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I'm Bolivia Williams, a students at Bard College. I was the only person in my family who was Facebook friends with my mom, Rynn, when she died four years ago. At that time, my brother and sister were still young. As soon as we got the news that she died, I thought it would be an easy way to let everyone know what happened. Right after I posted the news, so many people offered their help and shared stories about her. I like to visit my mom's page to tell her things that I'm doing and I like to look at her pictures there. I sing with the Brooklyn Youth Chorus ,and we did a concert for the tenth anniversary of 9/11,which was also my mom's birthday. It was an unforgettable day. I posted, "You will be proud of me--I will sing at the site of the World Trade Center tomorrow. I know you will be looking down, smiling. "When I'm writing to her, it feels like I'm still here. In the beginning, I wasn't sure how to face my mom's death. But I've grown up now. I haven't been on my mom's page for a month, but I would miss _ if it were gone. Her page allows me to think that she's still here. I used to go to my mom's page to look at her pictures, which would make me feel really sad, Now, when I visit it, I smile more often than cry. ,.
What did she do on that day to remember her mom?
Wrote to her on facebook
Jim suffered heart problems. In conversation he expressed little joy and it seemed that his life was drawing to a close. When his heart problems led to operation, Jim went through it successfully, and a full recovery was expected. Within days, however, his heart was not beating properly. Jim was rushed back to operation, but nothing was found to explain the cause of his illness. He died on the operating table on the day before his 48th birthday. Dr. Bruce Smoller, a psychologist , had had many conversations with him, and the more he learned, the stranger he realized Jim's case was. When Jim was a child, his father, a teacher, suffered a heart attack and stayed home to recover. One morning Jim asked his father to look over his homework, promising to come home from school at noon to pick it up. His father agreed, but when Jim returned his father had died. Jim's father was 48. "I think all his life Jim believed he killed his father," Dr. Smoller says. "He felt that if he had not asked him to look at his homework, his father would have lived. Jim had been troubled by the idea. The operation was the trial he had expected for forty years. " Smoller believes that Jim willed himself not to live to the age of 48. Jim's case shows the powerful role that attitude plays in physical health, and that childhood experiences produce far-reaching effect on the health of grown-ups. Although most cases are less direct than Jim's, studies show that childhood events, besides genes, may well cause such midlife diseases as cancer, heart disease and mental illness.
What are midlife diseases?
Cancer, heart disease and mental illness.
Jim suffered heart problems. In conversation he expressed little joy and it seemed that his life was drawing to a close. When his heart problems led to operation, Jim went through it successfully, and a full recovery was expected. Within days, however, his heart was not beating properly. Jim was rushed back to operation, but nothing was found to explain the cause of his illness. He died on the operating table on the day before his 48th birthday. Dr. Bruce Smoller, a psychologist , had had many conversations with him, and the more he learned, the stranger he realized Jim's case was. When Jim was a child, his father, a teacher, suffered a heart attack and stayed home to recover. One morning Jim asked his father to look over his homework, promising to come home from school at noon to pick it up. His father agreed, but when Jim returned his father had died. Jim's father was 48. "I think all his life Jim believed he killed his father," Dr. Smoller says. "He felt that if he had not asked him to look at his homework, his father would have lived. Jim had been troubled by the idea. The operation was the trial he had expected for forty years. " Smoller believes that Jim willed himself not to live to the age of 48. Jim's case shows the powerful role that attitude plays in physical health, and that childhood experiences produce far-reaching effect on the health of grown-ups. Although most cases are less direct than Jim's, studies show that childhood events, besides genes, may well cause such midlife diseases as cancer, heart disease and mental illness.
How old was Jim when his father died?
Eight
Jim suffered heart problems. In conversation he expressed little joy and it seemed that his life was drawing to a close. When his heart problems led to operation, Jim went through it successfully, and a full recovery was expected. Within days, however, his heart was not beating properly. Jim was rushed back to operation, but nothing was found to explain the cause of his illness. He died on the operating table on the day before his 48th birthday. Dr. Bruce Smoller, a psychologist , had had many conversations with him, and the more he learned, the stranger he realized Jim's case was. When Jim was a child, his father, a teacher, suffered a heart attack and stayed home to recover. One morning Jim asked his father to look over his homework, promising to come home from school at noon to pick it up. His father agreed, but when Jim returned his father had died. Jim's father was 48. "I think all his life Jim believed he killed his father," Dr. Smoller says. "He felt that if he had not asked him to look at his homework, his father would have lived. Jim had been troubled by the idea. The operation was the trial he had expected for forty years. " Smoller believes that Jim willed himself not to live to the age of 48. Jim's case shows the powerful role that attitude plays in physical health, and that childhood experiences produce far-reaching effect on the health of grown-ups. Although most cases are less direct than Jim's, studies show that childhood events, besides genes, may well cause such midlife diseases as cancer, heart disease and mental illness.
What did he his dad do for a living?
He was a teacher,
Jim suffered heart problems. In conversation he expressed little joy and it seemed that his life was drawing to a close. When his heart problems led to operation, Jim went through it successfully, and a full recovery was expected. Within days, however, his heart was not beating properly. Jim was rushed back to operation, but nothing was found to explain the cause of his illness. He died on the operating table on the day before his 48th birthday. Dr. Bruce Smoller, a psychologist , had had many conversations with him, and the more he learned, the stranger he realized Jim's case was. When Jim was a child, his father, a teacher, suffered a heart attack and stayed home to recover. One morning Jim asked his father to look over his homework, promising to come home from school at noon to pick it up. His father agreed, but when Jim returned his father had died. Jim's father was 48. "I think all his life Jim believed he killed his father," Dr. Smoller says. "He felt that if he had not asked him to look at his homework, his father would have lived. Jim had been troubled by the idea. The operation was the trial he had expected for forty years. " Smoller believes that Jim willed himself not to live to the age of 48. Jim's case shows the powerful role that attitude plays in physical health, and that childhood experiences produce far-reaching effect on the health of grown-ups. Although most cases are less direct than Jim's, studies show that childhood events, besides genes, may well cause such midlife diseases as cancer, heart disease and mental illness.
What did the son need help with?
his homework
Jim suffered heart problems. In conversation he expressed little joy and it seemed that his life was drawing to a close. When his heart problems led to operation, Jim went through it successfully, and a full recovery was expected. Within days, however, his heart was not beating properly. Jim was rushed back to operation, but nothing was found to explain the cause of his illness. He died on the operating table on the day before his 48th birthday. Dr. Bruce Smoller, a psychologist , had had many conversations with him, and the more he learned, the stranger he realized Jim's case was. When Jim was a child, his father, a teacher, suffered a heart attack and stayed home to recover. One morning Jim asked his father to look over his homework, promising to come home from school at noon to pick it up. His father agreed, but when Jim returned his father had died. Jim's father was 48. "I think all his life Jim believed he killed his father," Dr. Smoller says. "He felt that if he had not asked him to look at his homework, his father would have lived. Jim had been troubled by the idea. The operation was the trial he had expected for forty years. " Smoller believes that Jim willed himself not to live to the age of 48. Jim's case shows the powerful role that attitude plays in physical health, and that childhood experiences produce far-reaching effect on the health of grown-ups. Although most cases are less direct than Jim's, studies show that childhood events, besides genes, may well cause such midlife diseases as cancer, heart disease and mental illness.
Did he believe that it killed his dad?
Dr. Smoller thiought so.
Jim suffered heart problems. In conversation he expressed little joy and it seemed that his life was drawing to a close. When his heart problems led to operation, Jim went through it successfully, and a full recovery was expected. Within days, however, his heart was not beating properly. Jim was rushed back to operation, but nothing was found to explain the cause of his illness. He died on the operating table on the day before his 48th birthday. Dr. Bruce Smoller, a psychologist , had had many conversations with him, and the more he learned, the stranger he realized Jim's case was. When Jim was a child, his father, a teacher, suffered a heart attack and stayed home to recover. One morning Jim asked his father to look over his homework, promising to come home from school at noon to pick it up. His father agreed, but when Jim returned his father had died. Jim's father was 48. "I think all his life Jim believed he killed his father," Dr. Smoller says. "He felt that if he had not asked him to look at his homework, his father would have lived. Jim had been troubled by the idea. The operation was the trial he had expected for forty years. " Smoller believes that Jim willed himself not to live to the age of 48. Jim's case shows the powerful role that attitude plays in physical health, and that childhood experiences produce far-reaching effect on the health of grown-ups. Although most cases are less direct than Jim's, studies show that childhood events, besides genes, may well cause such midlife diseases as cancer, heart disease and mental illness.
What happened when he was 47?
He died on the operating table.
Jim suffered heart problems. In conversation he expressed little joy and it seemed that his life was drawing to a close. When his heart problems led to operation, Jim went through it successfully, and a full recovery was expected. Within days, however, his heart was not beating properly. Jim was rushed back to operation, but nothing was found to explain the cause of his illness. He died on the operating table on the day before his 48th birthday. Dr. Bruce Smoller, a psychologist , had had many conversations with him, and the more he learned, the stranger he realized Jim's case was. When Jim was a child, his father, a teacher, suffered a heart attack and stayed home to recover. One morning Jim asked his father to look over his homework, promising to come home from school at noon to pick it up. His father agreed, but when Jim returned his father had died. Jim's father was 48. "I think all his life Jim believed he killed his father," Dr. Smoller says. "He felt that if he had not asked him to look at his homework, his father would have lived. Jim had been troubled by the idea. The operation was the trial he had expected for forty years. " Smoller believes that Jim willed himself not to live to the age of 48. Jim's case shows the powerful role that attitude plays in physical health, and that childhood experiences produce far-reaching effect on the health of grown-ups. Although most cases are less direct than Jim's, studies show that childhood events, besides genes, may well cause such midlife diseases as cancer, heart disease and mental illness.
Was he expected to survive the surgery?
a full recovery was expected for the first surgery.
Jim suffered heart problems. In conversation he expressed little joy and it seemed that his life was drawing to a close. When his heart problems led to operation, Jim went through it successfully, and a full recovery was expected. Within days, however, his heart was not beating properly. Jim was rushed back to operation, but nothing was found to explain the cause of his illness. He died on the operating table on the day before his 48th birthday. Dr. Bruce Smoller, a psychologist , had had many conversations with him, and the more he learned, the stranger he realized Jim's case was. When Jim was a child, his father, a teacher, suffered a heart attack and stayed home to recover. One morning Jim asked his father to look over his homework, promising to come home from school at noon to pick it up. His father agreed, but when Jim returned his father had died. Jim's father was 48. "I think all his life Jim believed he killed his father," Dr. Smoller says. "He felt that if he had not asked him to look at his homework, his father would have lived. Jim had been troubled by the idea. The operation was the trial he had expected for forty years. " Smoller believes that Jim willed himself not to live to the age of 48. Jim's case shows the powerful role that attitude plays in physical health, and that childhood experiences produce far-reaching effect on the health of grown-ups. Although most cases are less direct than Jim's, studies show that childhood events, besides genes, may well cause such midlife diseases as cancer, heart disease and mental illness.
Who analyzed Jim?
Dr. Bruce Smoller
Jim suffered heart problems. In conversation he expressed little joy and it seemed that his life was drawing to a close. When his heart problems led to operation, Jim went through it successfully, and a full recovery was expected. Within days, however, his heart was not beating properly. Jim was rushed back to operation, but nothing was found to explain the cause of his illness. He died on the operating table on the day before his 48th birthday. Dr. Bruce Smoller, a psychologist , had had many conversations with him, and the more he learned, the stranger he realized Jim's case was. When Jim was a child, his father, a teacher, suffered a heart attack and stayed home to recover. One morning Jim asked his father to look over his homework, promising to come home from school at noon to pick it up. His father agreed, but when Jim returned his father had died. Jim's father was 48. "I think all his life Jim believed he killed his father," Dr. Smoller says. "He felt that if he had not asked him to look at his homework, his father would have lived. Jim had been troubled by the idea. The operation was the trial he had expected for forty years. " Smoller believes that Jim willed himself not to live to the age of 48. Jim's case shows the powerful role that attitude plays in physical health, and that childhood experiences produce far-reaching effect on the health of grown-ups. Although most cases are less direct than Jim's, studies show that childhood events, besides genes, may well cause such midlife diseases as cancer, heart disease and mental illness.
What does he do?
he is a psychologist
Jim suffered heart problems. In conversation he expressed little joy and it seemed that his life was drawing to a close. When his heart problems led to operation, Jim went through it successfully, and a full recovery was expected. Within days, however, his heart was not beating properly. Jim was rushed back to operation, but nothing was found to explain the cause of his illness. He died on the operating table on the day before his 48th birthday. Dr. Bruce Smoller, a psychologist , had had many conversations with him, and the more he learned, the stranger he realized Jim's case was. When Jim was a child, his father, a teacher, suffered a heart attack and stayed home to recover. One morning Jim asked his father to look over his homework, promising to come home from school at noon to pick it up. His father agreed, but when Jim returned his father had died. Jim's father was 48. "I think all his life Jim believed he killed his father," Dr. Smoller says. "He felt that if he had not asked him to look at his homework, his father would have lived. Jim had been troubled by the idea. The operation was the trial he had expected for forty years. " Smoller believes that Jim willed himself not to live to the age of 48. Jim's case shows the powerful role that attitude plays in physical health, and that childhood experiences produce far-reaching effect on the health of grown-ups. Although most cases are less direct than Jim's, studies show that childhood events, besides genes, may well cause such midlife diseases as cancer, heart disease and mental illness.
Did Jim & Smoller talk much?
They had had many conversations
Jim suffered heart problems. In conversation he expressed little joy and it seemed that his life was drawing to a close. When his heart problems led to operation, Jim went through it successfully, and a full recovery was expected. Within days, however, his heart was not beating properly. Jim was rushed back to operation, but nothing was found to explain the cause of his illness. He died on the operating table on the day before his 48th birthday. Dr. Bruce Smoller, a psychologist , had had many conversations with him, and the more he learned, the stranger he realized Jim's case was. When Jim was a child, his father, a teacher, suffered a heart attack and stayed home to recover. One morning Jim asked his father to look over his homework, promising to come home from school at noon to pick it up. His father agreed, but when Jim returned his father had died. Jim's father was 48. "I think all his life Jim believed he killed his father," Dr. Smoller says. "He felt that if he had not asked him to look at his homework, his father would have lived. Jim had been troubled by the idea. The operation was the trial he had expected for forty years. " Smoller believes that Jim willed himself not to live to the age of 48. Jim's case shows the powerful role that attitude plays in physical health, and that childhood experiences produce far-reaching effect on the health of grown-ups. Although most cases are less direct than Jim's, studies show that childhood events, besides genes, may well cause such midlife diseases as cancer, heart disease and mental illness.
What effects the health of adults?
Attitude.
Bollywood formally known as Hindi cinema is the Indian Hindi language film industry, based in the city of Mumbai, Maharashtra, India. Bollywood is only a part of the larger cinema of India also known as Indywood, which includes other production centers producing blockbuster films in many other Indian languages. By revenue, Bollywood is the largest film producer in India, representing 43% of the net box office, while Telugu and Tamil cinema represent 36%, and the rest of the regional cinema constitutes 21% as of 2014. Bollywood is also one of the largest centers of film production in the world. Furthermore, Bollywood is one of the biggest film industries in the world in terms of the number of people employed and the number of films produced. According to J. Matusitz and P. Payano, in 2011, over 3.5 billion tickets were sold across the globe, which in comparison is 900,000 tickets more than Hollywood. Bollywood produced 252 films in 2014 out of a total of 1969 films produced in Indian cinema. The name "Bollywood" is a portmanteau derived from Bombay (the former name for Mumbai) and Hollywood (in California), the center of the American film industry. The naming scheme for "Bollywood" was inspired by "Tollywood", the name that was used to refer to the cinema of West Bengal. Dating back to 1932, "Tollywood" was the earliest Hollywood-inspired name, referring to the Bengali film industry based in Tollygunge (in Calcutta, West Bengal), whose name is reminiscent of "Hollywood" and was the centre of the cinema of India at the time. It was this "chance juxtaposition of two pairs of rhyming syllables," Holly and Tolly, that led to the portmanteau name "Tollywood" being coined. The name "Tollywood" went on to be used as a nickname for the Bengali film industry by the popular Calcutta-based "Junior Statesman" youth magazine, establishing a precedent for other film industries to use similar-sounding names, eventually leading to the coining of "Bollywood". "Tollywood" is now also popularly used to refer to the Telugu film industry in Telangana and Andhra Pradesh.
What is the largest film producer in India?
Bollywood
Bollywood formally known as Hindi cinema is the Indian Hindi language film industry, based in the city of Mumbai, Maharashtra, India. Bollywood is only a part of the larger cinema of India also known as Indywood, which includes other production centers producing blockbuster films in many other Indian languages. By revenue, Bollywood is the largest film producer in India, representing 43% of the net box office, while Telugu and Tamil cinema represent 36%, and the rest of the regional cinema constitutes 21% as of 2014. Bollywood is also one of the largest centers of film production in the world. Furthermore, Bollywood is one of the biggest film industries in the world in terms of the number of people employed and the number of films produced. According to J. Matusitz and P. Payano, in 2011, over 3.5 billion tickets were sold across the globe, which in comparison is 900,000 tickets more than Hollywood. Bollywood produced 252 films in 2014 out of a total of 1969 films produced in Indian cinema. The name "Bollywood" is a portmanteau derived from Bombay (the former name for Mumbai) and Hollywood (in California), the center of the American film industry. The naming scheme for "Bollywood" was inspired by "Tollywood", the name that was used to refer to the cinema of West Bengal. Dating back to 1932, "Tollywood" was the earliest Hollywood-inspired name, referring to the Bengali film industry based in Tollygunge (in Calcutta, West Bengal), whose name is reminiscent of "Hollywood" and was the centre of the cinema of India at the time. It was this "chance juxtaposition of two pairs of rhyming syllables," Holly and Tolly, that led to the portmanteau name "Tollywood" being coined. The name "Tollywood" went on to be used as a nickname for the Bengali film industry by the popular Calcutta-based "Junior Statesman" youth magazine, establishing a precedent for other film industries to use similar-sounding names, eventually leading to the coining of "Bollywood". "Tollywood" is now also popularly used to refer to the Telugu film industry in Telangana and Andhra Pradesh.
What percent of the box office does it represent?
