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1,300 | 1,300 |
( allen ) manages to breathe life into this somewhat tired premise .
| 1 |
1,301 | 1,301 |
the writing and direction to the soggy performances
| 0 |
1,302 | 1,302 |
went back
| 1 |
1,303 | 1,303 |
unfunny
| 0 |
1,304 | 1,304 |
good film
| 1 |
1,305 | 1,305 |
a simplistic narrative and
| 1 |
1,306 | 1,306 |
plodding , peevish and gimmicky .
| 0 |
1,307 | 1,307 |
finely written
| 1 |
1,308 | 1,308 |
attentive
| 1 |
1,309 | 1,309 |
a canny crowd pleaser ,
| 1 |
1,310 | 1,310 |
real and amusing
| 1 |
1,311 | 1,311 |
a dependable concept
| 1 |
1,312 | 1,312 |
straight from the saturday morning cartoons
| 0 |
1,313 | 1,313 |
least
| 0 |
1,314 | 1,314 |
very light
| 1 |
1,315 | 1,315 |
thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except
| 0 |
1,316 | 1,316 |
dying a slow death
| 0 |
1,317 | 1,317 |
some good material in their story about a retail clerk wanting more out of life
| 1 |
1,318 | 1,318 |
lack contrast , are murky and are frequently too dark to be decipherable .
| 0 |
1,319 | 1,319 |
under the skin of a man we only know as an evil , monstrous lunatic
| 0 |
1,320 | 1,320 |
transporting is that it 's also one of the smartest
| 1 |
1,321 | 1,321 |
reminiscent of gong li and a vivid personality
| 1 |
1,322 | 1,322 |
to convince almost everyone that it was put on the screen , just for them
| 1 |
1,323 | 1,323 |
downright intoxicating
| 1 |
1,324 | 1,324 |
with ` bowling for columbine , ' michael moore gives us the perfect starting point for a national conversation about guns , violence , and fear .
| 1 |
1,325 | 1,325 |
especially the pseudo-educational stuff we all ca n't stand
| 0 |
1,326 | 1,326 |
vaporize from your memory minutes
| 0 |
1,327 | 1,327 |
energetic
| 1 |
1,328 | 1,328 |
's the inimitable diaz , holding it all together .
| 1 |
1,329 | 1,329 |
decrepit
| 0 |
1,330 | 1,330 |
two guys yelling in your face for two hours
| 0 |
1,331 | 1,331 |
bloody beauty as vivid
| 1 |
1,332 | 1,332 |
cold , sterile and lacking any color or warmth
| 0 |
1,333 | 1,333 |
is not handled well
| 0 |
1,334 | 1,334 |
long and eventful
| 1 |
1,335 | 1,335 |
, after only three films , director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers
| 1 |
1,336 | 1,336 |
suffocating
| 0 |
1,337 | 1,337 |
has considerable charm
| 1 |
1,338 | 1,338 |
for its extraordinary intelligence and originality
| 1 |
1,339 | 1,339 |
stink
| 0 |
1,340 | 1,340 |
good-bad that makes eight legged freaks a perfectly entertaining summer diversion
| 1 |
1,341 | 1,341 |
the milieu is wholly unconvincing ... and the histrionics reach a truly annoying pitch
| 0 |
1,342 | 1,342 |
kids will love its fantasy and adventure
| 1 |
1,343 | 1,343 |
( or role , or edit , or score , or anything , really
| 0 |
1,344 | 1,344 |
, to my great pleasure ,
| 1 |
1,345 | 1,345 |
one of the most entertaining bonds in years
| 1 |
1,346 | 1,346 |
in a standard plot
| 0 |
1,347 | 1,347 |
the moral shrapnel and mental shellshock will linger long after this film has ended .
