command of first Soviet circumlunar flight in 1969 ...
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**[Tereshkova](t/tereshkova.html)** Russian cosmonaut 1962-1997. First woman in space, aboard Vostok 6. But the flight was propaganda and future spaceflight ...
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**[Kamanin Diaries](k/kamanindiaries.html)** Summary of a principal source in Soviet space history
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**[Korolev](k/korolev.html)** Soviet Chief Designer, responsible for creating the first long range ballistic missiles, the first space launchers, ...
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**[Tsien](t/tsien.html)** (1911-2009) Father of Chinese spaceflight. Leading rocket theoretician, expelled from USA as Red in 1955. Created ...
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**[Glushko](g/glushko.html)** Soviet Chief Designer, responsible for all large liquid propellant engines for missiles and LVs. Led Glushko bureau, ...
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**[Chelomei](c/chelomei.html)** Soviet Chief Designer 1955-1984 of OKB-52. Leading designer of cruise missiles and ICBMs. Fought for lead role ...
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**[Saenger](s/saenger.html)** German-Austrian rocket pioneer; designer of Silverbird space bomber. Worked at Trauen for Luftwaffe 1936-1944 ...
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**[Russian Rocketplanes](r/russianrocketplanes.html)** The story of rocketplanes and spaceplanes in the Soviet Union was one of constant setbacks due to internal politics, ...
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**[Russia: Key Meetings in Soviet Spaceflight](r/russiakeymeetspaceflight.html)** The key meetings, the main decisions that led to the Soviet loss of the moon race and shuttle race.
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**[Russia: Soviet Space History at a Glance](r/russiasovietoryataglance.html)**
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**[Russia](r/russia.html)** The true history of Soviet spaceflight is predominantly the story of Soviet military space. Manned or scientific ...
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**[Russian SAMs and ABMs](r/russiansamsandabms.html)** Perhaps no missiles ever produced had as much historical influence as the surface-to-air missiles of the Soviet ...
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**[China](c/china.html)** The history of rocket and space development in China.
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**[Germany](g/germany.html)** German enthusiasts laid the technical groundwork for the exploration of space in the 1920's and early 1930's. ...
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**[Russia - Early Ballistic Missiles](r/russia-earlisticmissiles.html)** The true configuration of the world's first ICBM, the R-7, was revealed only in 1967, ten years after its first ...
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**[Russia: What did the CIA know and when did they know it?](r/russiawhatddidtheyknowit.html)** Fifty years of declassified American National Intelligence Estimates, compared to what we now know was really ...
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**[Russian Strategic Cruise Missiles](r/russianstraruisemissiles.html)** As in America, in the 1946 assessments of German military technology, the technical problems of the intercontinental ...
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**[Russian Designations](r/russiandesignations.html)** Designations of Russian ballistic missiles, launch vehicles, and spacecraft.
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**[Mars Expeditions](m/marsexpeditions.html)** Since Wernher von Braun first sketched out his *Marsprojekt* in 1946, a succession of designs and mission ...
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**[Mars Flyby](m/marsflyby.html)**
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**[Mars lander](m/marslander.html)**
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**[Mars orbiter](m/marsorbiter.html)**
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**[Mars rover](m/marsrover.html)**
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**[Mars Rovers](m/marsrovers.html)** Nearly every conceptual mission to Mars has included pressurized rovers to allow the astronauts to get around ...
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**[American Mars Expeditions](a/americanmarsexpeditions.html)**
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**[Russian Mars Expeditions](r/russianmarsexpeditions.html)** Aelita was the Queen of Mars in the famous socialist parable filmed by Jakov Protazanov in 1924. It was altogether ...
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**[Von Braun Mars Expedition - 1952](v/vonbraunmarpedition-1952.html)** American manned Mars expedition. Study 1952. Wernher von Braun made the first engineering analysis of a manned ...
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**[Mars](m/mars.html)** Soviet Mars probes were intended to photograph Mars on flyby trajectories, followed by Mars orbit, landing, and ...
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**[Lunar Bases](l/lunarbases.html)** The Lunar Base never seemed to be a high priority to space visionaries, who were mainly interested in getting to Mars...
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**[Lunar Flyby](l/lunarflyby.html)**
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**[Lunar Crashers](l/lunarcrashers.html)**
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**[Lunar Orbiter](l/lunarorbiter.html)** American lunar orbiter. Photography of the moon's surface from selenocentric orbit. The Lunar Orbiter series took ...
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**[Lunar Orbiters](l/lunarorbiters.html)** Manned lunar orbiters and orbiting stations were rarely designed for this purpose alone, but usually used in a ...
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**[Lunar Landers](l/lunarlanders.html)** Lunar lander design started with the British Interplanetary Society's concept of 1939, followed by Von Braun's ...
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**[Lunar Flyers](l/lunarflyers.html)** Lunar flyers would use rocket power to get crew or cargo quickly from one point on the lunar surface to another. ...
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**[Lunar Habitats](l/lunarhabitats.html)** Lunar habitats were usually for early lunar exploration or as modules for fixed-location base buildup. Mobile ...
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**[Lunar L1](l/lunarl1.html)** The Russian program to fly Soviet cosmonauts around the moon in the late 1960's.
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**[Russia: Soviet Manned Lunar Projects](r/russiasovielunarprojects.html)** The failed Soviet lunar program, and the follow-on lunar base projects that came to nothing.
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**[Lunar L3](l/lunarl3.html)** The Soviet program to land a man on the moon and return him safely to earth.
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**[Apollo: Soviets Recovered an Apollo Capsule!](a/apollosovieapollocapsule.html)** The truth only emerged 32 years later - the Soviets recovered an Apollo space capsule in 1970… the original article.
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**[Apollo](a/apollo.html)** The successful US project to land a man on the moon.
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**[Apollo 7](a/apollo7.html)** First manned test of the Apollo spacecraft. Although the systems worked well, the crew became grumpy with head ...
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**[Apollo 19](a/apollo19.html)** Apollo 19 was originally planned to land in the Hyginus Rille region, which would allow study of lunar linear ...
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**[Apollo 20](a/apollo20.html)** Apollo 20 was originally planned in July 1969 to land in Crater Copernicus, a spectacular large crater impact ...
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**[L1: The Podsadka Problem](l/l1thepodsadkaproblem.html)** What was the secret configuration of the L1 spacecraft?
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**[Project Horizon](p/projecthorizon.html)** The project summary of the US Army's 1959 plan to place a military base on the moon by 1965!
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**[L3](l/l3.html)** Russian manned lunar expedition. Development begun in 1964. All hardware was test flown, but program cancelled ...
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**[Manned Circumlunar](m/mannedcircumlunar.html)** Boosting a manned spacecraft on a loop around the moon, without entering lunar orbit, allows a trip to be made ...
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**[Lunar Rovers](l/lunarrovers.html)** Lunar rovers were studied in a dizzying variety of sizes and shapes by NASA in the 1960's - including crawlers, ...
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**[Propellants](p/propellants.html)** Propellants, fuels, and oxidizers - their characteristics and the vehicles that use them
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**[Lox/LCH4](l/loxlch4.html)** Lox/LCH4 propellant. Liquid methane, or liquid natural gas, was originally proposed in the 1960's as an an alternate ...
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**[Lox/Alcohol](l/loxalcohol.html)** Lox/Alcohol propellant. This propellant combination was used for the German V-2 rocket, and the first derivative ...
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**[Solid](s/solid.html)** Solid propellants have the fuel and oxidizer embedded in a rubbery matrix. They were developed to a high degree ...
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**[N2O4/Aerozine-50](n/n2o4aerozine-50.html)** N2O4/Aerozine-50 propellant. Nitrogen tetroxide became the storable liquid propellant of choice from the late ...
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**[N2O4/Hydrazine](n/n2o4hydrazine.html)** N2O4/Hydrazine propellant. Hydrazine (N2H4) found early use as a fuel, but it was quickly replaced by UDMH, and ...
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**[Nitric acid/Kerosene](n/nitricacidkerosene.html)** Nitric acid/Kerosene propellant. This propellant combination, theoreticaly a very low-cost solution, proved to ...
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**Learn about:**
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**[Space Station 1970](s/spacestation1970.html)** NASA's baseline Space Station of 1970, which was to be operational at early as 1977, was a large earth orbiting ...
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**[Vulcain 2](v/vulcain2.html)** SEP, Ottobrunn LOx/LH2 rocket engine. In development. New generator cycle rocket engine for an Ariane 5 core stage ...
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**[Pegasus VTOVL](p/pegasusvtovl.html)** American SSTO VTOVL orbital launch vehicle. Bono design for semi-single-stage-to-orbit ballistic VTOVL launch ...
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**[Transit](t/transit.html)** Spin-stabilized Transit satellites were developed by the US Navy beginning in 1958 for the first operational navigation ...
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**[Massimino](m/massimino.html)** American engineer mission specialist astronaut 1996-2012.
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**[Soyuz 7K-OK](s/soyuz7k-ok.html)** Russian manned spacecraft. Development of a three-manned orbital version of the Soyuz, the 7K-OK was approved ...
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**[OTV](o/otv.html)** American space tug. Studied 1985-1989. The Orbital Transfer Vehicle was reusable space tug, powered by LOx/LH2 ...
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**[Titan IIIC](t/titaniiic.html)** American orbital launch vehicle. Titan 3A with five segment solid motors. Man-rated design originally developed ...
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**[Higginbotham](h/higginbotham.html)** American engineer mission specialist astronaut 1996-2007. Engineer.
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**[Soyuz-U](s/soyuz-u.html)** Russian standardized man-rated orbital launch vehicle derived from the original R-7 ICBM of 1957. It has been ...
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**[Burlak](b/burlak.html)** Russian air-launched winged orbital launch vehicle. Burlak air-launched satellite launcher was proposed in 1992 ...
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**[RD-171](r/rd-171.html)** Glushko LOx/Kerosene rocket engine. Zenit stage 1. In production. RD-171 used two-plane gimballing versus one-plane ...
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**[RSA-3](r/rsa-3.html)** The RSA-3 satellite launcher began development as an IRBM in the 1980's because of the perceived Soviet threat ...
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**[NAA Manned Bombardment and Control Vehicle](n/naamannedboontrolvehicle.html)** American manned combat spacecraft. Study 1963. In the early 1960's, one configuration studied by North American ...
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**[Penguin](p/penguin.html)** Russian anti-zero-G suit, tested 1975. Prophylactic Body-Loading Suit, in use from 1978-; looked like the standard ...
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**[Mars Direct](m/marsdirect.html)** American manned Mars expedition. Study 1991. In 1991 Martin Marietta and NASA Ames (Zubrin, Baker, and Gwynne) ...
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**[STS External Tank Station](s/stsexternaltankstation.html)** American manned space station. Study 1980. NASA studied several concepts in the 1980's using the 'wet workshop' ...
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**[Soyuz 11](s/soyuz11.html)** First space station mission. Record flight duration. Main telescope inoperative. Fire in space station put out. ...
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**[NK-33](n/nk-33.html)** Kuznetsov LOx/Kerosene rocket engine. N-1F stage 1 (block A), Kistler stage 1, Taurus II stage 1. Modified version ...
---
**[EBH LV](e/ebhlv.html)** German orbital launch vehicle. The EBH (Engel - Bödewaldt - Hanischlaunch) vehicle was a 1949 manned design which ...
---
**[Burya La-350](b/buryala-350.html)** A government decree on 20 May 1954 authorized the Lavochkin aircraft design bureau to proceed with full-scale ...
---
**[A9/A10/A11](a/a9a10a11.html)** German winged orbital launch vehicle. The A11 was planned at Peenemuende to use the A9/A10 transoceanic missile ...
---
**[Shuttle C](s/shuttlec.html)** American orbital launch vehicle. NASA Marshall design for a cargo version of the shuttle system. The shuttle orbiter ...
---
**[Gemini Lunar Lander](g/geminilunarlander.html)** American manned lunar lander. Study 1961. A direct lunar lander design of 1961, capable of being launched to the ...
---
**[Kistler K-1](k/kistlerk-1.html)** American low-cost orbital launch vehicle. The Kistler K-1 was a reusable two-stage launch vehicle developed by ...
---
**[Jupiter C](j/jupiterc.html)** American orbital launch vehicle. Re-entry vehicle test booster and satellite launcher derived from Redstone missile. ...
---
**[R-2](r/r-2.html)** Russian intermediate range ballistic missile. The Soviet R-2 ballistic missile was developed in 1947-1953, nearly ...
---
**[Voskhod 1](v/voskhod1.html)** First three-crew spaceflight. Altitude record (336 km). First crew to fly without spacesuits. First non-pilot ...
---
**[Gemini LOR](g/geminilor.html)** American manned lunar lander. Study 1961. Original Mercury Mark II proposal foresaw a Gemini capsule and a single-crew ...
---
**[Peenemuende](p/peenemuende.html)** Heersversuchsstelle Peenemunde. First launch site in the world, used for development of the V-1, A-4/V-2, Wasserfall, ...
---
**[Minuteman](m/minuteman.html)** American intercontinental ballistic missile. Mainstay of the US deterrent. 1,000 Minuteman silos were built in ...
---
**[R-12](r/r-12.html)** Ukrainian intermediate range ballistic missile. The R-12 was the first operationally effective intermediate range ...
---
**[Molniya](m/molniya.html)** First Soviet communications satellite network, using satellites in an inclined 12-hour orbit ensuring reception ...
---
**[IS-A](i/is-a.html)** Russian military anti-satellite system. First operational ASAT. Tested in 1967-1971 and deployed through the late ...
---
**[R-16](r/r-16.html)** Ukrainian intercontinental ballistic missile. The Soviet Union's first practical ICBM, a two stage vehicle using ...
---
**[RSA-4](r/rsa-4.html)** South African all-solid orbital launch vehicle. The RSA-4 ICBM / satellite launcher was a planned follow-on to ...
---
**[R-5](r/r-5.html)** Yangel intermediate range ballistic missile. The R-5 was the first Soviet missile to be armed with a nuclear warhead, ...
---
**[R-1](r/r-1.html)** Russian short range ballistic missile. Stalin did not decide to proceed with Soviet production of this copy of ...
---
**[Spiral OS](s/spiralos.html)** Russian manned spaceplane, developed 1965-1980s, including subscale flight article tests. Evolved into the MAKS ...
---
**[CXV](c/cxv.html)** American manned spacecraft. Study 2012. Crew Transfer Vehicle proposed by `t/Space and Burt Rutan's Scaled Composites ...
---
**[Zenit-2 satellite](z/zenit-2satellite.html)** Russian military surveillance satellite. The Zenit-2 was a derivative of the manned Vostok, and the Soviet Union's ...
---
**[Bomi](b/bomi.html)** Bell manned skip-glide space bomber project of the early 1950's. Predecessor to Dynasoar.
---
**[UR-100](u/ur-100.html)** Russian intercontinental ballistic missile. The UR-100 lightweight ICBM was the Soviet answer to the US Minuteman ...
---
**[CIA NIE March 1967](c/cianiemarch1967.html)** What did the US know about Soviet lunar plans? This annotated version of the CIA's National Intelligence Estimate ...
---
**[Kapustin Yar](k/kapustinyar.html)** Russia's first missile test range and used for satellite launches of smaller Kosmos vehicles. V-2's launched from ...
---
**[R-11](r/r-11.html)** First Russian ballistic missile using storable propellants, developed from the German Wasserfall SAM by Korolev's ...
---
**[R-17](r/r-17.html)** Russian short-range ballistic missile. The final refinement of the R-11 design, the R-17, was exported widely ...
---
**[Woomera](w/woomera.html)** Woomera Instrumented Range. After World War II British government recognized the need for a large range to test ...
---
**[Spacelab](s/spacelab.html)** The European-built Spacelab pressurized module remained attached to space shuttle and permitted conduct of a range ...
---
**[R-36](r/r-36.html)** Ukrainian intercontinental ballistic missile. The R-36 ICBM was the largest ever built and the bogeyman of the ...
---
**[Manned Space Firsts](m/mannedspacefirsts.html)** Who did what when ? -- a list of manned space firsts...
---
**[S-75](s/s-75.html)** Russian surface-to-air missile. Known in the west as the SA-2 Guideline, this weapon was responsible for the downing ...
---
**[Wallops Island](w/wallopsisland.html)** Wallops Flight Facility. Small NASA launch site for sounding rocket launches and occasional Scout launches to ...
---
**[US-A](u/us-a.html)** Russian military naval surveillance radar satellite. The US-A (later known as RLS) was a nuclear powered RORSAT ...
---
**[MORL](m/morl.html)** American manned space station. Study 1962. In June 1964 Boeing and Douglas received Phase I contracts for Manned ...
---
**[Jiuquan](j/jiuquan.html)** China's first launch center, also known as Shuang Cheng Tzu. Jiuquan Satellite Launch Centre, situated at 100 ...
---
**[US Rocketplanes](u/usrocketplanes.html)** Category of spacecraft.
---
**[Sriharikota](s/sriharikota.html)** India's primary space launch center, located on the east coast of the peninsula with a firing sector over the ...
---
© 1997-2019 Mark Wade - [Contact](c/contact.html)
[© / Conditions for Use](c/conditionsolfromthissite.html)
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I NEED TO REDESIGN THIS FRONT PAGE!<BR>
shameless plug: <A HREF="https://www.looneystore.com/">LOONEYSTORE.COM</a>
<BR>
updated 12.03.13<BR>
<I>© 1995 - 2013</I> <A href="me.html"><I>Carolyn C. Gargaro</I></A></FONT></TD>
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I NEED TO REDESIGN THIS FRONT PAGE!
shameless plug: [LOONEYSTORE.COM](https://www.looneystore.com/)
updated 12.03.13
*© 1995 - 2013* [*Carolyn C. Gargaro*](me.html) |
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| [RightGrrl Rules](http://www.rightgrrl.com/) | [Mother Teresa](mother_teresa/) | [Mike Rules.](http://www.akacooties.com/) |
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<p align ="center"><B>Latest News</B>
<BR>
<BR>
Tuesday: September 22, 2009
<BR>
<A HREF = "http://www.wamplet.com/Computer.xls">September 2009 Computer Parts list for Intel i7 computer at Newegg</A>
<BR>
<BR>
Friday: September 12, 2008
<BR>
A few things to add and a bit of cleanup:
<BR>
<BR>
<A HREF = "http://www.wamplet.com/food">Food Pics and Recipes</A>
<BR>
<BR>
Took these a while back to enter in a calendar photo contest. Didn't win, though.
<BR>
<A HREF = "http://www.wamplet.com/Immortalx.JPG">Corvette Graveyard Pic 1</A>
<BR>
<A HREF = "http://www.wamplet.com/Immortal2x.JPG">Corvette Graveyard Pic 2</A>
<BR>
<A HREF = "http://www.wamplet.com/Immortal3x.JPG">Corvette Graveyard Pic 3</A>
<BR>
<A HREF = "http://www.wamplet.com/Reborn.JPG">Corvette Graveyard Pic 4</A>
<BR>
<BR>
My new Pet Hamster
<BR>
<A HREF = "http://www.wamplet.com/hamster.JPG">Hamster Pic 1</A>
<BR>
<A HREF = "http://www.wamplet.com/hamster2.JPG">Hamster Pic 2</A>
<BR>
<A HREF = "http://www.wamplet.com/hamster3.JPG">Hamster Pic 3</A>
<BR>
<A HREF = "http://www.wamplet.com/hamster4.JPG">Hamster Pic 4</A>
<BR>
<A HREF = "http://www.wamplet.com/hamster5.JPG">Hamster Pic 5</A>
<BR>
<A HREF = "http://www.wamplet.com/hamster6.JPG">Hamster Pic 6</A>
<BR>
<A HREF = "http://www.wamplet.com/hamster7.JPG">Hamster Pic 7</A>
<BR>
<A HREF = "http://www.wamplet.com/hamster8.JPG">Hamster Pic 8</A>
<BR>
<A HREF = "http://www.wamplet.com/hamster9.JPG">Hamster Pic 9</A>
<BR>
<A HREF = "http://www.wamplet.com/hamster10.JPG">Hamster Pic 10</A>
<BR>
<A HREF = "http://www.wamplet.com/hamster11.JPG">Hamster Pic 11</A>
<BR>
<A HREF = "http://www.wamplet.com/hamster12.JPG">Hamster Pic 12</A>
<BR>
<A HREF = "http://www.wamplet.com/hamster13.JPG">Hamster Pic 13</A>
<BR>
<BR>
<A HREF = "http://www.wamplet.com/typo1.JPG">A cabinet display sheet at a store. (look for the typo)</A>
<BR>
<BR>
These are funny voicemails from my work phone:
<BR>
<A HREF = "http://www.wamplet.com/HP.wav">Compaq Lady calls and starts singing</A>
<BR>
<BR>
<A HREF = "http://www.wamplet.com/MommaJoyce.wav">He broke dat rope</A>
<BR>
<BR>
<BR>
<BR>
Wednesday: April 18, 2007
<BR>
<BR>
<A HREF = "http://www.wamplet.com/MaxedSkills.rar">Oblivion 1.2 Patched Save with All Skills/Stats(Luck79) Maxed</A>
<BR>
<A HREF = "http://www.wamplet.com/Save.txt">Description of Savegame</A>
<BR>
<BR>
<BR>
<BR>
Sunday: December 03, 2006
<BR>
<A HREF = "http://www.wamplet.com/Hawk1.JPG">Hawk and Squirrel on the patio 1</A>
<BR>
<A HREF = "http://www.wamplet.com/Hawk2.JPG">Hawk and Squirrel on the patio 2</A>
<BR>
<A HREF = "http://www.wamplet.com/Hawk3.JPG">Hawk and Squirrel on the patio 3</A>
<BR>
<A HREF = "http://www.wamplet.com/Hawk4.JPG">Hawk and Squirrel on the patio 4</A>
<BR>
<A HREF = "http://www.wamplet.com/Hawk5.JPG">Hawk and Squirrel on the patio 5</A>
<BR>
<A HREF = "http://www.wamplet.com/Hawk6.JPG">Hawk and Squirrel on the patio 6</A>
<BR>
<A HREF = "http://www.wamplet.com/Hawk7.JPG">Hawk and Squirrel on the patio 7</A>
<BR>
<BR>
Friday: June 30, 2006
<BR>
<A HREF = "http://www.wamplet.com/swat4">Swat 4 videos</A> taken with Fraps.
<BR>
<BR>
<B>Duke3D(D3D) Maps</B>
<BR>
<a href="ROSWELL.zip" >ROSWELL - First Map, based on Roswell Crash: Single/Multi-player</a>
<BR>
<a href="AHOOD.zip" >A HOOD - City Block map Part 1: Single/Multi-player</a>
<BR>
<a href="IGLOO.zip" >IGLOO - Iceland Deathmatch with Shrinkers: Single/Multi-player</a>
<BR>
<a href="MOB_BUST.zip" >MOB BUST - City Block map Part 2: Single/Multi-player</a>
<BR>
<a href="NITERIDE.zip" >NITE RIDE - Fight on moving vehicles going down a road: Single/Multi-player</a>
<BR>
<a href="WAMPTREK.zip" >WAMPTREK - Star Trek Enterprise Level: Single/Multi-player</a>
<BR>
<a href="WAMPFARM.zip" >WAMPFARM - Farm Level: Single/Multi-player</a>
<BR>
<BR>
Duke3D Maps not by me
<BR>
<a href="NEWFORT.zip" >NEWFORT - One of my favorite Multiplayer maps, outside my own.</a>
<BR>
<a href="FALCON.zip" >FALCON - Millenium Falcon Map, not by me, but pretty neat.</a>
<BR>
<a href="CONCERT.zip" >CONCERT - One of my favorite Multiplayer maps, outside my own, based on a Concert Stadium.</a>
<BR>
<BR>
Duke3d Music Clip for Duke3d maps
<BR>
<a href="BARMUSIC.zip" >BARMUSIC - Alice In Chains: Rooster sound clip that can be played with a few of my maps.</a>
<BR>
<BR>
<BR>
<B>Redneck Rampage(RR) Maps</B>
<BR>
<a href="RRWampFarm.zip" >WAMPFARM - Original WampFarm Version, designed for Redneck Rampage: Single/Multi-player</a>
<BR>
<BR>
<BR>
<B>Shadow Warrior(SW) Maps</B>
<BR>
<a href="WANGTREK.zip" >WANGTREK - Star Trek Enterprise Level: Single/Multi-player</a>
<BR>
<a href="WANGFARM.zip" >WANGFARM - My Duke3d/RR WampFarm Converted to SW map: Single/Multi-player</a>
<BR>
<a href="Wampcamp.zip" >WAMPCAMP - My first SW Map, with a tank, jeep ( both with guns ), a surfboard, etc.: Single/Multi-player</a>
<BR>
<a href="SPACEWAR.zip" >SPACEWAR - Space vehicle fighting! Beware of the cloaked ship!: Single/Multi-player</a>
<BR>
<BR>
<BR>
<B>Unreal Tournament 2003 Maps</B>
<BR>
<BR>
<a href="CTF-Wamp2fort5.zip" >My latest revision of 2fort5 for UT2K3</a>
<BR>
<a href="DM-KarmaPit.zip" >DM-KarmaPit</a>
<BR>
<BR>
<BR>
<B>Thief Fan Mission Music Wav</B>
<BR>
<a href="machlg08.wav" >a lovely melody i came across one of my favourite Thief Fan Missions</a>
<BR>
<BR>
<BR>
<BR>
</FONT>
</BODY>
</HTML> |

**Latest News**
Tuesday: September 22, 2009
[September 2009 Computer Parts list for Intel i7 computer at Newegg](http://www.wamplet.com/Computer.xls)
Friday: September 12, 2008
A few things to add and a bit of cleanup:
[Food Pics and Recipes](http://www.wamplet.com/food)
Took these a while back to enter in a calendar photo contest. Didn't win, though.
[Corvette Graveyard Pic 1](http://www.wamplet.com/Immortalx.JPG)
[Corvette Graveyard Pic 2](http://www.wamplet.com/Immortal2x.JPG)
[Corvette Graveyard Pic 3](http://www.wamplet.com/Immortal3x.JPG)
[Corvette Graveyard Pic 4](http://www.wamplet.com/Reborn.JPG)
My new Pet Hamster
[Hamster Pic 1](http://www.wamplet.com/hamster.JPG)
[Hamster Pic 2](http://www.wamplet.com/hamster2.JPG)
[Hamster Pic 3](http://www.wamplet.com/hamster3.JPG)
[Hamster Pic 4](http://www.wamplet.com/hamster4.JPG)
[Hamster Pic 5](http://www.wamplet.com/hamster5.JPG)
[Hamster Pic 6](http://www.wamplet.com/hamster6.JPG)
[Hamster Pic 7](http://www.wamplet.com/hamster7.JPG)
[Hamster Pic 8](http://www.wamplet.com/hamster8.JPG)
[Hamster Pic 9](http://www.wamplet.com/hamster9.JPG)
[Hamster Pic 10](http://www.wamplet.com/hamster10.JPG)
[Hamster Pic 11](http://www.wamplet.com/hamster11.JPG)
[Hamster Pic 12](http://www.wamplet.com/hamster12.JPG)
[Hamster Pic 13](http://www.wamplet.com/hamster13.JPG)
[A cabinet display sheet at a store. (look for the typo)](http://www.wamplet.com/typo1.JPG)
These are funny voicemails from my work phone:
[Compaq Lady calls and starts singing](http://www.wamplet.com/HP.wav)
[He broke dat rope](http://www.wamplet.com/MommaJoyce.wav)
Wednesday: April 18, 2007
[Oblivion 1.2 Patched Save with All Skills/Stats(Luck79) Maxed](http://www.wamplet.com/MaxedSkills.rar)
[Description of Savegame](http://www.wamplet.com/Save.txt)
Sunday: December 03, 2006
[Hawk and Squirrel on the patio 1](http://www.wamplet.com/Hawk1.JPG)
[Hawk and Squirrel on the patio 2](http://www.wamplet.com/Hawk2.JPG)
[Hawk and Squirrel on the patio 3](http://www.wamplet.com/Hawk3.JPG)
[Hawk and Squirrel on the patio 4](http://www.wamplet.com/Hawk4.JPG)
[Hawk and Squirrel on the patio 5](http://www.wamplet.com/Hawk5.JPG)
[Hawk and Squirrel on the patio 6](http://www.wamplet.com/Hawk6.JPG)
[Hawk and Squirrel on the patio 7](http://www.wamplet.com/Hawk7.JPG)
Friday: June 30, 2006
[Swat 4 videos](http://www.wamplet.com/swat4) taken with Fraps.
