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<TITLE>Optical Mineralogy</TITLE>
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<P> </P>
<P><CENTER><IMG SRC="headingc.jpg" WIDTH="444" HEIGHT="36" ALIGN="BOTTOM"
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<P><CENTER><B><I><FONT SIZE="+1" FACE="AvantGarde Bk BT">A Resource
for Educators and Students</FONT></I></B></CENTER></TD>
<TD WIDTH="27%" HEIGHT="207">
<TABLE WIDTH="98%" BORDER="0" CELLSPACING="2" CELLPADDING="0">
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<P><IMG SRC="greenbar.jpg" WIDTH="100%" HEIGHT="8" ALIGN="BOTTOM"
BORDER="0" NATURALSIZEFLAG="0"></P>
<P><B><U>Properties and Features Seen in Thin Section<BR>
<BR>
</U></B><TABLE WIDTH="100%" BORDER="0" CELLSPACING="2" CELLPADDING="0">
<TR>
<TD WIDTH="50%">
<P><CENTER><B><I> <U>Seen with plane polarized light (PP)<BR>
</U></I></B><A HREF="birefringence.htm">Opaque, Isotropic and
Anisotropic Minerals</A><BR>
<A HREF="pleoch.htm">Color and Pleochroism</A><BR>
<A HREF="relief.htm">Relief</A><BR>
<A HREF="bubbles.htm">Bubbles</A><BR>
<A HREF="cleavage.htm">Cleavage</A></CENTER></TD>
<TD WIDTH="50%">
<P><CENTER><B><I><U> Seen with cross-polarized light (XP)</U></I></B><I>
<BR>
</I><A HREF="birefringence.htm">Birefringence and Interference
colors<BR>
</A><A HREF="twinning.htm">Twinning<BR>
</A><A HREF="exsolution.htm">Exsolution<BR>
</A><A HREF="halos.htm">Pleochroic Halos<BR>
</A></CENTER></TD>
</TR>
</TABLE></P>
<P><IMG SRC="greenbar.jpg" WIDTH="100%" HEIGHT="8" ALIGN="BOTTOM"
BORDER="0" NATURALSIZEFLAG="0"></P>
<P><B><U>Mineral Photographs</U></B><BR>
For brief descriptions and some photographs, click on the mineral
of interest below:</P>
<P><TABLE WIDTH="100%" BORDER="0" CELLSPACING="2" CELLPADDING="0">
<TR>
<TD WIDTH="18%">
<B><U>Quartz and Feldspars</U></B></TD>
<TD WIDTH="19%">
<B><U>Micas and Chlorite</U></B></TD>
<TD WIDTH="20%">
<B><U>Mafic Minerals</U></B></TD>
<TD WIDTH="21%">
<B><U>Pelitic Metamorphic Minerals</U></B></TD>
<TD WIDTH="22%">
<B><U>Calcite and Minerals Associated with Marbles</U></B></TD>
</TR>
<TR>
<TD WIDTH="18%">
<A HREF="quartz.htm">quartz</A></TD>
<TD WIDTH="19%">
<A HREF="biotite.htm">biotite</A></TD>
<TD WIDTH="20%">
<A HREF="cpx.htm">clinopyroxene</A></TD>
<TD WIDTH="21%">
<A HREF="kyanite.htm">kyanite</A></TD>
<TD WIDTH="22%">
<A HREF="calcite.htm">calcite and dolomite</A></TD>
</TR>
<TR>
<TD WIDTH="18%">
<A HREF="plagioclase.htm">plagioclase</A></TD>
<TD WIDTH="19%">
<A HREF="muscovite.htm">muscovite</A></TD>
<TD WIDTH="20%">
<A HREF="napyrox.htm">sodic pyroxene</A></TD>
<TD WIDTH="21%">
<A HREF="andalusite.htm">andalusite</A></TD>
<TD WIDTH="22%">
<A HREF="tremolite.htm">tremolite</A></TD>
</TR>
<TR>
<TD WIDTH="18%">
<A HREF="kspar.htm">K-spar</A></TD>
<TD WIDTH="19%">
<A HREF="chlorite.htm">chlorite</A></TD>
<TD WIDTH="20%">
<A HREF="opx.htm">orthopyroxene</A></TD>
<TD WIDTH="21%">
<A HREF="sillimanite.htm">sillimanite</A></TD>
<TD WIDTH="22%">
<A HREF="talc.htm">talc</A></TD>
</TR>
<TR>
<TD WIDTH="18%">
</TD>
<TD WIDTH="19%">
</TD>
<TD WIDTH="20%">
<A HREF="hornblende.htm">hornblende & actinolite</A></TD>
<TD WIDTH="21%">
<A HREF="staurolite.htm">staurolite</A></TD>
<TD WIDTH="22%">
<A HREF="wollastonite.htm">wollastonite</A></TD>
</TR>
<TR>
<TD WIDTH="18%">
<B><U>Generally Accessory Minerals</U></B></TD>
<TD WIDTH="19%">
</TD>
<TD WIDTH="20%">
<A HREF="naamph.htm">sodic amphibole</A></TD>
<TD WIDTH="21%">
<A HREF="garnet.htm">garnet</A></TD>
<TD WIDTH="22%">
<A HREF="diopside.htm">diopside</A></TD>
</TR>
<TR>
<TD WIDTH="18%">
<A HREF="epidote.htm">epidote</A></TD>
<TD WIDTH="19%">
</TD>
<TD WIDTH="20%">
<A HREF="olivine.htm">olivine</A></TD>
<TD WIDTH="21%">
<A HREF="cordierite.htm">cordierite</A></TD>
<TD WIDTH="22%">
</TD>
</TR>
<TR>
<TD WIDTH="18%">
<A HREF="sphene.htm">sphene</A></TD>
<TD WIDTH="19%">
</TD>
<TD WIDTH="20%">
<A HREF="serpentine.htm">serpentine</A></TD>
<TD WIDTH="21%">
<A HREF="chloritoid.htm">chloritoid</A></TD>
<TD WIDTH="22%">
</TD>
</TR>
<TR>
<TD WIDTH="18%">
<A HREF="rutile.htm">rutile</A></TD>
<TD WIDTH="19%">
</TD>
<TD WIDTH="20%">
<A HREF="spinel.htm">spinel</A></TD>
<TD WIDTH="21%">
</TD>
<TD WIDTH="22%">
</TD>
</TR>
<TR>
<TD WIDTH="18%">
<A HREF="graphite.htm">graphite</A></TD>
<TD WIDTH="19%">
</TD>
<TD WIDTH="20%">
</TD>
<TD WIDTH="21%">
</TD>
<TD WIDTH="22%">
</TD>
</TR>
</TABLE><BR>
<I>Note: Unless otherwise noted, the thin section photos come
in pairs with a plane-polarized view on the left (PP), and a cross-polarized
view on the right (XP).</I></P>
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|
Optical Mineralogy
| | | |
| --- | --- | --- |
|
***A Resource
for Educators and Students*** |
| |
| --- |
| |
|
**Properties and Features Seen in Thin Section**
| | |
| --- | --- |
| ***Seen with plane polarized light (PP)***[Opaque, Isotropic and
Anisotropic Minerals](birefringence.htm)
[Color and Pleochroism](pleoch.htm)
[Relief](relief.htm)
[Bubbles](bubbles.htm)
[Cleavage](cleavage.htm) | ***Seen with cross-polarized light (XP)***[Birefringence and Interference
colors](birefringence.htm)[Twinning](twinning.htm)[Exsolution](exsolution.htm)[Pleochroic Halos](halos.htm) |
**Mineral Photographs**
For brief descriptions and some photographs, click on the mineral
of interest below:
| | | | | |
| --- | --- | --- | --- | --- |
| **Quartz and Feldspars** | **Micas and Chlorite** | **Mafic Minerals** | **Pelitic Metamorphic Minerals** | **Calcite and Minerals Associated with Marbles** |
| [quartz](quartz.htm) | [biotite](biotite.htm) | [clinopyroxene](cpx.htm) | [kyanite](kyanite.htm) | [calcite and dolomite](calcite.htm) |
| [plagioclase](plagioclase.htm) | [muscovite](muscovite.htm) | [sodic pyroxene](napyrox.htm) | [andalusite](andalusite.htm) | [tremolite](tremolite.htm) |
| [K-spar](kspar.htm) | [chlorite](chlorite.htm) | [orthopyroxene](opx.htm) | [sillimanite](sillimanite.htm) | [talc](talc.htm) |
| | | [hornblende & actinolite](hornblende.htm) | [staurolite](staurolite.htm) | [wollastonite](wollastonite.htm) |
| **Generally Accessory Minerals** | | [sodic amphibole](naamph.htm) | [garnet](garnet.htm) | [diopside](diopside.htm) |
| [epidote](epidote.htm) | | [olivine](olivine.htm) | [cordierite](cordierite.htm) | |
| [sphene](sphene.htm) | | [serpentine](serpentine.htm) | [chloritoid](chloritoid.htm) | |
| [rutile](rutile.htm) | | [spinel](spinel.htm) | | |
| [graphite](graphite.htm) | | | | |
*Note: Unless otherwise noted, the thin section photos come
in pairs with a plane-polarized view on the left (PP), and a cross-polarized
view on the right (XP).*
[](http://a.ou.und.edu/10?skin=oucampus&account=UND&site=sites&action=de&path=/dexter.perkins/opticalmin/index.htm)
| http://sites.und.edu/dexter.perkins/opticalmin/ |
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<title>DownEast Soaring Club</title>
<meta NAME="title" CONTENT="Down East Soaring Club">
<meta NAME="Author" CONTENT="Mike Farnsworth email:[email protected]">
<meta NAME="keywords" CONTENT="Radio Control , RC, Soaring, Hobbies, Maine, Slope, Thermal, Duration, Scale, F3B, Gliders, Glider, Airplane, Hand Launch">
<meta NAME="keyphrase" CONTENT="Radio Control , RC, Soaring, Hobbies, Maine, Slope, Thermal, Duration, Scale, F3B, Gliders, Glider, Airplane, Hand Launch">
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DownEast Soaring Club is an active New England Radio Control Soaring Club with
interests in flying Thermal Duration, Slope Soaring, Handlaunch Thermal,
F3J,F3B, F3A, and Electric Glider Soaring<br>
<p>The DownEast Soaring Club was established in 1991, as an off shoot of
theBrunswick Area Modelers. We received our charter from AMA with 7
initialmembers.We typically have members from all of the New England States
(Maine, NH, VT, CT, RI, MA) and exchange newsletters with many soaring clubs
throughout the country.The core of the Club Officers are from the Topsham Maine
area.
</p>
<p>
Our first few years focused on sanctioning up to six thermal duration contests
per summer season at a sod farm in Biddeford, Maine. This event schedule helped
to quickly establish the Club throughout the greater New England area. We then
cut back our contest schedules after several years and began focusing our
energy to produce a more relaxing flying schedule that focused on fun and
camaraderie. This approach was more conducive to providing an avenue for our
members to exchange ideas, and to assist in the development of others. In past
years, we've offered annual workshops during the winter months to expose
members to some of the newer construction techniques and materials.
<p>The Club has two winches and two retrievers and a club trailer to support
thermal flying at our two thermal fields. A lot of informal slope flying takes
place through the year and especially during the winter months.
</p>
<p>Club fees are $12 per year and AMA membership is mandatory. Several Club outings
are organized each year,including several No Host Soaring Lobster Festivals
which include soaring combat, annual fun fly contest, slope getaway weekend and
others.</p>
<p>We established the first New England R/C Soaring Convention in 1993 after two
members attended the M.A.R.C.S. Sailplane Symposium Proceedings in the fall of
1992. Since then we have held two other New England R/C Soaring Conventions
in Portland Maine. We wanted to bring a similar format to the folks of greater
New England.In addition to "Soaring To Greater Heights Through
Knowledge" with our convention speakers, the week-end offered the
opportunity to fly at our favorite sites, sample some of the fabulous cuisine
offered at our well known New England restaurants, or see the sights of our
beautiful state.</p>
<p>Learn to fly radio controlled aircraft Join DSC. Dues are only $12 a year and
includes a great newsletter. The DownEast Soaring Club (DSC) is a glider only
radio control club serving the New England Area. DSC is a charter member of the
Academy of Aeronautics (AMA). Benefits include:
<ul>
<li>
Flying instruction</li>
<li>
Complete Club trainer plane</li>
<li>
Club video/book library</li>
<li>
Club Winches and Retrievers</li>
<li>
Monthly Club meetings</li>
<li>
Club building projects</li>
<li>
Club badges</li>
<li>
Club flying sites (slope and thermal)</li>
<li>
Building Instruction and tips</li>
<li>
Picnics, conventions and festivals</li>
<li>
Fun Flys, sanctioned contests, and year round flying</li>
<li>
Presentations (vacuum bagging , foam cutting, composites, etc.)</li>
<li>
Shared experiences: Gliders are easier to fly and experienced glider pilots
have an easier transition to flying powered aircraft.</li>
</ul>
</noframes>
</body>
</html>
|
DownEast Soaring Club
DownEast Soaring Club is an active New England Radio Control Soaring Club with
interests in flying Thermal Duration, Slope Soaring, Handlaunch Thermal,
F3J,F3B, F3A, and Electric Glider Soaring
The DownEast Soaring Club was established in 1991, as an off shoot of
theBrunswick Area Modelers. We received our charter from AMA with 7
initialmembers.We typically have members from all of the New England States
(Maine, NH, VT, CT, RI, MA) and exchange newsletters with many soaring clubs
throughout the country.The core of the Club Officers are from the Topsham Maine
area.
Our first few years focused on sanctioning up to six thermal duration contests
per summer season at a sod farm in Biddeford, Maine. This event schedule helped
to quickly establish the Club throughout the greater New England area. We then
cut back our contest schedules after several years and began focusing our
energy to produce a more relaxing flying schedule that focused on fun and
camaraderie. This approach was more conducive to providing an avenue for our
members to exchange ideas, and to assist in the development of others. In past
years, we've offered annual workshops during the winter months to expose
members to some of the newer construction techniques and materials.
The Club has two winches and two retrievers and a club trailer to support
thermal flying at our two thermal fields. A lot of informal slope flying takes
place through the year and especially during the winter months.
Club fees are $12 per year and AMA membership is mandatory. Several Club outings
are organized each year,including several No Host Soaring Lobster Festivals
which include soaring combat, annual fun fly contest, slope getaway weekend and
others.
We established the first New England R/C Soaring Convention in 1993 after two
members attended the M.A.R.C.S. Sailplane Symposium Proceedings in the fall of
1992. Since then we have held two other New England R/C Soaring Conventions
in Portland Maine. We wanted to bring a similar format to the folks of greater
New England.In addition to "Soaring To Greater Heights Through
Knowledge" with our convention speakers, the week-end offered the
opportunity to fly at our favorite sites, sample some of the fabulous cuisine
offered at our well known New England restaurants, or see the sights of our
beautiful state.
Learn to fly radio controlled aircraft Join DSC. Dues are only $12 a year and
includes a great newsletter. The DownEast Soaring Club (DSC) is a glider only
radio control club serving the New England Area. DSC is a charter member of the
Academy of Aeronautics (AMA). Benefits include:
* Flying instruction
* Complete Club trainer plane
* Club video/book library
* Club Winches and Retrievers
* Monthly Club meetings
* Club building projects
* Club badges
* Club flying sites (slope and thermal)
* Building Instruction and tips
* Picnics, conventions and festivals
* Fun Flys, sanctioned contests, and year round flying
* Presentations (vacuum bagging , foam cutting, composites, etc.)
* Shared experiences: Gliders are easier to fly and experienced glider pilots
have an easier transition to flying powered aircraft.
| http://www.downeastsoaring.org/ |
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things, whichever comes first -- the list will not be updated and no new
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top: 50px; left: 50px; width: 100px; height: 100px; z-index: 30;"><div align="center"><a href="Ruger_Single_Action_Revolver_Disassembly.mp4"><img border="0" alt="Ruger_Single_Action_Revolver_Disassembly.mp4" src="/~media/elements/PostAFile/graphic.gif"></a><br><a href="Ruger_Single_Action_Revolver_Disassembly.mp4"><font face="Helvetica, Arial, sans-serif" class="size10 Helvetica10" color="#000000"><u>Ruger_Single_Action_Revolver_Disassembly.mp4</u></font></a></div></div><!-- </hs:element49> --><!-- <hs:element50> --><div id="element50" style="position: absolute; top: 837px; left: 99px; width: 279px; height: 42px; z-index: 31;"><div style="font-size: 1px; line-height: 1px;"><font face="'Times New Roman', Times, serif" color="#000000" class="size18 TimesRoman18"><b><a target="_blank" href="files/Transfer_Bar_Pinch.pdf">Ruger Transfer Bar Pinch</a></b><br></font></div></div><!-- </hs:element50> --><!-- <hs:element52> --><div id="element52" style="position: absolute; top: 560px; left: 50px; 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Old Irons Page
Here's some information that may help you with yer irons.
[](Shotgun.html)[](Shotgun.html)**[Back to Cowboy Page](cowboy.html)**
[](index.html)**[Back to Home Page](index.html)**
Updated on 03/26/2023  **[By Our Excellent Staff](staff.html)**
**Email:Â****[[email protected]](mailto:[email protected])**
**[Ruger Vaquero Slicking](files/Tony_Tinhorn_Vaquero_Minor_Slicking.pdf)**
**[Rifle Tune-ups](Rifles.html)**
[](Rifles.html)**[Shotgun Hints, Takedown & Tuning](Shotgun.html)**
[](cowboy.html)[](http://www.curtrich.com/ruger.html)***[Gun Cleaning and Lubrication](http://www.cylinder-slide.com/cleaning.shtml)***
**[Ruger Free Spin Pawl Mod](files/FreeSpin.html)**
**[Ruger Disassembly Video](files/Ruger_Single_Action_Revolver_Disassembly.wmv)**
**[Ruger Assembly Video](files/Ruger_Single_Action_Revolver_Reassembly.wmv)**
**[Slick a Uberti - Gunblast](http://www.gunblast.com/JimTaylor_Uberti.htm)**
**[Making a Simple Gun Cart](files/GunCart.html)**
**How do You Carry All this???**
[](Ruger_Single_Action_Revolver_Disassembly.mp4)
<Ruger_Single_Action_Revolver_Disassembly.mp4>**[Ruger Transfer Bar Pinch](files/Transfer_Bar_Pinch.pdf)**
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<html>
<head>
<meta http-equiv="Content-Language" content="en-us">
<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
<meta name="GENERATOR" content="Microsoft FrontPage 4.0">
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<title>Bailey Steppe Web Page</title>
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<body bgcolor="#C0C0C0">
<h3><font color="#008000" size="5"><b>LEWIS BAILEY STEPPE JR. WEB SITE<!--webbot
bot="HTMLMarkup" startspan --><!--webbot bot="HTMLMarkup" endspan -->
</b></font></h3>
<h3><font size="5" color="#008000">Welcome to my web site.</font></h3>
<h3><font size="5" color="#008000">Student Terri Jones drew this
picture of me. The photograph of Margaret and I was taken at Nags Head on a cool
and windy spring morning. </font></h3>
<h3><img border="0" src="images/StudentPic2.jpg" width="260" height="505"><img border="0" src="images/MargoAndIAtBeach2.jpg" width="300" height="506"></h3>
<h3><font size="5" color="#008000"> The site came online in September 2001 as a place to show my family book.
The entire web site is still under construction and revision. I have 1150 pages
and 2775 pictures, as of Oct 11, 2014.</font></h3>
<p><b> <a href="http://www.baileysteppe.com/searchpage.htm"><font color="#FF0000" size="4">SEARCH THIS WEBSITE</font></a></b></p>
<h3><a href="Book/Default.htm"><font size="4">FAMILY BOOK</font></a> This is the
main family history book. It contains the ancestors and relatives of my parents,
Lewis and Shirley Waller Steppe. There are pictures, information and stories provided
by many family members. I have collected these and formed the whole into a book.
And I have had research done by a professional researcher, which is also
included.</h3>
<h3><font size="4"><a href="BookSupp/contents.htm">SUPPLEMENTARY</a></font> This is a collection of information and pictures not included
in the main FAMILY BOOK.</h3>
<h3><font size="4"><a href="MargosFamily/contents.htm">MARGARET'S FAMILY</a></font>
Here are photos and information about my wife Margaret's family.</h3>
<p><b><font size="4"><a href="Video/InstrumentVideos.htm">MUSIC VIDEOS</a>
videos of unusual musical instruments that I think you might enjoy listening to
and learning about.</font></b></p>
<p><b><font size="4"><a href="CurrentEvents/currentevents.htm">CURRENT EVENTS</a> This is a page for what
is going on currently.</font></b></p>
<p><b><font size="4"><a href="Mixology/mixology_and_recipes.htm">MIXOLOGY AND
COOKING RECIPES</a> Mixology is the art of mixing alcoholic drinks.</font></b></p>
<h3><font size="4"><a href="Erector/Default.htm">MY ERECTOR SET PAGE</a> Here
is my Erector set collection. </font>I
have been collecting Erector sets for several years.</h3>
<h3><a href="Music/default.htm"><font size="4">MUSIC</font></a> This is a
collection of music and sound files. Most of the files were created by myself on
my synthesizers. Your computer will need to be able to play synthesizer files;
most newer computers can. There are sound files that all computers can play.</h3>
<p><b><font size="4"><a href="RailRoads/locomotives.htm">TRAINS</a></font> <font size="4">Here
are pictures and sounds of railroading.</font></b></p>
<h3><font color="#0000FF" size="4"><a href="MargoandI/default.htm">MARGO AND
LEWIS</a></font>
The story of <b> Sweet Adeline,</b> the party girl, and other revealing and x-rated info
about our life on Timberlake.</h3>
<h3><a href="Teaching/default.htm"><font size="4">A TEACHERS LIFE</font></a> I was a
professor of
mathematics at Central Virginia Community College for 32 years. Here are some
stories on that career.</h3>
<h3><font size="4"><a href="MilitaryService/default.htm">MILITARY SERVICE</a></font> Here are pictures and stories of the
military service of immediate family members. There is an extensive chapter on
military service in the main family book.</h3>
<h3><font color="#0000FF" size="4"><a href="GrowingUp/my_teenage_years.htm">MY TEENAGE YEARS</a></font> I graduated from high
school in 1955 at age 17. From then until I enlisted in the US Navy at age 20 my
friends and I had one long party time.</h3>
<h3><font size="4"><a href="Steps/lynchburg_steps.htm">STEPS AND WALKWAYS</a></font> These are
steps used to climb from one level to another in Lynchburg; and walkways
protected with railings.</h3>
<p><b><font size="4"><a href="Flowers/Flowers.htm">FLOWERS</a> Photographs of
flowers and other vegetation, mostly at our Timberlake home.</font></b></p>
<h3><font color="#0000FF" size="4"><a href="Agony/Agony.htm">AGONY COLUMN</a></font>
This must be the ultimate mode of self expression, to publish your personal
agonies on the web. <b><i><font color="#008000">(I have learned, Feb 05, 2005, that
such a site, or the content thereof, is newly called a 'blog' and that one
blogger believes blog bleats have influenced public policy. I find this last unbelievable.)</font></i></b></h3>
<h3><b>Here are links to related web pages.</b></h3>
<h3><a href="http://martinancestry.homestead.com/home.html">http://martinancestry.homestead.com/home.html</a>
This is the family page of Cathy Day, wife of my third cousin Buddy Day. Click
in the 'Steppe' box to see her Steppe page.</h3>
<h3><a href="http://www.steppe.com/family.html">http://www.steppe.com/family.html</a>
This is the family site of Justin Steppe, son of my cousin Danny Steppe.</h3>
<h3><a href="http://www.genealogy.com/users/s/t/e/Bailey-Steppe-VA/">http://www.genealogy.com/users/s/t/e/Bailey-Steppe-VA/</a>
This is my Family Tree Maker site. Click on the "Bailey Steppe Tree"
link. When the tree loads you must click inside it. Then press the 'f' key and
the 'find' window will load. Scroll to and select your name to see your part of
the 2000+ family members listed here. You can then scroll in your part of the tree.</h3>
<h3><b><font color="#006600">Most of the 2775 photos on this site are
low resolution. If you would like a high resolution photo just e-mail me and I
will return a high resolution photo if I have one.</font></b></h3>
<h3><span style="FONT-SIZE: 18pt; COLOR: red; FONT-FAMILY: Arial; mso-bidi-font-size: 12.0pt"><b><a href="mailto:[email protected]"><span style="COLOR: red">e-mail
the autho</span><font color="#FF0000">r</font></a></b><font color="#000000"><--click there</font></span></h3>
<h3><b><font color="#006600">RECENT ADDITIONS TO THE WEBSITE. Various pages for
such things as first snow of 2012, Margaret's activities, the moon and planet
apparition, and so forth on the Current Events page. Also pages on Christmas
gifts and 1620 Buchanan St under Miscellaneous section of Family Book
Supplement.</font></b></h3>
</body>
</html>
|
Bailey Steppe Web Page
### **LEWIS BAILEY STEPPE JR. WEB SITE**
### Welcome to my web site.
### Student Terri Jones drew this
picture of me. The photograph of Margaret and I was taken at Nags Head on a cool
and windy spring morning.
###
### The site came online in September 2001 as a place to show my family book.
The entire web site is still under construction and revision. I have 1150 pages
and 2775 pictures, as of Oct 11, 2014.
**[SEARCH THIS WEBSITE](http://www.baileysteppe.com/searchpage.htm)**
### [FAMILY BOOK](Book/Default.htm) This is the
main family history book. It contains the ancestors and relatives of my parents,
Lewis and Shirley Waller Steppe. There are pictures, information and stories provided
by many family members. I have collected these and formed the whole into a book.
And I have had research done by a professional researcher, which is also
included.
### [SUPPLEMENTARY](BookSupp/contents.htm) This is a collection of information and pictures not included
in the main FAMILY BOOK.
### [MARGARET'S FAMILY](MargosFamily/contents.htm)
Here are photos and information about my wife Margaret's family.
**[MUSIC VIDEOS](Video/InstrumentVideos.htm)
videos of unusual musical instruments that I think you might enjoy listening to
and learning about.**
**[CURRENT EVENTS](CurrentEvents/currentevents.htm) This is a page for what
is going on currently.**
**[MIXOLOGY AND
COOKING RECIPES](Mixology/mixology_and_recipes.htm) Mixology is the art of mixing alcoholic drinks.**
### [MY ERECTOR SET PAGE](Erector/Default.htm) Here
is my Erector set collection. I
have been collecting Erector sets for several years.
### [MUSIC](Music/default.htm) This is a
collection of music and sound files. Most of the files were created by myself on
my synthesizers. Your computer will need to be able to play synthesizer files;
most newer computers can. There are sound files that all computers can play.
**[TRAINS](RailRoads/locomotives.htm) Here
are pictures and sounds of railroading.**
### [MARGO AND
LEWIS](MargoandI/default.htm)
The story of **Sweet Adeline,** the party girl, and other revealing and x-rated info
about our life on Timberlake.
### [A TEACHERS LIFE](Teaching/default.htm) I was a
professor of
mathematics at Central Virginia Community College for 32 years. Here are some
stories on that career.
### [MILITARY SERVICE](MilitaryService/default.htm) Here are pictures and stories of the
military service of immediate family members. There is an extensive chapter on
military service in the main family book.
### [MY TEENAGE YEARS](GrowingUp/my_teenage_years.htm) I graduated from high
school in 1955 at age 17. From then until I enlisted in the US Navy at age 20 my
friends and I had one long party time.
### [STEPS AND WALKWAYS](Steps/lynchburg_steps.htm) These are
steps used to climb from one level to another in Lynchburg; and walkways
protected with railings.
**[FLOWERS](Flowers/Flowers.htm) Photographs of
flowers and other vegetation, mostly at our Timberlake home.**
### [AGONY COLUMN](Agony/Agony.htm)
This must be the ultimate mode of self expression, to publish your personal
agonies on the web. ***(I have learned, Feb 05, 2005, that
such a site, or the content thereof, is newly called a 'blog' and that one
blogger believes blog bleats have influenced public policy. I find this last unbelievable.)***
### **Here are links to related web pages.**
### <http://martinancestry.homestead.com/home.html>
This is the family page of Cathy Day, wife of my third cousin Buddy Day. Click
in the 'Steppe' box to see her Steppe page.
### <http://www.steppe.com/family.html>
This is the family site of Justin Steppe, son of my cousin Danny Steppe.
### <http://www.genealogy.com/users/s/t/e/Bailey-Steppe-VA/>
This is my Family Tree Maker site. Click on the "Bailey Steppe Tree"
link. When the tree loads you must click inside it. Then press the 'f' key and
the 'find' window will load. Scroll to and select your name to see your part of
the 2000+ family members listed here. You can then scroll in your part of the tree.
### **Most of the 2775 photos on this site are
low resolution. If you would like a high resolution photo just e-mail me and I
will return a high resolution photo if I have one.**
### **[e-mail
the author](mailto:[email protected])**<--click there
### **RECENT ADDITIONS TO THE WEBSITE. Various pages for
such things as first snow of 2012, Margaret's activities, the moon and planet
apparition, and so forth on the Current Events page. Also pages on Christmas
gifts and 1620 Buchanan St under Miscellaneous section of Family Book
Supplement.**
| http://www.baileysteppe.com/ |
<html>
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<title>Rosemary Jacob's argyria introduction page</title>
<meta name="description"
content="Ingesting silver in an form or parical size is at best usless and at worst harmful. It can turn you permanently gray.">
<meta name=" keywords" content="Colloidal Silver, Silver, Ionic Silver, Silver Supplements, Argyria, Adveres Reaction, Silver Toxicity, Gray Skin, Mild Silver Protein, Dangers of Silver, Silver Fraud">
<meta name="copyright" content="Rosmary Jacobs">
<meta name="rating" content="Safe for kids">
<meta name="revisit after" content="10 days">
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<tr>
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<h1>ROSEMARY'S STORY</h1>
<p><b>IF MY DOCTOR HAD READ<BR>
THE MEDICAL LITERATURE<BR>
INSTEAD OF THE ADS<BR>
I WOULDN'T<BR>
LOOK LIKE THIS TODAY</b></p></td>
<td align="center">
<a href="rose1.html"><img alt="Rosemary Jacobs" src="index.jpg" width="208" height="288" border="1"></a><br><font size="1"><b>© 1998 Chick Schwartz</b></font></td>
</tr>
<tr>
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<td> </td>
</tr>
<tr>
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<td> </td>
</tr>
<tr>
<td colspan="2">Click <a href="https://www.amazon.com/Argyria-adventures-silver-woman-planet-ebook/dp/B01KYGFI0Q/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1472071622&sr=1-1&keywords=argyria">here</a> to view information about my book, <b><a href="https://www.amazon.com/Argyria-adventures-silver-woman-planet-ebook/dp/B01KYGFI0Q/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1472071622&sr=1-1&keywords=argyria">Argyria: The life and adventures of a silver woman on planet earth</a></b><br /><br /><hr /></td>
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<tr>
<td colspan="2" align="center"><a href="rose3.html">Site Index</a> | <a href="argyria_photos_intro.html">Argyria Photos</a> | <a href="rose1.html">Silver Fraud</a> | <a href="rose2.html">My Story</a> | <a href="naturopaths.html">Naturopaths</a> | <a href="rose6.html">FAQs</a> | <a href="rose10.html">Links</a> | <a href="/cdn-cgi/l/email-protection#f4869b87919995868db4869b87919995868d9e95979b9687da979b99">E-mail</a></td>
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|
Rosemary Jacob's argyria introduction page
| | |
| --- | --- |
| | |
| | |
| | |
| ROSEMARY'S STORY
**IF MY DOCTOR HAD READ
THE MEDICAL LITERATURE
INSTEAD OF THE ADS
I WOULDN'T
LOOK LIKE THIS TODAY** | [Rosemary Jacobs](rose1.html)**© 1998 Chick Schwartz** |
| | |
| | |
| Click [here](https://www.amazon.com/Argyria-adventures-silver-woman-planet-ebook/dp/B01KYGFI0Q/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1472071622&sr=1-1&keywords=argyria) to view information about my book, **[Argyria: The life and adventures of a silver woman on planet earth](https://www.amazon.com/Argyria-adventures-silver-woman-planet-ebook/dp/B01KYGFI0Q/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1472071622&sr=1-1&keywords=argyria)** |
| [Site Index](rose3.html) | [Argyria Photos](argyria_photos_intro.html) | [Silver Fraud](rose1.html) | [My Story](rose2.html) | [Naturopaths](naturopaths.html) | [FAQs](rose6.html) | [Links](rose10.html) | [E-mail](/cdn-cgi/l/email-protection#f4869b87919995868db4869b87919995868d9e95979b9687da979b99) |
| https://rosemaryjacobs.com/ |
<html>
<head>
<title>INSECT BRAINS</title>
<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
</head>
<body bgcolor="#FFCAB0" text="#000000">
<p align="center"><font size="+2">Insect Brains</font>
<br>
</p>
<p>The insectan nervous system evolved from the segmented system of annelid worms,
such as the earthworm. Each of the insect's segments has its own nerve center,
called a ganglion, which is connected by a pair of nerves to the ganglia of
the adjacent segments. The insect's head consists of a set of fused segments;
if you look closely at the head capsule of a grasshopper you can see some of
the sutures between the segments. Inside the head, the segmental ganglia have
fused to form a brain. The major parts of an insect's brain are the:</p>
<ul>
<li> optic lobes, which provide a link between the receptor surfaces of the
eyes and the brain. The optic lobes perform the first steps in interpreting
visual information for the insect.</li>
<li>ocelli (singular = ocellus), accessory eyes which are important in perceiving
the intensity of illumination. Many insects have three, while some have only
two, or even none.</li>
<li> the antennal lobes, the mushroom bodies. The antennal lobes receive input
from millions of olfactory receptors and reduce it to manageable taste and
smell information. </li>
<li>mushroom bodies. If an insect "thinks" this is where it happens.
These are the "higher" centers in the insect brain, where learning,
memory, and integration occur.</li>
<li>neurosecretory cells. Peptide hormones produced by the neuroscretory cells
regulate endocrine and homeostatic functions in insects. These cells are analogous
to the hypothalamus of the vertebrate brain.</li>
<li>corpora cardiaca and corpora allata. Analogous to the pituitary in vertebrates,
these organs secrete hormones into the circulation. The corpora allata produce
<a href="juvenilehormone.html">juvenile hormone</a>, which plays a critical
role in the regulation of behavior in many insects.</li>
<li>suboesophageal ganglion. The input for this structure comes from the insect's
mouthparts; this ganglion coordinates the action of the mouthparts when the
insect feeds.</li>
</ul>
<div align="center"><img src="insectbrain.jpg" width="539" height="333"> </div>
<p>page 2-*<br>
copyright ©2002 Michael D. Breed, all rights reserved </p>
</body>
</html>
|
INSECT BRAINS
Insect Brains
The insectan nervous system evolved from the segmented system of annelid worms,
such as the earthworm. Each of the insect's segments has its own nerve center,
called a ganglion, which is connected by a pair of nerves to the ganglia of
the adjacent segments. The insect's head consists of a set of fused segments;
if you look closely at the head capsule of a grasshopper you can see some of
the sutures between the segments. Inside the head, the segmental ganglia have
fused to form a brain. The major parts of an insect's brain are the:
* optic lobes, which provide a link between the receptor surfaces of the
eyes and the brain. The optic lobes perform the first steps in interpreting
visual information for the insect.
* ocelli (singular = ocellus), accessory eyes which are important in perceiving
the intensity of illumination. Many insects have three, while some have only
two, or even none.
* the antennal lobes, the mushroom bodies. The antennal lobes receive input
from millions of olfactory receptors and reduce it to manageable taste and
smell information.
* mushroom bodies. If an insect "thinks" this is where it happens.
These are the "higher" centers in the insect brain, where learning,
memory, and integration occur.
* neurosecretory cells. Peptide hormones produced by the neuroscretory cells
regulate endocrine and homeostatic functions in insects. These cells are analogous
to the hypothalamus of the vertebrate brain.
* corpora cardiaca and corpora allata. Analogous to the pituitary in vertebrates,
these organs secrete hormones into the circulation. The corpora allata produce
[juvenile hormone](juvenilehormone.html), which plays a critical
role in the regulation of behavior in many insects.
* suboesophageal ganglion. The input for this structure comes from the insect's
mouthparts; this ganglion coordinates the action of the mouthparts when the
insect feeds.
page 2-\*
copyright ©2002 Michael D. Breed, all rights reserved
| http://www.animalbehavioronline.com/insectbrains.html |
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<P><A HREF="#realmz"><FONT SIZE="+3" FACE="Arial, Helvetica, sans-serif"><B>Realmz</B></FONT></A><FONT SIZE="+3" FACE="Arial, Helvetica, sans-serif"><B>
and </B></FONT><A HREF="#divinity"><FONT SIZE="+3" FACE="Arial, Helvetica, sans-serif"><B>Divinity</B></FONT></A></P>
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<P><FONT FACE="Arial, Helvetica, sans-serif">|
</FONT><A HREF="realmzdivinity.html"><FONT FACE="Arial, Helvetica, sans-serif">Realmz
and Divinity</FONT></A><FONT FACE="Arial, Helvetica, sans-serif">
|</FONT><FONT FACE="Arial, Helvetica, sans-serif"><BR>
</FONT><FONT FACE="Arial, Helvetica, sans-serif">
| </FONT>
<A HREF="index.html"><FONT FACE="Arial, Helvetica, sans-serif">Home</FONT></A><FONT FACE="Arial, Helvetica, sans-serif">
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<BR>
<A NAME=realmz></A>
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<TR BGCOLOR="#FFFFFF">
<TD VALIGN=top WIDTH=450>
<P align="center"><FONT SIZE="+3" FACE="Arial, Helvetica, sans-serif" COLOR="#0066FF"><B><IMG SRC="images/realmz.gif" WIDTH=32 HEIGHT=32 ALIGN=absmiddle>
Realmz</B></FONT><BR>
<BR>
<TABLE BORDER=0 CELLSPACING=0 CELLPADDING=5 WIDTH="100%">
<TR>
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<P><A HREF="downloads.html"><FONT FACE="Arial, Helvetica, sans-serif"><IMG SRC="images/downloads.gif" WIDTH=127 HEIGHT=35 X-CLARIS-USEIMAGEWIDTH X-CLARIS-USEIMAGEHEIGHT ALIGN=bottom></FONT></A></P>
<P><FONT FACE="Arial, Helvetica, sans-serif">Visit
the </FONT><A HREF="downloads.html"><FONT FACE="Arial, Helvetica, sans-serif">DOWNLOADS</FONT></A><FONT FACE="Arial, Helvetica, sans-serif">
page to get the demo or latest update.</FONT></P>
<P> </P>
<P></P>
<P></P>
</TD>
</TR>
<TR>
<TD HEIGHT=15>
<P><FONT FACE="Arial, Helvetica, sans-serif">Get a
copy of </FONT><A HREF="http://www.stuffit.com/"><FONT FACE="Arial, Helvetica, sans-serif">Stuffit
Expander</FONT></A><FONT FACE="Arial, Helvetica, sans-serif">.
This free utility will unstuff-unzip all our
files.</FONT></P>
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</TABLE>
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<P><FONT FACE="Arial, Helvetica, sans-serif" COLOR="#000000"><IMG SRC="images/rightarrow.gif" WIDTH=24 HEIGHT=24 X-CLARIS-USEIMAGEWIDTH X-CLARIS-USEIMAGEHEIGHT ALIGN=middle>
</FONT><A HREF="../HTML/Realmz_Files/Realmz_HTML/Hint%20Guides/Hint%20Guides.htm"><FONT FACE="Arial, Helvetica, sans-serif" COLOR="#000000">Online
Hint Guides For Scenarios</FONT></A></P>
<P><FONT FACE="Arial, Helvetica, sans-serif" COLOR="#000000"><IMG SRC="images/rightarrow.gif" WIDTH=24 HEIGHT=24 X-CLARIS-USEIMAGEWIDTH X-CLARIS-USEIMAGEHEIGHT ALIGN=middle>
</FONT><A HREF="../HTML/Realmz_Files/Realmz_HTML/Realmz%20Manual/Realmz%20Manual.htm"><FONT FACE="Arial, Helvetica, sans-serif" COLOR="#000000">Online
Game Manual</FONT></A></P>
<P><FONT FACE="Arial, Helvetica, sans-serif" COLOR="#000000"><IMG SRC="images/rightarrow.gif" WIDTH=24 HEIGHT=24 X-CLARIS-USEIMAGEWIDTH X-CLARIS-USEIMAGEHEIGHT ALIGN=middle>
</FONT><A HREF="http://www.fantasoft.com/Realmz_Fan_Sites.html"><FONT FACE="Arial, Helvetica, sans-serif" COLOR="#000000">Links
to Other Fan Sites</FONT></A></P>
<P><FONT FACE="Arial, Helvetica, sans-serif" COLOR="#000000"><IMG SRC="images/rightarrow.gif" WIDTH=24 HEIGHT=24 X-CLARIS-USEIMAGEWIDTH X-CLARIS-USEIMAGEHEIGHT ALIGN=middle>
</FONT><A HREF="scenarios.html"><FONT FACE="Arial, Helvetica, sans-serif" COLOR="#000000">Links
to Scenarios and Updates</FONT></A></P>
<CENTER><TABLE BORDER=0 CELLSPACING=0 CELLPADDING=5 WIDTH="100%">
<TR>
<TD VALIGN=top HEIGHT=15>
<P><FONT FACE="Arial, Helvetica, sans-serif"><B><IMG SRC="images/realmz1.gif" WIDTH=64 HEIGHT=64 ALIGN=bottom>Background
Information</B><BR>
<BR>
Other scenarios have more of an end goal, but The
City of Bywater has no underlying goal for its
completion. You are a group of adventurers who have
arrived in the city of Bywater with a small amount
of money and a great desire for adventure.<BR>
<BR>
This was a first attempt at creating a scenario so
I pretty much winged it as I created the scenario
driver. The story line is fairly loose, so you can
pretty much go wherever you like, whenever you
like. Some people will like this better than
strictly linear games that guide you along a path.
Finish X, so you can try Y, to get to Z. What
happens if X is boring, or you can't figure it out?
You would be stuck in that case. Never fear! Now
you will be able to do what YOU want to do, not
what the game designers want you to do. Pretty
slick!<BR>
<BR>
The City of Bywater is an honest city. The average
man has little to fear except for the occasional
cutpurse. The city is ruled by a kind king.
Recently, a tower has been built by a cult of
spider worshippers just to the east of the city.
Though they have broken no laws, it is widely known
that they practice evil ceremonies, and rumored
that they plan on the eventual overthrow of the
king. Many believe the spider tower actually
contains NO spiders, but other forms of arachnids
instead. Open ranges frequented by goblins lie
south of the city. Eastward, tribes of Orcs rove
the land. Southeast of the city, the land is
largely unexplored. Rumors say that the lands are
occupied by small groups of hill giants. <B><BR>
<BR>
<IMG SRC="images/realmz2.gif" WIDTH=32 HEIGHT=32 ALIGN=bottom>Some
Tips</B><BR>
<BR>
1. Don't be paranoid. Bywater is an honest town.
Don't walk around in fear of the town guard unless
you have done something wrong. Realmz is unlike
many adventure games that plunge you into trouble
for no apparent reason.<BR>
<BR>
2. A good defense is often your best offense.
Before engaging in a known battle, it is helpful to
camp and cast a few defensive spells. This will
significantly improve your chances for success in
battle. For example: Just prior to a battle, you
should camp, then cast any defensive spells such as
Bless, Bark Skin, Protection From Cold, etc...<BR>
<BR>
3. Save your game often! This can't be stressed
enough! After the successful completion of an
encounter or major battle, it's wise to save the
game. If your party dies, you will be able to pick
up where you left off.<BR>
<BR>
4. A well-balanced party is essential for success.
To survive, almost any party will need at least one
Cleric and either a Mage or Enchanter. Clerics are
very defensive in nature and have a wide variety of
defensive and healing spells. Mages and Enchanters
have a few defensive spells, but as a whole, have
many more offensive spells. Magic is sometimes the
only way into certain situations, or out of
trouble.<BR>
<BR>
<BR>
</FONT>
<FONT FACE="Arial, Helvetica, sans-serif"><BR>
<BR>
</FONT></P>
</TD>
</TR>
<TR>
<TD VALIGN=top HEIGHT=15>
<P><FONT FACE="Arial, Helvetica, sans-serif">|
</FONT><A HREF="#top"><FONT FACE="Arial, Helvetica, sans-serif">return
to top</FONT></A><FONT FACE="Arial, Helvetica, sans-serif">
|</FONT></P>
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<BR>
<A NAME=divinity></A>
<TABLE BORDER=1 CELLSPACING=0 CELLPADDING=10 WIDTH=600 align=center bordercolor="#333333">
<TR BGCOLOR="#FFFFFF">
<TD VALIGN=top WIDTH=450>
<P><FONT SIZE="+3" FACE="Arial, Helvetica, sans-serif" COLOR="#0066FF"><B><IMG SRC="images/divinity.gif" WIDTH=32 HEIGHT=32 ALIGN=absmiddle>
Divinity</B></FONT><BR>
<BR>
<TABLE BORDER=0 CELLSPACING=0 CELLPADDING=5 WIDTH="100%">
<TR>
<TD HEIGHT=15>
<P align="center">
<BR>
<A HREF="http://groups.yahoo.com/group/realmz/"><FONT FACE="Arial, Helvetica, sans-serif">Join
the Realmz Castle!</FONT></A> or <FONT FACE="Arial, Helvetica, sans-serif"><A HREF="http://groups.yahoo.com/group/Realmz-TheFinalBastion/"><FONT FACE="Arial, Helvetica, sans-serif"> Realmz, The Final Bastion!</FONT></A></FONT></P>
<P align="center"><FONT FACE="Arial, Helvetica, sans-serif"><BR>
Yahoo! Discussion groups about Realmz and
Divinity! </FONT></P>
</TD>
</TR>
<TR>
<TD HEIGHT=15>
<P> </P>
</TD>
</TR>
</TABLE>
<TABLE BORDER=0 CELLSPACING=0 CELLPADDING=5 WIDTH="100%">
<TR>
<TD VALIGN=top HEIGHT=15>
<P><FONT FACE="Arial"><IMG SRC="images/divinity2.gif" WIDTH=64 HEIGHT=64 ALIGN=bottom>Until
now the Average Joe who wanted to make a fantasy
game had learn to program, spend lots of money and
struggle for years in hopes of creating something
cool.<BR>
<BR>
Well despair no more. With the Release of Divinity
this dismal situation has changed and so will your
life. You now have at your fingertips the ability
to create incredible worlds without having to know
one scrap of programming language. Everything you
need is integrated into one software package.<BR>
<BR>
That fantastic adventure that's been bubbling away
in your head for years can finally see the light of
day and without having to go insane trying to learn
how to program. (I have already done that for you.)
The world of Fantasy RPGs has just entered a new
age. Don't regret missing it while lying on your
death bed.<BR>
<BR>
You can give your scenario away for free or
distribute them as shareware. Everything you need
to create your own scenario is included.<BR>
<BR>
When you order Divinity you get:<BR>
* Full version of Divinity.<BR>
* Divine Right: a special version of Realmz used to
debug your scenario)<BR>
* Complete electronic documentation that explains
the scenario editor in detail.<BR>
* A tutorial scenario to help explain the concepts
of scenario creation.<BR>
* A code generator that lets you make registration
codes for your scenario if you decide to sell it as
shareware.<BR>
<BR>
Just a few of the things you control in Divinity
include:<BR>
* Write your own story line with a rich and
colorful background.<BR>
* Design your own items such as weapons, shields,
armor or magical objects.<BR>
* Create your own landscapes and populate them with
heroic allies and foul beasts.<BR>
* Create your own races and castes for use as party
members in your scenario.<BR>
* Customize your own land graphics. You can
literally make your own landscapes.<BR>
* Design your own monsters and special characters
ranging from mole worms to demonic gorgons. You
control every aspect of creature design. They can
explode upon death, multiply when chopped in half,
summon allies during battle, inflict poisonous
bites, etc. It's up to you to create a soft cuddly
bunny or a raging Vracktasaurus. Only your
imagination will limit the creatures you can
create.<BR>
* Place hidden dungeons and puzzles in your castles
and caverns to spice up the adventure or kill off a
few nosy characters who get too bold.<BR>
* Much, much more. Everything you need is all there
and you can even use your own artwork and sounds if
you like. The sky is the limit.</FONT><FONT FACE="Arial, Helvetica, sans-serif"><BR>
<BR>
<B>A few screenshots to wet your
tastebuds...</B><BR>
<BR>
</FONT>
<TABLE BORDER=0 CELLSPACING=0 CELLPADDING=0 WIDTH="100%">
<TR>
<TD ALIGN=center>
<P><A HREF="divinityscreens/divinity01.gif"><IMG SRC="divinityscreens/divinity01s.gif" WIDTH=96 HEIGHT=69 BORDER=0 ALIGN=bottom></A></P>
</TD>
<TD ALIGN=center>
<P><A HREF="divinityscreens/divinity02.gif"><IMG SRC="divinityscreens/divinity02s.gif" WIDTH=77 HEIGHT=48 BORDER=0 ALIGN=bottom></A></P>
</TD>
<TD ALIGN=center>
<P><A HREF="divinityscreens/divinity03.gif"><IMG SRC="divinityscreens/divinity03s.gif" WIDTH=96 HEIGHT=69 BORDER=0 ALIGN=bottom></A></P>
</TD>
<TD ALIGN=center>
<P><A HREF="divinityscreens/divinity04.gif"><IMG SRC="divinityscreens/divinity04s.gif" WIDTH=96 HEIGHT=69 BORDER=0 ALIGN=bottom></A></P>
</TD>
<TD ALIGN=center>
<P><A HREF="divinityscreens/divinity05.gif"><IMG SRC="divinityscreens/divinity05s.gif" WIDTH=96 HEIGHT=69 BORDER=0 ALIGN=bottom></A></P>
</TD>
</TR>
<TR>
<TD ALIGN=center>
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</TD>
<TD ALIGN=center>
<P> </P>
</TD>
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<P> </P>
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<TD ALIGN=center>
<P> </P>
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<TD ALIGN=center>
<P> </P>
</TD>
</TR>
<TR>
<TD ALIGN=center>
<P><A HREF="divinityscreens/divinity06.gif"><IMG SRC="divinityscreens/divinity06s.gif" WIDTH=96 HEIGHT=69 BORDER=0 ALIGN=bottom></A></P>
</TD>
<TD ALIGN=center>
<P><A HREF="divinityscreens/divinity07.gif"><IMG SRC="divinityscreens/divinity07s.gif" WIDTH=96 HEIGHT=69 BORDER=0 ALIGN=bottom></A></P>
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<TD VALIGN=top HEIGHT=15>
<P><FONT FACE="Arial, Helvetica, sans-serif">|
</FONT><A HREF="#top"><FONT FACE="Arial, Helvetica, sans-serif">return
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<p><font size="-1" face="Arial" color="#9999cc">This site maintained and fees collected by Micro Enterprises for Fantasoft LLC.<br>546 E. Main, Bluff UT 84512-0363<font size="-1" face="Arial" color="#9999cc"><br>
Phone: (435) 672-2329<br>
Send mail to Skip Meier PO Box 363 Bluff, UT 84512<br>Or email <a href="mailto:[email protected]"><font size="-1" face="Arial, Helvetica, sans-serif" color="#9999cc">SpoonLard.</font></a><font size="-1" face="Arial, Helvetica, sans-serif" color="#9999cc"></font><font size="-1" face="Arial, Helvetica, sans-serif" color="#9999cc"><br>
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Copyright © 2002 </font><a href="mailto:[email protected]"><font size="-1" face="Arial, Helvetica, sans-serif" color="#9999cc">Fantasoft</font></a><font size="-1" face="Arial, Helvetica, sans-serif" color="#9999cc"> LLC. All rights reserved worldwide.</font></p>
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|
Fantasoft Games: Realmz & Divinity
| |
| --- |
| |
| |
| --- |
| [**Realmz**](#realmz)**and** [**Divinity**](#divinity) |
| |
| --- |
| |
[Realmz
and Divinity](realmzdivinity.html)
|
|
[Home](index.html)
| |
| | | | | |
| --- | --- | --- | --- | --- |
| **Realmz**
| |
| --- |
|
Visit
the [DOWNLOADS](downloads.html)
page to get the demo or latest update.
|
| Get a
copy of [Stuffit
Expander](http://www.stuffit.com/).
This free utility will unstuff-unzip all our
files. |
[Online
Hint Guides For Scenarios](../HTML/Realmz_Files/Realmz_HTML/Hint%20Guides/Hint%20Guides.htm)
[Online
Game Manual](../HTML/Realmz_Files/Realmz_HTML/Realmz%20Manual/Realmz%20Manual.htm)
[Links
to Other Fan Sites](http://www.fantasoft.com/Realmz_Fan_Sites.html)
[Links
to Scenarios and Updates](scenarios.html)
| |
| --- |
| **Background
Information**
Other scenarios have more of an end goal, but The
City of Bywater has no underlying goal for its
completion. You are a group of adventurers who have
arrived in the city of Bywater with a small amount
of money and a great desire for adventure.
This was a first attempt at creating a scenario so
I pretty much winged it as I created the scenario
driver. The story line is fairly loose, so you can
pretty much go wherever you like, whenever you
like. Some people will like this better than
strictly linear games that guide you along a path.
Finish X, so you can try Y, to get to Z. What
happens if X is boring, or you can't figure it out?
You would be stuck in that case. Never fear! Now
you will be able to do what YOU want to do, not
what the game designers want you to do. Pretty
slick!
The City of Bywater is an honest city. The average
man has little to fear except for the occasional
cutpurse. The city is ruled by a kind king.
Recently, a tower has been built by a cult of
spider worshippers just to the east of the city.
Though they have broken no laws, it is widely known
that they practice evil ceremonies, and rumored
that they plan on the eventual overthrow of the
king. Many believe the spider tower actually
contains NO spiders, but other forms of arachnids
instead. Open ranges frequented by goblins lie
south of the city. Eastward, tribes of Orcs rove
the land. Southeast of the city, the land is
largely unexplored. Rumors say that the lands are
occupied by small groups of hill giants. **Some
Tips**
1. Don't be paranoid. Bywater is an honest town.
Don't walk around in fear of the town guard unless
you have done something wrong. Realmz is unlike
many adventure games that plunge you into trouble
for no apparent reason.
2. A good defense is often your best offense.
Before engaging in a known battle, it is helpful to
camp and cast a few defensive spells. This will
significantly improve your chances for success in
battle. For example: Just prior to a battle, you
should camp, then cast any defensive spells such as
Bless, Bark Skin, Protection From Cold, etc...
3. Save your game often! This can't be stressed
enough! After the successful completion of an
encounter or major battle, it's wise to save the
game. If your party dies, you will be able to pick
up where you left off.
4. A well-balanced party is essential for success.
To survive, almost any party will need at least one
Cleric and either a Mage or Enchanter. Clerics are
very defensive in nature and have a wide variety of
defensive and healing spells. Mages and Enchanters
have a few defensive spells, but as a whole, have
many more offensive spells. Magic is sometimes the
only way into certain situations, or out of
trouble.
|
| |
[return
to top](#top)
| |
|
| | | | | | | | | | | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| **Divinity**
| |
| --- |
|
[Join
the Realmz Castle!](http://groups.yahoo.com/group/realmz/) or [Realmz, The Final Bastion!](http://groups.yahoo.com/group/Realmz-TheFinalBastion/)
Yahoo! Discussion groups about Realmz and
Divinity! |
| |
| | | | | | | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| Until
now the Average Joe who wanted to make a fantasy
game had learn to program, spend lots of money and
struggle for years in hopes of creating something
cool.
Well despair no more. With the Release of Divinity
this dismal situation has changed and so will your
life. You now have at your fingertips the ability
to create incredible worlds without having to know
one scrap of programming language. Everything you
need is integrated into one software package.
That fantastic adventure that's been bubbling away
in your head for years can finally see the light of
day and without having to go insane trying to learn
how to program. (I have already done that for you.)
The world of Fantasy RPGs has just entered a new
age. Don't regret missing it while lying on your
death bed.
You can give your scenario away for free or
distribute them as shareware. Everything you need
to create your own scenario is included.
When you order Divinity you get:
\* Full version of Divinity.
\* Divine Right: a special version of Realmz used to
debug your scenario)
\* Complete electronic documentation that explains
the scenario editor in detail.
\* A tutorial scenario to help explain the concepts
of scenario creation.
\* A code generator that lets you make registration
codes for your scenario if you decide to sell it as
shareware.
Just a few of the things you control in Divinity
include:
\* Write your own story line with a rich and
colorful background.
\* Design your own items such as weapons, shields,
armor or magical objects.
\* Create your own landscapes and populate them with
heroic allies and foul beasts.
\* Create your own races and castes for use as party
members in your scenario.
\* Customize your own land graphics. You can
literally make your own landscapes.
\* Design your own monsters and special characters
ranging from mole worms to demonic gorgons. You
control every aspect of creature design. They can
explode upon death, multiply when chopped in half,
summon allies during battle, inflict poisonous
bites, etc. It's up to you to create a soft cuddly
bunny or a raging Vracktasaurus. Only your
imagination will limit the creatures you can
create.
\* Place hidden dungeons and puzzles in your castles
and caverns to spice up the adventure or kill off a
few nosy characters who get too bold.
\* Much, much more. Everything you need is all there
and you can even use your own artwork and sounds if
you like. The sky is the limit.
**A few screenshots to wet your
tastebuds...**
| | | | | |
| --- | --- | --- | --- | --- |
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<TD VALIGN="MIDDLE"><FONT FACE="Verdana, Arial"><H1>SolStation.com</H1>
</TD></FONT>
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<A HREF="http://members.nova.org/~sol/">
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HREF="http://www.digitalwaterfalls.co.uk/dwsteve6.html"><B>TTA</B></A> |
<A STYLE="color:#FFFFFF;text-decoration:none;"
HREF="http://members.nova.org/~sol/"><B>Sol Station</B></A> |
<A STYLE="color:#FFFFFF;text-decoration:none;"
HREF="http://www.orionsarm.com/" TARGET="_top"><B>Orion's Arm</B></A> |
<A STYLE="color:#FFFFFF;text-decoration:none;"
HREF="http://galaxymap.org/" TARGET="_top"><B>Galaxy Map</B></A> |
<A STYLE="color:#FFFFFF;text-decoration:none;"
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<A STYLE="color:#FFFFFF;text-decoration:none;"
HREF="cjc-maps.htm" TARGET="_top"><B>Cherryh Maps</B></A> |
<A STYLE="color:#FFFFFF;text-decoration:none;"
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<TD WIDTH="70" VALIGN="TOP"><BR>
<FONT FACE="Arial" SIZE="2"><B>Mirrors</B></FONT><BR>
<FONT FACE="Arial" SIZE="1">
<A HREF="http://members.nova.org/~sol/solcom"
TARGET="_top">US East</A></FONT><BR>
<FONT FACE="Arial" SIZE="1">
<A HREF="http://www.solstation.com"
TARGET="_top">US Gulf</A></FONT><BR>
<FONT FACE="Arial" SIZE="1">
<BR>
<FONT FACE="Arial" SIZE="2"><B>Maps</B></FONT><BR>
<FONT FACE="Arial" SIZE="1">
<A HREF="47ly-ns.htm" TARGET="_top">Nearby Star</A>
<BR>
<A HREF="100ly-bs.htm" TARGET="_top">Bright Star</A>
<BR>
<A HREF="map27ly.htm" TARGET="_top">27ly Test</A>
<BR>
</FONT><BR>
<FONT FACE="Arial" SIZE="2"><B>Software</B></FONT><BR>
<FONT FACE="Arial" SIZE="1">
<A HREF="http://members.nova.org/~sol/chview/index.html"
TARGET="_top">ChView PC</A>
<BR>
<A HREF="ug/ug.htm" TARGET="_top">Web Code</A><BR>
</FONT><BR>
<FONT FACE="Arial" SIZE="2"><B>Support</B></FONT><BR>
<FONT FACE="Arial" SIZE="1"> <A HREF="stars.htm"
TARGET="_top">Stars</A><FONT COLOR="#FF0000">*</FONT><BR>
<FONT FACE="Arial" SIZE="1"> <A HREF="orbits.htm"
TARGET="_top">Orbits</A><FONT COLOR="#FF0000">*</FONT><BR>
<FONT FACE="Arial" SIZE="1"> <A HREF="habitable.htm"
TARGET="_top">Habitability</A></FONT><BR>
<FONT FACE="Arial" SIZE="1"> <A HREF="life.htm"
TARGET="_top">Life</A></FONT><BR>
<FONT FACE="Arial" SIZE="1"> <A HREF="http://members.nova.org/~sol/transpor.htm"
TARGET="_top">Transport</A></FONT><BR>
<FONT FACE="Arial" SIZE="1"> <A HREF="x-objects.htm"
TARGET="_top">X-Objects</A></FONT><BR>
<FONT FACE="Arial" SIZE="1"> <A HREF="web_map.htm"
TARGET="_top">Web Maps</A></FONT><BR>
<BR>
<FONT FACE="Arial" SIZE="2"><B>Company</B></FONT><BR>
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<P><BR><B><FONT FACE="Arial" COLOR="#FF0000">Free for
personal use . . . </FONT></B></P>
<P><FONT FACE="Arial" COLOR="#000000" SIZE="2">
<B>On-line Star Maps - </B>
Right click and drag to view the local stars in 3D.
Double-click to learn more about <A HREF="stars.htm">notable
nearby stars</A> and to see <A HREF="orbits.htm">orbit
animations</A> of multiple star and planetary satellite
systems. </P>
<UL>
<LI><P>The 27 light-year (ly) <A HREF="map27ly.htm">test
map</A> provides instructions in a handy right border and
displays up to 250 objects. </P></LI>
<LI><P>The bigger <A HREF="47ly-ns.htm">Nearby Star</A> and
<A HREF="100ly-bs.htm">Bright Star</A> maps display up to
999 objects each. </P></LI>
</UL>
<P><B>ChView Software - </B>Make your own maps. </P>
<UL>
<LI><P><A HREF="ug/ug.htm">On-line version</A> to run web page
applets using Java from Sun Microsystems. </P></LI>
<LI><P><A HREF="http://members.nova.org/~sol/chview/chvc.htm">PC
version</A> for Microsoft Windows. </P></LI>
<LI><P>ChView2 --
<A HREF="http://www.solstation.com/chview2/">alpha release</A> --
for Apple, Linux, and other <BR>
users of Java runtime environments. </P></LI>
</UL>
<P><B><A HREF="x-objects.htm">Extreme Celestical Objects</A> - </B>
information on interesting objects beyond the
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the larger universe (created by other amateur and professional
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<A STYLE="color:#FFFFFF;text-decoration:none;"
HREF="cjc-maps.htm" TARGET="_top"><B>Cherryh Maps</B></A> |
<A STYLE="color:#FFFFFF;text-decoration:none;"
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|
[**Home**](index.html) |
[**Universe Today**](http://www.universetoday.com/) |
[**TTA**](http://www.digitalwaterfalls.co.uk/dwsteve6.html) |
[**Sol Station**](http://members.nova.org/~sol/) |
[**Orion's Arm**](http://www.orionsarm.com/) |
[**Galaxy Map**](http://galaxymap.org/) |
[**Core**](http://111george.com/core/index.htm) |
[**Cherryh Maps**](cjc-maps.htm) |
[**Astronomy Expert**](http://www.astronomyexpert.co.uk/) |
|
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| --- | --- | --- | --- | --- |
| |
**Mirrors**
[US East](http://members.nova.org/~sol/solcom)
[US Gulf](http://www.solstation.com)
**Maps**
[Nearby Star](47ly-ns.htm)
[Bright Star](100ly-bs.htm)
[27ly Test](map27ly.htm)
**Software**
[ChView PC](http://members.nova.org/~sol/chview/index.html)
[Web Code](ug/ug.htm)
**Support**
[Stars](stars.htm)\*
[Orbits](orbits.htm)\*
[Habitability](habitable.htm)
[Life](life.htm)
[Transport](http://members.nova.org/~sol/transpor.htm)
[X-Objects](x-objects.htm)
[Web Maps](web_map.htm)
**Company**
[About Us](about.htm)
[Contact](contact.htm)
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**Free for
personal use . . .**
**On-line Star Maps -**
Right click and drag to view the local stars in 3D.
Double-click to learn more about [notable
nearby stars](stars.htm) and to see [orbit
animations](orbits.htm) of multiple star and planetary satellite
systems. * The 27 light-year (ly) [test
map](map27ly.htm) provides instructions in a handy right border and
displays up to 250 objects.
* The bigger [Nearby Star](47ly-ns.htm) and
[Bright Star](100ly-bs.htm) maps display up to
999 objects each.
**ChView Software -** Make your own maps. * [On-line version](ug/ug.htm) to run web page
applets using Java from Sun Microsystems.
* [PC
version](http://members.nova.org/~sol/chview/chvc.htm) for Microsoft Windows.
* ChView2 --
[alpha release](http://www.solstation.com/chview2/) --
for Apple, Linux, and other
users of Java runtime environments.
**[Extreme Celestical Objects](x-objects.htm) -**
information on interesting objects beyond the
[Solar Neighborhood](stars.htm), with links to maps of
the larger universe (created by other amateur and professional
astronomers).
|
| |
| --- |
|
[**Home**](index.html) |
[**Universe Today**](http://www.universetoday.com/) |
[**TTA**](http://www.digitalwaterfalls.co.uk/dwsteve6.html) |
[**Sol Station**](http://members.nova.org/~sol/) |
[**Orion's Arm**](http://www.orionsarm.com/) |
[**Galaxy Map**](http://galaxymap.org/) |
[**Core**](http://111george.com/core/index.htm) |
[**Cherryh Maps**](cjc-maps.htm) |
[**Astronomy Expert**](http://www.astronomyexpert.co.uk/) |
|
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<title>LILEKS (James) :: Institute :: Gallery :: International Foods!</title>
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<td><p><a href="../index.html"><img src="ban.jpg" alt="" width="1000" height="175" border="0"></a></p>
<table width="999" border="0" cellspacing="0" cellpadding="0">
<tr>
<td width="704" height="298" valign="top"><p><a href="2.html"><img src="1.jpg" width="700" height="1104"></a></p></td>
<td width="60" valign="top"> </td>
<td width="235" valign="top"><p> </p>
<p class="style2"> </p>
<p class="style2"> </p>
<p class="style2"> </p>
<p class="style2"> </p>
<p class="style2"> </p>
<p class="style2"> </p>
<p class="style2">By waterless, they <em>mean</em> waterless! All moisture has been completely extracted from these foods. You supply the fluids with your own spittle.</p>
<p class="style2">If everything tastes dry, that's just your unsophisticated Amercan Palate. Come, let us see how they eat in other countries, where everything is better because they do not have television and other useless things to distract them from what really matters in life, which is the study of its meaninglessness. </p></td>
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LILEKS (James) :: Institute :: Gallery :: International Foods!
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| --- | --- | --- | --- |
|
| | | |
| --- | --- | --- |
| | |
By waterless, they *mean* waterless! All moisture has been completely extracted from these foods. You supply the fluids with your own spittle.
If everything tastes dry, that's just your unsophisticated Amercan Palate. Come, let us see how they eat in other countries, where everything is better because they do not have television and other useless things to distract them from what really matters in life, which is the study of its meaninglessness. |
|
| http://www.lileks.com/institute/gallery/international/1.html |
<!doctype html>
<html>
<head>
<title>Nyan Cat Telnet Server</title>
<meta charset="utf-8" />
<style>
body {
font-family: sans-serif;
}
a {
text-decoration: none;
}
a:hover {
text-decoration: underline !important;
}
</style>
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<body>
<h1 style="padding: 8px;" >Nyan Cat Telnet Server</h1>
<p style="font-size: 16px; font-weight: bold; border: 2px solid; background-color: #f2d67b; padding: 30px; margin: 30px; text-align: center">
Due to bandwidth limitations, the Nyancat telnet server has been shut down.<br/>
<br/>
If you are interested in hosting an official mirror, please let me known on Twitter.
</p>
<p>
This is an animated, color, ANSI-text telnet server that renders a loop of the Nyan Cat / Poptart Cat animation. (<a href="#mirrors">Mirrors</a>)
</p>
<p>
This is free and open-source software, released under the terms of the NCSA/UIUC license and is available on <a href="https://github.com/klange/nyancat">github (klange)</a>. You may be able to find the <span style="font-family: monospace;">nyancat</span> package in your distribution repositories. If you like my work and want to listen to my inane social media postings, follow me on <a href="https://twitter.com/_klange">Twitter (@_klange)</a>. <a href="https://www.youtube.com/watch?v=D4c5xpLdm-A">Also consider checking out this video of Nyan Cat on an actual VT220.</a>
</p>
<p>
Open up a supported terminal<a href="#support">^</a> and run:
</p>
<pre>telnet nyancat.dakko.us</pre>
<p>
Or you can <a href="telnet://nyancat.dakko.us/">click here</a> on some browsers.
</p>
<p>
<a href="http://exittunes.com/cd/exit_tunes/qwce00205.html"><img src="qwce00205.jpg" width="64" alt="Nyan Cat" /> Buy this CD!</a>
</p>
<p>
<b>Don't see poptart cat?</b> Check the terminal support notices and caveats <a href="#support">below</a>.
</p>
<p>
<img src="nyancat.png" alt="[Nyan Cat]"/><br>
<i>Screenshot from gnome-terminal</i>
</p>
<p>
In addition to telnet, netcat may also work. Check which version of netcat you're using and note that you can't tell netcat what terminal to report so you will always get "ansi" mode (non-xterm-256-color, uses "<span style="font-family: monospace;">10X</span>" for bright backgrounds).
</p>
<pre><b>BSD</b> nc -v nyancat.dakko.us 23</pre>
<pre><b>GNU</b> nc -T nyancat.dakko.us 23</pre>
<h2 id="support">Supported Terminals</h2>
<p>
Should work on all of the following (assuming at least an 80x24 terminal):
</p>
<ul>
<li><b>xterm</b></li>
<li><b>Gnome Terminal</b></li>
<li><b>Konsole</b></li>
<li><b>PuTTY</b></li>
<li><b>Linux framebuffers</b> (software, run as is; hardware terminals use <span style="font-family: monospace;">TERM=fallback telnet nyancat.dakko.us</span>)</li>
<li><b>iSSH</b></li>
<li><b>ConnectBot</b></li>
<li><b>urxvt</b></li>
<li><b>rxvt</b></li>
<li><b>Terminal.app</b> on 10.7 (10.6 and before, run <span style="font-family: monospace;">TERM=ansi telnet nyancat.dakko.us</span>)</li>
<li><b>cygwin</b></li>
<li><b>Windows Terminal</b>: Run as <span style="font-family: monospace;">telnet -t vtnt nyancat.dakko.us</span></li>
<li><b>VT220</b> with <span style="font-family: monospace;">TERM=vt220 telnet nyancat.dakko.us</span></li>
<li><b>Shell in a Box</b> (web terminal) with <span style="font-family: monospace;">TERM=linux telnet nyancat.dakko.us</span></li>
</ul>
<h2>Troubleshooting</h2>
<h3>If you get bad output</h3>
<p>
If you are using a modern terminal which reports itself as <span style="font-family: monospace;">xterm</span> or similar and you don't see Nyan Cat, try:
</p>
<pre>TERM=ansi telnet nyancat.dakko.us</pre>
<p>
If everything else fails and you know your terminal supports at least standard ANSI escapes (color), try:
</p>
<pre>TERM=fallback telnet nyancat.dakko.us</pre>
<p>
If that gets the colors right, but you don't support unicode, try one of the following:
</p>
<pre>TERM=linux telnet nyancat.dakko.us # For background-only, prints spaces
TERM=vtnt telnet nyancat.dakko.us # Foreground, uses extended ASCII block characters</pre>
<p>
If you are on Windows and using the native terminal, try this:
</p>
<pre>telnet -t vtnt nyancat.dakko.us</pre>
<h3>If the server isn't responding</h3>
<p style="font-size: 16px; font-weight: bold; border: 2px solid; background-color: #f2d67b; padding: 30px; margin: 30px; text-align: center">
Due to bandwidth limitations, the Nyancat telnet server has been shut down.<br/>
<br/>
If you are interested in hosting an official mirror, please let me known on Twitter.
</p>
<p>
Shoot me an email: langek (A) acm (D) org <br>
Or let me known on Twitter: <a href="http://twitter.com/_klange">@_klange</a>
</p>
<p>
The server is set up to run with inetd and should be fairly stable by now, but if something does happen, let me know and I'll try to bring everything back online.
</p>
<h2>Notes</h2>
<p>
The server is written in C and runs with inetd. It does not make use of ncurses or other terminal libraries, but rather writes raw ANSI escape sequences after being given a terminal type, which telnet passes as part of its handshake. It was originally written for <a href="http://github.com/klange/osdev">my personal operating system</a>.
</p>
<p>
This server is a DigitalOcean droplet.
</p>
<p>
If your connection is lost during a successful run, it's probably because I restarted the server.
</p>
<h2>References</h2>
<p>
The Nyan Cat animation was originally made by <a href="http://www.prguitarman.com/index.php?id=348">prguitarman</a>.
</p>
<h2>Development</h2>
<p>
As stated previously, code is up on Github at <a href="http://github.com/klange/nyancat">klange/nyancat</a>. I am accepting changes if they are worthwhile and improve the overall experience.
</p>
<p>
The application behind the telnet server was originall written for <a href="http://github.com/klange/toaruos">my toy OS</a>. I was presented with the idea of making it a telnet server by friend and colleague <a href="http://en.wikipedia.org/wiki/Cisco_IOS#Security_and_vulnerabilities">Mike Lynn</a>. It took about an hour of work to set up the animation to run at the right size (80x24), work on various terminals, and execute from a telnet connection.
</p>
<h2 id="mirrors">Mirrors</h2>
<p>
One known mirror is in operation:
</p>
<pre>nyan.samoylyk.net</pre>
<p>
Many mirrors have shut down. Here's a list of domains that used to host telnet nyancat:
</p>
<pre>miku.acm.uiuc.edu</pre>
<pre>nyan.howes.net.nz</pre>
<pre>thefinn93.com</pre>
<pre>baud.org.uk</pre>
<pre>ebal.ee 666</pre>
<pre>th3ga.me</pre>
<h2>More Screenshots</h2>
<p>
<img src="nyancat-not-xterm.png" alt="Nyan Cat on something that doesn't claim to be XTerm." /><br>
<i>Results when a terminal does not claim to be <span style="font-family: monospace">xterm.*</span>.</i>
</p>
<p>
<img src="nyancat-fallback.png" alt="Nyan Cat on the fallback terminal" /><br>
<i>Results for the fallback terminal type, ugly but effective.</i>
</p>
<p>
<img src="nyancat-ipad.png" alt="Nyan Cat on an iPad" /><br>
<i>Nyan Cat on an iPad with iSSH.</i>
</p>
<p>
<img src="nyancat-new-fallback.png" alt="Newer fallback" /><br>
<i>Newer fallback terminal output, a lot less ugly. Uses ASCII block characters.</i>
</p>
<p>
<img src="https://i.imgur.com/Tkojt.png" alt="Inside of LXTerminal" /><br>
<i>Running under LXTerminal, the default terminal for LXDE.</i>
</p>
<p>
<img src="https://i.imgur.com/z4g0O.png" alt="Windows" /><br>
<i>Under Windows with <span style="font-family: monospace;">telnet -t vtnt nyancat.dakko.us</span></i>
</p>
<p>
<img src="https://i.imgur.com/alTHZ.png" alt="XFCE Terminal" /><br>
<i><b>That Nerd</b> sent me this pic of XFCE4 Terminal under Arch.</i>
</p>
<p>
<img src="https://i.imgur.com/67xDS.png" alt="iPod Touch" /><br>
<i>iSSH on an iPod Touch via @B4rr0</i>
</p>
<p>
<img src="https://i.imgur.com/NJH4z.png" alt="Terminator, Mint" /><br>
<i>Terminator on Linux Mint via @Peetz0r</i>
</p>
<p>
<img src="https://i.imgur.com/ghRe3.png" alt="ConnectBot, Android" /><br>
<i>ConnectBot on Android, also via @Peetz0r</i>
</p>
<p>
<img src="https://i.imgur.com/9w7oD.jpg" alt="Another Connectbot" /><br>
<i>Another Connectbot picture, via @anthonydfhogan</i>
</p>
<p>
<img src="https://i.imgur.com/OCcLH.png" alt="OS 10.7, Terminal.app" /><br>
<i>Mac OS 10.7 Terminal.app via @iamjoeodell</i>
</p>
<p>
<a href="https://i.imgur.com/hxvfA.jpg"><img src="https://i.imgur.com/hxvfAl.jpg" alt="VT220" /></a><br>
<i>VT220, <a href="https://www.youtube.com/watch?v=D4c5xpLdm-A">video</a></i>
</p>
<p>
<a href="https://i.imgur.com/2MhE2.jpg"><img src="https://i.imgur.com/2MhE2l.jpg" alt="VT220 updated" /></a><br>
<i>Updated VT220 palette for better color accuracy.</i>
</p>
<p>
<img src="https://i.imgur.com/mHBJU.png" alt="AJAXTerm" /><br>
<i>AJAXTerm under Opera, once more via @Peetz0r</i>
</p>
<p>
<img src="https://i.imgur.com/B3p3B.png" alt="Shell in a Box under Firefox" /><br>
<i>Shell in a Box (web terminal) under Firefox</i>
</p>
<p>
<img src="https://i.imgur.com/UJlrJ.png" alt="XTerm on an HP TouchPad" /><br>
<i>XTerm on an HP TouchPad via @nicktabick</i>
</p>
<p>
<img src="https://i.imgur.com/PLHA3.png" alt="iTerm on OS X Lion" /><br>
<i>iTerm on OS X Lion, via @macjunkie</i>
</p>
<p>
<img src="https://i.imgur.com/XC5Fx.png" alt="Cathode" /><br>
<i>Nyan Cat on Cathode, a retro terminal emulator for OS X, via @charliesome</i>
</p>
<p>
<img src="https://i.imgur.com/PTQmm.png" alt="Apple ][ screensaver" /><br>
<i>Nyan Cat in the Apple ][ XScreenSaver, modified by @Peetz0r</i>
</p>
<p>
<img src="https://i.imgur.com/XCQ61.png" alt="Updated Gnome Terminal" /><br>
<i>An updated screenshot of Gnome Terminal with a timer.</i>
</p>
<p>
<a href="https://i.imgur.com/WuQbE.jpg"><img src="https://i.imgur.com/WuQbEl.jpg" alt="PCJr" /></a><br>
<i>A 386-40 (running DOS 5) and an IBM PCjr (from 1986, running DOS 3.3) both using mTCP to connect to the telnet server, via Mike Brutman (by email)</i>
</p>
<p>
<a href="https://i.imgur.com/CdWTG.jpg"><img src="https://i.imgur.com/CdWTGl.jpg" alt="Room full of Nyancats" /></a><br>
<i>An entire room full of terminal Nyan Cats, celebrating Nyan Cat's birthday, via loraxx753 on reddit.</i>
</p>
<p>
<a href="https://i.imgur.com/sjPngtK.png"><img src="https://i.imgur.com/sjPngtK.png" alt="OS/2" /></a><br>
<i>It even works in OS/2!</i>
</p>
<p>
<a href="https://i.imgur.com/gwmPyuU.png"><img src="https://i.imgur.com/gwmPyuU.png" alt="froggey's hobby OS" /></a><br>
<i>In froggey's hobby OS</i>
</p>
<p>
<a href="https://i.imgur.com/RpLt1SZ.jpg"><img src="https://i.imgur.com/RpLt1SZl.jpg" alt="smartwatch" /></a><br>
<i>From an old friend, on an Omate Truesmart.</i>
</p>
<p>
<a href="compaq_portable.jpg"><img src="compaq_portable.jpg" alt="compaq portable" /></a><br>
<i>From @compu_85, a Compaq Portable with mTCP!</i>
</p>
<p>
I am collecting screenshots. If you would like to show me how nyancat looks under your setup, tweet me <a href="http://twitter.com/_klange">@_klange</a>. I'm using gnome-terminal. If your setup isn't special I might not add your pics, sorry :( .
</p>
<div style="font-style: italic;">
Copyright 2011-2017 K. Lange<br>
This sites uses Google Analytics for metrics tracking.
</div>
</body>
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# Nyan Cat Telnet Server
Due to bandwidth limitations, the Nyancat telnet server has been shut down.
If you are interested in hosting an official mirror, please let me known on Twitter.
This is an animated, color, ANSI-text telnet server that renders a loop of the Nyan Cat / Poptart Cat animation. ([Mirrors](#mirrors))
This is free and open-source software, released under the terms of the NCSA/UIUC license and is available on [github (klange)](https://github.com/klange/nyancat). You may be able to find the nyancat package in your distribution repositories. If you like my work and want to listen to my inane social media postings, follow me on [Twitter (@\_klange)](https://twitter.com/_klange). [Also consider checking out this video of Nyan Cat on an actual VT220.](https://www.youtube.com/watch?v=D4c5xpLdm-A)
Open up a supported terminal[^](#support) and run:
```
telnet nyancat.dakko.us
```
Or you can [click here](telnet://nyancat.dakko.us/) on some browsers.
[ Buy this CD!](http://exittunes.com/cd/exit_tunes/qwce00205.html)
**Don't see poptart cat?** Check the terminal support notices and caveats [below](#support).
![[Nyan Cat]](nyancat.png)
*Screenshot from gnome-terminal*
In addition to telnet, netcat may also work. Check which version of netcat you're using and note that you can't tell netcat what terminal to report so you will always get "ansi" mode (non-xterm-256-color, uses "10X" for bright backgrounds).
```
**BSD** nc -v nyancat.dakko.us 23
```
```
**GNU** nc -T nyancat.dakko.us 23
```
## Supported Terminals
Should work on all of the following (assuming at least an 80x24 terminal):
* **xterm**
* **Gnome Terminal**
* **Konsole**
* **PuTTY**
* **Linux framebuffers** (software, run as is; hardware terminals use TERM=fallback telnet nyancat.dakko.us)
* **iSSH**
* **ConnectBot**
* **urxvt**
* **rxvt**
* **Terminal.app** on 10.7 (10.6 and before, run TERM=ansi telnet nyancat.dakko.us)
* **cygwin**
* **Windows Terminal**: Run as telnet -t vtnt nyancat.dakko.us
* **VT220** with TERM=vt220 telnet nyancat.dakko.us
* **Shell in a Box** (web terminal) with TERM=linux telnet nyancat.dakko.us
## Troubleshooting
### If you get bad output
If you are using a modern terminal which reports itself as xterm or similar and you don't see Nyan Cat, try:
```
TERM=ansi telnet nyancat.dakko.us
```
If everything else fails and you know your terminal supports at least standard ANSI escapes (color), try:
```
TERM=fallback telnet nyancat.dakko.us
```
If that gets the colors right, but you don't support unicode, try one of the following:
```
TERM=linux telnet nyancat.dakko.us # For background-only, prints spaces
TERM=vtnt telnet nyancat.dakko.us # Foreground, uses extended ASCII block characters
```
If you are on Windows and using the native terminal, try this:
```
telnet -t vtnt nyancat.dakko.us
```
### If the server isn't responding
Due to bandwidth limitations, the Nyancat telnet server has been shut down.
Shoot me an email: langek (A) acm (D) org
Or let me known on Twitter: [@\_klange](http://twitter.com/_klange)
The server is set up to run with inetd and should be fairly stable by now, but if something does happen, let me know and I'll try to bring everything back online.
## Notes
The server is written in C and runs with inetd. It does not make use of ncurses or other terminal libraries, but rather writes raw ANSI escape sequences after being given a terminal type, which telnet passes as part of its handshake. It was originally written for [my personal operating system](http://github.com/klange/osdev).
This server is a DigitalOcean droplet.
If your connection is lost during a successful run, it's probably because I restarted the server.
## References
The Nyan Cat animation was originally made by [prguitarman](http://www.prguitarman.com/index.php?id=348).
## Development
As stated previously, code is up on Github at [klange/nyancat](http://github.com/klange/nyancat). I am accepting changes if they are worthwhile and improve the overall experience.
The application behind the telnet server was originall written for [my toy OS](http://github.com/klange/toaruos). I was presented with the idea of making it a telnet server by friend and colleague [Mike Lynn](http://en.wikipedia.org/wiki/Cisco_IOS#Security_and_vulnerabilities). It took about an hour of work to set up the animation to run at the right size (80x24), work on various terminals, and execute from a telnet connection.
## Mirrors
One known mirror is in operation:
```
nyan.samoylyk.net
```
Many mirrors have shut down. Here's a list of domains that used to host telnet nyancat:
```
miku.acm.uiuc.edu
```
```
nyan.howes.net.nz
```
```
thefinn93.com
```
```
baud.org.uk
```
```
ebal.ee 666
```
```
th3ga.me
```
## More Screenshots
*Results when a terminal does not claim to be xterm.\*.*
*Results for the fallback terminal type, ugly but effective.*
*Nyan Cat on an iPad with iSSH.*
*Newer fallback terminal output, a lot less ugly. Uses ASCII block characters.*
*Running under LXTerminal, the default terminal for LXDE.*
*Under Windows with telnet -t vtnt nyancat.dakko.us*
***That Nerd** sent me this pic of XFCE4 Terminal under Arch.*
*iSSH on an iPod Touch via @B4rr0*
*Terminator on Linux Mint via @Peetz0r*
*ConnectBot on Android, also via @Peetz0r*
*Another Connectbot picture, via @anthonydfhogan*
*Mac OS 10.7 Terminal.app via @iamjoeodell*
[](https://i.imgur.com/hxvfA.jpg)
*VT220, [video](https://www.youtube.com/watch?v=D4c5xpLdm-A)*
[](https://i.imgur.com/2MhE2.jpg)
*Updated VT220 palette for better color accuracy.*
*AJAXTerm under Opera, once more via @Peetz0r*
*Shell in a Box (web terminal) under Firefox*
*XTerm on an HP TouchPad via @nicktabick*
*iTerm on OS X Lion, via @macjunkie*
*Nyan Cat on Cathode, a retro terminal emulator for OS X, via @charliesome*
![Apple ][ screensaver](https://i.imgur.com/PTQmm.png)
*Nyan Cat in the Apple ][ XScreenSaver, modified by @Peetz0r*
*An updated screenshot of Gnome Terminal with a timer.*
[](https://i.imgur.com/WuQbE.jpg)
*A 386-40 (running DOS 5) and an IBM PCjr (from 1986, running DOS 3.3) both using mTCP to connect to the telnet server, via Mike Brutman (by email)*
[](https://i.imgur.com/CdWTG.jpg)
*An entire room full of terminal Nyan Cats, celebrating Nyan Cat's birthday, via loraxx753 on reddit.*
[](https://i.imgur.com/sjPngtK.png)
*It even works in OS/2!*
[](https://i.imgur.com/gwmPyuU.png)
*In froggey's hobby OS*
[](https://i.imgur.com/RpLt1SZ.jpg)
*From an old friend, on an Omate Truesmart.*
[](compaq_portable.jpg)
*From @compu\_85, a Compaq Portable with mTCP!*
I am collecting screenshots. If you would like to show me how nyancat looks under your setup, tweet me [@\_klange](http://twitter.com/_klange). I'm using gnome-terminal. If your setup isn't special I might not add your pics, sorry :( .
Copyright 2011-2017 K. Lange
This sites uses Google Analytics for metrics tracking.
| http://nyancat.dakko.us/ |
<html><head>
<title>Russ Nelson's Home Page</title>
<meta name="description" content="A bare list of things I've published. Pictures of the ice storm, our house, my parents' memorial pages, family pictures. You know, just stuff.">
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<h1>Russ Nelson's Home Page</h1>
<center><a href="http://www.thedissidentfrogman.com/dacha/001580.html"><img src="legacy_468.gif" title="Free speech, rationalism, consensual government, individualism, human rights.... This is the West's legacy. We won't give it up."></a></center>
<center><a href="http://www.lp.org/"><img src="select.cgi" alt="Libertarian Party advertisement"></a></center>
<p>
<a href='http://www.catb.org/hacker-emblem/'>
<img src='http://www.catb.org/hacker-emblem/glider.png'></a>
<a href="http://www.google.com/search?sourceid=navclient&q=russ"><img src="topelevenfirstnames.gif" border="0"></a>
<a href="http://www.lp.org/"><img border="0" src="http://blog.russnelson.com/images/penguin.png"></a>
<a href="http://www.ozarkia.net/bill/anarchism/faq.html"><img border="0" src="AnarchoDollar.gif"></a>
<ul>
<li>Married Ewa Wdzieczak-Smering in 2019, so she's now technically Ewa Wdzieczak-Smering-Nelson, which is a mouthful, so she will sometimes go as Ewa Nelson.
<li>My Master's Thesis, <a href="Clarkson-Loop.pdf">The Clarkson Loop</a>
<li>I'm on Instagram as <a href="https://www.instagram.com/russ.n/" rel="me">russ.n</a>.
<li>I have thousands of pictures up on <a href="https://www.flickr.com/people/russnelson/" rel="me">Flickr</a>
<script src="http://badge.dopiaza.org/flickr/badge.js?user=63051795@N00;num=12;sort=date-posted-desc;style=three-wide-bordered"></script>
<li>I've been on <a href="https://plus.google.com/+RussellNelson/about/p/pub" rel="me">Google+</a> for a while now.
<li>I have some code up on <a href="https://github.com/RussNelson/" rel="me">Github</a>. Not all of it, but some of it.
<li>I'm currently working on the <a href="http://rths.us">Real-Time Hydrologic System</a>.
<li>Some lunatic politician says <a href="http://www.fredericknewspost.com/news/politics_and_government/kirby-delauter-kirby-delauter-kirby-delauter/article_da85d6f4-fa3c-524f-bbf6-8e5ddc0d1c0a.html">his local newspaper can't use his name.</a>. Kirby Delauter, Kirby Delauter, Kirby Delauter. They are laughing at him, and so am I.
<li>My daughter <a href="http://rebeccanelson.com/">Rebecca Nelson</a>
volunteered with <a href="http://tramatextiles.org/">Trama Textiles</a>, a
100% worker-owned women's weaving association in Quetzaltenango (Xela),
Guatemala.
<li>My friend Richard Palmer has written many articles on the days when stagecoach travel was the only way to get around. He's publishing them on his blog as "<a href="http://www.stagecoachdays.blogspot.com">Stagecoach Days</a>".
<li>My <a rel="author" href="https://profiles.google.com/u/0/102355438470080501971">google profile</a>. It's also available via <a href="http://russnelson.com/+">http://russnelson.com/+</a>.
<LI>Celebrated my 53rd birthday last week. Was born March 21st, 1958. First day of spring!
<li>I'm working with Jim Bonner on the <a href="http://ra-tes.org/">RA-TES (Research, Applied-Technology, and Education services).</a> project.
<li>I worked from January '09 through July for <a href="http://www.cloudmade.com/">Cloudmade</a> on their
Community Ambassador team, working to promote <a
href="http://openstreetmap.org/">OpenStreetMap</a>. I ran OpenStreetMap mapping
parties around the Northeast United States.
<li>I'm twittering as <a href="https://twitter.com/russnelson" rel="me">russnelson</a>.
<li><a href="http://jonesday.com/"><img src="JD_logo.gif" /></a> claims that
you need their permission to use their trademark to link to their website.
I call bullshit. We have free speech in this country: you may use a
trademark truthfully.
<li>T-Mobile claims this color: <a href="http://www.tmobile.com/"><table bgcolor="#e70073"><tr><td> </td></tr></table></a> as a trademark, and says that you
can't use it. Well, tough titty: I am.
<li>Danese Cooper is famous for knitting in public. That's not so very
controversial. But she knits at <i>meetings</i>! Of course, anybody who
knows anything about knitting will realize that it's always safer to have
a knitter knitting. Keeps them out of trouble.
<li>So there's this librarian down in Pennsylvania by the name of <a
href="http://www.planetzhanna.com/">Zhanna</a> who chases old
railroads, geocaches, goes for mountain bike rides on old railbeds,
documents survey marks, is an INTJ, and still plays with her <a
href="http://www.lego.com/">Legos</a>. The overlap in our interests
is uncanny. She has even visited the <a
href="http://www.geocaching.com/mark/details.aspx?PID=LY0602"> first
benchmark</a> I ever saw, in <a href="http://shohola.org/">Shohola,
PA</a>. Somewhere among my effects is a rubbing of the benchmark.
<li>I thought I'd make a listing of <a
href="unfinished-railroads.html">Unfinished Railroads of New York
State</a>. These are railroads that started construction, but never
had tracks.
<li><a href="georeferencing-mp3s.html">Georeferencing MP3s</a>
<li>Nelson's Dictum: there is no such thing as a problem; there are only
unmet business opportunities.
<li>I'm interested in the <a href="ruf.html">RUF</a>, and you should
be, too.
<li>I'm now blogging on general subjects at <a
href="http://blog.russnelson.com/">blog.russnelson.com</a>.</li>
<li>I wonder if Google will index my <a
href="http://archives.linmodems.org/">mailing list archives</a>. I've
heard that it doesn't because all of the links are given as [link].
We'll find out. UPDATE: It doesn't. I'll have to try another method.
UPDATE: trying complete generation via Apache SetHandler script.</li>
<li>Do you need to print W-2 forms using open source software? I
wrote a Python program which generates Postscript that prints values
in the correct spaces on the sheet-fed (aka laser) dual Form W-2 Wage
and Tax Statement. It's called <a
href="print-form-w-2">print-form-w-2</a>, naturally enough. You'll
need to adapt it for your own purposes. I'm sure you'll need to
adjust the values for the two translate statements to get the form to
print correctly on your printer. Please send a copy of your
modifications for me to share with others.</li>
<li>I'm running <a href="http://openwrt.org/"> <img
src="http://openwrt.org/openwrt.png" width=88 height=31 border=0
alt="OpenWrt"> </a> on my Linksys WRT54G access points.</li>
<li>My friends at the <a href="http://www.nnyln.net/">Northern New
York Library Network</a> have scanned a <a
href="http://news.nnyln.net/">whole pile of newspapers</a> into .PDF
form, and then OCR'ed them with the text in the .PDF file. So you can
do plain-text searches on .PDF image files. Well done!</li>
<li>I'm using the <a href="cec.html">Crynwr Email Confirmation</a>
algorithm for my email. If I haven't whitelisted your email, you'll
get an autoresponse. If it bounces, I delete your email. Sorry.
I've also found that about half of my spam email simply disappears if
I have a higher distance MX record that rejects all email. In time it
won't work so very well, but it's useful for now.</li>
<li>Got pestered into uploading my <a href="oscon2004/">OSCon 2004</a> pictures.</li>
<li>Just say "NO!" to <a href="http://www.papersplease.org/gilmore/">internal passports</a></li>
<li>Reason Magazine's cover (inside cover, inside back cover, and back
cover) were printed using a technology which lets the publisher
customize anything. The front cover shows an aerial photograph with your house circled. <br><img src="reason-orig.png">Or, almost: <a href="reasonbig.jpg"><img src="reason.png" border="0"></a>.</li>
<li>I used to row crew in the <a href="http://www.gratefuloars.org/">Grateful Oars</a> rowing club.</li>
<li>My email always has a signature block, with a quote or quip off to
the right of it. I've saved many years of my <a
href="signatures">signatures</a> and archived them.</li>
<li>I'm keeping notes on my <a href="Brother-MFC-3820CN.html">Brother
MFC 3820CN and my Linux desktop</a>.</li>
<li><a href="rbdonnelly.html">RB Donnelly</a>.
<li><a href="nasreddin-hodja.html">Nasreddin Hodja on business ethics</a>.</li>
<li>My blog, <a href="http://angry-economist.russnelson.com">The Angry Economist</a>.</li>
<li><a href="ident.html">ident is not of use to servers.</a></li>
<li><a href="oscon6/">Pictures from OSCON6</a></li>
<li><a href="weekend-fun.html">Weekend Fun</a></li>
<li><a href="clam-fritters.html">Clam Fritters</a></li>
<li><a href="why-red-cross.html">155 reasons why people donate to the Red Cross</a></li>
<li><a href="wtc.html">WTC pics</a>, sucked off a webcam</li>
<li><a href="icebefr.jpeg">Before the Ice Storm of '98</a></li>
<li><a href="iceaftr.jpeg">After the Ice Storm of '98</a></li>
<li><a href="long-term.html">Some of my long-term projects</a></li>
<LI><A HREF="house/">Our house</a></li>
<li><a href="dad/dad.html">In memory of my father, who died January 16th, 1995</a></li>
<li><a href="mom/">In memory of my mother, who died November 22, 2002</a></li>
<li><a href="bio.html">How Crynwr Software got started</a> (and other stuff)</li>
<li><a href="pictures.html">Family photos</a></li>
<li><a href="pacifist/">Pacifist postings of mine</a></li>
<LI><A HREF="land.html">Pictures of our land on Pleasant Valley Rd.</a></li>
<li><a href="http://www.crynwr.com/">My company</a> (Crynwr Software)</li>
<li><a href="hotlist.html">My hotlist</a>(lots of interesting and outdated stuff here)</li>
<li><a href="pgp-key">My PGP key</a></li>
<li><a href="http://www.ietf.org/rfc/rfc1159.txt">My first RFC, MSP</a> (That's Message Send Protocol)</li>
<li><a href="http://www.ietf.org/rfc/rfc1312.txt">My second RFC, MSP 2</a>.</li>
<li><a href="http://www.ietf.org/rfc/rfc1957.txt">My third RFC, Notes on POP3</a></li>
<li><a href="fwompt.html">FWOMPT</a></li>
<li><a href="dmca-hacking.html">Copyright is dead</a> as long as we can publish random bits.</li>
<li>My first <a href="http://groups.google.com/group/net.singles/browse_thread/thread/2d28c27c2b7ab234?hl=en&q=russ+nelson#0c5b8b5cdcf1697f">Usenet posting</a>. Thank you, Google.</li>
<li>Borland didn't like it when I <a href="http://groups.google.com/groups?q=borland+author:nelson%40sun.soe.clarkson.edu&hl=en&lr=&ie=UTF-8&oe=utf-8&selm=569%40sun.soe.clarkson.edu&rnum=7">fixed a bug in their code</a>.</li>
<li>Stuff I do to help make the net a better place:
<ul>
<li>Translated the DNS RFC (1035) into HTML at my <a href="http://crynwr.com/rfc1035/">rfc1035</a> page.
<li>Host the <a href="http://wifi.jfdi.org/">wifi JFDI site</a>.</li>
<li>Executive director of the <a href="http://pubsoft.org">Public Software Fund</a></li>
<li>Host a bunch of .us community web sites.</li>
<li>Run an <a href="http://www.crynwr.com/spam/">anti-spam tester</a>. Works for the RBL, DUL, IMRSS, RRSS, ORBS, DSSL, and SSSL DNS-based blocks.</li>
<li>Host the <a href="mailto:[email protected]">mgetty</a> mailing list.</li>
<li>Host the <a href="mailto:[email protected]">lego-robotics</a> mailing list.</li>
<li>Host the <a href="mailto:[email protected]">quickcam-drivers</a> mailing list.</li>
<li>Host the <a href="http://crynwr.com/fsb.html">Free Software Business</a> mailing list.</li>
<li>Served as a board member for 13 years and as president of the <a href="http://opensource.org">Open Source Initiative.</a></li>
<li>Wrote <a href="http://www.ibiblio.org/pub/micro/pc-stuff/freedos/files/edit/emacs/">Freemacs</a> (the first programmable editor for the 80x86 architecture) which some people apparently still use.</li>
<li>Wrote <a href="http://www.crynwr.com/">packet drivers</a>.</li>
<li>Sell support for <a href="http://www.qmail.org">qmail</a>.</li>
<li>Host the <a href="http://www.boa.org">boa web server</a> homepage.</li>
<li>Keep the <a href="http://linmodems.org">Linux Winmodems</a> site up.</li>
<li>I distribute a copy of <a href="decss-injunction/">DeCSS</a>, and you should <a href="http://www.2600.com/news/2000/0830.html">too</a>.</li>
<LI>I have a <a href="diffs">patch</a> to <a href="http://www.catb.org/~esr/gif2png/">gif2png</a>.</li>
</ul></li>
</ul>
<a name="railroads"></a>
<h2>Railroads</h2>
<ul>
<li>New York State Department of Transportation did an inventory in 1974 of
all the abandoned railroad right of ways. They were published as typewritten
documents, and so never existed as text on a computer. They're currently
available <a href="http://www.nysl.nysed.gov/scandoclinks/ocm70660447.htm">as
PDF files</a>. But Google seems not to have found those files, which is
no surprise, because they're hidden behind a search box. OOPS! I'm taking
the liberty of turning them into HTML documents and reposting them on the
web: <a href="http://russnelson.com/inventory/">NYS DOT inventory of abandoned railroads</a>.
<li>I have a comprehensive listing of the <a href="http://russnelson.com/rutlandtrail.org/railtrails.cgi">rail-trails of New York State</a>. They follow the paths of abandoned railroads in NY which are officially open. Many other disused railbeds in NYS are informally open for hiking, biking, snowmobiling, and some for ATV riding. Trail owners tend to get grumpy at ATV riders more than snowmobilers because of the damage that the off-road tires do to the trail surface.</li>
<li>I'm now publishing my database of <a href="/nyrr/">New York State Railroad Routes</a>.
<li>Started a web page on the <a href="http://russnelson.com/www.rutlandtrail.org">Rutland Trail</a>.</li>
<li>Hmmm.... I seem to have forgotten to link to my page on Mike
Kudish's excellent book <a href="rota.html">Railroads of the
Adirondacks</a>. If ever there were tracks on the ground anywhere in
the Adirondacks, Mike has a chapter on it.</li>
<li>Some railfans have visited the <a
href="http://yardlimit.railfan.net/gallery/nsl/index.html">Norwood
& St. Lawrence</a> railroad. That's the working end of the
railroad labelled 'C' below. I visited it on 9/23/04, and found
several interesting things. First, that they moved OBPA#1 to a point
on the former mainline <a
href="http://russnelson.com/nsl/kif_1224.jpg">underneath the power
lines</a>. I suspect that they did this to remind the power line
folks that they have a railroad underneath their power lines. Also, I
found the <a
href="http://mapper.acme.com/?lat=44.813212&long=-74.990275&scale=10&theme=Topo&width=3&height=2&dot=Yes">place</a>
where the <a href="http://russnelson.com/nsl/kif_1228.jpg">tracks
end</a>.</li>
<li>Finally started a page about the <a href="clifton-rr">Clifton Iron
Mine Railroad</a>.</li>
<li><a name="network"><a href="http://www.rob.com/">Rob</a> <a href="http://logan.com/">Logan</a> found a wonderful poster entitled "New York State
Railroad Network". It was published by Frank E. Richards, Phoenix,
New York, and copyrighted 1958 (fair use claimed). Prepared by
R. J. Rayback, and drawn by J. A. Peterson. I did a five-part scan of
it and stitched it together badly (yuck). Still, it's better than
nothing. There's a <a href="ny-rail-network-small.jpg">small one</a>
(1333x1200, small is relative) and a <a
href="ny-rail-network.jpg">very large one</a> (6666x6000 pixels,
3MB). Mapmakers traditionally insert a small discrepency into their
maps so they can detect derivative works. I believe that I've found
an error which is likely their inserted discrepency. They claim that there
is a railroad heading east from Pavilion, NY. It would have to cross
an impossibly steep hill, and I can't find it on either topographic maps
or aerial photos. I contacted Virginia Rigoni, Town of Pavilion Historian
on 11/13/2005 and she assures me that the only railroad in the town of
Pavilion is the well-known north/south B&O line.</li>
<li>There's a rail-trail just north of Syracuse called the <a href="oswego-recreational-trail.html">Oswego Recreational Trail</a>. Nobody else has a web page with any good information about it.</li>
<li><a href="clifton/">Clifton Iron Mine</a> and wooden railroad. Not
much on the railroad yet, but I'll get it there in time.</li>
<li><a name="stlaw"/>Potential and existing <a href="st-lawrence-rt.jpg">rail-trails</a> (1.1MByte image) in St. Lawrence County.
<ul>
<li>A is the <a href="http://russnelson.com/rutlandtrail.org/">Rutland Trail</a>.</li>
<li>B is at least partially publicly owned by the town of Lawrence.
Sections are privately owned; some are posted. See the Rutland Trail
page for more informaiton.</li>
<li>A and B are not connected because a major bridge was removed in
the village of Winthrop. B is also disjoint at North Lawrence.</li>
<li>C is privately owned. I have ridden it from the west bank of
the Racquette near Raymondville. Several portions of it have been
sold to the surrounding property owners, who have merged it into
their parcel. This is not a good sign. On the other hand, all the
bridges are still in place, so if enough cooperative landowners can
be found, then the uncooperative ones can be bypassed.</li>
<li>D is the Maple City Trail for 2.2 miles at the north end, and <a
href="http://blog.russnelson.com/bicycling/1189623955.ride.html">portions
are ridable</a> the rest of the way. Unfortunately, the Lighthouse
Point Corporation sold it off in bits and pieces, and like C, the
railbed has been legally merged into the surrounding parcels. That
does not bode well for a continuously ridable trail. The Ogdensburg
Agreement was signed by Roosevelt and King on this rail line in
1940.</li>
<li>E is ridable at least for some portions. It seems not to be ridable where it's close to 37. In 2001, St. Lawrence
County sold off 17 miles of E for taxes. Pretty dumb, eh? E
continues into Jefferson County to Redwood.
Starting in Redwood, it is being maintained by the <a
href="http://www.rivergatewheelers.com/">Rivergate Wheelers ATV
club</a>. They have put substantial effort into ensuring that it's
ridable all the way to Rivergate, and thence back to Clayton or on
to Philadelphia.</li>
<li>F is <a
href="http://blog.russnelson.com/bicycling/1179937926.html">ridable</a>
from Newton Falls to Clifton Mine. The rails are still in place
from Newton Falls to Benson Mines. A portion of the railbed closest
to Newton Falls is privately owned as a separate parcel. The rest
of the line is not now and maybe never was parceled out from the
surrounding property. In any case, once you get into the town of
Clifton, there is a New York State recreation easement.
Unfortunately, it's gated close to the Clifton Iron Mine end when
you get to the Clifton Hunt Club property.</li>
<li>G (which isn't on the map) is <a
href="http://blog.russnelson.com/bicycling/1190559943.html">ridable</a>
from Conifer to SR3 west of Sevey's Corners where it turns due west.
<li>H (also not on the map) is the <a
href="http://blog.russnelson.com/bicycling/1190576725.html">Brandy
Brook Trail</a>.
<li>I (are you starting to detect a pattern here?) is <a
href="http://blog.russnelson.com/bicycling/1190583356.html">ridable</a>
if you're willing to push through brush, carry your bicycle past
beaver flooding, and hop over fallen trees. In other words, it's
not very ridable. However, it would be a nice trail into Cranberry
Lake if it were maintained.
<li>J, K, and L are all logging railroads which head south from
Wanakena, Benson Mines, and Aldrich.
<li>M goes from DeKalb Junction to Hermon but is either farmer's
fields or brushed over.
<li>N goes from Eddy to Pyrites but is somebody's driveway, then
farm roads, then somebody's driveway again at the Grasse River
crossing. No bridge, no hope.
<li>P is the wooden railroad that went from the Hermon-DeKalb
Central School to Clifton Mines. So much of this railbed was built
using trestles that no real right of way exists; just a few linear
humps.
<li>Q is the Edwards Recreational Trail, which heads west from
Edwards for about two miles. It could probably be extended to
Emeryville (except for ownership problems) because a crucial bridge
is still in place.
</ul></li>
<li><a href="RWnO/">The Rome, Watertown & Ogdensburg Railroad</a></li>
<li><a href="SHnE/">The Sackets Harbor & Ellisburg Railroad Company</a></li>
<li><a href="CWnSH/">Carthage Watertown & Sackets Harbor Railroad</a></li>
<li><a href="BnM/">The Bombay & Moira</a></li>
<li><a href="rutland.html">Bicycling the Rutland Northern Division</a></li>
<li><a href="nyc-north-from-malone.html">NYC North from Malone</a></li>
<li><a href="nyc-south-from-malone.html">NYC South from Malone</a></li>
</ul>
<p>Here's my contact information:<br><br>
<a href="http://www.crynwr.com/">Crynwr Software</a><br>
<a href="mailto:[email protected]" rel="me">[email protected]</a><br>
<a href="sms:+13156008815" rel="me">+1 315-600-8815</a> cell<br>
</body></html>
|
Russ Nelson's Home Page
# Russ Nelson's Home Page
[](http://www.thedissidentfrogman.com/dacha/001580.html)
[](http://www.lp.org/)
[](http://www.catb.org/hacker-emblem/)
[](http://www.google.com/search?sourceid=navclient&q=russ)
[](http://www.lp.org/)
[](http://www.ozarkia.net/bill/anarchism/faq.html)
* Married Ewa Wdzieczak-Smering in 2019, so she's now technically Ewa Wdzieczak-Smering-Nelson, which is a mouthful, so she will sometimes go as Ewa Nelson.
* My Master's Thesis, [The Clarkson Loop](Clarkson-Loop.pdf)* I'm on Instagram as [russ.n](https://www.instagram.com/russ.n/).
* I have thousands of pictures up on [Flickr](https://www.flickr.com/people/russnelson/)
* I've been on [Google+](https://plus.google.com/+RussellNelson/about/p/pub) for a while now.
* I have some code up on [Github](https://github.com/RussNelson/). Not all of it, but some of it.
* I'm currently working on the [Real-Time Hydrologic System](http://rths.us).
* Some lunatic politician says [his local newspaper can't use his name.](http://www.fredericknewspost.com/news/politics_and_government/kirby-delauter-kirby-delauter-kirby-delauter/article_da85d6f4-fa3c-524f-bbf6-8e5ddc0d1c0a.html). Kirby Delauter, Kirby Delauter, Kirby Delauter. They are laughing at him, and so am I.
* My daughter [Rebecca Nelson](http://rebeccanelson.com/)
volunteered with [Trama Textiles](http://tramatextiles.org/), a
100% worker-owned women's weaving association in Quetzaltenango (Xela),
Guatemala.
* My friend Richard Palmer has written many articles on the days when stagecoach travel was the only way to get around. He's publishing them on his blog as "[Stagecoach Days](http://www.stagecoachdays.blogspot.com)".
* My [google profile](https://profiles.google.com/u/0/102355438470080501971). It's also available via <http://russnelson.com/+>.
* Celebrated my 53rd birthday last week. Was born March 21st, 1958. First day of spring!
* I'm working with Jim Bonner on the [RA-TES (Research, Applied-Technology, and Education services).](http://ra-tes.org/) project.
* I worked from January '09 through July for [Cloudmade](http://www.cloudmade.com/) on their
Community Ambassador team, working to promote [OpenStreetMap](http://openstreetmap.org/). I ran OpenStreetMap mapping
parties around the Northeast United States.
* I'm twittering as [russnelson](https://twitter.com/russnelson).
* [](http://jonesday.com/) claims that
you need their permission to use their trademark to link to their website.
I call bullshit. We have free speech in this country: you may use a
trademark truthfully.
* T-Mobile claims this color: [| |
| --- |
| |](http://www.tmobile.com/) as a trademark, and says that you
can't use it. Well, tough titty: I am.
* Danese Cooper is famous for knitting in public. That's not so very
controversial. But she knits at *meetings*! Of course, anybody who
knows anything about knitting will realize that it's always safer to have
a knitter knitting. Keeps them out of trouble.
* So there's this librarian down in Pennsylvania by the name of [Zhanna](http://www.planetzhanna.com/) who chases old
railroads, geocaches, goes for mountain bike rides on old railbeds,
documents survey marks, is an INTJ, and still plays with her [Legos](http://www.lego.com/). The overlap in our interests
is uncanny. She has even visited the [first
benchmark](http://www.geocaching.com/mark/details.aspx?PID=LY0602) I ever saw, in [Shohola,
PA](http://shohola.org/). Somewhere among my effects is a rubbing of the benchmark.
* I thought I'd make a listing of [Unfinished Railroads of New York
State](unfinished-railroads.html). These are railroads that started construction, but never
had tracks.
* [Georeferencing MP3s](georeferencing-mp3s.html)* Nelson's Dictum: there is no such thing as a problem; there are only
unmet business opportunities.
* I'm interested in the [RUF](ruf.html), and you should
be, too.
* I'm now blogging on general subjects at [blog.russnelson.com](http://blog.russnelson.com/).
* I wonder if Google will index my [mailing list archives](http://archives.linmodems.org/). I've
heard that it doesn't because all of the links are given as [link].
We'll find out. UPDATE: It doesn't. I'll have to try another method.
UPDATE: trying complete generation via Apache SetHandler script.
* Do you need to print W-2 forms using open source software? I
wrote a Python program which generates Postscript that prints values
in the correct spaces on the sheet-fed (aka laser) dual Form W-2 Wage
and Tax Statement. It's called <print-form-w-2>, naturally enough. You'll
need to adapt it for your own purposes. I'm sure you'll need to
adjust the values for the two translate statements to get the form to
print correctly on your printer. Please send a copy of your
modifications for me to share with others.
* I'm running [](http://openwrt.org/) on my Linksys WRT54G access points.
* My friends at the [Northern New
York Library Network](http://www.nnyln.net/) have scanned a [whole pile of newspapers](http://news.nnyln.net/) into .PDF
form, and then OCR'ed them with the text in the .PDF file. So you can
do plain-text searches on .PDF image files. Well done!
* I'm using the [Crynwr Email Confirmation](cec.html)
algorithm for my email. If I haven't whitelisted your email, you'll
get an autoresponse. If it bounces, I delete your email. Sorry.
I've also found that about half of my spam email simply disappears if
I have a higher distance MX record that rejects all email. In time it
won't work so very well, but it's useful for now.
* Got pestered into uploading my [OSCon 2004](oscon2004/) pictures.
* Just say "NO!" to [internal passports](http://www.papersplease.org/gilmore/)
* Reason Magazine's cover (inside cover, inside back cover, and back
cover) were printed using a technology which lets the publisher
customize anything. The front cover shows an aerial photograph with your house circled.
Or, almost: [](reasonbig.jpg).
* I used to row crew in the [Grateful Oars](http://www.gratefuloars.org/) rowing club.
* My email always has a signature block, with a quote or quip off to
the right of it. I've saved many years of my <signatures> and archived them.
* I'm keeping notes on my [Brother
MFC 3820CN and my Linux desktop](Brother-MFC-3820CN.html).
* [RB Donnelly](rbdonnelly.html).
* [Nasreddin Hodja on business ethics](nasreddin-hodja.html).
* My blog, [The Angry Economist](http://angry-economist.russnelson.com).
* [ident is not of use to servers.](ident.html)
* [Pictures from OSCON6](oscon6/)
* [Weekend Fun](weekend-fun.html)
* [Clam Fritters](clam-fritters.html)
* [155 reasons why people donate to the Red Cross](why-red-cross.html)
* [WTC pics](wtc.html), sucked off a webcam
* [Before the Ice Storm of '98](icebefr.jpeg)
* [After the Ice Storm of '98](iceaftr.jpeg)
* [Some of my long-term projects](long-term.html)
* [Our house](house/)
* [In memory of my father, who died January 16th, 1995](dad/dad.html)
* [In memory of my mother, who died November 22, 2002](mom/)
* [How Crynwr Software got started](bio.html) (and other stuff)
* [Family photos](pictures.html)
* [Pacifist postings of mine](pacifist/)
* [Pictures of our land on Pleasant Valley Rd.](land.html)
* [My company](http://www.crynwr.com/) (Crynwr Software)
* [My hotlist](hotlist.html)(lots of interesting and outdated stuff here)
* [My PGP key](pgp-key)
* [My first RFC, MSP](http://www.ietf.org/rfc/rfc1159.txt) (That's Message Send Protocol)
* [My second RFC, MSP 2](http://www.ietf.org/rfc/rfc1312.txt).
* [My third RFC, Notes on POP3](http://www.ietf.org/rfc/rfc1957.txt)
* [FWOMPT](fwompt.html)
* [Copyright is dead](dmca-hacking.html) as long as we can publish random bits.
* My first [Usenet posting](http://groups.google.com/group/net.singles/browse_thread/thread/2d28c27c2b7ab234?hl=en&q=russ+nelson#0c5b8b5cdcf1697f). Thank you, Google.
* Borland didn't like it when I [fixed a bug in their code](http://groups.google.com/groups?q=borland+author:nelson%40sun.soe.clarkson.edu&hl=en&lr=&ie=UTF-8&oe=utf-8&selm=569%40sun.soe.clarkson.edu&rnum=7).
* Stuff I do to help make the net a better place:
+ Translated the DNS RFC (1035) into HTML at my [rfc1035](http://crynwr.com/rfc1035/) page.
+ Host the [wifi JFDI site](http://wifi.jfdi.org/).
+ Executive director of the [Public Software Fund](http://pubsoft.org)
+ Host a bunch of .us community web sites.
+ Run an [anti-spam tester](http://www.crynwr.com/spam/). Works for the RBL, DUL, IMRSS, RRSS, ORBS, DSSL, and SSSL DNS-based blocks.
+ Host the [mgetty](mailto:[email protected]) mailing list.
+ Host the [lego-robotics](mailto:[email protected]) mailing list.
+ Host the [quickcam-drivers](mailto:[email protected]) mailing list.
+ Host the [Free Software Business](http://crynwr.com/fsb.html) mailing list.
+ Served as a board member for 13 years and as president of the [Open Source Initiative.](http://opensource.org)
+ Wrote [Freemacs](http://www.ibiblio.org/pub/micro/pc-stuff/freedos/files/edit/emacs/) (the first programmable editor for the 80x86 architecture) which some people apparently still use.
+ Wrote [packet drivers](http://www.crynwr.com/).
+ Sell support for [qmail](http://www.qmail.org).
+ Host the [boa web server](http://www.boa.org) homepage.
+ Keep the [Linux Winmodems](http://linmodems.org) site up.
+ I distribute a copy of [DeCSS](decss-injunction/), and you should [too](http://www.2600.com/news/2000/0830.html).
+ I have a [patch](diffs) to [gif2png](http://www.catb.org/~esr/gif2png/).
## Railroads
* New York State Department of Transportation did an inventory in 1974 of
all the abandoned railroad right of ways. They were published as typewritten
documents, and so never existed as text on a computer. They're currently
available [as
PDF files](http://www.nysl.nysed.gov/scandoclinks/ocm70660447.htm). But Google seems not to have found those files, which is
no surprise, because they're hidden behind a search box. OOPS! I'm taking
the liberty of turning them into HTML documents and reposting them on the
web: [NYS DOT inventory of abandoned railroads](http://russnelson.com/inventory/).
* I have a comprehensive listing of the [rail-trails of New York State](http://russnelson.com/rutlandtrail.org/railtrails.cgi). They follow the paths of abandoned railroads in NY which are officially open. Many other disused railbeds in NYS are informally open for hiking, biking, snowmobiling, and some for ATV riding. Trail owners tend to get grumpy at ATV riders more than snowmobilers because of the damage that the off-road tires do to the trail surface.
* I'm now publishing my database of [New York State Railroad Routes](/nyrr/).
* Started a web page on the [Rutland Trail](http://russnelson.com/www.rutlandtrail.org).
* Hmmm.... I seem to have forgotten to link to my page on Mike
Kudish's excellent book [Railroads of the
Adirondacks](rota.html). If ever there were tracks on the ground anywhere in
the Adirondacks, Mike has a chapter on it.
* Some railfans have visited the [Norwood
& St. Lawrence](http://yardlimit.railfan.net/gallery/nsl/index.html) railroad. That's the working end of the
railroad labelled 'C' below. I visited it on 9/23/04, and found
several interesting things. First, that they moved OBPA#1 to a point
on the former mainline [underneath the power
lines](http://russnelson.com/nsl/kif_1224.jpg). I suspect that they did this to remind the power line
folks that they have a railroad underneath their power lines. Also, I
found the [place](http://mapper.acme.com/?lat=44.813212&long=-74.990275&scale=10&theme=Topo&width=3&height=2&dot=Yes)
where the [tracks
end](http://russnelson.com/nsl/kif_1228.jpg).
* Finally started a page about the [Clifton Iron
Mine Railroad](clifton-rr).
* [Rob](http://www.rob.com/) [Logan](http://logan.com/) found a wonderful poster entitled "New York State
Railroad Network". It was published by Frank E. Richards, Phoenix,
New York, and copyrighted 1958 (fair use claimed). Prepared by
R. J. Rayback, and drawn by J. A. Peterson. I did a five-part scan of
it and stitched it together badly (yuck). Still, it's better than
nothing. There's a [small one](ny-rail-network-small.jpg)
(1333x1200, small is relative) and a [very large one](ny-rail-network.jpg) (6666x6000 pixels,
3MB). Mapmakers traditionally insert a small discrepency into their
maps so they can detect derivative works. I believe that I've found
an error which is likely their inserted discrepency. They claim that there
is a railroad heading east from Pavilion, NY. It would have to cross
an impossibly steep hill, and I can't find it on either topographic maps
or aerial photos. I contacted Virginia Rigoni, Town of Pavilion Historian
on 11/13/2005 and she assures me that the only railroad in the town of
Pavilion is the well-known north/south B&O line.
* There's a rail-trail just north of Syracuse called the [Oswego Recreational Trail](oswego-recreational-trail.html). Nobody else has a web page with any good information about it.
* [Clifton Iron Mine](clifton/) and wooden railroad. Not
much on the railroad yet, but I'll get it there in time.
* Potential and existing [rail-trails](st-lawrence-rt.jpg) (1.1MByte image) in St. Lawrence County.
+ A is the [Rutland Trail](http://russnelson.com/rutlandtrail.org/).
+ B is at least partially publicly owned by the town of Lawrence.
Sections are privately owned; some are posted. See the Rutland Trail
page for more informaiton.
+ A and B are not connected because a major bridge was removed in
the village of Winthrop. B is also disjoint at North Lawrence.
+ C is privately owned. I have ridden it from the west bank of
the Racquette near Raymondville. Several portions of it have been
sold to the surrounding property owners, who have merged it into
their parcel. This is not a good sign. On the other hand, all the
bridges are still in place, so if enough cooperative landowners can
be found, then the uncooperative ones can be bypassed.
+ D is the Maple City Trail for 2.2 miles at the north end, and [portions
are ridable](http://blog.russnelson.com/bicycling/1189623955.ride.html) the rest of the way. Unfortunately, the Lighthouse
Point Corporation sold it off in bits and pieces, and like C, the
railbed has been legally merged into the surrounding parcels. That
does not bode well for a continuously ridable trail. The Ogdensburg
Agreement was signed by Roosevelt and King on this rail line in
1940.
+ E is ridable at least for some portions. It seems not to be ridable where it's close to 37. In 2001, St. Lawrence
County sold off 17 miles of E for taxes. Pretty dumb, eh? E
continues into Jefferson County to Redwood.
Starting in Redwood, it is being maintained by the [Rivergate Wheelers ATV
club](http://www.rivergatewheelers.com/). They have put substantial effort into ensuring that it's
ridable all the way to Rivergate, and thence back to Clayton or on
to Philadelphia.
+ F is [ridable](http://blog.russnelson.com/bicycling/1179937926.html)
from Newton Falls to Clifton Mine. The rails are still in place
from Newton Falls to Benson Mines. A portion of the railbed closest
to Newton Falls is privately owned as a separate parcel. The rest
of the line is not now and maybe never was parceled out from the
surrounding property. In any case, once you get into the town of
Clifton, there is a New York State recreation easement.
Unfortunately, it's gated close to the Clifton Iron Mine end when
you get to the Clifton Hunt Club property.
+ G (which isn't on the map) is [ridable](http://blog.russnelson.com/bicycling/1190559943.html)
from Conifer to SR3 west of Sevey's Corners where it turns due west.
+ H (also not on the map) is the [Brandy
Brook Trail](http://blog.russnelson.com/bicycling/1190576725.html).
+ I (are you starting to detect a pattern here?) is [ridable](http://blog.russnelson.com/bicycling/1190583356.html)
if you're willing to push through brush, carry your bicycle past
beaver flooding, and hop over fallen trees. In other words, it's
not very ridable. However, it would be a nice trail into Cranberry
Lake if it were maintained.
+ J, K, and L are all logging railroads which head south from
Wanakena, Benson Mines, and Aldrich.
+ M goes from DeKalb Junction to Hermon but is either farmer's
fields or brushed over.
+ N goes from Eddy to Pyrites but is somebody's driveway, then
farm roads, then somebody's driveway again at the Grasse River
crossing. No bridge, no hope.
+ P is the wooden railroad that went from the Hermon-DeKalb
Central School to Clifton Mines. So much of this railbed was built
using trestles that no real right of way exists; just a few linear
humps.
+ Q is the Edwards Recreational Trail, which heads west from
Edwards for about two miles. It could probably be extended to
Emeryville (except for ownership problems) because a crucial bridge
is still in place.
* [The Rome, Watertown & Ogdensburg Railroad](RWnO/)
* [The Sackets Harbor & Ellisburg Railroad Company](SHnE/)
* [Carthage Watertown & Sackets Harbor Railroad](CWnSH/)
* [The Bombay & Moira](BnM/)
* [Bicycling the Rutland Northern Division](rutland.html)
* [NYC North from Malone](nyc-north-from-malone.html)
* [NYC South from Malone](nyc-south-from-malone.html)
Here's my contact information:
[Crynwr Software](http://www.crynwr.com/)
[[email protected]](mailto:[email protected])
[+1 315-600-8815](sms:+13156008815) cell
| http://russnelson.com/ |
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<p align="center"><a href="http://www.amazon.com/gp/product/B002B9FIUU/ref=as_li_ss_tl?ie=UTF8&tag=goldeneyeforever-20&linkCode=as2&camp=217145&creative=399369&creativeASIN=B002B9FIUU"><img src="images/goldeneye-n64-amazon-final-bg.jpg" alt="goldeneye n64" width="150" height="463" border="0"></a><img src="http://www.assoc-amazon.com/e/ir?t=goldeneyeforever-20&l=as2&o=1&a=B002B9FIUU&camp=217145&creative=399369" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>
<p align="center"><img src="images/007-goldeneye.gif" alt="goldeneye 64" width="145" height="58"></p>
<p align="center"><a href="http://www.amazon.com/gp/search?ie=UTF8&keywords=n64%20controller&tag=goldeneyeforever-20&index=videogames&linkCode=ur2&camp=1789&creative=9325"><img src="/images/goldeneye-n64-amazon-final-bg-controllers.jpg" width="150" height="325" border="0"></a><img src="http://www.assoc-amazon.com/e/ir?t=goldeneyeforever-20&l=ur2&o=1" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /> </p>
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<p align="left"><img src="images/logo_goldeneyeforever.gif" alt="goldeneye 64" width="560" height="80"><img src="images/background_damage_display.jpg" alt="goldeneye n64" width="560" height="410"></p>
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<p align="left" class="news"><font color="#FFCC33">I have something for all you GoldenEye fans to check out! A fellow by the name of Jim Miskell of Woodhouse Pictures has just released his film "Going For GoldenEye" which is a GoldenEye N64 mockumentary. This is a must watch! <a href="https://youtu.be/C_RMBn7HiLQ">View the film here on YouTube here.</a>I spoke with Jim prior to the fiming and it was great to chat about the legacy of the game that refuses to go away.</font></p>
<p align="left" class="news"><font color="#FFCC33">I've launched a <a href="http://www.youtube.com/goldeneyeforever"><strong><font color="#0066FF"> YouTube Channel</font></strong></a>. I have a review of the GoldenEye Reloaded game. <a href="/goldeneye-reloaded.php"><font color="#0066FF">Read my review here</font></a>.</font><font color="#FFCC33">I'm writing a tutorial for GoldenEye on PC, which you input to your HDTV. You will be impressed with GoldenEye N64 version on an HDTV powered by PC and not the console.</font></p>
<p align="left" class="news"><font color="#FFCC33">I hope to add a tutorial that will get your original N64 controller thumbstick back closer to its former glory. Those 3rd party thumbstick replacements are sketchy so I'm looking as a repair and cleanup instead.</font></p>
<p align="left" class="news"><font color="#FFCC33">Check out our <a href="/blog/"><font color="#0066FF">GoldenEye</font></a> blog! If you crave N64 GoldenEye, check out GoldenEye on PC and play online flawlessly! </font><font color="#FFCC33">Visit our <a href="http://www.shootersforever.com/forums_message_boards/"><font color="#0066FF">forums</font></a> for new GoldenEye releases. </font></p>
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<p align="left" class="maintextheadinguppercase"> evolution of GoldenEye</p>
<p>An quick update here in late 2017. Something is brewing with the Nintendo 64 but it's all rumor at this point. However the expression "where there is smoke, there is fire" comes to mind. I'm going to do what I can to convince Nintendo of the greatness of GoldenEye even in 2017 and what the possibilities are.Right now eSports is a serious business and as you've witnessed here, I'm a firm believer (and always will be) that 2-player GoldenEye is unmatched by any FPS game, now and in the past. Emulation and GameSharks have allowed us to push the boundaries of GoldenEye 007, but at its core, it's still as solid as you can get from a fairness and gameplay mechanics perspective. I'll have more details to follow, but trust me, there are going to be things going on behind the scenes. As the expression goes, nothing ventured, nothing gained. When I see an potential opportunity, I'm going full throttle to see if I can make something happen!</p>
<p>GoldenEye is an evolutionary game. Lets take a look at what is happening after so many years. We are hot on the heels of a new GoldenEye Wii release. From all accounts, it's an amazing GoldenEye game. Is it the original? No of course not. It is however much better than any GoldenEye or 007 game that has come out probably since GoldenEye N64. Can we all blame EA for that? Unfortunately it seems that EA didn't exactly do 007 games the true justice they deserved. Their sales and success indicate that they got a failing grade. Activision is a ray of hope for 007 video games. </p>
<p>I still do believe that the original GoldenEye N64 will come out on the Xbox and on the Wii. The reason is obvious why they couldn't release it before. How could they release that game if they have been working on GoldenEye Wii for the past 2 or 3 years? They simply couldn't. That's why we settled for Perfect Dark on the Xbox. No guarantee that it's going to come out, but I hope it does. That said, I'm not impressed with how Microsoft handled the Xbox Live Arcade version of Perfect Dark. They prove once again that they can't help but mess with a great game and that they must make changes to it even though they claim it's the original N64 Perfect Dark. So I guess part of me is a little worried about what they would do to the original GoldenEye if they came out with the original game on these new consoles.</p>
<p> Gameplay? Yes, that seems pretty darn good even by todays standards. When I haven't played for a couple months and then play again, I'm never disappointed. This keeps happening so I can confirm the game hasn't lost playability over time. We can't forget that in 2008, 007 GoldenEye N64 can be played online and including multiplayer with Mupen64k or Mupen64++ emulator.</p>
<p> Rumour has it that there is going to be an even better performing online engine! Perfect Dark levels G5, Grid, Car Park, and Chicago in 007 GoldenEye N64 as multi levels. Block Fort from Mario Kart as a new multi level!</p>
<p>New missions as good as Rare! All single player levels have been converted into multiplayer. GE on PC gives you <a href="http://www.goldeneyeforever.com/n64_emulators_emulation.php"> hi-res graphics</a>, faster framerates and use a usb adapter for your original N64 controllers. I bring you tips, tricks and strats. Re-learn what you might have forgotten! <a href="http://www.shootersforever.com/forums_message_boards/">Forums</a> for the new multi levels and missions!</p>
<p>Well let's see....Nintendo it seems squashed 007 GoldenEye N64 coming out for another rebirth. Not just a release, but an overhaul of our beloved 007 GoldenEye N64 including online gameplay and spiffy new graphics. Sounds like the game makers finally got it right. The game cannot be duplicated, cannot be bettered, so you are better off re-releasing it. Too bad that likely is never going to happen. In closing on this depressing subject, I must ask why would they invest so much time on this game if they didn't have every company onboard with releasing it? Apparently Rare was working on this for a year. Crazy to me for that investment especially IF Nintendo and others weren't signed and sealed on the re-release of 007 GoldenEye N64. GoldenEye forever? It was close eh?</p>
<p>On to the more important matters. Things keep moving along with GoldenEye on PC. Let's get one thing straight. This IS the evolution of GoldenEye. I keep saying it, but the bar keeps getting raised, and then raised some more. This is all thanks to the geniuses like Wreck, SubDrag, Zoinkity, bmw, and others (sorry not to mention all you guys here). We've seen recently levels from other games such as Block Fort (Mario Kart) and a few levels from Banjo Kazooie as full fledged 007 GoldenEye N64 multiplayer levels. Yes, all playable online flawlessly. So now we have Subby and the boys bringing the Perfect Dark multiplayer and single player levels into GoldenEye multiplayer! Many of them already exist and Zoinkity was the first to bring us G5 and Car Park in GoldenEye multiplayer. Many more now! <a href="http://www.shootersforever.com/forums_message_boards/viewtopic.php?t=2533" target="_blank">See Villa here</a>! It looks like any part of Perfect Dark, multiplayer or single player levels, can be brought into 007 GoldenEye N64 multiplayer. Don't believe me? <a href="http://www.shootersforever.com/forums_message_boards/viewtopic.php?t=2618" target="_blank">Well read this now!</a> And even more recently, Halo multiplayer levels are being attempted for GoldenEye multiplayer. Yes, Wizard and Hang 'Em High.<a href="http://www.shootersforever.com/forums_message_boards/viewtopic.php?t=2629" target="_blank"> Read about it here</a>. Bmw has created a multiplayer level that is entirely his own creation! <a href="http://www.shootersforever.com/forums_message_boards/viewtopic.php?t=2524" target="_blank">See it here</a>. Oh yes, even a happy level from Mario 64 is being attempted!<a href="http://www.shootersforever.com/forums_message_boards/viewtopic.php?t=2624" target="_blank"> Read about it here</a>.</p>
<p>So, if you see and read what I'm saying, you do realize that once again 007 GoldenEye N64 is evolving. A game that won't go away regardless what Nintendo thinks.</p>
<p>If you want to keep up with the latest GoldenEye codes and multiplayer levels, then check out the <a href="http://www.shootersforever.com/forums_message_boards/">message boards</a>. Things are happening faster than I can keep up with here, so keep updated there. The hacking gods visit there so you know you're getting the greatest and latest on the world of 007 GoldenEye N64. As I say so often, I'm grateful for the scene you guys have helped to maintain. It's great. The game doesn't die, nor should it. GoldenEye forever.</p>
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<p align="left"><a name="news1"></a><img src="images/gameshark_logo.gif" alt="goldeneye xbox" width="89" height="67" hspace="10" border="1" align="left"><span class="maintextheadinguppercase"><font size="4">THE latest goldeneye gameshark codes news</font></span><br>
<br>
<span class="maintext">Some of the coolest 007 GoldenEye N64 Gameshark codes on the planet are here. Of course you can thank the gods like Wreck, Zoinkity and Subdrag for the continued evolution of GoldenEye mutiplayer. Yes it really is amazing when you think about it.</span></p>
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<p align="left"> <span class="maintextalternatecolour">custom multiplayer levels</span></p>
<p align="left">BMW created this masterpiece of a webpage that features all the converted single player levels into multiplayer. I should have posted this months and months ago because he's had it up for some time now. Please enjoy the codes. Click on the image to go to the page!</p>
<p>[ click on image ]<br>
<br>
<a href="http://www.battlefieldforever.com/hackers/gameshark/solo.html" target="_blank"><img src="images/fullpage_thumb.jpg" alt="goldeneye n64" width="489" height="869" border="0"></a><br>
<br>
[ click on image ]
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<p align="left"><a name="sciencelab"></a> <span class="maintextalternatecolour">science lab</span></p>
<p align="left">BMW is a new hacker who has released some amazing new multiplayer levels. Some very innovative ideas and blocking off of levels. This new multiplayer level incorporates a portion of the Facility backzone with the many rooms and tight corridors. Lots of fun stuff to blow up!</p>
<p align="center"><a href="video/science_lab_goldeneye_large.wmv"><img src="images/sciencelabicon.jpg" width="68" height="49" border="0"></a></p>
<p align="center"> [ <a href="video/science_lab_goldeneye_large.wmv">Right Click To Download Science Lab Video</a> ]</p>
<p align="left">Check out this video of the Science Lab. We played a 2 player game with All Shotguns. There was just some incredible cinema to be had with the canisters and shattering glass! Enjoy. You want the codes? Visit the forums <a href="http://www.shootersforever.com/forums_message_boards/">here</a>.</p>
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<p align="left" class="maintextalternatecolour"><a name="noarmor"></a> No body armor in all levels</p>
<p align="left" class="maintext">This code has been around for a while apparently but I've only discovered it. Zoinkity created this masterpiece which shouldn't surprise you. This is one of my favorite codes ever! It allow no body armor on every multiplayer map. This was NEVER possible before! It is a short code which makes it even sweeter and it works for all players. Below is a screenshot of the code in action! You choose Dr. No in the cheat menu and viola, body armor no more.</p>
<blockquote>
<p align="left" class="maintext">"Dr. No" .off</p>
<p align="left" class="maintext">812AF254 4472<br>
812AF256 2E20<br>
812AF258 4E6F<br>
812AF25A 0000<br>
80069651 0001<br>
8104EFBA 45C0<br>
D00696A1 0001<br>
8104EFBA 4AFC</p>
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<p align="center" class="maintextalternatecolour"><img src="images/pad03.JPG" width="486" height="461"></p>
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<p align="left" class="maintextalternatecolour"> 007 GoldenEye N64 string editor</p>
<p align="left" class="maintext">Pad is the man once again. This is an essential part of using the Weapon Set Editor (see below) because this 007 GoldenEye N64 String Editor allows you to create the name for your new custom weapon set. In fact, this string editor can edit virtually any text you find in the game! It's a simple to use interface and I replaced the entire multiplayer weapon set list in minutes using this editor. Pad is the man you should thank!</p>
<p align="center" class="maintextalternatecolour"><img src="images/pad02.JPG" alt="wii - wii news - wii info - wii - wii" width="468" height="420"></p>
<p align="center" class="maintext">[ <a href="downloads/gestre10.zip">Download 007 GoldenEye N64 String Editor</a> ]</p>
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<p align="left" class="maintextalternatecolour">007 GoldenEye N64 weapon set editor</p>
<p align="left">PaD has been on the GoldenEye scene again and here's what you get. An all new custom weapon set editor. Creating your own custom weapon groupings is as simple as picking the weapons from drop down menus. You can replace or modify any of the existing default weapon groupings. This program spits out the codes for you! It's a beauty.</p>
<p align="center">[ <a href="downloads/gewse4.zip">Download 007 GoldenEye N64 Weapon Set Editor</a> ]</p>
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<p><img src="images/weapon_set_editor02.jpg" alt="wii - wii - wii - wii - wii - wii news" width="543" height="396"></p>
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<p align="left"> <span class="maintextalternatecolour">goldeneye character editor</span></p>
<p align="left">PaD also released this wonderful character editor which allows you to simply modify any of the characters. You can get creative and mix and match costumes, suits, and heads!</p>
<p align="center">[ <a href="downloads/gece12.zip">Download 007 GoldenEye N64 Character Editor</a> ]</p>
<p><img src="images/weapon_set_editor01.jpg" alt="wii - wii - wii - wii - wii - wii news" width="511" height="362"></p>
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<p align="left"> <span class="maintextalternatecolour">gsCC gameshark utilities - Windows xp version</span></p>
<p align="left">Wreck modified the GSCC utilities so that they work properly in Windows XP! This is a must have for anyone wanting to save time when entering Gameshark codes. You need a pro version Gameshark with a working port on the back.</p>
<p align="center">[ <a href="downloads/gscc_xp.zip">Download GSCC Utilities XP Version</a> ]</p>
<p><img src="images/weapon_set_editor03.jpg" alt="wii - wii - wii - wii - wii - wii news" width="504" height="439"></p>
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<blockquote>
<p align="left"><a href="http://www.perfectdarkforever.com/perfectdark.htm" target="_blank"><img src="images/Pefect%20Dark%20Krijy%20logo%20small.gif" alt="wii - wii - wii - wii - wii - wii news" width="366" height="176" hspace="10" border="0"></a></p>
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<a name="citadel"></a>
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<p align="left"><a href="goldeneye_citadel.php"><img src="images/citadel_banner.jpg" alt="wii - wii - wii - wii - wii - wii news" width="326" height="114" hspace="10" border="0"></a></p>
<p align="center" class="maintextalternatecolour">Citadel Videos</p>
<p align="center">[ <a href="video/citadel_teaser.wmv">Citadel Multiplayer Teaser</a> ] [ <a href="video/citadel_walkthrough_partial_large.wmv">Walkthrough - big</a> ] [ <a href="video/citadel_walkthrough_partial_small.wmv">Walkthrough - small</a> ] <br>
[ <a href="video/citadel-ge.mpg">Cool first ever glimpse of the Citadel - Pre Zoinkity</a> ]<br>
[ <a href="#wallpaper">Citadel Desktop Wallpaper</a> ]</p>
</blockquote>
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<blockquote>
<p align="left"><a href="http://www.gscentral.com/vb/showthread.php?t=8406&highlight=blood%2Bcode" target="_blank"><img src="images/blood_code.jpg" width="108" height="98" hspace="10" vspace="10" border="0" align="left"></a><a name="blood"></a><span class="maintextalternatecolour">Wreck's Blood Mode Code</span></p>
<p align="left">Out of the shadows and Wreck releases this cool blood mode code for multiplayer. Yep you can turn up the carnage with this one! Kids close your eyes. Use the "over the top" code for the full effect!</p>
<p align="left">[ <a href="downloads/Wrecks%20Blood%20Mode%20Code.zip?t=8406&highlight=blood%2Bcode" target="_blank">Gameshark Codes</a> ]</p>
</blockquote>
<p align="center" class="maintext"><font color="#FFFFFF"><a href="javascript:;"><img src="images/blood_mode_01.jpg" width="162" height="138" border="0" onClick="openPictureWindow_Fever('undefined','images/blood_mode_01b.jpg','646','552','www.GoldenEyeForever.com','','')"> </a> <a href="javascript:;"><img src="images/blood_mode_02.jpg" width="161" height="138" border="0" onClick="openPictureWindow_Fever('undefined','images/blood_mode_02b.jpg','645','551','www.GoldenEyeForever.com','','')"> </a> <a href="javascript:;"><img src="images/blood_mode_03.jpg" width="162" height="138" border="0" onClick="openPictureWindow_Fever('undefined','images/blood_mode_03b.jpg','646','551','www.GoldenEyeForever.com','','')"></a></font><br>
(click on thumbnail images for large size)</p>
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<blockquote>
<p align="left"><a href="level%20files/bunker%20i.htm" target="_blank"><img src="images/bunker_i_multiplayer_level.gif" width="68" height="50" hspace="10" vspace="10" border="0" align="left"></a>Wreck has converted this single player level into multiplayer with all the objects! Yes that means doors, glass and everything else. This shows just what is possible and proves that basically nothing is impossible. This level is as good as any of the originals!</p>
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<p align="left">[ <a href="level%20files/bunker%20i.htm" target="_blank">Screenshot, Info and Gameshark Codes </a>]<br>
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<p> </p>
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<p align="left"><a href="downloads/wrecks_thequad.ZIP"><img src="images/the_quad.jpg" width="68" height="49" hspace="10" vspace="10" border="0" align="left"></a>Wreck with yet another multiplayer level release. Have you noticed the theme here? I'm glad I don't pay him commission for every time I type his name on the site! Battle in the Facility backzone square room that has the juicy four platforms. You have more barrels than you can imagine! Explosions and more explosions!</p>
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<blockquote>
<p align="left">[ <a href="downloads/wrecks_thequad.ZIP">Download the Gameshark Codes</a> ]<br>
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</p>
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<p><br>
<a href="goldeneye_gameshark_codes.php#extracustommultiplayercharacters"><img src="images/characters.jpg" width="233" height="79" hspace="10" vspace="10" border="0" align="left"></a>I put together a few interesting combinations of faces and costumes in a characters code in multiplayer that gives you at total of 55 characters. Here you see the geeky Biker, Terrorist, and Arctic Bond. In addition, you have 4 Oddjobs and 4 Jaws characters available in the same game.
</p>
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<p>[ <a href="goldeneye_gameshark_codes.php#extracustommultiplayercharacters">Gameshark Codes</a> ] [ <a href="characters%20page_temp.htm" target="_blank">Screenshots</a> ]</p>
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</blockquote>
</blockquote>
<p align="left"> </p>
<hr size="2" noshade>
<p align="left" class="maintextheadinguppercase"><a name="news2"></a><img src="images/goldeneye_box_small.jpg" width="89" height="67" hspace="10" border="1" align="left"><font size="4">007 GoldenEye N64 stories, downloads, news, links and other tidbits</font></p>
<blockquote>
<p align="left" class="maintextheadinguppercase"> </p>
</blockquote>
<hr width="50%">
<p align="left" class="maintextalternatecolour"> play 007 GoldenEye N64 with single screens - all you need to know</p>
<p align="left"><img src="images/photo2.jpg" width="243" height="283" hspace="10" align="left">For us, single screen GoldenEye all started with the desire to play an ultra stealth style. So, we hooked up 007 GoldenEye N64 using the PC monitor with tv tuner card and my television. We cut out some black construction paper, blocked off the other players screen and viola, we had 2 player single screen GoldenEye! Crude but effective. Our games at that time consisted of All Sniper Rifles, No Radar and LTK mode. It rocked. Then as all things, we evolved into have 4 televisions all blocked off for the ultimate GoldenEye death match sessions. We haven't gone back honestly. For now we like a steady diet of weaponry that don't allow for second chances. It's all or nothing. What's the point of having the damage display if you can't read your opponents levels I ask. So, we stick with combos like All Rockets, Golden Gun Fun and LTK mode with bullet style weaponry like All Phantoms or All Snipers.</p>
<p align="left"> </p>
<p align="center"> [ <a href="singlescreen%20page.htm" target="_blank">Read my guide - How To Play Single Screen 007 GoldenEye N64</a> ]</p>
<hr width="50%">
<blockquote>
<p align="left" class="maintextalternatecolour"><a name="emu"></a> 007 GoldenEye N64 on pc emulator page featuring screenshots!</p>
<p align="center" class="maintext"><img src="images/new%20emulation/thumb_rice_5.5.1_video_plugin-5.jpg" width="158" height="132" hspace="10"> <img src="images/new%20emulation/thumb_rice_5.5.1_video_plugin-16.jpg" width="158" height="132" hspace="10"></p>
<p align="left">Check out 18 GoldenEye emulator screenshots! It's one thing to talk about it, but seeing 007 GoldenEye N64 on PC really might open your eyes! Amazing is one word that I think of. Check out the screenshots page <a href="n64_emulators_emulation.php">here</a>.</p>
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<p align="left" class="maintextalternatecolour"> the making of 007 GoldenEye N64....</p>
<blockquote>
<p align="left">Read this interesting story from Martin Hollis who was the Rare producer and director for the GoldenEye Nintendo 64 classic. He gets deep into the creative process and decision making involved. A MUST read for anyone who's played the game!</p>
<p align="center">[ <a href="https://web.archive.org/web/20130325081301/http://www.zoonami.com/briefing/2004-09-02.php" target="_blank">Read about it here on Zoonami.com</a> ]</p>
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<p align="left"><font color="#FFFFFF"><img src="images/citadel_wallpaper_1280x1024.jpg" width="308" height="240" hspace="10" align="left"><a name="wallpaper"></a></font><span class="maintextalternatecolour">007 GoldenEye N64 Citadel Theme Wallpaper</span></p>
<p align="left">This fantastic sky is found only in Zoinkity's Citadel in multiplayer. This is a sharp looking wallpaper so I suggest you do the right thing. Grab it!</p>
<p align="left" class="maintext">Right click and save image. (1280 x 1024)</p>
<p align="left"> </p>
<p align="left"> </p>
<p align="left"> </p>
<p align="left"> </p>
<blockquote>
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<p align="left"><a href="goldeneye_rogue_agent.php"><img src="images/goldeneye_rogue_agent.gif" width="161" height="198" hspace="10" border="0" align="left"></a>This website was one of ten on the planet chosen to attend an all expenses paid GoldenEye: Rogue Agent community day at the EA studios in Los Angeles. It was an incredible experience and honor to be chosen. A huge thanks goes to Jon Long who really is Jon "the man" Long. It was amazing to see the game as it neared completion and to actually sit down and play the game with the lead designer. Read my story on the entire event.</p>
<blockquote>
<p align="left">[<a href="goldeneye_rogue_agent.php">EA GoldenEye Rogue Agent James Bond Full Story</a>]</p>
<p align="left"> </p>
<p align="left"> </p>
<p align="left"> </p>
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<p align="left"><a href="sounds/CFOX%20interview.wav"><img src="images/audio_small.gif" width="128" height="98" hspace="10" border="0" align="left"></a><span class="maintext">The year was 2000 and I was organizing a local 007 GoldenEye N64 Tournament. So I called a local radio station and said to them I'm the best player in the city and the tournament was going to prove it. They thought I was crazy enough that they did a spontaneous interview with me on the radio. Listen to me when I was a cocky young chap. Thanks Larry and Willy!</span></p>
<p> </p>
<hr width="50%">
<p align="left"> <a href="goldeneye_single_player.php"><img src="images/wouter.gif" width="98" height="113" hspace="10" border="0" align="left"></a>Watch his amazing single player videos and see why they call him crazy. Because when your first name is Wouter, fast just isn't fast enough. Watch and see the fastest possible times on all the single player missions and difficulties. Is he cocky? You bet. Will you think that he is cheating? You bet. Is he the best? Watch and decide for yourself.</p>
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<p align="left"><br>
Yes the year is 2012 and these are still my vehicle license plates. Yes I've been asked by other motorists if I really still play the game. Of course I always tell them. I've even been challenged by some guy who claimed that he was the best! </p>
<p align="left"> </p>
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<p align="left"><img src="images/soundtrack.gif" width="133" height="134" hspace="10" border="0" align="left" usemap="#Map">
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<area shape="poly" coords="28,103" href="#">
<area shape="poly" coords="31,99,26,111,72,126,69,116" href="downloads/funky.ZIP">
<area shape="poly" coords="74,104" href="#">
<area shape="poly" coords="73,104,112,79,120,91,77,113" href="downloads/original.ZIP">
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<br>
Download two different versions of the 007 GoldenEye N64 soundtrack! This is sure to bring back memories if you haven't played in a while!</p>
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<p align="left">Download: [ <a href="downloads/funky.ZIP">funky version</a> ] [ <a href="downloads/original.ZIP">original version</a> ]</p>
<p> </p>
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<p> </p>
<p><strong>About GoldenEyeForever.com</strong></p>
<blockquote>
<p><em>GoldenEyeForever.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.</em></p>
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<span class="maintext">Click image to visit our<br>
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<p align="center" class="topfoldertab"><strong>:: Quick Links To Our GoldenEye Pages and Content ::</strong></p>
<p align="center" class="topfoldertab">:: <a href="goldeneye_multiplayer_levels.php">Multiplayer Levels</a> :: <a href="goldeneye_gameshark_codes_hackers.php">Gameshark Codes </a>:: <a href="cheats/007-goldeneye-cheats.php"> Cheats </a>:: <a href="goldeneye_rogue_agent.php">GE Rogue Agent</a> :: <a href="nintendo-64/goldeneye-n64-weapons.php">Weapons </a>:: <a href="goldeneye_emulation.php"> Emulator </a>:: <a href="nintendo-64-goldeneye-videos.php">Videos</a> :: <a href="http://www.shootersforever.com/forums_message_boards/">Forum</a> :: <a href="http://www.goldeneyeforever.com/blog/contact/">Contact </a>:: <a href="/privacypolicy.php">Privacy Policy</a> :: <a href="#">Page Top</a>::</p>
<p align="center" class="topfoldertab">::<a href="online.php">How To Play GoldenEye Online</a> :: <a href="new-multiplayer-levels.php">How To Play New GoldenEye N64 Multiplayer Levels</a> ::</p>
<p align="center" class="topfoldertab"><strong>:: Quick Links To Our Perfect Dark Pages and Content ::</strong></p>
<p align="center" class="topfoldertab">: <a href="perfect-dark-online.php">How To Play Perfect Dark Online</a> :: <a href="perfectdark.htm" target="_blank">Perfect Dark Cheats</a> :: <a href="perfect-dark.php">How To Win At Perfect Dark</a> ::</p>
<p align="center"><a href="index.php"><img src="images/logo_goldeneyeforever_narrow_banner_cropped.gif" alt="wii goldeneye N64" width="887" height="40" border="0"></a></p>
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007 GoldenEye N64 - GoldenEye Wii - GoldenEye 64 Cheats - Xbox Live
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| 007 GoldenEye N64, Xbox Live Arcade, XBLA, Emulators & Emulation, Tips, Tricks,
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[goldeneye n64](http://www.amazon.com/gp/product/B002B9FIUU/ref=as_li_ss_tl?ie=UTF8&tag=goldeneyeforever-20&linkCode=as2&camp=217145&creative=399369&creativeASIN=B002B9FIUU)
goldeneye 64
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goldeneye 64goldeneye n64
I have something for all you GoldenEye fans to check out! A fellow by the name of Jim Miskell of Woodhouse Pictures has just released his film "Going For GoldenEye" which is a GoldenEye N64 mockumentary. This is a must watch! [View the film here on YouTube here.](https://youtu.be/C_RMBn7HiLQ)I spoke with Jim prior to the fiming and it was great to chat about the legacy of the game that refuses to go away.
I've launched a [**YouTube Channel**](http://www.youtube.com/goldeneyeforever). I have a review of the GoldenEye Reloaded game. [Read my review here](/goldeneye-reloaded.php).I'm writing a tutorial for GoldenEye on PC, which you input to your HDTV. You will be impressed with GoldenEye N64 version on an HDTV powered by PC and not the console.
I hope to add a tutorial that will get your original N64 controller thumbstick back closer to its former glory. Those 3rd party thumbstick replacements are sketchy so I'm looking as a repair and cleanup instead.
Check out our [GoldenEye](/blog/) blog! If you crave N64 GoldenEye, check out GoldenEye on PC and play online flawlessly! Visit our [forums](http://www.shootersforever.com/forums_message_boards/) for new GoldenEye releases.
evolution of GoldenEye
An quick update here in late 2017. Something is brewing with the Nintendo 64 but it's all rumor at this point. However the expression "where there is smoke, there is fire" comes to mind. I'm going to do what I can to convince Nintendo of the greatness of GoldenEye even in 2017 and what the possibilities are.Right now eSports is a serious business and as you've witnessed here, I'm a firm believer (and always will be) that 2-player GoldenEye is unmatched by any FPS game, now and in the past. Emulation and GameSharks have allowed us to push the boundaries of GoldenEye 007, but at its core, it's still as solid as you can get from a fairness and gameplay mechanics perspective. I'll have more details to follow, but trust me, there are going to be things going on behind the scenes. As the expression goes, nothing ventured, nothing gained. When I see an potential opportunity, I'm going full throttle to see if I can make something happen!
GoldenEye is an evolutionary game. Lets take a look at what is happening after so many years. We are hot on the heels of a new GoldenEye Wii release. From all accounts, it's an amazing GoldenEye game. Is it the original? No of course not. It is however much better than any GoldenEye or 007 game that has come out probably since GoldenEye N64. Can we all blame EA for that? Unfortunately it seems that EA didn't exactly do 007 games the true justice they deserved. Their sales and success indicate that they got a failing grade. Activision is a ray of hope for 007 video games.
I still do believe that the original GoldenEye N64 will come out on the Xbox and on the Wii. The reason is obvious why they couldn't release it before. How could they release that game if they have been working on GoldenEye Wii for the past 2 or 3 years? They simply couldn't. That's why we settled for Perfect Dark on the Xbox. No guarantee that it's going to come out, but I hope it does. That said, I'm not impressed with how Microsoft handled the Xbox Live Arcade version of Perfect Dark. They prove once again that they can't help but mess with a great game and that they must make changes to it even though they claim it's the original N64 Perfect Dark. So I guess part of me is a little worried about what they would do to the original GoldenEye if they came out with the original game on these new consoles.
Gameplay? Yes, that seems pretty darn good even by todays standards. When I haven't played for a couple months and then play again, I'm never disappointed. This keeps happening so I can confirm the game hasn't lost playability over time. We can't forget that in 2008, 007 GoldenEye N64 can be played online and including multiplayer with Mupen64k or Mupen64++ emulator.
Rumour has it that there is going to be an even better performing online engine! Perfect Dark levels G5, Grid, Car Park, and Chicago in 007 GoldenEye N64 as multi levels. Block Fort from Mario Kart as a new multi level!
New missions as good as Rare! All single player levels have been converted into multiplayer. GE on PC gives you [hi-res graphics](http://www.goldeneyeforever.com/n64_emulators_emulation.php), faster framerates and use a usb adapter for your original N64 controllers. I bring you tips, tricks and strats. Re-learn what you might have forgotten! [Forums](http://www.shootersforever.com/forums_message_boards/) for the new multi levels and missions!
Well let's see....Nintendo it seems squashed 007 GoldenEye N64 coming out for another rebirth. Not just a release, but an overhaul of our beloved 007 GoldenEye N64 including online gameplay and spiffy new graphics. Sounds like the game makers finally got it right. The game cannot be duplicated, cannot be bettered, so you are better off re-releasing it. Too bad that likely is never going to happen. In closing on this depressing subject, I must ask why would they invest so much time on this game if they didn't have every company onboard with releasing it? Apparently Rare was working on this for a year. Crazy to me for that investment especially IF Nintendo and others weren't signed and sealed on the re-release of 007 GoldenEye N64. GoldenEye forever? It was close eh?
On to the more important matters. Things keep moving along with GoldenEye on PC. Let's get one thing straight. This IS the evolution of GoldenEye. I keep saying it, but the bar keeps getting raised, and then raised some more. This is all thanks to the geniuses like Wreck, SubDrag, Zoinkity, bmw, and others (sorry not to mention all you guys here). We've seen recently levels from other games such as Block Fort (Mario Kart) and a few levels from Banjo Kazooie as full fledged 007 GoldenEye N64 multiplayer levels. Yes, all playable online flawlessly. So now we have Subby and the boys bringing the Perfect Dark multiplayer and single player levels into GoldenEye multiplayer! Many of them already exist and Zoinkity was the first to bring us G5 and Car Park in GoldenEye multiplayer. Many more now! [See Villa here](http://www.shootersforever.com/forums_message_boards/viewtopic.php?t=2533)! It looks like any part of Perfect Dark, multiplayer or single player levels, can be brought into 007 GoldenEye N64 multiplayer. Don't believe me? [Well read this now!](http://www.shootersforever.com/forums_message_boards/viewtopic.php?t=2618) And even more recently, Halo multiplayer levels are being attempted for GoldenEye multiplayer. Yes, Wizard and Hang 'Em High. [Read about it here](http://www.shootersforever.com/forums_message_boards/viewtopic.php?t=2629). Bmw has created a multiplayer level that is entirely his own creation! [See it here](http://www.shootersforever.com/forums_message_boards/viewtopic.php?t=2524). Oh yes, even a happy level from Mario 64 is being attempted! [Read about it here](http://www.shootersforever.com/forums_message_boards/viewtopic.php?t=2624).
So, if you see and read what I'm saying, you do realize that once again 007 GoldenEye N64 is evolving. A game that won't go away regardless what Nintendo thinks.
If you want to keep up with the latest GoldenEye codes and multiplayer levels, then check out the [message boards](http://www.shootersforever.com/forums_message_boards/). Things are happening faster than I can keep up with here, so keep updated there. The hacking gods visit there so you know you're getting the greatest and latest on the world of 007 GoldenEye N64. As I say so often, I'm grateful for the scene you guys have helped to maintain. It's great. The game doesn't die, nor should it. GoldenEye forever.
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goldeneye xboxTHE latest goldeneye gameshark codes news
Some of the coolest 007 GoldenEye N64 Gameshark codes on the planet are here. Of course you can thank the gods like Wreck, Zoinkity and Subdrag for the continued evolution of GoldenEye mutiplayer. Yes it really is amazing when you think about it.
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custom multiplayer levels
BMW created this masterpiece of a webpage that features all the converted single player levels into multiplayer. I should have posted this months and months ago because he's had it up for some time now. Please enjoy the codes. Click on the image to go to the page!
[ click on image ]
[goldeneye n64](http://www.battlefieldforever.com/hackers/gameshark/solo.html)
[ click on image ]
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science lab
BMW is a new hacker who has released some amazing new multiplayer levels. Some very innovative ideas and blocking off of levels. This new multiplayer level incorporates a portion of the Facility backzone with the many rooms and tight corridors. Lots of fun stuff to blow up!
[ [Right Click To Download Science Lab Video](video/science_lab_goldeneye_large.wmv) ]
Check out this video of the Science Lab. We played a 2 player game with All Shotguns. There was just some incredible cinema to be had with the canisters and shattering glass! Enjoy. You want the codes? Visit the forums [here](http://www.shootersforever.com/forums_message_boards/).
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No body armor in all levels
This code has been around for a while apparently but I've only discovered it. Zoinkity created this masterpiece which shouldn't surprise you. This is one of my favorite codes ever! It allow no body armor on every multiplayer map. This was NEVER possible before! It is a short code which makes it even sweeter and it works for all players. Below is a screenshot of the code in action! You choose Dr. No in the cheat menu and viola, body armor no more.
"Dr. No" .off
812AF254 4472
812AF256 2E20
812AF258 4E6F
812AF25A 0000
80069651 0001
8104EFBA 45C0
D00696A1 0001
8104EFBA 4AFC
---
007 GoldenEye N64 string editor
Pad is the man once again. This is an essential part of using the Weapon Set Editor (see below) because this 007 GoldenEye N64 String Editor allows you to create the name for your new custom weapon set. In fact, this string editor can edit virtually any text you find in the game! It's a simple to use interface and I replaced the entire multiplayer weapon set list in minutes using this editor. Pad is the man you should thank!
wii - wii news - wii info - wii - wii
[ [Download 007 GoldenEye N64 String Editor](downloads/gestre10.zip) ]
---
007 GoldenEye N64 weapon set editor
PaD has been on the GoldenEye scene again and here's what you get. An all new custom weapon set editor. Creating your own custom weapon groupings is as simple as picking the weapons from drop down menus. You can replace or modify any of the existing default weapon groupings. This program spits out the codes for you! It's a beauty.
[ [Download 007 GoldenEye N64 Weapon Set Editor](downloads/gewse4.zip) ]
---
wii - wii - wii - wii - wii - wii news
---
goldeneye character editor
PaD also released this wonderful character editor which allows you to simply modify any of the characters. You can get creative and mix and match costumes, suits, and heads!
[ [Download 007 GoldenEye N64 Character Editor](downloads/gece12.zip) ]
wii - wii - wii - wii - wii - wii news
---
gsCC gameshark utilities - Windows xp version
Wreck modified the GSCC utilities so that they work properly in Windows XP! This is a must have for anyone wanting to save time when entering Gameshark codes. You need a pro version Gameshark with a working port on the back.
[ [Download GSCC Utilities XP Version](downloads/gscc_xp.zip) ]
wii - wii - wii - wii - wii - wii news
---
[wii - wii - wii - wii - wii - wii news](http://www.perfectdarkforever.com/perfectdark.htm)
---
[wii - wii - wii - wii - wii - wii news](goldeneye_citadel.php)
Citadel Videos
[ [Citadel Multiplayer Teaser](video/citadel_teaser.wmv) ] [ [Walkthrough - big](video/citadel_walkthrough_partial_large.wmv) ] [ [Walkthrough - small](video/citadel_walkthrough_partial_small.wmv) ]
[ [Cool first ever glimpse of the Citadel - Pre Zoinkity](video/citadel-ge.mpg) ]
[ [Citadel Desktop Wallpaper](#wallpaper) ]
---
Wreck's Blood Mode Code
Out of the shadows and Wreck releases this cool blood mode code for multiplayer. Yep you can turn up the carnage with this one! Kids close your eyes. Use the "over the top" code for the full effect!
[ [Gameshark Codes](downloads/Wrecks%20Blood%20Mode%20Code.zip?t=8406&highlight=blood%2Bcode) ]
(click on thumbnail images for large size)
---
Wreck has converted this single player level into multiplayer with all the objects! Yes that means doors, glass and everything else. This shows just what is possible and proves that basically nothing is impossible. This level is as good as any of the originals!
[ [Screenshot, Info and Gameshark Codes](level%20files/bunker%20i.htm) ]
---
Wreck with yet another multiplayer level release. Have you noticed the theme here? I'm glad I don't pay him commission for every time I type his name on the site! Battle in the Facility backzone square room that has the juicy four platforms. You have more barrels than you can imagine! Explosions and more explosions!
[ [Download the Gameshark Codes](downloads/wrecks_thequad.ZIP) ]
---
I put together a few interesting combinations of faces and costumes in a characters code in multiplayer that gives you at total of 55 characters. Here you see the geeky Biker, Terrorist, and Arctic Bond. In addition, you have 4 Oddjobs and 4 Jaws characters available in the same game.
[ [Gameshark Codes](goldeneye_gameshark_codes.php#extracustommultiplayercharacters) ] [ [Screenshots](characters%20page_temp.htm) ]
---
007 GoldenEye N64 stories, downloads, news, links and other tidbits
---
play 007 GoldenEye N64 with single screens - all you need to know
For us, single screen GoldenEye all started with the desire to play an ultra stealth style. So, we hooked up 007 GoldenEye N64 using the PC monitor with tv tuner card and my television. We cut out some black construction paper, blocked off the other players screen and viola, we had 2 player single screen GoldenEye! Crude but effective. Our games at that time consisted of All Sniper Rifles, No Radar and LTK mode. It rocked. Then as all things, we evolved into have 4 televisions all blocked off for the ultimate GoldenEye death match sessions. We haven't gone back honestly. For now we like a steady diet of weaponry that don't allow for second chances. It's all or nothing. What's the point of having the damage display if you can't read your opponents levels I ask. So, we stick with combos like All Rockets, Golden Gun Fun and LTK mode with bullet style weaponry like All Phantoms or All Snipers.
[ [Read my guide - How To Play Single Screen 007 GoldenEye N64](singlescreen%20page.htm) ]
---
007 GoldenEye N64 on pc emulator page featuring screenshots!
Check out 18 GoldenEye emulator screenshots! It's one thing to talk about it, but seeing 007 GoldenEye N64 on PC really might open your eyes! Amazing is one word that I think of. Check out the screenshots page [here](n64_emulators_emulation.php).
---
the making of 007 GoldenEye N64....
Read this interesting story from Martin Hollis who was the Rare producer and director for the GoldenEye Nintendo 64 classic. He gets deep into the creative process and decision making involved. A MUST read for anyone who's played the game!
[ [Read about it here on Zoonami.com](https://web.archive.org/web/20130325081301/http://www.zoonami.com/briefing/2004-09-02.php) ]
---
007 GoldenEye N64 Citadel Theme Wallpaper
This fantastic sky is found only in Zoinkity's Citadel in multiplayer. This is a sharp looking wallpaper so I suggest you do the right thing. Grab it!
Right click and save image. (1280 x 1024)
---
This website was one of ten on the planet chosen to attend an all expenses paid GoldenEye: Rogue Agent community day at the EA studios in Los Angeles. It was an incredible experience and honor to be chosen. A huge thanks goes to Jon Long who really is Jon "the man" Long. It was amazing to see the game as it neared completion and to actually sit down and play the game with the lead designer. Read my story on the entire event.
[[EA GoldenEye Rogue Agent James Bond Full Story](goldeneye_rogue_agent.php)]
---
The year was 2000 and I was organizing a local 007 GoldenEye N64 Tournament. So I called a local radio station and said to them I'm the best player in the city and the tournament was going to prove it. They thought I was crazy enough that they did a spontaneous interview with me on the radio. Listen to me when I was a cocky young chap. Thanks Larry and Willy!
---
Watch his amazing single player videos and see why they call him crazy. Because when your first name is Wouter, fast just isn't fast enough. Watch and see the fastest possible times on all the single player missions and difficulties. Is he cocky? You bet. Will you think that he is cheating? You bet. Is he the best? Watch and decide for yourself.
---
Yes the year is 2012 and these are still my vehicle license plates. Yes I've been asked by other motorists if I really still play the game. Of course I always tell them. I've even been challenged by some guy who claimed that he was the best!
---
Download two different versions of the 007 GoldenEye N64 soundtrack! This is sure to bring back memories if you haven't played in a while!
Download: [ [funky version](downloads/funky.ZIP) ] [ [original version](downloads/original.ZIP) ]
---
**About GoldenEyeForever.com**
*GoldenEyeForever.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.*
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<title>Oregon Trail Tombstone Generator</title>
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<meta name="description" content="Oregon Trail Tombstone Generator is based on the classic Apple IIe computer game, The Oregon Trail. Relive the joy of seeing your friends' epitaphs along the Oregon Trail!" />
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linkText = user + "@" + domain;
}
return document.write("<a href=" + "mail" + "to:" + user + "@" + domain + ">" + linkText + "<\/a>");
}
function random_epitaph() {
var epitaphs = new Array();
epitaphs[0] = "Tears cannot restore her -- therefore I weep.";
epitaphs[1] = "To follow you I am not content. How do I know which way you went?";
epitaphs[2] = "He was young, he was fair. But the Injuns raised his hair.";
epitaphs[3] = "We planted him raw. He was quick on the trigger but slow on the draw.";
epitaphs[4] = "He called Bill Smith a liar.";
epitaphs[5] = "I would rather be here than in Texas.";
epitaphs[6] = "Died a-eating hominy in 1859 anno domini.";
epitaphs[7] = "He got a fish-bone in his throat and then he sang an angel note.";
epitaphs[8] = "She drank good ale, good punch and wine and lived to the age of 99.";
epitaphs[9] = "Let's rejoice at his fall. For if he had lived he would have buried us all.";
epitaphs[10] = "Gone underground for good.";
epitaphs[11] = "A finished artist.";
epitaphs[12] = "They abounded in riches, but she wore the britches.";
epitaphs[13] = "Gone, but not forgiven.";
epitaphs[14] = "I put my wife beneath this stone for her repose and for my own.";
epitaphs[15] = "All dressed up and no place to go.";
epitaphs[16] = "I was somebody. Who, is no business of yours.";
epitaphs[17] = "Cold is my bed, but oh, I love it, for colder are my friends above it.";
epitaphs[18] = "See. I told you I was SICK!";
epitaphs[19] = "First a cough carried me off. Then a coffin they carried me off in.";
epitaphs[20] = "Blown upward out of sight: He sought the leak by candlelight.";
epitaphs[21] = "His foot is slipt and he did fall. 'Help! Help!' he cried and that was all.";
epitaphs[22] = "Once I wasn't. Then I was. Now I ain't again.";
epitaphs[23] = "That is all.";
epitaphs[24] = "peperony and chease";
epitaphs[25] = "I came here without being consulted and I leave without my consent.";
document.epitaph_form.epitaph.value = epitaphs[Math.floor(Math.random() * epitaphs.length)];
limitText(document.epitaph_form.epitaph,document.epitaph_form.countdown,75);
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<h1>Oregon Trail Tombstone Generator</h1>
<div id="instructions">
The Oregon Trail Tombstone Generator is based on the classic Apple IIe game, The Oregon Trail. Relive the joy of seeing your friends' tombstones along the Oregon Trail by filling in the form below.
</div>
<img class="vignette" src="_assets/img/vignette.gif" />
<form action="carve.php" method="post" name="epitaph_form">
<table id="form">
<tr>
<td align="right">Here lies:</td>
<td align="left"><input class="input" type="text" name="name" /></td>
</tr>
<tr>
<td valign="top" align="right" class="epitaph_label">Epitaph:</td>
<td align="left" class="characters">
<textarea class="input epitaph" name="epitaph" onKeyDown="limitText(this.form.epitaph,this.form.countdown,75);" onKeyUp="limitText(this.form.epitaph,this.form.countdown,75);" /></textarea>
<br /><br />
(You have <input readonly type="text" name="countdown" class="countdown" size="1" value="75"> character<span id="s">s</span> left.)
<br /><br />
<a href="#" onclick="random_epitaph();">Write one for me!</a>
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Oregon Trail Tombstone Generator
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}
function random\_epitaph() {
var epitaphs = new Array();
epitaphs[0] = "Tears cannot restore her -- therefore I weep.";
epitaphs[1] = "To follow you I am not content. How do I know which way you went?";
epitaphs[2] = "He was young, he was fair. But the Injuns raised his hair.";
epitaphs[3] = "We planted him raw. He was quick on the trigger but slow on the draw.";
epitaphs[4] = "He called Bill Smith a liar.";
epitaphs[5] = "I would rather be here than in Texas.";
epitaphs[6] = "Died a-eating hominy in 1859 anno domini.";
epitaphs[7] = "He got a fish-bone in his throat and then he sang an angel note.";
epitaphs[8] = "She drank good ale, good punch and wine and lived to the age of 99.";
epitaphs[9] = "Let's rejoice at his fall. For if he had lived he would have buried us all.";
epitaphs[10] = "Gone underground for good.";
epitaphs[11] = "A finished artist.";
epitaphs[12] = "They abounded in riches, but she wore the britches.";
epitaphs[13] = "Gone, but not forgiven.";
epitaphs[14] = "I put my wife beneath this stone for her repose and for my own.";
epitaphs[15] = "All dressed up and no place to go.";
epitaphs[16] = "I was somebody. Who, is no business of yours.";
epitaphs[17] = "Cold is my bed, but oh, I love it, for colder are my friends above it.";
epitaphs[18] = "See. I told you I was SICK!";
epitaphs[19] = "First a cough carried me off. Then a coffin they carried me off in.";
epitaphs[20] = "Blown upward out of sight: He sought the leak by candlelight.";
epitaphs[21] = "His foot is slipt and he did fall. 'Help! Help!' he cried and that was all.";
epitaphs[22] = "Once I wasn't. Then I was. Now I ain't again.";
epitaphs[23] = "That is all.";
epitaphs[24] = "peperony and chease";
epitaphs[25] = "I came here without being consulted and I leave without my consent.";
document.epitaph\_form.epitaph.value = epitaphs[Math.floor(Math.random() \* epitaphs.length)];
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# Oregon Trail Tombstone Generator
The Oregon Trail Tombstone Generator is based on the classic Apple IIe game, The Oregon Trail. Relive the joy of seeing your friends' tombstones along the Oregon Trail by filling in the form below.
| | |
| --- | --- |
| Here lies: | |
| Epitaph: |
(You have characters left.)
[Write one for me!](#) |
| |
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Use of the Oregon Trail Tombstone Generator is completely free. No personally identifying information is collected or stored by this website. This website is not affiliated with The Oregon Trail or any of its parent companies or subsidiaries. All trademarks are the property of their respective owners.
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<TD><H2>compiled by <A HREF="CJG_CV.pdf">Carmen Giunta</A></H2>
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<TD><A HREF="classicalcs/classicalcs.html">classic calculations<BR><IMG alt="chalkboard showing mathematics" SRC="classicalcs.gif"></A>
<TD><A HREF="EA/index.html"><IMG alt="graphic illustrating four elements" SRC="ea.gif"><BR><CITE>Elements and Atoms</CITE></A>
<TD ROWSPAN="3"><H3><A HREF="https://www.google.com/maps/d/viewer?mid=1Xey19Nt9afpdL6wc1ysM_ZNhKQpQ5ilv&ll=28.563083397360366%2C-38.502264702109414&z=2">Places of the Periodic Table</A></H3><BR><A HREF="https://www.google.com/maps/d/viewer?mid=1Xey19Nt9afpdL6wc1ysM_ZNhKQpQ5ilv&ll=28.563083397360366%2C-38.502264702109414&z=2"><IMG width = 600 height = 360 alt="Places of the Periodic Table Map" SRC="IYPTmap.jpg"></A>
<TR ALIGN="CENTER" VALIGN="CENTER">
<TD><A HREF="week.html">calendar<BR><IMG alt="calendar" SRC="calendar.gif"></A>
<TD><A HREF="archema.html"><IMG alt="dictionary" SRC="glossary.gif"><BR>glossary</A>
<TD><A HREF="historysites.html">internet resources<BR><IMG Alt="computer monitor" SRC="computer.gif"></A>
<TR ALIGN="CENTER" VALIGN="CENTER">
<TD COLSPAN="3">
<div>
<script async src="https://cse.google.com/cse.js?cx=001157502137907850839:yc9euets9wi"></script>
<div class="gcse-search"></div>
</div>
</TABLE>
<UL>
<LI>Selected Classic Papers from the History of Chemistry listed <A HREF="paperabc.html">alphabetically</A> or by <A Href = "papers.html">topic</A>.
<LI><A HREF="classicalcs/classicalcs.html">Classic Calculations</A>: Quantitative exercises tied to and based upon classic papers from the history of chemistry.
<LI><CITE><A HREF="EA/index.html">Elements and Atoms</A></CITE>: annotated papers on the development of the concepts of elements and atoms
<LI><IMG SRC="new_button.gif" Alt="[NEW!]"><!--remove new 12/31/2019--><A HREF="https://www.google.com/maps/d/viewer?mid=1Xey19Nt9afpdL6wc1ysM_ZNhKQpQ5ilv&ll=28.563083397360366%2C-38.502264702109414&z=2">Places of the Periodic Table</A>: searchable online map of places associated with the developers of the periodic table and with the chemical elements with links to further information. About: <A HREF="IYPTplaces.html">http://web.lemoyne.edu/giunta/IYPTplaces.html</A>. Key: <A HREF="key.html">http://web.lemoyne.edu/giunta/key.html</A>
<LI>History of Chemistry Calendars:
<UL><LI><A Href = "week.html">This Week in the History of Chemistry</A> (presented in Sunday-Saturday weeks) and month-by-month chemical anniversaries.
<LI><IMG SRC="new_button.gif" Alt="[NEW!]"><!--remove new 12/31/2019--><A HREF="IYPTmonths.html">This Month in the History of the Periodic Table</A></UL>
<LI><STRONG>Glossary of archaic chemical terms</STRONG> (<A HREF="archema.html">Introduction and A-B</A>, <A HREF="archemc.html">C-F</A>, <A HREF="archemg.html">G-L</A>, <A HREF="archemm.html">M-R</A>, <A HREF="archems.html">S-Z</A>). Old terms, many of which appear in the Selected Classic Papers (including cross-references). See introduction for further information and disclaimers. See also:
<UL>
<LI>"<A HREF="nomenclature.html">A Dictionary of the New Chymical Nomenclature</A>" from <CITE>Method of Chymical Nomenclature</CITE> by Louis Bernard Guyton de Morveau, Antoine Lavoisier, Claude-Louis Bertholet, and Antoine de Fourcroy (1787).
<LI><A HREF="https://www.chemteam.info/Chem-History/Obsolete-Chem-TermsTOC.html">John Eklund's Dictionary of Obsolete Chemical Terms</A> posted at the ChemTeam Site.
</UL>
<LI><A Href = "historysites.html">Selected sites on (mainly) the history of chemistry</A>
<LI><A HREF="methodposter/methodposter.html">Poster presented at ACS national meeting, 17 August 2009, "<CITE>Méthode de nomenclature chimique</CITE> revisited"</A>. Clicking <A HREF="methodposter/methodposter.html">this link</A> will call up an image of the poster. <A HREF="methodposter/methodposter.html">That image</A> is a clickable map; clicking on each sections will display an enlargement of the section.
<LI><A HREF="nomenclature_challange.html">Obsolete nomenclature challenge</A> from that poster.
<LI><A Href = "acspaper.html">The Discovery of Argon: a Case Study in Scientific Method</A> presented at ACS National Meeting, 3/24/96
</UL><P>
<A name = "top">Welcome.</A> The principal purpose of this site is to post the texts of several classic papers from the history of chemistry. This site also contains pointers to a few other chemistry-related sites. In early July 1996, "This Week in the History of Chemistry" debuted, including links to sites about the listed person or events. I intend to continue to add more classic papers. In addition, I will expand the texts of some papers which are currently listed as excerpts. So if you like what you see, drop in again and see what's new. I welcome comments and suggestions. Click <a href=mailto:[email protected]>here</a> to send me e-mail at [email protected]<P>
The Internet can be a wonderful source of information as well as misinformation. Researchers should always critically evaluate their sources (print as well as electronic). I have endeavored to make this site as reliable as possible. In order to provide you, the users of this site, with a bit more confidence in me, its compiler, I have decided to post my credentials in the form of a <A HREF="CJG_CV.pdf">Curriculum Vitae</A>. I also list below some stamps of approval from on-line science sites.
<HR>
<IMG alt="Grewen Hall tower" SRC="grtower.gif">Visit the <A Href = "https://www.lemoyne.edu/">Le Moyne College Home Page</A><BR>
<IMG alt="envelope" SRC="env.gif"><a href=mailto:[email protected]>E-mail comments to Carmen Giunta.</a><BR>
<IMG alt="up arrow" SRC="up.gif">Back to the <A Href = "#top">top</A> of Classic Chemistry<BR>
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Classic Chemistry
| | | | | |
| --- | --- | --- | --- | --- |
| Classic Chemistry logo: periodic table in classical temple| compiled by [Carmen Giunta](CJG_CV.pdf)| [Le Moyne College](https://www.lemoyne.edu/)| [Department of Chemistry](https://www.lemoyne.edu/Academics/Colleges-Schools-Centers/College-of-Arts-Sciences/Majors-Minors/Chemistry) |
|
|
| |
| | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- |
| [papersclassic papers](papers.html) [classic calculationschalkboard showing mathematics](classicalcs/classicalcs.html) [graphic illustrating four elementsElements and Atoms](EA/index.html) [Places of the Periodic Table](https://www.google.com/maps/d/viewer?mid=1Xey19Nt9afpdL6wc1ysM_ZNhKQpQ5ilv&ll=28.563083397360366%2C-38.502264702109414&z=2)[Places of the Periodic Table Map](https://www.google.com/maps/d/viewer?mid=1Xey19Nt9afpdL6wc1ysM_ZNhKQpQ5ilv&ll=28.563083397360366%2C-38.502264702109414&z=2)| [calendarcalendar](week.html) [dictionaryglossary](archema.html) [internet resourcescomputer monitor](historysites.html)|
|
| | |
| | | |
* Selected Classic Papers from the History of Chemistry listed [alphabetically](paperabc.html) or by [topic](papers.html).
* [Classic Calculations](classicalcs/classicalcs.html): Quantitative exercises tied to and based upon classic papers from the history of chemistry.
* [Elements and Atoms](EA/index.html): annotated papers on the development of the concepts of elements and atoms
* ![[NEW!]](new_button.gif)[Places of the Periodic Table](https://www.google.com/maps/d/viewer?mid=1Xey19Nt9afpdL6wc1ysM_ZNhKQpQ5ilv&ll=28.563083397360366%2C-38.502264702109414&z=2): searchable online map of places associated with the developers of the periodic table and with the chemical elements with links to further information. About: [http://web.lemoyne.edu/giunta/IYPTplaces.html](IYPTplaces.html). Key: [http://web.lemoyne.edu/giunta/key.html](key.html)* History of Chemistry Calendars:
+ [This Week in the History of Chemistry](week.html) (presented in Sunday-Saturday weeks) and month-by-month chemical anniversaries.
+ ![[NEW!]](new_button.gif)[This Month in the History of the Periodic Table](IYPTmonths.html)* **Glossary of archaic chemical terms** ([Introduction and A-B](archema.html), [C-F](archemc.html), [G-L](archemg.html), [M-R](archemm.html), [S-Z](archems.html)). Old terms, many of which appear in the Selected Classic Papers (including cross-references). See introduction for further information and disclaimers. See also:
+ "[A Dictionary of the New Chymical Nomenclature](nomenclature.html)" from Method of Chymical Nomenclature by Louis Bernard Guyton de Morveau, Antoine Lavoisier, Claude-Louis Bertholet, and Antoine de Fourcroy (1787).
+ [John Eklund's Dictionary of Obsolete Chemical Terms](https://www.chemteam.info/Chem-History/Obsolete-Chem-TermsTOC.html) posted at the ChemTeam Site.* [Selected sites on (mainly) the history of chemistry](historysites.html)* [Poster presented at ACS national meeting, 17 August 2009, "Méthode de nomenclature chimique revisited"](methodposter/methodposter.html). Clicking [this link](methodposter/methodposter.html) will call up an image of the poster. [That image](methodposter/methodposter.html) is a clickable map; clicking on each sections will display an enlargement of the section.
* [Obsolete nomenclature challenge](nomenclature_challange.html) from that poster.
* [The Discovery of Argon: a Case Study in Scientific Method](acspaper.html) presented at ACS National Meeting, 3/24/96
Welcome. The principal purpose of this site is to post the texts of several classic papers from the history of chemistry. This site also contains pointers to a few other chemistry-related sites. In early July 1996, "This Week in the History of Chemistry" debuted, including links to sites about the listed person or events. I intend to continue to add more classic papers. In addition, I will expand the texts of some papers which are currently listed as excerpts. So if you like what you see, drop in again and see what's new. I welcome comments and suggestions. Click [here](mailto:[email protected]) to send me e-mail at [email protected]
The Internet can be a wonderful source of information as well as misinformation. Researchers should always critically evaluate their sources (print as well as electronic). I have endeavored to make this site as reliable as possible. In order to provide you, the users of this site, with a bit more confidence in me, its compiler, I have decided to post my credentials in the form of a [Curriculum Vitae](CJG_CV.pdf). I also list below some stamps of approval from on-line science sites.
---
Visit the [Le Moyne College Home Page](https://www.lemoyne.edu/)
[E-mail comments to Carmen Giunta.](mailto:[email protected])
Back to the [top](#top) of Classic Chemistry
| https://web.lemoyne.edu/~giunta/ |
<!doctype html public "-//w3c//dtd html 3.2//en">
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<title>
The Stars! FAQ
</title>
<META NAME="keywords"
CONTENT="stars, FAQ, PBEM, blitz, hotseat, stratergy, micromanagement, James, McGuigan, Jeff McBride, Jason Cawley, advanced, technical, advFAQ, rgcs, battle, fleet, ship, war, space, 4X, scifi, empire, interactive, xplosiv, Supernova, explore, expand, exterminate, research, diplomacy, JRC3, autohost">
<META NAME="Description"
CONTENT="The Stars! FAQ is the web resource the PBEM game Stars! by Jeff Johnson and Jeff McBride">
<META NAME="ROBOTS" CONTENT="ALL">
<META NAME="Author" CONTENT="James McGuigan">
<meta name="FORMATTER" content="Arachnophilia 4.0">
<style>
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padding: 0.25em;
}
</style>
</head>
<body bgcolor="#000000" text="#8eb3f4" link="#ff0000" vlink="#ff0000" alink="#b1111ff" background="starfield.gif">
<p align=center>
<img src="starsfaqlogo.gif" height="115" width="500">
</p>
<table width="90%" align="center" border="0" cellpadding="0">
<tr>
<td>
<div style="padding: 2em 5em;">
<h3>Stars News - 2015:</h3>
<ul class="news">
<li>It is no longer possible to purchase new Stars! serials, so under the principal of abandonware, full
binaries and a list of serial numbers can be found on the <a href="download.htm">download page</a>. In
multiplayer mode, each player must have a unique serial number.
</li>
<li>Most of the Stars! clones are no longer active development, which includes
<a href="http://www.thousandparsec.net/">Thousand Parsec</a>,
<a href="http://sourceforge.net/projects/stellarlegacy">Stellar Legacy</a>,
<a href="http://sourceforge.net/projects/stars-nova/">Stars Nova</a> and
<a href="http://sourceforge.net/projects/gstars/?source=recommended">GStars!</a>
</li>
<li><a href="http://wiki.starsautohost.org/wiki/Stars!_Supernova_Genesis">Stars! Supernova Genesis</a>
was the planned offical sequal to Stars!. There was a closed beta test, but the project ran out of funding before completion and is unlikely ever to be released
</li>
<li>Stars! is of the 4X turn-based stratergy genere. Its closest modern relative is probably <a
href="https://www.gog.com/game/master_of_orion_3">Master of Orion 3 (2003)</a> with a <a
href="http://uk.ign.com/articles/2015/07/01/e3-2015-master-of-orion-returns-to-reclaim-its-4x-crown">rumoured
reboot</a>
</li>
<li>Elite, the classic first-person space trading/combat game, originally released on the BBC Micro, has just
released a massive crowdfunded reboot: <a href="https://www.elitedangerous.com/">Elite Dangerous</a></li>
<li> Thank you all for your years of support, encouragement and feedback. This was my very first public
website, launched in 2000 when I was only 17.
I have since gone on to do <a href="https://uk.linkedin.com/in/jamesmcguigan">many great things</a> as a
professional computer programmer.
You may even have seen my work at <a href="http://ft.com">ft.com</a> or <a
href="http://www.premierleague.com">premierleague.com</a>, but it all started here!
</li>
<li>Should anybody care to fork/reuse this project, I have uploaded the HTML source code to <a
href="https://github.com/JamesMcGuigan/starsfaq.com">Github</a>. <br/>NOTE: Its pure table-based HTML! I
had yet to discover CSS, SASS, javascript, angular, node, d3, gulp, puppet or any other of the modern
build tools I now take for granted.
</li>
</ul>
<br>
This FAQ is designed to replace both the <b>Stars! Advanced and Technical FAQ </b>
(created by <a href="mailto:[email protected]">Dave Johnston</a>)
and the <b><a href="ng_faq.htm">rgcs FAQ</a></b> (created by myself <a
href="mailto:[email protected]">James McGuigan</a>).
I will no longer be updating this site
on a fairly regular basis, but it was an attempt to create a single web resource
that contained and collates much of the known technical information about Stars!
that has been found over the years. <br>
<br>
This website is mostly unmaintained, and I have not been active in the Stars! community for many years now.
I still recieve the occasional <a href="mailto:[email protected]">email</a> which I do my
best to answer.
</div>
<p><br>
<ul>
<li><b>Old FAQs</b>
<ul>
<li><a href="rgcsfaq.htm">rgcs FAQ v1.3</a>
<li><a href="advfaq/contents.htm">Stars! Advanced and Technical FAQ v1.1</a>
</ul>
<br>
<li><b><a href="download.htm"><font color="#8eb3f4">Download Page</font></a></b>
<ul>
<li><a href="download.htm#site">Zipped Site Downloads</a>
<li><a href="download.htm#patch">Stars Patch Downloads (including J-RC3 and I patch)</a>
<li><a href="download.htm#utils">Third Party Stars Utilities</a>
</ul>
<br>
<li><b><a href="ng_faq.htm"> <font color="#8eb3f4">Newsgroup Questions</font></a></b>
<ul>
<li><a href="ng_faq.htm#rgcs">What is rec.games.computer.stars?</a>
<li><a href="ng_faq.htm#whatisstars">What is Stars!</a>
<li><a href="ng_faq.htm#ontopic">What is considered on-topic</a>
<li><a href="ng_faq.htm#postingtips">A few tips on posting</a>
</ul>
<br>
<li><b><a href="fileinfo.htm"><font color="#8eb3f4">File Info</font></a></b>
<ul>
<li><a href="fileinfo.htm#patches">Where can I download the various Stars! patches</a>
<li><a href="fileinfo.htm#getserial">Where can I get a Stars! serial #</a>
<li><a href="fileinfo.htm#gamefile">What is stored in the various Stars! game files</a>
<li><a href="fileinfo.htm#starsini">The Stars.ini file</a>
</ul>
<br>
<li><b><a href="pbem.htm"><font color="#8eb3f4">Multi-Player PBEM & Blitz</font></a></b>
<ul>
<li><a href="pbem.htm#PBEM">PBEM</a>
<li><a href="pbem.htm#Blitz">Blitz</a>
</ul>
<br>
<li><b><font color="#8eb3f4">Hosting</font></b>
<ul>
<li><a href="articles/how_to_host_a_game_v20.html">How to Host a Game v2.0 <i>by Omonubi</i></a>
<li><a href="command.htm">Running Stars! From the Command Line</a>
<li><a href="def.htm">*.def, Game Definition Files</a>
</ul>
<br>
<li><b><font color="#8eb3f4">Game Mechanics</font></b>
<ul>
<li><a href="order_events.htm">Stars! Order of Events</a>
<li><a href="bugs.htm">Bugs and "Features"</a>
<li><a href="copy_protection.htm">Copy Protection Features</a>
<li><a href="minefield.htm">Guts of Minefields</a>
<li><a href="tech_trade.htm">Guts of Tech Trading</a>
<li><a href="battleengine.htm">Guts of the Battle Engine</a>
<br>
</ul>
<br>
<!-- <li> <b><font color="#8eb3f4">Tactics and Strategies</font></b>
<ul>
<li>
</ul> <br> -->
<li><b><a href="abbreviations.htm"><font color="#8eb3f4">Abbreviation List</font></a></b><br><br>
<li><b><a href="http://crisium.com/stars/stars/ssg/ssg.htm">
<font color="#8eb3f4">The Official Stars! Strategy Guide</font></a></b><br><br>
<li><b><a href="articles/index.htm"><font color="#8eb3f4">Article Database</font></a></b><br>
<ul>
<li><a href="articles/index.htm">starsfaq.com Article Database</a>
<li><a href="articles/stars-r-us_article.htm">Stars-R-Us Article Database</a>
</ul>
<br>
<li><b><font color="#8eb3f4">Online Stars! Communities</font></b>
<ul>
<li><a href="https://groups.google.com/forum/#!forum/rec.games.computer.stars">
rec.games.computer.stars - the original usenet newsgroup</a>
<li><a href="http://groups.yahoo.com/group/stars-sn-games">Mr Stars' "The List" Email Group</a>
</ul>
<br/>
<li><b><font color="#8eb3f4">Other Stars! Web Resources - Updated 2015</font></b>
<ul>
<!-- <li><a href="http://art.lathrop.com/stars/directory.htm"> Art Lathrop's, The Stars! Directory </a> -->
<li><a href="http://wiki.starsautohost.org/wiki/Main_Page">Stars! Autohost Wiki</a>
<li><a href="http://aaedesigns.com/stars/index.php">Art Lathrop's, The Stars! Directory - Live!</a>
<li><a href="http://starsautohost.org/games.htm">Stars! Autohost - Live!</a>
<li><a href="https://web.archive.org/web/20060703024724/http://starsv.sphosting.com/">The Stars! Village (via archive.org)</a>
<li><a href="https://web.archive.org/web/20121010185808/http://www.pirates.retreat.btinternet.co.uk/">Pirates Retreat - Stuart Douglas' Stars! Utilities (via archive.org)</a>
<li><a href="https://web.archive.org/web/20050313194027/http://www.crisium.com/stars/">Waypoint 0 (via archive.org)</a>
<li><a href="http://web.archive.org/web/20001216133200/http://www.epsilonpegasi.com/home.shtml">Epsilon Pegasi (via archive.org)</a>
<br><br>
</ul>
<br/>
<li>RIP - Stars! Graveyard - Updated 2015
<ul>
<li><a href="http://www.crisium.com">Mare Crisium, Game Developers</a>
<li><a href="http://stars.lelv30.net/">Stockmann, Online Stars! Serial # Retailer</a>
<li><a href="http://www.starbasedelta.com/">Starbase Delta (Supernova Site)</a>
<li><a href="http://crisium.com/stars/stars/ssg/ssg.htm">The Official Stars! Strategy Guide</a>
</ul>
<br/>
<li><b><a href="updates.htm"><font color="#8eb3f4">StarsFAQ Updates Page</font></a></b>
</ul>
<center><small>
BTC: 1Mi6EYvhNbwgMY2LzXDRqUuLVUWN6BPAB5
</small></center>
</td>
</tr>
</table>
</body>
</html>
|
The Stars! FAQ
ul.news li {
padding: 0.25em;
}
| |
| --- |
|
Stars News - 2015:
* It is no longer possible to purchase new Stars! serials, so under the principal of abandonware, full
binaries and a list of serial numbers can be found on the [download page](download.htm). In
multiplayer mode, each player must have a unique serial number.
* Most of the Stars! clones are no longer active development, which includes
[Thousand Parsec](http://www.thousandparsec.net/),
[Stellar Legacy](http://sourceforge.net/projects/stellarlegacy),
[Stars Nova](http://sourceforge.net/projects/stars-nova/) and
[GStars!](http://sourceforge.net/projects/gstars/?source=recommended)
* [Stars! Supernova Genesis](http://wiki.starsautohost.org/wiki/Stars!_Supernova_Genesis)
was the planned offical sequal to Stars!. There was a closed beta test, but the project ran out of funding before completion and is unlikely ever to be released
* Stars! is of the 4X turn-based stratergy genere. Its closest modern relative is probably [Master of Orion 3 (2003)](https://www.gog.com/game/master_of_orion_3) with a [rumoured
reboot](http://uk.ign.com/articles/2015/07/01/e3-2015-master-of-orion-returns-to-reclaim-its-4x-crown)
* Elite, the classic first-person space trading/combat game, originally released on the BBC Micro, has just
released a massive crowdfunded reboot: [Elite Dangerous](https://www.elitedangerous.com/)
* Thank you all for your years of support, encouragement and feedback. This was my very first public
website, launched in 2000 when I was only 17.
I have since gone on to do [many great things](https://uk.linkedin.com/in/jamesmcguigan) as a
professional computer programmer.
You may even have seen my work at [ft.com](http://ft.com) or [premierleague.com](http://www.premierleague.com), but it all started here!
* Should anybody care to fork/reuse this project, I have uploaded the HTML source code to [Github](https://github.com/JamesMcGuigan/starsfaq.com). NOTE: Its pure table-based HTML! I
had yet to discover CSS, SASS, javascript, angular, node, d3, gulp, puppet or any other of the modern
build tools I now take for granted.
This FAQ is designed to replace both the **Stars! Advanced and Technical FAQ**
(created by [Dave Johnston](mailto:[email protected]))
and the **[rgcs FAQ](ng_faq.htm)** (created by myself [James McGuigan](mailto:[email protected])).
I will no longer be updating this site
on a fairly regular basis, but it was an attempt to create a single web resource
that contained and collates much of the known technical information about Stars!
that has been found over the years.
This website is mostly unmaintained, and I have not been active in the Stars! community for many years now.
I still recieve the occasional [email](mailto:[email protected]) which I do my
best to answer.
* **Old FAQs**
+ [rgcs FAQ v1.3](rgcsfaq.htm)+ [Stars! Advanced and Technical FAQ v1.1](advfaq/contents.htm)* **[Download Page](download.htm)**
+ [Zipped Site Downloads](download.htm#site)+ [Stars Patch Downloads (including J-RC3 and I patch)](download.htm#patch)+ [Third Party Stars Utilities](download.htm#utils)* **[Newsgroup Questions](ng_faq.htm)**
+ [What is rec.games.computer.stars?](ng_faq.htm#rgcs)+ [What is Stars!](ng_faq.htm#whatisstars)+ [What is considered on-topic](ng_faq.htm#ontopic)+ [A few tips on posting](ng_faq.htm#postingtips)* **[File Info](fileinfo.htm)**
+ [Where can I download the various Stars! patches](fileinfo.htm#patches)+ [Where can I get a Stars! serial #](fileinfo.htm#getserial)+ [What is stored in the various Stars! game files](fileinfo.htm#gamefile)+ [The Stars.ini file](fileinfo.htm#starsini)* **[Multi-Player PBEM & Blitz](pbem.htm)**
+ [PBEM](pbem.htm#PBEM)+ [Blitz](pbem.htm#Blitz)* **Hosting**
+ [How to Host a Game v2.0 *by Omonubi*](articles/how_to_host_a_game_v20.html)+ [Running Stars! From the Command Line](command.htm)+ [\*.def, Game Definition Files](def.htm)* **Game Mechanics**
+ [Stars! Order of Events](order_events.htm)+ [Bugs and "Features"](bugs.htm)+ [Copy Protection Features](copy_protection.htm)+ [Guts of Minefields](minefield.htm)+ [Guts of Tech Trading](tech_trade.htm)+ [Guts of the Battle Engine](battleengine.htm)
* **[Abbreviation List](abbreviations.htm)*** **[The Official Stars! Strategy Guide](http://crisium.com/stars/stars/ssg/ssg.htm)*** **[Article Database](articles/index.htm)**
+ [starsfaq.com Article Database](articles/index.htm)+ [Stars-R-Us Article Database](articles/stars-r-us_article.htm)* **Online Stars! Communities**
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<!DOCTYPE html>
<html>
<head>
<meta charset="UTF-8">
<meta name="viewport" content="width=device-width, initial-scale=1.0">
<title>BOB ARCHIVE</title>
<link rel="icon" type="image/x-icon" href="https://i.postimg.cc/zBxHVN2k/bobhappie.gif">
<link href="/style.css" rel="stylesheet" type="text/css" media="all">
<style>
body {
background-color: black;
background-image: url("https://sadhost.neocities.org/images/tiles/bck-grid.gif");
}
</style>
</head>
<body><center>
<!--bobHover-->
<img src="https://i.postimg.cc/BZK1yFnB/1-Bob-Buddy.png" class=hoverBuddy>
<h1>ê®THE BOBS ARCHIVEê®</h1>
<p><img src="https://i.postimg.cc/zBxHVN2k/bobhappie.gif">
<p><table style="width:700px;"><tr><td><center>
"Bob" is the tentative name I have given to a small character I encountered while building my blinkies page. Bob is a small white blob character with dot eyes, a vertical line for a mouth, nubs for feet and arms, and an iconic three strands of hair.
<p>The name is sourced from <a href="https://web.archive.org/web/20061016134237fw_/http://minkle.phenominet.com/emo/critters.html">this archive.org page</a>, where the person called them Bobs but gave no source. Sorry it's confusing since my name is also Bob. I promise it wasn't intentional. I've also seen them referred to as "Mini Gifs/Pixels" and in profile pic collections but that's exponentially less helpful. I was immediately enamored by this little creature. He(?) shares my name, he's cute, and he's mysterious. The drawing in the bottom right is by me, as well as the waving guy up top, btw.
<p>I do not know where this character came from. I theorize that he's of japanese origin, but I've found him all across different languages and even in an adobe stock catalogue (stolen art??) so I legitimately don't know. The variations I have here are probably from countless different artists making their own sprite edits and versions of this little guy, which makes tracking him down that much more difficult.
<p>If you have any Bobs I missed, can help me categorize them, or even know where the heck he came from, PLEASE contact me!! He's my internet white whale!
<p><!--zeroWidthNonJoiner--> â </p>
<p>UPDATE 11/29/2023:
<p>I found new art with a very Bob-like drawing...he may be a cartoon steamed bun! I included the art in the first section, which labels Bob as a "ãã´ã¾ã," or roughly, steamed pork bun (as far as I can tell. I don't speak Japanese in the slightest, so I'm forced to defer to machine translation). However, kaoani are ALSO sometimes known as steamed buns, so I'm both further into and farther away in my investigation.
<p><!--zeroWidthNonJoiner--> â </p>
<p><div style="width:250px;padding:15px;background-color:#3a3987;margin:auto"><strong>CURRENT COUNT: 181</strong></div>
</center></td></tr></table>
<p><!--zeroWidthNonJoiner--> â </p>
<div style="width:400px;background-color:#3a3987">GENERAL</div>
<p>Objects, animals, professions, etc
<p><table style="width:600px;background-color:#242e33"><tr><td><center>
<!--flowerBob--><img src="https://i.postimg.cc/DzFCw2RN/flower.gif">
<!--jellyBob--><img src="https://i.postimg.cc/RhHSVQH4/jellyfish.gif">
<!--RobinHoodBob--><img src="https://i.postimg.cc/5jWxHYBv/robinhood.gif">
<img src="https://i.postimg.cc/Nf6Pk5hd/robinhood-Sidekick.gif">
<!--robotBob--><img src="https://i.postimg.cc/qM2K12ZP/robot.gif">
<img src="https://i.postimg.cc/KjQ6JxKx/robotArrow.jpg" height=32>
<!--pencil--><img src="https://i.postimg.cc/NF6F01yh/girl-Green-Pencil.gif">
<img src="https://i.postimg.cc/ydXqfQcJ/penguin.gif">
<img src="https://i.postimg.cc/jjhqGWFr/penguinHatch.gif">
<img src="https://i.postimg.cc/DftWFwMd/sergeant.gif">
<img src="https://i.postimg.cc/5ynbXpmC/ninja.gif">
<img src="https://i.postimg.cc/MT40Nspm/ninja2.gif">
<img src="https://i.postimg.cc/C5Pph5FC/viking.gif">
<img src="https://i.postimg.cc/28Mg2P35/pirate.gif">
<img src="https://i.postimg.cc/QCVnqb35/pufferfish.gif">
<img src="https://i.postimg.cc/43m5q3Mk/snail.gif">
<img src="https://i.postimg.cc/N0SWPSdD/spider.gif">
<img src="https://i.postimg.cc/3x6SKp2J/bluewhale.gif">
<img src="https://i.postimg.cc/2SBd7tBr/turtle.gif">
<img src="https://i.postimg.cc/BnrbfSQP/bunny.gif">
<img src="https://i.postimg.cc/QCmmvYQV/dog.gif">
<img src="https://i.postimg.cc/8PCGCjyf/friedegg.gif">
<img src="https://i.postimg.cc/BQyjg1dY/egghatch2.gif">
<img src="https://i.postimg.cc/Ss7XmJgt/egghatch1.gif">
<img src="https://i.postimg.cc/QdT1RxZv/uniformBoy.gif">
<img src="https://i.postimg.cc/JhQDLs6Y/uniformGirl.gif">
<img src="https://i.postimg.cc/6qqYRJ4w/bugcatcher.gif">
<img src="https://i.postimg.cc/hGHdskYc/ballerina.gif">
<img src="https://i.postimg.cc/4x07NCsV/sailor.gif">
<img src="https://i.postimg.cc/nLQknGbV/shuttlecock.gif">
<img src="https://i.postimg.cc/X7HcFzn7/paperkite.gif">
<img src="https://i.postimg.cc/FRCsG3zc/mushroom.gif">
<img src="https://i.postimg.cc/5NDGL35v/sheetghost.gif">
<img src="https://i.postimg.cc/D09gJCVw/mummy.gif">
<img src="https://i.postimg.cc/fTX4HpR5/reaper.gif">
<img src="https://i.postimg.cc/mkmPKkjf/devil.gif">
<img src="https://i.postimg.cc/cC9XjHd1/graduate.gif">
<img src="https://i.postimg.cc/TwT03mwY/landline.gif">
<img src="https://i.postimg.cc/jqL31pD8/conductor.gif">
<img src="https://i.postimg.cc/vH940mbG/tongue.gif">
<img src="https://i.postimg.cc/j2CtBZGp/sweat.gif">
<img src="https://i.postimg.cc/3rpHqBNt/woah.gif">
<img src="https://i.postimg.cc/vHfZyS1y/fire.gif">
<img src="https://i.postimg.cc/FsyN8dqs/dragon.gif">
<img src="https://i.postimg.cc/MKS87ZTk/zombie.gif">
<img src="https://i.postimg.cc/Dz57wS3d/squid.gif">
<img src="https://i.postimg.cc/7P5JjkSQ/centaur.gif">
<img src="https://i.postimg.cc/W38SvY3r/cupid.gif">
<img src="https://i.postimg.cc/gkNyRMKT/santaclaus.gif">
<img src="https://i.postimg.cc/nhrWQ9qq/reindeer.gif">
<p><img src="https://i.postimg.cc/v8jT1DnP/Bottle-Swim.gif">
<img src="https://i.postimg.cc/pdzX5DqJ/bobBite.gif" height=100>
</center></td></tr></table>
<p><!--zeroWidthNonJoiner--> â </p>
<div style="width:400px;background-color:#3a3987">WEATHER</div>
<p><table style="width:700px;"><tr><td><center>Weather-themed variants, often starring a little teru teru bÅzu (homemade doll). Teru teru bÅzu are made and hung up outside the window to prevent rain, or call for it in some cases. Makes sense it would be paired with weather variants, and also lines up with my theory that Bob originated on the Japanese internet.</center></td></tr></table>
<p><table style="width:600px;background-color:#242e33"><tr><td><center>
<img src="https://i.postimg.cc/pd0q8490/weatherTeruTeru.gif">
<img src="https://i.postimg.cc/gcvfNM8y/weathersunshine.gif">
<img src="https://i.postimg.cc/SxTkrLBH/weatherghostSnowman.gif">
<img src="https://i.postimg.cc/cLCWfyCj/weatherSnowmanCloud.gif">
<img src="https://i.postimg.cc/HWM8rYyL/weatherSnowing.gif">
<img src="https://i.postimg.cc/1zBQCJLY/weathersnowman.gif">
<img src="https://i.postimg.cc/HxG068mk/weathersnowmanGloves.gif">
<img src="https://i.postimg.cc/m2wsR7pK/weatherSunSnowman.gif">
<img src="https://i.postimg.cc/zBJvDqSk/weatherGhostSun.gif">
<img src="https://i.postimg.cc/9MjX8Cnh/weathersun.gif">
<img src="https://i.postimg.cc/gJqh4M4g/weatherPartlyCloudy.gif">
<img src="https://i.postimg.cc/zBvfTMKn/weathercloudy.gif">
<img src="https://i.postimg.cc/Dz1mMjb7/weather-Cloud.gif">
<img src="https://i.postimg.cc/Hs3gY4kj/weatherTornado.gif">
<img src="https://i.postimg.cc/t41mKh1K/weatherlightning.gif">
</center></td></tr></table>
<p><!--zeroWidthNonJoiner--> â </p>
<div style="width:400px;background-color:#3a3987">SITTERS</div>
<p><table style="width:700px;"><tr><td><center>The slightly less common sitting variant which has larger eyes and a smile. I've also encountered some two-haired potential "knockoffs" here, although that term tends to be moot with the amount of editing being done to this character.</center></td></tr></table>
<p><table style="width:600px;background-color:#242e33"><tr><td><center>
<img src="https://i.postimg.cc/QtbBkY31/eepy.gif">
<img src="https://i.postimg.cc/Jzhvgmdm/sitAngelBlue.gif">
<img src="https://i.postimg.cc/RFtjRRpH/sitAngelPink.gif">
<img src="https://i.postimg.cc/HnDCDK8z/sitDevil.gif">
<img src="https://i.postimg.cc/JzBCTM2g/sitPup.gif">
<img src="https://i.postimg.cc/4dxtgLtD/sitPinkPup.gif">
<img src="https://i.postimg.cc/bYMYyCkQ/sitMouse.gif">
<img src="https://i.postimg.cc/N09F736f/sitRaccoon.gif">
<img src="https://i.postimg.cc/d1znWcZs/sitFire.gif">
<p>
<img src="https://i.postimg.cc/Xq1DdjTQ/sitBurger.gif">
<img src="https://i.postimg.cc/tTyQDg75/sitClock.gif">
<img src="https://i.postimg.cc/XvxGSWvk/sitVeggies.gif">
<img src="https://i.postimg.cc/vm9yfLJg/sitBug.gif">
<img src="https://i.postimg.cc/8cvXntbM/sitWiz.gif">
<img src="https://i.postimg.cc/HLHm07d6/sitWeight.gif">
</center></td></tr></table>
<p><!--zeroWidthNonJoiner--> â </p>
<div style="width:400px;background-color:#3a3987">this damn bee</div>
<p><table style="width:700px;"><tr><td><center>Variants of this bee-Bob has appeared the most throughout my search. I don't know why. The second one here was ripped and spread across several stock photo services including Adobe, as mentioned in the opening paragraph.</center></td></tr></table>
<p><table style="width:600px;background-color:#242e33"><tr><td><center>
<img src="https://i.postimg.cc/8P2NndwY/bee2.gif">
<img src="https://i.postimg.cc/Vk181Z8x/bee1.jpg" height=35>
<img src="https://i.postimg.cc/pdLLCk7r/beeKlik.gif">
<img src="https://i.postimg.cc/SKBs4ZZQ/unknown02.gif">
</center></td></tr></table>
<p><!--zeroWidthNonJoiner--> â </p>
<div style="width:400px;background-color:#3a3987">FANDOM</div>
<p>Licensed or estabished pop culture characters and creatures.
