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67.3k
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|---|---|---|
6,400 |
like most of jaglom 's films , some of it is honestly affecting ,
| 1positive
|
6,401 |
you should see this movie
| 1positive
|
6,402 |
of the best films of the year
| 1positive
|
6,403 |
you will enjoy seeing how both evolve
| 1positive
|
6,404 |
from her own screenplay , jumps to the head of the class of women 's films that manage to avoid the ghetto of sentimental chick-flicks by treating female follies with a satirical style
| 1positive
|
6,405 |
so purely enjoyable that you might not even notice it 's a fairly straightforward remake of hollywood comedies such as father of the bride .
| 1positive
|
6,406 |
for exploiting the novelty of the `` webcast
| 0negative
|
6,407 |
showcases davies as a young woman of great charm , generosity and diplomacy
| 1positive
|
6,408 |
one scene after another in this supposedly funny movie
| 0negative
|
6,409 |
thurman and lewis give what can easily be considered career-best performances
| 1positive
|
6,410 |
accurately
| 1positive
|
6,411 |
ruined by amateurish writing and acting ,
| 0negative
|
6,412 |
well-made pb & j sandwich
| 1positive
|
6,413 |
the blanket statements and dime-store ruminations
| 0negative
|
6,414 |
engages us
| 1positive
|
6,415 |
it looks like woo 's a p.o.w.
| 0negative
|
6,416 |
has turned out to be a one-trick pony
| 0negative
|
6,417 |
on three short films and two features
| 1positive
|
6,418 |
the results are honest
| 1positive
|
6,419 |
's nice
| 1positive
|
6,420 |
has a way of seeping into your consciousness , with lingering questions about what the film is really getting at
| 1positive
|
6,421 |
, inexplicable and unpleasant
| 0negative
|
6,422 |
a thriller without thrills and a mystery devoid of urgent questions
| 0negative
|
6,423 |
falls victim to that everlasting conundrum experienced by every human who ever lived : too much to do , too little time to do it in .
| 0negative
|
6,424 |
one of the most important and exhilarating forms of animated filmmaking since old walt doodled steamboat willie .
| 1positive
|
6,425 |
a quirky comedy
| 1positive
|
6,426 |
artful , watery tones of blue , green and brown
| 1positive
|
6,427 |
leaves an awful sour taste
| 0negative
|
6,428 |
this is cinema
| 1positive
|
6,429 |
a diverse and astonishingly articulate
| 1positive
|
6,430 |
the charm of the first movie is still there
| 1positive
|
6,431 |
by turns gripping , amusing , tender and heart-wrenching
| 1positive
|
6,432 |
's because relatively nothing happens
| 0negative
|
6,433 |
a gift to anyone who loves both dance and cinema
| 1positive
|
6,434 |
dies
| 0negative
|
6,435 |
this is the one .
| 1positive
|
6,436 |
one of the best films of the year with its exquisite acting , inventive screenplay , mesmerizing music , and many inimitable scenes of tenderness , loss , discontent , and yearning .
| 1positive
|
6,437 |
unacceptable
| 0negative
|
6,438 |
deepest tragedies
| 0negative
|
6,439 |
how to suffer ' and if you see this film you 'll know too
| 0negative
|
6,440 |
've got to hand it to director george clooney for biting off such a big job the first time out
| 1positive
|
6,441 |
the usual movie rah-rah , pleasantly and predictably delivered in low-key style by director michael apted and writer tom stoppard .
| 1positive
|
6,442 |
one of the great minds of our times
| 1positive
|
6,443 |
audiences are advised to sit near the back and squint to avoid noticing some truly egregious lip-non-synching
| 0negative
|
6,444 |
an intense and effective film about loneliness and the chilly anonymity of the environments where so many of us spend so much of our time
| 1positive
|
6,445 |
that effortlessly draws you in
| 1positive
|
6,446 |
the fluid motion is astounding on any number of levels -- including the physical demands made on büttner -- and
| 1positive
|
6,447 |
colorful , energetic and sweetly whimsical ... the rare sequel that 's better than its predecessor .