**Duke3D(D3D) Maps**
[ROSWELL - First Map, based on Roswell Crash: Single/Multi-player](ROSWELL.zip)
[A HOOD - City Block map Part 1: Single/Multi-player](AHOOD.zip)
[IGLOO - Iceland Deathmatch with Shrinkers: Single/Multi-player](IGLOO.zip)
[MOB BUST - City Block map Part 2: Single/Multi-player](MOB_BUST.zip)
[NITE RIDE - Fight on moving vehicles going down a road: Single/Multi-player](NITERIDE.zip)
[WAMPTREK - Star Trek Enterprise Level: Single/Multi-player](WAMPTREK.zip)
[WAMPFARM - Farm Level: Single/Multi-player](WAMPFARM.zip)
Duke3D Maps not by me
[NEWFORT - One of my favorite Multiplayer maps, outside my own.](NEWFORT.zip)
[FALCON - Millenium Falcon Map, not by me, but pretty neat.](FALCON.zip)
[CONCERT - One of my favorite Multiplayer maps, outside my own, based on a Concert Stadium.](CONCERT.zip)
Duke3d Music Clip for Duke3d maps
[BARMUSIC - Alice In Chains: Rooster sound clip that can be played with a few of my maps.](BARMUSIC.zip)
**Redneck Rampage(RR) Maps**
[WAMPFARM - Original WampFarm Version, designed for Redneck Rampage: Single/Multi-player](RRWampFarm.zip)
**Shadow Warrior(SW) Maps**
[WANGTREK - Star Trek Enterprise Level: Single/Multi-player](WANGTREK.zip)
[WANGFARM - My Duke3d/RR WampFarm Converted to SW map: Single/Multi-player](WANGFARM.zip)
[WAMPCAMP - My first SW Map, with a tank, jeep ( both with guns ), a surfboard, etc.: Single/Multi-player](Wampcamp.zip)
[SPACEWAR - Space vehicle fighting! Beware of the cloaked ship!: Single/Multi-player](SPACEWAR.zip)
**Unreal Tournament 2003 Maps**
[My latest revision of 2fort5 for UT2K3](CTF-Wamp2fort5.zip)
[DM-KarmaPit](DM-KarmaPit.zip)
**Thief Fan Mission Music Wav**
[a lovely melody i came across one of my favourite Thief Fan Missions](machlg08.wav)
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<A HREF="https://www.dan.info/">Dan Tobias</A><br>
Production
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<big><b>
<big>Tatiana.info</big><BR>
A Fan Site about Tatiana,
the Latina Singer and TV Star
</b></big>
</p>
<P class="pagebar">
English | <A HREF="index.html.es" class="pagebar" lang="es" hreflang="es">Español</A>
</P>
<p class="pagebar">
Since the 1980s, Tatiana has been a singing star in Latin America.
Now she is a highly popular entertainer and TV host. This site
has lots of information about her.
</p>
</td></tr>
</table>
<div class="bodytext">
<table><tr><td valign="middle">
<p class="fineprint" align="center"><B>Tatiana greets her fans in an exclusive video!</B></p>
<p align="center">
<A HREF="video/media/greeting/" target="greeting"
onClick="openvideo(); return false"><img
src="video/media/greeting/greeting.jpg" width="101" height="161" alt=""><br>See Video</A>
</p>
</td><td valign="middle">
<BLOCKQUOTE lang="es"><I>"Tatiana es con o sin estrellas, porque las estrellas las llevo
en el corazón... Tatiana no es un objeto, ni un producto, ni un
logotipo... porque la voz la traigo puesta... <B>Y Tatiana soy yo.</B>"</I></BLOCKQUOTE>
<BLOCKQUOTE><I>"Tatiana is Tatiana with or without stars, because the stars are
in my heart... Tatiana is not an object, nor a product, nor a
logo... because I am the voice... <B>and I am Tatiana.</B>"</I></BLOCKQUOTE>
<P align="center"><B>(from a summer 2001 TV interview)</B></P>
</td><td valign="middle">
<P align="center">
<A HREF="note.html">Note from Tatiana!</A>
</P>
<P align="center">
<A HREF="note.html"><IMG SRC="gfx/autograph-english-sm.jpg" width="100" height="96" alt="[Note]"></A>
</P>
<P align="center">
<SMALL>(click on note for bigger version)</SMALL>
</P>
</td>
</table>
<table align="center" class="sidebar" cellpadding="6">
<tr><td>
<A HREF="intro.html"><IMG SRC="gfx/Tatis_folleto5thumb.jpg" width=85 height=154
alt="[Picture: Tatiana]" border=0></A>
</TD><TD>
<P>
<STRONG>Welcome!</STRONG> This is a fan site about the talented
Latina singer and children's TV host, Tatiana. It started out in
English because that's the language the site founder knows, but a
<A HREF="index.html.es">Spanish translation</A> has been completed
now for most pages. If you're new to this site, check out
the <A HREF="intro.html">introduction</A> first. (<B>NOTE:</B>
Pictures of the people responsible for this site are on that page!)
</P>
<P>
<!--To talk about Tatiana with other fans,
<A HREF="http://list.tatiana.info/">join
our mailing list</A>!
And -->If you're a Windows user, get the Tatiana <A HREF="misc/">themes and
screensaver</A>! And be sure to check out our subsite,
<A HREF="https://fans.tatiana.info/"><B>fans.tatiana.info</B></A>, with
pictures submitted by fans!
</P>
</TD></TR>
</TABLE>
<!--
<DIV class="tipbox">
<H2 align="center">Things You Can Do Now</H2>
<OL>
<LI><P><STRONG>Buy Tatiana's current CD!</STRONG> <A HREF="music/rc.html"><CITE>Reencuentro Conmigo</CITE></A>
is available now at stores and <A HREF="https://itunes.apple.com/us/album/reencuentro-conmigo/id829744160?uo=4&at=10l6TD">online</A>.</P>
<LI><P><STRONG>Watch</STRONG> her show on TV Azteca in Mexico, or <a href="http://www.tatifans.com/tv/">online</a>, Sundays at 9:45 AM CT
(10:45 AM ET).</P>
<LI><P><STRONG><a href="http://www.tatifans.com/radio/">Listen</a></STRONG> to the radio for fans online, Saturdays at 4 PM CT (5 PM ET).</P>
<LI><P><STRONG>Attention Telcel and Telefonica Movistar users (cell phone companies in
Mexico):</STRONG> send a text message with the word TATIANA to the address 8 11 11
and you will receive a picture of Tatiana to have on your cell phone.
Tatiana <a href="http://yahoo.enfasys.com.mx/polifonicos.html">ringtones</a> are also available.</P>
</OL>
</DIV>
-->
<TABLE ALIGN="center">
<TR>
<TD valign="middle">
<P align="center">
<BIG><BIG><A HREF="info/">Tatiana News & Info</A></BIG></BIG><BR>
News and facts about Tatiana.
<br><A HREF="info/news.html"><B>News</B></A> | <A HREF="info/links.html"><B>Links</B></A>
<BR><B><A HREF="info/newsletter/">Newsletter</A></B>
</P>
</TD>
<TD>
<A HREF="info/"><IMG SRC="info/gfx/tat-studio-thumb.jpg"
width=100 height=100 alt=""></A>
</TD>
</TR>
<TR>
<TD valign="middle">
<P align="center">
<BIG><BIG><A HREF="music/">Tatiana's Music</A></BIG></BIG><BR>
Information on all of her albums.
<br>Now with MP3 samples!
<br><A HREF="music/reviews/concert-claudia.pdf.en"><B>Concert Review (PDF)</B></A>
</P>
</TD>
<TD>
<A HREF="music/"><IMG SRC="music/gfx/rc-100.jpg" width=100
height=100 alt=""></A>
</TD>
</TR>
<TR>
<TD valign="middle">
<P align="center">
<BIG><BIG><A HREF="video/">TV & Video</A></BIG></BIG><BR>
Information about her television and movie appearances and videotapes.
<BR><B><A HREF="video/media/">Online Videos</A></B>
</P>
</TD>
<TD>
<A HREF="video/"><IMG SRC="pictures/thumbs/tat-menudo.jpg"
width=100 height=100 alt=""></A>
</TD>
</TR>
<TR>
<TD valign="middle">
<P align="center">
<BIG><BIG><A HREF="pictures/">Pictures</A></BIG></BIG><BR>
Most of these are supplied by Tatiana herself!
<BR><B>Last updated 25 Oct 2011: <A HREF="pictures/new.html">See Newest Pictures!</A></B>
</P>
</TD>
<TD>
<A HREF="pictures/"><IMG SRC="pictures/thumbs/kidartists-1981.jpg"
width=100 height=100 alt=""></A>
</TD>
</TR>
<TR>
<TD valign="middle">
<P align="center">
<BIG><BIG><A HREF="misc/">Neat Stuff!</A></BIG></BIG><BR>
<STRONG>Free</STRONG> Tatiana desktop themes and screensaver for Windows!<BR>
Also: <A HREF="misc/cube/"><B>3-D Rotating Cubes!</B></A>
</P>
</TD>
<TD>
<A HREF="misc/"><IMG SRC="misc/gfx/theme-100.jpg"
width=100 height=100 alt=""></A>
</TD>
</TR>
</TABLE>
<!--
<h2 align="center">Join the List!</h2>
<P>
If you're not on the discussion list, you're missing out! You can
find out the latest Tatiana news, discuss her with other fans, and
vote in polls. You can receive the list by email or read it on the
Web. Use the form below to join, or go to <A HREF="http://list.tatiana.info/"><B>list.tatiana.info</B></A>!
</P>
<form method=GET action="http://groups.yahoo.com/subscribe/Tatiana">
<table cellspacing=0 cellpadding=2 border=0 bgcolor="#FFFFCC" align=center>
<tr>
<td colspan=2 align=center>
<b>Subscribe to the Tatiana fan mailing list!</b>
</td>
</tr>
<tr>
<td>
<input type=text name="user" value="enter email address" size=20>
</td>
<td>
<input type=image border=0 alt="Click here to join Tatiana"
name="Click here to join Tatiana" src="http://groups.yahoo.com/img/ui/join.gif"
width=91 height=52>
</td>
</tr>
<tr align="center">
<td colspan="2">
Powered by
<a href="http://groups.yahoo.com/">Yahoo Groups</a>
</td>
</tr>
</table>
</form>
-->
<p align="center"><a href="https://www.facebook.com/Oficial.Tatiana/">Tatiana Oficial</a> on Facebook</p>
<p align="center">
<a href="https://itunes.apple.com/us/artist/tatiana/id87203?uo=4&at=10l6TD">
<img width="110" height="40" alt="Download on iTunes" src="gfx/itunes/en/Download_on_iTunes_Badge_US-UK_110x40_1004.png">
</a>
</p>
<div class="bodytext">
<p> </p>
<P ALIGN="center">
<small>
This page was first created 23 Aug 2000, and last modified 14 Mar 2018.
<BR>This page is not an official site of Tatiana or her management, producers,
TV networks, or record companies; it is an independent fan site.
Tatiana's official site is at <A HREF="http://www.tatiana.tv/"><B>www.tatiana.tv</B></A>.
All contents copyrighted by their respective creators or contributors or © 2000-2018 Daniel R. Tobias.
The "Tatiana" logo and other trademarks used in this site are property of their respective owners.
</small>
</P>
</div>
<div align="center">
<address><a HREF="mailto:[email protected]">[email protected]</a></address>
</div>
<P> </P>
</td></tr>
</table>
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Tatiana.info -- A Fan Site about the Latina Singer and TV Star
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|
[Tatiana.info](./)
**[News/Info](info/)**
**[Music](music/)**
**[TV & Video](video/)**
**[Pictures](pictures/)**
**[Neat Stuff!](misc/)**
| Conjugate a Spanish verb:
|
**A
[Dan Tobias](https://www.dan.info/)
Production**
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[DreamHost Hosting -- $8.95/Month](https://www.dreamhost.com/r.cgi?22132)
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| |
| --- |
|
**Tatiana.info
A Fan Site about Tatiana,
the Latina Singer and TV Star**
English | [Español](index.html.es)
Since the 1980s, Tatiana has been a singing star in Latin America.
Now she is a highly popular entertainer and TV host. This site
has lots of information about her.
|
| | | |
| --- | --- | --- |
| **Tatiana greets her fans in an exclusive video!**
[See Video](video/media/greeting/)
| *"Tatiana es con o sin estrellas, porque las estrellas las llevo
en el corazón... Tatiana no es un objeto, ni un producto, ni un
logotipo... porque la voz la traigo puesta... **Y Tatiana soy yo.**"*
*"Tatiana is Tatiana with or without stars, because the stars are
in my heart... Tatiana is not an object, nor a product, nor a
logo... because I am the voice... **and I am Tatiana.**"*
**(from a summer 2001 TV interview)** |
[Note from Tatiana!](note.html)
[[Note]](note.html)
(click on note for bigger version)
|
| | |
| --- | --- |
| [[Picture: Tatiana]](intro.html) |
**Welcome!** This is a fan site about the talented
Latina singer and children's TV host, Tatiana. It started out in
English because that's the language the site founder knows, but a
[Spanish translation](index.html.es) has been completed
now for most pages. If you're new to this site, check out
the [introduction](intro.html) first. (**NOTE:**
Pictures of the people responsible for this site are on that page!)
If you're a Windows user, get the Tatiana [themes and
screensaver](misc/)! And be sure to check out our subsite,
[**fans.tatiana.info**](https://fans.tatiana.info/), with
pictures submitted by fans!
|
| | |
| --- | --- |
|
[Tatiana News & Info](info/)
News and facts about Tatiana.
[**News**](info/news.html) | [**Links**](info/links.html)
**[Newsletter](info/newsletter/)**
| |
|
[Tatiana's Music](music/)
Information on all of her albums.
Now with MP3 samples!
[**Concert Review (PDF)**](music/reviews/concert-claudia.pdf.en)
| |
|
[TV & Video](video/)
Information about her television and movie appearances and videotapes.
**[Online Videos](video/media/)**
| |
|
[Pictures](pictures/)
Most of these are supplied by Tatiana herself!
**Last updated 25 Oct 2011: [See Newest Pictures!](pictures/new.html)**
| |
|
[Neat Stuff!](misc/)
**Free** Tatiana desktop themes and screensaver for Windows!
Also: [**3-D Rotating Cubes!**](misc/cube/)
| |
[Tatiana Oficial](https://www.facebook.com/Oficial.Tatiana/) on Facebook
[Download on iTunes](https://itunes.apple.com/us/artist/tatiana/id87203?uo=4&at=10l6TD)
This page was first created 23 Aug 2000, and last modified 14 Mar 2018.
This page is not an official site of Tatiana or her management, producers,
TV networks, or record companies; it is an independent fan site.
Tatiana's official site is at [**www.tatiana.tv**](http://www.tatiana.tv/).
All contents copyrighted by their respective creators or contributors or © 2000-2018 Daniel R. Tobias.
The "Tatiana" logo and other trademarks used in this site are property of their respective owners.
[[email protected]](mailto:[email protected])
|
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| https://www.tatiana.info/ |
<html>
<head>
<meta http-equiv="DESCRIPTION"
content="RAIN FOREST Bromeliads and Orchids are the aristocrats of the flowering plant world. They displan an
impressive palette of extraordinary colors.">
<meta http-equiv="KEYWORDS"
content="Orchids, Bromeliads, Succulents, Cacti, Amphibians and Birds, Wildlife-Habitat, Rainforest-Greenhouse, Botanical-Links, Michiganians-Page">
<title>SPLENDORS OF THE RAIN FOREST</title>
</head>
<body bgcolor="#005E00" text="#FFFFFF" link="#E1F95B" vlink="#C0C0C0" alink="#79AC02">
<p align="center"><strong><font face="Poster Bodoni ATT" size="7"><br>
</font><font face="Engravers MT" size="7">
RAIN FOREST SPLENDOR</font></strong><font face="Georgia" size="5">©<br>
</font><b><font face="Georgia" size="5">STERN'S SPLENDORS OF THE
RAIN FOREST</font></b></p>
<p align="center"><font face="Verdana"><big><br>
</big><font size="4"><b>Home Page</b></font><big><br>
<br>
</big>
</font></p>
<div align="center">
<center>
<table border="3" cellpadding="25" cellspacing="0" width="19%" bgcolor="#004200">
<tr>
<td width="100%">
<p align="center"><img border="0" src="Treefrog.jpg" width="291" height="203"></td>
</tr>
</table>
</center>
</div>
<div align="center">
<center>
<table border="0" cellpadding="20" cellspacing="0" width="100%">
<tr>
<td width="100%">
<p align="center"><embed src="http://rainforest.gardenwebs.net/Rainf.monkey.wav" hidden="" autostart="true" loop="one"
width="128" height="128" align="left"><noembed><bgsound src="http://rainforest.gardenwebs.net/Rainf.monkey.wav"loop=one></noembed></td>
</tr>
</table>
</center>
</div>
<p align="center">
</p>
<div align="center">
<center>
<table border="3" cellpadding="11" cellspacing="0" width="95%" bgcolor="#004200" text-align:>
<tr>
<td width="100%">
<div align="center">
<table border="0" cellpadding="0" cellspacing="0" width="100%" style="text-align: justify; "font-family: Verdana; font-size: 10pt; font-weight: bold">
<tr>
<td width="100%"><font face="Verdana" size="2"><b>Bromeliads and
orchids are the floral aristocrats of the rain forest. They
display an incredible range of form and size, when they bloom,
an impressive palette of extraordinary colors. These
plants are native to the tropical and subtropical areas of
the Americas, the majority </b></font><font face="Verdana" size="2"><b>indigenous to South America. </b></font><strong><font face="Verdana" size="2">
Most of them grow as air plants on the
trunks and branches of trees. Some species wrap their roots around porous rocks, while
others, such as the pineapple and "earth stars," grow in the soil.<br>
"Two thirds of the world's plant species are found in the
tropical Rain Forest including Orchids and Bromeliads."</font></strong></td>
</tr>
<tr>
<td width="100%"><font face="Verdana" size="2"><b> </b></font></td>
</tr>
<tr>
<td width="100%"><strong><font face="Verdana" size="2">To obtain unusual and rare species,
we recommend
joining plant societies. These organizations promote plant and seed exchanges and provide
information on the culture of these plants. <b>"Orchid and
Bromeliad Enthusiasts visit the Photo Galleries from the <a href="http://gardenwebs.net/">World's
best Plant Societies</a>!"</b><br>
</font></strong></td>
</tr>
<tr>
<td width="100%"></td>
</tr>
</table>
</div>
</td>
</tr>
</table>
</center>
</div>
<p align="center"><br>
</p>
<div align="center">
<table border="3" cellpadding="20" cellspacing="0" width="95%" bgcolor="#004200">
<tr>
<td width="44%" valign="top">
<div align="center">
<table border="0" cellpadding="0" cellspacing="1" width="100%" style="font-size: 10pt; font-family: Verdana; font-weight: regular" height="875">
<tr>
<td width="100%" height="65">
<p align="left"><font face="Broadway" size="4"><br>
EXOTIC PHOTO GALLERY<br>
</font><font face="Verdana" size="2">Including the Spectacular
Plants of the Rain Forest</font><font face="Broadway" size="4"><br>
</font></td>
</tr>
<center>
<tr>
<td width="100%" height="18"></td>
</tr>
<tr>
<td width="100%" height="18"><font face="Verdana" size="2"><a href="http://orchids.gardenwebs.net/">Orchids
</a>
</font></td>
</tr>
<tr>
<td width="100%" height="18"><a href="http://tillandsias.gardenwebs.net/"><font face="Verdana" size="2">Tillandsias</font></a></td>
</tr>
<tr>
<td width="100%" height="18"><a href="http://bromeliads.gardenwebs.net/"><font face="Verdana" size="2">Bromeliads</font></a></td>
</tr>
<tr>
<td width="100%" height="18"><a href="http://bromeliads.gardenwebs.net/bromeliad.culture.htm">Bromeliad
Culture</a></td>
</tr>
<tr>
<td width="100%" height="17"><a href="http://cactus.and.succulents.gardenwebs.net/"><font face="Verdana" size="2">Cactus
and Succulents</font></a> </td>
</tr>
<tr>
<td width="100%" height="18"><a href="http://rainforest.gardenwebs.net/rainforest.greenhouse.htm"><font face="Verdana" size="2">Rain
Forest Greenhouse</font></a></td>
</tr>
<tr>
<td width="100%" height="18"><a href="http://cacti.garden.gardensplendor.net/"><font face="Verdana" size="2">Michigan
Cacti Garden</font></a></td>
</tr>
<tr>
<td width="100%" height="18"><a href="http://conifer.wildlifehabitat.gardenwebs.net"><font face="Verdana" size="2">Certified
Conifer Wildlife Habitat</font></a></td>
</tr>
<tr>
<td width="100%" height="18">
</td>
</tr>
<tr>
<td width="100%" height="18"><font face="Verdana" size="2"> </font></td>
</tr>
<tr>
<td width="100%" height="18"></td>
</tr>
<tr>
<td width="100%" height="15"></td>
</tr>
<tr>
<td width="100%" height="18">
<p align="center"></td>
</tr>
</center>
<tr>
<td width="100%" height="86">
<p align="left"><font face="Broadway" size="4"><br>
<br>
HORTICULTURAL
LINKS<br>
</font></td>
</tr>
<center>
<tr>
<td width="100%" height="18"></td>
</tr>
<tr>
<td width="100%" height="18"><a href="http://gardensplendor.net/">Garden
Splendors</a> from around the World</td>
</tr>
<tr>
<td width="100%" height="18"><a href="http://gardenwebs.net/">Garden Web's
World</a> </td>
</tr>
<tr>
<td width="100%" height="18"><a href="http://bromeliad.society.gardenwebs.net/">S.E.Michigan
Bromeliad Society</a> </td>
</tr>
<tr>
<td width="100%" height="18"> <a href="http://conifers.gardensplendor.net/">International
Conifer Society</a> </td>
</tr>
<tr>
<td width="100%" height="18"></td>
</tr>
<tr>
<td width="100%" height="34"><br>
</td>
</tr>
<tr>
<td width="100%" height="150">
<p align="center"><a href="Conure.jpg"><img border="0" src="Conure_small.jpg" alt="Conure.jpg (43273 bytes)" width="100" height="146"></a></td>
</tr>
<tr>
<td width="100%" height="34">
<p align="center"><br>
</td>
</tr>
<tr>
<td width="100%" height="18"><a href="http://www.orchidweb.org/index.html"><font face="Verdana" size="2">American Orchid Society</font></a></td>
</tr>
</center>
<tr>
<td width="100%" height="18">
<p align="left"><font face="Verdana" size="2"><a href="http://fcbs.org/">Bromeliad
Encyclopedia</a> </font> </td>
</tr>
<center>
<tr>
<td width="100%" height="18"><a href="http://www.cactus-mall.com/"><font face="Verdana" size="2">Cactus and
Succulent Mall</font></a> </td>
</tr>
<tr>
<td width="100%" height="18"><a href="http://www.nwf.org/"><font face="Verdana" size="2">National Wildlife
Federation</font></a>
</td>
</tr>
</center>
<tr>
<td width="100%" height="18">
<p align="left"><a href="http://bsi.org/"><font face="Verdana" size="2">Bromeliad Society
International</font></a></td>
</tr>
</table>
</div>
</td>
<center>
<td width="31%">
<p align="center">
<font face="Verdana" size="2">"Plants of the Rain Forest"</font>
<br>
</p>
<div align="center">
<table border="0" cellpadding="5" cellspacing="5" width="70%">
<tr>
<td width="100%">
<p align="center"><a href="Dendrobium.chrysotoxum.jpg"><img border="0" src="Dendrobium.chrysotoxum_small.jpg" alt="Dendrobium.chrysotoxum.jpg (56913 bytes)" width="100" height="65"></a></td>
</tr>
<tr>
<td width="100%" valign="top">
<p align="center"><font size="1"><i>Dendrobium chrysotoxum</i></font></td>
</tr>
<tr>
<td width="100%">
<p align="center"><a href="Tillandsia.ionantha.jpg"><img border="0" src="Tillandsia.ionantha_small.jpg" alt="Tillandsia.ionantha.jpg (25283 bytes)" width="100" height="64"></a></td>
</tr>
<tr>
<td width="100%" valign="top">
<p align="center"><font size="1"><i>Tillandsia ionantha</i></font>
</td>
</tr>
<tr>
<td width="100%">
<p align="center"><a href="Aechmea.orlandiana.variegata.Ensign.jpg"><img border="0" src="Aechmea.orlandiana.variegata.Ensign_small.jpg" alt="Aechmea.orlandiana.variegata.Ensign.jpg (43346 bytes)" width="100" height="70"></a></td>
</tr>
<tr>
<td width="100%" valign="top">
<p align="center"><i><font size="1">Aechmea orlandiana 'Ensign'</font></i>
</td>
</tr>
<tr>
<td width="100%">
<p align="center"><a href="Billbergia.saundersii.jpg"><img border="0" src="Billbergia.saundersii_small.jpg" alt="Billbergia.saundersii.jpg (43691 bytes)" width="100" height="65"></a></td>
</tr>
<tr>
<td width="100%" valign="top">
<p align="center"><font size="1"><i>Billbergia saundersii</i></font>
</td>
</tr>
<tr>
<td width="100%">
<p align="center"><a href="Catt.maxima.jpg"><img border="0" src="Catt.maxima_small.jpg" alt="Catt.maxima.jpg (53520 bytes)" width="100" height="65"></a></td>
</tr>
<tr>
<td width="100%" valign="top">
<p align="center"><font size="1"><i> Cattleya maxima</i></font>
</td>
</tr>
</table>
</div>
<p align="center">
<br>
</p>
<div align="center">
<table border="0" cellpadding="2" cellspacing="0" width="100%">
<tr>
<td width="100%">
<p align="center"><font face="Verdana" size="2">Click on Photos
to enlarge<br>
All Photos are <a href="http://www.law.cornell.edu/treaties/berne/overview.html">
copyrighted</a> ©<br>
</font></td>
</tr>
</table>
</div>
</td>
<td width="25%"> <script type="text/javascript"><!--
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</table>
</center>
</div>
<p align="center"><br>
</p>
<div align="center">
<center>
<table border="3" cellpadding="12" cellspacing="0" width="40%" bgcolor="#004200" style="font-family: Arial; font-size: 10pt">
<tr>
<td width="100%">
<p align="center"><b><font size="3" face="Verdana"><a href="http://gardenwebs.net/">Garden
Web World<br>
</a></font></b>Explore the magnificent world of<br>
Bromeliads -
Cacti/Succulents
- Orchids - Conifers<font size="3" face="Verdana"><b><a href="http://exoticplants.blogspot.com/"><br>
<br>
</a></b></font><a href="logoGW.jpg"><img src="logoGW.jpg" border="0" width="240" height="40"><br>
</a>
<p align="center"><strong><font face="Verdana" size="2">Visit: <a href="http://conifer.wildlifehabitat.gardenwebs.net/">Arboretum
de Concord</a><br>
A Conifer Wildlife Habitat located in Michigan, USA and<br>
certified by the National Wildlife Federation</font></strong><a href="logoGW.jpg"><br>
</a></td>
</tr>
</table>
</center>
</div>
<p align="center">
</p>
<div align="center">
<center>
<table border="0" cellpadding="0" cellspacing="0" width="75%">
<tr>
<td width="100%">
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<p align="center">
</p>
<div align="center">
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</p>
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<tr>
<td width="100%" align="center">
<table border="0" cellspacing="1" width="66%" style="font-family: Verdana; font-size: 8pt; font-style: italic" cellpadding="2">
<tr>
<td width="33%">
<p align="center"><a href="Till.brachycaulus.jpg"><img border="0" src="Till.brachycaulus_small.jpg" alt="Till.brachycaulus.jpg (39128 bytes)" width="100" height="65"></a></td>
<td width="33%">
<p align="center"><a href="Rhyncholaela.digbyana.jpg"><img border="0" src="Rhyncholaela.digbyana_small.jpg" alt="Rhyncholaela.digbyana.jpg (34017 bytes)" width="100" height="65"></a></td>
<td width="34%">
<p align="center"><a href="Opuntia.jpg"><img border="0" src="Opuntia_small.jpg" alt="Opuntia.jpg (70381 bytes)" width="100" height="65"></a></td>
</tr>
<tr>
<td width="33%">
<p align="center"><font size="1" face="Verdana"><i>Tillandsia
brachycaulus</i> ©</font></td>
<td width="33%">
<p align="center"><font size="1" face="Verdana"><i>Rhyncholaela
digbyana</i> ©</font></td>
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<p align="center"><strong><font face="Verdana" size="2">With this web site, I
hope to raise awareness of the urgent need to protect our rain forests,
the habitat of so many beautiful species which are being driven to extinction primarily
because of the loss of their native environment.</font></strong></p>
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<p align="center"><font face="Verdana" size="2"><b>Founded to help protect the
Environment !<br>
Visitors can save a free area of Rain Forest with a mouse click.<br>
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Almost 2 acres of tropical Rain Forest
disappear every second.<br>
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|
SPLENDORS OF THE RAIN FOREST
**RAIN FOREST SPLENDOR**©
**STERN'S SPLENDORS OF THE
RAIN FOREST**
**Home Page**
| |
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| **Bromeliads and
orchids are the floral aristocrats of the rain forest. They
display an incredible range of form and size, when they bloom,
an impressive palette of extraordinary colors. These
plants are native to the tropical and subtropical areas of
the Americas, the majority** **indigenous to South America.****Most of them grow as air plants on the
trunks and branches of trees. Some species wrap their roots around porous rocks, while
others, such as the pineapple and "earth stars," grow in the soil.