<p><table style="width:600px;background-color:#242e33"><tr><td><center>
<img src="https://i.postimg.cc/rmg342gF/slime.gif">
<!--sheslime--><img src="https://i.postimg.cc/RFZXwgSQ/sheslime.gif">
<img src="https://i.postimg.cc/MGKHtMnx/saiyan.gif">
<img src="https://i.postimg.cc/90tHvbkk/parappa.gif">
<img src="https://i.postimg.cc/mrzfbBqC/astroboy.gif">
<img src="https://i.postimg.cc/B60hd3Gq/unknown01.gif">
<img src="https://i.postimg.cc/XYgcp5M0/Lum.gif">
<img src="https://i.postimg.cc/HkCSVjBK/unknown03.gif">
<img src="https://i.postimg.cc/W3RtvL2M/unknown23.gif">
<img src="https://i.postimg.cc/L5Z3X0Sy/raticate.gif">
<img src="https://i.postimg.cc/6qFX7N54/pikachu.gif">
<img src="https://i.postimg.cc/VkQwm1V3/clefairy.gif">
<img src="https://i.postimg.cc/SQnjKSgs/dugtrio.gif">
<img src="https://i.postimg.cc/sDSXpndC/bellsprout.gif">
<img src="https://i.postimg.cc/rFLcLMb7/poliwag.gif">
<img src="https://i.postimg.cc/rpVMGnZ1/oz-Dorothy.gif">
<img src="https://i.postimg.cc/BQFSJ11K/ozScarecrow.gif">
<img src="https://i.postimg.cc/sXj45dGx/ozTinman.gif">
<img src="https://i.postimg.cc/P5t5K5Pv/ozTinman2.gif">
<img src="https://i.postimg.cc/6QCVG6HC/ozLion.gif">
<img src="https://i.postimg.cc/jd5ys4yV/alice.gif">
<img src="https://i.postimg.cc/bJysmqTX/alice-Cheshire.gif">
<img src="https://i.postimg.cc/gkQLGFYR/alice-Hatter.gif">
<img src="https://i.postimg.cc/P5qHVPGQ/alice-Hare.gif">
<img src="https://i.postimg.cc/wjNyvfvr/alice-Queen.gif">
<img src="https://i.postimg.cc/Dfb85pQw/alice-Spades.gif">
<img src="https://i.postimg.cc/qvpqJkPN/alice-Hearts.gif">
<img src="https://i.postimg.cc/pXHXCWXs/alice-Diamonds.gif">
<img src="https://i.postimg.cc/KjrbwTvJ/alice-Clubs.gif">
<img src="https://i.postimg.cc/Zqd63YqJ/poffBlue.gif">
<img src="https://i.postimg.cc/5tnn72VL/poffGreen.gif">
<img src="https://i.postimg.cc/Dyws6Pzj/poffLime.gif">
<img src="https://i.postimg.cc/vTRq9SyN/poffYellow.gif">
<img src="https://i.postimg.cc/NGzTNrrQ/unknown16.gif">
<img src="https://i.postimg.cc/VsdDgtkF/unknown18.gif">
<img src="https://i.postimg.cc/FsFFwhwG/unknown19.gif">
<img src="https://i.postimg.cc/q7sXSMHj/viviBob.gif">
<img src="https://i.postimg.cc/59LK1wmv/luffy.gif">
<img src="https://i.postimg.cc/x8ftfVBD/unknown24.1.jpg">
<img src="https://i.postimg.cc/mZVPqnF5/unknown24.gif">
<img src="https://i.postimg.cc/HxKrhDfD/cyclops.gif">
<img src="https://i.postimg.cc/jjnk5Jnc/unknown22.gif">
<img src="https://i.postimg.cc/zBV3mCHR/unknown26.gif">
</center></td></tr></table>
<p><!--zeroWidthNonJoiner--> â </p>
<div style="width:400px;background-color:#3a3987">UNCATEGORIZED</div>
<p><table style="width:700px;"><tr><td><center>These ones I'm unsure of. Could be fandom, could be general references. I'm also not nearly knowledgeable enough on other cultures (or anime) to make a decision for some of these.</center></td></tr></table>
<p><table style="width:600px;background-color:#242e33"><tr><td><center>
<!--chefBob--><img src="https://i.postimg.cc/pdZs9wHL/chef.gif">
<!--mysteriousBob--><img src="https://i.postimg.cc/tTVSsPQK/redcloak.gif">
<!--firemage--><img src="https://i.postimg.cc/Ss1Vdcj0/firemage.gif">
<img src="https://i.postimg.cc/gJyYWGX4/graymage.gif">
<img src="https://i.postimg.cc/zvJqD4TN/cleric.gif">
<!--wizardBob--><img src="https://i.postimg.cc/MH2BmCyM/purplewiz.gif">
<!--darkWizard--><img src="https://i.postimg.cc/T3n7xyNm/blackwiz.gif">
<!--bindleWizard--><img src="https://i.postimg.cc/GtZKwrkq/greenwiz.gif">
<!--farmWizard--><img src="https://i.postimg.cc/8P2Kxd4N/brownwiz.gif">
<img src="https://i.postimg.cc/JnFLNtkT/square-Ghost.gif">
<img src="https://i.postimg.cc/2Sqsp8nN/bulb.gif">
<img src="https://i.postimg.cc/HsWmNgST/ghostwisps.gif">
<img src="https://i.postimg.cc/3N5fzNZd/ghost-EVIL.gif">
<img src="https://i.postimg.cc/85dtB09j/bluecat.gif">
<img src="https://i.postimg.cc/kXGvBGJV/pinkBear.gif">
<img src="https://i.postimg.cc/0QTDkFPz/bears-Colored-Animated.gif">
<img src="https://i.postimg.cc/T1t1znpT/paperBag.gif">
<img src="https://i.postimg.cc/RCg0VQZB/penguin2.gif">
<img src="https://i.postimg.cc/hvL6v09q/etchasketch.gif">
<img src="https://i.postimg.cc/9FWwMQh6/unknown11.gif">
<img src="https://i.postimg.cc/mZK6fKW1/unknown04.gif">
<img src="https://i.postimg.cc/tChD0Tz8/unknown05.gif">
<img src="https://i.postimg.cc/kMSv84LD/unknown06.gif">
<img src="https://i.postimg.cc/XYsf3yB1/unknown07.gif">
<img src="https://i.postimg.cc/sf55xLZh/unknown08.gif">
<img src="https://i.postimg.cc/tJz15Lhv/unknown09.gif">
<img src="https://i.postimg.cc/TYYhxNjG/unknown10.gif">
<img src="https://i.postimg.cc/9QsfGW6F/unknown12.gif">
<img src="https://i.postimg.cc/L5y9hRkS/unknown13.gif">
<img src="https://i.postimg.cc/vZFj9kPw/unknown14.gif">
<img src="https://i.postimg.cc/9fSNmkwk/blueBird.gif">
<img src="https://i.postimg.cc/wMLmywxF/bluedrake.gif">
<img src="https://i.postimg.cc/VNTVRN1v/unknown15.gif">
<img src="https://i.postimg.cc/9QD0kxZM/paperhatblue.gif">
<img src="https://i.postimg.cc/jq8srHsJ/paperhatpurple.gif">
<img src="https://i.postimg.cc/JnM1RKDj/paperhatred.gif">
<img src="https://i.postimg.cc/661f4PW6/green-King.gif">
<img src="https://i.postimg.cc/XvGtC5FX/ghost-Tall.gif">
<img src="https://i.postimg.cc/mgGPq3ZW/unknown17.gif">
<img src="https://i.postimg.cc/gcsmVfrh/unknown20.gif">
<img src="https://i.postimg.cc/1X3x734q/unknown21.gif">
<img src="https://i.postimg.cc/2S4nL6gq/pinkTiara.gif">
<img src="https://i.postimg.cc/kXtJ7Yps/girl-Guitar.gif">
<img src="https://i.postimg.cc/QNq7DtvS/writing.gif">
<img src="https://i.postimg.cc/05FDy3cH/unknown25.gif">
<img src="https://i.postimg.cc/vZSKC6B3/superman.gif">
<img src="https://i.postimg.cc/zGtwvWHW/unknown27.gif">
<img src="https://i.postimg.cc/T2t3Zczr/unknown28.gif">
<img src="https://i.postimg.cc/8zQQ3JzR/unknown29.gif">
<img src="https://i.postimg.cc/MKRKv8cY/unknown30.gif">
<img src="https://i.postimg.cc/PxRWtVK0/vampire-Girl.gif">
<img src="https://i.postimg.cc/d12hfWp8/unknown31.gif">
</center></td></tr></table>
<p><!--zeroWidthNonJoiner--> â </p>
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BOB ARCHIVE
body {
background-color: black;
background-image: url("https://sadhost.neocities.org/images/tiles/bck-grid.gif");
}
# ê®THE BOBS ARCHIVEê®
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| --- |
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"Bob" is the tentative name I have given to a small character I encountered while building my blinkies page. Bob is a small white blob character with dot eyes, a vertical line for a mouth, nubs for feet and arms, and an iconic three strands of hair.
The name is sourced from [this archive.org page](https://web.archive.org/web/20061016134237fw_/http://minkle.phenominet.com/emo/critters.html), where the person called them Bobs but gave no source. Sorry it's confusing since my name is also Bob. I promise it wasn't intentional. I've also seen them referred to as "Mini Gifs/Pixels" and in profile pic collections but that's exponentially less helpful. I was immediately enamored by this little creature. He(?) shares my name, he's cute, and he's mysterious. The drawing in the bottom right is by me, as well as the waving guy up top, btw.
I do not know where this character came from. I theorize that he's of japanese origin, but I've found him all across different languages and even in an adobe stock catalogue (stolen art??) so I legitimately don't know. The variations I have here are probably from countless different artists making their own sprite edits and versions of this little guy, which makes tracking him down that much more difficult.
If you have any Bobs I missed, can help me categorize them, or even know where the heck he came from, PLEASE contact me!! He's my internet white whale!
â
UPDATE 11/29/2023:
I found new art with a very Bob-like drawing...he may be a cartoon steamed bun! I included the art in the first section, which labels Bob as a "ãã´ã¾ã," or roughly, steamed pork bun (as far as I can tell. I don't speak Japanese in the slightest, so I'm forced to defer to machine translation). However, kaoani are ALSO sometimes known as steamed buns, so I'm both further into and farther away in my investigation.
â
**CURRENT COUNT: 181**
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â
GENERAL
Objects, animals, professions, etc
| |
| --- |
|
|
â
WEATHER
| |
| --- |
| Weather-themed variants, often starring a little teru teru bÅzu (homemade doll). Teru teru bÅzu are made and hung up outside the window to prevent rain, or call for it in some cases. Makes sense it would be paired with weather variants, and also lines up with my theory that Bob originated on the Japanese internet. |
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| --- |
|
|
â
SITTERS
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| --- |
| The slightly less common sitting variant which has larger eyes and a smile. I've also encountered some two-haired potential "knockoffs" here, although that term tends to be moot with the amount of editing being done to this character. |
| |
| --- |
|
|
â
this damn bee
| |
| --- |
| Variants of this bee-Bob has appeared the most throughout my search. I don't know why. The second one here was ripped and spread across several stock photo services including Adobe, as mentioned in the opening paragraph. |
| |
| --- |
|
|
â
FANDOM
Licensed or estabished pop culture characters and creatures.
| |
| --- |
|
|
â
UNCATEGORIZED
| |
| --- |
| These ones I'm unsure of. Could be fandom, could be general references. I'm also not nearly knowledgeable enough on other cultures (or anime) to make a decision for some of these. |
| |
| --- |
|
|
â
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| http://edition.cnn.com/EVENTS/1996/year.in.review/ |
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<td width="146" bgcolor="#93cbcc"><a href="site1/index.html" target="_self"><img src="site1/imgs/word.gif" alt="WORD" width="146" height="87" border="0"></a></td>
<td width="322" bgcolor="#93cbcc">Issues. Culture. Broken Links.</td>
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<td width="468" colspan="2" align="center" bgcolor="#fff"><p><a href="site1/index.html" target="_self"><img src="site1/imgs/fresh7_a.gif" alt="FRESH" width="80" height="76" border="0" /></a></p>
<p><strong>DEADWORD.COM is an historical archive of Word Magazine (then www.word.com) from 1995 to 1998. </strong></p></td>
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<td width="468" colspan="2" align="center" bgcolor="#000000"><p><a href="site1/index.html" target="_self"><img src="site1/imgs/deadword.gif" alt="deadword" width="286" height="26" hspace="10" vspace="10" border="0"><br>
</a><a href="site1/index.html" target="_self" class="biglink"><blink>Click Here to Enter <br>
Word Magazine 1995-1998 Archive</blink></a></p></td>
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<p dir="ltr"><strong id="docs-internal-guid-436a87f9-03c5-e180-e56f-8fb0234f364d">Launched in 1995, Word.com was one of the first-ever online magazines. In an era when the word “blog” hadn’t yet come into existence, Word captured individual voices telling honest, funny, weird, sad, and strange tales with a “realness” that, at the time, was nowhere to be found in mainstream print journalism. Stories were showcased by a colorful, weird, and eclectic digital design that won continuous clumsy negotiations with a technology in its infancy.</strong><br>
</p>
<p dir="ltr"><strong id="docs-internal-guid-436a87f9-03c5-e180-e56f-8fb0234f364d">By the time Word was shuttered in the year 2000, it had become a repository for writing, music, visual and multimedia art from a list of luminaries too long to mention in a short introductory paragraph. Sadly, because much of Word was built with old timey web applications that no longer exist, the content here only covers the years 1995-1998. The archive from 1998-2000 is in pretty bad shape, with various broken links and missing images and sounds. Happily, we’re in the process of slowly restoring it. In the meantime, please enjoy these screenshots from the later era of Word, where semi-legendary multimedia projects like Sissyfight 2000, Fred the Webmate, Pixeltime, and USA Waste freely roamed the digital universe.</strong><br>
</p>
<p dir="ltr"><strong id="docs-internal-guid-436a87f9-03c5-e180-e56f-8fb0234f364d">Thank You!</strong><br>
</p>
<HR noshade border="0" color="#000000">
<p>Q: What was Word Magazine?</p>
<p>A: Here's the article from Wikipedia. </p>
<p><span dir="auto"><strong><a href="http://en.wikipedia.org/wiki/Word_Magazine" target="_blank">Word Magazine</a></strong></span></p>
<p>Launched in 1995 by Carey Earle, Tom Livaccari and Dan Pelson, <strong>Word Magazine</strong> was one of the earliest and most influential <a href="http://en.wikipedia.org/wiki/E-zine" title="E-zine" target="_new">e-zines</a>. For over five years, Word created original stories, interviews, games, applications, music, interactive objects and art, and community spaces. Word published new content daily, and each story was treated as a unique interface design experiment. Word was also a pioneer in the use of online advertising and was the first website to integrate "microsites" into brand advertising online.</p>
<p>Word's editorial team was originally led by Vibe founding editor Jonathan Van Meter and creative director <a href="http://en.wikipedia.org/wiki/Jaime_Levy_Russell" title="Jaime Levy Russell" target="_new">Jaime Levy</a>. Marisa Bowe took over as Editor-in-Chief prior to the site's June 1995 launch and <a href="http://en.wikipedia.org/wiki/Yoshi_Sodeoka" title="Yoshi Sodeoka" target="_new">Yoshi Sodeoka</a> became Creative Director in early 1996.<a href="http://en.wikipedia.org/wiki/Daron_Murphy" title="Daron Murphy" target="_new"> Daron Murphy</a> was a founding senior editor. Jason Mohr was a senior designer. Later senior editors included Sabin Streeter and Rose Kernochan. Streeter, Bowe, Murphy, and Kernochan later co-edited a book of interviews with Americans about their jobs--inspired by Studs Terkel's <em>Working</em>, called <em><a rel="nofollow" href="http://www.borders.com/online/store/TitleDetail?sku=0609807072#">Gig</a></em></p>
<p>Word won awards from <a href="http://en.wikipedia.org/wiki/I.D._(magazine)" title="I.D. (magazine)" target="_new">I.D. Magazine</a> and <a href="http://en.wikipedia.org/wiki/Print_(magazine)" title="Print (magazine)" target="_new">Print Magazine</a>, among others and was placed in the permanent collection of the <a href="http://en.wikipedia.org/wiki/San_Francisco_Museum_of_Modern_Art" title="San Francisco Museum of Modern Art" target="_new">San Francisco Museum of Modern Art</a>, the <a href="http://en.wikipedia.org/wiki/Walker_Art_Center" title="Walker Art Center" target="_new">Walker Art Center</a> and the <a href="http://en.wikipedia.org/wiki/Museum_of_the_Moving_Image" title="Museum of the Moving Image" target="_new">Museum of the Moving Image</a>.</p>
<p>Word was originally owned by Icon CMT until its sale in April 1998 to <a href="http://en.wikipedia.org/wiki/Zapata_Corporation" title="Zapata Corporation" target="_new">Zapata Corporation</a>. Zapata closed Word.com in August, 2000. </p>
<HR noshade border="0" color="#000000">
<p>Links:</p>
<ul>
<li>Forbes, <a href="http://www.forbes.com/sites/haydnshaughnessy/2011/11/10/ten-websites-that-changed-the-world/" target="_new" rel="nofollow">The 10 websites that changed the world</a></li>
<li>Management Today,<a href="http://www.managementtoday.co.uk/features/1102817/" target="_blank"> The 10 websites that changed the world</a></li>
<li><a href="http://www.wired.com/culture/lifestyle/news/1998/03/10829" target="_new" rel="nofollow">A Wired.com article on Word's first demise in 1998</a></li>
<li>Kaitlin Quistgaard, <a href="http://www.wired.com/culture/lifestyle/news/1998/09/14682" target="_new" rel="nofollow">"On the Edge and Under the Wing"</a>, Wired.com, September 2, 1998, article on acquisition of Word by a new owner</li>
<li><a href="http://en.wikipedia.org/wiki/SiSSYFiGHT_2000" title="SiSSYFiGHT 2000" target="_new">SiSSYFiGHT 2000</a> Turn-based strategy online game developed by the Word staff</li>
<li><a href="http://en.wikipedia.org/wiki/Fred_the_Webmate" title="Fred the Webmate" target="_new">Fred the Webmate</a></li>
</ul>
<HR noshade border="0" color="#000000">
<p>Screenshots of Word Magazine 1998-2000.</p>
<p><img src="site1/imgs/w2.jpg" alt=" " width="478" height="430" /></p>
<p><img src="site1/imgs/w1.jpg" alt=" " width="478" height="384" /></p>
<p><img src="site1/imgs/homepage_17_yoshi.jpg" width="478" height="627" /></p>
<p><img src="site1/imgs/worhoo.jpg" width="478" height="694" alt="worhoo"></p>
<p><img src="site1/imgs/siisy.jpg" width="478" height="342" alt="sissy"></p>
<p><img src="site1/imgs/s1.jpg" width="478" height="250" /></p>
<p><img src="site1/imgs/s2.jpg" width="478" height="250" /></p>
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<p><img src="site1/imgs/p3.gif" width="478" height="494" /></p>
<p><img src="site1/imgs/usawaste.jpg" width="478" height="446" alt="usa waste"></p>
<p><img src="site1/imgs/johnny.jpg" width="478" height="421" alt="Johnny Know Nothing"></p>
<p><img src="site1/imgs/Employee.jpg" width="478" height="478" alt="Employee of the Month"></p>
<p><img src="site1/imgs/luv.jpg" width="478" height="429" alt="Luv Meter"></p>
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<img src="site1/imgs/duck.gif" width="138" height="90"> <img src="site1/imgs/digital.gif" width="136" height="102"> <img src="site1/imgs/dinoblink.gif" width="126" height="88"> <img src="site1/imgs/dinosmile.gif" width="126" height="88"> <img src="site1/imgs/dinosnort.gif" width="126" height="88"> <img src="site1/imgs/dip.gif" width="133" height="94"> <img src="site1/imgs/dj.gif" width="136" height="103"> <img src="site1/imgs/dj2.gif" width="136" height="107"> <img src="site1/imgs/danteanim.gif" width="134" height="102"> <img src="site1/imgs/databurst.gif" width="136" height="101"> <img src="site1/imgs/dd5.gif" width="138" height="102"> <img src="site1/imgs/deer.gif" width="139" height="105"> <img src="site1/imgs/densityduck.gif" width="136" height="101"> <img src="site1/imgs/cry.gif" width="136" height="101"> <img src="site1/imgs/cubicle.gif" width="128" height="43"> <img src="site1/imgs/cyclide.gif" width="137" height="100"> <img src="site1/imgs/dad_all.gif" width="72" height="101"> <img src="site1/imgs/dance.gif" width="137" height="100"> <img src="site1/imgs/dance2.gif" width="136" height="101"> <img src="site1/imgs/dancing.gif" width="136" height="101"> <img src="site1/imgs/coniod3d.gif" width="137" height="96"> <img src="site1/imgs/cook.gif" width="137" height="100"> <img src="site1/imgs/cornbeef89.gif" width="136" height="100"> <img src="site1/imgs/cow.gif" width="139" height="102"> <img src="site1/imgs/cowdog.gif" width="138" height="102"> <img src="site1/imgs/crazytime.gif" width="118" height="66"> <img src="site1/imgs/crush.gif" width="136" height="91"> <img src="site1/imgs/cleaning.gif" width="142" height="103"> <img src="site1/imgs/closet.gif" width="136" height="101"> <img src="site1/imgs/comein.gif" width="138" height="102"> <img src="site1/imgs/coming.gif" width="137" height="100"> <img src="site1/imgs/con_fused.gif" width="136" height="102"> <img src="site1/imgs/conemine2.gif" width="136" height="101"> <img src="site1/imgs/chew.gif" width="136" height="103"> <img src="site1/imgs/chick_magnet.gif" width="138" height="102"> <img src="site1/imgs/chicken.gif" width="137" height="100"> <img src="site1/imgs/childcare.gif" width="138" height="102"> <img src="site1/imgs/chop.gif" width="136" height="103"> <img src="site1/imgs/chopper.gif" width="136" height="102"> <img src="site1/imgs/circle.gif" width="136" height="103"> <img src="site1/imgs/circus2.gif" width="137" height="103"> <img src="site1/imgs/civil.gif" width="133" height="94"> <img src="site1/imgs/fla.gif" width="137" height="100"> <img src="site1/imgs/cake.gif" width="137" height="100"> <img src="site1/imgs/carani22.gif" width="138" height="102"> <img src="site1/imgs/castle.gif" width="136" height="103"> <img src="site1/imgs/chase.gif" width="135" height="101"> <img src="site1/imgs/cheeseface.gif" width="137" height="100"> <img src="site1/imgs/buythem.gif" width="136" height="102"> <img src="site1/imgs/buythis.gif" width="136" height="101"> <img src="site1/imgs/cake1.gif" width="140" height="101"> <img src="site1/imgs/bra89.gif" width="136" height="101"> <img src="site1/imgs/braindrugs.gif" width="138" height="102"> <img src="site1/imgs/breathing.gif" width="138" height="102"> <img src="site1/imgs/brief.gif" width="139" height="100"> <img src="site1/imgs/broast89.gif" width="136" height="100"> <img src="site1/imgs/bubble.gif" width="136" height="101"> <img src="site1/imgs/bubbles.gif" width="135" height="101"> <img src="site1/imgs/buglife.gif" width="136" height="101"> <img src="site1/imgs/bull.gif" width="128" height="103"> </p>
<p> </p>
<p><img src="site1/imgs/movie.gif" width="353" height="195" alt="drunk"></p>
<p><img src="site1/imgs/turkey.gif" width="231" height="154"></p>
<p><img src="site1/imgs/squirrelsex.gif" width="400" height="311"></p>
<p><img src="site1/imgs/title.jpg" alt="" width="478" height="358"></p>
<p><img src="site1/imgs/AuBonPain.jpg" alt="" width="478" height="358"></p>
<p><img src="site1/imgs/letterman.jpg" alt="" width="478" height="358"></p>
<p><img src="site1/imgs/BeigeOfficeInterior.jpg" alt="" width="478" height="358"></p>
<p><img src="site1/imgs/duanereade.jpg" width="478" height="358"></p>
<p><img src="site1/imgs/BeigeOfficeInterior.jpg" alt="" width="478" height="358"></p>
<p><img src="site1/imgs/buswoman.jpg" alt="" width="478" height="358"></p>
<p> </p></td>
<td> </td>
</tr>
<tr>
<td align="center"><img src="site1/imgs/stage1.gif" width="197" height="263"></td>
<td align="center"><img src="site1/imgs/stage2.gif" width="197" height="263"></td>
<td> </td>
</tr>
<tr>
<td align="center"><img src="site1/imgs/stage3.gif" width="197" height="263"></td>
<td align="right"><img src="site1/imgs/smoke.gif" width="229" height="251"></td>
<td> </td>
</tr>
<tr>
<td><p><img src="site1/imgs/f.jpg" width="230" height="237" /></p>
<p><img src="site1/imgs/f3.jpg" alt=" " width="230" height="237" /></p></td>
<td><p><img src="site1/imgs/f2.jpg" width="230" height="237" /></p>
<p><img src="site1/imgs/f4.jpg" width="230" height="237" /></p></td>
<td> </td>
</tr>
<tr>
<td colspan="2" align="center"><p> </p>
<p><img src="site1/imgs/Fred The Webmate GIF/2.Got a job as a office guy/fred_office_bathroom2.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/2.Got a job as a office guy/fred_office_bathroom.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/2.Got a job as a office guy/fred_office_carryingPapers.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/2.Got a job as a office guy/fred_office_coke.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/2.Got a job as a office guy/fred_office_nap.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/2.Got a job as a office guy/fred_office_boss.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/2.Got a job as a office guy/fred_office_workingout.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/2.Got a job as a office guy/fred_office_chair.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/2.Got a job as a office guy/fred_office_copier.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/2.Got a job as a office guy/fred_office_shakinghead.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/2.Got a job as a office guy/fred_office_table.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/2.Got a job as a office guy/fred_office_copierbroken.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/2.Got a job as a office guy/fred_office_bathroom3.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/2.Got a job as a office guy/fred_office_idle.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/2.Got a job as a office guy/fred_office_coffee.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/2.Got a job as a office guy/fred_office_boss1.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/2.Got a job as a office guy/fred_office_idle2.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/2.Got a job as a office guy/fred_office_smoking.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/2.Got a job as a office guy/fred_office_freakingout.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/1.Unemployed Staying home/fred_home_mirror.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/1.Unemployed Staying home/fred_home_internet.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/1.Unemployed Staying home/fred_home_waiving.gif" width="302" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/1.Unemployed Staying home/fred_home_smoke.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/1.Unemployed Staying home/fred_home_freakingout.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/1.Unemployed Staying home/fred_home_book.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/1.Unemployed Staying home/fred_home_drunk.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/1.Unemployed Staying home/fred_hom_shower.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/1.Unemployed Staying home/fred_home_phone.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/1.Unemployed Staying home/fred_home_nap.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/1.Unemployed Staying home/fred_home_sitting.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/1.Unemployed Staying home/fred_home_idle.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/1.Unemployed Staying home/fred_home_hittinghead.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/1.Unemployed Staying home/fred_home_workingout.gif" width="304" height="133"><br><br><img src="site1/imgs/Fred The Webmate GIF/1.Unemployed Staying home/Fred_home_cat.gif" width="304" height="134"><br><br><img src="site1/imgs/Fred The Webmate GIF/1.Unemployed Staying home/fred_home_drunk-passedout.gif" width="304" height="133"><br><br>
</p></td>
<td> </td>
</tr>
<tr>
<td><p> </p>
<p><img src="site1/imgs/st1.jpg" alt=" " width="230" height="157" /></p></td>
<td width="18"><p> </p>
<p><img src="site1/imgs/st3.jpg" width="230" height="157" /></p></td>
<td> </td>
</tr>
<tr>
<td><p> </p>
<p><img src="site1/imgs/st5.jpg" alt=" " width="230" height="157" /></p></td>
<td><p> </p>
<p><img src="site1/imgs/st4.jpg" alt=" " width="230" height="157" /></p></td>
<td> </td>
</tr>
<tr>
<td><p> </p>
<p><img src="site1/imgs/content_garterbelt.jpg" width="230" height="178" /></p></td>
<td><p> </p>
<p><img src="site1/imgs/homepage_20_jason.jpg" alt=" " width="230" height="300" /></p></td>
<td> </td>
</tr>
</table>
<HR noshade border="0" color="#000000">
<p>Contact: <a href="mailto:[email protected]">[email protected]</a></p>
<p> </p>
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| [WORD](site1/index.html) | Issues. Culture. Broken Links. |
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| [FRESH](site1/index.html)
**DEADWORD.COM is an historical archive of Word Magazine (then www.word.com) from 1995 to 1998.** |
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| --- |
| [deadword](site1/index.html)[Click Here to Enter
Word Magazine 1995-1998 Archive](site1/index.html) |
**Launched in 1995, Word.com was one of the first-ever online magazines. In an era when the word “blog” hadn’t yet come into existence, Word captured individual voices telling honest, funny, weird, sad, and strange tales with a “realness” that, at the time, was nowhere to be found in mainstream print journalism. Stories were showcased by a colorful, weird, and eclectic digital design that won continuous clumsy negotiations with a technology in its infancy.**
**By the time Word was shuttered in the year 2000, it had become a repository for writing, music, visual and multimedia art from a list of luminaries too long to mention in a short introductory paragraph. Sadly, because much of Word was built with old timey web applications that no longer exist, the content here only covers the years 1995-1998. The archive from 1998-2000 is in pretty bad shape, with various broken links and missing images and sounds. Happily, we’re in the process of slowly restoring it. In the meantime, please enjoy these screenshots from the later era of Word, where semi-legendary multimedia projects like Sissyfight 2000, Fred the Webmate, Pixeltime, and USA Waste freely roamed the digital universe.**
**Thank You!**
---
Q: What was Word Magazine?
A: Here's the article from Wikipedia.
**[Word Magazine](http://en.wikipedia.org/wiki/Word_Magazine)**
Launched in 1995 by Carey Earle, Tom Livaccari and Dan Pelson, **Word Magazine** was one of the earliest and most influential [e-zines](http://en.wikipedia.org/wiki/E-zine "E-zine"). For over five years, Word created original stories, interviews, games, applications, music, interactive objects and art, and community spaces. Word published new content daily, and each story was treated as a unique interface design experiment. Word was also a pioneer in the use of online advertising and was the first website to integrate "microsites" into brand advertising online.
Word's editorial team was originally led by Vibe founding editor Jonathan Van Meter and creative director [Jaime Levy](http://en.wikipedia.org/wiki/Jaime_Levy_Russell "Jaime Levy Russell"). Marisa Bowe took over as Editor-in-Chief prior to the site's June 1995 launch and [Yoshi Sodeoka](http://en.wikipedia.org/wiki/Yoshi_Sodeoka "Yoshi Sodeoka") became Creative Director in early 1996. [Daron Murphy](http://en.wikipedia.org/wiki/Daron_Murphy "Daron Murphy") was a founding senior editor. Jason Mohr was a senior designer. Later senior editors included Sabin Streeter and Rose Kernochan. Streeter, Bowe, Murphy, and Kernochan later co-edited a book of interviews with Americans about their jobs--inspired by Studs Terkel's *Working*, called *[Gig](http://www.borders.com/online/store/TitleDetail?sku=0609807072#)*
Word won awards from [I.D. Magazine](http://en.wikipedia.org/wiki/I.D._(magazine) "I.D. (magazine)") and [Print Magazine](http://en.wikipedia.org/wiki/Print_(magazine) "Print (magazine)"), among others and was placed in the permanent collection of the [San Francisco Museum of Modern Art](http://en.wikipedia.org/wiki/San_Francisco_Museum_of_Modern_Art "San Francisco Museum of Modern Art"), the [Walker Art Center](http://en.wikipedia.org/wiki/Walker_Art_Center "Walker Art Center") and the [Museum of the Moving Image](http://en.wikipedia.org/wiki/Museum_of_the_Moving_Image "Museum of the Moving Image").
Word was originally owned by Icon CMT until its sale in April 1998 to [Zapata Corporation](http://en.wikipedia.org/wiki/Zapata_Corporation "Zapata Corporation"). Zapata closed Word.com in August, 2000.
---
Links:
* Forbes, [The 10 websites that changed the world](http://www.forbes.com/sites/haydnshaughnessy/2011/11/10/ten-websites-that-changed-the-world/)
* Management Today, [The 10 websites that changed the world](http://www.managementtoday.co.uk/features/1102817/)
* [A Wired.com article on Word's first demise in 1998](http://www.wired.com/culture/lifestyle/news/1998/03/10829)
* Kaitlin Quistgaard, ["On the Edge and Under the Wing"](http://www.wired.com/culture/lifestyle/news/1998/09/14682), Wired.com, September 2, 1998, article on acquisition of Word by a new owner
* [SiSSYFiGHT 2000](http://en.wikipedia.org/wiki/SiSSYFiGHT_2000 "SiSSYFiGHT 2000") Turn-based strategy online game developed by the Word staff
* [Fred the Webmate](http://en.wikipedia.org/wiki/Fred_the_Webmate "Fred the Webmate")
---
Screenshots of Word Magazine 1998-2000.
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Contact: [[email protected]](mailto:[email protected])
| http://deadword.com/ |
<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
<html>
<head>
<meta name="KeyWords" content="Origins Timeline of a Diehard Gamer, VGO, VideoGameObsession, Personal, Collection, Archival, Old, SpooNMan, The VERY FIRST Neo-Geo AES Unboxing, Neo-Geo, Gold System, Unboxing, Genesis Collection in 1989">
<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
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<meta name="AUTHOR" content="Matthew R. Henzel">
<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
<title>Origins Timeline of a Diehard Gamer - VGO</title>
</head>
<body text="#FFFFFF" bgcolor="#000000" link="#FF0000" vlink="#FF0000" alink="#FF0000" background="zzznes_blackboxback.png">
<center>
<p>
<font face="Tahoma" size="2">
<img SRC="zzlogo-Origins-1000px-vgo-yellow-better.png" height=103 width=1000><br>
<img SRC="ani_smwyoshimario.gif" height=38 width=28><img SRC="ani-Zelda2-Link_stab_left.gif" height=32 width=40><img SRC="ani-karate.gif" height=60 width=60><img SRC="ani-Castlevania_Vampire_Kiss-Char_Walk-R.gif" height=45 width=27> <img SRC="tje_jamearlsnake.gif" height=38 width=61>
<img SRC="kof96_joestance.gif" height=44 width=31> <img SRC="ani-Super_Mario_Bros_3-mario_raccoon_spin.gif" height=27 width=30><img SRC="ani-Castlevania_Vampire_Kiss-Char_Walk-R.gif" height=45 width=27><img SRC="ani_dk_dk.gif" height=35 width=50>
<img SRC="ani-b3_bonkbonk.gif" height=33 width=38><img SRC="ani-doom_cacodemon.gif" height=51 width=48>
<img SRC="ani-Super_Metroid-Metroid_medium.gif" height=35 width=38> <img SRC="ani_dk_mariohammer.gif" height=31 width=27><img SRC="cool_jiggy.gif" height=48 width=55><img SRC="ani-smb3koopatroopa.gif" height=26 width=16> <img SRC="kid_kidicarus.gif" height=24 width=15> <img SRC="metroid_samusrunb.gif" height=50 width=50>
<img SRC="mike_tyson_pistonhondaeyebrow.gif" height=51 width=22> <img SRC="ani-Golden_Axe-tyrius_walk_left.gif" height=61 width=31><img SRC="ani-Earthworm_Jim-Jim_shoot_gun_left.gif" height=52 width=85><img SRC="ani-Super_Mario_Bros_2-Boss1_Mouser.gif" height=32 width=24><img SRC="ani-son3_sonicidle.gif" width="36" height="39"><img SRC="animated-ms3.gif" height=33 width=65><img SRC="ani-ZAMN-Zombie_walk_side.gif" height=47 width=30><img SRC="ms_p1balance.gif" height=39 width=63><br>
<img SRC="zz-colorline-1000px-vgo.png" height=6 width=1000><br>
<img SRC="year-1972-a.png" height=27 width=80>
<img SRC="year-TO.png" height=11 width=20>
<img border="0" src="year-2023.png" width="80" height="27"></font></p>
<p>
</p>
<p>
<font face="Tahoma" size="2">
<img SRC="year-1972.png" height=85 width=250></font></p>
<p dir="ltr">
<font face="Tahoma" size="2" color="#FF5050">PRESS PLAY ON TAPE
...CLICK!</font><font face="Tahoma" size="2" color="#95FF62"><br>
I was born in 1972, with a video game controller in my hand.<br>
</font><font face="Tahoma" size="2" color="#99CCFF">1 9 7 2 . . . The year of the first home video game console... the year of baby VGO.
I will continuously update this page to include anything, and everything, from
my personal journey with video gaming. <br>
I've been playing video games since 1978 (age 5), and buying/collecting video
games since 1982 (age 9), with the ColecoVision. More to come. Please check back
often, and tell your friends!</font><font face="Tahoma" size="2" color="#FF5050"><br>
</font></p>
<p>
<font face="Tahoma" size="2">
<a href="VGO-Baby1972.png">
<img SRC="VGO-Baby1972-600px.png" height=644 width=600 border="1"></a></font><br>
</p>
<p>
<font face="Tahoma" size="2">
<br> </font></p>
<p>
<font face="Tahoma" size="2">
<img SRC="year-1978.png" height=85 width=250></font></p>
<p>
<font face="Tahoma" size="2" color="#FF5050">Our very first game console was the
WONDER WIZARD SHARP SHOOTER.<br>
</font><font face="Tahoma" size="2" color="#95FF62">It was an XMAS gift for my
brother Greg, but it was more of a family gift which we all enjoyed playing. The
(very realistic looking) gun was a bit strange. It would often register no
matter where it was pointed.<br>
I recall my mom having fun with that, pretending she was pulling off trick shots
off of the living room mirror! <br>
</font><font face="Tahoma" size="2" color="#99CCFF">Also received that year was
DIGITAL DERBY by TOMY. That crashing sound effect was horrible and will forever
be burned into my memory.</font><font face="Tahoma" size="2" color="#FF5050"><br>
<br>
</font>
<font face="Tahoma" size="2">
<a href="1978-WonderWizardSharpShooterDDerby-vgo-01.jpg">
<img border="1" src="1978-WonderWizardSharpShooterDDerby-vgo-01-s.jpg" width="300" height="237"></a>
<a href="1978-WonderWizardSharpShooterDDerby-vgo-02.jpg">
<img border="1" src="1978-WonderWizardSharpShooterDDerby-vgo-02-s.jpg" width="300" height="237"></a></font><br>
<font size="2" color="#FFFF00" face="Tahoma">1978</font></p>
<p>
</p>
<p>
<font face="Tahoma" size="2">
<img SRC="year-1981.png" height=85 width=250></font></p>
<p>
<font face="Tahoma" size="2" color="#FF5050">Here's an old drawing of Pac-Man,
that I made in 4th grade. I was 9 years old. </font>
<font face="Tahoma" size="2">
<font color="#FF5050"><br>
</font>
<font color="#00FF00">I actually got in trouble for drawing this in class! The
teacher actually made me write "<i>I will not draw pictures of video games in
class</i>" 50 times! I obviously learned nothing from that.<br>
</font>
<font color="#00FFFF">(see my
<a href="SuperMarioBros1986DrawingByMHenzel-DX.gif"><font color="#FF99FF">
SMB pic</font></a> from 7th grade) ;)<br>
</font><br>
<a href="pac-man_2nd_grade_by_matt_1981.jpg">
<img border="1" src="pac-man_2nd_grade_by_matt_1981-s.jpg" width="400" height="300"></a></font><br>
<font size="2" color="#FFFF00" face="Tahoma">1981</font></p>
<p>
</p>
<p>
<font face="Tahoma" size="2">
<img SRC="year-1983.png" height=85 width=250></font></p>
<p>
<font face="Tahoma" size="2">
<font color="#FF5050">This is an old photo, from 1983 (As it says above!). From
left to right, we have ME (Matt), Anthony G. (our friend), and my older brother
(Greg). You can also see the Family Truckster in the background. Classic!<br>
</font><font color="#99FF33">My parents bought us these awesome video game
tshirts. I'm wearing the PAC-MAN shirt, and Greg is wearing what looks like an
ATARIAN shirt. If anyone knows what this is, send me an
<a href="mailto:[email protected]?subject=VGO Inquiry"><font color="#00FF00">
email</font></a>. <br>
</font></font><font face="Tahoma" size="2" color="#00FFFF">I posted this on
social media a couple years ago, and everyone was saying it looked like it was
out of STRANGER THINGS... So I added the title to it. This will probably make no
sense when people forget what that show was. It may not make any sense now.</font></p>
<p>
<font size="2" face="Tahoma">
<a href="StrangerThingsVideoGameShirtsPorch1983.png">
<img border="1" src="StrangerThingsVideoGameShirtsPorch1983-300px.png" width="300" height="223"></a></font><br>
<font size="2" color="#FFFF00" face="Tahoma">1983</font></p>
<p>
</p>
<p>
<font face="Tahoma" size="2">
<font color="#FF5050">Here we have a PAC-MAN BIRTHDAY PARTY, thrown by my mom.
She didn't do what a lot of people do and cut out the first slice to make PAC-MAN's
mouth.. More cake for me! :)<br>
</font><font color="#99FF33">My friend's and I all had some awesome "goodie
bags" waiting for us. They included some most excellent PAC items, such as
pencils, balloons, stickers (from Topps), and more.<br>
</font><font color="#00FFFF">Many of my birthday gifts were also Pac-related:
Pac-Man bed sheets, garbage can, bulletin (cork) board, a tshirt, and a Pac-Man
Fever vinyl record. Best birthday ever!</font></font></p>
<p>
<font size="2" face="Tahoma"><a href="1983-PacMan11thBirthdayParty-vgo.jpg">
<img border="1" src="1983-PacMan11thBirthdayParty-vgo-s.jpg" width="300" height="237"></a></font><br>
<font size="2" color="#FFFF00" face="Tahoma">1983</font></p>
<p>
</p>
<p>
<font face="Tahoma" size="2">
<font color="#FF5050">XMAS 1983. We almost always asked for video game related
items for XMAS, and my parents never let us down. This year I received the very
fun Nintendo POPEYE GAME & WATCH TABLE TOP.<br>
</font><font color="#99FF33">My dad is seen here next to it. He wasn't much into
games, but he helped me assemble the Legoland Beta-1 Command Base (6970). We
took some liberties from the directions, but isn't that what LEGO's were about?<br>
</font><font color="#00FFFF">Here is a recent photo of the POPEYE Table Top
(recent as of this posting anyway). Still in great shape, working, and of
course, still a blast to play! **ALSO! I just realized that if you
<a href="XMAS-1983-ColecoVision-Expansion-Module-1.jpg"><font color="#FFFF00">
L@@K very closely</font></a> you can see a box for the ColecoVision Expansion
Module #1 (Atari VCS Adapter).</font></font><br>
<br>
<font size="2" face="Tahoma"><a href="1983-PopeyeTableTopXMAS-vgo-01.jpg">
<img border="1" src="1983-PopeyeTableTopXMAS-vgo-01-s.jpg" width="300" height="237"></a>
<a href="1983-PopeyeTableTopXMAS-vgo-02.jpg">
<img border="1" src="1983-PopeyeTableTopXMAS-vgo-02-s.jpg" width="300" height="237"></a></font><br>
<font size="2" color="#FFFF00" face="Tahoma">1983</font></p>
<p>
</p>
<p dir="ltr">
<font face="Tahoma" size="2">
<img SRC="year-1984.png" height=85 width=250><br>
<br>
<font color="#FF5050">Showing off my homemade ColecoVision and Commodore Vic-20
dust covers. Not perfect, but they helped keep the dust out. This photo was
taken during my father's 50th birthday (see party hat) in October 1984.<br>
</font><font color="#99FF33">This was well into the "Video Game Crash" years (in
the USA) so there wasn't a lot of new games coming out for these systems, but I
found some great deals on older games. <br>
Some 2600 and ColecoVision games selling for as little as $.25 each! As well as
a brand new Vectrex system at Toys R Us for only $49.99, and Vec games for $5
each!<br>
</font><font color="#00FFFF">It wouldn't be long before I </font></font>
<font face="Tahoma" size="2" color="#00FFFF">would meet R.O.B. and Nintendo
would dominate my TV. </font></p>
<p dir="ltr">
<font size="2" face="Tahoma"><a href="1984-ColecoVIsionAndVic20-Setup-vgo.jpg">
<img border="1" src="1984-ColecoVIsionAndVic20-Setup-vgo-s.jpg" width="300" height="237"></a></font><br>
<font size="2" color="#FFFF00" face="Tahoma">1984</font></p>
<p dir="ltr">
</p>
<blockquote>
<blockquote>
<p align="center">
<font face="Tahoma"><font size="2"><font color="#FF5959"><strike>Video Games</strike>
Computer Games for Christmas was always an exciting thing to see as a kid!</font> (</font><font size="2" color="#FF0000">December </font>
<font size="2" color="#00FF00">25th</font><font size="2" color="#FF0000">,1984</font><font size="2">)</font></font><font color="#FF5959" size="2" face="Tahoma"><br>
</font><font face="Tahoma" size="2" color="#99FF33">Peering beyond the Planters
Cocktail Peanuts, you will see two Commodore VIC-20 games. </font><b><font color="#FF99FF" size="2" face="Tahoma"> <br>
</font></b><font color="#00FFFF" size="2" face="Tahoma">Robot Panic, and one of
my Vic-20 favorites, and blatant Namco Rally X clone, Radar Rat Race.
Unfortunately I no longer own Robot Panic (as of this writing, but I do own RRR.
Check out the</font><font color="#FFFF00" size="2" face="Tahoma"> </font><font color="#00FFFF" size="2" face="Tahoma">
<a href="../../vic-20/index.htm"><font color="#FFFF00">Vic-20 page on VGO</font></a>
for more photos and box scans.</font></p>
</blockquote>
</blockquote>
<center>
<p>
<font face="Tahoma"><font size="2"><font color="#FFFF00"> </font><a href="Neo-Geo_BBSP_Unwrapping_Xmas_1990.png"><font color="#FFFF00"><a href="Xmas-1984-Vic20-Games-RadarRatRace-RobotPanic-vgo.jpg"><img border="1" src="Xmas-1984-Vic20-Games-RadarRatRace-RobotPanic-vgo-400px.jpg" width="400" height="183"></a></font></a><font color="#FFFF00"><br>
</font></font><font size="1" color="#FFFF00">1984</font></font></p>
</center>
<p dir="ltr">
</p>
<p>
<font face="Tahoma" size="2">
<img SRC="year-1986.png" height=85 width=250><br>
<br>
<font color="#FF5050">Here is an old drawing that I made while in school (7th
grade), back from January 1986. I drew it from memory, saved to my
memory, from my many hours of staring are the awesome <br>
Nintendo 'THE GAME PLAN NES poster, which was packed in with the NES Deluxe
Set.. I'm not sure what I was thinking when drawing the Underworld area..
Perhaps, it was
part Spelunker, and part Ghosts N Goblins. Who knows?!<br>
</font><font color="#99FF33">I would finally get my copy of Super Mario Bros. (NES),
the next month, from Kay-Bee Toys, in upstate NY. I was on a waiting list, and
as soon as the store manager called me, I had my father race my butt over there!<br>
</font></font>
<font face="Tahoma" size="2" color="#00FFFF">On 4/1/2022 I took the original art
and made a DX - colorized version of it. Aside from adding the Piranha Plant. I
tried to stick to the original lines. Enjoy! I'm sure you will! :). <br>
BEFORE (1986) AFTER - DX (2022) ANIMATED GIF *Click for larger version!*<br>
<br>
</font>
<font size="2" face="Tahoma"><a href="SuperMarioBros1986DrawingByMHenzel.png">
<img border="1" src="SuperMarioBros1986DrawingByMHenzel-s.png" width="400" height="187"></a>
<a href="SuperMarioBros1986DrawingDXByMHenzel.png">
<img border="1" src="SuperMarioBros1986DrawingDXByMHenzel-s.png" width="400" height="187"></a>
<a href="SuperMarioBros1986DrawingByMHenzel-DX.gif">
<img border="1" src="SuperMarioBros1986DrawingByMHenzel-DX-187px.gif" width="187" height="187"></a></font><br>
<font size="2" color="#FFFF00" face="Tahoma">1986</font></p>
<p>
</p>
<p>
<font size="2" face="Tahoma"><br>
<font color="#FF5959">This was a comics panel that I made during a one hour 7th
Grade Art Class. </font>in 1986<font color="#FFFF00">.<br>
</font>
<font color="#99FF33">We were told that it should have an original title, so
instead of just ripping the
<a href="../../nesboxes/zzNES-GhostsNGoblins-CIB-vgo-01.jpg">
<font color="#FF99FF">GHOSTS 'N GOBLINS</font></a> Capcom game title I just
dropped the H, and changed 'N to an &. Behold...
</font>
</font>
<b><i>
<font size="2" face="Tahoma">GOSTS & GOBLINS: with Bones</font></i></b><font size="2" face="Tahoma"><font color="#99FF33"><br>
</font>
<font color="#00FFFF">I first believed this was a horrible typo on my art, but
apparently this isn't so, as I have it spelled as GHOST in the next panel. The
arcade scene has the following arcade cabinets, from left to right: Asteroids,
Golden Axe, Pac-Man, Sega's Turbo,<br>
some pinball table, VS. Super Mario Bros.. There is also a hockey game, and
another unknown arcade cabinet. I probably would have spent more time on this
section, but we only had an hour to finish the entire project. It's not great,
but <br>
I somehow scored a 95 (out of 100) on it. Go me! :)<br>
</font><br>
<a href="Gosts-And-Goblins-With-Bones-7th-Grade-Art-Matt-1986.png">
<img border="1" src="Gosts-And-Goblins-With-Bones-7th-Grade-Art-Matt-1986-s.png" width="500" height="366"></a> <br>
</font>
<font size="1" face="Tahoma" color="#FFFF00">1986</font></p>
<p>
</p>
<p>
<font face="Tahoma" size="2">
<font color="#FF5050">The first picture below is my XMAS list from 1986! I'm not
sure if my parents thought I was weird for providing catalog page numbers and
prices for everything, but however <br>
I certainly recall them being angry that I BURNED holes through the page,
along with singing the edges of this XMAS "Treasure Map"!<br>
</font>
<font color="#99FF33">Onto the second page....I present to you, a 2023 XMAS list
remake. I haven't burned the page just yet. Please stay tuned for the fire. :P<br>
</font></font>
<font face="Tahoma" size="2" color="#00FFFF">Here's an "aftermath" XMAS photo. I
had a nice Christmas that year. Receiving the: Sony SPORTS Walkman, TYCO
Turbo Hopper R/C Car, Rechargeable "AA" Batteries, Perfect-A-Lite Aquarium hood,
<br>
Blank Sony VHS Tapes, Four NES games (Ice Climber, Ninja Kid, Pinball, Donkey
Kong 3). As well as a few things I didn't ask for, such as CCM Ice Hockley
skates, a clock radio, and a few other things I'm sure.<br>
My awesome parents spoiled us as usual!<br>
<br>
</font>
<font size="2" face="Tahoma"><a href="Matt-XMAS-List-1986-11-25-orig.jpg">
<img border="1" src="Matt-XMAS-List-1986-11-25-orig-s.jpg" width="300" height="400"></a>
<a href="Matt-XMAS-List-1986-11-25-new.jpg">
<img border="1" src="Matt-XMAS-List-1986-11-25-new-s.jpg" width="300" height="400">
</a><a href="Matt-XMAS-List-1986-Christmas-Day-vgo.jpg">
<img border="1" src="Matt-XMAS-List-1986-Christmas-Day-vgo-s.jpg" width="300" height="400"></a></font><br>
<font size="2" color="#FFFF00" face="Tahoma">1986</font></p>
<p dir="ltr">
</p>
<p dir="ltr">
<font face="Tahoma" size="2">
<img SRC="year-1987.png" height=85 width=250><font color="#FFFF00"><br>
<br>
</font><font color="#FF5050">The photo on the left was the start of my
video game collection. If you look closely you'll see not only
<a href="http://www.videogameobsession.com/videogame/nintendo8bit.html">
<font color="#FF5050">NES Black Box
games</font></a> w/ Nintendo sticker seals, <br>
but also a boxed <a href="http://www.videogameobsession.com/videogame/vectrex">
<font color="#FF5050">Vectrex + games,</font></a>
<a href="http://www.videogameobsession.com/videogame/electronicgames/tabletop">
<font color="#FF5050">Nintendo Game & Watch Popeye</font></a>, Nintendo (non
Deluxe) pre-release NY NES Set,
<a href="http://www.videogameobsession.com/videogame/atari2600">
<font color="#FF5050">Atari 2600</font></a>,
<a href="http://www.videogameobsession.com/videogame/colecovision">
<font color="#FF5050">Colecovision</font></a>, and
<a href="http://www.videogameobsession.com/videogame/vic-20">
<font color="#FF5050">Vic-20 + games</font></a> as well.<br>
</font><font color="#99FF33">The 2nd photo shows my original GAMING SETUP. A
local video store here in New York used to give away those
<a href="http://www.videogameobsession.com/videogame/merchandise/posters_flyers_stickers_etc/NESGamePlanPosters/1985_NES_Poster-vgo-01.jpg">
<font color="#99FF33">Nintendo Game Plan posters</font></a> (see 2 here), as
well as some mini movie posters such as RAMBO First Blood Part II. <br>
</font><font color="#00FFFF">The 3rd photo was taken on my father's birthday,
October 5th, 1987. It just happened to be the same day that I received
<a href="http://www.videogameobsession.com/videogame/mags/ninpow/index.htm">
<font color="#00FFFF">ISSUE #3 of the NINTENDO FUN CLUB NEWS newsletter</font></a>.
One of my favorite photos. My dog Bo also makes an appearance. <br>
</font>
<br>
<a href="photo-1987-NES-Games-In-Closet-1200dpi-vgo.jpg">
<img border="1" src="photo-1987-NES-Games-In-Closet-1200dpi-vgo-s.jpg" width="300" height="237"></a>
<a href="photo-1987-first-nes-setup-600dpi-vgo.jpg">
<img border="1" src="photo-1987-first-nes-setup-600dpi-vgo-s.jpg" width="300" height="237"></a>
<a href="photo-1987-October5th-FCN-1200dpi-vgo.jpg">
<img border="1" src="photo-1987-October5th-FCN-1200dpi-vgo-s.jpg" width="300" height="237"></a></font><font face="Tahoma"><font size="2"><br>
</font>
<font size="2" color="#FFFF00">1987</font></font></p>
<p dir="ltr">
<font size="2" face="Tahoma"><br>
<img border="0" src="zzLOZ-logo-transparent-400px.png" width="400" height="166"><br>
<font color="#D99300">The Legend of Zelda, for the Nintendo Entertainment
System, is a very special game for me, and I have many fond memories of playing
it. <br>
</font>
<font color="#CC9900">I first read about it in late June 1987, while reading the
<a href="http://www.videogameobsession.com/videogame/mags/ninpow/Nintendo_FunClubNews_2-cover.jpg">
<font color="#008000">Nintendo FUN CLUB NEWS #2</font></a>. <br>
I bugged the manager of Kay-Bee Toys so much, calling each day that he finally
put me on a call list and told me he'd call me when it came in stock, which
luckily he did!<br>
I can still recall seeing the row of boxes above the register at Kay-Bee Toys.
That was in August of 1987. <br>
The gold cartridge showing through the top corner of the box let you know right
away that you were in for something very special!<br>
<br>
I drew these Level 7, 8, and 9 dungeon
maps while playing in 1987.</font></font><font face="Tahoma"><font size="2" color="#CC9900"><br>
</font>
<a href="zzLegendOfZeldaMapsFrom1987-01-vgo.jpg">
<font size="2">
<img border="1" src="zzLegendOfZeldaMapsFrom1987-01-vgo-s.jpg" width="200" height="150"></font></a><font size="2">
<a href="zzLegendOfZeldaMapsFrom1987-02-vgo.jpg">
<img border="1" src="zzLegendOfZeldaMapsFrom1987-02-vgo-s.jpg" width="200" height="150"></a><br>
</font></font><font size="2" color="#CC9900" face="Tahoma">1987</font></p>
<p>
<font size="2" face="Tahoma"><br>
<font color="#FF5959">Here is a notepad with the NES games I owned in
1987.</font> JANUARY 8th, 1987<font color="#FFFF00"><br>
</font>
<font color="#99FF33">I apparently had a rare game known as "GOSTS & GOBLINS"...Lucky!<br>
</font>
<font color="#00FFFF">I believe I had them in order of: First Party Nintendo,
Favorites, Third Party Games, and Accessories...maybe?<br>
</font><br>
<a href="NESGameListFrom1987-01-09-vgo.jpg">
<img border="1" src="NESGameListFrom1987-01-09-vgo-s.jpg" width="400" height="316"></a> <br>
</font>
<font size="1" face="Tahoma" color="#FFFF00">1987</font></p>
<p>
</p>
<p>
<font face="Tahoma" size="2">
<img SRC="year-1989.png" height=85 width=250></font></p>
<p>
<font color="#FF5959" size="2" face="Tahoma">Here are some screens from a home video. My dad drove me to Toys R Us so I could
pick up the "HOT NEW GAME" The<br>
Adventures of Bayou Billy by Konami, for the Nintendo Entertainment System. I am
heard describing it to my dad as "Double Dragon meets Rad Racer".<br>
</font><font color="#99FF33" size="2" face="Tahoma">It gets a lot of crap for being a tough game, but as a kid with only a handful
of games and a lot of time, I eventually beat it. <br>
</font><font color="#00FFFF" size="2" face="Tahoma">I also enjoyed using the Zapper light gun with it since there were very few
games that supported that.</font></p>
<p dir="ltr">
<font size="2" face="Tahoma">
<a href="VG-Memory-AdventuresOfBayouBilly-June29th1989.png">
<font color="#C0C0C0">
<img border="1" src="VG-Memory-AdventuresOfBayouBilly-June29th1989-600px.png" width="600" height="325"></font></a><br>
</font>
<font size="1" face="Tahoma" color="#FFFF00">
1989</font></p>
<p dir="ltr">
</p>
<p>
<font size="2" face="Tahoma">Here is my Sega Genesis line-up + some<font color="#FFFF99"> </font>
<a href="../../genesis/GEN-SuperHangOn-vgo.jpg"><font color="#FF5959">Super Hang-On</font></a>,
<a href="../../genesis/GEN-TommyLasordaBaseball-vgo.jpg"><font color="#99CCFF">
Tommy Lasorda Baseball</font></a>,<br>
and <a href="../../genesis/"><font color="#00FF00">World Championship Soccer</font></a> gaming way back
from November 1989!<br>
</font><font face="Tahoma"><font size="2"><br>
</font>
<a href="SnapshotsFromOldVideos/Genesis_11-02-1989_10-vgo.png">
<font size="2">
<img border="1" src="SnapshotsFromOldVideos/Genesis_11-02-1989_10-vgo-s.png" width="200" height="136"></font></a><font size="2">
<a href="SnapshotsFromOldVideos/Genesis_11-02-1989_01-vgo.png">
<img border="1" src="SnapshotsFromOldVideos/Genesis_11-02-1989_01-vgo-s.png" width="200" height="136"></a>
<a href="SnapshotsFromOldVideos/Genesis_11-02-1989_02-vgo.png">
<img border="1" src="SnapshotsFromOldVideos/Genesis_11-02-1989_02-vgo-s.png" width="200" height="136"></a>
<a href="SnapshotsFromOldVideos/Genesis_11-02-1989_04-vgo.png">
<img border="1" src="SnapshotsFromOldVideos/Genesis_11-02-1989_04-vgo-s.png" width="200" height="136"></a>
<a href="SnapshotsFromOldVideos/Genesis_11-02-1989_05-vgo.png">
<img border="1" src="SnapshotsFromOldVideos/Genesis_11-02-1989_05-vgo-s.png" width="200" height="136"></a><br>
<a href="SnapshotsFromOldVideos/Genesis_11-02-1989_06-vgo.png">
<img border="1" src="SnapshotsFromOldVideos/Genesis_11-02-1989_06-vgo-s.png" width="200" height="136"></a>
<a href="SnapshotsFromOldVideos/Genesis_11-02-1989_07-vgo.png">
<img border="1" src="SnapshotsFromOldVideos/Genesis_11-02-1989_07-vgo-s.png" width="200" height="136"></a>
<a href="SnapshotsFromOldVideos/Genesis_11-02-1989_08-vgo.png">
<img border="1" src="SnapshotsFromOldVideos/Genesis_11-02-1989_08-vgo-s.png" width="200" height="136"></a>
<a href="SnapshotsFromOldVideos/Genesis_11-02-1989_09-vgo.png">
<img border="1" src="SnapshotsFromOldVideos/Genesis_11-02-1989_09-vgo-s.png" width="200" height="136"></a>
<a href="SnapshotsFromOldVideos/Genesis_11-02-1989_03-vgo.png">
<img border="1" src="SnapshotsFromOldVideos/Genesis_11-02-1989_03-vgo-s.png" width="200" height="136"></a></font></font><br>
<font face="Tahoma" size="1" color="#FFFF00">1989</font></p>
<p>
</p>
<p dir="ltr">
<font face="Tahoma" size="2">
<img SRC="year-1990.png" height=85 width=250></font></p>
</center>
<p align="center">
<font face="Tahoma" size="2" color="#FF5959">Here is my very used Nintendo Power
Game Calendar from 1990.<br>
</font><font color="#99FF33" size="2" face="Tahoma">It was unfortunately ripped
up, during a fight with my older brother. We used to go after each other, <br>
then
each other's stuff! I have since taped it up for posterity even though</font><font color="#00FF00" size="2" face="Tahoma">
</font><font color="#99FF33" size="2" face="Tahoma">
<a href="../../merchandise/posters_flyers_stickers_etc/Nintendo_Calendar_1990/index.htm">
<font color="#99FF33">I bought new versions of 1990-1994</font></a><br>
</font><font color="#00FFFF" size="2" face="Tahoma">it has some interesting
things if you look closely. You will see that I marked it up with important
Nintendo Power, EGM, GamePro, and VG&CE magazine releases. The premiere
viewing of <br>
the Andrew DICE Clay movie,
<a href="https://www.imdb.com/title/tt0098987/"><font color="#00FFFF">The
Adventures of Ford Fairlane</font></a>. A Robert Plant (Led Zeppelin singer, for
those who don't know, and for those who do know, <br>
as well!). On September 17th,
you'll see "Sega Free Offer", which was a deal where you could pick a free game,
from a list of a few Genesis games. I went with Buster Douglas Boxing, because<br>
it was the newest of the five listed games. It required you to buy a Genesis
Altered Beast bundled system, which I already owned, but where there's a will,
there's a way. So I returned my original Genesis system,<br>
and then bought a new
one (with a new receipt). ;) You'll see "LEG INJURY" in June, where I dislocated
my left kneecap (patella bone), while making a dumb music video! Owwww! :(
You might<br>
see some of the lawns that I mowed, to help pay for... the
</font>
<font size="2" face="Tahoma">Sega
</font>
<font color="#FF0000" size="2" face="Tahoma">Mega</font><font color="#00FFFF" size="2" face="Tahoma">
</font>
<font color="#00FF00" size="2" face="Tahoma">Drive</font><font color="#00FFFF" size="2" face="Tahoma">
import orders, such as <a href="../../genesis/zzMD-Batman-photo-01-vgo.jpg">
<font color="#FFFF00">BATMAN</font></a> (August 9th, 1990),
<a href="../../genesis/zzMD-DJBoy-photo-01-vgo.jpg"><font color="#FFFF00">DJ Boy</font></a>
(9/4), <a href="../../genesis/zzMD-InsectorX-photo-01-vgo.jpg">
<font color="#FFFF00">Insector X</font></a> (9/13),
<a href="../../genesis/zzMD-WhipRush2222AD-photo-vgo.jpg"><font color="#FFFF00">
Whip Rush</font></a> (9/25)<font color="#FFFF00"> </font>
<a href="../../genesis/MD-Phelios-vgo.jpg"><font color="#FFFF00">Phelios</font></a>
(10/11),<br>
<font color="#FFFF00"> <a href="../../genesis/zzMD-RainbowIslandsExtra-photo-01-vgo.jpg">
Rainbow Islands Extra</a></font> (10/25)
You will also see when Service Merchandise put me on probation, and then
ultimately fired me a short time later due to missing days (due to getting
mono).
</font>
<font face="Tahoma" size="2">
<a href="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-00-1990cover.jpg">
<img SRC="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-00-1990cover-s.jpg" height=5 width=10></a></font></p>
<center>
<p dir="ltr">
<font face="Tahoma" size="2">
<a href="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-01-January.jpg">
<img SRC="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-01-January-s.jpg" height=150 width=200></a><a href="NPPowerCalendar-00-1990cove.jpg">
</a><a href="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-02-February.jpg">
<img SRC="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-02-February-s.jpg" height=150 width=200></a><a href="NPPowerCalendar-00-1990cove.jpg">
</a><a href="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-03-March.jpg">
<img SRC="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-03-March-s.jpg" height=150 width=200></a>
<a href="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-04-April.jpg">
<img SRC="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-04-April-s.jpg" height=150 width=200></a><br>
<a href="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-05-May.jpg">
<img SRC="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-05-May-s.jpg" height=150 width=200></a>
<a href="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-06-June.jpg">
<img SRC="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-06-June-s.jpg" height=150 width=200></a></font>
<font face="Tahoma" size="2">
<a href="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-07-July.jpg">
<img SRC="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-07-July-s.jpg" height=150 width=200></a>
<a href="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-08-August.jpg">
<img SRC="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-08-August-s.jpg" height=150 width=200></a><br>
<a href="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-09-September.jpg">
<img SRC="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-09-September-s.jpg" height=150 width=200></a>
<a href="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-10-October.jpg">
<img SRC="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-10-October-s.jpg" height=150 width=200></a>
<a href="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-11-November.jpg">
<img SRC="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-11-November-s.jpg" height=150 width=200></a>
<a href="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-12-December.jpg">
<img SRC="Nintendo1990PowerCalendarPersonal/NPPowerCalendar-12-December-s.jpg" height=150 width=200></a></font><br>
<font size="1" color="#FFFF00" face="Tahoma">1990</font></p>
<p dir="ltr">
</p>
</center>
<blockquote>
<blockquote>
<p align="center">
<font face="Tahoma"><font size="2"><font color="#FF5959">My
favorite Christmas.....A Brand New Neo-Geo AES Gold System and Top Player's
Golf!</font> (</font><font size="2" color="#FF0000">December </font>
<font size="2" color="#00FF00">25th</font><font size="2" color="#FF0000">,1990</font><font size="2">)</font></font><font color="#FF5959" size="2" face="Tahoma"><br>
</font><font color="#99FF33" size="2" face="Tahoma">So, to answer some FAQs.
</font><font color="#FF99FF" size="2" face="Tahoma"><b>1.</b></font><font color="#99FF33" size="2" face="Tahoma">
No I was NOT a rich kid, nor did I have rich parents!</font><b><font color="#FF99FF" size="2" face="Tahoma"> 2.</font></b><font color="#99FF33" size="2" face="Tahoma">
My dad did allow me to use his CC# over the phone, to order it, but he would
never have paid that much<br>
for a video game system, and I knew better to ask!
</font><b><font color="#FF99FF" size="2" face="Tahoma">3.
</font></b><font color="#99FF33" size="2" face="Tahoma">I bought the Neo-Geo AES Gold
System (2 arcade 8-way joysticks, and a game (Baseball Stars or NAM-1975), for
$550. <br>
The store also included in a free ($30) MEMORY CARD.</font><font color="#FF99FF" size="2" face="Tahoma">
</font><font color="#99FF33" size="2" face="Tahoma">
<a href="../../../neogeo/neo-scans/Neo-Geo_Gold_System_Sales_Receipt_12-18-1990-vgo.jpg">
<font color="#FF99FF">(Here's a receipt)</font></a><font color="#FF99FF"> </font>
</font><font color="#FF99FF" size="2" face="Tahoma"><b>4.</b></font><font color="#99FF33" size="2" face="Tahoma">
I opened this on XMAS day, 12/25/1990, even though *I* paid for it. I had
ordered it on 12/18, and<br>
received it on 12/20.
Since I had
very few other gifts that year, and it was only a few more days until XMAS, I asked my mom to wrap that up. She also wrapped BBSP separately.</font><b><font color="#FF99FF" size="2" face="Tahoma">
<br>
5.</font><font color="#99CCFF" size="2" face="Tahoma">
</font></b><font color="#00FFFF" size="2" face="Tahoma">I worked VERY hard to
save up money to buy this, and several AES games. I was 18 in 1990, and I worked
a job, at Service Merchandise, as well as on my own, mowing lawns, in the
summer,<br>
and shoveling snow, and snow blowing in the winter.
My brother and I had up to 20 customers at one point. So on a snowy day we'd
have to take care of ALL of those driveways. It was hard, <br>
back-breaking work,
but it was excellent money. We'd get about $20 + tip, on most of those twenty
driveways, which could be around $500 in a single
snowy day! (or nearly 3 AES GAMES)... ;)</font></p>
</blockquote>
</blockquote>
<center>
<p>
<font face="Tahoma">
<font size="2" color="#FFFF00">
<a href="Neo-Geo_Unwrapping_Xmas_1990.png">
<img border="1" src="Neo-Geo_Unwrapping_Xmas_1990-s.png" width="300" height="213"></a></font><font size="2"><font color="#FFFF00">
</font>
<a href="Neo-Geo_BBSP_Unwrapping_Xmas_1990.png">
<font color="#FFFF00">
<img border="1" src="Neo-Geo_BBSP_Unwrapping_Xmas_1990-s.png" width="300" height="213"></font></a><font color="#FFFF00">
</font>
<a href="Neo-Geo_TPG_Unwrapping_Xmas_1990.png">
<font color="#FFFF00">
<img border="1" src="Neo-Geo_TPG_Unwrapping_Xmas_1990-s.png" width="300" height="213"></font></a><font color="#FFFF00"><br>
</font></font><font size="1" color="#FFFF00">1990</font></font></p>
<p>
</p>
<p>
<font face="Tahoma" size="2">
<img SRC="year-1991.png" width="250" height="85"><br>
<font color="#FF5050">NES High Score Sheet from my brother Greg, and I, from
1991<br>
</font><font color="#99FF33">My brother Greg, and I, used to play a lot of NES
games together. One day we decided to keep track of our scores, in an all out
NES game war! This is our story... <br>
or at least a few scores/stages, jotted down on an old sheet of paper.<br>
</font><font color="#00FFFF">Unfortunately, the original sheet of games, before
we started this new one, was lost to time, but this is better than nothing.
Lucky you!. **The front of the page was a Tips & Tricks sheet, given away as a
bonus to Multicart customers.</font></font></p>
<p>
<font size="2" face="Tahoma"><a href="GregMattNESHighScores1991-01.jpg">
<img border="1" src="GregMattNESHighScores1991-01-s.jpg" width="200" height="150"></a>
<a href="GregMattNESHighScores1991-02.jpg">
<img border="1" src="GregMattNESHighScores1991-02-s.jpg" width="200" height="150"></a></font><br>
<font face="Tahoma" size="1" color="#FFFF00">1991</font></p>
<p>
<font face="Tahoma" size="2" color="#FF5050">The "Original NEO-GEO BIGGER,
BADDER, BETTER T-Shirt"" from the SNK Neo-Geo catalog/flyer insert in EGM
Magazine </font><font face="Tahoma" size="2">
<font color="#FF5050">1991 (A slightly different 1992 flyer ad is shown)<br>
</font>
<font color="#99FF33">It seemed like an awesome deal, and the right thing to do
to show off my love of my SNK console.<br>
</font><font color="#00FFFF">Unfortunately, the original sheet of games, before
we started this new one, was lost to time, but this is better than nothing.
Lucky you!. **The front of the page was a Tips & Tricks sheet, given away as a
bonus to Multicart customers.</font></font></p>
<p>
<font size="2" face="Tahoma">
<a href="TopPlayersGolf-Matt_BiggerBadderBetter_Shirt_1991.jpg">
<img border="1" src="TopPlayersGolf-Matt_BiggerBadderBetter_Shirt_1991-300px.jpg" width="300" height="400"></a>
<a href="TopPlayersGolf-Matt_BiggerBadderBetter_Shirt_1991-Ad.jpg">
<img border="1" src="TopPlayersGolf-Matt_BiggerBadderBetter_Shirt_1991-Ad-300px.jpg" width="300" height="400"></a></font><br>
<font face="Tahoma" size="1" color="#FFFF00">1991</font></p>
<p>
</p>
<p>
<font face="Tahoma" size="2">
<br>
<br>
<font color="#FF5050">Here is a complete log of SNES games, which I had rented,
from December 19th, 1991 to August 1993.<br>
</font><font color="#99FF33">I'm not sure why I kept track of them, but I
suppose so it was so I didn't accidentally rent them more than once? Nobody in
their right mind needs to rent R.P.M. Racing, more than once!<br>
</font><font color="#00FFFF">I was able to rent quite a few of these for only $1
each, from our local mom & pop rental store, in Saratoga, NY. They would sell
you a 10 for $10 coupon book. Not a bad deal!</font></font></p>
<p>
<font size="2" face="Tahoma">
<font color="#FFFF00">
<a href="Receipt-SNESGamesRented1991-vgo.jpg">
<img border="1" src="Receipt-SNESGamesRented1991-vgo-s.jpg" width="200" height="150"></a></font></a></font><br>
<font face="Tahoma" size="1" color="#FFFF00">1991</font></p>
<p>
</p>
<p>
<font face="Tahoma" size="2">
<img SRC="year-1992.png" width="250" height="85"><br>
<font color="#FF5050">Compact Disc (CD) Music collection, in our living room. My
favorite room in our old house. This CD collection belonged to my brother and I.
This is around 400 music Compact Discs, and 23 Philips CD-i titles.<br>
How did we amass so many CD's? Skip down a bit for the lowdown! ;)<br>
</font><font color="#99FF33">I first got into listening to CD's in 1986 when I
purchased a Sony DISCMAN. I believe it was $299.99 MSRP, purchased from Service
Merchandise. The manager was really cool and he gave me 10 vouchers for..<br>
"10 FREE CDs with the purchase of any Sony portable DISCMAN player. With no
additional fees, or purchases required". This was a pretty amazing thing! It was
100 free CDs, roughly $1600 worth of music.. for FREE! :)<br>
We were already familiar with the Columbia House CD Club, where you could "8
Compact Discs for the Price of 1 With nothing more to buy ever!", The one
disc you had to buy was usually $16.99 + $4.99 S&H. <br>
So, you were getting 9 CDs for $2.44 each. This was only a deal if you were able
to buy the music you REALLY liked. So, we did this... </font></font><b>
<font face="Tahoma" color="#00FFFF">
1.</font></b><font face="Tahoma" size="2" color="#99FF33"> We called Columbia House's 1-800#, and
we requested a complete CD music catalog of all of their listings. <br>
This included the ever important 5 digit catalog numbers for their THOUSANDS of
music CDs! </font><b>
<font face="Tahoma" color="#00FFFF">
2.</font></b><font face="Tahoma" size="2" color="#99FF33"> As soon as you've
fulfilled your club duties, which in this case was to Buy one CD. So the very
first invoice to buy one CD, we'd pick one that we liked (from the huge catalog
;) enclose a check, and<br>
then, and this is important!, write on the card, PLEASE CANCEL MY MEMBERSHIP, AS
I'VE FULFILLED MY CLUB PURCHASE, THANK YOU, MATT". And that was that. If you
DON'T do that step, get ready to receive unwanted discs in the mail until you
cancel. This is how they make their big money!<br>
A friend of mine used to get in over his head. I remember he had a pile of CDs
that they sent him, and he owed them something like $100+.. They would charge
you $16.99 - $18.99 + $4.99 for each of those discs! Not sending them back
within a short period of time,<br>
meant that you wished to keep them.. Oops!</font><b><font face="Tahoma" color="#00FFFF">
3.</font></b><font face="Tahoma" size="2" color="#99FF33"> We continued joining
again, and getting out, (for those $2.44 CD deals) as much as we liked, and we
collected quite a lot of CDs this way. <br>
</font>
<font face="Tahoma" size="2" color="#00FFFF">
Soon after, in 1986, we got our first component CD player, an Onkyo model. It
had a busted CD tray, which I believe was literally caused by a "fall off the back
of a truck!". He bought it for a song.<br>
Since the CD tray (and gears) were all damaged, my other brother, Greg, and I,
decided to remove the metal housing, and we fitted some cardboard, wrapped in duct
tape (fancy!), with a hinged flap on top, in which to play a disc.<br>
Essentially turning it into a top loader.
This worked out well. Also, upon opening the player, we found a copy of Paul
Simon's Graceland. </font>
<font face="Tahoma" size="2">
<font color="#00FFFF"> <br>
**This photo was developed as a Kodak Photo-CD image, on a disc. As you can see the
quality is actually very nice for 1992.<br>
</font><br>
<font color="#FFFF00">
<a href="Kodak-PCD-1992-12_400-Music-CD-Collection-2048px.png">
<img border="1" src="Kodak-PCD-1992-12_400-Music-CD-Collection-2048px-s.png" width="300" height="200"></a>
<a href="8CDsForThePriceOf1-vgo.png">
<img border="1" src="8CDsForThePriceOf1-vgo-s.png" width="144" height="200"></a></font></font></p>
<p>
</p>
<p>
<font face="Tahoma" size="2">
<img SRC="year-1993.png" width="250" height="85"><br>
<font color="#FF5050">Back again in the living room. The very same room where my
brothers and I first started playing video games, going all the way back to
1977's PONG clone!.<br>
<b>Here is my video game system setup
from 1993.</b><br>
</font><font color="#99FF33">A GRAIL and a FAIL... I purchased both the SNK
Neo-Geo Gold System, as well as the Philips CD-i in December 1990.<br>
The SNES games have been figured out and reprinted in legible text next to the
original titles. This took some time to figure out. A waste of time?... Of
course!<br>
</font><font color="#00FFFF">The brave dog you see posing here is none other
than the world famous Bo! Be sure to check around this
<a href="../../../personal/me/bopics.htm"><font color="#00FFFF">webpage</font></a> for more info and
photos of him. He was an awesome pup! I had Bo from age 13 to age 29!<br>
**This photo was developed as a Kodak Photo-CD image, on a disc, to be played on
compatible systems, such as the Philips CD-i. Original photo, without
enhancements (<a href="Kodak-Photo-CD-1993-Philips-CDi-CD-Collection-DisplayAdded-2048px-orig.png"><font color="#FFFF00">click
here</font></a>)<br>
</font><br>
<font color="#FFFF00">
<a href="Kodak-Photo-CD-1993-Philips-CDi-CD-Collection-DisplayAdded-2048px.jpg">
<img border="1" src="Kodak-Photo-CD-1993-Philips-CDi-CD-Collection-DisplayAdded-2048px-s.jpg" width="300" height="200"></a></font></font><br>
<font face="Tahoma" size="1" color="#FFFF00">1993</font></p>
<p>
</p>
<p>
<font face="Tahoma" size="2" color="#FF5050">My Video Game Magazine Collection
as of March 3rd, 1993.<br>
</font>
<font face="Tahoma" size="2">
<font color="#99FF33">This is also from an old Photo-CD image from 03/03/1993
(according to the PCD date).<br>
</font><font color="#00FFFF">The oldest magazine here is a
<a href="../../mags/ElectronicGames80s/index.htm"><font color="#00FFFF">March
1983 issue of Electronic Games magazine</font></a>. This was the very first all
video game magazine that my brother and I owned. <br>
We bought it from a Babbage's store in Texas while visiting from relatives. The
newest magazines in this photo would be: EGM #44 (March 1993), DHGF Vol 1
/ Iss 4 (April 1993), and Nintendo Power #46 (March 1993).<br>
</font><br>
<font color="#FFFF00">
<a href="Video-Game-Magazine-Collection-1993-05-05-vgo.png">
<img border="1" src="Video-Game-Magazine-Collection-1993-05-05-vgo-s.png" width="300" height="200"></a></font></font><br>
<font face="Tahoma" size="1" color="#FFFF00">1993</font></p>
<p>
</p>
<p>
<font face="Tahoma" size="2">
<img SRC="year-1994.png" width="250" height="85"><br>
<font color="#FF5050">Here is my PC setup from 1991-1994 :)<br>
</font><font color="#99FF33">It's a IBM clone PC tower, with a 486 DX2 66MHz,
upgraded to 16MB of RAM (cost me $600 at the time, but I needed it for
CorelDraw!).<br>
</font><font color="#00FFFF">The sound card is a Sound Blaster AWE32. The modem
is a 56K Sportster, which I would upgrade in 1996 to Road Runner Broadband
Internet (beta) + PCI NIC. </font></font></p>
<p dir="ltr">
<font size="2" face="Tahoma"><a href="collection-photos/PCSetup-1994-vgo.jpg">
<img border="1" src="collection-photos/PCSetup-1994-vgo-s.jpg" width="300" height="200"></a></font><br>
<font face="Tahoma" size="1" color="#FFFF00">1994</font></p>
<p>
</p>
<p>
<font face="Tahoma" size="2">
<img SRC="year-1998.png" width="250" height="85"><br>
<font color="#FF5050">This was my basement video game setup from about 1994 -
2002. I had roughly 22 video game consoles connected to a single 35" CRT. Many
of them were connected via Svideo. <br>
</font><font color="#99FF33">The following photo was sourced from my old
Personal Webpage, dated 1998. It's entitled "Matt's Budget Audio Videophile
Webpage".<br>
It shows some of the deals I had found, both on the net, and at a local store,
called Hippos. <br>
</font></font><font face="Tahoma" size="2" color="#00FFFF">I had spent quite a
bit of time looking for deals for A/V equipment, in which to populate my video
game consoles with. I knew I needed a large CRT, for those 4 player split screen
games!<br>
Svideo was also a must. I found a great deal with the JVC CRT, which I really
loved. It made games, such as Mario Kart 64, and GoldenEye, such a blast to play
with my good friends. It was also perfect for some Virtua Tennis on the
Dreamcast too.</font></p>
<p dir="ltr">
<font size="2" face="Tahoma">
<a href="Matts-Budget-Audio-Videophile-Webpage-from-1998.png">
<img border="1" src="Matts-Budget-Audio-Videophile-Webpage-from-1998-s.png" width="200" height="269"></a></font><br>
<font face="Tahoma" size="1" color="#FFFF00">1998</font></p>
<p>
</p>
<p>
<font face="Tahoma" size="2">
<img SRC="year-2000.png" height=85 width=250><img SRC="year-TO.png" height=11 width=20> <img SRC="year-2001.png" height=85 width=250></font></p>
<p>
<font size="2" face="Tahoma"><font color="#FF5959">My gaming setup from 2000 -
2001</font><br>
<font color="#95FF62">18 Systems connected to a single 35" JVC CRT, model
(AV-35750), connected through two RCA VH920 powered S-video switchers</font><br>
<font color="#99CCFF"><a href="VideoGameRack-MapPlans2000.jpg">
<font color="#00FFFF">Here are the plans</font></a></font><font color="#00FFFF">
of the "VGO Rack Setup", made during some downtime, while working at Babbage's.</font></font></p>
<p dir="ltr">
<font size="2" face="Tahoma">
<a href="collection-photos/VGO-18systems1TV.jpg">
<img border="1" src="collection-photos/VGO-18systems1TV-s.jpg" width="300" height="239"></a></font><br>
<font face="Tahoma" size="1" color="#FFFF00">2000 - 2001</font><font color="#00FFFF" size="2" face="Tahoma">
</font>
</p>
<p>
<font size="2" face="Tahoma">
<a href="collection-photos/Daggz_Gameroom2001.png">
<img border="1" src="collection-photos/Daggz_Gameroom2001-600px.png" width="600" height="223"></a></font><br>
<font face="Tahoma" size="1" color="#FFFF00">2000 - 2001</font><font color="#00FFFF" size="2" face="Tahoma"><br>
</font>
<font size="2" face="Tahoma"><br>
</font></p>
<p>
</p>
<p>
<font face="Tahoma" size="2">
<img SRC="year-2002.png" height=85 width=250></font></p>
<p>
<font size="2" face="Tahoma"><font color="#FF5959">My living room console gaming setup
from 2002. The second picture also includes labels for back-up methods & devices.</font><br>
<font color="#95FF62">18 Systems, via two 6x port RCA VH920 powered S-video
switchers and connected to my JVC 35" CRT, model (AV-35750).</font><br>
<font color="#99CCFF">Pretty much the same setup from above, but moved into a
new house, out from the basement. </font><br>
<br>
<a href="GamingSetup-2002-vgo.png">
<img border="1" src="GamingSetup-2002-vgo-s.png" width="300" height="200"></a>
<a href="GamingSetup-2002-ShowingModsAndCopiers-vgo.png">
<img border="1" src="GamingSetup-2002-ShowingModsAndCopiers-vgo-s.png" width="300" height="200"></a></font><br>
<font face="Tahoma" size="1" color="#FFFF00">2002</font></p>
<p>
</p>
<p>
<font face="Tahoma" size="2">
<img SRC="year-2008.png" width="250" height="85"></font></p>
<p>
<font size="2" face="Tahoma"><font color="#FF5959">My (Living Room) console gaming setup
from 2008.</font><br>
<font color="#95FF62">We had recently moved into a new apartment, and this is
the start of reassembling my original setup, which I had to dissemble in
September of 2004.</font><br>
<font color="#99CCFF">I was slowly bringing all of my collection, from a large
house, with full basement, to a much smaller apartment, with no suitable
basement. So this was certainly a challenge to<br>
get everything to fit. As of 2022 I still have not set up my N64... I know... I
know..</font><br>
<br>
<a href="collection-photos/livingroom_02-2008.jpg">
<img border="1" src="collection-photos/livingroom_02-2008-s.jpg" width="300" height="225"></a> </font><br>
<font face="Tahoma" size="1" color="#FFFF00">2008</font></p>
<p>
</p>
<p>
</p>
<p dir="ltr">
<font face="Tahoma" size="2">
<img border="0" src="year-2021.png" width="250" height="85"></font><p dir="ltr">
<font size="2" face="Tahoma"><font color="#FF5959">I've finally taken the step
to put my cardboard boxed games into clear box protectors.</font><br>
<font color="#95FF62">It's a pricey decision, but considering the value some of
these boxed, CIB, and factory sealed games, are going for, I think it's wise to
invest into them.</font><br>
<font color="#99CCFF">I've started with my GB/GBC/GBA boxes. I think they look a
bit nicer than my previous method, of putting them into 5" CD jewel case
cellophane baggies. Some day I'll add pictures of the complete collections in
these.</font></font><p>
<font size="2" face="Tahoma"><a href="BoxProtectors-175-2021-07_01.jpg">
<img border="1" src="BoxProtectors-175-2021-07_01-s.jpg" width="200" height="150"></a>
<a href="BoxProtectors-175-2021-07_02.jpg">
<img border="1" src="BoxProtectors-175-2021-07_02-s.jpg" width="200" height="150"></a>
<a href="BoxProtectorsBeforeAfter.jpg">
<img border="1" src="BoxProtectorsBeforeAfter-s.jpg" width="200" height="150"></a></font><br>
<font face="Tahoma" size="1" color="#FFFF00">2021</font></p>
<p>
</p>
<p>
<br>
<br>
<br>
<img border="0" src="../../../VGO_20th_Anniversary/mario.gif" width="48" height="108"><img border="0" src="../../../VGO_20th_Anniversary/anigrass.gif" width="130" height="41"><font face="Tahoma" size="2"><img border="0" src="zzLogo-VGO_In_The_Media.png" width="532" height="103"></font><img border="0" src="../../../VGO_20th_Anniversary/koopa.gif" width="51" height="73"><img border="0" src="../../../VGO_20th_Anniversary/flagwave.gif" width="102" height="132"><br>
<img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><font face="Tahoma" size="2"><br>
=-= Here are some various magazine interviews and other related stuff =-=
</font>
</p>
<p>
<p>
<font face="Tahoma" size="2">
<img border="0" src="year-1990.png" width="250" height="85"></font><p>
<table border="0" cellpadding="10" cellspacing="0" style="border-collapse: collapse" width="39%">
<tr>
<td width="101%" colspan="2" align="center">
<font size="2" face="Tahoma" color="#FFFF00">Here's a letter of an Easter
egg/trick that I submitted to
<a href="../../mags/vg&ce/index.htm"><font color="#CC3399">Video Games & Computer Entertainment
Magazine</font></a><font color="#6699FF"> in January 1990</font>. To my surprise
they actually printed it in their April 1990 issue! The trick allows you to play a single screen version of
<a href="../../sms/SMS-FantasyZoneII-vgo.jpg"><font color="#FF9999">Fantasy Zone</font></a>
within <a href="../../genesis/GEN-ArnoldPalmerGolf-vgo.jpg">
<font color="#00FF00">Arnold Palmer's Tournament Golf</font></a> for the
<a href="../../genesis/index.htm"><font color="#9933FF">Sega Genesis</font></a>.
I was pretty amazed to see this pop up in the game, and even more surprised
to see it show up in the magazine. They also sent me a check for $20 for
sending the trick in and having it published in their magazine.
</font></td>
</tr>
<tr>
<td width="34%" align="center"><font face="Tahoma" size="2">
<a href="VG&CE15_April1990-ArnoldPalmerTournamentGolfTrick-original-letter-vgo.jpg">
<img border="1" src="VG&CE15_April1990-ArnoldPalmerTournamentGolfTrick-original-letter-vgo-s.jpg" width="209" height="271"></a></font></td>
<td width="66%" align="center"><font face="Tahoma" size="2">
<a href="VG&CE15_April1990-ArnoldPalmerTournamentGolfTrick-vgo.jpg">
<img border="1" src="VG&CE15_April1990-ArnoldPalmerTournamentGolfTrick-vgo-s.jpg" width="400" height="271"></a></font></td>
</tr>
<tr>
<td width="34%" align="center"><font size="2" face="Tahoma" color="#00FFFF">
Letter from January 1990</font></td>
<td width="66%" align="center"><font size="2" face="Tahoma" color="#00FFFF">
Printed in VG&CE - April 1990 Issue</font></td>
</tr>
</table>
<p dir="ltr">
<font size="2" face="Tahoma" color="#00FFFF"> </font><p>
<font face="Tahoma" size="2">
<img border="0" src="year-2007.png" width="250" height="85"></font><p>
<font size="2" face="Tahoma" color="#FFFF00">Video Game Collector
Issue #9<br>
(Collector
Spotlight Interview)<br>
<br>
</font><font size="2" face="Tahoma"><a href="MAG-VideoGameCollector-9.jpg">
<img border="1" src="MAG-VideoGameCollector-9-s.jpg" width="300" height="391"></a>
<a href="MAG-VideoGameCollector-9[CS]300dpi.jpg">
<img border="1" src="MAG-VideoGameCollector-9[CS]-s.jpg" width="288" height="390"></a><br>
</font><font face="Tahoma" color="#00FFFF" size="2">Spring 2007 <font color="#FFFF00">
<a href="MAG-VideoGameCollector-9[CS]300dpi(proper).jpg"><font color="#FFFF00">
Version with better resolution photos</font></a></font></font><p>
<p dir="ltr">
<font face="Tahoma" size="2">
<img border="0" src="year-2018.png" width="250" height="85"></font><p dir="ltr">
<font face="Tahoma" color="#FFFF00" size="2">Games TM "THE GBA COLLECTOR"
Interview<br>
<br>
</font><font face="Tahoma"><a href="MAG-GamesTM-203-MattHenzelGBA-vgo-01.jpg">
<font size="2">
<img border="1" src="MAG-GamesTM-203-MattHenzelGBA-vgo-01-s.jpg" width="200" height="262"></font></a><font size="2">
<a href="MAG-GamesTM-203-MattHenzelGBA-vgo-02.jpg">
<img border="1" src="MAG-GamesTM-203-MattHenzelGBA-vgo-02-s.jpg" width="200" height="262"></a><br>
</font></font><font size="2" face="Tahoma" color="#00FFFF">October 2018</font><p dir="ltr">
<p dir="ltr">
<font size="2" face="Tahoma" color="#FFFF00">Game On (Super Mario Odyssey) "Meet
the Superfan" article. <br>
They gave me Dragon Ball Z hair. :P<br>
<br>
</font><font face="Tahoma" size="2">
<a href="GameOn!-SuperMarioOdyssey-MattHenzel_Interview_April_2018-01.jpg">
<img border="1" src="GameOn!-SuperMarioOdyssey-MattHenzel_Interview_April_2018-01-s.jpg" width="400" height="246"></a>
<a href="GameOn!-SuperMarioOdyssey-MattHenzel_Interview_April_2018-02.jpg">
<img border="1" src="GameOn!-SuperMarioOdyssey-MattHenzel_Interview_April_2018-02-s.jpg" width="400" height="246"></a><br>
</font><font size="2" face="Tahoma" color="#00FFFF">April 2018</font><p dir="ltr">
<p dir="ltr">
<font face="Tahoma" size="2">
<img border="0" src="year-2019.png" width="250" height="85"></font><p dir="ltr">
<font face="Tahoma" color="#FFFF00" size="2">Retro Gamer Magazine (#199)
Collector Corner<br>
<br>
</font>
<font size="2" face="Tahoma">
<a href="RetroGamer199-MattHenzel_CollectorCorner-October2019-vgo-cover.jpg">
<img border="1" src="RetroGamer199-MattHenzel_CollectorCorner-October2019-vgo-cover-s.jpg" width="201" height="259"></a>
<a href="RetroGamer199-MattHenzel_CollectorCorner-October2019-vgo.jpg">
<img border="1" src="RetroGamer199-MattHenzel_CollectorCorner-October2019-vgo-s.jpg" width="400" height="259"></a><br>
</font><font size="2" face="Tahoma" color="#00FFFF">October 2019</font><p dir="ltr">
<p dir="ltr">
<font face="Tahoma" size="2">
<img border="0" src="year-2022.png" width="250" height="85"></font><p dir="ltr">
<font face="Tahoma" color="#FFFF00" size="2">Photo of my 11th Birthday "Pac-Man
Party", thrown by my mother, (Marla Henzel), printed in the Pac-Man: Birth of an
Icon book (2022)<br>
</font>
<br>
<font size="2" face="Tahoma">
<a href="PacManBirthOfAnIcon-01.jpg">
<img border="1" src="PacManBirthOfAnIcon-01-s.jpg" width="300" height="225"></a>
<a href="PacManBirthOfAnIcon-02.jpg">
<img border="1" src="PacManBirthOfAnIcon-02-s.jpg" width="300" height="225"></a></font><br>
<font face="Tahoma" size="2" color="#00FFFF">January 2022</font><p dir="ltr">
<p dir="ltr">
<font face="Tahoma" size="2">
<img border="0" src="year-2023.png" width="250" height="85"></font><p dir="ltr">
<font face="Tahoma" size="2" color="#FFFF00">My
<a href="http://www.videogameobsession.com/videogame/merchandise/tshirts/#ZeldaBlanket">
<font color="#CCCC00">Homemade Legend of Zelda Fleece
Blanket</font></a> was printed in the new Gamemaster: Classified sbook, by
Matthew Taranto and Howard Phillips. (2023).<br>
Here is a copy of the email I sent to him on April 2022:<br>
</font><table border="0" cellpadding="15" cellspacing="0" style="border-collapse: collapse" width="23%" bgcolor="#FFFFE1">
<tr>
<td width="100%">
<p dir="ltr"><font color="#000000">
<font face="Courier" size="1"><br>
Apr 30, 2022, at 6:29 PM, Matt Henzel <@gmail.com><br>
</font>
<font face="Tahoma"><br>
<font size="2">Hey Matthew,<br>
<br>
I'm not sure if this is something that you could use in your book, but if,
so I'd love to see it in there. I'm a KS backer, and can't wait to see how
it turns out. <br>
<br>
Back when <a href="../../mags/ninpow/ninpower.htm"><font color="#0000FF">
Nintendo Power</font></a> was about to wrap up, I made a 50x60" fleece
blanket from an edited scan that I had made of the Zelda issue (<a href="../../mags/ninpow/index.htm"><font color="#9933FF">Fall
1987 Nintendo Fun Club News</font></a></font></font></font><font face="Tahoma"><font color="#9933FF" size="2">).
</font><font size="2" color="#000000">It was one of my favorite
<a href="../../mags/index.htm">video game magazines</a> as a kid. I'm a
lifelong fan of both FCN and NP (and Howard is awesome too of course). <br>
<br>
I've been subbed since issue #1 of FCN, and had been subscribed until Oct
2016, which as you know, is a few years after they stopped production,
(Future actually sent me a
<a href="../../mags/ninpow/NintendoPower$69_RefundFromFuture.jpg">
<font color="#D99300">refund check</font></a> for the remaining issues,
which was nice of them). <br>
<br>
Anyway, I sent these photos to Nintendo Power, and I was told that they
would have printed them if they had the time, but they already had the final
issue wrapped up by then.
<a href="http://www.videogameobsession.com/videogame/merchandise/tshirts/#ZeldaBlanket">So here are the photos</a>. I know it's not as impressive as most other
submissions, I'm sure. The hardest part was creating<a href="../../merchandise/tshirts/Blanket-NFCN_Zelda_modified-vgo.gif"><font color="#339933">
Link's Sword handle</font></a>, and removing some text, as I'm not an
artist! It's far from perfect, but the blanket texture helps hide it.<br>
<br>
Thanks!<br>
Matt</font></font></td>
</tr>
</table>
<p dir="ltr">
<br>
<font size="2" face="Tahoma">
<a href="book-GamemasterClassified-HowardPhillips-01.jpg">
<img border="1" src="book-GamemasterClassified-HowardPhillips-01-s.jpg" width="300" height="225"></a>
<a href="book-GamemasterClassified-HowardPhillips-10.jpg">
<img border="1" src="book-GamemasterClassified-HowardPhillips-10-s.jpg" width="300" height="225"></a></font><br>
<font face="Tahoma" size="2" color="#00FFFF">April 26th, 2023<br>
<br>
</font><table COLS=5 WIDTH="600" style="border-collapse: collapse" cellpadding="10" border="1" bordercolor="#FFFF00" cellspacing="0" height="65" >
<tr>
<td dir="ltr" colspan="3" height="16">
<p align="center"><font face="Tahoma" size="2" color="#95FF62">Extra Photos</font></td>
</tr>
<tr>
<td width="434" dir="ltr" height="8"><font face="Arial"><font size="1">
<a name="ZeldaBlanket"></a></font>Custom made 50" x 60" Fleece
Blanket.<br>
<font color="#00FFFF" size="2">
<i>Warm fuzzy memories + warm fuzzy blanket.. <br>
A great combination! </i></font>2010</font></td>
<td width="301" align="center" dir="ltr" height="8"><font face="Arial">
<a href="../../merchandise/tshirts/Blanket-Zelda-02-vgo.jpg">
<img border="0" src="../../merchandise/tshirts/Blanket-NFCN_Zelda_modified-s-vgo.png" width="300" height="100"></a></font></td>
<td align="center" height="8" width="140" dir="ltr">
<p dir="ltr"><font face="Arial">
<a href="../../merchandise/tshirts/Blanket-Zelda-01-vgo.jpg">
<font size="2" color="#CCCC00">1</font></a><font size="2">-<a href="../../merchandise/tshirts/Blanket-Zelda-02-vgo.jpg"><font color="#CCCC00">2</font></a>-<a href="../../merchandise/tshirts/Blanket-Zelda-03-vgo.jpg"><font color="#CCCC00">3</font></a>-<a href="../../merchandise/tshirts/Blanket-Zelda-04-vgo.jpg"><font color="#CCCC00">4</font></a></font></font><font size="2" color="#CCCC00"><br>
</font>
<font size="2">
<a href="../../merchandise/tshirts/Blanket-Zelda-vgo-before_after.jpg">
<font color="#CCCC00">Before&After</font></a></font><font color="#CCCC00" size="2"><br>
</font>
<font size="2">
<a href="../../merchandise/tshirts/Blanket-NFCN_Zelda_modified-vgo.jpg">
<font color="#CCCC00">Final Image</font></a></font><font color="#CCCC00" size="2"><br>
</font>
<font size="2">
<a href="../../merchandise/tshirts/Blanket-NFCN_Zelda_modified-vgo.gif">
<font color="#CCCC00">Comparison</font></a></font><font color="#CCCC00" size="2"><br>
</font>
<font size="2">
<a href="../../merchandise/tshirts/Blanket-Zelda-ItsDangerousToGoAlone-vgo.png">
<font color="#CCCC00">It's Dangerous!</font></a></font></td>
</tr>
</table>
<p dir="ltr">
<p dir="ltr">
<font face="Tahoma" size="2" color="#00FFFF"><br>
</font><font size="2" face="Tahoma">
<br>
</font>
<img border="0" src="../../../VGO_20th_Anniversary/mario.gif" width="48" height="108"><font size="2" face="Tahoma"><img border="0" src="zzLogo-VGO_In_The_Credits-vgo.png" width="552" height="103"></font><img border="0" src="../../../VGO_20th_Anniversary/flagwave.gif" width="102" height="132"><img border="0" src="../../../VGO_20th_Anniversary/flagwave.gif" width="102" height="132"><br>
<img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><font face="Tahoma" size="2"><br>
=-= Here are some various magazine interviews and other related stuff =-=
</font>
<br>
<p>
<font size="2" face="Tahoma" color="#00FFFF"><br>
</font><p>
<font face="Tahoma" size="2">
<img border="0" src="year-2001.png" width="250" height="85"></font><p>
<font face="Tahoma" size="2">
<a href="http://www.videogameobsession.com/videogame/mags/books/highscore/">
<img border="0" src="HighScore-logo.png" width="300" height="116"></a></font><p>
<font face="Tahoma" size="2" color="#FFFF00"><b>HIGHSCORE: The Illustrated
History of Electronic Games -</b> by Rusel DeMaria </font>
<a href="http://www.videogameobsession.com/videogame/mags/books/highscore/">
<font face="Tahoma" size="2" color="#00FFFF">More photos and info here.</font></a><font face="Tahoma" size="2" color="#FFFF00">.<br>
(I submitted 1,000+ video game box, flyers, magazine covers, Hundreds of game
screenshots, game info, suggestions, and photos of game systems to Rusel)<br>
<br>
</font>
<font face="Tahoma" size="2"><a href="HighScoreBook1.png">
<img border="1" src="HighScoreBook1-s.png" width="200" height="158"></a>
<a href="HighScoreBook2.png">
<img border="1" src="HighScoreBook2-s.png" width="200" height="158"></a>
<a href="HighScoreBookcredits1.png">
<img border="1" src="HighScoreBookcredits1-s.png" width="200" height="158"></a>
<a href="HighScoreBookcredits2.png">
<img border="1" src="HighScoreBookcredits2-s.png" width="200" height="158"></a><br>
<a href="http://www.videogameobsession.com/videogame/mags/books/highscore/HighScore07.jpg">
<img border="1" src="http://www.videogameobsession.com/videogame/mags/books/highscore/HighScore07-s.jpg" width="200" height="157"></a>
<a href="http://www.videogameobsession.com/videogame/mags/books/highscore/HighScore09.jpg">
<img border="1" src="http://www.videogameobsession.com/videogame/mags/books/highscore/HighScore09-s.jpg" width="200" height="163"></a>
<a href="http://www.videogameobsession.com/videogame/mags/books/highscore/HighScore13.jpg">
<img border="1" src="http://www.videogameobsession.com/videogame/mags/books/highscore/HighScore13-s.jpg" width="200" height="159"></a>
<a href="http://www.videogameobsession.com/videogame/mags/books/highscore/HighScore15.jpg">
<img border="1" src="http://www.videogameobsession.com/videogame/mags/books/highscore/HighScore15-s.jpg" width="200" height="157"></a><br>
<font color="#00FFFF">2001-2002</font></font><p>
<p dir="rtl">
<font face="Tahoma" size="2">
<img border="0" src="year-2004.png" width="250" height="85"></font><p>
<font size="2" face="Tahoma" color="#FFFF00">Credit from 'The Video Game
Revolution' <br>
<a href="https://youtu.be/5Ll1hfvvBag?t=6952">DVD Video</a> ~/~
<a href="https://www.pbs.org/kcts/videogamerevolution/about/credits.html">
Credits on PBS Webpage</a><br>
<br>
</font><font face="Tahoma" size="2"><a href="VGO-Video_Game_Revolution-snap.jpg">
<img border="1" src="VGO-Video_Game_Revolution-snap-s.jpg" width="400" height="267"></a>
<a href="VGO-Video_Game_Revolution-web2.png">
<img border="1" src="VGO-Video_Game_Revolution-web-s.jpg" width="400" height="267"></a><br>
</font><font size="2" face="Tahoma" color="#00FFFF">2004</font><p>
<p>
<font face="Tahoma" size="2">
<img border="0" src="year-2009.png" width="250" height="85"></font><p dir="rtl">
<font size="2" face="Tahoma" color="#FFFF00">Credit from
<a href="https://youtu.be/PBro7r2tJDI?t=251">Rise of Nintendo</a><font color="#FFFF00">
</font>from PlayValue/OnNetworks<br>
(Multiple episodes)<br>
</font><font size="2" face="Tahoma"><br>
<a href="VGO-Rise_Of_Nintendo_Creds_OnNetworks.jpg">
<img border="1" src="VGO-Rise_Of_Nintendo_Creds_OnNetworks-s.jpg" width="200" height="138"></a><br>
</font><font size="2" face="Tahoma" color="#00FFFF">2009</font><p dir="rtl">
<p>
<font face="Tahoma" size="2">
<img border="0" src="year-2010.png" width="250" height="85"></font><p>
<font size="2" face="Tahoma" color="#FFFF00">German <a href="https://www.chip.de/">
video game magazine CHIP</a>.<br>
(I submitted photos of the Dr. Boy + information for their article)<br>
<br>
</font>
<font face="Tahoma" size="2"><a href="VGO-CHIP_March_2010_VGO.jpg">
<img border="1" src="VGO-CHIP_March_2010_VGO-s.jpg" width="200" height="140"></a> <br>
</font><font size="2" face="Tahoma" color="#00FFFF">March 2010</font><p>
<p>
<font face="Tahoma" size="2">
<img border="0" src="year-2015.png" width="250" height="85"></font><p>
<font face="Tahoma" color="#FFFF00"><font size="2">Credit from
<a href="https://www.youtube.com/results?search_query=Double+Fine's+Massive+Knowledge">
Double Fine's Massive Knowledge</a><font color="#FFFF00"> </font>
</font><font size="2" color="#FFFF00">(Multiple episodes)</font><font size="2"><br>
</font>
</font><font face="Tahoma" size="2"><br>
<a href="VGO-DoubleFine-Massive_Knowledge_credits_06-2015_01.png">
<img border="1" src="VGO-DoubleFine-Massive_Knowledge_credits_06-2015_01-s.png" width="200" height="125"></a><a href="VGO-DoubleFine-Massive_Knowledge_credits_06-2015_02.png"><img border="1" src="VGO-DoubleFine-Massive_Knowledge_credits_06-2015_02-s.png" width="200" height="125"></a><a href="VGO-DoubleFine-Massive_Knowledge_credits_06-2015_03.png"><img border="1" src="VGO-DoubleFine-Massive_Knowledge_credits_06-2015_03-s.png" width="200" height="125"></a><br>
</font><font size="2" face="Tahoma" color="#00FFFF">June 2015</font><p>
<p>
<font face="Tahoma" color="#FFFF00"><font size="2">Credit from Retroware's
<a href="https://youtu.be/3N3ZvG3JUTg?list=PLF9787D34045A6C53&t=2">The Video
Game Years</a><font color="#FFFF00"> </font>
</font><font size="2" color="#FFFF00">(Multiple episodes)</font><font size="2"><br>
</font>
</font><font face="Tahoma" size="2"><br>
<a href="VGO-RetroWare_VGO_credit.png">
<img border="1" src="VGO-RetroWare_VGO_credit-s.png" width="200" height="125"></a><a href="VGO-RetroWare_VGO_credit2.png"><img border="1" src="VGO-RetroWare_VGO_credit2-s.png" width="200" height="125"></a><br>
</font><font size="2" face="Tahoma" color="#00FFFF">June 2015</font><p>
<p>
<font face="Tahoma" size="2">
<img border="0" src="year-2017.png" width="250" height="85"></font><p>
<font size="2" face="Tahoma" color="#FFFF00">Credit from the excellent YouTube channel<br>
<a href="https://www.youtube.com/channel/UC2i64jLboyVFZwwO6UCKZ6g">Classic
Gaming Quarterly</a><br>
<a href="https://www.youtube.com/channel/UC2i64jLboyVFZwwO6UCKZ6g"> </a><br>
</font><font face="Tahoma" size="2"><a href="VGO-ClassicGamingQuarterly-VGO_Credit_20170606.jpg">
<img border="1" src="VGO-ClassicGamingQuarterly-VGO_Credit_20170606-s.jpg" width="200" height="149"></a> <br>
</font><font size="2" face="Tahoma" color="#00FFFF">June 6th, 2017</font><p>
<p>
<font face="Tahoma" size="2">
<img border="0" src="year-2018.png" width="250" height="85"></font><p>
<font face="Tahoma" size="2" color="#FFFF00">SNES Omnibus Volume 1 A-M - Brett
Weiss
<a href="https://www.amazon.com/SNES-Omnibus-Super-Nintendo-M/dp/0764355325">
<font color="#00FFFF">Copies available for purchase here</font></a>!<br>
(I sent various SNES box cover scans, + submitted Insider Insight
for
</font>
<a href="../../snes/zzNES-ContraIII-CIB-photo-01-vgo.jpg">
<font face="Tahoma" size="2" color="#00FFFF">Contra III: The Alien Wars</font></a><font face="Tahoma" size="2" color="#FFFF00">)<br>
<br>
</font>
<font face="Tahoma" size="2"><a href="book-SNESOmnibusA-M-vgo-01.jpg">
<img border="1" src="book-SNESOmnibusA-M-vgo-01-s.jpg" width="117" height="150"></a>
<a href="book-SNESOmnibusA-M-vgo-02.jpg">
<img border="1" src="book-SNESOmnibusA-M-vgo-02-s.jpg" width="200" height="150"></a>
<a href="book-SNESOmnibusA-M-vgo-03.jpg">
<img border="1" src="book-SNESOmnibusA-M-vgo-03-s.jpg" width="200" height="150"></a>
<a href="book-SNESOmnibusA-M-vgo-04.jpg">
<img border="1" src="book-SNESOmnibusA-M-vgo-04-s.jpg" width="200" height="150"></a>
<a href="book-SNESOmnibusA-M-vgo-05.jpg">
<img border="1" src="book-SNESOmnibusA-M-vgo-05-s.jpg" width="200" height="150"></a>
<a href="book-SNESOmnibusA-M-vgo-06.jpg">
<img border="1" src="book-SNESOmnibusA-M-vgo-06-s.jpg" width="200" height="150"></a><br>
</font><font face="Tahoma" size="2" color="#00FFFF">July 2018</font><p>
<p>
<font face="Tahoma" size="2">
<img border="0" src="year-2022.png" width="250" height="85"></font><p>
<font face="Tahoma" size="2" color="#FFFF00">NES Omnibus Volume 2 M-Z - Brett
Weiss
<a href="https://brettweiss.square.site/product/pre-order-the-nes-omnibus-the-nintendo-entertainment-system-and-its-games-volume-2-m-z-/7?cs=true&cst=custom">
<font color="#00FFFF">Copies available for purchase here</font></a>!<br>
(I sent various box, and Nintendo Power cover scans, + submitted Insider Insight
for
<a href="http://www.videogameobsession.com/videogame/nesboxes/zzNES-TrackAndFieldAndTrackAndFieldII-CIB-vgo-01.jpg">
<font color="#00FFFF">Track & Field</font></a>)<br>
<br>
</font>
<font face="Tahoma" size="2"><a href="book-NESOmnibusVolume2-vgo-01.jpg">
<img border="1" src="book-NESOmnibusVolume2-vgo-01-s.jpg" width="200" height="264"></a>
<a href="book-NESOmnibusVolume2-vgo-02.png">
<img border="1" src="book-NESOmnibusVolume2-vgo-02-s.png" width="200" height="266"></a>
<a href="book-NESOmnibusVolume2-vgo-03.png">
<img border="1" src="book-NESOmnibusVolume2-vgo-03-s.png" width="200" height="266"></a> <br>
</font><font face="Tahoma" size="2" color="#00FFFF">January 2022</font><p dir="ltr"> </p>
<p dir="ltr"> </p>
<p>
<img border="0" src="../../../VGO_20th_Anniversary/mario.gif" width="48" height="108"><img border="0" src="../../../VGO_20th_Anniversary/anigrass.gif" width="130" height="41"><font size="2" face="Tahoma"><img border="0" src="zzlogo-OldCollectionPhotos.png" width="473" height="39"></font><img border="0" src="../../../VGO_20th_Anniversary/anigrass.gif" width="130" height="41"><img border="0" src="../../../VGO_20th_Anniversary/flagwave.gif" width="102" height="132"><br>
<img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><img border="0" src="../../../VGO_20th_Anniversary/brick.png" width="51" height="51"><p>
<p>
<p>
<font face="Tahoma" size="2">
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Origins Timeline of a Diehard Gamer - VGO
 
 
   
 
PRESS PLAY ON TAPE
...CLICK!
I was born in 1972, with a video game controller in my hand.
1 9 7 2 . . . The year of the first home video game console... the year of baby VGO.
I will continuously update this page to include anything, and everything, from
my personal journey with video gaming.
I've been playing video games since 1978 (age 5), and buying/collecting video
games since 1982 (age 9), with the ColecoVision. More to come. Please check back
often, and tell your friends!
[](VGO-Baby1972.png)
Our very first game console was the
WONDER WIZARD SHARP SHOOTER.
It was an XMAS gift for my
brother Greg, but it was more of a family gift which we all enjoyed playing. The
(very realistic looking) gun was a bit strange. It would often register no
matter where it was pointed.
I recall my mom having fun with that, pretending she was pulling off trick shots
off of the living room mirror!
Also received that year was
DIGITAL DERBY by TOMY. That crashing sound effect was horrible and will forever
be burned into my memory.
[](1978-WonderWizardSharpShooterDDerby-vgo-01.jpg)
[](1978-WonderWizardSharpShooterDDerby-vgo-02.jpg)
1978
Here's an old drawing of Pac-Man,
that I made in 4th grade. I was 9 years old.
I actually got in trouble for drawing this in class! The
teacher actually made me write "*I will not draw pictures of video games in
class*" 50 times! I obviously learned nothing from that.
(see my
[SMB pic](SuperMarioBros1986DrawingByMHenzel-DX.gif) from 7th grade) ;)
[](pac-man_2nd_grade_by_matt_1981.jpg)
1981
This is an old photo, from 1983 (As it says above!). From
left to right, we have ME (Matt), Anthony G. (our friend), and my older brother
(Greg). You can also see the Family Truckster in the background. Classic!
My parents bought us these awesome video game
tshirts. I'm wearing the PAC-MAN shirt, and Greg is wearing what looks like an
ATARIAN shirt. If anyone knows what this is, send me an
[email](mailto:[email protected]?subject=VGO Inquiry).
I posted this on
social media a couple years ago, and everyone was saying it looked like it was
out of STRANGER THINGS... So I added the title to it. This will probably make no
sense when people forget what that show was. It may not make any sense now.
[](StrangerThingsVideoGameShirtsPorch1983.png)
1983
Here we have a PAC-MAN BIRTHDAY PARTY, thrown by my mom.
She didn't do what a lot of people do and cut out the first slice to make PAC-MAN's
mouth.. More cake for me! :)
My friend's and I all had some awesome "goodie
bags" waiting for us. They included some most excellent PAC items, such as
pencils, balloons, stickers (from Topps), and more.
Many of my birthday gifts were also Pac-related:
Pac-Man bed sheets, garbage can, bulletin (cork) board, a tshirt, and a Pac-Man
Fever vinyl record. Best birthday ever!
[](1983-PacMan11thBirthdayParty-vgo.jpg)
1983
XMAS 1983. We almost always asked for video game related
items for XMAS, and my parents never let us down. This year I received the very
fun Nintendo POPEYE GAME & WATCH TABLE TOP.
My dad is seen here next to it. He wasn't much into
games, but he helped me assemble the Legoland Beta-1 Command Base (6970). We
took some liberties from the directions, but isn't that what LEGO's were about?
Here is a recent photo of the POPEYE Table Top
(recent as of this posting anyway). Still in great shape, working, and of
course, still a blast to play! \*\*ALSO! I just realized that if you
[L@@K very closely](XMAS-1983-ColecoVision-Expansion-Module-1.jpg) you can see a box for the ColecoVision Expansion
Module #1 (Atari VCS Adapter).
[](1983-PopeyeTableTopXMAS-vgo-01.jpg)
[](1983-PopeyeTableTopXMAS-vgo-02.jpg)
1983
Showing off my homemade ColecoVision and Commodore Vic-20
dust covers. Not perfect, but they helped keep the dust out. This photo was
taken during my father's 50th birthday (see party hat) in October 1984.
This was well into the "Video Game Crash" years (in
the USA) so there wasn't a lot of new games coming out for these systems, but I
found some great deals on older games.
Some 2600 and ColecoVision games selling for as little as $.25 each! As well as
a brand new Vectrex system at Toys R Us for only $49.99, and Vec games for $5
each!
It wouldn't be long before I
would meet R.O.B. and Nintendo
would dominate my TV.
[](1984-ColecoVIsionAndVic20-Setup-vgo.jpg)
1984
>
>
> >
> >
> > Video Games
> > Computer Games for Christmas was always an exciting thing to see as a kid! (December
> > 25th,1984)
> >
> > Peering beyond the Planters
> > Cocktail Peanuts, you will see two Commodore VIC-20 games. Robot Panic, and one of
> > my Vic-20 favorites, and blatant Namco Rally X clone, Radar Rat Race.
> > Unfortunately I no longer own Robot Panic (as of this writing, but I do own RRR.
> > Check out the
> > [Vic-20 page on VGO](../../vic-20/index.htm)
> > for more photos and box scans.
> >
> >
> >
>
>
>
[[](Xmas-1984-Vic20-Games-RadarRatRace-RobotPanic-vgo.jpg)](Neo-Geo_BBSP_Unwrapping_Xmas_1990.png)
1984
Here is an old drawing that I made while in school (7th
grade), back from January 1986. I drew it from memory, saved to my
memory, from my many hours of staring are the awesome
Nintendo 'THE GAME PLAN NES poster, which was packed in with the NES Deluxe
Set.. I'm not sure what I was thinking when drawing the Underworld area..
Perhaps, it was
part Spelunker, and part Ghosts N Goblins. Who knows?!
I would finally get my copy of Super Mario Bros. (NES),
the next month, from Kay-Bee Toys, in upstate NY. I was on a waiting list, and
as soon as the store manager called me, I had my father race my butt over there!
On 4/1/2022 I took the original art
and made a DX - colorized version of it. Aside from adding the Piranha Plant. I
tried to stick to the original lines. Enjoy! I'm sure you will! :).
BEFORE (1986) AFTER - DX (2022) ANIMATED GIF \*Click for larger version!\*
[](SuperMarioBros1986DrawingByMHenzel.png)
[](SuperMarioBros1986DrawingDXByMHenzel.png)
[](SuperMarioBros1986DrawingByMHenzel-DX.gif)
1986
This was a comics panel that I made during a one hour 7th
Grade Art Class. in 1986.
We were told that it should have an original title, so
instead of just ripping the
[GHOSTS 'N GOBLINS](../../nesboxes/zzNES-GhostsNGoblins-CIB-vgo-01.jpg) Capcom game title I just
dropped the H, and changed 'N to an &. Behold...
***GOSTS & GOBLINS: with Bones***
I first believed this was a horrible typo on my art, but
apparently this isn't so, as I have it spelled as GHOST in the next panel. The
arcade scene has the following arcade cabinets, from left to right: Asteroids,
Golden Axe, Pac-Man, Sega's Turbo,
some pinball table, VS. Super Mario Bros.. There is also a hockey game, and
another unknown arcade cabinet. I probably would have spent more time on this
section, but we only had an hour to finish the entire project. It's not great,
but
I somehow scored a 95 (out of 100) on it. Go me! :)
[](Gosts-And-Goblins-With-Bones-7th-Grade-Art-Matt-1986.png)
1986
The first picture below is my XMAS list from 1986! I'm not
sure if my parents thought I was weird for providing catalog page numbers and
prices for everything, but however
I certainly recall them being angry that I BURNED holes through the page,
along with singing the edges of this XMAS "Treasure Map"!
Onto the second page....I present to you, a 2023 XMAS list
remake. I haven't burned the page just yet. Please stay tuned for the fire. :P
Here's an "aftermath" XMAS photo. I
had a nice Christmas that year. Receiving the: Sony SPORTS Walkman, TYCO
Turbo Hopper R/C Car, Rechargeable "AA" Batteries, Perfect-A-Lite Aquarium hood,
Blank Sony VHS Tapes, Four NES games (Ice Climber, Ninja Kid, Pinball, Donkey
Kong 3). As well as a few things I didn't ask for, such as CCM Ice Hockley
skates, a clock radio, and a few other things I'm sure.
My awesome parents spoiled us as usual!
[](Matt-XMAS-List-1986-11-25-orig.jpg)
[](Matt-XMAS-List-1986-11-25-new.jpg)[](Matt-XMAS-List-1986-Christmas-Day-vgo.jpg)
1986
The photo on the left was the start of my
video game collection. If you look closely you'll see not only
[NES Black Box
games](http://www.videogameobsession.com/videogame/nintendo8bit.html) w/ Nintendo sticker seals,
but also a boxed [Vectrex + games,](http://www.videogameobsession.com/videogame/vectrex)
[Nintendo Game & Watch Popeye](http://www.videogameobsession.com/videogame/electronicgames/tabletop), Nintendo (non
Deluxe) pre-release NY NES Set,
[Atari 2600](http://www.videogameobsession.com/videogame/atari2600),
[Colecovision](http://www.videogameobsession.com/videogame/colecovision), and
[Vic-20 + games](http://www.videogameobsession.com/videogame/vic-20) as well.
The 2nd photo shows my original GAMING SETUP. A
local video store here in New York used to give away those
[Nintendo Game Plan posters](http://www.videogameobsession.com/videogame/merchandise/posters_flyers_stickers_etc/NESGamePlanPosters/1985_NES_Poster-vgo-01.jpg) (see 2 here), as
well as some mini movie posters such as RAMBO First Blood Part II.
The 3rd photo was taken on my father's birthday,
October 5th, 1987. It just happened to be the same day that I received
[ISSUE #3 of the NINTENDO FUN CLUB NEWS newsletter](http://www.videogameobsession.com/videogame/mags/ninpow/index.htm).
One of my favorite photos. My dog Bo also makes an appearance.
[](photo-1987-NES-Games-In-Closet-1200dpi-vgo.jpg)
[](photo-1987-first-nes-setup-600dpi-vgo.jpg)
[](photo-1987-October5th-FCN-1200dpi-vgo.jpg)
1987
The Legend of Zelda, for the Nintendo Entertainment
System, is a very special game for me, and I have many fond memories of playing
it.
I first read about it in late June 1987, while reading the
[Nintendo FUN CLUB NEWS #2](http://www.videogameobsession.com/videogame/mags/ninpow/Nintendo_FunClubNews_2-cover.jpg).
I bugged the manager of Kay-Bee Toys so much, calling each day that he finally
put me on a call list and told me he'd call me when it came in stock, which
luckily he did!
I can still recall seeing the row of boxes above the register at Kay-Bee Toys.
That was in August of 1987.
The gold cartridge showing through the top corner of the box let you know right
away that you were in for something very special!
I drew these Level 7, 8, and 9 dungeon
maps while playing in 1987.
[](zzLegendOfZeldaMapsFrom1987-01-vgo.jpg)
[](zzLegendOfZeldaMapsFrom1987-02-vgo.jpg)
1987
Here is a notepad with the NES games I owned in
1987. JANUARY 8th, 1987
I apparently had a rare game known as "GOSTS & GOBLINS"...Lucky!
I believe I had them in order of: First Party Nintendo,
Favorites, Third Party Games, and Accessories...maybe?
[](NESGameListFrom1987-01-09-vgo.jpg)
1987
Here are some screens from a home video. My dad drove me to Toys R Us so I could
pick up the "HOT NEW GAME" The
Adventures of Bayou Billy by Konami, for the Nintendo Entertainment System. I am
heard describing it to my dad as "Double Dragon meets Rad Racer".
It gets a lot of crap for being a tough game, but as a kid with only a handful
of games and a lot of time, I eventually beat it.
I also enjoyed using the Zapper light gun with it since there were very few
games that supported that.
[](VG-Memory-AdventuresOfBayouBilly-June29th1989.png)
1989
Here is my Sega Genesis line-up + some
[Super Hang-On](../../genesis/GEN-SuperHangOn-vgo.jpg),
[Tommy Lasorda Baseball](../../genesis/GEN-TommyLasordaBaseball-vgo.jpg),
and [World Championship Soccer](../../genesis/) gaming way back
from November 1989!
[](SnapshotsFromOldVideos/Genesis_11-02-1989_10-vgo.png)
[](SnapshotsFromOldVideos/Genesis_11-02-1989_01-vgo.png)
[](SnapshotsFromOldVideos/Genesis_11-02-1989_02-vgo.png)
[](SnapshotsFromOldVideos/Genesis_11-02-1989_04-vgo.png)
[](SnapshotsFromOldVideos/Genesis_11-02-1989_05-vgo.png)
[](SnapshotsFromOldVideos/Genesis_11-02-1989_06-vgo.png)
[](SnapshotsFromOldVideos/Genesis_11-02-1989_07-vgo.png)
[](SnapshotsFromOldVideos/Genesis_11-02-1989_08-vgo.png)
[](SnapshotsFromOldVideos/Genesis_11-02-1989_09-vgo.png)
[](SnapshotsFromOldVideos/Genesis_11-02-1989_03-vgo.png)
1989
Here is my very used Nintendo Power
Game Calendar from 1990.
It was unfortunately ripped
up, during a fight with my older brother. We used to go after each other,
then
each other's stuff! I have since taped it up for posterity even though
[I bought new versions of 1990-1994](../../merchandise/posters_flyers_stickers_etc/Nintendo_Calendar_1990/index.htm)
it has some interesting
things if you look closely. You will see that I marked it up with important
Nintendo Power, EGM, GamePro, and VG&CE magazine releases. The premiere
viewing of
the Andrew DICE Clay movie,
[The
Adventures of Ford Fairlane](https://www.imdb.com/title/tt0098987/). A Robert Plant (Led Zeppelin singer, for
those who don't know, and for those who do know,
as well!). On September 17th,
you'll see "Sega Free Offer", which was a deal where you could pick a free game,
from a list of a few Genesis games. I went with Buster Douglas Boxing, because
it was the newest of the five listed games. It required you to buy a Genesis
Altered Beast bundled system, which I already owned, but where there's a will,
there's a way. So I returned my original Genesis system,
and then bought a new
one (with a new receipt). ;) You'll see "LEG INJURY" in June, where I dislocated
my left kneecap (patella bone), while making a dumb music video! Owwww! :(
You might
see some of the lawns that I mowed, to help pay for... the
Sega
Mega
Drive
import orders, such as [BATMAN](../../genesis/zzMD-Batman-photo-01-vgo.jpg) (August 9th, 1990),
[DJ Boy](../../genesis/zzMD-DJBoy-photo-01-vgo.jpg)
(9/4), [Insector X](../../genesis/zzMD-InsectorX-photo-01-vgo.jpg) (9/13),
[Whip Rush](../../genesis/zzMD-WhipRush2222AD-photo-vgo.jpg) (9/25)
[Phelios](../../genesis/MD-Phelios-vgo.jpg)
(10/11),
[Rainbow Islands Extra](../../genesis/zzMD-RainbowIslandsExtra-photo-01-vgo.jpg) (10/25)
You will also see when Service Merchandise put me on probation, and then
ultimately fired me a short time later due to missing days (due to getting
mono).
[](Nintendo1990PowerCalendarPersonal/NPPowerCalendar-00-1990cover.jpg)
[](Nintendo1990PowerCalendarPersonal/NPPowerCalendar-01-January.jpg)[](Nintendo1990PowerCalendarPersonal/NPPowerCalendar-02-February.jpg)[](Nintendo1990PowerCalendarPersonal/NPPowerCalendar-03-March.jpg)
[](Nintendo1990PowerCalendarPersonal/NPPowerCalendar-04-April.jpg)
[](Nintendo1990PowerCalendarPersonal/NPPowerCalendar-05-May.jpg)
[](Nintendo1990PowerCalendarPersonal/NPPowerCalendar-06-June.jpg)
[](Nintendo1990PowerCalendarPersonal/NPPowerCalendar-07-July.jpg)
[](Nintendo1990PowerCalendarPersonal/NPPowerCalendar-08-August.jpg)
[](Nintendo1990PowerCalendarPersonal/NPPowerCalendar-09-September.jpg)
[](Nintendo1990PowerCalendarPersonal/NPPowerCalendar-10-October.jpg)
[](Nintendo1990PowerCalendarPersonal/NPPowerCalendar-11-November.jpg)
[](Nintendo1990PowerCalendarPersonal/NPPowerCalendar-12-December.jpg)
1990
>
>
> >
> >
> > My
> > favorite Christmas.....A Brand New Neo-Geo AES Gold System and Top Player's
> > Golf! (December
> > 25th,1990)
> >
> > So, to answer some FAQs.
> > **1.**
> > No I was NOT a rich kid, nor did I have rich parents! **2.**
> > My dad did allow me to use his CC# over the phone, to order it, but he would
> > never have paid that much
> >
> > for a video game system, and I knew better to ask!
> > **3.**I bought the Neo-Geo AES Gold
> > System (2 arcade 8-way joysticks, and a game (Baseball Stars or NAM-1975), for
> > $550.
> >
> > The store also included in a free ($30) MEMORY CARD.
> >
> > [(Here's a receipt)](../../../neogeo/neo-scans/Neo-Geo_Gold_System_Sales_Receipt_12-18-1990-vgo.jpg)
> > **4.**
> > I opened this on XMAS day, 12/25/1990, even though \*I\* paid for it. I had
> > ordered it on 12/18, and
> >
> > received it on 12/20.
> > Since I had
> > very few other gifts that year, and it was only a few more days until XMAS, I asked my mom to wrap that up. She also wrapped BBSP separately.**5.**I worked VERY hard to
> > save up money to buy this, and several AES games. I was 18 in 1990, and I worked
> > a job, at Service Merchandise, as well as on my own, mowing lawns, in the
> > summer,
> >
> > and shoveling snow, and snow blowing in the winter.
> > My brother and I had up to 20 customers at one point. So on a snowy day we'd
> > have to take care of ALL of those driveways. It was hard,
> >
> > back-breaking work,
> > but it was excellent money. We'd get about $20 + tip, on most of those twenty
> > driveways, which could be around $500 in a single
> > snowy day! (or nearly 3 AES GAMES)... ;)
> >
> >
> >
>
>
>
[](Neo-Geo_Unwrapping_Xmas_1990.png)
[](Neo-Geo_BBSP_Unwrapping_Xmas_1990.png)
[](Neo-Geo_TPG_Unwrapping_Xmas_1990.png)
1990
NES High Score Sheet from my brother Greg, and I, from
1991
My brother Greg, and I, used to play a lot of NES
games together. One day we decided to keep track of our scores, in an all out
NES game war! This is our story...
or at least a few scores/stages, jotted down on an old sheet of paper.
Unfortunately, the original sheet of games, before
we started this new one, was lost to time, but this is better than nothing.
Lucky you!. \*\*The front of the page was a Tips & Tricks sheet, given away as a
bonus to Multicart customers.
[](GregMattNESHighScores1991-01.jpg)
[](GregMattNESHighScores1991-02.jpg)
1991
The "Original NEO-GEO BIGGER,
BADDER, BETTER T-Shirt"" from the SNK Neo-Geo catalog/flyer insert in EGM
Magazine
1991 (A slightly different 1992 flyer ad is shown)
It seemed like an awesome deal, and the right thing to do
to show off my love of my SNK console.
Unfortunately, the original sheet of games, before
we started this new one, was lost to time, but this is better than nothing.
Lucky you!. \*\*The front of the page was a Tips & Tricks sheet, given away as a
bonus to Multicart customers.
[](TopPlayersGolf-Matt_BiggerBadderBetter_Shirt_1991.jpg)
[](TopPlayersGolf-Matt_BiggerBadderBetter_Shirt_1991-Ad.jpg)
1991
Here is a complete log of SNES games, which I had rented,
from December 19th, 1991 to August 1993.
I'm not sure why I kept track of them, but I
suppose so it was so I didn't accidentally rent them more than once? Nobody in
their right mind needs to rent R.P.M. Racing, more than once!
I was able to rent quite a few of these for only $1
each, from our local mom & pop rental store, in Saratoga, NY. They would sell
you a 10 for $10 coupon book. Not a bad deal!
[](Receipt-SNESGamesRented1991-vgo.jpg)
1991
Compact Disc (CD) Music collection, in our living room. My
favorite room in our old house. This CD collection belonged to my brother and I.
This is around 400 music Compact Discs, and 23 Philips CD-i titles.
How did we amass so many CD's? Skip down a bit for the lowdown! ;)
I first got into listening to CD's in 1986 when I
purchased a Sony DISCMAN. I believe it was $299.99 MSRP, purchased from Service
Merchandise. The manager was really cool and he gave me 10 vouchers for..
"10 FREE CDs with the purchase of any Sony portable DISCMAN player. With no
additional fees, or purchases required". This was a pretty amazing thing! It was
100 free CDs, roughly $1600 worth of music.. for FREE! :)
We were already familiar with the Columbia House CD Club, where you could "8
Compact Discs for the Price of 1 With nothing more to buy ever!", The one
disc you had to buy was usually $16.99 + $4.99 S&H.
So, you were getting 9 CDs for $2.44 each. This was only a deal if you were able
to buy the music you REALLY liked. So, we did this... **1.** We called Columbia House's 1-800#, and
we requested a complete CD music catalog of all of their listings.
This included the ever important 5 digit catalog numbers for their THOUSANDS of
music CDs! **2.** As soon as you've
fulfilled your club duties, which in this case was to Buy one CD. So the very
first invoice to buy one CD, we'd pick one that we liked (from the huge catalog
;) enclose a check, and
then, and this is important!, write on the card, PLEASE CANCEL MY MEMBERSHIP, AS
I'VE FULFILLED MY CLUB PURCHASE, THANK YOU, MATT". And that was that. If you
DON'T do that step, get ready to receive unwanted discs in the mail until you
cancel. This is how they make their big money!
A friend of mine used to get in over his head. I remember he had a pile of CDs
that they sent him, and he owed them something like $100+.. They would charge
you $16.99 - $18.99 + $4.99 for each of those discs! Not sending them back
within a short period of time,
meant that you wished to keep them.. Oops! **3.** We continued joining
again, and getting out, (for those $2.44 CD deals) as much as we liked, and we
collected quite a lot of CDs this way.
Soon after, in 1986, we got our first component CD player, an Onkyo model. It
had a busted CD tray, which I believe was literally caused by a "fall off the back
of a truck!". He bought it for a song.
Since the CD tray (and gears) were all damaged, my other brother, Greg, and I,
decided to remove the metal housing, and we fitted some cardboard, wrapped in duct
tape (fancy!), with a hinged flap on top, in which to play a disc.
Essentially turning it into a top loader.
This worked out well. Also, upon opening the player, we found a copy of Paul
Simon's Graceland.
\*\*This photo was developed as a Kodak Photo-CD image, on a disc. As you can see the
quality is actually very nice for 1992.
[](Kodak-PCD-1992-12_400-Music-CD-Collection-2048px.png)
[](8CDsForThePriceOf1-vgo.png)
Back again in the living room. The very same room where my
brothers and I first started playing video games, going all the way back to
1977's PONG clone!.
**Here is my video game system setup
from 1993.**
A GRAIL and a FAIL... I purchased both the SNK
Neo-Geo Gold System, as well as the Philips CD-i in December 1990.
The SNES games have been figured out and reprinted in legible text next to the
original titles. This took some time to figure out. A waste of time?... Of
course!
The brave dog you see posing here is none other
than the world famous Bo! Be sure to check around this
[webpage](../../../personal/me/bopics.htm) for more info and
photos of him. He was an awesome pup! I had Bo from age 13 to age 29!
\*\*This photo was developed as a Kodak Photo-CD image, on a disc, to be played on
compatible systems, such as the Philips CD-i. Original photo, without
enhancements ([click
here](Kodak-Photo-CD-1993-Philips-CDi-CD-Collection-DisplayAdded-2048px-orig.png))
[](Kodak-Photo-CD-1993-Philips-CDi-CD-Collection-DisplayAdded-2048px.jpg)
1993
My Video Game Magazine Collection
as of March 3rd, 1993.
This is also from an old Photo-CD image from 03/03/1993
(according to the PCD date).
The oldest magazine here is a
[March
1983 issue of Electronic Games magazine](../../mags/ElectronicGames80s/index.htm). This was the very first all
video game magazine that my brother and I owned.
We bought it from a Babbage's store in Texas while visiting from relatives. The
newest magazines in this photo would be: EGM #44 (March 1993), DHGF Vol 1
/ Iss 4 (April 1993), and Nintendo Power #46 (March 1993).
[](Video-Game-Magazine-Collection-1993-05-05-vgo.png)
1993
Here is my PC setup from 1991-1994 :)
It's a IBM clone PC tower, with a 486 DX2 66MHz,
upgraded to 16MB of RAM (cost me $600 at the time, but I needed it for
CorelDraw!).
The sound card is a Sound Blaster AWE32. The modem
is a 56K Sportster, which I would upgrade in 1996 to Road Runner Broadband
Internet (beta) + PCI NIC.
[](collection-photos/PCSetup-1994-vgo.jpg)
1994
This was my basement video game setup from about 1994 -
2002. I had roughly 22 video game consoles connected to a single 35" CRT. Many
of them were connected via Svideo.
The following photo was sourced from my old
Personal Webpage, dated 1998. It's entitled "Matt's Budget Audio Videophile
Webpage".
It shows some of the deals I had found, both on the net, and at a local store,
called Hippos.
I had spent quite a
bit of time looking for deals for A/V equipment, in which to populate my video
game consoles with. I knew I needed a large CRT, for those 4 player split screen
games!
Svideo was also a must. I found a great deal with the JVC CRT, which I really
loved. It made games, such as Mario Kart 64, and GoldenEye, such a blast to play
with my good friends. It was also perfect for some Virtua Tennis on the
Dreamcast too.
[](Matts-Budget-Audio-Videophile-Webpage-from-1998.png)
1998
 
My gaming setup from 2000 -
2001
18 Systems connected to a single 35" JVC CRT, model
(AV-35750), connected through two RCA VH920 powered S-video switchers
[Here are the plans](VideoGameRack-MapPlans2000.jpg)
of the "VGO Rack Setup", made during some downtime, while working at Babbage's.
[](collection-photos/VGO-18systems1TV.jpg)
2000 - 2001
[](collection-photos/Daggz_Gameroom2001.png)
2000 - 2001
My living room console gaming setup
from 2002. The second picture also includes labels for back-up methods & devices.
18 Systems, via two 6x port RCA VH920 powered S-video
switchers and connected to my JVC 35" CRT, model (AV-35750).
Pretty much the same setup from above, but moved into a
new house, out from the basement.
[](GamingSetup-2002-vgo.png)
[](GamingSetup-2002-ShowingModsAndCopiers-vgo.png)
2002
My (Living Room) console gaming setup
from 2008.
We had recently moved into a new apartment, and this is
the start of reassembling my original setup, which I had to dissemble in
September of 2004.
I was slowly bringing all of my collection, from a large
house, with full basement, to a much smaller apartment, with no suitable
basement. So this was certainly a challenge to
get everything to fit. As of 2022 I still have not set up my N64... I know... I
know..
[](collection-photos/livingroom_02-2008.jpg)
2008
I've finally taken the step
to put my cardboard boxed games into clear box protectors.
It's a pricey decision, but considering the value some of
these boxed, CIB, and factory sealed games, are going for, I think it's wise to
invest into them.
I've started with my GB/GBC/GBA boxes. I think they look a
bit nicer than my previous method, of putting them into 5" CD jewel case
cellophane baggies. Some day I'll add pictures of the complete collections in
these.
[](BoxProtectors-175-2021-07_01.jpg)
[](BoxProtectors-175-2021-07_02.jpg)
[](BoxProtectorsBeforeAfter.jpg)
2021
=-= Here are some various magazine interviews and other related stuff =-=
| |
| --- |
| Here's a letter of an Easter
egg/trick that I submitted to
[Video Games & Computer Entertainment
Magazine](../../mags/vg&ce/index.htm) in January 1990. To my surprise
they actually printed it in their April 1990 issue! The trick allows you to play a single screen version of
[Fantasy Zone](../../sms/SMS-FantasyZoneII-vgo.jpg)
within [Arnold Palmer's Tournament Golf](../../genesis/GEN-ArnoldPalmerGolf-vgo.jpg) for the
[Sega Genesis](../../genesis/index.htm).
I was pretty amazed to see this pop up in the game, and even more surprised
to see it show up in the magazine. They also sent me a check for $20 for
sending the trick in and having it published in their magazine.
|
|
|
|
|
Letter from January 1990 |
Printed in VG&CE - April 1990 Issue |
Video Game Collector
Issue #9
(Collector
Spotlight Interview)
[](MAG-VideoGameCollector-9.jpg)
[](MAG-VideoGameCollector-9[CS]300dpi.jpg)
Spring 2007
[Version with better resolution photos](MAG-VideoGameCollector-9[CS]300dpi(proper).jpg)
Games TM "THE GBA COLLECTOR"
Interview
[](MAG-GamesTM-203-MattHenzelGBA-vgo-01.jpg)
[](MAG-GamesTM-203-MattHenzelGBA-vgo-02.jpg)
October 2018
Game On (Super Mario Odyssey) "Meet
the Superfan" article.
They gave me Dragon Ball Z hair. :P
[](GameOn!-SuperMarioOdyssey-MattHenzel_Interview_April_2018-01.jpg)
[](GameOn!-SuperMarioOdyssey-MattHenzel_Interview_April_2018-02.jpg)
April 2018
Retro Gamer Magazine (#199)
Collector Corner
[](RetroGamer199-MattHenzel_CollectorCorner-October2019-vgo-cover.jpg)
[](RetroGamer199-MattHenzel_CollectorCorner-October2019-vgo.jpg)
October 2019
Photo of my 11th Birthday "Pac-Man
Party", thrown by my mother, (Marla Henzel), printed in the Pac-Man: Birth of an
Icon book (2022)
[](PacManBirthOfAnIcon-01.jpg)
[](PacManBirthOfAnIcon-02.jpg)
January 2022
My
[Homemade Legend of Zelda Fleece
Blanket](http://www.videogameobsession.com/videogame/merchandise/tshirts/#ZeldaBlanket) was printed in the new Gamemaster: Classified sbook, by
Matthew Taranto and Howard Phillips. (2023).
Here is a copy of the email I sent to him on April 2022:
| |
| --- |
|
Apr 30, 2022, at 6:29 PM, Matt Henzel <@gmail.com>
Hey Matthew,
I'm not sure if this is something that you could use in your book, but if,
so I'd love to see it in there. I'm a KS backer, and can't wait to see how
it turns out.
Back when [Nintendo Power](../../mags/ninpow/ninpower.htm) was about to wrap up, I made a 50x60" fleece
blanket from an edited scan that I had made of the Zelda issue ([Fall
1987 Nintendo Fun Club News](../../mags/ninpow/index.htm)).
It was one of my favorite
[video game magazines](../../mags/index.htm) as a kid. I'm a
lifelong fan of both FCN and NP (and Howard is awesome too of course).
I've been subbed since issue #1 of FCN, and had been subscribed until Oct
2016, which as you know, is a few years after they stopped production,
(Future actually sent me a
[refund check](../../mags/ninpow/NintendoPower$69_RefundFromFuture.jpg) for the remaining issues,
which was nice of them).
Anyway, I sent these photos to Nintendo Power, and I was told that they
would have printed them if they had the time, but they already had the final
issue wrapped up by then.
[So here are the photos](http://www.videogameobsession.com/videogame/merchandise/tshirts/#ZeldaBlanket). I know it's not as impressive as most other
submissions, I'm sure. The hardest part was creating [Link's Sword handle](../../merchandise/tshirts/Blanket-NFCN_Zelda_modified-vgo.gif), and removing some text, as I'm not an
artist! It's far from perfect, but the blanket texture helps hide it.
Thanks!
Matt |
[](book-GamemasterClassified-HowardPhillips-01.jpg)
[](book-GamemasterClassified-HowardPhillips-10.jpg)
April 26th, 2023
| |
| --- |
| Extra Photos |
|
Custom made 50" x 60" Fleece
Blanket.
*Warm fuzzy memories + warm fuzzy blanket..
A great combination!* 2010 |
|
[1](../../merchandise/tshirts/Blanket-Zelda-01-vgo.jpg)-[2](../../merchandise/tshirts/Blanket-Zelda-02-vgo.jpg)-[3](../../merchandise/tshirts/Blanket-Zelda-03-vgo.jpg)-[4](../../merchandise/tshirts/Blanket-Zelda-04-vgo.jpg)
[Before&After](../../merchandise/tshirts/Blanket-Zelda-vgo-before_after.jpg)
[Final Image](../../merchandise/tshirts/Blanket-NFCN_Zelda_modified-vgo.jpg)
[Comparison](../../merchandise/tshirts/Blanket-NFCN_Zelda_modified-vgo.gif)
[It's Dangerous!](../../merchandise/tshirts/Blanket-Zelda-ItsDangerousToGoAlone-vgo.png) |
=-= Here are some various magazine interviews and other related stuff =-=
[](http://www.videogameobsession.com/videogame/mags/books/highscore/)
**HIGHSCORE: The Illustrated
History of Electronic Games -** by Rusel DeMaria
[More photos and info here.](http://www.videogameobsession.com/videogame/mags/books/highscore/).
(I submitted 1,000+ video game box, flyers, magazine covers, Hundreds of game
screenshots, game info, suggestions, and photos of game systems to Rusel)
[](HighScoreBook1.png)
[](HighScoreBook2.png)
[](HighScoreBookcredits1.png)
[](HighScoreBookcredits2.png)
[](http://www.videogameobsession.com/videogame/mags/books/highscore/HighScore07.jpg)
[](http://www.videogameobsession.com/videogame/mags/books/highscore/HighScore09.jpg)
[](http://www.videogameobsession.com/videogame/mags/books/highscore/HighScore13.jpg)
[](http://www.videogameobsession.com/videogame/mags/books/highscore/HighScore15.jpg)
2001-2002
Credit from 'The Video Game
Revolution'
[DVD Video](https://youtu.be/5Ll1hfvvBag?t=6952) ~/~
[Credits on PBS Webpage](https://www.pbs.org/kcts/videogamerevolution/about/credits.html)
[](VGO-Video_Game_Revolution-snap.jpg)
[](VGO-Video_Game_Revolution-web2.png)
2004
Credit from
[Rise of Nintendo](https://youtu.be/PBro7r2tJDI?t=251)
from PlayValue/OnNetworks
(Multiple episodes)
[](VGO-Rise_Of_Nintendo_Creds_OnNetworks.jpg)
2009
German [video game magazine CHIP](https://www.chip.de/).
(I submitted photos of the Dr. Boy + information for their article)
[](VGO-CHIP_March_2010_VGO.jpg)
March 2010
Credit from
[Double Fine's Massive Knowledge](https://www.youtube.com/results?search_query=Double+Fine's+Massive+Knowledge)
(Multiple episodes)
[](VGO-DoubleFine-Massive_Knowledge_credits_06-2015_01.png)[](VGO-DoubleFine-Massive_Knowledge_credits_06-2015_02.png)[](VGO-DoubleFine-Massive_Knowledge_credits_06-2015_03.png)
June 2015
Credit from Retroware's
[The Video
Game Years](https://youtu.be/3N3ZvG3JUTg?list=PLF9787D34045A6C53&t=2)
(Multiple episodes)
[](VGO-RetroWare_VGO_credit.png)[](VGO-RetroWare_VGO_credit2.png)
June 2015
Credit from the excellent YouTube channel
[Classic
Gaming Quarterly](https://www.youtube.com/channel/UC2i64jLboyVFZwwO6UCKZ6g)
[](VGO-ClassicGamingQuarterly-VGO_Credit_20170606.jpg)
June 6th, 2017
SNES Omnibus Volume 1 A-M - Brett
Weiss
[Copies available for purchase here](https://www.amazon.com/SNES-Omnibus-Super-Nintendo-M/dp/0764355325)!
(I sent various SNES box cover scans, + submitted Insider Insight
for
[Contra III: The Alien Wars](../../snes/zzNES-ContraIII-CIB-photo-01-vgo.jpg))
[](book-SNESOmnibusA-M-vgo-01.jpg)
[](book-SNESOmnibusA-M-vgo-02.jpg)
[](book-SNESOmnibusA-M-vgo-03.jpg)
[](book-SNESOmnibusA-M-vgo-04.jpg)
[](book-SNESOmnibusA-M-vgo-05.jpg)
[](book-SNESOmnibusA-M-vgo-06.jpg)
July 2018
NES Omnibus Volume 2 M-Z - Brett
Weiss
[Copies available for purchase here](https://brettweiss.square.site/product/pre-order-the-nes-omnibus-the-nintendo-entertainment-system-and-its-games-volume-2-m-z-/7?cs=true&cst=custom)!
(I sent various box, and Nintendo Power cover scans, + submitted Insider Insight
for
[Track & Field](http://www.videogameobsession.com/videogame/nesboxes/zzNES-TrackAndFieldAndTrackAndFieldII-CIB-vgo-01.jpg))
[](book-NESOmnibusVolume2-vgo-01.jpg)
[](book-NESOmnibusVolume2-vgo-02.png)
[](book-NESOmnibusVolume2-vgo-03.png)
January 2022
[](basement 002.jpg) [](basement 008.jpg)[](basement 012.jpg) [](basement 013.jpg)[](basement 014.jpg) [](basement 016.jpg)[](basement 018.jpg) [](basement 019.jpg)
Click for larger resolution images
[](http://www.videogameobsession.com)
| http://www.videogameobsession.com/videogame/zz-other/origins/ |
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<div class='header'>
<img src="im/compbnnr.gif" alt="Computer Stupidities" />
<p class='intro_quote'>
<strong>"On two occasions, I have been asked [by members of
Parliament], 'Pray, Mr. Babbage, if you put into the machine wrong figures,
will the right answers come out?' I am not able to rightly apprehend the
kind of confusion of ideas that could provoke such a question."</strong>
<br />
-- Charles Babbage (1791-1871)
</p>
<p>
The following is a large collection of stories and anecdotes about clueless
computer users. It's a baffling phenomenon that in today's society an
individual, who might in other circumstances be considered smart and wise,
can sit down in front of a computer screen and instantly lose every last
shred of common sense he ever possessed. Complicate this phenomenon with a
case of "computerphobia," and you end up with tech support personnel having
phone conversations that are funny in retrospect but seem like perfectly
valid motives for wild machine gun shooting sprees at the time.
And yet, amidst the vast, surging quantities of stupidity are
perfectly excusable technological mishaps -- but that are amusing nonetheless.
After all, even the best of us engages in a little brainless folly every once
in a while.
</p>
<p>
Most of these stories are true. Some happened to me personally. Some happened
to friends of mine. Some are considered urban legends, but even most of these
are more likely to have happened in some form or another than not. Skeptics
look at such stories and doubt their truth. But reason, common sense, and
experience tell me that if you sit someone who isn't computer literate (even a
smart someone) down in front of a computer, you're bound to accrue
anecdotes no less outrageous than these. You'd be surprised.
</p>
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<h3 class='center'>Computer Stupidities By Topic</h3>
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<p class='click_on_new'>Click on the "NEW" icons to jump to the
new stories.</p>
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<h4>Systems</h4>
<ul>
<li><a href="cs_piecing.shtml">Piecing It Together</a>
</li>
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<li><a href="cs_os.shtml">Operating Systems</a>
</li>
<li><a href="cs_icons.shtml">Icons</a>
</li>
<li><a href="cs_hardware.shtml">Hardware Requirements</a>
</li>
<li><a href="cs_backups.shtml">Backups</a>
</li>
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<h4>Hardware</h4>
<ul>
<li><a href="cs_power.shtml">Power</a>
</li>
<li><a href="cs_memory.shtml">Memory</a>
</li>
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</li>
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<h4>Networks</h4>
<ul>
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<li><a href="cs_email.shtml">Email Magic</a>
</li>
<li><a href="cs_news.shtml">Newsgroups and Message Boards</a>
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</li>
<li><a href="cs_web.shtml">The World Wide Web</a>
</li>
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<h4>Emergencies</h4>
<ul>
<li><a href="cs_paranoia.shtml">Paranoia</a>
<a href="cs_paranoia.shtml#1"><img src="/im/new.gif" alt="[New!]" /></a>
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</li>
<li><a href="cs_freedisks.shtml">Free Disks</a>
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</li>
<li><a href="cs_smoke.shtml">Smoke</a>
</li>
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<h4>Tech Support</h4>
<ul>
<li><a href="cs_comeagain.shtml">Come Again?</a>
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<li><a href="cs_amnesia.shtml">Amnesia</a>
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<a href="cs_revenge.shtml#1"><img src="/im/new.gif" alt="[New!]" /></a>
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<li><a href="cs_calls.shtml">Calls From Hell</a>
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<h4>Role Reversal</h4>
<ul>
<li><a href="cs_stuptech.shtml">Stupid Tech Support</a>
<a href="cs_stuptech.shtml#1"><img src="/im/new.gif" alt="[New!]" /></a>
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</li>
<li><a href="cs_stupsales.shtml">Stupid Salesmen</a>
</li>
</ul>
<h4>Other</h4>
<ul>
<li><a href="cs_misc.shtml">Miscellaneous Dumbness</a>
</li>
<li><a href="cs_world.shtml">Computer Stupidity Throughout the World</a>
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<div class='ifyouliked'>
<p>For more accounts of slips and stupidity, visit:</p>
<a href="/said/"><img src="/said/im/saidline.gif" alt="Things People Said" /></a>
</div>
<div class='footer'>
<h3>RinkWorks</h3>
<p><cite>Computer Stupidities</cite> is a <cite><a href="/">RinkWorks</a></cite>
production. We invite you to <a href="/">visit our other features</a>.</p>
<h3>Talk Back</h3>
<ul class='items'>
<li>Want to <a href='submissions.shtml'>submit an anecdote of your own</a>?</li>
<li>Upset that this site appears to be derogatory toward novice
computer users? <a href='explanation.shtml'>Read this explanation</a>
before emailing, please.</li>
<li>If you have any kind of feedback to give other than new anecdotes, please
feel free to <a href="mailto:[email protected]">send it</a>.</li>
</ul>
<h3>Legalese</h3>
<p>
The anecdotes original to this site have been released into the public domain.
All other anecdotes contained in this site are, to the best of my knowledge,
in the public domain. All other material on this site, including logos and
other text, is Copyright © 1998-2014 by Samuel Stoddard.
</p>
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Computer Stupidities
| |
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| [**Main**](http://www.rinkworks.com/) [**Site Guide**](http://www.rinkworks.com/guide/) |
| |
|
**"On two occasions, I have been asked [by members of
Parliament], 'Pray, Mr. Babbage, if you put into the machine wrong figures,
will the right answers come out?' I am not able to rightly apprehend the
kind of confusion of ideas that could provoke such a question."**
-- Charles Babbage (1791-1871)
The following is a large collection of stories and anecdotes about clueless
computer users. It's a baffling phenomenon that in today's society an
individual, who might in other circumstances be considered smart and wise,
can sit down in front of a computer screen and instantly lose every last
shred of common sense he ever possessed. Complicate this phenomenon with a
case of "computerphobia," and you end up with tech support personnel having
phone conversations that are funny in retrospect but seem like perfectly
valid motives for wild machine gun shooting sprees at the time.
And yet, amidst the vast, surging quantities of stupidity are
perfectly excusable technological mishaps -- but that are amusing nonetheless.
After all, even the best of us engages in a little brainless folly every once
in a while.
Most of these stories are true. Some happened to me personally. Some happened
to friends of mine. Some are considered urban legends, but even most of these
are more likely to have happened in some form or another than not. Skeptics
look at such stories and doubt their truth. But reason, common sense, and
experience tell me that if you sit someone who isn't computer literate (even a
smart someone) down in front of a computer, you're bound to accrue
anecdotes no less outrageous than these. You'd be surprised.
[](/)
---
| | | | | |
| --- | --- | --- | --- | --- |
| Computer Stupidities By Topic
Latest additions: 1/21/13
Click on the "NEW" icons to jump to the
new stories.
| | |
| --- | --- |
| Systems* [Piecing It Together](cs_piecing.shtml)
* [Mincing Words](cs_mincing.shtml)
[[New!]](cs_mincing.shtml#1)
* [Operating Systems](cs_os.shtml)
* [Icons](cs_icons.shtml)
* [Hardware Requirements](cs_hardware.shtml)
* [Backups](cs_backups.shtml)
* [Programming](cs_programming.shtml)
Hardware* [Power](cs_power.shtml)
* [Memory](cs_memory.shtml)
* [Monitors](cs_monitors.shtml)
* [Keyboards](cs_keyboards.shtml)
[[New!]](cs_keyboards.shtml#1)
* [Floppy Abuse](cs_floppies.shtml)
* [Disk Drives](cs_drives.shtml)
* [CDs and CDROM Drives](cs_cdroms.shtml)
* [Mice](cs_mice.shtml)
* [Printers](cs_printers.shtml)
* [Modems](cs_modems.shtml)
* [Faxes](cs_faxes.shtml)
* [Sound](cs_sound.shtml)
* [Other Hardware](cs_other.shtml)
* [Hardware Abuse](cs_abuse.shtml)
[[New!]](cs_abuse.shtml#1)
[[New!]](cs_abuse.shtml#2)
[[New!]](cs_abuse.shtml#3)
Networks* [Online Folly](cs_online.shtml)
* [Email Magic](cs_email.shtml)
* [Newsgroups and Message Boards](cs_news.shtml)
* [The Internet](cs_internet.shtml)
* [The World Wide Web](cs_web.shtml)
| Emergencies* [Paranoia](cs_paranoia.shtml)
[[New!]](cs_paranoia.shtml#1)
* [Viruses](cs_viruses.shtml)
* [Y2K](cs_y2k.shtml)
* [Free Disks](cs_freedisks.shtml)
* [Screen Savers](cs_savers.shtml)
* [Smoke](cs_smoke.shtml)
Tech Support* [Come Again?](cs_comeagain.shtml)
* [Amnesia](cs_amnesia.shtml)
* [Listen Already!](cs_listen.shtml)
* [The Bleeding Obvious](cs_obvious.shtml)
[[New!]](cs_obvious.shtml#1)
* [Nice Try](cs_nicetry.shtml)
* [Revenge](cs_revenge.shtml)
[[New!]](cs_revenge.shtml#1)
* [Calls From Hell](cs_calls.shtml)
Role Reversal* [Stupid Tech Support](cs_stuptech.shtml)
[[New!]](cs_stuptech.shtml#1)
[[New!]](cs_stuptech.shtml#2)
* [Stupid Salesmen](cs_stupsales.shtml)
Other* [Miscellaneous Dumbness](cs_misc.shtml)
* [Computer Stupidity Throughout the World](cs_world.shtml)
|
|
| |
| --- |
|
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For more accounts of slips and stupidity, visit:
[](/said/)
### RinkWorks
Computer Stupidities is a [RinkWorks](/)
production. We invite you to [visit our other features](/).
### Talk Back
* Want to [submit an anecdote of your own](submissions.shtml)?
* Upset that this site appears to be derogatory toward novice
computer users? [Read this explanation](explanation.shtml)
before emailing, please.
* If you have any kind of feedback to give other than new anecdotes, please
feel free to [send it](mailto:[email protected]).
### Legalese
The anecdotes original to this site have been released into the public domain.
All other anecdotes contained in this site are, to the best of my knowledge,
in the public domain. All other material on this site, including logos and
other text, is Copyright © 1998-2014 by Samuel Stoddard.
| |
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| http://rinkworks.com/stupid/ |
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<p align=center><font size=6><strong>The Bastard Operator From Hell</strong></font><br>
<font size=4 color="#ECA4A4"><em><strong>The Complete WWW Edition.</strong></em></font></p>
<hr noshade>
<p align=center><font size=2><font color="#ECA4A4"><blink>Warning:</blink></font>
This site contains adult themes, violence, profanities, and other such fun stuff.<br>
If it bothers you, just don't read it.</font></p>
<hr noshade width=50%>
<p><font size=5><em><strong><a name="Original">The Original</a> Bastard Menu From
Hell</strong></em></font></p>
<p><font size=2><em>The electronic rights of the original BOFH are owned by DATAMATION
magazine.</em><br>
All other rights are retained by Simon Travaglia.</font></p>
<ul>
<li><a href="/bofh/genesis1.html">Genesis (Striped Irregular Bucket #1)</a></li>
<li><a href="/bofh/genesis2.html">The Birth of BOFH - Striped Irregular Bucket
#5</a></li>
<li><a href="/bofh/genesis3.html">Still Birthing the Bastard Operator.. (Bored
#3)</a></li>
<li><a href="/bofh/bofh1.html">The Bastard Operator From Hell #1</a></li>
<li><a href="/bofh/bofh2.html">BOFH #2</a></li>
<li><a href="/bofh/bofh3.html">BOFH #3</a></li>
<li><a href="/bofh/bofh4.html">BOFH #4</a></li>
<li><a href="/bofh/bofh5.html">BOFH #5</a></li>
<li><a href="/bofh/bofh6.html">BOFH #6</a></li>
<li><a href="/bofh/bofh7.html">BOFH #7</a></li>
<li><a href="/bofh/bofh8.html">BOFH #8</a></li>
<li><a href="/bofh/bofh9.html">BOFH #9</a></li>
<li><a href="/bofh/bofh10.html">BOFH #10</a></li>
<li><a href="/bofh/bofh11.html">BOFH #11</a></li>
<li><a href="/bofh/bofh12.html">BOFH #12</a></li>
<li><a href="/bofh/bofh13.html">BOFH #13</a></li>
<li><a href="/bofh/bsmh1.html">The Bastard System Manager From Hell #1</a></li>
<li><a href="/bofh/bsmh2.html">The Bastard System Manager From Hell #2</a></li>
<li><a href="/bofh/bofh14.html">BOFH #14</a></li>
<li><a href="/bofh/bofh15.html">BOFH #15</a></li>
<li><a href="/bofh/bofb1.html">The Bastard Operator From Britain #1</a></li>
<li><a href="/bofh/bofb2.html">The Bastard Operator From Britain #2</a></li>
<li><a href="/bofh/lastbofh.html">The Last Bastard Operator From Hell</a></li>
</ul>
<p><font size=2><em>But wait there's more!!!</em></font></p>
<ul>
<li><a href="/bofh/brb.html">The Bastard returns briefly</a></li>
<li><a href="/bofh/bib.html">The Bastard is back</a></li>
<li><a href="/bofh/tradeshow.html">The Bastard goes to the Trade Show</a></li>
<li><a href="/bofh/bsa.html">The Bastard's still about</a></li>
<li><a href="/bofh/xmas95.html">...The Bastard Celebrates Christmas 95...</a></li>
</ul>
<ul>
<li><a href="/bofh/bofhfaq.html">The PreHistory of BOFH / The BOFH FAQ</a></li>
</ul>
<hr noshade width=50%>
<p><font size=5><em><strong><a name="New">The New</a> Bastard Menu From Hell</strong></em></font></p>
<p><font size=2><em>The electronic rights of the new BOFH are owned by NETWORK
WEEK magazine.</em><br>
All other rights are retained by Simon Travaglia.</font></p>
<ul>
<li><a href="/newbofh/bofh6sept.html">The B.O.F.H. is back ...</a></li>
<li><a href="/newbofh/bofh13sept.html">The B.O.F.H. trips up ...</a></li>
<li><a href="/newbofh/bofh20sept.html">The B.O.F.H. gives advice ...</a></li>
<li><a href="/newbofh/bofh27sept.html">The B.O.F.H. gets a non-PC ...</a></li>
<li><a href="/newbofh/bofh4oct.html">The B.O.F.H. is on a buying mission ...</a></li>
<li><a href="/newbofh/bofh11oct.html">The B.O.F.H. wreaks his revenge ...</a></li>
<li><a href="/newbofh/bofh18oct.html">The B.O.F.H. gets a new boss ...</a></li>
<li><a href="/newbofh/bofh25oct.html">The B.O.F.H. defines his territory ...</a></li>
<li><a href="/newbofh/bofh1nov.html">The B.O.F.H. and 'budget contstraints' ...</a></li>
<li><a href="/newbofh/bofh8nov.html">The B.O.F.H. and the 'C' word ...</a></li>
<li><a href="/newbofh/bofh15nov.html">The B.O.F.H. and the engineer ...</a></li>
<li><a href="/newbofh/bofh22nov.html">The B.O.F.H. seeks sweet revenge ...</a></li>
<li><a href="/newbofh/bofh29nov.html">The B.O.F.H. retaliates ...</a></li>
<li><a href="/newbofh/bofh6dec.html">The B.O.F.H. and the wheelchair ...</a></li>
<li><a href="/newbofh/bofh13dec.html">The B.O.F.H. spreads peace and good will
...</a></li>
<li><a href="/newbofh/bofh10jan.html">The B.O.F.H. sees in the New Year ...</a></li>
<li><a href="/newbofh/bofh17jan.html">The B.O.F.H. has an appraisal ...</a></li>
<li><a href="/newbofh/bofh24jan.html">The B.O.F.H. educates a PFY ...</a></li>
<li><a href="/newbofh/bofh31jan.html">The B.O.F.H. almost meets his match ...</a></li>
<li><a href="/newbofh/bofh7feb.html">The B.O.F.H., the user and the printer ...</a></li>
<li><a href="/newbofh/bofh14feb.html">The B.O.F.H. and the salesman ...</a></li>
<li><a href="/newbofh/bofh21feb.html">The B.O.F.H., the boss and the bribe ...</a></li>
<li><a href="/newbofh/bofh28feb.html">The B.O.F.H. and the ioniser ...</a></li>
<li><a href="/newbofh/bofh6mar.html">The B.O.F.H. and the cruise control ...</a></li>
<li><a href="/newbofh/bofh13mar.html">The B.O.F.H.'s Black Wednesday ...</a></li>
<li><a href="/newbofh/bofh20mar.html">The B.O.F.H. seeks more revenge ...</a></li>
<li><a href="/newbofh/bofh27mar.html">The B.O.F.H. has a counselling session
...</a></li>
<li><a href="/newbofh/bofh3apr.html">The B.O.F.H.'s boss has an 'accident' ...</a></li>
<li><a href="/newbofh/bofh17apr.html">The B.O.F.H. wants to re-cable ...</a></li>
<li><a href="/newbofh/bofh24apr.html">The B.O.F.H. does some Future Planning
...</a></li>
<li><a href="/newbofh/bofh1may.html">The B.O.F.H. averts a takeover ...</a></li>
<li><a href="/newbofh/bofh8may.html">The B.O.F.H. meets an unexpected guest ...</a></li>
<li><a href="/newbofh/bofh15may.html">The B.O.F.H. and the CEO's pet project
...</a></li>
<li><a href="/newbofh/bofh22may.html">The B.O.F.H. and the PFY's raise ...</a></li>
<li><a href="/newbofh/bofh29may.html">The B.O.F.H. puts in for an award ...</a></li>
<li><a href="/newbofh/bofh5jun.html">The B.O.F.H. wins the day in France ...</a></li>
<li><a href="/newbofh/bofh12jun.html">The B.O.F.H. joins an agency ...</a></li>
<li><a href="/newbofh/bofh19jun.html">The B.O.F.H. plays safe ...</a></li>
<li><a href="/newbofh/bofh26jun.html">The B.O.F.H. suffers from phone trouble
...</a></li>
<li><a href="/newbofh/bofh3jul.html">The B.O.F.H. has heated exchange with the
boss ...</a></li>
<li><a href="/newbofh/bofh10jul.html">The B.O.F.H. becomes a contract killer
...</a></li>
<li><a href="/newbofh/bofh17jul.html">The B.O.F.H. explains, dummies don't grow
on trees ...</a></li>
<li><a href="/newbofh/bofh24jul.html">The B.O.F.H. attempts some artistic expenses
...</a></li>
<li><a href="/newbofh/bofh21aug.html">The B.O.F.H. puts a price tag on user access
...</a></li>
<li><a href="/newbofh/bofh4sep.html">The B.O.F.H. puts in a day on the helpdesk
...</a></li>
<li><a href="/newbofh/bofh11sep.html">The B.O.F.H. and his pimply sidekick spread
their network of misery ...</a></li>
<li><a href="/newbofh/bofh18sep.html">The B.O.F.H. brings the anoraks back to
earth ...</a></li>
<li><a href="/newbofh/bofh25sep.html">The B.O.F.H. avoids a team-building weekend
...</a></li>
<li><a href="/newbofh/bofh9oct.html">The PFY battles it out with the B.O.F.H.
...</a></li>
<li><a href="/newbofh/bofh16oct.html">Beancounter central takes vehement action
...</a></li>
<li><a href="/newbofh/bofh23oct.html">The B.O.F.H. bides his time to unravel
a mess ...</a></li>
<li><a href="/newbofh/bofh30oct.html">Don't let the Boss set up a network ...</a></li>
<li><a href="/newbofh/bofh6nov.html">Infiltration of the e-mail system ...</a></li>
<li><a href="/newbofh/bofh13nov.html">The B.O.F.H. engages in some underhand
practices ...</a></li>
<li><a href="/newbofh/bofh20nov.html">Ever tempted to play computer games at
work?</a></li>
<li><a href="/newbofh/bofh27nov.html">Encryption is forced on the Bastard ...</a></li>
<li><a href="/newbofh/bofh4dec.html">The PFY falls under a spell ...</a></li>
<li><a href="/newbofh/bofh11dec.html">Where do you find a new PFY when you want
one?</a></li>
</ul>
<p><font size=2><em><a name="New97">The Bastard '97</a></em></font></p>
<ul>
<li><a href="/newbofh/bofh15jan97.html">A visit from the auditors ...</a></li>
<li><a href="/newbofh/bofh22jan97.html">A little light fraud ...</a></li>
<li><a href="/newbofh/bofh5feb97.html">The bean counters try to get sneaky ...</a></li>
<li><a href="/newbofh/bofh12feb97.html">The B.O.F.H. masters the world of personalisation
...</a></li>
<li><a href="/newbofh/bofh19feb97.html">The Boss gets all safety-minded ...</a></li>
<li><a href="/newbofh/bofh26feb97.html">The B.O.F.H. puts in a week on the Helldesk
...</a></li>
<li><a href="/newbofh/bofh5mar97.html">The B.O.F.H. won't 'wear' the Boss's ideas
...</a></li>
<li><a href="/newbofh/bofh12mar97.html">The B.O.F.H. is labelled Politically
Unsound ...</a></li>
<li><a href="/newbofh/bofh19mar97.html">The B.O.F.H. and PFY go on some site
visits ...</a></li>
<li><a href="/newbofh/bofh26mar97.html">The B.O.F.H. and PFY help sort out a
rival's PSIC problems ...</a></li>
<li><a href="/newbofh/bofh2apr97.html">The B.O.F.H. wins an award from his peer
group ...</a></li>
<li><a href="/newbofh/bofh9apr97.html">It really hits the fan as the tables turn
...</a></li>
<li><a href="/newbofh/bofh16apr97.html">The Bastard puts his newest protege though
a rather nasty baptism ...</a></li>
<li><a href="/newbofh/bofh23apr97.html">Who said management was easy? ...</a></li>
<li><a href="/newbofh/bofh30apr97.html">A burnt server gets things off to a good
start ...</a></li>
<li><a href="/newbofh/bofh7may97.html">The Bastard goes along to do some, err
... research ...</a></li>
<li><a href="/newbofh/bofh14may97.html">The Bastard Operator From Hell is off
to the movies ...</a></li>
<li><a href="/newbofh/bofh21may97.html">The PFY is hardly the life and soul ...</a></li>
<li><a href="/newbofh/bofh28may97.html">Members of the new stripy shirt brigade
are full of beans and raring to go ...</a></li>
<li><a href="/newbofh/bofh4jun97.html">Local culinary delights with the Bastard
...</a></li>
<li><a href="/newbofh/bofh11jun97.html">The Bastard Operator From Hell and the
Paintball session ...</a></li>
<li><a href="/newbofh/bofh18jun97.html">The PFY takes the 'how to be a Bastard
Operator From Hell' test ...</a></li>
<li><a href="/newbofh/bofh25jun97.html">The B.O.F.H. is given lessons in how
to be a shiny happy IT manager ...</a></li>
<li><a href="/newbofh/bofh2jul97.html">A little sabotage is in the offing ...</a></li>
<li><a href="/newbofh/bofh9jul97.html">The B.O.F.H. goes on a trade show outing
...</a></li>
<li><a href="/newbofh/bofh16jul97.html">The PFY is forced to dip into the favour
bank ...</a></li>
<li><a href="/newbofh/bofh10sep97.html">The disaster recovery budget proves to
be a sore point ...</a></li>
<li><a href="/newbofh/bofh17sep97.html">The PFY has accumulated a number of complaints
in his new role ...</a></li>
<li><a href="/newbofh/bofh24sep97.html">The boss tries to out-bastard the Bastard
...</a></li>
<li><a href="/newbofh/bofh1oct97.html">The boss tries to oust the BOFH and the
PFY again ...</a></li>
<li><a href="/newbofh/bofh8oct97.html">The PFY shows compassion to a user ...</a></li>
<li><a href="/newbofh/bofh15oct97.html">The PFY comes to the rescue with a cunning
plan ...</a></li>
<li><a href="/newbofh/bofh22oct97.html">The scent of restructuring is in the
air ...</a></li>
<li><a href="/newbofh/bofh29oct97.html">A run-in with the company cafeteria leaves
the BOFH porcelain bound ...</a></li>
<li><a href="/newbofh/bofh5nov97.html">The boss has been 'encouraged' to relocate
to Tonga ...</a></li>
<li><a href="/newbofh/bofh12nov97.html">The new boss discovers that sometimes
learning can be painful ...</a></li>
<li><a href="/newbofh/bofh19nov97.html">The Bastard takes a trip out of town
...</a></li>
<li><a href="/newbofh/bofh26nov97.html">While the Bastard's away ...</a></li>
<li><a href="/newbofh/bofh3dec97.html">The BOFH and the new purchasing system
...</a></li>
<li><a href="/newbofh/bofh10dec97.html">The BOFH in the season of Good Will ...</a></li>
</ul>
<p><font size=2><em><a href="/Bastard1998-1.html" name="New98">The Bastard '98</a></em></font></p>
<ul>
<li>
<!-- a href="/newbofh/14jan98.html" -->
The BOFH is visited by the ghost of Christmas past ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/21jan98.html" -->
There is still love and compassion in the world of network management ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/28jan98.html" -->
A visitor from the past is impressed by modern standards of bastardly behaviour
...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/4feb98.html" -->
How a career in modelling leads to an executive position ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/11feb98.html" -->
The boss needs to track down two mysterious contractors ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/18feb98.html" -->
The BOFH shows corporate spirit in a team-building event ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/25feb98.html" -->
The BOFH stays cool while a stocktaking session gets hot ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/3mar98.html" -->
The BOFH Has a cunning plan to knock the helldesk down to size ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/11mar98.html" -->
Shape up or face budget cuts - what will the BOFH do?
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/18mar98.html" -->
The users are away from the office... and the BOFH and PFY miss them?
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/25mar98.html" -->
While the PFY plays Tunnel-Monkey, the BOFH has other fish to fry ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/1apr98.html" -->
The presence of the company architect inspires a bit of bastardly trickery
...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/8apr98.html" -->
Why would anyone leave the BOFH and the PFY out of games day?
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/15apr98.html" -->
A US buyout results in a visit stateside and plenty of new kit...all expensives
paid
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/22apr98.html" -->
Translating engineer excuses into non-fiction can be a difficult task ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/29apr98.html" -->
The boss and the PFY both suffer from computer acronym dependence ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/6may98.html" -->
The PFY is displaying signs of geekism. Can he be saved?
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/13may98.html" -->
The BOFH explains his new 'Management Stack Theory' to the PFY ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/20may98.html" -->
A turncoat beancounter and a computing audit get in the way ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/25may98.html" -->
There's nothing better than a contractor still wet behind the ears ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/3jun98.html" -->
There's nothing the BOFH and PFY love more than a challenge ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/10jun98.html" -->
A spot of humiliation serves the Boss right ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/17jun98.html" -->
The millennium bomb has nothing on BOFHÍs boss on the strength of just one
pint ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/24jun98.html" -->
The BOFH is on course for some tequila in the sun ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/1jul98.html" -->
The BOFH volunteers to man the Helldesk to escape the boredom of routine ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/8jul98.html" -->
Will the BOFH use Roboboss again in this year's gladiatorial clash with the
R&D boys?
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/15jul98.html" -->
While the PFY's holding a torch for Carole, someone's torching the Welsh office
...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/22jul98.html" -->
The BOFH and PFY attend a 'bored' meeting ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/5aug98.html" -->
The building is repainted in the lurid colour scheme of 'Teletubby Land' ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/19aug98.html" -->
The disappearing telecomms manager, his lawnmower and his 'grass-widow' ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/2sep98.html" -->
The BOFH steps in to help with a staff identity crisis ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/9sep98.html" -->
Making a bit on the side by renting out "surplus" desktop capacity
...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/16sep98.html" -->
Hypochondria in the office is all the rage, but when a psychiatrist is called
in it's only a means to an end ...
<!-- /a -->
<li>
<!-- a href="/newbofh/23sep98.html" -->
The BOFH comes to grips with the remote working boom ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/30sep98.html" -->
The BOFH and the PFY are asked to account for their time ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/7oct98.html" -->
The BOFH is feeling the worse for wear after messing with the teatime continuum
...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/14oct98.html" -->
Try telling a hospitalised boss why safety procedures have been ignored ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/21oct98.html" -->
The BOFH is not conned by a bogus computer range ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/28oct98.html" -->
It's not just the BOFH who thinks the boss's credit card'll do nicely ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/4nov98.html" -->
The eye on the wall has seen all - it's time for desperate measures ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/11nov98.html" -->
The BOFH can't resist the cry for help from a fellow bastard in Wales ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/18nov98.html" -->
Free association has its dangers in the company therapy sessions ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/25nov98.html" -->
The BOFH leaves the boss shell-shocked with a Minesweeper depth-charge ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/2dec98.html" -->
The music-loving BOFH sends the boss a message - load and clear
<!-- a -->
</li>
<li>
<!-- a href="/newbofh/9dec98.html" -->
There's a new Bastard in town ...
<!-- /a -->
</li>
<li>
<!-- a href="/newbofh/16dec98.html" -->
The Bastard's devised a handy new utility called the BSD ...
<!-- a -->
</li>
</ul>
</font>
<p> </p>
<p><font face="Verdana"><font size=2><em><a href="/Bastard1999.html" name="New99">The
Bastard '99</a></em></font> </font></p>
<p> </p>
<p><font size="2" face="Verdana"><a href="/Bastard2000.html">The
Bastard '00</a></font></p>
<p> </p>
<p><font size="2" face="Verdana"><a href="/bofh2k/BOFH2k1.rtf">The
Bastard '01</a></font></p>
<p> </p>
<p><font size="2" face="Verdana"><a href="/bofh2k/BOFH2k2.rtf">The
Bastard '02</a></font></p>
<p> </p>
<p><font size="2" face="Verdana"><a href="/bofh2k/BOFH2k3.rtf">The
Bastard '03</a></font></p>
<font face="Verdana">
<hr noshade width=50%>
</font>
<hr>
<h3><font face="Verdana, Arial, Helvetica, sans-serif"><a href="/Quizs.html">Bastard
Quizes</a></font></h3>
<h3><font face="Verdana, Arial, Helvetica, sans-serif"><a href="/ExcuseBoard.html">Bastard
Excuse Board</a></font></h3>
<hr>
<font face="Verdana"> </font><font face="Verdana">
<h3>Electronic Mail<br>
Simon Travaglia (original author): <a href="mailto:[email protected]"><em>[email protected]</em></a></h3>
</font>
<hr noshade>
<p>
<embed src="/AD.mp3" width="205" height="32" loop="true" autoplay="true" controller="true" volume="15"></embed></p>
</BODY>
</HTML>
|
The Bastard Operator From Hell Complete
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**The Bastard Operator From Hell**
***The Complete WWW Edition.***
---
Warning:
This site contains adult themes, violence, profanities, and other such fun stuff.
If it bothers you, just don't read it.
---
***The Original Bastard Menu From
Hell***
*The electronic rights of the original BOFH are owned by DATAMATION
magazine.*
All other rights are retained by Simon Travaglia.
* [Genesis (Striped Irregular Bucket #1)](/bofh/genesis1.html)
* [The Birth of BOFH - Striped Irregular Bucket
#5](/bofh/genesis2.html)
* [Still Birthing the Bastard Operator.. (Bored
#3)](/bofh/genesis3.html)
* [The Bastard Operator From Hell #1](/bofh/bofh1.html)
* [BOFH #2](/bofh/bofh2.html)
* [BOFH #3](/bofh/bofh3.html)
* [BOFH #4](/bofh/bofh4.html)
* [BOFH #5](/bofh/bofh5.html)
* [BOFH #6](/bofh/bofh6.html)
* [BOFH #7](/bofh/bofh7.html)
* [BOFH #8](/bofh/bofh8.html)
* [BOFH #9](/bofh/bofh9.html)
* [BOFH #10](/bofh/bofh10.html)
* [BOFH #11](/bofh/bofh11.html)
* [BOFH #12](/bofh/bofh12.html)
* [BOFH #13](/bofh/bofh13.html)
* [The Bastard System Manager From Hell #1](/bofh/bsmh1.html)
* [The Bastard System Manager From Hell #2](/bofh/bsmh2.html)
* [BOFH #14](/bofh/bofh14.html)
* [BOFH #15](/bofh/bofh15.html)
* [The Bastard Operator From Britain #1](/bofh/bofb1.html)
* [The Bastard Operator From Britain #2](/bofh/bofb2.html)
* [The Last Bastard Operator From Hell](/bofh/lastbofh.html)
*But wait there's more!!!*
* [The Bastard returns briefly](/bofh/brb.html)
* [The Bastard is back](/bofh/bib.html)
* [The Bastard goes to the Trade Show](/bofh/tradeshow.html)
* [The Bastard's still about](/bofh/bsa.html)
* [...The Bastard Celebrates Christmas 95...](/bofh/xmas95.html)
* [The PreHistory of BOFH / The BOFH FAQ](/bofh/bofhfaq.html)
---
***The New Bastard Menu From Hell***
*The electronic rights of the new BOFH are owned by NETWORK
WEEK magazine.*
All other rights are retained by Simon Travaglia.
* [The B.O.F.H. is back ...](/newbofh/bofh6sept.html)
* [The B.O.F.H. trips up ...](/newbofh/bofh13sept.html)
* [The B.O.F.H. gives advice ...](/newbofh/bofh20sept.html)
* [The B.O.F.H. gets a non-PC ...](/newbofh/bofh27sept.html)
* [The B.O.F.H. is on a buying mission ...](/newbofh/bofh4oct.html)
* [The B.O.F.H. wreaks his revenge ...](/newbofh/bofh11oct.html)
* [The B.O.F.H. gets a new boss ...](/newbofh/bofh18oct.html)
* [The B.O.F.H. defines his territory ...](/newbofh/bofh25oct.html)
* [The B.O.F.H. and 'budget contstraints' ...](/newbofh/bofh1nov.html)
* [The B.O.F.H. and the 'C' word ...](/newbofh/bofh8nov.html)
* [The B.O.F.H. and the engineer ...](/newbofh/bofh15nov.html)
* [The B.O.F.H. seeks sweet revenge ...](/newbofh/bofh22nov.html)
* [The B.O.F.H. retaliates ...](/newbofh/bofh29nov.html)
* [The B.O.F.H. and the wheelchair ...](/newbofh/bofh6dec.html)
* [The B.O.F.H. spreads peace and good will
...](/newbofh/bofh13dec.html)
* [The B.O.F.H. sees in the New Year ...](/newbofh/bofh10jan.html)
* [The B.O.F.H. has an appraisal ...](/newbofh/bofh17jan.html)
* [The B.O.F.H. educates a PFY ...](/newbofh/bofh24jan.html)
* [The B.O.F.H. almost meets his match ...](/newbofh/bofh31jan.html)
* [The B.O.F.H., the user and the printer ...](/newbofh/bofh7feb.html)
* [The B.O.F.H. and the salesman ...](/newbofh/bofh14feb.html)
* [The B.O.F.H., the boss and the bribe ...](/newbofh/bofh21feb.html)
* [The B.O.F.H. and the ioniser ...](/newbofh/bofh28feb.html)
* [The B.O.F.H. and the cruise control ...](/newbofh/bofh6mar.html)
* [The B.O.F.H.'s Black Wednesday ...](/newbofh/bofh13mar.html)
* [The B.O.F.H. seeks more revenge ...](/newbofh/bofh20mar.html)
* [The B.O.F.H. has a counselling session
...](/newbofh/bofh27mar.html)
* [The B.O.F.H.'s boss has an 'accident' ...](/newbofh/bofh3apr.html)
* [The B.O.F.H. wants to re-cable ...](/newbofh/bofh17apr.html)
* [The B.O.F.H. does some Future Planning
...](/newbofh/bofh24apr.html)
* [The B.O.F.H. averts a takeover ...](/newbofh/bofh1may.html)
* [The B.O.F.H. meets an unexpected guest ...](/newbofh/bofh8may.html)
* [The B.O.F.H. and the CEO's pet project
...](/newbofh/bofh15may.html)
* [The B.O.F.H. and the PFY's raise ...](/newbofh/bofh22may.html)
* [The B.O.F.H. puts in for an award ...](/newbofh/bofh29may.html)
* [The B.O.F.H. wins the day in France ...](/newbofh/bofh5jun.html)
* [The B.O.F.H. joins an agency ...](/newbofh/bofh12jun.html)
* [The B.O.F.H. plays safe ...](/newbofh/bofh19jun.html)
* [The B.O.F.H. suffers from phone trouble
...](/newbofh/bofh26jun.html)
* [The B.O.F.H. has heated exchange with the
boss ...](/newbofh/bofh3jul.html)
* [The B.O.F.H. becomes a contract killer
...](/newbofh/bofh10jul.html)
* [The B.O.F.H. explains, dummies don't grow
on trees ...](/newbofh/bofh17jul.html)
* [The B.O.F.H. attempts some artistic expenses
...](/newbofh/bofh24jul.html)
* [The B.O.F.H. puts a price tag on user access
...](/newbofh/bofh21aug.html)
* [The B.O.F.H. puts in a day on the helpdesk
...](/newbofh/bofh4sep.html)
* [The B.O.F.H. and his pimply sidekick spread
their network of misery ...](/newbofh/bofh11sep.html)
* [The B.O.F.H. brings the anoraks back to
earth ...](/newbofh/bofh18sep.html)
* [The B.O.F.H. avoids a team-building weekend
...](/newbofh/bofh25sep.html)
* [The PFY battles it out with the B.O.F.H.
...](/newbofh/bofh9oct.html)
* [Beancounter central takes vehement action
...](/newbofh/bofh16oct.html)
* [The B.O.F.H. bides his time to unravel
a mess ...](/newbofh/bofh23oct.html)
* [Don't let the Boss set up a network ...](/newbofh/bofh30oct.html)
* [Infiltration of the e-mail system ...](/newbofh/bofh6nov.html)
* [The B.O.F.H. engages in some underhand
practices ...](/newbofh/bofh13nov.html)
* [Ever tempted to play computer games at
work?](/newbofh/bofh20nov.html)
* [Encryption is forced on the Bastard ...](/newbofh/bofh27nov.html)
* [The PFY falls under a spell ...](/newbofh/bofh4dec.html)
* [Where do you find a new PFY when you want
one?](/newbofh/bofh11dec.html)
*The Bastard '97*
* [A visit from the auditors ...](/newbofh/bofh15jan97.html)
* [A little light fraud ...](/newbofh/bofh22jan97.html)
* [The bean counters try to get sneaky ...](/newbofh/bofh5feb97.html)
* [The B.O.F.H. masters the world of personalisation
...](/newbofh/bofh12feb97.html)
* [The Boss gets all safety-minded ...](/newbofh/bofh19feb97.html)
* [The B.O.F.H. puts in a week on the Helldesk
...](/newbofh/bofh26feb97.html)
* [The B.O.F.H. won't 'wear' the Boss's ideas
...](/newbofh/bofh5mar97.html)
* [The B.O.F.H. is labelled Politically
Unsound ...](/newbofh/bofh12mar97.html)
* [The B.O.F.H. and PFY go on some site
visits ...](/newbofh/bofh19mar97.html)
* [The B.O.F.H. and PFY help sort out a
rival's PSIC problems ...](/newbofh/bofh26mar97.html)
* [The B.O.F.H. wins an award from his peer
group ...](/newbofh/bofh2apr97.html)
* [It really hits the fan as the tables turn
...](/newbofh/bofh9apr97.html)
* [The Bastard puts his newest protege though
a rather nasty baptism ...](/newbofh/bofh16apr97.html)
* [Who said management was easy? ...](/newbofh/bofh23apr97.html)
* [A burnt server gets things off to a good
start ...](/newbofh/bofh30apr97.html)
* [The Bastard goes along to do some, err
... research ...](/newbofh/bofh7may97.html)
* [The Bastard Operator From Hell is off
to the movies ...](/newbofh/bofh14may97.html)
* [The PFY is hardly the life and soul ...](/newbofh/bofh21may97.html)
* [Members of the new stripy shirt brigade
are full of beans and raring to go ...](/newbofh/bofh28may97.html)
* [Local culinary delights with the Bastard
...](/newbofh/bofh4jun97.html)
* [The Bastard Operator From Hell and the
Paintball session ...](/newbofh/bofh11jun97.html)
* [The PFY takes the 'how to be a Bastard
Operator From Hell' test ...](/newbofh/bofh18jun97.html)
* [The B.O.F.H. is given lessons in how
to be a shiny happy IT manager ...](/newbofh/bofh25jun97.html)
* [A little sabotage is in the offing ...](/newbofh/bofh2jul97.html)
* [The B.O.F.H. goes on a trade show outing
...](/newbofh/bofh9jul97.html)
* [The PFY is forced to dip into the favour
bank ...](/newbofh/bofh16jul97.html)
* [The disaster recovery budget proves to
be a sore point ...](/newbofh/bofh10sep97.html)
* [The PFY has accumulated a number of complaints
in his new role ...](/newbofh/bofh17sep97.html)
* [The boss tries to out-bastard the Bastard
...](/newbofh/bofh24sep97.html)
* [The boss tries to oust the BOFH and the
PFY again ...](/newbofh/bofh1oct97.html)
* [The PFY shows compassion to a user ...](/newbofh/bofh8oct97.html)
* [The PFY comes to the rescue with a cunning
plan ...](/newbofh/bofh15oct97.html)
* [The scent of restructuring is in the
air ...](/newbofh/bofh22oct97.html)
* [A run-in with the company cafeteria leaves
the BOFH porcelain bound ...](/newbofh/bofh29oct97.html)
* [The boss has been 'encouraged' to relocate
to Tonga ...](/newbofh/bofh5nov97.html)
* [The new boss discovers that sometimes
learning can be painful ...](/newbofh/bofh12nov97.html)
* [The Bastard takes a trip out of town
...](/newbofh/bofh19nov97.html)
* [While the Bastard's away ...](/newbofh/bofh26nov97.html)
* [The BOFH and the new purchasing system
...](/newbofh/bofh3dec97.html)
* [The BOFH in the season of Good Will ...](/newbofh/bofh10dec97.html)
*[The Bastard '98](/Bastard1998-1.html)*
* The BOFH is visited by the ghost of Christmas past ...
* There is still love and compassion in the world of network management ...
* A visitor from the past is impressed by modern standards of bastardly behaviour
...
* How a career in modelling leads to an executive position ...
* The boss needs to track down two mysterious contractors ...
* The BOFH shows corporate spirit in a team-building event ...
* The BOFH stays cool while a stocktaking session gets hot ...
* The BOFH Has a cunning plan to knock the helldesk down to size ...
* Shape up or face budget cuts - what will the BOFH do?
* The users are away from the office... and the BOFH and PFY miss them?
* While the PFY plays Tunnel-Monkey, the BOFH has other fish to fry ...
* The presence of the company architect inspires a bit of bastardly trickery
...
* Why would anyone leave the BOFH and the PFY out of games day?
* A US buyout results in a visit stateside and plenty of new kit...all expensives
paid
* Translating engineer excuses into non-fiction can be a difficult task ...
* The boss and the PFY both suffer from computer acronym dependence ...
* The PFY is displaying signs of geekism. Can he be saved?
* The BOFH explains his new 'Management Stack Theory' to the PFY ...
* A turncoat beancounter and a computing audit get in the way ...
* There's nothing better than a contractor still wet behind the ears ...
* There's nothing the BOFH and PFY love more than a challenge ...
* A spot of humiliation serves the Boss right ...
* The millennium bomb has nothing on BOFHÍs boss on the strength of just one
pint ...
* The BOFH is on course for some tequila in the sun ...
* The BOFH volunteers to man the Helldesk to escape the boredom of routine ...
* Will the BOFH use Roboboss again in this year's gladiatorial clash with the
R&D boys?
* While the PFY's holding a torch for Carole, someone's torching the Welsh office
...
* The BOFH and PFY attend a 'bored' meeting ...
* The building is repainted in the lurid colour scheme of 'Teletubby Land' ...
* The disappearing telecomms manager, his lawnmower and his 'grass-widow' ...
* The BOFH steps in to help with a staff identity crisis ...
* Making a bit on the side by renting out "surplus" desktop capacity
...
* Hypochondria in the office is all the rage, but when a psychiatrist is called
in it's only a means to an end ...
* The BOFH comes to grips with the remote working boom ...
* The BOFH and the PFY are asked to account for their time ...
* The BOFH is feeling the worse for wear after messing with the teatime continuum
...
* Try telling a hospitalised boss why safety procedures have been ignored ...
* The BOFH is not conned by a bogus computer range ...
* It's not just the BOFH who thinks the boss's credit card'll do nicely ...
* The eye on the wall has seen all - it's time for desperate measures ...
* The BOFH can't resist the cry for help from a fellow bastard in Wales ...
* Free association has its dangers in the company therapy sessions ...
* The BOFH leaves the boss shell-shocked with a Minesweeper depth-charge ...
* The music-loving BOFH sends the boss a message - load and clear
* There's a new Bastard in town ...
* The Bastard's devised a handy new utility called the BSD ...
*[The
Bastard '99](/Bastard1999.html)*
[The
Bastard '00](/Bastard2000.html)
[The
Bastard '01](/bofh2k/BOFH2k1.rtf)
[The
Bastard '02](/bofh2k/BOFH2k2.rtf)
[The
Bastard '03](/bofh2k/BOFH2k3.rtf)
---
---
### [Bastard
Quizes](/Quizs.html)
### [Bastard
Excuse Board](/ExcuseBoard.html)
---
### Electronic Mail
Simon Travaglia (original author): [*[email protected]*](mailto:[email protected])
---
| http://bofh.bjash.com/ |
<HTML>
<HEAD>
<TITLE> Cosmic Encounter WWW Page </TITLE>
<link REL="icon" HREF="http://scv.bu.edu/~aarondf/Webgifs/lhh_wh5.jpg" TYPE="image/jpg">
</HEAD>
<BODY background="../Webgifs/cubes01.gif">
<center>
<H1 ALIGN=CENTER> Welcome to my Cosmic Encounter WWW Index page </H1>
<H3> <A HREF="../aboutme.html"> Aaron Fuegi </A>
, Maintainer, ADF
(<A HREF="mailto:[email protected]">[email protected]</A>) </H3>
<P>
<H3> You can also visit <A HREF="../home.html"> the Last Homely House, </A> run by Aaron and, perhaps
<A HREF="http://scv.bu.edu/cgi-bin/perl/guest/guestentry">sign in to the House's Guestbook</A></H3>
<IMG SRC="cosorig.gif" ALT="Image of a Cosmic Game">
<BR>(Image is from
<A HREF="eonce.jpg">Eon original version</A>. Many things are different in
other version such as the Destiny Pile uses Cards, not Discs).
</center>
<P>
<A HREF="gencon27.jpg"><IMG SRC="gencon27-sm.jpg" ALIGN=LEFT></A>
<P>
The image at the left shows Greg and
Peter Olotka demonstrating the Hasbro/Avalon Hill version of Cosmic Encounter at GenCon (10/20/00). The current version is the Fantasy Flight version which has a number of expansions. There is a nice article on the history of the game at: <a href="http://www.eurogamer.net/articles/2016-03-06-the-making-of-cosmic-encounter-the-greatest-boardgame-in-the-galaxy">http://www.eurogamer.net/articles/2016-03-06-the-making-of-cosmic-encounter-the-greatest-boardgame-in-the-galaxy</a>.
<P>
I have developed these pages as an aid to the Players of the board game
<B>Cosmic Encounter</B>, orginally put out by
<A HREF="http://www.gamereport.com/tgr6/eongames.html">Eon</A>
and later produced by others such as West End Games, Mayfair Games, Hasbro/Avalon Hill, and now Fantasy Flight.
There are already a couple of useful sites relating to Cosmic but none which
include all of the available links and information. In particular, the
expansions and other ideas posted to the newsgroup
<A HREF="news:rec.games.board.ce"> rec.games.board.ce</A> are not available
anywhere. Special thanks to Steven Staton, Kurt Adam, Bryan Bowe, Jack Reda,
and all posters to the CE newsgroup.
<P>
For those interested in purchasing the game, you can purchase the currently in
print Fantasy Flight version or you can search for an earlier long out-of-print
version. The Eon set is out of print and generally very expensive when
individuals do sell it. The Mayfair set and its expansions (CE) are also out
of print and expensive to get when sold on eBay or the like.
<P>
Disclaimer: All of this material was freely posted to the newsgroup
<A HREF="news:rec.games.board.ce"> rec.games.board.ce</A> or is available on
the Web. Unless an author objects to his material being here(in which case
I will try to remove it) this material is freely available for your use as long
as you follow the restrictions which may be listed in a given article. NO
guarantees are made to the accuracy, completeness, or anything else of any of
this material. The material is distributed as is and may or may not be useful
to you. In some cases, I have done some minor editing to individual articles,
primarily to improve the formatting by restricting lines to 80 characters in
length and moving the news headers to the bottom of the articles. In the
very few places where I have actually added any material, it will be noted by
the notation <B>(ADF)</B>.
<P>
<H3> Aaron's Requests </H3>
<UL>
<li> My email address is
<A HREF="../mail.html"><b>[email protected]</b></A> so send your comments and
suggestions there.
<li> If you have any updates to present information or more
recent/different/interesting info that might be good to have as part of this
page please let me know.
<li> If there are any other CE pages or material out there, let me know
about it and I will add links as appropriate.
</UL>
<H3>Cosmic Notes (also, read the
<A HREF="http://www.faqs.org/faqs/games/cosmic-encounter-faq/">FAQ</A>)</H3>
<UL>
<LI><B>Abbreviations/Short Forms</B>: <BR>
<B>CE</B> or <B>Cosmic</B> - The game Cosmic Encounter, all variations.<BR>
<B>FF CE</B> - Currently in print Fantasy Flight edition.<BR>
<B>AH CE</B> - Avalon Hill edition. Rules are basically those of the Eon version but many names are changed.<BR>
<B>Mayfair Version</B> - Mayfair version of Cosmic Encounter, includes MCE.<BR>
<B>Mayfair CE</B> - Mayfair "Cosmic Encounter" set, does <B>not</B> include MCE.<BR>
<B>MCE</B> - More Cosmic Encounter, the Mayfair Game expansion set.<BR>
<B>Eon Version</B> - Old Eon version of Cosmic (see below).<BR>
<LI><B>Major Differences in the Eon Version</B>: (from the Mayfair Version)<BR>
<A HREF="ce_diffs.html">See this newsgroup discussion of other differences in the versions.</A>
<BR>
<B>1) Lucre</B> add to total in challenges. Each player starts the game with 4
Lucre and gets 1 additional Lucre per turn. Lucre can be used <B>only</B> to
buy tokens from the Warp(/Praw) or cards from the deck on a one-for-one
basis. Our house rule on conversion from Mayfair to Eon Lucre amounts is
'divide by 3 and round up'.<BR>
<B>2) Flares</B>, unless they specifically say they are "discard after use",
are multiple-use. You can continue using most flares as often as appropriate
until you get a new hand or the flare is flare-zapped or you lose the card.
See the link to the <B>Full Eon Rules</B> below. This applies to both
Wild and Super Flares.
<LI><A HREF="ce_mayfair.txt">Note from Tom Smith at Mayfair Games regarding
Mayfair's current plans for future CE expansions.</A> (7/19/96)
<LI><A HREF="ce_mayfair2.txt">Another note from Tom Smith regarding Cosmic's
status now that Mayfair is gone.</A> (2/10/97)
<LI>Mayfair is out of the Cosmic business and the license to the game is
now available again. Details on this are thanks to
<A HREF="sauer.txt">Nick Sauer's post to r.g.b.ce</A>. (6/20/97)
</UL>
<H3> Other Cosmic Encounter Sites</H3>
<UL>
<LI><A HREF="http://www.cosmicencounter.com/">Play Cosmic online</A> in this somewhat simplified Eon version.
<LI><A HREF="http://en.wikipedia.org/wiki/Cosmic_encounter">Cosmic Encounter Wikipedia article</A>
<LI><A HREF="http://www.boardgamegeek.com/game/15">Cosmic Encounter Boardgamegeek page</A>
<LI><A HREF="cehistory.html">Cosmic Encounter History: Companies, Awards and Quotations</A>
<LI><A HREF="http://www.faqs.org/faqs/games/cosmic-encounter-faq/">Cosmic Encounter FAQ</A> - by Kurt Adam
<LI><A HREF="ftpsite/">Cosmic Encounter FTP site</A> (and some <A HREF="cepsfiles.html">instructions</A> for getting files off it into a usable state)
<LI>Jack Reda's CE Page - Archive of the expansions he has written (including <A HREF="http://redamedia.com/warp/">The Warp</A>).
<LI><A HREF="http://www.gamecabinet.com/ruleComments/CosmicEncounterComponents.html">Eon, West End Games and Games Workshop editions Cosmic Encounter Component Lists</A> for the basic set and all expansions. (<A HREF="ahce_manifest.html">Avalon Hill CE components list</A>)
<LI><B>CE-related pages</B><UL>
<LI><A HREF="http://www.sjgames.com/illuminati/designart.html">Steve Jackson on the design of Illuminati</A>, including what Illuminati's design owes to Steve's admiration of CE.
<LI>Desert Island Games is a feature of Peter Sarrett's game newsletter <A HREF="http://www.gamereport.com/index.shtml">The Game Report</A> and asks people to choose the 10 games they would take to a desert island. Amazingly, Cosmic appears on 3 lists (including 2 first choices) and is a runner-up on another one. This is out of only 6 lists!<UL>
<LI><A HREF="http://www.gamereport.com/tgr5/dig.html">Peter Sarrett's Desert Island Games article</A> (1st choice)
<LI><A HREF="http://www.gamereport.com/tgr11/dig.html">Mike Gray's Desert Island Games article</A>
<LI><A HREF="http://www.gamereport.com/tgr12/dig.html">Kris Gould's Desert Island Games article</A> (1st choice)
</UL>
<LI><A HREF="http://www.gamecabinet.com/biography/KenTidwell.html">Ken Tidwell (editor of the Game Cabinet's) gaming history</A>
<LI>In <A HREF="http://www.gamecabinet.com/sumo/InsidePitch/HallOfFame.html">The Siggins Hall of Fame</A>
</UL>
</UL>
<P>
<H3> CE Expansions off the Net (latest version I have a copy of) </H3>
<UL><B>Rules Variations</B>
<LI> <A HREF="cosmic4two.html">Two Player Cosmic Encounter Variant</A> - new
<li> <A HREF="powerselect.html">Power Selection</A><UL>
<LI><A HREF="oneshot.html">One-Shot Powers</A></UL>
<li> <A HREF="ceclass.html">CE Optional Rules Complexity Classifcation</A> list
<li> <A HREF="powercombos.html">Best Power Combinations</A>
<LI> <A HREF="houserules.sm.txt">House Rules</A> - Scott MacPherson with comments by Gerald Katz and Aaron Fuegi.
<li> <A HREF="houserulesgh.html">House Rules</A> - Gary Huckabay
(includes Power and Card modifications)
</UL>
<UL><B>Powers</B> (Format: Power Set Name (# of powers))
<LI> <A HREF="ceratings.html">Players rank the Mayfair powers</A> in terms of game strength
<LI><B>Framingham, MA Group Powers</B> - developed by Matt Stone, Rick Katz, Mark Katzoff, Pete Dateo, Aaron Fuegi, Phil Hill, Andy Latto, Ben Berman, Brad Seidel, Mark Amidon, Joe Lundy, Peter Sarrett, Gerald Katz, Alex Kay, Ed Lopez and playtested by the first 10 of these people plus others.<UL>
<LI>Powers are not listed which we use basically in their original form from either the Eon or Mayfair sets.
<LI>These powers have, for the most part, been <B>extensively</B> playtested - the original 4 members of our group (first 4 names above) have been playing regularly since Eon first introduced the game. However, given the number of powers and the nature of Cosmic, you may still have problems. Eventually I will put here a set of house rules of our group which may help to clarify some difficulties.
<LI>Mayfair Compatibility Issues: <UL>
<LI>"Do not use with...": If a power says not to use it with another power, <A HREF="fg_houserules.txt">this is what it means</A>.
<LI>The Praw and Hazards: These are two expansions we generally don't use but which some powers require. If you don't understand the Praw (Eon), don't use it. Hazards (Matt's homemade expansion) are linked to elsewhere on this page. A little more information on how we use these expansions is <A HREF="fg_houserules.txt">here</A>.
<LI>Lucre: Eon Lucre are worth much more than Mayfair Lucre, our scheme to convert from Mayfair to Eon is "divide by 3 and round up". "Multiply by 3" is thus probably reasonable for the reverse conversion.
<LI>Star Discs: These don't exist in Mayfair. This is basically just a spot on your system where your Lucre goes. In Eon, it is a cardboard disc of the same color as your tokens and is placed on one's system hex.
</UL>
<LI><A HREF="fg_powers.txt">Powers in text form with authors credited whenever possible.</A>
<LI><A HREF="fg_powers3.ps">Powers in PostScript format suitable for printing - 3 per page</A> (also <A HREF="fg_powers3.pdf">in PDF</A> thanks to Tim Moore)
<LI><A HREF="fg_powers6.ps">Powers in PostScript format suitable for printing - 6 per page</A> (also <A HREF="fg_powers6.pdf">in PDF</A> thanks to Tim Moore)
<LI><A HREF="fg_flares.ps">Flares in PostScript format suitable for printing - 9 per page</A> (also <A HREF="fg_flares.pdf">in PDF</A>)- Flares for most, but not all, powers are available.
</UL>
<LI> <A HREF="newpowers_gk.html">New Powers, Flares and Other Cards from Gerald Katz</A>
<li> <A HREF="badpowers.html">Bad Powers (32)</A>
<li> <A HREF="sonicpowers.html">New Powers from Sonic (4)</A>
</UL>
<UL><B>Moons</B> (Format: Expansion Name (# of moons))
<li> <A HREF="moons.html">Moons List (100)</A>
</UL>
<UL><B>Cards</B> (primarily card-based expansions)
<li> <A HREF="newedicts.html">New Edicts</A> (Added Aug. 21, 1995)
<LI> <A HREF="newpowers_gk.html">New Powers, Flares and Other Cards from Gerald Katz</A>
<li> <A HREF="hazards.html">Hazards</A>
<li> <A HREF="zodiac.html">Zodiac</A>
<li> <A HREF="quarks.html">Quarks</A>
<li> <A HREF="elementals.html">Elementals</A>
<li> <A HREF="War/bbcewrt0.html">War Cards</A>
<li> <A HREF="subterfuge.html">Subterfuge</A> (includes 1 related power)
<li> <A HREF="specchal.html">Special Challenge Cards</A> (Added March 1, 1996)
</UL>
<UL><B>Tokens</B> (primarily token-based expansions)
<li> <A HREF="rogues.html">Rogues</A>
<li> <A HREF="skill.html">Skill Tokens</A>
</UL>
<UL><B>Miscellaneous</B>
<li> <A HREF="homemadece.html">How to make your own Eon CE set</A> - Erich Schneider
<li> <A HREF="http://www.scubamonkeysoftware.com/cosmic/daggers/daggers.html">Daggers</A> - Kimberly and Jason Cook
<li> <A HREF="cospoker.html">Cosmic Poker, Version 1</A> - Pat Luther
<li> <A HREF="newcospoker.html">New Cosmic Poker</A> - Bryan Bowe
<li> <A HREF="cosdune.html">Cosmic Dune</A>
<li> <A HREF="oort.html">Oort Cloud and Space Stations</A>
<li> <A HREF="rebellion.html">The Rebellion</A> - Added player expansion.
<li> <A HREF="planetoids.html">Planetoids</A>
<li> <A HREF="tech.html">Tech</A>
<li> <A HREF="ftp/asteroids.html">Asteroids (html version)</A> and
<A HREF="ftp/asteroids.ps">images to use with Asteroids (PostScript file)</A>
<li> <A HREF="althexcards.html">Alternate Hex Cards</A>
</UL>
<UL><B>Files off the Cosmic FTP site</B> (uncompressed text version of <B>.zoo</B> files)
<li> <A HREF="ftp/washu.powers.txt">WashU</A>
<li> <A HREF="ftp/prisoners/">Prisoners</A> (directory, 5 files)
<li> <A HREF="ftp/NickPowers/">Nick Sauer's Powers</A> (directory, 3 files)
</UL>
<HR>
<DT>
<CENTER><B>Access Count</B><BR>
<IMG SRC="http://scv.bu.edu/cgi-bin/count?link=aarondf/cosmic/index.html&increase=1&image_set=6"></CENTER>
<center>
<P>
<b>Maintained by:</b><BR>
<A HREF="../aboutme.html"> Aaron Douglass Fuegi </A> ([email protected])</P>
</center>
</DL>
</i>
</HTML>
|
Cosmic Encounter WWW Page
# Welcome to my Cosmic Encounter WWW Index page
### [Aaron Fuegi](../aboutme.html)
, Maintainer, ADF
([[email protected]](mailto:[email protected]))
### You can also visit [the Last Homely House,](../home.html) run by Aaron and, perhaps
[sign in to the House's Guestbook](http://scv.bu.edu/cgi-bin/perl/guest/guestentry)
(Image is from
[Eon original version](eonce.jpg). Many things are different in
other version such as the Destiny Pile uses Cards, not Discs).
[](gencon27.jpg)
The image at the left shows Greg and
Peter Olotka demonstrating the Hasbro/Avalon Hill version of Cosmic Encounter at GenCon (10/20/00). The current version is the Fantasy Flight version which has a number of expansions. There is a nice article on the history of the game at: <http://www.eurogamer.net/articles/2016-03-06-the-making-of-cosmic-encounter-the-greatest-boardgame-in-the-galaxy>.
I have developed these pages as an aid to the Players of the board game
**Cosmic Encounter**, orginally put out by
[Eon](http://www.gamereport.com/tgr6/eongames.html)
and later produced by others such as West End Games, Mayfair Games, Hasbro/Avalon Hill, and now Fantasy Flight.
There are already a couple of useful sites relating to Cosmic but none which
include all of the available links and information. In particular, the
expansions and other ideas posted to the newsgroup
[rec.games.board.ce](news:rec.games.board.ce) are not available
anywhere. Special thanks to Steven Staton, Kurt Adam, Bryan Bowe, Jack Reda,
and all posters to the CE newsgroup.
For those interested in purchasing the game, you can purchase the currently in
print Fantasy Flight version or you can search for an earlier long out-of-print
version. The Eon set is out of print and generally very expensive when
individuals do sell it. The Mayfair set and its expansions (CE) are also out
of print and expensive to get when sold on eBay or the like.
Disclaimer: All of this material was freely posted to the newsgroup
[rec.games.board.ce](news:rec.games.board.ce) or is available on
the Web. Unless an author objects to his material being here(in which case
I will try to remove it) this material is freely available for your use as long
as you follow the restrictions which may be listed in a given article. NO
guarantees are made to the accuracy, completeness, or anything else of any of
this material. The material is distributed as is and may or may not be useful
to you. In some cases, I have done some minor editing to individual articles,
primarily to improve the formatting by restricting lines to 80 characters in
length and moving the news headers to the bottom of the articles. In the
very few places where I have actually added any material, it will be noted by
the notation **(ADF)**.
### Aaron's Requests
* My email address is
[**[email protected]**](../mail.html) so send your comments and
suggestions there.
* If you have any updates to present information or more
recent/different/interesting info that might be good to have as part of this
page please let me know.
* If there are any other CE pages or material out there, let me know
about it and I will add links as appropriate.
### Cosmic Notes (also, read the
[FAQ](http://www.faqs.org/faqs/games/cosmic-encounter-faq/))
* **Abbreviations/Short Forms**:
**CE** or **Cosmic** - The game Cosmic Encounter, all variations.
**FF CE** - Currently in print Fantasy Flight edition.
**AH CE** - Avalon Hill edition. Rules are basically those of the Eon version but many names are changed.
**Mayfair Version** - Mayfair version of Cosmic Encounter, includes MCE.
**Mayfair CE** - Mayfair "Cosmic Encounter" set, does **not** include MCE.
**MCE** - More Cosmic Encounter, the Mayfair Game expansion set.
**Eon Version** - Old Eon version of Cosmic (see below).
* **Major Differences in the Eon Version**: (from the Mayfair Version)
[See this newsgroup discussion of other differences in the versions.](ce_diffs.html)
**1) Lucre** add to total in challenges. Each player starts the game with 4
Lucre and gets 1 additional Lucre per turn. Lucre can be used **only** to
buy tokens from the Warp(/Praw) or cards from the deck on a one-for-one
basis. Our house rule on conversion from Mayfair to Eon Lucre amounts is
'divide by 3 and round up'.
