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3s96kq6i9m4skf0n8y6oo8r6cs4tdw | Paula Broadwell, a woman who was romantically involved with former CIA Director David Petraeus, will not face federal charges of cyberstalking another woman friendly with Petraeus.
The U.S. Attorney's Office in Tampa informed Broadwell's attorney Robert Muse of the decision in a brief letter dated December 14.
"As the target of our investigation, we believe that it is appropriate to advise your client that our office has determined that no federal charges will be brought" regarding allegations of cyberstalking, Assistant U.S. Attorney W. Stephen Muldrow wrote.
Muse told CNN he was "very pleased that the U.S. Attorney's office in Tampa very promptly resolved this matter."
A source close to Broadwell said the letter had been received Monday.
"She's pleased with the prosecutor's decision and glad it's been resolved," the source told CNN.
Read more: After Petraeus scandal, Broadwell grapples with 'normal life'
Petraeus resigned November 9 after revealing that he'd been involved in an extramarital affair.
U.S. officials said the FBI discovered Petraeus was involved with Broadwell, a woman who was under investigation for sending allegedly harassing and anonymous e-mails to Jill Kelley, a Tampa socialite who was friendly with Petraeus and his wife.
Sources close to Kelley said she had not been romantically involved with Petraeus.
During the investigation the FBI obtained Broadwell's computer and discovered she had classified materials. Investigators also searched Broadwell's home in North Carolina. Sources said the materials were technically classified but not highly sensitive. Still the FBI and Justice Department prosecutors have not resolved whether Broadwell will face charges for having such materials in her personal possession. | where does boardwells live? | {
"answer_start": [
1501
],
"text": [
"Broadwell's home in North Carolina"
]
} |
3s96kq6i9m4skf0n8y6oo8r6cs4tdw | Paula Broadwell, a woman who was romantically involved with former CIA Director David Petraeus, will not face federal charges of cyberstalking another woman friendly with Petraeus.
The U.S. Attorney's Office in Tampa informed Broadwell's attorney Robert Muse of the decision in a brief letter dated December 14.
"As the target of our investigation, we believe that it is appropriate to advise your client that our office has determined that no federal charges will be brought" regarding allegations of cyberstalking, Assistant U.S. Attorney W. Stephen Muldrow wrote.
Muse told CNN he was "very pleased that the U.S. Attorney's office in Tampa very promptly resolved this matter."
A source close to Broadwell said the letter had been received Monday.
"She's pleased with the prosecutor's decision and glad it's been resolved," the source told CNN.
Read more: After Petraeus scandal, Broadwell grapples with 'normal life'
Petraeus resigned November 9 after revealing that he'd been involved in an extramarital affair.
U.S. officials said the FBI discovered Petraeus was involved with Broadwell, a woman who was under investigation for sending allegedly harassing and anonymous e-mails to Jill Kelley, a Tampa socialite who was friendly with Petraeus and his wife.
Sources close to Kelley said she had not been romantically involved with Petraeus.
During the investigation the FBI obtained Broadwell's computer and discovered she had classified materials. Investigators also searched Broadwell's home in North Carolina. Sources said the materials were technically classified but not highly sensitive. Still the FBI and Justice Department prosecutors have not resolved whether Broadwell will face charges for having such materials in her personal possession. | who wrote there will be no federal charges | {
"answer_start": [
521
],
"text": [
"Assistant U.S. Attorney W. Stephen Muldrow wrote"
]
} |
3s96kq6i9m4skf0n8y6oo8r6cs4tdw | Paula Broadwell, a woman who was romantically involved with former CIA Director David Petraeus, will not face federal charges of cyberstalking another woman friendly with Petraeus.
The U.S. Attorney's Office in Tampa informed Broadwell's attorney Robert Muse of the decision in a brief letter dated December 14.
"As the target of our investigation, we believe that it is appropriate to advise your client that our office has determined that no federal charges will be brought" regarding allegations of cyberstalking, Assistant U.S. Attorney W. Stephen Muldrow wrote.
Muse told CNN he was "very pleased that the U.S. Attorney's office in Tampa very promptly resolved this matter."
A source close to Broadwell said the letter had been received Monday.
"She's pleased with the prosecutor's decision and glad it's been resolved," the source told CNN.
Read more: After Petraeus scandal, Broadwell grapples with 'normal life'
Petraeus resigned November 9 after revealing that he'd been involved in an extramarital affair.
U.S. officials said the FBI discovered Petraeus was involved with Broadwell, a woman who was under investigation for sending allegedly harassing and anonymous e-mails to Jill Kelley, a Tampa socialite who was friendly with Petraeus and his wife.
Sources close to Kelley said she had not been romantically involved with Petraeus.
During the investigation the FBI obtained Broadwell's computer and discovered she had classified materials. Investigators also searched Broadwell's home in North Carolina. Sources said the materials were technically classified but not highly sensitive. Still the FBI and Justice Department prosecutors have not resolved whether Broadwell will face charges for having such materials in her personal possession. | is Pateaeus married? | {
"answer_start": [
1232
],
"text": [
" who was friendly with Petraeus and his wife. "
]
} |
3s96kq6i9m4skf0n8y6oo8r6cs4tdw | Paula Broadwell, a woman who was romantically involved with former CIA Director David Petraeus, will not face federal charges of cyberstalking another woman friendly with Petraeus.
The U.S. Attorney's Office in Tampa informed Broadwell's attorney Robert Muse of the decision in a brief letter dated December 14.
"As the target of our investigation, we believe that it is appropriate to advise your client that our office has determined that no federal charges will be brought" regarding allegations of cyberstalking, Assistant U.S. Attorney W. Stephen Muldrow wrote.
Muse told CNN he was "very pleased that the U.S. Attorney's office in Tampa very promptly resolved this matter."
A source close to Broadwell said the letter had been received Monday.
"She's pleased with the prosecutor's decision and glad it's been resolved," the source told CNN.
Read more: After Petraeus scandal, Broadwell grapples with 'normal life'
Petraeus resigned November 9 after revealing that he'd been involved in an extramarital affair.
U.S. officials said the FBI discovered Petraeus was involved with Broadwell, a woman who was under investigation for sending allegedly harassing and anonymous e-mails to Jill Kelley, a Tampa socialite who was friendly with Petraeus and his wife.
Sources close to Kelley said she had not been romantically involved with Petraeus.
During the investigation the FBI obtained Broadwell's computer and discovered she had classified materials. Investigators also searched Broadwell's home in North Carolina. Sources said the materials were technically classified but not highly sensitive. Still the FBI and Justice Department prosecutors have not resolved whether Broadwell will face charges for having such materials in her personal possession. | where did the FBi obtain classified info | {
"answer_start": [
1407
],
"text": [
"Broadwell's computer and discovered she had classified materials"
]
} |
3mrnmeiqw56412sizp4x2hhpii4ldd | Los Angeles (CNN) -- Actress Carmen Zapata, whose most visible film role was as a choir nun in "Sister Act," died Sunday at her Los Angeles home. She was 86.
Zapata's star on the Hollywood Walk of Fame honors her six decades of work on the stage, which began in New York in 1946.
Her death from heart problems was confirmed by a representative at the Bilingual Foundation of the Arts in Los Angeles, which Zapata co-founded in 1973.
She was "an accomplished actress, translator, theater producer, and community leader who was knighted by King Juan Carlos of Spain," according to her biography on the group's website.
Zapata, a Mexican-American born in New York, founded the theater group to promote bilingual stage productions. The goal was to "instill cultural pride to Spanish-speaking audiences, and serve as an introduction to the rich and eloquent history of the diverse Hispanic culture to English-speaking audiences," the website said.
She was 19 when she made her Broadway debut as a member of the chorus in "Oklahoma." She initially performed under the stage name Marge Cameron at a time when discrimination against Hispanic actors was more common.
Her television and film résumé is slim until the 1970s, when she began landing acting jobs on series including "Room 222," "Bonanza" and "McMillan & Wife." In 1971, she was hired for a recurring role on "The New Dick Van Dyke Show."
Other shows that decade in which she appears in multiple episodes include "Adam-12," "Love, American Style," "Marcus Welby, M.D.," "Medical Center" and "The Streets of San Francisco." She often played different characters in the same series, according to IMDB.com. | Where was Zapata born? | {
"answer_start": [
625
],
"text": [
"Zapata, a Mexican-American born in New York"
]
} |
3mrnmeiqw56412sizp4x2hhpii4ldd | Los Angeles (CNN) -- Actress Carmen Zapata, whose most visible film role was as a choir nun in "Sister Act," died Sunday at her Los Angeles home. She was 86.
Zapata's star on the Hollywood Walk of Fame honors her six decades of work on the stage, which began in New York in 1946.
Her death from heart problems was confirmed by a representative at the Bilingual Foundation of the Arts in Los Angeles, which Zapata co-founded in 1973.
She was "an accomplished actress, translator, theater producer, and community leader who was knighted by King Juan Carlos of Spain," according to her biography on the group's website.
Zapata, a Mexican-American born in New York, founded the theater group to promote bilingual stage productions. The goal was to "instill cultural pride to Spanish-speaking audiences, and serve as an introduction to the rich and eloquent history of the diverse Hispanic culture to English-speaking audiences," the website said.
She was 19 when she made her Broadway debut as a member of the chorus in "Oklahoma." She initially performed under the stage name Marge Cameron at a time when discrimination against Hispanic actors was more common.
Her television and film résumé is slim until the 1970s, when she began landing acting jobs on series including "Room 222," "Bonanza" and "McMillan & Wife." In 1971, she was hired for a recurring role on "The New Dick Van Dyke Show."
Other shows that decade in which she appears in multiple episodes include "Adam-12," "Love, American Style," "Marcus Welby, M.D.," "Medical Center" and "The Streets of San Francisco." She often played different characters in the same series, according to IMDB.com. | What organization did she start? | {
"answer_start": [
355
],
"text": [
"Bilingual Foundation of the Arts in Los Angeles, which Zapata co-founded in 1973. \n"
]
} |
3mrnmeiqw56412sizp4x2hhpii4ldd | Los Angeles (CNN) -- Actress Carmen Zapata, whose most visible film role was as a choir nun in "Sister Act," died Sunday at her Los Angeles home. She was 86.
Zapata's star on the Hollywood Walk of Fame honors her six decades of work on the stage, which began in New York in 1946.
Her death from heart problems was confirmed by a representative at the Bilingual Foundation of the Arts in Los Angeles, which Zapata co-founded in 1973.
She was "an accomplished actress, translator, theater producer, and community leader who was knighted by King Juan Carlos of Spain," according to her biography on the group's website.
Zapata, a Mexican-American born in New York, founded the theater group to promote bilingual stage productions. The goal was to "instill cultural pride to Spanish-speaking audiences, and serve as an introduction to the rich and eloquent history of the diverse Hispanic culture to English-speaking audiences," the website said.
She was 19 when she made her Broadway debut as a member of the chorus in "Oklahoma." She initially performed under the stage name Marge Cameron at a time when discrimination against Hispanic actors was more common.
Her television and film résumé is slim until the 1970s, when she began landing acting jobs on series including "Room 222," "Bonanza" and "McMillan & Wife." In 1971, she was hired for a recurring role on "The New Dick Van Dyke Show."
Other shows that decade in which she appears in multiple episodes include "Adam-12," "Love, American Style," "Marcus Welby, M.D.," "Medical Center" and "The Streets of San Francisco." She often played different characters in the same series, according to IMDB.com. | Did she act as a teen? | {
"answer_start": [
953
],
"text": [
"She was 19 when she made her Broadway debut as a member of the chorus in \"Oklahoma.\" "
]
} |
3mrnmeiqw56412sizp4x2hhpii4ldd | Los Angeles (CNN) -- Actress Carmen Zapata, whose most visible film role was as a choir nun in "Sister Act," died Sunday at her Los Angeles home. She was 86.
Zapata's star on the Hollywood Walk of Fame honors her six decades of work on the stage, which began in New York in 1946.
Her death from heart problems was confirmed by a representative at the Bilingual Foundation of the Arts in Los Angeles, which Zapata co-founded in 1973.
She was "an accomplished actress, translator, theater producer, and community leader who was knighted by King Juan Carlos of Spain," according to her biography on the group's website.
Zapata, a Mexican-American born in New York, founded the theater group to promote bilingual stage productions. The goal was to "instill cultural pride to Spanish-speaking audiences, and serve as an introduction to the rich and eloquent history of the diverse Hispanic culture to English-speaking audiences," the website said.
She was 19 when she made her Broadway debut as a member of the chorus in "Oklahoma." She initially performed under the stage name Marge Cameron at a time when discrimination against Hispanic actors was more common.
Her television and film résumé is slim until the 1970s, when she began landing acting jobs on series including "Room 222," "Bonanza" and "McMillan & Wife." In 1971, she was hired for a recurring role on "The New Dick Van Dyke Show."
Other shows that decade in which she appears in multiple episodes include "Adam-12," "Love, American Style," "Marcus Welby, M.D.," "Medical Center" and "The Streets of San Francisco." She often played different characters in the same series, according to IMDB.com. | Can you give an example? | {
"answer_start": [
953
],
"text": [
"She was 19 when she made her Broadway debut as a member of the chorus in \"Oklahoma.\""
]
} |
3mrnmeiqw56412sizp4x2hhpii4ldd | Los Angeles (CNN) -- Actress Carmen Zapata, whose most visible film role was as a choir nun in "Sister Act," died Sunday at her Los Angeles home. She was 86.
Zapata's star on the Hollywood Walk of Fame honors her six decades of work on the stage, which began in New York in 1946.
Her death from heart problems was confirmed by a representative at the Bilingual Foundation of the Arts in Los Angeles, which Zapata co-founded in 1973.
She was "an accomplished actress, translator, theater producer, and community leader who was knighted by King Juan Carlos of Spain," according to her biography on the group's website.
Zapata, a Mexican-American born in New York, founded the theater group to promote bilingual stage productions. The goal was to "instill cultural pride to Spanish-speaking audiences, and serve as an introduction to the rich and eloquent history of the diverse Hispanic culture to English-speaking audiences," the website said.
She was 19 when she made her Broadway debut as a member of the chorus in "Oklahoma." She initially performed under the stage name Marge Cameron at a time when discrimination against Hispanic actors was more common.
Her television and film résumé is slim until the 1970s, when she began landing acting jobs on series including "Room 222," "Bonanza" and "McMillan & Wife." In 1971, she was hired for a recurring role on "The New Dick Van Dyke Show."
Other shows that decade in which she appears in multiple episodes include "Adam-12," "Love, American Style," "Marcus Welby, M.D.," "Medical Center" and "The Streets of San Francisco." She often played different characters in the same series, according to IMDB.com. | What name did she use at the time? | {
"answer_start": [
1038
],
"text": [
"She initially performed under the stage name Marge Cameron "
]
} |
3mrnmeiqw56412sizp4x2hhpii4ldd | Los Angeles (CNN) -- Actress Carmen Zapata, whose most visible film role was as a choir nun in "Sister Act," died Sunday at her Los Angeles home. She was 86.
Zapata's star on the Hollywood Walk of Fame honors her six decades of work on the stage, which began in New York in 1946.
Her death from heart problems was confirmed by a representative at the Bilingual Foundation of the Arts in Los Angeles, which Zapata co-founded in 1973.
She was "an accomplished actress, translator, theater producer, and community leader who was knighted by King Juan Carlos of Spain," according to her biography on the group's website.
Zapata, a Mexican-American born in New York, founded the theater group to promote bilingual stage productions. The goal was to "instill cultural pride to Spanish-speaking audiences, and serve as an introduction to the rich and eloquent history of the diverse Hispanic culture to English-speaking audiences," the website said.
She was 19 when she made her Broadway debut as a member of the chorus in "Oklahoma." She initially performed under the stage name Marge Cameron at a time when discrimination against Hispanic actors was more common.
Her television and film résumé is slim until the 1970s, when she began landing acting jobs on series including "Room 222," "Bonanza" and "McMillan & Wife." In 1971, she was hired for a recurring role on "The New Dick Van Dyke Show."
Other shows that decade in which she appears in multiple episodes include "Adam-12," "Love, American Style," "Marcus Welby, M.D.," "Medical Center" and "The Streets of San Francisco." She often played different characters in the same series, according to IMDB.com. | Why? | {
"answer_start": [
1107
],
"text": [
"when discrimination against Hispanic actors was more common. \n\n"
]
} |
3mrnmeiqw56412sizp4x2hhpii4ldd | Los Angeles (CNN) -- Actress Carmen Zapata, whose most visible film role was as a choir nun in "Sister Act," died Sunday at her Los Angeles home. She was 86.
Zapata's star on the Hollywood Walk of Fame honors her six decades of work on the stage, which began in New York in 1946.
Her death from heart problems was confirmed by a representative at the Bilingual Foundation of the Arts in Los Angeles, which Zapata co-founded in 1973.
She was "an accomplished actress, translator, theater producer, and community leader who was knighted by King Juan Carlos of Spain," according to her biography on the group's website.
Zapata, a Mexican-American born in New York, founded the theater group to promote bilingual stage productions. The goal was to "instill cultural pride to Spanish-speaking audiences, and serve as an introduction to the rich and eloquent history of the diverse Hispanic culture to English-speaking audiences," the website said.
She was 19 when she made her Broadway debut as a member of the chorus in "Oklahoma." She initially performed under the stage name Marge Cameron at a time when discrimination against Hispanic actors was more common.
Her television and film résumé is slim until the 1970s, when she began landing acting jobs on series including "Room 222," "Bonanza" and "McMillan & Wife." In 1971, she was hired for a recurring role on "The New Dick Van Dyke Show."
Other shows that decade in which she appears in multiple episodes include "Adam-12," "Love, American Style," "Marcus Welby, M.D.," "Medical Center" and "The Streets of San Francisco." She often played different characters in the same series, according to IMDB.com. | Is she still alive? | {
"answer_start": [
0
],
"text": [
"Los Angeles (CNN) -- Actress Carmen Zapata, whose most visible film role was as a choir nun in \"Sister Act,\" died Sunday at her Los Angeles home. She was 86. \n"
]
} |
3mrnmeiqw56412sizp4x2hhpii4ldd | Los Angeles (CNN) -- Actress Carmen Zapata, whose most visible film role was as a choir nun in "Sister Act," died Sunday at her Los Angeles home. She was 86.
Zapata's star on the Hollywood Walk of Fame honors her six decades of work on the stage, which began in New York in 1946.
Her death from heart problems was confirmed by a representative at the Bilingual Foundation of the Arts in Los Angeles, which Zapata co-founded in 1973.
She was "an accomplished actress, translator, theater producer, and community leader who was knighted by King Juan Carlos of Spain," according to her biography on the group's website.
