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๋งŒ์•ฝ, ๊ต๊ณผ์„œ ๊ฐœ๋ฐœ์ž์™€ ๊ต์‚ฌ๋“ค์ด ๊ตญ์•… ๊ณก์˜ ํŠน์„ฑ์„ ์žฌํ•ด์„ํ•˜๊ณ  ์ด๋ฅผ ์ฃผ์ œ ํ•™์Šต์— ํ™œ์šฉํ•  ์ˆ˜ ์žˆ๋Š” ์•ˆ๋ชฉ์„ ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค๋ฉด, ์ฃผ์ œ ํ•™์Šต๊ณผ์˜ ๊ด€๋ จ์„ฑ์„ ์–ด๋А ์ •๋„ ์ฐพ์•„๋‚ผ ์ˆ˜ ์žˆ์„ ๊ฒƒ์ด๋‹ค.
If writing staff and teachers have the foresight to reinterpret properties of Korean traditional songs and use them in theme learning, they will be able to find some relevance with theme learning.
ํ•™์ƒ๋“ค์ด ์‰ฝ๊ฒŒ ๋”ฐ๋ผ ๋ถ€๋ฅผ ์ˆ˜ ์žˆ๋Š” ์Œ์—ญ๊ณผ ๊ฐ€๋ฝ, ์žฅ๋‹จ์„ ์ง€๋‹Œ ๊ตญ์•… ๋™์š”๋ฅผ ์ œ๊ณตํ•ด ์คŒ์œผ๋กœ์จ, ํ•™์Šต ๊ณผ์ • ์ค‘์— ๊ตญ์•… ์–ด๋ฒ•์„ ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ์ตํž ์ˆ˜ ์žˆ๊ฒŒ ํ•ด์•ผ ํ•  ๊ฒƒ์ด๋‹ค.
It is needed to make a student naturally learn the grammar of Korean traditional music in the learning process by providing traditional childrenโ€™s songs that have easy melody, tones, and rhythm.
โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™ ๊ณผ์—์„œ๋Š” ๋™์‹๋ฌผ์„ ํ‘œํ˜„ํ•ด ๋ณด๋Š” ํ‘œํ˜„ ๋†€์ด ์ค‘์‹ฌ์˜ ์ˆ˜์—…์„ ํ•˜๊ฒŒ ๋˜๋Š”๋ฐ, ์ด๋•Œ ๊ฐ ๊ต๊ณผ๋ณ„ ํŠน์„ฑ์— ๋”ฐ๋ผ ๊ตญ์•…์„ ์—ฐ๊ณ„ ์†Œ์žฌ๋กœ ํ™œ์šฉํ•  ์ˆ˜ ์žˆ๋„๋ก ๊ต์ˆ˜.ํ•™์Šต์„ ๊ณ„ํšํ•˜๋Š” ๊ฒƒ์ด๋‹ค.
For the class which focuses on expression play to express animals and plants in the subject "pleasant life," teaching and learning plans can be made to utilize Korean traditional music as the content of a subject-integrated class according to the features of each subject.
์˜ˆ๋ฅผ ๋“ค์–ด, โ€˜ํ•™๊ต-ํ•™๊ต์™€ ์นœ๊ตฌโ€™ ์ฃผ์ œ ํ•™์Šต์—์„œ โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™๊ณผ์˜ ๋†€์ดํ•˜๊ธฐ ๊ธฐ๋Šฅ๋งŒ์„ ์ง€๋„ํ•˜๋Š” ๋ฐ ํ™œ์šฉ๋˜๋Š” โ€˜์–ด๊นจ๋™๋ฌดโ€™๋ฅผ ํƒ€ ๊ต๊ณผ์˜ ๊ธฐ๋Šฅ๊ณผ ํƒœ๋„๋ฅผ ์Šต๋“์‹œํ‚ค๋Š” ๋งค๊ฐœ๋กœ ํ™œ์šฉํ•จ์œผ๋กœ์จ ๊ทธ ํ™œ์šฉ ๋ฒ”์œ„๋ฅผ ๋„“ํžˆ๋Š” ๊ฒƒ์ด๋‹ค.
For example, it is advised to expand the range of utilizing the song "Putting arms around each other's shoulders" for not only teaching the function of play in the theme of learning, "School-school and friend" of the subject, "pleasant life," but also as a bridge to teach functions and attitudes in other subjects.
๋จผ์ €, โ€˜์Šฌ๊ธฐ๋กœ์šด ์ƒํ™œโ€™๊ณผ ์ˆ˜์—…์—์„œ๋Š” ์ถ”์„์— ๋จน๋Š” ์Œ์‹๊ณผ ํ•˜๋Š” ์ผ ๋“ฑ์„ ์กฐ์‚ฌํ•˜๊ณ , ๋‹ค๋ฅธ ์„ธ์‹œํ’์†๊ณผ ๋น„๊ตํ•˜์—ฌ ๋ฌด๋ฆฌ ์ง“๊ธฐ ํ™œ๋™์„ํ•˜๋Š” ๊ณผ์ • ์ค‘์— ํ’๋ฌผ๋†€์ด๋ฅผ ํ™œ์šฉํ•จ์œผ๋กœ์จ ๊ด€๋ จ ์ง€์‹์„ ์Šต๋“์‹œํ‚ฌ ์ˆ˜ ์žˆ๋‹ค.
First, in the class "wisdom for life," a student can learn related knowledge by utilizing Pungmulnori in the course of the research about the food and things to do on Thanksgiving Day, comparing them with other holidays and grouping activities.
โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™ ๊ณผ์—์„œ ํ‘œํ˜„ ๋†€์ด ์ค‘์‹ฌ์˜ ์ˆ˜์—…์„ ์ „๊ฐœํ•  ๋•Œ ๋ฌธํ™”์  ๊ด€์ ์„ ๋ฐ˜์˜ํ•ด์•ผ ํ•  ํ•„์š”์„ฑ์€ ๋‹ค์Œ์˜ ๊ต๊ณผ ์„ฑ๊ฒฉ ๋ฐ ๋ชฉํ‘œ์— ๋‚˜ํƒ€๋‚œ โ€˜๋ฌธํ™”์  ์†Œ์–‘ ๊ต์œกโ€™์—์„œ ์ฐพ์„ ์ˆ˜ ์žˆ๋‹ค.
The need for a subject, "pleasant life," to reflect cultural perspective when having a class focused on expression play can be found in the "basic cultural education" of the characteristics and goal of the subject as follows.
โ€˜๊ฐ€์„โ€™ ์ฃผ์ œ์—์„œ ๊ฐ€์„๊ณผ ๊ด€๋ จ๋œ ๋†€์ด์™€ ๋ฏผ์†๋†€์ด๋ฅผ ํ•˜๋Š” ๊ฒƒ, โ€˜๊ฒจ์šธโ€™ ์ฃผ์ œ์—์„œ ๊ฒจ์šธ ๋†€์ด๋ฅผ ์œ„ํ•œ ๋„๊ตฌ๋ฅผ ์ œ์ž‘ํ•˜๊ณ  ๊ฒจ์šธ์— ์•Œ๋งž์€ ์‹ ์ฒด ํ™œ๋™์„ ํ•˜๋Š” ๊ฒƒ์„ ์˜ˆ๋กœ ๋“ค ์ˆ˜ ์žˆ๋‹ค.
For example, there are traditional plays or plays related to "fall" for the theme, "Fall," and activities to make a tool for winter play and express with body motion about winter for the theme, "Winter.".
์œ„์™€ ๊ฐ™์ด ํŠน์ • ๊ตญ์•… ์ œ์žฌ์— ๊ต๊ณผ ์—ญ๋Ÿ‰๊ณผ์˜ ๊ด€๋ จ์„ฑ์„ ๋ถ€์—ฌํ•œ ์ด์œ ๋Š” ํ•ด๋‹น ๋‹จ์›์—์„œ ์ง€๋„ํ•˜๊ณ ์ž ํ•˜๋Š” ๊ต๊ณผ ์—ญ๋Ÿ‰๊ณผ ๊ตญ์•… ํ™œ๋™์˜ ํŠน์„ฑ์ด ๋ถ€ํ•ฉํ•˜๋‹ค๋Š” ํŒ๋‹จ์— ๋”ฐ๋ฅธ ๊ฒƒ์œผ๋กœ ์˜ˆ์ƒ๋œ๋‹ค.
As above, the reason why we need to find the relevance of specific Korean traditional music content with subject capacity is that the characteristics of Korean traditional music activities are much like the subject capacity that is to be learned in those chapters.
๊ทธ๋Ÿฌ๋‚˜ ๋ฌธ์ œ๋Š” ๋‹จ์›์˜ ๊ต๊ณผ ์—ญ๋Ÿ‰์— ๋น„์ถ”์–ด ๊ตญ์•… ์ œ์žฌ์˜ ์ผ๋ถ€๋งŒ ๊ต๊ณผ ์—ญ๋Ÿ‰ ์ง€๋„์— ํ™œ์šฉํ•จ์œผ๋กœ์จ, ๊ต๊ณผ ์—ญ๋Ÿ‰ ์ง€๋„๋ฅผ ์œ„ํ•œ ๊ตญ์•…์˜ ํ™œ์šฉ์„ฑ์ด ๋งค์šฐ ์ œํ•œ์ ์œผ๋กœ ์ธ์‹๋  ๊ฐ€๋Šฅ์„ฑ์ด ์žˆ๋‹ค๋Š” ์ ์ด๋‹ค.
However, the thing is that by partially utilizing some parts of Korean traditional music's content according to chaptersโ€™ subject capacity, there is a possibility to only partially recognize the utilization of Korean traditional music as a whole for teaching subject capacity.
๊ทธ๋Ÿฌ๋‚˜ ๋…ธ๋ž˜๋ฅผ ๋ถ€๋ฅด๋ฉฐ ๋ง๋†€์ด๋ฅผ ํ†ตํ•ด ์ฃผ๋ณ€์˜ ๋ชจ์Šต์„ ํ‘œํ˜„ํ•  ์ˆ˜ ์žˆ๊ฒŒ ํ•˜๊ฑฐ๋‚˜, ํ•™์ƒ๋“ค์ด ๋…ธ๋ž˜๋ฅผ ํ™œ์šฉํ•˜์—ฌ ์ƒˆ๋กœ์šด ๋†€์ด๋ฅผ ํ•ด๋ณด๊ฒŒ ํ•˜๋Š” ๋“ฑ์˜ ๋ฌธํ™”์  ๊ฒฝํ—˜๊นŒ์ง€ ์ œ๊ณตํ•˜์ง€ ๋ชปํ•œ ๋ฌธ์ œ๊ฐ€ ์žˆ๋‹ค.
However, there is a problem that it didnโ€™t provide an opportunity for cultural experience for a student, such as expressing surrounding images through singing a song and word play, or experiencing a new play utilizing songs.
๊ทธ๋Ÿฌ๋‚˜ ์ด๋Ÿฌํ•œ ๊ต์œก์  ๊ด€์ ์„ ๋ฐœํœ˜ํ•˜์ง€ ์•Š๊ณ ๋„ ์•…๊ณก๊ณผ ์ฃผ์ œ ํ•™์Šต๊ณผ์˜ ๊ด€๋ จ์„ฑ์„ ๋ฐœ๊ฒฌํ•  ์ˆ˜ ์žˆ๋„๋ก ์ „๋ž˜๋™์š”๋‚˜ ๋ฏผ์š”๋ฅผ ํ˜„๋Œ€์  ๊ด€์ ์—์„œ ์žฌ๊ตฌ์„ฑํ•œ๋‹ค๋ฉด, ๊ตญ์•… ๊ณก์˜ ํ™œ์šฉ์„ฑ์„ ๋†’์ด๋Š” ํšจ๊ณผ๋ฅผ ๊ฐ€์ ธ์˜ฌ ๊ฒƒ์ด๋‹ค.
