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67.3k
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|---|---|---|
8,500 |
for devotees of french cinema , safe conduct is so rich with period minutiae it 's like dying and going to celluloid heaven .
| 1positive
|
8,501 |
utterly ridiculous shaggy dog story
| 0negative
|
8,502 |
a lump of play-doh
| 1positive
|
8,503 |
a smart movie that knows its classical music , knows its freud and knows its sade
| 1positive
|
8,504 |
really won my heart
| 1positive
|
8,505 |
to see a feature that concentrates on people , a project in which the script and characters hold sway
| 1positive
|
8,506 |
as a reverie about memory and regret
| 1positive
|
8,507 |
shreve 's graceful dual narrative gets clunky on the screen , and
| 0negative
|
8,508 |
lacks in depth
| 0negative
|
8,509 |
charming and funny
| 1positive
|
8,510 |
worst revenge-of-the-nerds clichés
| 0negative
|
8,511 |
given the fact that virtually no one is bound to show up at theaters for it , the project should have been made for the tube .
| 0negative
|
8,512 |
he 's back in form , with an astoundingly rich film
| 1positive
|
8,513 |
, sobering , heart-felt drama
| 1positive
|
8,514 |
proper respect
| 1positive
|
8,515 |
a fifty car pileup of cliches .
| 0negative
|
8,516 |
suspense on different levels
| 1positive
|
8,517 |
all its fusty squareness
| 0negative
|
8,518 |
and pasta-fagioli comedy
| 1positive
|
8,519 |
held my interest precisely
| 1positive
|
8,520 |
entertained by
| 1positive
|
8,521 |
, nutty , consistently funny .
| 1positive
|
8,522 |
by the better film 's ability to make its subject interesting to those who are n't part of its supposed target audience
| 1positive
|
8,523 |
more slowly
| 0negative
|
8,524 |
, original
| 1positive
|
8,525 |
too stupid
| 0negative
|
8,526 |
for the faint of heart or conservative of spirit , but for the rest of us -- especially san francisco lovers
| 1positive
|
8,527 |
was being attempted here that stubbornly refused to gel
| 0negative
|
8,528 |
like sitting in a downtown café , overhearing a bunch of typical late-twenty-somethings natter on about nothing , and desperately wishing you could change tables
| 0negative
|
8,529 |
collapses after 30 minutes into a slap-happy series
| 0negative
|
8,530 |
so insanely dysfunctional
| 0negative
|
8,531 |
nice , light treat
| 1positive
|
8,532 |
intimate and universal cinema
| 1positive
|
8,533 |
incredibly captivating and
| 1positive
|
8,534 |
a penetrating , potent exploration of sanctimony , self-awareness , self-hatred and self-determination .
| 1positive
|
8,535 |
what the hell was coming next
| 0negative
|
8,536 |
is long on narrative and ( too ) short on action
| 0negative
|
8,537 |
an unsophisticated sci-fi drama that takes itself all too seriously .
| 0negative
|
8,538 |
forget
| 0negative
|
8,539 |
are strong , though the subject matter demands acting that borders on hammy at times .
| 1positive
|
8,540 |
'd bother watching past the second commercial break
| 0negative
|
8,541 |
tasty morsels
| 1positive
|
8,542 |
suffers because it does n't have enough vices to merit its 103-minute length
| 0negative
|
8,543 |
needs more impressionistic cinematography and exhilarating point-of-view shots and fewer slow-motion ` grandeur ' shots and quick-cut edits that often detract from the athleticism .
| 0negative
|
8,544 |
think the lion king redone for horses , with fewer deliberate laughs , more inadvertent ones and stunningly trite songs by bryan adams , the world 's most generic rock star .
| 0negative
|
8,545 |
the best of herzog 's works
| 1positive
|
8,546 |
`` the good girl '' a film worth watching
| 1positive
|
8,547 |
drawing on an irresistible , languid romanticism , byler reveals the ways in which a sultry evening or a beer-fueled afternoon in the sun can inspire even the most retiring heart to venture forth .
| 1positive
|
8,548 |
is as generic as its title
| 0negative
|
8,549 |
this bracingly truthful antidote to hollywood teenage movies that slather clearasil over the blemishes of youth captures the combustible mixture of a chafing inner loneliness and desperate grandiosity that tend to characterize puberty .