**2) Flares**, unless they specifically say they are "discard after use",
are multiple-use. You can continue using most flares as often as appropriate
until you get a new hand or the flare is flare-zapped or you lose the card.
See the link to the **Full Eon Rules** below. This applies to both
Wild and Super Flares.
* [Note from Tom Smith at Mayfair Games regarding
Mayfair's current plans for future CE expansions.](ce_mayfair.txt) (7/19/96)
* [Another note from Tom Smith regarding Cosmic's
status now that Mayfair is gone.](ce_mayfair2.txt) (2/10/97)
* Mayfair is out of the Cosmic business and the license to the game is
now available again. Details on this are thanks to
[Nick Sauer's post to r.g.b.ce](sauer.txt). (6/20/97)
### Other Cosmic Encounter Sites
* [Play Cosmic online](http://www.cosmicencounter.com/) in this somewhat simplified Eon version.
* [Cosmic Encounter Wikipedia article](http://en.wikipedia.org/wiki/Cosmic_encounter)* [Cosmic Encounter Boardgamegeek page](http://www.boardgamegeek.com/game/15)* [Cosmic Encounter History: Companies, Awards and Quotations](cehistory.html)* [Cosmic Encounter FAQ](http://www.faqs.org/faqs/games/cosmic-encounter-faq/) - by Kurt Adam
* [Cosmic Encounter FTP site](ftpsite/) (and some [instructions](cepsfiles.html) for getting files off it into a usable state)
* Jack Reda's CE Page - Archive of the expansions he has written (including [The Warp](http://redamedia.com/warp/)).
* [Eon, West End Games and Games Workshop editions Cosmic Encounter Component Lists](http://www.gamecabinet.com/ruleComments/CosmicEncounterComponents.html) for the basic set and all expansions. ([Avalon Hill CE components list](ahce_manifest.html))
* **CE-related pages**
+ [Steve Jackson on the design of Illuminati](http://www.sjgames.com/illuminati/designart.html), including what Illuminati's design owes to Steve's admiration of CE.
+ Desert Island Games is a feature of Peter Sarrett's game newsletter [The Game Report](http://www.gamereport.com/index.shtml) and asks people to choose the 10 games they would take to a desert island. Amazingly, Cosmic appears on 3 lists (including 2 first choices) and is a runner-up on another one. This is out of only 6 lists!
- [Peter Sarrett's Desert Island Games article](http://www.gamereport.com/tgr5/dig.html) (1st choice)
- [Mike Gray's Desert Island Games article](http://www.gamereport.com/tgr11/dig.html)- [Kris Gould's Desert Island Games article](http://www.gamereport.com/tgr12/dig.html) (1st choice)+ [Ken Tidwell (editor of the Game Cabinet's) gaming history](http://www.gamecabinet.com/biography/KenTidwell.html)+ In [The Siggins Hall of Fame](http://www.gamecabinet.com/sumo/InsidePitch/HallOfFame.html)
### CE Expansions off the Net (latest version I have a copy of)
**Rules Variations*** [Two Player Cosmic Encounter Variant](cosmic4two.html) - new
* [Power Selection](powerselect.html)
+ [One-Shot Powers](oneshot.html)* [CE Optional Rules Complexity Classifcation](ceclass.html) list
* [Best Power Combinations](powercombos.html)* [House Rules](houserules.sm.txt) - Scott MacPherson with comments by Gerald Katz and Aaron Fuegi.
* [House Rules](houserulesgh.html) - Gary Huckabay
(includes Power and Card modifications)
**Powers** (Format: Power Set Name (# of powers))
* [Players rank the Mayfair powers](ceratings.html) in terms of game strength
* **Framingham, MA Group Powers** - developed by Matt Stone, Rick Katz, Mark Katzoff, Pete Dateo, Aaron Fuegi, Phil Hill, Andy Latto, Ben Berman, Brad Seidel, Mark Amidon, Joe Lundy, Peter Sarrett, Gerald Katz, Alex Kay, Ed Lopez and playtested by the first 10 of these people plus others.
+ Powers are not listed which we use basically in their original form from either the Eon or Mayfair sets.
+ These powers have, for the most part, been **extensively** playtested - the original 4 members of our group (first 4 names above) have been playing regularly since Eon first introduced the game. However, given the number of powers and the nature of Cosmic, you may still have problems. Eventually I will put here a set of house rules of our group which may help to clarify some difficulties.
+ Mayfair Compatibility Issues:
- "Do not use with...": If a power says not to use it with another power, [this is what it means](fg_houserules.txt).
- The Praw and Hazards: These are two expansions we generally don't use but which some powers require. If you don't understand the Praw (Eon), don't use it. Hazards (Matt's homemade expansion) are linked to elsewhere on this page. A little more information on how we use these expansions is [here](fg_houserules.txt).
- Lucre: Eon Lucre are worth much more than Mayfair Lucre, our scheme to convert from Mayfair to Eon is "divide by 3 and round up". "Multiply by 3" is thus probably reasonable for the reverse conversion.
- Star Discs: These don't exist in Mayfair. This is basically just a spot on your system where your Lucre goes. In Eon, it is a cardboard disc of the same color as your tokens and is placed on one's system hex.+ [Powers in text form with authors credited whenever possible.](fg_powers.txt)+ [Powers in PostScript format suitable for printing - 3 per page](fg_powers3.ps) (also [in PDF](fg_powers3.pdf) thanks to Tim Moore)
+ [Powers in PostScript format suitable for printing - 6 per page](fg_powers6.ps) (also [in PDF](fg_powers6.pdf) thanks to Tim Moore)
+ [Flares in PostScript format suitable for printing - 9 per page](fg_flares.ps) (also [in PDF](fg_flares.pdf))- Flares for most, but not all, powers are available.* [New Powers, Flares and Other Cards from Gerald Katz](newpowers_gk.html)* [Bad Powers (32)](badpowers.html)* [New Powers from Sonic (4)](sonicpowers.html)
**Moons** (Format: Expansion Name (# of moons))
* [Moons List (100)](moons.html)
**Cards** (primarily card-based expansions)
* [New Edicts](newedicts.html) (Added Aug. 21, 1995)
* [New Powers, Flares and Other Cards from Gerald Katz](newpowers_gk.html)* [Hazards](hazards.html)* [Zodiac](zodiac.html)* [Quarks](quarks.html)* [Elementals](elementals.html)* [War Cards](War/bbcewrt0.html)* [Subterfuge](subterfuge.html) (includes 1 related power)
* [Special Challenge Cards](specchal.html) (Added March 1, 1996)
**Tokens** (primarily token-based expansions)
* [Rogues](rogues.html)* [Skill Tokens](skill.html)
**Miscellaneous*** [How to make your own Eon CE set](homemadece.html) - Erich Schneider
* [Daggers](http://www.scubamonkeysoftware.com/cosmic/daggers/daggers.html) - Kimberly and Jason Cook
* [Cosmic Poker, Version 1](cospoker.html) - Pat Luther
* [New Cosmic Poker](newcospoker.html) - Bryan Bowe
* [Cosmic Dune](cosdune.html)* [Oort Cloud and Space Stations](oort.html)* [The Rebellion](rebellion.html) - Added player expansion.
* [Planetoids](planetoids.html)* [Tech](tech.html)* [Asteroids (html version)](ftp/asteroids.html) and
[images to use with Asteroids (PostScript file)](ftp/asteroids.ps)* [Alternate Hex Cards](althexcards.html)
**Files off the Cosmic FTP site** (uncompressed text version of **.zoo** files)
* [WashU](ftp/washu.powers.txt)* [Prisoners](ftp/prisoners/) (directory, 5 files)
* [Nick Sauer's Powers](ftp/NickPowers/) (directory, 3 files)
---
**Access Count**
**Maintained by:**
[Aaron Douglass Fuegi](../aboutme.html) ([email protected])
| http://scv.bu.edu/~aarondf/cosmic/ |
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<title>MANWEB Lister Drive Liverpool</title>
<META name= "keywords" content="Manweb, Merseyside and North Wales, Liverpool, Merseyside, Lister Drive, Bridle Road, CEGB,
Scottish Power, Electricity, Electricity Board, generation, electricity distribution, sub-stations, power stations,">
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<table class="gold" summary="setting borders" border="10">
<tr><td>
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<tr>
<td align="center">
<img src="manweblogo.jpg" border="0" width="100" height="100" alt="manweblogo" />
</td>
<td align="center">
<h2><font color=yellow>MANWEB<br></h3>
<h5> Started as Lister Drive site but now across all MANWEB Areas<br> and looking for more photos from all areas</h5>
<br>Please respect the copyright of photos on this site © <h4> Click on photos to enlarge</h4>
<h6><i>Anyone interested in
joining in especially with updates and corrections, please contact Ed Quinn on the following e-mail. </i></h6>
<h6><i>Email:
<a href="mailto:[email protected]">[email protected]</a></i></h6>
<td align="center">
<img src="manwebheaderthumb.jpg" border="0" width="140" height="100" alt="manweb logo" />
</td></tr></table>
<table summary="main table">
<tr>
<td align="center" valign="top">
<a href="juliestats.htm"><img style="border:none" src="juliefoy.jpg" width="100" height="62" alt="" /></a>
<h5><b>Images from the Julie Foy-Clark Collection</b></h5></td>
<td align="center" valign="top">
<a href="hoylake1111.htm"><img style="border:none" src="hoylakefromabovea.jpg" width="92" height="59" alt="" /></a>
<h5><b>Hoylake Training Centre<br> NEW LINK</b></h5></td>
<td align="center" valign="top">
<a href="Contactindexstats.htm"><img style="border:none" src="Contact2.jpg" width="82" height="62" alt="" /></a>
<h5><b> 214 Contact on line 05-05-2015<br> and 275 by year end <br> 293 in 2016 and 332 now on line Jan 2021
<br>Please help to fill in gaps. Latest added is November 1968.
</b></h5></td>
<td align="center" valign="top">
<a href="documentstats.htm"><img style="border:none" src="electric advertMarch1937.jpg" width="62" height="59" alt="" /></a>
<h5><b>Selection of Historical Documents <br> </b></h5></td>
<td align="center" valign="top">
<a href="newitems.htm"><img style="border:none" src="titlepages.jpg" width="92" height="62" alt="" /></a>
<h5><b> Latest Changes, updated<br> May 2021 <br> Mainly in Runcorn High Street</b></h5></td>
</table> <table><tr>
<td align="center" valign="top">
<a href="variousstaff.htm"><img style="border:none" src="image0-36map.jpg" width="62" height="62" alt="" /></a>
<h5><b> A selection of MANWEB Staff<br> over the years</b></h5></td>
<td align="center" valign="top">
<a href="listerdrivestats.htm"><img style="border:none" src="listerdriveview.jpg" width="62" height="62" alt="" /></a>
<h5><b> Lister Drive memories </b></h5></td>
<td align="center" valign="top">
<a href="photosstats.htm"><img style="border:none" src="manwebheaderthumb.jpg" width="62" height="62" alt="" /></a>
<h5><b> Various Photos and links </b></h5></td>
<td align="center" valign="top">
<a href="demolitionstats.htm"><img style="border:none" src="ClarenceDockdemolition1.jpg" width="62" height="62" alt="" /></a>
<h5><b> A few Demolition Photos </b></h5></td>
<td align="center" valign="top">
<a href="pumpfieldsstats.htm"><img style="border:none" src="pumpfields2014b.jpg" width="62" height="62" alt="" /></a>
<h5><b> Pumpfields Liverpool </b></h5></td>
<table>
<td align="center" valign="top">
<a href="gardenstats.htm"><img style="border:none" src="festivallogo.jpg" width="92" height="59" alt="" /></a>
<h5><b>Liverpool IGF</b></h5></td>
<td align="center" valign="top">
<a href="mikehall.htm"><img style="border:none" src="report14.jpg" width="100" height="122" alt="" /></a>
<h5><b>Images from the Mike Hall Collection<br></b></h5></td>
<td align="center" valign="top">
<a href="alexstats.htm"><img style="border:none" src="history.jpg" width="62" height="62" alt="" /></a>
<h5><b> Alex Eden's History </b></h5></td>
<td align="center" valign="top">
<a href="brianstats.htm"><img style="border:none" src="brian31.jpg" width="62" height="59" alt="" /></a>
<h5><b>Fiddlers Ferry <br> and new Runcorn Widnes Bridge</b></h5></td>
</td></tr>
</table></body></html>
|
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MANWEB Lister Drive Liverpool
.button1 {width: 140px; height: 30px;}
img {border:none}
| | | | | | | | | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
|
| | | |
| --- | --- | --- |
| manweblogo | MANWEB
Started as Lister Drive site but now across all MANWEB Areas and looking for more photos from all areas
Please respect the copyright of photos on this site © Click on photos to enlarge
*Anyone interested in
joining in especially with updates and corrections, please contact Ed Quinn on the following e-mail.*
*Email:
[[email protected]](mailto:[email protected])*
manweb logo | |
| | | | | |
| --- | --- | --- | --- | --- |
|
**Images from the Julie Foy-Clark Collection** |
**Hoylake Training Centre NEW LINK** |
**214 Contact on line 05-05-2015 and 275 by year end 293 in 2016 and 332 now on line Jan 2021
Please help to fill in gaps. Latest added is November 1968.** |
**Selection of Historical Documents** |
**Latest Changes, updated May 2021 Mainly in Runcorn High Street** |
| | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- |
|
**A selection of MANWEB Staff over the years** |
**Lister Drive memories** |
**Various Photos and links** |
**A few Demolition Photos** |
**Pumpfields Liverpool** |
**Liverpool IGF** |
**Images from the Mike Hall Collection** |
**Alex Eden's History** |
**Fiddlers Ferry and new Runcorn Widnes Bridge** |
|
| http://manweb-remembered.co.uk/ |
<!doctype html>
<html>
<title>DREW'S LEGO PAGE</title>
<body>
<h1 class="centred">Welcome to Drew's Lego Page</h1>
<p class="centred">Drew loves building Lego and will share some of his creations here</p>
<br>
<br>
<h2 class="centred">"The Construction Crew"</h1>
<p class="centred">From left to right: Racy, Don, Herbie, Garby, Scapey (with the site foremen on a quad)</p>
<p class="centred"><img src="3.jpg"></img></p>
<br>
<h2 class="centred">"The Race Car"<h2>
<p class="centred"><img src="datsun.gif"></img></p>
<h2 class="centred">"Pizza Baking Semi-hauler"</h1>
<p class="centred"><img src="1.jpg"></img></p>
<br>
<h2 class="centred">"Skyscraper Village"</h1>
<p class="centred"><img src="2.jpg"></img></p>
<br>
<h2 class="centred">"Ponsse Bear Harvester"</h1>
<p class="centred"><img src="Ponsse1.jpg"></img></p>
<p class="centred"><img src="Ponsse2.jpg"></img></p>
</body>
<style>
.centred {
text-align: center;
}
</style>
</html>
|
DREW'S LEGO PAGE
# Welcome to Drew's Lego Page
Drew loves building Lego and will share some of his creations here
## "The Construction Crew"
From left to right: Racy, Don, Herbie, Garby, Scapey (with the site foremen on a quad)
"The Race Car"
"Pizza Baking Semi-hauler"
"Skyscraper Village"
"Ponsse Bear Harvester"
.centred {
text-align: center;
}
| https://drew.juchli.ca/ |
<head><title>Not Acceptable!</title></head><body><h1>Not Acceptable!</h1><p>An appropriate representation of the requested resource could not be found on this server. This error was generated by Mod_Security.</p></body></html> | Not Acceptable!# Not Acceptable!
An appropriate representation of the requested resource could not be found on this server. This error was generated by Mod\_Security.
| https://www.samstoybox.com/ |
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Inmates: 4,142<br />
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Posts: 866,238<br />
Top Poster: <a href="http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&u=3">icehog3</a> (70,120)<br />
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<td class="alt2"><span class="smallfont">Welcome to our newest inmate, <a href="http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&u=11748">christian v</a></span></td>
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<div align="center">Welcome to the Cigar Asylum Cigar Forum.<br />
The Cigar Asylum family welcomes you and hopes you will find this community a comfortable place to call home. These cigar forums are intended to provide a place for fellow cigar lovers to gather and share their knowledge and friendship.<br />
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<td class="alt2"><img alt="" border="0" src="http://www.cigarasylum.com/vb/images/icons/icon1.gif" title="" /></td>
<td class="alt1">
<a href="http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&t=77490" title="WTF.
I may be wrong, but I don't think there is any natural fermentation process that can turn a tobacco leaf this color. I mean, this cigar looks like it was dipped in shoe polish. I considered...">Fuente Anejo No. 46</a>
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<span style="cursor:pointer" onclick="window.open('http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&u=316')">borndead1</span>
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<div class="smallfont">12-24-2023 <span class="time">11:13 PM</span></div>
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<td class="alt2">
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Yesterday <span class="time">08:52 PM</span><br />
by <a href="http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&find=lastposter&t=77490" rel="nofollow">NCRadioMan</a> <a href="http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&p=2251926#post2251926"><img alt="" border="0" src="images/buttons/lastpost.gif" title="Go to last post" /></a>
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<td align="center" class="alt1"><span class="smallfont">4</span></td>
<td align="center" class="alt2"><span class="smallfont">99</span></td>
</tr><tr>
<td class="alt2"><img alt="" border="0" src="http://www.cigarasylum.com/vb/images/icons/icon1.gif" title="" /></td>
<td class="alt1">
<a href="http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&t=77491" title="Happy birthday to my fave Floridian!
Hope that your birthday is filled with pipe smoke on the neighbor's porch.
Miss you.
Stay smokey :noon">Happy Birthday AdamJoshua</a>
<div class="smallfont">
<span style="cursor:pointer" onclick="window.open('http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&u=19')">markem</span>
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<div class="smallfont">Yesterday <span class="time">01:00 PM</span></div>
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Yesterday <span class="time">08:05 PM</span><br />
by <a href="http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&find=lastposter&t=77491" rel="nofollow">Porch Dweller</a> <a href="http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&p=2251925#post2251925"><img alt="" border="0" src="images/buttons/lastpost.gif" title="Go to last post" /></a>
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<td align="center" class="alt1"><span class="smallfont">10</span></td>
<td align="center" class="alt2"><span class="smallfont">67</span></td>
</tr><tr>
<td class="alt2"><img alt="" border="0" src="http://www.cigarasylum.com/vb/images/icons/icon1.gif" title="" /></td>
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<a href="http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&t=76080" title="I got this from another site and thought it might be fun to start here.
2 words
Replace one, keep the other.
PICTURES ONLY!
If stuck for more than 24 hours, the last poster can reset with...">Take a word, leave a...</a>
<div class="smallfont">
<span style="cursor:pointer" onclick="window.open('http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&u=2578')">alwayslit</span>
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<div class="smallfont">09-26-2020 <span class="time">09:00 AM</span></div>
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<td class="alt2">
<div class="smallfont" style="text-align:right; white-space:nowrap">
Yesterday <span class="time">02:56 PM</span><br />
by <a href="http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&find=lastposter&t=76080" rel="nofollow">icehog3</a> <a href="http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&p=2251914#post2251914"><img alt="" border="0" src="images/buttons/lastpost.gif" title="Go to last post" /></a>
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<td align="center" class="alt1"><span class="smallfont">4,268</span></td>
<td align="center" class="alt2"><span class="smallfont">407,967</span></td>
</tr><tr>
<td class="alt2"><img alt="" border="0" src="http://www.cigarasylum.com/vb/images/icons/icon1.gif" title="" /></td>
<td class="alt1">
<a href="http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&t=76280" title="Please submit films and documentaries featuring cigars here.
Check the Master List to see if the movie you are going to submit is already on the list.
...">Cigars in Cinema...</a>
<div class="smallfont">
<span style="cursor:pointer" onclick="window.open('http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&u=3')">icehog3</span>
</div>
<div class="smallfont">01-12-2021 <span class="time">08:31 PM</span></div>
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<td class="alt2">
<div class="smallfont" style="text-align:right; white-space:nowrap">
Yesterday <span class="time">02:47 PM</span><br />
by <a href="http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&find=lastposter&t=76280" rel="nofollow">icehog3</a> <a href="http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&p=2251911#post2251911"><img alt="" border="0" src="images/buttons/lastpost.gif" title="Go to last post" /></a>
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<td align="center" class="alt1"><span class="smallfont">624</span></td>
<td align="center" class="alt2"><span class="smallfont">147,242</span></td>
</tr><tr>
<td class="alt2"><img alt="" border="0" src="http://www.cigarasylum.com/vb/images/icons/icon1.gif" title="" /></td>
<td class="alt1">
<a href="http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&t=77489" title="Merry Christmas to all at the ASYLUM from me and my family!!!">MERRY CHRISTMAS from...</a>
<div class="smallfont">
<span style="cursor:pointer" onclick="window.open('http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&u=202')">Old Sailor</span>
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<div class="smallfont">12-24-2023 <span class="time">10:31 AM</span></div>
</td>
<td class="alt2">
<div class="smallfont" style="text-align:right; white-space:nowrap">
Yesterday <span class="time">02:43 PM</span><br />
by <a href="http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&find=lastposter&t=77489" rel="nofollow">icehog3</a> <a href="http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&p=2251907#post2251907"><img alt="" border="0" src="images/buttons/lastpost.gif" title="Go to last post" /></a>
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<td align="center" class="alt1"><span class="smallfont">14</span></td>
<td align="center" class="alt2"><span class="smallfont">207</span></td>
</tr><tr>
<td class="alt2"><img alt="" border="0" src="http://www.cigarasylum.com/vb/images/icons/icon1.gif" title="" /></td>
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<a href="http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&t=26974" title="Kind of like the other themed threads.
El Salvador HG; pressed
ourcoffeebarn.com pre-roasted. Made it light, I dont know why, but I just decided to make light.
Nice stuff....">COFFEE: What are you...</a>
<div class="smallfont">
<span style="cursor:pointer" onclick="window.open('http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&u=1104')">zitro_joe</span>
</div>
<div class="smallfont">01-06-2010 <span class="time">01:27 PM</span></div>
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<td class="alt2">
<div class="smallfont" style="text-align:right; white-space:nowrap">
Yesterday <span class="time">02:22 PM</span><br />
by <a href="http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&find=lastposter&t=26974" rel="nofollow">MaytagMan</a> <a href="http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&p=2251902#post2251902"><img alt="" border="0" src="images/buttons/lastpost.gif" title="Go to last post" /></a>
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<td align="center" class="alt1"><span class="smallfont">1,367</span></td>
<td align="center" class="alt2"><span class="smallfont">390,227</span></td>
</tr><tr>
<td class="alt2"><img alt="" border="0" src="http://www.cigarasylum.com/vb/images/icons/icon1.gif" title="" /></td>
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<a href="http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&t=74842" title="New digs in memory of our friend Peter.
https://i.imgur.com/tlwYlDc.jpg
2016 Edmundo from El Laguito.">pnoon's what cigar did...</a>
<div class="smallfont">
<span style="cursor:pointer" onclick="window.open('http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&u=3')">icehog3</span>
</div>
<div class="smallfont">02-27-2019 <span class="time">09:52 AM</span></div>
</td>
<td class="alt2">
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Yesterday <span class="time">02:18 PM</span><br />
by <a href="http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&find=lastposter&t=74842" rel="nofollow">MaytagMan</a> <a href="http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&p=2251900#post2251900"><img alt="" border="0" src="images/buttons/lastpost.gif" title="Go to last post" /></a>
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<td align="center" class="alt1"><span class="smallfont">1,725</span></td>
<td align="center" class="alt2"><span class="smallfont">374,158</span></td>
</tr><tr>
<td class="alt2"><img alt="" border="0" src="http://www.cigarasylum.com/vb/images/icons/icon1.gif" title="" /></td>
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<a href="http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&t=128" title="Feeling festive so I opted for 2008 Christmas Cheer in a Nording Bulldog.">Whats in your bowl?</a>
<div class="smallfont">
<span style="cursor:pointer" onclick="window.open('http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&u=9')">floydp</span>
</div>
<div class="smallfont">10-13-2008 <span class="time">08:53 PM</span></div>
</td>
<td class="alt2">
<div class="smallfont" style="text-align:right; white-space:nowrap">
Yesterday <span class="time">08:17 AM</span><br />
by <a href="http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&find=lastposter&t=128" rel="nofollow">Conch Republican</a> <a href="http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&p=2251894#post2251894"><img alt="" border="0" src="images/buttons/lastpost.gif" title="Go to last post" /></a>
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<td align="center" class="alt1"><span class="smallfont">3,845</span></td>
<td align="center" class="alt2"><span class="smallfont">736,281</span></td>
</tr><tr>
<td class="alt2"><img alt="" border="0" src="http://www.cigarasylum.com/vb/images/icons/icon14.gif" title="Thumbs up" /></td>
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<a href="http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&t=7301" title="Good morning all and yes, the coffee is on. I do a daily post on a number of other borads and thought it would be cool here as well. Well, I took a day off today making it a nice 4 day weekend away...">Good morning Post and...</a>
<div class="smallfont">
<span style="cursor:pointer" onclick="window.open('http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&u=1385')">Stogieman</span>
</div>
<div class="smallfont">01-02-2009 <span class="time">09:20 AM</span></div>
</td>
<td class="alt2">
<div class="smallfont" style="text-align:right; white-space:nowrap">
Yesterday <span class="time">04:51 AM</span><br />
by <a href="http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&find=lastposter&t=7301" rel="nofollow">Stogieman</a> <a href="http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&p=2251890#post2251890"><img alt="" border="0" src="images/buttons/lastpost.gif" title="Go to last post" /></a>
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<td align="center" class="alt1"><span class="smallfont">4,541</span></td>
<td align="center" class="alt2"><span class="smallfont">887,165</span></td>
</tr><tr>
<td class="alt2"><img alt="" border="0" src="http://www.cigarasylum.com/vb/images/icons/icon1.gif" title="" /></td>
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<a href="http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&t=57268" title="Keep it board appropriate. And think twice about posting something others might find offensive.
http://img196.imageshack.us/img196/2941/hotdogmartini.jpg">Funny Pics II</a>
<div class="smallfont">
<span style="cursor:pointer" onclick="window.open('http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&u=8')">pnoon</span>
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<div class="smallfont">07-29-2012 <span class="time">08:54 AM</span></div>
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<td class="alt2">
<div class="smallfont" style="text-align:right; white-space:nowrap">
Yesterday <span class="time">01:21 AM</span><br />
by <a href="http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&find=lastposter&t=57268" rel="nofollow">MaytagMan</a> <a href="http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&p=2251886#post2251886"><img alt="" border="0" src="images/buttons/lastpost.gif" title="Go to last post" /></a>
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<td align="center" class="alt1"><span class="smallfont">5,969</span></td>
<td align="center" class="alt2"><span class="smallfont">1,457,282</span></td>
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Inmates: 4,142
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Top Poster: [icehog3](http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&u=3) (70,120)
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**» Welcome** |
| Welcome to the Cigar Asylum Cigar Forum.
The Cigar Asylum family welcomes you and hopes you will find this community a comfortable place to call home. These cigar forums are intended to provide a place for fellow cigar lovers to gather and share their knowledge and friendship.
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**» Recent Threads** |
| | RatingTitle, Username, & Date | Last Post | Replies | Views |
| | [Fuente Anejo No. 46](http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&t=77490 "WTF.
I may be wrong, but I don't think there is any natural fermentation process that can turn a tobacco leaf this color. I mean, this cigar looks like it was dipped in shoe polish. I considered...")
borndead1
12-24-2023 11:13 PM |
Yesterday 08:52 PM
by [NCRadioMan](http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&find=lastposter&t=77490)
| 4 | 99 |
| | [Happy Birthday AdamJoshua](http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&t=77491 "Happy birthday to my fave Floridian!
Hope that your birthday is filled with pipe smoke on the neighbor's porch.
Miss you.
Stay smokey :noon")
markem
Yesterday 01:00 PM |
Yesterday 08:05 PM
by [Porch Dweller](http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&find=lastposter&t=77491)
| 10 | 67 |
| |
[Take a word, leave a...](http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&t=76080 "I got this from another site and thought it might be fun to start here.
2 words
Replace one, keep the other.
PICTURES ONLY!
If stuck for more than 24 hours, the last poster can reset with...")
alwayslit
09-26-2020 09:00 AM |
Yesterday 02:56 PM
by [icehog3](http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&find=lastposter&t=76080)
| 4,268 | 407,967 |
| | [Cigars in Cinema...](http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&t=76280 "Please submit films and documentaries featuring cigars here.
Check the Master List to see if the movie you are going to submit is already on the list.
...")
icehog3
01-12-2021 08:31 PM |
Yesterday 02:47 PM
by [icehog3](http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&find=lastposter&t=76280)
| 624 | 147,242 |
| | [MERRY CHRISTMAS from...](http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&t=77489 "Merry Christmas to all at the ASYLUM from me and my family!!!")
Old Sailor
12-24-2023 10:31 AM |
Yesterday 02:43 PM
by [icehog3](http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&find=lastposter&t=77489)
| 14 | 207 |
| |
[COFFEE: What are you...](http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&t=26974 "Kind of like the other themed threads.
El Salvador HG; pressed
ourcoffeebarn.com pre-roasted. Made it light, I dont know why, but I just decided to make light.
Nice stuff....")
zitro\_joe
01-06-2010 01:27 PM |
Yesterday 02:22 PM
by [MaytagMan](http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&find=lastposter&t=26974)
| 1,367 | 390,227 |
| |
[pnoon's what cigar did...](http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&t=74842 "New digs in memory of our friend Peter.
https://i.imgur.com/tlwYlDc.jpg
2016 Edmundo from El Laguito.")
icehog3
02-27-2019 09:52 AM |
Yesterday 02:18 PM
by [MaytagMan](http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&find=lastposter&t=74842)
| 1,725 | 374,158 |
| |
[Whats in your bowl?](http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&t=128 "Feeling festive so I opted for 2008 Christmas Cheer in a Nording Bulldog.")
floydp
10-13-2008 08:53 PM |
Yesterday 08:17 AM
by [Conch Republican](http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&find=lastposter&t=128)
| 3,845 | 736,281 |
| |
[Good morning Post and...](http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&t=7301 "Good morning all and yes, the coffee is on. I do a daily post on a number of other borads and thought it would be cool here as well. Well, I took a day off today making it a nice 4 day weekend away...")
Stogieman
01-02-2009 09:20 AM |
Yesterday 04:51 AM
by [Stogieman](http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&find=lastposter&t=7301)
| 4,541 | 887,165 |
| |
[Funny Pics II](http://www.cigarasylum.com/vb/showthread.php?s=ca67354ba32d11b453aaa7518447ece4&t=57268 "Keep it board appropriate. And think twice about posting something others might find offensive.
http://img196.imageshack.us/img196/2941/hotdogmartini.jpg")
pnoon
07-29-2012 08:54 AM |
Yesterday 01:21 AM
by [MaytagMan](http://www.cigarasylum.com/vb/member.php?s=ca67354ba32d11b453aaa7518447ece4&find=lastposter&t=57268)
| 5,969 | 1,457,282 |
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<font face="Verdana" size="5">Table of Contents:</font><p>
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<a href="basics.htm" style="text-decoration: none">Basics of Space Flight</a></p>
<ul>
<li><a href="propel.htm" style="text-decoration: none">Rocket Propellants</a></li>
<li><a href="propuls.htm" style="text-decoration: none">Rocket Propulsion</a></li>
<!--<li><a href="control.htm" style="text-decoration: none">Stabilization/Control</a></li>-->
<!--<li><a href="aerodyn.htm" style="text-decoration: none">Aerodynamics</a></li>-->
<li><a href="orbmech.htm" style="text-decoration: none">Orbital Mechanics</a></li>
<li><a href="interpl.htm" style="text-decoration: none">Interplanetary Flight</a></li>
<!--<li><a href="lunatraj.htm" style="text-decoration: none">Lunar Trajectories</a></li>-->
<!--<li><a href="launch.htm" style="text-decoration: none">Launch & Reentry</a></li>-->
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<p><a href="hardware.htm" style="text-decoration: none">Space Hardware</a></p>
<ul>
<li><a href="systems.htm" style="text-decoration: none">Spacecraft Systems</a></li>
<!--<li><a href="power.htm" style="text-decoration: none">Power Supply</a></li>-->
<!--<li><a href="telecom.htm" style="text-decoration: none">Communication/Data</a></li>-->
<!--<li><a href="attprop.htm" style="text-decoration: none">Attitude/Propulsion</a></li>-->
<!--<li><a href="environ.htm" style="text-decoration: none">Environmental</a></li>-->
<li><a href="launcher.htm" style="text-decoration: none">Launch Vehicles</a></li>
<li><a href="specs.htm" style="text-decoration: none">Vehicle Specifications</a></li>
</ul>
<p><a href="missions.htm" style="text-decoration: none">Space Missions</a></p>
<ul>
<li><a href="manned.htm" style="text-decoration: none">Manned Space Flights</a></li>
<li><a href="planet.htm" style="text-decoration: none">Planetary Spacecraft</a></li>
<li><a href="lunar.htm" style="text-decoration: none">Lunar Spacecraft</a></li>
</ul>
<p><a href="center.htm" style="text-decoration: none">World Space Centers</a></p>
<p><a href="timeline.htm" style="text-decoration: none">Space Milestones</a></p>
<p><a href="glossary.htm" style="text-decoration: none">Glossary</a></p>
<p><a href="sources.htm" style="text-decoration: none">Bibliography</a></p>
<p><a href="http://www.thespacerace.com/forum/" style="text-decoration: none" target="new">Discussion Forum</a></p>
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<p><b>Rocket & Space Technology</b> is proud to have been presented the following awards for excellence</p>
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Welcome to <b>Rocket and Space Technology</b>. This Web page can trace its roots to the author's project to write a computer program simulating the launch of a rocket to orbit. As I performed my research it became apparent that most information on the subject tended toward one of two extremes: it was either too simplistic to be very helpful, or it was advanced texts written for engineers. I could find little information suitable for the space enthusiast who wanted to progress beyond the beginner level but who lacked the advanced math and science skills needed to understand the more complex texts.
<p>After spending months digging through books and Internet sites I finally found the information needed to complete my project. Not wanting others to go through the same frustrating search, I decided to organize all the information into a single resource. Thus, in 1996 this Web page was created.</p>
<p>Most of the information from my original research can be found in the <a href="basics.htm" style="text-decoration: none">Basics of Space Flight</a> section. Through the years additional information and sections have been added. It is my hope this site continues to grow and improve. Please enjoy your visit and learn a little about the fascinating science of space flight.</p>
<p align="left"><i>Robert A. Braeunig</i></p><br>
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<p align="left">This page is the launching pad to propel you on your visit through <b>Rocket and Space Technology</b>. You can visit any page by clicking on the section titles in the Table of Contents to the right or by clicking on any of the highlighted links. If you entered this site through the main index page will see a navigation bar across the bottom of this window. This bar includes links to all the major sections of this Web site. Alternatively, you can use the drop-down menu at the bottom of each page. Clicking "Home", either on the navigation bar or at the bottom of a page, will return you to this home page. If the navigation bar is not visible, try clicking <a href="index.htm" style="text-decoration: none">Navigation Bar</a> now to activate.</p>
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<p>The <a href="basics.htm" style="text-decoration: none">Basics of Space Flight</a> section is a tutorial designed to teach the basic science behind rocketry and space flight. Part I, <a href="propel.htm" style="text-decoration: none">Rocket Propellants</a>, compares the properties of the various fuels and oxidizers used in rocketry. Part II, <a href="propuls.htm" style="text-decoration: none">Rocket Propulsion</a>, explains how rockets work and examines how engines convert chemical energy into thrust. Part III, <a href="orbmech.htm" style="text-decoration: none">Orbital Mechanics</a>, discusses how space vehicles move under the influence of forces such as gravity, thrust, and drag. Part IV, <a href="interpl.htm" style="text-decoration: none">Interplanetary Flight</a>, studies the trajectories used to travel between planets.</p>
<p>This section is not for those with an aversion to mathematics as we focus largely on problem solving. Although some derivations use calculus, application of the derived formulae requires no more than an understanding of algebra and trigonometry. Each section includes example problems to demonstrate the use of the formulae.</p>
<p>I have personally authored only a small part of the text contained in Basics of Space Flight. The information was mostly assembled piecemeal from a variety of sources. I hope you find the final product a useful and well-organized compilation. All sources have been credited in my <a href="sources.htm" style="text-decoration: none">Bibliography</a> page.</p>
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<p align="center"><font size="4">Space Hardware</font></td>
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<p>The
<a href="hardware.htm" style="text-decoration: none">Space Hardware</a> section describes many space vehicles and launchers. Part I, <a href="systems.htm" style="text-decoration: none">Spacecraft Systems</a>, defines the most common types of spacecraft and describes their primary subsystems. Part II, <a href="specs.htm" style="text-decoration: none">Launcher & Spacecraft Specifications</a>, provides detailed technical data and description of most manned spacecraft, space stations, selected launchers, and engines. Part III, <a href="launcher.htm" style="text-decoration: none">Space Launch Vehicles</a>, is a list of the world's launch vehicles, both past and present (although currently not up to date).</p>
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<p align="center"><font size="4">Space Missions</font></td>
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<p>The
<a href="missions.htm" style="text-decoration: none">Space Missions</a> section provides comprehensive lists of all major manned and robotic space flights. Part I, <a href="manned.htm" style="text-decoration: none">Manned Space Flights</a>, includes all piloted manned missions by all nations. Part II, <a href="planet.htm" style="text-decoration: none">Planetary Spacecraft</a>, includes most interplanetary space probes and landers. Part III, <a href="lunar.htm" style="text-decoration: none">Lunar Spacecraft</a>, includes most unmanned probes and landers sent to the Moon. These lists include not only the successful missions but the many failed attempts as well.</p>
<p>Satellites such as Sputnik and Explorer I, and observatories such as the Hubble Space Telescope, although historically and scientifically important, are not included because they do not fall into any of the three classifications described above.</p>
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<p>In this section we provide a description of the work performed at each of the <a href="center.htm" style="text-decoration: none">World's Space Centers</a>. Included are both launch facilities and research & development centers. Also provided are a list of the number of orbital launches by site, complete through 1995, and a map showing the location of each launch center.</p>
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<p align="center"><font size="4">Miscellaneous</font></td>
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<p>This site also includes a chronology of important <a href="timeline.htm" style="text-decoration: none">Rocket & Space Milestones</a>, a <a href="glossary.htm" style="text-decoration: none">Glossary</a> of many rocketry and space-related terms, and an <a href="sources.htm" style="text-decoration: none">Bibliography</a> page where I give credit to all sources, both printed and Internet, used in the creation of this Web site.</p>
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<p>The
<a href="forum.htm" style="text-decoration: none">Discussion Forum</a>, provided courtesy of <a href="http://www.thespacerace.com/" style="text-decoration: none" target="_new">The Space Race</a>, is a good place to talk about space science and technology. You can ask questions and learn about rockets, space exploration, or any other related topic; or you can share your knowledge and help others. If you wish to engage in a discussion about any of the items found in this Web site, I recommend you visit the forum. Although I am happy to correspond via <a href="mailto:[email protected]" style="text-decoration: none">email</a>, the forum will allow more people to contribute to the discussion.</p>
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<img border="1" src="pics/logo-200x100.jpg" align="right" hspace="10" width="200" height="100" vspace="5">This photograph is a view of the Gemini 7 spacecraft taken from the hatch window of Gemini 6 during rendezvous and station keeping maneuvers at an altitude of approximately 160 miles on December 15, 1965 (NASA Photo ID S65-63188). This photo was chosen for this Web site's logo because of the historical and technological significance of the joint Gemini 6-7 mission (plus it's just a really cool photo). This mission achieved the first rendezvous of two spacecraft. It was a critical milestone that without which a landing on the moon would have been impossible. This mission and the Gemini flights that followed taught Americans how to maneuver and work in space.</p>
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<p>November-2017: Deleted <i>Moon Landing Hoax</i> section.
<p>November-2013: Added "Gravitational Assist" to the <i>Interplanetary Flight</i> section.
<p>November-2012: Added the appendix <i>Rocket Thermodynamics</i>.
<p>May-2012: Added the page <i>Interplanetary Flight</i> and appendices <i>Vector Mechanics</i> and <i>Planet Positions</i>.
<p>February-2012: Revised the <i>Orbital Mechanics</i> section. Added "The Hyperbolic Orbit" and added material to "Launch of a Space Vehicle."
<p>August-2009: Added design information about nozzle shapes and combustion chambers to the <i>Rocket Propulsion</i> section.
<p>June-2007: Reorganized and renumbered the <i>Basics of Space Flight</i> section. Added new material to the <i>Rocket Propulsion</i> and <i>Orbital Mechanics</i> sections.
<p>August-2006: Added the page <i>Rocket & Space Milestones</i>.
<p>October-2005: Made additions to the <i>Rocket Propulsion</i> section. Added <i>Propellant Combustion Charts</i>. Updated <i>Atlas</i> and <i>Delta</i> launch vehicles.
<p>January-2005: Made extensive revisions and additions to the <i>Orbital Mechanics</i> section. Converted all example problems to the SI System of units.
<p>August-2004: The entire Web site was given a major makeover. The home page was redesigned, several pages were consolidated, and site navigation was improved. Link to the discussion forum was added.
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Rocket and Space Technology
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| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| Table of Contents:
[Basics of Space Flight](basics.htm)* [Rocket Propellants](propel.htm)
* [Rocket Propulsion](propuls.htm)
* [Orbital Mechanics](orbmech.htm)
* [Interplanetary Flight](interpl.htm)
[Space Hardware](hardware.htm)* [Spacecraft Systems](systems.htm)
* [Launch Vehicles](launcher.htm)
* [Vehicle Specifications](specs.htm)
[Space Missions](missions.htm)* [Manned Space Flights](manned.htm)
* [Planetary Spacecraft](planet.htm)
* [Lunar Spacecraft](lunar.htm)
[World Space Centers](center.htm)
[Space Milestones](timeline.htm)
[Glossary](glossary.htm)
[Bibliography](sources.htm)
[Discussion Forum](http://www.thespacerace.com/forum/)
---
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(Also try the [Forum](http://www.thespacerace.com/forum/))
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Selected by the SciLinks program, a service of the National Science Teachers Association, copyright 2001
---
**Rocket & Space Technology** is proud to have been presented the following awards for excellence
|
Welcome to **Rocket and Space Technology**. This Web page can trace its roots to the author's project to write a computer program simulating the launch of a rocket to orbit. As I performed my research it became apparent that most information on the subject tended toward one of two extremes: it was either too simplistic to be very helpful, or it was advanced texts written for engineers. I could find little information suitable for the space enthusiast who wanted to progress beyond the beginner level but who lacked the advanced math and science skills needed to understand the more complex texts.
After spending months digging through books and Internet sites I finally found the information needed to complete my project. Not wanting others to go through the same frustrating search, I decided to organize all the information into a single resource. Thus, in 1996 this Web page was created.
Most of the information from my original research can be found in the [Basics of Space Flight](basics.htm) section. Through the years additional information and sections have been added. It is my hope this site continues to grow and improve. Please enjoy your visit and learn a little about the fascinating science of space flight.
*Robert A. Braeunig*
| |
| --- |
| Navigating This Site |
This page is the launching pad to propel you on your visit through **Rocket and Space Technology**. You can visit any page by clicking on the section titles in the Table of Contents to the right or by clicking on any of the highlighted links. If you entered this site through the main index page will see a navigation bar across the bottom of this window. This bar includes links to all the major sections of this Web site. Alternatively, you can use the drop-down menu at the bottom of each page. Clicking "Home", either on the navigation bar or at the bottom of a page, will return you to this home page. If the navigation bar is not visible, try clicking [Navigation Bar](index.htm) now to activate.
| |
| --- |
| Basics of Space Flight |
The [Basics of Space Flight](basics.htm) section is a tutorial designed to teach the basic science behind rocketry and space flight. Part I, [Rocket Propellants](propel.htm), compares the properties of the various fuels and oxidizers used in rocketry. Part II, [Rocket Propulsion](propuls.htm), explains how rockets work and examines how engines convert chemical energy into thrust. Part III, [Orbital Mechanics](orbmech.htm), discusses how space vehicles move under the influence of forces such as gravity, thrust, and drag. Part IV, [Interplanetary Flight](interpl.htm), studies the trajectories used to travel between planets.
This section is not for those with an aversion to mathematics as we focus largely on problem solving. Although some derivations use calculus, application of the derived formulae requires no more than an understanding of algebra and trigonometry. Each section includes example problems to demonstrate the use of the formulae.
I have personally authored only a small part of the text contained in Basics of Space Flight. The information was mostly assembled piecemeal from a variety of sources. I hope you find the final product a useful and well-organized compilation. All sources have been credited in my [Bibliography](sources.htm) page.
| |
| --- |
| Space Hardware |
The
[Space Hardware](hardware.htm) section describes many space vehicles and launchers. Part I, [Spacecraft Systems](systems.htm), defines the most common types of spacecraft and describes their primary subsystems. Part II, [Launcher & Spacecraft Specifications](specs.htm), provides detailed technical data and description of most manned spacecraft, space stations, selected launchers, and engines. Part III, [Space Launch Vehicles](launcher.htm), is a list of the world's launch vehicles, both past and present (although currently not up to date).
| |
| --- |
| Space Missions |
The
[Space Missions](missions.htm) section provides comprehensive lists of all major manned and robotic space flights. Part I, [Manned Space Flights](manned.htm), includes all piloted manned missions by all nations. Part II, [Planetary Spacecraft](planet.htm), includes most interplanetary space probes and landers. Part III, [Lunar Spacecraft](lunar.htm), includes most unmanned probes and landers sent to the Moon. These lists include not only the successful missions but the many failed attempts as well.
Satellites such as Sputnik and Explorer I, and observatories such as the Hubble Space Telescope, although historically and scientifically important, are not included because they do not fall into any of the three classifications described above.
| |
| --- |
| World Space Centers |
In this section we provide a description of the work performed at each of the [World's Space Centers](center.htm). Included are both launch facilities and research & development centers. Also provided are a list of the number of orbital launches by site, complete through 1995, and a map showing the location of each launch center.
| |
| --- |
| Miscellaneous |
This site also includes a chronology of important [Rocket & Space Milestones](timeline.htm), a [Glossary](glossary.htm) of many rocketry and space-related terms, and an [Bibliography](sources.htm) page where I give credit to all sources, both printed and Internet, used in the creation of this Web site.
| |
| --- |
| Discussion Forum |
The
[Discussion Forum](forum.htm), provided courtesy of [The Space Race](http://www.thespacerace.com/), is a good place to talk about space science and technology. You can ask questions and learn about rockets, space exploration, or any other related topic; or you can share your knowledge and help others. If you wish to engage in a discussion about any of the items found in this Web site, I recommend you visit the forum. Although I am happy to correspond via [email](mailto:[email protected]), the forum will allow more people to contribute to the discussion.
| |
| --- |
| Site Logo |
This photograph is a view of the Gemini 7 spacecraft taken from the hatch window of Gemini 6 during rendezvous and station keeping maneuvers at an altitude of approximately 160 miles on December 15, 1965 (NASA Photo ID S65-63188). This photo was chosen for this Web site's logo because of the historical and technological significance of the joint Gemini 6-7 mission (plus it's just a really cool photo). This mission achieved the first rendezvous of two spacecraft. It was a critical milestone that without which a landing on the moon would have been impossible. This mission and the Gemini flights that followed taught Americans how to maneuver and work in space.
| |
| --- |
| Major Updates |
November-2017: Deleted *Moon Landing Hoax* section.
November-2013: Added "Gravitational Assist" to the *Interplanetary Flight* section.
November-2012: Added the appendix *Rocket Thermodynamics*.
May-2012: Added the page *Interplanetary Flight* and appendices *Vector Mechanics* and *Planet Positions*.
February-2012: Revised the *Orbital Mechanics* section. Added "The Hyperbolic Orbit" and added material to "Launch of a Space Vehicle."
August-2009: Added design information about nozzle shapes and combustion chambers to the *Rocket Propulsion* section.
June-2007: Reorganized and renumbered the *Basics of Space Flight* section. Added new material to the *Rocket Propulsion* and *Orbital Mechanics* sections.
August-2006: Added the page *Rocket & Space Milestones*.
October-2005: Made additions to the *Rocket Propulsion* section. Added *Propellant Combustion Charts*. Updated *Atlas* and *Delta* launch vehicles.
January-2005: Made extensive revisions and additions to the *Orbital Mechanics* section. Converted all example problems to the SI System of units.
August-2004: The entire Web site was given a major makeover. The home page was redesigned, several pages were consolidated, and site navigation was improved. Link to the discussion forum was added.
|
| http://www.braeunig.us/space/index_top.htm |
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<BLOCKQUOTE>
The history of text adventures remains to be written. Most people agree that it started with a
game called <EM>Adventure</EM> (also known as <EM>Colossal Cave</EM>), written by Will Crowther
in 1968-72 and expanded by Don Woods around 1976. The next milestone in the genre was the game
<EM>Zork</EM> (a.k.a. <EM>Dungeon</EM>), written by several MIT students and graduates in
1977-79. It was to become the foundation of Infocom, the most successful producer of text
adventures and still the epitome of the genre.
<BR>
Another important event was the publication of <EM>Adventureland</EM> by Scott Adams, the first
adventure that didn't require a university mainframe computer to run.
<BR>
<P>If you want to find information on the early history of adventures, try these links:</P>
<UL TYPE="circle">
<LI><A HREF="http://adventure.if-legends.org/">Adventureland</A> (Hans Persson/Stefan Meier)
<BR>
<SMALL>The big list of classic adventure companies and their games. There isn't much you
won't find there... (Mirror available <A HREF=
"http://www.lysator.liu.se/adventure/">here</A>.)</SMALL></LI>
<LI><A HREF="http://www.inform-fiction.org/manual/download_dm4.html">The History of
Interactive Fiction</A> (Graham Nelson)
<BR>
<SMALL>This page has the whole 4th edition of Graham's "Inform Designer's Manual" (published
2001 in paperback) for download. Chapter VIII deals extensively with the history of
adventures.</SMALL></LI>
<LI><A HREF="http://www.dadgum.com/giantlist/list.html">Giant List of Classic Game
Programmers</A> (James Hague)
<BR>
<SMALL>A list of programmers from the classic age of computer games, many adventure authors
among them.</SMALL></LI>
<LI><A HREF="http://www.rickadams.org/adventure/index.html">The Colossal Cave Adventure
Page</A> (Rick Adams)
<BR>
<SMALL>Many interesting tidbits about the game that started it all.</SMALL></LI>
</UL>Text adventures reached the peak of their commercial viability in the first half of the
1980s when some of Infocom's titles sold in the 100,000s. Nowadays the commercial market is
dead, but a small group of loyal aficionados is keeping the spirit alive. New text adventures
are being published as freeware or shareware, and some of them can hold their own with
Infocom's best.
<P>Some interesting places to visit:</P>
<UL TYPE="circle">
<LI><A HREF="http://www.ifarchive.org/">The IF Archive</A>
<BR>
<SMALL>The world's largest archive of Freeware and Shareware text adventures. No kidding.
(You can also try the classic <A HREF="ftp://ftp.ifarchive.org/if-archive/">FTP
version</A>.)</SMALL></LI>
<LI><A HREF="http://baf.wurb.com/if/">Baf's Guide to the IF Archive</A> (Carl Muckenhoupt)
<BR>
<SMALL>The page rates selected (freely downloadable) text adventures, providing indices by
author and genre as well as links to the actual files in the IF Archive.</SMALL></LI>
<LI><A HREF="http://www.ifwiki.org/">ifwiki.org</A> (David Cornelson)
<BR>
<SMALL>Could become a great place for sharing information and discussing IF. Currently still
pretty barebones, but the structure is there, it only needs to be filled with content. And
*you* can do that...</SMALL></LI>
<LI><A HREF="http://solutionarchive.com/">Classic Adventures Solution Archive</A> (Jacob
Gunness)
<BR>
<SMALL>Jacob maintains an excellent site with maps and walkthroughs for a large number of
classic text adventures.</SMALL></LI>
<LI><A HREF="http://brasslantern.org/">Brass Lantern</A> (Stephen Granade)
<BR>
<SMALL>This site offers lots of IF-related links and is being frequently updated. Includes
editorials on selected topics and a news section.</SMALL></LI>
<LI><A HREF="http://www.cs.cmu.edu/~wsr/IF/">The Interactive Fiction Page</A> (Scott Neal
Reilly)
<BR>
<SMALL>A good selection of pointers to other adventure and hypertext pages.</SMALL></LI>
<LI><A HREF="http://www.firthworks.com/roger/parsifal/">PARSIFAL</A> (Roger Firth)
<BR>
<SMALL>It's called a "one-page summary of important IF links", and that's exactly what it is.
Very sparse, very useful.</SMALL></LI>
<LI><A HREF="http://jerz.setonhill.edu/if/bibliography/">Annotated Bibliography
of IF Scholarship</A> (Dennis G. Jerz)
<BR>
<SMALL>A very good place to start if you want to delve more deeply into the theory of
interactive fiction.</SMALL></LI>
</UL>If you want to start writing your own text adventures, you might want to try the following
links. Three of the most popular systems for adventure creation are Mike Roberts'
<EM>TADS</EM>, Graham Nelson's <EM>Inform</EM> and Kent Tessman's <EM>Hugo</EM>. All three are
freeware and open source. TADS has been around a few years longer than the others, while Inform
has the big advantage that the resulting games can be played on virtually any platform, down to
old 8-bit computers and handhelds like the Psion Palmtop.
<UL TYPE="circle">
<LI><A HREF="http://www.tads.org/">The TADS page</A> (Mike Roberts)
<BR></LI>
<LI><A HREF="http://www.tela.bc.ca/tela/tads/">Another TADS page</A> (Neil K. Guy)
<BR></LI>
<LI><A HREF="http://www.inform-fiction.org/">The Inform page</A> (Graham Nelson et al.)
<BR></LI>
<LI><A HREF="http://www.generalcoffee.com/hugo.html">The Hugo page</A> (Kent
Tessman)
<BR></LI>
<LI><A HREF="http://mirror.ifarchive.org/if-archive/info/whichsys.zip">Which Authoring System Is
Better?</A> (Bob Newell)
<BR>
<SMALL>A detailed comparison of TADS, Inform, Hugo and several also-rans (notably ALAN and
AGT). The comparison is very out of date but perhaps still of some interest.</SMALL></LI>
</UL>Finally, if you collect classic, out-of-print adventures you might be interested in the
following pages:
<UL TYPE="circle">
<LI><A HREF="http://advmarket.if-legends.org/">The Adventure Market</A>
<BR>
<SMALL>This is a place where you can (try to) find and buy those games missing from your
collection or sell the items you don't need. Maintained by Manuel Schulz.</SMALL></LI>
<LI><A HREF="http://yois.if-legends.org/">Ye Olde Infocomme Shoppe</A> (C.E. Forman)
<BR>
<SMALL>Chris is a collector selling off (and trading) his spare Infocoms and other
adventures. His selection is good, the prices are fair, and he also writes a regular
collector's column. Well worth a visit.</SMALL></LI>
<LI><A HREF="http://www.retrosite.de/precap/precap.html">The Preserving Classic Adventures
Project (PreCAP)</A>
<BR>
<SMALL>As indicated by the (slightly pretentious) name of the project, the idea is to collect
and preserve classic adventures before the old original tapes and disks fall prey to bit rot.
The danger of losing an entire heritage of adventure games is very real, as many collectors
value their "pristine shrinkwraps" more highly than the actual games. If you're not that kind
of collector, please join in!</SMALL></LI>
</UL>
<HR WIDTH="80%">
<P><IMG ALIGN="left"
SRC="gifs/l_ai.gif"
WIDTH="250"
HEIGHT="60"
ALT="[ Adventure International ]"> Scott Adams' <EM>Adventureland</EM> was the first text
adventure playable on the small home computer "micros" of the late 1970s (with no disk
drive and only 16 or 24 KB memory). He wrote it in 1978 and founded his company
<EM>Adventure International (AI)</EM> to publish it. AI published 17 other adventures
(many of them best sellers) between 1979 and 1985.
<BR CLEAR="all"></P>
<UL TYPE="circle">
<LI><A HREF="http://www.msadams.com/">Scott Adams</A>
<BR>
<SMALL>The homepage of the man himself.
<BR>
(The author of the popular <EM>Dilbert</EM> comic, by the way, is a completely different
Scott Adams.)
<BR>
You might also be interested in what Scott <A HREF=
"http://jerz.setonhill.edu/if/adams/">had to say</A> on the topic of
interactive storytelling during a panel discussion at the University of Wisconsin in
2001.</SMALL></LI>
<LI><A HREF="http://aimemorial.if-legends.org/">AI Memorial</A> (David Lodge)
<BR>
<SMALL>General information, datafiles, cover scans... it's all there (or will be in
time).</SMALL></LI>
</UL>To play these adventures you'll need the game <EM>datafiles</EM> and the
<EM>ScottFree</EM> interpreter. First, download the appropriate interpreter for your platform:
<UL TYPE="circle">
<LI><A HREF="ai/ScottFree.tar.gz">ScottFree (C source)</A>
<BR>
<SMALL>The UNIX/Curses source code for a portable Scott Adams interpreter, written by Alan
Cox. Also downloadable from the <A HREF=
"http://mirror.ifarchive.org/if-archive/scott-adams/">Interactive Fiction Archive</A>.
<BR>
You can also download the <A HREF="ai/scott.zip">MS-DOS version</A>, the <A HREF=
"ai/ScottFree-Mac-1.0.1.cpt.hqx">Macintosh version</A> (ported by Scott Lemon) and the
<A HREF="ai/advin.zip">Windows 9x version</A> (ported by Hein Pragt).</SMALL></LI>
<LI><A HREF="ai/Scott18.lha.bin">ScottFree/Amiga 1.8</A>
<BR>
<SMALL>The latest Amiga version, ported by Andreas Aumayr, with support for speech and
pictures.
<BR>
Currently graphics files for <A HREF="ai/adv01gfx.zip">Adventureland</A>, <A HREF=
"ai/adv03gfx.zip">Secret Mission</A> and <A HREF="ai/adv13gfx.zip">Sorcerer of Claymorgue
Castle</A> as well as Brian Howarth's <A HREF="ai/mst01gfx.zip">The Golden Baton</A> and
<A HREF="ai/robingfx.zip">Robin of Sherwood</A> are available. (If you want more graphics
files, I suggest you send me some feedback. Creating them takes quite a lot of time, so I'd
like to know first whether there's any real interest.)
<BR>
You can also look at a <A HREF="ai/scottscr.gif">screenshot</A> showing the Amiga version in
action.
<BR CLEAR="all"></SMALL></LI>
</UL>Now you'll need the datafiles. To start playing, unpack the interpreter and the datafiles
into a single directory (for example using PKUNZIP under MS-DOS). Start a game by typing
<EM>SCOTT</EM> followed by the name of the datafile. (For example, type <EM>SCOTT
ADV02.DAT</EM> to play <EM>Pirate Adventure</EM>.)
<BR>
<UL TYPE="circle">
<LI><A HREF="ai/adams.zip">Scott Adams adventures</A>
<BR>
<SMALL>Datafiles for: Adventureland, Pirate's Cove, Mission Impossible, Voodoo Castle, The
Count, Strange Odyssey, Mystery Fun House, Pyramid of Doom, Ghost Town, Savage Island I and
II, Golden Voyage, Sorcerer of Claymorgue Castle, Return to Pirate's Isle, Buckaroo Banzai,
The Hulk, Spiderman, the AI Sampler.</SMALL></LI>
</UL>Other related stuff:
<UL TYPE="circle">
<LI><A HREF="ai/aihints2.zip">AI Adventure Hints</A>
<BR>
<SMALL>A hint reader (source and MS-DOS executable) written by David Lodge, complete with
hints for all the Scott Adams adventures (transcribed from the official AI hint booklet). If
you're stuck in a game you can get small, gentle hints as well as a complete solution to your
problem.</SMALL></LI>
<LI><A HREF="ai/scodec7.zip">ScottDec 7</A>
<BR>
<SMALL>Decoder (ANSI-C source and MS-DOS executable) for Scott Adams datafiles. Useful if you
want to know how the system worked, but it can also be used as a cheating tool.</SMALL></LI>
<LI><A HREF="ai/sagaplus.zip">SAGA+ datafiles</A>
<BR>
<SMALL>The SAGAplus system was a late incarnation of Scott's parser, allowing more complex
input sentences. You can download datafiles for: Buckaroo Banzai, Sorcerer of Claymorgue
Castle, Spiderman, Fantastic Four.
<BR>
But beware: you can't <EM>play</EM> these games, because ScottFree has no SAGA+ support yet.
Sorry.</SMALL> <!--LI><A HREF="http://shadow.cabi.net/ScottGames.html">Play Scott Adams
and Brian Howarth Adventures on the WWW</A>
<BR><SMALL>Web-ScottFree, provided by Alan Cox.</SMALL--></LI>
</UL>
<HR WIDTH="80%">
<P><IMG ALIGN="left"
SRC="gifs/l_mysadv.gif"
WIDTH="239"
HEIGHT="113"
ALT="[ Mysterious Adventures ]"> Authoring systems for writing adventures in the AI
datafile format were available on several platforms (TRS-80, TI 99/4A), and dozens of
adventures were written with them. <EM>Brian Howarth</EM> was the most prolific author of
games in the AI format. His series of 11 <EM>Mysterious Adventures</EM>, published between
1981 and 1983, is now freely distributable and can be played with the ScottFree
interpreter.
<BR CLEAR="all"></P>
<UL TYPE="circle">
<LI><A HREF="http://pdd.if-legends.org/ldp/">Scott Adams/Mysterious Adventures GFX
formats</A>
<BR>
<SMALL>Description, comparison, extraction tools for the graphics in the AI UK games. Still
work in progress (and part of my attempt to redesign this whole site...)</SMALL></LI>
<LI><A HREF="ai/howarth.zip">Mysterious Adventures</A>
<BR>
<SMALL>Datafiles for: The Golden Baton, The Time Machine, Arrow of Death I and II, Escape
from Pulsar 7, Circus, Feasibility Experiment, Wizard of Akyrz, Perseus and Andromeda, Ten
Little Indians, Waxworks. (Also included are four bonus games: Supergran, Gremlins, Robin of
Sherwood, Seas of Blood.)</SMALL></LI>
<LI><A HREF="http://mirror.ifarchive.org/if-archive/games/c64/scott-adams/mystadv.zip">Mysterious Adventures
(Commodore 64)</A>
<BR>
<SMALL>C64 versions of all 11 Mysterious Adventures, with graphics. You'll need a C64 (or C64
emulator) to play them.</SMALL></LI>
</UL>
<HR WIDTH="80%">
<P><IMG ALIGN="left"
SRC="gifs/l_infoc.gif"
WIDTH="300"
HEIGHT="55"
ALT="[ Infocom ]"> <EM>Infocom</EM> was founded in 1979 and closed down in 1989. In their
10 years of existence they published 35 text adventures, among them undisputed classics
like the <EM>Zork</EM> trilogy, <EM>Suspended</EM>, <EM>Planetfall</EM>, <EM>The
Hitchhiker's Guide to the Galaxy</EM>, and <EM>Trinity</EM>. All their games are worth
playing.
<BR CLEAR="all"></P>
<UL TYPE="circle">
<LI><A HREF="infocom/fact-sheet.txt">Infocom Fact-sheet</A>
<BR>
<SMALL>My attempt to list everything worth knowing about Infocom, their history, their games
and the people who worked there. (Of course there is still a lot missing, but hey: it's work
in progress.)
<!-- BR>
An updated version is coming out soon, with a new <EM>Who's Who at Infocom</EM> segment and a
section about the Testing Department, so stay tuned (and if you have any corrections or
suggestions, now's the time to send them in).--> </SMALL></LI>
<LI><A HREF="http://infocom.gerf.org/">(Unofficial) Infocom Homepage</A> (Peter Scheyen)
<BR>
<SMALL>Most of the stuff can also be found elsewhere on the net, but Pete has collected it
all and put up a well-structured and nicely presented page. (The link leads to the European
mirror site. You could also use the <A HREF="http://www.csd.uwo.ca/Infocom/">original
site</A> in Canada but it's usually rather slow.)</SMALL></LI>
<LI><A HREF="http://infodoc.plover.net/">The Infocom Documentation Project</A> (Roger J. Long
& Gunther Schmidl)
<BR>
<SMALL>Infocom manuals in PDF and HTML format.</SMALL></LI>
<LI><A HREF="http://gallery.guetech.org/">The Infocom
Gallery</A> (David Sinclair & Julian Linder)
<BR>
<SMALL>Quality color scans of Infocom's package artwork and packaging contents. (There's also
an <a href="http://infocom.elsewhere.org/gallery/">alternative URL</a> and
an <a href="http://members.fortunecity.de/infocom3/">outdated URL</a>.)</SMALL></LI>
<LI><A HREF="http://accardi-by-the-sea.org/Infocom/Gallery/">The All-New Infocom
Gallery</A>
<BR>
<SMALL>Yes indeed, yet another Infocom gallery, apparently based on the other one but sporting a new
design, additional scans and an anonymous maintainer.</SMALL></LI>
<LI><A HREF="http://members.aol.com/graemecree/infobugs/">The Infocom Bugs List</A> (Graeme
Cree)
<BR>
<SMALL>A list of all known bugs in Infocom's games. Some of them are rather
amusing...</SMALL></LI>
<LI><A HREF="http://home1.gte.net/longrj2/infocom/">Infocom: The Master Storytellers</A> (Roger J. Long)
<BR>
<SMALL>Another nice page with a couple of Infocom-related articles, scans and
links.</SMALL></LI>
<LI><A HREF="http://www.infocom-if.org/index2.html">Infocom - The Master Storytellers</A> (Marco Thorek)
<BR>
<SMALL>Yes, this page has just about the same title as the previous one. Different page though.
Has scans of Infocom's advertisements, among assorted other information.</SMALL></LI>
<LI><A HREF="infocom/infocut.zip">Infocut (MS-DOS)</A>
<BR>
<SMALL>A little utility for cutting excess bytes off the ends of Infocom datafiles. (Works on
V1 and V2 datafiles too.)</SMALL></LI>
<LI><A HREF="http://simh.trailing-edge.com/software.html">Bob Supnik's Software Kits page</A>
<BR>
<SMALL>Contains, among many other things, the final version of the original MDL source code of
Zork.</SMALL></LI>
<LI><A HREF="infocom/sampler.zip">Sample game</A>
<BR>
<SMALL>Infocom's games are still commercially available from Activision (packaged into
several budget collections). This free sampler provides a tutorial and brief excerpts from
Zork I, Leather Goddesses of Phobos and Trinity. Other demo games can be found in the IF
Archive.
<BR>
(You'll need to download <EM>Frotz</EM> to play the sampler.)</SMALL></LI>
</UL>
<HR WIDTH="80%">
<P><IMG ALIGN="left"
SRC="gifs/l_maggot.gif"
WIDTH="116"
HEIGHT="169"
ALT="[ Magnetic Scrolls ]"> London-based <EM>Magnetic Scrolls</EM> can justly be called
the British Infocom. Founded by Ken Gordon and Anita Sinclair, they combined a
state-of-the-art parser, beautiful graphics (especially in the 16-bit versions) and
excellent writing with a great sense of humour in their adventure games. The graphics
added a lot to the atmosphere (although text adventure purists can switch them off if they
like...).</P>
<P>Magnetic Scrolls published 7 adventures between 1985 and 1992: The Pawn, The Guild of
Thieves, Jinxter, Corruption, Fish!, Myth, and Wonderland.
<BR CLEAR="all"></P>
<UL TYPE="circle">
<LI><A HREF="http://msmemorial.if-legends.org/">Magnetic Scrolls Memorial</A> (Stefan
Meier)
<BR>
<SMALL>An excellent overview page: game information, manuals, maps, walkthroughs,
articles.</SMALL></LI>
<LI><A HREF="http://mirror.ifarchive.org/if-archive/magnetic-scrolls/interpreters/magnetic/Magnetic22Src.zip">Magnetic
interpreter, v2.2, C source code</A> (Niclas Karlsson, David Kinder, Stefan Meier)
<BR>
<SMALL>The portable MS interpreter. You can also download the <A HREF=
"http://mirror.ifarchive.org/if-archive/magnetic-scrolls/interpreters/magnetic/Magnetic22Win.zip">MS-Windows
version</A> (no screenshot), the <A HREF=
"http://mirror.ifarchive.org/if-archive/magnetic-scrolls/interpreters/magnetic/Magnetic22DOS.zip">MS-DOS
version</A> <A HREF="magnetic/magdos.gif">(screenshot)</A>,
the <A HREF="http://ifarchive.heanet.ie/if-archive/magnetic-scrolls/interpreters/magnetic/Magnetic22Amiga.lha">Amiga
version</A> <A HREF="magnetic/magami.gif">(screenshot)</A>, or the <A HREF=
"http://mirror.ifarchive.org/if-archive/magnetic-scrolls/interpreters/magnetic/Magnetic22LinuxGlk.zip">
Linux version</A> (no screenshot). Other ports can be
downloaded from the <A HREF=
"http://mirror.ifarchive.org/if-archive/magnetic-scrolls/interpreters/magnetic/">IF-Archive</A>.
<BR>
To play a game with this interpreter, you'll have to convert it to a unique datafile format.
Currently there are converters for the IBM PC, Commodore 64, Acorn Archimedes, Amstrad CPC
and Sinclair Spectrum versions of the games. Others (Apple II, Atari XL) will be created if
there is any demand.
<BR>
To see the beautiful pictures you'll also have to download the graphics files. Currently
available: <A HREF="magnetic/pawngfx.zip">The Pawn</A>, <A HREF="magnetic/guildgfx.zip">The
Guild of Thieves</A>, <A HREF="magnetic/jinxgfx.zip">Jinxter</A>, <A HREF=
"magnetic/corrgfx.zip">Corruption</A>, <A HREF="magnetic/fishgfx.zip">Fish!</A> and <A HREF=
"magnetic/mythgfx.zip">Myth</A>.
<BR>
The project also has a <A HREF="http://sourceforge.net/projects/magnetic">Sourceforge page</A> but nothing much happens there.
<BR CLEAR="all"></SMALL></LI>
<LI><A HREF="http://mirror.ifarchive.org/if-archive/magnetic-scrolls/info/msfact.txt">Magnetic Scrolls Fact
Sheet</A> (Stefan Meier)
<BR>
<SMALL>This lists information about the games, the technical background and the Magnetic interpreter.</SMALL></LI>
<LI><s><A HREF="http://www.webpan.com/dsinclair/ms/mscrolls.html">The Magnetic Scrolls
Gallery</A> (David Sinclair)</s> <small style="color:red;">Site seems to broken</small>
<BR>
<SMALL>Sample pictures from the Amiga and C64 versions of the games, as well as scans of the
original boxes and packaging.</SMALL></LI>
<LI><A HREF="http://www.magneticscrolls.com/">Magnetic Scrolls: Official Website</A> (Ken Gordon)
<BR>
<SMALL>More of a curiosity, really: The official page was created in 1998 and contains nothing (except for the
Magnetic Scrolls logo). But there it is.</SMALL></LI>
</UL>
<HR WIDTH="80%">
<P><IMG ALIGN="left"
SRC="gifs/l_level9.gif"
WIDTH="95"
HEIGHT="74"
ALT="[ Level 9 ]"> <EM>Level 9 Software</EM> was founded by Pete Austin and his brothers
Mike and Nick in 1982. They soon became the most successful European adventure company.
While the Infocom games never really caught on in the UK due to the fact that they
required a disk drive, Level 9 managed to squeeze hundreds of rooms and objects into the
small 32K or 48K memory space of the popular 8-bit home "micros" (BBC, Sinclair Spectrum,
Amstrad CPC, MSX, C64). Their first game was an adaptation of Colossal Cave called
<EM>Colossal Adventure</EM>. Among their other adventures are classics like Lords of Time,
Snowball, Return to Eden, Red Moon, Gnome Ranger, Knight Orc, and Scapeghost.
<BR CLEAR="all"></P>
<UL TYPE="circle">
<LI><A HREF=
"http://mirror.ifarchive.org/if-archive/level9/interpreters/level9/Level9_4.0_Source.zip">Level 9
interpreter, v4.0, C source code</a> (Glen Summers, David Kinder)
<BR>
<SMALL>The portable interpreter for Level 9 games. You can also download ports that run under <A HREF=
"http://mirror.ifarchive.org/if-archive/level9/interpreters/level9/Level9_4.0_Win32.zip">MS-Windows</A>,
<A HREF="http://mirror.ifarchive.org/if-archive/level9/interpreters/level9/Level9_4.0_Amiga.lha">Amiga</A> and
<A HREF="http://mirror.ifarchive.org/if-archive/level9/interpreters/level9/Level9_4.0_Dos16.zip">MS-DOS
(16-bit)</A>.</SMALL></LI>
<LI><A HREF="http://l9memorial.if-legends.org/">Level 9 Memorial</A> (Manuel Schulz)
<BR>
<SMALL>Lots of information about Level 9's games, history, fact-sheet, pictures of the
packaging, etc.</SMALL></LI>
<LI><A HREF="http://mirror.ifarchive.org/if-archive/level9/info/Level9_Facts.txt">Level 9 Fact
Sheet</A> (Miron Schmidt & Manuel Schulz)
<BR>
<SMALL>This lists information about the history of the company, their games and assorted
technicalities.</SMALL></LI>
<LI><A HREF="http://mirror.ifarchive.org/if-archive/level9/tools/l9cut.zip">L9Cut (MS-DOS, with
ANSI-C source)</A>
<BR>
<SMALL>Tool for extracting Level 9 datafiles from Spectrum snapshots and the like. It
automatically detects the game version being extracted and also allows you to remove the copy
protection from the datafile. (You can also download an <A HREF="l9/L9Cut.lha.bin">Amiga
port</A>, but this is an outdated version.)</SMALL></LI>
<LI><A HREF="l9/l9dis.zip">L9Dis beta 04 (MS-DOS)</A>
<BR>
<SMALL>Disassembler for Level 9 datafiles. Really just a very early beta, and I've given up
on the development (since nobody seems to have used the program anyway)...</SMALL></LI>
<LI><A HREF="http://mirror.ifarchive.org/if-archive/level9/hints/clue-sheets/">Level 9
Clue-sheets</A>
<BR>
<SMALL>Hints for most of their adventures, typed in from the official
clue-sheets.</SMALL></LI>
</UL>
<HR WIDTH="80%">
<P><IMG ALIGN="left"
SRC="gifs/l_topol.gif"
WIDTH="184"
HEIGHT="76"
ALT="[ Topologika ]"> Do game titles like Acheton, Hezarin, Hamil or Fyleet ring a bell?
If the answer is yes, then you're one of the few people who have ever played these text
adventures. Which is amazing not only because they are classics of the genre (Acheton was
originally written on <EM>Phoenix</EM>, a Cambridge University mainframe, in the late
1970s - at the same time as the original Zork!), but also seeing that many of them have
been commercially available during the 1990s via <EM>Topologika</EM>.
<BR CLEAR="all"></P>
<UL TYPE="circle">
<LI><A HREF="http://www.topologika.com/">Topologika WWW page</A>
<BR>
<SMALL>The homepage only mentions the text adventures in passing, but the company is still there,
producing all sorts of educational software.</SMALL></LI>
<LI><A HREF="http://mirror.ifarchive.org/if-archive/phoenix/">Phoenix/Topologika in the IF
Archive</A>
<BR>
<SMALL>All the games have been made freely available in 1999. You can download the Topologika
ports (IBM PC versions) from here, as well as selected original Phoenix sources and Inform
ports. More sources and ports will be made available in due time...</SMALL></LI>
</UL>
<HR WIDTH="80%">
<P><IMG ALIGN="left"
SRC="gifs/l_polar.gif"
WIDTH="292"
HEIGHT="53"
ALT="[ Penguin/Polarware ]"> <EM>Penguin/Polarware</EM> (based in Geneva, IL) published 8
text-with-graphics adventures in the 1980s: The Quest, RingQuest, Transylvania, Oo-Topos,
Crimson Crown (Transylvania II), The Coveted Mirror, Talisman, and Transylvania III.
<BR CLEAR="all"></P>
<UL TYPE="circle">
<LI><A HREF="http://www.magictree.com/polarware/polarware.htm">The Polarware Page</A>
<BR>
<SMALL>Mark Pelczarski (founder and ex-owner of Penguin) maintains this official page with
lots of background info about the history of the company. Apple II and IBM PC versions of
several games can be downloaded from there; plus you can read the strange story of why Mark
himself is no longer allowed to mention "Penguin Software" on his pages...</SMALL></LI>
<LI><A HREF="http://mirror.ifarchive.org/if-archive/games/pc/penguin/">Penguin games in the IF
Archive (MS-DOS)</A>
<BR>
<SMALL>Three of their games can already be downloaded from the IF Archive: <A HREF=
"http://mirror.ifarchive.org/if-archive/games/pc/penguin/transpc.zip">Transylvania</A>, <A HREF=
"http://mirror.ifarchive.org/if-archive/games/pc/penguin/crownpc.zip">Crimson Crown</A> and
<A HREF="http://mirror.ifarchive.org/if-archive/games/pc/penguin/talispc.zip">Talisman</A>. (If
you happen to have the MS-DOS version of any of the others, please send it to me or simply
upload it to the IF Archive.)</SMALL></LI>
</UL>
<HR WIDTH="80%">
<P><IMG ALIGN="left"
SRC="gifs/l_angel.gif"
WIDTH="300"
HEIGHT="44"
ALT="[ Angelsoft/Mindscape ]"> <EM>Angelsoft, Inc.</EM>, based in White Plains, NY, was
founded by John R. Sansevere and Mercer Mayer. The company created eight text adventures
in 1985/86, most of them book or film adaptations. Among the titles: Forgotten Castle
(a.k.a. Sleeping Beauty), Voodoo Island, Stephen King's The Mist, and Rambo - First Blood
part II (!!).
<BR CLEAR="all"></P>
<UL TYPE="circle">
<LI>What? No links?
<BR>
<SMALL>Well, the sad truth is that I didn't find any useful links. Their games were written
in a rather simple script language called <EM>ASG</EM>, but no portable interpreter has been
written so far. Anybody looking for a programming project?</SMALL></LI>
</UL>
<HR WIDTH="80%">
<P><IMG ALIGN="left"
SRC="gifs/l_melbo.gif"
WIDTH="100"
HEIGHT="82"
ALT="[ Melbourne House ]"> <EM>Melbourne House</EM> was an Australian software publisher.
Several of their adventures (Sherlock, the Tolkien games: The Hobbit, The Lord of the
Rings, The Shadows of Mordor, Crack of Doom) were written by <EM>Beam Software</EM> who
now own the rights and allow their free distribution.
<BR CLEAR="all"></P>
<UL TYPE="circle">
<LI><A HREF="beam/beam1.zip">Early Beam adventures (Spectrum)</A>
<BR>
<SMALL>The two earliest Beam adventures, The Hobbit (the first, rather buggy release) and
Sherlock. (These are TAP files of the Sinclair Spectrum versions, so you'll need to find a
Speccy emulator that handles TAP files.)</SMALL></LI>
<LI><A HREF="beam/beam2.zip">The Tolkien Trilogy (Spectrum)</A>
<BR>
<SMALL>This was a budget re-release of Beam's first 3 Tolkien adventures: Hobbit (bug-fixed
version), Lord of the Rings a.k.a. Fellowship of the Ring, Shadows of Mordor. (Available as
TAP files.)</SMALL></LI>
</UL>
<HR WIDTH="80%">
<P><IMG ALIGN="left"
SRC="gifs/l_sierra.gif"
WIDTH="200"
HEIGHT="77"
ALT="[ Sierra On-Line ]"> Sierra? Yep, Sierra! Before Coarsegold-based <EM>Sierra
On-Line</EM> became the corporate monster many adventure fans love to hate, they actually
published some decent adventure games. Their series of "Hi-Res Adventures" (1980-83)
includes classics like Mystery House, Ulysses and the Golden Fleece, and Time Zone. In
their AGI0-2 period (1984-87) they perfected their combination of animated graphics and
text input, with games like King's Quest I-III, Leisure Suit Larry I, and Space Quest I
and II. After that, they abandoned their parser in favour of pointless clickery (thereby
moving out of the scope of this web page).
<BR CLEAR="all"></P>
<UL TYPE="circle">
<LI><A HREF="http://scummvm.org/">Sarien AGI Interpreter (part of ScummVM)</A> (Stuart George/Claudio
Matsuoka)
<BR>
<SMALL>Sarien (formerly called Yggdrasil) was the first open-sourced (and GPL'ed) AGI
interpreter and has now been integrated into ScummVM. Current versions work with most AGI games.</SMALL></LI>
<LI><A HREF="http://www.agidev.com/nagi.html">NAGI AGI Interpreter</A> (Nick Sonneveld)
<BR>
<SMALL>Another AGI interpreter, almost completely functional. Full source code has been
released under the X11 license. Nick also maintains an interesting <A HREF=
"http://www.agidev.com/">AGI Development Site</A>.</SMALL></LI>
<LI><A HREF="http://www.vintage-sierra.com/">Vintage Sierra</A> (Josh Lulewicz)
<BR>
<SMALL>A very interesting collector's site, mainly dealing with the different packaging
variants of Sierra's games.</SMALL></LI>
<LI><A HREF="http://agisci.classicgaming.gamespy.com/">The Ultimate AGI & SCI Site</A> (Brian
Provinciano)
<BR>
<SMALL>There are countless AGI sites out there, and most of them are only very rarely
updated. This one is no exception, but you can find AGI utilities and lots of home-brew games
written in AGI here. Also available: tools for SCI (Sierra's later, no-parser
interpreter).</SMALL></LI>
<LI><A HREF="sierra/aginfo.zip">AGInfo 1.40 (MS-DOS, with C source)</A>
<BR>
<SMALL>A utility that detects the AGI interpreter version, as well as the game version. Also
detects a large number of corrupted game versions. Probably most useful for game collectors
to find out whether they have a rare (i.e. undetected) game in their hands.</SMALL></LI>
</UL>
<HR WIDTH="80%">
<P><IMG ALIGN="left"
SRC="gifs/l_legend2.gif"
WIDTH="225"
HEIGHT="48"
ALT="[ Legend ]"> <EM>Legend Entertainment Co.</EM> were one of the last companies
publishing text adventures. Founded by Bob Bates and Mike Verdu in 1989, they released
seven text games (with graphics) between 1990 and 1993 - among them excellent games like
Bob Bates' <EM>Timequest</EM> and <EM>Eric the Unready</EM> as well as the
<EM>Spellcasting</EM> trilogy written by former Infocommie Steve Meretzky.
<BR CLEAR="all"></P>
<UL TYPE="circle">
<LI><s><A HREF="http://www.legendent.com/">Legend WWW Site</A></s> <small style="color:red;">Site is gone forever</small>
<BR>
<SMALL>Legend was bought by GT Interactive (later: Atari) in 1998, turned into a developer of "3D
action/strategy games built using the Unreal engine" and then unfortunately shut down in 2003.</SMALL></LI>
<LI><A HREF="http://www.waitingforgo.com/legend/">Unofficial Legend Text Adventure Page</A>
(Steven Marsh)
<BR>
<SMALL>Some game hints and packaging scans.</SMALL></LI>
<LI><A HREF="http://www.the-underdogs.info/game.php?id=2163">Quandaries download</A>
(Home of the Underdogs)
<BR>
<SMALL>This could be considered "the lost Legend game", except that it is not lost but neatly preserved
by the "abandonware" folks at HotU. Bob Bates wrote this "serious adventure game" for the US Dept. of
Justice in 1995/96.</SMALL></LI>
</UL>
<HR>
<!--A HREF="index.html"><IMG BORDER=0 ALIGN=right SRC="gifs/n_arrowl.gif" WIDTH=50 HEIGHT=37 ALT="[ BACK ]"></A-->
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<ADDRESS>
<A HREF="http://www.pdd.de/">Paul David Doherty</A>
<BR>
<A HREF="mailto:[email protected]">[email protected]</A>
<BR>
<A HREF="changelog.txt">Last modified:</A> 6-Jul-2007
</ADDRESS>
</BLOCKQUOTE>
</BODY>
</HTML>
|
PDD's Adventure Page
---
>
> The history of text adventures remains to be written. Most people agree that it started with a
> game called *Adventure* (also known as *Colossal Cave*), written by Will Crowther
> in 1968-72 and expanded by Don Woods around 1976. The next milestone in the genre was the game
> *Zork* (a.k.a. *Dungeon*), written by several MIT students and graduates in
> 1977-79. It was to become the foundation of Infocom, the most successful producer of text
> adventures and still the epitome of the genre.
>
>
> Another important event was the publication of *Adventureland* by Scott Adams, the first
> adventure that didn't require a university mainframe computer to run.
>
>
> If you want to find information on the early history of adventures, try these links:
>
>
> * [Adventureland](http://adventure.if-legends.org/) (Hans Persson/Stefan Meier)
>
>
> The big list of classic adventure companies and their games. There isn't much you
> won't find there... (Mirror available [here](http://www.lysator.liu.se/adventure/).)
> * [The History of
> Interactive Fiction](http://www.inform-fiction.org/manual/download_dm4.html) (Graham Nelson)
>
>
> This page has the whole 4th edition of Graham's "Inform Designer's Manual" (published
> 2001 in paperback) for download. Chapter VIII deals extensively with the history of
> adventures.
> * [Giant List of Classic Game
> Programmers](http://www.dadgum.com/giantlist/list.html) (James Hague)
>
>
> A list of programmers from the classic age of computer games, many adventure authors
> among them.
> * [The Colossal Cave Adventure
> Page](http://www.rickadams.org/adventure/index.html) (Rick Adams)
>
>
> Many interesting tidbits about the game that started it all.
>
> Text adventures reached the peak of their commercial viability in the first half of the
> 1980s when some of Infocom's titles sold in the 100,000s. Nowadays the commercial market is
> dead, but a small group of loyal aficionados is keeping the spirit alive. New text adventures
> are being published as freeware or shareware, and some of them can hold their own with
> Infocom's best.
>
> Some interesting places to visit:
>
>
> * [The IF Archive](http://www.ifarchive.org/)
>
>
> The world's largest archive of Freeware and Shareware text adventures. No kidding.
> (You can also try the classic [FTP
> version](ftp://ftp.ifarchive.org/if-archive/).)
> * [Baf's Guide to the IF Archive](http://baf.wurb.com/if/) (Carl Muckenhoupt)
>
>
> The page rates selected (freely downloadable) text adventures, providing indices by
> author and genre as well as links to the actual files in the IF Archive.
> * [ifwiki.org](http://www.ifwiki.org/) (David Cornelson)
>
>
> Could become a great place for sharing information and discussing IF. Currently still
> pretty barebones, but the structure is there, it only needs to be filled with content. And
> \*you\* can do that...
> * [Classic Adventures Solution Archive](http://solutionarchive.com/) (Jacob
> Gunness)
>
>
> Jacob maintains an excellent site with maps and walkthroughs for a large number of
> classic text adventures.
> * [Brass Lantern](http://brasslantern.org/) (Stephen Granade)
>
>
> This site offers lots of IF-related links and is being frequently updated. Includes
> editorials on selected topics and a news section.
> * [The Interactive Fiction Page](http://www.cs.cmu.edu/~wsr/IF/) (Scott Neal
> Reilly)
>
>
> A good selection of pointers to other adventure and hypertext pages.
> * [PARSIFAL](http://www.firthworks.com/roger/parsifal/) (Roger Firth)
>
>
> It's called a "one-page summary of important IF links", and that's exactly what it is.
> Very sparse, very useful.
> * [Annotated Bibliography
> of IF Scholarship](http://jerz.setonhill.edu/if/bibliography/) (Dennis G. Jerz)
>
>
> A very good place to start if you want to delve more deeply into the theory of
> interactive fiction.
>
> If you want to start writing your own text adventures, you might want to try the following
> links. Three of the most popular systems for adventure creation are Mike Roberts'
> *TADS*, Graham Nelson's *Inform* and Kent Tessman's *Hugo*. All three are
> freeware and open source. TADS has been around a few years longer than the others, while Inform
> has the big advantage that the resulting games can be played on virtually any platform, down to
> old 8-bit computers and handhelds like the Psion Palmtop.
>
> * [The TADS page](http://www.tads.org/) (Mike Roberts)
> * [Another TADS page](http://www.tela.bc.ca/tela/tads/) (Neil K. Guy)
> * [The Inform page](http://www.inform-fiction.org/) (Graham Nelson et al.)
> * [The Hugo page](http://www.generalcoffee.com/hugo.html) (Kent
> Tessman)
> * [Which Authoring System Is
> Better?](http://mirror.ifarchive.org/if-archive/info/whichsys.zip) (Bob Newell)
>
>
> A detailed comparison of TADS, Inform, Hugo and several also-rans (notably ALAN and
> AGT). The comparison is very out of date but perhaps still of some interest.
>
> Finally, if you collect classic, out-of-print adventures you might be interested in the
> following pages:
>
> * [The Adventure Market](http://advmarket.if-legends.org/)
>
>
> This is a place where you can (try to) find and buy those games missing from your
> collection or sell the items you don't need. Maintained by Manuel Schulz.
> * [Ye Olde Infocomme Shoppe](http://yois.if-legends.org/) (C.E. Forman)
>
>
> Chris is a collector selling off (and trading) his spare Infocoms and other
> adventures. His selection is good, the prices are fair, and he also writes a regular
> collector's column. Well worth a visit.
> * [The Preserving Classic Adventures
> Project (PreCAP)](http://www.retrosite.de/precap/precap.html)
>
>
> As indicated by the (slightly pretentious) name of the project, the idea is to collect
> and preserve classic adventures before the old original tapes and disks fall prey to bit rot.
> The danger of losing an entire heritage of adventure games is very real, as many collectors
> value their "pristine shrinkwraps" more highly than the actual games. If you're not that kind
> of collector, please join in!
>
>
>
>
> ---
>
>
> ![[ Adventure International ]](gifs/l_ai.gif) Scott Adams' *Adventureland* was the first text
> adventure playable on the small home computer "micros" of the late 1970s (with no disk
> drive and only 16 or 24 KB memory). He wrote it in 1978 and founded his company
> *Adventure International (AI)* to publish it. AI published 17 other adventures
> (many of them best sellers) between 1979 and 1985.
>
>
>
>
> * [Scott Adams](http://www.msadams.com/)
>
>
> The homepage of the man himself.
>
>
> (The author of the popular *Dilbert* comic, by the way, is a completely different
> Scott Adams.)
>
>
> You might also be interested in what Scott [had to say](http://jerz.setonhill.edu/if/adams/) on the topic of
> interactive storytelling during a panel discussion at the University of Wisconsin in
> 2001.
> * [AI Memorial](http://aimemorial.if-legends.org/) (David Lodge)
>
>
> General information, datafiles, cover scans... it's all there (or will be in
> time).
>
> To play these adventures you'll need the game *datafiles* and the
> *ScottFree* interpreter. First, download the appropriate interpreter for your platform:
>
> * [ScottFree (C source)](ai/ScottFree.tar.gz)
>
>
> The UNIX/Curses source code for a portable Scott Adams interpreter, written by Alan
> Cox. Also downloadable from the [Interactive Fiction Archive](http://mirror.ifarchive.org/if-archive/scott-adams/).
>
>
> You can also download the [MS-DOS version](ai/scott.zip), the [Macintosh version](ai/ScottFree-Mac-1.0.1.cpt.hqx) (ported by Scott Lemon) and the
> [Windows 9x version](ai/advin.zip) (ported by Hein Pragt).
> * [ScottFree/Amiga 1.8](ai/Scott18.lha.bin)
>
>
> The latest Amiga version, ported by Andreas Aumayr, with support for speech and
> pictures.
>
>
> Currently graphics files for [Adventureland](ai/adv01gfx.zip), [Secret Mission](ai/adv03gfx.zip) and [Sorcerer of Claymorgue
> Castle](ai/adv13gfx.zip) as well as Brian Howarth's [The Golden Baton](ai/mst01gfx.zip) and
> [Robin of Sherwood](ai/robingfx.zip) are available. (If you want more graphics
> files, I suggest you send me some feedback. Creating them takes quite a lot of time, so I'd
> like to know first whether there's any real interest.)
>
>
> You can also look at a [screenshot](ai/scottscr.gif) showing the Amiga version in
> action.
>
> Now you'll need the datafiles. To start playing, unpack the interpreter and the datafiles
> into a single directory (for example using PKUNZIP under MS-DOS). Start a game by typing
> *SCOTT* followed by the name of the datafile. (For example, type *SCOTT
> ADV02.DAT* to play *Pirate Adventure*.)
>
>
> * [Scott Adams adventures](ai/adams.zip)
>
>
> Datafiles for: Adventureland, Pirate's Cove, Mission Impossible, Voodoo Castle, The
> Count, Strange Odyssey, Mystery Fun House, Pyramid of Doom, Ghost Town, Savage Island I and
> II, Golden Voyage, Sorcerer of Claymorgue Castle, Return to Pirate's Isle, Buckaroo Banzai,
> The Hulk, Spiderman, the AI Sampler.
>
> Other related stuff:
>
> * [AI Adventure Hints](ai/aihints2.zip)
>
>
> A hint reader (source and MS-DOS executable) written by David Lodge, complete with
> hints for all the Scott Adams adventures (transcribed from the official AI hint booklet). If
> you're stuck in a game you can get small, gentle hints as well as a complete solution to your
> problem.
> * [ScottDec 7](ai/scodec7.zip)
>
>
> Decoder (ANSI-C source and MS-DOS executable) for Scott Adams datafiles. Useful if you
> want to know how the system worked, but it can also be used as a cheating tool.
> * [SAGA+ datafiles](ai/sagaplus.zip)
>
>
> The SAGAplus system was a late incarnation of Scott's parser, allowing more complex
> input sentences. You can download datafiles for: Buckaroo Banzai, Sorcerer of Claymorgue
> Castle, Spiderman, Fantastic Four.
>
>
> But beware: you can't *play* these games, because ScottFree has no SAGA+ support yet.
> Sorry.
>
>
>
>
> ---
>
>
> ![[ Mysterious Adventures ]](gifs/l_mysadv.gif) Authoring systems for writing adventures in the AI
> datafile format were available on several platforms (TRS-80, TI 99/4A), and dozens of
> adventures were written with them. *Brian Howarth* was the most prolific author of
> games in the AI format. His series of 11 *Mysterious Adventures*, published between
> 1981 and 1983, is now freely distributable and can be played with the ScottFree
> interpreter.
>
>
>
>
> * [Scott Adams/Mysterious Adventures GFX
> formats](http://pdd.if-legends.org/ldp/)
>
>
> Description, comparison, extraction tools for the graphics in the AI UK games. Still
> work in progress (and part of my attempt to redesign this whole site...)
> * [Mysterious Adventures](ai/howarth.zip)
>
>
> Datafiles for: The Golden Baton, The Time Machine, Arrow of Death I and II, Escape
> from Pulsar 7, Circus, Feasibility Experiment, Wizard of Akyrz, Perseus and Andromeda, Ten
> Little Indians, Waxworks. (Also included are four bonus games: Supergran, Gremlins, Robin of
> Sherwood, Seas of Blood.)
> * [Mysterious Adventures
> (Commodore 64)](http://mirror.ifarchive.org/if-archive/games/c64/scott-adams/mystadv.zip)
>
>
> C64 versions of all 11 Mysterious Adventures, with graphics. You'll need a C64 (or C64
> emulator) to play them.
>
>
>
>
> ---
>
>
> ![[ Infocom ]](gifs/l_infoc.gif) *Infocom* was founded in 1979 and closed down in 1989. In their
> 10 years of existence they published 35 text adventures, among them undisputed classics
> like the *Zork* trilogy, *Suspended*, *Planetfall*, *The
> Hitchhiker's Guide to the Galaxy*, and *Trinity*. All their games are worth
> playing.
>
>
>
>
> * [Infocom Fact-sheet](infocom/fact-sheet.txt)
>
>
> My attempt to list everything worth knowing about Infocom, their history, their games
> and the people who worked there. (Of course there is still a lot missing, but hey: it's work
> in progress.)
> * [(Unofficial) Infocom Homepage](http://infocom.gerf.org/) (Peter Scheyen)
>
>
> Most of the stuff can also be found elsewhere on the net, but Pete has collected it
> all and put up a well-structured and nicely presented page. (The link leads to the European
> mirror site. You could also use the [original
> site](http://www.csd.uwo.ca/Infocom/) in Canada but it's usually rather slow.)
> * [The Infocom Documentation Project](http://infodoc.plover.net/) (Roger J. Long
> & Gunther Schmidl)
>
>
> Infocom manuals in PDF and HTML format.
> * [The Infocom
> Gallery](http://gallery.guetech.org/) (David Sinclair & Julian Linder)
>
>
> Quality color scans of Infocom's package artwork and packaging contents. (There's also
> an [alternative URL](http://infocom.elsewhere.org/gallery/) and
> an [outdated URL](http://members.fortunecity.de/infocom3/).)
> * [The All-New Infocom
> Gallery](http://accardi-by-the-sea.org/Infocom/Gallery/)
>
>
> Yes indeed, yet another Infocom gallery, apparently based on the other one but sporting a new
> design, additional scans and an anonymous maintainer.
> * [The Infocom Bugs List](http://members.aol.com/graemecree/infobugs/) (Graeme
> Cree)
>
>
> A list of all known bugs in Infocom's games. Some of them are rather
> amusing...
> * [Infocom: The Master Storytellers](http://home1.gte.net/longrj2/infocom/) (Roger J. Long)
>
>
> Another nice page with a couple of Infocom-related articles, scans and
> links.
> * [Infocom - The Master Storytellers](http://www.infocom-if.org/index2.html) (Marco Thorek)
>
>
> Yes, this page has just about the same title as the previous one. Different page though.
> Has scans of Infocom's advertisements, among assorted other information.
> * [Infocut (MS-DOS)](infocom/infocut.zip)
>
>
> A little utility for cutting excess bytes off the ends of Infocom datafiles. (Works on
> V1 and V2 datafiles too.)
> * [Bob Supnik's Software Kits page](http://simh.trailing-edge.com/software.html)
>
>
> Contains, among many other things, the final version of the original MDL source code of
> Zork.
> * [Sample game](infocom/sampler.zip)
>
>
> Infocom's games are still commercially available from Activision (packaged into
> several budget collections). This free sampler provides a tutorial and brief excerpts from
> Zork I, Leather Goddesses of Phobos and Trinity. Other demo games can be found in the IF
> Archive.
>
>
> (You'll need to download *Frotz* to play the sampler.)
>
>
>
>
> ---
>
>
> ![[ Magnetic Scrolls ]](gifs/l_maggot.gif) London-based *Magnetic Scrolls* can justly be called
> the British Infocom. Founded by Ken Gordon and Anita Sinclair, they combined a
> state-of-the-art parser, beautiful graphics (especially in the 16-bit versions) and
> excellent writing with a great sense of humour in their adventure games. The graphics
> added a lot to the atmosphere (although text adventure purists can switch them off if they
> like...).
>
>
> Magnetic Scrolls published 7 adventures between 1985 and 1992: The Pawn, The Guild of
> Thieves, Jinxter, Corruption, Fish!, Myth, and Wonderland.
>
>
>
>
> * [Magnetic Scrolls Memorial](http://msmemorial.if-legends.org/) (Stefan
> Meier)
>
>
> An excellent overview page: game information, manuals, maps, walkthroughs,
> articles.
> * [Magnetic
> interpreter, v2.2, C source code](http://mirror.ifarchive.org/if-archive/magnetic-scrolls/interpreters/magnetic/Magnetic22Src.zip) (Niclas Karlsson, David Kinder, Stefan Meier)
>
>
> The portable MS interpreter. You can also download the [MS-Windows
> version](http://mirror.ifarchive.org/if-archive/magnetic-scrolls/interpreters/magnetic/Magnetic22Win.zip) (no screenshot), the [MS-DOS
> version](http://mirror.ifarchive.org/if-archive/magnetic-scrolls/interpreters/magnetic/Magnetic22DOS.zip) [(screenshot)](magnetic/magdos.gif),
> the [Amiga
> version](http://ifarchive.heanet.ie/if-archive/magnetic-scrolls/interpreters/magnetic/Magnetic22Amiga.lha) [(screenshot)](magnetic/magami.gif), or the [Linux version](http://mirror.ifarchive.org/if-archive/magnetic-scrolls/interpreters/magnetic/Magnetic22LinuxGlk.zip) (no screenshot). Other ports can be
> downloaded from the [IF-Archive](http://mirror.ifarchive.org/if-archive/magnetic-scrolls/interpreters/magnetic/).
>
>
> To play a game with this interpreter, you'll have to convert it to a unique datafile format.
> Currently there are converters for the IBM PC, Commodore 64, Acorn Archimedes, Amstrad CPC
> and Sinclair Spectrum versions of the games. Others (Apple II, Atari XL) will be created if
> there is any demand.
>
>
> To see the beautiful pictures you'll also have to download the graphics files. Currently
> available: [The Pawn](magnetic/pawngfx.zip), [The
> Guild of Thieves](magnetic/guildgfx.zip), [Jinxter](magnetic/jinxgfx.zip), [Corruption](magnetic/corrgfx.zip), [Fish!](magnetic/fishgfx.zip) and [Myth](magnetic/mythgfx.zip).
>
>
> The project also has a [Sourceforge page](http://sourceforge.net/projects/magnetic) but nothing much happens there.
> * [Magnetic Scrolls Fact
> Sheet](http://mirror.ifarchive.org/if-archive/magnetic-scrolls/info/msfact.txt) (Stefan Meier)
>
>
> This lists information about the games, the technical background and the Magnetic interpreter.
> * ~~[The Magnetic Scrolls
> Gallery](http://www.webpan.com/dsinclair/ms/mscrolls.html) (David Sinclair)~~ Site seems to broken
>
>
> Sample pictures from the Amiga and C64 versions of the games, as well as scans of the
> original boxes and packaging.
> * [Magnetic Scrolls: Official Website](http://www.magneticscrolls.com/) (Ken Gordon)
>
>
> More of a curiosity, really: The official page was created in 1998 and contains nothing (except for the
> Magnetic Scrolls logo). But there it is.
>
>
>
>
> ---
>
>
> ![[ Level 9 ]](gifs/l_level9.gif) *Level 9 Software* was founded by Pete Austin and his brothers
> Mike and Nick in 1982. They soon became the most successful European adventure company.
> While the Infocom games never really caught on in the UK due to the fact that they
> required a disk drive, Level 9 managed to squeeze hundreds of rooms and objects into the
> small 32K or 48K memory space of the popular 8-bit home "micros" (BBC, Sinclair Spectrum,
> Amstrad CPC, MSX, C64). Their first game was an adaptation of Colossal Cave called
> *Colossal Adventure*. Among their other adventures are classics like Lords of Time,
> Snowball, Return to Eden, Red Moon, Gnome Ranger, Knight Orc, and Scapeghost.
>
>
>
>
> * [Level 9
> interpreter, v4.0, C source code](http://mirror.ifarchive.org/if-archive/level9/interpreters/level9/Level9_4.0_Source.zip) (Glen Summers, David Kinder)
>
>
> The portable interpreter for Level 9 games. You can also download ports that run under [MS-Windows](http://mirror.ifarchive.org/if-archive/level9/interpreters/level9/Level9_4.0_Win32.zip),
> [Amiga](http://mirror.ifarchive.org/if-archive/level9/interpreters/level9/Level9_4.0_Amiga.lha) and
> [MS-DOS
> (16-bit)](http://mirror.ifarchive.org/if-archive/level9/interpreters/level9/Level9_4.0_Dos16.zip).
> * [Level 9 Memorial](http://l9memorial.if-legends.org/) (Manuel Schulz)
>
>
> Lots of information about Level 9's games, history, fact-sheet, pictures of the
> packaging, etc.
> * [Level 9 Fact
> Sheet](http://mirror.ifarchive.org/if-archive/level9/info/Level9_Facts.txt) (Miron Schmidt & Manuel Schulz)
>
>
> This lists information about the history of the company, their games and assorted
> technicalities.
> * [L9Cut (MS-DOS, with
> ANSI-C source)](http://mirror.ifarchive.org/if-archive/level9/tools/l9cut.zip)
>
>
> Tool for extracting Level 9 datafiles from Spectrum snapshots and the like. It
> automatically detects the game version being extracted and also allows you to remove the copy
> protection from the datafile. (You can also download an [Amiga
> port](l9/L9Cut.lha.bin), but this is an outdated version.)
> * [L9Dis beta 04 (MS-DOS)](l9/l9dis.zip)
>
>
> Disassembler for Level 9 datafiles. Really just a very early beta, and I've given up
> on the development (since nobody seems to have used the program anyway)...
> * [Level 9
> Clue-sheets](http://mirror.ifarchive.org/if-archive/level9/hints/clue-sheets/)
>
>
> Hints for most of their adventures, typed in from the official
> clue-sheets.
>
>
>
>
> ---
>
>
> ![[ Topologika ]](gifs/l_topol.gif) Do game titles like Acheton, Hezarin, Hamil or Fyleet ring a bell?
> If the answer is yes, then you're one of the few people who have ever played these text
> adventures. Which is amazing not only because they are classics of the genre (Acheton was
> originally written on *Phoenix*, a Cambridge University mainframe, in the late
> 1970s - at the same time as the original Zork!), but also seeing that many of them have
> been commercially available during the 1990s via *Topologika*.
>
>
>
>
> * [Topologika WWW page](http://www.topologika.com/)
>
>
> The homepage only mentions the text adventures in passing, but the company is still there,
> producing all sorts of educational software.
> * [Phoenix/Topologika in the IF
> Archive](http://mirror.ifarchive.org/if-archive/phoenix/)
>
>
> All the games have been made freely available in 1999. You can download the Topologika
> ports (IBM PC versions) from here, as well as selected original Phoenix sources and Inform
> ports. More sources and ports will be made available in due time...
>
>
>
>
> ---
>
>
> ![[ Penguin/Polarware ]](gifs/l_polar.gif) *Penguin/Polarware* (based in Geneva, IL) published 8
> text-with-graphics adventures in the 1980s: The Quest, RingQuest, Transylvania, Oo-Topos,
> Crimson Crown (Transylvania II), The Coveted Mirror, Talisman, and Transylvania III.
>
>
>
>
> * [The Polarware Page](http://www.magictree.com/polarware/polarware.htm)
>
>
> Mark Pelczarski (founder and ex-owner of Penguin) maintains this official page with
> lots of background info about the history of the company. Apple II and IBM PC versions of
> several games can be downloaded from there; plus you can read the strange story of why Mark
> himself is no longer allowed to mention "Penguin Software" on his pages...
> * [Penguin games in the IF
> Archive (MS-DOS)](http://mirror.ifarchive.org/if-archive/games/pc/penguin/)
>
>
> Three of their games can already be downloaded from the IF Archive: [Transylvania](http://mirror.ifarchive.org/if-archive/games/pc/penguin/transpc.zip), [Crimson Crown](http://mirror.ifarchive.org/if-archive/games/pc/penguin/crownpc.zip) and
> [Talisman](http://mirror.ifarchive.org/if-archive/games/pc/penguin/talispc.zip). (If
> you happen to have the MS-DOS version of any of the others, please send it to me or simply
> upload it to the IF Archive.)
>
>
>
>
> ---
>
>
> ![[ Angelsoft/Mindscape ]](gifs/l_angel.gif) *Angelsoft, Inc.*, based in White Plains, NY, was
> founded by John R. Sansevere and Mercer Mayer. The company created eight text adventures
> in 1985/86, most of them book or film adaptations. Among the titles: Forgotten Castle
> (a.k.a. Sleeping Beauty), Voodoo Island, Stephen King's The Mist, and Rambo - First Blood
> part II (!!).
>
>
>
>
> * What? No links?
>
>
> Well, the sad truth is that I didn't find any useful links. Their games were written
> in a rather simple script language called *ASG*, but no portable interpreter has been
> written so far. Anybody looking for a programming project?
>
>
>
>
> ---
>
>
> ![[ Melbourne House ]](gifs/l_melbo.gif) *Melbourne House* was an Australian software publisher.
> Several of their adventures (Sherlock, the Tolkien games: The Hobbit, The Lord of the
> Rings, The Shadows of Mordor, Crack of Doom) were written by *Beam Software* who
> now own the rights and allow their free distribution.
>
>
>
>
> * [Early Beam adventures (Spectrum)](beam/beam1.zip)
>
>
> The two earliest Beam adventures, The Hobbit (the first, rather buggy release) and
> Sherlock. (These are TAP files of the Sinclair Spectrum versions, so you'll need to find a
> Speccy emulator that handles TAP files.)
> * [The Tolkien Trilogy (Spectrum)](beam/beam2.zip)
>
>
> This was a budget re-release of Beam's first 3 Tolkien adventures: Hobbit (bug-fixed
> version), Lord of the Rings a.k.a. Fellowship of the Ring, Shadows of Mordor. (Available as
> TAP files.)
>
>
>
>
> ---
>
>
> ![[ Sierra On-Line ]](gifs/l_sierra.gif) Sierra? Yep, Sierra! Before Coarsegold-based *Sierra
> On-Line* became the corporate monster many adventure fans love to hate, they actually
> published some decent adventure games. Their series of "Hi-Res Adventures" (1980-83)
> includes classics like Mystery House, Ulysses and the Golden Fleece, and Time Zone. In
> their AGI0-2 period (1984-87) they perfected their combination of animated graphics and
> text input, with games like King's Quest I-III, Leisure Suit Larry I, and Space Quest I
> and II. After that, they abandoned their parser in favour of pointless clickery (thereby
> moving out of the scope of this web page).
>
>
>
>
> * [Sarien AGI Interpreter (part of ScummVM)](http://scummvm.org/) (Stuart George/Claudio
> Matsuoka)
>
>
> Sarien (formerly called Yggdrasil) was the first open-sourced (and GPL'ed) AGI
> interpreter and has now been integrated into ScummVM. Current versions work with most AGI games.
> * [NAGI AGI Interpreter](http://www.agidev.com/nagi.html) (Nick Sonneveld)
>
>
> Another AGI interpreter, almost completely functional. Full source code has been
> released under the X11 license. Nick also maintains an interesting [AGI Development Site](http://www.agidev.com/).
> * [Vintage Sierra](http://www.vintage-sierra.com/) (Josh Lulewicz)
>
>
> A very interesting collector's site, mainly dealing with the different packaging
> variants of Sierra's games.
> * [The Ultimate AGI & SCI Site](http://agisci.classicgaming.gamespy.com/) (Brian
> Provinciano)
>
>
> There are countless AGI sites out there, and most of them are only very rarely
> updated. This one is no exception, but you can find AGI utilities and lots of home-brew games
> written in AGI here. Also available: tools for SCI (Sierra's later, no-parser
> interpreter).
> * [AGInfo 1.40 (MS-DOS, with C source)](sierra/aginfo.zip)
>
>
> A utility that detects the AGI interpreter version, as well as the game version. Also
> detects a large number of corrupted game versions. Probably most useful for game collectors
> to find out whether they have a rare (i.e. undetected) game in their hands.
>
>
>
>
> ---
>
>
> ![[ Legend ]](gifs/l_legend2.gif) *Legend Entertainment Co.* were one of the last companies
> publishing text adventures. Founded by Bob Bates and Mike Verdu in 1989, they released
> seven text games (with graphics) between 1990 and 1993 - among them excellent games like
> Bob Bates' *Timequest* and *Eric the Unready* as well as the
> *Spellcasting* trilogy written by former Infocommie Steve Meretzky.
>
>
>
>
> * ~~[Legend WWW Site](http://www.legendent.com/)~~ Site is gone forever
>
>
> Legend was bought by GT Interactive (later: Atari) in 1998, turned into a developer of "3D
> action/strategy games built using the Unreal engine" and then unfortunately shut down in 2003.
> * [Unofficial Legend Text Adventure Page](http://www.waitingforgo.com/legend/)
> (Steven Marsh)
>
>
> Some game hints and packaging scans.
> * [Quandaries download](http://www.the-underdogs.info/game.php?id=2163)
> (Home of the Underdogs)
>
>
> This could be considered "the lost Legend game", except that it is not lost but neatly preserved
> by the "abandonware" folks at HotU. Bob Bates wrote this "serious adventure game" for the US Dept. of
> Justice in 1995/96.
>
>
>
>
> ---
>
>
>
>
>
> [Paul David Doherty](http://www.pdd.de/)
>
>
> [[email protected]](mailto:[email protected])
>
>
> [Last modified:](changelog.txt) 6-Jul-2007
>
>
| http://pdd.if-legends.org/ |
<html>
<head>
<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
<meta name="GENERATOR" content="Microsoft FrontPage 5.0">
<meta name="ProgId" content="FrontPage.Editor.Document">
<title>Oddities Optimus' Face</title>
</head>
<body background="../images/decep.jpg">
<p align="center" style="word-spacing: 0; margin-top: 0; margin-bottom: 0">
<img border="0" src="../images/banners/pagebanners/oddities/primesface.jpg" width="450" height="78"></p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0" align="center">Welcome to a
web page which investigates a subject never before fully explored in a
web page...</p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0" align="center"><b>WHAT WOULD
OPTIMUS PRIME LOOK LIKE WITHOUT HIS FACE MASK?!</b></p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0">The images
presented bellow are both odd, and attempt to answer this age-old
question. None of these are fanfic pics. These are taken from official
comics, story books, and even the cartoon! None of what you see bellow
is doctored by me; this is stuff genuinely produced by artists working
on Transformers.</p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0" align="left">Please, do
not try to remove your Prime's face mask at home. (Though if you do,
take a picture and send it into the site. I'd love to see what, say,
Armada Prime looks like without his face plate.)</p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<table border="1" width="100%" cellpadding="2">
<tr>
<td>
<p align="center" style="word-spacing: 0; margin-top: 0; margin-bottom: 0"><a href="../images/oddities/optimus-face/primesenior.jpg" target="_top">
<img border="0" src="../images/oddities/optimus-face/thumbnails/senior.jpg" alt="Ouch, that's GOTTA hurt! " width="100" height="100"></a></td>
<td>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"><font color="green"><b>Source:</b></font>
<i><b>
Transformers: Gen2 #12</b></i></p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"><font color="green"><b>Comments:</b></font>
Optimus Prime, minus his face plate. As with most other pictures on this
little page his face plate has been removed violently. What we see
underneath is hardly pretty! Circuits and pipes and wires!!</p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0">Ewwww!!</p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0">Wait...</p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0">I'm a human
being, that stuff isn't gross to me.</p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0">Never mind.
This picture of what's under Prime's face mask is probably one of the
most logical... but probably one of the least fun...</p>
</td>
</tr>
</table>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<table border="1" width="100%" cellpadding="2">
<tr>
<td>
<p align="center" style="word-spacing: 0; margin-top: 0; margin-bottom: 0"><a href="../images/oddities/optimus-face/primeyaniger.jpg" target="_top">
<img border="0" src="../images/oddities/optimus-face/thumbnails/yaniger.jpg" alt="Optimus Prime and the teeth of Doom!" width="100" height="100"></a></td>
<td>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"><font color="green"><b>Source:</b></font>
<i><b>
Transformers: Gen2 #1</b></i></p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"><font color="green"><b>Comments:</b></font>
This one's a little neater. With his face mask consumed by the Swarm (at
least in a vision) we get to see that Optimus Prime has quite a vicious
set of teeth!!</p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0">I wonder if
this means he has to be torn to shreds before he can give Elita One a
love bite?</p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0">Let's hope
that's the case.</p>
</td>
</tr>
</table>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<table border="1" width="100%" cellpadding="2">
<tr>
<td>
<p align="center" style="word-spacing: 0; margin-top: 0; margin-bottom: 0">
<a target="_top" href="../images/oddities/optimus-face/primesullivan.jpg">
<img border="0" src="../images/oddities/optimus-face/thumbnails/sullivan.jpg" alt="It's just a glimpse, but them is ugly teeth!" width="100" height="100"></a></td>
<td>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"><font color="green"><b>Source:</b></font>
<i><b>
Transformers: UK #205</b></i></p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"><font color="green"><b>Comments:</b></font>
When we come to Lee Sullivan the glimpse underneath Prime's mask is a
little bit more subtle. Okay, I'll admit, this shot is something that
doesn't happen, but it is something that <b>did</b> happen. What I mean
is, while it's not part of events that transpire, it's an event that had
to transpire for the events that really transpired to have transpired...</p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0">Errr...</p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0">Dammit, I
hate time-travel stories. Even I'm confused now.</p>
</td>
</tr>
</table>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<table border="1" width="100%" cellpadding="2">
<tr>
<td>
<p align="center" style="word-spacing: 0; margin-top: 0; margin-bottom: 0"><a href="../images/oddities/optimus-face/carrally.jpg" target="_top">
<img border="0" src="../images/oddities/optimus-face/thumbnails/carrally.jpg" alt="He's one UGGGGGLY Autobot. " width="100" height="100"></a></td>
<td>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"><font color="green"><b>Source:</b></font>
<b><i>
Storybook: The Great Car Rally</i></b></p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"><font color="green"><b>Comments:</b></font>
Here's a strange little piece. I took this from a story book called 'The
Great Car Rally'. The story is terrible, but the art is GORGEOUSLY
painted. All except for the fact that Optimus Prime doesn't seem to have
his face mask!!</p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0">This picture
leads me to the conclusion that (at least in story books...) Optimus
Prime, minus his face mask, is UGLY.</p>
</td>
</tr>
</table>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<table border="1" width="100%" cellpadding="2">
<tr>
<td>
<p align="center" style="word-spacing: 0; margin-top: 0; margin-bottom: 0"><a href="../images/oddities/optimus-face/cartoon2.jpg" target="_top">
<img border="0" src="../images/oddities/optimus-face/thumbnails/cartoon2.jpg" alt=""Mmm fffmrrm mll ynnn mmrrml."" width="100" height="100"></a></td>
<td>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"><font color="green"><b>Source:</b></font>
<b><i>
Gen1, Season 2 episode The Search for Alpha Trion</i></b></p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"><font color="green"><b>Comments:
</b></font>Thanks
to Monzo's dedication to taking caps of every frame of the Transformers
cartoon, we have found this piece of weirdness. A strange frame from
Search for Alpha Trion which seems to suggest that under Prime's face
plate he has... well, very little.</p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0">The weird
thing is that the artist has put shading in under Prime's nose... which
wouldn't be visible if his face plate had been drawn in...</p>
</td>
</tr>
</table>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<table border="1" width="100%" cellpadding="2">
<tr>
<td>
<p align="center" style="word-spacing: 0; margin-top: 0; margin-bottom: 0"><a href="../images/oddities/optimus-face/primegallan.jpg" target="_top">
<img border="0" src="../images/oddities/optimus-face/thumbnails/gallan.jpg" alt="Click to see more Manny Gallan Prime-with-no-faceplate. IF YOU DARE!!" width="100" height="100"></a></td>
<td>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"><font color="green"><b>Source:</b></font>
<b><i>
Transformers: Gen2 #12</i></b></p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"><font color="green"><b>Comments:</b></font>
As always Gallan couldn't draw an original drawing if you paid him (was
he paid, I certainly HOPE not!!). This one seems to incorporate the
pipes and wires of Senior and the teeth of Yaniger. Interesting
combination I suppose. Why would he have a set of teeth behind the face
mask BEHIND all those wires and things...</p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0">Maybe he
just needs to feel like he has teeth?</p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0">Maybe...
Just Maybe... they're a vestigial feature left over from millennia of
evolution.</p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0">Nah.</p>
</td>
</tr>
</table>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<table border="1" width="100%" cellpadding="2">
<tr>
<td>
<p align="center" style="word-spacing: 0; margin-top: 0; margin-bottom: 0"><a href="../images/oddities/optimus-face/primewildman.jpg">
<img border="0" src="../images/oddities/optimus-face/thumbnails/wildman.jpg" alt=""Prowl, tell your sister you were right about me... you were right..."" width="100" height="100"></a></td>
<td>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"><font color="green"><b>Source:</b></font>
<b><i>
Transformers #76</i></b></p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"><font color="green"><b>Comments:</b></font>
The final contributor to this look at Prime without a face mask is Andrew Wildman. Unlike the majority of the other pictures, the Prime dismembered
here is Powermaster Optimus Prime (the others are almost ALL the original
version of OP).</p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0">It seems
that behind Powermaster Optimus Prime's mask is a leftover feature from
his career at McDonalds. He's got a nifty little speaker-thingy!
Woo-woo!!</p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0">Hmmm... I
wonder if he can play CDs...</td>
</tr>
</table>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0" align="center"> </p>
<p style="word-spacing: 0; margin-top: 0; margin-bottom: 0" align="center"><font size="2"><a href="../archive.htm" target="_top">[THE
ARCHIVE]</a> <a href="../index.html" target="_top">[MAIN PAGE]</a></font>
</body>
</html> |
Oddities Optimus' Face
Welcome to a
web page which investigates a subject never before fully explored in a
web page...
**WHAT WOULD
OPTIMUS PRIME LOOK LIKE WITHOUT HIS FACE MASK?!**
The images
presented bellow are both odd, and attempt to answer this age-old
question. None of these are fanfic pics. These are taken from official
comics, story books, and even the cartoon! None of what you see bellow
is doctored by me; this is stuff genuinely produced by artists working
on Transformers.
Please, do
not try to remove your Prime's face mask at home. (Though if you do,
take a picture and send it into the site. I'd love to see what, say,
Armada Prime looks like without his face plate.)
| | |
| --- | --- |
| [Ouch, that's GOTTA hurt!](../images/oddities/optimus-face/primesenior.jpg) | **Source:**
***Transformers: Gen2 #12***
**Comments:**
Optimus Prime, minus his face plate. As with most other pictures on this
little page his face plate has been removed violently. What we see
underneath is hardly pretty! Circuits and pipes and wires!!
Ewwww!!
Wait...
I'm a human
being, that stuff isn't gross to me.
Never mind.
This picture of what's under Prime's face mask is probably one of the
most logical... but probably one of the least fun... |
| | |
| --- | --- |
| [Optimus Prime and the teeth of Doom!](../images/oddities/optimus-face/primeyaniger.jpg) | **Source:**
***Transformers: Gen2 #1***
**Comments:**
This one's a little neater. With his face mask consumed by the Swarm (at
least in a vision) we get to see that Optimus Prime has quite a vicious
set of teeth!!
I wonder if
this means he has to be torn to shreds before he can give Elita One a
love bite?
Let's hope
that's the case. |
| | |
| --- | --- |
|
[It's just a glimpse, but them is ugly teeth!](../images/oddities/optimus-face/primesullivan.jpg) | **Source:**
***Transformers: UK #205***
**Comments:**
When we come to Lee Sullivan the glimpse underneath Prime's mask is a
little bit more subtle. Okay, I'll admit, this shot is something that
doesn't happen, but it is something that **did** happen. What I mean
is, while it's not part of events that transpire, it's an event that had
to transpire for the events that really transpired to have transpired...
Errr...
Dammit, I
hate time-travel stories. Even I'm confused now. |
| | |
| --- | --- |
| [He's one UGGGGGLY Autobot.](../images/oddities/optimus-face/carrally.jpg) | **Source:**
***Storybook: The Great Car Rally***
**Comments:**
Here's a strange little piece. I took this from a story book called 'The
Great Car Rally'. The story is terrible, but the art is GORGEOUSLY
painted. All except for the fact that Optimus Prime doesn't seem to have
his face mask!!
This picture
leads me to the conclusion that (at least in story books...) Optimus
Prime, minus his face mask, is UGLY. |
| | |
| --- | --- |
| ["Mmm fffmrrm mll ynnn mmrrml."](../images/oddities/optimus-face/cartoon2.jpg) | **Source:**
***Gen1, Season 2 episode The Search for Alpha Trion***
**Comments:** Thanks
to Monzo's dedication to taking caps of every frame of the Transformers
cartoon, we have found this piece of weirdness. A strange frame from
Search for Alpha Trion which seems to suggest that under Prime's face
plate he has... well, very little.
The weird
thing is that the artist has put shading in under Prime's nose... which
wouldn't be visible if his face plate had been drawn in... |
| | |
| --- | --- |
| [Click to see more Manny Gallan Prime-with-no-faceplate. IF YOU DARE!!](../images/oddities/optimus-face/primegallan.jpg) | **Source:**
***Transformers: Gen2 #12***
**Comments:**
As always Gallan couldn't draw an original drawing if you paid him (was
he paid, I certainly HOPE not!!). This one seems to incorporate the
pipes and wires of Senior and the teeth of Yaniger. Interesting
combination I suppose. Why would he have a set of teeth behind the face
mask BEHIND all those wires and things...
Maybe he
just needs to feel like he has teeth?
Maybe...
Just Maybe... they're a vestigial feature left over from millennia of
evolution.
Nah. |
| | |
| --- | --- |
| ["Prowl, tell your sister you were right about me... you were right..."](../images/oddities/optimus-face/primewildman.jpg) | **Source:**
***Transformers #76***
**Comments:**
The final contributor to this look at Prime without a face mask is Andrew Wildman. Unlike the majority of the other pictures, the Prime dismembered
here is Powermaster Optimus Prime (the others are almost ALL the original
version of OP).
It seems
that behind Powermaster Optimus Prime's mask is a leftover feature from
his career at McDonalds. He's got a nifty little speaker-thingy!
Woo-woo!!
Hmmm... I
wonder if he can play CDs... |
[[THE
ARCHIVE]](../archive.htm) [[MAIN PAGE]](../index.html)
| http://s90690880.onlinehome.us/jhiaxus/oddities/oddities_optimus.htm |
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LAST UPDATE: 22nd March, 1999 at 2100 GMT
</CENTER>
<P>
Includes:
<UL>
<LI>Four pieces of Real® Movie Simpsons episode footage
<P>
<LI>Two new Simpsons screenshots of Star Wars® homages
</UL>
</TD>
</TR>
</TABLE>
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<P>
<H3>
"There's never gonna be an arguement over 'Is anyone gonna
<BR>
get this' when you're putting in a Star Wars reference."
</H3>
<B>
Matt Selman, story editor for The Simpsons®
<P>
<IMG SRC="images/duel.gif" BORDER=0 ALT="Bespin Bart & D'Oh Vader (original custom figures by Maureen Kuppe)">
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<BR>
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Hi, I'm the Webmaster. You may remember me from such webpages as <A HREF="http://www.moseisley.force9.co.uk/bantha/index.htm" TARGET="new_window" NAME="Bantha Dung"><FONT onmouseover="this.style.color='#008CFF'" onmouseout="this.style.color='#00FFFF'">Bantha Dung</FONT></A> and the <A HREF="http://www.moseisley.force9.co.uk/index.htm" TARGET="new_window"><FONT onmouseover="this.style.color='#008CFF'" onmouseout="this.style.color='#00FFFF'">Star Wars Custom Resource Page</FONT></A> (was PrecEisley Vintage Customising Homepage). Today I'll be your guide on a tour of all those magical moments when Matt Groening's The Simpsons® celebrated a little known film called Star Wars®.
<P>
Created 12 years before The Simpsons® aired on American TV, Star Wars® has almost become as pop cultural and iconic as The Simpsons®, with the cry of "May the Force be with you." being heard almost as much as Homer's battle-cry "D'Oh!" It only seems right that a programme as popular as The Simpsons® try and help raise the stature and recognition of Star Wars® through carefully placed jokes and taunts.
<P>
Says Jason Grode, writer and manager of The Simpsons® comic books, "If you don't know <I>Star Wars</I>®, it's still funny on its own, but if you are a fan, there's that little extra. Alot of comic fans are science-fiction and <I>Star Wars</I>® fans, so it's giving just that much extra to the fans." It is typical of Matt Groening and his team to take a fledgling film such as Star Wars® under their wing and to give its fans a little boost in encouragement to help them through the dark times until Star Wars® gets the recognition it deserves.
<P>
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Our programme tonight includes:
<P>
<CENTER>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
Bart the General
</TD>
<TD WIDTH=50% VALIGN=TOP>
Sick of being bullied by Nelson Muntz, Bart teams up with Grampa Simpson and Herman - the owner of the Miltary Antique Store - to develop a strategy to finish off Nelson for good.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/btg.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[146kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
At the end of the show Bart leaves us with a somber reminder.
</TD>
</TR>
</TABLE>
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
Old Money
</TD>
<TD WIDTH=50% VALIGN=TOP>
When Abe Simpson meets Beatrice Simmons at the Retirement Castle they enter into a whirlwind romance. Sadly it ends a bit sooner than Grandpa was prepared for when Bea dies.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/om.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[109kb]</FONT>
<A HREF="pics/oldmoney.jpg"><IMG SRC="images/i-pic.gif" width=20 HEIGHT=20 BORDER=0 ALT="JPEG Image"></A><FONT SIZE=2>[28kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
Left with a large inheritance from Bea, Grandpa is left to spend the money as he sees fit - bringing the geeks of Springfield out of the woodwork.
</TD>
</TR>
</TABLE>
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
I Married Marge
</TD>
<TD WIDTH=50% VALIGN=TOP>
Marge and Homer reminisce about the conception of Bart quickly followed by their hurried marriage.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/imm1.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[260kb]</FONT>
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<TD WIDTH=50% VALIGN=TOP>
As Homer and Marge leave the Aztec Theatre, after seeing <I>The Empire Strikes Back</I>, Homer gives away the end of the movie.
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/imm2.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[133kb]</FONT>
<A HREF="sounds/imm.wav"><IMG SRC="images/i-sound.gif" width=20 HEIGHT=20 BORDER=0 ALT="WAV File"></A><FONT SIZE=2>[1.2mb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
Following on from the previous scene Homer pays Marge the ultimate compliment.
</TD>
</TR>
</TABLE>
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
Lisa the Beauty Queen
</TD>
<TD WIDTH=50% VALIGN=TOP>
Lisa has a caricature drawn of her and its exaggeration of her features convinces her that she is hideously ugly. To comfort her Homer enters her into a beauty pagent using her caricature in the entry form.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="pics/dvcar.jpg"><IMG SRC="images/i-pic.gif" width=20 HEIGHT=20 BORDER=0 ALT="JPEG Image"></A><FONT SIZE=2>[17kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
A panning shot of the artist's booth shows an array of previously caricatured personalities.
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="pics/lisaorg.jpg"><IMG SRC="images/i-pic.gif" width=20 HEIGHT=20 BORDER=0 ALT="JPEG Image"></A><FONT SIZE=2>[15kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
After agreeing to enter the beauty pagent Lisa visits a salon to try out some new hair styles.
</TD>
</TR>
</TABLE>
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
Itchy & Scratchy: The Movie
</TD>
<TD WIDTH=50% VALIGN=TOP>
Bart is behaving worse than ever and Marge is continually nagging Homer to suitably punish the boy. When Bart forgets to mind Maggie Homer sees red and devises the ultimate punishment - Bart is banned from seeing <I>Itchy & Scratchy: The Movie</I> for life.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/istm.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[124kb]</FONT>
<A HREF="pics/speeder.jpg"><IMG SRC="images/i-pic.gif" width=20 HEIGHT=20 BORDER=0 ALT="JPEG Image"></A><FONT SIZE=2>[86kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
Far in the future we see Homer relenting and allowing Bart see the movie at long last. The future Springfield is a surprising place. (Look carefully in the background to see Barney Gumble coming out of Moe's.)
</TD>
</TR>
</TABLE>
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
Marge Gets A Job
</TD>
<TD WIDTH=50% VALIGN=TOP>
The "old Springfield place" is sinking into the ground. To help pay for repairs Marge takes on a job at the nuclear power plant - and Monty Burns falls in love with her.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/mgaj.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[113kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
Ominous background music accompanies Mr Burns' dastardly plans.
</TD>
</TR>
</TABLE>
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
Marge Vs The Monorail
</TD>
<TD WIDTH=50% VALIGN=TOP>
Springfield's Town Council comes across a windfall and calls a meeting to determine how to spend it. Marge's idea is poo-pooed when a wandering monorail salesman makes his pitch.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/mvtm.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[79kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
After visitng guest star Leonard Nimoy offically opens the Springfield Monorail Mayor Quimby fails to show any street cred.
</TD>
</TR>
</TABLE>
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
Homer Goes To College
</TD>
<TD WIDTH=50% VALIGN=TOP>
The nuclear power plant is hit by a surprise safety inspection. When Homer is found to be under-educated and poorly trained Mr Burns is forced to send him back to college to pass his <I>Nuclear Physics 101</I> course.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/hgtc.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[78kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
When the inspection team sets up a simulator and Homer's session gets out of hand Mr Burns is forced to escape the plant.
</TD>
</TR>
</TABLE>
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
Burns' Heir
</TD>
<TD WIDTH=50% VALIGN=TOP>
When Mr Burns' nearly dies in the bath he realises he has no heir. Rather than leaving his wealth to the Egg Advisory Council he holds auditions to fill the role.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/bh.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[109kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
The Simpsons go to the Aztec Theatre to see Siskel & Ebert: The Movie. (Only 2 thumbs up.) The programme starts with a THX trailer.
</TD>
</TR>
</TABLE>
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
Lisa's Rival
</TD>
<TD WIDTH=50% VALIGN=TOP>
Lisa's position as Springfield Elementary's most gifted student is threatened when Allison Taylor is skipped a year - into Lisa'a class. Feeling threatened, Lisa agrees to Bart's plan to ridicule Allison at the school's diorama fair.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/lr1.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[80kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
Lisa visits Allison's home after school and is invited to play a word game with her father.
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/lr2.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[125kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
It's the day of the Diorama-Rama and Ralph Wiggum isn't sure what a diorama actually is. Nevermind, he's brought in something just as good.
</TD
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/lr3.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[76kb]</FONT>
<A HREF="sounds/lr.wav"><IMG SRC="images/i-sound.gif" width=20 HEIGHT=20 BORDER=0 ALT="WAV File"></A><FONT SIZE=2>[13kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
Raph's joy in winning first prize and beating "the smart kids" is shortlived.
</TD>
</TR>
</TABLE>
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
Homer Vs Patty & Selma
</TD>
<TD WIDTH=50% VALIGN=TOP>
Homer is short of cash after a failed investment in pumpkins. Unable to get any sympathy from the bank he turns to Marge's sisters for financial help. Meanwhile Bart is late for school on activities sign-up day and is forced to take ballet.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/hvpas.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[243kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
After a star performance at the school's ballet (the 'T' is silent) recital Bart reveals himself to his adoring fans. To dire consequences.
</TD>
</TR>
</TABLE>
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
A Star is Burns
</TD>
<TD WIDTH=50% VALIGN=TOP>
Hoping to improve its reputation Springfield holds a film festival with Jay Sherman as the guest judge. Mr Burns enters the race with a narcissistic auto-biography and bribes the judging panel to ensure it wins.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/asib.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[33kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
As the camera draws into Mr Burns sitting at his desk we are treated to some apt sound scoring.
</TD>
</TR>
</TABLE>
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
Round Springfield
</TD>
<TD WIDTH=50% VALIGN=TOP>
While Bart is recovering in hospital Lisa finds Bleedin' Gums Murphy close to death. A sad episode as Lisa comes to terms with her grief when Bleedin' Gums dies.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/rs.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[101kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
Lisa's tribute to Bleedin' Gums Murphy is more successful than she could possibly have imagined. Note: the newscaster at the end of this clip is actually voiced by James Earl Jones.
</TD>
</TR>
</TABLE>
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
The Springfield Connection
</TD>
<TD WIDTH=50% VALIGN=TOP>
After a night out with Homer a chance encounter with Springfield's seedy underworld prompts Marge to become a policewoman.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/tsc.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[172kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
In the opening scene of the episode Homer and Marge are viewing an open air concert.
</TD>
</TR>
</TABLE>
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
Treehouse of Horrors VII
</TD>
<TD WIDTH=50% VALIGN=TOP>
In this episode of 3 chilling tales Lisa's science fair project goes awry and a race of tiny people are created in "The Genesis Tub".
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/gt.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[113kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
The Lisa-worshipping people of the Genesis Tub launch an all-out attack on the Devil - Bart.
</TD>
</TR>
</TABLE>
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
The Springfield Files
</TD>
<TD WIDTH=50% VALIGN=TOP>
After a night out at Moe's Homer is stumbling through the woods trying to find a short-cut back home, when he comes across what appears to be an alien. The FBI get to hear of the siting and send their top two agents, Dana Scully and Fox Mulder, to investigate.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="pics/sf1.jpg"><IMG SRC="images/i-pic.gif" width=20 HEIGHT=20 BORDER=0 ALT="JPEG Image"></A><FONT SIZE=2>[19kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
Mulder and Scully take Homer to Springfield's FBI branch to identify the alien he saw.
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="pics/sf2.jpg"><IMG SRC="images/i-pic.gif" width=20 HEIGHT=20 BORDER=0 ALT="JPEG Image"></A><FONT SIZE=2>[18kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
When the secret of Springfield's alien has been uncovered the town gathers round for a old fashioned punch up - followed by a song.
</TD>
</TD>
</TR>
</TABLE>
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
The Last Temptation Of Krusty
</TD>
<TD WIDTH=50% VALIGN=TOP>
After being derided by fellow comedians Krusty the Klown announces his retirement. For all of 2 minutes. When his anti-alternative comedy tirade gets a great reception by the gathered reporters Krusty immediately announces his comeback.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="pics/ltok.jpg"><IMG SRC="images/i-pic.gif" width=20 HEIGHT=20 BORDER=0 ALT="JPEG Image"></A><FONT SIZE=2>[43kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
Krusty meets up with fellow comedy kings in one of Springfield's trendier coffee houses.
</TD>
</TR>
</TABLE>
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
This Little Wiggy
</TD>
<TD WIDTH=50% VALIGN=TOP>
Whilst spending the day out at the Knowledgeum Marge meets Police Chief Clancy Wiggum and son Ralph. Distressed at how odd Ralph's behaviour is she sends Bart out to play with him, hoping that having a friend will bring him out of his shell.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movies/tlw.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real@reg Movie"></A><FONT SIZE=2>[????kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
Homer runs off to find the sex education play area.
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<!A HREF="pics/tlw.jpg"><IMG SRC="images/i-pic.gif" width=20 HEIGHT=20 BORDER=0 ALT="JPEG Image"></A><FONT SIZE=2>[????kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
Bart slips away from the family to spend a quiet minute on Mars.
</TD>
</TR>
</TABLE>
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
Bart: The Mother
</TD>
<TD WIDTH=50% VALIGN=TOP>
After a trip to the fun fair Bart pays Nelson a visit to try out his new BB gun. Much to Bart's horror Nelson forces him to shoot a defenseless bird. Bart learns the lesson of taking responsibility for his actions when he hatches the birds eggs.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="pics/xwing.jpg"><IMG SRC="images/i-pic.gif" width=20 HEIGHT=20 BORDER=0 ALT="JPEG Image"></A><FONT SIZE=2>[49kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
When Bart and Lisa take their tokens to be cashed in for prizes a toy X-wing can be seen hanging from the back wall.
</TD>
</TR>
</TABLE>
<P>
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
UNKNOWN
</TD>
<TD WIDTH=50% VALIGN=TOP>
When Homer forces Ned Flanders to admit that he's 60 years old, Ned realizes that he has wasted his life so he and Homer go on a wild weekend to recapture some lost time.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/carwash.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[274kb]</FONT>
<A HREF="pics/bumper.jpg"><IMG SRC="images/i-pic.gif" width=20 HEIGHT=20 BORDER=0 ALT="JPEG Image"></A><FONT SIZE=2>[26kb]</FONT>
</TD>
<TD WIDTH=50% VALIGN=TOP>
During a trip to the local carwash the owner of The Android's Dungeon proves how big a sad case he really is.
</TD>
</TR>
</TABLE>
</CENTER>
<P>
<HR>
<CENTER>
<TABLE WIDTH=50% CELLPADDING=0 MARGIN=1>
<TR>
<TD COLSPAN=2 ALIGN=CENTER>
<A HREF="http://www.real.com"><IMG SRC="images/RA_COMEBACK_SLIDER.GIF" BORDER=0 ALT="Connect with RealNetworks"></A>
</TD>
</TR>
<TR>
<TD ALIGN=CENTER>
<B>
Digitally remastered in
</B>
</TD>
<TD ALIGN=CENTER>
<B>
And presented in
</B>
</TD>
</TR>
<TR>
<TD ALIGN=CENTER>
<IMG SRC="images/bartovision.gif" ALT="Bart-O-Vision">
</TD>
<TD ALIGN=CENTER>
<IMG SRC="images/thx.gif" ALT="THX Logo">
</TD>
</TR>
<TR>
<TD ALIGN=CENTER>
<B>
BART-O-VISION
</B>
</TD>
<TD ALIGN=CENTER>
<B>
THX audio format
</B>
</TD>
</TR>
</TABLE>
<HR>
<FONT SIZE=6>
- The Also Rans -
</FONT>
</CENTER>
<P>
Also worthy of note are these send-ups of Raiders of the Lost Ark (from The Simpsons) and Star Wars (South Park).
<P>
The Simpsons
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
Bart's Friend Falls in Love
</TD>
<TD WIDTH=50% VALIGN=TOP>
When Samantha Stanky moves to Springfield Bart and Millhouse's friendship is threatened.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/bffil.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[1.1mb]
</TD>
<TD WIDTH=50% VALIGN=TOP>
At the start of the episode Bart is stealing Homer's penny jar in a parody of <I>Raiders of the Lost Ark</I>.
</TD>
</TR>
</TABLE>
<P>
South Park
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
Chicken Pox
</TD>
<TD WIDTH=50% VALIGN=TOP>
After Kenny gets a case of the chicken pox Kyle, Stan and Cartman's mothers send them over to play with Kenny so that they can get a dose.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/spcp.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[100kb]
</TD>
<TD WIDTH=50% VALIGN=TOP>
Cartman is lounging in a bath full of calomine lotion while he finishes a school assignment.
</TD>
</TR>
</TABLE>
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
The Club House
</TD>
<TD WIDTH=50% VALIGN=TOP>
Stan and Kyle are persuaded to build a treehouse by Wendy so that she and Bebe can play truth or dare with the boys.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="pics/spew2000.jpg"><IMG SRC="images/i-pic.gif" width=20 HEIGHT=20 BORDER=0 ALT="JPEG Image"></A><FONT SIZE=2>[37kb]
</TD>
<TD WIDTH=50% VALIGN=TOP>
Cartman gets jealous of Kyle and ropes Kenny in to help him build there own club house.
</TD>
</TR>
</TABLE>
<P>
<TABLE BGCOLOR=#FFFFFF CELLPADDING=1 MARGIN=0>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Episode Name</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Episode Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
Chef Aid
</TD>
<TD WIDTH=50% VALIGN=TOP>
Chef is being sued by Capitalist Records for claiming that <I>Stinky Britches</I> was written by him in the '70s. When Chef looses his case and is ordered to pay $2,000,000 in damages or face 4 years in jail Kyle, Stan, Kenny and Cartman come to the rescue.
</TD>
</TR>
<TD WIDTH=20% VALIGN=TOP>
<B>Formats Available</B>
</TD>
<TD WIDTH=50% VALIGN=TOP>
<B>Scene Summary</B>
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/spca1.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[116kb]
</TD>
<TD WIDTH=50% VALIGN=TOP>
Stan Kyle and Cartman are discussing Chef's chances at winning. Their prediction isn't good.
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/spca2.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[263kb]
</TD>
<TD WIDTH=50% VALIGN=TOP>
Johny Cochrane is the prosecuting attorney in the case that has been declared "the most important case of the, er, day". In his summation he uses a surprise arguement to win the jury over.
</TD>
</TR>
<TR>
<TD WIDTH=20% VALIGN=TOP>
<A HREF="movie/spca3.rm"><IMG SRC="images/i-mov.gif" width=20 HEIGHT=20 BORDER=0 ALT="Real® Movie"></A><FONT SIZE=2>[129kb]
</TD>
<TD WIDTH=50% VALIGN=TOP>
In Chef's counter-suit against Capitalist Records Johnny Cochrane again uses the Chewbacca Defense. Why? Because it does not make sense.
</TD>
</TR>
</TABLE>
<P>
<P>
Well, that's the end of our show. I hope you all enjoyed the fun and humour of this page. And to all you Star Wars® fans out there - don't email the Webmaster with hate mail, he's as much a Star Wars® fan as you are. This is all meant to be tongue in cheek. If you do have comments to make email him at <A HREF="mailto:[email protected]"><FONT onmouseover="this.style.color='#008CFF'" onmouseout="this.style.color='#00FFFF'">[email protected]</FONT></A> and he'll be happy to hear your rants.
<P>
<HR>
<P>
<CENTER>
<TABLE WIDTH=60% CELLPADDING=0 MARGIN=0>
<TR>
<TD ALIGN=LEFT>
<B>
My thanks to:
</B>
</TD>
<TD ALIGN=LEFT>
<B>
John Macdiarmid for his video player and TV card,
</B>
</TD>
</TR>
<TR>
<TD>
</TD>
<TD COLSPAN=2 ALIGN=LEFT>
<B>
Alex Walker for his HTML and JavaScript skills,
</B>
</TD>
</TR>
<TR>
<TD>
</TD>
<TD COLSPAN=2 ALIGN=LEFT>
<B>
and Maureen Kuppe for her customised Simpsons figures.
</B>
</TD>
</TR>
</TABLE>
<P>
<HR>
<FONT SIZE=2>
<FONT FACE="Times New Roman">
Copyright© 1999 Jeremy Beckett. This webpage shall not be reproduced, in whole or in part, without the permission of the webmaster.
<P>
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Mmm, The Simpsons-Star Wars Homage Home(r)page
| |
| --- |
|
**LAST UPDATE: 22nd March, 1999 at 2100 GMT**
Includes:
* Four pieces of Real® Movie Simpsons episode footage
* Two new Simpsons screenshots of Star Wars® homages
|
###
"There's never gonna be an arguement over 'Is anyone gonna
get this' when you're putting in a Star Wars reference."
**Matt Selman, story editor for The Simpsons®
| |
| --- |
|
**This site is not intended to infringe on the intellectual property of Lucasfilm Ltd., 20th Century Fox or Comedy Central nor is it endorsed by said companies and their licensees.
Star Wars® and its related characters are registered trademarks of Lucasfilm Ltd.
The Simpsons® and its related characters are registered trademarks of 20th Century Fox.
South Park® and its related characters are registered trademarks of Comedy Central.
All rights reserved.**
|
---
Hi, I'm the Webmaster. You may remember me from such webpages as [Bantha Dung](http://www.moseisley.force9.co.uk/bantha/index.htm) and the [Star Wars Custom Resource Page](http://www.moseisley.force9.co.uk/index.htm) (was PrecEisley Vintage Customising Homepage). Today I'll be your guide on a tour of all those magical moments when Matt Groening's The Simpsons® celebrated a little known film called Star Wars®.
Created 12 years before The Simpsons® aired on American TV, Star Wars® has almost become as pop cultural and iconic as The Simpsons®, with the cry of "May the Force be with you." being heard almost as much as Homer's battle-cry "D'Oh!" It only seems right that a programme as popular as The Simpsons® try and help raise the stature and recognition of Star Wars® through carefully placed jokes and taunts.
Says Jason Grode, writer and manager of The Simpsons® comic books, "If you don't know *Star Wars*®, it's still funny on its own, but if you are a fan, there's that little extra. Alot of comic fans are science-fiction and *Star Wars*® fans, so it's giving just that much extra to the fans." It is typical of Matt Groening and his team to take a fledgling film such as Star Wars® under their wing and to give its fans a little boost in encouragement to help them through the dark times until Star Wars® gets the recognition it deserves.
| | |
| --- | --- |
| [Download RealPlayer G2 for free!](http://www.real.com/products/player/downloadrealplayer.html?wp=dl0199&src=showcasemain,chwpop3&lang=en#form) | **Video clips at this homepage use RealPlayer's encoding format. If you do not have RealPlayer installed, download it now and install it before you continue. It's absolutely free.** |
Our programme tonight includes:
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
Bart the General
|
Sick of being bullied by Nelson Muntz, Bart teams up with Grampa Simpson and Herman - the owner of the Miltary Antique Store - to develop a strategy to finish off Nelson for good.
|
**Formats Available** | **Scene Summary** |
| [Real® Movie](movie/btg.rm)[146kb] |
At the end of the show Bart leaves us with a somber reminder.
|
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
Old Money
|
When Abe Simpson meets Beatrice Simmons at the Retirement Castle they enter into a whirlwind romance. Sadly it ends a bit sooner than Grandpa was prepared for when Bea dies.
|
**Formats Available** | **Scene Summary** |
| [Real® Movie](movie/om.rm)[109kb]
[JPEG Image](pics/oldmoney.jpg)[28kb] |
Left with a large inheritance from Bea, Grandpa is left to spend the money as he sees fit - bringing the geeks of Springfield out of the woodwork.
|
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
I Married Marge
|
Marge and Homer reminisce about the conception of Bart quickly followed by their hurried marriage.
|
**Formats Available** | **Scene Summary** |
| [Real® Movie](movie/imm1.rm)[260kb] |
As Homer and Marge leave the Aztec Theatre, after seeing *The Empire Strikes Back*, Homer gives away the end of the movie.
|
| [Real® Movie](movie/imm2.rm)[133kb]
[WAV File](sounds/imm.wav)[1.2mb] |
Following on from the previous scene Homer pays Marge the ultimate compliment.
|
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
Lisa the Beauty Queen
|
Lisa has a caricature drawn of her and its exaggeration of her features convinces her that she is hideously ugly. To comfort her Homer enters her into a beauty pagent using her caricature in the entry form.
|
**Formats Available** | **Scene Summary** |
| [JPEG Image](pics/dvcar.jpg)[17kb] |
A panning shot of the artist's booth shows an array of previously caricatured personalities.
|
| [JPEG Image](pics/lisaorg.jpg)[15kb] |
After agreeing to enter the beauty pagent Lisa visits a salon to try out some new hair styles.
|
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
Itchy & Scratchy: The Movie
|
Bart is behaving worse than ever and Marge is continually nagging Homer to suitably punish the boy. When Bart forgets to mind Maggie Homer sees red and devises the ultimate punishment - Bart is banned from seeing *Itchy & Scratchy: The Movie* for life.
|
**Formats Available** | **Scene Summary** |
| [Real® Movie](movie/istm.rm)[124kb]
[JPEG Image](pics/speeder.jpg)[86kb] |
Far in the future we see Homer relenting and allowing Bart see the movie at long last. The future Springfield is a surprising place. (Look carefully in the background to see Barney Gumble coming out of Moe's.)
|
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
Marge Gets A Job
|
The "old Springfield place" is sinking into the ground. To help pay for repairs Marge takes on a job at the nuclear power plant - and Monty Burns falls in love with her.
|
**Formats Available** | **Scene Summary** |
| [Real® Movie](movie/mgaj.rm)[113kb] |
Ominous background music accompanies Mr Burns' dastardly plans.
|
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
Marge Vs The Monorail
|
Springfield's Town Council comes across a windfall and calls a meeting to determine how to spend it. Marge's idea is poo-pooed when a wandering monorail salesman makes his pitch.
|
**Formats Available** | **Scene Summary** |
| [Real® Movie](movie/mvtm.rm)[79kb] |
After visitng guest star Leonard Nimoy offically opens the Springfield Monorail Mayor Quimby fails to show any street cred.
|
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
Homer Goes To College
|
The nuclear power plant is hit by a surprise safety inspection. When Homer is found to be under-educated and poorly trained Mr Burns is forced to send him back to college to pass his *Nuclear Physics 101* course.
|
**Formats Available** | **Scene Summary** |
| [Real® Movie](movie/hgtc.rm)[78kb] |
When the inspection team sets up a simulator and Homer's session gets out of hand Mr Burns is forced to escape the plant.
|
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
Burns' Heir
|
When Mr Burns' nearly dies in the bath he realises he has no heir. Rather than leaving his wealth to the Egg Advisory Council he holds auditions to fill the role.
|
**Formats Available** | **Scene Summary** |
| [Real® Movie](movie/bh.rm)[109kb] |
The Simpsons go to the Aztec Theatre to see Siskel & Ebert: The Movie. (Only 2 thumbs up.) The programme starts with a THX trailer.
|
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
Lisa's Rival
|
Lisa's position as Springfield Elementary's most gifted student is threatened when Allison Taylor is skipped a year - into Lisa'a class. Feeling threatened, Lisa agrees to Bart's plan to ridicule Allison at the school's diorama fair.
|
**Formats Available** | **Scene Summary** |
| [Real® Movie](movie/lr1.rm)[80kb] |
Lisa visits Allison's home after school and is invited to play a word game with her father.
|
| [Real® Movie](movie/lr2.rm)[125kb] |
It's the day of the Diorama-Rama and Ralph Wiggum isn't sure what a diorama actually is. Nevermind, he's brought in something just as good.
|| [Real® Movie](movie/lr3.rm)[76kb]
[WAV File](sounds/lr.wav)[13kb] |
Raph's joy in winning first prize and beating "the smart kids" is shortlived.
|
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
Homer Vs Patty & Selma
|
Homer is short of cash after a failed investment in pumpkins. Unable to get any sympathy from the bank he turns to Marge's sisters for financial help. Meanwhile Bart is late for school on activities sign-up day and is forced to take ballet.
|
**Formats Available** | **Scene Summary** |
| [Real® Movie](movie/hvpas.rm)[243kb] |
After a star performance at the school's ballet (the 'T' is silent) recital Bart reveals himself to his adoring fans. To dire consequences.
|
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
A Star is Burns
|
Hoping to improve its reputation Springfield holds a film festival with Jay Sherman as the guest judge. Mr Burns enters the race with a narcissistic auto-biography and bribes the judging panel to ensure it wins.
|
**Formats Available** | **Scene Summary** |
| [Real® Movie](movie/asib.rm)[33kb] |
As the camera draws into Mr Burns sitting at his desk we are treated to some apt sound scoring.
|
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
Round Springfield
|
While Bart is recovering in hospital Lisa finds Bleedin' Gums Murphy close to death. A sad episode as Lisa comes to terms with her grief when Bleedin' Gums dies.
|
**Formats Available** | **Scene Summary** |
| [Real® Movie](movie/rs.rm)[101kb] |
Lisa's tribute to Bleedin' Gums Murphy is more successful than she could possibly have imagined. Note: the newscaster at the end of this clip is actually voiced by James Earl Jones.
|
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
The Springfield Connection
|
After a night out with Homer a chance encounter with Springfield's seedy underworld prompts Marge to become a policewoman.
|
**Formats Available** | **Scene Summary** |
| [Real® Movie](movie/tsc.rm)[172kb] |
In the opening scene of the episode Homer and Marge are viewing an open air concert.
|
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
Treehouse of Horrors VII
|
In this episode of 3 chilling tales Lisa's science fair project goes awry and a race of tiny people are created in "The Genesis Tub".
|
**Formats Available** | **Scene Summary** |
| [Real® Movie](movie/gt.rm)[113kb] |
The Lisa-worshipping people of the Genesis Tub launch an all-out attack on the Devil - Bart.
|
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
The Springfield Files
|
After a night out at Moe's Homer is stumbling through the woods trying to find a short-cut back home, when he comes across what appears to be an alien. The FBI get to hear of the siting and send their top two agents, Dana Scully and Fox Mulder, to investigate.
|
**Formats Available** | **Scene Summary** |
| [JPEG Image](pics/sf1.jpg)[19kb] |
Mulder and Scully take Homer to Springfield's FBI branch to identify the alien he saw.
|
| [JPEG Image](pics/sf2.jpg)[18kb] |
When the secret of Springfield's alien has been uncovered the town gathers round for a old fashioned punch up - followed by a song.
|
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
The Last Temptation Of Krusty
|
After being derided by fellow comedians Krusty the Klown announces his retirement. For all of 2 minutes. When his anti-alternative comedy tirade gets a great reception by the gathered reporters Krusty immediately announces his comeback.
|
**Formats Available** | **Scene Summary** |
| [JPEG Image](pics/ltok.jpg)[43kb] |
Krusty meets up with fellow comedy kings in one of Springfield's trendier coffee houses.
|
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
This Little Wiggy
|
Whilst spending the day out at the Knowledgeum Marge meets Police Chief Clancy Wiggum and son Ralph. Distressed at how odd Ralph's behaviour is she sends Bart out to play with him, hoping that having a friend will bring him out of his shell.
|
**Formats Available** | **Scene Summary** |
| [Real@reg Movie](movies/tlw.rm)[????kb] |
Homer runs off to find the sex education play area.
|
| JPEG Image[????kb] |
Bart slips away from the family to spend a quiet minute on Mars.
|
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
Bart: The Mother
|
After a trip to the fun fair Bart pays Nelson a visit to try out his new BB gun. Much to Bart's horror Nelson forces him to shoot a defenseless bird. Bart learns the lesson of taking responsibility for his actions when he hatches the birds eggs.
|
**Formats Available** | **Scene Summary** |
| [JPEG Image](pics/xwing.jpg)[49kb] |
When Bart and Lisa take their tokens to be cashed in for prizes a toy X-wing can be seen hanging from the back wall.
|
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
UNKNOWN
|
When Homer forces Ned Flanders to admit that he's 60 years old, Ned realizes that he has wasted his life so he and Homer go on a wild weekend to recapture some lost time.
|
**Formats Available** | **Scene Summary** |
| [Real® Movie](movie/carwash.rm)[274kb]
[JPEG Image](pics/bumper.jpg)[26kb] |
During a trip to the local carwash the owner of The Android's Dungeon proves how big a sad case he really is.
|
---
| |
| --- |
| [Connect with RealNetworks](http://www.real.com) |
| **Digitally remastered in** | **And presented in** |
| Bart-O-Vision | THX Logo |
| **BART-O-VISION** | **THX audio format** |
---
- The Also Rans -
Also worthy of note are these send-ups of Raiders of the Lost Ark (from The Simpsons) and Star Wars (South Park).
The Simpsons
| | | | | | |
| --- | --- | --- | --- | --- | --- |
|| **Episode Name** | **Episode Summary** |
|
Bart's Friend Falls in Love
|
When Samantha Stanky moves to Springfield Bart and Millhouse's friendship is threatened.
|
**Formats Available** | **Scene Summary** |
| [Real® Movie](movie/bffil.rm)[1.1mb]
|
At the start of the episode Bart is stealing Homer's penny jar in a parody of *Raiders of the Lost Ark*.
|
South Park
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
Chicken Pox
|
After Kenny gets a case of the chicken pox Kyle, Stan and Cartman's mothers send them over to play with Kenny so that they can get a dose.
|
**Formats Available** | **Scene Summary** |
| [Real® Movie](movie/spcp.rm)[100kb]
|
Cartman is lounging in a bath full of calomine lotion while he finishes a school assignment.
|
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
The Club House
|
Stan and Kyle are persuaded to build a treehouse by Wendy so that she and Bebe can play truth or dare with the boys.
|
**Formats Available** | **Scene Summary** |
| [JPEG Image](pics/spew2000.jpg)[37kb]
|
Cartman gets jealous of Kyle and ropes Kenny in to help him build there own club house.
|
| | |
| --- | --- |
| **Episode Name** | **Episode Summary** |
|
Chef Aid
|
Chef is being sued by Capitalist Records for claiming that *Stinky Britches* was written by him in the '70s. When Chef looses his case and is ordered to pay $2,000,000 in damages or face 4 years in jail Kyle, Stan, Kenny and Cartman come to the rescue.
|
**Formats Available** | **Scene Summary** |
| [Real® Movie](movie/spca1.rm)[116kb]
|
Stan Kyle and Cartman are discussing Chef's chances at winning. Their prediction isn't good.
|
| [Real® Movie](movie/spca2.rm)[263kb]
|
Johny Cochrane is the prosecuting attorney in the case that has been declared "the most important case of the, er, day". In his summation he uses a surprise arguement to win the jury over.
|
| [Real® Movie](movie/spca3.rm)[129kb]
|
In Chef's counter-suit against Capitalist Records Johnny Cochrane again uses the Chewbacca Defense. Why? Because it does not make sense.
|
Well, that's the end of our show. I hope you all enjoyed the fun and humour of this page. And to all you Star Wars® fans out there - don't email the Webmaster with hate mail, he's as much a Star Wars® fan as you are. This is all meant to be tongue in cheek. If you do have comments to make email him at [[email protected]](mailto:[email protected]) and he'll be happy to hear your rants.
---
| | |
| --- | --- |
| **My thanks to:** | **John Macdiarmid for his video player and TV card,** |
| | **Alex Walker for his HTML and JavaScript skills,** |
| | **and Maureen Kuppe for her customised Simpsons figures.** |
---
Copyright© 1999 Jeremy Beckett. This webpage shall not be reproduced, in whole or in part, without the permission of the webmaster.
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An appropriate representation of the requested resource could not be found on this server. This error was generated by Mod\_Security.
| http://normlyon.ca/photos/gallery/ |
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var url = $("#id_siteUrl").val();
url = url.replace(/^[\s|\W]+/i,'');//remove starting garbage and spaces
url = url.replace(/^https?:\/\//i,'');
url = url.replace(/ \. ?/, '.');
url = url.replace(/[ <>#\"].*$/, ''); //remove junk after invalid chars
url = url.replace(/\s+$/i,'');//remove trailing spaces
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<div class="homelink"><a href="/" title="Website Security Check - Home">Unmask Para<span class="sites1">sites</span></a> <sup>beta</sup></div>
<div style="float: right; text-align: right; font-size: 0.8em; padding: 12px 5px 0 5px;"><a href="/service-faq/general/">About</a> <a href="/security-tools/">Tools</a> <a href="/service-faq/">FAQ</a> <a href="http://blog.unmaskparasites.com/">Blog</a> <a href="/contact/">Contact</a></div>
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<p style="color: #5F5555;">Hackers exploit <b>security vulnerabilities in popular web software</b> such as blogs, forums, CMS, image galleries and wikis
to insert <b>hidden illicit content</b> into web pages of innocent third-party web sites.</p>
<p style="color: #433; ">Thousands of website owners are unaware that <b>their sites are hacked and infected</b> with para<span class="sites">sites</span>.</p>
<br/>
</div>
<div style="font-size: 1.8em; font-weight: bold; text-align: center; color: brown; padding: 10px 0 10px 0;">Care about your site security?</div>
<form action="/security-report/" method="post" id="checkform">
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<p style="font-size: 0.8em;">Check your web pages now!</p>
<label for="id_siteUrl">http://</label><input id="id_siteUrl" type="text" name="siteUrl" maxlength="490" /> <input type="submit" value="Check" id="btnCheck"><br/>
<div style="font-size: 11px;"><span style="color: #999;">Since July 2008:</span> pages checked: <b><span id="total">4 244 108</span></b> / suspicious: <b><span id="infected" style="color: #C30;">625618</span></b></div>
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<div style="font-size: 0.8em; padding-top: 20px;">Guide to <a href="/malware-warning-guide/">Dealing With Google's Malware Warnings</a></div>
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Website Security Check - Unmask Parasites
$(document).ready(function(){
$('.warning').remove();
$("#btnCheck").click(function(){
return validForm()
});
});
function validForm() {
var url = $("#id\_siteUrl").val();
url = url.replace(/^[\s|\W]+/i,'');//remove starting garbage and spaces
url = url.replace(/^https?:\/\//i,'');
url = url.replace(/ \. ?/, '.');
url = url.replace(/[ <>#\"].\*$/, ''); //remove junk after invalid chars
url = url.replace(/\s+$/i,'');//remove trailing spaces
url = url.replace(/[\s|\/]\*\/$/i,'\/');//remove extra trailing slashes
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$("#id\_siteUrl").val(url);
return ( url != '');
}
body {
width: 100%;
margin: 0;
}
.header,
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margin: 10px auto;
width: 800px;
}
iframe {
width: 100%;
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[About](/service-faq/general/) [Tools](/security-tools/) [FAQ](/service-faq/) [Blog](http://blog.unmaskparasites.com/) [Contact](/contact/)
Hackers exploit **security vulnerabilities in popular web software** such as blogs, forums, CMS, image galleries and wikis
to insert **hidden illicit content** into web pages of innocent third-party web sites.
Thousands of website owners are unaware that **their sites are hacked and infected** with parasites.
Care about your site security?
JavaScript Required
Check your web pages now!
http://
Since July 2008: pages checked: **4 244 108** / suspicious: **625618**
Guide to [Dealing With Google's Malware Warnings](/malware-warning-guide/)
Copyright © 2022 Sucuri
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<HTML><HEAD><TITLE>The Museum of RetroTechnology</TITLE>
<META NAME="description" CONTENT="Douglas Self, audio design, Subjectivism, Combat Cutlery, Compressed-Air Amplifiers, ElectroMechanical Amplifiers, optical telegraphs, Auxetophone, heliographs, voicepipes, Monowheels, Diwheels, Schilovski Gyrocar, Gyrocars, Brennan Gyro-Monorail, Steam-Powered Bicycles, Rocket-Powered Bicycles, Unusual Bicycles, Unusual Tricycles, Quadcycles, quadricycles, Steam Lawnmowers, Steam Aeroplanes, Unusual Steam Locomotives, Armoured Narrowboat, Jet-Propelled Paddleboat, Helicogyre, Cyclogyro, Propeller-Driven Car, Propeller-Driven Sleigh, Propellor-Driven Locomotives, Compressed-Air Vehicles, Rotating Steam Boilers, Internal Combustion Boiler, Rotary Steam Engines, Tower Spherical Engine, Disc Engines, Vibratory Steam Engines, Parsons Epicyclic Engine, Rotary Internal Combustion Engines, Axial IC engines, Cam engines, Rotary Valve IC Engines, High-Speed Steam Engines, Uniflow Steam Engines, Still Steam-Diesel Engine, Ammonia Motor, Zeromotor, Boiling Petrol, Alcohol Motor, Carbon Disulphide Engines, Soda Engines, Carbonic Acid Engines, Odd Working Fluids, Ether Engines, Water Engines, Water Motors, Thermomagnetic Motors, Clockwork, Dog Engine, Electromagnetic Engines, Mechanical Rectification, Thermo-Electric Generators, Gearwheels From Hell, Electrostatic Boiler, Aerosteam engine, Square piston engine, Perfect, Tye, Roswell">
<META NAME="keywords" CONTENT="Douglas Self, audio design, Subjectivism, Combat Cutlery, Compressed-Air Amplifiers, ElectroMechanical Amplifiers, optical telegraphs, Auxetophone, heliographs, voicepipes, Monowheels, Diwheels, Schilovski Gyrocar, Gyrocars, Brennan Gyro-Monorail, Steam-Powered Bicycles, Rocket-Powered Bicycles, Unusual Bicycles, Unusual Tricycles, Quadcycles, quadricycles, Steam Lawnmowers, Steam Aeroplanes, Unusual Steam Locomotives, Armoured Narrowboat, Jet-Propelled Paddleboat, Helicogyre, Cyclogyro, Propeller-Driven Car, Propeller-Driven Sleigh, Propellor-Driven Locomotives, Compressed-Air Vehicles, Rotating Steam Boilers, Internal Combustion Boiler, Rotary Steam Engines, Tower Spherical Engine, Disc Engines, Vibratory Steam Engines, Parsons Epicyclic Engine, Rotary Internal Combustion Engines, Axial IC engines, Cam engines, Rotary Valve IC Engines, High-Speed Steam Engines, Uniflow Steam Engines, Still Steam-Diesel Engine, Ammonia Motor, Zeromotor, Boiling Petrol, Alcohol Motor, Carbon Disulphide Engines, Soda Engines, Carbonic Acid Engines, Odd Working Fluids, Ether Engines, Water Engines, Water Motors, Thermomagnetic Motors, Clockwork, Dog Engine, Electromagnetic Engines, Mechanical Rectification, Thermo-Electric Generators, Gearwheels From Hell, Electrostatic Boiler, Aerosteam engine, Square piston engine, Perfect, Tye, Roswell">
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<TR><TD><B><H5>
<UL>
<LI><A HREF="COMMS/shakespeare/shakespeare.htm">The Shakespeare Mangle</A>
<LI><A HREF="COMMS/pneumess/pneumess.htm">Pneumatic Networking</A>
<LI><A HREF="COMMS/auxetophone/auxetoph.htm">Compressed-Air Amplifiers</A>
<LI><A HREF="COMMS/hotairgramophone/hotairgramophone.htm">A Hot-Air Engined Gramophone</A>
<LI><A HREF="COMMS/oddgram/oddgram.htm">Unusual Gramophones</A><FONT COLOR=RED> NEW<FONT COLOR=BLACK>
<LI><A HREF="COMMS/fluidicgramophone/fluidgram.htm">The Fluidic Gramophone</A>
<LI><A HREF="COMMS/flamephone/flamephone.htm">The Flamephone</A><FONT COLOR=RED> NEW<FONT COLOR=BLACK>
<LI><A HREF="COMMS/trumechamp/trumechamp.htm">Mechanical Audio Amplifiers</A>
<LI><A HREF="COMMS/mechamp/mechamp.htm">ElectroMechanical Audio Amplifiers</A>
<LI><A HREF="COMMS/mechamp/losses.htm">Early Telephone Lines</A>
<LI><A HREF="COMMS/telegraf/telegraf.htm">Optical Telegraphs</A>
<LI><A HREF="COMMS/voicepipe/voicepipe.htm">Voicepipes & Speaking Tubes</A>
<LI><A HREF="COMMS/heliograph/heliograph.htm">Heliographs</A>
<BR><BR>
<LI><A HREF="COMMS/cutlery/cutlery.htm">Combat Cutlery</A>
<LI><A HREF="COMMS/pneuguns/pneuguns.htm">Pneumatic guns</A>
<LI><A HREF="COMMS/pneumach/pneumach.htm">Pneumatic machine guns</A>
<LI><A HREF="COMMS/revolver/revolver.htm">Unusual Revolvers</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<LI><A HREF="COMMS/underwtrgun/underwtrgun.htm">Underwater Cannon</A>
<LI><A HREF="COMMS/hailcan/hailcan.htm">Hail Cannon</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
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<LI><A HREF="COMMS/ear/ear.htm">Acoustic Radar</A><FONT COLOR=RED> <FONT COLOR=BLACK>
<BR><BR>
<LI><A HREF="COMMS/duotrac/duotrac.htm">The Ozaphane Duo-Trac System</A>
<LI><A HREF="COMMS/foto/foto.htm">The Photoliptophone</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<LI><A HREF="COMMS/selenophone/selenophone.htm">The Selenophone</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<LI><A HREF="COMMS/talkingpaper/talkingpaper.htm">Talking Paper</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<LI><A HREF="COMMS/fonda/fonda.htm">The Fonda cellophane recorder</A><FONT COLOR=RED> NEW<FONT COLOR=BLACK>
<LI><A HREF="COMMS/reypaper/reypaper.htm">The Rey Recording System</A><FONT COLOR=RED> NEW<FONT COLOR=BLACK>
<BR><BR>
<LI><A HREF="COMMS/vienclock/vienclock.htm">The Vienna Clock Network</A>
<LI><A HREF="COMMS/airclock/airclock.htm">The Paris Clock Network</A>
<LI><A HREF="COMMS/hydraumic/hydraumic.htm">Hydraulic Microphones</A>
<LI><A HREF="COMMS/hydraupu/hydraupu.htm">Hydraulic phono pickups</A>
<LI><A HREF="COMMS/hydrauamp/hydrauamp.htm">The Electro/Hydraulic Amplifier</A><BR>
<LI><A HREF="COMMS/pianola/pianola.htm">The Pianola</A>
<LI><A HREF="COMMS/stringplayer/stringplayer.htm">Mechanical Stringed Instruments</A><FONT COLOR=RED> NEW<FONT COLOR=BLACK>
<LI><A HREF="COMMS/multineck/multineck.htm">Multineck guitars</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<LI><A HREF="COMMS/whatisit/whatisit.htm">What is it? Light projectors</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
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<H5>This page updated: 4 June 2023<BR>
<BR>
<FONT COLOR=BLACK>RECENTLY ADDED:<BR>
<BR>
<TABLE>
<TR><TD><H5>
The Fotoliptophone<BR>
Refrigerating with air<BR>
Refrigeration Networks<BR>
N-wheeled cars<BR>
Paris Clock Network<BR>
The Paris Compressed-Air Network<BR>
Vienna Clock Network<BR>
Hydraulic Microphones<BR>
Wood-gas Powered Cars<BR>
Turbine-driven Paddleboats<BR>
Korwin & Rebikoff Three-Cycle Engine<BR>
Talking Paper<BR>
The Selenophone<BR>
The Fonda cellophane recorder<BR>
N-winged planes
<TD WIDTH=5%>
<TD><H5>Coal-Gas Powered Motorcycles<BR>
Armoured Motorcycles<BR>
Motorised sack-barrows<BR>
Coal-Gas Powered Cars<BR>
Hail cannon<BR>
Unusual Tanks<BR>
N-Person Bicycles<BR>
Pneumatic machine guns<BR>
Unusual revolvers<BR>
The Flamephone<BR>
The Silent Dustman<BR>
Upside-down Aeroplanes<BR>
Electrostatic Generators<BR>
What is it? Light projectors<BR>
Mechanical horses
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<LI><A HREF="COMPUTE/mechcomp/mechcomp.htm">Mechanical Analogue Computers</A>
<P>
<LI><A HREF="COMPUTE/analog/analog.htm">Analogue Electronic Computers</A>
<P>
<LI><A HREF="COMPUTE/complinks/complinks.htm">Esoteric Computer Topic Links</A>
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<TR><TD><B><H5>
<UL>
<LI><A HREF="LOCOLOCO/locoloco.htm">Unusual Locomotives: 105 pages</A>
<BR><BR>
<LI><A HREF="TRANSPORT/motorwhl/motorwhl.htm">Monowheels: 5 pages</A>
<LI><A HREF="TRANSPORT/diwheel/diwheel.htm">Diwheels</A>
<LI><A HREF="TRANSPORT/gyrocars/schilovs.htm">The Schilovski Gyrocar</A>
<LI><A HREF="TRANSPORT/gyrocars/gyrocar.htm">The Other Gyrocars</A>
<LI><A HREF="LOCOLOCO/brennan/brennan.htm">The Brennan Gyro-Monorail</A>
<LI><A HREF="TRANSPORT/2wheelcar/2wheelcar.htm">Two-Wheel Cars (no gyro)</A>
<LI><A HREF="TRANSPORT/nwheelcar/nwheelcar.htm">N-wheeled cars</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK><BR>
<LI><A HREF="TRANSPORT/radialcars/radialcars.htm">Cars with radial engines</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<LI><A HREF="TRANSPORT/helica/helica.htm">Propeller-Driven Cars</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<LI><A HREF="TRANSPORT/gascar/gascar.htm">Coal-gas Powered Cars</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<LI><A HREF="TRANSPORT/prodcar/prodcar.htm">Wood-gas Powered Cars</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<LI><A HREF="TRANSPORT/oddtank/oddtank.htm">Unusual Tanks</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<LI><A HREF="TRANSPORT/hemisphere/hemisphere.htm">Hemispherical Drive</A><FONT COLOR=RED> NEW!<FONT COLOR=BLACK>
<BR><BR>
<LI><A HREF="TRANSPORT/unifloroad/unifloroad.htm">Uniflow Steam Engine Road Vehicles</A>
<LI><A HREF="TRANSPORT/comprair/comprair.htm">Compressed-Air Vehicles</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<LI><A HREF="TRANSPORT/traction/traction.htm">Unusual Traction Engines</A>
<BR><BR>
<LI><A HREF="TRANSPORT/propbike/propbike.htm">Propeller-Driven Motorcycles</A>
<LI><A HREF="TRANSPORT/motorcycle/motorcycle.htm">Other Unusual Motorcycles</A>
<LI><A HREF="TRANSPORT/armbike/armbike.htm">Armoured Motorcycles</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<LI><A HREF="TRANSPORT/gasbike/gasbike.htm">Gas-Powered Motorcycles</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<LI><A HREF="TRANSPORT/steambike/steambike.htm">Steam-Powered Bicycles & Motorcycles</A>
<BR><BR>
<LI><A HREF="TRANSPORT/motorisedbicycle/motorisedbicycle.htm">Motorised Bicycles</A><FONT COLOR=RED> NEW<FONT COLOR=BLACK>
<LI><A HREF="TRANSPORT/rocketbicycle/rocketbicycle.htm">Rocket-Powered Bicycles</A>
<LI><A HREF="TRANSPORT/propcycle/propcycle.htm">Propeller-Driven Bicycles</A>
<LI><A HREF="TRANSPORT/nbikes/nbikes.htm">N-Person Bicycles</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<LI><A HREF="TRANSPORT/oddbike/oddbike.htm">Other Unusual Bicycles</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<BR><BR>
<LI><A HREF="TRANSPORT/tricycle/tricycle.htm">Unusual Tricycles</A>
<LI><A HREF="TRANSPORT/quadcycle/quadcycle.htm">Quadcycles, quadricycles and so on</A>
<BR><BR>
<LI><A HREF="TRANSPORT/mobarrow/mobarrow.htm">Motorised Sack-barrows</A>
<LI><A HREF="TRANSPORT/mower/mower.htm">Steam Lawnmowers</A>
<LI><A HREF="TRANSPORT/reinstractor/reinstractor.htm">Rein-Guided Tractors</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<LI><A HREF="TRANSPORT/mechorse/mechorse.htm">Mechanical Horses</A><FONT COLOR=RED> NEW!<FONT COLOR=BLACK>
<LI><A HREF="TRANSPORT/propsleigh/propsleigh.htm">Propeller-Driven Sleighs</A>
<LI><A HREF="TRANSPORT/propboat/propboat.htm">Propeller-Driven Boats</A><FONT COLOR=RED> NEW!<FONT COLOR=BLACK>
<LI><A HREF="TRANSPORT/narrowboat/narrowboat.htm">The Armoured Narrowboat</A>
<LI><A HREF="TRANSPORT/lucyasht/lucyasht.htm">The Jet-Propelled Paddleboat</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<LI><A HREF="TRANSPORT/turbpadl/turbpadl.htm">Turbine-driven Paddleboats</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<BR><BR>
<LI><A HREF="TRANSPORT/steamplane/steamplane.htm">Steam Aeroplanes</A>
<LI><A HREF="TRANSPORT/complane/complane.htm">Compressed-Air Aeroplanes</A>
<LI><A HREF="TRANSPORT/helicogyre/helicogyre.htm">The Helicogyre</A>
<LI><A HREF="TRANSPORT/cyclogyro/cyclogyro.htm">The Cyclogyro</A>
<LI><A HREF="TRANSPORT/personalheli/personalheli.htm">Personal Helicopters</A>
<LI><A HREF="TRANSPORT/oddplane/oddplane.htm">Upside-down Aeroplanes</A><FONT COLOR=RED> NEW!<FONT COLOR=BLACK>
<LI><A HREF="TRANSPORT/nplanes/nplane.htm">N-winged aeroplanes</A><FONT COLOR=RED> NEW!<FONT COLOR=BLACK>
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<!--<A HREF="POWER/steamprops/steamprops.htm">Steam </A><FONT COLOR=RED> New<FONT COLOR=BLACK><BR>-->
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<LI><FONT COLOR=BROWN>Power distribution
<UL>
<LI><A HREF="POWER/airnetwork/airnetwork.htm">The Paris Compressed-Air Network</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<LI><A HREF="POWER/waternetwk/waternetwk.htm">The London High-Pressure Water Network</A><FONT COLOR=RED> NEW<FONT COLOR=BLACK>
<LI><A HREF="POWER/silentdustman/silentdustman.htm">The Silent Dustman</A><FONT COLOR=RED> NEW<FONT COLOR=BLACK>
<LI><A HREF="POWER/airfrig/airfrig.htm">Refrigerating with Air</A><FONT COLOR=RED> <FONT COLOR=BLACK>
<LI><A HREF="POWER/refrignet/refrignet.htm">Refrigeration Networks</A><FONT COLOR=RED> <FONT COLOR=BLACK>
</UL><BR>
<LI><A HREF="POWER/unusualsteameng/unusualsteameng.htm">Unusual Steam Engines: Index page</A>
<UL>
<LI><A HREF="POWER/rotaryengines/rotaryeng.htm">Rotary Steam Engines: 12 pages</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<LI><A HREF="POWER/tower/tower.htm">The Tower Spherical Engine</A>
<LI><A HREF="POWER/steamwheel/steamwheel.htm">Steamwheel Engines</A>
<LI><A HREF="POWER/parsep/parsep.htm">The Parsons Epicyclic Engine</A>
<LI><A HREF="POWER/disceng/disceng.htm">Disc Engines</A>
<LI><A HREF="POWER/unusualsteamrotycyls/unusualsteamrotycyls.htm">Rotating-Cylinder Steam Engines</A>
<LI><A HREF="POWER/rotaryvalvesteam/rotaryvalvesteam.htm">Rotary-Valve Steam Engines</A>
<LI><A HREF="POWER/squarepiston/square.htm">Square-Piston Engines</A>
<LI><A HREF="POWER/vibratory/vibrate.htm">Vibratory Steam Engines</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<LI><A HREF="POWER/uniflow/uniflow.htm">Uniflow Steam Engines</A>
<LI><A HREF="POWER/highsped/highsped.htm">High-Speed Steam Engines</A>
<LI><A HREF="POWER/axialsteameng/axialsteameng.htm">Axial Steam Engines</A>
<LI><A HREF="POWER/radialstm/radialstm.htm">Radial Steam Engines</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<LI><A HREF="POWER/scottmorton/scottmorton.htm">The Scott-Morton Revolving Engine</A><FONT COLOR=RED> NEW<FONT COLOR=BLACK>
<!--<LI><A HREF="POWER/steamisc/steamisc.htm">Miscellaneous Odd Steam Engines</A>-->
</UL><BR>
<LI><A HREF="POWER/rotaryboil/rotaryboil.htm">Unusual Steam Boilers</A>
<UL>
<LI><A HREF="POWER/rotaryboil/rotaryboil.htm">Rotating Steam Boilers</A>
<LI><A HREF="POWER/staticboil/staticboil.htm">The Electrostatic Boiler</A>
<LI><A HREF="POWER/ICboiler/ICboiler.htm">Internal Combustion Boilers</A>
<LI><A HREF="POWER/surfaceboiler/surfaceboiler.htm">Surface Combustion Boilers</A>
</UL><BR>
<LI><A HREF="POWER/diverse/diversepower.htm">Diverse Forms of Power in 1894</A>
<BR><BR>
<LI><A HREF="POWER/oddfluid/oddfluid.htm">Unusual Working Fluids: Index page</A>
<UL>
<LI><A HREF="POWER/aerosteam/aerosteam.htm">The Aero-Steam Engines</A>
<LI><A HREF="POWER/cloud/cloud.htm">The Cloud Engine</A><FONT COLOR=RED> NEW<FONT COLOR=BLACK>
<LI><A HREF="LOCOLOCO/soda/soda.htm">Powered by Caustic Soda</A>
<LI><A HREF="POWER/ammonia/ammonia.htm">The Ammonia Motors</A>
<LI><A HREF="POWER/petrol/petrol.htm">Powered By Boiling Petrol</A>
<LI><A HREF="POWER/alcohol/alcohol.htm">Alcohol Motors</A>
<LI><A HREF="POWER/carbonic/carbonic.htm">Carbonic Acid Engines</A>
<LI><A HREF="POWER/carbondisulphide/carbondisulphide.htm">Carbon Disulphide Engines</A>
<LI><A HREF="POWER/ether/ether.htm">Ether & Chloroform Engines</A>
<LI><A HREF="POWER/mercury/mercury.htm">Powered by boiling Mercury</A>
<LI><A HREF="POWER/potassium/potassium.htm">Powered by boiling Potassium</A>
<LI><A HREF="POWER/liquidair/liquidair.htm">Powered by Liquid Air</A><FONT COLOR=RED> <FONT COLOR=BLACK>
<LI><A HREF="POWER/helium/helium.htm">Helium engines</A>
</UL><BR>
<LI><A HREF="POWER/unusualICeng/unusualICeng.htm">Unusual Internal Combustion Engines: Index page</A>
<UL>
<LI><A HREF="POWER/unusualICeng/compoundIC/compoundIC.htm">Compound IC Engines</A>
<LI><A HREF="POWER/unusualICeng/toroidalIC/toroidalIC.htm">Toroidal Internal Combustion Engines</A>
<LI><A HREF="POWER/unusualICeng/cat&mouse/cat&mouse.htm">Pursuing-piston IC engines</A>
<LI><A HREF="POWER/unusualICeng/rotaryIC/rotaryIC.htm">Rotary Piston IC Engines</A>
<LI><A HREF="POWER/unusualICeng/axial-ICeng/axial-IC.htm">Axial IC engines</A>
<LI><A HREF="POWER/unusualICeng/scotch/bourke.htm">Scotch crank engines</A>
<LI><A HREF="POWER/unusualICeng/cam-IC/cam-IC.htm">Cam-based IC engines</A>
<LI><A HREF="POWER/unusualICeng/rotblocIC/rotblocIC.htm">Rotating-block IC engines</A>
<LI><A HREF="POWER/unusualICeng/RotaryValveIC/RotaryValveIC.htm">Rotary Valve IC Engines</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<LI><A HREF="POWER/hydrogen/hydrogen.htm">Hydrogen Fueled IC Engines</A>
<LI><A HREF="POWER/unusualICeng/solid/solid.htm">Solid Fuel IC Engines</A>
<LI><A HREF="POWER/unusualICeng/Threecycle/Threecycle.htm">The Korwin & Rebikoff Three-Cycle Engine</A><FONT COLOR=RED> NEW<FONT COLOR=BLACK>
<LI><A HREF="POWER/unusualICeng/miscIC/miscIC.htm">Miscellaneous Unusual IC Engines</A>
</UL><BR>
<LI><A HREF="POWER/airfrig/airfrig.htm">Refrigerating with Air</A><FONT COLOR=RED> NEW<FONT COLOR=BLACK>
<LI><A HREF="POWER/maloneliquid/maloneliquid.htm">The Liquid Engines</A>
<LI><A HREF="POWER/acetylene-eng/acetyleneeng.htm">Acetylene engines</A>
<LI><A HREF="POWER/still/still.htm">The Still Diesel-Steam Engine</A>
<LI><A HREF="POWER/simon/simon.htm">The Simon Gas-Steam Engine</A>
<LI><A HREF="POWER/waterengine/waterengine.htm">Water Engines: 7 pages</A>
<LI><A HREF="POWER/watermotor/watermotor.htm">Water Motors</A>
<BR>
<BR>
<LI><A HREF="POWER/thermomagnetic/thermag.htm">Thermomagnetic Motors</A>
<LI><A HREF="POWER/thermexp/thermexp.htm">Thermal Expansion Engines</A>
<LI><A HREF="POWER/eleceng/eleceng.htm">Electromagnetic Engines</A>
<LI><A HREF="POWER/electrostaticgenerators/electrostaticgenerators.htm">Electrostatic Generators</A><FONT COLOR=RED> NEW<FONT COLOR=BLACK>
<LI><A HREF="POWER/electrostaticmotors/electrostaticmotors.htm">Electrostatic motors</A><FONT COLOR=RED> Updated<FONT COLOR=BLACK>
<LI><A HREF="POWER/clockwork/clockwork.htm">Driven by Clockwork</A>
<LI><A HREF="POWER/oddclocks/oddclocks.htm">Oddly Powered Clocks</A>
<LI><A HREF="POWER/rubber/rubber.htm">Rubber motors</A>
<LI><A HREF="POWER/mechrect/mechrect.htm">Mechanical Rectification</A>
<LI><A HREF="POWER/thermoelectric/thermoelectric.htm">Thermo-Electric Generators</A>
<LI><A HREF="POWER/dog/dog.htm">Dog & Goat Engines</A>
<LI><A HREF="POWER/gear/gear.htm">Gearwheels From Hell</A>
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| | | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| Hello.. hello?
| |
| --- |
| *** [The Shakespeare Mangle](COMMS/shakespeare/shakespeare.htm)* [Pneumatic Networking](COMMS/pneumess/pneumess.htm)* [Compressed-Air Amplifiers](COMMS/auxetophone/auxetoph.htm)* [A Hot-Air Engined Gramophone](COMMS/hotairgramophone/hotairgramophone.htm)* [Unusual Gramophones](COMMS/oddgram/oddgram.htm) NEW
* [The Fluidic Gramophone](COMMS/fluidicgramophone/fluidgram.htm)* [The Flamephone](COMMS/flamephone/flamephone.htm) NEW
* [Mechanical Audio Amplifiers](COMMS/trumechamp/trumechamp.htm)* [ElectroMechanical Audio Amplifiers](COMMS/mechamp/mechamp.htm)* [Early Telephone Lines](COMMS/mechamp/losses.htm)* [Optical Telegraphs](COMMS/telegraf/telegraf.htm)* [Voicepipes & Speaking Tubes](COMMS/voicepipe/voicepipe.htm)* [Heliographs](COMMS/heliograph/heliograph.htm)
* [Combat Cutlery](COMMS/cutlery/cutlery.htm)* [Pneumatic guns](COMMS/pneuguns/pneuguns.htm)* [Pneumatic machine guns](COMMS/pneumach/pneumach.htm)* [Unusual Revolvers](COMMS/revolver/revolver.htm) Updated
* [Underwater Cannon](COMMS/underwtrgun/underwtrgun.htm)* [Hail Cannon](COMMS/hailcan/hailcan.htm) Updated
* [Acoustic Radar](COMMS/ear/ear.htm)
* [The Ozaphane Duo-Trac System](COMMS/duotrac/duotrac.htm)* [The Photoliptophone](COMMS/foto/foto.htm) Updated
* [The Selenophone](COMMS/selenophone/selenophone.htm) Updated
* [Talking Paper](COMMS/talkingpaper/talkingpaper.htm) Updated
* [The Fonda cellophane recorder](COMMS/fonda/fonda.htm) NEW
* [The Rey Recording System](COMMS/reypaper/reypaper.htm) NEW
* [The Vienna Clock Network](COMMS/vienclock/vienclock.htm)* [The Paris Clock Network](COMMS/airclock/airclock.htm)* [Hydraulic Microphones](COMMS/hydraumic/hydraumic.htm)* [Hydraulic phono pickups](COMMS/hydraupu/hydraupu.htm)* [The Electro/Hydraulic Amplifier](COMMS/hydrauamp/hydrauamp.htm)* [The Pianola](COMMS/pianola/pianola.htm)* [Mechanical Stringed Instruments](COMMS/stringplayer/stringplayer.htm) NEW
* [Multineck guitars](COMMS/multineck/multineck.htm) Updated
* [What is it? Light projectors](COMMS/whatisit/whatisit.htm) Updated** |
[Back to Home Page](../index.htm)
This page updated: 4 June 2023
RECENTLY ADDED:
| | | |
| --- | --- | --- |
|
The Fotoliptophone
Refrigerating with air
Refrigeration Networks
N-wheeled cars
Paris Clock Network
The Paris Compressed-Air Network
Vienna Clock Network
Hydraulic Microphones
Wood-gas Powered Cars
Turbine-driven Paddleboats
Korwin & Rebikoff Three-Cycle Engine
Talking Paper
The Selenophone
The Fonda cellophane recorder
N-winged planes
Coal-Gas Powered Motorcycles
Armoured Motorcycles
Motorised sack-barrows
Coal-Gas Powered Cars
Hail cannon
Unusual Tanks
N-Person Bicycles
Pneumatic machine guns
Unusual revolvers
The Flamephone
The Silent Dustman
Upside-down Aeroplanes
Electrostatic Generators
What is it? Light projectors
Mechanical horses
| | |
| That does not compute! Danger, Will Robinson!
| |
| --- |
| *** [Mechanical Analogue Computers](COMPUTE/mechcomp/mechcomp.htm)
* [Analogue Electronic Computers](COMPUTE/analog/analog.htm)
* [Esoteric Computer Topic Links](COMPUTE/complinks/complinks.htm)** |
| There'll be another one along in a minute
| |
| --- |
| *** [Unusual Locomotives: 105 pages](LOCOLOCO/locoloco.htm)
* [Monowheels: 5 pages](TRANSPORT/motorwhl/motorwhl.htm)* [Diwheels](TRANSPORT/diwheel/diwheel.htm)* [The Schilovski Gyrocar](TRANSPORT/gyrocars/schilovs.htm)* [The Other Gyrocars](TRANSPORT/gyrocars/gyrocar.htm)* [The Brennan Gyro-Monorail](LOCOLOCO/brennan/brennan.htm)* [Two-Wheel Cars (no gyro)](TRANSPORT/2wheelcar/2wheelcar.htm)* [N-wheeled cars](TRANSPORT/nwheelcar/nwheelcar.htm) Updated
* [Cars with radial engines](TRANSPORT/radialcars/radialcars.htm) Updated
* [Propeller-Driven Cars](TRANSPORT/helica/helica.htm) Updated
* [Coal-gas Powered Cars](TRANSPORT/gascar/gascar.htm) Updated
* [Wood-gas Powered Cars](TRANSPORT/prodcar/prodcar.htm) Updated
* [Unusual Tanks](TRANSPORT/oddtank/oddtank.htm) Updated
* [Hemispherical Drive](TRANSPORT/hemisphere/hemisphere.htm) NEW!
* [Uniflow Steam Engine Road Vehicles](TRANSPORT/unifloroad/unifloroad.htm)* [Compressed-Air Vehicles](TRANSPORT/comprair/comprair.htm) Updated
* [Unusual Traction Engines](TRANSPORT/traction/traction.htm)
* [Propeller-Driven Motorcycles](TRANSPORT/propbike/propbike.htm)* [Other Unusual Motorcycles](TRANSPORT/motorcycle/motorcycle.htm)* [Armoured Motorcycles](TRANSPORT/armbike/armbike.htm) Updated
* [Gas-Powered Motorcycles](TRANSPORT/gasbike/gasbike.htm) Updated
* [Steam-Powered Bicycles & Motorcycles](TRANSPORT/steambike/steambike.htm)
* [Motorised Bicycles](TRANSPORT/motorisedbicycle/motorisedbicycle.htm) NEW
* [Rocket-Powered Bicycles](TRANSPORT/rocketbicycle/rocketbicycle.htm)* [Propeller-Driven Bicycles](TRANSPORT/propcycle/propcycle.htm)* [N-Person Bicycles](TRANSPORT/nbikes/nbikes.htm) Updated
* [Other Unusual Bicycles](TRANSPORT/oddbike/oddbike.htm) Updated
* [Unusual Tricycles](TRANSPORT/tricycle/tricycle.htm)* [Quadcycles, quadricycles and so on](TRANSPORT/quadcycle/quadcycle.htm)
* [Motorised Sack-barrows](TRANSPORT/mobarrow/mobarrow.htm)* [Steam Lawnmowers](TRANSPORT/mower/mower.htm)* [Rein-Guided Tractors](TRANSPORT/reinstractor/reinstractor.htm) Updated
* [Mechanical Horses](TRANSPORT/mechorse/mechorse.htm) NEW!
* [Propeller-Driven Sleighs](TRANSPORT/propsleigh/propsleigh.htm)* [Propeller-Driven Boats](TRANSPORT/propboat/propboat.htm) NEW!
* [The Armoured Narrowboat](TRANSPORT/narrowboat/narrowboat.htm)* [The Jet-Propelled Paddleboat](TRANSPORT/lucyasht/lucyasht.htm) Updated
* [Turbine-driven Paddleboats](TRANSPORT/turbpadl/turbpadl.htm) Updated
* [Steam Aeroplanes](TRANSPORT/steamplane/steamplane.htm)* [Compressed-Air Aeroplanes](TRANSPORT/complane/complane.htm)* [The Helicogyre](TRANSPORT/helicogyre/helicogyre.htm)* [The Cyclogyro](TRANSPORT/cyclogyro/cyclogyro.htm)* [Personal Helicopters](TRANSPORT/personalheli/personalheli.htm)* [Upside-down Aeroplanes](TRANSPORT/oddplane/oddplane.htm) NEW!
* [N-winged aeroplanes](TRANSPORT/nplanes/nplane.htm) NEW!** |
All power corrupts...
| |
| --- |
| *** Power distribution
+ [The Paris Compressed-Air Network](POWER/airnetwork/airnetwork.htm) Updated
+ [The London High-Pressure Water Network](POWER/waternetwk/waternetwk.htm) NEW
+ [The Silent Dustman](POWER/silentdustman/silentdustman.htm) NEW
+ [Refrigerating with Air](POWER/airfrig/airfrig.htm)
+ [Refrigeration Networks](POWER/refrignet/refrignet.htm)
* [Unusual Steam Engines: Index page](POWER/unusualsteameng/unusualsteameng.htm)
+ [Rotary Steam Engines: 12 pages](POWER/rotaryengines/rotaryeng.htm) Updated
+ [The Tower Spherical Engine](POWER/tower/tower.htm)+ [Steamwheel Engines](POWER/steamwheel/steamwheel.htm)+ [The Parsons Epicyclic Engine](POWER/parsep/parsep.htm)+ [Disc Engines](POWER/disceng/disceng.htm)+ [Rotating-Cylinder Steam Engines](POWER/unusualsteamrotycyls/unusualsteamrotycyls.htm)+ [Rotary-Valve Steam Engines](POWER/rotaryvalvesteam/rotaryvalvesteam.htm)+ [Square-Piston Engines](POWER/squarepiston/square.htm)+ [Vibratory Steam Engines](POWER/vibratory/vibrate.htm) Updated
+ [Uniflow Steam Engines](POWER/uniflow/uniflow.htm)+ [High-Speed Steam Engines](POWER/highsped/highsped.htm)+ [Axial Steam Engines](POWER/axialsteameng/axialsteameng.htm)+ [Radial Steam Engines](POWER/radialstm/radialstm.htm) Updated
+ [The Scott-Morton Revolving Engine](POWER/scottmorton/scottmorton.htm) NEW* [Unusual Steam Boilers](POWER/rotaryboil/rotaryboil.htm)
+ [Rotating Steam Boilers](POWER/rotaryboil/rotaryboil.htm)+ [The Electrostatic Boiler](POWER/staticboil/staticboil.htm)+ [Internal Combustion Boilers](POWER/ICboiler/ICboiler.htm)+ [Surface Combustion Boilers](POWER/surfaceboiler/surfaceboiler.htm)* [Diverse Forms of Power in 1894](POWER/diverse/diversepower.htm)
* [Unusual Working Fluids: Index page](POWER/oddfluid/oddfluid.htm)
+ [The Aero-Steam Engines](POWER/aerosteam/aerosteam.htm)+ [The Cloud Engine](POWER/cloud/cloud.htm) NEW
+ [Powered by Caustic Soda](LOCOLOCO/soda/soda.htm)+ [The Ammonia Motors](POWER/ammonia/ammonia.htm)+ [Powered By Boiling Petrol](POWER/petrol/petrol.htm)+ [Alcohol Motors](POWER/alcohol/alcohol.htm)+ [Carbonic Acid Engines](POWER/carbonic/carbonic.htm)+ [Carbon Disulphide Engines](POWER/carbondisulphide/carbondisulphide.htm)+ [Ether & Chloroform Engines](POWER/ether/ether.htm)+ [Powered by boiling Mercury](POWER/mercury/mercury.htm)+ [Powered by boiling Potassium](POWER/potassium/potassium.htm)+ [Powered by Liquid Air](POWER/liquidair/liquidair.htm)
+ [Helium engines](POWER/helium/helium.htm)* [Unusual Internal Combustion Engines: Index page](POWER/unusualICeng/unusualICeng.htm)
+ [Compound IC Engines](POWER/unusualICeng/compoundIC/compoundIC.htm)+ [Toroidal Internal Combustion Engines](POWER/unusualICeng/toroidalIC/toroidalIC.htm)+ [Pursuing-piston IC engines](POWER/unusualICeng/cat&mouse/cat&mouse.htm)+ [Rotary Piston IC Engines](POWER/unusualICeng/rotaryIC/rotaryIC.htm)+ [Axial IC engines](POWER/unusualICeng/axial-ICeng/axial-IC.htm)+ [Scotch crank engines](POWER/unusualICeng/scotch/bourke.htm)+ [Cam-based IC engines](POWER/unusualICeng/cam-IC/cam-IC.htm)+ [Rotating-block IC engines](POWER/unusualICeng/rotblocIC/rotblocIC.htm)+ [Rotary Valve IC Engines](POWER/unusualICeng/RotaryValveIC/RotaryValveIC.htm) Updated
+ [Hydrogen Fueled IC Engines](POWER/hydrogen/hydrogen.htm)+ [Solid Fuel IC Engines](POWER/unusualICeng/solid/solid.htm)+ [The Korwin & Rebikoff Three-Cycle Engine](POWER/unusualICeng/Threecycle/Threecycle.htm) NEW
+ [Miscellaneous Unusual IC Engines](POWER/unusualICeng/miscIC/miscIC.htm)* [Refrigerating with Air](POWER/airfrig/airfrig.htm) NEW
* [The Liquid Engines](POWER/maloneliquid/maloneliquid.htm)* [Acetylene engines](POWER/acetylene-eng/acetyleneeng.htm)* [The Still Diesel-Steam Engine](POWER/still/still.htm)* [The Simon Gas-Steam Engine](POWER/simon/simon.htm)* [Water Engines: 7 pages](POWER/waterengine/waterengine.htm)* [Water Motors](POWER/watermotor/watermotor.htm)
* [Thermomagnetic Motors](POWER/thermomagnetic/thermag.htm)* [Thermal Expansion Engines](POWER/thermexp/thermexp.htm)* [Electromagnetic Engines](POWER/eleceng/eleceng.htm)* [Electrostatic Generators](POWER/electrostaticgenerators/electrostaticgenerators.htm) NEW
* [Electrostatic motors](POWER/electrostaticmotors/electrostaticmotors.htm) Updated
* [Driven by Clockwork](POWER/clockwork/clockwork.htm)* [Oddly Powered Clocks](POWER/oddclocks/oddclocks.htm)* [Rubber motors](POWER/rubber/rubber.htm)* [Mechanical Rectification](POWER/mechrect/mechrect.htm)* [Thermo-Electric Generators](POWER/thermoelectric/thermoelectric.htm)* [Dog & Goat Engines](POWER/dog/dog.htm)* [Gearwheels From Hell](POWER/gear/gear.htm)** |
| |
|
| |
| | | |
| --- | --- | --- |
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<!--date--> <tr><td colspan=5 align="center" bgcolor="#d3d3d3"><font face="arial" size=1 color="#000000"> Tuesday, March 19, 2001 </font></td></tr>
<tr>
<td align="center"><a href="http://www.intellicast.com/LocalWeather/World/UnitedStates/MidAtlantic/Virginia/NewportNews/Forecast/"><image src="weather2.jpg" border=0><br><font face="arial" size=2> Intell Weather </font></td>
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<p><font size=2 face="arial, verdana, times roman"><b> Site Links </b></a></font> <br>
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<a href="family/index.html" target="_parent">Families</a> <br>
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<a href="stories/index.html" target="_parent">Soccer News</a> <br>
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<a href="links/index.html" target="_parent">Cool Links</a> <br>
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<td colspan=5 align="center" bgcolor="#d3d3d3"><font size=1 face="arial">Four Boyz, Two Continents, a Minivan, and a Website </font><br></td>
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<td !width=450 valign="top" >
<center><font face="verdana" size=5 color="#000000"><b> Sampson Loses His Locks! </b></font></center>
<img src="robefore.jpg" hspace=8 vspace=10 align="left" border=1>
<p><font face=arial size=2 color="#000000"> <b> Monday, March 6, 2001:</b> It all began a couple of weeks ago when Robert and Alex began bugging me to cut their hair. When I finally got around to it I cut Alex's hair,
however, I was only able to trim part of Roberts. In the days that followed Robert and I both agreed that something needed to be done with his hair but didn't know what. I suggested that
he go to a hair dresser, but he reminded me that they tend to mess it up. He also said that he wasn't comfortable with a stranger cutting his hair. So, on March 6th, the long process of cutting his hair commenced, but
the final outcome would surprize the both of us. Robert wasn't sure what he wanted, but one idea he had was to have his hair slicked back like a South Philly Italian, as he puts it. I started out as I usually do by
trimming his bowl cut, and then I planned to layer it. For the full story, with before and after pictures, <a href="stories/index.html"> CLICK HERE. </a> </font></p>
</td>
<!--verticle gray line --> <td bgcolor="#778899"></td>
<td valign="top">
<table align="left" width=150 cellpadding=2 cellspacing=0 border=0>
<tr> <td> <font face=arial size=2 color="#000000"> <b> IT'S A BOY! </b> </font> </td></tr>
<tr>
<td align="left">
<img src="babyjah.jpg" border=0 align="left" hspace=2><font face=arial size=1 color="#ff0000"> James Andrew Hallmark </font><br>
<p><font face=arial size=1 color="#000000">Suzanne finally had her baby, six days overdue! MaryLou gave us a call around midnight to let us know that Suzanne had the baby and both
mother and son are doing well. </p> </font>
</td>
</tr>
<tr> <td> <hr width=85% color="#000080" size=1 align="center"><font face=arial size=2 color="#000000"> <b> Baby Stats: </b> </font> </td></tr>
<tr> <td> <font face=arial size=2 color="#000000"> James Andrew Hallmark</font> </td> </tr>
<tr> <td> <font face=arial size=2 color="#000000"> Born- 3/5/01, at 9:30 PM </font> </td> </tr>
<tr> <td> <font face=arial size=2 color="#000000"> Weight- 9lbs 13oz</font> </td> </tr>
<tr> <td> <font face=arial size=2 color="#000000"> Length- 21 1/2 inches</font> </td> </tr>
<tr> <td> <font face=arial size=2 color="#000000"> Head cir.- 14 1/2 inches</font> </td> </tr>
<tr> <td> <font face=arial size=2 color="#000000"> Traits- He has dark hair</font> </td> </tr>
</table>
</td>
</tr>
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<tr> <td width=20% align="center" bgcolor="#d3d3d3"> <font face=arial size=2 color="#000000"> <b> In This Issue: </b> </font> </td></tr>
<tr> <td> <font face="arial" size=1><a href="stories/index.html" target="_parent"> Robert's Haircut </a> </td> </tr>
<tr> <td> <font face="arial" size=1><a href="stories/index.html"> Side Note </a></font> </td> </tr>
<tr> <td> <p><font face="arial" size=1><a href="stories/index2.html"> Christmas Paper in March </a></font></p> </td> </tr>
<tr> <td> <font face="arial" size=1><a href="stories/index2.html"> Critter News </a></font> </td> </tr>
<tr> <td> <font face="arial" size=1><a href="stories/index2.html"> No more deliveries! </a></font> </td> </tr>
<tr> <td> <font face="arial" size=1><a href="stories/critters.html"> Baby Update </a></font> </td> </tr>
</table>
</td>
<!--verticle gray line --> <td bgcolor="#778899"></td>
<td width=22% valign="top">
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<tr> <td width=20% align="center" bgcolor="#d3d3d3"> <a href="stories/recipe.html"> <font face=arial size=2 color="#000000"> <b> Cookin' Nook: </b> </font> </a></td></tr>
<tr> <td align="center"> <font face=arial size=2 color="#ff0000"><b> Tasty Recipes: </b></font> </td> </tr>
<tr> <td align="center"> <font face="arial" size=1><a href="stories/recipe.html"> Fiesta Tortilla Stack</a></font> </td> </tr>
</table>
</td>
<!--verticle gray line --> <td bgcolor="#778899"></td>
<td width=25% valign="top">
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<tr> <td width=20% align="center" bgcolor="#d3d3d3"> <font face=arial size=2 color="#000000"> <b> Birthdays Coming! </b> </font> </td></tr>
<tr> <td> <p><font face="arial" size=2 color="#ff0000"> <b> March: </b></a> </font> </td> </tr>
<tr> <td> <font face="arial" size=1 color="#000000"> Jack Hallmark- ? </font> </td> </tr>
<tr> <td> <p><font face="arial" size=2 color="#ff0000"> <b> April: </b></a> </font> </td> </tr>
<tr> <td> <font face="arial" size=1 color="#000000"> Mella Rossi- 18th </font> </td> </tr>
<tr> <td> <font face="arial" size=1 color="#000000"> Pete Foresta- ? </font> </td> </tr>
<tr> <td> <font face="arial" size=1 color="#000000"> Nicole Rossi- 25th </font> </td> </tr>
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<tr> <td> <font face="arial" size=1> Bill- </font> <font face="arial" size=1><A HREF="mailto:[email protected]"> [email protected] </a></font> </td> </tr>
<tr> <td> <font face="arial" size=1> Lin- </font> <font face="arial" size=1><A HREF="mailto:[email protected]"> [email protected] </a></font> </td> </tr>
<tr> <td> <font face="arial" size=1> Rob- </font> <font face="arial" size=1><A HREF="mailto:[email protected]"> [email protected] </a></font> </td> </tr>
<tr> <td> <font face="arial" size=1> Alex- </font> <font face="arial" size=1><A HREF="mailto:[email protected]"> [email protected] </a></font> </td> </tr>
<tr> <td> <font face="arial" size=1> More - </font> <font face="arial" size=1><A HREF="mailto:[email protected]"> Family Addresses </a></font> </td> </tr>
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Miller Homepage | Family Headlines
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| Tuesday, March 19, 2001 |
| [Intell Weather](http://www.intellicast.com/LocalWeather/World/UnitedStates/MidAtlantic/Virginia/NewportNews/Forecast/) | | **Site Links**
[Families](family/index.html)
[Hobbies](hobbies/index.html)
[Soccer News](stories/index.html)
[Art Work](art/index.html)
[Cool Links](links/index.html)
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| Four Boyz, Two Continents, a Minivan, and a Website |
| | | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| **Sampson Loses His Locks!**
**Monday, March 6, 2001:** It all began a couple of weeks ago when Robert and Alex began bugging me to cut their hair. When I finally got around to it I cut Alex's hair,
however, I was only able to trim part of Roberts. In the days that followed Robert and I both agreed that something needed to be done with his hair but didn't know what. I suggested that
he go to a hair dresser, but he reminded me that they tend to mess it up. He also said that he wasn't comfortable with a stranger cutting his hair. So, on March 6th, the long process of cutting his hair commenced, but
the final outcome would surprize the both of us. Robert wasn't sure what he wanted, but one idea he had was to have his hair slicked back like a South Philly Italian, as he puts it. I started out as I usually do by
trimming his bowl cut, and then I planned to layer it. For the full story, with before and after pictures, [CLICK HERE.](stories/index.html) | |
| |
| --- |
| **IT'S A BOY!** |
| James Andrew Hallmark
Suzanne finally had her baby, six days overdue! MaryLou gave us a call around midnight to let us know that Suzanne had the baby and both
mother and son are doing well. |
|
---
**Baby Stats:** |
| James Andrew Hallmark |
| Born- 3/5/01, at 9:30 PM |
| Weight- 9lbs 13oz |
| Length- 21 1/2 inches |
| Head cir.- 14 1/2 inches |
| Traits- He has dark hair |
|
|
---
|
| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
|
| |
| --- |
| **In This Issue:** |
| [Robert's Haircut](stories/index.html) |
| [Side Note](stories/index.html) |
| [Christmas Paper in March](stories/index2.html) |
| [Critter News](stories/index2.html) |
| [No more deliveries!](stories/index2.html) |
| [Baby Update](stories/critters.html) |
| |
| |
| --- |
| [**Cookin' Nook:**](stories/recipe.html) |
| **Tasty Recipes:** |
| [Fiesta Tortilla Stack](stories/recipe.html) |
| |
| |
| --- |
| **Birthdays Coming!** |
| **March:** |
| Jack Hallmark- ? |
| **April:** |
| Mella Rossi- 18th |
| Pete Foresta- ? |
| Nicole Rossi- 25th |
| |
| |
| --- |
| **E-mail Addresses:** |
| Bill- [[email protected]](mailto:[email protected]) |
| Lin- [[email protected]](mailto:[email protected]) |
| Rob- [[email protected]](mailto:[email protected]) |
| Alex- [[email protected]](mailto:[email protected]) |
| More - [Family Addresses](mailto:[email protected]) |
|
| |
| --- |
|
---
|[Families](family/index.html)|
|[Hobbies](hobbies/index.html)|
|[Soccer News](stories/index.html)|
|[Art Work](art/index.html)|
|[Cool Links](links/index.html)|
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We've had **8839** visitors since March 19, 2001
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<span class="item"><a href="/roms-isos-games.php">ROMs, ISOs, & Games</a></span>
<span class="item"><a href="/Emulators.php">Emulators for every system</a></span>
<span class="item"><a href="/soundtracks/index.php">Video Game Music (MP3s/FLAC)</a></span>
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<h2 style="color:#5fc866;">Popular ROM Sections</h2><span class="item"><a title="Sony Playstation 2 ISOs"
href="/Sony_Playstation_2_ISOs/41">PS2 ISOs</a> <span class="sectioncount">(4078)</span></span><span class="item"><a title="PSP ISOs"
href="/PSP_ISOs/44">PSP ISOs</a> <span class="sectioncount">(2907)</span></span><span class="item"><a title="Sony Playstation ISOs"
href="/Sony_Playstation_ISOs/2">PSX ISOs</a> <span class="sectioncount">(5134)</span></span><span class="item"><a title="Nintendo DS ROMs"
href="/Nintendo_DS_ROMs/32">NDS ROMs</a> <span class="sectioncount">(6294)</span></span><span class="item"><a title="M.A.M.E. - Multiple Arcade Machine Emulator ROMs"
href="/M.A.M.E._-_Multiple_Arcade_Machine_Emulator_ROMs/7">MAME ROMs</a> <span class="sectioncount">(34305)</span></span><span class="item"><a title="Nintendo Gamecube ISOs"
href="/Nintendo_Gamecube_ISOs/42">GCN ISOs</a> <span class="sectioncount">(1342)</span></span><span class="item"><a title="Super Nintendo Entertainment System (SNES) ROMs"
href="/Super_Nintendo_Entertainment_System_(SNES)_ROMs/5">SNES ROMs</a> <span class="sectioncount">(3484)</span></span><span class="item"><a title="Nintendo Gameboy Advance ROMs"
href="/Nintendo_Gameboy_Advance_ROMs/31">GBA ROMs</a> <span class="sectioncount">(2647)</span></span><span class="item"><a title="Nintendo Entertainment System ROMs"
href="/Nintendo_Entertainment_System_ROMs/13">NES ROMs</a> <span class="sectioncount">(2774)</span></span><span class="item"><a href="/roms-isos-games.php">View all sections</a></span>
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<h2 style="color:#a5d414;">Latest News</h2><span class="item"><a href="/News/comments.php?id=1144">20 Years of EmuParadise - Giveaway</a></span><span class="item"><a href="/News/comments.php?id=1143">Happy 19th Birthday EmuParadise!</a></span><span class="item"><a href="/News/comments.php?id=1142">EmuParadise Official Net64+ Server</a></span><span class="item"><a href="/News/comments.php?id=1141">Win a PS4 Pro God of War Bundle</a></span><span class="item"><a href="/News/comments.php?id=1140">Introducing our new emulators section!</a></span></div>
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<h2 style="color:#c9e1a8;">Community</h2><span class="item"><a target="_blank" href="http://www.epforums.org/showthread.php?threadid=134210">Emulation - Bringing the Classics Back to Life</a></span><span class="item"><a target="_blank" href="http://www.epforums.org/showthread.php?threadid=134454">Crash vs Spyro Racing Original XBOX Prototype Found!</a></span><span class="item"><a target="_blank" href="http://www.epforums.org/showthread.php?threadid=134520">Simple Genghis Khan II Guide</a></span><span class="item"><a target="_blank" href="http://www.epforums.org/showthread.php?threadid=134311">A good rom manager?</a></span><span class="item"><a target="_blank" href="http://www.epforums.org/showthread.php?threadid=134213">Gaming - Crucial to Societal Well-Being</a></span></div><div class="pre_2 col_5 suf_2 last vgquote" style="margin-top:30px;margin-bottom:15px;"><h3>Quote of the Day <span style="float: right;"><img src="https://b64459531885200b3efb-5206a7b3a50a3f5974248375cd863061.ssl.cf1.rackcdn.com/graphics/open-quote.png" style="height:20px;transform: rotate(180deg);"></span></h3><hr><blockquote style="text-align:left;font-size:20px;font-family:TimesNewRoman, 'Times New Roman', Times, Baskerville, Georgia, serif;line-height:30px;"><img src="https://b64459531885200b3efb-5206a7b3a50a3f5974248375cd863061.ssl.cf1.rackcdn.com/graphics/open-quote.png" style="height:20px;">I’m rackin' my brain trying to think of a name for that diamond pony I bought. I was gonna call it “piss-for-brains” in honor of you, but that just feels immature. Maybe...”Butt Stallion”?<img src="https://b64459531885200b3efb-5206a7b3a50a3f5974248375cd863061.ssl.cf1.rackcdn.com/graphics/open-quote.png" style="height:20px;transform:rotate(180deg);"><p align=right style="font-size:14px;font-family:TimesNewRoman, 'Times New Roman', Times, Baskerville, Georgia, serif;">— Handsome Jack, Borderlands 2</p></blockquote></div><div class="pre_1 col_7 suf_1 last" style="text-align:center;" id="homepage-video">
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[](/)
* [ROMs, ISOs, Games](/roms-isos-games.php)
+ [Most Popular Sections](#)
- [PS2 ISOs (4078)](/Sony_Playstation_2_ISOs/41 "Download Sony Playstation 2 / PS2 ISOs")
- [PSP ISOs (2907)](/PSP_ISOs/44 "Download PSP / PSP ISOs")
- [PSX ISOs (5134)](/Sony_Playstation_ISOs/2 "Download Sony Playstation / PSX ISOs")
- [NDS ROMs (6294)](/Nintendo_DS_ROMs/32 "Download Nintendo DS / NDS ROMs")
- [MAME ROMs (34305)](/M.A.M.E._-_Multiple_Arcade_Machine_Emulator_ROMs/7 "Download M.A.M.E. - Multiple Arcade Machine Emulator / MAME ROMs")
- [GCN ISOs (1342)](/Nintendo_Gamecube_ISOs/42 "Download Nintendo Gamecube / GCN ISOs")
- [SNES ROMs (3484)](/Super_Nintendo_Entertainment_System_(SNES)_ROMs/5 "Download Super Nintendo Entertainment System (SNES) / SNES ROMs")
- [GBA ROMs (2647)](/Nintendo_Gameboy_Advance_ROMs/31 "Download Nintendo Gameboy Advance / GBA ROMs")
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- [N64 ROMs (787)](/Nintendo_64_ROMs/9 "Download Nintendo 64 / N64 ROMs")
- [View All Sections](/roms-isos-games.php)
+ [Consoles](#)
- [DC ISOs (1076)](/Sega_Dreamcast_ISOs/1 "Download Sega Dreamcast / DC ISOs")
- [GCN ISOs (1342)](/Nintendo_Gamecube_ISOs/42 "Download Nintendo Gamecube / GCN ISOs")
- [Genesis ROMs (1659)](/Sega_Genesis_-_Sega_Megadrive_ROMs/6 "Download Sega Genesis - Sega Megadrive / Genesis ROMs")
- [N64 ROMs (787)](/Nintendo_64_ROMs/9 "Download Nintendo 64 / N64 ROMs")
- [NES ROMs (2774)](/Nintendo_Entertainment_System_ROMs/13 "Download Nintendo Entertainment System / NES ROMs")
- [PCECD ISOs (509)](/PC_Engine_CD_-_Turbo_Duo_-_TurboGrafx_CD_ISOs/18 "Download PC Engine CD - Turbo Duo - TurboGrafx CD / PCECD ISOs")
- [PS2 ISOs (4078)](/Sony_Playstation_2_ISOs/41 "Download Sony Playstation 2 / PS2 ISOs")
- [PSX ISOs (5134)](/Sony_Playstation_ISOs/2 "Download Sony Playstation / PSX ISOs")
- [Saturn ISOs (1296)](/Sega_Saturn_ISOs/3 "Download Sega Saturn / Saturn ISOs")
- [SNES ROMs (3484)](/Super_Nintendo_Entertainment_System_(SNES)_ROMs/5 "Download Super Nintendo Entertainment System (SNES) / SNES ROMs")
- [View All Sections](/roms-isos-games.php#console)
+ [Arcade Systems](#)
- [CPS1 ROMs (136)](/Capcom_Play_System_1_ROMs/54 "Download Capcom Play System 1 / CPS1 ROMs")
- [CPS2 ROMs (239)](/Capcom_Play_System_2_ROMs/55 "Download Capcom Play System 2 / CPS2 ROMs")
- [CPS3 ROMs (9)](/Capcom_Play_System_3_ROMs/66 "Download Capcom Play System 3 / CPS3 ROMs")
- [MAME ROMs (34305)](/M.A.M.E._-_Multiple_Arcade_Machine_Emulator_ROMs/7 "Download M.A.M.E. - Multiple Arcade Machine Emulator / MAME ROMs")
- [Naomi ROMs (74)](/Sega_NAOMI_ROMs/30 "Download Sega NAOMI / Naomi ROMs")
- [NeoGeo ROMs (264)](/Neo_Geo_ROMs/26 "Download Neo Geo / NeoGeo ROMs")
+ [Handhelds](#)
- [Game Gear ROMs (454)](/Sega_Game_Gear_ROMs/14 "Download Sega Game Gear / Game Gear ROMs")
- [GB ROMs (1508)](/Nintendo_Game_Boy_ROMs/12 "Download Nintendo Game Boy / GB ROMs")
- [GBA ROMs (2647)](/Nintendo_Gameboy_Advance_ROMs/31 "Download Nintendo Gameboy Advance / GBA ROMs")
- [GBC ROMs (1297)](/Nintendo_Game_Boy_Color_ROMs/11 "Download Nintendo Game Boy Color / GBC ROMs")
- [Lynx ROMs (86)](/Atari_Lynx_ROMs/28 "Download Atari Lynx / Lynx ROMs")
- [NDS ROMs (6294)](/Nintendo_DS_ROMs/32 "Download Nintendo DS / NDS ROMs")
- [NGPC ROMs (77)](/Neo_Geo_Pocket_-_Neo_Geo_Pocket_Color_(NGPx)_ROMs/38 "Download Neo Geo Pocket - Neo Geo Pocket Color (NGPx) / NGPC ROMs")
- [PSP ISOs (2907)](/PSP_ISOs/44 "Download PSP / PSP ISOs")
- [PSX2PSP ISOs (1302)](/PSX_on_PSP_ISOs/67 "Download PSX on PSP / PSX2PSP ISOs")
- [WSC ROMs (90)](/Bandai_Wonderswan_Color_ROMs/40 "Download Bandai Wonderswan Color / WSC ROMs")
+ [Computers](#)
- [Amiga ROMs (2539)](/Amiga_ROMs/4 "Download Amiga / Amiga ROMs")
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- [Atari ST ROMs (8368)](/Atari_ST_ROMs/63 "Download Atari ST / Atari ST ROMs")
- [C64 Tapes ROMs (1683)](/Commodore_64_(Tapes)_ROMs/34 "Download Commodore 64 (Tapes) / C64 Tapes ROMs")
- [CPC ROMs (11216)](/Amstrad_CPC_ROMs/62 "Download Amstrad CPC / CPC ROMs")
- [DOS Games (3550)](/Abandonware_Games/51 "Download Abandonware / DOS Games")
- [ScummVM Games (518)](/ScummVM_Games/21 "Download ScummVM / ScummVM Games")
- [X68K ROMs (3240)](/Sharp_X68000_ROMs/23 "Download Sharp X68000 / X68K ROMs")
- [ZX Spectrum (TAP) ROMs (3604)](/ZX_Spectrum_(Tapes)_ROMs/36 "Download ZX Spectrum (Tapes) / ZX Spectrum (TAP) ROMs")
- [ZX Spectrum Z80 ROMs (11098)](/ZX_Spectrum_(Z80)_ROMs/35 "Download ZX Spectrum (Z80) / ZX Spectrum Z80 ROMs")
+ [Translation Patches](/trans/)
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+ [Play in Browser](/playonline.php)
* [Popular Emulators](/Emulators.php)
+ [GBA Emulators (19)](/Nintendo_Gameboy_Advance_Emulators/31 "Download Nintendo Gameboy Advance / GBA Emulators")
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# Welcome to Emuparadise
**Looking for retro video games?** You've come to the right place!
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## ROMs, ISOs, Gaming Music, and more..