However, if traditional childrenโ€™s songs or traditional folk songs can be reconstructed from a contemporary perspective, to find out the relevance of songs and theme learning without the help of such educational perspectives, it will have a positive effect on increasing the utilization of Korean traditional songs.
์ด๋Ÿฌํ•œ ๋ฐฉ๋ฒ•์€ ํ‘œํ˜„ ๋†€์ด๋ฅผ ์—ฐ๊ณ„ํ•œ ํƒ๊ตฌ ํ™œ๋™ ์ค‘์‹ฌ ์ˆ˜์—…์„ ์ „๊ฐœํ•˜๋Š” ๋ฐฉ์•ˆ์œผ๋กœ, ์ „๋ž˜๋™์š”์˜ ํ™œ์šฉ ๋ฒ”์œ„๋ฅผ ๋„“ํžˆ๋Š” ๊ฒƒ๊ณผ ๋™์‹œ์— ํ•™์ƒ๋“ค์˜ ์‚ฌ๊ณ ์™€ ๊ฒฝํ—˜์„ ํ™•์žฅ์‹œํ‚ค๋Š” ๋ฐ ํšจ๊ณผ์ ์ผ ๊ฒƒ์œผ๋กœ ๋ณธ๋‹ค.
Such methods are to have an exploration-focused class connected with expression play, and it is assumed to have a positive effect on expanding the range of the utilization of traditional childrenโ€™s songs and a studentโ€™s thinking ability and experience.
๋” ๋‚˜์•„๊ฐ€ โ€˜๋†€์ด๋ฌธํ™”์˜ ์Šต๋“๊ณผ ์ฐฝ์กฐโ€™๋Š” ์˜› ์•„์ด๋“ค์ด ์ฆ๊ธด ๋†€์ด๋ฌธํ™”๋ฅผ ์ž์‹ ์˜ ์ƒํ™œ๊ณผ ๊ด€๋ จ์ง€์–ด ๋งฅ๋ฝ์ ์œผ๋กœ ์ดํ•ดํ•˜๊ณ , ๋ฌธํ™” ์‚ฌํšŒํ™”์˜ ์ธก๋ฉด์—์„œ ๋†€์ด๋ฌธํ™”๋ฅผ ์—ฐํ–‰ํ•  ์ˆ˜ ์žˆ๋Š” ์—ญ๋Ÿ‰์ด๋ผ ํ•  ์ˆ˜ ์žˆ๋‹ค.
Furthermore, "learning and creating play cultures" is an ability to contextually understand past childrenโ€™s play cultures in the society they lived in a long time ago and succeed in their play cultures from a cultural and socialization perspective.
โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™๊ณผ๊ฐ€ ํ‘œํ˜„ ๋†€์ด ์ค‘์‹ฌ์˜ ์ˆ˜์—…์— ์ดˆ์ ์„ ๋‘๊ณ  ์žˆ๋‹ค๊ณ  ํ•˜๋”๋ผ๋„, ํƒ€ ๊ต๊ณผ์™€์˜ ์—ฐ๊ณ„์„ฑ์„ ๊ณ ๋ คํ•œ ๊ต์œก๊ณผ์ •์˜ ์ทจ์ง€๋ฅผ ๊ณ ๋ คํ•  ๋•Œ ๊ฐœ์„ ๋˜์–ด์•ผ ํ•  ์‚ฌํ•ญ์ด๋ผ๊ณ  ์ƒ๊ฐ๋œ๋‹ค.
Even if the subject "pleasant life" is focusing on expression through play-focused classes, considering the intention of education courses pursuing connection with other subjects, it is regarded to be improved.
๊ต์‚ฌ์šฉ ์ง€๋„์„œ์— ์ œ์‹œ๋œ โ€œ์ œ์žฌ ๊ณก์„ ํ†ตํ•ด ์˜› ๋™๋„ค์— ์„œ ๋ณผ ์ˆ˜ ์žˆ๋Š” ๋‹ค์–‘ํ•œ ์žฅ์‚ฌ๊พผ์„ ๋ชจ์Šต์„ ์‚ดํŽด๋ณด๊ณ , ์˜ค๋Š˜๋‚ ์˜ ์ง์—…๊ณผ ๊ด€๋ จ์ง€์–ด ์ƒ๊ฐํ•ด ๋ณผ ์ˆ˜ ์žˆ๋„๋ก ํ•œ๋‹ค.
A teacher needs to teach a student how to look into various merchants in old town a long time ago through songs in the contents of the teacher's guidance book and think of them related to todayโ€™s jobs.
๋”๋ถˆ์–ด ํ†ตํ•ฉ๊ต๊ณผ์„œ์— ์ œ์‹œ๋œ ๊ฐ ์ฐจ์‹œ๋ณ„ ํ™œ๋™์˜ ์œ ๊ธฐ์  ์—ฐ๊ณ„์„ฑ์„ ๊ฐ•ํ™”ํ•˜๊ธฐ ์œ„ํ•ด์„œ๋Š” ๊ตญ์•… ์ œ์žฌ๊ฐ€ ์ฃผ์ œ ํ•™์Šต ๋‚ด์—์„œ ์–ด๋–ป๊ฒŒ ์—ฐ๊ณ„๋˜๊ณ  ํ™œ์šฉ๋˜๋Š”๊ฐ€์— ๋Œ€ํ•œ ๊ตฌ์ฒด์ ์ธ ์ •๋ณด๋ฅผ ๋ช…์‹œํ•  ํ•„์š”๊ฐ€ ์žˆ๋‹ค.
In addition, to strengthen the systemic connection of each class activity in incorporated subject textbooks, there is a need to state more specific information about how Korean traditional music contents are utilized and connected within the theme learning.
๊ฐ ์ฐจ์‹œ๋ณ„ ๊ตญ์•… ์ œ์žฌ์˜ ํŠน์„ฑ ๋ฐ ํ™œ๋™ ๋‚ด์šฉ์„ ๊ณ ๋ คํ•˜์—ฌ ๊ต๊ณผ ์—ญ๋Ÿ‰๊ณผ์˜ ๊ด€๊ณ„์„ฑ์„ ๋†’์ด๋Š” ๋“ฑ ๊ต๊ณผ ์—ญ๋Ÿ‰์— ๋”ฐ๋ฅธ ๊ตญ์•… ํ™œ๋™์˜ ์žฌ๊ตฌ์„ฑ ๋ฐฉ์•ˆ์„ ๋ชจ์ƒ‰ํ•ด์•ผ ํ•  ๊ฒƒ์ด๋‹ค.
It is needed to find reconstruction methods for Korean traditional music-related activities depending on subject capacity, such as increasing its relation with subject capacity by considering the characteristics and activity content of Korean traditional music in each class.
๋ฐ˜๋ฉด, โ€˜๋…ธ๋ž˜์™€ ๋†€์ด๋ฅผ ํ†ตํ•œ ํ•™์Šตโ€™์€ ์ „๋ž˜๋™์š” ๋†€์ด๋ฌธํ™”์— ๋Œ€ํ•ด ํ•™์Šตํ•ด์•ผ ํ•  ๋‚ด์šฉ์ด๋‚˜ ๊ทธ๊ฒƒ์„ ํ™œ์šฉํ•˜์—ฌ ํ•™์Šตํ•  ์ˆ˜ ์žˆ๋Š” ๊ฒƒ๋“ค์„ ๋ณด๋‹ค ๊ตฌ์กฐํ™”ํ•จ์œผ๋กœ์จ, ์ฃผ์ œ ํ•™์Šต๊ณผ์˜ ๊ด€๋ จ์„ฑ์„ ๋†’์ด๋Š” ๊ฒƒ์ด๋‹ค.
Meanwhile, "learning through plays and songs" is to increase its relevance with theme learning by more structuralizing the contents to be learned about traditional children's song culture and its utilization.
์ „ ํ•™๋…„, ํ•™๊ต๊ธ‰์— ๊ฑธ์ณ ๊ตญ์•… ๊ต์œก์ด ๊ท ํ˜•์ ์œผ๋กœ ์ด๋ฃจ์–ด์ง€๊ธฐ ์œ„ํ•ด์„œ๋Š” ๊ฐ ๊ต์œก๊ณผ์ •์˜ ํŠน์„ฑ์— ๋”ฐ๋ผ ์œตํ†ต์ ์ธ ๊ด€์ ์„ ๋ฐœํœ˜ํ•˜์—ฌ ๊ตญ์•…์„ ํ™œ์šฉํ•  ์ˆ˜ ์žˆ๋Š” ๋ฐฉ์•ˆ์„ ๋ชจ์ƒ‰ํ•  ํ•„์š”๊ฐ€ ์žˆ๋‹ค.
A method to utilize Korean traditional music with a flexible perspective, considering the characteristics of each educational course, needs to be found for a better balance of Korean traditional music education among the contents of all grades and classes.
์ฃผ์ œ๋ณ„ ๊ตญ์•… ์ œ์žฌ์˜ ์ˆ˜๋ก ์–‘์ƒ์„ ๋ถ„์„ํ•œ ๊ฒฐ๊ณผ, ์‹œ๊ฐ„์˜ ํ๋ฆ„์— ๋”ฐ๋ฅธ ์ฃผ์ œ์— ์ˆ˜๋ก๋œ ๊ตญ์•… ์ œ์žฌ๋Š” ๋…ธ๋žซ๋ง์— ๊ณ„์ ˆ์˜ ํŠน์„ฑ์„ ์ง.๊ฐ„์ ‘์ ์œผ๋กœ ๋‹ด๊ณ  ์žˆ๋Š” ํŠน์ง•์„ ์ง€๋‹ˆ๊ณ  ์žˆ์—ˆ๋‹ค.
Looking at the trend of the inclusion of Korean traditional music content by each theme, it is found that Korean traditional music content in the theme related to the "flow of time" directly or indirectly had seasonal or time-based characteristics in the lyrics.
๋˜ํ•œ ๊ณต๊ฐ„์˜ ํ™•์žฅ์— ๋”ฐ๋ฅธ ์ฃผ์ œ์—๋„ ์—ฌ๋Ÿฌ ๊ตญ์•… ์ œ์žฌ๊ฐ€ ์ˆ˜๋ก๋˜์–ด ์žˆ์—ˆ๋Š”๋ฐ, ๋Œ€์ฃผ์ œ์™€ ์ง์ ‘์ ์ธ ๊ด€๋ จ์„ฑ์ด ์—†๋”๋ผ๋„ ์†Œ์ฃผ์ œ ๋˜๋Š” ์„ฑ์ทจ๊ธฐ์ค€๊ณผ ๊ด€๋ จ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ œ์žฌ ๊ณก์œผ๋กœ ์„ ์ •๋˜์—ˆ๋‹ค.
Various Korean traditional music contents were also included in the themes related to the "expanding of spaces," and particularly some songs related to the performance standards of some small themes were chosen as contents, despite the fact that they were not directly related to the main themes.
