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Top Secret!
|
This is a comedy that references a heck of a lot of other movies and seeks to parody them in the most ridiculous and hilariously over the top way.Nick Rivers (Val Kilmer) is an archetypical '50's rock 'n roll heart throb: young, dumb and full of fun. He's Elvis, The Beach Boys, The Big Bopper, Buddy Holly and any other rocker from that period you can think of.He is invited to East Germany to be featured in the musical festival there and is unaware that evil "Nazi's" are only using the festival as a cover to disguise their true dream of world domination. They plan to use this festival to distract the NATO nations away from their true goals.Nick gets involved with a pretty, young woman; Hillary. She is in fact part of the French Resistance (in East Germany!?!) and part of a very oddly and obviously named crew of French freedom fighters. Including Chocolate Mousse, Deja Vu and many others.He gets into a heap of trouble, lands in jail and then attempts an escape in a very slap stick sort of way. He is eventually released to perform at the festival.Will Nick's heart be broken by Hilary when her ex, Nigel, who she spent time with on an island as a child and then felt stricken when he vanished, comes back into her life, still sporting an oiled six pack and a loin cloth?And will he decide to help the resistance with a couple of tunes and gyrations of his pelvis? Will he save the day in a manner that is completely side splitting? Will he win the love of Hillary and still sing Tuttie Fruttie?
|
Who plays Nick Rivers?
|
Val Kilmer
| 159 | 169 |
Top Secret!
|
This is a comedy that references a heck of a lot of other movies and seeks to parody them in the most ridiculous and hilariously over the top way.Nick Rivers (Val Kilmer) is an archetypical '50's rock 'n roll heart throb: young, dumb and full of fun. He's Elvis, The Beach Boys, The Big Bopper, Buddy Holly and any other rocker from that period you can think of.He is invited to East Germany to be featured in the musical festival there and is unaware that evil "Nazi's" are only using the festival as a cover to disguise their true dream of world domination. They plan to use this festival to distract the NATO nations away from their true goals.Nick gets involved with a pretty, young woman; Hillary. She is in fact part of the French Resistance (in East Germany!?!) and part of a very oddly and obviously named crew of French freedom fighters. Including Chocolate Mousse, Deja Vu and many others.He gets into a heap of trouble, lands in jail and then attempts an escape in a very slap stick sort of way. He is eventually released to perform at the festival.Will Nick's heart be broken by Hilary when her ex, Nigel, who she spent time with on an island as a child and then felt stricken when he vanished, comes back into her life, still sporting an oiled six pack and a loin cloth?And will he decide to help the resistance with a couple of tunes and gyrations of his pelvis? Will he save the day in a manner that is completely side splitting? Will he win the love of Hillary and still sing Tuttie Fruttie?
|
Who is the woman Nick gets involved with?
|
Hillary
| 694 | 701 |
Top Secret!
|
This is a comedy that references a heck of a lot of other movies and seeks to parody them in the most ridiculous and hilariously over the top way.Nick Rivers (Val Kilmer) is an archetypical '50's rock 'n roll heart throb: young, dumb and full of fun. He's Elvis, The Beach Boys, The Big Bopper, Buddy Holly and any other rocker from that period you can think of.He is invited to East Germany to be featured in the musical festival there and is unaware that evil "Nazi's" are only using the festival as a cover to disguise their true dream of world domination. They plan to use this festival to distract the NATO nations away from their true goals.Nick gets involved with a pretty, young woman; Hillary. She is in fact part of the French Resistance (in East Germany!?!) and part of a very oddly and obviously named crew of French freedom fighters. Including Chocolate Mousse, Deja Vu and many others.He gets into a heap of trouble, lands in jail and then attempts an escape in a very slap stick sort of way. He is eventually released to perform at the festival.Will Nick's heart be broken by Hilary when her ex, Nigel, who she spent time with on an island as a child and then felt stricken when he vanished, comes back into her life, still sporting an oiled six pack and a loin cloth?And will he decide to help the resistance with a couple of tunes and gyrations of his pelvis? Will he save the day in a manner that is completely side splitting? Will he win the love of Hillary and still sing Tuttie Fruttie?
|
Who is Hilary's ex?
|
Nigel
| 1,111 | 1,116 |
Top Secret!
|
This is a comedy that references a heck of a lot of other movies and seeks to parody them in the most ridiculous and hilariously over the top way.Nick Rivers (Val Kilmer) is an archetypical '50's rock 'n roll heart throb: young, dumb and full of fun. He's Elvis, The Beach Boys, The Big Bopper, Buddy Holly and any other rocker from that period you can think of.He is invited to East Germany to be featured in the musical festival there and is unaware that evil "Nazi's" are only using the festival as a cover to disguise their true dream of world domination. They plan to use this festival to distract the NATO nations away from their true goals.Nick gets involved with a pretty, young woman; Hillary. She is in fact part of the French Resistance (in East Germany!?!) and part of a very oddly and obviously named crew of French freedom fighters. Including Chocolate Mousse, Deja Vu and many others.He gets into a heap of trouble, lands in jail and then attempts an escape in a very slap stick sort of way. He is eventually released to perform at the festival.Will Nick's heart be broken by Hilary when her ex, Nigel, who she spent time with on an island as a child and then felt stricken when he vanished, comes back into her life, still sporting an oiled six pack and a loin cloth?And will he decide to help the resistance with a couple of tunes and gyrations of his pelvis? Will he save the day in a manner that is completely side splitting? Will he win the love of Hillary and still sing Tuttie Fruttie?
|
Who is Hillary's ex?
|
Nigel
| 1,111 | 1,116 |
Top Secret!
|
This is a comedy that references a heck of a lot of other movies and seeks to parody them in the most ridiculous and hilariously over the top way.Nick Rivers (Val Kilmer) is an archetypical '50's rock 'n roll heart throb: young, dumb and full of fun. He's Elvis, The Beach Boys, The Big Bopper, Buddy Holly and any other rocker from that period you can think of.He is invited to East Germany to be featured in the musical festival there and is unaware that evil "Nazi's" are only using the festival as a cover to disguise their true dream of world domination. They plan to use this festival to distract the NATO nations away from their true goals.Nick gets involved with a pretty, young woman; Hillary. She is in fact part of the French Resistance (in East Germany!?!) and part of a very oddly and obviously named crew of French freedom fighters. Including Chocolate Mousse, Deja Vu and many others.He gets into a heap of trouble, lands in jail and then attempts an escape in a very slap stick sort of way. He is eventually released to perform at the festival.Will Nick's heart be broken by Hilary when her ex, Nigel, who she spent time with on an island as a child and then felt stricken when he vanished, comes back into her life, still sporting an oiled six pack and a loin cloth?And will he decide to help the resistance with a couple of tunes and gyrations of his pelvis? Will he save the day in a manner that is completely side splitting? Will he win the love of Hillary and still sing Tuttie Fruttie?
|
Who does Val Kilmer play?
|
Nick Rivers
| 146 | 157 |
Top Secret!
|
This is a comedy that references a heck of a lot of other movies and seeks to parody them in the most ridiculous and hilariously over the top way.Nick Rivers (Val Kilmer) is an archetypical '50's rock 'n roll heart throb: young, dumb and full of fun. He's Elvis, The Beach Boys, The Big Bopper, Buddy Holly and any other rocker from that period you can think of.He is invited to East Germany to be featured in the musical festival there and is unaware that evil "Nazi's" are only using the festival as a cover to disguise their true dream of world domination. They plan to use this festival to distract the NATO nations away from their true goals.Nick gets involved with a pretty, young woman; Hillary. She is in fact part of the French Resistance (in East Germany!?!) and part of a very oddly and obviously named crew of French freedom fighters. Including Chocolate Mousse, Deja Vu and many others.He gets into a heap of trouble, lands in jail and then attempts an escape in a very slap stick sort of way. He is eventually released to perform at the festival.Will Nick's heart be broken by Hilary when her ex, Nigel, who she spent time with on an island as a child and then felt stricken when he vanished, comes back into her life, still sporting an oiled six pack and a loin cloth?And will he decide to help the resistance with a couple of tunes and gyrations of his pelvis? Will he save the day in a manner that is completely side splitting? Will he win the love of Hillary and still sing Tuttie Fruttie?
|
What does Nigel wear?
|
Loin cloth
| 1,272 | 1,282 |
Top Secret!
|
This is a comedy that references a heck of a lot of other movies and seeks to parody them in the most ridiculous and hilariously over the top way.Nick Rivers (Val Kilmer) is an archetypical '50's rock 'n roll heart throb: young, dumb and full of fun. He's Elvis, The Beach Boys, The Big Bopper, Buddy Holly and any other rocker from that period you can think of.He is invited to East Germany to be featured in the musical festival there and is unaware that evil "Nazi's" are only using the festival as a cover to disguise their true dream of world domination. They plan to use this festival to distract the NATO nations away from their true goals.Nick gets involved with a pretty, young woman; Hillary. She is in fact part of the French Resistance (in East Germany!?!) and part of a very oddly and obviously named crew of French freedom fighters. Including Chocolate Mousse, Deja Vu and many others.He gets into a heap of trouble, lands in jail and then attempts an escape in a very slap stick sort of way. He is eventually released to perform at the festival.Will Nick's heart be broken by Hilary when her ex, Nigel, who she spent time with on an island as a child and then felt stricken when he vanished, comes back into her life, still sporting an oiled six pack and a loin cloth?And will he decide to help the resistance with a couple of tunes and gyrations of his pelvis? Will he save the day in a manner that is completely side splitting? Will he win the love of Hillary and still sing Tuttie Fruttie?
|
Who is an archetypical?
|
Nick Rivers
| 146 | 157 |
Top Secret!
|
This is a comedy that references a heck of a lot of other movies and seeks to parody them in the most ridiculous and hilariously over the top way.Nick Rivers (Val Kilmer) is an archetypical '50's rock 'n roll heart throb: young, dumb and full of fun. He's Elvis, The Beach Boys, The Big Bopper, Buddy Holly and any other rocker from that period you can think of.He is invited to East Germany to be featured in the musical festival there and is unaware that evil "Nazi's" are only using the festival as a cover to disguise their true dream of world domination. They plan to use this festival to distract the NATO nations away from their true goals.Nick gets involved with a pretty, young woman; Hillary. She is in fact part of the French Resistance (in East Germany!?!) and part of a very oddly and obviously named crew of French freedom fighters. Including Chocolate Mousse, Deja Vu and many others.He gets into a heap of trouble, lands in jail and then attempts an escape in a very slap stick sort of way. He is eventually released to perform at the festival.Will Nick's heart be broken by Hilary when her ex, Nigel, who she spent time with on an island as a child and then felt stricken when he vanished, comes back into her life, still sporting an oiled six pack and a loin cloth?And will he decide to help the resistance with a couple of tunes and gyrations of his pelvis? Will he save the day in a manner that is completely side splitting? Will he win the love of Hillary and still sing Tuttie Fruttie?
|
Where is Nick invited?
|
East Germany
| 379 | 391 |
Rashomon
|
The film opens on a woodcutter (æ¨æ¨µã; Kikori, played by Takashi Shimura) and a priest (æ
æ³å¸«; Tabi HÅshi, Minoru Chiaki) sitting beneath the RajÅmon city gate to stay dry in a downpour. A commoner (Kichijiro Ueda) joins them and they tell him that they have witnessed a disturbing story, which they then begin recounting to him. The woodcutter claims he found the body of a murdered samurai three days earlier while looking for wood in the forest; upon discovering the body, he says, he fled in a panic to notify the authorities. The priest says that he saw the samurai with his wife traveling the same day the murder happened. Both men were then summoned to testify in court, where they met the captured bandit TajÅmaru (å¤è¥ä¸¸), who claimed responsibility for killing the samurai and raping his wife.
The bandit's story[edit]
TajÅmaru (Toshiro Mifune), a notorious brigand, claims that he tricked the samurai to step off the mountain trail with him and look at a cache of ancient swords he discovered. In the grove he tied the samurai to a tree, then brought the samurai's wife there. She initially tried to defend herself with a dagger, but was eventually "seduced" by the bandit. The woman, filled with shame, then begged him to duel to the death with her husband, to save her from the guilt and shame of having two men know her dishonor. TajÅmaru honorably set the samurai free and dueled with him. In TajÅmaru's recollection they fought skillfully and fiercely, but in the end TajÅmaru was the victor and the woman ran away. At the end of the story to the court, he is asked about an expensive dagger owned by the samurai's wife: he says that, in the confusion, he forgot all about it, and that it was foolish of him to leave behind such a valuable object.
The wife's story[edit]
The samurai's wife (Machiko KyÅ) tells a different story to the court. She says that TajÅmaru left after raping her. She begged her husband to forgive her, but he simply looked at her coldly. She then freed him and begged him to kill her so that she would be at peace. He continued to stare at her with a look of loathing. His expression disturbed her so much that she fainted with dagger in hand. She awoke to find her husband dead with the dagger in his chest. She attempted to kill herself, but failed in all her efforts.
The samurai's story[edit]
The court then hears the story of the deceased samurai (Masayuki Mori), told through a medium (巫女; miko, Noriko Honma). The samurai claims that TajÅmaru, after raping his wife, asked her to travel with him. She accepted and asked TajÅmaru to kill her husband so that she would not feel the guilt of belonging to two men. TajÅmaru, shocked by this request, grabbed her, and gave the samurai a choice of letting the woman go or killing her. "For these words alone," the dead samurai recounted, "I was ready to pardon his crime." The woman fled, and TajÅmaru, after attempting to recapture her, gave up and set the samurai free. The samurai then killed himself with his wife's dagger. Later, somebody removed the dagger from his chest.
The woodcutter's story[edit]
Back at RashÅmon gate (after the trial), the woodcutter explains to the commoner that all three stories were falsehoods. The woodcutter had actually witnessed the rape and murder, he says, but just did not want to get too involved at the trial. According to the woodcutter's new story, TajÅmaru begged the samurai's wife to marry him, but the woman instead freed her husband. The husband was initially unwilling to fight TajÅmaru, saying he would not risk his life for a spoiled woman, but the woman then criticized both him and TajÅmaru, saying they were not real men and that a real man would fight for a woman's love. She spurred the men to fight one another, but then hid her face in fear once they raised swords; the men, too, were visibly fearful as they began fighting. They began a duel that was much more pitiful than TajÅmaru's account had made it sound, and TajÅmaru ultimately won through a stroke of luck. After some hesitation he killed the samurai, who begged for his life on the ground, and the woman fled in horror. TajÅmaru could not catch her, but took the samurai's sword and left the scene limping.
Climax[edit]
At the gate, the woodcutter, priest, and commoner are interrupted from their discussion of the woodcutter's account by the sound of a crying baby. They find the baby abandoned in a basket, and the commoner takes a kimono and an amulet that have been left for the baby. The woodcutter reproaches the commoner for stealing from the abandoned baby, but the commoner chastises him. Having deduced that the reason the woodcutter did not speak up at the trial was because he was the one who stole the dagger from the scene of the murder, the commoner mocks him as "a bandit calling another a bandit". The commoner leaves RashÅmon, claiming that all men are motivated only by self-interest.
These deceptions and lies shake the priest's faith in humanity. He is brought back to his senses when the woodcutter reaches for the baby in the priest's arms. The priest is suspicious at first, but the woodcutter explains that he intends to take care of the baby along with his own children, of whom he already has six. This simple revelation recasts the woodcutter's story and the subsequent theft of the dagger in a new light. The priest gives the baby to the woodcutter, saying that the woodcutter has given him reason to continue having hope in humanity. The film closes on the woodcutter, walking home with the baby. The rain has stopped and the clouds have opened revealing the sun in contrast to the beginning where it was overcast.
|
What sound are the woodcutter, priest, and commoner interrupted by?
|
Crying baby
| 4,402 | 4,413 |
Rashomon
|
The film opens on a woodcutter (æ¨æ¨µã; Kikori, played by Takashi Shimura) and a priest (æ
æ³å¸«; Tabi HÅshi, Minoru Chiaki) sitting beneath the RajÅmon city gate to stay dry in a downpour. A commoner (Kichijiro Ueda) joins them and they tell him that they have witnessed a disturbing story, which they then begin recounting to him. The woodcutter claims he found the body of a murdered samurai three days earlier while looking for wood in the forest; upon discovering the body, he says, he fled in a panic to notify the authorities. The priest says that he saw the samurai with his wife traveling the same day the murder happened. Both men were then summoned to testify in court, where they met the captured bandit TajÅmaru (å¤è¥ä¸¸), who claimed responsibility for killing the samurai and raping his wife.
The bandit's story[edit]
TajÅmaru (Toshiro Mifune), a notorious brigand, claims that he tricked the samurai to step off the mountain trail with him and look at a cache of ancient swords he discovered. In the grove he tied the samurai to a tree, then brought the samurai's wife there. She initially tried to defend herself with a dagger, but was eventually "seduced" by the bandit. The woman, filled with shame, then begged him to duel to the death with her husband, to save her from the guilt and shame of having two men know her dishonor. TajÅmaru honorably set the samurai free and dueled with him. In TajÅmaru's recollection they fought skillfully and fiercely, but in the end TajÅmaru was the victor and the woman ran away. At the end of the story to the court, he is asked about an expensive dagger owned by the samurai's wife: he says that, in the confusion, he forgot all about it, and that it was foolish of him to leave behind such a valuable object.
The wife's story[edit]
The samurai's wife (Machiko KyÅ) tells a different story to the court. She says that TajÅmaru left after raping her. She begged her husband to forgive her, but he simply looked at her coldly. She then freed him and begged him to kill her so that she would be at peace. He continued to stare at her with a look of loathing. His expression disturbed her so much that she fainted with dagger in hand. She awoke to find her husband dead with the dagger in his chest. She attempted to kill herself, but failed in all her efforts.
The samurai's story[edit]
The court then hears the story of the deceased samurai (Masayuki Mori), told through a medium (巫女; miko, Noriko Honma). The samurai claims that TajÅmaru, after raping his wife, asked her to travel with him. She accepted and asked TajÅmaru to kill her husband so that she would not feel the guilt of belonging to two men. TajÅmaru, shocked by this request, grabbed her, and gave the samurai a choice of letting the woman go or killing her. "For these words alone," the dead samurai recounted, "I was ready to pardon his crime." The woman fled, and TajÅmaru, after attempting to recapture her, gave up and set the samurai free. The samurai then killed himself with his wife's dagger. Later, somebody removed the dagger from his chest.
The woodcutter's story[edit]
Back at RashÅmon gate (after the trial), the woodcutter explains to the commoner that all three stories were falsehoods. The woodcutter had actually witnessed the rape and murder, he says, but just did not want to get too involved at the trial. According to the woodcutter's new story, TajÅmaru begged the samurai's wife to marry him, but the woman instead freed her husband. The husband was initially unwilling to fight TajÅmaru, saying he would not risk his life for a spoiled woman, but the woman then criticized both him and TajÅmaru, saying they were not real men and that a real man would fight for a woman's love. She spurred the men to fight one another, but then hid her face in fear once they raised swords; the men, too, were visibly fearful as they began fighting. They began a duel that was much more pitiful than TajÅmaru's account had made it sound, and TajÅmaru ultimately won through a stroke of luck. After some hesitation he killed the samurai, who begged for his life on the ground, and the woman fled in horror. TajÅmaru could not catch her, but took the samurai's sword and left the scene limping.
Climax[edit]
At the gate, the woodcutter, priest, and commoner are interrupted from their discussion of the woodcutter's account by the sound of a crying baby. They find the baby abandoned in a basket, and the commoner takes a kimono and an amulet that have been left for the baby. The woodcutter reproaches the commoner for stealing from the abandoned baby, but the commoner chastises him. Having deduced that the reason the woodcutter did not speak up at the trial was because he was the one who stole the dagger from the scene of the murder, the commoner mocks him as "a bandit calling another a bandit". The commoner leaves RashÅmon, claiming that all men are motivated only by self-interest.
These deceptions and lies shake the priest's faith in humanity. He is brought back to his senses when the woodcutter reaches for the baby in the priest's arms. The priest is suspicious at first, but the woodcutter explains that he intends to take care of the baby along with his own children, of whom he already has six. This simple revelation recasts the woodcutter's story and the subsequent theft of the dagger in a new light. The priest gives the baby to the woodcutter, saying that the woodcutter has given him reason to continue having hope in humanity. The film closes on the woodcutter, walking home with the baby. The rain has stopped and the clouds have opened revealing the sun in contrast to the beginning where it was overcast.
|
How many stories were falsehoods?
|
Three
| 402 | 407 |
Rashomon
|
The film opens on a woodcutter (æ¨æ¨µã; Kikori, played by Takashi Shimura) and a priest (æ
æ³å¸«; Tabi HÅshi, Minoru Chiaki) sitting beneath the RajÅmon city gate to stay dry in a downpour. A commoner (Kichijiro Ueda) joins them and they tell him that they have witnessed a disturbing story, which they then begin recounting to him. The woodcutter claims he found the body of a murdered samurai three days earlier while looking for wood in the forest; upon discovering the body, he says, he fled in a panic to notify the authorities. The priest says that he saw the samurai with his wife traveling the same day the murder happened. Both men were then summoned to testify in court, where they met the captured bandit TajÅmaru (å¤è¥ä¸¸), who claimed responsibility for killing the samurai and raping his wife.
The bandit's story[edit]
TajÅmaru (Toshiro Mifune), a notorious brigand, claims that he tricked the samurai to step off the mountain trail with him and look at a cache of ancient swords he discovered. In the grove he tied the samurai to a tree, then brought the samurai's wife there. She initially tried to defend herself with a dagger, but was eventually "seduced" by the bandit. The woman, filled with shame, then begged him to duel to the death with her husband, to save her from the guilt and shame of having two men know her dishonor. TajÅmaru honorably set the samurai free and dueled with him. In TajÅmaru's recollection they fought skillfully and fiercely, but in the end TajÅmaru was the victor and the woman ran away. At the end of the story to the court, he is asked about an expensive dagger owned by the samurai's wife: he says that, in the confusion, he forgot all about it, and that it was foolish of him to leave behind such a valuable object.
The wife's story[edit]
The samurai's wife (Machiko KyÅ) tells a different story to the court. She says that TajÅmaru left after raping her. She begged her husband to forgive her, but he simply looked at her coldly. She then freed him and begged him to kill her so that she would be at peace. He continued to stare at her with a look of loathing. His expression disturbed her so much that she fainted with dagger in hand. She awoke to find her husband dead with the dagger in his chest. She attempted to kill herself, but failed in all her efforts.
The samurai's story[edit]
The court then hears the story of the deceased samurai (Masayuki Mori), told through a medium (巫女; miko, Noriko Honma). The samurai claims that TajÅmaru, after raping his wife, asked her to travel with him. She accepted and asked TajÅmaru to kill her husband so that she would not feel the guilt of belonging to two men. TajÅmaru, shocked by this request, grabbed her, and gave the samurai a choice of letting the woman go or killing her. "For these words alone," the dead samurai recounted, "I was ready to pardon his crime." The woman fled, and TajÅmaru, after attempting to recapture her, gave up and set the samurai free. The samurai then killed himself with his wife's dagger. Later, somebody removed the dagger from his chest.
The woodcutter's story[edit]
Back at RashÅmon gate (after the trial), the woodcutter explains to the commoner that all three stories were falsehoods. The woodcutter had actually witnessed the rape and murder, he says, but just did not want to get too involved at the trial. According to the woodcutter's new story, TajÅmaru begged the samurai's wife to marry him, but the woman instead freed her husband. The husband was initially unwilling to fight TajÅmaru, saying he would not risk his life for a spoiled woman, but the woman then criticized both him and TajÅmaru, saying they were not real men and that a real man would fight for a woman's love. She spurred the men to fight one another, but then hid her face in fear once they raised swords; the men, too, were visibly fearful as they began fighting. They began a duel that was much more pitiful than TajÅmaru's account had made it sound, and TajÅmaru ultimately won through a stroke of luck. After some hesitation he killed the samurai, who begged for his life on the ground, and the woman fled in horror. TajÅmaru could not catch her, but took the samurai's sword and left the scene limping.
Climax[edit]
At the gate, the woodcutter, priest, and commoner are interrupted from their discussion of the woodcutter's account by the sound of a crying baby. They find the baby abandoned in a basket, and the commoner takes a kimono and an amulet that have been left for the baby. The woodcutter reproaches the commoner for stealing from the abandoned baby, but the commoner chastises him. Having deduced that the reason the woodcutter did not speak up at the trial was because he was the one who stole the dagger from the scene of the murder, the commoner mocks him as "a bandit calling another a bandit". The commoner leaves RashÅmon, claiming that all men are motivated only by self-interest.
These deceptions and lies shake the priest's faith in humanity. He is brought back to his senses when the woodcutter reaches for the baby in the priest's arms. The priest is suspicious at first, but the woodcutter explains that he intends to take care of the baby along with his own children, of whom he already has six. This simple revelation recasts the woodcutter's story and the subsequent theft of the dagger in a new light. The priest gives the baby to the woodcutter, saying that the woodcutter has given him reason to continue having hope in humanity. The film closes on the woodcutter, walking home with the baby. The rain has stopped and the clouds have opened revealing the sun in contrast to the beginning where it was overcast.
|
What is Tajomaru's job?
|
Bandit
| 716 | 722 |
Rashomon
|
The film opens on a woodcutter (æ¨æ¨µã; Kikori, played by Takashi Shimura) and a priest (æ
æ³å¸«; Tabi HÅshi, Minoru Chiaki) sitting beneath the RajÅmon city gate to stay dry in a downpour. A commoner (Kichijiro Ueda) joins them and they tell him that they have witnessed a disturbing story, which they then begin recounting to him. The woodcutter claims he found the body of a murdered samurai three days earlier while looking for wood in the forest; upon discovering the body, he says, he fled in a panic to notify the authorities. The priest says that he saw the samurai with his wife traveling the same day the murder happened. Both men were then summoned to testify in court, where they met the captured bandit TajÅmaru (å¤è¥ä¸¸), who claimed responsibility for killing the samurai and raping his wife.
The bandit's story[edit]
TajÅmaru (Toshiro Mifune), a notorious brigand, claims that he tricked the samurai to step off the mountain trail with him and look at a cache of ancient swords he discovered. In the grove he tied the samurai to a tree, then brought the samurai's wife there. She initially tried to defend herself with a dagger, but was eventually "seduced" by the bandit. The woman, filled with shame, then begged him to duel to the death with her husband, to save her from the guilt and shame of having two men know her dishonor. TajÅmaru honorably set the samurai free and dueled with him. In TajÅmaru's recollection they fought skillfully and fiercely, but in the end TajÅmaru was the victor and the woman ran away. At the end of the story to the court, he is asked about an expensive dagger owned by the samurai's wife: he says that, in the confusion, he forgot all about it, and that it was foolish of him to leave behind such a valuable object.
The wife's story[edit]
The samurai's wife (Machiko KyÅ) tells a different story to the court. She says that TajÅmaru left after raping her. She begged her husband to forgive her, but he simply looked at her coldly. She then freed him and begged him to kill her so that she would be at peace. He continued to stare at her with a look of loathing. His expression disturbed her so much that she fainted with dagger in hand. She awoke to find her husband dead with the dagger in his chest. She attempted to kill herself, but failed in all her efforts.
The samurai's story[edit]
The court then hears the story of the deceased samurai (Masayuki Mori), told through a medium (巫女; miko, Noriko Honma). The samurai claims that TajÅmaru, after raping his wife, asked her to travel with him. She accepted and asked TajÅmaru to kill her husband so that she would not feel the guilt of belonging to two men. TajÅmaru, shocked by this request, grabbed her, and gave the samurai a choice of letting the woman go or killing her. "For these words alone," the dead samurai recounted, "I was ready to pardon his crime." The woman fled, and TajÅmaru, after attempting to recapture her, gave up and set the samurai free. The samurai then killed himself with his wife's dagger. Later, somebody removed the dagger from his chest.
The woodcutter's story[edit]
Back at RashÅmon gate (after the trial), the woodcutter explains to the commoner that all three stories were falsehoods. The woodcutter had actually witnessed the rape and murder, he says, but just did not want to get too involved at the trial. According to the woodcutter's new story, TajÅmaru begged the samurai's wife to marry him, but the woman instead freed her husband. The husband was initially unwilling to fight TajÅmaru, saying he would not risk his life for a spoiled woman, but the woman then criticized both him and TajÅmaru, saying they were not real men and that a real man would fight for a woman's love. She spurred the men to fight one another, but then hid her face in fear once they raised swords; the men, too, were visibly fearful as they began fighting. They began a duel that was much more pitiful than TajÅmaru's account had made it sound, and TajÅmaru ultimately won through a stroke of luck. After some hesitation he killed the samurai, who begged for his life on the ground, and the woman fled in horror. TajÅmaru could not catch her, but took the samurai's sword and left the scene limping.
Climax[edit]
At the gate, the woodcutter, priest, and commoner are interrupted from their discussion of the woodcutter's account by the sound of a crying baby. They find the baby abandoned in a basket, and the commoner takes a kimono and an amulet that have been left for the baby. The woodcutter reproaches the commoner for stealing from the abandoned baby, but the commoner chastises him. Having deduced that the reason the woodcutter did not speak up at the trial was because he was the one who stole the dagger from the scene of the murder, the commoner mocks him as "a bandit calling another a bandit". The commoner leaves RashÅmon, claiming that all men are motivated only by self-interest.
These deceptions and lies shake the priest's faith in humanity. He is brought back to his senses when the woodcutter reaches for the baby in the priest's arms. The priest is suspicious at first, but the woodcutter explains that he intends to take care of the baby along with his own children, of whom he already has six. This simple revelation recasts the woodcutter's story and the subsequent theft of the dagger in a new light. The priest gives the baby to the woodcutter, saying that the woodcutter has given him reason to continue having hope in humanity. The film closes on the woodcutter, walking home with the baby. The rain has stopped and the clouds have opened revealing the sun in contrast to the beginning where it was overcast.
|
What shakes the priest's faith in humanity?
|
Deceptions and lies
| 4,959 | 4,978 |
Rashomon
|
The film opens on a woodcutter (æ¨æ¨µã; Kikori, played by Takashi Shimura) and a priest (æ
æ³å¸«; Tabi HÅshi, Minoru Chiaki) sitting beneath the RajÅmon city gate to stay dry in a downpour. A commoner (Kichijiro Ueda) joins them and they tell him that they have witnessed a disturbing story, which they then begin recounting to him. The woodcutter claims he found the body of a murdered samurai three days earlier while looking for wood in the forest; upon discovering the body, he says, he fled in a panic to notify the authorities. The priest says that he saw the samurai with his wife traveling the same day the murder happened. Both men were then summoned to testify in court, where they met the captured bandit TajÅmaru (å¤è¥ä¸¸), who claimed responsibility for killing the samurai and raping his wife.
The bandit's story[edit]
TajÅmaru (Toshiro Mifune), a notorious brigand, claims that he tricked the samurai to step off the mountain trail with him and look at a cache of ancient swords he discovered. In the grove he tied the samurai to a tree, then brought the samurai's wife there. She initially tried to defend herself with a dagger, but was eventually "seduced" by the bandit. The woman, filled with shame, then begged him to duel to the death with her husband, to save her from the guilt and shame of having two men know her dishonor. TajÅmaru honorably set the samurai free and dueled with him. In TajÅmaru's recollection they fought skillfully and fiercely, but in the end TajÅmaru was the victor and the woman ran away. At the end of the story to the court, he is asked about an expensive dagger owned by the samurai's wife: he says that, in the confusion, he forgot all about it, and that it was foolish of him to leave behind such a valuable object.
The wife's story[edit]
The samurai's wife (Machiko KyÅ) tells a different story to the court. She says that TajÅmaru left after raping her. She begged her husband to forgive her, but he simply looked at her coldly. She then freed him and begged him to kill her so that she would be at peace. He continued to stare at her with a look of loathing. His expression disturbed her so much that she fainted with dagger in hand. She awoke to find her husband dead with the dagger in his chest. She attempted to kill herself, but failed in all her efforts.
The samurai's story[edit]
The court then hears the story of the deceased samurai (Masayuki Mori), told through a medium (巫女; miko, Noriko Honma). The samurai claims that TajÅmaru, after raping his wife, asked her to travel with him. She accepted and asked TajÅmaru to kill her husband so that she would not feel the guilt of belonging to two men. TajÅmaru, shocked by this request, grabbed her, and gave the samurai a choice of letting the woman go or killing her. "For these words alone," the dead samurai recounted, "I was ready to pardon his crime." The woman fled, and TajÅmaru, after attempting to recapture her, gave up and set the samurai free. The samurai then killed himself with his wife's dagger. Later, somebody removed the dagger from his chest.
The woodcutter's story[edit]
Back at RashÅmon gate (after the trial), the woodcutter explains to the commoner that all three stories were falsehoods. The woodcutter had actually witnessed the rape and murder, he says, but just did not want to get too involved at the trial. According to the woodcutter's new story, TajÅmaru begged the samurai's wife to marry him, but the woman instead freed her husband. The husband was initially unwilling to fight TajÅmaru, saying he would not risk his life for a spoiled woman, but the woman then criticized both him and TajÅmaru, saying they were not real men and that a real man would fight for a woman's love. She spurred the men to fight one another, but then hid her face in fear once they raised swords; the men, too, were visibly fearful as they began fighting. They began a duel that was much more pitiful than TajÅmaru's account had made it sound, and TajÅmaru ultimately won through a stroke of luck. After some hesitation he killed the samurai, who begged for his life on the ground, and the woman fled in horror. TajÅmaru could not catch her, but took the samurai's sword and left the scene limping.
Climax[edit]
At the gate, the woodcutter, priest, and commoner are interrupted from their discussion of the woodcutter's account by the sound of a crying baby. They find the baby abandoned in a basket, and the commoner takes a kimono and an amulet that have been left for the baby. The woodcutter reproaches the commoner for stealing from the abandoned baby, but the commoner chastises him. Having deduced that the reason the woodcutter did not speak up at the trial was because he was the one who stole the dagger from the scene of the murder, the commoner mocks him as "a bandit calling another a bandit". The commoner leaves RashÅmon, claiming that all men are motivated only by self-interest.
These deceptions and lies shake the priest's faith in humanity. He is brought back to his senses when the woodcutter reaches for the baby in the priest's arms. The priest is suspicious at first, but the woodcutter explains that he intends to take care of the baby along with his own children, of whom he already has six. This simple revelation recasts the woodcutter's story and the subsequent theft of the dagger in a new light. The priest gives the baby to the woodcutter, saying that the woodcutter has given him reason to continue having hope in humanity. The film closes on the woodcutter, walking home with the baby. The rain has stopped and the clouds have opened revealing the sun in contrast to the beginning where it was overcast.
|
Who play the role as the Samurai's wife in this movie?
|
Machiko Ky
| 1,825 | 1,835 |
Rashomon
|
The film opens on a woodcutter (æ¨æ¨µã; Kikori, played by Takashi Shimura) and a priest (æ
æ³å¸«; Tabi HÅshi, Minoru Chiaki) sitting beneath the RajÅmon city gate to stay dry in a downpour. A commoner (Kichijiro Ueda) joins them and they tell him that they have witnessed a disturbing story, which they then begin recounting to him. The woodcutter claims he found the body of a murdered samurai three days earlier while looking for wood in the forest; upon discovering the body, he says, he fled in a panic to notify the authorities. The priest says that he saw the samurai with his wife traveling the same day the murder happened. Both men were then summoned to testify in court, where they met the captured bandit TajÅmaru (å¤è¥ä¸¸), who claimed responsibility for killing the samurai and raping his wife.
The bandit's story[edit]
TajÅmaru (Toshiro Mifune), a notorious brigand, claims that he tricked the samurai to step off the mountain trail with him and look at a cache of ancient swords he discovered. In the grove he tied the samurai to a tree, then brought the samurai's wife there. She initially tried to defend herself with a dagger, but was eventually "seduced" by the bandit. The woman, filled with shame, then begged him to duel to the death with her husband, to save her from the guilt and shame of having two men know her dishonor. TajÅmaru honorably set the samurai free and dueled with him. In TajÅmaru's recollection they fought skillfully and fiercely, but in the end TajÅmaru was the victor and the woman ran away. At the end of the story to the court, he is asked about an expensive dagger owned by the samurai's wife: he says that, in the confusion, he forgot all about it, and that it was foolish of him to leave behind such a valuable object.
The wife's story[edit]
The samurai's wife (Machiko KyÅ) tells a different story to the court. She says that TajÅmaru left after raping her. She begged her husband to forgive her, but he simply looked at her coldly. She then freed him and begged him to kill her so that she would be at peace. He continued to stare at her with a look of loathing. His expression disturbed her so much that she fainted with dagger in hand. She awoke to find her husband dead with the dagger in his chest. She attempted to kill herself, but failed in all her efforts.
The samurai's story[edit]
The court then hears the story of the deceased samurai (Masayuki Mori), told through a medium (巫女; miko, Noriko Honma). The samurai claims that TajÅmaru, after raping his wife, asked her to travel with him. She accepted and asked TajÅmaru to kill her husband so that she would not feel the guilt of belonging to two men. TajÅmaru, shocked by this request, grabbed her, and gave the samurai a choice of letting the woman go or killing her. "For these words alone," the dead samurai recounted, "I was ready to pardon his crime." The woman fled, and TajÅmaru, after attempting to recapture her, gave up and set the samurai free. The samurai then killed himself with his wife's dagger. Later, somebody removed the dagger from his chest.
The woodcutter's story[edit]
Back at RashÅmon gate (after the trial), the woodcutter explains to the commoner that all three stories were falsehoods. The woodcutter had actually witnessed the rape and murder, he says, but just did not want to get too involved at the trial. According to the woodcutter's new story, TajÅmaru begged the samurai's wife to marry him, but the woman instead freed her husband. The husband was initially unwilling to fight TajÅmaru, saying he would not risk his life for a spoiled woman, but the woman then criticized both him and TajÅmaru, saying they were not real men and that a real man would fight for a woman's love. She spurred the men to fight one another, but then hid her face in fear once they raised swords; the men, too, were visibly fearful as they began fighting. They began a duel that was much more pitiful than TajÅmaru's account had made it sound, and TajÅmaru ultimately won through a stroke of luck. After some hesitation he killed the samurai, who begged for his life on the ground, and the woman fled in horror. TajÅmaru could not catch her, but took the samurai's sword and left the scene limping.
Climax[edit]
At the gate, the woodcutter, priest, and commoner are interrupted from their discussion of the woodcutter's account by the sound of a crying baby. They find the baby abandoned in a basket, and the commoner takes a kimono and an amulet that have been left for the baby. The woodcutter reproaches the commoner for stealing from the abandoned baby, but the commoner chastises him. Having deduced that the reason the woodcutter did not speak up at the trial was because he was the one who stole the dagger from the scene of the murder, the commoner mocks him as "a bandit calling another a bandit". The commoner leaves RashÅmon, claiming that all men are motivated only by self-interest.
These deceptions and lies shake the priest's faith in humanity. He is brought back to his senses when the woodcutter reaches for the baby in the priest's arms. The priest is suspicious at first, but the woodcutter explains that he intends to take care of the baby along with his own children, of whom he already has six. This simple revelation recasts the woodcutter's story and the subsequent theft of the dagger in a new light. The priest gives the baby to the woodcutter, saying that the woodcutter has given him reason to continue having hope in humanity. The film closes on the woodcutter, walking home with the baby. The rain has stopped and the clouds have opened revealing the sun in contrast to the beginning where it was overcast.
|
What does the commoner claim all men are motivated by?
|
Self-interest
| 4,938 | 4,951 |
Rashomon
|
The film opens on a woodcutter (æ¨æ¨µã; Kikori, played by Takashi Shimura) and a priest (æ
æ³å¸«; Tabi HÅshi, Minoru Chiaki) sitting beneath the RajÅmon city gate to stay dry in a downpour. A commoner (Kichijiro Ueda) joins them and they tell him that they have witnessed a disturbing story, which they then begin recounting to him. The woodcutter claims he found the body of a murdered samurai three days earlier while looking for wood in the forest; upon discovering the body, he says, he fled in a panic to notify the authorities. The priest says that he saw the samurai with his wife traveling the same day the murder happened. Both men were then summoned to testify in court, where they met the captured bandit TajÅmaru (å¤è¥ä¸¸), who claimed responsibility for killing the samurai and raping his wife.
The bandit's story[edit]
TajÅmaru (Toshiro Mifune), a notorious brigand, claims that he tricked the samurai to step off the mountain trail with him and look at a cache of ancient swords he discovered. In the grove he tied the samurai to a tree, then brought the samurai's wife there. She initially tried to defend herself with a dagger, but was eventually "seduced" by the bandit. The woman, filled with shame, then begged him to duel to the death with her husband, to save her from the guilt and shame of having two men know her dishonor. TajÅmaru honorably set the samurai free and dueled with him. In TajÅmaru's recollection they fought skillfully and fiercely, but in the end TajÅmaru was the victor and the woman ran away. At the end of the story to the court, he is asked about an expensive dagger owned by the samurai's wife: he says that, in the confusion, he forgot all about it, and that it was foolish of him to leave behind such a valuable object.
