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Oprah Winfrey has come a long way from her poor childhood home in a small Mississippi town. She was an unwanted child whose parents never married. She was brought up on her grandmother's farm. The possibility that she would become rich and famous was slim.
Oprah's mother left her child in her mother's care, so she could go to work in Milwaukee, Wisconsin. It was a strict and difficult life for Oprah. But it also led the way for her future.
She was a highly intelligent child. By the age of three, she had learned to read and write. She also made her first public appearance at that age. Oprah's intelligence was resented by other children of her age. They called her unkind names and pushed her away. Oprah felt very isolated and unwanted. It made her feel worse that she didn't live with her mother and father. She felt that no one loved her. This made her angry and rebellious . These feelings brought her much trouble as she was growing up. She often behaved badly, causing her grandmother to punish her. By the age of seven, she was too much for her grandmother to discipline.
Then Oprah went to live with her mother, Vernita, who worked very hard as a housekeeper in Milwaukee. It was hard for her to work and take care of her bright, troublesome child. They lived in poverty in a small apartment. Oprah took out all her angry feelings on her mother. When Oprah was eight, Vernita sent her to live with her father and stepmother in Nashville, Tennessee.
But she moved again a few months later when Vernita married a man with two children. Vernita wanted Oprah to be with her and her new family. Unfortunately, she felt she didn't belong with them. She believed she wasn't loved by anyone. Her angry and frustration grew stronger. She struck back by misbehaving and running away from home. Her parents found her impossible to discipline. When she was 14, they tried to send her to a special center for troubled girls.
But there was no room for her. So Vernita sent Oprah back to live with her father. Vernon Winfrey was by then a successful businessman and family man. He took one look at his daughter and knew she needed love, guidance and discipline. He gave her all three. It was a turning point in Oprah's life. He was strict about his daughter's education.
He gave her homework in addition to her schoolwork. She was allowed to watch only one hour of television a day. She became an A student and a popular girl in her class. Oprah watched Barbara Walters, a famous journalist, and decided that was what she wanted to be.
When she was still in high school, she got a part-time job reading news on the radio. In her senior year she won a beauty contest and a four-year scholarship to Tennessee State University.
While still in college she was offered a job as a news broadcaster at a local television station. She was the first female and the first African-American newscaster in Nashville. She was promoted to anchor, the most important position on the news team, while still a senior.
After Oprah graduated she got a job with a Baltimore news station. But she soon realized that broadcasting news wasn't enough for her. She had to let her personality shine through. She wanted to show emotion when she told a story, not just report it. Meanwhile the station managers were thinking the same way. They removed her from the anchor spot and wondered what to do with her. Finally they put her on an early morning talk show called People Are Talking. No one knew what to expect. The show was a great success. In a very short time, the managers and Oprah all knew what she was born to do. She was everything a talk show host should be.
She was so successful that she got a show with a bigger station in Chicago. In 1985 the show was changed to The Oprah Winfrey Show. It was broadcast nationally and soon became the most popular talk show on television. By the age of 35, Oprah Winfrey was one of the most famous celebrities in America.
|
What did she win during her 12th grade year?
|
a beauty contest and a four-year scholarship to Tennessee State University
|
Oprah Winfrey has come a long way from her poor childhood home in a small Mississippi town. She was an unwanted child whose parents never married. She was brought up on her grandmother's farm. The possibility that she would become rich and famous was slim.
Oprah's mother left her child in her mother's care, so she could go to work in Milwaukee, Wisconsin. It was a strict and difficult life for Oprah. But it also led the way for her future.
She was a highly intelligent child. By the age of three, she had learned to read and write. She also made her first public appearance at that age. Oprah's intelligence was resented by other children of her age. They called her unkind names and pushed her away. Oprah felt very isolated and unwanted. It made her feel worse that she didn't live with her mother and father. She felt that no one loved her. This made her angry and rebellious . These feelings brought her much trouble as she was growing up. She often behaved badly, causing her grandmother to punish her. By the age of seven, she was too much for her grandmother to discipline.
Then Oprah went to live with her mother, Vernita, who worked very hard as a housekeeper in Milwaukee. It was hard for her to work and take care of her bright, troublesome child. They lived in poverty in a small apartment. Oprah took out all her angry feelings on her mother. When Oprah was eight, Vernita sent her to live with her father and stepmother in Nashville, Tennessee.
But she moved again a few months later when Vernita married a man with two children. Vernita wanted Oprah to be with her and her new family. Unfortunately, she felt she didn't belong with them. She believed she wasn't loved by anyone. Her angry and frustration grew stronger. She struck back by misbehaving and running away from home. Her parents found her impossible to discipline. When she was 14, they tried to send her to a special center for troubled girls.
But there was no room for her. So Vernita sent Oprah back to live with her father. Vernon Winfrey was by then a successful businessman and family man. He took one look at his daughter and knew she needed love, guidance and discipline. He gave her all three. It was a turning point in Oprah's life. He was strict about his daughter's education.
He gave her homework in addition to her schoolwork. She was allowed to watch only one hour of television a day. She became an A student and a popular girl in her class. Oprah watched Barbara Walters, a famous journalist, and decided that was what she wanted to be.
When she was still in high school, she got a part-time job reading news on the radio. In her senior year she won a beauty contest and a four-year scholarship to Tennessee State University.
While still in college she was offered a job as a news broadcaster at a local television station. She was the first female and the first African-American newscaster in Nashville. She was promoted to anchor, the most important position on the news team, while still a senior.
After Oprah graduated she got a job with a Baltimore news station. But she soon realized that broadcasting news wasn't enough for her. She had to let her personality shine through. She wanted to show emotion when she told a story, not just report it. Meanwhile the station managers were thinking the same way. They removed her from the anchor spot and wondered what to do with her. Finally they put her on an early morning talk show called People Are Talking. No one knew what to expect. The show was a great success. In a very short time, the managers and Oprah all knew what she was born to do. She was everything a talk show host should be.
She was so successful that she got a show with a bigger station in Chicago. In 1985 the show was changed to The Oprah Winfrey Show. It was broadcast nationally and soon became the most popular talk show on television. By the age of 35, Oprah Winfrey was one of the most famous celebrities in America.
|
After she finished school what job did she get?
|
a job with a Baltimore news station
|
Oprah Winfrey has come a long way from her poor childhood home in a small Mississippi town. She was an unwanted child whose parents never married. She was brought up on her grandmother's farm. The possibility that she would become rich and famous was slim.
Oprah's mother left her child in her mother's care, so she could go to work in Milwaukee, Wisconsin. It was a strict and difficult life for Oprah. But it also led the way for her future.
She was a highly intelligent child. By the age of three, she had learned to read and write. She also made her first public appearance at that age. Oprah's intelligence was resented by other children of her age. They called her unkind names and pushed her away. Oprah felt very isolated and unwanted. It made her feel worse that she didn't live with her mother and father. She felt that no one loved her. This made her angry and rebellious . These feelings brought her much trouble as she was growing up. She often behaved badly, causing her grandmother to punish her. By the age of seven, she was too much for her grandmother to discipline.
Then Oprah went to live with her mother, Vernita, who worked very hard as a housekeeper in Milwaukee. It was hard for her to work and take care of her bright, troublesome child. They lived in poverty in a small apartment. Oprah took out all her angry feelings on her mother. When Oprah was eight, Vernita sent her to live with her father and stepmother in Nashville, Tennessee.
But she moved again a few months later when Vernita married a man with two children. Vernita wanted Oprah to be with her and her new family. Unfortunately, she felt she didn't belong with them. She believed she wasn't loved by anyone. Her angry and frustration grew stronger. She struck back by misbehaving and running away from home. Her parents found her impossible to discipline. When she was 14, they tried to send her to a special center for troubled girls.
But there was no room for her. So Vernita sent Oprah back to live with her father. Vernon Winfrey was by then a successful businessman and family man. He took one look at his daughter and knew she needed love, guidance and discipline. He gave her all three. It was a turning point in Oprah's life. He was strict about his daughter's education.
He gave her homework in addition to her schoolwork. She was allowed to watch only one hour of television a day. She became an A student and a popular girl in her class. Oprah watched Barbara Walters, a famous journalist, and decided that was what she wanted to be.
When she was still in high school, she got a part-time job reading news on the radio. In her senior year she won a beauty contest and a four-year scholarship to Tennessee State University.
While still in college she was offered a job as a news broadcaster at a local television station. She was the first female and the first African-American newscaster in Nashville. She was promoted to anchor, the most important position on the news team, while still a senior.
After Oprah graduated she got a job with a Baltimore news station. But she soon realized that broadcasting news wasn't enough for her. She had to let her personality shine through. She wanted to show emotion when she told a story, not just report it. Meanwhile the station managers were thinking the same way. They removed her from the anchor spot and wondered what to do with her. Finally they put her on an early morning talk show called People Are Talking. No one knew what to expect. The show was a great success. In a very short time, the managers and Oprah all knew what she was born to do. She was everything a talk show host should be.
She was so successful that she got a show with a bigger station in Chicago. In 1985 the show was changed to The Oprah Winfrey Show. It was broadcast nationally and soon became the most popular talk show on television. By the age of 35, Oprah Winfrey was one of the most famous celebrities in America.
|
What school did she go to after her 12th grade year?
|
Tennessee State University
|
Oprah Winfrey has come a long way from her poor childhood home in a small Mississippi town. She was an unwanted child whose parents never married. She was brought up on her grandmother's farm. The possibility that she would become rich and famous was slim.
Oprah's mother left her child in her mother's care, so she could go to work in Milwaukee, Wisconsin. It was a strict and difficult life for Oprah. But it also led the way for her future.
She was a highly intelligent child. By the age of three, she had learned to read and write. She also made her first public appearance at that age. Oprah's intelligence was resented by other children of her age. They called her unkind names and pushed her away. Oprah felt very isolated and unwanted. It made her feel worse that she didn't live with her mother and father. She felt that no one loved her. This made her angry and rebellious . These feelings brought her much trouble as she was growing up. She often behaved badly, causing her grandmother to punish her. By the age of seven, she was too much for her grandmother to discipline.
Then Oprah went to live with her mother, Vernita, who worked very hard as a housekeeper in Milwaukee. It was hard for her to work and take care of her bright, troublesome child. They lived in poverty in a small apartment. Oprah took out all her angry feelings on her mother. When Oprah was eight, Vernita sent her to live with her father and stepmother in Nashville, Tennessee.
But she moved again a few months later when Vernita married a man with two children. Vernita wanted Oprah to be with her and her new family. Unfortunately, she felt she didn't belong with them. She believed she wasn't loved by anyone. Her angry and frustration grew stronger. She struck back by misbehaving and running away from home. Her parents found her impossible to discipline. When she was 14, they tried to send her to a special center for troubled girls.
But there was no room for her. So Vernita sent Oprah back to live with her father. Vernon Winfrey was by then a successful businessman and family man. He took one look at his daughter and knew she needed love, guidance and discipline. He gave her all three. It was a turning point in Oprah's life. He was strict about his daughter's education.
He gave her homework in addition to her schoolwork. She was allowed to watch only one hour of television a day. She became an A student and a popular girl in her class. Oprah watched Barbara Walters, a famous journalist, and decided that was what she wanted to be.
When she was still in high school, she got a part-time job reading news on the radio. In her senior year she won a beauty contest and a four-year scholarship to Tennessee State University.
While still in college she was offered a job as a news broadcaster at a local television station. She was the first female and the first African-American newscaster in Nashville. She was promoted to anchor, the most important position on the news team, while still a senior.
After Oprah graduated she got a job with a Baltimore news station. But she soon realized that broadcasting news wasn't enough for her. She had to let her personality shine through. She wanted to show emotion when she told a story, not just report it. Meanwhile the station managers were thinking the same way. They removed her from the anchor spot and wondered what to do with her. Finally they put her on an early morning talk show called People Are Talking. No one knew what to expect. The show was a great success. In a very short time, the managers and Oprah all knew what she was born to do. She was everything a talk show host should be.
She was so successful that she got a show with a bigger station in Chicago. In 1985 the show was changed to The Oprah Winfrey Show. It was broadcast nationally and soon became the most popular talk show on television. By the age of 35, Oprah Winfrey was one of the most famous celebrities in America.
|
What show did she get after?
|
After news she joined an early morning talk show called People Are Talking
|
Oprah Winfrey has come a long way from her poor childhood home in a small Mississippi town. She was an unwanted child whose parents never married. She was brought up on her grandmother's farm. The possibility that she would become rich and famous was slim.
Oprah's mother left her child in her mother's care, so she could go to work in Milwaukee, Wisconsin. It was a strict and difficult life for Oprah. But it also led the way for her future.
She was a highly intelligent child. By the age of three, she had learned to read and write. She also made her first public appearance at that age. Oprah's intelligence was resented by other children of her age. They called her unkind names and pushed her away. Oprah felt very isolated and unwanted. It made her feel worse that she didn't live with her mother and father. She felt that no one loved her. This made her angry and rebellious . These feelings brought her much trouble as she was growing up. She often behaved badly, causing her grandmother to punish her. By the age of seven, she was too much for her grandmother to discipline.
Then Oprah went to live with her mother, Vernita, who worked very hard as a housekeeper in Milwaukee. It was hard for her to work and take care of her bright, troublesome child. They lived in poverty in a small apartment. Oprah took out all her angry feelings on her mother. When Oprah was eight, Vernita sent her to live with her father and stepmother in Nashville, Tennessee.
But she moved again a few months later when Vernita married a man with two children. Vernita wanted Oprah to be with her and her new family. Unfortunately, she felt she didn't belong with them. She believed she wasn't loved by anyone. Her angry and frustration grew stronger. She struck back by misbehaving and running away from home. Her parents found her impossible to discipline. When she was 14, they tried to send her to a special center for troubled girls.
But there was no room for her. So Vernita sent Oprah back to live with her father. Vernon Winfrey was by then a successful businessman and family man. He took one look at his daughter and knew she needed love, guidance and discipline. He gave her all three. It was a turning point in Oprah's life. He was strict about his daughter's education.
He gave her homework in addition to her schoolwork. She was allowed to watch only one hour of television a day. She became an A student and a popular girl in her class. Oprah watched Barbara Walters, a famous journalist, and decided that was what she wanted to be.
When she was still in high school, she got a part-time job reading news on the radio. In her senior year she won a beauty contest and a four-year scholarship to Tennessee State University.
While still in college she was offered a job as a news broadcaster at a local television station. She was the first female and the first African-American newscaster in Nashville. She was promoted to anchor, the most important position on the news team, while still a senior.
After Oprah graduated she got a job with a Baltimore news station. But she soon realized that broadcasting news wasn't enough for her. She had to let her personality shine through. She wanted to show emotion when she told a story, not just report it. Meanwhile the station managers were thinking the same way. They removed her from the anchor spot and wondered what to do with her. Finally they put her on an early morning talk show called People Are Talking. No one knew what to expect. The show was a great success. In a very short time, the managers and Oprah all knew what she was born to do. She was everything a talk show host should be.
She was so successful that she got a show with a bigger station in Chicago. In 1985 the show was changed to The Oprah Winfrey Show. It was broadcast nationally and soon became the most popular talk show on television. By the age of 35, Oprah Winfrey was one of the most famous celebrities in America.
|
Who did her mom make her move in with?
|
She sent her to live with her father and stepmother
|
CHAPTER IX: A PAINFUL TIME
When Ned was left alone he rolled himself up in the blankets, placed a pillow which Polly had brought him under his head, and lay and looked at the fire; but it was not until the flames had died down, and the last red glow had faded into blackness that he fell off to sleep.
His thoughts were bitter in the extreme. He pictured to himself the change which would take place in his home life with Mulready the manufacturer, the tyrant of the workmen, ruling over it. For himself he doubted not that he would be able to hold his own.
"He had better not try on his games with me," he muttered savagely. "Though I am only sixteen he won't find it easy to bully me; but of course Charlie and Lucy can't defend themselves. However, I will take care of them. Just let him be unkind to them, and see what comes of it! As to mother, she must take what she gets, at least she deserves to. Only to think of it! only to think of it! Oh, how bitterly she will come to repent! How could she do it!
"And with father only dead a year! But I must stand by her, too. I promised father to be kind to her, though he could never have guessed how she would need it. He meant that I would only put up, without losing my temper, with her way of always pretending to be ill, and never doing anything but lie on the sofa and read poetry. Still, of course, it meant I was to be kind anyhow, whatever happened, and I will try to be so, though it is hard when she has brought such trouble upon us all.
|
How old was Fred?
|
sixteen
|
CHAPTER IX: A PAINFUL TIME
When Ned was left alone he rolled himself up in the blankets, placed a pillow which Polly had brought him under his head, and lay and looked at the fire; but it was not until the flames had died down, and the last red glow had faded into blackness that he fell off to sleep.
His thoughts were bitter in the extreme. He pictured to himself the change which would take place in his home life with Mulready the manufacturer, the tyrant of the workmen, ruling over it. For himself he doubted not that he would be able to hold his own.
"He had better not try on his games with me," he muttered savagely. "Though I am only sixteen he won't find it easy to bully me; but of course Charlie and Lucy can't defend themselves. However, I will take care of them. Just let him be unkind to them, and see what comes of it! As to mother, she must take what she gets, at least she deserves to. Only to think of it! only to think of it! Oh, how bitterly she will come to repent! How could she do it!
"And with father only dead a year! But I must stand by her, too. I promised father to be kind to her, though he could never have guessed how she would need it. He meant that I would only put up, without losing my temper, with her way of always pretending to be ill, and never doing anything but lie on the sofa and read poetry. Still, of course, it meant I was to be kind anyhow, whatever happened, and I will try to be so, though it is hard when she has brought such trouble upon us all.
|
Did Ned have family?
|
yes
|
CHAPTER IX: A PAINFUL TIME
When Ned was left alone he rolled himself up in the blankets, placed a pillow which Polly had brought him under his head, and lay and looked at the fire; but it was not until the flames had died down, and the last red glow had faded into blackness that he fell off to sleep.