Zapata, a Mexican-American born in New York, founded the theater group to promote bilingual stage productions. The goal was to "instill cultural pride to Spanish-speaking audiences, and serve as an introduction to the rich and eloquent history of the diverse Hispanic culture to English-speaking audiences," the website said.
She was 19 when she made her Broadway debut as a member of the chorus in "Oklahoma." She initially performed under the stage name Marge Cameron at a time when discrimination against Hispanic actors was more common.
Her television and film résumé is slim until the 1970s, when she began landing acting jobs on series including "Room 222," "Bonanza" and "McMillan & Wife." In 1971, she was hired for a recurring role on "The New Dick Van Dyke Show."
Other shows that decade in which she appears in multiple episodes include "Adam-12," "Love, American Style," "Marcus Welby, M.D.," "Medical Center" and "The Streets of San Francisco." She often played different characters in the same series, according to IMDB.com. | When did she pass? | {
"answer_start": [
21
],
"text": [
"Actress Carmen Zapata, whose most visible film role was as a choir nun in \"Sister Act,\" died Sunday"
]
} |
3mrnmeiqw56412sizp4x2hhpii4ldd | Los Angeles (CNN) -- Actress Carmen Zapata, whose most visible film role was as a choir nun in "Sister Act," died Sunday at her Los Angeles home. She was 86.
Zapata's star on the Hollywood Walk of Fame honors her six decades of work on the stage, which began in New York in 1946.
Her death from heart problems was confirmed by a representative at the Bilingual Foundation of the Arts in Los Angeles, which Zapata co-founded in 1973.
She was "an accomplished actress, translator, theater producer, and community leader who was knighted by King Juan Carlos of Spain," according to her biography on the group's website.
Zapata, a Mexican-American born in New York, founded the theater group to promote bilingual stage productions. The goal was to "instill cultural pride to Spanish-speaking audiences, and serve as an introduction to the rich and eloquent history of the diverse Hispanic culture to English-speaking audiences," the website said.
She was 19 when she made her Broadway debut as a member of the chorus in "Oklahoma." She initially performed under the stage name Marge Cameron at a time when discrimination against Hispanic actors was more common.
Her television and film résumé is slim until the 1970s, when she began landing acting jobs on series including "Room 222," "Bonanza" and "McMillan & Wife." In 1971, she was hired for a recurring role on "The New Dick Van Dyke Show."
Other shows that decade in which she appears in multiple episodes include "Adam-12," "Love, American Style," "Marcus Welby, M.D.," "Medical Center" and "The Streets of San Francisco." She often played different characters in the same series, according to IMDB.com. | Where? | {
"answer_start": [
109
],
"text": [
"died Sunday at her Los Angeles home"
]
} |
3mrnmeiqw56412sizp4x2hhpii4ldd | Los Angeles (CNN) -- Actress Carmen Zapata, whose most visible film role was as a choir nun in "Sister Act," died Sunday at her Los Angeles home. She was 86.
Zapata's star on the Hollywood Walk of Fame honors her six decades of work on the stage, which began in New York in 1946.
Her death from heart problems was confirmed by a representative at the Bilingual Foundation of the Arts in Los Angeles, which Zapata co-founded in 1973.
She was "an accomplished actress, translator, theater producer, and community leader who was knighted by King Juan Carlos of Spain," according to her biography on the group's website.
Zapata, a Mexican-American born in New York, founded the theater group to promote bilingual stage productions. The goal was to "instill cultural pride to Spanish-speaking audiences, and serve as an introduction to the rich and eloquent history of the diverse Hispanic culture to English-speaking audiences," the website said.
She was 19 when she made her Broadway debut as a member of the chorus in "Oklahoma." She initially performed under the stage name Marge Cameron at a time when discrimination against Hispanic actors was more common.
Her television and film résumé is slim until the 1970s, when she began landing acting jobs on series including "Room 222," "Bonanza" and "McMillan & Wife." In 1971, she was hired for a recurring role on "The New Dick Van Dyke Show."
Other shows that decade in which she appears in multiple episodes include "Adam-12," "Love, American Style," "Marcus Welby, M.D.," "Medical Center" and "The Streets of San Francisco." She often played different characters in the same series, according to IMDB.com. | How old was she? | {
"answer_start": [
145
],
"text": [
" She was 86"
]
} |
3mrnmeiqw56412sizp4x2hhpii4ldd | Los Angeles (CNN) -- Actress Carmen Zapata, whose most visible film role was as a choir nun in "Sister Act," died Sunday at her Los Angeles home. She was 86.
Zapata's star on the Hollywood Walk of Fame honors her six decades of work on the stage, which began in New York in 1946.
Her death from heart problems was confirmed by a representative at the Bilingual Foundation of the Arts in Los Angeles, which Zapata co-founded in 1973.
She was "an accomplished actress, translator, theater producer, and community leader who was knighted by King Juan Carlos of Spain," according to her biography on the group's website.
Zapata, a Mexican-American born in New York, founded the theater group to promote bilingual stage productions. The goal was to "instill cultural pride to Spanish-speaking audiences, and serve as an introduction to the rich and eloquent history of the diverse Hispanic culture to English-speaking audiences," the website said.
She was 19 when she made her Broadway debut as a member of the chorus in "Oklahoma." She initially performed under the stage name Marge Cameron at a time when discrimination against Hispanic actors was more common.
Her television and film résumé is slim until the 1970s, when she began landing acting jobs on series including "Room 222," "Bonanza" and "McMillan & Wife." In 1971, she was hired for a recurring role on "The New Dick Van Dyke Show."
Other shows that decade in which she appears in multiple episodes include "Adam-12," "Love, American Style," "Marcus Welby, M.D.," "Medical Center" and "The Streets of San Francisco." She often played different characters in the same series, according to IMDB.com. | What is considered her most notable movie? | {
"answer_start": [
44
],
"text": [
"whose most visible film role was as a choir nun in \"Sister Act,\""
]
} |
3mrnmeiqw56412sizp4x2hhpii4ldd | Los Angeles (CNN) -- Actress Carmen Zapata, whose most visible film role was as a choir nun in "Sister Act," died Sunday at her Los Angeles home. She was 86.
Zapata's star on the Hollywood Walk of Fame honors her six decades of work on the stage, which began in New York in 1946.
Her death from heart problems was confirmed by a representative at the Bilingual Foundation of the Arts in Los Angeles, which Zapata co-founded in 1973.
She was "an accomplished actress, translator, theater producer, and community leader who was knighted by King Juan Carlos of Spain," according to her biography on the group's website.
Zapata, a Mexican-American born in New York, founded the theater group to promote bilingual stage productions. The goal was to "instill cultural pride to Spanish-speaking audiences, and serve as an introduction to the rich and eloquent history of the diverse Hispanic culture to English-speaking audiences," the website said.
She was 19 when she made her Broadway debut as a member of the chorus in "Oklahoma." She initially performed under the stage name Marge Cameron at a time when discrimination against Hispanic actors was more common.
Her television and film résumé is slim until the 1970s, when she began landing acting jobs on series including "Room 222," "Bonanza" and "McMillan & Wife." In 1971, she was hired for a recurring role on "The New Dick Van Dyke Show."
Other shows that decade in which she appears in multiple episodes include "Adam-12," "Love, American Style," "Marcus Welby, M.D.," "Medical Center" and "The Streets of San Francisco." She often played different characters in the same series, according to IMDB.com. | What job did her character have? | {
"answer_start": [
29
],
"text": [
"Carmen Zapata, whose most visible film role was as a choir nun in \"Sister Act,\""
]
} |
3mrnmeiqw56412sizp4x2hhpii4ldd | Los Angeles (CNN) -- Actress Carmen Zapata, whose most visible film role was as a choir nun in "Sister Act," died Sunday at her Los Angeles home. She was 86.
Zapata's star on the Hollywood Walk of Fame honors her six decades of work on the stage, which began in New York in 1946.
Her death from heart problems was confirmed by a representative at the Bilingual Foundation of the Arts in Los Angeles, which Zapata co-founded in 1973.
She was "an accomplished actress, translator, theater producer, and community leader who was knighted by King Juan Carlos of Spain," according to her biography on the group's website.
Zapata, a Mexican-American born in New York, founded the theater group to promote bilingual stage productions. The goal was to "instill cultural pride to Spanish-speaking audiences, and serve as an introduction to the rich and eloquent history of the diverse Hispanic culture to English-speaking audiences," the website said.
She was 19 when she made her Broadway debut as a member of the chorus in "Oklahoma." She initially performed under the stage name Marge Cameron at a time when discrimination against Hispanic actors was more common.
Her television and film résumé is slim until the 1970s, when she began landing acting jobs on series including "Room 222," "Bonanza" and "McMillan & Wife." In 1971, she was hired for a recurring role on "The New Dick Van Dyke Show."
Other shows that decade in which she appears in multiple episodes include "Adam-12," "Love, American Style," "Marcus Welby, M.D.," "Medical Center" and "The Streets of San Francisco." She often played different characters in the same series, according to IMDB.com. | Was she on tv too? | {
"answer_start": [
1170
],
"text": [
"Her television and film résumé is slim until the 1970s, when she began landing acting jobs on series"
]
} |
3mrnmeiqw56412sizp4x2hhpii4ldd | Los Angeles (CNN) -- Actress Carmen Zapata, whose most visible film role was as a choir nun in "Sister Act," died Sunday at her Los Angeles home. She was 86.
Zapata's star on the Hollywood Walk of Fame honors her six decades of work on the stage, which began in New York in 1946.
Her death from heart problems was confirmed by a representative at the Bilingual Foundation of the Arts in Los Angeles, which Zapata co-founded in 1973.
She was "an accomplished actress, translator, theater producer, and community leader who was knighted by King Juan Carlos of Spain," according to her biography on the group's website.
Zapata, a Mexican-American born in New York, founded the theater group to promote bilingual stage productions. The goal was to "instill cultural pride to Spanish-speaking audiences, and serve as an introduction to the rich and eloquent history of the diverse Hispanic culture to English-speaking audiences," the website said.
She was 19 when she made her Broadway debut as a member of the chorus in "Oklahoma." She initially performed under the stage name Marge Cameron at a time when discrimination against Hispanic actors was more common.
Her television and film résumé is slim until the 1970s, when she began landing acting jobs on series including "Room 222," "Bonanza" and "McMillan & Wife." In 1971, she was hired for a recurring role on "The New Dick Van Dyke Show."
Other shows that decade in which she appears in multiple episodes include "Adam-12," "Love, American Style," "Marcus Welby, M.D.," "Medical Center" and "The Streets of San Francisco." She often played different characters in the same series, according to IMDB.com. | What program? | {
"answer_start": [
1170
],
"text": [
"Her television and film résumé is slim until the 1970s, when she began landing acting jobs on series including \"Room 222,\" \"Bonanza\" and \"McMillan & Wife.\" In 1971, she was hired for a recurring role on \"The New Dick Van Dyke Show.\" \n\nOther shows that decade in which she appears in multiple episodes include \"Adam-12,\" \"Love, American Style,\" \"Marcus Welby, M.D.,\" \"Medical Center\" and \"The Streets of San Francisco.\" She often played different characters in the same series, according to IMDB.com. "
]
} |
3mrnmeiqw56412sizp4x2hhpii4ldd | Los Angeles (CNN) -- Actress Carmen Zapata, whose most visible film role was as a choir nun in "Sister Act," died Sunday at her Los Angeles home. She was 86.
Zapata's star on the Hollywood Walk of Fame honors her six decades of work on the stage, which began in New York in 1946.
Her death from heart problems was confirmed by a representative at the Bilingual Foundation of the Arts in Los Angeles, which Zapata co-founded in 1973.
She was "an accomplished actress, translator, theater producer, and community leader who was knighted by King Juan Carlos of Spain," according to her biography on the group's website.
Zapata, a Mexican-American born in New York, founded the theater group to promote bilingual stage productions. The goal was to "instill cultural pride to Spanish-speaking audiences, and serve as an introduction to the rich and eloquent history of the diverse Hispanic culture to English-speaking audiences," the website said.
She was 19 when she made her Broadway debut as a member of the chorus in "Oklahoma." She initially performed under the stage name Marge Cameron at a time when discrimination against Hispanic actors was more common.
Her television and film résumé is slim until the 1970s, when she began landing acting jobs on series including "Room 222," "Bonanza" and "McMillan & Wife." In 1971, she was hired for a recurring role on "The New Dick Van Dyke Show."
Other shows that decade in which she appears in multiple episodes include "Adam-12," "Love, American Style," "Marcus Welby, M.D.," "Medical Center" and "The Streets of San Francisco." She often played different characters in the same series, according to IMDB.com. | Can you give an example? | {
"answer_start": [
1335
],
"text": [
"she was hired for a recurring role on \"The New Dick Van Dyke Show.\" \n"
]
} |
3mrnmeiqw56412sizp4x2hhpii4ldd | Los Angeles (CNN) -- Actress Carmen Zapata, whose most visible film role was as a choir nun in "Sister Act," died Sunday at her Los Angeles home. She was 86.
Zapata's star on the Hollywood Walk of Fame honors her six decades of work on the stage, which began in New York in 1946.
Her death from heart problems was confirmed by a representative at the Bilingual Foundation of the Arts in Los Angeles, which Zapata co-founded in 1973.
She was "an accomplished actress, translator, theater producer, and community leader who was knighted by King Juan Carlos of Spain," according to her biography on the group's website.
Zapata, a Mexican-American born in New York, founded the theater group to promote bilingual stage productions. The goal was to "instill cultural pride to Spanish-speaking audiences, and serve as an introduction to the rich and eloquent history of the diverse Hispanic culture to English-speaking audiences," the website said.
She was 19 when she made her Broadway debut as a member of the chorus in "Oklahoma." She initially performed under the stage name Marge Cameron at a time when discrimination against Hispanic actors was more common.
Her television and film résumé is slim until the 1970s, when she began landing acting jobs on series including "Room 222," "Bonanza" and "McMillan & Wife." In 1971, she was hired for a recurring role on "The New Dick Van Dyke Show."
Other shows that decade in which she appears in multiple episodes include "Adam-12," "Love, American Style," "Marcus Welby, M.D.," "Medical Center" and "The Streets of San Francisco." She often played different characters in the same series, according to IMDB.com. | Was that a one time role? | {
"answer_start": [
1335
],
"text": [
"she was hired for a recurring role on \"The New Dick Van Dyke Show.\" \n\n"
]
} |
3mrnmeiqw56412sizp4x2hhpii4ldd | Los Angeles (CNN) -- Actress Carmen Zapata, whose most visible film role was as a choir nun in "Sister Act," died Sunday at her Los Angeles home. She was 86.
Zapata's star on the Hollywood Walk of Fame honors her six decades of work on the stage, which began in New York in 1946.
Her death from heart problems was confirmed by a representative at the Bilingual Foundation of the Arts in Los Angeles, which Zapata co-founded in 1973.
She was "an accomplished actress, translator, theater producer, and community leader who was knighted by King Juan Carlos of Spain," according to her biography on the group's website.
Zapata, a Mexican-American born in New York, founded the theater group to promote bilingual stage productions. The goal was to "instill cultural pride to Spanish-speaking audiences, and serve as an introduction to the rich and eloquent history of the diverse Hispanic culture to English-speaking audiences," the website said.
She was 19 when she made her Broadway debut as a member of the chorus in "Oklahoma." She initially performed under the stage name Marge Cameron at a time when discrimination against Hispanic actors was more common.
Her television and film résumé is slim until the 1970s, when she began landing acting jobs on series including "Room 222," "Bonanza" and "McMillan & Wife." In 1971, she was hired for a recurring role on "The New Dick Van Dyke Show."
Other shows that decade in which she appears in multiple episodes include "Adam-12," "Love, American Style," "Marcus Welby, M.D.," "Medical Center" and "The Streets of San Francisco." She often played different characters in the same series, according to IMDB.com. | Was she enshrined in Hollywood? | {
"answer_start": [
160
],
"text": [
"Zapata's star on the Hollywood Walk of Fame honors her six decades of work on the stage, which began in New York in 1946. \n"
]
} |
3mrnmeiqw56412sizp4x2hhpii4ldd | Los Angeles (CNN) -- Actress Carmen Zapata, whose most visible film role was as a choir nun in "Sister Act," died Sunday at her Los Angeles home. She was 86.
Zapata's star on the Hollywood Walk of Fame honors her six decades of work on the stage, which began in New York in 1946.
Her death from heart problems was confirmed by a representative at the Bilingual Foundation of the Arts in Los Angeles, which Zapata co-founded in 1973.
She was "an accomplished actress, translator, theater producer, and community leader who was knighted by King Juan Carlos of Spain," according to her biography on the group's website.
Zapata, a Mexican-American born in New York, founded the theater group to promote bilingual stage productions. The goal was to "instill cultural pride to Spanish-speaking audiences, and serve as an introduction to the rich and eloquent history of the diverse Hispanic culture to English-speaking audiences," the website said.
She was 19 when she made her Broadway debut as a member of the chorus in "Oklahoma." She initially performed under the stage name Marge Cameron at a time when discrimination against Hispanic actors was more common.
Her television and film résumé is slim until the 1970s, when she began landing acting jobs on series including "Room 222," "Bonanza" and "McMillan & Wife." In 1971, she was hired for a recurring role on "The New Dick Van Dyke Show."
Other shows that decade in which she appears in multiple episodes include "Adam-12," "Love, American Style," "Marcus Welby, M.D.," "Medical Center" and "The Streets of San Francisco." She often played different characters in the same series, according to IMDB.com. | Where specifically? | {
"answer_start": [
160
],
"text": [
"Zapata's star on the Hollywood Walk of Fame"
]
} |
3mrnmeiqw56412sizp4x2hhpii4ldd | Los Angeles (CNN) -- Actress Carmen Zapata, whose most visible film role was as a choir nun in "Sister Act," died Sunday at her Los Angeles home. She was 86.
Zapata's star on the Hollywood Walk of Fame honors her six decades of work on the stage, which began in New York in 1946.
Her death from heart problems was confirmed by a representative at the Bilingual Foundation of the Arts in Los Angeles, which Zapata co-founded in 1973.
She was "an accomplished actress, translator, theater producer, and community leader who was knighted by King Juan Carlos of Spain," according to her biography on the group's website.
Zapata, a Mexican-American born in New York, founded the theater group to promote bilingual stage productions. The goal was to "instill cultural pride to Spanish-speaking audiences, and serve as an introduction to the rich and eloquent history of the diverse Hispanic culture to English-speaking audiences," the website said.
She was 19 when she made her Broadway debut as a member of the chorus in "Oklahoma." She initially performed under the stage name Marge Cameron at a time when discrimination against Hispanic actors was more common.
Her television and film résumé is slim until the 1970s, when she began landing acting jobs on series including "Room 222," "Bonanza" and "McMillan & Wife." In 1971, she was hired for a recurring role on "The New Dick Van Dyke Show."