"Two thirds of the world's plant species are found in the
tropical Rain Forest including Orchids and Bromeliads."** |
| |
| **To obtain unusual and rare species,
we recommend
joining plant societies. These organizations promote plant and seed exchanges and provide
information on the culture of these plants. **"Orchid and
Bromeliad Enthusiasts visit the Photo Galleries from the [World's
best Plant Societies](http://gardenwebs.net/)!"**** |
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EXOTIC PHOTO GALLERY
Including the Spectacular
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| [Tillandsias](http://tillandsias.gardenwebs.net/) |
| [Bromeliads](http://bromeliads.gardenwebs.net/) |
| [Bromeliad
Culture](http://bromeliads.gardenwebs.net/bromeliad.culture.htm) |
| [Cactus
and Succulents](http://cactus.and.succulents.gardenwebs.net/) |
| [Rain
Forest Greenhouse](http://rainforest.gardenwebs.net/rainforest.greenhouse.htm) |
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HORTICULTURAL
LINKS
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| [Garden
Splendors](http://gardensplendor.net/) from around the World |
| [Garden Web's
World](http://gardenwebs.net/) |
| [S.E.Michigan
Bromeliad Society](http://bromeliad.society.gardenwebs.net/) |
| [International
Conifer Society](http://conifers.gardensplendor.net/) |
| |
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| [Conure.jpg (43273 bytes)](Conure.jpg) |
|
|
| [American Orchid Society](http://www.orchidweb.org/index.html) |
| [Bromeliad
Encyclopedia](http://fcbs.org/) |
| [Cactus and
Succulent Mall](http://www.cactus-mall.com/) |
| [National Wildlife
Federation](http://www.nwf.org/) |
| [Bromeliad Society
International](http://bsi.org/) |
|
"Plants of the Rain Forest"
| |
| --- |
| [Dendrobium.chrysotoxum.jpg (56913 bytes)](Dendrobium.chrysotoxum.jpg) |
| *Dendrobium chrysotoxum* |
| [Tillandsia.ionantha.jpg (25283 bytes)](Tillandsia.ionantha.jpg) |
| *Tillandsia ionantha*
|
| [Aechmea.orlandiana.variegata.Ensign.jpg (43346 bytes)](Aechmea.orlandiana.variegata.Ensign.jpg) |
| *Aechmea orlandiana 'Ensign'*
|
| [Billbergia.saundersii.jpg (43691 bytes)](Billbergia.saundersii.jpg) |
| *Billbergia saundersii*
|
| [Catt.maxima.jpg (53520 bytes)](Catt.maxima.jpg) |
| *Cattleya maxima*
|
| |
| --- |
| Click on Photos
to enlarge
All Photos are [copyrighted](http://www.law.cornell.edu/treaties/berne/overview.html) ©
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| **[Garden
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**Visit: [Arboretum
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| [Till.brachycaulus.jpg (39128 bytes)](Till.brachycaulus.jpg) | [Rhyncholaela.digbyana.jpg (34017 bytes)](Rhyncholaela.digbyana.jpg) | [Opuntia.jpg (70381 bytes)](Opuntia.jpg) |
| *Tillandsia
brachycaulus* © | *Rhyncholaela
digbyana* © | Opuntia |
|
| |
| --- |
| **With this web site, I
hope to raise awareness of the urgent need to protect our rain forests,
the habitat of so many beautiful species which are being driven to extinction primarily
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| |
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| [Google](http://www.google.com/)
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[](../orchids/Blc.Bryce.Canyon.jpg)
| |
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| **Founded to help protect the
Environment !
Visitors can save a free area of Rain Forest with a mouse click.**
**Almost 2 acres of tropical Rain Forest
disappear every second.
Hundreds of species of birds, animals and plants are loosing their
homes as you read this.** |
| |
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<center><a href="../../index.html"><img SRC="../../icon1.jpg" width="99" height="125" ALT="In Search of the Real University of Chicago"></a>
</center><b><blockquote>
<blockquote>
<h3>MY GRADUATION SPEECH </h3> by Neil Postman
<p>
Having sat through two dozen or so graduation speeches, I have naturally
wondered why they are so often so bad. One reason, of course, is that the
speakers are chosen for their eminence in some field, and not because they
are either competent speakers or gifted writers. Another reason is that the
audience is eager to be done with all ceremony so that it can proceed to
some serious reveling. Thus any speech longer than, say, fifteen minutes
will seem tedious, if not entirely pointless. There are other reasons as
well, including the difficulty of saying something inspirational without
being banal. Here I try my hand at writing a graduation speech, and not
merely to discover if I can conquer the form. This is precisely what I
would like to say to young people if I had their attention for a few
minutes.
<p>
If you think my graduation speech is good, I hereby grant you
permission to use it, without further approval from or credit to me, should
you be in an appropriate situation.
<hr width=70%>
<p>
Members of the faculty, parents, guests, and graduates, have no fear. I am
well aware that on a day of such high excitement, what you require, first
and foremost, of any speaker is brevity. I shall not fail you in this
respect. There are exactly eighty-five sentences in my speech, four of
which you have just heard. It will take me about twelve minutes to speak
all of them and I must tell you that such economy was not easy for me to
arrange, because I have chosen as my topic the complex subject of your
ancestors. Not, of course, your biological ancestors, about whom I know
nothing, but your spiritual ancestors, about whom I know a little. To be
specific, I want to tell you about two groups of people who lived many
years ago but whose influence is still with us. They were very different
from each other, representing opposite values and traditions. I think it is
appropriate for you to be reminded of them on this day because, sooner than
you know, you must align yourself with the spirit of one or the spirit of
the other.
<p>
The first group lived about 2,500 years ago in the place which we
now call Greece, in a city they called Athens. We do not know as much about
their origins as we would like. But we do know a great deal about their
accomplishments. They were, for example, the first people to develop a
complete alphabet, and therefore they became the first truly literate
population on earth. They invented the idea of political democracy, which
they practiced with a vigor that puts us to shame. They invented what we
call philosophy. And they also invented what we call logic and rhetoric.
They came very close to inventing what we call science, and one of
them-Democritus by name-conceived of the atomic theory of matter 2,300
years before it occurred to any modern scientist. They composed and sang
epic poems of unsurpassed beauty and insight. And they wrote and performed
plays that, almost three millennia later, still have the power to make
audiences laugh and weep. They even invented what, today, we call the
Olympics, and among their values none stood higher than that in all things
one should strive for excellence. They believed in reason. They believed in
beauty. They believed in moderation. And they invented the word and the
idea which we know today as ecology.
<p>
About 2,000 years ago, the vitality of their culture declined and
these people began to disappear. But not what they had created. Their
imagination, art, politics, literature, and language spread all over the
world so that, today, it is hardly possible to speak on any subject without
repeating what some Athenian said on the matter 2,500 years ago.
<p>
The second group of people lived in the place we now call Germany,
and flourished about 1,700 years ago. We call them the Visigoths, and you
may remember that your sixth or seventh-grade teacher mentioned them. They
were spectacularly good horsemen, which is about the only pleasant thing
history can say of them. They were marauders-ruthless and brutal. Their
language lacked subtlety and depth. Their art was crude and even grotesque.
They swept down through Europe destroying everything in their path, and
they overran the Roman Empire. There was nothing a Visigoth liked better
than to burn a book, desecrate a building, or smash a work of art. From the
Visigoths, we have no poetry, no theater, no logic, no science, no humane
politics.<p>
Like the Athenians, the Visigoths also disappeared, but not before
they had ushered in the period known as the Dark Ages. It took Europe
almost a thousand years to recover from the Visigoths.
<p>
Now, the point I want to make is that the Athenians and the
Visigoths still survive, and they do so through us and the ways in which we
conduct our lives. All around us-in this hall, in this community, in our
city-there are people whose way of looking at the world reflects the way of
the Athenians, and there are people whose way is the way of the Visigoths.
I do not mean, of course, that our modern-day Athenians roam abstractedly
through the streets reciting poetry and philosophy, or that the modern-day
Visigoths are killers. I mean that to be an Athenian or a Visigoth is to
organize your life around a set of values. An Athenian is an idea. And a
Visigoth is an idea. Let me tell you briefly what these ideas consist of.
<p>
To be an Athenian is to hold knowledge and, especially the quest
for knowledge in high esteem. To contemplate, to reason, to experiment, to
question-these are, to an Athenian, the most exalted activities a person
can perform. To a Visigoth, the quest for knowledge is useless unless it
can help you to earn money or to gain power over other people.
<p>
To be an Athenian is to cherish language because you believe it to
be humankind's most precious gift. In their use of language, Athenians
strive for grace, precision, and variety. And they admire those who can
achieve such skill. To a Visigoth, one word is as good as another, one
sentence in distinguishable from another. A Visigoth's language aspires to
nothing higher than the cliché.
<p>
To be an Athenian is to understand that the thread which holds
civilized society together is thin and vulnerable; therefore, Athenians
place great value on tradition, social restraint, and continuity. To an
Athenian, bad manners are acts of violence against the social order. The
modern Visigoth cares very little about any of this. The Visigoths think of
themselves as the center of the universe. Tradition exists for their own
convenience, good manners are an affectation and a burden, and history is
merely what is in yesterday's newspaper.
<p>
To be an Athenian is to take an interest in public affairs and the
improvement of public behavior. Indeed, the ancient Athenians had a word
for people who did not. The word was idiotes, from which we get our word
"idiot." A modern Visigoth is interested only in his own affairs and has no
sense of the meaning of community.
<p>
And, finally, to be an Athenian is to esteem the discipline, skill,
and taste that are required to produce enduring art. Therefore, in
approaching a work of art, Athenians prepare their imagination through
learning and experience. To a Visigoth, there is no measure of artistic
excellence except popularity. What catches the fancy of the multitude is
good. No other standard is respected or even acknowledged by the Visigoth.
<p>
Now, it must be obvious what all of this has to do with you.
Eventually, like the rest of us, you must be on one side or the other. You
must be an Athenian or a Visigoth. Of course, it is much harder to be an
Athenian, for you must learn how to be one, you must work at being one,
whereas we are all, in a way, natural-born Visigoths. That is why there are
so many more Visigoths than Athenians. And I must tell you that you do not
become an Athenian merely by attending school or accumulating academic
degrees. My father-in-law was one of the most committed Athenians I have
ever known, and he spent his entire adult life working as a dress cutter on
Seventh Avenue in New York City. On the other hand, I know physicians,
lawyers, and engineers who are Visigoths of unmistakable persuasion. And I
must also tell you, as much in sorrow as in shame, that at some of our
great universities, perhaps even this one, there are professors of whom we
may fairly say they are closet Visigoths. And yet, you must not doubt for a
moment that a school, after all, is essentially an Athenian idea. There is
a direct link between the cultural achievements of Athens and what the
faculty at this university is all about. I have no difficulty imagining
that Plato, Aristotle, or Democritus would be quite at home in our class
rooms. A Visigoth would merely scrawl obscenities on the wall.
<p>
And so, whether you were aware of it or not, the purpose of your
having been at this university was to give you a glimpse of the Athenian
way, to interest you in the Athenian way. We cannot know on this day how
many of you will choose that way and how many will not. You are young and
it is not given to us to see your future. But I will tell you this, with
which I will close: I can wish for you no higher compliment than that in
the future it will be reported that among your graduating class the
Athenians mightily outnumbered the Visigoths.
<p>
Thank you, and congratulations.
<hr width=70%>
<p>
Neil Postman is a critic, writer, communications theorist, and professor of
communication arts and sciences at New York University. Educated at the
State University of New York and Columbia University, he holds the
Christian Lindback Award for Excellence in Teaching and in 1987 was given
the George Orwell Award for Clarity in Language by the National Council of
Teachers of English. He was for ten years editor of <i>Et Cetera</i>, the journal
of general semantics. His sixteen previous books include <i>Amusing Ourselves
to Death</i>, <i>Teaching as a Subversive Activity</i>, <i>The Soft Revolution</i>, and <i>The
Disappearance of Childhood</i>.
<p>
<p>
<center>
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**>
>
> >
> > ### MY GRADUATION SPEECH
> >
> > by Neil Postman
> >
> >
> >
> > Having sat through two dozen or so graduation speeches, I have naturally
> > wondered why they are so often so bad. One reason, of course, is that the
> > speakers are chosen for their eminence in some field, and not because they
> > are either competent speakers or gifted writers. Another reason is that the
> > audience is eager to be done with all ceremony so that it can proceed to
> > some serious reveling. Thus any speech longer than, say, fifteen minutes
> > will seem tedious, if not entirely pointless. There are other reasons as
> > well, including the difficulty of saying something inspirational without
> > being banal. Here I try my hand at writing a graduation speech, and not
> > merely to discover if I can conquer the form. This is precisely what I
> > would like to say to young people if I had their attention for a few
> > minutes.
> >
> >
> >
> > If you think my graduation speech is good, I hereby grant you
> > permission to use it, without further approval from or credit to me, should
> > you be in an appropriate situation.
> >
> >
> > ---
> >
> >
> >
> > Members of the faculty, parents, guests, and graduates, have no fear. I am
> > well aware that on a day of such high excitement, what you require, first
> > and foremost, of any speaker is brevity. I shall not fail you in this
> > respect. There are exactly eighty-five sentences in my speech, four of
> > which you have just heard. It will take me about twelve minutes to speak
> > all of them and I must tell you that such economy was not easy for me to
> > arrange, because I have chosen as my topic the complex subject of your
> > ancestors. Not, of course, your biological ancestors, about whom I know
> > nothing, but your spiritual ancestors, about whom I know a little. To be
> > specific, I want to tell you about two groups of people who lived many
> > years ago but whose influence is still with us. They were very different
> > from each other, representing opposite values and traditions. I think it is
> > appropriate for you to be reminded of them on this day because, sooner than
> > you know, you must align yourself with the spirit of one or the spirit of
> > the other.
> >
> > The first group lived about 2,500 years ago in the place which we
> > now call Greece, in a city they called Athens. We do not know as much about
> > their origins as we would like. But we do know a great deal about their
> > accomplishments. They were, for example, the first people to develop a
> > complete alphabet, and therefore they became the first truly literate
> > population on earth. They invented the idea of political democracy, which
> > they practiced with a vigor that puts us to shame. They invented what we
> > call philosophy. And they also invented what we call logic and rhetoric.
> > They came very close to inventing what we call science, and one of
> > them-Democritus by name-conceived of the atomic theory of matter 2,300
> > years before it occurred to any modern scientist. They composed and sang
> > epic poems of unsurpassed beauty and insight. And they wrote and performed
> > plays that, almost three millennia later, still have the power to make
> > audiences laugh and weep. They even invented what, today, we call the
> > Olympics, and among their values none stood higher than that in all things
> > one should strive for excellence. They believed in reason. They believed in
> > beauty. They believed in moderation. And they invented the word and the
> > idea which we know today as ecology.
> >
> >
> > About 2,000 years ago, the vitality of their culture declined and
> > these people began to disappear. But not what they had created. Their
> > imagination, art, politics, literature, and language spread all over the
> > world so that, today, it is hardly possible to speak on any subject without
> > repeating what some Athenian said on the matter 2,500 years ago.
> >
> > The second group of people lived in the place we now call Germany,
> > and flourished about 1,700 years ago. We call them the Visigoths, and you
> > may remember that your sixth or seventh-grade teacher mentioned them. They
> > were spectacularly good horsemen, which is about the only pleasant thing
> > history can say of them. They were marauders-ruthless and brutal. Their
> > language lacked subtlety and depth. Their art was crude and even grotesque.
> > They swept down through Europe destroying everything in their path, and
> > they overran the Roman Empire. There was nothing a Visigoth liked better
> > than to burn a book, desecrate a building, or smash a work of art. From the
> > Visigoths, we have no poetry, no theater, no logic, no science, no humane
> > politics.
> >
> > Like the Athenians, the Visigoths also disappeared, but not before
> > they had ushered in the period known as the Dark Ages. It took Europe
> > almost a thousand years to recover from the Visigoths.
> >
> > Now, the point I want to make is that the Athenians and the
> > Visigoths still survive, and they do so through us and the ways in which we
> > conduct our lives. All around us-in this hall, in this community, in our
> > city-there are people whose way of looking at the world reflects the way of
> > the Athenians, and there are people whose way is the way of the Visigoths.
> > I do not mean, of course, that our modern-day Athenians roam abstractedly
> > through the streets reciting poetry and philosophy, or that the modern-day
> > Visigoths are killers. I mean that to be an Athenian or a Visigoth is to
> > organize your life around a set of values. An Athenian is an idea. And a
> > Visigoth is an idea. Let me tell you briefly what these ideas consist of.
> >
> > To be an Athenian is to hold knowledge and, especially the quest
> > for knowledge in high esteem. To contemplate, to reason, to experiment, to
> > question-these are, to an Athenian, the most exalted activities a person
> > can perform. To a Visigoth, the quest for knowledge is useless unless it
> > can help you to earn money or to gain power over other people.
> >
> > To be an Athenian is to cherish language because you believe it to
> > be humankind's most precious gift. In their use of language, Athenians
> > strive for grace, precision, and variety. And they admire those who can
> > achieve such skill. To a Visigoth, one word is as good as another, one
> > sentence in distinguishable from another. A Visigoth's language aspires to
> > nothing higher than the cliché.
> >
> > To be an Athenian is to understand that the thread which holds
> > civilized society together is thin and vulnerable; therefore, Athenians
> > place great value on tradition, social restraint, and continuity. To an
> > Athenian, bad manners are acts of violence against the social order. The
> > modern Visigoth cares very little about any of this. The Visigoths think of
> > themselves as the center of the universe. Tradition exists for their own
> > convenience, good manners are an affectation and a burden, and history is
> > merely what is in yesterday's newspaper.
> >
> > To be an Athenian is to take an interest in public affairs and the
> > improvement of public behavior. Indeed, the ancient Athenians had a word
> > for people who did not. The word was idiotes, from which we get our word
> > "idiot." A modern Visigoth is interested only in his own affairs and has no
> > sense of the meaning of community.
> >
> > And, finally, to be an Athenian is to esteem the discipline, skill,
> > and taste that are required to produce enduring art. Therefore, in
> > approaching a work of art, Athenians prepare their imagination through
> > learning and experience. To a Visigoth, there is no measure of artistic
> > excellence except popularity. What catches the fancy of the multitude is
> > good. No other standard is respected or even acknowledged by the Visigoth.
> >
> > Now, it must be obvious what all of this has to do with you.
> > Eventually, like the rest of us, you must be on one side or the other. You
> > must be an Athenian or a Visigoth. Of course, it is much harder to be an
> > Athenian, for you must learn how to be one, you must work at being one,
> > whereas we are all, in a way, natural-born Visigoths. That is why there are
> > so many more Visigoths than Athenians. And I must tell you that you do not
> > become an Athenian merely by attending school or accumulating academic
> > degrees. My father-in-law was one of the most committed Athenians I have
> > ever known, and he spent his entire adult life working as a dress cutter on
> > Seventh Avenue in New York City. On the other hand, I know physicians,
> > lawyers, and engineers who are Visigoths of unmistakable persuasion. And I
> > must also tell you, as much in sorrow as in shame, that at some of our
> > great universities, perhaps even this one, there are professors of whom we
> > may fairly say they are closet Visigoths. And yet, you must not doubt for a
> > moment that a school, after all, is essentially an Athenian idea. There is
> > a direct link between the cultural achievements of Athens and what the
> > faculty at this university is all about. I have no difficulty imagining
> > that Plato, Aristotle, or Democritus would be quite at home in our class
> > rooms. A Visigoth would merely scrawl obscenities on the wall.
> >
> > And so, whether you were aware of it or not, the purpose of your
> > having been at this university was to give you a glimpse of the Athenian
> > way, to interest you in the Athenian way. We cannot know on this day how
> > many of you will choose that way and how many will not. You are young and
> > it is not given to us to see your future. But I will tell you this, with
> > which I will close: I can wish for you no higher compliment than that in
> > the future it will be reported that among your graduating class the
> > Athenians mightily outnumbered the Visigoths.
> >
> > Thank you, and congratulations.
> >
> >
> > ---
> >
> >
> >
> > Neil Postman is a critic, writer, communications theorist, and professor of
> > communication arts and sciences at New York University. Educated at the
> > State University of New York and Columbia University, he holds the
> > Christian Lindback Award for Excellence in Teaching and in 1987 was given
> > the George Orwell Award for Clarity in Language by the National Council of
> > Teachers of English. He was for ten years editor of *Et Cetera*, the journal
> > of general semantics. His sixteen previous books include *Amusing Ourselves
> > to Death*, *Teaching as a Subversive Activity*, *The Soft Revolution*, and *The
> > Disappearance of Childhood*.