His thoughts were bitter in the extreme. He pictured to himself the change which would take place in his home life with Mulready the manufacturer, the tyrant of the workmen, ruling over it. For himself he doubted not that he would be able to hold his own.
"He had better not try on his games with me," he muttered savagely. "Though I am only sixteen he won't find it easy to bully me; but of course Charlie and Lucy can't defend themselves. However, I will take care of them. Just let him be unkind to them, and see what comes of it! As to mother, she must take what she gets, at least she deserves to. Only to think of it! only to think of it! Oh, how bitterly she will come to repent! How could she do it!
"And with father only dead a year! But I must stand by her, too. I promised father to be kind to her, though he could never have guessed how she would need it. He meant that I would only put up, without losing my temper, with her way of always pretending to be ill, and never doing anything but lie on the sofa and read poetry. Still, of course, it meant I was to be kind anyhow, whatever happened, and I will try to be so, though it is hard when she has brought such trouble upon us all.
|
Who?
|
a mother
|
CHAPTER IX: A PAINFUL TIME
When Ned was left alone he rolled himself up in the blankets, placed a pillow which Polly had brought him under his head, and lay and looked at the fire; but it was not until the flames had died down, and the last red glow had faded into blackness that he fell off to sleep.
His thoughts were bitter in the extreme. He pictured to himself the change which would take place in his home life with Mulready the manufacturer, the tyrant of the workmen, ruling over it. For himself he doubted not that he would be able to hold his own.
"He had better not try on his games with me," he muttered savagely. "Though I am only sixteen he won't find it easy to bully me; but of course Charlie and Lucy can't defend themselves. However, I will take care of them. Just let him be unkind to them, and see what comes of it! As to mother, she must take what she gets, at least she deserves to. Only to think of it! only to think of it! Oh, how bitterly she will come to repent! How could she do it!
"And with father only dead a year! But I must stand by her, too. I promised father to be kind to her, though he could never have guessed how she would need it. He meant that I would only put up, without losing my temper, with her way of always pretending to be ill, and never doing anything but lie on the sofa and read poetry. Still, of course, it meant I was to be kind anyhow, whatever happened, and I will try to be so, though it is hard when she has brought such trouble upon us all.
|
Where is his father?
|
dead
|
CHAPTER IX: A PAINFUL TIME
When Ned was left alone he rolled himself up in the blankets, placed a pillow which Polly had brought him under his head, and lay and looked at the fire; but it was not until the flames had died down, and the last red glow had faded into blackness that he fell off to sleep.
His thoughts were bitter in the extreme. He pictured to himself the change which would take place in his home life with Mulready the manufacturer, the tyrant of the workmen, ruling over it. For himself he doubted not that he would be able to hold his own.
"He had better not try on his games with me," he muttered savagely. "Though I am only sixteen he won't find it easy to bully me; but of course Charlie and Lucy can't defend themselves. However, I will take care of them. Just let him be unkind to them, and see what comes of it! As to mother, she must take what she gets, at least she deserves to. Only to think of it! only to think of it! Oh, how bitterly she will come to repent! How could she do it!
"And with father only dead a year! But I must stand by her, too. I promised father to be kind to her, though he could never have guessed how she would need it. He meant that I would only put up, without losing my temper, with her way of always pretending to be ill, and never doing anything but lie on the sofa and read poetry. Still, of course, it meant I was to be kind anyhow, whatever happened, and I will try to be so, though it is hard when she has brought such trouble upon us all.
|
Did he have siblings?
|
yes
|
CHAPTER IX: A PAINFUL TIME
When Ned was left alone he rolled himself up in the blankets, placed a pillow which Polly had brought him under his head, and lay and looked at the fire; but it was not until the flames had died down, and the last red glow had faded into blackness that he fell off to sleep.
His thoughts were bitter in the extreme. He pictured to himself the change which would take place in his home life with Mulready the manufacturer, the tyrant of the workmen, ruling over it. For himself he doubted not that he would be able to hold his own.
"He had better not try on his games with me," he muttered savagely. "Though I am only sixteen he won't find it easy to bully me; but of course Charlie and Lucy can't defend themselves. However, I will take care of them. Just let him be unkind to them, and see what comes of it! As to mother, she must take what she gets, at least she deserves to. Only to think of it! only to think of it! Oh, how bitterly she will come to repent! How could she do it!
"And with father only dead a year! But I must stand by her, too. I promised father to be kind to her, though he could never have guessed how she would need it. He meant that I would only put up, without losing my temper, with her way of always pretending to be ill, and never doing anything but lie on the sofa and read poetry. Still, of course, it meant I was to be kind anyhow, whatever happened, and I will try to be so, though it is hard when she has brought such trouble upon us all.
|
Were they older or younger?
|
unknown
|
CHAPTER IX: A PAINFUL TIME
When Ned was left alone he rolled himself up in the blankets, placed a pillow which Polly had brought him under his head, and lay and looked at the fire; but it was not until the flames had died down, and the last red glow had faded into blackness that he fell off to sleep.
His thoughts were bitter in the extreme. He pictured to himself the change which would take place in his home life with Mulready the manufacturer, the tyrant of the workmen, ruling over it. For himself he doubted not that he would be able to hold his own.
"He had better not try on his games with me," he muttered savagely. "Though I am only sixteen he won't find it easy to bully me; but of course Charlie and Lucy can't defend themselves. However, I will take care of them. Just let him be unkind to them, and see what comes of it! As to mother, she must take what she gets, at least she deserves to. Only to think of it! only to think of it! Oh, how bitterly she will come to repent! How could she do it!
"And with father only dead a year! But I must stand by her, too. I promised father to be kind to her, though he could never have guessed how she would need it. He meant that I would only put up, without losing my temper, with her way of always pretending to be ill, and never doing anything but lie on the sofa and read poetry. Still, of course, it meant I was to be kind anyhow, whatever happened, and I will try to be so, though it is hard when she has brought such trouble upon us all.
|
Did he feel as if he had to protect them?
|
yes
|
CHAPTER IX: A PAINFUL TIME
When Ned was left alone he rolled himself up in the blankets, placed a pillow which Polly had brought him under his head, and lay and looked at the fire; but it was not until the flames had died down, and the last red glow had faded into blackness that he fell off to sleep.
His thoughts were bitter in the extreme. He pictured to himself the change which would take place in his home life with Mulready the manufacturer, the tyrant of the workmen, ruling over it. For himself he doubted not that he would be able to hold his own.
"He had better not try on his games with me," he muttered savagely. "Though I am only sixteen he won't find it easy to bully me; but of course Charlie and Lucy can't defend themselves. However, I will take care of them. Just let him be unkind to them, and see what comes of it! As to mother, she must take what she gets, at least she deserves to. Only to think of it! only to think of it! Oh, how bitterly she will come to repent! How could she do it!
"And with father only dead a year! But I must stand by her, too. I promised father to be kind to her, though he could never have guessed how she would need it. He meant that I would only put up, without losing my temper, with her way of always pretending to be ill, and never doing anything but lie on the sofa and read poetry. Still, of course, it meant I was to be kind anyhow, whatever happened, and I will try to be so, though it is hard when she has brought such trouble upon us all.
|
How did he feel about his mother?
|
she must take what she gets
|
CHAPTER IX: A PAINFUL TIME
When Ned was left alone he rolled himself up in the blankets, placed a pillow which Polly had brought him under his head, and lay and looked at the fire; but it was not until the flames had died down, and the last red glow had faded into blackness that he fell off to sleep.
His thoughts were bitter in the extreme. He pictured to himself the change which would take place in his home life with Mulready the manufacturer, the tyrant of the workmen, ruling over it. For himself he doubted not that he would be able to hold his own.
"He had better not try on his games with me," he muttered savagely. "Though I am only sixteen he won't find it easy to bully me; but of course Charlie and Lucy can't defend themselves. However, I will take care of them. Just let him be unkind to them, and see what comes of it! As to mother, she must take what she gets, at least she deserves to. Only to think of it! only to think of it! Oh, how bitterly she will come to repent! How could she do it!
"And with father only dead a year! But I must stand by her, too. I promised father to be kind to her, though he could never have guessed how she would need it. He meant that I would only put up, without losing my temper, with her way of always pretending to be ill, and never doing anything but lie on the sofa and read poetry. Still, of course, it meant I was to be kind anyhow, whatever happened, and I will try to be so, though it is hard when she has brought such trouble upon us all.
|
Why?
|
she deserves to
|
CHAPTER IX: A PAINFUL TIME
When Ned was left alone he rolled himself up in the blankets, placed a pillow which Polly had brought him under his head, and lay and looked at the fire; but it was not until the flames had died down, and the last red glow had faded into blackness that he fell off to sleep.
His thoughts were bitter in the extreme. He pictured to himself the change which would take place in his home life with Mulready the manufacturer, the tyrant of the workmen, ruling over it. For himself he doubted not that he would be able to hold his own.
"He had better not try on his games with me," he muttered savagely. "Though I am only sixteen he won't find it easy to bully me; but of course Charlie and Lucy can't defend themselves. However, I will take care of them. Just let him be unkind to them, and see what comes of it! As to mother, she must take what she gets, at least she deserves to. Only to think of it! only to think of it! Oh, how bitterly she will come to repent! How could she do it!
"And with father only dead a year! But I must stand by her, too. I promised father to be kind to her, though he could never have guessed how she would need it. He meant that I would only put up, without losing my temper, with her way of always pretending to be ill, and never doing anything but lie on the sofa and read poetry. Still, of course, it meant I was to be kind anyhow, whatever happened, and I will try to be so, though it is hard when she has brought such trouble upon us all.
|
What had Ted promised his father?
|
to be kind to her
|
CHAPTER IX: A PAINFUL TIME
When Ned was left alone he rolled himself up in the blankets, placed a pillow which Polly had brought him under his head, and lay and looked at the fire; but it was not until the flames had died down, and the last red glow had faded into blackness that he fell off to sleep.
His thoughts were bitter in the extreme. He pictured to himself the change which would take place in his home life with Mulready the manufacturer, the tyrant of the workmen, ruling over it. For himself he doubted not that he would be able to hold his own.
"He had better not try on his games with me," he muttered savagely. "Though I am only sixteen he won't find it easy to bully me; but of course Charlie and Lucy can't defend themselves. However, I will take care of them. Just let him be unkind to them, and see what comes of it! As to mother, she must take what she gets, at least she deserves to. Only to think of it! only to think of it! Oh, how bitterly she will come to repent! How could she do it!
"And with father only dead a year! But I must stand by her, too. I promised father to be kind to her, though he could never have guessed how she would need it. He meant that I would only put up, without losing my temper, with her way of always pretending to be ill, and never doing anything but lie on the sofa and read poetry. Still, of course, it meant I was to be kind anyhow, whatever happened, and I will try to be so, though it is hard when she has brought such trouble upon us all.
|
Was he bitter?
|
no
|
CHAPTER IX: A PAINFUL TIME
When Ned was left alone he rolled himself up in the blankets, placed a pillow which Polly had brought him under his head, and lay and looked at the fire; but it was not until the flames had died down, and the last red glow had faded into blackness that he fell off to sleep.
His thoughts were bitter in the extreme. He pictured to himself the change which would take place in his home life with Mulready the manufacturer, the tyrant of the workmen, ruling over it. For himself he doubted not that he would be able to hold his own.
"He had better not try on his games with me," he muttered savagely. "Though I am only sixteen he won't find it easy to bully me; but of course Charlie and Lucy can't defend themselves. However, I will take care of them. Just let him be unkind to them, and see what comes of it! As to mother, she must take what she gets, at least she deserves to. Only to think of it! only to think of it! Oh, how bitterly she will come to repent! How could she do it!
"And with father only dead a year! But I must stand by her, too. I promised father to be kind to her, though he could never have guessed how she would need it. He meant that I would only put up, without losing my temper, with her way of always pretending to be ill, and never doing anything but lie on the sofa and read poetry. Still, of course, it meant I was to be kind anyhow, whatever happened, and I will try to be so, though it is hard when she has brought such trouble upon us all.
|
When did he finally fall asleep?
|
when the flames had died dow
|
CHAPTER IX: A PAINFUL TIME
When Ned was left alone he rolled himself up in the blankets, placed a pillow which Polly had brought him under his head, and lay and looked at the fire; but it was not until the flames had died down, and the last red glow had faded into blackness that he fell off to sleep.
His thoughts were bitter in the extreme. He pictured to himself the change which would take place in his home life with Mulready the manufacturer, the tyrant of the workmen, ruling over it. For himself he doubted not that he would be able to hold his own.
"He had better not try on his games with me," he muttered savagely. "Though I am only sixteen he won't find it easy to bully me; but of course Charlie and Lucy can't defend themselves. However, I will take care of them. Just let him be unkind to them, and see what comes of it! As to mother, she must take what she gets, at least she deserves to. Only to think of it! only to think of it! Oh, how bitterly she will come to repent! How could she do it!
"And with father only dead a year! But I must stand by her, too. I promised father to be kind to her, though he could never have guessed how she would need it. He meant that I would only put up, without losing my temper, with her way of always pretending to be ill, and never doing anything but lie on the sofa and read poetry. Still, of course, it meant I was to be kind anyhow, whatever happened, and I will try to be so, though it is hard when she has brought such trouble upon us all.
|
Did he have a blanket?
|
yes
|
CHAPTER IX: A PAINFUL TIME
When Ned was left alone he rolled himself up in the blankets, placed a pillow which Polly had brought him under his head, and lay and looked at the fire; but it was not until the flames had died down, and the last red glow had faded into blackness that he fell off to sleep.
His thoughts were bitter in the extreme. He pictured to himself the change which would take place in his home life with Mulready the manufacturer, the tyrant of the workmen, ruling over it. For himself he doubted not that he would be able to hold his own.
"He had better not try on his games with me," he muttered savagely. "Though I am only sixteen he won't find it easy to bully me; but of course Charlie and Lucy can't defend themselves. However, I will take care of them. Just let him be unkind to them, and see what comes of it! As to mother, she must take what she gets, at least she deserves to. Only to think of it! only to think of it! Oh, how bitterly she will come to repent! How could she do it!
"And with father only dead a year! But I must stand by her, too. I promised father to be kind to her, though he could never have guessed how she would need it. He meant that I would only put up, without losing my temper, with her way of always pretending to be ill, and never doing anything but lie on the sofa and read poetry. Still, of course, it meant I was to be kind anyhow, whatever happened, and I will try to be so, though it is hard when she has brought such trouble upon us all.
|
Who was he thinking about?
|
Mulready
|
CHAPTER IX: A PAINFUL TIME
When Ned was left alone he rolled himself up in the blankets, placed a pillow which Polly had brought him under his head, and lay and looked at the fire; but it was not until the flames had died down, and the last red glow had faded into blackness that he fell off to sleep.
His thoughts were bitter in the extreme. He pictured to himself the change which would take place in his home life with Mulready the manufacturer, the tyrant of the workmen, ruling over it. For himself he doubted not that he would be able to hold his own.
"He had better not try on his games with me," he muttered savagely. "Though I am only sixteen he won't find it easy to bully me; but of course Charlie and Lucy can't defend themselves. However, I will take care of them. Just let him be unkind to them, and see what comes of it! As to mother, she must take what she gets, at least she deserves to. Only to think of it! only to think of it! Oh, how bitterly she will come to repent! How could she do it!
"And with father only dead a year! But I must stand by her, too. I promised father to be kind to her, though he could never have guessed how she would need it. He meant that I would only put up, without losing my temper, with her way of always pretending to be ill, and never doing anything but lie on the sofa and read poetry. Still, of course, it meant I was to be kind anyhow, whatever happened, and I will try to be so, though it is hard when she has brought such trouble upon us all.
|
Who was that?
|
the manufacturer,
|
CHAPTER IX: A PAINFUL TIME
When Ned was left alone he rolled himself up in the blankets, placed a pillow which Polly had brought him under his head, and lay and looked at the fire; but it was not until the flames had died down, and the last red glow had faded into blackness that he fell off to sleep.
His thoughts were bitter in the extreme. He pictured to himself the change which would take place in his home life with Mulready the manufacturer, the tyrant of the workmen, ruling over it. For himself he doubted not that he would be able to hold his own.
"He had better not try on his games with me," he muttered savagely. "Though I am only sixteen he won't find it easy to bully me; but of course Charlie and Lucy can't defend themselves. However, I will take care of them. Just let him be unkind to them, and see what comes of it! As to mother, she must take what she gets, at least she deserves to. Only to think of it! only to think of it! Oh, how bitterly she will come to repent! How could she do it!
"And with father only dead a year! But I must stand by her, too. I promised father to be kind to her, though he could never have guessed how she would need it. He meant that I would only put up, without losing my temper, with her way of always pretending to be ill, and never doing anything but lie on the sofa and read poetry. Still, of course, it meant I was to be kind anyhow, whatever happened, and I will try to be so, though it is hard when she has brought such trouble upon us all.
|
Was he known to be a tyrant?
|
yes
|
CHAPTER IX: A PAINFUL TIME
When Ned was left alone he rolled himself up in the blankets, placed a pillow which Polly had brought him under his head, and lay and looked at the fire; but it was not until the flames had died down, and the last red glow had faded into blackness that he fell off to sleep.
His thoughts were bitter in the extreme. He pictured to himself the change which would take place in his home life with Mulready the manufacturer, the tyrant of the workmen, ruling over it. For himself he doubted not that he would be able to hold his own.
"He had better not try on his games with me," he muttered savagely. "Though I am only sixteen he won't find it easy to bully me; but of course Charlie and Lucy can't defend themselves. However, I will take care of them. Just let him be unkind to them, and see what comes of it! As to mother, she must take what she gets, at least she deserves to. Only to think of it! only to think of it! Oh, how bitterly she will come to repent! How could she do it!