๋งŒ์•ฝ, โ€˜์Šฌ๊ธฐ๋กœ์šด ์ƒํ™œโ€™๊ณผ์™€ ์—ฐ๊ณ„ํ•˜์—ฌ โ€˜๋ฒŒ์•„ ๋ฒŒ์•„ ๊ฟ€ ๋– ๋ผโ€™๋ฅผ ํ™œ์šฉํ•  ์ˆ˜ ์žˆ๊ฒŒ ์—ฐ๊ณ„ ์ •๋ณด๋ฅผ ์ œ๊ณตํ–ˆ๋‹ค๋ฉด ๊ต๊ณผ ์—ฐ๊ณ„ ํ•™์Šต์—์„œ ์ „๋ž˜๋™์š”์˜ ํ™œ์šฉ์„ฑ์„ ๋†’์ผ ์ˆ˜ ์žˆ์—ˆ์„ ๊ฒƒ์ด๋‹ค.
If some integrated information for utilizing the song, "Bee, bee, make honey," was provided and connected with the subject, "wisdom for life," it could increase the utilization of traditional childrenโ€™s songs in subject-integrated learning.
์ด๋Š” ์˜› ์•„์ด๋“ค์ด ์ƒํ™œ ์†์—์„œ ๋ถˆ๋ €๋˜ ๋…ธ๋ž˜๊ฐ€ โ€˜์ „๋ž˜๋™์š”โ€™๋ผ๋Š” ์žฅ๋ฅด๋กœ ํ˜„์žฌ๊นŒ์ง€ ์ „์Šน๋˜์–ด ์˜ค๋Š” ๊ฒƒ๊ณผ ๊ฐ™์ด ์ง€๊ธˆ์˜ ํ•™์ƒ๋“ค์—๊ฒŒ๋„ ๊ทธ๋Ÿฌํ•œ ๊ฐ€๋Šฅ์„ฑ์„ ์ œ๊ณตํ•ด ์ฃผ๋Š” ๋ฐฉ๋ฒ•์ด ๋  ๊ฒƒ์ด๋‹ค.
This will be a method to provide a potential to succeed with contemporary songs in life to future generations just as songs past children sang in life a long time ago were succeeded to the present with the genre of "traditional childrenโ€™s song.โ€.
๋„ท์งธ, ๊ตญ์•… ๊ณก์„ ํ†ตํ•ด โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™๊ณผ์˜ ํ‘œํ˜„ํ•˜๊ธฐ, ๋†€์ดํ•˜๊ธฐ, ๊ฐ์ƒํ•˜๊ธฐ ๊ธฐ๋Šฅ์„ ๊ณ ๋ฃจ ํ•™์Šตํ•  ์ˆ˜ ์žˆ๋„๋ก ๊ธฐ์กด์˜ ๊ตญ์•… ๊ณก์„ ์žฌ๊ตฌ์„ฑํ•˜๊ฑฐ๋‚˜ ์ƒˆ๋กœ์šด ์•…๊ณก์„ ์ฐฝ์ž‘ํ•  ํ•„์š”๊ฐ€ ์žˆ๋‹ค.
Fourth, a student needs to learn how to reconstruct existing Korean traditional songs or create a new song, to broadly and evenly learn functions of expression, play, and appreciation through Korean traditional songs, in the subject "pleasant life.".
๊ทธ๋Ÿฌ๋‚˜ ํ†ตํ•ฉ๊ต๊ณผ์„œ๋ฅผ ๋ถ„์„ํ•œ ๊ฒฐ๊ณผ ๊ตญ์•… ์ œ์žฌ๋Š” โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™๊ณผ ๊ต์œก๊ณผ์ • ์„ฑ์ทจ๊ธฐ์ค€์— ํ•œ์ •ํ•˜์—ฌ ํ™œ์šฉ๋˜๊ณ  ์žˆ์œผ๋ฉฐ, ๊ต๊ณผ ์—ฐ๊ณ„ ํ•™์Šต์„ ์œ„ํ•œ ๊ตญ์•… ์ œ์žฌ์˜ ์—ญํ• ์€ ๋ฏธ๋น„ํ•œ ๊ฒƒ์œผ๋กœ ๋‚˜ํƒ€๋‚ฌ๋‹ค.
However, after analyzing incorporated textbooks, it was found that Korean traditional music was utilized, limited to only the performance standard in the education course of the subject, "pleasant life," and its role for subject-integrated learning was low.
2015 ๊ฐœ์ • ํ†ตํ•ฉ๊ต๊ณผ ๊ต์œก๊ณผ์ •์—์„œ๋Š” โ€˜๋ฐ”๋ฅธ ์ƒํ™œโ€™, โ€˜์Šฌ๊ธฐ๋กœ์šด ์ƒํ™œโ€™, โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™๊ณผ์˜ ํŠน์„ฑ์— ๋”ฐ๋ผ ์ด๋ก ์˜ ์—ฌ์„ฏ ๊ฐ€์ง€ ํ•ต์‹ฌ์—ญ๋Ÿ‰์„ ๋ฐ”ํƒ•์œผ๋กœ ๊ฐ ๊ต๊ณผ๋ณ„ ์—ญ๋Ÿ‰์„ ์„ธ ๊ฐ€์ง€์”ฉ ์ œ์‹œํ•˜์˜€๋‹ค.
According to subject characteristics, the 2015 revised incorporated subject education course suggested three capacities by each subject, based on the six core capacities of the outline: "disciplined life," "pleasant life," and "wisdom for life.".
์ฒซ์งธ, โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™ ๊ณผ์—์„œ๋Š” ๊ตญ์•… ์ œ์žฌ์™€ ์ฃผ์ œ ํ•™์Šต์˜ ์ง.๊ฐ„์ ‘์ ์ธ ๊ด€๋ จ์„ฑ์„ ์ค‘์š”ํ•˜๊ฒŒ ๊ณ ๋ คํ•˜๊ณ  ์žˆ์œผ๋‚˜ ์ฃผ์ œ ํ•™์Šต ํŠน์„ฑ์„ ์ถฉ์กฑ์‹œํ‚ฌ ์ˆ˜ ์žˆ๋Š” ๊ตญ์•… ๊ณก์ด ๋ถ€์กฑํ•œ ์‹ค์ •์ด๋‹ค.
First, the subject "pleasant life" values the direct or indirect relevance of Korean traditional music with theme learning, but in fact, Korean traditional songs that fulfill characteristics of theme learning are not enough.
โ€˜์–ด๊นจ๋™๋ฌดโ€™๋Š” ์นœ๊ตฌ์™€ ์นœํ•ด์งˆ ์ˆ˜ ์žˆ๋Š” ๋†€์ดํ•˜๊ธฐ์˜ ์„ฑ์ทจ๊ธฐ์ค€ ๊ตฌํ˜„์— ํ™œ์šฉ๋˜์—ˆ์œผ๋ฉฐ, ๋…ธ๋ž˜ ๋ถ€๋ฅด๊ธฐ ํ™œ๋™์„ ํ†ตํ•ด ํ•™๊ต์—์„œ ํ˜•์„ฑ๋˜๋Š” ๊ต์šฐ ๊ด€๊ณ„์— ๋Œ€ํ•œ ๊ด€์‹ฌ์„ ์ด๋Œ์–ด ๋‚ด๊ณ ์ž ํ•˜์˜€๋‹ค.
Through activities to sing a song, it tried to promote attention toward relationships with friends in school, and the song "putting arms around each otherโ€™s shoulders" was utilized to materialize the performance standard for play to get along with friends.
๋˜ํ•œ โ€˜๋ชฉ๋„์†Œ๋ฆฌโ€™๋ฅผ ๋ถ€๋ฅด๋ฉฐ ์ผํ•˜๋Š” ๋™์ž‘์„ ํ‘œํ˜„ํ•˜๊ณ , ๋…ธ๋žซ๋ง์„ ๋ฐ”๊พธ์–ด ๋ถ€๋ฅด๊ฒŒ ํ•˜๊ฑฐ๋‚˜ โ€˜์žฅ์‚ฌ๊พผ ๋…ธ๋ž˜โ€™์— ๋‚˜ํƒ€๋‚œ ์—ฌ๋Ÿฌ ๊ฐ€์ง€ ์ง์—…์„ ์•Œ์•„๋ณด๊ฒŒ ํ•จ์œผ๋กœ์จ ์ง์—… ๋†€์ด๋ฅผ ๊ตฌํ˜„ํ•˜๊ณ ์ž ํ–ˆ๋‹ค.
Also, it tried to materialize job plays by expressing a worker's motion by singing a song, "The Sound of a Wooden Stick," changing lyrics, and exploring various jobs related to a song, "Merchandise Song.".
โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™ ๊ณผ์—์„œ์˜ ๊ตญ์•… ํ™œ ์šฉ๋„๋ฅผ ์ œ๊ณ ํ•˜๊ธฐ ์œ„ํ•ด์„œ๋Š” ์ฃผ์ œ ํ•™์Šต๊ณผ์˜ ๊ด€๋ จ์„ฑ์„ ์ง€๋‹ˆ๋ฉด์„œ๋„ ์ดˆ๋“ฑํ•™๊ต 1~2ํ•™๋…„ ์ˆ˜์ค€์— ์ ์ ˆํ•œ ๊ตญ์•… ๊ณก์„ ๊ฐœ๋ฐœ, ์ˆ˜๋กํ•  ํ•„์š”๊ฐ€ ์žˆ๋‹ค.
To improve the utilization of Korean traditional music in the subject, "pleasant life," it needs to develop and include proper Korean traditional songs that have relevance with its theme learning and are suitable for first and second grade elementary student levels.
์ด๋Ÿฌํ•œ ์–‘์ƒ์€ ์ œ7์ฐจ ๊ต์œก ๊ณผ์ • ์‹œ๊ธฐ๊นŒ์ง€ ์Œ์•…์  ์š”์†Œ๋ฅผ ๊ณ ๋ คํ•˜์—ฌ ๊ตญ์•… ๊ณก์„ ์„ ์ •ํ•˜๊ณ , ๊ด€๋ จ ๊ตญ์•… ํ™œ๋™์„ ๊ตฌ์„ฑํ–ˆ๋˜ ๊ฒƒ๊ณผ๋Š” ํ™•์—ฐํ•œ ์ฐจ์ด๊ฐ€ ์žˆ๋‹ค.
Such trend is clearly different from the past - until the 7th curriculum period, Korean traditional music-related activities and the selection of Korean traditional songs were done mostly in consideration with musical factors.
์ด ๊ตญ์•… ์ œ์žฌ๋ฅผ ํ†ตํ•ด ๋ด„์˜ ๋ชจ์Šต๊ณผ ๋А๋‚Œ์„ ์ฐฝ์˜์ ์œผ๋กœ ํ‘œํ˜„ํ•˜๊ฑฐ๋‚˜, ๋ด„์— ๋ณผ ์ˆ˜ ์žˆ๋Š” ๋™์‹๋ฌผ์„ ๋‹ค์–‘ํ•˜๊ฒŒ ํ‘œํ˜„ํ•ด ๋ณด๋Š” ์„ฑ์ทจ๊ธฐ์ค€์„ ๊ตฌํ˜„ํ•˜๊ณ ์ž ํ•˜์˜€๋‹ค.
The new curriculum tried to create a performance standard, related to describing animals and plants seen in the spring in various ways or to convey springtime sentiments and symbols creatively through these Korean traditional music materials.