The wife's story[edit]
The samurai's wife (Machiko KyÅ) tells a different story to the court. She says that TajÅmaru left after raping her. She begged her husband to forgive her, but he simply looked at her coldly. She then freed him and begged him to kill her so that she would be at peace. He continued to stare at her with a look of loathing. His expression disturbed her so much that she fainted with dagger in hand. She awoke to find her husband dead with the dagger in his chest. She attempted to kill herself, but failed in all her efforts.
The samurai's story[edit]
The court then hears the story of the deceased samurai (Masayuki Mori), told through a medium (巫女; miko, Noriko Honma). The samurai claims that TajÅmaru, after raping his wife, asked her to travel with him. She accepted and asked TajÅmaru to kill her husband so that she would not feel the guilt of belonging to two men. TajÅmaru, shocked by this request, grabbed her, and gave the samurai a choice of letting the woman go or killing her. "For these words alone," the dead samurai recounted, "I was ready to pardon his crime." The woman fled, and TajÅmaru, after attempting to recapture her, gave up and set the samurai free. The samurai then killed himself with his wife's dagger. Later, somebody removed the dagger from his chest.
The woodcutter's story[edit]
Back at RashÅmon gate (after the trial), the woodcutter explains to the commoner that all three stories were falsehoods. The woodcutter had actually witnessed the rape and murder, he says, but just did not want to get too involved at the trial. According to the woodcutter's new story, TajÅmaru begged the samurai's wife to marry him, but the woman instead freed her husband. The husband was initially unwilling to fight TajÅmaru, saying he would not risk his life for a spoiled woman, but the woman then criticized both him and TajÅmaru, saying they were not real men and that a real man would fight for a woman's love. She spurred the men to fight one another, but then hid her face in fear once they raised swords; the men, too, were visibly fearful as they began fighting. They began a duel that was much more pitiful than TajÅmaru's account had made it sound, and TajÅmaru ultimately won through a stroke of luck. After some hesitation he killed the samurai, who begged for his life on the ground, and the woman fled in horror. TajÅmaru could not catch her, but took the samurai's sword and left the scene limping.
Climax[edit]
At the gate, the woodcutter, priest, and commoner are interrupted from their discussion of the woodcutter's account by the sound of a crying baby. They find the baby abandoned in a basket, and the commoner takes a kimono and an amulet that have been left for the baby. The woodcutter reproaches the commoner for stealing from the abandoned baby, but the commoner chastises him. Having deduced that the reason the woodcutter did not speak up at the trial was because he was the one who stole the dagger from the scene of the murder, the commoner mocks him as "a bandit calling another a bandit". The commoner leaves RashÅmon, claiming that all men are motivated only by self-interest.
These deceptions and lies shake the priest's faith in humanity. He is brought back to his senses when the woodcutter reaches for the baby in the priest's arms. The priest is suspicious at first, but the woodcutter explains that he intends to take care of the baby along with his own children, of whom he already has six. This simple revelation recasts the woodcutter's story and the subsequent theft of the dagger in a new light. The priest gives the baby to the woodcutter, saying that the woodcutter has given him reason to continue having hope in humanity. The film closes on the woodcutter, walking home with the baby. The rain has stopped and the clouds have opened revealing the sun in contrast to the beginning where it was overcast.
|
Who gave the priest back his faith for hu,manity?
|
The woodcutter
| 340 | 354 |
Rashomon
|
The film opens on a woodcutter (æ¨æ¨µã; Kikori, played by Takashi Shimura) and a priest (æ
æ³å¸«; Tabi HÅshi, Minoru Chiaki) sitting beneath the RajÅmon city gate to stay dry in a downpour. A commoner (Kichijiro Ueda) joins them and they tell him that they have witnessed a disturbing story, which they then begin recounting to him. The woodcutter claims he found the body of a murdered samurai three days earlier while looking for wood in the forest; upon discovering the body, he says, he fled in a panic to notify the authorities. The priest says that he saw the samurai with his wife traveling the same day the murder happened. Both men were then summoned to testify in court, where they met the captured bandit TajÅmaru (å¤è¥ä¸¸), who claimed responsibility for killing the samurai and raping his wife.
The bandit's story[edit]
TajÅmaru (Toshiro Mifune), a notorious brigand, claims that he tricked the samurai to step off the mountain trail with him and look at a cache of ancient swords he discovered. In the grove he tied the samurai to a tree, then brought the samurai's wife there. She initially tried to defend herself with a dagger, but was eventually "seduced" by the bandit. The woman, filled with shame, then begged him to duel to the death with her husband, to save her from the guilt and shame of having two men know her dishonor. TajÅmaru honorably set the samurai free and dueled with him. In TajÅmaru's recollection they fought skillfully and fiercely, but in the end TajÅmaru was the victor and the woman ran away. At the end of the story to the court, he is asked about an expensive dagger owned by the samurai's wife: he says that, in the confusion, he forgot all about it, and that it was foolish of him to leave behind such a valuable object.
The wife's story[edit]
The samurai's wife (Machiko KyÅ) tells a different story to the court. She says that TajÅmaru left after raping her. She begged her husband to forgive her, but he simply looked at her coldly. She then freed him and begged him to kill her so that she would be at peace. He continued to stare at her with a look of loathing. His expression disturbed her so much that she fainted with dagger in hand. She awoke to find her husband dead with the dagger in his chest. She attempted to kill herself, but failed in all her efforts.
The samurai's story[edit]
The court then hears the story of the deceased samurai (Masayuki Mori), told through a medium (巫女; miko, Noriko Honma). The samurai claims that TajÅmaru, after raping his wife, asked her to travel with him. She accepted and asked TajÅmaru to kill her husband so that she would not feel the guilt of belonging to two men. TajÅmaru, shocked by this request, grabbed her, and gave the samurai a choice of letting the woman go or killing her. "For these words alone," the dead samurai recounted, "I was ready to pardon his crime." The woman fled, and TajÅmaru, after attempting to recapture her, gave up and set the samurai free. The samurai then killed himself with his wife's dagger. Later, somebody removed the dagger from his chest.
The woodcutter's story[edit]
Back at RashÅmon gate (after the trial), the woodcutter explains to the commoner that all three stories were falsehoods. The woodcutter had actually witnessed the rape and murder, he says, but just did not want to get too involved at the trial. According to the woodcutter's new story, TajÅmaru begged the samurai's wife to marry him, but the woman instead freed her husband. The husband was initially unwilling to fight TajÅmaru, saying he would not risk his life for a spoiled woman, but the woman then criticized both him and TajÅmaru, saying they were not real men and that a real man would fight for a woman's love. She spurred the men to fight one another, but then hid her face in fear once they raised swords; the men, too, were visibly fearful as they began fighting. They began a duel that was much more pitiful than TajÅmaru's account had made it sound, and TajÅmaru ultimately won through a stroke of luck. After some hesitation he killed the samurai, who begged for his life on the ground, and the woman fled in horror. TajÅmaru could not catch her, but took the samurai's sword and left the scene limping.
Climax[edit]
At the gate, the woodcutter, priest, and commoner are interrupted from their discussion of the woodcutter's account by the sound of a crying baby. They find the baby abandoned in a basket, and the commoner takes a kimono and an amulet that have been left for the baby. The woodcutter reproaches the commoner for stealing from the abandoned baby, but the commoner chastises him. Having deduced that the reason the woodcutter did not speak up at the trial was because he was the one who stole the dagger from the scene of the murder, the commoner mocks him as "a bandit calling another a bandit". The commoner leaves RashÅmon, claiming that all men are motivated only by self-interest.
These deceptions and lies shake the priest's faith in humanity. He is brought back to his senses when the woodcutter reaches for the baby in the priest's arms. The priest is suspicious at first, but the woodcutter explains that he intends to take care of the baby along with his own children, of whom he already has six. This simple revelation recasts the woodcutter's story and the subsequent theft of the dagger in a new light. The priest gives the baby to the woodcutter, saying that the woodcutter has given him reason to continue having hope in humanity. The film closes on the woodcutter, walking home with the baby. The rain has stopped and the clouds have opened revealing the sun in contrast to the beginning where it was overcast.
|
Who was the woodcutter talking to?
|
The commoner
| 3,197 | 3,209 |
Tomorrow, When the War Began
|
8 friends go camping in a place called Hell... a place not many people have ever found. Ellie and her friends find it, perfectly hidden from view. When the trip is over and they return home, they discover everyone gone and homes empty of people.Something horrible has happened while they were in Hell. It doesn't take long for them to realize that their country has been invaded.Ellie and her friends are now in a state of panic. Do they go back to Hell and stay hidden? Do they wait for the army to come find them? Do they go and help rescue their families?How much courage could you muster if your entire family had been taken and how far would you go to free them?
|
Which branch of the military will find them if they go home?
|
the army
| 488 | 496 |
Tomorrow, When the War Began
|
8 friends go camping in a place called Hell... a place not many people have ever found. Ellie and her friends find it, perfectly hidden from view. When the trip is over and they return home, they discover everyone gone and homes empty of people.Something horrible has happened while they were in Hell. It doesn't take long for them to realize that their country has been invaded.Ellie and her friends are now in a state of panic. Do they go back to Hell and stay hidden? Do they wait for the army to come find them? Do they go and help rescue their families?How much courage could you muster if your entire family had been taken and how far would you go to free them?
|
What is the place that Ellie and her friends find called?
|
Hell
| 39 | 43 |
South Park: Bigger, Longer & Uncut
|
A musical, based on the Comedy Central animated series by the same creative team of Trey Parker and Matt Stone. Stan, Kyle, Kenny and Cartman go to see the new movie ("Asses of Fire") by their favorite (and very foul-mouthed) comedians, the Canadians Terence and Philip. The boys' use of profanity grows exponentially after viewing the movie, and the popularity of both the movie and the profanity come to the indignant attention of the school's teachers and then the boys' parents. Kyle's mother Sheila begins a crusade against first T&P;, then against all of Canada. Meanwhile, the boys have seen the movie several more times and argue over whether or not you can really set a fart on fire. Kenny takes a dare (and some money), lights a fart but sets himself on fire in the process and dies in the ER. He then goes to Hell and meets Satan and Satan's boyfriend Saddam Hussein. As the diabolical pair await their chance to excape Hell and take over the world, anti-Canadian sentiment grows to full-blown hatemongering and war crimes and the US bombs Toronto. A newly-designed "V-chip" electrically curbs Cartman's use of profanity, much to his disgust. In a showstopping full-cast production number, The four boys form an underground movement called "La Resistance" to rescue T&P; from electrocution (during a USO show) before America's planned troop surge into Canada. Many town residents have joined the Army, including Chef, whose segregated unit is expected to serve as cannon fodder in "Operation Human Shield", much to Chef's disgust. In Hell, Satan grows increasingly unhappy over continually taking mental abuse from the eternally-horny Saddam Hussein. "La Resistance" mounts a rocky but ultimately successful rescue attempt during the USO show ("Just remember what the MPAA says--'Horrific, deplorable violence is OKAY, as long as people DON'T SAY ANY NAUGHTY WORDS!' "). After the Canadian army's surprise invasion and subsequent horrific battle, Terence and Philip are shot. Once their innocent blood touches the ground, Satan and his minions, and Saddam, come out of Hell to begin conquering Earth. Saddam usurps Satan's perogative and tries to take over all by himself and is attacked by Cartman, whose V-chip has malfunctioned so that he shoots lightning every time he says a bad word. Encouraged by Kenny, Satan puts Saddam down once and for all, and restores everything on Earth to the way it was before T&P; were killed. The boys' mothers learn to blame their own foul-mouthed children rather than "blaming Canada", and everyone rejoices as Kenny gets into Heaven in the big musical finale.
|
What movie does Stan, Kyle, Kenny and Cartman go to see?
|
Asses Of Fire
| 168 | 181 |
South Park: Bigger, Longer & Uncut
|
A musical, based on the Comedy Central animated series by the same creative team of Trey Parker and Matt Stone. Stan, Kyle, Kenny and Cartman go to see the new movie ("Asses of Fire") by their favorite (and very foul-mouthed) comedians, the Canadians Terence and Philip. The boys' use of profanity grows exponentially after viewing the movie, and the popularity of both the movie and the profanity come to the indignant attention of the school's teachers and then the boys' parents. Kyle's mother Sheila begins a crusade against first T&P;, then against all of Canada. Meanwhile, the boys have seen the movie several more times and argue over whether or not you can really set a fart on fire. Kenny takes a dare (and some money), lights a fart but sets himself on fire in the process and dies in the ER. He then goes to Hell and meets Satan and Satan's boyfriend Saddam Hussein. As the diabolical pair await their chance to excape Hell and take over the world, anti-Canadian sentiment grows to full-blown hatemongering and war crimes and the US bombs Toronto. A newly-designed "V-chip" electrically curbs Cartman's use of profanity, much to his disgust. In a showstopping full-cast production number, The four boys form an underground movement called "La Resistance" to rescue T&P; from electrocution (during a USO show) before America's planned troop surge into Canada. Many town residents have joined the Army, including Chef, whose segregated unit is expected to serve as cannon fodder in "Operation Human Shield", much to Chef's disgust. In Hell, Satan grows increasingly unhappy over continually taking mental abuse from the eternally-horny Saddam Hussein. "La Resistance" mounts a rocky but ultimately successful rescue attempt during the USO show ("Just remember what the MPAA says--'Horrific, deplorable violence is OKAY, as long as people DON'T SAY ANY NAUGHTY WORDS!' "). After the Canadian army's surprise invasion and subsequent horrific battle, Terence and Philip are shot. Once their innocent blood touches the ground, Satan and his minions, and Saddam, come out of Hell to begin conquering Earth. Saddam usurps Satan's perogative and tries to take over all by himself and is attacked by Cartman, whose V-chip has malfunctioned so that he shoots lightning every time he says a bad word. Encouraged by Kenny, Satan puts Saddam down once and for all, and restores everything on Earth to the way it was before T&P; were killed. The boys' mothers learn to blame their own foul-mouthed children rather than "blaming Canada", and everyone rejoices as Kenny gets into Heaven in the big musical finale.
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What's the name of the boy's underground movement to rescue T&P?
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La Resistance
| 1,252 | 1,265 |
South Park: Bigger, Longer & Uncut
|
A musical, based on the Comedy Central animated series by the same creative team of Trey Parker and Matt Stone. Stan, Kyle, Kenny and Cartman go to see the new movie ("Asses of Fire") by their favorite (and very foul-mouthed) comedians, the Canadians Terence and Philip. The boys' use of profanity grows exponentially after viewing the movie, and the popularity of both the movie and the profanity come to the indignant attention of the school's teachers and then the boys' parents. Kyle's mother Sheila begins a crusade against first T&P;, then against all of Canada. Meanwhile, the boys have seen the movie several more times and argue over whether or not you can really set a fart on fire. Kenny takes a dare (and some money), lights a fart but sets himself on fire in the process and dies in the ER. He then goes to Hell and meets Satan and Satan's boyfriend Saddam Hussein. As the diabolical pair await their chance to excape Hell and take over the world, anti-Canadian sentiment grows to full-blown hatemongering and war crimes and the US bombs Toronto. A newly-designed "V-chip" electrically curbs Cartman's use of profanity, much to his disgust. In a showstopping full-cast production number, The four boys form an underground movement called "La Resistance" to rescue T&P; from electrocution (during a USO show) before America's planned troop surge into Canada. Many town residents have joined the Army, including Chef, whose segregated unit is expected to serve as cannon fodder in "Operation Human Shield", much to Chef's disgust. In Hell, Satan grows increasingly unhappy over continually taking mental abuse from the eternally-horny Saddam Hussein. "La Resistance" mounts a rocky but ultimately successful rescue attempt during the USO show ("Just remember what the MPAA says--'Horrific, deplorable violence is OKAY, as long as people DON'T SAY ANY NAUGHTY WORDS!' "). After the Canadian army's surprise invasion and subsequent horrific battle, Terence and Philip are shot. Once their innocent blood touches the ground, Satan and his minions, and Saddam, come out of Hell to begin conquering Earth. Saddam usurps Satan's perogative and tries to take over all by himself and is attacked by Cartman, whose V-chip has malfunctioned so that he shoots lightning every time he says a bad word. Encouraged by Kenny, Satan puts Saddam down once and for all, and restores everything on Earth to the way it was before T&P; were killed. The boys' mothers learn to blame their own foul-mouthed children rather than "blaming Canada", and everyone rejoices as Kenny gets into Heaven in the big musical finale.
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Who begins a crusade against T&P?
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Kyle's mother Sheila
| 483 | 503 |
South Park: Bigger, Longer & Uncut
|
A musical, based on the Comedy Central animated series by the same creative team of Trey Parker and Matt Stone. Stan, Kyle, Kenny and Cartman go to see the new movie ("Asses of Fire") by their favorite (and very foul-mouthed) comedians, the Canadians Terence and Philip. The boys' use of profanity grows exponentially after viewing the movie, and the popularity of both the movie and the profanity come to the indignant attention of the school's teachers and then the boys' parents. Kyle's mother Sheila begins a crusade against first T&P;, then against all of Canada. Meanwhile, the boys have seen the movie several more times and argue over whether or not you can really set a fart on fire. Kenny takes a dare (and some money), lights a fart but sets himself on fire in the process and dies in the ER. He then goes to Hell and meets Satan and Satan's boyfriend Saddam Hussein. As the diabolical pair await their chance to excape Hell and take over the world, anti-Canadian sentiment grows to full-blown hatemongering and war crimes and the US bombs Toronto. A newly-designed "V-chip" electrically curbs Cartman's use of profanity, much to his disgust. In a showstopping full-cast production number, The four boys form an underground movement called "La Resistance" to rescue T&P; from electrocution (during a USO show) before America's planned troop surge into Canada. Many town residents have joined the Army, including Chef, whose segregated unit is expected to serve as cannon fodder in "Operation Human Shield", much to Chef's disgust. In Hell, Satan grows increasingly unhappy over continually taking mental abuse from the eternally-horny Saddam Hussein. "La Resistance" mounts a rocky but ultimately successful rescue attempt during the USO show ("Just remember what the MPAA says--'Horrific, deplorable violence is OKAY, as long as people DON'T SAY ANY NAUGHTY WORDS!' "). After the Canadian army's surprise invasion and subsequent horrific battle, Terence and Philip are shot. Once their innocent blood touches the ground, Satan and his minions, and Saddam, come out of Hell to begin conquering Earth. Saddam usurps Satan's perogative and tries to take over all by himself and is attacked by Cartman, whose V-chip has malfunctioned so that he shoots lightning every time he says a bad word. Encouraged by Kenny, Satan puts Saddam down once and for all, and restores everything on Earth to the way it was before T&P; were killed. The boys' mothers learn to blame their own foul-mouthed children rather than "blaming Canada", and everyone rejoices as Kenny gets into Heaven in the big musical finale.
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Who's shot during the Canadian Army's surprise invasion?
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Terence and Philip
| 251 | 269 |
Cliffhanger
|
Rangers Gabriel "Gabe" Walker and Jessie Deighan are dispatched to rescue their friend Hal Tucker and his girlfriend Sarah after Hal suffered a knee injury and stranded them on a peak in the Colorado Rockies. As they try to rescue Sarah, part of her harness breaks, and though Gabe is able to grab her, her gloved hand slips out, and she falls to her death. Hal blames Gabe for her death and Gabe is overcome with guilt, taking an extended leave.
Eight months later, Gabe returns to the ranger station to gather his remaining possessions and convince Jessie to leave with him. While there, they receive a distress call from a group of stranded climbers. Hal goes to locate the climbers and Jessie is able to convince Gabe to help out. Hal remains bitter towards Gabe over Sarah's death, at one point threatening to send Gabe over a ledge. When they find the climbers, they discover the distress call was a ruse and are taken prisoner by former Military Intelligence operative Eric Qualen and several mercenaries. Qualen, along with turncoat U.S. Treasury agent Richard Travers, were able to steal three suitcases full of uncirculated bills valuing over $100 million. Their escape plan backfired, sending their plane crashing into the mountain, and they now require Gabe and Hal's help to locate the cases with the help of beacon locators.
At gunpoint, Gabe leads them to the first case, located at the top of a steep rock face. They force Gabe to tether himself to reach it, and Gabe uses the opportunity to escape. The mercenaries attempt to fire on Gabe, which causes an avalanche that kills one of their members. When they see the money from the first case fluttering away, Qualen believes Gabe is dead, and orders Hal to lead them onward. Gabe races ahead to find Jessie at an abandoned cabin. They recover old mountaineering gear to reach the second case before Qualen does. By the time Qualen arrives, Gabe and Jessie have emptied the case and left only a single bill with the taunting message "Want to trade?" on it. Qualen orders his men to split up, allowing Gabe to dispatch two more of Qualen's men. Gabe attempts to call for help from Frank, their rescue helicopter pilot, on one of the mercenaries' radios, but Hal alerts him to explosives Qualen has rigged above them on the mountain. Gabe and Jessie escape the falling debris in time. Elsewhere, when Hal sees two friends, Evan and Brett, he warns them away before Qualen orders his men to open fire. Brett is killed while Evan is wounded, though he manages to ski off the mountain and parachute to safety. Night falls on the mountain and both groups take shelter. Frank, having not heard from Gabe or the others, scouts the mountain in the helicopter, spots Evan's parachute, and is able to get him to safety while contacting the authorities.
When morning breaks, Gabe and Jessie beat Qualen to the last case. Meanwhile, the mercenaries flag down Frank in the helicopter, and by the time he realizes it's a trap it is too late. He is shot by one of the mercenaries and dies, but not before slipping Hal a knife. As the mercenaries split up to look for the other case, Hal is able to use the knife to wound one of the mercenaries, kill him with his own gun, and escape. Elsewhere Hal finds Gabe, and together they kill Travers. However, at the same time, Qualen takes Jessie hostage when she waves down the helicopter, believing that Frank was flying it. Qualen tells Gabe and Hal over the radio that he is holding Jessie captive on board the helicopter, demanding Gabe and Hal to surrender the money from the third case at a high elevated rendezvous point and threatens to kill her should they refuse to cooperate.
Gabe and Hal agree, and they meet at a cliff side bridge. However, Qualen tries to challenge Gabe into throwing the case into the helicopter, but when he also threatens to kill Jessie again, Gabe orders Qualen to free her at a safe distance away from the cliff. Qualen reluctantly agrees, and uses a winch to lower Jessie to the ground. Once Jessie is safely down, however, Gabe throws the bag of money into the helicopter's rotors, shredding the money. Enraged, Qualen attempts to fly off, but Gabe has used the winch cable to tether the helicopter to a steel ladder up the cliff face. The ladder snaps and leaves Gabe and Qualen atop the wreckage of the helicopter hanging by the cable. Gabe fights Qualen and manages to climb to safety as the wreckage snaps off the cable, sending Qualen to his death. Gabe reunites with Jessie and Hal as federal agents arrive in helicopters to offer their assistance.
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In the movie, who shoots Frank, resulting in his death?
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one of the mercenaries
| 2,188 | 2,210 |
Cliffhanger
|
Rangers Gabriel "Gabe" Walker and Jessie Deighan are dispatched to rescue their friend Hal Tucker and his girlfriend Sarah after Hal suffered a knee injury and stranded them on a peak in the Colorado Rockies. As they try to rescue Sarah, part of her harness breaks, and though Gabe is able to grab her, her gloved hand slips out, and she falls to her death. Hal blames Gabe for her death and Gabe is overcome with guilt, taking an extended leave.
Eight months later, Gabe returns to the ranger station to gather his remaining possessions and convince Jessie to leave with him. While there, they receive a distress call from a group of stranded climbers. Hal goes to locate the climbers and Jessie is able to convince Gabe to help out. Hal remains bitter towards Gabe over Sarah's death, at one point threatening to send Gabe over a ledge. When they find the climbers, they discover the distress call was a ruse and are taken prisoner by former Military Intelligence operative Eric Qualen and several mercenaries. Qualen, along with turncoat U.S. Treasury agent Richard Travers, were able to steal three suitcases full of uncirculated bills valuing over $100 million. Their escape plan backfired, sending their plane crashing into the mountain, and they now require Gabe and Hal's help to locate the cases with the help of beacon locators.
At gunpoint, Gabe leads them to the first case, located at the top of a steep rock face. They force Gabe to tether himself to reach it, and Gabe uses the opportunity to escape. The mercenaries attempt to fire on Gabe, which causes an avalanche that kills one of their members. When they see the money from the first case fluttering away, Qualen believes Gabe is dead, and orders Hal to lead them onward. Gabe races ahead to find Jessie at an abandoned cabin. They recover old mountaineering gear to reach the second case before Qualen does. By the time Qualen arrives, Gabe and Jessie have emptied the case and left only a single bill with the taunting message "Want to trade?" on it. Qualen orders his men to split up, allowing Gabe to dispatch two more of Qualen's men. Gabe attempts to call for help from Frank, their rescue helicopter pilot, on one of the mercenaries' radios, but Hal alerts him to explosives Qualen has rigged above them on the mountain. Gabe and Jessie escape the falling debris in time. Elsewhere, when Hal sees two friends, Evan and Brett, he warns them away before Qualen orders his men to open fire. Brett is killed while Evan is wounded, though he manages to ski off the mountain and parachute to safety. Night falls on the mountain and both groups take shelter. Frank, having not heard from Gabe or the others, scouts the mountain in the helicopter, spots Evan's parachute, and is able to get him to safety while contacting the authorities.
When morning breaks, Gabe and Jessie beat Qualen to the last case. Meanwhile, the mercenaries flag down Frank in the helicopter, and by the time he realizes it's a trap it is too late. He is shot by one of the mercenaries and dies, but not before slipping Hal a knife. As the mercenaries split up to look for the other case, Hal is able to use the knife to wound one of the mercenaries, kill him with his own gun, and escape. Elsewhere Hal finds Gabe, and together they kill Travers. However, at the same time, Qualen takes Jessie hostage when she waves down the helicopter, believing that Frank was flying it. Qualen tells Gabe and Hal over the radio that he is holding Jessie captive on board the helicopter, demanding Gabe and Hal to surrender the money from the third case at a high elevated rendezvous point and threatens to kill her should they refuse to cooperate.
Gabe and Hal agree, and they meet at a cliff side bridge. However, Qualen tries to challenge Gabe into throwing the case into the helicopter, but when he also threatens to kill Jessie again, Gabe orders Qualen to free her at a safe distance away from the cliff. Qualen reluctantly agrees, and uses a winch to lower Jessie to the ground. Once Jessie is safely down, however, Gabe throws the bag of money into the helicopter's rotors, shredding the money. Enraged, Qualen attempts to fly off, but Gabe has used the winch cable to tether the helicopter to a steel ladder up the cliff face. The ladder snaps and leaves Gabe and Qualen atop the wreckage of the helicopter hanging by the cable. Gabe fights Qualen and manages to climb to safety as the wreckage snaps off the cable, sending Qualen to his death. Gabe reunites with Jessie and Hal as federal agents arrive in helicopters to offer their assistance.
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In the movie, who takes Jessie Hostage when she waves down the helicopter?
|
Qualen
| 981 | 987 |
Cliffhanger
|
Rangers Gabriel "Gabe" Walker and Jessie Deighan are dispatched to rescue their friend Hal Tucker and his girlfriend Sarah after Hal suffered a knee injury and stranded them on a peak in the Colorado Rockies. As they try to rescue Sarah, part of her harness breaks, and though Gabe is able to grab her, her gloved hand slips out, and she falls to her death. Hal blames Gabe for her death and Gabe is overcome with guilt, taking an extended leave.
Eight months later, Gabe returns to the ranger station to gather his remaining possessions and convince Jessie to leave with him. While there, they receive a distress call from a group of stranded climbers. Hal goes to locate the climbers and Jessie is able to convince Gabe to help out. Hal remains bitter towards Gabe over Sarah's death, at one point threatening to send Gabe over a ledge. When they find the climbers, they discover the distress call was a ruse and are taken prisoner by former Military Intelligence operative Eric Qualen and several mercenaries. Qualen, along with turncoat U.S. Treasury agent Richard Travers, were able to steal three suitcases full of uncirculated bills valuing over $100 million. Their escape plan backfired, sending their plane crashing into the mountain, and they now require Gabe and Hal's help to locate the cases with the help of beacon locators.
At gunpoint, Gabe leads them to the first case, located at the top of a steep rock face. They force Gabe to tether himself to reach it, and Gabe uses the opportunity to escape. The mercenaries attempt to fire on Gabe, which causes an avalanche that kills one of their members. When they see the money from the first case fluttering away, Qualen believes Gabe is dead, and orders Hal to lead them onward. Gabe races ahead to find Jessie at an abandoned cabin. They recover old mountaineering gear to reach the second case before Qualen does. By the time Qualen arrives, Gabe and Jessie have emptied the case and left only a single bill with the taunting message "Want to trade?" on it. Qualen orders his men to split up, allowing Gabe to dispatch two more of Qualen's men. Gabe attempts to call for help from Frank, their rescue helicopter pilot, on one of the mercenaries' radios, but Hal alerts him to explosives Qualen has rigged above them on the mountain. Gabe and Jessie escape the falling debris in time. Elsewhere, when Hal sees two friends, Evan and Brett, he warns them away before Qualen orders his men to open fire. Brett is killed while Evan is wounded, though he manages to ski off the mountain and parachute to safety. Night falls on the mountain and both groups take shelter. Frank, having not heard from Gabe or the others, scouts the mountain in the helicopter, spots Evan's parachute, and is able to get him to safety while contacting the authorities.
When morning breaks, Gabe and Jessie beat Qualen to the last case. Meanwhile, the mercenaries flag down Frank in the helicopter, and by the time he realizes it's a trap it is too late. He is shot by one of the mercenaries and dies, but not before slipping Hal a knife. As the mercenaries split up to look for the other case, Hal is able to use the knife to wound one of the mercenaries, kill him with his own gun, and escape. Elsewhere Hal finds Gabe, and together they kill Travers. However, at the same time, Qualen takes Jessie hostage when she waves down the helicopter, believing that Frank was flying it. Qualen tells Gabe and Hal over the radio that he is holding Jessie captive on board the helicopter, demanding Gabe and Hal to surrender the money from the third case at a high elevated rendezvous point and threatens to kill her should they refuse to cooperate.
Gabe and Hal agree, and they meet at a cliff side bridge. However, Qualen tries to challenge Gabe into throwing the case into the helicopter, but when he also threatens to kill Jessie again, Gabe orders Qualen to free her at a safe distance away from the cliff. Qualen reluctantly agrees, and uses a winch to lower Jessie to the ground. Once Jessie is safely down, however, Gabe throws the bag of money into the helicopter's rotors, shredding the money. Enraged, Qualen attempts to fly off, but Gabe has used the winch cable to tether the helicopter to a steel ladder up the cliff face. The ladder snaps and leaves Gabe and Qualen atop the wreckage of the helicopter hanging by the cable. Gabe fights Qualen and manages to climb to safety as the wreckage snaps off the cable, sending Qualen to his death. Gabe reunites with Jessie and Hal as federal agents arrive in helicopters to offer their assistance.
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Who's death does Hal remain bitter towards Gabe for?
|
Sarah's
| 772 | 779 |
Cliffhanger
|
Rangers Gabriel "Gabe" Walker and Jessie Deighan are dispatched to rescue their friend Hal Tucker and his girlfriend Sarah after Hal suffered a knee injury and stranded them on a peak in the Colorado Rockies. As they try to rescue Sarah, part of her harness breaks, and though Gabe is able to grab her, her gloved hand slips out, and she falls to her death. Hal blames Gabe for her death and Gabe is overcome with guilt, taking an extended leave.
Eight months later, Gabe returns to the ranger station to gather his remaining possessions and convince Jessie to leave with him. While there, they receive a distress call from a group of stranded climbers. Hal goes to locate the climbers and Jessie is able to convince Gabe to help out. Hal remains bitter towards Gabe over Sarah's death, at one point threatening to send Gabe over a ledge. When they find the climbers, they discover the distress call was a ruse and are taken prisoner by former Military Intelligence operative Eric Qualen and several mercenaries. Qualen, along with turncoat U.S. Treasury agent Richard Travers, were able to steal three suitcases full of uncirculated bills valuing over $100 million. Their escape plan backfired, sending their plane crashing into the mountain, and they now require Gabe and Hal's help to locate the cases with the help of beacon locators.
At gunpoint, Gabe leads them to the first case, located at the top of a steep rock face. They force Gabe to tether himself to reach it, and Gabe uses the opportunity to escape. The mercenaries attempt to fire on Gabe, which causes an avalanche that kills one of their members. When they see the money from the first case fluttering away, Qualen believes Gabe is dead, and orders Hal to lead them onward. Gabe races ahead to find Jessie at an abandoned cabin. They recover old mountaineering gear to reach the second case before Qualen does. By the time Qualen arrives, Gabe and Jessie have emptied the case and left only a single bill with the taunting message "Want to trade?" on it. Qualen orders his men to split up, allowing Gabe to dispatch two more of Qualen's men. Gabe attempts to call for help from Frank, their rescue helicopter pilot, on one of the mercenaries' radios, but Hal alerts him to explosives Qualen has rigged above them on the mountain. Gabe and Jessie escape the falling debris in time. Elsewhere, when Hal sees two friends, Evan and Brett, he warns them away before Qualen orders his men to open fire. Brett is killed while Evan is wounded, though he manages to ski off the mountain and parachute to safety. Night falls on the mountain and both groups take shelter. Frank, having not heard from Gabe or the others, scouts the mountain in the helicopter, spots Evan's parachute, and is able to get him to safety while contacting the authorities.
When morning breaks, Gabe and Jessie beat Qualen to the last case. Meanwhile, the mercenaries flag down Frank in the helicopter, and by the time he realizes it's a trap it is too late. He is shot by one of the mercenaries and dies, but not before slipping Hal a knife. As the mercenaries split up to look for the other case, Hal is able to use the knife to wound one of the mercenaries, kill him with his own gun, and escape. Elsewhere Hal finds Gabe, and together they kill Travers. However, at the same time, Qualen takes Jessie hostage when she waves down the helicopter, believing that Frank was flying it. Qualen tells Gabe and Hal over the radio that he is holding Jessie captive on board the helicopter, demanding Gabe and Hal to surrender the money from the third case at a high elevated rendezvous point and threatens to kill her should they refuse to cooperate.
Gabe and Hal agree, and they meet at a cliff side bridge. However, Qualen tries to challenge Gabe into throwing the case into the helicopter, but when he also threatens to kill Jessie again, Gabe orders Qualen to free her at a safe distance away from the cliff. Qualen reluctantly agrees, and uses a winch to lower Jessie to the ground. Once Jessie is safely down, however, Gabe throws the bag of money into the helicopter's rotors, shredding the money. Enraged, Qualen attempts to fly off, but Gabe has used the winch cable to tether the helicopter to a steel ladder up the cliff face. The ladder snaps and leaves Gabe and Qualen atop the wreckage of the helicopter hanging by the cable. Gabe fights Qualen and manages to climb to safety as the wreckage snaps off the cable, sending Qualen to his death. Gabe reunites with Jessie and Hal as federal agents arrive in helicopters to offer their assistance.
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Who do Hal and Gabe kill together in the movie?
|
Travers
| 1,069 | 1,076 |
Cliffhanger
|
Rangers Gabriel "Gabe" Walker and Jessie Deighan are dispatched to rescue their friend Hal Tucker and his girlfriend Sarah after Hal suffered a knee injury and stranded them on a peak in the Colorado Rockies. As they try to rescue Sarah, part of her harness breaks, and though Gabe is able to grab her, her gloved hand slips out, and she falls to her death. Hal blames Gabe for her death and Gabe is overcome with guilt, taking an extended leave.
Eight months later, Gabe returns to the ranger station to gather his remaining possessions and convince Jessie to leave with him. While there, they receive a distress call from a group of stranded climbers. Hal goes to locate the climbers and Jessie is able to convince Gabe to help out. Hal remains bitter towards Gabe over Sarah's death, at one point threatening to send Gabe over a ledge. When they find the climbers, they discover the distress call was a ruse and are taken prisoner by former Military Intelligence operative Eric Qualen and several mercenaries. Qualen, along with turncoat U.S. Treasury agent Richard Travers, were able to steal three suitcases full of uncirculated bills valuing over $100 million. Their escape plan backfired, sending their plane crashing into the mountain, and they now require Gabe and Hal's help to locate the cases with the help of beacon locators.
At gunpoint, Gabe leads them to the first case, located at the top of a steep rock face. They force Gabe to tether himself to reach it, and Gabe uses the opportunity to escape. The mercenaries attempt to fire on Gabe, which causes an avalanche that kills one of their members. When they see the money from the first case fluttering away, Qualen believes Gabe is dead, and orders Hal to lead them onward. Gabe races ahead to find Jessie at an abandoned cabin. They recover old mountaineering gear to reach the second case before Qualen does. By the time Qualen arrives, Gabe and Jessie have emptied the case and left only a single bill with the taunting message "Want to trade?" on it. Qualen orders his men to split up, allowing Gabe to dispatch two more of Qualen's men. Gabe attempts to call for help from Frank, their rescue helicopter pilot, on one of the mercenaries' radios, but Hal alerts him to explosives Qualen has rigged above them on the mountain. Gabe and Jessie escape the falling debris in time. Elsewhere, when Hal sees two friends, Evan and Brett, he warns them away before Qualen orders his men to open fire. Brett is killed while Evan is wounded, though he manages to ski off the mountain and parachute to safety. Night falls on the mountain and both groups take shelter. Frank, having not heard from Gabe or the others, scouts the mountain in the helicopter, spots Evan's parachute, and is able to get him to safety while contacting the authorities.
When morning breaks, Gabe and Jessie beat Qualen to the last case. Meanwhile, the mercenaries flag down Frank in the helicopter, and by the time he realizes it's a trap it is too late. He is shot by one of the mercenaries and dies, but not before slipping Hal a knife. As the mercenaries split up to look for the other case, Hal is able to use the knife to wound one of the mercenaries, kill him with his own gun, and escape. Elsewhere Hal finds Gabe, and together they kill Travers. However, at the same time, Qualen takes Jessie hostage when she waves down the helicopter, believing that Frank was flying it. Qualen tells Gabe and Hal over the radio that he is holding Jessie captive on board the helicopter, demanding Gabe and Hal to surrender the money from the third case at a high elevated rendezvous point and threatens to kill her should they refuse to cooperate.
Gabe and Hal agree, and they meet at a cliff side bridge. However, Qualen tries to challenge Gabe into throwing the case into the helicopter, but when he also threatens to kill Jessie again, Gabe orders Qualen to free her at a safe distance away from the cliff. Qualen reluctantly agrees, and uses a winch to lower Jessie to the ground. Once Jessie is safely down, however, Gabe throws the bag of money into the helicopter's rotors, shredding the money. Enraged, Qualen attempts to fly off, but Gabe has used the winch cable to tether the helicopter to a steel ladder up the cliff face. The ladder snaps and leaves Gabe and Qualen atop the wreckage of the helicopter hanging by the cable. Gabe fights Qualen and manages to climb to safety as the wreckage snaps off the cable, sending Qualen to his death. Gabe reunites with Jessie and Hal as federal agents arrive in helicopters to offer their assistance.
|
Who is Gabe and Jessie trying to outrun?
|
Qualen
| 981 | 987 |
Cliffhanger
|
Rangers Gabriel "Gabe" Walker and Jessie Deighan are dispatched to rescue their friend Hal Tucker and his girlfriend Sarah after Hal suffered a knee injury and stranded them on a peak in the Colorado Rockies. As they try to rescue Sarah, part of her harness breaks, and though Gabe is able to grab her, her gloved hand slips out, and she falls to her death. Hal blames Gabe for her death and Gabe is overcome with guilt, taking an extended leave.
Eight months later, Gabe returns to the ranger station to gather his remaining possessions and convince Jessie to leave with him. While there, they receive a distress call from a group of stranded climbers. Hal goes to locate the climbers and Jessie is able to convince Gabe to help out. Hal remains bitter towards Gabe over Sarah's death, at one point threatening to send Gabe over a ledge. When they find the climbers, they discover the distress call was a ruse and are taken prisoner by former Military Intelligence operative Eric Qualen and several mercenaries. Qualen, along with turncoat U.S. Treasury agent Richard Travers, were able to steal three suitcases full of uncirculated bills valuing over $100 million. Their escape plan backfired, sending their plane crashing into the mountain, and they now require Gabe and Hal's help to locate the cases with the help of beacon locators.