"And with father only dead a year! But I must stand by her, too. I promised father to be kind to her, though he could never have guessed how she would need it. He meant that I would only put up, without losing my temper, with her way of always pretending to be ill, and never doing anything but lie on the sofa and read poetry. Still, of course, it meant I was to be kind anyhow, whatever happened, and I will try to be so, though it is hard when she has brought such trouble upon us all.
|
What did his mother like to read?
|
poetry
|
CHAPTER IX: A PAINFUL TIME
When Ned was left alone he rolled himself up in the blankets, placed a pillow which Polly had brought him under his head, and lay and looked at the fire; but it was not until the flames had died down, and the last red glow had faded into blackness that he fell off to sleep.
His thoughts were bitter in the extreme. He pictured to himself the change which would take place in his home life with Mulready the manufacturer, the tyrant of the workmen, ruling over it. For himself he doubted not that he would be able to hold his own.
"He had better not try on his games with me," he muttered savagely. "Though I am only sixteen he won't find it easy to bully me; but of course Charlie and Lucy can't defend themselves. However, I will take care of them. Just let him be unkind to them, and see what comes of it! As to mother, she must take what she gets, at least she deserves to. Only to think of it! only to think of it! Oh, how bitterly she will come to repent! How could she do it!
"And with father only dead a year! But I must stand by her, too. I promised father to be kind to her, though he could never have guessed how she would need it. He meant that I would only put up, without losing my temper, with her way of always pretending to be ill, and never doing anything but lie on the sofa and read poetry. Still, of course, it meant I was to be kind anyhow, whatever happened, and I will try to be so, though it is hard when she has brought such trouble upon us all.
|
Where would she do that?
|
on the sofa
|
CHAPTER IX: A PAINFUL TIME
When Ned was left alone he rolled himself up in the blankets, placed a pillow which Polly had brought him under his head, and lay and looked at the fire; but it was not until the flames had died down, and the last red glow had faded into blackness that he fell off to sleep.
His thoughts were bitter in the extreme. He pictured to himself the change which would take place in his home life with Mulready the manufacturer, the tyrant of the workmen, ruling over it. For himself he doubted not that he would be able to hold his own.
"He had better not try on his games with me," he muttered savagely. "Though I am only sixteen he won't find it easy to bully me; but of course Charlie and Lucy can't defend themselves. However, I will take care of them. Just let him be unkind to them, and see what comes of it! As to mother, she must take what she gets, at least she deserves to. Only to think of it! only to think of it! Oh, how bitterly she will come to repent! How could she do it!
"And with father only dead a year! But I must stand by her, too. I promised father to be kind to her, though he could never have guessed how she would need it. He meant that I would only put up, without losing my temper, with her way of always pretending to be ill, and never doing anything but lie on the sofa and read poetry. Still, of course, it meant I was to be kind anyhow, whatever happened, and I will try to be so, though it is hard when she has brought such trouble upon us all.
|
Was she dating Mulready?
|
unknown
|
CHAPTER IX: A PAINFUL TIME
When Ned was left alone he rolled himself up in the blankets, placed a pillow which Polly had brought him under his head, and lay and looked at the fire; but it was not until the flames had died down, and the last red glow had faded into blackness that he fell off to sleep.
His thoughts were bitter in the extreme. He pictured to himself the change which would take place in his home life with Mulready the manufacturer, the tyrant of the workmen, ruling over it. For himself he doubted not that he would be able to hold his own.
"He had better not try on his games with me," he muttered savagely. "Though I am only sixteen he won't find it easy to bully me; but of course Charlie and Lucy can't defend themselves. However, I will take care of them. Just let him be unkind to them, and see what comes of it! As to mother, she must take what she gets, at least she deserves to. Only to think of it! only to think of it! Oh, how bitterly she will come to repent! How could she do it!
"And with father only dead a year! But I must stand by her, too. I promised father to be kind to her, though he could never have guessed how she would need it. He meant that I would only put up, without losing my temper, with her way of always pretending to be ill, and never doing anything but lie on the sofa and read poetry. Still, of course, it meant I was to be kind anyhow, whatever happened, and I will try to be so, though it is hard when she has brought such trouble upon us all.
|
Was Mulready in control of their home?
|
yes
|
(CNN) -- Novak Djokovic wasted little time in breezing through to the second round of the French Open with a straight sets victory over Dutchman Thiemo De Bakker in Paris Monday.
The victory extends Djokovic's remarkable winning streak since the start of the year to 38, four short of the record held by John McEnroe from 1984.
Djokovic's overall winning run, taking in the end of last season, extends to 40 and if he claims the French Open title he will tie Guillermo Villas for the all-time record of 46.
The Serbian took just one hour 32 minutes to claim a 6-2 6-1 6-3 victory on the Philipe Chartrier court at Roland Garros, breaking his young opponent at will with another commanding display.
Djokovic will face either French wild card Benoit Paire or Romania's Victor Hanescu for a place in the last 32.
"It's my favorite grand slam, even though I haven't won it yet," Djokovic told gathered reporters.
"I've been playing really well on clay. I've won three tournaments (on clay) in the last few weeks, so I'm trying to build on that confidence," he added.
Djokovic won the opening grand slam of the season in Australia and has claimed six other titles, including four Masters events.
Roger Federer joined Djokovic in the second round after he dispatched Spaniard Feliciano Lopez with a 6-3 6-4 7-6 victory in the next match on the main court.
A single break of service in each of the first two sets put the Swiss maestro in command and he closed out the deciding tiebreaker 7-3 to progress.
|
Who is in the French Open?
|
Novak Djokovic is one of the competitors.
|
(CNN) -- Novak Djokovic wasted little time in breezing through to the second round of the French Open with a straight sets victory over Dutchman Thiemo De Bakker in Paris Monday.
The victory extends Djokovic's remarkable winning streak since the start of the year to 38, four short of the record held by John McEnroe from 1984.
Djokovic's overall winning run, taking in the end of last season, extends to 40 and if he claims the French Open title he will tie Guillermo Villas for the all-time record of 46.
The Serbian took just one hour 32 minutes to claim a 6-2 6-1 6-3 victory on the Philipe Chartrier court at Roland Garros, breaking his young opponent at will with another commanding display.
Djokovic will face either French wild card Benoit Paire or Romania's Victor Hanescu for a place in the last 32.
"It's my favorite grand slam, even though I haven't won it yet," Djokovic told gathered reporters.
"I've been playing really well on clay. I've won three tournaments (on clay) in the last few weeks, so I'm trying to build on that confidence," he added.
Djokovic won the opening grand slam of the season in Australia and has claimed six other titles, including four Masters events.
Roger Federer joined Djokovic in the second round after he dispatched Spaniard Feliciano Lopez with a 6-3 6-4 7-6 victory in the next match on the main court.
A single break of service in each of the first two sets put the Swiss maestro in command and he closed out the deciding tiebreaker 7-3 to progress.
|
How many Masters has he won?
|
He's won four this year.
|
(CNN) -- Novak Djokovic wasted little time in breezing through to the second round of the French Open with a straight sets victory over Dutchman Thiemo De Bakker in Paris Monday.
The victory extends Djokovic's remarkable winning streak since the start of the year to 38, four short of the record held by John McEnroe from 1984.
Djokovic's overall winning run, taking in the end of last season, extends to 40 and if he claims the French Open title he will tie Guillermo Villas for the all-time record of 46.
The Serbian took just one hour 32 minutes to claim a 6-2 6-1 6-3 victory on the Philipe Chartrier court at Roland Garros, breaking his young opponent at will with another commanding display.
Djokovic will face either French wild card Benoit Paire or Romania's Victor Hanescu for a place in the last 32.
"It's my favorite grand slam, even though I haven't won it yet," Djokovic told gathered reporters.
"I've been playing really well on clay. I've won three tournaments (on clay) in the last few weeks, so I'm trying to build on that confidence," he added.
Djokovic won the opening grand slam of the season in Australia and has claimed six other titles, including four Masters events.
Roger Federer joined Djokovic in the second round after he dispatched Spaniard Feliciano Lopez with a 6-3 6-4 7-6 victory in the next match on the main court.
A single break of service in each of the first two sets put the Swiss maestro in command and he closed out the deciding tiebreaker 7-3 to progress.
|
Who else is in the French Open?
|
Philipe Chartrier was one of the players.
|
(CNN) -- Novak Djokovic wasted little time in breezing through to the second round of the French Open with a straight sets victory over Dutchman Thiemo De Bakker in Paris Monday.
The victory extends Djokovic's remarkable winning streak since the start of the year to 38, four short of the record held by John McEnroe from 1984.
Djokovic's overall winning run, taking in the end of last season, extends to 40 and if he claims the French Open title he will tie Guillermo Villas for the all-time record of 46.
The Serbian took just one hour 32 minutes to claim a 6-2 6-1 6-3 victory on the Philipe Chartrier court at Roland Garros, breaking his young opponent at will with another commanding display.
Djokovic will face either French wild card Benoit Paire or Romania's Victor Hanescu for a place in the last 32.
"It's my favorite grand slam, even though I haven't won it yet," Djokovic told gathered reporters.
"I've been playing really well on clay. I've won three tournaments (on clay) in the last few weeks, so I'm trying to build on that confidence," he added.
Djokovic won the opening grand slam of the season in Australia and has claimed six other titles, including four Masters events.
Roger Federer joined Djokovic in the second round after he dispatched Spaniard Feliciano Lopez with a 6-3 6-4 7-6 victory in the next match on the main court.
A single break of service in each of the first two sets put the Swiss maestro in command and he closed out the deciding tiebreaker 7-3 to progress.
|
How many victories does Djokovic have this year?
|
38 wins so far.
|
(CNN) -- Novak Djokovic wasted little time in breezing through to the second round of the French Open with a straight sets victory over Dutchman Thiemo De Bakker in Paris Monday.
The victory extends Djokovic's remarkable winning streak since the start of the year to 38, four short of the record held by John McEnroe from 1984.
Djokovic's overall winning run, taking in the end of last season, extends to 40 and if he claims the French Open title he will tie Guillermo Villas for the all-time record of 46.
The Serbian took just one hour 32 minutes to claim a 6-2 6-1 6-3 victory on the Philipe Chartrier court at Roland Garros, breaking his young opponent at will with another commanding display.
Djokovic will face either French wild card Benoit Paire or Romania's Victor Hanescu for a place in the last 32.
"It's my favorite grand slam, even though I haven't won it yet," Djokovic told gathered reporters.
"I've been playing really well on clay. I've won three tournaments (on clay) in the last few weeks, so I'm trying to build on that confidence," he added.
Djokovic won the opening grand slam of the season in Australia and has claimed six other titles, including four Masters events.
Roger Federer joined Djokovic in the second round after he dispatched Spaniard Feliciano Lopez with a 6-3 6-4 7-6 victory in the next match on the main court.
A single break of service in each of the first two sets put the Swiss maestro in command and he closed out the deciding tiebreaker 7-3 to progress.
|
Who holds the record?
|
John McEnroe is the record holder.
|
(CNN) -- Novak Djokovic wasted little time in breezing through to the second round of the French Open with a straight sets victory over Dutchman Thiemo De Bakker in Paris Monday.
The victory extends Djokovic's remarkable winning streak since the start of the year to 38, four short of the record held by John McEnroe from 1984.
Djokovic's overall winning run, taking in the end of last season, extends to 40 and if he claims the French Open title he will tie Guillermo Villas for the all-time record of 46.
The Serbian took just one hour 32 minutes to claim a 6-2 6-1 6-3 victory on the Philipe Chartrier court at Roland Garros, breaking his young opponent at will with another commanding display.
Djokovic will face either French wild card Benoit Paire or Romania's Victor Hanescu for a place in the last 32.
"It's my favorite grand slam, even though I haven't won it yet," Djokovic told gathered reporters.
"I've been playing really well on clay. I've won three tournaments (on clay) in the last few weeks, so I'm trying to build on that confidence," he added.
Djokovic won the opening grand slam of the season in Australia and has claimed six other titles, including four Masters events.
Roger Federer joined Djokovic in the second round after he dispatched Spaniard Feliciano Lopez with a 6-3 6-4 7-6 victory in the next match on the main court.
A single break of service in each of the first two sets put the Swiss maestro in command and he closed out the deciding tiebreaker 7-3 to progress.
|
What year?
|
He did it in 1984.
|
(CNN) -- Novak Djokovic wasted little time in breezing through to the second round of the French Open with a straight sets victory over Dutchman Thiemo De Bakker in Paris Monday.
The victory extends Djokovic's remarkable winning streak since the start of the year to 38, four short of the record held by John McEnroe from 1984.
Djokovic's overall winning run, taking in the end of last season, extends to 40 and if he claims the French Open title he will tie Guillermo Villas for the all-time record of 46.
The Serbian took just one hour 32 minutes to claim a 6-2 6-1 6-3 victory on the Philipe Chartrier court at Roland Garros, breaking his young opponent at will with another commanding display.
Djokovic will face either French wild card Benoit Paire or Romania's Victor Hanescu for a place in the last 32.
"It's my favorite grand slam, even though I haven't won it yet," Djokovic told gathered reporters.
"I've been playing really well on clay. I've won three tournaments (on clay) in the last few weeks, so I'm trying to build on that confidence," he added.
Djokovic won the opening grand slam of the season in Australia and has claimed six other titles, including four Masters events.
Roger Federer joined Djokovic in the second round after he dispatched Spaniard Feliciano Lopez with a 6-3 6-4 7-6 victory in the next match on the main court.
A single break of service in each of the first two sets put the Swiss maestro in command and he closed out the deciding tiebreaker 7-3 to progress.
|
What is the record?
|
four short which would be 42.
|
(CNN) -- Novak Djokovic wasted little time in breezing through to the second round of the French Open with a straight sets victory over Dutchman Thiemo De Bakker in Paris Monday.
The victory extends Djokovic's remarkable winning streak since the start of the year to 38, four short of the record held by John McEnroe from 1984.
Djokovic's overall winning run, taking in the end of last season, extends to 40 and if he claims the French Open title he will tie Guillermo Villas for the all-time record of 46.
The Serbian took just one hour 32 minutes to claim a 6-2 6-1 6-3 victory on the Philipe Chartrier court at Roland Garros, breaking his young opponent at will with another commanding display.
Djokovic will face either French wild card Benoit Paire or Romania's Victor Hanescu for a place in the last 32.
"It's my favorite grand slam, even though I haven't won it yet," Djokovic told gathered reporters.
"I've been playing really well on clay. I've won three tournaments (on clay) in the last few weeks, so I'm trying to build on that confidence," he added.
Djokovic won the opening grand slam of the season in Australia and has claimed six other titles, including four Masters events.
Roger Federer joined Djokovic in the second round after he dispatched Spaniard Feliciano Lopez with a 6-3 6-4 7-6 victory in the next match on the main court.
A single break of service in each of the first two sets put the Swiss maestro in command and he closed out the deciding tiebreaker 7-3 to progress.
|
What city hosts the French Open?
|
It's in Roland Garros.
|
Ian McLagan, a fun-loving keyboardist who played on records by such artists as the Rolling Stones, Lucinda Williams, Bruce Springsteen and his own bands -- the Small Faces and its successor, the Faces -- died Wednesday, according to a statement from his record label, Yep Roc Records. He was 69.
The cause of death was complications from a stroke, according to Yep Roc.
Kenney Jones, the Faces' drummer who later joined the Who, expressed his sadness in the statement.
"I am completely devastated by this shocking news and I know this goes for Ronnie (Wood) and Rod (Stewart) also."
The Rock and Roll Hall of Famer's resume was varied and eclectic, his soulful and often joyous organ fills heard on such albums as the Stones' "Some Girls," Lucinda Williams' "Car Wheels on a Gravel Road" and John Mayer's "Battle Studies." A rousing live performer, he played with Bob Dylan and Springsteen and was scheduled to tour with Nick Lowe this winter.
His death comes on the heels of that of another Stones sideman, saxophone player Bobby Keys, who died Tuesday.
McLagan established his abilities while touring with the Small Faces and the Faces. The latter band was particularly known for its good-time habits, like demolishing hotel rooms in classic rock 'n' roll fashion.
"You couldn't go from one town to another and not walk into the identical room in every town," he explained to CNN in a 2004 interview. "So we hurt them."
The Small Faces were heroes of Britain's youth and had a great deal of success there, though just one of their songs, 1967's "Itchycoo Park," cracked the Top 10 in the United States. When lead singer Steve Marriott left the band in 1969, the height-challenged group reformed around the much taller Rod Stewart and Ron Wood and dropped the "Small" from its name.
|
Who was Ian McLagan?
|
a keyboardist
|
Ian McLagan, a fun-loving keyboardist who played on records by such artists as the Rolling Stones, Lucinda Williams, Bruce Springsteen and his own bands -- the Small Faces and its successor, the Faces -- died Wednesday, according to a statement from his record label, Yep Roc Records. He was 69.
The cause of death was complications from a stroke, according to Yep Roc.
Kenney Jones, the Faces' drummer who later joined the Who, expressed his sadness in the statement.
"I am completely devastated by this shocking news and I know this goes for Ronnie (Wood) and Rod (Stewart) also."
The Rock and Roll Hall of Famer's resume was varied and eclectic, his soulful and often joyous organ fills heard on such albums as the Stones' "Some Girls," Lucinda Williams' "Car Wheels on a Gravel Road" and John Mayer's "Battle Studies." A rousing live performer, he played with Bob Dylan and Springsteen and was scheduled to tour with Nick Lowe this winter.
His death comes on the heels of that of another Stones sideman, saxophone player Bobby Keys, who died Tuesday.
McLagan established his abilities while touring with the Small Faces and the Faces. The latter band was particularly known for its good-time habits, like demolishing hotel rooms in classic rock 'n' roll fashion.
"You couldn't go from one town to another and not walk into the identical room in every town," he explained to CNN in a 2004 interview. "So we hurt them."