์ด๋Ÿฌํ•œ ํŠน์„ฑ์„ ๋ฐ”ํƒ•์œผ๋กœ โ€˜ํ•ด์•ผ ํ•ด์•ผ ๋‚˜์˜ค๋„ˆ๋ผโ€™๋ฅผ ํ†ตํ•ด ์—ฌ๋ฆ„์ฒ ์˜ ๋ชจ์Šต์„ ์—ฐ๊ฒฐํ•˜์˜€๊ณ , ์—ฌ๋ฆ„์ฒ ์˜ ๋Œ€ํ‘œ์ ์ธ ๋†€์ด๋กœ โ€˜๋‘๊บผ๋น„ ์ง‘์ด ์—ฌ๋ฌผ๊นŒโ€™๋ฅผ ๋ถ€๋ฅด๋ฉฐ ๋ชจ๋ž˜์„ฑ ์Œ“๊ธฐ ํ™œ๋™์„ ์ œ์‹œํ•˜์˜€๋‹ค.
Based on such features, it connected summertime with "Sun, Sun, come out", and suggested singing the song "Will the toadโ€™s house be destroyed?" while building a sandcastle as one of representative play activities in summer season.
โ€˜์•ž๋‹ˆ ๋น ์ง„ ์ค‘๊ฐ•์ƒˆโ€™๋Š” ์•ž๋‹ˆ๊ฐ€ ๋น ์ง„ ๊ฒฝํ—˜๊ณผ ๊ด€๋ จ์ง€์–ด ์ €ํ•™๋…„ ํ•™์ƒ๋“ค์˜ ์‹ ์ฒด ๋ฐœ๋‹ฌ ๋‹จ๊ณ„๋ฅผ ์ธ์‹ํ•˜๊ฒŒ ํ•˜๋Š” ๋ฐ ํ™œ์šฉ๋˜์—ˆ์œผ๋ฉฐ, ๋†€์ดํ•˜๊ธฐ ๊ธฐ๋Šฅ๊ณผ ๊ด€๋ จ๋œ ํ™œ๋™์ด ๊ตฌํ˜„๋˜์—ˆ๋‹ค.
The song โ€œDonโ€™t go there with no front teethโ€ was utilized for elementary students to recognize the physically growing stage of their own body, play-related activities were created.
์ง์—… ๋†€์ดํ•˜๊ธฐ์˜ ์ผํ™˜์œผ๋กœ ์ˆ˜๋ก๋œ โ€˜์žฅ์‚ฌ๊พผ ๋…ธ๋ž˜โ€™ ์—ญ์‹œ ๋…ธ๋žซ๋ง์„ ์•Œ์•„๋ณด๊ณ  ๋…ธ๋ž˜๋ฅผ ์ตํžŒ ํ›„, ์‹ ์ฒด ํ‘œํ˜„์„ ํ•˜๋ฉด์„œ ๋…ธ๋ž˜๋ฅผ ๋ถ€๋ฅด๋Š” ํ™œ๋™์— ํ•œ์ •๋˜์–ด ์žˆ๋Š” ์‚ฌ๋ก€์ด๋‹ค.
The song โ€œMerchant song,โ€ used in career-related play activities, is another example of singing a song with physical recreation after learning the song and its lyrics.
๋†€์ดํ•˜๊ธฐ ๊ธฐ๋Šฅ๊ณผ ๊ด€๋ จํ•˜์—ฌ ๋ฐฐ๋‹ฌ ๋†€์ด๋ฅผ ์ œ์‹œํ•ด ๋†“์•˜์œผ๋‚˜, ๋ฌผ๊ฑด์„ ์ •ํ™•ํ•˜๊ฒŒ ๋ฐฐ๋‹ฌํ•˜๋Š” ํŽธ์ด ์ด๊ธฐ๋Š” ๊ฒฝ์Ÿ ๋†€์ด๋ผ๋Š” ์ ์—์„œ โ€˜์žฅ์‚ฌ๊พผ ๋…ธ๋ž˜โ€™์™€์˜ ๊ด€๋ จ์„ฑ์€ ๋ฏธํกํ•˜๋‹ค.
Delivery pretend play was suggested as a play activity, but since itโ€™s a competition activity to accurately deliver an object, itโ€™s not really relevant with the โ€œMerchant song.โ€.
์…‹์งธ, ์‹ค์ƒํ™œ์— ๋ถ€ํ•ฉํ•˜๋Š” ๊ตญ์•… ์ œ์žฌ๋ฅผ ๋ฐœ๊ตดํ•˜๋Š” ์ธก๋ฉด์—์„œ ํ•™์ƒ๋“ค์ด ์ง์ ‘ ๋งŒ๋“  ๋…ธ๋ž˜๋ฅผ ๊ต๊ณผ์„œ ์ œ์žฌ ๊ณก ๋˜๋Š” ์ฐธ๊ณ  ๊ณก์œผ๋กœ ์ฑ„ํƒ, ์ˆ˜๋กํ•˜๋Š” ๋ฐฉ์•ˆ์ด ์žˆ๋‹ค.
Third, choosing and including into the curriculum content or for reference in the textbooks songs that students created by themselves can be a way to discover new examples of Korean traditional music in line with real life.
๋˜ํ•œ ํ•™์ƒ๋“ค์˜ ์ƒํ™œ๊ณผ ๊ฒฝํ—˜์ด ๋…น์•„ ์žˆ๋Š” ๋…ธ๋ž˜๋ฅผ ์ œ์žฌ ๊ณก์œผ๋กœ ํ™œ์šฉํ•จ์œผ๋กœ์จ ๋…ธ๋ž˜ ๋ฌธํ™”์˜ ์žฌ์ฐฝ์กฐ๋ฅผ ์ด๋ฃจ์–ด๋‚ด๋Š” ๊ต์œก์  ํšจ๊ณผ๋ฅผ ๊ฑฐ๋‘˜ ์ˆ˜ ์žˆ์„ ๊ฒƒ์œผ๋กœ ๋ณธ๋‹ค.
Also, we expect that utilizing songs which reflect studentsโ€™ lives and experiences, will have a positive educational effect on recreating singing culture.
์˜ˆ๋ฅผ ๋“ค์–ด, โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™ ๊ณผ์—์„œ๋Š” ์ „๋ž˜๋™์š”๋ฅผ ํ†ตํ•ด ๋™์‹๋ฌผ์— ๋Œ€ํ•œ ๊ด€์‹ฌ๊ณผ ํฅ๋ฏธ๋ฅผ ๋ถˆ๋Ÿฌ์ผ์œผํ‚ค๊ณ , ํ‘œํ˜„ ๋†€์ด ํ™œ๋™ ์ค‘์‹ฌ์œผ๋กœ ๊ฐ๊ฐ์  ํ‘œํ˜„์„ ์ง€๋„ํ•  ์ˆ˜ ์žˆ๋‹ค.
For example, the subject โ€œPleasant lifeโ€ can raise attention and interest about animals and plants through traditional children's songs and teach expressive language by utilizing expression play activities.
๊ต๊ณผ ์—ญ๋Ÿ‰์€ ํ•œ๋‘ ์ฐจ์‹œ์˜ ์ˆ˜์—…์„ ํ†ตํ•ด ์ง€๋„ํ•  ์ˆ˜ ์žˆ๋Š” ๊ฐœ๋…์ด ์•„๋‹Œ, ์žฅ๊ธฐ๊ฐ„์˜ ๊ต์œก์  ํˆฌ์ž…๊ณผ ํ”ผ๋“œ๋ฐฑ์„ ๋ฐ”ํƒ•์œผ๋กœ ํ•จ์–‘์‹œํ‚ฌ ์ˆ˜ ์žˆ๋Š” ๊ฐœ๋…์— ํ•ด๋‹นํ•œ๋‹ค.
The subject is to be taught for a long time with educational input and feedbacks, rather than for a one or two classes.
๋˜ํ•œ โ€˜๋…ธ๋žซ๋ง์„ ๋ฐ”๊พธ์–ด ๋†€์ดํ•˜๋ฉฐ ์นœ๊ตฌ์˜ ์ƒ๊ฐ ์ดํ•ดํ•˜๊ธฐโ€™, โ€˜๋†€์ด ๋ฐฉ๋ฒ•์„ ์ตํ˜€ ํ˜‘๋ ฅํ•˜๋ฉฐ ๋†€์ดํ•˜๊ธฐโ€™ ๋“ฑ์˜ ํ™œ๋™์€ ์˜์‚ฌ์†Œํ†ต ์—ญ๋Ÿ‰์„ ํ•จ์–‘์‹œํ‚ค๋Š” ๋ฐ ์ ์ ˆํ•  ๊ฒƒ์œผ๋กœ ๋ณธ๋‹ค.
Also, activities such as โ€œUnderstanding each other by changing song lyrics,โ€ and โ€œLearning cooperate and playโ€ are regarded as appropriate to foster communication competence.
โ€˜๋…ธ๋ž˜์™€ ๋†€์ด์˜ ๊ฒฝํ—˜โ€™์€ ๋น„๊ตฌ์กฐํ™”๋œ ํ™˜๊ฒฝ ์†์—์„œ ์—ฌ๋Ÿฌ ์ข…๋ฅ˜์˜ ์ „๋ž˜๋™์š”์— ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ๋…ธ์ถœ๋˜์–ด ํ•™์ƒ๋“ค์ด ๊ตญ์•… ์–ด๋ฒ•๊ณผ ๋†€์ด์— ์นœ๊ทผํ•จ์„ ๋А๋ผ๋Š” ๊ณผ์ •์ด๋ผ ํ•  ์ˆ˜ ์žˆ๋‹ค.
โ€œExperience songs and playโ€ is a process for the students to feel comfortable with the grammar of Korean traditional music and get naturally exposed to various traditional childrenโ€™s songs an informal environment.
๊ต๊ณผ ์—ญ๋Ÿ‰๊ณผ ๊ด€๋ จ๋œ ๊ตญ์•… ์ œ์žฌ์˜ ๋น„์œจ์€ ๋‚ฎ๊ฒŒ ๋‚˜ํƒ€๋‚˜๋Š”๋ฐ, ์ด๋กœ ์ธํ•ด ๊ต๊ณผ ์—ญ๋Ÿ‰ ์ง€๋„๋ฅผ ์œ„ํ•œ ๊ตญ์•…์˜ ํ™œ์šฉ์„ฑ์ด ๋งค์šฐ ์ œํ•œ์ ์œผ๋กœ ์ธ์‹๋  ๊ฐ€๋Šฅ์„ฑ์ด ์žˆ๋‹ค.
The fact the percentage of Korean traditional music educational contents related to curricular competencies is low, can make people only partially recognize the potential of utilization of Korean traditional music.
๋‘˜์งธ, ๊ตญ์•…์„ ํ™œ์šฉํ•œ ๊ต๊ณผ ์—ฐ๊ณ„ ์ˆ˜์—…์„ ์กฐ์งํ•จ์œผ๋กœ์จ ์ฃผ์ œ ํ•™์Šต์—์„œ ๊ตญ์•…์˜ ํ™œ์šฉ ๋ฒ”์œ„๋ฅผ ๋„“ํžˆ๊ณ , ๊ต๊ณผ ์—ฐ๊ณ„ ํ•™์Šต์—์„œ ๊ตญ์•…์˜ ์—ญํ• ์„ ๊ณต๊ณ ํžˆ ํ•ด์•ผ ํ•œ๋‹ค.
Second, by planning theme-based learning classes through utilizing Korean traditional music, the utilization scope of traditional music should be expanded and its role should be improved.
์ด๋ฅผ ์œ„ํ•ด โ€˜๋…ธ๋ž˜์™€ ๋†€์ด์˜ ์ดํ•ดโ€™ โ†’ โ€˜๋…ธ๋ž˜์™€ ๋†€์ด๋ฅผ ํ†ตํ•œ ํ•™์Šตโ€™ โ†’ โ€˜๋†€์ด๋ฌธํ™”์˜ ์Šต๋“๊ณผ ์ฐฝ์กฐโ€™์˜ ๋ฐฉํ–ฅ์œผ๋กœ ์ „๋ž˜๋™์š”์˜ ํ™œ๋™์„ ํ™•์žฅ์‹œ์ผœ ๋‚˜๊ฐ€์•ผ ํ•จ์„ ์ œ์•ˆํ•˜์˜€๋‹ค.