43%
Bollywood formally known as Hindi cinema is the Indian Hindi language film industry, based in the city of Mumbai, Maharashtra, India. Bollywood is only a part of the larger cinema of India also known as Indywood, which includes other production centers producing blockbuster films in many other Indian languages. By revenue, Bollywood is the largest film producer in India, representing 43% of the net box office, while Telugu and Tamil cinema represent 36%, and the rest of the regional cinema constitutes 21% as of 2014. Bollywood is also one of the largest centers of film production in the world. Furthermore, Bollywood is one of the biggest film industries in the world in terms of the number of people employed and the number of films produced. According to J. Matusitz and P. Payano, in 2011, over 3.5 billion tickets were sold across the globe, which in comparison is 900,000 tickets more than Hollywood. Bollywood produced 252 films in 2014 out of a total of 1969 films produced in Indian cinema. The name "Bollywood" is a portmanteau derived from Bombay (the former name for Mumbai) and Hollywood (in California), the center of the American film industry. The naming scheme for "Bollywood" was inspired by "Tollywood", the name that was used to refer to the cinema of West Bengal. Dating back to 1932, "Tollywood" was the earliest Hollywood-inspired name, referring to the Bengali film industry based in Tollygunge (in Calcutta, West Bengal), whose name is reminiscent of "Hollywood" and was the centre of the cinema of India at the time. It was this "chance juxtaposition of two pairs of rhyming syllables," Holly and Tolly, that led to the portmanteau name "Tollywood" being coined. The name "Tollywood" went on to be used as a nickname for the Bengali film industry by the popular Calcutta-based "Junior Statesman" youth magazine, establishing a precedent for other film industries to use similar-sounding names, eventually leading to the coining of "Bollywood". "Tollywood" is now also popularly used to refer to the Telugu film industry in Telangana and Andhra Pradesh.
What comes in 2nd and 3rd?
Telugu and Tamil cinema
Bollywood formally known as Hindi cinema is the Indian Hindi language film industry, based in the city of Mumbai, Maharashtra, India. Bollywood is only a part of the larger cinema of India also known as Indywood, which includes other production centers producing blockbuster films in many other Indian languages. By revenue, Bollywood is the largest film producer in India, representing 43% of the net box office, while Telugu and Tamil cinema represent 36%, and the rest of the regional cinema constitutes 21% as of 2014. Bollywood is also one of the largest centers of film production in the world. Furthermore, Bollywood is one of the biggest film industries in the world in terms of the number of people employed and the number of films produced. According to J. Matusitz and P. Payano, in 2011, over 3.5 billion tickets were sold across the globe, which in comparison is 900,000 tickets more than Hollywood. Bollywood produced 252 films in 2014 out of a total of 1969 films produced in Indian cinema. The name "Bollywood" is a portmanteau derived from Bombay (the former name for Mumbai) and Hollywood (in California), the center of the American film industry. The naming scheme for "Bollywood" was inspired by "Tollywood", the name that was used to refer to the cinema of West Bengal. Dating back to 1932, "Tollywood" was the earliest Hollywood-inspired name, referring to the Bengali film industry based in Tollygunge (in Calcutta, West Bengal), whose name is reminiscent of "Hollywood" and was the centre of the cinema of India at the time. It was this "chance juxtaposition of two pairs of rhyming syllables," Holly and Tolly, that led to the portmanteau name "Tollywood" being coined. The name "Tollywood" went on to be used as a nickname for the Bengali film industry by the popular Calcutta-based "Junior Statesman" youth magazine, establishing a precedent for other film industries to use similar-sounding names, eventually leading to the coining of "Bollywood". "Tollywood" is now also popularly used to refer to the Telugu film industry in Telangana and Andhra Pradesh.
What is it the biggest in terms of?
revenue
Bollywood formally known as Hindi cinema is the Indian Hindi language film industry, based in the city of Mumbai, Maharashtra, India. Bollywood is only a part of the larger cinema of India also known as Indywood, which includes other production centers producing blockbuster films in many other Indian languages. By revenue, Bollywood is the largest film producer in India, representing 43% of the net box office, while Telugu and Tamil cinema represent 36%, and the rest of the regional cinema constitutes 21% as of 2014. Bollywood is also one of the largest centers of film production in the world. Furthermore, Bollywood is one of the biggest film industries in the world in terms of the number of people employed and the number of films produced. According to J. Matusitz and P. Payano, in 2011, over 3.5 billion tickets were sold across the globe, which in comparison is 900,000 tickets more than Hollywood. Bollywood produced 252 films in 2014 out of a total of 1969 films produced in Indian cinema. The name "Bollywood" is a portmanteau derived from Bombay (the former name for Mumbai) and Hollywood (in California), the center of the American film industry. The naming scheme for "Bollywood" was inspired by "Tollywood", the name that was used to refer to the cinema of West Bengal. Dating back to 1932, "Tollywood" was the earliest Hollywood-inspired name, referring to the Bengali film industry based in Tollygunge (in Calcutta, West Bengal), whose name is reminiscent of "Hollywood" and was the centre of the cinema of India at the time. It was this "chance juxtaposition of two pairs of rhyming syllables," Holly and Tolly, that led to the portmanteau name "Tollywood" being coined. The name "Tollywood" went on to be used as a nickname for the Bengali film industry by the popular Calcutta-based "Junior Statesman" youth magazine, establishing a precedent for other film industries to use similar-sounding names, eventually leading to the coining of "Bollywood". "Tollywood" is now also popularly used to refer to the Telugu film industry in Telangana and Andhra Pradesh.
How many tickets were sold in 2011
over 3.5 billion
Bollywood formally known as Hindi cinema is the Indian Hindi language film industry, based in the city of Mumbai, Maharashtra, India. Bollywood is only a part of the larger cinema of India also known as Indywood, which includes other production centers producing blockbuster films in many other Indian languages. By revenue, Bollywood is the largest film producer in India, representing 43% of the net box office, while Telugu and Tamil cinema represent 36%, and the rest of the regional cinema constitutes 21% as of 2014. Bollywood is also one of the largest centers of film production in the world. Furthermore, Bollywood is one of the biggest film industries in the world in terms of the number of people employed and the number of films produced. According to J. Matusitz and P. Payano, in 2011, over 3.5 billion tickets were sold across the globe, which in comparison is 900,000 tickets more than Hollywood. Bollywood produced 252 films in 2014 out of a total of 1969 films produced in Indian cinema. The name "Bollywood" is a portmanteau derived from Bombay (the former name for Mumbai) and Hollywood (in California), the center of the American film industry. The naming scheme for "Bollywood" was inspired by "Tollywood", the name that was used to refer to the cinema of West Bengal. Dating back to 1932, "Tollywood" was the earliest Hollywood-inspired name, referring to the Bengali film industry based in Tollygunge (in Calcutta, West Bengal), whose name is reminiscent of "Hollywood" and was the centre of the cinema of India at the time. It was this "chance juxtaposition of two pairs of rhyming syllables," Holly and Tolly, that led to the portmanteau name "Tollywood" being coined. The name "Tollywood" went on to be used as a nickname for the Bengali film industry by the popular Calcutta-based "Junior Statesman" youth magazine, establishing a precedent for other film industries to use similar-sounding names, eventually leading to the coining of "Bollywood". "Tollywood" is now also popularly used to refer to the Telugu film industry in Telangana and Andhra Pradesh.
How many films did it produce in 2014?
252
Bollywood formally known as Hindi cinema is the Indian Hindi language film industry, based in the city of Mumbai, Maharashtra, India. Bollywood is only a part of the larger cinema of India also known as Indywood, which includes other production centers producing blockbuster films in many other Indian languages. By revenue, Bollywood is the largest film producer in India, representing 43% of the net box office, while Telugu and Tamil cinema represent 36%, and the rest of the regional cinema constitutes 21% as of 2014. Bollywood is also one of the largest centers of film production in the world. Furthermore, Bollywood is one of the biggest film industries in the world in terms of the number of people employed and the number of films produced. According to J. Matusitz and P. Payano, in 2011, over 3.5 billion tickets were sold across the globe, which in comparison is 900,000 tickets more than Hollywood. Bollywood produced 252 films in 2014 out of a total of 1969 films produced in Indian cinema. The name "Bollywood" is a portmanteau derived from Bombay (the former name for Mumbai) and Hollywood (in California), the center of the American film industry. The naming scheme for "Bollywood" was inspired by "Tollywood", the name that was used to refer to the cinema of West Bengal. Dating back to 1932, "Tollywood" was the earliest Hollywood-inspired name, referring to the Bengali film industry based in Tollygunge (in Calcutta, West Bengal), whose name is reminiscent of "Hollywood" and was the centre of the cinema of India at the time. It was this "chance juxtaposition of two pairs of rhyming syllables," Holly and Tolly, that led to the portmanteau name "Tollywood" being coined. The name "Tollywood" went on to be used as a nickname for the Bengali film industry by the popular Calcutta-based "Junior Statesman" youth magazine, establishing a precedent for other film industries to use similar-sounding names, eventually leading to the coining of "Bollywood". "Tollywood" is now also popularly used to refer to the Telugu film industry in Telangana and Andhra Pradesh.
What is it formally known as?
Hindi cinema
Bollywood formally known as Hindi cinema is the Indian Hindi language film industry, based in the city of Mumbai, Maharashtra, India. Bollywood is only a part of the larger cinema of India also known as Indywood, which includes other production centers producing blockbuster films in many other Indian languages. By revenue, Bollywood is the largest film producer in India, representing 43% of the net box office, while Telugu and Tamil cinema represent 36%, and the rest of the regional cinema constitutes 21% as of 2014. Bollywood is also one of the largest centers of film production in the world. Furthermore, Bollywood is one of the biggest film industries in the world in terms of the number of people employed and the number of films produced. According to J. Matusitz and P. Payano, in 2011, over 3.5 billion tickets were sold across the globe, which in comparison is 900,000 tickets more than Hollywood. Bollywood produced 252 films in 2014 out of a total of 1969 films produced in Indian cinema. The name "Bollywood" is a portmanteau derived from Bombay (the former name for Mumbai) and Hollywood (in California), the center of the American film industry. The naming scheme for "Bollywood" was inspired by "Tollywood", the name that was used to refer to the cinema of West Bengal. Dating back to 1932, "Tollywood" was the earliest Hollywood-inspired name, referring to the Bengali film industry based in Tollygunge (in Calcutta, West Bengal), whose name is reminiscent of "Hollywood" and was the centre of the cinema of India at the time. It was this "chance juxtaposition of two pairs of rhyming syllables," Holly and Tolly, that led to the portmanteau name "Tollywood" being coined. The name "Tollywood" went on to be used as a nickname for the Bengali film industry by the popular Calcutta-based "Junior Statesman" youth magazine, establishing a precedent for other film industries to use similar-sounding names, eventually leading to the coining of "Bollywood". "Tollywood" is now also popularly used to refer to the Telugu film industry in Telangana and Andhra Pradesh.
And what is it?
the Indian Hindi language film industry
Bollywood formally known as Hindi cinema is the Indian Hindi language film industry, based in the city of Mumbai, Maharashtra, India. Bollywood is only a part of the larger cinema of India also known as Indywood, which includes other production centers producing blockbuster films in many other Indian languages. By revenue, Bollywood is the largest film producer in India, representing 43% of the net box office, while Telugu and Tamil cinema represent 36%, and the rest of the regional cinema constitutes 21% as of 2014. Bollywood is also one of the largest centers of film production in the world. Furthermore, Bollywood is one of the biggest film industries in the world in terms of the number of people employed and the number of films produced. According to J. Matusitz and P. Payano, in 2011, over 3.5 billion tickets were sold across the globe, which in comparison is 900,000 tickets more than Hollywood. Bollywood produced 252 films in 2014 out of a total of 1969 films produced in Indian cinema. The name "Bollywood" is a portmanteau derived from Bombay (the former name for Mumbai) and Hollywood (in California), the center of the American film industry. The naming scheme for "Bollywood" was inspired by "Tollywood", the name that was used to refer to the cinema of West Bengal. Dating back to 1932, "Tollywood" was the earliest Hollywood-inspired name, referring to the Bengali film industry based in Tollygunge (in Calcutta, West Bengal), whose name is reminiscent of "Hollywood" and was the centre of the cinema of India at the time. It was this "chance juxtaposition of two pairs of rhyming syllables," Holly and Tolly, that led to the portmanteau name "Tollywood" being coined. The name "Tollywood" went on to be used as a nickname for the Bengali film industry by the popular Calcutta-based "Junior Statesman" youth magazine, establishing a precedent for other film industries to use similar-sounding names, eventually leading to the coining of "Bollywood". "Tollywood" is now also popularly used to refer to the Telugu film industry in Telangana and Andhra Pradesh.
Where is it based?
in the city of Mumbai
Bollywood formally known as Hindi cinema is the Indian Hindi language film industry, based in the city of Mumbai, Maharashtra, India. Bollywood is only a part of the larger cinema of India also known as Indywood, which includes other production centers producing blockbuster films in many other Indian languages. By revenue, Bollywood is the largest film producer in India, representing 43% of the net box office, while Telugu and Tamil cinema represent 36%, and the rest of the regional cinema constitutes 21% as of 2014. Bollywood is also one of the largest centers of film production in the world. Furthermore, Bollywood is one of the biggest film industries in the world in terms of the number of people employed and the number of films produced. According to J. Matusitz and P. Payano, in 2011, over 3.5 billion tickets were sold across the globe, which in comparison is 900,000 tickets more than Hollywood. Bollywood produced 252 films in 2014 out of a total of 1969 films produced in Indian cinema. The name "Bollywood" is a portmanteau derived from Bombay (the former name for Mumbai) and Hollywood (in California), the center of the American film industry. The naming scheme for "Bollywood" was inspired by "Tollywood", the name that was used to refer to the cinema of West Bengal. Dating back to 1932, "Tollywood" was the earliest Hollywood-inspired name, referring to the Bengali film industry based in Tollygunge (in Calcutta, West Bengal), whose name is reminiscent of "Hollywood" and was the centre of the cinema of India at the time. It was this "chance juxtaposition of two pairs of rhyming syllables," Holly and Tolly, that led to the portmanteau name "Tollywood" being coined. The name "Tollywood" went on to be used as a nickname for the Bengali film industry by the popular Calcutta-based "Junior Statesman" youth magazine, establishing a precedent for other film industries to use similar-sounding names, eventually leading to the coining of "Bollywood". "Tollywood" is now also popularly used to refer to the Telugu film industry in Telangana and Andhra Pradesh.
What country?
India
Bollywood formally known as Hindi cinema is the Indian Hindi language film industry, based in the city of Mumbai, Maharashtra, India. Bollywood is only a part of the larger cinema of India also known as Indywood, which includes other production centers producing blockbuster films in many other Indian languages. By revenue, Bollywood is the largest film producer in India, representing 43% of the net box office, while Telugu and Tamil cinema represent 36%, and the rest of the regional cinema constitutes 21% as of 2014. Bollywood is also one of the largest centers of film production in the world. Furthermore, Bollywood is one of the biggest film industries in the world in terms of the number of people employed and the number of films produced. According to J. Matusitz and P. Payano, in 2011, over 3.5 billion tickets were sold across the globe, which in comparison is 900,000 tickets more than Hollywood. Bollywood produced 252 films in 2014 out of a total of 1969 films produced in Indian cinema. The name "Bollywood" is a portmanteau derived from Bombay (the former name for Mumbai) and Hollywood (in California), the center of the American film industry. The naming scheme for "Bollywood" was inspired by "Tollywood", the name that was used to refer to the cinema of West Bengal. Dating back to 1932, "Tollywood" was the earliest Hollywood-inspired name, referring to the Bengali film industry based in Tollygunge (in Calcutta, West Bengal), whose name is reminiscent of "Hollywood" and was the centre of the cinema of India at the time. It was this "chance juxtaposition of two pairs of rhyming syllables," Holly and Tolly, that led to the portmanteau name "Tollywood" being coined. The name "Tollywood" went on to be used as a nickname for the Bengali film industry by the popular Calcutta-based "Junior Statesman" youth magazine, establishing a precedent for other film industries to use similar-sounding names, eventually leading to the coining of "Bollywood". "Tollywood" is now also popularly used to refer to the Telugu film industry in Telangana and Andhra Pradesh.
What is it a part of?
Indywood
Bollywood formally known as Hindi cinema is the Indian Hindi language film industry, based in the city of Mumbai, Maharashtra, India. Bollywood is only a part of the larger cinema of India also known as Indywood, which includes other production centers producing blockbuster films in many other Indian languages. By revenue, Bollywood is the largest film producer in India, representing 43% of the net box office, while Telugu and Tamil cinema represent 36%, and the rest of the regional cinema constitutes 21% as of 2014. Bollywood is also one of the largest centers of film production in the world. Furthermore, Bollywood is one of the biggest film industries in the world in terms of the number of people employed and the number of films produced. According to J. Matusitz and P. Payano, in 2011, over 3.5 billion tickets were sold across the globe, which in comparison is 900,000 tickets more than Hollywood. Bollywood produced 252 films in 2014 out of a total of 1969 films produced in Indian cinema. The name "Bollywood" is a portmanteau derived from Bombay (the former name for Mumbai) and Hollywood (in California), the center of the American film industry. The naming scheme for "Bollywood" was inspired by "Tollywood", the name that was used to refer to the cinema of West Bengal. Dating back to 1932, "Tollywood" was the earliest Hollywood-inspired name, referring to the Bengali film industry based in Tollygunge (in Calcutta, West Bengal), whose name is reminiscent of "Hollywood" and was the centre of the cinema of India at the time. It was this "chance juxtaposition of two pairs of rhyming syllables," Holly and Tolly, that led to the portmanteau name "Tollywood" being coined. The name "Tollywood" went on to be used as a nickname for the Bengali film industry by the popular Calcutta-based "Junior Statesman" youth magazine, establishing a precedent for other film industries to use similar-sounding names, eventually leading to the coining of "Bollywood". "Tollywood" is now also popularly used to refer to the Telugu film industry in Telangana and Andhra Pradesh.