At gunpoint, Gabe leads them to the first case, located at the top of a steep rock face. They force Gabe to tether himself to reach it, and Gabe uses the opportunity to escape. The mercenaries attempt to fire on Gabe, which causes an avalanche that kills one of their members. When they see the money from the first case fluttering away, Qualen believes Gabe is dead, and orders Hal to lead them onward. Gabe races ahead to find Jessie at an abandoned cabin. They recover old mountaineering gear to reach the second case before Qualen does. By the time Qualen arrives, Gabe and Jessie have emptied the case and left only a single bill with the taunting message "Want to trade?" on it. Qualen orders his men to split up, allowing Gabe to dispatch two more of Qualen's men. Gabe attempts to call for help from Frank, their rescue helicopter pilot, on one of the mercenaries' radios, but Hal alerts him to explosives Qualen has rigged above them on the mountain. Gabe and Jessie escape the falling debris in time. Elsewhere, when Hal sees two friends, Evan and Brett, he warns them away before Qualen orders his men to open fire. Brett is killed while Evan is wounded, though he manages to ski off the mountain and parachute to safety. Night falls on the mountain and both groups take shelter. Frank, having not heard from Gabe or the others, scouts the mountain in the helicopter, spots Evan's parachute, and is able to get him to safety while contacting the authorities.
When morning breaks, Gabe and Jessie beat Qualen to the last case. Meanwhile, the mercenaries flag down Frank in the helicopter, and by the time he realizes it's a trap it is too late. He is shot by one of the mercenaries and dies, but not before slipping Hal a knife. As the mercenaries split up to look for the other case, Hal is able to use the knife to wound one of the mercenaries, kill him with his own gun, and escape. Elsewhere Hal finds Gabe, and together they kill Travers. However, at the same time, Qualen takes Jessie hostage when she waves down the helicopter, believing that Frank was flying it. Qualen tells Gabe and Hal over the radio that he is holding Jessie captive on board the helicopter, demanding Gabe and Hal to surrender the money from the third case at a high elevated rendezvous point and threatens to kill her should they refuse to cooperate.
Gabe and Hal agree, and they meet at a cliff side bridge. However, Qualen tries to challenge Gabe into throwing the case into the helicopter, but when he also threatens to kill Jessie again, Gabe orders Qualen to free her at a safe distance away from the cliff. Qualen reluctantly agrees, and uses a winch to lower Jessie to the ground. Once Jessie is safely down, however, Gabe throws the bag of money into the helicopter's rotors, shredding the money. Enraged, Qualen attempts to fly off, but Gabe has used the winch cable to tether the helicopter to a steel ladder up the cliff face. The ladder snaps and leaves Gabe and Qualen atop the wreckage of the helicopter hanging by the cable. Gabe fights Qualen and manages to climb to safety as the wreckage snaps off the cable, sending Qualen to his death. Gabe reunites with Jessie and Hal as federal agents arrive in helicopters to offer their assistance.
|
Where is the first case located?
|
at the top of a steep rock face
| 1,395 | 1,426 |
Cliffhanger
|
Rangers Gabriel "Gabe" Walker and Jessie Deighan are dispatched to rescue their friend Hal Tucker and his girlfriend Sarah after Hal suffered a knee injury and stranded them on a peak in the Colorado Rockies. As they try to rescue Sarah, part of her harness breaks, and though Gabe is able to grab her, her gloved hand slips out, and she falls to her death. Hal blames Gabe for her death and Gabe is overcome with guilt, taking an extended leave.
Eight months later, Gabe returns to the ranger station to gather his remaining possessions and convince Jessie to leave with him. While there, they receive a distress call from a group of stranded climbers. Hal goes to locate the climbers and Jessie is able to convince Gabe to help out. Hal remains bitter towards Gabe over Sarah's death, at one point threatening to send Gabe over a ledge. When they find the climbers, they discover the distress call was a ruse and are taken prisoner by former Military Intelligence operative Eric Qualen and several mercenaries. Qualen, along with turncoat U.S. Treasury agent Richard Travers, were able to steal three suitcases full of uncirculated bills valuing over $100 million. Their escape plan backfired, sending their plane crashing into the mountain, and they now require Gabe and Hal's help to locate the cases with the help of beacon locators.
At gunpoint, Gabe leads them to the first case, located at the top of a steep rock face. They force Gabe to tether himself to reach it, and Gabe uses the opportunity to escape. The mercenaries attempt to fire on Gabe, which causes an avalanche that kills one of their members. When they see the money from the first case fluttering away, Qualen believes Gabe is dead, and orders Hal to lead them onward. Gabe races ahead to find Jessie at an abandoned cabin. They recover old mountaineering gear to reach the second case before Qualen does. By the time Qualen arrives, Gabe and Jessie have emptied the case and left only a single bill with the taunting message "Want to trade?" on it. Qualen orders his men to split up, allowing Gabe to dispatch two more of Qualen's men. Gabe attempts to call for help from Frank, their rescue helicopter pilot, on one of the mercenaries' radios, but Hal alerts him to explosives Qualen has rigged above them on the mountain. Gabe and Jessie escape the falling debris in time. Elsewhere, when Hal sees two friends, Evan and Brett, he warns them away before Qualen orders his men to open fire. Brett is killed while Evan is wounded, though he manages to ski off the mountain and parachute to safety. Night falls on the mountain and both groups take shelter. Frank, having not heard from Gabe or the others, scouts the mountain in the helicopter, spots Evan's parachute, and is able to get him to safety while contacting the authorities.
When morning breaks, Gabe and Jessie beat Qualen to the last case. Meanwhile, the mercenaries flag down Frank in the helicopter, and by the time he realizes it's a trap it is too late. He is shot by one of the mercenaries and dies, but not before slipping Hal a knife. As the mercenaries split up to look for the other case, Hal is able to use the knife to wound one of the mercenaries, kill him with his own gun, and escape. Elsewhere Hal finds Gabe, and together they kill Travers. However, at the same time, Qualen takes Jessie hostage when she waves down the helicopter, believing that Frank was flying it. Qualen tells Gabe and Hal over the radio that he is holding Jessie captive on board the helicopter, demanding Gabe and Hal to surrender the money from the third case at a high elevated rendezvous point and threatens to kill her should they refuse to cooperate.
Gabe and Hal agree, and they meet at a cliff side bridge. However, Qualen tries to challenge Gabe into throwing the case into the helicopter, but when he also threatens to kill Jessie again, Gabe orders Qualen to free her at a safe distance away from the cliff. Qualen reluctantly agrees, and uses a winch to lower Jessie to the ground. Once Jessie is safely down, however, Gabe throws the bag of money into the helicopter's rotors, shredding the money. Enraged, Qualen attempts to fly off, but Gabe has used the winch cable to tether the helicopter to a steel ladder up the cliff face. The ladder snaps and leaves Gabe and Qualen atop the wreckage of the helicopter hanging by the cable. Gabe fights Qualen and manages to climb to safety as the wreckage snaps off the cable, sending Qualen to his death. Gabe reunites with Jessie and Hal as federal agents arrive in helicopters to offer their assistance.
|
Who does Jessie convince to help Hal locate the climbers?
|
Gabe
| 17 | 21 |
Cliffhanger
|
Rangers Gabriel "Gabe" Walker and Jessie Deighan are dispatched to rescue their friend Hal Tucker and his girlfriend Sarah after Hal suffered a knee injury and stranded them on a peak in the Colorado Rockies. As they try to rescue Sarah, part of her harness breaks, and though Gabe is able to grab her, her gloved hand slips out, and she falls to her death. Hal blames Gabe for her death and Gabe is overcome with guilt, taking an extended leave.
Eight months later, Gabe returns to the ranger station to gather his remaining possessions and convince Jessie to leave with him. While there, they receive a distress call from a group of stranded climbers. Hal goes to locate the climbers and Jessie is able to convince Gabe to help out. Hal remains bitter towards Gabe over Sarah's death, at one point threatening to send Gabe over a ledge. When they find the climbers, they discover the distress call was a ruse and are taken prisoner by former Military Intelligence operative Eric Qualen and several mercenaries. Qualen, along with turncoat U.S. Treasury agent Richard Travers, were able to steal three suitcases full of uncirculated bills valuing over $100 million. Their escape plan backfired, sending their plane crashing into the mountain, and they now require Gabe and Hal's help to locate the cases with the help of beacon locators.
At gunpoint, Gabe leads them to the first case, located at the top of a steep rock face. They force Gabe to tether himself to reach it, and Gabe uses the opportunity to escape. The mercenaries attempt to fire on Gabe, which causes an avalanche that kills one of their members. When they see the money from the first case fluttering away, Qualen believes Gabe is dead, and orders Hal to lead them onward. Gabe races ahead to find Jessie at an abandoned cabin. They recover old mountaineering gear to reach the second case before Qualen does. By the time Qualen arrives, Gabe and Jessie have emptied the case and left only a single bill with the taunting message "Want to trade?" on it. Qualen orders his men to split up, allowing Gabe to dispatch two more of Qualen's men. Gabe attempts to call for help from Frank, their rescue helicopter pilot, on one of the mercenaries' radios, but Hal alerts him to explosives Qualen has rigged above them on the mountain. Gabe and Jessie escape the falling debris in time. Elsewhere, when Hal sees two friends, Evan and Brett, he warns them away before Qualen orders his men to open fire. Brett is killed while Evan is wounded, though he manages to ski off the mountain and parachute to safety. Night falls on the mountain and both groups take shelter. Frank, having not heard from Gabe or the others, scouts the mountain in the helicopter, spots Evan's parachute, and is able to get him to safety while contacting the authorities.
When morning breaks, Gabe and Jessie beat Qualen to the last case. Meanwhile, the mercenaries flag down Frank in the helicopter, and by the time he realizes it's a trap it is too late. He is shot by one of the mercenaries and dies, but not before slipping Hal a knife. As the mercenaries split up to look for the other case, Hal is able to use the knife to wound one of the mercenaries, kill him with his own gun, and escape. Elsewhere Hal finds Gabe, and together they kill Travers. However, at the same time, Qualen takes Jessie hostage when she waves down the helicopter, believing that Frank was flying it. Qualen tells Gabe and Hal over the radio that he is holding Jessie captive on board the helicopter, demanding Gabe and Hal to surrender the money from the third case at a high elevated rendezvous point and threatens to kill her should they refuse to cooperate.
Gabe and Hal agree, and they meet at a cliff side bridge. However, Qualen tries to challenge Gabe into throwing the case into the helicopter, but when he also threatens to kill Jessie again, Gabe orders Qualen to free her at a safe distance away from the cliff. Qualen reluctantly agrees, and uses a winch to lower Jessie to the ground. Once Jessie is safely down, however, Gabe throws the bag of money into the helicopter's rotors, shredding the money. Enraged, Qualen attempts to fly off, but Gabe has used the winch cable to tether the helicopter to a steel ladder up the cliff face. The ladder snaps and leaves Gabe and Qualen atop the wreckage of the helicopter hanging by the cable. Gabe fights Qualen and manages to climb to safety as the wreckage snaps off the cable, sending Qualen to his death. Gabe reunites with Jessie and Hal as federal agents arrive in helicopters to offer their assistance.
|
Where do Gabe and Hal meet?
|
cliff side bridge
| 3,720 | 3,737 |
Cliffhanger
|
Rangers Gabriel "Gabe" Walker and Jessie Deighan are dispatched to rescue their friend Hal Tucker and his girlfriend Sarah after Hal suffered a knee injury and stranded them on a peak in the Colorado Rockies. As they try to rescue Sarah, part of her harness breaks, and though Gabe is able to grab her, her gloved hand slips out, and she falls to her death. Hal blames Gabe for her death and Gabe is overcome with guilt, taking an extended leave.
Eight months later, Gabe returns to the ranger station to gather his remaining possessions and convince Jessie to leave with him. While there, they receive a distress call from a group of stranded climbers. Hal goes to locate the climbers and Jessie is able to convince Gabe to help out. Hal remains bitter towards Gabe over Sarah's death, at one point threatening to send Gabe over a ledge. When they find the climbers, they discover the distress call was a ruse and are taken prisoner by former Military Intelligence operative Eric Qualen and several mercenaries. Qualen, along with turncoat U.S. Treasury agent Richard Travers, were able to steal three suitcases full of uncirculated bills valuing over $100 million. Their escape plan backfired, sending their plane crashing into the mountain, and they now require Gabe and Hal's help to locate the cases with the help of beacon locators.
At gunpoint, Gabe leads them to the first case, located at the top of a steep rock face. They force Gabe to tether himself to reach it, and Gabe uses the opportunity to escape. The mercenaries attempt to fire on Gabe, which causes an avalanche that kills one of their members. When they see the money from the first case fluttering away, Qualen believes Gabe is dead, and orders Hal to lead them onward. Gabe races ahead to find Jessie at an abandoned cabin. They recover old mountaineering gear to reach the second case before Qualen does. By the time Qualen arrives, Gabe and Jessie have emptied the case and left only a single bill with the taunting message "Want to trade?" on it. Qualen orders his men to split up, allowing Gabe to dispatch two more of Qualen's men. Gabe attempts to call for help from Frank, their rescue helicopter pilot, on one of the mercenaries' radios, but Hal alerts him to explosives Qualen has rigged above them on the mountain. Gabe and Jessie escape the falling debris in time. Elsewhere, when Hal sees two friends, Evan and Brett, he warns them away before Qualen orders his men to open fire. Brett is killed while Evan is wounded, though he manages to ski off the mountain and parachute to safety. Night falls on the mountain and both groups take shelter. Frank, having not heard from Gabe or the others, scouts the mountain in the helicopter, spots Evan's parachute, and is able to get him to safety while contacting the authorities.
When morning breaks, Gabe and Jessie beat Qualen to the last case. Meanwhile, the mercenaries flag down Frank in the helicopter, and by the time he realizes it's a trap it is too late. He is shot by one of the mercenaries and dies, but not before slipping Hal a knife. As the mercenaries split up to look for the other case, Hal is able to use the knife to wound one of the mercenaries, kill him with his own gun, and escape. Elsewhere Hal finds Gabe, and together they kill Travers. However, at the same time, Qualen takes Jessie hostage when she waves down the helicopter, believing that Frank was flying it. Qualen tells Gabe and Hal over the radio that he is holding Jessie captive on board the helicopter, demanding Gabe and Hal to surrender the money from the third case at a high elevated rendezvous point and threatens to kill her should they refuse to cooperate.
Gabe and Hal agree, and they meet at a cliff side bridge. However, Qualen tries to challenge Gabe into throwing the case into the helicopter, but when he also threatens to kill Jessie again, Gabe orders Qualen to free her at a safe distance away from the cliff. Qualen reluctantly agrees, and uses a winch to lower Jessie to the ground. Once Jessie is safely down, however, Gabe throws the bag of money into the helicopter's rotors, shredding the money. Enraged, Qualen attempts to fly off, but Gabe has used the winch cable to tether the helicopter to a steel ladder up the cliff face. The ladder snaps and leaves Gabe and Qualen atop the wreckage of the helicopter hanging by the cable. Gabe fights Qualen and manages to climb to safety as the wreckage snaps off the cable, sending Qualen to his death. Gabe reunites with Jessie and Hal as federal agents arrive in helicopters to offer their assistance.
|
What type of injury did Hal suffer from ?
|
knee injury
| 144 | 155 |
Cliffhanger
|
Rangers Gabriel "Gabe" Walker and Jessie Deighan are dispatched to rescue their friend Hal Tucker and his girlfriend Sarah after Hal suffered a knee injury and stranded them on a peak in the Colorado Rockies. As they try to rescue Sarah, part of her harness breaks, and though Gabe is able to grab her, her gloved hand slips out, and she falls to her death. Hal blames Gabe for her death and Gabe is overcome with guilt, taking an extended leave.
Eight months later, Gabe returns to the ranger station to gather his remaining possessions and convince Jessie to leave with him. While there, they receive a distress call from a group of stranded climbers. Hal goes to locate the climbers and Jessie is able to convince Gabe to help out. Hal remains bitter towards Gabe over Sarah's death, at one point threatening to send Gabe over a ledge. When they find the climbers, they discover the distress call was a ruse and are taken prisoner by former Military Intelligence operative Eric Qualen and several mercenaries. Qualen, along with turncoat U.S. Treasury agent Richard Travers, were able to steal three suitcases full of uncirculated bills valuing over $100 million. Their escape plan backfired, sending their plane crashing into the mountain, and they now require Gabe and Hal's help to locate the cases with the help of beacon locators.
At gunpoint, Gabe leads them to the first case, located at the top of a steep rock face. They force Gabe to tether himself to reach it, and Gabe uses the opportunity to escape. The mercenaries attempt to fire on Gabe, which causes an avalanche that kills one of their members. When they see the money from the first case fluttering away, Qualen believes Gabe is dead, and orders Hal to lead them onward. Gabe races ahead to find Jessie at an abandoned cabin. They recover old mountaineering gear to reach the second case before Qualen does. By the time Qualen arrives, Gabe and Jessie have emptied the case and left only a single bill with the taunting message "Want to trade?" on it. Qualen orders his men to split up, allowing Gabe to dispatch two more of Qualen's men. Gabe attempts to call for help from Frank, their rescue helicopter pilot, on one of the mercenaries' radios, but Hal alerts him to explosives Qualen has rigged above them on the mountain. Gabe and Jessie escape the falling debris in time. Elsewhere, when Hal sees two friends, Evan and Brett, he warns them away before Qualen orders his men to open fire. Brett is killed while Evan is wounded, though he manages to ski off the mountain and parachute to safety. Night falls on the mountain and both groups take shelter. Frank, having not heard from Gabe or the others, scouts the mountain in the helicopter, spots Evan's parachute, and is able to get him to safety while contacting the authorities.
When morning breaks, Gabe and Jessie beat Qualen to the last case. Meanwhile, the mercenaries flag down Frank in the helicopter, and by the time he realizes it's a trap it is too late. He is shot by one of the mercenaries and dies, but not before slipping Hal a knife. As the mercenaries split up to look for the other case, Hal is able to use the knife to wound one of the mercenaries, kill him with his own gun, and escape. Elsewhere Hal finds Gabe, and together they kill Travers. However, at the same time, Qualen takes Jessie hostage when she waves down the helicopter, believing that Frank was flying it. Qualen tells Gabe and Hal over the radio that he is holding Jessie captive on board the helicopter, demanding Gabe and Hal to surrender the money from the third case at a high elevated rendezvous point and threatens to kill her should they refuse to cooperate.
Gabe and Hal agree, and they meet at a cliff side bridge. However, Qualen tries to challenge Gabe into throwing the case into the helicopter, but when he also threatens to kill Jessie again, Gabe orders Qualen to free her at a safe distance away from the cliff. Qualen reluctantly agrees, and uses a winch to lower Jessie to the ground. Once Jessie is safely down, however, Gabe throws the bag of money into the helicopter's rotors, shredding the money. Enraged, Qualen attempts to fly off, but Gabe has used the winch cable to tether the helicopter to a steel ladder up the cliff face. The ladder snaps and leaves Gabe and Qualen atop the wreckage of the helicopter hanging by the cable. Gabe fights Qualen and manages to climb to safety as the wreckage snaps off the cable, sending Qualen to his death. Gabe reunites with Jessie and Hal as federal agents arrive in helicopters to offer their assistance.
|
Where does Gabe find Jessie?
|
at an abandoned cabin
| 1,775 | 1,796 |
Who Framed Roger Rabbit
|
In 1947, "toons" act out theatrical cartoon shorts as with live-action films; they regularly interact with real people and animals and reside in Toontown, an animated portion of Los Angeles. Private detective Eddie Valiant and his brother, Teddy, once worked closely with the toons on several famous cases, but after Teddy was killed by a toon, Eddie lapsed into alcoholism and vowed never to work for toons again. One day, R.K. Maroon, head of Maroon Cartoon Studios, is concerned about the recent poor acting performances of one of his biggest stars, Roger Rabbit. Maroon hires Valiant to investigate rumors about Roger's voluptuous toon wife Jessica being romantically involved with businessman and gadgets inventor, Marvin Acme, owner of both Acme Corporation and Toontown. After watching Jessica perform at the underground Ink & Paint Club, Valiant secretly takes photographs of her and Acme playing patty-cake in her dressing room, which he shows to Roger. Maroon suggests to Roger that he should leave Jessica, but a drunken Roger refuses and flees.
The next morning, Acme is discovered dead at his factory with a safe dropped on his head, and evidence points to Roger being responsible. While investigating, Valiant meets Judge Doom, Toontown's Superior Court judge, who has created a substance capable of killing a toon: a toxic chemical known as "The Dip". Valiant runs into Roger's toon co-star, Baby Herman, who believes Roger is innocent and that Acme's missing will, which will give the toons ownership of Toontown, may be the key to his murder. He then finds Roger hiding in his office, who begs him to help exonerate him. Valiant reluctantly hides Roger in a local bar where his ex-girlfriend, Dolores, works. Later, Jessica approaches Valiant and says that Maroon had forced her to pose for the photographs so that he could blackmail Acme.
Doom and his toon-weasel henchmen discover Roger, but he and Valiant escape with Benny, an anthropomorphic toon cab. They flee to a theater, where Valiant tells Roger about Teddy's death. As they leave with Dolores, Valiant sees a newsreel detailing the sale of Maroon Cartoons to Cloverleaf, a mysterious corporation that bought the city's trolley network shortly before Acme's murder. Valiant goes to the studio to confront Maroon, leaving Roger to guard outside, but Jessica knocks him out and puts him in the trunk. Maroon tells Valiant that he blackmailed Acme into selling his company so that he could then sell the studio, but is killed before he can explain the consequences of the missing will. Valiant spots Jessica fleeing the scene and, assuming she is the culprit, follows her into Toontown. Jessica reveals that Doom killed Acme and Maroon, and that the former had given her his will for safe-keeping, but she discovered that the will was blank. She and Valiant are then captured by Doom and the weasels.
At the Acme factory, Doom reveals his plot to destroy Toontown with a giant machine loaded with Dip to build a freeway, the only way past Toontown since Cloverleaf (which Doom owns) has bought out Los Angeles' tram system. Roger unsuccessfully attempts to save Jessica, and the couple is tied onto a hook in front of the machine's hose. Valiant then performs a comedic vaudeville act, causing the weasels to die of laughter; Valiant kicks their leader, Smart Ass, into the machine's Dip vat. Valiant then fights Doom, who is eventually flattened by a steamroller, but survives. Eddie is shocked when Doom reveals that he is a toon in disguiseâthe same toon who killed Teddy. Valiant uses a toon mallet with a spring-loaded boxing glove, and fires it at a switch that causes the machine to empty its Dip onto Doom, killing him. The empty machine crashes through the wall into Toontown, where it is destroyed by a train. Numerous toons run in to regard Doom's remains, and Roger discovers that he inadvertently wrote his love letter for Jessica on Acme's will, which was written in disappearing-reappearing ink. Roger then shocks Valiant with a joy buzzer, and Valiant gives him a kiss, having regained his sense of humor. Valiant happily enters Toontown with Dolores, and Roger with Jessica, followed by the other toons.
|
What did Eddie lapse back into?
|
Alcoholism
| 363 | 373 |
Who Framed Roger Rabbit
|
In 1947, "toons" act out theatrical cartoon shorts as with live-action films; they regularly interact with real people and animals and reside in Toontown, an animated portion of Los Angeles. Private detective Eddie Valiant and his brother, Teddy, once worked closely with the toons on several famous cases, but after Teddy was killed by a toon, Eddie lapsed into alcoholism and vowed never to work for toons again. One day, R.K. Maroon, head of Maroon Cartoon Studios, is concerned about the recent poor acting performances of one of his biggest stars, Roger Rabbit. Maroon hires Valiant to investigate rumors about Roger's voluptuous toon wife Jessica being romantically involved with businessman and gadgets inventor, Marvin Acme, owner of both Acme Corporation and Toontown. After watching Jessica perform at the underground Ink & Paint Club, Valiant secretly takes photographs of her and Acme playing patty-cake in her dressing room, which he shows to Roger. Maroon suggests to Roger that he should leave Jessica, but a drunken Roger refuses and flees.
The next morning, Acme is discovered dead at his factory with a safe dropped on his head, and evidence points to Roger being responsible. While investigating, Valiant meets Judge Doom, Toontown's Superior Court judge, who has created a substance capable of killing a toon: a toxic chemical known as "The Dip". Valiant runs into Roger's toon co-star, Baby Herman, who believes Roger is innocent and that Acme's missing will, which will give the toons ownership of Toontown, may be the key to his murder. He then finds Roger hiding in his office, who begs him to help exonerate him. Valiant reluctantly hides Roger in a local bar where his ex-girlfriend, Dolores, works. Later, Jessica approaches Valiant and says that Maroon had forced her to pose for the photographs so that he could blackmail Acme.
Doom and his toon-weasel henchmen discover Roger, but he and Valiant escape with Benny, an anthropomorphic toon cab. They flee to a theater, where Valiant tells Roger about Teddy's death. As they leave with Dolores, Valiant sees a newsreel detailing the sale of Maroon Cartoons to Cloverleaf, a mysterious corporation that bought the city's trolley network shortly before Acme's murder. Valiant goes to the studio to confront Maroon, leaving Roger to guard outside, but Jessica knocks him out and puts him in the trunk. Maroon tells Valiant that he blackmailed Acme into selling his company so that he could then sell the studio, but is killed before he can explain the consequences of the missing will. Valiant spots Jessica fleeing the scene and, assuming she is the culprit, follows her into Toontown. Jessica reveals that Doom killed Acme and Maroon, and that the former had given her his will for safe-keeping, but she discovered that the will was blank. She and Valiant are then captured by Doom and the weasels.
At the Acme factory, Doom reveals his plot to destroy Toontown with a giant machine loaded with Dip to build a freeway, the only way past Toontown since Cloverleaf (which Doom owns) has bought out Los Angeles' tram system. Roger unsuccessfully attempts to save Jessica, and the couple is tied onto a hook in front of the machine's hose. Valiant then performs a comedic vaudeville act, causing the weasels to die of laughter; Valiant kicks their leader, Smart Ass, into the machine's Dip vat. Valiant then fights Doom, who is eventually flattened by a steamroller, but survives. Eddie is shocked when Doom reveals that he is a toon in disguiseâthe same toon who killed Teddy. Valiant uses a toon mallet with a spring-loaded boxing glove, and fires it at a switch that causes the machine to empty its Dip onto Doom, killing him. The empty machine crashes through the wall into Toontown, where it is destroyed by a train. Numerous toons run in to regard Doom's remains, and Roger discovers that he inadvertently wrote his love letter for Jessica on Acme's will, which was written in disappearing-reappearing ink. Roger then shocks Valiant with a joy buzzer, and Valiant gives him a kiss, having regained his sense of humor. Valiant happily enters Toontown with Dolores, and Roger with Jessica, followed by the other toons.
|
Where is Acme discovered dead, with a safe dropped on his head?
|
Factory
| 1,110 | 1,117 |
Who Framed Roger Rabbit
|
In 1947, "toons" act out theatrical cartoon shorts as with live-action films; they regularly interact with real people and animals and reside in Toontown, an animated portion of Los Angeles. Private detective Eddie Valiant and his brother, Teddy, once worked closely with the toons on several famous cases, but after Teddy was killed by a toon, Eddie lapsed into alcoholism and vowed never to work for toons again. One day, R.K. Maroon, head of Maroon Cartoon Studios, is concerned about the recent poor acting performances of one of his biggest stars, Roger Rabbit. Maroon hires Valiant to investigate rumors about Roger's voluptuous toon wife Jessica being romantically involved with businessman and gadgets inventor, Marvin Acme, owner of both Acme Corporation and Toontown. After watching Jessica perform at the underground Ink & Paint Club, Valiant secretly takes photographs of her and Acme playing patty-cake in her dressing room, which he shows to Roger. Maroon suggests to Roger that he should leave Jessica, but a drunken Roger refuses and flees.
The next morning, Acme is discovered dead at his factory with a safe dropped on his head, and evidence points to Roger being responsible. While investigating, Valiant meets Judge Doom, Toontown's Superior Court judge, who has created a substance capable of killing a toon: a toxic chemical known as "The Dip". Valiant runs into Roger's toon co-star, Baby Herman, who believes Roger is innocent and that Acme's missing will, which will give the toons ownership of Toontown, may be the key to his murder. He then finds Roger hiding in his office, who begs him to help exonerate him. Valiant reluctantly hides Roger in a local bar where his ex-girlfriend, Dolores, works. Later, Jessica approaches Valiant and says that Maroon had forced her to pose for the photographs so that he could blackmail Acme.
Doom and his toon-weasel henchmen discover Roger, but he and Valiant escape with Benny, an anthropomorphic toon cab. They flee to a theater, where Valiant tells Roger about Teddy's death. As they leave with Dolores, Valiant sees a newsreel detailing the sale of Maroon Cartoons to Cloverleaf, a mysterious corporation that bought the city's trolley network shortly before Acme's murder. Valiant goes to the studio to confront Maroon, leaving Roger to guard outside, but Jessica knocks him out and puts him in the trunk. Maroon tells Valiant that he blackmailed Acme into selling his company so that he could then sell the studio, but is killed before he can explain the consequences of the missing will. Valiant spots Jessica fleeing the scene and, assuming she is the culprit, follows her into Toontown. Jessica reveals that Doom killed Acme and Maroon, and that the former had given her his will for safe-keeping, but she discovered that the will was blank. She and Valiant are then captured by Doom and the weasels.
At the Acme factory, Doom reveals his plot to destroy Toontown with a giant machine loaded with Dip to build a freeway, the only way past Toontown since Cloverleaf (which Doom owns) has bought out Los Angeles' tram system. Roger unsuccessfully attempts to save Jessica, and the couple is tied onto a hook in front of the machine's hose. Valiant then performs a comedic vaudeville act, causing the weasels to die of laughter; Valiant kicks their leader, Smart Ass, into the machine's Dip vat. Valiant then fights Doom, who is eventually flattened by a steamroller, but survives. Eddie is shocked when Doom reveals that he is a toon in disguiseâthe same toon who killed Teddy. Valiant uses a toon mallet with a spring-loaded boxing glove, and fires it at a switch that causes the machine to empty its Dip onto Doom, killing him. The empty machine crashes through the wall into Toontown, where it is destroyed by a train. Numerous toons run in to regard Doom's remains, and Roger discovers that he inadvertently wrote his love letter for Jessica on Acme's will, which was written in disappearing-reappearing ink. Roger then shocks Valiant with a joy buzzer, and Valiant gives him a kiss, having regained his sense of humor. Valiant happily enters Toontown with Dolores, and Roger with Jessica, followed by the other toons.
|
Who was killed by a toon?
|
Teddy
| 240 | 245 |
Who Framed Roger Rabbit
|
In 1947, "toons" act out theatrical cartoon shorts as with live-action films; they regularly interact with real people and animals and reside in Toontown, an animated portion of Los Angeles. Private detective Eddie Valiant and his brother, Teddy, once worked closely with the toons on several famous cases, but after Teddy was killed by a toon, Eddie lapsed into alcoholism and vowed never to work for toons again. One day, R.K. Maroon, head of Maroon Cartoon Studios, is concerned about the recent poor acting performances of one of his biggest stars, Roger Rabbit. Maroon hires Valiant to investigate rumors about Roger's voluptuous toon wife Jessica being romantically involved with businessman and gadgets inventor, Marvin Acme, owner of both Acme Corporation and Toontown. After watching Jessica perform at the underground Ink & Paint Club, Valiant secretly takes photographs of her and Acme playing patty-cake in her dressing room, which he shows to Roger. Maroon suggests to Roger that he should leave Jessica, but a drunken Roger refuses and flees.
The next morning, Acme is discovered dead at his factory with a safe dropped on his head, and evidence points to Roger being responsible. While investigating, Valiant meets Judge Doom, Toontown's Superior Court judge, who has created a substance capable of killing a toon: a toxic chemical known as "The Dip". Valiant runs into Roger's toon co-star, Baby Herman, who believes Roger is innocent and that Acme's missing will, which will give the toons ownership of Toontown, may be the key to his murder. He then finds Roger hiding in his office, who begs him to help exonerate him. Valiant reluctantly hides Roger in a local bar where his ex-girlfriend, Dolores, works. Later, Jessica approaches Valiant and says that Maroon had forced her to pose for the photographs so that he could blackmail Acme.
Doom and his toon-weasel henchmen discover Roger, but he and Valiant escape with Benny, an anthropomorphic toon cab. They flee to a theater, where Valiant tells Roger about Teddy's death. As they leave with Dolores, Valiant sees a newsreel detailing the sale of Maroon Cartoons to Cloverleaf, a mysterious corporation that bought the city's trolley network shortly before Acme's murder. Valiant goes to the studio to confront Maroon, leaving Roger to guard outside, but Jessica knocks him out and puts him in the trunk. Maroon tells Valiant that he blackmailed Acme into selling his company so that he could then sell the studio, but is killed before he can explain the consequences of the missing will. Valiant spots Jessica fleeing the scene and, assuming she is the culprit, follows her into Toontown. Jessica reveals that Doom killed Acme and Maroon, and that the former had given her his will for safe-keeping, but she discovered that the will was blank. She and Valiant are then captured by Doom and the weasels.
At the Acme factory, Doom reveals his plot to destroy Toontown with a giant machine loaded with Dip to build a freeway, the only way past Toontown since Cloverleaf (which Doom owns) has bought out Los Angeles' tram system. Roger unsuccessfully attempts to save Jessica, and the couple is tied onto a hook in front of the machine's hose. Valiant then performs a comedic vaudeville act, causing the weasels to die of laughter; Valiant kicks their leader, Smart Ass, into the machine's Dip vat. Valiant then fights Doom, who is eventually flattened by a steamroller, but survives. Eddie is shocked when Doom reveals that he is a toon in disguiseâthe same toon who killed Teddy. Valiant uses a toon mallet with a spring-loaded boxing glove, and fires it at a switch that causes the machine to empty its Dip onto Doom, killing him. The empty machine crashes through the wall into Toontown, where it is destroyed by a train. Numerous toons run in to regard Doom's remains, and Roger discovers that he inadvertently wrote his love letter for Jessica on Acme's will, which was written in disappearing-reappearing ink. Roger then shocks Valiant with a joy buzzer, and Valiant gives him a kiss, having regained his sense of humor. Valiant happily enters Toontown with Dolores, and Roger with Jessica, followed by the other toons.
|
Doom's henchmen are cartoons of what animal?
|
weasels
| 2,871 | 2,878 |
Who Framed Roger Rabbit
|
In 1947, "toons" act out theatrical cartoon shorts as with live-action films; they regularly interact with real people and animals and reside in Toontown, an animated portion of Los Angeles. Private detective Eddie Valiant and his brother, Teddy, once worked closely with the toons on several famous cases, but after Teddy was killed by a toon, Eddie lapsed into alcoholism and vowed never to work for toons again. One day, R.K. Maroon, head of Maroon Cartoon Studios, is concerned about the recent poor acting performances of one of his biggest stars, Roger Rabbit. Maroon hires Valiant to investigate rumors about Roger's voluptuous toon wife Jessica being romantically involved with businessman and gadgets inventor, Marvin Acme, owner of both Acme Corporation and Toontown. After watching Jessica perform at the underground Ink & Paint Club, Valiant secretly takes photographs of her and Acme playing patty-cake in her dressing room, which he shows to Roger. Maroon suggests to Roger that he should leave Jessica, but a drunken Roger refuses and flees.
The next morning, Acme is discovered dead at his factory with a safe dropped on his head, and evidence points to Roger being responsible. While investigating, Valiant meets Judge Doom, Toontown's Superior Court judge, who has created a substance capable of killing a toon: a toxic chemical known as "The Dip". Valiant runs into Roger's toon co-star, Baby Herman, who believes Roger is innocent and that Acme's missing will, which will give the toons ownership of Toontown, may be the key to his murder. He then finds Roger hiding in his office, who begs him to help exonerate him. Valiant reluctantly hides Roger in a local bar where his ex-girlfriend, Dolores, works. Later, Jessica approaches Valiant and says that Maroon had forced her to pose for the photographs so that he could blackmail Acme.
Doom and his toon-weasel henchmen discover Roger, but he and Valiant escape with Benny, an anthropomorphic toon cab. They flee to a theater, where Valiant tells Roger about Teddy's death. As they leave with Dolores, Valiant sees a newsreel detailing the sale of Maroon Cartoons to Cloverleaf, a mysterious corporation that bought the city's trolley network shortly before Acme's murder. Valiant goes to the studio to confront Maroon, leaving Roger to guard outside, but Jessica knocks him out and puts him in the trunk. Maroon tells Valiant that he blackmailed Acme into selling his company so that he could then sell the studio, but is killed before he can explain the consequences of the missing will. Valiant spots Jessica fleeing the scene and, assuming she is the culprit, follows her into Toontown. Jessica reveals that Doom killed Acme and Maroon, and that the former had given her his will for safe-keeping, but she discovered that the will was blank. She and Valiant are then captured by Doom and the weasels.
At the Acme factory, Doom reveals his plot to destroy Toontown with a giant machine loaded with Dip to build a freeway, the only way past Toontown since Cloverleaf (which Doom owns) has bought out Los Angeles' tram system. Roger unsuccessfully attempts to save Jessica, and the couple is tied onto a hook in front of the machine's hose. Valiant then performs a comedic vaudeville act, causing the weasels to die of laughter; Valiant kicks their leader, Smart Ass, into the machine's Dip vat. Valiant then fights Doom, who is eventually flattened by a steamroller, but survives. Eddie is shocked when Doom reveals that he is a toon in disguiseâthe same toon who killed Teddy. Valiant uses a toon mallet with a spring-loaded boxing glove, and fires it at a switch that causes the machine to empty its Dip onto Doom, killing him. The empty machine crashes through the wall into Toontown, where it is destroyed by a train. Numerous toons run in to regard Doom's remains, and Roger discovers that he inadvertently wrote his love letter for Jessica on Acme's will, which was written in disappearing-reappearing ink. Roger then shocks Valiant with a joy buzzer, and Valiant gives him a kiss, having regained his sense of humor. Valiant happily enters Toontown with Dolores, and Roger with Jessica, followed by the other toons.
|
Who does the evidence points to being responsible for the death of Acme?
|
Roger
| 553 | 558 |
Who Framed Roger Rabbit
|
In 1947, "toons" act out theatrical cartoon shorts as with live-action films; they regularly interact with real people and animals and reside in Toontown, an animated portion of Los Angeles. Private detective Eddie Valiant and his brother, Teddy, once worked closely with the toons on several famous cases, but after Teddy was killed by a toon, Eddie lapsed into alcoholism and vowed never to work for toons again. One day, R.K. Maroon, head of Maroon Cartoon Studios, is concerned about the recent poor acting performances of one of his biggest stars, Roger Rabbit. Maroon hires Valiant to investigate rumors about Roger's voluptuous toon wife Jessica being romantically involved with businessman and gadgets inventor, Marvin Acme, owner of both Acme Corporation and Toontown. After watching Jessica perform at the underground Ink & Paint Club, Valiant secretly takes photographs of her and Acme playing patty-cake in her dressing room, which he shows to Roger. Maroon suggests to Roger that he should leave Jessica, but a drunken Roger refuses and flees.
The next morning, Acme is discovered dead at his factory with a safe dropped on his head, and evidence points to Roger being responsible. While investigating, Valiant meets Judge Doom, Toontown's Superior Court judge, who has created a substance capable of killing a toon: a toxic chemical known as "The Dip". Valiant runs into Roger's toon co-star, Baby Herman, who believes Roger is innocent and that Acme's missing will, which will give the toons ownership of Toontown, may be the key to his murder. He then finds Roger hiding in his office, who begs him to help exonerate him. Valiant reluctantly hides Roger in a local bar where his ex-girlfriend, Dolores, works. Later, Jessica approaches Valiant and says that Maroon had forced her to pose for the photographs so that he could blackmail Acme.
Doom and his toon-weasel henchmen discover Roger, but he and Valiant escape with Benny, an anthropomorphic toon cab. They flee to a theater, where Valiant tells Roger about Teddy's death. As they leave with Dolores, Valiant sees a newsreel detailing the sale of Maroon Cartoons to Cloverleaf, a mysterious corporation that bought the city's trolley network shortly before Acme's murder. Valiant goes to the studio to confront Maroon, leaving Roger to guard outside, but Jessica knocks him out and puts him in the trunk. Maroon tells Valiant that he blackmailed Acme into selling his company so that he could then sell the studio, but is killed before he can explain the consequences of the missing will. Valiant spots Jessica fleeing the scene and, assuming she is the culprit, follows her into Toontown. Jessica reveals that Doom killed Acme and Maroon, and that the former had given her his will for safe-keeping, but she discovered that the will was blank. She and Valiant are then captured by Doom and the weasels.