The Small Faces were heroes of Britain's youth and had a great deal of success there, though just one of their songs, 1967's "Itchycoo Park," cracked the Top 10 in the United States. When lead singer Steve Marriott left the band in 1969, the height-challenged group reformed around the much taller Rod Stewart and Ron Wood and dropped the "Small" from its name.
|
Did he play with anyone famous?
|
yes
|
Ian McLagan, a fun-loving keyboardist who played on records by such artists as the Rolling Stones, Lucinda Williams, Bruce Springsteen and his own bands -- the Small Faces and its successor, the Faces -- died Wednesday, according to a statement from his record label, Yep Roc Records. He was 69.
The cause of death was complications from a stroke, according to Yep Roc.
Kenney Jones, the Faces' drummer who later joined the Who, expressed his sadness in the statement.
"I am completely devastated by this shocking news and I know this goes for Ronnie (Wood) and Rod (Stewart) also."
The Rock and Roll Hall of Famer's resume was varied and eclectic, his soulful and often joyous organ fills heard on such albums as the Stones' "Some Girls," Lucinda Williams' "Car Wheels on a Gravel Road" and John Mayer's "Battle Studies." A rousing live performer, he played with Bob Dylan and Springsteen and was scheduled to tour with Nick Lowe this winter.
His death comes on the heels of that of another Stones sideman, saxophone player Bobby Keys, who died Tuesday.
McLagan established his abilities while touring with the Small Faces and the Faces. The latter band was particularly known for its good-time habits, like demolishing hotel rooms in classic rock 'n' roll fashion.
"You couldn't go from one town to another and not walk into the identical room in every town," he explained to CNN in a 2004 interview. "So we hurt them."
The Small Faces were heroes of Britain's youth and had a great deal of success there, though just one of their songs, 1967's "Itchycoo Park," cracked the Top 10 in the United States. When lead singer Steve Marriott left the band in 1969, the height-challenged group reformed around the much taller Rod Stewart and Ron Wood and dropped the "Small" from its name.
|
Who?
|
the Rolling Stones
|
Ian McLagan, a fun-loving keyboardist who played on records by such artists as the Rolling Stones, Lucinda Williams, Bruce Springsteen and his own bands -- the Small Faces and its successor, the Faces -- died Wednesday, according to a statement from his record label, Yep Roc Records. He was 69.
The cause of death was complications from a stroke, according to Yep Roc.
Kenney Jones, the Faces' drummer who later joined the Who, expressed his sadness in the statement.
"I am completely devastated by this shocking news and I know this goes for Ronnie (Wood) and Rod (Stewart) also."
The Rock and Roll Hall of Famer's resume was varied and eclectic, his soulful and often joyous organ fills heard on such albums as the Stones' "Some Girls," Lucinda Williams' "Car Wheels on a Gravel Road" and John Mayer's "Battle Studies." A rousing live performer, he played with Bob Dylan and Springsteen and was scheduled to tour with Nick Lowe this winter.
His death comes on the heels of that of another Stones sideman, saxophone player Bobby Keys, who died Tuesday.
McLagan established his abilities while touring with the Small Faces and the Faces. The latter band was particularly known for its good-time habits, like demolishing hotel rooms in classic rock 'n' roll fashion.
"You couldn't go from one town to another and not walk into the identical room in every town," he explained to CNN in a 2004 interview. "So we hurt them."
The Small Faces were heroes of Britain's youth and had a great deal of success there, though just one of their songs, 1967's "Itchycoo Park," cracked the Top 10 in the United States. When lead singer Steve Marriott left the band in 1969, the height-challenged group reformed around the much taller Rod Stewart and Ron Wood and dropped the "Small" from its name.
|
Anyone else?
|
yes
|
Ian McLagan, a fun-loving keyboardist who played on records by such artists as the Rolling Stones, Lucinda Williams, Bruce Springsteen and his own bands -- the Small Faces and its successor, the Faces -- died Wednesday, according to a statement from his record label, Yep Roc Records. He was 69.
The cause of death was complications from a stroke, according to Yep Roc.
Kenney Jones, the Faces' drummer who later joined the Who, expressed his sadness in the statement.
"I am completely devastated by this shocking news and I know this goes for Ronnie (Wood) and Rod (Stewart) also."
The Rock and Roll Hall of Famer's resume was varied and eclectic, his soulful and often joyous organ fills heard on such albums as the Stones' "Some Girls," Lucinda Williams' "Car Wheels on a Gravel Road" and John Mayer's "Battle Studies." A rousing live performer, he played with Bob Dylan and Springsteen and was scheduled to tour with Nick Lowe this winter.
His death comes on the heels of that of another Stones sideman, saxophone player Bobby Keys, who died Tuesday.
McLagan established his abilities while touring with the Small Faces and the Faces. The latter band was particularly known for its good-time habits, like demolishing hotel rooms in classic rock 'n' roll fashion.
"You couldn't go from one town to another and not walk into the identical room in every town," he explained to CNN in a 2004 interview. "So we hurt them."
The Small Faces were heroes of Britain's youth and had a great deal of success there, though just one of their songs, 1967's "Itchycoo Park," cracked the Top 10 in the United States. When lead singer Steve Marriott left the band in 1969, the height-challenged group reformed around the much taller Rod Stewart and Ron Wood and dropped the "Small" from its name.
|
Like who?
|
Lucinda Williams and Bruce Springsteen
|
Ian McLagan, a fun-loving keyboardist who played on records by such artists as the Rolling Stones, Lucinda Williams, Bruce Springsteen and his own bands -- the Small Faces and its successor, the Faces -- died Wednesday, according to a statement from his record label, Yep Roc Records. He was 69.
The cause of death was complications from a stroke, according to Yep Roc.
Kenney Jones, the Faces' drummer who later joined the Who, expressed his sadness in the statement.
"I am completely devastated by this shocking news and I know this goes for Ronnie (Wood) and Rod (Stewart) also."
The Rock and Roll Hall of Famer's resume was varied and eclectic, his soulful and often joyous organ fills heard on such albums as the Stones' "Some Girls," Lucinda Williams' "Car Wheels on a Gravel Road" and John Mayer's "Battle Studies." A rousing live performer, he played with Bob Dylan and Springsteen and was scheduled to tour with Nick Lowe this winter.
His death comes on the heels of that of another Stones sideman, saxophone player Bobby Keys, who died Tuesday.
McLagan established his abilities while touring with the Small Faces and the Faces. The latter band was particularly known for its good-time habits, like demolishing hotel rooms in classic rock 'n' roll fashion.
"You couldn't go from one town to another and not walk into the identical room in every town," he explained to CNN in a 2004 interview. "So we hurt them."
The Small Faces were heroes of Britain's youth and had a great deal of success there, though just one of their songs, 1967's "Itchycoo Park," cracked the Top 10 in the United States. When lead singer Steve Marriott left the band in 1969, the height-challenged group reformed around the much taller Rod Stewart and Ron Wood and dropped the "Small" from its name.
|
Did he have his own band?
|
yes
|
Ian McLagan, a fun-loving keyboardist who played on records by such artists as the Rolling Stones, Lucinda Williams, Bruce Springsteen and his own bands -- the Small Faces and its successor, the Faces -- died Wednesday, according to a statement from his record label, Yep Roc Records. He was 69.
The cause of death was complications from a stroke, according to Yep Roc.
Kenney Jones, the Faces' drummer who later joined the Who, expressed his sadness in the statement.
"I am completely devastated by this shocking news and I know this goes for Ronnie (Wood) and Rod (Stewart) also."
The Rock and Roll Hall of Famer's resume was varied and eclectic, his soulful and often joyous organ fills heard on such albums as the Stones' "Some Girls," Lucinda Williams' "Car Wheels on a Gravel Road" and John Mayer's "Battle Studies." A rousing live performer, he played with Bob Dylan and Springsteen and was scheduled to tour with Nick Lowe this winter.
His death comes on the heels of that of another Stones sideman, saxophone player Bobby Keys, who died Tuesday.
McLagan established his abilities while touring with the Small Faces and the Faces. The latter band was particularly known for its good-time habits, like demolishing hotel rooms in classic rock 'n' roll fashion.
"You couldn't go from one town to another and not walk into the identical room in every town," he explained to CNN in a 2004 interview. "So we hurt them."
The Small Faces were heroes of Britain's youth and had a great deal of success there, though just one of their songs, 1967's "Itchycoo Park," cracked the Top 10 in the United States. When lead singer Steve Marriott left the band in 1969, the height-challenged group reformed around the much taller Rod Stewart and Ron Wood and dropped the "Small" from its name.
|
What was it called?
|
the Small Faces
|
Ian McLagan, a fun-loving keyboardist who played on records by such artists as the Rolling Stones, Lucinda Williams, Bruce Springsteen and his own bands -- the Small Faces and its successor, the Faces -- died Wednesday, according to a statement from his record label, Yep Roc Records. He was 69.
The cause of death was complications from a stroke, according to Yep Roc.
Kenney Jones, the Faces' drummer who later joined the Who, expressed his sadness in the statement.
"I am completely devastated by this shocking news and I know this goes for Ronnie (Wood) and Rod (Stewart) also."
The Rock and Roll Hall of Famer's resume was varied and eclectic, his soulful and often joyous organ fills heard on such albums as the Stones' "Some Girls," Lucinda Williams' "Car Wheels on a Gravel Road" and John Mayer's "Battle Studies." A rousing live performer, he played with Bob Dylan and Springsteen and was scheduled to tour with Nick Lowe this winter.
His death comes on the heels of that of another Stones sideman, saxophone player Bobby Keys, who died Tuesday.
McLagan established his abilities while touring with the Small Faces and the Faces. The latter band was particularly known for its good-time habits, like demolishing hotel rooms in classic rock 'n' roll fashion.
"You couldn't go from one town to another and not walk into the identical room in every town," he explained to CNN in a 2004 interview. "So we hurt them."
The Small Faces were heroes of Britain's youth and had a great deal of success there, though just one of their songs, 1967's "Itchycoo Park," cracked the Top 10 in the United States. When lead singer Steve Marriott left the band in 1969, the height-challenged group reformed around the much taller Rod Stewart and Ron Wood and dropped the "Small" from its name.
|
Is he still alive?
|
no
|
Ian McLagan, a fun-loving keyboardist who played on records by such artists as the Rolling Stones, Lucinda Williams, Bruce Springsteen and his own bands -- the Small Faces and its successor, the Faces -- died Wednesday, according to a statement from his record label, Yep Roc Records. He was 69.
The cause of death was complications from a stroke, according to Yep Roc.
Kenney Jones, the Faces' drummer who later joined the Who, expressed his sadness in the statement.
"I am completely devastated by this shocking news and I know this goes for Ronnie (Wood) and Rod (Stewart) also."
The Rock and Roll Hall of Famer's resume was varied and eclectic, his soulful and often joyous organ fills heard on such albums as the Stones' "Some Girls," Lucinda Williams' "Car Wheels on a Gravel Road" and John Mayer's "Battle Studies." A rousing live performer, he played with Bob Dylan and Springsteen and was scheduled to tour with Nick Lowe this winter.
His death comes on the heels of that of another Stones sideman, saxophone player Bobby Keys, who died Tuesday.
McLagan established his abilities while touring with the Small Faces and the Faces. The latter band was particularly known for its good-time habits, like demolishing hotel rooms in classic rock 'n' roll fashion.
"You couldn't go from one town to another and not walk into the identical room in every town," he explained to CNN in a 2004 interview. "So we hurt them."
The Small Faces were heroes of Britain's youth and had a great deal of success there, though just one of their songs, 1967's "Itchycoo Park," cracked the Top 10 in the United States. When lead singer Steve Marriott left the band in 1969, the height-challenged group reformed around the much taller Rod Stewart and Ron Wood and dropped the "Small" from its name.
|
When did he die?
|
Wednesday
|
Ian McLagan, a fun-loving keyboardist who played on records by such artists as the Rolling Stones, Lucinda Williams, Bruce Springsteen and his own bands -- the Small Faces and its successor, the Faces -- died Wednesday, according to a statement from his record label, Yep Roc Records. He was 69.
The cause of death was complications from a stroke, according to Yep Roc.
Kenney Jones, the Faces' drummer who later joined the Who, expressed his sadness in the statement.
"I am completely devastated by this shocking news and I know this goes for Ronnie (Wood) and Rod (Stewart) also."
The Rock and Roll Hall of Famer's resume was varied and eclectic, his soulful and often joyous organ fills heard on such albums as the Stones' "Some Girls," Lucinda Williams' "Car Wheels on a Gravel Road" and John Mayer's "Battle Studies." A rousing live performer, he played with Bob Dylan and Springsteen and was scheduled to tour with Nick Lowe this winter.
His death comes on the heels of that of another Stones sideman, saxophone player Bobby Keys, who died Tuesday.
McLagan established his abilities while touring with the Small Faces and the Faces. The latter band was particularly known for its good-time habits, like demolishing hotel rooms in classic rock 'n' roll fashion.
"You couldn't go from one town to another and not walk into the identical room in every town," he explained to CNN in a 2004 interview. "So we hurt them."
The Small Faces were heroes of Britain's youth and had a great deal of success there, though just one of their songs, 1967's "Itchycoo Park," cracked the Top 10 in the United States. When lead singer Steve Marriott left the band in 1969, the height-challenged group reformed around the much taller Rod Stewart and Ron Wood and dropped the "Small" from its name.
|
How old was he?
|
69.
|
Ian McLagan, a fun-loving keyboardist who played on records by such artists as the Rolling Stones, Lucinda Williams, Bruce Springsteen and his own bands -- the Small Faces and its successor, the Faces -- died Wednesday, according to a statement from his record label, Yep Roc Records. He was 69.
The cause of death was complications from a stroke, according to Yep Roc.
Kenney Jones, the Faces' drummer who later joined the Who, expressed his sadness in the statement.
"I am completely devastated by this shocking news and I know this goes for Ronnie (Wood) and Rod (Stewart) also."
The Rock and Roll Hall of Famer's resume was varied and eclectic, his soulful and often joyous organ fills heard on such albums as the Stones' "Some Girls," Lucinda Williams' "Car Wheels on a Gravel Road" and John Mayer's "Battle Studies." A rousing live performer, he played with Bob Dylan and Springsteen and was scheduled to tour with Nick Lowe this winter.
His death comes on the heels of that of another Stones sideman, saxophone player Bobby Keys, who died Tuesday.
McLagan established his abilities while touring with the Small Faces and the Faces. The latter band was particularly known for its good-time habits, like demolishing hotel rooms in classic rock 'n' roll fashion.
"You couldn't go from one town to another and not walk into the identical room in every town," he explained to CNN in a 2004 interview. "So we hurt them."
The Small Faces were heroes of Britain's youth and had a great deal of success there, though just one of their songs, 1967's "Itchycoo Park," cracked the Top 10 in the United States. When lead singer Steve Marriott left the band in 1969, the height-challenged group reformed around the much taller Rod Stewart and Ron Wood and dropped the "Small" from its name.
|
What did people have to say about it?
|
Kenney Jones expressed sadness
|
Ian McLagan, a fun-loving keyboardist who played on records by such artists as the Rolling Stones, Lucinda Williams, Bruce Springsteen and his own bands -- the Small Faces and its successor, the Faces -- died Wednesday, according to a statement from his record label, Yep Roc Records. He was 69.
The cause of death was complications from a stroke, according to Yep Roc.
Kenney Jones, the Faces' drummer who later joined the Who, expressed his sadness in the statement.
"I am completely devastated by this shocking news and I know this goes for Ronnie (Wood) and Rod (Stewart) also."
The Rock and Roll Hall of Famer's resume was varied and eclectic, his soulful and often joyous organ fills heard on such albums as the Stones' "Some Girls," Lucinda Williams' "Car Wheels on a Gravel Road" and John Mayer's "Battle Studies." A rousing live performer, he played with Bob Dylan and Springsteen and was scheduled to tour with Nick Lowe this winter.
His death comes on the heels of that of another Stones sideman, saxophone player Bobby Keys, who died Tuesday.
McLagan established his abilities while touring with the Small Faces and the Faces. The latter band was particularly known for its good-time habits, like demolishing hotel rooms in classic rock 'n' roll fashion.
"You couldn't go from one town to another and not walk into the identical room in every town," he explained to CNN in a 2004 interview. "So we hurt them."
The Small Faces were heroes of Britain's youth and had a great deal of success there, though just one of their songs, 1967's "Itchycoo Park," cracked the Top 10 in the United States. When lead singer Steve Marriott left the band in 1969, the height-challenged group reformed around the much taller Rod Stewart and Ron Wood and dropped the "Small" from its name.
|
What did he say?
|
"I am completely devastated by this shocking news and I know this goes for Ronnie (Wood) and Rod (Stewart) also."
|
Ian McLagan, a fun-loving keyboardist who played on records by such artists as the Rolling Stones, Lucinda Williams, Bruce Springsteen and his own bands -- the Small Faces and its successor, the Faces -- died Wednesday, according to a statement from his record label, Yep Roc Records. He was 69.
The cause of death was complications from a stroke, according to Yep Roc.
Kenney Jones, the Faces' drummer who later joined the Who, expressed his sadness in the statement.
"I am completely devastated by this shocking news and I know this goes for Ronnie (Wood) and Rod (Stewart) also."
The Rock and Roll Hall of Famer's resume was varied and eclectic, his soulful and often joyous organ fills heard on such albums as the Stones' "Some Girls," Lucinda Williams' "Car Wheels on a Gravel Road" and John Mayer's "Battle Studies." A rousing live performer, he played with Bob Dylan and Springsteen and was scheduled to tour with Nick Lowe this winter.
His death comes on the heels of that of another Stones sideman, saxophone player Bobby Keys, who died Tuesday.
McLagan established his abilities while touring with the Small Faces and the Faces. The latter band was particularly known for its good-time habits, like demolishing hotel rooms in classic rock 'n' roll fashion.
"You couldn't go from one town to another and not walk into the identical room in every town," he explained to CNN in a 2004 interview. "So we hurt them."