What does that include?
other production centers producing blockbuster films
Bollywood formally known as Hindi cinema is the Indian Hindi language film industry, based in the city of Mumbai, Maharashtra, India. Bollywood is only a part of the larger cinema of India also known as Indywood, which includes other production centers producing blockbuster films in many other Indian languages. By revenue, Bollywood is the largest film producer in India, representing 43% of the net box office, while Telugu and Tamil cinema represent 36%, and the rest of the regional cinema constitutes 21% as of 2014. Bollywood is also one of the largest centers of film production in the world. Furthermore, Bollywood is one of the biggest film industries in the world in terms of the number of people employed and the number of films produced. According to J. Matusitz and P. Payano, in 2011, over 3.5 billion tickets were sold across the globe, which in comparison is 900,000 tickets more than Hollywood. Bollywood produced 252 films in 2014 out of a total of 1969 films produced in Indian cinema. The name "Bollywood" is a portmanteau derived from Bombay (the former name for Mumbai) and Hollywood (in California), the center of the American film industry. The naming scheme for "Bollywood" was inspired by "Tollywood", the name that was used to refer to the cinema of West Bengal. Dating back to 1932, "Tollywood" was the earliest Hollywood-inspired name, referring to the Bengali film industry based in Tollygunge (in Calcutta, West Bengal), whose name is reminiscent of "Hollywood" and was the centre of the cinema of India at the time. It was this "chance juxtaposition of two pairs of rhyming syllables," Holly and Tolly, that led to the portmanteau name "Tollywood" being coined. The name "Tollywood" went on to be used as a nickname for the Bengali film industry by the popular Calcutta-based "Junior Statesman" youth magazine, establishing a precedent for other film industries to use similar-sounding names, eventually leading to the coining of "Bollywood". "Tollywood" is now also popularly used to refer to the Telugu film industry in Telangana and Andhra Pradesh.
In only one Indian language?
no
Bollywood formally known as Hindi cinema is the Indian Hindi language film industry, based in the city of Mumbai, Maharashtra, India. Bollywood is only a part of the larger cinema of India also known as Indywood, which includes other production centers producing blockbuster films in many other Indian languages. By revenue, Bollywood is the largest film producer in India, representing 43% of the net box office, while Telugu and Tamil cinema represent 36%, and the rest of the regional cinema constitutes 21% as of 2014. Bollywood is also one of the largest centers of film production in the world. Furthermore, Bollywood is one of the biggest film industries in the world in terms of the number of people employed and the number of films produced. According to J. Matusitz and P. Payano, in 2011, over 3.5 billion tickets were sold across the globe, which in comparison is 900,000 tickets more than Hollywood. Bollywood produced 252 films in 2014 out of a total of 1969 films produced in Indian cinema. The name "Bollywood" is a portmanteau derived from Bombay (the former name for Mumbai) and Hollywood (in California), the center of the American film industry. The naming scheme for "Bollywood" was inspired by "Tollywood", the name that was used to refer to the cinema of West Bengal. Dating back to 1932, "Tollywood" was the earliest Hollywood-inspired name, referring to the Bengali film industry based in Tollygunge (in Calcutta, West Bengal), whose name is reminiscent of "Hollywood" and was the centre of the cinema of India at the time. It was this "chance juxtaposition of two pairs of rhyming syllables," Holly and Tolly, that led to the portmanteau name "Tollywood" being coined. The name "Tollywood" went on to be used as a nickname for the Bengali film industry by the popular Calcutta-based "Junior Statesman" youth magazine, establishing a precedent for other film industries to use similar-sounding names, eventually leading to the coining of "Bollywood". "Tollywood" is now also popularly used to refer to the Telugu film industry in Telangana and Andhra Pradesh.
What is the name "Bollywood"?
a portmanteau
Bollywood formally known as Hindi cinema is the Indian Hindi language film industry, based in the city of Mumbai, Maharashtra, India. Bollywood is only a part of the larger cinema of India also known as Indywood, which includes other production centers producing blockbuster films in many other Indian languages. By revenue, Bollywood is the largest film producer in India, representing 43% of the net box office, while Telugu and Tamil cinema represent 36%, and the rest of the regional cinema constitutes 21% as of 2014. Bollywood is also one of the largest centers of film production in the world. Furthermore, Bollywood is one of the biggest film industries in the world in terms of the number of people employed and the number of films produced. According to J. Matusitz and P. Payano, in 2011, over 3.5 billion tickets were sold across the globe, which in comparison is 900,000 tickets more than Hollywood. Bollywood produced 252 films in 2014 out of a total of 1969 films produced in Indian cinema. The name "Bollywood" is a portmanteau derived from Bombay (the former name for Mumbai) and Hollywood (in California), the center of the American film industry. The naming scheme for "Bollywood" was inspired by "Tollywood", the name that was used to refer to the cinema of West Bengal. Dating back to 1932, "Tollywood" was the earliest Hollywood-inspired name, referring to the Bengali film industry based in Tollygunge (in Calcutta, West Bengal), whose name is reminiscent of "Hollywood" and was the centre of the cinema of India at the time. It was this "chance juxtaposition of two pairs of rhyming syllables," Holly and Tolly, that led to the portmanteau name "Tollywood" being coined. The name "Tollywood" went on to be used as a nickname for the Bengali film industry by the popular Calcutta-based "Junior Statesman" youth magazine, establishing a precedent for other film industries to use similar-sounding names, eventually leading to the coining of "Bollywood". "Tollywood" is now also popularly used to refer to the Telugu film industry in Telangana and Andhra Pradesh.
Derived from where?
Bombay and Hollywood
Bollywood formally known as Hindi cinema is the Indian Hindi language film industry, based in the city of Mumbai, Maharashtra, India. Bollywood is only a part of the larger cinema of India also known as Indywood, which includes other production centers producing blockbuster films in many other Indian languages. By revenue, Bollywood is the largest film producer in India, representing 43% of the net box office, while Telugu and Tamil cinema represent 36%, and the rest of the regional cinema constitutes 21% as of 2014. Bollywood is also one of the largest centers of film production in the world. Furthermore, Bollywood is one of the biggest film industries in the world in terms of the number of people employed and the number of films produced. According to J. Matusitz and P. Payano, in 2011, over 3.5 billion tickets were sold across the globe, which in comparison is 900,000 tickets more than Hollywood. Bollywood produced 252 films in 2014 out of a total of 1969 films produced in Indian cinema. The name "Bollywood" is a portmanteau derived from Bombay (the former name for Mumbai) and Hollywood (in California), the center of the American film industry. The naming scheme for "Bollywood" was inspired by "Tollywood", the name that was used to refer to the cinema of West Bengal. Dating back to 1932, "Tollywood" was the earliest Hollywood-inspired name, referring to the Bengali film industry based in Tollygunge (in Calcutta, West Bengal), whose name is reminiscent of "Hollywood" and was the centre of the cinema of India at the time. It was this "chance juxtaposition of two pairs of rhyming syllables," Holly and Tolly, that led to the portmanteau name "Tollywood" being coined. The name "Tollywood" went on to be used as a nickname for the Bengali film industry by the popular Calcutta-based "Junior Statesman" youth magazine, establishing a precedent for other film industries to use similar-sounding names, eventually leading to the coining of "Bollywood". "Tollywood" is now also popularly used to refer to the Telugu film industry in Telangana and Andhra Pradesh.
What is it inspired by?
Tollywood
Bollywood formally known as Hindi cinema is the Indian Hindi language film industry, based in the city of Mumbai, Maharashtra, India. Bollywood is only a part of the larger cinema of India also known as Indywood, which includes other production centers producing blockbuster films in many other Indian languages. By revenue, Bollywood is the largest film producer in India, representing 43% of the net box office, while Telugu and Tamil cinema represent 36%, and the rest of the regional cinema constitutes 21% as of 2014. Bollywood is also one of the largest centers of film production in the world. Furthermore, Bollywood is one of the biggest film industries in the world in terms of the number of people employed and the number of films produced. According to J. Matusitz and P. Payano, in 2011, over 3.5 billion tickets were sold across the globe, which in comparison is 900,000 tickets more than Hollywood. Bollywood produced 252 films in 2014 out of a total of 1969 films produced in Indian cinema. The name "Bollywood" is a portmanteau derived from Bombay (the former name for Mumbai) and Hollywood (in California), the center of the American film industry. The naming scheme for "Bollywood" was inspired by "Tollywood", the name that was used to refer to the cinema of West Bengal. Dating back to 1932, "Tollywood" was the earliest Hollywood-inspired name, referring to the Bengali film industry based in Tollygunge (in Calcutta, West Bengal), whose name is reminiscent of "Hollywood" and was the centre of the cinema of India at the time. It was this "chance juxtaposition of two pairs of rhyming syllables," Holly and Tolly, that led to the portmanteau name "Tollywood" being coined. The name "Tollywood" went on to be used as a nickname for the Bengali film industry by the popular Calcutta-based "Junior Statesman" youth magazine, establishing a precedent for other film industries to use similar-sounding names, eventually leading to the coining of "Bollywood". "Tollywood" is now also popularly used to refer to the Telugu film industry in Telangana and Andhra Pradesh.
What does that refer to?
the cinema of West Bengal
Bollywood formally known as Hindi cinema is the Indian Hindi language film industry, based in the city of Mumbai, Maharashtra, India. Bollywood is only a part of the larger cinema of India also known as Indywood, which includes other production centers producing blockbuster films in many other Indian languages. By revenue, Bollywood is the largest film producer in India, representing 43% of the net box office, while Telugu and Tamil cinema represent 36%, and the rest of the regional cinema constitutes 21% as of 2014. Bollywood is also one of the largest centers of film production in the world. Furthermore, Bollywood is one of the biggest film industries in the world in terms of the number of people employed and the number of films produced. According to J. Matusitz and P. Payano, in 2011, over 3.5 billion tickets were sold across the globe, which in comparison is 900,000 tickets more than Hollywood. Bollywood produced 252 films in 2014 out of a total of 1969 films produced in Indian cinema. The name "Bollywood" is a portmanteau derived from Bombay (the former name for Mumbai) and Hollywood (in California), the center of the American film industry. The naming scheme for "Bollywood" was inspired by "Tollywood", the name that was used to refer to the cinema of West Bengal. Dating back to 1932, "Tollywood" was the earliest Hollywood-inspired name, referring to the Bengali film industry based in Tollygunge (in Calcutta, West Bengal), whose name is reminiscent of "Hollywood" and was the centre of the cinema of India at the time. It was this "chance juxtaposition of two pairs of rhyming syllables," Holly and Tolly, that led to the portmanteau name "Tollywood" being coined. The name "Tollywood" went on to be used as a nickname for the Bengali film industry by the popular Calcutta-based "Junior Statesman" youth magazine, establishing a precedent for other film industries to use similar-sounding names, eventually leading to the coining of "Bollywood". "Tollywood" is now also popularly used to refer to the Telugu film industry in Telangana and Andhra Pradesh.
What is it a nickname for?
the Bengali film industry
Bollywood formally known as Hindi cinema is the Indian Hindi language film industry, based in the city of Mumbai, Maharashtra, India. Bollywood is only a part of the larger cinema of India also known as Indywood, which includes other production centers producing blockbuster films in many other Indian languages. By revenue, Bollywood is the largest film producer in India, representing 43% of the net box office, while Telugu and Tamil cinema represent 36%, and the rest of the regional cinema constitutes 21% as of 2014. Bollywood is also one of the largest centers of film production in the world. Furthermore, Bollywood is one of the biggest film industries in the world in terms of the number of people employed and the number of films produced. According to J. Matusitz and P. Payano, in 2011, over 3.5 billion tickets were sold across the globe, which in comparison is 900,000 tickets more than Hollywood. Bollywood produced 252 films in 2014 out of a total of 1969 films produced in Indian cinema. The name "Bollywood" is a portmanteau derived from Bombay (the former name for Mumbai) and Hollywood (in California), the center of the American film industry. The naming scheme for "Bollywood" was inspired by "Tollywood", the name that was used to refer to the cinema of West Bengal. Dating back to 1932, "Tollywood" was the earliest Hollywood-inspired name, referring to the Bengali film industry based in Tollygunge (in Calcutta, West Bengal), whose name is reminiscent of "Hollywood" and was the centre of the cinema of India at the time. It was this "chance juxtaposition of two pairs of rhyming syllables," Holly and Tolly, that led to the portmanteau name "Tollywood" being coined. The name "Tollywood" went on to be used as a nickname for the Bengali film industry by the popular Calcutta-based "Junior Statesman" youth magazine, establishing a precedent for other film industries to use similar-sounding names, eventually leading to the coining of "Bollywood". "Tollywood" is now also popularly used to refer to the Telugu film industry in Telangana and Andhra Pradesh.
What is it now popularly used to refer to?
the Telugu film industry
Bollywood formally known as Hindi cinema is the Indian Hindi language film industry, based in the city of Mumbai, Maharashtra, India. Bollywood is only a part of the larger cinema of India also known as Indywood, which includes other production centers producing blockbuster films in many other Indian languages. By revenue, Bollywood is the largest film producer in India, representing 43% of the net box office, while Telugu and Tamil cinema represent 36%, and the rest of the regional cinema constitutes 21% as of 2014. Bollywood is also one of the largest centers of film production in the world. Furthermore, Bollywood is one of the biggest film industries in the world in terms of the number of people employed and the number of films produced. According to J. Matusitz and P. Payano, in 2011, over 3.5 billion tickets were sold across the globe, which in comparison is 900,000 tickets more than Hollywood. Bollywood produced 252 films in 2014 out of a total of 1969 films produced in Indian cinema. The name "Bollywood" is a portmanteau derived from Bombay (the former name for Mumbai) and Hollywood (in California), the center of the American film industry. The naming scheme for "Bollywood" was inspired by "Tollywood", the name that was used to refer to the cinema of West Bengal. Dating back to 1932, "Tollywood" was the earliest Hollywood-inspired name, referring to the Bengali film industry based in Tollygunge (in Calcutta, West Bengal), whose name is reminiscent of "Hollywood" and was the centre of the cinema of India at the time. It was this "chance juxtaposition of two pairs of rhyming syllables," Holly and Tolly, that led to the portmanteau name "Tollywood" being coined. The name "Tollywood" went on to be used as a nickname for the Bengali film industry by the popular Calcutta-based "Junior Statesman" youth magazine, establishing a precedent for other film industries to use similar-sounding names, eventually leading to the coining of "Bollywood". "Tollywood" is now also popularly used to refer to the Telugu film industry in Telangana and Andhra Pradesh.
Where?
in Telangana and Andhra Pradesh
CHAPTER THE SEVENTH. THE DEBT. ARNOLD was the first who broke the silence. "Is your father seriously ill?" he asked. Geoffrey answered by handing him the card. Sir Patrick, who had stood apart (while the question of Ratcatcher's relapse was under discussion) sardonically studying the manners and customs of modern English youth, now came forward, and took his part in the proceedings. Lady Lundie herself must have acknowledged that he spoke and acted as became the head of the family, on t his occasion. "Am I right in supposing that Mr. Delamayn's father is dangerously ill?" he asked, addressing himself to Arnold. "Dangerously ill, in London," Arnold answered. "Geoffrey must leave Windygates with me. The train I am traveling by meets the train his brother is traveling by, at the junction. I shall leave him at the second station from here." "Didn't you tell me that Lady Lundie was going to send you to the railway in a gig?" "Yes." "If the servant drives, there will be three of you--and there will be no room." "We had better ask for some other vehicle," suggested Arnold. Sir Patrick looked at his watch. There was no time to change the carriage. He turned to Geoffrey. "Can you drive, Mr. Delamayn?" Still impenetrably silent, Geoffrey replied by a nod of the head. Without noticing the unceremonious manner in which he had been answered, Sir Patrick went on: "In that case, you can leave the gig in charge of the station-master. I'll tell the servant that he will not be wanted to drive."
whose father is sick?
Geoffrey
CHAPTER THE SEVENTH. THE DEBT. ARNOLD was the first who broke the silence. "Is your father seriously ill?" he asked. Geoffrey answered by handing him the card. Sir Patrick, who had stood apart (while the question of Ratcatcher's relapse was under discussion) sardonically studying the manners and customs of modern English youth, now came forward, and took his part in the proceedings. Lady Lundie herself must have acknowledged that he spoke and acted as became the head of the family, on t his occasion. "Am I right in supposing that Mr. Delamayn's father is dangerously ill?" he asked, addressing himself to Arnold. "Dangerously ill, in London," Arnold answered. "Geoffrey must leave Windygates with me. The train I am traveling by meets the train his brother is traveling by, at the junction. I shall leave him at the second station from here." "Didn't you tell me that Lady Lundie was going to send you to the railway in a gig?" "Yes." "If the servant drives, there will be three of you--and there will be no room." "We had better ask for some other vehicle," suggested Arnold. Sir Patrick looked at his watch. There was no time to change the carriage. He turned to Geoffrey. "Can you drive, Mr. Delamayn?" Still impenetrably silent, Geoffrey replied by a nod of the head. Without noticing the unceremonious manner in which he had been answered, Sir Patrick went on: "In that case, you can leave the gig in charge of the station-master. I'll tell the servant that he will not be wanted to drive."
what is his last name?
Delamayn
CHAPTER THE SEVENTH. THE DEBT. ARNOLD was the first who broke the silence. "Is your father seriously ill?" he asked. Geoffrey answered by handing him the card. Sir Patrick, who had stood apart (while the question of Ratcatcher's relapse was under discussion) sardonically studying the manners and customs of modern English youth, now came forward, and took his part in the proceedings. Lady Lundie herself must have acknowledged that he spoke and acted as became the head of the family, on t his occasion. "Am I right in supposing that Mr. Delamayn's father is dangerously ill?" he asked, addressing himself to Arnold. "Dangerously ill, in London," Arnold answered. "Geoffrey must leave Windygates with me. The train I am traveling by meets the train his brother is traveling by, at the junction. I shall leave him at the second station from here." "Didn't you tell me that Lady Lundie was going to send you to the railway in a gig?" "Yes." "If the servant drives, there will be three of you--and there will be no room." "We had better ask for some other vehicle," suggested Arnold. Sir Patrick looked at his watch. There was no time to change the carriage. He turned to Geoffrey. "Can you drive, Mr. Delamayn?" Still impenetrably silent, Geoffrey replied by a nod of the head. Without noticing the unceremonious manner in which he had been answered, Sir Patrick went on: "In that case, you can leave the gig in charge of the station-master. I'll tell the servant that he will not be wanted to drive."
is his dad very sick?