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## Popular ROM Sections
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## Latest News
[20 Years of EmuParadise - Giveaway](/News/comments.php?id=1144)[Happy 19th Birthday EmuParadise!](/News/comments.php?id=1143)[EmuParadise Official Net64+ Server](/News/comments.php?id=1142)[Win a PS4 Pro God of War Bundle](/News/comments.php?id=1141)[Introducing our new emulators section!](/News/comments.php?id=1140)
## Community
[Emulation - Bringing the Classics Back to Life](http://www.epforums.org/showthread.php?threadid=134210)[Crash vs Spyro Racing Original XBOX Prototype Found!](http://www.epforums.org/showthread.php?threadid=134454)[Simple Genghis Khan II Guide](http://www.epforums.org/showthread.php?threadid=134520)[A good rom manager?](http://www.epforums.org/showthread.php?threadid=134311)[Gaming - Crucial to Societal Well-Being](http://www.epforums.org/showthread.php?threadid=134213)### Quote of the Day
---
> I’m rackin' my brain trying to think of a name for that diamond pony I bought. I was gonna call it “piss-for-brains” in honor of you, but that just feels immature. Maybe...”Butt Stallion”?— Handsome Jack, Borderlands 2
>
>
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<BR>
<BR>This page has been visited <b><font size="6" color="#FF0000">8425</font></b>
times.
<P>This page was last <A HREF="update.htm">updated</A> on 31st October
1998
<BR>This page is dedicated to the fan-fiction story about the Warrior Guyver.
On this page you will find the data files on the Warrior Guyver and all
of the other characters in the story. You will also find other peoples fan-fiction
and fan-art of the Guyver.
<P>The pictures on this site with this on them <IMG SRC="bos.jpg" HEIGHT=26 WIDTH=72>
are drawn by Brian O' Sullivan and those with the <IMG SRC="mb01.gif" HEIGHT=26 WIDTH=72> are drawn by Matthew Bellamy.
<P>If you have any comments, questions, idea's, pic's or fanfic's just
E-mail me at the address below.
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<CENTER><B><I><FONT FACE="Arial,Helvetica"><FONT SIZE=+3><A HREF="warriorg/index.htm">Warrior
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Warrior Guyver Fan Fiction Page
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#
This page has been visited **8425**
times.
This page was last [updated](update.htm) on 31st October
1998
This page is dedicated to the fan-fiction story about the Warrior Guyver.
On this page you will find the data files on the Warrior Guyver and all
of the other characters in the story. You will also find other peoples fan-fiction
and fan-art of the Guyver.
The pictures on this site with this on them 
are drawn by Brian O' Sullivan and those with the  are drawn by Matthew Bellamy.
If you have any comments, questions, idea's, pic's or fanfic's just
E-mail me at the address below.
---
| | |
| --- | --- |
|
[Guyver
C Fan-Fiction](guyverc/index.htm) | ***[Warrior
Guyver Fan-Fiction](warriorg/index.htm)*** |
| ***[Guyver
Fan-Art](fanart/index.htm)*** | ***[Chronos
Data-Files](datafiles/index.htm)*** |
| ***[Other
Guyver Data](othergd/index.htm)*** | ***[Other
Guyver Fan-Fiction](otherg/index.htm)*** |
---
[](INDEX1.HTML)
[](INDEX1.HTML) This Branch
of The [BioWeapons](INDEX1.HTML) Web Ring Is Owned
By
[Brian
O'Sullivan](mailto:[email protected]) and [Matthew Bellamy](mailto:[email protected]).
Attempt to Join The [BioWeapons](INDEX1.HTML) Web Ring?
**[[Skip Prev](INDEX1.HTML)] [[Prev](INDEX1.HTML)]
[[Next](INDEX1.HTML)]
[[Skip Next](INDEX1.HTML)] [[Random](INDEX1.HTML)] [[Next 5](INDEX1.HTML)] [[List Sites](INDEX1.HTML)]**
---
| |
| --- |
| [Links and Web Rings](index.htm) |
[](http://www.japan-legend.com/profile/2221-sully/)
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[Matthew Bellamy](http://www.japan-legend.com/profile/29-matt-bellamy/)
[Sign My Guestbook](http://www.japan-legend.com/forums/)
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<TD ALIGN=CENTER><FONT FACE="ARIAL" COLOR=#444444><H1>Unusual Locomotives</FONT></H1></>
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<TR><TD WIDTH=35%><H5 ALIGN=LEFT><FONT FACE=arial,helvetica COLOR=RED>Page updated: 4 Oct 2022<BR>
<BR>
NEW: <BR>
The Nichols boiler<BR>
Unusual Fuels<BR>
The logging locos<BR>
Meigs Elevated Railway<BR>
Steam Tenders<BR>
Booster locos<BR>
Carter book<BR>
Johnston 16-wheeler<BR>
Price 16-wheeler</FONT>
<P>
<A HREF="toplinks.htm">Top Links</A><BR>
Links about locos</H5>
<TD WIDTH=20%><H5>All locomotives more than 18 years old. Proof on file in pursuance of Title 18, USC2257
<TD WIDTH=40%><CENTER><TABLE>
<TR><TD><FONT FACE="TIMES NEW ROMAN"><H5><I>"For when you've seen the pistons<BR>
Of the mighty C.P.R<BR>
With the driving force<BR>
Of a thousand horse<BR>
<B>Then you'll know what pistons are."</B></I><BR>
From "Eskimo Nell"
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<TABLE BORDER=1 WIDTH=100%>
<TR><TD><FONT FACE="ARIAL">
<UL>
<LI>General matters
<UL>
<LI><A HREF="intro.htm">Introduction</A>
<LI><A HREF="loadgauge/loadgauge.htm">A Word on Loading Gauges</A>
<LI><A HREF="germhist/germhist.htm">Railway History in Germany.</A>
<LI><A HREF="Ncylinders.htm">Classification by Number of Cylinders.</A>
</UL><BR>
<LI>Articulated Locomotives.
<UL><LI><A HREF="articult/articult.htm"> How to Articulate "Locomotive"</A>
<LI><A HREF="flexmallet/mallet.htm">Flexible Mallets: USA</A>
<LI><A HREF="triplex/triplex.htm"> The Triplexes: USA</A>
<LI><A HREF="quadruplex/quadrapl.htm"> Dreams of Quadraplexes: USA,UK</A>
<LI><A HREF="hex/hex.htm">Hexaplex Delurium: USA,UK</A>
<LI><A HREF="leader/leader.htm"> The Bulleid Leader: UK</A>
<LI><A HREF="fink/fink.htm"> Shaft CounterShaft: The Fink System</A>
<LI><A HREF="heywood/heywood.htm">Sir Arthur Heywood's Radiating Axles</A>
<LI><A HREF="klose/klosetothe.htm">Klose To The Edge: Germany</A>
<LI><A HREF="hagans/hagans.htm">Hagans Heros- The Hagans System: Germany</A>
<LI><A HREF="klienlindner/klienlindner.htm">The Klien-Lindner System: Germany</A>
<LI><A HREF="luttermoller/luttermoller.htm">The System of Dr Lutterm�ller: Germany</A>
<LI><A HREF="bousquet/bousquet.htm">The du Bousquet: France</A>
</UL><BR>
<LI>CabForward (Backwards) Locomotives.
<UL><LI><A HREF="italy/460.htm">The Gr670 Compound: Italy</A>
<LI><A HREF="thuile/thuile.htm">The Thuile Locomotive: France</A>
<LI><A HREF="KPEV/prussian.htm">The Prussian State S9 & T16</A>
<LI><A HREF="sp4882/sp4882.htm">The SP 4-8-8-2 Cabforward: USA</A>
<LI><A HREF="05003/05003.htm">The DB 05 003 SchnellzugLok</A>
<LI><A HREF="tankcabfwd/tankcabfwd.htm">CabForward Tank Engines</A>
<LI><A HREF="NPC21/NPC21.htm">The NPC No21 CabForward Engine</A>
</UL><BR>
<LI>CabMiddleward Locomotives.
<UL><LI><A HREF="camelback/camelbk.htm">Camelback Locomotives: USA</A>
<LI><A HREF="cabmid/cabmid.htm">The Belgian CabMiddleward (1)</A>
</UL><BR>
<LI>Geared Locomotives
<UL><LI><A HREF="hunslet/hunslet.htm"> The Hunslet: UK</A>
<LI><A HREF="shay/shay.htm"> The Shay: USA</A>
<LI><A HREF="climax/climax.htm">The Climax: USA</A>
<LI><A HREF="heisler/heisler.htm">The Heisler: USA</A>
<LI><A HREF="johnston/johnston.htm">The Johnston 16-Wheeler: NZ</A><FONT COLOR=RED> Updated</FONT>
<LI><A HREF="price-16/price-16.htm">The Price 16-Wheeler: NZ</A><FONT COLOR=RED><B> NEW</B></FONT>
</UL><BR>
<LI>Monorail Locomotives (and Tri-rails)
<UL><LI><A HREF="lartigue/lartigue.htm">The Lartigue: Eire (1)</A>
<LI><A HREF="brennan/brennan.htm">The Brennan Gyroscopic: UK</A>
<LI><A HREF="scherlgyro/scherlgyro.htm">The Scherl Gyro Monorail</A>
<LI><A HREF="centen/centen.htm">The Centennial: USA</A>
<LI><A HREF="bradford/bradford.htm">The Bradford: USA</A>
<LI><A HREF="patiala/patiala.htm">The Patiala: India</A>
<LI><A HREF="lisbontramway/lisbontramway.htm">The Lisbon Tramway 1-1-2-1-1</A>
<LI><A HREF="meigs/meigs.htm">The Meigs Elevated Railway</A>
</UL><BR>
<LI>Fireless Locomotives
<UL><LI><A HREF="fowler/fowler.htm">Fowler's Ghost: UK</A>
<LI><A HREF="airloco/airloco.htm">Compressed-Air Locos</A>
<LI><A HREF="ouestair/ouestair.htm">Compressed on L'Ouest- Air Locomotive</A>
<LI><A HREF="soda/soda.htm">Soda Locomotives</A>
</UL><BR>
<LI>The Pressure Is On. High-Pressure locos
<UL><LI><A HREF="hptech.htm">Grace Under Pressure; HP technology</A>
<LI><A HREF="frenchHP/frenchHP.htm">French <I>Haute Pression</I></A>
<LI><A HREF="germHP/germhigh.htm">German <I>Hochdruck</I></A>
<LI><A HREF="fury/fury.htm">The Fatal Fury: UK</A>
<LI><A HREF="LNER10000/10000.htm">The Hush-Hush 10000: UK</A>
<LI><A HREF="swissHP/swissHP.htm">Swiss High Pressure</A>
<LI><A HREF="canadaHP/canadaHP.htm">Canadian High Pressure</A>
<LI><A HREF="USAhp/USAhp.htm">American High Pressure</A>
</UL><BR>
<LI>Steam-Electric Locomotives (non-turbine)
<UL><LI><A HREF="heilmann/heilmann1.htm">The First Heilmann: France</A>
<LI><A HREF="heilmann/heilmann2.htm">The Big Heilmanns: France</A>
</UL><BR>
<LI>Diesel-Pneumatic Locomotives
<UL><LI><A HREF="diesair/diesair.htm">The V3201: Germany</A>
</UL><BR>
<LI>Electro-Pneumatic Locomotives
<UL><LI><A HREF="electropneu/electropneu.htm">The Arnold System: USA</A>
</UL><BR>
<LI>Unusual Fuels
<UL>
<LI><A HREF="../TRANSPORT/prodcar/prodcar.htm#8">Wood-gas locomotives</A>
<LI><A HREF="../locoloco/napthaloco/napthaloco.htm">Napthalene locomotives</A>
</UL>
<BR>
<LI>Books
<UL><LI><A HREF="unusualloc/unusualloc.htm"><I>Unusual Locomotives</I> by Ernest F Carter</A>
</UL><BR>
</UL>
<TD><FONT FACE="ARIAL">
<UL>
<LI>Turbine Locomotives
<UL><LI><A HREF="whyturbn/whyturbn.htm">Why turbines?</A>
<LI><A HREF="belluzzo/belluzzo.htm">Belluzzo & The Italian Turbines</A>
<LI><A HREF="swissturb/swissturb.htm">The Swiss Zoelly Turbine</A>
<LI><A HREF="reidrams/reidrams.htm">The Reid-Ramsey Turbo-Electric: UK</A>
<LI><A HREF="reidmac/reidmac.htm">The Reid-MacLeod Turbine Loco: UK</A>
<LI><A HREF="ljung/ljungstr.htm">The Beyer-Ljungstrom: UK</A>
<LI><A HREF="argturb/argturb.htm">The Swedish-Argentine Turbine.</A>
<LI><A HREF="turbom/turbom.htm">The LMS Turbomotive: UK</A>
<LI><A HREF="armstrongturbine/armstrng.htm">The Armstrong-Whitworth: UK</A>
<LI><A HREF="swedturb/swedturb.htm">The Swedish Turbines</A>
<LI><A HREF="frenchturbine/frenturb.htm">The French Turbines</A>
<LI><A HREF="germturb/germturb.htm">The German Turbines</A>
<LI><A HREF="upturb/upturb.htm">Union Pacific Turbine: USA</A>
<LI><A HREF="pennturb/pennturb.htm">Pennsylvania RR Turbine: USA</A>
<LI><A HREF="chesturb/chesturb.htm">Chesapeake & Ohio Turbine: USA</A>
<LI><A HREF="nwturbine/nflkturb.htm">Norfolk & Western Turbine: USA</A>
</UL><BR>
<LI>In Pursuit of Economy
<UL><LI><A HREF="francocrosti/francocrosti.htm">Franco-Crosti Locomotives.</A>
<LI><A HREF="kitson/kitsonst.htm">The Kitson-Still Steam-Diesel: UK</A>
<LI><A HREF="holcroft/holcroft.htm">The Holcroft-Anderson: UK</A>
<LI><A HREF="bec/bec.htm">Wind-splitting: Early Streamlining.</A>
<LI><A HREF="uniflowloco/uniflowloco.htm">Uniflow Locomotives</A>
</UL><BR>
<LI>In Pursuit of Velocity
<UL><LI><A HREF="9footer/9footer.htm">When Size Matters: Pearson's 9-Footer</A>
<LI><A HREF="hurricane/hurricane.htm">But I've Got A Bigger Pair: The Hurricane (1)</A>
<LI><A HREF="aigle/aigle.htm">Big Wheels in France: L'Aigle</A>
<LI><A HREF="petiet/frexp.htm">Petiet's French Experiments</A>
<LI><A HREF="fontaine/fontaine.htm">The Fontaine Fiasco (USA)</A>
</UL><BR>
<LI>Unusual Boilers
<UL><LI><A HREF="flaman/flaman.htm">The Flaman Boiler</A>
<LI><A HREF="brotan/brotan.htm">The Brotan Boiler</A>
<LI><A HREF="tripleboiler/tripleboiler.htm">The Triple-Boiler</A>
<LI><A HREF="nordtube/nordtube.htm">Water-tubes on The Nord</A>
<LI><A HREF="velox/velox.htm">The Velox Boiler: France</A>
<LI><A HREF="docteur/docteur.htm">Just What The Docteur Ordered: B</A>
<LI><A HREF="vertical/vertical.htm">British Vertical Boilers</A><FONT COLOR=RED><B> Updated</B></FONT>
<LI><A HREF="fvertical/fvertical.htm">French Vertical Boilers</A><FONT COLOR=RED><B> Updated</B></FONT>
<LI><A HREF="strong/strong.htm">The Strong Duplex Boiler</A><FONT COLOR=RED><B> NEW</B></FONT>
<LI><A HREF="nichols/nichols.htm">The Nichols Boiler</A><FONT COLOR=RED><B> NEW</B></FONT>
<LI><A HREF="chimera/chimera.htm">The Chimera locomotive</A><FONT COLOR=RED><B> NEW</B></FONT>
<LI><A HREF="oddboiler/oddboiler.htm">Miscellaneous Odd Boilers</A><FONT COLOR=RED> </FONT>
</UL><BR>
<LI>Steam Motor Locos
<UL><LI><A HREF="steamotor/steamotor.htm">European Steam Motor Locos</A>
<LI><A HREF="argmotor/argmotor.htm">The Argentinian Steam Motor Loco</A>
<LI><A HREF="egypt/egypt.htm">The Egyptian Steam Motor Loco</A>
<LI><A HREF="colombia/colombia.htm">The Colombian Steam Motor Loco</A>
<LI><A HREF="lubeck/lubeck.htm">The L�beck Steam Motor Loco</A>
<LI><A HREF="sentinel/sentinel.htm">Sentinel Locomotives</A>
</UL><BR>
<LI>Unusual Drive Systems
<UL>
<LI><A HREF="onecylinder/onecylinder.htm">One-Cylinder Locomotives</A>
<LI><A HREF="duplex/duplex.htm">Duplex-drive locomotives</A>
<LI><A HREF="balanced/balanced.htm">Balanced Locomotives</A>
<LI><A HREF="jack/jack.htm">Jackshaft-drive locomotives</A>
<LI><A HREF="lever/lever.htm">Lever-drive locomotives</A><FONT COLOR=RED><B> Updated</B></FONT>
<LI><A HREF="railgrip/railgrip.htm">The Baguley RailGrip Locomotive (1)</A>
<LI><A HREF="roadrail/roadrail.htm">The Roadrail System</A><FONT COLOR=RED><B> </B></FONT>
<LI><A HREF="proprail/proprail.htm">Propeller-driven locomotives</A>
<LI><A HREF="hurd/hurd.htm">The Hurd-Simpson locomotive</A>
<LI><A HREF="logging/logging.htm">The Logging locos</A><FONT COLOR=RED><B> Updated</B></FONT>
<LI><A HREF="booster/booster.htm">Booster locomotives</A><FONT COLOR=RED><B> Updated</B></FONT>
<LI><A HREF="steamtender/steamtender.htm">Steam tender locomotives</A><FONT COLOR=RED><B> Updated</B></FONT>
<LI><A HREF="jetloco/jetloco.htm">Jet engine locomotives</A><FONT COLOR=RED><B> NEW</B></FONT>
<BR>
</UL><BR>
<LI>Hard to Classify
<UL><LI><A HREF="belgian/belgian.htm">Strange Doings In Belgium</A>
<LI><A HREF="belgian/smashsys.htm">Smashing The (Whyte) System</A>
<LI><A HREF="holman/holman.htm">The Holman Horror: USA</A>
<LI><A HREF="russ/russrefr.htm">Russian Reforms</A>
<LI><A HREF="swisselec/swisselc.htm">Electric-Fired Steam (Swiss)</A>
<LI><A HREF="chimney/chimney.htm">Strange Chimneys & Stealth Locos</A>
<LI><A HREF="12/12.htm">Twelve-Coupled Locos</A>
<LI><A HREF="compsteam/compsteam.htm">The Cristiani Compressed Steam System</A>
<LI><A HREF="paget/paget.htm">The Paget Locomotive</A>
<LI><A HREF="fictional/fictional.htm">The Realms of Fiction</A>
<LI><A HREF="friction/friction.htm">The Realms of Friction</A>
<LI><A HREF="gaugechange/gaugechange.htm">Gauge-change Locomotives</A>
<LI><A HREF="polygon/polygon.htm">Non-Circular Wheel Locomotives</A>
<LI><A HREF="lazytongs/lazytongs.htm">The Lazy-Tongs Locomotive</A>
<LI><A HREF="steamhorse/steamhorse.htm">The Horsehead Haulage Locomotive</A>
<LI><A HREF="vibratoryloco/vibratoryloco.htm">Vibrating-Piston Locomotives</A>
<LI><A HREF="sail/sail.htm">Sail on the Rail</A>
<LI><A HREF="arnoux/arnoux.htm">The Arnoux Guide-Wheel System</A>
<LI><A HREF="centralpower/central.htm">The Raub Central Power Locomotive</A>
<LI><A HREF="dograil/dograil.htm">Dog-Power railways</A><FONT COLOR=RED><B> Updated</B></FONT>
<LI><A HREF="chimera/chimera.htm">The Chimera locomotive</A><FONT COLOR=RED><B> NEW</B></FONT>
<LI><A HREF="semmering/semmering.htm">The Semmering locomotive competition</A><FONT COLOR=RED><B> NEW</B></FONT>
</UL>
</UL>
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| Page updated: 4 Oct 2022
NEW:
The Nichols boiler
Unusual Fuels
The logging locos
Meigs Elevated Railway
Steam Tenders
Booster locos
Carter book
Johnston 16-wheeler
Price 16-wheeler
[Top Links](toplinks.htm)
Links about locos All locomotives more than 18 years old. Proof on file in pursuance of Title 18, USC2257
| |
| --- |
| *"For when you've seen the pistons
Of the mighty C.P.R
With the driving force
Of a thousand horse
**Then you'll know what pistons are."***
From "Eskimo Nell"
|
[Back to Home Page[Back to The Museum](../museum.htm)](../../index.htm) | | | |
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* General matters
+ [Introduction](intro.htm)+ [A Word on Loading Gauges](loadgauge/loadgauge.htm)+ [Railway History in Germany.](germhist/germhist.htm)+ [Classification by Number of Cylinders.](Ncylinders.htm)* Articulated Locomotives.
+ [How to Articulate "Locomotive"](articult/articult.htm)+ [Flexible Mallets: USA](flexmallet/mallet.htm)+ [The Triplexes: USA](triplex/triplex.htm)+ [Dreams of Quadraplexes: USA,UK](quadruplex/quadrapl.htm)+ [Hexaplex Delurium: USA,UK](hex/hex.htm)+ [The Bulleid Leader: UK](leader/leader.htm)+ [Shaft CounterShaft: The Fink System](fink/fink.htm)+ [Sir Arthur Heywood's Radiating Axles](heywood/heywood.htm)+ [Klose To The Edge: Germany](klose/klosetothe.htm)+ [Hagans Heros- The Hagans System: Germany](hagans/hagans.htm)+ [The Klien-Lindner System: Germany](klienlindner/klienlindner.htm)+ [The System of Dr Lutterm�ller: Germany](luttermoller/luttermoller.htm)+ [The du Bousquet: France](bousquet/bousquet.htm)* CabForward (Backwards) Locomotives.
+ [The Gr670 Compound: Italy](italy/460.htm)+ [The Thuile Locomotive: France](thuile/thuile.htm)+ [The Prussian State S9 & T16](KPEV/prussian.htm)+ [The SP 4-8-8-2 Cabforward: USA](sp4882/sp4882.htm)+ [The DB 05 003 SchnellzugLok](05003/05003.htm)+ [CabForward Tank Engines](tankcabfwd/tankcabfwd.htm)+ [The NPC No21 CabForward Engine](NPC21/NPC21.htm)* CabMiddleward Locomotives.
+ [Camelback Locomotives: USA](camelback/camelbk.htm)+ [The Belgian CabMiddleward (1)](cabmid/cabmid.htm)* Geared Locomotives
+ [The Hunslet: UK](hunslet/hunslet.htm)+ [The Shay: USA](shay/shay.htm)+ [The Climax: USA](climax/climax.htm)+ [The Heisler: USA](heisler/heisler.htm)+ [The Johnston 16-Wheeler: NZ](johnston/johnston.htm) Updated+ [The Price 16-Wheeler: NZ](price-16/price-16.htm) **NEW*** Monorail Locomotives (and Tri-rails)
+ [The Lartigue: Eire (1)](lartigue/lartigue.htm)+ [The Brennan Gyroscopic: UK](brennan/brennan.htm)+ [The Scherl Gyro Monorail](scherlgyro/scherlgyro.htm)+ [The Centennial: USA](centen/centen.htm)+ [The Bradford: USA](bradford/bradford.htm)+ [The Patiala: India](patiala/patiala.htm)+ [The Lisbon Tramway 1-1-2-1-1](lisbontramway/lisbontramway.htm)+ [The Meigs Elevated Railway](meigs/meigs.htm)* Fireless Locomotives
+ [Fowler's Ghost: UK](fowler/fowler.htm)+ [Compressed-Air Locos](airloco/airloco.htm)+ [Compressed on L'Ouest- Air Locomotive](ouestair/ouestair.htm)+ [Soda Locomotives](soda/soda.htm)* The Pressure Is On. High-Pressure locos
+ [Grace Under Pressure; HP technology](hptech.htm)+ [French *Haute Pression*](frenchHP/frenchHP.htm)+ [German *Hochdruck*](germHP/germhigh.htm)+ [The Fatal Fury: UK](fury/fury.htm)+ [The Hush-Hush 10000: UK](LNER10000/10000.htm)+ [Swiss High Pressure](swissHP/swissHP.htm)+ [Canadian High Pressure](canadaHP/canadaHP.htm)+ [American High Pressure](USAhp/USAhp.htm)* Steam-Electric Locomotives (non-turbine)
+ [The First Heilmann: France](heilmann/heilmann1.htm)+ [The Big Heilmanns: France](heilmann/heilmann2.htm)* Diesel-Pneumatic Locomotives
+ [The V3201: Germany](diesair/diesair.htm)* Electro-Pneumatic Locomotives
+ [The Arnold System: USA](electropneu/electropneu.htm)* Unusual Fuels
+ [Wood-gas locomotives](../TRANSPORT/prodcar/prodcar.htm#8)+ [Napthalene locomotives](../locoloco/napthaloco/napthaloco.htm)* Books
+ [*Unusual Locomotives* by Ernest F Carter](unusualloc/unusualloc.htm)
* Turbine Locomotives
+ [Why turbines?](whyturbn/whyturbn.htm)+ [Belluzzo & The Italian Turbines](belluzzo/belluzzo.htm)+ [The Swiss Zoelly Turbine](swissturb/swissturb.htm)+ [The Reid-Ramsey Turbo-Electric: UK](reidrams/reidrams.htm)+ [The Reid-MacLeod Turbine Loco: UK](reidmac/reidmac.htm)+ [The Beyer-Ljungstrom: UK](ljung/ljungstr.htm)+ [The Swedish-Argentine Turbine.](argturb/argturb.htm)+ [The LMS Turbomotive: UK](turbom/turbom.htm)+ [The Armstrong-Whitworth: UK](armstrongturbine/armstrng.htm)+ [The Swedish Turbines](swedturb/swedturb.htm)+ [The French Turbines](frenchturbine/frenturb.htm)+ [The German Turbines](germturb/germturb.htm)+ [Union Pacific Turbine: USA](upturb/upturb.htm)+ [Pennsylvania RR Turbine: USA](pennturb/pennturb.htm)+ [Chesapeake & Ohio Turbine: USA](chesturb/chesturb.htm)+ [Norfolk & Western Turbine: USA](nwturbine/nflkturb.htm)* In Pursuit of Economy
+ [Franco-Crosti Locomotives.](francocrosti/francocrosti.htm)+ [The Kitson-Still Steam-Diesel: UK](kitson/kitsonst.htm)+ [The Holcroft-Anderson: UK](holcroft/holcroft.htm)+ [Wind-splitting: Early Streamlining.](bec/bec.htm)+ [Uniflow Locomotives](uniflowloco/uniflowloco.htm)* In Pursuit of Velocity
+ [When Size Matters: Pearson's 9-Footer](9footer/9footer.htm)+ [But I've Got A Bigger Pair: The Hurricane (1)](hurricane/hurricane.htm)+ [Big Wheels in France: L'Aigle](aigle/aigle.htm)+ [Petiet's French Experiments](petiet/frexp.htm)+ [The Fontaine Fiasco (USA)](fontaine/fontaine.htm)* Unusual Boilers
+ [The Flaman Boiler](flaman/flaman.htm)+ [The Brotan Boiler](brotan/brotan.htm)+ [The Triple-Boiler](tripleboiler/tripleboiler.htm)+ [Water-tubes on The Nord](nordtube/nordtube.htm)+ [The Velox Boiler: France](velox/velox.htm)+ [Just What The Docteur Ordered: B](docteur/docteur.htm)+ [British Vertical Boilers](vertical/vertical.htm) **Updated**+ [French Vertical Boilers](fvertical/fvertical.htm) **Updated**+ [The Strong Duplex Boiler](strong/strong.htm) **NEW**+ [The Nichols Boiler](nichols/nichols.htm) **NEW**+ [The Chimera locomotive](chimera/chimera.htm) **NEW**+ [Miscellaneous Odd Boilers](oddboiler/oddboiler.htm)* Steam Motor Locos
+ [European Steam Motor Locos](steamotor/steamotor.htm)+ [The Argentinian Steam Motor Loco](argmotor/argmotor.htm)+ [The Egyptian Steam Motor Loco](egypt/egypt.htm)+ [The Colombian Steam Motor Loco](colombia/colombia.htm)+ [The L�beck Steam Motor Loco](lubeck/lubeck.htm)+ [Sentinel Locomotives](sentinel/sentinel.htm)* Unusual Drive Systems
+ [One-Cylinder Locomotives](onecylinder/onecylinder.htm)+ [Duplex-drive locomotives](duplex/duplex.htm)+ [Balanced Locomotives](balanced/balanced.htm)+ [Jackshaft-drive locomotives](jack/jack.htm)+ [Lever-drive locomotives](lever/lever.htm) **Updated**+ [The Baguley RailGrip Locomotive (1)](railgrip/railgrip.htm)+ [The Roadrail System](roadrail/roadrail.htm)+ [Propeller-driven locomotives](proprail/proprail.htm)+ [The Hurd-Simpson locomotive](hurd/hurd.htm)+ [The Logging locos](logging/logging.htm) **Updated**+ [Booster locomotives](booster/booster.htm) **Updated**+ [Steam tender locomotives](steamtender/steamtender.htm) **Updated**+ [Jet engine locomotives](jetloco/jetloco.htm) **NEW*** Hard to Classify
+ [Strange Doings In Belgium](belgian/belgian.htm)+ [Smashing The (Whyte) System](belgian/smashsys.htm)+ [The Holman Horror: USA](holman/holman.htm)+ [Russian Reforms](russ/russrefr.htm)+ [Electric-Fired Steam (Swiss)](swisselec/swisselc.htm)+ [Strange Chimneys & Stealth Locos](chimney/chimney.htm)+ [Twelve-Coupled Locos](12/12.htm)+ [The Cristiani Compressed Steam System](compsteam/compsteam.htm)+ [The Paget Locomotive](paget/paget.htm)+ [The Realms of Fiction](fictional/fictional.htm)+ [The Realms of Friction](friction/friction.htm)+ [Gauge-change Locomotives](gaugechange/gaugechange.htm)+ [Non-Circular Wheel Locomotives](polygon/polygon.htm)+ [The Lazy-Tongs Locomotive](lazytongs/lazytongs.htm)+ [The Horsehead Haulage Locomotive](steamhorse/steamhorse.htm)+ [Vibrating-Piston Locomotives](vibratoryloco/vibratoryloco.htm)+ [Sail on the Rail](sail/sail.htm)+ [The Arnoux Guide-Wheel System](arnoux/arnoux.htm)+ [The Raub Central Power Locomotive](centralpower/central.htm)+ [Dog-Power railways](dograil/dograil.htm) **Updated**+ [The Chimera locomotive](chimera/chimera.htm) **NEW**+ [The Semmering locomotive competition](semmering/semmering.htm) **NEW**
| |
| | |
| --- | --- |
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<HTML>
<HEAD>
<TITLE>About The World Wide Web</TITLE>
</HEAD>
<BODY BGCOLOR="#ffffff" TEXT="#000000">
<H1>
<A HREF="../"><IMG ALT="W3C" SRC="../Icons/WWW/w3c_home" BORDER=none></A>
</H1>
<H2>
<IMG BORDER="0" SRC="../Icons/WWW/WWW48x.gif" ALT="WWW" WIDTH="48" HEIGHT="48">
About The World Wide Web
</H2>
<P>
<P>
The World Wide Web (known as "WWW', "Web" or "W3") is the universe of
network-accessible information, the embodiment of human knowledge.
<P>
The World Wide Web began as a networked information project at
<A HREF="http://www.cern.ch/">CERN</A>, where Tim Berners-Lee, now Director
of the World Wide Web Consortium [W3C], developed a
<A HREF="../Summary.html">vision</A> of the project.
<P>
The Web has a body of software, and a set of protocols and conventions. Through
the use hypertext and multimedia techniques, the web is easy for anyone to
roam, browse, and contribute to. An early
<A HREF="../Talks/General.html">talk</A> about the Web gives some more background
on how the Web was originally conceived.
<P>
<H2>
General Information
</H2>
<P>
<DL>
<DT>
<A HREF="../Talks/">Talks</A>
<DD>
Members of the W3C team often give talks and presentations. In most cases,
you can find information and presentations on this web site contained within
the appropriate <A HREF="../Areas">subject or activity area</A>. This is
a collection of slides and presentations from the past several years.
<DT>
<A HREF="/Conferences/Overview-WWW.html">International World Wide Web
Conferences</A>
<DD>
Information on upcoming and past World Wide Web conferences organized by
the International World Wide Web Conference Committee [IW3C2]
<DT>
<A HREF="../Mail/">Web Mailing Lists</A>
<DD>
How do I contact other web users? <A HREF="../Mail/Lists.html">Mailing lists
maintained by the W3C</A> and <A HREF="../Mail/Outside_mailing.html">outside
the W3C</A>
<DT>
<A HREF="http://www.boutell.com/faq/">Frequently Asked Questions [FAQ]</A>
<DD>
If you can't find it elsewhere. The World Wide Web FAQ, maintained by Thomas
Boutell
<DT>
</DL>
<H2>
Web History
</H2>
<P>
<FONT color="#c80028"><I><B><BIG>WARNING: For Archival/Historical Interest
-- Many documents date from 1992 - 1995 and have not been
updated</BIG></B></I></FONT>
<P>
<DL>
<DT>
<A HREF="/History/19921103-hypertext/hypertext/DataSources/Top.html">Web Site Indexes [actively maintained
documentation]</A>
<DD>
What's on the Web? How do I find things? Pointers to the world's online
information, including the <A HREF="http://www.w3.org/History/19921103-hypertext/hypertext/DataSources/bySubject/">World Wide
Web Virtual Library</A> [actively maintained documentation] and a list of
registered <A HREF="http://www.w3.org/History/19921103-hypertext/hypertext/DataSources/WWW/Servers.html">W3 servers</A>.
<DT>
<A HREF="../Provider/">Putting up a Web Site</A>
<DD>
How can I become an information provider on the web?
<DT>
<A HREF="../Newsgroups.html">News groups</A>
<DD>
What USENET newsgroups cover the web?
<DT>
</DL>
<H4>
Project background
</H4>
<UL>
<LI>
<A HREF="../People.html">People</A> involved in developing the World Wide
Web
<LI>
<A HREF="../History.html">A time line</A> from March 1989 to December 1994.
<LI>
<A HREF="../Bibliography.html">Bibliography: </A>Paper documentation on W3
and references. Also: <A HREF="/History/1995/WWW/Paper/PaperManuals.html">manuals</A>.
<LI>
<A href="http://wwwinfo.cern.ch/pdp/ns/ben/TCPHIST.html">"A Short History of
Internet Protocols at CERN"</A> by
<A href="http://wwwinfo.cern.ch/pdp/ns/ben/MyHome.html">Ben Segal</A>, for
some relevant pre-history.
</UL>
<H4>
How can I help?
</H4>
<P>
There are lots of ways you can help the development of the World Wide Web.
<DL>
<DT>
<A HREF="../Provider/">Put up some data</A>
<DD>
There are many ways of doing this. The web needs both raw data -- fresh hypertext
or old plain text files, or smart servers giving views of existing databases.
See <A HREF="../Provider/" NAME="1">more details</A> ,
<A NAME=3 HREF="../Provider/Style/Etiquette.html">etiquette</A> ,
<A HREF="../Provider/Style/" NAME="z7">style guide</A>.
<DT>
Suggest that someone else does
<DD>
Maybe you know a system or some information which you would like to see on
the web. Suggest to the person involved that they put up a W3 server.
<DT>
Manage a subject area
<DD>
If you know something of what's going on in a particular field, organization
or country, would you like to keep up-to-date an overview of online data?
<DT>
<A NAME=5 HREF="../Bugs.html">Write some software</A>
<DD>
We have a big list of things to be done. Help yourself -- all contributions
gratefully received! see the <A NAME=2 HREF="../Bugs.html">list</A> .
<DT>
Send us suggestions
<DD>
We love to get mail... [email protected]
<DT>
Tell your friends
<DD>
Install/get installed the client software on your site. Quote things by their
W3 address to allow w3 users to pick them straight up.
</DL>
<P>
<HR>
<ADDRESS>
<A HREF="../Help/Webmaster">Webmaster</A><BR>
Created 1992<BR>
Last updated $Date: 2001/01/24 18:09:35 $
</ADDRESS>
<P class=policyfooter>
<SMALL><A href="../Consortium/Legal/ipr-notice.html#Copyright">Copyright</A>
© 1997-2001 <A href="http://www.w3.org">W3C</A><sup>®</sup>
(<A href="http://www.lcs.mit.edu">MIT</A>,
<A href="http://www.inria.fr/">INRIA</A>,
<A href="http://www.keio.ac.jp/">Keio</A> ), All Rights Reserved. W3C
<A href="../Consortium/Legal/ipr-notice.html#Legal_Disclaimer">liability,</A>
<A href="../Consortium/Legal/ipr-notice.html#W3C_Trademarks">trademark</A>,
<A href="../Consortium/Legal/copyright-documents.html">document use </A>and
<A href="../Consortium/Legal/copyright-software.html">software licensing
</A>rules apply. Your interactions with this site are in accordance with
our <A href="../Consortium/Legal/privacy-statement.html#Public">public</A>
and <A href="../Consortium/Legal/privacy-statement.html#Members">Member</A>
privacy statements.</SMALL>
</BODY></HTML>
|
About The World Wide Web
#
[W3C](../)
##
WWW
About The World Wide Web
The World Wide Web (known as "WWW', "Web" or "W3") is the universe of
network-accessible information, the embodiment of human knowledge.
The World Wide Web began as a networked information project at
[CERN](http://www.cern.ch/), where Tim Berners-Lee, now Director
of the World Wide Web Consortium [W3C], developed a
[vision](../Summary.html) of the project.
The Web has a body of software, and a set of protocols and conventions. Through
the use hypertext and multimedia techniques, the web is easy for anyone to
roam, browse, and contribute to. An early
[talk](../Talks/General.html) about the Web gives some more background
on how the Web was originally conceived.
##
General Information
[Talks](../Talks/)
Members of the W3C team often give talks and presentations. In most cases,
you can find information and presentations on this web site contained within
the appropriate [subject or activity area](../Areas). This is
a collection of slides and presentations from the past several years.
[International World Wide Web
Conferences](/Conferences/Overview-WWW.html)
Information on upcoming and past World Wide Web conferences organized by
the International World Wide Web Conference Committee [IW3C2]
[Web Mailing Lists](../Mail/)
How do I contact other web users? [Mailing lists
maintained by the W3C](../Mail/Lists.html) and [outside
the W3C](../Mail/Outside_mailing.html)
[Frequently Asked Questions [FAQ]](http://www.boutell.com/faq/)
If you can't find it elsewhere. The World Wide Web FAQ, maintained by Thomas
Boutell
##
Web History
***WARNING: For Archival/Historical Interest
-- Many documents date from 1992 - 1995 and have not been
updated***
[Web Site Indexes [actively maintained
documentation]](/History/19921103-hypertext/hypertext/DataSources/Top.html)
What's on the Web? How do I find things? Pointers to the world's online
information, including the [World Wide
Web Virtual Library](http://www.w3.org/History/19921103-hypertext/hypertext/DataSources/bySubject/) [actively maintained documentation] and a list of
registered [W3 servers](http://www.w3.org/History/19921103-hypertext/hypertext/DataSources/WWW/Servers.html).
[Putting up a Web Site](../Provider/)
How can I become an information provider on the web?
[News groups](../Newsgroups.html)
What USENET newsgroups cover the web?
####
Project background
* [People](../People.html) involved in developing the World Wide
Web
* [A time line](../History.html) from March 1989 to December 1994.
* [Bibliography:](../Bibliography.html) Paper documentation on W3
and references. Also: [manuals](/History/1995/WWW/Paper/PaperManuals.html).
* ["A Short History of
Internet Protocols at CERN"](http://wwwinfo.cern.ch/pdp/ns/ben/TCPHIST.html) by
[Ben Segal](http://wwwinfo.cern.ch/pdp/ns/ben/MyHome.html), for
some relevant pre-history.
####
How can I help?
There are lots of ways you can help the development of the World Wide Web.
[Put up some data](../Provider/)
There are many ways of doing this. The web needs both raw data -- fresh hypertext
or old plain text files, or smart servers giving views of existing databases.
See [more details](../Provider/) ,
[etiquette](../Provider/Style/Etiquette.html) ,
[style guide](../Provider/Style/).
Suggest that someone else does
Maybe you know a system or some information which you would like to see on
the web. Suggest to the person involved that they put up a W3 server.
Manage a subject area
If you know something of what's going on in a particular field, organization
or country, would you like to keep up-to-date an overview of online data?
[Write some software](../Bugs.html)
We have a big list of things to be done. Help yourself -- all contributions
gratefully received! see the [list](../Bugs.html) .
Send us suggestions
We love to get mail... [email protected]
Tell your friends
Install/get installed the client software on your site. Quote things by their
W3 address to allow w3 users to pick them straight up.
---
[Webmaster](../Help/Webmaster)
Created 1992
Last updated $Date: 2001/01/24 18:09:35 $
[Copyright](../Consortium/Legal/ipr-notice.html#Copyright)
© 1997-2001 [W3C](http://www.w3.org)®
([MIT](http://www.lcs.mit.edu),
[INRIA](http://www.inria.fr/),
[Keio](http://www.keio.ac.jp/) ), All Rights Reserved. W3C
[liability,](../Consortium/Legal/ipr-notice.html#Legal_Disclaimer)
[trademark](../Consortium/Legal/ipr-notice.html#W3C_Trademarks),
[document use](../Consortium/Legal/copyright-documents.html) and
[software licensing](../Consortium/Legal/copyright-software.html)rules apply. Your interactions with this site are in accordance with
our [public](../Consortium/Legal/privacy-statement.html#Public)
and [Member](../Consortium/Legal/privacy-statement.html#Members)
privacy statements.
| https://www.w3.org/WWW/ |
<HTML>
<HEAD>
<meta name="keywords" content="land-of-kain, kai, ruhl, phantasy, star, phantasy star 2, phantasy star ii">
<meta name="description" content="land-of-kain: Phantasy Star II">
<meta content="text/html; charset=utf-8" http-equiv="content-type" />
<meta name="viewport" content="width=device-width" />
<title>Phantasy Star II</title>
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<link rel="stylesheet" type="text/css" href="ps2.css">
<link rel="shortcut icon" href="favicon.ico">
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<TABLE WIDTH=500 CELLSPACING=0 CELLPADDING=0 BORDER=0>
<TR><TD>
<TABLE CELLSPACING=0 CELLPADDING=4 BORDER=0 width="100%">
<TR><TD COLSPAN=1 BGCOLOR="#00CEFF">
<b><font size=+2>Phantasy Star II</font></b><br>
<font color="#000099">Mirror, taken from <a href="http://www.wolfgangarchive.com/psii-web/">Wolfgang Landgraf</a> with permission, enhanced by Kai Ruhl</font>
</TD></TR>
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</TD></TR>
<TR><TD>
<TABLE BORDER=0>
<TR><TD WIDTH=50% nowrap>
<h3>Contents</h3>
<ul class="toc_list">
<li><A HREF="manual/index.html" TARGET=_top onmouseover = "window.status='Phantasy Star II Manual'; return true;" onmouseout = "window.status=' '; return true;">Manual</A></li>
<li><A HREF="maps/index.html" onmouseover = "window.status='Maps of Mota and Dezo'; return true;" onmouseout = "window.status=' '; return true;">Maps</A></li>
<li><A HREF="town/index.html" onmouseover = "window.status='Towns on Mota and Dezo'; return true;" onmouseout = "window.status=' '; return true;">Towns</A></li>
<li><A HREF="dungeon/index.html" TARGET=_top onmouseover = "window.status='Phantasy Star II Dungeons'; return true;" onmouseout = "window.status=' '; return true;">Dungeons</A></li>
<li><A HREF="enemy/index.html" onmouseover = "window.status='Know your Enemies'; return true;" onmouseout = "window.status=' '; return true;">Enemies</A></li>
<li><A HREF="who/index.html" onmouseover = "window.status='Who is who?'; return true;" onmouseout = "window.status=' '; return true;">Who is Who?</A></li>
<li><A HREF="townspeople/index.html" TARGET=_top onmouseover = "window.status='Whom do you meet?'; return true;" onmouseout = "window.status=' '; return true;">Townspeople</A></li>
<li><A HREF="poems.html" TARGET="_top" onmouseover = "window.status='A collection of Phantasy Star poems'; return true;" onmouseout = "window.status=' '; return true;">Poems</A></li>
<li><A HREF="jokes.html" TARGET="_top" onmouseover = "window.status='A collection of Phantasy Star jokes'; return true;" onmouseout = "window.status=' '; return true;">Jokes</A></li>
<li><A HREF="pstar2.zip" TARGET="_top" onmouseover = "window.status='Sweet memories, replayed'; return true;" onmouseout = "window.status=' '; return true;">Replay</A></li>
</ul>
</TD><TD> <IMG SRC="MainChar.gif" WIDTH=380 HEIGHT=340></TD>
</TABLE>
</TD></TR>
</TABLE>
</div>
</BODY>
</HTML>
|
Phantasy Star II
| | |
| --- | --- |
|
| |
| --- |
| **Phantasy Star II**
Mirror, taken from [Wolfgang Landgraf](http://www.wolfgangarchive.com/psii-web/) with permission, enhanced by Kai Ruhl |
|
|
| | |
| --- | --- |
| Contents* [Manual](manual/index.html)
* [Maps](maps/index.html)
* [Towns](town/index.html)
* [Dungeons](dungeon/index.html)
* [Enemies](enemy/index.html)
* [Who is Who?](who/index.html)
* [Townspeople](townspeople/index.html)
* [Poems](poems.html)
* [Jokes](jokes.html)
* [Replay](pstar2.zip)
| |
|
| http://www.land-of-kain.de/phantasystar2/ |
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<div align="center"><h1>Welcome to Cigar Choice Guide</h1></div><p><img style="border: 0pt none; margin: 4px 0px 0px 0px; float: right;" title="Enjoy a Fine Cigar With a Fine Cognac" src="http://www.cigarchoiceguide.com/businessfiles/2401/home1.jpg" alt="Cigar Guide" width="196" height="196" />Cigar Choice Guide is our complete guide to <a title="Go To Cigar Regions" href=" http://www.cigarchoiceguide.com/cigar-regions.htm">cigars from around the world</a>, including <a target="_blank" title="cuban" href="https://www.uktobacco.com/single-cigars/single-cuban-cigars.html">Cuban</a>, <a target="_blank" title="dominican" href="https://www.uktobacco.com/single-cigars/single-dominican-cigars.html">Dominican</a> and <a target="_blank" title="Nicaraguan" href="https://www.uktobacco.com/single-cigars/single-nicaraguan-cigars.html">Nicaraguan</a> producers. We have endevoured to compile a list of the main manufacturers and the cigars that they produce making this your definitive guide to international cigars.</p><p>We have a put together information about a wide range of <a target="_blank" title="cigar types" href="http://www.uktobacco.com/blog/index.php/cigar-types/">cigar types</a> from <a title="coronas" href="http://www.cigarchoiceguide.com/corona.htm">Coronas</a> to <a title="presidentes" href="http://www.cigarchoiceguide.com/presidente.htm">Presedentes</a>. This guide also helps to enable you to select the perfect cigar for any situation be it a Corona with a glass of champagne or <a title="robusto" href="http://www.cigarchoiceguide.com/robusto.htm">Robusto</a> for a regular smoke.</p><p style="border-bottom: 1px solid #cccccc; color: #4c1b1b; font-size: 14px; height: 20px;">What is a Cigar?</p><p>A cigar is bundle of tightly rolled and dried tobacco. The best <a target="_blank" title="cigars" href="http://www.uktobacco.com/acatalog/Single-Cigars.html"><strong>cigars</strong></a> are often hand made and are matured for flavour. They come in a wide variety of styles, shapes and sizes. They have been smoked since the 10th Century. Europeans and the rest of the world did not benefit from the use of cigars until 1492 when Christopher Columbus came accross the indigenous people of San Salvador, in the Bahamas, smoking primative cigars. For more information please visit the cigar lounge for info of the first european cigar smoker.</p><p><img style="border: 0pt none; margin: 4px 4px 0px; float: right;" title="Torpedo Cigar With a Panama Hat" src="http://www.cigarchoiceguide.com/businessfiles/2401/home2.jpg" alt="cigar Guide" width="196" height="196" />The cigar industy is one of the worlds largest legal industries. It is responsible for the employment of hundreds of thousands of people, often in countries where work is scarce and money is sparse. Due to the United States Trade Embargo against Cuba it is illegal for Cuban cigars to be sold or bought on United States soil, this has helped to attach a stigma to the Cuban Cigar industry. Read more about <a title="A brief history of the cigar" href="http://www.cigarchoiceguide.com/cigar-history.htm">the history of cigars</a>.</p><p>There are many different types of cigar and every cigar is unique in flavour and strength so it is essential that you select the perfect cigar to suit your taste. Choosing a cigar is akin to choosing a good wine and it does require a certain amount of knowldge. This knowledge can be gained through the <a title="Cigar Smoking Guide" href="https://www.uktobacco.com/blog/index.php/cigar-smoking-guide/" target="_blank">UK Tobacco Cigar Smoking Guide</a>.<br /><br /></p><p>Making a Premium Hand Made Cigar</p><iframe src="//www.youtube.com/embed/6uR0mQeJ7LA" width="480" height="315" frameborder="0" style="display: block; margin-left: auto; margin-right: auto;"></iframe><br /><div style="margin-left: 15px; width: 468px; height: 60px; background-image: url('http://www.cigarchoiceguide.com/businessfiles/2401/sponsor_large.jpg');"><p style="margin: 0px; padding: 15px 5px 0px 133px; font-size: 10px; color: #000000;">For information about sponsorship and link or banner exchange <a style="font-size: 10px; color: #000000;" title="Email us for information" href="mailto:[email protected]?subject=Cigar Choice Guide Sponsorship">click here</a></p><p> </p></div>
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[Connecticut Valley Cigars](http://www.cigarchoiceguide.com/connecticut-valley-cigars.htm "connecticut valley cigars")
[Mexican Cigars](http://www.cigarchoiceguide.com/mexican-cigars.htm "mexican cigars")
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[Cuban Cigars](http://www.cigarchoiceguide.com/cuban-cigars.htm "cuban cigars")
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[Corona](http://www.cigarchoiceguide.com/corona.htm "corona")
[Panatela](http://www.cigarchoiceguide.com/panatela.htm "panatela")
[Lonsdale](http://www.cigarchoiceguide.com/lonsdale.htm "lonsdale")
[Churchill](http://www.cigarchoiceguide.com/churchill.htm "churchill")
[Robusto](http://www.cigarchoiceguide.com/robusto.htm "robusto")
[Toro](http://www.cigarchoiceguide.com/toro.htm "toro")
[Presidente](http://www.cigarchoiceguide.com/presidente.htm "presidente")
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# Welcome to Cigar Choice Guide
Cigar Choice Guide is our complete guide to [cigars from around the world]( http://www.cigarchoiceguide.com/cigar-regions.htm "Go To Cigar Regions"), including [Cuban](https://www.uktobacco.com/single-cigars/single-cuban-cigars.html "cuban"), [Dominican](https://www.uktobacco.com/single-cigars/single-dominican-cigars.html "dominican") and [Nicaraguan](https://www.uktobacco.com/single-cigars/single-nicaraguan-cigars.html "Nicaraguan") producers. We have endevoured to compile a list of the main manufacturers and the cigars that they produce making this your definitive guide to international cigars.
We have a put together information about a wide range of [cigar types](http://www.uktobacco.com/blog/index.php/cigar-types/ "cigar types") from [Coronas](http://www.cigarchoiceguide.com/corona.htm "coronas") to [Presedentes](http://www.cigarchoiceguide.com/presidente.htm "presidentes"). This guide also helps to enable you to select the perfect cigar for any situation be it a Corona with a glass of champagne or [Robusto](http://www.cigarchoiceguide.com/robusto.htm "robusto") for a regular smoke.
What is a Cigar?
A cigar is bundle of tightly rolled and dried tobacco. The best [**cigars**](http://www.uktobacco.com/acatalog/Single-Cigars.html "cigars") are often hand made and are matured for flavour. They come in a wide variety of styles, shapes and sizes. They have been smoked since the 10th Century. Europeans and the rest of the world did not benefit from the use of cigars until 1492 when Christopher Columbus came accross the indigenous people of San Salvador, in the Bahamas, smoking primative cigars. For more information please visit the cigar lounge for info of the first european cigar smoker.
The cigar industy is one of the worlds largest legal industries. It is responsible for the employment of hundreds of thousands of people, often in countries where work is scarce and money is sparse. Due to the United States Trade Embargo against Cuba it is illegal for Cuban cigars to be sold or bought on United States soil, this has helped to attach a stigma to the Cuban Cigar industry. Read more about [the history of cigars](http://www.cigarchoiceguide.com/cigar-history.htm "A brief history of the cigar").
There are many different types of cigar and every cigar is unique in flavour and strength so it is essential that you select the perfect cigar to suit your taste. Choosing a cigar is akin to choosing a good wine and it does require a certain amount of knowldge. This knowledge can be gained through the [UK Tobacco Cigar Smoking Guide](https://www.uktobacco.com/blog/index.php/cigar-smoking-guide/ "Cigar Smoking Guide").
Making a Premium Hand Made Cigar
For information about sponsorship and link or banner exchange [click here](mailto:[email protected]?subject=Cigar Choice Guide Sponsorship "Email us for information")
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<option value="52.shtml">No.2 Beau Brownie</option>
<option value="53.shtml">No.2 Brownie</option>
<option value="30.shtml">No.2 Brownie Junior</option>
<option value="54.shtml">No.2 Portrait Brownie</option>
<option value="55.shtml">No.2A Beau Brownie</option>
<option value="56.shtml">No.2A Brownie</option>
<option value="35a.shtml">No.2A Brownie Special</option>
<option value="57.shtml">No.2C Brownie</option>
<option value="58.shtml">No.3 Brownie</option>
<option value="59.shtml">Popular Brownie</option>
<option value="60.shtml">Six-16 Brownie</option>
<option value="61.shtml">Six-16 Brownie Junior</option>
<option value="62.shtml">Six-16 Brownie Special</option>
<option value="63.shtml">Six-20 Boy Scout Brownie</option>
<option value="64.shtml">Six-20 Brownie (UK Model)</option>
<option value="65.shtml">Six-20 Brownie (US Model)</option>
<option value="66.shtml">Six-20 Brownie Junior (Portrait Model)</option>
<option value="67.shtml">Six-20 Brownie Junior (Super Model)</option>
<option value="67-1.shtml">Six-20 Brownie Junior (Super Model portrait 3-4ft)</option>
<option value="68.shtml">Six-20 Brownie Junior (UK Model)</option>
<option value="69.shtml">Six-20 Brownie Junior (US Model)</option>
<option value="70.shtml">Six-20 Brownie Minor</option>
<option value="71.shtml">Six-20 Brownie model C</option>
<option value="72.shtml">Six-20 Brownie model D</option>
<option value="73.shtml">Six-20 Brownie model E</option>
<option value="74.shtml">Six-20 Brownie model F</option>
<option value="75.shtml">Six-20 Brownie Senior</option>
<option value="76.shtml">Six-20 Brownie Special</option>
<option value="77.shtml">Six-20 Bulls-Eye Brownie</option>
<option value="78.shtml">Six-20 Flash Brownie</option>
<option value="79.shtml">Six-20 Popular Brownie</option>
<option value="80.shtml">Six-20 Portrait Brownie</option>
<option value="81.shtml">Target Brownie Six-16</option>
<option value="82.shtml">Target Brownie Six-20</option>
</select><input TYPE="button" VALUE="GO!" onClick="jump(this.form)">
</form>
</td>
<td>
<form action="dummy" method="post">
<select name="choice" size="1">
<option value="201.shtml">Brownie Folding Cameras</option>
<option></option>
<option value="201.shtml">Brownie Folding Camera Tutorial</option>
<option></option>
<option value="31a.shtml">Brownie Pliant Six-16</option>
<option value="31b.shtml">Brownie Pliant Six-20</option>
<option value="83.shtml">No.2 Folding Autographic Brownie</option>
<option value="84.shtml">No.2A Folding Autographic Brownie</option>
<option value="85.shtml">No.2C Folding Autographic Brownie</option>
<option value="86.shtml">No.3A Folding Autographic Brownie</option>
<option value="87.shtml">No.2 Folding Brownie</option>
<option value="88.shtml">No.2 Folding Pocket Brownie, model B</option>
<option value="92.shtml">No.2 Stereo Brownie</option>
<option value="89.shtml">No.2A Folding Pocket Brownie</option>
<option value="90.shtml">No.3 Folding Brownie</option>
<option value="91.shtml">No.3A Folding Brownie</option>
<option value="93.shtml">Six-20 Folding Brownie</option>
<option value="94.shtml">Six-20 Folding Brownie, second model</option>
</select><input TYPE="button" VALUE="GO!" onClick="jump(this.form)">
</form>
</td>
</tr>
</table>
</center>
<p><hr width=250 size=2 align="left"></p>
<h3>FIND A CAMERA
<br /><br />
<a href="list.shtml">The List and Descriptions of Brownie Cameras</a>
<br /><br />
<a href="moviecam.shtml">The List of Brownie Movie Cameras and Projectors</a>
<br /><br />
<a href="hawkeye.shtml">The List of Hawk-Eye Cameras</a>
<br /><br />
<a href="kodakcam.shtml">The List of Kodak Cameras (Non-Brownie)</a>
</h3>
<p><hr width=250 size=2 align="left"></p>
<h3>TECHNICAL INFORMATION
<br /><br />
<a href="tech.shtml">f/Stops and Shutter Speeds</a>
<br /><br />
<a href="film.shtml">The History of Kodak Roll Films</a>
</h3>
<p><hr width=250 size=2 align="left"></p>
<h3>HISTORY
<br /><br />
<a href="http://www.kodak.com/corp/aboutus/heritage/milestones/default.htm" target="_blank">Milestones of Kodak</a>
<br /><br />
<a href="/articles/origin/origin.shtml">Origin of the Brownies</a>: An interesting article from the Ladies' Home Journal of November, 1892 by Palmer Cox
<br /><br />
<a href="/posters/index.shtml">Brownie Camera Ads and Posters 1900-1963</a>
<br /><br />
<a href="/anniv.shtml">The Eastman Anniversary Camera</a>: Given away to 12 year-olds in 1930 to celebrate 50 years of Kodak!
</h3>
<p><hr width=250 size=2 align="left"></p>
<h3>WHERE TO GET
<br /><br />
<a href="buyfilm.shtml">Film</a>: Where to get it and process it
<br /><br />
<a href="spools.shtml">Finding Film Spools</a>: Respool your own film and use that camera!
<br /><br />
<a href="bulbs.shtml">Flashbulbs & Batteries</a>
<br /><br />
<a href="manuals.shtml">Manuals - Instruction Booklets - Pamphlets</a>: Many are free, viewable on-line, and downloadable!
</h3>
<p><hr width=250 size=2 align="left"></p>
<h3>HOW-TO'S AND ARTICLES
<br />
<br />
<a href="/articles/petelutz/article.shtml">Beginners Guide To Understanding And Using A Brownie Box Camera</a><br />by Pete Lutz
<br />
<br />
<a href="/articles/petelutz/use-120-film-in-116-616-camera.shtml">How-To Covert A 116/616 Box Camera To Shoot 120 Film</a><br />by Pete Lutz
<br />
<br />
<a href="/respool/respool.shtml">How-To & Why: Respooling 120 Film Onto A 620 Spool</a> <em>with a video</em><br />by Chuck Baker
<br /><br />
<a href="http://members.tripod.com/~CClemens/Brownie/HawkClean.htm" target="_blank">How-To Clean a Lens: "Here's Soap in Your HawkEye"</a><br />by Charles Clemens
<br /><br />
<a href="manufacturedate.shtml">How-To Determine a Manufacture Date</a><br />by Chuck Baker
<br /><br />
<a href="https://www.youtube.com/watch?v=gVyPAJHlzSA" target="_blank"> How-To Open Different Kodak Brownie Box Camera Models</a><br />by Chuck Baker
</h3>
<p><hr width=250 size=2 align="left"></p>
<h3>IMAGES & GALLERIES
<br /><br />
<a href="https://www.flickr.com/groups/brownie-camera/pool/" target="_blank">Flickr Brownie Gallery</a>: Free to join and upload your images!<br />
<br />
<a href="gallery.htm"><em>The Original</em> Gallery of the Brownie Shooters</a> From a time when blogs and auto-uploads did not exist!
<br /><br />
<a href="bud.shtml"><em>A Must See Gallery Special</em> - Yosemite in 1937</a>: Bud Collins and His Eastman Anniversary Camera
</h3>
<p><hr width=250 size=2 align="left"></p>
<h3>INTERACTIVE & FUN
<br />
<br />
<a href="/brownie-camera-day/">International Brownie Camera Days</a>: Every February - Anyone Can Participate!
<br />
<br />
<a href="/blog">The Brownie Camera Guy's Blog</a>: Photography Articles, How-To's & Rants
<br />
<br />
<a href="http://tap.brownie-camera.com/#/" target="_blank">The Alternative Photographer</a>: For Those Who See Through A Different Lens
<br />
<br />
<a href="/guestbook/textGUESTBOOK.php">The Guestbook</a> Is Back! No Email-No Spam-Leave A Comment!
</h3>
<p><hr width=250 size=2 align="left"></p>
<h3>OTHER STUFF
<br /><br />
<a href="group.shtml">The Brownie Group</a> A Great Little Magazine for Brownie Collectors
<br /><br />
<a href="friends.shtml">Links to Friends of The Brownie Camera Page</a>
<br /><br />
<a href="https://www.nijmegenpasfotofilm.nl/" target="_blank">BCG Film & Photography Store</a>: Serving the Analog Photography Community of The Netherlands, EU and Beyond! <br />Film - Chemistry - Darkroom - Instant - New & Used Stuff
<br /><br />
<a href="form.shtml">Have a Question, Comment, or Information?</a> Contact Chuck!
</h3>
<center>
<p><hr width=450 size=2></p>
<img src="index1image.jpg" alt="Brownie Cameras RULE!" width="109" height="200" border="0" /> <img src="index2image.jpg" alt="We Love Brownie Cameras" width="154" height="200" border="0" /> <img src="index3image.jpg" alt="Kodak Brownie Cameras Changed Everything!" width="101" height="200" border="0" />
<p><hr width=450 size=2></p>
<a href="http://www.cafepress.com/browniecamera" target="_blank"><h3>Brownie Camera Page Stuff</h3></a>
<br /><br />
<a href="http://www.cafepress.com/browniecamera" target="_blank"><img src="tshirtad.jpg" alt="The Brownie Camera Page Store" width="681" height="150" border="0" /></a>
<br><br>
<h4>All purchases are used for keeping The Brownie Camera Page up and going!</h4>
</center>
<!-- <br /><h3>WHATEVER I WANT TO GO HERE</h3> -->
<br />
<h4><center><hr width=500>
<br /><br />
<a href="https://www.nijmegenpasfotofilm.nl/" alt="BCG Film and Photography" target="blank"><img src="/bcg-film-photography-stuff/bcg-banner-700px.jpg" alt="BCG Film and Photography" width="500" border="0" /></a>
<br /><br />
<a href="https://twitter.com/#!/BrownieCamera" target="blank"><img src="/brownie-camera-page-twitter-banner.png" border="0" /></a>
<br /><br />
<a href="/index.shtml">Back to The Brownie Camera Page</a></center>
<br /><br />
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THE BROWNIE CAMERA PAGE - All About Eastman Kodak Brownie Cameras
### Celebrating 122 Years of Kodak Brownie Cameras - 1900-2022and 28 Years of The Brownie Camera Page - 1994-2022!
### This website is dedicated to Brownie photographers everywhere:past, present and future.
### Search The Brownie Camera Page Website
#### \*Searching with one or two words instead of phrases works better!
### Search For A Specific Camera
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| | |
| --- | --- |
|
Brownie "Box" Cameras
Brownie Box Camera Tutorial
The Brownie: The 1st Brownie Camera
Brownie II (110 Cartridge): The Last Brownie Camera
Baby Brownie
Baby Brownie New York World's Fair
Baby Brownie Special
Boy Scout Brownie
Brownie (The) - the 1st Brownie!
Brownie II (110 Cartridge): The Last Brownie Camera
Brownie 127
Brownie 127, second model
Brownie 127, third model
Brownie 44A
Brownie 44B
Brownie 620
Brownie Auto 27
Brownie Bullet
Brownie Bullet II
Brownie Bulls-Eye
Brownie Camera (110 Cartridge)
Brownie Chiquita
Brownie Cresta
Brownie Cresta II
Brownie Cresta 3
Brownie Fiesta
Brownie Fiesta Camara
Brownie Fiesta 3 Camara
Brownie Fiesta R4
Brownie Flash 20
Brownie Flash B
Brownie Flash II
Brownie Flash II (Australia)
Brownie Flash III
Brownie Flash IV
Brownie Flash Camera
Brownie Flash Six-20
Brownie Flashmite 20
Brownie Hawkeye
Brownie Hawkeye Flash Model
Brownie Holiday
Brownie Holiday Flash
Brownie Junior 620
Brownie Junior No.2
Brownie Model 1
Brownie Reflex
Brownie Reflex 20
Brownie Reflex Synchro Model
Brownie Special No. 2
Brownie Starflash
Brownie Starflex
Brownie Starlet
Brownie Starlet US model(and France)
Brownie Starluxe II
Brownie Starmatic
Brownie Starmatic II
Brownie Starmeter
Brownie Starmite
Brownie Starmite II
Brownie Super 27
Brownie Target Six-16
Brownie Target Six-20
Brownie Twin 20
Brownie Vecta
Camara Brownie Chiquita
Camara Brownie Chiquita Flash
Camara Brownie Fiesta 3
No.0 Brownie
No.1 Brownie
No.2 Beau Brownie
No.2 Brownie
No.2 Brownie Junior
No.2 Portrait Brownie
No.2A Beau Brownie
No.2A Brownie
No.2A Brownie Special
No.2C Brownie
No.3 Brownie
Popular Brownie
Six-16 Brownie
Six-16 Brownie Junior
Six-16 Brownie Special
Six-20 Boy Scout Brownie
Six-20 Brownie (UK Model)
Six-20 Brownie (US Model)
Six-20 Brownie Junior (Portrait Model)
Six-20 Brownie Junior (Super Model)
Six-20 Brownie Junior (Super Model portrait 3-4ft)
Six-20 Brownie Junior (UK Model)
Six-20 Brownie Junior (US Model)
Six-20 Brownie Minor
Six-20 Brownie model C
Six-20 Brownie model D
Six-20 Brownie model E
Six-20 Brownie model F
Six-20 Brownie Senior
Six-20 Brownie Special
Six-20 Bulls-Eye Brownie
Six-20 Flash Brownie
Six-20 Popular Brownie
Six-20 Portrait Brownie
Target Brownie Six-16
Target Brownie Six-20
|
Brownie Folding Cameras
Brownie Folding Camera Tutorial
Brownie Pliant Six-16
Brownie Pliant Six-20
No.2 Folding Autographic Brownie
No.2A Folding Autographic Brownie
No.2C Folding Autographic Brownie
No.3A Folding Autographic Brownie
No.2 Folding Brownie
No.2 Folding Pocket Brownie, model B
No.2 Stereo Brownie
No.2A Folding Pocket Brownie
No.3 Folding Brownie
No.3A Folding Brownie
Six-20 Folding Brownie
Six-20 Folding Brownie, second model
|
---
### FIND A CAMERA
[The List and Descriptions of Brownie Cameras](list.shtml)
[The List of Brownie Movie Cameras and Projectors](moviecam.shtml)
[The List of Hawk-Eye Cameras](hawkeye.shtml)
[The List of Kodak Cameras (Non-Brownie)](kodakcam.shtml)
---
### TECHNICAL INFORMATION
[f/Stops and Shutter Speeds](tech.shtml)
[The History of Kodak Roll Films](film.shtml)
---
### HISTORY
[Milestones of Kodak](http://www.kodak.com/corp/aboutus/heritage/milestones/default.htm)
[Origin of the Brownies](/articles/origin/origin.shtml): An interesting article from the Ladies' Home Journal of November, 1892 by Palmer Cox
[Brownie Camera Ads and Posters 1900-1963](/posters/index.shtml)
[The Eastman Anniversary Camera](/anniv.shtml): Given away to 12 year-olds in 1930 to celebrate 50 years of Kodak!
---
### WHERE TO GET
[Film](buyfilm.shtml): Where to get it and process it
[Finding Film Spools](spools.shtml): Respool your own film and use that camera!
[Flashbulbs & Batteries](bulbs.shtml)
[Manuals - Instruction Booklets - Pamphlets](manuals.shtml): Many are free, viewable on-line, and downloadable!
---
### HOW-TO'S AND ARTICLES
[Beginners Guide To Understanding And Using A Brownie Box Camera](/articles/petelutz/article.shtml)by Pete Lutz
[How-To Covert A 116/616 Box Camera To Shoot 120 Film](/articles/petelutz/use-120-film-in-116-616-camera.shtml)by Pete Lutz
[How-To & Why: Respooling 120 Film Onto A 620 Spool](/respool/respool.shtml) *with a video*by Chuck Baker
[How-To Clean a Lens: "Here's Soap in Your HawkEye"](http://members.tripod.com/~CClemens/Brownie/HawkClean.htm)by Charles Clemens
[How-To Determine a Manufacture Date](manufacturedate.shtml)by Chuck Baker
[How-To Open Different Kodak Brownie Box Camera Models](https://www.youtube.com/watch?v=gVyPAJHlzSA)by Chuck Baker
---
### IMAGES & GALLERIES
[Flickr Brownie Gallery](https://www.flickr.com/groups/brownie-camera/pool/): Free to join and upload your images!
[*The Original* Gallery of the Brownie Shooters](gallery.htm) From a time when blogs and auto-uploads did not exist!
[*A Must See Gallery Special* - Yosemite in 1937](bud.shtml): Bud Collins and His Eastman Anniversary Camera
---
### INTERACTIVE & FUN
[International Brownie Camera Days](/brownie-camera-day/): Every February - Anyone Can Participate!
[The Brownie Camera Guy's Blog](/blog): Photography Articles, How-To's & Rants
[The Alternative Photographer](http://tap.brownie-camera.com/#/): For Those Who See Through A Different Lens
[The Guestbook](/guestbook/textGUESTBOOK.php) Is Back! No Email-No Spam-Leave A Comment!
---
### OTHER STUFF
[The Brownie Group](group.shtml) A Great Little Magazine for Brownie Collectors
[Links to Friends of The Brownie Camera Page](friends.shtml)
[BCG Film & Photography Store](https://www.nijmegenpasfotofilm.nl/): Serving the Analog Photography Community of The Netherlands, EU and Beyond! Film - Chemistry - Darkroom - Instant - New & Used Stuff
[Have a Question, Comment, or Information?](form.shtml) Contact Chuck!
---
  
---
[### Brownie Camera Page Stuff](http://www.cafepress.com/browniecamera)
[](http://www.cafepress.com/browniecamera)
#### All purchases are used for keeping The Brownie Camera Page up and going!
| http://brownie-camera.com/ |
<html xmlns:v="urn:schemas-microsoft-com:vml" xmlns:o="urn:schemas-microsoft-com:office:office" xmlns="http://www.w3.org/TR/REC-html40">
<head>
<meta http-equiv="Content-Language" content="en-us">
<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
<meta name="keywords" content="wild plants, wild edible plants, foraging, tours, classes, tour guides, education, rewilding">
<meta name="description" content="Learn about wild plants for food, fiber, and medicine.">
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<title>Wild Edible Plants</title>
</head>
<body vlink="#0000FF" style="background-color: #C2FF86; background-image:url('https://upload.wikimedia.org/wikipedia/commons/thumb/b/b3/Wild-flowers_Kamen.jpg/800px-Wild-flowers_Kamen.jpg?20200307182716')" link="#0000FF">
<p> </p>
<p> </p>
<div align="center">
<table border="1" cellpadding="0" cellspacing="0" style="border-collapse: collapse" width="80%" id="table4" bgcolor="#C2FF86">
<tr>
<td>
<blockquote>
<p><br>
<img border="0" src="index.3.jpg" width="385" height="101" align="left"><b><span style="color: #152B00; font-family: Times New Roman; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial"><font style="font-size: 20pt">
<br>
<span style="background-color: #FFFF00">Discover The Food Beneath Your Feet!</span></font></span></b></p>
<p><font face="Arial Black"> </font>
<font face="Arial Black" color="#0000FF">
<span style="text-decoration: none; font-weight: 700; background-color: #FFFFFF">And join our
</span></font><font face="Arial Black">
<span style="font-weight: 700; background-color: #FFFFFF">
<a href="https://www.meetup.com/Wild-Foodies-of-Philly/">
<font color="#FF0000">MEETUP</font></a><font color="#0000FF"> for tours
& Plant-of-the-Week!</font></span></font></p>
<p><b><font size="3">
<span style="font-family: Times New Roman; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial">
<br>
Once you learn about wild plants and their many uses... you'll never be the
same</span></font><i><span style="background-position: 0% 0%; background-image:none; background-repeat:repeat; background-attachment:scroll"><font face="Times New Roman" size="3">!
</font></span></i></b><font size="3"><b>
<span style="font-family: Times New Roman; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial">It is the ultimate empowerment.
Our
fundamental well-being as a society depends on knowing and
respecting our wild world and its uses.
And this website is dedicated to spreading that knowledge. In addition, The Wild
Foodies is a 6,600+<font color="#152B00"> </font></span>
<span style="color: rgb(0, 0, 0); font-family: Times New Roman; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; ">
<font color="#214200">
<a style="cursor: pointer" href="https://www.meetup.com/Wild-Foodies-of-Philly/">Meetup</a></font></span><font color="#152B00"><span style="font-family: Times New Roman; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial"> in
the Philly-Southeast PA / NJ region, who since 2010 have conducted
hundreds of educational tours (free & fee-based) of wild plants for
food, fiber, medicine, & more. </span></font>
<font color="#152B00">
<span style="font-family: Times New Roman; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial">So, welcome to
our website and enjoy our
wild and wonderful world! </span></font></b></font></p>
<ul type="disc" style="margin-bottom: 0in">
<li class="MsoNormal" style="color: #222222">
<span style="background-position: 0% 0%; font-size: 10.0pt; font-family: Arial; font-weight: 700; background-image:none; background-repeat:repeat; background-attachment:scroll">PUBLIC TOURS:
<a href="http://www.meetup.com/Wild-Foodies-of-Philly/">
<span style="color: #0000FF; text-decoration: underline">JOIN </span></a>
<u><font color="#0000FF">OUR</font></u><a style="color: blue; text-decoration: underline; text-underline: single" href="http://www.meetup.com/Wild-Foodies-of-Philly/"><span style="color:blue"> MEETUP</span></a> For Tours, Events, &
Plant-of-the-Week! </span></li>
<li class="MsoNormal" style="color: #222222"><b>
<span style="background-position: 0% 0%; font-size: 10.0pt; font-family: Arial; background-image:none; background-repeat:repeat; background-attachment:scroll">PRIVATE
'GROUP' TOURS, SPEAKERS, & CONSULTATIONS:
</span>
<span style="text-decoration: underline; font-family: Arial; background-position: 0% 0%">
<a href="FORAGERS.htm"><font size="2" color="#0000FF">LIST</font></a></span></b></li>
</ul>
</blockquote>
<hr>
<blockquote>
<div align="center">
<table border="0" cellpadding="0" style="border-collapse: collapse" width="93%" bgcolor="#FFFF00" id="table8">
<tr>
<td>
<font size="2">
<img src="http://www.thelandesreport.com/index.1.gif" width="24" height="21"><font face="Arial" color="#000000"><b>
</b>
</font>
<b>
<font face="Arial Black" color="#FF0000">GET
AN </font><font color="#000000" face="Arial Black">
<a href="http://www.wildfoodies.org/MISC.htm">APP</a> </font><span style="text-decoration:none">
<font face="Arial Black" color="#FF0000">& USE <a href="http://www.PFAF.org">PFAF</a> </font></span>
<font face="Arial Black" color="#000000">to IDENTIFY PLANTS & THEIR <i><u>
USES! </u></i></font><font face="Arial Black">
<br>
<img src="http://www.thelandesreport.com/index.1.gif" width="24" height="21"></font></b></font><b><span style="text-decoration: none; "><font color="#000000" face="Arial Black" size="2">
</font><font color="#FF0000" face="Arial Black" size="2">USE</font><font face="Arial Black" size="2" color="#000000">
<a href="PlantProfiles.htm">OUR MASTER LIST</a> of 240+ Regional Wild Plant Profiles!</font></span></b><b><font size="2"><font face="Arial Black" color="#000000"><br>
</font><font face="Arial Black">
<img src="http://www.thelandesreport.com/index.1.gif" width="24" height="21"></font></font><span style="text-decoration: none"><font face="Arial Black" size="2"><span style="color: windowtext; text-decoration: none; ">
</span></font>
<font size="2" face="Arial Black" color="#FF0000">CHECK OUT </font>
</span>
<font face="Arial Black" size="2">"WILD
FOODIES 101" </font><a href="WildFoods101.pdf">
<font face="Arial Black" size="2">PDF</font></a><font face="Arial Black" color="#000000" size="2">
/ <a href="WildFoods101.pptx">PP</a><font color="#000000"> for photos of plant
families!</font></font></b></td>
</tr>
</table>
</div>
</blockquote>
<div align="center">
<table class="MsoNormalTable" border="1" cellspacing="0" cellpadding="0" style="width: 93%; border-collapse: collapse; border: medium none; background: #FFFFFF" id="table9">
<tr>
<td width="25%" valign="top" style="width: 25.0%; border: 1.0pt inset black; padding: 0in">
<p class="MsoNormal" style="line-height: normal">
<b>
<span style="color: #222222"><font style="font-size: 9pt"><br> </font></span><font style="font-size: 9pt" face="Arial"><br>
<img src="http://www.zerowasteamerica.org/Images/j0115834.gif" width="15" height="17">
</font><font face="Arial" color="#336600"><font style="font-size: 9pt"> </font><span style="background-color: #FFFF00"><font style="font-size: 9pt">INFORMATION:</font></span><font style="font-size: 9pt">
</font></font></b></p>
<ul style="margin-top: 0in; margin-bottom: 0in" type="disc">
<li class="MsoNormal"><font face="Arial" style="font-size: 9pt">
<a style="color: blue; text-decoration: underline; text-underline: single; background-color:#FFFFFF; font-weight:700" href="Basics.htm">FORAGING
BASICS </a></font></li>
<li class="MsoNormal"><font face="Arial" style="font-size: 9pt">
<a style="color: blue; text-decoration: underline; text-underline: single; font-weight:700" href="LINKS.htm">RESOURCE INFO</a></font></li>
<li class="MsoNormal"><b><a href="FORAGERS.htm">
<span style="text-decoration: underline">
<font face="Arial" color="#0000FF" style="font-size: 9pt">TOUR GUIDES &
</font></span></a><font face="Arial" style="font-size: 9pt">
<a style="color: blue; text-decoration: underline; text-underline: single" href="FORAGERS.htm">GROUPS</a></font></b></li>
<li class="MsoNormal"><span style="text-decoration: underline">
<font face="Arial" color="#0000FF" style="font-size: 9pt; font-weight:700">
<a href="TourGuideTips.htm">TOUR GUIDE TIPS</a></font></span></li>
<li class="MsoNormal">
<a style="color: blue; text-decoration: underline; text-underline: single" href="MISC.htm">
<font face="Arial" style="font-size: 9pt; font-weight:700">APPS, SOIL TESTING, & EQUIPMENT</font></a></li>
<li class="MsoNormal">
<font color="#000000" face="Arial" style="font-size: 9pt; font-weight:700">
<a href="botany.htm">BASICS
OF BOTANY</a></font></li>
<li class="MsoNormal"><u>
<a style="color: blue; text-decoration: underline; text-underline: single" href="PlantNurseries.htm">
<font face="Arial" style="font-size: 9pt; font-weight:700">PLANT NURSERIES</font></a></u></li>
<li class="MsoNormal">
<font face="Arial" style="font-size: 9pt; font-weight:700">
<a href="Game&Insects.htm">GAME MEATS & INSECTS</a></font></li>
<li class="MsoNormal"><b><font face="Arial">
<a style="color: blue; text-decoration: underline; text-underline: single" href="NEWS.htm">
<font style="font-size: 9pt">NEWS ARTICLES</font></a><font style="font-size: 9pt"> </font></font></b></li>
</ul>
<p><b><font face="Arial" style="font-size: 9pt">
<br>
<img src="http://www.zerowasteamerica.org/Images/j0115834.gif" width="15" height="17">
</font><font face="Arial"><a href="EvolvingEcosystems.htm">
<font color="#0000FF" style="font-size: 9pt">
<span style="background-color: #FFFF00">Invasive Or Evolving?</span></font></a></font><br>
<font style="font-size: 9pt">
<img src="http://www.zerowasteamerica.org/Images/j0115834.gif" width="17" height="17">
</font>
<font style="font-size: 9pt; background-color:#FFFF00" face="Arial">
<a href="https://www.toxicfreephilly.org/">ToxicFreePhilly.org</a></font><font style="font-size: 9pt"><br> </font></b></p>
</td>
<td width="25%" valign="top" style="width: 25.0%; border-left: medium none; border-right: 1.0pt inset black; border-top: 1.0pt inset black; border-bottom: 1.0pt inset black; padding: 0in">
<p class="MsoNormal" style="line-height: normal">
<b>
<font face="Arial" style="font-size: 9pt">
<br>
</font><font style="font-size: 9pt"><img src="http://www.zerowasteamerica.org/Images/j0115834.gif" width="17" height="17"></font><span style="background-position: 0% 0%; font-family: Calibri; background-image:none; background-repeat:repeat; background-attachment:scroll"><font style="font-size: 9pt">
</font></span><font face="Arial" style="font-size: 9pt">
<span style="background-color: #FFFF00">
<a style="color: blue; text-decoration: underline; text-underline: single" href="WildMenuIdeas.htm">
MENU IDEAS!</a></span></font></b></p>
<p class="MsoNormal" style="line-height: normal">
<b><font face="Arial" style="font-size: 9pt"><img src="http://www.zerowasteamerica.org/Images/j0115834.gif" width="15" height="17">
</font>
<font face="Arial" color="#336600" style="font-size: 9pt; background-color: #FFFF00">PLANT LISTS:</font><font face="Arial" color="#336600" style="font-size: 9pt">
</font><font face="Arial">
<span style="background-position: 0% 0%; background-image:none; background-repeat:repeat; background-attachment:scroll">
<font color="#336600" style="font-size: 9pt">240+ wild edible plants, bushes,
vines, & trees</font></span></font></b></p>
<ul style="margin-top: 0in; margin-bottom: 0in" type="disc">
<li class="MsoNormal"><u>
<a style="color: #FFFF00; text-decoration: underline; text-underline: single" href="PlantProfiles.htm">
<span style="background-color: #0000FF; font-family:Arial,sans-serif">
<font style="font-weight:700" size="2">MASTER
LIST of PLANT PROFILES</font></span></a></u></li>
<li class="MsoNormal">
<span style="font-family:"Arial","sans-serif"">
<a style="color: blue; text-decoration: underline; text-underline: single" href="IffyEdibles.htm">
<font style="font-size: 9pt; font-weight:700">"IFFY" EDIBLES
</font></a></span></li>
<li class="MsoNormal">
<span style="font-family:"Arial","sans-serif"; font-weight:700">
<a style="color: blue; text-decoration: underline; text-underline: single" href="ByEdiblePart.htm">
<font style="font-size: 9pt">PLANT LIST "BY EDIBLE PART</font></a><font style="font-size: 9pt">"
</font></span></li>
<li class="MsoNormal">
<font face="Arial" style="font-size: 9pt; font-weight:700">
<a href="Look-A-Likes.htm">LOOK-A-LIKES</a></font></li>
<li class="MsoNormal">
<span style="font-family:"Arial","sans-serif"; font-weight:700">
<a style="color: blue; text-decoration: underline; text-underline: single" href="Roots.htm">
<font style="font-size: 9pt">ROOTS</font></a><font style="font-size: 9pt">
</font></span></li>
<li class="MsoNormal"><u>
<span style="font-family:"Arial","sans-serif"">
<a style="color: blue; text-decoration: underline; text-underline: single" href="SHOOTS.htm">
<font style="font-size: 9pt; font-weight:700">SHOOTS</font></a></span></u></li>
</ul>
<ul style="margin-top: 0in; margin-bottom: 0in" type="disc">
<li class="MsoNormal">
<span style="font-family:"Arial","sans-serif"">
<a style="color: blue; text-decoration: underline; text-underline: single" href="Fruit.htm">
<font style="font-size: 9pt; font-weight:700">FRUITS </font></a></span></li>
<li class="MsoNormal">
<span style="font-family:
"Arial","sans-serif"">
<a style="color: blue; text-decoration: underline; text-underline: single" href="WinterGreens.htm">
<font style="font-size: 9pt; font-weight:700">WINTER GREENS</font></a></span></li>
<li class="MsoNormal">
<span style="font-family:"Arial","sans-serif"; font-weight:700">
<a style="color: blue; text-decoration: underline; text-underline: single" href="MarshPlants.htm">
<font style="font-size: 9pt">MARSH PLANTS</font></a><font style="font-size: 9pt">
</font></span></li>
<li class="MsoNormal">
<span style="font-family:"Arial","sans-serif"">
<a style="color: blue; text-decoration: underline; text-underline: single" href="TREES.htm">
<font style="font-size: 9pt; font-weight:700">TREES</font></a></span></li>
<li class="MsoNormal"><u>
<span style="font-family:"Arial","sans-serif"">
<a style="color: blue; text-decoration: underline; text-underline: single" href="Flowers.htm">
<font style="font-size: 9pt; font-weight:700">FLOWERS</font></a></span></u></li>
<li class="MsoNormal"><span style="text-decoration: underline">
<font color="#0000FF" style="font-size: 9pt">
<span style="font-family: Arial,sans-serif; font-weight:700"><a href="Mushrooms.htm">MUSHROOMS</a></span></font></span></li>
</ul>
<p> </td>
<td valign="top" style="width: 23%; border-left: medium none; border-right: 1.0pt inset black; border-top: 1.0pt inset black; border-bottom: 1.0pt inset black; padding: 0in">
<p class="MsoNormal" style="line-height: normal">
<b>
<font style="font-size: 9pt" face="Arial"><br>
<br>
<img src="http://www.zerowasteamerica.org/Images/j0115834.gif" width="15" height="17">
</font>
<font face="Arial" color="#336600" style="font-size: 9pt; background-color: #FFFF00">MORE...</font></b></p>
<ul>
<li class="MsoNormal" style="color: #222222; line-height: normal; margin-bottom: .0001pt">
<font style="font-size: 9pt">
<span style="font-family: Arial; background-color:#FFFFFF; font-weight:700">
<a href="WildMedicinalPlants.htm">MEDICINAL LINKS</a></span></font></li>
<li class="MsoNormal" style="color: #222222; line-height: normal; margin-bottom: .0001pt">
<span style="font-family: Arial; font-weight:700">
<a style="color: blue; text-decoration: underline; text-underline: single" href="PoisonousPlants.htm">
<span style="color:#1111CC"><font style="font-size: 9pt">POISONOUS PLANTS</font></span></a><font style="font-size: 9pt">
</font></span></li>
<li class="MsoNormal" style="color: #222222; line-height: normal; margin-bottom: .0001pt">
<b><span style="font-family: Arial; color: #1111CC">
<a style="color: blue; text-decoration: underline; text-underline: single" href="Fiber.htm">
<span style="color:blue"><font style="font-size: 9pt">FIBER PLANTS</font></span></a></span><span style="font-family: Arial; color: blue"><font style="font-size: 9pt">
</font></span></b></li>
<li class="MsoNormal" style="color: #222222; line-height: normal; margin-bottom: .0001pt">
<font color="#0000FF" style="font-size: 9pt">
<span style="font-family: Arial; font-weight:700">
<a href="https://pfaf.org/user/cmspage.aspx?pageid=49">SOAP PLANTS</a></span></font></li>
</ul>
<p class="MsoNormal" style="line-height: normal">
<b>
<font face="Arial" style="font-size: 9pt"><span style="color: #FF3300"> </span><img src="http://www.zerowasteamerica.org/Images/j0115834.gif" width="15" height="17">
</font><font face="Arial"><font color="#336600" style="font-size: 9pt">
<span style="background-color: #FFFF00">HARVEST CALEND</span></font><span style="color: #336600; background-color: #FFFF00"><font style="font-size: 9pt">ARS:</font></span></font></b></p>
<ul style="margin-top: 0in; margin-bottom: 0in" type="disc">
<li class="MsoNormal"><span style="text-decoration: underline">
<font face="Arial" color="#0000FF" style="font-size: 9pt; font-weight:700">
<a href="Calendar,General.htm">GENERAL</a></font></span></li>
<li class="MsoNormal">
<a style="color: blue; text-decoration: underline; text-underline: single" href="Calendar,Greens.htm">
<font face="Arial" style="font-size: 9pt; font-weight:700">GREENS</font></a></li>
<li class="MsoNormal">
<a style="color: blue; text-decoration: underline; text-underline: single" href="Calendar,Fruit.htm">
<font face="Arial" style="font-size: 9pt; font-weight:700">FRUIT</font></a></li>
<li class="MsoNormal"><font face="Arial"><u>
<font style="font-size: 9pt">
<a style="color: blue; text-decoration: underline; text-underline: single; font-weight:700" href="Calendar,Miscellaneous.htm">MISCELLANEOUS</a></font></u></font></li>
</ul></td>
</tr>
</table>
</div>
<div class="r" style="font-weight: normal; margin: 0px; font-size: small;">
<blockquote>
<ul>
<li><b><span style="text-decoration:none">
<font size="2" face="Arial" color="#FF0000">TAKE "20 STEPS" >
<a href="20STEPS.htm">TO LEARN
240+
PLANTS</a></font><font size="2" face="Arial"> broken down into 20 groups for easier
learning.</font></span></b></li>
<li><b><font face="Arial" size="2" color="#FF0000">PDF >
<a href="WildCuisine.pdf">WILD CUISINE</a></font></b></li>
<li><b><span style="text-decoration:none">
<font color="#FF0000" face="Arial" size="2">WATCH
></font><font face="Arial" size="2"><span style="color: windowtext; text-decoration: none">
Our ZOOM
meetups for 2021:
<a href="https://www.youtube.com/watch?v=sZQiaXpj3Fo">FEB</a> /
<a href="https://www.youtube.com/watch?v=0bGgDL5G1J0&t=2248s">MAR</a><span style="color: #000000; text-decoration: none; ">
/ <a href="ZoomAprWF.mp4">APR</a> /
<a href="ZoomMay.mp4">MAY</a> / <a href="ZoomJunWF.mp4">JUN</a> / <a href="ZoomSepWF.mp4">SEP</a>
/ <a href="ZoomOctWF.mp4">OCT</a> </span></span></font></span></b></li>
<li><b><font size="2" face="Arial" color="#FF0000">ASK </font>
<font face="Arial" size="2" color="#000000">The Philadelphia </font></b>
<font face="Arial" size="2"><span style="font-weight:700; ">
<a href="mailto:[email protected]">[email protected]</a>
</span></font><b><font face="Arial" size="2" color="#000000">& your local school
to teach "Wild Plants And Their Uses"</font></b></li>
<li><font face="Arial" size="2"><b><font color="#FF0000">START</font> a Wild Foodies meetup in your town or
neighborhood. It's a great way to meet really nice people!</b></font></li>
<li class="MsoNormal" style="color: #222222">
<span style="background-position: 0% 0%; font-size: 10.0pt; font-family: Arial; font-weight: 700; background-image:none; background-repeat:repeat; background-attachment:scroll">
<font color="#FF0000">HELP</font> spread the word with "<a style="color: blue; text-decoration: underline; text-underline: single" href="BumperStickers,Decals,Ads.htm"><span style="color:#1111CC">free
images</span></a>" for bumper stickers, totebags, ads, etc</span></li>
<li class="MsoNormal" style="color: #222222"><b>
<span style="background-position: 0% 0%; font-size: 10.0pt; font-family: Arial; background-image:none; background-repeat:repeat; background-attachment:scroll">
<font color="#FF0000">TO DONATE</font> to our mission...</span></b></li>
</ul>
</blockquote>
</div>
<blockquote>
<p class="MsoNormal"><b><font size="3" color="#214200">
<span style="background-position: 0% 0%; font-family: Calibri; background-image:none; background-repeat:repeat; background-attachment:scroll">
<a name="OurMission">OUR MISSION</a>
is to </span></font></b>
<span style="font-family: Calibri; font-weight:700; ">
<font size="3" color="#214200">educate the public about wild edible plants and
their many other uses. </font></span><b><font face="Calibri" size="3" color="#214200">If you would like to financially support our mission,
as most of our tours are free,
please make your check out to Lynn
Landes LLC (address below) or via PayPal at
<a href="mailto:[email protected]">[email protected]</a><font color="#214200">.</font> The Wild Foodies is not a non-profit, so there is no
tax deduction. Your donation will go towards our costs and advertising to spread the word about our Wild
& Wonderful World! </font> </b></p>
<p class="MsoNormal">
<span style="font-family: Calibri; font-weight:700; font-style:italic">
<font color="#214200" size="4">Forage on, with
care!</font></span></p><p class="MsoNormal">
</p>
<p class="MsoNormal"><b><span style="font-family: Calibri"><font size="3">
<font color="#214200">Lynn Landes,
Founder<br>
Wild Foodies of Philly<br>
217 S. Jessup Street<br>
</font>
<span style="background-position: 0% 0%; background-image:none; background-repeat:repeat; background-attachment:scroll">Philadelphia, PA</span></font><font color="#214200">
19107<br>
7</font><font color="#214200" size="3">14-204-2690</font></span></b></p>
<div class="MsoNormal" align="center" style="text-align:center">
<p class="MsoNormal" style="text-align: left">
<span style="background-position: 0% 0%; background-image:none; background-repeat:repeat; background-attachment:scroll">
<b><span style="font-family: Calibri"><font size="3">
<a href="http://www.WildFoodies.org">www.WildFoodies.org</a><br>
<a href="http://www.LynnLandes.com">www.LynnLandes.com</a> <br>
<a href="mailto:[email protected]">[email protected]</a></font></span></b></span></p>
<table border="0" cellpadding="0" style="border-collapse: collapse" width="93%" id="table10" bgcolor="#FFFFFF">
<tr>
<td align="center" width="93%">
<blockquote>
<blockquote>
<p class="MsoNormal" style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0); font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; margin-left: 0in; margin-right: 0in; margin-top: 0in; margin-bottom: 0.0001pt">
<span style="font-weight: 700; background-color:#FFFFFF">
<font size="4"><br></font></span>
<img src="https://www.gannett-cdn.com/presto/2019/05/29/PDTN/8d826759-b1bb-43fa-9412-e6b7c7cd90ca-ATHOME-GARDEN-EDIBLE-PLANTS-1-PHI.jpg?width=660&height=423&fit=crop&format=pjpg&auto=webp" alt="Lynn Landes, founder of local foraging and educational group The Wild Foodies of Philly, stands with a Burdock plant, freshly pulled from the ground at Awbury Arboretum. (Grace Dickinson/The Philadelphia Inquirer/TNS) "></p>
<p class="MsoNormal" style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0); font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; margin-left: 0in; margin-right: 0in; margin-top: 0in; margin-bottom: 0.0001pt">Philadelphia Inquirer article also published in
<a href="https://www.detroitnews.com/story/life/food/2019/05/30/5-edible-plants-you-can-forage-your-backyard/1270017001/">DetroitNews.com/story/life/food/2019/05/30/5-edible-plants-you-can-forage-your-backyard/1270017001/</a>
</p>
<p class="MsoNormal" style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0); font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; margin-left: 0in; margin-right: 0in; margin-top: 0in; margin-bottom: 0.0001pt">
<span style="font-weight: 700; background-color:#FFFFFF"><i><u>
<font face="Times New Roman" size="5" color="#006C00"><br></font></u>
<font face="Times New Roman" size="5" color="#006C00">An Open Letter to Everyone! </font></i></span></p>
<p class="MsoNormal" style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0); font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; margin-left: 0in; margin-right: 0in; margin-top: 0in; margin-bottom: 0.0001pt"> </p>
<p class="MsoNormal" style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0); font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; margin-left: 0in; margin-right: 0in; margin-top: 0in; margin-bottom: 0.0001pt">
<span style="font-weight: 700; background-color:#FFFFFF"><i>
<font face="Times New Roman" size="3" color="#006C00">by Lynn Landes</font></i></span></p>
<p class="MsoNormal" style="font-size: 11pt; font-family: Times New Roman; color: #006C00; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 700; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; margin-left: 0in; margin-right: 0in; margin-top: 0in; margin-bottom: 0.0001pt">
<font size="3"> </font></p>
<p class="MsoNormal" style="font-size: 11pt; font-family: Times New Roman; color: #006C00; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 700; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; margin-left: 0in; margin-right: 0in; margin-top: 0in; margin-bottom: 0.0001pt">
<font size="3">Wild Food deserves a place of honor at our kitchen table,
farmers markets, grocery stores, restaurants, and schools. Why? Because
wild food is nature's food and completely sustainable. Unlike cultivated
crops, wild food does not
require human intervention for its survival. Homeowners can produce a
great deal of their own "wild" food and medicine in their own yards, while
public parks can let the public pick their produce. Wild food is a hot
commodity gaining fast in popularity!</font></p>
<p class="MsoNormal" style="font-size: 11pt; font-family: Times New Roman; color: #006C00; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 700; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; margin-left: 0in; margin-right: 0in; margin-top: 0in; margin-bottom: 0.0001pt">
<font size="3"> </font></p>
<p class="MsoNormal" style="font-size: 11pt; font-family: Times New Roman; color: #006C00; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 700; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; margin-left: 0in; margin-right: 0in; margin-top: 0in; margin-bottom: 0.0001pt">
<font size="3"><i>Re-Wilding is a growing movement around the world. The re-wilding movement
recognizes the importance of growing wild foods in a natural setting and
including them in our meals. Consuming wild foods also adds diversity and
nutrition to our diet. Many plants that we call weeds are a vital source
of food, fiber, and medicine. And more importantly, wild foods can make the
difference between life or death in times of natural or man-made disasters. </i></font></p>
<p class="MsoNormal" style="font-size: 11pt; font-family: Times New Roman; color: #006C00; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 700; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; margin-left: 0in; margin-right: 0in; margin-top: 0in; margin-bottom: 0.0001pt">
<font size="3"> </font></p>
<p class="MsoNormal" style="font-size: 11pt; font-family: Times New Roman; color: #006C00; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 700; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; margin-left: 0in; margin-right: 0in; margin-top: 0in; margin-bottom: 0.0001pt">
<font size="3">Wild food constitutes an important second or co-harvest for
farmers, which adds to their efficiency, productivity, and income. For many
farmers, the number one weed, is Amaranth (a.k.a., pigweed). Yet, Amaranth
is also a superfood consumed by millions around the world as a tasty leafy
vegetable and a seed grain. Purslane, Patience Dock, and Lambs Quarters
also top the list of wild food for foragers to gather. We want to
encourage farmers
to take advantage of this bumper crop of delicious delectables and
pricey produce.</font></p>
<p class="MsoNormal" style="font-size: 11pt; font-family: Times New Roman; color: #006C00; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 700; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; margin-left: 0in; margin-right: 0in; margin-top: 0in; margin-bottom: 0.0001pt">
<font size="3"> </font></p>
<p class="MsoNormal" style="font-size: 11pt; font-family: Times New Roman; color: #006C00; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 700; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; margin-left: 0in; margin-right: 0in; margin-top: 0in; margin-bottom: 0.0001pt">
<font size="3">At the Rittenhouse Square Farmers Market
in Philadelphia, renowned forager David Siller and his staff sell wild
edibles like hotcakes, including Stinging Nettle, Fiddleheads, Garlic
Mustard, and Ramps. And the public is showing phenomenal support. </font></p>
<p class="MsoNormal" style="font-size: 11pt; font-family: Times New Roman; color: #006C00; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 700; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; margin-left: 0in; margin-right: 0in; margin-top: 0in; margin-bottom: 0.0001pt">
<font size="3"> </font></p>
<p class="MsoNormal" style="font-size: 11pt; font-family: Times New Roman; color: #006C00; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 700; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; margin-left: 0in; margin-right: 0in; margin-top: 0in; margin-bottom: 0.0001pt">
<font size="3"><i>The same could be said for The Wild Foodies of Philadelphia,
a Meetup group that I founded in 2010. Today we have over 6,600
members. The Wild Foodies is a very enthusiastic group who come
from all points on the political spectrum to learn more about the food
right under our feet. They value what nature can provide and are
somewhat distrustful of government and the marketplace. And they have a
point. </i></font></p>
<p class="MsoNormal" style="font-size: 11pt; font-family: Times New Roman; color: #006C00; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 700; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; margin-left: 0in; margin-right: 0in; margin-top: 0in; margin-bottom: 0.0001pt">
<font size="3"> </font></p>
<p class="MsoNormal" style="font-size: 11pt; font-family: Times New Roman; color: #006C00; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 700; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; margin-left: 0in; margin-right: 0in; margin-top: 0in; margin-bottom: 0.0001pt">
<font size="3">To ignore wild food is to turn our backs on Mother Nature and
common sense. Traditional agriculture, with its monoculture and rows of
crops, invites disease and pests and is not sustainable. Whereas, your
typical empty lot on any city is chock full of wild foods growing with wild
abandon. That-right-there should tell us something. </font></p>
<p class="MsoNormal" style="font-size: 11pt; font-family: Times New Roman; color: #006C00; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 700; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; margin-left: 0in; margin-right: 0in; margin-top: 0in; margin-bottom: 0.0001pt">
<font size="3"> </font></p>
<p class="MsoNormal" style="font-size: 11pt; font-family: Times New Roman; color: #006C00; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 700; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; margin-left: 0in; margin-right: 0in; margin-top: 0in; margin-bottom: 0.0001pt">
<font size="3">We need wild plants to be recognized and honored for the
priceless gift they are to humanity. "Wild plants and their uses" should be
taught in our schools, sold in stores, served in restaurants, and celebrated
for their nutrition and resilience. To that end, The Wild Foodies of
Philly hosts a website packed full of resource information, free field guides, and
sage advice. We invite the public to visit our website and join our meetup
group. Forage on! With care!</font></p>
<p class="MsoNormal" style="font-size: 11pt; font-family: Times New Roman; color: #006C00; font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 700; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; margin-left: 0in; margin-right: 0in; margin-top: 0in; margin-bottom: 0.0001pt">
<font size="3"> </font></p>
<p class="MsoNormal" style="font-size: 11pt; font-family: Times New Roman; color: rgb(0, 0, 0); font-style: italic; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 700; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; margin-left: 0in; margin-right: 0in; margin-top: 0in; margin-bottom: 0.0001pt">
<font size="3"><font color="#006C00">Lynn Landes, Founder</font><br>
</font><span style="color: rgb(31, 73, 125);"><font size="3">
<a style="color: blue; text-decoration: underline;" href="http://www.wildfoodies.org/">www.WildFoodies.org</a></font></span><font size="3"><br>
</font><a href="https://www.meetup.com/Wild-Foodies-of-Philly/">
<font size="3">https://www.meetup.com/Wild-Foodies-of-Philly</font></a></p>
</blockquote>
</blockquote>
</td>
</tr>
</table>
<p class="MsoNormal" style="font-size: 11pt; font-family: Calibri, sans-serif; color: rgb(0, 0, 0); font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial; margin-left: 0in; margin-right: 0in; margin-top: 0in; margin-bottom: 0.0001pt">
</p>
<hr>
<p class="MsoNormal" style="text-align: left">
<font size="2">
<span style="color: rgb(0, 0, 0); font-family: "Graphik Meetup", -apple-system, BlinkMacSystemFont, Roboto, Helvetica, Arial, sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 700; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #FFFFFF; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none">
Wild Foodies tours are "educational only"</span><span style="color: rgb(0, 0, 0); font-family: "Graphik Meetup", -apple-system, BlinkMacSystemFont, Roboto, Helvetica, Arial, sans-serif; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #FFFFFF; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none">
- no foraging, no tasting. If we invite someone to taste a plant and they
have a bad reaction, that could be a painful experience for them, as well as disrupt the
entire tour. Plus, many parks don't allow foraging of any kind, anyway. Tour
guides have various levels of knowledge and are not certified. It is up to
everyone to do their own "due diligence" before eating a wild edible plant. </span>
</font></p>
<p class="MsoNormal" style="text-align: left">
<b>
<font color="#000000" size="2" face="Arial">Disclaimer: </font>
</b>
<font color="#000000"><span style="font-weight: 700;">
<font size="2" face="Arial">The information provided using this web site is
only intended to be a general summary of information to the public. Every
effort has been made to ensure the accuracy and completeness of the
information on this Web site. However, I make no warranties, expressed or
implied, regarding errors or omissions and assume no legal liability or
responsibility for any injuries resulting from the use of information
contained within.</font></span></font></p>
</div>
</blockquote>
<p> </td>
</tr>
</table>
</div>
<p align="right">
<a href="https://upload.wikimedia.org/wikipedia/commons/thumb/b/b3/Wild-flowers_Kamen.jpg/800px-Wild-flowers_Kamen.jpg?20200307182716">
https://upload.wikimedia.org/wikipedia/commons/thumb/b/b3/Wild-flowers_Kamen.jpg/800px-Wild-flowers_Kamen.jpg?20200307182716</a>
</p>
</body>
</html> |
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Wild Edible Plants
| | | | | | |
| --- | --- | --- | --- | --- | --- |
|
**Discover The Food Beneath Your Feet!**
And join our
[MEETUP](https://www.meetup.com/Wild-Foodies-of-Philly/) for tours
& Plant-of-the-Week!
**Once you learn about wild plants and their many uses... you'll never be the
same*!*** **It is the ultimate empowerment.
Our
fundamental well-being as a society depends on knowing and
respecting our wild world and its uses.
And this website is dedicated to spreading that knowledge. In addition, The Wild
Foodies is a 6,600+
[Meetup](https://www.meetup.com/Wild-Foodies-of-Philly/) in
the Philly-Southeast PA / NJ region, who since 2010 have conducted
hundreds of educational tours (free & fee-based) of wild plants for
food, fiber, medicine, & more.
So, welcome to
our website and enjoy our
wild and wonderful world!**
* PUBLIC TOURS:
[JOIN](http://www.meetup.com/Wild-Foodies-of-Philly/)
OUR [MEETUP](http://www.meetup.com/Wild-Foodies-of-Philly/) For Tours, Events, &
Plant-of-the-Week!
* **PRIVATE
'GROUP' TOURS, SPEAKERS, & CONSULTATIONS:
[LIST](FORAGERS.htm)**
---
| |
| --- |
|
**GET
AN
[APP](http://www.wildfoodies.org/MISC.htm)
& USE [PFAF](http://www.PFAF.org)
to IDENTIFY PLANTS & THEIR *USES!*****USE
[OUR MASTER LIST](PlantProfiles.htm) of 240+ Regional Wild Plant Profiles!****CHECK OUT
"WILD
FOODIES 101" [PDF](WildFoods101.pdf)
/ [PP](WildFoods101.pptx) for photos of plant
families!** |
| | | |
| --- | --- | --- |
|
**INFORMATION:*** [FORAGING
BASICS](Basics.htm)
* [RESOURCE INFO](LINKS.htm)
* **[TOUR GUIDES &](FORAGERS.htm)
[GROUPS](FORAGERS.htm)**
* [TOUR GUIDE TIPS](TourGuideTips.htm)
* [APPS, SOIL TESTING, & EQUIPMENT](MISC.htm)
* [BASICS
OF BOTANY](botany.htm)
* [PLANT NURSERIES](PlantNurseries.htm)
* [GAME MEATS & INSECTS](Game&Insects.htm)
* **[NEWS ARTICLES](NEWS.htm)**
**[Invasive Or Evolving?](EvolvingEcosystems.htm)
[ToxicFreePhilly.org](https://www.toxicfreephilly.org/)** |
**[MENU IDEAS!](WildMenuIdeas.htm)**
**PLANT LISTS:
240+ wild edible plants, bushes,
vines, & trees*** [MASTER
LIST of PLANT PROFILES](PlantProfiles.htm)
* ["IFFY" EDIBLES](IffyEdibles.htm)
* [PLANT LIST "BY EDIBLE PART](ByEdiblePart.htm)"
* [LOOK-A-LIKES](Look-A-Likes.htm)
* [ROOTS](Roots.htm)
* [SHOOTS](SHOOTS.htm)
* [FRUITS](Fruit.htm)
* [WINTER GREENS](WinterGreens.htm)
* [MARSH PLANTS](MarshPlants.htm)
* [TREES](TREES.htm)
* [FLOWERS](Flowers.htm)
* [MUSHROOMS](Mushrooms.htm)
|
**MORE...*** [MEDICINAL LINKS](WildMedicinalPlants.htm)
* [POISONOUS PLANTS](PoisonousPlants.htm)
* **[FIBER PLANTS](Fiber.htm)**
* [SOAP PLANTS](https://pfaf.org/user/cmspage.aspx?pageid=49)
**HARVEST CALENDARS:*** [GENERAL](Calendar,General.htm)
* [GREENS](Calendar,Greens.htm)
* [FRUIT](Calendar,Fruit.htm)
* [MISCELLANEOUS](Calendar,Miscellaneous.htm)
|
* **TAKE "20 STEPS" >
[TO LEARN
240+
PLANTS](20STEPS.htm) broken down into 20 groups for easier
learning.**
* **PDF >
[WILD CUISINE](WildCuisine.pdf)**
* **WATCH
>
Our ZOOM
meetups for 2021:
[FEB](https://www.youtube.com/watch?v=sZQiaXpj3Fo) /
[MAR](https://www.youtube.com/watch?v=0bGgDL5G1J0&t=2248s)
/ [APR](ZoomAprWF.mp4) /
[MAY](ZoomMay.mp4) / [JUN](ZoomJunWF.mp4) / [SEP](ZoomSepWF.mp4)
/ [OCT](ZoomOctWF.mp4)**
* **ASK
The Philadelphia**
[[email protected]](mailto:[email protected])
**& your local school
to teach "Wild Plants And Their Uses"**
* **START a Wild Foodies meetup in your town or
neighborhood. It's a great way to meet really nice people!**
* HELP spread the word with "[free
images](BumperStickers,Decals,Ads.htm)" for bumper stickers, totebags, ads, etc
* **TO DONATE to our mission...**
**OUR MISSION
is to**
educate the public about wild edible plants and
their many other uses. **If you would like to financially support our mission,
as most of our tours are free,
please make your check out to Lynn
Landes LLC (address below) or via PayPal at
[[email protected]](mailto:[email protected]). The Wild Foodies is not a non-profit, so there is no
tax deduction. Your donation will go towards our costs and advertising to spread the word about our Wild
& Wonderful World!**
Forage on, with
care!
**Lynn Landes,
Founder
Wild Foodies of Philly
217 S. Jessup Street
Philadelphia, PA
19107
714-204-2690**
**[www.WildFoodies.org](http://www.WildFoodies.org)
[www.LynnLandes.com](http://www.LynnLandes.com)
[[email protected]](mailto:[email protected])**
| |
| --- |
|
Lynn Landes, founder of local foraging and educational group The Wild Foodies of Philly, stands with a Burdock plant, freshly pulled from the ground at Awbury Arboretum. (Grace Dickinson/The Philadelphia Inquirer/TNS)
Philadelphia Inquirer article also published in
[DetroitNews.com/story/life/food/2019/05/30/5-edible-plants-you-can-forage-your-backyard/1270017001/](https://www.detroitnews.com/story/life/food/2019/05/30/5-edible-plants-you-can-forage-your-backyard/1270017001/)
*An Open Letter to Everyone!*
*by Lynn Landes*
Wild Food deserves a place of honor at our kitchen table,
farmers markets, grocery stores, restaurants, and schools. Why? Because
wild food is nature's food and completely sustainable. Unlike cultivated
crops, wild food does not
require human intervention for its survival. Homeowners can produce a
great deal of their own "wild" food and medicine in their own yards, while
public parks can let the public pick their produce. Wild food is a hot
commodity gaining fast in popularity!
*Re-Wilding is a growing movement around the world. The re-wilding movement
recognizes the importance of growing wild foods in a natural setting and
including them in our meals. Consuming wild foods also adds diversity and
nutrition to our diet. Many plants that we call weeds are a vital source
of food, fiber, and medicine. And more importantly, wild foods can make the
difference between life or death in times of natural or man-made disasters.*
Wild food constitutes an important second or co-harvest for
farmers, which adds to their efficiency, productivity, and income. For many
farmers, the number one weed, is Amaranth (a.k.a., pigweed). Yet, Amaranth
is also a superfood consumed by millions around the world as a tasty leafy
vegetable and a seed grain. Purslane, Patience Dock, and Lambs Quarters
also top the list of wild food for foragers to gather. We want to
encourage farmers
to take advantage of this bumper crop of delicious delectables and
pricey produce.
At the Rittenhouse Square Farmers Market
in Philadelphia, renowned forager David Siller and his staff sell wild
edibles like hotcakes, including Stinging Nettle, Fiddleheads, Garlic
Mustard, and Ramps. And the public is showing phenomenal support.
*The same could be said for The Wild Foodies of Philadelphia,
a Meetup group that I founded in 2010. Today we have over 6,600
members. The Wild Foodies is a very enthusiastic group who come
from all points on the political spectrum to learn more about the food
right under our feet. They value what nature can provide and are
somewhat distrustful of government and the marketplace. And they have a
point.*
To ignore wild food is to turn our backs on Mother Nature and
common sense. Traditional agriculture, with its monoculture and rows of
crops, invites disease and pests and is not sustainable. Whereas, your
typical empty lot on any city is chock full of wild foods growing with wild
abandon. That-right-there should tell us something.
We need wild plants to be recognized and honored for the
priceless gift they are to humanity. "Wild plants and their uses" should be
taught in our schools, sold in stores, served in restaurants, and celebrated
for their nutrition and resilience. To that end, The Wild Foodies of
Philly hosts a website packed full of resource information, free field guides, and
sage advice. We invite the public to visit our website and join our meetup
group. Forage on! With care!
Lynn Landes, Founder
[www.WildFoodies.org](http://www.wildfoodies.org/)
[https://www.meetup.com/Wild-Foodies-of-Philly](https://www.meetup.com/Wild-Foodies-of-Philly/)
|
---
Wild Foodies tours are "educational only"
- no foraging, no tasting. If we invite someone to taste a plant and they
have a bad reaction, that could be a painful experience for them, as well as disrupt the
entire tour. Plus, many parks don't allow foraging of any kind, anyway. Tour
guides have various levels of knowledge and are not certified. It is up to
everyone to do their own "due diligence" before eating a wild edible plant.
**Disclaimer:**
The information provided using this web site is
only intended to be a general summary of information to the public. Every
effort has been made to ensure the accuracy and completeness of the
information on this Web site. However, I make no warranties, expressed or
implied, regarding errors or omissions and assume no legal liability or
responsibility for any injuries resulting from the use of information
contained within.
|
<https://upload.wikimedia.org/wikipedia/commons/thumb/b/b3/Wild-flowers_Kamen.jpg/800px-Wild-flowers_Kamen.jpg?20200307182716>
| http://wildfoodies.org/ |
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<a href= "http://bookwormhole.net">Bookwormhole.net
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<a href ="http://www.stoodio.org/gmail-archive-mailconv">Ukraine</a>
<a href="http://stoodio.org/"><br>
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<td width="100%">
<h1><font face="Times New Roman" size="6"><b>InterGuru's
E-Mail Address Book Conversions</b></font></h1>
<h3><font face="Times New Roman" size="4"><b>Since 1996</b></font></h3>
<p><font face="Times New Roman" size="3">
Resume <a href="http://www.interguru.com/resume.doc" >
<u>MS Word</u></a>,
<a href="http://www.interguru.com/resume.pdf" ><u>pdf</u></a>.
</p>
</font>
</td>
</tr>
</tbody>
</table>
</ul>
</div>
<p><font face="Times New Roman" size="3">This service converts e-mail
address lists between:</font></p>
<table><tr><td>
<ul type="disc">
<li><a href="http://www.qualcomm.com/ProdTech/quest/" target="_blank"><font face="Times New Roman" size="3"><u>Eudora </u></font></a><font face="Times New Roman" size="3">alias
files;</font></li>
<li><a href="http://www.ii.com/internet/messaging/pine/" target="_blank"><font face="Times New Roman" size="3"><u>Pi</u></font></a><a href="http://www.best.com/%7Eii/internet/messaging/pine/" target="_blank"><font face="Times New Roman" size="3"><u>ne</u></font></a><font face="Times New Roman" size="3">
address books;</font></li>
<li><a href="http://www.myxa.com/elm.html" target="_blank"><font face="Times New Roman" size="3"><u>Elm</u></font></a><font face="Times New Roman" size="3"> address files;</font></li>
<li><font face="Times New Roman" size="3">Compuserve;</font></li>
<li><font face="Times New Roman" size="3">Spry; </font></li>
<li><font face="Times New Roman" size="3">Lotus cc:Mail and
Lotus Notes;</font></li>
<li><a href="http://www.microsoft.com/" target="_blank"><font face="Times New Roman" size="3"><u>Microsoft
Internet Mail</u></font></a><font face="Times New Roman" size="3">;</font></li>
</ul>
</td><td>
<ul type = "disc">
<li><a href="http://www.interguru.com/#ldif" target="_blank"><font face="Times New Roman" size="3"><u>ldif</u></font></a><font face="Times New Roman" size="3"> formatted file;</font></li>
<li><a href="http://www.netscape.com/" target="_blank"><font face="Times New Roman" size="3"><u>Netscape</u></font></a><font face="Times New Roman" size="3"> address books;</font></li>
<li><font face="Times New Roman" size="3">Mac;</font></li>
<li><font face="Times New Roman" size="3">AOL;</font></li>
<li><font face="Times New Roman" size="3">T-Online;</font></li>
<li><a href="http://www.emailman.com/mac/emailer/index.html" target="_blank"><font face="Times New Roman" size="3"><u>Claris Emailer</u></font></a><font face="Times New Roman" size="3">; and </font></li>
<li><font face="Times New Roman" size="3">Pegasus (</font><a href="http://freya.let.rug.nl/pegasus/faq.html" target="_blank"><font face="Times New Roman" size="3"><u>Europe</u></font></a><font face="Times New Roman" size="3">
and </font><a href="http://www.pmail.com/" target="_blank"><font face="Times New Roman" size="3"><u>USA</u></font></a><font face="Times New Roman" size="3">) address files, databases and spreadsheets.</font></li>
</ul>
</td></tr></table>
<h2 align="center"><a name="0.2_01000001"></a><font face="Times New Roman" size="5"><b>Windows
Users: Looking for a fast, simple, and low-cost
solution to contact information conversion challenges?</b></font></h2>
<p><a href="https://www.regnow.com/softsell/visitor.cgi?affiliate=10776&action=site&vendor=5726&ref=http://www.connectedsw.com/Overview/57262" target="_blank">
<font face="Times New Roman" size="3"><u>Address Magic Personal Edition</u></font></a><font face="Times New Roman" size="3"> offers you a smoother conversion in
a Windows environment than the InterGuru service described below. </font></p>
<p><font face="Times New Roman" size="3">Unlike my more generalized
service, Address Magic focuses on Windows and uses special methods built
into Windows. As a result, it supports all contact fields and can work
with complex environments like Outlook, Exchange Server, and Lotus Notes. </font></p>
<p><font face="Times New Roman" size="5"><b>Leaving AOL</b>?</font></p>
<p><font face="Times New Roman" size="3">Convert your address books
to Microsoft Outlook or Outlook Express with </font>
<a href="https://www.regnow.com/softsell/visitor.cgi?affiliate=10776&action=site&vendor=5726&ref=http://www.connectedsw.com/Overview/57266" target="_blank">
<font face="Times New Roman" size="3"><u>ePreserver</u></font></a><font face="Times New Roman" size="3">. </font></p>
<p><font face="Times New Roman" size="3">Connected Software is an Internet
Partner of Interguru. Purchasing ePreserver helps support the Interguru
site.</font></p>
<h3><font face="Times New Roman" size="5"><b>Corporate Migrations</b></font></h3>
<p><font face="Times New Roman" size="3">Interguru recommends that corporate
users who need to convert large numbers of Windows users should investigate </font>
<a href="https://www.regnow.com/softsell/visitor.cgi?affiliate=10776&action=site&vendor=5726&ref=http://www.connectedsw.com/EnterpriseEdition.html" target="_blank">
<font face="Times New Roman" size="3"><u>Address Magic Enterprise Edition </u></font></a><font face="Times New Roman" size="3">. Your purchase of this software helps
support Interguru. </font> <br>
<br>
</p>
<p><font face="Times New Roman" size="5"><b>Also Note:</b></font></p>
<font face="Times New Roman" size="3">
<ul type="disc">
<li><a href="http://www.interguru.com/MailInformation.htm" ">
<b><u>Maibox Conversion, Other Utilities,
and Links to Other Useful Sites</u></b></a></li>
<li><a href="javascript:opWinHelp();">Trouble shooting guide if this
site doesn't work</a></li>
<li><a href="javascript:opWinPrivacy();">Your Privacy</a></li>
<li><a href="http://www.interguru.com/registerDownload.htm" target="_blank"><u>Availability of Source Code</u></a></li>
<li><a href="javascript:opWinPhone();">Converting Addresses, Phone and Fax Numbers,
etc</a></li>
</ul>
<h1><font face="Times New Roman" size="5">Convert Your Address Book</font></h1>
<p><font face="Times New Roman" size="3">This is a Web-based conversion.
For programs convert your address book on your machine, see </font>
<a href="https://www.regnow.com/softsell/visitor.cgi?affiliate=10776&action=site&vendor=5726&ref=http://www.connectedsw.com/Overview/57262"
target="_blank">
<font face="Times New Roman" size="3">
<u>Address Magic</u></font></a><font face="Times New Roman" size="3"> (Windows only) and </font><a href="http://www.interguru.com/MailInformation.htm#dawn" target="_blank"><font face="Times New Roman" size="3"><u>Dawn</u></font></a><font face="Times New Roman" size="3">
(UNIX and Windows).</font></p>
<p><font face="Times New Roman" size="3">To run this, check one button
for the input list and one for the output list. <br>
Then push the <i>Continue </i>button and follow the instructions. <br>
<b>Note:</b> you cannot convert a mailing list to itself. </font></p>
<a name="0.2_table02"></a></div>
</div>
<form action="/user-cgi/mailconv.cgi" method="post">
<div align="center">
<center>
<table border="2" width="100%">
<tbody>
<tr>
<td width="60%">
<p align="center"><strong>Convert From:</strong></p>
</td>
<td>
<p align="center"><strong>Convert To:</strong></p>
</td>
</tr>
<tr>
<td width="50%"> <input checked="checked" name="inputlist" value="nets" type="radio">
Netscape 3 <br>
<input name="inputlist" value="ldif" type="radio"> Mozilla Thunderbird and Ldif<br>
<input name="inputlist" value="net6" type="radio">Netscape
6 <br>
<input name="inputlist" value="eudo" type="radio"> Eudora <br>
<input name="inputlist" value="pine" type="radio"> Pine <br>
<input name="inputlist" value="elm" type="radio"> Elm <br>
<input name="inputlist" value="pega" type="radio"> Pegasus<br>
<input name="inputlist" value="genr" type="radio">Database/Tab-Ascii/Compuserve/Spry/csv/Juno/Unix
mail (.mailrc)<br>
<input name="inputlist" value="msie" type="radio">MicrosoftExplorer
/Outlook/Exchange/WAB/PAB<br>
<input name="inputlist" value="ccml" type="radio"> cc:Mail<br>
<input name="inputlist" value="note" type="radio"> Lotus
Notes<br>
<input name="inputlist" value="clar" type="radio"> Claris
Emailer and Mac AOL<br>
<input name="inputlist" value="tonl" type="radio">T-Online<br>
<input name="inputlist" value="fort" type="radio"> Forte
Agent<br>
<input name="inputlist" value="aol" type="radio"> AOL<br>
</td>
<td width="50%"><input checked="checked" name="outputlist" value="nets" type="radio">
Netscape 3 <br>
<input name="outputlist" value="ldif" type="radio">Netscape
4, Mozilla, Thunderbird and Ldif<br>
<input name="outputlist" value="genr" type="radio"> Tab
Ascii/csv/spreadsheets/databases/Palm Pilot/etc <br>
<input name="outputlist" value="eudo" type="radio">Eudora <br>
<input name="outputlist" value="pine" type="radio"> Pine <br>
<input name="outputlist" value="elm" type="radio"> Elm <br>
<input name="outputlist" value="pega" type="radio">Pegasus<br>
<input name="outputlist" value="msie" type="radio"> MS
Explorer/Outlook/Interchange/WAB<br>
</td>
</tr>
</tbody>
</table>
</center>
</div>
<p><input value="Continue" type="submit">
</p>
</form>
<hr>
<a href="#top">
<img style="border: 0px solid ; width: 36px; height: 36px;" alt="" src="homebut.gif" align="middle"></a>
<a href="#top"> Back to Top</a>
<br>
<hr>
<h2> How to Contact InterGuru</h2>
<p> Telephone: 301-593-4152</p>
<p> E-Mail
<script language="javascript" type="text/javascript"> generate_address( "jhd", "interguru.com" ,"");</script>
</p>
<p> Postal Mail: 1501 Dublin Drive, Silver Spring, MD 20902</p>
<p> Copyright 2006 © Joseph Davidson, all rights
</p>
</td>
</tr>
</tbody>
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</html>
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InterGuru's E-Mail Address Conversions
| | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
|
---
**For Book Lovers**
[Bookwormhole.net](http://bookwormhole.net)
Links to over 45,000 published reviews!
---
**Translations of this page**
[Ukraine](http://www.stoodio.org/gmail-archive-mailconv)
[[Polish](http://www.pkwteile.de/wissen/zrodlo-interguru-download-kod)
---
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---
Support This Site
Amazon Honor System
[Donate by Check](javascript:opWinCheck())](http://stoodio.org/) |
|
|
| |
| --- |
| **InterGuru's
E-Mail Address Book Conversions**
**Since 1996**
Resume [MS Word](http://www.interguru.com/resume.doc),
[pdf](http://www.interguru.com/resume.pdf).
|
This service converts e-mail
address lists between:
| | |
| --- | --- |
| * [Eudora](http://www.qualcomm.com/ProdTech/quest/) alias
files;
* [Pi](http://www.ii.com/internet/messaging/pine/)[ne](http://www.best.com/%7Eii/internet/messaging/pine/)
address books;
* [Elm](http://www.myxa.com/elm.html) address files;
* Compuserve;
* Spry;
* Lotus cc:Mail and
Lotus Notes;
* [Microsoft
Internet Mail](http://www.microsoft.com/);
| * [ldif](http://www.interguru.com/#ldif) formatted file;
* [Netscape](http://www.netscape.com/) address books;
* Mac;
* AOL;
* T-Online;
* [Claris Emailer](http://www.emailman.com/mac/emailer/index.html); and
* Pegasus ([Europe](http://freya.let.rug.nl/pegasus/faq.html)
and [USA](http://www.pmail.com/)) address files, databases and spreadsheets.
|
**Windows
Users: Looking for a fast, simple, and low-cost
solution to contact information conversion challenges?**
[Address Magic Personal Edition](https://www.regnow.com/softsell/visitor.cgi?affiliate=10776&action=site&vendor=5726&ref=http://www.connectedsw.com/Overview/57262) offers you a smoother conversion in
a Windows environment than the InterGuru service described below.
Unlike my more generalized
service, Address Magic focuses on Windows and uses special methods built
into Windows. As a result, it supports all contact fields and can work
with complex environments like Outlook, Exchange Server, and Lotus Notes.
**Leaving AOL**?
Convert your address books
to Microsoft Outlook or Outlook Express with
[ePreserver](https://www.regnow.com/softsell/visitor.cgi?affiliate=10776&action=site&vendor=5726&ref=http://www.connectedsw.com/Overview/57266).
Connected Software is an Internet
Partner of Interguru. Purchasing ePreserver helps support the Interguru
site.
**Corporate Migrations**
Interguru recommends that corporate
users who need to convert large numbers of Windows users should investigate
[Address Magic Enterprise Edition](https://www.regnow.com/softsell/visitor.cgi?affiliate=10776&action=site&vendor=5726&ref=http://www.connectedsw.com/EnterpriseEdition.html) . Your purchase of this software helps
support Interguru.
**Also Note:**
* [**Maibox Conversion, Other Utilities,
and Links to Other Useful Sites**](http://www.interguru.com/MailInformation.htm)
* [Trouble shooting guide if this
site doesn't work](javascript:opWinHelp();)
* [Your Privacy](javascript:opWinPrivacy();)
* [Availability of Source Code](http://www.interguru.com/registerDownload.htm)
* [Converting Addresses, Phone and Fax Numbers,
etc](javascript:opWinPhone();)
Convert Your Address Book
This is a Web-based conversion.
For programs convert your address book on your machine, see
[Address Magic](https://www.regnow.com/softsell/visitor.cgi?affiliate=10776&action=site&vendor=5726&ref=http://www.connectedsw.com/Overview/57262) (Windows only) and [Dawn](http://www.interguru.com/MailInformation.htm#dawn)
(UNIX and Windows).
To run this, check one button
for the input list and one for the output list.
Then push the *Continue* button and follow the instructions.
**Note:** you cannot convert a mailing list to itself.
| | |
| --- | --- |
| **Convert From:** | **Convert To:** |
|
Netscape 3
Mozilla Thunderbird and Ldif
Netscape
6
Eudora
Pine
Elm
Pegasus
Database/Tab-Ascii/Compuserve/Spry/csv/Juno/Unix
mail (.mailrc)
MicrosoftExplorer
/Outlook/Exchange/WAB/PAB
cc:Mail
Lotus
Notes
Claris
Emailer and Mac AOL
T-Online
Forte
Agent
AOL |
Netscape 3
Netscape
4, Mozilla, Thunderbird and Ldif
Tab
Ascii/csv/spreadsheets/databases/Palm Pilot/etc
Eudora
Pine
Elm
Pegasus
MS
Explorer/Outlook/Interchange/WAB |
---
[Back to Top](#top)
---
How to Contact InterGuru
Telephone: 301-593-4152
E-Mail
generate\_address( "jhd", "interguru.com" ,"");
Postal Mail: 1501 Dublin Drive, Silver Spring, MD 20902
Copyright 2006 © Joseph Davidson, all rights
|
| http://www.interguru.com/ |
<html>
<head>
<meta name="robots" content="index, follow">
<meta name="keywords" content="niagara falls, 1969, dewatered falls, dewatered American Falls, USACE, United States Army Corps of Engineers, Niagara Frontier State Parks Commission, Niagara Falls dry,">
<meta name="description" content="Niagara Falls - Dewatered American Falls">
<meta http-equiv="Content-Type" content="text/html; charset=windows-1252">
<meta name="GENERATOR" content="Microsoft FrontPage 6.0">
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<title>Niagara Falls - Dewatered American Falls (1969)</title>
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<div align="center">
<table border="0" cellpadding="5" cellspacing="5" width="1000" background="image/nfback.jpg">
<tr>
<td width="1000" valign="top"><p> </p>
<p align="center">
<font face="Baskerville Old Face" size="6" color="#000080">
<span lang="EN-CA">Niagara Falls</span></font></p>
<p class="MsoTitle" align="center">
<font face="Baskerville Old Face" color="#000080" size="7">
the Summer of '69</font><b><span style="font-family: Arial"><font size="5"><br>
the Dewatering of
the American Falls<br>
</font></span><i><br>
June 12th 1969 - November 24th 1969<br>
</i></b></p>
<blockquote>
<blockquote>
<p align="center"><font face="Baskerville Old Face" size="5">a
chronological history</font></p>
</blockquote>
</blockquote>
<p class="MsoNormal"><span style="font-family: Arial"> </span></p>
<p class="MsoNormal"><span style="font-family: Arial"> </span></p>
<p class="MsoNormal" align="center">
<a target="_blank" href="image/Amfallsdewatered1.jpg">
<img border="0" src="image/Amfallsdewatered1.gif" alt="The Dewatered American Falls - 1969" width="150" height="117"></a></p>
<p class="MsoNormal" align="center"><i><font size="2">the dewatered
American Falls<br>
<br>
</font></i><font size="2">courtesy of the Niagara Falls Review<br>
</font></p>
<blockquote>
<p class="MsoNormal" style="margin-left: .5in" align="justify"><b>
<span style="font-family: Arial">This story began 12,000 years ago.
Since that time the Falls of Niagara have eroded 7 miles (11 km) from
the Niagara Escarpment to its current location. Except for a brief
moment in geological time approximately 7,000 years ago at the area of
the Niagara Glen, the Falls have always been one waterfall. </span></b></p>
<p class="MsoNormal" style="margin-left: .5in" align="justify"><b>
<span style="font-family: Arial">This changed approximately 500 - 800
years ago when Goat Island separated the flow of the Niagara River into
two channels. The largest channel now known as the Horseshoe Falls
carried much of the water. The smallest channel, now know as the
American channel carried little water. </span></b></p>
<p class="MsoNormal" style="margin-left: .5in" align="justify"><b>
<span style="font-family: Arial">Within a short time on the geological
scale, the main channel (Horseshoe Falls) eroded past the American
channel leaving the exposed American Falls a separate waterfall. Since
the early 1700s, the main waterfalls began to be described as
horseshoe shaped. It became known to visitors as the Horseshoe Falls. </span></b></p>
<p class="MsoNormal" style="margin-left: .5in" align="justify"><b>
<span style="font-family: Arial">Today the Falls of Niagara consist of
the Horseshoe Falls and the American Falls (includes the Bridal Veil
Falls).</span></b></p>
</blockquote>
<p class="MsoNormal"><span style="font-family: Arial"> </span></p>
<p class="MsoNormal"><b><u>
<span style="font-size: 16.0pt; font-family: Arial">Beginnings</span><span style="text-decoration: none; font-size: 16.0pt; font-family: Arial"> </span></u></b></p>
<p class="MsoNormal"><span style="font-family: Arial">This chapter in
history has a beginning in 1965 with a local newspaper reporter. Mr. Cliff
Spieler of the Niagara Falls Gazette thought it would be a good idea for a
series of articles to be written about the imminent death of the
American Falls. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">Rock falls in 1931
and 1954 had dumped unsightly talus at the base of the Falls. Spieler was
concerned that if erosion of the American Falls were allowed to continue
and rock falls continued to collect at its base, the waterfall would be
destroyed. The story came out in a front page editorial issue on January
31<sup>st</sup> 1965. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">In advance of the
newspaper release, New York State Senator, Earl Brydges and District
Representative Henry Smith had been informed and had drawn up legislation
on the issue to present in the United States Congress. The
issue became a major issue within the community and the government. The
Gazette article had generated a vigorous and effective campaign to save
the American Falls. In late 1965, the U.S. Congress authorized the
International Joint Commission to study this issue.</span></p>
<p class="MsoNormal"><span style="font-family: Arial">In 1967, as a result
of this growing public outcry, the International Joint Commission (IJC)
created a full time board to study the matter and make definitive
recommendations. The American Falls International Board was created. After
two years, this ongoing study <b><i>resulted in the temporary dewatering
of the </i></b></span><b><i><span style="font-family: Arial">American
Falls</span></i></b><span style="font-family: Arial">. The completed
dewatering of the American Falls was made easier because only 10% of the
water follows that route.</span></p>
<p class="MsoNormal"><span style="font-family: Arial"> </span></p>
<p class="MsoNormal"><b><u>
<span style="font-size: 16.0pt; font-family: Arial">Precursor</span></u></b></p>
<p class="MsoNormal"><b><span style="font-family: Arial">Sunday November
13th 1966 </span></b><span style="font-family: Arial"> the
first man-made dewatering of the American Falls took place in order to
allow workmen to clear debris from the upper American channel above the
American Falls. Forty (40) Niagara Frontier State Park Commission
employees wearing hip boots waded out into the channel to remove tree
trunks and other assorted debris. A bulldozer was utilized to pull a 10
ton pontoon float which had become grounded in the rapids 600 feet (183m)
above the Falls in 1959. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">The water diversion
was accomplished by opening the gates of the International Water Control
Dam a short distance upriver as well as maximizing water diversion to the
hydro generating stations downriver. This action cut back the normal flow
60,000 gallons a second (8,000 cubic feet of water per second) to a
manageable 15,000 gallons a second (2,000 cubic feet of water per second). </span></p>
<p class="MsoNormal"><span style="font-family: Arial">This project was
allowed as part of a $90,000 study undertaken by the United States Army
Corps of Engineers (USACE) to see what could be done to halt erosion at
the Falls. The water flow was reduced for a six hour period. While
employees cleared debris, Corps officials conducted on the spot
inspections and took aerial photographs of the river bed. </span></p>
<p class="MsoNormal" align="center"><span style="font-family: Arial"> <br>
</span></p>
<p class="MsoNormal"><b><u>
<span style="font-size: 16.0pt; font-family: Arial">Dewatering American
Falls- 1969</span></u></b><span style="font-family: Arial"> </span></p>
<p class="MsoNormal"><span style="font-family: Arial">The United States
Army Corps of Engineers (USACE) Buffalo District was tasked with the
dewatering of the American Falls project in 1969. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">The Albert Elia
Construction Company of Niagara Falls, New York was awarded a $445,412
contract to build and remove a 600 foot (183m) cofferdam from the mainland
to the head of Goat Island in order to divert the water from the American
channel. In addition, they were required to clean the surface of the
river bed, scale loose rock from the face of the Falls, and install a
water spray system. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">The remainder of the
$1.5 million was spent on the study for the International Joint
Commission. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">Colonel Amos L.
Wright, USACE - District Engineer from Buffalo was the first officer in
charge of this project. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">Shortly after the
project began, Colonel Wright was reassigned to duty in Vietnam. He was
replaced by Colonel Ray Hansen. He was in charge of overall operations of
this project.</span></p>
<p class="MsoNormal"><span style="font-family: Arial">Captain Douglas
Wilkinson of the USACE was the chief project geologist. He joined the
USACE in 1959. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">Captain Joseph
Guertin is the USACE officer assigned to the project because of his
background in rock mechanics. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">Captain L.B. Waites
of the USACE from Mobile, Alabama was the site drilling supervisor</span></p>
<p class="MsoNormal"><span style="font-family: Arial"> </span></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal" align="center"> </p>
<div align="center">
<table border="1" cellspacing="12" cellpadding="6">
<tr>
<td>
<a href="images/DRY/Summerof69intro1.jpg" target="_blank">
<img border="0" src="images/DRY/Summerof69intro1.gif"></a></td>
<td>
<a href="images/DRY/Summerof69intro2.jpg" target="_blank">
<img border="0" src="images/DRY/Summerof69intro2.gif"></a></td>
<td><a href="images/DRY/Glassen1_1500.jpg" target="_blank">
<img border="0" src="images/DRY/Glassen1_1500.gif"></a></td>
<td><a href="images/DRY/Glassen2_1500.jpg" target="_blank">
<img border="0" src="images/DRY/Glassen2_1500.gif"></a></td>
</tr>
<tr>
<td><a href="images/DRY/Glassen5_1500.jpg" target="_blank">
<img border="0" src="images/DRY/Glassen5_1500.gif"></a></td>
<td><a href="images/DRY/Glassen6_1500.jpg" target="_blank">
<img border="0" src="images/DRY/Glassen6_1500.gif"></a></td>
<td><a href="images/DRY/Glassen7_1500.jpg" target="_blank">
<img border="0" src="images/DRY/Glassen7_1500.gif"></a></td>
<td><a href="images/DRY/Glassen8_1500.jpg" target="_blank">
<img border="0" src="images/DRY/Glassen8_1500.gif"></a></td>
</tr>
<tr>
<td><a href="images/DRY/Glassen9_1500.jpg" target="_blank">
<img border="0" src="images/DRY/Glassen9_1500.gif"></a></td>
<td><a href="images/DRY/Glassen10_1500.jpg" target="_blank">
<img border="0" src="images/DRY/Glassen10_1500.gif"></a></td>
<td><a href="images/DRY/Glassen11_1500.jpg" target="_blank">
<img border="0" src="images/DRY/Glassen11_1500.gif"></a></td>
<td><a href="images/DRY/Glassen12_1500.jpg" target="_blank">
<img border="0" src="images/DRY/Glassen12_1500.gif"></a></td>
</tr>
<tr>
<td><a href="images/DRY/Glassen3_1500.jpg" target="_blank">
<img border="0" src="images/DRY/Glassen3_1500.gif"></a></td>
<td><a href="images/DRY/Glassen4_1500.jpg" target="_blank">
<img border="0" src="images/DRY/Glassen4_1500.gif"></a></td>
<td> </td>
<td> </td>
</tr>
</table>
</div>
<p class="MsoNormal" align="center"><i><font face="Arial">Photographs by
Clifford & Madeline Valentine</font></i></p>
<blockquote>
<blockquote>
<p class="MsoNormal" align="justify"><i>
<font face="Arial" size="2">Clifford Valentine died in 1997. He
was an equipment installer for Southern New England telephone
Company. Clifford's hobby was photography. Throughout the years,
he had taken thousands of photographs.<br>
<br>
The following pictures are those taken by Clifford & Madeline at
Niagara Falls in the Summer of 1969.<br>
<br>
- Courtesy of Russell Glasson </font></i></p>
</blockquote>
</blockquote>
<p class="MsoNormal" align="center"> </p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Monday June 9th
1969
- </b>The first major safety problem occurred as workers from Albert Elia
Construction Company of Niagara Falls, New York pushed rocks and earth
into the Niagara River at the head of Goat Island to erect the 600 foot
long cofferdam in order to divert the water. A lifeline was strung by
helicopter from the mainland to Goat Island before the operators began.
The line was to give everyone who might fall into the treacherous water
something to catch before being swept downriver in the racing current to
the American Falls. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">Construction to
build the cofferdam began at midnight.</span></p>
<p class="MsoNormal"><span style="font-family: Arial"> </span></p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Thursday June 12th
1969
-</b> The waters of the American Falls were shut down. After 3 days of working
two 11 hour long shifts, thirty (30) workmen from the Albert Elia Construction Company
sealed off all but a small gap in the cofferdam by Thursday at 2:40 a.m.
Three truck loads of fill and three boulders were pushed into place seal
the cofferdam completely this morning by 10:40 a.m. The dam was now
holding back the eight (8) foot (2.4m) deep water of the Niagara River. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">It took 1,264 truck
loads of fill to stop the flow of water. The fill consisted of 27,800 tons
of rock and earth to build the cofferdam. One truck driver received the
scare of his life as a front tire of his vehicle slipped over the soft
edge of the dam. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">Mr. Pat Stoutamire,
the dewatering superintendent for the Albert Elia Company was one of the
first persons to inspect the dry river bed.</span></p>
<p class="MsoNormal"><span style="font-family: Arial">As soon as the river
was diverted, workmen constructed a fence along the brink of the Falls. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">Police have so far
discovered the remains of a man, a woman and the carcass of a deer amongst
the rocks of the talus at the base of the Falls. At approximately 8 a.m.,
the body of a man was recovered amongst the drying talus. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">According to
Sergeant Dominic Conti of the Niagara Frontier State Parks Police, the man
was seen diving into the water of the American channel on Wednesday June
11<sup>th</sup> at about 1:50 p.m. Three visitors at first thought the man
was a worker on the dewatering project The man was 20-25 years old with
brown hair. He was wearing a green plaid shirt and green pants. The man
had walked along the shore until he reached the brink and jumped in. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">Police officers:
Sergeant Conti, Patrolmen Ronald Tobin, James McNeil and James Gizzarelli,
while searching for the man, discovered the badly decomposed body of a
woman jammed head first amongst the rocks about half way up talus bank. The
woman was clad in a red and white horizontally striped jersey or dress. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">During a subsequent
post mortem examination, the woman was found to be wearing a narrow gold
wedding band with the inscription <b>forget me not</b> on the inside.
The dewatering project allowed the recovery of the bodies from the talus.
This normally would never have been possible. By the of the dewatering of
the American Falls, the woman ironically became part of this history and
would be remembered forever. </span></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal" align="center"><span style="font-family: Arial"> <a target="_blank" href="image/Amfallsdewatered2.jpg"><img border="0" src="image/Amfallsdewatered2.gif" alt="US Army Corps of Engineers drilling on river bed " width="150" height="121"></a><br>
</span><i><font size="2">the United States Army Corps of Engineers<br>
drilling on the dry American Falls<br>
<br>
</font></i><font size="2">courtesy of the Niagara Falls Review<br>
</font><i><font size="2"><br>
</font></i></p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Friday June 13th
1969 -</b><i> </i>The spectacle of the dry American Falls is already drawing visitors from local and far away to
see the phenomenon. Most agree the double barrel attraction of the trickle
of water trailing forlornly over the rocks on one side of Goat Island and
water flowing mightier than ever on the other side was worth seeing. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">Last night traffic
was so heavy on Goat Island that cars were backed up to parking lots at
both ends of the island. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">Tourists stood
behind protective fencing at the cofferdam at the head of Goat Island to
see what had stopped the Niagara River. The water was now being channeled
to the Horseshoe Falls. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">At the crest of the
American Falls, a temporary fence blocked the way to Luna Island. The most
daring spectators walked onto the river bed, despite rocks that were slippery from
the water and moss and a stream that continued down the center. Several people
walked over and peered over the crest of the Falls. With the water not
flowing, the channel looked like any other part of the Niagara Gorge. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">A pile of 185,000
tons of unsightly talus from the 1954 Prospect Point rock fall at the base
bear testimony for a need of a way to prevent further rock slides in the
area and to remove some of the offending material.</span></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Monday June 16th
1969 -</b><i> </i>Rochester Shale
begins to crumble at the dry American Falls. Cranes will be used
for scaling. Workers will begin scaling loose rocks from the face of the
American falls on Tuesday or Wednesday. The rocks must be
removed before USACE geologists begin studies at the base of the Falls.</span></p>
<p class="MsoNormal"><span style="font-family: Arial">Installation of
water pipes with sprinklers are being installed faster then originally
planned. They will moisten the shale layer which has been undermining the
dolomite at the crest of the Falls. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">A 70 ton crane must
be moved out onto the river bed before scaling operations begin. A 50 ton
crane is already in place. The crane boom will suspend workmen in cages
while scaling loose rock. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">An access road has
been built across the mossy surface of the river bed. A protective fence
stretches from Prospect Point to Luna Island</span><i><span style="font-family: Arial">. </span></i></p>
<p class="MsoNormal" align="center"><i><span style="font-family: Arial"> </span></i></p>
<div align="center">
<table border="1" cellspacing="12" cellpadding="6">
<tr>
<td><a href="images/DRY/PD_0005(2)fx.jpg" target="_blank">
<img border="0" src="images/DRY/PD_0005(2)fx.gif"></a></td>
<td><a href="images/DRY/PD_0007fx.jpg" target="_blank">
<img border="0" src="images/DRY/PD_0007fx.gif"></a></td>
<td><a href="images/DRY/PD_0010fx.jpg" target="_blank">
<img border="0" src="images/DRY/PD_0010fx.gif"></a></td>
<td><a href="images/DRY/PD_0012fx.jpg" target="_blank">
<img border="0" src="images/DRY/PD_0012fx.gif"></a></td>
</tr>
<tr>
<td><a href="images/DRY/PD_0013fx.jpg" target="_blank">
<img border="0" src="images/DRY/PD_0013fx.gif"></a></td>
<td><a href="images/DRY/PD_0014fx.jpg" target="_blank">
<img border="0" src="images/DRY/PD_0014fx.gif"></a></td>
<td><a href="images/DRY/PD_0011fx.jpg" target="_blank">
<img border="0" src="images/DRY/PD_0011fx.gif"></a></td>
<td> </td>
</tr>
</table>
</div>
<p class="MsoNormal" align="center"><i><font face="Arial">Photographs by
Lory Watts</font></i></p>
<blockquote>
<blockquote>
<p class="MsoNormal" align="justify"><i>
<font face="Arial" size="2">My Dad's name is Lory Watts, he died
in 2009. He was an aeronautical engineer (in logistics) with
Rockwell for over 30 years and spend quite a bit of time in
Buffalo at the Bell facility. Since he frequently traveled back
to Buffalo for business he became fascinated with the falls and
just happened to be there when they "turned it off". That catch
phrase became a household term when I was a teen. - Bonnie Baker</font></i></p>
</blockquote>
</blockquote>
<p class="MsoNormal" align="center"> </p>
<p class="MsoNormal" align="center"> </p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Tuesday June
17th 1969 -<i> </i></b>Sprinklers for dry Falls are nearing completion. Albert Elia
Construction Company installed a spray system to moisten the face of the
American Falls, completing the installation 3 weeks after the installation
began. Nearly 800 feet (243.8m) of six inch diameter water pipes are required to
carry water to continually moisten the under laying shale layer on the
face of the Falls to prevent the shale from crumbling. Three lines
extending from
the cofferdam will channel water to the spray areas. A permanent spray
system was erected before geological studies started to keep the shale
continuously moist. If left exposed to the sun and wind, the shale will
deteriorate more quickly than normal.</span></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Thursday July
3rd<sup> </sup>1969 - </b>despite mans best efforts
and technology, some waters continue to trickle through the 600 foot long cofferdam at
the head of Goat Island and wind their way to the American Falls. With
evaporation it is expected to dry most of the pools in the upper river
channel.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">If water keeps
falling, drill crews may not start testing the talus at the base of the
Falls at the end of July. Engineers will divert any remaining streams of
water towards Luna Island.</span></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Wednesday July
9th 1969 -</b><i> </i>The
United States Army Corps of Engineers (USACE) continue drilling in the dry
river bed of the American Falls. The drilling crews today will finish
drilling one hole to a depth of 180 feet. Then gravity pressure tests will
be made in the hole to determine the permeability of the rock. Workmen
will stuff packers at five foot intervals and fill the area with water to
gauge the absorbency of the various sections of the rock.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">Early this
morning a survey crew came to the Canadian side to view the American Falls
in order to prepare a contour map of the dry falls to try to determine
where a platform should be located for a second drilling probe. </span>
</p>
<p class="MsoNormal"> </p>
<p class="MsoNormal" align="center"><i><span style="font-family: Arial"> <a href="image/cofferdam100.jpg" target="_blank"><img border="0" src="image/cofferdam100.gif" alt="Building the Cofferdam at the head of Goat Island "></a><br>
</span><font size="2">constructing the cofferdam to dewatered American
Falls<br>
<br>
</font></i><font size="2">courtesy of the Niagara Falls Review<br>
</font></p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Friday July 11th
1969
-</b><i> </i>Samples of rock from the American Falls are stored in boxes before being
sent to the USACE laboratory for tests.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">Tourists are
still unable to walk on the dry river bed above the American Falls. Two
display boards are being prepared to depict events of this geological
project.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">Since the project
was announced in late winter, officials planned to allow tourists to walk
on the dry river bed, a possible once in a lifetime experience. The main
problems are liability in case anyone is hurt and keeping tourists from
interfering with workmen. Original plans called for a walkway to within
ten feet of the brink of the Falls said Arthur Williams, manager of the
Niagara Frontier State Park Commission. He further stated a meeting would
be held to try to resolve the problem.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">Workmen are
continuing to use air-water jet streams with 100 pounds pressure per
square inch to clean algae from the rocks in the river bed. Sand blasting
equipment is then used when water pressure alone is not enough.<i> </i>All fractures and
joints within 500 feet (152m) of the Falls need to be flushed to a depth of three
inches to allow mapping of the area. All loose debris less than 2.5 inches
in diameter must be removed with the organic growth.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">Drill crews are
continuing penetration of the rock above the Falls and survey crews are
working on a contour map of the vertical face of the Falls.</span></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Monday July 14th
1969
-</b><i> </i>Thousands of spectators inspect dry American Falls. Niagara Falls, New York attendance
records at the Niagara Reservation Park continue to be broken as thousands
flock to view the dry American Falls.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">On Saturday and
Sunday a total of 89,790 people visited the park near the dry falls.
Police ordered scores of spectators and rock collectors off of the dry
Niagara River bed during the weekend. Persons walking on the dry river
bed, police said are risking injury.<i> </i>Niagara
Frontier State Park Police said many people are walking on the dry river bed from time
to time and police are hard pressed to get them off.</span></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Wednesday July
16th 1969 -</b><i> </i>United States Army Corps of Engineers (USACE) drillers are scheduled to
begin boring a 320 foot (97.5m) vertical hole from a point about 45 feet
(13.7m) from the
brink of the American Falls today near Prospect Point. The hole will be 3
inches in diameter and will sink as deep as the river bed at the base of
the dry American Falls. The purpose of this part of the study project is
to study rock formations. Once they finished the hole, they will do
different tests within this same hole to check engineering capacities of
the rock and wheat could be done with it and to it.</span></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Tuesday July
22nd 1969 -</b><i> </i>Tourist Walkway is still Unsettled. Drilling operations on the 320 foot
vertical hole is about 45 feet from the brink of the Falls has reached a
depth of 50 feet.</span></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal" align="center"><i><span style="font-family: Arial"> <a href="image/Amfallsdewatered3.jpg" target="_blank"><img border="0" src="image/Amfallsdewatered3.gif" alt="Spectators picking coins from the river bed ignoring the dangers" width="150" height="151"></a><br>
</span><font size="2">spectators picking coins from the dry riverbed<br>
only feet from the brink of the Falls<br>
<br>
</font></i><font size="2">courtesy of the Niagara Falls Review<br>
</font></p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Thursday July
24th 1969 -</b><i> </i>Our geologists are in a dream world says Colonel
Amos L. Wright, District Engineer from Buffalo. He added We are looking
forward to an exciting and unusual summer.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">The explorations
to determine ways to prevent future erosion at the Falls and perhaps
rectify the results of previous rock falls involve both civilian and army
personnel.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">Six geologists
must describe the rock types including chemical analysis and microscopic
inspections in order to learn reasons why various rock types are
susceptible to the weathering process, to determine the strength of the
joints between the rocks above the Falls and to study the strength of the
rocks a low temperatures. To do this, they are drilling a series of holes
below and through the face of the Falls for core samples.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">There are three
army drill crews consisting of three men each with an overall supervisor
Chief Engineer, Howard Simonson from Mobile Alabama. Simonson is
responsible for anything not falling under the geology category.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">Workmen from Albert
Elia Construction Company that built the 600 foot cofferdam are continuing
to clean the horizontal rock surface with an air-water jet
spray.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">The Army
officials estimate it will be 1972 before all the tests are completed and
recommendations are prepared.</span></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Friday July 25th
1969
-</b><i> </i>A once in a lifetime chance to walk on the dry river bed of the American
Falls is to become reality shortly according to Arthur B. Williams, General
Manager of the Niagara Frontier State parks Commission.</span></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Tuesday July
29th 1969 -</b><i> </i>Work began today on a walkway stretching about 20
feet (6.1m) out onto the dry river bed and running for a distance of about
80 feet (24m) along the shoreline. Visitors will be able to come within
200 feet (60m) of the brink of the Falls. Steps will be located at each
end of the walkway. Two wooden railings about 5 feet (1.5m) apart will be
constructed. Here visitors will walk on the dry river bed. Williams said
there were too many dangers to allow visitors to walk any further out onto
the river bed.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">Since Thursday
work has been concentrated on the 200 foot (60m) area at the base of the Bridal
Veil Falls. The spokesman for the USACE said construction of three
platforms 20 feet (6m) by 25 feet (7.6m) would begin by the end of the week.<i> </i>A drill crew will
then punch seven horizontal holes into the talus to take samples for
analysis.</span></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Friday August
1st 1969 - </b>Tourists today begin walking on the dry river bed of the
Niagara River for the first time when the walkway built by the Niagara
Frontier State Parks Commission was open to let visitors go on the river
bed 20 feet from the shore from Prospect Point for a distance of 80 feet.</span></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal" align="center"><i><span style="font-family: Arial"> <a href="image/upperchannel.jpg" target="_blank"><img border="0" src="image/upperchannel.gif" alt="Working on the dry river bed of the Upper Channel" width="150" height="111"></a><br>
</span><font size="2">the dry upper channel leading to the American Falls<br>
<br>
</font></i><font size="2">courtesy of the Niagara Falls Review<br>
</font></p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Saturday
August 2nd 1969 -</b><i> </i>Geologists at the dry American Falls have
found signs of another section of rock are ready to collapse once the
water begins flowing again.<i> </i>Douglas
Wilkinson, chief geologist of the project said drillers boring a vertical
hole 32 feet (9.7m) from the precipice ran into a void and lost a drill in the
rock core at a depth of forty feet last week.<i> </i>A test made with
blue dye showed the hole extended another 30 feet (9m) with dye emerging in
three places along the cliff edge indicating vertical seepage from the top
layer of the rock into the secondary shale.</span></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Tuesday August
5th 1969 -</b><i> </i>Traffic snarled the Queen Elizabeth Highway (QEW) in
Niagara Falls, Ontario as visitors flock to dry Falls.</span></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Tuesday August
19th 1969 -</b><i> </i>The
only undermining to date found in the rock at the dry American Falls is in
the area of Prospect Point. According to the USACE, Prospect Point was the
site of the last major rock falls in 1954 when approximately 185,000 tons
of rock crashed into the river below.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">Dye poured into a
fracture 40 feet (12m) from the brink of the Falls near Prospect Point appeared
in three spots on the vertical face of the Falls.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">Tests in the Luna
Island area have turned up no evidence of undermining.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">Testing on the
talus beneath the Falls began this morning. The wooden platform protected
by steel and tile roofing has been erected to hold the rig and equipment.
Testing will be done on rock only covered by the water flowing over the
Falls. Shale has been falling off the vertical face of the Falls in one
foot intervals</span></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Friday August
22nd 1969 -</b><i> </i>A layer of shale at the dry American Falls to come
under close scrutiny for the next 5-6 weeks as drill crews probe its
secrets.<i> </i>The purpose of
drilling is to learn if fractures located at the top of the Falls extend
into the shale. It studies a series of closely spaced vertical joints
parallel to the face of the Falls.</span></p>
<p class="MsoNormal"><span style="font-family: Arial">Shale is the
softer rock just under the top layer of Lockport Dolomite. It is a
consolidation of clays, mud and silt. It erodes quicker than the top
Dolostone layer. When the shale is cut by the water, the upper Dolostone
layer is left with no support. Stress and the added water pressure cause
the dolomite to break off.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">A drill crew will
concentrate on the vertical face beneath the Bridal Veil Falls. Here five
holes will be drilled to a depth of 100 feet. Two of the holes will be
drilled horizontally. Two holes will be
drilled: one at a 10° degree angles and one at a 30° degree angle.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">Work is expected
to last until late September.</span></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Wednesday
August 27th 1969
-</b><i> </i>Eleven members of Brock Universitys Geological Science Department
toured the dry river bed in the Falls on Tuesday afternoon for more than
two hours. Melvin Hill, a USACE geologist escorted them on the tour.</span></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><b><span style="font-family: Arial">Thursday
August 28th 1969</span></b><span style="font-family: Arial"><b> -<i> </i>
</b>Quiet Tourist Season in 1969 - Dry Falls Blamed for Decline</span></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal" align="center"> </p>
<div align="center">
<table border="1" cellspacing="12" cellpadding="6">
<tr>
<td><a href="images/DRY/1969_1.jpg" target="_blank">
<img border="0" src="images/DRY/1969_1.gif"></a></td>
<td><a href="images/DRY/1969_4.jpg" target="_blank">
<img border="0" src="images/DRY/1969_4.gif"></a></td>
<td><a href="images/DRY/1969_5.jpg" target="_blank">
<img border="0" src="images/DRY/1969_5.gif"></a></td>
<td><a href="images/DRY/1969_6.jpg" target="_blank">
<img border="0" src="images/DRY/1969_6.gif"></a></td>
</tr>
<tr>
<td><a href="images/DRY/1969_2.jpg" target="_blank">
<img border="0" src="images/DRY/1969_2.gif"></a></td>
<td><a href="images/DRY/1969_3.jpg" target="_blank">
<img border="0" src="images/DRY/1969_3.gif"></a></td>
<td><a href="images/DRY/1969_8.jpg" target="_blank">
<img border="0" src="images/DRY/1969_8.gif"></a></td>
<td><a href="images/DRY/1969_9.jpg" target="_blank">
<img border="0" src="images/DRY/1969_9.gif"></a></td>
</tr>
<tr>
<td><a href="images/DRY/1969_14.jpg" target="_blank">
<img border="0" src="images/DRY/1969_14.gif"></a></td>
<td><a href="images/DRY/1969_17.jpg" target="_blank">
<img border="0" src="images/DRY/1969_17.gif"></a></td>
<td><a href="images/DRY/1969_19.jpg" target="_blank">
<img border="0" src="images/DRY/1969_19.gif"></a></td>
<td><a href="images/DRY/1969_20.jpg" target="_blank">
<img border="0" src="images/DRY/1969_20.gif"></a></td>
</tr>
<tr>
<td><a href="images/DRY/1969_7.jpg" target="_blank">
<img border="0" src="images/DRY/1969_7.gif"></a></td>
<td><a href="images/DRY/1969_10.jpg" target="_blank">
<img border="0" src="images/DRY/1969_10.gif"></a></td>
<td><a href="images/DRY/1969_11.jpg" target="_blank">
<img border="0" src="images/DRY/1969_11.gif"></a></td>
<td><a href="images/DRY/1969_12.jpg" target="_blank">
<img border="0" src="images/DRY/1969_12.gif"></a></td>
</tr>
<tr>
<td><a href="images/DRY/1969_13.jpg" target="_blank">
<img border="0" src="images/DRY/1969_13.gif"></a></td>
<td><a href="images/DRY/1969_15.jpg" target="_blank">
<img border="0" src="images/DRY/1969_15.gif"></a></td>
<td><a href="images/DRY/1969_16.jpg" target="_blank">
<img border="0" src="images/DRY/1969_16.gif"></a></td>
<td><a href="images/DRY/1969_18.jpg" target="_blank">
<img border="0" src="images/DRY/1969_18.gif"></a></td>
</tr>
</table>
</div>
<p class="MsoNormal" align="center"> </p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Saturday
August 30th 1969
-</b><i> </i>The Horseshoe Falls is not drawing the same attention that Dry Falls is getting.
Although its billed as bigger and better than ever, the Horseshoe Falls is
neither dry nor attracting many visitors or as much attention as its
American counterpart.<i> </i>The extra 2
percent in water tumbling over the 2,200 crest cant compete with the dry
American Falls.<i> </i>During daytime
hours 92,000 cubic feet of water per second plunges 176 feet drop of the
Horseshoe Falls. At night the flow is reduced to 50,000 cubic feet of
water per second to allow
for hydro diversion. Now the entire 100,000 cubic feet of water per second
is flowing over the Horseshoe Falls.</span></p>
<p class="MsoNormal"><span style="font-family: Arial">While attention
focuses on geological studies to determine ways to retard future erosion,
the cleaning up of the talus at the base of the American Falls remains
problematic. The Horseshoe
Falls eroded at even stages at a rate of about 2.2 feet per year. The
Horseshoe Falls has never had a major rock slide of the magnitude of those
plaguing the American Falls.</span></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Wednesday
September 10th 1969
-</b><i> </i>Safety is main concern at Dry Falls Project. Safety features
built into the study of the dry American Falls are as important as any
technological equipment being used. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">An outcrop of
rock near Prospect Point that was undermined and in danger of breaking off
with pools of water still lying in the channel - rocks are slippery to
walk on. Anyone slipping
off the brink or having a rock break off beneath them, it would be a long
fall to the jagged rocks below. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">As an added
precaution, any men having to go to the edge of the Falls beyond the
safety fence wore safety belts attached to safety lines which were pinned
to the rock on the other side of the fencing.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">The tiniest and
most accurate and important safety device are the Extensometers. They
operate on an air bubble principal and measure any horizontal or vertical
movement of the rock to the nearest 1/100<sup>th</sup> of an inch.
Shifting rock indicates to geologists that a rock slide is imminent.<i> </i>To this date, the
meters have recorded no movement in any of the rocks at the Falls.</span></p>
<p class="MsoNormal"><span style="font-family: Arial">Some metal caps
called monuments are also used to ensure the rock doesnt change position.
Their main purpose is as reference points for geological studies in
mapping. They will be left in the rock even when the water begins flowing
over the Falls again.</span></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Wednesday
September 17th<sup> </sup>1969 - </b>The Cofferdam is not causing high
water in Lake Erie. Although there had been early estimates that the
dewatering of the American Falls might cause the water level in Lake Erie
to rise up to five (5) feet this has not been the case. High water levels
in Lake Erie are not caused by the cofferdam above the Falls said Colonel
Ray Hansen of the Buffalo District USACE.</span></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p align="center">
<br>
<font face="Times New Roman" size="2"><b><i>
<a href="images/DRY/LynnPaul1.jpg" target="_blank">
<img border="0" src="images/DRY/LynnPaul1.gif" alt="Lynn Pauls' Family visit to Niagara Falls July 1969" width="182" height="183"></a></i></b></font></p>
<p align="center">
<a href="images/DRY/LynnPaul2.jpg" target="_blank">
<img border="0" src="images/DRY/LynnPaul2.gif" alt="Lynn Pauls' Family visit to Niagara Falls July 1969" width="182" height="183"></a></p>
<p align="center">
<a href="images/DRY/LynnPaul3.jpg" target="_blank">
<img border="0" src="images/DRY/LynnPaul3.gif" alt="Lynn Pauls' Family visit to Niagara Falls July 1969" width="182" height="182"></a></p>
<p align="center">
<b><i><font face="Times New Roman" size="2">July 1969 - Lynn Paul and
her family visited<br>
Dry American Falls<br>
(home photographs)</font></i></b></p>
<p class="MsoNormal" align="center"> </p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Saturday
September 20th 1969
-</b><i> </i>Drill crews from the USACE have completed more than half the holes to be
drilled at the American Falls rock bed for geological studies.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">A tenth hole was
completed on Tuesday September 16th. Six more are scheduled in the series. One hole will be
230 feet (70m) deep and the other five about 15 feet (4.5m) deep. Six holes 30 feet
(9m) deep have been drilled into the talus at the base of the American Falls.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">Geologists are
uncertain as to the composition of the rock layer beneath the talus and
how much of it is talus rock that has broken off from the gorge wall and
fallen to the bottom.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">Two stress
measurement holes will be drilled about the center of the river bed about
50 feet (15m) from the edge and the other 60 feet (18m) from the brink. Instruments
will be installed in these holes to determine the presence or absence of
abnormal rock pressure.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">Geologists think
that these rock stresses will influence the rate of recession at both the
American Falls and the Horseshoe Falls.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">All five holes in
the horizontal series have been drilled. They are 100 feet (30m) deep.</span></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Tuesday
October 21st 1969
-</b><i> </i>Only a few tests remain before the USACE complete their studies on the
American Falls. The purpose of this $1.5 million dollar project is to
learn ways to prevent future erosion and determine the feasibility of
removing some of the talus from the base of the Falls.</span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial">One hole is still
to be drilled near the cofferdam between Goat Island and the mainland and
another in the laboratory test series. Corps officials hope to remove the
earth and stone cofferdam between November 15<sup>th</sup> and December 1<sup>st</sup>.</span></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial"><b><i>Thursday
October 30</i>th <i>1969
- </i></b>The date to remove the cofferdam and restoring the flow of the American Falls will be
announced in a week. A group of
geological consultants and engineers visiting the site today have Friday
to review and evaluate the field work so far. If current tests have
provided enough data the cofferdam could be removed in mid-November. </span></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial"><b><i>Monday
November 24</i>th </b><i><b>1969
- </b> </i>Full flow of the Falls will come gradually. Anyone expecting the
parched American Falls to roar back on like a giant when the cofferdam
diverting the water is removed is doomed to disappointment. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">The USACE in charge
of the five month long erosion study at the Falls is doing its best to
ensure the water is restored only gradually. Workers will begin
removing the large boulders at 10 am. and the first water flow should
appear by 3 pm. A sudden burst of water is apt to endanger the men from
Albert Elia Construction Company who will be removing the dam. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">At Prospect Point
where the rock structure is weak, a sudden heavy flow of water could
trigger a rock slide. The full flow will be reached in about 24 hours -
gradually increasing as the cofferdam is removed. Crowds are expected
to watch as the earthmovers and trucks remove the cofferdam. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">Pipes used to keep
the shale and river bed moist were removed last week </span></p>
<p class="MsoNormal"><span style="font-family: Arial">According to Colonel
Hansen, there is no way to know whether the Indian Head (rock formation at
the brink of the American Falls) near Prospect Point will cave in. Pins
have been placed on either side of the cracks to measure any rock
movements but none has occurred since June.</span></p>
<p class="MsoNormal"><span style="font-family: Arial"> </span><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial"><b>Tuesday
November 25th 1969 - </b>There is water
flowing over the American Falls Again. At 10:05 am this
morning a drag-line lifted out the first scoops of earth and rock from the
600 foot (182.8m) long cofferdam that had been in place since June 12<sup>th</sup>.
At 10:43 a.m. the first trickle of water flowed through the dam but it was
mid afternoon before water once again plunged over the falls. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">About 2,650 people
watched from various vantage points with cameras and newsreels as workers
began removing the dam. Normal flow is expected by tomorrow morning as
crews work around the clock to restore water flow. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">A breach of the
cofferdam began about 30 feet (9m) from the Goat Island shore. It was
originally planned to begin at the center but Colonel Hansen explained
that a soft spot in the dam was discovered this morning and the decision
to begin work near the island was made. </span></p>
<p class="MsoNormal"><span style="font-family: Arial">There was a little
ceremony to mark the beginning of the return to normalcy. David Kennis,
age 11, of Lockport, New York symbolizing the next generation, pulled a
cord which operated a horn. The blast from the horn signaled the drag-line
operator to begin work. The first gush of
muddy water spurted through the dam at 11:05 am. There was not a
noticeable difference in the river bed until noon when water slowly began
to fill the fissures and holes.</span></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><b><i><span style="font-family: Arial">Tuesday
November 25th</span></i></b><span style="font-family: Arial"><i><b> 1969
- </b> </i>The roar of
Niagara is returning to normal.</span></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"><font face="Arial"><b>Thursday April 23rd 1970 -</b>
Luna Island and Cave of the Winds closed.</font></p>
<p class="MsoNormal"><font face="Arial"> </font></p>
<p class="MsoNormal"><font face="Arial"><b>Friday April 24th 1970 - </b>
Luna Island was closed Thursday when 24 large cracks were discovered on
the surface. Fractures ranging from 4 feet (1.2m) to 12 feet (3.6m) long
and up to ½ inch in width were found within a 9 foot (2.7m) arc pattern.
The cracks may have been caused by the weight of the debris from the
Bridal Veil Falls. Luna Island had just re-opened following the winter
season.</font></p>
<p class="MsoNormal"><font face="Arial">Thomas Wilkinson, USACE District
Chief Geologist described the fractures as a "sloping failure" of a slide
nature as opposed to a rock slide. The fractures began approximately 20
feet (6m) from the Bridal Veil Falls.</font></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"><font face="Arial"><b>Wednesday June 30th 1971 - </b>
Large cracks have been discovered in the American Falls and Horseshoe
Falls. The United States Army Corps of Engineers plan a further $4 million
dollar study. Remedial work currently underway costs $2 million dollars.</font></p>
<p class="MsoNormal"><font face="Arial"> </font></p>
<p class="MsoNormal"><span style="font-family: Arial; font-weight: 700">
Saturday August 28th 1971 - </span><span style="font-family: Arial">A
small area at Prospect Point was barricaded to prevent people from
interfering with equipment and workmen.</span></p>
<p class="MsoNormal"><span style="font-family: Arial"> </span></p>
<p class="MsoNormal"><font face="Arial"><b>Tuesday August 31st 1971 - </b>
Cracks have been found in the rock wall at Prospect Point. They are
located midway between Prospect Point and the Prospect Point Observation
Tower. As a result of these finding, the rock face will have to be scaled.</font></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"><span style="font-family: Arial; font-weight: 700">
Tuesday January 20th 1972 - </span><span style="font-family: Arial">The
Luna Island project which began in November 1971 when a 175 foot (53m)
cofferdam was erected from Goat Island to Luna Island, shutting off the
water flow to the Bridal Veil Falls. A parks commission crew spent 10 days
building the earth cofferdam to dewater the Bridal Veil Falls.
</span></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"><font face="Arial"><b>Thursday July 20th 1972 -
</b>Remedial work at Luna Island and Prospect Point begin on July 24th
according to Keith R. Hopkins, Regional Administrator of the Niagara
Frontier State Parks Commission. A $99,223 contract was awarded to Herbert
F. Darling Construction Company with supervision provided by Acres
American Incorporated of Buffalo, New York.</font></p>
<p class="MsoNormal"><font face="Arial">At Prospect Point, exploratory
trenching and test pitting will take place. </font></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"><font face="Arial"><b>Friday July 28th 1972 - </b>New
warning devices part of a $300,000 program will be installed at Terrapin
Point and at Goat Island's flank. Two such devises have operated for a
year and are monitored by the Niagara Frontier State Parks Police.</font></p>
<p class="MsoNormal"><font face="Arial">Ross Steel Erection Company of
Niagara Falls, New York were awarded a contract in the amount of $121,695
to construct a platform to facilitate installation of warning devices at
the base of Terrapin Point. Work will begin to add four additional sensor
devices at Terrapin Point, Goat Island's flank and two at Prospect Point.
</font></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><font face="Arial"><b>Saturday August 19th 1972 - </b>
Remedial work on Luna Island and the Cave of the Winds which began in July
of 1972 should be completed by September 15th. T</font><span style="font-family: Arial">he
Herbert F. Darling Construction Company is installing tendons in the rock
face and clearing away rock debris from rock slides which have closed Luna
Island since early 1970. Although Luna Island will be open as soon as work
has been completed, the cave of the Winds will not re-open until 1973.</span></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"><i><b><font face="Arial">Monday September 11th 1972 -
</font></b></i><font face="Arial">Because of a recently discovered crack
at Terrapin Point, it has been fenced off to keep members of the public
out. This is a precautionary measure. An </font>
<span style="font-family: Arial">extensometer has been installed to
monitor any movement in the earth. The device is monitored by the State
Parks Police. A program is now underway at Luna Island to shore up the
rock following the discovery of cracks two years ago. The remedial work is
being done by the Herbert F. Darling Construction Company of
Williamsville, New York.</span></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"><span style="font-family: Arial"><i><b>Friday
December 1st 1972</b> - </i>USACE engineers have determined that Terrapin
Point and Prospect Point could topple at any time due to the instability
of rock formations.</span></p>
<p class="MsoNormal"><span style="font-family: Arial">A multiple position
extensometer is placed in a hole in the rock and connected by telephone
line to State Park Police Headquarters. There are many of these sensors
now being installed in dangerous areas to detect rock movement.</span></p>
<p class="MsoNormal"><span style="font-family: Arial">The Niagara Frontier
State Parks Commission has installed more than 200 feet (60m) of trench at
Prospect Point. The trench is covered with boards to create a boardwalk
look. These wooden sidewalks can be raised to allow geologists access to
the rock cracks below.</span></p>
<p class="MsoNormal"> </p>
<p class="MsoNormal"><b><i><span style="font-family: Arial">In June of 1973</span></i></b><span style="font-family: Arial"><i>,
</i>the International Joint Commission distributed 220,000 brochures with ballots
in Niagara Falls, Ontario and Niagara Falls, New York in order to obtain a
public consensus of what should be done about the talus of the American Falls.
The<i> ballots contained various
proposed options for the American Falls. </i>There were four basic
options:</span></p>
<p class="MsoNormal"><i>
<span style="font-family: Arial; font-weight: 700">1. Remove the talus at
the base of the American Falls</span></i></p>
<p class="MsoNormal"><i>
<span style="font-family: Arial; font-weight: 700">2. Increase the flow
over the American Falls</span></i></p>
<p class="MsoNormal"><i>
<span style="font-family: Arial; font-weight: 700">3. Restore the Maid of
the Mist Pool level</span></i></p>
<p class="MsoNormal"><i>
<span style="font-family: Arial; font-weight: 700">4. Make no physical
changes in the American Falls appearance</span></i></p>
<p class="MsoNormal"><i><span style="font-family: Arial"> </span></i></p>
<p class="MsoNormal"><span style="font-family: Arial"><b><i>In 1975, </i>the
International Joint Commission</b> presented their results, conclusions
and recommendations in a report entitled "Preservation and Enhancement of
the American Falls at Niagara. These results were made public.</span></p>
<p class="MsoNormal"><span style="font-family: Arial">The talus at the
base of the American Falls is estimated by engineers at 358,000 tons
(280,000 cubic yards) with the talus reaching 135 feet (41M) high in places reducing the water fall
from 100 feet (30m) to a mere 45 feet (13.7M). The depth of the talus
ranges from 25 feet (7.6m) to 50 feet (15m). </span></p>
<p class="MsoNormal"><span style="font-family: Arial">The talus was
accumulated as a result of major rock falls in January 1931, July 1954 and
December 1959 which cumulatively deposited approximately 130,000 cubic
feet of talus at the base of the American Falls.</span></p>
<p class="MsoNormal"><span style="font-family: Arial">During the
dewatering process, tests included 46 core borings totalling 4,882 feet
(1488m). In addition to various mapping and probing processes, piezometers
were installed to measure water pressure on rock joints and extensometers
to measure rock movements.</span></p>
<p class="MsoNormal"><span style="font-family: Arial">The public response
was overwhelming. Five thousand prepaid cards were returned along with
70,000 other replies. The conclusion of this process was that a majority
of respondents chose to not change the American Falls.</span></p>
<p class="MsoNormal"><span style="font-family: Arial">The International
Joint Commission came to five basic conclusions:</span></p>
<p class="MsoNormal">
<span style="font-family: Arial; font-weight:700; font-style:italic">1. while it is
technically feasible to remove the talus which has collected at the base
of the American Falls, it is not desirable to do so at the present time</span></p>
<p class="MsoNormal">
<span style="font-family: Arial; font-weight:700; font-style:italic">2. while structural
solutions are available to arrest erosion at the crest of the American
Falls, the Falls should not be stabilized by artificial means</span></p>
<p class="MsoNormal">
<span style="font-family: Arial; font-weight:700; font-style:italic">3. a broad
environmental study should be jointly carried out by Canada and the United
States to identify and give priority to those measures which best enhance
the total setting and beauty of the Niagara Falls area</span></p>
<p class="MsoNormal">
<span style="font-family: Arial; font-weight:700; font-style:italic">4. that the two
flanks of the American Falls and the Goat Island flank of the Horseshoe
Falls are sufficiently unstable to warrant remedial action ...</span></p>
<p class="MsoNormal">
<span style="font-family: Arial; font-weight:700; font-style:italic">5. a statistically
minor element of risk from unpredictable rock movement will remain and
must be accepted by the viewing public. </span></p>
<p class="MsoNormal"> </p>
<p> </p>
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HISTORICAL
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PICTURES & SLIDESHOWS<br>
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<p align="center"> </p>
<p align="center"><font size="2">Date last updated:
<!--webbot bot="Timestamp" S-Type="EDITED" S-Format="%B %d, %Y" startspan -->September 07, 2019<!--webbot bot="Timestamp" i-checksum="38010" endspan --><br>
</font></p>
<p align="right"> </p>
<p align="right"> </p>
<blockquote>
<blockquote>
<blockquote>
<p align="center"><em><font color="#000000" face="Arial">The following
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<p align="center"><strong><font face="Arial" color="#800080"><em>THANK
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<p align="center"><font face="Arial"><em><font color="#FFFF00"><br>
</font><strong><font size="6" color="#004080">the Summer</font><font color="#004080"><big><big><big>
of '69</big></big></big></font></strong></em></font><b><span style="font-size: 14.0pt; font-family: Arial"><br>
the Dewatering of
the American Falls</span></b></p>
<blockquote>
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<p align="center"><font face="Baskerville Old Face" size="4">a
chronological history</font></p>
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Niagara Falls - Dewatered American Falls (1969)
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Niagara Falls
the Summer of '69**the Dewatering of
the American Falls
*June 12th 1969 - November 24th 1969***
a
chronological history
[The Dewatered American Falls - 1969](image/Amfallsdewatered1.jpg)
*the dewatered
American Falls*courtesy of the Niagara Falls Review
**This story began 12,000 years ago.
Since that time the Falls of Niagara have eroded 7 miles (11 km) from
the Niagara Escarpment to its current location. Except for a brief
moment in geological time approximately 7,000 years ago at the area of
the Niagara Glen, the Falls have always been one waterfall.**
**This changed approximately 500 - 800
years ago when Goat Island separated the flow of the Niagara River into
two channels. The largest channel now known as the Horseshoe Falls
carried much of the water. The smallest channel, now know as the
American channel carried little water.**
**Within a short time on the geological
scale, the main channel (Horseshoe Falls) eroded past the American
channel leaving the exposed American Falls a separate waterfall. Since
the early 1700s, the main waterfalls began to be described as
horseshoe shaped. It became known to visitors as the Horseshoe Falls.**
**Today the Falls of Niagara consist of
the Horseshoe Falls and the American Falls (includes the Bridal Veil
Falls).**
**Beginnings**
This chapter in
history has a beginning in 1965 with a local newspaper reporter. Mr. Cliff
Spieler of the Niagara Falls Gazette thought it would be a good idea for a
series of articles to be written about the imminent death of the
American Falls.
Rock falls in 1931
and 1954 had dumped unsightly talus at the base of the Falls. Spieler was
concerned that if erosion of the American Falls were allowed to continue
and rock falls continued to collect at its base, the waterfall would be
destroyed. The story came out in a front page editorial issue on January
31st 1965.
In advance of the
newspaper release, New York State Senator, Earl Brydges and District
Representative Henry Smith had been informed and had drawn up legislation
on the issue to present in the United States Congress. The
issue became a major issue within the community and the government. The
Gazette article had generated a vigorous and effective campaign to save
the American Falls. In late 1965, the U.S. Congress authorized the
International Joint Commission to study this issue.
In 1967, as a result
of this growing public outcry, the International Joint Commission (IJC)
created a full time board to study the matter and make definitive
recommendations. The American Falls International Board was created. After
two years, this ongoing study ***resulted in the temporary dewatering
of the*** ***American
Falls***. The completed
dewatering of the American Falls was made easier because only 10% of the
water follows that route.
**Precursor**
**Sunday November
13th 1966 ** the
first man-made dewatering of the American Falls took place in order to
allow workmen to clear debris from the upper American channel above the
American Falls. Forty (40) Niagara Frontier State Park Commission
employees wearing hip boots waded out into the channel to remove tree
trunks and other assorted debris. A bulldozer was utilized to pull a 10
ton pontoon float which had become grounded in the rapids 600 feet (183m)
above the Falls in 1959.
The water diversion
was accomplished by opening the gates of the International Water Control
Dam a short distance upriver as well as maximizing water diversion to the
hydro generating stations downriver. This action cut back the normal flow
60,000 gallons a second (8,000 cubic feet of water per second) to a
manageable 15,000 gallons a second (2,000 cubic feet of water per second).
This project was
allowed as part of a $90,000 study undertaken by the United States Army
Corps of Engineers (USACE) to see what could be done to halt erosion at
the Falls. The water flow was reduced for a six hour period. While
employees cleared debris, Corps officials conducted on the spot
inspections and took aerial photographs of the river bed.
**Dewatering American
Falls- 1969**
The United States
Army Corps of Engineers (USACE) Buffalo District was tasked with the
dewatering of the American Falls project in 1969.
The Albert Elia
Construction Company of Niagara Falls, New York was awarded a $445,412
contract to build and remove a 600 foot (183m) cofferdam from the mainland
to the head of Goat Island in order to divert the water from the American
channel. In addition, they were required to clean the surface of the
river bed, scale loose rock from the face of the Falls, and install a
water spray system.
The remainder of the
$1.5 million was spent on the study for the International Joint
Commission.
Colonel Amos L.
Wright, USACE - District Engineer from Buffalo was the first officer in
charge of this project.
Shortly after the
project began, Colonel Wright was reassigned to duty in Vietnam. He was
replaced by Colonel Ray Hansen. He was in charge of overall operations of
this project.
Captain Douglas
Wilkinson of the USACE was the chief project geologist. He joined the
USACE in 1959.
Captain Joseph
Guertin is the USACE officer assigned to the project because of his
background in rock mechanics.
Captain L.B. Waites
of the USACE from Mobile, Alabama was the site drilling supervisor
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*Photographs by
Clifford & Madeline Valentine*
*Clifford Valentine died in 1997. He
was an equipment installer for Southern New England telephone
Company. Clifford's hobby was photography. Throughout the years,
he had taken thousands of photographs.
The following pictures are those taken by Clifford & Madeline at
Niagara Falls in the Summer of 1969.
- Courtesy of Russell Glasson*
**Monday June 9th
1969
-** The first major safety problem occurred as workers from Albert Elia
Construction Company of Niagara Falls, New York pushed rocks and earth
into the Niagara River at the head of Goat Island to erect the 600 foot
long cofferdam in order to divert the water. A lifeline was strung by
helicopter from the mainland to Goat Island before the operators began.
The line was to give everyone who might fall into the treacherous water
something to catch before being swept downriver in the racing current to
the American Falls.
Construction to
build the cofferdam began at midnight.
**Thursday June 12th
1969
-** The waters of the American Falls were shut down. After 3 days of working
two 11 hour long shifts, thirty (30) workmen from the Albert Elia Construction Company
sealed off all but a small gap in the cofferdam by Thursday at 2:40 a.m.
Three truck loads of fill and three boulders were pushed into place seal
the cofferdam completely this morning by 10:40 a.m. The dam was now
holding back the eight (8) foot (2.4m) deep water of the Niagara River.
It took 1,264 truck
loads of fill to stop the flow of water. The fill consisted of 27,800 tons
of rock and earth to build the cofferdam. One truck driver received the
scare of his life as a front tire of his vehicle slipped over the soft
edge of the dam.
Mr. Pat Stoutamire,
the dewatering superintendent for the Albert Elia Company was one of the
first persons to inspect the dry river bed.
As soon as the river
was diverted, workmen constructed a fence along the brink of the Falls.
Police have so far
discovered the remains of a man, a woman and the carcass of a deer amongst
the rocks of the talus at the base of the Falls. At approximately 8 a.m.,
the body of a man was recovered amongst the drying talus.
According to
Sergeant Dominic Conti of the Niagara Frontier State Parks Police, the man
was seen diving into the water of the American channel on Wednesday June
11th at about 1:50 p.m. Three visitors at first thought the man
was a worker on the dewatering project The man was 20-25 years old with
brown hair. He was wearing a green plaid shirt and green pants. The man
had walked along the shore until he reached the brink and jumped in.
Police officers:
Sergeant Conti, Patrolmen Ronald Tobin, James McNeil and James Gizzarelli,
while searching for the man, discovered the badly decomposed body of a
woman jammed head first amongst the rocks about half way up talus bank. The
woman was clad in a red and white horizontally striped jersey or dress.
During a subsequent
post mortem examination, the woman was found to be wearing a narrow gold
wedding band with the inscription **forget me not** on the inside.
The dewatering project allowed the recovery of the bodies from the talus.
This normally would never have been possible. By the of the dewatering of
the American Falls, the woman ironically became part of this history and
would be remembered forever.
[US Army Corps of Engineers drilling on river bed](image/Amfallsdewatered2.jpg)
*the United States Army Corps of Engineers
drilling on the dry American Falls*courtesy of the Niagara Falls Review
**Friday June 13th
1969 -**The spectacle of the dry American Falls is already drawing visitors from local and far away to
see the phenomenon. Most agree the double barrel attraction of the trickle
of water trailing forlornly over the rocks on one side of Goat Island and
water flowing mightier than ever on the other side was worth seeing.
Last night traffic
was so heavy on Goat Island that cars were backed up to parking lots at
both ends of the island.
Tourists stood
behind protective fencing at the cofferdam at the head of Goat Island to
see what had stopped the Niagara River. The water was now being channeled
to the Horseshoe Falls.
At the crest of the
American Falls, a temporary fence blocked the way to Luna Island. The most
daring spectators walked onto the river bed, despite rocks that were slippery from
the water and moss and a stream that continued down the center. Several people
walked over and peered over the crest of the Falls. With the water not
flowing, the channel looked like any other part of the Niagara Gorge.
A pile of 185,000
tons of unsightly talus from the 1954 Prospect Point rock fall at the base
bear testimony for a need of a way to prevent further rock slides in the
area and to remove some of the offending material.
**Monday June 16th
1969 -**Rochester Shale
begins to crumble at the dry American Falls. Cranes will be used
for scaling. Workers will begin scaling loose rocks from the face of the
American falls on Tuesday or Wednesday. The rocks must be
removed before USACE geologists begin studies at the base of the Falls.
Installation of
water pipes with sprinklers are being installed faster then originally
planned. They will moisten the shale layer which has been undermining the
dolomite at the crest of the Falls.
A 70 ton crane must
be moved out onto the river bed before scaling operations begin. A 50 ton
crane is already in place. The crane boom will suspend workmen in cages
while scaling loose rock.
An access road has
been built across the mossy surface of the river bed. A protective fence
stretches from Prospect Point to Luna Island*.*
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*Photographs by
Lory Watts*
*My Dad's name is Lory Watts, he died
in 2009. He was an aeronautical engineer (in logistics) with
Rockwell for over 30 years and spend quite a bit of time in
Buffalo at the Bell facility. Since he frequently traveled back
to Buffalo for business he became fascinated with the falls and
just happened to be there when they "turned it off". That catch
phrase became a household term when I was a teen. - Bonnie Baker*
**Tuesday June
17th 1969 -**Sprinklers for dry Falls are nearing completion. Albert Elia
Construction Company installed a spray system to moisten the face of the
American Falls, completing the installation 3 weeks after the installation
began. Nearly 800 feet (243.8m) of six inch diameter water pipes are required to
carry water to continually moisten the under laying shale layer on the
face of the Falls to prevent the shale from crumbling. Three lines
extending from
the cofferdam will channel water to the spray areas. A permanent spray
system was erected before geological studies started to keep the shale
continuously moist. If left exposed to the sun and wind, the shale will
deteriorate more quickly than normal.
**Thursday July
3rd1969 -** despite mans best efforts
and technology, some waters continue to trickle through the 600 foot long cofferdam at
the head of Goat Island and wind their way to the American Falls. With
evaporation it is expected to dry most of the pools in the upper river
channel.
If water keeps
falling, drill crews may not start testing the talus at the base of the
Falls at the end of July. Engineers will divert any remaining streams of
water towards Luna Island.
**Wednesday July
9th 1969 -**The
United States Army Corps of Engineers (USACE) continue drilling in the dry
river bed of the American Falls. The drilling crews today will finish
drilling one hole to a depth of 180 feet. Then gravity pressure tests will
be made in the hole to determine the permeability of the rock. Workmen
will stuff packers at five foot intervals and fill the area with water to
gauge the absorbency of the various sections of the rock.
Early this
morning a survey crew came to the Canadian side to view the American Falls
in order to prepare a contour map of the dry falls to try to determine
where a platform should be located for a second drilling probe.
*[Building the Cofferdam at the head of Goat Island](image/cofferdam100.jpg)
constructing the cofferdam to dewatered American
Falls*courtesy of the Niagara Falls Review
**Friday July 11th
1969
-**Samples of rock from the American Falls are stored in boxes before being
sent to the USACE laboratory for tests.
Tourists are
still unable to walk on the dry river bed above the American Falls. Two
display boards are being prepared to depict events of this geological
project.
Since the project
was announced in late winter, officials planned to allow tourists to walk
on the dry river bed, a possible once in a lifetime experience. The main
problems are liability in case anyone is hurt and keeping tourists from
interfering with workmen. Original plans called for a walkway to within
ten feet of the brink of the Falls said Arthur Williams, manager of the
Niagara Frontier State Park Commission. He further stated a meeting would
be held to try to resolve the problem.
Workmen are
continuing to use air-water jet streams with 100 pounds pressure per
square inch to clean algae from the rocks in the river bed. Sand blasting
equipment is then used when water pressure alone is not enough.All fractures and
joints within 500 feet (152m) of the Falls need to be flushed to a depth of three
inches to allow mapping of the area. All loose debris less than 2.5 inches
in diameter must be removed with the organic growth.
Drill crews are
continuing penetration of the rock above the Falls and survey crews are
working on a contour map of the vertical face of the Falls.
**Monday July 14th
1969
-**Thousands of spectators inspect dry American Falls. Niagara Falls, New York attendance
records at the Niagara Reservation Park continue to be broken as thousands
flock to view the dry American Falls.
On Saturday and
Sunday a total of 89,790 people visited the park near the dry falls.
Police ordered scores of spectators and rock collectors off of the dry
Niagara River bed during the weekend. Persons walking on the dry river
bed, police said are risking injury.Niagara
Frontier State Park Police said many people are walking on the dry river bed from time
to time and police are hard pressed to get them off.
**Wednesday July
16th 1969 -**United States Army Corps of Engineers (USACE) drillers are scheduled to
begin boring a 320 foot (97.5m) vertical hole from a point about 45 feet
(13.7m) from the
brink of the American Falls today near Prospect Point. The hole will be 3
inches in diameter and will sink as deep as the river bed at the base of
the dry American Falls. The purpose of this part of the study project is
to study rock formations. Once they finished the hole, they will do
different tests within this same hole to check engineering capacities of
the rock and wheat could be done with it and to it.
**Tuesday July
22nd 1969 -**Tourist Walkway is still Unsettled. Drilling operations on the 320 foot
vertical hole is about 45 feet from the brink of the Falls has reached a
depth of 50 feet.
*[Spectators picking coins from the river bed ignoring the dangers](image/Amfallsdewatered3.jpg)
spectators picking coins from the dry riverbed
only feet from the brink of the Falls*courtesy of the Niagara Falls Review
**Thursday July
24th 1969 -**Our geologists are in a dream world says Colonel
Amos L. Wright, District Engineer from Buffalo. He added We are looking
forward to an exciting and unusual summer.
The explorations
to determine ways to prevent future erosion at the Falls and perhaps
rectify the results of previous rock falls involve both civilian and army
personnel.
Six geologists
must describe the rock types including chemical analysis and microscopic
inspections in order to learn reasons why various rock types are
susceptible to the weathering process, to determine the strength of the
joints between the rocks above the Falls and to study the strength of the
rocks a low temperatures. To do this, they are drilling a series of holes
below and through the face of the Falls for core samples.
There are three
army drill crews consisting of three men each with an overall supervisor
Chief Engineer, Howard Simonson from Mobile Alabama. Simonson is
responsible for anything not falling under the geology category.
Workmen from Albert
Elia Construction Company that built the 600 foot cofferdam are continuing
to clean the horizontal rock surface with an air-water jet
spray.
The Army
officials estimate it will be 1972 before all the tests are completed and
recommendations are prepared.
**Friday July 25th
1969
-**A once in a lifetime chance to walk on the dry river bed of the American
Falls is to become reality shortly according to Arthur B. Williams, General
Manager of the Niagara Frontier State parks Commission.
**Tuesday July
29th 1969 -**Work began today on a walkway stretching about 20
feet (6.1m) out onto the dry river bed and running for a distance of about
80 feet (24m) along the shoreline. Visitors will be able to come within
200 feet (60m) of the brink of the Falls. Steps will be located at each
end of the walkway. Two wooden railings about 5 feet (1.5m) apart will be
constructed. Here visitors will walk on the dry river bed. Williams said
there were too many dangers to allow visitors to walk any further out onto
the river bed.
Since Thursday
work has been concentrated on the 200 foot (60m) area at the base of the Bridal
Veil Falls. The spokesman for the USACE said construction of three
platforms 20 feet (6m) by 25 feet (7.6m) would begin by the end of the week.A drill crew will
then punch seven horizontal holes into the talus to take samples for
analysis.
**Friday August
1st 1969 -** Tourists today begin walking on the dry river bed of the
Niagara River for the first time when the walkway built by the Niagara
Frontier State Parks Commission was open to let visitors go on the river
bed 20 feet from the shore from Prospect Point for a distance of 80 feet.
*[Working on the dry river bed of the Upper Channel](image/upperchannel.jpg)
the dry upper channel leading to the American Falls*courtesy of the Niagara Falls Review
**Saturday
August 2nd 1969 -**Geologists at the dry American Falls have
found signs of another section of rock are ready to collapse once the
water begins flowing again.Douglas
Wilkinson, chief geologist of the project said drillers boring a vertical
hole 32 feet (9.7m) from the precipice ran into a void and lost a drill in the
rock core at a depth of forty feet last week.A test made with
blue dye showed the hole extended another 30 feet (9m) with dye emerging in
three places along the cliff edge indicating vertical seepage from the top
layer of the rock into the secondary shale.
**Tuesday August
5th 1969 -**Traffic snarled the Queen Elizabeth Highway (QEW) in
Niagara Falls, Ontario as visitors flock to dry Falls.
**Tuesday August
19th 1969 -**The
only undermining to date found in the rock at the dry American Falls is in
the area of Prospect Point. According to the USACE, Prospect Point was the
site of the last major rock falls in 1954 when approximately 185,000 tons
of rock crashed into the river below.
Dye poured into a
fracture 40 feet (12m) from the brink of the Falls near Prospect Point appeared
in three spots on the vertical face of the Falls.
Tests in the Luna
Island area have turned up no evidence of undermining.
Testing on the
talus beneath the Falls began this morning. The wooden platform protected
by steel and tile roofing has been erected to hold the rig and equipment.
Testing will be done on rock only covered by the water flowing over the
Falls. Shale has been falling off the vertical face of the Falls in one
foot intervals
**Friday August
22nd 1969 -**A layer of shale at the dry American Falls to come
under close scrutiny for the next 5-6 weeks as drill crews probe its
secrets.The purpose of
drilling is to learn if fractures located at the top of the Falls extend
into the shale. It studies a series of closely spaced vertical joints
parallel to the face of the Falls.
Shale is the
softer rock just under the top layer of Lockport Dolomite. It is a
consolidation of clays, mud and silt. It erodes quicker than the top
Dolostone layer. When the shale is cut by the water, the upper Dolostone
layer is left with no support. Stress and the added water pressure cause
the dolomite to break off.
A drill crew will
concentrate on the vertical face beneath the Bridal Veil Falls. Here five
holes will be drilled to a depth of 100 feet. Two of the holes will be
drilled horizontally. Two holes will be
drilled: one at a 10° degree angles and one at a 30° degree angle.
Work is expected
to last until late September.
**Wednesday
August 27th 1969
-**Eleven members of Brock Universitys Geological Science Department
toured the dry river bed in the Falls on Tuesday afternoon for more than
two hours. Melvin Hill, a USACE geologist escorted them on the tour.
**Thursday
August 28th 1969** **-**Quiet Tourist Season in 1969 - Dry Falls Blamed for Decline
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**Saturday
August 30th 1969
-**The Horseshoe Falls is not drawing the same attention that Dry Falls is getting.
Although its billed as bigger and better than ever, the Horseshoe Falls is
neither dry nor attracting many visitors or as much attention as its
American counterpart.The extra 2
percent in water tumbling over the 2,200 crest cant compete with the dry
American Falls.During daytime
hours 92,000 cubic feet of water per second plunges 176 feet drop of the
Horseshoe Falls. At night the flow is reduced to 50,000 cubic feet of
water per second to allow
for hydro diversion. Now the entire 100,000 cubic feet of water per second
is flowing over the Horseshoe Falls.
While attention
focuses on geological studies to determine ways to retard future erosion,
the cleaning up of the talus at the base of the American Falls remains
problematic. The Horseshoe
Falls eroded at even stages at a rate of about 2.2 feet per year. The
Horseshoe Falls has never had a major rock slide of the magnitude of those
plaguing the American Falls.
**Wednesday
September 10th 1969
-**Safety is main concern at Dry Falls Project. Safety features
built into the study of the dry American Falls are as important as any
technological equipment being used.
An outcrop of
rock near Prospect Point that was undermined and in danger of breaking off
with pools of water still lying in the channel - rocks are slippery to
walk on. Anyone slipping
off the brink or having a rock break off beneath them, it would be a long
fall to the jagged rocks below.
As an added
precaution, any men having to go to the edge of the Falls beyond the
safety fence wore safety belts attached to safety lines which were pinned
to the rock on the other side of the fencing.
The tiniest and
most accurate and important safety device are the Extensometers. They
operate on an air bubble principal and measure any horizontal or vertical
movement of the rock to the nearest 1/100th of an inch.
Shifting rock indicates to geologists that a rock slide is imminent.To this date, the
meters have recorded no movement in any of the rocks at the Falls.
Some metal caps
called monuments are also used to ensure the rock doesnt change position.
Their main purpose is as reference points for geological studies in
mapping. They will be left in the rock even when the water begins flowing
over the Falls again.
**Wednesday
September 17th1969 -** The Cofferdam is not causing high
water in Lake Erie. Although there had been early estimates that the
dewatering of the American Falls might cause the water level in Lake Erie
to rise up to five (5) feet this has not been the case. High water levels
in Lake Erie are not caused by the cofferdam above the Falls said Colonel
Ray Hansen of the Buffalo District USACE.
***[Lynn Pauls' Family visit to Niagara Falls July 1969](images/DRY/LynnPaul1.jpg)***
[Lynn Pauls' Family visit to Niagara Falls July 1969](images/DRY/LynnPaul2.jpg)
[Lynn Pauls' Family visit to Niagara Falls July 1969](images/DRY/LynnPaul3.jpg)
***July 1969 - Lynn Paul and
her family visited
Dry American Falls
(home photographs)***
**Saturday
September 20th 1969
-**Drill crews from the USACE have completed more than half the holes to be
drilled at the American Falls rock bed for geological studies.