At the Acme factory, Doom reveals his plot to destroy Toontown with a giant machine loaded with Dip to build a freeway, the only way past Toontown since Cloverleaf (which Doom owns) has bought out Los Angeles' tram system. Roger unsuccessfully attempts to save Jessica, and the couple is tied onto a hook in front of the machine's hose. Valiant then performs a comedic vaudeville act, causing the weasels to die of laughter; Valiant kicks their leader, Smart Ass, into the machine's Dip vat. Valiant then fights Doom, who is eventually flattened by a steamroller, but survives. Eddie is shocked when Doom reveals that he is a toon in disguiseâthe same toon who killed Teddy. Valiant uses a toon mallet with a spring-loaded boxing glove, and fires it at a switch that causes the machine to empty its Dip onto Doom, killing him. The empty machine crashes through the wall into Toontown, where it is destroyed by a train. Numerous toons run in to regard Doom's remains, and Roger discovers that he inadvertently wrote his love letter for Jessica on Acme's will, which was written in disappearing-reappearing ink. Roger then shocks Valiant with a joy buzzer, and Valiant gives him a kiss, having regained his sense of humor. Valiant happily enters Toontown with Dolores, and Roger with Jessica, followed by the other toons.
|
What is name of the toxic chemical which is capable of killing a toon?
|
The Dip
| 1,361 | 1,368 |
Who Framed Roger Rabbit
|
In 1947, "toons" act out theatrical cartoon shorts as with live-action films; they regularly interact with real people and animals and reside in Toontown, an animated portion of Los Angeles. Private detective Eddie Valiant and his brother, Teddy, once worked closely with the toons on several famous cases, but after Teddy was killed by a toon, Eddie lapsed into alcoholism and vowed never to work for toons again. One day, R.K. Maroon, head of Maroon Cartoon Studios, is concerned about the recent poor acting performances of one of his biggest stars, Roger Rabbit. Maroon hires Valiant to investigate rumors about Roger's voluptuous toon wife Jessica being romantically involved with businessman and gadgets inventor, Marvin Acme, owner of both Acme Corporation and Toontown. After watching Jessica perform at the underground Ink & Paint Club, Valiant secretly takes photographs of her and Acme playing patty-cake in her dressing room, which he shows to Roger. Maroon suggests to Roger that he should leave Jessica, but a drunken Roger refuses and flees.
The next morning, Acme is discovered dead at his factory with a safe dropped on his head, and evidence points to Roger being responsible. While investigating, Valiant meets Judge Doom, Toontown's Superior Court judge, who has created a substance capable of killing a toon: a toxic chemical known as "The Dip". Valiant runs into Roger's toon co-star, Baby Herman, who believes Roger is innocent and that Acme's missing will, which will give the toons ownership of Toontown, may be the key to his murder. He then finds Roger hiding in his office, who begs him to help exonerate him. Valiant reluctantly hides Roger in a local bar where his ex-girlfriend, Dolores, works. Later, Jessica approaches Valiant and says that Maroon had forced her to pose for the photographs so that he could blackmail Acme.
Doom and his toon-weasel henchmen discover Roger, but he and Valiant escape with Benny, an anthropomorphic toon cab. They flee to a theater, where Valiant tells Roger about Teddy's death. As they leave with Dolores, Valiant sees a newsreel detailing the sale of Maroon Cartoons to Cloverleaf, a mysterious corporation that bought the city's trolley network shortly before Acme's murder. Valiant goes to the studio to confront Maroon, leaving Roger to guard outside, but Jessica knocks him out and puts him in the trunk. Maroon tells Valiant that he blackmailed Acme into selling his company so that he could then sell the studio, but is killed before he can explain the consequences of the missing will. Valiant spots Jessica fleeing the scene and, assuming she is the culprit, follows her into Toontown. Jessica reveals that Doom killed Acme and Maroon, and that the former had given her his will for safe-keeping, but she discovered that the will was blank. She and Valiant are then captured by Doom and the weasels.
At the Acme factory, Doom reveals his plot to destroy Toontown with a giant machine loaded with Dip to build a freeway, the only way past Toontown since Cloverleaf (which Doom owns) has bought out Los Angeles' tram system. Roger unsuccessfully attempts to save Jessica, and the couple is tied onto a hook in front of the machine's hose. Valiant then performs a comedic vaudeville act, causing the weasels to die of laughter; Valiant kicks their leader, Smart Ass, into the machine's Dip vat. Valiant then fights Doom, who is eventually flattened by a steamroller, but survives. Eddie is shocked when Doom reveals that he is a toon in disguiseâthe same toon who killed Teddy. Valiant uses a toon mallet with a spring-loaded boxing glove, and fires it at a switch that causes the machine to empty its Dip onto Doom, killing him. The empty machine crashes through the wall into Toontown, where it is destroyed by a train. Numerous toons run in to regard Doom's remains, and Roger discovers that he inadvertently wrote his love letter for Jessica on Acme's will, which was written in disappearing-reappearing ink. Roger then shocks Valiant with a joy buzzer, and Valiant gives him a kiss, having regained his sense of humor. Valiant happily enters Toontown with Dolores, and Roger with Jessica, followed by the other toons.
|
Who reveals that Doom killed Acme and Maroon?
|
Jessica
| 645 | 652 |
Who Framed Roger Rabbit
|
In 1947, "toons" act out theatrical cartoon shorts as with live-action films; they regularly interact with real people and animals and reside in Toontown, an animated portion of Los Angeles. Private detective Eddie Valiant and his brother, Teddy, once worked closely with the toons on several famous cases, but after Teddy was killed by a toon, Eddie lapsed into alcoholism and vowed never to work for toons again. One day, R.K. Maroon, head of Maroon Cartoon Studios, is concerned about the recent poor acting performances of one of his biggest stars, Roger Rabbit. Maroon hires Valiant to investigate rumors about Roger's voluptuous toon wife Jessica being romantically involved with businessman and gadgets inventor, Marvin Acme, owner of both Acme Corporation and Toontown. After watching Jessica perform at the underground Ink & Paint Club, Valiant secretly takes photographs of her and Acme playing patty-cake in her dressing room, which he shows to Roger. Maroon suggests to Roger that he should leave Jessica, but a drunken Roger refuses and flees.
The next morning, Acme is discovered dead at his factory with a safe dropped on his head, and evidence points to Roger being responsible. While investigating, Valiant meets Judge Doom, Toontown's Superior Court judge, who has created a substance capable of killing a toon: a toxic chemical known as "The Dip". Valiant runs into Roger's toon co-star, Baby Herman, who believes Roger is innocent and that Acme's missing will, which will give the toons ownership of Toontown, may be the key to his murder. He then finds Roger hiding in his office, who begs him to help exonerate him. Valiant reluctantly hides Roger in a local bar where his ex-girlfriend, Dolores, works. Later, Jessica approaches Valiant and says that Maroon had forced her to pose for the photographs so that he could blackmail Acme.
Doom and his toon-weasel henchmen discover Roger, but he and Valiant escape with Benny, an anthropomorphic toon cab. They flee to a theater, where Valiant tells Roger about Teddy's death. As they leave with Dolores, Valiant sees a newsreel detailing the sale of Maroon Cartoons to Cloverleaf, a mysterious corporation that bought the city's trolley network shortly before Acme's murder. Valiant goes to the studio to confront Maroon, leaving Roger to guard outside, but Jessica knocks him out and puts him in the trunk. Maroon tells Valiant that he blackmailed Acme into selling his company so that he could then sell the studio, but is killed before he can explain the consequences of the missing will. Valiant spots Jessica fleeing the scene and, assuming she is the culprit, follows her into Toontown. Jessica reveals that Doom killed Acme and Maroon, and that the former had given her his will for safe-keeping, but she discovered that the will was blank. She and Valiant are then captured by Doom and the weasels.
At the Acme factory, Doom reveals his plot to destroy Toontown with a giant machine loaded with Dip to build a freeway, the only way past Toontown since Cloverleaf (which Doom owns) has bought out Los Angeles' tram system. Roger unsuccessfully attempts to save Jessica, and the couple is tied onto a hook in front of the machine's hose. Valiant then performs a comedic vaudeville act, causing the weasels to die of laughter; Valiant kicks their leader, Smart Ass, into the machine's Dip vat. Valiant then fights Doom, who is eventually flattened by a steamroller, but survives. Eddie is shocked when Doom reveals that he is a toon in disguiseâthe same toon who killed Teddy. Valiant uses a toon mallet with a spring-loaded boxing glove, and fires it at a switch that causes the machine to empty its Dip onto Doom, killing him. The empty machine crashes through the wall into Toontown, where it is destroyed by a train. Numerous toons run in to regard Doom's remains, and Roger discovers that he inadvertently wrote his love letter for Jessica on Acme's will, which was written in disappearing-reappearing ink. Roger then shocks Valiant with a joy buzzer, and Valiant gives him a kiss, having regained his sense of humor. Valiant happily enters Toontown with Dolores, and Roger with Jessica, followed by the other toons.
|
What is the name of the toon cab?
|
Benny
| 1,942 | 1,947 |
Who Framed Roger Rabbit
|
In 1947, "toons" act out theatrical cartoon shorts as with live-action films; they regularly interact with real people and animals and reside in Toontown, an animated portion of Los Angeles. Private detective Eddie Valiant and his brother, Teddy, once worked closely with the toons on several famous cases, but after Teddy was killed by a toon, Eddie lapsed into alcoholism and vowed never to work for toons again. One day, R.K. Maroon, head of Maroon Cartoon Studios, is concerned about the recent poor acting performances of one of his biggest stars, Roger Rabbit. Maroon hires Valiant to investigate rumors about Roger's voluptuous toon wife Jessica being romantically involved with businessman and gadgets inventor, Marvin Acme, owner of both Acme Corporation and Toontown. After watching Jessica perform at the underground Ink & Paint Club, Valiant secretly takes photographs of her and Acme playing patty-cake in her dressing room, which he shows to Roger. Maroon suggests to Roger that he should leave Jessica, but a drunken Roger refuses and flees.
The next morning, Acme is discovered dead at his factory with a safe dropped on his head, and evidence points to Roger being responsible. While investigating, Valiant meets Judge Doom, Toontown's Superior Court judge, who has created a substance capable of killing a toon: a toxic chemical known as "The Dip". Valiant runs into Roger's toon co-star, Baby Herman, who believes Roger is innocent and that Acme's missing will, which will give the toons ownership of Toontown, may be the key to his murder. He then finds Roger hiding in his office, who begs him to help exonerate him. Valiant reluctantly hides Roger in a local bar where his ex-girlfriend, Dolores, works. Later, Jessica approaches Valiant and says that Maroon had forced her to pose for the photographs so that he could blackmail Acme.
Doom and his toon-weasel henchmen discover Roger, but he and Valiant escape with Benny, an anthropomorphic toon cab. They flee to a theater, where Valiant tells Roger about Teddy's death. As they leave with Dolores, Valiant sees a newsreel detailing the sale of Maroon Cartoons to Cloverleaf, a mysterious corporation that bought the city's trolley network shortly before Acme's murder. Valiant goes to the studio to confront Maroon, leaving Roger to guard outside, but Jessica knocks him out and puts him in the trunk. Maroon tells Valiant that he blackmailed Acme into selling his company so that he could then sell the studio, but is killed before he can explain the consequences of the missing will. Valiant spots Jessica fleeing the scene and, assuming she is the culprit, follows her into Toontown. Jessica reveals that Doom killed Acme and Maroon, and that the former had given her his will for safe-keeping, but she discovered that the will was blank. She and Valiant are then captured by Doom and the weasels.
At the Acme factory, Doom reveals his plot to destroy Toontown with a giant machine loaded with Dip to build a freeway, the only way past Toontown since Cloverleaf (which Doom owns) has bought out Los Angeles' tram system. Roger unsuccessfully attempts to save Jessica, and the couple is tied onto a hook in front of the machine's hose. Valiant then performs a comedic vaudeville act, causing the weasels to die of laughter; Valiant kicks their leader, Smart Ass, into the machine's Dip vat. Valiant then fights Doom, who is eventually flattened by a steamroller, but survives. Eddie is shocked when Doom reveals that he is a toon in disguiseâthe same toon who killed Teddy. Valiant uses a toon mallet with a spring-loaded boxing glove, and fires it at a switch that causes the machine to empty its Dip onto Doom, killing him. The empty machine crashes through the wall into Toontown, where it is destroyed by a train. Numerous toons run in to regard Doom's remains, and Roger discovers that he inadvertently wrote his love letter for Jessica on Acme's will, which was written in disappearing-reappearing ink. Roger then shocks Valiant with a joy buzzer, and Valiant gives him a kiss, having regained his sense of humor. Valiant happily enters Toontown with Dolores, and Roger with Jessica, followed by the other toons.
|
Who does Roger unsuccessfully try to save?
|
Jessica
| 645 | 652 |
Gigot
|
Gigot (Gleason) is a mute Frenchman living in a cellar in the Ménilmontant district of Paris in the 1920s. He ekes out a hand-to-mouth existence as a janitor at his landlady's apartment building. He is routinely treated with condescension by neighbors and often is made the butt of practical jokes. However, he is a decent and kindhearted fellow, traits not unnoticed by children and the animals he often feeds. Gigot has one unusual predilection: he is attracted by funeral processions and finds himself attending, whether or not he ever knew the departed. He can't help but cry along with all the other mourners.
After being abused by locals at a pub, he chances upon a woman, Colette (Katherine Kath), and her 6-year-old daughter Nicole (Diane Gardner), huddled in a doorway trying to stay dry. He takes them to his dingy basement abode, gives them what food and drink he has, a bed to sleep in, and shelter from the rain. Colette is suspicious but is so exhausted that she accepts.
Gigot gleefully dotes upon Nicole. Gigot is astonished to discover she is ignorant of what a church is, completely unaware of God. Nicole points to a crucifix and asks about it. The mute attempts to act out the story of Christ, beginning with Mary cradling the baby Jesus, from childhood through to the horror of crucifixion. Gigot rails at this Christ who has seemingly left him so inadequate. Nicole cries a single tear for him, then blows a reassuring kiss of love to the Christ upon the Cross.
Gigot entertains the little girl by dancing to his old gramophone, and by dressing as a waiter to feed his pet mouse. He is very protective, running alongside her on a merry-go-round to make sure she doesn't fall off. He also intervenes to protect Colette's honor while she is in the act of soliciting a john on a park bench near the merry-go-round. Gigot is trounced by the frustrated man for his trouble.
Furious over his interference with her "activities," Colette threatens to bolt with Nicole unless Gigot can provide her a life with a "man of means." Given only an hour to prove himself, Gigot happens past a bakery. The baker and his wife (having taken advantage of him for years) have been called away, thus leaving their till unattended. Gigot seizes the opportunity and steals their money.
With those ill-gotten gains, Gigot goes on a shopping spree, buying much-needed new clothes for Colette and Nicole, with a straw boater and a shave for himself. He buys a grand meal and drinks for all at a restaurant. But the good times are not to last â Colette's ex-boyfriend wants her back, and Colette succumbs. She expects to take Nicole along, but her pimp persuades her to wait.
The next morning, two bumbling bureaucrats try to remove Gigot to a home for the feeble-minded. Meanwhile, the baker has discovered the theft, and when Colette returns, Gigot and Nicole are missing. Gigot becomes a suspect, but he and Nicole are only playing at an abandoned basement chamber below the streets of Paris, while Gigot dances for her with so much gusto that the roof timbers fall in. They are nearly buried in rubble and Nicole is unconscious. Believing she is dead, Gigot rushes the girl to the church where the priest calls a doctor. Gigot runs into the angry mob, then flees into a coal barge loader and is washed into the river. He fails to resurface.
Thinking him dead, the locals are despondent over their despicable actions. In remorse they organise a funeral for Gigot, though all they have is his chapeau to bury. Gigot survived and is merely hiding. Unknowingly, he witnesses his own funeral procession and as usual is compelled to join it. When the time comes for the eulogy, he realizes it is for him. Gigot is spotted by the crowd and the chase begins again.
|
what is he attracted by?
|
funeral processions
| 468 | 487 |
Gigot
|
Gigot (Gleason) is a mute Frenchman living in a cellar in the Ménilmontant district of Paris in the 1920s. He ekes out a hand-to-mouth existence as a janitor at his landlady's apartment building. He is routinely treated with condescension by neighbors and often is made the butt of practical jokes. However, he is a decent and kindhearted fellow, traits not unnoticed by children and the animals he often feeds. Gigot has one unusual predilection: he is attracted by funeral processions and finds himself attending, whether or not he ever knew the departed. He can't help but cry along with all the other mourners.
After being abused by locals at a pub, he chances upon a woman, Colette (Katherine Kath), and her 6-year-old daughter Nicole (Diane Gardner), huddled in a doorway trying to stay dry. He takes them to his dingy basement abode, gives them what food and drink he has, a bed to sleep in, and shelter from the rain. Colette is suspicious but is so exhausted that she accepts.
Gigot gleefully dotes upon Nicole. Gigot is astonished to discover she is ignorant of what a church is, completely unaware of God. Nicole points to a crucifix and asks about it. The mute attempts to act out the story of Christ, beginning with Mary cradling the baby Jesus, from childhood through to the horror of crucifixion. Gigot rails at this Christ who has seemingly left him so inadequate. Nicole cries a single tear for him, then blows a reassuring kiss of love to the Christ upon the Cross.
Gigot entertains the little girl by dancing to his old gramophone, and by dressing as a waiter to feed his pet mouse. He is very protective, running alongside her on a merry-go-round to make sure she doesn't fall off. He also intervenes to protect Colette's honor while she is in the act of soliciting a john on a park bench near the merry-go-round. Gigot is trounced by the frustrated man for his trouble.
Furious over his interference with her "activities," Colette threatens to bolt with Nicole unless Gigot can provide her a life with a "man of means." Given only an hour to prove himself, Gigot happens past a bakery. The baker and his wife (having taken advantage of him for years) have been called away, thus leaving their till unattended. Gigot seizes the opportunity and steals their money.
With those ill-gotten gains, Gigot goes on a shopping spree, buying much-needed new clothes for Colette and Nicole, with a straw boater and a shave for himself. He buys a grand meal and drinks for all at a restaurant. But the good times are not to last â Colette's ex-boyfriend wants her back, and Colette succumbs. She expects to take Nicole along, but her pimp persuades her to wait.
The next morning, two bumbling bureaucrats try to remove Gigot to a home for the feeble-minded. Meanwhile, the baker has discovered the theft, and when Colette returns, Gigot and Nicole are missing. Gigot becomes a suspect, but he and Nicole are only playing at an abandoned basement chamber below the streets of Paris, while Gigot dances for her with so much gusto that the roof timbers fall in. They are nearly buried in rubble and Nicole is unconscious. Believing she is dead, Gigot rushes the girl to the church where the priest calls a doctor. Gigot runs into the angry mob, then flees into a coal barge loader and is washed into the river. He fails to resurface.
Thinking him dead, the locals are despondent over their despicable actions. In remorse they organise a funeral for Gigot, though all they have is his chapeau to bury. Gigot survived and is merely hiding. Unknowingly, he witnesses his own funeral procession and as usual is compelled to join it. When the time comes for the eulogy, he realizes it is for him. Gigot is spotted by the crowd and the chase begins again.
|
Who expects to take Nicole along?
|
Colette
| 680 | 687 |
Gigot
|
Gigot (Gleason) is a mute Frenchman living in a cellar in the Ménilmontant district of Paris in the 1920s. He ekes out a hand-to-mouth existence as a janitor at his landlady's apartment building. He is routinely treated with condescension by neighbors and often is made the butt of practical jokes. However, he is a decent and kindhearted fellow, traits not unnoticed by children and the animals he often feeds. Gigot has one unusual predilection: he is attracted by funeral processions and finds himself attending, whether or not he ever knew the departed. He can't help but cry along with all the other mourners.
After being abused by locals at a pub, he chances upon a woman, Colette (Katherine Kath), and her 6-year-old daughter Nicole (Diane Gardner), huddled in a doorway trying to stay dry. He takes them to his dingy basement abode, gives them what food and drink he has, a bed to sleep in, and shelter from the rain. Colette is suspicious but is so exhausted that she accepts.
Gigot gleefully dotes upon Nicole. Gigot is astonished to discover she is ignorant of what a church is, completely unaware of God. Nicole points to a crucifix and asks about it. The mute attempts to act out the story of Christ, beginning with Mary cradling the baby Jesus, from childhood through to the horror of crucifixion. Gigot rails at this Christ who has seemingly left him so inadequate. Nicole cries a single tear for him, then blows a reassuring kiss of love to the Christ upon the Cross.
Gigot entertains the little girl by dancing to his old gramophone, and by dressing as a waiter to feed his pet mouse. He is very protective, running alongside her on a merry-go-round to make sure she doesn't fall off. He also intervenes to protect Colette's honor while she is in the act of soliciting a john on a park bench near the merry-go-round. Gigot is trounced by the frustrated man for his trouble.
Furious over his interference with her "activities," Colette threatens to bolt with Nicole unless Gigot can provide her a life with a "man of means." Given only an hour to prove himself, Gigot happens past a bakery. The baker and his wife (having taken advantage of him for years) have been called away, thus leaving their till unattended. Gigot seizes the opportunity and steals their money.
With those ill-gotten gains, Gigot goes on a shopping spree, buying much-needed new clothes for Colette and Nicole, with a straw boater and a shave for himself. He buys a grand meal and drinks for all at a restaurant. But the good times are not to last â Colette's ex-boyfriend wants her back, and Colette succumbs. She expects to take Nicole along, but her pimp persuades her to wait.
The next morning, two bumbling bureaucrats try to remove Gigot to a home for the feeble-minded. Meanwhile, the baker has discovered the theft, and when Colette returns, Gigot and Nicole are missing. Gigot becomes a suspect, but he and Nicole are only playing at an abandoned basement chamber below the streets of Paris, while Gigot dances for her with so much gusto that the roof timbers fall in. They are nearly buried in rubble and Nicole is unconscious. Believing she is dead, Gigot rushes the girl to the church where the priest calls a doctor. Gigot runs into the angry mob, then flees into a coal barge loader and is washed into the river. He fails to resurface.
Thinking him dead, the locals are despondent over their despicable actions. In remorse they organise a funeral for Gigot, though all they have is his chapeau to bury. Gigot survived and is merely hiding. Unknowingly, he witnesses his own funeral procession and as usual is compelled to join it. When the time comes for the eulogy, he realizes it is for him. Gigot is spotted by the crowd and the chase begins again.
|
Where does Gigot take Nicole after the roof timbers fall in?
|
A church
| 1,078 | 1,086 |
Gigot
|
Gigot (Gleason) is a mute Frenchman living in a cellar in the Ménilmontant district of Paris in the 1920s. He ekes out a hand-to-mouth existence as a janitor at his landlady's apartment building. He is routinely treated with condescension by neighbors and often is made the butt of practical jokes. However, he is a decent and kindhearted fellow, traits not unnoticed by children and the animals he often feeds. Gigot has one unusual predilection: he is attracted by funeral processions and finds himself attending, whether or not he ever knew the departed. He can't help but cry along with all the other mourners.
After being abused by locals at a pub, he chances upon a woman, Colette (Katherine Kath), and her 6-year-old daughter Nicole (Diane Gardner), huddled in a doorway trying to stay dry. He takes them to his dingy basement abode, gives them what food and drink he has, a bed to sleep in, and shelter from the rain. Colette is suspicious but is so exhausted that she accepts.
Gigot gleefully dotes upon Nicole. Gigot is astonished to discover she is ignorant of what a church is, completely unaware of God. Nicole points to a crucifix and asks about it. The mute attempts to act out the story of Christ, beginning with Mary cradling the baby Jesus, from childhood through to the horror of crucifixion. Gigot rails at this Christ who has seemingly left him so inadequate. Nicole cries a single tear for him, then blows a reassuring kiss of love to the Christ upon the Cross.
Gigot entertains the little girl by dancing to his old gramophone, and by dressing as a waiter to feed his pet mouse. He is very protective, running alongside her on a merry-go-round to make sure she doesn't fall off. He also intervenes to protect Colette's honor while she is in the act of soliciting a john on a park bench near the merry-go-round. Gigot is trounced by the frustrated man for his trouble.
Furious over his interference with her "activities," Colette threatens to bolt with Nicole unless Gigot can provide her a life with a "man of means." Given only an hour to prove himself, Gigot happens past a bakery. The baker and his wife (having taken advantage of him for years) have been called away, thus leaving their till unattended. Gigot seizes the opportunity and steals their money.
With those ill-gotten gains, Gigot goes on a shopping spree, buying much-needed new clothes for Colette and Nicole, with a straw boater and a shave for himself. He buys a grand meal and drinks for all at a restaurant. But the good times are not to last â Colette's ex-boyfriend wants her back, and Colette succumbs. She expects to take Nicole along, but her pimp persuades her to wait.
The next morning, two bumbling bureaucrats try to remove Gigot to a home for the feeble-minded. Meanwhile, the baker has discovered the theft, and when Colette returns, Gigot and Nicole are missing. Gigot becomes a suspect, but he and Nicole are only playing at an abandoned basement chamber below the streets of Paris, while Gigot dances for her with so much gusto that the roof timbers fall in. They are nearly buried in rubble and Nicole is unconscious. Believing she is dead, Gigot rushes the girl to the church where the priest calls a doctor. Gigot runs into the angry mob, then flees into a coal barge loader and is washed into the river. He fails to resurface.
Thinking him dead, the locals are despondent over their despicable actions. In remorse they organise a funeral for Gigot, though all they have is his chapeau to bury. Gigot survived and is merely hiding. Unknowingly, he witnesses his own funeral procession and as usual is compelled to join it. When the time comes for the eulogy, he realizes it is for him. Gigot is spotted by the crowd and the chase begins again.
|
Who is 6-year-old daughter?
|
Nicole
| 734 | 740 |
Gigot
|
Gigot (Gleason) is a mute Frenchman living in a cellar in the Ménilmontant district of Paris in the 1920s. He ekes out a hand-to-mouth existence as a janitor at his landlady's apartment building. He is routinely treated with condescension by neighbors and often is made the butt of practical jokes. However, he is a decent and kindhearted fellow, traits not unnoticed by children and the animals he often feeds. Gigot has one unusual predilection: he is attracted by funeral processions and finds himself attending, whether or not he ever knew the departed. He can't help but cry along with all the other mourners.
After being abused by locals at a pub, he chances upon a woman, Colette (Katherine Kath), and her 6-year-old daughter Nicole (Diane Gardner), huddled in a doorway trying to stay dry. He takes them to his dingy basement abode, gives them what food and drink he has, a bed to sleep in, and shelter from the rain. Colette is suspicious but is so exhausted that she accepts.
Gigot gleefully dotes upon Nicole. Gigot is astonished to discover she is ignorant of what a church is, completely unaware of God. Nicole points to a crucifix and asks about it. The mute attempts to act out the story of Christ, beginning with Mary cradling the baby Jesus, from childhood through to the horror of crucifixion. Gigot rails at this Christ who has seemingly left him so inadequate. Nicole cries a single tear for him, then blows a reassuring kiss of love to the Christ upon the Cross.
Gigot entertains the little girl by dancing to his old gramophone, and by dressing as a waiter to feed his pet mouse. He is very protective, running alongside her on a merry-go-round to make sure she doesn't fall off. He also intervenes to protect Colette's honor while she is in the act of soliciting a john on a park bench near the merry-go-round. Gigot is trounced by the frustrated man for his trouble.
Furious over his interference with her "activities," Colette threatens to bolt with Nicole unless Gigot can provide her a life with a "man of means." Given only an hour to prove himself, Gigot happens past a bakery. The baker and his wife (having taken advantage of him for years) have been called away, thus leaving their till unattended. Gigot seizes the opportunity and steals their money.
With those ill-gotten gains, Gigot goes on a shopping spree, buying much-needed new clothes for Colette and Nicole, with a straw boater and a shave for himself. He buys a grand meal and drinks for all at a restaurant. But the good times are not to last â Colette's ex-boyfriend wants her back, and Colette succumbs. She expects to take Nicole along, but her pimp persuades her to wait.
The next morning, two bumbling bureaucrats try to remove Gigot to a home for the feeble-minded. Meanwhile, the baker has discovered the theft, and when Colette returns, Gigot and Nicole are missing. Gigot becomes a suspect, but he and Nicole are only playing at an abandoned basement chamber below the streets of Paris, while Gigot dances for her with so much gusto that the roof timbers fall in. They are nearly buried in rubble and Nicole is unconscious. Believing she is dead, Gigot rushes the girl to the church where the priest calls a doctor. Gigot runs into the angry mob, then flees into a coal barge loader and is washed into the river. He fails to resurface.
Thinking him dead, the locals are despondent over their despicable actions. In remorse they organise a funeral for Gigot, though all they have is his chapeau to bury. Gigot survived and is merely hiding. Unknowingly, he witnesses his own funeral procession and as usual is compelled to join it. When the time comes for the eulogy, he realizes it is for him. Gigot is spotted by the crowd and the chase begins again.
|
What city is the basement chamber in where Gigot and Nicole are playing?
|
Paris
| 88 | 93 |
Gigot
|
Gigot (Gleason) is a mute Frenchman living in a cellar in the Ménilmontant district of Paris in the 1920s. He ekes out a hand-to-mouth existence as a janitor at his landlady's apartment building. He is routinely treated with condescension by neighbors and often is made the butt of practical jokes. However, he is a decent and kindhearted fellow, traits not unnoticed by children and the animals he often feeds. Gigot has one unusual predilection: he is attracted by funeral processions and finds himself attending, whether or not he ever knew the departed. He can't help but cry along with all the other mourners.
After being abused by locals at a pub, he chances upon a woman, Colette (Katherine Kath), and her 6-year-old daughter Nicole (Diane Gardner), huddled in a doorway trying to stay dry. He takes them to his dingy basement abode, gives them what food and drink he has, a bed to sleep in, and shelter from the rain. Colette is suspicious but is so exhausted that she accepts.
Gigot gleefully dotes upon Nicole. Gigot is astonished to discover she is ignorant of what a church is, completely unaware of God. Nicole points to a crucifix and asks about it. The mute attempts to act out the story of Christ, beginning with Mary cradling the baby Jesus, from childhood through to the horror of crucifixion. Gigot rails at this Christ who has seemingly left him so inadequate. Nicole cries a single tear for him, then blows a reassuring kiss of love to the Christ upon the Cross.
Gigot entertains the little girl by dancing to his old gramophone, and by dressing as a waiter to feed his pet mouse. He is very protective, running alongside her on a merry-go-round to make sure she doesn't fall off. He also intervenes to protect Colette's honor while she is in the act of soliciting a john on a park bench near the merry-go-round. Gigot is trounced by the frustrated man for his trouble.
Furious over his interference with her "activities," Colette threatens to bolt with Nicole unless Gigot can provide her a life with a "man of means." Given only an hour to prove himself, Gigot happens past a bakery. The baker and his wife (having taken advantage of him for years) have been called away, thus leaving their till unattended. Gigot seizes the opportunity and steals their money.
With those ill-gotten gains, Gigot goes on a shopping spree, buying much-needed new clothes for Colette and Nicole, with a straw boater and a shave for himself. He buys a grand meal and drinks for all at a restaurant. But the good times are not to last â Colette's ex-boyfriend wants her back, and Colette succumbs. She expects to take Nicole along, but her pimp persuades her to wait.
The next morning, two bumbling bureaucrats try to remove Gigot to a home for the feeble-minded. Meanwhile, the baker has discovered the theft, and when Colette returns, Gigot and Nicole are missing. Gigot becomes a suspect, but he and Nicole are only playing at an abandoned basement chamber below the streets of Paris, while Gigot dances for her with so much gusto that the roof timbers fall in. They are nearly buried in rubble and Nicole is unconscious. Believing she is dead, Gigot rushes the girl to the church where the priest calls a doctor. Gigot runs into the angry mob, then flees into a coal barge loader and is washed into the river. He fails to resurface.
Thinking him dead, the locals are despondent over their despicable actions. In remorse they organise a funeral for Gigot, though all they have is his chapeau to bury. Gigot survived and is merely hiding. Unknowingly, he witnesses his own funeral procession and as usual is compelled to join it. When the time comes for the eulogy, he realizes it is for him. Gigot is spotted by the crowd and the chase begins again.
|
Who discovered the theft?
|
Baker
| 2,100 | 2,105 |
Gigot
|
Gigot (Gleason) is a mute Frenchman living in a cellar in the Ménilmontant district of Paris in the 1920s. He ekes out a hand-to-mouth existence as a janitor at his landlady's apartment building. He is routinely treated with condescension by neighbors and often is made the butt of practical jokes. However, he is a decent and kindhearted fellow, traits not unnoticed by children and the animals he often feeds. Gigot has one unusual predilection: he is attracted by funeral processions and finds himself attending, whether or not he ever knew the departed. He can't help but cry along with all the other mourners.
After being abused by locals at a pub, he chances upon a woman, Colette (Katherine Kath), and her 6-year-old daughter Nicole (Diane Gardner), huddled in a doorway trying to stay dry. He takes them to his dingy basement abode, gives them what food and drink he has, a bed to sleep in, and shelter from the rain. Colette is suspicious but is so exhausted that she accepts.
Gigot gleefully dotes upon Nicole. Gigot is astonished to discover she is ignorant of what a church is, completely unaware of God. Nicole points to a crucifix and asks about it. The mute attempts to act out the story of Christ, beginning with Mary cradling the baby Jesus, from childhood through to the horror of crucifixion. Gigot rails at this Christ who has seemingly left him so inadequate. Nicole cries a single tear for him, then blows a reassuring kiss of love to the Christ upon the Cross.
Gigot entertains the little girl by dancing to his old gramophone, and by dressing as a waiter to feed his pet mouse. He is very protective, running alongside her on a merry-go-round to make sure she doesn't fall off. He also intervenes to protect Colette's honor while she is in the act of soliciting a john on a park bench near the merry-go-round. Gigot is trounced by the frustrated man for his trouble.
Furious over his interference with her "activities," Colette threatens to bolt with Nicole unless Gigot can provide her a life with a "man of means." Given only an hour to prove himself, Gigot happens past a bakery. The baker and his wife (having taken advantage of him for years) have been called away, thus leaving their till unattended. Gigot seizes the opportunity and steals their money.
With those ill-gotten gains, Gigot goes on a shopping spree, buying much-needed new clothes for Colette and Nicole, with a straw boater and a shave for himself. He buys a grand meal and drinks for all at a restaurant. But the good times are not to last â Colette's ex-boyfriend wants her back, and Colette succumbs. She expects to take Nicole along, but her pimp persuades her to wait.
The next morning, two bumbling bureaucrats try to remove Gigot to a home for the feeble-minded. Meanwhile, the baker has discovered the theft, and when Colette returns, Gigot and Nicole are missing. Gigot becomes a suspect, but he and Nicole are only playing at an abandoned basement chamber below the streets of Paris, while Gigot dances for her with so much gusto that the roof timbers fall in. They are nearly buried in rubble and Nicole is unconscious. Believing she is dead, Gigot rushes the girl to the church where the priest calls a doctor. Gigot runs into the angry mob, then flees into a coal barge loader and is washed into the river. He fails to resurface.
Thinking him dead, the locals are despondent over their despicable actions. In remorse they organise a funeral for Gigot, though all they have is his chapeau to bury. Gigot survived and is merely hiding. Unknowingly, he witnesses his own funeral procession and as usual is compelled to join it. When the time comes for the eulogy, he realizes it is for him. Gigot is spotted by the crowd and the chase begins again.
|
Who goes on a shopping spree?
|
Gigot
| 0 | 5 |
Gigot
|
Gigot (Gleason) is a mute Frenchman living in a cellar in the Ménilmontant district of Paris in the 1920s. He ekes out a hand-to-mouth existence as a janitor at his landlady's apartment building. He is routinely treated with condescension by neighbors and often is made the butt of practical jokes. However, he is a decent and kindhearted fellow, traits not unnoticed by children and the animals he often feeds. Gigot has one unusual predilection: he is attracted by funeral processions and finds himself attending, whether or not he ever knew the departed. He can't help but cry along with all the other mourners.
After being abused by locals at a pub, he chances upon a woman, Colette (Katherine Kath), and her 6-year-old daughter Nicole (Diane Gardner), huddled in a doorway trying to stay dry. He takes them to his dingy basement abode, gives them what food and drink he has, a bed to sleep in, and shelter from the rain. Colette is suspicious but is so exhausted that she accepts.
Gigot gleefully dotes upon Nicole. Gigot is astonished to discover she is ignorant of what a church is, completely unaware of God. Nicole points to a crucifix and asks about it. The mute attempts to act out the story of Christ, beginning with Mary cradling the baby Jesus, from childhood through to the horror of crucifixion. Gigot rails at this Christ who has seemingly left him so inadequate. Nicole cries a single tear for him, then blows a reassuring kiss of love to the Christ upon the Cross.
Gigot entertains the little girl by dancing to his old gramophone, and by dressing as a waiter to feed his pet mouse. He is very protective, running alongside her on a merry-go-round to make sure she doesn't fall off. He also intervenes to protect Colette's honor while she is in the act of soliciting a john on a park bench near the merry-go-round. Gigot is trounced by the frustrated man for his trouble.
Furious over his interference with her "activities," Colette threatens to bolt with Nicole unless Gigot can provide her a life with a "man of means." Given only an hour to prove himself, Gigot happens past a bakery. The baker and his wife (having taken advantage of him for years) have been called away, thus leaving their till unattended. Gigot seizes the opportunity and steals their money.
With those ill-gotten gains, Gigot goes on a shopping spree, buying much-needed new clothes for Colette and Nicole, with a straw boater and a shave for himself. He buys a grand meal and drinks for all at a restaurant. But the good times are not to last â Colette's ex-boyfriend wants her back, and Colette succumbs. She expects to take Nicole along, but her pimp persuades her to wait.
The next morning, two bumbling bureaucrats try to remove Gigot to a home for the feeble-minded. Meanwhile, the baker has discovered the theft, and when Colette returns, Gigot and Nicole are missing. Gigot becomes a suspect, but he and Nicole are only playing at an abandoned basement chamber below the streets of Paris, while Gigot dances for her with so much gusto that the roof timbers fall in. They are nearly buried in rubble and Nicole is unconscious. Believing she is dead, Gigot rushes the girl to the church where the priest calls a doctor. Gigot runs into the angry mob, then flees into a coal barge loader and is washed into the river. He fails to resurface.
Thinking him dead, the locals are despondent over their despicable actions. In remorse they organise a funeral for Gigot, though all they have is his chapeau to bury. Gigot survived and is merely hiding. Unknowingly, he witnesses his own funeral procession and as usual is compelled to join it. When the time comes for the eulogy, he realizes it is for him. Gigot is spotted by the crowd and the chase begins again.
|
where does Gigot live?
|
a cellar
| 46 | 54 |
Gigot
|
Gigot (Gleason) is a mute Frenchman living in a cellar in the Ménilmontant district of Paris in the 1920s. He ekes out a hand-to-mouth existence as a janitor at his landlady's apartment building. He is routinely treated with condescension by neighbors and often is made the butt of practical jokes. However, he is a decent and kindhearted fellow, traits not unnoticed by children and the animals he often feeds. Gigot has one unusual predilection: he is attracted by funeral processions and finds himself attending, whether or not he ever knew the departed. He can't help but cry along with all the other mourners.
After being abused by locals at a pub, he chances upon a woman, Colette (Katherine Kath), and her 6-year-old daughter Nicole (Diane Gardner), huddled in a doorway trying to stay dry. He takes them to his dingy basement abode, gives them what food and drink he has, a bed to sleep in, and shelter from the rain. Colette is suspicious but is so exhausted that she accepts.
Gigot gleefully dotes upon Nicole. Gigot is astonished to discover she is ignorant of what a church is, completely unaware of God. Nicole points to a crucifix and asks about it. The mute attempts to act out the story of Christ, beginning with Mary cradling the baby Jesus, from childhood through to the horror of crucifixion. Gigot rails at this Christ who has seemingly left him so inadequate. Nicole cries a single tear for him, then blows a reassuring kiss of love to the Christ upon the Cross.
Gigot entertains the little girl by dancing to his old gramophone, and by dressing as a waiter to feed his pet mouse. He is very protective, running alongside her on a merry-go-round to make sure she doesn't fall off. He also intervenes to protect Colette's honor while she is in the act of soliciting a john on a park bench near the merry-go-round. Gigot is trounced by the frustrated man for his trouble.
Furious over his interference with her "activities," Colette threatens to bolt with Nicole unless Gigot can provide her a life with a "man of means." Given only an hour to prove himself, Gigot happens past a bakery. The baker and his wife (having taken advantage of him for years) have been called away, thus leaving their till unattended. Gigot seizes the opportunity and steals their money.