> >
> >
> >
> >
> >
> > | |
> > | --- |
> > | **Courtesy of Mortimer Adler's [Center for the Study of Great Ideas](http://www.thegreatideas.org/)** |
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
>
>**
| http://www.ditext.com/postman/mgs.html |
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<font size="2">
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</span>"OMEGA"</a></font></p>
<p align="center">
<font size="2"><a href="Minifon_Mi51.htm#chapter11">
<span lang="ru">Äèêòîôîí </span>"<span lang="ru">Ñîáåñåäíèê</span>"</a></font></p>
<p align="center">
<span lang="ru"><font size="2">
<a href="Mezon.htm">Ìåçîí</a></font></span></p>
<p align="center">
<span lang="ru"><font size="2"><a href="MS-61.htm">ÌÑ-61
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<font size="2"><a href="Mriya.htm">Ð<span lang="ru">àäèîëà
Ìðiÿ</span></a></font></p>
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<span lang="ru"><font size="2"><a href="Reporter-5.htm">
Ðåïîðòåð 5</a></font></span></p>
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<span lang="ru"><font size="2">
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<span lang="ru"><font size="2"><a href="Topaz-D202.htm">
Äèêòîôîí Òîïàç Ä202</a></font></span></p>
<p align="center"><span lang="ru"><font size="2">
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<p align="center"><span lang="ru"><font size="2">
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<p align="center"><span lang="ru"><font size="2">
<a href="Electronica_M-401S.htm">Ýëåêòðîíèêà Ì-401Ñ</a></font></span></p>
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<p align="center"><font size="2"><span lang="ru">
<a href="Electronica%20M327.htm">Ýëåêòðîíèêà Ì327</a></span></font></p>
<p align="center"><font size="2">
<a href="Yahta-1M_Yavir-1.htm"><span lang="ru">ßõòà-1Ì
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<p align="center"><font size="2">
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Ýëåêòðîíèêà-508-âèäåî</a></font></span></p>
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<span lang="ru"><font size="2"><a href="Topaz-D202.htm">
Äèêòîôîí Òîïàç Ä202</a></font></span></p>
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</p>
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<a href="Krasnogorsk-2.htm">Êðàñíîãîðñê-2</a></font></span></p>
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<a href="First_transistors_ussr.htm">Ïåðâûå
îòå÷åñòâåííûå òðàíçèñòîðû</a></font></span></p>
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<img border="0" id="img61" src="Knopki/8/button2E.jpg" height="20" width="160" alt="Ìîè ðàáîòû" onmouseover="FP_swapImg(1,0,/*id*/'img61',/*url*/'Knopki/8/button2F.jpg')" onmouseout="FP_swapImg(0,0,/*id*/'img61',/*url*/'Knopki/8/button2E.jpg')" onmousedown="FP_swapImg(1,0,/*id*/'img61',/*url*/'Knopki/8/button30.jpg')" onmouseup="FP_swapImg(0,0,/*id*/'img61',/*url*/'Knopki/8/button2F.jpg')" fp-style="fp-btn: Metal Rectangle 1; fp-font: Verdana; fp-font-style: Italic; fp-font-size: 9; fp-proportional: 0; fp-orig: 0" fp-title="Ìîè ðàáîòû"></p>
<p align="center"><span lang="ru"><font size="2">
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ñòåðåî ïëååð</a></font></span></p>
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ìèêðîêàññåòíûé äèêòîôîí</a></font></span></p>
<p align="center"><span lang="ru"><font size="2">
<a href="/Tinico.htm#chapter7">
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<p> </p>
<p> </p>
<p> </p>
<p> </p>
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<p align="right"><a href="Eng-index.html">
<img border="0" id="img53" src="Knopki/10/button135.jpg" height="20" width="85" alt="English" onmouseover="FP_swapImg(1,0,/*id*/'img53',/*url*/'Knopki/10/button136.jpg')" onmouseout="FP_swapImg(0,0,/*id*/'img53',/*url*/'Knopki/10/button135.jpg')" onmousedown="FP_swapImg(1,0,/*id*/'img53',/*url*/'Knopki/10/button137.jpg')" onmouseup="FP_swapImg(0,0,/*id*/'img53',/*url*/'Knopki/10/button136.jpg')" fp-style="fp-btn: Metal Rectangle 1; fp-proportional: 0" fp-title="English" align="left"></a><a href="#chapter1"><img border="0" id="img8" src="Knopki/3/button40.jpg" height="20" width="136" alt="Àóäèî ðåêîðäåðû" fp-style="fp-btn: Metal Rectangle 1; fp-font: Verdana; fp-font-style: Italic; fp-font-size: 9; fp-proportional: 0; fp-orig: 0" fp-title="Àóäèî ðåêîðäåðû" onmouseover="FP_swapImg(1,0,/*id*/'img8',/*url*/'Knopki/3/button41.jpg')" onmouseout="FP_swapImg(0,0,/*id*/'img8',/*url*/'Knopki/3/button40.jpg')" onmousedown="FP_swapImg(1,0,/*id*/'img8',/*url*/'Knopki/3/button42.jpg')" onmouseup="FP_swapImg(0,0,/*id*/'img8',/*url*/'Knopki/3/button41.jpg')"></a><span lang="ru">
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<a href="#chapter8">
<img border="0" id="img55" src="Knopki/8/button19.jpg" height="20" width="103" alt="Ìîè ðàáîòû" onmouseover="FP_swapImg(1,0,/*id*/'img55',/*url*/'Knopki/8/button1A.jpg')" onmouseout="FP_swapImg(0,0,/*id*/'img55',/*url*/'Knopki/8/button19.jpg')" onmousedown="FP_swapImg(1,0,/*id*/'img55',/*url*/'Knopki/8/button1B.jpg')" onmouseup="FP_swapImg(0,0,/*id*/'img55',/*url*/'Knopki/8/button1A.jpg')" fp-style="fp-btn: Metal Rectangle 1; fp-font: Verdana; fp-font-style: Italic; fp-proportional: 0; fp-orig: 0" fp-title="Ìîè ðàáîòû"></a></p>
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<i><font face="Verdana" size="2" color="#C0D8B8"><span lang="ru">Ìîÿ
êîëëåêöèÿ ñîñòîèò èç êîìïàêòíûõ ìîäåëåé âèíòàæíîé àóäèî,
âèäåî, è òåëåâèçèîííîé òåõíèêè.<br>
Îíà áóäåò ïîïîëíÿòüñÿ</span></font></i></p>
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<a href="mailto:">
<font size="2"></font></a><br><span lang="ru">
<font size="2" color="#C0D8B8">Ìîñêâà</font></span></p>
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<img border="0" id="img14" src="Knopki/3/button24.jpg" height="20" width="165" alt="Àóäèî ðåêîðäåðû" onmouseover="FP_swapImg(1,0,/*id*/'img14',/*url*/'Knopki/3/button25.jpg')" onmouseout="FP_swapImg(0,0,/*id*/'img14',/*url*/'Knopki/3/button24.jpg')" onmousedown="FP_swapImg(1,0,/*id*/'img14',/*url*/'Knopki/3/button26.jpg')" onmouseup="FP_swapImg(0,0,/*id*/'img14',/*url*/'Knopki/3/button25.jpg')" fp-style="fp-btn: Metal Rectangle 1; fp-font: Verdana; fp-font-style: Italic; fp-font-size: 9; fp-proportional: 0; fp-orig: 0" fp-title="Àóäèî ðåêîðäåðû"></a></p><a>
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<p align="center"><a href="Aiwa_TP-30.htm">
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<a href="Dictaphone_Omega.htm">
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<font size="2"><a href="Mriya.htm">
<span lang="ru">Ðà</span>ä<span lang="ru">èîëà Ìðiÿ</span></a></font></a><p align="center">
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<p align="center">
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<p align="center">
<a name="chapter2">
<img border="0" id="img40" src="Knopki/2/button2.jpg" height="20" width="160" alt="Òåëåâèçîðû, âèäåî" onmouseover="FP_swapImg(1,0,/*id*/'img40',/*url*/'Knopki/2/button3.jpg')" onmouseout="FP_swapImg(0,0,/*id*/'img40',/*url*/'Knopki/2/button2.jpg')" onmousedown="FP_swapImg(1,0,/*id*/'img40',/*url*/'Knopki/2/button4.jpg')" onmouseup="FP_swapImg(0,0,/*id*/'img40',/*url*/'Knopki/2/button3.jpg')" fp-style="fp-btn: Metal Rectangle 1; fp-font: Verdana; fp-font-style: Italic; fp-font-size: 9; fp-proportional: 0; fp-orig: 0" fp-title="Òåëåâèçîðû, âèäåî"></a><span lang="ru">
</span>
<a href="#chapter7">
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<a href="Electronica-video_VMP-1.htm">Ýëåêòðîíèêà-âèäåî
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<span lang="ru"><a href="Electronica-501-video.htm">Ýëåêòðîíèêà-501-âèäåî</a></span></font><p align="center">
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<p align="center"><font size="2">
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<p align="center"><font size="2">
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<p align="center"><font size="2">
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<p align="center">
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<a>
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<p align="center">
<a name="chapter3">
<img border="0" id="img44" src="Knopki/2/button26.jpg" height="20" width="204" alt="Ëàìïîâûå ðàäèîïðèåìíèêè" fp-style="fp-btn: Metal Rectangle 1; fp-font: Verdana; fp-font-style: Italic; fp-font-size: 9; fp-proportional: 0; fp-orig: 0" fp-title="Ëàìïîâûå ðàäèîïðèåìíèêè" onmouseover="FP_swapImg(1,0,/*id*/'img44',/*url*/'Knopki/2/button27.jpg')" onmouseout="FP_swapImg(0,0,/*id*/'img44',/*url*/'Knopki/2/button26.jpg')" onmousedown="FP_swapImg(1,0,/*id*/'img44',/*url*/'Knopki/2/button28.jpg')" onmouseup="FP_swapImg(0,0,/*id*/'img44',/*url*/'Knopki/2/button27.jpg')"></a><span lang="ru">
</span>
<a href="#chapter7">
<img border="0" id="img47" src="Knopki/2/button1D.jpg" height="20" width="70" alt="Íàâåðõ" fp-style="fp-btn: Metal Rectangle 1; fp-font: Verdana; fp-font-style: Italic; fp-font-size: 9; fp-proportional: 0; fp-orig: 0" fp-title="Íàâåðõ" onmouseover="FP_swapImg(1,0,/*id*/'img47',/*url*/'Knopki/2/button1E.jpg')" onmouseout="FP_swapImg(0,0,/*id*/'img47',/*url*/'Knopki/2/button1D.jpg')" onmousedown="FP_swapImg(1,0,/*id*/'img47',/*url*/'Knopki/2/button1F.jpg')" onmouseup="FP_swapImg(0,0,/*id*/'img47',/*url*/'Knopki/2/button1E.jpg')"></a></p>
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<p align="center">
<a name="chapter4">
<img border="0" id="img45" src="Knopki/7/button2C.jpg" height="20" width="108" alt="Îáíîâëåíèÿ" onmouseover="FP_swapImg(1,0,/*id*/'img45',/*url*/'Knopki/7/button2D.jpg')" onmouseout="FP_swapImg(0,0,/*id*/'img45',/*url*/'Knopki/7/button2C.jpg')" onmousedown="FP_swapImg(1,0,/*id*/'img45',/*url*/'Knopki/7/button2E.jpg')" onmouseup="FP_swapImg(0,0,/*id*/'img45',/*url*/'Knopki/7/button2D.jpg')" fp-style="fp-btn: Metal Rectangle 1; fp-font: Verdana; fp-font-style: Italic; fp-font-size: 9; fp-proportional: 0; fp-orig: 0" fp-title="Îáíîâëåíèÿ"></a><span lang="ru">
</span>
<a href="#chapter7">
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<a href="Olympia_DG_402.htm">Olympia DG 402</a></font></p>
<p align="center"><a href="Olympia_DG_402.htm">
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<td valign="top" width="172">
<a>
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<p align="center"><a href="MS-61.htm">
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<a>
<p align="center"><font size="2">
<a href="Andy_Gard_Recorder.htm">Andy Gard
Recorder</a></font><p align="center">
<a href="Andy_Gard_Recorder.htm">
<img border="2" src="All/29/Andy_Gard_Home_Voice_Recorder.jpg"></a><p align="center"> </td>
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<p align="center"><font size="2">
<a href="Minifon_wrist-watch_microphone.htm">Minifon
<span lang="ru">÷àñû</span>-<span lang="ru">ìèêðîôîí</span></a></font><p align="center">
<a href="Minifon_wrist-watch_microphone.htm">
<img border="2" src="All/29/Minifon_wrist-watch_mic.jpg"></a><p align="center"> </td>
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<p align="center"><a href="Vilma_D-3.htm">VILMA D-3</a></p>
<p align="center"><a href="Vilma_D-3.htm">
<img border="2" src="All/29/Vilma_D-3.jpg"></a></td>
</tr>
</table>
</a>
<p align="center">
<a name="chapter5">
<img border="0" id="img50" src="Knopki/8/button4.jpg" height="20" width="160" alt="Äðóãèå ýêñïîíàòû" onmouseover="FP_swapImg(1,0,/*id*/'img50',/*url*/'Knopki/8/button5.jpg')" onmouseout="FP_swapImg(0,0,/*id*/'img50',/*url*/'Knopki/8/button4.jpg')" onmousedown="FP_swapImg(1,0,/*id*/'img50',/*url*/'Knopki/8/button6.jpg')" onmouseup="FP_swapImg(0,0,/*id*/'img50',/*url*/'Knopki/8/button5.jpg')" fp-style="fp-btn: Metal Rectangle 1; fp-font: Verdana; fp-font-style: Italic; fp-font-size: 9; fp-proportional: 0; fp-orig: 0" fp-title="Äðóãèå ýêñïîíàòû"></a><span lang="ru">
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Àóäèî ðåêîðäåðû
[Aiwa TP-30](Aiwa_TP-30.htm)
[Aiwa
TP-60R](aiwa_tp-60r.htm)
[Andy Gard Recorder](Andy_Gard_Recorder.htm)
[Answer ATR-102](Answer_ATR-102.htm)
[Assmann TS 10](Assmann_TS_10.htm)
[Apolec RA-11](Apolec.htm)
[Apollo](Apollo.htm)
[Concord F-20](Concord_F-20.htm)
[Concord F-85](Concord_F-85.htm)
[Crown CTD-2200](Crown_ctd-2200.htm)
[Dictaphone Dictet](Dictaphone_Dictet.htm)
[Dictaphone 4250](Dictaphone_4250.htm)
[Dictaphone model 848](Dictaphone_Model_848.htm)
[Dokorder PT-4H](Dokorder_PT-4H.htm)
[EDI
model M-75B](EDI.htm)
[Edison Envoy Model 1](Edison_Envoy.htm)
[Emerson Wondergram](Emerson_Wondergram.htm)
[Encorder](Encorder.htm)
[Fanon-Masco FTR-2](Fanon-Masco_FTR-2.htm)
[Fi-Cord 1A](Fi-Cord_1A.htm)
[Fi-Cord 101S](Fi-Cord_101S.htm)
[Fi-Cord 303](Fi-Cord_303.htm)
[Fi-Cord 300A](Fi-Cord_300A.htm)
[Gray Audograph D6](Gray_D6.htm)
[Grundig EN3 Luxus](Grundig_EN3_Luxus.htm)
[Grundig DeJur
Versatile III](Grundig_DeJur.htm)
[Grundig
Stenorette 2000](Grundig%20DeJUR%20Execumate.htm)
[Globe-Corder
GT-101](Globe-Corder.htm)
[IBM 224 Dictating Unit](IBM_224.htm)
[Juliette LT-44](Juliette_LT-44.htm)
[Lanier VIP/C](Lanier_transcriber.htm)
[Lloyd's 8 track player](Lloyd's_8_track.htm)
[Mayfair-1602](Mayfair-1602.htm)
[Memocord K60](Memocord_k60.htm)
[Memocord mini K177](Memocord_K177.htm)
[Miny](Miny.htm)
[Minifon Mi51](Minifon_Mi51.htm)
[Minifon Attache](Minifon_Attache.htm)
[Minifon
Attache-Speaker](Minifon_Attache-Speaker.htm)
[Minifon Hi-F](Minifon_Hi-Fi.htm)
[Minifon Liliput](Minifon_protona.htm#chapter15)
[Minifon
Protona Special](Minifon_protona.htm)
[Minifon P55 "Plexi"](Minifon_P55_Plexi.htm)
[Minifon P55 L (1957)](Minifon_P55L_1957.htm)
[Minifon P55 L
(1960)](Minifon_P55.htm)
[Minifon P55-Speaker](Minifon_P55-Speaker.htm)
[Minifon\_÷àñû-ìèêðîôîí](Minifon_wrist-watch_microphone.htm)
[Mohawk Midgetape 44](Mohawk_midgetape_44.htm)
[Mohawk Midgetape
300](Mohawk_Midgetape_300.htm)
[Mohawk Midgetape
400](Mohawk_Midgetape_400.htm)
[Monacor](Monacor.htm)
[National RQ-8100](National_RQ-8100.htm)
[Norelco LFH 0085/54](Norelco%20LFH%200085.htm)
[Norelco LFH 0095](Norelco_LFH_0095.htm)
[Olympia DG 402](Olympia_DG_402.htm)
[Olympus Pearlcorder L200](Olympus_L200.htm)
[Panasonic
RQ-115](Panasonic_RQ-115.htm)
[Panasonic RQ-212DKS](Panasonic_RQ-212DKS.htm)
[Panasonic
RQ-SX56](Panasonic_RQ-SX56.htm)
[Panasonic RQ-SX97F](Panasonic_RQ-SX97F.htm)
[Philips EL 3302](Philips%20EL%203302.htm)
[Phono TRIX 88](Phono_trix_88.htm)
[Playtape 1200](Playtape_1200.htm)
[Pocket Corder
MC-2](Pocket_Corder.htm)
[Ross Mark-55](Ross_Mark-55.htm)
[Sanyo
Micro-Pack 35](Micro-Pack_35.htm)
[Sanyo M2580K](Sanyo_M2580K.htm)
[Sony BM-17 Dictator](Sony_BM-17_Dictator.htm)
[Sony TC-55](Sony_TC-55.htm)
[Sound Machine "Hokie
Pokie"](Sound_Machine_Hokie_Pokie.htm)
[SoundScriber](Soundscriber.htm)
[SoundScriber 200](Soundscriber_200.htm)
[SoundScriber 200 B](Soundscriber_200_B.htm)
[Steelman Transitape](Steelman_Transitape.htm)
[Stenotape TR-711](Stenotape.htm)
[Stuzzi
Memocord 304 B](Stuzzi%20Memocord%20304%20B.htm)
[Tefifon Holiday BK-59](Tefifon_BK-59.htm)
[Telefunken 600](Telefunken_600.htm)
[Telmar T-100](Telmar_T-100.htm)
[Tinico](Tinico.htm)
[VILMA D-3](Vilma_D-3.htm)
[Âåñíà-309](Vesna_309.htm)
[Äèêòîôîí
"OMEGA"](Dictaphone_Omega.htm)
[Äèêòîôîí "Ñîáåñåäíèê"](Minifon_Mi51.htm#chapter11)
[Ìåçîí](Mezon.htm)
[ÌÑ-61
- Ìàãíèòîôîí áîðòîâîé](MS-61.htm)
[Ðàäèîëà
Ìðiÿ](Mriya.htm)
[Ðåïîðòåð 5](Reporter-5.htm)
[Ñïóòíèê 401](Sputnik_401.htm)
[Äèêòîôîí Òîïàç Ä202](Topaz-D202.htm)
[Øïèîíñêèé äèêòîôîí](Spy_tape_recorder.htm)
[Ýëåêòðîí 52Ä](Tinico.htm)
[Ýëåêòðîíèêà Ì-401Ñ](Electronica_M-401S.htm)
[Ýëåêòðîíèêà Ì-402Ñ](Electronica_M-402S.htm)
[Ýëåêòðîíèêà Ì327](Electronica%20M327.htm)
[ßõòà-1Ì
/ ßâið-1](Yahta-1M_Yavir-1.htm)
[Àêñåññóàðû](Accessories.htm)
Òåëåâèçîðû, âèäåî
[Akai VT-150](Akai_VT-150.htm)
[Akai VC-150](Akai_VT-150-2.htm)
[Panasonic TR-1030P](Panasonic_TR-1030P.htm)
[Sony AV-3400](Sony_AV-3400.htm)
[Sony
AVC-3400](Sony_AV-3400-2.htm)
[Sony SL-F1E & TT-F1E](Sony_SL-F1E_TT-F1E.htm)
[Sony Watchman FD-30A](Sony_FD-30A.htm)
[Sony Watchman FD-40A](Sony_FD-40A.htm)
[Ýëåêòðîíèêà-501-âèäåî](Electronica-501-video.htm)
[Ýëåêòðîíèêà-âèäåî
ÂÌÏ-1](Electronica-video_VMP-1.htm)
[Ýëåêòðîíèêà-508-âèäåî](Electronica-508M-video.htm)
[Ýëåêòðîíèêà-841](Electronica-501-video-2.htm)
[Ýëåêòðîíèêà Ë1-08](Electronica_L1-08.htm)
Ðàäèîïðèåìíèêè
[Òóðèñò ÏÌÏ-56](Turist_pmp-56.htm)
[Emerson 508](Emerson_508.htm)
[Motorola 56L2](Motorola_56L2.htm)
[RCA Victor 54B2](RCA_Victor_54B2.htm)
[RCA Victor BP-10](RCA_Victor_BP-10.htm)
[Sterling LS-4](Sterling_LS-4.htm)
[United Deluxe RN-5](United_Deluxe_RN-5.htm)
Îáíîâëåíèÿ
[VILMA D-3](Vilma_D-3.htm)
[Minifon\_÷àñû-ìèêðîôîí](Minifon_wrist-watch_microphone.htm)
[Andy Gard Recorder](Andy_Gard_Recorder.htm)
[Olympia DG 402](Olympia_DG_402.htm)
[Äèêòîôîí Òîïàç Ä202](Topaz-D202.htm)
[ÌÑ-61 - Ìàãíèòîôîí áîðòîâîé](MS-61.htm)
Äðóãèå ýêñïîíàòû
[Detective Dictograph](Dictograph.htm)
[Êðàñíîãîðñê-2](Krasnogorsk-2.htm)
[Motorola M75](Motorola_M75.htm)
[Pentacon six TL](Pentacon_six_tl.htm)
[Tube
Tester I-177](Tube_Tester_I-177.htm)
[V/A - ìåòðû](VA-meters.htm)
[Êðàñíîãîðñê-2](Krasnogorsk-2.htm)
[ÔÝÄ-5â](fed-5v.htm)
[Âèëèÿ-Àâòî](Viliya-Auto.htm)
[Ïåðâûå
îòå÷åñòâåííûå òðàíçèñòîðû](First_transistors_ussr.htm)
Ìîè ðàáîòû
[Ëàìïîâûé êàññåòíûé
ñòåðåî ïëååð](Tube_cassette_player.htm)
[Ëàìïîâûé
ìèêðîêàññåòíûé äèêòîôîí](Tube_Microcassette_recorder.htm)
[Äèêòîôîí Øòèðëèöà - ëàìïîâûé "Ýëåêòðîí 52Ä"](/Tinico.htm#chapter7)
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| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| [English](Eng-index.html)[Àóäèî ðåêîðäåðû](#chapter1)
[Òåëåâèçîðû, âèäåî](#chapter2)
[Ðàäèîïðèåìíèêè](#chapter3)
[Îáíîâëåíèÿ](#chapter4)
[Äðóãèå çêñïîíàòû](#chapter5)
[Ìîè ðàáîòû](#chapter8)
*Ìîÿ
êîëëåêöèÿ ñîñòîèò èç êîìïàêòíûõ ìîäåëåé âèíòàæíîé àóäèî,
âèäåî, è òåëåâèçèîííîé òåõíèêè.