Yes
CHAPTER THE SEVENTH. THE DEBT. ARNOLD was the first who broke the silence. "Is your father seriously ill?" he asked. Geoffrey answered by handing him the card. Sir Patrick, who had stood apart (while the question of Ratcatcher's relapse was under discussion) sardonically studying the manners and customs of modern English youth, now came forward, and took his part in the proceedings. Lady Lundie herself must have acknowledged that he spoke and acted as became the head of the family, on t his occasion. "Am I right in supposing that Mr. Delamayn's father is dangerously ill?" he asked, addressing himself to Arnold. "Dangerously ill, in London," Arnold answered. "Geoffrey must leave Windygates with me. The train I am traveling by meets the train his brother is traveling by, at the junction. I shall leave him at the second station from here." "Didn't you tell me that Lady Lundie was going to send you to the railway in a gig?" "Yes." "If the servant drives, there will be three of you--and there will be no room." "We had better ask for some other vehicle," suggested Arnold. Sir Patrick looked at his watch. There was no time to change the carriage. He turned to Geoffrey. "Can you drive, Mr. Delamayn?" Still impenetrably silent, Geoffrey replied by a nod of the head. Without noticing the unceremonious manner in which he had been answered, Sir Patrick went on: "In that case, you can leave the gig in charge of the station-master. I'll tell the servant that he will not be wanted to drive."
who asked him first?
ARNOLD
CHAPTER THE SEVENTH. THE DEBT. ARNOLD was the first who broke the silence. "Is your father seriously ill?" he asked. Geoffrey answered by handing him the card. Sir Patrick, who had stood apart (while the question of Ratcatcher's relapse was under discussion) sardonically studying the manners and customs of modern English youth, now came forward, and took his part in the proceedings. Lady Lundie herself must have acknowledged that he spoke and acted as became the head of the family, on t his occasion. "Am I right in supposing that Mr. Delamayn's father is dangerously ill?" he asked, addressing himself to Arnold. "Dangerously ill, in London," Arnold answered. "Geoffrey must leave Windygates with me. The train I am traveling by meets the train his brother is traveling by, at the junction. I shall leave him at the second station from here." "Didn't you tell me that Lady Lundie was going to send you to the railway in a gig?" "Yes." "If the servant drives, there will be three of you--and there will be no room." "We had better ask for some other vehicle," suggested Arnold. Sir Patrick looked at his watch. There was no time to change the carriage. He turned to Geoffrey. "Can you drive, Mr. Delamayn?" Still impenetrably silent, Geoffrey replied by a nod of the head. Without noticing the unceremonious manner in which he had been answered, Sir Patrick went on: "In that case, you can leave the gig in charge of the station-master. I'll tell the servant that he will not be wanted to drive."
how did Geoffrey reply?
handing him the card
CHAPTER THE SEVENTH. THE DEBT. ARNOLD was the first who broke the silence. "Is your father seriously ill?" he asked. Geoffrey answered by handing him the card. Sir Patrick, who had stood apart (while the question of Ratcatcher's relapse was under discussion) sardonically studying the manners and customs of modern English youth, now came forward, and took his part in the proceedings. Lady Lundie herself must have acknowledged that he spoke and acted as became the head of the family, on t his occasion. "Am I right in supposing that Mr. Delamayn's father is dangerously ill?" he asked, addressing himself to Arnold. "Dangerously ill, in London," Arnold answered. "Geoffrey must leave Windygates with me. The train I am traveling by meets the train his brother is traveling by, at the junction. I shall leave him at the second station from here." "Didn't you tell me that Lady Lundie was going to send you to the railway in a gig?" "Yes." "If the servant drives, there will be three of you--and there will be no room." "We had better ask for some other vehicle," suggested Arnold. Sir Patrick looked at his watch. There was no time to change the carriage. He turned to Geoffrey. "Can you drive, Mr. Delamayn?" Still impenetrably silent, Geoffrey replied by a nod of the head. Without noticing the unceremonious manner in which he had been answered, Sir Patrick went on: "In that case, you can leave the gig in charge of the station-master. I'll tell the servant that he will not be wanted to drive."
who became leader of family
Lady Lundie
CHAPTER THE SEVENTH. THE DEBT. ARNOLD was the first who broke the silence. "Is your father seriously ill?" he asked. Geoffrey answered by handing him the card. Sir Patrick, who had stood apart (while the question of Ratcatcher's relapse was under discussion) sardonically studying the manners and customs of modern English youth, now came forward, and took his part in the proceedings. Lady Lundie herself must have acknowledged that he spoke and acted as became the head of the family, on t his occasion. "Am I right in supposing that Mr. Delamayn's father is dangerously ill?" he asked, addressing himself to Arnold. "Dangerously ill, in London," Arnold answered. "Geoffrey must leave Windygates with me. The train I am traveling by meets the train his brother is traveling by, at the junction. I shall leave him at the second station from here." "Didn't you tell me that Lady Lundie was going to send you to the railway in a gig?" "Yes." "If the servant drives, there will be three of you--and there will be no room." "We had better ask for some other vehicle," suggested Arnold. Sir Patrick looked at his watch. There was no time to change the carriage. He turned to Geoffrey. "Can you drive, Mr. Delamayn?" Still impenetrably silent, Geoffrey replied by a nod of the head. Without noticing the unceremonious manner in which he had been answered, Sir Patrick went on: "In that case, you can leave the gig in charge of the station-master. I'll tell the servant that he will not be wanted to drive."
was Geoffrey going to see his dad?
yes
CHAPTER THE SEVENTH. THE DEBT. ARNOLD was the first who broke the silence. "Is your father seriously ill?" he asked. Geoffrey answered by handing him the card. Sir Patrick, who had stood apart (while the question of Ratcatcher's relapse was under discussion) sardonically studying the manners and customs of modern English youth, now came forward, and took his part in the proceedings. Lady Lundie herself must have acknowledged that he spoke and acted as became the head of the family, on t his occasion. "Am I right in supposing that Mr. Delamayn's father is dangerously ill?" he asked, addressing himself to Arnold. "Dangerously ill, in London," Arnold answered. "Geoffrey must leave Windygates with me. The train I am traveling by meets the train his brother is traveling by, at the junction. I shall leave him at the second station from here." "Didn't you tell me that Lady Lundie was going to send you to the railway in a gig?" "Yes." "If the servant drives, there will be three of you--and there will be no room." "We had better ask for some other vehicle," suggested Arnold. Sir Patrick looked at his watch. There was no time to change the carriage. He turned to Geoffrey. "Can you drive, Mr. Delamayn?" Still impenetrably silent, Geoffrey replied by a nod of the head. Without noticing the unceremonious manner in which he had been answered, Sir Patrick went on: "In that case, you can leave the gig in charge of the station-master. I'll tell the servant that he will not be wanted to drive."
how?
by train
CHAPTER THE SEVENTH. THE DEBT. ARNOLD was the first who broke the silence. "Is your father seriously ill?" he asked. Geoffrey answered by handing him the card. Sir Patrick, who had stood apart (while the question of Ratcatcher's relapse was under discussion) sardonically studying the manners and customs of modern English youth, now came forward, and took his part in the proceedings. Lady Lundie herself must have acknowledged that he spoke and acted as became the head of the family, on t his occasion. "Am I right in supposing that Mr. Delamayn's father is dangerously ill?" he asked, addressing himself to Arnold. "Dangerously ill, in London," Arnold answered. "Geoffrey must leave Windygates with me. The train I am traveling by meets the train his brother is traveling by, at the junction. I shall leave him at the second station from here." "Didn't you tell me that Lady Lundie was going to send you to the railway in a gig?" "Yes." "If the servant drives, there will be three of you--and there will be no room." "We had better ask for some other vehicle," suggested Arnold. Sir Patrick looked at his watch. There was no time to change the carriage. He turned to Geoffrey. "Can you drive, Mr. Delamayn?" Still impenetrably silent, Geoffrey replied by a nod of the head. Without noticing the unceremonious manner in which he had been answered, Sir Patrick went on: "In that case, you can leave the gig in charge of the station-master. I'll tell the servant that he will not be wanted to drive."
who was he travelling with?
Arnold
CHAPTER THE SEVENTH. THE DEBT. ARNOLD was the first who broke the silence. "Is your father seriously ill?" he asked. Geoffrey answered by handing him the card. Sir Patrick, who had stood apart (while the question of Ratcatcher's relapse was under discussion) sardonically studying the manners and customs of modern English youth, now came forward, and took his part in the proceedings. Lady Lundie herself must have acknowledged that he spoke and acted as became the head of the family, on t his occasion. "Am I right in supposing that Mr. Delamayn's father is dangerously ill?" he asked, addressing himself to Arnold. "Dangerously ill, in London," Arnold answered. "Geoffrey must leave Windygates with me. The train I am traveling by meets the train his brother is traveling by, at the junction. I shall leave him at the second station from here." "Didn't you tell me that Lady Lundie was going to send you to the railway in a gig?" "Yes." "If the servant drives, there will be three of you--and there will be no room." "We had better ask for some other vehicle," suggested Arnold. Sir Patrick looked at his watch. There was no time to change the carriage. He turned to Geoffrey. "Can you drive, Mr. Delamayn?" Still impenetrably silent, Geoffrey replied by a nod of the head. Without noticing the unceremonious manner in which he had been answered, Sir Patrick went on: "In that case, you can leave the gig in charge of the station-master. I'll tell the servant that he will not be wanted to drive."
where were they leaving from?
Windygates
(CNN)"A long, long, time ago..." Those five words, when uttered or sung, makes baby boomers immediately think of Don McLean's pop masterpiece "American Pie." It's hard to believe that his phenomenal 8½ minute allegory, which millions of Americans know by heart, is 44 years old. All sorts of historical cross-currents play off each other in this timeless song, brilliantly gilded with the unforgettable chorus, which starts as "Bye, Bye, Miss American Pie." There is no real way to categorize McLean's "American Pie" for its hybrid of modern poetry and folk ballad, beer-hall chant and high-art rock. On Tuesday, Christie's sold the 16-page handwritten manuscript of the song's lyrics for $1.2 million to an unnamed buyer. McLean was a paperboy when, on February 3, 1959, he saw that Buddy Holly, Ritchie Valens and J.P. "The Big Bopper" Richardson had been tragically killed in an airplane crash in Clear Lake, Iowa. "The next day I went to school in shock and guess what?" McLean recalled. "Nobody cared. Rock 'n' roll in those days was sort of like hula hoops and Buddy hadn't had a big hit on the charts since '57." By cathartically writing "American Pie," McLean has guaranteed that the memory of those great musicians lives forever. Having recorded his first album, "Tapestry," in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the "generation lost in space." When his cultural anthem "American Pie" was released in November 1971, it replaced Bob Dylan's "The Times They Are A Changin" as the Peoples Almanac of the new decade. It's important to think of "American Pie" as one would of Henry Longfellow's "Evangeline" or Johnny Mercer's "Moon River" -- an essential Americana poem emanating wistful recollection, blues valentine, and youthful protest rolled into one. There is magic brewing in the music and words of "American Pie," for McLean's lyrics and melody frame a cosmic dream, like those Jack Kerouac tried to conjure in his poetry-infused novel "On the Road."
Where is Don McLean from?
New York.
(CNN)"A long, long, time ago..." Those five words, when uttered or sung, makes baby boomers immediately think of Don McLean's pop masterpiece "American Pie." It's hard to believe that his phenomenal 8½ minute allegory, which millions of Americans know by heart, is 44 years old. All sorts of historical cross-currents play off each other in this timeless song, brilliantly gilded with the unforgettable chorus, which starts as "Bye, Bye, Miss American Pie." There is no real way to categorize McLean's "American Pie" for its hybrid of modern poetry and folk ballad, beer-hall chant and high-art rock. On Tuesday, Christie's sold the 16-page handwritten manuscript of the song's lyrics for $1.2 million to an unnamed buyer. McLean was a paperboy when, on February 3, 1959, he saw that Buddy Holly, Ritchie Valens and J.P. "The Big Bopper" Richardson had been tragically killed in an airplane crash in Clear Lake, Iowa. "The next day I went to school in shock and guess what?" McLean recalled. "Nobody cared. Rock 'n' roll in those days was sort of like hula hoops and Buddy hadn't had a big hit on the charts since '57." By cathartically writing "American Pie," McLean has guaranteed that the memory of those great musicians lives forever. Having recorded his first album, "Tapestry," in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the "generation lost in space." When his cultural anthem "American Pie" was released in November 1971, it replaced Bob Dylan's "The Times They Are A Changin" as the Peoples Almanac of the new decade. It's important to think of "American Pie" as one would of Henry Longfellow's "Evangeline" or Johnny Mercer's "Moon River" -- an essential Americana poem emanating wistful recollection, blues valentine, and youthful protest rolled into one. There is magic brewing in the music and words of "American Pie," for McLean's lyrics and melody frame a cosmic dream, like those Jack Kerouac tried to conjure in his poetry-infused novel "On the Road."
Where did he attend college?
Berkeley, California.
(CNN)"A long, long, time ago..." Those five words, when uttered or sung, makes baby boomers immediately think of Don McLean's pop masterpiece "American Pie." It's hard to believe that his phenomenal 8½ minute allegory, which millions of Americans know by heart, is 44 years old. All sorts of historical cross-currents play off each other in this timeless song, brilliantly gilded with the unforgettable chorus, which starts as "Bye, Bye, Miss American Pie." There is no real way to categorize McLean's "American Pie" for its hybrid of modern poetry and folk ballad, beer-hall chant and high-art rock. On Tuesday, Christie's sold the 16-page handwritten manuscript of the song's lyrics for $1.2 million to an unnamed buyer. McLean was a paperboy when, on February 3, 1959, he saw that Buddy Holly, Ritchie Valens and J.P. "The Big Bopper" Richardson had been tragically killed in an airplane crash in Clear Lake, Iowa. "The next day I went to school in shock and guess what?" McLean recalled. "Nobody cared. Rock 'n' roll in those days was sort of like hula hoops and Buddy hadn't had a big hit on the charts since '57." By cathartically writing "American Pie," McLean has guaranteed that the memory of those great musicians lives forever. Having recorded his first album, "Tapestry," in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the "generation lost in space." When his cultural anthem "American Pie" was released in November 1971, it replaced Bob Dylan's "The Times They Are A Changin" as the Peoples Almanac of the new decade. It's important to think of "American Pie" as one would of Henry Longfellow's "Evangeline" or Johnny Mercer's "Moon River" -- an essential Americana poem emanating wistful recollection, blues valentine, and youthful protest rolled into one. There is magic brewing in the music and words of "American Pie," for McLean's lyrics and melody frame a cosmic dream, like those Jack Kerouac tried to conjure in his poetry-infused novel "On the Road."
What was his job when Buddy Holly died?
A paperboy.
(CNN)"A long, long, time ago..." Those five words, when uttered or sung, makes baby boomers immediately think of Don McLean's pop masterpiece "American Pie." It's hard to believe that his phenomenal 8½ minute allegory, which millions of Americans know by heart, is 44 years old. All sorts of historical cross-currents play off each other in this timeless song, brilliantly gilded with the unforgettable chorus, which starts as "Bye, Bye, Miss American Pie." There is no real way to categorize McLean's "American Pie" for its hybrid of modern poetry and folk ballad, beer-hall chant and high-art rock. On Tuesday, Christie's sold the 16-page handwritten manuscript of the song's lyrics for $1.2 million to an unnamed buyer. McLean was a paperboy when, on February 3, 1959, he saw that Buddy Holly, Ritchie Valens and J.P. "The Big Bopper" Richardson had been tragically killed in an airplane crash in Clear Lake, Iowa. "The next day I went to school in shock and guess what?" McLean recalled. "Nobody cared. Rock 'n' roll in those days was sort of like hula hoops and Buddy hadn't had a big hit on the charts since '57." By cathartically writing "American Pie," McLean has guaranteed that the memory of those great musicians lives forever. Having recorded his first album, "Tapestry," in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the "generation lost in space." When his cultural anthem "American Pie" was released in November 1971, it replaced Bob Dylan's "The Times They Are A Changin" as the Peoples Almanac of the new decade. It's important to think of "American Pie" as one would of Henry Longfellow's "Evangeline" or Johnny Mercer's "Moon River" -- an essential Americana poem emanating wistful recollection, blues valentine, and youthful protest rolled into one. There is magic brewing in the music and words of "American Pie," for McLean's lyrics and melody frame a cosmic dream, like those Jack Kerouac tried to conjure in his poetry-infused novel "On the Road."
How did Buddy Holly die?
Airplane crash.
(CNN)"A long, long, time ago..." Those five words, when uttered or sung, makes baby boomers immediately think of Don McLean's pop masterpiece "American Pie." It's hard to believe that his phenomenal 8½ minute allegory, which millions of Americans know by heart, is 44 years old. All sorts of historical cross-currents play off each other in this timeless song, brilliantly gilded with the unforgettable chorus, which starts as "Bye, Bye, Miss American Pie." There is no real way to categorize McLean's "American Pie" for its hybrid of modern poetry and folk ballad, beer-hall chant and high-art rock. On Tuesday, Christie's sold the 16-page handwritten manuscript of the song's lyrics for $1.2 million to an unnamed buyer. McLean was a paperboy when, on February 3, 1959, he saw that Buddy Holly, Ritchie Valens and J.P. "The Big Bopper" Richardson had been tragically killed in an airplane crash in Clear Lake, Iowa. "The next day I went to school in shock and guess what?" McLean recalled. "Nobody cared. Rock 'n' roll in those days was sort of like hula hoops and Buddy hadn't had a big hit on the charts since '57." By cathartically writing "American Pie," McLean has guaranteed that the memory of those great musicians lives forever. Having recorded his first album, "Tapestry," in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the "generation lost in space." When his cultural anthem "American Pie" was released in November 1971, it replaced Bob Dylan's "The Times They Are A Changin" as the Peoples Almanac of the new decade. It's important to think of "American Pie" as one would of Henry Longfellow's "Evangeline" or Johnny Mercer's "Moon River" -- an essential Americana poem emanating wistful recollection, blues valentine, and youthful protest rolled into one. There is magic brewing in the music and words of "American Pie," for McLean's lyrics and melody frame a cosmic dream, like those Jack Kerouac tried to conjure in his poetry-infused novel "On the Road."
Was anyone else famous on that plane?
Yes.