A tenth hole was
completed on Tuesday September 16th. Six more are scheduled in the series. One hole will be
230 feet (70m) deep and the other five about 15 feet (4.5m) deep. Six holes 30 feet
(9m) deep have been drilled into the talus at the base of the American Falls.
Geologists are
uncertain as to the composition of the rock layer beneath the talus and
how much of it is talus rock that has broken off from the gorge wall and
fallen to the bottom.
Two stress
measurement holes will be drilled about the center of the river bed about
50 feet (15m) from the edge and the other 60 feet (18m) from the brink. Instruments
will be installed in these holes to determine the presence or absence of
abnormal rock pressure.
Geologists think
that these rock stresses will influence the rate of recession at both the
American Falls and the Horseshoe Falls.
All five holes in
the horizontal series have been drilled. They are 100 feet (30m) deep.
**Tuesday
October 21st 1969
-**Only a few tests remain before the USACE complete their studies on the
American Falls. The purpose of this $1.5 million dollar project is to
learn ways to prevent future erosion and determine the feasibility of
removing some of the talus from the base of the Falls.
One hole is still
to be drilled near the cofferdam between Goat Island and the mainland and
another in the laboratory test series. Corps officials hope to remove the
earth and stone cofferdam between November 15th and December 1st.
***Thursday
October 30*th *1969
-*** The date to remove the cofferdam and restoring the flow of the American Falls will be
announced in a week. A group of
geological consultants and engineers visiting the site today have Friday
to review and evaluate the field work so far. If current tests have
provided enough data the cofferdam could be removed in mid-November.
***Monday
November 24*th** ***1969
-***Full flow of the Falls will come gradually. Anyone expecting the
parched American Falls to roar back on like a giant when the cofferdam
diverting the water is removed is doomed to disappointment.
The USACE in charge
of the five month long erosion study at the Falls is doing its best to
ensure the water is restored only gradually. Workers will begin
removing the large boulders at 10 am. and the first water flow should
appear by 3 pm. A sudden burst of water is apt to endanger the men from
Albert Elia Construction Company who will be removing the dam.
At Prospect Point
where the rock structure is weak, a sudden heavy flow of water could
trigger a rock slide. The full flow will be reached in about 24 hours -
gradually increasing as the cofferdam is removed. Crowds are expected
to watch as the earthmovers and trucks remove the cofferdam.
Pipes used to keep
the shale and river bed moist were removed last week
According to Colonel
Hansen, there is no way to know whether the Indian Head (rock formation at
the brink of the American Falls) near Prospect Point will cave in. Pins
have been placed on either side of the cracks to measure any rock
movements but none has occurred since June.
**Tuesday
November 25th 1969 -** There is water
flowing over the American Falls Again. At 10:05 am this
morning a drag-line lifted out the first scoops of earth and rock from the
600 foot (182.8m) long cofferdam that had been in place since June 12th.
At 10:43 a.m. the first trickle of water flowed through the dam but it was
mid afternoon before water once again plunged over the falls.
About 2,650 people
watched from various vantage points with cameras and newsreels as workers
began removing the dam. Normal flow is expected by tomorrow morning as
crews work around the clock to restore water flow.
A breach of the
cofferdam began about 30 feet (9m) from the Goat Island shore. It was
originally planned to begin at the center but Colonel Hansen explained
that a soft spot in the dam was discovered this morning and the decision
to begin work near the island was made.
There was a little
ceremony to mark the beginning of the return to normalcy. David Kennis,
age 11, of Lockport, New York symbolizing the next generation, pulled a
cord which operated a horn. The blast from the horn signaled the drag-line
operator to begin work. The first gush of
muddy water spurted through the dam at 11:05 am. There was not a
noticeable difference in the river bed until noon when water slowly began
to fill the fissures and holes.
***Tuesday
November 25th*** ***1969
-***The roar of
Niagara is returning to normal.
**Thursday April 23rd 1970 -**
Luna Island and Cave of the Winds closed.
**Friday April 24th 1970 -**
Luna Island was closed Thursday when 24 large cracks were discovered on
the surface. Fractures ranging from 4 feet (1.2m) to 12 feet (3.6m) long
and up to ½ inch in width were found within a 9 foot (2.7m) arc pattern.
The cracks may have been caused by the weight of the debris from the
Bridal Veil Falls. Luna Island had just re-opened following the winter
season.
Thomas Wilkinson, USACE District
Chief Geologist described the fractures as a "sloping failure" of a slide
nature as opposed to a rock slide. The fractures began approximately 20
feet (6m) from the Bridal Veil Falls.
**Wednesday June 30th 1971 -**
Large cracks have been discovered in the American Falls and Horseshoe
Falls. The United States Army Corps of Engineers plan a further $4 million
dollar study. Remedial work currently underway costs $2 million dollars.
Saturday August 28th 1971 - A
small area at Prospect Point was barricaded to prevent people from
interfering with equipment and workmen.
**Tuesday August 31st 1971 -**
Cracks have been found in the rock wall at Prospect Point. They are
located midway between Prospect Point and the Prospect Point Observation
Tower. As a result of these finding, the rock face will have to be scaled.
Tuesday January 20th 1972 - The
Luna Island project which began in November 1971 when a 175 foot (53m)
cofferdam was erected from Goat Island to Luna Island, shutting off the
water flow to the Bridal Veil Falls. A parks commission crew spent 10 days
building the earth cofferdam to dewater the Bridal Veil Falls.
**Thursday July 20th 1972 -** Remedial work at Luna Island and Prospect Point begin on July 24th
according to Keith R. Hopkins, Regional Administrator of the Niagara
Frontier State Parks Commission. A $99,223 contract was awarded to Herbert
F. Darling Construction Company with supervision provided by Acres
American Incorporated of Buffalo, New York.
At Prospect Point, exploratory
trenching and test pitting will take place.
**Friday July 28th 1972 -** New
warning devices part of a $300,000 program will be installed at Terrapin
Point and at Goat Island's flank. Two such devises have operated for a
year and are monitored by the Niagara Frontier State Parks Police.
Ross Steel Erection Company of
Niagara Falls, New York were awarded a contract in the amount of $121,695
to construct a platform to facilitate installation of warning devices at
the base of Terrapin Point. Work will begin to add four additional sensor
devices at Terrapin Point, Goat Island's flank and two at Prospect Point.
**Saturday August 19th 1972 -**
Remedial work on Luna Island and the Cave of the Winds which began in July
of 1972 should be completed by September 15th. The
Herbert F. Darling Construction Company is installing tendons in the rock
face and clearing away rock debris from rock slides which have closed Luna
Island since early 1970. Although Luna Island will be open as soon as work
has been completed, the cave of the Winds will not re-open until 1973.
***Monday September 11th 1972 -*** Because of a recently discovered crack
at Terrapin Point, it has been fenced off to keep members of the public
out. This is a precautionary measure. An
extensometer has been installed to
monitor any movement in the earth. The device is monitored by the State
Parks Police. A program is now underway at Luna Island to shore up the
rock following the discovery of cracks two years ago. The remedial work is
being done by the Herbert F. Darling Construction Company of
Williamsville, New York.
***Friday
December 1st 1972** -* USACE engineers have determined that Terrapin
Point and Prospect Point could topple at any time due to the instability
of rock formations.
A multiple position
extensometer is placed in a hole in the rock and connected by telephone
line to State Park Police Headquarters. There are many of these sensors
now being installed in dangerous areas to detect rock movement.
The Niagara Frontier
State Parks Commission has installed more than 200 feet (60m) of trench at
Prospect Point. The trench is covered with boards to create a boardwalk
look. These wooden sidewalks can be raised to allow geologists access to
the rock cracks below.
***In June of 1973****,* the International Joint Commission distributed 220,000 brochures with ballots
in Niagara Falls, Ontario and Niagara Falls, New York in order to obtain a
public consensus of what should be done about the talus of the American Falls.
The *ballots contained various
proposed options for the American Falls.* There were four basic
options:
*1. Remove the talus at
the base of the American Falls*
*2. Increase the flow
over the American Falls*
*3. Restore the Maid of
the Mist Pool level*
*4. Make no physical
changes in the American Falls appearance*
***In 1975,* the
International Joint Commission** presented their results, conclusions
and recommendations in a report entitled "Preservation and Enhancement of
the American Falls at Niagara. These results were made public.
The talus at the
base of the American Falls is estimated by engineers at 358,000 tons
(280,000 cubic yards) with the talus reaching 135 feet (41M) high in places reducing the water fall
from 100 feet (30m) to a mere 45 feet (13.7M). The depth of the talus
ranges from 25 feet (7.6m) to 50 feet (15m).
The talus was
accumulated as a result of major rock falls in January 1931, July 1954 and
December 1959 which cumulatively deposited approximately 130,000 cubic
feet of talus at the base of the American Falls.
During the
dewatering process, tests included 46 core borings totalling 4,882 feet
(1488m). In addition to various mapping and probing processes, piezometers
were installed to measure water pressure on rock joints and extensometers
to measure rock movements.
The public response
was overwhelming. Five thousand prepaid cards were returned along with
70,000 other replies. The conclusion of this process was that a majority
of respondents chose to not change the American Falls.
The International
Joint Commission came to five basic conclusions:
1. while it is
technically feasible to remove the talus which has collected at the base
of the American Falls, it is not desirable to do so at the present time
2. while structural
solutions are available to arrest erosion at the crest of the American
Falls, the Falls should not be stabilized by artificial means
3. a broad
environmental study should be jointly carried out by Canada and the United
States to identify and give priority to those measures which best enhance
the total setting and beauty of the Niagara Falls area
4. that the two
flanks of the American Falls and the Goat Island flank of the Horseshoe
Falls are sufficiently unstable to warrant remedial action ...
5. a statistically
minor element of risk from unpredictable rock movement will remain and
must be accepted by the viewing public.
| |
| --- |
| **NIAGARA
FALLS THUNDER ALLEY NAVIGATOR** |
|
**INFORMATION INDEX**
Information Index
Accidents & Rescues
Aero Car
American Falls
Attractions
Attractions Price List
Aviary of Niagara
Barge (Scow)
Books & Authors
Botanical Gardens
Boundary Waters Treaty
Bridges History
Butterfly Conservatory
Carillon Tower
Casino Niagara
Cave of the Winds
Clifton Hill
Climate
Customs Regulations
Daredevils
Dewatered Falls
Directions & Parking
Dufferin Islands
Environmental Issues
EVENTS & NEWS
Falls Facts & History
Festival of Lights
Fireworks Over Falls
Floral Clock
Floral Showhouse
Frequently Asked Questions
Geology
Greenhouses
Horseshoe Falls
Hydro Diversion
Ice Bridges / Ice Boom
Illumination Lights
Links to Educational Sites
Maid of the Mist
Municipalities of Niagara
NEWS & EVENTS
Niagara Glen
Niagara Gorge
Niagara Parks
Niagara River
Niagara River Treaty
Niagara Tunnel Project
Oakes Garden Theatre
Parking & Directions
Power History
Rankine Power Station
Rescues & Accidents
Scow (Stranded Barge)
SITE MAP
Spanish Aero Car
Towers of Niagara Falls
Urban Developments
Weather
Whirlpool
Whirlpool Aero Car
Whirlpool Rapids
|
**HISTORICAL
ARCHIVE**
History Index
Barge (Scow)
Accidents & Rescues
Accounts Historic
American Falls Dry 1969
American Revolution
Barnett, Thomas
Bender, Phillip
Birth of the Cities: a history
Bridges: a History
British in Niagara
Burning Springs
Caroline, the Steamboat
Center, the
Chippawa - a History
City of the Falls Project
Clifton, Town & Village of
Commerce (Early)
Crysler, Harmanus
Daredevils Hall of Fame
Devil's Hole & Massacre
Dewatered Falls
Drummond Hill
Early Settlers
Explorers Accounts
Forsyth, James
Freedom Trail of Niagara
French in Niagara
Frontier Amusement Park
Geology - a History
Great Gorge Route
Historic Accounts
Honeymoon Bridge Collapse
Hotels & Campgrounds
Ice Bridges
Ice Bridge Deaths
Incline Railway Crash (1907)
Indian Nations
Islands of Upper Niagara
Lorreto Academy
MacKenzie Rebellion
Michigan, the Schooner
Mill District of New York
Mowat Gates
Muddy Run Creek
New York, Western
Niagara Falls 1800's
Niagara Parks - a History
Oakes, Harry
Pioneer Families
Post American Revolution
Portage Road
Power - a History
Powerhouse at Queenston 1954
Prospect Point Rockfall
Railroads - a History
Rankine Power Station
Schoellkopf Power Collapse
Scow(stranded barge)
SITE MAP
Skyview Airlines
Streetcars & Trolleys
Subchaser
Superior, the steamboat
Table Rock - a History
Terrapin Point - a History
Toll Roads - a History
Tower Terminal Inn
Towers - a History
Townships: a history
War of 1812, Rumours of
War of 1812
Battle of Queenston
Battle of Newark
Battle of Beaverdams
Battle of Chippawa
Battle of Lundy's Lane
Battle of Cooks Mills
War of 1812- Ending
Post War Development
Water Works
Yesterday 1909
Zimmerman, Samuel
|
**PICTURES & SLIDESHOWS**
Photo Index
American Memories (link)
Fireworks Over Falls
Historical Pictures Page #1
Historical Pictures Page #2
Honeymoon Bridge Collapse
NF Library Collection (link)
Panoramic Pictures
Powerhouse at Queenston 1954
Small Town America (link)
Yesterday 1909
|
| **[SITE MAP](http://www.niagarafrontier.com/sitemap.html)** |
Date last updated:
September 07, 2019
*The following
locations and facts about them are but a few of many famous sites
& attractions to be found in Niagara Falls. The best of it is FREE
to see...so think of Niagara Falls when planning your next vacation.
If you have questions of a current or historical nature about the
Niagara Falls area or suggestions feel free to e-mail Rick at*
[[email protected]](mailto:[email protected])
***THANK
YOU FOR VISITING***
***the Summer
of '69*****the Dewatering of
the American Falls**
a
chronological history
***page***
| |
| --- |
| [**RETURN TO THUNDER
ALLEY**](http://www.niagarafrontier.com/index.html) |
|
| http://www.niagarafrontier.com/dewater.html |
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<p align="center"><font size="2" face="Comic Sans MS"><strong>7/23/2014 - A note from Annie's son Jake - Today, at about 4PM, I received a call telling me that my mom, <br>
Annie, had passed away. At this time, we don't really know any specifics, but I wanted to share this sad news <br>
with
anyone who frequents her site. A few years back, as a Christmas gift, I purchased this domain name<br>
through 2020, so this site will remain online as a reminder of what my mom created. I have set up a<br>
<a href="mailto:[email protected]">new email address</a> for condolences if you would like to send them to our family.<br>
<br>
With love, Jake
</strong></font></p>
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<font size="2" face="Comic Sans MS"><strong>"Every good gift
and every perfect gift is from above, and cometh down from the
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with whom is no variableness, neither shadow of turning."<br>
~James 1:17~</strong></font></p>
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Here are a few of the programs that my son recommended and I
thought you might want to use them too:<br>
</strong></font><a href="http://www.google.com/chrome"><font
size="2" face="Comic Sans MS"><strong>Chrome Browser</strong></font></a><font
size="2" face="Comic Sans MS"><strong> with the </strong></font><a
href="https://chrome.google.com/webstore/detail/gighmmpiobklfepjocnamgkkbiglidom"><font
size="2" face="Comic Sans MS"><strong>Ad Blocker program</strong></font></a><font
size="2" face="Comic Sans MS"><strong>. <br>
I totally value his opinion regarding the computer so I thought I
would share them with you!</strong></font></p>
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with Grief and the Holidays" Page</strong></font></a><font
size="2" face="Comic Sans MS"><strong> - This page has some<br>
practical ideas on how to make it through the holidays. There is
a section with<br>
ways to help someone who is grieving too.</strong></font></p>
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width="127" height="132"></font><font size="1"
face="Comic Sans MS"><strong><br>
</strong></font><font size="2" face="Comic Sans MS"><strong>Hugs
and Flowers are wonderful ways of saying how much you love family
and friends!<br>
Everyone loves to give and receive flowers!! I know that I love
getting them.<br>
So stop by ProFlowers to see what a fabulous selection of flowers
they have!<br>
ProFlowers is a phenomenal place to </strong></font><a
href="http://www.proflowers.com/send-flowers-bsl"><font size="2"
face="Comic Sans MS"><strong>send flowers</strong></font></a><font
size="2" face="Comic Sans MS"><strong>!<br>
Stop by and see my page about flowers: </strong></font><a
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face="Comic Sans MS"><strong>Annie's Flower Page</strong></font></a></p>
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height="57"></p>
<p align="center"><font size="1" face="Comic Sans MS"><img
src="cc7friendgirl1.gif" width="74" height="136"
style="WIDTH: 74px; HEIGHT: 136px"><br>
</font><font size="2" face="Comic Sans MS"><strong>"Blessed
[be] God, even the Father of our Lord Jesus Christ, the Father of<br>
mercies, and the God of all </strong></font><a
href="http://www.annieshomepage.com/comfort.html"><font size="2"
face="Comic Sans MS"><strong>comfort</strong></font></a><font
size="2" face="Comic Sans MS"><strong>; Who comforteth us in all
our<br>
tribulation, that we may be able to comfort them which are in any
trouble,<br>
by the comfort wherewith we ourselves are comforted of God."<br>
~2 Corinthians 1:3-4~</strong></font></p>
<p align="center"><font size="1" face="Comic Sans MS"><img
src="cc7flrline2a.gif" width="422" height="57"></font></p>
<p align="center"><font size="2" face="Comic Sans MS"><strong><img
src="cc17kid95.gif"
alt=""Every good and perfect gift is from the father above............."
width="81" height="131"> <br>
</strong></font><font color="#10A352" size="2"
face="Comic Sans MS"><strong>"The story of every great
Christian achievement<br>
is the history of answered prayer."<br>
</strong></font><a href="http://www.ccel.org/b/bounds/"><font
color="#10A352" size="2" face="Comic Sans MS"><strong>E. M.
Bounds</strong></font></a></p>
<p align="center"><img src="cc7flrline2c.gif" width="422"
height="57"></p>
<p align="center"><font size="1" face="Comic Sans MS"><strong><img
src="glendapots1.gif" width="96" height="55"></strong><b><br>
</b></font><a href="http://www.freerice.com/"><font size="4"
face="Comic Sans MS"><b>Free Rice Game</b></font></a><font
size="4" face="Comic Sans MS"><b><br>
</b></font><font size="2" face="Comic Sans MS"><strong><b>Give
free rice</b></strong><strong> to hungry people by playing a
simple word </strong><strong><b>game</b></strong><strong>.</strong><strong><b><br>
Free Rice</b></strong><strong> - For Each Vocabulary Word You Get
Right.<br>
It is pretty amazing that you can help others by just <br>
playing a word game while building your own vocabulary.</strong></font></p>
<p align="center"><font size="1"><img src="cc7flrline2a.gif"
width="422" height="57"></font></p>
<p align="center"><font size="1" face="Comic Sans MS"><img
src="hspcl1g.gif" width="85" height="153" title="hspcl1g.gif"></font></p>
<p align="center"><font color="#800000" size="2"
face="Comic Sans MS"><strong>9/13 - Thank you all for your
continued prayers for </strong></font><a href="chronic.html"><font
color="#800000" size="2" face="Comic Sans MS"><strong>me</strong></font></a><font
color="#800000" size="2" face="Comic Sans MS"><strong> and my
family! Dad is doing well right now. He is still having some
balance problems but<br>
able to walk in the house without the walker. He of course still
has to deal with his dementia but that is a daily thing for Mom
and him to deal with too.<br>
Mom's </strong></font><a
href="http://parkinsons.about.com/od/faqs/Frequently_Asked_Questions_About_Parkinson_s_Disease.htm"><font
color="#800000" size="2" face="Comic Sans MS"><strong>Parkinson's
Disease</strong></font></a><font color="#800000" size="2"
face="Comic Sans MS"><strong> medication seems to be helping her
and she is also taking a sitercise exercise class. Looks like her
weight is too low again so just<br>
add that to the prayer list for her please. I still deal with the
</strong></font><a href="chronic.html"><font color="#800000"
size="2" face="Comic Sans MS"><strong>RSD</strong></font></a><font
color="#800000" size="2" face="Comic Sans MS"><strong> and CRPS
and some other chronic illnesses that you can't see. I am
diabetic now too.<br>
please continue to pray about that for me. Thank you so much for
your continued prayers and encouragement. Just knowing that you
are praying is so<br>
comforting to me! History - It was about six years ago that Dad
had quadruple bypass surgery and an endarterectomy. He has had
many small strokes since then.<br>
Dad still has the blockage in the other side of the neck and the
blockage in the basillary artery but they are pretty much
controlled by medication now.</strong></font></p>
<p align="center"><font size="1"><img src="cc7flrline2a.gif"
width="422" height="57"><br>
<img src="bible10.gif" width="39" height="50"><br>
</font><font color="#10A352" size="4" face="Comic Sans MS"><strong>Help
Donate Free Bibles by just a click of your mouse!<br>
</strong></font><font size="2" face="Comic Sans MS"><strong>You
Can Donate Bibles to Persecuted Christians Worldwide. It's Quick,
Easy and Free!<br>
</strong></font><a href="http://www.thebiblesite.org/"
target="_blank"><font size="2" face="Comic Sans MS"><strong>CLICK
HERE</strong></font></a><font size="2" face="Comic Sans MS"><strong>
--- Once there: </strong></font><font color="#10A352" size="2"
face="Comic Sans MS"><strong>Make sure you CLICK on "Donate
Bibles It's Free Click<br>
Here" </strong></font><font size="2" face="Comic Sans MS"><strong>This
will open up in a new window so just click then close it!</strong></font></p>
<p align="center"><img src="cc7flrline2c.gif" width="422"
height="57"></p>
<p align="center"><img src="ccplant2a.gif" width="135"
height="121"><font color="#804040" size="2" face="Comic Sans MS"><strong><br>
</strong></font><font color="#10A352" size="2"
face="Comic Sans MS"><strong>"Teach me to be patient<br>
In everything I do,<br>
Content to trust Your wisdom<br>
And to follow after You."<br>
~Helen Steiner Rice~</strong></font></p>
<p align="center"><img src="cc7flrline2c.gif" width="422"
height="57"><br>
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<p align="center"><font size="2" face="Comic Sans MS"><strong>Stop
by and visit my: </strong></font><a
href="http://www.annieshomepage.com/teatime.html"><font size="2"
face="Comic Sans MS"><strong>Annie's Teatime Page</strong></font></a></p>
<p align="center"><img src="cc7flrline2c.gif" width="422"
height="57"></p>
<p align="center"><a href="http://mygardenofgrace.net/"
target="_blank"><font size="2" face="Comic Sans MS"><strong><img
src="tcnmyhouse.gif"
alt="Click here to go to My Garden of Grace to get your own Graphic!"
border="0" width="120" height="140"></strong></font></a></p>
<p align="center"><font size="4" face="Comic Sans MS"><strong>What
is a Christian<br>
and how can you become one?</strong></font><font size="1"
face="Comic Sans MS"><br>
</font><a
href="http://www.navigators.org/us/resources/illustrations/items/The%20Bridge%20to%20Life"
target="_blank"><font size="1" face="Comic Sans MS"><img
src="key3.gif"
alt="Click here to learn how to become a Christian!" border="0"
width="41" height="80"></font></a><font size="1"
face="Comic Sans MS"><br>
</font><font color="#10A352" size="2" face="Comic Sans MS"><strong>Just
click on the key above to find out how!</strong></font></p>
<p align="center"><img src="cc7flrline2c.gif" width="422"
height="57"></p>
<p align="center"><a href="http://mygardenofgrace.net/"><font
color="#10A352" size="2" face="Comic Sans MS"><strong><img
src="TCN-beeingchristian.gif"
alt="Click the graphic to get your own cute graphic!" border="0"
width="103" height="99"></strong></font></a><font color="#10A352"
size="2" face="Comic Sans MS"><strong><br>
I love this graphic above and I Love BEE-ing a Christian too!<br>
Stop by and see a related page of mine called:<br>
</strong></font><a
href="http://www.annieshomepage.com/anniesmissionary.html"><font
color="#000000" size="2" face="Comic Sans MS"><strong>How to
"BEE" an Internet Missionary!</strong></font></a></p>
<p align="center"><img src="cc7flrline2c.gif" width="422"
height="57"></p>
<p align="center"><font size="1" face="Comic Sans MS"><strong><img
src="cc8friends1.gif" width="197" height="171"><br>
</strong></font><font size="2" face="Comic Sans MS"><strong>"The
LORD is good, a strong hold in the day of trouble;<br>
and he knoweth them that trust in Him."<br>
~Nahum 1:7~</strong></font></p>
<p align="center"><img src="cc7flrline2c.gif" width="422"
height="57"></p>
<p align="center"><font size="1" face="Comic Sans MS"><strong><img
src="ccplant4a.gif" width="124" height="147"></strong></font><font
size="2" face="Comic Sans MS"><strong><br>
"Don’t belittle your potential through unhealthy
comparisons with<br>
others. See yourself as God has made you--a one-of-a-kind<br>
creation with a combination of gifts and opportunities<br>
that no one else has ever possessed."<br>
~Quoted from </strong></font><a
href="http://web.archive.org/web/20040102010325/http://www.gospelcom.net/nehemiah/gifts2.htm"><font
size="2" face="Comic Sans MS"><strong>Nehemiah Notes</strong></font></a><font
size="2" face="Comic Sans MS"><strong>~</strong></font></p>
<p align="center"><img src="cc7flrline2c.gif" width="422"
height="57"></p>
<p align="center"><font color="#0080FF" size="1"><img
src="1walkbyfaith_annie.gif" width="167" height="198"></font></p>
<p align="center"><font size="1" face="Comic Sans MS"><img
src="cc7flrline2a.gif" width="422" height="57"></font></p>
<p align="center"><img src="cc7friendgirl5.gif" width="94"
height="135"><br>
<font size="2" face="Comic Sans MS"><strong>"But the LORD
said unto Samuel, Look not on his countenance, or on the<br>
height of his stature; because I have refused him: for the LORD
seeth<br>
not as man seeth; for man looketh on the outward appearance,<br>
but the LORD looketh on the heart."<br>
~1 Samuel 16:7~</strong></font></p>
<p align="center"><font size="1" face="Comic Sans MS"><img
src="cc7flrline2a.gif" width="422" height="57"></font></p>
<p align="center"><font color="#10A352" size="1"
face="Comic Sans MS"><img src="cc7frienddoor1a.gif" width="165"
height="212"><br>
</font><font color="#10A352" size="2" face="Comic Sans MS"><strong>The
Door is Always Open at Annie's Home Page!<br>
</strong></font><font size="2" face="Comic Sans MS"><strong>There
are no locks and no invitation is needed.<br>
So if you are ever lonely and need a little </strong></font><a
href="http://www.annieshomepage.com/link1.html"><font size="2"
face="Comic Sans MS"><strong>encouragement</strong></font></a><font
size="2" face="Comic Sans MS"><strong><br>
stop back by on a regular basis for some </strong></font><a
href="http://www.annieshomepage.com/comfort.html"><font size="2"
face="Comic Sans MS"><strong>COMFORT</strong></font></a><font
size="2" face="Comic Sans MS"><strong><br>
from the </strong></font><a
href="http://www.annieshomepage.com/biblestudy.html"><font
size="2" face="Comic Sans MS"><strong>Word of God</strong></font></a><font
size="2" face="Comic Sans MS"><strong>!</strong></font></p>
<p align="center"><font size="1" face="Comic Sans MS"><img
src="cc7flrline2a.gif" width="422" height="57"></font></p>
<p align="center"><font size="2" face="Comic Sans MS"><strong><img
src="gbijuly4girl.gif" width="118" height="166"><br>
</strong></font><font color="#000080" size="2"
face="Comic Sans MS"><strong>I love America and love all our
Veterans!!! We owe you all so very much!! THANK YOU!!!<br>
Here is a link to my </strong></font><a
href="http://www.annieshomepage.com/veterans.html"><font
color="#000080" size="2" face="Comic Sans MS"><strong>Annie's
Veteran's Day Page</strong></font></a><font color="#000080"
size="2" face="Comic Sans MS"><strong> and near the bottom of<br>
the page you can see all my other Military related pages!!</strong></font></p>
<p align="center"><font size="1" face="Comic Sans MS"><img
src="cc7flrline2a.gif" width="422" height="57"></font></p>
<p align="center"><img src="cc7friendbloom.gif" width="105"
height="171"><font size="1"><br>
</font><font color="#0080FF" size="2" face="Comic Sans MS"><strong>"When
thou passest through the waters, I will be with thee; and through<br>
the rivers, they shall not overflow thee: when thou walkest
through<br>
the fire, thou shalt not be burned; neither shall the<br>
flame kindle upon thee."<br>
~Isaiah 43:2~</strong></font></p>
<p align="center"><font size="2" face="Comic Sans MS"><strong><img
src="pcthanksforvisit.gif" width="80" height="50"></strong></font></p>
<div align="center"><center>
<table border="2" cellpadding="2" bgcolor="#EEF9F7"
bordercolor="#10A352" bordercolordark="#10A352"
bordercolorlight="#10A352">
<tr>
<td><p align="center"><a
href="http://www.annieshomepage.com/regularindex.html"><font
face="Comic Sans MS"><strong><img src="hsehm1c[1].gif"
alt="Click here to go to the really OLD Index Page!"
border="0" width="163" height="115"></strong></font></a><font
face="Comic Sans MS"><strong><br>
</strong></font><a
href="http://www.annieshomepage.com/index3.html"><font
size="2" face="Comic Sans MS"><strong>Annie's Old Index
Page</strong></font></a></p>
</td>
<td><p align="center"><font size="2" face="Comic Sans MS"><strong>Annie's
Featured Holiday Page<br>
</strong></font><a
href="http://www.annieshomepage.com/holiday.html"><font
size="2" face="Comic Sans MS"><strong><img
src="3happyeverything[1].gif"
alt="Have a "Happy Everything"!" border="0"
width="168" height="163"></strong></font></a><font
size="2" face="Comic Sans MS"><strong><br>
</strong></font><a
href="http://www.annieshomepage.com/holiday.html"><font
size="2" face="Comic Sans MS"><strong>Annie's Holiday
Page</strong></font></a></p>
</td>
<td><p align="center"><font size="2" face="Comic Sans MS"><strong>Annie's
Featured Page<br>
</strong></font><a
href="http://www.annieshomepage.com/featuredpage.html"><font
size="2" face="Comic Sans MS"><strong><img
src="brcl1hgraphicgarden.gif" border="0" width="91"
height="149"></strong></font></a><font size="2"
face="Comic Sans MS"><strong><br>
</strong></font><a
href="http://www.annieshomepage.com/featuredpage.html"><font
size="2" face="Comic Sans MS"><strong>Annie's "Featured
Page" Page</strong></font></a></p>
</td>
<td><p align="center"><a
href="http://www.annieshomepage.com/emailannie.html"><font
size="2" face="Comic Sans MS"><strong><img
src="cc19mail1.gif" border="0" width="146" height="84"></strong></font></a><font
size="2" face="Comic Sans MS"><strong><br>
</strong></font><a
href="http://www.annieshomepage.com/emailannie.html"><font
size="2" face="Comic Sans MS"><strong>Email Annie</strong></font></a></p>
</td>
</tr>
</table>
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<p align="center"><font size="2" face="Comic Sans MS"><strong>NEW
Counter started in April 2003 </strong></font><a
href="http://www.christiansunite.com/hit/directory.shtml"
target="_blank"><font size="2" face="Comic Sans MS"><strong>Ranking
& Directory Page</strong></font></a><font
face="Comic Sans MS">!</font><font size="2" face="Comic Sans MS"><strong>
Total Site "Page Views"<br>
from 11/7/99 until new counter was about 12.6 Million!!! My site
was started in 1997<br>
with one page! Amazing what you can do with one page! Copyright
1997 - 2011 Annie's<br>
Home Page. All Rights Reserved. I thank the Lord for graphics
artists without them<br>
these pages would not be the same. Please visit </strong></font><a
href="http://www.annieshomepage.com/graphics.html"><font size="2"
face="Comic Sans MS"><strong>Annie's List of Great Graphics Spots</strong></font></a><font
size="2" face="Comic Sans MS"><strong><br>
for a list of their links. Some Graphics on this page from </strong></font><a
href="http://www.graphicgarden.com/" target="_blank"><font
size="2" face="Comic Sans MS"><strong>Graphic Garden</strong></font></a><font
size="2" face="Comic Sans MS"><strong> and <br>
</strong></font><a href="http://www.cutecolors.com/"
target="_blank"><font size="2" face="Comic Sans MS"><strong>Cute
Colors Members Graphics</strong></font></a><font size="2"
face="Comic Sans MS"><strong> & </strong></font><a
href="http://www.creativeladiesministry.com/" target="_blank"><font
size="2" face="Comic Sans MS"><strong>Creative Ladies Ministry</strong></font></a><font
size="2" face="Comic Sans MS"><strong>. </strong></font><a
href="http://www.dynamicdrive.com/dynamicindex9/noright3.htm"
target="_blank"><font size="2" face="Comic Sans MS"><strong>Silent
No Right Click Script</strong></font></a><font size="2"
face="Comic Sans MS"><strong><br>
from </strong></font><a href="http://www.dynamicdrive.com/"
target="_blank"><font size="2" face="Comic Sans MS"><strong>Dynamic
Drive</strong></font></a><font size="2" face="Comic Sans MS"><strong>.
For Instructions on how to add the no right click script visit:<br>
</strong></font><a
href="http://www.annieshomepage.com/tips9.html"><font size="2"
face="Comic Sans MS"><strong>Annie's "How to Add Silent No
Right Click Script" Page</strong></font></a><font size="2"
face="Comic Sans MS"><strong>.</strong></font><font size="1"
face="Comic Sans MS"><br>
</font><a href="http://www.cutecolors.com/"><font size="1"><img
src="cc19logo2.gif"
alt="Most graphics on this page from Cute Colors Graphics!"
border="0" width="140" height="43"></font></a><font
color="#0B9173" size="1" face="Comic Sans MS"> </font><a
href="http://www.graphicgarden.com/" target="_blank"><font
color="#0B9173" size="1" face="Comic Sans MS"><img
src="helena2.gif"
alt="Click here to visit Graphic Garden Graphics!" border="0"
width="114" height="68"></font></a><font size="1"
face="Tempus Sans ITC"> </font><a
href="http://savonalane.savonaville.com/" target="_blank"><font
size="1" face="Comic Sans MS"><img src="1KoriGirlCert.gif"
alt="To adopt and personalize your own Walk by Faith Adoption just click here!"
border="0" width="111" height="63"></font></a><font size="1"
face="Tempus Sans ITC"> </font><a
href="http://www.creativeladiesministry.com/graphicsmenu.html"><font
size="1"><img src="inspirtagslogo.gif"
alt="Bible Graphics and Inspiration Tags & Thanks for Visiting from Creative Ladies Ministry!"
border="0" width="101" height="35"></font></a> <a
href="http://www.jennysgrandchild.com/"><img
src="jg_logo88x31_2.gif"
alt="Click on her linkware then the fall stuff to find your own graphic!"
border="0" width="88" height="31"></a><font size="1"
face="Comic Sans MS"> </font><a
href="http://www.irenescorner.com/graphics/"><font size="2"
face="Comic Sans MS"><strong><img src="gbiuslogo.gif" border="0"
width="123" height="39"></strong></font></a><font size="1"
face="Comic Sans MS"><br>
</font><font size="2" face="Comic Sans MS"><b>Para un Listado del
Resto de mis Páginas:</b></font><font size="1"
face="Comic Sans MS"><br>
</font><a href="http://www.annieshomepage.com/sdirections.html"><font
size="1" face="Comic Sans MS"><img src="sdirections-annie.gif"
alt="Pulsa aqui para ir a "Direcciones Hacia Mi Casa", mi pagina principal"
border="0" width="408" height="48"></font></a><font size="1"
face="Comic Sans MS"><br>
</font><font size="2" face="Comic Sans MS"><strong><b>For a
Listing of the All of My Pages:</b></strong></font><font size="1"
face="Comic Sans MS"><br>
</font><a href="http://www.annieshomepage.com/directions.html"><font
size="1" face="Comic Sans MS"><img src="directions-kayleigh.jpg"
alt="Click Here to See My Index Page & Site Map!" border="0"
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Welcome to Annie's Home Page!
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**Welcome Friends
To****Annie's Home Page**
**The Place to Come for** [**Encouragement**](http://www.annieshomepage.com/link1.html)**!
It's Where you Can be Refreshed by the Word of God.
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**7/23/2014 - A note from Annie's son Jake - Today, at about 4PM, I received a call telling me that my mom,
Annie, had passed away. At this time, we don't really know any specifics, but I wanted to share this sad news
with
anyone who frequents her site. A few years back, as a Christmas gift, I purchased this domain name
through 2020, so this site will remain online as a reminder of what my mom created. I have set up a
[new email address](mailto:[email protected]) for condolences if you would like to send them to our family.
With love, Jake**
**"Every good gift
and every perfect gift is from above, and cometh down from the
Father of lights,
with whom is no variableness, neither shadow of turning."
~James 1:17~**
 **Here are a few of the programs that my son recommended and I
thought you might want to use them too:**[**Chrome Browser**](http://www.google.com/chrome) **with the** [**Ad Blocker program**](https://chrome.google.com/webstore/detail/gighmmpiobklfepjocnamgkkbiglidom)**.
I totally value his opinion regarding the computer so I thought I
would share them with you!**
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**Hugs
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**"Blessed
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**9/13 - Thank you all for your
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family! Dad is doing well right now. He is still having some
balance problems but
able to walk in the house without the walker. He of course still
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Mom's** [**Parkinson's
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weight is too low again so just
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and some other chronic illnesses that you can't see. I am
diabetic now too.
please continue to pray about that for me. Thank you so much for
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Dad still has the blockage in the other side of the neck and the
blockage in the basillary artery but they are pretty much
controlled by medication now.**
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Content to trust Your wisdom
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~Nahum 1:7~**
**** **"Don’t belittle your potential through unhealthy
comparisons with
others. See yourself as God has made you--a one-of-a-kind
creation with a combination of gifts and opportunities
that no one else has ever possessed."
~Quoted from** [**Nehemiah Notes**](http://web.archive.org/web/20040102010325/http://www.gospelcom.net/nehemiah/gifts2.htm)**~**
**"But the LORD
said unto Samuel, Look not on his countenance, or on the
height of his stature; because I have refused him: for the LORD
seeth
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but the LORD looketh on the heart."
~1 Samuel 16:7~**
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**"When
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the rivers, they shall not overflow thee: when thou walkest
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the fire, thou shalt not be burned; neither shall the
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<td valign=top width=228 align=center> <img src="../../common/greymiddletop.gif" width=228 height=8><br>
<img src="../../common/spacer.gif" width=1 height=26 align="absmiddle"><font size="-2" face="Arial, Helvetica, sans-serif">Burai
Fighter - Taxan</font><br>
<img src="images/title.gif" width="228" height="169"><br>
<img src="../../common/greymiddlebottom.gif" width=228 height=19><br>
</td>
<td valign=top width=128> <img src="../../common/2dhorizontal.gif" width=125 height=61 border=0><br>
<img src="../../common/1player.gif" width=125 height=44 border=0><br>
<img src="../../common/neslogo.gif" width=125 height=56 border=0><br>
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</p>
<blockquote >
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="+1">Burai
Fighter </font></p>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="-1">Reviewed
by Roger Post</font></p>
<blockquote>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Woah,
look at this, another NES shooter. I don't know why, but I feel
the NES was the most passed over system for shooters. Not that Burai
Fighter fits into the "instant classic" category
..BF is almost
a mix between Forgotten Worlds and Thunderforce. The main game is
a side scrolling character shooter, with 9-directional control.
This means that you can shoot up, northeast, right, southeast, down,
etc. Spaced in with that is a boss round that plays like the overheads
on Thunderforce 2, where you have to hunt down the boss and destroy
it with a top camera viewpoint. While this is off the beaten shoot-em-up
track, overall BF isn't the greatest game. Lackluster graphics,
boring level designs, and what seems to be an overall lack of effort
on the designer's part make this game fall short. </font></p>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">There
are three different weapons: laser, ring, and missile. Each can
be powered up to about level four. In addition to these, collecting
gems adds to a power bar that will destroy all on screen enemies
when full. The game becomes very straightforward after that
find
the right angle and blow stuff up! BF allows for nice play control
when attacked from all sides. Just face the player in the right
direction, and hold down the fire button to "lock" into position.
Many guns are hidden in coves, forcing you to worm your shots in.
Bosses of these levels are fun to play, since you can attack from
any angle. Levels 3 and 6 are overhead, and each begins with a map
showing where you are relevant to the boss. Half the challenge is
finding him, since the background repeats infinitely in each direction.
This is VERY frustrating, because if you don't find the boss quickly,
you must die and view the map again. </font></p>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">BF
will keep you entertained for a while
.there are several difficulty
modes, and the latter ones get really insane. There are passwords
at the end of each level though. I even vaguely remember bonus sections
that were really hard to find, by pushing on certain openings in
the walls. And yes, this game's a one-hit-wonder (one hit kills
you
) I enjoyed this game as something new and refreshing, but after
you beat it, it's got a date with the shelf. There are only seven
levels, and the two overhead rounds go quickly if you know how to
do them, so this game seems pretty short. Music is just ok, but
the graphics are weak, and the colors don't seem to fit. Fans of
Forgotten Worlds should definitely try this one out though
</font></p>
</blockquote>
</blockquote>
<img src="../../common/whitestripbottom.gif" width="510" height="13" hspace="0" vspace="0"><br>
</td>
</tr>
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<br>
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<tr>
<td colspan="2"><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img
src="../../common/line.gif" width="510" height="7"><br>
</font>
<table border="0" cellpadding="3" cellspacing="0"
width="500">
<tr>
<td valign="top"><img src="images/02lev1.gif" width="244"
height="191"></td>
<td valign="top" class="small">
<p><font size="1" face="Verdana, Arial, Helvetica, sans-serif">This
could almost pass for a platformer...in that case, I'd be falling
down, on my way into a hole...</font></p>
</td>
</tr>
</table>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img
src="../../common/line.gif" width="510" height="7"></font></p>
<table border="0" cellpadding="3" cellspacing="0"
width="500">
<tr>
<td valign="top"><img src="images/03lev1.gif" width="243"
height="190"></td>
<td valign="top" class="small">
<p><font size="1" face="Verdana, Arial, Helvetica, sans-serif">Here's
the midway boss, where you must turn around and hit him in the
eye. I like the laser weapon, because when powered up you can
cover 4 angles at once.</font></p>
</td>
</tr>
</table>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img
src="../../common/line.gif" width="510" height="7"></font></p>
<table border="0" cellpadding="3" cellspacing="0"
width="500">
<tr>
<td valign="top"><img src="images/04boss1.gif" width="255"
height="192"></td>
<td valign="top" class="small">
<p><font size="1" face="Verdana, Arial, Helvetica, sans-serif">The
first boss forces you to shoot off each little blue eye while
dodging flailing arms. No prob for a Burai Fighter, although "Burai
Brawler" sounds better...</font></p>
</td>
</tr>
</table>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img
src="../../common/line.gif" width="510" height="7"></font></p>
<table border="0" cellpadding="3" cellspacing="0"
width="500">
<tr>
<td valign="top"><img width="256"
height="198" src="images/05bonus.gif"></td>
<td valign="top" class="small">
<p><font size="1" face="Verdana, Arial, Helvetica, sans-serif">Here's
the result screen... Tthe score must be for people with either
eye problems or low self-esteem. Seeing it large like that can
be an ego booster.</font></p>
</td>
</tr>
</table>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img
src="../../common/line.gif" width="510" height="7"></font></p>
<table border="0" cellpadding="3" cellspacing="0"
width="500">
<tr>
<td valign="top"><img width="246"
height="194" src="images/06lev2.gif"></td>
<td valign="top" class="small">
<p><font size="1" face="Verdana, Arial, Helvetica, sans-serif">I
wonder how he just floats like that... Does the whole game take
place in zero G? Or did he swallow major helium, and yell "DIE
BURAI DIE" in a Mickey Mouse voice?</font></p>
</td>
</tr>
</table>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img
src="../../common/line.gif" width="510" height="7"></font></p>
<table border="0" cellpadding="3" cellspacing="0"
width="500">
<tr>
<td valign="top"><img width="248"
height="196" src="images/07lev2bos.gif"></td>
<td valign="top" class="small">
<p><font size="1" face="Verdana, Arial, Helvetica, sans-serif">Yes,
the snake boss. This one splits into 3 snake bosses (or bossi)
when shot in the blue sections.</font></p>
</td>
</tr>
</table>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img
src="../../common/line.gif" width="510" height="7"></font></p>
<table border="0" cellpadding="3" cellspacing="0"
width="500">
<tr>
<td valign="top"><img width="255"
height="201" src="images/08lev3.gif"></td>
<td valign="top" class="small">
<p><font size="1" face="Verdana, Arial, Helvetica, sans-serif">Here's
the map to the boss, pay attention! It's different each game though...
Ssection it off like a grid. This boss is about 5 over, 4 up.</font></p>
</td>
</tr>
</table>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img
src="../../common/line.gif" width="510" height="7"></font></p>
<table border="0" cellpadding="3" cellspacing="0"
width="500">
<tr>
<td valign="top"><img width="226"
height="191" src="images/09inside.gif"></td>
<td valign="top" class="small">
<p><font size="1" face="Verdana, Arial, Helvetica, sans-serif">It's
VERY easy to get lost in these levels. The enemies do, however,
give lots of powerups.</font></p>
</td>
</tr>
</table>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img
src="../../common/line.gif" width="510" height="7"></font><br>
</font></p>
<table border="0" cellpadding="3" cellspacing="0"
width="500">
<tr>
<td valign="top"><img src="images/10boss.gif" width="244"
height="189"></td>
<td valign="top" class="small">
<p><font size="1" face="Verdana, Arial, Helvetica, sans-serif">Destroy
all the circles on the boss, and his time's up! Remember Thunderforce
2 anyone?</font></p>
</td>
</tr>
</table>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img
src="../../common/line.gif" width="510" height="7"></font><br>
</font></p>
<table border="0" cellpadding="3" cellspacing="0"
width="500">
<tr>
<td valign="top"><img src="images/11lev4.gif" width="246"
height="196"></td>
<td valign="top" class="small">
<p><font size="1" face="Verdana, Arial, Helvetica, sans-serif">I
don't remember level 4 being this boring...</font></p>
</td>
</tr>
</table>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img
src="../../common/line.gif" width="510" height="7"></font><br>
</font></p>
<table border="0" cellpadding="3" cellspacing="0"
width="500">
<tr>
<td valign="top"><img width="255"
height="190" src="images/12boss4.gif"></td>
<td valign="top" class="small">
<p><font size="1" face="Verdana, Arial, Helvetica, sans-serif">I'd
swear this is a Castlevania 3 boss, side skulls and all... The
platforms on the sides move up and down to keep you hopping.</font></p>
</td>
</tr>
</table>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img
src="../../common/line.gif" width="510" height="7"></font></p>
<table border="0" cellpadding="3" cellspacing="0"
width="500">
<tr>
<td valign="top"><img width="248"
height="193" src="images/13lev5.gif"></td>
<td valign="top" class="small">
<p><font size="1" face="Verdana, Arial, Helvetica, sans-serif">Fifth
level looks kinda techno, like a circuit board. The enemies pour
it on now.</font></p>
</td>
</tr>
</table>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img
src="../../common/line.gif" width="510" height="7"></font></p>
<table border="0" cellpadding="3" cellspacing="0"
width="500">
<tr>
<td valign="top"><img width="249"
height="187" src="images/14ouch.gif"> </td>
<td valign="top" class="small">
<p><font size="1" face="Verdana, Arial, Helvetica, sans-serif">Ummmm...
Don't touch those. Take out the boss here while dodging huge spiked
things.</font></p>
</td>
</tr>
</table>
<p> </p>
</td>
</tr>
</table>
<table border="0" cellpadding="0" cellspacing="0" width="510">
<tr>
<td colspan="2"><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img
src="../../common/line.gif" width="510" height="7"><br>
</font>
<table border="0" cellpadding="3" cellspacing="0"
width="500">
<tr>
<td valign="top"><img src="images/16boss6.gif" width="248"
height="191"></td>
<td valign="top" class="small">
<p><font size="1" face="Verdana, Arial, Helvetica, sans-serif">The
second overhead level. I think they could have done a few more,
and made for a longer game. At least let the boss MOVE, and not
stay bolted in place...</font></p>
</td>
</tr>
</table>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img
src="../../common/line.gif" width="510" height="7"></font></p>
<table border="0" cellpadding="3" cellspacing="0"
width="500">
<tr>
<td valign="top"><img src="images/17lev7.gif" width="249"
height="191"></td>
<td valign="top" class="small">
<p><font size="1" face="Verdana, Arial, Helvetica, sans-serif">Last
level, a nice drab brown shade. The tricky part here is not getting
smushed by the walls.</font></p>
</td>
</tr>
</table>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img
src="../../common/line.gif" width="510" height="7"></font></p>
<table border="0" cellpadding="3" cellspacing="0"
width="500">
<tr>
<td valign="top"><img src="images/18final.gif" width="247"
height="158"></td>
<td valign="top" class="small">
<p><font size="1" face="Verdana, Arial, Helvetica, sans-serif">The
last boss, a dragon, whose head moves up and down. He is only
hittable in a small section of the mouth.</font></p>
</td>
</tr>
</table>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img
src="../../common/line.gif" width="510" height="7"></font></p>
<table border="0" cellpadding="3" cellspacing="0"
width="500">
<tr>
<td valign="top"><img src="images/19ha.gif" width="255"
height="200"></td>
<td valign="top" class="small">
<p><font size="1" face="Verdana, Arial, Helvetica, sans-serif">Not
only are we told to play "harder mode", but now we have the carrot
hanging in front of us on a line... graphics... oooohhhhh...</font></p>
</td>
</tr>
</table>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img
src="../../common/line.gif" width="510" height="7"></font></p>
<table border="0" cellpadding="3" cellspacing="0"
width="500">
<tr>
<td valign="top"><img src="images/end.gif" width="251"
height="205"></td>
<td valign="top" class="small">
<p><font size="1" face="Verdana, Arial, Helvetica, sans-serif">For
those who don't feel like playing any more, here's the "graphic"
ending. Big deal... But wait, the respect of the designers is
more precious than graphics... Bye bye, Burai!</font></p>
</td>
</tr>
</table>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><img
src="../../common/line.gif" width="510" height="7"></font></p>
<table border="0" cellpadding="3" cellspacing="0"
width="500">
<tr>
<td valign="top" class="small" align="center">
<p><font size="1" face="Verdana, Arial, Helvetica, sans-serif">Here's
a few shots of the Gameboy version, now called Deluxe. They took
out the overhead levels on the Gameboy, which narrows it down
to only five...</font></p>
<p><img src="images/24gbtitle.gif" width="160"
height="144"> <img src="images/25gb.gif" width="160" height="144"></p>
</td>
</tr>
</table>
<p> </p></td>
</tr>
</table>
<img src="../../common/line.gif" width=510 height=7 vspace=8><br>
<table cellpadding=0 cellspacing=0 border=0 width=510>
<tr>
<td bgcolor=002851 background="../../common/greybackground.gif" class="normal">
<p><img src="../../common/whitestriptop.gif" width="510" height="13" vspace="0" hspace="0"><br>
</p>
<blockquote >
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="-1">Well
I have some good memories of this game, but in its Gameboy incarnation.
Playing it on the roadtrip I had to Paris in winter of 1992/93, using
my cousin's Classic Gameboy (by then, the only GB available). One
piece of advice though: if the weather is tremendously cold, don't
leave your GB inside the car the whole night. The screen might turn
pink and funny thanks to the low temperatures =P</font></p>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="-1">- Akira</font>
</p>
</blockquote>
<img src="../../common/whitestripbottom.gif" width="510" height="13" hspace="0" vspace="0"><br>
</td>
</tr>
</table>
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| |
Burai
Fighter - Taxan
|
|
|
| |
| --- |
|
Burai
Fighter
Reviewed
by Roger Post
Woah,
look at this, another NES shooter. I don't know why, but I feel
the NES was the most passed over system for shooters. Not that Burai
Fighter fits into the "instant classic" category
..BF is almost
a mix between Forgotten Worlds and Thunderforce. The main game is
a side scrolling character shooter, with 9-directional control.
This means that you can shoot up, northeast, right, southeast, down,
etc. Spaced in with that is a boss round that plays like the overheads
on Thunderforce 2, where you have to hunt down the boss and destroy
it with a top camera viewpoint. While this is off the beaten shoot-em-up
track, overall BF isn't the greatest game. Lackluster graphics,
boring level designs, and what seems to be an overall lack of effort
on the designer's part make this game fall short.
There
are three different weapons: laser, ring, and missile. Each can
be powered up to about level four. In addition to these, collecting
gems adds to a power bar that will destroy all on screen enemies
when full. The game becomes very straightforward after that
find
the right angle and blow stuff up! BF allows for nice play control
when attacked from all sides. Just face the player in the right
direction, and hold down the fire button to "lock" into position.
Many guns are hidden in coves, forcing you to worm your shots in.
Bosses of these levels are fun to play, since you can attack from
any angle. Levels 3 and 6 are overhead, and each begins with a map
showing where you are relevant to the boss. Half the challenge is
finding him, since the background repeats infinitely in each direction.
This is VERY frustrating, because if you don't find the boss quickly,
you must die and view the map again.
BF
will keep you entertained for a while
.there are several difficulty
modes, and the latter ones get really insane. There are passwords
at the end of each level though. I even vaguely remember bonus sections
that were really hard to find, by pushing on certain openings in
the walls. And yes, this game's a one-hit-wonder (one hit kills
you
) I enjoyed this game as something new and refreshing, but after
you beat it, it's got a date with the shelf. There are only seven
levels, and the two overhead rounds go quickly if you know how to
do them, so this game seems pretty short. Music is just ok, but
the graphics are weak, and the colors don't seem to fit. Fans of
Forgotten Worlds should definitely try this one out though
|
| | | | | | | | | | | | | | | | | | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
|
| | |
| --- | --- |
| | This
could almost pass for a platformer...in that case, I'd be falling
down, on my way into a hole... |
| | |
| --- | --- |
| | Here's
the midway boss, where you must turn around and hit him in the
eye. I like the laser weapon, because when powered up you can
cover 4 angles at once. |
| | |
| --- | --- |
| | The
first boss forces you to shoot off each little blue eye while
dodging flailing arms. No prob for a Burai Fighter, although "Burai
Brawler" sounds better... |
| | |
| --- | --- |
| | Here's
the result screen... Tthe score must be for people with either
eye problems or low self-esteem. Seeing it large like that can
be an ego booster. |
| | |
| --- | --- |
| | I
wonder how he just floats like that... Does the whole game take
place in zero G? Or did he swallow major helium, and yell "DIE
BURAI DIE" in a Mickey Mouse voice? |
| | |
| --- | --- |
| | Yes,
the snake boss. This one splits into 3 snake bosses (or bossi)
when shot in the blue sections. |
| | |
| --- | --- |
| | Here's
the map to the boss, pay attention! It's different each game though...
Ssection it off like a grid. This boss is about 5 over, 4 up. |
| | |
| --- | --- |
| | It's
VERY easy to get lost in these levels. The enemies do, however,
give lots of powerups. |
| | |
| --- | --- |
| | Destroy
all the circles on the boss, and his time's up! Remember Thunderforce
2 anyone? |
| | |
| --- | --- |
| | I
don't remember level 4 being this boring... |
| | |
| --- | --- |
| | I'd
swear this is a Castlevania 3 boss, side skulls and all... The
platforms on the sides move up and down to keep you hopping. |
| | |
| --- | --- |
| | Fifth
level looks kinda techno, like a circuit board. The enemies pour
it on now. |
| | |
| --- | --- |
| | Ummmm...
Don't touch those. Take out the boss here while dodging huge spiked
things. |
|
| | | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
|
| | |
| --- | --- |
| | The
second overhead level. I think they could have done a few more,
and made for a longer game. At least let the boss MOVE, and not
stay bolted in place... |
| | |
| --- | --- |
| | Last
level, a nice drab brown shade. The tricky part here is not getting
smushed by the walls. |
| | |
| --- | --- |
| | The
last boss, a dragon, whose head moves up and down. He is only
hittable in a small section of the mouth. |
| | |
| --- | --- |
| | Not
only are we told to play "harder mode", but now we have the carrot
hanging in front of us on a line... graphics... oooohhhhh... |
| | |
| --- | --- |
| | For
those who don't feel like playing any more, here's the "graphic"
ending. Big deal... But wait, the respect of the designers is
more precious than graphics... Bye bye, Burai! |
| |
| --- |
| Here's
a few shots of the Gameboy version, now called Deluxe. They took
out the overhead levels on the Gameboy, which narrows it down
to only five...
|
|
| |
| --- |
|
Well
I have some good memories of this game, but in its Gameboy incarnation.
Playing it on the roadtrip I had to Paris in winter of 1992/93, using
my cousin's Classic Gameboy (by then, the only GB available). One
piece of advice though: if the weather is tremendously cold, don't
leave your GB inside the car the whole night. The screen might turn
pink and funny thanks to the low temperatures =P
- Akira
|
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| --- |
|
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Laurie](mailto:[email protected])** |
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<b><u>REVIEW OF THE WEEK<p>
by<p>
BAO DAI of HOLLYWOOD</b></u><p><p>
<b>THIS WEEK: <a href="123101.html">THEY FUCKED WITH THE GRAND DADDY
OF THEM ALL</a></b> <p>
<p>
<b>PAST WEEKS</B><p>
<b> December 23, 2001: <a href="xmas01.html">HAVE A HIP HOP HAPPY,
SWING-A-RING-A-DING-DONG MERRY CHRISTMAS</a></b> <p>
<b>December 13, 2001: <a href="121301.html">DRUGS AND THE WAR ON
TERRORISM or How Those Drug War Dependent Idiots Twist Anything</a></b>
<p>
<b>November 2001: <a href="110401.html">THE BEST (?) OF THE ORANGE MARS
VIRTUAL OPIUM DEN</a></b> <p>
<b>October 29, 2001: <a href="102901.html"><i>Going to
California</i></a></b> <p>
<b>September 30, 2001: <a href="093001.html">THE PRUDENT INVESTOR</a></b>
<p>
September 23, 2001: <a href="092301.html">THE TALIBAN --CAN'T BUY US
LOVE</a></b> <p>
September 16, 2001: <a href="091601.html">BAO DAI OF HOLLYWOOD SURVIVES
TERRORIST ATTACK ON WORLD TRADE CENTER (and other arguably related
stuff)</a></b> <p>
<b>September 2, 2001: <a href="090201.html">THE BOSS' FRIEND AND THE TEMP
or The Addict and the Dead Guy</a></b>
<p>
<b>July 28, 2001: <a href="072801.html">A MID SUMMER'S NIGHTMARE --<P>
MAD MAX MEETS TAX REFORM IN SKIES OVER JURAPITA</a></b><p>
<b>Last Time: <a href=o72101.html"SWEAT AND THE IRS</a></b><p>
<b>July 1, 2001: <a href="070101.html">A WORD FROM THE GOOD DR. L.U.
MINASHUN ON PROJECT ZOMBIE -- A NEW LOOK AT HEROIN AND TOBACCO</a></b><p>
June 17, 2001: <a href="061701.html">THE ADVENTURES OF ERNIE THE ATTORNEY:
PART ONE -- A DAY IN THE LIFE</a></b><p>
June 10, 2001<a href="061001.html"><i>SIX FEET UNDER</i></a></b><p>
<b>June 3, 2001: <a href="060301.html">Lost in Space</a></b><p>
<b>May 27, 2001: <a href="052701.html">MEMORIAL DAY AND THE ONGOING MOST
UNAMERICAN OF CIVIL WARS</a></b><p>
<b> May 13, 2001: <a href"=051301.html">PROPHECY</a></b><p>
<b>May 6, 2001: <a href"=050601.html">BAO DAI OF HOLLYWOOD
HATEMONGER</a></b><p>
<b>April 29, 2001: <a href="042901.html">LIVING (or not) ON
VIDEO</a></b><p>
<b>April 22, 2001: <a href="042201.html">Sex Wreck's C.A.,'s
Day</a></b?<p>
<b>April 15, 2001: <a href="041501.html">SIN and THE WAGES OF
SIN</a></b><p>
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April 8, 2001: <a href="040801.html">MY Z8: IT'S LIKE PEEING THROUGH A NEW
AND IMPROVED DICK</a></b><p>
<b>April 1, 2001: <a href="040101.html">AN HOUR LOST, AN HOUR WASTED, AN
HOUR WANTED</a></b><p>
<b>March 25, 2001:<a href="032501.html">TEEN ANGST AND CALL WAITING IN LOS
ANGELES... A DEADLY COMBINATION</a></b><p>
<b>March 25, 2001: <a href="031801.html">THE USE OF POWER</a></b><p>
<b>March 11, 2001: <a href="031101.html">JUST BECAUSE I HAVE A BIG DICK
THEY THINK MY LIFE IS EASY</a></b><p>
<b>March 4, 2001: <a href="030401.html">TIME TO DIET</a></b><p>
<b>February 25, 2001: <a href="022501.html">"HOPELESS" JUNKY SAVES LIFE
(pictures at eleven)</a></b><p>
<b> February 19, 2001: <a href="021901.html">EXCUSE MY PARDON</a></b><p>
<b>February 11, 2001: <a href="020401.html">MY LATEST ADDICTION</a></b><p>
<b>February 4, 2001: <a href="020401.html">DID BILLY AND HIS CRAZY PENIS
HAVE IT THIS ROUGH?</a></b><p>
<b>January 28, 2001: <a href="012801.html">THE TRAIN/NAMES CHANGED TO
PROTECT THE GUILTY</a></b><p>
<b>January 14, 2001:<a href="011401.html">THE IDIOT ALIEN RACE RUNNING THE
SUPERMARKETS OF AMERICA</a></b><p>
<b>January 7, 2001: <a href="010701.html">WHY YOU SHOULD NOT BUY THIS
COMPUTER</a></b><p>
<b>December 31, 2000: <a href="123100.html">THE YEAR IN REVIEW</a></b><p>
<b>December 24, 2000: <a href="122400.html">HAVE YOURSELF A MERRY LITTLE
CHRISTMAS</a></b><p>
<b>December 17, 2000: <a href="121700.html">SLIMMIN' DOWN: THE HAMMER
SLAMMER'S DIET</a></b><p>
<b>December 10, 2000: <a href="121000.html">KEY LIME CRISIS</a></b><p>
<b>December 3, 2000: <a href="120300.html">AFTERMATH</a></b><p>
<b>November 26, 2000: <a href="112600.html">DEATH DON'T HAVE NO
MERCY</a></b><p>
<b>November 12, 2000: <a href="111200.html">THE TRUTH ABOUT
FLORIDA</a></b><p>
<b>November 5, 2000: <a href="110500.html">DOWN TO THE
CROSSROADS</a></b><p>
<b>October 29, 2000:<a href="102900.html">SCREW IT</a></b><p><p>
<b>October 22, 2000: <a href="102200.html">SUBLIMINAL AND NOT</a></b><p>
October 15, 2000:<a href="101500.html">BORE 2000</a></b><p>
<b>October 8, 2000: <a href="100800.html">PRIDE GOETH BEFORE
<i>JACKASS</i></a></b><p>
<b>October 1, 2000: <a href="100100.html"><i>2gether</i> starring my
neighbors from Pakistan</i></a></b><p>
</b><p>
<b> September 24, 2000 <a href="092400.html">STUPID STUFF THAT ENDS UP
RUINING A PERFECTLY DULL WEEKEND</a></b><p>
<b>September 17, 2000: <a href="091700.html">RADIO LISTENING</a></b><p>
<b>September 10, 2000: <a href="091000.html">FRUSTRATIONS AND
SLEEP DEPRIVATION</a></b><p>
<b>September 3, 2000: <a href="090300.html">BOYCOTT THE TWENTY
DOLLAR BILL (and/or a few other things)</a></b><p>
<b>August 27, 2000:
<a href="082700.html">BAO DAI UNPLUGGED</a></b><p>
<b>August 20, 2000: <a href="082000.html">UP 'N' AT 'EM ATOM ANT</a></b>
<b>AUGUST 13, 2000: <a href="081300.html">THE JEWISH QUESTION</a></b>
<p>
<b>AUGUST 6, 2000: <a href="080500.html">WHY?</a></b><p>
<b>July 30, 2000:<a href="073000.html">JOHNNY DON'T DO PRISONS
ANYMORE</a></b><p>
<a href="072300.html">STUFF YOU SHOULD NEVER TELL ANYONE</a></b><p>
<b>July 16, 2000: <a href="071600.html">ROAD WARRIOR</a></b><p>
<b>July, 9 2000, click: <a href="070900.html"><i>FREAKS AND
GEEKS</i></a></b><p>
June 25, 2000, click: <a href="062400.html">I HAVEN'T HAD SO MUCH FUN
SINCE I DISCOVERED MY PENIS</a></b><p>
<b> 18 JUNE 2000: <a href="061800.html">THE DEMISE OF MUCH MODERN
MEDIA</a></b><p>
<b>For the Review of the Week of June 11, 2000, click: <a
href="061100.html">LIFE AT THE TOP OF A FASCIST REGIME</a></b><p>
4 June 2000: <b> <a href="060400.html">WHY EVERYONE SHOULD HAVE A GUN PUT
TO THEIR HEAD AND.... </a></b><p>
28 May 2000 <b><a href="052800operation.html">WHAT WOULD YOU DO IF YOU
REALLY NEEDED AN OPERATION AND.... </a></b><p>
21 May 2000 <b><a href="bradystrokes.html">WHEN CHILD STARS ATTACK
</a></b><p>
<b>CLICK: <a href="biznews.html">FOR BIZARRE NEWS FROM AROUND THE GLOBE
</a></b><p>
For any other reviews, well, they've been lost, much like moi, in the
Vortex.<p>
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|
**REVIEW OF THE WEEK
by
BAO DAI of HOLLYWOOD**
**THIS WEEK: [THEY FUCKED WITH THE GRAND DADDY
OF THEM ALL](123101.html)**
**PAST WEEKS**
**December 23, 2001: [HAVE A HIP HOP HAPPY,
SWING-A-RING-A-DING-DONG MERRY CHRISTMAS](xmas01.html)**
**December 13, 2001: [DRUGS AND THE WAR ON
TERRORISM or How Those Drug War Dependent Idiots Twist Anything](121301.html)**
**November 2001: [THE BEST (?) OF THE ORANGE MARS
VIRTUAL OPIUM DEN](110401.html)**
**October 29, 2001: [*Going to
California*](102901.html)**
**September 30, 2001: [THE PRUDENT INVESTOR](093001.html)**
September 23, 2001: [THE TALIBAN --CAN'T BUY US
LOVE](092301.html)
September 16, 2001: [BAO DAI OF HOLLYWOOD SURVIVES
TERRORIST ATTACK ON WORLD TRADE CENTER (and other arguably related
stuff)](091601.html)
**September 2, 2001: [THE BOSS' FRIEND AND THE TEMP
or The Addict and the Dead Guy](090201.html)**
**July 28, 2001: [A MID SUMMER'S NIGHTMARE --
MAD MAX MEETS TAX REFORM IN SKIES OVER JURAPITA](072801.html)**
**Last Time:**
**July 1, 2001: [A WORD FROM THE GOOD DR. L.U.
MINASHUN ON PROJECT ZOMBIE -- A NEW LOOK AT HEROIN AND TOBACCO](070101.html)**
June 17, 2001: [THE ADVENTURES OF ERNIE THE ATTORNEY:
PART ONE -- A DAY IN THE LIFE](061701.html)
June 10, 2001[*SIX FEET UNDER*](061001.html)
**June 3, 2001: [Lost in Space](060301.html)**
**May 27, 2001: [MEMORIAL DAY AND THE ONGOING MOST
UNAMERICAN OF CIVIL WARS](052701.html)**
**May 13, 2001: PROPHECY**
**May 6, 2001: BAO DAI OF HOLLYWOOD
HATEMONGER**
**April 29, 2001: [LIVING (or not) ON
VIDEO](042901.html)**
**April 22, 2001: [Sex Wreck's C.A.,'s
Day](042201.html)
**April 15, 2001: [SIN and THE WAGES OF
SIN](041501.html)**
�
?
Blogmania!
#
�
April 8, 2001: [MY Z8: IT'S LIKE PEEING THROUGH A NEW
AND IMPROVED DICK](040801.html)**
**April 1, 2001: [AN HOUR LOST, AN HOUR WASTED, AN
HOUR WANTED](040101.html)**
**March 25, 2001:[TEEN ANGST AND CALL WAITING IN LOS
ANGELES... A DEADLY COMBINATION](032501.html)**
**March 25, 2001: [THE USE OF POWER](031801.html)**
**March 11, 2001: [JUST BECAUSE I HAVE A BIG DICK
THEY THINK MY LIFE IS EASY](031101.html)**
**March 4, 2001: [TIME TO DIET](030401.html)**
**February 25, 2001: ["HOPELESS" JUNKY SAVES LIFE
(pictures at eleven)](022501.html)**
**February 19, 2001: [EXCUSE MY PARDON](021901.html)**
**February 11, 2001: [MY LATEST ADDICTION](020401.html)**
**February 4, 2001: [DID BILLY AND HIS CRAZY PENIS
HAVE IT THIS ROUGH?](020401.html)**
**January 28, 2001: [THE TRAIN/NAMES CHANGED TO
PROTECT THE GUILTY](012801.html)**
**January 14, 2001:[THE IDIOT ALIEN RACE RUNNING THE
SUPERMARKETS OF AMERICA](011401.html)**
**January 7, 2001: [WHY YOU SHOULD NOT BUY THIS
COMPUTER](010701.html)**
**December 31, 2000: [THE YEAR IN REVIEW](123100.html)**
**December 24, 2000: [HAVE YOURSELF A MERRY LITTLE
CHRISTMAS](122400.html)**
**December 17, 2000: [SLIMMIN' DOWN: THE HAMMER
SLAMMER'S DIET](121700.html)**
**December 10, 2000: [KEY LIME CRISIS](121000.html)**
**December 3, 2000: [AFTERMATH](120300.html)**
**November 26, 2000: [DEATH DON'T HAVE NO
MERCY](112600.html)**
**November 12, 2000: [THE TRUTH ABOUT
FLORIDA](111200.html)**
**November 5, 2000: [DOWN TO THE
CROSSROADS](110500.html)**
**October 29, 2000:[SCREW IT](102900.html)**
**October 22, 2000: [SUBLIMINAL AND NOT](102200.html)**
October 15, 2000:[BORE 2000](101500.html)
**October 8, 2000: [PRIDE GOETH BEFORE
*JACKASS*](100800.html)**
**October 1, 2000: [*2gether* starring my
neighbors from Pakistan](100100.html)**
**September 24, 2000 [STUPID STUFF THAT ENDS UP
RUINING A PERFECTLY DULL WEEKEND](092400.html)**
**September 17, 2000: [RADIO LISTENING](091700.html)**
**September 10, 2000: [FRUSTRATIONS AND
SLEEP DEPRIVATION](091000.html)**
**September 3, 2000: [BOYCOTT THE TWENTY
DOLLAR BILL (and/or a few other things)](090300.html)**
**August 27, 2000:
[BAO DAI UNPLUGGED](082700.html)**
**August 20, 2000: [UP 'N' AT 'EM ATOM ANT](082000.html)**
**AUGUST 13, 2000: [THE JEWISH QUESTION](081300.html)**
**AUGUST 6, 2000: [WHY?](080500.html)**
**July 30, 2000:[JOHNNY DON'T DO PRISONS
ANYMORE](073000.html)**
[STUFF YOU SHOULD NEVER TELL ANYONE](072300.html)
**July 16, 2000: [ROAD WARRIOR](071600.html)**
**July, 9 2000, click: [*FREAKS AND
GEEKS*](070900.html)**
June 25, 2000, click: [I HAVEN'T HAD SO MUCH FUN
SINCE I DISCOVERED MY PENIS](062400.html)
**18 JUNE 2000: [THE DEMISE OF MUCH MODERN
MEDIA](061800.html)**
**For the Review of the Week of June 11, 2000, click: [LIFE AT THE TOP OF A FASCIST REGIME](061100.html)**
4 June 2000: **[WHY EVERYONE SHOULD HAVE A GUN PUT
TO THEIR HEAD AND....](060400.html)**
28 May 2000 **[WHAT WOULD YOU DO IF YOU
REALLY NEEDED AN OPERATION AND....](052800operation.html)**
21 May 2000 **[WHEN CHILD STARS ATTACK](bradystrokes.html)**
**CLICK: [FOR BIZARRE NEWS FROM AROUND THE GLOBE](biznews.html)**
For any other reviews, well, they've been lost, much like moi, in the
Vortex.
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**COPYRIGHT 2000 BY ORANGE MARS LITERARY TALENT**
| https://tentacle.net/~baodai/ |
<html>
<head><title>Luna-Art Cel Gallery</title></head>
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<font size="6" face="Arial"><b>
Hi! Welcome to my Cel Gallery!</b></font>
<p align="center"><img src="images/wand1.gif" width="600" height="48">
<br><font size="5" face="Arial" color=#FFFFFF><b>
Cel Gallery Contents</b></font></p>
<div align="center"><center>
<table border="0">
<tr>
<td>
<a href="new.htm">
<img src="images/bluestar1.gif" border="0" NAME="star1" onmouseover="imgOn('star1')" onmouseout="imgOff('star1')"></a>
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<td>
<a href="new.htm" onmouseover="imgOn('star1')" onmouseout="imgOff('star1')">
<font size="4" face="Arial"><b>What's New</b></font></a>
<font size="3" face="Arial"> Updated 11/23/2015</font>
</td>
</tr>
<tr>
<td>
<a href="byCharacter.htm">
<img src="images/bluestar1.gif" border="0" NAME="star2" onmouseover="imgOn('star2')" onmouseout="imgOff('star2')"></a>
</td>
<td>
<a href="byCharacter.htm" onmouseover="imgOn('star2')" onmouseout="imgOff('star2')">
<font size="4" face="Arial"><b>View Gallery by Character</b></font></a>
<font size="3" face="Arial"><b><i> (contains all cels)</i></b></font>
<font size="3" face="Arial"> Updated 11/23/2015</font>
</td>
</tr>
<tr>
<td>
<a href="bySeries.htm">
<img src="images/bluestar1.gif" border="0" NAME="star3" onmouseover="imgOn('star3')" onmouseout="imgOff('star3')"></a>
</td>
<td>
<a href="bySeries.htm" onmouseover="imgOn('star3')" onmouseout="imgOff('star3')">
<font size="4" face="Arial"><b>View Gallery by Series</b></font></a>
<font size="3" face="Arial"><b><i> (contains all cels)</i></b></font>
<font size="3" face="Arial"> Updated 11/23/2015</font>
</td>
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<!tr>
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<!img src="images/bluestar1.gif" NAME="star4" onmouseover="imgOn('star4')" onmouseout="imgOff('star4')">
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<!font size="4" face="Arial"><!b><!View Gallery Special Categories><!/b><!/font>
<!font size="3" face="Arial"><!b><!i><! (Coming Soon!)><!/i><!/b><!/font>
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<!font size="4" face="Arial"><!b><!Wish List><!/b><!/font>
<!font size="3" face="Arial"><!b><!i><! (Coming Soon!)><!/i><!/b><!/font>
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<td>
<a href="forsalemenu.htm" onmouseover="imgOn('star6')" onmouseout="imgOff('star6')">
<font size="4" face="Arial"><b>Sailor Moon Cels For Sale Menu</b></font></a>
<font size="3" face="Arial"> Updated 11/23/2015</font><br>
</td>
</tr>
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<font size="4" face="Arial"><b>Join Mailing List</b></font></a>
<font size="3" face="Arial"> Added 3/6/2005</font>
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<a href="http://lunaart.rubberslug.com/gallery/home.asp" onmouseover="imgOn('star8')" onmouseout="imgOff('star8')">
<font size="4" face="Arial"><b>Luna-Art's Cel Gallery - Rubberslug Version</b></font>
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<font size="5" face="Arial"><b>Comments?</font><br>
</td>
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<!img src=emaila.jpg border=0>
<font size="4" face="Arial"><b>E-Mail Me at </b></font>
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<font size="3" face="Arial"><br>
<b>** Please note: The cels in this gallery are NOT FOR SALE.
When I do decide to sell some of my cels, I will move them to the For Sale page.
Depending on the cel, I may consider a <b><u>serious</b></u> offer.
But, please don't be upset if I decline your offer - I am very attached to my cels. (^.^)
</b><br><br>
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|
Luna-Art Cel Gallery
| | | |
| --- | --- | --- |
| | | |
| |
| |
| --- |
| |
**Hi! Welcome to my Cel Gallery!**
**Cel Gallery Contents**
| | |
| --- | --- |
| | [**What's New**](new.htm)
Updated 11/23/2015 |
| | [**View Gallery by Character**](byCharacter.htm)
***(contains all cels)***
Updated 11/23/2015 |
| | [**View Gallery by Series**](bySeries.htm)
***(contains all cels)***
Updated 11/23/2015 |
| | [**Sailor Moon Cels For Sale Menu**](forsalemenu.htm)
Updated 11/23/2015 |
| | [**Join Mailing List**](mailinglist.htm)
Added 3/6/2005 |
| | [**Luna-Art's Cel Gallery - Rubberslug Version**](http://lunaart.rubberslug.com/gallery/home.asp) |
| | [**Want to link to Luna-Art?**](banner.htm) |
| |
| --- |
| **Comments?** |
|
**E-Mail Me at**
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document.write('<a href="mailto:'+nothing2see+'"><img src=email.jpg border=0></a>')
|
|
**\*\* Please note: The cels in this gallery are NOT FOR SALE.
When I do decide to sell some of my cels, I will move them to the For Sale page.
Depending on the cel, I may consider a **serious** offer.
But, please don't be upset if I decline your offer - I am very attached to my cels. (^.^)**
This site is optimally viewed using Microsoft Internet Explorer with a resolution of 1024x768 or greater. |
| | | | | | |
| --- | --- | --- | --- | --- | --- |
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<h1 align="center"><font COLOR="#0000B2">Midfacial Complications of Prolonged Cocaine
Snort</font></h1>
<h1 align="left"><strong><font SIZE="-1">Peter D. Villa, DDS, FRCD(C)</font></strong></h1>
<hr>
<p><b>ABSTRACT</b><br>
Acute and chronic ingestion of cocaine predisposes the abuser to a wide range of local and
systemic complications. This article describes the case of a 38-year-old man whose chronic
cocaine snorting resulted in the erosion of the midfacial anatomy and recurrent sinus
infections. Previously published case reports specific to this problem are presented, as
are the oral, systemic and behavioural effects of cocaine abuse.</p>
<p><b>MeSH Key Words:</b>Words: case report; cocaine; substance-related disorders.</p>
<p><i><font size="-2">© J Can Dent Assoc 1999; 65:218-23</font></i> <br>
This article has been peer reviewed.</p>
<hr>
<p align="center"> <a HREF="#top"><img src="arrupon.gif" BORDER="0" valign="middle" WIDTH="15" HEIGHT="10">[
Top ]</a> </p>
<p align="center"><a HREF="#1">[Introduction</a>| <a HREF="#2">Case Report</a> | <a HREF="#3">Pharmacology</a> |<a HREF="#4">Clinical Findings of Cocaine Abuse</a> |<a HREF="#5">Literature Review</a> |<a HREF="#6">Summary</a> |<a HREF="#7">References]</a></p>
<hr>
<p><a NAME="1"><strong>Introduction</strong></p>
<p>It is estimated that two million Americans are addicted to cocaine.1 In Ontario, a
survey by the Addiction Research Foundation found that almost 5% of the adult population
had used cocaine at least once in their lifetime<sup>.2</sup> Much of the recent
literature on this subject has focused on the behavioural and systemic effects of cocaine
abuse as well as on drug interaction considerations for the management of dental patients
who are addicts.<sup>3-9</sup> This article describes the devastating midfacial
deterioration suffered by a cocaine snorter. A brief overview of the clinical dental
findings is provided and considerations for the management of patients with cocaine abuse
problems are discussed.</p>
<hr>
<p align="center"></a><a HREF="#top"><img src="arrupon.gif" BORDER="0" valign="middle" WIDTH="15" HEIGHT="10">[
Top ]</a> </p>
<p><a NAME="2"><strong>Case Report</strong></p>
</a><p>On February 3, 1998, a 38-year-old man was seen for evaluation of an oral-nasal
communication after having been referred by his family dentist. The patient described how
problems began to manifest themselves as nosebleeds in July 1997 and how, during the
following months, those symptoms progressed to recurrent sinus infections. He first
noticed a "pinhole" in his palate in late November 1997, after a soft drink he
consumed ran out his nose. The opening became larger over the next two months, stabilizing
in size to the diameter of his little finger. The patient discovered that a thick layer of
bubble gum could be used to cover the defect, normalize his speech, and prevent food
stuffs from being displaced into his nose.</p>
<p>The patient’s medical history indicated years of repeated cocaine snorting and a
smoking habit of one-half pack of cigarettes per day. He was employed as a labourer,
renovating the interior of commercial buildings.</p>
<p>The patient displayed a saddlenose deformity, characterized by a broad, flat nose <strong>(Fig.
1)</strong>. There was no facial swelling, cervical lymphadenopathy, intraoral swelling,
or trismus. Primary tooth 53 was deeply decayed and permanent cuspid tooth 13 was erupting
palatally. A 10 x 12 mm oval fistula was apparent through the roof of his palate, just
left of the midline, in the first molar area. No drainage or exophytic lesions were
apparent.</p>
<div align="center"><center><table border="1" width="67%" bordercolor="#FFFFFF" cellspacing="0" cellpadding="0">
<tr>
<td width="100%"><img src="graphics/villa1.GIF" alt="villa1.GIF (40470 bytes)" WIDTH="305" HEIGHT="191"></td>
</tr>
<tr>
<td width="100%"><strong>Fig. 1</strong>: Saddlenose deformity, front and side views.</td>
</tr>
</table>
</center></div><p>Midline Lethal Granuloma, Wegener’s Granulomatosis, nasal lymphoma,
and tertiary syphilis can all present with these clinical findings.10-12 The
patient’s workup therefore included a biopsy of the palatal mucosa, computed
tomography (CT) scans, ear, nose and throat (ENT) evaluation, complete blood count (CBC),
sedimentation rate, antinuclear antibody test (ANA), venereal disease test (VDRL), chest
x-ray, and urinalysis. After consultation with specialists in other disciplines, results
of these tests increased our confidence that we were dealing only with the local effects
of cocaine abuse. <strong>Figure 2a</strong> is a CT scan of the patient’s
nasopalatal defect, while <strong>Fig. 2b</strong> shows a CT scan of a normal midfacial
anatomy.</p>
<div align="center"><center><table border="1" width="71%" bordercolor="#FFFFFF" cellspacing="0" cellpadding="0">
<tr>
<td width="100%"><img src="graphics/villa2a.GIF" width="338" height="231" alt="villa2a.GIF (32214 bytes)"></td>
</tr>
<tr>
<td width="100%"><strong>Fig. 2a</strong>: CT scan showing palatal perforation, loss of
nasal septum and turbinates, and thickening of the maxillary sinus membranes.</td>
</tr>
</table>
</center></div><div align="center"><center><table border="1" width="70%" bordercolor="#FFFFFF" cellspacing="0" cellpadding="0">
<tr>
<td width="100%"><img src="graphics/villa2b.GIF" width="342" height="233" alt="villa2b.GIF (58706 bytes)"></td>
</tr>
<tr>
<td width="100%"><strong>Fig. 2b</strong>: CT scan of normal midfacial anatomy.</td>
</tr>
</table>
</center></div><p>The biopsy of soft tissue, taken from the palatal margin of the
oral-nasal opening, revealed a non-specific ulcer and chronic inflammation with some
eosinophils. The presence of eosinophils has been noted in pathologists’ findings, as
reported in Armstrong and Shikani<sup>10 </sup>and Schweitzer.<sup>13</sup></p>
<p>Management was predicated on complete cessation of the drug. The patient was informed
of the consequences of continued cocaine use, and how to get help in quitting. He was also
advised to smoke less, and to use a proper filtration mask while at work. Appropriate
management of recurrent sinus infections was coordinated with his family physician. After
basic oral hygiene and restorative procedures were provided, a removable obturator was
constructed <strong>(Fig. 3a, 3b and 3c).</strong> The patient will be re-evaluated for
possible surgical closure of the oral-nasal fistula at a later date.</p>
<div align="center"><center><table border="1" width="100%" bordercolor="#FFFFFF" cellspacing="0" cellpadding="0">
<tr>
<td width="50%"><img src="graphics/villa3a.GIF" alt="villa3a.GIF (27481 bytes)" WIDTH="230" HEIGHT="156"></td>
<td width="50%"><img src="graphics/villa3b.GIF" alt="villa3b.GIF (23965 bytes)" WIDTH="228" HEIGHT="157"></td>
</tr>
<tr>
<td width="50%"><strong>Fig. 3a</strong>: Nasopalatal defect.</td>
<td width="50%"><strong>Fig. 3b:</strong> Obturator removed</td>
</tr>
</table>
</center></div><div align="center"><center><table border="0" width="51%" bordercolor="#FFFFFF" cellspacing="0" cellpadding="0">
<tr>
<td width="100%"><img src="graphics/villa3c.GIF" width="229" height="154" alt="villa3c.GIF (29832 bytes)"></td>
</tr>
<tr>
<td width="100%"><strong>Fig. 3c</strong>: Obturator inserted.</td>
</tr>
</table>
</center></div><p align="center"> </p>
<hr>
<a NAME="3"><p><strong>Pharmacology</strong></p>
<p>Cocaine is a naturally occurring alkaloid. It is extracted from the leaves of the
Erythroxylon coca plant, which is indigenous to three countries in northern South America<sup>.4</sup>
Cocaine is a psychologically disruptive and dependence-inducing drug; classified as a
psychostimulant, it exhibits both local anesthetic and neurotransmitter effects.<sup>5,11,13</sup>
Like lidocaine, it functions as a local anesthetic by blocking the sodium channels of
neural tissues, and like lidocaine, can trigger seizures at higher doses.<sup>14 </sup>Its
neurotransmitter effects are attributed to a blocking action on the reuptake of specific
transmitter agents by the presynaptic nerve endings. The resultant excess of
neurotransmitter causes increased stimulation of the postsynaptic nerves. Dopamine
activity is enhanced in the brain, causing a feeling of euphoria.<sup>15</sup>
Peripherally, norepinephrine is the transmitter whose activity is increased.<sup>11</sup>
This profound enhancement of sympathetic tone is responsible for the vasoconstrictive,
tachycardiac, and dysrhythmic actions of the drug.<sup>6,8,14,16,17</sup></p>
<p>Cocaine also affects pulmonary physiology. By acting at the level of the medulla, an
increase of the respiratory rate is produced.<sup>4</sup> It has been postulated that
vasoconstriction of the pulmonary circulation reduces blood flow sufficient to induce
hypoxia.<sup>4</sup> This is significant when one considers that the cardiovascular
effects of cocaine profoundly increase myocardial oxygen demand while simultaneously
vasoconstricting the coronary arteries.<sup>5 </sup>The potential then exists for
myocardial infarction, pulmonary edema, circulatory collapse, and death.<sup>6,16</sup></p>
<p>Cocaine is well absorbed from mucous membranes and the gastrointestinal mucosa. It is
rapidly degraded by hepatic and plasma esterases to water soluble metabolites that are
excreted in the urine.<sup>5,16 </sup>Peak blood levels occur within 30 minutes, with most
of the drug gone within two hours.<sup>18</sup> While trace amounts of cocaine may be
found in the bloodstream for eight to 12 hours after drug use, metabolites may be present
for ten days.<sup>5</sup></p>
<p>Cocaine is commonly taken intravenously, by smoking or inhalation of the
"crack" or "freebase" form, or by snorting.<sup>5,8,13 </sup>Although
less common, cocaine can also be topically applied to gingival tissues, or ingested orally
(mixed with cocktails).<sup>13,19,20</sup> Cocaine has an acidic pH of 4.0; it’s
purity and sterility, and the type of adulterants it is mixed with, all directly affect
its potential for local and systemic complications.<sup>17,21,22 </sup>HIV, hepatitis, and
endocarditis are more prevalent in the population of intravenous drug abusers.<sup>3,5,7,13,16</sup></p>
<hr>
<a NAME="4"><strong><p>Clinical Findings of Cocaine Abuse</strong></p>
<p>The street form of cocaine is both vasoconstricting and locally irritating to the thin
respiratory epithelium of the nasal airway. Repeated snorting sets up a cascade of
ischemia, inflammation, micronecrosis, infection, and then macronecrosis leading to
perforation.<sup>11,23</sup> Nasal septum perforations of both the cartilaginous and bony
tissues have been well documented.<sup>3,24</sup> With larger defects, support of the nose
is compromised, resulting in the typical saddlenose deformity.<sup>3,24</sup> Some
patients have been known to use various narrow instruments to debride intranasal crusting,
increasing the potential for perforations.<sup>11 </sup>In extreme cases, adjacent bony
structures may become eroded and vital tissues damaged<sup>.6,12,13,22,23</sup></p>
<p>Similarly, topically applied cocaine can be locally destructive to the oral mucosa and
dentition. Acute ulceration, necrosis, and rapid recession of gingival tissues, as well as
erosion of both dentin and enamel, have been reported.<sup>19,20</sup> Inhalation of
"crack" cocaine has been implicated in the corrosion of gold dental
restorations.<sup>25</sup> Moreover, cocaine consumption immediately before or after tooth
extraction can result in excessive hemorrhage.<sup>26</sup></p>
<p>Several publications list other oral findings that are indirectly associated with
cocaine abuse.<sup>4,7,20,25</sup> Patients with a substance abuse problem will frequently
display higher rates of decay and periodontal disease as a result of general neglect.<sup>4,7,25</sup>
Chronic cocaine users often develop bruxing habits and demonstrate patterns of severe
occlusal wear.<sup>4,7,20</sup> Aggressive tooth brushing while on a "cocaine
high" has been implicated as the cause of both cervical tooth abrasion and gingival
lacerations.<sup>4,7 </sup>Xerostomia and oral candida infections are also more common in
this patient population<sup>.4,7,25</sup></p>
<hr>
<strong><p></a><a NAME="5">Literature Review</strong></p>
<p>The case of a 37-year-old woman who developed a palatal defect several years after a
nasal septal perforation is described by Sastry and others.<sup>11</sup> Her long history
of cocaine abuse continued despite initial violation of the septal structure. The authors
postulate that vigorous self-debridement of intranasal crusts with cotton swabs, pens, and
pencils contributed to the perforation process. Unfortunately, such debridement is well
tolerated because of the profound local anesthetic effects of cocaine.</p>
<p>In another case, Sawicka and Trosser detail the findings of a 34-year-old man who
presented himself at the hospital with a six-day history of clear nasal discharge and
malaise.<sup>23</sup> The patient, who had lost his sense of smell, admitted to a 19-year
habit of cocaine snorting. A CT scan showed bone loss of the cribriform plate, and
suggested a cerebrospinal fluid (CSF) leak through the right ethmoid sinus. A bifrontal
craniotomy and fascia lata graft were performed to correct the persistent leak. The
cribiform plate was noted to be paper thin and mobile. Histology of the olfactory bulb
showed chronic inflammation change and gliosis.<sup>23</sup></p>
<p>Cocaine abuse can cause other complications. Newman and others report the case of a
43-year-old man with bilateral optic neuropathy and osteolytic sinusitis, secondary to
cocaine abuse.<sup>22</sup> The patient had initially described "holes" in his
vision that progressed over a six-month period. He admitted to a 15-year history of daily
intranasal cocaine use. MRI studies revealed extensive bony destruction of the nasal
cavity, paranasal sinuses, the floor of the anterior cranial fossa, and the anterior
surface of the clivus. After a four-month cessation of cocaine use, his visual acuity
stabilized and his visual field deficits had not progressed.<sup>22</sup></p>
<p>Schweitzer describes two patients with severe and different complications as a result
of cocaine abuse.<sup>13</sup> The first patient developed total nasal septal necrosis,
saddlenose deformity, and osteolytic sinusitis from chronic snorting. Her presenting
symptoms included a five-year history of postnasal drainage, halitosis, intermittent
epistaxis, and rhinitis. After a proper workup and detoxification, the patient underwent
bilateral antrostomies and nasal reconstruction with auricular cartilage. With daily
saline lavages of the nose and sinuses, her perinasal symptoms subsided. The second
patient experienced tracheobronchial rupture with subcutaneous emphysema and
pneumomediastinum after smoking "freebase" cocaine.</p>
<p>One of the most destructive cases of intranasal cocaine abuse to have been documented
appears in the journal Revista Medica de Panama, where Sousa and Rowley detail the
presenting complications, progression, and eventual death of a 22-year-old woman.<sup>12 </sup>In
this case, the patient described a two-year history of nasal obstruction, halitosis,
progressive destruction of the septum and hard palate, purulent rhinorrhea, intense facial
pain, strabismus, blindness in her left eye, and a recent reduction in the visual acuity
in her right eye. Her diagnostic workup included physical, ophthalmoscopic, and
rhinoscopic examinations, multiple biopsies, bacterial and fungal cultures, and CT scans.
These studies confirmed the absence of the nasal septum, turbinates, and medial walls of
the maxillary sinuses. They also revealed sclerosis at the base of the skull and a midline
lesion extending from the ethmoid sinuses to the orbital apexes. Initial treatment with
prednisone and antibiotics resulted in improvement of the visual acuity in her right eye
and resolution of the retro-ocular pain. Several months later, suspected of having renewed
her drug habit, the patient was readmitted to hospital with meningitis. Her level of
consciousness began to deteriorate on the twelfth day. A brain scan revealed an abscess
within her frontal lobe. An emergency craniotomy was performed. The patient remained
comatose and on a ventilator for 15 days. Death occurred as a result of Pseudomonas
pneumonia.</p>
<p>Other cases of brain abscesses resulting from habitual cocaine snorting have been
reported.<sup>21,27</sup> Possible routes of bacterial inoculation include direct spread
through the areas of osteitis (i.e. cribriform plate, frontal sinus) or as a septic
thrombophlebitis spread along the associated valveless venous vasculature.<sup>21</sup>
These expanding cerebral abscesses are usually fatal.<sup>12,21</sup></p>
<p align="center"></a><a HREF="#top"><img src="arrupon.gif" BORDER="0" valign="middle" WIDTH="15" HEIGHT="10">[
Top ]</a> </p>
<hr>
<p><a NAME="6"><strong>Summary</strong></p>
<p>Recreational drug use is reaching epidemic levels in North America. There are numerous
considerations in the provision of dental care for patients with a cocaine abuse problem.
Given the fundamental importance of identifying whether cocaine is a factor in the
patient’s management, the dentist should look for signs and symptoms indicating an
abuse problem<strong> (Tables I and II).</strong> An appropriate medical history, a
detailed examination of the orofacial anatomy, routine vital signs, and an understanding
of the behavioural characteristics of an addict will help the practitioner recognize
patients suspected of cocaine abuse. A patient with a substance abuse problem will
frequently exhibit "drug-seeking" behaviour. </p>
<div align="center"><center><table border="1" width="100%">
<tr>
<td width="100%" colspan="2" bgcolor="#000000"><font color="#FFFFFF">Table I</font></td>
</tr>
<tr>
<td width="100%" colspan="2"><strong>Orofacial Signs and Symptoms of Chronic Cocaine Abuse</strong></td>
</tr>
<tr>
<td width="50%"><strong>Snorting</strong></td>
<td width="50%"><strong>Gingival application</strong></td>
</tr>
<tr>
<td width="50%"><ul>
<li>loss of nasal hairs</li>
<li></a>nasal crusting<a NAME="6"></li>
<li></a>sinusitis/halitosis<a NAME="6"></li>
<li></a>epistaxis<a NAME="6"></li>
<li></a>nasal septal defect<a NAME="6"></li>
<li></a>saddlenose deformity<a NAME="6"></li>
<li></a>palatal perforation<a NAME="6"></li>
<li></a>erosion of turbinates, ethmoids, medial sinus walls, cribriform plate, and orbital
walls<a NAME="6"></li>
<li></a>loss of smell<a NAME="6"></li>
<li></a>loss of visual acuity/diploplia<a NAME="6"></li>
<li></a>CSF leak<a NAME="6"></li>
</ul>
</td>
<td width="50%" valign="top"><ul>
<li>mucosal ulceration</li>
<li></a>necrotizing ulcerative gingivitis<a NAME="6"></li>
<li></a>rapid gingival recession<a NAME="6"></li>
<li></a>dental erosion<a NAME="6"></li>
<li></a>possible corrosion of gold restorations<a NAME="6"></li>
</ul>
</td>
</tr>
</table>
</center></div><div align="center"><center><table border="1" width="100%">
<tr>
<td width="100%" colspan="2" bgcolor="#000000"><font color="#FFFFFF">Table II</font></td>
</tr>
<tr>
<td width="100%" colspan="2"><strong>Effects of Cocaine Abuse</strong></td>
</tr>
<tr>
<td width="50%"><strong>Cardiovascular effects</strong></td>
<td width="50%"><strong>Central and behavioural effects</strong></td>
</tr>
<tr>
<td width="50%"><ul>
<li>hypertension</li>
<li></a>tachycardia<a NAME="6"></li>
<li></a>dysrhythmia<a NAME="6"></li>
<li></a>hypoxia<a NAME="6"></li>
<li></a>myocardial infarction<a NAME="6"></li>
<li></a>hemorrhagic stroke<a NAME="6"></li>
<li></a>pulmonary edema<a NAME="6"></li>
<li></a>dissection or rupture of aortic aneurysm<a NAME="6"></li>
<li></a>cardiac arrest<a NAME="6"></li>
</ul>
</td>
<td width="50%" valign="top"><ul>
<li>sense of well-being, grandiosity</li>
<li></a>elation<a NAME="6"></li>
<li></a>anorexia<a NAME="6"></li>
<li></a>restlessness, agitation<a NAME="6"></li>
<li></a>nausea<a NAME="6"></li>
<li></a>headache<a NAME="6"></li>
<li></a>psychotic states/paranoia<a NAME="6"></li>
<li></a>pupillary dilation<a NAME="6"></li>
<li></a>tachypnea<a NAME="6"></li>
<li></a>hyperpyrexia<a NAME="6"></li>
<li></a>seizures<a NAME="6"></li>
</ul>
</td>
</tr>
</table>
</center></div><p>The family dentist should know that the injection of local anesthetic
with epinephrine must be avoided for at least six hours after cocaine consumption.18 Some
sources suggest the use of epinephrine in either local anesthetic or retraction cord is
contraindicated for at least 24 hours after cocaine use to prevent "sympathetic
overload" resulting in a hypertensive crisis, cerebrovascular bleed, myocardial
infarction, tachydysrhythmias, and/or cardiac arrest.21,28 Lidocaine without
vasoconstrictors will have an additive effect with existing cocaine in reducing the
patient’s threshold for seizure activity.4,5 As well, general anesthesia poses
significant cardiovascular risk and should be avoided with the chronic cocaine user.<sup>4</sup></p>
<p>Ingesting powdered cocaine orally or nasally can be extremely destructive to the
periodontal and midfacial anatomy. Once alerted to an abuse problem, the informed dentist
can educate his or her patient about the progressive consequences of continued usage and
provide a referral for professional counselling. Dental treatment should be deferred to an
appropriate time when life-threatening complications can be avoided. Then, successful
restorative, periodontal, and even obturator therapy can be provided.</p>
<p>An understanding of and vigilance for cocaine abuse in the dental patient can reduce,
but will not eliminate, the potential for a related crisis in the dental office. Dental
practitioners and their staff should remain capable of recognizing and managing a
cocaine-related medical emergency. Dentists and dental societies must continue to educate
the general public about the local and systemic hazards of this drug. </p>
<p align="center"></a><a HREF="#top"><img src="arrupon.gif" BORDER="0" valign="middle" WIDTH="15" HEIGHT="10">[
Top ]</a> </p>
<hr>
<p><strong>Dr. Villa </strong>is an oral and maxillofacial surgeon and head of dentistry
at The Sudbury Regional Hospital in Ontario. He also maintains a private practice in
Sudbury. </p>
<p><strong>Acknowledgments: </strong>A special thanks to Olivia Simonetti for her
translation services in the preparation of this article and to Dr. Michael Hamilton for
his services in the care of the patient described in this case report.</p>
<p><strong>Reprint requests </strong>to: Dr. Peter D. Villa, 306-2009 Long Lake Rd.,
Sudbury, ON P3E 6C1</p>
<hr>
<a NAME="7"><p><strong>References</strong></p>
<p>1. Gawin FH. Cocaine abuse and addiction. J Fam Pract 1989; 29:193-7.</p>
<p>2. Adlaf EM, Ivis F, Walsh G, and Bondy S. Alcohol, tobacco, and illicit drug use
amongst Ontario adults. 1977-1996. Survey by the Addiction Research Foundation.</p>
<p>3. Laskin DM. Looking out for the cocaine abuser. J Oral Maxillofac Surg 1993; 51:111.</p>
<p>4. Lee CY, Mohammadi H, and Dixon RA. Medical and dental implications of cocaine abuse.
J Oral Maxillofac Surg 1991; 49:290-3.</p>
<p>5. Goldstein FJ. Toxicity of cocaine. Compendium 1990; 11:710, 712, 714-6.</p>
<p>6. Pallasch TJ, McCarthy FM, and Jastak JT. Cocaine and sudden cardiac death. J Oral
Maxillofac Surg 1989; 47:1188-91.</p>
<p>7. Friedlander AH, Gorelick DA. Dental management of the cocaine addict. Oral Surg Oral
Med Oral Pathol 1988; 65:45-8.</p>
<p>8. Isaacs SO, Martin P, and Willoughby JH. "Crack" (an extra potent form of
cocaine) abuse: a problem of the eighties. Oral Surg Oral Med Oral Pathol 1987; 63:12-6.</p>
<p>9. Ravi VS, Zmyslowski WP, and Marino J. Probable cocaine-induced hyperthermia in an
anesthetized patient: a case report. J Oral Maxillofac Surg 1993; 51:204-5.</p>
<p>10. Armstrong M Jr, Shikani AH. Nasal septal necrosis mimicking Wegener’s
granulomatosis in a cocaine abuser. Ear Nose Throat J 1996; 75:623-6.</p>
<p>11. Sastry RC, Lee D, Har-El G. Palatal perforation from cocaine abuse. Otolaryngol
Head Neck Surg 1997; 116:565-6.</p>
<p>12. Sousa O, Rowley S. [Otorhinolarygologic symptoms caused by the intranasal abuse of
cocaine. Report of a case.] Rev Med Panama 1994; 19:55-60.</p>
<p>13. Schweitzer V. Osteolytic sinusitis and pneumomediastinum: deceptive otolarygologic
complications of cocaine abuse. Laryngoscope 1986; 96:206-10.</p>
<p>14. Isner JM, Estes NA 3d, Thompson PD, Castanzo-Nordin MR, Subramanian R, Miller G,
and others. Acute cardiac events temporally related to cocaine abuse. N Engl J Med 1986;
315:1438-43.</p>
<p>15. Woolverton WL, Johnson KM. Neurobiology of cocaine abuse. Trends Pharmacol Sci
1992; 13:</p>
<p>193-200.</p>
<p>16. Das G. Cardiovascular effects of cocaine abuse. Int J Clin Pharmacol Ther Toxicol
1993; 31:521-8.</p>
<p>17. Estroff TW, Gold MS. Medical and psychiatric complications of cocaine abuse with
possible points of pharmacologic treatment. Adv Alcohol Subst Abuse 1985; 5:61-76.</p>
<p>18. Little JW, Falace DA. Dental management of the medically compromised patient. 3rd
ed. St. Louis (MO): The C.V. Mosby Co; 1988.</p>
<p>19. Kapila YL, Kashani H. Cocaine-associated rapid gingival recession and dental
erosion. A case report. J Periodontol 1997; 68:485-8.</p>
<p>20. Parry J, Porter S, Scully C, Flint S, Parry MG. Mucosal lesions due to oral cocaine
use. Br Dent J 1996; 180:462-4.</p>
<p>21. Rao AN. Brain abscess: a complication of cocaine inhalation. NY State J Med 1988;
548-50.</p>
<p>22. Newman NM, DiLoreto DA, Ho JT, Klein JC, Birnbaum NS. Bilateral optic neuropathy
and osteolytic sinusitis. Complications of cocaine abuse. JAMA 1988; 259:72-4.</p>
<p>23. Sawicka EH, Trosser A. Cerebrospinal fluid rhinorrhoea after cocaine sniffing. Br
Med J (Clin Res Ed) 1983; 286:1476-7.</p>
<p>24. Meyer R. Nasal septal perforations must and can be closed. Aesthetic Plast Surg
1994; 18:345-55.</p>
<p>25. Brown RS, Johnson CD. Corrosion of gold restorations from inhalation of
"crack" cocaine. Gen Dent 1994; 242-6.</p>
<p>26. Johnson CD, Brown RS. How cocaine abuse affects post-extraction bleeding. JADA
1993; 124:60-2.</p>
<p>27. Brown E, Prager J, Lee HY, Ramsey RG. CNS complications of cocaine abuse:
prevalence, pathophysiology, and neuroradiology. AJR Am J Roentgenol 1992; 159:137-47.</p>
<p>28. Goulet JP, Perusse R, Turcotte JY. Contraindications to vasoconstrictors in
dentistry. Part III: Pharmacology interactions. Oral Surg Oral Med Oral Pathol 1992;
74:692-7.</p>
<p> </p>
<p align="center"></a><a HREF="#top"><img src="arrupon.gif" BORDER="0" valign="middle" WIDTH="15" HEIGHT="10">[
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Midfacial Complications of Prolonged Cocaine Snort
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Midfacial Complications of Prolonged Cocaine
Snort
**Peter D. Villa, DDS, FRCD(C)**
---
**ABSTRACT**
Acute and chronic ingestion of cocaine predisposes the abuser to a wide range of local and
systemic complications. This article describes the case of a 38-year-old man whose chronic
cocaine snorting resulted in the erosion of the midfacial anatomy and recurrent sinus
infections. Previously published case reports specific to this problem are presented, as
are the oral, systemic and behavioural effects of cocaine abuse.
**MeSH Key Words:**Words: case report; cocaine; substance-related disorders.
*© J Can Dent Assoc 1999; 65:218-23*
This article has been peer reviewed.
---
[[
Top ]](#top)
[[Introduction](#1)| [Case Report](#2) | [Pharmacology](#3) |[Clinical Findings of Cocaine Abuse](#4) |[Literature Review](#5) |[Summary](#6) |[References]](#7)
---
**Introduction**
It is estimated that two million Americans are addicted to cocaine.1 In Ontario, a
survey by the Addiction Research Foundation found that almost 5% of the adult population
had used cocaine at least once in their lifetime.2 Much of the recent
literature on this subject has focused on the behavioural and systemic effects of cocaine
abuse as well as on drug interaction considerations for the management of dental patients
who are addicts.3-9 This article describes the devastating midfacial
deterioration suffered by a cocaine snorter. A brief overview of the clinical dental
findings is provided and considerations for the management of patients with cocaine abuse
problems are discussed.
---
[[
Top ]](#top)
**Case Report**
On February 3, 1998, a 38-year-old man was seen for evaluation of an oral-nasal
communication after having been referred by his family dentist. The patient described how
problems began to manifest themselves as nosebleeds in July 1997 and how, during the
following months, those symptoms progressed to recurrent sinus infections. He first
noticed a "pinhole" in his palate in late November 1997, after a soft drink he
consumed ran out his nose. The opening became larger over the next two months, stabilizing
in size to the diameter of his little finger. The patient discovered that a thick layer of
bubble gum could be used to cover the defect, normalize his speech, and prevent food
stuffs from being displaced into his nose.
The patient’s medical history indicated years of repeated cocaine snorting and a
smoking habit of one-half pack of cigarettes per day. He was employed as a labourer,
renovating the interior of commercial buildings.
The patient displayed a saddlenose deformity, characterized by a broad, flat nose **(Fig.
1)**. There was no facial swelling, cervical lymphadenopathy, intraoral swelling,
or trismus. Primary tooth 53 was deeply decayed and permanent cuspid tooth 13 was erupting
palatally. A 10 x 12 mm oval fistula was apparent through the roof of his palate, just
left of the midline, in the first molar area. No drainage or exophytic lesions were
apparent.
| |
| --- |
| villa1.GIF (40470 bytes) |
| **Fig. 1**: Saddlenose deformity, front and side views. |
Midline Lethal Granuloma, Wegener’s Granulomatosis, nasal lymphoma,
and tertiary syphilis can all present with these clinical findings.10-12 The
patient’s workup therefore included a biopsy of the palatal mucosa, computed
tomography (CT) scans, ear, nose and throat (ENT) evaluation, complete blood count (CBC),
sedimentation rate, antinuclear antibody test (ANA), venereal disease test (VDRL), chest
x-ray, and urinalysis. After consultation with specialists in other disciplines, results
of these tests increased our confidence that we were dealing only with the local effects
of cocaine abuse. **Figure 2a** is a CT scan of the patient’s
nasopalatal defect, while **Fig. 2b** shows a CT scan of a normal midfacial
anatomy.
| |
| --- |
| villa2a.GIF (32214 bytes) |
| **Fig. 2a**: CT scan showing palatal perforation, loss of
nasal septum and turbinates, and thickening of the maxillary sinus membranes. |
| |
| --- |
| villa2b.GIF (58706 bytes) |
| **Fig. 2b**: CT scan of normal midfacial anatomy. |
The biopsy of soft tissue, taken from the palatal margin of the
oral-nasal opening, revealed a non-specific ulcer and chronic inflammation with some
eosinophils. The presence of eosinophils has been noted in pathologists’ findings, as
reported in Armstrong and Shikani10 and Schweitzer.13
Management was predicated on complete cessation of the drug. The patient was informed
of the consequences of continued cocaine use, and how to get help in quitting. He was also
advised to smoke less, and to use a proper filtration mask while at work. Appropriate
management of recurrent sinus infections was coordinated with his family physician. After
basic oral hygiene and restorative procedures were provided, a removable obturator was
constructed **(Fig. 3a, 3b and 3c).** The patient will be re-evaluated for
possible surgical closure of the oral-nasal fistula at a later date.
| | |
| --- | --- |
| villa3a.GIF (27481 bytes) | villa3b.GIF (23965 bytes) |
| **Fig. 3a**: Nasopalatal defect. | **Fig. 3b:** Obturator removed |
| |
| --- |
| villa3c.GIF (29832 bytes) |
| **Fig. 3c**: Obturator inserted. |
---
**Pharmacology**
Cocaine is a naturally occurring alkaloid. It is extracted from the leaves of the
Erythroxylon coca plant, which is indigenous to three countries in northern South America.4
Cocaine is a psychologically disruptive and dependence-inducing drug; classified as a
psychostimulant, it exhibits both local anesthetic and neurotransmitter effects.5,11,13
Like lidocaine, it functions as a local anesthetic by blocking the sodium channels of
neural tissues, and like lidocaine, can trigger seizures at higher doses.14 Its
neurotransmitter effects are attributed to a blocking action on the reuptake of specific
transmitter agents by the presynaptic nerve endings. The resultant excess of
neurotransmitter causes increased stimulation of the postsynaptic nerves. Dopamine
activity is enhanced in the brain, causing a feeling of euphoria.15
Peripherally, norepinephrine is the transmitter whose activity is increased.11
This profound enhancement of sympathetic tone is responsible for the vasoconstrictive,
tachycardiac, and dysrhythmic actions of the drug.6,8,14,16,17
Cocaine also affects pulmonary physiology. By acting at the level of the medulla, an
increase of the respiratory rate is produced.4 It has been postulated that
vasoconstriction of the pulmonary circulation reduces blood flow sufficient to induce
hypoxia.4 This is significant when one considers that the cardiovascular
effects of cocaine profoundly increase myocardial oxygen demand while simultaneously
vasoconstricting the coronary arteries.5 The potential then exists for
myocardial infarction, pulmonary edema, circulatory collapse, and death.6,16
Cocaine is well absorbed from mucous membranes and the gastrointestinal mucosa. It is
rapidly degraded by hepatic and plasma esterases to water soluble metabolites that are
excreted in the urine.5,16 Peak blood levels occur within 30 minutes, with most
of the drug gone within two hours.18 While trace amounts of cocaine may be
found in the bloodstream for eight to 12 hours after drug use, metabolites may be present
for ten days.5
Cocaine is commonly taken intravenously, by smoking or inhalation of the
"crack" or "freebase" form, or by snorting.5,8,13 Although
less common, cocaine can also be topically applied to gingival tissues, or ingested orally
(mixed with cocktails).13,19,20 Cocaine has an acidic pH of 4.0; it’s
purity and sterility, and the type of adulterants it is mixed with, all directly affect
its potential for local and systemic complications.17,21,22 HIV, hepatitis, and
endocarditis are more prevalent in the population of intravenous drug abusers.3,5,7,13,16
---
**Clinical Findings of Cocaine Abuse**
The street form of cocaine is both vasoconstricting and locally irritating to the thin
respiratory epithelium of the nasal airway. Repeated snorting sets up a cascade of
ischemia, inflammation, micronecrosis, infection, and then macronecrosis leading to
perforation.11,23 Nasal septum perforations of both the cartilaginous and bony
tissues have been well documented.3,24 With larger defects, support of the nose
is compromised, resulting in the typical saddlenose deformity.3,24 Some
patients have been known to use various narrow instruments to debride intranasal crusting,
increasing the potential for perforations.11 In extreme cases, adjacent bony
structures may become eroded and vital tissues damaged.6,12,13,22,23
Similarly, topically applied cocaine can be locally destructive to the oral mucosa and
dentition. Acute ulceration, necrosis, and rapid recession of gingival tissues, as well as
erosion of both dentin and enamel, have been reported.19,20 Inhalation of
"crack" cocaine has been implicated in the corrosion of gold dental
restorations.25 Moreover, cocaine consumption immediately before or after tooth
extraction can result in excessive hemorrhage.26
Several publications list other oral findings that are indirectly associated with
cocaine abuse.4,7,20,25 Patients with a substance abuse problem will frequently
display higher rates of decay and periodontal disease as a result of general neglect.4,7,25
Chronic cocaine users often develop bruxing habits and demonstrate patterns of severe
occlusal wear.4,7,20 Aggressive tooth brushing while on a "cocaine
high" has been implicated as the cause of both cervical tooth abrasion and gingival
lacerations.4,7 Xerostomia and oral candida infections are also more common in
this patient population.4,7,25
---Literature Review
The case of a 37-year-old woman who developed a palatal defect several years after a
nasal septal perforation is described by Sastry and others.11 Her long history
of cocaine abuse continued despite initial violation of the septal structure. The authors
postulate that vigorous self-debridement of intranasal crusts with cotton swabs, pens, and
pencils contributed to the perforation process. Unfortunately, such debridement is well
tolerated because of the profound local anesthetic effects of cocaine.
In another case, Sawicka and Trosser detail the findings of a 34-year-old man who
presented himself at the hospital with a six-day history of clear nasal discharge and
malaise.23 The patient, who had lost his sense of smell, admitted to a 19-year
habit of cocaine snorting. A CT scan showed bone loss of the cribriform plate, and
suggested a cerebrospinal fluid (CSF) leak through the right ethmoid sinus. A bifrontal
craniotomy and fascia lata graft were performed to correct the persistent leak. The
cribiform plate was noted to be paper thin and mobile. Histology of the olfactory bulb
showed chronic inflammation change and gliosis.23
Cocaine abuse can cause other complications. Newman and others report the case of a
43-year-old man with bilateral optic neuropathy and osteolytic sinusitis, secondary to
cocaine abuse.22 The patient had initially described "holes" in his
vision that progressed over a six-month period. He admitted to a 15-year history of daily
intranasal cocaine use. MRI studies revealed extensive bony destruction of the nasal
cavity, paranasal sinuses, the floor of the anterior cranial fossa, and the anterior
surface of the clivus. After a four-month cessation of cocaine use, his visual acuity
stabilized and his visual field deficits had not progressed.22
Schweitzer describes two patients with severe and different complications as a result
of cocaine abuse.13 The first patient developed total nasal septal necrosis,
saddlenose deformity, and osteolytic sinusitis from chronic snorting. Her presenting
symptoms included a five-year history of postnasal drainage, halitosis, intermittent
epistaxis, and rhinitis. After a proper workup and detoxification, the patient underwent
bilateral antrostomies and nasal reconstruction with auricular cartilage. With daily
saline lavages of the nose and sinuses, her perinasal symptoms subsided. The second
patient experienced tracheobronchial rupture with subcutaneous emphysema and
pneumomediastinum after smoking "freebase" cocaine.
One of the most destructive cases of intranasal cocaine abuse to have been documented
appears in the journal Revista Medica de Panama, where Sousa and Rowley detail the
presenting complications, progression, and eventual death of a 22-year-old woman.12 In
this case, the patient described a two-year history of nasal obstruction, halitosis,
progressive destruction of the septum and hard palate, purulent rhinorrhea, intense facial
pain, strabismus, blindness in her left eye, and a recent reduction in the visual acuity
in her right eye. Her diagnostic workup included physical, ophthalmoscopic, and
rhinoscopic examinations, multiple biopsies, bacterial and fungal cultures, and CT scans.
These studies confirmed the absence of the nasal septum, turbinates, and medial walls of
the maxillary sinuses. They also revealed sclerosis at the base of the skull and a midline
lesion extending from the ethmoid sinuses to the orbital apexes. Initial treatment with
prednisone and antibiotics resulted in improvement of the visual acuity in her right eye
and resolution of the retro-ocular pain. Several months later, suspected of having renewed
her drug habit, the patient was readmitted to hospital with meningitis. Her level of
consciousness began to deteriorate on the twelfth day. A brain scan revealed an abscess
within her frontal lobe. An emergency craniotomy was performed. The patient remained
comatose and on a ventilator for 15 days. Death occurred as a result of Pseudomonas
pneumonia.
Other cases of brain abscesses resulting from habitual cocaine snorting have been
reported.21,27 Possible routes of bacterial inoculation include direct spread
through the areas of osteitis (i.e. cribriform plate, frontal sinus) or as a septic
thrombophlebitis spread along the associated valveless venous vasculature.21
These expanding cerebral abscesses are usually fatal.12,21[[
Top ]](#top)
---
**Summary**
Recreational drug use is reaching epidemic levels in North America. There are numerous
considerations in the provision of dental care for patients with a cocaine abuse problem.
Given the fundamental importance of identifying whether cocaine is a factor in the
patient’s management, the dentist should look for signs and symptoms indicating an
abuse problem **(Tables I and II).** An appropriate medical history, a
detailed examination of the orofacial anatomy, routine vital signs, and an understanding
of the behavioural characteristics of an addict will help the practitioner recognize
patients suspected of cocaine abuse. A patient with a substance abuse problem will
frequently exhibit "drug-seeking" behaviour.
| |
| --- |
| Table I |
| **Orofacial Signs and Symptoms of Chronic Cocaine Abuse** |
| **Snorting** | **Gingival application** |
| * loss of nasal hairs
*
|nasal crusting-sinusitis/halitosis-epistaxis-nasal septal defect-saddlenose deformity-palatal perforation-erosion of turbinates, ethmoids, medial sinus walls, cribriform plate, and orbital
walls-loss of smell-loss of visual acuity/diploplia-CSF leak | * mucosal ulceration
* necrotizing ulcerative gingivitis
* rapid gingival recession
* dental erosion
* possible corrosion of gold restorations
|
| |
| --- |
| Table II |
| **Effects of Cocaine Abuse** |
| **Cardiovascular effects** | **Central and behavioural effects** |
| * hypertension
* tachycardia
* dysrhythmia
* hypoxia
* myocardial infarction
* hemorrhagic stroke
* pulmonary edema
* dissection or rupture of aortic aneurysm
* cardiac arrest
| * sense of well-being, grandiosity
* elation
* anorexia
* restlessness, agitation
* nausea
* headache
* psychotic states/paranoia
* pupillary dilation
* tachypnea
* hyperpyrexia
* seizures
|
The family dentist should know that the injection of local anesthetic
with epinephrine must be avoided for at least six hours after cocaine consumption.18 Some
sources suggest the use of epinephrine in either local anesthetic or retraction cord is
contraindicated for at least 24 hours after cocaine use to prevent "sympathetic
overload" resulting in a hypertensive crisis, cerebrovascular bleed, myocardial
infarction, tachydysrhythmias, and/or cardiac arrest.21,28 Lidocaine without
vasoconstrictors will have an additive effect with existing cocaine in reducing the
patient’s threshold for seizure activity.4,5 As well, general anesthesia poses
significant cardiovascular risk and should be avoided with the chronic cocaine user.4
Ingesting powdered cocaine orally or nasally can be extremely destructive to the
periodontal and midfacial anatomy. Once alerted to an abuse problem, the informed dentist
can educate his or her patient about the progressive consequences of continued usage and
provide a referral for professional counselling. Dental treatment should be deferred to an
appropriate time when life-threatening complications can be avoided. Then, successful
restorative, periodontal, and even obturator therapy can be provided.
An understanding of and vigilance for cocaine abuse in the dental patient can reduce,
but will not eliminate, the potential for a related crisis in the dental office. Dental
practitioners and their staff should remain capable of recognizing and managing a
cocaine-related medical emergency. Dentists and dental societies must continue to educate
the general public about the local and systemic hazards of this drug.
[[
Top ]](#top)
---
**Dr. Villa** is an oral and maxillofacial surgeon and head of dentistry
at The Sudbury Regional Hospital in Ontario. He also maintains a private practice in
Sudbury.
**Acknowledgments:** A special thanks to Olivia Simonetti for her
translation services in the preparation of this article and to Dr. Michael Hamilton for
his services in the care of the patient described in this case report.
**Reprint requests** to: Dr. Peter D. Villa, 306-2009 Long Lake Rd.,
Sudbury, ON P3E 6C1
---
**References**
1. Gawin FH. Cocaine abuse and addiction. J Fam Pract 1989; 29:193-7.
2. Adlaf EM, Ivis F, Walsh G, and Bondy S. Alcohol, tobacco, and illicit drug use
amongst Ontario adults. 1977-1996. Survey by the Addiction Research Foundation.
3. Laskin DM. Looking out for the cocaine abuser. J Oral Maxillofac Surg 1993; 51:111.
4. Lee CY, Mohammadi H, and Dixon RA. Medical and dental implications of cocaine abuse.
J Oral Maxillofac Surg 1991; 49:290-3.
5. Goldstein FJ. Toxicity of cocaine. Compendium 1990; 11:710, 712, 714-6.
6. Pallasch TJ, McCarthy FM, and Jastak JT. Cocaine and sudden cardiac death. J Oral
Maxillofac Surg 1989; 47:1188-91.
7. Friedlander AH, Gorelick DA. Dental management of the cocaine addict. Oral Surg Oral
Med Oral Pathol 1988; 65:45-8.
8. Isaacs SO, Martin P, and Willoughby JH. "Crack" (an extra potent form of
cocaine) abuse: a problem of the eighties. Oral Surg Oral Med Oral Pathol 1987; 63:12-6.
9. Ravi VS, Zmyslowski WP, and Marino J. Probable cocaine-induced hyperthermia in an
anesthetized patient: a case report. J Oral Maxillofac Surg 1993; 51:204-5.
10. Armstrong M Jr, Shikani AH. Nasal septal necrosis mimicking Wegener’s
granulomatosis in a cocaine abuser. Ear Nose Throat J 1996; 75:623-6.
11. Sastry RC, Lee D, Har-El G. Palatal perforation from cocaine abuse. Otolaryngol
Head Neck Surg 1997; 116:565-6.
12. Sousa O, Rowley S. [Otorhinolarygologic symptoms caused by the intranasal abuse of
cocaine. Report of a case.] Rev Med Panama 1994; 19:55-60.
13. Schweitzer V. Osteolytic sinusitis and pneumomediastinum: deceptive otolarygologic
complications of cocaine abuse. Laryngoscope 1986; 96:206-10.
14. Isner JM, Estes NA 3d, Thompson PD, Castanzo-Nordin MR, Subramanian R, Miller G,
and others. Acute cardiac events temporally related to cocaine abuse. N Engl J Med 1986;
315:1438-43.
15. Woolverton WL, Johnson KM. Neurobiology of cocaine abuse. Trends Pharmacol Sci
1992; 13:
193-200.
16. Das G. Cardiovascular effects of cocaine abuse. Int J Clin Pharmacol Ther Toxicol
1993; 31:521-8.
17. Estroff TW, Gold MS. Medical and psychiatric complications of cocaine abuse with
possible points of pharmacologic treatment. Adv Alcohol Subst Abuse 1985; 5:61-76.
18. Little JW, Falace DA. Dental management of the medically compromised patient. 3rd
ed. St. Louis (MO): The C.V. Mosby Co; 1988.
19. Kapila YL, Kashani H. Cocaine-associated rapid gingival recession and dental
erosion. A case report. J Periodontol 1997; 68:485-8.
20. Parry J, Porter S, Scully C, Flint S, Parry MG. Mucosal lesions due to oral cocaine
use. Br Dent J 1996; 180:462-4.
21. Rao AN. Brain abscess: a complication of cocaine inhalation. NY State J Med 1988;
548-50.
22. Newman NM, DiLoreto DA, Ho JT, Klein JC, Birnbaum NS. Bilateral optic neuropathy
and osteolytic sinusitis. Complications of cocaine abuse. JAMA 1988; 259:72-4.
23. Sawicka EH, Trosser A. Cerebrospinal fluid rhinorrhoea after cocaine sniffing. Br
Med J (Clin Res Ed) 1983; 286:1476-7.
24. Meyer R. Nasal septal perforations must and can be closed. Aesthetic Plast Surg
1994; 18:345-55.
25. Brown RS, Johnson CD. Corrosion of gold restorations from inhalation of
"crack" cocaine. Gen Dent 1994; 242-6.
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1993; 124:60-2.
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74:692-7.[[
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<td width="600"><strong><font color="#000080" size="3" face="Arial,Helvetica,Verdana"><em>Paper Clips</em></font></strong></td></tr></tbody></table></div>
<h1 align="center"><strong>Early Office Museum<br><br>History of the Paper Clip<br />
</strong><br />
<img alt="" border="0" width="259" height="200" src="IMagesWWW/Common_Sense_Clip_Ad_with_Hand.jpg" /><br />
<font size="2">Advertisement for the Common-Sense Paper Clip<br />
</font></h1>
<p align="left"><strong>What counts as a paper clip?</strong> For purposes of the discussion and timeline presented here, a paper clip is a flat or nearly flat piece of metal that slides over an edge of a set of papers and holds the papers together without being bent or pinched by the user and without piercing the papers. A large majority of different paper clip models were made by bending single pieces of resilient spring steel wire. Three others were stamped from sheet metal (Eureka, Sheet Brass Gothic, Proco) and another four (Angell, Utility, Vise, Acme Correspondence) were made by folding small pieces of resilient sheet steel. One (Nifty) was made by bending a wire into a spiral and then flattening it. Recently some paper clips have been made of plastic, but these are not covered here.</p>
During the 19th and early 20th centuries, the term "paper clip" was also used to refer to a spring loaded clip that was generally two or more inches long. This type of clip was also called a "letter clip." We consider these devices on our web page dealing with small filing devices.</p>
<p align="left"><strong>When were paper clips introduced?</strong> The first paper clip was patented by Samuel B. Fay in 1867. This clip was originally intended primarily for attaching tickets to fabric, but the patent recognized that it could be used to attach papers together. We have found no advertisement for, or other mention of, the Fay design until 1896. In 1896, the <i>American Stationer</i> announced that D. S. Gorman was the New York, NY, distributor for a "new paperclip," named "Clinch;" this clip used the Fay design. Also in 1896, the Cinch Clip Co., Buffalo, NY, was identified as the manufacturer of a paper clip named "Cinch," which also used the Fay design. It therefore appears unlikely that paper clips with the Fay design had significant, if any, sales prior to 1896. However, beginning in the late 1890s and for decades thereafter, the Fay design was widely advertised under many brand names for use in fastening papers. In 1918, the brand name "Fay" was used by the American Clip. Co. for a paper clip with the Fay patent design.
A second paper clip design was patented by Erlman J. Wright in 1877. This clip was advertised at that time for use in fastening newspapers. A third paper clip was patented by Frank Angell in 1889.</p>
The Gem paper clip, which was never patented, but which became by far the best selling paper clip in the U.S., was introduced in 1892 and has been advertised since 1893. In 1904, when Cushman & Denison applied for a trade mark for the Gem clip, the company stated that it had used the Gem brand name for clips since 1892. And in a 1922 advertisement for the Gem paper clip, Cushman & Denison stated, "Thirty years ago we placed on the market the first <b>'Gem' Clip</b>."<br>
<p align="center"><img alt="" border="0" width="568" height="215" src="1922 Gem Paper Clip Ad 30th Year Office Appliances, Volume 36, 1922 OM.jpg" /><br />
<font size="2">Cushman & Denison Advertisement for Gem Paper Clips, 1922<br />
</font>
<p align="left">Speculation that the Gem paper clip originated in Britain by the early 1880s is incorrect. This speculation is based at least in part on references to "Gem Paper Fasteners" in publications dating from 1883 and 1884; these publications did not contain either illustrations or verbal descriptions of these fasteners. However, the Early Office Museum has found an 1881 publication with an illustration that shows that Tower's Gem Paper Fasteners were staples with legs that were bent toward each other after they were manually inserted through slits cut in papers. They were not paper clips.<br>
<p align="center"><img alt="" border="0" width="508" height="168" src="Tower's Gem Paper Fasteners Wright's Australian and American Commercial Directory and Gazetteer 1881.jpg" /><br />
<font size="2">Advertisement for Gem Paper Fasteners, Britain, 1881<br />
</font>
<p align="left"><strong>When did paper clips come into widespread use in offices?</strong> A patent application filed at the end of 1896 indicated that a number of different paper clips were in use. A flood of paper clip patents were issued beginning in 1897. A 1900 trade publication stated that "The wire clip for holding office papers together has entirely superseded the use of the pin in all up-to-date offices." (<em>Business</em>, March 1900, p. 173) This evidence indicates that paper clips came into widespread use in U.S. offices in the late 1890s.</p>
<p align="left"><strong>Why weren't bent-wire paper clips marketed earlier?</strong> According to Petroski, "Steel wire was still new in the second half of the nineteenth century....[T]he widespread manufacture and use of the paper clip had to await not only the availability of the right wire but also the existence of machinery capable of tirelessly and reliably bending it in a flash into things that could be bought for pennies a box." (Henry Petroski, "From Pins to Paper Clips," <em>The Evolution of Useful Things</em>, Vintage, New York, 1992, p. 60)<br>
<p align="left"><strong>With what products did paper clips compete most closely?</strong></strong> The two earliest patents indicate that bent-wire paper clips could be used in lieu of pins, sewing, "pointed bent-over paper fasteners," and eyelets. In 1904, Clinch Clips were advertised as "Cheaper than Pins." Around 1910 advertisements compare paper clips to straight pins for temporary attachment of papers. By contrast, early paper clip advertisements do not refer to staples.</p>
<p align="center"><img alt="" border="0" width="305" height="252" src="IMagesWWW/1902_1904_T_Pin_box_Cushman__Denison_Mfg_Co_NYC.jpg" /><br />
<font size="2">T Pin Box, Cushman & Denison, patented 1902 & 1904<br />
</font>
<p align="left"><strong>Why were paper clips sold in so many different designs?</strong> Many designs were initially protected by patents. As a result, other manufacturers had to come up with different designs. Also, no single paper clip design is optimal for all purposes. In marketing paper clips, suppliers emphasized the superiority of their designs on one or two of the following characteristics:<br>
1. Does not catch, mutilate, or tear papers<br />
2. Does not get tangled with other clips in the box<br />
3. Holds a thick set of papers<br />
4. Grips firmly, holds papers securely<br />
5. Is flat or thin and takes less space in files<br />
6. Is easily inserted<br />
7. Is light weight and requires less postage<br />
8. Is non-deforming<br />
9. Is cheap (e.g., because it uses less wire)<br />
<p align="left"><strong>What is included in the paper clip time-line below?</strong> The Early Paper Clip Gallery below identifies every paper clip that we are aware of that has a patent date before the end of 1902 plus every one for which we have found an advertisement, box, or example (but excluding modern plastic and decorative paper clips, e.g., ones in the shape of a bone or star). Many additional designs that are not shown here were patented. Presumably most of these were not advertised widely or for long, if at all. In the case of paper clips patented before the end of 1902, if we do not have an advertisement or box that tells us the brand name of the clip, we have identified the clip using the patent holder's last name in <em>italics</em>.</p>
<p align="left">We did not include paper clips that were patented after 1902 unless we could find evidence that they were produced. We used that cutoff date because 13 paper clip patents were awarded in 1903, 10 of them to one inventor, George W. McGill. Of the latter 10, only three appear to have been produced (Banjo, Ring, Improved Gem).</p>
<p align="left"><strong>Where did the Early Office Museum obtain the information on this web page?</strong> The information on this page is based on our review of patents, early trade publications, artifacts, and other primary sources. As a result, unlike much of the information on the history of the paper clip that is available on the internet, the information presented here is accurate. The Early Office Museum is grateful to Kenneth R. Berry for sharing his patent and trademark research on paper clips. </font><br>
<p align="left"><strong>Would you like to swap, sell, donate, or purchase early paper clips?</strong> If the Early Office Museum has an example of a particular paper clip, we put an "X" at the end of the text in the box in the right-hand column in the pertinent row of the table below. We have duplicates of most of those, but not all. We would be happy to swap our duplicate early paper clips for ones we do not have. We will also sell duplicates, and we will purchase or accept donations of ones we do not have. We are also interested in photos/scans of paper clips, boxes, and advertisements (if possible dated) that we do not have to post on the Museum web site with a credit to you. Please email the Curator: eomcurator, followed by @, followed by hotmail.com with the subject line "paper clips".</p>
<h1 align="center">Early Paper Clip Gallery</h1>
<table border="1" width="100%" height="5449">
<tbody>
<tr>
<td height="57" width="8%" align="center"><strong>Image </strong></td>
<td height="57" width="39%" align="center"><strong>Brand Name<br />
</strong>Other Brand Names<br />
Dates<br>The date in <b>Bold </b>font was used for the chronological order.</td>
<td height="57" width="28%" align="center"><strong>Additional Information</strong><br>An X at the end of this box indicates that the Museum has an example of this clip.</td></tr>
<tr>
<td bgcolor="#ffffff" height="133" width="8%" align="center"><img alt="" border="0" width="104" height="102" src="IMagesWWW/Philadelphia_Clip_aka_Chicago_Fay_New_York_Uneedit_West.jpg" /></td>
<td height="133" width="39%" align="center"><strong>Fay Paper Clip<br />
</strong>Amneco (1917-21), C (1910, 1918), Chicago,<br>Cinch (1896), Climax (198[fix]-22),
Clinch (1896, 1918),<br> Cyclone (1920),<br>Fay (1918), Jiffy, New York,<br>
Philadelphia, Queen City, Simplex (1918),<br>Uneedit (1928), West<br />
Patented <b>1867</b><br />
Advertised 1896 (as Clinch)-1961</td>
<td height="133" width="28%" align="center"><a href="IMagesWWW/Cinch_Paper_Clip_box.jpg"><img border="2" alt="Cinch_Paper_Clip_box.jpg (26305 bytes)" align="right" width="100" height="65" src="IMagesWWW/Cinch_Paper_Clip_box_small.jpg" /></a> The patent awarded to Samuel B. Fay described this clip as a ticket fastener to be used, in lieu of a pin, to fasten tickets to fine fabrics. The patent noted that the clip could be used to attach a paper ticket to another piece of paper.<br>X</td></tr>
<tr>
<td bgcolor="#ffffff" height="76" width="8%" align="center"><img alt="" border="0" width="150" height="47" src="IMagesWWW/1877_Wright_clip_OM.jpg" /></td>
<td height="76" width="39%" align="center"><strong>Wright Paper Clip</strong><br />
Patented <b>1877</b><br />
Advertised c. 1877</td>
<td height="76" width="28%" align="center">The patent awarded to Erlman J. Wright stated that the clip was designed for "fastening together loose leaves of papers, documents, periodicals, newspapers," in lieu of sewing, "pointed bent-over paper fasteners," or eyelets. The clip was advertised as a newspaper clip.</td></tr>
<tr>
<td bgcolor="#ffffff" height="100" width="8%" align="center"><img alt="" border="0" width="150" height="100" src="1889 Angell Paper Clip scan.jpg" /></td>
<td height="139" width="39%" align="center"><strong>Angell Paper Clip<br /></strong>
Patented <b>1889</b><br /></td>
<td height="139" width="28%" align="center">The patent for this clip is titled "Book-Leaf or Paper Holder." However, the patent description states that one of its uses is to "hold together two or more pieces of paper--as, for instance, a letter and check received together." The patent states that this item consists of "a piece of flat metal bent or folded to form two lips of unequal length, the shorter lip curved upward and the longer lip flat." The scan to the left shows the shorter, curved lip (the right side of which bulges toward you as you view the scan) in front of the longer, flat lip.<br>X<br></td></tr>
<tr><td bgcolor="#ffffff" height="100" width="8%" align="center"><img alt="" border="0" width="200" height="100" src="1895 Utility paper clip USD24073 small.jpg" /><br />
</td>
<td height="139" width="39%" align="center"><strong>Utility Paper Clip<br />
</strong>Patented 1895<br />
Advertised <b>1890</b>-1900</td>
<td height="139" width="28%" align="center">Made from sheet metal by<br />
O. W. Smith Manufacturing Co. Detroit, MI.<br />
and subsequently Stationers' Mfg. Co. Detroit, MI.<br />
Also distributed by Library Bureau,<br />
Boston, MA<br>X<br></td></tr>
<tr>
<td bgcolor="#ffffff" height="133" width="8%" align="center"><img alt="" border="0" width="147" height="58" src="IMagesWWW/Gem_Clip_by_Apr_27_1899.JPG" /></td>
<td height="133" width="39%" align="center"><strong>Gem Paper Clip<br />
</strong>Glide, Superior (1920), Lightning (UK),<br>
Facile (UK), Fixum (Germany), Kimhar<br>
Not patented<br />
Advertised 1893-Present<br />
In 1904, Cushman & Denison obtained a trademark for "Gem" used in connection with paper clips. The announcement of the trademark stated "Used since March 1, <b>1892</b>," so it is probable that the Gem Paper Clip was introduced on that date. </td>
<td height="133" width="28%" align="center"><a href="1894_Gem_Paper_Clip_adv_discovered_by_The_Early_Office_Museum.JPG"><img border="2" alt="1894_Gem_Paper_Clip_adv_discovered_by_The_Early_Office_Museum.JPG (183931 bytes)" width="100" height="59" src="1894_Gem_Paper_Clip_adv_discovered_by_The_Early_Office_Museum_small.JPG" /></a><br />
August 1894 ad. All rights reserved.<br />
The earliest known Gem paper clip advertisement, which was discovered by the Early Office Museum, is in the September 1893 issue of The American Lawyer. The seller was Cushman & Denison. <br /> X
</td></tr>
<tr>
<td bgcolor="#ffffff" height="78" width="8%" align="center"><img alt="" border="0" width="216" height="78" src="1894_Patent_Spring_Clamp.JPG" /></td>
<td height="78" width="39%" align="center"><strong>Patent Spring Clasps<br />
</strong>Advertised <b>1893</b>-1900</td>
<td height="78" width="28%" align="center">Distributed by the Library Bureau,
Boston, MA, which claimed that these spring clasps "largely supersede pins, staples, paper fasteners, rubber bands, clips, and all devices for fastening papers or cards together."<br>
<a href="Paper clips Alan Walker Processing Archivist National Archives College Park MD detail 2.jpg"><img border="2" alt="Paper clips Alan Walker Processing Archivist National Archives College Park MD detail 2.jpg(183931 bytes)" width="100" height="59" src="Paper clips Alan Walker Processing Archivist National Archives College Park MD detail 2.jpg" /></a><br>
Image from online article by Alan Walker, Processing Archivist, National Archives, College Park, MD.<br /> X </td></tr>
<tr>
<td bgcolor="#ffffff" height="130" width="8%" align="center"><img alt="" border="0" width="123" height="130" src="IMagesWWW/Eureka_Clip_Pat._Jan_30_1894_aka_Farmers_Eureka.jpg" /></td>
<td height="130" width="39%" align="center"><strong>Eureka Clip<br />
</strong>Farmer<br />
Patented <b>1894</b><br />
Advertised 1897-30<br />
(The brand name Farmer comes from the name of the inventor, George P. Farmer)</td>
<td height="130" width="28%" align="center"><a href="1904_Eureka_Clip_adv.jpg"><img border="2" alt="1904_Eureka_Clip_adv.jpg (79562 bytes)" width="123" height="57" src="1904_Eureka_Clip_adv_small.jpg" /></a> <a href="IMagesWWW/1894_Eureka_Clip_OM.JPG"><img border="2" alt="1894_Eureka_Clip_OM.JPG (28401 bytes)" width="100" height="57" src="IMagesWWW/1894_Eureka_Clip_OM_small2.JPG" /><br />
</a>Made from sheet metal, not bent wire, by Consolidated Safety Pin Co., Bloomfield, NJ.<br>X</td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="126" height="125" src="IMagesWWW/1897_Niagara_Clip_Pat._OM.jpg" /></td>
<td height="125" width="39%" align="center"><strong>Niagara Paper Clip<br />
</strong>Patented <b>1897</b><br/>
Advertised 1897-1950 </td>
<td height="125" width="28%" align="center">Niagara Clip Co., New York, NY<br />
Standard clip is small.<br>Larger version sold as Giant Niagara Clip.<br>
<a href="Niagara paper clips 2 specimens.jpg"><img border="2" alt="Niagara paper clips 2 specimens.jpg (79562 bytes)" width="123" height="57" src="Niagara paper clips 2 specimens small.jpg" /></a><br />
<font color="#ff0000" size="1"><em>Add image from 1904 System</em></font> X</td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="144" height="125" src="1897_Reeve_Paper_Clip_xx.jpg" /></td>
<td height="125" width="39%" align="center"><strong>Simplex Clip</strong><br />
Patented by Reeve Apr. 20, <b>1897</b><br>
Advertised 1897</td>
<td height="125" width="28%" align="center">"Holds securely from one to twenty thicknesses."<br><br>
Simplex Specialty Co., Ltd.<br>Philadelphia, PA</td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="187" height="125" src="IMagesWWW/1897_Cole_clip_pat_OM.jpg" /></td>
<td height="125" width="39%" align="center"><strong><em>Cole</em> Paper Clip</strong><br />
Patented <b>1897</b></td>
<td height="125" width="28%" align="center">The patent indicates that a number of bent-wire paper clips were already in use when the application was filed in December 1896. "Previous to my invention various forms of bent-wire clips have been used. Some of them do not grip the articles with sufficient force, while others endanger a tearing. Others are difficult or inconvenient, and others still are clumsy or have some portion projecting transversely to the plane of the papers."</td></tr>
<tr>
<td bgcolor="#ffffff" height="139" width="8%" align="center"><br />
<img alt="" border="0" width="137" height="120" src="IMagesWWW/1899_Perfection_Clip.jpg" /></td>
<td height="120" width="39%" align="center"><strong>Perfection Paper Fastener </strong><br />
Patented <b>1898</b><br />
Advertised 1898-1900, 1916-20</td>
<td height="120" width="28%" align="center">
<p align="center">Made by M. P. & J. R. Schooley, Homestead, Pa. <br />
The patent states: "I am aware that prior to my invention paper-clips have been made somewhat similar to mine in their general idea." X</p></td></tr>
<tr>
<td bgcolor="#ffffff" height="139" width="8%" align="center"><br />
<img alt="" border="0" width="99" height="125" src="1898 Matthew Schooley patent drawing.jpg" /></td>
<td height="139" width="39%" align="center"><strong><i>Schooley</i> Paper Fastener</strong><br />
Patented <b>1898</b><br />
<td height="139" width="28%" align="center"><p align="center">.</p></td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="128" height="125" src="1899_Columbia_Paper_Clip.JPG" /></td>
<td height="125" width="39%" align="center"><strong>Columbia Paper Clip<br />
</strong>Scientific<br />
Advertised <b>1899</b></td>
<td height="125" width="28%" align="center">Columbia Manufacturing Co.<br />
Buffalo, NY<br />
Successor to the Scientific Clip Co.</td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="145" height="125" src="IMagesWWW/Clipper_Clip_x.jpg" /></td>
<td height="125" width="39%" align="center"><strong>Clipper Paper Clip<br />
</strong>Duplex<strong><br /></strong>
Patented <b>1899</b><br />
Advertised 1900-11, 1921-23</td>
<td height="125" width="28%" align="center">Clipper Mfg. Co., Long Island, NY<br />
In 1903, the Clipper paper clip was available in brass or steel.<br>
<a href="Clipper clips 2 specimens.jpg"><img border="2" alt="Clipper clips 2 specimens.jpg (79562 bytes)" width="123" height="57" src="Clipper clips 2 specimens small.jpg" /></a><br /> X
</td></tr>
<tr>
<td bgcolor="#ffffff" height="100" width="8%" align="center"><img alt="" border="0" width="134" height="100" src="IMagesWWW/Daisy_Clip_x.jpg" /></td>
<td height="100" width="39%" align="center"><strong>Daisy Paper Clip<br />
</strong>Patented <b>1899</b><br />
Advertised 1908</td>
<td height="125" width="28%" align="center">.</td></tr>
</tr>
<tr>
<td bgcolor="#ffffff" height="132" width="8%" align="center"><img alt="" border="0" width="126" height="132" src="IMagesWWW/1901_Johan_Vaaler_patent_diagram.jpg" /></td>
<td height="132" width="39%" align="center"><strong><em>Vaaler</em> Paper Clip </strong><br />
Patented <b>1900</b> (Germany), 1901 (US)</td>
<td height="132" width="28%" align="center">Image is one of several <br />
in the 1901 US patent.<br />
Vaaler, who was Norwegian, is commonly but incorrectly given credit for invention of the paper clip. His designs were neither first nor important. There is a large Gem paper clip statue in Norway. Norway might consider giving it to the U.S.</td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="161" height="125" src="IMagesWWW/L._B._Expansive_Clip_aka_Konaclip_Pat_May_1_1900.jpg" /></td>
<td height="125" width="39%" align="center"><strong>Konaclip Paper Clip<br />
</strong>L.B. Expansive<br />
Patented <b>1900</b><br />
Advertised 1904-10, 1917 (L.B. Expansive)</td>
<td height="125" width="28%" align="center"><a href="Konaclips.jpg"><img border="2" alt="Konaclips.jpg (10854 bytes)" width="100" height="113" src="Konaclips_small.jpg" /></a> X</td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="124" height="125" src="IMagesWWW/1900_McGill_clip_OM.jpg" /></td>
<td height="125" width="39%" align="center"><strong><em>McGill</em> Paper Clip</strong><br />
Patented <b>1900</b></td>
<td height="125" width="28%" align="center">.</td></tr>
<tr>
<td bgcolor="#ffffff" height="166" width="8%" align="center"><img alt="" border="0" width="61" height="126" src="IMagesWWW/Octo_Clip.jpg" /></td>
<td height="166" width="39%" align="center"><strong>Octo Fastener<br />
</strong>Advertised <b>1901</b>-10, 1917-18</td>
<td height="166" width="28%" align="center">Attleboro Stock Co., New York, NY (1903-04)<br />
American Clip Co., Long Island City, NY<br />
"A pin, paper clip and paper fastener in one."<br />
<a href="1903_Octo_Fastener_Attleboro_Stock_Co_NY_NY_adv.jpg"><img border="2" alt="1903_Octo_Fastener_Attleboro_Stock_Co_NY_NY_adv.jpg (370868 bytes)" width="100" height="86" src="1903_Octo_Fastener_Attleboro_Stock_Co_NY_NY_adv_small.jpg" /><br />
</a>1903 ad X</td></tr>
<tr>
<td bgcolor="#ffffff" height="100" width="8%" align="center"><img alt="" border="0" width="102" height="125" src="IMagesWWW/1901_Wright_clip_OM.jpg" /></td>
<td height="100" width="39%" align="center"><strong><em>Wright </em>Paper Clip<br />
</strong>Patented <b>1901</b></td>
<td height="100" width="28%" align="center">.</td></tr>
<tr>
<td bgcolor="#ffffff" height="150" width="8%" align="center"><img alt="" border="0" width="150" height="150" src="1901 De Long paper fastener USD34560 small.jpg" /></td>
<td height="150" width="39%" align="center"><strong><em>De Long</em> Paper Clip<br />
</strong>Patented <b>1901</b></td>
<td height="150" width="28%" align="center">The inventor of this paper clip, Frank E DeLong, and his brother owned the DeLong Hook & Eye Co., Phildelphia, PA. The company's main line of business was hooks and eyes for the garment industry. During 1912-21, this company sold the Twin Grip paper fastener based on a 1908 patent.</td></tr>
<tr>
<td bgcolor="#ffffff" height="224" width="8%" align="center"><img alt="" border="0" width="150" height="224" src="1901 Mowen paper clip USD34060 small.jpg" /></td>
<td height="224" width="39%" align="center"><strong><em>Mowen</em> Paper Clip<br />
</strong>Patented <b>1901</b></td>
<td height="224" width="28%" align="center">.</td></tr>
<tr>
<td bgcolor="#ffffff" height="100" width="8%" align="center"><img alt="" border="0" width="89" height="100" src="IMagesWWW/Ideal_Clip_Pat_July_1_1902.jpg" /></td>
<td height="100" width="39%" align="center"><strong>Ideal Paper Clip (very small) or Clamp (larger)<br /></strong>Triumph<br />
Patented <b>1902</b><br />
Advertised 1903-Present</td>
<td height="100" width="28%" align="center">Cushman & Denison Mfg. Co., <br />
New York, NY<br />
ACCO Brands, <a href="http://biggestbook.com/details.jsp?R=7894108&N=0">part no. ACC-72130</a>, as of 2013.<br>X</td></tr>
<tr>
<td bgcolor="#ffffff" height="76" width="8%" align="center"><img alt="" border="0" width="109" height="140" src="1902_Multiple_Grip_Paper_Clip.jpg" /></td>
<td height="76" width="39%" align="center"><strong>Multiple Grip Paper Clip Style E<br />
</strong>Advertised <b>1902</b></td>
<td height="76" width="28%" align="center">Meyercord-Batterman Co.<br />
Chicago, IL<br />
"An inexpensive clip that grips flat in four places. <br />
Does not slide under papers"</td></tr>
<tr>
<td bgcolor="#ffffff" height="150" width="8%" align="center"><img alt="" border="0" width="192" height="150" src="1902 Mussinan paper clip US714388 small.jpg" /></td>
<td height="150" width="39%" align="center"><strong><em>Mussinan</em> Paper Clip<br />
</strong>Patented <b>1902</b></td>
<td height="150" width="28%" align="center">.</td></tr>
<tr>
<td bgcolor="#ffffff" height="150" width="8%" align="center"><img alt="" border="0" width="257" height="150" src="1902 Cox paper fastener US715992 small.jpg" /></td>
<td height="150" width="39%" align="center"><strong><em>Cox</em> Paper Clip<br />
</strong>Patented <b>1902</b></td>
<td height="150" width="28%" align="center">.</td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="157" height="125" src="1910_Ringklip_Europe.jpg" /></td>
<td height="125" width="39%" align="center"><strong>Whitcomb Clip</strong><br>
Ringklip<br>
Advertised 1902-04 (Whitcomb, US), 1910 (Ringklip, Europe)<br>
No longer produced 1910 (Whitcomb, US)
</td>
<td height="125" width="28%" align="center"><a href="Ringklip three specimens.jpg"><img border="2" alt="Ringklip three specimens.jpg (10854 bytes)" width="150" height="79" src="Ringklip three specimens small.jpg" /></a><br>The Wire Novelty Co., Holyoke, MA (1902-04)<br> X</td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="63" height="125" src="IMagesWWW/Banjo_Clip.jpg" /></td>
<td height="125" width="39%" align="center"><strong>Banjo Paper Clip<br />
</strong>Improved Gem No. 2, Banjo Gem<br />
Patented <b>1903</b> by George W McGill<br />
Advertised 1909-41</td>
<td height="125" width="28%" align="center">Cushman & Denison Mfg. Co.<br> X</td></tr>
<tr>
<td bgcolor="#ffffff" height="147" width="8%" align="center"><img alt="" border="0" width="117" height="125" src="IMagesWWW/Rinklip_Clip_x.jpg" /></td>
<td height="147" width="39%" align="center"><strong>Ring Paper Clip<br />
</strong>Rinklip, Circle<br />
Patented <b>1903</b> by George W McGill<br />
Advertised 1905-Present</td>
<td height="147" width="28%" align="center"><a href="Ring_paper_clips_box.jpg"><img border="2" alt="Ring_paper_clips_box.jpg (37802 bytes)" width="100" height="67" src="Ring_paper_clips_box_small.jpg" /></a>
<a href="Ring paper clip specimen.jpg"><img border="2" alt="Ring paper clip specimen.jpg (10854 bytes)" width="100" height="113" src="Ring paper clip specimen small.jpg" /></a><br>
A.A. Weeks Mfg. Co., New York, NY (Ring, 1905)<br />
Cushman & Denison Mfg. Co (Ring).<br />
The Rinklip advertised in 1905 had a flat top.<br> X</td></tr>
<tr>
<td bgcolor="#ffffff" height="100" width="8%" align="center"><img alt="" border="0" width="175" height="100" src="IMagesWWW/Improved_Gem_Clip_x.jpg" /></td>
<td height="100" width="39%" align="center">
<strong>Improved Gem Paper Clip<br />
</strong>Improved Gem No. 1, Lipgrip (UK), Facile with Lip (UK)<br>
Glid-don (Australia), Clipper (UK)<br />
Patented <b>1903</b> by George W McGill<br />
Advertised 1909-24</td>
<td height="100" width="28%" align="center">Cushman & Denison Mfg. Co.<br />
<img alt="" border="0" width="212" height="75" src="Paperclip_printing_block_lipped_gem.jpg" /><br> X</td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="85" height="125" src="IMagesWWW/Weis_Clip_aka_Eureka_Star_Triangle.jpg" /></td>
<td height="125" width="39%" align="center"><strong>Weis Paper Clip<br /></strong>
Eureka, Star, Triangle<br />
Patented 1904<br />
Advertised <b>1903</b>-41</td>
<td height="125" width="28%" align="center">Weis Binder Co. (1905)<br />
During 1904, the US Patent Office<br />
issued three patents for paper clips<br />
with essentially this same design.<br> X</td></tr>
<tr>
<td bgcolor="#ffffff" height="113" width="8%" align="center"><img alt="" border="0" width="124" height="113" src="IMagesWWW/Common-Sense_Clip_Pat_Dec_6_1904.jpg" /></td>
<td height="113" width="39%" align="center"><strong>Common Sense Paper Clip<br />
</strong>Patented <b>1904</b><br />
Advertised 1904-25</td>
<td height="113" width="28%" align="center">Jackson Mfg. Co., Jackson, MI.<br />
Book-Keeper Publishing Co., Ltd., Detroit, MI (1905)<br> X</td></tr>
<tr>
<td bgcolor="#ffffff" height="163" width="8%" align="center"><img alt="" border="0" width="87" height="125" src="IMagesWWW/Owl_Clip.jpg" /></td>
<td height="163" width="39%" align="center"><strong>Owl Paper Clip<br />
</strong>Regal, Peerless, Supreme<br />
Advertised <b>1905</b>-Present</td>
<td height="163" width="28%" align="center"><img alt="" border="0" width="246" height="125" src="IMagesWWW/Owl_Clip_with_Owl.jpg" /><br />
Owl Supply Co., Boston, MA<br />
ACCO Brands, <a href="http://biggestbook.com/search.jsp?Ntt=72130&N=0">part no. ACC-72130</a>, as of 2013.<br> X</td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="100" height="125" src="IMagesWWW/1907_Weis_Herculean_Clip_OM.jpg" /></td>
<td height="125" width="39%" align="center"><strong>Weis Herculean Reversible Paper Clip<br />
</strong>Marketed <b>1905</b> ~ Advertised 1907-10, on market 1918</td>
<td height="125" width="28%" align="center">Weis Binder Co., Toledo, OH (1905)<br />
Weis Mfg. Co.</td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="136" height="125" src="IMagesWWW/Mogul_Clip_x.jpg" /></td>
<td height="125" width="39%" align="center"><strong>Mogul Paper Clip<br />
</strong>Patented <b>1906</b><strong><br />
</strong>Advertised c.1906, 1908-10, on market 1918</td>
<td height="125" width="28%" align="center">Clipper Mfg. Co.<br>As of 2016, being reproduced with thin brass wire.</td></tr>
<tr>
<td bgcolor="#ffffff" height="100" width="8%" align="center"><span style="background-color: #ffffff"><img alt="" border="0" width="119" height="100" src="IMagesWWW/Niagara_Clip.jpg" /></span></td>
<td height="100" width="39%" align="center"><br /><br />
<strong>Improved Niagara Paper Clip</strong><br />
Same 1897 patent as the Niagara Paper Clip above<br>
Advertised <b>1908</b>-1950
<p> </p></td>
<td height="100" width="28%" align="center">Niagara Clip Co., New York, NY<br> X</td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="115" height="125" src="IMagesWWW/1910_Hold_Fast_Paper_Clip.jpg" /></td>
<td height="125" width="39%" align="center"><strong>Hold-Fast Paper Clip</strong><br />
Holdfast<br>
Advertised <b>1909</b>-10, on market 1918</td>
<td height="125" width="28%" align="center">Cutler-Tower Co., Boston, MA</td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="190.8" height="125" src="1910 Elastik Klip small OM.jpg" /></td>
<td height="125" width="39%" align="center"><strong>Elastik Klip</strong><br />
Advertised <b>1910</td>
<td height="125" width="28%" align="center">Tower Mfg. Co. catalog, 1910.<br>
Described as a "corner clip" (<i>American Stationer</i>, Jan. 1, 1910)</td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="109" height="125" src="IMagesWWW/Dennison_Clip.jpg" /></td>
<td height="125" width="39%" align="center"><strong>Dennison Paper Clip<br />
</strong>Advertised <b>1910</b>, 1918 (on market), 1921 (clearance sale)<br />
Illustrated in <em>Webster's New
International Dictionary</em> 1934.</td>
<td height="125" width="28%" align="center">Dennison Mfg. Co.<br> X</td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="115" height="125" src="IMagesWWW/1922_Standard_clip_OM.jpg" /></td>
<td height="125" width="39%" align="center"><strong>Standard Paper Clip<br />
</strong>Advertised <b>1910</b>-41</td>
<td height="125" width="28%" align="center">Cushman & Denison Mfg. Co.<br>X</td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="172" height="125" src="Wing_Paper_Clip.jpg" /></td>
<td height="125" width="39%" align="center"><strong>Wing Paper Clip<br />
</strong>Advertised <b>1915</b>, on market 1918<br />
<br /><em>Courtesy of Cornelia Moyer</em></td>
<td height="125" width="28%" align="center"><img alt="" border="0" width="259" height="168" src="Wing_Paper_Clip_Box_Cornelia_Moyer.jpg" /><br />
Wing Paper Clip Co., Philadephia, PA<br> X</td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="100" height="133" src="1917 Improved Triangle Paper Clip scan.jpg" /></td>
<td height="125" width="39%" align="center"><strong>Improved Triangle</strong><br />
Patented <b>1917</b><br />
Advertised 1923-25<br><br>
<a href="1917_Improved_Triangle_Paper_Clip_adv.jpg"><img border="2" alt="1917_Improved_Triangle_Paper_Clip_adv.jpg (30353 bytes)" width="100" height="50" src="1917_Improved_Triangle_Paper_Clip_adv_small.jpg" /></td>
<td height="125" width="28%" align="center"><img alt="" border="0" width="125" height="125" src="1917_Improved_Triangle_Paper_Clip.JPG" /><br>X</td></tr>
<tr>
<td bgcolor="#ffffff" height="111" width="8%" align="center"><img alt="" border="0" width="105" height="111"
src="Little Gem.jpg" /></td>
</td>
<td height="111" width="39%" align="center"><strong>Little Gem Paper Clip<br /></strong>
On market <b>1918</b><br>
Lupo paper clip (Germany)<br>
<img alt="" border="0" width="100" height="117.33" src="Lupo paper clips Germany small.jpg" />
</td>
<td height="111" width="28%" align="center"><img alt="" border="0" width="122" height="132" src="Narrow lipped Gem Germany small.jpg" />
<br>Little Gem paper clip with lip, Germany, marketed 2013<br> X</td></tr>
<tr>
<td bgcolor="#ffffff" height="129" width="8%" align="center"><img alt="" border="0" width="66" height="96" src="Vise Paper Clip OM.jpg" /></td>
<td height="129" width="39%" align="center"><strong>Vise Paper Clip </strong><br />
Patented<br>
Advertised <b>1918</b>-50 (Graffco), 1928 (Cook's Burro), 1974 (Burro)<br>
<td height="129" width="28%" align="center">
Vise Clip Co., Boston, MA<br>Graffco Vise Clip Co., Boston, MA (1918-50)<br />
<img alt="" border="0" width="203" height="100" src="Vise Paper Clip Box OM.jpg" /><br> X</td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="75" height="125" src="IMagesWWW/Ezeon_Clip_x.jpg" /></td>
<td height="125" width="39%" align="center"><strong>Ezeon Paper Clip<br />
</strong>Handi-Grip, Imperial, Rapid,<br />
Universal, Victory<br />
Patented 1920<strong><br />
</strong>Advertised <b>1918</b>-89</td>
<td height="125" width="28%" align="center"><img alt="" border="0" width="167" height="125" src="IMagesWWW/Ezeon_box.jpg" /><br> X</td></tr>
<tr>
<td bgcolor="#ffffff" height="112" width="8%" align="center"><img border="2" alt="1922_Victory_Paper_Clip_Gage__Co._p._73.jpg (12619 bytes)" width="100" height="108" src="1922_Victory_Paper_Clip_Gage__Co._p._73_small.jpg" /></a></td>
<td height="112" width="39%" align="center"><strong>Victory Paper Clip<br />
</strong>Patented <b>1920</b><br />
Advertised 1921-22</td>
<td height="112" width="28%" align="center">J.F Ryan & Co., New York, NY</td></tr>
<tr>
<td bgcolor="#ffffff" height="129" width="8%" align="center"><img alt="" border="0" width="191" height="125" src="Collette_Clip_OM.jpg" /></td>
<td height="129" width="39%" align="center"><strong>Collette Paper Clip </strong><br />
Frictioned<br />
Patented: Collette <b>1921</b><br />
Including all brands, advertised 1924-40<br />
This type of clip had many equi-spaced perpendicular serrations on the long sides only, not on the ends.<br />
Serrations are designed to hold papers securely.<br></td>
<td height="129" width="28%" align="center">Collette Mfg. Co., Amsterdam, NY<br /> X </td></tr>
<tr>
<td bgcolor="#ffffff" height="129" width="8%" align="center"><img alt="" border="0" width="258" height="100" src="1955 Marcel Gem Paper Clip advert OM.jpg" /></td>
<td height="129" width="39%" align="center"><strong>Marcel Gem Paper Clip </strong><br />
Saspraude (Latvia), Savarzeles (Lithuania)<br>
Patented <b>1924</b><br>
Marketed 1931-93 (confirm. 1955-61 confirmed)<br>
This type of clip had fewer indentations than the Collette-type clips
</td>
<td height="129" width="28%" align="center">Noesting Pin Ticket Co., New York, NY
</td></tr>
<tr>
<td bgcolor="#ffffff" height="129" width="8%" align="center"><img alt="" border="0" width="213" height="122" src="1940 Non-Skid paper clip advert OM.jpg" /></td>
<td height="129" width="39%" align="center"><strong>Non-Skid Gem Paper Clip </strong><br />
Dandy Gem, Gripit, Standard Gem<br>
Patented: Non-Skid <b>1927</b>, Dandy 1927, Gripit 1930<br>
Trademark: Dandy (Noesting) 1923 (renewed 1943)<br />
Advertised 1936-61, 1974 (Standard Gem), present<br>
This type of clip had many equi-spaced perpendicular serrations <i>all along the wire</i>, not just on the long sides.<br />
Serrations are designed to hold papers securely.<br></td>
<td height="129" width="28%" align="center">
<a href="IMagesWWW/1930_Gripit_Clips_Pat_1785511_OM.JPG"><img border="2" alt="1930 Gripit Clips Pat 1785511 OM.JPG (14410 bytes)" width="100" height="68" src="IMagesWWW/1930_Gripit_Clips_Pat_1785511_OM_small.JPG" /></a><br> X</td></tr>
<td bgcolor="#ffffff" height="154" width="8%" align="center"><img alt="" border="0" width="75" height="125" src="IMagesWWW/Gothic_Clip_x.jpg" /></td>
<td height="154" width="39%" align="center"><strong>Perfected Gem Paper Clip<br />
</strong>Perfect, Perfect Gem, Gothic, Gothic Gem, Spear,<br />
Clipper (England), Trikla (Germany)<br />
Patented <b>1934</b><br />
Advertised 1937-Present<br />
Widely used on European continent</td>
<td height="154" width="28%" align="center">. <img alt="" border="0" width="228" height="150" src="Gothic_paperclip_box_Trikla_brand.jpg" /><br> X</td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="121" height="125" src="IMagesWWW/Nifty_Clip.jpg" /></td>
<td height="125" width="39%" align="center"><strong>Nifty Paper Clip<br />
</strong>Kurly Klip, Spiral, Clipiola<br />
Patented <b>1936</b> (Nifty), 1939 (Kodye Kurly Klip)<br />
(Similar design patented 1907)<br />
Advertised 1937-Present<br>
The shapes of the spirals vary among brands.</td>
<td height="125" width="28%" align="center"><a href="Kodye_Kurly_Klips_OM.jpg"><img border="2" alt="Kodye_Kurly_Klips_OM.jpg (35468 bytes)" width="100" height="77" src="Kodye_Kurly_Klips_OM_small.jpg" /></a> <a href="IMagesWWW/Clipiola_clips_OMS.jpg"><img border="2" alt="Clipiola_clips_OMS.jpg (33976 bytes)" width="100" height="81" src="IMagesWWW/Clipiola_clips_OMS_small.jpg" /></a>.<br />
Left: Kodye Kurly Klips. Right: Clipiola.<br> X</td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="138" height="144" src="Glide-On Paper Clip Noesting OM.jpg"/></td>
<td height="125" width="39%" align="center"><strong>Acme Correspondence Clip</strong><br>
Glide-On Paper Clip<br />
Acme: Advertised <b>1950</b><br>
Glide-On: Apparently marketed 1993-94<br />
Glide-On: Production ended in 1994-95<br />
Acme did not have the small indentations that the Glide-On (see images) has.</br>
</td>
<td height="125" width="28%" align="center"><img alt="" border="2" width="219" height="150" src="Glide-On Paper Clip Noesting Box OM.jpg" /></a> X</td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="207" height="125" src="Rapid_Gem_Paper_Clip.jpg" /></td>
<td height="125" width="39%" align="center"><strong>Rapid Gem Paper Clip</strong><br /><br> </td>
<td height="125" width="28%" align="center"><img alt="" border="0" width="251" height="150" src="Rapid_Gem_Paper_Clips_box_top.jpg" /><br />
<font size="3">Made in USA</font><br> X</td></tr>
<tr>
<td bgcolor="#ffffff" height="125" width="8%" align="center"><img alt="" border="0" width="207" height="125" src="Vee-Clips.JPG" /></td>
<td height="125" width="39%" align="center"><strong>Vee-Clip</strong><br />
Marketed by 1966 (pre-ZIP code)</td>
<td height="125" width="28%" align="center"><img alt="" border="0" width="267" height="150" src="Vee-Clips box front small.JPG" /><br />
Majestic Staple Co., Brooklyn 6, NY</td></tr>
<tr>
<td bgcolor="#ffffff" height="144" width="8%" align="center"><img alt="" border="0" width="199" height="144"
src="Radia paper clips.jpg" /></td>
</td>
<td height="144" width="39%" align="center"><strong>Radia Paper Clip</strong> (France)<br />
</strong>Sava (France), Polar (Germany), Ckpenky (Latvia)
</td>
<td height="144" width="28%" align="center">.</td></tr>
<tr>
<td bgcolor="#ffffff" height="98" width="8%" align="center"><img alt="" border="0" width="109" height="98"
src="Unidentified paper clip a.jpg" /></td>
</td>
<td height="98" width="39%" align="center"><strong>Unidentified Paper Clip A<br /></strong><br />
<td height="98" width="28%" align="center">Similar to diagram in US Patent No. 2,324,929 issued to Willis A. Jennings, 1943<br>
<a href="Jennings Paper Clip patent diagram US2324929-0.jpg"><img border="2" alt="Jennings Paper Clip patent diagram US2324929-0.jpg (32689 bytes)" width="150" height="172" src="Jennings Paper Clip patent diagram US2324929-0 small.jpg" /></a></td></tr>
<tr>
<td bgcolor="#ffffff" height="147" width="8%" align="center"><img alt="" border="0" width="112" height="147"
src="Unidentified paper clip b.jpg" /></td>
</td>
<td height="112" width="39%" align="center"><strong>Unidentified Paper Clip B<br /></strong>
<td height="112" width="28%" align="center">.</td></tr>
<tr>
<td bgcolor="#ffffff" height="147" width="8%" align="center"><img alt="" border="0" width="112" height="147"
src="Unidentified paper clip c.jpg" /></td>
</td>
<td height="147" width="39%" align="center"><strong>Unidentified Paper Clip C<br /></strong><br />
<td height="147" width="28%" align="center"><a href="IMagesWWW/Serbian_Paper_Clip.jpg"><img border="2" alt="Serbian_Paper_Clip.jpg (32689 bytes)" width="101" height="147" src="IMagesWWW/Serbian_Paper_Clip_small.jpg" /></a><br />Paper clip, Serbia, 2008</td></tr>
<tr>
<td bgcolor="#ffffff" height="147" width="8%" align="center"><img alt="" border="0" width="160" height="147"
src="Unidentified Paper Clip D.jpg" /></td>
</td>
<td height="112" width="39%" align="center"><strong>Unidentified Paper Clip D<br /></strong>
<td height="112" width="28%" align="center">We infer this is likely to be a paper clip because on two<br> separate occasions we found one in a mixed batch<br> of antique/vintage paper clips.<br>X</td></tr>
<tr>
<td bgcolor="#ffffff" height="147" width="8%" align="center"><img alt="" border="0" width="112" height="147"
src="Unidentified Paper Clip E.jpg" /></td>
</td>
<td height="112" width="39%" align="center"><strong>Unidentified Paper Clip E<br /></strong>
<td height="112" width="28%" align="center">We infer this may be a paper clip because<br> we found one in a mixed batch<br> of antique/vintage paper clips.<br>X</td></tr>
<tr>
<td bgcolor="#ffffff" height="147" width="8%" align="center"><img alt="" border="0" width="112" height="147"
src="Unidentified Paper Clip F.jpg" /></td>
</td>
<td height="112" width="39%" align="center"><strong>Unidentified Paper Clip F<br /></strong>
<td height="112" width="28%" align="center">We infer this may be a paper clip because<br> we found one in a mixed batch<br> of antique/vintage paper clips.<br>X</td></tr>
<tr>
<td bgcolor="#ffffff" height="200" width="8%" align="center"><img alt="" border="0" width="115" height="122"
src="Sheet brass Gothic paper clips Germany.jpg" /></td>
</td>
<td height="200" width="39%" align="center"><strong>Sheet Brass Gothic Paper Clip<br />
</strong>Germany<br>
<td height="100" width="28%" align="center">.</td>
<tr>
<td bgcolor="#ffffff" height="200" width="8%" align="center"><img alt="" border="0" width="99" height="200"
src="Proco_paper_clip_H.A.M._Stumpel_side_1.jpg" /></td>
</td>
<td height="200" width="39%" align="center"><strong>Proco Paper Clip<br />
</strong>Europe<br />
<br /><em>Courtesy of H A M Stumpel</em></td>
<td height="200" width="28%" align="center"><img alt="" border="0" width="101" height="200" src="Proco_paper_clip_H.A.M._Stumpel_side_2.jpg" /><br> X</td></tr>
<tr>
<td bgcolor="#ffffff" height="75" width="8%" align="center"><img alt="" border="0" width="358" height="75"
src="Modern sheet metal paper clips from the Netherlands front small.jpg" /></td>
</td>
<td height="75" width="39%" align="center"><strong>Sheet Metal Advertising Paper Clips<br />
</strong>Netherlands<br />
<br /><em>We have misplaced the name of the person in the Netherlands who donated these.</em></td>
<td height="75" width="28%" align="center"><img alt="" border="0" width="352" height="75" src="Modern sheet metal paper clips from the Netherlands back small.jpg" /><br> X</td></tr>
<tr>
<td bgcolor="#ffffff" height="75" width="8%" align="center"><img alt="" border="0" width="72" height="150"
src="Modern sheet metal paper clip from the Netherlands small.jpg" /></td>
</td>
<td height="75" width="39%" align="center"><strong>Sheet Metal Advertising Paper Clip<br />
</strong>Netherlands<br /></td>
<td height="75" width="28%" align="center">X</td></tr>
</tbody></table>
<p align="center"><font size="3">Additional paper clips are listed by name but not illustrated in <em>Who Makes It and Where: The Stationers' Book of Knowledge, 1918-19</em>, Andrew Geyer, Inc., New York, copyright 1916. Also, "You are Cordially Invited to a Preview of the Emanuel Fritz Paper Clip Collection at the Smithsonian Institution, Washington, D.C.," <em>American Collector</em>, July 1973, contains photographs of portions of several paper clips that are not included above. Because the complete clips are not visible, we are unable to match them to patent diagrams.</font></p>
<p align="center"><strong><font size="5">A Nifty Story About Paper Clips<br />
</font><font size="3"><br />
</font></strong><img alt="" border="0" align="left" width="121" height="125" src="IMagesWWW/Nifty_Clip.jpg" /><img alt="" border="0" align="right" width="121" height="125" src="IMagesWWW/Nifty_Clip.jpg" /><font size="3">Matt Boytim writes: "My buddy and I were students in the early 80's. We commuted to school and parked in a lot with meters. Being poor</font><font size="3"> college students we </font><font size="3">were interested in feeding the meters with something other than money, and we had heard that you could use 'paper clips'. Of course, this made no sense to us until my buddy bought a box of </font><font size="3">Nifty Clips. We put a Nifty Clip in the dime slot of the meter, and a penny in the nickel slot, and wind the meter up to 4 hours. This worked because the nifty clip was slightly bigger in diameter than a dime and acted as a spring. It would compress to fit through the dime slot and once through would expand to engage the timer when you turned the knob. The penny was needed, I guess, because something solid had to be in one of the coin slots. We went to get more clips from an office supply store. When we paid, the guy said, 'So these things still work in the parking meters.' We did this for about two years, until they raised the price of parking and removed the dime and nickel slot. If you really care I can tell you what we did after that, but it had nothing to do with Nifty Clips."</font></p><!--msnavigation--></td></tr><!--msnavigation--></tbody></table><!--msnavigation-->
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Paper Clips
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| ***Paper Clips*** |
**Early Office MuseumHistory of the Paper Clip**
**What counts as a paper clip?** For purposes of the discussion and timeline presented here, a paper clip is a flat or nearly flat piece of metal that slides over an edge of a set of papers and holds the papers together without being bent or pinched by the user and without piercing the papers. A large majority of different paper clip models were made by bending single pieces of resilient spring steel wire. Three others were stamped from sheet metal (Eureka, Sheet Brass Gothic, Proco) and another four (Angell, Utility, Vise, Acme Correspondence) were made by folding small pieces of resilient sheet steel. One (Nifty) was made by bending a wire into a spiral and then flattening it. Recently some paper clips have been made of plastic, but these are not covered here.
During the 19th and early 20th centuries, the term "paper clip" was also used to refer to a spring loaded clip that was generally two or more inches long. This type of clip was also called a "letter clip." We consider these devices on our web page dealing with small filing devices.
**When were paper clips introduced?** The first paper clip was patented by Samuel B. Fay in 1867. This clip was originally intended primarily for attaching tickets to fabric, but the patent recognized that it could be used to attach papers together. We have found no advertisement for, or other mention of, the Fay design until 1896. In 1896, the *American Stationer* announced that D. S. Gorman was the New York, NY, distributor for a "new paperclip," named "Clinch;" this clip used the Fay design. Also in 1896, the Cinch Clip Co., Buffalo, NY, was identified as the manufacturer of a paper clip named "Cinch," which also used the Fay design. It therefore appears unlikely that paper clips with the Fay design had significant, if any, sales prior to 1896. However, beginning in the late 1890s and for decades thereafter, the Fay design was widely advertised under many brand names for use in fastening papers. In 1918, the brand name "Fay" was used by the American Clip. Co. for a paper clip with the Fay patent design.
A second paper clip design was patented by Erlman J. Wright in 1877. This clip was advertised at that time for use in fastening newspapers. A third paper clip was patented by Frank Angell in 1889.
The Gem paper clip, which was never patented, but which became by far the best selling paper clip in the U.S., was introduced in 1892 and has been advertised since 1893. In 1904, when Cushman & Denison applied for a trade mark for the Gem clip, the company stated that it had used the Gem brand name for clips since 1892. And in a 1922 advertisement for the Gem paper clip, Cushman & Denison stated, "Thirty years ago we placed on the market the first **'Gem' Clip**."
|
| | ***Vaaler* Paper Clip**
Patented **1900** (Germany), 1901 (US) | Image is one of several
in the 1901 US patent.
Vaaler, who was Norwegian, is commonly but incorrectly given credit for invention of the paper clip. His designs were neither first nor important. There is a large Gem paper clip statue in Norway. Norway might consider giving it to the U.S. |
| | **Konaclip Paper Clip**L.B. Expansive
Patented **1900**
Advertised 1904-10, 1917 (L.B. Expansive) | [Konaclips.jpg (10854 bytes)](Konaclips.jpg) X |
| | ***McGill* Paper Clip**
Patented **1900** | . |
| | **Octo Fastener**Advertised **1901**-10, 1917-18 | Attleboro Stock Co., New York, NY (1903-04)
American Clip Co., Long Island City, NY
"A pin, paper clip and paper fastener in one."
[1903_Octo_Fastener_Attleboro_Stock_Co_NY_NY_adv.jpg (370868 bytes)](1903_Octo_Fastener_Attleboro_Stock_Co_NY_NY_adv.jpg)1903 ad X |
| | ***Wright* Paper Clip**Patented **1901** | . |
| | ***De Long* Paper Clip**Patented **1901** | The inventor of this paper clip, Frank E DeLong, and his brother owned the DeLong Hook & Eye Co., Phildelphia, PA. The company's main line of business was hooks and eyes for the garment industry. During 1912-21, this company sold the Twin Grip paper fastener based on a 1908 patent. |
| | ***Mowen* Paper Clip**Patented **1901** | . |
| | **Ideal Paper Clip (very small) or Clamp (larger)**Triumph
Patented **1902**
Advertised 1903-Present | Cushman & Denison Mfg. Co.,
New York, NY
ACCO Brands, [part no. ACC-72130](http://biggestbook.com/details.jsp?R=7894108&N=0), as of 2013.X |
| | **Multiple Grip Paper Clip Style E**Advertised **1902** | Meyercord-Batterman Co.
Chicago, IL
"An inexpensive clip that grips flat in four places.
Does not slide under papers" |
| | ***Mussinan* Paper Clip**Patented **1902** | . |
| | ***Cox* Paper Clip**Patented **1902** | . |
| | **Whitcomb Clip**
Ringklip
Advertised 1902-04 (Whitcomb, US), 1910 (Ringklip, Europe)
No longer produced 1910 (Whitcomb, US)
| [Ringklip three specimens.jpg (10854 bytes)](Ringklip three specimens.jpg)The Wire Novelty Co., Holyoke, MA (1902-04) X |
| | **Banjo Paper Clip**Improved Gem No. 2, Banjo Gem | Cushman & Denison Mfg. Co. X |
| | **Ring Paper Clip**Rinklip, Circle | [Ring_paper_clips_box.jpg (37802 bytes)](Ring_paper_clips_box.jpg)
[Ring paper clip specimen.jpg (10854 bytes)](Ring paper clip specimen.jpg)
A.A. Weeks Mfg. Co., New York, NY (Ring, 1905) |
| | **Improved Gem Paper Clip**Improved Gem No. 1, Lipgrip (UK), Facile with Lip (UK)
Glid-don (Australia), Clipper (UK) | Cushman & Denison Mfg. Co.
X |
| | **Weis Paper Clip**
Eureka, Star, Triangle
Patented 1904
Advertised **1903**-41 | Weis Binder Co. (1905)
During 1904, the US Patent Office
issued three patents for paper clips
with essentially this same design. X |
| | **Common Sense Paper Clip**Patented **1904**
Advertised 1904-25 | Jackson Mfg. Co., Jackson, MI.
Book-Keeper Publishing Co., Ltd., Detroit, MI (1905) X |
| | **Owl Paper Clip**Regal, Peerless, Supreme
Advertised **1905**-Present |
Owl Supply Co., Boston, MA
ACCO Brands, [part no. ACC-72130](http://biggestbook.com/search.jsp?Ntt=72130&N=0), as of 2013. X |
| | **Weis Herculean Reversible Paper Clip**Marketed **1905** ~ Advertised 1907-10, on market 1918 | Weis Binder Co., Toledo, OH (1905)
Weis Mfg. Co. |
| | **Mogul Paper Clip**Patented **1906**Advertised c.1906, 1908-10, on market 1918 | Clipper Mfg. Co.As of 2016, being reproduced with thin brass wire. |
| | | Niagara Clip Co., New York, NY X |
| | **Hold-Fast Paper Clip** | Cutler-Tower Co., Boston, MA |
| | **Elastik Klip** | Tower Mfg. Co. catalog, 1910.
Described as a "corner clip" (*American Stationer*, Jan. 1, 1910) |
| | **Dennison Paper Clip**Advertised **1910**, 1918 (on market), 1921 (clearance sale) | Dennison Mfg. Co. X |
| | **Standard Paper Clip**Advertised **1910**-41 | Cushman & Denison Mfg. Co.X |
| | **Wing Paper Clip**Advertised **1915**, on market 1918
*Courtesy of Cornelia Moyer* |
Wing Paper Clip Co., Philadephia, PA X |
| | **Improved Triangle** | X |
| |
**Little Gem Paper Clip**
On market **1918**
Lupo paper clip (Germany)
|
Little Gem paper clip with lip, Germany, marketed 2013 X |
| | **Vise Paper Clip** |
| | **Ezeon Paper Clip**Handi-Grip, Imperial, Rapid, | X |
| 1922_Victory_Paper_Clip_Gage__Co._p._73.jpg (12619 bytes) | **Victory Paper Clip**Patented **1920** | J.F Ryan & Co., New York, NY |
| | **Collette Paper Clip** | Collette Mfg. Co., Amsterdam, NY |
| | **Marcel Gem Paper Clip**
Saspraude (Latvia), Savarzeles (Lithuania)
Patented **1924**
Marketed 1931-93 (confirm. 1955-61 confirmed)
This type of clip had fewer indentations than the Collette-type clips
| Noesting Pin Ticket Co., New York, NY
|
| | **Non-Skid Gem Paper Clip** | [1930 Gripit Clips Pat 1785511 OM.JPG (14410 bytes)](IMagesWWW/1930_Gripit_Clips_Pat_1785511_OM.JPG) X |
| **Perfected Gem Paper Clip**Perfect, Perfect Gem, Gothic, Gothic Gem, Spear, | . X || | **Nifty Paper Clip**Kurly Klip, Spiral, Clipiola
Patented **1936** (Nifty), 1939 (Kodye Kurly Klip)
(Similar design patented 1907)
Advertised 1937-Present
The shapes of the spirals vary among brands. | [Kodye_Kurly_Klips_OM.jpg (35468 bytes)](Kodye_Kurly_Klips_OM.jpg) [Clipiola_clips_OMS.jpg (33976 bytes)](IMagesWWW/Clipiola_clips_OMS.jpg). |
| | **Acme Correspondence Clip**
Glide-On Paper Clip | X |
| | **Rapid Gem Paper Clip** | |
| | **Vee-Clip** |
Majestic Staple Co., Brooklyn 6, NY |
| |
**Radia Paper Clip** (France)
Sava (France), Polar (Germany), Ckpenky (Latvia)
| . |
| |
**Unidentified Paper Clip A** Similar to diagram in US Patent No. 2,324,929 issued to Willis A. Jennings, 1943
[Jennings Paper Clip patent diagram US2324929-0.jpg (32689 bytes)](Jennings Paper Clip patent diagram US2324929-0.jpg) | |
| |
**Unidentified Paper Clip B** . | |
| |
**Unidentified Paper Clip C** [Serbian_Paper_Clip.jpg (32689 bytes)](IMagesWWW/Serbian_Paper_Clip.jpg)Paper clip, Serbia, 2008 | |
| |
**Unidentified Paper Clip D** We infer this is likely to be a paper clip because on two separate occasions we found one in a mixed batch of antique/vintage paper clips.X | |
| |
**Unidentified Paper Clip E** We infer this may be a paper clip because we found one in a mixed batch of antique/vintage paper clips.X | |
| |
**Unidentified Paper Clip F** We infer this may be a paper clip because we found one in a mixed batch of antique/vintage paper clips.X | |
| |
**Sheet Brass Gothic Paper Clip**Germany . || |
| **Proco Paper Clip**Europe | X |
| |
**Sheet Metal Advertising Paper Clips**Netherlands | X |
| |
**Sheet Metal Advertising Paper Clip**Netherlands | X |
Additional paper clips are listed by name but not illustrated in *Who Makes It and Where: The Stationers' Book of Knowledge, 1918-19*, Andrew Geyer, Inc., New York, copyright 1916. Also, "You are Cordially Invited to a Preview of the Emanuel Fritz Paper Clip Collection at the Smithsonian Institution, Washington, D.C.," *American Collector*, July 1973, contains photographs of portions of several paper clips that are not included above. Because the complete clips are not visible, we are unable to match them to patent diagrams.
**A Nifty Story About Paper Clips**Matt Boytim writes: "My buddy and I were students in the early 80's. We commuted to school and parked in a lot with meters. Being poor college students we were interested in feeding the meters with something other than money, and we had heard that you could use 'paper clips'. Of course, this made no sense to us until my buddy bought a box of Nifty Clips. We put a Nifty Clip in the dime slot of the meter, and a penny in the nickel slot, and wind the meter up to 4 hours. This worked because the nifty clip was slightly bigger in diameter than a dime and acted as a spring. It would compress to fit through the dime slot and once through would expand to engage the timer when you turned the knob. The penny was needed, I guess, because something solid had to be in one of the coin slots. We went to get more clips from an office supply store. When we paid, the guy said, 'So these things still work in the parking meters.' We did this for about two years, until they raised the price of parking and removed the dime and nickel slot. If you really care I can tell you what we did after that, but it had nothing to do with Nifty Clips."
| |
| --- |
|
|
**© 2000-2016.
All material on the Early Office Museum web site is copyrighted. All rights are reserved.**
**First, you must not plagiarize our material. Plagiarism
is the act of passing off as your own the words, photographs, or other work of
someone else. That is, not giving appropriate credit. Second, you must not violate our copyright, which means you may not use any images or text from the Early Office Museum web site in
publications, in direct mailing material, on web sites, in auction listings, or
anywhere else without written permission from the [Curator](curator.htm). In some cases, images belong to someone else, and we cannot give
permission. If you make a
non-infringing use of information from this web site, please cite the Early
Office Museum and provide a link or our web address ([www.officemuseum.com](http://www.officemuseum.com)**
**or [www.earlyofficemuseum.com](http://www.earlyofficemuseum.com)).
If you believe that we have not given appropriate credit for your work or have
violated your copyright, please email the curator so we can resolve the matter.**
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# CHEHANNAROCKS
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***We talk to each other â We help each other***
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| | |
| --- | --- |
| | PURPOSE: The club was organized in 1962 in Sayre, PA to assemble for the purpose of studying and collecting rock, mineral, fossil and shell specimens, and to develop skills in the lapidary arts. We are members of the Eastern Federation of Mineralogical and Lapidary Societies, and the American Federation of Mineralogical Societies. Our members form an informal group, and welcome any person with a sincere interest in any of the branches of mineral and lapidary arts. The name Che-Hanna, was selected as a contraction of the two rivers, the Chemung and Susquehanna, which meet at Athens, PA. |
| | | |
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<span class="style4">War of 1812: Privateers</span><BR /><BR />
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<p> War of 1812 or the Anglo American War is the subject of this site. Principally the activities of both American and British privateers; including listings of American POWS held in the UK, and British subjects held in the United States. </p>
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<td><div align="center"><img src="LloydsList-title.jpg" /></div><p>According to the second Article of the Treaty of Peace, between Great Britain and America, concluded at Ghent on the 24 th of December, all Vessels taken after the following periods are to be restored, reckoning from the Ratification on the 17 th February, 1815. 12 days (1 st March) upon all parts of the Coast of North America, from the Lat. of 23 degrees North, to the Lat. of 50 degrees North, and as far Eastward in the Atlantic Ocean, as the 30 th degree of West longitude from Greenwich; - 30 days (19 th March) in all other parts of the Atlantic North of the Equinoctial Line, and the same time for the British and Irish Channels, Gulf of Mexico, and all parts of the West Indies;- 40 days (29 th March) for the North Seas, for the Baltic, and for all parts of the Mediterranean;- 60days (18 th April) for the Atlantic Ocean, South of the Equator, and as far as the latitude of the Cape of Good Hope;- 90 days (18 th May) for every other part of the world, South of the Equator;- 120 days (17 th June) for all parts of the world, without exception.</p>
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<td align="center"><span class="style11">Radio 4 Making <a href="Radio.html">History</a> 15th May 2012 </span></td>
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<td align="center" bgcolor="#FFFF00"><strong>last update 18 December 2023 -<a href="Spangled.html">Francis Scott Key </a>- which vessel</strong> also <a href="United_States/THRASHER/index.htm">THRASHER</A> and <a href="United_States/MATILDA/Matilda.htm">MATILDA</A></td>
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War of 1812: Privateers and Letters of Marque
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* [Editor's
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* [ADM26](ADM26/index.html)
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War of 1812: Privateers
War of 1812 or the Anglo American War is the subject of this site. Principally the activities of both American and British privateers; including listings of American POWS held in the UK, and British subjects held in the United States.
|
| According to the second Article of the Treaty of Peace, between Great Britain and America, concluded at Ghent on the 24 th of December, all Vessels taken after the following periods are to be restored, reckoning from the Ratification on the 17 th February, 1815. 12 days (1 st March) upon all parts of the Coast of North America, from the Lat. of 23 degrees North, to the Lat. of 50 degrees North, and as far Eastward in the Atlantic Ocean, as the 30 th degree of West longitude from Greenwich; - 30 days (19 th March) in all other parts of the Atlantic North of the Equinoctial Line, and the same time for the British and Irish Channels, Gulf of Mexico, and all parts of the West Indies;- 40 days (29 th March) for the North Seas, for the Baltic, and for all parts of the Mediterranean;- 60days (18 th April) for the Atlantic Ocean, South of the Equator, and as far as the latitude of the Cape of Good Hope;- 90 days (18 th May) for every other part of the world, South of the Equator;- 120 days (17 th June) for all parts of the world, without exception. |
| Radio 4 Making [History](Radio.html) 15th May 2012 |
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<TITLE>The sinking of the Sleipner A offshore platform</TITLE>
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<BODY BGCOLOR="#FFFFFF">
<CENTER style="width: 720px"><H1>The sinking of the Sleipner A offshore platform</H1></CENTER>
<P style="width: 720px">
<FONT SIZE=-1>
Excerpted from a report of <!--<A HREF="http://www.sintef.no/bygg/sement/sleipner.html">-->
<a href="http://www.sintef.no">SINTEF</A>, Civil
and Environmental Engineering:
</FONT>
</P>
<P style="width: 720px">
<CITE>
The Sleipner A platform produces oil and gas in the North Sea and is
supported on the seabed at a water depth of 82 m. It is a Condeep type
platform with a concrete gravity base structure consisting of 24 cells
and with a total base area of 16 000 m<SUP>2</SUP>. Four cells are elongated to
shafts supporting the platform deck. The first concrete base structure
for Sleipner A sprang a leak and sank under a controlled ballasting
operation during preparation for deck mating in Gandsfjorden outside
Stavanger, Norway on 23 August 1991.
</CITE>
</P>
<P style="width: 720px">
<CITE>
Immediately after the accident, the owner of the platform, Statoil, a
Norwegian oil company appointed an investigation group, and SINTEF was
contracted to be the technical advisor for this group.
</CITE>
</P>
<P style="width: 720px">
<CITE>
The investigation into the accident is described in 16 reports...
</CITE>
</P>
<P style="width: 720px">
<CITE>
The conclusion of the investigation was that the loss was caused by
a failure in a cell wall, resulting in a serious crack and a leakage
that the pumps were not able to cope with. The wall failed as a
result of a combination of a serious error in the finite element
analysis and insufficient anchorage of the reinforcement in a critical
zone.
</CITE>
</P>
<P style="width: 720px">
<IMG SRC="sleipnera.jpg" WIDTH=156 HEIGHT=204 ALT="Sleipner A" HSPACE="15" VSPACE="10" ALIGN=RIGHT>
<IMG SRC="sleipner.gif" WIDTH=275 HEIGHT=204 ALT="Sleipner" HSPACE="15" VSPACE="10" ALIGN=RIGHT>
A better idea of what was involved can be obtained from this photo
and sketch of the platform.
The top deck weighs 57,000 tons, and provides
accommodation for about 200 people and support for drilling equipment
weighing about 40,000 tons. When the first model sank in August 1991,
the crash caused a seismic event registering 3.0 on the Richter scale,
and left nothing but a pile of debris at 220m of depth. The failure
involved a total economic loss of about $700 million.
</P>
<P style="width: 720px">
<IMG SRC="sleipner-cells.gif" WIDTH=170 HEIGHT=196 ALT="cells" HSPACE="15" ALIGN=LEFT>
The 24 cells and 4 shafts referred to above are shown to the left while at the sea
surface.
The cells are 12m in diameter. The cell wall failure was
traced to a tricell, a triangular concrete frame placed where the
cells meet, as indicated in the diagram below. To the right of the diagram is pictured a portion of tricell undergoing failure testing.
</P>
<BR CLEAR="ALL">
<p align="center" style="width: 720px">
<IMG SRC="tricell-diag.gif" WIDTH=461 HEIGHT=204 ALT="tricell" HSPACE="15" VSPACE="10">
<IMG SRC="tricell.gif" WIDTH=137 HEIGHT=204 ALT="tricell" HSPACE="15" VSPACE="10">
</p>
<P style="width: 720px">
The post accident investigation traced the error to inaccurate finite element
approximation of the linear elastic model of the tricell (using the popular
finite element program NASTRAN). The shear stresses were
underestimated by 47%, leading to insufficient design. In particular,
certain concrete walls were not thick enough. More careful finite element
analysis, made after the accident, predicted that failure would occur with this design
at a depth of 62m, which matches well with the actual occurrence at 65m.
</P>
<P style="width: 720px">
Further information can be found in a
<!--<A HREF="http://www.sintef.no/bygg/sement/frame2.htm">series
of reports</A>-->
series of reports
available for purchase from SINTEF and in the following articles:
<ul style="width: 650px">
<li> The Sleipner Platform Accident, by B. Jakobsen and F. Rosendahl, <I>Structural Engineering International</I> 4(3),
August 1994, pp. 190-193.
<li>The Failure of an Offshore Platform, by R. G. Selby,
F. J. Vecchio, and M. P. Collins,
<I>Concrete International</I> 19(8), August 1997, pp. 28-35.
</ul>
<!--, available online in an
<A HREF="http://www.engaust.com.au/ew/12offshore.html">abridged version</A>
from Engineers Australia.-->
<HR style="width: 720px" align="left">
<P style="width: 720px">
<FONT SIZE=-2>Tricell photo courtesy of
<A HREF="http://www.sintef.no">SINTEF</A>.
Other images courtesy of
<A HREF="http://www.engaust.com.au/">Engineers
Australia Pty Limited</A>, the news magazine
of the Institution of Engineers Australia. Pictures originally from the
August 1997 edition of Concrete International, the monthly magazine of the
American Concrete Institute. All images used with permission.</FONT>
</p>
<P style="width: 720px">
<SMALL>
<A HREF="disasters.html">
<IMG WIDTH=20 HEIGHT=22 SRC="../images/back.gif" BORDER=0 ALT="*" ALIGN="middle">
More disasters attributable to bad numerics</A>
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<SMALL>
Last modified September 7, 2009 by <I><A HREF="../index.html">Douglas N. Arnold</A></I></SMALL>
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The sinking of the Sleipner A offshore platform
# The sinking of the Sleipner A offshore platform
Excerpted from a report of
[SINTEF](http://www.sintef.no), Civil
and Environmental Engineering:
The Sleipner A platform produces oil and gas in the North Sea and is
supported on the seabed at a water depth of 82 m. It is a Condeep type
platform with a concrete gravity base structure consisting of 24 cells
and with a total base area of 16 000 m2. Four cells are elongated to
shafts supporting the platform deck. The first concrete base structure
for Sleipner A sprang a leak and sank under a controlled ballasting
operation during preparation for deck mating in Gandsfjorden outside
Stavanger, Norway on 23 August 1991.
Immediately after the accident, the owner of the platform, Statoil, a
Norwegian oil company appointed an investigation group, and SINTEF was
contracted to be the technical advisor for this group.
The investigation into the accident is described in 16 reports...
The conclusion of the investigation was that the loss was caused by
a failure in a cell wall, resulting in a serious crack and a leakage
that the pumps were not able to cope with. The wall failed as a
result of a combination of a serious error in the finite element
analysis and insufficient anchorage of the reinforcement in a critical
zone.
A better idea of what was involved can be obtained from this photo
and sketch of the platform.
The top deck weighs 57,000 tons, and provides
accommodation for about 200 people and support for drilling equipment
weighing about 40,000 tons. When the first model sank in August 1991,
the crash caused a seismic event registering 3.0 on the Richter scale,
and left nothing but a pile of debris at 220m of depth. The failure
involved a total economic loss of about $700 million.
The 24 cells and 4 shafts referred to above are shown to the left while at the sea
surface.
The cells are 12m in diameter. The cell wall failure was
traced to a tricell, a triangular concrete frame placed where the
cells meet, as indicated in the diagram below. To the right of the diagram is pictured a portion of tricell undergoing failure testing.
The post accident investigation traced the error to inaccurate finite element
approximation of the linear elastic model of the tricell (using the popular
finite element program NASTRAN). The shear stresses were
underestimated by 47%, leading to insufficient design. In particular,
certain concrete walls were not thick enough. More careful finite element
analysis, made after the accident, predicted that failure would occur with this design
at a depth of 62m, which matches well with the actual occurrence at 65m.
Further information can be found in a
series of reports
available for purchase from SINTEF and in the following articles:
* The Sleipner Platform Accident, by B. Jakobsen and F. Rosendahl, *Structural Engineering International* 4(3),
August 1994, pp. 190-193.
* The Failure of an Offshore Platform, by R. G. Selby,
F. J. Vecchio, and M. P. Collins,
*Concrete International* 19(8), August 1997, pp. 28-35.
---
Tricell photo courtesy of
[SINTEF](http://www.sintef.no).
Other images courtesy of
[Engineers
Australia Pty Limited](http://www.engaust.com.au/), the news magazine
of the Institution of Engineers Australia. Pictures originally from the
August 1997 edition of Concrete International, the monthly magazine of the
American Concrete Institute. All images used with permission.
[
More disasters attributable to bad numerics](disasters.html)
---
Last modified September 7, 2009 by *[Douglas N. Arnold](../index.html)*
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Hermes</a></P>
<P align=center><a href="alchemy4.htm">P.N.R.T.'s Torch of Natural Philosophy</a></P>
<P align=center><a href="alchemy5.htm">Trevisan's Green Dream</a></P>
<P align=center><a href="alchemy6.htm">Trevisan's Parabole from the Book of the Natural Philosophy
of Metals</a></P>
<P><BR> </P>
<p align="center"><font size="4">translated into English</p>
<p align="center">BY</p>
<p align="center">MIKE DICKMAN</p>
</font>
<p><br>
</p>
<P align=center><IMG height=11 src="line5.gif"
width=575><BR> <BR> </P>
<P align=center> </P>
<P align=center> </P>
<p align="center"><font size="2" color="#FF0000">A WEE NOTE CONCERNING THE
TRANSLATIONS AND COPYRIGHT</font></p>
<p align="center"><font size="2" color="#FF0000">The translations on this site,
now and to come, represent hours hundreds of 'em of hard if pleasurable,
work
</font></p>
<p align="center"><font size="2" color="#FF0000">If I am naïve enough to
believe that they should be up here for free, my only request of you is that you
enjoy them and use them for your own personal instruction and pleasure, and
that, if you print them out for sharing, you be honest enough to make sure they
have my name on them as translator and sole copyright holder.</font></p>
<p align="center"><font size="2" color="#FF0000">Finding them elsewhere, lightly
edited and with a different name to them, would sadden me immensely.</font></p>
<p align="center"><font size="2" color="#FF0000">Thank you.</font></p>
</BLOCKQUOTE></BODY></HTML>
| ALCHEMY
[home page](http://www.jungcircle.com/mist/index.html)
>
>
> alchemy
>
>
>
>
>
>
>
[Pontanus' Epistle Concerning the Philosophic Fire](alchemy1.htm)
[Anonymous Treatise Concerning the Material of the
Philosophers' Stone in Genera](alchemy2.htm)l
[Limojon St. Didier's Letter to the True Disciples of
Hermes](alchemy3.htm)
[P.N.R.T.'s Torch of Natural Philosophy](alchemy4.htm)
[Trevisan's Green Dream](alchemy5.htm)
[Trevisan's Parabole from the Book of the Natural Philosophy
of Metals](alchemy6.htm)
translated into English
BY
MIKE DICKMAN
A WEE NOTE CONCERNING THE
TRANSLATIONS AND COPYRIGHT
The translations on this site,
now and to come, represent hours hundreds of 'em of hard if pleasurable,
work
If I am naïve enough to
believe that they should be up here for free, my only request of you is that you
enjoy them and use them for your own personal instruction and pleasure, and
that, if you print them out for sharing, you be honest enough to make sure they
have my name on them as translator and sole copyright holder.
Finding them elsewhere, lightly
edited and with a different name to them, would sadden me immensely.
Thank you.
| http://jungcircle.com/mist/alchemy.htm |
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<p class=MainText>The way I percieve myself is not as a human, but as a doll. I don't feel like I can hold an identity on my own, and instead form one based on fragments of the people around me's souls, and what I'm told to be. Being told what to do and who to be isn't a bad thing to me, it gives me a lot of happiness and comfort. Despite being a doll, I do believe myself to have a soul. My soul formed due to recieving so much love from the people around me, absorbing pieces of their soul, that I ended up synthesizing my own organically. But it feels the only way to maintain my soul's flame is to recieve an impossible ammount of love from the people around me.</p>
<p class=MainText>The name BLACKHOLEHEART comes from my heart's impossible appetite for love. My heart is a Black-Hole that has a bottomless hunger for love, affection, and connection. The love I need is beyond that one person could ever dream of possibly providing. I need to love everyone and be loved by everyone or I WILL implode on myself. Another thing my BLACKHOLEHEART does is absorb fragments of the things, media, and people around me. Lately it seems if a concept brings me comfort, it will end up as a permanent part of my gender.</p>
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â¡ â¡ â¡ BLACKHOLEHEART â¡ â¡ â¡
[](https://blackholeheart.neocities.org/)
# THOUGHTS ON MY IDENTITY!
---
The way I percieve myself is not as a human, but as a doll. I don't feel like I can hold an identity on my own, and instead form one based on fragments of the people around me's souls, and what I'm told to be. Being told what to do and who to be isn't a bad thing to me, it gives me a lot of happiness and comfort. Despite being a doll, I do believe myself to have a soul. My soul formed due to recieving so much love from the people around me, absorbing pieces of their soul, that I ended up synthesizing my own organically. But it feels the only way to maintain my soul's flame is to recieve an impossible ammount of love from the people around me.
The name BLACKHOLEHEART comes from my heart's impossible appetite for love. My heart is a Black-Hole that has a bottomless hunger for love, affection, and connection. The love I need is beyond that one person could ever dream of possibly providing. I need to love everyone and be loved by everyone or I WILL implode on myself. Another thing my BLACKHOLEHEART does is absorb fragments of the things, media, and people around me. Lately it seems if a concept brings me comfort, it will end up as a permanent part of my gender.
Another important part of who I am is my identity as a Hex Maniac. Several months ago I went through identity replacement hypnosis with the assistance of my wife, and it lead me to discarding my old identity as Charlotte, and becoming a lovely little witch named Lilac ^-^. Alongside being a Hex Maniac, I'm also Lain Iwakura! Becoming Lain was not a concious choice, and instead something that slowly happened after watching Serial Experiments Lain for the first time. That anime gave me soooo many new fruity delusions.
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On a hot summer evening somewhere in a small coppice a young couple were doing what comes naturally after two bottles of Vin Rose, a deplorable ignorance of the use of prophylactics and a wanton disregard for any passers by.
"Oh, Gerald! I think the earth really moved that time!"
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A disturbing parable for our Times |
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Heraclitus reveals why the universe is like a martini |
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[One of our submarines is missing](fiction/sub/sublost1.html)
A salty tale of trouble at sea |
| |
[phone sex](fiction/phonesexy.html)
[Phone sex saves life](fiction/phonesexy.html)
Satirical look at one sluts story || |
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[Little Red Riding Hood](fiction/redhood.html)
A Fruity Fairy Tale for Adults with more twists than a twisty-turny thing |
| funny stories, satire news, satirical stories, jokes and humor |
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Something completely different.. |
| short stories |
| [Gaultier's Lair](parody/lotr/gaultierslair.html)
[Gaultier's Lair](parody/lotr/gaultierslair.html) - a shocking tale of appalling fashion sense and mindless shopping |
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| [The Science of Detection](parody/sherlock/hobbitholmes.html)
[The Science of Detection](parody/sherlock/hobbitholmes.html)
A dim-witted Hobbit gets an education |
| short stories |
| [The Case of the Shire Ringwraith](parody/sherlock/ringwraith1.html)
[The Case of the Shire Ringwraith](parody/sherlock/ringwraith1.html)
sex, drugs and violence in the Shire |
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<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
<html>
<head>
<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
<meta name="Author" content="Ryuuen Chou">
<meta name="GENERATOR" content="Mozilla/4.75 [en] (Win98; U) [Netscape]">
<title>Zzyzx Road: Nuriko's Homepage O' Fun</title>
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<body text="#FFFFFF" bgcolor="#000000" link="#CCFFFF" vlink="#FFFFCC" alink="#FFCCFF">
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<tr>
<td>
<center><table BORDER=0 CELLSPACING=0 CELLPADDING=0 COLS=1 WIDTH="100%">
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<td></td>
</tr>
<tr>
<td>
<center><img SRC="Maintitle.jpg" BORDER=0 height=173 width=650></center>
</td>
</tr>
</table></center>
<br>
<center><table BORDER=0 CELLSPACING=3 CELLPADDING=3 WIDTH="650">
<tr>
<td>
<center><a href="http://princessmaker.maison-otaku.net"><img SRC="pm1.jpg" BORDER=0 usemap="#pm1" height=49 width=100></a>
<br>A popular Japanese game about raising a child from ages 10-18.
One of the bigger English pages on the web.</center>
</td>
<td><font color="#CCFFFF"><font size=-1>Updated: Friday, February 13th
2004</font></font>
<p><i>Welcome to my page.</i>
<br><i>It sucks.</i>
<br><i>But it serves as a place to get to my other, slightly more interesting
webpages.</i>
<br><i>Just slight organization and all that. But really, it's nothing
important.</i>
<p><i>~ <a href="mailto:[email protected]?subject=Re:Zzyzx Road: Nuriko's Homepage o'Fun">Nuriko</a></i>
<br> </td>
<td>
<center><a href="happyfungameboy.htm"><img SRC="hfb1.jpg" BORDER=0 usemap="#hfb1" height=64 width=100></a>
<br>He is Happy Fun Gameboy. He does not taste like chicken!</center>
</td>
</tr>
<tr>
<td>
<center><a href="fy/"><img SRC="fy1.jpg" BORDER=0 usemap="#fy1" height=64 width=100></a>
<br>A section of my webspace vaguely dedicated to the series that my namesake
came from.</center>
</td>
<td>
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<tr>
<td>
<center>
<p><a href="artgallery.htm"><img SRC="ag1.jpg" BORDER=0 usemap="#ag1" height=64 width=100></a>
<br>My artwork. Or really, my crappy fanart.</center>
</td>
<td>
<center>
<p><a href="thesims/"><img SRC="ss1.jpg" BORDER=0 usemap="#ss1" height=64 width=100></a>
<br>Skins that I had made for the game, "The Sims".</center>
</td>
</tr>
</table></center>
</td>
<td>
<center><a href="http://www.catsonmars.com/COMic/"><img SRC="cats1.jpg" BORDER=0 usemap="#cats1" height=64 width=100></a>
<br>A fantastic journey through time and space, the wacky misadventures
of the Cats On Mars crew in this almost never-updated online comic!</center>
</td>
</tr>
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<br>
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</td>
<td>
<center><i><font face="Arial,Helvetica"><font color="#33CCFF"><font size=+1>Stuff
I no longer care to update:</font></font></font></i>
<br><font size=-1>Links are still there, I just doubt I'll ever update
them. Or want to update them. Even less than my other pages.</font></center>
<center><table BORDER=0 CELLSPACING=3 CELLPADDING=3 COLS=4 WIDTH="100%">
<tr>
<td><b><font color="#FF0000"><a href="kenshin.htm">Rurouni Kenshin</a></font></b>
<br><b><font color="#FFFF00">Why</font></b>: <font face="Verdana"><font size=-1>It's
a good page to keep around, but I just don't feel like watching the rest
of the series.</font></font></td>
<td><b><a href="cosplay/cosplayindex.html">Anime Convention Gallery</a></b>
<br><b><font color="#FFFF00">Why</font></b>: <font face="Verdana"><font size=-1>I
stopped caring to take pictures at Anime Conventions, about four years
ago.</font></font></td>
<td><b><a href="tenchi/">Tenchi Muyo Scans/Fanfiction</a></b>
<br><b><font color="#FFFF00">Why</font></b>: <font face="Verdana"><font size=-1>Nothing
to scan, and even less to write about.</font></font></td>
<td>
<center><font size=+2>This </font>
<br><font size=+2>space </font>
<br><font size=+2>for </font>
<br><font size=+2>rent.</font></center>
<p><br></td>
</tr>
</table></center>
<center>
<hr WIDTH="100%">
<br><i>Quickie Menu, yo</i>
<br> <font face="Verdana"><font size=-2><a href="http://princessmaker.maison-otaku.net">Nuriko's
Princess Maker Nexus</a> | <a href="happyfungameboy.htm">Happy Fun Gameboy</a>
| <a href="fy/">Fushigi Yuugi Scrapbook</a></font></font>
<br><font face="Verdana"><font size=-2><a href="thesims/">Nuriko's Sim
Skins</a> | <a href="mcog.htm">Mysterious Cities of Gold</a> | <a href="http://www.catsonmars.com/COMic/">Cats
On Mars: The Comic! </a>| <a href="kor.htm">Kimagure Orange Road</a> |
<a href="theharoldpage.html">The
Harold Page</a> | <a href="lyrics.htm">My Anime Lyric Archive</a> | <a href="wallpaper.html">Wallpaper
Crap Page</a></font></font></center>
</td>
</tr>
</table></center>
<center><table BORDER=0 CELLSPACING=0 CELLPADDING=0 WIDTH="650">
<tr>
<td>
<center>About me?</center>
</td>
<td>
<center><a href="http://www.Lpage.com/wgb/wgbsign.dbm?owner=ZzyzxRoad">Sign
Guestbook</a> | <a href="http://www.Lpage.com/wgb/wgbview.dbm?owner=ZzyzxRoad">View
Guestbook</a></center>
</td>
<td>
<center><font size=-2>©2004 Val Shrum, All Rights Reserved</font></center>
</td>
</tr>
</table></center>
</td>
</tr>
</table></center>
<map name="pm1">
<area shape="rect" coords="46,30,46,30" href="http://princessmaker.maison-otaku.net">
<area shape="rect" coords="2,0,99,48" href="http://princessmaker.maison-otaku.net">
<area shape="default" nohref>
</map>
<map name="hfb1">
<area shape="rect" coords="59,29,59,29" href="happyfungameboy.htm">
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<area shape="default" nohref>
</map>
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<area shape="rect" coords="59,24,59,24" href="fy/">
<area shape="rect" coords="1,1,100,62" href="fy/">
<area shape="default" nohref>
</map>
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<area shape="default" nohref>
</map>
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<area shape="rect" coords="0,1,99,63" href="thesims/">
<area shape="default" nohref>
</map>
<map name="cats1">
<area shape="rect" coords="32,40,32,40" href="http://www.catsonmars.com/COMic/">
<area shape="rect" coords="1,0,100,63" href="http://www.catsonmars.com/COMic/">
<area shape="default" nohref>
</map>
</body>
</html>
|
Zzyzx Road: Nuriko's Homepage O' Fun
| | | | | | | | | | | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
|
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| --- |
| |
| |
| | | |
| --- | --- | --- |
|
A popular Japanese game about raising a child from ages 10-18.