Other shows that decade in which she appears in multiple episodes include "Adam-12," "Love, American Style," "Marcus Welby, M.D.," "Medical Center" and "The Streets of San Francisco." She often played different characters in the same series, according to IMDB.com. | For what reason? | {
"answer_start": [
160
],
"text": [
"Zapata's star on the Hollywood Walk of Fame honors her six decades of work on the stage, which began in New York in 1946. \n"
]
} |
3te22npxpbcv3y240m4ndwl8jad445 | Depleted uranium is also used as a shielding material in some containers used to store and transport radioactive materials. While the metal itself is radioactive, its high density makes it more effective than lead in halting radiation from strong sources such as radium. Other uses of depleted uranium include counterweights for aircraft control surfaces, as ballast for missile re-entry vehicles and as a shielding material. Due to its high density, this material is found in inertial guidance systems and in gyroscopic compasses. Depleted uranium is preferred over similarly dense metals due to its ability to be easily machined and cast as well as its relatively low cost. The main risk of exposure to depleted uranium is chemical poisoning by uranium oxide rather than radioactivity (uranium being only a weak alpha emitter).
The discovery and isolation of radium in uranium ore (pitchblende) by Marie Curie sparked the development of uranium mining to extract the radium, which was used to make glow-in-the-dark paints for clock and aircraft dials. This left a prodigious quantity of uranium as a waste product, since it takes three tonnes of uranium to extract one gram of radium. This waste product was diverted to the glazing industry, making uranium glazes very inexpensive and abundant. Besides the pottery glazes, uranium tile glazes accounted for the bulk of the use, including common bathroom and kitchen tiles which can be produced in green, yellow, mauve, black, blue, red and other colors. | What is used to shield radioactive waste? | {
"answer_start": [
0
],
"text": [
"Depleted uranium is also used as a shielding material in some containers"
]
} |
3te22npxpbcv3y240m4ndwl8jad445 | Depleted uranium is also used as a shielding material in some containers used to store and transport radioactive materials. While the metal itself is radioactive, its high density makes it more effective than lead in halting radiation from strong sources such as radium. Other uses of depleted uranium include counterweights for aircraft control surfaces, as ballast for missile re-entry vehicles and as a shielding material. Due to its high density, this material is found in inertial guidance systems and in gyroscopic compasses. Depleted uranium is preferred over similarly dense metals due to its ability to be easily machined and cast as well as its relatively low cost. The main risk of exposure to depleted uranium is chemical poisoning by uranium oxide rather than radioactivity (uranium being only a weak alpha emitter).
The discovery and isolation of radium in uranium ore (pitchblende) by Marie Curie sparked the development of uranium mining to extract the radium, which was used to make glow-in-the-dark paints for clock and aircraft dials. This left a prodigious quantity of uranium as a waste product, since it takes three tonnes of uranium to extract one gram of radium. This waste product was diverted to the glazing industry, making uranium glazes very inexpensive and abundant. Besides the pottery glazes, uranium tile glazes accounted for the bulk of the use, including common bathroom and kitchen tiles which can be produced in green, yellow, mauve, black, blue, red and other colors. | Give an example of radioactive material it might shield | {
"answer_start": [
224
],
"text": [
" radiation from strong sources such as radium"
]
} |
3te22npxpbcv3y240m4ndwl8jad445 | Depleted uranium is also used as a shielding material in some containers used to store and transport radioactive materials. While the metal itself is radioactive, its high density makes it more effective than lead in halting radiation from strong sources such as radium. Other uses of depleted uranium include counterweights for aircraft control surfaces, as ballast for missile re-entry vehicles and as a shielding material. Due to its high density, this material is found in inertial guidance systems and in gyroscopic compasses. Depleted uranium is preferred over similarly dense metals due to its ability to be easily machined and cast as well as its relatively low cost. The main risk of exposure to depleted uranium is chemical poisoning by uranium oxide rather than radioactivity (uranium being only a weak alpha emitter).
The discovery and isolation of radium in uranium ore (pitchblende) by Marie Curie sparked the development of uranium mining to extract the radium, which was used to make glow-in-the-dark paints for clock and aircraft dials. This left a prodigious quantity of uranium as a waste product, since it takes three tonnes of uranium to extract one gram of radium. This waste product was diverted to the glazing industry, making uranium glazes very inexpensive and abundant. Besides the pottery glazes, uranium tile glazes accounted for the bulk of the use, including common bathroom and kitchen tiles which can be produced in green, yellow, mauve, black, blue, red and other colors. | Is depleted uranium a metal? | {
"answer_start": [
124
],
"text": [
"While the metal itself is radioactive"
]
} |
3te22npxpbcv3y240m4ndwl8jad445 | Depleted uranium is also used as a shielding material in some containers used to store and transport radioactive materials. While the metal itself is radioactive, its high density makes it more effective than lead in halting radiation from strong sources such as radium. Other uses of depleted uranium include counterweights for aircraft control surfaces, as ballast for missile re-entry vehicles and as a shielding material. Due to its high density, this material is found in inertial guidance systems and in gyroscopic compasses. Depleted uranium is preferred over similarly dense metals due to its ability to be easily machined and cast as well as its relatively low cost. The main risk of exposure to depleted uranium is chemical poisoning by uranium oxide rather than radioactivity (uranium being only a weak alpha emitter).
The discovery and isolation of radium in uranium ore (pitchblende) by Marie Curie sparked the development of uranium mining to extract the radium, which was used to make glow-in-the-dark paints for clock and aircraft dials. This left a prodigious quantity of uranium as a waste product, since it takes three tonnes of uranium to extract one gram of radium. This waste product was diverted to the glazing industry, making uranium glazes very inexpensive and abundant. Besides the pottery glazes, uranium tile glazes accounted for the bulk of the use, including common bathroom and kitchen tiles which can be produced in green, yellow, mauve, black, blue, red and other colors. | Is it radioactive? | {
"answer_start": [
124
],
"text": [
"While the metal itself is radioactive"
]
} |
3te22npxpbcv3y240m4ndwl8jad445 | Depleted uranium is also used as a shielding material in some containers used to store and transport radioactive materials. While the metal itself is radioactive, its high density makes it more effective than lead in halting radiation from strong sources such as radium. Other uses of depleted uranium include counterweights for aircraft control surfaces, as ballast for missile re-entry vehicles and as a shielding material. Due to its high density, this material is found in inertial guidance systems and in gyroscopic compasses. Depleted uranium is preferred over similarly dense metals due to its ability to be easily machined and cast as well as its relatively low cost. The main risk of exposure to depleted uranium is chemical poisoning by uranium oxide rather than radioactivity (uranium being only a weak alpha emitter).
The discovery and isolation of radium in uranium ore (pitchblende) by Marie Curie sparked the development of uranium mining to extract the radium, which was used to make glow-in-the-dark paints for clock and aircraft dials. This left a prodigious quantity of uranium as a waste product, since it takes three tonnes of uranium to extract one gram of radium. This waste product was diverted to the glazing industry, making uranium glazes very inexpensive and abundant. Besides the pottery glazes, uranium tile glazes accounted for the bulk of the use, including common bathroom and kitchen tiles which can be produced in green, yellow, mauve, black, blue, red and other colors. | Is it dense? | {
"answer_start": [
163
],
"text": [
"its high density makes it more effective than lead"
]
} |
3te22npxpbcv3y240m4ndwl8jad445 | Depleted uranium is also used as a shielding material in some containers used to store and transport radioactive materials. While the metal itself is radioactive, its high density makes it more effective than lead in halting radiation from strong sources such as radium. Other uses of depleted uranium include counterweights for aircraft control surfaces, as ballast for missile re-entry vehicles and as a shielding material. Due to its high density, this material is found in inertial guidance systems and in gyroscopic compasses. Depleted uranium is preferred over similarly dense metals due to its ability to be easily machined and cast as well as its relatively low cost. The main risk of exposure to depleted uranium is chemical poisoning by uranium oxide rather than radioactivity (uranium being only a weak alpha emitter).
The discovery and isolation of radium in uranium ore (pitchblende) by Marie Curie sparked the development of uranium mining to extract the radium, which was used to make glow-in-the-dark paints for clock and aircraft dials. This left a prodigious quantity of uranium as a waste product, since it takes three tonnes of uranium to extract one gram of radium. This waste product was diverted to the glazing industry, making uranium glazes very inexpensive and abundant. Besides the pottery glazes, uranium tile glazes accounted for the bulk of the use, including common bathroom and kitchen tiles which can be produced in green, yellow, mauve, black, blue, red and other colors. | What else is it used for? | {
"answer_start": [
271
],
"text": [
"Other uses of depleted uranium include counterweights for aircraft control surfaces"
]
} |
3te22npxpbcv3y240m4ndwl8jad445 | Depleted uranium is also used as a shielding material in some containers used to store and transport radioactive materials. While the metal itself is radioactive, its high density makes it more effective than lead in halting radiation from strong sources such as radium. Other uses of depleted uranium include counterweights for aircraft control surfaces, as ballast for missile re-entry vehicles and as a shielding material. Due to its high density, this material is found in inertial guidance systems and in gyroscopic compasses. Depleted uranium is preferred over similarly dense metals due to its ability to be easily machined and cast as well as its relatively low cost. The main risk of exposure to depleted uranium is chemical poisoning by uranium oxide rather than radioactivity (uranium being only a weak alpha emitter).
The discovery and isolation of radium in uranium ore (pitchblende) by Marie Curie sparked the development of uranium mining to extract the radium, which was used to make glow-in-the-dark paints for clock and aircraft dials. This left a prodigious quantity of uranium as a waste product, since it takes three tonnes of uranium to extract one gram of radium. This waste product was diverted to the glazing industry, making uranium glazes very inexpensive and abundant. Besides the pottery glazes, uranium tile glazes accounted for the bulk of the use, including common bathroom and kitchen tiles which can be produced in green, yellow, mauve, black, blue, red and other colors. | Is it expensive? | {
"answer_start": [
640
],
"text": [
"as well as its relatively low cost. "
]
} |
3te22npxpbcv3y240m4ndwl8jad445 | Depleted uranium is also used as a shielding material in some containers used to store and transport radioactive materials. While the metal itself is radioactive, its high density makes it more effective than lead in halting radiation from strong sources such as radium. Other uses of depleted uranium include counterweights for aircraft control surfaces, as ballast for missile re-entry vehicles and as a shielding material. Due to its high density, this material is found in inertial guidance systems and in gyroscopic compasses. Depleted uranium is preferred over similarly dense metals due to its ability to be easily machined and cast as well as its relatively low cost. The main risk of exposure to depleted uranium is chemical poisoning by uranium oxide rather than radioactivity (uranium being only a weak alpha emitter).
The discovery and isolation of radium in uranium ore (pitchblende) by Marie Curie sparked the development of uranium mining to extract the radium, which was used to make glow-in-the-dark paints for clock and aircraft dials. This left a prodigious quantity of uranium as a waste product, since it takes three tonnes of uranium to extract one gram of radium. This waste product was diverted to the glazing industry, making uranium glazes very inexpensive and abundant. Besides the pottery glazes, uranium tile glazes accounted for the bulk of the use, including common bathroom and kitchen tiles which can be produced in green, yellow, mauve, black, blue, red and other colors. | What is the main risk of its use? | {
"answer_start": [
676
],
"text": [
"The main risk of exposure to depleted uranium is chemical poisoning by uranium oxide"
]
} |
3te22npxpbcv3y240m4ndwl8jad445 | Depleted uranium is also used as a shielding material in some containers used to store and transport radioactive materials. While the metal itself is radioactive, its high density makes it more effective than lead in halting radiation from strong sources such as radium. Other uses of depleted uranium include counterweights for aircraft control surfaces, as ballast for missile re-entry vehicles and as a shielding material. Due to its high density, this material is found in inertial guidance systems and in gyroscopic compasses. Depleted uranium is preferred over similarly dense metals due to its ability to be easily machined and cast as well as its relatively low cost. The main risk of exposure to depleted uranium is chemical poisoning by uranium oxide rather than radioactivity (uranium being only a weak alpha emitter).
The discovery and isolation of radium in uranium ore (pitchblende) by Marie Curie sparked the development of uranium mining to extract the radium, which was used to make glow-in-the-dark paints for clock and aircraft dials. This left a prodigious quantity of uranium as a waste product, since it takes three tonnes of uranium to extract one gram of radium. This waste product was diverted to the glazing industry, making uranium glazes very inexpensive and abundant. Besides the pottery glazes, uranium tile glazes accounted for the bulk of the use, including common bathroom and kitchen tiles which can be produced in green, yellow, mauve, black, blue, red and other colors. | Who discovered radium? | {
"answer_start": [
832
],
"text": [
"The discovery and isolation of radium in uranium ore (pitchblende) by Marie Curie"
]
} |
3te22npxpbcv3y240m4ndwl8jad445 | Depleted uranium is also used as a shielding material in some containers used to store and transport radioactive materials. While the metal itself is radioactive, its high density makes it more effective than lead in halting radiation from strong sources such as radium. Other uses of depleted uranium include counterweights for aircraft control surfaces, as ballast for missile re-entry vehicles and as a shielding material. Due to its high density, this material is found in inertial guidance systems and in gyroscopic compasses. Depleted uranium is preferred over similarly dense metals due to its ability to be easily machined and cast as well as its relatively low cost. The main risk of exposure to depleted uranium is chemical poisoning by uranium oxide rather than radioactivity (uranium being only a weak alpha emitter).
The discovery and isolation of radium in uranium ore (pitchblende) by Marie Curie sparked the development of uranium mining to extract the radium, which was used to make glow-in-the-dark paints for clock and aircraft dials. This left a prodigious quantity of uranium as a waste product, since it takes three tonnes of uranium to extract one gram of radium. This waste product was diverted to the glazing industry, making uranium glazes very inexpensive and abundant. Besides the pottery glazes, uranium tile glazes accounted for the bulk of the use, including common bathroom and kitchen tiles which can be produced in green, yellow, mauve, black, blue, red and other colors. | Radium is a part of what ore? | {
"answer_start": [
863
],
"text": [
"radium in uranium ore "
]
} |
3te22npxpbcv3y240m4ndwl8jad445 | Depleted uranium is also used as a shielding material in some containers used to store and transport radioactive materials. While the metal itself is radioactive, its high density makes it more effective than lead in halting radiation from strong sources such as radium. Other uses of depleted uranium include counterweights for aircraft control surfaces, as ballast for missile re-entry vehicles and as a shielding material. Due to its high density, this material is found in inertial guidance systems and in gyroscopic compasses. Depleted uranium is preferred over similarly dense metals due to its ability to be easily machined and cast as well as its relatively low cost. The main risk of exposure to depleted uranium is chemical poisoning by uranium oxide rather than radioactivity (uranium being only a weak alpha emitter).
The discovery and isolation of radium in uranium ore (pitchblende) by Marie Curie sparked the development of uranium mining to extract the radium, which was used to make glow-in-the-dark paints for clock and aircraft dials. This left a prodigious quantity of uranium as a waste product, since it takes three tonnes of uranium to extract one gram of radium. This waste product was diverted to the glazing industry, making uranium glazes very inexpensive and abundant. Besides the pottery glazes, uranium tile glazes accounted for the bulk of the use, including common bathroom and kitchen tiles which can be produced in green, yellow, mauve, black, blue, red and other colors. | What were the original uses of radium? | {
"answer_start": [
978
],
"text": [
" which was used to make glow-in-the-dark paints for clock and aircraft dials"
]
} |
3te22npxpbcv3y240m4ndwl8jad445 | Depleted uranium is also used as a shielding material in some containers used to store and transport radioactive materials. While the metal itself is radioactive, its high density makes it more effective than lead in halting radiation from strong sources such as radium. Other uses of depleted uranium include counterweights for aircraft control surfaces, as ballast for missile re-entry vehicles and as a shielding material. Due to its high density, this material is found in inertial guidance systems and in gyroscopic compasses. Depleted uranium is preferred over similarly dense metals due to its ability to be easily machined and cast as well as its relatively low cost. The main risk of exposure to depleted uranium is chemical poisoning by uranium oxide rather than radioactivity (uranium being only a weak alpha emitter).
The discovery and isolation of radium in uranium ore (pitchblende) by Marie Curie sparked the development of uranium mining to extract the radium, which was used to make glow-in-the-dark paints for clock and aircraft dials. This left a prodigious quantity of uranium as a waste product, since it takes three tonnes of uranium to extract one gram of radium. This waste product was diverted to the glazing industry, making uranium glazes very inexpensive and abundant. Besides the pottery glazes, uranium tile glazes accounted for the bulk of the use, including common bathroom and kitchen tiles which can be produced in green, yellow, mauve, black, blue, red and other colors. | How much uranium is needed to get a gram of radium? | {
"answer_start": [
1118
],
"text": [
" since it takes three tonnes of uranium to extract one gram of radium. "
]
} |
3te22npxpbcv3y240m4ndwl8jad445 | Depleted uranium is also used as a shielding material in some containers used to store and transport radioactive materials. While the metal itself is radioactive, its high density makes it more effective than lead in halting radiation from strong sources such as radium. Other uses of depleted uranium include counterweights for aircraft control surfaces, as ballast for missile re-entry vehicles and as a shielding material. Due to its high density, this material is found in inertial guidance systems and in gyroscopic compasses. Depleted uranium is preferred over similarly dense metals due to its ability to be easily machined and cast as well as its relatively low cost. The main risk of exposure to depleted uranium is chemical poisoning by uranium oxide rather than radioactivity (uranium being only a weak alpha emitter).
The discovery and isolation of radium in uranium ore (pitchblende) by Marie Curie sparked the development of uranium mining to extract the radium, which was used to make glow-in-the-dark paints for clock and aircraft dials. This left a prodigious quantity of uranium as a waste product, since it takes three tonnes of uranium to extract one gram of radium. This waste product was diverted to the glazing industry, making uranium glazes very inexpensive and abundant. Besides the pottery glazes, uranium tile glazes accounted for the bulk of the use, including common bathroom and kitchen tiles which can be produced in green, yellow, mauve, black, blue, red and other colors. | How is the waste utilized? | {
"answer_start": [
1188
],
"text": [
" This waste product was diverted to the glazing industry, "
]
} |
3te22npxpbcv3y240m4ndwl8jad445 | Depleted uranium is also used as a shielding material in some containers used to store and transport radioactive materials. While the metal itself is radioactive, its high density makes it more effective than lead in halting radiation from strong sources such as radium. Other uses of depleted uranium include counterweights for aircraft control surfaces, as ballast for missile re-entry vehicles and as a shielding material. Due to its high density, this material is found in inertial guidance systems and in gyroscopic compasses. Depleted uranium is preferred over similarly dense metals due to its ability to be easily machined and cast as well as its relatively low cost. The main risk of exposure to depleted uranium is chemical poisoning by uranium oxide rather than radioactivity (uranium being only a weak alpha emitter).