(CNN)"A long, long, time ago..." Those five words, when uttered or sung, makes baby boomers immediately think of Don McLean's pop masterpiece "American Pie." It's hard to believe that his phenomenal 8½ minute allegory, which millions of Americans know by heart, is 44 years old. All sorts of historical cross-currents play off each other in this timeless song, brilliantly gilded with the unforgettable chorus, which starts as "Bye, Bye, Miss American Pie." There is no real way to categorize McLean's "American Pie" for its hybrid of modern poetry and folk ballad, beer-hall chant and high-art rock. On Tuesday, Christie's sold the 16-page handwritten manuscript of the song's lyrics for $1.2 million to an unnamed buyer. McLean was a paperboy when, on February 3, 1959, he saw that Buddy Holly, Ritchie Valens and J.P. "The Big Bopper" Richardson had been tragically killed in an airplane crash in Clear Lake, Iowa. "The next day I went to school in shock and guess what?" McLean recalled. "Nobody cared. Rock 'n' roll in those days was sort of like hula hoops and Buddy hadn't had a big hit on the charts since '57." By cathartically writing "American Pie," McLean has guaranteed that the memory of those great musicians lives forever. Having recorded his first album, "Tapestry," in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the "generation lost in space." When his cultural anthem "American Pie" was released in November 1971, it replaced Bob Dylan's "The Times They Are A Changin" as the Peoples Almanac of the new decade. It's important to think of "American Pie" as one would of Henry Longfellow's "Evangeline" or Johnny Mercer's "Moon River" -- an essential Americana poem emanating wistful recollection, blues valentine, and youthful protest rolled into one. There is magic brewing in the music and words of "American Pie," for McLean's lyrics and melody frame a cosmic dream, like those Jack Kerouac tried to conjure in his poetry-infused novel "On the Road."
Who?
Ritchie Valens and J.P. "The Big Bopper" Richardson.
(CNN)"A long, long, time ago..." Those five words, when uttered or sung, makes baby boomers immediately think of Don McLean's pop masterpiece "American Pie." It's hard to believe that his phenomenal 8½ minute allegory, which millions of Americans know by heart, is 44 years old. All sorts of historical cross-currents play off each other in this timeless song, brilliantly gilded with the unforgettable chorus, which starts as "Bye, Bye, Miss American Pie." There is no real way to categorize McLean's "American Pie" for its hybrid of modern poetry and folk ballad, beer-hall chant and high-art rock. On Tuesday, Christie's sold the 16-page handwritten manuscript of the song's lyrics for $1.2 million to an unnamed buyer. McLean was a paperboy when, on February 3, 1959, he saw that Buddy Holly, Ritchie Valens and J.P. "The Big Bopper" Richardson had been tragically killed in an airplane crash in Clear Lake, Iowa. "The next day I went to school in shock and guess what?" McLean recalled. "Nobody cared. Rock 'n' roll in those days was sort of like hula hoops and Buddy hadn't had a big hit on the charts since '57." By cathartically writing "American Pie," McLean has guaranteed that the memory of those great musicians lives forever. Having recorded his first album, "Tapestry," in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the "generation lost in space." When his cultural anthem "American Pie" was released in November 1971, it replaced Bob Dylan's "The Times They Are A Changin" as the Peoples Almanac of the new decade. It's important to think of "American Pie" as one would of Henry Longfellow's "Evangeline" or Johnny Mercer's "Moon River" -- an essential Americana poem emanating wistful recollection, blues valentine, and youthful protest rolled into one. There is magic brewing in the music and words of "American Pie," for McLean's lyrics and melody frame a cosmic dream, like those Jack Kerouac tried to conjure in his poetry-infused novel "On the Road."
Where did the plane crash?
Clear Lake, Iowa.
(CNN)"A long, long, time ago..." Those five words, when uttered or sung, makes baby boomers immediately think of Don McLean's pop masterpiece "American Pie." It's hard to believe that his phenomenal 8½ minute allegory, which millions of Americans know by heart, is 44 years old. All sorts of historical cross-currents play off each other in this timeless song, brilliantly gilded with the unforgettable chorus, which starts as "Bye, Bye, Miss American Pie." There is no real way to categorize McLean's "American Pie" for its hybrid of modern poetry and folk ballad, beer-hall chant and high-art rock. On Tuesday, Christie's sold the 16-page handwritten manuscript of the song's lyrics for $1.2 million to an unnamed buyer. McLean was a paperboy when, on February 3, 1959, he saw that Buddy Holly, Ritchie Valens and J.P. "The Big Bopper" Richardson had been tragically killed in an airplane crash in Clear Lake, Iowa. "The next day I went to school in shock and guess what?" McLean recalled. "Nobody cared. Rock 'n' roll in those days was sort of like hula hoops and Buddy hadn't had a big hit on the charts since '57." By cathartically writing "American Pie," McLean has guaranteed that the memory of those great musicians lives forever. Having recorded his first album, "Tapestry," in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the "generation lost in space." When his cultural anthem "American Pie" was released in November 1971, it replaced Bob Dylan's "The Times They Are A Changin" as the Peoples Almanac of the new decade. It's important to think of "American Pie" as one would of Henry Longfellow's "Evangeline" or Johnny Mercer's "Moon River" -- an essential Americana poem emanating wistful recollection, blues valentine, and youthful protest rolled into one. There is magic brewing in the music and words of "American Pie," for McLean's lyrics and melody frame a cosmic dream, like those Jack Kerouac tried to conjure in his poetry-infused novel "On the Road."
What song did that accident inspire McLean to write?
American Pie.
(CNN)"A long, long, time ago..." Those five words, when uttered or sung, makes baby boomers immediately think of Don McLean's pop masterpiece "American Pie." It's hard to believe that his phenomenal 8½ minute allegory, which millions of Americans know by heart, is 44 years old. All sorts of historical cross-currents play off each other in this timeless song, brilliantly gilded with the unforgettable chorus, which starts as "Bye, Bye, Miss American Pie." There is no real way to categorize McLean's "American Pie" for its hybrid of modern poetry and folk ballad, beer-hall chant and high-art rock. On Tuesday, Christie's sold the 16-page handwritten manuscript of the song's lyrics for $1.2 million to an unnamed buyer. McLean was a paperboy when, on February 3, 1959, he saw that Buddy Holly, Ritchie Valens and J.P. "The Big Bopper" Richardson had been tragically killed in an airplane crash in Clear Lake, Iowa. "The next day I went to school in shock and guess what?" McLean recalled. "Nobody cared. Rock 'n' roll in those days was sort of like hula hoops and Buddy hadn't had a big hit on the charts since '57." By cathartically writing "American Pie," McLean has guaranteed that the memory of those great musicians lives forever. Having recorded his first album, "Tapestry," in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the "generation lost in space." When his cultural anthem "American Pie" was released in November 1971, it replaced Bob Dylan's "The Times They Are A Changin" as the Peoples Almanac of the new decade. It's important to think of "American Pie" as one would of Henry Longfellow's "Evangeline" or Johnny Mercer's "Moon River" -- an essential Americana poem emanating wistful recollection, blues valentine, and youthful protest rolled into one. There is magic brewing in the music and words of "American Pie," for McLean's lyrics and melody frame a cosmic dream, like those Jack Kerouac tried to conjure in his poetry-infused novel "On the Road."
When was it released?
November 1971.
(CNN)"A long, long, time ago..." Those five words, when uttered or sung, makes baby boomers immediately think of Don McLean's pop masterpiece "American Pie." It's hard to believe that his phenomenal 8½ minute allegory, which millions of Americans know by heart, is 44 years old. All sorts of historical cross-currents play off each other in this timeless song, brilliantly gilded with the unforgettable chorus, which starts as "Bye, Bye, Miss American Pie." There is no real way to categorize McLean's "American Pie" for its hybrid of modern poetry and folk ballad, beer-hall chant and high-art rock. On Tuesday, Christie's sold the 16-page handwritten manuscript of the song's lyrics for $1.2 million to an unnamed buyer. McLean was a paperboy when, on February 3, 1959, he saw that Buddy Holly, Ritchie Valens and J.P. "The Big Bopper" Richardson had been tragically killed in an airplane crash in Clear Lake, Iowa. "The next day I went to school in shock and guess what?" McLean recalled. "Nobody cared. Rock 'n' roll in those days was sort of like hula hoops and Buddy hadn't had a big hit on the charts since '57." By cathartically writing "American Pie," McLean has guaranteed that the memory of those great musicians lives forever. Having recorded his first album, "Tapestry," in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the "generation lost in space." When his cultural anthem "American Pie" was released in November 1971, it replaced Bob Dylan's "The Times They Are A Changin" as the Peoples Almanac of the new decade. It's important to think of "American Pie" as one would of Henry Longfellow's "Evangeline" or Johnny Mercer's "Moon River" -- an essential Americana poem emanating wistful recollection, blues valentine, and youthful protest rolled into one. There is magic brewing in the music and words of "American Pie," for McLean's lyrics and melody frame a cosmic dream, like those Jack Kerouac tried to conjure in his poetry-infused novel "On the Road."
What was the name of the album?
Tapestry,.
(CNN)"A long, long, time ago..." Those five words, when uttered or sung, makes baby boomers immediately think of Don McLean's pop masterpiece "American Pie." It's hard to believe that his phenomenal 8½ minute allegory, which millions of Americans know by heart, is 44 years old. All sorts of historical cross-currents play off each other in this timeless song, brilliantly gilded with the unforgettable chorus, which starts as "Bye, Bye, Miss American Pie." There is no real way to categorize McLean's "American Pie" for its hybrid of modern poetry and folk ballad, beer-hall chant and high-art rock. On Tuesday, Christie's sold the 16-page handwritten manuscript of the song's lyrics for $1.2 million to an unnamed buyer. McLean was a paperboy when, on February 3, 1959, he saw that Buddy Holly, Ritchie Valens and J.P. "The Big Bopper" Richardson had been tragically killed in an airplane crash in Clear Lake, Iowa. "The next day I went to school in shock and guess what?" McLean recalled. "Nobody cared. Rock 'n' roll in those days was sort of like hula hoops and Buddy hadn't had a big hit on the charts since '57." By cathartically writing "American Pie," McLean has guaranteed that the memory of those great musicians lives forever. Having recorded his first album, "Tapestry," in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the "generation lost in space." When his cultural anthem "American Pie" was released in November 1971, it replaced Bob Dylan's "The Times They Are A Changin" as the Peoples Almanac of the new decade. It's important to think of "American Pie" as one would of Henry Longfellow's "Evangeline" or Johnny Mercer's "Moon River" -- an essential Americana poem emanating wistful recollection, blues valentine, and youthful protest rolled into one. There is magic brewing in the music and words of "American Pie," for McLean's lyrics and melody frame a cosmic dream, like those Jack Kerouac tried to conjure in his poetry-infused novel "On the Road."
What was going on during that album release in California?
Student riots.
(CNN)"A long, long, time ago..." Those five words, when uttered or sung, makes baby boomers immediately think of Don McLean's pop masterpiece "American Pie." It's hard to believe that his phenomenal 8½ minute allegory, which millions of Americans know by heart, is 44 years old. All sorts of historical cross-currents play off each other in this timeless song, brilliantly gilded with the unforgettable chorus, which starts as "Bye, Bye, Miss American Pie." There is no real way to categorize McLean's "American Pie" for its hybrid of modern poetry and folk ballad, beer-hall chant and high-art rock. On Tuesday, Christie's sold the 16-page handwritten manuscript of the song's lyrics for $1.2 million to an unnamed buyer. McLean was a paperboy when, on February 3, 1959, he saw that Buddy Holly, Ritchie Valens and J.P. "The Big Bopper" Richardson had been tragically killed in an airplane crash in Clear Lake, Iowa. "The next day I went to school in shock and guess what?" McLean recalled. "Nobody cared. Rock 'n' roll in those days was sort of like hula hoops and Buddy hadn't had a big hit on the charts since '57." By cathartically writing "American Pie," McLean has guaranteed that the memory of those great musicians lives forever. Having recorded his first album, "Tapestry," in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the "generation lost in space." When his cultural anthem "American Pie" was released in November 1971, it replaced Bob Dylan's "The Times They Are A Changin" as the Peoples Almanac of the new decade. It's important to think of "American Pie" as one would of Henry Longfellow's "Evangeline" or Johnny Mercer's "Moon River" -- an essential Americana poem emanating wistful recollection, blues valentine, and youthful protest rolled into one. There is magic brewing in the music and words of "American Pie," for McLean's lyrics and melody frame a cosmic dream, like those Jack Kerouac tried to conjure in his poetry-infused novel "On the Road."
What was the song of the decade before American Pie?
The Times They Are A Changin'.
(CNN)"A long, long, time ago..." Those five words, when uttered or sung, makes baby boomers immediately think of Don McLean's pop masterpiece "American Pie." It's hard to believe that his phenomenal 8½ minute allegory, which millions of Americans know by heart, is 44 years old. All sorts of historical cross-currents play off each other in this timeless song, brilliantly gilded with the unforgettable chorus, which starts as "Bye, Bye, Miss American Pie." There is no real way to categorize McLean's "American Pie" for its hybrid of modern poetry and folk ballad, beer-hall chant and high-art rock. On Tuesday, Christie's sold the 16-page handwritten manuscript of the song's lyrics for $1.2 million to an unnamed buyer. McLean was a paperboy when, on February 3, 1959, he saw that Buddy Holly, Ritchie Valens and J.P. "The Big Bopper" Richardson had been tragically killed in an airplane crash in Clear Lake, Iowa. "The next day I went to school in shock and guess what?" McLean recalled. "Nobody cared. Rock 'n' roll in those days was sort of like hula hoops and Buddy hadn't had a big hit on the charts since '57." By cathartically writing "American Pie," McLean has guaranteed that the memory of those great musicians lives forever. Having recorded his first album, "Tapestry," in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the "generation lost in space." When his cultural anthem "American Pie" was released in November 1971, it replaced Bob Dylan's "The Times They Are A Changin" as the Peoples Almanac of the new decade. It's important to think of "American Pie" as one would of Henry Longfellow's "Evangeline" or Johnny Mercer's "Moon River" -- an essential Americana poem emanating wistful recollection, blues valentine, and youthful protest rolled into one. There is magic brewing in the music and words of "American Pie," for McLean's lyrics and melody frame a cosmic dream, like those Jack Kerouac tried to conjure in his poetry-infused novel "On the Road."
Who sang that?
Bob Dylan.
(CNN)"A long, long, time ago..." Those five words, when uttered or sung, makes baby boomers immediately think of Don McLean's pop masterpiece "American Pie." It's hard to believe that his phenomenal 8½ minute allegory, which millions of Americans know by heart, is 44 years old. All sorts of historical cross-currents play off each other in this timeless song, brilliantly gilded with the unforgettable chorus, which starts as "Bye, Bye, Miss American Pie." There is no real way to categorize McLean's "American Pie" for its hybrid of modern poetry and folk ballad, beer-hall chant and high-art rock. On Tuesday, Christie's sold the 16-page handwritten manuscript of the song's lyrics for $1.2 million to an unnamed buyer. McLean was a paperboy when, on February 3, 1959, he saw that Buddy Holly, Ritchie Valens and J.P. "The Big Bopper" Richardson had been tragically killed in an airplane crash in Clear Lake, Iowa. "The next day I went to school in shock and guess what?" McLean recalled. "Nobody cared. Rock 'n' roll in those days was sort of like hula hoops and Buddy hadn't had a big hit on the charts since '57." By cathartically writing "American Pie," McLean has guaranteed that the memory of those great musicians lives forever. Having recorded his first album, "Tapestry," in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the "generation lost in space." When his cultural anthem "American Pie" was released in November 1971, it replaced Bob Dylan's "The Times They Are A Changin" as the Peoples Almanac of the new decade. It's important to think of "American Pie" as one would of Henry Longfellow's "Evangeline" or Johnny Mercer's "Moon River" -- an essential Americana poem emanating wistful recollection, blues valentine, and youthful protest rolled into one. There is magic brewing in the music and words of "American Pie," for McLean's lyrics and melody frame a cosmic dream, like those Jack Kerouac tried to conjure in his poetry-infused novel "On the Road."
How long is American Pie?
8½ minutes.
(CNN)"A long, long, time ago..." Those five words, when uttered or sung, makes baby boomers immediately think of Don McLean's pop masterpiece "American Pie." It's hard to believe that his phenomenal 8½ minute allegory, which millions of Americans know by heart, is 44 years old. All sorts of historical cross-currents play off each other in this timeless song, brilliantly gilded with the unforgettable chorus, which starts as "Bye, Bye, Miss American Pie." There is no real way to categorize McLean's "American Pie" for its hybrid of modern poetry and folk ballad, beer-hall chant and high-art rock. On Tuesday, Christie's sold the 16-page handwritten manuscript of the song's lyrics for $1.2 million to an unnamed buyer. McLean was a paperboy when, on February 3, 1959, he saw that Buddy Holly, Ritchie Valens and J.P. "The Big Bopper" Richardson had been tragically killed in an airplane crash in Clear Lake, Iowa. "The next day I went to school in shock and guess what?" McLean recalled. "Nobody cared. Rock 'n' roll in those days was sort of like hula hoops and Buddy hadn't had a big hit on the charts since '57." By cathartically writing "American Pie," McLean has guaranteed that the memory of those great musicians lives forever. Having recorded his first album, "Tapestry," in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the "generation lost in space." When his cultural anthem "American Pie" was released in November 1971, it replaced Bob Dylan's "The Times They Are A Changin" as the Peoples Almanac of the new decade. It's important to think of "American Pie" as one would of Henry Longfellow's "Evangeline" or Johnny Mercer's "Moon River" -- an essential Americana poem emanating wistful recollection, blues valentine, and youthful protest rolled into one. There is magic brewing in the music and words of "American Pie," for McLean's lyrics and melody frame a cosmic dream, like those Jack Kerouac tried to conjure in his poetry-infused novel "On the Road."
How old is it?
44 years old.