For this, we suggested the expansion of Korean traditional childrenโ€™s song-related activities in the following order: โ€œUnderstanding of song and playโ€ -> โ€œLearning through song and playโ€ -> โ€œLearning and creating play culture.โ€.
๋˜ํ•œ โ€˜๋ฐ”.{j}์Šฌ.{j}์ฆโ€™ ๊ต๊ณผ ์ˆ˜์—… ๋‚ด์šฉ๊ณผ ๊ณผ์ •์„ ์ด์–ด์ฃผ๊ณ , ์ฃผ์ œ ํ•™์Šต์— ์š”๊ตฌ๋˜๋Š” ์ง€์‹๊ณผ ๊ธฐ๋Šฅ, ํƒœ๋„๋ฅผ ์Šต๋“์‹œํ‚ค๋Š” ๋งค๊ฐœ๋กœ ๊ตญ์•…์˜ ์—ญํ• ์„ ์„ค์ •ํ•ด์•ผ ํ•  ๊ฒƒ์ด๋‹ค.
The role of Korean traditional music should be set as a means to connect content and courses of each curricular subject, and to learn knowledge, functions, and attitude for theme-based learning.
๋˜ํ•œ ํ†ตํ•ฉ๊ต๊ณผ์„œ์— ๋‚˜ํƒ€๋‚œ ๊ตญ์•… ํ™œ์šฉ์˜ ๋ฌธ์ œ์ ์„ ์ œ๊ธฐํ•˜๊ณ , ์ด์— ๋Œ€ํ•œ ํ•ด๊ฒฐ ๋ฐฉ์•ˆ์„ ๋ชจ์ƒ‰ํ•จ์œผ๋กœ์จ ์ฐจ๊ธฐ ๊ต์œก๊ณผ์ •์—์„œ ๊ฐœ์„ ํ•ด ๋‚˜๊ฐ€์•ผ ํ•  ์ ์„ ๋…ผ์˜ํ•ด ๋ณด๊ฒ ๋‹ค.
Also, we will point out the problems of utilizing Korean traditional music in integrated textbooks, find out their solutions and finally, discuss issues to be improved in the next curriculum.
์ด ๊ตญ์•… ์ œ์žฌ๋“ค์€ ์—ฌ๋ฆ„์˜ ๋ชจ์Šต๊ณผ ๋А๋‚Œ์„ ์ฐฝ์˜์ ์œผ๋กœ ํ‘œํ˜„ํ•˜๊ธฐ, ์—ฌ๋ฆ„์— ํ•  ์ˆ˜ ์žˆ๋Š” ๋†€์ดํ•˜๊ธฐ, ๋™์‹๋ฌผ ํ‘œํ˜„ํ•˜๊ธฐ์™€ ๊ด€๋ จ๋œ ์„ฑ์ทจ๊ธฐ์ค€์„ ๊ตฌํ˜„ํ•˜๋Š” ๋ฐ ํ™œ์šฉ๋˜์—ˆ๋‹ค.
These Korean traditional music materials were utilized to create performance standard related to creative expression of springtime sentiments and symbols, play in the summer, and description of animals and plants.
์ด ๊ตญ์•… ์ œ์žฌ๋“ค์€ ์ด์›ƒ์˜ ๋ชจ์Šต๊ณผ ์ƒํ™œ์„ ํ‘œํ˜„ํ•˜๊ณ  ์ด์›ƒ๊ณผ ํ•จ๊ป˜ ํ•  ์ˆ˜ ์žˆ๋Š” ๋†€์ดํ•˜๊ธฐ, ์ง์—…๊ณผ ๊ด€๋ จ๋œ ๋†€์ดํ•˜๊ธฐ์˜ ์„ฑ์ทจ๊ธฐ์ค€์„ ๊ตฌํ˜„ํ•˜๊ธฐ ์œ„ํ•ด ํ™œ์šฉ๋˜์—ˆ๋‹ค.
The Korean traditional music materials were utilized for expressing neighbors lifestyles and representing performance standards of neighbor play activities and career-related pretend play.
โ€˜์•„๋ฆฌ๋ž‘โ€™์€ ๊ฐ ๋‚˜๋ผ์˜ ๋Œ€ํ‘œ์ ์ธ ๋…ธ๋ž˜์™€ ์ถค, ๋†€์ด๋ฅผ ํ•™์Šตํ•˜๊ธฐ ์œ„ํ•œ ์ œ์žฌ๋กœ ์ˆ˜๋ก๋˜์—ˆ์œผ๋ฉฐ, ์šฐ๋ฆฌ๋‚˜๋ผ์˜ ์ƒ์ง•์œผ๋กœ์„œ โ€˜์•„๋ฆฌ๋ž‘โ€™์„ ์ธ์‹ํ•  ์ˆ˜ ์žˆ๊ฒŒ ํ•œ ๊ฒƒ์ด ํŠน์ง•์ด๋‹ค.
The song โ€œArirangโ€ is included as material for learning each countryโ€™s representative song, dance and traditional games. โ€œArirangโ€ is recognized as a symbol of Korea.
์ด๋Ÿฌํ•œ ์–‘์ƒ์€ ๋…ธ๋žซ๋ง์ด๋‚˜ ์—ฐํ–‰์— ๋‹ด๊ธด ๋ฌธํ™”์  ํŠน์ง•์ด ๊ฐ ๊ณ„์ ˆ๋ณ„ ํ•™์Šต๊ณผ ์ง.๊ฐ„์ ‘์ ์œผ๋กœ ๊ด€๋ จ์ด ์žˆ์–ด์•ผ โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™๊ณผ์˜ ์ œ์žฌ๋กœ์„œ์˜ ํ™œ์šฉ์„ฑ์ด ๋‚˜ํƒ€๋‚˜๊ฒŒ ๋จ์„ ์˜๋ฏธํ•œ๋‹ค.
This pattern means that cultural characteristics included in lyrics or game phrases should be associated with direct or indirect seasonal learning to be suitable as material for โ€œPleasant life.โ€.
์ด์— ๋”ฐ๋ฅด๋ฉด ์Œ์•…์  ์š”์†Œ์— ๊ทผ๊ฑฐํ•˜์—ฌ ๊ตญ์•… ์ œ์žฌ๋ฅผ ์„ ์ •ํ•  ๋•Œ๋ณด๋‹ค ๊ตญ์•… ๊ณก์— ๋‹ด๊ธด ์ด๋ฉด์„ ๋ณด๋‹ค ๋งฅ๋ฝ์ ์œผ๋กœ ์ดํ•ดํ•ด์•ผ ํ•  ํ•„์š”์„ฑ์ด ๋” ์š”๊ตฌ๋œ๋‹ค.
According to it, itโ€™s important to contextually understand the hidden parts of Korean traditional music when selecting Korean traditional music materials based on musical factors.
ํŠนํžˆ ๋ด„๊ณผ ๊ด€๋ จ๋œ ๋‚ด์šฉ์œผ๋กœ ๋…ธ๋žซ๋ง์„ ๋ฐ”๊พธ์–ด ๋ณด๊ฑฐ๋‚˜ ์†Œ๊ณ ๋ฅผ ์น˜๋ฉฐ ์‹ ์ฒด ํ‘œํ˜„์„ ํ•จ์œผ๋กœ์จ ๋ด„์˜ ๋ชจ์Šต๊ณผ ๋А๋‚Œ์„ ์ฐฝ์˜์ ์œผ๋กœ ํ‘œํ˜„ํ•  ์ˆ˜ ์žˆ๋„๋ก ํ•˜์˜€๋‹ค.
And more specifically, it helps the students convey springtime sentiments and symbols creatively through physical actions such as playing โ€œsogoโ€ (small hand-held drum) or by changing lyrics to be more closely related to spring.
์ด๋Š” 1~2์ฐจ์‹œ ์ˆ˜์—… ๋‚ด์—์„œ โ€˜๋…ธ๋ž˜ํ•˜๊ธฐ, ๋†€์ดํ•˜๊ธฐ, ์•…๊ธฐ ์—ฐ์ฃผํ•˜๊ธฐ, ๋…ธ๋žซ๋ง ๋ฐ”๊พธ๊ธฐ, ํ‰๋‚ด ๋‚ด๊ธฐโ€™์˜ ํ™œ๋™์— ํ•œ์ •ํ•˜์—ฌ ๊ตญ์•… ๊ณก์„ ํ™œ์šฉํ•˜๊ฒŒ ๋˜๋Š” ๋ฌธ์ œ๋กœ ์ด์–ด์ง„๋‹ค.
This might lead to the limited use of Korean traditional music during the first two classes, only for activities such as singing, playing, re-writing lyrics, mimicking.
์ „๋ž˜๋™์š”๋Š” ์ดˆ๋“ฑํ•™๊ต 1~2ํ•™๋…„ ๋ฐœ๋‹ฌ ๋‹จ๊ณ„์— ์ ํ•ฉํ•˜๊ณ  ๋†€์ด๋ฅผ ์ˆ˜๋ฐ˜ํ•˜๊ณ  ์žˆ๋Š” ํŠน์„ฑ์œผ๋กœ ์ธํ•ด โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™๊ณผ์˜ ํ‘œํ˜„ ๋†€์ด ์ค‘์‹ฌ ์ˆ˜์—…์—์„œ์˜ ํ™œ์šฉ์„ฑ์ด ๋†’๊ฒŒ ๋‚˜ํƒ€๋‚œ๋‹ค.
Traditional childrenโ€™s songs are suitable for the developmental stage of first and second grade elementary school students and are utilized mostly in expressive language classes and โ€Pleasant lifeโ€ classes.
๋‘˜์งธ, ์ „๋ž˜๋™์š”์˜ ์žฌ๊ตฌ์„ฑ๊ณผ ๋”๋ถˆ์–ด 1~2ํ•™๋…„ ํ•™์ƒ๋“ค์˜ ์Œ์•…์  ์ˆ˜์ค€๊ณผ ์‹ค์ƒํ™œ ์—ฐ๊ณ„๋ฅผ ๊ณ ๋ คํ•˜์—ฌ ์ฃผ์ œ ํ•™์Šต์— ํ™œ์šฉํ•  ์ˆ˜ ์žˆ๋Š” ๊ตญ์•… ๋™์š”๋ฅผ ์ฐฝ์ž‘ํ•ด์•ผ ํ•œ๋‹ค.
Second, in addition to reconstructing traditional childrenโ€™s songs according to the musical knowledge level of first and second grade elementary school students, we need to compose more traditional children songs, which can be used in theme-based learning.
โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™๊ณผ ๊ต์œก๊ณผ์ •์€ โ€˜๋ฐ”๋ฅธ ์ƒํ™œโ€™๊ณผ โ€˜์Šฌ๊ธฐ๋กœ์šด ์ƒํ™œโ€™๊ณผ์™€ ์˜์—ญ๋ณ„๋กœ ํ†ตํ•ฉํ•˜์—ฌ ์ง€๋„ํ•˜๋ฉฐ, ๊ตญ์–ด๊ณผ ๋˜๋Š” ์ˆ˜ํ•™๊ณผ์™€๋„ ์—ฐ๊ณ„ํ•˜์—ฌ ํ•™์Šต์˜ ํšจ์œจ์„ฑ์„ ๊ทน๋Œ€ํ™”ํ•  ๊ฒƒ์„ ๋ช…์‹œํ•˜๊ณ  ์žˆ๋‹ค.