The discovery and isolation of radium in uranium ore (pitchblende) by Marie Curie sparked the development of uranium mining to extract the radium, which was used to make glow-in-the-dark paints for clock and aircraft dials. This left a prodigious quantity of uranium as a waste product, since it takes three tonnes of uranium to extract one gram of radium. This waste product was diverted to the glazing industry, making uranium glazes very inexpensive and abundant. Besides the pottery glazes, uranium tile glazes accounted for the bulk of the use, including common bathroom and kitchen tiles which can be produced in green, yellow, mauve, black, blue, red and other colors. | Is uranium glaze cheap? | {
"answer_start": [
1189
],
"text": [
"This waste product was diverted to the glazing industry, making uranium glazes very inexpensive and abundant."
]
} |
3te22npxpbcv3y240m4ndwl8jad445 | Depleted uranium is also used as a shielding material in some containers used to store and transport radioactive materials. While the metal itself is radioactive, its high density makes it more effective than lead in halting radiation from strong sources such as radium. Other uses of depleted uranium include counterweights for aircraft control surfaces, as ballast for missile re-entry vehicles and as a shielding material. Due to its high density, this material is found in inertial guidance systems and in gyroscopic compasses. Depleted uranium is preferred over similarly dense metals due to its ability to be easily machined and cast as well as its relatively low cost. The main risk of exposure to depleted uranium is chemical poisoning by uranium oxide rather than radioactivity (uranium being only a weak alpha emitter).
The discovery and isolation of radium in uranium ore (pitchblende) by Marie Curie sparked the development of uranium mining to extract the radium, which was used to make glow-in-the-dark paints for clock and aircraft dials. This left a prodigious quantity of uranium as a waste product, since it takes three tonnes of uranium to extract one gram of radium. This waste product was diverted to the glazing industry, making uranium glazes very inexpensive and abundant. Besides the pottery glazes, uranium tile glazes accounted for the bulk of the use, including common bathroom and kitchen tiles which can be produced in green, yellow, mauve, black, blue, red and other colors. | What product is the glazed used upon? | {
"answer_start": [
1325
],
"text": [
", uranium tile glazes accounted for the bulk of the use, including common bathroom and kitchen tiles"
]
} |
3te22npxpbcv3y240m4ndwl8jad445 | Depleted uranium is also used as a shielding material in some containers used to store and transport radioactive materials. While the metal itself is radioactive, its high density makes it more effective than lead in halting radiation from strong sources such as radium. Other uses of depleted uranium include counterweights for aircraft control surfaces, as ballast for missile re-entry vehicles and as a shielding material. Due to its high density, this material is found in inertial guidance systems and in gyroscopic compasses. Depleted uranium is preferred over similarly dense metals due to its ability to be easily machined and cast as well as its relatively low cost. The main risk of exposure to depleted uranium is chemical poisoning by uranium oxide rather than radioactivity (uranium being only a weak alpha emitter).
The discovery and isolation of radium in uranium ore (pitchblende) by Marie Curie sparked the development of uranium mining to extract the radium, which was used to make glow-in-the-dark paints for clock and aircraft dials. This left a prodigious quantity of uranium as a waste product, since it takes three tonnes of uranium to extract one gram of radium. This waste product was diverted to the glazing industry, making uranium glazes very inexpensive and abundant. Besides the pottery glazes, uranium tile glazes accounted for the bulk of the use, including common bathroom and kitchen tiles which can be produced in green, yellow, mauve, black, blue, red and other colors. | In which colors? | {
"answer_start": [
1426
],
"text": [
"which can be produced in green, yellow, mauve, black, blue, red and other colors"
]
} |
3kyqyyshyv7c7nvfchkpuyljde1dow | The phrase "in whole or in part" has been subject to much discussion by scholars of international humanitarian law. The International Criminal Tribunal for the Former Yugoslavia found in Prosecutor v. Radislav Krstic – Trial Chamber I – Judgment – IT-98-33 (2001) ICTY8 (2 August 2001) that Genocide had been committed. In Prosecutor v. Radislav Krstic – Appeals Chamber – Judgment – IT-98-33 (2004) ICTY 7 (19 April 2004) paragraphs 8, 9, 10, and 11 addressed the issue of in part and found that "the part must be a substantial part of that group. The aim of the Genocide Convention is to prevent the intentional destruction of entire human groups, and the part targeted must be significant enough to have an impact on the group as a whole." The Appeals Chamber goes into details of other cases and the opinions of respected commentators on the Genocide Convention to explain how they came to this conclusion. | What is the aim of the Genocide Convention? | {
"answer_start": [
549
],
"text": [
"The aim of the Genocide Convention is to prevent the intentional destruction of entire human groups,"
]
} |
3kyqyyshyv7c7nvfchkpuyljde1dow | The phrase "in whole or in part" has been subject to much discussion by scholars of international humanitarian law. The International Criminal Tribunal for the Former Yugoslavia found in Prosecutor v. Radislav Krstic – Trial Chamber I – Judgment – IT-98-33 (2001) ICTY8 (2 August 2001) that Genocide had been committed. In Prosecutor v. Radislav Krstic – Appeals Chamber – Judgment – IT-98-33 (2004) ICTY 7 (19 April 2004) paragraphs 8, 9, 10, and 11 addressed the issue of in part and found that "the part must be a substantial part of that group. The aim of the Genocide Convention is to prevent the intentional destruction of entire human groups, and the part targeted must be significant enough to have an impact on the group as a whole." The Appeals Chamber goes into details of other cases and the opinions of respected commentators on the Genocide Convention to explain how they came to this conclusion. | Which phrase has been up for much discussion? | {
"answer_start": [
0
],
"text": [
"The phrase \"in whole or in part\" has been subject to much discussion"
]
} |
3kyqyyshyv7c7nvfchkpuyljde1dow | The phrase "in whole or in part" has been subject to much discussion by scholars of international humanitarian law. The International Criminal Tribunal for the Former Yugoslavia found in Prosecutor v. Radislav Krstic – Trial Chamber I – Judgment – IT-98-33 (2001) ICTY8 (2 August 2001) that Genocide had been committed. In Prosecutor v. Radislav Krstic – Appeals Chamber – Judgment – IT-98-33 (2004) ICTY 7 (19 April 2004) paragraphs 8, 9, 10, and 11 addressed the issue of in part and found that "the part must be a substantial part of that group. The aim of the Genocide Convention is to prevent the intentional destruction of entire human groups, and the part targeted must be significant enough to have an impact on the group as a whole." The Appeals Chamber goes into details of other cases and the opinions of respected commentators on the Genocide Convention to explain how they came to this conclusion. | By whom? | {
"answer_start": [
0
],
"text": [
"The phrase \"in whole or in part\" has been subject to much discussion by scholars of international humanitarian law."
]
} |
3kyqyyshyv7c7nvfchkpuyljde1dow | The phrase "in whole or in part" has been subject to much discussion by scholars of international humanitarian law. The International Criminal Tribunal for the Former Yugoslavia found in Prosecutor v. Radislav Krstic – Trial Chamber I – Judgment – IT-98-33 (2001) ICTY8 (2 August 2001) that Genocide had been committed. In Prosecutor v. Radislav Krstic – Appeals Chamber – Judgment – IT-98-33 (2004) ICTY 7 (19 April 2004) paragraphs 8, 9, 10, and 11 addressed the issue of in part and found that "the part must be a substantial part of that group. The aim of the Genocide Convention is to prevent the intentional destruction of entire human groups, and the part targeted must be significant enough to have an impact on the group as a whole." The Appeals Chamber goes into details of other cases and the opinions of respected commentators on the Genocide Convention to explain how they came to this conclusion. | Who found that mass murder had taken place? | {
"answer_start": [
116
],
"text": [
"The International Criminal Tribunal for the Former Yugoslavia found in Prosecutor v. Radislav Krstic – Trial Chamber I – Judgment – IT-98-33 (2001) ICTY8 (2 August 2001) that Genocide had been committed."
]
} |
3kyqyyshyv7c7nvfchkpuyljde1dow | The phrase "in whole or in part" has been subject to much discussion by scholars of international humanitarian law. The International Criminal Tribunal for the Former Yugoslavia found in Prosecutor v. Radislav Krstic – Trial Chamber I – Judgment – IT-98-33 (2001) ICTY8 (2 August 2001) that Genocide had been committed. In Prosecutor v. Radislav Krstic – Appeals Chamber – Judgment – IT-98-33 (2004) ICTY 7 (19 April 2004) paragraphs 8, 9, 10, and 11 addressed the issue of in part and found that "the part must be a substantial part of that group. The aim of the Genocide Convention is to prevent the intentional destruction of entire human groups, and the part targeted must be significant enough to have an impact on the group as a whole." The Appeals Chamber goes into details of other cases and the opinions of respected commentators on the Genocide Convention to explain how they came to this conclusion. | What was the date of the judgement? | {
"answer_start": [
116
],
"text": [
"The International Criminal Tribunal for the Former Yugoslavia found in Prosecutor v. Radislav Krstic – Trial Chamber I – Judgment – IT-98-33 (2001) ICTY8 (2 August 2001) that Genocide had been committed. In Prosecutor v. Radislav Krstic – Appeals Chamber – Judgment – IT-98-33 (2004) ICTY 7 (19 April 2004) "
]
} |
3kyqyyshyv7c7nvfchkpuyljde1dow | The phrase "in whole or in part" has been subject to much discussion by scholars of international humanitarian law. The International Criminal Tribunal for the Former Yugoslavia found in Prosecutor v. Radislav Krstic – Trial Chamber I – Judgment – IT-98-33 (2001) ICTY8 (2 August 2001) that Genocide had been committed. In Prosecutor v. Radislav Krstic – Appeals Chamber – Judgment – IT-98-33 (2004) ICTY 7 (19 April 2004) paragraphs 8, 9, 10, and 11 addressed the issue of in part and found that "the part must be a substantial part of that group. The aim of the Genocide Convention is to prevent the intentional destruction of entire human groups, and the part targeted must be significant enough to have an impact on the group as a whole." The Appeals Chamber goes into details of other cases and the opinions of respected commentators on the Genocide Convention to explain how they came to this conclusion. | Which paragrahs addressed the issue? | {
"answer_start": [
422
],
"text": [
" paragraphs 8, 9, 10, and 11 addressed the issue "
]
} |
3kyqyyshyv7c7nvfchkpuyljde1dow | The phrase "in whole or in part" has been subject to much discussion by scholars of international humanitarian law. The International Criminal Tribunal for the Former Yugoslavia found in Prosecutor v. Radislav Krstic – Trial Chamber I – Judgment – IT-98-33 (2001) ICTY8 (2 August 2001) that Genocide had been committed. In Prosecutor v. Radislav Krstic – Appeals Chamber – Judgment – IT-98-33 (2004) ICTY 7 (19 April 2004) paragraphs 8, 9, 10, and 11 addressed the issue of in part and found that "the part must be a substantial part of that group. The aim of the Genocide Convention is to prevent the intentional destruction of entire human groups, and the part targeted must be significant enough to have an impact on the group as a whole." The Appeals Chamber goes into details of other cases and the opinions of respected commentators on the Genocide Convention to explain how they came to this conclusion. | And what did it find? | {
"answer_start": [
422
],
"text": [
" paragraphs 8, 9, 10, and 11 addressed the issue of in part and found that \"the part must be a substantial part of that group."
]
} |
3kyqyyshyv7c7nvfchkpuyljde1dow | The phrase "in whole or in part" has been subject to much discussion by scholars of international humanitarian law. The International Criminal Tribunal for the Former Yugoslavia found in Prosecutor v. Radislav Krstic – Trial Chamber I – Judgment – IT-98-33 (2001) ICTY8 (2 August 2001) that Genocide had been committed. In Prosecutor v. Radislav Krstic – Appeals Chamber – Judgment – IT-98-33 (2004) ICTY 7 (19 April 2004) paragraphs 8, 9, 10, and 11 addressed the issue of in part and found that "the part must be a substantial part of that group. The aim of the Genocide Convention is to prevent the intentional destruction of entire human groups, and the part targeted must be significant enough to have an impact on the group as a whole." The Appeals Chamber goes into details of other cases and the opinions of respected commentators on the Genocide Convention to explain how they came to this conclusion. | What did Radislav Krstic like to have for dinner? | {
"answer_start": [
-1
],
"text": [
"unknown"
]
} |
3z3zlgnnsiuha76yy56h6uu71bi3q2 | CHAPTER IV
Mrs. Penniman, with more buckles and bangles than ever, came, of course, to the entertainment, accompanied by her niece; the Doctor, too, had promised to look in later in the evening. There was to be a good deal of dancing, and before it had gone very far, Marian Almond came up to Catherine, in company with a tall young man. She introduced the young man as a person who had a great desire to make our heroine's acquaintance, and as a cousin of Arthur Townsend, her own intended.
Marian Almond was a pretty little person of seventeen, with a very small figure and a very big sash, to the elegance of whose manners matrimony had nothing to add. She already had all the airs of a hostess, receiving the company, shaking her fan, saying that with so many people to attend to she should have no time to dance. She made a long speech about Mr. Townsend's cousin, to whom she administered a tap with her fan before turning away to other cares. Catherine had not understood all that she said; her attention was given to enjoying Marian's ease of manner and flow of ideas, and to looking at the young man, who was remarkably handsome. She had succeeded, however, as she often failed to do when people were presented to her, in catching his name, which appeared to be the same as that of Marian's little stockbroker. Catherine was always agitated by an introduction; it seemed a difficult moment, and she wondered that some people--her new acquaintance at this moment, for instance-- should mind it so little. She wondered what she ought to say, and what would be the consequences of her saying nothing. The consequences at present were very agreeable. Mr. Townsend, leaving her no time for embarrassment, began to talk with an easy smile, as if he had known her for a year. | Who had buckles and bangles? | {
"answer_start": [
15
],
"text": [
"Mrs. Penniman"
]
} |
3z3zlgnnsiuha76yy56h6uu71bi3q2 | CHAPTER IV
Mrs. Penniman, with more buckles and bangles than ever, came, of course, to the entertainment, accompanied by her niece; the Doctor, too, had promised to look in later in the evening. There was to be a good deal of dancing, and before it had gone very far, Marian Almond came up to Catherine, in company with a tall young man. She introduced the young man as a person who had a great desire to make our heroine's acquaintance, and as a cousin of Arthur Townsend, her own intended.
Marian Almond was a pretty little person of seventeen, with a very small figure and a very big sash, to the elegance of whose manners matrimony had nothing to add. She already had all the airs of a hostess, receiving the company, shaking her fan, saying that with so many people to attend to she should have no time to dance. She made a long speech about Mr. Townsend's cousin, to whom she administered a tap with her fan before turning away to other cares. Catherine had not understood all that she said; her attention was given to enjoying Marian's ease of manner and flow of ideas, and to looking at the young man, who was remarkably handsome. She had succeeded, however, as she often failed to do when people were presented to her, in catching his name, which appeared to be the same as that of Marian's little stockbroker. Catherine was always agitated by an introduction; it seemed a difficult moment, and she wondered that some people--her new acquaintance at this moment, for instance-- should mind it so little. She wondered what she ought to say, and what would be the consequences of her saying nothing. The consequences at present were very agreeable. Mr. Townsend, leaving her no time for embarrassment, began to talk with an easy smile, as if he had known her for a year. | who went with her to the entertainment? | {
"answer_start": [
125
],
"text": [
"her niece"
]
} |
3z3zlgnnsiuha76yy56h6uu71bi3q2 | CHAPTER IV
Mrs. Penniman, with more buckles and bangles than ever, came, of course, to the entertainment, accompanied by her niece; the Doctor, too, had promised to look in later in the evening. There was to be a good deal of dancing, and before it had gone very far, Marian Almond came up to Catherine, in company with a tall young man. She introduced the young man as a person who had a great desire to make our heroine's acquaintance, and as a cousin of Arthur Townsend, her own intended.
Marian Almond was a pretty little person of seventeen, with a very small figure and a very big sash, to the elegance of whose manners matrimony had nothing to add. She already had all the airs of a hostess, receiving the company, shaking her fan, saying that with so many people to attend to she should have no time to dance. She made a long speech about Mr. Townsend's cousin, to whom she administered a tap with her fan before turning away to other cares. Catherine had not understood all that she said; her attention was given to enjoying Marian's ease of manner and flow of ideas, and to looking at the young man, who was remarkably handsome. She had succeeded, however, as she often failed to do when people were presented to her, in catching his name, which appeared to be the same as that of Marian's little stockbroker. Catherine was always agitated by an introduction; it seemed a difficult moment, and she wondered that some people--her new acquaintance at this moment, for instance-- should mind it so little. She wondered what she ought to say, and what would be the consequences of her saying nothing. The consequences at present were very agreeable. Mr. Townsend, leaving her no time for embarrassment, began to talk with an easy smile, as if he had known her for a year. | Who was expected to come? | {
"answer_start": [
136
],
"text": [
"the Doctor"
]
} |
3z3zlgnnsiuha76yy56h6uu71bi3q2 | CHAPTER IV
Mrs. Penniman, with more buckles and bangles than ever, came, of course, to the entertainment, accompanied by her niece; the Doctor, too, had promised to look in later in the evening. There was to be a good deal of dancing, and before it had gone very far, Marian Almond came up to Catherine, in company with a tall young man. She introduced the young man as a person who had a great desire to make our heroine's acquaintance, and as a cousin of Arthur Townsend, her own intended.
Marian Almond was a pretty little person of seventeen, with a very small figure and a very big sash, to the elegance of whose manners matrimony had nothing to add. She already had all the airs of a hostess, receiving the company, shaking her fan, saying that with so many people to attend to she should have no time to dance. She made a long speech about Mr. Townsend's cousin, to whom she administered a tap with her fan before turning away to other cares. Catherine had not understood all that she said; her attention was given to enjoying Marian's ease of manner and flow of ideas, and to looking at the young man, who was remarkably handsome. She had succeeded, however, as she often failed to do when people were presented to her, in catching his name, which appeared to be the same as that of Marian's little stockbroker. Catherine was always agitated by an introduction; it seemed a difficult moment, and she wondered that some people--her new acquaintance at this moment, for instance-- should mind it so little. She wondered what she ought to say, and what would be the consequences of her saying nothing. The consequences at present were very agreeable. Mr. Townsend, leaving her no time for embarrassment, began to talk with an easy smile, as if he had known her for a year. | Was they going to dance? | {
"answer_start": [
205
],
"text": [
"was to be a good deal of dancing"
]
} |
3z3zlgnnsiuha76yy56h6uu71bi3q2 | CHAPTER IV
Mrs. Penniman, with more buckles and bangles than ever, came, of course, to the entertainment, accompanied by her niece; the Doctor, too, had promised to look in later in the evening. There was to be a good deal of dancing, and before it had gone very far, Marian Almond came up to Catherine, in company with a tall young man. She introduced the young man as a person who had a great desire to make our heroine's acquaintance, and as a cousin of Arthur Townsend, her own intended.