(CNN)"A long, long, time ago..." Those five words, when uttered or sung, makes baby boomers immediately think of Don McLean's pop masterpiece "American Pie." It's hard to believe that his phenomenal 8½ minute allegory, which millions of Americans know by heart, is 44 years old. All sorts of historical cross-currents play off each other in this timeless song, brilliantly gilded with the unforgettable chorus, which starts as "Bye, Bye, Miss American Pie." There is no real way to categorize McLean's "American Pie" for its hybrid of modern poetry and folk ballad, beer-hall chant and high-art rock. On Tuesday, Christie's sold the 16-page handwritten manuscript of the song's lyrics for $1.2 million to an unnamed buyer. McLean was a paperboy when, on February 3, 1959, he saw that Buddy Holly, Ritchie Valens and J.P. "The Big Bopper" Richardson had been tragically killed in an airplane crash in Clear Lake, Iowa. "The next day I went to school in shock and guess what?" McLean recalled. "Nobody cared. Rock 'n' roll in those days was sort of like hula hoops and Buddy hadn't had a big hit on the charts since '57." By cathartically writing "American Pie," McLean has guaranteed that the memory of those great musicians lives forever. Having recorded his first album, "Tapestry," in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the "generation lost in space." When his cultural anthem "American Pie" was released in November 1971, it replaced Bob Dylan's "The Times They Are A Changin" as the Peoples Almanac of the new decade. It's important to think of "American Pie" as one would of Henry Longfellow's "Evangeline" or Johnny Mercer's "Moon River" -- an essential Americana poem emanating wistful recollection, blues valentine, and youthful protest rolled into one. There is magic brewing in the music and words of "American Pie," for McLean's lyrics and melody frame a cosmic dream, like those Jack Kerouac tried to conjure in his poetry-infused novel "On the Road."
How does the chorus start?
Bye, Bye, Miss American Pie.
(CNN)"A long, long, time ago..." Those five words, when uttered or sung, makes baby boomers immediately think of Don McLean's pop masterpiece "American Pie." It's hard to believe that his phenomenal 8½ minute allegory, which millions of Americans know by heart, is 44 years old. All sorts of historical cross-currents play off each other in this timeless song, brilliantly gilded with the unforgettable chorus, which starts as "Bye, Bye, Miss American Pie." There is no real way to categorize McLean's "American Pie" for its hybrid of modern poetry and folk ballad, beer-hall chant and high-art rock. On Tuesday, Christie's sold the 16-page handwritten manuscript of the song's lyrics for $1.2 million to an unnamed buyer. McLean was a paperboy when, on February 3, 1959, he saw that Buddy Holly, Ritchie Valens and J.P. "The Big Bopper" Richardson had been tragically killed in an airplane crash in Clear Lake, Iowa. "The next day I went to school in shock and guess what?" McLean recalled. "Nobody cared. Rock 'n' roll in those days was sort of like hula hoops and Buddy hadn't had a big hit on the charts since '57." By cathartically writing "American Pie," McLean has guaranteed that the memory of those great musicians lives forever. Having recorded his first album, "Tapestry," in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the "generation lost in space." When his cultural anthem "American Pie" was released in November 1971, it replaced Bob Dylan's "The Times They Are A Changin" as the Peoples Almanac of the new decade. It's important to think of "American Pie" as one would of Henry Longfellow's "Evangeline" or Johnny Mercer's "Moon River" -- an essential Americana poem emanating wistful recollection, blues valentine, and youthful protest rolled into one. There is magic brewing in the music and words of "American Pie," for McLean's lyrics and melody frame a cosmic dream, like those Jack Kerouac tried to conjure in his poetry-infused novel "On the Road."
How does the tune start?
A long, long, time ago.
(CNN)"A long, long, time ago..." Those five words, when uttered or sung, makes baby boomers immediately think of Don McLean's pop masterpiece "American Pie." It's hard to believe that his phenomenal 8½ minute allegory, which millions of Americans know by heart, is 44 years old. All sorts of historical cross-currents play off each other in this timeless song, brilliantly gilded with the unforgettable chorus, which starts as "Bye, Bye, Miss American Pie." There is no real way to categorize McLean's "American Pie" for its hybrid of modern poetry and folk ballad, beer-hall chant and high-art rock. On Tuesday, Christie's sold the 16-page handwritten manuscript of the song's lyrics for $1.2 million to an unnamed buyer. McLean was a paperboy when, on February 3, 1959, he saw that Buddy Holly, Ritchie Valens and J.P. "The Big Bopper" Richardson had been tragically killed in an airplane crash in Clear Lake, Iowa. "The next day I went to school in shock and guess what?" McLean recalled. "Nobody cared. Rock 'n' roll in those days was sort of like hula hoops and Buddy hadn't had a big hit on the charts since '57." By cathartically writing "American Pie," McLean has guaranteed that the memory of those great musicians lives forever. Having recorded his first album, "Tapestry," in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the "generation lost in space." When his cultural anthem "American Pie" was released in November 1971, it replaced Bob Dylan's "The Times They Are A Changin" as the Peoples Almanac of the new decade. It's important to think of "American Pie" as one would of Henry Longfellow's "Evangeline" or Johnny Mercer's "Moon River" -- an essential Americana poem emanating wistful recollection, blues valentine, and youthful protest rolled into one. There is magic brewing in the music and words of "American Pie," for McLean's lyrics and melody frame a cosmic dream, like those Jack Kerouac tried to conjure in his poetry-infused novel "On the Road."
Do many people know the words to it?
Yes.
(CNN)"A long, long, time ago..." Those five words, when uttered or sung, makes baby boomers immediately think of Don McLean's pop masterpiece "American Pie." It's hard to believe that his phenomenal 8½ minute allegory, which millions of Americans know by heart, is 44 years old. All sorts of historical cross-currents play off each other in this timeless song, brilliantly gilded with the unforgettable chorus, which starts as "Bye, Bye, Miss American Pie." There is no real way to categorize McLean's "American Pie" for its hybrid of modern poetry and folk ballad, beer-hall chant and high-art rock. On Tuesday, Christie's sold the 16-page handwritten manuscript of the song's lyrics for $1.2 million to an unnamed buyer. McLean was a paperboy when, on February 3, 1959, he saw that Buddy Holly, Ritchie Valens and J.P. "The Big Bopper" Richardson had been tragically killed in an airplane crash in Clear Lake, Iowa. "The next day I went to school in shock and guess what?" McLean recalled. "Nobody cared. Rock 'n' roll in those days was sort of like hula hoops and Buddy hadn't had a big hit on the charts since '57." By cathartically writing "American Pie," McLean has guaranteed that the memory of those great musicians lives forever. Having recorded his first album, "Tapestry," in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the "generation lost in space." When his cultural anthem "American Pie" was released in November 1971, it replaced Bob Dylan's "The Times They Are A Changin" as the Peoples Almanac of the new decade. It's important to think of "American Pie" as one would of Henry Longfellow's "Evangeline" or Johnny Mercer's "Moon River" -- an essential Americana poem emanating wistful recollection, blues valentine, and youthful protest rolled into one. There is magic brewing in the music and words of "American Pie," for McLean's lyrics and melody frame a cosmic dream, like those Jack Kerouac tried to conjure in his poetry-infused novel "On the Road."
Can it be categorized easily?
No.
(CNN)"A long, long, time ago..." Those five words, when uttered or sung, makes baby boomers immediately think of Don McLean's pop masterpiece "American Pie." It's hard to believe that his phenomenal 8½ minute allegory, which millions of Americans know by heart, is 44 years old. All sorts of historical cross-currents play off each other in this timeless song, brilliantly gilded with the unforgettable chorus, which starts as "Bye, Bye, Miss American Pie." There is no real way to categorize McLean's "American Pie" for its hybrid of modern poetry and folk ballad, beer-hall chant and high-art rock. On Tuesday, Christie's sold the 16-page handwritten manuscript of the song's lyrics for $1.2 million to an unnamed buyer. McLean was a paperboy when, on February 3, 1959, he saw that Buddy Holly, Ritchie Valens and J.P. "The Big Bopper" Richardson had been tragically killed in an airplane crash in Clear Lake, Iowa. "The next day I went to school in shock and guess what?" McLean recalled. "Nobody cared. Rock 'n' roll in those days was sort of like hula hoops and Buddy hadn't had a big hit on the charts since '57." By cathartically writing "American Pie," McLean has guaranteed that the memory of those great musicians lives forever. Having recorded his first album, "Tapestry," in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the "generation lost in space." When his cultural anthem "American Pie" was released in November 1971, it replaced Bob Dylan's "The Times They Are A Changin" as the Peoples Almanac of the new decade. It's important to think of "American Pie" as one would of Henry Longfellow's "Evangeline" or Johnny Mercer's "Moon River" -- an essential Americana poem emanating wistful recollection, blues valentine, and youthful protest rolled into one. There is magic brewing in the music and words of "American Pie," for McLean's lyrics and melody frame a cosmic dream, like those Jack Kerouac tried to conjure in his poetry-infused novel "On the Road."
How much did the handwritten lyrics sell for?
$1.2 million.
What kind of pets do people have in your country? Dogs? Cats? How about a duck, hippo or lion? Here are two cases of animal owners with unusual pets. Barrie Hayman has a pet duck called Star. Barrie adopted him after his brothers and sisters stayed away from him at birth. Barrie, a duck breeder, realized the little duck needed special attention. So he began taking Star with him everywhere he went. "I would put him in my pocket while I did my shopping," said Barrie. Now, at five months, Star is too big for Barrie's pocket, but the two are still _ . They watch sports together and even share a drink together. Barrie said, "He is one fantastic duck. I've never known any like him." Star even has his own Facebook page, with more than 2,000 Facebook friends. Then there's the case of Tonie and Shirley Joubert in South Africa. They live with their pet hippo, Jessica. Tonie saved Jessica from floodwaters when she was only a day old. Jessica lives outside their riverside house, but she knows how to open the kitchen door, and often goes there for a snack. Tonie recently said, "I don't know whether Jessica sees me as a hippo or whether she sees herself as a human." Shirley is more certain, "Jessica sees herself as our child and I see Jessica as my daughter. I can't imagine my life without Jessica." Jessica is free to leave, and often visits wild hippos that live nearby. But she always returns home at night. Jessica's website notes that she has three hippo boyfriends, but one in particular, Fred, is her favorite. They often go grazing together and Fred has recently moved onto the Jouberts' house as well.
Who was Star?
a pet duck
What kind of pets do people have in your country? Dogs? Cats? How about a duck, hippo or lion? Here are two cases of animal owners with unusual pets. Barrie Hayman has a pet duck called Star. Barrie adopted him after his brothers and sisters stayed away from him at birth. Barrie, a duck breeder, realized the little duck needed special attention. So he began taking Star with him everywhere he went. "I would put him in my pocket while I did my shopping," said Barrie. Now, at five months, Star is too big for Barrie's pocket, but the two are still _ . They watch sports together and even share a drink together. Barrie said, "He is one fantastic duck. I've never known any like him." Star even has his own Facebook page, with more than 2,000 Facebook friends. Then there's the case of Tonie and Shirley Joubert in South Africa. They live with their pet hippo, Jessica. Tonie saved Jessica from floodwaters when she was only a day old. Jessica lives outside their riverside house, but she knows how to open the kitchen door, and often goes there for a snack. Tonie recently said, "I don't know whether Jessica sees me as a hippo or whether she sees herself as a human." Shirley is more certain, "Jessica sees herself as our child and I see Jessica as my daughter. I can't imagine my life without Jessica." Jessica is free to leave, and often visits wild hippos that live nearby. But she always returns home at night. Jessica's website notes that she has three hippo boyfriends, but one in particular, Fred, is her favorite. They often go grazing together and Fred has recently moved onto the Jouberts' house as well.
'what does Barrie Hayman do for a living?
a duck breeder
What kind of pets do people have in your country? Dogs? Cats? How about a duck, hippo or lion? Here are two cases of animal owners with unusual pets. Barrie Hayman has a pet duck called Star. Barrie adopted him after his brothers and sisters stayed away from him at birth. Barrie, a duck breeder, realized the little duck needed special attention. So he began taking Star with him everywhere he went. "I would put him in my pocket while I did my shopping," said Barrie. Now, at five months, Star is too big for Barrie's pocket, but the two are still _ . They watch sports together and even share a drink together. Barrie said, "He is one fantastic duck. I've never known any like him." Star even has his own Facebook page, with more than 2,000 Facebook friends. Then there's the case of Tonie and Shirley Joubert in South Africa. They live with their pet hippo, Jessica. Tonie saved Jessica from floodwaters when she was only a day old. Jessica lives outside their riverside house, but she knows how to open the kitchen door, and often goes there for a snack. Tonie recently said, "I don't know whether Jessica sees me as a hippo or whether she sees herself as a human." Shirley is more certain, "Jessica sees herself as our child and I see Jessica as my daughter. I can't imagine my life without Jessica." Jessica is free to leave, and often visits wild hippos that live nearby. But she always returns home at night. Jessica's website notes that she has three hippo boyfriends, but one in particular, Fred, is her favorite. They often go grazing together and Fred has recently moved onto the Jouberts' house as well.
What did he do with Star when he went shopping?
put him in his pocket
What kind of pets do people have in your country? Dogs? Cats? How about a duck, hippo or lion? Here are two cases of animal owners with unusual pets. Barrie Hayman has a pet duck called Star. Barrie adopted him after his brothers and sisters stayed away from him at birth. Barrie, a duck breeder, realized the little duck needed special attention. So he began taking Star with him everywhere he went. "I would put him in my pocket while I did my shopping," said Barrie. Now, at five months, Star is too big for Barrie's pocket, but the two are still _ . They watch sports together and even share a drink together. Barrie said, "He is one fantastic duck. I've never known any like him." Star even has his own Facebook page, with more than 2,000 Facebook friends. Then there's the case of Tonie and Shirley Joubert in South Africa. They live with their pet hippo, Jessica. Tonie saved Jessica from floodwaters when she was only a day old. Jessica lives outside their riverside house, but she knows how to open the kitchen door, and often goes there for a snack. Tonie recently said, "I don't know whether Jessica sees me as a hippo or whether she sees herself as a human." Shirley is more certain, "Jessica sees herself as our child and I see Jessica as my daughter. I can't imagine my life without Jessica." Jessica is free to leave, and often visits wild hippos that live nearby. But she always returns home at night. Jessica's website notes that she has three hippo boyfriends, but one in particular, Fred, is her favorite. They often go grazing together and Fred has recently moved onto the Jouberts' house as well.
How old is STar now?
unknown
What kind of pets do people have in your country? Dogs? Cats? How about a duck, hippo or lion? Here are two cases of animal owners with unusual pets. Barrie Hayman has a pet duck called Star. Barrie adopted him after his brothers and sisters stayed away from him at birth. Barrie, a duck breeder, realized the little duck needed special attention. So he began taking Star with him everywhere he went. "I would put him in my pocket while I did my shopping," said Barrie. Now, at five months, Star is too big for Barrie's pocket, but the two are still _ . They watch sports together and even share a drink together. Barrie said, "He is one fantastic duck. I've never known any like him." Star even has his own Facebook page, with more than 2,000 Facebook friends. Then there's the case of Tonie and Shirley Joubert in South Africa. They live with their pet hippo, Jessica. Tonie saved Jessica from floodwaters when she was only a day old. Jessica lives outside their riverside house, but she knows how to open the kitchen door, and often goes there for a snack. Tonie recently said, "I don't know whether Jessica sees me as a hippo or whether she sees herself as a human." Shirley is more certain, "Jessica sees herself as our child and I see Jessica as my daughter. I can't imagine my life without Jessica." Jessica is free to leave, and often visits wild hippos that live nearby. But she always returns home at night. Jessica's website notes that she has three hippo boyfriends, but one in particular, Fred, is her favorite. They often go grazing together and Fred has recently moved onto the Jouberts' house as well.
What kind of pet do Tonie and Shirley Joubert have?
hippo
What kind of pets do people have in your country? Dogs? Cats? How about a duck, hippo or lion? Here are two cases of animal owners with unusual pets. Barrie Hayman has a pet duck called Star. Barrie adopted him after his brothers and sisters stayed away from him at birth. Barrie, a duck breeder, realized the little duck needed special attention. So he began taking Star with him everywhere he went. "I would put him in my pocket while I did my shopping," said Barrie. Now, at five months, Star is too big for Barrie's pocket, but the two are still _ . They watch sports together and even share a drink together. Barrie said, "He is one fantastic duck. I've never known any like him." Star even has his own Facebook page, with more than 2,000 Facebook friends. Then there's the case of Tonie and Shirley Joubert in South Africa. They live with their pet hippo, Jessica. Tonie saved Jessica from floodwaters when she was only a day old. Jessica lives outside their riverside house, but she knows how to open the kitchen door, and often goes there for a snack. Tonie recently said, "I don't know whether Jessica sees me as a hippo or whether she sees herself as a human." Shirley is more certain, "Jessica sees herself as our child and I see Jessica as my daughter. I can't imagine my life without Jessica." Jessica is free to leave, and often visits wild hippos that live nearby. But she always returns home at night. Jessica's website notes that she has three hippo boyfriends, but one in particular, Fred, is her favorite. They often go grazing together and Fred has recently moved onto the Jouberts' house as well.
What is the hippo's name?
Jessica
What kind of pets do people have in your country? Dogs? Cats? How about a duck, hippo or lion? Here are two cases of animal owners with unusual pets. Barrie Hayman has a pet duck called Star. Barrie adopted him after his brothers and sisters stayed away from him at birth. Barrie, a duck breeder, realized the little duck needed special attention. So he began taking Star with him everywhere he went. "I would put him in my pocket while I did my shopping," said Barrie. Now, at five months, Star is too big for Barrie's pocket, but the two are still _ . They watch sports together and even share a drink together. Barrie said, "He is one fantastic duck. I've never known any like him." Star even has his own Facebook page, with more than 2,000 Facebook friends. Then there's the case of Tonie and Shirley Joubert in South Africa. They live with their pet hippo, Jessica. Tonie saved Jessica from floodwaters when she was only a day old. Jessica lives outside their riverside house, but she knows how to open the kitchen door, and often goes there for a snack. Tonie recently said, "I don't know whether Jessica sees me as a hippo or whether she sees herself as a human." Shirley is more certain, "Jessica sees herself as our child and I see Jessica as my daughter. I can't imagine my life without Jessica." Jessica is free to leave, and often visits wild hippos that live nearby. But she always returns home at night. Jessica's website notes that she has three hippo boyfriends, but one in particular, Fred, is her favorite. They often go grazing together and Fred has recently moved onto the Jouberts' house as well.