One of the bigger English pages on the web. | Updated: Friday, February 13th
2004
*Welcome to my page.*
*It sucks.*
*But it serves as a place to get to my other, slightly more interesting
webpages.*
*Just slight organization and all that. But really, it's nothing
important.*
*~ [Nuriko](mailto:[email protected]?subject=Re:Zzyzx Road: Nuriko's Homepage o'Fun)*
|
He is Happy Fun Gameboy. He does not taste like chicken! |
|
A section of my webspace vaguely dedicated to the series that my namesake
came from. |
| | |
| --- | --- |
|
My artwork. Or really, my crappy fanart. |
Skins that I had made for the game, "The Sims". |
|
A fantastic journey through time and space, the wacky misadventures
of the Cats On Mars crew in this almost never-updated online comic! |
| | | | | | |
| --- | --- | --- | --- | --- | --- |
| | *Stuff
I no longer care to update:*
Links are still there, I just doubt I'll ever update
them. Or want to update them. Even less than my other pages.
| | | | |
| --- | --- | --- | --- |
| **[Rurouni Kenshin](kenshin.htm)**
**Why**: It's
a good page to keep around, but I just don't feel like watching the rest
of the series. | **[Anime Convention Gallery](cosplay/cosplayindex.html)**
**Why**: I
stopped caring to take pictures at Anime Conventions, about four years
ago. | **[Tenchi Muyo Scans/Fanfiction](tenchi/)**
**Why**: Nothing
to scan, and even less to write about. | This
space
for
rent.
|
---
*Quickie Menu, yo*
[Nuriko's
Princess Maker Nexus](http://princessmaker.maison-otaku.net) | [Happy Fun Gameboy](happyfungameboy.htm)
| [Fushigi Yuugi Scrapbook](fy/)
[Nuriko's Sim
Skins](thesims/) | [Mysterious Cities of Gold](mcog.htm) | [Cats
On Mars: The Comic!](http://www.catsonmars.com/COMic/) | [Kimagure Orange Road](kor.htm) |
[The
Harold Page](theharoldpage.html) | [My Anime Lyric Archive](lyrics.htm) | [Wallpaper
Crap Page](wallpaper.html) |
| | | |
| --- | --- | --- |
| About me? | [Sign
Guestbook](http://www.Lpage.com/wgb/wgbsign.dbm?owner=ZzyzxRoad) | [View
Guestbook](http://www.Lpage.com/wgb/wgbview.dbm?owner=ZzyzxRoad) | ©2004 Val Shrum, All Rights Reserved |
|
| http://www.maison-otaku.net/~nuriko/ |
<title>Danno's FogCam Gallery</title><BODY BGCOLOR="#BFBDC0">
<table>
<tr>
<td><IMG SRC="graphics/5.gif" WIDTH=320 HEIGHT=240 BORDER=2></td>
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<HR SIZE=3>
-8/31/95<BR>
-7/29/12 revised<P>
</BODY>
| Danno's FogCam Gallery
| | | |
| --- | --- | --- |
| | | |
| | | |
| | | |
---
-8/31/95
-7/29/12 revised
| https://danwong.org/gallery.html |
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<td align="center" valign="top"><b><font face="Helvetica, Arial, sans-serif">1</font></b></td>
<td align="center" valign="top"><b><font face="Helvetica, Arial, sans-serif">1</font></b></td>
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Please Contact Us At</font><br />
<font color="#ffff00"><i><big><b>Mail Problems</b></big><br />
<a href="mailto:slirc-mail-owner%20at%20starlink-irc.org"><img align="middle" alt="mail to webmaster" border="4" height="23" src="slimg/mail100.jpg" width="54" /></a></i></font><br />
<br />
<font color="#ffff00"><i><big><b>Webmaster</b></big></i></font><br />
<font face="Helvetica, Arial, sans-serif"><a href="mailto:abuse%20#%20starlink-irc.org?subject=Contact-Us"><img alt="Mail to
StarLink-IRC" border="3" height="23" src="slimg/mail100.jpg" title="Mail to SLIRC Staff" width="54" /></a></font><br />
<br />
<font color="#ffff00"><i><big><b>StarLink-IRC Tenth Anniversary</b></big></i></font><br />
<big><b><i><small><font face="Helvetica, Arial,
sans-serif"><a href="special/tenth/index.html">Birthday Party</a></font></small></i></b></big><br />
</td>
<td valign="top">
<div align="center"><a href="http://www.fourmilab.to/cgi-bin/uncgi/Earth/action?opt=-m"><font face="Helvetica, Arial, sans-serif">Earth at </font></a><font face="Helvetica, Arial, sans-serif"><a href="http://antwrp.gsfc.nasa.gov/apod/image/0011/earthlights_dmsp_big.jpg">Night</a></font><br />
<font face="Helvetica, Arial, sans-serif"><a href="http://www.fourmilab.to/cgi-bin/uncgi/Earth/action?opt=-m">Earth </a>From Moon</font><br />
<font face="Helvetica, Arial, sans-serif"><a href="http://www.timeanddate.com/counters/customcounter.html?day=2&month=1&year=1997&hour=4&min=55">How old</a> is SL-IRC</font><br />
<font face="Helvetica, Arial, sans-serif"><a href="http://www.n2yo.com/">Sat-Tracking</a></font><br />
<font face="Helvetica, Arial, sans-serif"><a href="http://www.nikon.co.jp/main/eng/feelnikon/discovery/universcale/">UNIVERSCALE</a></font>
<hr size="2" width="100%" /><font face="Helvetica,
Arial, sans-serif"><img alt="canadopt" border="0" height="50" src="slimg/cdopt1.gif" width="64" /></font><br />
<a href="treecat/index.html"><img align="middle" alt="treecat" border="0" height="32" src="treecat/crittercat-c.gif" width="32" /></a>
<hr size="2" width="100%" /><font face="Helvetica,
Arial, sans-serif"><b><font color="#ffff66"> </font></b></font><font face="Helvetica, Arial, sans-serif">#Autism</font><br />
<a href="http://www.theautismchannel.com/"><font face="Helvetica, Arial, sans-serif"><img align="middle" alt="autism" border="2" height="48" src="slimg/autism.slirc.gif" width="62" /></font></a><br />
<font face="Helvetica, Arial, sans-serif"> </font><a href="http://needlecrafts.starlink-irc.org"><font face="Helvetica, Arial, sans-serif"><img align="middle" alt="FibroFolks" hspace="5" src="chanicons/slirc_coffeet.gif" style="border: 0px solid ; width: 36px; height:
36px;" title="FIBROFOLKS" /></font></a><br />
<span style="font-family:
Helvetica,Arial,sans-serif;">#Needle_Crafts</span>
<hr size="2" width="100%" /><font face="Helvetica,
Arial, sans-serif">CStar</font><br />
<br />
<hr size="2" width="100%" /><font face="Helvetica,
Arial, sans-serif">SL-IRC<br />
<a href="#downloads">Downloads</a></font>
<hr size="2" width="100%" /><font face="Helvetica,
Arial, sans-serif"><small>PC chat software</small><br />
<a href="http://www.mirc.co.uk"><img alt="mIRC" border="0" height="29" src="slimg/mirc.gif" title="mIRC downlaod site" vspace="2" width="86" /></a><br />
<a href="http://www.google.com/search?&q=PIRCh"><img alt="pirch" border="0" height="30" src="slimg/pirchbtn.gif" title="PIRCH" vspace="2" width="100" /></a><br />
<a href="http://www.klient.com"><img alt="klient" border="0" height="31" src="slimg/klient_com.gif" title="klient" vspace="2" width="88" /></a></font>
<hr size="2" width="100%" /><font face="Helvetica,
Arial, sans-serif"><small><a href="http://www.evula.org/varter/irc/opinions.php">Mac chat software</a></small></font><br />
<font face="Helvetica, Arial, sans-serif"><a href="http://www.ircle.com"><img alt="ircle" border="0" height="36" src="slimg/ircle3.gif" title="ircle" vspace="2" width="108" /></a></font><br />
<font face="Helvetica, Arial, sans-serif"><a href="http://www.snak.com"><img align="middle" alt="snak" border="0" height="45" src="slimg/snak_logo.gif" title="snak IRC for mac" vspace="2" width="47" /></a>snak</font></div>
</td>
</tr>
</tbody>
</table>
<div align="center"><br />
<b><font face="Helvetica, Arial, sans-serif"><a href="webring.html">JOIN</a> OUR WEB RING</font></b><br />
<a href="webring/index.html"><font face="Helvetica, Arial,
sans-serif"><img align="middle" alt="starlinkirc" border="2" height="91" src="slimg/starbutt.jpg" vspace="10" width="200" /></font></a>
<div align="center"><br />
<img alt="bar" height="9" src="slimg/nubrass2.gif" vspace="4" width="519" /><br />
<br />
<span style="font-family:
Helvetica,Arial,sans-serif;"><span style="font-style:
italic;"><span style="font-weight: bold;">In Sympathy for his family and friends</span><br />
We will all miss</span><br />
<span style="font-weight: bold;">Itsy<br />
of #Itsy (StarLink-Irc Founder)</span><br />
who passed away Tuesday Jan,17 2012 Born Oct,18 1949<br />
<br />
-</span><font face="Helvetica, Arial, sans-serif"><img align="middle" alt="candle" border="0" height="75" src="slimg/fliker.gif" width="45" /></font><font face="Helvetica, Arial, sans-serif">- </font><br />
<font face="Helvetica, Arial, sans-serif">Whatever you want, wish , or believe...and whatever you do,<br />
remember although for each brite star there is a dungeon,<br />
ever storm also brings a rainbow. It's neither yin nor yang.<br />
The universe isn't Hostile it is merely indifferent beyond human ken.<br />
<br />
And, of course...in the end... </font>
<center><font face="Helvetica, Arial, sans-serif">The books ALWAYS Balance.<br />
Itsy (1997) </font></center>
<br />
<font face="Helvetica, Arial, sans-serif">Please spend a little while remembering how he touched your life, and wish him God speed.<br />
<br />
For those lost and remembered</font><br />
<font face="Helvetica, Arial, sans-serif"><i><small>With sympathy for loved ones and in fondest memory,<br />
we set a candle against the dark</small></i></font><br />
<br />
<img alt="bar" height="9" src="slimg/nubrass2.gif" vspace="4" width="519" /></div>
<table border="10" cellpadding="2" cellspacing="2" style="text-align: left; width: 10%;">
<tbody>
<tr>
<td style="vertical-align: top;"><img align="middle" alt="Congratulations !" src="slimg/baby-stork.gif" style="width:
150px; height: 150px;" /></td>
</tr>
</tbody>
</table>
<br />
<br />
<img alt="bar" height="9" src="slimg/nubrass2.gif" vspace="4" width="519" /><br />
<br />
<img alt="bar" height="9" src="slimg/nubrass2.gif" vspace="4" width="519" /><br />
<br />
<table align="center" border="4" cellpadding="2" cellspacing="4">
<tbody>
<tr>
<td colspan="2" rowspan="1" valign="top">
<div style="text-align: center;"><font face="Helvetica, Arial, sans-serif"><b>Days That Changed The World</b></font></div>
</td>
</tr>
<tr>
<td valign="top">
<div align="center"><font face="Helvetica, Arial,
sans-serif"><a href="http://www2.acc.af.mil/accnews/feb02/02096.html"><img alt="911" src="slimg/letsroll-stars.jpg" style="border: 0px solid ; width: 157px;
height: 117px;" /></a></font></div>
<div align="center"><font face="Helvetica, Arial,
sans-serif" size="-1">Graphic by<br />
</font><font size="-1"><a href="http://www2.acc.af.mil/accnews/feb02/02096.html"><font face="Helvetica, Arial, sans-serif">Senior Airman Duane White</font></a></font><br />
<font face="Helvetica, Arial, sans-serif" size="-1">(<a href="special/letsroll/02096.html">alternate link</a>)</font><br />
<font face="Helvetica, Arial, sans-serif" size="-1"><a href="slimg/lets-roll-hires.jpg">Large</a> </font><font face="Helvetica, Arial, sans-serif" size="-1">(1mb) version<br />
</font><font face="Helvetica, Arial,
sans-serif" size="-1"><a href="slimg/lets-roll-s.jpg">Small JPG</a></font><br />
<font face="Helvetica, Arial, sans-serif" size="-1"> </font><font face="Helvetica, Arial,
sans-serif" size="-1"><a href="slimg/lets-roll-s.gif">Small GIF</a></font></div>
</td>
<td valign="top">
<div align="center"><a href="special/columbia/inmemory.columbia.html"><font><font face="Helvetica, Arial, sans-serif"><img alt="Columbia" border="0" height="207" hspace="12" src="special/columbia/sts107_patch.gif" vspace="15" width="154" /></font></font></a><br />
<font><i><font face="Helvetica,
Arial, sans-serif"><i>..</i></font></i></font><small><font><i><font face="Helvetica, Arial, sans-serif"><i>.to those </i></font><br />
<font face="Helvetica, Arial, sans-serif"><i>who ride the thunder...</i></font></i></font></small></div>
</td>
</tr>
<tr>
<td colspan="2" valign="top">
<div align="center"><small><font face="Helvetica,
Arial, sans-serif"><font color="#ff0000"><font color="#33ff33"><a href="http://www.scaled.com/projects/tierone/062104-2.htm">SpaceShipOne - The First Private Manned Space Mission </a></font></font></font></small></div>
<div align="center"><br />
<a href="http://www.scaled.com/projects/tierone/index.htm"><img alt="" src="special/spaceship/landing-s.JPG" style="border: 0px solid ; width: 180px; height:
120px;" /></a><br />
<font face="Helvetica, Arial, sans-serif"><font color="#ff0000"><b><font color="#33ff33">Monday, 21 June 2004</font></b></font></font></div>
<div align="center"><font face="Helvetica, Arial,
sans-serif"><small><a href="http://www.scaled.com/pressgallery/view_album.php?set_albumName=SpaceShipOne">high and low resolution photos</a> </small></font><br />
<font face="Helvetica, Arial, sans-serif"><small><a href="http://www.scaled.com/projects/tierone/photos/images/video/13p_boost_alpha.jpg">SS1 boost phase</a> - <a href="http://www.scaled.com/projects/tierone/photos/062104/captiveCarry%20inflight_lr.jpg">captive carry with White Knight</a><br />
<i>all information and photos c. Scaled Composites, LLC</i></small></font>
<hr style="width: 100%; height: 2px;" /><a href="special/virginiatech/index.html"><img align="middle" alt="" src="special/virginiatech/VT_Emblem.gif" style="border: 0px solid ; width: 100px; height:
58px;" /></a>
<div align="center"></div>
<div align="center"><b><font face="Helvetica, Arial,
sans-serif">April 2007</font></b></div>
</div>
</td>
</tr>
</tbody>
</table>
<br />
<br />
<font face="Helvetica, Arial, sans-serif"><a href="http://www.timeanddate.com/counters/customcounter.html?day=11&month=9&year=2001&hour=12&min=45">Time Since </a>9/11/01</font><br />
<font face="Helvetica, Arial, sans-serif"><a href="http://www.timeanddate.com/counters/customcounter.html?day=1&month=1&year=1997&hour=22&min=55&p0=77">Time Since </a>1/1/97 (StarLink-IRC)</font><br />
<hr size="2" width="100%" /><font face="Helvetica, Arial,
sans-serif"><a href="http://www.google.com/help/features.html"><b>SPECIAL SEARCHES</b></a><b><a name="searchirc"></a></b></font>
<center>
<form action="http://searchirc.com/rd.php" method="get">
<table border="1" cellpadding="3" cellspacing="0">
<tbody>
<tr>
<td align="center" valign="middle"><a href="http://searchirc.com"><img alt="IRC
Search" border="0" height="33" src="http://searchirc.com/img/button.gif" width="88" /></a><br />
<input maxlength="256" name="I" size="10" type="text" value="" /><br />
<input type="submit" value="Search IRC" /></td>
</tr>
</tbody>
</table>
</form>
<!-- SiteSearch Google -->
<form action="http://www.google.com/search" method="get">
<table align="center" border="2">
<tbody>
<tr>
<td align="center"><a href="http://www.google.com/"><img align="middle" alt="Google" border="0" height="53" src="slimg/Logo_40blk.gif" width="128" /></a></td>
<td><input maxlength="255" name="q" size="31" type="text" value="" /><input name="btnG" type="submit" value="Google Search" /> <input name="domains" type="hidden" value="starlink-irc.org" /><br />
<input name="sitesearch" type="radio" value="" /><font face="Helvetica, Arial, sans-serif"> WWW <input checked="checked" name="sitesearch" type="radio" value="StarLink-IRC.org" /> Search StarLink-IRC </font></td>
</tr>
</tbody>
</table>
</form>
</center>
<hr size="2" width="100%" />
<table align="center" border="2" cellspacing="2" style="border: 1px solid rgb(170, 0, 51); font-size:
small;">
<tbody>
<tr>
<td rowspan="2"><img alt="Google Groups" height="58" src="http://groups-beta.google.com/groups/img/groups_medium.gif" width="150" /></td>
<td align="center"><i><b><big><font face="Helvetica,
Arial, sans-serif"><a name="google_groups"></a>StarLink-IRC</font></big></b></i><br />
<big><font face="Helvetica,
Arial, sans-serif"><small>Announce</small></font></big></td>
<td align="center" valign="middle"><i><b><big><font face="Helvetica, Arial, sans-serif">SL-IRC Forum</font></big></b></i><br />
<font face="Helvetica,
Arial, sans-serif">Comments</font></td>
</tr>
<tr>
<td align="center"><a href="http://groups-beta.google.com/group/slirc">Browse Archives</a></td>
<td align="center" valign="middle"><a href="http://groups-beta.google.com/group/SLIRC_Forum">Browse Forum </a></td>
</tr>
</tbody>
</table>
<hr size="4" width="100%" />
<div align="center"><font face="Helvetica, Arial, sans-serif"><b>OUR AWARDS</b></font>
<div align="center"><small><font face="Helvetica, Arial,
sans-serif"><font color="#ff0000"><b>FOUR HUNDRED</b></font> - JAN 3, 2003</font></small></div>
<font face="Helvetica, Arial, sans-serif"><small>Our 400th simultaneous connection<br />
was at 11:45 PM ESTto the Rochester* server by DDPS of #Cops</small></font></div>
<table border="0" cellpadding="2" cellspacing="2">
<tbody>
<tr>
<td align="center" valign="middle">
<div align="center"><a href="http://www.familyfriendlysites.com/FamilyFriendly/default.asp?nID=32417"><img alt="slimg/lo-025.gif" border="0" height="60" src="http://emblems.familyfriendlysites.com/familyfriendly120x60.gif" width="120" /></a></div>
</td>
<td align="center" valign="top"><a href="http://www.safesurf.com/"><img align="middle" alt="SafeSurf" border="0" height="74" hspace="4" src="slimg/safewave.gif" width="78" /></a><a href="http://www.safesurf.com/"><img align="middle" alt="safesurf" border="0" height="34" src="slimg/ssurf.gif" width="108" /></a></td>
</tr>
<tr align="center">
<td valign="top"><br />
<a href="http://www.icra.org"><img align="middle" alt="ICRA Rating" border="0" height="31" hspace="4" src="slimg/icra_sw.gif" width="88" /></a><br />
<font face="Helvetica, Arial, sans-serif"><a href="http://www.icra.org/sitelabel/">Test </a>site label<br />
Another <a href="http://www.icra.org/cgi-bin/rdf-tester/labelTester.cgi?lang=en&url=http://www.starlink-irc.org">test</a></font></td>
<td valign="top"><font face="Helvetica, Arial,
sans-serif"><small><a href="http://www.delautism.org/"><b>Autism Society of Delaware</b></a></small></font>
<div align="center"><font face="Helvetica, Arial,
sans-serif"><a href="http://www.healthlinks.net"><img alt="Healthlinks" border="2" height="31" src="slimg/hlbutton.gif" vspace="5" width="88" /></a><br />
<b><small><a href="http://www.disabilitynetwork.com/awards00.html">Disability Network Award</a></small></b></font></div>
</td>
</tr>
</tbody>
</table>
<hr size="2" width="100%" /><font face="Helvetica, Arial,
sans-serif"><b><a name="downloads"></a>SL-IRC DOWNLOADS</b><br />
<a href="chanicons/index.html">Click here</a> and spice up your chat experience with<br />
a <font color="#ffff00">desktop icon</font>, <font color="#ffff00">channel Icons</font>, and<br />
a fancy <font color="#ffff00">mIRC Button Bar</font> with wood background!<br />
Also get the world's cheapest <a href="special/cheaposaver.html">Screen Saver</a>!!</font>
<div align="center"><br />
<a href="excited/pie.html"><img alt="" border="4" height="85" src="excited/Pie.jpg" width="128" /></a></div>
<font face="Helvetica, Arial, sans-serif">And then theres the infamous oyster meringue pie!</font>
<hr size="2" width="100%" /><br />
<b><font face="Helvetica, Arial, sans-serif"><a name="help"></a></font></b><font face="Helvetica, Arial,
sans-serif"><b>IRC and Security Help</b><br />
<a href="http://www.irchelp.org/"><img align="middle" alt="irchelp" border="0" height="58" hspace="15" src="slimg/ihbanner.gif" width="201" /></a></font><font face="Helvetica, Arial, sans-serif"><a href="http://www.cert.org/homeusers/HomeComputerSecurity/"><img align="middle" alt="CERT
Home Computer Security" border="3" height="91" src="http://www.cert.org/images/greenone.gif" width="257" /></a></font><br />
<br />
<font face="Helvetica, Arial, sans-serif"><b>Links from Other Pages<br />
<big><a href="http://www.livinginternet.com/">The Living Internet</a></big></b></font><br />
<font face="Helvetica, Arial, sans-serif"><a href="http://www.google.com/search?q=link%3Awww.starlink-irc.org">Sites Linked To Us</a></font><font face="Helvetica, Arial,
sans-serif"> (G</font><font face="Helvetica, Arial,
sans-serif">oogle)</font><br />
<font face="Helvetica, Arial,
sans-serif"><a href="http://www.old-time.com/irc.html">Old Time Radio</a><br />
<a href="http://home.ptd.net/%7Erjd/autism/">The Autism Depot</a></font>
<hr size="2" width="100%" /><small> </small><small> </small><small> </small>
<table border="5" cellpadding="4" cellspacing="0" width="550">
<tbody>
<tr>
<td align="center" valign="top"><small><font face="Helvetica, Arial, sans-serif"><b>OUR PEOPLE</b></font></small><br />
<font face="Helvetica, Arial,
sans-serif"><big><b> </b></big></font><font face="Helvetica, Arial, sans-serif"><a href="treecat/index.html">TREECAT</a></font><font face="Helvetica, Arial, sans-serif"> </font><a href="treecat/index.html"><img align="middle" alt="treecat" border="0" height="32" src="treecat/crittercat-c.gif" width="32" /></a> <font face="Helvetica, Arial, sans-serif"><a href="treecat/index.html">MEMORIAL</a></font><br />
<font face="Helvetica, Arial, sans-serif"><a href="itsy/itsy_memorial.html">ITSY</a></font> <a href="itsy/itsy_memorial.html"><img align="middle" alt="Itsy" border="0" height="25" src="itsy/bluespider.jpg" width="25" /></a><font face="Helvetic, Arial, san-serif"><a href="itsy/itsy_memorial.html">MEMORIAL</a></font></td>
</tr>
</tbody>
</table>
<small> </small><small> </small><small> </small><small> </small><small> </small><small> </small><small> </small>
<table border="5" cellpadding="0" cellspacing="0" width="550">
<tbody>
<tr>
<td valign="top"><font face="Helvetica, Arial,
sans-serif" size="-1">Thanks to Williams Lake for java chat hosting.</font><font face="Helvetica,
Arial, sans-serif" size="-1"> Java chat initial setup by treecat<br />
Supplemental coding for DeathStar by sinbad and birdman. C</font><font face="Helvetica, Arial,
sans-serif" size="-1">oding for TriStar by g-force and Itsy.</font>
<hr size="4" width="100%" /><font face="Helvetica,
Arial, sans-serif" size="-1">Many thanks to wantabe.com (Houston, TX) and sinbad for great support hosting the site and services from 1997-2005. </font>
<hr style="width: 100%; height: 2px;" /><font face="Helvetica, Arial, sans-serif" size="-1">Thanks to LarryC and Valley Internet for supporting us in 2005. Visit larry's <a href="http://www.cloudcomputerconsulting.com/">website </a>for great computer repair and help.</font></td>
<td valign="top" width="33%">
<div align="center"><font face="Helvetica, Arial,
sans-serif" size="-1">Desktop Icon </font></div>
<div align="center"><font face="Helvetica, Arial,
sans-serif" size="-1"><img align="middle" alt="slirc icon" height="32" src="slimg/sl-irc4ico.gif" width="32" /> by Itsy</font>
<hr size="2" width="100%" /></div>
<div align="center"></div>
<font face="Helvetica, Arial, sans-serif" size="-1">Oyster Meringue Pie<br />
Concept by Itsy<br />
Cartoon by excited</font>
<hr size="4" width="100%" /><font face="Helvetica,
Arial, sans-serif" size="-1"><b>SPECIAL THANKS</b> to OldCrow and Vipershells.com for hosting our services!</font>
<hr style="width: 100%; height: 2px;" /> <font face="Helvetica, Arial, sans-serif" size="-1"> </font></td>
<td valign="top" width="33%">
<div align="center"><font face="Helvetica, Arial,
sans-serif" size="-1">WebTV "IRC" Help<br />
by Ameret</font></div>
<hr align="center" size="2" width="100%" />
<div align="center"><font face="Helvetica, Arial,
sans-serif" size="-1"><a href="mailto:[email protected]">Zoobers WebTV</a><br />
Rosecatt<br />
Esponda</font></div>
<hr align="center" size="2" width="100%" />
<div align="center"></div>
<div align="center"><font face="Helvetica, Arial,
sans-serif" size="-1">mrc2000 by wullie</font></div>
<div align="center">
<hr size="4" width="100%" /><font face="Helvetica,
Arial, sans-serif" size="-1">backgrnd by tame1</font>
<hr size="4" width="100%" /><font face="Helvetica,
Arial, sans-serif" size="-1">Animated server gifs courtesy of Amazing</font>
<hr size="4" width="100%" /><font face="Helvetica,
Arial, sans-serif" size="-1">10th Anniversary graphic<br />
by Autty</font></div>
</td>
</tr>
</tbody>
</table>
<a href="http://www.digits.com"><img alt="" border="0" height="23" src="slimg/wc-03.gif" width="216" /></a>
<hr size="2" width="100%" />
<table border="5" cellpadding="0" cellspacing="3">
<tbody>
<tr align="center">
<td bgcolor="#0000ff" valign="top"><font face="Helvetica, Arial, sans-serif"><b>#ITSY</b></font></td>
</tr>
<tr align="center">
<td valign="top"><font face="Helvetica, Arial,
sans-serif"><a href="http://www.pobox.com/%7Eitsyspider"><img alt="under
destruction" border="0" height="40" src="slimg/conunderDest.gif" width="258" /></a><br />
<img alt="foo spider" height="66" src="slimg/foospidr.gif" width="66" /><br />
<font color="#ffffff"><b><small>No Intelligent Conversation Allowed</small></b></font></font>
<hr size="2" width="100%" /><small><font face="Helvetica, Arial, sans-serif"><font color="#ffffff"><b><a href="special/inmemory.charlie.html">CHARLIE CAT</a> 1989 - 2003</b></font></font></small></td>
</tr>
</tbody>
</table>
<hr size="2" width="100%" /></div>
<div align="center"><img align="middle" alt="HTML
writer's guild" height="90" src="slimg/lo-025.gif" width="64" /> <font color="#ffff00"><i>Webmaster <a href="mailto:webmaster%204%20starlink-irc.org_?subject=SLIRC_Website"><img align="middle" alt="mail to webmaster" border="4" height="23" src="slimg/mail100.jpg" width="54" /></a></i></font><br />
<a href="privacy.html"><b>PRIVACY POLICY</b></a></div>
<div align="right"><small><i>©1997-2011 StarLink-IRC.org All Rights Reserved</i></small>
<div align="center">
<hr align="center" size="2" width="100%" />
<div align="center"><font face="Helvetica, Arial,
sans-serif"><i><small>HTML Page<a href="http://validator.w3.org/check?uri=www.starlink-irc.org%2Findex.html"><img align="middle" alt="valid HTML" border="2" height="31" src="slimg/valid-html401.gif" width="88" /></a>Validation</small></i></font><br />
</div>
<i>.</i><a name="bottom"></a><img alt="sink, kitchen, each,
one" height="50" src="slimg/ksink.gif" width="91" /><br />
<font face="Helvetica, Arial, sans-serif"><i><small>Sink, Kitchen, each, one. Mk I Mod 8</small></i></font></div>
</div>
</div>
</div>
<!--Begin FamilyFriendlySites.com Emblem--><!--End FamilyFriendlySites.com Emblem--><!--Begin FamilyFriendlySites.com Emblem--><!--End FamilyFriendlySites.com Emblem--><!--Begin FamilyFriendlySites.com Emblem-->
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<p></p>
</body>
</html>
|
Welcome to the StarLink-IRC Network
**WELCOME TO THE NICEST LITTLE CYBERTOWN ON THE NET!**
Updated 8 December 2020
---
| | | | | |
| --- | --- | --- | --- | --- |
|
| | |
| --- | --- |
| [net status](slirc.html) |
[Dallas,Tx](index.servers.html#Dallas) [Stopover, KY](index.servers.html#Stopover) [Phelps, KY](index.servers.html#Phelps) |
[Connect Info](serverlist.html)
*Guestbook
[guestbook](http://users3.smartgb.com/g/g.php?a=s&i=g30-02650-2c)* | [starlink
irc logo](http://www.starlink-irc.org)
New to IRC? [Learn about it here.](http://www.irchelp.org/irchelp/faq.html) | World [clocks](http://www.timeanddate.com/)
[Calendar](http://www.timeanddate.com/calendar/)
[Moon
Phase US Naval Observatory](https://moonphases.willyweather.com/dc/district-of-columbia-county/naval-observatory.html)
[Click for UK Forecast](http://www.wunderground.com/global/stations/03772.html?bannertypeclick=sunandmoon150) |
| | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| [star](index.webchat.html)Web Chat Here
[newsletter](slnews/newsletter.html)Newsletter
[schedule of events](calendar.html)Event Calendar
[webring](webring/index.html)Webring
[security](security/checkin.html)Security
[links](links/index.html)Links
[mugs
n stuff](http://www.cafeshops.com/slirc)Logo Gear
[mugs
n stuff](special/tenth/index.html)10th Anniversary
**[REGISTRATION](slreg.html)**
[Channel Registration](chanreg97.html)Channel Reg
[Channel Registration](slreg.html)Information
[Mail
List Registration/Change](slreg.html#MailingList)Mail Lists
[CHANNELS](chanlist.html)
[Channel List](chanlist.html)Main List
[Network Channels](index.channels.html)Special
[kids](slkids.html)Kids
[SERVERS](index.servers.html)
[star](serverlist.html)Quicklist
[server link](slreg.html#ServerApp)Server Link Req
[Hosts](hosts/slhosts.html)Hosts
[flags](hosts/sl-flags.html)Flags
[INFORMATION](sldocs/slircfaq.html)
[FAQ](sldocs/slircfaq.html)FAQ
[MOTD](index.motd.html)MOTD
[organization](slirc-org.html)Organization
[documents](index.docs.html)Documents
[comments](comments.html)Comments
[graphics](index.graphics.html)Graphics
[poetry](index.poetry.html)Poetry
---
Max Users
| | | | |
| --- | --- | --- | --- |
| **0** | **4** | **1** | **1** |
---
IRC [Net Stats](http://irc.netsplit.de/networks/)
[SL-IRC Net Stats](http://irc.netsplit.de/networks/details.php?net=StarLink-IRC)
[SearchIrc](http://www.searchirc.com)
| The friendly network [neighborhood](sldocs/slircfaq.html) that's safe, helpful, and fun for the whole family.
We even have a Staff [Photo](slimg/kittykids.jpg)
StarLink-IRC," The best little chat on the net"
Special thanks to the [FOUR HUNDRED](special/400.html)
bar
Nikon's [**Universcale**](http://www.nikon.com/about/feelnikon/universcale/index.htm)
The Night Sky [night sky
jodrell bank observatory](http://www.jb.man.ac.uk/public/nightsky.html) Jodrell Bank, UK
[Real Time Satellite Tracking](http://www.n2yo.com/)
bar
Regular IRC - **/server irc.StarLink-IRC.org**
Get Connected ---
**[Web Portal Page](http://www.starlink-irc.org/index.webchat.html)**
**Alt CGI [Chat Portal](http://stopover.ky.us.starlink-irc.org/cgi-bin/irc.cgi)**
Servers and connect instructions
**Network Connection** [**Quicklist**](serverlist.html)
-
Join our weekly gatheings in **#TOWNHALL**
Every Sunday 9:30pm ET
EVERYONE IS WELCOME !!
---
Connect problems? [Look Here](security/checkin.html)
bar
| | |
| --- | --- |
| | |
| | |
***Mail List [Addresss Changes](http://www.vipershells.com/mailman/listinfo/slirc-mail)***
**Problems, Suggestions or Questions?**
Please Contact Us At
***Mail Problems**
[mail to webmaster](mailto:slirc-mail-owner%20at%20starlink-irc.org)*
***Webmaster***
[Mail to
StarLink-IRC](mailto:abuse%20#%20starlink-irc.org?subject=Contact-Us)
***StarLink-IRC Tenth Anniversary***
***[Birthday Party](special/tenth/index.html)*** | [Earth at](http://www.fourmilab.to/cgi-bin/uncgi/Earth/action?opt=-m) [Night](http://antwrp.gsfc.nasa.gov/apod/image/0011/earthlights_dmsp_big.jpg)
[Earth](http://www.fourmilab.to/cgi-bin/uncgi/Earth/action?opt=-m) From Moon
[How old](http://www.timeanddate.com/counters/customcounter.html?day=2&month=1&year=1997&hour=4&min=55) is SL-IRC
[Sat-Tracking](http://www.n2yo.com/)
[UNIVERSCALE](http://www.nikon.co.jp/main/eng/feelnikon/discovery/universcale/)
---
canadopt
[treecat](treecat/index.html)
---
#Autism
[autism](http://www.theautismchannel.com/)
[FibroFolks](http://needlecrafts.starlink-irc.org)
#Needle\_Crafts
---
CStar
---
SL-IRC
[Downloads](#downloads)
---
PC chat software
[mIRC](http://www.mirc.co.uk)
[pirch](http://www.google.com/search?&q=PIRCh)
[klient](http://www.klient.com)
---
[Mac chat software](http://www.evula.org/varter/irc/opinions.php)
[ircle](http://www.ircle.com)
[snak](http://www.snak.com)snak |
**[JOIN](webring.html) OUR WEB RING**
[](webring/index.html)
In Sympathy for his family and friends
We will all miss
Itsy
of #Itsy (StarLink-Irc Founder)
who passed away Tuesday Jan,17 2012 Born Oct,18 1949
--
Whatever you want, wish , or believe...and whatever you do,
remember although for each brite star there is a dungeon,
ever storm also brings a rainbow. It's neither yin nor yang.
The universe isn't Hostile it is merely indifferent beyond human ken.
And, of course...in the end...
The books ALWAYS Balance.
Itsy (1997)
Please spend a little while remembering how he touched your life, and wish him God speed.
For those lost and remembered
*With sympathy for loved ones and in fondest memory,
we set a candle against the dark*
| |
| --- |
| Congratulations ! |
| |
| --- |
| **Days That Changed The World** |
| [911](http://www2.acc.af.mil/accnews/feb02/02096.html)
Graphic by
[Senior Airman Duane White](http://www2.acc.af.mil/accnews/feb02/02096.html)
([alternate link](special/letsroll/02096.html))
[Large](slimg/lets-roll-hires.jpg) (1mb) version
[Small JPG](slimg/lets-roll-s.jpg)
[Small GIF](slimg/lets-roll-s.gif) | [Columbia](special/columbia/inmemory.columbia.html)
**..****.to those*
*who ride the thunder...** |
| [SpaceShipOne - The First Private Manned Space Mission](http://www.scaled.com/projects/tierone/062104-2.htm)
**Monday, 21 June 2004**
[high and low resolution photos](http://www.scaled.com/pressgallery/view_album.php?set_albumName=SpaceShipOne)
[SS1 boost phase](http://www.scaled.com/projects/tierone/photos/images/video/13p_boost_alpha.jpg) - [captive carry with White Knight](http://www.scaled.com/projects/tierone/photos/062104/captiveCarry%20inflight_lr.jpg)
*all information and photos c. Scaled Composites, LLC*
---
**April 2007**
|
[Time Since](http://www.timeanddate.com/counters/customcounter.html?day=11&month=9&year=2001&hour=12&min=45) 9/11/01
[Time Since](http://www.timeanddate.com/counters/customcounter.html?day=1&month=1&year=1997&hour=22&min=55&p0=77) 1/1/97 (StarLink-IRC)
---
[**SPECIAL SEARCHES**](http://www.google.com/help/features.html)
| |
| --- |
| [IRC
Search](http://searchirc.com)
|
| | |
| --- | --- |
| [Google](http://www.google.com/) |
WWW Search StarLink-IRC |
---
| | | |
| --- | --- | --- |
| Google Groups | ***StarLink-IRC***
Announce | ***SL-IRC Forum***
Comments |
| [Browse Archives](http://groups-beta.google.com/group/slirc) | [Browse Forum](http://groups-beta.google.com/group/SLIRC_Forum) |
---
**OUR AWARDS**
**FOUR HUNDRED** - JAN 3, 2003
Our 400th simultaneous connection
was at 11:45 PM ESTto the Rochester\* server by DDPS of #Cops
| | |
| --- | --- |
| [slimg/lo-025.gif](http://www.familyfriendlysites.com/FamilyFriendly/default.asp?nID=32417) | [SafeSurf](http://www.safesurf.com/)[safesurf](http://www.safesurf.com/) |
|
[ICRA Rating](http://www.icra.org)
[Test](http://www.icra.org/sitelabel/) site label
Another [test](http://www.icra.org/cgi-bin/rdf-tester/labelTester.cgi?lang=en&url=http://www.starlink-irc.org) | [**Autism Society of Delaware**](http://www.delautism.org/)
[Healthlinks](http://www.healthlinks.net)
**[Disability Network Award](http://www.disabilitynetwork.com/awards00.html)** |
---
**SL-IRC DOWNLOADS**
[Click here](chanicons/index.html) and spice up your chat experience with
a desktop icon, channel Icons, and
a fancy mIRC Button Bar with wood background!
Also get the world's cheapest [Screen Saver](special/cheaposaver.html)!!
[](excited/pie.html)
And then theres the infamous oyster meringue pie!
---
**IRC and Security Help**
[](http://www.irchelp.org/)[](http://www.cert.org/homeusers/HomeComputerSecurity/)
**Links from Other Pages
[The Living Internet](http://www.livinginternet.com/)**
[Sites Linked To Us](http://www.google.com/search?q=link%3Awww.starlink-irc.org) (Google)
[Old Time Radio](http://www.old-time.com/irc.html)
[The Autism Depot](http://home.ptd.net/%7Erjd/autism/)
---
| |
| --- |
| **OUR PEOPLE**
[TREECAT](treecat/index.html) [treecat](treecat/index.html) [MEMORIAL](treecat/index.html)
[ITSY](itsy/itsy_memorial.html) [Itsy](itsy/itsy_memorial.html)[MEMORIAL](itsy/itsy_memorial.html) |
| | | |
| --- | --- | --- |
| Thanks to Williams Lake for java chat hosting. Java chat initial setup by treecat
Supplemental coding for DeathStar by sinbad and birdman. Coding for TriStar by g-force and Itsy.
---
Many thanks to wantabe.com (Houston, TX) and sinbad for great support hosting the site and services from 1997-2005.
---
Thanks to LarryC and Valley Internet for supporting us in 2005. Visit larry's [website](http://www.cloudcomputerconsulting.com/) for great computer repair and help. | Desktop Icon
slirc icon by Itsy
---
Oyster Meringue Pie
Concept by Itsy
Cartoon by excited
---
**SPECIAL THANKS** to OldCrow and Vipershells.com for hosting our services!
---
| WebTV "IRC" Help
by Ameret
---
[Zoobers WebTV](mailto:[email protected])
Rosecatt
Esponda
---
mrc2000 by wullie
---
backgrnd by tame1
---
Animated server gifs courtesy of Amazing
---
10th Anniversary graphic
by Autty |
[](http://www.digits.com)
---
| |
| --- |
| **#ITSY** |
| [under
destruction](http://www.pobox.com/%7Eitsyspider)
foo spider
**No Intelligent Conversation Allowed**
---
**[CHARLIE CAT](special/inmemory.charlie.html) 1989 - 2003** |
---
 *Webmaster [](mailto:webmaster%204%20starlink-irc.org_?subject=SLIRC_Website)*
[**PRIVACY POLICY**](privacy.html)
*©1997-2011 StarLink-IRC.org All Rights Reserved*
---
*HTML Page[](http://validator.w3.org/check?uri=www.starlink-irc.org%2Findex.html)Validation*
*.*
*Sink, Kitchen, each, one. Mk I Mod 8*
| https://www.starlink-irc.org/ |
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
<meta http-equiv="Content-Type" content="text/html; charset=UTF-8">
<meta name="keywords" content="goldfish,varieties,kingyo,japan">
<meta name="description" content="In this page, their histories, presences of breeding and features are introduced.">
<meta http-equiv="Content-Style-Type" content="text/css">
<meta name="GENERATOR" content="IBM WebSphere Studio Homepage Builder Version 9.0.0.0 for Windows">
<link rel="author" href="https://plus.google.com/113947916440901465908">
<title>Japanese Goldfish Catalog</title>
<script type="text/javascript">
var nend_params = {"media":4322,"site":20821,"spot":32550,"type":2,"oriented":4};
</script> <script type="text/javascript" src="http://js1.nend.net/js/nendAdLoader.js"></script> </head>
<body link="#0000FF" vlink="#0000FF">
<div id="fb-root"></div>
<script>(function(d, s, id) {
var js, fjs = d.getElementsByTagName(s)[0];
if (d.getElementById(id)) return;
js = d.createElement(s); js.id = id;
js.src = "//connect.facebook.net/ja_JP/all.js#xfbml=1";
fjs.parentNode.insertBefore(js, fjs);
}(document, 'script', 'facebook-jssdk'));</script>
<center>
<table border="0">
<tbody>
<tr>
<td height="49" align="center" width="725"><br>
<b><font size="+4">Japanese Goldfish Catalog</font></b><br>
<b><font size="+2">- Varieties of Goldfish in Japan -</font></b><br>
<br>
<img src="menu03_01.jpg" width="120" height="100" border="0" alt="sakuranishiki"><img src="menu03_02.jpg" width="120" height="100" border="0" alt="Calico Ranchu"><img src="menu03_03.jpg" width="120" height="100" border="0" alt="tosakin"><img src="menu03_04.jpg" width="120" height="100" border="0" alt="bulue ranchu"><img src="menu03_05.jpg" width="120" height="100" border="0" alt="ranchu"><br>
<br>
<font size="+1"><b>Today, there are about 25 varieties of goldfish that are distributed in
Japan.<br>
On this website, you can see the history of each goldfish, its background,
and features, accompanied with beautiful photos.</b><br>
<br>
</font><b><font size="+1" color="#ff0033">Please click on the name of goldfish you would like to learn about!<br>
</font></b><br>
<b><ENGLISH/<a href="http://www.sakura-nishiki.com/kingyocatalog.html">JAPANESE</a>></b><br>
<br>
<a href="http://www.e-kingyo.net/application.html" target="_blank"><img src="0appbanakingyo.jpg" width="728" height="103" border="0" alt="Japanese Goldfish Catalog"></a><br>
<br>
<a href="https://itunes.apple.com/jp/app/ri-ben-jin-yu-tu-jian-japanese/id576296515?mt=8" target="_blank"><img src="0iosimage.jpg" width="135" height="41" border="0" alt="App store"></a>ã<a href="https://play.google.com/store/apps/details?id=net.goldfish.samurai&feature=more_from_developer#?t=W251bGwsMSwyLDEwMiwibmV0LmdvbGRmaXNoLnNhbXVyYWkiXQ.." target="_blank"><img src="0iosimage1.jpg" width="133" height="44" border="0" alt="google play"></a><br>
<br>
<hr>
<br>
</td>
</tr>
</tbody>
</table>
</center>
<center>
<table width="715">
<tbody>
<tr>
<td align="center" bgcolor="#ffff00" width="133"><font size="-1"><b><font size="+0">Wakin Type<br>
Goldfish</font></b></font></td>
<td align="center" bgcolor="#ff6666" width="181"><b>Ryukin Type<br>
Goldfish</b></td>
<td align="center" bgcolor="#00cccc" width="214"><b>Oranda Type<br>
Goldfish</b></td>
<td align="center" bgcolor="#00ff66" width="160"><b>Rnachu Type<br>
Goldfish</b></td>
</tr>
<tr>
<td width="133"></td>
<td width="181"></td>
<td width="214"></td>
<td width="160"></td>
</tr>
<tr>
<td width="133"></td>
<td width="181"></td>
<td width="214"></td>
<td width="160"></td>
</tr>
<tr>
<td valign="top" width="133">
<table border="0" width="141">
<tbody>
<tr>
<td width="144"><font size="+2" face="HGP�n�p��ھ�ݽEB"><img src="logo6.gif" width="13" height="12" border="0"> </font><b><font size="+1"><a href="kingyocatalog/wakin.html"><font size="+0">Wakin</font></a></font></b></td>
</tr>
<tr>
<td width="144"></td>
</tr>
<tr>
<td width="144"><img src="logo6.gif" width="13" height="12" border="0"> <b><font size="+1"><font size="+0"><a href="kingyocatalog/shubunkin.html">Shubunkin</a></font></font></b></td>
</tr>
<tr>
<td width="144"></td>
</tr>
<tr>
<td width="144"><font size="+2" face="HGP�n�p��ھ�ݽEB"><a href="kingyocatalog/comet.html"><img src="logo9.gif" width="13" height="12" border="0"></a> </font><font size="+1"><b><a href="kingyocatalog/comet.html"><font size="+0">Comet</font></a></b></font></td>
</tr>
<tr>
<td width="144"></td>
</tr>
<tr>
<td width="144"><img src="logo9.gif" width="13" height="12" border="0"> <b><font size="+1"><a href="kingyocatalog/jikin.html"><font size="+0">Jikin</font></a></font></b></td>
</tr>
</tbody>
</table>
</td>
<td valign="top" width="181">
<table border="0" width="191">
<tbody>
<tr>
<td width="166"><img src="logo6.gif" width="13" height="12" border="0"> <font size="-1"><b><font size="+1"><a href="kingyocatalog/ryukin.html"><font size="+0">Ryukin</font></a></font></b></font></td>
</tr>
<tr>
<td width="166"></td>
</tr>
<tr>
<td width="166"><font size="+2" face="HGP�n�p��ھ�ݽEB"><a href="kingyocatalog/calicoryukin.html"><img src="logo6.gif" width="13" height="12" border="0"></a> </font><b><font size="+1"><a href="kingyocatalog/calicoryukin.html"><font size="+0">Calico Ryukin</font></a></font></b></td>
</tr>
<tr>
<td width="166"></td>
</tr>
<tr>
<td width="166"><font size="+2" face="HGP�n�p��ھ�ݽEB"><a href="kingyocatalog/demekin.html"><img src="logo6.gif" width="13" height="12" border="0"></a> </font><b><font size="+1"><a href="kingyocatalog/demekin.html"><font size="+0">Telescope</font></a></font></b></td>
</tr>
<tr>
<td width="166"></td>
</tr>
<tr>
<td width="166"><img src="logo6.gif" width="13" height="12" border="0"> <b><font size="+1"><a href="kingyocatalog/sanshokudemekin.html"><font size="+0">Calico Telescope</font></a></font></b></td>
</tr>
<tr>
<td width="166"></td>
</tr>
<tr>
<td width="166"><font size="+2" face="HGP�n�p��ھ�ݽEB"><a href="kingyocatalog/tosakin.html"><img src="logo61.gif" width="13" height="12" border="0"></a> </font><font size="-1"><b><font size="+1"><a href="kingyocatalog/tosakin.html"><font size="+0">Tosakin</font></a></font></b></font></td>
</tr>
</tbody>
</table>
</td>
<td valign="top" width="214">
<table border="0" width="204">
<tbody>
<tr>
<td width="189"><img src="logo62.gif" width="13" height="12" border="0"> <font size="-1"><b><font size="+0"><a href="kingyocatalog/orandashishigashira.html">Oranda</a></font></b></font></td>
</tr>
<tr>
<td valign="top" width="189"></td>
</tr>
<tr>
<td width="189"><font size="+2" face="HGP�n�p��ھ�ݽEB"><img src="logo61.gif" width="13" height="12" border="0"></font> <b><font size="+1"><a href="kingyocatalog/azumanishiki.html"><font size="+0">Calico Oranda</font></a></font></b></td>
</tr>
<tr>
<td width="189"></td>
</tr>
<tr>
<td width="189"><font size="+2" face="HGP�n�p��ھ�ݽEB"><a href="kingyocatalog/seibungyo.html"><img src="logo61.gif" width="13" height="12" border="0"></a></font> <b><font size="+1"><a href="kingyocatalog/seibungyo.html"><font size="+0">Blue Oranda</font></a></font></b></td>
</tr>
<tr>
<td width="189"></td>
</tr>
<tr>
<td width="189"><font size="+2" face="HGP�n�p��ھ�ݽEB"><a href="kingyocatalog/chakin.html"><img src="logo61.gif" width="13" height="12" border="0"></a></font> <b><font size="+1"><a href="kingyocatalog/chakin.html"><font size="+0">Chocolate Oranda</font></a></font></b></td>
</tr>
<tr>
<td width="189"></td>
</tr>
<tr>
<td width="189"><font size="+2" face="HGP�n�p��ھ�ݽEB"><a href="kingyocatalog/chinshurin.html"><img src="logo61.gif" width="13" height="12" border="0"></a></font> <b><font size="+1"><a href="kingyocatalog/chinshurin.html"><font size="+0">Pearlscale</font></a></font></b></td>
</tr>
<tr>
<td width="189"></td>
</tr>
<tr>
<td width="189"><font size="+2" face="HGP�n�p��ھ�ݽEB"><a href="kingyocatalog/hamanishiki.html"><img src="logo61.gif" width="13" height="12" border="0"></a></font> <b><font size="+1"><a href="kingyocatalog/hamanishiki.html"><font size="+0">Crown Pearlscale</font></a></font></b></td>
</tr>
<tr>
<td width="189"></td>
</tr>
<tr>
<td width="189"><font size="+2" face="HGP�n�p��ھ�ݽEB"><a href="kingyocatalog/choubi.html"><img src="logo61.gif" width="13" height="12" border="0"></a></font> <b><font size="+1"><a href="kingyocatalog/choubi.html"><font size="+0">Butterfly Tail</font></a></font></b></td>
</tr>
<tr>
<td width="189"></td>
</tr>
<tr>
<td width="189"><font size="+2" face="HGP�n�p��ھ�ݽEB"><a href="kingyocatalog/tanchou.html"><img src="logo61.gif" width="13" height="12" border="0"></a></font> <font size="+1"><b><a href="kingyocatalog/tanchou.html"><font size="+0">Redcap Oranda</font></a></b></font></td>
</tr>
</tbody>
</table>
</td>
<td valign="top" width="160">
<table border="0" width="173">
<tbody>
<tr>
<td width="154" valign="top"><font size="+2" face="HGP�n�p��ھ�ݽEB"><a href="kingyocatalog/ranchu.html"><img src="logo61.gif" width="13" height="12" border="0"></a></font> <b><font size="+1"><a href="kingyocatalog/ranchu.html"><font size="+0">Ranchu</font></a></font></b></td>
</tr>
<tr>
<td width="154"></td>
</tr>
<tr>
<td width="154"><font size="+2" face="HGP�n�p��ھ�ݽEB"><img src="logo61.gif" width="13" height="12" border="0"></font> <a href="kingyocatalog/edonishiki.html"><b>Calico Ranchu</b></a></td>
</tr>
<tr>
<td width="154"></td>
</tr>
<tr>
<td width="154"><font size="+2" face="HGP�n�p��ھ�ݽEB"><a href="kingyocatalog/sakuranishiki.html"><img src="logo61.gif" width="13" height="12" border="0"></a></font> <b><font size="+1"><a href="kingyocatalog/sakuranishiki.html"><font size="+0">Sakura Ranchu</font></a></font></b></td>
</tr>
<tr>
<td width="154"></td>
</tr>
<tr>
<td width="154"><font size="+2" face="HGP�n�p��ھ�ݽEB"><a href="kingyocatalog/shukin.html"><img src="logo61.gif" width="13" height="12" border="0"></a></font> <b><font size="+1"><a href="kingyocatalog/shukin.html"><font size="+0">Shukin</font></a></font></b></td>
</tr>
<tr>
<td width="154"></td>
</tr>
<tr>
<td width="154"><font size="+2" face="HGP�n�p��ھ�ݽEB"><a href="kingyocatalog/nankin.html"><img src="logo61.gif" width="13" height="12" border="0"></a></font> <font size="+1"><b><a href="kingyocatalog/nankin.html"><font size="+0">Nankin</font></a></b></font></td>
</tr>
<tr>
<td width="154"></td>
</tr>
<tr>
<td width="154"><font size="+2" face="HGP�n�p��ھ�ݽEB"><a href="kingyocatalog/hanafusa.html"><img src="logo61.gif" width="13" height="12" border="0"></a></font> <b><font size="+1"><a href="kingyocatalog/hanafusa.html"><font size="+0">Pom pom</font></a></font></b></td>
</tr>
<tr>
<td width="154"></td>
</tr>
<tr>
<td width="154"><font size="+2" face="HGP�n�p��ھ�ݽEB"><a href="kingyocatalog/suihougan.html"><img src="logo61.gif" width="13" height="12" border="0"></a></font> <b><font size="+1"><a href="kingyocatalog/suihougan.html"><font size="+0">Bubble Eye</font></a></font></b></td>
</tr>
<tr>
<td width="154"></td>
</tr>
<tr>
<td width="154"><font size="+2" face="HGP�n�p��ھ�ݽEB"><a href="kingyocatalog/choutengan.html"><img src="logo61.gif" width="13" height="12" border="0"></a></font> <b><font size="+1"><a href="kingyocatalog/choutengan.html"><font size="+0">Celestial Eye</font></a></font></b></td>
</tr>
</tbody>
</table>
</td>
</tr>
<tr>
<td colspan="4" align="center"><br>
<b>ãTopicã</b> <br>
<a href="http://allabout.co.jp/gm/gc/415992/4/" target="_blank"><img src="00.jpg" width="140" height="105" border="0" alt="Japanese Goldfish Art"></a><br>
<a href="http://allabout.co.jp/gm/gc/415992/4/" target="_blank">Japanese Goldfish Art</a><br>
<table border="0">
<tbody>
<tr>
<td align="center">
<div class="fb-like" data-href="http://allabout.co.jp/gm/gc/415992/" data-send="true" data-layout="button_count" data-width="450" data-show-faces="false"></div>
</td>
</tr>
</tbody>
</table>
<br>
<hr>
<br>
<b><font size="+1" color="#ff0033">Please click on one of the pictures below.<br>
You can search for goldfish by clicking on an image.</font></b><br>
<br>
</td>
</tr>
<tr>
<td colspan="4" align="center">
<table border="0" bgcolor="#ffff00">
<tbody>
<tr>
<td><b>Wakin Type Goldfish</b></td>
</tr>
</tbody>
</table>
<table border="0">
<tbody>
<tr>
<td></td>
</tr>
</tbody>
</table>
<table border="0">
<tbody>
<tr>
<td align="center"><a href="kingyocatalog/wakin.html"><img src="menu03_21.jpg" width="120" height="100" border="0" alt="Wakin"></a><br>
<font size="-1">Wakin</font></td>
<td align="center"><a href="kingyocatalog/shubunkin.html"><img src="menu03_25.jpg" width="121" height="101" border="0" alt="Shubunkin"></a><br>
<font size="-1">Shubunkin</font></td>
<td align="center"><a href="kingyocatalog/comet.html"><img src="menu03_20.jpg" width="120" height="100" border="0" alt="Comet"></a><br>
<font size="-1">Comet</font></td>
<td align="center"><a href="kingyocatalog/jikin.html"><img src="menu03_07.jpg" width="120" height="100" border="0" alt="Jikin"></a><br>
<font size="-1">Jikin</font></td>
</tr>
</tbody>
</table>
<br>
<br>
<table border="0" bgcolor="#ff3333">
<tbody>
<tr>
<td><b>Ryukin Type Goldfish</b></td>
</tr>
</tbody>
</table>
<table border="0">
<tbody>
<tr>
<td></td>
</tr>
</tbody>
</table>
<table border="0">
<tbody>
<tr>
<td align="center"><a href="kingyocatalog/ryukin.html"><img src="menu03_280.jpg" width="96" height="100" border="0" alt="Ryukin"></a><br>
<font size="-1">Ryukin</font></td>
<td align="center"><a href="kingyocatalog/calicoryukin.html"><img src="menu03_180.jpg" width="96" height="100" border="0" alt="Calico Ryukin"></a><br>
<font size="-1">Calico Ryukin</font></td>
<td align="center"><a href="kingyocatalog/demekin.html"><img src="menu03_290.jpg" width="96" height="100" border="0" alt="Black Moor"></a><br>
<font size="-1">Telescope</font></td>
<td align="center"><a href="kingyocatalog/sanshokudemekin.html"><img src="menu03_300.jpg" width="96" height="100" border="0" alt="Calico Telescope"></a><br>
<font size="-1">Calico Telescope</font></td>
<td align="center"><a href="kingyocatalog/tosakin.html"><img src="menu03_110.jpg" width="96" height="100" border="0" alt="Tosakin"></a><br>
<font size="-1">Tosakin</font></td>
</tr>
</tbody>
</table>
<br>
<br>
<table border="0" bgcolor="#00cccc">
<tbody>
<tr>
<td><b>Oranda Type Goldfish</b></td>
</tr>
</tbody>
</table>
<table border="0">
<tbody>
<tr>
<td></td>
</tr>
</tbody>
</table>
<table border="0">
<tbody>
<tr>
<td align="center"><a href="kingyocatalog/orandashishigashira.html"><img src="menu03_35.jpg" width="120" height="100" border="0" alt="oranda"></a><br>
<font size="-1">Oranda</font></td>
<td align="center"><a href="kingyocatalog/azumanishiki.html"><img src="menu03_22.jpg" width="120" height="100" border="0" alt="Calico Oranda"></a><br>
<font size="-1">Calico Oranda</font></td>
<td align="center"><a href="kingyocatalog/seibungyo.html"><img src="menu03_15.jpg" width="120" height="100" border="0" alt="Seibun"></a><br>
<font size="-1">Blue Oranda</font></td>
<td align="center"><a href="kingyocatalog/chakin.html"><img src="menu03_13.jpg" width="120" height="100" border="0" alt="Chocolae Oranda"></a><br>
<font size="-1">Chocolate Oranda</font></td>
</tr>
<tr>
<td align="center"><a href="kingyocatalog/chinshurin.html"><img src="menu03_33.jpg" width="121" height="100" border="0" alt="Pearlscale"></a><br>
<font size="-1">Pearlscale</font></td>
<td align="center"><a href="kingyocatalog/hamanishiki.html"><img src="menu03_23.jpg" width="121" height="100" border="0" alt="Crown Pearlscale"></a><br>
<font size="-1">Crown Pearlscale</font></td>
<td align="center"><a href="kingyocatalog/choubi.html"><img src="menu03_12.jpg" width="120" height="100" border="0" alt="Butterfly"></a><br>
<font size="-1">Butterfly Tail</font></td>
<td align="center"><a href="kingyocatalog/tanchou.html"><img src="menu03_14.jpg" width="120" height="100" border="0" alt="Redcap Oranda"></a><br>
<font size="-1">Redcap Oranda</font></td>
</tr>
</tbody>
</table>
<br>
<br>
<table border="0" bgcolor="#00ff00">
<tbody>
<tr>
<td><b>Ranchu Type Goldfish</b></td>
</tr>
</tbody>
</table>
<table border="0">
<tbody>
<tr>
<td></td>
</tr>
</tbody>
</table>
<table border="0">
<tbody>
<tr>
<td align="center"><a href="kingyocatalog/ranchu.html"><img src="menu03_31.jpg" width="120" height="100" border="0" alt="Ranchu"></a><br>
<font size="-1">Ranchu</font></td>
<td align="center"><a href="kingyocatalog/edonishiki.html"><img src="menu03_32.jpg" width="120" height="100" border="0" alt="Calico Ranchu"></a><br>
<font size="-1">Calico Ranchu</font></td>
<td align="center"><a href="kingyocatalog/sakuranishiki.html"><img src="menu03_37.jpg" width="120" height="100" border="0" alt="Sakuranishiki"></a><br>
<font size="-1">Sakura Ranchu</font></td>
<td align="center"><a href="kingyocatalog/shukin.html"><img src="menu03_36.jpg" width="120" height="100" border="0" alt="Shukin"></a><br>
<font size="-1">Shukin</font></td>
</tr>
<tr>
<td align="center"><a href="kingyocatalog/nankin.html"><img src="menu03_08.jpg" width="120" height="100" border="0" alt="Nankin"></a><br>
<font size="-1">Nankin</font></td>
<td align="center"><a href="kingyocatalog/hanafusa.html"><img src="menu03_34.jpg" width="120" height="100" border="0" alt="Pompom"></a><br>
<font size="-1">Pom pom</font></td>
<td align="center"><a href="kingyocatalog/suihougan.html"><img src="menu03_09.jpg" width="120" height="100" border="0" alt="Bubble Eye"></a><br>
<font size="-1">Bubble Eye</font></td>
<td align="center"><a href="kingyocatalog/choutengan.html"><img src="menu03_24.jpg" width="120" height="100" border="0" alt="Celestial Eye"></a><br>
<font size="-1">Celestial Eye</font></td>
</tr>
</tbody>
</table>
<br>
<br>
<table border="0">
<tbody>
<tr>
<td align="center"><!-- Facebook Badge START --><a href="http://www.facebook.com/pages/Japanese-Goldfish/297341443659274" target="_TOP" style="font-family: "lucida grande",tahoma,verdana,arial,sans-serif; font-size: 11px; font-variant: normal; font-style: normal; font-weight: normal; color: #3B5998; text-decoration: none;" title="Japanese Goldfish">Japanese Goldfish</a><br>
<a href="http://www.facebook.com/pages/Japanese-Goldfish/297341443659274" target="_TOP" title="Japanese Goldfish"><img src="http://badge.facebook.com/badge/297341443659274.2060.561096164.png" style="border: 0px;"></a><br>
<table border="0">
<tbody>
<tr>
<td align="center"><iframe src="//www.facebook.com/plugins/like.php?href=http%3A%2F%2Fwww.samurai-goldfish.net%2F&send=false&layout=button_count&width=120&show_faces=false&action=like&colorscheme=light&font&height=21" scrolling="no" frameborder="0" style="border:none; overflow:hidden; width:120px; height:21px;" allowTransparency="true"></iframe></td>
</tr>
</tbody>
</table>
</td>
<td width="25"></td>
<td width="22"></td>
<td align="center" width="119"><b><font size="-1">Goldfish App</font></b><br>
<a href="http://www.e-kingyo.net/application.html"><img src="icon7.png" width="101" height="101" border="0"></a><br>
<b>Japanese goldfish</b></td>
</tr>
</tbody>
</table>
<br>
<b>This site is link free.</b><br>
<img src="samuraigoldfishlogo.jpg" width="234" height="82" border="0" alt="japanese Goldfish Catalog"><br>
<b>http://www.samurai-goldfish.net/</b><br>
<br>
<font size="+2"><b><a href="http://form1.fc2.com/form/?id=807593">Contact Us</a></b></font><br>
<br>
<table border="0">
<tbody>
<tr>
<td><a href="http://www.80code.com/" target="_blank"><img src="http://ct1.80code.com/Count.cgi?df=samuraikingy&dd=E&ft=0" border="0" alt="�z�X�e�B���O�E�����^���T�[�o�["></a></td>
</tr>
</tbody>
</table>
<br>
<font size="-1"><b><PR> <a href="http://e-bonsai.net/index.html" target="_blank">http://e-bonsai.net</a> <PR></b></font><br>
</td>
</tr>
<tr>
<td colspan="4" align="center">
<hr>
Translated by Natsumi Honda<br>
Edited by Lucie Honeyman<br>
Copyright(C)Hiroaki Kikuchi All rights reserved.</td>
</tr>
</tbody>
</table>
</center>
</body>
</html> |
Japanese Goldfish Catalog
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| |
| --- |
|
**Japanese Goldfish Catalog**
**- Varieties of Goldfish in Japan -**
sakuranishikiCalico Ranchutosakinbulue ranchuranchu
**Today, there are about 25 varieties of goldfish that are distributed in
Japan.
On this website, you can see the history of each goldfish, its background,
and features, accompanied with beautiful photos.**
**Please click on the name of goldfish you would like to learn about!**
**<ENGLISH/[JAPANESE](http://www.sakura-nishiki.com/kingyocatalog.html)>**
[Japanese Goldfish Catalog](http://www.e-kingyo.net/application.html)
[App store](https://itunes.apple.com/jp/app/ri-ben-jin-yu-tu-jian-japanese/id576296515?mt=8)ã[google play](https://play.google.com/store/apps/details?id=net.goldfish.samurai&feature=more_from_developer#?t=W251bGwsMSwyLDEwMiwibmV0LmdvbGRmaXNoLnNhbXVyYWkiXQ..)
---
|
| | | | |
| --- | --- | --- | --- |
| **Wakin Type
Goldfish** | **Ryukin Type
Goldfish** | **Oranda Type
Goldfish** | **Rnachu Type
Goldfish** |
| | | | |
| | | | |
|
| |
| --- |
| **[Wakin](kingyocatalog/wakin.html)** |
| |
| **[Shubunkin](kingyocatalog/shubunkin.html)** |
| |
| **[Comet](kingyocatalog/comet.html)** |
| |
| **[Jikin](kingyocatalog/jikin.html)** |
|
| |
| --- |
| **[Ryukin](kingyocatalog/ryukin.html)** |
| |
| **[Calico Ryukin](kingyocatalog/calicoryukin.html)** |
| |
| **[Telescope](kingyocatalog/demekin.html)** |
| |
| **[Calico Telescope](kingyocatalog/sanshokudemekin.html)** |
| |
| **[Tosakin](kingyocatalog/tosakin.html)** |
|
| |
| --- |
| **[Oranda](kingyocatalog/orandashishigashira.html)** |
| |
| **[Calico Oranda](kingyocatalog/azumanishiki.html)** |
| |
| **[Blue Oranda](kingyocatalog/seibungyo.html)** |
| |
| **[Chocolate Oranda](kingyocatalog/chakin.html)** |
| |
| **[Pearlscale](kingyocatalog/chinshurin.html)** |
| |
| **[Crown Pearlscale](kingyocatalog/hamanishiki.html)** |
| |
| **[Butterfly Tail](kingyocatalog/choubi.html)** |
| |
| **[Redcap Oranda](kingyocatalog/tanchou.html)** |
|
| |
| --- |
| **[Ranchu](kingyocatalog/ranchu.html)** |
| |
| [**Calico Ranchu**](kingyocatalog/edonishiki.html) |
| |
| **[Sakura Ranchu](kingyocatalog/sakuranishiki.html)** |
| |
| **[Shukin](kingyocatalog/shukin.html)** |
| |
| **[Nankin](kingyocatalog/nankin.html)** |
| |
| **[Pom pom](kingyocatalog/hanafusa.html)** |
| |
| **[Bubble Eye](kingyocatalog/suihougan.html)** |
| |
| **[Celestial Eye](kingyocatalog/choutengan.html)** |
|
|
**ãTopicã**
[Japanese Goldfish Art](http://allabout.co.jp/gm/gc/415992/4/)
[Japanese Goldfish Art](http://allabout.co.jp/gm/gc/415992/4/)
| |
| --- |
| |
---
**Please click on one of the pictures below.
You can search for goldfish by clicking on an image.**
|
|
| |
| --- |
| **Wakin Type Goldfish** |
| |
| --- |
| |
| | | | |
| --- | --- | --- | --- |
| [Wakin](kingyocatalog/wakin.html)
Wakin | [Shubunkin](kingyocatalog/shubunkin.html)
Shubunkin | [Comet](kingyocatalog/comet.html)
Comet | [Jikin](kingyocatalog/jikin.html)
Jikin |
| |
| --- |
| **Ryukin Type Goldfish** |
| |
| --- |
| |
| | | | | |
| --- | --- | --- | --- | --- |
| [Ryukin](kingyocatalog/ryukin.html)
Ryukin | [Calico Ryukin](kingyocatalog/calicoryukin.html)
Calico Ryukin | [Black Moor](kingyocatalog/demekin.html)
Telescope | [Calico Telescope](kingyocatalog/sanshokudemekin.html)
Calico Telescope | [Tosakin](kingyocatalog/tosakin.html)
Tosakin |
| |
| --- |
| **Oranda Type Goldfish** |
| |
| --- |
| |
| | | | |
| --- | --- | --- | --- |
| [oranda](kingyocatalog/orandashishigashira.html)
Oranda | [Calico Oranda](kingyocatalog/azumanishiki.html)
Calico Oranda | [Seibun](kingyocatalog/seibungyo.html)
Blue Oranda | [Chocolae Oranda](kingyocatalog/chakin.html)
Chocolate Oranda |
| [Pearlscale](kingyocatalog/chinshurin.html)
Pearlscale | [Crown Pearlscale](kingyocatalog/hamanishiki.html)
Crown Pearlscale | [Butterfly](kingyocatalog/choubi.html)
Butterfly Tail | [Redcap Oranda](kingyocatalog/tanchou.html)
Redcap Oranda |
| |
| --- |
| **Ranchu Type Goldfish** |
| |
| --- |
| |
| | | | |
| --- | --- | --- | --- |
| [Ranchu](kingyocatalog/ranchu.html)
Ranchu | [Calico Ranchu](kingyocatalog/edonishiki.html)
Calico Ranchu | [Sakuranishiki](kingyocatalog/sakuranishiki.html)
Sakura Ranchu | [Shukin](kingyocatalog/shukin.html)
Shukin |
| [Nankin](kingyocatalog/nankin.html)
Nankin | [Pompom](kingyocatalog/hanafusa.html)
Pom pom | [Bubble Eye](kingyocatalog/suihougan.html)
Bubble Eye | [Celestial Eye](kingyocatalog/choutengan.html)
Celestial Eye |
| | | | | |
| --- | --- | --- | --- | --- |
| [Japanese Goldfish](http://www.facebook.com/pages/Japanese-Goldfish/297341443659274 "Japanese Goldfish")
| |
| --- |
| |
| | | **Goldfish App**
**Japanese goldfish** |
**This site is link free.**
japanese Goldfish Catalog
**http://www.samurai-goldfish.net/**
**[Contact Us](http://form1.fc2.com/form/?id=807593)**
| |
| --- |
| [�z�X�e�B���O�E�����^���T�[�o�[](http://www.80code.com/) |
**<PR> [http://e-bonsai.net](http://e-bonsai.net/index.html) <PR>** |
|
---
Translated by Natsumi Honda
Edited by Lucie Honeyman
Copyright(C)Hiroaki Kikuchi All rights reserved. |
| http://www.samurai-goldfish.net/ |
<HTML>
<HEAD>
<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=iso-8859-1">
<META NAME="GENERATOR" CONTENT="Mozilla/4.04 [en] (WinNT; I) [Netscape]">
<TITLE>MK64 shortcuts - The Comprehensive List</TITLE>
</HEAD>
<BODY TEXT="#00FF00" BGCOLOR="#000000" LINK="#0000FF" VLINK="#C0C0C0">
<!--HEAD1-->
<CENTER>
<H1>
Mario Kart 64 Shortcuts</H1></CENTER>
<!--HEAD2-->
<CENTER>
<H2>
The Comprehensive List</H2></CENTER>
<!--LINE1-->
<P><!--BODY--><FONT COLOR="#FFCCCC">It is my intention to make this site
the most comprehensive list of MK64 shortcuts on the web. Any other shortcuts
which are in the works or not verified may be listed in the <A HREF="rumors.html">Rumors</A>
section, which is completely separate from the legitimate shortcuts. This
list will highlight the major shortcuts which can be done in 1P mode, with
an emphasis on the Time Trial shortcuts.</FONT>
<P><FONT COLOR="#FFFFFF">Here you will find all of the known shortcuts
plus some </FONT><FONT COLOR="#CCFFFF">background of how they were discovered:</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Luigi Raceway 1 - Over the wall</FONT>
<BR>inventor: Jeos Oreamuno
<BR>May 1997</FONT>
<P><FONT COLOR="#FFFFFF">After coming out of the tunnel in Luigi Raceway,
head toward the part where the gray wall meets the brick wall off to your
left. Look for the sixth brick from the left, and use a mushroom
to blast toward it (right behind a tree). Now jump with the R button
as soon as you hit the wall. If all goes well, you'll jump over the
wall and skip the final curve of the course, saving you some precious seconds.
Note: This trick is hard to do consistently.</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>One day Jeos stumbled upon this amazing shortcut,
but he had some difficulty re-creating it. His friend had heard about some
of my discoveries and revealed the shortcut to me after I had helped him
out with some of my shortcuts. He wanted to know if I could somehow re-create
the shortcut given only the knowledge that it occurred over the brick wall
not too far from the gray wall. Much to my amazement, I had figured out
how to re-create it within two hours of receiving the e-mail! Since that
time, I have used the sixth brick from the left as a rough approximation
for doing the shortcut. I give all the credit to Jeos, since he initially
found it.
<P>Here you can see the original <a href=luigi.txt>email</a> that was sent to me
regarding this revolutionary shortcut!</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Luigi Raceway 2 - Blue shell</FONT>
<BR>inventor: David Wonn
<BR>April 1997</FONT>
<P><FONT COLOR="#FFFFFF">This one works really well in 1P GP mode, and
it will work in any mode except Time Trial. Get the </FONT><FONT COLOR="#3366FF">Blue
Spiny Shell</FONT><FONT COLOR="#FFFFFF"> on the second lap and hold on
to it until you reach the end of the lap. Also make sure that you
are in 1st place as you approach the final lap. At the very beginning
of the final lap, fire the </FONT><FONT COLOR="#3366FF">Blue Shell</FONT><FONT COLOR="#FFFFFF">
straight ahead, and then make a quick turn to the left. If all goes
well, the shell will knock you over the wall, and you'll land inside the
tunnel, skipping half of the course!</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>I had always been curious to see if the wall
at the beginning could be skipped since the wall seemed suspiciously thin.
I remember playing in Vs. mode with other people and knocking them off
some of the courses with a well-timed shell. So I thought to myself, What
would I do if someone had fired a Blue Shell at me? Id want to use it
to my advantage, of course! The greatest part about this shortcut is that
you can do it in 1P GP mode with your own shell! I initially kept this
one a secret until I decided to show it off before the final round of a
local tournament. Everyone was amazed when they saw that I could use their
own weapons against them! It was illegal to use shortcuts like jumping
walls, but they didnt say that I couldnt use Blue Shells to my advantage.
Unfortunately I never really had the opportunity to use it in the final
round, but I still won the tournament anyway so I guess it didnt really
matter.</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Koopa Troopa Beach 1 & 2</FONT></FONT>
<P><FONT COLOR="#FFFFFF">Use the ramp just before the tunnel and jump just
before you reach the end of the ramp. A mushroom is helpful, but not required.
The other one is just a matter of driving through a narrow sandbar by veering
off to the right just after the archway. Its not as effective as the other
one.</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>These shortcuts are quite possibly the only ones
that were actually meant to be in the game. Since they really are a part
of the course, and everyone knows about them, many pros dont recognize
these as shortcuts. Theyre considered preferred lines by many, and I
sometimes just simply classify them as corner cutters.
<P>BTW, for those who dont know, I have found out
back in February 1997 that you can jump the small wall which leads to the
entrance of the cave. Its not much, but its very handy if you happen
to miss the ramp, or if youre playing against others who just love to
set traps on the ramps.</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Kalimari Desert 1 - Star shortcut</FONT>
<BR>inventor: ???
<BR>circa March 1997</FONT>
<P><FONT COLOR="#FFFFFF">If you manage to get a </FONT><FONT COLOR="#FFFF00">Star</FONT><FONT COLOR="#FFFFFF">
on either of the first two laps, head toward the tunnel by taking a left
at the second railroad crossing. Just before you enter the tunnel, activate
the </FONT><FONT COLOR="#FFFF00">Star</FONT><FONT COLOR="#FFFFFF"> and
the lap counter will increase at a certain point inside the tunnel.</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>Even though this has been printed on Nintendos
web site, Id still like to know who actually discovered it. Since Nintendo
has been known to take some of my tricks without giving proper credit (ahem,
Frappe, cough, Snowland, cough), I cant help but feel that some talented
individual out there may be getting ripped off. Its also possible that
someone at Nintendo may have discovered it, but I really dont know for
sure. If anyone knows anything about who discovered this shortcut, please
send me an <A HREF="mailto:[email protected]">e-mail.</A></FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Kalimari Desert 2 - Blue shell</FONT>
<BR>inventor: F. Gerald Caruso
<BR>circa April 1997?</FONT>
<P><FONT COLOR="#FFFFFF">This trick requires a Shell, so it cannot be done in
Time Trial. After getting a </FONT><FONT COLOR="#3366FF">Blue Shell</FONT><FONT COLOR="#FFFFFF">,
take a left at the first railroad crossing and travel through the cave.
Shortly after exiting, fire the shell and head directly toward it. This
impact of the shell should send you over the guardrail and shorten the
course significantly. Unlike my trick in Luigi Raceway, you dont have
to be in first place to make this trick work.</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>Although I have encountered this shortcut myself
as a corollary to my blue shell trick in Luigi Raceway, I give the credit
to F. Gerald Caruso since it is quite possible that he discovered it before
I did. I have to admit its quite a clever shortcut, and it provides a
good alternative to the Star shortcut.</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Toads Turnpike</FONT>
<BR>inventor: David Wonn
<BR>revealed on March 12, 1997</FONT>
<P><FONT COLOR="#FFFFFF">Select any driver and make sure to have the map
selected on your screen. Drive along the regular course until you
come to the part where the map overlaps itself. Now make a sharp
90 degree turn to the right, and head for the guardrail, but keep jumping
with the R button until your kart lands on top of the guardrail.
At this point Lakitu will tow you back onto the course as usual.
As soon as Lakitu sets you down, hold both the A and B buttons down and
hold the analog stick to the right, so that your driver will do a spin
turn. Do the spin turn until your kart is facing 90 degrees to the
right, and release the analog stick and the B button. At this point,
you will see your kart driver from a profile view. Now jump with
the R button before you make contact with the guardrail. If all goes
well, you will jump through the wall and off the course into a lake.
Depending on where you land, Lakitu may tow you onto a later section of
the course!
<P>If you don't end up going through the wall and
end up on the guardrail instead, then repeat the process beginning with
the spin turn to right. You should eventually get this to work, but
it takes a </FONT><B><FONT COLOR="#FF6666">LOT</FONT></B><FONT COLOR="#FFFFFF">
of practice. Lakitu always tows you to whichever part of the track
is closest, so make sure to aim for someplace near the later section of
the track. If your jump is really precise, you may end up landing
on the track below instead of in the water. Sometimes Lakitu will
tow you ahead even if you just land on the guardrail, but this is quite
rare. With this trick, I have managed to improve my overall score
to 1'48"40 and my lap score to 32"86 </FONT><FONT COLOR="#FFFF00">[those
were my scores back in March 1997!]</FONT><FONT COLOR="#FFFFFF">, both
with Yoshi. Don't be surprised if it takes a long time before you
get it to work the first time. It is possible to get this trick to
work on a semi-regular basis if you are really good at it.
<P><img src=images/updated.gif> After 3½ years of holding back, I'm revealing an even better
way to do this infamous shortcut! The AB spin turn is <B>NOT</B> required
to pull off the shortcut. That's right, just simply turn into the wall as
quickly as you can, and you can still do the shortcut. Here is <a
href="http://groups.yahoo.com/group/mariokartmovies/files/Kevin%20TTSC%20WR.avi">Kevin
Booth's video</a> which accurately demonstrates this more efficient method.</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>This is quite possibly my proudest accomplishment
in MK64, and it is one of my personal favorite shortcuts. I found this
one as a result of some bad habits, or instincts, that I carried over from
playing the original SMK. I had accidentally come close to the guardrails,
and my instincts from SMK told me to jump, so I ended up on top of the
guardrail. After playing around with the guardrail enough times, I eventually
fell through and even past the wall. When I saw cars off in the distance,
the idea finally came to me that I should try it out at the place where
the track overlaps itself. Sure enough, I was able to do it, and now the
rest is history
<P>For those who are interested, I still have the original e-mails that I sent
out on March 12, 1997, which shows my <A HREF="turnpike.txt">initial
impressions</A> of the shortcut. Click <A HREF="turnpike.txt">here</A>
to view the text.</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Frappe Snowland 1 - Lap skip</FONT>
<BR>inventor: David Wonn
<BR>May 1997</FONT>
<P><FONT COLOR="#FFFFFF">I have discovered a shortcut which can reduce
your total score to less than the length of a single lap! Unlike
my Toad's Turnpike and Yoshi Valley shortcuts, this one is actually easy
to pull off. At the very end of the course drive across the bridge,
but do not touch any part of the track between the bridge and the finish
line. Instead, veer off to the right after you reach the end of the
bridge and drive off the course into the snow until you reach the finish
line. At this point, drive further off the course so that Lakitu will pick
you up. If everything is done correctly, Lakitu will tow you back
to the bridge, and you will skip an entire lap! If you do this on
all three laps (go backwards in the first lap), your score will be reduced
significantly.</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>This shortcut is probably the only shortcut I
invented which is both easy to do AND very effective. As a result it makes
this course the fastest track in the game, second only to Wario Stadium.
This shortcut is also one of the few that was intentional, rather than
completely accidental. One day I was playing around near the bridge and
found that the snow had some weird properties whenever I veered off into
it and was picked up by Lakitu. I initially found a way to LOSE a lap.
Once I had figured out why I lost an entire lap, I understood the weird
properties of the snow well enough. It was then just a matter of reversing
the process, and the rest is history.
<P>BTW, some of you may have noticed in Nintendo
Power magazine Volume 102, that they heard about the shortcut from several
clever fans via our web site. If you ever wondered who they were referring
to and hadnt heard about this on the Internet many MONTHS before NP stole
it, now you know its background.
<P>Here's one of my first <a href=frappe.txt>emails</a> I sent out regarding
my discovery.</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Frappe Snowland 2 - Warp glitch</FONT>
<BR>inventors: David Wonn and MK64EC independently
<BR>March 1997</FONT>
<P><FONT COLOR="#FFFFFF">This shortcut is based on a glitch that I found
back in March 1997. It's not as effective as my other Frappe Snowland
shortcut, but it is more fun to try out. Go to the ramp which takes
you over the stream of water and veer off to the left (or to the right)
so that you land in some snow, and make sure that you never touch the track.
Continue to drive in the snow until you are roughly halfway around the
course. Now drive outside the limits so that Lakitu will pick you
up. Depending on where you do this, some very strange results could
happen:
<BR>1. Lakitu takes you in the air for a while and
then you "warp" to the finish line, gaining half a lap.
<BR>2. Lakitu drops you in some water for a couple
seconds, and then you "warp" to the finish line as above.
<BR>3. Lakitu takes you to the finish line, but you
lose half a lap instead.
<BR>4. Lakitu drops you in the water and just lets
you drown.
<BR>These are only a few possibilities, so try it
in many different locations to get different results.</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>I found this one long before the other shortcut,
but I just kept it a secret for a while. The lap-skipping shortcut is pretty
much a corollary to this one. Again this is related to the weird properties
of the snow, and this one often yields some of the weirdest glitches in
the game, including the warp glitch, which is seen once again in Royal
Raceway. I had hoped to accomplish more than just a half-lap skip with
this one, but once I invented the other shortcut, I found this one to be
pretty much inferior, but it still is fun to play around with.</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Choco Mountain 1 - Jump the wall</FONT>
<BR>inventors: numerous sources
<BR>April 1997</FONT>
<P><FONT COLOR="#FFFFFF">Drive through Choco Mountain as usual until you
come to the part where you can see the overpass on your left. In
the time trial mode you can see a guardrail to your left. Go to the
part just before it starts going downhill and then turn 90 degrees to your
left. Drive into the wall and press the R button to jump at about
the moment you hit it, and you will jump right over the wall! You
will not only save some precious seconds but also avoid the risk of becoming
a smear on the road by one of those boulders.</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>Lets face it: The big wall in this level has
often aroused suspicion to many Mario Karters out there, and I cant imagine
how many people eventually figured this one out independently. I found
this one completely on my own, but I seriously doubt that I was the only
one.</FONT>
<P>
<HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Choco Mountain 2 - Jump-scaling</FONT>
<BR>inventor: David Wonn
<BR>June 1997</FONT>
<P><FONT COLOR="#FFFFFF">If you have fast fingers or a turbo controller,
you may want to try this alternative instead of jumping over the guardrail.
After completing seven-sixteenths of a lap, go immediately to the left
and "jump-scale" the mountain. By this I mean to rapidly jump with
R button while driving into the mountain. If you do this in the right
place, you will completely clear the mountain, and your kart will flip
for a few seconds and land just behind the three hills immediately behind
the finish line. This shortcut can get you to the finish line just
as quickly as the one where you jump over the guardrail.</FONT>
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Choco Mountain 3 - The biggest and
most difficult</FONT>
<BR>inventor: David Wonn
<BR>June 1997</FONT>
<P><FONT COLOR="#FFFFFF">This shortcut is a more difficult alternative,
but it is the best shortcut of the 4 that are in this course. Just
before you reach the big hill prior to the overpass area, go directly into
the wall on your left. Drive into it at full speed and jump as you
hit it. If you do this in the right place, you will clear the wall
and land in the same area as in shortcut #2. This will save you quite
a few more seconds per lap than the previous two.</FONT>
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Choco Mountain 4 - At the start</FONT>
<BR>inventor: David Wonn
<BR>June 1997</FONT>
<P><FONT COLOR="#FFFFFF">Last and certainly least is one that is loosely
inspired by my Toad's Turnpike shortcut, but this one isn't as effective.
At the very beginning of the course, just drive about one kart length forward
from the start line and drive into the wall on your left with the aid of
a mushroom. Jump with the R button as you hit it, and you might land
on top of the mountain. If you do it properly, Lakitu will pick you
up and place you right at the tunnel. This works pretty well in the
150cc, especially if you have a Gold Mushroom, but it doesnt appear to
work in Time Trial mode. One nice thing about it though is that you
can use it in conjunction with any one of the three previous shortcuts
to really smoke the competition.</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>I invented all the three shortcuts above all
in the same 24-hour period! They were all simply a result of my deep curiosity,
and I just knew that there had to be more than just one shortcut. This
is one of the first courses where I made use of my jump-scaling skills,
as well as Koopa Troopa Beach.
<P>Here you can see one of the first <a href=choco.txt>emails</a> I sent out
to various people regarding the discoveries in Choco Mountain.</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Mario Raceway</FONT>
<BR>initially posted on N64HQ.com
<BR>March 1997</FONT>
<P><FONT COLOR="#FFFFFF">Drive through Mario Raceway until you reach the part
where the track starts going uphill. This is just shortly before you come
across the big mushroom. To your right, you will see off in the distance two
walls which meet and form an upside-down T-shape. Ordinarily if you were
following the track, youd be just about to turn left. Instead, use a mushroom
when you get to the corner of the turn and turn right. You will need to jump
using the R button and try to aim so that you land on the right side of the
wall.. If all goes well, youll fly over the wall and cut out a large portion
of the track, and end up just shortly before the large pipe tunnel.</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>At first, the N64HQ mentioned a method of jumping the wall, but it involved
veering off to the left. I was one of the people who figured out that the
shortcut could be improved by veering off to the right instead, so I sent them
this <a href=mario.txt>e-mail</a> on March 5 and they included the improvement
in their strategy section.</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Wario Stadium 1&2 - Double half-lap-skippers</FONT>
<BR>inventors: numerous sources
<BR>established prior to February 12, 1997</FONT>
<P><FONT COLOR="#FFFFFF">The first part is easy; just drive into the wall
at the beginning of the course at full speed and jump just before you hit
the wall. It is recommended to use any of the four hills at the beginning
to increase your chances of jumping the wall. The next step is trickier
and will require some practice. Head back toward the wall which you just
jumped over, but look at the part where the finish line is. Drive at full
speed toward the spot where the finish line intersects the wall, and jump
just before you hit the wall. If your timing is right, you will jump over
the wall. Be sure that you land behind the finish line, or the trick won't
work. Now drive past the finish line to get a very fast lap. If you manage
to take both shortcuts on all three laps, you can finish the entire course
in less than half a minute. It is possible to do both shortcuts without
using any mushrooms.</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>I found the first half-lap-skipper within a week
of the American release date, but the shortcuts were SO obvious, that it
would be nearly impossible to figure out just how many people found the
shortcuts. It has even been brought to my attention that these shortcuts
were even used BEFORE the U.S. version was released by some people who
imported the Japanese version.</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Wario Stadium - Many other wall
jumps</FONT></FONT>
<P><FONT COLOR="#FFFFFF">Nearly every wall in the stadium is jumpable in
at least one spot, so it would be virtually impossible to list every shortcut.
There are some fairly significant ones before and after the big ramp, but
the ones near the finish line are the only ones youll need if youre going
for the fastest possible time, at least for now
</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Royal Raceway 1 - Skip the creek</FONT>
<BR>inventor: ???
<BR>March 1997</FONT>
<P><FONT COLOR="#FFFFFF">In Royal Raceway, you would normally take the
big ramp to get across the water. However, if you have mushrooms,
then you can skip a large portion of the course. At the start of
the course, drive past the first few turns, and drive roughly halfway across
the stretch of track which is parallel to the stream of water. At
this point, turn 90 degrees to the left, use a mushroom, and press the
R button to try to jump over the water. You will hit the land on
the other side and fall into the water. If this is done in the right
place, Lakitu will tow you onto the ramp itself, and you'll skip a significant
portion of the course.</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>Again this is another shortcut I have found on
my own, but I believe that someone else may have found it before I did.
If anyone happens to know who was first to find this one, please send me
an <A HREF="mailto:[email protected]">e-mail.</A></FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Royal Raceway 2 - From the bridge
in 150cc</FONT>
<BR>initially posted on N64HQ.com
<BR>March 1997</FONT>
<P><FONT COLOR="#FFFFFF">When you reach the big ramp, power-slide to the
left and try to take off from the left-most corner of the ramp. You will
want to aim between the mountain and where the item boxes are located in
GP mode. If this shortcut is done properly, Lakitu will place you right
where the item boxes are located.</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>This shortcut was originally found in the 150cc
GP mode since its much easier to do with enough speed. From what I read
on their site, I had the impression that it could be done in Time Trial
as well. So I tried it out and one day back in March I managed to pull
it off. I tried many times to re-create it, but I had no luck getting it
to work again. It took several MONTHS before I finally figured out how
to do it in Time Trial once again, and I even found a glitch in the process.
See the trick below for more details.</FONT>
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Royal Raceway 3 - Warp glitch</FONT>
<BR>inventor: David Wonn
<BR>first occurrence in March 1997
<BR>recreated and finally revealed in August 1997</FONT>
<P><FONT COLOR="#FFFFFF">The shortcut from the ramp can be done in Time
Trial as well the one where you jump across the river, but it is difficult.
First use a lightweight and do the shortcut across the river, so that Lakitu
takes you to the ramp. As soon as Lakitu sets you down, start a power-slide
to the left. Make the smoke turn red and try to get close to the
leftmost corner of the ramp. Turn approximately 45 degrees to the
left, but DON'T execute the mini-turbo. Hold the R button for the
duration of the jump. Ideally you will want to travel as far as possible,
but land on some dirt. When you land, you'll hear your character
make a sound as if a mini-turbo had just been executed (e.g. Toad will
say "Yahoo"). If you did this in the right place, Lakitu you place
you where the last set of item boxes are normally located in GP mode.
This shortcut doesn't really save you as much time as you would think,
but if you are REALLY lucky, Lakitu might hold you high in the air for
a couple seconds, and then you'll "warp" to the finish line, just like
he does in one of my Frappe Snowland shortcuts. You may want to practice
this in 150cc mode before you attempt to try it in Time Trial mode.
Good luck!</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>Since many people consider the warp glitch a
separate shortcut, I decided to list it separately. There was some controversy
over a time that Jim Quinn had claimed, so I decided to see if I could
reach a time close enough to his. In some ways, it was his time that inspired
me to look for another shortcut, but it was mostly due to the fact that
I had made the shortcut from the ramp in Time Trial mode and had difficulty
re-creating it. The warp glitch still eludes me to this date, and Im not
exactly sure what causes it other than the fact that you just have to hit
the right spot with near-perfect precision. Ive only been able to get
the warp glitch to work occasionally, but never on all 3 laps. Even if
I do get it to work on all 3 laps, Im still not sure if I can reach Quinns
alleged score with this technique. See the <A HREF="rumors.html">Rumors</A>
section for possibilities for more potential shortcuts and unconfirmed
rumors.</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>DKs Jungle Parkway 1 - Lap skip</FONT>
<BR>inventor: ???
<BR>March 1997</FONT>
<P><FONT COLOR="#FFFFFF">At the beginning of the course, go backwards to
get into the cave, and then start heading back in the right direction until
you approach the very end of the cave. Drive straight into the part
where the left wall of the cave meets the ground and jump with the R button.
If you did it correctly, you will fall off the course and land in some
hidden lake. If you did this with the correct angle, Lakitu will
put you back into the cave, but you will have skipped almost an entire
lap. If the angle is wrong, Lakitu will not place you inside the
cave, so you may need to keep trying the trick until you've figured out
precisely which angle you should use before you jump off the course.
I have found out that it is possible to land inside the cave instead of
the water, but you have to land at the rightmost edge of the cave to pull
that one off. It is possible to achieve scores which are less than
a minute if you do this on every lap.</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>Once again, Id really like to meet the talented
individual who found this shortcut. I dont know whether or not someone
is getting ripped off again, as in the cases with the Kalimari Star Shortcut
and my Frappe Snowland shortcut. I have to admit that I probably wouldnt
have ever come up with the DKs JP shortcut myself, so Id really like
to be able to give credit to someone. I did, however find that the original
shortcut could be improved by landing just inside the cave rather than
into the water, and as a result I was among the first to reach a score
in the lower 30s.</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>DKs Jungle Parkway 2 - Warp to
bridge</FONT>
<BR>inventor: David Wonn
<BR>February 1997</FONT>
<P><FONT COLOR="#FFFFFF">Near the beginning, drive to the part where you
can see a small island on your left and the bridge to your right. Instead
of turning right to go in a loop to reach the bridge, turn left and
jump in order to land on the small island. A mushroom or mini-turbo is
highly recommended here. Lakitu will then place you at the bridge, but
it wont save a whole lot of time.</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>This shortcut was completely intentional, as
I wanted to see if I could force Lakitu to put be on the bridge. It doesnt
really save much time, and Id rather just use the lap-skipper to get the
best possible time.</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>DKs Jungle Parkway 3 - Jump the
guardrail</FONT>
<BR>February 1997</FONT>
<P><FONT COLOR="#FFFFFF">When you reach the part where you can see the
bridge off to your right, try to jump over the guardrail. This will save
a couple seconds of time.</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>I found this one shortly after figuring out how
to jump walls in Wario Stadium. The real trick to this one is to make sure
to turn around after you make the jump.</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>DKs Jungle Parkway 4 - Veer off
to the left</FONT>
<BR>most likely known before February 12, 1997</FONT>
<P><FONT COLOR="#FFFFFF">This is really just a corner-cutter, and its
well known to everyone. When you get to the bridge, veer off to the left
and try to see how far you can veer without falling into the water.</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>DKs Jungle Parkway 5 - Another
warp</FONT>
<BR>inventor: David Wonn
<BR>May 1997??</FONT>
<P><FONT COLOR="#FFFFFF">This one is a little bit tricky and seems to work
better in 150cc GP mode on the second and third laps. After landing from
the bridge, go toward the left as usual and continue down the path until
you come to the part where you'd normally turn right. Instead of turning
right, try to go straight ahead but veer outside the course and try to
get to the narrow ledge outside of the course. Even if you don't make it,
sometimes Lakitu will put you ahead on a further section of the track.
It's difficult to pull off, so practice it in the 150cc mode first.</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>My original intention for this one was to see
if I could jump onto the narrow ledge outside the track. I was surprised
when I found that Lakitu had put me further ahead on the track. The warp
seems to have similar properties as the warp in Toads Turnpike. Now, if
I could just figure out what exactly causes it
</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>DKs Jungle Parkway 6 - Jump to
narrow bridge</FONT>
<BR>May 1997?</FONT>
<P><FONT COLOR="#FFFFFF">When you get to the next section where you can
see the river off to the left (right where you'd land from shortcut 5,
which is the next section beyond), go off the track as in shortcut 5 and
onto a narrow ledge. Now just before you have no place left to drive, jump
off and try to aim for the bridge off in the distance. This shortcut is
also tricky, but if successful, you can land directly on the bridge and
save a little time.</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>Once again, I wanted to see if I could reach
the narrow ledge outside the track. It can be difficult to hit the bridge
just right, but this one is a lot of fun to pull off.</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>DKs Jungle Parkway 7 - Cave detour</FONT>
<BR>most likely known before February 12, 1997</FONT>
<P><FONT COLOR="#FFFFFF">This is really just a corner-cutter and nearly
everyone knows about this one. At the hairpin turn inside the cave, you
can drive up the wall sooner by cutting the corner much sooner. Why would
anyone want to take the longer route anyway?</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Yoshi Valley 1 - Lap skip v. 1.0</FONT>
<BR>inventor: David Wonn
<BR>April 1997</FONT>
<P><FONT COLOR="#FFFFFF">Who says you have to go around the track in Yoshi
Valley? With this shortcut, you can cut the entire track out of consideration.
First picture an imaginary line extended from the finish line out to the
left, and look at the spot where this line meets with another section of
track (it's right about where the guardrail ends). This is the spot
you will want to aim for.
<P>At the start of the course, go forward just a
little bit until the very first tree on the left is directly to your left.
Now turn around so that you are facing the spot that I mentioned above.
Note: these locations are only approximate, but with LOTS of practice you'll
figure it out. Now use a mushroom and jump just before you start
to go down a steep hill. If everything is done correctly, you will
jump over the fence and hit the side of the remote track, and then you
will fall down into the valley. At this point, Lakitu will tow you
back to the finish line. If everything is done with perfect precision,
you will skip an entire lap! Don't expect this to work the first time you
try it. With lots of practice and near-perfect precision, you can
get a lap score in less than 10 seconds.</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>My original intention for this shortcut was to
see if I could jump to the remote track from the start. I was really surprised
when after trying it a few times, I actually tricked the lap counter! It
took me at least an hour or two before I could re-create it a second time,
but once I realized that it was similar to some shortcuts I found in the
original SMK, I then knew what I needed to do.
<P>Here is an early <a href=yoshi.txt>email</a> I sent out regarding this
shortcut.</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Yoshi Valley 2 - Skip the hairpin</FONT>
<BR>inventors: numerous sources
<BR>February 1997</FONT>
<P><FONT COLOR="#FFFFFF">Just beyond the section where you come across
the porcupines, you'll see a hairpin turn on the map. This hairpin can
be skipped by powersliding off to the left and jumping before you leave
the track. Watch your speed! It's easy to jump too far, which could be
a disaster. Practice is the key to perfecting this corner-cutter.</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>This one has been posted just about everywhere
and found by a number of sources. The varying of elevation in the track
must have aroused suspicion for a possible shortcut. Many people now consider
this just a corner-cutter rather than a shortcut, ever since my creation
of the lap-skipper.</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Yoshi Valley 3 - Lap skip v. 2.0</FONT>
<BR>inventors: Iacopo Sorce and David Wonn, independently (both in 150cc GP)
<BR><!--August-->circa May 1997
<BR>first Time Trial occurrence by Mike Simmons, circa 1998</FONT>
<P><FONT COLOR="#FFFFFF">Just when you thought one lap skip was good enough,
think again! First, go around the track for a lap as usual, but stop when you
get to the end of the end of the bridge after the giant egg. Now drive uphill
just a little bit and look off to your left and see where the fence begins.
This is also where the fun begins. :-) See the tree nearest the beginning of
the fence? The small area between that tree and the beginning of the fence is
the spot where this shortcut takes place.
<P>Give yourself some distance and drive toward this spot. Make sure to set up
a good powerslide and execute a mini-turbo just before you reach the "drop of
death". Try to fall in such a way that you are almost parallel with the fence,
but you will want to be slightly angled toward it, roughly 5 degrees or so.
You will want to fall as far as you can into the valley, but try not to hit a
wall until you are near the bottom. It's very difficult to explain, and even
more difficult to do, but if everything goes well, you'll advance to the next
lap just shortly before you hit the bottom. Lakitu will pick you up and place
you down near where you fell off the track. Race to the finish line to get a
very fast lap, possibly under 8 seconds. This shortcut is inferior to the old
lap skip when it comes to setting a fast total score, but it is superior for
lap scores.
<P>If they say a picture is worth a thousand words, then a
<a href=images/yv2.avi>movie</a>
must be worth a million! Thanks to Jason Whalls for creating this video which
accurately depicts how the shortcut is done. Please note: This movie will
<B>NOT</B> play in Windows Media Player. For some reason, it will only work
if you have Quicktime installed or if you have the Quicktime plugin for
Netscape Communicator. In the future, I'll see about getting a more
universally compatible movie file.</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>One day I was playing Yoshi Valley in 150cc Grand Prix Mode with Bowser.
One of my turns near the end of the track suddenly went ugly and I fell off
the track. I was on lap 3, fell into the valley, and by accident just happened
to stumble upon this shortcut. I struggled forever to try to recreate it. I
was only able to do it once in 1997 and twice in 1998, but oddly enough, it
happened with a heavyweight driver in lap 3 on each occasion! Since it
occurred on the final lap I wasn't sure whether or not I was skipping a lap.
Then later in 1998, Mike Simmons managed to hit it in Time Trial mode, so I
knew there had to be a way to do it almost at will. After seeing Jason Whalls'
video, I can now do it on a semi-regular basis in Time Trial mode.</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Rainbow Road v. 1.0</FONT>
<BR>initially posted on N64.com
<BR>February 1997</FONT>
<P><FONT COLOR="#FFFFFF">At the start, before you get air on the big,
long hill, take a wide turn left off the course and into midair. If you've
got the correct angle and speed, you'll fly through the air for nearly
5 seconds, and will land on the same course below. This shortcut will
save you time immensely. Be careful though as it's easy to overshoot the
track.</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>This shortcut was revealed just shortly after
the American release date, and is probably one of the most well known shortcuts
to this date. Its nice to have such a big shortcut for this enormous course.</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCC99"><FONT SIZE=+2>Rainbow Road v. 2.0 - Spiral jump</FONT>
<BR>inventor unknown
<BR>circa March 1997</FONT>
<P><FONT COLOR="#FFFFFF">Yes Virginia, there is a way to reach the spiral!
First, make sure to select the zoom-out view. This is not required but it helps
a lot. At the beginning, start off with a powerslide toward the left wall so
that your kart is facing right. Make sure to get close to the left wall but
don't hit it! Just as you are facing almost 90 degrees to the right, execute a
SSMT (straight stretch mini-turbo) near the second red stripe past the start.
You will now be heading toward the right wall. Now do a very hard left turn,
nearly 180 degrees so that it is like a U-turn. As soon as you get close to
the left wall, jump! You should be near the third red stripe, or possibly on a
yellow stripe at this point. All of the above should occur in just under 4
seconds for this to work. If all goes well, you will clear the fence, and you
may even feel a slight "lift" as you jump the leap of faith. If the angle is
dead-on, and I do mean DEAD-ON, then you may be able to reach the top portion
of the spiral. This will save almost ten more seconds than the regular
shortcut. Please note: This is VERY hard to perform.
<P>Here are some diagrams made by Alex Penev which will give you a pictorial
idea of how this shortcut is done: (external links)
<a href=http://www.geocities.com/TelevisionCity/Network/2015/spiral.jpg>Pic 1</a>
<a href=http://www.geocities.com/TelevisionCity/Network/2015/spiral2.jpg>Pic 2</a>
</FONT>
<P><FONT COLOR="#CCFFFF">More comments:
<BR>As if there weren't already enough confirmations from some very reliable
sources, I had to do this myself anyway. :-) It would be very difficult to
pinpoint when this shortcut was first landed and by whom. It is estimated that
legitimate claims may have appeared as early as March 1997. I had a strong
suspicion that it could be done, but it took me 2½ years to get it right! Many
notable karters have accomplished this amazing feat, including Davey Alseike,
Alex Penev, Myles Bukrim, Steven Zwartjes, Ben Miller, David Wonn, Mike
Simmons, and Greg Ihnatenko.
</FONT>
<P><HR WIDTH="100%">
<P><FONT COLOR="#FFCCFF"><FONT SIZE=+2>Other shortcuts & corner-cutters:</FONT></FONT>
<P>The list above outlines the major shortcuts and significant corner-cutters.
There are some minor corner-cutters such as jumping the cracks in Banshee
Boardwalk and Sherbet Land, but since nearly every course has some corner-cutters,
there isnt much need to list them here.
<P>Id also like to point out that I have been working on some other shortcuts,
some of which may even save more time than some of the ones listed above.
Some of these shortcuts have only been accomplished once or twice, and
I havent been able to re-create them. Since I havent perfected them yet,
I have not revealed them to anyone yet (well, maybe to a few people, but
theyre sworn to secrecy at this time). If I see a need to reveal them,
Ill put them in the Rumors section until either someone else or myself
perfects the technique to these confidential shortcuts.
<P>If anyone finds a new shortcut unlike anything seen before, please e-mail
me and Ill give you credit for brand new shortcuts. If I can verify that
the shortcut works, Ill include it with the list above. If I cant verify
it and if none of my reliable sources can verify it either, I may still
consider putting it in the Rumors section. Even if you believe that youve
stumbled upon a shortcut by accident, please inform me, and I may be able
to help re-create the shortcut.
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|
MK64 shortcuts - The Comprehensive List
#
Mario Kart 64 Shortcuts
##
The Comprehensive List
It is my intention to make this site
the most comprehensive list of MK64 shortcuts on the web. Any other shortcuts
which are in the works or not verified may be listed in the [Rumors](rumors.html)
section, which is completely separate from the legitimate shortcuts. This
list will highlight the major shortcuts which can be done in 1P mode, with
an emphasis on the Time Trial shortcuts.
Here you will find all of the known shortcuts
plus some background of how they were discovered:
---
Luigi Raceway 1 - Over the wall
inventor: Jeos Oreamuno
May 1997
After coming out of the tunnel in Luigi Raceway,
head toward the part where the gray wall meets the brick wall off to your
left. Look for the sixth brick from the left, and use a mushroom
to blast toward it (right behind a tree). Now jump with the R button
as soon as you hit the wall. If all goes well, you'll jump over the
wall and skip the final curve of the course, saving you some precious seconds.
Note: This trick is hard to do consistently.
More comments:
One day Jeos stumbled upon this amazing shortcut,
but he had some difficulty re-creating it. His friend had heard about some
of my discoveries and revealed the shortcut to me after I had helped him
out with some of my shortcuts. He wanted to know if I could somehow re-create
the shortcut given only the knowledge that it occurred over the brick wall
not too far from the gray wall. Much to my amazement, I had figured out
how to re-create it within two hours of receiving the e-mail! Since that
time, I have used the sixth brick from the left as a rough approximation
for doing the shortcut. I give all the credit to Jeos, since he initially
found it.
Here you can see the original [email](luigi.txt) that was sent to me
regarding this revolutionary shortcut!
---
Luigi Raceway 2 - Blue shell
inventor: David Wonn
April 1997
This one works really well in 1P GP mode, and
it will work in any mode except Time Trial. Get the Blue
Spiny Shell on the second lap and hold on
to it until you reach the end of the lap. Also make sure that you
are in 1st place as you approach the final lap. At the very beginning
of the final lap, fire the Blue Shell
straight ahead, and then make a quick turn to the left. If all goes
well, the shell will knock you over the wall, and you'll land inside the
tunnel, skipping half of the course!
More comments:
I had always been curious to see if the wall
at the beginning could be skipped since the wall seemed suspiciously thin.
I remember playing in Vs. mode with other people and knocking them off
some of the courses with a well-timed shell. So I thought to myself, What
would I do if someone had fired a Blue Shell at me? Id want to use it
to my advantage, of course! The greatest part about this shortcut is that
you can do it in 1P GP mode with your own shell! I initially kept this
one a secret until I decided to show it off before the final round of a
local tournament. Everyone was amazed when they saw that I could use their
own weapons against them! It was illegal to use shortcuts like jumping
walls, but they didnt say that I couldnt use Blue Shells to my advantage.
Unfortunately I never really had the opportunity to use it in the final
round, but I still won the tournament anyway so I guess it didnt really
matter.
---
Koopa Troopa Beach 1 & 2
Use the ramp just before the tunnel and jump just
before you reach the end of the ramp. A mushroom is helpful, but not required.
The other one is just a matter of driving through a narrow sandbar by veering
off to the right just after the archway. Its not as effective as the other
one.
More comments:
These shortcuts are quite possibly the only ones
that were actually meant to be in the game. Since they really are a part
of the course, and everyone knows about them, many pros dont recognize
these as shortcuts. Theyre considered preferred lines by many, and I
sometimes just simply classify them as corner cutters.
BTW, for those who dont know, I have found out
back in February 1997 that you can jump the small wall which leads to the
entrance of the cave. Its not much, but its very handy if you happen
to miss the ramp, or if youre playing against others who just love to
set traps on the ramps.
---
Kalimari Desert 1 - Star shortcut
inventor: ???
circa March 1997
If you manage to get a Star
on either of the first two laps, head toward the tunnel by taking a left
at the second railroad crossing. Just before you enter the tunnel, activate
the Star and
the lap counter will increase at a certain point inside the tunnel.
More comments:
Even though this has been printed on Nintendos
web site, Id still like to know who actually discovered it. Since Nintendo
has been known to take some of my tricks without giving proper credit (ahem,
Frappe, cough, Snowland, cough), I cant help but feel that some talented
individual out there may be getting ripped off. Its also possible that
someone at Nintendo may have discovered it, but I really dont know for
sure. If anyone knows anything about who discovered this shortcut, please
send me an [e-mail.](mailto:[email protected])
---
Kalimari Desert 2 - Blue shell
inventor: F. Gerald Caruso
circa April 1997?
This trick requires a Shell, so it cannot be done in
Time Trial. After getting a Blue Shell,
take a left at the first railroad crossing and travel through the cave.
Shortly after exiting, fire the shell and head directly toward it. This
impact of the shell should send you over the guardrail and shorten the
course significantly. Unlike my trick in Luigi Raceway, you dont have
to be in first place to make this trick work.
More comments:
Although I have encountered this shortcut myself
as a corollary to my blue shell trick in Luigi Raceway, I give the credit
to F. Gerald Caruso since it is quite possible that he discovered it before
I did. I have to admit its quite a clever shortcut, and it provides a
good alternative to the Star shortcut.
---
Toads Turnpike
inventor: David Wonn
revealed on March 12, 1997
Select any driver and make sure to have the map
selected on your screen. Drive along the regular course until you
come to the part where the map overlaps itself. Now make a sharp
90 degree turn to the right, and head for the guardrail, but keep jumping
with the R button until your kart lands on top of the guardrail.
At this point Lakitu will tow you back onto the course as usual.
As soon as Lakitu sets you down, hold both the A and B buttons down and
hold the analog stick to the right, so that your driver will do a spin
turn. Do the spin turn until your kart is facing 90 degrees to the
right, and release the analog stick and the B button. At this point,
you will see your kart driver from a profile view. Now jump with
the R button before you make contact with the guardrail. If all goes
well, you will jump through the wall and off the course into a lake.
Depending on where you land, Lakitu may tow you onto a later section of
the course!
If you don't end up going through the wall and
end up on the guardrail instead, then repeat the process beginning with
the spin turn to right. You should eventually get this to work, but
it takes a
**LOT**
of practice. Lakitu always tows you to whichever part of the track
is closest, so make sure to aim for someplace near the later section of
the track. If your jump is really precise, you may end up landing
on the track below instead of in the water. Sometimes Lakitu will
tow you ahead even if you just land on the guardrail, but this is quite
rare. With this trick, I have managed to improve my overall score
to 1'48"40 and my lap score to 32"86 [those
were my scores back in March 1997!], both
with Yoshi. Don't be surprised if it takes a long time before you
get it to work the first time. It is possible to get this trick to
work on a semi-regular basis if you are really good at it.
 After 3½ years of holding back, I'm revealing an even better
way to do this infamous shortcut! The AB spin turn is **NOT** required
to pull off the shortcut. That's right, just simply turn into the wall as
quickly as you can, and you can still do the shortcut. Here is [Kevin
Booth's video](http://groups.yahoo.com/group/mariokartmovies/files/Kevin%20TTSC%20WR.avi) which accurately demonstrates this more efficient method.
More comments:
This is quite possibly my proudest accomplishment
in MK64, and it is one of my personal favorite shortcuts. I found this
one as a result of some bad habits, or instincts, that I carried over from
playing the original SMK. I had accidentally come close to the guardrails,
and my instincts from SMK told me to jump, so I ended up on top of the
guardrail. After playing around with the guardrail enough times, I eventually
fell through and even past the wall. When I saw cars off in the distance,
the idea finally came to me that I should try it out at the place where
the track overlaps itself. Sure enough, I was able to do it, and now the
rest is history
For those who are interested, I still have the original e-mails that I sent
out on March 12, 1997, which shows my [initial
impressions](turnpike.txt) of the shortcut. Click [here](turnpike.txt)
to view the text.
---
Frappe Snowland 1 - Lap skip
inventor: David Wonn
May 1997
I have discovered a shortcut which can reduce
your total score to less than the length of a single lap! Unlike
my Toad's Turnpike and Yoshi Valley shortcuts, this one is actually easy
to pull off. At the very end of the course drive across the bridge,
but do not touch any part of the track between the bridge and the finish
line. Instead, veer off to the right after you reach the end of the
bridge and drive off the course into the snow until you reach the finish
line. At this point, drive further off the course so that Lakitu will pick
you up. If everything is done correctly, Lakitu will tow you back
to the bridge, and you will skip an entire lap! If you do this on
all three laps (go backwards in the first lap), your score will be reduced
significantly.
More comments:
This shortcut is probably the only shortcut I
invented which is both easy to do AND very effective. As a result it makes
this course the fastest track in the game, second only to Wario Stadium.
This shortcut is also one of the few that was intentional, rather than
completely accidental. One day I was playing around near the bridge and
found that the snow had some weird properties whenever I veered off into
it and was picked up by Lakitu. I initially found a way to LOSE a lap.
Once I had figured out why I lost an entire lap, I understood the weird
properties of the snow well enough. It was then just a matter of reversing
the process, and the rest is history.
BTW, some of you may have noticed in Nintendo
Power magazine Volume 102, that they heard about the shortcut from several
clever fans via our web site. If you ever wondered who they were referring
to and hadnt heard about this on the Internet many MONTHS before NP stole
it, now you know its background.
Here's one of my first [emails](frappe.txt) I sent out regarding
my discovery.
---
Frappe Snowland 2 - Warp glitch
inventors: David Wonn and MK64EC independently
March 1997
This shortcut is based on a glitch that I found
back in March 1997. It's not as effective as my other Frappe Snowland
shortcut, but it is more fun to try out. Go to the ramp which takes
you over the stream of water and veer off to the left (or to the right)
so that you land in some snow, and make sure that you never touch the track.
Continue to drive in the snow until you are roughly halfway around the
course. Now drive outside the limits so that Lakitu will pick you
up. Depending on where you do this, some very strange results could
happen:
1. Lakitu takes you in the air for a while and
then you "warp" to the finish line, gaining half a lap.
2. Lakitu drops you in some water for a couple
seconds, and then you "warp" to the finish line as above.
3. Lakitu takes you to the finish line, but you
lose half a lap instead.
4. Lakitu drops you in the water and just lets
you drown.
These are only a few possibilities, so try it
in many different locations to get different results.
More comments:
I found this one long before the other shortcut,
but I just kept it a secret for a while. The lap-skipping shortcut is pretty
much a corollary to this one. Again this is related to the weird properties
of the snow, and this one often yields some of the weirdest glitches in
the game, including the warp glitch, which is seen once again in Royal
Raceway. I had hoped to accomplish more than just a half-lap skip with
this one, but once I invented the other shortcut, I found this one to be
pretty much inferior, but it still is fun to play around with.
---
Choco Mountain 1 - Jump the wall
inventors: numerous sources
April 1997
Drive through Choco Mountain as usual until you
come to the part where you can see the overpass on your left. In
the time trial mode you can see a guardrail to your left. Go to the
part just before it starts going downhill and then turn 90 degrees to your
left. Drive into the wall and press the R button to jump at about
the moment you hit it, and you will jump right over the wall! You
will not only save some precious seconds but also avoid the risk of becoming
a smear on the road by one of those boulders.
More comments:
Lets face it: The big wall in this level has
often aroused suspicion to many Mario Karters out there, and I cant imagine
how many people eventually figured this one out independently. I found
this one completely on my own, but I seriously doubt that I was the only
one.
---
Choco Mountain 2 - Jump-scaling
inventor: David Wonn
June 1997
If you have fast fingers or a turbo controller,
you may want to try this alternative instead of jumping over the guardrail.
After completing seven-sixteenths of a lap, go immediately to the left
and "jump-scale" the mountain. By this I mean to rapidly jump with
R button while driving into the mountain. If you do this in the right
place, you will completely clear the mountain, and your kart will flip
for a few seconds and land just behind the three hills immediately behind
the finish line. This shortcut can get you to the finish line just
as quickly as the one where you jump over the guardrail.
Choco Mountain 3 - The biggest and
most difficult
inventor: David Wonn
June 1997
This shortcut is a more difficult alternative,
but it is the best shortcut of the 4 that are in this course. Just
before you reach the big hill prior to the overpass area, go directly into
the wall on your left. Drive into it at full speed and jump as you
hit it. If you do this in the right place, you will clear the wall
and land in the same area as in shortcut #2. This will save you quite
a few more seconds per lap than the previous two.
Choco Mountain 4 - At the start
inventor: David Wonn
June 1997
Last and certainly least is one that is loosely
inspired by my Toad's Turnpike shortcut, but this one isn't as effective.
At the very beginning of the course, just drive about one kart length forward
from the start line and drive into the wall on your left with the aid of
a mushroom. Jump with the R button as you hit it, and you might land
on top of the mountain. If you do it properly, Lakitu will pick you
up and place you right at the tunnel. This works pretty well in the
150cc, especially if you have a Gold Mushroom, but it doesnt appear to
work in Time Trial mode. One nice thing about it though is that you
can use it in conjunction with any one of the three previous shortcuts
to really smoke the competition.
More comments:
I invented all the three shortcuts above all
in the same 24-hour period! They were all simply a result of my deep curiosity,
and I just knew that there had to be more than just one shortcut. This
is one of the first courses where I made use of my jump-scaling skills,
as well as Koopa Troopa Beach.
Here you can see one of the first [emails](choco.txt) I sent out
to various people regarding the discoveries in Choco Mountain.
---
Mario Raceway
initially posted on N64HQ.com
March 1997
Drive through Mario Raceway until you reach the part
where the track starts going uphill. This is just shortly before you come
across the big mushroom. To your right, you will see off in the distance two
walls which meet and form an upside-down T-shape. Ordinarily if you were
following the track, youd be just about to turn left. Instead, use a mushroom
when you get to the corner of the turn and turn right. You will need to jump
using the R button and try to aim so that you land on the right side of the
wall.. If all goes well, youll fly over the wall and cut out a large portion
of the track, and end up just shortly before the large pipe tunnel.
More comments:
At first, the N64HQ mentioned a method of jumping the wall, but it involved
veering off to the left. I was one of the people who figured out that the
shortcut could be improved by veering off to the right instead, so I sent them
this [e-mail](mario.txt) on March 5 and they included the improvement
in their strategy section.
---
Wario Stadium 1&2 - Double half-lap-skippers
inventors: numerous sources
established prior to February 12, 1997
The first part is easy; just drive into the wall
at the beginning of the course at full speed and jump just before you hit
the wall. It is recommended to use any of the four hills at the beginning
to increase your chances of jumping the wall. The next step is trickier
and will require some practice. Head back toward the wall which you just
jumped over, but look at the part where the finish line is. Drive at full
speed toward the spot where the finish line intersects the wall, and jump
just before you hit the wall. If your timing is right, you will jump over
the wall. Be sure that you land behind the finish line, or the trick won't
work. Now drive past the finish line to get a very fast lap. If you manage
to take both shortcuts on all three laps, you can finish the entire course
in less than half a minute. It is possible to do both shortcuts without
using any mushrooms.
More comments:
I found the first half-lap-skipper within a week
of the American release date, but the shortcuts were SO obvious, that it
would be nearly impossible to figure out just how many people found the
shortcuts. It has even been brought to my attention that these shortcuts
were even used BEFORE the U.S. version was released by some people who
imported the Japanese version.
---
Wario Stadium - Many other wall
jumps
Nearly every wall in the stadium is jumpable in
at least one spot, so it would be virtually impossible to list every shortcut.
There are some fairly significant ones before and after the big ramp, but
the ones near the finish line are the only ones youll need if youre going
for the fastest possible time, at least for now
---
Royal Raceway 1 - Skip the creek
inventor: ???
March 1997
In Royal Raceway, you would normally take the
big ramp to get across the water. However, if you have mushrooms,
then you can skip a large portion of the course. At the start of
the course, drive past the first few turns, and drive roughly halfway across
the stretch of track which is parallel to the stream of water. At
this point, turn 90 degrees to the left, use a mushroom, and press the
R button to try to jump over the water. You will hit the land on
the other side and fall into the water. If this is done in the right
place, Lakitu will tow you onto the ramp itself, and you'll skip a significant
portion of the course.
More comments:
Again this is another shortcut I have found on
my own, but I believe that someone else may have found it before I did.
If anyone happens to know who was first to find this one, please send me
an [e-mail.](mailto:[email protected])
---
Royal Raceway 2 - From the bridge
in 150cc
initially posted on N64HQ.com
March 1997
When you reach the big ramp, power-slide to the
left and try to take off from the left-most corner of the ramp. You will
want to aim between the mountain and where the item boxes are located in
GP mode. If this shortcut is done properly, Lakitu will place you right
where the item boxes are located.
More comments:
This shortcut was originally found in the 150cc
GP mode since its much easier to do with enough speed. From what I read
on their site, I had the impression that it could be done in Time Trial
as well. So I tried it out and one day back in March I managed to pull
it off. I tried many times to re-create it, but I had no luck getting it
to work again. It took several MONTHS before I finally figured out how
to do it in Time Trial once again, and I even found a glitch in the process.
See the trick below for more details.
Royal Raceway 3 - Warp glitch
inventor: David Wonn
first occurrence in March 1997
recreated and finally revealed in August 1997
The shortcut from the ramp can be done in Time
Trial as well the one where you jump across the river, but it is difficult.
First use a lightweight and do the shortcut across the river, so that Lakitu
takes you to the ramp. As soon as Lakitu sets you down, start a power-slide
to the left. Make the smoke turn red and try to get close to the
leftmost corner of the ramp. Turn approximately 45 degrees to the
left, but DON'T execute the mini-turbo. Hold the R button for the
duration of the jump. Ideally you will want to travel as far as possible,
but land on some dirt. When you land, you'll hear your character
make a sound as if a mini-turbo had just been executed (e.g. Toad will
say "Yahoo"). If you did this in the right place, Lakitu you place
you where the last set of item boxes are normally located in GP mode.
This shortcut doesn't really save you as much time as you would think,
but if you are REALLY lucky, Lakitu might hold you high in the air for
a couple seconds, and then you'll "warp" to the finish line, just like
he does in one of my Frappe Snowland shortcuts. You may want to practice
this in 150cc mode before you attempt to try it in Time Trial mode.
Good luck!
More comments:
Since many people consider the warp glitch a
separate shortcut, I decided to list it separately. There was some controversy
over a time that Jim Quinn had claimed, so I decided to see if I could
reach a time close enough to his. In some ways, it was his time that inspired
me to look for another shortcut, but it was mostly due to the fact that
I had made the shortcut from the ramp in Time Trial mode and had difficulty
re-creating it. The warp glitch still eludes me to this date, and Im not
exactly sure what causes it other than the fact that you just have to hit
the right spot with near-perfect precision. Ive only been able to get
the warp glitch to work occasionally, but never on all 3 laps. Even if
I do get it to work on all 3 laps, Im still not sure if I can reach Quinns
alleged score with this technique. See the [Rumors](rumors.html)
section for possibilities for more potential shortcuts and unconfirmed
rumors.
---
DKs Jungle Parkway 1 - Lap skip
inventor: ???
March 1997
At the beginning of the course, go backwards to
get into the cave, and then start heading back in the right direction until
you approach the very end of the cave. Drive straight into the part
where the left wall of the cave meets the ground and jump with the R button.
If you did it correctly, you will fall off the course and land in some
hidden lake. If you did this with the correct angle, Lakitu will
put you back into the cave, but you will have skipped almost an entire
lap. If the angle is wrong, Lakitu will not place you inside the
cave, so you may need to keep trying the trick until you've figured out
precisely which angle you should use before you jump off the course.
I have found out that it is possible to land inside the cave instead of
the water, but you have to land at the rightmost edge of the cave to pull
that one off. It is possible to achieve scores which are less than
a minute if you do this on every lap.
More comments:
Once again, Id really like to meet the talented
individual who found this shortcut. I dont know whether or not someone
is getting ripped off again, as in the cases with the Kalimari Star Shortcut
and my Frappe Snowland shortcut. I have to admit that I probably wouldnt
have ever come up with the DKs JP shortcut myself, so Id really like
to be able to give credit to someone. I did, however find that the original
shortcut could be improved by landing just inside the cave rather than
into the water, and as a result I was among the first to reach a score
in the lower 30s.
---
DKs Jungle Parkway 2 - Warp to
bridge
inventor: David Wonn
February 1997
Near the beginning, drive to the part where you
can see a small island on your left and the bridge to your right. Instead
of turning right to go in a loop to reach the bridge, turn left and
jump in order to land on the small island. A mushroom or mini-turbo is
highly recommended here. Lakitu will then place you at the bridge, but
it wont save a whole lot of time.
More comments:
This shortcut was completely intentional, as
I wanted to see if I could force Lakitu to put be on the bridge. It doesnt
really save much time, and Id rather just use the lap-skipper to get the
best possible time.
---
DKs Jungle Parkway 3 - Jump the
guardrail
February 1997
When you reach the part where you can see the
bridge off to your right, try to jump over the guardrail. This will save
a couple seconds of time.
More comments:
I found this one shortly after figuring out how
to jump walls in Wario Stadium. The real trick to this one is to make sure
to turn around after you make the jump.
---
DKs Jungle Parkway 4 - Veer off
to the left
most likely known before February 12, 1997
This is really just a corner-cutter, and its
well known to everyone. When you get to the bridge, veer off to the left
and try to see how far you can veer without falling into the water.
---
DKs Jungle Parkway 5 - Another
warp
inventor: David Wonn
May 1997??
This one is a little bit tricky and seems to work
better in 150cc GP mode on the second and third laps. After landing from
the bridge, go toward the left as usual and continue down the path until
you come to the part where you'd normally turn right. Instead of turning
right, try to go straight ahead but veer outside the course and try to
get to the narrow ledge outside of the course. Even if you don't make it,
sometimes Lakitu will put you ahead on a further section of the track.
It's difficult to pull off, so practice it in the 150cc mode first.
More comments:
My original intention for this one was to see
if I could jump onto the narrow ledge outside the track. I was surprised
when I found that Lakitu had put me further ahead on the track. The warp
seems to have similar properties as the warp in Toads Turnpike. Now, if
I could just figure out what exactly causes it
---
DKs Jungle Parkway 6 - Jump to
narrow bridge
May 1997?
When you get to the next section where you can
see the river off to the left (right where you'd land from shortcut 5,
which is the next section beyond), go off the track as in shortcut 5 and
onto a narrow ledge. Now just before you have no place left to drive, jump
off and try to aim for the bridge off in the distance. This shortcut is
also tricky, but if successful, you can land directly on the bridge and
save a little time.
More comments:
Once again, I wanted to see if I could reach
the narrow ledge outside the track. It can be difficult to hit the bridge
just right, but this one is a lot of fun to pull off.
---
DKs Jungle Parkway 7 - Cave detour
most likely known before February 12, 1997
This is really just a corner-cutter and nearly
everyone knows about this one. At the hairpin turn inside the cave, you
can drive up the wall sooner by cutting the corner much sooner. Why would
anyone want to take the longer route anyway?
---
Yoshi Valley 1 - Lap skip v. 1.0
inventor: David Wonn
April 1997
Who says you have to go around the track in Yoshi
Valley? With this shortcut, you can cut the entire track out of consideration.
First picture an imaginary line extended from the finish line out to the
left, and look at the spot where this line meets with another section of
track (it's right about where the guardrail ends). This is the spot
you will want to aim for.
At the start of the course, go forward just a
little bit until the very first tree on the left is directly to your left.
Now turn around so that you are facing the spot that I mentioned above.
Note: these locations are only approximate, but with LOTS of practice you'll
figure it out. Now use a mushroom and jump just before you start
to go down a steep hill. If everything is done correctly, you will
jump over the fence and hit the side of the remote track, and then you
will fall down into the valley. At this point, Lakitu will tow you
back to the finish line. If everything is done with perfect precision,
you will skip an entire lap! Don't expect this to work the first time you
try it. With lots of practice and near-perfect precision, you can
get a lap score in less than 10 seconds.
More comments:
My original intention for this shortcut was to
see if I could jump to the remote track from the start. I was really surprised
when after trying it a few times, I actually tricked the lap counter! It
took me at least an hour or two before I could re-create it a second time,
but once I realized that it was similar to some shortcuts I found in the
original SMK, I then knew what I needed to do.
Here is an early [email](yoshi.txt) I sent out regarding this
shortcut.
---
Yoshi Valley 2 - Skip the hairpin
inventors: numerous sources
February 1997
Just beyond the section where you come across
the porcupines, you'll see a hairpin turn on the map. This hairpin can
be skipped by powersliding off to the left and jumping before you leave
the track. Watch your speed! It's easy to jump too far, which could be
a disaster. Practice is the key to perfecting this corner-cutter.
More comments:
This one has been posted just about everywhere
and found by a number of sources. The varying of elevation in the track
must have aroused suspicion for a possible shortcut. Many people now consider
this just a corner-cutter rather than a shortcut, ever since my creation
of the lap-skipper.
---
Yoshi Valley 3 - Lap skip v. 2.0
inventors: Iacopo Sorce and David Wonn, independently (both in 150cc GP)
circa May 1997
first Time Trial occurrence by Mike Simmons, circa 1998
Just when you thought one lap skip was good enough,
think again! First, go around the track for a lap as usual, but stop when you
get to the end of the end of the bridge after the giant egg. Now drive uphill
just a little bit and look off to your left and see where the fence begins.
This is also where the fun begins. :-) See the tree nearest the beginning of
the fence? The small area between that tree and the beginning of the fence is
the spot where this shortcut takes place.
Give yourself some distance and drive toward this spot. Make sure to set up
a good powerslide and execute a mini-turbo just before you reach the "drop of
death". Try to fall in such a way that you are almost parallel with the fence,
but you will want to be slightly angled toward it, roughly 5 degrees or so.
You will want to fall as far as you can into the valley, but try not to hit a
wall until you are near the bottom. It's very difficult to explain, and even
more difficult to do, but if everything goes well, you'll advance to the next
lap just shortly before you hit the bottom. Lakitu will pick you up and place
you down near where you fell off the track. Race to the finish line to get a
very fast lap, possibly under 8 seconds. This shortcut is inferior to the old
lap skip when it comes to setting a fast total score, but it is superior for
lap scores.
If they say a picture is worth a thousand words, then a
[movie](images/yv2.avi)
must be worth a million! Thanks to Jason Whalls for creating this video which
accurately depicts how the shortcut is done. Please note: This movie will
**NOT** play in Windows Media Player. For some reason, it will only work
if you have Quicktime installed or if you have the Quicktime plugin for
Netscape Communicator. In the future, I'll see about getting a more
universally compatible movie file.
More comments:
One day I was playing Yoshi Valley in 150cc Grand Prix Mode with Bowser.
One of my turns near the end of the track suddenly went ugly and I fell off
the track. I was on lap 3, fell into the valley, and by accident just happened
to stumble upon this shortcut. I struggled forever to try to recreate it. I
was only able to do it once in 1997 and twice in 1998, but oddly enough, it
happened with a heavyweight driver in lap 3 on each occasion! Since it
occurred on the final lap I wasn't sure whether or not I was skipping a lap.
Then later in 1998, Mike Simmons managed to hit it in Time Trial mode, so I
knew there had to be a way to do it almost at will. After seeing Jason Whalls'
video, I can now do it on a semi-regular basis in Time Trial mode.
---
Rainbow Road v. 1.0
initially posted on N64.com
February 1997
At the start, before you get air on the big,
long hill, take a wide turn left off the course and into midair. If you've
got the correct angle and speed, you'll fly through the air for nearly
5 seconds, and will land on the same course below. This shortcut will
save you time immensely. Be careful though as it's easy to overshoot the
track.
More comments:
This shortcut was revealed just shortly after
the American release date, and is probably one of the most well known shortcuts
to this date. Its nice to have such a big shortcut for this enormous course.
---
Rainbow Road v. 2.0 - Spiral jump
inventor unknown
circa March 1997
Yes Virginia, there is a way to reach the spiral!
First, make sure to select the zoom-out view. This is not required but it helps
a lot. At the beginning, start off with a powerslide toward the left wall so
that your kart is facing right. Make sure to get close to the left wall but
don't hit it! Just as you are facing almost 90 degrees to the right, execute a
SSMT (straight stretch mini-turbo) near the second red stripe past the start.
You will now be heading toward the right wall. Now do a very hard left turn,
nearly 180 degrees so that it is like a U-turn. As soon as you get close to
the left wall, jump! You should be near the third red stripe, or possibly on a
yellow stripe at this point. All of the above should occur in just under 4
seconds for this to work. If all goes well, you will clear the fence, and you
may even feel a slight "lift" as you jump the leap of faith. If the angle is
dead-on, and I do mean DEAD-ON, then you may be able to reach the top portion
of the spiral. This will save almost ten more seconds than the regular
shortcut. Please note: This is VERY hard to perform.
Here are some diagrams made by Alex Penev which will give you a pictorial
idea of how this shortcut is done: (external links)
[Pic 1](http://www.geocities.com/TelevisionCity/Network/2015/spiral.jpg)
[Pic 2](http://www.geocities.com/TelevisionCity/Network/2015/spiral2.jpg)
More comments:
As if there weren't already enough confirmations from some very reliable
sources, I had to do this myself anyway. :-) It would be very difficult to
pinpoint when this shortcut was first landed and by whom. It is estimated that
legitimate claims may have appeared as early as March 1997. I had a strong
suspicion that it could be done, but it took me 2½ years to get it right! Many
notable karters have accomplished this amazing feat, including Davey Alseike,
Alex Penev, Myles Bukrim, Steven Zwartjes, Ben Miller, David Wonn, Mike
Simmons, and Greg Ihnatenko.
---
Other shortcuts & corner-cutters:
The list above outlines the major shortcuts and significant corner-cutters.
There are some minor corner-cutters such as jumping the cracks in Banshee
Boardwalk and Sherbet Land, but since nearly every course has some corner-cutters,
there isnt much need to list them here.
Id also like to point out that I have been working on some other shortcuts,
some of which may even save more time than some of the ones listed above.
Some of these shortcuts have only been accomplished once or twice, and
I havent been able to re-create them. Since I havent perfected them yet,
I have not revealed them to anyone yet (well, maybe to a few people, but
theyre sworn to secrecy at this time). If I see a need to reveal them,
Ill put them in the Rumors section until either someone else or myself
perfects the technique to these confidential shortcuts.
If anyone finds a new shortcut unlike anything seen before, please e-mail
me and Ill give you credit for brand new shortcuts. If I can verify that
the shortcut works, Ill include it with the list above. If I cant verify
it and if none of my reliable sources can verify it either, I may still
consider putting it in the Rumors section. Even if you believe that youve
stumbled upon a shortcut by accident, please inform me, and I may be able
to help re-create the shortcut.
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<HTML>
<HEAD>
<TITLE>The Cataclysmic 1991 Eruption of Mount Pinatubo, Philippines, Fact Sheet 113-97</TITLE>
<meta name="keywords" content="Mount Pinatubo,Pintaubo,Philippine volcanoes,
lahars,explosive eruption,eruption precursors">
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<BODY BGCOLOR="#FFFFFF">
<P> <FONT SIZE="-1"><a href="http://www.usgs.gov"><img src="resources/NewBan.gif"
width="480" height="72" border="0" alt="US Geological Survey visual
mark"></a><BR>
<font face="Verdana, Arial, Helvetica, sans-serif">U.S. Geological Survey
Fact Sheet 113-97<BR>
</font></FONT></P>
<div align="center">
<p><font face="Verdana, Arial, Helvetica, sans-serif" font
color="#CC0000" size="5"><b>The Cataclysmic 1991 Eruption of Mount Pinatubo, Philippines
</b></font></p>
<p> </p>
</div>
<div align="center">
<table width="75%" border="0">
<tr bgcolor="#FF6666">
<td>
<font size="4" face="Verdana, Arial, Helvetica, sans-serif">The second-largest
volcanic eruption of this century, and by far the largest eruption to affect
a densely populated area, occurred at Mount Pinatubo in the Philippines on
June 15, 1991. The eruption produced high-speed avalanches of hot ash and gas,
giant mudflows, and a cloud of volcanic ash hundreds of miles across. The impacts
of the eruption continue to this day.</font>
</td>
</tr>
</table></div>
<p> </p>
<p><hr width="75%">
<font face="Verdana, Arial, Helvetica, sans-serif">
<P><div align="center">
<table border="1" cellPadding="4">
<tr>
<td width="500">
<div align="center"><IMG src="resources/AshCloud.jpg"
alt="Eruption column of volcanic ash and gas rising above Mount Pinatubo on June 12, 1991"
border="0" height="267" width="400"> </div>
</td>
</tr>
<tr>
<td width="500">
<P><FONT size=-1>A huge cloud of volcanic ash and gas rises above Mount
Pinatubo, Philippines, on June 12, 1991. Three days later, the volcano
exploded in the second-largest volcanic eruption on Earth in this century.
Timely forecasts of this eruption by scientists from the Philippine
Institute of Volcanology and Seismology and the U.S. Geological Survey
enabled people living near the volcano to evacuate to safer distances,
saving at least 5,000 lives.</FONT></P>
</td>
</tr>
</table></div>
<p><div align="center"><font size="+1" face="Verdana, Arial, Helvetica,
sans-serif"><b>Precursors to the 1991 Eruptions</b></font></div>
<P>On July 16, 1990, a magnitude 7.8 earthquake (comparable in size to the great
1906 San Francisco, California, earthquake) struck about 60 miles (100
kilometers) northeast of Mount Pinatubo on the island of Luzon in the
Philippines, shaking and squeezing the Earth's crust beneath the volcano. At
Mount Pinatubo, this major earthquake caused a landslide, some local
earthquakes, and a short-lived increase in steam emissions from a preexisting
geothermal area, but otherwise the volcano seemed to be continuing its
500-year-old slumber undisturbed. In March and April 1991, however, molten rock
(magma) rising toward the surface from more than 20 miles (32 kilometers)
beneath Pinatubo triggered small earthquakes and caused powerful steam
explosions that blasted three craters on the north flank of the volcano.
Thousands of small earthquakes occurred beneath Pinatubo through April, May, and
early June, and many thousand tons of noxious sulfur dioxide gas were also
emitted by the volcano.</P>
<p><div align="center">
<table border="1" cellpadding="4">
<TR>
<td width="248">
<div align="center"><IMG src="resources/eruption2.jpg"
alt="Roofs collapsed from ash dispersed by Mount Pinatubo"
border="0" height="192" width="240"></div>
</td>
<td rowspan="2" width="300">
<P><FONT size=-1>Following Mount Pinatubo's cataclysmic June 15, 1991,
eruption, thousands of roofs collapsed under the weight of ash made wet by
heavy rains (see example in photo above). Ash deposits from the eruption
have also been remobilized by monsoon and typhoon rains to form giant
mudflows of volcanic materials (lahars), which have caused more
destruction than the eruption itself (photo at right shows village buried
by lahars). (Photo above courtesy of Peter Baxter, University of
Cambridge.</FONT></P>
</td>
</tr>
<tr>
<td width="248">
<div align="center"><img src="resources/eruption1.jpg"
alt="Homes surrounded by lahar deposits from Mount Pinatubo"
border="0" height="164" width="239"></div>
</td>
</tr>
</table></div>
<p><div align="center"><font size="+1" face="Verdana, Arial, Helvetica,
sans-serif"><b>The Eruptions</b></font></div>
<P>From June 7 to 12, the first magma reached the surface of Mount Pinatubo.
Because it had lost most of the gas contained in it on the way to the surface
(like a bottle of soda pop gone flat), the magma oozed out to form a lava dome
but did not cause an explosive eruption. However, on June 12 (Philippine
Independence Day), millions of cubic yards of gas-charged magma reached the
surface and exploded in the reawakening volcano's first spectacular
eruption.</P>
<P>When even more highly gas charged magma reached Pinatubo's surface on June
15, the volcano exploded in a cataclysmic eruption that ejected more than 1
cubic mile (5 cubic kilometers) of material. The ash cloud from this climactic
eruption rose 22 miles (35 kilometers) into the air. At lower altitudes, the ash
was blown in all directions by the intense cyclonic winds of a coincidentally
occurring typhoon, and winds at higher altitudes blew the ash southwestward. A
blanket of volcanic ash (sand- and silt-size grains of volcanic minerals and
glass) and larger pumice lapilli (frothy pebbles) blanketed the countryside.
Fine ash fell as far away as the Indian Ocean, and satellites tracked the ash
cloud several times around the globe.</P>
<P>Huge avalanches of searing hot ash, gas, and pumice fragments (pyroclastic
flows) roared down the flanks of Mount Pinatubo, filling once-deep valleys with
fresh volcanic deposits as much as 660 feet (200 meters) thick. The eruption
removed so much magma and rock from below the volcano that the summit collapsed
to form a large volcanic depression (caldera) 1.6 miles (2.5 kilometers)
across.</P>
<P>Much weaker but still spectacular eruptions of ash occurred occassionally
through early September 1991. From July to October 1992, a lava dome was built
in the new caldera as fresh magma rose from deep beneath Pinatubo.</P>
<p><div align="center"><font size="+1" face="Verdana, Arial, Helvetica,
sans-serif"><b>Continuing Hazards</b></font></div>
<P>Even after more than 5 years, hazardous effects from the June 15,1991,
climactic eruption of Mount Pinatubo continue. The thick, valley-filling
pyroclastic-flow deposits from the eruption insulated themselves and have kept
much of their heat. These deposits still had temperatures as high as 900°F
(500°C) in 1996 and may retain heat for decades. When water from streams or
underground seepage comes in contact with these hot deposits, they explode and
spread fine ash downwind. Since the climactic 1991 eruption, ash deposits have
also been remobilized by monsoon and typhoon rains to form giant mudflows of
volcanic materials (lahars).</P>
<p><div align="center">
<table border=1 cellPadding=4>
<tr>
<td width="369"> <img src="resources/BWPinatubo.gif"
alt="Map showing extent of lahars and pyroclastic flows around Mount Pinatubo"
border="0" height="446" width="361"> </td>
<td width="230">
<P><FONT size=-1>The June 15, 1991, explosive eruption of Mount Pinatubo,
Philippines, was the second largest volcanic eruption of this century and
by far the largest eruption to affect a densely populated area. The
eruption produced high-speed avalanches of hot ash and gas (pyroclastic
flows), giant mudflows (lahars), and a cloud of volcanic ash hundreds of
miles across. (U.S. bases have reverted to Philippine control since
1991.)</FONT>
</td>
</tr>
</table></div>
<P> </P>
<p><div align="center"><font size="+1" face="Verdana, Arial, Helvetica,
sans-serif"><b>Impacts of the Eruptions</b></font></div>
<P>Fortunately, scientists from the Philippine Institute of Volcanology and
Seismology and the U.S. Geological Survey had forecast Pinatubo's 1991 climactic
eruption, resulting in the saving of at least 5,000 lives and at least $250
million in property. Commercial aircraft were warned about the hazard of the ash
cloud from the June 15 eruption, and most avoided it, but a number of jets
flying far to the west of the Philippines encountered ash and sustained about
$100 million in damage. Although much equipment was successfully protected,
structures on the two largest U.S. military bases in the Philippines--Clark Air
Base and Subic Bay Naval Station--were heavily damaged by ash from the volcano's
climactic eruption.</P>
<P>Nearly 20 million tons of sulfur dioxide were injected into the stratosphere
in Pinatubo's 1991 eruptions, and dispersal of this gas cloud around the world
caused global temperatures to drop temporarily (1991 through 1993) by about 1°F
(0.5°C). The eruptions have dramatically changed the face of central Luzon, home
to about 3 million people. About 20,000 indigenous Aeta highlanders, who had
lived on the slopes of the volcano, were completely displaced, and most still
wait in resettlement camps for the day when they can return home. About 200,000
people who evacuated from the lowlands surrounding Pinatubo before and during
the eruptions have returned home but face continuing threats from lahars that
have already buried numerous towns and villages. Rice paddies and sugar-cane
fields that have not been buried by lahars have recovered; those buried by
lahars will be out of use for years to come.</P>
<p><hr>
<p align="center"><i><font face="Verdana, Arial, Helvetica, sans-serif">Chris Newhall,
James W. Hendley II, and Peter H. Stauffer</font></i></p>
<p align="center"><i><font face="Verdana, Arial, Helvetica, sans-serif">Graphics
by Susan Mayfield and Sara Boore</font></i></p>
<p align="center"><font face="Verdana, Arial, Helvetica, sans-serif"><i>Banner
design by Bobbie Myers</i></font></p>
<p align="center"><i><font face="Verdana, Arial, Helvetica, sans-serif">Web design
and layout by Carolyn Donlin</font></i></p>
<p><div align="center"><hr width="25%"></div>
<p><div align="center"><font face="Verdana, Arial, Helvetica, sans-serif">For more
information or paper copies of this fact sheet contact:<br>
U.S. Geological Survey<BR>
Cascades Volcano Observatory<BR>
5400 MacArthur Blvd.<BR>
Vancouver, WA 98661<BR>
Tel: (360) 993-8900, Fax: (360) 993-8980</font></div>
<p><div align="center"><font face="Verdana, Arial, Helvetica, sans-serif">Also, visit the
<a href="http://vulcan.wr.usgs.gov/">Cascade Volcano Observatory</a> on
the Web.</font></div>
<p>
<div align="center"><hr width="50%"></div>
<p align="center"><font face="Verdana, Arial, Helvetica, sans-serif"><b>COOPERATING
ORGANIZATIONS</b><br>
Armed Forces of the Philippines<BR>
National Disaster Coordinating Council, Philippines<BR>
Philippine Institute of Volcanology and Seismology<BR>
U.S. Agency for International Development<BR>
United States Air Force<BR>
United States Navy</font></p>
<p align="center"><hr width="50%">
<p align="center"> <font face="Verdana, Arial, Helvetica, sans-serif"><b>Related
Fact Sheets</b></font></p>
<p align="center"><font size="2"><a href="/fs/fs002-97/">What Are Volcano Hazards?</a> (USGS Fact Sheet 002-97)</font></p>
<p align="center"><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a
href="/fs/1997/fs115-97/">Benefits of Volcano Monitoring Far Outweigh Costs--The Case of Mount Pinatubo</a> (USGS Fact Sheet 115-97)</font></p>
<p align="center"><font face="Verdana, Arial, Helvetica, sans-serif"
size="2"><a href="/fs/1997/fs114-97/">Lahars of Mount Pinatubo, Philippines</a> (USGS Fact Sheet 114-97)</font></p>
<p align="center"><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><b>See
a list of <a href="http://volcanoes.usgs.gov/Products/sproducts.html#fs">other
volcano-related fact sheets</a> published by the U.S. Geological Survey</b></font>
</p>
<p align="center"><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><a
href="fs113-97.pdf">PDF version of this fact sheet</a> (284 KB)</font></p>
<p>
<hr width="75%">
<p align="center"><font face="Verdana, Arial, Helvetica, sans-serif" size="4"
color="#666666"><b>U.S. GEOLOGICAL SURVEY—REDUCING THE RISK FROM VOLCANO
HAZARDS</b></font></p>
<p>
<hr width="75%">
<p align="center"><font face="Verdana, Arial, Helvetica, sans-serif">Learn more about volcanoes and the hazards they pose at the <a href="http://volcanoes.usgs.gov">USGS
Volcano Hazards Program website</a></font></p>
<p>
<hr>
<font face="Verdana, Arial, Helvetica, sans-serif" size="2"> URL of this page:
https://pubs.usgs.gov/fs/1997/fs113-97/<BR>
Maintained by: <A HREF="mailto:[email protected]">Michael Diggles</A><BR>
Last modified: February 28, 2005 (mfd)</font> </font>
</body>
</html>
| The Cataclysmic 1991 Eruption of Mount Pinatubo, Philippines, Fact Sheet 113-97
[](http://www.usgs.gov)
U.S. Geological Survey
Fact Sheet 113-97
**The Cataclysmic 1991 Eruption of Mount Pinatubo, Philippines**
| |
| --- |
| The second-largest
volcanic eruption of this century, and by far the largest eruption to affect
a densely populated area, occurred at Mount Pinatubo in the Philippines on
June 15, 1991. The eruption produced high-speed avalanches of hot ash and gas,
giant mudflows, and a cloud of volcanic ash hundreds of miles across. The impacts
of the eruption continue to this day. |
---
| |
| --- |
| Eruption column of volcanic ash and gas rising above Mount Pinatubo on June 12, 1991 |
| A huge cloud of volcanic ash and gas rises above Mount
Pinatubo, Philippines, on June 12, 1991. Three days later, the volcano
exploded in the second-largest volcanic eruption on Earth in this century.
Timely forecasts of this eruption by scientists from the Philippine
Institute of Volcanology and Seismology and the U.S. Geological Survey
enabled people living near the volcano to evacuate to safer distances,
saving at least 5,000 lives. |
**Precursors to the 1991 Eruptions** On July 16, 1990, a magnitude 7.8 earthquake (comparable in size to the great
1906 San Francisco, California, earthquake) struck about 60 miles (100
kilometers) northeast of Mount Pinatubo on the island of Luzon in the
Philippines, shaking and squeezing the Earth's crust beneath the volcano. At
Mount Pinatubo, this major earthquake caused a landslide, some local
earthquakes, and a short-lived increase in steam emissions from a preexisting
geothermal area, but otherwise the volcano seemed to be continuing its
500-year-old slumber undisturbed. In March and April 1991, however, molten rock
(magma) rising toward the surface from more than 20 miles (32 kilometers)
beneath Pinatubo triggered small earthquakes and caused powerful steam
explosions that blasted three craters on the north flank of the volcano.
Thousands of small earthquakes occurred beneath Pinatubo through April, May, and
early June, and many thousand tons of noxious sulfur dioxide gas were also
emitted by the volcano.
| | |
| --- | --- |
| Roofs collapsed from ash dispersed by Mount Pinatubo | Following Mount Pinatubo's cataclysmic June 15, 1991,
eruption, thousands of roofs collapsed under the weight of ash made wet by
heavy rains (see example in photo above). Ash deposits from the eruption
have also been remobilized by monsoon and typhoon rains to form giant
mudflows of volcanic materials (lahars), which have caused more
destruction than the eruption itself (photo at right shows village buried
by lahars). (Photo above courtesy of Peter Baxter, University of
Cambridge. |
| Homes surrounded by lahar deposits from Mount Pinatubo |
**The Eruptions** From June 7 to 12, the first magma reached the surface of Mount Pinatubo.
Because it had lost most of the gas contained in it on the way to the surface
(like a bottle of soda pop gone flat), the magma oozed out to form a lava dome
but did not cause an explosive eruption. However, on June 12 (Philippine
Independence Day), millions of cubic yards of gas-charged magma reached the
surface and exploded in the reawakening volcano's first spectacular
eruption.
When even more highly gas charged magma reached Pinatubo's surface on June
15, the volcano exploded in a cataclysmic eruption that ejected more than 1
cubic mile (5 cubic kilometers) of material. The ash cloud from this climactic
eruption rose 22 miles (35 kilometers) into the air. At lower altitudes, the ash
was blown in all directions by the intense cyclonic winds of a coincidentally
occurring typhoon, and winds at higher altitudes blew the ash southwestward. A
blanket of volcanic ash (sand- and silt-size grains of volcanic minerals and
glass) and larger pumice lapilli (frothy pebbles) blanketed the countryside.
Fine ash fell as far away as the Indian Ocean, and satellites tracked the ash
cloud several times around the globe.
Huge avalanches of searing hot ash, gas, and pumice fragments (pyroclastic
flows) roared down the flanks of Mount Pinatubo, filling once-deep valleys with
fresh volcanic deposits as much as 660 feet (200 meters) thick. The eruption
removed so much magma and rock from below the volcano that the summit collapsed
to form a large volcanic depression (caldera) 1.6 miles (2.5 kilometers)
across.
Much weaker but still spectacular eruptions of ash occurred occassionally
through early September 1991. From July to October 1992, a lava dome was built
in the new caldera as fresh magma rose from deep beneath Pinatubo.
**Continuing Hazards** Even after more than 5 years, hazardous effects from the June 15,1991,
climactic eruption of Mount Pinatubo continue. The thick, valley-filling
pyroclastic-flow deposits from the eruption insulated themselves and have kept
much of their heat. These deposits still had temperatures as high as 900°F
(500°C) in 1996 and may retain heat for decades. When water from streams or
underground seepage comes in contact with these hot deposits, they explode and
spread fine ash downwind. Since the climactic 1991 eruption, ash deposits have
also been remobilized by monsoon and typhoon rains to form giant mudflows of
volcanic materials (lahars).</P>
<p><div align="center">
<table border=1 cellPadding=4>
<tr>
<td width="369"> <img src="resources/BWPinatubo.gif"
alt="Map showing extent of lahars and pyroclastic flows around Mount Pinatubo"
border="0" height="446" width="361"> </td>
<td width="230">
<P><FONT size=-1>The June 15, 1991, explosive eruption of Mount Pinatubo,
Philippines, was the second largest volcanic eruption of this century and
by far the largest eruption to affect a densely populated area. The
eruption produced high-speed avalanches of hot ash and gas (pyroclastic
flows), giant mudflows (lahars), and a cloud of volcanic ash hundreds of
miles across. (U.S. bases have reverted to Philippine control since
1991.)</FONT>
</td>
</tr>
</table></div>
<P> </P>
<p><div align="center"><font size="+1" face="Verdana, Arial, Helvetica,
sans-serif"><b>Impacts of the Eruptions</b></font></div>
<P>Fortunately, scientists from the Philippine Institute of Volcanology and
Seismology and the U.S. Geological Survey had forecast Pinatubo's 1991 climactic
eruption, resulting in the saving of at least 5,000 lives and at least $250
million in property. Commercial aircraft were warned about the hazard of the ash
cloud from the June 15 eruption, and most avoided it, but a number of jets
flying far to the west of the Philippines encountered ash and sustained about
$100 million in damage. Although much equipment was successfully protected,
structures on the two largest U.S. military bases in the Philippines--Clark Air
Base and Subic Bay Naval Station--were heavily damaged by ash from the volcano's
climactic eruption.</P>
<P>Nearly 20 million tons of sulfur dioxide were injected into the stratosphere
in Pinatubo's 1991 eruptions, and dispersal of this gas cloud around the world
caused global temperatures to drop temporarily (1991 through 1993) by about 1°F
(0.5°C). The eruptions have dramatically changed the face of central Luzon, home
to about 3 million people. About 20,000 indigenous Aeta highlanders, who had
lived on the slopes of the volcano, were completely displaced, and most still
wait in resettlement camps for the day when they can return home. About 200,000
people who evacuated from the lowlands surrounding Pinatubo before and during
the eruptions have returned home but face continuing threats from lahars that
have already buried numerous towns and villages. Rice paddies and sugar-cane
fields that have not been buried by lahars have recovered; those buried by
lahars will be out of use for years to come.</P>
<p><hr>
<p align="center"><i><font face="Verdana, Arial, Helvetica, sans-serif">Chris Newhall,
James W. Hendley II, and Peter H. Stauffer</font></i></p>
<p align="center"><i><font face="Verdana, Arial, Helvetica, sans-serif">Graphics
by Susan Mayfield and Sara Boore</font></i></p>
<p align="center"><font face="Verdana, Arial, Helvetica, sans-serif"><i>Banner
design by Bobbie Myers</i></font></p>
<p align="center"><i><font face="Verdana, Arial, Helvetica, sans-serif">Web design
and layout by Carolyn Donlin</font></i></p>
<p><div align="center"><hr width="25%"></div>
<p><div align="center"><font face="Verdana, Arial, Helvetica, sans-serif">For more
information or paper copies of this fact sheet contact:<br>
U.S. Geological Survey<BR>
Cascades Volcano Observatory<BR>
5400 MacArthur Blvd.<BR>
Vancouver, WA 98661<BR>
Tel: (360) 993-8900, Fax: (360) 993-8980</font></div>
<p><div align="center"><font face="Verdana, Arial, Helvetica, sans-serif">Also, visit the
<a href="http://vulcan.wr.usgs.gov/">Cascade Volcano Observatory</a> on
the Web.</font></div>
<p>
<div align="center"><hr width="50%"></div>
<p align="center"><font face="Verdana, Arial, Helvetica, sans-serif"><b>COOPERATING
ORGANIZATIONS</b><br>
Armed Forces of the Philippines<BR>
National Disaster Coordinating Council, Philippines<BR>
Philippine Institute of Volcanology and Seismology<BR>
U.S. Agency for International Development<BR>
United States Air Force<BR>
United States Navy</font></p>
<p align="center"><hr width="50%">
<p align="center"> <font face="Verdana, Arial, Helvetica, sans-serif"><b>Related
Fact Sheets</b></font></p>
<p align="center"><font size="2"><a href="/fs/fs002-97/">What Are Volcano Hazards?</a> (USGS Fact Sheet 002-97)</font></p>
<p align="center"><font face="Verdana, Arial, Helvetica, sans-serif" size="2"><a
href="/fs/1997/fs115-97/">Benefits of Volcano Monitoring Far Outweigh Costs--The Case of Mount Pinatubo</a> (USGS Fact Sheet 115-97)</font></p>
<p align="center"><font face="Verdana, Arial, Helvetica, sans-serif"
size="2"><a href="/fs/1997/fs114-97/">Lahars of Mount Pinatubo, Philippines</a> (USGS Fact Sheet 114-97)</font></p>
<p align="center"><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><b>See
a list of <a href="http://volcanoes.usgs.gov/Products/sproducts.html#fs">other
volcano-related fact sheets</a> published by the U.S. Geological Survey</b></font>
</p>
<p align="center"><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><a
href="fs113-97.pdf">PDF version of this fact sheet</a> (284 KB)</font></p>
<p>
<hr width="75%">
<p align="center"><font face="Verdana, Arial, Helvetica, sans-serif" size="4"
color="#666666"><b>U.S. GEOLOGICAL SURVEY—REDUCING THE RISK FROM VOLCANO
HAZARDS</b></font></p>
<p>
<hr width="75%">
<p align="center"><font face="Verdana, Arial, Helvetica, sans-serif">Learn more about volcanoes and the hazards they pose at the <a href="http://volcanoes.usgs.gov">USGS
Volcano Hazards Program website</a></font></p>
<p>
<hr>
<font face="Verdana, Arial, Helvetica, sans-serif" size="2"> URL of this page:
https://pubs.usgs.gov/fs/1997/fs113-97/<BR>
Maintained by: <A HREF="mailto:[email protected]">Michael Diggles</A><BR>
Last modified: February 28, 2005 (mfd)</font> </font>
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height="16" width="100%">
<p style="margin-left: 10"> <span
lang="en-us"><font size="2"> <a
href="http://www.pinballrebel.com/simpsons/"> <span
style="text-decoration:
none"><font
color="#000000">Simpsons
Pinball Party</font></span></a></font></span></p>
</td>
</tr>
<tr>
<td align="center" bgcolor="#E5EEF6"
height="16" width="100%">
<p style="margin-left: 10"> <span
lang="en-us"><font size="2"
color="#000000" face="Arial">
<a
href="http://www.pinballrebel.com/rct/rct.htm">
<span
style="text-decoration:
none"><font
color="#000000">Roller
Coaster Tycoon</font></span></a></font></span></p>
</td>
</tr>
<tr>
<td align="center" bgcolor="#E5EEF6"
height="16" width="100%">
<p style="margin-left: 10"><span
lang="en-us"> <font size="2"
color="#000000" face="Arial">
<a
href="http://www.pinballrebel.com/pinball/pirates_of_the_caribbean/pirates_of_the_caribbean_1.htm">
<span
style="text-decoration:
none"><font
color="#000000">Pirates
Of The Caribbean</font></span></a></font></span></p>
</td>
</tr>
<tr>
<td align="center" bgcolor="#00FF00"
height="16" width="100%">
<p style="margin-left: 10"
align="center"> <span
lang="en-us"><b> -</b></span><b><span
lang="en-us"><font size="2"
face="Arial"> Cool Stuff - </font></span></b></p>
</td>
</tr>
<tr>
<td align="center" bgcolor="#E5EEF6"
height="16" width="100%"> <span
lang="en-us"> <font size="2">
</font><font size="2"
color="#000000" face="Arial"><a
href="http://www.pinballrebel.com/game/pins/bs.htm"><span
style="text-decoration:
none"><font color="#000000">Pinball
Bumper Stickers</font></span></a></font></span></td>
</tr>
<tr>
<td align="center" bgcolor="#E5EEF6"
height="4" width="100%"> <span
lang="en-us"> <font size="2">
</font><font size="2"
color="#000000" face="Arial"><a
href="http://www.pinballrebel.com/game/pins/tpf/2004/dvd.html"><span
style="text-decoration:
none"><font color="#000000">Pinball
DVD's</font></span></a></font></span></td>
</tr>
<tr>
<td align="center" bgcolor="#E5EEF6"
height="4" width="100%"> <span
lang="en-us"> <font size="2"
color="#000000" face="Arial"><a
href="http://www.pinballrebel.com/game/pins/video/pinvid.htm"><span
style="text-decoration:
none"><font color="#000000">Pinball
Videos Online</font></span></a></font></span></td>
</tr>
<tr>
<td align="center" bgcolor="#E5EEF6"
height="4" width="100%"> <span
lang="en-us"> <a
href="http://www.pinballrebel.com/game/pins/plate/plates.htm">
<span style="text-decoration:
none"> <font size="2"
color="#000000" face="Arial">Gameroom
License Plates</font></span></a></span></td>
</tr>
<tr>
<td align="center" bgcolor="#E5EEF6"
height="2" width="100%"> <span
lang="en-us"> <font size="2"
color="#000000" face="Arial"> <a
href="http://www.pinballrebel.com/pinball/tops/cool_stuff_pinball.htm">
<span style="text-decoration:
none"><font color="#000000">
Pinball Downloads</font></span></a></font>
</span></td>
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<tr>
<td align="center" bgcolor="#E5EEF6"
height="23" width="100%"> <span
lang="en-us"> <font size="2"
color="#000000" face="Arial"> <a
href="mailto:[email protected]?subject=pinball%20pages"> <span
style="text-decoration:
none"><font color="#000000">Email
Ken</font></span></a></font></span></td>
</tr>
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<p align="center"><font size="2">Copyright 20<font
size="2">14</font><span lang="en-us"></span> <a
href="http://www.pinballrebel.com"> <span
lang="en-us"><font color="#000000">Pinballrebel.com</font></span><font
color="#000000"> </font></a>All rights reserved</font></p>
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<center><span style="width: 100%; font-family: helvetica; font-size:
6px;"> </span></center>
<br>
<h1 align="center"><font color="#33FF33">Dedicated Pinball Machine
Pages</font></h1>
<h1 align="center"><font color="#33FF33">Photos Data and Information
About You Favorite Pins</font></h1>
<font color="#33FF33">Here you will find a list of pinball machines
that I compiled information on from A-Z. Choose the
game of your choice <br>
below to see photos, information, playing tips, video, repair and
restoration, and discussion about these great machines. <br>
This is not a site about computer pinball games rather these are
the real thing. This is also not the place to download free
pinball games. <br>
If you are looking for visual pinball then try</font><a
href="http://www.vpforums.com/vptables/tables.php"><font
color="#33FF33"> this. </font></a><font color="#33FF33"><br>
<br>
To go back to the pinball home page </font> <a
href="http://www.pinballrebel.com/game/pins/pins.htm"><font
color="#33FF33"> click here</font></a><font color="#33FF33">.<br>
</font>
<hr>
<p> </p>
<center> <font color="#33FF33">
<h2>
<div style="text-align: center;">Jump to Section</div>
</h2>
<div style="text-align: center;"><big><big><a
href="http://www.pinballrebel.com/pinball/pinball_machines_1.htm">A-F</a>
<a
href="http://www.pinballrebel.com/pinball/pinball_machines_2.htm">G-P</a>
<a
href="http://www.pinballrebel.com/pinball/pinball_machines_3.htm">Q-S</a>
<a
href="http://www.pinballrebel.com/pinball/pinball_machines_4.htm">T-Z</a></big></big><br>
</div>
</font></center>
<p><font color="#33FF33"> <font color="#33FF33">A-F<br>
<br>
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/pinball/24_pinball/24_pinball_stern_1.htm"><font
color="#33FF33"><span style="text-decoration: underline;">24</span></font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> </font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/300/300_pinball.htm">
<font color="#33FF33"><span style="text-decoration: underline;">300</span></font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/aces_and_kings/aces_and_kings_pinball.htm"><font
color="#33FF33"><span style="text-decoration: underline;">Aces
& Kings</span></font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/taf/the_addams_family_pinball.htm"><font
color="#33FF33"><span style="text-decoration: underline;">Addams
Family</span></font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/a_go_go/a_go_go_pinball.htm">
<font color="#33FF33"><span style="text-decoration: underline;">A-Go-Go</span></font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/airport/airport_pinball.htm">
<font color="#33FF33"><span style="text-decoration: underline;">Airport</span></font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/apollo_13/apollo_13_pinball.htm"><font
color="#33FF33"><span style="text-decoration: underline;">Apollo
13</span></font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/ali/ali_pinball.htm">
<font color="#33FF33"><span style="text-decoration: underline;">Ali</span></font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/alien_poker/alien_poker_pinball.htm"><font
color="#33FF33"><span style="text-decoration: underline;">Alien
Poker</span></font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/all_star/all_star_pinball.htm"><font
color="#33FF33"><span style="text-decoration: underline;">All
Star Baseball</span></font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/atlantis/atlantis_pinball.htm"><font
color="#33FF33">Atlantis</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/austin_powers/austin_powers_pinball.htm"><font
color="#33FF33">Austin Powers</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/back_to_the_future/back_to_the_future_pinball.htm"><font
color="#33FF33">Back To The Future</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/bad_cats/bad_cats_pinball.htm"><font
color="#33FF33">Bad Cats</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/bank_a_ball/bank_a_ball_pinball.htm"><font
color="#33FF33">Bank-A-Ball</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/baseball/baseball_pinball.htm"><font
color="#33FF33">Baseball</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/batman/batman_pinball.htm">
<font color="#33FF33">Batman</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/pinball/batman_dark_night_pinball/batman_dark_night_pinball.htm"><font
color="#33FF33">Batman The Dark Knight By Stern</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/baywatch/baywatch_pinball.htm"><font
color="#33FF33">Bay Watch</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/bigbangbar/bigbangbar_pinball.htm"><font
color="#33FF33">Big Bang Bar</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a
href="http://www.pinballrebel.com/pinball/big_buck_hunter_pinball/index.html"
style="font-family: arial;">Big Buck Hunter Pinball</a><br
style="font-family: arial;">
<a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/big_deal/big_deal_pinball.htm"><font
color="#33FF33">Big Deal</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/big_game/big_game_pinball.htm"><font
color="#33FF33">Big Game</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/big_guns/big_guns_pinball.htm"><font
color="#33FF33">Big Guns</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/big_hurt/big_hurt_pinball.htm"><font
color="#33FF33">Big Hurt</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/big_league/big_league_pinball.htm"><font
color="#33FF33">Big League</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/big_shot/big_shot_pinball.htm"><font
color="#33FF33">Big Shot</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/big_strike/big_strike_pinball.htm"><font
color="#33FF33">Big Strike</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/bh/black_hole_pinball.htm">
<font color="#33FF33">Black Hole</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/black_knight/black_knight_pinball.htm"><font
color="#33FF33">Black Knight</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/black_knight_2000/black_knight_2000_pinball.htm"><font
color="#33FF33">Black Knight 2000</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/black_rose/black_rose_pinball.htm"><font
color="#33FF33">Black Rose</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/blackout/blackout_pinball.htm"><font
color="#33FF33">Blackout</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/blue_chip/blue_chip_pinball.htm"><font
color="#33FF33">Blue Chip</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/bone_busters/bone_busters_pinball.htm"><font
color="#33FF33">Bone Busters</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/bow_arrow/bow_arrow_pinball.htm"><font
color="#33FF33">Bow & Arrow</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/bowling_queen/bowling_queen_pinball.htm"><font
color="#33FF33">Bowling Queen</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/bram_stokers_dracula/bram_stokers_dracula_pinball.htm"><font
color="#33FF33">Bram Stokers Dracula</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/breakshot/breakshot_pinball.htm"><font
color="#33FF33">Breakshot</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/bop/bride_of_pinbot_pinball.htm"><font
color="#33FF33">Bride of Pinbot</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/bronco/bronco_pinball.htm">
<font color="#33FF33">Bronco</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/buccaneer/buccaneer_pinball.htm"><font
color="#33FF33">Buccaneer</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/buckrogers/buckrogers_pinball.htm"><font
color="#33FF33">Buck Rogers</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/cactus_canyon/cactus_canyon_pinball.htm"><font
color="#33FF33">Cactus Canyon</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/captain_fantastic/captain_fantastic_pinball.htm"><font
color="#33FF33">Captain Fantastic</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/centaur/centaur_pinball.htm">
<font color="#33FF33">Centaur</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/central_park/central_park_pinball.htm"><font
color="#33FF33">Central Park</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/cp/champion_pub_pinball.htm">
<font color="#33FF33">Champion Pub</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font><font style="color: rgb(51, 255, 51); font-family: arial;">
<a
href="http://www.pinballrebel.com/game/pins/cheetah/cheetah_pinball.htm">
<span style="text-decoration: none;"><font color="#33FF33">Cheetah</font></span></a><br>
<a
href="http://www.pinballrebel.com/game/pins/cv/cirqus_voltaire_pinball.htm"><span
style="text-decoration: none;"><font color="#33FF33">Cirqus
Voltaire</font></span></a><br>
<a
href="http://www.pinballrebel.com/game/pins/cleopatra/cleopatra_pinball.htm"><span
style="text-decoration: none;"><font color="#33FF33">Cleopatra</font></span></a><br>
</font> <a
href="http://www.pinballrebel.com/game/pins/close_encounters/close_encounters_pinball.html"><span
style="text-decoration: none;"><font color="#33FF33">Close
Encounters Of The Third Kind</font></span></a><br>
<a
href="http://www.pinballrebel.com/game/pins/congo/congo_pinball.html">
<span style="text-decoration: none;"><font color="#33FF33">Congo</font></span></a><br>
<a
href="http://www.pinballrebel.com/game/pins/comet/comet_pinball.htm">
<span style="text-decoration: none;"><font color="#33FF33">Comet</font></span></a><br>
<a
href="http://www.pinballrebel.com/game/pins/corvette/corvette_pinball.htm"><span
style="text-decoration: none;"><font color="#33FF33">Corvette</font></span></a><br>
<a
href="http://www.pinballrebel.com/game/pins/cftbl/creature_from_the_black_lagoon_pinball.html"><span
style="text-decoration: none;"><font color="#33FF33">Creature
Black Lagoon</font></span></a><br>
<a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/cbw/cue_ball_wizard_pinball.htm"><font
color="#33FF33">Cue Ball Wizard</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/cyclone/cyclone_pinball.htm">
<font color="#33FF33">Cyclone</font></a><font color="#33FF33"><br>
<a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/dm/demolition_man_pinball.htm"><font
color="#33FF33">Demolitian Man</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/disco_fever/disco_fever_pinball.htm"><font
color="#33FF33">Disco Fever</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/disk_jockey/disk_jockey_pinball.htm"><font
color="#33FF33">Disk Jockey</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/diner/diner_pinball.htm">
<font color="#33FF33">Diner</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/dh/dirty_harry_pinball.htm">
<font color="#33FF33">Dirty Harry</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/dolly_parton/dolly_parton_pinball.htm"><font
color="#33FF33">Dolly Parton</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/dracula/dracula_pinball.htm">
<font color="#33FF33">Dracula</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/dr_dude/dr_dude_pinball.htm">
<font color="#33FF33">Dr. Dude</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/drwho/dr_who_pinball.htm">
<font color="#33FF33">Dr. Who</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/dungeons_&_dragons/dungeons_&_dragons_pinball.htm"><font
color="#33FF33">Dungeons & Dragons</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/es/earthshaker_pinball.htm">
<font color="#33FF33">EarthShaker</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/eightball/eightball_pinball.htm"><font
color="#33FF33">Eightball</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/ebdx/eight_ball_deluxe_pinball.htm"><font
color="#33FF33">Eight Ball Deluxe</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/elektra/elektra_pinball.htm">
<font color="#33FF33">Elektra</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/etpm/elvira_and_the_party_monsters_pinball.htm"><font
color="#33FF33">Elvira & The Party Monsters</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <font style="color: rgb(51, 255, 51); font-family:
arial;"> <a
href="http://www.pinballrebel.com/game/pins/elvis/stern_elvis_pinball_1.htm"><span
style="text-decoration: none;"><font color="#33FF33">Elvis</font></span></a><br>
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/embryon/embryon_pinball.htm">
<font color="#33FF33">Embryon</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/eftlw/escape_from_the_lost_world_pinball.html"><font
color="#33FF33">Escape From The Lost World</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/f14_tomcat/f14_tomcat_pinball.htm"><font
color="#33FF33">F-14 Tomcat</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/pinball/family_guy_pinball/family_guy_pinball_stern.htm"><font
color="#33FF33">Family Guy</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/fire/fire_pinball.htm">
<font color="#33FF33">Fire!</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/fireball/fireball_pinball.htm"><font
color="#33FF33">Fireball</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/firepower/firepower_pinball.htm"><font
color="#33FF33">Firepower</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/fishtales/fishtales_pinball.htm"><font
color="#33FF33">Fishtales</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/flash/flash_pinball.htm">
<font color="#33FF33">Flash</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/flip/flip_a_card_pinball.html"><font
color="#33FF33">Flip A Card</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/flintstones/flintstones_pinball.htm"><font
color="#33FF33">Flintstones</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/flying_circus/flying_circus_pinball.htm"><font
color="#33FF33">Flying Circus</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/flyingturns/flyingturns_pinball.htm"><font
color="#33FF33">Flying Turns</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/frankenstein/frankenstein_pinball.htm"><font
color="#33FF33">Frankenstein</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/freddy_nightmare_elm_st/freddy_nightmare_elm_st_pinball.htm"><font
color="#33FF33">Freddy A Nightmare On Elm Street</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/free_fall/free_fall_pinball.htm"><font
color="#33FF33">Free Fall</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/freedom/freedom_pinball.htm">
<font color="#33FF33">Freedom</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/funball/funball_pinball.htm">
<font color="#33FF33">Funball</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <font style="color: rgb(51, 255, 51); font-family:
arial;"> <a
href="http://www.pinballrebel.com/game/pins/funhouse/funhouse_pinball.htm"><span
style="text-decoration: none;"><font color="#33FF33">Funhouse</font></span></a><br>
<a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/future_spa/future_spa_pinball.htm"><font
color="#33FF33">Future Spa</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> </font></font></p>
<p><font color="#33FF33"><font style="color: rgb(51, 255, 51);
font-family: arial;"> <font style="color: rgb(51, 255, 51);
font-family: arial;"> <a
href="http://www.pinballrebel.com/pinball/pinball_machines_1.htm">Complete
Listing Of Games That Start With A-F</a></font></font></font></p>
<p><font color="#33FF33"><font style="color: rgb(51, 255, 51);
font-family: arial;"><font style="color: rgb(51, 255, 51);
font-family: arial;"> <br>
</font></font></font></p>
<hr style="width: 100%; height: 2px;"><font color="#33FF33"><font
style="color: rgb(51, 255, 51); font-family: arial;"> <font
style="color: rgb(51, 255, 51); font-family: arial;">G-P<br>
<br>
</font><span style="color: rgb(51, 255, 51); font-family:
arial;" lang="en-us"> <a
href="http://www.pinballrebel.com/game/pins/genie/genie_pinball.htm">
<span style="text-decoration: none;"><font color="#33FF33">Genie</font></span></a><br>
</span> <a
href="http://www.pinballrebel.com/game/pins/hs2/high_speed_2_the_getaway_pinball.htm"><span
style="text-decoration: none;"><font color="#33FF33">The
Getaway</font></span></a><br>
<a
href="http://www.pinballrebel.com/game/pins/gin/gin_pinball.htm">
<span style="text-decoration: none;"><font color="#33FF33">GIN</font></span></a><br>
<a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/galaxy/galaxy_pinball.htm">
<font color="#33FF33">Galaxy</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/gaucho/gaucho_pinball.htm">
<font color="#33FF33">Gaucho</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/gilligans_island/gilligans_island_pinball.htm"><font
color="#33FF33">Gilligan's Island</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/godzilla/godzilla_pinball.htm"><font
color="#33FF33">Godzilla</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/gorgar/gorgar_pinball.htm">
<font color="#33FF33">Gorgar</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/grand_prix/grand_prix_pinball.htm"><font
color="#33FF33">Grand Prix</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/gridiron/index.html">
<font color="#33FF33">Grid Iron</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/harley_davidson/harley_davidson_pinball.htm"><font
color="#33FF33">Harley Davidson</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/harley_davidson_3rd/harley_davidson_3rd_pinball.htm"><font
color="#33FF33">Harley Davidson 3rd Edition by Stern</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/haunted_house/haunted_house_pinball.htm"><font
color="#33FF33">Haunted House</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/highrollercasino/highrollercasino_pinball.htm"><font
color="#33FF33">High Roller Casino</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/high_speed/high_speed_pinball.htm"><font
color="#33FF33">High Speed</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/hook/hook_pinball.htm">
<font color="#33FF33">Hook</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/hurdy_gurdy/hurdy_gurdy_pinball.htm"><font
color="#33FF33">Hurdy Gurdy</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/hurricane/hurricane_pinball.htm"><font
color="#33FF33">Hurricane</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <span style="font-family: arial;" lang="en-us"> <font
style="color: rgb(51, 255, 51);" color="#000000"> <a
href="http://www.pinballrebel.com/game/pins/ij2/indiana_jones_pinball_2.htm"><span
style="text-decoration: none;"><font color="#33FF33">Indiana
Jones</font></span></a><br>
</font></span> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/ij/indiana_jones_pinball.html"><font
color="#33FF33">Indiana Jones Prototype</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/pinball/stern_indiana_jones_pinball/index.html"><font
color="#33ff33">Indiana Jones By Stern 2008</font></a><font
color="#33ff33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/indianapolis_500/indianapolis_500_pinball.htm"><font
color="#33FF33">Indy 500</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/pinball/iron_man_pinball/index.html">
<font color="#33FF33">Iron Man</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/jack_bot/jack_bot_pinball.html"><font
color="#33FF33">Jack Bot</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/jm/johnny_mnemonic_pinball.html"><font
color="#33FF33">Johnny Mnemonic</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/jokerz/jokerz_pinball.htm">
<font color="#33FF33">Jokerz</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/joust/joust_pinball.htm">
<font color="#33FF33">Joust</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/judge_dredd/judge_dredd_pinball.htm"><font
color="#33FF33">Judge Dredd</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/jumping_jack/jumping_jack_pinball.htm"><font
color="#33FF33">Jumping Jack</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/jungle_lord/jungle_lord_pinball.htm"><font
color="#33FF33">Jungle Lord</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/junkyard/junkyard_pinball.htm"><font
color="#33FF33">Junkyard</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/jurassicpark/jurassicpark_pinball.htm"><font
color="#33FF33">Jurassic Park</font></a><font
color="#33FF33"><br>
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/jp_lost_world/jp_lost_world_pinball.htm"><font
color="#33FF33">Jurassic Park The Lost World</font></a><font
color="#33FF33"><br>
<a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/kewpie_doll/kewpie_doll_pinball.htm"><font
color="#33FF33">Kewpie Doll</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/king_pin/king_pin_pinball.htm"><font
color="#33FF33">King Pin</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/king_tut/king_tut_pinball.htm"><font
color="#33FF33">King Tut</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/kiss/kiss_pinball.html">
<font color="#33FF33">Kiss</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/laser_cue/laser_cue_pinball.htm"><font
color="#33FF33">Laser Cue</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/lectronamo/lectronamo_pinball.htm"><font
color="#33FF33">Lectronamo</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/lost_world/lost_world_pinball.htm"><font
color="#33FF33">Lost World</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/ld/line_drive_pitch_bat_pinball.html"><font
color="#33FF33">Line Drive Pitch & Bat</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font><font style="color: rgb(51, 255, 51); font-family:
arial;"> <a
href="http://www.pinballrebel.com/lotr/lotr1.html"> <span
style="text-decoration: none;"><font color="#33FF33">Lord
Of The Rings</font></span></a></font><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/mariner/mariner_pinball.htm">
<font color="#33FF33">Mariner</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/matahari/matahari_pinball.htm"><font
color="#33FF33">Mata Hari</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/mav/maverick_pinball.htm">
<font color="#33FF33">Maverick</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/mayfair/mayfair_pinball.htm">
<font color="#33FF33">Mayfair</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <span style="color: rgb(51, 255, 51); font-family:
arial;" lang="en-us"> <a
href="http://www.pinballrebel.com/game/pins/mm/medieval_madness_pinball.htm"><span
style="text-decoration: none;"><font color="#33FF33">Medieval
Madness</font></span></a><br>
</span> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/ml/memory_lane_pinball.html">
<font color="#33FF33">Memory Lane</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font><span style="color: rgb(51, 255, 51); font-family:
arial;" lang="en-us"> <a
href="http://www.pinballrebel.com/game/pins/monopoly/monopoly_pinball.htm"><span
style="text-decoration: none;"><font color="#33FF33">Monopoly</font></span></a></span><font
color="#33FF33"><br style="font-family: arial;">
</font> <a
href="http://www.pinballrebel.com/game/pins/mb/monster_bash_pinball.html"><span
style="text-decoration: none;"><font color="#33FF33">Monster
Bash</font></span></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a
href="http://www.pinballrebel.com/game/pins/motordome/motordome_pinball.htm"><span
style="text-decoration: none;"><font color="#33FF33">Motordome</font></span></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/nascar/nascar_pinball.htm">
<font color="#33FF33">NASCAR</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/pinball/nba_pinball/nba_pinball.htm">
<font color="#33FF33">NBA</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/nbafastbreak/nbafastbreak_pinball.htm"><font
color="#33FF33">NBA Fastbreak</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/nightrider/nightrider_pinball.htm"><font
color="#33FF33">Night Rider</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/nipit/nipit_pinball.htm">
<font color="#33FF33">Nip It</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/nitro/nitro_ground_shaker_pinball.htm"><font
color="#33FF33">Nitro Ground Shaker</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font><span style="color: rgb(51, 255, 51); font-family:
arial;" lang="en-us"> <a
href="http://www.pinballrebel.com/game/pins/no_fear/no_fear_pinball.htm">
<span style="text-decoration: none;"><font color="#33FF33">No
Fear</font></span></a></span><font color="#33FF33"><br
style="font-family: arial;">
</font> <a
href="http://www.pinballrebel.com/game/pins/ngg/no_good_gofers_pinball.htm"><span
style="text-decoration: none;"><font color="#33FF33">No
Good Gofers</font></span></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/paragon/paragon_pinball.htm">
<font color="#33FF33">Paragon</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/party_animal/party_animal_pinball.htm"><font
color="#33FF33">Party Animal</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/party_zone/party_zone_pinball.htm"><font
color="#33FF33">Party Zone</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/pinballchamp/pinballchamp_pinball.htm"><font
color="#33FF33">Pinball Champ</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/pinball_pool/pinball_pool_pinball.htm"><font
color="#33FF33">Pinball Pool</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/pinbot/pinbot_pinball.htm">
<font color="#33FF33">Pin Bot</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/pinball/pirates_of_the_caribbean/pirates_of_the_caribbean_1.htm"><font
color="#33FF33">Pirates Of The Caribbean</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/pistol_poker/pistol_poker_pinball.htm"><font
color="#33FF33">Pistol Poker</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/playboy/playboy_pinball.htm">
<font color="#33FF33">Playboy</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/police_force/police_force_pinball.htm"><font
color="#33FF33">Police Force</font></a><font
color="#33FF33"><br>
<a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/pool_sharks/pool_sharks_pinball.htm"><font
color="#33FF33">Pool Sharks</font></a><font
color="#33FF33"><br>
<a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/popeye/popeye_pinball.htm">
<font color="#33FF33">Popeye</font></a><font
color="#33FF33"><br>
<a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/powerplay/powerplay_pinball.htm"><font
color="#33FF33">Power Play</font></a><font
color="#33FF33">
<p> <font style="color: rgb(51, 255, 51);
font-family: arial;"> <a
href="http://www.pinballrebel.com/pinball/pinball_machines_2.htm">Complete
Listing Of Games That Start With G-P</a></font></p>
<p><font style="color: rgb(51, 255, 51); font-family:
arial;"> </font></p>
<hr style="width: 100%; height: 2px;"><font
color="#33FF33">Q-S<br>
<br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/queenofdiamonds/queenofdiamonds_pinball.htm"><font
color="#33FF33">Queen Of Diamonds</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font><span style="color: rgb(51, 255, 51);
font-family: arial;" lang="en-us"> <a
style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/quick_draw/quick_draw_pinball.htm"><font
color="#33FF33">Quick Draw</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font><span style="color: rgb(51, 255, 51);
font-family: arial;" lang="en-us"> <a
style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/quicksilver/quicksilver_pinball.htm"><font
color="#33FF33">Quicksilver</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font><span style="color: rgb(51, 255, 51);
font-family: arial;" lang="en-us"> <a
href="http://www.pinballrebel.com/game/pins/rescue_911/rescue_911_pinball.htm"><span
style="text-decoration: none;"><font
color="#33FF33">Rescue 911</font></span></a></span><font
color="#33FF33"><br style="font-family: arial;">
</font> <a
href="http://www.pinballrebel.com/game/pins/rfm/revenge_from_mars_pinball.htm"><span
style="text-decoration: none;"><font
color="#33FF33">Revenge From Mars</font></span></a></span><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/riverboatgambler/riverboatgambler.htm"><font
color="#33FF33">Riverboat Gambler</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/rs/road_show_pinball.htm">
<font color="#33FF33">RoadShow</font></a><font
color="#33FF33"><br style="font-family: arial;">
<a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/robocop/robocop_pinball.htm">
<font color="#33FF33">ROBOCOP</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font><font style="color: rgb(51, 255, 51);
font-family: arial;"> <a
href="http://www.pinballrebel.com/rct/rct.htm">
<span style="text-decoration: none;"><font
color="#33FF33">Roller Coaster Tycoon</font></span></a></font><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/roller_disco/roller_disco_pinball.htm"><font
color="#33FF33">Roller Disco</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font><span style="color: rgb(51, 255, 51);
font-family: arial;" lang="en-us"> <a
style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/rolling_stones/rolling_stones_pinball.htm"><font
color="#33FF33">Rolling Stones</font></a><br>
</span></font></span></font></font></font></font></font></font></font><a
style="color: rgb(51, 255, 51);"
href="http://www.pinballrebel.com/pinball/rolling_stones_pinball_stern/index.html">Rolling
Stones Pinball By Stern</a><br style="font-family: arial;">
<font color="#33FF33"><font style="color: rgb(51, 255, 51);
font-family: arial;"><font color="#33FF33"><font color="#33FF33"><font
color="#33FF33"><font color="#33FF33"><font
color="#33FF33"><span style="color: rgb(51, 255, 51);
font-family: arial;" lang="en-us"><font
color="#33FF33"><span style="color: rgb(51, 255,
51); font-family: arial;" lang="en-us"><font
color="#33FF33"> </font><span style="color:
rgb(51, 255, 51); font-family: arial;"
lang="en-us"> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/rollergames/rollergames_pinball.htm"><font
color="#33FF33">Roller Games</font></a><font
color="#33FF33"><br style="font-family:
arial;">
</font><span style="color: rgb(51, 255, 51);
font-family: arial;" lang="en-us"> <a
style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/roundup/roundup_pinball.htm">
<font color="#33FF33">Round Up</font></a><font
color="#33FF33"><br style="font-family:
arial;">
</font><span style="color: rgb(51, 255, 51);
font-family: arial;" lang="en-us"> <a
style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/royal_flush/royal_flush_pinball.htm"><font
color="#33FF33">Royal Flush</font></a><font
color="#33FF33"><br style="font-family:
arial;">
<a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/royal_guard/royal_guard_pinball.htm"><font
color="#33FF33">Royal Guard</font></a><font
color="#33FF33"><br
style="font-family: arial;">
<a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/secret_service/secret_service_pinball.htm"><font
color="#33FF33">Secret Service</font></a><font
color="#33FF33"><br
style="font-family: arial;">
<a
href="http://www.pinballrebel.com/game/pins/ss/scared_stiff_pinball.html"><span
style="text-decoration: none;"><font
color="#33FF33">Scared Stiff</font></span></a><br>
</font></font></font></span></span></span></span></font></span></font></font></font></font></font></font></font><font
color="#33FF33"><font color="#33FF33"> <a style="font-family:
arial;"
href="http://www.pinballrebel.com/game/pins/shadow/index.html">
<font color="#33FF33">Shadow</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/shaq_attaq/shaq_attaq_pinball.htm"><font
color="#33FF33">Shaq Attaq</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/sharkeys/sharkeys_pinball.htm"><font
color="#33FF33">Sharkeys Shoot Out</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/pinball/shrek_pinball/shrek_pinball.htm"><font
color="#33ff33">Shrek</font></a><font color="#33ff33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/silverballmania/silverballmania_pinball.htm"><font
color="#33FF33">Silverball Mania</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/simpsons/simpsons_pinball.htm"><font
color="#33FF33">Simpsons</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font><font style="color: rgb(51, 255, 51); font-family:
arial;"> <a href="http://www.pinballrebel.com/simpsons/"> <span
style="text-decoration: none;"><font color="#33FF33">Simpsons
Pinball Party</font></span></a></font><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/spirit_of_76/spirit_of_76_pinball.htm"><font
color="#33FF33">Spirit of 76</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/sky_jump/sky_jump_pinball.htm"><font
color="#33FF33">Sky Jump</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/slick_chick/slick_chick_pinball.htm"><font
color="#33FF33">Slick Chick</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/sopranos/sopranos_pinball.htm"><font
color="#33FF33">Sopranos</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/sorcerer/sorcerer_pinball.htm"><font
color="#33FF33">Sorcerer</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/southpark/southpark_pinball.htm"><font
color="#33FF33">South Park</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/space_invaders/space_invaders_pinball.htm"><font
color="#33FF33">Space Invaders</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/space_mission/space_mission_pinball.htm"><font
color="#33FF33">Space Mission</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/so/space_odyssey_pinball.htm"><font
color="#33FF33">Space Odyssey</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/space_shuttle/space_shuttle_pinball.htm"><font
color="#33FF33">Space Shuttle</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/space_station/space_station_pinball.htm"><font
color="#33FF33">Space Station</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/spectrum/spectrum_pinball.htm"><font
color="#33FF33">Spectrum</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/special_force/special_force_pinball.htm"><font
color="#33FF33">Special Force</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/pinball/spiderman_pinball/index.html">
<font color="#33FF33">Spider-Man</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/spinacard/spinacard_pinball.htm"><font
color="#33FF33">Spin-A-Card</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/spin_out/spin_out_pinball.htm"><font
color="#33FF33">Spin Out</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/spy_hunter/spy_hunter_pinball.htm"><font
color="#33FF33">Spy Hunter</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/sg/star_gate_pinball.htm">
<font color="#33FF33">Stargate</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font><span style="color: rgb(51, 255, 51); font-family:
arial;" lang="en-us"> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/starship_troopers/starship_troopers_pinball.htm"><font
color="#33FF33">Starship Troopers</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font><span style="color: rgb(51, 255, 51); font-family:
arial;" lang="en-us"> <a
href="http://www.pinballrebel.com/game/pins/star_trek_25th/star_trek_25th_pinball.htm"><span
style="text-decoration: none;"><font color="#33FF33">Star
Trek 25th Anniversary</font></span></a><br>
<a
href="http://www.pinballrebel.com/game/pins/sttng2/star_trek_the_next_generation_pinball_2.htm"><span
style="text-decoration: none;"><font color="#33FF33">Star
Trek The Next Generation</font></span></a><br>
</span> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/star_wars/star_wars_pinball.htm"><font
color="#33FF33">Star Wars Data East</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/swe1/star_wars_episode_1_pinball.htm"><font
color="#33FF33">Star Wars Episode I</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/sw/star_wars_trilogy_special_edition_pinball.htm"><font
color="#33FF33">Star Wars Trilogy Special Edition</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/strange_science/strange_science_pinball.htm"><font
color="#33FF33">Strange Science</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/strato_flite/strato_flite_pinball.htm"><font
color="#33FF33">Strato-Flite</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/strikesandspares/strikesandspares_pinball.htm"><font
color="#33FF33">Strikes And Spares</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/strike_zone/strike_zone_pinball.htm"><font
color="#33FF33">Strike Zone</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/supermario/super_mario_brothers_pinball.htm"><font
color="#33FF33">Super Mario Brothers</font></a><font
color="#33FF33"><br>
<a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/supers/super_score_pinball.htm"><font
color="#33FF33">Super Score</font></a><font
color="#33FF33"><br>
<a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/surfer/surfer_pinball.htm">
<font color="#33FF33">Surfer</font></a><font
color="#33FF33"><br>
<a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/swing_along/swing_along_pinball.htm"><font
color="#33FF33">Swing Along</font></a><font
color="#33FF33"><br>
<a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/swords_of_fury/swords_of_fury_pinball.htm">
<font color="#33FF33">Swords Of Fury</font></a><font
color="#33FF33">
<p> <font style="color: rgb(51, 255, 51);
font-family: arial;"> <a
href="http://www.pinballrebel.com/pinball/pinball_machines_3.htm">Complete
Listing Of Games That Start With Q-S</a></font></p>
<p><font style="color: rgb(51, 255, 51);
font-family: arial;"> </font></p>
<hr style="width: 100%; height: 2px;"><font
color="#33FF33">T-Z<br>
<br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/tales_from_the_crypt/tales_from_the_crypt_pinball.htm"><font
color="#33FF33">Tales From the Crypt</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/tales_arabian_nights/tales_arabian_nights_pinball.htm"><font
color="#33FF33">Tales Of The Arabian Nights</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/target_pool/target_pool_pinball.htm"><font
color="#33FF33">Target Pool</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/taxi/taxi_pinball.htm">
<font color="#33FF33">Taxi</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/teed_off/teed_off_pinball.htm"><font
color="#33FF33">Teed Off</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/teenage_mutant_ninja_turtles/teenage_mutant_ninja_turtles_pinball.htm"><font
color="#33FF33">Teenage Mutant Ninja Turtles</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/t2/t2_pinball.htm">
<font color="#33FF33">Terminator 2</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/terminator3/terminator3_pinball.htm"><font
color="#33FF33">Terminator 3 Rise Of The
Machines</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/tom/theatre_of_magic_pinball.htm"><font
color="#33FF33">Theatre Of Magic</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/time_line/time_line_pinball.htm"><font
color="#33FF33">Time Line</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/time_warp/time_warp_pinball.htm"><font
color="#33FF33">Time Warp</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/tommy/tommy_pinball.htm">
<font color="#33FF33">TOMMY</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/transporter/transporter_pinball.htm"><font
color="#33FF33">Transporter the Rescue</font></a><br>
</font></font></font></font></font></span></font></font><a
style="color: rgb(51, 255, 51);"
href="http://www.pinballrebel.com/pinball/tron_limited_edition_pinball/index.html">Tron
Limited Edition Pinball By Stern</a><br style="font-family:
arial;">
<font color="#33FF33"><font style="color: rgb(51, 255, 51);
font-family: arial;"><font color="#33FF33"><font color="#33FF33"><font
color="#33FF33"><font color="#33FF33"><font
color="#33FF33"><span style="color: rgb(51, 255, 51);
font-family: arial;" lang="en-us"><font
color="#33FF33"><span style="color: rgb(51, 255,
51); font-family: arial;" lang="en-us"><span
style="color: rgb(51, 255, 51); font-family:
arial;" lang="en-us"><span style="color:
rgb(51, 255, 51); font-family: arial;"
lang="en-us"><font color="#33FF33"><font
color="#33FF33"><span style="color:
rgb(51, 255, 51); font-family: arial;"
lang="en-us"><font color="#33FF33"><font
color="#33FF33"><font
color="#33FF33"><font
color="#33FF33"><font
color="#33FF33"><font
color="#33FF33"> </font>
<a style="font-family:
arial;"
href="http://www.pinballrebel.com/game/pins/truck_stop/truck_stop_pinball.htm"><font
color="#33FF33">Truck
Stop</font></a><font
color="#33FF33"><br
style="font-family:
arial;">
</font> <a
style="font-family:
arial;"
href="http://www.pinballrebel.com/game/pins/tucson/tucson_pinball.htm">
<font color="#33FF33">Tucson</font></a><font
color="#33FF33"><br
style="font-family:
arial;">
</font><span style="color:
rgb(51, 255, 51);
font-family: arial;"
lang="en-us"> <a
href="http://www.pinballrebel.com/game/pins/tz/twilight_zone_pinball.html"><span
style="text-decoration:
none;"><font
color="#33FF33">Twilight
Zone</font></span></a></span><font
color="#33FF33"><br
style="font-family:
arial;">
</font> <a
href="http://www.pinballrebel.com/game/pins/twin_win/twin_win_pinball.html"><span
style="text-decoration:
none;"><font
color="#33FF33">Twin
Win</font></span></a></font></font></font></font></font></span></font></font></span></span></span></font></span></font></font></font></font></font></font></font><font
color="#33FF33"><font color="#33FF33"><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/twister/twister_pinball.htm">
<font color="#33FF33">Twister</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font><font style="color: rgb(51, 255, 51); font-family:
arial;"> <a
href="http://www.pinballrebel.com/game/pins/cim/williams_united_shuffle_alley_cimmaron.htm"><span
style="text-decoration: none;"><font color="#33FF33">United's
Cimmaron</font></span></a></font><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/vampire/vampire_pinball.htm">
<font color="#33FF33">Vampire</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/vector/vector_pinball.htm">
<font color="#33FF33">Vector</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/viper/index.html">
<font color="#33FF33">Viper</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/volcano/volcano_pinball.htm">
<font color="#33FF33">Volcano</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/vulcan/vulcan_pinball.htm">
<font color="#33FF33">Vulcan</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/waterworld/waterworld_pinball.htm"><font
color="#33FF33">Waterworld</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/wagontrain/wagontrain_pinball.htm"><font
color="#33FF33">Wagon Train</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/pinball/wheel_of_fortune/index.html">
<font color="#33FF33">Wheel Of Fortune</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/wizard/wizard_pinball.htm">
<font color="#33FF33">Wizard</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/wcs/wcs_pinball.htm">
<font color="#33FF33">World Cup Soccer</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/whilrwind/whirlwind_pinball.htm"><font
color="#33FF33">Whirlwind</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font><span style="color: rgb(51, 255, 51); font-family:
arial;" lang="en-us"> <a
href="http://www.pinballrebel.com/game/pins/ww/whitewater_pinball.html">
<span style="text-decoration: none;"><font color="#33FF33">Whitewater</font></span></a></span><font
color="#33FF33"><br style="font-family: arial;">
<a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/who_dunnit/who_dunnit_pinball.htm"><font
color="#33FF33">Who Dunnit</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/wonderland/wonderland_pinball.htm"><font
color="#33FF33">Wonderland</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/world_poker_tour/world_poker_tour_pinball.htm"><font
color="#33FF33">World Poker Tour</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/wwf_royal_rumble/wwf_royal_rumble_pinball.htm"><font
color="#33FF33">WWF Royal Rumble</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/xenon/xenon_pinball.htm">
<font color="#33FF33">Xenon</font></a><font color="#33FF33"><br
style="font-family: arial;">
</font> <a style="font-family: arial;"
href="http://www.pinballrebel.com/game/pins/xfiles/xfiles_pinball.htm">
<font color="#33FF33">X-Files</font></a><font
color="#33FF33"><br style="font-family: arial;">
</font>
<p> <font style="color: rgb(51, 255, 51); font-family:
arial;"> <a
href="http://www.pinballrebel.com/pinball/pinball_machines_4.htm">Complete
Listing Of Games That Start With T-Z</a></font></p>
<p><font style="color: rgb(51, 255, 51); font-family: arial;">
</font></p>
<hr style="width: 100%; height: 2px;"><font color="#33FF33"><br>
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|
Pinball Machines Pages Of The Pinball Rebel
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| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
|
| |
| --- |
| **- What's Hot -** |
|
[Custom
Pinball Cards](http://www.pinballrebel.com/game/pins/card/card.htm) |
| [Events
Calendar](http://www.pinballrebel.com/cgi-bin/calendar/index.cgi) |
|
[Game
Room Greeting Cards](http://pinballrebel.com/ecards/) |
|
[Stern
Pinball Home Page](http://www.sternpinball.com/) |
| [Texas
Pinball Festival](http://www.texaspinball.com) |
| [Pinball
Show Photos](http://www.pinballrebel.com/game/pins/tpf/texas_pinball_festival.html) |
|
[Jersey
Jack Pinball](http://www.jerseyjackpinball.com/) |
| **- Resources & Links -** |
| [World Wide
Pinball Locator](http://www.pinballrebel.com/locator/index.php) |
|
[Pinball Links
Page](http://www.pinlinks.org) |
|
[Indiana
Jones Shop Out](http://www.pinballrebel.com/game/pins/ij2/shop/IJSHOPOUT.html) |
| [For Sale](http://www.pinballrebel.com/forsale/fs.htm) |
|
[Wanted](http://www.pinballrebel.com/want/want.htm) |
|
[Internet
Pinball Database](http://www.ipdb.org) |
| **- My Current
Pinballs -** |
| [AC/DC Premium
Edition](../../pinball/AC_DC_PREMIUM_PINBALL_STERN/index.html)
|
|
[Batman Dark Knight](../../pinball/batman_dark_knight_pinball_nib/index.html) |
| [Champion Pub](cp/champion_pub_pinball.htm) |
| [Cirqus
Voltaire](http://www.pinballrebel.com/game/pins/cv/cirqus_voltaire_pinball.htm) |
| [Creature
Black Lagoon](http://www.pinballrebel.com/game/pins/cftbl/creature_from_the_black_lagoon_pinball.html) |
| [Family
Guy](http://www.pinballrebel.com/pinball/family_guy_pinball/family_guy_pinball_stern.htm) |
| [Lord Of The
Rings](lotr/lotr.html) |
| [Medieval
Madness](http://www.pinballrebel.com/game/pins/mm/medieval_madness_pinball.htm) |
| [Monster
Bash](http://www.pinballrebel.com/game/pins/mb/monster_bash_pinball.html) |
| [No
Good Gofers](http://www.pinballrebel.com/game/pins/ngg/no_good_gofers_pinball.htm) |
| [Revenge
From Mars](http://www.pinballrebel.com/game/pins/rfm/revenge_from_mars_pinball.htm) |
| [Scared
Stiff](http://www.pinballrebel.com/game/pins/ss/scared_stiff_pinball.html) |
| [Spiderman](../../pinball/spiderman_pinball/index.html) |
| [Star
Trek Limited Edition](../../pinball/Star_Trek_Limited_Edition_Pinball_Stern_Pinball/index.html) |
|
Top
Dawg |
| [Tron
Limited Edition](../../pinball/tron_limited_edition_pinball/index.html)
|
| [Twilight
Zone](http://www.pinballrebel.com/game/pins/tz/twilight_zone_pinball.html) |
| [Whitewater](http://www.pinballrebel.com/game/pins/ww/whitewater_pinball.html) |
| [Wizard
Of Oz Limited Edition](../../pinball/Wizard_of_OZ_Limited_Edition_Pinball/index.html) |
|
| |
| --- |
| **-
Kens Pinball Machine Pages -** |
| | | |
| Thank
you for visiting
the
pinball
pages. I hope you find
everything here you are
looking for. I have
been an avid pinball player
and fan ever since I
would play pinball at the
Gold Mine Arcade before
making my way over to the
drive in theater.
There is no game like
pinball. The steel ball
and the glass and plastic come
together to form an American
masterwork and sport like no
other. Designer Harry
Williams always said, "The
Ball Is Wild." He was very
much correct. Unlike a
video game with its' repeating
patterns and storyline every
individual game of pinball is
unique.
Here you will find my [custom
cards](http://www.pinballrebel.com/game/pins/card/card.htm), [videos](http://www.pinballrebel.com/game/pins/video/pinvid.htm),
[world
wide pinball locator](http://www.pinballrebel.com/locator/index.php),
and dedicated machine pages
seen below.
I
could really use a small
donation to keep this site
running. If you care to help
click below to send $5
|
| |
|
| |
| --- |
| **-
Other Pages -** |
| [Chat
Page](http://www.pinballrebel.com/chat.htm) |
| [Drive
In Movie Theaters](http://www.pinballrebel.com/drive/test.htm) |
| [Fortune
Teller Machines](http://www.pinballrebel.com/fortune/fortune.htm) |
| [Forums
At Pinball Rebel](http://pinballrebel.com/v-web/bulletin/bb/index.php) |
| [Guestbook](http://www.pinballrebel.com/book/book.htm) |
| [Jukebox
Archive & Museum](http://www.pinballrebel.com/archive/archive.htm) |
| [My
Gameroom](http://www.pinballrebel.com/game/game.htm) |
| [Poll](http://www.pinballrebel.com/poll.htm) |
| [Soda
Pop Machines & Ads](http://www.pinballrebel.com/game/cola/cola.htm) |
| [Six
Flags & Speelunkers](http://www.pinballrebel.com/spee/spee.htm) |
| [Who
is the Pinball Rebel?](http://www.pinballrebel.com/me/me.htm) |
| |
| **- Owners Lists
-** |
| [BK2K](http://www.pinballrebel.com/game/pins/black_knight_2000/black_knight_2000_pinball_owners.htm) [Family
Guy](http://www.pinballrebel.com/pinball/family_guy_pinball/family_guy_pinball.htm) [Monopoly](http://www.pinballrebel.com/pinball/monopoly_pinball_owners_list/monopoly_pinball_owners_list.html) |
|
[Dracula](http://www.pinballrebel.com/game/pins/bram_stokers_dracula/bram_stokers_dracula_pinball_owners.htm) [No Good Gofers](http://www.pinballrebel.com/game/pins/ngg/ngg_owners.htm) |
| [Simpsons
Pinball Party](http://www.pinballrebel.com/game/pins/tspp/tspp_owners.htm) |
| [T2](http://www.pinballrebel.com/game/pins/t2/terminator2_pinball_owners.htm) [Terminator
3](http://www.pinballrebel.com/game/pins/t3/t3.html) |
| **- Other Pinballs
-** |
| [Games
I Once Own](http://www.pinballrebel.com/game/pins/rip.htm)[ed](http://www.pinballrebel.com/game/pins/rip.htm) |
| [Games
From TPF 2004](http://www.pinballrebel.com/game/pins/tpf/texas_pinball_festival.html) |
|
[Lord Of
The Rings](http://www.pinballrebel.com/lotr/lotr1.html) |
|
[Elvis](http://www.pinballrebel.com/game/pins/elvis/stern_elvis_pinball_1.htm) |
| [Simpsons
Pinball Party](http://www.pinballrebel.com/simpsons/) |
|
[Roller
Coaster Tycoon](http://www.pinballrebel.com/rct/rct.htm) |
|
[Pirates
Of The Caribbean](http://www.pinballrebel.com/pinball/pirates_of_the_caribbean/pirates_of_the_caribbean_1.htm) |
| **-** **Cool Stuff -** |
|
[Pinball
Bumper Stickers](http://www.pinballrebel.com/game/pins/bs.htm) |
|
[Pinball
DVD's](http://www.pinballrebel.com/game/pins/tpf/2004/dvd.html) |
| [Pinball
Videos Online](http://www.pinballrebel.com/game/pins/video/pinvid.htm) |
| [Gameroom
License Plates](http://www.pinballrebel.com/game/pins/plate/plates.htm) |
| [Pinball Downloads](http://www.pinballrebel.com/pinball/tops/cool_stuff_pinball.htm)
|
| [Email
Ken](mailto:[email protected]?subject=pinball%20pages) |
|
|
| Copyright 2014 [Pinballrebel.com](http://www.pinballrebel.com) All rights reserved |
# Dedicated Pinball Machine
Pages
# Photos Data and Information
About You Favorite Pins
Here you will find a list of pinball machines
that I compiled information on from A-Z. Choose the
game of your choice
below to see photos, information, playing tips, video, repair and
restoration, and discussion about these great machines.
This is not a site about computer pinball games rather these are
the real thing. This is also not the place to download free
pinball games.
If you are looking for visual pinball then try [this.](http://www.vpforums.com/vptables/tables.php)
To go back to the pinball home page [click here](http://www.pinballrebel.com/game/pins/pins.htm).