Marian Almond was a pretty little person of seventeen, with a very small figure and a very big sash, to the elegance of whose manners matrimony had nothing to add. She already had all the airs of a hostess, receiving the company, shaking her fan, saying that with so many people to attend to she should have no time to dance. She made a long speech about Mr. Townsend's cousin, to whom she administered a tap with her fan before turning away to other cares. Catherine had not understood all that she said; her attention was given to enjoying Marian's ease of manner and flow of ideas, and to looking at the young man, who was remarkably handsome. She had succeeded, however, as she often failed to do when people were presented to her, in catching his name, which appeared to be the same as that of Marian's little stockbroker. Catherine was always agitated by an introduction; it seemed a difficult moment, and she wondered that some people--her new acquaintance at this moment, for instance-- should mind it so little. She wondered what she ought to say, and what would be the consequences of her saying nothing. The consequences at present were very agreeable. Mr. Townsend, leaving her no time for embarrassment, began to talk with an easy smile, as if he had known her for a year. | who came up to Catherine? | {
"answer_start": [
272
],
"text": [
"Marian Almond"
]
} |
3z3zlgnnsiuha76yy56h6uu71bi3q2 | CHAPTER IV
Mrs. Penniman, with more buckles and bangles than ever, came, of course, to the entertainment, accompanied by her niece; the Doctor, too, had promised to look in later in the evening. There was to be a good deal of dancing, and before it had gone very far, Marian Almond came up to Catherine, in company with a tall young man. She introduced the young man as a person who had a great desire to make our heroine's acquaintance, and as a cousin of Arthur Townsend, her own intended.
Marian Almond was a pretty little person of seventeen, with a very small figure and a very big sash, to the elegance of whose manners matrimony had nothing to add. She already had all the airs of a hostess, receiving the company, shaking her fan, saying that with so many people to attend to she should have no time to dance. She made a long speech about Mr. Townsend's cousin, to whom she administered a tap with her fan before turning away to other cares. Catherine had not understood all that she said; her attention was given to enjoying Marian's ease of manner and flow of ideas, and to looking at the young man, who was remarkably handsome. She had succeeded, however, as she often failed to do when people were presented to her, in catching his name, which appeared to be the same as that of Marian's little stockbroker. Catherine was always agitated by an introduction; it seemed a difficult moment, and she wondered that some people--her new acquaintance at this moment, for instance-- should mind it so little. She wondered what she ought to say, and what would be the consequences of her saying nothing. The consequences at present were very agreeable. Mr. Townsend, leaving her no time for embarrassment, began to talk with an easy smile, as if he had known her for a year. | Was she alone? | {
"answer_start": [
308
],
"text": [
"in company with a tall young man"
]
} |
3z3zlgnnsiuha76yy56h6uu71bi3q2 | CHAPTER IV
Mrs. Penniman, with more buckles and bangles than ever, came, of course, to the entertainment, accompanied by her niece; the Doctor, too, had promised to look in later in the evening. There was to be a good deal of dancing, and before it had gone very far, Marian Almond came up to Catherine, in company with a tall young man. She introduced the young man as a person who had a great desire to make our heroine's acquaintance, and as a cousin of Arthur Townsend, her own intended.
Marian Almond was a pretty little person of seventeen, with a very small figure and a very big sash, to the elegance of whose manners matrimony had nothing to add. She already had all the airs of a hostess, receiving the company, shaking her fan, saying that with so many people to attend to she should have no time to dance. She made a long speech about Mr. Townsend's cousin, to whom she administered a tap with her fan before turning away to other cares. Catherine had not understood all that she said; her attention was given to enjoying Marian's ease of manner and flow of ideas, and to looking at the young man, who was remarkably handsome. She had succeeded, however, as she often failed to do when people were presented to her, in catching his name, which appeared to be the same as that of Marian's little stockbroker. Catherine was always agitated by an introduction; it seemed a difficult moment, and she wondered that some people--her new acquaintance at this moment, for instance-- should mind it so little. She wondered what she ought to say, and what would be the consequences of her saying nothing. The consequences at present were very agreeable. Mr. Townsend, leaving her no time for embarrassment, began to talk with an easy smile, as if he had known her for a year. | how old was Almond? | {
"answer_start": [
542
],
"text": [
"seventeen"
]
} |
3z3zlgnnsiuha76yy56h6uu71bi3q2 | CHAPTER IV
Mrs. Penniman, with more buckles and bangles than ever, came, of course, to the entertainment, accompanied by her niece; the Doctor, too, had promised to look in later in the evening. There was to be a good deal of dancing, and before it had gone very far, Marian Almond came up to Catherine, in company with a tall young man. She introduced the young man as a person who had a great desire to make our heroine's acquaintance, and as a cousin of Arthur Townsend, her own intended.
Marian Almond was a pretty little person of seventeen, with a very small figure and a very big sash, to the elegance of whose manners matrimony had nothing to add. She already had all the airs of a hostess, receiving the company, shaking her fan, saying that with so many people to attend to she should have no time to dance. She made a long speech about Mr. Townsend's cousin, to whom she administered a tap with her fan before turning away to other cares. Catherine had not understood all that she said; her attention was given to enjoying Marian's ease of manner and flow of ideas, and to looking at the young man, who was remarkably handsome. She had succeeded, however, as she often failed to do when people were presented to her, in catching his name, which appeared to be the same as that of Marian's little stockbroker. Catherine was always agitated by an introduction; it seemed a difficult moment, and she wondered that some people--her new acquaintance at this moment, for instance-- should mind it so little. She wondered what she ought to say, and what would be the consequences of her saying nothing. The consequences at present were very agreeable. Mr. Townsend, leaving her no time for embarrassment, began to talk with an easy smile, as if he had known her for a year. | Was she overeweight? | {
"answer_start": [
558
],
"text": [
"a very small figure"
]
} |
3z3zlgnnsiuha76yy56h6uu71bi3q2 | CHAPTER IV
Mrs. Penniman, with more buckles and bangles than ever, came, of course, to the entertainment, accompanied by her niece; the Doctor, too, had promised to look in later in the evening. There was to be a good deal of dancing, and before it had gone very far, Marian Almond came up to Catherine, in company with a tall young man. She introduced the young man as a person who had a great desire to make our heroine's acquaintance, and as a cousin of Arthur Townsend, her own intended.
Marian Almond was a pretty little person of seventeen, with a very small figure and a very big sash, to the elegance of whose manners matrimony had nothing to add. She already had all the airs of a hostess, receiving the company, shaking her fan, saying that with so many people to attend to she should have no time to dance. She made a long speech about Mr. Townsend's cousin, to whom she administered a tap with her fan before turning away to other cares. Catherine had not understood all that she said; her attention was given to enjoying Marian's ease of manner and flow of ideas, and to looking at the young man, who was remarkably handsome. She had succeeded, however, as she often failed to do when people were presented to her, in catching his name, which appeared to be the same as that of Marian's little stockbroker. Catherine was always agitated by an introduction; it seemed a difficult moment, and she wondered that some people--her new acquaintance at this moment, for instance-- should mind it so little. She wondered what she ought to say, and what would be the consequences of her saying nothing. The consequences at present were very agreeable. Mr. Townsend, leaving her no time for embarrassment, began to talk with an easy smile, as if he had known her for a year. | What did she have the airs of? | {
"answer_start": [
694
],
"text": [
"a hostess"
]
} |
3z3zlgnnsiuha76yy56h6uu71bi3q2 | CHAPTER IV
Mrs. Penniman, with more buckles and bangles than ever, came, of course, to the entertainment, accompanied by her niece; the Doctor, too, had promised to look in later in the evening. There was to be a good deal of dancing, and before it had gone very far, Marian Almond came up to Catherine, in company with a tall young man. She introduced the young man as a person who had a great desire to make our heroine's acquaintance, and as a cousin of Arthur Townsend, her own intended.
Marian Almond was a pretty little person of seventeen, with a very small figure and a very big sash, to the elegance of whose manners matrimony had nothing to add. She already had all the airs of a hostess, receiving the company, shaking her fan, saying that with so many people to attend to she should have no time to dance. She made a long speech about Mr. Townsend's cousin, to whom she administered a tap with her fan before turning away to other cares. Catherine had not understood all that she said; her attention was given to enjoying Marian's ease of manner and flow of ideas, and to looking at the young man, who was remarkably handsome. She had succeeded, however, as she often failed to do when people were presented to her, in catching his name, which appeared to be the same as that of Marian's little stockbroker. Catherine was always agitated by an introduction; it seemed a difficult moment, and she wondered that some people--her new acquaintance at this moment, for instance-- should mind it so little. She wondered what she ought to say, and what would be the consequences of her saying nothing. The consequences at present were very agreeable. Mr. Townsend, leaving her no time for embarrassment, began to talk with an easy smile, as if he had known her for a year. | what was one thing she did as a hostess? | {
"answer_start": [
705
],
"text": [
"receiving the company"
]
} |
3z3zlgnnsiuha76yy56h6uu71bi3q2 | CHAPTER IV
Mrs. Penniman, with more buckles and bangles than ever, came, of course, to the entertainment, accompanied by her niece; the Doctor, too, had promised to look in later in the evening. There was to be a good deal of dancing, and before it had gone very far, Marian Almond came up to Catherine, in company with a tall young man. She introduced the young man as a person who had a great desire to make our heroine's acquaintance, and as a cousin of Arthur Townsend, her own intended.
Marian Almond was a pretty little person of seventeen, with a very small figure and a very big sash, to the elegance of whose manners matrimony had nothing to add. She already had all the airs of a hostess, receiving the company, shaking her fan, saying that with so many people to attend to she should have no time to dance. She made a long speech about Mr. Townsend's cousin, to whom she administered a tap with her fan before turning away to other cares. Catherine had not understood all that she said; her attention was given to enjoying Marian's ease of manner and flow of ideas, and to looking at the young man, who was remarkably handsome. She had succeeded, however, as she often failed to do when people were presented to her, in catching his name, which appeared to be the same as that of Marian's little stockbroker. Catherine was always agitated by an introduction; it seemed a difficult moment, and she wondered that some people--her new acquaintance at this moment, for instance-- should mind it so little. She wondered what she ought to say, and what would be the consequences of her saying nothing. The consequences at present were very agreeable. Mr. Townsend, leaving her no time for embarrassment, began to talk with an easy smile, as if he had known her for a year. | What was she shaking? | {
"answer_start": [
736
],
"text": [
"her fan"
]
} |
3z3zlgnnsiuha76yy56h6uu71bi3q2 | CHAPTER IV
Mrs. Penniman, with more buckles and bangles than ever, came, of course, to the entertainment, accompanied by her niece; the Doctor, too, had promised to look in later in the evening. There was to be a good deal of dancing, and before it had gone very far, Marian Almond came up to Catherine, in company with a tall young man. She introduced the young man as a person who had a great desire to make our heroine's acquaintance, and as a cousin of Arthur Townsend, her own intended.
Marian Almond was a pretty little person of seventeen, with a very small figure and a very big sash, to the elegance of whose manners matrimony had nothing to add. She already had all the airs of a hostess, receiving the company, shaking her fan, saying that with so many people to attend to she should have no time to dance. She made a long speech about Mr. Townsend's cousin, to whom she administered a tap with her fan before turning away to other cares. Catherine had not understood all that she said; her attention was given to enjoying Marian's ease of manner and flow of ideas, and to looking at the young man, who was remarkably handsome. She had succeeded, however, as she often failed to do when people were presented to her, in catching his name, which appeared to be the same as that of Marian's little stockbroker. Catherine was always agitated by an introduction; it seemed a difficult moment, and she wondered that some people--her new acquaintance at this moment, for instance-- should mind it so little. She wondered what she ought to say, and what would be the consequences of her saying nothing. The consequences at present were very agreeable. Mr. Townsend, leaving her no time for embarrassment, began to talk with an easy smile, as if he had known her for a year. | Was she goinng to dance? | {
"answer_start": [
790
],
"text": [
"she should have no time to dance"
]
} |
3z3zlgnnsiuha76yy56h6uu71bi3q2 | CHAPTER IV
Mrs. Penniman, with more buckles and bangles than ever, came, of course, to the entertainment, accompanied by her niece; the Doctor, too, had promised to look in later in the evening. There was to be a good deal of dancing, and before it had gone very far, Marian Almond came up to Catherine, in company with a tall young man. She introduced the young man as a person who had a great desire to make our heroine's acquaintance, and as a cousin of Arthur Townsend, her own intended.
Marian Almond was a pretty little person of seventeen, with a very small figure and a very big sash, to the elegance of whose manners matrimony had nothing to add. She already had all the airs of a hostess, receiving the company, shaking her fan, saying that with so many people to attend to she should have no time to dance. She made a long speech about Mr. Townsend's cousin, to whom she administered a tap with her fan before turning away to other cares. Catherine had not understood all that she said; her attention was given to enjoying Marian's ease of manner and flow of ideas, and to looking at the young man, who was remarkably handsome. She had succeeded, however, as she often failed to do when people were presented to her, in catching his name, which appeared to be the same as that of Marian's little stockbroker. Catherine was always agitated by an introduction; it seemed a difficult moment, and she wondered that some people--her new acquaintance at this moment, for instance-- should mind it so little. She wondered what she ought to say, and what would be the consequences of her saying nothing. The consequences at present were very agreeable. Mr. Townsend, leaving her no time for embarrassment, began to talk with an easy smile, as if he had known her for a year. | Did she make a short speech? | {
"answer_start": [
832
],
"text": [
" a long speech "
]
} |
3z3zlgnnsiuha76yy56h6uu71bi3q2 | CHAPTER IV
Mrs. Penniman, with more buckles and bangles than ever, came, of course, to the entertainment, accompanied by her niece; the Doctor, too, had promised to look in later in the evening. There was to be a good deal of dancing, and before it had gone very far, Marian Almond came up to Catherine, in company with a tall young man. She introduced the young man as a person who had a great desire to make our heroine's acquaintance, and as a cousin of Arthur Townsend, her own intended.
Marian Almond was a pretty little person of seventeen, with a very small figure and a very big sash, to the elegance of whose manners matrimony had nothing to add. She already had all the airs of a hostess, receiving the company, shaking her fan, saying that with so many people to attend to she should have no time to dance. She made a long speech about Mr. Townsend's cousin, to whom she administered a tap with her fan before turning away to other cares. Catherine had not understood all that she said; her attention was given to enjoying Marian's ease of manner and flow of ideas, and to looking at the young man, who was remarkably handsome. She had succeeded, however, as she often failed to do when people were presented to her, in catching his name, which appeared to be the same as that of Marian's little stockbroker. Catherine was always agitated by an introduction; it seemed a difficult moment, and she wondered that some people--her new acquaintance at this moment, for instance-- should mind it so little. She wondered what she ought to say, and what would be the consequences of her saying nothing. The consequences at present were very agreeable. Mr. Townsend, leaving her no time for embarrassment, began to talk with an easy smile, as if he had known her for a year. | Who was the speech about? | {
"answer_start": [
853
],
"text": [
"Mr. Townsend's cousin"
]
} |
3z3zlgnnsiuha76yy56h6uu71bi3q2 | CHAPTER IV
Mrs. Penniman, with more buckles and bangles than ever, came, of course, to the entertainment, accompanied by her niece; the Doctor, too, had promised to look in later in the evening. There was to be a good deal of dancing, and before it had gone very far, Marian Almond came up to Catherine, in company with a tall young man. She introduced the young man as a person who had a great desire to make our heroine's acquaintance, and as a cousin of Arthur Townsend, her own intended.
Marian Almond was a pretty little person of seventeen, with a very small figure and a very big sash, to the elegance of whose manners matrimony had nothing to add. She already had all the airs of a hostess, receiving the company, shaking her fan, saying that with so many people to attend to she should have no time to dance. She made a long speech about Mr. Townsend's cousin, to whom she administered a tap with her fan before turning away to other cares. Catherine had not understood all that she said; her attention was given to enjoying Marian's ease of manner and flow of ideas, and to looking at the young man, who was remarkably handsome. She had succeeded, however, as she often failed to do when people were presented to her, in catching his name, which appeared to be the same as that of Marian's little stockbroker. Catherine was always agitated by an introduction; it seemed a difficult moment, and she wondered that some people--her new acquaintance at this moment, for instance-- should mind it so little. She wondered what she ought to say, and what would be the consequences of her saying nothing. The consequences at present were very agreeable. Mr. Townsend, leaving her no time for embarrassment, began to talk with an easy smile, as if he had known her for a year. | Who was Catherine paying attention to? | {
"answer_start": [
1039
],
"text": [
" Marian"
]
} |
3z3zlgnnsiuha76yy56h6uu71bi3q2 | CHAPTER IV
Mrs. Penniman, with more buckles and bangles than ever, came, of course, to the entertainment, accompanied by her niece; the Doctor, too, had promised to look in later in the evening. There was to be a good deal of dancing, and before it had gone very far, Marian Almond came up to Catherine, in company with a tall young man. She introduced the young man as a person who had a great desire to make our heroine's acquaintance, and as a cousin of Arthur Townsend, her own intended.
Marian Almond was a pretty little person of seventeen, with a very small figure and a very big sash, to the elegance of whose manners matrimony had nothing to add. She already had all the airs of a hostess, receiving the company, shaking her fan, saying that with so many people to attend to she should have no time to dance. She made a long speech about Mr. Townsend's cousin, to whom she administered a tap with her fan before turning away to other cares. Catherine had not understood all that she said; her attention was given to enjoying Marian's ease of manner and flow of ideas, and to looking at the young man, who was remarkably handsome. She had succeeded, however, as she often failed to do when people were presented to her, in catching his name, which appeared to be the same as that of Marian's little stockbroker. Catherine was always agitated by an introduction; it seemed a difficult moment, and she wondered that some people--her new acquaintance at this moment, for instance-- should mind it so little. She wondered what she ought to say, and what would be the consequences of her saying nothing. The consequences at present were very agreeable. Mr. Townsend, leaving her no time for embarrassment, began to talk with an easy smile, as if he had known her for a year. | was the man ugly? | {
"answer_start": [
1116
],
"text": [
"who was remarkably handsome"
]
} |
3z3zlgnnsiuha76yy56h6uu71bi3q2 | CHAPTER IV
Mrs. Penniman, with more buckles and bangles than ever, came, of course, to the entertainment, accompanied by her niece; the Doctor, too, had promised to look in later in the evening. There was to be a good deal of dancing, and before it had gone very far, Marian Almond came up to Catherine, in company with a tall young man. She introduced the young man as a person who had a great desire to make our heroine's acquaintance, and as a cousin of Arthur Townsend, her own intended.