What's the setting for the Joubert's house?
riverside
What kind of pets do people have in your country? Dogs? Cats? How about a duck, hippo or lion? Here are two cases of animal owners with unusual pets. Barrie Hayman has a pet duck called Star. Barrie adopted him after his brothers and sisters stayed away from him at birth. Barrie, a duck breeder, realized the little duck needed special attention. So he began taking Star with him everywhere he went. "I would put him in my pocket while I did my shopping," said Barrie. Now, at five months, Star is too big for Barrie's pocket, but the two are still _ . They watch sports together and even share a drink together. Barrie said, "He is one fantastic duck. I've never known any like him." Star even has his own Facebook page, with more than 2,000 Facebook friends. Then there's the case of Tonie and Shirley Joubert in South Africa. They live with their pet hippo, Jessica. Tonie saved Jessica from floodwaters when she was only a day old. Jessica lives outside their riverside house, but she knows how to open the kitchen door, and often goes there for a snack. Tonie recently said, "I don't know whether Jessica sees me as a hippo or whether she sees herself as a human." Shirley is more certain, "Jessica sees herself as our child and I see Jessica as my daughter. I can't imagine my life without Jessica." Jessica is free to leave, and often visits wild hippos that live nearby. But she always returns home at night. Jessica's website notes that she has three hippo boyfriends, but one in particular, Fred, is her favorite. They often go grazing together and Fred has recently moved onto the Jouberts' house as well.
What country is it in?
South Africa
What kind of pets do people have in your country? Dogs? Cats? How about a duck, hippo or lion? Here are two cases of animal owners with unusual pets. Barrie Hayman has a pet duck called Star. Barrie adopted him after his brothers and sisters stayed away from him at birth. Barrie, a duck breeder, realized the little duck needed special attention. So he began taking Star with him everywhere he went. "I would put him in my pocket while I did my shopping," said Barrie. Now, at five months, Star is too big for Barrie's pocket, but the two are still _ . They watch sports together and even share a drink together. Barrie said, "He is one fantastic duck. I've never known any like him." Star even has his own Facebook page, with more than 2,000 Facebook friends. Then there's the case of Tonie and Shirley Joubert in South Africa. They live with their pet hippo, Jessica. Tonie saved Jessica from floodwaters when she was only a day old. Jessica lives outside their riverside house, but she knows how to open the kitchen door, and often goes there for a snack. Tonie recently said, "I don't know whether Jessica sees me as a hippo or whether she sees herself as a human." Shirley is more certain, "Jessica sees herself as our child and I see Jessica as my daughter. I can't imagine my life without Jessica." Jessica is free to leave, and often visits wild hippos that live nearby. But she always returns home at night. Jessica's website notes that she has three hippo boyfriends, but one in particular, Fred, is her favorite. They often go grazing together and Fred has recently moved onto the Jouberts' house as well.
Can Jessica leave if she wants to?
Yes
What kind of pets do people have in your country? Dogs? Cats? How about a duck, hippo or lion? Here are two cases of animal owners with unusual pets. Barrie Hayman has a pet duck called Star. Barrie adopted him after his brothers and sisters stayed away from him at birth. Barrie, a duck breeder, realized the little duck needed special attention. So he began taking Star with him everywhere he went. "I would put him in my pocket while I did my shopping," said Barrie. Now, at five months, Star is too big for Barrie's pocket, but the two are still _ . They watch sports together and even share a drink together. Barrie said, "He is one fantastic duck. I've never known any like him." Star even has his own Facebook page, with more than 2,000 Facebook friends. Then there's the case of Tonie and Shirley Joubert in South Africa. They live with their pet hippo, Jessica. Tonie saved Jessica from floodwaters when she was only a day old. Jessica lives outside their riverside house, but she knows how to open the kitchen door, and often goes there for a snack. Tonie recently said, "I don't know whether Jessica sees me as a hippo or whether she sees herself as a human." Shirley is more certain, "Jessica sees herself as our child and I see Jessica as my daughter. I can't imagine my life without Jessica." Jessica is free to leave, and often visits wild hippos that live nearby. But she always returns home at night. Jessica's website notes that she has three hippo boyfriends, but one in particular, Fred, is her favorite. They often go grazing together and Fred has recently moved onto the Jouberts' house as well.
Does she?
she always returns home at night
What kind of pets do people have in your country? Dogs? Cats? How about a duck, hippo or lion? Here are two cases of animal owners with unusual pets. Barrie Hayman has a pet duck called Star. Barrie adopted him after his brothers and sisters stayed away from him at birth. Barrie, a duck breeder, realized the little duck needed special attention. So he began taking Star with him everywhere he went. "I would put him in my pocket while I did my shopping," said Barrie. Now, at five months, Star is too big for Barrie's pocket, but the two are still _ . They watch sports together and even share a drink together. Barrie said, "He is one fantastic duck. I've never known any like him." Star even has his own Facebook page, with more than 2,000 Facebook friends. Then there's the case of Tonie and Shirley Joubert in South Africa. They live with their pet hippo, Jessica. Tonie saved Jessica from floodwaters when she was only a day old. Jessica lives outside their riverside house, but she knows how to open the kitchen door, and often goes there for a snack. Tonie recently said, "I don't know whether Jessica sees me as a hippo or whether she sees herself as a human." Shirley is more certain, "Jessica sees herself as our child and I see Jessica as my daughter. I can't imagine my life without Jessica." Jessica is free to leave, and often visits wild hippos that live nearby. But she always returns home at night. Jessica's website notes that she has three hippo boyfriends, but one in particular, Fred, is her favorite. They often go grazing together and Fred has recently moved onto the Jouberts' house as well.
How many boyfriends does she have?
three
What kind of pets do people have in your country? Dogs? Cats? How about a duck, hippo or lion? Here are two cases of animal owners with unusual pets. Barrie Hayman has a pet duck called Star. Barrie adopted him after his brothers and sisters stayed away from him at birth. Barrie, a duck breeder, realized the little duck needed special attention. So he began taking Star with him everywhere he went. "I would put him in my pocket while I did my shopping," said Barrie. Now, at five months, Star is too big for Barrie's pocket, but the two are still _ . They watch sports together and even share a drink together. Barrie said, "He is one fantastic duck. I've never known any like him." Star even has his own Facebook page, with more than 2,000 Facebook friends. Then there's the case of Tonie and Shirley Joubert in South Africa. They live with their pet hippo, Jessica. Tonie saved Jessica from floodwaters when she was only a day old. Jessica lives outside their riverside house, but she knows how to open the kitchen door, and often goes there for a snack. Tonie recently said, "I don't know whether Jessica sees me as a hippo or whether she sees herself as a human." Shirley is more certain, "Jessica sees herself as our child and I see Jessica as my daughter. I can't imagine my life without Jessica." Jessica is free to leave, and often visits wild hippos that live nearby. But she always returns home at night. Jessica's website notes that she has three hippo boyfriends, but one in particular, Fred, is her favorite. They often go grazing together and Fred has recently moved onto the Jouberts' house as well.
What's the name of her favorite?
Fred
What kind of pets do people have in your country? Dogs? Cats? How about a duck, hippo or lion? Here are two cases of animal owners with unusual pets. Barrie Hayman has a pet duck called Star. Barrie adopted him after his brothers and sisters stayed away from him at birth. Barrie, a duck breeder, realized the little duck needed special attention. So he began taking Star with him everywhere he went. "I would put him in my pocket while I did my shopping," said Barrie. Now, at five months, Star is too big for Barrie's pocket, but the two are still _ . They watch sports together and even share a drink together. Barrie said, "He is one fantastic duck. I've never known any like him." Star even has his own Facebook page, with more than 2,000 Facebook friends. Then there's the case of Tonie and Shirley Joubert in South Africa. They live with their pet hippo, Jessica. Tonie saved Jessica from floodwaters when she was only a day old. Jessica lives outside their riverside house, but she knows how to open the kitchen door, and often goes there for a snack. Tonie recently said, "I don't know whether Jessica sees me as a hippo or whether she sees herself as a human." Shirley is more certain, "Jessica sees herself as our child and I see Jessica as my daughter. I can't imagine my life without Jessica." Jessica is free to leave, and often visits wild hippos that live nearby. But she always returns home at night. Jessica's website notes that she has three hippo boyfriends, but one in particular, Fred, is her favorite. They often go grazing together and Fred has recently moved onto the Jouberts' house as well.
What do they do together?
go grazing
CHAPTER XVI THE SEARCH FOR THE "FLYAWAY" "Tom! Sam! Get up at once!" "What's the row now, Dick?" came sleepily from Tom. "Have you discovered anything?" "Yes! I've discovered a whole lot. Get up if you want to catch the next train." "The next train for where?" demanded Tom, as he hopped out of bed. "The next train for Albany." "Have they taken Dora to Albany?" questioned Sam, as he too arose and began to don his garments. "I think so," was the elder brother's reply, and while the pair dressed, Dick told of what had occurred and what he had heard. "This is getting to be quite a chase," was Tom's remark. "But I reckon you are right, and we'll land on them in the capital." "If we aren't too late," answered Dick. "I'd like to know how they are going to take Dora to Albany if she doesn't want to go?" came from Tom, when they were dressed and on their way to the railroad station. No one could answer this question. "Josiah Crabtree is a queer stick and can do lots of queer things," was what Dick said. The train left at half past two in the morning, and they had not long to wait. Once on board, they proceeded to make themselves as comfortable as possible, each having a whole seat to himself, and Sam and Tom went to sleep without much trouble. But Dick was wide awake, wondering what would be the next move on reaching Albany.
What is the name of the chapter?
THE SEARCH FOR THE "FLYAWAY"
CHAPTER XVI THE SEARCH FOR THE "FLYAWAY" "Tom! Sam! Get up at once!" "What's the row now, Dick?" came sleepily from Tom. "Have you discovered anything?" "Yes! I've discovered a whole lot. Get up if you want to catch the next train." "The next train for where?" demanded Tom, as he hopped out of bed. "The next train for Albany." "Have they taken Dora to Albany?" questioned Sam, as he too arose and began to don his garments. "I think so," was the elder brother's reply, and while the pair dressed, Dick told of what had occurred and what he had heard. "This is getting to be quite a chase," was Tom's remark. "But I reckon you are right, and we'll land on them in the capital." "If we aren't too late," answered Dick. "I'd like to know how they are going to take Dora to Albany if she doesn't want to go?" came from Tom, when they were dressed and on their way to the railroad station. No one could answer this question. "Josiah Crabtree is a queer stick and can do lots of queer things," was what Dick said. The train left at half past two in the morning, and they had not long to wait. Once on board, they proceeded to make themselves as comfortable as possible, each having a whole seat to himself, and Sam and Tom went to sleep without much trouble. But Dick was wide awake, wondering what would be the next move on reaching Albany.
Who are the brothers?
Tom, Sam and Dick
CHAPTER XVI THE SEARCH FOR THE "FLYAWAY" "Tom! Sam! Get up at once!" "What's the row now, Dick?" came sleepily from Tom. "Have you discovered anything?" "Yes! I've discovered a whole lot. Get up if you want to catch the next train." "The next train for where?" demanded Tom, as he hopped out of bed. "The next train for Albany." "Have they taken Dora to Albany?" questioned Sam, as he too arose and began to don his garments. "I think so," was the elder brother's reply, and while the pair dressed, Dick told of what had occurred and what he had heard. "This is getting to be quite a chase," was Tom's remark. "But I reckon you are right, and we'll land on them in the capital." "If we aren't too late," answered Dick. "I'd like to know how they are going to take Dora to Albany if she doesn't want to go?" came from Tom, when they were dressed and on their way to the railroad station. No one could answer this question. "Josiah Crabtree is a queer stick and can do lots of queer things," was what Dick said. The train left at half past two in the morning, and they had not long to wait. Once on board, they proceeded to make themselves as comfortable as possible, each having a whole seat to himself, and Sam and Tom went to sleep without much trouble. But Dick was wide awake, wondering what would be the next move on reaching Albany.
Who woke up first?
Dick
CHAPTER XVI THE SEARCH FOR THE "FLYAWAY" "Tom! Sam! Get up at once!" "What's the row now, Dick?" came sleepily from Tom. "Have you discovered anything?" "Yes! I've discovered a whole lot. Get up if you want to catch the next train." "The next train for where?" demanded Tom, as he hopped out of bed. "The next train for Albany." "Have they taken Dora to Albany?" questioned Sam, as he too arose and began to don his garments. "I think so," was the elder brother's reply, and while the pair dressed, Dick told of what had occurred and what he had heard. "This is getting to be quite a chase," was Tom's remark. "But I reckon you are right, and we'll land on them in the capital." "If we aren't too late," answered Dick. "I'd like to know how they are going to take Dora to Albany if she doesn't want to go?" came from Tom, when they were dressed and on their way to the railroad station. No one could answer this question. "Josiah Crabtree is a queer stick and can do lots of queer things," was what Dick said. The train left at half past two in the morning, and they had not long to wait. Once on board, they proceeded to make themselves as comfortable as possible, each having a whole seat to himself, and Sam and Tom went to sleep without much trouble. But Dick was wide awake, wondering what would be the next move on reaching Albany.
Where are they headed?
Albany
CHAPTER XVI THE SEARCH FOR THE "FLYAWAY" "Tom! Sam! Get up at once!" "What's the row now, Dick?" came sleepily from Tom. "Have you discovered anything?" "Yes! I've discovered a whole lot. Get up if you want to catch the next train." "The next train for where?" demanded Tom, as he hopped out of bed. "The next train for Albany." "Have they taken Dora to Albany?" questioned Sam, as he too arose and began to don his garments. "I think so," was the elder brother's reply, and while the pair dressed, Dick told of what had occurred and what he had heard. "This is getting to be quite a chase," was Tom's remark. "But I reckon you are right, and we'll land on them in the capital." "If we aren't too late," answered Dick. "I'd like to know how they are going to take Dora to Albany if she doesn't want to go?" came from Tom, when they were dressed and on their way to the railroad station. No one could answer this question. "Josiah Crabtree is a queer stick and can do lots of queer things," was what Dick said. The train left at half past two in the morning, and they had not long to wait. Once on board, they proceeded to make themselves as comfortable as possible, each having a whole seat to himself, and Sam and Tom went to sleep without much trouble. But Dick was wide awake, wondering what would be the next move on reaching Albany.
How?
by train
CHAPTER XVI THE SEARCH FOR THE "FLYAWAY" "Tom! Sam! Get up at once!" "What's the row now, Dick?" came sleepily from Tom. "Have you discovered anything?" "Yes! I've discovered a whole lot. Get up if you want to catch the next train." "The next train for where?" demanded Tom, as he hopped out of bed. "The next train for Albany." "Have they taken Dora to Albany?" questioned Sam, as he too arose and began to don his garments. "I think so," was the elder brother's reply, and while the pair dressed, Dick told of what had occurred and what he had heard. "This is getting to be quite a chase," was Tom's remark. "But I reckon you are right, and we'll land on them in the capital." "If we aren't too late," answered Dick. "I'd like to know how they are going to take Dora to Albany if she doesn't want to go?" came from Tom, when they were dressed and on their way to the railroad station. No one could answer this question. "Josiah Crabtree is a queer stick and can do lots of queer things," was what Dick said. The train left at half past two in the morning, and they had not long to wait. Once on board, they proceeded to make themselves as comfortable as possible, each having a whole seat to himself, and Sam and Tom went to sleep without much trouble. But Dick was wide awake, wondering what would be the next move on reaching Albany.
Why?
for a chase
CHAPTER XVI THE SEARCH FOR THE "FLYAWAY" "Tom! Sam! Get up at once!" "What's the row now, Dick?" came sleepily from Tom. "Have you discovered anything?" "Yes! I've discovered a whole lot. Get up if you want to catch the next train." "The next train for where?" demanded Tom, as he hopped out of bed. "The next train for Albany." "Have they taken Dora to Albany?" questioned Sam, as he too arose and began to don his garments. "I think so," was the elder brother's reply, and while the pair dressed, Dick told of what had occurred and what he had heard. "This is getting to be quite a chase," was Tom's remark. "But I reckon you are right, and we'll land on them in the capital." "If we aren't too late," answered Dick. "I'd like to know how they are going to take Dora to Albany if she doesn't want to go?" came from Tom, when they were dressed and on their way to the railroad station. No one could answer this question. "Josiah Crabtree is a queer stick and can do lots of queer things," was what Dick said. The train left at half past two in the morning, and they had not long to wait. Once on board, they proceeded to make themselves as comfortable as possible, each having a whole seat to himself, and Sam and Tom went to sleep without much trouble. But Dick was wide awake, wondering what would be the next move on reaching Albany.
when does it leave?
next
CHAPTER XVI THE SEARCH FOR THE "FLYAWAY" "Tom! Sam! Get up at once!" "What's the row now, Dick?" came sleepily from Tom. "Have you discovered anything?" "Yes! I've discovered a whole lot. Get up if you want to catch the next train." "The next train for where?" demanded Tom, as he hopped out of bed. "The next train for Albany." "Have they taken Dora to Albany?" questioned Sam, as he too arose and began to don his garments. "I think so," was the elder brother's reply, and while the pair dressed, Dick told of what had occurred and what he had heard. "This is getting to be quite a chase," was Tom's remark. "But I reckon you are right, and we'll land on them in the capital." "If we aren't too late," answered Dick. "I'd like to know how they are going to take Dora to Albany if she doesn't want to go?" came from Tom, when they were dressed and on their way to the railroad station. No one could answer this question. "Josiah Crabtree is a queer stick and can do lots of queer things," was what Dick said. The train left at half past two in the morning, and they had not long to wait. Once on board, they proceeded to make themselves as comfortable as possible, each having a whole seat to himself, and Sam and Tom went to sleep without much trouble. But Dick was wide awake, wondering what would be the next move on reaching Albany.
Who are they looking for?
Josiah and Dora
CHAPTER XVI THE SEARCH FOR THE "FLYAWAY" "Tom! Sam! Get up at once!" "What's the row now, Dick?" came sleepily from Tom. "Have you discovered anything?" "Yes! I've discovered a whole lot. Get up if you want to catch the next train." "The next train for where?" demanded Tom, as he hopped out of bed. "The next train for Albany." "Have they taken Dora to Albany?" questioned Sam, as he too arose and began to don his garments. "I think so," was the elder brother's reply, and while the pair dressed, Dick told of what had occurred and what he had heard. "This is getting to be quite a chase," was Tom's remark. "But I reckon you are right, and we'll land on them in the capital." "If we aren't too late," answered Dick. "I'd like to know how they are going to take Dora to Albany if she doesn't want to go?" came from Tom, when they were dressed and on their way to the railroad station. No one could answer this question. "Josiah Crabtree is a queer stick and can do lots of queer things," was what Dick said. The train left at half past two in the morning, and they had not long to wait. Once on board, they proceeded to make themselves as comfortable as possible, each having a whole seat to himself, and Sam and Tom went to sleep without much trouble. But Dick was wide awake, wondering what would be the next move on reaching Albany.