Îíà áóäåò ïîïîëíÿòüñÿ*
Ìîñêâà
Àóäèî ðåêîðäåðû| | | | | |
| --- | --- | --- | --- | --- |
| [Aiwa TP-30](Aiwa_TP-30.htm)
| [Aiwa
TP-60R](aiwa_tp-60r.htm)
|
[Andy Gard
Recorder](Andy_Gard_Recorder.htm)
|
[Answer ATR-102](Answer_ATR-102.htm)
|
[Apolec RA-11](Apolec.htm)
|
| | | | | |
| --- | --- | --- | --- | --- |
| [Apollo](Apollo.htm) | [Assmann TS 10](Assmann_TS_10.htm) | [Concord F-20](Concord_F-20.htm) | [Concord F-85](Concord_F-85.htm) | [Crown CTD-2200](Crown_ctd-2200.htm) |
| | | | | |
| --- | --- | --- | --- | --- |
| [Emerson Wondergram](Emerson_Wondergram.htm) | [Dictaphone Dictet](Dictaphone_Dictet.htm) | [Dictaphone model 848](Dictaphone_Model_848.htm) | [Dictaphone 4250](Dictaphone_4250.htm) | [Dokorder PT-4H](Dokorder_PT-4H.htm) |
| | | | | |
| --- | --- | --- | --- | --- |
| [EDI model M-75B](EDI.htm) | [Edison Envoy Model 1](Edison_Envoy.htm) | [Fi-Cord 1A](Fi-Cord_1A.htm) | [Fi-Cord 101S](Fi-Cord_101S.htm) | [Fi-Cord 303](Fi-Cord_303.htm) |
| | | | | |
| --- | --- | --- | --- | --- |
| [Fi-Cord 300A](Fi-Cord_300A.htm) | [Encorder](Encorder.htm) | [Fanon-Masco
FTR-2](Fanon-Masco_FTR-2.htm) | [Gray Audograph D6](Gray_D6.htm) | [Globe-Corder
GT-101](Globe-Corder.htm) |
| | | |
| --- | --- | --- |
| [Grundig Stenorette 2000](Grundig%20DeJUR%20Execumate.htm) | [Grundig DeJur
Versatile III](Grundig_DeJur.htm) | |
[Grundig EN3 Luxus](Grundig_EN3_Luxus.htm) |
[Hokie Pokie](Sound_Machine_Hokie_Pokie.htm) |
[IBM 224 Dictating Unit](IBM_224.htm) |
| | | | | |
| --- | --- | --- | --- | --- |
| [Juliette LT-44](Juliette_LT-44.htm)
| [Lanier VIP/C](Lanier_transcriber.htm) | [Lloyd's 8 track
player](Lloyd's_8_track.htm) | [Mayfair-1602](Mayfair-1602.htm) | [Memocord K60](Memocord_k60.htm) |
| | | | | |
| --- | --- | --- | --- | --- |
| [Memocord mini K177](Memocord_K177.htm) | [Minifon Mi51](Minifon_Mi51.htm) | [Minifon P55 "Plexi"](Minifon_P55_Plexi.htm) | [Minifon P55 L (1957)](Minifon_P55L_1957.htm) | [Minifon P55 L
(1960)](Minifon_P55.htm) |
| | | | | |
| --- | --- | --- | --- | --- |
| [Minifon Liliput](Minifon_protona.htm#chapter15) | [Minifon
Protona Special](Minifon_protona.htm) | [Minifon Attache](Minifon_Attache.htm) | [Minifon Hi-Fi](Minifon_Hi-Fi.htm) |
[Minifon
÷àñû-ìèêðîôîí](Minifon_wrist-watch_microphone.htm)
|
| | | | | |
| --- | --- | --- | --- | --- |
| [Minifon P55-Speaker](Minifon_P55-Speaker.htm) | [Minifon
Attache-Speaker](Minifon_Attache-Speaker.htm) | [Mohawk Midgetape 44](Mohawk_midgetape_44.htm) | [Mohawk Midgetape
300](Mohawk_Midgetape_300.htm) | [Mohawk Midgetape
400](Mohawk_Midgetape_400.htm) |
| | | | | |
| --- | --- | --- | --- | --- |
| [Monacor](Monacor.htm) | [Miny](Miny.htm) | [National RQ-8100](National_RQ-8100.htm) | [Norelco LFH 0095](Norelco_LFH_0095.htm) | [Norelco LFH
0085/54](Norelco%20LFH%200085.htm) |
| | | | | |
| --- | --- | --- | --- | --- |
| [Olympia DG 402](Olympia_DG_402.htm) | [Olympus Pearlcorder L200](Olympus_L200.htm) | [Panasonic
RQ-SX56](Panasonic_RQ-SX56.htm) |
[Panasonic RQ-SX97F](Panasonic_RQ-SX97F.htm) | [Panasonic
RQ-115](Panasonic_RQ-115.htm) |
| | | | | |
| --- | --- | --- | --- | --- |
|
[Panasonic RQ-212DKS](Panasonic_RQ-212DKS.htm) |
[Philips EL 3302](Philips%20EL%203302.htm) |
[Phono TRIX 88](Phono_trix_88.htm) |
[Playtape 1200](Playtape_1200.htm) |
[Pocket Corder
MC-2](Pocket_Corder.htm) |
| | | | | |
| --- | --- | --- | --- | --- |
|
[Ross Mark-55](Ross_Mark-55.htm) |
[Sanyo
Micro-Pack 35](Micro-Pack_35.htm) |
[Sanyo M2580K](Sanyo_M2580K.htm)
|
[Sony BM-17 Dictator](Sony_BM-17_Dictator.htm) |
[Sony TC-55](Sony_TC-55.htm) |
| | | | | |
| --- | --- | --- | --- | --- |
|
[Steelman Transitape](Steelman_Transitape.htm) |
[SoundScriber 200 B](Soundscriber_200_B.htm) | [SoundScriber 200](Soundscriber_200.htm) |
[SoundScriber](Soundscriber.htm) |
[Stuzzi
Memocord 304 B](Stuzzi%20Memocord%20304%20B.htm) |
| | | | | |
| --- | --- | --- | --- | --- |
|
[Stenotape TR-711](Stenotape.htm) |
[Telefunken 600](Telefunken_600.htm) | [Tefifon Holiday
BK-59](Tefifon_BK-59.htm) |
[Tinico](Tinico.htm) | [Telmar T-100](Telmar_T-100.htm)
|
| | | | | |
| --- | --- | --- | --- | --- |
| [VILMA
D-3](Vilma_D-3.htm) | [Äèêòîôîí
"OMEGA"](Dictaphone_Omega.htm) | [Øïèîíñêèé äèêòîôîí](Spy_tape_recorder.htm) | [Ýëåêòðîí 52Ä](Tinico.htm) | [Âåñíà-309](Vesna_309.htm) |
| | | | | |
| --- | --- | --- | --- | --- |
| [Ðàäèîëà Ìðiÿ](Mriya.htm)
| [Ìåçîí](Mezon.htm) | [ÌÑ-61](MS-61.htm) | [Ðåïîðòåð
5](Reporter-5.htm) | [Ñïóòíèê 401](Sputnik_401.htm)
|
| | | | | |
| --- | --- | --- | --- | --- |
| [Äèêòîôîí Òîïàç Ä202](Topaz-D202.htm) | [Ýëåêòðîíèêà Ì-401Ñ](Electronica_M-401S.htm)
| [Ýëåêòðîíèêà Ì-402Ñ](Electronica_M-402S.htm)
| [Ýëåêòðîíèêà Ì327](Electronica%20M327.htm)
| [ßõòà-1Ì
/ ßâið-1](Yahta-1M_Yavir-1.htm) |
| | | | | |
| --- | --- | --- | --- | --- |
| [Àêñåññóàðû](Accessories.htm) | | | | |
Òåëåâèçîðû, âèäåî
[Íàâåðõ](#chapter7)
| | | | | |
| --- | --- | --- | --- | --- |
|
[Ýëåêòðîíèêà-âèäåî
ÂÌÏ](Electronica-video_VMP-1.htm)
|
[Ýëåêòðîíèêà-501-âèäåî](Electronica-501-video.htm)
|
[Ýëåêòðîíèêà-508-âèäåî](Electronica-508M-video.htm)
|
[Ýëåêòðîíèêà-841](Electronica-501-video-2.htm)
|
[Ýëåêòðîíèêà Ë1-08](Electronica_L1-08.htm)
|
| | | | | |
| --- | --- | --- | --- | --- |
|
[Akai VT-150](Akai_VT-150.htm)
|
[Akai VC-150](Akai_VT-150-2.htm)
|
[Sony AV-3400](Sony_AV-3400.htm)
|
[Sony AVC-3400](Sony_AV-3400-2.htm)
|
[Sony SL-F1E & TT-F1E](Sony_SL-F1E_TT-F1E.htm)
|
| | | | | |
| --- | --- | --- | --- | --- |
| [Sony Watchman FD-30A](Sony_FD-30A.htm)
| [Sony Watchman FD-40A](Sony_FD-40A.htm)
| [Panasonic TR-1030P](Panasonic_TR-1030P.htm)
| |
|
Ëàìïîâûå ðàäèîïðèåìíèêè
[Íàâåðõ](#chapter7)
| | | | | |
| --- | --- | --- | --- | --- |
|
[Òóðèñò ÏÌÏ-56](Turist_pmp-56.htm)
|
[RCA Victor 54B2](RCA_Victor_54B2.htm)
|
[RCA Victor BP-10](RCA_Victor_BP-10.htm)
|
[Motorola 56L2](Motorola_56L2.htm)
|
[Sterling LS-4](Sterling_LS-4.htm)
|
| | | | | |
| --- | --- | --- | --- | --- |
|
[United Deluxe RN-5](United_Deluxe_RN-5.htm)
|
[Emerson 508](Emerson_508.htm)
| | | |
Îáíîâëåíèÿ
[Íàâåðõ](#chapter7)
| | | | | |
| --- | --- | --- | --- | --- |
|
[Olympia DG 402](Olympia_DG_402.htm)
| [ÌÑ-61](MS-61.htm) | [Andy Gard
Recorder](Andy_Gard_Recorder.htm) | [Minifon
÷àñû-ìèêðîôîí](Minifon_wrist-watch_microphone.htm) | [VILMA D-3](Vilma_D-3.htm)
|
Äðóãèå ýêñïîíàòû
[Íàâåðõ](#chapter7)
| | | | | |
| --- | --- | --- | --- | --- |
|
[Detective Dictograph](Dictograph.htm)
|
[Pentacon six TL](Pentacon_six_tl.htm)
|
[ÔÝÄ-5â](fed-5v.htm)
|
[Âèëèÿ-Àâòî](Viliya-Auto.htm)
|
[Motorola M75](Motorola_M75.htm)
|
| | | | | |
| --- | --- | --- | --- | --- |
|
[V/A - ìåòðû](VA-meters.htm)
|
[Tube
Tester I-177](Tube_Tester_I-177.htm)
|
[Êðàñíîãîðñê-2](Krasnogorsk-2.htm)
|
[Ïåðâûå
òðàíçèñòîðû](First_transistors_ussr.htm)
|
|
Ìîè ðàáîòû
[Íàâåðõ](#chapter7)
| | | | | |
| --- | --- | --- | --- | --- |
|
[Ëàìïîâûé
ïëååð](Tube_cassette_player.htm)
|
[Ëàìïîâûé
äèêòîôîí](Tube_Microcassette_recorder.htm)
|
[Äèêòîôîí Øòèðëèöà](/Tinico.htm#chapter7)
| | |
|
| |
| |
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If interested, please [email me right away.](http://patreon.com/truewagner)
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<!DOCTYPE HTML>
<html>
<head>
<title>Donât watch TV coverage of Covid-19!</title>
<meta http-equiv="Content-Type" content="text/html; charset=utf-8" />
<link media="all" href="/common/stallman.css" type="text/css"
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<h1>Donât watch TV coverage of Covid-19!</h1>
<h2>— by Richard Stallman</h2>
<p>
Don't watch TV coverage of Covid-19! (Or "social media"; the
details are different.) Watching repetitive coverage of something frightening can
interfere with clear thinking, even traumatize people.</p>
<p>
TV news coverage of a crisis struggles to fill 24 hours a day with
"information", notwithstanding the fact that the actual flow of new
information about the crisis is nowhere near sufficient to fill that
time. What do they do? They repeat. They present tangential and
minor details. They make the same points in different ways. They
belabor the obvious. They repeat.</p>
<p>
If your goal is to be informed, you don't need to dwell on the crisis
for hours every day. Not even one hour a day. Getting your news in
this inefficient matter will waste a lot of time — and
worse.</p>
<p>
In addition, it will make you more and more anxious. Someone I knew
in 2001, who lived in California. spent all day on Sep 11 and
following days watching the TV coverage. Afterward perse was afraid
to go outside, watching for terrorist airplanes. TV made it possible
for per to be traumatized by events 3000 miles away.</p>
<p>
That was an unusually strong case. Most people did not get so
traumatized as that. That does not imply it did not affect them. I
suspect that the TV coverage may have shifted millions of people's
perceptions, so that they overestimated the danger of terrorism while
downplaying the danger of laws that take away freedom. This would
have smoothed the path for careless passage of the
<a href="/images/brave-and-free.jpg">dangerous USA PAT RIOT Act</a>
and its massive surveillance.</p>
<p>
In any a good, general textual news site, you can read the things you
really want to know about Covid-19 in 10 or 20 minutes a day. Then
you won't fall behind on your work, and you won't be brainwashed into
panic.</p>
<p>
Keep calm and carry on!</p>
<hr>
<p>
Copyright © 2020 Richard Stallman
Verbatim copying and redistribution of this entire page are
permitted provided this notice is preserved.
</p>
</body>
</html>
|
Donât watch TV coverage of Covid-19!
# Donât watch TV coverage of Covid-19!
## — by Richard Stallman
Don't watch TV coverage of Covid-19! (Or "social media"; the
details are different.) Watching repetitive coverage of something frightening can
interfere with clear thinking, even traumatize people.
TV news coverage of a crisis struggles to fill 24 hours a day with
"information", notwithstanding the fact that the actual flow of new
information about the crisis is nowhere near sufficient to fill that
time. What do they do? They repeat. They present tangential and
minor details. They make the same points in different ways. They
belabor the obvious. They repeat.
If your goal is to be informed, you don't need to dwell on the crisis
for hours every day. Not even one hour a day. Getting your news in
this inefficient matter will waste a lot of time — and
worse.
In addition, it will make you more and more anxious. Someone I knew
in 2001, who lived in California. spent all day on Sep 11 and
following days watching the TV coverage. Afterward perse was afraid
to go outside, watching for terrorist airplanes. TV made it possible
for per to be traumatized by events 3000 miles away.
That was an unusually strong case. Most people did not get so
traumatized as that. That does not imply it did not affect them. I
suspect that the TV coverage may have shifted millions of people's
perceptions, so that they overestimated the danger of terrorism while
downplaying the danger of laws that take away freedom. This would
have smoothed the path for careless passage of the
[dangerous USA PAT RIOT Act](/images/brave-and-free.jpg)
and its massive surveillance.
In any a good, general textual news site, you can read the things you
really want to know about Covid-19 in 10 or 20 minutes a day. Then
you won't fall behind on your work, and you won't be brainwashed into
panic.
Keep calm and carry on!
---
Copyright © 2020 Richard Stallman
Verbatim copying and redistribution of this entire page are
permitted provided this notice is preserved.
| https://stallman.org/articles/dont-watch-covid-tv.html |
<html>
<head>
<link rel="stylesheet" href="colors.css" type="text/css">
<title>Star Wars Character Age Table</title>
<meta property="og:image" content="star-wars-character-ages_screenshot.png">
<meta name="description" content="How old is Rey in Star Wars: The Rise of Skywalker? How old is Han Solo in The Force Awakens? Find the age in each movie of every major Star Wars character">
<meta name="keywords" content="star wars, age, character age, ages, character ages, age table, birth, birthdates, movie">
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<body bottommargin="0" leftmargin="0" marginheight="0" marginwidth="0" rightmargin="0" topmargin="0" bgcolor="#999999" link=indigo vlink=indigo alink=indigo>
<center>
<table width="50%"><tr><td align=left>
<center>
<a href="index.html">
<br><img src="datapad_logo.png" border=0><br></a>
<DIV><FONT size=4><b>Star Wars Character Ages</b></FONT></DIV>
</center>
<br>How old is Luke Skywalker in <i>The Last Jedi</i>? How old are Han and Lando in the <i>Solo</i> movie? How old are Rey and Kylo Ren in <i>The Rise of Skywalker</i>? All the answers are right here!
<br><br>Ages and birthdates are based on Lucasfilm or Lucasfilm-licensed sources. Where no precise age is available from the new canon (after the 2014 expanded universe reboot), ages from pre-2014 Legends sources are used. Many ages from Legends have been confirmed in the new canon, so the rest are likely to be correct too.
<br><br>In cases where new canon sources directly contradict the Legends sources, both versions are given in separate rows.
<br><br>
Characters are listed in alphabetical order by what I think people usually call them. If you can't find the character you're looking for, you can use the "Find in page" function of your browser to search for it (CTRL + F on Windows computers).<br><br>
<b>Like the Star Wars Character Age Table? Check out my <a href="http://www.yodasdatapad.com/booklist.html">Star Wars Book List</a>, with side-by-side timelines of Legends and New Canon novels!</b><br><br>
</center>
</td></tr></table>
<table><tr><td align=left>
<!--
Episode I = <i>The Phantom Menace</i> (1999)<br>
Episode II = <i>Attack of the Clones</i> (2002)<br>
Episode III = <i>Revenge of the Sith</i> (2005)<br>
Episode IV = <i>Star Wars: A New Hope</i> (1977)<br>
Episode V = <i>The Empire Strikes Back</i> (1980)<br>
Episode VI = <i>Return of the Jedi</i> (1983)<br>
Episode VII = <i>The Force Awakens</i> (2015)<br>
Episode VIII = <i>The Last Jedi</i> (2017)<br>
<br>
-->
</td></tr></table>
<center>
<table cellspacing=0 cellpadding=2 width="85%" bgcolor="#cccccc">
<tr bgcolor="#669900">
<td width="19%" align=middle bgcolor=>Character</td>
<td width="9%" align=middle>Birthdate</td>
<td width="8%"> </td>
<td width="8%"> </td>
<td width="8%"> </td>
<td width="7%" align="middle">Age in...</td>
<td width="8%"> </td>
<td width="8%"> </td>
<td width="8%"> </td>
<td width="9%"> </td>
<td width="8%"> </td>
</tr>
<tr bgcolor="#99cc00">
<td align=middle valign=middle><span style="font-size: smaller;">(alphabetical order by first name or title)</span></td>
<td align=middle valign=middle><span style="font-size: smaller;">(years after Episode IV)</span></td>
<td align=middle valign=top>Episode I<br><span style="font-size: smaller;">The Phantom Menace</span></td>
<td align=middle valign=top>Episode II<br><span style="font-size: smaller;">Attack of the Clones</span></td>
<td align=middle valign=top>Episode III<br><span style="font-size: smaller;">Revenge of the Sith</span></td>
<td align=middle valign=top>Solo<br><span style="font-size: smaller;">A Star Wars Story</span></td>
<td align=middle valign=top>Episode IV<br><span style="font-size: smaller;">A New Hope<br>(+ Rogue One)</span></td>
<td align=middle valign=top>Episode V<br><span style="font-size: smaller;">The Empire Strikes Back</span></td>
<td align=middle valign=top>Episode VI<br><span style="font-size: smaller;">Return of the Jedi</span></td>
<td align=middle valign=top>Episodes VII-VIII<br><span style="font-size: smaller;">The Force Awakens<br>& The Last Jedi</span></td>
<td align=middle valign=top>Episode IX<br><span style="font-size: smaller;">The Rise of Skywalker</span></td>
</tr>
<tr>
<td>Admiral Ackbar</td>
<td align=middle>Before -52</td>
<td align=middle>>20</td>
<td align=middle>>30</td>
<td align=middle>>33</td>
<td align=middle>>42</td>
<td align=middle>>52</td>
<td align=middle>>55</td>
<td align=middle>>56</td>
<td align=middle>>86</td>
<td align=middle> </td>
</tr>
<tr bgcolor="#bbbbbb">
<td>Anakin Skywalker / Darth Vader<br><span style="font-size: smaller">Canon: Age according to post-2014 sources</span></td>
<td align=middle>-41</td>
<td align=middle>9</td>
<td align=middle>19</td>
<td align=middle>22</td>
<td align=middle>31</td>
<td align=middle>41</td>
<td align=middle>44</td>
<td align=middle>45</td>
<td align=middle> </td>
<td align=middle> </td>
</tr>
<tr>
<td>Anakin Skywalker / Darth Vader (Legends)<br><span style="font-size: smaller">Legends: Age according to pre-2014 sources</span></td>
<td align=middle>-42*</td>
<td align=middle>9*</td>
<td align=middle>20</td>
<td align=middle>23</td>
<td align=middle>32</td>
<td align=middle>42</td>
<td align=middle>45</td>
<td align=middle>46</td>
<td align=middle> </td>
<td align=middle> </td>
</tr>
<tr bgcolor="#bbbbbb">
<td>BB-8</td>
<td align=middle>29</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle>5</td>
<td align=middle>6</td>
</tr>
<tr>
<td>Boba Fett</td>
<td align=middle>-32</td>
<td align=middle> </td>
<td align=middle>10</td>
<td align=middle>13</td>
<td align=middle>22</td>
<td align=middle>32</td>
<td align=middle>35</td>
<td align=middle>36</td>
<td align=middle> </td>
<td align=middle> </td>
</tr>
<tr bgcolor="#bbbbbb">
<td>C-3PO</td>
<td align=middle>-32 or before**</td>
<td align=middle>0+</td>
<td align=middle>10+</td>
<td align=middle>13+</td>
<td align=middle>22+</td>
<td align=middle>32+</td>
<td align=middle>35+</td>
<td align=middle>36+</td>
<td align=middle>66+</td>
<td align=middle>67+</td>
</tr>
<tr>
<td>Captain Phasma</td>
<td align=middle>About -5</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle>~5</td>
<td align=middle>~8</td>
<td align=middle>~9</td>
<td align=middle> </td>
</tr>
<tr bgcolor="#bbbbbb">
<td>Chewbacca</td>
<td align=middle>-200</td>
<td align=middle>168</td>
<td align=middle>178</td>
<td align=middle>181</td>
<td align=middle>190</td>
<td align=middle>200</td>
<td align=middle>203</td>
<td align=middle>204</td>
<td align=middle>234</td>
<td align=middle>235</td>
</tr>
<tr>
<td>Count Dooku</td>
<td align=middle>-102</td>
<td align=middle>70</td>
<td align=middle>80</td>
<td align=middle>83</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
</tr>
<tr bgcolor="#bbbbbb">
<td>Darth Maul</td>
<td align=middle>-54</td>
<td align=middle>22</td>
<td align=middle>32</td>
<td align=middle>35</td>
<td align=middle>44</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
</tr>
<tr>
<td>Finn</td>
<td align=middle>11</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle>23</td>
<td align=middle>24</td>
</tr>
<tr bgcolor="#bbbbbb">
<td>General Hux</td>
<td align=middle>0</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle>0</td>
<td align=middle>3</td>
<td align=middle>4</td>
<td align=middle>34</td>
<td align=middle>35</td>
</tr>
<tr>
<td>Grand Moff Tarkin</td>
<td align=middle>-64</td>
<td align=middle>32</td>
<td align=middle>42</td>
<td align=middle>45</td>
<td align=middle>54</td>
<td align=middle>64</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
</tr>
<tr bgcolor="#bbbbbb">
<td>Han Solo (Canon)<br><span style="font-size: smaller">Age according to post-2014 sources</span></td>
<td align=middle>About -32</td>
<td align=middle>~0</td>
<td align=middle>~10</td>
<td align=middle>~13</td>
<td align=middle>~22</td>
<td align=middle>~32</td>
<td align=middle>~35</td>
<td align=middle>~36</td>
<td align=middle>~66</td>
<td align=middle> </td>
</tr>
<tr>
<td>Han Solo (Legends)<br><span style="font-size: smaller">Age according to pre-2014 sources</span></td>
<td align=middle>-29</td>
<td align=middle> </td>
<td align=middle>7</td>
<td align=middle>10</td>
<td align=middle>19</td>
<td align=middle>29</td>
<td align=middle>32</td>
<td align=middle>33</td>
<td align=middle>63</td>
<td align=middle> </td>
</tr>
<tr bgcolor="#bbbbbb">
<td>Jabba the Hutt</td>
<td align=middle>-600</td>
<td align=middle>568</td>
<td align=middle>578</td>
<td align=middle>581</td>
<td align=middle>590</td>
<td align=middle>600</td>
<td align=middle>603</td>
<td align=middle>604</td>
<td align=middle> </td>
<td align=middle> </td>
</tr>
<tr>
<td>Jango Fett</td>
<td align=middle>-66</td>
<td align=middle>34</td>
<td align=middle>44</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
</tr>
<tr bgcolor="#bbbbbb">
<td>Jar Jar Binks</td>
<td align=middle>-52</td>
<td align=middle>20</td>
<td align=middle>30</td>
<td align=middle>33</td>
<td align=middle>42</td>
<td align=middle>52</td>
<td align=middle>55</td>
<td align=middle>56</td>
<td align=middle>86</td>
<td align=middle>87</td>
</tr>
<tr>
<td>Jyn Erso</td>
<td align=middle>-21</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle>2</td>
<td align=middle>11</td>
<td align=middle>21</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
</tr>
<tr bgcolor="#bbbbbb">
<td>Kylo Ren (Ben Solo)</td>
<td align=middle>5</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle>29</td>
<td align=middle>30</td>
</tr>
<tr>
<td>Lando Calrissian</td>
<td align=middle>-31</td>
<td align=middle> </td>
<td align=middle>9</td>
<td align=middle>12</td>
<td align=middle>21</td>
<td align=middle>31</td>
<td align=middle>34</td>
<td align=middle>35</td>
<td align=middle>65</td>
<td align=middle>66</td>
</tr>
<tr bgcolor="#bbbbbb">
<td>Leia Organa (Princess/General Leia)</td>
<td align=middle>-19†</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle>0</td>
<td align=middle>9</td>
<td align=middle>19</td>
<td align=middle>22</td>
<td align=middle>23</td>
<td align=middle>53</td>
<td align=middle>54</td>
</tr>
<tr>
<td>Luke Skywalker</td>
<td align=middle>-19†</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle>0</td>
<td align=middle>9</td>
<td align=middle>19</td>
<td align=middle>22</td>
<td align=middle>23</td>
<td align=middle>53</td>
<td align=middle> </td>
</tr>
<tr bgcolor="#bbbbbb">
<td>Mace Windu</td>
<td align=middle>-72</td>
<td align=middle>40</td>
<td align=middle>50</td>
<td align=middle>53</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
</tr>
<tr>
<td>Maz Kanata</td>
<td align=middle>-973</td>
<td align=middle>941</td>
<td align=middle>951</td>
<td align=middle>954</td>
<td align=middle>963</td>
<td align=middle>973</td>
<td align=middle>976</td>
<td align=middle>977</td>
<td align=middle>1007</td>
<td align=middle>1008</td>
</tr>
<tr bgcolor="#bbbbbb">
<td>Mon Mothma</td>
<td align=middle>-46</td>
<td align=middle>14</td>
<td align=middle>24</td>
<td align=middle>27</td>
<td align=middle>36</td>
<td align=middle>46</td>
<td align=middle>49</td>
<td align=middle>50</td>
<td align=middle>84</td>
<td align=middle>85</td>
</tr>
<tr>
<td>Obi-Wan Kenobi</td>
<td align=middle>-57</td>
<td align=middle>25</td>
<td align=middle>35</td>
<td align=middle>38</td>
<td align=middle>47</td>
<td align=middle>57</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
</tr>
<tr bgcolor="#bbbbbb">
<td>Padmé Amidala</td>
<td align=middle>-46</td>
<td align=middle>14</td>
<td align=middle>24</td>
<td align=middle>27</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
</tr>
<tr>
<td>Palpatine (Darth Sidious)</td>
<td align=middle>-82</td>
<td align=middle>50</td>
<td align=middle>60</td>
<td align=middle>63</td>
<td align=middle>72</td>
<td align=middle>82</td>
<td align=middle>85</td>
<td align=middle>86</td>
<td align=middle>116</td>
<td align=middle>117</td>
</tr>
<tr bgcolor="#bbbbbb">
<td>Poe Dameron</td>
<td align=middle>2</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle>2</td>
<td align=middle>32</td>
<td align=middle>33</td>
</tr>
<tr>
<td>Qi'ra</td>
<td align=middle>-31</td>
<td align=middle> </td>
<td align=middle>9</td>
<td align=middle>12</td>
<td align=middle>21</td>
<td align=middle>31</td>
<td align=middle>34</td>
<td align=middle>35</td>
<td align=middle>65</td>
<td align=middle>66</td>
</tr>
<tr bgcolor="#bbbbbb">
<td>Qui-Gon Jinn (Canon)<br><span style="font-size: smaller">Age according to post-2014 sources</span></td>
<td align=middle>About -80</td>
<td align=middle>~48</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
</tr>
<tr>
<td>Qui-Gon Jinn (Legends)<br><span style="font-size: smaller">Age according to pre-2014 sources</span></td>
<td align=middle>-92</td>
<td align=middle>60</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
</tr>
<tr bgcolor="#bbbbbb">
<td>R2-D2</td>
<td align=middle>Before -32</td>
<td align=middle>?</td>
<td align=middle>>10</td>
<td align=middle>>13</td>
<td align=middle>>22</td>
<td align=middle>>32</td>
<td align=middle>>35</td>
<td align=middle>>36</td>
<td align=middle>>66</td>
<td align=middle>>67</td>
</tr>
<tr>
<td>Rey</td>
<td align=middle>15</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle>19</td>
<td align=middle>20</td>
</tr>
<tr bgcolor="#bbbbbb">
<td>Rose Tico</td>
<td align=middle>+11</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle>23</td>
<td align=middle>24</td>
</tr>
<tr>
<td>Shmi Skywalker</td>
<td align=middle>-72</td>
<td align=middle>40</td>
<td align=middle>50</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
</tr>
<tr bgcolor="#bbbbbb">
<td>Snap (Temmin) Wexley</td>
<td align=middle>-11</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle>1</td>
<td align=middle>11</td>
<td align=middle>14</td>
<td align=middle>15</td>
<td align=middle>45</td>
<td align=middle>46</td>
</tr>
<tr>
<td>Snoke</td>
<td align=middle>Before -19</td>
<td align=middle>?</td>
<td align=middle>?</td>
<td align=middle>?</td>
<td align=middle>>9</td>
<td align=middle>>19</td>
<td align=middle>>22</td>
<td align=middle>>23</td>
<td align=middle>>53</td>
<td align=middle> </td>
</tr>
<tr bgcolor="#bbbbbb">
<td>Wedge Antilles</td>
<td align=middle>-21</td>
<td align=middle> </td>
<td align=middle> </td>
<td align=middle>2</td>
<td align=middle>11</td>
<td align=middle>21</td>
<td align=middle>24</td>
<td align=middle>25</td>
<td align=middle>55</td>
<td align=middle>56</td>
</tr>
<tr>
<td>Yoda</td>
<td align=middle>-896</td>
<td align=middle>864</td>
<td align=middle>874</td>
<td align=middle>877</td>
<td align=middle>886</td>
<td align=middle>896</td>
<td align=middle>899</td>
<td align=middle>900</td>
<td align=middle> </td>
<td align=middle> </td>
</tr>
</table></center><table cellpadding=5 width="80%"><tr><td><font size=2>
*According to sources published at the time the prequels came out, Anakin was 20 in Episode II, but 9 in Episode I, which took place ten years earlier. The explanation for this was that he turned ten right after Episode I, and the two movies are actually about ten years and one month apart. However, in newer sources, his birth date has been set at 41 years before the Battle of Yavin, implying that his age in Episode II and subsequent stories is one year less than previously thought.
<br><br>**Older sources say that C-3PO was built 112 years before the Battle of Yavin, but this is apparently disproven in Episode I. However, it could still be true from a certain point of view; Legends sources say Anakin built C-3PO largely from parts of a trashed protocol droid manufactured 80 years before.
<br><br>†Older sources put Luke and Leia at either 18 or 20 years old at the time of Episode IV, but we now know that they are born in Episode III, which takes places 19 years before.
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Star Wars Character Age Table
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**Star Wars Character Ages**
How old is Luke Skywalker in *The Last Jedi*? How old are Han and Lando in the *Solo* movie? How old are Rey and Kylo Ren in *The Rise of Skywalker*? All the answers are right here!
Ages and birthdates are based on Lucasfilm or Lucasfilm-licensed sources. Where no precise age is available from the new canon (after the 2014 expanded universe reboot), ages from pre-2014 Legends sources are used. Many ages from Legends have been confirmed in the new canon, so the rest are likely to be correct too.
In cases where new canon sources directly contradict the Legends sources, both versions are given in separate rows.
Characters are listed in alphabetical order by what I think people usually call them. If you can't find the character you're looking for, you can use the "Find in page" function of your browser to search for it (CTRL + F on Windows computers).