The Small Faces were heroes of Britain's youth and had a great deal of success there, though just one of their songs, 1967's "Itchycoo Park," cracked the Top 10 in the United States. When lead singer Steve Marriott left the band in 1969, the height-challenged group reformed around the much taller Rod Stewart and Ron Wood and dropped the "Small" from its name.
|
Was he in the Rock and Roll Hall of Fame?
|
yes
|
Ian McLagan, a fun-loving keyboardist who played on records by such artists as the Rolling Stones, Lucinda Williams, Bruce Springsteen and his own bands -- the Small Faces and its successor, the Faces -- died Wednesday, according to a statement from his record label, Yep Roc Records. He was 69.
The cause of death was complications from a stroke, according to Yep Roc.
Kenney Jones, the Faces' drummer who later joined the Who, expressed his sadness in the statement.
"I am completely devastated by this shocking news and I know this goes for Ronnie (Wood) and Rod (Stewart) also."
The Rock and Roll Hall of Famer's resume was varied and eclectic, his soulful and often joyous organ fills heard on such albums as the Stones' "Some Girls," Lucinda Williams' "Car Wheels on a Gravel Road" and John Mayer's "Battle Studies." A rousing live performer, he played with Bob Dylan and Springsteen and was scheduled to tour with Nick Lowe this winter.
His death comes on the heels of that of another Stones sideman, saxophone player Bobby Keys, who died Tuesday.
McLagan established his abilities while touring with the Small Faces and the Faces. The latter band was particularly known for its good-time habits, like demolishing hotel rooms in classic rock 'n' roll fashion.
"You couldn't go from one town to another and not walk into the identical room in every town," he explained to CNN in a 2004 interview. "So we hurt them."
The Small Faces were heroes of Britain's youth and had a great deal of success there, though just one of their songs, 1967's "Itchycoo Park," cracked the Top 10 in the United States. When lead singer Steve Marriott left the band in 1969, the height-challenged group reformed around the much taller Rod Stewart and Ron Wood and dropped the "Small" from its name.
|
Was his band popular?
|
yes
|
Ian McLagan, a fun-loving keyboardist who played on records by such artists as the Rolling Stones, Lucinda Williams, Bruce Springsteen and his own bands -- the Small Faces and its successor, the Faces -- died Wednesday, according to a statement from his record label, Yep Roc Records. He was 69.
The cause of death was complications from a stroke, according to Yep Roc.
Kenney Jones, the Faces' drummer who later joined the Who, expressed his sadness in the statement.
"I am completely devastated by this shocking news and I know this goes for Ronnie (Wood) and Rod (Stewart) also."
The Rock and Roll Hall of Famer's resume was varied and eclectic, his soulful and often joyous organ fills heard on such albums as the Stones' "Some Girls," Lucinda Williams' "Car Wheels on a Gravel Road" and John Mayer's "Battle Studies." A rousing live performer, he played with Bob Dylan and Springsteen and was scheduled to tour with Nick Lowe this winter.
His death comes on the heels of that of another Stones sideman, saxophone player Bobby Keys, who died Tuesday.
McLagan established his abilities while touring with the Small Faces and the Faces. The latter band was particularly known for its good-time habits, like demolishing hotel rooms in classic rock 'n' roll fashion.
"You couldn't go from one town to another and not walk into the identical room in every town," he explained to CNN in a 2004 interview. "So we hurt them."
The Small Faces were heroes of Britain's youth and had a great deal of success there, though just one of their songs, 1967's "Itchycoo Park," cracked the Top 10 in the United States. When lead singer Steve Marriott left the band in 1969, the height-challenged group reformed around the much taller Rod Stewart and Ron Wood and dropped the "Small" from its name.
|
Did they have many top ten hits in the States?
|
just one
|
Ian McLagan, a fun-loving keyboardist who played on records by such artists as the Rolling Stones, Lucinda Williams, Bruce Springsteen and his own bands -- the Small Faces and its successor, the Faces -- died Wednesday, according to a statement from his record label, Yep Roc Records. He was 69.
The cause of death was complications from a stroke, according to Yep Roc.
Kenney Jones, the Faces' drummer who later joined the Who, expressed his sadness in the statement.
"I am completely devastated by this shocking news and I know this goes for Ronnie (Wood) and Rod (Stewart) also."
The Rock and Roll Hall of Famer's resume was varied and eclectic, his soulful and often joyous organ fills heard on such albums as the Stones' "Some Girls," Lucinda Williams' "Car Wheels on a Gravel Road" and John Mayer's "Battle Studies." A rousing live performer, he played with Bob Dylan and Springsteen and was scheduled to tour with Nick Lowe this winter.
His death comes on the heels of that of another Stones sideman, saxophone player Bobby Keys, who died Tuesday.
McLagan established his abilities while touring with the Small Faces and the Faces. The latter band was particularly known for its good-time habits, like demolishing hotel rooms in classic rock 'n' roll fashion.
"You couldn't go from one town to another and not walk into the identical room in every town," he explained to CNN in a 2004 interview. "So we hurt them."
The Small Faces were heroes of Britain's youth and had a great deal of success there, though just one of their songs, 1967's "Itchycoo Park," cracked the Top 10 in the United States. When lead singer Steve Marriott left the band in 1969, the height-challenged group reformed around the much taller Rod Stewart and Ron Wood and dropped the "Small" from its name.
|
What was the name of it?
|
Itchycoo Park
|
Ian McLagan, a fun-loving keyboardist who played on records by such artists as the Rolling Stones, Lucinda Williams, Bruce Springsteen and his own bands -- the Small Faces and its successor, the Faces -- died Wednesday, according to a statement from his record label, Yep Roc Records. He was 69.
The cause of death was complications from a stroke, according to Yep Roc.
Kenney Jones, the Faces' drummer who later joined the Who, expressed his sadness in the statement.
"I am completely devastated by this shocking news and I know this goes for Ronnie (Wood) and Rod (Stewart) also."
The Rock and Roll Hall of Famer's resume was varied and eclectic, his soulful and often joyous organ fills heard on such albums as the Stones' "Some Girls," Lucinda Williams' "Car Wheels on a Gravel Road" and John Mayer's "Battle Studies." A rousing live performer, he played with Bob Dylan and Springsteen and was scheduled to tour with Nick Lowe this winter.
His death comes on the heels of that of another Stones sideman, saxophone player Bobby Keys, who died Tuesday.
McLagan established his abilities while touring with the Small Faces and the Faces. The latter band was particularly known for its good-time habits, like demolishing hotel rooms in classic rock 'n' roll fashion.
"You couldn't go from one town to another and not walk into the identical room in every town," he explained to CNN in a 2004 interview. "So we hurt them."
The Small Faces were heroes of Britain's youth and had a great deal of success there, though just one of their songs, 1967's "Itchycoo Park," cracked the Top 10 in the United States. When lead singer Steve Marriott left the band in 1969, the height-challenged group reformed around the much taller Rod Stewart and Ron Wood and dropped the "Small" from its name.
|
Who was the lead singer?
|
Steve Marriott
|
Ian McLagan, a fun-loving keyboardist who played on records by such artists as the Rolling Stones, Lucinda Williams, Bruce Springsteen and his own bands -- the Small Faces and its successor, the Faces -- died Wednesday, according to a statement from his record label, Yep Roc Records. He was 69.
The cause of death was complications from a stroke, according to Yep Roc.
Kenney Jones, the Faces' drummer who later joined the Who, expressed his sadness in the statement.
"I am completely devastated by this shocking news and I know this goes for Ronnie (Wood) and Rod (Stewart) also."
The Rock and Roll Hall of Famer's resume was varied and eclectic, his soulful and often joyous organ fills heard on such albums as the Stones' "Some Girls," Lucinda Williams' "Car Wheels on a Gravel Road" and John Mayer's "Battle Studies." A rousing live performer, he played with Bob Dylan and Springsteen and was scheduled to tour with Nick Lowe this winter.
His death comes on the heels of that of another Stones sideman, saxophone player Bobby Keys, who died Tuesday.
McLagan established his abilities while touring with the Small Faces and the Faces. The latter band was particularly known for its good-time habits, like demolishing hotel rooms in classic rock 'n' roll fashion.
"You couldn't go from one town to another and not walk into the identical room in every town," he explained to CNN in a 2004 interview. "So we hurt them."
The Small Faces were heroes of Britain's youth and had a great deal of success there, though just one of their songs, 1967's "Itchycoo Park," cracked the Top 10 in the United States. When lead singer Steve Marriott left the band in 1969, the height-challenged group reformed around the much taller Rod Stewart and Ron Wood and dropped the "Small" from its name.
|
Did he play with anyone else?
|
yes
|
Ian McLagan, a fun-loving keyboardist who played on records by such artists as the Rolling Stones, Lucinda Williams, Bruce Springsteen and his own bands -- the Small Faces and its successor, the Faces -- died Wednesday, according to a statement from his record label, Yep Roc Records. He was 69.
The cause of death was complications from a stroke, according to Yep Roc.
Kenney Jones, the Faces' drummer who later joined the Who, expressed his sadness in the statement.
"I am completely devastated by this shocking news and I know this goes for Ronnie (Wood) and Rod (Stewart) also."
The Rock and Roll Hall of Famer's resume was varied and eclectic, his soulful and often joyous organ fills heard on such albums as the Stones' "Some Girls," Lucinda Williams' "Car Wheels on a Gravel Road" and John Mayer's "Battle Studies." A rousing live performer, he played with Bob Dylan and Springsteen and was scheduled to tour with Nick Lowe this winter.
His death comes on the heels of that of another Stones sideman, saxophone player Bobby Keys, who died Tuesday.
McLagan established his abilities while touring with the Small Faces and the Faces. The latter band was particularly known for its good-time habits, like demolishing hotel rooms in classic rock 'n' roll fashion.
"You couldn't go from one town to another and not walk into the identical room in every town," he explained to CNN in a 2004 interview. "So we hurt them."
The Small Faces were heroes of Britain's youth and had a great deal of success there, though just one of their songs, 1967's "Itchycoo Park," cracked the Top 10 in the United States. When lead singer Steve Marriott left the band in 1969, the height-challenged group reformed around the much taller Rod Stewart and Ron Wood and dropped the "Small" from its name.
|
Who?
|
Rod Stewart and Ron Wood
|
Ian McLagan, a fun-loving keyboardist who played on records by such artists as the Rolling Stones, Lucinda Williams, Bruce Springsteen and his own bands -- the Small Faces and its successor, the Faces -- died Wednesday, according to a statement from his record label, Yep Roc Records. He was 69.
The cause of death was complications from a stroke, according to Yep Roc.
Kenney Jones, the Faces' drummer who later joined the Who, expressed his sadness in the statement.
"I am completely devastated by this shocking news and I know this goes for Ronnie (Wood) and Rod (Stewart) also."
The Rock and Roll Hall of Famer's resume was varied and eclectic, his soulful and often joyous organ fills heard on such albums as the Stones' "Some Girls," Lucinda Williams' "Car Wheels on a Gravel Road" and John Mayer's "Battle Studies." A rousing live performer, he played with Bob Dylan and Springsteen and was scheduled to tour with Nick Lowe this winter.
His death comes on the heels of that of another Stones sideman, saxophone player Bobby Keys, who died Tuesday.
McLagan established his abilities while touring with the Small Faces and the Faces. The latter band was particularly known for its good-time habits, like demolishing hotel rooms in classic rock 'n' roll fashion.
"You couldn't go from one town to another and not walk into the identical room in every town," he explained to CNN in a 2004 interview. "So we hurt them."
The Small Faces were heroes of Britain's youth and had a great deal of success there, though just one of their songs, 1967's "Itchycoo Park," cracked the Top 10 in the United States. When lead singer Steve Marriott left the band in 1969, the height-challenged group reformed around the much taller Rod Stewart and Ron Wood and dropped the "Small" from its name.
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Were there others?
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Bob Dylan and Springsteen
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The Defense Intelligence Agency (DIA) is an external intelligence service of the United States federal government specializing in defense and military intelligence.
A component of the Department of Defense (DoD) and the United States Intelligence Community (IC), DIA informs national civilian and defense policymakers about the military intentions and capabilities of foreign governments and non-state actors. It also provides intelligence assistance, integration and coordination across uniformed military service intelligence components, which remain structurally separate from DIA. The agency's role encompasses the collection and analysis of military-related foreign political, economic, industrial, geographic, and medical and health intelligence. DIA produces approximately one-fourth of all intelligence content that goes into the President's Daily Brief.
DIA's intelligence operations extend beyond the zones of combat, and approximately half of its employees serve overseas at hundreds of locations and U.S. Embassies in 140 countries. The agency specializes in collection and analysis of human-source intelligence (HUMINT), both overt and clandestine, while also handling American military-diplomatic relations abroad. DIA concurrently serves as the national manager for the highly technical measurement and signature intelligence (MASINT) and the Defense Department manager for counterintelligence programs. The agency has no law enforcement authority, but it is sometimes portrayed so in American popular culture.
|
Are the Defense Intelligence Agencies operations limited to zones of combat?
|
Yes
|
The Defense Intelligence Agency (DIA) is an external intelligence service of the United States federal government specializing in defense and military intelligence.
A component of the Department of Defense (DoD) and the United States Intelligence Community (IC), DIA informs national civilian and defense policymakers about the military intentions and capabilities of foreign governments and non-state actors. It also provides intelligence assistance, integration and coordination across uniformed military service intelligence components, which remain structurally separate from DIA. The agency's role encompasses the collection and analysis of military-related foreign political, economic, industrial, geographic, and medical and health intelligence. DIA produces approximately one-fourth of all intelligence content that goes into the President's Daily Brief.
DIA's intelligence operations extend beyond the zones of combat, and approximately half of its employees serve overseas at hundreds of locations and U.S. Embassies in 140 countries. The agency specializes in collection and analysis of human-source intelligence (HUMINT), both overt and clandestine, while also handling American military-diplomatic relations abroad. DIA concurrently serves as the national manager for the highly technical measurement and signature intelligence (MASINT) and the Defense Department manager for counterintelligence programs. The agency has no law enforcement authority, but it is sometimes portrayed so in American popular culture.
|
What is the Defense Intelligence Agency?
|
an external intelligence service
|
The Defense Intelligence Agency (DIA) is an external intelligence service of the United States federal government specializing in defense and military intelligence.
A component of the Department of Defense (DoD) and the United States Intelligence Community (IC), DIA informs national civilian and defense policymakers about the military intentions and capabilities of foreign governments and non-state actors. It also provides intelligence assistance, integration and coordination across uniformed military service intelligence components, which remain structurally separate from DIA. The agency's role encompasses the collection and analysis of military-related foreign political, economic, industrial, geographic, and medical and health intelligence. DIA produces approximately one-fourth of all intelligence content that goes into the President's Daily Brief.
DIA's intelligence operations extend beyond the zones of combat, and approximately half of its employees serve overseas at hundreds of locations and U.S. Embassies in 140 countries. The agency specializes in collection and analysis of human-source intelligence (HUMINT), both overt and clandestine, while also handling American military-diplomatic relations abroad. DIA concurrently serves as the national manager for the highly technical measurement and signature intelligence (MASINT) and the Defense Department manager for counterintelligence programs. The agency has no law enforcement authority, but it is sometimes portrayed so in American popular culture.
|
of what goverment?
|
the United States
|
The Defense Intelligence Agency (DIA) is an external intelligence service of the United States federal government specializing in defense and military intelligence.
A component of the Department of Defense (DoD) and the United States Intelligence Community (IC), DIA informs national civilian and defense policymakers about the military intentions and capabilities of foreign governments and non-state actors. It also provides intelligence assistance, integration and coordination across uniformed military service intelligence components, which remain structurally separate from DIA. The agency's role encompasses the collection and analysis of military-related foreign political, economic, industrial, geographic, and medical and health intelligence. DIA produces approximately one-fourth of all intelligence content that goes into the President's Daily Brief.
DIA's intelligence operations extend beyond the zones of combat, and approximately half of its employees serve overseas at hundreds of locations and U.S. Embassies in 140 countries. The agency specializes in collection and analysis of human-source intelligence (HUMINT), both overt and clandestine, while also handling American military-diplomatic relations abroad. DIA concurrently serves as the national manager for the highly technical measurement and signature intelligence (MASINT) and the Defense Department manager for counterintelligence programs. The agency has no law enforcement authority, but it is sometimes portrayed so in American popular culture.
|
Specializing in what?
|
in defense and military intelligence
|
The Defense Intelligence Agency (DIA) is an external intelligence service of the United States federal government specializing in defense and military intelligence.
A component of the Department of Defense (DoD) and the United States Intelligence Community (IC), DIA informs national civilian and defense policymakers about the military intentions and capabilities of foreign governments and non-state actors. It also provides intelligence assistance, integration and coordination across uniformed military service intelligence components, which remain structurally separate from DIA. The agency's role encompasses the collection and analysis of military-related foreign political, economic, industrial, geographic, and medical and health intelligence. DIA produces approximately one-fourth of all intelligence content that goes into the President's Daily Brief.
DIA's intelligence operations extend beyond the zones of combat, and approximately half of its employees serve overseas at hundreds of locations and U.S. Embassies in 140 countries. The agency specializes in collection and analysis of human-source intelligence (HUMINT), both overt and clandestine, while also handling American military-diplomatic relations abroad. DIA concurrently serves as the national manager for the highly technical measurement and signature intelligence (MASINT) and the Defense Department manager for counterintelligence programs. The agency has no law enforcement authority, but it is sometimes portrayed so in American popular culture.
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Does it have any law inforcement authority?
|
no
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The Defense Intelligence Agency (DIA) is an external intelligence service of the United States federal government specializing in defense and military intelligence.