Who may not want to go?
Dora
CHAPTER XVI THE SEARCH FOR THE "FLYAWAY" "Tom! Sam! Get up at once!" "What's the row now, Dick?" came sleepily from Tom. "Have you discovered anything?" "Yes! I've discovered a whole lot. Get up if you want to catch the next train." "The next train for where?" demanded Tom, as he hopped out of bed. "The next train for Albany." "Have they taken Dora to Albany?" questioned Sam, as he too arose and began to don his garments. "I think so," was the elder brother's reply, and while the pair dressed, Dick told of what had occurred and what he had heard. "This is getting to be quite a chase," was Tom's remark. "But I reckon you are right, and we'll land on them in the capital." "If we aren't too late," answered Dick. "I'd like to know how they are going to take Dora to Albany if she doesn't want to go?" came from Tom, when they were dressed and on their way to the railroad station. No one could answer this question. "Josiah Crabtree is a queer stick and can do lots of queer things," was what Dick said. The train left at half past two in the morning, and they had not long to wait. Once on board, they proceeded to make themselves as comfortable as possible, each having a whole seat to himself, and Sam and Tom went to sleep without much trouble. But Dick was wide awake, wondering what would be the next move on reaching Albany.
How do they feel about Josiah?
that he is a queer stick
The Spanish language is the second most spoken language in the United States. There are 45 million Hispanophones who speak Spanish as a first or second language in the United States, as well as six million Spanish language students. Together, this makes the United States of America the second largest Hispanophone country in the world after Mexico, and with the United States having more Spanish-speakers than Colombia and Spain (but fewer first language speakers). Spanish is the Romance language and the Indo-European language with the largest number of native speakers in the world. Roughly half of all American Spanish-speakers also speak English "very well," based on their self-assessment in the U.S. Census. The Spanish language has been present in what is now the United States since the 16th and 17th centuries, with the arrival of Spanish colonization in North America that would later become the states of Florida, Texas, Colorado, New Mexico, Arizona, Nevada, Utah, and California. The Spanish explorers explored areas of 42 future U.S. states leaving behind a varying range of Hispanic legacy in the North American continent. Additionally, western regions of the Louisiana Territory were under Spanish rule between 1763 to 1800, after the French and Indian War, further extending the Spanish influence throughout modern-day United States of America.
How many spanish language students are in the United States?
six million
The Spanish language is the second most spoken language in the United States. There are 45 million Hispanophones who speak Spanish as a first or second language in the United States, as well as six million Spanish language students. Together, this makes the United States of America the second largest Hispanophone country in the world after Mexico, and with the United States having more Spanish-speakers than Colombia and Spain (but fewer first language speakers). Spanish is the Romance language and the Indo-European language with the largest number of native speakers in the world. Roughly half of all American Spanish-speakers also speak English "very well," based on their self-assessment in the U.S. Census. The Spanish language has been present in what is now the United States since the 16th and 17th centuries, with the arrival of Spanish colonization in North America that would later become the states of Florida, Texas, Colorado, New Mexico, Arizona, Nevada, Utah, and California. The Spanish explorers explored areas of 42 future U.S. states leaving behind a varying range of Hispanic legacy in the North American continent. Additionally, western regions of the Louisiana Territory were under Spanish rule between 1763 to 1800, after the French and Indian War, further extending the Spanish influence throughout modern-day United States of America.
How long has the Spanish language been present in the United states?
since the 16th and 17th centuries
The Spanish language is the second most spoken language in the United States. There are 45 million Hispanophones who speak Spanish as a first or second language in the United States, as well as six million Spanish language students. Together, this makes the United States of America the second largest Hispanophone country in the world after Mexico, and with the United States having more Spanish-speakers than Colombia and Spain (but fewer first language speakers). Spanish is the Romance language and the Indo-European language with the largest number of native speakers in the world. Roughly half of all American Spanish-speakers also speak English "very well," based on their self-assessment in the U.S. Census. The Spanish language has been present in what is now the United States since the 16th and 17th centuries, with the arrival of Spanish colonization in North America that would later become the states of Florida, Texas, Colorado, New Mexico, Arizona, Nevada, Utah, and California. The Spanish explorers explored areas of 42 future U.S. states leaving behind a varying range of Hispanic legacy in the North American continent. Additionally, western regions of the Louisiana Territory were under Spanish rule between 1763 to 1800, after the French and Indian War, further extending the Spanish influence throughout modern-day United States of America.
How long were parts of Louisiana under Spanish rule?
37 years.
The Spanish language is the second most spoken language in the United States. There are 45 million Hispanophones who speak Spanish as a first or second language in the United States, as well as six million Spanish language students. Together, this makes the United States of America the second largest Hispanophone country in the world after Mexico, and with the United States having more Spanish-speakers than Colombia and Spain (but fewer first language speakers). Spanish is the Romance language and the Indo-European language with the largest number of native speakers in the world. Roughly half of all American Spanish-speakers also speak English "very well," based on their self-assessment in the U.S. Census. The Spanish language has been present in what is now the United States since the 16th and 17th centuries, with the arrival of Spanish colonization in North America that would later become the states of Florida, Texas, Colorado, New Mexico, Arizona, Nevada, Utah, and California. The Spanish explorers explored areas of 42 future U.S. states leaving behind a varying range of Hispanic legacy in the North American continent. Additionally, western regions of the Louisiana Territory were under Spanish rule between 1763 to 1800, after the French and Indian War, further extending the Spanish influence throughout modern-day United States of America.
Based on the US Census, how do american spansih speakers rate their English?
very well
The Spanish language is the second most spoken language in the United States. There are 45 million Hispanophones who speak Spanish as a first or second language in the United States, as well as six million Spanish language students. Together, this makes the United States of America the second largest Hispanophone country in the world after Mexico, and with the United States having more Spanish-speakers than Colombia and Spain (but fewer first language speakers). Spanish is the Romance language and the Indo-European language with the largest number of native speakers in the world. Roughly half of all American Spanish-speakers also speak English "very well," based on their self-assessment in the U.S. Census. The Spanish language has been present in what is now the United States since the 16th and 17th centuries, with the arrival of Spanish colonization in North America that would later become the states of Florida, Texas, Colorado, New Mexico, Arizona, Nevada, Utah, and California. The Spanish explorers explored areas of 42 future U.S. states leaving behind a varying range of Hispanic legacy in the North American continent. Additionally, western regions of the Louisiana Territory were under Spanish rule between 1763 to 1800, after the French and Indian War, further extending the Spanish influence throughout modern-day United States of America.
Who has more spanish speakers, the US or Mexico?
Mexico
The Spanish language is the second most spoken language in the United States. There are 45 million Hispanophones who speak Spanish as a first or second language in the United States, as well as six million Spanish language students. Together, this makes the United States of America the second largest Hispanophone country in the world after Mexico, and with the United States having more Spanish-speakers than Colombia and Spain (but fewer first language speakers). Spanish is the Romance language and the Indo-European language with the largest number of native speakers in the world. Roughly half of all American Spanish-speakers also speak English "very well," based on their self-assessment in the U.S. Census. The Spanish language has been present in what is now the United States since the 16th and 17th centuries, with the arrival of Spanish colonization in North America that would later become the states of Florida, Texas, Colorado, New Mexico, Arizona, Nevada, Utah, and California. The Spanish explorers explored areas of 42 future U.S. states leaving behind a varying range of Hispanic legacy in the North American continent. Additionally, western regions of the Louisiana Territory were under Spanish rule between 1763 to 1800, after the French and Indian War, further extending the Spanish influence throughout modern-day United States of America.
When did the spanish language arrive in what is now the united states?
16th and 17th centuries
The Spanish language is the second most spoken language in the United States. There are 45 million Hispanophones who speak Spanish as a first or second language in the United States, as well as six million Spanish language students. Together, this makes the United States of America the second largest Hispanophone country in the world after Mexico, and with the United States having more Spanish-speakers than Colombia and Spain (but fewer first language speakers). Spanish is the Romance language and the Indo-European language with the largest number of native speakers in the world. Roughly half of all American Spanish-speakers also speak English "very well," based on their self-assessment in the U.S. Census. The Spanish language has been present in what is now the United States since the 16th and 17th centuries, with the arrival of Spanish colonization in North America that would later become the states of Florida, Texas, Colorado, New Mexico, Arizona, Nevada, Utah, and California. The Spanish explorers explored areas of 42 future U.S. states leaving behind a varying range of Hispanic legacy in the North American continent. Additionally, western regions of the Louisiana Territory were under Spanish rule between 1763 to 1800, after the French and Indian War, further extending the Spanish influence throughout modern-day United States of America.
What states did the spanish colinizers occupy?
Florida, Texas, Colorado, New Mexico, Arizona, Nevada, Utah, and California
The Spanish language is the second most spoken language in the United States. There are 45 million Hispanophones who speak Spanish as a first or second language in the United States, as well as six million Spanish language students. Together, this makes the United States of America the second largest Hispanophone country in the world after Mexico, and with the United States having more Spanish-speakers than Colombia and Spain (but fewer first language speakers). Spanish is the Romance language and the Indo-European language with the largest number of native speakers in the world. Roughly half of all American Spanish-speakers also speak English "very well," based on their self-assessment in the U.S. Census. The Spanish language has been present in what is now the United States since the 16th and 17th centuries, with the arrival of Spanish colonization in North America that would later become the states of Florida, Texas, Colorado, New Mexico, Arizona, Nevada, Utah, and California. The Spanish explorers explored areas of 42 future U.S. states leaving behind a varying range of Hispanic legacy in the North American continent. Additionally, western regions of the Louisiana Territory were under Spanish rule between 1763 to 1800, after the French and Indian War, further extending the Spanish influence throughout modern-day United States of America.
What language is the most used in the world?
Spanish
The Spanish language is the second most spoken language in the United States. There are 45 million Hispanophones who speak Spanish as a first or second language in the United States, as well as six million Spanish language students. Together, this makes the United States of America the second largest Hispanophone country in the world after Mexico, and with the United States having more Spanish-speakers than Colombia and Spain (but fewer first language speakers). Spanish is the Romance language and the Indo-European language with the largest number of native speakers in the world. Roughly half of all American Spanish-speakers also speak English "very well," based on their self-assessment in the U.S. Census. The Spanish language has been present in what is now the United States since the 16th and 17th centuries, with the arrival of Spanish colonization in North America that would later become the states of Florida, Texas, Colorado, New Mexico, Arizona, Nevada, Utah, and California. The Spanish explorers explored areas of 42 future U.S. states leaving behind a varying range of Hispanic legacy in the North American continent. Additionally, western regions of the Louisiana Territory were under Spanish rule between 1763 to 1800, after the French and Indian War, further extending the Spanish influence throughout modern-day United States of America.
how many states did the spanish explorers explore?
42
The Spanish language is the second most spoken language in the United States. There are 45 million Hispanophones who speak Spanish as a first or second language in the United States, as well as six million Spanish language students. Together, this makes the United States of America the second largest Hispanophone country in the world after Mexico, and with the United States having more Spanish-speakers than Colombia and Spain (but fewer first language speakers). Spanish is the Romance language and the Indo-European language with the largest number of native speakers in the world. Roughly half of all American Spanish-speakers also speak English "very well," based on their self-assessment in the U.S. Census. The Spanish language has been present in what is now the United States since the 16th and 17th centuries, with the arrival of Spanish colonization in North America that would later become the states of Florida, Texas, Colorado, New Mexico, Arizona, Nevada, Utah, and California. The Spanish explorers explored areas of 42 future U.S. states leaving behind a varying range of Hispanic legacy in the North American continent. Additionally, western regions of the Louisiana Territory were under Spanish rule between 1763 to 1800, after the French and Indian War, further extending the Spanish influence throughout modern-day United States of America.
How many Hispanophones speak spanish as a first or second language?
45 million
Max is a very happy cow. He's dark brown, with big blue eyes, and a soft pink nose. He lives in a huge field during the summer, with beautiful, and tasty, buttercups and hay. During the winter he lives in a nice, warm barn. The hay isn't as tasty then, but it keeps him fed until summer comes back. One winter day Max wanted to see what was happening outside when it turned cold and bright. He had never gone out during the winter because the Farmer always locked the barn door behind him. But today the door was wide open, and Max could see the sunshine reflecting off the bright ground. He had to know why! So Max pushed open the gate to his little house with his nose and walked over to the door. Max was surprised and confused by the ground outside, it was so white and sparkly. His breath started fogging in the air, and the ground was cold and crunchy. "What is this?" He asked the rooster sitting on the fence. The roosters name was Omaha, and he was all white except for a big red puff on his head. "It's snow, son! Did you grow up in a barn?!" The rooster laughed and flew away towards his little rooster house. "It's so pretty!" Max said. He pushed it with his nose. "Oh! It's so chilly!" He started to take a bite of the crunchy white bits. He wanted to see if they had a good taste, when he heard the farmer. "Max! What are you doing out here?" The farmer, named Bob, asked. He was loud, but not mad. "It's much too cold for a small cow like you, we better get you back inside!" He pushed Max inside the barn, and this time locked the barn door tight.
What kind of animal is Max?
a cow
Max is a very happy cow. He's dark brown, with big blue eyes, and a soft pink nose. He lives in a huge field during the summer, with beautiful, and tasty, buttercups and hay. During the winter he lives in a nice, warm barn. The hay isn't as tasty then, but it keeps him fed until summer comes back. One winter day Max wanted to see what was happening outside when it turned cold and bright. He had never gone out during the winter because the Farmer always locked the barn door behind him. But today the door was wide open, and Max could see the sunshine reflecting off the bright ground. He had to know why! So Max pushed open the gate to his little house with his nose and walked over to the door. Max was surprised and confused by the ground outside, it was so white and sparkly. His breath started fogging in the air, and the ground was cold and crunchy. "What is this?" He asked the rooster sitting on the fence. The roosters name was Omaha, and he was all white except for a big red puff on his head. "It's snow, son! Did you grow up in a barn?!" The rooster laughed and flew away towards his little rooster house. "It's so pretty!" Max said. He pushed it with his nose. "Oh! It's so chilly!" He started to take a bite of the crunchy white bits. He wanted to see if they had a good taste, when he heard the farmer. "Max! What are you doing out here?" The farmer, named Bob, asked. He was loud, but not mad. "It's much too cold for a small cow like you, we better get you back inside!" He pushed Max inside the barn, and this time locked the barn door tight.
how does he feel?
very happy
Max is a very happy cow. He's dark brown, with big blue eyes, and a soft pink nose. He lives in a huge field during the summer, with beautiful, and tasty, buttercups and hay. During the winter he lives in a nice, warm barn. The hay isn't as tasty then, but it keeps him fed until summer comes back. One winter day Max wanted to see what was happening outside when it turned cold and bright. He had never gone out during the winter because the Farmer always locked the barn door behind him. But today the door was wide open, and Max could see the sunshine reflecting off the bright ground. He had to know why! So Max pushed open the gate to his little house with his nose and walked over to the door. Max was surprised and confused by the ground outside, it was so white and sparkly. His breath started fogging in the air, and the ground was cold and crunchy. "What is this?" He asked the rooster sitting on the fence. The roosters name was Omaha, and he was all white except for a big red puff on his head. "It's snow, son! Did you grow up in a barn?!" The rooster laughed and flew away towards his little rooster house. "It's so pretty!" Max said. He pushed it with his nose. "Oh! It's so chilly!" He started to take a bite of the crunchy white bits. He wanted to see if they had a good taste, when he heard the farmer. "Max! What are you doing out here?" The farmer, named Bob, asked. He was loud, but not mad. "It's much too cold for a small cow like you, we better get you back inside!" He pushed Max inside the barn, and this time locked the barn door tight.
what color is he?
dark brown
Max is a very happy cow. He's dark brown, with big blue eyes, and a soft pink nose. He lives in a huge field during the summer, with beautiful, and tasty, buttercups and hay. During the winter he lives in a nice, warm barn. The hay isn't as tasty then, but it keeps him fed until summer comes back. One winter day Max wanted to see what was happening outside when it turned cold and bright. He had never gone out during the winter because the Farmer always locked the barn door behind him. But today the door was wide open, and Max could see the sunshine reflecting off the bright ground. He had to know why! So Max pushed open the gate to his little house with his nose and walked over to the door. Max was surprised and confused by the ground outside, it was so white and sparkly. His breath started fogging in the air, and the ground was cold and crunchy. "What is this?" He asked the rooster sitting on the fence. The roosters name was Omaha, and he was all white except for a big red puff on his head. "It's snow, son! Did you grow up in a barn?!" The rooster laughed and flew away towards his little rooster house. "It's so pretty!" Max said. He pushed it with his nose. "Oh! It's so chilly!" He started to take a bite of the crunchy white bits. He wanted to see if they had a good taste, when he heard the farmer. "Max! What are you doing out here?" The farmer, named Bob, asked. He was loud, but not mad. "It's much too cold for a small cow like you, we better get you back inside!" He pushed Max inside the barn, and this time locked the barn door tight.
what about his eyes?
blue
Max is a very happy cow. He's dark brown, with big blue eyes, and a soft pink nose. He lives in a huge field during the summer, with beautiful, and tasty, buttercups and hay. During the winter he lives in a nice, warm barn. The hay isn't as tasty then, but it keeps him fed until summer comes back. One winter day Max wanted to see what was happening outside when it turned cold and bright. He had never gone out during the winter because the Farmer always locked the barn door behind him. But today the door was wide open, and Max could see the sunshine reflecting off the bright ground. He had to know why! So Max pushed open the gate to his little house with his nose and walked over to the door. Max was surprised and confused by the ground outside, it was so white and sparkly. His breath started fogging in the air, and the ground was cold and crunchy. "What is this?" He asked the rooster sitting on the fence. The roosters name was Omaha, and he was all white except for a big red puff on his head. "It's snow, son! Did you grow up in a barn?!" The rooster laughed and flew away towards his little rooster house. "It's so pretty!" Max said. He pushed it with his nose. "Oh! It's so chilly!" He started to take a bite of the crunchy white bits. He wanted to see if they had a good taste, when he heard the farmer. "Max! What are you doing out here?" The farmer, named Bob, asked. He was loud, but not mad. "It's much too cold for a small cow like you, we better get you back inside!" He pushed Max inside the barn, and this time locked the barn door tight.
what size?
big