**Like the Star Wars Character Age Table? Check out my [Star Wars Book List](http://www.yodasdatapad.com/booklist.html), with side-by-side timelines of Legends and New Canon novels!** |
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| Character | Birthdate | | | | Age in... | | | | | |
| (alphabetical order by first name or title) | (years after Episode IV) | Episode IThe Phantom Menace | Episode IIAttack of the Clones | Episode IIIRevenge of the Sith | SoloA Star Wars Story | Episode IVA New Hope(+ Rogue One) | Episode VThe Empire Strikes Back | Episode VIReturn of the Jedi | Episodes VII-VIIIThe Force Awakens& The Last Jedi | Episode IXThe Rise of Skywalker |
| Admiral Ackbar | Before -52 | >20 | >30 | >33 | >42 | >52 | >55 | >56 | >86 | |
| Anakin Skywalker / Darth VaderCanon: Age according to post-2014 sources | -41 | 9 | 19 | 22 | 31 | 41 | 44 | 45 | | |
| Anakin Skywalker / Darth Vader (Legends)Legends: Age according to pre-2014 sources | -42\* | 9\* | 20 | 23 | 32 | 42 | 45 | 46 | | |
| BB-8 | 29 | | | | | | | | 5 | 6 |
| Boba Fett | -32 | | 10 | 13 | 22 | 32 | 35 | 36 | | |
| C-3PO | -32 or before\*\* | 0+ | 10+ | 13+ | 22+ | 32+ | 35+ | 36+ | 66+ | 67+ |
| Captain Phasma | About -5 | | | | | ~5 | ~8 | ~9 | |
| Chewbacca | -200 | 168 | 178 | 181 | 190 | 200 | 203 | 204 | 234 | 235 |
| Count Dooku | -102 | 70 | 80 | 83 | | | | | | |
| Darth Maul | -54 | 22 | 32 | 35 | 44 | | | | | |
| Finn | 11 | | | | | | | | 23 | 24 |
| General Hux | 0 | | | | | 0 | 3 | 4 | 34 | 35 |
| Grand Moff Tarkin | -64 | 32 | 42 | 45 | 54 | 64 | | | | |
| Han Solo (Canon)Age according to post-2014 sources | About -32 | ~0 | ~10 | ~13 | ~22 | ~32 | ~35 | ~36 | ~66 | |
| Han Solo (Legends)Age according to pre-2014 sources | -29 | | 7 | 10 | 19 | 29 | 32 | 33 | 63 | |
| Jabba the Hutt | -600 | 568 | 578 | 581 | 590 | 600 | 603 | 604 | | |
| Jango Fett | -66 | 34 | 44 | | | | | | | |
| Jar Jar Binks | -52 | 20 | 30 | 33 | 42 | 52 | 55 | 56 | 86 | 87 |
| Jyn Erso | -21 | | | 2 | 11 | 21 | | | | |
| Kylo Ren (Ben Solo) | 5 | | | | | | | | 29 | 30 |
| Lando Calrissian | -31 | | 9 | 12 | 21 | 31 | 34 | 35 | 65 | 66 |
| Leia Organa (Princess/General Leia) | -19† | | | 0 | 9 | 19 | 22 | 23 | 53 | 54 |
| Luke Skywalker | -19† | | | 0 | 9 | 19 | 22 | 23 | 53 | |
| Mace Windu | -72 | 40 | 50 | 53 | | | | | | |
| Maz Kanata | -973 | 941 | 951 | 954 | 963 | 973 | 976 | 977 | 1007 | 1008 |
| Mon Mothma | -46 | 14 | 24 | 27 | 36 | 46 | 49 | 50 | 84 | 85 |
| Obi-Wan Kenobi | -57 | 25 | 35 | 38 | 47 | 57 | | | | |
| Padmé Amidala | -46 | 14 | 24 | 27 | | | | | | |
| Palpatine (Darth Sidious) | -82 | 50 | 60 | 63 | 72 | 82 | 85 | 86 | 116 | 117 |
| Poe Dameron | 2 | | | | | | | 2 | 32 | 33 |
| Qi'ra | -31 | | 9 | 12 | 21 | 31 | 34 | 35 | 65 | 66 |
| Qui-Gon Jinn (Canon)Age according to post-2014 sources | About -80 | ~48 | | | | | | | | |
| Qui-Gon Jinn (Legends)Age according to pre-2014 sources | -92 | 60 | | | | | | | | |
| R2-D2 | Before -32 | ? | >10 | >13 | >22 | >32 | >35 | >36 | >66 | >67 |
| Rey | 15 | | | | | | | | 19 | 20 |
| Rose Tico | +11 | | | | | | | | 23 | 24 |
| Shmi Skywalker | -72 | 40 | 50 | | | | | | | |
| Snap (Temmin) Wexley | -11 | | | | 1 | 11 | 14 | 15 | 45 | 46 |
| Snoke | Before -19 | ? | ? | ? | >9 | >19 | >22 | >23 | >53 | |
| Wedge Antilles | -21 | | | 2 | 11 | 21 | 24 | 25 | 55 | 56 |
| Yoda | -896 | 864 | 874 | 877 | 886 | 896 | 899 | 900 | | |
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\*According to sources published at the time the prequels came out, Anakin was 20 in Episode II, but 9 in Episode I, which took place ten years earlier. The explanation for this was that he turned ten right after Episode I, and the two movies are actually about ten years and one month apart. However, in newer sources, his birth date has been set at 41 years before the Battle of Yavin, implying that his age in Episode II and subsequent stories is one year less than previously thought.
\*\*Older sources say that C-3PO was built 112 years before the Battle of Yavin, but this is apparently disproven in Episode I. However, it could still be true from a certain point of view; Legends sources say Anakin built C-3PO largely from parts of a trashed protocol droid manufactured 80 years before.
†Older sources put Luke and Leia at either 18 or 20 years old at the time of Episode IV, but we now know that they are born in Episode III, which takes places 19 years before.
|
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<title>Los Angeles Mental Relaxorium: Krispy Kreme Vs. Winchells</title>
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<p><BR><table align=left width=400><TR><TD><center><img src="donutlogos.jpg"><BR><BR>
<font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="5">The
Great Donut Experiment<BR>
<font size=4>or<BR>
<font size=5>Is Krispy Kreme Overrated?</font></font></font></center></td></tr></table>
</td>
</tr></table></td></tr></table>
<font face="Arial Rounded MT Bold, Arial" color="#3482AB" size="4"><BR>
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<TD valign=top> <font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>Origin:</b></font></td>
<TD> <font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2"><a href="http://www.livejournal.com/users/spazzychic/" target="new">Spazzychic</a>
was in town and we were trapped in L.A. traffic, discussing many things.
Eventually, we got on to the subject of <a href="http://www.krispykreme.com" target="new">Krispy
Kreme donuts</a>. Both of us know people who have spent hours either in
line or driving just for the glory of bringing a box into the office,
people who rant about how inferior every other donut was and how Krispy
Kreme is the only <i> real</i> donut. "But is it really <i>worth</i> it,"
we asked each other. Hours of your life gone, just to have a specific
brand of donut? They were always <i>good</i> donuts, as far as we could
recollect, but never anything <i>special</i>. But how to be sure? There
was only one way.<BR>
<BR>
</font></td>
</tr>
<TR>
<TD valign=top> <font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>The
Experiment:</b></font></td>
<TD> <font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">We
determined to get a sampling of popular donut flavors from both Krispy
Kreme and another popular donut chain, in this case <a href="http://www.winchells.com" target="new">Winchell's</a>
because it was handy and well-known. Then we got together two other people,
<a href="http://www.livejournal.com/users/postrophe">Apostrophe</a>, not a KK fan, and <a href="http://www.livejournal.com/users/thudpucker">Rimshot</a>, a big fan of KK donuts. <BR>
<BR>
</font></td>
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<TR>
<TD valign=top> <font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>The
Price:</b></font></td>
<TD> <font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">For
a dozen donuts at Krispy Kreme you pay $6.75. At Winchell's, you get 14
donuts for $5.99. Winchell's definitely had the early price edge. Also,
the KK donuts are 85 cents a piece, if you're purchasing singly, whereas
the Winchell's are 70 cents each. This was a real edge in the cinnamon
roll competition, where even though Winchells cinnamon roll was WAY bigger,
as you'll see later, they still charged 15 cents less than KK.<BR>
<BR>
</font></td>
</tr>
<TR>
<TD valign=top> <font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>Store
Conditions:</b></font></td>
<TD> <font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">At
Winchell's, it took a while to get the attention of the salesperson and
it was pretty straightforward. At Krispy Kreme, we had a slight bizarreness
with the change, but we were offered <b>multiple</b> free samples. And
donut quality aside, there is one thing that KK DEFINITELY has over Winchell's
and that is the Fun Factor. They have the whole donut assembly line visible
to ogle and ooh over. For more on that, click <a href="http://www.relaxorium.com/donut/kkisfun.html">here</a>.<BR>
<BR>
</font></td>
</tr>
<TR>
<TD valign=top> <font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>The
Conditions:</b></font></td>
<TD> <font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">The
four of us sat down at about midnight to taste test and visually inspect
the donuts, and after <a href="http://www.livejournal.com/users/spazzychic/" target="new">Spazzychic</a>
had already had two donuts, which lead to the unfortunate incident of
her losing it to a fit of giggles about halfway through the experiment.
<b>Remember Kids: Sugar and Late Hours Just Don't Mix!</b><BR>
<BR>
</font></td>
</tr>
</table>
<BR>
<BR>
<center><hr width=75%></center>
<BR><BR><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3">And now, for the actual donut comparisons...
<BR>
<BR>
<table>
<TR><TD><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3"><center>Glazed (KK on right)</td><td><center><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3">Glazed Sliced Open (KK on right)</td></tr>
<TR><TD><center><img src="donut9.jpg"></td><td><center><img src="donut10.jpg"></td></tr>
<TR><TD colspan=2><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2"><BR>As you can see, the Winchells glazed donut is much larger than the Krispy Kreme donut, which actually costs more. Now Krispy Kreme's biggest claim to fame is their glazed and the fact that they are raised with yeast. As you can see, BOTH donuts were actually raised with yeast, from the big holes in both of the side views. Notice, the Winchells holes are more evenly distributed and its overall got a more light and fluffy look to it. On the other hand, you can also tell from just looking that the Krispy Kreme donut has a much thicker glaze on it.</td></tr></table>
<BR><BR><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">But how do they taste?<BR><BR>
</font>
<table width="100%" border="1" cellspacing="0" cellpadding="5">
<tr>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3">Opinionater</td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3">Winchells</td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3">Krispy Kreme</td>
</tr>
<tr>
<td><a href="http://www.relaxorium.com/me.html" target="new">Fritters</td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">Chewier, less taste</td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">Sugar goes EVERYWHERE, light and fluffy, messy, smaller</td>
</tr>
<tr>
<td><a href="http://www.livejournal.com/users/spazzychic/" target="new">Spazzychic</a> </td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">Not so sweet, a little dryer, wicked fluffy, thinner glaze, not as "aiee messy"</td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">Flaky glaze, fluffy, weighs the same, though smaller.</td>
</tr>
<tr>
<td><a href="http://www.livejournal.com/users/postrophe/" target="new">Apostrophe</a> </td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">Way fluffy, not as sweet, still good, squishy & takes a while to eat</td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">Thick, frangible sugar, dense, "cakey", over too quick</td>
</tr>
<tr>
<td><a href="http://www.livejournal.com/users/thudpucker">Rimshot</a></td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">A bit tough, denser, bland</td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">Light, fluffy, cake like, quintessential donut</td>
</tr>
</table>
<BR><BR><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3">
The overall vote after the tastings was with Fritters, Spazzychic and Rimshot having a definite preference for the Krispy Kreme glazed, with Apostrophe preferring the Winchells glazed.<BR><BR>
Next Donut!!<BR>
<BR>
<center><hr width=75%></center>
<BR><BR>
<table>
<TR><TD><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3"><center>Cruller/Old Fashioned/Buttermilk (KK on right)</td><td><center><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3">Cruller/Old Fashioned/Buttermilk<BR>Sliced Open (KK on right)</td></tr>
<TR><TD><center><img src="donut5.jpg"></td><td><center><img src="donut6.jpg"></td></tr>
<TR><TD colspan=2><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2"><BR>Once again, the Winchells donut is slightly larger, although the differrence in this type of donut wasn't as pronounced as the glazed. Also again, you can see the glaze is much thicker on the Krispy Kreme brand. This is probably due to the whole curtain of glaze these puppies pass through. Just from looking, it appears as though the Krispy Kreme is more dense.</td></tr></table>
<BR><BR><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">But how do they taste?<BR><BR>
</font>
<table width="100%" border="1" cellspacing="0" cellpadding="5">
<tr>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3">Opinionater</td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3">Winchells</td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3">Krispy Kreme</td>
</tr>
<tr>
<td><a href="http://www.relaxorium.com/me.html" target="new">Fritters</td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">Dense, cake donut taste, less weird but still weird, still slightly crispy, but less</td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">Slightly weird, almost crispy outside, somewhat cakey</td>
</tr>
<tr>
<td><a href="http://www.livejournal.com/users/spazzychic/" target="new">Spazzychic</a> </td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">Gritty, but in a good way - biscuit like, less crunchy, reminds me of Husters Food</td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">Made me giggle, god damn it, stop using big words! Weird non-old-fashioned taste, can not describe in human. CAKE! (Fritters comment: I warned you she lost it a little...)</td>
</tr>
<tr>
<td><a href="http://www.livejournal.com/users/postrophe/" target="new">Apostrophe</a> </td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">Quite dense, almost coffee cake chewiness. Buttermilk (flavor) weaker but <u>okay</u>. Quite acceptable.</td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">Dense, crispy crust, creamy...strong buttermilk (flavor), good glaze</td>
</tr>
<tr>
<td><a href="http://www.livejournal.com/users/thudpucker">Rimshot</a></td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">Also dry, dense, slightly more flavor</td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">Bit dry, not a lot of flavor</td>
</tr>
</table>
<BR><BR><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3">
The overall vote after the tastings was with the girls, Fritters and Spazzychic, preferring the Winchells donut, and with the guys, Rimshot and Apostrophe abstaining and not really preferring one to the other at all.<BR><BR>
Next Donut!!
<BR>
<BR>
<center><hr width=75%></center>
<BR><BR>
<table>
<TR><TD><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3"><center>Cinnamon Roll (KK on right)</td><td><center><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3">Cinnamon Roll Sliced Open (KK on right)</td></tr>
<TR><TD><center><img src="donut7.jpg"></td><td><center><img src="donut8.jpg"></td></tr>
<TR><TD colspan=2><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2"><BR>Here the size difference is screamingly obvious. You would think with Winchells cinnamon roll being HUGE and traditional and the Krispy Kreme cinnamon roll being basically donut sized that Winchells would charge a special price for the cinnamon roll, but no, that huge monster on the left is still only 70 cents and 15 cents cheaper than that tiny thing on the right. Wow. Still, the Krispy Kreme is more obviously glazier, for the same reasons. Notice the Winchells cinnamon roll is actually rolled, and probably has cinnamon all the way through it, whereas the Krispy Kreme is just a donut made to look "rolly" with all the flavor outside.</td></tr></table>
<BR><BR><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">But how do they taste?<BR><BR>
</font>
<table width="100%" border="1" cellspacing="0" cellpadding="5">
<tr>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3">Opinionater</td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3">Winchells</td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3">Krispy Kreme</td>
</tr>
<tr>
<td><a href="http://www.relaxorium.com/me.html" target="new">Fritters</td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">Dry, bland, chewy, not cinnamoney either</td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">Flaky, messy everywhere, tastes glazed more than cinnamon (on her 5th donut we lost Spazzychic when she snarfed sugar and her teeth started vibrating)</td>
</tr>
<tr>
<td><a href="http://www.livejournal.com/users/spazzychic/" target="new">Spazzychic</a> </td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">Better on lungs. The hills are alive with the sound of music. More cinnamoney. A little dry outside. LOT DRY... "water...waaaater..."</td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">hehehehehehehehehehehehe (snarf) heheh I breathed glaze</td>
</tr>
<tr>
<td><a href="http://www.livejournal.com/users/postrophe/" target="new">Apostrophe</a> </td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">Dry, fluffy, better texture, buttery, ok cinnamon</td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">Mild cinnamon through cake, glaze ok, dense, again too sweet</td>
</tr>
<tr>
<td><a href="http://www.livejournal.com/users/thudpucker">Rimshot</a></td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">Dry, tough, no real flavor, built like a cinnamon roll</td>
<td><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">Very cinnamony glazed Krispy Kreme donut texture. Nice, but not a cinnamon roll</td>
</tr>
</table>
<BR><BR><font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3">
The overall vote after the tastings was with Apostrophe and Spazzychic preferring the Winchells cinnamon roll and with Fritters and Rimshot abstaining with no real preference.<BR><BR>
<BR><BR>
<center><hr width=75%></center>
<BR><BR>
<table>
<TR>
<TD valign=top> <font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="3"><b>OVERALL CONCLUSIONS:</b></font></td>
<TD> <font color="#822020" face="Verdana, Arial, Helvetica, sans-serif" size="2">
Overall, the decisions were made that Krispy Kreme is more fun and overall better quality by a VERY small margin and Winchells was definitely cheaper. It was also agreed that yes, Krispy Kreme is worth going to if you like glazed donuts, their glazed donuts well deserve the reputation they have, but that that reputation does not carry over to the rest of the donuts. But overall, yes, Krispy Kreme is overrated and not worth going to extreme lengths to find. If you're a big glazed person or have kids with you who will not be Donut Connoisseurs and would enjoy seeing the machinery, Krispy Kreme is probably the best destination. If you're watching your money, go to Winchells, because the extra money at Krispy Kreme isn't worth it on most things unless you're getting mostly glazed.<BR><BR>
And please, don't drive an hour or wait an hour in line for Krispy Kreme.<BR><BR>
We also came to the conclusion that if you want to get your friends messed up without the use of alcohol or drugs, try this experiment yourself and shove lots of sugar down them late at night. It's a lot of fun.
<BR>
<BR>
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Los Angeles Mental Relaxorium: Krispy Kreme Vs. Winchells
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The
Great Donut Experiment
or
Is Krispy Kreme Overrated? |
|
|
| | |
| --- | --- |
| **Origin:** | [Spazzychic](http://www.livejournal.com/users/spazzychic/)
was in town and we were trapped in L.A. traffic, discussing many things.
Eventually, we got on to the subject of [Krispy
Kreme donuts](http://www.krispykreme.com). Both of us know people who have spent hours either in
line or driving just for the glory of bringing a box into the office,
people who rant about how inferior every other donut was and how Krispy
Kreme is the only *real* donut. "But is it really *worth* it,"
we asked each other. Hours of your life gone, just to have a specific
brand of donut? They were always *good* donuts, as far as we could
recollect, but never anything *special*. But how to be sure? There
was only one way.
|
| **The
Experiment:** | We
determined to get a sampling of popular donut flavors from both Krispy
Kreme and another popular donut chain, in this case [Winchell's](http://www.winchells.com)
because it was handy and well-known. Then we got together two other people,
[Apostrophe](http://www.livejournal.com/users/postrophe), not a KK fan, and [Rimshot](http://www.livejournal.com/users/thudpucker), a big fan of KK donuts.
|
| **The
Price:** | For
a dozen donuts at Krispy Kreme you pay $6.75. At Winchell's, you get 14
donuts for $5.99. Winchell's definitely had the early price edge. Also,
the KK donuts are 85 cents a piece, if you're purchasing singly, whereas
the Winchell's are 70 cents each. This was a real edge in the cinnamon
roll competition, where even though Winchells cinnamon roll was WAY bigger,
as you'll see later, they still charged 15 cents less than KK.
|
| **Store
Conditions:** | At
Winchell's, it took a while to get the attention of the salesperson and
it was pretty straightforward. At Krispy Kreme, we had a slight bizarreness
with the change, but we were offered **multiple** free samples. And
donut quality aside, there is one thing that KK DEFINITELY has over Winchell's
and that is the Fun Factor. They have the whole donut assembly line visible
to ogle and ooh over. For more on that, click [here](http://www.relaxorium.com/donut/kkisfun.html).
|
| **The
Conditions:** | The
four of us sat down at about midnight to taste test and visually inspect
the donuts, and after [Spazzychic](http://www.livejournal.com/users/spazzychic/)
had already had two donuts, which lead to the unfortunate incident of
her losing it to a fit of giggles about halfway through the experiment.
**Remember Kids: Sugar and Late Hours Just Don't Mix!**
|
---
And now, for the actual donut comparisons...
| | |
| --- | --- |
| Glazed (KK on right) | Glazed Sliced Open (KK on right) |
| | |
| As you can see, the Winchells glazed donut is much larger than the Krispy Kreme donut, which actually costs more. Now Krispy Kreme's biggest claim to fame is their glazed and the fact that they are raised with yeast. As you can see, BOTH donuts were actually raised with yeast, from the big holes in both of the side views. Notice, the Winchells holes are more evenly distributed and its overall got a more light and fluffy look to it. On the other hand, you can also tell from just looking that the Krispy Kreme donut has a much thicker glaze on it. |
But how do they taste?
| | | |
| --- | --- | --- |
| Opinionater | Winchells | Krispy Kreme |
| [Fritters](http://www.relaxorium.com/me.html) | Chewier, less taste | Sugar goes EVERYWHERE, light and fluffy, messy, smaller |
| [Spazzychic](http://www.livejournal.com/users/spazzychic/) | Not so sweet, a little dryer, wicked fluffy, thinner glaze, not as "aiee messy" | Flaky glaze, fluffy, weighs the same, though smaller. |
| [Apostrophe](http://www.livejournal.com/users/postrophe/) | Way fluffy, not as sweet, still good, squishy & takes a while to eat | Thick, frangible sugar, dense, "cakey", over too quick |
| [Rimshot](http://www.livejournal.com/users/thudpucker) | A bit tough, denser, bland | Light, fluffy, cake like, quintessential donut |
The overall vote after the tastings was with Fritters, Spazzychic and Rimshot having a definite preference for the Krispy Kreme glazed, with Apostrophe preferring the Winchells glazed.
Next Donut!!
---
| | |
| --- | --- |
| Cruller/Old Fashioned/Buttermilk (KK on right) | Cruller/Old Fashioned/ButtermilkSliced Open (KK on right) |
| | |
| Once again, the Winchells donut is slightly larger, although the differrence in this type of donut wasn't as pronounced as the glazed. Also again, you can see the glaze is much thicker on the Krispy Kreme brand. This is probably due to the whole curtain of glaze these puppies pass through. Just from looking, it appears as though the Krispy Kreme is more dense. |
But how do they taste?
| | | |
| --- | --- | --- |
| Opinionater | Winchells | Krispy Kreme |
| [Fritters](http://www.relaxorium.com/me.html) | Dense, cake donut taste, less weird but still weird, still slightly crispy, but less | Slightly weird, almost crispy outside, somewhat cakey |
| [Spazzychic](http://www.livejournal.com/users/spazzychic/) | Gritty, but in a good way - biscuit like, less crunchy, reminds me of Husters Food | Made me giggle, god damn it, stop using big words! Weird non-old-fashioned taste, can not describe in human. CAKE! (Fritters comment: I warned you she lost it a little...) |
| [Apostrophe](http://www.livejournal.com/users/postrophe/) | Quite dense, almost coffee cake chewiness. Buttermilk (flavor) weaker but okay. Quite acceptable. | Dense, crispy crust, creamy...strong buttermilk (flavor), good glaze |
| [Rimshot](http://www.livejournal.com/users/thudpucker) | Also dry, dense, slightly more flavor | Bit dry, not a lot of flavor |
The overall vote after the tastings was with the girls, Fritters and Spazzychic, preferring the Winchells donut, and with the guys, Rimshot and Apostrophe abstaining and not really preferring one to the other at all.
Next Donut!!
---
| | |
| --- | --- |
| Cinnamon Roll (KK on right) | Cinnamon Roll Sliced Open (KK on right) |
| | |
| Here the size difference is screamingly obvious. You would think with Winchells cinnamon roll being HUGE and traditional and the Krispy Kreme cinnamon roll being basically donut sized that Winchells would charge a special price for the cinnamon roll, but no, that huge monster on the left is still only 70 cents and 15 cents cheaper than that tiny thing on the right. Wow. Still, the Krispy Kreme is more obviously glazier, for the same reasons. Notice the Winchells cinnamon roll is actually rolled, and probably has cinnamon all the way through it, whereas the Krispy Kreme is just a donut made to look "rolly" with all the flavor outside. |
But how do they taste?
| | | |
| --- | --- | --- |
| Opinionater | Winchells | Krispy Kreme |
| [Fritters](http://www.relaxorium.com/me.html) | Dry, bland, chewy, not cinnamoney either | Flaky, messy everywhere, tastes glazed more than cinnamon (on her 5th donut we lost Spazzychic when she snarfed sugar and her teeth started vibrating) |
| [Spazzychic](http://www.livejournal.com/users/spazzychic/) | Better on lungs. The hills are alive with the sound of music. More cinnamoney. A little dry outside. LOT DRY... "water...waaaater..." | hehehehehehehehehehehehe (snarf) heheh I breathed glaze |
| [Apostrophe](http://www.livejournal.com/users/postrophe/) | Dry, fluffy, better texture, buttery, ok cinnamon | Mild cinnamon through cake, glaze ok, dense, again too sweet |
| [Rimshot](http://www.livejournal.com/users/thudpucker) | Dry, tough, no real flavor, built like a cinnamon roll | Very cinnamony glazed Krispy Kreme donut texture. Nice, but not a cinnamon roll |
The overall vote after the tastings was with Apostrophe and Spazzychic preferring the Winchells cinnamon roll and with Fritters and Rimshot abstaining with no real preference.
---
| | |
| --- | --- |
| **OVERALL CONCLUSIONS:** |
Overall, the decisions were made that Krispy Kreme is more fun and overall better quality by a VERY small margin and Winchells was definitely cheaper. It was also agreed that yes, Krispy Kreme is worth going to if you like glazed donuts, their glazed donuts well deserve the reputation they have, but that that reputation does not carry over to the rest of the donuts. But overall, yes, Krispy Kreme is overrated and not worth going to extreme lengths to find. If you're a big glazed person or have kids with you who will not be Donut Connoisseurs and would enjoy seeing the machinery, Krispy Kreme is probably the best destination. If you're watching your money, go to Winchells, because the extra money at Krispy Kreme isn't worth it on most things unless you're getting mostly glazed.
And please, don't drive an hour or wait an hour in line for Krispy Kreme.