Marian Almond was a pretty little person of seventeen, with a very small figure and a very big sash, to the elegance of whose manners matrimony had nothing to add. She already had all the airs of a hostess, receiving the company, shaking her fan, saying that with so many people to attend to she should have no time to dance. She made a long speech about Mr. Townsend's cousin, to whom she administered a tap with her fan before turning away to other cares. Catherine had not understood all that she said; her attention was given to enjoying Marian's ease of manner and flow of ideas, and to looking at the young man, who was remarkably handsome. She had succeeded, however, as she often failed to do when people were presented to her, in catching his name, which appeared to be the same as that of Marian's little stockbroker. Catherine was always agitated by an introduction; it seemed a difficult moment, and she wondered that some people--her new acquaintance at this moment, for instance-- should mind it so little. She wondered what she ought to say, and what would be the consequences of her saying nothing. The consequences at present were very agreeable. Mr. Townsend, leaving her no time for embarrassment, began to talk with an easy smile, as if he had known her for a year. | who had the same name? | {
"answer_start": [
1296
],
"text": [
" Marian's little stockbroker"
]
} |
3z3zlgnnsiuha76yy56h6uu71bi3q2 | CHAPTER IV
Mrs. Penniman, with more buckles and bangles than ever, came, of course, to the entertainment, accompanied by her niece; the Doctor, too, had promised to look in later in the evening. There was to be a good deal of dancing, and before it had gone very far, Marian Almond came up to Catherine, in company with a tall young man. She introduced the young man as a person who had a great desire to make our heroine's acquaintance, and as a cousin of Arthur Townsend, her own intended.
Marian Almond was a pretty little person of seventeen, with a very small figure and a very big sash, to the elegance of whose manners matrimony had nothing to add. She already had all the airs of a hostess, receiving the company, shaking her fan, saying that with so many people to attend to she should have no time to dance. She made a long speech about Mr. Townsend's cousin, to whom she administered a tap with her fan before turning away to other cares. Catherine had not understood all that she said; her attention was given to enjoying Marian's ease of manner and flow of ideas, and to looking at the young man, who was remarkably handsome. She had succeeded, however, as she often failed to do when people were presented to her, in catching his name, which appeared to be the same as that of Marian's little stockbroker. Catherine was always agitated by an introduction; it seemed a difficult moment, and she wondered that some people--her new acquaintance at this moment, for instance-- should mind it so little. She wondered what she ought to say, and what would be the consequences of her saying nothing. The consequences at present were very agreeable. Mr. Townsend, leaving her no time for embarrassment, began to talk with an easy smile, as if he had known her for a year. | How did Catherine feel about introductions? | {
"answer_start": [
1375
],
"text": [
" it seemed a difficult moment"
]
} |
3z3zlgnnsiuha76yy56h6uu71bi3q2 | CHAPTER IV
Mrs. Penniman, with more buckles and bangles than ever, came, of course, to the entertainment, accompanied by her niece; the Doctor, too, had promised to look in later in the evening. There was to be a good deal of dancing, and before it had gone very far, Marian Almond came up to Catherine, in company with a tall young man. She introduced the young man as a person who had a great desire to make our heroine's acquaintance, and as a cousin of Arthur Townsend, her own intended.
Marian Almond was a pretty little person of seventeen, with a very small figure and a very big sash, to the elegance of whose manners matrimony had nothing to add. She already had all the airs of a hostess, receiving the company, shaking her fan, saying that with so many people to attend to she should have no time to dance. She made a long speech about Mr. Townsend's cousin, to whom she administered a tap with her fan before turning away to other cares. Catherine had not understood all that she said; her attention was given to enjoying Marian's ease of manner and flow of ideas, and to looking at the young man, who was remarkably handsome. She had succeeded, however, as she often failed to do when people were presented to her, in catching his name, which appeared to be the same as that of Marian's little stockbroker. Catherine was always agitated by an introduction; it seemed a difficult moment, and she wondered that some people--her new acquaintance at this moment, for instance-- should mind it so little. She wondered what she ought to say, and what would be the consequences of her saying nothing. The consequences at present were very agreeable. Mr. Townsend, leaving her no time for embarrassment, began to talk with an easy smile, as if he had known her for a year. | Did she know what she would say? | {
"answer_start": [
1519
],
"text": [
"She wondered what she ought to say"
]
} |
3z3zlgnnsiuha76yy56h6uu71bi3q2 | CHAPTER IV
Mrs. Penniman, with more buckles and bangles than ever, came, of course, to the entertainment, accompanied by her niece; the Doctor, too, had promised to look in later in the evening. There was to be a good deal of dancing, and before it had gone very far, Marian Almond came up to Catherine, in company with a tall young man. She introduced the young man as a person who had a great desire to make our heroine's acquaintance, and as a cousin of Arthur Townsend, her own intended.
Marian Almond was a pretty little person of seventeen, with a very small figure and a very big sash, to the elegance of whose manners matrimony had nothing to add. She already had all the airs of a hostess, receiving the company, shaking her fan, saying that with so many people to attend to she should have no time to dance. She made a long speech about Mr. Townsend's cousin, to whom she administered a tap with her fan before turning away to other cares. Catherine had not understood all that she said; her attention was given to enjoying Marian's ease of manner and flow of ideas, and to looking at the young man, who was remarkably handsome. She had succeeded, however, as she often failed to do when people were presented to her, in catching his name, which appeared to be the same as that of Marian's little stockbroker. Catherine was always agitated by an introduction; it seemed a difficult moment, and she wondered that some people--her new acquaintance at this moment, for instance-- should mind it so little. She wondered what she ought to say, and what would be the consequences of her saying nothing. The consequences at present were very agreeable. Mr. Townsend, leaving her no time for embarrassment, began to talk with an easy smile, as if he had known her for a year. | Did she consider saying nothing? | {
"answer_start": [
1555
],
"text": [
"and what would be the consequences of her saying nothing"
]
} |
3kopy89hm820ok2l3fm89tilm313jv | Long long ago, there lived two girls named Emily and Tina. Both of them had long black hair and blue eyes. One day while they were playing in the back yard , Emily heard a tinkling sound. She jumped up. "Listen," she told her twin. They listened. The noise came again. This time Tina heard it. She sat up. "It came from over there," She whispered, looking at the zinnias far away. They came near to find it out. Then something flew out, making the same tinkling sound they had heard before. The children looked at one another. "Was it a bee?" asked Tina. "I don't think so," replied Emily. "Do bees make a sound like bells?" "Let's call it the Tinkle Bee anyway," said Tina. Emily nodded, listening with a little difficulty. What had made that noise? The next day, Emily and Tina brought their cookies outside. Tina took her plate by the zinnias. Suddenly she caught something. "Emily!" she called. "I've got the Tinkle Bee!" Emily rushed over. They sat down on the grass. Tina opened her hand very carefully. There was that sound! Something was shining in Tina's hand. They smiled. Then Emily cried, "It's a fairy !" Tina looked down at it in her hand. It looked like a girl. A _ girl with wings! Tina dropped it before she noticed that a wing was torn . The little fairy could not fly away so she took a piece of grass out of the ground and sat on it. Emily and Tina were surprised at what they saw. The fairy turned to Emily and said, "Hello, I am Marabella." Then she said again, "Marabella the Fairy." Emily smiled. "I'm Emily," she said. Tina said, "I'm Tina. Are you really a fairy?" "Oh, yes!" replied Marabella. "I've always been a fairy." | What made a tinkling sound? | {
"answer_start": [
1101
],
"text": [
"\"It's a fairy !\""
]
} |
3kopy89hm820ok2l3fm89tilm313jv | Long long ago, there lived two girls named Emily and Tina. Both of them had long black hair and blue eyes. One day while they were playing in the back yard , Emily heard a tinkling sound. She jumped up. "Listen," she told her twin. They listened. The noise came again. This time Tina heard it. She sat up. "It came from over there," She whispered, looking at the zinnias far away. They came near to find it out. Then something flew out, making the same tinkling sound they had heard before. The children looked at one another. "Was it a bee?" asked Tina. "I don't think so," replied Emily. "Do bees make a sound like bells?" "Let's call it the Tinkle Bee anyway," said Tina. Emily nodded, listening with a little difficulty. What had made that noise? The next day, Emily and Tina brought their cookies outside. Tina took her plate by the zinnias. Suddenly she caught something. "Emily!" she called. "I've got the Tinkle Bee!" Emily rushed over. They sat down on the grass. Tina opened her hand very carefully. There was that sound! Something was shining in Tina's hand. They smiled. Then Emily cried, "It's a fairy !" Tina looked down at it in her hand. It looked like a girl. A _ girl with wings! Tina dropped it before she noticed that a wing was torn . The little fairy could not fly away so she took a piece of grass out of the ground and sat on it. Emily and Tina were surprised at what they saw. The fairy turned to Emily and said, "Hello, I am Marabella." Then she said again, "Marabella the Fairy." Emily smiled. "I'm Emily," she said. Tina said, "I'm Tina. Are you really a fairy?" "Oh, yes!" replied Marabella. "I've always been a fairy." | What was the fairy's name? | {
"answer_start": [
1439
],
"text": [
"Hello, I am Marabella."
]
} |
3kopy89hm820ok2l3fm89tilm313jv | Long long ago, there lived two girls named Emily and Tina. Both of them had long black hair and blue eyes. One day while they were playing in the back yard , Emily heard a tinkling sound. She jumped up. "Listen," she told her twin. They listened. The noise came again. This time Tina heard it. She sat up. "It came from over there," She whispered, looking at the zinnias far away. They came near to find it out. Then something flew out, making the same tinkling sound they had heard before. The children looked at one another. "Was it a bee?" asked Tina. "I don't think so," replied Emily. "Do bees make a sound like bells?" "Let's call it the Tinkle Bee anyway," said Tina. Emily nodded, listening with a little difficulty. What had made that noise? The next day, Emily and Tina brought their cookies outside. Tina took her plate by the zinnias. Suddenly she caught something. "Emily!" she called. "I've got the Tinkle Bee!" Emily rushed over. They sat down on the grass. Tina opened her hand very carefully. There was that sound! Something was shining in Tina's hand. They smiled. Then Emily cried, "It's a fairy !" Tina looked down at it in her hand. It looked like a girl. A _ girl with wings! Tina dropped it before she noticed that a wing was torn . The little fairy could not fly away so she took a piece of grass out of the ground and sat on it. Emily and Tina were surprised at what they saw. The fairy turned to Emily and said, "Hello, I am Marabella." Then she said again, "Marabella the Fairy." Emily smiled. "I'm Emily," she said. Tina said, "I'm Tina. Are you really a fairy?" "Oh, yes!" replied Marabella. "I've always been a fairy." | What did Tina and Emily have in common? | {
"answer_start": [
58
],
"text": [
" Both of them had long black hair and blue eyes."
]
} |
3kopy89hm820ok2l3fm89tilm313jv | Long long ago, there lived two girls named Emily and Tina. Both of them had long black hair and blue eyes. One day while they were playing in the back yard , Emily heard a tinkling sound. She jumped up. "Listen," she told her twin. They listened. The noise came again. This time Tina heard it. She sat up. "It came from over there," She whispered, looking at the zinnias far away. They came near to find it out. Then something flew out, making the same tinkling sound they had heard before. The children looked at one another. "Was it a bee?" asked Tina. "I don't think so," replied Emily. "Do bees make a sound like bells?" "Let's call it the Tinkle Bee anyway," said Tina. Emily nodded, listening with a little difficulty. What had made that noise? The next day, Emily and Tina brought their cookies outside. Tina took her plate by the zinnias. Suddenly she caught something. "Emily!" she called. "I've got the Tinkle Bee!" Emily rushed over. They sat down on the grass. Tina opened her hand very carefully. There was that sound! Something was shining in Tina's hand. They smiled. Then Emily cried, "It's a fairy !" Tina looked down at it in her hand. It looked like a girl. A _ girl with wings! Tina dropped it before she noticed that a wing was torn . The little fairy could not fly away so she took a piece of grass out of the ground and sat on it. Emily and Tina were surprised at what they saw. The fairy turned to Emily and said, "Hello, I am Marabella." Then she said again, "Marabella the Fairy." Emily smiled. "I'm Emily," she said. Tina said, "I'm Tina. Are you really a fairy?" "Oh, yes!" replied Marabella. "I've always been a fairy." | Were they related? | {
"answer_start": [
-1
],
"text": [
"unknown"
]
} |
37xitheisw95z8hh4d6i4n86341cr2 | I was working with a client who was completely burned out on her career and life and then ready for a career change. As we were talking, she said, "I just wish I had meaningful work. I don't feel like I am making a difference. I am just wasting my life." This is the theme I hear most often from clients who have been in the workforce awhile.All of us want to feel like we are making a difference. We want to believe our work means something. The problem comes in defining "meaningful work". What is it? That answer is different for everyone. For some meaningful work might be helping others organize their office. For others it may mean making a million dollars.
What really matters is how you see it. What is meaningful work to you? Take out a piece of paper and answer these questions. How do you define meaningful work? When do you feel like you are really making a difference? What work have you done so far that feels the most meaningful? Write down whatever comes to mind.
What you want to do is meaningful. It is very easy to start judging yourself as being selfish. Stop! Allow yourself to be honest. The fact is when Picasso painted; he was doing it because he liked to paint. He was not thinking, "Oh, I hope this brings joy to others' lives." He painted because he wanted to. When Beethoven composed, he did it because he loved music. Even scientists searching for a cure for cancer are immersed in their work because it fascinates them.
Don't look down on your work. It is easy to _ the importance of work that feels meaningful. I remember Tony Robbins told a story of talking with the owner of a major company. The man said to Tony, "I wish I could do what you do because it makes such adifference in people's lives". Tony said, "You have got to be kidding! Look at what adifference you make. You provide work, health insurance and security for thousands ofpeople!" Don't underestimate the value you provide.
Take a look at what you have written about meaningful work. Do you see any themes? How do you wish to contribute to this world? Whatever you choose, remember that the greatest gift you can give is to find work that makes you feel fulfilled and delighted. Respect your preference because giving your gifts to the world, whatever they look like, is the most meaningful action you can ever take. | Can you easily define meaningful work? | {
"answer_start": [
443
],
"text": [
"The problem comes in defining \"meaningful work\". What is it? That answer is different for everyone"
]
} |
37xitheisw95z8hh4d6i4n86341cr2 | I was working with a client who was completely burned out on her career and life and then ready for a career change. As we were talking, she said, "I just wish I had meaningful work. I don't feel like I am making a difference. I am just wasting my life." This is the theme I hear most often from clients who have been in the workforce awhile.All of us want to feel like we are making a difference. We want to believe our work means something. The problem comes in defining "meaningful work". What is it? That answer is different for everyone. For some meaningful work might be helping others organize their office. For others it may mean making a million dollars.
What really matters is how you see it. What is meaningful work to you? Take out a piece of paper and answer these questions. How do you define meaningful work? When do you feel like you are really making a difference? What work have you done so far that feels the most meaningful? Write down whatever comes to mind.
What you want to do is meaningful. It is very easy to start judging yourself as being selfish. Stop! Allow yourself to be honest. The fact is when Picasso painted; he was doing it because he liked to paint. He was not thinking, "Oh, I hope this brings joy to others' lives." He painted because he wanted to. When Beethoven composed, he did it because he loved music. Even scientists searching for a cure for cancer are immersed in their work because it fascinates them.
Don't look down on your work. It is easy to _ the importance of work that feels meaningful. I remember Tony Robbins told a story of talking with the owner of a major company. The man said to Tony, "I wish I could do what you do because it makes such adifference in people's lives". Tony said, "You have got to be kidding! Look at what adifference you make. You provide work, health insurance and security for thousands ofpeople!" Don't underestimate the value you provide.
Take a look at what you have written about meaningful work. Do you see any themes? How do you wish to contribute to this world? Whatever you choose, remember that the greatest gift you can give is to find work that makes you feel fulfilled and delighted. Respect your preference because giving your gifts to the world, whatever they look like, is the most meaningful action you can ever take. | Is the answer the same for everyone? | {
"answer_start": [
504
],
"text": [
"That answer is different for everyone"
]
} |
37xitheisw95z8hh4d6i4n86341cr2 | I was working with a client who was completely burned out on her career and life and then ready for a career change. As we were talking, she said, "I just wish I had meaningful work. I don't feel like I am making a difference. I am just wasting my life." This is the theme I hear most often from clients who have been in the workforce awhile.All of us want to feel like we are making a difference. We want to believe our work means something. The problem comes in defining "meaningful work". What is it? That answer is different for everyone. For some meaningful work might be helping others organize their office. For others it may mean making a million dollars.
What really matters is how you see it. What is meaningful work to you? Take out a piece of paper and answer these questions. How do you define meaningful work? When do you feel like you are really making a difference? What work have you done so far that feels the most meaningful? Write down whatever comes to mind.
What you want to do is meaningful. It is very easy to start judging yourself as being selfish. Stop! Allow yourself to be honest. The fact is when Picasso painted; he was doing it because he liked to paint. He was not thinking, "Oh, I hope this brings joy to others' lives." He painted because he wanted to. When Beethoven composed, he did it because he loved music. Even scientists searching for a cure for cancer are immersed in their work because it fascinates them.
Don't look down on your work. It is easy to _ the importance of work that feels meaningful. I remember Tony Robbins told a story of talking with the owner of a major company. The man said to Tony, "I wish I could do what you do because it makes such adifference in people's lives". Tony said, "You have got to be kidding! Look at what adifference you make. You provide work, health insurance and security for thousands ofpeople!" Don't underestimate the value you provide.
Take a look at what you have written about meaningful work. Do you see any themes? How do you wish to contribute to this world? Whatever you choose, remember that the greatest gift you can give is to find work that makes you feel fulfilled and delighted. Respect your preference because giving your gifts to the world, whatever they look like, is the most meaningful action you can ever take. | Who was this person working with? | {
"answer_start": [
0
],
"text": [
"I was working with a client who was completely burned out on her caree"
]
} |
37xitheisw95z8hh4d6i4n86341cr2 | I was working with a client who was completely burned out on her career and life and then ready for a career change. As we were talking, she said, "I just wish I had meaningful work. I don't feel like I am making a difference. I am just wasting my life." This is the theme I hear most often from clients who have been in the workforce awhile.All of us want to feel like we are making a difference. We want to believe our work means something. The problem comes in defining "meaningful work". What is it? That answer is different for everyone. For some meaningful work might be helping others organize their office. For others it may mean making a million dollars.
What really matters is how you see it. What is meaningful work to you? Take out a piece of paper and answer these questions. How do you define meaningful work? When do you feel like you are really making a difference? What work have you done so far that feels the most meaningful? Write down whatever comes to mind.