โ€œPleasant lifeโ€ should be integrated with โ€œDisciplined lifeโ€ and โ€œIntelligent lifeโ€ and be taught under one main subject. Its connection to Korean language classes and Math should be specified to maximize learning efficiency.
์˜ˆ๋ฅผ ๋“ค์–ด, โ€˜์—ฌ๋Ÿฌ ๊ฐ€์ง€ ๊ฐ๊ฐ ๊ธฐ๊ด€์„ ํ™œ์šฉํ•˜์—ฌ ๋†€์ดํ•˜๊ธฐโ€™, โ€˜๋†€์ด๋ฅผ ํ•˜๋ฉฐ ์•…๊ณก์˜ ํŠน์ง• ํŒŒ์•…ํ•˜๊ธฐโ€™ ํ™œ๋™์€ ์‹ฌ๋ฏธ์  ๊ฐ์„ฑ ์—ญ๋Ÿ‰๊ณผ์˜ ๊ด€๊ณ„์„ฑ์ด ๋†’๊ฒŒ ๋‚˜ํƒ€๋‚œ๋‹ค.
For example, activities like "paly of using various sensory organs", or "grasping musicโ€™s characteristic through play" are highly associated with aesthetic sense.
์ฒซ์งธ, โ€˜๋ด„, ์—ฌ๋ฆ„, ๊ฐ€์„, ๊ฒจ์šธโ€™์˜ ์˜์—ญ์— ๋”ฐ๋ผ โ€˜๋ด„๋งž์ด-์—ฌ๋ฆ„๋งž์ด-๊ฐ€์„๋งž์ด-๊ฒจ์šธ๋งž์ดโ€™์˜ ํ•ต์‹ฌ ๊ฐœ๋…์„ ์ œ์‹œํ•˜๊ณ , ๊ฐ ๊ณ„์ ˆ์˜ ๋ณ€ํ™”์™€ ํŠน์ง•์„ ํ‘œํ˜„ํ•˜๊ฒŒ ํ•˜๋Š” ํ™œ๋™์„ ์ œ์‹œํ•˜์˜€๋‹ค.
First, we suggested the core concepts of "spring greeting - summer greeting - autumn greeting - winter greeting" with each season respectively and activities of expressing seasonal change and characteristics.
๋ณธ ์žฅ์—์„œ๋Š” ์ฃผ์ œ ํ•™์Šต์— ๋”ฐ๋ผ ์ˆ˜๋ก๋œ ๊ตญ์•… ์ œ์žฌ์˜ ์–‘์ƒ์„ ์‚ดํŽด ๋ณด๊ณ , ํ†ตํ•ฉ๊ต๊ณผ์„œ์˜ ๊ตญ์•… ํ™œ์šฉ์— ๋‚˜ํƒ€๋‚œ ๋ฌธ์ œ์ ์„ ์ œ๊ธฐํ•ด ๋ณด๊ณ ์ž ํ•œ๋‹ค.
In this chapter, we will look at patterns of Korean traditional music based on theme-based learning, and challenges of utilizing Korean traditional music in integrated textbooks.
โ€˜๋Œ€๋ฌธ ๋†€์ดโ€™์˜ ํ™œ๋™์€ ๋…ธ๋ž˜ ๋ถ€๋ฅด๊ธฐ, ์†Œ๊ณ ์น˜๋ฉฐ ๋…ธ๋ž˜ ๋ถ€๋ฅด๊ธฐ, ๋…ธ๋ž˜ ๋ถ€๋ฅด๋ฉฐ ๋†€์ดํ•˜๊ธฐ๋กœ ์ œ์‹œ๋˜์—ˆ์œผ๋ฉฐ, ์ด๋ฅผ ํ†ตํ•ด ๊ณต๋™์ฒด ์—ญ๋Ÿ‰์„ ์ง€๋„ํ•˜๋„๋ก ํ•˜์˜€๋‹ค.
The play activity "Gate play" was suggested for singing, playing "sogo" along to a song, and playing while singing activities. It will help teach community competence.
ํ†ตํ•ฉ๊ต๊ณผ์„œ์˜ ๊ตญ์•… ์ˆ˜๋ก ์–‘์ƒ์„ ์‚ดํŽด๋ณธ ๊ฒฐ๊ณผ, ๊ตญ์•…์€ โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™๊ณผ ๊ต์œก๊ณผ์ •์˜ ์ฃผ์ œ ํ•™์Šต ๊ตฌํ˜„์„ ์œ„ํ•ด ํ™œ์šฉ๋˜๊ณ  ์žˆ์Œ์„ ์•Œ ์ˆ˜ ์žˆ์—ˆ๋‹ค.
After studying the aspects of Korean traditional music in integrated textbooks, we found that Korean traditional music is used for representing the subject "Pleasant life" and to create theme-based learning activities.
ํ˜„๋Œ€ ํ•™๊ต ๊ต์œก์—์„œ ์„ค์ •ํ•œ โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™๊ณผ์˜ ์ฃผ์ œ ํ•™์Šต ๋‚ด์šฉ๊ณผ ์ „ํ†ต ์‚ฌํšŒ์—์„œ ๊ตฌ์—ฐ๋œ ์ „๋ž˜๋™์š”, ๋ฏผ์š”์˜ ์‚ฌํšŒโ€ง๋ฌธํ™”์  ๋งฅ๋ฝ์—๋Š” ์ฐจ์ด๊ฐ€ ์žˆ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค.
The reason being differences in social and cultural contexts between the theme-based learning contents of "Pleasant life" planned by modern school education and traditional children songs, folk songs made by traditional society.
์ด๋กœ ์ธํ•ด ํ•™์ƒ๋“ค์˜ ์Œ์•…์  ์ˆ˜์ค€์— ๋งž์ง€ ์•Š๋Š” ์•…๊ณก์„ ์ฃผ์ œ ํ•™์Šต ๊ตฌํ˜„์— ํ™œ์šฉํ•˜๊ฒŒ ๋˜๋Š” ๋ฌธ์ œ๊ฐ€ ๋ฐœ์ƒ๋˜๋Š” ๊ฒƒ์œผ๋กœ ๋ณผ ์ˆ˜ ์žˆ๋‹ค.
Therefore, it can create an issue of using music, not suitable to the childrenโ€™s music musical education level in theme-based learning.
์ฃผ์ œ ํ•™์Šต์—์„œ ๊ตญ์•…์˜ ํ™œ์šฉ ๋ฒ”์œ„๋ฅผ ๋„“ํžˆ๊ณ , ๊ต๊ณผ ์—ฐ๊ณ„ ํ•™์Šต์—์„œ์˜ ๊ตญ์•…์˜ ์—ญํ• ์„ ๊ณต๊ณ ํžˆ ํ•˜๊ธฐ ์œ„ํ•ด์„œ๋Š” ์ด๋Ÿฌํ•œ ๋ฌธ์ œ๋ฅผ ํ•ด๊ฒฐํ•  ํ•„์š”๊ฐ€ ์žˆ๋‹ค.
Itโ€™s necessary to fix these problems in order to widen the range of utilizing Korean traditional music in theme-based learning and strengthen the role of Korean traditional music in integrated subjects.
์ „๋ž˜๋™์š” ๋†€์ด๋ฌธํ™”๊ฐ€ ๋ฌธํ™”์  ์†Œ์–‘ ๊ต์œก์œผ๋กœ์„œ ์ง€๋‹ˆ๋Š” ์˜๋ฏธ๋Š” ๋‹จ์ˆœํžˆ ํ•™์ƒ๋“ค์ด ์ „๋ž˜๋™์š”์˜ ๋…ธ๋ž˜์™€ ๋†€์ด๋งŒ์„ ์—ฐํ–‰ํ•  ์ˆ˜ ์žˆ๊ฒŒ ํ•˜๋Š” ๋ฐ ์žˆ์ง€ ์•Š๋‹ค.
The meaning of traditional children songs as a means of cultural education is not limited to singing and playing traditional children's songs.
์ด๋ฅผ ์œ„ํ•ด 2015 ๊ฐœ์ • โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™๊ณผ ๊ต์œก๊ณผ์ •์˜ ์ฃผ์ œ ํ•™์Šต์„ ๋ถ„์„ํ•˜๊ณ , ๊ฐ ์ฃผ์ œ๋ณ„ ๊ตญ์•… ์ œ์žฌ์˜ ์ˆ˜๋ก ์–‘์ƒ์„ ์‚ดํŽด๋ณด๊ณ ์ž ํ•œ๋‹ค.
To this end, we will analyze the 2015 "Pleasant life" reform and theme-based learning of curriculum and look at the pattern of Korean traditional music materials included in each subject.
ํ†ตํ•ฉ๊ต๊ณผ์„œ๋Š” โ€œ๋ฐ”๋ฅธ ์ƒํ™œ, ์Šฌ๊ธฐ๋กœ์šด ์ƒํ™œ, ์ฆ๊ฑฐ์šด ์ƒํ™œ์— ์š”๊ตฌํ•˜๋Š” ํ•™๊ต ์‚ฌํšŒ์˜ ์š”์ฒญ์„ ๋ฐ›์•„๋“ค์—ฌ ๋‹จ์›๋ณ„๋กœ ๋™์š”, ์ „๋ž˜๋™์š” ํ•œ ๊ฐœ์”ฉ์„ ๋ฐฐ์น˜ํ•œ๋‹ค.
The integrated subject textbook reflects the request of schools to arrange contemporary and traditional childrenโ€™s songs into each lesson of "Disciplined Life", "Intelligent life" and "Pleasant life" subjects.
โ€˜์šฐ๋ฆฌ ํ˜•์ œโ€™๋Š” ๊ฐ€์กฑ ๊ด€๊ณ„์™€ ๊ด€๋ จ๋œ ๋…ธ๋ž˜๋กœ, ๋…ธ๋žซ๋ง ๋ฐ”๊พธ์–ด ๋ถ€๋ฅด๊ธฐ ํ™œ๋™์„ ํ†ตํ•ด ์ฐฝ์˜์  ์‚ฌ๊ณ  ์—ญ๋Ÿ‰์„ ์ง€๋„ํ•˜๋Š” ๋ฐ ํ™œ์šฉ๋˜๊ณ  ์žˆ๋‹ค.
"My Siblings" is a song about family relations. It is used for teaching creative thinking by changing the lyrics and saying the correct term.
โ€˜์„ธ๊ณ„ ์—ฌํ–‰โ€™์€ ๋…ธ๋žซ๋ง์„ ๋ฐ”๊พธ์–ด ๋…ธ๋ž˜๋ฅผ ๋ถ€๋ฅด๊ฑฐ๋‚˜ ๋…ธ๋ž˜ ๋ถ€๋ฅด๋ฉฐ ๋†€์ดํ•˜๋Š” ํ™œ๋™์„ ํ†ตํ•ด ์˜์‚ฌ์†Œํ†ต ์—ญ๋Ÿ‰ ์ง€๋„์— ์ค‘์ ์„ ๋‘๊ณ  ์žˆ๋‹ค.
"Travel the World" is a song, which focuses on communication competence by encouraging the students to change the lyrics of the song or sing while doing playing activities.