With those ill-gotten gains, Gigot goes on a shopping spree, buying much-needed new clothes for Colette and Nicole, with a straw boater and a shave for himself. He buys a grand meal and drinks for all at a restaurant. But the good times are not to last â Colette's ex-boyfriend wants her back, and Colette succumbs. She expects to take Nicole along, but her pimp persuades her to wait.
The next morning, two bumbling bureaucrats try to remove Gigot to a home for the feeble-minded. Meanwhile, the baker has discovered the theft, and when Colette returns, Gigot and Nicole are missing. Gigot becomes a suspect, but he and Nicole are only playing at an abandoned basement chamber below the streets of Paris, while Gigot dances for her with so much gusto that the roof timbers fall in. They are nearly buried in rubble and Nicole is unconscious. Believing she is dead, Gigot rushes the girl to the church where the priest calls a doctor. Gigot runs into the angry mob, then flees into a coal barge loader and is washed into the river. He fails to resurface.
Thinking him dead, the locals are despondent over their despicable actions. In remorse they organise a funeral for Gigot, though all they have is his chapeau to bury. Gigot survived and is merely hiding. Unknowingly, he witnesses his own funeral procession and as usual is compelled to join it. When the time comes for the eulogy, he realizes it is for him. Gigot is spotted by the crowd and the chase begins again.
|
Who plays Nicole?
|
Diane Gardner
| 742 | 755 |
Gigot
|
Gigot (Gleason) is a mute Frenchman living in a cellar in the Ménilmontant district of Paris in the 1920s. He ekes out a hand-to-mouth existence as a janitor at his landlady's apartment building. He is routinely treated with condescension by neighbors and often is made the butt of practical jokes. However, he is a decent and kindhearted fellow, traits not unnoticed by children and the animals he often feeds. Gigot has one unusual predilection: he is attracted by funeral processions and finds himself attending, whether or not he ever knew the departed. He can't help but cry along with all the other mourners.
After being abused by locals at a pub, he chances upon a woman, Colette (Katherine Kath), and her 6-year-old daughter Nicole (Diane Gardner), huddled in a doorway trying to stay dry. He takes them to his dingy basement abode, gives them what food and drink he has, a bed to sleep in, and shelter from the rain. Colette is suspicious but is so exhausted that she accepts.
Gigot gleefully dotes upon Nicole. Gigot is astonished to discover she is ignorant of what a church is, completely unaware of God. Nicole points to a crucifix and asks about it. The mute attempts to act out the story of Christ, beginning with Mary cradling the baby Jesus, from childhood through to the horror of crucifixion. Gigot rails at this Christ who has seemingly left him so inadequate. Nicole cries a single tear for him, then blows a reassuring kiss of love to the Christ upon the Cross.
Gigot entertains the little girl by dancing to his old gramophone, and by dressing as a waiter to feed his pet mouse. He is very protective, running alongside her on a merry-go-round to make sure she doesn't fall off. He also intervenes to protect Colette's honor while she is in the act of soliciting a john on a park bench near the merry-go-round. Gigot is trounced by the frustrated man for his trouble.
Furious over his interference with her "activities," Colette threatens to bolt with Nicole unless Gigot can provide her a life with a "man of means." Given only an hour to prove himself, Gigot happens past a bakery. The baker and his wife (having taken advantage of him for years) have been called away, thus leaving their till unattended. Gigot seizes the opportunity and steals their money.
With those ill-gotten gains, Gigot goes on a shopping spree, buying much-needed new clothes for Colette and Nicole, with a straw boater and a shave for himself. He buys a grand meal and drinks for all at a restaurant. But the good times are not to last â Colette's ex-boyfriend wants her back, and Colette succumbs. She expects to take Nicole along, but her pimp persuades her to wait.
The next morning, two bumbling bureaucrats try to remove Gigot to a home for the feeble-minded. Meanwhile, the baker has discovered the theft, and when Colette returns, Gigot and Nicole are missing. Gigot becomes a suspect, but he and Nicole are only playing at an abandoned basement chamber below the streets of Paris, while Gigot dances for her with so much gusto that the roof timbers fall in. They are nearly buried in rubble and Nicole is unconscious. Believing she is dead, Gigot rushes the girl to the church where the priest calls a doctor. Gigot runs into the angry mob, then flees into a coal barge loader and is washed into the river. He fails to resurface.
Thinking him dead, the locals are despondent over their despicable actions. In remorse they organise a funeral for Gigot, though all they have is his chapeau to bury. Gigot survived and is merely hiding. Unknowingly, he witnesses his own funeral procession and as usual is compelled to join it. When the time comes for the eulogy, he realizes it is for him. Gigot is spotted by the crowd and the chase begins again.
|
Who is trounced by the frustrated man for his trouble?
|
Gigot is trounced by the frustrated man for his trouble
| 1,835 | 1,890 |
Gigot
|
Gigot (Gleason) is a mute Frenchman living in a cellar in the Ménilmontant district of Paris in the 1920s. He ekes out a hand-to-mouth existence as a janitor at his landlady's apartment building. He is routinely treated with condescension by neighbors and often is made the butt of practical jokes. However, he is a decent and kindhearted fellow, traits not unnoticed by children and the animals he often feeds. Gigot has one unusual predilection: he is attracted by funeral processions and finds himself attending, whether or not he ever knew the departed. He can't help but cry along with all the other mourners.
After being abused by locals at a pub, he chances upon a woman, Colette (Katherine Kath), and her 6-year-old daughter Nicole (Diane Gardner), huddled in a doorway trying to stay dry. He takes them to his dingy basement abode, gives them what food and drink he has, a bed to sleep in, and shelter from the rain. Colette is suspicious but is so exhausted that she accepts.
Gigot gleefully dotes upon Nicole. Gigot is astonished to discover she is ignorant of what a church is, completely unaware of God. Nicole points to a crucifix and asks about it. The mute attempts to act out the story of Christ, beginning with Mary cradling the baby Jesus, from childhood through to the horror of crucifixion. Gigot rails at this Christ who has seemingly left him so inadequate. Nicole cries a single tear for him, then blows a reassuring kiss of love to the Christ upon the Cross.
Gigot entertains the little girl by dancing to his old gramophone, and by dressing as a waiter to feed his pet mouse. He is very protective, running alongside her on a merry-go-round to make sure she doesn't fall off. He also intervenes to protect Colette's honor while she is in the act of soliciting a john on a park bench near the merry-go-round. Gigot is trounced by the frustrated man for his trouble.
Furious over his interference with her "activities," Colette threatens to bolt with Nicole unless Gigot can provide her a life with a "man of means." Given only an hour to prove himself, Gigot happens past a bakery. The baker and his wife (having taken advantage of him for years) have been called away, thus leaving their till unattended. Gigot seizes the opportunity and steals their money.
With those ill-gotten gains, Gigot goes on a shopping spree, buying much-needed new clothes for Colette and Nicole, with a straw boater and a shave for himself. He buys a grand meal and drinks for all at a restaurant. But the good times are not to last â Colette's ex-boyfriend wants her back, and Colette succumbs. She expects to take Nicole along, but her pimp persuades her to wait.
The next morning, two bumbling bureaucrats try to remove Gigot to a home for the feeble-minded. Meanwhile, the baker has discovered the theft, and when Colette returns, Gigot and Nicole are missing. Gigot becomes a suspect, but he and Nicole are only playing at an abandoned basement chamber below the streets of Paris, while Gigot dances for her with so much gusto that the roof timbers fall in. They are nearly buried in rubble and Nicole is unconscious. Believing she is dead, Gigot rushes the girl to the church where the priest calls a doctor. Gigot runs into the angry mob, then flees into a coal barge loader and is washed into the river. He fails to resurface.
Thinking him dead, the locals are despondent over their despicable actions. In remorse they organise a funeral for Gigot, though all they have is his chapeau to bury. Gigot survived and is merely hiding. Unknowingly, he witnesses his own funeral procession and as usual is compelled to join it. When the time comes for the eulogy, he realizes it is for him. Gigot is spotted by the crowd and the chase begins again.
|
What do they bury at Gigot's funeral?
|
chapeau
| 3,492 | 3,499 |
Gigot
|
Gigot (Gleason) is a mute Frenchman living in a cellar in the Ménilmontant district of Paris in the 1920s. He ekes out a hand-to-mouth existence as a janitor at his landlady's apartment building. He is routinely treated with condescension by neighbors and often is made the butt of practical jokes. However, he is a decent and kindhearted fellow, traits not unnoticed by children and the animals he often feeds. Gigot has one unusual predilection: he is attracted by funeral processions and finds himself attending, whether or not he ever knew the departed. He can't help but cry along with all the other mourners.
After being abused by locals at a pub, he chances upon a woman, Colette (Katherine Kath), and her 6-year-old daughter Nicole (Diane Gardner), huddled in a doorway trying to stay dry. He takes them to his dingy basement abode, gives them what food and drink he has, a bed to sleep in, and shelter from the rain. Colette is suspicious but is so exhausted that she accepts.
Gigot gleefully dotes upon Nicole. Gigot is astonished to discover she is ignorant of what a church is, completely unaware of God. Nicole points to a crucifix and asks about it. The mute attempts to act out the story of Christ, beginning with Mary cradling the baby Jesus, from childhood through to the horror of crucifixion. Gigot rails at this Christ who has seemingly left him so inadequate. Nicole cries a single tear for him, then blows a reassuring kiss of love to the Christ upon the Cross.
Gigot entertains the little girl by dancing to his old gramophone, and by dressing as a waiter to feed his pet mouse. He is very protective, running alongside her on a merry-go-round to make sure she doesn't fall off. He also intervenes to protect Colette's honor while she is in the act of soliciting a john on a park bench near the merry-go-round. Gigot is trounced by the frustrated man for his trouble.
Furious over his interference with her "activities," Colette threatens to bolt with Nicole unless Gigot can provide her a life with a "man of means." Given only an hour to prove himself, Gigot happens past a bakery. The baker and his wife (having taken advantage of him for years) have been called away, thus leaving their till unattended. Gigot seizes the opportunity and steals their money.
With those ill-gotten gains, Gigot goes on a shopping spree, buying much-needed new clothes for Colette and Nicole, with a straw boater and a shave for himself. He buys a grand meal and drinks for all at a restaurant. But the good times are not to last â Colette's ex-boyfriend wants her back, and Colette succumbs. She expects to take Nicole along, but her pimp persuades her to wait.
The next morning, two bumbling bureaucrats try to remove Gigot to a home for the feeble-minded. Meanwhile, the baker has discovered the theft, and when Colette returns, Gigot and Nicole are missing. Gigot becomes a suspect, but he and Nicole are only playing at an abandoned basement chamber below the streets of Paris, while Gigot dances for her with so much gusto that the roof timbers fall in. They are nearly buried in rubble and Nicole is unconscious. Believing she is dead, Gigot rushes the girl to the church where the priest calls a doctor. Gigot runs into the angry mob, then flees into a coal barge loader and is washed into the river. He fails to resurface.
Thinking him dead, the locals are despondent over their despicable actions. In remorse they organise a funeral for Gigot, though all they have is his chapeau to bury. Gigot survived and is merely hiding. Unknowingly, he witnesses his own funeral procession and as usual is compelled to join it. When the time comes for the eulogy, he realizes it is for him. Gigot is spotted by the crowd and the chase begins again.
|
What does Gigot feel compelled to join?
|
funeral procession
| 468 | 486 |
Gigot
|
Gigot (Gleason) is a mute Frenchman living in a cellar in the Ménilmontant district of Paris in the 1920s. He ekes out a hand-to-mouth existence as a janitor at his landlady's apartment building. He is routinely treated with condescension by neighbors and often is made the butt of practical jokes. However, he is a decent and kindhearted fellow, traits not unnoticed by children and the animals he often feeds. Gigot has one unusual predilection: he is attracted by funeral processions and finds himself attending, whether or not he ever knew the departed. He can't help but cry along with all the other mourners.
After being abused by locals at a pub, he chances upon a woman, Colette (Katherine Kath), and her 6-year-old daughter Nicole (Diane Gardner), huddled in a doorway trying to stay dry. He takes them to his dingy basement abode, gives them what food and drink he has, a bed to sleep in, and shelter from the rain. Colette is suspicious but is so exhausted that she accepts.
Gigot gleefully dotes upon Nicole. Gigot is astonished to discover she is ignorant of what a church is, completely unaware of God. Nicole points to a crucifix and asks about it. The mute attempts to act out the story of Christ, beginning with Mary cradling the baby Jesus, from childhood through to the horror of crucifixion. Gigot rails at this Christ who has seemingly left him so inadequate. Nicole cries a single tear for him, then blows a reassuring kiss of love to the Christ upon the Cross.
Gigot entertains the little girl by dancing to his old gramophone, and by dressing as a waiter to feed his pet mouse. He is very protective, running alongside her on a merry-go-round to make sure she doesn't fall off. He also intervenes to protect Colette's honor while she is in the act of soliciting a john on a park bench near the merry-go-round. Gigot is trounced by the frustrated man for his trouble.
Furious over his interference with her "activities," Colette threatens to bolt with Nicole unless Gigot can provide her a life with a "man of means." Given only an hour to prove himself, Gigot happens past a bakery. The baker and his wife (having taken advantage of him for years) have been called away, thus leaving their till unattended. Gigot seizes the opportunity and steals their money.
With those ill-gotten gains, Gigot goes on a shopping spree, buying much-needed new clothes for Colette and Nicole, with a straw boater and a shave for himself. He buys a grand meal and drinks for all at a restaurant. But the good times are not to last â Colette's ex-boyfriend wants her back, and Colette succumbs. She expects to take Nicole along, but her pimp persuades her to wait.
The next morning, two bumbling bureaucrats try to remove Gigot to a home for the feeble-minded. Meanwhile, the baker has discovered the theft, and when Colette returns, Gigot and Nicole are missing. Gigot becomes a suspect, but he and Nicole are only playing at an abandoned basement chamber below the streets of Paris, while Gigot dances for her with so much gusto that the roof timbers fall in. They are nearly buried in rubble and Nicole is unconscious. Believing she is dead, Gigot rushes the girl to the church where the priest calls a doctor. Gigot runs into the angry mob, then flees into a coal barge loader and is washed into the river. He fails to resurface.
Thinking him dead, the locals are despondent over their despicable actions. In remorse they organise a funeral for Gigot, though all they have is his chapeau to bury. Gigot survived and is merely hiding. Unknowingly, he witnesses his own funeral procession and as usual is compelled to join it. When the time comes for the eulogy, he realizes it is for him. Gigot is spotted by the crowd and the chase begins again.
|
What is his job?
|
janitor
| 151 | 158 |
Gigot
|
Gigot (Gleason) is a mute Frenchman living in a cellar in the Ménilmontant district of Paris in the 1920s. He ekes out a hand-to-mouth existence as a janitor at his landlady's apartment building. He is routinely treated with condescension by neighbors and often is made the butt of practical jokes. However, he is a decent and kindhearted fellow, traits not unnoticed by children and the animals he often feeds. Gigot has one unusual predilection: he is attracted by funeral processions and finds himself attending, whether or not he ever knew the departed. He can't help but cry along with all the other mourners.
After being abused by locals at a pub, he chances upon a woman, Colette (Katherine Kath), and her 6-year-old daughter Nicole (Diane Gardner), huddled in a doorway trying to stay dry. He takes them to his dingy basement abode, gives them what food and drink he has, a bed to sleep in, and shelter from the rain. Colette is suspicious but is so exhausted that she accepts.
Gigot gleefully dotes upon Nicole. Gigot is astonished to discover she is ignorant of what a church is, completely unaware of God. Nicole points to a crucifix and asks about it. The mute attempts to act out the story of Christ, beginning with Mary cradling the baby Jesus, from childhood through to the horror of crucifixion. Gigot rails at this Christ who has seemingly left him so inadequate. Nicole cries a single tear for him, then blows a reassuring kiss of love to the Christ upon the Cross.
Gigot entertains the little girl by dancing to his old gramophone, and by dressing as a waiter to feed his pet mouse. He is very protective, running alongside her on a merry-go-round to make sure she doesn't fall off. He also intervenes to protect Colette's honor while she is in the act of soliciting a john on a park bench near the merry-go-round. Gigot is trounced by the frustrated man for his trouble.
Furious over his interference with her "activities," Colette threatens to bolt with Nicole unless Gigot can provide her a life with a "man of means." Given only an hour to prove himself, Gigot happens past a bakery. The baker and his wife (having taken advantage of him for years) have been called away, thus leaving their till unattended. Gigot seizes the opportunity and steals their money.
With those ill-gotten gains, Gigot goes on a shopping spree, buying much-needed new clothes for Colette and Nicole, with a straw boater and a shave for himself. He buys a grand meal and drinks for all at a restaurant. But the good times are not to last â Colette's ex-boyfriend wants her back, and Colette succumbs. She expects to take Nicole along, but her pimp persuades her to wait.
The next morning, two bumbling bureaucrats try to remove Gigot to a home for the feeble-minded. Meanwhile, the baker has discovered the theft, and when Colette returns, Gigot and Nicole are missing. Gigot becomes a suspect, but he and Nicole are only playing at an abandoned basement chamber below the streets of Paris, while Gigot dances for her with so much gusto that the roof timbers fall in. They are nearly buried in rubble and Nicole is unconscious. Believing she is dead, Gigot rushes the girl to the church where the priest calls a doctor. Gigot runs into the angry mob, then flees into a coal barge loader and is washed into the river. He fails to resurface.
Thinking him dead, the locals are despondent over their despicable actions. In remorse they organise a funeral for Gigot, though all they have is his chapeau to bury. Gigot survived and is merely hiding. Unknowingly, he witnesses his own funeral procession and as usual is compelled to join it. When the time comes for the eulogy, he realizes it is for him. Gigot is spotted by the crowd and the chase begins again.
|
Who will Colette take with her if she leaves?
|
Nicole
| 734 | 740 |
Gigot
|
Gigot (Gleason) is a mute Frenchman living in a cellar in the Ménilmontant district of Paris in the 1920s. He ekes out a hand-to-mouth existence as a janitor at his landlady's apartment building. He is routinely treated with condescension by neighbors and often is made the butt of practical jokes. However, he is a decent and kindhearted fellow, traits not unnoticed by children and the animals he often feeds. Gigot has one unusual predilection: he is attracted by funeral processions and finds himself attending, whether or not he ever knew the departed. He can't help but cry along with all the other mourners.
After being abused by locals at a pub, he chances upon a woman, Colette (Katherine Kath), and her 6-year-old daughter Nicole (Diane Gardner), huddled in a doorway trying to stay dry. He takes them to his dingy basement abode, gives them what food and drink he has, a bed to sleep in, and shelter from the rain. Colette is suspicious but is so exhausted that she accepts.
Gigot gleefully dotes upon Nicole. Gigot is astonished to discover she is ignorant of what a church is, completely unaware of God. Nicole points to a crucifix and asks about it. The mute attempts to act out the story of Christ, beginning with Mary cradling the baby Jesus, from childhood through to the horror of crucifixion. Gigot rails at this Christ who has seemingly left him so inadequate. Nicole cries a single tear for him, then blows a reassuring kiss of love to the Christ upon the Cross.
Gigot entertains the little girl by dancing to his old gramophone, and by dressing as a waiter to feed his pet mouse. He is very protective, running alongside her on a merry-go-round to make sure she doesn't fall off. He also intervenes to protect Colette's honor while she is in the act of soliciting a john on a park bench near the merry-go-round. Gigot is trounced by the frustrated man for his trouble.
Furious over his interference with her "activities," Colette threatens to bolt with Nicole unless Gigot can provide her a life with a "man of means." Given only an hour to prove himself, Gigot happens past a bakery. The baker and his wife (having taken advantage of him for years) have been called away, thus leaving their till unattended. Gigot seizes the opportunity and steals their money.
With those ill-gotten gains, Gigot goes on a shopping spree, buying much-needed new clothes for Colette and Nicole, with a straw boater and a shave for himself. He buys a grand meal and drinks for all at a restaurant. But the good times are not to last â Colette's ex-boyfriend wants her back, and Colette succumbs. She expects to take Nicole along, but her pimp persuades her to wait.
The next morning, two bumbling bureaucrats try to remove Gigot to a home for the feeble-minded. Meanwhile, the baker has discovered the theft, and when Colette returns, Gigot and Nicole are missing. Gigot becomes a suspect, but he and Nicole are only playing at an abandoned basement chamber below the streets of Paris, while Gigot dances for her with so much gusto that the roof timbers fall in. They are nearly buried in rubble and Nicole is unconscious. Believing she is dead, Gigot rushes the girl to the church where the priest calls a doctor. Gigot runs into the angry mob, then flees into a coal barge loader and is washed into the river. He fails to resurface.
Thinking him dead, the locals are despondent over their despicable actions. In remorse they organise a funeral for Gigot, though all they have is his chapeau to bury. Gigot survived and is merely hiding. Unknowingly, he witnesses his own funeral procession and as usual is compelled to join it. When the time comes for the eulogy, he realizes it is for him. Gigot is spotted by the crowd and the chase begins again.
|
Who steals the money from the till?
|
Gigot
| 0 | 5 |
Gigot
|
Gigot (Gleason) is a mute Frenchman living in a cellar in the Ménilmontant district of Paris in the 1920s. He ekes out a hand-to-mouth existence as a janitor at his landlady's apartment building. He is routinely treated with condescension by neighbors and often is made the butt of practical jokes. However, he is a decent and kindhearted fellow, traits not unnoticed by children and the animals he often feeds. Gigot has one unusual predilection: he is attracted by funeral processions and finds himself attending, whether or not he ever knew the departed. He can't help but cry along with all the other mourners.
After being abused by locals at a pub, he chances upon a woman, Colette (Katherine Kath), and her 6-year-old daughter Nicole (Diane Gardner), huddled in a doorway trying to stay dry. He takes them to his dingy basement abode, gives them what food and drink he has, a bed to sleep in, and shelter from the rain. Colette is suspicious but is so exhausted that she accepts.
Gigot gleefully dotes upon Nicole. Gigot is astonished to discover she is ignorant of what a church is, completely unaware of God. Nicole points to a crucifix and asks about it. The mute attempts to act out the story of Christ, beginning with Mary cradling the baby Jesus, from childhood through to the horror of crucifixion. Gigot rails at this Christ who has seemingly left him so inadequate. Nicole cries a single tear for him, then blows a reassuring kiss of love to the Christ upon the Cross.
Gigot entertains the little girl by dancing to his old gramophone, and by dressing as a waiter to feed his pet mouse. He is very protective, running alongside her on a merry-go-round to make sure she doesn't fall off. He also intervenes to protect Colette's honor while she is in the act of soliciting a john on a park bench near the merry-go-round. Gigot is trounced by the frustrated man for his trouble.
Furious over his interference with her "activities," Colette threatens to bolt with Nicole unless Gigot can provide her a life with a "man of means." Given only an hour to prove himself, Gigot happens past a bakery. The baker and his wife (having taken advantage of him for years) have been called away, thus leaving their till unattended. Gigot seizes the opportunity and steals their money.
With those ill-gotten gains, Gigot goes on a shopping spree, buying much-needed new clothes for Colette and Nicole, with a straw boater and a shave for himself. He buys a grand meal and drinks for all at a restaurant. But the good times are not to last â Colette's ex-boyfriend wants her back, and Colette succumbs. She expects to take Nicole along, but her pimp persuades her to wait.
The next morning, two bumbling bureaucrats try to remove Gigot to a home for the feeble-minded. Meanwhile, the baker has discovered the theft, and when Colette returns, Gigot and Nicole are missing. Gigot becomes a suspect, but he and Nicole are only playing at an abandoned basement chamber below the streets of Paris, while Gigot dances for her with so much gusto that the roof timbers fall in. They are nearly buried in rubble and Nicole is unconscious. Believing she is dead, Gigot rushes the girl to the church where the priest calls a doctor. Gigot runs into the angry mob, then flees into a coal barge loader and is washed into the river. He fails to resurface.
Thinking him dead, the locals are despondent over their despicable actions. In remorse they organise a funeral for Gigot, though all they have is his chapeau to bury. Gigot survived and is merely hiding. Unknowingly, he witnesses his own funeral procession and as usual is compelled to join it. When the time comes for the eulogy, he realizes it is for him. Gigot is spotted by the crowd and the chase begins again.
|
Who is entertains the little girl by dancing?
|
Gigot entertains the little girl by dancing
| 1,485 | 1,528 |
A History of Violence
|
Tom Stall (Viggo Mortensen) is a diner owner who lives in the small town of Millbrook, Indiana, with a loving wife Edie (Maria Bello), teenage son Jack (Ashton Holmes), and daughter Sarah. One night, two men attempt to rob the restaurant. When a waitress is threatened, Tom deftly kills both robbers with surprising skill and precision. He is hailed as a hero by his family and the townspeople, and the incident makes him a local celebrity. Tom is visited by scarred gangster Carl Fogarty (Ed Harris), who alleges that he is actually a gangster named Joey Cusack who had dealings with him in the Irish Mob in Philadelphia. Tom vehemently denies this, but Fogarty remains persistent and begins to stalk the Stall family. Under pressure from Fogarty and his newfound fame, Tom's relationships with his family become strained.
Following an argument with his father over the use of violence on a bully at his school, Jack runs away. He is caught by Fogarty, who, with Jack as his hostage, goes with his men to the Stall house and demands that "Joey" return to Philadelphia with them. After the gangsters release Jack, Tom is slow to join them in their car, so they attempt to force him to cooperate. Tom kills the two henchmen with the same precision he used against the robbers, but Fogarty shoots Tom as Tom is aiming at him. As Fogarty is standing over Tom, preparing to kill him, Tom finally admits he is indeed Joey. However, before Fogarty can deliver a coup de grâce, Jack kills Fogarty with a shotgun.
At the hospital, Edie confronts Tom, claiming that while he was attacking Fogarty's men, she saw "the real Joey" that Fogarty was talking about. Tom shocks Edie by admitting that he is actually Joey Cusack, and that he has killed for both money and pleasure. He tells Edie that he ran away from Philadelphia to escape his violent criminal past. This admission deepens the tensions in their marriage.
After Tom gets out of the hospital, Sam (Peter MacNeill), the local sheriff, pays a visit. Sam expresses confusion about everything that has happened. He tells Tom and Edie that these mobsters wouldn't go to all this trouble if they weren't sure they had the right man. Just when Tom is about to confess, Edie lies to Sam, claiming that Tom is who he says he is, that their family has suffered enough. At a loss for words after Edie breaks down into tears, Sam leaves. Edie and Tom then start slapping and hitting each other, their fight eventually culminating in violent sex on the stairs; this is in contrast to the tender and romantic sex they were shown having in the beginning of the film. Afterward, Edie and Jack continue to further distance themselves from Tom, leaving him isolated. He receives a call from his brother Richie Cusack (William Hurt), who also demands his return to Philadelphia, or else he will come to Indiana to find him. After traveling to meet his brother, Tom learns that the other mobsters whom he had offended in Philadelphia took out their frustrations on Richie, penalizing him financially and delaying his advancement in the organization. Tom offers to make peace, but Richie orders his men to kill his brother. Tom manages to kill most of the guards and escape. As Richie and his last henchman are hunting for him, Tom surprises and dispatches both.
Tom returns home, where the atmosphere is tense and silent as the family sits around the dinner table. The future of his marriage and his life as Tom Stall are uncertain, but Jack and Sarah indicate their acceptance of their father by setting a plate for him and passing him some food. The film ends as Edie looks up at Tom, leaving their future in question.
|
Who kills Fogarty?
|
Jack
| 147 | 151 |
A History of Violence
|
Tom Stall (Viggo Mortensen) is a diner owner who lives in the small town of Millbrook, Indiana, with a loving wife Edie (Maria Bello), teenage son Jack (Ashton Holmes), and daughter Sarah. One night, two men attempt to rob the restaurant. When a waitress is threatened, Tom deftly kills both robbers with surprising skill and precision. He is hailed as a hero by his family and the townspeople, and the incident makes him a local celebrity. Tom is visited by scarred gangster Carl Fogarty (Ed Harris), who alleges that he is actually a gangster named Joey Cusack who had dealings with him in the Irish Mob in Philadelphia. Tom vehemently denies this, but Fogarty remains persistent and begins to stalk the Stall family. Under pressure from Fogarty and his newfound fame, Tom's relationships with his family become strained.
Following an argument with his father over the use of violence on a bully at his school, Jack runs away. He is caught by Fogarty, who, with Jack as his hostage, goes with his men to the Stall house and demands that "Joey" return to Philadelphia with them. After the gangsters release Jack, Tom is slow to join them in their car, so they attempt to force him to cooperate. Tom kills the two henchmen with the same precision he used against the robbers, but Fogarty shoots Tom as Tom is aiming at him. As Fogarty is standing over Tom, preparing to kill him, Tom finally admits he is indeed Joey. However, before Fogarty can deliver a coup de grâce, Jack kills Fogarty with a shotgun.
At the hospital, Edie confronts Tom, claiming that while he was attacking Fogarty's men, she saw "the real Joey" that Fogarty was talking about. Tom shocks Edie by admitting that he is actually Joey Cusack, and that he has killed for both money and pleasure. He tells Edie that he ran away from Philadelphia to escape his violent criminal past. This admission deepens the tensions in their marriage.
After Tom gets out of the hospital, Sam (Peter MacNeill), the local sheriff, pays a visit. Sam expresses confusion about everything that has happened. He tells Tom and Edie that these mobsters wouldn't go to all this trouble if they weren't sure they had the right man. Just when Tom is about to confess, Edie lies to Sam, claiming that Tom is who he says he is, that their family has suffered enough. At a loss for words after Edie breaks down into tears, Sam leaves. Edie and Tom then start slapping and hitting each other, their fight eventually culminating in violent sex on the stairs; this is in contrast to the tender and romantic sex they were shown having in the beginning of the film. Afterward, Edie and Jack continue to further distance themselves from Tom, leaving him isolated. He receives a call from his brother Richie Cusack (William Hurt), who also demands his return to Philadelphia, or else he will come to Indiana to find him. After traveling to meet his brother, Tom learns that the other mobsters whom he had offended in Philadelphia took out their frustrations on Richie, penalizing him financially and delaying his advancement in the organization. Tom offers to make peace, but Richie orders his men to kill his brother. Tom manages to kill most of the guards and escape. As Richie and his last henchman are hunting for him, Tom surprises and dispatches both.
Tom returns home, where the atmosphere is tense and silent as the family sits around the dinner table. The future of his marriage and his life as Tom Stall are uncertain, but Jack and Sarah indicate their acceptance of their father by setting a plate for him and passing him some food. The film ends as Edie looks up at Tom, leaving their future in question.
|
who lives in the small town of Millbrook, Indiana?
|
Tom Stall
| 0 | 9 |
A History of Violence
|
Tom Stall (Viggo Mortensen) is a diner owner who lives in the small town of Millbrook, Indiana, with a loving wife Edie (Maria Bello), teenage son Jack (Ashton Holmes), and daughter Sarah. One night, two men attempt to rob the restaurant. When a waitress is threatened, Tom deftly kills both robbers with surprising skill and precision. He is hailed as a hero by his family and the townspeople, and the incident makes him a local celebrity. Tom is visited by scarred gangster Carl Fogarty (Ed Harris), who alleges that he is actually a gangster named Joey Cusack who had dealings with him in the Irish Mob in Philadelphia. Tom vehemently denies this, but Fogarty remains persistent and begins to stalk the Stall family. Under pressure from Fogarty and his newfound fame, Tom's relationships with his family become strained.
Following an argument with his father over the use of violence on a bully at his school, Jack runs away. He is caught by Fogarty, who, with Jack as his hostage, goes with his men to the Stall house and demands that "Joey" return to Philadelphia with them. After the gangsters release Jack, Tom is slow to join them in their car, so they attempt to force him to cooperate. Tom kills the two henchmen with the same precision he used against the robbers, but Fogarty shoots Tom as Tom is aiming at him. As Fogarty is standing over Tom, preparing to kill him, Tom finally admits he is indeed Joey. However, before Fogarty can deliver a coup de grâce, Jack kills Fogarty with a shotgun.
At the hospital, Edie confronts Tom, claiming that while he was attacking Fogarty's men, she saw "the real Joey" that Fogarty was talking about. Tom shocks Edie by admitting that he is actually Joey Cusack, and that he has killed for both money and pleasure. He tells Edie that he ran away from Philadelphia to escape his violent criminal past. This admission deepens the tensions in their marriage.
After Tom gets out of the hospital, Sam (Peter MacNeill), the local sheriff, pays a visit. Sam expresses confusion about everything that has happened. He tells Tom and Edie that these mobsters wouldn't go to all this trouble if they weren't sure they had the right man. Just when Tom is about to confess, Edie lies to Sam, claiming that Tom is who he says he is, that their family has suffered enough. At a loss for words after Edie breaks down into tears, Sam leaves. Edie and Tom then start slapping and hitting each other, their fight eventually culminating in violent sex on the stairs; this is in contrast to the tender and romantic sex they were shown having in the beginning of the film. Afterward, Edie and Jack continue to further distance themselves from Tom, leaving him isolated. He receives a call from his brother Richie Cusack (William Hurt), who also demands his return to Philadelphia, or else he will come to Indiana to find him. After traveling to meet his brother, Tom learns that the other mobsters whom he had offended in Philadelphia took out their frustrations on Richie, penalizing him financially and delaying his advancement in the organization. Tom offers to make peace, but Richie orders his men to kill his brother. Tom manages to kill most of the guards and escape. As Richie and his last henchman are hunting for him, Tom surprises and dispatches both.
Tom returns home, where the atmosphere is tense and silent as the family sits around the dinner table. The future of his marriage and his life as Tom Stall are uncertain, but Jack and Sarah indicate their acceptance of their father by setting a plate for him and passing him some food. The film ends as Edie looks up at Tom, leaving their future in question.
|
Who is Jack caught by?
|
Fogarty
| 481 | 488 |
A History of Violence
|
Tom Stall (Viggo Mortensen) is a diner owner who lives in the small town of Millbrook, Indiana, with a loving wife Edie (Maria Bello), teenage son Jack (Ashton Holmes), and daughter Sarah. One night, two men attempt to rob the restaurant. When a waitress is threatened, Tom deftly kills both robbers with surprising skill and precision. He is hailed as a hero by his family and the townspeople, and the incident makes him a local celebrity. Tom is visited by scarred gangster Carl Fogarty (Ed Harris), who alleges that he is actually a gangster named Joey Cusack who had dealings with him in the Irish Mob in Philadelphia. Tom vehemently denies this, but Fogarty remains persistent and begins to stalk the Stall family. Under pressure from Fogarty and his newfound fame, Tom's relationships with his family become strained.
Following an argument with his father over the use of violence on a bully at his school, Jack runs away. He is caught by Fogarty, who, with Jack as his hostage, goes with his men to the Stall house and demands that "Joey" return to Philadelphia with them. After the gangsters release Jack, Tom is slow to join them in their car, so they attempt to force him to cooperate. Tom kills the two henchmen with the same precision he used against the robbers, but Fogarty shoots Tom as Tom is aiming at him. As Fogarty is standing over Tom, preparing to kill him, Tom finally admits he is indeed Joey. However, before Fogarty can deliver a coup de grâce, Jack kills Fogarty with a shotgun.
At the hospital, Edie confronts Tom, claiming that while he was attacking Fogarty's men, she saw "the real Joey" that Fogarty was talking about. Tom shocks Edie by admitting that he is actually Joey Cusack, and that he has killed for both money and pleasure. He tells Edie that he ran away from Philadelphia to escape his violent criminal past. This admission deepens the tensions in their marriage.
After Tom gets out of the hospital, Sam (Peter MacNeill), the local sheriff, pays a visit. Sam expresses confusion about everything that has happened. He tells Tom and Edie that these mobsters wouldn't go to all this trouble if they weren't sure they had the right man. Just when Tom is about to confess, Edie lies to Sam, claiming that Tom is who he says he is, that their family has suffered enough. At a loss for words after Edie breaks down into tears, Sam leaves. Edie and Tom then start slapping and hitting each other, their fight eventually culminating in violent sex on the stairs; this is in contrast to the tender and romantic sex they were shown having in the beginning of the film. Afterward, Edie and Jack continue to further distance themselves from Tom, leaving him isolated. He receives a call from his brother Richie Cusack (William Hurt), who also demands his return to Philadelphia, or else he will come to Indiana to find him. After traveling to meet his brother, Tom learns that the other mobsters whom he had offended in Philadelphia took out their frustrations on Richie, penalizing him financially and delaying his advancement in the organization. Tom offers to make peace, but Richie orders his men to kill his brother. Tom manages to kill most of the guards and escape. As Richie and his last henchman are hunting for him, Tom surprises and dispatches both.
Tom returns home, where the atmosphere is tense and silent as the family sits around the dinner table. The future of his marriage and his life as Tom Stall are uncertain, but Jack and Sarah indicate their acceptance of their father by setting a plate for him and passing him some food. The film ends as Edie looks up at Tom, leaving their future in question.
|
who start slapping and hitting each other?
|
edie and tom
| 2,376 | 2,388 |
A History of Violence
|
Tom Stall (Viggo Mortensen) is a diner owner who lives in the small town of Millbrook, Indiana, with a loving wife Edie (Maria Bello), teenage son Jack (Ashton Holmes), and daughter Sarah. One night, two men attempt to rob the restaurant. When a waitress is threatened, Tom deftly kills both robbers with surprising skill and precision. He is hailed as a hero by his family and the townspeople, and the incident makes him a local celebrity. Tom is visited by scarred gangster Carl Fogarty (Ed Harris), who alleges that he is actually a gangster named Joey Cusack who had dealings with him in the Irish Mob in Philadelphia. Tom vehemently denies this, but Fogarty remains persistent and begins to stalk the Stall family. Under pressure from Fogarty and his newfound fame, Tom's relationships with his family become strained.
Following an argument with his father over the use of violence on a bully at his school, Jack runs away. He is caught by Fogarty, who, with Jack as his hostage, goes with his men to the Stall house and demands that "Joey" return to Philadelphia with them. After the gangsters release Jack, Tom is slow to join them in their car, so they attempt to force him to cooperate. Tom kills the two henchmen with the same precision he used against the robbers, but Fogarty shoots Tom as Tom is aiming at him. As Fogarty is standing over Tom, preparing to kill him, Tom finally admits he is indeed Joey. However, before Fogarty can deliver a coup de grâce, Jack kills Fogarty with a shotgun.
At the hospital, Edie confronts Tom, claiming that while he was attacking Fogarty's men, she saw "the real Joey" that Fogarty was talking about. Tom shocks Edie by admitting that he is actually Joey Cusack, and that he has killed for both money and pleasure. He tells Edie that he ran away from Philadelphia to escape his violent criminal past. This admission deepens the tensions in their marriage.
After Tom gets out of the hospital, Sam (Peter MacNeill), the local sheriff, pays a visit. Sam expresses confusion about everything that has happened. He tells Tom and Edie that these mobsters wouldn't go to all this trouble if they weren't sure they had the right man. Just when Tom is about to confess, Edie lies to Sam, claiming that Tom is who he says he is, that their family has suffered enough. At a loss for words after Edie breaks down into tears, Sam leaves. Edie and Tom then start slapping and hitting each other, their fight eventually culminating in violent sex on the stairs; this is in contrast to the tender and romantic sex they were shown having in the beginning of the film. Afterward, Edie and Jack continue to further distance themselves from Tom, leaving him isolated. He receives a call from his brother Richie Cusack (William Hurt), who also demands his return to Philadelphia, or else he will come to Indiana to find him. After traveling to meet his brother, Tom learns that the other mobsters whom he had offended in Philadelphia took out their frustrations on Richie, penalizing him financially and delaying his advancement in the organization. Tom offers to make peace, but Richie orders his men to kill his brother. Tom manages to kill most of the guards and escape. As Richie and his last henchman are hunting for him, Tom surprises and dispatches both.
Tom returns home, where the atmosphere is tense and silent as the family sits around the dinner table. The future of his marriage and his life as Tom Stall are uncertain, but Jack and Sarah indicate their acceptance of their father by setting a plate for him and passing him some food. The film ends as Edie looks up at Tom, leaving their future in question.
|
who the local sheriff?
|
sam
| 1,232 | 1,235 |
A History of Violence
|
Tom Stall (Viggo Mortensen) is a diner owner who lives in the small town of Millbrook, Indiana, with a loving wife Edie (Maria Bello), teenage son Jack (Ashton Holmes), and daughter Sarah. One night, two men attempt to rob the restaurant. When a waitress is threatened, Tom deftly kills both robbers with surprising skill and precision. He is hailed as a hero by his family and the townspeople, and the incident makes him a local celebrity. Tom is visited by scarred gangster Carl Fogarty (Ed Harris), who alleges that he is actually a gangster named Joey Cusack who had dealings with him in the Irish Mob in Philadelphia. Tom vehemently denies this, but Fogarty remains persistent and begins to stalk the Stall family. Under pressure from Fogarty and his newfound fame, Tom's relationships with his family become strained.