What you want to do is meaningful. It is very easy to start judging yourself as being selfish. Stop! Allow yourself to be honest. The fact is when Picasso painted; he was doing it because he liked to paint. He was not thinking, "Oh, I hope this brings joy to others' lives." He painted because he wanted to. When Beethoven composed, he did it because he loved music. Even scientists searching for a cure for cancer are immersed in their work because it fascinates them.
Don't look down on your work. It is easy to _ the importance of work that feels meaningful. I remember Tony Robbins told a story of talking with the owner of a major company. The man said to Tony, "I wish I could do what you do because it makes such adifference in people's lives". Tony said, "You have got to be kidding! Look at what adifference you make. You provide work, health insurance and security for thousands ofpeople!" Don't underestimate the value you provide.
Take a look at what you have written about meaningful work. Do you see any themes? How do you wish to contribute to this world? Whatever you choose, remember that the greatest gift you can give is to find work that makes you feel fulfilled and delighted. Respect your preference because giving your gifts to the world, whatever they look like, is the most meaningful action you can ever take. | What did the client say? | {
"answer_start": [
137
],
"text": [
"she said, \"I just wish I had meaningful work. I don't feel like I am making a difference. I am just wasting my life.\""
]
} |
37xitheisw95z8hh4d6i4n86341cr2 | I was working with a client who was completely burned out on her career and life and then ready for a career change. As we were talking, she said, "I just wish I had meaningful work. I don't feel like I am making a difference. I am just wasting my life." This is the theme I hear most often from clients who have been in the workforce awhile.All of us want to feel like we are making a difference. We want to believe our work means something. The problem comes in defining "meaningful work". What is it? That answer is different for everyone. For some meaningful work might be helping others organize their office. For others it may mean making a million dollars.
What really matters is how you see it. What is meaningful work to you? Take out a piece of paper and answer these questions. How do you define meaningful work? When do you feel like you are really making a difference? What work have you done so far that feels the most meaningful? Write down whatever comes to mind.
What you want to do is meaningful. It is very easy to start judging yourself as being selfish. Stop! Allow yourself to be honest. The fact is when Picasso painted; he was doing it because he liked to paint. He was not thinking, "Oh, I hope this brings joy to others' lives." He painted because he wanted to. When Beethoven composed, he did it because he loved music. Even scientists searching for a cure for cancer are immersed in their work because it fascinates them.
Don't look down on your work. It is easy to _ the importance of work that feels meaningful. I remember Tony Robbins told a story of talking with the owner of a major company. The man said to Tony, "I wish I could do what you do because it makes such adifference in people's lives". Tony said, "You have got to be kidding! Look at what adifference you make. You provide work, health insurance and security for thousands ofpeople!" Don't underestimate the value you provide.
Take a look at what you have written about meaningful work. Do you see any themes? How do you wish to contribute to this world? Whatever you choose, remember that the greatest gift you can give is to find work that makes you feel fulfilled and delighted. Respect your preference because giving your gifts to the world, whatever they look like, is the most meaningful action you can ever take. | Did they hear that often? | {
"answer_start": [
255
],
"text": [
"This is the theme I hear most often from clients"
]
} |
37xitheisw95z8hh4d6i4n86341cr2 | I was working with a client who was completely burned out on her career and life and then ready for a career change. As we were talking, she said, "I just wish I had meaningful work. I don't feel like I am making a difference. I am just wasting my life." This is the theme I hear most often from clients who have been in the workforce awhile.All of us want to feel like we are making a difference. We want to believe our work means something. The problem comes in defining "meaningful work". What is it? That answer is different for everyone. For some meaningful work might be helping others organize their office. For others it may mean making a million dollars.
What really matters is how you see it. What is meaningful work to you? Take out a piece of paper and answer these questions. How do you define meaningful work? When do you feel like you are really making a difference? What work have you done so far that feels the most meaningful? Write down whatever comes to mind.
What you want to do is meaningful. It is very easy to start judging yourself as being selfish. Stop! Allow yourself to be honest. The fact is when Picasso painted; he was doing it because he liked to paint. He was not thinking, "Oh, I hope this brings joy to others' lives." He painted because he wanted to. When Beethoven composed, he did it because he loved music. Even scientists searching for a cure for cancer are immersed in their work because it fascinates them.
Don't look down on your work. It is easy to _ the importance of work that feels meaningful. I remember Tony Robbins told a story of talking with the owner of a major company. The man said to Tony, "I wish I could do what you do because it makes such adifference in people's lives". Tony said, "You have got to be kidding! Look at what adifference you make. You provide work, health insurance and security for thousands ofpeople!" Don't underestimate the value you provide.
Take a look at what you have written about meaningful work. Do you see any themes? How do you wish to contribute to this world? Whatever you choose, remember that the greatest gift you can give is to find work that makes you feel fulfilled and delighted. Respect your preference because giving your gifts to the world, whatever they look like, is the most meaningful action you can ever take. | What do all people want to feel like? | {
"answer_start": [
342
],
"text": [
"All of us want to feel like we are making a difference"
]
} |
3ejplajkemgpliu743ns4qivg7q6zu | CHAPTER I
I SET OFF UPON MY JOURNEY TO THE HOUSE OF SHAWS
I will begin the story of my adventures with a certain morning early in the month of June, the year of grace 1751, when I took the key for the last time out of the door of my father's house. The sun began to shine upon the summit of the hills as I went down the road; and by the time I had come as far as the manse, the blackbirds were whistling in the garden lilacs, and the mist that hung around the valley in the time of the dawn was beginning to arise and die away.
Mr. Campbell, the minister of Essendean, was waiting for me by the garden gate, good man! He asked me if I had breakfasted; and hearing that I lacked for nothing, he took my hand in both of his and clapped it kindly under his arm.
"Well, Davie, lad," said he, "I will go with you as far as the ford, to set you on the way." And we began to walk forward in silence.
"Are ye sorry to leave Essendean?" said he, after awhile.
"Why, sir," said I, "if I knew where I was going, or what was likely to become of me, I would tell you candidly. Essendean is a good place indeed, and I have been very happy there; but then I have never been anywhere else. My father and mother, since they are both dead, I shall be no nearer to in Essendean than in the Kingdom of Hungary, and, to speak truth, if I thought I had a chance to better myself where I was going I would go with a good will." | Who waited for someone? | {
"answer_start": [
534
],
"text": [
"Mr. Campbell, the minister of Essendean, was waiting for me"
]
} |
3ejplajkemgpliu743ns4qivg7q6zu | CHAPTER I
I SET OFF UPON MY JOURNEY TO THE HOUSE OF SHAWS
I will begin the story of my adventures with a certain morning early in the month of June, the year of grace 1751, when I took the key for the last time out of the door of my father's house. The sun began to shine upon the summit of the hills as I went down the road; and by the time I had come as far as the manse, the blackbirds were whistling in the garden lilacs, and the mist that hung around the valley in the time of the dawn was beginning to arise and die away.
Mr. Campbell, the minister of Essendean, was waiting for me by the garden gate, good man! He asked me if I had breakfasted; and hearing that I lacked for nothing, he took my hand in both of his and clapped it kindly under his arm.
"Well, Davie, lad," said he, "I will go with you as far as the ford, to set you on the way." And we began to walk forward in silence.
"Are ye sorry to leave Essendean?" said he, after awhile.
"Why, sir," said I, "if I knew where I was going, or what was likely to become of me, I would tell you candidly. Essendean is a good place indeed, and I have been very happy there; but then I have never been anywhere else. My father and mother, since they are both dead, I shall be no nearer to in Essendean than in the Kingdom of Hungary, and, to speak truth, if I thought I had a chance to better myself where I was going I would go with a good will." | Where at? | {
"answer_start": [
579
],
"text": [
"waiting for me by the garden gate"
]
} |
3ejplajkemgpliu743ns4qivg7q6zu | CHAPTER I
I SET OFF UPON MY JOURNEY TO THE HOUSE OF SHAWS
I will begin the story of my adventures with a certain morning early in the month of June, the year of grace 1751, when I took the key for the last time out of the door of my father's house. The sun began to shine upon the summit of the hills as I went down the road; and by the time I had come as far as the manse, the blackbirds were whistling in the garden lilacs, and the mist that hung around the valley in the time of the dawn was beginning to arise and die away.
Mr. Campbell, the minister of Essendean, was waiting for me by the garden gate, good man! He asked me if I had breakfasted; and hearing that I lacked for nothing, he took my hand in both of his and clapped it kindly under his arm.
"Well, Davie, lad," said he, "I will go with you as far as the ford, to set you on the way." And we began to walk forward in silence.
"Are ye sorry to leave Essendean?" said he, after awhile.
"Why, sir," said I, "if I knew where I was going, or what was likely to become of me, I would tell you candidly. Essendean is a good place indeed, and I have been very happy there; but then I have never been anywhere else. My father and mother, since they are both dead, I shall be no nearer to in Essendean than in the Kingdom of Hungary, and, to speak truth, if I thought I had a chance to better myself where I was going I would go with a good will." | What was he? | {
"answer_start": [
534
],
"text": [
"Mr. Campbell, the minister"
]
} |
3ejplajkemgpliu743ns4qivg7q6zu | CHAPTER I
I SET OFF UPON MY JOURNEY TO THE HOUSE OF SHAWS
I will begin the story of my adventures with a certain morning early in the month of June, the year of grace 1751, when I took the key for the last time out of the door of my father's house. The sun began to shine upon the summit of the hills as I went down the road; and by the time I had come as far as the manse, the blackbirds were whistling in the garden lilacs, and the mist that hung around the valley in the time of the dawn was beginning to arise and die away.
Mr. Campbell, the minister of Essendean, was waiting for me by the garden gate, good man! He asked me if I had breakfasted; and hearing that I lacked for nothing, he took my hand in both of his and clapped it kindly under his arm.
"Well, Davie, lad," said he, "I will go with you as far as the ford, to set you on the way." And we began to walk forward in silence.
"Are ye sorry to leave Essendean?" said he, after awhile.
"Why, sir," said I, "if I knew where I was going, or what was likely to become of me, I would tell you candidly. Essendean is a good place indeed, and I have been very happy there; but then I have never been anywhere else. My father and mother, since they are both dead, I shall be no nearer to in Essendean than in the Kingdom of Hungary, and, to speak truth, if I thought I had a chance to better myself where I was going I would go with a good will." | Of what? | {
"answer_start": [
534
],
"text": [
"Mr. Campbell, the minister of Essendean"
]
} |
3ejplajkemgpliu743ns4qivg7q6zu | CHAPTER I
I SET OFF UPON MY JOURNEY TO THE HOUSE OF SHAWS
I will begin the story of my adventures with a certain morning early in the month of June, the year of grace 1751, when I took the key for the last time out of the door of my father's house. The sun began to shine upon the summit of the hills as I went down the road; and by the time I had come as far as the manse, the blackbirds were whistling in the garden lilacs, and the mist that hung around the valley in the time of the dawn was beginning to arise and die away.
Mr. Campbell, the minister of Essendean, was waiting for me by the garden gate, good man! He asked me if I had breakfasted; and hearing that I lacked for nothing, he took my hand in both of his and clapped it kindly under his arm.
"Well, Davie, lad," said he, "I will go with you as far as the ford, to set you on the way." And we began to walk forward in silence.
"Are ye sorry to leave Essendean?" said he, after awhile.
"Why, sir," said I, "if I knew where I was going, or what was likely to become of me, I would tell you candidly. Essendean is a good place indeed, and I have been very happy there; but then I have never been anywhere else. My father and mother, since they are both dead, I shall be no nearer to in Essendean than in the Kingdom of Hungary, and, to speak truth, if I thought I had a chance to better myself where I was going I would go with a good will." | Who did he wait for? | {
"answer_start": [
768
],
"text": [
"Well, Davie, lad,\" said he"
]
} |
3ejplajkemgpliu743ns4qivg7q6zu | CHAPTER I
I SET OFF UPON MY JOURNEY TO THE HOUSE OF SHAWS
I will begin the story of my adventures with a certain morning early in the month of June, the year of grace 1751, when I took the key for the last time out of the door of my father's house. The sun began to shine upon the summit of the hills as I went down the road; and by the time I had come as far as the manse, the blackbirds were whistling in the garden lilacs, and the mist that hung around the valley in the time of the dawn was beginning to arise and die away.
Mr. Campbell, the minister of Essendean, was waiting for me by the garden gate, good man! He asked me if I had breakfasted; and hearing that I lacked for nothing, he took my hand in both of his and clapped it kindly under his arm.
"Well, Davie, lad," said he, "I will go with you as far as the ford, to set you on the way." And we began to walk forward in silence.
"Are ye sorry to leave Essendean?" said he, after awhile.
"Why, sir," said I, "if I knew where I was going, or what was likely to become of me, I would tell you candidly. Essendean is a good place indeed, and I have been very happy there; but then I have never been anywhere else. My father and mother, since they are both dead, I shall be no nearer to in Essendean than in the Kingdom of Hungary, and, to speak truth, if I thought I had a chance to better myself where I was going I would go with a good will." | Was it a warm meeting? | {
"answer_start": [
700
],
"text": [
"took my hand in both of his and clapped it kindly"
]
} |
3ejplajkemgpliu743ns4qivg7q6zu | CHAPTER I
I SET OFF UPON MY JOURNEY TO THE HOUSE OF SHAWS
I will begin the story of my adventures with a certain morning early in the month of June, the year of grace 1751, when I took the key for the last time out of the door of my father's house. The sun began to shine upon the summit of the hills as I went down the road; and by the time I had come as far as the manse, the blackbirds were whistling in the garden lilacs, and the mist that hung around the valley in the time of the dawn was beginning to arise and die away.
Mr. Campbell, the minister of Essendean, was waiting for me by the garden gate, good man! He asked me if I had breakfasted; and hearing that I lacked for nothing, he took my hand in both of his and clapped it kindly under his arm.
"Well, Davie, lad," said he, "I will go with you as far as the ford, to set you on the way." And we began to walk forward in silence.
"Are ye sorry to leave Essendean?" said he, after awhile.
"Why, sir," said I, "if I knew where I was going, or what was likely to become of me, I would tell you candidly. Essendean is a good place indeed, and I have been very happy there; but then I have never been anywhere else. My father and mother, since they are both dead, I shall be no nearer to in Essendean than in the Kingdom of Hungary, and, to speak truth, if I thought I had a chance to better myself where I was going I would go with a good will." | Had Davie had breakfast? | {
"answer_start": [
624
],
"text": [
"He asked me if I had breakfasted; and hearing that I lacked for nothing"
]
} |
3ejplajkemgpliu743ns4qivg7q6zu | CHAPTER I
I SET OFF UPON MY JOURNEY TO THE HOUSE OF SHAWS
I will begin the story of my adventures with a certain morning early in the month of June, the year of grace 1751, when I took the key for the last time out of the door of my father's house. The sun began to shine upon the summit of the hills as I went down the road; and by the time I had come as far as the manse, the blackbirds were whistling in the garden lilacs, and the mist that hung around the valley in the time of the dawn was beginning to arise and die away.
Mr. Campbell, the minister of Essendean, was waiting for me by the garden gate, good man! He asked me if I had breakfasted; and hearing that I lacked for nothing, he took my hand in both of his and clapped it kindly under his arm.
"Well, Davie, lad," said he, "I will go with you as far as the ford, to set you on the way." And we began to walk forward in silence.
"Are ye sorry to leave Essendean?" said he, after awhile.
"Why, sir," said I, "if I knew where I was going, or what was likely to become of me, I would tell you candidly. Essendean is a good place indeed, and I have been very happy there; but then I have never been anywhere else. My father and mother, since they are both dead, I shall be no nearer to in Essendean than in the Kingdom of Hungary, and, to speak truth, if I thought I had a chance to better myself where I was going I would go with a good will." | Where would they be parting ways? | {
"answer_start": [
796
],
"text": [
"\"I will go with you as far as the ford"
]
} |
3ejplajkemgpliu743ns4qivg7q6zu | CHAPTER I
I SET OFF UPON MY JOURNEY TO THE HOUSE OF SHAWS
I will begin the story of my adventures with a certain morning early in the month of June, the year of grace 1751, when I took the key for the last time out of the door of my father's house. The sun began to shine upon the summit of the hills as I went down the road; and by the time I had come as far as the manse, the blackbirds were whistling in the garden lilacs, and the mist that hung around the valley in the time of the dawn was beginning to arise and die away.
Mr. Campbell, the minister of Essendean, was waiting for me by the garden gate, good man! He asked me if I had breakfasted; and hearing that I lacked for nothing, he took my hand in both of his and clapped it kindly under his arm.
"Well, Davie, lad," said he, "I will go with you as far as the ford, to set you on the way." And we began to walk forward in silence.
"Are ye sorry to leave Essendean?" said he, after awhile.
"Why, sir," said I, "if I knew where I was going, or what was likely to become of me, I would tell you candidly. Essendean is a good place indeed, and I have been very happy there; but then I have never been anywhere else. My father and mother, since they are both dead, I shall be no nearer to in Essendean than in the Kingdom of Hungary, and, to speak truth, if I thought I had a chance to better myself where I was going I would go with a good will." | Does Davie like where he lives? | {
"answer_start": [
1076
],
"text": [
"Essendean is a good place indeed, and I have been very happy there"
]
} |
3ejplajkemgpliu743ns4qivg7q6zu | CHAPTER I
I SET OFF UPON MY JOURNEY TO THE HOUSE OF SHAWS
I will begin the story of my adventures with a certain morning early in the month of June, the year of grace 1751, when I took the key for the last time out of the door of my father's house. The sun began to shine upon the summit of the hills as I went down the road; and by the time I had come as far as the manse, the blackbirds were whistling in the garden lilacs, and the mist that hung around the valley in the time of the dawn was beginning to arise and die away.
Mr. Campbell, the minister of Essendean, was waiting for me by the garden gate, good man! He asked me if I had breakfasted; and hearing that I lacked for nothing, he took my hand in both of his and clapped it kindly under his arm.
"Well, Davie, lad," said he, "I will go with you as far as the ford, to set you on the way." And we began to walk forward in silence.
"Are ye sorry to leave Essendean?" said he, after awhile.
"Why, sir," said I, "if I knew where I was going, or what was likely to become of me, I would tell you candidly. Essendean is a good place indeed, and I have been very happy there; but then I have never been anywhere else. My father and mother, since they are both dead, I shall be no nearer to in Essendean than in the Kingdom of Hungary, and, to speak truth, if I thought I had a chance to better myself where I was going I would go with a good will." | Are his parent alive? | {
"answer_start": [
1186
],
"text": [
"My father and mother, since they are both dead"
]
} |
3ejplajkemgpliu743ns4qivg7q6zu | CHAPTER I
I SET OFF UPON MY JOURNEY TO THE HOUSE OF SHAWS
I will begin the story of my adventures with a certain morning early in the month of June, the year of grace 1751, when I took the key for the last time out of the door of my father's house. The sun began to shine upon the summit of the hills as I went down the road; and by the time I had come as far as the manse, the blackbirds were whistling in the garden lilacs, and the mist that hung around the valley in the time of the dawn was beginning to arise and die away.