| 1positive
|
6,448 |
climactic
| 1positive
|
6,449 |
really does n't have much to say beyond the news
| 0negative
|
6,450 |
the tale has turned from sweet to bittersweet , and when the tears come during that final , beautiful scene , they finally feel absolutely earned .
| 1positive
|
6,451 |
more outre aspects
| 1positive
|
6,452 |
evans is no hollywood villain
| 1positive
|
6,453 |
a loss
| 0negative
|
6,454 |
can drown out the tinny self-righteousness of his voice
| 0negative
|
6,455 |
falling in love
| 1positive
|
6,456 |
tremendously moving
| 1positive
|
6,457 |
will leave you wanting to abandon the theater .
| 0negative
|
6,458 |
benefits from having a real writer plot out all of the characters ' moves and overlapping story
| 1positive
|
6,459 |
spaces
| 1positive
|
6,460 |
a very good ( but not great ) movie
| 1positive
|
6,461 |
funny , insightfully human
| 1positive
|
6,462 |
visually engrossing
| 1positive
|
6,463 |
a fascinating , unnerving examination of the delusions
| 1positive
|
6,464 |
on standard horror flick formula
| 0negative
|
6,465 |
glum as mr. de niro
| 0negative
|
6,466 |
extremely well acted by the four primary actors
| 1positive
|
6,467 |
the universal themes ,
| 1positive
|
6,468 |
collateral damage is trash
| 0negative
|
6,469 |
makes all the difference
| 1positive
|
6,470 |
gentle , lapping rhythms
| 1positive
|
6,471 |
pokes fun at the same easy targets as other rowdy raunch-fests -- farts , boobs , unmentionables -- without much success .
| 0negative
|
6,472 |
using a stock plot , about a boy injects just enough freshness into the proceedings to provide an enjoyable 100 minutes in a movie theater .
| 1positive
|
6,473 |
funny , sexy , and rousing
| 1positive
|
6,474 |
is a pretty good job
| 1positive
|
6,475 |
visualize schizophrenia
| 0negative
|
6,476 |
scenic shots
| 1positive
|
6,477 |
'' will leave you wanting to abandon the theater .
| 0negative
|
6,478 |
return to neverland manages to straddle the line between another classic for the company and just another run-of-the-mill disney sequel intended for the home video market .
| 0negative
|
6,479 |
that celebi could take me back to a time before i saw this movie
| 0negative
|
6,480 |
making such a tragedy the backdrop to a love story risks trivializing it , though chouraqui no doubt intended the film to affirm love 's power to help people endure almost unimaginable horror .
| 1positive
|
6,481 |
fascinating , ludicrous , provocative and vainglorious
| 1positive
|
6,482 |
has made a movie that will leave you wondering about the characters ' lives after the clever credits roll
| 1positive
|
6,483 |
too cynical
| 0negative
|
6,484 |
spooky and subtly
| 1positive
|
6,485 |
into a classic genre
| 1positive
|
6,486 |
is too busy getting in its own way to be anything but frustrating , boring , and forgettable
| 0negative
|
6,487 |
up walking out not only satisfied but also somewhat touched
| 1positive
|
6,488 |
the plot seems a bit on the skinny side
| 0negative
|
6,489 |
accompanied by the sketchiest of captions .
| 0negative
|
6,490 |
melodramatic paranormal romance is an all-time low for kevin costner .
| 0negative
|
6,491 |
's something of the ultimate scorsese film
| 1positive
|
6,492 |
a more annoying , though
| 0negative
|
6,493 |
loathe him
| 0negative
|
6,494 |
hell , i dunno
| 0negative
|
6,495 |
for two directors with far less endearing disabilities
| 0negative
|
6,496 |
if mostly martha is mostly unsurprising , it 's still a sweet , even delectable diversion .
| 1positive
|
6,497 |
beautiful
| 1positive
|
6,498 |
enhanced by a surplus of vintage archive footage
| 1positive
|
6,499 |
is that it progresses in such a low-key manner that it risks monotony .
| 0negative
|
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