A component of the Department of Defense (DoD) and the United States Intelligence Community (IC), DIA informs national civilian and defense policymakers about the military intentions and capabilities of foreign governments and non-state actors. It also provides intelligence assistance, integration and coordination across uniformed military service intelligence components, which remain structurally separate from DIA. The agency's role encompasses the collection and analysis of military-related foreign political, economic, industrial, geographic, and medical and health intelligence. DIA produces approximately one-fourth of all intelligence content that goes into the President's Daily Brief.
DIA's intelligence operations extend beyond the zones of combat, and approximately half of its employees serve overseas at hundreds of locations and U.S. Embassies in 140 countries. The agency specializes in collection and analysis of human-source intelligence (HUMINT), both overt and clandestine, while also handling American military-diplomatic relations abroad. DIA concurrently serves as the national manager for the highly technical measurement and signature intelligence (MASINT) and the Defense Department manager for counterintelligence programs. The agency has no law enforcement authority, but it is sometimes portrayed so in American popular culture.
|
What department is it a component of?
|
Department of Defense
|
The Defense Intelligence Agency (DIA) is an external intelligence service of the United States federal government specializing in defense and military intelligence.
A component of the Department of Defense (DoD) and the United States Intelligence Community (IC), DIA informs national civilian and defense policymakers about the military intentions and capabilities of foreign governments and non-state actors. It also provides intelligence assistance, integration and coordination across uniformed military service intelligence components, which remain structurally separate from DIA. The agency's role encompasses the collection and analysis of military-related foreign political, economic, industrial, geographic, and medical and health intelligence. DIA produces approximately one-fourth of all intelligence content that goes into the President's Daily Brief.
DIA's intelligence operations extend beyond the zones of combat, and approximately half of its employees serve overseas at hundreds of locations and U.S. Embassies in 140 countries. The agency specializes in collection and analysis of human-source intelligence (HUMINT), both overt and clandestine, while also handling American military-diplomatic relations abroad. DIA concurrently serves as the national manager for the highly technical measurement and signature intelligence (MASINT) and the Defense Department manager for counterintelligence programs. The agency has no law enforcement authority, but it is sometimes portrayed so in American popular culture.
|
How much of the U.S. Presiden'ts Daily intelligence content does it produce?
|
one-fourth
|
The Defense Intelligence Agency (DIA) is an external intelligence service of the United States federal government specializing in defense and military intelligence.
A component of the Department of Defense (DoD) and the United States Intelligence Community (IC), DIA informs national civilian and defense policymakers about the military intentions and capabilities of foreign governments and non-state actors. It also provides intelligence assistance, integration and coordination across uniformed military service intelligence components, which remain structurally separate from DIA. The agency's role encompasses the collection and analysis of military-related foreign political, economic, industrial, geographic, and medical and health intelligence. DIA produces approximately one-fourth of all intelligence content that goes into the President's Daily Brief.
DIA's intelligence operations extend beyond the zones of combat, and approximately half of its employees serve overseas at hundreds of locations and U.S. Embassies in 140 countries. The agency specializes in collection and analysis of human-source intelligence (HUMINT), both overt and clandestine, while also handling American military-diplomatic relations abroad. DIA concurrently serves as the national manager for the highly technical measurement and signature intelligence (MASINT) and the Defense Department manager for counterintelligence programs. The agency has no law enforcement authority, but it is sometimes portrayed so in American popular culture.
|
What does the Defencse Intelligence Agency speclalize in collecting and analysis of?
|
human-source intelligence
|
The Defense Intelligence Agency (DIA) is an external intelligence service of the United States federal government specializing in defense and military intelligence.
A component of the Department of Defense (DoD) and the United States Intelligence Community (IC), DIA informs national civilian and defense policymakers about the military intentions and capabilities of foreign governments and non-state actors. It also provides intelligence assistance, integration and coordination across uniformed military service intelligence components, which remain structurally separate from DIA. The agency's role encompasses the collection and analysis of military-related foreign political, economic, industrial, geographic, and medical and health intelligence. DIA produces approximately one-fourth of all intelligence content that goes into the President's Daily Brief.
DIA's intelligence operations extend beyond the zones of combat, and approximately half of its employees serve overseas at hundreds of locations and U.S. Embassies in 140 countries. The agency specializes in collection and analysis of human-source intelligence (HUMINT), both overt and clandestine, while also handling American military-diplomatic relations abroad. DIA concurrently serves as the national manager for the highly technical measurement and signature intelligence (MASINT) and the Defense Department manager for counterintelligence programs. The agency has no law enforcement authority, but it is sometimes portrayed so in American popular culture.
|
What does inform civilain and defencse policy makers of?
|
the military intentions
|
The Defense Intelligence Agency (DIA) is an external intelligence service of the United States federal government specializing in defense and military intelligence.
A component of the Department of Defense (DoD) and the United States Intelligence Community (IC), DIA informs national civilian and defense policymakers about the military intentions and capabilities of foreign governments and non-state actors. It also provides intelligence assistance, integration and coordination across uniformed military service intelligence components, which remain structurally separate from DIA. The agency's role encompasses the collection and analysis of military-related foreign political, economic, industrial, geographic, and medical and health intelligence. DIA produces approximately one-fourth of all intelligence content that goes into the President's Daily Brief.
DIA's intelligence operations extend beyond the zones of combat, and approximately half of its employees serve overseas at hundreds of locations and U.S. Embassies in 140 countries. The agency specializes in collection and analysis of human-source intelligence (HUMINT), both overt and clandestine, while also handling American military-diplomatic relations abroad. DIA concurrently serves as the national manager for the highly technical measurement and signature intelligence (MASINT) and the Defense Department manager for counterintelligence programs. The agency has no law enforcement authority, but it is sometimes portrayed so in American popular culture.
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and what else?
|
capabilities
|
The Defense Intelligence Agency (DIA) is an external intelligence service of the United States federal government specializing in defense and military intelligence.
A component of the Department of Defense (DoD) and the United States Intelligence Community (IC), DIA informs national civilian and defense policymakers about the military intentions and capabilities of foreign governments and non-state actors. It also provides intelligence assistance, integration and coordination across uniformed military service intelligence components, which remain structurally separate from DIA. The agency's role encompasses the collection and analysis of military-related foreign political, economic, industrial, geographic, and medical and health intelligence. DIA produces approximately one-fourth of all intelligence content that goes into the President's Daily Brief.
DIA's intelligence operations extend beyond the zones of combat, and approximately half of its employees serve overseas at hundreds of locations and U.S. Embassies in 140 countries. The agency specializes in collection and analysis of human-source intelligence (HUMINT), both overt and clandestine, while also handling American military-diplomatic relations abroad. DIA concurrently serves as the national manager for the highly technical measurement and signature intelligence (MASINT) and the Defense Department manager for counterintelligence programs. The agency has no law enforcement authority, but it is sometimes portrayed so in American popular culture.
|
of who?
|
foreign governments and non-state actors
|
The Defense Intelligence Agency (DIA) is an external intelligence service of the United States federal government specializing in defense and military intelligence.
A component of the Department of Defense (DoD) and the United States Intelligence Community (IC), DIA informs national civilian and defense policymakers about the military intentions and capabilities of foreign governments and non-state actors. It also provides intelligence assistance, integration and coordination across uniformed military service intelligence components, which remain structurally separate from DIA. The agency's role encompasses the collection and analysis of military-related foreign political, economic, industrial, geographic, and medical and health intelligence. DIA produces approximately one-fourth of all intelligence content that goes into the President's Daily Brief.
DIA's intelligence operations extend beyond the zones of combat, and approximately half of its employees serve overseas at hundreds of locations and U.S. Embassies in 140 countries. The agency specializes in collection and analysis of human-source intelligence (HUMINT), both overt and clandestine, while also handling American military-diplomatic relations abroad. DIA concurrently serves as the national manager for the highly technical measurement and signature intelligence (MASINT) and the Defense Department manager for counterintelligence programs. The agency has no law enforcement authority, but it is sometimes portrayed so in American popular culture.
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Where are half of it's employes located?
|
overseas
|
The Defense Intelligence Agency (DIA) is an external intelligence service of the United States federal government specializing in defense and military intelligence.
A component of the Department of Defense (DoD) and the United States Intelligence Community (IC), DIA informs national civilian and defense policymakers about the military intentions and capabilities of foreign governments and non-state actors. It also provides intelligence assistance, integration and coordination across uniformed military service intelligence components, which remain structurally separate from DIA. The agency's role encompasses the collection and analysis of military-related foreign political, economic, industrial, geographic, and medical and health intelligence. DIA produces approximately one-fourth of all intelligence content that goes into the President's Daily Brief.
DIA's intelligence operations extend beyond the zones of combat, and approximately half of its employees serve overseas at hundreds of locations and U.S. Embassies in 140 countries. The agency specializes in collection and analysis of human-source intelligence (HUMINT), both overt and clandestine, while also handling American military-diplomatic relations abroad. DIA concurrently serves as the national manager for the highly technical measurement and signature intelligence (MASINT) and the Defense Department manager for counterintelligence programs. The agency has no law enforcement authority, but it is sometimes portrayed so in American popular culture.
|
In how may different countries?
|
140
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CHAPTER III.
'This is a crash!' said Coningsby, with a grave rather than agitated countenance, to Sidonia, as his friend came up to greet him, without, however, any expression of condolence.
'This time next year you will not think so,' said Sidonia.
Coningsby shrugged his shoulders.
'The principal annoyance of this sort of miscarriage,' said Sidonia, 'is the condolence of the gentle world. I think we may now depart. I am going home to dine. Come, and discuss your position. For the present we will not speak of it.' So saying, Sidonia good-naturedly got Coningsby out of the room.
They walked together to Sidonia's house in Carlton Gardens, neither of them making the slightest allusion to the catastrophe; Sidonia inquiring where he had been, what he had been doing, since they last met, and himself conversing in his usual vein, though with a little more feeling in his manner than was his custom. When they had arrived there, Sidonia ordered their dinner instantly, and during the interval between the command and its appearance, he called Coningsby's attention to an old German painting he had just received, its brilliant colouring and quaint costumes.
'Eat, and an appetite will come,' said Sidonia, when he observed Coningsby somewhat reluctant. 'Take some of that Chablis: it will put you right; you will find it delicious.'
In this way some twenty minutes passed; their meal was over, and they were alone together.
'I have been thinking all this time of your position,' said Sidonia.
'A sorry one, I fear,' said Coningsby.
|
Who was upset?
|
Coningsby
|
CHAPTER III.
'This is a crash!' said Coningsby, with a grave rather than agitated countenance, to Sidonia, as his friend came up to greet him, without, however, any expression of condolence.
'This time next year you will not think so,' said Sidonia.
Coningsby shrugged his shoulders.
'The principal annoyance of this sort of miscarriage,' said Sidonia, 'is the condolence of the gentle world. I think we may now depart. I am going home to dine. Come, and discuss your position. For the present we will not speak of it.' So saying, Sidonia good-naturedly got Coningsby out of the room.
They walked together to Sidonia's house in Carlton Gardens, neither of them making the slightest allusion to the catastrophe; Sidonia inquiring where he had been, what he had been doing, since they last met, and himself conversing in his usual vein, though with a little more feeling in his manner than was his custom. When they had arrived there, Sidonia ordered their dinner instantly, and during the interval between the command and its appearance, he called Coningsby's attention to an old German painting he had just received, its brilliant colouring and quaint costumes.
'Eat, and an appetite will come,' said Sidonia, when he observed Coningsby somewhat reluctant. 'Take some of that Chablis: it will put you right; you will find it delicious.'
In this way some twenty minutes passed; their meal was over, and they were alone together.
'I have been thinking all this time of your position,' said Sidonia.
'A sorry one, I fear,' said Coningsby.
|
Who disagreed?
|
Sidonia
|
CHAPTER III.
'This is a crash!' said Coningsby, with a grave rather than agitated countenance, to Sidonia, as his friend came up to greet him, without, however, any expression of condolence.
'This time next year you will not think so,' said Sidonia.
Coningsby shrugged his shoulders.
'The principal annoyance of this sort of miscarriage,' said Sidonia, 'is the condolence of the gentle world. I think we may now depart. I am going home to dine. Come, and discuss your position. For the present we will not speak of it.' So saying, Sidonia good-naturedly got Coningsby out of the room.
They walked together to Sidonia's house in Carlton Gardens, neither of them making the slightest allusion to the catastrophe; Sidonia inquiring where he had been, what he had been doing, since they last met, and himself conversing in his usual vein, though with a little more feeling in his manner than was his custom. When they had arrived there, Sidonia ordered their dinner instantly, and during the interval between the command and its appearance, he called Coningsby's attention to an old German painting he had just received, its brilliant colouring and quaint costumes.
'Eat, and an appetite will come,' said Sidonia, when he observed Coningsby somewhat reluctant. 'Take some of that Chablis: it will put you right; you will find it delicious.'
In this way some twenty minutes passed; their meal was over, and they were alone together.
'I have been thinking all this time of your position,' said Sidonia.
'A sorry one, I fear,' said Coningsby.
|
Where did they go?
|
to dine
|
CHAPTER III.
'This is a crash!' said Coningsby, with a grave rather than agitated countenance, to Sidonia, as his friend came up to greet him, without, however, any expression of condolence.
'This time next year you will not think so,' said Sidonia.
Coningsby shrugged his shoulders.
'The principal annoyance of this sort of miscarriage,' said Sidonia, 'is the condolence of the gentle world. I think we may now depart. I am going home to dine. Come, and discuss your position. For the present we will not speak of it.' So saying, Sidonia good-naturedly got Coningsby out of the room.
They walked together to Sidonia's house in Carlton Gardens, neither of them making the slightest allusion to the catastrophe; Sidonia inquiring where he had been, what he had been doing, since they last met, and himself conversing in his usual vein, though with a little more feeling in his manner than was his custom. When they had arrived there, Sidonia ordered their dinner instantly, and during the interval between the command and its appearance, he called Coningsby's attention to an old German painting he had just received, its brilliant colouring and quaint costumes.
'Eat, and an appetite will come,' said Sidonia, when he observed Coningsby somewhat reluctant. 'Take some of that Chablis: it will put you right; you will find it delicious.'
In this way some twenty minutes passed; their meal was over, and they were alone together.
'I have been thinking all this time of your position,' said Sidonia.
'A sorry one, I fear,' said Coningsby.
|
Where at?
|
Sidonia's house
|
CHAPTER III.
'This is a crash!' said Coningsby, with a grave rather than agitated countenance, to Sidonia, as his friend came up to greet him, without, however, any expression of condolence.
'This time next year you will not think so,' said Sidonia.
Coningsby shrugged his shoulders.
'The principal annoyance of this sort of miscarriage,' said Sidonia, 'is the condolence of the gentle world. I think we may now depart. I am going home to dine. Come, and discuss your position. For the present we will not speak of it.' So saying, Sidonia good-naturedly got Coningsby out of the room.
They walked together to Sidonia's house in Carlton Gardens, neither of them making the slightest allusion to the catastrophe; Sidonia inquiring where he had been, what he had been doing, since they last met, and himself conversing in his usual vein, though with a little more feeling in his manner than was his custom. When they had arrived there, Sidonia ordered their dinner instantly, and during the interval between the command and its appearance, he called Coningsby's attention to an old German painting he had just received, its brilliant colouring and quaint costumes.
'Eat, and an appetite will come,' said Sidonia, when he observed Coningsby somewhat reluctant. 'Take some of that Chablis: it will put you right; you will find it delicious.'
In this way some twenty minutes passed; their meal was over, and they were alone together.
'I have been thinking all this time of your position,' said Sidonia.
'A sorry one, I fear,' said Coningsby.
|
Which is where?
|
Carlton Gardens
|
CHAPTER III.
'This is a crash!' said Coningsby, with a grave rather than agitated countenance, to Sidonia, as his friend came up to greet him, without, however, any expression of condolence.
'This time next year you will not think so,' said Sidonia.
Coningsby shrugged his shoulders.
'The principal annoyance of this sort of miscarriage,' said Sidonia, 'is the condolence of the gentle world. I think we may now depart. I am going home to dine. Come, and discuss your position. For the present we will not speak of it.' So saying, Sidonia good-naturedly got Coningsby out of the room.
They walked together to Sidonia's house in Carlton Gardens, neither of them making the slightest allusion to the catastrophe; Sidonia inquiring where he had been, what he had been doing, since they last met, and himself conversing in his usual vein, though with a little more feeling in his manner than was his custom. When they had arrived there, Sidonia ordered their dinner instantly, and during the interval between the command and its appearance, he called Coningsby's attention to an old German painting he had just received, its brilliant colouring and quaint costumes.
'Eat, and an appetite will come,' said Sidonia, when he observed Coningsby somewhat reluctant. 'Take some of that Chablis: it will put you right; you will find it delicious.'
In this way some twenty minutes passed; their meal was over, and they were alone together.
'I have been thinking all this time of your position,' said Sidonia.
'A sorry one, I fear,' said Coningsby.
|
What had happen?
|
catastrophe
|
CHAPTER III.
'This is a crash!' said Coningsby, with a grave rather than agitated countenance, to Sidonia, as his friend came up to greet him, without, however, any expression of condolence.
'This time next year you will not think so,' said Sidonia.
Coningsby shrugged his shoulders.
'The principal annoyance of this sort of miscarriage,' said Sidonia, 'is the condolence of the gentle world. I think we may now depart. I am going home to dine. Come, and discuss your position. For the present we will not speak of it.' So saying, Sidonia good-naturedly got Coningsby out of the room.
They walked together to Sidonia's house in Carlton Gardens, neither of them making the slightest allusion to the catastrophe; Sidonia inquiring where he had been, what he had been doing, since they last met, and himself conversing in his usual vein, though with a little more feeling in his manner than was his custom. When they had arrived there, Sidonia ordered their dinner instantly, and during the interval between the command and its appearance, he called Coningsby's attention to an old German painting he had just received, its brilliant colouring and quaint costumes.
'Eat, and an appetite will come,' said Sidonia, when he observed Coningsby somewhat reluctant. 'Take some of that Chablis: it will put you right; you will find it delicious.'