---
##
Jump to Section
[A-F](http://www.pinballrebel.com/pinball/pinball_machines_1.htm)
[G-P](http://www.pinballrebel.com/pinball/pinball_machines_2.htm)
[Q-S](http://www.pinballrebel.com/pinball/pinball_machines_3.htm)
[T-Z](http://www.pinballrebel.com/pinball/pinball_machines_4.htm)
A-F
[24](http://www.pinballrebel.com/pinball/24_pinball/24_pinball_stern_1.htm)
[300](http://www.pinballrebel.com/game/pins/300/300_pinball.htm)
[Aces
& Kings](http://www.pinballrebel.com/game/pins/aces_and_kings/aces_and_kings_pinball.htm)
[Addams
Family](http://www.pinballrebel.com/game/pins/taf/the_addams_family_pinball.htm)
[A-Go-Go](http://www.pinballrebel.com/game/pins/a_go_go/a_go_go_pinball.htm)
[Airport](http://www.pinballrebel.com/game/pins/airport/airport_pinball.htm)
[Apollo
13](http://www.pinballrebel.com/game/pins/apollo_13/apollo_13_pinball.htm)
[Ali](http://www.pinballrebel.com/game/pins/ali/ali_pinball.htm)
[Alien
Poker](http://www.pinballrebel.com/game/pins/alien_poker/alien_poker_pinball.htm)
[All
Star Baseball](http://www.pinballrebel.com/game/pins/all_star/all_star_pinball.htm)
[Atlantis](http://www.pinballrebel.com/game/pins/atlantis/atlantis_pinball.htm)
[Austin Powers](http://www.pinballrebel.com/game/pins/austin_powers/austin_powers_pinball.htm)
[Back To The Future](http://www.pinballrebel.com/game/pins/back_to_the_future/back_to_the_future_pinball.htm)
[Bad Cats](http://www.pinballrebel.com/game/pins/bad_cats/bad_cats_pinball.htm)
[Bank-A-Ball](http://www.pinballrebel.com/game/pins/bank_a_ball/bank_a_ball_pinball.htm)
[Baseball](http://www.pinballrebel.com/game/pins/baseball/baseball_pinball.htm)
[Batman](http://www.pinballrebel.com/game/pins/batman/batman_pinball.htm)
[Batman The Dark Knight By Stern](http://www.pinballrebel.com/pinball/batman_dark_night_pinball/batman_dark_night_pinball.htm)
[Bay Watch](http://www.pinballrebel.com/game/pins/baywatch/baywatch_pinball.htm)
[Big Bang Bar](http://www.pinballrebel.com/game/pins/bigbangbar/bigbangbar_pinball.htm)
[Big Buck Hunter Pinball](http://www.pinballrebel.com/pinball/big_buck_hunter_pinball/index.html)
[Big Deal](http://www.pinballrebel.com/game/pins/big_deal/big_deal_pinball.htm)
[Big Game](http://www.pinballrebel.com/game/pins/big_game/big_game_pinball.htm)
[Big Guns](http://www.pinballrebel.com/game/pins/big_guns/big_guns_pinball.htm)
[Big Hurt](http://www.pinballrebel.com/game/pins/big_hurt/big_hurt_pinball.htm)
[Big League](http://www.pinballrebel.com/game/pins/big_league/big_league_pinball.htm)
[Big Shot](http://www.pinballrebel.com/game/pins/big_shot/big_shot_pinball.htm)
[Big Strike](http://www.pinballrebel.com/game/pins/big_strike/big_strike_pinball.htm)
[Black Hole](http://www.pinballrebel.com/game/pins/bh/black_hole_pinball.htm)
[Black Knight](http://www.pinballrebel.com/game/pins/black_knight/black_knight_pinball.htm)
[Black Knight 2000](http://www.pinballrebel.com/game/pins/black_knight_2000/black_knight_2000_pinball.htm)
[Black Rose](http://www.pinballrebel.com/game/pins/black_rose/black_rose_pinball.htm)
[Blackout](http://www.pinballrebel.com/game/pins/blackout/blackout_pinball.htm)
[Blue Chip](http://www.pinballrebel.com/game/pins/blue_chip/blue_chip_pinball.htm)
[Bone Busters](http://www.pinballrebel.com/game/pins/bone_busters/bone_busters_pinball.htm)
[Bow & Arrow](http://www.pinballrebel.com/game/pins/bow_arrow/bow_arrow_pinball.htm)
[Bowling Queen](http://www.pinballrebel.com/game/pins/bowling_queen/bowling_queen_pinball.htm)
[Bram Stokers Dracula](http://www.pinballrebel.com/game/pins/bram_stokers_dracula/bram_stokers_dracula_pinball.htm)
[Breakshot](http://www.pinballrebel.com/game/pins/breakshot/breakshot_pinball.htm)
[Bride of Pinbot](http://www.pinballrebel.com/game/pins/bop/bride_of_pinbot_pinball.htm)
[Bronco](http://www.pinballrebel.com/game/pins/bronco/bronco_pinball.htm)
[Buccaneer](http://www.pinballrebel.com/game/pins/buccaneer/buccaneer_pinball.htm)
[Buck Rogers](http://www.pinballrebel.com/game/pins/buckrogers/buckrogers_pinball.htm)
[Cactus Canyon](http://www.pinballrebel.com/game/pins/cactus_canyon/cactus_canyon_pinball.htm)
[Captain Fantastic](http://www.pinballrebel.com/game/pins/captain_fantastic/captain_fantastic_pinball.htm)
[Centaur](http://www.pinballrebel.com/game/pins/centaur/centaur_pinball.htm)
[Central Park](http://www.pinballrebel.com/game/pins/central_park/central_park_pinball.htm)
[Champion Pub](http://www.pinballrebel.com/game/pins/cp/champion_pub_pinball.htm)
[Cheetah](http://www.pinballrebel.com/game/pins/cheetah/cheetah_pinball.htm)
[Cirqus
Voltaire](http://www.pinballrebel.com/game/pins/cv/cirqus_voltaire_pinball.htm)
[Cleopatra](http://www.pinballrebel.com/game/pins/cleopatra/cleopatra_pinball.htm)
[Close
Encounters Of The Third Kind](http://www.pinballrebel.com/game/pins/close_encounters/close_encounters_pinball.html)
[Congo](http://www.pinballrebel.com/game/pins/congo/congo_pinball.html)
[Comet](http://www.pinballrebel.com/game/pins/comet/comet_pinball.htm)
[Corvette](http://www.pinballrebel.com/game/pins/corvette/corvette_pinball.htm)
[Creature
Black Lagoon](http://www.pinballrebel.com/game/pins/cftbl/creature_from_the_black_lagoon_pinball.html)
[Cue Ball Wizard](http://www.pinballrebel.com/game/pins/cbw/cue_ball_wizard_pinball.htm)
[Cyclone](http://www.pinballrebel.com/game/pins/cyclone/cyclone_pinball.htm)
[Demolitian Man](http://www.pinballrebel.com/game/pins/dm/demolition_man_pinball.htm)
[Disco Fever](http://www.pinballrebel.com/game/pins/disco_fever/disco_fever_pinball.htm)
[Disk Jockey](http://www.pinballrebel.com/game/pins/disk_jockey/disk_jockey_pinball.htm)
[Diner](http://www.pinballrebel.com/game/pins/diner/diner_pinball.htm)
[Dirty Harry](http://www.pinballrebel.com/game/pins/dh/dirty_harry_pinball.htm)
[Dolly Parton](http://www.pinballrebel.com/game/pins/dolly_parton/dolly_parton_pinball.htm)
[Dracula](http://www.pinballrebel.com/game/pins/dracula/dracula_pinball.htm)
[Dr. Dude](http://www.pinballrebel.com/game/pins/dr_dude/dr_dude_pinball.htm)
[Dr. Who](http://www.pinballrebel.com/game/pins/drwho/dr_who_pinball.htm)
[Dungeons & Dragons](http://www.pinballrebel.com/game/pins/dungeons_&_dragons/dungeons_&_dragons_pinball.htm)
[EarthShaker](http://www.pinballrebel.com/game/pins/es/earthshaker_pinball.htm)
[Eightball](http://www.pinballrebel.com/game/pins/eightball/eightball_pinball.htm)
[Eight Ball Deluxe](http://www.pinballrebel.com/game/pins/ebdx/eight_ball_deluxe_pinball.htm)
[Elektra](http://www.pinballrebel.com/game/pins/elektra/elektra_pinball.htm)
[Elvira & The Party Monsters](http://www.pinballrebel.com/game/pins/etpm/elvira_and_the_party_monsters_pinball.htm)
[Elvis](http://www.pinballrebel.com/game/pins/elvis/stern_elvis_pinball_1.htm)
[Embryon](http://www.pinballrebel.com/game/pins/embryon/embryon_pinball.htm)
[Escape From The Lost World](http://www.pinballrebel.com/game/pins/eftlw/escape_from_the_lost_world_pinball.html)
[F-14 Tomcat](http://www.pinballrebel.com/game/pins/f14_tomcat/f14_tomcat_pinball.htm)
[Family Guy](http://www.pinballrebel.com/pinball/family_guy_pinball/family_guy_pinball_stern.htm)
[Fire!](http://www.pinballrebel.com/game/pins/fire/fire_pinball.htm)
[Fireball](http://www.pinballrebel.com/game/pins/fireball/fireball_pinball.htm)
[Firepower](http://www.pinballrebel.com/game/pins/firepower/firepower_pinball.htm)
[Fishtales](http://www.pinballrebel.com/game/pins/fishtales/fishtales_pinball.htm)
[Flash](http://www.pinballrebel.com/game/pins/flash/flash_pinball.htm)
[Flip A Card](http://www.pinballrebel.com/game/pins/flip/flip_a_card_pinball.html)
[Flintstones](http://www.pinballrebel.com/game/pins/flintstones/flintstones_pinball.htm)
[Flying Circus](http://www.pinballrebel.com/game/pins/flying_circus/flying_circus_pinball.htm)
[Flying Turns](http://www.pinballrebel.com/game/pins/flyingturns/flyingturns_pinball.htm)
[Frankenstein](http://www.pinballrebel.com/game/pins/frankenstein/frankenstein_pinball.htm)
[Freddy A Nightmare On Elm Street](http://www.pinballrebel.com/game/pins/freddy_nightmare_elm_st/freddy_nightmare_elm_st_pinball.htm)
[Free Fall](http://www.pinballrebel.com/game/pins/free_fall/free_fall_pinball.htm)
[Freedom](http://www.pinballrebel.com/game/pins/freedom/freedom_pinball.htm)
[Funball](http://www.pinballrebel.com/game/pins/funball/funball_pinball.htm)
[Funhouse](http://www.pinballrebel.com/game/pins/funhouse/funhouse_pinball.htm)
[Future Spa](http://www.pinballrebel.com/game/pins/future_spa/future_spa_pinball.htm)
[Complete
Listing Of Games That Start With A-F](http://www.pinballrebel.com/pinball/pinball_machines_1.htm)
---
G-P
[Genie](http://www.pinballrebel.com/game/pins/genie/genie_pinball.htm)
[The
Getaway](http://www.pinballrebel.com/game/pins/hs2/high_speed_2_the_getaway_pinball.htm)
[GIN](http://www.pinballrebel.com/game/pins/gin/gin_pinball.htm)
[Galaxy](http://www.pinballrebel.com/game/pins/galaxy/galaxy_pinball.htm)
[Gaucho](http://www.pinballrebel.com/game/pins/gaucho/gaucho_pinball.htm)
[Gilligan's Island](http://www.pinballrebel.com/game/pins/gilligans_island/gilligans_island_pinball.htm)
[Godzilla](http://www.pinballrebel.com/game/pins/godzilla/godzilla_pinball.htm)
[Gorgar](http://www.pinballrebel.com/game/pins/gorgar/gorgar_pinball.htm)
[Grand Prix](http://www.pinballrebel.com/game/pins/grand_prix/grand_prix_pinball.htm)
[Grid Iron](http://www.pinballrebel.com/game/pins/gridiron/index.html)
[Harley Davidson](http://www.pinballrebel.com/game/pins/harley_davidson/harley_davidson_pinball.htm)
[Harley Davidson 3rd Edition by Stern](http://www.pinballrebel.com/game/pins/harley_davidson_3rd/harley_davidson_3rd_pinball.htm)
[Haunted House](http://www.pinballrebel.com/game/pins/haunted_house/haunted_house_pinball.htm)
[High Roller Casino](http://www.pinballrebel.com/game/pins/highrollercasino/highrollercasino_pinball.htm)
[High Speed](http://www.pinballrebel.com/game/pins/high_speed/high_speed_pinball.htm)
[Hook](http://www.pinballrebel.com/game/pins/hook/hook_pinball.htm)
[Hurdy Gurdy](http://www.pinballrebel.com/game/pins/hurdy_gurdy/hurdy_gurdy_pinball.htm)
[Hurricane](http://www.pinballrebel.com/game/pins/hurricane/hurricane_pinball.htm)
[Indiana
Jones](http://www.pinballrebel.com/game/pins/ij2/indiana_jones_pinball_2.htm)
[Indiana Jones Prototype](http://www.pinballrebel.com/game/pins/ij/indiana_jones_pinball.html)
[Indiana Jones By Stern 2008](http://www.pinballrebel.com/pinball/stern_indiana_jones_pinball/index.html)
[Indy 500](http://www.pinballrebel.com/game/pins/indianapolis_500/indianapolis_500_pinball.htm)
[Iron Man](http://www.pinballrebel.com/pinball/iron_man_pinball/index.html)
[Jack Bot](http://www.pinballrebel.com/game/pins/jack_bot/jack_bot_pinball.html)
[Johnny Mnemonic](http://www.pinballrebel.com/game/pins/jm/johnny_mnemonic_pinball.html)
[Jokerz](http://www.pinballrebel.com/game/pins/jokerz/jokerz_pinball.htm)
[Joust](http://www.pinballrebel.com/game/pins/joust/joust_pinball.htm)
[Judge Dredd](http://www.pinballrebel.com/game/pins/judge_dredd/judge_dredd_pinball.htm)
[Jumping Jack](http://www.pinballrebel.com/game/pins/jumping_jack/jumping_jack_pinball.htm)
[Jungle Lord](http://www.pinballrebel.com/game/pins/jungle_lord/jungle_lord_pinball.htm)
[Junkyard](http://www.pinballrebel.com/game/pins/junkyard/junkyard_pinball.htm)
[Jurassic Park](http://www.pinballrebel.com/game/pins/jurassicpark/jurassicpark_pinball.htm)
[Jurassic Park The Lost World](http://www.pinballrebel.com/game/pins/jp_lost_world/jp_lost_world_pinball.htm)
[Kewpie Doll](http://www.pinballrebel.com/game/pins/kewpie_doll/kewpie_doll_pinball.htm)
[King Pin](http://www.pinballrebel.com/game/pins/king_pin/king_pin_pinball.htm)
[King Tut](http://www.pinballrebel.com/game/pins/king_tut/king_tut_pinball.htm)
[Kiss](http://www.pinballrebel.com/game/pins/kiss/kiss_pinball.html)
[Laser Cue](http://www.pinballrebel.com/game/pins/laser_cue/laser_cue_pinball.htm)
[Lectronamo](http://www.pinballrebel.com/game/pins/lectronamo/lectronamo_pinball.htm)
[Lost World](http://www.pinballrebel.com/game/pins/lost_world/lost_world_pinball.htm)
[Line Drive Pitch & Bat](http://www.pinballrebel.com/game/pins/ld/line_drive_pitch_bat_pinball.html)
[Lord
Of The Rings](http://www.pinballrebel.com/lotr/lotr1.html)
[Mariner](http://www.pinballrebel.com/game/pins/mariner/mariner_pinball.htm)
[Mata Hari](http://www.pinballrebel.com/game/pins/matahari/matahari_pinball.htm)
[Maverick](http://www.pinballrebel.com/game/pins/mav/maverick_pinball.htm)
[Mayfair](http://www.pinballrebel.com/game/pins/mayfair/mayfair_pinball.htm)
[Medieval
Madness](http://www.pinballrebel.com/game/pins/mm/medieval_madness_pinball.htm)
[Memory Lane](http://www.pinballrebel.com/game/pins/ml/memory_lane_pinball.html)
[Monopoly](http://www.pinballrebel.com/game/pins/monopoly/monopoly_pinball.htm)
[Monster
Bash](http://www.pinballrebel.com/game/pins/mb/monster_bash_pinball.html)
[Motordome](http://www.pinballrebel.com/game/pins/motordome/motordome_pinball.htm)
[NASCAR](http://www.pinballrebel.com/game/pins/nascar/nascar_pinball.htm)
[NBA](http://www.pinballrebel.com/pinball/nba_pinball/nba_pinball.htm)
[NBA Fastbreak](http://www.pinballrebel.com/game/pins/nbafastbreak/nbafastbreak_pinball.htm)
[Night Rider](http://www.pinballrebel.com/game/pins/nightrider/nightrider_pinball.htm)
[Nip It](http://www.pinballrebel.com/game/pins/nipit/nipit_pinball.htm)
[Nitro Ground Shaker](http://www.pinballrebel.com/game/pins/nitro/nitro_ground_shaker_pinball.htm)
[No
Fear](http://www.pinballrebel.com/game/pins/no_fear/no_fear_pinball.htm)
[No
Good Gofers](http://www.pinballrebel.com/game/pins/ngg/no_good_gofers_pinball.htm)
[Paragon](http://www.pinballrebel.com/game/pins/paragon/paragon_pinball.htm)
[Party Animal](http://www.pinballrebel.com/game/pins/party_animal/party_animal_pinball.htm)
[Party Zone](http://www.pinballrebel.com/game/pins/party_zone/party_zone_pinball.htm)
[Pinball Champ](http://www.pinballrebel.com/game/pins/pinballchamp/pinballchamp_pinball.htm)
[Pinball Pool](http://www.pinballrebel.com/game/pins/pinball_pool/pinball_pool_pinball.htm)
[Pin Bot](http://www.pinballrebel.com/game/pins/pinbot/pinbot_pinball.htm)
[Pirates Of The Caribbean](http://www.pinballrebel.com/pinball/pirates_of_the_caribbean/pirates_of_the_caribbean_1.htm)
[Pistol Poker](http://www.pinballrebel.com/game/pins/pistol_poker/pistol_poker_pinball.htm)
[Playboy](http://www.pinballrebel.com/game/pins/playboy/playboy_pinball.htm)
[Police Force](http://www.pinballrebel.com/game/pins/police_force/police_force_pinball.htm)
[Pool Sharks](http://www.pinballrebel.com/game/pins/pool_sharks/pool_sharks_pinball.htm)
[Popeye](http://www.pinballrebel.com/game/pins/popeye/popeye_pinball.htm)
[Power Play](http://www.pinballrebel.com/game/pins/powerplay/powerplay_pinball.htm)
[Complete
Listing Of Games That Start With G-P](http://www.pinballrebel.com/pinball/pinball_machines_2.htm)
---
Q-S
[Queen Of Diamonds](http://www.pinballrebel.com/game/pins/queenofdiamonds/queenofdiamonds_pinball.htm)
[Quick Draw](http://www.pinballrebel.com/game/pins/quick_draw/quick_draw_pinball.htm)
[Quicksilver](http://www.pinballrebel.com/game/pins/quicksilver/quicksilver_pinball.htm)
[Rescue 911](http://www.pinballrebel.com/game/pins/rescue_911/rescue_911_pinball.htm)
[Revenge From Mars](http://www.pinballrebel.com/game/pins/rfm/revenge_from_mars_pinball.htm)
[Riverboat Gambler](http://www.pinballrebel.com/game/pins/riverboatgambler/riverboatgambler.htm)
[RoadShow](http://www.pinballrebel.com/game/pins/rs/road_show_pinball.htm)
[ROBOCOP](http://www.pinballrebel.com/game/pins/robocop/robocop_pinball.htm)
[Roller Coaster Tycoon](http://www.pinballrebel.com/rct/rct.htm)
[Roller Disco](http://www.pinballrebel.com/game/pins/roller_disco/roller_disco_pinball.htm)
[Rolling Stones](http://www.pinballrebel.com/game/pins/rolling_stones/rolling_stones_pinball.htm)
[Rolling
Stones Pinball By Stern](http://www.pinballrebel.com/pinball/rolling_stones_pinball_stern/index.html)
[Roller Games](http://www.pinballrebel.com/game/pins/rollergames/rollergames_pinball.htm)
[Round Up](http://www.pinballrebel.com/game/pins/roundup/roundup_pinball.htm)
[Royal Flush](http://www.pinballrebel.com/game/pins/royal_flush/royal_flush_pinball.htm)
[Royal Guard](http://www.pinballrebel.com/game/pins/royal_guard/royal_guard_pinball.htm)
[Secret Service](http://www.pinballrebel.com/game/pins/secret_service/secret_service_pinball.htm)
[Scared Stiff](http://www.pinballrebel.com/game/pins/ss/scared_stiff_pinball.html)
[Shadow](http://www.pinballrebel.com/game/pins/shadow/index.html)
[Shaq Attaq](http://www.pinballrebel.com/game/pins/shaq_attaq/shaq_attaq_pinball.htm)
[Sharkeys Shoot Out](http://www.pinballrebel.com/game/pins/sharkeys/sharkeys_pinball.htm)
[Shrek](http://www.pinballrebel.com/pinball/shrek_pinball/shrek_pinball.htm)
[Silverball Mania](http://www.pinballrebel.com/game/pins/silverballmania/silverballmania_pinball.htm)
[Simpsons](http://www.pinballrebel.com/game/pins/simpsons/simpsons_pinball.htm)
[Simpsons
Pinball Party](http://www.pinballrebel.com/simpsons/)
[Spirit of 76](http://www.pinballrebel.com/game/pins/spirit_of_76/spirit_of_76_pinball.htm)
[Sky Jump](http://www.pinballrebel.com/game/pins/sky_jump/sky_jump_pinball.htm)
[Slick Chick](http://www.pinballrebel.com/game/pins/slick_chick/slick_chick_pinball.htm)
[Sopranos](http://www.pinballrebel.com/game/pins/sopranos/sopranos_pinball.htm)
[Sorcerer](http://www.pinballrebel.com/game/pins/sorcerer/sorcerer_pinball.htm)
[South Park](http://www.pinballrebel.com/game/pins/southpark/southpark_pinball.htm)
[Space Invaders](http://www.pinballrebel.com/game/pins/space_invaders/space_invaders_pinball.htm)
[Space Mission](http://www.pinballrebel.com/game/pins/space_mission/space_mission_pinball.htm)
[Space Odyssey](http://www.pinballrebel.com/game/pins/so/space_odyssey_pinball.htm)
[Space Shuttle](http://www.pinballrebel.com/game/pins/space_shuttle/space_shuttle_pinball.htm)
[Space Station](http://www.pinballrebel.com/game/pins/space_station/space_station_pinball.htm)
[Spectrum](http://www.pinballrebel.com/game/pins/spectrum/spectrum_pinball.htm)
[Special Force](http://www.pinballrebel.com/game/pins/special_force/special_force_pinball.htm)
[Spider-Man](http://www.pinballrebel.com/pinball/spiderman_pinball/index.html)
[Spin-A-Card](http://www.pinballrebel.com/game/pins/spinacard/spinacard_pinball.htm)
[Spin Out](http://www.pinballrebel.com/game/pins/spin_out/spin_out_pinball.htm)
[Spy Hunter](http://www.pinballrebel.com/game/pins/spy_hunter/spy_hunter_pinball.htm)
[Stargate](http://www.pinballrebel.com/game/pins/sg/star_gate_pinball.htm)
[Starship Troopers](http://www.pinballrebel.com/game/pins/starship_troopers/starship_troopers_pinball.htm)
[Star
Trek 25th Anniversary](http://www.pinballrebel.com/game/pins/star_trek_25th/star_trek_25th_pinball.htm)
[Star
Trek The Next Generation](http://www.pinballrebel.com/game/pins/sttng2/star_trek_the_next_generation_pinball_2.htm)
[Star Wars Data East](http://www.pinballrebel.com/game/pins/star_wars/star_wars_pinball.htm)
[Star Wars Episode I](http://www.pinballrebel.com/game/pins/swe1/star_wars_episode_1_pinball.htm)
[Star Wars Trilogy Special Edition](http://www.pinballrebel.com/game/pins/sw/star_wars_trilogy_special_edition_pinball.htm)
[Strange Science](http://www.pinballrebel.com/game/pins/strange_science/strange_science_pinball.htm)
[Strato-Flite](http://www.pinballrebel.com/game/pins/strato_flite/strato_flite_pinball.htm)
[Strikes And Spares](http://www.pinballrebel.com/game/pins/strikesandspares/strikesandspares_pinball.htm)
[Strike Zone](http://www.pinballrebel.com/game/pins/strike_zone/strike_zone_pinball.htm)
[Super Mario Brothers](http://www.pinballrebel.com/game/pins/supermario/super_mario_brothers_pinball.htm)
[Super Score](http://www.pinballrebel.com/game/pins/supers/super_score_pinball.htm)
[Surfer](http://www.pinballrebel.com/game/pins/surfer/surfer_pinball.htm)
[Swing Along](http://www.pinballrebel.com/game/pins/swing_along/swing_along_pinball.htm)
[Swords Of Fury](http://www.pinballrebel.com/game/pins/swords_of_fury/swords_of_fury_pinball.htm)
[Complete
Listing Of Games That Start With Q-S](http://www.pinballrebel.com/pinball/pinball_machines_3.htm)
---
T-Z
[Tales From the Crypt](http://www.pinballrebel.com/game/pins/tales_from_the_crypt/tales_from_the_crypt_pinball.htm)
[Tales Of The Arabian Nights](http://www.pinballrebel.com/game/pins/tales_arabian_nights/tales_arabian_nights_pinball.htm)
[Target Pool](http://www.pinballrebel.com/game/pins/target_pool/target_pool_pinball.htm)
[Taxi](http://www.pinballrebel.com/game/pins/taxi/taxi_pinball.htm)
[Teed Off](http://www.pinballrebel.com/game/pins/teed_off/teed_off_pinball.htm)
[Teenage Mutant Ninja Turtles](http://www.pinballrebel.com/game/pins/teenage_mutant_ninja_turtles/teenage_mutant_ninja_turtles_pinball.htm)
[Terminator 2](http://www.pinballrebel.com/game/pins/t2/t2_pinball.htm)
[Terminator 3 Rise Of The
Machines](http://www.pinballrebel.com/game/pins/terminator3/terminator3_pinball.htm)
[Theatre Of Magic](http://www.pinballrebel.com/game/pins/tom/theatre_of_magic_pinball.htm)
[Time Line](http://www.pinballrebel.com/game/pins/time_line/time_line_pinball.htm)
[Time Warp](http://www.pinballrebel.com/game/pins/time_warp/time_warp_pinball.htm)
[TOMMY](http://www.pinballrebel.com/game/pins/tommy/tommy_pinball.htm)
[Transporter the Rescue](http://www.pinballrebel.com/game/pins/transporter/transporter_pinball.htm)
[Tron
Limited Edition Pinball By Stern](http://www.pinballrebel.com/pinball/tron_limited_edition_pinball/index.html)
[Truck
Stop](http://www.pinballrebel.com/game/pins/truck_stop/truck_stop_pinball.htm)
[Tucson](http://www.pinballrebel.com/game/pins/tucson/tucson_pinball.htm)
[Twilight
Zone](http://www.pinballrebel.com/game/pins/tz/twilight_zone_pinball.html)
[Twin
Win](http://www.pinballrebel.com/game/pins/twin_win/twin_win_pinball.html)
[Twister](http://www.pinballrebel.com/game/pins/twister/twister_pinball.htm)
[United's
Cimmaron](http://www.pinballrebel.com/game/pins/cim/williams_united_shuffle_alley_cimmaron.htm)
[Vampire](http://www.pinballrebel.com/game/pins/vampire/vampire_pinball.htm)
[Vector](http://www.pinballrebel.com/game/pins/vector/vector_pinball.htm)
[Viper](http://www.pinballrebel.com/game/pins/viper/index.html)
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<h1> Basic Chicken Farm Guide </h1>
<p>by Michael C. Dimopoulos - <a href="../index.html">Main page</a><p>
<p><a href="https://mcdim.xyz/library/essays/chickens.txt">text file</a>, <a href="index.html">other essays</a></p>
</div>
<p>Chickens are probably the easiest and cheapest farm animals you can keep. They only need some space, some cleaning, water and food (it sounds harder than it actually is). My family has had chickens for a while, my grandparents did too and I thought I should write this simple guide for everyone that hasn't had much experience but is nonetheless interested in having a chicken farm. I'll probably keep updating this guide with more information in the future. It's also important to note that some of it may also be dependent on other factors, such as the sub-species, the age, the climate etc.</p>
<h2>Why have a chicken farm</h2>
<p>Everything that comes out of a chicken is useful in some way. This is not an exaggeration: even the rooster's crowing, which some people consider annoying, is an excellent reminder of your circadian rythm (this is a whole different issue on why you should keep your sleep in sync with the day cycle).</p>
<img src="hen.jpg" width="400px" style="float: right; margin-left: 10px">
<h2>The basics</h2>
<p>Chickens can live up to 7-10 years, however egg production lasts only for the first 3 (max 4) years of their lives. Hens start laying eggs after 3 to 5 months of age. Generally, they produce fewer but larger eggs as they get older. My experience is that one or two year old hens lay one egg per day each, and as they get older they produce less.</p>
<ul>
<li>A flock of 10 1-2 year old hens produces 10 eggs a day.</li>
<li>A flock of 10 3 year old hens produces 7 eggs per day.</li>
</ul>
<p>It's important to note that the egg quality is much better than most eggs found in the market. Especially for older hens, they taste a lot better and can be twice even three times as large as common eggs.</p>
<p>You can slaughter a hen after she stops laying eggs. Their flesh is generally hard to chew on compared to most chickens on the market, but your jaw probably needs some exercise, anyways.</p>
<h2>Where to keep them?</h2>
<p>Keep your chickens in a comofortable space with grass and dirt. They also need to have a closed coop or henhouse, or at least a relatively closed corner where they can feel safe and sleep. This can affect the egg production. Make sure their space has a good fence! It should be obvious why: not only are there many predators lurking outside, but chickens are smarter than you think. They can dig beneath the fence, fly above it etc. and they can generally find quite impressive ways to escape. The fence should extend beneath the ground.</p>
<h2>Maintainance</h2>
<p>You'll want to clean their space from manure, especially during the summer and during the deep winter, when they stay all together in the same place for warmth. How often is entirely dependent on the number of hens, however a quick clean once a week seems to be fine. The more often you clean it, however, the better. Unlike many others promoted nowadays, this is a situation in which you want to wear a mask and a pair of gloves. Their manure is a great fertilizer.</p>
Feed them whenever their food runs out. Their diet mostly consists of wheat, cereal grains, soya etc. although they also eat insects, especially flies, crickets, grasshoppers and worms after the rain. Make sure they have clean water.
<h2>On roosters</h2>
<img src="rooster.jpg" width=240px style="float: left; margin-right: 18px;">
<p>Even if you don't want fertilized eggs, you should definitely get a rooster. Not only do they protect the hens from possible predators, but their mere existence helps with their psychology and, thus, their egg production. You'll want about one rooster per ten hens if you just want eggs. If you want to breed chickens you'll want more roosters, as much as one per two hens. However, having many roosters can be a problem for small flocks as they are competitive. They generally get along in larger flocks, though.</p>
<p>Roosters can crown whenever, although they mostly do when the sun rises. From what I know, it's impossible to make them not crow, so if noise is an issue you'll want to think about that (especially with more roosters). Roosters can be aggressive. In the unlikely scenario in which you have to grab one of them, get close, charge at it and grab its leg. It's the only way to do it without getting bitten.</p>
<h2>On eggs</h2>
<p>Hens lay their eggs early in the morning, you'll have to collect them as often as you can, the most often being every morning. They generally prefer to lay their eggs in kind of hidden and warm areas and they seem to particularly like hay. One thing we did to help the process of collecting eggs is, we made a basket with hay, tied it with a rope on a balcony above the hens and place it on the ground. Although it didn't always work, most of the times the hens layed their eggs in it, and we just pulled it with the rope every morning. In case you cannot get yourself to eat all the eggs you produce (which is very possible), don't be afraid to share them with your neighbors. People remember and favours are returned.</p>
<p>Mice and gophers, and maybe even dogs can eat the eggs. Dogs specifically may scare the chickens too, so try to keep them separate (although it seems that after a while they start to get along). You might wanna get cats for the mice. Even hens may start consuming their own eggs, which is something we had to deal with in our farm. In that case, you should collect the eggs early in the morning. Alternatively, you can slaughter the hen that is consuming them.</p>
<h2>On breeding</h2>
<p>For breeding, you'll probably need more roosters to get better results. Incubators are really helpful, as they protect the eggs and provide a constant ideal setting. Chicks should start popping out after three or so weeks, and they're quite vulnerable. After hatching, you don't have to feed them for around two days, however you need to make sure they're in a safe environment with heat. This may be an urban legend, but if they are older, and there are hundreds of them, if you have to place them in a box, make sure it's a round one(otherwise they will stack up on corners and suffocate). Make sure they have food and water at all times. Be very gentle with them and avoid holding them for the first few days. They generally eat fruits and vegetables, but you can also feed them small bugs. They have to be at least one month old before they go outside, and they will start laying eggs three months after that.</p>
<h2>Is it worth it?</h2>
<p>I hate to say that it depends. The more chickens & the longer you keep them for, the more it's worth it. They do, however, provide a reliable source of rich-in-noutrients food and that only makes them really worth it for many people who value autarky, including myself. One thing is for certain, though: you'll never like market eggs the same way again. </p>
<p>Background photo by Frances Gunn on <a href="https://unsplash.com/photos/QcBAZ7VREHQ">Unsplash</a>.</p>
<p><a href="../index.html">Main page</a></p>
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Chicken farm guide
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# Basic Chicken Farm Guide
by Michael C. Dimopoulos - [Main page](../index.html)
[text file](https://mcdim.xyz/library/essays/chickens.txt), [other essays](index.html)
Chickens are probably the easiest and cheapest farm animals you can keep. They only need some space, some cleaning, water and food (it sounds harder than it actually is). My family has had chickens for a while, my grandparents did too and I thought I should write this simple guide for everyone that hasn't had much experience but is nonetheless interested in having a chicken farm. I'll probably keep updating this guide with more information in the future. It's also important to note that some of it may also be dependent on other factors, such as the sub-species, the age, the climate etc.
## Why have a chicken farm
Everything that comes out of a chicken is useful in some way. This is not an exaggeration: even the rooster's crowing, which some people consider annoying, is an excellent reminder of your circadian rythm (this is a whole different issue on why you should keep your sleep in sync with the day cycle).
## The basics
Chickens can live up to 7-10 years, however egg production lasts only for the first 3 (max 4) years of their lives. Hens start laying eggs after 3 to 5 months of age. Generally, they produce fewer but larger eggs as they get older. My experience is that one or two year old hens lay one egg per day each, and as they get older they produce less.
* A flock of 10 1-2 year old hens produces 10 eggs a day.
* A flock of 10 3 year old hens produces 7 eggs per day.
It's important to note that the egg quality is much better than most eggs found in the market. Especially for older hens, they taste a lot better and can be twice even three times as large as common eggs.
You can slaughter a hen after she stops laying eggs. Their flesh is generally hard to chew on compared to most chickens on the market, but your jaw probably needs some exercise, anyways.
## Where to keep them?
Keep your chickens in a comofortable space with grass and dirt. They also need to have a closed coop or henhouse, or at least a relatively closed corner where they can feel safe and sleep. This can affect the egg production. Make sure their space has a good fence! It should be obvious why: not only are there many predators lurking outside, but chickens are smarter than you think. They can dig beneath the fence, fly above it etc. and they can generally find quite impressive ways to escape. The fence should extend beneath the ground.
## Maintainance
You'll want to clean their space from manure, especially during the summer and during the deep winter, when they stay all together in the same place for warmth. How often is entirely dependent on the number of hens, however a quick clean once a week seems to be fine. The more often you clean it, however, the better. Unlike many others promoted nowadays, this is a situation in which you want to wear a mask and a pair of gloves. Their manure is a great fertilizer.
Feed them whenever their food runs out. Their diet mostly consists of wheat, cereal grains, soya etc. although they also eat insects, especially flies, crickets, grasshoppers and worms after the rain. Make sure they have clean water.
## On roosters
Even if you don't want fertilized eggs, you should definitely get a rooster. Not only do they protect the hens from possible predators, but their mere existence helps with their psychology and, thus, their egg production. You'll want about one rooster per ten hens if you just want eggs. If you want to breed chickens you'll want more roosters, as much as one per two hens. However, having many roosters can be a problem for small flocks as they are competitive. They generally get along in larger flocks, though.
Roosters can crown whenever, although they mostly do when the sun rises. From what I know, it's impossible to make them not crow, so if noise is an issue you'll want to think about that (especially with more roosters). Roosters can be aggressive. In the unlikely scenario in which you have to grab one of them, get close, charge at it and grab its leg. It's the only way to do it without getting bitten.
## On eggs
Hens lay their eggs early in the morning, you'll have to collect them as often as you can, the most often being every morning. They generally prefer to lay their eggs in kind of hidden and warm areas and they seem to particularly like hay. One thing we did to help the process of collecting eggs is, we made a basket with hay, tied it with a rope on a balcony above the hens and place it on the ground. Although it didn't always work, most of the times the hens layed their eggs in it, and we just pulled it with the rope every morning. In case you cannot get yourself to eat all the eggs you produce (which is very possible), don't be afraid to share them with your neighbors. People remember and favours are returned.
Mice and gophers, and maybe even dogs can eat the eggs. Dogs specifically may scare the chickens too, so try to keep them separate (although it seems that after a while they start to get along). You might wanna get cats for the mice. Even hens may start consuming their own eggs, which is something we had to deal with in our farm. In that case, you should collect the eggs early in the morning. Alternatively, you can slaughter the hen that is consuming them.
## On breeding
For breeding, you'll probably need more roosters to get better results. Incubators are really helpful, as they protect the eggs and provide a constant ideal setting. Chicks should start popping out after three or so weeks, and they're quite vulnerable. After hatching, you don't have to feed them for around two days, however you need to make sure they're in a safe environment with heat. This may be an urban legend, but if they are older, and there are hundreds of them, if you have to place them in a box, make sure it's a round one(otherwise they will stack up on corners and suffocate). Make sure they have food and water at all times. Be very gentle with them and avoid holding them for the first few days. They generally eat fruits and vegetables, but you can also feed them small bugs. They have to be at least one month old before they go outside, and they will start laying eggs three months after that.
## Is it worth it?
I hate to say that it depends. The more chickens & the longer you keep them for, the more it's worth it. They do, however, provide a reliable source of rich-in-noutrients food and that only makes them really worth it for many people who value autarky, including myself. One thing is for certain, though: you'll never like market eggs the same way again.
Background photo by Frances Gunn on [Unsplash](https://unsplash.com/photos/QcBAZ7VREHQ).
[Main page](../index.html)
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<tr> <td> <font color="#FFFFC9" face="Arial" size="+3"> <center> <font face="Georgia">VINTAGE
TELEVISION</font> </center></font></td></tr> </table></div><br> </TD></TR> <TR>
<TD width="100%"> <div align="center"> <table border="4" cellspacing="0" cellpadding="35" bgcolor="#333333" bordercolor="#666666">
<tr> <td> <img
src="1939image.jpg" width="339" height="300" border="2" align="BOTTOM" alt="1939 Television Picture">
</td></tr> </table><br> <hr> <font face="Georgia" size="-1" color="#FFFFC9"><i>TELEVISION
a lifetime ago - how it looked ...</i> An unretouched picture showing BBC hostess
Elizabeth Cowell, taken from the television screen in July 1939.</font> <hr> </div></TD></TR>
<TR> <TD width="100%"><br> <table border="0" bgcolor="#480949" width="100%" >
<tr> <td><font color="#ffffff" face="Verdana, Arial, Helvetica, sans-serif" size="-1">Long
a science-fiction dream, TELEVISION was a major technical achievement of the twentieth
century. In November 1936, the BBC started the world's first regular high-definition
television service from the Alexandra Palace in London.</font></td></tr> </table><br>
<br> </TD></TR> <TR> <TD width="100%"> <table border="0" width="100%"> <tr> <td width="42%">
<div align="right"><font color="#000000" size="+1" face="Arial"><img
src="37marconi.jpg" width="200" height="303" align="BOTTOM" border="0" alt="1937 Marconiphone 702"></font></div></td><td width="16%"> </td><td width="42%">
<div align="left"><img src="38hmv2.jpg" width="177" height="250" border="0" alt="1938 His Masters Voice 907"></div></td></tr>
</table></TD></TR> <TR> <TD width="100%"><br> <table border="0" bgcolor="#480949" width="100%" >
<tr> <td> <font color="#ffffff" face="Verdana, Arial, Helvetica, sans-serif" size="-1">
Above left, dating from 1937, we see an example of the <b>Marconiphone 702</b>
with mirror-lid, restored to working order. The set on the right, a 1938 <b>HMV
907</b> with radio, I restored some years ago but is no longer in my collection.
<p>Unfortunately due to a recent plumbing emergency the 702 was seriously damaged
but now it has been fully restored (both cabinet and electronics) in the Radiocraft
workshop ! You can follow this process <a href="../702.htm" target="_blank"><b>HERE</b></a>
</font></td></tr> </table><br> <br> </TD></TR> <TR> <TD width="100%"> <table border="0" width="100%">
<tr> <td align="center" width="33%"> <img src="festival.jpg" width="178" height="162" border="0" alt="Retrovisor Festival">
</td><td align="center"width="34%"> <img src="t22.jpg" width="200" height="162" border="0" alt="Bush TV22">
</td><td align="center" width="33%"><img src="../retro.jpg" width="164" height="161" alt="Retrovisor Metropolis">
</tr> </table></TD></TR> <TR> <TD width="100%"><br> <table border="0" bgcolor="#480949" width="100%" >
<tr> <td><font color="#ffffff" face="Verdana, Arial, Helvetica, sans-serif" size="-1">
Above, on the left you can see a <b>Retrovisor Festival</b>, produced by Radiocraft
from 1993 to 1995. In the centre there's an original example of its inspiration
- the <b>Bush TV22</b> which dates from 1950. Finally, on the right there's a
<b>Retrovisor Metropolis</b> in operation. </font><a name="argus"></a><br> <center>
<font color="#ffff00" face="Verdana, Arial, Helvetica, sans-serif" size="-2">Interested
in finding out more about the Retrovisor ? Click <a href="../retrovisor.htm" target="_blank">HERE</a>
to take a look at these sets and learn the current supply situation. </font> </center></td></tr>
</table><br> <br> </TD></TR> <TR> <TD width="100%"> <table border="0" align="center">
<tr> <td width="312"> <div align="center"><img src="argus.jpg" width="300" height="234" alt="The Argus" border="0"></div></td><td width="5"> </td><td width="269">
<div align="center"><img src="argus1.jpg" width="250" height="213" alt="Argus in action" border="0"></div></td></tr>
</table></TD></TR> <TR> <TD width="100%"> <table border="0" bgcolor="#480949" width="100%" >
<tr> <td> <p><font color="#ffffff" face="Verdana, Arial, Helvetica, sans-serif" size="-1">
This is the <b>Argus</b>, a 'kit' television I constructed in 1990 from instructions
which appeared in a series of Practical Television Magazines in 1952. Billed as
a "television for £20" I found this still cost about the same
to construct (in real terms allowing for inflation) 38 years later. It uses 1940s-style
trf circuitry and ex-WD parts. Although the VCR97 tube originally specified gave
a green picture, I was fortunate enough to find a physically-identical CV2810.
This had a short persistence violet phosphor beneath a longer persistence green
one, effectively giving a black & white picture.</font></p><p><font color="#ffffff" face="Verdana, Arial, Helvetica, sans-serif" size="-1">
As the post-war austerity period was drawing to a close, this project allowed
the technically-minded amateur to build his own set for an affordable price. Specially
designed cabinets for this chassis were also made available at the time.</font></p><p><font face="Verdana, Arial, Helvetica, sans-serif" size="-1" color="#ffffff">If
you'd like to build your own Argus, <a href="../agus.htm"><b>CLICK HERE</b></a>
for all the original instructions !</font></p></td></tr> </table><div align="center"><br>
<br> <img src="grosvenor.jpg" width="351" height="250"><br> </div></TD></TR> <TR>
<TD width="100%" height="62"> <br> <hr> <div align="center"> <table border="0" width="95%" bgcolor="#F2EEE0">
<tr> <td> <div align="center"><a href="vintage_television_more_info.htm"><font color="#000000" face="Verdana, Arial, Helvetica, sans-serif" size="-1"><b>CLICK
HERE FOR MORE DETAILS ON THE VINTAGE TELEVISION HOBBY </b></font></a></div></td></tr>
</table></div><hr> </TD></TR> <TR> <TD width="100%"> <table border="0" width="95%" bgcolor="#000000" align="center">
<tr> <td> <div align="center"><font color="#FFFFFF" face="Verdana, Arial, Helvetica, sans-serif" size="-1"><a href="../radiolympia/radiolympia.htm" target="_blank">
SEE THE RANGE OF SETS ON OFFER AT RADIO OLYMPIA 1938. click here !</a></font></div></td></tr>
</table><hr> </TD></TR> <TR> <TD> <table border="0" width="95%" bgcolor="#000000" align="center">
<tr> <td> <div align="center"><font color="#FFFFFF" face="Verdana, Arial, Helvetica, sans-serif" size="-1"><a href="../agus.htm" target="_blank">
NOW YOU CAN BUILD THE 'ARGUS' TELEVISOR (depicted further up). click here
!</a></font></div></td></tr> </table><hr> </TD></TR> <TR> <TD width="100%"> <div align="center">
<table border="0" width="95%" bgcolor="#000000"> <tr> <td>
<div align="center"><font color="#FFFFFF" face="Verdana, Arial, Helvetica, sans-serif" size="-1"><a href="http://www.405-line.tv/" target="_blank">405-LINE
TELEVISION TO GO ON THE AIR AGAIN ? click here !</a></font></div>
</td></tr>
</table></div><hr> </TD></TR> <TR> <TD width="100%"> <div align="center"> <table border="0" width="95%" bgcolor="#000000">
<tr> <td> <div align="center"><a href="../values.htm" target="_blank"><font color="#FFFFFF" face="Verdana, Arial, Helvetica, sans-serif" size="-1">WHAT'S
MY TELEVISION WORTH ?</font></a></div></td></tr> </table></div><hr> </TD></TR>
<TR> <TD width="100%"> <div align="center"> <table border="0" width="95%" bgcolor="#000000">
<tr> <td> <div align="center"><font color="#FFFFFF" face="Verdana, Arial, Helvetica, sans-serif" size="-1"><a href="collection.htm" target="_blank">Click
here to see an amazing private collection of rare Vintage Televisions.</a></font></div></td></tr>
</table></div><hr> </TD></TR> <TR> <TD width="100%"> <div align="center"> <table border="0" width="95%" bgcolor="#000000">
<tr> <td width="100%"> <div align="center"><font color="#FFFFFF" face="Verdana, Arial, Helvetica, sans-serif" size="-1"><a href="1939_range.htm" target="_blank">Click
here to see the Philips range of console television sets for 1939</a></font></div></td></tr>
</table></div><hr> </TD></TR> <TR> <TD width="100%"> <div align="center"> <table border="0" width="95%" bgcolor="#000000">
<tr> <td width="100%" height="17"> <div align="center"><font color="#FFFFFF" face="Verdana, Arial, Helvetica, sans-serif" size="-1"><a href="1938_range.htm" target="_blank">Click
here to see the small-screen Marconi-EMI television range for 1938</a></font></div></td></tr>
</table></div><hr> </TD></TR> <TR> <TD width="100%">
<div align="center"> </div>
</TD>
</TR> <tr> <td align="center" bgcolor="FFFFCC"> <!-- SiteSearch Google -->
<form method="get" action="http://www.google.com/custom" target="google_window">
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</td></tr> <tr> <td> </td></tr> <TR> <TD width="100%"><br> <center> <font face="Verdana, Arial, Helvetica, sans-serif" color="#FFFFFF">VINTAGE
TELEVISION LINKS</font> </center><br> <center> <table border="0" bgcolor="#000000" width="90%" align="center" >
<tr> <td align="center"><font color="#ffffff" face="Arial" size="-1"><b><a href="../index.shtml">Radiocraft</a></b></font></td></tr>
</table></center><br> <center> <table border="0" bgcolor="#000066" width="90%" align="center" >
<tr> <td align="center"><font color="#ffffff" face="Verdana, Arial, Helvetica, sans-serif" size="-1"><b><a href="../directory/directory.htm">‘Where
to find it’ ... to the Directory General</a></b></font></td></tr> </table></center><br>
<center> <table border="0" bgcolor="#CC0066" width="90%" align="center" > <tr>
<td align="center"><font color="#ffffff" face="Verdana, Arial, Helvetica, sans-serif" size="-1"><b><a href="interlude.mp3">Download
some 'Interlude Music' (391KB .mp3)</a></b></font></td></tr> </table></center><br>
<center> <table border="0" bgcolor="#cc9900" width="90%" cellpadding="3" align="center" >
<tr> <td> <div align="center"><font color="#ffffff" face="Verdana, Arial, Helvetica, sans-serif" size="-1">
<b><a href="../restorations.htm">Click here if you have a set of your own<br>
you would like restored</a></b></font></div></td></tr> </table></center><br> <center>
<table border="0" bgcolor="#000099" width="90%" cellpadding="3" align="center" >
<tr> <td> <div align="center"><font color="#ffffff" face="Verdana, Arial, Helvetica, sans-serif" size="-1">
<b><a href="../restorations.htm#tv">How to create a 405-line signal for your old
set</a></b></font></div></td></tr> </table></center><br> <center> <table border="0" bgcolor="#996600" width="90%" cellpadding="3" align="center" >
<tr> <td> <div align="center"><font color="#ffffff" face="Verdana, Arial, Helvetica, sans-serif" size="-1">
<b><a href="http://www.tvhistory.tv/" target="_blank">A major internet resource
on Vintage Television</a></b></font></div></td></tr> </table></center><br> <center>
<table border="0" bgcolor="#666666" width="90%" cellpadding="3" align="center" >
<tr> <td> <div align="center"><font color="#ffffff" face="Verdana, Arial, Helvetica, sans-serif" size="-1">
<b><a href="http://www.whirligig-tv.co.uk/" target="_blank">A really fabulous
site for television programmes nostalgia</a></b></font></div></td></tr> </table></center><br>
<center> <table border="0" bgcolor="#009966" width="90%" align="center" > <tr>
<td align="center"><font color="#ffffff" face="Arial" size="-1"><b><a href="television_calvacade.htm">
<font face="Verdana, Arial, Helvetica, sans-serif">'TELEVISION SET CAVALCADE OF
1949' with Sylvia Peters</font></a></b></font></td></tr> </table></center><br>
<center> <table border="0" bgcolor="#0099cc" width="90%" cellpadding="3" align="center" >
<tr> <td> <div align="center"><font color="#ffffff" face="Verdana, Arial, Helvetica, sans-serif" size="-1">
<b><a href="http://www.bvws.org.uk/405alive/" target="_blank">The 405-ALIVE site</a></b></font></div></td></tr>
</table></center><br> <center> <table border="0" bgcolor="#990099" width="90%" cellpadding="3" align="center" >
<tr> <td> <div align="center"><font color="#ffffff" face="Verdana, Arial, Helvetica, sans-serif" size="-1">
<b><a href="http://www.thevalvepage.com/tvmanu/tvmanu.htm" target="_blank">The
premier reference resource for British television sets</a></b></font></div></td></tr>
</table></center><br> <center> <table border="0" bgcolor="#cc6600" width="90%" cellpadding="3" align="center" >
<tr> <td> <div align="center"><font color="#ffffff" face="Arial" size="-1"><b>
<a href="http://www.apts.org.uk/films.htm" target="_blank"><font face="Verdana, Arial, Helvetica, sans-serif">View
pre-war British television programmes on your computer screen - as they were seen
a lifetime ago !</font></a></b></font></div></td></tr> </table></center><br> <center>
<table border="0" bgcolor="#006600" width="90%" cellpadding="3" align="center" >
<tr> <td> <div align="center"><font color="#ffffff" face="Arial" size="-1"><b>
<a href="../nbtv1.htm" target="_blank"><font face="Verdana, Arial, Helvetica, sans-serif">Here's
something different ... Mechanical Television in Colour!</font></a></b></font></div></td></tr>
</table></center><br> </TD></TR> <TR> <TD width="100%"> <table border="8" cellpadding="0" cellspacing="2" width="100%" bgcolor="#660033" align="center">
<tr> <td align="center"> <a href="../tomorrow-world.htm" onMouseOver="on('image4a');" onMouseDown="down('image4a');" onMouseUp="off('image4a');" onMouseOut="off('image4a')">
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</td></tr> <tr> <td> <center> <font face="Arial" color="#FFFFCC" size="-2"><b>SPECIAL
PROJECTS</b></font> </center></td><td> <center> <font face="Arial" color="#FFFFCC" size="-2"><b>RADIOCRAFT</b></font>
</center></td><td> <center> <font face="Arial" color="#FFFFCC" size="-2"><b>GUEST
BOOK</b></font> </center></td><td> <center> <font face="Arial" color="#FFFFCC" size="-2"><b>MORE
INFO</b></font> </center></td><td> <center> <font face="Arial" color="#FFFFCC" size="-2"><b>GET
IN TOUCH</b></font> </center></td></tr> </table></TD></TR> </table><P> </P>
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Vintage Television
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| VINTAGE
TELEVISION |
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| 1939 Television Picture |
---
*TELEVISION
a lifetime ago - how it looked ...* An unretouched picture showing BBC hostess
Elizabeth Cowell, taken from the television screen in July 1939.
---
|
|
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| --- |
| Long
a science-fiction dream, TELEVISION was a major technical achievement of the twentieth
century. In November 1936, the BBC started the world's first regular high-definition
television service from the Alexandra Palace in London. |
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| | | |
| --- | --- | --- |
| 1937 Marconiphone 702 | | 1938 His Masters Voice 907 |
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| --- |
|
Above left, dating from 1937, we see an example of the **Marconiphone 702**
with mirror-lid, restored to working order. The set on the right, a 1938 **HMV
907** with radio, I restored some years ago but is no longer in my collection.
Unfortunately due to a recent plumbing emergency the 702 was seriously damaged
but now it has been fully restored (both cabinet and electronics) in the Radiocraft
workshop ! You can follow this process [**HERE**](../702.htm)
|
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| --- | --- | --- |
| Retrovisor Festival | Bush TV22 | Retrovisor Metropolis |
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| --- |
|
Above, on the left you can see a **Retrovisor Festival**, produced by Radiocraft
from 1993 to 1995. In the centre there's an original example of its inspiration
- the **Bush TV22** which dates from 1950. Finally, on the right there's a
**Retrovisor Metropolis** in operation.
Interested
in finding out more about the Retrovisor ? Click [HERE](../retrovisor.htm)
to take a look at these sets and learn the current supply situation. |
|
|
| | | |
| --- | --- | --- |
| The Argus | | Argus in action |
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| --- |
|
This is the **Argus**, a 'kit' television I constructed in 1990 from instructions
which appeared in a series of Practical Television Magazines in 1952. Billed as
a "television for £20" I found this still cost about the same
to construct (in real terms allowing for inflation) 38 years later. It uses 1940s-style
trf circuitry and ex-WD parts. Although the VCR97 tube originally specified gave
a green picture, I was fortunate enough to find a physically-identical CV2810.
This had a short persistence violet phosphor beneath a longer persistence green
one, effectively giving a black & white picture.
As the post-war austerity period was drawing to a close, this project allowed
the technically-minded amateur to build his own set for an affordable price. Specially
designed cabinets for this chassis were also made available at the time.If
you'd like to build your own Argus, [**CLICK HERE**](../agus.htm)
for all the original instructions ! |
|
|
---
| |
| --- |
| [**CLICK
HERE FOR MORE DETAILS ON THE VINTAGE TELEVISION HOBBY**](vintage_television_more_info.htm) |
---
|
|
| |
| --- |
| [SEE THE RANGE OF SETS ON OFFER AT RADIO OLYMPIA 1938. click here !](../radiolympia/radiolympia.htm) |
---
|
|
| |
| --- |
| [NOW YOU CAN BUILD THE 'ARGUS' TELEVISOR (depicted further up). click here
!](../agus.htm) |
---
|
|
| |
| --- |
| [405-LINE
TELEVISION TO GO ON THE AIR AGAIN ? click here !](http://www.405-line.tv/) |
---
|
|
| |
| --- |
| [WHAT'S
MY TELEVISION WORTH ?](../values.htm) |
---
|
|
| |
| --- |
| [Click
here to see an amazing private collection of rare Vintage Televisions.](collection.htm) |
---
|
|
| |
| --- |
| [Click
here to see the Philips range of console television sets for 1939](1939_range.htm) |
---
|
|
| |
| --- |
| [Click
here to see the small-screen Marconi-EMI television range for 1938](1938_range.htm) |
---
|
| |
|
| | |
| --- | --- |
| [Google](http://www.google.com/) |
Enter your search terms
Submit search form
|
| |
| | |
| --- | --- |
|
Web |
Radiocraft
site |
|
|
| |
| VINTAGE
TELEVISION LINKS
| |
| --- |
| **[Radiocraft](../index.shtml)** |
| |
| --- |
| **[‘Where
to find it’ ... to the Directory General](../directory/directory.htm)** |
| |
| --- |
| **[Download
some 'Interlude Music' (391KB .mp3)](interlude.mp3)** |
| |
| --- |
|
**[Click here if you have a set of your own
you would like restored](../restorations.htm)** |
| |
| --- |
|
**[How to create a 405-line signal for your old
set](../restorations.htm#tv)** |
| |
| --- |
|
**[A major internet resource
on Vintage Television](http://www.tvhistory.tv/)** |
| |
| --- |
|
**[A really fabulous
site for television programmes nostalgia](http://www.whirligig-tv.co.uk/)** |
| |
| --- |
| **['TELEVISION SET CAVALCADE OF
1949' with Sylvia Peters](television_calvacade.htm)** |
| |
| --- |
|
**[The 405-ALIVE site](http://www.bvws.org.uk/405alive/)** |
| |
| --- |
|
**[The
premier reference resource for British television sets](http://www.thevalvepage.com/tvmanu/tvmanu.htm)** |
| |
| --- |
| **[View
pre-war British television programmes on your computer screen - as they were seen
a lifetime ago !](http://www.apts.org.uk/films.htm)** |
| |
| --- |
| **[Here's
something different ... Mechanical Television in Colour!](../nbtv1.htm)** |
|
|
| | | | | |
| --- | --- | --- | --- | --- |
| | | | | |
| **SPECIAL
PROJECTS** | **RADIOCRAFT**
| **GUEST
BOOK** | **MORE
INFO** | **GET
IN TOUCH** |
|
| http://www.radiocraft.co.uk/vintage_television/index.shtml |
<html><head><title>Manowar's Hungarian Weapons & History</title>
<meta http-equiv="content-language" content="us">
<meta name="description" content="Manowar's Hungarian Weapons & History, Feg, Frommer, Femaru, Mannlicher, Werndl, Steyr, Budapest, Roth, Gasser, Danuvia, FegArmy">
<meta name="abstract" content="Manowar's Hungarian Weapons, Feg, Frommer, Femaru, Mannlicher, Werndl, Steyr, Budapest, Roth, Gasser, Danuvia, FegArmy">
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<basefont size="2"><div align="center">
<h1 align="center">MANOWAR'S HUNGARIAN WEAPONS & HISTORY</h1>
<h2 align="center">Guns For sale: <a href="Gunsale.htm">Military Rifles</a> | <a href="HandGunSale.htm">Hand Guns</a> | <a href="ShotGunSale.htm">Shotguns</a> | <a href="BookSale.htm">Gun Book Sale</a> | <a href="PartSale.htm">Gun Parts</a></h2>
Read These 1st: <a href="Info.htm">General Info</a> | <a href="History.htm">Hungarian History</a> | <a href="Markings.htm">Weapon Markings</a> | <a href="Correct.htm">Misconceptions, Corrections</a> | <a href="Trans.htm">Translations</a> |
<a href="Sources.htm">Sources, Bibliography</a> | <a href="Bio.htm">Gun Designers' Biographies</a> | <a href="Museum.htm">Military Museums</a> | <a href="Links.htm">Gun Info Links</a><p>
<h3>Habsburg Empire 1854-1918 (Austro-Hungarian Monarchy 1867-1918):</h3>
Gasser Revolvers: <a href="Gass70.htm">M1870</a> - <a href="Gass7074.htm">M1870/74</a> - <a href="Gass73.htm">M1873</a> - <a href="GassMont.htm">M74 Montenegrin</a> - <a href="Gass76.htm">Kropatschek M1876</a> -
<a href="Gass80.htm">M80 Montenegrin</a> - <a href="GassGend.htm">Gendarmerie</a> - <a href="GassPol.htm">Police</a> - <a href="Gass98.htm">Rast-Gasser M1898</a><br>
Mannlicher Pistols: <a href="Mann94.htm">M1894</a> - <a href="Mann96.htm">M1896</a> - <a href="Mann00.htm">M1900</a> - <a href="Mann01.htm">M1901</a> - <a href="Mann03P.htm">M1903</a> - <a href="Mann05.htm">M1905 Argentine</a> ---
Roth Pistols: <a href="RothSau.htm">Roth Sauer</a> - <a href="RothStey.htm">Roth Steyr M1907</a> - <a href="RothStey98.htm">Roth Steyr M1898</a> - <a href="Roth45.htm">Roth Model 45</a><br>
Krnka Pistols: <a href="Krnk91.htm">Pat.1891</a> - <a href="Krnk95.htm">M1895</a> - <a href="Krnk97.htm">M1897</a> - <a href="Krnk99.htm">M1899</a> - <a href="Krnk04.htm">M1904</a> ---
Steyr Pistols: <a href="Stey08.htm">Steyr-Pieper M1908</a> - <a href="Stey09.htm">Steyr-Pieper M1909</a> - <a href="Stey12.htm">Steyr-Hahn M1912</a> ---
Foreign Pistols: <a href="Maus96.htm">Mauser C-96</a> - <a href="Drey07.htm">Dreyse M1907</a><br>
<a href="Lorenz.htm">Lorenz Muskets</a> --- <a href="Wanzl.htm">Wanzl Rifles</a> ---
Werndl Rifles: <a href="Wern67.htm">M1867</a> - <a href="Wern73.htm">M1873</a> - <a href="Wern77.htm">M1877</a> ---
<a href="Fruwirth.htm">Fruwirth Carbines M1872</a><br>
Kropatschek Rifles: <a href="Krop81.htm">M1881</a> - <a href="Krop93.htm">M1893</a> ---
Mannlicher Rifles: <a href="Mann85.htm">M1885</a> - <a href="Mann86.htm">M1886</a> - <a href="Mann87.htm">M1887</a> - <a href="Mann88.htm">M1888</a> - <a href="Mann90.htm">M1890</a><br>
1914/15 Trial Rifles: <a href="Maus14.htm">8mm M1914 Mauser</a> - <a href="Maus14M.htm">7mm M1914 Mauser</a> - <a href="Mann14.htm">7mm M1914 Mannlicher</a> - <a href="Mann15.htm">7.92mm M1915 Mannlicher</a><br>
Captured Weapons: Russian <a href="Mosi91.htm">Mosin Nagant M1891</a> - <a href="Berdan.htm">Berdan II</a> - Japanese <a href="Arisaka.htm">Arisaka Type 30</a> - Serbian Mauser <a href="Maus99.htm">M1899</a> - <a href="Maus10.htm">M1910</a><br>
Captured Italian Weapons: <a href="Carcano.htm">Mannlicher-Carcano M1891</a> - Vetterli-Vitali M1871/87 - Vetterli-Carcano M1871/87/14 - <a href="Bodeo.htm">Bodeo M1889 Revolver</a> - <a href="Ber15.htm">Beretta M1915 Pistol</a><br>
Sequestered Rifles: <a href="Mann93.htm">Romanian Mannlicher M1893</a> - <a href="Mann03.htm">Greek Mannlicher-Schoenauer M1903/14</a> - <a href="Maus12.htm">Mauser M1914 (M.12 Chile/Colombia/Mexico)</a><br>
Purchased/Assigned Rifles: <a href="Mann13.htm">German Mannlicher Gew.88 (M1913)</a> - <a href="Turk03.htm">Turkish Mauser M1903</a><br>
Foreign Contract Rifles: <a href="Mann04.htm">Irish/Export Mannlicher M1904</a> - <a href="Mann90Af.htm">Afghan Mannlicher M1890</a> - <a href="Mann90Bu.htm">Bulgarian Mannlicher M1890</a><br>
Rapid-Firing Guns: <a href="Montigny.htm">Montigny</a> - <a href="Gatling.htm">Gatling</a> --- Machine Guns: <a href="Schwarz.htm">Schwarzlose</a> - <a href="Skoda.htm">Skoda</a>
<p>
<h3>Hungary 1897-1948:</h3>
Frommer Pistols: <a href="From01.htm">M1901</a> - <a href="From06.htm">M1906</a> - <a href="From10.htm">M1910</a> - <a href="FromStop.htm">Stop</a> - <a href="FromBaby.htm">Stop Baby</a> - <a href="FromLili.htm">Liliput</a> -
<a href="From29.htm">29.M</a> - <a href="From37.htm">37.M</a> - <a href="FromP37.htm">P37</a> --- <a href="Nalava.htm">Nalava Pistol</a> - <a href="Eiler.htm">Eiler Pistol</a><br>
Mannlicher Rifles: <a href="Mann95.htm">M1895</a> - <a href="Mann23.htm">23.M</a> - <a href="Mann9030.htm">M1890/30</a> - <a href="Mann9530.htm">M1895/30</a> - <a href="Mann9031.htm">M1890/31</a> -
<a href="Mann31.htm">31.M</a> - <a href="Mann33.htm">33.M</a> - <a href="Mann35.htm">35.M</a> - <a href="Mann9840.htm">G98/40</a> - <a href="Mann43.htm">43.M</a><br>
Mannlichers in Other Countries: <a href="Mann95Al.htm">Albania</a> - <a href="Mann95Bu.htm">Bulgaria</a> - <a href="Mann95Cz.htm">Czechoslovakia</a> - <a href="Mann95Fi.htm">Finland</a> - <a href="Mann95Ge.htm">Germany</a> -
<a href="Mann95Gr.htm">Greece</a> - <a href="Mann95It.htm">Italy</a> - <a href="Mann95Po.htm">Poland</a> - <a href="Mann95Ru.htm">Russia</a> - <a href="Mann95Se.htm">Serbia</a><br>
Danuvia Machine Pistols: <a href="Danu39.htm">39.M</a> - <a href="Danu43.htm">43.M</a> - <a href="Danu44.htm">44.M</a> --- <a href="Cristo.htm">Cristobal Carbine</a> ---
Machineguns: <a href="Gebauer.htm">Gebauer</a> - <a href="Soloth.htm">Solothurn</a> - <a href="Madsen.htm">Madsen</a> - <a href="Chauchat.htm">Chauchat</a><br>
Captured Weapons: <a href="FN22.htm">Serbian Browning FN M1922</a><br>
Sporting/Hunting Weapons: <a href="Martini.htm">Marsovszky Martini</a> --- <a href="From29SG.htm">Frommer Monte Carlo Shotgun M1929</a> --- <a href="From26SG.htm">Frommer Hunor Shotgun M1926</a> --- <a href="Kispuska.htm">Femaru Kispuska Training Rifles</a>
<p>
<h3>Hungary 1948-1990:</h3>
Femaru/FEG Pistols: <a href="Walam.htm">Walam M48</a> - <a href="Toka48.htm">Tokarev M48</a> - <a href="Toka58.htm">Tokagypt 58</a> - <a href="FegRK59.htm">RK-59</a> - <a href="FegBR61.htm">BR-61</a> - <a href="FegR61.htm">R-61</a> - <a href="FegMR61.htm">MR-61</a> -
<a href="FegRL61.htm">RL-61</a> - <a href="FegPA63.htm">PA-63</a> - <a href="FegPPH.htm">PPH</a> - <a href="FegAP.htm">AP7,65</a> - <a href="FegAP9.htm">AP9</a> - <a href="FegAP22.htm">AP-22</a> - <a href="Hege66.htm">Hege AP66</a> - <a href="FegR78.htm">R78</a><br>
Mosin Nagant: <a href="Mosi44.htm">Carbine 48.M (M44)</a> - <a href="Mosi48.htm">Rifle 48.M (91/30)</a> - <a href="Mosi56.htm">Captured M1944/56</a> --- <a href="Simonov.htm">Simonov (SKS)</a> --- <a href="Kispuska.htm">Lampagyar .22 48M Kispuska Training Rifles</a><br>
Submachine Guns: <a href="KuchK1.htm">Kucher K1</a> - <a href="PPSh41.htm">PPSh41</a> - <a href="Skorpion.htm">Skorpion VZ61</a> - <a href="Uzi.htm">Uzi</a> <br>
Kalashnikov: <a href="AK55.htm">AK-55</a> - <a href="AKM63.htm">AKM-63</a> - <a href="AMD65.htm">AMD-65</a> - <a href="AMP69.htm">AMP-69</a> - <a href="AMR69.htm">AMR-69</a> -
<a href="NGM81.htm">NGM-81</a> - <a href="SA85.htm">SA-85</a> - <a href="SVD.htm">SVD</a> - <a href="RPK.htm">RPK</a> - <a href="PK.htm">PK</a> ---
Heavy Machine Guns: <a href="KuchK1GP.htm">Kucher K1</a> - <a href="DegDP.htm">Degtyarev DP</a> - <a href="DegDPM.htm">Degtyarev DPM</a> - <a href="Goryunov.htm">Goryunov</a><br>
<p>
<h3>Hungary 1990-</h3>
FEG/FegArmy Pistols (PP size): <a href="FegAP9S.htm">AP9S</a> - <a href="FegAP7S.htm">AP7,65S</a> - <a href="FegAPK9.htm">APK-9</a> - <a href="FegAPK9S.htm">APK9-S</a> - <a href="FegAP9M.htm">AP9-M</a> - <a href="FegAPK9M.htm">APK9-M</a> - <a href="FegAP99.htm">AP-99</a> -
<a href="FegAPMBP.htm">AP-MBP</a> - <a href="FegPMK.htm">PMK-380</a> - <a href="FegSAPS.htm">SAPS</a> - <a href="FegSMC380.htm">SMC-380</a> - <a href="FegSMC918.htm">SMC-918</a> - <a href="FegSMC22.htm">SMC-22</a><br>
FEG/FegArmy Pistols (HP35 size): - <a href="FegP9.htm">P9</a> - <a href="FegFP9.htm">FP9</a> - <a href="FegR9.htm">R9</a> - <a href="FegP9M.htm">P9M</a> - <a href="FegPJK.htm">PJK-9HP</a> - <a href="FegPJK-C.htm">PJK-9HPC</a> - <a href="FegP9L.htm">P9L</a> -
<a href="FegP9R.htm">P9R</a> - <a href="FegP9RC.htm">P9RC</a> - <a href="FegP9RK.htm">P9RK</a> - <a href="Feg40RK.htm">40RK</a> - <a href="FegP9RZ.htm">P9RZ</a> - <a href="Feg40RZ.htm">40RZ</a> - <a href="FegP9RA.htm">P9RA</a> - <a href="FegAC.htm">AC</a> - <a href="FegAC45.htm">AC-45</a> - <a href="FegGK45.htm">GK-45</a> - <a href="FegACK.htm">ACK</a> - <a href="FegACK45.htm">ACK-45</a> - <a href="FegGKK.htm">GKK</a> - <a href="FegGKK45.htm">GKK-45</a> - <a href="FegGKK40.htm">GKK-40</a> - <a href="FegGKK92C.htm">GKK-92C</a> - <a href="FegB9R.htm">B9R</a><BR>
Other Pistols: <a href="DanuVD.htm">Voros-Danuvia VD01</a> - <a href="Jericho.htm">Jericho</a> - <a href="HKUSP.htm">HK USP</a> ---
Shotguns: <a href="Beretta.htm">Beretta</a><br>
Machine Pistols: <a href="KGP-9.htm">FEG KGP-9</a> - <a href="HK-MP5.htm">HK MP5</a> ---
Automatic Rifles: <a href="Galil.htm">Galil 339</a> - <a href="SIG.htm">Sig-Sauer SSG2000</a> --- <a href="Gepard.htm">Gepard Snipers</a><p>
<a href="Parts.htm">Gun Parts Sources</a> |
<a href="1956.htm">1956 Hungarian Revolution</a> |
<a href="Import.htm">Importing Firearms to US</a> |
<a href="http://prepari.org/manowar" target=blank>Manowar's Military Gun Values</a> |
<a href="Grudge.htm">Manowar's Grudge Page</a> |
<a href="Humor.htm">Humor Page</a>
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| Manowar's Hungarian Weapons & History
# MANOWAR'S HUNGARIAN WEAPONS & HISTORY
## Guns For sale: [Military Rifles](Gunsale.htm) | [Hand Guns](HandGunSale.htm) | [Shotguns](ShotGunSale.htm) | [Gun Book Sale](BookSale.htm) | [Gun Parts](PartSale.htm)
Read These 1st: [General Info](Info.htm) | [Hungarian History](History.htm) | [Weapon Markings](Markings.htm) | [Misconceptions, Corrections](Correct.htm) | [Translations](Trans.htm) |
[Sources, Bibliography](Sources.htm) | [Gun Designers' Biographies](Bio.htm) | [Military Museums](Museum.htm) | [Gun Info Links](Links.htm)
### Habsburg Empire 1854-1918 (Austro-Hungarian Monarchy 1867-1918):
Gasser Revolvers: [M1870](Gass70.htm) - [M1870/74](Gass7074.htm) - [M1873](Gass73.htm) - [M74 Montenegrin](GassMont.htm) - [Kropatschek M1876](Gass76.htm) -
[M80 Montenegrin](Gass80.htm) - [Gendarmerie](GassGend.htm) - [Police](GassPol.htm) - [Rast-Gasser M1898](Gass98.htm)
Mannlicher Pistols: [M1894](Mann94.htm) - [M1896](Mann96.htm) - [M1900](Mann00.htm) - [M1901](Mann01.htm) - [M1903](Mann03P.htm) - [M1905 Argentine](Mann05.htm) ---
Roth Pistols: [Roth Sauer](RothSau.htm) - [Roth Steyr M1907](RothStey.htm) - [Roth Steyr M1898](RothStey98.htm) - [Roth Model 45](Roth45.htm)
Krnka Pistols: [Pat.1891](Krnk91.htm) - [M1895](Krnk95.htm) - [M1897](Krnk97.htm) - [M1899](Krnk99.htm) - [M1904](Krnk04.htm) ---
Steyr Pistols: [Steyr-Pieper M1908](Stey08.htm) - [Steyr-Pieper M1909](Stey09.htm) - [Steyr-Hahn M1912](Stey12.htm) ---
Foreign Pistols: [Mauser C-96](Maus96.htm) - [Dreyse M1907](Drey07.htm)
[Lorenz Muskets](Lorenz.htm) --- [Wanzl Rifles](Wanzl.htm) ---
Werndl Rifles: [M1867](Wern67.htm) - [M1873](Wern73.htm) - [M1877](Wern77.htm) ---
[Fruwirth Carbines M1872](Fruwirth.htm)
Kropatschek Rifles: [M1881](Krop81.htm) - [M1893](Krop93.htm) ---
Mannlicher Rifles: [M1885](Mann85.htm) - [M1886](Mann86.htm) - [M1887](Mann87.htm) - [M1888](Mann88.htm) - [M1890](Mann90.htm)
1914/15 Trial Rifles: [8mm M1914 Mauser](Maus14.htm) - [7mm M1914 Mauser](Maus14M.htm) - [7mm M1914 Mannlicher](Mann14.htm) - [7.92mm M1915 Mannlicher](Mann15.htm)
Captured Weapons: Russian [Mosin Nagant M1891](Mosi91.htm) - [Berdan II](Berdan.htm) - Japanese [Arisaka Type 30](Arisaka.htm) - Serbian Mauser [M1899](Maus99.htm) - [M1910](Maus10.htm)
Captured Italian Weapons: [Mannlicher-Carcano M1891](Carcano.htm) - Vetterli-Vitali M1871/87 - Vetterli-Carcano M1871/87/14 - [Bodeo M1889 Revolver](Bodeo.htm) - [Beretta M1915 Pistol](Ber15.htm)
Sequestered Rifles: [Romanian Mannlicher M1893](Mann93.htm) - [Greek Mannlicher-Schoenauer M1903/14](Mann03.htm) - [Mauser M1914 (M.12 Chile/Colombia/Mexico)](Maus12.htm)
Purchased/Assigned Rifles: [German Mannlicher Gew.88 (M1913)](Mann13.htm) - [Turkish Mauser M1903](Turk03.htm)
Foreign Contract Rifles: [Irish/Export Mannlicher M1904](Mann04.htm) - [Afghan Mannlicher M1890](Mann90Af.htm) - [Bulgarian Mannlicher M1890](Mann90Bu.htm)
Rapid-Firing Guns: [Montigny](Montigny.htm) - [Gatling](Gatling.htm) --- Machine Guns: [Schwarzlose](Schwarz.htm) - [Skoda](Skoda.htm)
### Hungary 1897-1948:
Frommer Pistols: [M1901](From01.htm) - [M1906](From06.htm) - [M1910](From10.htm) - [Stop](FromStop.htm) - [Stop Baby](FromBaby.htm) - [Liliput](FromLili.htm) -
[29.M](From29.htm) - [37.M](From37.htm) - [P37](FromP37.htm) --- [Nalava Pistol](Nalava.htm) - [Eiler Pistol](Eiler.htm)
Mannlicher Rifles: [M1895](Mann95.htm) - [23.M](Mann23.htm) - [M1890/30](Mann9030.htm) - [M1895/30](Mann9530.htm) - [M1890/31](Mann9031.htm) -
[31.M](Mann31.htm) - [33.M](Mann33.htm) - [35.M](Mann35.htm) - [G98/40](Mann9840.htm) - [43.M](Mann43.htm)
Mannlichers in Other Countries: [Albania](Mann95Al.htm) - [Bulgaria](Mann95Bu.htm) - [Czechoslovakia](Mann95Cz.htm) - [Finland](Mann95Fi.htm) - [Germany](Mann95Ge.htm) -
[Greece](Mann95Gr.htm) - [Italy](Mann95It.htm) - [Poland](Mann95Po.htm) - [Russia](Mann95Ru.htm) - [Serbia](Mann95Se.htm)
Danuvia Machine Pistols: [39.M](Danu39.htm) - [43.M](Danu43.htm) - [44.M](Danu44.htm) --- [Cristobal Carbine](Cristo.htm) ---
Machineguns: [Gebauer](Gebauer.htm) - [Solothurn](Soloth.htm) - [Madsen](Madsen.htm) - [Chauchat](Chauchat.htm)
Captured Weapons: [Serbian Browning FN M1922](FN22.htm)
Sporting/Hunting Weapons: [Marsovszky Martini](Martini.htm) --- [Frommer Monte Carlo Shotgun M1929](From29SG.htm) --- [Frommer Hunor Shotgun M1926](From26SG.htm) --- [Femaru Kispuska Training Rifles](Kispuska.htm)
### Hungary 1948-1990:
Femaru/FEG Pistols: [Walam M48](Walam.htm) - [Tokarev M48](Toka48.htm) - [Tokagypt 58](Toka58.htm) - [RK-59](FegRK59.htm) - [BR-61](FegBR61.htm) - [R-61](FegR61.htm) - [MR-61](FegMR61.htm) -
[RL-61](FegRL61.htm) - [PA-63](FegPA63.htm) - [PPH](FegPPH.htm) - [AP7,65](FegAP.htm) - [AP9](FegAP9.htm) - [AP-22](FegAP22.htm) - [Hege AP66](Hege66.htm) - [R78](FegR78.htm)
Mosin Nagant: [Carbine 48.M (M44)](Mosi44.htm) - [Rifle 48.M (91/30)](Mosi48.htm) - [Captured M1944/56](Mosi56.htm) --- [Simonov (SKS)](Simonov.htm) --- [Lampagyar .22 48M Kispuska Training Rifles](Kispuska.htm)
Submachine Guns: [Kucher K1](KuchK1.htm) - [PPSh41](PPSh41.htm) - [Skorpion VZ61](Skorpion.htm) - [Uzi](Uzi.htm)
Kalashnikov: [AK-55](AK55.htm) - [AKM-63](AKM63.htm) - [AMD-65](AMD65.htm) - [AMP-69](AMP69.htm) - [AMR-69](AMR69.htm) -
[NGM-81](NGM81.htm) - [SA-85](SA85.htm) - [SVD](SVD.htm) - [RPK](RPK.htm) - [PK](PK.htm) ---
Heavy Machine Guns: [Kucher K1](KuchK1GP.htm) - [Degtyarev DP](DegDP.htm) - [Degtyarev DPM](DegDPM.htm) - [Goryunov](Goryunov.htm)
### Hungary 1990-
FEG/FegArmy Pistols (PP size): [AP9S](FegAP9S.htm) - [AP7,65S](FegAP7S.htm) - [APK-9](FegAPK9.htm) - [APK9-S](FegAPK9S.htm) - [AP9-M](FegAP9M.htm) - [APK9-M](FegAPK9M.htm) - [AP-99](FegAP99.htm) -
[AP-MBP](FegAPMBP.htm) - [PMK-380](FegPMK.htm) - [SAPS](FegSAPS.htm) - [SMC-380](FegSMC380.htm) - [SMC-918](FegSMC918.htm) - [SMC-22](FegSMC22.htm)
FEG/FegArmy Pistols (HP35 size): - [P9](FegP9.htm) - [FP9](FegFP9.htm) - [R9](FegR9.htm) - [P9M](FegP9M.htm) - [PJK-9HP](FegPJK.htm) - [PJK-9HPC](FegPJK-C.htm) - [P9L](FegP9L.htm) -
[P9R](FegP9R.htm) - [P9RC](FegP9RC.htm) - [P9RK](FegP9RK.htm) - [40RK](Feg40RK.htm) - [P9RZ](FegP9RZ.htm) - [40RZ](Feg40RZ.htm) - [P9RA](FegP9RA.htm) - [AC](FegAC.htm) - [AC-45](FegAC45.htm) - [GK-45](FegGK45.htm) - [ACK](FegACK.htm) - [ACK-45](FegACK45.htm) - [GKK](FegGKK.htm) - [GKK-45](FegGKK45.htm) - [GKK-40](FegGKK40.htm) - [GKK-92C](FegGKK92C.htm) - [B9R](FegB9R.htm)
Other Pistols: [Voros-Danuvia VD01](DanuVD.htm) - [Jericho](Jericho.htm) - [HK USP](HKUSP.htm) ---
Shotguns: [Beretta](Beretta.htm)
Machine Pistols: [FEG KGP-9](KGP-9.htm) - [HK MP5](HK-MP5.htm) ---
Automatic Rifles: [Galil 339](Galil.htm) - [Sig-Sauer SSG2000](SIG.htm) --- [Gepard Snipers](Gepard.htm)
[Gun Parts Sources](Parts.htm) |
[1956 Hungarian Revolution](1956.htm) |
[Importing Firearms to US](Import.htm) |
[Manowar's Military Gun Values](http://prepari.org/manowar) |
[Manowar's Grudge Page](Grudge.htm) |
[Humor Page](Humor.htm)
---
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Contact Manowar: Email to perpetuum-mobile at juno.com
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<hl>Bibliomania - Free Online Literature and Study Guides</hl>
<p>
Bibliomania brings you the internet's best collection of classic texts and
study resources.
</p>
<p>
The <a href="/0/0/">fiction section</a> has the complete, fully searchable texts of hundreds of
novels.
</p>
<p>
The <a href="/0/2/">Poetry section</a> has world famous poems by everyone from
<a href="/0/2/81/">Blake</a> to
<a href="/0/2/244/">Keats</a>, together with the <a href="/0/2/277/133/">Oxford Collected English verse</a> and
<a href="/0/2/277/1298/">Collected French verse</a>.<br/>
In the <a href="/0/6/">Drama section</a> we have the complete works of <a href="/0/6/3/">Shakespeare</a>,
and many other plays from the Elizabethan, restoration and modern periods.<br />
Bibliomania has created <a href="/1/7/">Literature Study Guides</a> to more than 100 of the most studied
texts. These will help students to get top grades, and non-students to get
more out a reading of the text or a visit to a play.
</p>
<p>
Bibliomania's <a href="/2/3/">Reference books</a> include <a href="/2/3/257/">Webster's Dictionary</a>,
<a href="/2/3/260/">Hobson Jobson</a>,
<a href="/2/3/255/">Brewer's Phrase and Fable</a>,
<a href="/2/3/258/">Soules Synonymes</a> and many other useful books.<br />
</p>
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Our <a href="/2/1/">Non-Fiction</a> section includes <a href="/2/1/261/1294/">Das Capital</a>,
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We are building a collection <a href="/2/9/">Biographies</a>.
Or if you are looking for <a href="/2/14/">Religious texts</a>,
we have the <a href="/2/14/271/1863/">King James' Bible</a> and
<a href="/2/14/80/128/">The Koran</a>.
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Bibliomania - Free Online Literature and Study Guides
Bibliomania - Free Online Literature and Study Guides
Bibliomania brings you the internet's best collection of classic texts and
study resources.
The [fiction section](/0/0/) has the complete, fully searchable texts of hundreds of
novels.
The [Poetry section](/0/2/) has world famous poems by everyone from
[Blake](/0/2/81/) to
[Keats](/0/2/244/), together with the [Oxford Collected English verse](/0/2/277/133/) and
[Collected French verse](/0/2/277/1298/).
In the [Drama section](/0/6/) we have the complete works of [Shakespeare](/0/6/3/),
and many other plays from the Elizabethan, restoration and modern periods.
Bibliomania has created [Literature Study Guides](/1/7/) to more than 100 of the most studied
texts. These will help students to get top grades, and non-students to get
more out a reading of the text or a visit to a play.
Bibliomania's [Reference books](/2/3/) include [Webster's Dictionary](/2/3/257/),
[Hobson Jobson](/2/3/260/),
[Brewer's Phrase and Fable](/2/3/255/),
[Soules Synonymes](/2/3/258/) and many other useful books.
Our [Non-Fiction](/2/1/) section includes [Das Capital](/2/1/261/1294/),
[Culpepper's Herbal](/2/1/66/113/), and many more.
We are building a collection [Biographies](/2/9/).
Or if you are looking for [Religious texts](/2/14/),
we have the [King James' Bible](/2/14/271/1863/) and
[The Koran](/2/14/80/128/).
Enjoy our books. Much more information and our a huge short story collection can be found
on the frames version of
[Bibliomania](/).
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<td colspan="2"><div align="center">Speeches are sorted by First Letter of Last Name:<br />
<a href="#JumpB">A</a> | <a href="#JumpB">B</a> | <a href="#JumpC">C</a> | <a href="#JumpD">D</a> | <a href="#JumpE">E</a> | <a href="#JumpF">F</a> | <a href="#JumpG">G</a> | <a href="#JumpH">H</a> | <a href="#JumpI">I</a> | <a href="#JumpJ">J</a> | <a href="#JumpK">K</a> | <a href="#JumpL">L</a> | <a href="#JumpM">M</a> | <a href="#JumpN">N</a> | O |<a href="#JumpP"> P</a> | Q | <a href="#JumpR">R</a> | <a href="#JumpS">S</a> | <a href="#JumpT">T</a> | U | V | <a href="#JumpW">W</a> | X | <a href="#JumpY">Y</a> | Z | <br />
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<td width="404" height="20"><div align="center"><span class="ListText">- A -<br />
</a></span></font></div></td>
<td width="310" rowspan="3" align="center"><img src="images/susan_b_anthony.jpg" alt="Susan B. Anthony Picture" width="300" height="250"/>
<div class="PhotoTitle">Susan B. Anthony<br />
American Civil Rights Leader</div></td>
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<tr >
<td height="20" class="ListText"><!-- Place this tag where you want the +1 button to render -->
<a href="Transcripts/john_adams-inaugural.html" class="ListText">John Adams - Inaugural
Address<br />
</a><a href="Transcripts/samuel_adams-independence.html" class="ListText">Samuel Adams - American
Independence<br />
</a><a href="Transcripts/jane_addams-vote.html">Jane Addams - Why
Women Should Vote<br />
</a><a href="Transcripts/spiro_agnew-networknews.html" class="ListText">Spiro Agnew - Television
News Coverage<br />
</a><a href="Transcripts/jane_addams-vote.html">Madeline Albright - Wingate
University Speech<br />
</a><a href="Transcripts/susan_b_anthony-vote.html" class="ListText">Susan B. Anthony - Women's
Right to Vote</a></font></td>
</tr>
<tr >
<td height="22" class="ListText"><a href="Transcripts/jane_addams-vote.html"></a></font><a href="Transcripts/spiro_agnew-networknews.html" class="ListText"></a></font>
</p>
<a href="Transcripts/susan_b_anthony-vote.html" class="ListText"></a></font></td>
</tr>
<tr >
<td height="20" colspan="2"><a name="JumpB" id="JumpB"></a>
<hr /></td>
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<tr valign="center">
<td height="20" class="ListText"><div align="center">-B-</div></td>
<td rowspan="3" align="center"><img src="images/george_w_bush.jpg" alt="George W. Bush - September 11th Address" width="300" height="250" align="absmiddle" />
<div class= "PhotoTitle">George W. Bush<br />
43rd President of the United States</div></td>
</tr>
<tr valign="center">
<td height="20" class="ListText"><a href="Transcripts/menahem_begin-negotiations.html">Menahem Begin - Everything
is Open to Negotiation<br />
</a><a href="Transcripts/albert_beveridge-question.html" class="ListText">Albert J. Beveridge - The
Phillipine Question</a><a href="Transcripts/menahem_begin-negotiations.html"><br />
</a><a href="Transcripts/william_jennings_bryan-cross.html" class="ListText">William Jennings Bryan - Cross
of Gold</a><a href="Transcripts/menahem_begin-negotiations.html"><br />
</a><a href="Transcripts/william_jennings_bryan-19002.html">William Jennings Bryan - 1900
Democratic Presidential Acceptance</a><a href="Transcripts/menahem_begin-negotiations.html"><br />
</a><a href="Transcripts/tony_blair-irish.html" class="ListText">Tony Blair - Address
to Irish Parliament</a><br />
<a href="Transcripts/menahem_begin-negotiations.html">Simon Bolivar - I
will Act as Trustee of the Supreme Authority<br />
</a><a href="Transcripts/napolean_bonaparte-farewell.html">Napolean Bonaparte - Farewell to the Old Guard</a><a href="Transcripts/simon_bolivar-trustee.html"><br />
</a><a href="Transcripts/sarah_brady-1996dnc.html">Sarah Brady - 1996
DNC Keynote address</a><a href="Transcripts/simon_bolivar-trustee.html"><br />
</a><a href="Transcripts/pat_buchanan-citadel.html">Pat Buchannan - A
republic not an Empire</a><a href="Transcripts/simon_bolivar-trustee.html"><br />
</a><a href="Transcripts/edmund_burke.html">Edumund Burke - The
death of Marie Antoinette</a><a href="Transcripts/simon_bolivar-trustee.html"><br />
</a><a href="Transcripts/barbara_bush-1992rnc.html">Barbara Bush - 1992
RNC Speech</a><a href="Transcripts/simon_bolivar-trustee.html"><br />
</a><a href="Transcripts/barbara_bush-wellesley.html">Barbara Bush - Wellesly
College</a><a href="Transcripts/simon_bolivar-trustee.html"><br />
</a><a href="Transcripts/george_bush-somalia.html">George Bush - Conditions
in Somalia</a><a href="Transcripts/simon_bolivar-trustee.html"><br />
</a><a href="Transcripts/george_bush-1991sou.html">George Bush - 1991
State of the Union</a><a href="Transcripts/simon_bolivar-trustee.html"><br />
</a><a href="Transcripts/george_bush-saudi.html">George Bush - Defense
of Saudi Arabia</a><a href="Transcripts/simon_bolivar-trustee.html"><br />
</a><a href="Transcripts/george_w_bush-2000rnc.html">George W. Bush - 2000 RNC
Presidential Acceptance<br />
</a><a href="Transcripts/george_w_bush-knoxville.html">George W. Bush - A
new approach</a></font></td>
</tr>
<tr valign="center">
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<p class="ListText"> </p>
<a href="Transcripts/napolean_bonaparte-farewell.html"></a></font><a href="Transcripts/sarah_brady-1996dnc.html"></a></font><a href="Transcripts/pat_buchanan-citadel.html"></a></font><a href="Transcripts/edmund_burke.html"></a></font><a href="Transcripts/barbara_bush-1992rnc.html"></a></font>
<p> <a href="Transcripts/barbara_bush-wellesley.html"></a></font>
</CENTER>
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<a href="Transcripts/george_bush-somalia.html"></a></font><a href="Transcripts/george_bush-1991sou.html"></a></font><a href="Transcripts/george_bush-saudi.html"></a></font><a href="Transcripts/george_w_bush-2000rnc.html"></a></font><a href="Transcripts/george_w_bush-knoxville.html"></a></font></td>
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<tr >
<td height="20" colspan="2"><a name="JumpC" id="JumpC"></a>
<hr /></td>
</tr>
<tr valign="center">
<td height="20" class="ListText"><div align="center">- C -</div></td>
<td rowspan="3" align="center"><img src="images/winston_churchill.jpg" width="300" height="250" alt="Winston Churchill Picture" />
<div class= "PhotoTitle">Winston Churchill<br />
British Prime Minister </div></td>
</tr>
<tr valign="center">
<td height="20" class="ListText"><a href="Transcripts/john_c_calhoun-slavery.html">John C. Calhoun - Slavery
a positive, a good<br />
</a><a href="Transcripts/stokeley_carmichael-going.html">Stokley Carmichael - Black
Power</a></font><a href="Transcripts/john_c_calhoun-slavery.html"><br />
</a><a href="Transcripts/stokeley_carmichael-weaint.html">Stokley Carmichael - "We
ain't goin'"</a></font><a href="Transcripts/john_c_calhoun-slavery.html"><br />
</a><a href="Transcripts/jimmy_carter-energy.html">Jimmy Carter - Energy
Crisis</a></font><a href="Transcripts/john_c_calhoun-slavery.html"><br />
</a><a href="Transcripts/jimmy_carter-campdavid.html">Jimmy Carter - Camp
David Accords</a></font><a href="Transcripts/john_c_calhoun-slavery.html"><br />
</a><a href="Transcripts/fidel_castro-environment.html">Fidel Castro - Tommorrow
will be too late</a></font><a href="Transcripts/john_c_calhoun-slavery.html"><br />
</a><a href="Transcripts/carrie_chapman_catt-NAWSA.html">Carrie Chapman Catt - NAWSA
1900 Presidential acceptance</a></font><a href="Transcripts/john_c_calhoun-slavery.html"><br />
</a><a href="Transcripts/shirley_chisholm-era.html">Shirley Chisholm - Equal
rights amendment</a></font><a href="Transcripts/john_c_calhoun-slavery.html"><br />
</a><a href="Transcripts/warren_christopher-russian.html">Warren Christopher - A
new generation of Russian Democrats</a></font><a href="Transcripts/john_c_calhoun-slavery.html"><br />
</a><a href="Transcripts/winston_churchill-finest.html">Winston Churchill -Their
finest hour</a></font><a href="Transcripts/john_c_calhoun-slavery.html"><br />
</a><a href="Transcripts/winston_churchill-blood.html">Winston Churchill - Blood,
Sweat & Tears</a></font><a href="Transcripts/john_c_calhoun-slavery.html"><br />
</a><a href="Transcripts/winston_churchill-dunkirk.html">Winston Churchill - The
miracle of Dunkirk</a></font><a href="Transcripts/john_c_calhoun-slavery.html"><br />
</a><a href="Transcripts/winston_churchill-ironcurtain.html">Winston Churchill - Iron
curtain</a></font>
</CENTER>
<a href="Transcripts/john_c_calhoun-slavery.html"><br />
</a><a href="Transcripts/bill_clinton-1998sou.html">Bill Clinton - 1998
State of the Union</a></font><a href="Transcripts/john_c_calhoun-slavery.html"><br />
</a><a href="Transcripts/bill_clinton-firstinaugural.html">Bill Clinton - First
inaugural address</a></font><a href="Transcripts/john_c_calhoun-slavery.html"><br />
</a><a href="Transcripts/bill_clinton-misled.html">Bill Clinton - I
mislead people</a></font><a href="Transcripts/john_c_calhoun-slavery.html"> <br />
</a><a href="Transcripts/bill_clinton-Farewell.html">Bill Clinton - Farewell
to DNC</a><a href="Transcripts/john_c_calhoun-slavery.html"><br />
</a><a href="Transcripts/hillary_clinton-ama.html">Hillary Clinton - Address
to AMA</a></font><a href="Transcripts/john_c_calhoun-slavery.html"><br />
</a><a href="Transcripts/hillary_clinton-UN.html">Hillary Clinton - Address
to 4th UN Women's Congres<br />
</a><a href="Transcripts/russell_conwell-acres.html">Russell Conwell - Acres
of diamonds</a></font> <a href="Transcripts/john_c_calhoun-slavery.html"><br />
</a><a href="Transcripts/father_coughlin-roosevelt.html">Father Charles E. Coughlin - Roosevelt
or ruin</a></font><a href="Transcripts/john_c_calhoun-slavery.html"><br />
</a><a href="Transcripts/mario_cuomo-1984DNC2.html">Mario Cuomo - 1984
DNC Keynote Address</a></font>
</CENTER>
<a href="Transcripts/john_c_calhoun-slavery.html"></a></td>
</tr>
<tr >
<td height="22"><p> </p>
<a href="Transcripts/bill_clinton-Farewell.html"></a></td>
</tr>
<tr align="center">
<td height="20" colspan="2"><a name="JumpD" id="JumpD"></a></td>
</tr>
<tr >
<td height="20"><div align="center">- D -</div></td>
<td rowspan="3" align="center"><img src="images/fredrick_douglas.jpg" width="300" height="250" alt="Frederick Douglas Picture" />
<div class= "PhotoTitle">Frederick Douglas<br />
American Social Reformer, Orator, Writer and Statesman </div></td>
</tr>
<tr valign="center">
<td height="auto"><p class="ListText"><a href="Transcripts/edouard_daladier-nazi.html">Edouard Daladier - Nazi's
aim is slavery</a></font><br />
<a href="Transcripts/clarence_darrow-mercy.html">Clarence Darrow - Mercy
for Leopold and Loeb<br />
</a><a href="Transcripts/jefferson_davis-resignation.html">Jefferson Davis - Resignation
from the US Senate<br />
</a><a href="Transcripts/jefferson_davis-inaugural.html">Jefferson Davis - First
inaugural of Confederacy</a></font><a href="Transcripts/jefferson_davis-resignation.html"><br />
</a><a href="Transcripts/eugene_v_debs-issue.html">Eugene V. Debs - The
issue<br />
</a><a href="Transcripts/eugene_v_debs-court.html">Eugene V. Debs - Statement
to the court</a></font><a href="Transcripts/eugene_v_debs-issue.html"><br />
</a><a href="Transcripts/eugene_v_debs-canton.html">Eugene V. Debs - Canton
Ohio Speech</a></font><a href="Transcripts/eugene_v_debs-issue.html"> </a><br />
<a href="Transcripts/thomas_dewey-ally.html">Thomas Dewey - A
politician, a political ally<br />
</a><a href="Transcripts/bob_dole-eulogy.html">Bob Dole - Eulogy
of Richard Nixon</a></font><a href="Transcripts/bob_dole-1996rnc.html"><br />
Bob Dole - 1996
RNC Presidential Acceptance</a></font><a href="Transcripts/elizabeth_dole-duke.html"><br />
Elizabeth Dole - Duke
Commencement Address</a></font><br />
<a href="Transcripts/elizabeth_dole-1996rnc.html">Elizabeth Dole - Honors
her husband at 1996 RNC</a></font><a href="Transcripts/feyodor_dostoevsky-pushkin.html">Feyodor Dostoevsky - A
celebration on the centenary of Pushkin's birth</a></font><a href="Transcripts/fredrick_douglas-boston.html"><br />
Frederick Douglas - Plea
for free speech in Boston</a></font><a href="Transcripts/web_dubois-talented.html"><br />
W.E.B. DuBois - The
talented tenth</a></font></p></td>
</tr>
<tr >
<td height="20"> </td>
</tr>
<tr >
<td height="20" colspan="2"><a name="JumpE" id="JumpE"></a>
<hr /></td>
</tr>
<tr >
<td height="20"><div align="center">- E -</div></td>
<td rowspan="3" valign="center" align="center"><img src="images/albert_einstein.jpg" width="300" height="250" alt="Albert Einstein Picture" />
<div class= "PhotoTitle">Albert Einstein<br />
Theoretical Physicist</div></td>
</tr>
<tr>
<td class="ListText"><a href="Transcripts/king_edward-kingsspeech.html">Edward VIII - Abdication of the Throne (The King's Speech)</a><a href="Transcripts/jonathan_edwards-sinners.html"><br />
Jonathan Edwards - Sinners
in the hands of an angry God</a></font><a href="Transcripts/albert_einstein-peace.html"><br />
Albert Einstein - Peace
in the Atomic Era</a></font><a href="Transcripts/dwight_eisenhoer-domino.html"><br />
Dwight D. Eisenhower - The
Domino effect<br />
</a></font><a href="Transcripts/dwight_eisenhower-atoms.html">Dwight D. Eisenhower - Atoms
for peace</a></font><a href="Transcripts/dwight_eisenhower-parliament.html"><br />
Dwight D. Eisenhower - Address
to British Parliament</a><a href="Transcripts/dwight_eisnehower-farewell2.html"><br />
Dwight D. Eisenhower - Farewell
Address<br />
</a><a href="Transcripts/ralph_waldo_emerson-scholar.html" class="ListText">Ralph Waldo Emerson - The
American Scholar<br />
</a></font><a href="Transcripts/edward_everett-drunken.html">Edward Everett - Those
Who Laugh at a Drunken Man</a></font></td>
</tr>
<tr >
<td height="20"> </td>
</tr>
<tr >
<td height="20" colspan="2"><a name="JumpF" id="JumpF"></a>
<hr /></td>
</tr>
<tr >
<td height="20"><div align="center">- F -</div></td>
<td rowspan="3" valign="center" align"center"><img src="images/mary_fisher.jpg" width="300" height="250" alt="Mary Fisher Picture" />
<div class= "PhotoTitle">Mary Fisher<br />
American AIDS Activist</div></td>
</tr>
<tr>
<td class="ListText"><a href="Transcripts/095_faulkner.html">William Faulkner - Nobel
Peace Prize Acceptance</a></font><a href="Transcripts/geraldine_ferraro-1984vp.html"><br />
Geraldine Ferraro - 1984
DNC VP Acceptance<br />
</a></font><a href="Transcripts/mary_fisher-AIDS.html">Mary Fisher - A
whisper of AIDS</a></font><a href="Transcripts/jane_fonda-vietnam.html"><br />
Jane Fonda - Broadcast
over radio Hanoi</a></font><a href="Transcripts/gerald_ford-pardon.html"><br />
Gerald Ford - Pardon
of Richard Nixon</a></font><a href="Transcripts/gerald_ford-acceptance.html"><br />
Gerald Ford - Presidential
Acceptance</a></font><a href="Transcripts/harold_ford-2000dnc.html"><br />
Harold Ford, Jr. - 2000
DNC Keynote Address<br />
</a></font><a href="Transcripts/benjamin_franklin-constitution.html">Benjamin Franklin - Disapproving
& Accepting US Constitution</a></font><a href="Transcripts/jw_fulbright.html" class="ListText"><br />
J.W. Fulbright - The
clear and present danger</a></font></td>
</tr>
<tr >
<td height="20"> </td>
</tr>
<tr >
<td height="20" colspan="2"><a name="JumpG" id="JumpG"></a>
<hr /></td>
</tr>
<tr >
<td height="20"><div align="center">- G -</div></td>
<td rowspan="3" valign="center" align="center"><img src="images/newt_gingrich.jpg" width="300" height="250" alt="Newt Gingrich Picture" />
<div class= "PhotoTitle">Newt Gingrich<br />
Former Speaker of the U.S. House of Representatives </div></td>
</tr>
<tr>
<td height="276" class="ListText"><a href="Transcripts/mohandis_gandhi-strat.html">Mohandas Gandhi - The
strength of satyagraha</a></font><a href="Transcripts/william_lloyd_garrison-johnbrown.html"><br />
William Lloyd Garrison - The
Death of John Brown</a></font><a href="Transcripts/marcus_garvey-nation.html"><br />
Marcus Garvey - A
separate black nation</a></font><a href="Transcripts/lou_gehrig-farewell.html"><br />
Lou Gehrig - Farewell
to baseball</a></font><a href="Transcripts/dick_gephardt-congress.html"><br />
Richard Gephardt - End
of Democratic Rule</a></font><font face="Arial"><a href="Transcripts/richard_gephardt-plea.html"><br />
Richard Gephardt - A
plea for civility</a></font><a href="Transcripts/newt_gingrich-address.html"><br />
Newt Gingrich - Address
to the nation</a></font><a href="Transcripts/elizabeth_glaser-AIDS.html"><br />
Elizabeth Glaser - 1992
DNC speech</a></font><a href="Transcripts/emma_goldman-patriotism.html"><br />
Emma Goldman - What
is Patriotism?</a></font><a href="Transcripts/barry_goldwater-1964rnc.html"><br />
Barry Goldwater - 1964
RNC VP Acceptance</a></font><a href="Transcripts/mikhail_gorbachev-westminster.html"><br />
Mikhail Gorbachev - Westminster
College Address</a></font><a href="Transcripts/john_lewis-labor.html"><br />
Al Gore - 2000 DNC
Presidential Acceptance</a></font><a href="Transcripts/al_gore-internet.html"><br />
Al Gore - The
national information infrastructure</a></font><a href="Transcripts/john_lewis-labor.html"><br />
Al Gore - 2000
DNC Presidential Acceptance</a></font><a href="Transcripts/al_gore-harvard.html"><br />
Al Gore - Harvard
Commencement Address</a></font><a href="Transcripts/al_gore-1992dnc.htm"><br />
Al Gore - 1992
DNC VP Acceptance</a></font><a href="Transcripts/karenna_gore-2000dnc.html" class="ListText"><br />
Kareena Gore-Shiff - 2000
DNC Speech</a></font></td>
</tr>
<tr >
<td height="20"> </td>
</tr>
<tr >
<td height="20" colspan="2" align="center"><a name="JumpH" id="JumpH"></a>
<hr /></td>
</tr>
<tr >
<td height="20"><div align="center">- H - </div></td>
<td rowspan="3" valign="center" align="center"><img src="images/herbert_hoover.jpg" width="300" height="250" alt="Herbert Hoover Picture" />
<div class= "PhotoTitle">Herbert Hoover<br />
31st President of the United States</div></td>
</tr>
<tr>
<td height="212" class="ListText"><a href="Transcripts/john_hancock-bostonmassacre.html">John Hancock - </a></font><a href="Transcripts/john_hancock-bostonmassacre.html">Boston
Massacre oration</a></font><a href="Transcripts/warren_harding-normalcy.html"><br />
Warren Harding - Return
to normalcy</a></font><a href="Transcripts/patrick_henry-liberty.html"><br />
Patrick Henry - Give
me liberty or give me death</a></font><a href="Transcripts/charlton_heston-truth.html"><br />
Charlton Heston - Truth
& Consequence</a></font><a href="Transcripts/anita_hill-testimony.html"><br />
Anita Hill - Testimony
to Senate Judiciary Committee</a></font><br />
<a href="Transcripts/adolf_hitler-bloodpurge.html">Adolf Hitler - Justification
for the blood purge</a></font><a href="Transcripts/adolf_hitler-poland.html"><br />
Adolf Hitler - Invasion
of Poland<br />
</a><a href="Transcripts/adolf_hitler-congress.html">Adolf Hitler - Closing
Address to Nazi Party<br />
</a><a href="Transcripts/herbert_hoover-campaign.html">Herbert Hoover - 1928
campaign speech</a></font><a href="Transcripts/hubert_humphrey-civil.html"><br />
Hubert H. Humphrey - In
support of civil rights</a></font><a href="Transcripts/hubert_humphrey-1964dnc.html"><br />
Hubert H. Humphrey - 1964
DNC VP Acceptance</a></font><a href="Transcripts/hubert_humphrey-stump.html"><br />
Hubert H. Humphrey - Stump
speech</a></font><a href="Transcripts/thomas_huxley-darwin.html"><br />
Thomas H. Huxley - An
examination of Darwin</a></font></td>
</tr>
<tr >
<td height="19"> </td>
</tr>
<tr >
<td height="19" colspan="2"><a name="JumpI" id="JumpI"></a>
<hr /></td>
</tr>
<tr >
<td height="19" class="ListText"><div align="center">- I -</div></td>
<td> </td>
</tr>
<tr >
<td height="19" class="ListText"><a href="Transcripts/harold_ickes-american.html">Harold Ickes - What
constitutes an American</a></font></td>
<td> </td>
</tr>
<tr >
<td height="19" colspan="2"><a name="JumpJ" id="JumpJ"></a>
<hr /></td>
</tr>
<tr >
<td height="19"><div align="center">- J -</div></td>
<td rowspan="3" valign-="center" align="center"><img src="images/jesse_jackson.jpg" width="300" height="250" alt="Jesse Jackson Rainbow Coalition Speech " />
<div class= "PhotoTitle">Jesse Jackson<br />
American Civil Rights Activist </div></td>
</tr>
<tr>
<td height="220"><p><a href="Transcripts/andrew_jackson-firstinaugural.html">Andrew Jackson - First
inaugural address</a></font><a href="Transcripts/jesse_jackson-commonground.html"><br />
Jesse Jackson - Common
ground and common sense<br />
</a><a href="Transcripts/jesse_jackson-rainbow.html">Jesse Jackson - Rainbow
Coalition</a></font><a href="Transcripts/thomas_jefferson-first.html"><br />
Thomas Jefferson - First
inaugural</a></font><a href="Transcripts/jesus-sermon.html"><br />
Jesus - The
sermon on the mount</a></font><a href="Transcripts/lyndon_johnson-greatsociety.html"><br />
Lyndon B. Johnson - Voting
rights act of 1965</a></font><a href="Transcripts/lyndon_johnson-continue.html"><br />
Lyndon B. Johnson - Let
us continue</a></font><a href="Transcripts/lyndon_johnson-greatsociety.html"><br />
Lyndon B. Johnson - The
Great Society</a></font><a href="Transcripts/lyndon_johnson-bay.html"><br />
Lyndon B. Johnson - Camranh
Bay</a></font><a href="Transcripts/lyndon_johnson-iwillnotrun.html"><br />
Lyndon B. Johnson - Renounces
the Presidency</a></font><a href="Transcripts/barbara_jordan-impeachment.html"><br />
Barbara Jordan - Statement
on Impeachment<br />
</a><a href="Transcripts/barbara_jordan-keynote.html">Barbara Jordan - 1976
DNC Keynote Address</a></font>
</CENTER>
</p></td>
</tr>
<tr >
<td height="19"> </td>
</tr>
<tr >
<td height="17" colspan="2"><a name="JumpK" id="JumpK"></a>
<hr /></td>
</tr>
<tr >
<td height="17"><div align="center">- K -</div></td>
<td rowspan="3" align="center"><img src="images/john_f_kennedy.jpg" width="300" height="250" alt="John F. Kennedy Photograph" />
<div class= "PhotoTitle">John F. Kennedy<br />
35th President of the United States</div></td>
</tr>
<tr>
<td height="228" class="ListText"><a href="Transcripts/florence_kelley-childlabor.html">Florence Kelley - Child
labor and women's suffrage<br />
</a><a href="Transcripts/caroline_kennedy-2000dnc.html">Caroline Kennedy - 2000
DNC Speech</a></font><a href="Transcripts/ted_kennedy-truth.html"><br />
Edward Kennedy - Truth
& Tolerance in America<br />
</a></font><a href="Transcripts/ted_kennedy-eulogyofRFK.html">Edward Kennedy - Eulogy
of Robert F. Kennedy</a></font><a href="Transcripts/ted_kennedy-tributetoJFK.html"><br />
Edward Kennedy - Tribute
to John F. Kennedy Jr.</a></font><a href="Transcripts/john_f_kennedy-cuban.html"><br />
John F. Kennedy - Cuban
Missle Crisis</a></font><a href="Transcripts/john_kennedy-1960VP.html"><br />
John F. Kennedy - 1960
DNC VP Acceptance</a></font><a href="Transcripts/john_kennedy-Inaugural.html"><br />
John F. Kennedy - Inaugural Address (Ask Not...)</a></font><a href="Transcripts/john_f_kennedy-houston.html"><br />
John F. Kennedy - Address
to Houston ministers</a></font><a href="Transcripts/john_kennedy-berlin.html"><br />
John F. Kennedy - I
am a Berliner</a></font><a href="Transcripts/john_f_kennedy-civilrights.html"><br />
John F. Kennedy - Civil
Rights message</a></font><a href="Transcripts/john_f_kennedy-moon.html"><br />
John F. Kennedy - We
choose to go to the moon<br />
</a><a href="Transcripts/john_f_kennedy-american.html">John F. Kennedy - American
University speech<br />
</a><a href="Transcripts/robert_kennedy-eulogy2.html">Robert F. Kennedy - Eulogy
of Martin Luther King Jr.</a></font></td>
</tr>
<tr>
<td height="22" class="ListText"> </td>
</tr>
<tr >
<td height="17" colspan="2" align="center"><div class="extLink"><a href="http://www.evgondemand.com">CLICK HERE TO VIEW THE COMPLETE MARTIN LUTHER KING, JR'S "I HAVE A DREAM" SPEECH FROM EVGONDEMAND VIDEO</a></div></td>
</tr>
<tr >
<td height="17" class="ListText"><a href="Transcripts/martin_luther_king-mountaintop.html">Martin Luther King, Jr. - I've
been to the mountaintop</a></font><a href="Transcripts/martin_luther_king_jr-silence.html"><br />
Martin Luther King, Jr. - A
time to break the silence</a></font><a href="Transcripts/martin_luther_king-Dream.html"><br />
Martin Luther King, Jr. - I
have a dream</a></font></td>
<td rowspan="2" align="center"><img src="images/martin_luther_king.jpg" width="300" height="250" alt="Martin Luther King, Jr. I Have a Dream Photograph" />
<div class= "PhotoTitle">Martin Luther King, Jr.<br />
American Civil Rights Activist</div></td>
</tr>
<tr >
<td height="17"> </td>
</tr>
<tr >
<td height="17" colspan="2"><a name="JumpL" id="JumpL"></a>
<hr /></td>
</tr>
<tr >
<td height="17"><div align="center">- L -</div></td>
<td rowspan="2" align="center"><img src="images/abraham_lincoln.jpg" width="300" height="250" alt="Abraham Lincoln Photograph" />
<div class= "PhotoTitle">Abraham Lincoln<br />
16th President of the United States</div></td>
</tr>
<tr>
<td class="ListText"><a href="Transcripts/robert_lafollete-perils.html">Robert LaFollette - The
perils of passive citizenship</a></font><a href="Transcripts/robert_lafollette-freespeech.html"><br />
Robert LaFollette - Defends
free speech in wartime</a></font><a href="Transcripts/dalai_lama-spirituality.html"><br />
Dalai Lama - Spirituality
in today's world</a></font><a href="Transcripts/vladmir_lenin-street.html"><br />
Vladmir Lenin - Speech
to a street crowd</a></font><a href="Transcripts/john_lewis-labor.html"><br />
John L. Lewis - The
rights of labor</a></font><a href="Transcripts/john_lewis-miners.html"><br />
John L. Lewis - Protection
for miners</a></font><a href="Transcripts/abraham_lincoln-secondinaugural.html"><br />
Abraham Lincoln - Second
inaugural address</a></font><a href="Transcripts/abraham_lincoln-firstinaugural.html"><br />
Abraham Lincoln - First
inaugural address</a></font><a href="Transcripts/abraham_lincoln-finale.html"><br />
Abraham Lincoln - Finale
of Lincoln-Douglas debate</a></font><a href="Transcripts/abraham_lincoln-divided.html"><br />
Abraham Lincoln - A
House Divided<br />
</a></font><a href="Transcripts/abraham_lincoln-last.html">Abraham Lincoln - Last
public address</a></font><a href="Transcripts/abraham_lincoln-gettysburg.html"><br />
Abraham Lincoln - Gettysburg
Address</a></font><a href="Transcripts/charles_lindbergh-america.html"><br />
Charles Lindbergh - America
First</a></font><a href="Transcripts/henry_cabot_lodge-league.html"><br />
Henry Cabot Lodge - Opposes
league of nations</a></font><a href="Transcripts/huey_long-sharethewealth.html"><br />
Huey P. Long - Share
the Wealth</a></font><a href="Transcripts/huey_long-king.html"><br />
Huey P. Long - Every
man a king</a></font></td>
</tr>
<tr >
<td height="17"> </td>
<td> </td>
</tr>
<tr >
<td height="17" colspan="2"><a name="JumpM" id="JumpM"></a>
<hr /></td>
</tr>
<tr >
<td height="17"><div align="center">- M -</div></td>
<td rowspan="2" align="center"><img src="images/golda_meir.jpg" width="300" height="250" alt="Golda Meir Photograph" />
<div class= "PhotoTitle">Golda Meir<br />
4th Prime Minister of Israel</div></td>
</tr>
<tr >
<td class="ListText"><a href="Transcripts/douglas_macarthur-farewell.html">Douglas MacArthur - Farewell
to Congress<br />
</a><a href="Transcripts/douglas_macarthur-farewellUMI2.html">Douglas MacArthur - Farewell
to USMA<br />
</a><a href="Transcripts/malcolm_x-ballot.html">Malcolm X - The
ballot or the bullet</a></font><a href="Transcripts/malcolm_x-oppression.html"><br />
Malcolm X - Confronting
white oppression</a></font><a href="Transcripts/nelson_mandela-prepared.html"><br />
Nelson Mandela - I
am prepared to die</a></font><a href="Transcripts/nelson_mandela-glory.html"><br />
Nelson Mandela - Glory
and Hope</a></font><a href="Transcripts/mao_tse-dictatorship.html"><br />
Mao Tse-Tung - The
people's democratic dictatorship</a></font><a href="Transcripts/george_marshall-plan.html"><br />
George C. Marshall - The
Marshall Plan</a></font><a href="Transcripts/karl_marx-proletariat.html"><br />
Karl Marx - The
sovereignty of the proletariat</a></font><a href="Transcripts/john_mccain-2000rnc.html"><br />
John McCain - 2000
RNC Speech</a></font><a href="Transcripts/eugene_mccarthy-vietnam.html"><br />
Eugene McCarthy - Denounces
the Vietnam War</a></font><a href="Transcripts/joseph_mccarthy-debate.html"><br />
Joseph McCarthy - Debate
with welch during senate trials</a></font><a href="Transcripts/william_mckinley-panam.html"><br />
William McKinley - Pan-Am
exposition address<br />
</a><a href="Transcripts/golda_meir-peace.htm">Golda Meir - Peace
in the Middle East</a></font><a href="Transcripts/cheryl_mills-impeachment.html"><br />
Cheryl Mills - Statement
on Impeachment</a></font><a href="Transcripts/francois_mitterand-law.html"><br />
Francois Mitterand - The
rule of law<br />
</a></font><a href="Transcripts/mother_teresa-nobel.html">Mother Teresa - Nobel
lecture</a></font></td>
</tr>
<tr >
<td height="17"> </td>
<td> </td>
</tr>
<tr >
<td height="17" colspan="2"><a name="JumpN" id="JumpN"></a>
<hr /></td>
</tr>
<tr >
<td height="22"><div align="center">- N -</div></td>
<td rowspan="3" align="center"><img src="images/richard_m_nixon.jpg" width="300" height="250" alt="Richard Nixon Photograph" />
<div class= "PhotoTitle">Richard Nixon<br />
37th President of the United States</div></td>
</tr>
<tr >
<td class="ListText"><a href="Transcripts/richard_nixon-checkers.html">Richard Nixon - Checkers
Speech<br />
</a></font><a href="Transcripts/richard_nixon-silentmajority.html">Richard Nixon - The
Great Silent Majority</a></font><a href="Transcripts/richard_nixon-vietnamization.html"><br />
Richard Nixon - Vietnamization</a></font><a href="Transcripts/richard_nixon-firstinaugural.html"><br />
Richard Nixon - First
inaugural address<br />
</a></font><a href="Transcripts/richard_nixon-watergate.html">Richard Nixon - The
Watergate Affair</a></font><a href="Transcripts/richard_nixon-cambodia.html"><br />
Richard Nixon - Cambodia</a></font><a href="Transcripts/richard_nixon-freedom.html"><br />
Richard Nixon - What
freedom means to us<br />
</a><a href="Transcripts/richard_nixon-resignation.html">Richard Nixon - Resignation</a></font>
</CENTER></td>
</tr>
<tr >
<td height="17"> </td>
</tr>
<tr >
<td height="18" colspan="2"><a name="JumpP" id="JumpP"></a>
<hr />
<hr /></td>
</tr>
<tr >
<td height="22"><div align="center">- P -</div></td>
<td rowspan="3" align="center"><img src="images/colin_powell.jpg" width="300" height="250" alt="Colin Powell Photograph" />
<div class= "PhotoTitle">Colin Powell<br />
U.S. Secretary of State</div></td>
</tr>
<tr >
<td class="ListText"><a href="Transcripts/thomas_paine-space.html">Thomas O. Paine - What
lies ahead in space?<br />
</a></font><a href="Transcripts/george_patton-dday.html">George Patton - Pep
talk to troops on D-Day</a></font><a href="Transcripts/pericles-funeral.html"><br />
Pericles - Funeral
Oration</a></font><a href="Transcripts/james_k_polk-inaugural.html"><br />
James K. Polk - Inaugural
Address</a></font><a href="Transcripts/pope_john_paul-holocaust.html"><br />
Pope John Paul II - Israel's
holocaust memorial speech</a></font><br />
<a href="Transcripts/colin_powell-2000rnc.html">Colin Powell - 2000
RNC Speech</a></font></td>
</tr>
<tr >
<td height="18"> </td>
</tr>
<tr >
<td height="18" colspan="2"><a name="JumpR" id="JumpR"></a>
<hr /></td>
</tr>
<tr >
<td height="18"><div align="center">- R -</div></td>
<td rowspan="3" align="center"><img src="images/ronald_reagan.jpg" width="300" height="250" alt="Ronald Reagan Berlin Wall Photograph" />
<div class= "PhotoTitle">Ronald Reagan<br />
40th President of the United States</div></td>
</tr>
<tr >
<td class="ListText"><a href="Transcripts/ronald_reagan-1980rnc.htm">Ronald Reagan - 1980
RNC Presidential Acceptance<br />
</a><a href="Transcripts/ronald_reagan-challenger.html">Ronald Reagan - Eulogy
of Challenger Crew<br />
</a><a href="Transcripts/ronald_reagan-firstinaugural.html">Ronald Reagan - First
Inaugural Address<br />
</a></font><a href="Transcripts/ronald_reagan-choosing.html">Ronald Reagan - A
time for choosing</a></font><a href="Transcripts/ronald_reagan-terrorism.html"><br />
Ronald Reagan - The
fight against terrorism<br />
</a></font><a href="Transcripts/ronald_reagan-moscow.html">Ronald Reagan - Moscow
State University speech</a></font><a href="Transcripts/ronald_reagan-beirut.html"><br />
Ronald Reagan - Bombing
of the US Embassy in Beirut</a></font><a href="Transcripts/ronald_reagan-empire.html"><br />
Ronald Reagan - Evil
Empire<br />
</a><a href="Transcripts/ronald_reagan-pointduhoc.html">Ronald Reagan - Speech
at Point Du Hoc<br />
</a><a href="Transcripts/christopher_reeve-1996dnc.html">Christopher Reeve - 1996
DNC Keynote<br />
</a></font><a href="Transcripts/condoleeza_rice-2000rnc.html">Condoleeza Rice - 2000 RNC
Speech</a></font><a href="Transcripts/ann_richards-eulogy.html"><br />
Ann Richards - Eulogy
of Barbara Jordan<br />
</a></font><a href="Transcripts/ann_richards-keynote.html">Ann Richards - 1988
DNC Keynote</a></font><a href="Transcripts/eleanor_roosevelt-libraries.html"><br />
Eleanor Roosevelt - The
importance of libraries<br />
</a></font><a href="Transcripts/eleanor_roosevelt-ACLU.html">Eleanor Roosevelt - Speech
to the ACLU</a></font><a href="Transcripts/franklin_roosevelt-december7th.html"><br />
Franklin D. Roosevelt - Declaration
of War</a></font><a href="Transcripts/franklin_roosevelt-four.html"><br />
Franklin D. Roosevelt - Four
Freedoms</a></font><a href="Transcripts/franklin_roosevelt-firesidechat.html"><br />
Franklin D. Roosevelt - 1st
fireside chat</a></font><a href="Transcripts/franklin_roosevelt-arsenal.html"><br />
Franklin D. Roosevelt - Arsenal
of Democracy</a></font><a href="Transcripts/franklin_roosevelt_fourthinaugural.html"><br />
Franklin D. Roosevelt - Fourth
inaugural address</a></font><a href="Transcripts/franklin_roosevelt-grilled.html"><br />
Franklin D. Roosevelt - Grilled
millionaire<br />
</a></font><a href="Transcripts/franklin_roosevelt-america.html">Franklin D. Roosevelt - America
has not been disappointed</a></font><a href="Transcripts/franklin_roosevelt-firstinaugural.html"><br />
Franklin D. Roosevelt - First
inaugural Address</a></font><a href="Transcripts/teddy_roosevelt-lincoln.html"><br />
Theodore Roosevelt - Lincoln
& the race problem</a></font><a href="Transcripts/theodore_roosevelt-inaugural.html"><br />
Theodore Roosevelt - First
inaugural address</a></font><a href="Transcripts/teddy_roosevelt-life.html"><br />
Theodore Roosevelt - The
strenuous life</a></font><a href="Transcripts/teddy_roosevelt-square.html"><br />
Theodore Roosevelt - A
square deal</a></font><a href="Transcripts/teddy_roosevelt-muckrake.html"><br />
Theodore Roosevelt - The
man with the muck rake</a></font></td>
</tr>
<tr >
<td height="17"> </td>
</tr>
<tr >
<td height="17" colspan="2"><a name="JumpS" id="JumpS"></a>
<hr /></td>
</tr>
<tr >
<td height="17"><div align="center">- S -</div></td>
<td rowspan="3" align="center"><img src="images/adlai_stevenson.jpg" width="300" height="250" alt="Adlai Stevenson Cuban Missle Crisis Photograph" />
<div class= "PhotoTitle">Adlai Stevenson<br />
American Politician & U.N. Ambassador</div></td>
</tr>
<tr >
<td class="ListText"><a href="Transcripts/margaret_sanger-birthcontrol.html">Margaret Sanger - Moral
necessity for birth control</a></font><a href="Transcripts/norman_schwartzkopf-desertstorm.html"><br />
Norman Schwartzkopf - Operation
Desert Storm</a></font><a href="Transcripts/anna_shaw-republic.html"><br />
Ann Howard Shaw - Fundamental
principles of a republic<br />
</a></font><a href="Transcripts/margaret_chase_smith-declaration.html">Margaret Chase Smith - A
declaration of conscience<br />
</a></font><a href="Transcripts/socrates-apology.html">Socrates - The
apology</a></font><a href="Transcripts/elizabeth_cady_stanton-male.html"><br />
Elizabeth Cady Stanton - The
destructive male</a></font><a href="Transcripts/elizabeth_cady_stanton-declaration.html"><br />
Elizabeth Cady Stanton - Declaration
of Sentiments and resolutions</a></font><a href="Transcripts/adlai_stevenson-1952dnc.html"><br />
Adlai Stevenson - 1952
DNC presidential acceptance<br />
</a></font><a href="Transcripts/adlai_stevenson-1952dnc.html">Adlai Stevenson - 1952
DNC presidential acceptance</a></font><br />
<a href="Transcripts/adlai_stevenson-cuban.html">Adlai Stevenson - Cuban
Missle Crisis</a></font><a href="Transcripts/lucy_stone-women.html"><br />
Lucy Stone - Disappointment
is the lot of women</a></font></td>
</tr>
<tr >
<td height="17"> </td>
</tr>
<tr >
<td height="17" colspan="2"><a name="JumpT" id="JumpT"></a>
<hr /></td>
</tr>
<tr >
<td height="17"><div align="center">- T -</div></td>
<td rowspan="3" align="center"><img src="images/harry_truman.jpg" alt="Harry Truman Photograph" width="300" height="250" />
<div class= "PhotoTitle">Harry S. Truman<br />
33rd President of the United States</div></td>
</tr>
<tr >
<td class="ListText"><a href="Transcripts/alexis_deTocqueville-gale.html">Alexis de Tocqueville - Gale
of revolution in the air</a></font><a href="Transcripts/william_h_taft-inaugural.html"><br />
William H. Taft - Inaugural
Address</a></font><a href="Transcripts/mary_church_terrell-colored.html"><br />
Mary Church Terrell - What
it means to be a woman</a></font><br />
<a href="Transcripts/clarence_thomas-conservatism.html">Clarence Thomas - Defends
his conservatism<br />
</a></font><a href="Transcripts/leon_trotsky-redarmy.html">Leon Trotsky - Inspiring
the Red Army<br />
</a></font><a href="Transcripts/pierre_trudeau-peace.html">Pierre Trudeau - Reflections
on Peace and Security</a></font><a href="Transcripts/harry_truman-doctrine.html"><br />
Harry Truman - The
Truman Doctrine</a></font><a href="Transcripts/harry_truman-nothing.html"><br />
Harry Truman - Know
nothing, do nothing congress<br />
</a><a href="Transcripts/harry_truman-hiroshima.html">Harry Truman - Atomic
Bomb on Hiroshima<br />
</a><a href="Transcripts/sojourner_truth-woman.html">Sojourner Truth - Ain't
I a woman?</a></font><a href="Transcripts/mark_twain-funston.html"><br />
Mark Twain - Defense
of General Funston</a></font></td>
</tr>
<tr >
<td height="17"> </td>
</tr>
<tr >
<td height="17" colspan="2"><a name="JumpW" id="JumpW"></a>
<hr /></td>
</tr>
<tr >
<td height="17"><div align="center">- W -</div></td>
<td rowspan="3" align="center"><img src="images/george_washington.jpg" width="300" height="250" alt="George Washington Farewell Address" />
<div class= "PhotoTitle">George Washington<br />
1st President of the United States</div></td>
</tr>
<tr >
<td class="ListText"><a href="Transcripts/booker_washington-democracy.html">Booker T. Washington - Democracy
& Education</a></font><a href="Transcripts/george_washinton-second.html"><br />
George Washington - Second
Inaugural address</a></font><a href="Transcripts/george_washington-firstinaugural.html"><br />
George Washington - First
Inaugural Address</a></font><a href="Transcripts/george_washington-1790sou.html"><br />
George Washington - 1790
State of the Union</a></font><a href="Transcripts/george_washington-revolt.html"><br />
George Washington - Officers
Revolt<br />
</a><a href="Transcripts/george_washington-farewell.html">George Washington - Farewell
to the Nation<br />
</a><a href="Transcripts/walt_whitman-thomaspaine.html">Walt Whitman - In
Memory of Thomas Paine<br />
</a><a href="Transcripts/elie_wiesel-perils.html">Elie Wiesel - The
Perils of Indiffernce<br />
</a></font><a href="Transcripts/kaiser_wilhelm-boxer.html">Kaiser Wilhelm - Outrage
at the Boxer Rebellion</a></font><a href="Transcripts/wendell_wilkie-eulogy.html"><br />
Wendell Wilkie - Eulogy
of Lidice</a></font><a href="Transcripts/woodrow_wilson-fourteen.html"><br />
Woodrow Wilson - 14
Points</a></font><a href="Transcripts/woodrow_wilson-leagueofnations.html"><br />
Woodrow Wilson - Defense
of the League of Nation<br />
</a><a href="Transcripts/woodrow_wilson_firstinaugural.html">Woodrow Wilson - First
Inaugural Address</a></font><a href="Transcripts/woodrow_wilson-secondinaugural.html"><br />
Woodrow Wilson - Second
inaugural Aaddress</a></font><a href="Transcripts/woodrow_wilson-war.html"><br />
Woodrow Wilson - War
message</a></font></td>
</tr>
<tr >
<td height="18"> </td>
</tr>
<tr >
<td height="18" colspan="2"><a name="JumpY" id="JumpY"></a>
<hr /></td>
</tr>
<tr >
<td height="18"> </td>
<td rowspan="4" align="center"><img src="images/boris_yeltsin.jpg" width="300" height="250" alt="Boris Yeltsin Photograph" />
<div class= "PhotoTitle">Boris Yeltsin<br />
1st President of the Russian Federation</div></td>
</tr>
<tr >
<td height="18"><div align="center">- Y -</div></td>
</tr>
<tr >
<td height="18" class="ListText"><a href="Transcripts/boris_yeltsin-congress.html">Boris Yeltsin - Address
to United States Congress</a></font></td>
</tr>
<tr >
<td height="18" class="ListText"> </td>
<td valign="top" bgcolor="#CCCCCC" align="center"> </td>
</tr>
<tr >
<td height="40" colspan="3" class="ListText"><a href="http://www.survival-goods.com">Hurricane Supplies</a><a href="http://destination.videowedding.ca">Destination Video</a></td>
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| SPEECHES-USA presents: |
| Speeches USA presents Speech Vault
|
| CLICK THE LINK BELOW FOR A PRINTABLE TRANSCRIPT OF EACH SPEECH: |
| Speeches are sorted by First Letter of Last Name:
[A](#JumpB) | [B](#JumpB) | [C](#JumpC) | [D](#JumpD) | [E](#JumpE) | [F](#JumpF) | [G](#JumpG) | [H](#JumpH) | [I](#JumpI) | [J](#JumpJ) | [K](#JumpK) | [L](#JumpL) | [M](#JumpM) | [N](#JumpN) | O | [P](#JumpP) | Q | [R](#JumpR) | [S](#JumpS) | [T](#JumpT) | U | V | [W](#JumpW) | X | [Y](#JumpY) | Z |
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| - A -
| Susan B. Anthony Picture
Susan B. Anthony
American Civil Rights Leader | <!--
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|
[John Adams - Inaugural
Address](Transcripts/john_adams-inaugural.html)[Samuel Adams - American
Independence](Transcripts/samuel_adams-independence.html)[Jane Addams - Why
Women Should Vote](Transcripts/jane_addams-vote.html)[Spiro Agnew - Television
News Coverage](Transcripts/spiro_agnew-networknews.html)[Madeline Albright - Wingate
University Speech](Transcripts/jane_addams-vote.html)[Susan B. Anthony - Women's
Right to Vote](Transcripts/susan_b_anthony-vote.html) |
|
|
|
---
|
| -B- | George W. Bush - September 11th Address
George W. Bush
43rd President of the United States |
| [Menahem Begin - Everything
is Open to Negotiation](Transcripts/menahem_begin-negotiations.html)[Albert J. Beveridge - The
Phillipine Question](Transcripts/albert_beveridge-question.html)[William Jennings Bryan - Cross
of Gold](Transcripts/william_jennings_bryan-cross.html)[William Jennings Bryan - 1900
Democratic Presidential Acceptance](Transcripts/william_jennings_bryan-19002.html)[Tony Blair - Address
to Irish Parliament](Transcripts/tony_blair-irish.html)
[Simon Bolivar - I
will Act as Trustee of the Supreme Authority](Transcripts/menahem_begin-negotiations.html)[Napolean Bonaparte - Farewell to the Old Guard](Transcripts/napolean_bonaparte-farewell.html)[Sarah Brady - 1996
DNC Keynote address](Transcripts/sarah_brady-1996dnc.html)[Pat Buchannan - A
republic not an Empire](Transcripts/pat_buchanan-citadel.html)[Edumund Burke - The
death of Marie Antoinette](Transcripts/edmund_burke.html)[Barbara Bush - 1992
RNC Speech](Transcripts/barbara_bush-1992rnc.html)[Barbara Bush - Wellesly
College](Transcripts/barbara_bush-wellesley.html)[George Bush - Conditions
in Somalia](Transcripts/george_bush-somalia.html)[George Bush - 1991
State of the Union](Transcripts/george_bush-1991sou.html)[George Bush - Defense
of Saudi Arabia](Transcripts/george_bush-saudi.html)[George W. Bush - 2000 RNC
Presidential Acceptance](Transcripts/george_w_bush-2000rnc.html)[George W. Bush - A
new approach](Transcripts/george_w_bush-knoxville.html) |
|
|
|
---
|
| - C - | Winston Churchill Picture
Winston Churchill
British Prime Minister |
| [John C. Calhoun - Slavery
a positive, a good](Transcripts/john_c_calhoun-slavery.html)[Stokley Carmichael - Black
Power](Transcripts/stokeley_carmichael-going.html)[Stokley Carmichael - "We
ain't goin'"](Transcripts/stokeley_carmichael-weaint.html)[Jimmy Carter - Energy
Crisis](Transcripts/jimmy_carter-energy.html)[Jimmy Carter - Camp
David Accords](Transcripts/jimmy_carter-campdavid.html)[Fidel Castro - Tommorrow
will be too late](Transcripts/fidel_castro-environment.html)[Carrie Chapman Catt - NAWSA
1900 Presidential acceptance](Transcripts/carrie_chapman_catt-NAWSA.html)[Shirley Chisholm - Equal
rights amendment](Transcripts/shirley_chisholm-era.html)[Warren Christopher - A
new generation of Russian Democrats](Transcripts/warren_christopher-russian.html)[Winston Churchill -Their
finest hour](Transcripts/winston_churchill-finest.html)[Winston Churchill - Blood,
Sweat & Tears](Transcripts/winston_churchill-blood.html)[Winston Churchill - The
miracle of Dunkirk](Transcripts/winston_churchill-dunkirk.html)[Winston Churchill - Iron
curtain](Transcripts/winston_churchill-ironcurtain.html)
[Bill Clinton - 1998
State of the Union](Transcripts/bill_clinton-1998sou.html)[Bill Clinton - First
inaugural address](Transcripts/bill_clinton-firstinaugural.html)[Bill Clinton - I
mislead people](Transcripts/bill_clinton-misled.html)[Bill Clinton - Farewell
to DNC](Transcripts/bill_clinton-Farewell.html)[Hillary Clinton - Address
to AMA](Transcripts/hillary_clinton-ama.html)[Hillary Clinton - Address
to 4th UN Women's Congres](Transcripts/hillary_clinton-UN.html)[Russell Conwell - Acres
of diamonds](Transcripts/russell_conwell-acres.html) [Father Charles E. Coughlin - Roosevelt
or ruin](Transcripts/father_coughlin-roosevelt.html)[Mario Cuomo - 1984
DNC Keynote Address](Transcripts/mario_cuomo-1984DNC2.html)
|
|
|
| |
| - D - | Frederick Douglas Picture
Frederick Douglas
American Social Reformer, Orator, Writer and Statesman |
| [Edouard Daladier - Nazi's
aim is slavery](Transcripts/edouard_daladier-nazi.html)
[Clarence Darrow - Mercy
for Leopold and Loeb](Transcripts/clarence_darrow-mercy.html)[Jefferson Davis - Resignation
from the US Senate](Transcripts/jefferson_davis-resignation.html)[Jefferson Davis - First
inaugural of Confederacy](Transcripts/jefferson_davis-inaugural.html)[Eugene V. Debs - The
issue](Transcripts/eugene_v_debs-issue.html)[Eugene V. Debs - Statement
to the court](Transcripts/eugene_v_debs-court.html)[Eugene V. Debs - Canton
Ohio Speech](Transcripts/eugene_v_debs-canton.html)
[Thomas Dewey - A
politician, a political ally](Transcripts/thomas_dewey-ally.html)[Bob Dole - Eulogy
of Richard Nixon](Transcripts/bob_dole-eulogy.html)[Bob Dole - 1996
RNC Presidential Acceptance](Transcripts/bob_dole-1996rnc.html)[Elizabeth Dole - Duke
Commencement Address](Transcripts/elizabeth_dole-duke.html)
[Elizabeth Dole - Honors
her husband at 1996 RNC](Transcripts/elizabeth_dole-1996rnc.html)[Feyodor Dostoevsky - A
celebration on the centenary of Pushkin's birth](Transcripts/feyodor_dostoevsky-pushkin.html)[Frederick Douglas - Plea
for free speech in Boston](Transcripts/fredrick_douglas-boston.html)[W.E.B. DuBois - The
talented tenth](Transcripts/web_dubois-talented.html) |
| |
|
---
|
| - E - | Albert Einstein Picture
Albert Einstein
Theoretical Physicist |
| [Edward VIII - Abdication of the Throne (The King's Speech)](Transcripts/king_edward-kingsspeech.html)[Jonathan Edwards - Sinners
in the hands of an angry God](Transcripts/jonathan_edwards-sinners.html)[Albert Einstein - Peace
in the Atomic Era](Transcripts/albert_einstein-peace.html)[Dwight D. Eisenhower - The
Domino effect](Transcripts/dwight_eisenhoer-domino.html)[Dwight D. Eisenhower - Atoms
for peace](Transcripts/dwight_eisenhower-atoms.html)[Dwight D. Eisenhower - Address
to British Parliament](Transcripts/dwight_eisenhower-parliament.html)[Dwight D. Eisenhower - Farewell
Address](Transcripts/dwight_eisnehower-farewell2.html)[Ralph Waldo Emerson - The
American Scholar](Transcripts/ralph_waldo_emerson-scholar.html)[Edward Everett - Those
Who Laugh at a Drunken Man](Transcripts/edward_everett-drunken.html) |
| |
|
---
|
| - F - | Mary Fisher Picture
Mary Fisher
American AIDS Activist |
| [William Faulkner - Nobel
Peace Prize Acceptance](Transcripts/095_faulkner.html)[Geraldine Ferraro - 1984
DNC VP Acceptance](Transcripts/geraldine_ferraro-1984vp.html)[Mary Fisher - A
whisper of AIDS](Transcripts/mary_fisher-AIDS.html)[Jane Fonda - Broadcast
over radio Hanoi](Transcripts/jane_fonda-vietnam.html)[Gerald Ford - Pardon
of Richard Nixon](Transcripts/gerald_ford-pardon.html)[Gerald Ford - Presidential
Acceptance](Transcripts/gerald_ford-acceptance.html)[Harold Ford, Jr. - 2000
DNC Keynote Address](Transcripts/harold_ford-2000dnc.html)[Benjamin Franklin - Disapproving
& Accepting US Constitution](Transcripts/benjamin_franklin-constitution.html)[J.W. Fulbright - The
clear and present danger](Transcripts/jw_fulbright.html) |
| |
|
---
|
| - G - | Newt Gingrich Picture
Newt Gingrich
Former Speaker of the U.S. House of Representatives |
| [Mohandas Gandhi - The
strength of satyagraha](Transcripts/mohandis_gandhi-strat.html)[William Lloyd Garrison - The
Death of John Brown](Transcripts/william_lloyd_garrison-johnbrown.html)[Marcus Garvey - A
separate black nation](Transcripts/marcus_garvey-nation.html)[Lou Gehrig - Farewell
to baseball](Transcripts/lou_gehrig-farewell.html)[Richard Gephardt - End
of Democratic Rule](Transcripts/dick_gephardt-congress.html)[Richard Gephardt - A
plea for civility](Transcripts/richard_gephardt-plea.html)[Newt Gingrich - Address
to the nation](Transcripts/newt_gingrich-address.html)[Elizabeth Glaser - 1992
DNC speech](Transcripts/elizabeth_glaser-AIDS.html)[Emma Goldman - What
is Patriotism?](Transcripts/emma_goldman-patriotism.html)[Barry Goldwater - 1964
RNC VP Acceptance](Transcripts/barry_goldwater-1964rnc.html)[Mikhail Gorbachev - Westminster
College Address](Transcripts/mikhail_gorbachev-westminster.html)[Al Gore - 2000 DNC
Presidential Acceptance](Transcripts/john_lewis-labor.html)[Al Gore - The
national information infrastructure](Transcripts/al_gore-internet.html)[Al Gore - 2000
DNC Presidential Acceptance](Transcripts/john_lewis-labor.html)[Al Gore - Harvard
Commencement Address](Transcripts/al_gore-harvard.html)[Al Gore - 1992
DNC VP Acceptance](Transcripts/al_gore-1992dnc.htm)[Kareena Gore-Shiff - 2000
DNC Speech](Transcripts/karenna_gore-2000dnc.html) |
| |
|
---
|
| - H - | Herbert Hoover Picture
Herbert Hoover
31st President of the United States |
| [John Hancock -](Transcripts/john_hancock-bostonmassacre.html) [Boston
Massacre oration](Transcripts/john_hancock-bostonmassacre.html)[Warren Harding - Return
to normalcy](Transcripts/warren_harding-normalcy.html)[Patrick Henry - Give
me liberty or give me death](Transcripts/patrick_henry-liberty.html)[Charlton Heston - Truth
& Consequence](Transcripts/charlton_heston-truth.html)[Anita Hill - Testimony
to Senate Judiciary Committee](Transcripts/anita_hill-testimony.html)
[Adolf Hitler - Justification
for the blood purge](Transcripts/adolf_hitler-bloodpurge.html)[Adolf Hitler - Invasion
of Poland](Transcripts/adolf_hitler-poland.html)[Adolf Hitler - Closing
Address to Nazi Party](Transcripts/adolf_hitler-congress.html)[Herbert Hoover - 1928
campaign speech](Transcripts/herbert_hoover-campaign.html)[Hubert H. Humphrey - In
support of civil rights](Transcripts/hubert_humphrey-civil.html)[Hubert H. Humphrey - 1964
DNC VP Acceptance](Transcripts/hubert_humphrey-1964dnc.html)[Hubert H. Humphrey - Stump
speech](Transcripts/hubert_humphrey-stump.html)[Thomas H. Huxley - An
examination of Darwin](Transcripts/thomas_huxley-darwin.html) |
| |
|
---
|
| - I - | |
| [Harold Ickes - What
constitutes an American](Transcripts/harold_ickes-american.html) | |
|
---
|
| - J - | Jesse Jackson Rainbow Coalition Speech
Jesse Jackson
American Civil Rights Activist |
| [Andrew Jackson - First
inaugural address](Transcripts/andrew_jackson-firstinaugural.html)[Jesse Jackson - Common
ground and common sense](Transcripts/jesse_jackson-commonground.html)[Jesse Jackson - Rainbow
Coalition](Transcripts/jesse_jackson-rainbow.html)[Thomas Jefferson - First
inaugural](Transcripts/thomas_jefferson-first.html)[Jesus - The
sermon on the mount](Transcripts/jesus-sermon.html)[Lyndon B. Johnson - Voting
rights act of 1965](Transcripts/lyndon_johnson-greatsociety.html)[Lyndon B. Johnson - Let
us continue](Transcripts/lyndon_johnson-continue.html)[Lyndon B. Johnson - The
Great Society](Transcripts/lyndon_johnson-greatsociety.html)[Lyndon B. Johnson - Camranh
Bay](Transcripts/lyndon_johnson-bay.html)[Lyndon B. Johnson - Renounces
the Presidency](Transcripts/lyndon_johnson-iwillnotrun.html)[Barbara Jordan - Statement
on Impeachment](Transcripts/barbara_jordan-impeachment.html)[Barbara Jordan - 1976
DNC Keynote Address](Transcripts/barbara_jordan-keynote.html)
|
| |
|
---
|
| - K - | John F. Kennedy Photograph
John F. Kennedy
35th President of the United States |
| [Florence Kelley - Child
labor and women's suffrage](Transcripts/florence_kelley-childlabor.html)[Caroline Kennedy - 2000
DNC Speech](Transcripts/caroline_kennedy-2000dnc.html)[Edward Kennedy - Truth
& Tolerance in America](Transcripts/ted_kennedy-truth.html)[Edward Kennedy - Eulogy
of Robert F. Kennedy](Transcripts/ted_kennedy-eulogyofRFK.html)[Edward Kennedy - Tribute
to John F. Kennedy Jr.](Transcripts/ted_kennedy-tributetoJFK.html)[John F. Kennedy - Cuban
Missle Crisis](Transcripts/john_f_kennedy-cuban.html)[John F. Kennedy - 1960
DNC VP Acceptance](Transcripts/john_kennedy-1960VP.html)[John F. Kennedy - Inaugural Address (Ask Not...)](Transcripts/john_kennedy-Inaugural.html)[John F. Kennedy - Address
to Houston ministers](Transcripts/john_f_kennedy-houston.html)[John F. Kennedy - I
am a Berliner](Transcripts/john_kennedy-berlin.html)[John F. Kennedy - Civil
Rights message](Transcripts/john_f_kennedy-civilrights.html)[John F. Kennedy - We
choose to go to the moon](Transcripts/john_f_kennedy-moon.html)[John F. Kennedy - American
University speech](Transcripts/john_f_kennedy-american.html)[Robert F. Kennedy - Eulogy
of Martin Luther King Jr.](Transcripts/robert_kennedy-eulogy2.html) |
| |
| [CLICK HERE TO VIEW THE COMPLETE MARTIN LUTHER KING, JR'S "I HAVE A DREAM" SPEECH FROM EVGONDEMAND VIDEO](http://www.evgondemand.com) |
| [Martin Luther King, Jr. - I've
been to the mountaintop](Transcripts/martin_luther_king-mountaintop.html)[Martin Luther King, Jr. - A
time to break the silence](Transcripts/martin_luther_king_jr-silence.html)[Martin Luther King, Jr. - I
have a dream](Transcripts/martin_luther_king-Dream.html) | Martin Luther King, Jr. I Have a Dream Photograph
Martin Luther King, Jr.
American Civil Rights Activist |
| |
|
---
|
| - L - | Abraham Lincoln Photograph
Abraham Lincoln
16th President of the United States |
| [Robert LaFollette - The
perils of passive citizenship](Transcripts/robert_lafollete-perils.html)[Robert LaFollette - Defends
free speech in wartime](Transcripts/robert_lafollette-freespeech.html)[Dalai Lama - Spirituality
in today's world](Transcripts/dalai_lama-spirituality.html)[Vladmir Lenin - Speech
to a street crowd](Transcripts/vladmir_lenin-street.html)[John L. Lewis - The
rights of labor](Transcripts/john_lewis-labor.html)[John L. Lewis - Protection
for miners](Transcripts/john_lewis-miners.html)[Abraham Lincoln - Second
inaugural address](Transcripts/abraham_lincoln-secondinaugural.html)[Abraham Lincoln - First
inaugural address](Transcripts/abraham_lincoln-firstinaugural.html)[Abraham Lincoln - Finale
of Lincoln-Douglas debate](Transcripts/abraham_lincoln-finale.html)[Abraham Lincoln - A
House Divided](Transcripts/abraham_lincoln-divided.html)[Abraham Lincoln - Last
public address](Transcripts/abraham_lincoln-last.html)[Abraham Lincoln - Gettysburg
Address](Transcripts/abraham_lincoln-gettysburg.html)[Charles Lindbergh - America
First](Transcripts/charles_lindbergh-america.html)[Henry Cabot Lodge - Opposes
league of nations](Transcripts/henry_cabot_lodge-league.html)[Huey P. Long - Share
the Wealth](Transcripts/huey_long-sharethewealth.html)[Huey P. Long - Every
man a king](Transcripts/huey_long-king.html) |
| | |
|
---
|
| - M - | Golda Meir Photograph
Golda Meir
4th Prime Minister of Israel |
| [Douglas MacArthur - Farewell
to Congress](Transcripts/douglas_macarthur-farewell.html)[Douglas MacArthur - Farewell
to USMA](Transcripts/douglas_macarthur-farewellUMI2.html)[Malcolm X - The
ballot or the bullet](Transcripts/malcolm_x-ballot.html)[Malcolm X - Confronting
white oppression](Transcripts/malcolm_x-oppression.html)[Nelson Mandela - I
am prepared to die](Transcripts/nelson_mandela-prepared.html)[Nelson Mandela - Glory
and Hope](Transcripts/nelson_mandela-glory.html)[Mao Tse-Tung - The
people's democratic dictatorship](Transcripts/mao_tse-dictatorship.html)[George C. Marshall - The
Marshall Plan](Transcripts/george_marshall-plan.html)[Karl Marx - The
sovereignty of the proletariat](Transcripts/karl_marx-proletariat.html)[John McCain - 2000
RNC Speech](Transcripts/john_mccain-2000rnc.html)[Eugene McCarthy - Denounces
the Vietnam War](Transcripts/eugene_mccarthy-vietnam.html)[Joseph McCarthy - Debate
with welch during senate trials](Transcripts/joseph_mccarthy-debate.html)[William McKinley - Pan-Am
exposition address](Transcripts/william_mckinley-panam.html)[Golda Meir - Peace
in the Middle East](Transcripts/golda_meir-peace.htm)[Cheryl Mills - Statement
on Impeachment](Transcripts/cheryl_mills-impeachment.html)[Francois Mitterand - The
rule of law](Transcripts/francois_mitterand-law.html)[Mother Teresa - Nobel
lecture](Transcripts/mother_teresa-nobel.html) |
| | |
|
---
|
| - N - | Richard Nixon Photograph
Richard Nixon
37th President of the United States |
| [Richard Nixon - Checkers
Speech](Transcripts/richard_nixon-checkers.html)[Richard Nixon - The
Great Silent Majority](Transcripts/richard_nixon-silentmajority.html)[Richard Nixon - Vietnamization](Transcripts/richard_nixon-vietnamization.html)[Richard Nixon - First
inaugural address](Transcripts/richard_nixon-firstinaugural.html)[Richard Nixon - The
Watergate Affair](Transcripts/richard_nixon-watergate.html)[Richard Nixon - Cambodia](Transcripts/richard_nixon-cambodia.html)[Richard Nixon - What
freedom means to us](Transcripts/richard_nixon-freedom.html)[Richard Nixon - Resignation](Transcripts/richard_nixon-resignation.html) |
| |
|
---
---
|
| - P - | Colin Powell Photograph
Colin Powell
U.S. Secretary of State |
| [Thomas O. Paine - What
lies ahead in space?](Transcripts/thomas_paine-space.html)[George Patton - Pep
talk to troops on D-Day](Transcripts/george_patton-dday.html)[Pericles - Funeral
Oration](Transcripts/pericles-funeral.html)[James K. Polk - Inaugural
Address](Transcripts/james_k_polk-inaugural.html)[Pope John Paul II - Israel's
holocaust memorial speech](Transcripts/pope_john_paul-holocaust.html)
[Colin Powell - 2000
RNC Speech](Transcripts/colin_powell-2000rnc.html) |
| |
|
---
|
| - R - | Ronald Reagan Berlin Wall Photograph
Ronald Reagan
40th President of the United States |
| [Ronald Reagan - 1980
RNC Presidential Acceptance](Transcripts/ronald_reagan-1980rnc.htm)[Ronald Reagan - Eulogy
of Challenger Crew](Transcripts/ronald_reagan-challenger.html)[Ronald Reagan - First
Inaugural Address](Transcripts/ronald_reagan-firstinaugural.html)[Ronald Reagan - A
time for choosing](Transcripts/ronald_reagan-choosing.html)[Ronald Reagan - The
fight against terrorism](Transcripts/ronald_reagan-terrorism.html)[Ronald Reagan - Moscow
State University speech](Transcripts/ronald_reagan-moscow.html)[Ronald Reagan - Bombing
of the US Embassy in Beirut](Transcripts/ronald_reagan-beirut.html)[Ronald Reagan - Evil
Empire](Transcripts/ronald_reagan-empire.html)[Ronald Reagan - Speech
at Point Du Hoc](Transcripts/ronald_reagan-pointduhoc.html)[Christopher Reeve - 1996
DNC Keynote](Transcripts/christopher_reeve-1996dnc.html)[Condoleeza Rice - 2000 RNC
Speech](Transcripts/condoleeza_rice-2000rnc.html)[Ann Richards - Eulogy
of Barbara Jordan](Transcripts/ann_richards-eulogy.html)[Ann Richards - 1988
DNC Keynote](Transcripts/ann_richards-keynote.html)[Eleanor Roosevelt - The
importance of libraries](Transcripts/eleanor_roosevelt-libraries.html)[Eleanor Roosevelt - Speech
to the ACLU](Transcripts/eleanor_roosevelt-ACLU.html)[Franklin D. Roosevelt - Declaration
of War](Transcripts/franklin_roosevelt-december7th.html)[Franklin D. Roosevelt - Four
Freedoms](Transcripts/franklin_roosevelt-four.html)[Franklin D. Roosevelt - 1st
fireside chat](Transcripts/franklin_roosevelt-firesidechat.html)[Franklin D. Roosevelt - Arsenal
of Democracy](Transcripts/franklin_roosevelt-arsenal.html)[Franklin D. Roosevelt - Fourth
inaugural address](Transcripts/franklin_roosevelt_fourthinaugural.html)[Franklin D. Roosevelt - Grilled
millionaire](Transcripts/franklin_roosevelt-grilled.html)[Franklin D. Roosevelt - America
has not been disappointed](Transcripts/franklin_roosevelt-america.html)[Franklin D. Roosevelt - First
inaugural Address](Transcripts/franklin_roosevelt-firstinaugural.html)[Theodore Roosevelt - Lincoln
& the race problem](Transcripts/teddy_roosevelt-lincoln.html)[Theodore Roosevelt - First
inaugural address](Transcripts/theodore_roosevelt-inaugural.html)[Theodore Roosevelt - The
strenuous life](Transcripts/teddy_roosevelt-life.html)[Theodore Roosevelt - A
square deal](Transcripts/teddy_roosevelt-square.html)[Theodore Roosevelt - The
man with the muck rake](Transcripts/teddy_roosevelt-muckrake.html) |
| |
|
---
|
| - S - | Adlai Stevenson Cuban Missle Crisis Photograph
Adlai Stevenson
American Politician & U.N. Ambassador |
| [Margaret Sanger - Moral
necessity for birth control](Transcripts/margaret_sanger-birthcontrol.html)[Norman Schwartzkopf - Operation
Desert Storm](Transcripts/norman_schwartzkopf-desertstorm.html)[Ann Howard Shaw - Fundamental
principles of a republic](Transcripts/anna_shaw-republic.html)[Margaret Chase Smith - A
declaration of conscience](Transcripts/margaret_chase_smith-declaration.html)[Socrates - The
apology](Transcripts/socrates-apology.html)[Elizabeth Cady Stanton - The
destructive male](Transcripts/elizabeth_cady_stanton-male.html)[Elizabeth Cady Stanton - Declaration
of Sentiments and resolutions](Transcripts/elizabeth_cady_stanton-declaration.html)[Adlai Stevenson - 1952
DNC presidential acceptance](Transcripts/adlai_stevenson-1952dnc.html)[Adlai Stevenson - 1952
DNC presidential acceptance](Transcripts/adlai_stevenson-1952dnc.html)
[Adlai Stevenson - Cuban
Missle Crisis](Transcripts/adlai_stevenson-cuban.html)[Lucy Stone - Disappointment
is the lot of women](Transcripts/lucy_stone-women.html) |
| |
|
---
|
| - T - | Harry Truman Photograph
Harry S. Truman
33rd President of the United States |
| [Alexis de Tocqueville - Gale
of revolution in the air](Transcripts/alexis_deTocqueville-gale.html)[William H. Taft - Inaugural
Address](Transcripts/william_h_taft-inaugural.html)[Mary Church Terrell - What
it means to be a woman](Transcripts/mary_church_terrell-colored.html)
[Clarence Thomas - Defends
his conservatism](Transcripts/clarence_thomas-conservatism.html)[Leon Trotsky - Inspiring
the Red Army](Transcripts/leon_trotsky-redarmy.html)[Pierre Trudeau - Reflections
on Peace and Security](Transcripts/pierre_trudeau-peace.html)[Harry Truman - The
Truman Doctrine](Transcripts/harry_truman-doctrine.html)[Harry Truman - Know
nothing, do nothing congress](Transcripts/harry_truman-nothing.html)[Harry Truman - Atomic
Bomb on Hiroshima](Transcripts/harry_truman-hiroshima.html)[Sojourner Truth - Ain't
I a woman?](Transcripts/sojourner_truth-woman.html)[Mark Twain - Defense
of General Funston](Transcripts/mark_twain-funston.html) |
| |
|
---
|
| - W - | George Washington Farewell Address
George Washington
1st President of the United States |
| [Booker T. Washington - Democracy
& Education](Transcripts/booker_washington-democracy.html)[George Washington - Second
Inaugural address](Transcripts/george_washinton-second.html)[George Washington - First
Inaugural Address](Transcripts/george_washington-firstinaugural.html)[George Washington - 1790
State of the Union](Transcripts/george_washington-1790sou.html)[George Washington - Officers
Revolt](Transcripts/george_washington-revolt.html)[George Washington - Farewell
to the Nation](Transcripts/george_washington-farewell.html)[Walt Whitman - In
Memory of Thomas Paine](Transcripts/walt_whitman-thomaspaine.html)[Elie Wiesel - The
Perils of Indiffernce](Transcripts/elie_wiesel-perils.html)[Kaiser Wilhelm - Outrage
at the Boxer Rebellion](Transcripts/kaiser_wilhelm-boxer.html)[Wendell Wilkie - Eulogy
of Lidice](Transcripts/wendell_wilkie-eulogy.html)[Woodrow Wilson - 14
Points](Transcripts/woodrow_wilson-fourteen.html)[Woodrow Wilson - Defense
of the League of Nation](Transcripts/woodrow_wilson-leagueofnations.html)[Woodrow Wilson - First
Inaugural Address](Transcripts/woodrow_wilson_firstinaugural.html)[Woodrow Wilson - Second
inaugural Aaddress](Transcripts/woodrow_wilson-secondinaugural.html)[Woodrow Wilson - War
message](Transcripts/woodrow_wilson-war.html) |
| |
|
---
|
| | Boris Yeltsin Photograph
Boris Yeltsin
1st President of the Russian Federation |
| - Y - |
| [Boris Yeltsin - Address
to United States Congress](Transcripts/boris_yeltsin-congress.html) |
| | |
| [Hurricane Supplies](http://www.survival-goods.com)[Destination Video](http://destination.videowedding.ca) | |
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<html>
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<meta name="Description" content="Hotdog Express Document">
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<title>Vampires</title>
</head>
<body text="#800080" bgcolor="#FF0000" link="#CC33CC" vlink="#FF00FF" alink="#FF00FF" background="cotnback.jpg">
<center><img SRC="p.gif" height=58 width=281>
<p><img SRC="vampires.gif" height=155 width=390></center>
<h4>
<font face="ARIAL"><font color="#CC33CC">"The vampire may be an escape
~ an escape of all the limitations of human reality. In our own minds,
we can make the vampire whatever we wish it to be...." - Martin V. Riccardo,
Liquid Dreams of Vampires</font></font></h4>
<center><img SRC="dripping.gif" height=120 width=353></center>
<center>
<h1>
<a href="vamp2.html">VAMPIRES: Myth, Lore and Legend</a></h1></center>
<center>
<h5>
<a href="vamp2.html">By</a></h5></center>
<center><a href="mailto:[email protected]">[email protected]</a>
<br>
<p><img SRC="dripping.gif" height=120 width=353></center>
<center>
<h1>
<a href="vamp3.htm">VAMPIRISM Around the World</a></h1></center>
<center>
<h5>
<a href="vamp2.html">By</a></h5></center>
<center><a href="mailto:[email protected]">[email protected]</a>
<br>
<p><img SRC="dripping.gif" height=120 width=353>
<br><b><font color="#FFCCFF"><font size=+1>Added 9-1-01</font></font></b></center>
<center>
<h1>
<font color="#CC66CC"><a href="vamp4.htm">An Interview with a Real Vampire</a></font></h1></center>
<center><font color="#CC66CC">by</font><font color="#CC66CC"></font>
<p><font color="#CC66CC"><a href="mailto:[email protected]">[email protected]</a></font>
<br><img SRC="dripping.gif" height=120 width=353>
<br>
<br>
<p><img SRC="cem2.gif" height=298 width=200 align=LEFT></center>
<center>
<h2>
<font color="#FF99FF">Vampire Links</font></h2></center>
<center><b><font size=+1><a href="http://www.angelfire.com/nj/njarv/main.html">New
Jersey Assoc of Real Vampires</a></font></b>
<br><b><font size=+1><a href="http://users.aol.com/lirielmc/private/vri.htm">Vampirism
Research Institute</a></font></b>
<br><b><font size=+1><a href="http://www.users.zetnet.co.uk/VampireGuild">VampireGuild</a></font></b>
<br><b><font size=+1><a href="http://www.chebucto.ns.ca/~vampire/vvault.html">The
Vampire's Vault</a></font></b>
<br><b><font size=+1><a href="http://www.geocities.com/Area51/Lair/4966/begin.html">The
Vampire's Lair of Shadows</a></font></b>
<br><b><font size=+1><a href="http://www.geocities.com/Area51/Cavern/8668/">Fanglady's
Vampyre Castle</a></font></b>
<br><b><font size=+1><a href="http://www.geocities.com/Area51/Keep/5921/">Immortal
Society</a></font></b>
<p>
<hr WIDTH="100%">
<br><b><font face="ARIAL"><font color="#CC66CC"><font size=+2><a href="http://theshadowlands.net/mystery.htm">Back
to the Mysteries and Unknown</a></font></font></font></b>
<p><b><font face="ARIAL"><font color="#CC66CC"><font size=+2><a href="http://theshadowlands.net/home2.htm">Back
to The Shadowlands</a></font></font></font></b></center>
</body>
</html>
|
Vampires
####
"The vampire may be an escape
~ an escape of all the limitations of human reality. In our own minds,
we can make the vampire whatever we wish it to be...." - Martin V. Riccardo,
Liquid Dreams of Vampires
#
[VAMPIRES: Myth, Lore and Legend](vamp2.html)
#####
[By](vamp2.html)
[[email protected]](mailto:[email protected])
#
[VAMPIRISM Around the World](vamp3.htm)
#####
[By](vamp2.html)
[[email protected]](mailto:[email protected])
**Added 9-1-01**
#
[An Interview with a Real Vampire](vamp4.htm)
by
[aurora\_vlad\[email protected]](mailto:[email protected])
##
Vampire Links
**[New
Jersey Assoc of Real Vampires](http://www.angelfire.com/nj/njarv/main.html)**
**[Vampirism
Research Institute](http://users.aol.com/lirielmc/private/vri.htm)**
**[VampireGuild](http://www.users.zetnet.co.uk/VampireGuild)**
**[The
Vampire's Vault](http://www.chebucto.ns.ca/~vampire/vvault.html)**
**[The
Vampire's Lair of Shadows](http://www.geocities.com/Area51/Lair/4966/begin.html)**
**[Fanglady's
Vampyre Castle](http://www.geocities.com/Area51/Cavern/8668/)**
**[Immortal
Society](http://www.geocities.com/Area51/Keep/5921/)**
---
**[Back
to the Mysteries and Unknown](http://theshadowlands.net/mystery.htm)**
**[Back
to The Shadowlands](http://theshadowlands.net/home2.htm)**
| http://theshadowlands.net/vamp.html |
<html>
<!- Name: Welcome.html
Purpose: To LEV.
Date: March 1, 1996
-!>
<header>
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<h3>there are
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who have seen the LEV
<P>
</h3>
<h3>
<i>Since 1993. For all LEVers, Everywhere, Forever.</i>
</h3>
Welcome friend! You have come upon a place of harmony, a place of peace.
You have come upon a place of storytelling and art and music and joy, a
virtual paradise where all are welcome. We are equals, and we value the
contributions of all our members. We ask of each only that our laws, the
laws of LEV, are observed.
<br>
<h4>
<i>What is LEV?</i>
<br>
</h4>
<h3>
<b>LEV</b> - (lev) <i>n.</i> 1 - The state which exhibits the qualities of
peace, harmony, acceptance, and unity without unnecessary seriousness.
<p>
</h3>
<h4>
The LEV_SOCIETY is dedicated to the furtherment of Levity throughout the
net and throughout the world. The first step to a better world is to
treat others with respect, and we accomplish this by asking that no member
of our community has fun at the expense of another. This is our only
requirement for membership, and it is by this philosophy that our society
has come to be.
<p>
So why not take a little tour? Our tourguides are ready to show you the
sites! Throw off the shackles of beauracracy and embrace the ideals of
the WORLD WIDE LEV.
</h4>
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<h5>
<a href = "http://csh.rit.edu/~tonyl/LEV_SOCIETY/"> Post LEV Notes </a>
<h1>
<a href = "http://csh.rit.edu/~tonyl/LEV_SOCIETY/">LEV Online</a>
</h1></h5>
<h4>
<a href = "tours/datatour.html"> tour LEV SOCIETY with Data </a>
<br>
<a href = "tours/alitour.html"> tour LEV SOCIETY with Alison </a>
<br>
<a href = "tours/spiffytour.html"> tour LEV SOCIETY with Spiffy Ninja </a>
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<h1>
<a href = "levlinks.html"> Enter LEV SOCIETY </a>
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WORLD WIDE LEV, be sure to visit:
<center>
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<p>
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I'd put a bookmark in this place if I were you, because the WORLD WIDE LEV
expands to include many new and exciting areas all the time. Visit often,
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<p>
<h1>
KEEP THE LEV!
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### there are
Web Counter
who have seen the LEV
###
*Since 1993. For all LEVers, Everywhere, Forever.*
Welcome friend! You have come upon a place of harmony, a place of peace.
You have come upon a place of storytelling and art and music and joy, a
virtual paradise where all are welcome. We are equals, and we value the
contributions of all our members. We ask of each only that our laws, the
laws of LEV, are observed.
####
*What is LEV?*
###
**LEV** - (lev) *n.* 1 - The state which exhibits the qualities of
peace, harmony, acceptance, and unity without unnecessary seriousness.
####
The LEV\_SOCIETY is dedicated to the furtherment of Levity throughout the
net and throughout the world. The first step to a better world is to
treat others with respect, and we accomplish this by asking that no member
of our community has fun at the expense of another. This is our only
requirement for membership, and it is by this philosophy that our society
has come to be.
So why not take a little tour? Our tourguides are ready to show you the
sites! Throw off the shackles of beauracracy and embrace the ideals of
the WORLD WIDE LEV.
#####
[Post LEV Notes](http://csh.rit.edu/~tonyl/LEV_SOCIETY/)
[LEV Online](http://csh.rit.edu/~tonyl/LEV_SOCIETY/)
####
[tour LEV SOCIETY with Data](tours/datatour.html)
[tour LEV SOCIETY with Alison](tours/alitour.html)
[tour LEV SOCIETY with Spiffy Ninja](tours/spiffytour.html)
80-88
friendly
#
[Enter LEV SOCIETY](levlinks.html)
If you are interested in becoming a member, or have a question about the
WORLD WIDE LEV, be sure to visit:
[The LEV Postoffice](LEVmailbox/LEVmail.html)
I'd put a bookmark in this place if I were you, because the WORLD WIDE LEV
expands to include many new and exciting areas all the time. Visit often,
welcome your friends, but most of all,
#
KEEP THE LEV!
[](http://www.locutus.com/)
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<h2>Simpson judge OKs jury prospects who admit bias</H2>
<P> The pool of prospective jurors in the O.J. Simpson civil trial split along racial lines Tuesday, with whites saying Simpson was probably guilty of murder and African-Americans saying he is innocent.
<BR>
<A HREF="/US/9609/25/simpson/">-Full story-</A></P>
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<P><Table Cellpadding=1>
<TR align=center valign=top>
<td><A HREF="verdict/index.html">The Verdict</a></td>
<td><A HREF="suspect/index.html">The Suspect</a></td>
<td><A HREF="victims/index.html">The Victims</a></td>
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<td><A HREF="murder/index.html">The Murder</a></td>
<td><A HREF="arrest/index.html">The Arrest</a></td>
<td><A HREF="evidence/index.html">The Evidence</A></td>
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<td><A HREF="players/index.html">The Players</A></td>
<td><A HREF="trial/index.html">The Trial</A></td>
<td><A HREF="otherviews.html">Other Views</A></td>
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<br clear=all>
<H4>More stories</H4>
<UL>
<li><A HREF="/US/9606/12/simpson.cast/index.html">Two years later, Simpson story still being played out</A> - June 12
<li><A HREF="/US/9605/29/oj.investigation/index.html">PIs offer Simpson free sleuthing</A> - May 29
<li><A HREF="/US/9605/26/simspon.wir/index.html">Simpson depositions winding down</A> - May 26
<li><A HREF="/US/9605/15/oj.oxford/index.html">Simpson defends himself at Oxford</A> - May 15
<li><A HREF="/US/9605/14/simpson.lien/index.html">IRS slaps lien on O.J. Simpson's mansion</A> - May 14
<li><a href="/US/9604/29/fuhrman.advancer/index.html">Fuhrman mum in deposition for Simpson civil suit</a> - April 29
<LI><a href="/US/9604/02/simpson/index.html">Nicole Simpson planned sexual encounter with Goldman, friend says</a> - April 2
<LI><a href="/US/9604/01/simpson_juror/index.html">Former O.J. juror says she was victim of jury tampering</a> - April 1
<LI><a href="/US/OJ/daily/9603/30/index.html">Officials probing possible jury tampering in Simpson trial</a> - March 30
<LI><a href="/US/OJ/daily/9603/26/index.html">Furhman deposition delayed in Simpson case</a> - March 26
<LI><A HREF="/US/OJ/daily/9603/16/index.html">Darden criticizes most players in Simpson case, but not Clark</A> - March 16
<li><A HREF="/US/OJ/daily/9603/05/index.html">Simpson recalls day of murders</A> - March 5
<li><A HREF="/US/OJ/daily/9603/03/index.html">Simpson denies events in ex-wife's diary</A> - March 3
<li><A HREF="/US/OJ/daily/9603/01/index.html">Simpson trial date moved to September</A> - March 1
<li><A HREF="/US/OJ/daily/9602/28/simpson/index.html">'Kato' says Nicole predicted her murder</A> - February 28
<LI><A HREF="/US/OJ/daily/9602/28/simpson_attorney/index.html">Simpson's attorney angry over publicity</A> - February 28
<li><a href="/US/OJ/daily/9602/27/index.html">No settlement, Goldman family says</a> - February 27
<li><A HREF="/US/OJ/daily/9602/06/he_said/index.html">O.J.: He said...They said</A> - February 6
<LI><A HREF="/US/OJ/daily/9602/05/goldman.html">Kim Goldman says she hates O.J.</A> - February 5
<li><A HREF="/US/OJ/daily/9602/05/deposition/index.html">Simpson case: Goldmans to be questioned</A> - February 5
<LI><A HREF="/US/OJ/daily/9602/05/oj_burden_proof/index.html">Simpson makes spontaneous call to "Burden of Proof"</A> - February 5
<LI><A HREF="/US/OJ/daily/9602/05/oj_burden_proof/index.html">O.J. talks to CNN: Simpson makes spontaneous call to "Burden of Proof"</A> - February 5
<LI><A HREF="/US/OJ/daily/9602/05/goldman.html">Ron Goldman's sister questioned about her brother</A> - February 5
<li><A HREF="/US/OJ/daily/9602/05/deposition/index.html">Simpson case: Goldmans to be questioned</A> - February 5
<li><A HREF="/US/OJ/daily/9602/03/index.html">Simpson: Nicole invented abuse charges</A> - February 3
<li><A HREF="/US/OJ/daily/9601/01-31/index.html">Source: Simpson alibi conflicts with limo driver's testimony</A> - January 31
<li><A HREF="/US/OJ/daily/9601/01-26/index.html">Simpson deposition postponed for a week</A> - January 26
<li><A HREF="daily/9601/01-25/interview/index.html">Simpson: 'I couldn't kill anyone'</A> - January 25
<li><A HREF="/US/OJ/daily/9601/01-24/index.html">Simpson keeps low profile during day 3 of deposition</A> - January 24
<li><A HREF="daily/9601/01-23/pm/index.html">Goldman says hopes lifted by Simpson questioning</A> - January 23
<li><A HREF="daily/9601/01-23/index.html">Simpson begins deposition in wrongful death suits</A> - January 23
<LI><A HREF="/US/OJ/daily/9601/01-22/index.html">Simpson arrives to begin deposition</A> - January 22
<LI><A HREF="/US/OJ/daily/9601/01-21/index.html">O.J. Simpson to speak to the court in civil cases</A> - January 21
<LI><A HREF="/US/Newsbriefs/9601/01-16/index.html#3">Judge clears hurdle to Simpson deposition</A> - January 16
<li><A HREF="daily/9601/01-05/index.html">O.J. Simpson deposition postponed</A> - January 5
</UL>
<HR>
<H2>The Verdict</H2>
<ul>
<li>A multi-media view of the verdict:
<A HREF="daily/9510/10-03/gallery/gallery1.html"><IMG SRC="/icon/picture.icon.gif" ALT="|Images |" ALIGN=absmiddle border=1></A>
<A HREF="daily/9510/10-04/sounds/index.html"><IMG
SRC="/icon/sndicon.gif" ALT=" Sounds |" ALIGN=absmiddle border=1></A>
<A HREF="daily/9510/10-04/movies/index.html"><IMG
SRC="/icon/movicon.gif" ALT=" Movies |" ALIGN=absmiddle border=1></A>
<LI><A HREF="daily/9510/10-04/poll/index.html"><IMG
SRC="daily/9510/10-04/poll/poll_logo_icon.gif" ALT="poll logo"
ALIGN=absmiddle WIDTH=27 HEIGHT=25 border=0 hspace=3>Simpson
verdict opinion poll</A>
</ul>
<ul>
<li><A HREF="daily/9510/10-04/jurors_speak/index.html">Jurors say evidence made the case for Simpson</A> - October 4
<li><A HREF="verdict/reaction/index.html">Sobbing, elation at Simpson verdict</A> - October 3
<LI><a href="verdict/prosecution/index.html">The case for the prosecution</A> - October 3
<LI><a href="verdict/defense/index.html">The case for the defense</A> - October 3
<LI><a href="verdict/index.html">The verdict: how the defense prevailed</A> - October 3
<LI><a href="daily/9510/10-03/figures/index.html">The numbers behind the case</A> - October 3
<LI><A HREF="daily/9510/10-03/index.html">"Trial of the century" ends with Simpson's acquittal</A> - October 3
</ul>
<H4>The Reaction</H4>
<ul>
<LI><A HREF="daily/9510/10-04/women_react/index.html">Many women outraged at O.J. verdict</A> - October 4
<li><A HREF="daily/9510/10-04/mcdermott/index.html">Simpson camp rejoices while adversaries grieve</A> - October 4
<li><A HREF="verdict/world/index.html">Simpson trial draws jeers 'round the world</A>
<li><A HREF="verdict/political/index.html">Politicians speak out on Simpson verdict</A> - October 3
<li><A HREF="daily/9510/10-03/home/index.html">Champagne and
hugs greet Simpson at home</A> - October 3
</ul>
<H4>What's Next</H4>
<ul>
<LI><A HREF="daily/9510/10-04/kids/index.html">Simpson may get custody of the children</A> - October 4
<LI><A HREF="daily/9510/10-04/whats_next/index.html">What's next for O.J.?</A> - October 4
<LI><A HREF="/SHOWBIZ/misc/9510/image_handlers/index.html">Simpson trial's bit players become deal makers</A> - October 3
<li><A HREF="daily/9510/10-03/fuhrman/index.html">Justice Department looks into Fuhrman tapes</A> - October 3
</UL>
<BR CLEAR=ALL>
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<P><B><A HREF="more.html">More Simpson stories</A></B></P>
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<B>View <A HREF="/US/OJ/feedback/feedback.html">comments from other
users on the trial verdict.</A></B>
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CNN - O.J. Simpson Trial
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[](/US/9609/25/simpson/)
## Simpson judge OKs jury prospects who admit bias
The pool of prospective jurors in the O.J. Simpson civil trial split along racial lines Tuesday, with whites saying Simpson was probably guilty of murder and African-Americans saying he is innocent.
[-Full story-](/US/9609/25/simpson/)
---
| | | |
| --- | --- | --- |
| [The Verdict](verdict/index.html) | [The Suspect](suspect/index.html) | [The Victims](victims/index.html) |
| | | |
---
| | | |
| --- | --- | --- |
| [The Murder](murder/index.html) | [The Arrest](arrest/index.html) | [The Evidence](evidence/index.html) |
| | | |
---
| | | |
| --- | --- | --- |
| [The Players](players/index.html) | [The Trial](trial/index.html) | [Other Views](otherviews.html) |
| | | |
#### More stories
* [Two years later, Simpson story still being played out](/US/9606/12/simpson.cast/index.html) - June 12
* [PIs offer Simpson free sleuthing](/US/9605/29/oj.investigation/index.html) - May 29
* [Simpson depositions winding down](/US/9605/26/simspon.wir/index.html) - May 26
* [Simpson defends himself at Oxford](/US/9605/15/oj.oxford/index.html) - May 15
* [IRS slaps lien on O.J. Simpson's mansion](/US/9605/14/simpson.lien/index.html) - May 14
* [Fuhrman mum in deposition for Simpson civil suit](/US/9604/29/fuhrman.advancer/index.html) - April 29
* [Nicole Simpson planned sexual encounter with Goldman, friend says](/US/9604/02/simpson/index.html) - April 2
* [Former O.J. juror says she was victim of jury tampering](/US/9604/01/simpson_juror/index.html) - April 1
* [Officials probing possible jury tampering in Simpson trial](/US/OJ/daily/9603/30/index.html) - March 30
* [Furhman deposition delayed in Simpson case](/US/OJ/daily/9603/26/index.html) - March 26
* [Darden criticizes most players in Simpson case, but not Clark](/US/OJ/daily/9603/16/index.html) - March 16
* [Simpson recalls day of murders](/US/OJ/daily/9603/05/index.html) - March 5
* [Simpson denies events in ex-wife's diary](/US/OJ/daily/9603/03/index.html) - March 3
* [Simpson trial date moved to September](/US/OJ/daily/9603/01/index.html) - March 1
* ['Kato' says Nicole predicted her murder](/US/OJ/daily/9602/28/simpson/index.html) - February 28
* [Simpson's attorney angry over publicity](/US/OJ/daily/9602/28/simpson_attorney/index.html) - February 28
* [No settlement, Goldman family says](/US/OJ/daily/9602/27/index.html) - February 27
* [O.J.: He said...They said](/US/OJ/daily/9602/06/he_said/index.html) - February 6
* [Kim Goldman says she hates O.J.](/US/OJ/daily/9602/05/goldman.html) - February 5
* [Simpson case: Goldmans to be questioned](/US/OJ/daily/9602/05/deposition/index.html) - February 5
* [Simpson makes spontaneous call to "Burden of Proof"](/US/OJ/daily/9602/05/oj_burden_proof/index.html) - February 5
* [O.J. talks to CNN: Simpson makes spontaneous call to "Burden of Proof"](/US/OJ/daily/9602/05/oj_burden_proof/index.html) - February 5
* [Ron Goldman's sister questioned about her brother](/US/OJ/daily/9602/05/goldman.html) - February 5
* [Simpson case: Goldmans to be questioned](/US/OJ/daily/9602/05/deposition/index.html) - February 5
* [Simpson: Nicole invented abuse charges](/US/OJ/daily/9602/03/index.html) - February 3
* [Source: Simpson alibi conflicts with limo driver's testimony](/US/OJ/daily/9601/01-31/index.html) - January 31
* [Simpson deposition postponed for a week](/US/OJ/daily/9601/01-26/index.html) - January 26
* [Simpson: 'I couldn't kill anyone'](daily/9601/01-25/interview/index.html) - January 25
* [Simpson keeps low profile during day 3 of deposition](/US/OJ/daily/9601/01-24/index.html) - January 24
* [Goldman says hopes lifted by Simpson questioning](daily/9601/01-23/pm/index.html) - January 23
* [Simpson begins deposition in wrongful death suits](daily/9601/01-23/index.html) - January 23
* [Simpson arrives to begin deposition](/US/OJ/daily/9601/01-22/index.html) - January 22
* [O.J. Simpson to speak to the court in civil cases](/US/OJ/daily/9601/01-21/index.html) - January 21
* [Judge clears hurdle to Simpson deposition](/US/Newsbriefs/9601/01-16/index.html#3) - January 16
* [O.J. Simpson deposition postponed](daily/9601/01-05/index.html) - January 5
---
## The Verdict
* A multi-media view of the verdict:
[](daily/9510/10-03/gallery/gallery1.html)
[](daily/9510/10-04/sounds/index.html)
[](daily/9510/10-04/movies/index.html)* [Simpson
verdict opinion poll](daily/9510/10-04/poll/index.html)
* [Jurors say evidence made the case for Simpson](daily/9510/10-04/jurors_speak/index.html) - October 4
* [Sobbing, elation at Simpson verdict](verdict/reaction/index.html) - October 3
* [The case for the prosecution](verdict/prosecution/index.html) - October 3
* [The case for the defense](verdict/defense/index.html) - October 3
* [The verdict: how the defense prevailed](verdict/index.html) - October 3
* [The numbers behind the case](daily/9510/10-03/figures/index.html) - October 3
* ["Trial of the century" ends with Simpson's acquittal](daily/9510/10-03/index.html) - October 3
#### The Reaction
* [Many women outraged at O.J. verdict](daily/9510/10-04/women_react/index.html) - October 4
* [Simpson camp rejoices while adversaries grieve](daily/9510/10-04/mcdermott/index.html) - October 4
* [Simpson trial draws jeers 'round the world](verdict/world/index.html)* [Politicians speak out on Simpson verdict](verdict/political/index.html) - October 3
* [Champagne and
hugs greet Simpson at home](daily/9510/10-03/home/index.html) - October 3
#### What's Next
* [Simpson may get custody of the children](daily/9510/10-04/kids/index.html) - October 4
* [What's next for O.J.?](daily/9510/10-04/whats_next/index.html) - October 4
* [Simpson trial's bit players become deal makers](/SHOWBIZ/misc/9510/image_handlers/index.html) - October 3
* [Justice Department looks into Fuhrman tapes](daily/9510/10-03/fuhrman/index.html) - October 3
---
**[More Simpson stories](more.html)**
### What do you think?
**View [comments from other
users on the trial verdict.](/US/OJ/feedback/feedback.html)**
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<a href="CommodorePET2001-32.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Commodore PET
2001-32N<br>
</a><img src="Red_Ball100.gif" WIDTH="25" HEIGHT="13"><a href="commodorevic20.htm">Commodore VIC-20</a><br>
<a href="atari800XL.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13"></a><a href="commodore64.htm">Commodore 64</a><br>
<a href="commodore128d.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Commodore 128D</a><br>
<a href="CommodoreAmiga1000.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Commodore Amiga
1000<br>
</a><a href="commodoreamiga500.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Commodore Amiga
500</a><br>
<a href="compaqportablepc.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Compaq Portable PC</a><br>
<a href="compaqportable386.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Compaq Portable 386</a><br>
<a href="CompuColorII.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">CompuColor II<br>
</a><a href="compupro8-16.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">CompuPro 8/16</a><br>
<a href="ConvergentTechnologiesWorkSlate.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Convergent
Technologies WorkSlate<br>
</a><a href="CromemcoC10.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Cromemco C-10</a><br>
<a href="CromemcoSystem1.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Cromemco System One</a><br>
<a href="CromemcoSystem3.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Cromemco System Three</a><br>
<a href="DauphinDTR1.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Dauphin DTR-1</a><br>
<a href="DECRainbow100.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">DEC Rainbow 100<br>
</a><a href="EpsonHX-20.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Epson HX-20</a><br>
<a href="EpsonPX-8.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Epson PX-8 Geneva</a><br>
<a href="FranklinACE1200.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Franklin ACE 1200<br>
</a><a href="hp85.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Hewlett-Packard HP85</a><br>
<a href="HP150.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Hewlett-Packard HP150<br>
</a><a href="HeathH89.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Heathkit H89 (H88)</a><br>
<a href="Homebrew_Wameco.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Homebrew Wameco S-100
System<br>
</a><a href="HomebrewSystem2.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Homebrew S-100
System #2<br>
</a><a href="ibm5100.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">IBM 5100 Personal Computer</a><br>
<a href="IBMPCConvertible.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">IBM 5140 PC
Convertible<br>
</a><a href="IBMPC.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">IBM 5150 Personal Computer
("IBM PC")<br>
</a><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">IBM 5170 AT<img src="images/smallnew.gif" align="top" border="0" hspace="5" WIDTH="35" HEIGHT="22"><br>
<a href="IBMPortablePC.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">IBM 5155 Portable PC <br>
</a><a href="IBMPCjr.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">IBM PCjr<br>
</a><a href="IMSAI8080.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">IMSAI 8080</a><br>
<a href="InterSystemsDPS-1.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">InterSystems DPS-1</a><br>
<a href="Kaypro2.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Kaypro II</a><br>
<a href="Kaypro10.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Kaypro 10</a><br>
<a href="MattelAquarius.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Mattel Aquarius</a><br>
<a href="MattelIntellivision2.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Mattel
Intellivision II Computer Adaptor</a><br>
<a href="MicrosciHavac.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Microsci Havac</a><br>
<a href="MITSAltair680.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">MITS Altair
680</a><br>
<a href="MITSAltair8800.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">MITS Altair 8800</a>
("The Altair")<br>
<a href="MITSAltair8800b.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">MITS Altair 8800b</a><br>
<a href="MITSAltair8800bt.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">MITS Altair 8800b
Turnkey</a><br>
<a href="MorrowMicroDecisionMD-2.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Morrow Micro
Decision</a><br>
<a href="NECPC8001A.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">NEC PC-8001A</a><br>
<a href="NECPC8201A.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">NEC PC-8201A</a><br>
<img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Netronics ELF II<img src="images/smallnew.gif" align="top" border="0" hspace="5" width="35" height="22"><br>
<a href="NorthStarHorizon.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">North Star Horizon</a><br>
<a href="OSI-C4PMF.htm">
<img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Ohio Scientific Challenger C4P-MF<img src="images/smallnew.gif" align="top" border="0" hspace="5" width="35" height="22"><br>
</a>
<img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Ohio Scientific Challenger C3D<img src="images/smallnew.gif" align="top" border="0" hspace="5" width="35" height="22"><br>
<a href="Osborne1.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Osborne 1 (early
"tan" version)</a><br>
<a href="Osborne1a.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Osborne 1a (later
"blue" version)</a><br>
<a href="OsborneExecutive.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Osborne Executive</a><br>
<a href="PMCMicroMate.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">PMC MicroMate</a><br>
<a href="ProcessorTechSol20.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Processor
Technology Sol-20</a><br>
<a href="QuasarHK2600TE.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Quasar/Panasonic
HK2600TE Hand Held Computer<br>
</a><a href="TRS80Model1.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Radio Shack TRS-80
Model 1</a><br>
<a href="TRS-80ColorComputer1.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Radio Shack
TRS-80 Color Computer 1</a><br>
<img src="Red_Ball100.gif" WIDTH="25" HEIGHT="13">Radio Shack TRS-80 Model 3<br>
<img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Radio Shack TRS-80 Model 4<br>
<a href="TRS80Model4P.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Radio Shack TRS-80 Model
4P</a><br>
<a href="TRS80Model100.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Radio Shack TRS-80 Model
100<br>
</a><a href="TRS80Model200.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Radio Shack TRS-80
Model 200</a><br>
<img src="Red_Ball100.gif" WIDTH="25" HEIGHT="13">Radio Shack TRS-80 Pocket Computer PC-1<br>
<a href="TRS80PC-4.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Radio Shack TRS-80 Pocket
Computer PC-4</a><br>
<img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Rockwell AIM-65<img src="images/smallnew.gif" align="top" border="0" hspace="5" width="35" height="22"><br>
<a href="SharpPC1500.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Sharp Pocket Computers
PC-1500 & PC-1500A<br>
</a><a href="SinclairZX81.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Sinclair ZX81<br>
</a><a href="SmokeSignalChieftain.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Smoke Signal
Broadcasting Chieftain</a><br>
<a href="SpectravideoSV-328.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Spectravideo SV-328</a><br>
<a href="SWTPC6800.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">SWTPC (SouthWest Technical
Products) 6800</a><br>
<a href="TexasInstruments99-4A.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Texas
Instruments TI 99/4A</a><br>
<a href="ThinkerToys8080.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Thinker Toys Keyed-Up
8080</a><a href="TimexSinclairZX1000.htm"><br>
<img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Timex-Sinclair ZX1000 </a><br>
<a href="Sinclair2068.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Timex-Sinclair 2068</a><br>
<a href="TomyTutor.htm"><img src="Red_Ball100.gif" border="0" WIDTH="25" HEIGHT="13">Tomy Tutor</a></font><br>
</p>
<hr>
<p align="left"><a href="peripheralindex.htm"><em><font size="4"><img src="Peripherals_Index_Thumbnail.jpg" border="0" hspace="10" WIDTH="40" HEIGHT="50"></font><font size="5">Peripherals/Cards</font></em></a></p>
<p align="left"><em><a href="closetscans.htm"><font size="4"><img src="Scans_Index_Thumbnail.jpg" border="0" hspace="10" WIDTH="38" HEIGHT="54"></font><font size="5">Computer Closet Scans</font></a> <font size="5">
</font><font size="2">(Classic Advertisements, Manuals, Brochures, Technical Information)</font></em></p>
<hr>
<!--webbot bot="Include" U-Include="_private/CopyrightFooter.htm" TAG="BODY" startspan -->
<p><font size="1">Send mail to <a href="mailto:[email protected]"><strong>CompanyWebmaster</strong></a> with
questions or comments about this web site.<br>
Copyright © 1997-1999 <strong>CompanyLongName</strong><br>
Last modified: April 17, 2003</font></p>
<!--webbot bot="Include" endspan i-checksum="11236" -->
<h5> </h5>
</body>
</html>
|
Computer Closet Collection - Computer Index
# Computer Closet Collection - Computer Index
[ [Home](index.html) | [FAQ](FAQ.htm)
| [News](news.htm) | [Contents](toc.htm) |
[Indexes](index.html#The Computer Closet Collection)
]
---
## Classic Microcomputers
Indexed by Manufacturer & Model, Chronologically Within Manufacturer.
*See Below for Peripherals and Scan Index!*
[Ampro Series 100](AmproSeries100.htm)
[Amstrad PPC-640](AmstradPPC640.htm)
[Apple I](apple1.htm)
[Apple II](apple2.htm)
[Apple II+](apple2Plus.htm)
[Apple IIc](AppleIIc.htm)
Apple IIe
[Apple IIe Platinum](AppleIIePlatinum.htm)[Apple IIgs Woz
Limited Edition](AppleIIgsWoz.htm)
[Apple III](apple3.htm)
[Apple III+](apple3Plus.htm)
[Apple Lisa 2/10](appleLisa2.htm)
[Apple Macintosh 128](AppleMac128.htm)
[Apple Macintosh
Portable](AppleMacPortable.htm)
[Apricot F2](apricotf2.htm)
[Atari 400](atari400.htm)
[Atari 800](atari800.htm)
[Atari 600XL](atari600xl.htm)
[Atari 800XL](atari800XL.htm)
[Atari 65XE](atari65xe.htm)
[Atari 130XE](Atari130XE.htm)
[Atari XE Game System](atarixegs.htm)
[Atari 520STfm](atari520stfm.htm)
[](apple2.htm)Atari 1040STf
[Atari Portfolio](AtariPortfolio.htm)
[Bally Astrocade /
Professional Arcade with BASIC Add-On](BallyAstrocade.htm)[Byte Computers
Byt-8](ByteComputersByt8a.htm)
[California Computer Systems (CCS)
S-100](CCS.htm)
[Coleco ADAM](colecoadam.htm)
[Commodore/MOS
Technologies KIM-1](CommodoreKIM-1.htm)
[Commodore PET
2001-8](CommodorePET2001-8.htm)
[Commodore PET
2001-32N](CommodorePET2001-32.htm)[Commodore VIC-20](commodorevic20.htm)
[](atari800XL.htm)[Commodore 64](commodore64.htm)
[Commodore 128D](commodore128d.htm)
[Commodore Amiga
1000](CommodoreAmiga1000.htm)[Commodore Amiga
500](commodoreamiga500.htm)
[Compaq Portable PC](compaqportablepc.htm)
[Compaq Portable 386](compaqportable386.htm)
[CompuColor II](CompuColorII.htm)[CompuPro 8/16](compupro8-16.htm)
[Convergent
Technologies WorkSlate](ConvergentTechnologiesWorkSlate.htm)[Cromemco C-10](CromemcoC10.htm)
[Cromemco System One](CromemcoSystem1.htm)
[Cromemco System Three](CromemcoSystem3.htm)
[Dauphin DTR-1](DauphinDTR1.htm)
[DEC Rainbow 100](DECRainbow100.htm)[Epson HX-20](EpsonHX-20.htm)
[Epson PX-8 Geneva](EpsonPX-8.htm)
[Franklin ACE 1200](FranklinACE1200.htm)[Hewlett-Packard HP85](hp85.htm)
[Hewlett-Packard HP150](HP150.htm)[Heathkit H89 (H88)](HeathH89.htm)
[Homebrew Wameco S-100
System](Homebrew_Wameco.htm)[Homebrew S-100
System #2](HomebrewSystem2.htm)[IBM 5100 Personal Computer](ibm5100.htm)
[IBM 5140 PC
Convertible](IBMPCConvertible.htm)[IBM 5150 Personal Computer
("IBM PC")](IBMPC.htm)IBM 5170 AT
[IBM 5155 Portable PC](IBMPortablePC.htm)[IBM PCjr](IBMPCjr.htm)[IMSAI 8080](IMSAI8080.htm)
[InterSystems DPS-1](InterSystemsDPS-1.htm)
[Kaypro II](Kaypro2.htm)
[Kaypro 10](Kaypro10.htm)
[Mattel Aquarius](MattelAquarius.htm)
[Mattel
Intellivision II Computer Adaptor](MattelIntellivision2.htm)
[Microsci Havac](MicrosciHavac.htm)
[MITS Altair
680](MITSAltair680.htm)
[MITS Altair 8800](MITSAltair8800.htm)
("The Altair")
[MITS Altair 8800b](MITSAltair8800b.htm)
[MITS Altair 8800b
Turnkey](MITSAltair8800bt.htm)
[Morrow Micro
Decision](MorrowMicroDecisionMD-2.htm)
[NEC PC-8001A](NECPC8001A.htm)
[NEC PC-8201A](NECPC8201A.htm)
Netronics ELF II
[North Star Horizon](NorthStarHorizon.htm)
[Ohio Scientific Challenger C4P-MF](OSI-C4PMF.htm)
Ohio Scientific Challenger C3D
[Osborne 1 (early
"tan" version)](Osborne1.htm)
[Osborne 1a (later
"blue" version)](Osborne1a.htm)
[Osborne Executive](OsborneExecutive.htm)
[PMC MicroMate](PMCMicroMate.htm)
[Processor
Technology Sol-20](ProcessorTechSol20.htm)
[Quasar/Panasonic
HK2600TE Hand Held Computer](QuasarHK2600TE.htm)[Radio Shack TRS-80
Model 1](TRS80Model1.htm)
[Radio Shack
TRS-80 Color Computer 1](TRS-80ColorComputer1.htm)
Radio Shack TRS-80 Model 3
Radio Shack TRS-80 Model 4
[Radio Shack TRS-80 Model
4P](TRS80Model4P.htm)
[Radio Shack TRS-80 Model
100](TRS80Model100.htm)[Radio Shack TRS-80
Model 200](TRS80Model200.htm)
Radio Shack TRS-80 Pocket Computer PC-1
[Radio Shack TRS-80 Pocket
Computer PC-4](TRS80PC-4.htm)
Rockwell AIM-65
[Sharp Pocket Computers
PC-1500 & PC-1500A](SharpPC1500.htm)[Sinclair ZX81](SinclairZX81.htm)[Smoke Signal
Broadcasting Chieftain](SmokeSignalChieftain.htm)
[Spectravideo SV-328](SpectravideoSV-328.htm)
[SWTPC (SouthWest Technical
Products) 6800](SWTPC6800.htm)
[Texas
Instruments TI 99/4A](TexasInstruments99-4A.htm)
[Thinker Toys Keyed-Up
8080](ThinkerToys8080.htm) [Timex-Sinclair ZX1000](TimexSinclairZX1000.htm)
[Timex-Sinclair 2068](Sinclair2068.htm)
[Tomy Tutor](TomyTutor.htm)
---
[*Peripherals/Cards*](peripheralindex.htm)
*[Computer Closet Scans](closetscans.htm)
(Classic Advertisements, Manuals, Brochures, Technical Information)*
---
Send mail to [**CompanyWebmaster**](mailto:[email protected]) with
questions or comments about this web site.
Copyright © 1997-1999 **CompanyLongName**
Last modified: April 17, 2003
#####
| http://www.computercloset.org/compindex.htm |
<HTML><HEAD>
<TITLE>Castle of Anthony Thyssen</TITLE>
<META NAME="description" Content="Anthony's Home is his Castle! So
come in and have an explore of a WWW Adventure castle, and the
surrounding country side. Visit the Dungeons and Dragon Lair,
climb the Tower of Computational Sorcery, Fly or Build a Kite or
go for a wander in the dark elven forest. Watch out as their have
been reports of werewolves in the area." >
<META NAME="keywords" Content="Castle Adventure Homepage Computers
Dragons DragonLair Dungeon Elves Forest ElvenForest Kites Maze">
<META NAME="author" Content="Anthony Thyssen, <[email protected]>">
<LINK REL="icon" HREF="/www_images/castle.gif">
</HEAD><BODY BGCOLOR="#B0C4DE">
<H1 ALIGN=center>
<IMG SRC="www_images/anthony_castle.gif" WIDTH=300 HEIGHT=225
ALT="Castle of Anthony Thyssen"><BR>
<IMG SRC="www_images/castle_line.gif"
ALT="[Castle Wall And Entrance]" WIDTH=500 HEIGHT=24 ALIGN=top>
</H1>
<P>
<DIV ALIGN=justify>
You are in a grand foyer of a magnificent castle. The floor is decked in
a thick red carpet and the stone walls have been polished until it shines.
Obviously this castle entrance is not designed for the wear and tear of
combat troops, but for the greeting of noble visitors such as yourself. <P>
A sign chained to the arched stone ceiling reads...
<BLOCKQUOTE><IMG SRC="/images/speech_start.gif" WIDTH=100% HEIGHT=8 ALT=""><BR>
<FONT SIZE=+3><B><IMG SRC="www_images/G.gif" WIDTH=29 HEIGHT=30
ALIGN=bottom ALT="G"></B></FONT>reetings and Welcome, <BR>
<IMG SRC="/images/space_40.gif" WIDTH=40 HEIGHT=1 ALT=" ">
to Ye Castle of Anthony Thyssen, friend of dragons, collector of
runic icons, flyer of kites, and sorcerer of computer magic. This be my
home where I study the computational forces of the Great Web, and other
hobbies of mine. Feel free to wander and explore. <P>
For the impatient, all the areas of major interest be directly reachable
via ye teleportation <I>pentagram</I> below this sign in the middle of
this foyer. However many other area's can be discovered by exporing the
castle. Don't worry, it isn't really that big! <P>
Enjoy thy stay. <BR>
<FONT SIZE=+1><B><I>Anthony</I></B></FONT>.<BR>
<IMG SRC="/images/speech_end.gif" WIDTH=100% HEIGHT=8 ALT="">
</BLOCKQUOTE></P>
To your left is a softly glowing magical panel of runic buttons with a display
of some kind. Looks like it lets you see some information about the owner of
the castle.
<DL>
<DD><A HREF="anthony.html"
><IMG SRC="/images/Buttons/shakespere.gif" ALT="[Personal]"
WIDTH=40 HEIGHT=40 ALIGN=middle HSPACE=5
>About the Owner of this Castle</A> (for the snoopy people out there)
<DD><A HREF="software/"
><IMG SRC="/images/Buttons/server.gif" ALT="[Software]"
WIDTH=40 HEIGHT=40 ALIGN=middle HSPACE=5
>Software Export of Anthony</A>
<DD><A HREF="mailto:[email protected]"
><IMG SRC="/images/Buttons/mail.gif" ALT="[Mail Box]"
WIDTH=40 HEIGHT=40 ALIGN=middle HSPACE=5
>Scribe Anthony some Mail </A> (comments, suggestions, errors)
</DL></P>
In the middle of the corridor engraved on the floor in a circle where the
carpet gives way to dressed stone is a pentagram and a small podium
containing more of the runic buttons you saw on the magic panel to your
left. However only one of the buttons seems to have any description at
all. The arrangement seems to suggest that you should stand on the
pentagram and select one of the buttons on the control panel... <P>
<TABLE ALIGN=center BORDER=0><TR>
<TD ALIGN=right COLSPAN=3><FONT SIZE=+2><B>Verbose </B></FONT></TD>
<TD><A HREF="teleport/master.html"
><IMG SRC=/images/Buttons/pentagram.gif ALT="[penta]"
WIDTH=40 HEIGHT=40 ALIGN=middle HSPACE=2></A></TD>
<TD ALIGN=left COLSPAN=3><FONT SIZE=+2><B> Listing</B></FONT></TD>
</TR><TR>
<TD><A HREF="./"
><IMG SRC="images/Buttons/castle.gif" ALT="[Foyer]"
WIDTH=40 HEIGHT=40 ALIGN=middle HSPACE=2></A></TD>
<TD><A HREF="castle/kites.html"
><IMG SRC="/images/Buttons/kite.gif" ALT="[Kite]"
WIDTH=40 HEIGHT=40 ALIGN=middle HSPACE=2></A></TD>
<TD><A HREF="aicons/"
><IMG SRC="/images/Buttons/aicons.gif" ALT="[Icons]"
WIDTH=40 HEIGHT=40 ALIGN=middle HSPACE=2></A></TD>
<TD><A HREF="info/"
><IMG SRC="/images/Buttons/tower.gif" ALT="[Sorcery]"
WIDTH=40 HEIGHT=40 ALIGN=middle HSPACE=2></A></TD>
<TD><A HREF="wwwlab/"
><IMG SRC="/images/Buttons/www.gif" ALT="[WwwLab]"
WIDTH=40 HEIGHT=40 ALIGN=middle HSPACE=2></A></TD>
<TD><A HREF="castle/library/"
><IMG SRC="/images/Buttons/books.gif" ALT="[Library]"
WIDTH=40 HEIGHT=40 ALIGN=middle HSPACE=2></A></TD>
<!--
<TD><A HREF="castle/oracle/"
><IMG SRC="/images/Buttons/oracle.gif" ALT="[Oracle]"
WIDTH=40 HEIGHT=40 ALIGN=middle HSPACE=2></A></TD>
-->
<TD><A HREF="hotlist.html"
><IMG SRC="/images/Buttons/hotlist.gif" ALT="[Hotlist]"
WIDTH=40 HEIGHT=40 ALIGN=middle HSPACE=2></A></TD>
</TR><TABLE></P>
<HR><!-- ---------------------------------------------------------------- -->
<P><B>Exploring the Castle and Surrounds...</B></P>
The passageway that makes up the foyer continues northward into the
castle proper. Ahead you can see the passage divide in all directions. <P>
<DL>
<DT><DD><A HREF="castle/ground/pass_S.html"
><IMG SRC="/images/Buttons/multiple.gif" ALT="[passage]"
WIDTH=40 HEIGHT=40 ALIGN=middle HSPACE=5
>To the rest of this castle</A>.
</DL>
Just behind you is a huge set of iron bound oak doors at least a foot thick are
standing wide open to the world. A stony pot-holed track leads from the castle
toward a crossroads in front of the castle. Beyond you can see a small village
at the bottom of a gently sloping hill. </P>
Further beyond the village and looking like it surrounds the castle is a dark
foreboding forest of tightly interwoven trees, which you vaguely remember just
escaping from. The forest you remember is called, ah.., ''<I>The Forest of the
Great Web</I>'', or something like that. A very chaotic place you can easily
get lost in. </P>
</DIV>
<DL>
<DT><DD><A HREF="castle/"
><IMG SRC="/images/Buttons/tree.gif" ALT="[outside]"
WIDTH=40 HEIGHT=40 ALIGN=middle HSPACE=5
>Explore outside the castle walls</A>.
</DL></P>
<HR>
<ADDRESS>
Created: 2 December 1994 <BR>
Updated: 9 January 1997 <BR>
Author: <A HREF="/anthony.html">Anthony Thyssen</A>,
<<A HREF="mailto:[email protected]"
>[email protected]</A>><BR>
Castle Logo: <A HREF="http://home.sn.no/~td/">Tronn Dyrstad</A>
<<A HREF="mailto:[email protected]">[email protected]</A>><BR>
</ADDRESS></BODY></HTML>
|
Castle of Anthony Thyssen
#
Castle of Anthony Thyssen
[Castle Wall And Entrance]
You are in a grand foyer of a magnificent castle. The floor is decked in
a thick red carpet and the stone walls have been polished until it shines.
Obviously this castle entrance is not designed for the wear and tear of
combat troops, but for the greeting of noble visitors such as yourself.
A sign chained to the arched stone ceiling reads...
> 
>
> ****reetings and Welcome,
>
> 
> to Ye Castle of Anthony Thyssen, friend of dragons, collector of
> runic icons, flyer of kites, and sorcerer of computer magic. This be my
> home where I study the computational forces of the Great Web, and other
> hobbies of mine. Feel free to wander and explore.
>
> For the impatient, all the areas of major interest be directly reachable
> via ye teleportation *pentagram* below this sign in the middle of
> this foyer. However many other area's can be discovered by exporing the
> castle. Don't worry, it isn't really that big!
>
> Enjoy thy stay.
>
> ***Anthony***.
>
> 
>
>
>
>
>
To your left is a softly glowing magical panel of runic buttons with a display
of some kind. Looks like it lets you see some information about the owner of
the castle.
[![[Personal]](/images/Buttons/shakespere.gif)About the Owner of this Castle](anthony.html) (for the snoopy people out there)
[![[Software]](/images/Buttons/server.gif)Software Export of Anthony](software/)
[![[Mail Box]](/images/Buttons/mail.gif)Scribe Anthony some Mail](mailto:[email protected]) (comments, suggestions, errors)
In the middle of the corridor engraved on the floor in a circle where the
carpet gives way to dressed stone is a pentagram and a small podium
containing more of the runic buttons you saw on the magic panel to your
left. However only one of the buttons seems to have any description at
all. The arrangement seems to suggest that you should stand on the
pentagram and select one of the buttons on the control panel...
| | | |
| --- | --- | --- |
| **Verbose** | [[penta]](teleport/master.html) | **Listing** |
| [[Foyer]](./) | [[Kite]](castle/kites.html) | [[Icons]](aicons/) | [[Sorcery]](info/) | [[WwwLab]](wwwlab/) | [[Library]](castle/library/) | [[Hotlist]](hotlist.html) |
---
**Exploring the Castle and Surrounds...**
The passageway that makes up the foyer continues northward into the
castle proper. Ahead you can see the passage divide in all directions.
[![[passage]](/images/Buttons/multiple.gif)To the rest of this castle](castle/ground/pass_S.html).
Just behind you is a huge set of iron bound oak doors at least a foot thick are
standing wide open to the world. A stony pot-holed track leads from the castle
toward a crossroads in front of the castle. Beyond you can see a small village
at the bottom of a gently sloping hill.
Further beyond the village and looking like it surrounds the castle is a dark
foreboding forest of tightly interwoven trees, which you vaguely remember just
escaping from. The forest you remember is called, ah.., ''*The Forest of the
Great Web*'', or something like that. A very chaotic place you can easily
get lost in.
[![[outside]](/images/Buttons/tree.gif)Explore outside the castle walls](castle/).
---
Created: 2 December 1994
Updated: 9 January 1997
Author: [Anthony Thyssen](/anthony.html),
<[[email protected]](mailto:[email protected])>
Castle Logo: [Tronn Dyrstad](http://home.sn.no/~td/)
<[[email protected]](mailto:[email protected])>
| https://antofthy.gitlab.io/ |
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406 Not Acceptable
# Not Acceptable
An appropriate representation of the requested resource / could not be found on this server.
Additionally, a 406 Not Acceptable
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| http://www.glenn.cockwell.com/ |
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<div class="unav"> <a href="../../index.html">The Galileo Project</a> >
<a href="../../science.html">Science</a> > <a href="copernican_system.html">Copernican System</a></div>
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<td height="15" valign="top" class="caption">Copernicus</td>
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<p class="heading">Copernican System</p>
<P class="main_text">The first speculations about the possibility of the
Sun being the center of the cosmos and the Earth being one of the planets
going around it go back to the third century BCE. In his <I>Sand-Reckoner</I>,
Archimedes (d. 212 BCE), discusses how to express very large numbers.
As an example he chooses the question as to how many grains of sand there
are in the cosmos. And in order to make the problem more difficult, he
chooses not the geocentric cosmos generally accepted at the time, but
the heliocentric cosmos proposed by Aristarchus of Samos (ca. 310-230
BCE), which would have to be many times larger because of the lack of
observable stellar parallax. We know, therefore, that already in Hellenistic
times thinkers were at least toying with this notion, and because of its
mention in Archimedes's book Aristarchus's speculation was well-known
in Europe beginning in the High Middle Ages but not seriously entertained
until Copernicus.</P>
<table width="209" height="171" border="0" align="left" cellpadding="0" cellspacing="0">
<tr>
<td width="209" height="150" valign="bottom"><img src="../../images/things/copernicus2-t.gif" width="194" height="246"></td>
</tr>
<tr>
<td height="15" valign="top" class="caption">Copernicus</td>
</tr>
</table>
<P class="main_text"> European learning was based on the Greek sources that
had been passed down, and cosmological and astronomical thought were based
on Aristotle and <A HREF="ptolemaic_system.html">Ptolemy</A>. Aristotle's
cosmology of a central Earth surrounded by concentric spherical shells
carrying the planets and fixed stars was the basis of European thought
from the 12th century CE onward. Technical astronomy, also geocentric,
was based on the constructions of excentric circles and epicycles codified
in Ptolemy's <I>Almagest</I> (2d. century CE).</P>
<P class="main_text"> In the fifteenth century, the reform of European astronomy
was begun by the astronomer/humanist Georg Peurbach (1423-1461) and his
student Johannes Regiomontanus (1436-1476). Their efforts (like those
of their colleagues in other fields) were concentrated on ridding astronomical
texts, especially Ptolemy's, from errors by going back to the original
Greek texts and providing deeper insight into the thoughts of the original
authors. With their new textbook and a guide to the <I>Almagest</I>, Peurbach
and Regiomontanus raised the level of theoretical astronomy in Europe.</P>
<P class="main_text"> Several problems were facing astronomers at the beginning
of the sixteenth century. First, the tables (by means of which to predict
astronomical events such as eclipses and conjunctions) were deemed not
to be sufficiently accurate. Second, Portuguese and Spanish expeditions
to the Far East and America sailed out of sight of land for weeks on end,
and only astronomical methods could help them in finding their locations
on the high seas. Third, the calendar, instituted by Julius Caesar in
44 BCE was no longer accurate. The equinox, which at the time of the Council
of Nicea (325 CE) had fallen on the 21st, had now slipped to the 11th.