์ด ์•…๊ณก์€ ์ดˆ๋“ฑํ•™๊ต 2ํ•™๋…„์˜ โ€˜๋ด„โ€™ ์ฃผ์ œ์— ์ˆ˜๋ก๋œ ์ฐฝ์ž‘๊ตญ์•…๋™์š”๋กœ ์ž์ง„๋ชจ๋ฆฌ์žฅ๋‹จ์—์„œ ๊ตฟ๊ฑฐ๋ฆฌ์žฅ๋‹จ์œผ๋กœ ํ•œ๋ฐฐ๊ฐ€ ๋ณ€ํ•˜๋ฉฐ, ๋ถ€๋ถ„ 2๋ถ€ ํ•ฉ์ฐฝ์˜ ํŠน์„ฑ์„ ์ง€๋‹ˆ๊ณ  ์žˆ๋‹ค.
This creative Korean traditional childrenโ€™s song is included in the lesson about spring for second graders. The songโ€™s tempo changes from Jajinmori rhythm to Gutgeori rhythm and it has the characteristics of a partial second-part chorus.
ํ†ตํ•ฉ๊ต๊ณผ์„œ์—๋Š” ๋ด„์— ๋ณผ ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์„ ์ฐพ์•„์„œ ํ‰๋‚ด ๋‚ด๋ณด๋Š” ํ™œ๋™์„ ์ œ์‹œํ•˜๊ณ , โ€˜๋ฒŒ์•„ ๋ฒŒ์•„ ๊ฟ€ ๋– ๋ผโ€™๋ฅผ ์ œ์žฌ ๊ณก์œผ๋กœ ์ˆ˜๋กํ•˜์˜€๋‹ค.
The integrated textbook includes the activity of mimicking things related to spring and the song "Bees, Bees, Collect Honey".
๊ต๊ณผ์„œ์— ์ˆ˜๋ก๋œ ์ž ์ž๋ฆฌ ์žก๊ธฐ ๋†€์ด๋Š” ์ž ์ž๋ฆฌ ๋ชจํ˜•์„ ์–ด๊นจ์— ๋ฉ”๊ณ , ๋…ธ๋ž˜๋ฅผ ๋ถ€๋ฅด๋ฉฐ ๋‹ค๋ฅธ ํŽธ์˜ ์ž ์ž๋ฆฌ๋ฅผ ์žก๋Š” ์›€์ง์ž„ ์ค‘์‹ฌ์˜ ํ™œ๋™์ด๋‹ค.
The play activity โ€œcatching dragonfliesโ€ included in the textbook is a physical activity, in which the students carry a dragonfly model on their shoulders and sing a song while trying to catch the dragonfly on the opposite side of them.
๋ณธ ์žฅ์—์„œ๋Š” โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™๊ณผ ๊ต์œก๊ณผ์ • ์šด์˜์— ์žˆ์–ด ์ด์™€ ๊ฐ™์€ ๋ฌธ์ œ์ ๋“ค์„ ํ•ด๊ฒฐํ•ด ๋‚˜๊ฐˆ ์ˆ˜ ์žˆ๋Š” ๋ฐฉ์•ˆ์„ ์ œ์‹œํ•ด ๋ณด๊ณ ์ž ํ•œ๋‹ค.
This chapter is going to suggest the solution of fixing problems related to the organization and curriculum of the subject "Pleasant life".
โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™๊ณผ ์šด์˜์—์„œ ๊ตญ์•… ๊ณก์˜ ํ™œ์šฉ์€ ํ•™์ƒ๋“ค์—๊ฒŒ ๊ตญ์•… ๊ฒฝํ—˜์„ ์ถฉ๋ถ„ํžˆ ์ œ๊ณตํ•˜๋Š” ๊ฒƒ์˜ ๊ต์œก์  ํ•„์š”์„ฑ๊ณผ ๊นŠ์€ ๊ด€๋ จ์„ ๋งบ๊ณ  ์žˆ๋‹ค.
The utilization of Korean traditional music in the subject "Pleasant life" shows the educational need for students to experience traditional music.
์ฃผ์ œ๋ณ„ ๋…ธ๋žซ๋ง์„ ๋งŒ๋“ค๊ณ , ๊ธฐ์กด์˜ ๊ตญ์•… ๊ณก์— ๋งž์ถ”์–ด ๋ถ€๋ฅผ ์ˆ˜ ์žˆ๊ฒŒ ํ•จ์œผ๋กœ์จ ๊ตญ์•…์˜ ํ™œ์šฉ์„ฑ์„ ๋†’์—ฌ๋‚˜๊ฐ€๋Š” ์ „๋žต์„ ๋ชจ์ƒ‰ํ•  ํ•„์š”๊ฐ€ ์žˆ๋‹ค.
There is a need to create a strategy, which will enhance the utilization of Korean traditional music by composing theme-based song lyrics and making them similar to Korean traditional music.
โ€˜๋†€์ดํ•˜๊ธฐโ€™ ๊ธฐ๋Šฅ์„ ๋˜‘๊ฐ™์ด ์ ์šฉํ•˜๋”๋ผ๋„ ๋ฌด์—‡์— ์ค‘์ ์„ ๋‘๋А๋ƒ์— ๋”ฐ๋ผ ํ•จ์–‘์‹œํ‚ฌ ์ˆ˜ ์žˆ๋Š” ๊ต๊ณผ ์—ญ๋Ÿ‰์„ ๋‹ฌ๋ฆฌ ์„ค์ •ํ•  ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์ด๋‹ค.
The adaptation of the same โ€œplayโ€ function can improve different curricular competencies depending what the focus is on.
๋ณธ ์—ฐ๊ตฌ์—์„œ 2015 ๊ฐœ์ • โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™๊ณผ ๊ต์œก๊ณผ์ •์˜ ๊ตญ์•… ํ™œ์šฉ ์–‘์ƒ์„ ๋ถ„์„ํ•œ ๊ฒฐ๊ณผ, ๋ช‡ ๊ฐ€์ง€์˜ ๋ฌธ์ œ์ ์„ ๋ฐœ๊ฒฌํ•  ์ˆ˜ ์žˆ์—ˆ๋‹ค.
We analyzed the 2015 "Pleasant life" reform and the patterns of utilization of Korean traditional music in the learning process and found several problems.
์…‹์งธ, โ€˜๊ธฐ๋Šฅโ€“๊ตญ์•… ํ™œ๋™-๊ต๊ณผ ์—ญ๋Ÿ‰โ€™์˜ ๊ด€๊ณ„์„ฑ ์†์—์„œ ๊ตญ์•… ๊ด€๋ จ ํ™œ๋™๋“ค์ด ๊ต๊ณผ ์—ญ๋Ÿ‰ ์ง€๋„์— ์œ ์˜๋ฏธํ•˜๊ฒŒ ํ™œ์šฉ๋  ์ˆ˜ ์žˆ๋Š” ๋Œ€์•ˆ์„ ์ œ์‹œํ•˜์˜€๋‹ค.
Third, in the relationship between function, Korean traditional music and curricular competencies, we suggested an alternative where activities related to Korean traditional music can be applied in teaching curricular competencies.
โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™๊ณผ์˜ ๊ต๊ณผ ์„ฑ๊ฒฉ์˜ ๋ณ€ํ™”๋Š” ํ†ตํ•ฉ๊ต๊ณผ์„œ์˜ ๊ตญ์•…๊ณก ์ˆ˜๋ก ๋ฐ ํ™œ์šฉ ์–‘์ƒ์— ๋งŽ์€ ์˜ํ–ฅ์„ ๋ฏธ์น˜๊ฒŒ ๋œ ์š”์ธ์ด ๋˜์—ˆ๋‹ค.
The subject "Pleasant life" and its change of characteristics became a factor, which affects Korean traditional songs and their application in the integrated textbook.
์ด์— ๋ณธ ์—ฐ๊ตฌ๋Š” โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™๊ณผ ๊ต์œก๊ณผ์ • ์šด์˜์— ์žˆ์–ด ๊ตญ์•…์˜ ํ™œ์šฉ์„ฑ์„ ์ œ๊ณ ํ•˜๊ธฐ ์œ„ํ•œ ๋ฐฉ์•ˆ์„ ๋ชจ์ƒ‰ํ•˜๋Š” ๋ฐ ๋ชฉ์ ์„ ๋‘์—ˆ๋‹ค.
Therefore, the research sets its purpose on seeking solutions for improving the utilization of Korean traditional music in the organization and curriculum of the subject "Pleasant life".
ํ†ตํ•ฉ๊ต๊ณผ์—์„œ๋Š” โ€˜์ฃผ์ œ, ์„ฑ์ทจ๊ธฐ์ค€, ๊ธฐ๋Šฅ, ๊ต๊ณผ ์—ญ๋Ÿ‰โ€™์„ ๊ฐ€๋ฅด์ณ์•ผ ํ•  ์š”์†Œ๋กœ ์„ค์ •ํ•˜๊ณ , ์ฃผ์ œ๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ํ†ตํ•ฉ ์ง€๋„ํ•ด์•ผ ํ•œ๋‹ค๋Š” ๊ด€์ ์„ ์ œ์‹œํ•˜์˜€๋‹ค.
We set themes, performance standard, function and curricular competencies as main teaching points in the integrated textbook to teach, and suggested a teaching strategy based on integrated theme-based learning.
์…‹์งธ, ๊ณ„์ ˆ๋ณ„ ํ‘œํ˜„, ๋†€์ด, ์‹ ์ฒด ํ™œ๋™ ๋“ฑ์„ ํ† ๋Œ€๋กœ ์ธ๊ฐ„ ์‚ถ์˜ ์–‘์‹, ์ฆ‰ โ€˜๋ฌธํ™”โ€™๋ฅผ ํ•™์Šตํ•  ์ˆ˜ ์žˆ๊ฒŒ ํ•˜์˜€๋‹ค.
Third, It enabled students to learn the patterns of human life, namely culture through season description, play and physical activities.
๊ณต๊ฐ„์˜ ํ™•์žฅ์— ๋”ฐ๋ฅธ ์ฃผ์ œ๋Š” ํ•™์ƒ๋“ค์„ ๋‘˜๋Ÿฌ์‹ผ ์ƒํ™œ ๊ณต๊ฐ„์„ โ€˜ํ•™๊ต, ๊ฐ€์กฑ, ์ด์›ƒ, ๋‚˜๋ผโ€™๋กœ ํ™•๋Œ€ํ•ด ๋‚˜๊ฐ€๋Š” ๊ตฌ์กฐ๋กœ ์ œ์‹œ๋˜์–ด ์žˆ๋‹ค.
Themes that expand the childrenโ€™s environment were suggested in the expansive structure of "school, family, neighbors, country".
์ด๋Ÿฌํ•œ ์ฃผ์ œ ํ•™์Šต์„ ์‹คํ–‰ํ•˜๊ธฐ ์œ„ํ•ด์„œ๋Š” ์ฃผ์ œ ํ•™์Šต์˜ ๋‚ด์šฉ๊ณผ ํŠน์ง•์— ๋ถ€ํ•ฉํ•˜๋Š” ์ œ์žฌ์˜ ์„ ์ •๊ณผ ํ™œ๋™ ๊ตฌ์„ฑ์ด ์ค‘์š”ํ•  ๊ฒƒ์œผ๋กœ ํŒ๋‹จ๋œ๋‹ค.
To implement such theme-based learning, we need to choose materials, which match the content and topic of the activity.