Mr. Campbell, the minister of Essendean, was waiting for me by the garden gate, good man! He asked me if I had breakfasted; and hearing that I lacked for nothing, he took my hand in both of his and clapped it kindly under his arm.
"Well, Davie, lad," said he, "I will go with you as far as the ford, to set you on the way." And we began to walk forward in silence.
"Are ye sorry to leave Essendean?" said he, after awhile.
"Why, sir," said I, "if I knew where I was going, or what was likely to become of me, I would tell you candidly. Essendean is a good place indeed, and I have been very happy there; but then I have never been anywhere else. My father and mother, since they are both dead, I shall be no nearer to in Essendean than in the Kingdom of Hungary, and, to speak truth, if I thought I had a chance to better myself where I was going I would go with a good will." | Is he strongly attached to where he lives? | {
"answer_start": [
1324
],
"text": [
"if I thought I had a chance to better myself where I was going I would go with a good will"
]
} |
3ejplajkemgpliu743ns4qivg7q6zu | CHAPTER I
I SET OFF UPON MY JOURNEY TO THE HOUSE OF SHAWS
I will begin the story of my adventures with a certain morning early in the month of June, the year of grace 1751, when I took the key for the last time out of the door of my father's house. The sun began to shine upon the summit of the hills as I went down the road; and by the time I had come as far as the manse, the blackbirds were whistling in the garden lilacs, and the mist that hung around the valley in the time of the dawn was beginning to arise and die away.
Mr. Campbell, the minister of Essendean, was waiting for me by the garden gate, good man! He asked me if I had breakfasted; and hearing that I lacked for nothing, he took my hand in both of his and clapped it kindly under his arm.
"Well, Davie, lad," said he, "I will go with you as far as the ford, to set you on the way." And we began to walk forward in silence.
"Are ye sorry to leave Essendean?" said he, after awhile.
"Why, sir," said I, "if I knew where I was going, or what was likely to become of me, I would tell you candidly. Essendean is a good place indeed, and I have been very happy there; but then I have never been anywhere else. My father and mother, since they are both dead, I shall be no nearer to in Essendean than in the Kingdom of Hungary, and, to speak truth, if I thought I had a chance to better myself where I was going I would go with a good will." | What time of the year was it? | {
"answer_start": [
124
],
"text": [
" early in the month of June"
]
} |
3ejplajkemgpliu743ns4qivg7q6zu | CHAPTER I
I SET OFF UPON MY JOURNEY TO THE HOUSE OF SHAWS
I will begin the story of my adventures with a certain morning early in the month of June, the year of grace 1751, when I took the key for the last time out of the door of my father's house. The sun began to shine upon the summit of the hills as I went down the road; and by the time I had come as far as the manse, the blackbirds were whistling in the garden lilacs, and the mist that hung around the valley in the time of the dawn was beginning to arise and die away.
Mr. Campbell, the minister of Essendean, was waiting for me by the garden gate, good man! He asked me if I had breakfasted; and hearing that I lacked for nothing, he took my hand in both of his and clapped it kindly under his arm.
"Well, Davie, lad," said he, "I will go with you as far as the ford, to set you on the way." And we began to walk forward in silence.
"Are ye sorry to leave Essendean?" said he, after awhile.
"Why, sir," said I, "if I knew where I was going, or what was likely to become of me, I would tell you candidly. Essendean is a good place indeed, and I have been very happy there; but then I have never been anywhere else. My father and mother, since they are both dead, I shall be no nearer to in Essendean than in the Kingdom of Hungary, and, to speak truth, if I thought I had a chance to better myself where I was going I would go with a good will." | What year? | {
"answer_start": [
153
],
"text": [
"the year of grace 1751"
]
} |
3ejplajkemgpliu743ns4qivg7q6zu | CHAPTER I
I SET OFF UPON MY JOURNEY TO THE HOUSE OF SHAWS
I will begin the story of my adventures with a certain morning early in the month of June, the year of grace 1751, when I took the key for the last time out of the door of my father's house. The sun began to shine upon the summit of the hills as I went down the road; and by the time I had come as far as the manse, the blackbirds were whistling in the garden lilacs, and the mist that hung around the valley in the time of the dawn was beginning to arise and die away.
Mr. Campbell, the minister of Essendean, was waiting for me by the garden gate, good man! He asked me if I had breakfasted; and hearing that I lacked for nothing, he took my hand in both of his and clapped it kindly under his arm.
"Well, Davie, lad," said he, "I will go with you as far as the ford, to set you on the way." And we began to walk forward in silence.
"Are ye sorry to leave Essendean?" said he, after awhile.
"Why, sir," said I, "if I knew where I was going, or what was likely to become of me, I would tell you candidly. Essendean is a good place indeed, and I have been very happy there; but then I have never been anywhere else. My father and mother, since they are both dead, I shall be no nearer to in Essendean than in the Kingdom of Hungary, and, to speak truth, if I thought I had a chance to better myself where I was going I would go with a good will." | Was it rainy? | {
"answer_start": [
253
],
"text": [
"The sun began to shine"
]
} |
3ejplajkemgpliu743ns4qivg7q6zu | CHAPTER I
I SET OFF UPON MY JOURNEY TO THE HOUSE OF SHAWS
I will begin the story of my adventures with a certain morning early in the month of June, the year of grace 1751, when I took the key for the last time out of the door of my father's house. The sun began to shine upon the summit of the hills as I went down the road; and by the time I had come as far as the manse, the blackbirds were whistling in the garden lilacs, and the mist that hung around the valley in the time of the dawn was beginning to arise and die away.
Mr. Campbell, the minister of Essendean, was waiting for me by the garden gate, good man! He asked me if I had breakfasted; and hearing that I lacked for nothing, he took my hand in both of his and clapped it kindly under his arm.
"Well, Davie, lad," said he, "I will go with you as far as the ford, to set you on the way." And we began to walk forward in silence.
"Are ye sorry to leave Essendean?" said he, after awhile.
"Why, sir," said I, "if I knew where I was going, or what was likely to become of me, I would tell you candidly. Essendean is a good place indeed, and I have been very happy there; but then I have never been anywhere else. My father and mother, since they are both dead, I shall be no nearer to in Essendean than in the Kingdom of Hungary, and, to speak truth, if I thought I had a chance to better myself where I was going I would go with a good will." | Then what was it like? | {
"answer_start": [
253
],
"text": [
"The sun began to shine"
]
} |
3ejplajkemgpliu743ns4qivg7q6zu | CHAPTER I
I SET OFF UPON MY JOURNEY TO THE HOUSE OF SHAWS
I will begin the story of my adventures with a certain morning early in the month of June, the year of grace 1751, when I took the key for the last time out of the door of my father's house. The sun began to shine upon the summit of the hills as I went down the road; and by the time I had come as far as the manse, the blackbirds were whistling in the garden lilacs, and the mist that hung around the valley in the time of the dawn was beginning to arise and die away.
Mr. Campbell, the minister of Essendean, was waiting for me by the garden gate, good man! He asked me if I had breakfasted; and hearing that I lacked for nothing, he took my hand in both of his and clapped it kindly under his arm.
"Well, Davie, lad," said he, "I will go with you as far as the ford, to set you on the way." And we began to walk forward in silence.
"Are ye sorry to leave Essendean?" said he, after awhile.
"Why, sir," said I, "if I knew where I was going, or what was likely to become of me, I would tell you candidly. Essendean is a good place indeed, and I have been very happy there; but then I have never been anywhere else. My father and mother, since they are both dead, I shall be no nearer to in Essendean than in the Kingdom of Hungary, and, to speak truth, if I thought I had a chance to better myself where I was going I would go with a good will." | What were the birds doing? | {
"answer_start": [
378
],
"text": [
"the blackbirds were whistling"
]
} |
3ejplajkemgpliu743ns4qivg7q6zu | CHAPTER I
I SET OFF UPON MY JOURNEY TO THE HOUSE OF SHAWS
I will begin the story of my adventures with a certain morning early in the month of June, the year of grace 1751, when I took the key for the last time out of the door of my father's house. The sun began to shine upon the summit of the hills as I went down the road; and by the time I had come as far as the manse, the blackbirds were whistling in the garden lilacs, and the mist that hung around the valley in the time of the dawn was beginning to arise and die away.
Mr. Campbell, the minister of Essendean, was waiting for me by the garden gate, good man! He asked me if I had breakfasted; and hearing that I lacked for nothing, he took my hand in both of his and clapped it kindly under his arm.
"Well, Davie, lad," said he, "I will go with you as far as the ford, to set you on the way." And we began to walk forward in silence.
"Are ye sorry to leave Essendean?" said he, after awhile.
"Why, sir," said I, "if I knew where I was going, or what was likely to become of me, I would tell you candidly. Essendean is a good place indeed, and I have been very happy there; but then I have never been anywhere else. My father and mother, since they are both dead, I shall be no nearer to in Essendean than in the Kingdom of Hungary, and, to speak truth, if I thought I had a chance to better myself where I was going I would go with a good will." | Where? | {
"answer_start": [
382
],
"text": [
"blackbirds were whistling in the garden lilacs"
]
} |
3ejplajkemgpliu743ns4qivg7q6zu | CHAPTER I
I SET OFF UPON MY JOURNEY TO THE HOUSE OF SHAWS
I will begin the story of my adventures with a certain morning early in the month of June, the year of grace 1751, when I took the key for the last time out of the door of my father's house. The sun began to shine upon the summit of the hills as I went down the road; and by the time I had come as far as the manse, the blackbirds were whistling in the garden lilacs, and the mist that hung around the valley in the time of the dawn was beginning to arise and die away.
Mr. Campbell, the minister of Essendean, was waiting for me by the garden gate, good man! He asked me if I had breakfasted; and hearing that I lacked for nothing, he took my hand in both of his and clapped it kindly under his arm.
"Well, Davie, lad," said he, "I will go with you as far as the ford, to set you on the way." And we began to walk forward in silence.
"Are ye sorry to leave Essendean?" said he, after awhile.
"Why, sir," said I, "if I knew where I was going, or what was likely to become of me, I would tell you candidly. Essendean is a good place indeed, and I have been very happy there; but then I have never been anywhere else. My father and mother, since they are both dead, I shall be no nearer to in Essendean than in the Kingdom of Hungary, and, to speak truth, if I thought I had a chance to better myself where I was going I would go with a good will." | What kind of birds were they? | {
"answer_start": [
378
],
"text": [
"the blackbirds were whistling"
]
} |
3ejplajkemgpliu743ns4qivg7q6zu | CHAPTER I
I SET OFF UPON MY JOURNEY TO THE HOUSE OF SHAWS
I will begin the story of my adventures with a certain morning early in the month of June, the year of grace 1751, when I took the key for the last time out of the door of my father's house. The sun began to shine upon the summit of the hills as I went down the road; and by the time I had come as far as the manse, the blackbirds were whistling in the garden lilacs, and the mist that hung around the valley in the time of the dawn was beginning to arise and die away.
Mr. Campbell, the minister of Essendean, was waiting for me by the garden gate, good man! He asked me if I had breakfasted; and hearing that I lacked for nothing, he took my hand in both of his and clapped it kindly under his arm.
"Well, Davie, lad," said he, "I will go with you as far as the ford, to set you on the way." And we began to walk forward in silence.
"Are ye sorry to leave Essendean?" said he, after awhile.
"Why, sir," said I, "if I knew where I was going, or what was likely to become of me, I would tell you candidly. Essendean is a good place indeed, and I have been very happy there; but then I have never been anywhere else. My father and mother, since they are both dead, I shall be no nearer to in Essendean than in the Kingdom of Hungary, and, to speak truth, if I thought I had a chance to better myself where I was going I would go with a good will." | Was he on a hill? | {
"answer_start": [
452
],
"text": [
" around the valley"
]
} |
3ejplajkemgpliu743ns4qivg7q6zu | CHAPTER I
I SET OFF UPON MY JOURNEY TO THE HOUSE OF SHAWS
I will begin the story of my adventures with a certain morning early in the month of June, the year of grace 1751, when I took the key for the last time out of the door of my father's house. The sun began to shine upon the summit of the hills as I went down the road; and by the time I had come as far as the manse, the blackbirds were whistling in the garden lilacs, and the mist that hung around the valley in the time of the dawn was beginning to arise and die away.
Mr. Campbell, the minister of Essendean, was waiting for me by the garden gate, good man! He asked me if I had breakfasted; and hearing that I lacked for nothing, he took my hand in both of his and clapped it kindly under his arm.
"Well, Davie, lad," said he, "I will go with you as far as the ford, to set you on the way." And we began to walk forward in silence.
"Are ye sorry to leave Essendean?" said he, after awhile.
"Why, sir," said I, "if I knew where I was going, or what was likely to become of me, I would tell you candidly. Essendean is a good place indeed, and I have been very happy there; but then I have never been anywhere else. My father and mother, since they are both dead, I shall be no nearer to in Essendean than in the Kingdom of Hungary, and, to speak truth, if I thought I had a chance to better myself where I was going I would go with a good will." | What was fading? | {
"answer_start": [
434
],
"text": [
"the mist that hung around the valley in the time of the dawn was beginning to arise and die away"
]
} |
3ffj6vril1o8chji2ajpvu5e6emi01 | CHAPTER XVIII
THE LOCHINVAR METHOD
As Jimmy sat smoking a last cigarette in his bedroom before going to bed that night, Spike Mullins came in. Jimmy had been thinking things over. He was one of those men who are at their best in a losing game. Imminent disaster always had the effect of keying him up and putting an edge on his mind. The news he had heard that night had left him with undiminished determination, but conscious that a change of method would be needed. He must stake all on a single throw now. Young Lochinvar rather than Romeo must be his model. He declined to believe himself incapable of getting anything that he wanted as badly as he wanted Molly. He also declined to believe that she was really attached to Lord Dreever. He suspected the hand of McEachern in the affair, though the suspicion did not clear up the mystery by any means. Molly was a girl of character, not a feminine counterpart of his lordship, content meekly to do what she was told in a matter of this kind. The whole thing puzzled him.
"Well, Spike?" he said.
He was not too pleased at the interruption. He was thinking, and he wanted to be alone.
Something appeared to have disturbed Spike. His bearing was excited.
"Say, boss! Guess what. You know dat guy dat come dis afternoon--de guy from de village, dat came wit' old man McEachern?"
"Galer?" said Jimmy. "What about him?"
There had been an addition to the guests at the castle that afternoon. Mr. McEachern, walking in the village, had happened upon an old New York acquaintance of his, who, touring England, had reached Dreever and was anxious to see the historic castle. Mr. McEachern had brought him thither, introduced him to Sir Thomas, and now Mr. Samuel Galer was occupying a room on the same floor as Jimmy's. He had appeared at dinner that night, a short, wooden-faced man, with no more conversation than Hargate. Jimmy had paid little attention to the newcomer. | Who is smoking? | {
"answer_start": [
42
],
"text": [
"Jimmy sat smoking"
]
} |
3ffj6vril1o8chji2ajpvu5e6emi01 | CHAPTER XVIII
THE LOCHINVAR METHOD
As Jimmy sat smoking a last cigarette in his bedroom before going to bed that night, Spike Mullins came in. Jimmy had been thinking things over. He was one of those men who are at their best in a losing game. Imminent disaster always had the effect of keying him up and putting an edge on his mind. The news he had heard that night had left him with undiminished determination, but conscious that a change of method would be needed. He must stake all on a single throw now. Young Lochinvar rather than Romeo must be his model. He declined to believe himself incapable of getting anything that he wanted as badly as he wanted Molly. He also declined to believe that she was really attached to Lord Dreever. He suspected the hand of McEachern in the affair, though the suspicion did not clear up the mystery by any means. Molly was a girl of character, not a feminine counterpart of his lordship, content meekly to do what she was told in a matter of this kind. The whole thing puzzled him.
"Well, Spike?" he said.
He was not too pleased at the interruption. He was thinking, and he wanted to be alone.
Something appeared to have disturbed Spike. His bearing was excited.
"Say, boss! Guess what. You know dat guy dat come dis afternoon--de guy from de village, dat came wit' old man McEachern?"
"Galer?" said Jimmy. "What about him?"
There had been an addition to the guests at the castle that afternoon. Mr. McEachern, walking in the village, had happened upon an old New York acquaintance of his, who, touring England, had reached Dreever and was anxious to see the historic castle. Mr. McEachern had brought him thither, introduced him to Sir Thomas, and now Mr. Samuel Galer was occupying a room on the same floor as Jimmy's. He had appeared at dinner that night, a short, wooden-faced man, with no more conversation than Hargate. Jimmy had paid little attention to the newcomer. | Where? | {
"answer_start": [
77
],
"text": [
"in his bedroom"
]
} |
3ffj6vril1o8chji2ajpvu5e6emi01 | CHAPTER XVIII
THE LOCHINVAR METHOD
As Jimmy sat smoking a last cigarette in his bedroom before going to bed that night, Spike Mullins came in. Jimmy had been thinking things over. He was one of those men who are at their best in a losing game. Imminent disaster always had the effect of keying him up and putting an edge on his mind. The news he had heard that night had left him with undiminished determination, but conscious that a change of method would be needed. He must stake all on a single throw now. Young Lochinvar rather than Romeo must be his model. He declined to believe himself incapable of getting anything that he wanted as badly as he wanted Molly. He also declined to believe that she was really attached to Lord Dreever. He suspected the hand of McEachern in the affair, though the suspicion did not clear up the mystery by any means. Molly was a girl of character, not a feminine counterpart of his lordship, content meekly to do what she was told in a matter of this kind. The whole thing puzzled him.
"Well, Spike?" he said.
He was not too pleased at the interruption. He was thinking, and he wanted to be alone.
Something appeared to have disturbed Spike. His bearing was excited.
"Say, boss! Guess what. You know dat guy dat come dis afternoon--de guy from de village, dat came wit' old man McEachern?"
"Galer?" said Jimmy. "What about him?"
There had been an addition to the guests at the castle that afternoon. Mr. McEachern, walking in the village, had happened upon an old New York acquaintance of his, who, touring England, had reached Dreever and was anxious to see the historic castle. Mr. McEachern had brought him thither, introduced him to Sir Thomas, and now Mr. Samuel Galer was occupying a room on the same floor as Jimmy's. He had appeared at dinner that night, a short, wooden-faced man, with no more conversation than Hargate. Jimmy had paid little attention to the newcomer. | What else was he doing? | {
"answer_start": [
162
],
"text": [
"thinking things over"
]
} |
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