Following an argument with his father over the use of violence on a bully at his school, Jack runs away. He is caught by Fogarty, who, with Jack as his hostage, goes with his men to the Stall house and demands that "Joey" return to Philadelphia with them. After the gangsters release Jack, Tom is slow to join them in their car, so they attempt to force him to cooperate. Tom kills the two henchmen with the same precision he used against the robbers, but Fogarty shoots Tom as Tom is aiming at him. As Fogarty is standing over Tom, preparing to kill him, Tom finally admits he is indeed Joey. However, before Fogarty can deliver a coup de grâce, Jack kills Fogarty with a shotgun.
At the hospital, Edie confronts Tom, claiming that while he was attacking Fogarty's men, she saw "the real Joey" that Fogarty was talking about. Tom shocks Edie by admitting that he is actually Joey Cusack, and that he has killed for both money and pleasure. He tells Edie that he ran away from Philadelphia to escape his violent criminal past. This admission deepens the tensions in their marriage.
After Tom gets out of the hospital, Sam (Peter MacNeill), the local sheriff, pays a visit. Sam expresses confusion about everything that has happened. He tells Tom and Edie that these mobsters wouldn't go to all this trouble if they weren't sure they had the right man. Just when Tom is about to confess, Edie lies to Sam, claiming that Tom is who he says he is, that their family has suffered enough. At a loss for words after Edie breaks down into tears, Sam leaves. Edie and Tom then start slapping and hitting each other, their fight eventually culminating in violent sex on the stairs; this is in contrast to the tender and romantic sex they were shown having in the beginning of the film. Afterward, Edie and Jack continue to further distance themselves from Tom, leaving him isolated. He receives a call from his brother Richie Cusack (William Hurt), who also demands his return to Philadelphia, or else he will come to Indiana to find him. After traveling to meet his brother, Tom learns that the other mobsters whom he had offended in Philadelphia took out their frustrations on Richie, penalizing him financially and delaying his advancement in the organization. Tom offers to make peace, but Richie orders his men to kill his brother. Tom manages to kill most of the guards and escape. As Richie and his last henchman are hunting for him, Tom surprises and dispatches both.
Tom returns home, where the atmosphere is tense and silent as the family sits around the dinner table. The future of his marriage and his life as Tom Stall are uncertain, but Jack and Sarah indicate their acceptance of their father by setting a plate for him and passing him some food. The film ends as Edie looks up at Tom, leaving their future in question.
|
What is Tom's real name?
|
Joey
| 551 | 555 |
A History of Violence
|
Tom Stall (Viggo Mortensen) is a diner owner who lives in the small town of Millbrook, Indiana, with a loving wife Edie (Maria Bello), teenage son Jack (Ashton Holmes), and daughter Sarah. One night, two men attempt to rob the restaurant. When a waitress is threatened, Tom deftly kills both robbers with surprising skill and precision. He is hailed as a hero by his family and the townspeople, and the incident makes him a local celebrity. Tom is visited by scarred gangster Carl Fogarty (Ed Harris), who alleges that he is actually a gangster named Joey Cusack who had dealings with him in the Irish Mob in Philadelphia. Tom vehemently denies this, but Fogarty remains persistent and begins to stalk the Stall family. Under pressure from Fogarty and his newfound fame, Tom's relationships with his family become strained.
Following an argument with his father over the use of violence on a bully at his school, Jack runs away. He is caught by Fogarty, who, with Jack as his hostage, goes with his men to the Stall house and demands that "Joey" return to Philadelphia with them. After the gangsters release Jack, Tom is slow to join them in their car, so they attempt to force him to cooperate. Tom kills the two henchmen with the same precision he used against the robbers, but Fogarty shoots Tom as Tom is aiming at him. As Fogarty is standing over Tom, preparing to kill him, Tom finally admits he is indeed Joey. However, before Fogarty can deliver a coup de grâce, Jack kills Fogarty with a shotgun.
At the hospital, Edie confronts Tom, claiming that while he was attacking Fogarty's men, she saw "the real Joey" that Fogarty was talking about. Tom shocks Edie by admitting that he is actually Joey Cusack, and that he has killed for both money and pleasure. He tells Edie that he ran away from Philadelphia to escape his violent criminal past. This admission deepens the tensions in their marriage.
After Tom gets out of the hospital, Sam (Peter MacNeill), the local sheriff, pays a visit. Sam expresses confusion about everything that has happened. He tells Tom and Edie that these mobsters wouldn't go to all this trouble if they weren't sure they had the right man. Just when Tom is about to confess, Edie lies to Sam, claiming that Tom is who he says he is, that their family has suffered enough. At a loss for words after Edie breaks down into tears, Sam leaves. Edie and Tom then start slapping and hitting each other, their fight eventually culminating in violent sex on the stairs; this is in contrast to the tender and romantic sex they were shown having in the beginning of the film. Afterward, Edie and Jack continue to further distance themselves from Tom, leaving him isolated. He receives a call from his brother Richie Cusack (William Hurt), who also demands his return to Philadelphia, or else he will come to Indiana to find him. After traveling to meet his brother, Tom learns that the other mobsters whom he had offended in Philadelphia took out their frustrations on Richie, penalizing him financially and delaying his advancement in the organization. Tom offers to make peace, but Richie orders his men to kill his brother. Tom manages to kill most of the guards and escape. As Richie and his last henchman are hunting for him, Tom surprises and dispatches both.
Tom returns home, where the atmosphere is tense and silent as the family sits around the dinner table. The future of his marriage and his life as Tom Stall are uncertain, but Jack and Sarah indicate their acceptance of their father by setting a plate for him and passing him some food. The film ends as Edie looks up at Tom, leaving their future in question.
|
who shocks edie?
|
Tom
| 0 | 3 |
A History of Violence
|
Tom Stall (Viggo Mortensen) is a diner owner who lives in the small town of Millbrook, Indiana, with a loving wife Edie (Maria Bello), teenage son Jack (Ashton Holmes), and daughter Sarah. One night, two men attempt to rob the restaurant. When a waitress is threatened, Tom deftly kills both robbers with surprising skill and precision. He is hailed as a hero by his family and the townspeople, and the incident makes him a local celebrity. Tom is visited by scarred gangster Carl Fogarty (Ed Harris), who alleges that he is actually a gangster named Joey Cusack who had dealings with him in the Irish Mob in Philadelphia. Tom vehemently denies this, but Fogarty remains persistent and begins to stalk the Stall family. Under pressure from Fogarty and his newfound fame, Tom's relationships with his family become strained.
Following an argument with his father over the use of violence on a bully at his school, Jack runs away. He is caught by Fogarty, who, with Jack as his hostage, goes with his men to the Stall house and demands that "Joey" return to Philadelphia with them. After the gangsters release Jack, Tom is slow to join them in their car, so they attempt to force him to cooperate. Tom kills the two henchmen with the same precision he used against the robbers, but Fogarty shoots Tom as Tom is aiming at him. As Fogarty is standing over Tom, preparing to kill him, Tom finally admits he is indeed Joey. However, before Fogarty can deliver a coup de grâce, Jack kills Fogarty with a shotgun.
At the hospital, Edie confronts Tom, claiming that while he was attacking Fogarty's men, she saw "the real Joey" that Fogarty was talking about. Tom shocks Edie by admitting that he is actually Joey Cusack, and that he has killed for both money and pleasure. He tells Edie that he ran away from Philadelphia to escape his violent criminal past. This admission deepens the tensions in their marriage.
After Tom gets out of the hospital, Sam (Peter MacNeill), the local sheriff, pays a visit. Sam expresses confusion about everything that has happened. He tells Tom and Edie that these mobsters wouldn't go to all this trouble if they weren't sure they had the right man. Just when Tom is about to confess, Edie lies to Sam, claiming that Tom is who he says he is, that their family has suffered enough. At a loss for words after Edie breaks down into tears, Sam leaves. Edie and Tom then start slapping and hitting each other, their fight eventually culminating in violent sex on the stairs; this is in contrast to the tender and romantic sex they were shown having in the beginning of the film. Afterward, Edie and Jack continue to further distance themselves from Tom, leaving him isolated. He receives a call from his brother Richie Cusack (William Hurt), who also demands his return to Philadelphia, or else he will come to Indiana to find him. After traveling to meet his brother, Tom learns that the other mobsters whom he had offended in Philadelphia took out their frustrations on Richie, penalizing him financially and delaying his advancement in the organization. Tom offers to make peace, but Richie orders his men to kill his brother. Tom manages to kill most of the guards and escape. As Richie and his last henchman are hunting for him, Tom surprises and dispatches both.
Tom returns home, where the atmosphere is tense and silent as the family sits around the dinner table. The future of his marriage and his life as Tom Stall are uncertain, but Jack and Sarah indicate their acceptance of their father by setting a plate for him and passing him some food. The film ends as Edie looks up at Tom, leaving their future in question.
|
who is scarred gangster?
|
Carl Fogarty
| 476 | 488 |
A History of Violence
|
Tom Stall (Viggo Mortensen) is a diner owner who lives in the small town of Millbrook, Indiana, with a loving wife Edie (Maria Bello), teenage son Jack (Ashton Holmes), and daughter Sarah. One night, two men attempt to rob the restaurant. When a waitress is threatened, Tom deftly kills both robbers with surprising skill and precision. He is hailed as a hero by his family and the townspeople, and the incident makes him a local celebrity. Tom is visited by scarred gangster Carl Fogarty (Ed Harris), who alleges that he is actually a gangster named Joey Cusack who had dealings with him in the Irish Mob in Philadelphia. Tom vehemently denies this, but Fogarty remains persistent and begins to stalk the Stall family. Under pressure from Fogarty and his newfound fame, Tom's relationships with his family become strained.
Following an argument with his father over the use of violence on a bully at his school, Jack runs away. He is caught by Fogarty, who, with Jack as his hostage, goes with his men to the Stall house and demands that "Joey" return to Philadelphia with them. After the gangsters release Jack, Tom is slow to join them in their car, so they attempt to force him to cooperate. Tom kills the two henchmen with the same precision he used against the robbers, but Fogarty shoots Tom as Tom is aiming at him. As Fogarty is standing over Tom, preparing to kill him, Tom finally admits he is indeed Joey. However, before Fogarty can deliver a coup de grâce, Jack kills Fogarty with a shotgun.
At the hospital, Edie confronts Tom, claiming that while he was attacking Fogarty's men, she saw "the real Joey" that Fogarty was talking about. Tom shocks Edie by admitting that he is actually Joey Cusack, and that he has killed for both money and pleasure. He tells Edie that he ran away from Philadelphia to escape his violent criminal past. This admission deepens the tensions in their marriage.
After Tom gets out of the hospital, Sam (Peter MacNeill), the local sheriff, pays a visit. Sam expresses confusion about everything that has happened. He tells Tom and Edie that these mobsters wouldn't go to all this trouble if they weren't sure they had the right man. Just when Tom is about to confess, Edie lies to Sam, claiming that Tom is who he says he is, that their family has suffered enough. At a loss for words after Edie breaks down into tears, Sam leaves. Edie and Tom then start slapping and hitting each other, their fight eventually culminating in violent sex on the stairs; this is in contrast to the tender and romantic sex they were shown having in the beginning of the film. Afterward, Edie and Jack continue to further distance themselves from Tom, leaving him isolated. He receives a call from his brother Richie Cusack (William Hurt), who also demands his return to Philadelphia, or else he will come to Indiana to find him. After traveling to meet his brother, Tom learns that the other mobsters whom he had offended in Philadelphia took out their frustrations on Richie, penalizing him financially and delaying his advancement in the organization. Tom offers to make peace, but Richie orders his men to kill his brother. Tom manages to kill most of the guards and escape. As Richie and his last henchman are hunting for him, Tom surprises and dispatches both.
Tom returns home, where the atmosphere is tense and silent as the family sits around the dinner table. The future of his marriage and his life as Tom Stall are uncertain, but Jack and Sarah indicate their acceptance of their father by setting a plate for him and passing him some food. The film ends as Edie looks up at Tom, leaving their future in question.
|
who offers to make peace, but Richie orders his men to kill his brother?
|
tom
| 0 | 3 |
A History of Violence
|
Tom Stall (Viggo Mortensen) is a diner owner who lives in the small town of Millbrook, Indiana, with a loving wife Edie (Maria Bello), teenage son Jack (Ashton Holmes), and daughter Sarah. One night, two men attempt to rob the restaurant. When a waitress is threatened, Tom deftly kills both robbers with surprising skill and precision. He is hailed as a hero by his family and the townspeople, and the incident makes him a local celebrity. Tom is visited by scarred gangster Carl Fogarty (Ed Harris), who alleges that he is actually a gangster named Joey Cusack who had dealings with him in the Irish Mob in Philadelphia. Tom vehemently denies this, but Fogarty remains persistent and begins to stalk the Stall family. Under pressure from Fogarty and his newfound fame, Tom's relationships with his family become strained.
Following an argument with his father over the use of violence on a bully at his school, Jack runs away. He is caught by Fogarty, who, with Jack as his hostage, goes with his men to the Stall house and demands that "Joey" return to Philadelphia with them. After the gangsters release Jack, Tom is slow to join them in their car, so they attempt to force him to cooperate. Tom kills the two henchmen with the same precision he used against the robbers, but Fogarty shoots Tom as Tom is aiming at him. As Fogarty is standing over Tom, preparing to kill him, Tom finally admits he is indeed Joey. However, before Fogarty can deliver a coup de grâce, Jack kills Fogarty with a shotgun.
At the hospital, Edie confronts Tom, claiming that while he was attacking Fogarty's men, she saw "the real Joey" that Fogarty was talking about. Tom shocks Edie by admitting that he is actually Joey Cusack, and that he has killed for both money and pleasure. He tells Edie that he ran away from Philadelphia to escape his violent criminal past. This admission deepens the tensions in their marriage.
After Tom gets out of the hospital, Sam (Peter MacNeill), the local sheriff, pays a visit. Sam expresses confusion about everything that has happened. He tells Tom and Edie that these mobsters wouldn't go to all this trouble if they weren't sure they had the right man. Just when Tom is about to confess, Edie lies to Sam, claiming that Tom is who he says he is, that their family has suffered enough. At a loss for words after Edie breaks down into tears, Sam leaves. Edie and Tom then start slapping and hitting each other, their fight eventually culminating in violent sex on the stairs; this is in contrast to the tender and romantic sex they were shown having in the beginning of the film. Afterward, Edie and Jack continue to further distance themselves from Tom, leaving him isolated. He receives a call from his brother Richie Cusack (William Hurt), who also demands his return to Philadelphia, or else he will come to Indiana to find him. After traveling to meet his brother, Tom learns that the other mobsters whom he had offended in Philadelphia took out their frustrations on Richie, penalizing him financially and delaying his advancement in the organization. Tom offers to make peace, but Richie orders his men to kill his brother. Tom manages to kill most of the guards and escape. As Richie and his last henchman are hunting for him, Tom surprises and dispatches both.
Tom returns home, where the atmosphere is tense and silent as the family sits around the dinner table. The future of his marriage and his life as Tom Stall are uncertain, but Jack and Sarah indicate their acceptance of their father by setting a plate for him and passing him some food. The film ends as Edie looks up at Tom, leaving their future in question.
|
where the gangster live?
|
Philadelphia
| 609 | 621 |
A History of Violence
|
Tom Stall (Viggo Mortensen) is a diner owner who lives in the small town of Millbrook, Indiana, with a loving wife Edie (Maria Bello), teenage son Jack (Ashton Holmes), and daughter Sarah. One night, two men attempt to rob the restaurant. When a waitress is threatened, Tom deftly kills both robbers with surprising skill and precision. He is hailed as a hero by his family and the townspeople, and the incident makes him a local celebrity. Tom is visited by scarred gangster Carl Fogarty (Ed Harris), who alleges that he is actually a gangster named Joey Cusack who had dealings with him in the Irish Mob in Philadelphia. Tom vehemently denies this, but Fogarty remains persistent and begins to stalk the Stall family. Under pressure from Fogarty and his newfound fame, Tom's relationships with his family become strained.
Following an argument with his father over the use of violence on a bully at his school, Jack runs away. He is caught by Fogarty, who, with Jack as his hostage, goes with his men to the Stall house and demands that "Joey" return to Philadelphia with them. After the gangsters release Jack, Tom is slow to join them in their car, so they attempt to force him to cooperate. Tom kills the two henchmen with the same precision he used against the robbers, but Fogarty shoots Tom as Tom is aiming at him. As Fogarty is standing over Tom, preparing to kill him, Tom finally admits he is indeed Joey. However, before Fogarty can deliver a coup de grâce, Jack kills Fogarty with a shotgun.
At the hospital, Edie confronts Tom, claiming that while he was attacking Fogarty's men, she saw "the real Joey" that Fogarty was talking about. Tom shocks Edie by admitting that he is actually Joey Cusack, and that he has killed for both money and pleasure. He tells Edie that he ran away from Philadelphia to escape his violent criminal past. This admission deepens the tensions in their marriage.
After Tom gets out of the hospital, Sam (Peter MacNeill), the local sheriff, pays a visit. Sam expresses confusion about everything that has happened. He tells Tom and Edie that these mobsters wouldn't go to all this trouble if they weren't sure they had the right man. Just when Tom is about to confess, Edie lies to Sam, claiming that Tom is who he says he is, that their family has suffered enough. At a loss for words after Edie breaks down into tears, Sam leaves. Edie and Tom then start slapping and hitting each other, their fight eventually culminating in violent sex on the stairs; this is in contrast to the tender and romantic sex they were shown having in the beginning of the film. Afterward, Edie and Jack continue to further distance themselves from Tom, leaving him isolated. He receives a call from his brother Richie Cusack (William Hurt), who also demands his return to Philadelphia, or else he will come to Indiana to find him. After traveling to meet his brother, Tom learns that the other mobsters whom he had offended in Philadelphia took out their frustrations on Richie, penalizing him financially and delaying his advancement in the organization. Tom offers to make peace, but Richie orders his men to kill his brother. Tom manages to kill most of the guards and escape. As Richie and his last henchman are hunting for him, Tom surprises and dispatches both.
Tom returns home, where the atmosphere is tense and silent as the family sits around the dinner table. The future of his marriage and his life as Tom Stall are uncertain, but Jack and Sarah indicate their acceptance of their father by setting a plate for him and passing him some food. The film ends as Edie looks up at Tom, leaving their future in question.
|
Who looks up at Tom as the film ends?
|
Edie
| 115 | 119 |
A History of Violence
|
Tom Stall (Viggo Mortensen) is a diner owner who lives in the small town of Millbrook, Indiana, with a loving wife Edie (Maria Bello), teenage son Jack (Ashton Holmes), and daughter Sarah. One night, two men attempt to rob the restaurant. When a waitress is threatened, Tom deftly kills both robbers with surprising skill and precision. He is hailed as a hero by his family and the townspeople, and the incident makes him a local celebrity. Tom is visited by scarred gangster Carl Fogarty (Ed Harris), who alleges that he is actually a gangster named Joey Cusack who had dealings with him in the Irish Mob in Philadelphia. Tom vehemently denies this, but Fogarty remains persistent and begins to stalk the Stall family. Under pressure from Fogarty and his newfound fame, Tom's relationships with his family become strained.
Following an argument with his father over the use of violence on a bully at his school, Jack runs away. He is caught by Fogarty, who, with Jack as his hostage, goes with his men to the Stall house and demands that "Joey" return to Philadelphia with them. After the gangsters release Jack, Tom is slow to join them in their car, so they attempt to force him to cooperate. Tom kills the two henchmen with the same precision he used against the robbers, but Fogarty shoots Tom as Tom is aiming at him. As Fogarty is standing over Tom, preparing to kill him, Tom finally admits he is indeed Joey. However, before Fogarty can deliver a coup de grâce, Jack kills Fogarty with a shotgun.
At the hospital, Edie confronts Tom, claiming that while he was attacking Fogarty's men, she saw "the real Joey" that Fogarty was talking about. Tom shocks Edie by admitting that he is actually Joey Cusack, and that he has killed for both money and pleasure. He tells Edie that he ran away from Philadelphia to escape his violent criminal past. This admission deepens the tensions in their marriage.
After Tom gets out of the hospital, Sam (Peter MacNeill), the local sheriff, pays a visit. Sam expresses confusion about everything that has happened. He tells Tom and Edie that these mobsters wouldn't go to all this trouble if they weren't sure they had the right man. Just when Tom is about to confess, Edie lies to Sam, claiming that Tom is who he says he is, that their family has suffered enough. At a loss for words after Edie breaks down into tears, Sam leaves. Edie and Tom then start slapping and hitting each other, their fight eventually culminating in violent sex on the stairs; this is in contrast to the tender and romantic sex they were shown having in the beginning of the film. Afterward, Edie and Jack continue to further distance themselves from Tom, leaving him isolated. He receives a call from his brother Richie Cusack (William Hurt), who also demands his return to Philadelphia, or else he will come to Indiana to find him. After traveling to meet his brother, Tom learns that the other mobsters whom he had offended in Philadelphia took out their frustrations on Richie, penalizing him financially and delaying his advancement in the organization. Tom offers to make peace, but Richie orders his men to kill his brother. Tom manages to kill most of the guards and escape. As Richie and his last henchman are hunting for him, Tom surprises and dispatches both.
Tom returns home, where the atmosphere is tense and silent as the family sits around the dinner table. The future of his marriage and his life as Tom Stall are uncertain, but Jack and Sarah indicate their acceptance of their father by setting a plate for him and passing him some food. The film ends as Edie looks up at Tom, leaving their future in question.
|
How did Jack and Sarah indicate their acceptance of Tom as their father?
|
By setting a plate for him and passing him some food
| 3,524 | 3,576 |
Saw VII
|
Two men, Brad and Ryan, awaken in a metropolitan storefront window, bound at the wrists to opposite sides of a worktable with a circular saw in front of each of them. Their mutual lover, Dina, is suspended above a third saw. As the scene draws attention and police arrive, a puppet informs the men that they can kill each other or let Dina die. They initially fight each other, during which Brad is cut, but ultimately choose to allow Dina to die instead.
Matt Gibson, an internal affairs detective at Mark Hoffman's precinct, is met by Jill Tuck, who incriminates Hoffman in exchange for protection and immunity from prosecution. Gibson, who has distrusted Hoffman ever since Hoffman saved his life by gunning down a homeless man, agrees to her terms. Meanwhile, Hoffman abducts a skinhead gang - Dan, Evan, Jake and Kara - and places them in a trap that kills them all, leaving the reverse bear trap at the scene to incriminate Jill, who is put into protective custody. After a meeting of Jigsaw survivors, including Lawrence Gordon, who cauterized his leg on a steam pipe after escaping the bathroom and now uses a leg brace and cane, Hoffman abducts Bobby Dagen, a self-help guru who achieved fame and fortune by falsifying his own survival story. He sends Gibson videos with cryptic clues to the game's location, offering to end the games if Jill is given to him.
Dagen awakens in a cage in an asylum and is told that his wife Joyce will die if he doesn't save her within one hour. Joyce is chained at the neck to a steel platform that gradually pulls her down as she watches Dagen's progress. After he escapes the cage, which dangles over a floor of spikes, he begins searching for Joyce. Along the way, he finds Nina, his publicist; Suzanne, his lawyer; and Cale McNamara, his best friend and co-conspirator. All three are in separate traps representing the three wise monkeys and are killed despite his efforts to save them. After he removes his upper wisdom teeth to obtain the combination for a security door, Dagen finds Joyce and is forced to reenact the trap he claimed to survive: he must drive hooks through his pectoral muscles and hoist himself up to the ceiling to deactivate her trap. He fails, and is forced to watch as a brazen bull capsule closes around Joyce and incinerates her.
Gibson eventually discovers the game's location and sends a SWAT team, who are sealed in another room and killed by toxic gas. Simultaneously, he and two officers infiltrate Hoffman's command center in the junkyard, where they find Dan's corpse sat in front of several monitors connected to the police headquarters security cameras. He sees Hoffman brought into the morgue in a body bag and tries to warn Palmer, but is killed by an automatic turret gun along with his men. Hoffman kills Dr. Heffner, Palmer, and everyone else in his path to Jill, who briefly escapes before she is caught and knocked unconscious. He straps her to a chair and locks a reverse bear trap to her head; she awakens as the timer starts and is killed when the trap activates, tearing apart her face.
After destroying his workshop, Hoffman is attacked and subdued by three pig-masked figures, one of whom is Gordon. Flashbacks show that John Kramer found him unconscious by the steam pipe and nursed him back to health, and Gordon has assisted him ever since. This was known only by Jill, who delivered a package to him at the hospital, a videotape in which Kramer asked him to watch over Jill and take action if anything happened to her. To this end, Gordon has Hoffman brought to the disused bathroom and shackled by the ankle to a pipe. Throwing away the hacksaw he had used to sever his own foot, Gordon turns off the lights and seals the door, leaving Hoffman to die.
|
Who found Hoffman unconscious?
|
John Kramer
| 3,216 | 3,227 |
Saw VII
|
Two men, Brad and Ryan, awaken in a metropolitan storefront window, bound at the wrists to opposite sides of a worktable with a circular saw in front of each of them. Their mutual lover, Dina, is suspended above a third saw. As the scene draws attention and police arrive, a puppet informs the men that they can kill each other or let Dina die. They initially fight each other, during which Brad is cut, but ultimately choose to allow Dina to die instead.
Matt Gibson, an internal affairs detective at Mark Hoffman's precinct, is met by Jill Tuck, who incriminates Hoffman in exchange for protection and immunity from prosecution. Gibson, who has distrusted Hoffman ever since Hoffman saved his life by gunning down a homeless man, agrees to her terms. Meanwhile, Hoffman abducts a skinhead gang - Dan, Evan, Jake and Kara - and places them in a trap that kills them all, leaving the reverse bear trap at the scene to incriminate Jill, who is put into protective custody. After a meeting of Jigsaw survivors, including Lawrence Gordon, who cauterized his leg on a steam pipe after escaping the bathroom and now uses a leg brace and cane, Hoffman abducts Bobby Dagen, a self-help guru who achieved fame and fortune by falsifying his own survival story. He sends Gibson videos with cryptic clues to the game's location, offering to end the games if Jill is given to him.
Dagen awakens in a cage in an asylum and is told that his wife Joyce will die if he doesn't save her within one hour. Joyce is chained at the neck to a steel platform that gradually pulls her down as she watches Dagen's progress. After he escapes the cage, which dangles over a floor of spikes, he begins searching for Joyce. Along the way, he finds Nina, his publicist; Suzanne, his lawyer; and Cale McNamara, his best friend and co-conspirator. All three are in separate traps representing the three wise monkeys and are killed despite his efforts to save them. After he removes his upper wisdom teeth to obtain the combination for a security door, Dagen finds Joyce and is forced to reenact the trap he claimed to survive: he must drive hooks through his pectoral muscles and hoist himself up to the ceiling to deactivate her trap. He fails, and is forced to watch as a brazen bull capsule closes around Joyce and incinerates her.
Gibson eventually discovers the game's location and sends a SWAT team, who are sealed in another room and killed by toxic gas. Simultaneously, he and two officers infiltrate Hoffman's command center in the junkyard, where they find Dan's corpse sat in front of several monitors connected to the police headquarters security cameras. He sees Hoffman brought into the morgue in a body bag and tries to warn Palmer, but is killed by an automatic turret gun along with his men. Hoffman kills Dr. Heffner, Palmer, and everyone else in his path to Jill, who briefly escapes before she is caught and knocked unconscious. He straps her to a chair and locks a reverse bear trap to her head; she awakens as the timer starts and is killed when the trap activates, tearing apart her face.
After destroying his workshop, Hoffman is attacked and subdued by three pig-masked figures, one of whom is Gordon. Flashbacks show that John Kramer found him unconscious by the steam pipe and nursed him back to health, and Gordon has assisted him ever since. This was known only by Jill, who delivered a package to him at the hospital, a videotape in which Kramer asked him to watch over Jill and take action if anything happened to her. To this end, Gordon has Hoffman brought to the disused bathroom and shackled by the ankle to a pipe. Throwing away the hacksaw he had used to sever his own foot, Gordon turns off the lights and seals the door, leaving Hoffman to die.
|
What is Nina's profession?
|
publicist
| 1,729 | 1,738 |
Saw VII
|
Two men, Brad and Ryan, awaken in a metropolitan storefront window, bound at the wrists to opposite sides of a worktable with a circular saw in front of each of them. Their mutual lover, Dina, is suspended above a third saw. As the scene draws attention and police arrive, a puppet informs the men that they can kill each other or let Dina die. They initially fight each other, during which Brad is cut, but ultimately choose to allow Dina to die instead.
Matt Gibson, an internal affairs detective at Mark Hoffman's precinct, is met by Jill Tuck, who incriminates Hoffman in exchange for protection and immunity from prosecution. Gibson, who has distrusted Hoffman ever since Hoffman saved his life by gunning down a homeless man, agrees to her terms. Meanwhile, Hoffman abducts a skinhead gang - Dan, Evan, Jake and Kara - and places them in a trap that kills them all, leaving the reverse bear trap at the scene to incriminate Jill, who is put into protective custody. After a meeting of Jigsaw survivors, including Lawrence Gordon, who cauterized his leg on a steam pipe after escaping the bathroom and now uses a leg brace and cane, Hoffman abducts Bobby Dagen, a self-help guru who achieved fame and fortune by falsifying his own survival story. He sends Gibson videos with cryptic clues to the game's location, offering to end the games if Jill is given to him.
Dagen awakens in a cage in an asylum and is told that his wife Joyce will die if he doesn't save her within one hour. Joyce is chained at the neck to a steel platform that gradually pulls her down as she watches Dagen's progress. After he escapes the cage, which dangles over a floor of spikes, he begins searching for Joyce. Along the way, he finds Nina, his publicist; Suzanne, his lawyer; and Cale McNamara, his best friend and co-conspirator. All three are in separate traps representing the three wise monkeys and are killed despite his efforts to save them. After he removes his upper wisdom teeth to obtain the combination for a security door, Dagen finds Joyce and is forced to reenact the trap he claimed to survive: he must drive hooks through his pectoral muscles and hoist himself up to the ceiling to deactivate her trap. He fails, and is forced to watch as a brazen bull capsule closes around Joyce and incinerates her.
Gibson eventually discovers the game's location and sends a SWAT team, who are sealed in another room and killed by toxic gas. Simultaneously, he and two officers infiltrate Hoffman's command center in the junkyard, where they find Dan's corpse sat in front of several monitors connected to the police headquarters security cameras. He sees Hoffman brought into the morgue in a body bag and tries to warn Palmer, but is killed by an automatic turret gun along with his men. Hoffman kills Dr. Heffner, Palmer, and everyone else in his path to Jill, who briefly escapes before she is caught and knocked unconscious. He straps her to a chair and locks a reverse bear trap to her head; she awakens as the timer starts and is killed when the trap activates, tearing apart her face.
After destroying his workshop, Hoffman is attacked and subdued by three pig-masked figures, one of whom is Gordon. Flashbacks show that John Kramer found him unconscious by the steam pipe and nursed him back to health, and Gordon has assisted him ever since. This was known only by Jill, who delivered a package to him at the hospital, a videotape in which Kramer asked him to watch over Jill and take action if anything happened to her. To this end, Gordon has Hoffman brought to the disused bathroom and shackled by the ankle to a pipe. Throwing away the hacksaw he had used to sever his own foot, Gordon turns off the lights and seals the door, leaving Hoffman to die.
|
Who informs the men that they can kill each other ?
|
puppet informs the men that they can kill each other
| 275 | 327 |
Saw VII
|
Two men, Brad and Ryan, awaken in a metropolitan storefront window, bound at the wrists to opposite sides of a worktable with a circular saw in front of each of them. Their mutual lover, Dina, is suspended above a third saw. As the scene draws attention and police arrive, a puppet informs the men that they can kill each other or let Dina die. They initially fight each other, during which Brad is cut, but ultimately choose to allow Dina to die instead.
Matt Gibson, an internal affairs detective at Mark Hoffman's precinct, is met by Jill Tuck, who incriminates Hoffman in exchange for protection and immunity from prosecution. Gibson, who has distrusted Hoffman ever since Hoffman saved his life by gunning down a homeless man, agrees to her terms. Meanwhile, Hoffman abducts a skinhead gang - Dan, Evan, Jake and Kara - and places them in a trap that kills them all, leaving the reverse bear trap at the scene to incriminate Jill, who is put into protective custody. After a meeting of Jigsaw survivors, including Lawrence Gordon, who cauterized his leg on a steam pipe after escaping the bathroom and now uses a leg brace and cane, Hoffman abducts Bobby Dagen, a self-help guru who achieved fame and fortune by falsifying his own survival story. He sends Gibson videos with cryptic clues to the game's location, offering to end the games if Jill is given to him.
Dagen awakens in a cage in an asylum and is told that his wife Joyce will die if he doesn't save her within one hour. Joyce is chained at the neck to a steel platform that gradually pulls her down as she watches Dagen's progress. After he escapes the cage, which dangles over a floor of spikes, he begins searching for Joyce. Along the way, he finds Nina, his publicist; Suzanne, his lawyer; and Cale McNamara, his best friend and co-conspirator. All three are in separate traps representing the three wise monkeys and are killed despite his efforts to save them. After he removes his upper wisdom teeth to obtain the combination for a security door, Dagen finds Joyce and is forced to reenact the trap he claimed to survive: he must drive hooks through his pectoral muscles and hoist himself up to the ceiling to deactivate her trap. He fails, and is forced to watch as a brazen bull capsule closes around Joyce and incinerates her.
Gibson eventually discovers the game's location and sends a SWAT team, who are sealed in another room and killed by toxic gas. Simultaneously, he and two officers infiltrate Hoffman's command center in the junkyard, where they find Dan's corpse sat in front of several monitors connected to the police headquarters security cameras. He sees Hoffman brought into the morgue in a body bag and tries to warn Palmer, but is killed by an automatic turret gun along with his men. Hoffman kills Dr. Heffner, Palmer, and everyone else in his path to Jill, who briefly escapes before she is caught and knocked unconscious. He straps her to a chair and locks a reverse bear trap to her head; she awakens as the timer starts and is killed when the trap activates, tearing apart her face.
After destroying his workshop, Hoffman is attacked and subdued by three pig-masked figures, one of whom is Gordon. Flashbacks show that John Kramer found him unconscious by the steam pipe and nursed him back to health, and Gordon has assisted him ever since. This was known only by Jill, who delivered a package to him at the hospital, a videotape in which Kramer asked him to watch over Jill and take action if anything happened to her. To this end, Gordon has Hoffman brought to the disused bathroom and shackled by the ankle to a pipe. Throwing away the hacksaw he had used to sever his own foot, Gordon turns off the lights and seals the door, leaving Hoffman to die.
|
What does Dagen remove to obtain the combination for the security door?
|
upper wisdom teeth
| 1,954 | 1,972 |
Saw VII
|
Two men, Brad and Ryan, awaken in a metropolitan storefront window, bound at the wrists to opposite sides of a worktable with a circular saw in front of each of them. Their mutual lover, Dina, is suspended above a third saw. As the scene draws attention and police arrive, a puppet informs the men that they can kill each other or let Dina die. They initially fight each other, during which Brad is cut, but ultimately choose to allow Dina to die instead.
Matt Gibson, an internal affairs detective at Mark Hoffman's precinct, is met by Jill Tuck, who incriminates Hoffman in exchange for protection and immunity from prosecution. Gibson, who has distrusted Hoffman ever since Hoffman saved his life by gunning down a homeless man, agrees to her terms. Meanwhile, Hoffman abducts a skinhead gang - Dan, Evan, Jake and Kara - and places them in a trap that kills them all, leaving the reverse bear trap at the scene to incriminate Jill, who is put into protective custody. After a meeting of Jigsaw survivors, including Lawrence Gordon, who cauterized his leg on a steam pipe after escaping the bathroom and now uses a leg brace and cane, Hoffman abducts Bobby Dagen, a self-help guru who achieved fame and fortune by falsifying his own survival story. He sends Gibson videos with cryptic clues to the game's location, offering to end the games if Jill is given to him.
Dagen awakens in a cage in an asylum and is told that his wife Joyce will die if he doesn't save her within one hour. Joyce is chained at the neck to a steel platform that gradually pulls her down as she watches Dagen's progress. After he escapes the cage, which dangles over a floor of spikes, he begins searching for Joyce. Along the way, he finds Nina, his publicist; Suzanne, his lawyer; and Cale McNamara, his best friend and co-conspirator. All three are in separate traps representing the three wise monkeys and are killed despite his efforts to save them. After he removes his upper wisdom teeth to obtain the combination for a security door, Dagen finds Joyce and is forced to reenact the trap he claimed to survive: he must drive hooks through his pectoral muscles and hoist himself up to the ceiling to deactivate her trap. He fails, and is forced to watch as a brazen bull capsule closes around Joyce and incinerates her.
Gibson eventually discovers the game's location and sends a SWAT team, who are sealed in another room and killed by toxic gas. Simultaneously, he and two officers infiltrate Hoffman's command center in the junkyard, where they find Dan's corpse sat in front of several monitors connected to the police headquarters security cameras. He sees Hoffman brought into the morgue in a body bag and tries to warn Palmer, but is killed by an automatic turret gun along with his men. Hoffman kills Dr. Heffner, Palmer, and everyone else in his path to Jill, who briefly escapes before she is caught and knocked unconscious. He straps her to a chair and locks a reverse bear trap to her head; she awakens as the timer starts and is killed when the trap activates, tearing apart her face.
After destroying his workshop, Hoffman is attacked and subdued by three pig-masked figures, one of whom is Gordon. Flashbacks show that John Kramer found him unconscious by the steam pipe and nursed him back to health, and Gordon has assisted him ever since. This was known only by Jill, who delivered a package to him at the hospital, a videotape in which Kramer asked him to watch over Jill and take action if anything happened to her. To this end, Gordon has Hoffman brought to the disused bathroom and shackled by the ankle to a pipe. Throwing away the hacksaw he had used to sever his own foot, Gordon turns off the lights and seals the door, leaving Hoffman to die.
|
Where is Matt Gibson an internal affairs detective?
|
Mark hoffman's precinct
| 502 | 525 |
Saw VII
|
Two men, Brad and Ryan, awaken in a metropolitan storefront window, bound at the wrists to opposite sides of a worktable with a circular saw in front of each of them. Their mutual lover, Dina, is suspended above a third saw. As the scene draws attention and police arrive, a puppet informs the men that they can kill each other or let Dina die. They initially fight each other, during which Brad is cut, but ultimately choose to allow Dina to die instead.
Matt Gibson, an internal affairs detective at Mark Hoffman's precinct, is met by Jill Tuck, who incriminates Hoffman in exchange for protection and immunity from prosecution. Gibson, who has distrusted Hoffman ever since Hoffman saved his life by gunning down a homeless man, agrees to her terms. Meanwhile, Hoffman abducts a skinhead gang - Dan, Evan, Jake and Kara - and places them in a trap that kills them all, leaving the reverse bear trap at the scene to incriminate Jill, who is put into protective custody. After a meeting of Jigsaw survivors, including Lawrence Gordon, who cauterized his leg on a steam pipe after escaping the bathroom and now uses a leg brace and cane, Hoffman abducts Bobby Dagen, a self-help guru who achieved fame and fortune by falsifying his own survival story. He sends Gibson videos with cryptic clues to the game's location, offering to end the games if Jill is given to him.
Dagen awakens in a cage in an asylum and is told that his wife Joyce will die if he doesn't save her within one hour. Joyce is chained at the neck to a steel platform that gradually pulls her down as she watches Dagen's progress. After he escapes the cage, which dangles over a floor of spikes, he begins searching for Joyce. Along the way, he finds Nina, his publicist; Suzanne, his lawyer; and Cale McNamara, his best friend and co-conspirator. All three are in separate traps representing the three wise monkeys and are killed despite his efforts to save them. After he removes his upper wisdom teeth to obtain the combination for a security door, Dagen finds Joyce and is forced to reenact the trap he claimed to survive: he must drive hooks through his pectoral muscles and hoist himself up to the ceiling to deactivate her trap. He fails, and is forced to watch as a brazen bull capsule closes around Joyce and incinerates her.
Gibson eventually discovers the game's location and sends a SWAT team, who are sealed in another room and killed by toxic gas. Simultaneously, he and two officers infiltrate Hoffman's command center in the junkyard, where they find Dan's corpse sat in front of several monitors connected to the police headquarters security cameras. He sees Hoffman brought into the morgue in a body bag and tries to warn Palmer, but is killed by an automatic turret gun along with his men. Hoffman kills Dr. Heffner, Palmer, and everyone else in his path to Jill, who briefly escapes before she is caught and knocked unconscious. He straps her to a chair and locks a reverse bear trap to her head; she awakens as the timer starts and is killed when the trap activates, tearing apart her face.