์ด ๊ตญ์•… ์ œ์žฌ๋“ค์€ ๊ฐ€์„์˜ ๋ชจ์Šต๊ณผ ๋А๋‚Œ์„ ์ฐฝ์˜์ ์œผ๋กœ ํ‘œํ˜„ํ•˜๊ธฐ, ๊ฐ€์„๊ณผ ๊ด€๋ จ๋œ ๋†€์ดํ•˜๊ธฐ, ๋ฏผ์†๋†€์ด ํ•˜๊ธฐ์˜ ์„ฑ์ทจ๊ธฐ์ค€์„ ๊ตฌํ˜„ํ•˜๊ธฐ ์œ„ํ•ด ํ™œ์šฉ๋˜์—ˆ๋‹ค.
These Korean traditional music materials were utilized to create performance standard related to creative expression of autumn sentiments and symbols, play in the autumn, and traditional autumn games.
์ด ์ฃผ์ œ์—์„œ๋Š” ๋„ํ† ๋ฆฌ ๋ชจ์œผ๊ธฐ ๋†€์ด, ์ž ์ž๋ฆฌ ์žก๊ธฐ ๋†€์ด, ๊ฐ•๊ฐ•์ˆ ๋ž˜ ๋†€์ด์™€ ๊ฐ™์ด โ€˜๋†€์ดํ•˜๊ธฐโ€™ ๊ธฐ๋Šฅ์ด ๋‹ค์ˆ˜ ๊ตฌํ˜„๋˜์–ด ์žˆ๋‹ค.
Under this theme, we created play-related activities such as collecting acorns, catching dragonflies, traditional Korean dance (ganggangsullae).
๊ทธ๋ฆฌ๊ณ  ๋‚จ๋ถํ•œ์˜ ๋†€์ด์™€ ํ†ต์ผ์— ๋Œ€ํ•œ ๊ด€์‹ฌ์„ ๋ถˆ๋Ÿฌ์ผ์œผํ‚ฌ ์ˆ˜ ์žˆ๋„๋ก โ€˜ํŒŒ์ฃผ ๋‹ค๋ฆฌ ๋นผ๊ธฐโ€™, โ€˜ํ™ฉํ•ด๋„ ๋‹ค๋ฆฌ ๋นผ๊ธฐโ€™๋ฅผ ์ˆ˜๋กํ•ด ๋†“์•˜๋‹ค.
Moreover, we included traditional songs like "Paju dali ppaegi" or "Hwanghaedo dali ppaegi" to provoke interest in South and North Korea and unification.
์ฃผ์ œ ํ•™์Šต์— ์ ์ ˆํ•œ ๊ตญ์•… ๊ณก์„ ์ˆ˜๋กํ•˜๋Š” ๊ฒƒ์˜ ์–ด๋ ค์›€์€ โ€˜๋ด„โ€™ ์ฃผ์ œ์— ์ˆ˜๋ก๋œ โ€˜๋ด„์•„ ์–ด๋””๊นŒ์ง€ ์™”๋‹ˆโ€™์˜ ์‚ฌ๋ก€์—์„œ ์—ฌ์‹คํžˆ ๋‚˜ํƒ€๋‚œ๋‹ค.
The difficulty of listing appropriate to theme-based learning Korean traditional music is clearly depicted in the case of the song "Spring, How far have you come?".
๊ทธ๋Ÿฐ๋ฐ ๊ต์‚ฌ์šฉ ์ง€๋„์„œ์˜ ๊ต์ˆ˜ยทํ•™์Šต ๊ณผ์ •์„ ์‚ดํŽด๋ณด๋ฉด, ์ค€๋น„ํ•˜๊ธฐ ๋‹จ๊ณ„์˜ ๋…ธ๋ž˜ ๋ถ€๋ฅด๊ธฐ ํ™œ๋™์—๋งŒ โ€˜๋ฒŒ์•„ ๋ฒŒ์•„ ๊ฟ€ ๋– ๋ผโ€™๋ฅผ ํ™œ์šฉํ•˜๊ณ  ์žˆ๋‹ค.
However, if we look at teaching-learning process in the teacherโ€™s guide book, "Bees, Bees, Collect Honey" is only used during the preparation stage of the singing activity.
ํ˜„ํ–‰ โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™๊ณผ๋Š” ํ†ตํ•ฉ๊ต๊ณผ์˜ ํŠน์„ฑ์„ ์ง€๋‹ˆ๊ธฐ ๋•Œ๋ฌธ์— ์Œ์•…๊ณผ ๊ต์œก๊ณผ์ •์— ๊ทผ๊ฑฐํ•˜์—ฌ ๊ตญ์•… ํ™œ๋™์„ ๊ตฌํ˜„ํ•˜๋Š” ๊ฒƒ๊ณผ๋Š” ์ฐจ๋ณ„์„ฑ์ด ์žˆ๋‹ค.
The current subject "Pleasant life" has similar features to integrated curriculum subjects, so it is different from the introduction of Korean traditional music activity through music and curricular learning.
๋ณธ ์—ฐ๊ตฌ๋Š” ์ฐจ๊ธฐ ๊ต์œก๊ณผ์ •์— ๋Œ€๋น„ํ•˜์—ฌ ํ†ตํ•ฉ๊ต๊ณผ โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™ ๊ณผ์—์„œ ์ด๋ฃจ์–ด์ ธ์•ผ ํ•  ๊ตญ์•… ๊ต์œก์— ๋Œ€ํ•ด ๋…ผ์˜ํ•œ ์˜์˜๊ฐ€ ์žˆ๋‹ค.
The purpose of this research is to discuss Korean traditional music as a part of integrated subjects and the subject "Pleasant life" in preparation for the next curriculum.
์„ ํ–‰์—ฐ๊ตฌ๋ฅผ ์‚ดํŽด๋ณด๋ฉด, ์ฃผ๋กœ โ€˜์ฆ๊ฑฐ์šด ์ƒํ™œโ€™๊ณผ์˜ ๊ตญ์•…๊ณก ์ˆ˜๋ก ์–‘์ƒ๊ณผ ์ง€๋„ ๋ฐฉ์•ˆ, ์ „๋ž˜๋™์š” ๊ต์œก์— ๋Œ€ํ•œ ๋…ผ์˜๊ฐ€ ์ด๋ฃจ์–ด์ ธ ์™”๋‹ค.
Looking at preceding research, there is a discussion mainly about the subject "Pleasant life", listing Korean traditional music and the method of teaching traditional childrenโ€™s songs.
ํ†ตํ•ฉ๊ต๊ณผ ๊ต์œก๊ณผ์ •์—์„œ๋Š” ํ•™์ƒ๋“ค์ด ์‹œ๊ฐ„์˜ ํ๋ฆ„์— ๋”ฐ๋ผ ์‹ค์ƒํ™œ์˜ ๋งฅ๋ฝ์„ ๊ฒฝํ—˜ํ•  ์ˆ˜ ์žˆ๋„๋ก ๊ณ„์ ˆ์˜ ๋ณ€ํ™”๋ฅผ ์ค‘์‹ฌ์œผ๋กœ ์ฃผ์ œ๋ฅผ ์„ค์ •ํ•˜์˜€๋‹ค.
The integrated curriculumโ€™s seasonal topics were planned for the students to experience the authenticity of real life, reflecting the time change.
๋˜ํ•œ โ€˜์—ฌ๋ฆ„ ์ƒํ™œโ€™ ์†Œ์ฃผ์ œ์— ํ•ด๋‹นํ•˜๋Š” ๊ตญ์•… ๊ณก์„ ํ†ตํ•ด ์‹ฌ๋ฏธ์  ๊ฐ์„ฑ ์—ญ๋Ÿ‰์„ ์ง€๋„ํ•˜๋„๋ก ๊ต๊ณผ ์—ญ๋Ÿ‰์„ ์„ค์ •ํ•ด ๋†“์•˜๋‹ค.
Also, curricular competencies were centered around enhancing the studentsโ€™ aesthetic competence through Korean traditional music, which corresponds to the sub-theme of "summer life".
๋‹ค์Œ์€ ์ฃผ์ œ๋ณ„ ๊ตญ์•… ์ œ์žฌ์˜ ๊ต์œก๊ณผ์ • ๊ตฌํ˜„ ์–‘์ƒ์„ ์„ฑ์ทจ๊ธฐ์ค€, ๊ธฐ๋Šฅ, ๊ต๊ณผ ์—ญ๋Ÿ‰, ๊ต๊ณผ์„œ ํ™œ๋™์— ๋”ฐ๋ผ ์ •๋ฆฌํ•œ ๊ฒƒ์ด๋‹ค.
The following is a summary of the curriculum implementation patterns of Korean traditional music materials by subject, performance standard, functions, curriculum competencies, and textbook activities.
์…‹์งธ, โ€˜์ด์›ƒโ€™ ์ฃผ์ œ์—๋Š” โ€˜๊ธธ๋กœ ๊ธธ๋กœ ๊ฐ€๋‹ค๊ฐ€โ€™, โ€˜๊ฟฉ ๊ฟฉ ์žฅ ์„œ๋ฐฉโ€™, โ€˜๋ชฉ๋„ ์†Œ๋ฆฌโ€™, โ€˜์žฅ์‚ฌ๊พผ ๋…ธ๋ž˜โ€™๊ฐ€ ์ˆ˜๋ก๋˜์–ด ์žˆ๋‹ค.
Third, the following songs were included under the โ€œneighborhood" theme: "Road, Road through Road" (traditional childrenโ€™s song), โ€œPheasant, Pheasant Mr.Jang" (traditional childrenโ€™s song), "Mokdo Sound" (labor song), and "Merchant song" (traditional childrenโ€™s song).
๋„ท์งธ, โ€˜๋‚˜๋ผโ€™ ์ฃผ์ œ์—์„œ๋Š” ์šฐ๋ฆฌ๋‚˜๋ผ์˜ ์ƒ์ง•์„ ์ง€๋„ํ•˜๋Š” ๋ฐฉ์•ˆ์œผ๋กœ โ€˜๋‚จ์ƒ์•„ ๋†€์•„๋ผโ€™๋ฅผ ์ˆ˜๋กํ•˜์—ฌ ๋†€์ด ๋ฌธํ™”๋ฅผ ๊ฒฝํ—˜ํ•  ์ˆ˜ ์žˆ๊ฒŒ ํ•˜์˜€๋‹ค.
Fourth, under the "country" theme, students are allowed to experience play culture and learn about traditional Korean symbols through the song "Letโ€™s play Namsaeng".
๊ทธ๋Ÿฌ๋‚˜ ๊ตญ์•… ํ™œ์šฉ์— ์žˆ์–ด ๋ช‡ ๊ฐ€์ง€์˜ ๋ฌธ์ œ์ ๋„ ๋ฐœ๊ฒฌํ•  ์ˆ˜ ์žˆ์—ˆ๋Š”๋ฐ, ์ด์— ๋Œ€ํ•ด ๋‹ค์Œ์˜ ํ•ญ๋ชฉ์— ๋”ฐ๋ผ ์‚ดํŽด๋ณด๊ฒ ๋‹ค.
However, several problems were found about utilizing Korean traditional music in teaching, which will be examined according to the following items.
๊ทธ๋Ÿฌ๋‚˜ ์ฃผ์ œ ํ•™์Šต๊ณผ ์ง.๊ฐ„์ ‘์ ์ธ ๊ด€๋ จ์„ฑ์„ ์ง€๋‹Œ ๊ตญ์•… ๊ณก์„ ์ฐพ๊ธฐ ์–ด๋ ต๊ณ  ๊ทธ ์—ญ์‹œ ๋งค์šฐ ํ•œ์ •์ ์ด๋ผ๋Š” ๋ฌธ์ œ๊ฐ€ ์žˆ๋‹ค.
Itโ€™s difficult to find direct or indirect relativity between Korean traditional music and theme-based learning. Such relativity is limited.