Since the date of Easter (the celebration of the defining event in Christianity)
was determined with reference to the equinox, and since most of the other
religious holidays through the year were counted forward or backward from
Easter, the slippage of the calendar with regard to celestial events was
a very serious problem. For the solution to all three problems, Europeans
looked to the astronomers.</P>
<P class="main_text"> Nicholas Copernicus (1473-1543) learned the works
of Peurbach and Regiomontanus in the undergraduate curriculum at the university
of Cracow and then spent a decade studying in Italy. Upon his return to
Poland, he spent the rest of his life as a physician, lawyer, and church
administrator. During his spare time he continued his research in astronomy.
The result was <I>De Revolutionibus Orbium Coelestium</I> ("On the Revolutions
of the Celestial Orbs"), which was published in Nuremberg in 1543, the
year of his death. The book was dedicated to Pope Paul III and initially
caused litle controversy. An anonymous preface (added by Andreas Osiander,
the Protestant reformer of Nuremberg) stated that the theory put forward
in this book was only a mathematical hypothesis: the geometrical constructions
used by astronomers had traditionally had only hypothetical status; cosmological
interpretations were reserved for the philosophers. Indeed, except for
the first eleven chapters of Book I, <I>De Revolutionibus</I> was a technical
mathematical work in the tradition of the <I>Almagest</I>.</P>
<table width="125" height="169" border="0" align="left" cellpadding="0" cellspacing="0">
<tr>
<td width="119" height="150" valign="bottom"><a href="../../images/things/copernican_universe.gif"><img src="../../images/things/copernican_universe-t.gif" width="89" height="150" border="0"></a></td>
</tr>
<tr>
<td height="15" valign="top" class="caption">Diagram of the Copernican
system, from De Revolutions <br>
[click for larger image]</td>
</tr>
</table>
<P class="main_text"> But in the first book, Copernicus stated that the
Sun was the center of the universe and that the Earth had a triple motion<A HREF="#1">[1]</A>
around this center. His theory gave a simple and elegant explanation of
the retrograde motions of the planets (the annual motion of the Earth
necessarily projected onto the motions of the planets in geocentric astronomy)
and settled the order of the planets (which had been a convention in Ptolemy's
work) definitively. He argued that his system was more elegant than the
traditional geocentric system. Copernicus still retained the priviledged
status of circular motion and therefore had to construct his planetary
orbits from circles upon and within circles, just as his predecessors
had done. His tables were perhaps only marginally better than existing
ones.</P>
<P class="main_text"> The reception of <I>De Revolutionibus</I> was mixed.
The heliocentric hypothesis was rejected out of hand by virtually all,
but the book was the most sophisticated astronomical treatise since the
<I>Almagest</I>, and for this it was widely admired. Its mathematical
constructions were easily transferred into geocentric ones, and many astronomers
used them. In 1551 Erasmus Reinhold, no believer in the mobility of the
Earth, published a new set of tables, the <I>Prutenic Tables</I>, based
on Copernicus's parameters. These tables came to be preferred for their
accuracy. Further, <I>De revolutionibus</I> became the central work in
a network of astronomers, who dissected it in great detail. Not until
a generation after its appearance, however, can we begin point to a community
of practicing astronomers who accepted heliocentric cosmology. Perhaps
the most remarkable early follower of Copernicus was Thomas Digges (c.
1545-c.1595), who in <I>A Perfit Description of the Coelestiall Orbes</I>
(1576) translated a large part of Book I of <I>De Revolutionibus</I> into
English and illustrated it with a diagram in which the Copernican arrangement
of the planets is imbedded in an infinite universe of stars</P>
<table width="153" height="169" border="0" align="left" cellpadding="0" cellspacing="0">
<tr>
<td width="147" height="150" valign="bottom"><a href="../../images/things/digges_universe.gif"><img src="../../images/things/digges_universe-t.gif" width="130" height="150" border="0"></a></td>
</tr>
<tr>
<td height="15" valign="top" class="caption">Diagram of the universe by Thomas Digges <br>
[click for larger image]</td>
</tr>
</table>
<P class="main_text"> The reason for this delay was that, on the face of
it, the heliocentric cosmology was absurd from a common-sensical and a
physical point of view. Thinkers had grown up on the Aristotelian division
between the heavens and the earthly region, between perfection and corruption.
In Aristotle's physics, bodies moved to their natural places. Stones fell
because the natural place of heavy bodies was the center of the universe,
and that was why the Earth was there. Accepting Copernicus's system meant
abandoning Aristotelian physics. How would birds find their nest again
after they had flown from them? Why does a stone thrown up come straight
down if the Earth underneath it is rotating rapidly to the east? Since
bodies can only have one sort of motion at a time, how can the Earth have
several? And if the Earth is a planet, why should it be the only planet
with a moon?</P>
<P class="main_text"> For astronomical purposes, astronomers always assumed
that the Earth is as a point with respect to the heavens. Only in the
case of the Moon could one notice a parallactic displacement (about 1°)
with respect to the fixed stars during its (i.e., the Earth's) diurnal
motion. In Copernican astronomy one now had to assume that the <I>orbit
of the Earth</I> was as a point with respect to the fixed stars, and because
the fixed stars did not reflect the Earth's annual motion by showing an
annual <a href="../../lib/glossary.html#parallax">parallax</a>, the sphere
of the fixed stars had to be immense. What was the purpose of such a large
space between the region of Saturn and that of the fixed stars?</P>
<table width="253" height="169" border="0" align="left" cellpadding="0" cellspacing="0">
<tr>
<td width="246" height="150" valign="bottom"><a href="../../images/things/parallax.gif"><img src="../../images/things/parallax-t.gif" width="229" height="150" border="0"></a></td>
</tr>
<tr>
<td height="15" valign="top" class="caption">Parallax
[click for larger image]</td>
</tr>
</table>
<P class="main_text"> These and others were objections that needed answers.
The Copernican system simply did not fit into the Aristotelian way of
thinking. It took a century and a half for a new physics to be devised
to undegird heliocentric astronomy. The works in physics and astronomy
of Galileo and <A HREF="../kepler.html">Johannes Kepler</A>
were crucial steps on this road.</P>
<P class="main_text"> There was another problem. A stationary Sun and moving
Earth also clashed with many biblical passages. Protestants and Catholics
alike often dismissed heliocentrism on these grounds. Martin Luther did
so in one of his "table talks" in 1539, before <I>De Revolutionibus</I>
had appeared. (Preliminary sketches had circulated in manuscript form.)
In the long run, Protestants, who had some freedom to interpret the bible
personally, accepted heliocentrism somewhat more quickly. Catholics, especially
in Spain and Italy, had to be more cautious in the religious climate of
the <a href="../../lib/glossary.html#counter">Counter Reformation</a>,
as the case of Galileo clearly demonstrates. <A HREF="../clavius.html">Christoph
Clavius</A>, the leading Jesuit mathematician from about 1570 to his death
in 1612, used biblical arguments against heliocentrism in his astronomical
textbook.</P>
<P class="main_text"> The situation was never simple, however. For one thing,
late in the sixteenth century <A HREF="../brahe.html">Tycho
Brahe</A> devised a hybrid geostatic heliocentric system in which
the Moon and Sun went around the Earth but the planets went around the
Sun. In this system the elegance and harmony of the Copernican system
were married to the solidity of a central and stable Earth so that Aristotelian
physics could be maintained. Especially after Galileo's telescopic discoveries,
many astronomers switched from the traditional to the Tychonic cosmology.
For another thing, by 1600 there were still very few astronomers who accepted
Copernicus's cosmology. It is not clear whether the execution of <A
HREF="../bruno.html">Giordano Bruno,</A> a Neoplatonist mystic
who knew little about astronomy, had anything to do with his Copernican
beliefs. Finally, we must not forget that Copernicus had dedicated <I>De
Revolutionibus</I> to the Pope. During the sixteenth century the Copernican
issue was not considered important by the Church and no official pronouncements
were made.</P>
<P class="main_text"> Galileo's discoveries changed all that. Beginning
with <I>Sidereus Nuncius</I> in 1610, Galileo brought the issue before
a wide audience. He continued his efforts, ever more boldly, in his letters
on sunspots, and in his letter to the Grand Duchess Christina (circulated
in manuscript only) he actually interpreted the problematical biblical
passage in the book of Joshua to conform to a heliocentric cosmology.
More importantly, he argued that the Bible is written in the language
of the common person who is not an expert in astronomy. Scripture, he
argued, teaches us how to go to heaven, not how the heavens go. At about
the same time, <A HREF="../foscarini.html">Paolo Antonio Foscarini</A>,
a <a href="../../lib/glossary.html#carmelite">Carmelite</a> theologian
in Naples, published a book in which he argued that the Copernican theory
did not conflict with Scripture. It was at this point that Church officials
took notice of the Copernican theory and placed <I>De Revolutionibus</I>
on the <A
HREF="../../chr/congregation.html">Index of Forbidden Books</A> until
corrected.</P>
<P class="main_text"> Galileo's <I>Dialogue Concerning the Two Chief World
Systems</I> of 1632 was a watershed in what had shaped up to be the "Great
Debate." Galileo's arguments undermined the physics and cosmology of Aristotle
for an increasingly receptive audience. His telescopic discoveries, although
they did not <I>prove</I> that the Earth moved around the Sun, added greatly
to his argument. In the meantime, <A HREF="../kepler.html">Johannes
Kepler</A> (who had died in 1630) had introduced physical considerations
into the heavens and had published his <I>Rudolphine Tables</I>, based
on his own elliptical theory and <A HREF="../brahe.html">Tycho
Brahe's</A> accurate observations, and these tables were more accurate
by far than any previous ones. The tide now ran in favor of the heliocentric
theory, and from the middle of the seventeenth century there were few
important astronomers who were not Copernicans.</P>
<P class="sources"><b>Notes</B>:<br> <A NAME="1">[1]</A>A daily rotation about its center,
an annual motion around the Sun, and a conical motion of its axis of rotation.
This last motion was made necessary because Copernicus conceptualized the
Earth's annual motion as the result of the Earth being embedded in a spherical
shell centered on the Sun. Its axis of rotation therefore did not remain
parallel to itself with respect to the fixed stars. To keep the axis parallel
to itself, Copernicus gave the axis a conical motion with a period just about
equal to the year. The very small difference from the annual period accounted
for the precesion of the equinoxes, an effect caused by the fact that the
Earth's axis (in Newtonian terms) precesses like a top, with a period of about
26,000 years. (Copernicus's ideas about this precession were more cumbersome
and based on faulty data.)</p>
<p class="sources"><strong>Sources</strong>: Edward Rosen, <I>Copernicus and the Scientific
Revolution</I> (Malabar, FL: Krieger, 1984) is a useful, if eccentric biography
of Copernicus with a collection of documents concerning his life. There are two
modern, reliable translations of <I>De Revolutionibus</I>: Edward Rosen, tr.
<I>On the Revolutions</I> , vol. 2 of <I>Complete works</I> (London: Macmillan,
1972-; issued separately, Baltimore: Johns Hopkins Press, 1978); A. M. Duncan,
tr., <I>On the Revolutions of the Heavenly Spheres</I> (London: David &
Charles; New York:Barnes & Noble, 1976). The best account of the Copernican
revolution is Thomas S. Kuhn, <I>The Copernican Revolution</I> (Cambridge:
Harvard University Press, 1957). For the different receptions of <I>De
Revolutionibus</I>, see Robert S. Westman, "Three Responses to the Copernican
Theory: Johannes Praetorius, Tycho Brahe, and Michael Maestlin," in <I>The
Copernican Achievement</I>, ed. Robert S. Westman (Berkeley and Los Angeles:
University of California Press, 1975), pp. 285-345. On Galileo's Copernicanism,
see Stillman Drake, "Galileo's Steps to Full Copernicanism and Back, <I>Studies
in History and Philosophy of Science</I>, 18 (1987): 93-105; and Maurice A.
Finocchiaro, "Galileo's Copernicanism and the Acceptability of Guiding
Assumptions," in <I>Scrutinizing Science: Empirical Studies of Scientific
Change,</I> ed. Arthur Donovan, Larry Laudan, and Rachel Laudan (Dordrecht
Kluwer, 1988), pp. 49-67.</p>
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| Copernicus |
Copernican System
The first speculations about the possibility of the
Sun being the center of the cosmos and the Earth being one of the planets
going around it go back to the third century BCE. In his *Sand-Reckoner*,
Archimedes (d. 212 BCE), discusses how to express very large numbers.
As an example he chooses the question as to how many grains of sand there
are in the cosmos. And in order to make the problem more difficult, he
chooses not the geocentric cosmos generally accepted at the time, but
the heliocentric cosmos proposed by Aristarchus of Samos (ca. 310-230
BCE), which would have to be many times larger because of the lack of
observable stellar parallax. We know, therefore, that already in Hellenistic
times thinkers were at least toying with this notion, and because of its
mention in Archimedes's book Aristarchus's speculation was well-known
in Europe beginning in the High Middle Ages but not seriously entertained
until Copernicus.
| |
| --- |
| |
| Copernicus |
European learning was based on the Greek sources that
had been passed down, and cosmological and astronomical thought were based
on Aristotle and [Ptolemy](ptolemaic_system.html). Aristotle's
cosmology of a central Earth surrounded by concentric spherical shells
carrying the planets and fixed stars was the basis of European thought
from the 12th century CE onward. Technical astronomy, also geocentric,
was based on the constructions of excentric circles and epicycles codified
in Ptolemy's *Almagest* (2d. century CE).
In the fifteenth century, the reform of European astronomy
was begun by the astronomer/humanist Georg Peurbach (1423-1461) and his
student Johannes Regiomontanus (1436-1476). Their efforts (like those
of their colleagues in other fields) were concentrated on ridding astronomical
texts, especially Ptolemy's, from errors by going back to the original
Greek texts and providing deeper insight into the thoughts of the original
authors. With their new textbook and a guide to the *Almagest*, Peurbach
and Regiomontanus raised the level of theoretical astronomy in Europe.
Several problems were facing astronomers at the beginning
of the sixteenth century. First, the tables (by means of which to predict
astronomical events such as eclipses and conjunctions) were deemed not
to be sufficiently accurate. Second, Portuguese and Spanish expeditions
to the Far East and America sailed out of sight of land for weeks on end,
and only astronomical methods could help them in finding their locations
on the high seas. Third, the calendar, instituted by Julius Caesar in
44 BCE was no longer accurate. The equinox, which at the time of the Council
of Nicea (325 CE) had fallen on the 21st, had now slipped to the 11th.
Since the date of Easter (the celebration of the defining event in Christianity)
was determined with reference to the equinox, and since most of the other
religious holidays through the year were counted forward or backward from
Easter, the slippage of the calendar with regard to celestial events was
a very serious problem. For the solution to all three problems, Europeans
looked to the astronomers.
Nicholas Copernicus (1473-1543) learned the works
of Peurbach and Regiomontanus in the undergraduate curriculum at the university
of Cracow and then spent a decade studying in Italy. Upon his return to
Poland, he spent the rest of his life as a physician, lawyer, and church
administrator. During his spare time he continued his research in astronomy.
The result was *De Revolutionibus Orbium Coelestium* ("On the Revolutions
of the Celestial Orbs"), which was published in Nuremberg in 1543, the
year of his death. The book was dedicated to Pope Paul III and initially
caused litle controversy. An anonymous preface (added by Andreas Osiander,
the Protestant reformer of Nuremberg) stated that the theory put forward
in this book was only a mathematical hypothesis: the geometrical constructions
used by astronomers had traditionally had only hypothetical status; cosmological
interpretations were reserved for the philosophers. Indeed, except for
the first eleven chapters of Book I, *De Revolutionibus* was a technical
mathematical work in the tradition of the *Almagest*.
| |
| --- |
| |
| Diagram of the Copernican
system, from De Revolutions
[click for larger image] |
But in the first book, Copernicus stated that the
Sun was the center of the universe and that the Earth had a triple motion[[1]](#1)
around this center. His theory gave a simple and elegant explanation of
the retrograde motions of the planets (the annual motion of the Earth
necessarily projected onto the motions of the planets in geocentric astronomy)
and settled the order of the planets (which had been a convention in Ptolemy's
work) definitively. He argued that his system was more elegant than the
traditional geocentric system. Copernicus still retained the priviledged
status of circular motion and therefore had to construct his planetary
orbits from circles upon and within circles, just as his predecessors
had done. His tables were perhaps only marginally better than existing
ones.
The reception of *De Revolutionibus* was mixed.
The heliocentric hypothesis was rejected out of hand by virtually all,
but the book was the most sophisticated astronomical treatise since the
*Almagest*, and for this it was widely admired. Its mathematical
constructions were easily transferred into geocentric ones, and many astronomers
used them. In 1551 Erasmus Reinhold, no believer in the mobility of the
Earth, published a new set of tables, the *Prutenic Tables*, based
on Copernicus's parameters. These tables came to be preferred for their
accuracy. Further, *De revolutionibus* became the central work in
a network of astronomers, who dissected it in great detail. Not until
a generation after its appearance, however, can we begin point to a community
of practicing astronomers who accepted heliocentric cosmology. Perhaps
the most remarkable early follower of Copernicus was Thomas Digges (c.
1545-c.1595), who in *A Perfit Description of the Coelestiall Orbes*
(1576) translated a large part of Book I of *De Revolutionibus* into
English and illustrated it with a diagram in which the Copernican arrangement
of the planets is imbedded in an infinite universe of stars
| |
| --- |
| |
| Diagram of the universe by Thomas Digges
[click for larger image] |
The reason for this delay was that, on the face of
it, the heliocentric cosmology was absurd from a common-sensical and a
physical point of view. Thinkers had grown up on the Aristotelian division
between the heavens and the earthly region, between perfection and corruption.
In Aristotle's physics, bodies moved to their natural places. Stones fell
because the natural place of heavy bodies was the center of the universe,
and that was why the Earth was there. Accepting Copernicus's system meant
abandoning Aristotelian physics. How would birds find their nest again
after they had flown from them? Why does a stone thrown up come straight
down if the Earth underneath it is rotating rapidly to the east? Since
bodies can only have one sort of motion at a time, how can the Earth have
several? And if the Earth is a planet, why should it be the only planet
with a moon?
For astronomical purposes, astronomers always assumed
that the Earth is as a point with respect to the heavens. Only in the
case of the Moon could one notice a parallactic displacement (about 1°)
with respect to the fixed stars during its (i.e., the Earth's) diurnal
motion. In Copernican astronomy one now had to assume that the *orbit
of the Earth* was as a point with respect to the fixed stars, and because
the fixed stars did not reflect the Earth's annual motion by showing an
annual [parallax](../../lib/glossary.html#parallax), the sphere
of the fixed stars had to be immense. What was the purpose of such a large
space between the region of Saturn and that of the fixed stars?
| |
| --- |
| |
| Parallax
[click for larger image] |
These and others were objections that needed answers.
The Copernican system simply did not fit into the Aristotelian way of
thinking. It took a century and a half for a new physics to be devised
to undegird heliocentric astronomy. The works in physics and astronomy
of Galileo and [Johannes Kepler](../kepler.html)
were crucial steps on this road.
There was another problem. A stationary Sun and moving
Earth also clashed with many biblical passages. Protestants and Catholics
alike often dismissed heliocentrism on these grounds. Martin Luther did
so in one of his "table talks" in 1539, before *De Revolutionibus*
had appeared. (Preliminary sketches had circulated in manuscript form.)
In the long run, Protestants, who had some freedom to interpret the bible
personally, accepted heliocentrism somewhat more quickly. Catholics, especially
in Spain and Italy, had to be more cautious in the religious climate of
the [Counter Reformation](../../lib/glossary.html#counter),
as the case of Galileo clearly demonstrates. [Christoph
Clavius](../clavius.html), the leading Jesuit mathematician from about 1570 to his death
in 1612, used biblical arguments against heliocentrism in his astronomical
textbook.
The situation was never simple, however. For one thing,
late in the sixteenth century [Tycho
Brahe](../brahe.html) devised a hybrid geostatic heliocentric system in which
the Moon and Sun went around the Earth but the planets went around the
Sun. In this system the elegance and harmony of the Copernican system
were married to the solidity of a central and stable Earth so that Aristotelian
physics could be maintained. Especially after Galileo's telescopic discoveries,
many astronomers switched from the traditional to the Tychonic cosmology.
For another thing, by 1600 there were still very few astronomers who accepted
Copernicus's cosmology. It is not clear whether the execution of [Giordano Bruno,](../bruno.html) a Neoplatonist mystic
who knew little about astronomy, had anything to do with his Copernican
beliefs. Finally, we must not forget that Copernicus had dedicated *De
Revolutionibus* to the Pope. During the sixteenth century the Copernican
issue was not considered important by the Church and no official pronouncements
were made.
Galileo's discoveries changed all that. Beginning
with *Sidereus Nuncius* in 1610, Galileo brought the issue before
a wide audience. He continued his efforts, ever more boldly, in his letters
on sunspots, and in his letter to the Grand Duchess Christina (circulated
in manuscript only) he actually interpreted the problematical biblical
passage in the book of Joshua to conform to a heliocentric cosmology.
More importantly, he argued that the Bible is written in the language
of the common person who is not an expert in astronomy. Scripture, he
argued, teaches us how to go to heaven, not how the heavens go. At about
the same time, [Paolo Antonio Foscarini](../foscarini.html),
a [Carmelite](../../lib/glossary.html#carmelite) theologian
in Naples, published a book in which he argued that the Copernican theory
did not conflict with Scripture. It was at this point that Church officials
took notice of the Copernican theory and placed *De Revolutionibus*
on the [Index of Forbidden Books](../../chr/congregation.html) until
corrected.
Galileo's *Dialogue Concerning the Two Chief World
Systems* of 1632 was a watershed in what had shaped up to be the "Great
Debate." Galileo's arguments undermined the physics and cosmology of Aristotle
for an increasingly receptive audience. His telescopic discoveries, although
they did not *prove* that the Earth moved around the Sun, added greatly
to his argument. In the meantime, [Johannes
Kepler](../kepler.html) (who had died in 1630) had introduced physical considerations
into the heavens and had published his *Rudolphine Tables*, based
on his own elliptical theory and [Tycho
Brahe's](../brahe.html) accurate observations, and these tables were more accurate
by far than any previous ones. The tide now ran in favor of the heliocentric
theory, and from the middle of the seventeenth century there were few
important astronomers who were not Copernicans.
**Notes**: [1]A daily rotation about its center,
an annual motion around the Sun, and a conical motion of its axis of rotation.
This last motion was made necessary because Copernicus conceptualized the
Earth's annual motion as the result of the Earth being embedded in a spherical
shell centered on the Sun. Its axis of rotation therefore did not remain
parallel to itself with respect to the fixed stars. To keep the axis parallel
to itself, Copernicus gave the axis a conical motion with a period just about
equal to the year. The very small difference from the annual period accounted
for the precesion of the equinoxes, an effect caused by the fact that the
Earth's axis (in Newtonian terms) precesses like a top, with a period of about
26,000 years. (Copernicus's ideas about this precession were more cumbersome
and based on faulty data.)
**Sources**: Edward Rosen, *Copernicus and the Scientific
Revolution* (Malabar, FL: Krieger, 1984) is a useful, if eccentric biography
of Copernicus with a collection of documents concerning his life. There are two
modern, reliable translations of *De Revolutionibus*: Edward Rosen, tr.
*On the Revolutions* , vol. 2 of *Complete works* (London: Macmillan,
1972-; issued separately, Baltimore: Johns Hopkins Press, 1978); A. M. Duncan,
tr., *On the Revolutions of the Heavenly Spheres* (London: David &
Charles; New York:Barnes & Noble, 1976). The best account of the Copernican
revolution is Thomas S. Kuhn, *The Copernican Revolution* (Cambridge:
Harvard University Press, 1957). For the different receptions of *De
Revolutionibus*, see Robert S. Westman, "Three Responses to the Copernican
Theory: Johannes Praetorius, Tycho Brahe, and Michael Maestlin," in *The
Copernican Achievement*, ed. Robert S. Westman (Berkeley and Los Angeles:
University of California Press, 1975), pp. 285-345. On Galileo's Copernicanism,
see Stillman Drake, "Galileo's Steps to Full Copernicanism and Back, *Studies
in History and Philosophy of Science*, 18 (1987): 93-105; and Maurice A.
Finocchiaro, "Galileo's Copernicanism and the Acceptability of Guiding
Assumptions," in *Scrutinizing Science: Empirical Studies of Scientific
Change,* ed. Arthur Donovan, Larry Laudan, and Rachel Laudan (Dordrecht
Kluwer, 1988), pp. 49-67.
|
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�1995 Al Van Helden
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<p align="center" class="SanSerifBodyText"> <font color="black">See my new (?) </font><a href="blue_84_gslse.html">1984 RX-7 GSL-SE</a> project car!</p>
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<p class="SanSerifBodyText"><font color="black">See the </font><a href="dyno.htm" target="_blank">Dyno Charts</a><font color="black"> for my '79. Heck, see the whole page for </font><a href="79rex.html">my '79</a><font color="black">!</font></p>
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<p class="SanSerifBodyText">My buddy <a href="http://www.wankel.net/registry/1st/tschuh.html" target="_blank">Tim's</a> got a <a href="http://bgsoflex.com/megasquirt.html" target="_blank">MegaSquirt DIY-EFI</a> on his GSL-SE: <a href="../tims_megasquirt.html" target="_blank">MegaSquirt install pics</a> and <a href="../tims_manifold.html" target="_blank">FC intake mods pics</a>.</p>
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Rotary Powered Webpage
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Here we go: things of a rotary nature, browse and be amazed by the engineering marvel that is the Wankel (pronounced VAHN-kel) Rotary Cycle Engine!
Need some 'lectrical help?
I've scanned and PDF'd the '79, '80, '81, '82, '83, '84, and '85 wiring diagrams, and they're available [here](manuals.html)!
[](manuals.html)
I also have a couple of factory service manuals on the [Manuals page](manuals.html) as well!
RX-7s are so cool, they're even used in [Calculus](rx7_integration.html)!
See my new (?) [1984 RX-7 GSL-SE](blue_84_gslse.html) project car!
Got a 79-80 RX-7? Looking to do a few upgrades? See my [Modifications Page](mods.html) to see what I've done to mine, and how to do it to yours!
See the [Dyno Charts](dyno.htm) for my '79. Heck, see the whole page for [my '79](79rex.html)!
**More Rotary Stuff:**
[Rotary Links](rotary_links.html)
[Mazda in Japanese?](mazda_jap_logo.html)
[Mazda Rotary Mailing Lists](rotary_email.html)
[Euro Lights](euro_lights.html) - a look at European FB park lenses
Pictures of a GSL-SE [Pulsation Damper](pd_pics.html).
A visual comparison of [FC NA vs. GSL-SE injectors](../../images/rx7/FC-NA_vs_SE_inj.jpg).
My idea for an [RX-7 trailer](../../images/rx7/RX-7-trailer.jpg)
Tom L.'s '84-5 [interior treatment](tom_l_se.html).
What happens when things go worng? [Destruction!](destruction.html)
A quick and dirty [flywheel puller](../../images/rx7/Flywheel-Puller.gif) for rotary engines.
My buddy [Tim's](http://www.wankel.net/registry/1st/tschuh.html) got a [MegaSquirt DIY-EFI](http://bgsoflex.com/megasquirt.html) on his GSL-SE: [MegaSquirt install pics](../tims_megasquirt.html) and [FC intake mods pics](../tims_manifold.html).
---
| http://wright-here.net/cars/rx7/rx7.html |
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<title>THE ROMANS Ancient, Medieval and Modern</title>
<META name="keywords" content="ÉùÜííçò,Ñùìáíßäçò,John,S,Romanides,Romanides,Romanides,Roman,Empire,Merovingian,Franks,Feudalism,Church,Christianity,Jesus,Christ,God,Orthodoxy,Byzantine,Constantinople,Religion,Psychotherapy">
<META name="description" content="John,S,Romanides, The Primitive Greek Romans. The Jews, Romans and Merovingian Franks and the cure of the sickness of religion. Augustine's sickness of religion swamps the Carolingian Franks. Religion is a neurobiological sickness with a specific cure which has been handed down by the prophets and apostles of the Old and New Testaments and preserved by the Fathers of Church. Between 330 and 1453 Constantinople New Rome was the Capital of the Roman Empire, not of a Byzantine Empire which never existed. ">
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<TR><TD align="left"><IMG SRC="romim/romania.gif" BORDER="0" alt="Romania" align="left"></TD><TD align="CENTER"><font size="+4" face="Times New Roman" color="#FFFDA3"><blink><b>T h e <IMG SRC="htm/im/w.gif" height=1 width=40 border=0>R O M A N S</b></blink></font><IMG SRC="htm/im/w.gif" height=1 width=40 border=0></TD><TD align="right"><IMG SRC="romim/romania.gif" BORDER="0" alt="Romania" align="right"></TD></TR>
<TR><TD align="left"><IMG SRC="romim/kar.gif" BORDER="0" alt="Roman Galley" align="center"></TD><TD align="CENTER"><IMG SRC="romim/JSRomanides.jpg" BORDER="0" alt="f. Ioannis S. Romanides" align="center"></TD><TD align="right"><IMG SRC="romim/const.gif" BORDER="0" alt="Flavius Valerius Constantinus - Constantine the Great" align="center"></TD></TR>
<TR><TD align="left" valign="top"><font size="+3" face="Times New Roman" color="#FFFDA3"><b><p style="position: relative !important; right: 0 !important" align="left">Ancient</p></font><BR><IMG SRC="htm/im/w.gif" height=80 width=10 border=0><BR><P ALIGN="CENTER"><B><A HREF="cont.htm"><font size="+1" >CONTENTS</font></A></B></TD><TD align="CENTER"><A HREF="htm/frame_friesian_en.htm"><IMG SRC="romim/empire.jpg" BORDER="0" alt="ROMAN EMPIRE, 27 BC - 1453 AD. (MAPS)"align="center"></A></TD><TD align="right" valign="top"><font size="+3" face="Times New Roman" color="#FFFDA3"><b><p style="position: relative !important; right: 0 !important" align="right"><blink>Modern</blink></p></font></TD></TR>
<TR><TD align="left"></TD><TD align="CENTER"><font size="+3" face="Times New Roman" color="#FFFDA3"><b><p style="position: relative !important; right: 0 !important" align="center">Medieval</p></font></TD><TD align="right"></TD></TR>
<TR><TD align="left"><IMG SRC="htm/im/w.gif" height=1 width=1 alt="Roman Empire Merovingian Franks Feudalism Church Christianity Jesus Christ God Romans Orthodoxy Byzantine Constantinople Religion Psychotherapy" border=0><IMG SRC="htm/im/w.gif" height=1 width=30 border=0></TD><TD align="CENTER"><BR></TD><TD align="CENTER"></TD></TR></TABLE>
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<P ALIGN="CENTER"><I>CHARLEMAGNE'S LIE OF 794 AD, <br>THE GREEK LATINS OF ALBA LONGA AND OF ROME, <br>THE BYZANTINE EMPIRE LIE AND BALKANIZATION</I></P>
<center></b><small>© John S. Romanides</small></center>
<P ALIGN="JUSTIFY"><b>Mettius Fufetius, the Latin King of Alba Longa, claims that the Romans of Tullus Hostilius (672-640 BC), the Latin King of Rome, are no longer pure Greeks, whereas his Albans (Alvanoi) are still pure Greeks. Within this context we shall study
<P ALIGN="CENTER"><A HREF="htm/rom.21.en.the_ethnic_cleaning_of_roman_history.01.htm">EXAMPLES OF THE SCIENCE OF THE ETHNIC CLEANING OF HISTORY<BR>
AND A VISION OF THE FUTURE<BR>
UNITED STATES OF FRANCO-ROMANIA</A></P>
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<B><P ALIGN="CENTER"><u>The joke is on the fibbers. Why?</u></P>
<P ALIGN="JUSTIFY">Because the primitive Romans of Latium (as the reader of this website will see) were a union of such Greek speaking tribes as: Pelasgians, Aborigines, Sabines and Trojans. This is the football we are passing on the specialists in Roman, Greek and so-called Byzantine History to play around with. In other words Charlemagne believed and knew that he was lying, but without knowing it he was telling a truth, i.e. that the ancient Romans were indeed Greek speaking. This Football is on this website. Have fun!</P><center><A HREF="htm/rom.00.en.some_underlying_positions_of_this_website.htm">SOME UNDERLYING POSITIONS OF THIS WEBSITE</A></center></b><BR><IMG SRC="htm/im/w.gif" height=20 width=100 border=0></td></tr>
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<P ALIGN="CENTER"><u>Conclusion</u></P>
<P ALIGN="JUSTIFY">
The names by which things are called are important in shaping our interpretation of reality. People are often surprised to discover that historical labels which define the past are inventions of later scholarship and ideology, not parts of the past itself. Men and women of the Middle Ages did not know that they lived in the Middle Ages: people who lived in Classical Athens or Renaissance Italy suffered the same disability. The people of the "Byzantine Empire" had no idea that they were Byzantine. They regarded themselves as the authentic continuators of the Roman world: the Romans living in Romania.
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<P ALIGN="CENTER"><A HREF="htm/fox.01.en.what_if_anything_is_a_byzantine.01.htm">WHAT, IF ANYTHING, IS A BYZANTINE?</B></A><br><small>©
Clifton R. Fox</small></P></td></tr>
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**Conclusion
The names by which things are called are important in shaping our interpretation of reality. People are often surprised to discover that historical labels which define the past are inventions of later scholarship and ideology, not parts of the past itself. Men and women of the Middle Ages did not know that they lived in the Middle Ages: people who lived in Classical Athens or Renaissance Italy suffered the same disability. The people of the "Byzantine Empire" had no idea that they were Byzantine. They regarded themselves as the authentic continuators of the Roman world: the Romans living in Romania.
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<title>Ancient American Poets</title>
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content="Poets of Ancient America are translations of Ancient Inca, Aztec and Mayan Poetry.">
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content="language Quechua, Nahuatl language, mayan language, aztec language, inca language, culture inca, culture aztec, culture maya, mayan culture, civilization maya, mayan civilization, aztec civiliztion, inca civilization, aztec writing, mayan writing, poesia nahuatl, poemas nahuatl, aztec poetry, mayan poetry, aztec poetry.">
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<h1>
<center><b><font color="#00af00" face="Avant Garde" size="+4">ANCIENT
AMERICAN POETS</font></b></center>
</h1>
<center><b><font color="#ffffff">Inca, Maya & Aztec
Poetry</font></b></center>
<center><b><font color="#ffffff">translations and biographies of
the poets</font></b></center>
<center><b><font color="#ffffff" size="+1">by John Curl</font></b>
</center>
<center><b><font color="#ffffff" size="+2">Bilingual Press
</font><font color="#ffffff" size="+1">(Arizona State
University)<br>
<br>
<br>
</font><font color="#ffffff" size="+2"> </font></b></center>
<center><b><font color="#ffffff" size="+2"><img alt=""
src="AncientPoets007.jpg" style="width: 165px; height: 234px;"><br>
</font></b></center>
<center> </center>
<center> </center>
<center>
<table border="1">
<tbody>
<tr>
<td>
<h3>
<center><b><font color="#af0000" face="Avant Garde" size="+3"><a
href="Pach.html">The Sacred Hymns of</a></font></b></center>
</h3>
<h3>
<center><b><font color="#af0000" face="Avant Garde" size="+3"><a
href="Pach.html">Pachacutec</a></font></b> </center>
</h3>
<h4>
<center><b><font color="#ffffff" size="+2">Ancient Inca Poetry</font></b></center>
</h4>
<center> </center>
</td>
<td>
<center><img alt="" src="Pach-1.jpg"
style="width: 229px; height: 229px;"><br>
</center>
</td>
</tr>
<tr>
<td>
<h3>
<center><b><font color="#af0000" face="Avant Garde,Helvetica"
size="+3"><a href="Hungry.html">The Flower Songs of</a></font></b></center>
</h3>
<h3>
<center><b><font color="#af0000" face="Avant Garde,Helvetica"
size="+3"><a href="Hungry.html">HUNGRY COYOTE</a></font><font
color="#af0000" face="Times" size="+3"> </font></b></center>
</h3>
<h4>
<center><b><font color="#ffffff" face="Times" size="+2">Ancient
Aztec Poetry of Nezahualcoyotl</font></b></center>
</h4>
<p> </p>
</td>
<td>
<center><b><font color="#ffffff" face="Times"><img alt=""
src="Hungry.jpg" style="width: 151px; height: 180px;"><br>
</font></b></center>
<center> </center>
</td>
</tr>
<tr>
<td>
<h3>
<center><b><font color="#af0000" face="Avant Garde,Helvetica"
size="+3"><a href="Dzit.html">The Songs of</a></font></b></center>
</h3>
<h3>
<center><b><font color="#af0000" face="Avant Garde,Helvetica"
size="+3"><a href="Dzit.html">DZITBALCHE</a></font></b> </center>
</h3>
<h4>
<center><b><font color="#ffffff" face="Times" size="+2">Ancient
Mayan Lyric Poetry</font></b> </center>
</h4>
<h4>
<center><b><font color="#ffffff" face="Times" size="+2">by Ah Bam</font></b></center>
</h4>
<p> </p>
</td>
<td>
<center><img alt="" src="Dzit.jpg"
style="width: 223px; height: 308px;"><br>
</center>
<p> </p>
</td>
</tr>
</tbody>
</table>
</center>
<p><b><font color="#ff0000" face="Times" size="+1">The Spanish
Conquistadors quickly abolished the ancient writing and recording
systems in Middle, Central and South America. However, many of the
literate Native people there quickly learned the European alphabet
and wrote down some of their classic literature in it, aided in some
instances by sympathetic Spaniards. Early manuscripts have come down
to us today written in Aztec (Nahuatl), in the Mayance languages, and
in Quechua (Runasimi). These give us a glimpse of what has been lost
or has not yet surfaced. Most of the pre-invasion works are
anonymous, but several poets and authors have emerged from the ashes
to claim their rightful places in the American literary
tradition.</font></b></p>
<p><b><font color="#ff0000" face="Times" size="+1">The Northern
Nations primarily recorded their history and culture in the oral
tradition but sometimes used pictographs and ideographs as mnemonic
aids, similar to the way the Incas used quipus. Algonkin, Iroquois
and Dakota all shared elements of the same pictographic system. The
Wallum Olum, creation song of the Lenape (Delaware), has come down to
us in parallel pictographs and alphabetic Lenape, a North American
Rosetta stone.</font></b></p>
<p><b><font color="#ff0000" face="Times" size="+1">These early
manuscripts of ancient literature are a hidden part of our heritage;
very few students of poetry in the USA know the names or existence of
some of the earliest American poets. These translations and
biographies are one attempt to help correct that.</font></b><font
color="#ff0000" size="+1"> </font><b><font color="#ff0000"
face="Times" size="+1">Reclaiming our multi-cultural heritage deepens
our
understanding of who we are and where our society is
going.</font></b></p>
<p><b><font color="#ff0000" face="Times" size="+1"> </font></b>
</p>
<h2>
<center><b><font color="#ff0000" face="Times" size="+1">
<hr></font><big><font color="#ffffff">ANCIENT NATIVE AMERICAN
POETRY</font></big></b></center>
</h2>
<center><b><font color="#ffffff"> </font></b></center>
<center><big><big><b><font color="#ffffff"><a href="Hungry.html">The
Flower
Songs of Hungry Coyote</a></font><font color="#ffffff"> (ancient
Aztec)<br>
<br>
</font></b></big></big></center>
<center><big><big><b><font color="#ffffff"><a href="Dzit.html">The
Songs of
Dzitbalche, by Ah Bam</a></font><font color="#ffffff"> (ancient
Mayan)<br>
<br>
</font></b></big></big></center>
<center><big><big><b><font color="#ffffff"><a href="Pach.html">The
Sacred
Hymns of Pachacutec</a></font><font color="#ffffff"> (ancient
Inca)</font></b></big></big></center>
<center><font color="#ffffff"> </font></center>
<blockquote>
<p><font color="#ffffff">There is only the thinnest line
between song and poetry. In the Native American tradition one might
say that there has not been any line between the two at all until
recent times, and even now it is questionable.</font></p>
<p><font color="#ffffff">All of these poem-songs are well over 500
years old, or at least parts of them are. It is not possible to
confidently separate the original poems from their later
transcriptions. The </font><u><font color="#ffffff">Flower Songs of
Hungry Coyote</font></u><font color="#ffffff"> and the </font><u><font
color="#ffffff">Songs of Dzitbalche</font></u><font color="#ffffff">,
are sometimes traditional, ceremonial and ritual,
and at other times speak of personal feelings and ideas. The </font><u><font
color="#ffffff">Sacred Hymns of
Pachacutec</font></u><font color="#ffffff"> are entirely
ceremonial.</font></p>
<p><font color="#ffffff">All were meant to be accompanied by music.
The Aztec poems keep close to the rhythms and patterns of
Náhuatl speech; they were performed to a distinct open-hand
cadence on the huehuétl drum. It is not known if the Mayan
lyrics, written in couplets, were spoken or sung. The Quechua poems
were sung.</font></p>
<center><b><font color="#ffffff">HOW I BECAME A
TRANSLATOR</font></b></center>
<p><font color="#ffffff">The first Native language I studied was
Navajo (Diné), in 1970, when I was working at the
Cañoncito Navajo Reservation, east of Albuquerque. My job
involved speaking to the older people, many of whom did not speak
English, so I hired Alice Werito as my interpretor. She and I drove
all over the reservation in a four-wheel drive pickup, visiting
people, and in the process she helped me learn a little
Diné.</font></p>
<p><font color="#ffffff">Much earlier, way back in grammar school, I
made the painful discovery that the English I'd learned at home was
not adequate for school, so I had to learn English again almost as a
second language. In the process I also became interested in
languages. In high school and college I studied Spanish, French and
Latin. I spent some time in Europe.</font></p>
<p><font color="#ffffff">So when I started working with the
Diné People, it seemed only natural to try to learn a little
of their language. Of course I realized that very few non-Natives
have ever become fluent in Navajo, one of the more difficult
languages in the world, so fluency in Navajo was not my goal. But
from studying other tongues I comprehended that language is the best
doorway into understanding any other culture, and I wanted to try to
understand the Dinés and to be able to exchange proper social
formalities with them. My goal was just to get my toes wet in the
language, not to master it. I got ahold of a book and tape set called </font><u><font
color="#ffffff">Navajo Made Easier</font></u><font color="#ffffff">
(Young and Morgan) and each day as I drove thirty
miles to the reservation, I played the tapes over and over. Then as
we drove around the reservation, Alice gave me lessons. That's how I
came to learn a little Navajo.</font></p>
<p><font color="#ffffff">So when I became interested in the
Middle-American civilizations, it was only natural to me to want to
study their languages a little.</font></p>
<p><font color="#ffffff">In Yucatán I picked up a Yucatec Maya
dictionary and grammer (Závala and Medina) and the Songs of
Dzitbalché. In Mexico City I found the excellent </font><u><font
color="#ffffff">Diccionario de elementos del Maya
Yucateco Colonial</font></u><font color="#ffffff"> (Swadesh), was
introduced to Mariano Leyva and Martha Ramirez of the Universidad
Nahuatl, bought </font><u><font color="#ffffff">Introduccion al
estudio del idioma Nauatl</font></u><font color="#ffffff"> by Jorge
Munguía Martínez from them, and visited the Universidad
Nahuatl in Ocotepec, Morelos during Los Días de los Muertos. I
made a pilgrimage to Hungry Coyote's Texcoco, and to his hilltop
retreat at Texcotzingo. I had been delving into the </font><u><font
color="#ffffff">PopWuj</font></u><font color="#ffffff">
(</font><u><font color="#ffffff">Popol Vuh</font></u><font
color="#ffffff">), so when I was in Guatemala, I studied
Maya-Kiché at the Academía Latinoamericano Mayense in
Xela, with Sr. Edouardo Elías. In Quito, Ecuador, I picked up </font><u><font
color="#ffffff">Aprenda El Quichua</font></u><font color="#ffffff">
(Mugica).</font></p>
<p><font color="#ffffff">Those were some of my first halting steps
toward translating these ancient texts of Maya, Nahuatl, and Quechua
poetry. I am in no way fluent but I have studied enough to be able to
inch my way through the texts, with dictionaries and grammars in
hand, using other translations - mostly in Spanish - as
guides.</font></p>
<p><font color="#ffffff">My purpose in presenting these translations
is to share with you an American world of which you may not have been
aware.</font></p>
</blockquote>
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Ancient American Poets
#
**ANCIENT
AMERICAN POETS**
**Inca, Maya & Aztec
Poetry**
**translations and biographies of
the poets**
**by John Curl**
**Bilingual Press
(Arizona State
University)**
****
| | |
| --- | --- |
|
**[The Sacred Hymns of](Pach.html)**
**[Pachacutec](Pach.html)**
**Ancient Inca Poetry**
|
|
|
**[The Flower Songs of](Hungry.html)**
**[HUNGRY COYOTE](Hungry.html)**
**Ancient
Aztec Poetry of Nezahualcoyotl**
|
|
|
**[The Songs of](Dzit.html)**
**[DZITBALCHE](Dzit.html)**
**Ancient
Mayan Lyric Poetry**
**by Ah Bam**
|
|
**The Spanish
Conquistadors quickly abolished the ancient writing and recording
systems in Middle, Central and South America. However, many of the
literate Native people there quickly learned the European alphabet
and wrote down some of their classic literature in it, aided in some
instances by sympathetic Spaniards. Early manuscripts have come down
to us today written in Aztec (Nahuatl), in the Mayance languages, and
in Quechua (Runasimi). These give us a glimpse of what has been lost
or has not yet surfaced. Most of the pre-invasion works are
anonymous, but several poets and authors have emerged from the ashes
to claim their rightful places in the American literary
tradition.**
**The Northern
Nations primarily recorded their history and culture in the oral
tradition but sometimes used pictographs and ideographs as mnemonic
aids, similar to the way the Incas used quipus. Algonkin, Iroquois
and Dakota all shared elements of the same pictographic system. The
Wallum Olum, creation song of the Lenape (Delaware), has come down to
us in parallel pictographs and alphabetic Lenape, a North American
Rosetta stone.**
**These early
manuscripts of ancient literature are a hidden part of our heritage;
very few students of poetry in the USA know the names or existence of
some of the earliest American poets. These translations and
biographies are one attempt to help correct that.** **Reclaiming our multi-cultural heritage deepens
our
understanding of who we are and where our society is
going.**
##
**---
ANCIENT NATIVE AMERICAN
POETRY**
**[The
Flower
Songs of Hungry Coyote](Hungry.html) (ancient
Aztec)**
**[The
Songs of
Dzitbalche, by Ah Bam](Dzit.html) (ancient
Mayan)**
**[The
Sacred
Hymns of Pachacutec](Pach.html) (ancient
Inca)**
>
> There is only the thinnest line
> between song and poetry. In the Native American tradition one might
> say that there has not been any line between the two at all until
> recent times, and even now it is questionable.
>
>
> All of these poem-songs are well over 500
> years old, or at least parts of them are. It is not possible to
> confidently separate the original poems from their later
> transcriptions. The Flower Songs of
> Hungry Coyote and the Songs of Dzitbalche,
> are sometimes traditional, ceremonial and ritual,
> and at other times speak of personal feelings and ideas. The Sacred Hymns of
> Pachacutec are entirely
> ceremonial.
>
>
> All were meant to be accompanied by music.
> The Aztec poems keep close to the rhythms and patterns of
> Náhuatl speech; they were performed to a distinct open-hand
> cadence on the huehuétl drum. It is not known if the Mayan
> lyrics, written in couplets, were spoken or sung. The Quechua poems
> were sung.
>
>
> **HOW I BECAME A
> TRANSLATOR**
> The first Native language I studied was
> Navajo (Diné), in 1970, when I was working at the
> Cañoncito Navajo Reservation, east of Albuquerque. My job
> involved speaking to the older people, many of whom did not speak
> English, so I hired Alice Werito as my interpretor. She and I drove
> all over the reservation in a four-wheel drive pickup, visiting
> people, and in the process she helped me learn a little
> Diné.
>
>
> Much earlier, way back in grammar school, I
> made the painful discovery that the English I'd learned at home was
> not adequate for school, so I had to learn English again almost as a
> second language. In the process I also became interested in
> languages. In high school and college I studied Spanish, French and
> Latin. I spent some time in Europe.
>
>
> So when I started working with the
> Diné People, it seemed only natural to try to learn a little
> of their language. Of course I realized that very few non-Natives
> have ever become fluent in Navajo, one of the more difficult
> languages in the world, so fluency in Navajo was not my goal. But
> from studying other tongues I comprehended that language is the best
> doorway into understanding any other culture, and I wanted to try to
> understand the Dinés and to be able to exchange proper social
> formalities with them. My goal was just to get my toes wet in the
> language, not to master it. I got ahold of a book and tape set called Navajo Made Easier
> (Young and Morgan) and each day as I drove thirty
> miles to the reservation, I played the tapes over and over. Then as
> we drove around the reservation, Alice gave me lessons. That's how I
> came to learn a little Navajo.
>
>
> So when I became interested in the
> Middle-American civilizations, it was only natural to me to want to
> study their languages a little.
>
>
> In Yucatán I picked up a Yucatec Maya
> dictionary and grammer (Závala and Medina) and the Songs of
> Dzitbalché. In Mexico City I found the excellent Diccionario de elementos del Maya
> Yucateco Colonial (Swadesh), was
> introduced to Mariano Leyva and Martha Ramirez of the Universidad
> Nahuatl, bought Introduccion al
> estudio del idioma Nauatl by Jorge
> Munguía Martínez from them, and visited the Universidad
> Nahuatl in Ocotepec, Morelos during Los Días de los Muertos. I
> made a pilgrimage to Hungry Coyote's Texcoco, and to his hilltop
> retreat at Texcotzingo. I had been delving into the PopWuj
> (Popol Vuh), so when I was in Guatemala, I studied
> Maya-Kiché at the Academía Latinoamericano Mayense in
> Xela, with Sr. Edouardo Elías. In Quito, Ecuador, I picked up Aprenda El Quichua
> (Mugica).
>
>
> Those were some of my first halting steps
> toward translating these ancient texts of Maya, Nahuatl, and Quechua
> poetry. I am in no way fluent but I have studied enough to be able to
> inch my way through the texts, with dictionaries and grammars in
> hand, using other translations - mostly in Spanish - as
> guides.
>
>
> My purpose in presenting these translations
> is to share with you an American world of which you may not have been
> aware.
>
>
>
| | | |
| --- | --- | --- |
| **[RED
CORAL](index.html)** | **[LIGHTNING RODS](Lightning.html)** | **[INDIGENOUS FIRES](Fires.html)** |
| http://red-coral.net/Amer.html |
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<title>Jet Beetle</title>
<meta NAME="Description" CONTENT="Ron Patrick's street-legal jet car">
<meta NAME="Keywords" CONTENT="Jet Beetle, jet beetle, jetbeetle, Stanford, Volkswagen">
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<b><span style="font-size:20pt;font-family:Verdana;color:white;">
Ron Patrick's Street-Legal Jet Powered Volkswagen Beetle</span></b>
<br><br><font size="3">
<A href="mailto:[email protected]">[email protected]</A>
</font>
<div class="fw-paragraph">
<h2><a name="71737059"></a><!-- ParagraphTitleStart --> <!-- ParagraphTitleEnd --></h2>
<div class="fw-text">
<!-- ParagraphBodyStart --><div style="TEXT-ALIGN: center">
<img src="images/AB12_15_05copy.jpg" WIDTH="800" HEIGHT="600">
<br><br><font size="5" color="White">This is my street-legal jet car on full afterburner. The car has two engines: the production gasoline engine in the front driving the front wheels and the jet engine in the back. The idea is that you drive around legally on the gasoline engine and when you want to have some fun, you spin up the jet and get on the burner (you can start the jet while driving along on the gasoline engine). The car was built because I wanted the wildest street-legal ride possible. With this project, I was able to use some stuff I learned while getting my fancy engineering degree (I have a PhD in Mechanical Engineering from Stanford University) to design a street-legal jet car without the distraction of how other people have done it in the past - because no one has. I don't know how fast the car will go and probably never will. The car was built to thrill me, not kill me. That doesn't stop me from the occasional blast on the highway though.
</font><br><br>
<img src="images/VW_Rear_Pa1_PScopy.jpg" WIDTH="800" HEIGHT="600">
<br><br><font size="5" color="White">The car is licensed here in California. In California, new cars have bi-annual smog inspections so if you modify the engine, it is likely to fail the inspection and you won't be able to drive it on the street. There are some exempt engine modifications (ex. after-cat mufflers - big deal) but none that will allow you to add 1350 hp to a new car.
<br><br></font>
<img src="images/VW_Side1_PScopy.jpg" WIDTH="800" HEIGHT="600">
<br><br><font size="5" color="White">Car was built to look as if VW delivered the car this way. It handles fine and is safe. I was thinking of putting it into an import car show but the promoter told me that it looked too plain and recommended that I put some decals on it, lower it, and put on some aftermarket wheels. Sure kid, put on some flimsy wheels won't take a curb and don't center on the hubs, lower the car so the tires rub and get cut by the body using springs that bounce me all over the road, and advertise for companies that couldn't engineer themselves out of a paper bag. I would have thought the 14" diameter tailpipe was enough for him but I guess it wasn't. Response from the hot rod magazines has been slow. One editor told me that is because I didn't use anything they advertise. But the response to driving it on the street and going to the hot rod shows (San Francisco Custom Car Show, Grand National Roadster Show in Pomona, and the Detroit Autorama) has been fantastic. This car attracts crowds better than any '32 Ford, '69 Camaro, or decaled Honda.
<br><br></font>
<img src="images/VW_Rear_Dr1_PScopy.jpg" WIDTH="800" HEIGHT="600">
<br><br><font size="5" color="White">The Beetle was chosen because it looks cool with the jet and it shows it off well. Remember the Hurst wheelstanding Barracuda "Hemi Under Glass"? Well, this is "Jet Under Glass". Air for the jet enters the car through the two side windows and the sunroof. It's a little windy inside but not unbearable.
<br><br></font>
<img src="images/VW_Rear_Dr_Open1_PScopy.jpg" WIDTH="800" HEIGHT="600">
<br><br><font size="5" color="White">The production hatch release switch on the driver's door activates two new latches (one on each side) and the hatch pops open just like a production car. The "hatch not closed" warning light works too.
<br><br></font>
<img src="images/VW_Rear_Open1_PScopy.jpg" WIDTH="600" HEIGHT="800">
<br><br><font size="5" color="White">Here you can see the split in the tailpipe after a particularily rude burner pop. All fixed and reinforced now. The heat blanket keeps the plastic bumper from melting when the jet is operating.
<br><br></font><img src="images/VW_BackDash1_PScopy.jpg" WIDTH="800" HEIGHT="600">
<br><br><font size="5" color="White">The back of the gauge panel was kept open to give the car a techie look. Something to talk about. The car's an engineering device, let's see some engineering thingies. The aluminum panel was designed in SolidWorks and cut out of billet, bead blasted, clear annodized, and then the labels for the switches were milled into the front using a font matching the VW cluster. Little details like the holes having flat sides so the switches don't spin and exactly matching the contour of the dash added time to the project. Several versions were made out of styrofoam first to get the layout and lighting right. From the back, the panel reminds me of the 1970s McLaren CanAm cars.
<br><br></font><img src="images/VW_Back_Pa_Window1_PScopy.jpg" WIDTH="800" HEIGHT="600">
<br><br><font size="5" color="White">The first thing I did when I got the car was to cut the hole in the back for the engine. Made a fancy jig out of a tripod, a rod, and a lawnmower wheel to mark out the cut and went at it with a pneumatic saw. Then finished it off with jeweler's files. No paint required. Didn't even chip. The hole was tricky because it goes through 3 layers (bumper and two layers of metal) and it's a circle projected onto angled surfaces. Just finding the centerline of the car wasn't trivial. Worrying what my neighbors would say if I ruined the back of a brand-new car made me REAL careful. I believe the hole is within 2 mm.
<br><br></font><img src="images/VW_Dash_Pa1_PScopy.jpg" WIDTH="600" HEIGHT="800">
<br><br><font size="5" color="White">There are three gauges for the jet: %RPM, Oil Pressure, and Turbine Inlet Temperature. The most important is turbine inlet temperature. If you exceed about 650 degrees C for very long, you damage the engine. This is critical on start-up. You don't want a "hot-start". The throttle for the jet engine is located next to the gear selector. It is a lever and has three buttons: Cool, Big-Fire, and Afterburner. "Cool" leans out the engine and is used to lower the turbine inlet temperature if you get a hot-start. To light big-fire or the afterburner, you hold a button down and 1/2 second later, press the hot-streak button on the floor. Then things happen! Notice the kerosene level gauge in front of the gear selector (jet fuel is mostly kerosene) and the bud vase missing a rose. Where did it go?
</font></div>
<div style="TEXT-ALIGN: center"><br><br>
<img src="images/VW_FUBB_PScopy.jpg" WIDTH="800" HEIGHT="600">
<br><br><font size="5" color="White">Lotsa stuff back here. The force from the jet is tied to the vehicle through sandwich plates inside the car bolted to contoured aluminum billets that were slid into the frame rails. You can see the billet on the left side with a hole in its center, welded to the plate with 4 bolts. Used helium as the inert gas and a lot of current to weld that chunk of aluminum. To return the car to its production height, adjustable spring perches were used. Same spring rate, just corrected the ride height. Drives and handles fine. Kerosene is stored in a custom 14 gallon, baffled, foam-filled kevlar fuel cell in the spare tire well. Two fuel exits in the back: a -12 on the left side and a -10 on the right. The -10 goes to a shutoff, then a Barry Grant pump (one of the few hot rod parts on the car), then up into the car where it sees a filter, a regulator, and an electrical shutoff valve before feeding the engine. The -12 goes into a shutoff, then a 1.5 hp, 11,000 rpm, 24V custom electric pump. Pump is magnesium and can maintain 100 psi at 550 gph. From the pump it goes into the car to a filter, then a large regulator, and then to the afterburner solenoid and the big-fire solenoid (to left of pump and feeding bottom of tailpipe through orange covered hose). Fuel system was tested for flow capability. Above the big pump you can see the relocated gasoline cap actuator and all that black stuff on the right side is the stock fuel evaporative control equipment. All circuits feeding solenoids and pumps have fuses, relays, kick-back diodes to minimize contact arcing, sealed connectors, and use automotive wires of a gauge giving a maximum of 1V drop over the circuit loop.
<br><br></font><img src="images/VW_Engine_Dr1_PScopy.jpg" WIDTH="800" HEIGHT="600">
<br><br><font size="5" color="White">The engine is a General Electric Model T58-8F. This is a helicopter turboshaft engine that was converted to a jet engine by some internal modifications and a custom tailpipe. The engine spins up to 26,000 RPM (idle is 13,000 RPM), draws air at 11,000 CFM, and is rated at 1350 hp. It weighs only 300 lbm. It grows as it warms up so the engine mounts have to account for this. The mounts in the front are rubber and the back are sliding mounts on rubber. The structure holding the engine was designed using finite element analysis and is redundant. Strong, damage tolerant, and light. Second battery and fuse/relay panel on the right, halon fire system and 5 gallon dry sump tank on left. 24V starter motor is in the nose of the engine. 700 A of current goes into that motor for 20 seconds during start-up. Due to heat, must limit starts to three in one hour. Big screen is to avoid FOD (foreign object damage). Jet keeps sucking the rose out of the bud vase on the dash!
<br><br></font><img src="images/VW_Fire_Ext1_PScopy.jpg" WIDTH="800" HEIGHT="600">
<br><br><font size="5" color="White">A lot of attention to details in the car. Note the aluminum block holding/protecting the halon gas line, pull line, harness to engine, and oil pressure line. Rectangular tank under inlet screen is for various fuel drains. Note temperature gauge and shutoff valve for dry sump tank. 3 gallons of turbine oil at $25/quart (ouch!). Two-stage PPG paint matching exterior of car was used inside the car. It is not easy to paint around a lot of bars, etc while crouched in a car, in your dusty home garage, avoiding drips, and with your wife screaming that the fumes will cause brain damage in the kids. Especially with two-stage where you have multiple coats and critical drying times. Kids passed their grades so I guess damage was minimal, but more importantly, the paint turned out great!
<br><br></font><img src="images/VW_Fire1copy.jpg" WIDTH="800" HEIGHT="494">
<br><br><font size="5" color="White">Street racing action. The other guy wimped out after a few "big-fire" demonstrations. What you see in the picture is about one-twentieth the full size of the fireball. Guy standing beside car had never seen it run before and was smiling ear-to-ear throughout the show. Had I launched, I would have burned him to a crisp. Well, live and learn.
<br><br></font><img src="images/VW_BUS1PScopy.jpg" WIDTH="800" HEIGHT="600">
<br><br><font size="5" color="White">We get this a lot. A police officer picking at his nose while trying to figure out what to charge me with. Notice the hopeful anticipation of us on the right. We're rooting for him and offer suggestions but unfortunately, the California Department of Motor Vehicles did not anticipate such a vehicle so he's out of luck. Hmmm, the car has two engines making the car a hybrid so maybe we can drive in the commuter lanes along with the Toyota Priuses.
<br><br>*** Update 7/18/06 *** You have to give the California Department of Motor Vehicles (the DMV) credit for
creativity on this one. A DMV insider has disclosed to me that the DMV has
made a formal request to a federal agency to rule if my Beetle constitutes a
threat to national security based on what could happen if it got into the wrong
hands. This raises three questions in my mind: #1 Does this mean Im the
right hands? #2 If someone with the name "b_laden13" is the highest eBay
bidder for my Beetle can I refuse his offer even if he has the prestigious eBay
Red Shooting Star feedback rating (the highest)? #3 Would this affect my
eBay rating?</span></font>
</font></div>
<div style="TEXT-ALIGN: center"><font size="5"><br></font>
<img src="images/VW_Repair1_PScopy.jpg" WIDTH="800" HEIGHT="600">
<br><br><font size="5" color="White">The car was built in this garage. Paint, welding, everything except some mill work. That's me standing beside the engine that is out of the car for some fuel controller work. The orange line is for the afterburner. There's one on the other side too. Here you can make out the four rows of variable inlets/stators at the front of the engine. Their angle changes with engine speed and are used to avoid compressor stall. There are 11 compressor stages and 2 turbine stages. The engine's pressure ratio is 8.3:1. That's how you work on a jet engine. Stick it on its end. Easy to store them that way too.
<br><br></font>
<img src="images/SCOOTE2PScopy.jpg" WIDTH="800" HEIGHT="600">
<br><br><font size="5" color="White">Here's my wife's Honda Metropolitan scooter. She wants it to go faster than 40 mph. So I have these two little JFS 100 jet engines and I am thinking how to put them on the scooter. Engines are 50 lbm each so weight is an issue. Will probably use air-start with a carbon fiber tank of compressed air. That saves weight since batteries will then not be needed.
<br><br></font>
<img src="images/SCOOTE3PScopy.jpg" WIDTH="600" HEIGHT="800">
<br><br><font size="5" color="White">Looks cool from the top. Will want to make aluminum housings to go over the engines just like on a DC-9.
<br><br></font>
<img src="images/SCOOTE1PScopy.jpg" WIDTH="800" HEIGHT="600">
<br><br><font size="5" color="White">Bitchin' from the back too. Should get the scooter going. On one jet engine alone, this engine will get a kart up to 60 mph. Looks like I have a lot of spare wire left over from the Beetle job to do the scooter.
</font><br></div><!-- ParagraphBodyEnd -->
</div>
</div>
<br><br>
<div style="font-size:1pt;color:black;text-align:center; width:100%">Electronics Research Lab, Automotive Innovation Laboratory, VAIL</div>
</body>
</html>
|
Jet Beetle
**Ron Patrick's Street-Legal Jet Powered Volkswagen Beetle**
[[email protected]](mailto:[email protected])
##
This is my street-legal jet car on full afterburner. The car has two engines: the production gasoline engine in the front driving the front wheels and the jet engine in the back. The idea is that you drive around legally on the gasoline engine and when you want to have some fun, you spin up the jet and get on the burner (you can start the jet while driving along on the gasoline engine). The car was built because I wanted the wildest street-legal ride possible. With this project, I was able to use some stuff I learned while getting my fancy engineering degree (I have a PhD in Mechanical Engineering from Stanford University) to design a street-legal jet car without the distraction of how other people have done it in the past - because no one has. I don't know how fast the car will go and probably never will. The car was built to thrill me, not kill me. That doesn't stop me from the occasional blast on the highway though.
The car is licensed here in California. In California, new cars have bi-annual smog inspections so if you modify the engine, it is likely to fail the inspection and you won't be able to drive it on the street. There are some exempt engine modifications (ex. after-cat mufflers - big deal) but none that will allow you to add 1350 hp to a new car.
Car was built to look as if VW delivered the car this way. It handles fine and is safe. I was thinking of putting it into an import car show but the promoter told me that it looked too plain and recommended that I put some decals on it, lower it, and put on some aftermarket wheels. Sure kid, put on some flimsy wheels won't take a curb and don't center on the hubs, lower the car so the tires rub and get cut by the body using springs that bounce me all over the road, and advertise for companies that couldn't engineer themselves out of a paper bag. I would have thought the 14" diameter tailpipe was enough for him but I guess it wasn't. Response from the hot rod magazines has been slow. One editor told me that is because I didn't use anything they advertise. But the response to driving it on the street and going to the hot rod shows (San Francisco Custom Car Show, Grand National Roadster Show in Pomona, and the Detroit Autorama) has been fantastic. This car attracts crowds better than any '32 Ford, '69 Camaro, or decaled Honda.
The Beetle was chosen because it looks cool with the jet and it shows it off well. Remember the Hurst wheelstanding Barracuda "Hemi Under Glass"? Well, this is "Jet Under Glass". Air for the jet enters the car through the two side windows and the sunroof. It's a little windy inside but not unbearable.
The production hatch release switch on the driver's door activates two new latches (one on each side) and the hatch pops open just like a production car. The "hatch not closed" warning light works too.
Here you can see the split in the tailpipe after a particularily rude burner pop. All fixed and reinforced now. The heat blanket keeps the plastic bumper from melting when the jet is operating.
The back of the gauge panel was kept open to give the car a techie look. Something to talk about. The car's an engineering device, let's see some engineering thingies. The aluminum panel was designed in SolidWorks and cut out of billet, bead blasted, clear annodized, and then the labels for the switches were milled into the front using a font matching the VW cluster. Little details like the holes having flat sides so the switches don't spin and exactly matching the contour of the dash added time to the project. Several versions were made out of styrofoam first to get the layout and lighting right. From the back, the panel reminds me of the 1970s McLaren CanAm cars.
The first thing I did when I got the car was to cut the hole in the back for the engine. Made a fancy jig out of a tripod, a rod, and a lawnmower wheel to mark out the cut and went at it with a pneumatic saw. Then finished it off with jeweler's files. No paint required. Didn't even chip. The hole was tricky because it goes through 3 layers (bumper and two layers of metal) and it's a circle projected onto angled surfaces. Just finding the centerline of the car wasn't trivial. Worrying what my neighbors would say if I ruined the back of a brand-new car made me REAL careful. I believe the hole is within 2 mm.
There are three gauges for the jet: %RPM, Oil Pressure, and Turbine Inlet Temperature. The most important is turbine inlet temperature. If you exceed about 650 degrees C for very long, you damage the engine. This is critical on start-up. You don't want a "hot-start". The throttle for the jet engine is located next to the gear selector. It is a lever and has three buttons: Cool, Big-Fire, and Afterburner. "Cool" leans out the engine and is used to lower the turbine inlet temperature if you get a hot-start. To light big-fire or the afterburner, you hold a button down and 1/2 second later, press the hot-streak button on the floor. Then things happen! Notice the kerosene level gauge in front of the gear selector (jet fuel is mostly kerosene) and the bud vase missing a rose. Where did it go?
Lotsa stuff back here. The force from the jet is tied to the vehicle through sandwich plates inside the car bolted to contoured aluminum billets that were slid into the frame rails. You can see the billet on the left side with a hole in its center, welded to the plate with 4 bolts. Used helium as the inert gas and a lot of current to weld that chunk of aluminum. To return the car to its production height, adjustable spring perches were used. Same spring rate, just corrected the ride height. Drives and handles fine. Kerosene is stored in a custom 14 gallon, baffled, foam-filled kevlar fuel cell in the spare tire well. Two fuel exits in the back: a -12 on the left side and a -10 on the right. The -10 goes to a shutoff, then a Barry Grant pump (one of the few hot rod parts on the car), then up into the car where it sees a filter, a regulator, and an electrical shutoff valve before feeding the engine. The -12 goes into a shutoff, then a 1.5 hp, 11,000 rpm, 24V custom electric pump. Pump is magnesium and can maintain 100 psi at 550 gph. From the pump it goes into the car to a filter, then a large regulator, and then to the afterburner solenoid and the big-fire solenoid (to left of pump and feeding bottom of tailpipe through orange covered hose). Fuel system was tested for flow capability. Above the big pump you can see the relocated gasoline cap actuator and all that black stuff on the right side is the stock fuel evaporative control equipment. All circuits feeding solenoids and pumps have fuses, relays, kick-back diodes to minimize contact arcing, sealed connectors, and use automotive wires of a gauge giving a maximum of 1V drop over the circuit loop.
The engine is a General Electric Model T58-8F. This is a helicopter turboshaft engine that was converted to a jet engine by some internal modifications and a custom tailpipe. The engine spins up to 26,000 RPM (idle is 13,000 RPM), draws air at 11,000 CFM, and is rated at 1350 hp. It weighs only 300 lbm. It grows as it warms up so the engine mounts have to account for this. The mounts in the front are rubber and the back are sliding mounts on rubber. The structure holding the engine was designed using finite element analysis and is redundant. Strong, damage tolerant, and light. Second battery and fuse/relay panel on the right, halon fire system and 5 gallon dry sump tank on left. 24V starter motor is in the nose of the engine. 700 A of current goes into that motor for 20 seconds during start-up. Due to heat, must limit starts to three in one hour. Big screen is to avoid FOD (foreign object damage). Jet keeps sucking the rose out of the bud vase on the dash!
A lot of attention to details in the car. Note the aluminum block holding/protecting the halon gas line, pull line, harness to engine, and oil pressure line. Rectangular tank under inlet screen is for various fuel drains. Note temperature gauge and shutoff valve for dry sump tank. 3 gallons of turbine oil at $25/quart (ouch!). Two-stage PPG paint matching exterior of car was used inside the car. It is not easy to paint around a lot of bars, etc while crouched in a car, in your dusty home garage, avoiding drips, and with your wife screaming that the fumes will cause brain damage in the kids. Especially with two-stage where you have multiple coats and critical drying times. Kids passed their grades so I guess damage was minimal, but more importantly, the paint turned out great!
Street racing action. The other guy wimped out after a few "big-fire" demonstrations. What you see in the picture is about one-twentieth the full size of the fireball. Guy standing beside car had never seen it run before and was smiling ear-to-ear throughout the show. Had I launched, I would have burned him to a crisp. Well, live and learn.
We get this a lot. A police officer picking at his nose while trying to figure out what to charge me with. Notice the hopeful anticipation of us on the right. We're rooting for him and offer suggestions but unfortunately, the California Department of Motor Vehicles did not anticipate such a vehicle so he's out of luck. Hmmm, the car has two engines making the car a hybrid so maybe we can drive in the commuter lanes along with the Toyota Priuses.
\*\*\* Update 7/18/06 \*\*\* You have to give the California Department of Motor Vehicles (the DMV) credit for
creativity on this one. A DMV insider has disclosed to me that the DMV has
made a formal request to a federal agency to rule if my Beetle constitutes a
threat to national security based on what could happen if it got into the wrong
hands. This raises three questions in my mind: #1 Does this mean Im the
right hands? #2 If someone with the name "b\_laden13" is the highest eBay
bidder for my Beetle can I refuse his offer even if he has the prestigious eBay
Red Shooting Star feedback rating (the highest)? #3 Would this affect my
eBay rating?
The car was built in this garage. Paint, welding, everything except some mill work. That's me standing beside the engine that is out of the car for some fuel controller work. The orange line is for the afterburner. There's one on the other side too. Here you can make out the four rows of variable inlets/stators at the front of the engine. Their angle changes with engine speed and are used to avoid compressor stall. There are 11 compressor stages and 2 turbine stages. The engine's pressure ratio is 8.3:1. That's how you work on a jet engine. Stick it on its end. Easy to store them that way too.
Here's my wife's Honda Metropolitan scooter. She wants it to go faster than 40 mph. So I have these two little JFS 100 jet engines and I am thinking how to put them on the scooter. Engines are 50 lbm each so weight is an issue. Will probably use air-start with a carbon fiber tank of compressed air. That saves weight since batteries will then not be needed.
Looks cool from the top. Will want to make aluminum housings to go over the engines just like on a DC-9.
Bitchin' from the back too. Should get the scooter going. On one jet engine alone, this engine will get a kart up to 60 mph. Looks like I have a lot of spare wire left over from the Beetle job to do the scooter.
Electronics Research Lab, Automotive Innovation Laboratory, VAIL
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<td valign="top">By the end of World War II about 600 thousand
Japanese soldiers and officers have been held captive in thousands of prison camps on a territory, stretched from Kamchatka in the East, across Urals to
European part of USSR in the West and Yenisei Basin in the North.<br>
The History Chapters not only hold Japanese Army sound victories but also atrocities of defeat that I intend to tell about to the new generation. I decided to draw these pictures in memory of those of my comrades-in-arms, who were not destined to return home..
<p align="center"><b>Kiuchi Nobuo, retired Air Corps </b></p>
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<p align="center"> <a href="episode1.htm" target="main"><b>Going to Soviet Union</b></a><b><a href="episode1.htm">
</a>| </b><a href="episode2.htm" target="main"><b>Hard work</b></a><b> | </b><a href="episode3.htm" target="main"><b>World is full of friends</b></a></p>
<p align="center"><a href="episode4.htm" target="main"><b>Let's stick together!</b></a><b>
| </b><a href="episode5.htm" target="main"><b>Going home soon!</b></a></p>
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<p><b>Prison camp detention</b></p>
<blockquote>
<p>By the end of World War II Japanese army consisted of half of military command units and volunteers and half of conscripted civilians, total amount to 6 million men. Soon after Potsdam Declaration and surrender of discretion the Quantun Army in Manchuria(North-East of China) was marooned by Soviet forces. Soundly defeated, all of the
Japanese forces have been captured by August 9, 1945. After that about 600 thousand disarmed
Japanese soldiers and officers, selected to deport to USSR, have been transported to detention camps in Manchuria and North Korea.<br>
Guarded Japanese prisoners of war were deported to prison camps in Soviet Union, to work to death. We believe that the better half of Siberian prison camps were
Japanese POWs.</p>
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<p><b>My detention course map</b></p>
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<p style="LINE-HEIGHT: 150%">"<a href="../cgi-bin/lc_m3.cgi?url=https://kiuchi.jpn.org/audio/midi/k_pia07.mid&name=「遠く遠く遠い空の下で」神尾憲一">A Song about Japanese soldiers, interned by Soviet Union, depicted in their
albums</a>" author and performer: Kenichi Kamio</p>
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The Pictures of internment camps records in USSR
>
>
>
> | | |
> | --- | --- |
> | | By the end of World War II about 600 thousand
> Japanese soldiers and officers have been held captive in thousands of prison camps on a territory, stretched from Kamchatka in the East, across Urals to
> European part of USSR in the West and Yenisei Basin in the North.
> The History Chapters not only hold Japanese Army sound victories but also atrocities of defeat that I intend to tell about to the new generation. I decided to draw these pictures in memory of those of my comrades-in-arms, who were not destined to return home..
> **Kiuchi Nobuo, retired Air Corps** |
>
>
>
---
[**Going to Soviet Union**](episode1.htm)**|** [**Hard work**](episode2.htm) **|** [**World is full of friends**](episode3.htm)
[**Let's stick together!**](episode4.htm)**|** [**Going home soon!**](episode5.htm)
---
**Prison camp detention**
>
> By the end of World War II Japanese army consisted of half of military command units and volunteers and half of conscripted civilians, total amount to 6 million men. Soon after Potsdam Declaration and surrender of discretion the Quantun Army in Manchuria(North-East of China) was marooned by Soviet forces. Soundly defeated, all of the
> Japanese forces have been captured by August 9, 1945. After that about 600 thousand disarmed
> Japanese soldiers and officers, selected to deport to USSR, have been transported to detention camps in Manchuria and North Korea.
>
> Guarded Japanese prisoners of war were deported to prison camps in Soviet Union, to work to death. We believe that the better half of Siberian prison camps were
> Japanese POWs.
>
>
>
---
**My detention course map**
---
**Theme music**
>
> "[A Song about Japanese soldiers, interned by Soviet Union, depicted in their
> albums](../cgi-bin/lc_m3.cgi?url=https://kiuchi.jpn.org/audio/midi/k_pia07.mid&name=「遠く遠く遠い空の下で」神尾憲一)" author and performer: Kenichi Kamio
>
>
>
>
> [](http://www.lightlink.co.jp/kamio/english/)
>
>
>
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<P><IMG SRC="NoEnterprise.gif" WIDTH=100 HEIGHT=100 ALIGN=LEFT ALT="Enterprise Busters!"><B><FONT SIZE=4>Do you have what it takes</FONT></B> to become
part of something greater than yourself? Do you have what it takes to
serve the Empire? To help maintain peace and order throughout the
galaxy? To stamp out the forces of evil and chaos that threaten the
fabric of our society? If you do, then there is a place waiting for
you in the Imperial Armed Forces' new EG Division.</P>
<P><B><FONT SIZE=4>What is EG?</FONT></B> EG is the Imperial
Armed Forces' Extra-Galactic Division (sometimes referred to as ExGal),
which was created specifically to deal with alien threats and neutrals from
outside our galaxy such as this mysterious human "Federation"
that we have recently encountered. Its mission is to promote Imperial
values and help bring the isolated, oppressed peoples of the Federation
into the mainstream of Imperial society. It is also an intelligence-gathering
organization, with a mandate to enhance our military, technological,
and anthropological understanding of our long-lost human brethren.</P>
<P><B><FONT SIZE=4>Why join</FONT></B> the Imperial Armed Forces?
There are many reasons to join, from the comprehensive benefits plan
to the knowledge that you are helping fulfill your civic duty by
keeping the galaxy safe, the opportunity to discover new worlds and
new places, and the advanced technical training that you can carry
into a rewarding civilian career after your term of service ends. We
also offer cash incentives for joining, and our popular Relocation
Program, where you can have your family relocated to a Core world of
your choice, with instant planetary citizenship and all moving
expenses paid for, courtesy of the Empire.</P>
<P><A HREF="http://www.tonybarnett.plus.com" TARGET="_new"><IMG SRC="Korr2.jpg" NAME="Graphic2" ALIGN=LEFT WIDTH=125 HEIGHT=148 BORDER=0 ALT="Jarren Korr"></A><B><FONT SIZE=4>Meet
Jarren Korr</FONT></B>, seen here with some of the men under
his command. Jarren Korr has had a diverse, rewarding, and distinguished
career in the Imperial Army. In the Third Fornax Uprising, his squad was
pinned down by heavy fire from a nearby pillbox. He exposed himself to
enemy fire in order to launch a thermal detonator at the target: an act for
which he received a commendation for valour. Now, he is a member of EG
Division, specializing in alien contact. "<SPAN CLASS="empire">It is
incredibly rewarding work</SPAN>" he says. "<SPAN CLASS="empire">These
aliens have been living for hundreds of years without hyperdrive, without
decent pan-galactic travel, without even simple necessities such as
droids and bacta. They're constantly under threat of extinction from
other species and even a cyborg army. By bringing them into the Empire,
we bring them not just civilization, but hope for the future. It can be
hard work; you will always find people who oppose change, even positive
change such as the Empire brings. But it's well worth it</SPAN>."</P>
<P><B><FONT SIZE=4>Pre-Emptive Defense</FONT></B> is more than just
an Imperial doctrine dating back to the discovery of the Kerenos
sector wormhole. For EG Division, pre-emptive defense is a way of
life. It is a philosophy which guides our actions and informs us of
our duty. Every member of EG Division knows this. Even after we
annex this human "Federation", that duty will remain. Eternal vigilance.</P>
<HR>
<H1 ALIGN=CENTER>Star Wars vs Star Trek</H1>
<P>Are you ready to join the Empire? Or do you just want to read a
bunch of articles on Star Wars and Star Trek military hardware?
Either way, this is your site. Despite the somewhat facetious
"Imperial Recruiter" introduction, this site actually
attempts a serious (or at least, as serious as possible given the
absurd subject matter) military comparison of Star Wars and Star
Trek.</P>
<P>So how do you compare Star Wars and Star Trek military hardware?
Well, there are lots of ways to approach this, and not all of them
agree. My approach is to look at the hardware from an engineer's
perspective, which is only natural given my personal background.
However, there are numerous approaches, and surprisingly enough,
people even disagree on what constitutes true Star Wars and/or Star
Trek. So if you want to learn how to look at Star Wars and Star Trek
military hardware, check out the following articles:</P>
<P><A HREF="Essays/FiveMinutes.html"><B>Star Wars vs Star Trek in
Five Minutes</B></A>: if you're the kind of person who buys Cliff
Notes in order to save time, this is the link for you! I hope you'll
eventually take the time to read more of the website, but if you
don't have the patience for it, just go here.</P>
<P><A HREF="Misc/Canon.html"><B>Canon</B></A>: what is "true"
Star Wars and Star Trek? What can be considered "evidence"?</P>
<P><A HREF="Essays/Analysis.html"><B>How to Analyze the Evidence</B></A>:
ground rules and a description of the two most popular approaches for
analyzing sci-fi.</P>
<P><A HREF="Misc/Sources_and_Abbreviations.html"><B>Sources and
Abbrevations</B></A>: a list of sources and common abbrevations found
in typical Star Wars vs Star Trek online "discussions",
aka "violent arguments" :)</P>
<P><A HREF="Misc/SiteFAQ.html"><B>Site FAQ</B></A>: Get your
questions answered here.</P>
<HR>
<H1 ALIGN=CENTER>Misc</H1>
<P>This is the first major rewrite of the main homepage in many years. If
you're curious what the old version looked like, you can see it
<A HREF="Body-old.shtml">here</A>.</P>
<P><U>A note on accuracy</U>: all calculations on this website are
somewhat imprecise, compared to real-life scientific or engineering
work. Our observations are of a rather preliminary and imprecise
nature, and we can't perform experiments to test hypotheses.
Therefore, <I>all</I> calculations on this website should be treated
as "back of envelope" calculations, and while individual
calculations may employ greater precision, the resulting conclusions
should be treated only as order-of-magnitude estimates. For example,
if the figures show that one weapon is 50% more powerful than
another, that should not be treated as conclusive evidence of
superiority because the difference is too small. But if they show
that it is a <I>hundred times</I> more powerful, then that would be
fairly conclusive.</P>
<P><U>Tech notes</U>: This site was born on August 1, 1998. It was
originally written using Netscape Composer, although I mostly use
OpenOffice nowadays. Further editing was done with kwrite, vi,
cooledit, Wordpad, or whatever else was handy at the time. My
image-capture methods include PowerDVD (for capturing stills from
DVDs) and an HP 4570c scanner. I currently use Gimp for almost all of
my image processing work.</P>
<P><U>For Best Viewing</U>: This site has been verified to display
properly on current versions of Internet Explorer, Netscape/Mozilla,
Konqueror, and Opera. It also works with minor glitches on Mosaic,
and even Lynx. This site is best viewed at 800x600 or above, although
it does work at 640x480 ... sort of. You will also need JavaScript
for some of the pages (in particular, all of the "calculator"
pages).</P>
<P><U>About the author</U>: My name is Michael Wong, I'm married with
two children, and I am a mechanical engineer (University of Waterloo,
Class of 93). Visit my <A HREF="http://www.stardestroyer.net/Mike/" TARGET="_new">home
page</A>!</P>
<HR>
<H2 ALIGN=CENTER>Legal Stuff</H2>
<P>Star Wars® is a registered trademark of LucasFilm Ltd. Star
Trek® is a registered trademark of Paramount. This site is not
associated with LucasFilm or Paramount in any way. It is <I>not</I>
the intent of this site to infringe upon the intellectual property
rights of either LucasFilm or Paramount.</P>
<P>Despite its facetious overtones, this site is an academic
discussion of Star Wars, Star Trek, and real science. It is intended
to entertain but also to educate and to encourage debate.
Furthermore, this is a strictly non-profit website. Therefore, this
site's use of Star Wars and Star Trek images and information
qualifies as "fair use", or "fair dealing", under
the provisions of international copyright law.</P>
</DIV>
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<HR>
<P STYLE="margin-top:0in;font-size:10px"><A HREF="http://validator.w3.org/check/referer"><IMG BORDER="0" SRC="http://www.stardestroyer.net/valid-html401.png" ALT="Valid HTML 4.01!" HEIGHT="31" WIDTH="88" ALIGN=RIGHT></A><A HREF="http://jigsaw.w3.org/css-validator/check/referer"><IMG BORDER="0" SRC="http://www.stardestroyer.net/valid-css.png" ALT="Valid CSS!" HEIGHT="31" WIDTH="88" ALIGN=RIGHT></A>This website is owned and maintained by Michael Wong<BR>
This site is not affiliated with Lucasfilm or Paramount<BR>
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Star Wars vs Star Trek: I Want YOU for the Galactic Empire!
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**Do you have what it takes** to become
part of something greater than yourself? Do you have what it takes to
serve the Empire? To help maintain peace and order throughout the
galaxy? To stamp out the forces of evil and chaos that threaten the
fabric of our society? If you do, then there is a place waiting for
you in the Imperial Armed Forces' new EG Division.
**What is EG?** EG is the Imperial
Armed Forces' Extra-Galactic Division (sometimes referred to as ExGal),
which was created specifically to deal with alien threats and neutrals from
outside our galaxy such as this mysterious human "Federation"
that we have recently encountered. Its mission is to promote Imperial
values and help bring the isolated, oppressed peoples of the Federation
into the mainstream of Imperial society. It is also an intelligence-gathering
organization, with a mandate to enhance our military, technological,
and anthropological understanding of our long-lost human brethren.
**Why join** the Imperial Armed Forces?
There are many reasons to join, from the comprehensive benefits plan
to the knowledge that you are helping fulfill your civic duty by
keeping the galaxy safe, the opportunity to discover new worlds and
new places, and the advanced technical training that you can carry
into a rewarding civilian career after your term of service ends. We
also offer cash incentives for joining, and our popular Relocation
Program, where you can have your family relocated to a Core world of
your choice, with instant planetary citizenship and all moving
expenses paid for, courtesy of the Empire.
[](http://www.tonybarnett.plus.com)**Meet
Jarren Korr**, seen here with some of the men under
his command. Jarren Korr has had a diverse, rewarding, and distinguished
career in the Imperial Army. In the Third Fornax Uprising, his squad was
pinned down by heavy fire from a nearby pillbox. He exposed himself to
enemy fire in order to launch a thermal detonator at the target: an act for
which he received a commendation for valour. Now, he is a member of EG
Division, specializing in alien contact. "It is
incredibly rewarding work" he says. "These
aliens have been living for hundreds of years without hyperdrive, without
decent pan-galactic travel, without even simple necessities such as
droids and bacta. They're constantly under threat of extinction from
other species and even a cyborg army. By bringing them into the Empire,
we bring them not just civilization, but hope for the future. It can be
hard work; you will always find people who oppose change, even positive
change such as the Empire brings. But it's well worth it."
**Pre-Emptive Defense** is more than just
an Imperial doctrine dating back to the discovery of the Kerenos
sector wormhole. For EG Division, pre-emptive defense is a way of
life. It is a philosophy which guides our actions and informs us of
our duty. Every member of EG Division knows this. Even after we
annex this human "Federation", that duty will remain. Eternal vigilance.
---
# Star Wars vs Star Trek
Are you ready to join the Empire? Or do you just want to read a
bunch of articles on Star Wars and Star Trek military hardware?
Either way, this is your site. Despite the somewhat facetious
"Imperial Recruiter" introduction, this site actually
attempts a serious (or at least, as serious as possible given the
absurd subject matter) military comparison of Star Wars and Star
Trek.
So how do you compare Star Wars and Star Trek military hardware?
Well, there are lots of ways to approach this, and not all of them
agree. My approach is to look at the hardware from an engineer's
perspective, which is only natural given my personal background.
However, there are numerous approaches, and surprisingly enough,
people even disagree on what constitutes true Star Wars and/or Star
Trek. So if you want to learn how to look at Star Wars and Star Trek
military hardware, check out the following articles:
[**Star Wars vs Star Trek in
Five Minutes**](Essays/FiveMinutes.html): if you're the kind of person who buys Cliff
Notes in order to save time, this is the link for you! I hope you'll
eventually take the time to read more of the website, but if you
don't have the patience for it, just go here.
[**Canon**](Misc/Canon.html): what is "true"
Star Wars and Star Trek? What can be considered "evidence"?
[**How to Analyze the Evidence**](Essays/Analysis.html):
ground rules and a description of the two most popular approaches for
analyzing sci-fi.
[**Sources and
Abbrevations**](Misc/Sources_and_Abbreviations.html): a list of sources and common abbrevations found
in typical Star Wars vs Star Trek online "discussions",
aka "violent arguments" :)
[**Site FAQ**](Misc/SiteFAQ.html): Get your
questions answered here.
---
# Misc
This is the first major rewrite of the main homepage in many years. If
you're curious what the old version looked like, you can see it
[here](Body-old.shtml).
A note on accuracy: all calculations on this website are
somewhat imprecise, compared to real-life scientific or engineering
work. Our observations are of a rather preliminary and imprecise
nature, and we can't perform experiments to test hypotheses.
Therefore, *all* calculations on this website should be treated
as "back of envelope" calculations, and while individual
calculations may employ greater precision, the resulting conclusions
should be treated only as order-of-magnitude estimates. For example,
if the figures show that one weapon is 50% more powerful than
another, that should not be treated as conclusive evidence of
superiority because the difference is too small. But if they show
that it is a *hundred times* more powerful, then that would be
fairly conclusive.
Tech notes: This site was born on August 1, 1998. It was
originally written using Netscape Composer, although I mostly use
OpenOffice nowadays. Further editing was done with kwrite, vi,
cooledit, Wordpad, or whatever else was handy at the time. My
image-capture methods include PowerDVD (for capturing stills from
DVDs) and an HP 4570c scanner. I currently use Gimp for almost all of
my image processing work.
For Best Viewing: This site has been verified to display
properly on current versions of Internet Explorer, Netscape/Mozilla,
Konqueror, and Opera. It also works with minor glitches on Mosaic,
and even Lynx. This site is best viewed at 800x600 or above, although
it does work at 640x480 ... sort of. You will also need JavaScript
for some of the pages (in particular, all of the "calculator"
pages).
About the author: My name is Michael Wong, I'm married with
two children, and I am a mechanical engineer (University of Waterloo,
Class of 93). Visit my [home
page](http://www.stardestroyer.net/Mike/)!
---
## Legal Stuff
Star Wars® is a registered trademark of LucasFilm Ltd. Star
Trek® is a registered trademark of Paramount. This site is not
associated with LucasFilm or Paramount in any way. It is *not*
the intent of this site to infringe upon the intellectual property
rights of either LucasFilm or Paramount.
Despite its facetious overtones, this site is an academic
discussion of Star Wars, Star Trek, and real science. It is intended
to entertain but also to educate and to encourage debate.
Furthermore, this is a strictly non-profit website. Therefore, this
site's use of Star Wars and Star Trek images and information
qualifies as "fair use", or "fair dealing", under
the provisions of international copyright law.
---
[](http://validator.w3.org/check/referer)[](http://jigsaw.w3.org/css-validator/check/referer)This website is owned and maintained by Michael Wong
This site is not affiliated with Lucasfilm or Paramount
All associated materials are used under "Fair Use" provisions of copyright law.
All original content by Michael Wong is copyrighted © 1998,2004.
Click [here](/) to go to the main page
| http://www.stardestroyer.net/Empire/ |
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content="text/html; charset=iso-8859-1">
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<body bgcolor="#FFFFFF" text="#4A4ACD" link="#FF8000"
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alt="SF Museum logo" width="200" height="208"></font></td>
<td width="20"> </td>
<td><font face="Arial"><img src="museum-letters.gif"
alt="The Starfleet Museum" width="446" height="98"></font></td>
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<p align="left"><font size="4" face="Arial"><b><img
src="sflogo.gif" width="11" height="20"> Welcome to the Starfleet
Museum!<br>
</b></font><font face="Arial"><em><img src="orangedot.gif"
width="100%" height="12"></em></font></p>
<p><font face="Arial">The Starfleet Museum was established in
2213 with the goal of preserving historically important Starfleet ships for future generations.
</font><font face="Arial">
Our <a href="sfm-001.jpg"> Orbital Annex</a> currently houses more than 50 historically important vessels. </font><font face="Arial">In addition, hundreds of historical artifacts tracing the history of
manned space flight are on display at the Main Museum Complex. </font><font face="Arial">The Starfleet Museum invites you to pay a
visit now that you are in the Sol system. </font><font face="Arial">
Admission free.</font></p>
<p align="center"><font face="Arial"><i><font size="4" face="Arial" color="#FF8000"><b>Take
a virtual tour!<br>
</b></font></i></font></p>
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<center>
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<tr>
<td align="center" valign="bottom" width="240"><a href="introduction.htm"><img src="sfmuseum-small.jpg" width="48" height="50"></a><font face="Arial"><a href="introduction.htm"><br>Introduction to the Museum</a> </font></td>
</td>
<td align="center" rowspan="5" width="270"><a href="http://www.lulu.com/shop/masao-okazaki-and-dan-carlson/starfleet-museum-print-edition/paperback/product-23571015.html"><img src="sfmuseum-book.jpg"></a><font face="Arial"><br><b><a href="http://www.lulu.com/shop/masao-okazaki-and-dan-carlson/starfleet-museum-print-edition/paperback/product-23571015.html">The Starfleet Museum</a></b> as a book<br><i>(sold at cost price)</i></font></td>
<td align="center" valign="bottom" width="240"><a href="timeline.htm"><img src="sfmuseum-small.jpg" width="48" height="50"></a><font face="Arial"><br><a href="timeline.htm">Museum Timeline</a>
</font>
</tr>
<tr>
<td align="center" valign="bottom"></td>
<td align="center" valign="bottom"> </td>
</tr>
<tr>
<td align="center" valign="bottom"><a href="uesn.htm"><img src="sfmuseum-small.jpg" width="48" height="50"></a><font face="Arial"><br><a href="uesn.htm">UESN Ships</a> | <a href="starfleet.htm">Starfleet
Ships</a> </font>
</td>
<td align="center" valign="bottom"><a href="about.htm"><img src="sfmuseum-small.jpg" width="48" height="50"></a><font face="Arial"><br><a href="about.htm">About This Website</a>
</font>
</td>
</tr>
<tr>
<td align="center" valign="bottom"></td>
<td align="center" valign="bottom"> </td>
</tr>
<tr>
<td align="center" valign="bottom"><a href="special-collection.htm"><img src="sfmuseum-small.jpg" width="48" height="50"></a><font face="Arial"><br><a href="special-collection.htm">Special
Research Collection</a></font>
</td>
<td align="center" valign="bottom">
<a href="notes1.htm"><img src="sfmuseum-small.jpg" width="48" height="50"></a><font face="Arial"><br><a href="notes1.htm">Notes Part 1</a> | <a href="notes2.htm">2</a> | <a href="notes-bluescale.htm">Bluescale</a>
</font>
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</tr>
</table>
</center>
</div>
<p> </p>
<p><font size="4" face="Arial"><b><img src="sflogo.gif" width="11" height="20">
</b></font><font size="4" face="Arial"><b>Romulan War Wing</b></font><font size="4" face="Arial"><b><br>
</b></font><font face="Arial"><em><img src="orangedot.gif"
width="100%" height="12"></em></font></p>
<div align="center">
<center>
<table border="0" cellpadding="2" cellspacing="4">
<tr>
<td align="center" valign="top" width="250"><font face="Arial"><a href="romulan-war.htm"><img
src="uesn-fleet-t.jpg" border="0" width="136" height="100"></a><br>
</font><a href="romulan-war.htm"><font face="Arial">Introduction</font></a>
</td>
<td align="center" valign="top" width="250"><a href="warp-development.htm"><img src="2nells-t.jpg" width="112" height="100"></a><br>
<a href="warp-development.htm"><font face="Arial">The Development of Matter/Antimatter Drives</font></a>
</td>
<td align="center" valign="top" width="250"></td>
</tr>
<tr>
<td></td>
<td> </td>
<td> </td>
</tr>
<tr>
<td align="center" valign="top" width="750" colspan="3" bgcolor="#B8B8EB"><b><font face="Arial">Small
Cruisers</font></b></td>
</tr>
<tr>
<td align="center" valign="top" width="250"><font face="Arial"><a href="amarillo.htm"><img src="amarillo-t.jpg" border="0" width="142" height="100"></a><br>
</font><a href="amarillo.htm"><font face="Arial">Amarillo class</font></a>
</td>
<td align="center" valign="top" width="250"><font face="Arial"><a href="krechet.htm"><img src="krechet-t.jpg" border="0" width="133" height="100"></a><br>
</font><a href="krechet.htm"><font face="Arial">Krechet class</font></a>
</td>
<td align="center" valign="top" width="250"><font face="Arial"><a href="torsk.htm"><img src="torsk-t.jpg" border="0" width="163" height="100"></a><br>
</font><a href="torsk.htm"><font face="Arial">Torsk class</font></a>
</td>
</tr>
<tr>
<td></td>
<td></td>
<td> </td>
</tr>
<tr>
<td align="center" valign="top" width="250"></td>
<td align="center" valign="top" width="250"><font face="Arial"><a href="powhatan.htm"><img src="powhatan-t.jpg" border="0" width="173" height="100"></a><br>
</font><a href="powhatan.htm"><font face="Arial">Powhatan class</font></a>
</td>
<td align="center" valign="top" width="250"></td>
</tr>
<tr>
<td></td>
<td> </td>
<td> </td>
</tr>
<tr>
<td align="center" valign="top" width="750" colspan="3" bgcolor="#B8B8EB"><b><font face="Arial"> Large
Cruisers and Transports</font></b></td>
</tr>
<tr>
<td align="center" valign="top" width="250"><font face="Arial"><a href="bison.htm"><img src="bison-uesn-t.jpg" border="0" width="200" height="100"></a><br>
</font><a href="bison.htm"><font face="Arial">Bison class</font></a>
</td>
<td align="center" valign="top" width="250"><font face="Arial"><a href="pioneer.htm"><img src="pioneer-t.jpg" border="0" width="152" height="100"></a><br>
</font><a href="pioneer.htm"><font face="Arial">Pioneer class</font></a>
</td>
<td align="center" valign="top" width="250"><font face="Arial"><a href="tannhaeuser.htm"><img src="tannhaeuser-t.jpg" border="0" width="191" height="100"></a><br>
</font><a href="tannhaeuser.htm"><font face="Arial">Tannhäuser class</font></a>
</td>
</tr>
<tr>
<td></td>
<td></td>
<td> </td>
</tr>
<tr>
<td align="center" valign="top" width="250"><font face="Arial"><a href="farragut.htm"><img src="farragut-t.jpg" border="0" width="167" height="100"></a><br>
</font><a href="farragut.htm"><font face="Arial">Farragut class</font></a>
</td>
<td align="center" valign="top" width="250"><font face="Arial"><a href="olympus_mons.htm"><img src="olympus_mons-t.jpg" border="0" width="168" height="100"></a><br>
</font><a href="olympus_mons.htm"><font face="Arial">Olympus Mons & Reid Fleming</font></a>
</td>
<td align="center" valign="top" width="250"><font face="Arial"><a href="conqueror.htm"><img src="conqueror-t.jpg" border="0" width="170" height="100"></a><br>
</font><a href="conqueror.htm"><font face="Arial">Conqueror class</font></a>
</td>
</tr>
<tr>
<td></td>
<td> </td>
<td></td>
</tr>
<tr>
<td></td>
<td align="center"><font face="Arial"><a href="baikal-marconi.htm"><img src="baikal-t.jpg" border="0" width="173" height="100"></a><br>
</font><a href="baikal-marconi.htm"><font face="Arial">Baikal class & Marconi class</font></a>
</td>
<td></td>
</tr>
<tr>
<td></td>
<td> </td>
<td> </td>
</tr>
<tr>
<td align="center" valign="top" width="750" colspan="3" bgcolor="#B8B8EB"><b><font face="Arial"> Other
UESN Ships</font></b></td>
</tr>
<tr>
<td align="center" valign="top" width="250"><font face="Arial"><a href="yorktown-minotaur.htm"><img src="yorktown-t.jpg" border="0" width="156" height="100"></a><br>
</font><a href="yorktown-minotaur.htm"><font face="Arial">Yorktown class
& Minotaur</font></a>
</td>
<td align="center" valign="top" width="250"><font face="Arial"><a href="archer-curran.htm"><img src="archer-curran-side-t.jpg" border="0" width="142" height="100"></a><br>
</font><a href="archer-curran.htm"><font face="Arial">Archer & Curran class</font></a>
</td>
<td align="center" valign="top" width="250"><a href="fireball.htm"><img src="comet-t.jpg" width="181" height="100"></a><br><a href="fireball.htm"><font face="Arial">
Fireball & Comet class</font></a>
</td>
</tr>
</table>
</center>
</div>
<p> </p>
<p><font size="4" face="Arial"><b><img src="sflogo.gif" width="11" height="20">
</b></font><font size="4" face="Arial"><b>Early Federation Wing</b></font><font size="4" face="Arial"><b><br>
</b></font><font face="Arial"><em><img src="orangedot.gif"
width="100%" height="12"></em></font></p>
<div align="center"><center>
<table border="0" cellpadding="2" cellspacing="4" height="999">
<tr>
<td align="center" valign="top" width="780" colspan="3"><a
href="cruiser-chart.jpg"><font face="Arial"><img
src="cruiser-chart-t.jpg" border="0" width="142" height="100"></font></a><font face="Arial"><br>
</font><a href="cruiser-chart.jpg"><font face="Arial">Starfleet ship
chart 2160-2260</font></a></td>
</tr>
<tr>
<td></td>
<td></td>
<td> </td>
</tr>
<tr>
<td align="center" valign="top" width="750" colspan="3" bgcolor="#B8B8EB"><b><font face="Arial"> 22nd
Century</font></b></td>
</tr>
<tr>
<td align="center" valign="top" width="260"><font face="Arial"><a href="starfleet-22nd.htm"><img
src="starfleet-22nd-t.png" border="0" width="142" height="100"></a><br>
</font><a href="starfleet-22nd.htm"><font face="Arial">Introduction</font></a>
</td>
<td align="center" valign="top" width="260"><font face="Arial"><a href="daedalus.htm"><img src="ufp-daedalus-t.jpg"
border="0" width="165" height="100"></a><br>
</font><a href="daedalus.htm"><font face="Arial">Daedalus class</font></a>
</td>
<td align="center" valign="top" width="260"><font face="Arial"><a href="dragon.htm"><img src="dragon-t.jpg" border="0" width="180" height="100"></a><br>
</font><a href="dragon.htm"><font face="Arial">Dragon class</font></a>
</td>
</tr>
<tr>
<td></td>
<td></td>
<td> </td>
</tr>
<tr>
<td align="center" valign="top" width="260"><font face="Arial"><a href="ocean.htm"><img src="ocean-t.jpg" border="0" width="200" height="100"></a><br>
</font><a href="ocean.htm"><font face="Arial">Ocean class</font></a>
</td>
<td align="center" valign="top" width="260"><font face="Arial"><a href="constellation.htm"><img
src="constellation-t.jpg" border="0" width="194" height="100"></a><br>
</font><a href="constellation.htm"><font face="Arial">Sozvezdie &
Constellation</font></a>
</td>
<td align="center" valign="top" width="260"><a
href="wasp.htm"><font face="Arial"><img src="wasp-t.jpg"
border="0" width="134" height="100"></font></a><font
face="Arial"><br>
</font><a href="wasp.htm"><font face="Arial">Wasp class</font></a>
</td>
</tr>
<tr>
<td></td>
<td> </td>
<td></td>
</tr>
<tr>
<td valign="top" align="center"><a
href="moskva.htm"><font face="Arial"><img
src="moskva-t.jpg" border="0" width="169" height="100"></font></a><font
face="Arial"><br>
</font><a href="moskva.htm"><font face="Arial">Moskva
class</font></a>
</td>
<td align="center" valign="top"><a href="gagarin.htm"><img src="gagarin-t.jpg" width="198" height="100"></a><br><a href="gagarin.htm"><font face="Arial">Gagarin class</font></a>
</td>
<td valign="top" align="center"><font face="Arial"><a href="hyperion.htm"><img src="hyperion1-t.jpg"
border="0" width="200" height="100"></a><br>
</font><a href="hyperion.htm"><font face="Arial">Hyperion class</font></a>
</td>
</tr>
<tr>
<td valign="top" align="center"></td>
<td align="center" valign="top"><font face="Arial"> </font></td>
<td valign="top" align="center"></td>
</tr>
<tr>
<td valign="top" align="center">
<font face="Arial"><a href="paris.htm"><img src="paris-t.jpg" width="151" height="100"></a><br><a href="paris.htm">Paris
class</a>
</font>
</td>
<td align="center" valign="top"><a
href="asia.htm"><font face="Arial"><img
src="asia-old-logo-t.jpg" border="0" width="200"
height="100"></font></a><font face="Arial"><br>
</font><a href="asia.htm"><font face="Arial">Asia class</font></a>
</td>
<td valign="top" align="center"></td>
</tr>
<tr>
<td></td>
<td> </td>
<td> </td>
</tr>
<tr>
<td align="center" valign="top" width="750" colspan="3" bgcolor="#B8B8EB"><b><font face="Arial"> Early
23rd Century</font></b></td>
</tr>
<tr>
<td align="center" valign="top" width="260"><font face="Arial"><a href="starfleet-23rd.htm"><img
src="starfleet-23rd-t.png" border="0" width="142" height="100"></a><br>
</font><a href="starfleet-23rd.htm"><font face="Arial">Introduction</font></a>
</td>
<td align="center" valign="top" width="260"><a
href="lancaster.htm"><font face="Arial"><img
src="lancaster-t.jpg" border="0" width="170" height="100"></font></a><font
face="Arial"><br>
</font><a href="lancaster.htm"><font face="Arial">Lancaster
class</font></a>
</td>
<td align="center" valign="top" width="260"><font face="Arial"><a href="horizon.htm"><img
src="horizon-t.jpg" border="0" width="188" height="100"></a><br>
</font><a href="horizon.htm"><font face="Arial">Horizon class</font></a>
</td>
</tr>
<tr>
<td align="center" valign="top" width="260">
</td>
<td align="center" valign="top" width="260">
</td>
<td align="center" valign="top" width="260"><font face="Arial"> </font></td>
</tr>
<tr>
<td align="center" valign="top" width="260"><font face="Arial"><a href="giant.htm"><img src="giant-t.jpg" width="176" height="100"></a><br>
</font><a href="giant.htm"><font face="Arial">Giant class</font></a>
</td>
<td align="center" valign="top" width="260"><font face="Arial"><a href="quetzalcoatl.htm"><img
src="quetzalcoatl-t.jpg" border="0" width="188" height="100"></a><br>
</font><a href="quetzalcoatl.htm"><font face="Arial">Quetzalcoatl class</font></a>
</td>
<td align="center" valign="top" width="260"><a href="kestrel.htm"><img src="kestrel-t.jpg" width="163" height="100"></a><br><a href="kestrel.htm"><font face="Arial">Kestrel
& Aryabhatta</font></a>
</td>
</tr>
<tr>
<td align="center" valign="top" width="260"></td>
<td align="center" valign="top" width="260"></td>
<td align="center" valign="top" width="260"><font face="Arial"> </font></td>
</tr>
<tr>
<td align="center" valign="top" width="260"><a
href="valleyforge.htm"><font face="Arial"><img
src="valleyforge-t.jpg" border="0" width="184" height="100"></font></a><font face="Arial"><br>
</font><a href="valleyforge.htm"><font face="Arial">Valley
Forge class</font></a></td>
<td align="center" valign="top" width="260"><a
href="belleauwood.htm"><font face="Arial"><img
src="belleauwood-t.jpg" border="0" width="189" height="100"></font></a><font face="Arial"><br>
</font><a href="belleauwood.htm"><font face="Arial">Belleau
Wood class</font></a></td>
<td align="center" valign="top" width="260"><font face="Arial"><a href="alburak.htm"><img src="alburak-t.jpg" width="200" height="100"></a><br><a href="alburak.htm">23rd
century carriers & fighters</a>
</font>
</td>
</tr>
<tr>
<td></td>
<td></td>
<td> </td>
</tr>
<tr>
<td width="260" valign="top" align="center"><a
href="siegfried.htm"><font face="Arial"><img
src="siegfried-t.jpg" border="0" width="200" height="100"></font></a><font
face="Arial"><br>
</font><a href="siegfried.htm"><font face="Arial">Siegfried
class</font></a></td>
<td width="260" valign="top" align="center"><font face="Arial"><a href="capella.htm"><img src="capella-t.jpg" width="200" height="100"></a><br><a href="capella.htm">Capella
class</a>
</font>
</td>
<td width="260" valign="top" align="center"><font face="Arial"><a href="pyotr-velikiy.htm"><img src="pyotr-velikiy-constitution-t.jpg" width="187" height="100"></a><br><a href="pyotr-velikiy.htm">Pyotr
Velikiy & Constitution</a>
</font>
</td>
</tr>
<tr>
<td></td>
<td></td>
<td> </td>
</tr>
<tr>
<td valign="top" align="center"><font face="Arial"><a href="avenger-predator.htm"><img src="avenger-predator-side-t.jpg" width="200" height="100"></a><br><a href="avenger-predator.htm">Avenger
& Predator class</a>
</font>
</td>
<td align="center" valign="top"></td>
<td valign="top" align="center"></td>
</tr>
<tr>
<td></td>
<td></td>
<td> </td>
</tr>
<tr>
<td align="center" valign="top" width="750" colspan="3" bgcolor="#B8B8EB"><b><font face="Arial"> Late
23rd Century</font></b></td>
</tr>
<tr>
<td align="center" valign="top" width="260"></td>
<td align="center" valign="top" width="260"><a
href="furious.htm"><font face="Arial"><img
src="furious-spectre-t.jpg" border="0" width="100" height="100"></font></a><font
face="Arial"><br>
</font><a href="furious.htm"><font face="Arial">Furious class & Spectre
class</font></a></td>
<td align="center" valign="top" width="260"></td>
</tr>
</table>
</center></div>
<p> </p>
<p><font size="4" face="Arial"><b><img src="sflogo.gif" width="11" height="20"> Ships of the Galaxy<br>
</b></font><font face="Arial"><em><img src="orangedot.gif"
width="100%" height="12"></em></font></p>
<div align="center">
<center>
<table border="0" cellpadding="2" cellspacing="4">
<tr>
<td align="center" valign="top" width="750" colspan="3" bgcolor="#B8B8EB"><b><font face="Arial">Romulan
Ships</font></b></td>
</tr>
<tr>
<td align="center" valign="top" width="260"><a href="romulan-cruisers.htm"><img src="romulan-ue-comparison-t.jpg" width="136" height="100"></a><br><a href="romulan-cruisers.htm"><font face="Arial">Romulan
ships during the Earth-Romulan War</font></a>
</td>
<td align="center" valign="top" width="260"><font face="Arial"><a href="postwar-romulans.htm"><img
src="postwar_roms-t.jpg" border="0" width="121" height="100"></a><br>
</font><a href="postwar-romulans.htm"><font face="Arial">Postwar Romulan
ships</font></a>
</td>
<td align="center" valign="top" width="260"></td>
</tr>
<tr>
<td></td>
<td></td>
<td> </td>
</tr>
<tr>
<td align="center" valign="top" width="750" colspan="3" bgcolor="#B8B8EB"><b><font face="Arial">Klingon
Ships</font></b></td>
</tr>
<tr>
<td align="center" valign="top" width="260"></td>
<td align="center" valign="top" width="260"><font face="Arial"><a href="klingon1.htm"><img
src="klingon-cruisers-t.jpg" border="0" width="130" height="100"></a><br>
</font><a href="klingon1.htm"><font face="Arial">Introduction</font></a></td>
<td align="center" valign="top" width="260"></td>
</tr>
<tr>
<td></td>
<td></td>
<td> </td>
</tr>
<tr>
<td align="center" valign="top" width="250"><font face="Arial"><a href="d2.htm"><img src="d2-t.jpg" border="0" width="176" height="100"></a><br>
</font><a href="d2.htm"><font face="Arial">D2 cruiser</font></a>
</td>
<td align="center" valign="top" width="250"><font face="Arial"><a href="d3.htm"><img src="d3-t.jpg" border="0" width="182" height="100"></a><br>
</font><a href="d3.htm"><font face="Arial">D3 cruiser</font></a>
</td>
<td align="center" valign="top" width="250"><font face="Arial"><a href="d4.htm"><img src="d4-t.jpg" border="0" width="176" height="100"></a><br>
<a href="d4.htm">D4 cruiser</a>
</font>
</td>
</tr>
<tr>
<td></td>
<td></td>
<td> </td>
</tr>
<tr>
<td align="center" valign="top" width="250"><font face="Arial"><a href="d5.htm"><img src="d5-t.jpg" border="0" width="178" height="100"></a><br>
<a href="d5.htm">D5 cruiser</a>
</font>
</td>
<td align="center" valign="top" width="250"><font face="Arial"><a href="d6.htm"><img src="d6-t.jpg" border="0" width="174" height="100"></a><br>
</font><a href="d6.htm"><font face="Arial">D6 cruiser</font></a>
</td>
<td align="center" valign="top" width="250"><font face="Arial"><a href="d7.htm"><img src="d7-t.jpg" border="0" width="161" height="100"></a><br>
<a href="d7.htm">D7 cruiser</a>
</font>
</td>
</tr>
</table>
</center>
</div>
<p> </p>
<p><font size="4" face="Arial"><b><img src="sflogo.gif" width="11" height="20"> Project Previews<br>
</b></font><font face="Arial"><em><img src="orangedot.gif"
width="100%" height="12"></em></font></p>
<div align="center">
<center>
<table border="0" cellpadding="2" cellspacing="4">
<tr>
<td align="center" valign="top" width="260"><font face="Arial"><a href="sf-transports.htm"><img src="small_transport-t.jpg" width="167" height="100"></a><br><a href="sf-transports.htm">Starfleet
transports</a> </font></td>
<td align="center" valign="top" width="260"><font face="Arial"><a href="stations.htm"><img src="otherstations-t.jpg" width="169" height="100"></a><br><a href="stations.htm">23rd
century space stations</a> </font></td>
<td align="center" valign="top" width="260"></td>
</tr>
</table>
</center>
</div>
<p> </p>
<p align="center"><font face="Arial" size="2"><b>Partner Site:</b></font></p>
<p align="center"><a href="http://www.st-minutiae.com/"><img src="stm-banner.png"></a></p>
<p> </p>
<p><font size="2" face="Arial"><b>Disclaimer:</b> STAR TREK and many related terms
are registered trademarks of Paramount Pictures, Inc. The Starfleet Museum is a strictly non-commercial fan website. Occasional references
to and reconstructions of copyrighted material such as the original Enterprise design by Matt Jefferies have been included under the terms
of "fair use". Other than that, this website consists of fan art and fan fiction with a high level of originality that does not
constitute a copyright infringement and that falls under copyright protection itself.</font></p>
<p><font size="2" face="Arial"><b>Copyright notice:</b>
The Starfleet Museum logo, all text and all images in this
section are copyright of <a href="/cdn-cgi/l/email-protection#eb84808a918a8082868a988a84ab8c868a8287c5888486">Masao
Okazaki</a>, unless otherwise
denoted. Reproduction in the form of excerpts is permitted for non-commercial purposes,
provided that all material is properly credited. Web design by <a href="http://www.ex-astris-scientia.org" rel="nofollow">Bernd
Schneider</a></font></p>
<p><font size="2" face="Arial">
The SF Museum presents a fan fiction that does not necessarily comply with
events shown on screen, especially not with the most recent series, Enterprise.
Read more about the SF Museum <a href="about.htm">here</a>.</font></p>
<p> </p>
<p><font face="Arial"><em><img src="orangedot.gif" width="100%"
height="12"></em></font></p>
<p align="center"><font
face="Arial"><a href="index.htm"><img src="entrance.gif" width="100" height="40"></a></font></p>
<div align="center"><center>
<table border="0" cellpadding="0" cellspacing="0" width="100%">
<tr>
<td align="left"><a href="http://www.ex-astris-scientia.org"><img src="eas-small-white.gif" width="196" height="32"></a></td>
<td align="right"><font
size="2" face="Arial">Last modified: <!--webbot bot="Timestamp"
s-type="EDITED" s-format="%d.%m.%y" startspan -->03.02.17<!--webbot bot="Timestamp" endspan i-checksum="13166" --> </font></td>
</tr>
</table>
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</html>
|
The Starfleet Museum - A Report by Masao Okazaki
| | | |
| --- | --- | --- |
| SF Museum logo | | The Starfleet Museum |
** Welcome to the Starfleet
Museum!****
The Starfleet Museum was established in
2213 with the goal of preserving historically important Starfleet ships for future generations.
Our [Orbital Annex](sfm-001.jpg) currently houses more than 50 historically important vessels. In addition, hundreds of historical artifacts tracing the history of
manned space flight are on display at the Main Museum Complex. The Starfleet Museum invites you to pay a
visit now that you are in the Sol system.
Admission free.
***Take
a virtual tour!***
| | | |
| --- | --- | --- |
| [Introduction to the Museum](introduction.htm) |
**[The Starfleet Museum](http://www.lulu.com/shop/masao-okazaki-and-dan-carlson/starfleet-museum-print-edition/paperback/product-23571015.html)** as a book*(sold at cost price)* | [Museum Timeline](timeline.htm)
|
| | |
| [UESN Ships](uesn.htm) | [Starfleet
Ships](starfleet.htm) | [About This Website](about.htm)
|
| | |
| [Special
Research Collection](special-collection.htm) | [Notes Part 1](notes1.htm) | [2](notes2.htm) | [Bluescale](notes-bluescale.htm)
|
******Romulan War Wing****
| | | |
| --- | --- | --- |
|
[Introduction](romulan-war.htm) |
[The Development of Matter/Antimatter Drives](warp-development.htm) | |
| | | |
| **Small
Cruisers** |
|
[Amarillo class](amarillo.htm) |
[Krechet class](krechet.htm) |
[Torsk class](torsk.htm) |
| | | |
| |
[Powhatan class](powhatan.htm) | |
| | | |
| **Large
Cruisers and Transports** |
|
[Bison class](bison.htm) |
[Pioneer class](pioneer.htm) |
[Tannhäuser class](tannhaeuser.htm) |
| | | |
|
[Farragut class](farragut.htm) |
[Olympus Mons & Reid Fleming](olympus_mons.htm) |
[Conqueror class](conqueror.htm) |
| | | |
| |
[Baikal class & Marconi class](baikal-marconi.htm) | |
| | | |
| **Other
UESN Ships** |
|
[Yorktown class
& Minotaur](yorktown-minotaur.htm) |
[Archer & Curran class](archer-curran.htm) | [Fireball & Comet class](fireball.htm) |
******Early Federation Wing****
| |
| --- |
|
[Starfleet ship
chart 2160-2260](cruiser-chart.jpg) |
| | | |
| **22nd
Century** |
|
[Introduction](starfleet-22nd.htm) |
[Daedalus class](daedalus.htm) |
[Dragon class](dragon.htm) |
| | | |
|
[Ocean class](ocean.htm) |
[Sozvezdie &
Constellation](constellation.htm) |
[Wasp class](wasp.htm) |
| | | |
|
[Moskva
class](moskva.htm) | [Gagarin class](gagarin.htm) |
[Hyperion class](hyperion.htm) |
| | | |
| [Paris
class](paris.htm)
|
[Asia class](asia.htm) | |
| | | |
| **Early
23rd Century** |
|
[Introduction](starfleet-23rd.htm) |
[Lancaster
class](lancaster.htm) |
[Horizon class](horizon.htm) |
| | | |
|
[Giant class](giant.htm) |
[Quetzalcoatl class](quetzalcoatl.htm) | [Kestrel
& Aryabhatta](kestrel.htm) |
| | | |
|
[Valley
Forge class](valleyforge.htm) |
[Belleau
Wood class](belleauwood.htm) | [23rd
century carriers & fighters](alburak.htm)
|
| | | |
|
[Siegfried
class](siegfried.htm) | [Capella
class](capella.htm)
| [Pyotr
Velikiy & Constitution](pyotr-velikiy.htm)
|
| | | |
| [Avenger
& Predator class](avenger-predator.htm)
| | |
| | | |
| **Late
23rd Century** |
| |
[Furious class & Spectre
class](furious.htm) | |
** Ships of the Galaxy****
| |
| --- |
| **Romulan
Ships** |
| [Romulan
ships during the Earth-Romulan War](romulan-cruisers.htm) |
[Postwar Romulan
ships](postwar-romulans.htm) | |
| | | |
| **Klingon
Ships** |
| |
[Introduction](klingon1.htm) | |
| | | |
|
[D2 cruiser](d2.htm) |
[D3 cruiser](d3.htm) |
[D4 cruiser](d4.htm)
|
| | | |
|
[D5 cruiser](d5.htm)
|
[D6 cruiser](d6.htm) |
[D7 cruiser](d7.htm)
|
** Project Previews****
| | | |
| --- | --- | --- |
| [Starfleet
transports](sf-transports.htm) | [23rd
century space stations](stations.htm) | |
**Partner Site:**
[](http://www.st-minutiae.com/)
**Disclaimer:** STAR TREK and many related terms
are registered trademarks of Paramount Pictures, Inc. The Starfleet Museum is a strictly non-commercial fan website. Occasional references
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**Copyright notice:**
The Starfleet Museum logo, all text and all images in this
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provided that all material is properly credited. Web design by [Bernd
Schneider](http://www.ex-astris-scientia.org)
The SF Museum presents a fan fiction that does not necessarily comply with
events shown on screen, especially not with the most recent series, Enterprise.
Read more about the SF Museum [here](about.htm).
**
[](index.htm)
| | |
| --- | --- |
| | Last modified: 03.02.17 |
| https://www.starfleet-museum.org/ |
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<p align="center"><b><font color="#0000FF" face="Arial MT Black" size="5"><i>Remember</i></font></b></td>
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<td width="514" align="center"><b><font size="3" face="Arial MT Black"><font color="#0000FF"> the
</font><font color="#FF0000">World Trade Center</font><font color="#0000FF">,
the </font><font color="#FF0000">Pentagon</font><font color="#0000FF">,</font></font></b></td>
</tr>
<tr>
<td width="514" align="center"><b><font color="#0000FF" size="3" face="Arial MT Black">and
the many people killed or injured on </font></b></td>
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<td width="514" align="center"><b><font color="#0000FF" size="3" face="Arial MT Black">September
11, 2001.</font></b></td>
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<td width="514" align="center"><b><font face="Arial MT Black"><font color="#0000FF" size="3">Help
us seek justice upon the </font><font size="3" color="#FFCC00">nameless</font></font></b></td>
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<td width="514" align="center"><b><font face="Arial MT Black"><font size="3" color="#FFCC00">cowards</font><font color="#0000FF" size="3">
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Toronto, CA</font></font></b></td>
</tr>
</center>
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<p align="center"><b><font color="#0000FF" face="Arial MT Black">"<a href="http://wildfilly.com/forgotten.html">The
Forgotten Victims</a>" by Karen Lee Stevens</font></b></p>
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<p align="center"><b><i><font color="#FF0000">"Liberty is not freedom
when we are forced to surrender our rights in the name of
security. For Freedom's sake -- help us stop terrorism NOW !!!"</font></i></b>
<BR> <b><i>-- <a href="http://www.akip.org">Mark Chryson</a>,
Chairman, Alaskan Independence Party</i></b><BR></td>
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<LI> Those are just the MAJOR page links.......you will find MANY other clickable links from these pages, don't hesitate to click away !! ( But please come BACK now, y'hear?)
<LI> Most of these pages have been changed very little in the transferring from their original sites.......I have tried to preserve the originality. Hopefully, you will see some progress as I learned more, and tried new things.
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<TD><CENTER><A HREF="/wildfilly.html" target="blank"><FONT FACE="Papyrus"><I><STRONG>
WiLDFILLY's Corral !</A></CENTER></TD></I></STRONG>
<TD><CENTER><A HREF="/kove.html" target="blank"><FONT FACE="Papyrus"><I><STRONG>
Kitty Kove</A></CENTER></TD></I></STRONG>
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Filly Remembers....</A></CENTER></TD></I></STRONG>
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WiLDFILLY's Endangered Friends</A></CENTER></TD></I></STRONG>
<TD><CENTER><A HREF="/cookin.html" target="blank"><FONT FACE="Papyrus"><I><STRONG>
WiLDFILLY Cooks Too !</A></CENTER></TD></I></STRONG>
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Prepare NOW for a Disaster</A></CENTER></TD></I></STRONG>
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A Wedding To Remember</A></CENTER></TD></I></STRONG>
<TD><CENTER><A HREF="/genstart.html" target="blank"><FONT FACE="Papyrus"><I><STRONG>
WiLDFILLY's Family Search</A></CENTER></TD></I></STRONG>
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Awards Given To The Pages</A></CENTER></TD></I></STRONG>
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The Legal Stuff</A></CENTER></TD></I></STRONG>
</TR>
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<CENTER><BR><BR><I><FONT SIZE="+1"><FONT FACE="COMIC SANS"><FONT COLOR="#0000FF"><EM><STRONG>
New pages will be listed here till I can decide where to put them....enjoy!</CENTER><BR><BR>
</CENTER>
<BLOCKQUOTE>
<A HREF="flags.html" target="blank"> Friends From The World Over...</A><BR>
<A HREF="whroses.html" target="blank"> White Roses...</A><BR>
<A HREF="story.html" target="blank"> What Would You Do?...</A><BR>
<A HREF="letter.html" target="blank"> Letter To Santa...</A><BR>
<A HREF="snow.html" target="blank">It really DOES snow in Oklahoma !</A><BR>
<A HREF="AmericanAirlines.html" target="blank"><IMG SRC="images/new.gif" BORDER="0" ALT="new">American Airlines Orientation, Dallas, TX, 2000</A>
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<BR><I><FONT SIZE="+1"><FONT FACE="COMIC SANS"><FONT COLOR="#0000FF"><EM><STRONG>
As always, due to the cat hair in the keyboard,<BR> (that's MY story 'n I'm stickin' to it !), <BR>
<I><FONT SIZE="+1"><FONT FACE="COMIC SANS">
<BR></FONT>
<FONT SIZE="+1">
<center>Find a broken link? Have comments or suggestions?<BR>
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[](http://wewebwatch.net)
[](http://www.safesurf.com/)
[](http://www.anybrowser.org/campaign/)
| |
| --- |
| |
| |
| ***Remember*** |
| **the
World Trade Center,
the Pentagon,** |
| **and
the many people killed or injured on** |
| **September
11, 2001.** |
| **Help
us seek justice upon the nameless** |
| **cowards
behind these senseless attacks !** |
| |
| **"[YOU
MISSED AMERICA !](http://wildfilly.com/terror1.html) " A letter to all terrorists** |
| **"[Tribute
to the United States](http://wildfilly.com/terror2.html)" by Gordon Sinclair,
Toronto, CA** |
| **"[The
Forgotten Victims](http://wildfilly.com/forgotten.html)" by Karen Lee Stevens**
|
| |
| |
| ***"Liberty is not freedom
when we are forced to surrender our rights in the name of
security. For Freedom's sake -- help us stop terrorism NOW !!!"***
***-- [Mark Chryson](http://www.akip.org),
Chairman, Alaskan Independence Party*** |
| |
| |
| --- |
| |
[](http://wildfilly.com/ak)
**>
> Some things to know about my pages:
>
>
> - These pages were designed for 800 X 600 monitor resolution, but should be easily viewable in all, with ANY browser.
> - The above collage is an "image map." By clicking on any of the subjects, you can go to those pages, and you can click on the site map link from any page to return here.
> - Some OLDER browsers, i.e. Netscape 2.0 and IE 2.0 do not support image maps, so there are both a navigation bar and clickable links, for alternate ease in getting around.
> - Those are just the MAJOR page links.......you will find MANY other clickable links from these pages, don't hesitate to click away !! ( But please come BACK now, y'hear?)
> - Most of these pages have been changed very little in the transferring from their original sites.......I have tried to preserve the originality. Hopefully, you will see some progress as I learned more, and tried new things.
>
***Text Links To Main Pages***| [***WiLDFILLY's Corral !***](/wildfilly.html) | [***Kitty Kove***](/kove.html) | [***Filly Remembers....***](/memories.html) | [***WiLDFILLY's Endangered Friends***](/end.html) | [***WiLDFILLY Cooks Too !***](/cookin.html) |
| [***Prepare NOW for a Disaster***](/disaster1.html) | [***A Wedding To Remember***](/wedding.html) | [***WiLDFILLY's Family Search***](/genstart.html) | [***Awards Given To The Pages***](/awards.html) | [***The Legal Stuff***](/legal.html) |
****New pages will be listed here till I can decide where to put them....enjoy!****
>
> [Friends From The World Over...](flags.html)
>
> [White Roses...](whroses.html)
>
> [What Would You Do?...](story.html)
>
> [Letter To Santa...](letter.html)
>
> [It really DOES snow in Oklahoma !](snow.html)
>
> [American Airlines Orientation, Dallas, TX, 2000](AmericanAirlines.html)
>
[](http://sm2.sitemeter.com/stats.asp?site=sm2WiLDFILLY)
[](http://www.goldenwebawards.com/officialawardwinner.shtml)
****As always, due to the cat hair in the keyboard,
(that's MY story 'n I'm stickin' to it !),
*Find a broken link? Have comments or suggestions?
Feel free to e-mail the [webmaster](http://wildfilly.com/mail.html)
.
Design by
**[](design.html)
© 2000 - 2005******
Hosted by
**[](http://www.web-ak.com)***
[](http://www.cyberangels.org)
[](http://www.drdolittle.net/greatandsmall/petition/)
[](http://www.visionsinsteel.com)
[](http://www.thehungersite.org)
[](http://www.petdoors.com )**
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Dewayne E. Perry --- Ceramics
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<center><h1>
Modern Studio Ceramics (Mostly Functional)
</h1>
<p>
<hr>
<center><h2>
Premier Central Texas Pottery Events
</h2>
<p>
<h4><a href=http://www.artofthepot.com/>Pottery Confidential (April 29th) & Art of the Pot (Mother's Day Weekend)</a><br>
<a href=http://www.texasclayfestival.com/>Texas Clay Festival - End of October</a><br></h4>
<br>
<hr>
<h2><a href=AWOWF/index.html>A Wealth of Woodfiring</a></h2>
<br>
<hr>
<br>
<center><table border=5>
<th align=center colspan=2><h2>Some Texas Potters We Like</h2></th>
<tr>
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<ul>
<li>
</ul>
<td>
<ul>
<li>
</ul>
</td>
</tr>
</table></center>
<br>
<br>
<center><table border=5>
<th align=center colspan=2><h2>Some Potters We Like - USA</h2></th>
<tr>
<td>
<ul>
<li><a href=bennion.html>Joseph Bennion</a>
<li><a href=briscoe.html>Robert Briscoe</a>
<li><a href=christianson.html>Linda Christianson</a>
<li><a href=crowe.html>Kevin Crowe</a>
<li><a href=dressang.html>Paul Dressang</a>
<li><a href=gebben.html>Willem Gebben</a>
<li><a href=heazlitt.html>Rand Heazlitt</a>
<li><a href=heino.html>Vivka & Otto Heino</a>
<li><a href=herold.html>Jane Herold</a>
<li><a href=hewitt.html>Mark Hewitt</a>
<li><a href=holter.html>Michael Holter</a>
<li><a href=johnston.html>Jan McKeachie and Randy Johnston</a>
<li><a href=johnston-f.html>Fred Johnston</a>
</ul>
<td>
<ul>
<li><a href=karnes.html>Karen Karnes</a>
<li><a href=mackenzie.html>Warren Mackenzie</a>
<li><a href=mickey.html>Shane Mickey</a>
<li><a href=miller.html>Gregory Miller</a>
<li><a href=owens.html>Vernon Owens</a>
<li><a href=ruggles-rankin.html>Douglass Rankin and Will Ruggles</a>
<li><a href=shapiro.html>Mark Shapiro</a>
<li><a href=singleton.html>Willi Singleton</a>
<li><a href=skudlarek.html>Mark Skudlarek</a>
<li><a href=swanson.html>Will Swanson</a>
<li><a href=temple.html>Byron Temple</a>
<li><a href=thies.html>John Thies</a>
<li><a href=vangilder.html>Bill Van Gilder</a>
</ul>
</td>
</tr>
</table></center>
<br>
<br>
<center><table border=5>
<th align=center colspan=2><h2>Some Potters We Like - UK</h2></th>
<tr>
<td>
<ul>
<li><a href=andrews.html>Tim Andrews</a>
<li><a href=bayer.html>Svend Bayer</a>
<li><a href=bowen.html>Clive Bowen</a>
<li><a href=carter.html>Chris Carter</a>
<li><a href=casson.html>Sheila and Mick Casson</a>
<li><a href=clarke.html>Jenny Clarke</a>
<li><a href=dodd.html>Mike Dodd</a>
<li><a href=doherty.html>Joan & Jack Doherty</a>
<li><a href=finch.html>Ray Finch</a>
<li><a href=green.html>Paul Green</a>
<li><a href=gregory.html>Ian Gregory</a>
<li><a href=hale.html>Jenny Hale</a>
<li><a href=hamlyn.html>Jane Hamlyn</a>
<li><a href=harrison.html>Steve Harrison</a>
<li><a href=jelf.html>John Jelf</a>
<li><a href=keeler.html>Walter Keeler</a>
<li><a href=leach-d.html>David Leach</a>
</ul>
<td>
<ul>
<li><a href=leach-j.html>John Leach</a>
<li><a href=lewis.html>Chris Lewis</a>
<li><a href=mallalieu.html>Fenella Mallalieu</a>
<li><a href=malone.html>Jim Malone</a>
<li><a href=mommens.html>Ursula Mommens</a>
<li><a href=pearson.html>Colin Pearson</a>
<li><a href=rees.html>Nick Rees</a>
<li><a href=reynolds.html>Petra Reynolds & Jeremy Stewart</a>
<li><a href=rogers.html>Phil Rogers</a>
<li><a href=sanderson.html>Robert Sanderson</a>
<li><a href=schlossingk.html>Micki Schlossingk</a>
<li><a href=trey.html>Marianne de Trey</a>
<li><a href=tudball.html>Ruthanne Tudball</a>
<li><a href=walton.html>Sarah Walton</a>
<li><a href=wilson.html>George Wilson</a>
<li><a href="wren1.html">Rosemary Wren</a>,
<a href="wren2.html">2</a>,
<a href="wren3.html">3</a>,
<a href="wren4.html">4</a>,
<a href="wren5.html">5</a>,
<a href="wren6.html">6</a>,
<a href="wren7.html">7</a>
</ul>
</td>
</tr>
</table></center>
<br>
<br>
<center><table border=5>
<th align=center colspan=2><h2>Some Potters We Like - Germany</h2></th>
<tr>
<td>
<ul>
<li><a href=gess.html>Jutta and Hans Gess</a>
<li><a href=goerg.html>Martin Goerg</a>
<li><a href=hach.html>Hans Georg Hach</a>
<li><a href=kerstan.html>Horst Kerstan</a>
<li><a href=mann.html>Johannes Mann</a>
<li><a href=mcwilliam.html>Martin McWilliam</a>
</ul>
<td>
<ul>
<li><a href=mvogel.html>Mecklenburger Voegel</a>
<li><a href=planke.html>Jens-Peter Planke</a>
<li><a href=reich.html>Angelika and Juergen Reich</a>
<li><a href=tatko.html>Gerhard Tatko</a>
<li><a href=ueffing.html>Michael Ueffing</a>
</ul>
</td>
</tr>
</table></center>
<br>
<br>
<center><table border=5>
<th align=center colspan=2><h2>Some Potters We Like - France</h2></th>
<tr>
<td>
<ul>
<li><a href=astoul.html>Eric Astoul</a>
<li><a href=krumeich.html>Christian Krumeich</a>
<li><a href=pedley.html>Christine Pedley</a>
<li><a href=ruhlmann.html>Loys Ruhlmann</a>
</ul>
</td>
</tr>
</table></center>
<br>
<br>
<center><table border=5>
<th align=center colspan=2><h2>Some Potters We Like - Japan</h2></th>
<tr>
<td>
<ul>
<li><a href=gemrich.html>Andrew Gemrich</a>
<li><a href=miyajima.html>Masayuki Miyajima</a>
<li><a href=shimaoka.html>Tatsuzo Shimaoka</a>
<li><a href=tao.html>Akiko Tao</a>
<li><a href=tsuruno.html>Keizi Tsuruno</a>
</ul>
</td>
</tr>
</table></center>
<br>
<br>
<center><table border=5>
<th align=center colspan=2><h2>Some Potters We Like - Australia</h2></th>
<tr>
<td>
<ul>
<li><a href=barron.html>Robert Barron</a>
<li><a href=mincham.html>Jeff Mincham</a>
</ul>
</td>
</tr>
</table></center>
<br>
<br>
<center><table border=5>
<th align=center colspan=2><h2>Some Potters We Like - Switzerland</h2></th>
<tr>
<td>
<ul>
<li><a href=sargent.html>Patrick Sargent</a>
</ul>
</td>
</tr>
</table></center>
<br>
<br>
<center><table border=5>
<th align=center colspan=2><h2>Links to Some Potters</h2></th>
<tr>
<td>
<ul>
<li>
<A HREF="http://www.biwa.or.jp/~shiho/karl.html">Karl Beamer (U.S.A.)</a><BR>
<li>
<A HREF="http://home.stlnet.com/~mpotts/artisan.htm">Linda Christianson</A>
<li>
<a href="http://www.RobertComptonPottery.com">Robert Compton Potterey</a>
<li>
<A HREF="http://www.artscape.com/Artists/disman/index.html">Judy Disman</A>
<li>
<a href=http://netquarters.net/~btaylor/dogbar/>Dogbar Pottery - Sam Taylor</a>
<li>
<A HREF="http://194.70.69.4:80/harehope/">Harehope Forge Pottery</A>
<li>
<A HREF="http://www.culturenet.ucalgary.ca/artists/pheer/index.html">Peggy Heer</A>
<li>
<a href=http://www.uwrf.edu/art/faculty/Johnston/welcome.html>Randy Johnston</a>
<li>
<A HREF="http://www.artscape.com/Artists/kart/index.html">Jeanne Kart</A>
<li>
<A HREF="http://www.biwa.or.jp/~shiho/shiho.html">Shiho Kanzaki (Japan)</A><BR>
<li>
<A HREF="http://www.biwa.or.jp/~shiho/dick.html">Dick Lehman (U.S.A.)</A><BR>
<li>
<a href=http://www.pem.org/exhibits/mingei/>The Mingei/USA Tour</a>
<li>
<a href=http://www.silverhawk.com/crafts/makoto97.html>Makoto Hatori</a>
</ul>
<td>
<ul>
<li>
<A HREF="http://www.artscape.com/Artists/mickey/index.html">Stephen Mickey</A>
<li>
<a href=http://www.geocities.com/okrapotter/index.html>Ocra Pottery - Mike Kline</a>
<li>
<A HREF="http://www.biwa.or.jp/~shiho/chester.html">Chester Nealie (Australia)</A><BR>
<li>
<A HREF="http://www.artoz.com/sodaglaze/">Gail Nichols</A>
<li>
<a href=http://www.pinemills.com>Pinemills Pottery - Daphne & Gary Hatcher</a>
<li>
<A HREF="http://www.artscape.com/Artists/shuster/index.html">Ruth Shuster</A>
<li>
<A HREF="http://www.ozemail.com.au/~smithl/">Leonard and Lindy Smith</A>
<li>
<A HREF="http://www.connect.ab.ca/~jims/j-menu.htm#.">Jim Speers</A>
<li>
<A HREF="http://www.biwa.or.jp/~shiho/toshiko.html">Toshiko Takaezu (U.S.A.)</a><BR>
<li>
<A HREF="http://www.biwa.or.jp/~shiho/voulkos.html">Peter H. Voulkos (U.S.A)</A><BR>
<li>
<a href="http://www.crocker.com/~okra/">Okra Pottery</a>
<li>
<a href=http://www.jaffebros.com/lee/pottery/>Lee Jaffe</a>
</ul>
</td></tr>
</table></center>
<br>
<br>
<center><table border=5>
<th align=center colspan=2><h2>Some Ceramics Links</h2></th>
<tr>
<td>
<ul>
<li>
<a href="http://www.ferringallery.com">Ferrin Gallery/Pinch Pottery</a>
<li>
<a href="http://www.pvcrafts.org/">Peters Valley</a>
<li>
<a href="http://www.mm.com/mnclayus/">Minnesota Clay</a>
<li>
<a href="http://www.whistlepig.com/claytimes/">Clay Times Magazine</a>
<li>
<a href="http://archiebray.org/">Archie Bray Foundation</a>
<li>
<a href="http://www.tmn.com/Artswire/gharts/GHP/GHPott.html">Greenwich House Pottery</a>
<li>
<a href="http://grafik.sdsu.edu/ceramicsweb/">The Ceramics Web</a>
<li>
<a href="http://www.ikts.fhg.de/ceramics.html">WWW VL: Technical Ceramics</a><br>
<li>
<a href="http://www.princeton.edu/~mpitelka/ceramics.html">Morgan Pitelka's Ceramics Link</a><br>
<li>
<a href = "http://www.aztec.co.za/users/theo/">Potters Page</a><br>
<li>
<a href="http://www.uky.edu/Artsource/vce/VCEhome.html">Virtual Ceramics Exhibit</a>
<li>
<a href="http://www.bonhams.com/">Bonhams [Contemporary Ceramics]</a>
<li>
<a href="http://www.cogent-comms.co.uk/crafts/01000/0058801.htm">Craft Potters Ass'n of Great Britain</a>
<li>
<a href=http://www.craftscouncil.org.uk/>Crafts Council, UK</a>
<li>
<a href=http://www.cclay.com/>Carolina Clay - NC Pottery</a>
<li>
<a href=http://www.margaretdesign.com/ceramiclinks/>Margaret's Ceramic Links</a>
</ul>
<td>
<ul>
<li>
<a href=http://www.ruffordcraftcentre.org.uk/>Rufford Craft Centre</a>
<li>
<a href=http://www.ruffordceramiccentre.org.uk/>Rufford Ceramic Centre</a>
<li>
<a href=http://www.libertynet.org:80/~claystdo/>The Clay Studio</a>
<li>
<A HREF="http://www.garlic.com/reflections/japan/CERAMICS.HTM">Ceramic Traditions</A>
<li>
<A HREF="http://www.artscape.com/ceramics.html">Ceramics</A>
<li>
<A HREF="http://sfasian.apple.com/Mingei.htm">Art Without Heroes</A>
<li>
<A HREF="http://www.raku-art.com/links.html">RAKU-ART</A>
<li>
<A HREF="http://www.ozemail.com.au/~potinaus/">Pottery in Australia</A>
<li>
<A HREF="http://www.ozemail.com.au/~potinaus/psa.html">Potters' Society of Australia</A>
<li>
<A HREF="http://www.ceramics.de/">Ceramics in Europe</A>
<li>
<A HREF="http://tb4.chem.tue.nl/ecers/">European Ceramic Society</A>
<li>
<a href=http://www.cadvision.com/ceramics/>Canadian Ceramics</a>
<li>
<a href=http://www.biwa.or.jp/~shiho/>Shigaraki</a>
<li>
<a href=http://www.acers.org/>American Ceramic Society</a>
<li>
<a href=http://www.umass.edu/arthist/pots/main.html>Hollister Collection</a>
<li>
<a href=http://www.orientations.com.hk/index.html>Asian Art -- Orientations</a>
</ul>
</td></tr>
</table></center>
<p>
<hr>
<br>
<center>
<table border=3 align=center>
<tr>
<td>
<address><a HREF="../../index.html">Dewayne E. Perry</a>
<em> - This information last updated August 1998</em>
</address>
</td>
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Copyright © 1996. All rights reserved.
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|
Dewayne E. Perry --- Ceramics
---
#
Modern Studio Ceramics (Mostly Functional)
---
##
Premier Central Texas Pottery Events
#### [Pottery Confidential (April 29th) & Art of the Pot (Mother's Day Weekend)](http://www.artofthepot.com/)
[Texas Clay Festival - End of October](http://www.texasclayfestival.com/)
---
## [A Wealth of Woodfiring](AWOWF/index.html)
---
Some Texas Potters We Like || *
*
| |
Some Potters We Like - USA || * [Joseph Bennion](bennion.html)* [Robert Briscoe](briscoe.html)* [Linda Christianson](christianson.html)* [Kevin Crowe](crowe.html)* [Paul Dressang](dressang.html)* [Willem Gebben](gebben.html)* [Rand Heazlitt](heazlitt.html)* [Vivka & Otto Heino](heino.html)* [Jane Herold](herold.html)* [Mark Hewitt](hewitt.html)* [Michael Holter](holter.html)* [Jan McKeachie and Randy Johnston](johnston.html)* [Fred Johnston](johnston-f.html)
* [Karen Karnes](karnes.html)* [Warren Mackenzie](mackenzie.html)* [Shane Mickey](mickey.html)* [Gregory Miller](miller.html)* [Vernon Owens](owens.html)* [Douglass Rankin and Will Ruggles](ruggles-rankin.html)* [Mark Shapiro](shapiro.html)* [Willi Singleton](singleton.html)* [Mark Skudlarek](skudlarek.html)* [Will Swanson](swanson.html)* [Byron Temple](temple.html)* [John Thies](thies.html)* [Bill Van Gilder](vangilder.html)
| |
Some Potters We Like - UK || * [Tim Andrews](andrews.html)* [Svend Bayer](bayer.html)* [Clive Bowen](bowen.html)* [Chris Carter](carter.html)* [Sheila and Mick Casson](casson.html)* [Jenny Clarke](clarke.html)* [Mike Dodd](dodd.html)* [Joan & Jack Doherty](doherty.html)* [Ray Finch](finch.html)* [Paul Green](green.html)* [Ian Gregory](gregory.html)* [Jenny Hale](hale.html)* [Jane Hamlyn](hamlyn.html)* [Steve Harrison](harrison.html)* [John Jelf](jelf.html)* [Walter Keeler](keeler.html)* [David Leach](leach-d.html)
* [John Leach](leach-j.html)* [Chris Lewis](lewis.html)* [Fenella Mallalieu](mallalieu.html)* [Jim Malone](malone.html)* [Ursula Mommens](mommens.html)* [Colin Pearson](pearson.html)* [Nick Rees](rees.html)* [Petra Reynolds & Jeremy Stewart](reynolds.html)* [Phil Rogers](rogers.html)* [Robert Sanderson](sanderson.html)* [Micki Schlossingk](schlossingk.html)* [Marianne de Trey](trey.html)* [Ruthanne Tudball](tudball.html)* [Sarah Walton](walton.html)* [George Wilson](wilson.html)* [Rosemary Wren](wren1.html),
[2](wren2.html),
[3](wren3.html),
[4](wren4.html),
[5](wren5.html),
[6](wren6.html),
[7](wren7.html)
| |
Some Potters We Like - Germany || * [Jutta and Hans Gess](gess.html)* [Martin Goerg](goerg.html)* [Hans Georg Hach](hach.html)* [Horst Kerstan](kerstan.html)* [Johannes Mann](mann.html)* [Martin McWilliam](mcwilliam.html)
* [Mecklenburger Voegel](mvogel.html)* [Jens-Peter Planke](planke.html)* [Angelika and Juergen Reich](reich.html)* [Gerhard Tatko](tatko.html)* [Michael Ueffing](ueffing.html)
| |
Some Potters We Like - France || * [Eric Astoul](astoul.html)* [Christian Krumeich](krumeich.html)* [Christine Pedley](pedley.html)* [Loys Ruhlmann](ruhlmann.html)
|
Some Potters We Like - Japan || * [Andrew Gemrich](gemrich.html)* [Masayuki Miyajima](miyajima.html)* [Tatsuzo Shimaoka](shimaoka.html)* [Akiko Tao](tao.html)* [Keizi Tsuruno](tsuruno.html)
|
Some Potters We Like - Australia || * [Robert Barron](barron.html)* [Jeff Mincham](mincham.html)
|
Some Potters We Like - Switzerland || * [Patrick Sargent](sargent.html)
|
Links to Some Potters || * [Karl Beamer (U.S.A.)](http://www.biwa.or.jp/~shiho/karl.html)* [Linda Christianson](http://home.stlnet.com/~mpotts/artisan.htm)* [Robert Compton Potterey](http://www.RobertComptonPottery.com)* [Judy Disman](http://www.artscape.com/Artists/disman/index.html)* [Dogbar Pottery - Sam Taylor](http://netquarters.net/~btaylor/dogbar/)* [Harehope Forge Pottery](http://194.70.69.4:80/harehope/)* [Peggy Heer](http://www.culturenet.ucalgary.ca/artists/pheer/index.html)* [Randy Johnston](http://www.uwrf.edu/art/faculty/Johnston/welcome.html)* [Jeanne Kart](http://www.artscape.com/Artists/kart/index.html)* [Shiho Kanzaki (Japan)](http://www.biwa.or.jp/~shiho/shiho.html)* [Dick Lehman (U.S.A.)](http://www.biwa.or.jp/~shiho/dick.html)* [The Mingei/USA Tour](http://www.pem.org/exhibits/mingei/)* [Makoto Hatori](http://www.silverhawk.com/crafts/makoto97.html)
* [Stephen Mickey](http://www.artscape.com/Artists/mickey/index.html)* [Ocra Pottery - Mike Kline](http://www.geocities.com/okrapotter/index.html)* [Chester Nealie (Australia)](http://www.biwa.or.jp/~shiho/chester.html)* [Gail Nichols](http://www.artoz.com/sodaglaze/)* [Pinemills Pottery - Daphne & Gary Hatcher](http://www.pinemills.com)* [Ruth Shuster](http://www.artscape.com/Artists/shuster/index.html)* [Leonard and Lindy Smith](http://www.ozemail.com.au/~smithl/)* [Jim Speers](http://www.connect.ab.ca/~jims/j-menu.htm#.)* [Toshiko Takaezu (U.S.A.)](http://www.biwa.or.jp/~shiho/toshiko.html)* [Peter H. Voulkos (U.S.A)](http://www.biwa.or.jp/~shiho/voulkos.html)* [Okra Pottery](http://www.crocker.com/~okra/)* [Lee Jaffe](http://www.jaffebros.com/lee/pottery/)
| |
Some Ceramics Links || * [Ferrin Gallery/Pinch Pottery](http://www.ferringallery.com)* [Peters Valley](http://www.pvcrafts.org/)* [Minnesota Clay](http://www.mm.com/mnclayus/)* [Clay Times Magazine](http://www.whistlepig.com/claytimes/)* [Archie Bray Foundation](http://archiebray.org/)* [Greenwich House Pottery](http://www.tmn.com/Artswire/gharts/GHP/GHPott.html)* [The Ceramics Web](http://grafik.sdsu.edu/ceramicsweb/)* [WWW VL: Technical Ceramics](http://www.ikts.fhg.de/ceramics.html)* [Morgan Pitelka's Ceramics Link](http://www.princeton.edu/~mpitelka/ceramics.html)* [Potters Page](http://www.aztec.co.za/users/theo/)* [Virtual Ceramics Exhibit](http://www.uky.edu/Artsource/vce/VCEhome.html)* [Bonhams [Contemporary Ceramics]](http://www.bonhams.com/)* [Craft Potters Ass'n of Great Britain](http://www.cogent-comms.co.uk/crafts/01000/0058801.htm)* [Crafts Council, UK](http://www.craftscouncil.org.uk/)* [Carolina Clay - NC Pottery](http://www.cclay.com/)* [Margaret's Ceramic Links](http://www.margaretdesign.com/ceramiclinks/)
* [Rufford Craft Centre](http://www.ruffordcraftcentre.org.uk/)* [Rufford Ceramic Centre](http://www.ruffordceramiccentre.org.uk/)* [The Clay Studio](http://www.libertynet.org:80/~claystdo/)* [Ceramic Traditions](http://www.garlic.com/reflections/japan/CERAMICS.HTM)* [Ceramics](http://www.artscape.com/ceramics.html)* [Art Without Heroes](http://sfasian.apple.com/Mingei.htm)* [RAKU-ART](http://www.raku-art.com/links.html)* [Pottery in Australia](http://www.ozemail.com.au/~potinaus/)* [Potters' Society of Australia](http://www.ozemail.com.au/~potinaus/psa.html)* [Ceramics in Europe](http://www.ceramics.de/)* [European Ceramic Society](http://tb4.chem.tue.nl/ecers/)* [Canadian Ceramics](http://www.cadvision.com/ceramics/)* [Shigaraki](http://www.biwa.or.jp/~shiho/)* [American Ceramic Society](http://www.acers.org/)* [Hollister Collection](http://www.umass.edu/arthist/pots/main.html)* [Asian Art -- Orientations](http://www.orientations.com.hk/index.html)
| |
---
| | |
| --- | --- |
| [Dewayne E. Perry](../../index.html)
*- This information last updated August 1998*
||
Copyright © 1996. All rights reserved.
|
| https://users.ece.utexas.edu/~perry/fun/pots/ |
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<H1>Hannu's Boatyard</H1>
<H1>Free Boat Plans</H1>
<P>
Last updated December 20. 2017
</P>
<H2><A HREF="./updates.htm">Newest Updates</A><BR></H2>
<HR>
<TABLE>
<TR>
<TD COLSPAN=2 ALIGN=CENTER><FONT SIZE=5><B><A HREF="./crater/crater.htm">
Why boating in the first place?</B></A></FONT></TD>
</TR>
<TR><TD WIDTH=50></TD>
<TD><FONT SIZE=4>Looking for Mother Nature's
hidden treasures.</FONT><BR>
Published September 9. 2003<BR>
Last updated September 10. 2003</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
</TABLE>
<HR>
<TABLE>
<TR>
<TD ALIGN=CENTER VALIGN=TOP WIDTH=300>
<A HREF="./ossauray/auray_u.htm"><IMG SRC="./pic/p_auray1.jpg"></A><BR><BR>
<A HREF="./skiff/skiff.htm"><IMG SRC="./pic/p_skiff1.jpg"></A><BR><BR>
<A HREF="./coracle/coracle.htm"><IMG SRC="./pic/p_corac.jpg"></A><BR><BR>
<A HREF="./oss_sam/oss_sam.htm"><IMG SRC="./pic/p_ossam.jpg"></A><BR><BR>
<A HREF="./oss3/oss3.htm"><IMG SRC="./pic/p_dug.jpg"></A>
</TD>
<TD ALIGN=CENTER VALIGN=TOP>
<H2><A HREF="#XX1">One Sheet Boats</A><BR></H2>
<H2><A HREF="#XX5">One Sheet Boat Theory</A><BR></H2>
<H2><A HREF="#XX15">One and a Half Sheet Boats</A><BR></H2>
<H2><A HREF="#XX2">Slightly Larger Boats</A><BR></H2>
<H2><A HREF="#XX7">Extremely small boats</A><BR></H2>
<H2><A HREF="#XX3">Materials, Methods and Accessories</A><BR></H2>
<H2><A HREF="#XX6">Wood as Boatbuilding Material</A><BR></H2>
<H2><A HREF="#XX4">Building Projects</A><BR></H2>
<H2><A HREF="./links.htm">Links</A><BR></H2>
</TD>
<TD ALIGN=CENTER VALIGN=TOP WIDTH=300>
<A HREF="./glouc/glouc.htm"><IMG SRC="./pic/p_glouc.jpg"></A><BR><BR>
<A HREF="./dinghy1/simboii.htm"><IMG SRC="./pic/p_port.jpg"></A><BR><BR>
<A HREF="./dinghy3/ekstock.htm"><IMG SRC="./pic/p_eksto.jpg"></A><BR><BR>
<A HREF="./dinghy44/dinghy4.htm"><IMG SRC="./pic/p_ding4.jpg"></A><BR><BR>
<A HREF="./ecodory/ecodory.htm"><IMG SRC="./pic/p_little.jpg"></A>
</TD>
</TR>
</TABLE>
<HR>
<H1><A NAME="XX1">One Sheet Boat Plans</A></H1>
<TABLE>
<TR><TD COLSPAN=2 WIDTH=500>
<P>
"One sheet boats" are simple boats made basically of a single sheet
of plywood. These boats are typically easy, quick and cheap
to build, so they are very suitable for first boatbuilding
projects. On the other hand, their use is limited to protected
waters only.
</P>
</TD></TR>
<TR><TD WIDTH=50 HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./simbo/simbo.htm">
Simbo, the simple boat</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./simbo/simbo.htm"><IMG SRC="./pic/p_simbo.jpg"></A></TD>
<TD><FONT SIZE=4>As simple as it can get.<BR>
Free building instructions.</FONT><BR>
Published September 30. 2003<BR>
Last updated August 15. 2007</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./ossauray/auray_u.htm">
Micro Auray Punt</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./ossauray/auray_u.htm"><IMG SRC="./pic/p_auray.jpg"></A></TD>
<TD><FONT SIZE=4>A one sheet version of the much celebrated "Auray Punt".<BR>
Free boat plans and building instructions.</FONT><BR>
Published January 15. 2004<BR>
Last updated June 1. 2008</TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./ossauray/gallery/gallery.htm">
Micro Auray Gallery</B></A></FONT></TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./oss_sam/oss_sam.htm">
One Sheet Sampan</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./oss_sam/oss_sam.htm"><IMG SRC="./pic/p_ossam.jpg"></A></TD>
<TD><FONT SIZE=4>Free boat plans and building instructions.</FONT><BR>
Published March 18. 2004<BR>
Last updated June 9. 2004</TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./oss_sam/gallery/gallery.htm">
One Sheet Sampan Gallery</B></A></FONT></TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./oss3/oss3.htm">
18' One Sheet Canoe, the Dug</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./oss3/oss3.htm"><IMG SRC="./pic/p_oss3.jpg"></A></TD>
<TD><FONT SIZE=4>Free boat plans and building instructions.</FONT><BR>
Published September 5. 2003<BR>
Last updated August 15. 2007</TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./oss3/gallery/gallery.htm">
Dug Gallery</B></A></FONT></TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./admhat/admhat.htm">
HV'S Hattory</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./admhat/admhat.htm"><IMG SRC="./pic/p_admhat.jpg"></A></TD>
<TD><FONT SIZE=4>One sheet navy admiral's hattorious hatship.</FONT><BR>
Published October 20. 2003<BR>
Last updated October 20. 2003</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./oss4/sled.htm">
One Sheet Runabout, Sled</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./oss4/sled.htm"><IMG SRC="./pic/p_oss4.gif"></A></TD>
<TD><FONT SIZE=4>Free boat plans.</FONT><BR>
Published November 7. 2003<BR>
Last updated November 7. 2003</TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./oss4/gallery/gallery.htm">
Sled Gallery</B></A></FONT></TD></TR>
<TR><TD HEIGHT=20></TD></TR>
</TABLE>
<H1><A NAME="XX5">One sheet boat theory</A></H1>
<TABLE>
<TR><TD COLSPAN=2 WIDTH=500>
<P>
How to make the most out of Your one sheet boat.
</P>
</TD></TR>
<TR><TD WIDTH=50 HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./oss/oss.htm">
The Ultimate One Sheet Boat, Prism</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./oss/oss.htm"><IMG SRC="./pic/p_oss.jpg"></A></TD>
<TD><FONT SIZE=4>Discussion on maximising the displacement.<BR>
Free boat plans and building instructions.</FONT><BR>
Published April 9. 2003<BR>
Last updated September 5. 2003</TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./oss/gallery/gallery.htm">
Prism Gallery</B></A></FONT></TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./stab/stab.htm">
So it's stability You want?</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./stab/stab.htm"><IMG SRC="./pic/p_stab.jpg"></A></TD>
<TD><FONT SIZE=4>Discussion on small boat stability...<BR>
Inculding a free downloadable righting moment calculator.</FONT><BR>
Published June 16. 2003<BR>
Last updated March 3. 2005</TD></TR>
<TR>
<TD><FONT SIZE=4>...leading to...</FONT></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./oss2/oss2.htm">
Ultimater versions of the Prism</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./oss2/oss2.htm"><IMG SRC="./pic/p_oss2.gif"></A></TD>
<TD><FONT SIZE=4>Free boat plans and building instructions.</FONT><BR>
Published July 28. 2003<BR>
Last updated August 6. 2003</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
</TABLE>
<BR><BR><A HREF="#top">Top of the page.</A><BR><BR>
<HR>
<H1><A NAME="XX15">One and a Half Sheet Boats</A></H1>
<TABLE>
<TR><TD COLSPAN=2 WIDTH=500>
<P>
"One and a half sheet boats" are dinghies made of
one and a half sheets of plywood. Or
two dinghies (two similar or two different)
out of three sheets.
All of these dinghies are easy, quick and cheap
to build, so they too are very suitable for first boatbuilding
projects.
</P>
</TD></TR>
<TR><TD WIDTH=50 HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./dinghy1/simboii.htm">
Portuguese Style Dinghy</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./dinghy1/simboii.htm"><IMG SRC="./pic/p_ding1.jpg"></A></TD>
<TD><FONT SIZE=4>A sharp bowed dinghy.<BR>
Free boat plans and building instructions.</FONT><BR>
Published January 15. 2004<BR>
Last updated August 15. 2007</TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./dinghy1/gallery/gallery.htm">
Portuguese Style Dinghy Gallery</B></A></FONT></TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./dinghy2/auray_m.htm">
Mini Auray Punt</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./dinghy2/auray_m.htm"><IMG SRC="./pic/p_ding2.gif"></A></TD>
<TD><FONT SIZE=4>A small version of the much celebrated "Auray Punt".<BR>
Free boat plans.</FONT><BR>
Published January 15. 2004<BR>
Last updated June 3. 2008</TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./dinghy2/gallery/gallery.htm">
Mini Auray Gallery</B></A></FONT></TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./dinghy3/ekstock.htm">
Mini Ekstock</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./dinghy3/ekstock.htm"><IMG SRC="./pic/p_eksto.jpg"></A></TD>
<TD><FONT SIZE=4>A dinghy size version of a Chapman punt.<BR>
Free boat plans.</FONT><BR>
Published January 15. 2004<BR>
Last updated June 22. 2005</TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./dinghy3/gallery/gallery.htm">
Mini Ekstock Gallery</B></A></FONT></TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./dinghy4/jolla.htm">
Dinghy -57</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./dinghy4/jolla.htm"><IMG SRC="./pic/p_ding4.gif"></A></TD>
<TD><FONT SIZE=4>Punt plans from an old book.<BR>
Free boat plans.</FONT><BR>
Published January 15. 2004<BR>
Last updated January 15. 2004</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
</TABLE>
<BR><BR><A HREF="#top">Top of the page.</A><BR><BR>
<HR>
<H1><A NAME="XX2">Slightly Larger Boats</A></H1>
<TABLE>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./ruuhi/ruuhi.htm">
Flat bottomed swamp boats</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./ruuhi/ruuhi.htm"><IMG SRC="./pic/p_ruuhi.jpg"></A></TD>
<TD><FONT SIZE=4>Three boats of ancient design.<BR>
Free boat plans and building instructions.</FONT><BR>
Published September 12. 2008<BR>
Last updated September 24. 2008</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./3sd/3sd.htm">
3SD - a 17' 8" (5.4 m) dory</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./3sd/3sd.htm"><IMG SRC="./pic/p_3sd.gif"></A></TD>
<TD><FONT SIZE=4>A big dory out of just three sheets of plywood.<BR>
Free boat plans and building instructions.</FONT><BR>
Published June 24. 2008<BR>
Last updated June 24. 2008</TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./3sd/gallery/gallery.htm">
3SD Gallery</B></A></FONT></TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./2sd/2sd.htm">
2SD - a 12' (3.6 m) dory</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./2sd/2sd.htm"><IMG SRC="./pic/p_2sd.gif"></A></TD>
<TD><FONT SIZE=4>A small dory out of just two sheets of plywood.<BR>
Free boat plans and building instructions.</FONT><BR>
Published June 25. 2008<BR>
Last updated June 25. 2008</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./skiff12p/skif12p.htm">
A 12 ft Skiff</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./skiff12p/skif12p.htm"><IMG SRC="./pic/p_skif12.jpg"></A></TD>
<TD><FONT SIZE=4>Free boat plans and building instructions.</FONT><BR>
Published May 12. 2008<BR>
Last updated May 28. 2008</TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./skiff12p/gallery/gallery.htm">
12 ft Skiff Gallery</B></A></FONT></TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./skiff/skiff.htm">
A 10 1/2 ft Skiff</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./skiff/skiff.htm"><IMG SRC="./pic/p_skiff.jpg"></A></TD>
<TD><FONT SIZE=4>Free boat plans and building instructions.</FONT><BR>
Published August 17. 2004<BR>
Last updated August 15. 2007</TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./skiff/gallery/gallery.htm">
10 1/2 ft Skiff Gallery</B></A></FONT></TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./rpunt/rpunt.htm">
A 14' Rowing Punt</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./rpunt/rpunt.htm"><IMG SRC="./pic/p_rpunt.gif"></A></TD>
<TD><FONT SIZE=4>A rowing punt inspired by old fishing<BR>
prams in a boat museum.</FONT><BR>
Published December 28. 2005<BR>
Last updated June 3. 2008</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./wpunt/wpunt.htm">
A 15'8" fishing punt</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./wpunt/wpunt.htm"><IMG SRC="./pic/p_wpunt.jpg"></A></TD>
<TD><FONT SIZE=4>A stable 15'8" work/fishing punt, that can be sculled,<BR>
but also driven with a small outboard.</FONT><BR>
Published August 17. 2007<BR>
Last updated June 3. 2008</TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./wpunt/gallery/gallery.htm">
Fishing Punt Gallery</B></A></FONT></TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./ecodory/ecodory.htm">
Two Dories</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./ecodory/ecodory.htm"><IMG SRC="./pic/p_little.jpg"></A></TD>
<TD><FONT SIZE=4>Little Sister and Big Sister.<BR>
Free boat plans and building instructions.</FONT><BR>
Published September 3. 2003<BR>
Last updated August 15. 2007</TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./ecodory/gallery/gallery.htm">
Little Sister Dory Gallery</B></A></FONT></TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./scull1/scull1.htm">
A Light Sculling Training Boat</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./scull1/scull1.htm"><IMG SRC="./pic/p_scull.jpg"></A></TD>
<TD><FONT SIZE=4>Free boat plans and building instructions.</FONT><BR>
Published May 5. 2003<BR>
Last updated November 4. 2008</TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./scull1/gallery/gallery.htm">
Training Boat Gallery</B></A></FONT></TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./hulls/hulls.htm">
Hulls</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./hulls/hulls.htm"><IMG SRC="./pic/p_hulls.gif"></A></TD>
<TD><FONT SIZE=4>A small collection of free but immature boat designs.</FONT><BR>
Published May 14. 2003<BR>
Last updated March 16. 2005</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
</TABLE>
<BR><BR><A HREF="#top">Top of the page.</A><BR><BR>
<HR>
<H1><A NAME="XX7">Extremely small boats</A></H1>
<TABLE><TR><TD COLSPAN=2 WIDTH=500>
<P>
You can't build boats much smaller than this.
</P>
</TD></TR>
<TR><TD WIDTH=50 HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./dinghy44/dinghy4.htm">
4 ft - Halfpea dinghy</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./dinghy44/dinghy4.htm"><IMG SRC="./pic/p_ding4.jpg"></A></TD>
<TD><FONT SIZE=4>The world's shortest dinghy that looks like a dinghy,<BR>
not like a box.</FONT><BR>
Published September 24. 2006<BR>
Updated June 3. 2008</TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./dinghy44/gallery/gallery.htm">
Halfpea Gallery</B></A></FONT></TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./coracle/coracle.htm">
4 1/2 ft - plywood lath coracle</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./coracle/coracle.htm"><IMG SRC="./pic/p_corac.jpg"></A></TD>
<TD><FONT SIZE=4>A basket boat built according to principles<BR>
thousands of years old.</FONT><BR>
Published October 1. 2006<BR>
Updated October 1. 2006</TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./coracle/gallery/gallery.htm">
Coracle Gallery</B></A></FONT></TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./microp/microp.htm">
5 ft - Micro Portuguese Style Dinghy</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./microp/microp.htm"><IMG SRC="./pic/p_microp.jpg"></A></TD>
<TD><FONT SIZE=4>An easy to build beach toy.</FONT><BR>
Published September 9. 2009<BR>
Updated September 9. 2009</TD></TR>
<!--
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./microp/gallery/gallery.htm">
Micro Portuguese Dinghy Gallery</B></A></FONT></TD></TR>
-->
<TR><TD HEIGHT=20></TD></TR>
</TABLE>
<BR><BR><A HREF="#top">Top of the page.</A><BR><BR>
<HR>
<H1><A NAME="XX3">Materials, Methods and Accessories</A></H1>
<TABLE>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./oarlength/oarlen.htm">
Optimum sculling oar length?</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./oarlength/oarlen.htm"><IMG SRC="./pic/p_oarlen.jpg"></A></TD>
<TD><FONT SIZE=4>Discussion on optimum oar length, and<BR>
what it depends on.</FONT><BR>
Published September 24. 2008<BR>
Last updated September 24. 2008</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./bend/bend.htm">
Woodbending in the bedroom</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./bend/bend.htm"><IMG SRC="./pic/p_bend.jpg"></A></TD>
<TD>
Published March 18. 2004<BR>
Last updated March 18. 2004</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./torture/torture.htm">
Tortured Plywood? - No such thing!</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><!--<A HREF="./torture/torture.htm"><IMG SRC="./pic/p_tort.jpg">--></A></TD>
<TD><FONT SIZE=4>Don't believe everything they tell You.</FONT><BR>
Published February 13. 2004<BR>
Last updated Published February 13. 2004</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./glue/glue.htm">
Construction glue for boatbuilding?</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./glue/glue.htm"><IMG SRC="./pic/p_glue.jpg"></A></TD>
<TD>
Published November 7. 2003<BR>
Last updated February 7. 2005</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./rack/rack.htm">
Cartopping slightly bigger boats?</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./rack/rack.htm"><IMG SRC="./pic/p_rack.jpg"></A></TD>
<TD><FONT SIZE=4>First build Yourself a decent roofracking system.<BR>
Free building instructions.</FONT><BR>
Published July 30. 2003<BR>
Last updated July 30. 2003</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./scull/scull.htm">
But what was that boat on the roofrack?</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./scull/scull.htm"><IMG SRC="./pic/p_sulka.jpg"></A></TD>
<TD><FONT SIZE=4>Plus a short introduction to worlds biggest rowing/sculling<BR>
event, the "Sulkava race".</FONT><BR>
Published July 28. 2003<BR>
Last updated March 3. 2005</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./spiral/spiral.htm">
Spiral Staircase Handrail</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./spiral/spiral.htm"><IMG SRC="./pic/p_spiral.jpg"></A></TD>
<TD><FONT SIZE=4>How to make arbitrarily curved handrails quickly and<BR>
with low budget.</FONT><BR>
Published October 20. 2005<BR>
Last updated October 20. 2005</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
</TABLE>
<BR><BR><A HREF="#top">Top of the page.</A><BR><BR>
<HR>
<H1><A NAME="XX6">Wood as Boatbuilding Material</A></H1>
<TABLE><TR><TD COLSPAN=2 WIDTH=500>
<P>
Before You start building a single real wooden boat let's make the
very basics clear.
</P>
</TD></TR>
<TR><TD WIDTH=50 HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./wood/wood0.htm">
Preface</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./wood/wood0.htm"><IMG SRC="./pic/p_hulls.gif"></A></TD>
<TD><FONT SIZE=4>What is this all about?</FONT><BR>
Published October 18. 2005<BR>
Last updated October 18. 2005</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./wood/wood1.htm">
What is a "wooden boat"?</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./wood/wood1.htm"><IMG SRC="./pic/p_hulls.gif"></A></TD>
<TD><FONT SIZE=4>The "scientific" classification of wooden boats :-)</FONT><BR>
Published October 18. 2005<BR>
Last updated October 18. 2005</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./wood/wood2.htm">
Structure of wood</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./wood/wood2.htm"><IMG SRC="./pic/p_hulls.gif"></A></TD>
<TD><FONT SIZE=4>Wood basics.</FONT><BR>
Published October 18. 2005<BR>
Last updated October 18. 2005</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./wood/wood3.htm">
Moisture behaviour of wood</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./wood/wood3.htm"><IMG SRC="./pic/p_hulls.gif"></A></TD>
<TD><FONT SIZE=4>What happens, when wood
gets wet and dry.</FONT><BR>
Published October 18. 2005<BR>
Last updated October 18. 2005</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./wood/wood4.htm">
Why does a wooden boat leak?</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./wood/wood4.htm"><IMG SRC="./pic/p_hulls.gif"></A></TD>
<TD><FONT SIZE=4>Because it has a hole in it.<BR>
But why does it have a hole?</FONT><BR>
Published October 18. 2005<BR>
Last updated October 18. 2005</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./wood/wood5.htm">
Surface treatment of a wooden boat</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./wood/wood5.htm"><IMG SRC="./pic/p_hulls.gif"></A></TD>
<TD><FONT SIZE=4>Why should one paint a wooden boat?</FONT><BR>
Published October 18. 2005<BR>
Last updated October 18. 2005</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./wood/wood6.htm">
The "correct" construction of a wooden boat</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./wood/wood6.htm"><IMG SRC="./pic/p_hulls.gif"></A></TD>
<TD><FONT SIZE=4>Food for thought ;-)</FONT><BR>
Published October 18. 2005<BR>
Last updated October 18. 2005</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
</TABLE>
<BR><BR><A HREF="#top">Top of the page.</A><BR><BR>
<HR>
<H1><A NAME="XX4">Building Projects</A></H1>
<TABLE>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./white/white.htm">
The White Fishing Boat</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./white/white.htm"><IMG SRC="./pic/p_white.jpg"></A></TD>
<TD><FONT SIZE=4>A homage to good paint.</FONT><BR>
Published June 10. 2003<BR>
Last updated June 10. 2003</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./sennen/sennen.htm">
Sennen Cove</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./sennen/sennen.htm"><IMG SRC="./pic/p_sennen.jpg"></A></TD>
<TD><FONT SIZE=4>The new life of an old fishing style lapstrake boat.</FONT><BR>
Published May 5. 2003<BR>
Last updated May 12. 2003</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./glouc/glouc.htm">
Bolger Light Dory</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./glouc/glouc.htm"><IMG SRC="./pic/p_glouc.jpg"></A></TD>
<TD><FONT SIZE=4>The popular boat "once more".</FONT><BR>
Published May 12. 2003<BR>
Last updated August 15. 2003</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
<TR><TD COLSPAN=2><FONT SIZE=5><B><A HREF="./fire/fire.htm">
The End</B></A></FONT></TD></TR>
<TR><TD ROWSPAN=2><A HREF="./fire/fire.htm"><IMG SRC="./pic/p_end.jpg"></A></TD>
<TD>
Published June 10. 2003<BR>
Last updated June 10. 2003</TD></TR>
<TR><TD HEIGHT=20></TD></TR>
</TABLE>
<BR><BR><A HREF="#top">Top of the page.</A><BR><BR>
<HR>
<H1><A HREF="./links.htm">Links</A></H1>
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<BR><BR><A HREF="#top">Top of the page.</A><BR><BR>
<HR><P>Copyright 2002-2009 Hannu Vartiala<BR>
Commercial use of any content on this site is prohibited.
</P>
<IMG SRC="pic/sulka13.jpg">
<P><IMG SRC="./pic/email2.gif">
<!--
<BR>But before the end of August I won't read my email, I'm on vacation :-))
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</CENTER>
<HR>
<CENTER>
<H1><A>DISCLAIMER!</A></H1>
</CENTER>
<FONT SIZE=4>
<P>
Please do understand, that if You build or use any of the boats described on these
pages, You, and You alone, are responsible for any direct or indirect damage or
harm that may follow. I have no responsibility whatsoever.
</P>
<P>
You must also understand, that boatbuilding can be dangerous:<BR>
-You may get a wood splinter in the finger.<BR>
-Several tools are sharp.<BR>
-Epoxy may be allergenic and definitely is very messy.<BR>
-All possible chemicals may be harmful in one way or another.<BR>
-Fibers of glass itch Your fingers and throat.<BR>
-Anything else may be dangerous as well.
</P>
<P>
So don't build a boat, unless You know how to use tools and chemicals,
and unless You use all protective equipment necessary.<BR>
And if You build indoors, do cover the floor and furniture. You will
get the usual shout anyway, but cleaning up will be easier.
</P>
<P>
And even more You must understand, that using a boat may be dangerous:<BR>
-The boat may fall over.<BR>
-You may fall out of the boat.<BR>
-The boat may hit a rock.<BR>
-Your shoes may get wet.<BR>
-The boat may get filled with water.<BR>
-The boat may sink.<BR>
-Another boat may hit Your boat.<BR>
-The boat may drift a long distance away.<BR>
-You may get lost with the boat.<BR>
-When rowing, You may get blisters in Your hands and butt.<BR>
-If You get into water, You may drown or get hypothermia.<BR>
-Killer sharks may attack You.<BR>
-Anything else may happen
</P>
<P>
So DO NOT use a boat, unless You know and obey the rules of the waterways,
unless You know how to use the boat, unless You can take the weather conditions
into consideration, unless You can swim, unless You use a life vest, unless You know
the waters, unless You are under continuous observation, unless You use proper
clothing, unless You are sober, unless You understand what You are doing
and unless You have taken everything possible and impossible into
consideration.
</P>
<P>
You are responsible!
</P>
<HR>
</FONT>
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Hannu's Boatyard | Free Boat Plans
# Hannu's Boatyard
# Free Boat Plans
Last updated December 20. 2017
## [Newest Updates](./updates.htm)
---
| |
| --- |
| **[Why boating in the first place?](./crater/crater.htm)** |
| | Looking for Mother Nature's
hidden treasures.
Published September 9. 2003
Last updated September 10. 2003 |
| |
---
| | | |
| --- | --- | --- |
|
| [One Sheet Boats](#XX1)
[One Sheet Boat Theory](#XX5)
[One and a Half Sheet Boats](#XX15)
[Slightly Larger Boats](#XX2)
[Extremely small boats](#XX7)
[Materials, Methods and Accessories](#XX3)
[Wood as Boatbuilding Material](#XX6)
[Building Projects](#XX4)
[Links](./links.htm) |
|
---
# One Sheet Boat Plans
| |
| --- |
|
"One sheet boats" are simple boats made basically of a single sheet
of plywood. These boats are typically easy, quick and cheap
to build, so they are very suitable for first boatbuilding
projects. On the other hand, their use is limited to protected
waters only.
|
| |
| **[Simbo, the simple boat](./simbo/simbo.htm)** |
| | As simple as it can get.
Free building instructions.
Published September 30. 2003
Last updated August 15. 2007 |
| |
| **[Micro Auray Punt](./ossauray/auray_u.htm)** |
| | A one sheet version of the much celebrated "Auray Punt".
Free boat plans and building instructions.
Published January 15. 2004
Last updated June 1. 2008 |
| **[Micro Auray Gallery](./ossauray/gallery/gallery.htm)** |
| |
| **[One Sheet Sampan](./oss_sam/oss_sam.htm)** |
| | Free boat plans and building instructions.
Published March 18. 2004
Last updated June 9. 2004 |
| **[One Sheet Sampan Gallery](./oss_sam/gallery/gallery.htm)** |
| |
| **[18' One Sheet Canoe, the Dug](./oss3/oss3.htm)** |
| | Free boat plans and building instructions.
Published September 5. 2003
Last updated August 15. 2007 |
| **[Dug Gallery](./oss3/gallery/gallery.htm)** |
| |
| **[HV'S Hattory](./admhat/admhat.htm)** |
| | One sheet navy admiral's hattorious hatship.
Published October 20. 2003
Last updated October 20. 2003 |
| |
| **[One Sheet Runabout, Sled](./oss4/sled.htm)** |
| | Free boat plans.
Published November 7. 2003
Last updated November 7. 2003 |
| **[Sled Gallery](./oss4/gallery/gallery.htm)** |
| |
# One sheet boat theory
| |
| --- |
|
How to make the most out of Your one sheet boat.
|
| |
| **[The Ultimate One Sheet Boat, Prism](./oss/oss.htm)** |
| | Discussion on maximising the displacement.
Free boat plans and building instructions.
Published April 9. 2003
Last updated September 5. 2003 |
| **[Prism Gallery](./oss/gallery/gallery.htm)** |
| |
| **[So it's stability You want?](./stab/stab.htm)** |
| | Discussion on small boat stability...
Inculding a free downloadable righting moment calculator.
Published June 16. 2003
Last updated March 3. 2005 |
| ...leading to... |
| |
| **[Ultimater versions of the Prism](./oss2/oss2.htm)** |
| | Free boat plans and building instructions.
Published July 28. 2003
Last updated August 6. 2003 |
| |
[Top of the page.](#top)
---
# One and a Half Sheet Boats
| |
| --- |
|
"One and a half sheet boats" are dinghies made of
one and a half sheets of plywood. Or
two dinghies (two similar or two different)
out of three sheets.
All of these dinghies are easy, quick and cheap
to build, so they too are very suitable for first boatbuilding
projects.
|
| |
| **[Portuguese Style Dinghy](./dinghy1/simboii.htm)** |
| | A sharp bowed dinghy.
Free boat plans and building instructions.
Published January 15. 2004
Last updated August 15. 2007 |
| **[Portuguese Style Dinghy Gallery](./dinghy1/gallery/gallery.htm)** |
| |
| **[Mini Auray Punt](./dinghy2/auray_m.htm)** |
| | A small version of the much celebrated "Auray Punt".
Free boat plans.
Published January 15. 2004
Last updated June 3. 2008 |
| **[Mini Auray Gallery](./dinghy2/gallery/gallery.htm)** |
| |
| **[Mini Ekstock](./dinghy3/ekstock.htm)** |
| | A dinghy size version of a Chapman punt.
Free boat plans.
Published January 15. 2004
Last updated June 22. 2005 |
| **[Mini Ekstock Gallery](./dinghy3/gallery/gallery.htm)** |
| |
| **[Dinghy -57](./dinghy4/jolla.htm)** |
| | Punt plans from an old book.
Free boat plans.
Published January 15. 2004
Last updated January 15. 2004 |
| |
[Top of the page.](#top)
---
# Slightly Larger Boats
| |
| --- |
| **[Flat bottomed swamp boats](./ruuhi/ruuhi.htm)** |
| | Three boats of ancient design.
Free boat plans and building instructions.
Published September 12. 2008
Last updated September 24. 2008 |
| |
| **[3SD - a 17' 8" (5.4 m) dory](./3sd/3sd.htm)** |
| | A big dory out of just three sheets of plywood.
Free boat plans and building instructions.
Published June 24. 2008
Last updated June 24. 2008 |
| **[3SD Gallery](./3sd/gallery/gallery.htm)** |
| |
| **[2SD - a 12' (3.6 m) dory](./2sd/2sd.htm)** |
| | A small dory out of just two sheets of plywood.
Free boat plans and building instructions.
Published June 25. 2008
Last updated June 25. 2008 |
| |
| **[A 12 ft Skiff](./skiff12p/skif12p.htm)** |
| | Free boat plans and building instructions.
Published May 12. 2008
Last updated May 28. 2008 |
| **[12 ft Skiff Gallery](./skiff12p/gallery/gallery.htm)** |
| |
| **[A 10 1/2 ft Skiff](./skiff/skiff.htm)** |
| | Free boat plans and building instructions.
Published August 17. 2004
Last updated August 15. 2007 |
| **[10 1/2 ft Skiff Gallery](./skiff/gallery/gallery.htm)** |
| |
| **[A 14' Rowing Punt](./rpunt/rpunt.htm)** |
| | A rowing punt inspired by old fishing
prams in a boat museum.
Published December 28. 2005
Last updated June 3. 2008 |
| |
| **[A 15'8" fishing punt](./wpunt/wpunt.htm)** |
| | A stable 15'8" work/fishing punt, that can be sculled,
but also driven with a small outboard.
Published August 17. 2007
Last updated June 3. 2008 |
| **[Fishing Punt Gallery](./wpunt/gallery/gallery.htm)** |
| |
| **[Two Dories](./ecodory/ecodory.htm)** |
| | Little Sister and Big Sister.
Free boat plans and building instructions.
Published September 3. 2003
Last updated August 15. 2007 |
| **[Little Sister Dory Gallery](./ecodory/gallery/gallery.htm)** |
| |
| **[A Light Sculling Training Boat](./scull1/scull1.htm)** |
| | Free boat plans and building instructions.
Published May 5. 2003
Last updated November 4. 2008 |
| **[Training Boat Gallery](./scull1/gallery/gallery.htm)** |
| |
| **[Hulls](./hulls/hulls.htm)** |
| | A small collection of free but immature boat designs.
Published May 14. 2003
Last updated March 16. 2005 |
| |
[Top of the page.](#top)
---
# Extremely small boats
| |
| --- |
|
You can't build boats much smaller than this.
|
| |
| **[4 ft - Halfpea dinghy](./dinghy44/dinghy4.htm)** |
| | The world's shortest dinghy that looks like a dinghy,
not like a box.
Published September 24. 2006
Updated June 3. 2008 |
| **[Halfpea Gallery](./dinghy44/gallery/gallery.htm)** |
| |
| **[4 1/2 ft - plywood lath coracle](./coracle/coracle.htm)** |
| | A basket boat built according to principles
thousands of years old.
Published October 1. 2006
Updated October 1. 2006 |
| **[Coracle Gallery](./coracle/gallery/gallery.htm)** |
| |
| **[5 ft - Micro Portuguese Style Dinghy](./microp/microp.htm)** |
| | An easy to build beach toy.
Published September 9. 2009
Updated September 9. 2009 |
| |
[Top of the page.](#top)
---
# Materials, Methods and Accessories
| |
| --- |
| **[Optimum sculling oar length?](./oarlength/oarlen.htm)** |
| | Discussion on optimum oar length, and
what it depends on.
Published September 24. 2008
Last updated September 24. 2008 |
| |
| **[Woodbending in the bedroom](./bend/bend.htm)** |
| |
Published March 18. 2004
Last updated March 18. 2004 |
| |
| **[Tortured Plywood? - No such thing!](./torture/torture.htm)** |
| | Don't believe everything they tell You.
Published February 13. 2004
Last updated Published February 13. 2004 |
| |
| **[Construction glue for boatbuilding?](./glue/glue.htm)** |
| |
Published November 7. 2003
Last updated February 7. 2005 |
| |
| **[Cartopping slightly bigger boats?](./rack/rack.htm)** |
| | First build Yourself a decent roofracking system.
Free building instructions.
Published July 30. 2003
Last updated July 30. 2003 |
| |
| **[But what was that boat on the roofrack?](./scull/scull.htm)** |
| | Plus a short introduction to worlds biggest rowing/sculling
event, the "Sulkava race".
Published July 28. 2003
Last updated March 3. 2005 |
| |
| **[Spiral Staircase Handrail](./spiral/spiral.htm)** |
| | How to make arbitrarily curved handrails quickly and
with low budget.
Published October 20. 2005
Last updated October 20. 2005 |
| |
[Top of the page.](#top)
---
# Wood as Boatbuilding Material
| |
| --- |
|
Before You start building a single real wooden boat let's make the
very basics clear.
|
| |
| **[Preface](./wood/wood0.htm)** |
| | What is this all about?
Published October 18. 2005
Last updated October 18. 2005 |
| |
| **[What is a "wooden boat"?](./wood/wood1.htm)** |
| | The "scientific" classification of wooden boats :-)
Published October 18. 2005
Last updated October 18. 2005 |
| |
| **[Structure of wood](./wood/wood2.htm)** |
| | Wood basics.
Published October 18. 2005
Last updated October 18. 2005 |
| |
| **[Moisture behaviour of wood](./wood/wood3.htm)** |
| | What happens, when wood
gets wet and dry.
Published October 18. 2005
Last updated October 18. 2005 |
| |
| **[Why does a wooden boat leak?](./wood/wood4.htm)** |
| | Because it has a hole in it.
But why does it have a hole?
Published October 18. 2005
Last updated October 18. 2005 |
| |
| **[Surface treatment of a wooden boat](./wood/wood5.htm)** |
| | Why should one paint a wooden boat?
Published October 18. 2005
Last updated October 18. 2005 |
| |
| **[The "correct" construction of a wooden boat](./wood/wood6.htm)** |
| | Food for thought ;-)
Published October 18. 2005
Last updated October 18. 2005 |
| |
[Top of the page.](#top)
---
# Building Projects
| |
| --- |
| **[The White Fishing Boat](./white/white.htm)** |
| | A homage to good paint.
Published June 10. 2003
Last updated June 10. 2003 |
| |
| **[Sennen Cove](./sennen/sennen.htm)** |
| | The new life of an old fishing style lapstrake boat.
Published May 5. 2003
Last updated May 12. 2003 |
| |
| **[Bolger Light Dory](./glouc/glouc.htm)** |
| | The popular boat "once more".
Published May 12. 2003
Last updated August 15. 2003 |
| |
| **[The End](./fire/fire.htm)** |
| |
Published June 10. 2003
Last updated June 10. 2003 |
| |
[Top of the page.](#top)
---
# [Links](./links.htm)
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[Top of the page.](#top)
---
Copyright 2002-2009 Hannu Vartiala
Commercial use of any content on this site is prohibited.
---
# DISCLAIMER!
Please do understand, that if You build or use any of the boats described on these
pages, You, and You alone, are responsible for any direct or indirect damage or
harm that may follow. I have no responsibility whatsoever.
You must also understand, that boatbuilding can be dangerous:
-You may get a wood splinter in the finger.
-Several tools are sharp.
-Epoxy may be allergenic and definitely is very messy.
-All possible chemicals may be harmful in one way or another.
-Fibers of glass itch Your fingers and throat.
-Anything else may be dangerous as well.
So don't build a boat, unless You know how to use tools and chemicals,
and unless You use all protective equipment necessary.
And if You build indoors, do cover the floor and furniture. You will
get the usual shout anyway, but cleaning up will be easier.
And even more You must understand, that using a boat may be dangerous:
-The boat may fall over.
-You may fall out of the boat.
-The boat may hit a rock.
-Your shoes may get wet.
-The boat may get filled with water.
-The boat may sink.
-Another boat may hit Your boat.
-The boat may drift a long distance away.
-You may get lost with the boat.
-When rowing, You may get blisters in Your hands and butt.
-If You get into water, You may drown or get hypothermia.
-Killer sharks may attack You.
-Anything else may happen
So DO NOT use a boat, unless You know and obey the rules of the waterways,
unless You know how to use the boat, unless You can take the weather conditions
into consideration, unless You can swim, unless You use a life vest, unless You know
the waters, unless You are under continuous observation, unless You use proper
clothing, unless You are sober, unless You understand what You are doing
and unless You have taken everything possible and impossible into
consideration.
You are responsible!
---
| http://hvartial.kapsi.fi/ |
<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
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<head>
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<meta name="Author" content="Kurt Leal">
<meta NAME="Copyright" content="Kurt Leal 1998-2003">
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<meta name="Description" content="Welcome to Ivy's domain. A site for kids where you will find a coloring page search engine, greeting cards to print, quotations to ponder, fairy tales and more.">
<meta name="KeyWords" content="Ivy Joy,preschool,kids,toddlers,children,games,greeting cards, postcards,ecards,virtual greeting cards,web cams,webcams,guestbook,quotation,random quotations,quotations,midi,midis,coloring,coloring book,coloring pages,stories for kids,fables,web pages by kids,study resources,search engine,">
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<title>Ivy's Domain -- A Place for the Young at Heart</title>
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<body text="#000000" bgcolor="#00CC00" link="#0000EE" vlink="#551A8B" alink="#FF0000" background="graphics/ivylog.gif">
<center><img SRC="graphics/domain.jpg" ALT="Ivy's Domain" height=94 width=347>
<br><br><br>
<table CELLSPACING=10 CELLPADDING=0 COLS=3 WIDTH="95%">
<tr>
<td WIDTH="10%"></td>
<td><font face="Comic Sans MS" size=+1>I'm Ivy, me and grandpa are building this online sandbox because we like to play. Use the links below to find something that interests you. I've left the fun stuff on the floor and the learning stuff in the bookcase where you can find it if you want. You'll find my books to other kids web pages, fun sites and stuff like that.<br><br>Have a good time and maybe even learn something. Most of all have a good time. All I ask is that you <i>don't</i> click on my eyes.</font></td>
<td>
<center><table BORDER=5 CELLSPACING=5 CELLPADDING=5 COLS=1 WIDTH="195" BGCOLOR="#003300">
<tr>
<td><img SRC="cards/ivy18.jpg" ALT="Ivy Joy" HSPACE=5 VSPACE=5 BORDER=5 onmouseout="window.status=''" onMouseOver="window.status='Do not click on my eyes!'" usemap="#tnivy18" height=250 width=175></td>
</tr>
</table></center>
</td>
</tr>
</table>
<br><br><br><br>
<table CELLSPACING=4 CELLPADDING=4 WIDTH="90%">
<tr VALIGN=TOP>
<td WIDTH="30%"> </td>
<td WIDTH="115">
<center><table BORDER=2 CELLSPACING=2 CELLPADDING=2 COLS=1 WIDTH="105" BGCOLOR="#003300">
<tr>
<td><a href="coloring/index.shtml"><img SRC="graphics/coloring.gif" ALT="Coloring Pages" BORDER=0 height=101 width=101></a></td>
</tr>
</table>
<font face="Comic Sans MS" size=-1><a href="coloring/index.shtml">Coloring Book</a></font></center>
</td>
<td VALIGN=MIDDLE>
<center><font face="Comic Sans MS" size=+1>I have coloring books, lots of <a href="coloring/coloringlinks.html">links</a>, and a coloring sheet <nobr><a href="coloring/search.html">search engine</a>.</nobr><br>Check them out.</font></center>
</td>
<td WIDTH="89">
<center><table BORDER=2 CELLSPACING=2 CELLPADDING=2 COLS=1 WIDTH="79" BGCOLOR="#003300">
<tr>
<td><a href="coloring/dinosaur.shtml"><img SRC="cards/tntran.jpg" ALT="Dinosaur Coloring Pages" BORDER=0 height=107 width=75></a></td>
</tr>
</table><font face="Comic Sans MS" size=-1><a href="coloring/dinosaur.shtml">Dinosaur Book</a></font></center>
</td>
</tr>
</table>
<br><br>
<br>
<br>
<table CELLSPACING=10 CELLPADDING=5 WIDTH="70%">
<tr>
<td ALIGN=LEFT VALIGN=middle><table BORDER=2 CELLSPACING=2 CELLPADDING=3 COLS=1 WIDTH="206" BGCOLOR="#003300">
<tr>
<td><a href="bookmark.htm"><img SRC="graphics/book.jpg" ALT="To my bookcase" HSPACE=3 VSPACE=3 BORDER=0 height=194 width=200 align=LEFT></a>
</td>
</tr>
</table></td>
<td><font face="Comic Sans MS" size=+1>This will take you to my personal <a href="bookmark.htm">bookcase</a>. There's a whole bunch of other stuff there.</font></td>
<td WIDTH="20%"></td>
</tr>
</table>
<br>
<br>
<br>
<table CELLSPACING=0 CELLPADDING=0 WIDTH="90%">
<tr>
<td></td>
<td ALIGN=CENTER>
<center><table BORDER=5 WIDTH="210" CELLPADDING=3 HEIGHT="120" BGCOLOR="#99FFFF">
<tr>
<td>
<table WIDTH="200" HEIGHT="112" BGCOLOR="#99FFFF">
<tr>
<td>
<table BORDER=3 WIDTH="100%">
<tr>
<td ALIGN=CENTER VALIGN=middle><a href="card.shtml"><img SRC="cards/tnza.jpg" ALT="People Greeting Cards" BORDER=0 height=107 width=75></a></td>
</tr>
</table>
</td>
<td VALIGN=TOP ALIGN=CENTER WIDTH="150">
<b>Greatest Kid</b>
<hr WIDTH=110>
<center><table WIDTH="150" BGCOLOR="#99FFFF">
<tr>
<td><font color="#000000" size=-1>Just wanted to let you know you're
one great kid!</font><BR><BR>
<center><i><font color="#000000"><b>Mom and Dad</B></font></i></center>
</td>
</tr>
</table></center>
</td>
</tr>
</table>
</td>
</tr>
</table></center>
<font face="Comic Sans MS" size=+1><a href="card.shtml">E-cards for Wild Kids</a><br><a href="ecards.shtml">Holiday E-cards</a></font></td>
<td ALIGN=CENTER>
<center><table BORDER=5 WIDTH="210" CELLPADDING=3 HEIGHT="120" BGCOLOR="#FF6600">
<tr>
<td>
<table WIDTH="200" HEIGHT="112" BGCOLOR="#FF6600">
<tr>
<td>
<table BORDER=3 WIDTH="100%">
<tr>
<td ALIGN=CENTER VALIGN=middle><a href="carda.shtml"><img SRC="cards/tnelep.jpg" ALT="Animal Greeting Cards" BORDER=0 height=107 width=75></a></td>
</tr>
</table>
</td>
<td VALIGN=TOP WIDTH="150">
<center><b>Elephants</b>
<hr WIDTH=110>
<table WIDTH="150" BGCOLOR="#FF6600">
<tr>
<td><font color="#000000" size=-1>Here's an elephant for your collection. Isn't the music cutting edge?</font><BR>
<center><i><font color="#000000"><b>Laila</b></font></i></center>
</td>
</tr>
</table></center>
</td>
</tr>
</table>
</td>
</tr>
</table>
<font face="Comic Sans MS" size=+1><a href="carda.shtml">E-cards for Wild Animals</a><br><a href="cards.shtml">Animated Water World E-cards</a></font></center>
</td>
</tr>
</table>
<br>
<br>
<br>
<table WIDTH="80%">
<tr>
<td WIDTH="50%"></td>
<td WIDTH="15%"><center><font face="Comic Sans MS" size=+1><a href="printcards/birthday.html">Birthdays</a><br><a href="printcards/christmascards.html">Christmas</a><br><a href="printcards/valentine.html">Valentine</a><br><a href="printcards/feelings.html">Feelings</a><br><a href="printcards/printcards.html">To Color</a><br><a href="printcards/holidayprintcards.html">Holidays</a><br><a href="printcards/printcard.html">Photographic</a><br><a href="printcards/paintings.html">Paintings</a></font></center></td>
<td WIDTH="240">
<center><a href="printcards/index.html"><img SRC="graphics/card.gif" ALT="Greeting Cards to Print" HSPACE=5 BORDER=0 height=134 width=208></a><br><font face="Comic Sans MS" size=+1><a href="printcards/index.html">Greeting Cards to Print</a></font></center>
</td>
</tr>
</table>
<br>
<br>
<br>
<table CELLSPACING=10 CELLPADDING=0 WIDTH="90%">
<tr>
<td WIDTH="20%"></td>
<td ALIGN=RIGHT VALIGN=middle><table BORDER=2 CELLSPACING=2 CELLPADDING=3 COLS=1 WIDTH="117" BGCOLOR="#003300">
<tr>
<td><a href="quote.shtml" onmouseout="BNB_mouseoff('quo')" onmouseover="BNB_mouseon('quo');return true "><img SRC="quote1.gif" ALT="Quotation Generator" NAME="quo" HSPACE=3 VSPACE=3 BORDER=0 height=91 width=111 align=ABSMIDDLE></a></td>
</tr>
</table></td>
<td ALIGN=CENTER VALIGN=MIDDLE><font face="Comic Sans MS" size=+1><a href="quote.shtml">Thoughts<br>to<br>Ponder</a></font></td>
<td WIDTH="20%"></td>
<td ALIGN=CENTER VALIGN=MIDDLE><font face="Comic Sans MS" size=+1><a href="rayne/jokes.html">Jokes<br>and<br>Riddles</a></font></td>
<td ALIGN=LEFT VALIGN=MIDDLE><a href="rayne/jokes.html" onmouseout="BNB_mouseoff('rth')" onmouseover="BNB_mouseon('rth');return true "><img SRC="graphics/rhyena.gif" NAME="rth" ALT="Jokes" HSPACE=4 BORDER=0 height=99 width=161 align=ABSMIDDLE></a></td>
</tr>
</table>
<br>
<br>
<br>
<table CELLSPACING=10 CELLPADDING=0 WIDTH="90%">
<tr>
<td WIDTH="25%"></td>
<td>
<center><font face="Comic Sans MS" size=+1><a href="fables/index.shtml">Fables, fairy tales</a> and <a href="fables/fablelinks.html">links</a> to more stories can be found here along with <a href="fables/aesop.shtml">Aesop's Cube</a>.</font></center>
</td>
<td><table BORDER=2 CELLSPACING=2 CELLPADDING=3 COLS=1 WIDTH="206" BGCOLOR="#003300">
<tr>
<td><a href="fables/index.shtml"><img SRC="graphics/alice.jpg" ALT="Stories" HSPACE=3 VSPACE=3 BORDER=0 height=200 width=200></a></td>
</tr>
</table></td>
</tr>
</table>
<br>
<br>
<br>
<table CELLSPACING=0 CELLPADDING=0 WIDTH="80%">
<tr>
<td WIDTH="80%">
<center><a href="midilink.htm"><img SRC="graphics/music.gif" ALT="MIDI Page" HSPACE=10 BORDER=0 height=74 width=406 align=ABSMIDDLE></a>
<br><font face="Comic Sans MS" size=+1>These are the <a href="midilink.htm">songs</a>
for the greeting cards<br>and lots of links to <a href="midilink.htm#kids">kids</a>
and <a href="midilink.htm#general">general</a> MIDI.</font></center>
</td>
<td> </td>
</tr>
</table>
<br>
<br>
<br>
<table CELLSPACING=0 CELLPADDING=0 WIDTH="90%">
<tr>
<td WIDTH="50%"></td>
<td>
<center><font face="Comic Sans MS" size=-2><a href="guestboo/guestbook.html">Sign or View</a></font>
<br><a href="guestboo/guestbook.html"><img SRC="guestboo/guestbook3.jpg" ALT="Sign or read my guest book" BORDER=0 height=94 width=430 align=ABSMIDDLE></a></center>
</td>
</tr>
</table>
<br>
<br>
<br>
<table CELLSPACING=10 CELLPADDING=0 WIDTH="80%" BORDER=0>
<tr>
<td width="6%"></td>
<td ALIGN=center VALIGN=MIDDLE WIDTH="20%"><font face="Comic Sans MS" size=+1>Some <a href="webcam/webcam.shtml">Webcams</a> of interest</font><br><table BORDER=2 CELLSPACING=3 CELLPADDING=3 WIDTH=246 height=187 BGCOLOR="#003300">
<tr>
<td><a href="webcam/webcam.shtml"><img SRC="graphics/webcam.jpg" ALT="Web Cam Pages" HSPACE=3 VSPACE=3 BORDER=0 height=179 width=238></a></td>
</tr>
</table></td>
<td width="6%"></td>
<td align=right valign=middle><br>
<table BORDER=2 CELLPADDING=3 WIDTH="128" HEIGHT="88" BGCOLOR="#003300">
<tr>
<td><a href="webcam/index.htm"><img SRC="graphics/cambanner.jpg" ALT="Live Bird Feeder Cam" BORDER=1 height=80 width=120></a></td>
</tr>
</table>
</td>
<td align=left><br><br><br><font face="Comic Sans MS"><a href="webcam/index.htm">Ivy's Webcam</a></font></td>
</tr>
</table>
<br>
<br>
<br>
<table CELLSPACING=10 WIDTH="80%">
<tr>
<td align=right>
<font face="Comic Sans MS" size=+1><a href="family.htm">Family Photo Album</a></font>
</td>
<td WIDTH="20%">
<table BORDER=2 CELLSPACING=3 CELLPADDING=3 COLS=1 WIDTH="229" BGCOLOR="#003300">
<tr>
<td><a href="family.htm"><img SRC="rik.gif" ALT="My family photo album" HSPACE=4 VSPACE=4 BORDER=0 height=217 width=221></a></td>
</tr>
</table>
</td>
</tr>
</table>
<br>
<br>
<br>
<table COLS=2 CELLSPACING=10 WIDTH="75%">
<tr>
<td ALIGN=RIGHT WIDTH="170"><table BORDER=2 CELLSPACING=3 CELLPADDING=3 COLS=1 WIDTH="168" BGCOLOR="#003300">
<tr>
<td><a href="rayne/kidssearch.html"><img SRC="graphics/search.gif" ALT="Search Engines just for Kids" HSPACE=4 VSPACE=4 BORDER=0 height=160 width=160></a></td>
</tr>
</table></td>
<td><font face="Comic Sans MS" size=+1><a href="rayne/kidssearch.html">Search Engine Page for Kids</a></font></td>
</tr>
</table>
<br>
<br>
<table WIDTH="90%">
<tr ALIGN=CENTER VALIGN=BOTTOM>
<td WIDTH="10%"></td>
<td colspan=3>
<img SRC="rainbow2.gif" ALT="Rainbow" BORDER=0 height=1 width="600">
</td>
</tr>
<tr ALIGN=CENTER VALIGN=BOTTOM>
<td WIDTH="10%"></td>
<td WIDTH="30%">
<center><a href="search.html" onmouseout="BNB_mouseoff('web')" onmouseover="BNB_mouseon('web');return true "><img SRC="searchoff.gif" NAME="web" ALT="Search this Site" VSPACE=3 BORDER=0 height=43 width=144></a>
<br><font face="Comic Sans MS" size=-2>Search this site</font></center>
</td>
<td WIDTH="30%">
<center><a href="mailto:[email protected]" onmouseout="BNB_mouseoff('ivy')" onmouseover="BNB_mouseon('ivy');return true "><img SRC="ivyemail.gif" NAME="ivy" ALT="Send E-mail to Ivy" VSPACE=3 BORDER=0 height=43 width=144></a><br><font face="Comic Sans MS" size=-2>Send E-mail to Ivy</font></center>
</td>
<td WIDTH="30%"><a href="form.html" onmouseout="BNB_mouseoff('sup')" onmouseover="BNB_mouseon('sup');return true "><img SRC="graphics/feedback.gif" NAME="sup" ALT="Send Feedback" VSPACE=3 BORDER=0 height=43 width=144></a>
<br><font face="Comic Sans MS" size=-2>Form to send feedback</font></td>
</tr>
<tr ALIGN=CENTER VALIGN=top>
<td WIDTH="10%"></td>
<td colspan=3>
<img SRC="rainbow2.gif" ALT="Rainbow" BORDER=0 height=1 width="600">
</td>
</tr>
<tr ALIGN=CENTER VALIGN=middle>
<td WIDTH="10%"></td>
<td colspan=3>
<br><br><font face="Comic Sans MS" size=-1><a href="cgi-bin/praise.cgi">Tell a Friend About this Site</a></font>
<br><br><br>
<center><table BORDER=0 CELLPADDING=5 WIDTH="70%">
<tr>
<td align=right width="50%"><b><font face="Comic Sans MS" color="#FF0000">S</font><font color="#006600">i</font><font color="#3333FF">te </font><font color="#FF6600">c</font><font color="#CC33CC">r</font><font color="#CC0000">e</font><font color="#990000">a</font><font color="#FF99FF">t</font><font color="#333300">e</font><font color="#330000">d </font><font color="#000099">w</font><font color="#FF0080">i</font><font color="#FF0000">t</font><font color="#3333FF">h:</font></b>
</td>
<td align=left width="50%">
<table BORDER=1 CELLPADDING=1 WIDTH="67" BGCOLOR="#003300">
<tr>
<td><a href="coloring/index.shtml"><img SRC="crayons.gif" ALT="To my coloring pages" BORDER=2 height=55 width=65 align=ABSMIDDLE></a></td>
</tr>
</table>
</td>
</tr>
</table></center>
</td>
</tr>
</table></center>
<br><br>
<map name="tnivy18"><area shape="circle" alt="I said NO" coords="96,51,11" href="eyes.html" onmouseout="window.status=''" onMouseOver="window.status='Better Not'; return true" NOHIGHLIGHT><area shape="circle" alt="NO means NO" coords="74,50,11" href="eyes.html" onmouseout="window.status=''" onMouseOver="window.status='Get your mouse away from here!'; return true" NOHIGHLIGHT><area shape="default" nohref ALT="Ivy Joy"></map>
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</html> |
Ivy's Domain -- A Place for the Young at Heart
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| | | | |
| --- | --- | --- | --- |
| | I'm Ivy, me and grandpa are building this online sandbox because we like to play. Use the links below to find something that interests you. I've left the fun stuff on the floor and the learning stuff in the bookcase where you can find it if you want. You'll find my books to other kids web pages, fun sites and stuff like that.Have a good time and maybe even learn something. Most of all have a good time. All I ask is that you *don't* click on my eyes. |
| |
| --- |
| Ivy Joy |
|
| | | | | | |
| --- | --- | --- | --- | --- | --- |
| |
| |
| --- |
| [Coloring Pages](coloring/index.shtml) |
[Coloring Book](coloring/index.shtml) | I have coloring books, lots of [links](coloring/coloringlinks.html), and a coloring sheet [search engine](coloring/search.html).Check them out. |
| |
| --- |
| [Dinosaur Coloring Pages](coloring/dinosaur.shtml) |
[Dinosaur Book](coloring/dinosaur.shtml) |
| | | | |
| --- | --- | --- | --- |
|
| |
| --- |
| [To my bookcase](bookmark.htm) |
| This will take you to my personal [bookcase](bookmark.htm). There's a whole bunch of other stuff there. | |
| | | | | | | | | | | | | |
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| [People Greeting Cards](card.shtml) |
| **Greatest Kid**
---
| |
| --- |
| Just wanted to let you know you're
one great kid!
***Mom and Dad*** |
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[E-cards for Wild Kids](card.shtml)[Holiday E-cards](ecards.shtml) |
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| [Animal Greeting Cards](carda.shtml) |
| **Elephants**
---
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| --- |
| Here's an elephant for your collection. Isn't the music cutting edge?
***Laila*** |
|
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[E-cards for Wild Animals](carda.shtml)[Animated Water World E-cards](cards.shtml) |
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| | [Birthdays](printcards/birthday.html)[Christmas](printcards/christmascards.html)[Valentine](printcards/valentine.html)[Feelings](printcards/feelings.html)[To Color](printcards/printcards.html)[Holidays](printcards/holidayprintcards.html)[Photographic](printcards/printcard.html)[Paintings](printcards/paintings.html) | [Greeting Cards to Print](printcards/index.html)[Greeting Cards to Print](printcards/index.html) |
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| [Quotation Generator](quote.shtml) |
| [ThoughtstoPonder](quote.shtml) | | [JokesandRiddles](rayne/jokes.html) | [Jokes](rayne/jokes.html) |
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| | [Fables, fairy tales](fables/index.shtml) and [links](fables/fablelinks.html) to more stories can be found here along with [Aesop's Cube](fables/aesop.shtml). |
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| [Stories](fables/index.shtml) |
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| [MIDI Page](midilink.htm)
These are the [songs](midilink.htm)
for the greeting cardsand lots of links to [kids](midilink.htm#kids)
and [general](midilink.htm#general) MIDI. | |
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| | [Sign or View](guestboo/guestbook.html)
[Sign or read my guest book](guestboo/guestbook.html) |
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| | Some [Webcams](webcam/webcam.shtml) of interest
| |
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| [Web Cam Pages](webcam/webcam.shtml) |
| |
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| [Live Bird Feeder Cam](webcam/index.htm) |
| [Ivy's Webcam](webcam/index.htm) |
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| [Family Photo Album](family.htm) |
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| [My family photo album](family.htm) |
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| [Search Engines just for Kids](rayne/kidssearch.html) |
| [Search Engine Page for Kids](rayne/kidssearch.html) |
| | |
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| | Rainbow |
| | [Search this Site](search.html)
Search this site | [Send E-mail to Ivy](mailto:[email protected])Send E-mail to Ivy | [Send Feedback](form.html)
Form to send feedback |
| | Rainbow |
| | [Tell a Friend About this Site](cgi-bin/praise.cgi)
| | | |
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| **Site created with:** |
| |
| --- |
| [To my coloring pages](coloring/index.shtml) |
|
|
| http://www.ivyjoy.com/ |
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