After destroying his workshop, Hoffman is attacked and subdued by three pig-masked figures, one of whom is Gordon. Flashbacks show that John Kramer found him unconscious by the steam pipe and nursed him back to health, and Gordon has assisted him ever since. This was known only by Jill, who delivered a package to him at the hospital, a videotape in which Kramer asked him to watch over Jill and take action if anything happened to her. To this end, Gordon has Hoffman brought to the disused bathroom and shackled by the ankle to a pipe. Throwing away the hacksaw he had used to sever his own foot, Gordon turns off the lights and seals the door, leaving Hoffman to die.
|
Who does Hoffman abduct?
|
Bobby dagen
| 1,154 | 1,165 |
Saw VII
|
Two men, Brad and Ryan, awaken in a metropolitan storefront window, bound at the wrists to opposite sides of a worktable with a circular saw in front of each of them. Their mutual lover, Dina, is suspended above a third saw. As the scene draws attention and police arrive, a puppet informs the men that they can kill each other or let Dina die. They initially fight each other, during which Brad is cut, but ultimately choose to allow Dina to die instead.
Matt Gibson, an internal affairs detective at Mark Hoffman's precinct, is met by Jill Tuck, who incriminates Hoffman in exchange for protection and immunity from prosecution. Gibson, who has distrusted Hoffman ever since Hoffman saved his life by gunning down a homeless man, agrees to her terms. Meanwhile, Hoffman abducts a skinhead gang - Dan, Evan, Jake and Kara - and places them in a trap that kills them all, leaving the reverse bear trap at the scene to incriminate Jill, who is put into protective custody. After a meeting of Jigsaw survivors, including Lawrence Gordon, who cauterized his leg on a steam pipe after escaping the bathroom and now uses a leg brace and cane, Hoffman abducts Bobby Dagen, a self-help guru who achieved fame and fortune by falsifying his own survival story. He sends Gibson videos with cryptic clues to the game's location, offering to end the games if Jill is given to him.
Dagen awakens in a cage in an asylum and is told that his wife Joyce will die if he doesn't save her within one hour. Joyce is chained at the neck to a steel platform that gradually pulls her down as she watches Dagen's progress. After he escapes the cage, which dangles over a floor of spikes, he begins searching for Joyce. Along the way, he finds Nina, his publicist; Suzanne, his lawyer; and Cale McNamara, his best friend and co-conspirator. All three are in separate traps representing the three wise monkeys and are killed despite his efforts to save them. After he removes his upper wisdom teeth to obtain the combination for a security door, Dagen finds Joyce and is forced to reenact the trap he claimed to survive: he must drive hooks through his pectoral muscles and hoist himself up to the ceiling to deactivate her trap. He fails, and is forced to watch as a brazen bull capsule closes around Joyce and incinerates her.
Gibson eventually discovers the game's location and sends a SWAT team, who are sealed in another room and killed by toxic gas. Simultaneously, he and two officers infiltrate Hoffman's command center in the junkyard, where they find Dan's corpse sat in front of several monitors connected to the police headquarters security cameras. He sees Hoffman brought into the morgue in a body bag and tries to warn Palmer, but is killed by an automatic turret gun along with his men. Hoffman kills Dr. Heffner, Palmer, and everyone else in his path to Jill, who briefly escapes before she is caught and knocked unconscious. He straps her to a chair and locks a reverse bear trap to her head; she awakens as the timer starts and is killed when the trap activates, tearing apart her face.
After destroying his workshop, Hoffman is attacked and subdued by three pig-masked figures, one of whom is Gordon. Flashbacks show that John Kramer found him unconscious by the steam pipe and nursed him back to health, and Gordon has assisted him ever since. This was known only by Jill, who delivered a package to him at the hospital, a videotape in which Kramer asked him to watch over Jill and take action if anything happened to her. To this end, Gordon has Hoffman brought to the disused bathroom and shackled by the ankle to a pipe. Throwing away the hacksaw he had used to sever his own foot, Gordon turns off the lights and seals the door, leaving Hoffman to die.
|
Who leaves Hoffman to die?
|
Gordon
| 1,028 | 1,034 |
Saw VII
|
Two men, Brad and Ryan, awaken in a metropolitan storefront window, bound at the wrists to opposite sides of a worktable with a circular saw in front of each of them. Their mutual lover, Dina, is suspended above a third saw. As the scene draws attention and police arrive, a puppet informs the men that they can kill each other or let Dina die. They initially fight each other, during which Brad is cut, but ultimately choose to allow Dina to die instead.
Matt Gibson, an internal affairs detective at Mark Hoffman's precinct, is met by Jill Tuck, who incriminates Hoffman in exchange for protection and immunity from prosecution. Gibson, who has distrusted Hoffman ever since Hoffman saved his life by gunning down a homeless man, agrees to her terms. Meanwhile, Hoffman abducts a skinhead gang - Dan, Evan, Jake and Kara - and places them in a trap that kills them all, leaving the reverse bear trap at the scene to incriminate Jill, who is put into protective custody. After a meeting of Jigsaw survivors, including Lawrence Gordon, who cauterized his leg on a steam pipe after escaping the bathroom and now uses a leg brace and cane, Hoffman abducts Bobby Dagen, a self-help guru who achieved fame and fortune by falsifying his own survival story. He sends Gibson videos with cryptic clues to the game's location, offering to end the games if Jill is given to him.
Dagen awakens in a cage in an asylum and is told that his wife Joyce will die if he doesn't save her within one hour. Joyce is chained at the neck to a steel platform that gradually pulls her down as she watches Dagen's progress. After he escapes the cage, which dangles over a floor of spikes, he begins searching for Joyce. Along the way, he finds Nina, his publicist; Suzanne, his lawyer; and Cale McNamara, his best friend and co-conspirator. All three are in separate traps representing the three wise monkeys and are killed despite his efforts to save them. After he removes his upper wisdom teeth to obtain the combination for a security door, Dagen finds Joyce and is forced to reenact the trap he claimed to survive: he must drive hooks through his pectoral muscles and hoist himself up to the ceiling to deactivate her trap. He fails, and is forced to watch as a brazen bull capsule closes around Joyce and incinerates her.
Gibson eventually discovers the game's location and sends a SWAT team, who are sealed in another room and killed by toxic gas. Simultaneously, he and two officers infiltrate Hoffman's command center in the junkyard, where they find Dan's corpse sat in front of several monitors connected to the police headquarters security cameras. He sees Hoffman brought into the morgue in a body bag and tries to warn Palmer, but is killed by an automatic turret gun along with his men. Hoffman kills Dr. Heffner, Palmer, and everyone else in his path to Jill, who briefly escapes before she is caught and knocked unconscious. He straps her to a chair and locks a reverse bear trap to her head; she awakens as the timer starts and is killed when the trap activates, tearing apart her face.
After destroying his workshop, Hoffman is attacked and subdued by three pig-masked figures, one of whom is Gordon. Flashbacks show that John Kramer found him unconscious by the steam pipe and nursed him back to health, and Gordon has assisted him ever since. This was known only by Jill, who delivered a package to him at the hospital, a videotape in which Kramer asked him to watch over Jill and take action if anything happened to her. To this end, Gordon has Hoffman brought to the disused bathroom and shackled by the ankle to a pipe. Throwing away the hacksaw he had used to sever his own foot, Gordon turns off the lights and seals the door, leaving Hoffman to die.
|
Who attacks Hoffman?
|
Three pig-masked figures
| 3,146 | 3,170 |
Saw VII
|
Two men, Brad and Ryan, awaken in a metropolitan storefront window, bound at the wrists to opposite sides of a worktable with a circular saw in front of each of them. Their mutual lover, Dina, is suspended above a third saw. As the scene draws attention and police arrive, a puppet informs the men that they can kill each other or let Dina die. They initially fight each other, during which Brad is cut, but ultimately choose to allow Dina to die instead.
Matt Gibson, an internal affairs detective at Mark Hoffman's precinct, is met by Jill Tuck, who incriminates Hoffman in exchange for protection and immunity from prosecution. Gibson, who has distrusted Hoffman ever since Hoffman saved his life by gunning down a homeless man, agrees to her terms. Meanwhile, Hoffman abducts a skinhead gang - Dan, Evan, Jake and Kara - and places them in a trap that kills them all, leaving the reverse bear trap at the scene to incriminate Jill, who is put into protective custody. After a meeting of Jigsaw survivors, including Lawrence Gordon, who cauterized his leg on a steam pipe after escaping the bathroom and now uses a leg brace and cane, Hoffman abducts Bobby Dagen, a self-help guru who achieved fame and fortune by falsifying his own survival story. He sends Gibson videos with cryptic clues to the game's location, offering to end the games if Jill is given to him.
Dagen awakens in a cage in an asylum and is told that his wife Joyce will die if he doesn't save her within one hour. Joyce is chained at the neck to a steel platform that gradually pulls her down as she watches Dagen's progress. After he escapes the cage, which dangles over a floor of spikes, he begins searching for Joyce. Along the way, he finds Nina, his publicist; Suzanne, his lawyer; and Cale McNamara, his best friend and co-conspirator. All three are in separate traps representing the three wise monkeys and are killed despite his efforts to save them. After he removes his upper wisdom teeth to obtain the combination for a security door, Dagen finds Joyce and is forced to reenact the trap he claimed to survive: he must drive hooks through his pectoral muscles and hoist himself up to the ceiling to deactivate her trap. He fails, and is forced to watch as a brazen bull capsule closes around Joyce and incinerates her.
Gibson eventually discovers the game's location and sends a SWAT team, who are sealed in another room and killed by toxic gas. Simultaneously, he and two officers infiltrate Hoffman's command center in the junkyard, where they find Dan's corpse sat in front of several monitors connected to the police headquarters security cameras. He sees Hoffman brought into the morgue in a body bag and tries to warn Palmer, but is killed by an automatic turret gun along with his men. Hoffman kills Dr. Heffner, Palmer, and everyone else in his path to Jill, who briefly escapes before she is caught and knocked unconscious. He straps her to a chair and locks a reverse bear trap to her head; she awakens as the timer starts and is killed when the trap activates, tearing apart her face.
After destroying his workshop, Hoffman is attacked and subdued by three pig-masked figures, one of whom is Gordon. Flashbacks show that John Kramer found him unconscious by the steam pipe and nursed him back to health, and Gordon has assisted him ever since. This was known only by Jill, who delivered a package to him at the hospital, a videotape in which Kramer asked him to watch over Jill and take action if anything happened to her. To this end, Gordon has Hoffman brought to the disused bathroom and shackled by the ankle to a pipe. Throwing away the hacksaw he had used to sever his own foot, Gordon turns off the lights and seals the door, leaving Hoffman to die.
|
What closes around Joyce?
|
brazen bull capsule
| 2,242 | 2,261 |
The Amazing Mr Blunden
|
The film begins in 1918,[2] where a war widow, Mrs. Allen (Dorothy Alison) and her children, Lucy (Lynne Frederick), Jamie (Garry Miller) and baby Benjamin are reduced to living in a squalid, Camden Town flat. Just before Christmas, a mysterious old man, Mr. Frederick Percival Blunden (Laurence Naismith) visits the family, introducing himself as a representative of a firm of solicitors.[2] The family are told there is an opportunity to become the caretakers of a derelict country mansion in the Home Counties named Langley Park, which was gutted by fire years before, and is now in the charge of the solicitors. Mrs. Allen takes the post despite rumours that the house is haunted, her instructions to care for the property until such time as the heirs to the estate can be traced. The air of mystery deepens when the children see a portrait at the solicitors office of a man they believe to be Mr Blunden. The solicitor confirms this, but reveals that the portrait is of a man called Mr Blunden, but who has been dead for a hundred years.[6]
After they have settled into the new post, Lucy and Jamie see two ghostly figures in the grounds of the house: a teenage girl, Sara Latimer (Rosalyn Landor), and her younger brother, Georgie (Marc Granger). They are two children who lived in the house a century earlier.[7] Sara tells them that she and her brother are orphans, under the care of their dissolute and hapless Uncle Bertie (James Villiers) and the solicitor Mr. Blunden, until Georgie comes of age. Bertie marries a music hall performer, Bella Wickens[8] and her parents then move into Langley Park, ostensibly as the housekeeper and game keeper.[8] The children come to suspect that Mrs. Wickens (Diana Dors) and her disturbed (and often violent) husband are plotting to kill them to get hold of Georgie's inheritance. Sara and Georgie find a book with instructions for travelling through time, so that they can get help. Lucy and Jamie agree to travel back with them; they arrange to meet Sara the next day.
Jamie searches the graveyard, in the hope of finding nothing and being able to go back to help, knowing in advance that they will succeed. He and Lucy are shocked and distressed to find a gravestone marked with the names of both Sara and Georgie. The sexton explains that the two children died in a fire, whose anniversary turns out to be exactly a hundred years ago tomorrow. Nevertheless, Lucy and Jamie still drink the potion and travel back to 1818 in the hope of preventing the tragedy. There they meet Thomas, the gardener (Stuart Lock), who believes they are from America, and tells Lucy and Jamie that he wants to go there one day and make his fortune. Mr. Blunden is visiting the house that night, but refuses to listen to Sara's pleas for help.
That night the children are locked in a room above the library, and given a sleeping potion. Mr. Wickens (David Lodge) starts a fire in the library, trapping the children. Jamie helps Tom to save Sara, but when he tries to return for Georgie, he finds himself unable to get through the flames. Mr. Blunden appears, and tells Jamie that they will go together, holding hands. Jamie is kept safe from the fire, but Mr. Blunden suffers the pain that Jamie would have felt. Jamie and Mr. Blunden save Georgie. The Wickens perish in the fire. Lucy and Jamie both return to 1918, but Jamie is unconscious and Lucy cannot tell their mother what has happened.
At the graveyard, Lucy discovers that the children's gravestone has been replaced by another: that of Frederick Percival Blunden, the "Good Shepherd" who "died to save the children in his care". Jamie soon awakes and is overjoyed to hear that they have succeeded. Shortly after, the lawyer, Mr. Clutterbuck (Graham Crowden), visits them and informs them that recently discovered documents show that Sara Latimer married Thomas and that their great-grandson was the late Mr. Allen. This makes Jamie the rightful heir to the Langley Park.
At the end a car pulls up. When Mr Clutterbuck opens the door, sitting inside is Mr Blunden! But which one? The enigmatic phrase he greets them with is one they recognise from their first encounter. They have all the answers they need.
|
who finds a book with instructions for travelling through time?
|
Sara and Georgie
| 1,830 | 1,846 |
The Amazing Mr Blunden
|
The film begins in 1918,[2] where a war widow, Mrs. Allen (Dorothy Alison) and her children, Lucy (Lynne Frederick), Jamie (Garry Miller) and baby Benjamin are reduced to living in a squalid, Camden Town flat. Just before Christmas, a mysterious old man, Mr. Frederick Percival Blunden (Laurence Naismith) visits the family, introducing himself as a representative of a firm of solicitors.[2] The family are told there is an opportunity to become the caretakers of a derelict country mansion in the Home Counties named Langley Park, which was gutted by fire years before, and is now in the charge of the solicitors. Mrs. Allen takes the post despite rumours that the house is haunted, her instructions to care for the property until such time as the heirs to the estate can be traced. The air of mystery deepens when the children see a portrait at the solicitors office of a man they believe to be Mr Blunden. The solicitor confirms this, but reveals that the portrait is of a man called Mr Blunden, but who has been dead for a hundred years.[6]
After they have settled into the new post, Lucy and Jamie see two ghostly figures in the grounds of the house: a teenage girl, Sara Latimer (Rosalyn Landor), and her younger brother, Georgie (Marc Granger). They are two children who lived in the house a century earlier.[7] Sara tells them that she and her brother are orphans, under the care of their dissolute and hapless Uncle Bertie (James Villiers) and the solicitor Mr. Blunden, until Georgie comes of age. Bertie marries a music hall performer, Bella Wickens[8] and her parents then move into Langley Park, ostensibly as the housekeeper and game keeper.[8] The children come to suspect that Mrs. Wickens (Diana Dors) and her disturbed (and often violent) husband are plotting to kill them to get hold of Georgie's inheritance. Sara and Georgie find a book with instructions for travelling through time, so that they can get help. Lucy and Jamie agree to travel back with them; they arrange to meet Sara the next day.
Jamie searches the graveyard, in the hope of finding nothing and being able to go back to help, knowing in advance that they will succeed. He and Lucy are shocked and distressed to find a gravestone marked with the names of both Sara and Georgie. The sexton explains that the two children died in a fire, whose anniversary turns out to be exactly a hundred years ago tomorrow. Nevertheless, Lucy and Jamie still drink the potion and travel back to 1818 in the hope of preventing the tragedy. There they meet Thomas, the gardener (Stuart Lock), who believes they are from America, and tells Lucy and Jamie that he wants to go there one day and make his fortune. Mr. Blunden is visiting the house that night, but refuses to listen to Sara's pleas for help.
That night the children are locked in a room above the library, and given a sleeping potion. Mr. Wickens (David Lodge) starts a fire in the library, trapping the children. Jamie helps Tom to save Sara, but when he tries to return for Georgie, he finds himself unable to get through the flames. Mr. Blunden appears, and tells Jamie that they will go together, holding hands. Jamie is kept safe from the fire, but Mr. Blunden suffers the pain that Jamie would have felt. Jamie and Mr. Blunden save Georgie. The Wickens perish in the fire. Lucy and Jamie both return to 1918, but Jamie is unconscious and Lucy cannot tell their mother what has happened.
At the graveyard, Lucy discovers that the children's gravestone has been replaced by another: that of Frederick Percival Blunden, the "Good Shepherd" who "died to save the children in his care". Jamie soon awakes and is overjoyed to hear that they have succeeded. Shortly after, the lawyer, Mr. Clutterbuck (Graham Crowden), visits them and informs them that recently discovered documents show that Sara Latimer married Thomas and that their great-grandson was the late Mr. Allen. This makes Jamie the rightful heir to the Langley Park.
At the end a car pulls up. When Mr Clutterbuck opens the door, sitting inside is Mr Blunden! But which one? The enigmatic phrase he greets them with is one they recognise from their first encounter. They have all the answers they need.
|
When Jamie tries to get Georgie out. and is unable to get through the flames, who appears?
|
Mr. Blunden
| 1,468 | 1,479 |
The Amazing Mr Blunden
|
The film begins in 1918,[2] where a war widow, Mrs. Allen (Dorothy Alison) and her children, Lucy (Lynne Frederick), Jamie (Garry Miller) and baby Benjamin are reduced to living in a squalid, Camden Town flat. Just before Christmas, a mysterious old man, Mr. Frederick Percival Blunden (Laurence Naismith) visits the family, introducing himself as a representative of a firm of solicitors.[2] The family are told there is an opportunity to become the caretakers of a derelict country mansion in the Home Counties named Langley Park, which was gutted by fire years before, and is now in the charge of the solicitors. Mrs. Allen takes the post despite rumours that the house is haunted, her instructions to care for the property until such time as the heirs to the estate can be traced. The air of mystery deepens when the children see a portrait at the solicitors office of a man they believe to be Mr Blunden. The solicitor confirms this, but reveals that the portrait is of a man called Mr Blunden, but who has been dead for a hundred years.[6]
After they have settled into the new post, Lucy and Jamie see two ghostly figures in the grounds of the house: a teenage girl, Sara Latimer (Rosalyn Landor), and her younger brother, Georgie (Marc Granger). They are two children who lived in the house a century earlier.[7] Sara tells them that she and her brother are orphans, under the care of their dissolute and hapless Uncle Bertie (James Villiers) and the solicitor Mr. Blunden, until Georgie comes of age. Bertie marries a music hall performer, Bella Wickens[8] and her parents then move into Langley Park, ostensibly as the housekeeper and game keeper.[8] The children come to suspect that Mrs. Wickens (Diana Dors) and her disturbed (and often violent) husband are plotting to kill them to get hold of Georgie's inheritance. Sara and Georgie find a book with instructions for travelling through time, so that they can get help. Lucy and Jamie agree to travel back with them; they arrange to meet Sara the next day.
Jamie searches the graveyard, in the hope of finding nothing and being able to go back to help, knowing in advance that they will succeed. He and Lucy are shocked and distressed to find a gravestone marked with the names of both Sara and Georgie. The sexton explains that the two children died in a fire, whose anniversary turns out to be exactly a hundred years ago tomorrow. Nevertheless, Lucy and Jamie still drink the potion and travel back to 1818 in the hope of preventing the tragedy. There they meet Thomas, the gardener (Stuart Lock), who believes they are from America, and tells Lucy and Jamie that he wants to go there one day and make his fortune. Mr. Blunden is visiting the house that night, but refuses to listen to Sara's pleas for help.
That night the children are locked in a room above the library, and given a sleeping potion. Mr. Wickens (David Lodge) starts a fire in the library, trapping the children. Jamie helps Tom to save Sara, but when he tries to return for Georgie, he finds himself unable to get through the flames. Mr. Blunden appears, and tells Jamie that they will go together, holding hands. Jamie is kept safe from the fire, but Mr. Blunden suffers the pain that Jamie would have felt. Jamie and Mr. Blunden save Georgie. The Wickens perish in the fire. Lucy and Jamie both return to 1918, but Jamie is unconscious and Lucy cannot tell their mother what has happened.
At the graveyard, Lucy discovers that the children's gravestone has been replaced by another: that of Frederick Percival Blunden, the "Good Shepherd" who "died to save the children in his care". Jamie soon awakes and is overjoyed to hear that they have succeeded. Shortly after, the lawyer, Mr. Clutterbuck (Graham Crowden), visits them and informs them that recently discovered documents show that Sara Latimer married Thomas and that their great-grandson was the late Mr. Allen. This makes Jamie the rightful heir to the Langley Park.
At the end a car pulls up. When Mr Clutterbuck opens the door, sitting inside is Mr Blunden! But which one? The enigmatic phrase he greets them with is one they recognise from their first encounter. They have all the answers they need.
|
Who sees two ghostly figures in the ground?
|
Lucy and Jamie
| 1,089 | 1,103 |
The Amazing Mr Blunden
|
The film begins in 1918,[2] where a war widow, Mrs. Allen (Dorothy Alison) and her children, Lucy (Lynne Frederick), Jamie (Garry Miller) and baby Benjamin are reduced to living in a squalid, Camden Town flat. Just before Christmas, a mysterious old man, Mr. Frederick Percival Blunden (Laurence Naismith) visits the family, introducing himself as a representative of a firm of solicitors.[2] The family are told there is an opportunity to become the caretakers of a derelict country mansion in the Home Counties named Langley Park, which was gutted by fire years before, and is now in the charge of the solicitors. Mrs. Allen takes the post despite rumours that the house is haunted, her instructions to care for the property until such time as the heirs to the estate can be traced. The air of mystery deepens when the children see a portrait at the solicitors office of a man they believe to be Mr Blunden. The solicitor confirms this, but reveals that the portrait is of a man called Mr Blunden, but who has been dead for a hundred years.[6]
After they have settled into the new post, Lucy and Jamie see two ghostly figures in the grounds of the house: a teenage girl, Sara Latimer (Rosalyn Landor), and her younger brother, Georgie (Marc Granger). They are two children who lived in the house a century earlier.[7] Sara tells them that she and her brother are orphans, under the care of their dissolute and hapless Uncle Bertie (James Villiers) and the solicitor Mr. Blunden, until Georgie comes of age. Bertie marries a music hall performer, Bella Wickens[8] and her parents then move into Langley Park, ostensibly as the housekeeper and game keeper.[8] The children come to suspect that Mrs. Wickens (Diana Dors) and her disturbed (and often violent) husband are plotting to kill them to get hold of Georgie's inheritance. Sara and Georgie find a book with instructions for travelling through time, so that they can get help. Lucy and Jamie agree to travel back with them; they arrange to meet Sara the next day.
Jamie searches the graveyard, in the hope of finding nothing and being able to go back to help, knowing in advance that they will succeed. He and Lucy are shocked and distressed to find a gravestone marked with the names of both Sara and Georgie. The sexton explains that the two children died in a fire, whose anniversary turns out to be exactly a hundred years ago tomorrow. Nevertheless, Lucy and Jamie still drink the potion and travel back to 1818 in the hope of preventing the tragedy. There they meet Thomas, the gardener (Stuart Lock), who believes they are from America, and tells Lucy and Jamie that he wants to go there one day and make his fortune. Mr. Blunden is visiting the house that night, but refuses to listen to Sara's pleas for help.
That night the children are locked in a room above the library, and given a sleeping potion. Mr. Wickens (David Lodge) starts a fire in the library, trapping the children. Jamie helps Tom to save Sara, but when he tries to return for Georgie, he finds himself unable to get through the flames. Mr. Blunden appears, and tells Jamie that they will go together, holding hands. Jamie is kept safe from the fire, but Mr. Blunden suffers the pain that Jamie would have felt. Jamie and Mr. Blunden save Georgie. The Wickens perish in the fire. Lucy and Jamie both return to 1918, but Jamie is unconscious and Lucy cannot tell their mother what has happened.
At the graveyard, Lucy discovers that the children's gravestone has been replaced by another: that of Frederick Percival Blunden, the "Good Shepherd" who "died to save the children in his care". Jamie soon awakes and is overjoyed to hear that they have succeeded. Shortly after, the lawyer, Mr. Clutterbuck (Graham Crowden), visits them and informs them that recently discovered documents show that Sara Latimer married Thomas and that their great-grandson was the late Mr. Allen. This makes Jamie the rightful heir to the Langley Park.
At the end a car pulls up. When Mr Clutterbuck opens the door, sitting inside is Mr Blunden! But which one? The enigmatic phrase he greets them with is one they recognise from their first encounter. They have all the answers they need.
|
What year does Lucy and Jamie travel back to?
|
1818
| 2,468 | 2,472 |
The Amazing Mr Blunden
|
The film begins in 1918,[2] where a war widow, Mrs. Allen (Dorothy Alison) and her children, Lucy (Lynne Frederick), Jamie (Garry Miller) and baby Benjamin are reduced to living in a squalid, Camden Town flat. Just before Christmas, a mysterious old man, Mr. Frederick Percival Blunden (Laurence Naismith) visits the family, introducing himself as a representative of a firm of solicitors.[2] The family are told there is an opportunity to become the caretakers of a derelict country mansion in the Home Counties named Langley Park, which was gutted by fire years before, and is now in the charge of the solicitors. Mrs. Allen takes the post despite rumours that the house is haunted, her instructions to care for the property until such time as the heirs to the estate can be traced. The air of mystery deepens when the children see a portrait at the solicitors office of a man they believe to be Mr Blunden. The solicitor confirms this, but reveals that the portrait is of a man called Mr Blunden, but who has been dead for a hundred years.[6]
After they have settled into the new post, Lucy and Jamie see two ghostly figures in the grounds of the house: a teenage girl, Sara Latimer (Rosalyn Landor), and her younger brother, Georgie (Marc Granger). They are two children who lived in the house a century earlier.[7] Sara tells them that she and her brother are orphans, under the care of their dissolute and hapless Uncle Bertie (James Villiers) and the solicitor Mr. Blunden, until Georgie comes of age. Bertie marries a music hall performer, Bella Wickens[8] and her parents then move into Langley Park, ostensibly as the housekeeper and game keeper.[8] The children come to suspect that Mrs. Wickens (Diana Dors) and her disturbed (and often violent) husband are plotting to kill them to get hold of Georgie's inheritance. Sara and Georgie find a book with instructions for travelling through time, so that they can get help. Lucy and Jamie agree to travel back with them; they arrange to meet Sara the next day.
Jamie searches the graveyard, in the hope of finding nothing and being able to go back to help, knowing in advance that they will succeed. He and Lucy are shocked and distressed to find a gravestone marked with the names of both Sara and Georgie. The sexton explains that the two children died in a fire, whose anniversary turns out to be exactly a hundred years ago tomorrow. Nevertheless, Lucy and Jamie still drink the potion and travel back to 1818 in the hope of preventing the tragedy. There they meet Thomas, the gardener (Stuart Lock), who believes they are from America, and tells Lucy and Jamie that he wants to go there one day and make his fortune. Mr. Blunden is visiting the house that night, but refuses to listen to Sara's pleas for help.
That night the children are locked in a room above the library, and given a sleeping potion. Mr. Wickens (David Lodge) starts a fire in the library, trapping the children. Jamie helps Tom to save Sara, but when he tries to return for Georgie, he finds himself unable to get through the flames. Mr. Blunden appears, and tells Jamie that they will go together, holding hands. Jamie is kept safe from the fire, but Mr. Blunden suffers the pain that Jamie would have felt. Jamie and Mr. Blunden save Georgie. The Wickens perish in the fire. Lucy and Jamie both return to 1918, but Jamie is unconscious and Lucy cannot tell their mother what has happened.
At the graveyard, Lucy discovers that the children's gravestone has been replaced by another: that of Frederick Percival Blunden, the "Good Shepherd" who "died to save the children in his care". Jamie soon awakes and is overjoyed to hear that they have succeeded. Shortly after, the lawyer, Mr. Clutterbuck (Graham Crowden), visits them and informs them that recently discovered documents show that Sara Latimer married Thomas and that their great-grandson was the late Mr. Allen. This makes Jamie the rightful heir to the Langley Park.
At the end a car pulls up. When Mr Clutterbuck opens the door, sitting inside is Mr Blunden! But which one? The enigmatic phrase he greets them with is one they recognise from their first encounter. They have all the answers they need.
|
What is Mr. Clutterbuck's job?
|
lawyer
| 3,709 | 3,715 |
The Amazing Mr Blunden
|
The film begins in 1918,[2] where a war widow, Mrs. Allen (Dorothy Alison) and her children, Lucy (Lynne Frederick), Jamie (Garry Miller) and baby Benjamin are reduced to living in a squalid, Camden Town flat. Just before Christmas, a mysterious old man, Mr. Frederick Percival Blunden (Laurence Naismith) visits the family, introducing himself as a representative of a firm of solicitors.[2] The family are told there is an opportunity to become the caretakers of a derelict country mansion in the Home Counties named Langley Park, which was gutted by fire years before, and is now in the charge of the solicitors. Mrs. Allen takes the post despite rumours that the house is haunted, her instructions to care for the property until such time as the heirs to the estate can be traced. The air of mystery deepens when the children see a portrait at the solicitors office of a man they believe to be Mr Blunden. The solicitor confirms this, but reveals that the portrait is of a man called Mr Blunden, but who has been dead for a hundred years.[6]
After they have settled into the new post, Lucy and Jamie see two ghostly figures in the grounds of the house: a teenage girl, Sara Latimer (Rosalyn Landor), and her younger brother, Georgie (Marc Granger). They are two children who lived in the house a century earlier.[7] Sara tells them that she and her brother are orphans, under the care of their dissolute and hapless Uncle Bertie (James Villiers) and the solicitor Mr. Blunden, until Georgie comes of age. Bertie marries a music hall performer, Bella Wickens[8] and her parents then move into Langley Park, ostensibly as the housekeeper and game keeper.[8] The children come to suspect that Mrs. Wickens (Diana Dors) and her disturbed (and often violent) husband are plotting to kill them to get hold of Georgie's inheritance. Sara and Georgie find a book with instructions for travelling through time, so that they can get help. Lucy and Jamie agree to travel back with them; they arrange to meet Sara the next day.
Jamie searches the graveyard, in the hope of finding nothing and being able to go back to help, knowing in advance that they will succeed. He and Lucy are shocked and distressed to find a gravestone marked with the names of both Sara and Georgie. The sexton explains that the two children died in a fire, whose anniversary turns out to be exactly a hundred years ago tomorrow. Nevertheless, Lucy and Jamie still drink the potion and travel back to 1818 in the hope of preventing the tragedy. There they meet Thomas, the gardener (Stuart Lock), who believes they are from America, and tells Lucy and Jamie that he wants to go there one day and make his fortune. Mr. Blunden is visiting the house that night, but refuses to listen to Sara's pleas for help.
That night the children are locked in a room above the library, and given a sleeping potion. Mr. Wickens (David Lodge) starts a fire in the library, trapping the children. Jamie helps Tom to save Sara, but when he tries to return for Georgie, he finds himself unable to get through the flames. Mr. Blunden appears, and tells Jamie that they will go together, holding hands. Jamie is kept safe from the fire, but Mr. Blunden suffers the pain that Jamie would have felt. Jamie and Mr. Blunden save Georgie. The Wickens perish in the fire. Lucy and Jamie both return to 1918, but Jamie is unconscious and Lucy cannot tell their mother what has happened.
At the graveyard, Lucy discovers that the children's gravestone has been replaced by another: that of Frederick Percival Blunden, the "Good Shepherd" who "died to save the children in his care". Jamie soon awakes and is overjoyed to hear that they have succeeded. Shortly after, the lawyer, Mr. Clutterbuck (Graham Crowden), visits them and informs them that recently discovered documents show that Sara Latimer married Thomas and that their great-grandson was the late Mr. Allen. This makes Jamie the rightful heir to the Langley Park.
At the end a car pulls up. When Mr Clutterbuck opens the door, sitting inside is Mr Blunden! But which one? The enigmatic phrase he greets them with is one they recognise from their first encounter. They have all the answers they need.
|
How did Sara and George die?
|
a fire
| 2,317 | 2,323 |
The Amazing Mr Blunden
|
The film begins in 1918,[2] where a war widow, Mrs. Allen (Dorothy Alison) and her children, Lucy (Lynne Frederick), Jamie (Garry Miller) and baby Benjamin are reduced to living in a squalid, Camden Town flat. Just before Christmas, a mysterious old man, Mr. Frederick Percival Blunden (Laurence Naismith) visits the family, introducing himself as a representative of a firm of solicitors.[2] The family are told there is an opportunity to become the caretakers of a derelict country mansion in the Home Counties named Langley Park, which was gutted by fire years before, and is now in the charge of the solicitors. Mrs. Allen takes the post despite rumours that the house is haunted, her instructions to care for the property until such time as the heirs to the estate can be traced. The air of mystery deepens when the children see a portrait at the solicitors office of a man they believe to be Mr Blunden. The solicitor confirms this, but reveals that the portrait is of a man called Mr Blunden, but who has been dead for a hundred years.[6]
After they have settled into the new post, Lucy and Jamie see two ghostly figures in the grounds of the house: a teenage girl, Sara Latimer (Rosalyn Landor), and her younger brother, Georgie (Marc Granger). They are two children who lived in the house a century earlier.[7] Sara tells them that she and her brother are orphans, under the care of their dissolute and hapless Uncle Bertie (James Villiers) and the solicitor Mr. Blunden, until Georgie comes of age. Bertie marries a music hall performer, Bella Wickens[8] and her parents then move into Langley Park, ostensibly as the housekeeper and game keeper.[8] The children come to suspect that Mrs. Wickens (Diana Dors) and her disturbed (and often violent) husband are plotting to kill them to get hold of Georgie's inheritance. Sara and Georgie find a book with instructions for travelling through time, so that they can get help. Lucy and Jamie agree to travel back with them; they arrange to meet Sara the next day.
Jamie searches the graveyard, in the hope of finding nothing and being able to go back to help, knowing in advance that they will succeed. He and Lucy are shocked and distressed to find a gravestone marked with the names of both Sara and Georgie. The sexton explains that the two children died in a fire, whose anniversary turns out to be exactly a hundred years ago tomorrow. Nevertheless, Lucy and Jamie still drink the potion and travel back to 1818 in the hope of preventing the tragedy. There they meet Thomas, the gardener (Stuart Lock), who believes they are from America, and tells Lucy and Jamie that he wants to go there one day and make his fortune. Mr. Blunden is visiting the house that night, but refuses to listen to Sara's pleas for help.
That night the children are locked in a room above the library, and given a sleeping potion. Mr. Wickens (David Lodge) starts a fire in the library, trapping the children. Jamie helps Tom to save Sara, but when he tries to return for Georgie, he finds himself unable to get through the flames. Mr. Blunden appears, and tells Jamie that they will go together, holding hands. Jamie is kept safe from the fire, but Mr. Blunden suffers the pain that Jamie would have felt. Jamie and Mr. Blunden save Georgie. The Wickens perish in the fire. Lucy and Jamie both return to 1918, but Jamie is unconscious and Lucy cannot tell their mother what has happened.
At the graveyard, Lucy discovers that the children's gravestone has been replaced by another: that of Frederick Percival Blunden, the "Good Shepherd" who "died to save the children in his care". Jamie soon awakes and is overjoyed to hear that they have succeeded. Shortly after, the lawyer, Mr. Clutterbuck (Graham Crowden), visits them and informs them that recently discovered documents show that Sara Latimer married Thomas and that their great-grandson was the late Mr. Allen. This makes Jamie the rightful heir to the Langley Park.
At the end a car pulls up. When Mr Clutterbuck opens the door, sitting inside is Mr Blunden! But which one? The enigmatic phrase he greets them with is one they recognise from their first encounter. They have all the answers they need.
|
Who discovers that the children's gravestone has been replaced by another?
|
Lucy
| 93 | 97 |
The Amazing Mr Blunden
|
The film begins in 1918,[2] where a war widow, Mrs. Allen (Dorothy Alison) and her children, Lucy (Lynne Frederick), Jamie (Garry Miller) and baby Benjamin are reduced to living in a squalid, Camden Town flat. Just before Christmas, a mysterious old man, Mr. Frederick Percival Blunden (Laurence Naismith) visits the family, introducing himself as a representative of a firm of solicitors.[2] The family are told there is an opportunity to become the caretakers of a derelict country mansion in the Home Counties named Langley Park, which was gutted by fire years before, and is now in the charge of the solicitors. Mrs. Allen takes the post despite rumours that the house is haunted, her instructions to care for the property until such time as the heirs to the estate can be traced. The air of mystery deepens when the children see a portrait at the solicitors office of a man they believe to be Mr Blunden. The solicitor confirms this, but reveals that the portrait is of a man called Mr Blunden, but who has been dead for a hundred years.[6]
After they have settled into the new post, Lucy and Jamie see two ghostly figures in the grounds of the house: a teenage girl, Sara Latimer (Rosalyn Landor), and her younger brother, Georgie (Marc Granger). They are two children who lived in the house a century earlier.[7] Sara tells them that she and her brother are orphans, under the care of their dissolute and hapless Uncle Bertie (James Villiers) and the solicitor Mr. Blunden, until Georgie comes of age. Bertie marries a music hall performer, Bella Wickens[8] and her parents then move into Langley Park, ostensibly as the housekeeper and game keeper.[8] The children come to suspect that Mrs. Wickens (Diana Dors) and her disturbed (and often violent) husband are plotting to kill them to get hold of Georgie's inheritance. Sara and Georgie find a book with instructions for travelling through time, so that they can get help. Lucy and Jamie agree to travel back with them; they arrange to meet Sara the next day.
Jamie searches the graveyard, in the hope of finding nothing and being able to go back to help, knowing in advance that they will succeed. He and Lucy are shocked and distressed to find a gravestone marked with the names of both Sara and Georgie. The sexton explains that the two children died in a fire, whose anniversary turns out to be exactly a hundred years ago tomorrow. Nevertheless, Lucy and Jamie still drink the potion and travel back to 1818 in the hope of preventing the tragedy. There they meet Thomas, the gardener (Stuart Lock), who believes they are from America, and tells Lucy and Jamie that he wants to go there one day and make his fortune. Mr. Blunden is visiting the house that night, but refuses to listen to Sara's pleas for help.
That night the children are locked in a room above the library, and given a sleeping potion. Mr. Wickens (David Lodge) starts a fire in the library, trapping the children. Jamie helps Tom to save Sara, but when he tries to return for Georgie, he finds himself unable to get through the flames. Mr. Blunden appears, and tells Jamie that they will go together, holding hands. Jamie is kept safe from the fire, but Mr. Blunden suffers the pain that Jamie would have felt. Jamie and Mr. Blunden save Georgie. The Wickens perish in the fire. Lucy and Jamie both return to 1918, but Jamie is unconscious and Lucy cannot tell their mother what has happened.
At the graveyard, Lucy discovers that the children's gravestone has been replaced by another: that of Frederick Percival Blunden, the "Good Shepherd" who "died to save the children in his care". Jamie soon awakes and is overjoyed to hear that they have succeeded. Shortly after, the lawyer, Mr. Clutterbuck (Graham Crowden), visits them and informs them that recently discovered documents show that Sara Latimer married Thomas and that their great-grandson was the late Mr. Allen. This makes Jamie the rightful heir to the Langley Park.