| 1 |
1,348 | 1,348 |
been written so well , that even a simple `` goddammit
| 1 |
1,349 | 1,349 |
b movies
| 0 |
1,350 | 1,350 |
to address his own world war ii experience in his signature style
| 1 |
1,351 | 1,351 |
from others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches
| 1 |
1,352 | 1,352 |
draws on an elegant visual sense and a talent
| 1 |
1,353 | 1,353 |
be one of those movies barely registering a blip on the radar screen of 2002
| 0 |
1,354 | 1,354 |
for pretentious arts majors
| 0 |
1,355 | 1,355 |
see a movie with its heart
| 1 |
1,356 | 1,356 |
reek of a script
| 0 |
1,357 | 1,357 |
bottom tier
| 0 |
1,358 | 1,358 |
delivers a powerful commentary on how governments lie , no matter who runs them
| 1 |
1,359 | 1,359 |
an admirable reconstruction of terrible events
| 1 |
1,360 | 1,360 |
's a tribute to the actress , and to her inventive director
| 1 |
1,361 | 1,361 |
as john ritter 's glory days
| 1 |
1,362 | 1,362 |
fights a good fight
| 1 |
1,363 | 1,363 |
is god
| 1 |
1,364 | 1,364 |
floating narrative
| 1 |
1,365 | 1,365 |
stand in future years as an eloquent memorial to the world trade center tragedy
| 1 |
1,366 | 1,366 |
a screenplay that forces them into bizarre , implausible behavior
| 0 |
1,367 | 1,367 |
of this dog of a movie
| 0 |
1,368 | 1,368 |
too bad kramer could n't make a guest appearance to liven things up .
| 0 |
1,369 | 1,369 |
plays like a bad blend of an overripe episode of tv 's dawson 's creek and a recycled and dumbed-down version of love story .
| 0 |
1,370 | 1,370 |
yet depressing film
| 0 |
1,371 | 1,371 |
does pack some serious suspense .
| 1 |
1,372 | 1,372 |
descends into such message-mongering moralism
| 0 |
1,373 | 1,373 |
gripping humanity
| 1 |
1,374 | 1,374 |
fall fast asleep
| 0 |
1,375 | 1,375 |
virtually no aftertaste
| 0 |
1,376 | 1,376 |
inane and unimaginative
| 0 |
1,377 | 1,377 |
's no surprise that as a director washington demands and receives excellent performances ,
| 1 |
1,378 | 1,378 |
bound
| 1 |
1,379 | 1,379 |
self-absorbed
| 0 |
1,380 | 1,380 |
see the forest for the trees
| 1 |
1,381 | 1,381 |
's a feel-good movie about which you can actually feel good
| 1 |
1,382 | 1,382 |
intolerable company
| 0 |
1,383 | 1,383 |
talky , artificial and opaque
| 0 |
1,384 | 1,384 |
for one splendidly cast pair
| 1 |
1,385 | 1,385 |
underneath such a mountain of clichés and borrowed images
| 0 |
1,386 | 1,386 |
falsehoods pile up , undermining the movie 's reality and stifling its creator 's comic voice .
| 0 |
1,387 | 1,387 |
convincing as this bland blank of a man with unimaginable demons
| 0 |
1,388 | 1,388 |
are ... impeccable throughout .
| 1 |
1,389 | 1,389 |
driven by a fantastic dual performance from ian holm ... the film is funny , insightfully human and a delightful lark for history buffs
| 1 |
1,390 | 1,390 |
horror/action hybrid
| 1 |
1,391 | 1,391 |
of the finest films of the year
| 1 |
1,392 | 1,392 |
lives up to the stories and faces and music of the men who are its subject .
| 1 |
1,393 | 1,393 |
that at the very least has a spark of life to it -- more than you can say for plenty of movies that flow through the hollywood pipeline without a hitch
| 1 |
1,394 | 1,394 |
director paul cox 's unorthodox , abstract approach to visualizing nijinsky 's diaries is both stimulating and demanding .
| 1 |
1,395 | 1,395 |
is too long with too little going on
| 0 |
1,396 | 1,396 |
much needed
| 1 |
1,397 | 1,397 |
jones and snipes are enthralling
| 1 |
1,398 | 1,398 |
that this is a serious work by an important director who has something new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out
| 1 |
1,399 | 1,399 |
participation
| 1 |
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