We also came to the conclusion that if you want to get your friends messed up without the use of alcohol or drugs, try this experiment yourself and shove lots of sugar down them late at night. It's a lot of fun.
|
| |
| --- |
| [Made By Fritters](http://www.relaxorium.com/me.html) |
So where to now?
| | | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| [The Worlds Sexiest Men](http://www.relaxorium.com/sexy.html) | [Fritters' Freakazoid Gallery](http://www.relaxorium.com/freak/index.html) | [Bill Pullman, Worlds Sexiest Man](http://www.relaxorium.com/pullman.html) | [You Might Be A Child Of The Eighties If....](http://www.relaxorium.com/80s.html) | [Bruce Campbell, Very Sexy Guy](http://www.relaxorium.com/bruce.html) | [The Adventures of Stick Couple](http://www.relaxorium.com/stick.html) | [Reflections of You - Livejournal Icons](http://www.relaxorium.com/roy/index.html) | [Fritters Yui Toshiki Gallery](http://www.relaxorium.com/yui/index.html) | [Fritters Sailor Moon Indulgence](http://www.relaxorium.com/sm.html) | [The House of EEEEE-vil!!!](http://www.relaxorium.com/smvillains.html) | [The Los Angeles Mental Relaxorium](http://www.relaxorium.com/index.html) | [Send Mail to Fritters](mailto:[email protected]) |
| http://www.relaxorium.com/donut/donuts.html |
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<title>CATHOLIC ENCYCLOPEDIA: St. Maximus of Constantinople</title><script src="https://dtyry4ejybx0.cloudfront.net/js/cmp/cleanmediacmp.js?ver=0104" async="true"></script><script defer data-domain="newadvent.org" src="https://plausible.io/js/script.js"></script><link rel="canonical" href="https://www.newadvent.org/cathen/10078b.htm">
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<h1>St. Maximus of Constantinople</h1>
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<p>Known as <em>the Theologian</em> and as <em>Maximus Confessor</em>, born at Constantinople about 580; died in exile 13 August, 662. He is one of the chief names in the <a href="../cathen/10502a.htm">Monothelite</a> controversy one of the chief <a href="../cathen/05072b.htm">doctors</a> of the <a href="../cathen/14580a.htm">theology</a> of the Incarnation and of ascetic <a href="../cathen/10663b.htm">mysticism</a>, and remarkable as a <a href="../cathen/15677a.htm">witness</a> to the respect for the <a href="../cathen/12260a.htm">papacy</a> held by the <a href="../cathen/06752a.htm">Greek Church</a> in his day. This great man was of a noble <a href="../cathen/05782a.htm">family</a> of Constantinople. He became first secretary to the Emperor Heraclius, who prized him much, but he quitted the world and gave himself up to contemplation in a <a href="../cathen/04340c.htm">monastery</a> at <a href="../cathen/03743a.htm">Chrysopolis</a>, opposite Constantinople. He became <a href="../cathen/01015c.htm">abbot</a> there- but seems to have left this retreat on account of its insecurity from hostile attacks. He speaks of the Palestinian ascetic St. Sophronius afterwards <a href="../cathen/11549a.htm">Patriarch</a> of <a href="../cathen/08344a.htm">Jerusalem</a>, as his master, father, and teacher (Ep. 13), so that he probably passed some time with him, and he was with him in Africa with other <a href="../cathen/10487b.htm">monks</a> during the preparations which issued in the "watery union" by which Cyrus the Patriarch reconciled a number of <a href="../cathen/10489b.htm">Monophysites</a> to the <a href="../cathen/03744a.htm">Church</a> by rejecting the <a href="../cathen/05075b.htm">doctrine</a> of "two operations" in Christ (see <a href="../cathen/10502a.htm">MONOTHELITISM</a>). The first action of St. Maximus that we know of in this affair is a letter sent by him to Pyrrhus, then an <a href="../cathen/01015c.htm">abbot</a> at <a href="../cathen/03743a.htm">Chrysopolis</a>, a friend and supporter of Sergius, <a href="../cathen/11549a.htm">Patriarch</a> of Constantinople, the patron of the <a href="../cathen/10502a.htm">Monothelite</a> expression "two operations". As the letter is said to have entailed a long voyage on the <a href="../cathen/10487b.htm">monks</a> who carried it St. Maximus was perhaps already in Africa when he wrote it. Pyrrhus had published a work on the Incarnation, for which St. Maximus gives him rather fulsome praise, as an introduction to the question (which he puts with much diffidence and many excuses) what Pyrrhus means by one <em>energeia</em> or <em>energema</em>. Maximus is clearly anxious to get him to withdraw or explain the mistaken expression, without exasperating him by contradiction.</p>
<div class="CMtag_300x250" style="display: flex; height: 300px; align-items: center; justify-content: center; "></div>
<p>The Ecthesis of Heraclius was published in 638, and Sergius and <a href="../cathen/07452b.htm">Pope Honorius</a> both died in that year. A letter of Maximus tells us on the authority of his friends at Constantinople, that the Roman apocrisiarii who had come thither to obtain the emperor's confirmation for the newly elected Pope Severinus, were met by the <a href="../cathen/04049b.htm">clergy</a> of Constantinople with the demand that they should promise to obtain the <a href="../cathen/12260a.htm">pope's</a> signature to the Ecthesis, otherwise they should receive no assistance in the matter for which they had made so long a voyage:</p>
<blockquote><p>Having discovered the tenor of the document, since by refusing they would have caused the first and Mother of Churches, and the city, to remain so long a time in <a href="../cathen/15617c.htm">widowhood</a>, they replied quietly: We cannot act with authority in this matter, for we have received a commission to execute, not an order to make a profession of <a href="../cathen/05752c.htm">faith</a>. But we assure you that we will relate all that you have put forward, and we will show the document itself to him who is to be <a href="../cathen/04276a.htm">consecrated</a>, and if he should judge it to be correct, we will ask him to append his signature to it. But do not therefore place any obstacle in our way now, or do <a href="../cathen/15446a.htm">violence</a> to us by delaying us and keeping us here. For none has a <a href="../cathen/13055c.htm">right</a> to use <a href="../cathen/15446a.htm">violence</a> especially when <a href="../cathen/05752c.htm">faith</a> is in question. For herein even the weakest waxes mighty and the meek becomes a warrior, and by comforting his <a href="../cathen/14153a.htm">soul</a> with the Divine Word, is hardened against the greatest attack. How much more in the case of the <a href="../cathen/04049b.htm">clergy</a> and Church of the Romans, which from of old until now, as the elder of all the Churches under the sun, presides over all? Having surely received this canonically, as well from councils and the Apostles, as from the princes of the latter, and being numbered in their company, she is subject to no writings or issues of synodical documents, on account of the eminence of her pontificate, even as in all these things all are equally subject to her according to <a href="../cathen/12406a.htm">sacerdotal</a> law. And so when without fear but with all holy and becoming confidence, those <a href="../cathen/10326a.htm">ministers</a> of the truly firm and immovable rock, that is, of the most great and Apostolic Church at <a href="../cathen/13164a.htm">Rome</a>, had so replied to the <a href="../cathen/04049b.htm">clergy</a> of the royal city, they were seen to have conciliated them and to have acted prudently, that the others might be <a href="../cathen/07543b.htm">humble</a> and modest, while they made known the <a href="../cathen/11330a.htm">orthodoxy</a> and purity of their own <a href="../cathen/05752c.htm">faith</a> from the beginning. But those of Constantinople, admiring their <a href="../cathen/12748a.htm">piety</a>, thought that such a deed ought to be recompensed; and ceasing from urging the document on them, they promised by their diligence to procure the issue of the emperor's order with regard to the episcopal election . . Of the aforesaid document a copy has been sent to me also. They have explained in it the cause for being silent about the natural operations in Christ our <a href="../cathen/06608a.htm">God</a>, that is, in His natures, of which and in which He is believed to be, and how in future neither one nor two are to be mentioned. It is only to be allowed to confess that the divine and human (works) proceeded from the same <a href="../cathen/09328a.htm">Word of God</a> incarnate, and are to be attributed to one and the same (person)." </p></blockquote>
<p>This passage does not call the prohibition of "two operations" yet by the name of <a href="../cathen/07256b.htm">heresy</a> and does not mention the "one Will" confessed in the Ecthesis. But it gives very clearly St. Maximus's view that the smallest point of <a href="../cathen/05752c.htm">faith</a> is to be held at the risk of one's life, and it demonstrates the ample admission made at Constantinople, before the struggles began, of the prerogatives of <a href="../cathen/13164a.htm">Rome</a>.</p>
<p>When in 641 <a href="../cathen/08422b.htm">John IV</a> wrote his defence of Pope Honorius, it was re-echoed by St. Maximus in a letter to Marinus, a <a href="../cathen/12406a.htm">priest</a> of <a href="../cathen/04589a.htm">Cyprus</a>. He declares that Honorius, when he confessed one will of our Lord, only meant to deny that <a href="../cathen/08374c.htm">Christ</a> had a will of the flesh, of <a href="../cathen/04208a.htm">concupiscence</a>, since he was conceived and born without stain of <a href="../cathen/14004b.htm">sin</a>. Maximus appeals to the witness of Abbot John Symponus, who wrote the letter for Honorius. Pyrrhus was now Sergius's successor, but on the accession of the Emperor Constans in 642 he was exiled. Maximus then sent a letter to the patrician Peter, apparently the Governor of <a href="../cathen/14399a.htm">Syria</a> and Palestine who had written to him concerning Pyrrhus, whom he now calls simply <a href="../cathen/01015c.htm">abbot</a>. Pyrrhus was in Palestine and Peter had restrained him from putting forward his <a href="../cathen/07256b.htm">heretical</a> views. Pyrrhus had declared that he was ready to satisfy Maximus as to his <a href="../cathen/11330a.htm">orthodoxy</a>. The latter says he would have written to Peter before</p>
<blockquote><p>but I was afraid of being thought to transgress the <a href="../cathen/07386a.htm">holy</a> <a href="../cathen/09053a.htm">laws</a> if I were to do this without knowing the will of the <a href="../cathen/07424b.htm">most holy see</a> of Apostolic men, who lead aright the whole plenitude of the <a href="../cathen/03449a.htm">Catholic</a> <a href="../cathen/03744a.htm">Church</a>, and rule it with order according to the <a href="../cathen/09071a.htm">divine law</a>. </p></blockquote>
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<p>The new Ecthesis is worse than the old <a href="../cathen/07256b.htm">heresies</a>—Pyrrhus and his predecessor have accused Sophronius of <a href="../cathen/05525a.htm">error</a>—they persuaded Heraclius to give his name to the Ecthesis:</p>
<blockquote><p>they have not conformed to the sense of the <a href="../cathen/07424b.htm">Apostolic see</a>, and what is laughable, or rather lamentable, as proving their <a href="../cathen/07648a.htm">ignorance</a>, they have not hesitated to lie against the <a href="../cathen/07424b.htm">Apostolic see</a> itself . . . but have claimed the great Honorius on their side. . . . What did the divine Honorius do, and after him the aged Severinus, and John who followed him? Yet further, what supplication has the blessed <a href="../cathen/12260a.htm">pope</a>, who now sits, not made? Have not the whole East and West brought their tears, laments, obsecrations, deprecations, both before <a href="../cathen/06608a.htm">God</a> in <a href="../cathen/12345b.htm">prayer</a> and before men in their letters? If the Roman see recognizes Pyrrhus to be not only a reprobate but a <a href="../cathen/07256b.htm">heretic</a>, it is certainly plain that everyone who <a href="../cathen/01455e.htm">anathematizes</a> those who have rejected Pyrrhus, <a href="../cathen/01455e.htm">anathematizes</a> the <a href="../cathen/05001a.htm">see</a> of <a href="../cathen/13164a.htm">Rome</a> that is, he <a href="../cathen/01455e.htm">anathematizes</a> the <a href="../cathen/03449a.htm">Catholic</a> <a href="../cathen/03744a.htm">Church</a>. I need hardly add that he <a href="../cathen/05678a.htm">excommunicates</a> himself also, if indeed he be in communion with the Roman see and the <a href="../cathen/03744a.htm">Church of God</a>.... It is not right that one who has been condemned and cast out by the <a href="../cathen/07424b.htm">Apostolic see</a> of the city of <a href="../cathen/13164a.htm">Rome</a> for his wrong opinions should be named with any kind of <a href="../cathen/07462a.htm">honour</a>, until he be received by her, having returned to her — nay, to our Lord — by a <a href="../cathen/12748a.htm">pious</a> confession and <a href="../cathen/11330a.htm">orthodox</a> <a href="../cathen/05752c.htm">faith</a>, by which he can receive <a href="../cathen/07386a.htm">holiness</a> and the title of holy.... Let him hasten before all things to satisfy the Roman see, for if it is satisfied all will agree in calling him <a href="../cathen/12748a.htm">pious</a> and <a href="../cathen/11330a.htm">orthodox</a>. For he only speaks in vain who thinks he ought to persuade or entrap <a href="../cathen/11726a.htm">persons</a> like myself, and does not satisfy and implore the blessed <a href="../cathen/12260a.htm">pope</a> of the most holy Church of the Romans, that is, the <a href="../cathen/07424b.htm">Apostolic see</a>, which from the <a href="../cathen/08374c.htm">incarnate Son of God</a> Himself, and also by all holy <a href="../cathen/14388a.htm">synods</a>, according to the holy canons and definitions, has received universal and supreme dominion, authority and power of binding and loosing over all the <a href="../cathen/07386a.htm">holy</a> <a href="../cathen/03744a.htm">Churches of God</a> which are in the whole world — for with it the <a href="../cathen/09328a.htm">Word</a> who is above the celestial powers binds and looses in <a href="../cathen/07170a.htm">heaven</a> also. For if he thinks he must satisfy others, and fails to implore the most blessed Roman <a href="../cathen/12260a.htm">pope</a>, he is acting like a man who, when accused of <a href="../cathen/07441a.htm">murder</a> or some other crime, does not hasten to prove his innocence to the judge appointed by the <a href="../cathen/09053a.htm">law</a>, but only uselessly and without profit does his best to demonstrate his innocence to private <a href="../cathen/07762a.htm">individuals</a>, who have no power to acquit him. </p></blockquote>
<p>Pyrrhus thought he might regain his <a href="../cathen/05001a.htm">see</a> by the help of the <a href="../cathen/12260a.htm">pope</a>. He came to <a href="../cathen/01181a.htm">Africa</a>, and in July, 645, a public disputation took place between him and Maximus, in the presence of the Governor Gregory (called George in the <a href="../cathen/09614b.htm">manuscripts</a> of St. Maximus), who was a friend and correspondent of the <a href="../cathen/04171a.htm">saint</a>. The minutes are interesting. Pyrrhus argues that two wills must imply two Persons willing; Maximus replies that in that case there must be three wills in the <a href="../cathen/15047a.htm">Holy Trinity</a>. He shows that the will belongs to the Nature, and distinguishes between will as a faculty and will as the act of the faculty. Pyrrhus then admits two wills, on account of the two <a href="../cathen/10715a.htm">natures</a>, but adds that we should also confess one will on account of the perfect union. Maximus replies that this would lead us to confess one nature on account of the perfect union. He then cites many passages of Scripture for two wills and two operations. Pyrrhus puts forward Honorius and Vigilius. Maximus defends the former from the charge of teaching two wills, and denies that the latter ever received the letter of <a href="../cathen/10190a.htm">Mennas</a>, the authenticity of which is assumed. He complains of the changeableness of Sergius. Lastly the famous "new theandric operation" of the <a href="../cathen/05013a.htm">Pseudo-Dionysius</a> is discussed, and is explained and defended by St. Maximus. Then Pyrrhus gives in, and consents to go to <a href="../cathen/13164a.htm">Rome</a>, where in fact he condemned his former teaching, and was reconciled to the <a href="../cathen/03744a.htm">Church</a> by the <a href="../cathen/12260a.htm">pope</a>. But the revolt of Gregory, who made himself emperor in <a href="../cathen/01181a.htm">Africa</a>, but was defeated in 647, brought Maximus into disfavour at court, and destroyed the hope of restoring Pyrrhus as <a href="../cathen/11330a.htm">orthodox</a> patriarch. After the Ecthesis had been withdrawn, and the Type, <em>Typos</em>, substituted by the Emperor Constans, St. Maximus was present at the great Lateran council held by St. Martin at his instance in 649. He wrote from <a href="../cathen/13164a.htm">Rome</a> (where he stayed some years):</p>
<blockquote><p>The extremities of the earth, and all in every part of it who purely and rightly confess the Lord look directly towards the most holy <a href="../cathen/07424b.htm">Roman Church</a> and its confession and <a href="../cathen/05752c.htm">faith</a>, as it were to a sun of unfailing light, awaiting from it the bright radiance of the sacred <a href="../cathen/05089a.htm">dogmas</a> of our Fathers according to what the six inspired and holy councils have purely and piously decreed, declaring most expressly the symbol of <a href="../cathen/05752c.htm">faith</a>. For from the coming down of the incarnate Word amongst us, all the Churches in every part of the world have held that greatest Church alone as their base and foundation, seeing that according to the promise of <a href="../cathen/08374c.htm">Christ our Saviour</a>, the gates of <a href="../cathen/07207a.htm">hell</a> do never prevail against it, that it has the keys of a right confession and <a href="../cathen/05752c.htm">faith</a> in Him, that it opens the <a href="../cathen/15073a.htm">true</a> and only religion to such as approach with <a href="../cathen/12748a.htm">piety</a>, and shuts up and locks every <a href="../cathen/07256b.htm">heretical</a> mouth that speaks <a href="../cathen/08010c.htm">injustice</a> against the Most High. </p></blockquote>
<p>Pope Martin was dragged from <a href="../cathen/13164a.htm">Rome</a> in 653, and died of ill treatment at Inkerman in March, 655. It was probably later in that year that an official named Gregory came to <a href="../cathen/13164a.htm">Rome</a> to get <a href="../cathen/05598a.htm">Pope Eugene</a> to receive the Type. He came to the cell of St. Maximus, who argued with him and denounced the Type. As the <a href="../cathen/04171a.htm">saint</a> was recognized as the leader of the <a href="../cathen/11330a.htm">orthodox</a> Easterns, he was sent to Constantinople at the end of 655 (not, as is commonly stated, at the same time as St. Martin). He was now seventy-five years old. The acts of his trials have been preserved by Anastasius Bibliothecarius. He was accused of conspiring with the usurper Gregory, together with Pope Theodore, and it was said that he had caused the loss to the empire of <a href="../cathen/05329b.htm">Egypt</a>, Alexandria, Pentapolis, and Africa. He refused to communicate with the <a href="../cathen/04301a.htm">See of Constantinople</a>,</p>
<blockquote><p>because they have cast out the four holy councils by the propositions made at Alexandria, by the Ecthesis and by the Type . . . and because the <a href="../cathen/05089a.htm">dogmas</a> which they asserted in the propositions they damned in the Ecthesis, and what they proclaimed in the Ecthesis they annulled in the Type, and on each occasion they deposed themselves. What mysteries I ask, do they celebrate, who have condemned themselves and have been condemned by the Romans and by the (Lateran) synod, and stripped of their <a href="../cathen/12406a.htm">sacerdotal</a> dignity? </p></blockquote>
<p>He disbelieved the statement made to him that the envoys of the <a href="../cathen/12260a.htm">pope</a> had accepted the confession of "two wills on account of the diversity and one will on account of the union," and pointed out that the union not being a substance could have no will. He wrote on this account to his disciple the Abbot Anastasius, who was able to send a letter to warn "the men of elder <a href="../cathen/13164a.htm">Rome</a> firm as a rock" of the deceitful confession which the Patriarch Peter was despatching to the <a href="../cathen/12260a.htm">pope</a>. On the day of the first trial a council of <a href="../cathen/04049b.htm">clergy</a> was held, and the emperor was persuaded to send Maximus to Byzia in Thrace, and his disciples, Abbot Anastasius and Anastasius the <a href="../cathen/12260a.htm">papal</a> apocrisiarius, to Perberis and Mesembria.</p>
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<p>They suffered greatly from cold and hunger. On 24 September, 656, Theodosius, <a href="../cathen/02581b.htm">Bishop</a> of <a href="../cathen/03133b.htm">Caesarea</a> in Bithynia, visited Maximus by the emperor's command, accompanied by the consuls, Theodosius and Paul. The saint confounded his visitors with the authority of the Fathers, and declared that he would never accept the Type. The <a href="../cathen/02581b.htm">bishop</a> then replied: "We declare to you in response that if you will communicate, our master the emperor will annul the Type." Maximus answered that the Ecthesis, though taken down, had not been disowned and that the canons of the Lateran Council must be formally accepted before he would communicate. The Byzantine <a href="../cathen/02581b.htm">bishop</a> unblushingly urged: "The synod is invalid, since it was held without the Emperor's orders." Maximus retorts: "If it is not <a href="../cathen/12748a.htm">pious</a> <a href="../cathen/05752c.htm">faith</a> but the order of the emperor that validates <a href="../cathen/14388a.htm">synods</a>, let them accept the <a href="../cathen/14388a.htm">synods</a> that were held against the <em><a href="../cathen/07449a.htm">Homoousion</a></em> at <a href="../cathen/15109a.htm">Tyre</a>, at <a href="../cathen/01570a.htm">Antioch</a>, at <a href="../cathen/13689b.htm">Seleucia</a>, and the Robber council of Ephesus."</p>
<p>The <a href="../cathen/02581b.htm">bishop</a> is ready to consent to two wills and two operations: but St. Maximus says he is himself but a <a href="../cathen/10487b.htm">monk</a> and cannot receive his declaration — the <a href="../cathen/02581b.htm">bishop</a>, and also the emperor, and the patriarch and his synod, must send a supplication to the <a href="../cathen/12260a.htm">pope</a>. Then all arose with <a href="../cathen/07131b.htm">joy</a> and tears, and <a href="../cathen/06423a.htm">knelt</a> down and <a href="../cathen/12345b.htm">prayed</a>, and <a href="../cathen/08663a.htm">kissed</a> the Gospels and the crucifix and the image of the <a href="../cathen/15464b.htm">Mother of God</a>, and all embraced. But the consul <a href="../cathen/05141a.htm">doubted</a>:</p>
<p>"Do you think," he said, "that the emperor will make a supplication to <a href="../cathen/13164a.htm">Rome</a>?"</p>
<p>"Yes," said the <a href="../cathen/01015c.htm">abbot</a>, "if he will <a href="../cathen/07543b.htm">humble</a> himself as <a href="../cathen/06608a.htm">God</a> has <a href="../cathen/07706b.htm">humbled Himself</a>."</p>
<p>The <a href="../cathen/02581b.htm">bishop</a> gave him money and a tunic, but the tunic was seized by the <a href="../cathen/02581b.htm">Bishop</a> of Byzia. On 8 September, the <a href="../cathen/01015c.htm">abbot</a> was honourably sent to Rhegium, and next day two patricians arrived in state with Bishop Theodosius and offered the <a href="../cathen/04171a.htm">saint</a> great <a href="../cathen/07462a.htm">honour</a> if he would accept the Type and communicate with the emperor. Maximus solemnly turned to the <a href="../cathen/02581b.htm">bishop</a> and reminded him of the day of judgment.</p>
<p>"What could I do if the emperor took another view?" whispered the miserable man. The <a href="../cathen/01015c.htm">abbot</a> was struck and spat upon. The patrician Epiphanius declared that all now accepted two wills and two operations, and that the Type was only a compromise. Maximus reiterated the Roman view that to forbid the use of an expression was to deny it. Next morning, 19 September, the <a href="../cathen/04171a.htm">saint</a> was stripped of his money and even of his poor stock of clothes, and was conveyed to Salembria, and thence to Perberis (Perbera).</p>
<p>Six years later, in 662, Maximus and the two Anastasii were brought to trial at Constantinople. They were <a href="../cathen/01455e.htm">anathematized</a>, and with them St. Martin and St. Sophronius. The prefect was ordered to beat them, to cut out their tongues and lop off their right hands, to exhibit them thus mutilated in every quarter of the city, and to send them to perpetual exile and <a href="../cathen/12430a.htm">imprisonment</a>. A long letter of the Roman Anastasius tells us of their sufferings on the journey to Colchis where they were <a href="../cathen/12430a.htm">imprisoned</a> in different forts. He tells us that St. Maximus foresaw in a vision the day of his death, and that <a href="../cathen/10338a.htm">miraculous</a> lights appeared nightly at his <a href="../cathen/14773b.htm">tomb</a>. The <a href="../cathen/10487b.htm">monk</a> Anastasius had died in the preceding month; the Roman lived on until 666.</p>
<p>Thus St. Maximus died for <a href="../cathen/11330a.htm">orthodoxy</a> and obedience to <a href="../cathen/13164a.htm">Rome</a>. He has always been considered one of the chief <a href="../cathen/14580x.htm">theological</a> writers of the <a href="../cathen/06752a.htm">Greek Church</a>, and has obtained the honourable title of the Theologian. He may be said to complete and close the series of patristic writings on the Incarnation, as they are summed up by <a href="../cathen/08459b.htm">St. John of Damascus</a>. His style is unfortunately very obscure, but he is accurate in his thought and deeply learned in the Fathers. His <a href="../cathen/05692b.htm">exegetical</a> works explain <a href="../bible">Holy Scripture</a> allegorically. We have commentaries on Psalm 59, on the <a href="../cathen/09356a.htm">Lord's Prayer</a>, and a number of explanations of different texts. These are principally intended for the use of <a href="../cathen/10487b.htm">monks</a>, and deal much with <a href="../cathen/14621a.htm">mystical theology</a>. More professedly mystical are his "Scholia" on <a href="../cathen/05013a.htm">Pseudo-Dionysius</a>, his explanations of difficulties in Dionysius and <a href="../cathen/07010b.htm">St. Gregory Nazianzen</a> and his "Ambigua" on <a href="../cathen/07010b.htm">St. Gregory</a>. This last work was translated into Latin by <a href="../cathen/05519a.htm">Scotus Erigena</a> at the request of Charles the Bald. The polemical writings include short treatises against the <a href="../cathen/10489b.htm">Monophysites</a>, and a more important series against the <a href="../cathen/10502a.htm">Monothelites</a>, beside which must be placed the letters and the disputation with Pyrrhus. The numerous <a href="../cathen/14613a.htm">ascetical</a> writings have always received great <a href="../cathen/07462a.htm">honour</a> in Eastern <a href="../cathen/04340c.htm">monasteries</a>. The best known is a beautiful dialogue between an <a href="../cathen/01015c.htm">abbot</a> and a young <a href="../cathen/10487b.htm">monk</a> on the spiritual life; there are also various collections of sententiae, <a href="../cathen/05556a.htm">ethical</a> and devotional, for use in the <a href="../cathen/04060a.htm">cloister</a>. The "Mystagogia" is an explanation of <a href="../cathen/03744a.htm">ecclesiastical</a> symbolism, of importance for <a href="../cathen/09306a.htm">liturgical</a> history. Three <a href="../cathen/07595a.htm">hymns</a> are preserved, and a chronological work (published in <a href="../cathen/11743a.htm">Petavius's</a> "Uranologium", Paris, 1630, and in P.G., XIX). Some writings exist only in <a href="../cathen/09614b.htm">manuscript</a> St. Maximus's literary labours had thus a vast range. He was essentially a <a href="../cathen/10487b.htm">monk</a>, a contemplative, a mystic, thoroughly at home in the <a href="../cathen/12159a.htm">Platonism</a> of Dionysius. But he was also a keen dialectician, a scholastic <a href="../cathen/14580a.htm">theologian</a>, a controversialist. His influence in both lines has been very great. His main teaching may be summed up under two heads, the union of <a href="../cathen/06608a.htm">God</a> with humanity by the Incarnation, and the union of man with <a href="../cathen/06608a.htm">God</a> by the practice of perfection and contemplation. St. Maximus is commemorated in the Roman Martyrology on 13 August, and in the Greek Menaea on 21 January and 12 and 13 August. His Greek office is given by Combéfis (P.G., XC, 206).</p>
<p>A complete edition of his works was begun by the <a href="../cathen/12354c.htm">Dominican</a> Combéfis. Two volumes appeared (Paris 1675), but the third is wanting In the reprint by <a href="../cathen/10290a.htm">Migne</a> (P.G., XC-XCI) there is added the "De Locis difficilibus Dionysii et Gregorii", from Oehler's edition (Halle, 1857), and the <a href="../cathen/07595a.htm">hymns</a> from Daniel "Thesaurus Hymnolog." III. Anastasius Bibliothecarius has preserved some letters and other documents in Latin in his "Collectanea" (P.L., CXXIX, and <a href="../cathen/09609c.htm">Mansi</a>, X). The "Scholia" on <a href="../cathen/05013a.htm">Dionysius the Areopagite</a> are printed with the works of the latter (P.G., IV). The ancient "Vita et certamen" (P.G., XC, Acta SS., 13 Aug.) is not contemporary and cannot be trusted.</p>
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<div class="pub"><h2>About this page</h2><p id="apa"><strong>APA citation.</strong> <span id="apaauthor">Chapman, J.</span> <span id="apayear">(1911).</span> <span id="apaarticle">St. Maximus of Constantinople.</span> In <span id="apawork">The Catholic Encyclopedia.</span> <span id="apapublisher">New York: Robert Appleton Company.</span> <span id="apaurl">http://www.newadvent.org/cathen/10078b.htm</span></p><p id="mla"><strong>MLA citation.</strong> <span id="mlaauthor">Chapman, John.</span> <span id="mlaarticle">"St. Maximus of Constantinople."</span> <span id="mlawork">The Catholic Encyclopedia.</span> <span id="mlavolume">Vol. 10.</span> <span id="mlapublisher">New York: Robert Appleton Company,</span> <span id="mlayear">1911.</span> <span id="mlaurl"><http://www.newadvent.org/cathen/10078b.htm>.</span></p><p id="transcription"><strong>Transcription.</strong> <span id="transcriber">This article was transcribed for New Advent by Joe Buehler.</span> <span id="dedication"></span></p><p id="approbation"><strong>Ecclesiastical approbation.</strong> <span id="nihil"><em>Nihil Obstat.</em> October 1, 1911. Remy Lafort, S.T.D., Censor.</span> <span id="imprimatur"><em>Imprimatur.</em> +John Cardinal Farley, Archbishop of New York.</span></p><p id="contactus"><strong>Contact information.</strong> The editor of New Advent is Kevin Knight. My email address is webmaster <em>at</em> newadvent.org. Regrettably, I can't reply to every letter, but I greatly appreciate your feedback — especially notifications about typographical errors and inappropriate ads.</p></div>
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CATHOLIC ENCYCLOPEDIA: St. Maximus of Constantinople
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[Home](../) > [Catholic Encyclopedia](../cathen) > [M](../cathen/m.htm) > St. Maximus of Constantinople
# St. Maximus of Constantinople
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Known as *the Theologian* and as *Maximus Confessor*, born at Constantinople about 580; died in exile 13 August, 662. He is one of the chief names in the [Monothelite](../cathen/10502a.htm) controversy one of the chief [doctors](../cathen/05072b.htm) of the [theology](../cathen/14580a.htm) of the Incarnation and of ascetic [mysticism](../cathen/10663b.htm), and remarkable as a [witness](../cathen/15677a.htm) to the respect for the [papacy](../cathen/12260a.htm) held by the [Greek Church](../cathen/06752a.htm) in his day. This great man was of a noble [family](../cathen/05782a.htm) of Constantinople. He became first secretary to the Emperor Heraclius, who prized him much, but he quitted the world and gave himself up to contemplation in a [monastery](../cathen/04340c.htm) at [Chrysopolis](../cathen/03743a.htm), opposite Constantinople. He became [abbot](../cathen/01015c.htm) there- but seems to have left this retreat on account of its insecurity from hostile attacks. He speaks of the Palestinian ascetic St. Sophronius afterwards [Patriarch](../cathen/11549a.htm) of [Jerusalem](../cathen/08344a.htm), as his master, father, and teacher (Ep. 13), so that he probably passed some time with him, and he was with him in Africa with other [monks](../cathen/10487b.htm) during the preparations which issued in the "watery union" by which Cyrus the Patriarch reconciled a number of [Monophysites](../cathen/10489b.htm) to the [Church](../cathen/03744a.htm) by rejecting the [doctrine](../cathen/05075b.htm) of "two operations" in Christ (see [MONOTHELITISM](../cathen/10502a.htm)). The first action of St. Maximus that we know of in this affair is a letter sent by him to Pyrrhus, then an [abbot](../cathen/01015c.htm) at [Chrysopolis](../cathen/03743a.htm), a friend and supporter of Sergius, [Patriarch](../cathen/11549a.htm) of Constantinople, the patron of the [Monothelite](../cathen/10502a.htm) expression "two operations". As the letter is said to have entailed a long voyage on the [monks](../cathen/10487b.htm) who carried it St. Maximus was perhaps already in Africa when he wrote it. Pyrrhus had published a work on the Incarnation, for which St. Maximus gives him rather fulsome praise, as an introduction to the question (which he puts with much diffidence and many excuses) what Pyrrhus means by one *energeia* or *energema*. Maximus is clearly anxious to get him to withdraw or explain the mistaken expression, without exasperating him by contradiction.