At the end a car pulls up. When Mr Clutterbuck opens the door, sitting inside is Mr Blunden! But which one? The enigmatic phrase he greets them with is one they recognise from their first encounter. They have all the answers they need.
|
What year does the film begin in?
|
1918
| 19 | 23 |
The Amazing Mr Blunden
|
The film begins in 1918,[2] where a war widow, Mrs. Allen (Dorothy Alison) and her children, Lucy (Lynne Frederick), Jamie (Garry Miller) and baby Benjamin are reduced to living in a squalid, Camden Town flat. Just before Christmas, a mysterious old man, Mr. Frederick Percival Blunden (Laurence Naismith) visits the family, introducing himself as a representative of a firm of solicitors.[2] The family are told there is an opportunity to become the caretakers of a derelict country mansion in the Home Counties named Langley Park, which was gutted by fire years before, and is now in the charge of the solicitors. Mrs. Allen takes the post despite rumours that the house is haunted, her instructions to care for the property until such time as the heirs to the estate can be traced. The air of mystery deepens when the children see a portrait at the solicitors office of a man they believe to be Mr Blunden. The solicitor confirms this, but reveals that the portrait is of a man called Mr Blunden, but who has been dead for a hundred years.[6]
After they have settled into the new post, Lucy and Jamie see two ghostly figures in the grounds of the house: a teenage girl, Sara Latimer (Rosalyn Landor), and her younger brother, Georgie (Marc Granger). They are two children who lived in the house a century earlier.[7] Sara tells them that she and her brother are orphans, under the care of their dissolute and hapless Uncle Bertie (James Villiers) and the solicitor Mr. Blunden, until Georgie comes of age. Bertie marries a music hall performer, Bella Wickens[8] and her parents then move into Langley Park, ostensibly as the housekeeper and game keeper.[8] The children come to suspect that Mrs. Wickens (Diana Dors) and her disturbed (and often violent) husband are plotting to kill them to get hold of Georgie's inheritance. Sara and Georgie find a book with instructions for travelling through time, so that they can get help. Lucy and Jamie agree to travel back with them; they arrange to meet Sara the next day.
Jamie searches the graveyard, in the hope of finding nothing and being able to go back to help, knowing in advance that they will succeed. He and Lucy are shocked and distressed to find a gravestone marked with the names of both Sara and Georgie. The sexton explains that the two children died in a fire, whose anniversary turns out to be exactly a hundred years ago tomorrow. Nevertheless, Lucy and Jamie still drink the potion and travel back to 1818 in the hope of preventing the tragedy. There they meet Thomas, the gardener (Stuart Lock), who believes they are from America, and tells Lucy and Jamie that he wants to go there one day and make his fortune. Mr. Blunden is visiting the house that night, but refuses to listen to Sara's pleas for help.
That night the children are locked in a room above the library, and given a sleeping potion. Mr. Wickens (David Lodge) starts a fire in the library, trapping the children. Jamie helps Tom to save Sara, but when he tries to return for Georgie, he finds himself unable to get through the flames. Mr. Blunden appears, and tells Jamie that they will go together, holding hands. Jamie is kept safe from the fire, but Mr. Blunden suffers the pain that Jamie would have felt. Jamie and Mr. Blunden save Georgie. The Wickens perish in the fire. Lucy and Jamie both return to 1918, but Jamie is unconscious and Lucy cannot tell their mother what has happened.
At the graveyard, Lucy discovers that the children's gravestone has been replaced by another: that of Frederick Percival Blunden, the "Good Shepherd" who "died to save the children in his care". Jamie soon awakes and is overjoyed to hear that they have succeeded. Shortly after, the lawyer, Mr. Clutterbuck (Graham Crowden), visits them and informs them that recently discovered documents show that Sara Latimer married Thomas and that their great-grandson was the late Mr. Allen. This makes Jamie the rightful heir to the Langley Park.
At the end a car pulls up. When Mr Clutterbuck opens the door, sitting inside is Mr Blunden! But which one? The enigmatic phrase he greets them with is one they recognise from their first encounter. They have all the answers they need.
|
Who is sitting inside the car when Mr. Clutterbuck opens the door?
|
Mr blunden
| 898 | 908 |
The Amazing Mr Blunden
|
The film begins in 1918,[2] where a war widow, Mrs. Allen (Dorothy Alison) and her children, Lucy (Lynne Frederick), Jamie (Garry Miller) and baby Benjamin are reduced to living in a squalid, Camden Town flat. Just before Christmas, a mysterious old man, Mr. Frederick Percival Blunden (Laurence Naismith) visits the family, introducing himself as a representative of a firm of solicitors.[2] The family are told there is an opportunity to become the caretakers of a derelict country mansion in the Home Counties named Langley Park, which was gutted by fire years before, and is now in the charge of the solicitors. Mrs. Allen takes the post despite rumours that the house is haunted, her instructions to care for the property until such time as the heirs to the estate can be traced. The air of mystery deepens when the children see a portrait at the solicitors office of a man they believe to be Mr Blunden. The solicitor confirms this, but reveals that the portrait is of a man called Mr Blunden, but who has been dead for a hundred years.[6]
After they have settled into the new post, Lucy and Jamie see two ghostly figures in the grounds of the house: a teenage girl, Sara Latimer (Rosalyn Landor), and her younger brother, Georgie (Marc Granger). They are two children who lived in the house a century earlier.[7] Sara tells them that she and her brother are orphans, under the care of their dissolute and hapless Uncle Bertie (James Villiers) and the solicitor Mr. Blunden, until Georgie comes of age. Bertie marries a music hall performer, Bella Wickens[8] and her parents then move into Langley Park, ostensibly as the housekeeper and game keeper.[8] The children come to suspect that Mrs. Wickens (Diana Dors) and her disturbed (and often violent) husband are plotting to kill them to get hold of Georgie's inheritance. Sara and Georgie find a book with instructions for travelling through time, so that they can get help. Lucy and Jamie agree to travel back with them; they arrange to meet Sara the next day.
Jamie searches the graveyard, in the hope of finding nothing and being able to go back to help, knowing in advance that they will succeed. He and Lucy are shocked and distressed to find a gravestone marked with the names of both Sara and Georgie. The sexton explains that the two children died in a fire, whose anniversary turns out to be exactly a hundred years ago tomorrow. Nevertheless, Lucy and Jamie still drink the potion and travel back to 1818 in the hope of preventing the tragedy. There they meet Thomas, the gardener (Stuart Lock), who believes they are from America, and tells Lucy and Jamie that he wants to go there one day and make his fortune. Mr. Blunden is visiting the house that night, but refuses to listen to Sara's pleas for help.
That night the children are locked in a room above the library, and given a sleeping potion. Mr. Wickens (David Lodge) starts a fire in the library, trapping the children. Jamie helps Tom to save Sara, but when he tries to return for Georgie, he finds himself unable to get through the flames. Mr. Blunden appears, and tells Jamie that they will go together, holding hands. Jamie is kept safe from the fire, but Mr. Blunden suffers the pain that Jamie would have felt. Jamie and Mr. Blunden save Georgie. The Wickens perish in the fire. Lucy and Jamie both return to 1918, but Jamie is unconscious and Lucy cannot tell their mother what has happened.
At the graveyard, Lucy discovers that the children's gravestone has been replaced by another: that of Frederick Percival Blunden, the "Good Shepherd" who "died to save the children in his care". Jamie soon awakes and is overjoyed to hear that they have succeeded. Shortly after, the lawyer, Mr. Clutterbuck (Graham Crowden), visits them and informs them that recently discovered documents show that Sara Latimer married Thomas and that their great-grandson was the late Mr. Allen. This makes Jamie the rightful heir to the Langley Park.
At the end a car pulls up. When Mr Clutterbuck opens the door, sitting inside is Mr Blunden! But which one? The enigmatic phrase he greets them with is one they recognise from their first encounter. They have all the answers they need.
|
Who tells them that she and her brother are orphans?
|
Sara
| 1,173 | 1,177 |
The Amazing Mr Blunden
|
The film begins in 1918,[2] where a war widow, Mrs. Allen (Dorothy Alison) and her children, Lucy (Lynne Frederick), Jamie (Garry Miller) and baby Benjamin are reduced to living in a squalid, Camden Town flat. Just before Christmas, a mysterious old man, Mr. Frederick Percival Blunden (Laurence Naismith) visits the family, introducing himself as a representative of a firm of solicitors.[2] The family are told there is an opportunity to become the caretakers of a derelict country mansion in the Home Counties named Langley Park, which was gutted by fire years before, and is now in the charge of the solicitors. Mrs. Allen takes the post despite rumours that the house is haunted, her instructions to care for the property until such time as the heirs to the estate can be traced. The air of mystery deepens when the children see a portrait at the solicitors office of a man they believe to be Mr Blunden. The solicitor confirms this, but reveals that the portrait is of a man called Mr Blunden, but who has been dead for a hundred years.[6]
After they have settled into the new post, Lucy and Jamie see two ghostly figures in the grounds of the house: a teenage girl, Sara Latimer (Rosalyn Landor), and her younger brother, Georgie (Marc Granger). They are two children who lived in the house a century earlier.[7] Sara tells them that she and her brother are orphans, under the care of their dissolute and hapless Uncle Bertie (James Villiers) and the solicitor Mr. Blunden, until Georgie comes of age. Bertie marries a music hall performer, Bella Wickens[8] and her parents then move into Langley Park, ostensibly as the housekeeper and game keeper.[8] The children come to suspect that Mrs. Wickens (Diana Dors) and her disturbed (and often violent) husband are plotting to kill them to get hold of Georgie's inheritance. Sara and Georgie find a book with instructions for travelling through time, so that they can get help. Lucy and Jamie agree to travel back with them; they arrange to meet Sara the next day.
Jamie searches the graveyard, in the hope of finding nothing and being able to go back to help, knowing in advance that they will succeed. He and Lucy are shocked and distressed to find a gravestone marked with the names of both Sara and Georgie. The sexton explains that the two children died in a fire, whose anniversary turns out to be exactly a hundred years ago tomorrow. Nevertheless, Lucy and Jamie still drink the potion and travel back to 1818 in the hope of preventing the tragedy. There they meet Thomas, the gardener (Stuart Lock), who believes they are from America, and tells Lucy and Jamie that he wants to go there one day and make his fortune. Mr. Blunden is visiting the house that night, but refuses to listen to Sara's pleas for help.
That night the children are locked in a room above the library, and given a sleeping potion. Mr. Wickens (David Lodge) starts a fire in the library, trapping the children. Jamie helps Tom to save Sara, but when he tries to return for Georgie, he finds himself unable to get through the flames. Mr. Blunden appears, and tells Jamie that they will go together, holding hands. Jamie is kept safe from the fire, but Mr. Blunden suffers the pain that Jamie would have felt. Jamie and Mr. Blunden save Georgie. The Wickens perish in the fire. Lucy and Jamie both return to 1918, but Jamie is unconscious and Lucy cannot tell their mother what has happened.
At the graveyard, Lucy discovers that the children's gravestone has been replaced by another: that of Frederick Percival Blunden, the "Good Shepherd" who "died to save the children in his care". Jamie soon awakes and is overjoyed to hear that they have succeeded. Shortly after, the lawyer, Mr. Clutterbuck (Graham Crowden), visits them and informs them that recently discovered documents show that Sara Latimer married Thomas and that their great-grandson was the late Mr. Allen. This makes Jamie the rightful heir to the Langley Park.
At the end a car pulls up. When Mr Clutterbuck opens the door, sitting inside is Mr Blunden! But which one? The enigmatic phrase he greets them with is one they recognise from their first encounter. They have all the answers they need.
|
Who visits the family just before Christmas?
|
Mr. Blunden
| 1,468 | 1,479 |
The Amazing Mr Blunden
|
The film begins in 1918,[2] where a war widow, Mrs. Allen (Dorothy Alison) and her children, Lucy (Lynne Frederick), Jamie (Garry Miller) and baby Benjamin are reduced to living in a squalid, Camden Town flat. Just before Christmas, a mysterious old man, Mr. Frederick Percival Blunden (Laurence Naismith) visits the family, introducing himself as a representative of a firm of solicitors.[2] The family are told there is an opportunity to become the caretakers of a derelict country mansion in the Home Counties named Langley Park, which was gutted by fire years before, and is now in the charge of the solicitors. Mrs. Allen takes the post despite rumours that the house is haunted, her instructions to care for the property until such time as the heirs to the estate can be traced. The air of mystery deepens when the children see a portrait at the solicitors office of a man they believe to be Mr Blunden. The solicitor confirms this, but reveals that the portrait is of a man called Mr Blunden, but who has been dead for a hundred years.[6]
After they have settled into the new post, Lucy and Jamie see two ghostly figures in the grounds of the house: a teenage girl, Sara Latimer (Rosalyn Landor), and her younger brother, Georgie (Marc Granger). They are two children who lived in the house a century earlier.[7] Sara tells them that she and her brother are orphans, under the care of their dissolute and hapless Uncle Bertie (James Villiers) and the solicitor Mr. Blunden, until Georgie comes of age. Bertie marries a music hall performer, Bella Wickens[8] and her parents then move into Langley Park, ostensibly as the housekeeper and game keeper.[8] The children come to suspect that Mrs. Wickens (Diana Dors) and her disturbed (and often violent) husband are plotting to kill them to get hold of Georgie's inheritance. Sara and Georgie find a book with instructions for travelling through time, so that they can get help. Lucy and Jamie agree to travel back with them; they arrange to meet Sara the next day.
Jamie searches the graveyard, in the hope of finding nothing and being able to go back to help, knowing in advance that they will succeed. He and Lucy are shocked and distressed to find a gravestone marked with the names of both Sara and Georgie. The sexton explains that the two children died in a fire, whose anniversary turns out to be exactly a hundred years ago tomorrow. Nevertheless, Lucy and Jamie still drink the potion and travel back to 1818 in the hope of preventing the tragedy. There they meet Thomas, the gardener (Stuart Lock), who believes they are from America, and tells Lucy and Jamie that he wants to go there one day and make his fortune. Mr. Blunden is visiting the house that night, but refuses to listen to Sara's pleas for help.
That night the children are locked in a room above the library, and given a sleeping potion. Mr. Wickens (David Lodge) starts a fire in the library, trapping the children. Jamie helps Tom to save Sara, but when he tries to return for Georgie, he finds himself unable to get through the flames. Mr. Blunden appears, and tells Jamie that they will go together, holding hands. Jamie is kept safe from the fire, but Mr. Blunden suffers the pain that Jamie would have felt. Jamie and Mr. Blunden save Georgie. The Wickens perish in the fire. Lucy and Jamie both return to 1918, but Jamie is unconscious and Lucy cannot tell their mother what has happened.
At the graveyard, Lucy discovers that the children's gravestone has been replaced by another: that of Frederick Percival Blunden, the "Good Shepherd" who "died to save the children in his care". Jamie soon awakes and is overjoyed to hear that they have succeeded. Shortly after, the lawyer, Mr. Clutterbuck (Graham Crowden), visits them and informs them that recently discovered documents show that Sara Latimer married Thomas and that their great-grandson was the late Mr. Allen. This makes Jamie the rightful heir to the Langley Park.
At the end a car pulls up. When Mr Clutterbuck opens the door, sitting inside is Mr Blunden! But which one? The enigmatic phrase he greets them with is one they recognise from their first encounter. They have all the answers they need.
|
The children get out, but who perishes in the fire?
|
The Wickens
| 3,280 | 3,291 |
The Five-Year Engagement
|
One year after Tom Solomon met Violet Barnes, he surprises her with a ring. Tom's plan is simple: As they head out to a New Year's Eve party, he fakes a reason to drop by work. The staff patio at the über-trendy Birch, with its view of San Francisco's Bay Bridge, is the perfect place to pop the question. Tom is nervous as hell, but the candles are lit, the champagne is chilled and his best friend, Alex is in on the secret. But they are late for the party, so Violet fights him on the pit stop. Frustrated, he blurts out his agenda, and suddenly, they are engaged!By all accounts, Tom and Violet are destined for their happily ever after. As a sous chef at Birch, Tom is at the apex of modernist cooking and ripe for a promotion. Academia is Violet's life, and she's this close to a post-doctoral assignment in social psychology at UC Berkeley. There is nothing she can't handle with ease, and she'll spearhead wedding logistics. They'll be married in no time at all.Scoring the perfect wedding venue is a headache, but much more painful is Violet's rejection by her dream
school. When the University of Michigan beckons, she's conflicted. But Tom swallows his pride and tells her to
go for it. He can cook in Michigan for two years; they'll just have to postpone the wedding for a bit.In Ann Arbor, Violet thrives under the tutelage of brilliant faculty advisor Winton and makes quick friends with her fellow grad students Doug, Vaneetha and Ming. Left with too much time on his hands, Tom settles into Michigan life and gets a job at Zingerman's Deli, a local institution but a far cry from the fine dining he is used to. He bonds with his co-worker Tarquin and takes up hunting at the behest of the other faculty spouse, Bill. Back in San Francisco, Alex gets the restaurant promotion that should have been Tom's and marries Violet's quirky sister, Suzie. They quickly have two kids while Tom and Violet still don't have a wedding date. Life seems to be working out so easily for everyone else. Two people who once dreamed of the perfect day just want to get it over with. But even that seems beyond them, as comical problems torpedo every save the date. Maybe its not meant to be. Maybe they're not meant to be. Now, through the humorous trials of discovering who they will become as a couple, Tom and Violet will learn if they have what it takes to survive their five-year engagement.
|
What was Tom's job?
|
sous chef at Birch
| 647 | 665 |
The Five-Year Engagement
|
One year after Tom Solomon met Violet Barnes, he surprises her with a ring. Tom's plan is simple: As they head out to a New Year's Eve party, he fakes a reason to drop by work. The staff patio at the über-trendy Birch, with its view of San Francisco's Bay Bridge, is the perfect place to pop the question. Tom is nervous as hell, but the candles are lit, the champagne is chilled and his best friend, Alex is in on the secret. But they are late for the party, so Violet fights him on the pit stop. Frustrated, he blurts out his agenda, and suddenly, they are engaged!By all accounts, Tom and Violet are destined for their happily ever after. As a sous chef at Birch, Tom is at the apex of modernist cooking and ripe for a promotion. Academia is Violet's life, and she's this close to a post-doctoral assignment in social psychology at UC Berkeley. There is nothing she can't handle with ease, and she'll spearhead wedding logistics. They'll be married in no time at all.Scoring the perfect wedding venue is a headache, but much more painful is Violet's rejection by her dream
school. When the University of Michigan beckons, she's conflicted. But Tom swallows his pride and tells her to
go for it. He can cook in Michigan for two years; they'll just have to postpone the wedding for a bit.In Ann Arbor, Violet thrives under the tutelage of brilliant faculty advisor Winton and makes quick friends with her fellow grad students Doug, Vaneetha and Ming. Left with too much time on his hands, Tom settles into Michigan life and gets a job at Zingerman's Deli, a local institution but a far cry from the fine dining he is used to. He bonds with his co-worker Tarquin and takes up hunting at the behest of the other faculty spouse, Bill. Back in San Francisco, Alex gets the restaurant promotion that should have been Tom's and marries Violet's quirky sister, Suzie. They quickly have two kids while Tom and Violet still don't have a wedding date. Life seems to be working out so easily for everyone else. Two people who once dreamed of the perfect day just want to get it over with. But even that seems beyond them, as comical problems torpedo every save the date. Maybe its not meant to be. Maybe they're not meant to be. Now, through the humorous trials of discovering who they will become as a couple, Tom and Violet will learn if they have what it takes to survive their five-year engagement.
|
How long after Tom met Violet did he propose?
|
one year
| 0 | 8 |
The Five-Year Engagement
|
One year after Tom Solomon met Violet Barnes, he surprises her with a ring. Tom's plan is simple: As they head out to a New Year's Eve party, he fakes a reason to drop by work. The staff patio at the über-trendy Birch, with its view of San Francisco's Bay Bridge, is the perfect place to pop the question. Tom is nervous as hell, but the candles are lit, the champagne is chilled and his best friend, Alex is in on the secret. But they are late for the party, so Violet fights him on the pit stop. Frustrated, he blurts out his agenda, and suddenly, they are engaged!By all accounts, Tom and Violet are destined for their happily ever after. As a sous chef at Birch, Tom is at the apex of modernist cooking and ripe for a promotion. Academia is Violet's life, and she's this close to a post-doctoral assignment in social psychology at UC Berkeley. There is nothing she can't handle with ease, and she'll spearhead wedding logistics. They'll be married in no time at all.Scoring the perfect wedding venue is a headache, but much more painful is Violet's rejection by her dream
school. When the University of Michigan beckons, she's conflicted. But Tom swallows his pride and tells her to
go for it. He can cook in Michigan for two years; they'll just have to postpone the wedding for a bit.In Ann Arbor, Violet thrives under the tutelage of brilliant faculty advisor Winton and makes quick friends with her fellow grad students Doug, Vaneetha and Ming. Left with too much time on his hands, Tom settles into Michigan life and gets a job at Zingerman's Deli, a local institution but a far cry from the fine dining he is used to. He bonds with his co-worker Tarquin and takes up hunting at the behest of the other faculty spouse, Bill. Back in San Francisco, Alex gets the restaurant promotion that should have been Tom's and marries Violet's quirky sister, Suzie. They quickly have two kids while Tom and Violet still don't have a wedding date. Life seems to be working out so easily for everyone else. Two people who once dreamed of the perfect day just want to get it over with. But even that seems beyond them, as comical problems torpedo every save the date. Maybe its not meant to be. Maybe they're not meant to be. Now, through the humorous trials of discovering who they will become as a couple, Tom and Violet will learn if they have what it takes to survive their five-year engagement.
|
Which university beckons her?
|
University of Michigan
| 1,093 | 1,115 |
The Five-Year Engagement
|
One year after Tom Solomon met Violet Barnes, he surprises her with a ring. Tom's plan is simple: As they head out to a New Year's Eve party, he fakes a reason to drop by work. The staff patio at the über-trendy Birch, with its view of San Francisco's Bay Bridge, is the perfect place to pop the question. Tom is nervous as hell, but the candles are lit, the champagne is chilled and his best friend, Alex is in on the secret. But they are late for the party, so Violet fights him on the pit stop. Frustrated, he blurts out his agenda, and suddenly, they are engaged!By all accounts, Tom and Violet are destined for their happily ever after. As a sous chef at Birch, Tom is at the apex of modernist cooking and ripe for a promotion. Academia is Violet's life, and she's this close to a post-doctoral assignment in social psychology at UC Berkeley. There is nothing she can't handle with ease, and she'll spearhead wedding logistics. They'll be married in no time at all.Scoring the perfect wedding venue is a headache, but much more painful is Violet's rejection by her dream
school. When the University of Michigan beckons, she's conflicted. But Tom swallows his pride and tells her to
go for it. He can cook in Michigan for two years; they'll just have to postpone the wedding for a bit.In Ann Arbor, Violet thrives under the tutelage of brilliant faculty advisor Winton and makes quick friends with her fellow grad students Doug, Vaneetha and Ming. Left with too much time on his hands, Tom settles into Michigan life and gets a job at Zingerman's Deli, a local institution but a far cry from the fine dining he is used to. He bonds with his co-worker Tarquin and takes up hunting at the behest of the other faculty spouse, Bill. Back in San Francisco, Alex gets the restaurant promotion that should have been Tom's and marries Violet's quirky sister, Suzie. They quickly have two kids while Tom and Violet still don't have a wedding date. Life seems to be working out so easily for everyone else. Two people who once dreamed of the perfect day just want to get it over with. But even that seems beyond them, as comical problems torpedo every save the date. Maybe its not meant to be. Maybe they're not meant to be. Now, through the humorous trials of discovering who they will become as a couple, Tom and Violet will learn if they have what it takes to survive their five-year engagement.
|
Who thrives in Ann Arbor?
|
Violet
| 31 | 37 |
The Five-Year Engagement
|
One year after Tom Solomon met Violet Barnes, he surprises her with a ring. Tom's plan is simple: As they head out to a New Year's Eve party, he fakes a reason to drop by work. The staff patio at the über-trendy Birch, with its view of San Francisco's Bay Bridge, is the perfect place to pop the question. Tom is nervous as hell, but the candles are lit, the champagne is chilled and his best friend, Alex is in on the secret. But they are late for the party, so Violet fights him on the pit stop. Frustrated, he blurts out his agenda, and suddenly, they are engaged!By all accounts, Tom and Violet are destined for their happily ever after. As a sous chef at Birch, Tom is at the apex of modernist cooking and ripe for a promotion. Academia is Violet's life, and she's this close to a post-doctoral assignment in social psychology at UC Berkeley. There is nothing she can't handle with ease, and she'll spearhead wedding logistics. They'll be married in no time at all.Scoring the perfect wedding venue is a headache, but much more painful is Violet's rejection by her dream
school. When the University of Michigan beckons, she's conflicted. But Tom swallows his pride and tells her to
go for it. He can cook in Michigan for two years; they'll just have to postpone the wedding for a bit.In Ann Arbor, Violet thrives under the tutelage of brilliant faculty advisor Winton and makes quick friends with her fellow grad students Doug, Vaneetha and Ming. Left with too much time on his hands, Tom settles into Michigan life and gets a job at Zingerman's Deli, a local institution but a far cry from the fine dining he is used to. He bonds with his co-worker Tarquin and takes up hunting at the behest of the other faculty spouse, Bill. Back in San Francisco, Alex gets the restaurant promotion that should have been Tom's and marries Violet's quirky sister, Suzie. They quickly have two kids while Tom and Violet still don't have a wedding date. Life seems to be working out so easily for everyone else. Two people who once dreamed of the perfect day just want to get it over with. But even that seems beyond them, as comical problems torpedo every save the date. Maybe its not meant to be. Maybe they're not meant to be. Now, through the humorous trials of discovering who they will become as a couple, Tom and Violet will learn if they have what it takes to survive their five-year engagement.
|
In what field was Violet's doctorate?
|
social psychology
| 814 | 831 |
The Five-Year Engagement
|
One year after Tom Solomon met Violet Barnes, he surprises her with a ring. Tom's plan is simple: As they head out to a New Year's Eve party, he fakes a reason to drop by work. The staff patio at the über-trendy Birch, with its view of San Francisco's Bay Bridge, is the perfect place to pop the question. Tom is nervous as hell, but the candles are lit, the champagne is chilled and his best friend, Alex is in on the secret. But they are late for the party, so Violet fights him on the pit stop. Frustrated, he blurts out his agenda, and suddenly, they are engaged!By all accounts, Tom and Violet are destined for their happily ever after. As a sous chef at Birch, Tom is at the apex of modernist cooking and ripe for a promotion. Academia is Violet's life, and she's this close to a post-doctoral assignment in social psychology at UC Berkeley. There is nothing she can't handle with ease, and she'll spearhead wedding logistics. They'll be married in no time at all.Scoring the perfect wedding venue is a headache, but much more painful is Violet's rejection by her dream
school. When the University of Michigan beckons, she's conflicted. But Tom swallows his pride and tells her to
go for it. He can cook in Michigan for two years; they'll just have to postpone the wedding for a bit.In Ann Arbor, Violet thrives under the tutelage of brilliant faculty advisor Winton and makes quick friends with her fellow grad students Doug, Vaneetha and Ming. Left with too much time on his hands, Tom settles into Michigan life and gets a job at Zingerman's Deli, a local institution but a far cry from the fine dining he is used to. He bonds with his co-worker Tarquin and takes up hunting at the behest of the other faculty spouse, Bill. Back in San Francisco, Alex gets the restaurant promotion that should have been Tom's and marries Violet's quirky sister, Suzie. They quickly have two kids while Tom and Violet still don't have a wedding date. Life seems to be working out so easily for everyone else. Two people who once dreamed of the perfect day just want to get it over with. But even that seems beyond them, as comical problems torpedo every save the date. Maybe its not meant to be. Maybe they're not meant to be. Now, through the humorous trials of discovering who they will become as a couple, Tom and Violet will learn if they have what it takes to survive their five-year engagement.
|
Where does tom get a job?
|
Zingerman's deli
| 1,539 | 1,555 |
The Five-Year Engagement
|
One year after Tom Solomon met Violet Barnes, he surprises her with a ring. Tom's plan is simple: As they head out to a New Year's Eve party, he fakes a reason to drop by work. The staff patio at the über-trendy Birch, with its view of San Francisco's Bay Bridge, is the perfect place to pop the question. Tom is nervous as hell, but the candles are lit, the champagne is chilled and his best friend, Alex is in on the secret. But they are late for the party, so Violet fights him on the pit stop. Frustrated, he blurts out his agenda, and suddenly, they are engaged!By all accounts, Tom and Violet are destined for their happily ever after. As a sous chef at Birch, Tom is at the apex of modernist cooking and ripe for a promotion. Academia is Violet's life, and she's this close to a post-doctoral assignment in social psychology at UC Berkeley. There is nothing she can't handle with ease, and she'll spearhead wedding logistics. They'll be married in no time at all.Scoring the perfect wedding venue is a headache, but much more painful is Violet's rejection by her dream
school. When the University of Michigan beckons, she's conflicted. But Tom swallows his pride and tells her to
go for it. He can cook in Michigan for two years; they'll just have to postpone the wedding for a bit.In Ann Arbor, Violet thrives under the tutelage of brilliant faculty advisor Winton and makes quick friends with her fellow grad students Doug, Vaneetha and Ming. Left with too much time on his hands, Tom settles into Michigan life and gets a job at Zingerman's Deli, a local institution but a far cry from the fine dining he is used to. He bonds with his co-worker Tarquin and takes up hunting at the behest of the other faculty spouse, Bill. Back in San Francisco, Alex gets the restaurant promotion that should have been Tom's and marries Violet's quirky sister, Suzie. They quickly have two kids while Tom and Violet still don't have a wedding date. Life seems to be working out so easily for everyone else. Two people who once dreamed of the perfect day just want to get it over with. But even that seems beyond them, as comical problems torpedo every save the date. Maybe its not meant to be. Maybe they're not meant to be. Now, through the humorous trials of discovering who they will become as a couple, Tom and Violet will learn if they have what it takes to survive their five-year engagement.
|
Who are the fellow grad students?
|
Doug, vaneetha and Ming
| 1,427 | 1,450 |
Invictus
|
On 11 February 1990, Nelson Mandela is released from Victor Verster Prison after having spent 27 years in jail. Four years later, Mandela is elected the first black President of South Africa. His presidency faces enormous challenges in the post-Apartheid era, including rampant poverty and crime, and Mandela is particularly concerned about racial divisions between black and white South Africans, which could lead to violence. The ill will which both groups hold towards each other is seen even in his own security detail where relations between the established white officers, who had guarded Mandela's predecessors, and the black ANC additions to the security detail, are frosty and marked by mutual distrust.
While attending a game between the Springboks, the country's rugby union team, and England, Mandela recognises that the blacks in the stadium are cheering for England, as the mostly-white Springboks represent prejudice and apartheid in their minds; he remarks that he did the same while imprisoned on Robben Island. Knowing that South Africa is set to host the 1995 Rugby World Cup in one year's time, Mandela persuades a meeting of the newly black-dominated South African Sports Committee to support the Springboks. He then meets with the captain of the Springboks rugby team, François Pienaar, and implies that a Springboks victory in the World Cup will unite and inspire the nation. Mandela also shares with François a British poem, "Invictus", that had inspired him during his time in prison.
François and his teammates train. Many South Africans, both black and white, doubt that rugby will unite a nation torn apart by nearly 50 years of racial tensions, as for many blacks, especially the radicals, the Springboks symbolise white supremacy. Both Mandela and Pienaar, however, stand firmly behind their theory that the game can successfully unite the South African country.
Things begin to change as the players interact with the fans and begin a friendship with them. During the opening games, support for the Springboks begins to grow among the black population. By the second game, the whole country comes together to support the Springboks and Mandela's efforts. Mandela's security team also grows closer as the various officers come to respect their comrades' professionalism and dedication.
As Mandela watches, the Springboks defeat one of their archrivals - Australia, the defending champions and known as the Wallabies - in their opening match. They then continue to defy all expectations and, as Mandela conducts trade negotiations with Japan, defeat France in heavy rain in Durban to advance to the final against their other arch-rival: New Zealand, known as the All Blacks. New Zealand and South Africa were universally regarded as the two greatest rugby nations, with the Springboks being the only side to have a winning record against the All Blacks up to this point.[4] The first Test series between the two countries in 1921 was the beginning of an intense rivalry, with emotions running high whenever the two nations met on the rugby field.
Before the game, the Springbok team visits Robben Island, where Mandela spent the first 18 of his 27 years in jail. There Pienaar is inspired by Mandela's will and his idea of self-mastery in Invictus. François mentions his amazement that Mandela "could spend thirty years in a tiny cell, and come out ready to forgive the people who put [him] there".
Supported by a large home crowd of all races at Ellis Park Stadium in Johannesburg, Pienaar motivates his teammates for the final. Mandela's security detail receives a scare when, just before the match, a South African Airways Boeing 747 jetliner flies in low over the stadium. It is not an assassination attempt though, but a demonstration of patriotism, with the message "Good Luck, Bokke" â the Springboks' Afrikaans nickname â painted on the undersides of the plane's wings. Mandela also famously arrives onto the field before the match wearing a Springbok cap and a long-sleeved replica of Pienaar's #6 shirt.
The Springboks complete their run by beating the All Blacks 15-12 in extra time thanks to a drop goal from fly-half Joel Stransky. Mandela and Pienaar meet on the field together to celebrate the improbable and unexpected victory, and Mandela hands Pienaar the William Webb Ellis Cup, signaling that the Springboks are indeed rugby union's world champions. Mandela's car then drives away in the traffic-jammed streets leaving the stadium. As Mandela watches the South Africans celebrating together from the car, his voice is heard reciting Invictus again.
|
How many years did Mandela spend in jail?
|
27
| 94 | 96 |
Invictus
|
On 11 February 1990, Nelson Mandela is released from Victor Verster Prison after having spent 27 years in jail. Four years later, Mandela is elected the first black President of South Africa. His presidency faces enormous challenges in the post-Apartheid era, including rampant poverty and crime, and Mandela is particularly concerned about racial divisions between black and white South Africans, which could lead to violence. The ill will which both groups hold towards each other is seen even in his own security detail where relations between the established white officers, who had guarded Mandela's predecessors, and the black ANC additions to the security detail, are frosty and marked by mutual distrust.
While attending a game between the Springboks, the country's rugby union team, and England, Mandela recognises that the blacks in the stadium are cheering for England, as the mostly-white Springboks represent prejudice and apartheid in their minds; he remarks that he did the same while imprisoned on Robben Island. Knowing that South Africa is set to host the 1995 Rugby World Cup in one year's time, Mandela persuades a meeting of the newly black-dominated South African Sports Committee to support the Springboks. He then meets with the captain of the Springboks rugby team, François Pienaar, and implies that a Springboks victory in the World Cup will unite and inspire the nation. Mandela also shares with François a British poem, "Invictus", that had inspired him during his time in prison.
François and his teammates train. Many South Africans, both black and white, doubt that rugby will unite a nation torn apart by nearly 50 years of racial tensions, as for many blacks, especially the radicals, the Springboks symbolise white supremacy. Both Mandela and Pienaar, however, stand firmly behind their theory that the game can successfully unite the South African country.
Things begin to change as the players interact with the fans and begin a friendship with them. During the opening games, support for the Springboks begins to grow among the black population. By the second game, the whole country comes together to support the Springboks and Mandela's efforts. Mandela's security team also grows closer as the various officers come to respect their comrades' professionalism and dedication.
As Mandela watches, the Springboks defeat one of their archrivals - Australia, the defending champions and known as the Wallabies - in their opening match. They then continue to defy all expectations and, as Mandela conducts trade negotiations with Japan, defeat France in heavy rain in Durban to advance to the final against their other arch-rival: New Zealand, known as the All Blacks. New Zealand and South Africa were universally regarded as the two greatest rugby nations, with the Springboks being the only side to have a winning record against the All Blacks up to this point.[4] The first Test series between the two countries in 1921 was the beginning of an intense rivalry, with emotions running high whenever the two nations met on the rugby field.
Before the game, the Springbok team visits Robben Island, where Mandela spent the first 18 of his 27 years in jail. There Pienaar is inspired by Mandela's will and his idea of self-mastery in Invictus. François mentions his amazement that Mandela "could spend thirty years in a tiny cell, and come out ready to forgive the people who put [him] there".
Supported by a large home crowd of all races at Ellis Park Stadium in Johannesburg, Pienaar motivates his teammates for the final. Mandela's security detail receives a scare when, just before the match, a South African Airways Boeing 747 jetliner flies in low over the stadium. It is not an assassination attempt though, but a demonstration of patriotism, with the message "Good Luck, Bokke" â the Springboks' Afrikaans nickname â painted on the undersides of the plane's wings. Mandela also famously arrives onto the field before the match wearing a Springbok cap and a long-sleeved replica of Pienaar's #6 shirt.
The Springboks complete their run by beating the All Blacks 15-12 in extra time thanks to a drop goal from fly-half Joel Stransky. Mandela and Pienaar meet on the field together to celebrate the improbable and unexpected victory, and Mandela hands Pienaar the William Webb Ellis Cup, signaling that the Springboks are indeed rugby union's world champions. Mandela's car then drives away in the traffic-jammed streets leaving the stadium. As Mandela watches the South Africans celebrating together from the car, his voice is heard reciting Invictus again.
|
What is written on the wings?
|
Good Luck, Bokke
| 3,806 | 3,822 |
Invictus
|
On 11 February 1990, Nelson Mandela is released from Victor Verster Prison after having spent 27 years in jail. Four years later, Mandela is elected the first black President of South Africa. His presidency faces enormous challenges in the post-Apartheid era, including rampant poverty and crime, and Mandela is particularly concerned about racial divisions between black and white South Africans, which could lead to violence. The ill will which both groups hold towards each other is seen even in his own security detail where relations between the established white officers, who had guarded Mandela's predecessors, and the black ANC additions to the security detail, are frosty and marked by mutual distrust.
While attending a game between the Springboks, the country's rugby union team, and England, Mandela recognises that the blacks in the stadium are cheering for England, as the mostly-white Springboks represent prejudice and apartheid in their minds; he remarks that he did the same while imprisoned on Robben Island. Knowing that South Africa is set to host the 1995 Rugby World Cup in one year's time, Mandela persuades a meeting of the newly black-dominated South African Sports Committee to support the Springboks. He then meets with the captain of the Springboks rugby team, François Pienaar, and implies that a Springboks victory in the World Cup will unite and inspire the nation. Mandela also shares with François a British poem, "Invictus", that had inspired him during his time in prison.
François and his teammates train. Many South Africans, both black and white, doubt that rugby will unite a nation torn apart by nearly 50 years of racial tensions, as for many blacks, especially the radicals, the Springboks symbolise white supremacy. Both Mandela and Pienaar, however, stand firmly behind their theory that the game can successfully unite the South African country.
Things begin to change as the players interact with the fans and begin a friendship with them. During the opening games, support for the Springboks begins to grow among the black population. By the second game, the whole country comes together to support the Springboks and Mandela's efforts. Mandela's security team also grows closer as the various officers come to respect their comrades' professionalism and dedication.
As Mandela watches, the Springboks defeat one of their archrivals - Australia, the defending champions and known as the Wallabies - in their opening match. They then continue to defy all expectations and, as Mandela conducts trade negotiations with Japan, defeat France in heavy rain in Durban to advance to the final against their other arch-rival: New Zealand, known as the All Blacks. New Zealand and South Africa were universally regarded as the two greatest rugby nations, with the Springboks being the only side to have a winning record against the All Blacks up to this point.[4] The first Test series between the two countries in 1921 was the beginning of an intense rivalry, with emotions running high whenever the two nations met on the rugby field.
Before the game, the Springbok team visits Robben Island, where Mandela spent the first 18 of his 27 years in jail. There Pienaar is inspired by Mandela's will and his idea of self-mastery in Invictus. François mentions his amazement that Mandela "could spend thirty years in a tiny cell, and come out ready to forgive the people who put [him] there".
Supported by a large home crowd of all races at Ellis Park Stadium in Johannesburg, Pienaar motivates his teammates for the final. Mandela's security detail receives a scare when, just before the match, a South African Airways Boeing 747 jetliner flies in low over the stadium. It is not an assassination attempt though, but a demonstration of patriotism, with the message "Good Luck, Bokke" â the Springboks' Afrikaans nickname â painted on the undersides of the plane's wings. Mandela also famously arrives onto the field before the match wearing a Springbok cap and a long-sleeved replica of Pienaar's #6 shirt.
The Springboks complete their run by beating the All Blacks 15-12 in extra time thanks to a drop goal from fly-half Joel Stransky. Mandela and Pienaar meet on the field together to celebrate the improbable and unexpected victory, and Mandela hands Pienaar the William Webb Ellis Cup, signaling that the Springboks are indeed rugby union's world champions. Mandela's car then drives away in the traffic-jammed streets leaving the stadium. As Mandela watches the South Africans celebrating together from the car, his voice is heard reciting Invictus again.
|
In what year is Nelson Mandela released from prison?
|
1990
| 15 | 19 |
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