| 1positive
|
8,550 |
you might want to check it out
| 1positive
|
8,551 |
the most important and exhilarating forms of animated filmmaking since old walt
| 1positive
|
8,552 |
going to take you
| 1positive
|
8,553 |
the filmmaker 's extraordinary access
| 1positive
|
8,554 |
arliss howard 's ambitious , moving , and adventurous directorial debut , big bad love , meets so many of the challenges it poses for itself that one can forgive the film its flaws .
| 1positive
|
8,555 |
being unique
| 1positive
|
8,556 |
jumps around with little logic or continuity , presenting backstage bytes of information that never amount to a satisfying complete picture of this particular , anciently demanding métier .
| 0negative
|
8,557 |
with the kind of visual flair that shows what great cinema can really do
| 1positive
|
8,558 |
works on some levels and
| 1positive
|
8,559 |
dawns , real dawns , comic relief
| 1positive
|
8,560 |
refracting
| 0negative
|
8,561 |
a strong script , powerful direction
| 1positive
|
8,562 |
rigged and sluggish
| 0negative
|
8,563 |
affected child acting to the dullest irish pub scenes ever filmed
| 0negative
|
8,564 |
from a philosophical emptiness and maddeningly sedate pacing
| 0negative
|
8,565 |
what emerges is an unsettling picture of childhood innocence combined with indoctrinated prejudice .
| 1positive
|
8,566 |
no cute factor
| 0negative
|
8,567 |
would be an abridged edition
| 0negative
|
8,568 |
seen through the right eyes
| 1positive
|
8,569 |
something hip and transgressive
| 1positive
|
8,570 |
sweet , charming
| 1positive
|
8,571 |
are limited and so embellished by editing that there 's really not much of a sense of action or even action-comedy .
| 0negative
|
8,572 |
is gripping , as are the scenes of jia with his family .
| 1positive
|
8,573 |
a xerox machine
| 0negative
|
8,574 |
they do n't fit well together and neither is well told
| 0negative
|
8,575 |
that powerhouse
| 1positive
|
8,576 |
concentrates on people , a project in which the script and characters hold sway
| 1positive
|
8,577 |
a played-out idea -- a straight guy has to dress up in drag -- that shockingly manages to be even worse than its title
| 0negative
|
8,578 |
most excruciating 86 minutes one
| 0negative
|
8,579 |
a triumph of emotionally and narratively complex filmmaking
| 1positive
|
8,580 |
the feelings evoked in the film are lukewarm and quick to pass .
| 0negative
|
8,581 |
in alcatraz ' ... a cinematic corpse
| 0negative
|
8,582 |
a fully developed story
| 1positive
|
8,583 |
screams at the top of their lungs no matter what the situation
| 0negative
|
8,584 |
one well-timed explosion in a movie can be a knockout ,
| 1positive
|
8,585 |
with celluloid garbage
| 0negative
|
8,586 |
if the title is a jeopardy question , then the answer might be `` how does steven seagal come across these days ? ''
| 0negative
|
8,587 |
about identity and alienation
| 0negative
|
8,588 |
to old movies , when you could just rent those movies instead , let alone seek out a respectable new one
| 0negative
|
8,589 |
girlfriends are bad , wives are worse and babies are the kiss of death in this bitter italian comedy
| 0negative
|
8,590 |
it more than adequately fills the eyes and stirs the emotions
| 1positive
|
8,591 |
simple tale
| 1positive
|
8,592 |
one problem with the movie , directed by joel schumacher
| 0negative
|
8,593 |
fast , frenetic , funny , even punny 6
| 1positive
|
8,594 |
as an important , original talent in international cinema
| 1positive
|
8,595 |
at its most basic , this cartoon adventure is that wind-in-the-hair exhilarating .
| 1positive
|
8,596 |
than a particularly slanted , gay s/m fantasy
| 0negative
|
8,597 |
the high-concept scenario soon proves preposterous , the acting is robotically italicized , and truth-in-advertising hounds take note
| 0negative
|
8,598 |
the movie 's various victimized audience members after a while
| 0negative
|
8,599 |
the performances are often engaging
| 1positive
|
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