The Ecthesis of Heraclius was published in 638, and Sergius and [Pope Honorius](../cathen/07452b.htm) both died in that year. A letter of Maximus tells us on the authority of his friends at Constantinople, that the Roman apocrisiarii who had come thither to obtain the emperor's confirmation for the newly elected Pope Severinus, were met by the [clergy](../cathen/04049b.htm) of Constantinople with the demand that they should promise to obtain the [pope's](../cathen/12260a.htm) signature to the Ecthesis, otherwise they should receive no assistance in the matter for which they had made so long a voyage:
> Having discovered the tenor of the document, since by refusing they would have caused the first and Mother of Churches, and the city, to remain so long a time in [widowhood](../cathen/15617c.htm), they replied quietly: We cannot act with authority in this matter, for we have received a commission to execute, not an order to make a profession of [faith](../cathen/05752c.htm). But we assure you that we will relate all that you have put forward, and we will show the document itself to him who is to be [consecrated](../cathen/04276a.htm), and if he should judge it to be correct, we will ask him to append his signature to it. But do not therefore place any obstacle in our way now, or do [violence](../cathen/15446a.htm) to us by delaying us and keeping us here. For none has a [right](../cathen/13055c.htm) to use [violence](../cathen/15446a.htm) especially when [faith](../cathen/05752c.htm) is in question. For herein even the weakest waxes mighty and the meek becomes a warrior, and by comforting his [soul](../cathen/14153a.htm) with the Divine Word, is hardened against the greatest attack. How much more in the case of the [clergy](../cathen/04049b.htm) and Church of the Romans, which from of old until now, as the elder of all the Churches under the sun, presides over all? Having surely received this canonically, as well from councils and the Apostles, as from the princes of the latter, and being numbered in their company, she is subject to no writings or issues of synodical documents, on account of the eminence of her pontificate, even as in all these things all are equally subject to her according to [sacerdotal](../cathen/12406a.htm) law. And so when without fear but with all holy and becoming confidence, those [ministers](../cathen/10326a.htm) of the truly firm and immovable rock, that is, of the most great and Apostolic Church at [Rome](../cathen/13164a.htm), had so replied to the [clergy](../cathen/04049b.htm) of the royal city, they were seen to have conciliated them and to have acted prudently, that the others might be [humble](../cathen/07543b.htm) and modest, while they made known the [orthodoxy](../cathen/11330a.htm) and purity of their own [faith](../cathen/05752c.htm) from the beginning. But those of Constantinople, admiring their [piety](../cathen/12748a.htm), thought that such a deed ought to be recompensed; and ceasing from urging the document on them, they promised by their diligence to procure the issue of the emperor's order with regard to the episcopal election . . Of the aforesaid document a copy has been sent to me also. They have explained in it the cause for being silent about the natural operations in Christ our [God](../cathen/06608a.htm), that is, in His natures, of which and in which He is believed to be, and how in future neither one nor two are to be mentioned. It is only to be allowed to confess that the divine and human (works) proceeded from the same [Word of God](../cathen/09328a.htm) incarnate, and are to be attributed to one and the same (person)."
>
>
This passage does not call the prohibition of "two operations" yet by the name of [heresy](../cathen/07256b.htm) and does not mention the "one Will" confessed in the Ecthesis. But it gives very clearly St. Maximus's view that the smallest point of [faith](../cathen/05752c.htm) is to be held at the risk of one's life, and it demonstrates the ample admission made at Constantinople, before the struggles began, of the prerogatives of [Rome](../cathen/13164a.htm).
When in 641 [John IV](../cathen/08422b.htm) wrote his defence of Pope Honorius, it was re-echoed by St. Maximus in a letter to Marinus, a [priest](../cathen/12406a.htm) of [Cyprus](../cathen/04589a.htm). He declares that Honorius, when he confessed one will of our Lord, only meant to deny that [Christ](../cathen/08374c.htm) had a will of the flesh, of [concupiscence](../cathen/04208a.htm), since he was conceived and born without stain of [sin](../cathen/14004b.htm). Maximus appeals to the witness of Abbot John Symponus, who wrote the letter for Honorius. Pyrrhus was now Sergius's successor, but on the accession of the Emperor Constans in 642 he was exiled. Maximus then sent a letter to the patrician Peter, apparently the Governor of [Syria](../cathen/14399a.htm) and Palestine who had written to him concerning Pyrrhus, whom he now calls simply [abbot](../cathen/01015c.htm). Pyrrhus was in Palestine and Peter had restrained him from putting forward his [heretical](../cathen/07256b.htm) views. Pyrrhus had declared that he was ready to satisfy Maximus as to his [orthodoxy](../cathen/11330a.htm). The latter says he would have written to Peter before
> but I was afraid of being thought to transgress the [holy](../cathen/07386a.htm) [laws](../cathen/09053a.htm) if I were to do this without knowing the will of the [most holy see](../cathen/07424b.htm) of Apostolic men, who lead aright the whole plenitude of the [Catholic](../cathen/03449a.htm) [Church](../cathen/03744a.htm), and rule it with order according to the [divine law](../cathen/09071a.htm).
>
>
The new Ecthesis is worse than the old [heresies](../cathen/07256b.htm)—Pyrrhus and his predecessor have accused Sophronius of [error](../cathen/05525a.htm)—they persuaded Heraclius to give his name to the Ecthesis:
> they have not conformed to the sense of the [Apostolic see](../cathen/07424b.htm), and what is laughable, or rather lamentable, as proving their [ignorance](../cathen/07648a.htm), they have not hesitated to lie against the [Apostolic see](../cathen/07424b.htm) itself . . . but have claimed the great Honorius on their side. . . . What did the divine Honorius do, and after him the aged Severinus, and John who followed him? Yet further, what supplication has the blessed [pope](../cathen/12260a.htm), who now sits, not made? Have not the whole East and West brought their tears, laments, obsecrations, deprecations, both before [God](../cathen/06608a.htm) in [prayer](../cathen/12345b.htm) and before men in their letters? If the Roman see recognizes Pyrrhus to be not only a reprobate but a [heretic](../cathen/07256b.htm), it is certainly plain that everyone who [anathematizes](../cathen/01455e.htm) those who have rejected Pyrrhus, [anathematizes](../cathen/01455e.htm) the [see](../cathen/05001a.htm) of [Rome](../cathen/13164a.htm) that is, he [anathematizes](../cathen/01455e.htm) the [Catholic](../cathen/03449a.htm) [Church](../cathen/03744a.htm). I need hardly add that he [excommunicates](../cathen/05678a.htm) himself also, if indeed he be in communion with the Roman see and the [Church of God](../cathen/03744a.htm).... It is not right that one who has been condemned and cast out by the [Apostolic see](../cathen/07424b.htm) of the city of [Rome](../cathen/13164a.htm) for his wrong opinions should be named with any kind of [honour](../cathen/07462a.htm), until he be received by her, having returned to her — nay, to our Lord — by a [pious](../cathen/12748a.htm) confession and [orthodox](../cathen/11330a.htm) [faith](../cathen/05752c.htm), by which he can receive [holiness](../cathen/07386a.htm) and the title of holy.... Let him hasten before all things to satisfy the Roman see, for if it is satisfied all will agree in calling him [pious](../cathen/12748a.htm) and [orthodox](../cathen/11330a.htm). For he only speaks in vain who thinks he ought to persuade or entrap [persons](../cathen/11726a.htm) like myself, and does not satisfy and implore the blessed [pope](../cathen/12260a.htm) of the most holy Church of the Romans, that is, the [Apostolic see](../cathen/07424b.htm), which from the [incarnate Son of God](../cathen/08374c.htm) Himself, and also by all holy [synods](../cathen/14388a.htm), according to the holy canons and definitions, has received universal and supreme dominion, authority and power of binding and loosing over all the [holy](../cathen/07386a.htm) [Churches of God](../cathen/03744a.htm) which are in the whole world — for with it the [Word](../cathen/09328a.htm) who is above the celestial powers binds and looses in [heaven](../cathen/07170a.htm) also. For if he thinks he must satisfy others, and fails to implore the most blessed Roman [pope](../cathen/12260a.htm), he is acting like a man who, when accused of [murder](../cathen/07441a.htm) or some other crime, does not hasten to prove his innocence to the judge appointed by the [law](../cathen/09053a.htm), but only uselessly and without profit does his best to demonstrate his innocence to private [individuals](../cathen/07762a.htm), who have no power to acquit him.
>
>
Pyrrhus thought he might regain his [see](../cathen/05001a.htm) by the help of the [pope](../cathen/12260a.htm). He came to [Africa](../cathen/01181a.htm), and in July, 645, a public disputation took place between him and Maximus, in the presence of the Governor Gregory (called George in the [manuscripts](../cathen/09614b.htm) of St. Maximus), who was a friend and correspondent of the [saint](../cathen/04171a.htm). The minutes are interesting. Pyrrhus argues that two wills must imply two Persons willing; Maximus replies that in that case there must be three wills in the [Holy Trinity](../cathen/15047a.htm). He shows that the will belongs to the Nature, and distinguishes between will as a faculty and will as the act of the faculty. Pyrrhus then admits two wills, on account of the two [natures](../cathen/10715a.htm), but adds that we should also confess one will on account of the perfect union. Maximus replies that this would lead us to confess one nature on account of the perfect union. He then cites many passages of Scripture for two wills and two operations. Pyrrhus puts forward Honorius and Vigilius. Maximus defends the former from the charge of teaching two wills, and denies that the latter ever received the letter of [Mennas](../cathen/10190a.htm), the authenticity of which is assumed. He complains of the changeableness of Sergius. Lastly the famous "new theandric operation" of the [Pseudo-Dionysius](../cathen/05013a.htm) is discussed, and is explained and defended by St. Maximus. Then Pyrrhus gives in, and consents to go to [Rome](../cathen/13164a.htm), where in fact he condemned his former teaching, and was reconciled to the [Church](../cathen/03744a.htm) by the [pope](../cathen/12260a.htm). But the revolt of Gregory, who made himself emperor in [Africa](../cathen/01181a.htm), but was defeated in 647, brought Maximus into disfavour at court, and destroyed the hope of restoring Pyrrhus as [orthodox](../cathen/11330a.htm) patriarch. After the Ecthesis had been withdrawn, and the Type, *Typos*, substituted by the Emperor Constans, St. Maximus was present at the great Lateran council held by St. Martin at his instance in 649. He wrote from [Rome](../cathen/13164a.htm) (where he stayed some years):
> The extremities of the earth, and all in every part of it who purely and rightly confess the Lord look directly towards the most holy [Roman Church](../cathen/07424b.htm) and its confession and [faith](../cathen/05752c.htm), as it were to a sun of unfailing light, awaiting from it the bright radiance of the sacred [dogmas](../cathen/05089a.htm) of our Fathers according to what the six inspired and holy councils have purely and piously decreed, declaring most expressly the symbol of [faith](../cathen/05752c.htm). For from the coming down of the incarnate Word amongst us, all the Churches in every part of the world have held that greatest Church alone as their base and foundation, seeing that according to the promise of [Christ our Saviour](../cathen/08374c.htm), the gates of [hell](../cathen/07207a.htm) do never prevail against it, that it has the keys of a right confession and [faith](../cathen/05752c.htm) in Him, that it opens the [true](../cathen/15073a.htm) and only religion to such as approach with [piety](../cathen/12748a.htm), and shuts up and locks every [heretical](../cathen/07256b.htm) mouth that speaks [injustice](../cathen/08010c.htm) against the Most High.
>
>
Pope Martin was dragged from [Rome](../cathen/13164a.htm) in 653, and died of ill treatment at Inkerman in March, 655. It was probably later in that year that an official named Gregory came to [Rome](../cathen/13164a.htm) to get [Pope Eugene](../cathen/05598a.htm) to receive the Type. He came to the cell of St. Maximus, who argued with him and denounced the Type. As the [saint](../cathen/04171a.htm) was recognized as the leader of the [orthodox](../cathen/11330a.htm) Easterns, he was sent to Constantinople at the end of 655 (not, as is commonly stated, at the same time as St. Martin). He was now seventy-five years old. The acts of his trials have been preserved by Anastasius Bibliothecarius. He was accused of conspiring with the usurper Gregory, together with Pope Theodore, and it was said that he had caused the loss to the empire of [Egypt](../cathen/05329b.htm), Alexandria, Pentapolis, and Africa. He refused to communicate with the [See of Constantinople](../cathen/04301a.htm),
> because they have cast out the four holy councils by the propositions made at Alexandria, by the Ecthesis and by the Type . . . and because the [dogmas](../cathen/05089a.htm) which they asserted in the propositions they damned in the Ecthesis, and what they proclaimed in the Ecthesis they annulled in the Type, and on each occasion they deposed themselves. What mysteries I ask, do they celebrate, who have condemned themselves and have been condemned by the Romans and by the (Lateran) synod, and stripped of their [sacerdotal](../cathen/12406a.htm) dignity?
>
>
He disbelieved the statement made to him that the envoys of the [pope](../cathen/12260a.htm) had accepted the confession of "two wills on account of the diversity and one will on account of the union," and pointed out that the union not being a substance could have no will. He wrote on this account to his disciple the Abbot Anastasius, who was able to send a letter to warn "the men of elder [Rome](../cathen/13164a.htm) firm as a rock" of the deceitful confession which the Patriarch Peter was despatching to the [pope](../cathen/12260a.htm). On the day of the first trial a council of [clergy](../cathen/04049b.htm) was held, and the emperor was persuaded to send Maximus to Byzia in Thrace, and his disciples, Abbot Anastasius and Anastasius the [papal](../cathen/12260a.htm) apocrisiarius, to Perberis and Mesembria.
They suffered greatly from cold and hunger. On 24 September, 656, Theodosius, [Bishop](../cathen/02581b.htm) of [Caesarea](../cathen/03133b.htm) in Bithynia, visited Maximus by the emperor's command, accompanied by the consuls, Theodosius and Paul. The saint confounded his visitors with the authority of the Fathers, and declared that he would never accept the Type. The [bishop](../cathen/02581b.htm) then replied: "We declare to you in response that if you will communicate, our master the emperor will annul the Type." Maximus answered that the Ecthesis, though taken down, had not been disowned and that the canons of the Lateran Council must be formally accepted before he would communicate. The Byzantine [bishop](../cathen/02581b.htm) unblushingly urged: "The synod is invalid, since it was held without the Emperor's orders." Maximus retorts: "If it is not [pious](../cathen/12748a.htm) [faith](../cathen/05752c.htm) but the order of the emperor that validates [synods](../cathen/14388a.htm), let them accept the [synods](../cathen/14388a.htm) that were held against the *[Homoousion](../cathen/07449a.htm)* at [Tyre](../cathen/15109a.htm), at [Antioch](../cathen/01570a.htm), at [Seleucia](../cathen/13689b.htm), and the Robber council of Ephesus."
The [bishop](../cathen/02581b.htm) is ready to consent to two wills and two operations: but St. Maximus says he is himself but a [monk](../cathen/10487b.htm) and cannot receive his declaration — the [bishop](../cathen/02581b.htm), and also the emperor, and the patriarch and his synod, must send a supplication to the [pope](../cathen/12260a.htm). Then all arose with [joy](../cathen/07131b.htm) and tears, and [knelt](../cathen/06423a.htm) down and [prayed](../cathen/12345b.htm), and [kissed](../cathen/08663a.htm) the Gospels and the crucifix and the image of the [Mother of God](../cathen/15464b.htm), and all embraced. But the consul [doubted](../cathen/05141a.htm):
"Do you think," he said, "that the emperor will make a supplication to [Rome](../cathen/13164a.htm)?"
"Yes," said the [abbot](../cathen/01015c.htm), "if he will [humble](../cathen/07543b.htm) himself as [God](../cathen/06608a.htm) has [humbled Himself](../cathen/07706b.htm)."
The [bishop](../cathen/02581b.htm) gave him money and a tunic, but the tunic was seized by the [Bishop](../cathen/02581b.htm) of Byzia. On 8 September, the [abbot](../cathen/01015c.htm) was honourably sent to Rhegium, and next day two patricians arrived in state with Bishop Theodosius and offered the [saint](../cathen/04171a.htm) great [honour](../cathen/07462a.htm) if he would accept the Type and communicate with the emperor. Maximus solemnly turned to the [bishop](../cathen/02581b.htm) and reminded him of the day of judgment.
"What could I do if the emperor took another view?" whispered the miserable man. The [abbot](../cathen/01015c.htm) was struck and spat upon. The patrician Epiphanius declared that all now accepted two wills and two operations, and that the Type was only a compromise. Maximus reiterated the Roman view that to forbid the use of an expression was to deny it. Next morning, 19 September, the [saint](../cathen/04171a.htm) was stripped of his money and even of his poor stock of clothes, and was conveyed to Salembria, and thence to Perberis (Perbera).
Six years later, in 662, Maximus and the two Anastasii were brought to trial at Constantinople. They were [anathematized](../cathen/01455e.htm), and with them St. Martin and St. Sophronius. The prefect was ordered to beat them, to cut out their tongues and lop off their right hands, to exhibit them thus mutilated in every quarter of the city, and to send them to perpetual exile and [imprisonment](../cathen/12430a.htm). A long letter of the Roman Anastasius tells us of their sufferings on the journey to Colchis where they were [imprisoned](../cathen/12430a.htm) in different forts. He tells us that St. Maximus foresaw in a vision the day of his death, and that [miraculous](../cathen/10338a.htm) lights appeared nightly at his [tomb](../cathen/14773b.htm). The [monk](../cathen/10487b.htm) Anastasius had died in the preceding month; the Roman lived on until 666.
Thus St. Maximus died for [orthodoxy](../cathen/11330a.htm) and obedience to [Rome](../cathen/13164a.htm). He has always been considered one of the chief [theological](../cathen/14580x.htm) writers of the [Greek Church](../cathen/06752a.htm), and has obtained the honourable title of the Theologian. He may be said to complete and close the series of patristic writings on the Incarnation, as they are summed up by [St. John of Damascus](../cathen/08459b.htm). His style is unfortunately very obscure, but he is accurate in his thought and deeply learned in the Fathers. His [exegetical](../cathen/05692b.htm) works explain [Holy Scripture](../bible) allegorically. We have commentaries on Psalm 59, on the [Lord's Prayer](../cathen/09356a.htm), and a number of explanations of different texts. These are principally intended for the use of [monks](../cathen/10487b.htm), and deal much with [mystical theology](../cathen/14621a.htm). More professedly mystical are his "Scholia" on [Pseudo-Dionysius](../cathen/05013a.htm), his explanations of difficulties in Dionysius and [St. Gregory Nazianzen](../cathen/07010b.htm) and his "Ambigua" on [St. Gregory](../cathen/07010b.htm). This last work was translated into Latin by [Scotus Erigena](../cathen/05519a.htm) at the request of Charles the Bald. The polemical writings include short treatises against the [Monophysites](../cathen/10489b.htm), and a more important series against the [Monothelites](../cathen/10502a.htm), beside which must be placed the letters and the disputation with Pyrrhus. The numerous [ascetical](../cathen/14613a.htm) writings have always received great [honour](../cathen/07462a.htm) in Eastern [monasteries](../cathen/04340c.htm). The best known is a beautiful dialogue between an [abbot](../cathen/01015c.htm) and a young [monk](../cathen/10487b.htm) on the spiritual life; there are also various collections of sententiae, [ethical](../cathen/05556a.htm) and devotional, for use in the [cloister](../cathen/04060a.htm). The "Mystagogia" is an explanation of [ecclesiastical](../cathen/03744a.htm) symbolism, of importance for [liturgical](../cathen/09306a.htm) history. Three [hymns](../cathen/07595a.htm) are preserved, and a chronological work (published in [Petavius's](../cathen/11743a.htm) "Uranologium", Paris, 1630, and in P.G., XIX). Some writings exist only in [manuscript](../cathen/09614b.htm) St. Maximus's literary labours had thus a vast range. He was essentially a [monk](../cathen/10487b.htm), a contemplative, a mystic, thoroughly at home in the [Platonism](../cathen/12159a.htm) of Dionysius. But he was also a keen dialectician, a scholastic [theologian](../cathen/14580a.htm), a controversialist. His influence in both lines has been very great. His main teaching may be summed up under two heads, the union of [God](../cathen/06608a.htm) with humanity by the Incarnation, and the union of man with [God](../cathen/06608a.htm) by the practice of perfection and contemplation. St. Maximus is commemorated in the Roman Martyrology on 13 August, and in the Greek Menaea on 21 January and 12 and 13 August. His Greek office is given by Combéfis (P.G., XC, 206).
A complete edition of his works was begun by the [Dominican](../cathen/12354c.htm) Combéfis. Two volumes appeared (Paris 1675), but the third is wanting In the reprint by [Migne](../cathen/10290a.htm) (P.G., XC-XCI) there is added the "De Locis difficilibus Dionysii et Gregorii", from Oehler's edition (Halle, 1857), and the [hymns](../cathen/07595a.htm) from Daniel "Thesaurus Hymnolog." III. Anastasius Bibliothecarius has preserved some letters and other documents in Latin in his "Collectanea" (P.L., CXXIX, and [Mansi](../cathen/09609c.htm), X). The "Scholia" on [Dionysius the Areopagite](../cathen/05013a.htm) are printed with the works of the latter (P.G., IV). The ancient "Vita et certamen" (P.G., XC, Acta SS., 13 Aug.) is not contemporary and cannot be trusted.
## About this page
**APA citation.** Chapman, J. (1911). St. Maximus of Constantinople. In The Catholic Encyclopedia. New York: Robert Appleton Company. http://www.newadvent.org/cathen/10078b.htm
**MLA citation.** Chapman, John. "St. Maximus of Constantinople." The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. <http://www.newadvent.org/cathen/10078b.htm>.
**Transcription.** This article was transcribed for New Advent by Joe Buehler.
**Ecclesiastical approbation.** *Nihil Obstat.* October 1, 1911. Remy Lafort, S.T.D., Censor. *Imprimatur.* +John Cardinal Farley, Archbishop of New York.
**Contact information.** The editor of New Advent is Kevin Knight. My email address is webmaster *at* newadvent.org. Regrettably, I can't reply to every letter, but I greatly appreciate your feedback — especially notifications about typographical errors and inappropriate ads.
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