In this way some twenty minutes passed; their meal was over, and they were alone together.
'I have been thinking all this time of your position,' said Sidonia.
'A sorry one, I fear,' said Coningsby.
|
Did they make small talk?
|
yes
|
CHAPTER III.
'This is a crash!' said Coningsby, with a grave rather than agitated countenance, to Sidonia, as his friend came up to greet him, without, however, any expression of condolence.
'This time next year you will not think so,' said Sidonia.
Coningsby shrugged his shoulders.
'The principal annoyance of this sort of miscarriage,' said Sidonia, 'is the condolence of the gentle world. I think we may now depart. I am going home to dine. Come, and discuss your position. For the present we will not speak of it.' So saying, Sidonia good-naturedly got Coningsby out of the room.
They walked together to Sidonia's house in Carlton Gardens, neither of them making the slightest allusion to the catastrophe; Sidonia inquiring where he had been, what he had been doing, since they last met, and himself conversing in his usual vein, though with a little more feeling in his manner than was his custom. When they had arrived there, Sidonia ordered their dinner instantly, and during the interval between the command and its appearance, he called Coningsby's attention to an old German painting he had just received, its brilliant colouring and quaint costumes.
'Eat, and an appetite will come,' said Sidonia, when he observed Coningsby somewhat reluctant. 'Take some of that Chablis: it will put you right; you will find it delicious.'
In this way some twenty minutes passed; their meal was over, and they were alone together.
'I have been thinking all this time of your position,' said Sidonia.
'A sorry one, I fear,' said Coningsby.
|
What had he just received?
|
painting
|
CHAPTER III.
'This is a crash!' said Coningsby, with a grave rather than agitated countenance, to Sidonia, as his friend came up to greet him, without, however, any expression of condolence.
'This time next year you will not think so,' said Sidonia.
Coningsby shrugged his shoulders.
'The principal annoyance of this sort of miscarriage,' said Sidonia, 'is the condolence of the gentle world. I think we may now depart. I am going home to dine. Come, and discuss your position. For the present we will not speak of it.' So saying, Sidonia good-naturedly got Coningsby out of the room.
They walked together to Sidonia's house in Carlton Gardens, neither of them making the slightest allusion to the catastrophe; Sidonia inquiring where he had been, what he had been doing, since they last met, and himself conversing in his usual vein, though with a little more feeling in his manner than was his custom. When they had arrived there, Sidonia ordered their dinner instantly, and during the interval between the command and its appearance, he called Coningsby's attention to an old German painting he had just received, its brilliant colouring and quaint costumes.
'Eat, and an appetite will come,' said Sidonia, when he observed Coningsby somewhat reluctant. 'Take some of that Chablis: it will put you right; you will find it delicious.'
In this way some twenty minutes passed; their meal was over, and they were alone together.
'I have been thinking all this time of your position,' said Sidonia.
'A sorry one, I fear,' said Coningsby.
|
From where?
|
Germany
|
CHAPTER III.
'This is a crash!' said Coningsby, with a grave rather than agitated countenance, to Sidonia, as his friend came up to greet him, without, however, any expression of condolence.
'This time next year you will not think so,' said Sidonia.
Coningsby shrugged his shoulders.
'The principal annoyance of this sort of miscarriage,' said Sidonia, 'is the condolence of the gentle world. I think we may now depart. I am going home to dine. Come, and discuss your position. For the present we will not speak of it.' So saying, Sidonia good-naturedly got Coningsby out of the room.
They walked together to Sidonia's house in Carlton Gardens, neither of them making the slightest allusion to the catastrophe; Sidonia inquiring where he had been, what he had been doing, since they last met, and himself conversing in his usual vein, though with a little more feeling in his manner than was his custom. When they had arrived there, Sidonia ordered their dinner instantly, and during the interval between the command and its appearance, he called Coningsby's attention to an old German painting he had just received, its brilliant colouring and quaint costumes.
'Eat, and an appetite will come,' said Sidonia, when he observed Coningsby somewhat reluctant. 'Take some of that Chablis: it will put you right; you will find it delicious.'
In this way some twenty minutes passed; their meal was over, and they were alone together.
'I have been thinking all this time of your position,' said Sidonia.
'A sorry one, I fear,' said Coningsby.
|
Was Coningsby hungry?
|
No
|
CHAPTER III.
'This is a crash!' said Coningsby, with a grave rather than agitated countenance, to Sidonia, as his friend came up to greet him, without, however, any expression of condolence.
'This time next year you will not think so,' said Sidonia.
Coningsby shrugged his shoulders.
'The principal annoyance of this sort of miscarriage,' said Sidonia, 'is the condolence of the gentle world. I think we may now depart. I am going home to dine. Come, and discuss your position. For the present we will not speak of it.' So saying, Sidonia good-naturedly got Coningsby out of the room.
They walked together to Sidonia's house in Carlton Gardens, neither of them making the slightest allusion to the catastrophe; Sidonia inquiring where he had been, what he had been doing, since they last met, and himself conversing in his usual vein, though with a little more feeling in his manner than was his custom. When they had arrived there, Sidonia ordered their dinner instantly, and during the interval between the command and its appearance, he called Coningsby's attention to an old German painting he had just received, its brilliant colouring and quaint costumes.
'Eat, and an appetite will come,' said Sidonia, when he observed Coningsby somewhat reluctant. 'Take some of that Chablis: it will put you right; you will find it delicious.'
In this way some twenty minutes passed; their meal was over, and they were alone together.
'I have been thinking all this time of your position,' said Sidonia.
'A sorry one, I fear,' said Coningsby.
|
What did sidonia say?
|
Eat, and an appetite will come
|
CHAPTER III.
'This is a crash!' said Coningsby, with a grave rather than agitated countenance, to Sidonia, as his friend came up to greet him, without, however, any expression of condolence.
'This time next year you will not think so,' said Sidonia.
Coningsby shrugged his shoulders.
'The principal annoyance of this sort of miscarriage,' said Sidonia, 'is the condolence of the gentle world. I think we may now depart. I am going home to dine. Come, and discuss your position. For the present we will not speak of it.' So saying, Sidonia good-naturedly got Coningsby out of the room.
They walked together to Sidonia's house in Carlton Gardens, neither of them making the slightest allusion to the catastrophe; Sidonia inquiring where he had been, what he had been doing, since they last met, and himself conversing in his usual vein, though with a little more feeling in his manner than was his custom. When they had arrived there, Sidonia ordered their dinner instantly, and during the interval between the command and its appearance, he called Coningsby's attention to an old German painting he had just received, its brilliant colouring and quaint costumes.
'Eat, and an appetite will come,' said Sidonia, when he observed Coningsby somewhat reluctant. 'Take some of that Chablis: it will put you right; you will find it delicious.'
In this way some twenty minutes passed; their meal was over, and they were alone together.
'I have been thinking all this time of your position,' said Sidonia.
'A sorry one, I fear,' said Coningsby.
|
Did he offer wine?
|
Yes
|
CHAPTER III.
'This is a crash!' said Coningsby, with a grave rather than agitated countenance, to Sidonia, as his friend came up to greet him, without, however, any expression of condolence.
'This time next year you will not think so,' said Sidonia.
Coningsby shrugged his shoulders.
'The principal annoyance of this sort of miscarriage,' said Sidonia, 'is the condolence of the gentle world. I think we may now depart. I am going home to dine. Come, and discuss your position. For the present we will not speak of it.' So saying, Sidonia good-naturedly got Coningsby out of the room.
They walked together to Sidonia's house in Carlton Gardens, neither of them making the slightest allusion to the catastrophe; Sidonia inquiring where he had been, what he had been doing, since they last met, and himself conversing in his usual vein, though with a little more feeling in his manner than was his custom. When they had arrived there, Sidonia ordered their dinner instantly, and during the interval between the command and its appearance, he called Coningsby's attention to an old German painting he had just received, its brilliant colouring and quaint costumes.
'Eat, and an appetite will come,' said Sidonia, when he observed Coningsby somewhat reluctant. 'Take some of that Chablis: it will put you right; you will find it delicious.'
In this way some twenty minutes passed; their meal was over, and they were alone together.
'I have been thinking all this time of your position,' said Sidonia.
'A sorry one, I fear,' said Coningsby.
|
Did they drive to dinner?
|
No
|
CHAPTER III.
'This is a crash!' said Coningsby, with a grave rather than agitated countenance, to Sidonia, as his friend came up to greet him, without, however, any expression of condolence.
'This time next year you will not think so,' said Sidonia.
Coningsby shrugged his shoulders.
'The principal annoyance of this sort of miscarriage,' said Sidonia, 'is the condolence of the gentle world. I think we may now depart. I am going home to dine. Come, and discuss your position. For the present we will not speak of it.' So saying, Sidonia good-naturedly got Coningsby out of the room.
They walked together to Sidonia's house in Carlton Gardens, neither of them making the slightest allusion to the catastrophe; Sidonia inquiring where he had been, what he had been doing, since they last met, and himself conversing in his usual vein, though with a little more feeling in his manner than was his custom. When they had arrived there, Sidonia ordered their dinner instantly, and during the interval between the command and its appearance, he called Coningsby's attention to an old German painting he had just received, its brilliant colouring and quaint costumes.
'Eat, and an appetite will come,' said Sidonia, when he observed Coningsby somewhat reluctant. 'Take some of that Chablis: it will put you right; you will find it delicious.'
In this way some twenty minutes passed; their meal was over, and they were alone together.
'I have been thinking all this time of your position,' said Sidonia.
'A sorry one, I fear,' said Coningsby.
|
How did they get there?
|
walked
|
CHAPTER III.
'This is a crash!' said Coningsby, with a grave rather than agitated countenance, to Sidonia, as his friend came up to greet him, without, however, any expression of condolence.
'This time next year you will not think so,' said Sidonia.
Coningsby shrugged his shoulders.
'The principal annoyance of this sort of miscarriage,' said Sidonia, 'is the condolence of the gentle world. I think we may now depart. I am going home to dine. Come, and discuss your position. For the present we will not speak of it.' So saying, Sidonia good-naturedly got Coningsby out of the room.
They walked together to Sidonia's house in Carlton Gardens, neither of them making the slightest allusion to the catastrophe; Sidonia inquiring where he had been, what he had been doing, since they last met, and himself conversing in his usual vein, though with a little more feeling in his manner than was his custom. When they had arrived there, Sidonia ordered their dinner instantly, and during the interval between the command and its appearance, he called Coningsby's attention to an old German painting he had just received, its brilliant colouring and quaint costumes.
'Eat, and an appetite will come,' said Sidonia, when he observed Coningsby somewhat reluctant. 'Take some of that Chablis: it will put you right; you will find it delicious.'
In this way some twenty minutes passed; their meal was over, and they were alone together.
'I have been thinking all this time of your position,' said Sidonia.
'A sorry one, I fear,' said Coningsby.
|
Who was agitated?
|
Coningsby
|
Ron loved basketball. One afternoon on his way to a basketball game, he was walking and dreaming about playing college basketball the following year. As Ron was walking to the game, a car hit him so hard that he was thrown three feet into the air. Ron woke up in a hospital room. When he learned that both his legs were broken, he realized his college basketball dreams were over. Ron did what the doctors told him, but his progress was slow. When he left the hospital, Ron was sent to a health center for physical treatment. A week after he arrived there, he met Sunny. Sunny was a coach.His legs were hurt paralysed from a skiing accident. Even though he couldn't move his legs, Sunny coached of a basketball team called the Suns. Everybody on the team played from a wheelchair. Sunny invited Tony to join the game. Tony played badly, but for the first time since the accident, he stopped feeling sorry for himself. After becoming a part of the Suns, Ron improved quickly. Basketball was like medicine for him. And whenever Ron became depressed or angry, Sunny was there to encourage and help him. The day before Ron left the center, he had dinner with Sunny. He asked Sunny how he managed to be generous and cheerful, even with his paralysis. Sunny smiled and said, "It's really quite easy. When you keep your face to the sun, the shadows fall behind."
|
who is the main character?
|
Ron
|
Ron loved basketball. One afternoon on his way to a basketball game, he was walking and dreaming about playing college basketball the following year. As Ron was walking to the game, a car hit him so hard that he was thrown three feet into the air. Ron woke up in a hospital room. When he learned that both his legs were broken, he realized his college basketball dreams were over. Ron did what the doctors told him, but his progress was slow. When he left the hospital, Ron was sent to a health center for physical treatment. A week after he arrived there, he met Sunny. Sunny was a coach.His legs were hurt paralysed from a skiing accident. Even though he couldn't move his legs, Sunny coached of a basketball team called the Suns. Everybody on the team played from a wheelchair. Sunny invited Tony to join the game. Tony played badly, but for the first time since the accident, he stopped feeling sorry for himself. After becoming a part of the Suns, Ron improved quickly. Basketball was like medicine for him. And whenever Ron became depressed or angry, Sunny was there to encourage and help him. The day before Ron left the center, he had dinner with Sunny. He asked Sunny how he managed to be generous and cheerful, even with his paralysis. Sunny smiled and said, "It's really quite easy. When you keep your face to the sun, the shadows fall behind."
|
what did he want to do next year?
|
playing college basketball
|
Ron loved basketball. One afternoon on his way to a basketball game, he was walking and dreaming about playing college basketball the following year. As Ron was walking to the game, a car hit him so hard that he was thrown three feet into the air. Ron woke up in a hospital room. When he learned that both his legs were broken, he realized his college basketball dreams were over. Ron did what the doctors told him, but his progress was slow. When he left the hospital, Ron was sent to a health center for physical treatment. A week after he arrived there, he met Sunny. Sunny was a coach.His legs were hurt paralysed from a skiing accident. Even though he couldn't move his legs, Sunny coached of a basketball team called the Suns. Everybody on the team played from a wheelchair. Sunny invited Tony to join the game. Tony played badly, but for the first time since the accident, he stopped feeling sorry for himself. After becoming a part of the Suns, Ron improved quickly. Basketball was like medicine for him. And whenever Ron became depressed or angry, Sunny was there to encourage and help him. The day before Ron left the center, he had dinner with Sunny. He asked Sunny how he managed to be generous and cheerful, even with his paralysis. Sunny smiled and said, "It's really quite easy. When you keep your face to the sun, the shadows fall behind."
|
did he meet someone?
|
Yes
|
Ron loved basketball. One afternoon on his way to a basketball game, he was walking and dreaming about playing college basketball the following year. As Ron was walking to the game, a car hit him so hard that he was thrown three feet into the air. Ron woke up in a hospital room. When he learned that both his legs were broken, he realized his college basketball dreams were over. Ron did what the doctors told him, but his progress was slow. When he left the hospital, Ron was sent to a health center for physical treatment. A week after he arrived there, he met Sunny. Sunny was a coach.His legs were hurt paralysed from a skiing accident. Even though he couldn't move his legs, Sunny coached of a basketball team called the Suns. Everybody on the team played from a wheelchair. Sunny invited Tony to join the game. Tony played badly, but for the first time since the accident, he stopped feeling sorry for himself. After becoming a part of the Suns, Ron improved quickly. Basketball was like medicine for him. And whenever Ron became depressed or angry, Sunny was there to encourage and help him. The day before Ron left the center, he had dinner with Sunny. He asked Sunny how he managed to be generous and cheerful, even with his paralysis. Sunny smiled and said, "It's really quite easy. When you keep your face to the sun, the shadows fall behind."
|
who?
|
unny
|
Ron loved basketball. One afternoon on his way to a basketball game, he was walking and dreaming about playing college basketball the following year. As Ron was walking to the game, a car hit him so hard that he was thrown three feet into the air. Ron woke up in a hospital room. When he learned that both his legs were broken, he realized his college basketball dreams were over. Ron did what the doctors told him, but his progress was slow. When he left the hospital, Ron was sent to a health center for physical treatment. A week after he arrived there, he met Sunny. Sunny was a coach.His legs were hurt paralysed from a skiing accident. Even though he couldn't move his legs, Sunny coached of a basketball team called the Suns. Everybody on the team played from a wheelchair. Sunny invited Tony to join the game. Tony played badly, but for the first time since the accident, he stopped feeling sorry for himself. After becoming a part of the Suns, Ron improved quickly. Basketball was like medicine for him. And whenever Ron became depressed or angry, Sunny was there to encourage and help him. The day before Ron left the center, he had dinner with Sunny. He asked Sunny how he managed to be generous and cheerful, even with his paralysis. Sunny smiled and said, "It's really quite easy. When you keep your face to the sun, the shadows fall behind."
|
where?
|
center for physical treatmen
|
Ron loved basketball. One afternoon on his way to a basketball game, he was walking and dreaming about playing college basketball the following year. As Ron was walking to the game, a car hit him so hard that he was thrown three feet into the air. Ron woke up in a hospital room. When he learned that both his legs were broken, he realized his college basketball dreams were over. Ron did what the doctors told him, but his progress was slow. When he left the hospital, Ron was sent to a health center for physical treatment. A week after he arrived there, he met Sunny. Sunny was a coach.His legs were hurt paralysed from a skiing accident. Even though he couldn't move his legs, Sunny coached of a basketball team called the Suns. Everybody on the team played from a wheelchair. Sunny invited Tony to join the game. Tony played badly, but for the first time since the accident, he stopped feeling sorry for himself. After becoming a part of the Suns, Ron improved quickly. Basketball was like medicine for him. And whenever Ron became depressed or angry, Sunny was there to encourage and help him. The day before Ron left the center, he had dinner with Sunny. He asked Sunny how he managed to be generous and cheerful, even with his paralysis. Sunny smiled and said, "It's really quite easy. When you keep your face to the sun, the shadows fall behind."
|
what was his profession?
|
coach
|
Ron loved basketball. One afternoon on his way to a basketball game, he was walking and dreaming about playing college basketball the following year. As Ron was walking to the game, a car hit him so hard that he was thrown three feet into the air. Ron woke up in a hospital room. When he learned that both his legs were broken, he realized his college basketball dreams were over. Ron did what the doctors told him, but his progress was slow. When he left the hospital, Ron was sent to a health center for physical treatment. A week after he arrived there, he met Sunny. Sunny was a coach.His legs were hurt paralysed from a skiing accident. Even though he couldn't move his legs, Sunny coached of a basketball team called the Suns. Everybody on the team played from a wheelchair. Sunny invited Tony to join the game. Tony played badly, but for the first time since the accident, he stopped feeling sorry for himself. After becoming a part of the Suns, Ron improved quickly. Basketball was like medicine for him. And whenever Ron became depressed or angry, Sunny was there to encourage and help him. The day before Ron left the center, he had dinner with Sunny. He asked Sunny how he managed to be generous and cheerful, even with his paralysis. Sunny smiled and said, "It's really quite easy. When you keep your face to the sun, the shadows fall behind."
|
was he ambulatory?
|
Yes
|
Ron loved basketball. One afternoon on his way to a basketball game, he was walking and dreaming about playing college basketball the following year. As Ron was walking to the game, a car hit him so hard that he was thrown three feet into the air. Ron woke up in a hospital room. When he learned that both his legs were broken, he realized his college basketball dreams were over. Ron did what the doctors told him, but his progress was slow. When he left the hospital, Ron was sent to a health center for physical treatment. A week after he arrived there, he met Sunny. Sunny was a coach.His legs were hurt paralysed from a skiing accident. Even though he couldn't move his legs, Sunny coached of a basketball team called the Suns. Everybody on the team played from a wheelchair. Sunny invited Tony to join the game. Tony played badly, but for the first time since the accident, he stopped feeling sorry for himself. After becoming a part of the Suns, Ron improved quickly. Basketball was like medicine for him. And whenever Ron became depressed or angry, Sunny was there to encourage and help him. The day before Ron left the center, he had dinner with Sunny. He asked Sunny how he managed to be generous and cheerful, even with his paralysis. Sunny smiled and said, "It's really quite easy. When you keep your face to the sun, the shadows fall behind."
|
that means can he walk, was he ambulatory?
|
No
|
Ron loved basketball. One afternoon on his way to a basketball game, he was walking and dreaming about playing college basketball the following year. As Ron was walking to the game, a car hit him so hard that he was thrown three feet into the air. Ron woke up in a hospital room. When he learned that both his legs were broken, he realized his college basketball dreams were over. Ron did what the doctors told him, but his progress was slow. When he left the hospital, Ron was sent to a health center for physical treatment. A week after he arrived there, he met Sunny. Sunny was a coach.His legs were hurt paralysed from a skiing accident. Even though he couldn't move his legs, Sunny coached of a basketball team called the Suns. Everybody on the team played from a wheelchair. Sunny invited Tony to join the game. Tony played badly, but for the first time since the accident, he stopped feeling sorry for himself. After becoming a part of the Suns, Ron improved quickly. Basketball was like medicine for him. And whenever Ron became depressed or angry, Sunny was there to encourage and help him. The day before Ron left the center, he had dinner with Sunny. He asked Sunny how he managed to be generous and cheerful, even with his paralysis. Sunny smiled and said, "It's really quite easy. When you keep your face to the sun, the shadows fall behind."
|
why not?
|
His legs were hurt paralysed
|
Ron loved basketball. One afternoon on his way to a basketball game, he was walking and dreaming about playing college basketball the following year. As Ron was walking to the game, a car hit him so hard that he was thrown three feet into the air. Ron woke up in a hospital room. When he learned that both his legs were broken, he realized his college basketball dreams were over. Ron did what the doctors told him, but his progress was slow. When he left the hospital, Ron was sent to a health center for physical treatment. A week after he arrived there, he met Sunny. Sunny was a coach.His legs were hurt paralysed from a skiing accident. Even though he couldn't move his legs, Sunny coached of a basketball team called the Suns. Everybody on the team played from a wheelchair. Sunny invited Tony to join the game. Tony played badly, but for the first time since the accident, he stopped feeling sorry for himself. After becoming a part of the Suns, Ron improved quickly. Basketball was like medicine for him. And whenever Ron became depressed or angry, Sunny was there to encourage and help him. The day before Ron left the center, he had dinner with Sunny. He asked Sunny how he managed to be generous and cheerful, even with his paralysis. Sunny smiled and said, "It's really quite easy. When you keep your face to the sun, the shadows fall behind."
|
how?
|
skiing accident
|
CHAPTER XVI
JAKE GETS INTO DIFFICULTIES
Day was breaking, though it was still dark at the foot of the range, when Dick returned wearily to his iron shack after a night's work at the dam. There had been a local subsidence of the foundations on the previous afternoon, and he could not leave the spot until precautions had been taken to prevent the danger spreading. Bethune came with him to look at some plans, and on entering the veranda they were surprised to find the house well lighted and smears of mud and water upon the floor.
"Looks as if a bathing party had been walking round the shack, and your boy had tried to clean up when he was half-asleep," Bethune said.
Dick called his colored servant and asked him: "Why are all the lights burning, and what's this mess?"
"Señor Fuller say he no could see the chairs."
"Why did he want to see them?"
"He fall on one, señor; t'row it wit' mucha force and fall on it again. Say dozenas of _malditos sillas_. If he fall other time, he kill my head."
"Ah!" said Dick sharply. "Where is he now?"
"He go in your bed, señor."
"What has happened is pretty obvious," Bethune remarked. "Fuller came home with a big jag on and scared this fellow. We'd better see if he's all right."
Dick took him into his bedroom and the negro followed. The room was very hot and filled with a rank smell of kerosene, for the lamp was smoking and the negro explained that Jake had threatened him with violence if he turned it down. The lad lay with a flushed face on Dick's bed; his muddy boots sticking out from under the crumpled coverlet. He seemed to be fully dressed and his wet clothes were smeared with foul green slime. There was a big red lump on his forehead.
|
What was smeared upon the floor of the house?
|
mud and water
|
CHAPTER XVI
JAKE GETS INTO DIFFICULTIES
Day was breaking, though it was still dark at the foot of the range, when Dick returned wearily to his iron shack after a night's work at the dam. There had been a local subsidence of the foundations on the previous afternoon, and he could not leave the spot until precautions had been taken to prevent the danger spreading. Bethune came with him to look at some plans, and on entering the veranda they were surprised to find the house well lighted and smears of mud and water upon the floor.
"Looks as if a bathing party had been walking round the shack, and your boy had tried to clean up when he was half-asleep," Bethune said.
Dick called his colored servant and asked him: "Why are all the lights burning, and what's this mess?"
"Señor Fuller say he no could see the chairs."
"Why did he want to see them?"
"He fall on one, señor; t'row it wit' mucha force and fall on it again. Say dozenas of _malditos sillas_. If he fall other time, he kill my head."
"Ah!" said Dick sharply. "Where is he now?"
"He go in your bed, señor."
"What has happened is pretty obvious," Bethune remarked. "Fuller came home with a big jag on and scared this fellow. We'd better see if he's all right."
Dick took him into his bedroom and the negro followed. The room was very hot and filled with a rank smell of kerosene, for the lamp was smoking and the negro explained that Jake had threatened him with violence if he turned it down. The lad lay with a flushed face on Dick's bed; his muddy boots sticking out from under the crumpled coverlet. He seemed to be fully dressed and his wet clothes were smeared with foul green slime. There was a big red lump on his forehead.
|
What did the was the rank smell in the room?
|
rank smell of kerosene
|
CHAPTER XVI
JAKE GETS INTO DIFFICULTIES
Day was breaking, though it was still dark at the foot of the range, when Dick returned wearily to his iron shack after a night's work at the dam. There had been a local subsidence of the foundations on the previous afternoon, and he could not leave the spot until precautions had been taken to prevent the danger spreading. Bethune came with him to look at some plans, and on entering the veranda they were surprised to find the house well lighted and smears of mud and water upon the floor.
"Looks as if a bathing party had been walking round the shack, and your boy had tried to clean up when he was half-asleep," Bethune said.
Dick called his colored servant and asked him: "Why are all the lights burning, and what's this mess?"
"Señor Fuller say he no could see the chairs."
"Why did he want to see them?"
"He fall on one, señor; t'row it wit' mucha force and fall on it again. Say dozenas of _malditos sillas_. If he fall other time, he kill my head."
"Ah!" said Dick sharply. "Where is he now?"
"He go in your bed, señor."
"What has happened is pretty obvious," Bethune remarked. "Fuller came home with a big jag on and scared this fellow. We'd better see if he's all right."
Dick took him into his bedroom and the negro followed. The room was very hot and filled with a rank smell of kerosene, for the lamp was smoking and the negro explained that Jake had threatened him with violence if he turned it down. The lad lay with a flushed face on Dick's bed; his muddy boots sticking out from under the crumpled coverlet. He seemed to be fully dressed and his wet clothes were smeared with foul green slime. There was a big red lump on his forehead.
|
What objects foundations were in a state of disrepare?
|
unknown
|
CHAPTER XVI
JAKE GETS INTO DIFFICULTIES
Day was breaking, though it was still dark at the foot of the range, when Dick returned wearily to his iron shack after a night's work at the dam. There had been a local subsidence of the foundations on the previous afternoon, and he could not leave the spot until precautions had been taken to prevent the danger spreading. Bethune came with him to look at some plans, and on entering the veranda they were surprised to find the house well lighted and smears of mud and water upon the floor.
"Looks as if a bathing party had been walking round the shack, and your boy had tried to clean up when he was half-asleep," Bethune said.
Dick called his colored servant and asked him: "Why are all the lights burning, and what's this mess?"
"Señor Fuller say he no could see the chairs."
"Why did he want to see them?"
"He fall on one, señor; t'row it wit' mucha force and fall on it again. Say dozenas of _malditos sillas_. If he fall other time, he kill my head."
"Ah!" said Dick sharply. "Where is he now?"
"He go in your bed, señor."
"What has happened is pretty obvious," Bethune remarked. "Fuller came home with a big jag on and scared this fellow. We'd better see if he's all right."
Dick took him into his bedroom and the negro followed. The room was very hot and filled with a rank smell of kerosene, for the lamp was smoking and the negro explained that Jake had threatened him with violence if he turned it down. The lad lay with a flushed face on Dick's bed; his muddy boots sticking out from under the crumpled coverlet. He seemed to be fully dressed and his wet clothes were smeared with foul green slime. There was a big red lump on his forehead.
|
What time of day was it?
|
Day was breaking
|
CHAPTER XVI
JAKE GETS INTO DIFFICULTIES
Day was breaking, though it was still dark at the foot of the range, when Dick returned wearily to his iron shack after a night's work at the dam. There had been a local subsidence of the foundations on the previous afternoon, and he could not leave the spot until precautions had been taken to prevent the danger spreading. Bethune came with him to look at some plans, and on entering the veranda they were surprised to find the house well lighted and smears of mud and water upon the floor.
"Looks as if a bathing party had been walking round the shack, and your boy had tried to clean up when he was half-asleep," Bethune said.
Dick called his colored servant and asked him: "Why are all the lights burning, and what's this mess?"
"Señor Fuller say he no could see the chairs."
"Why did he want to see them?"
"He fall on one, señor; t'row it wit' mucha force and fall on it again. Say dozenas of _malditos sillas_. If he fall other time, he kill my head."
"Ah!" said Dick sharply. "Where is he now?"
"He go in your bed, señor."
"What has happened is pretty obvious," Bethune remarked. "Fuller came home with a big jag on and scared this fellow. We'd better see if he's all right."
Dick took him into his bedroom and the negro followed. The room was very hot and filled with a rank smell of kerosene, for the lamp was smoking and the negro explained that Jake had threatened him with violence if he turned it down. The lad lay with a flushed face on Dick's bed; his muddy boots sticking out from under the crumpled coverlet. He seemed to be fully dressed and his wet clothes were smeared with foul green slime. There was a big red lump on his forehead.
|
Who is the name of the person who threatened someone with violence?
|
Señor Fuller
|
CHAPTER XVI
JAKE GETS INTO DIFFICULTIES
Day was breaking, though it was still dark at the foot of the range, when Dick returned wearily to his iron shack after a night's work at the dam. There had been a local subsidence of the foundations on the previous afternoon, and he could not leave the spot until precautions had been taken to prevent the danger spreading. Bethune came with him to look at some plans, and on entering the veranda they were surprised to find the house well lighted and smears of mud and water upon the floor.
"Looks as if a bathing party had been walking round the shack, and your boy had tried to clean up when he was half-asleep," Bethune said.
Dick called his colored servant and asked him: "Why are all the lights burning, and what's this mess?"
"Señor Fuller say he no could see the chairs."
"Why did he want to see them?"
"He fall on one, señor; t'row it wit' mucha force and fall on it again. Say dozenas of _malditos sillas_. If he fall other time, he kill my head."
"Ah!" said Dick sharply. "Where is he now?"
"He go in your bed, señor."
"What has happened is pretty obvious," Bethune remarked. "Fuller came home with a big jag on and scared this fellow. We'd better see if he's all right."
Dick took him into his bedroom and the negro followed. The room was very hot and filled with a rank smell of kerosene, for the lamp was smoking and the negro explained that Jake had threatened him with violence if he turned it down. The lad lay with a flushed face on Dick's bed; his muddy boots sticking out from under the crumpled coverlet. He seemed to be fully dressed and his wet clothes were smeared with foul green slime. There was a big red lump on his forehead.
|
what were the injured mans clothes smeared with?
|
foul green slime
|
CHAPTER XVI
JAKE GETS INTO DIFFICULTIES
Day was breaking, though it was still dark at the foot of the range, when Dick returned wearily to his iron shack after a night's work at the dam. There had been a local subsidence of the foundations on the previous afternoon, and he could not leave the spot until precautions had been taken to prevent the danger spreading. Bethune came with him to look at some plans, and on entering the veranda they were surprised to find the house well lighted and smears of mud and water upon the floor.
"Looks as if a bathing party had been walking round the shack, and your boy had tried to clean up when he was half-asleep," Bethune said.
Dick called his colored servant and asked him: "Why are all the lights burning, and what's this mess?"
"Señor Fuller say he no could see the chairs."
"Why did he want to see them?"
"He fall on one, señor; t'row it wit' mucha force and fall on it again. Say dozenas of _malditos sillas_. If he fall other time, he kill my head."
"Ah!" said Dick sharply. "Where is he now?"
"He go in your bed, señor."
"What has happened is pretty obvious," Bethune remarked. "Fuller came home with a big jag on and scared this fellow. We'd better see if he's all right."
Dick took him into his bedroom and the negro followed. The room was very hot and filled with a rank smell of kerosene, for the lamp was smoking and the negro explained that Jake had threatened him with violence if he turned it down. The lad lay with a flushed face on Dick's bed; his muddy boots sticking out from under the crumpled coverlet. He seemed to be fully dressed and his wet clothes were smeared with foul green slime. There was a big red lump on his forehead.
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Where the boots of the lad clean?
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No
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CHAPTER XVI
JAKE GETS INTO DIFFICULTIES
Day was breaking, though it was still dark at the foot of the range, when Dick returned wearily to his iron shack after a night's work at the dam. There had been a local subsidence of the foundations on the previous afternoon, and he could not leave the spot until precautions had been taken to prevent the danger spreading. Bethune came with him to look at some plans, and on entering the veranda they were surprised to find the house well lighted and smears of mud and water upon the floor.
"Looks as if a bathing party had been walking round the shack, and your boy had tried to clean up when he was half-asleep," Bethune said.
Dick called his colored servant and asked him: "Why are all the lights burning, and what's this mess?"
"Señor Fuller say he no could see the chairs."
"Why did he want to see them?"
"He fall on one, señor; t'row it wit' mucha force and fall on it again. Say dozenas of _malditos sillas_. If he fall other time, he kill my head."
"Ah!" said Dick sharply. "Where is he now?"
"He go in your bed, señor."
"What has happened is pretty obvious," Bethune remarked. "Fuller came home with a big jag on and scared this fellow. We'd better see if he's all right."
Dick took him into his bedroom and the negro followed. The room was very hot and filled with a rank smell of kerosene, for the lamp was smoking and the negro explained that Jake had threatened him with violence if he turned it down. The lad lay with a flushed face on Dick's bed; his muddy boots sticking out from under the crumpled coverlet. He seemed to be fully dressed and his wet clothes were smeared with foul green slime. There was a big red lump on his forehead.
|
Did fuller scare the fellow apparently?
|
Yes
|
CHAPTER XVI
JAKE GETS INTO DIFFICULTIES
Day was breaking, though it was still dark at the foot of the range, when Dick returned wearily to his iron shack after a night's work at the dam. There had been a local subsidence of the foundations on the previous afternoon, and he could not leave the spot until precautions had been taken to prevent the danger spreading. Bethune came with him to look at some plans, and on entering the veranda they were surprised to find the house well lighted and smears of mud and water upon the floor.
"Looks as if a bathing party had been walking round the shack, and your boy had tried to clean up when he was half-asleep," Bethune said.
Dick called his colored servant and asked him: "Why are all the lights burning, and what's this mess?"
"Señor Fuller say he no could see the chairs."
"Why did he want to see them?"
"He fall on one, señor; t'row it wit' mucha force and fall on it again. Say dozenas of _malditos sillas_. If he fall other time, he kill my head."
"Ah!" said Dick sharply. "Where is he now?"
"He go in your bed, señor."
"What has happened is pretty obvious," Bethune remarked. "Fuller came home with a big jag on and scared this fellow. We'd better see if he's all right."
Dick took him into his bedroom and the negro followed. The room was very hot and filled with a rank smell of kerosene, for the lamp was smoking and the negro explained that Jake had threatened him with violence if he turned it down. The lad lay with a flushed face on Dick's bed; his muddy boots sticking out from under the crumpled coverlet. He seemed to be fully dressed and his wet clothes were smeared with foul green slime. There was a big red lump on his forehead.
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what tiime of day did one of the characters work at the dam?
|
night's work
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